This is a modern-English version of The magic of jewels and charms, originally written by Kunz, George Frederick.
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Transcriber’s Note:
Transcriber's Note:
The cover image was created by the transcriber and is placed in the public domain.
The cover image was made by the transcriber and is available in the public domain.
BEING A DESCRIPTION OF THEIR SENTIMENTS AND FOLKLORE, SUPERSTITIONS, SYMBOLISM, MYSTICISM, USE IN PROTECTION, PREVENTION, RELIGION AND DIVINATION, CRYSTAL GAZING, BIRTH-STONES, LUCKY STONES AND TALISMANS, ASTRAL, ZODIACAL, AND PLANETARY
BEING A DESCRIPTION OF THEIR FEELINGS AND FOLK BELIEFS, SUPERSTITIONS, SYMBOLISM, MYSTICISM, USE IN PROTECTION, PREVENTION, RELIGION AND DIVINATION, CRYSTAL GAZING, BIRTHSTONE, LUCKY STONES AND TALISMANS, ASTRAL, ZODIAC, AND PLANETARY
With 86 illustrations in color, doubletone and line. Octavo. Handsome cloth binding, gilt top, in a box. $5.00 net. Carriage charges extra.
With 86 color illustrations, doubletone images, and line art. Octavo size. Nice cloth binding with a gold top, packaged in a box. $5.00 net. Shipping charges extra.
This work represents the observations and discoveries during twenty-five years of collecting on the part of Dr. Kunz, and will be found a rarely interesting galaxy of anecdote, research, and information upon a fascinating subject.
This work showcases the observations and discoveries made over twenty-five years of collecting by Dr. Kunz, and it offers a uniquely interesting collection of anecdotes, research, and information on a captivating topic.

By courtesy of W. Griggs and Sons, Ltd., London.
MODEL OF A HINDU LADY, ILLUSTRATING THE MODE OF WEARING JEWELRY IN NORTH INDIA
From the Journal of Indian Art.
Courtesy of W. Griggs and Sons, Ltd., London.
MODEL OF A HINDU WOMAN, SHOWING HOW JEWELRY IS WORN IN NORTH INDIA
From the Journal of Indian Art.

The Power of Gems and Charms

OFFICIER DE LA LÉGION D’HONNEUR AND FOUNDER OF THE SCHOOL OF MINES, COLUMBIA UNIVERSITY, AN ARDENT LOVER OF MINERALS, KEENLY APPRECIATIVE OF PRECIOUS STONES, AND A KINDLY FRIEND OF THE AUTHOR, THIS VOLUME IS RESPECTFULLY DEDICATED
OFFICER OF THE LEGION OF HONOR AND FOUNDER OF THE SCHOOL OF MINES, COLUMBIA UNIVERSITY, A PASSIONATE ENTHUSIAST FOR MINERALS, DEEPLY APPRECIATIVE OF PRECIOUS STONES, AND A GENEROUS FRIEND OF THE AUTHOR, THIS VOLUME IS RESPECTFULLY DEDICATED
Preface

Jewels, gems, stones, superstitions and astrological lore are all so interwoven in history that to treat of either of them alone would mean to break the chain of association linking them one with the other.
Jewels, gems, stones, superstitions, and astrological beliefs are all so intertwined in history that discussing just one of them would disrupt the connection that links them all together.
Beauty of color or lustre in a stone or some quaint form attracts the eye of the savage, and his choice of material for ornament or adornment is also conditioned by the toughness of some stones as compared with the facility with which others can be chipped or polished.
Beauty in color or shine of a stone, or some unique shape, catches the eye of the primitive person, and their selection of materials for decoration or embellishment is also influenced by the durability of certain stones compared to how easily others can be shaped or smoothed.
Whereas a gem might be prized for its beauty by a single individual owner, a stone of curious and suggestive form sometimes claimed the reverence of an entire tribe, since it was thought to be the abode or the chosen instrument of some spirit or genius.
Whereas a gem might be cherished for its beauty by one person, a stone with an interesting and meaningful shape sometimes earned the respect of an entire tribe, as it was believed to be the home or the preferred tool of a spirit or guardian.
Just as the appeal to higher powers for present help in pressing emergencies preceded the development of a formal religious faith, so this never-failing need of protectors or healers eventually led to the attribution of powers of protection to the spirits of men and women who had led holy lives and about whose history legend had woven a web of pious imaginations at a time when poetic fancy reigned instead of historic record. The writer still holds that true sentiment, the antithesis of superstitious dread, is good for all mankind—sentiment meaning optimism as truly as superstition stands for pessimism—and that even the fancies generated by sentiment are helpful to us and make us happier; and surely happiness often means health, and happiness and health combined aid to evolve that other member of the triumvirate, wealth. Do we not often wish for the union of these three supreme blessings?
Just like the call for higher powers in urgent situations came before the establishment of formal religious beliefs, this constant need for protectors or healers eventually led to attributing protective powers to the spirits of individuals who had lived virtuous lives, and about whom legends created a rich tapestry of devotion during a time when creativity was more common than historical accuracy. The author still believes that genuine sentiment, which is the opposite of superstitious fear, is beneficial for everyone—sentiment reflecting optimism just as superstition represents pessimism—and that even the dreams sparked by sentiment are useful to us and enhance our happiness; and indeed, happiness often translates to health, and the combination of happiness and health helps to foster that other key element of the trifecta, wealth. Don’t we often hope for the combination of these three great blessings?
viiiAt all times and in all periods there have been optimists and pessimists, the former animated by the life-bringing sentiment of hope, and the latter oppressed by the death-dealing sense of fear. Let us always choose a happy medium between a foolish excess of hope and an unreasonable apprehension of future troubles. The world’s history and our own experience show us that it is the optimist who has caused the world to progress, and we should trust and believe that the sentiment of hope and faith will always animate humanity.
viiiThroughout history, there have always been optimists and pessimists. The optimists are driven by a hopeful outlook, while the pessimists are weighed down by fear. We should always strive for a balance between being overly hopeful and being unreasonably fearful of what’s to come. History and our personal experiences demonstrate that it’s the optimists who have pushed the world forward, and we should trust that hope and faith will always inspire humanity.
We know that for centuries it has been believed that amber necklaces protect children from cold. May we not also now add that to pearls the same qualities are attributed? There must be a reason for this. May not this belief be ascribed to the circumstance that in the wearing of either of these gems their virtue consists in the fact that the necklaces do not cover the neck? In other words, they are worn on the bare throat and the opinion prevails that an exposed neck means less liability to cold. For, where the neck is never overheated and then suddenly chilled, a normal temperature being maintained, there should be protection from colds and from the many ills resulting from them. As to pearls, this might serve to illustrate the poetic fancy that these sea-gems are tears by angels shed to bring mortals joy.
For centuries, people have believed that amber necklaces protect children from the cold. Can we now also say that the same qualities are attributed to pearls? There has to be a reason for this. Could this belief come from the fact that wearing either of these gems means the necklaces don't cover the neck? In other words, they are worn on the bare throat, and there's a common belief that an exposed neck is less likely to be affected by the cold. After all, if the neck never gets overheated and then suddenly chilled, maintaining a normal temperature should provide protection from colds and the many illnesses that come with them. As for pearls, this belief might also illustrate the poetic idea that these sea-gems are tears shed by angels to bring joy to mortals.
Having collected a large mass of material, ethnological, historical and legendary, in the course of personal observations and study, it was decided that the companion volume, the twin sister of “The Curious Lore of Precious Stones,” need not treat of gems alone.
Having gathered a significant amount of ethnological, historical, and legendary material through personal observations and research, it was decided that the companion volume, the twin sister of “The Curious Lore of Precious Stones,” doesn’t have to focus on gems alone.
For courtesies, information and illustrations I am indebted to the following to whom my sincere thanks are due: Prof. T. Wada, of Tokyo, Japan; Dr. G. O. Clerc, President of the Societe Curalienne des Amis des Sciences Naturelles, ixEkaterineburg, Russia; Dr. Charles Braddock, late Medical Inspector to the King of Siam; Sir Charles Hercules Reed, Curator of Archæology, British Museum, London; A. W. Feavearyear, London; Dr. Peter Jessen, Librarian of the Kunstegewerbe Museum of Berlin; Miss Belle DaCosta Green; Dr. Berthold Laufer, Oriental Archæologist, Field Museum of Natural History, Chicago; Dr. Oliver P. Farrington, Field Museum of Natural History, Chicago; Hereward Carrington, Psychist, New York; Dr. W. Hayes Ward, Archæologist and Babylonian Scholar; Mrs. Henry Draper, New York; W. W. Blake, Mexico City, who has done so much to encourage Mexican archæological investigation; Dr. Edward Forrester Sutton, New York; Dr. W. H. Holmes of the United States Bureau of Ethnology, Washington; Mr. McNeil M. Judd, Archæologist, United States National Museum; Dr. Arthur Fairbanks, Director of the Boston Museum of Fine Arts; Tan Sien Ko, Government Archæologist of Burma; Dr. Charles C. Abbott, Archæologist, Trenton, N. J.; Edgar T. Willson, of the Jewelers’ Circular Publishing Co.; Dr. Edward H. Thompson, Archæologist, of Progreso, Yucatan, Mexico, and Cambridge, Mass.; Rev. Charles Sadleir of Aurcaria, Chile; Mrs. Nona Lebour of Corbridge-on-Tyne, England; and Dr. Charles P. Fagnani, Union Theological Seminary, New York City.
For their courtesies, information, and illustrations, I am grateful to the following people, to whom I extend my sincere thanks: Prof. T. Wada, Tokyo, Japan; Dr. G. O. Clerc, President of the Societe Curalienne des Amis des Sciences Naturelles, Ekaterineburg, Russia; Dr. Charles Braddock, former Medical Inspector to the King of Siam; Sir Charles Hercules Reed, Curator of Archaeology, British Museum, London; A. W. Feavearyear, London; Dr. Peter Jessen, Librarian of the Kunstegewerbe Museum in Berlin; Miss Belle DaCosta Green; Dr. Berthold Laufer, Oriental Archaeologist, Field Museum of Natural History, Chicago; Dr. Oliver P. Farrington, Field Museum of Natural History, Chicago; Hereward Carrington, Psychist, New York; Dr. W. Hayes Ward, Archaeologist and Babylonian Scholar; Mrs. Henry Draper, New York; W. W. Blake, Mexico City, who has greatly supported Mexican archaeological research; Dr. Edward Forrester Sutton, New York; Dr. W. H. Holmes of the United States Bureau of Ethnology, Washington; Mr. McNeil M. Judd, Archaeologist, United States National Museum; Dr. Arthur Fairbanks, Director of the Boston Museum of Fine Arts; Tan Sien Ko, Government Archaeologist of Burma; Dr. Charles C. Abbott, Archaeologist, Trenton, N. J.; Edgar T. Willson of the Jewelers’ Circular Publishing Co.; Dr. Edward H. Thompson, Archaeologist, from Progreso, Yucatan, Mexico, and Cambridge, Mass.; Rev. Charles Sadleir of Aurcaria, Chile; Mrs. Nona Lebour of Corbridge-on-Tyne, England; and Dr. Charles P. Fagnani, Union Theological Seminary, New York City.
Contents
CHAPTER | PAGE | |
I. | Magic Stones and Electric Gems | 1 |
II. | On Meteorites, or Space Rocks | 72 |
III. | Healing Crystals | 118 |
IV. | On the Benefits of Amazing Stones, Concretions, and Fossils | 160 |
V. | Snake Stones and Bezoars | 201 |
VI. | Angels and Grace Ministers | 241 |
VII. | On the Religious Use of Different Stones | 277 |
VIII. | Amulets: Ancient, Medieval, and Eastern | 313 |
IX. | Amulets from Ancient Cultures and Today | 348 |
X. | Facts and Myths about Precious Stones | 377 |
Illustrations
COLOR PLATES | |
PAGE | |
---|---|
Model of a Hindu woman, showing how jewelry is worn in North India. | Frontispiece. |
Jade Bell from the K’ien-lung Period (1731–1795) | 143 |
1, 1½. Emerald That Once Belonged to the Overthrown Sultan of Turkey. 2. Almandine Garnet. 3. Sardonyx Idol - Eye of a Babylonian Bull. 4. Aquamarine Seal | 159 |
Illustrating Valuable Stones and Minerals Used for Seals in Ancient Assyria and Babylonia | 242 |
Perforated jade disk named Ts’ang Pi, a Chinese Symbol of the God Heaven (T’ien) | 302 |
Turquoise-Inlaid Items, Likely Amulets, Discovered at Pueblo Bonito, New Mexico | 353 |
Hilt of the Jewelled Sword Presented by the Greeks of the United States on Easter Day, 1913, to Crown Prince of Greece, Later King Constantine XII | 370 |
DOUBLETONES | |
Indian Healers | 18 |
Chalcedony and Agate Pebbles from Pescadero Beach, San Mateo County, California | 30 |
Pebble Beach, Redondo, Los Angeles County, California | 30 |
Hindu Wearing a Set of Ancestral Pebbles as Amulets | 37 |
Killing a dragon to get its valuable gem. | 45 |
Naturally Colored Stone | 45 |
A Simple Device for Demonstrating the Electric Properties of Tourmaline | 54 |
Faceted Amber Bead Necklace | 63 |
Vignette from the “Lapidario de Alfonso X, Original Codex” | 69 |
The "Madonna Di Foligno" by Raphael | 73 |
The Kaaba in Mecca | 84 |
“Ahnighito,” the Great Cape York Meteorite, weighing over 36½ tons | 96 |
“The Woman,” Cape York Meteorite | 97 |
“The Dog,” Cape York Meteorite | 98 |
Two Perspectives on the Willamette Meteorite Now at the American Museum of Natural History, New York City | 99 |
Flint Amulets from the Predynastic Period in Egypt | 108 |
xivThe "Ortus Sanitatis" by Johannis De Cuba, published in Strasbourg in 1483. | 122 |
Famous Pearl Necklace of the Tragic Empress Carlotta, Widow of Emperor Maximilian of Mexico | 126 |
Jade Tongue Amulets for the Deceased. Chinese | 139 |
Front page of Museum Wormianum | 141 |
Ancient Persian Artifact Known as the “Cup of Chosroes” | 154 |
Bezoars of Emperor Rudolph II, Now at the Hofmuseum, Vienna | 216 |
Frontispiece and Title Page of Francesco Redi’s “Experimenta Naturalia,” Amsterdam 1675, and Two Sample Pages from This Work | 232 |
Types of Tabasheer | 233 |
Tabasheer Samples | 235 |
Zodiac Mohurs, minted by the Mughal emperor Shah Jahan, around 1628 | 246 |
The Medieval View of the Universe, the Layers of Planets, Including the Sun, and Beyond Them the Crystal Sky and the Highest Heaven | 248 |
The Angel Raphael Turning Down the Gifts Offered by Tobit | 250 |
Santa Barbara | 258 |
Bloodstone Medallion, Depicting the Santa Casa of Loreto Being Carried by Angels from Galilee to Dalmatia | 267 |
Chinese Jade Amulets for the Deceased | 283 |
La Madonna Della Salute, by Ottaviano Nelli | 287 |
Annual Ceremony in the Mogul Empire for Weighing the Sovereign Against Precious Metals, Jewels, and Other Valuable Items, Which Were Given as Gifts. | 301 |
The Sacred Well of Chichen Itzá | 307 |
Carved and Crafted Stones from the Sacred Well at Chichen Itzá, Yucatan, Mexico | 308 |
Eye Agates | 315 |
Types of Egyptian Seals and Scarabs in the Murch Collection, Metropolitan Museum of Art, New York | 316 |
Colossal Black Granite Scarab, British Museum | 320 |
A Medieval Spell | 328 |
From a Portrait of Queen Elizabeth | 337 |
Complete View of the Ancient Jade Girdle-Pendant (From Ku Yü T’u P’u) | 341 |
Tibetan Woman in Full Jewelry | 343 |
“The Light of the East” | 345 |
Indian Healer | 354 |
xvHei-Tiki Necklaces of New Zealand | 362 |
Jewelled sword presented by the Greeks of the United States to Crown Prince Constantine, who later became King Constantine XII of Greece, on Easter Day, 1913. Top of the scabbard, featuring a didrachm of Alexander the Great. | 373 |
Hilt Side View | 373 |
"The Legend of the Moonstone," signed for this work by the poem's author, Dr. Edward Forrester Sutton | 386 |
Cleopatra Dissolving Her Invaluable Pearl at the Banquet for Mark Antony | 394 |
LINE CUTS | |
Title page of One of the First Treatises on Meteorites | 91 |
Types of Thunderstones | 111 |
Fifteenth Century Pharmacy Interior | 122 |
Extracting Toadstone | 162 |
Toad-stones. Natural formations of claystone and limonite. | 163 |
Types of Cheloniæ (Tortoise-stones). Natural Concretions | 171 |
Chelidonius, or "Swallow Stones" | 172 |
Ætites | 175 |
Extracting an Alectorius | 179 |
Alectorius | 180 |
Lapis Manati | 182 |
Lapis Malacensis, Stone of the Hedgehog or Porcupine | 183 |
Lapis Judaicus. Pentremite Heads | 187 |
Glossopteris. Fossil Shark Teeth | 188 |
Belemnites. Fossilized bony tip of an extinct cuttlefish. | 191 |
Brontia. Fossil Sea Urchins | 193 |
Trochites } Fossil } Crinoid Enastros } Stems |
194 |
Bucardites Triplex | 195 |
Types of Ombria (Fossil Sea Urchins) | 196 |
Cornu Ammonis (Fossil Nautilus) | 197 |
Samples of Astroites (Asteria) or Fossil Coral | 199 |
Using a Bezoar to Treat Someone Who's Been Poisoned | 202 |
Monkey bezoar | 204 |
1. Hedgehog stone from Malacca. 2, 3. Fake stones of this type made in Ceylon. | 205 |
Calculi Removed from the Bladder of Pope Pius V | 220 |
Types of the Ovum Anguinum: Echinites (Sea Urchins) | 222 |
Hair Snake | 236 |
Canadian Indigenous Healer | 357 |
The Birth of the Opal | 374 |
Indian Baroque Pearl | 392 |
I
Magic Stones and Electric Gems

While the precious and semi-precious stones were often worn as amulets or talismans, the belief in the magic quality of mineral substances was not confined to them, but was also held in regard to large stone masses of peculiar form, or having strange markings or indentations; moreover, many small stones, possessing neither worth nor beauty, were thought to exert a certain magical influence upon natural phenomena. An occult power of this sort was also attributed by tradition to some mythical stones, the origin of this fancy being frequently explicable by the quality really inherent in some known mineral bearing a designation closely similar to that bestowed upon the imaginary stone.
While precious and semi-precious stones were often worn as amulets or charms, the belief in the magical properties of mineral substances wasn't limited to those stones. People also held similar beliefs about large rock formations with unusual shapes or strange markings and indentations. Additionally, many small stones that lacked value or beauty were thought to have a certain magical influence on natural events. This kind of hidden power was also traditionally attributed to some mythical stones, with the origin of this idea often explainable by the actual properties of some known minerals that had names similar to those of the imaginary stones.
To certain stones has been attributed the power to produce musical tones, the most famous example being the so-called “Vocal Memnon” of Thebes. This colossal statue was said to emit a melodious sound when the sun rose, and according to Greek legend this sound was a greeting given by Memnon to his mother, the Dawn. It appears, however, that the statue was a respecter of persons, for when the Emperor Hadrian presented himself before it, he is said to have heard the sound three times, whereas common mortals heard it but once, or at most twice, while occasionally the statue withheld its greeting altogether. A modern traveller relates a personal experience that may cast a side-light upon 2this matter. His visit to Thebes was made in the evening, but a fellah who was standing near the statue asked him whether he wished to hear the musical sound. Of course the reply was in the affirmative. Thereupon the man climbed up the side of the colossal figure and hid himself behind the elbow. In a moment sharp metallic sounds became audible; not a single sound, but several in succession. Knowing from their quality that they could not proceed from the stone, the traveller asked his donkey-boy for an explanation and was told that the man was striking an iron bar. In ancient times the priests probably performed this or a similar trick in a much more skilful way than did the poor fellah, so that the mystery of the statue was carefully guarded.[1]
Certain stones have been said to have the power to produce musical tones, with the most famous example being the “Vocal Memnon” of Thebes. This massive statue was said to make a melodious sound at sunrise, which Greek legend claims was Memnon greeting his mother, the Dawn. However, it seems the statue favored certain people; when Emperor Hadrian approached it, he reportedly heard the sound three times, while regular folks heard it only once or at most twice. Occasionally, it wouldn’t make any sound at all. A modern traveler shares his experience that sheds some light on this issue. He visited Thebes in the evening, and a local man nearby asked if he wanted to hear the musical sound. Naturally, he responded yes. The man then climbed up the massive statue and hid behind the elbow. Moments later, sharp metallic sounds could be heard—multiple in succession. Recognizing that they couldn’t be coming from the stone, the traveler asked his donkey-boy for an explanation and was told that the man was hitting an iron bar. In ancient times, priests likely performed this or a similar trick with much more skill than the poor local, ensuring the statue's mystery was well protected.[1]
The river Hydaspes was said to furnish a “musical stone.” When the moon was waxing, this stone gave forth a melodious sound.[2] This should be understood in the sense that when the stone was struck at that season the sound was different from what it was at other times—a fanciful idea based on some supposed sympathy between the stone and the moon. As moonstones are rarely larger than a silver dollar, they would not emit a sound upon being struck, and it is probably a rock known as “chinkstone” (phonolite) that is referred to, an igneous rock, very hard and resonant, that has been found in elongated and flat pebbles of large size; they ring with the resonance of bells when struck. A sonorous stone at Megara is reported by Pausanias[3]; when struck, it emitted the sound of the chord of a lyre. This was explained by the tale that, while helping Alcathous to build 3the walls of his city, the god Apollo had rested his lyre on the stone.
The Hydaspes River was said to provide a “musical stone.” When the moon was growing fuller, this stone produced a melodious sound.[2] This means that when the stone was struck during that time, it made a different sound than at other times—a fanciful idea based on a supposed connection between the stone and the moon. Since moonstones are rarely larger than a silver dollar, they wouldn't make a sound when struck. It’s likely that the rock being referred to is known as “chinkstone” (phonolite), an igneous rock that is very hard and resonant, often found in large, flat pebbles. They ring like bells when struck. Pausanias[3] reports of a resonant stone in Megara; when struck, it produced the sound of a lyre chord. This was attributed to a story that while helping Alcathous build the walls of his city, the god Apollo rested his lyre on the stone.
The term sarcophagus is to us so clear and precise in its significance, that we do not stop to think that its etymology reveals it as literally meaning body-devourer. Tradition taught that a stone of this type was to be found near Assos in Lycia, Asia Minor, and also in some parts of the Orient. If attached to the body of a living person it would eat away the flesh. Another type, already noted by Theophrastus in the third century B.C., had the power of petrifying any object placed within receptacles made from it. If a dead person were buried in a “sarcophagus” of this material the body would not be consumed, but would, on the contrary, be turned to stone, even the shoes of the corpse and any utensils buried with it, would undergo a like wonderful change. Possibly actual observations of changes in the bodies of those long buried, their partial disintegration in some cases, and their hardening in others, may have given rise to the fancy that the stone receptacle in which they had reposed was directly the cause of this, whether it implied destruction or petrifaction.[4]
The term "sarcophagus" is so clear and specific in meaning to us that we often don't consider that its etymology literally translates to "body-devourer." Tradition states that a stone of this type was found near Assos in Lycia, Asia Minor, as well as in some areas of the Orient. If it was attached to the body of a living person, it would eat away the flesh. Another type, noted by Theophrastus in the third century B.C., had the ability to petrify any object placed inside containers made from it. If a dead person were buried in a "sarcophagus" made from this material, the body wouldn't be consumed; instead, it would turn to stone. Even the shoes of the corpse and any items buried with it would undergo a similar remarkable transformation. Actual observations of changes in the bodies of those long buried—some partially disintegrating and others hardening—may have led to the belief that the stone container in which they lay was directly responsible for this, whether it implied destruction or petrifaction.[4]
Of the substance named galactite, Pliny gives some details. He states that it came from the Nile, was of the color and had the odor of milk, and when moistened and scraped produced a juice resembling milk. The liquid derived from the galactite when taken as a potion by nurses was said to increase the flow of milk. If a galactite were bound to a child’s arm the effect was to promote the secretion of saliva. To these favorable effects must be added an unfavorable one, namely, loss of memory, which was said to befall occasionally those who wore the stone. A kind of “emerald with white veinings” was sometimes called galactite, and 4another variety had alternate red and white stripes or veins.[5] Perhaps this “emerald” was a variety of jade, or a banded jasper.
Of the substance called galactite, Pliny shares some details. He mentions that it came from the Nile, had a milk-like color and smell, and that when moistened and scraped, it produced a juice that looked like milk. The liquid from galactite, when taken as a drink by nurses, was said to boost milk production. If a galactite was tied to a child's arm, it was believed to stimulate saliva production. Along with these positive effects, there was also a negative one: occasionally, those who wore the stone reported memory loss. A type of "emerald with white veins" was sometimes referred to as galactite, while another type had alternating red and white stripes or veins. Perhaps this "emerald" was a type of jade or banded jasper. 4[5]
This so-called galactite, which enjoyed such an extraordinary reputation in ancient and medieval times, is not, properly speaking, a stone, but a nitrate of lime. The strange and famous relics of the Virgin preserved in many old churches and called “the Virgin’s milk,” were merely solutions of this nitrate. Possibly pieces of this so-called galactite were sometimes found by pilgrims in the grotto of Bethlehem, and were supposed to be petrified milk.[6] As everything in this sacred spot was regarded as connected in some way with the miraculous birth of Christ, it is easy to understand why the devout pilgrims came to believe that the milky-hued substance represented the milk of the Virgin, which had been preserved for future ages in this extraordinary way.
This so-called galactite, which had an extraordinary reputation in ancient and medieval times, isn't actually a stone but a nitrate of lime. The strange and famous relics of the Virgin found in many old churches, referred to as “the Virgin’s milk,” were just solutions of this nitrate. It’s possible that pieces of this so-called galactite were sometimes discovered by pilgrims in the grotto of Bethlehem and were thought to be petrified milk.[6] Since everything in this sacred place was seen as connected to the miraculous birth of Christ, it’s easy to understand why devout pilgrims came to believe that the milky-colored substance was the Virgin's milk, preserved for future generations in such an extraordinary way.
A kind of galactite, evidently a finely deposited form of carbonate of lime and perhaps absorbent, is mentioned by Conrad Gesner.[7] This was found on the Pilatus Mountain, Lake Lucerne, and is described by Gesner as being a “fungous and friable” substance, white and exceedingly light in weight. The natives called it Mondmilch (moonmilk) and it was sold in the pharmacies of Lucerne. The powder was used by physicians in the treatment of ulcers, and, like all the other galactites, it was supposed to increase the flow of milk and to develop the breasts. Besides this it was credited with somniferous virtues.
A type of galactite, clearly a finely deposited form of carbonate of lime and possibly absorbent, is mentioned by Conrad Gesner.[7] This was found on Mount Pilatus, near Lake Lucerne, and Gesner describes it as a “fungous and crumbly” substance, white and extremely light. The locals called it Mondmilch (moonmilk), and it was sold in the pharmacies of Lucerne. The powder was used by doctors to treat ulcers and, like other galactites, it was believed to increase milk production and promote breast development. In addition, it was thought to have sleep-inducing properties.
An old Mohammedan tradition, cited by Ibn Kadho Shobah in his Tarik al-Jafthi, relates that Noah, after the deluge, on setting out with the members of his family to 5settle and populate the regions to the eastward and northward of Mt. Ararat, confided to their care a miraculous stone known to the Turks as jiude-tash, to the Persians as senkideh and to the Arabs as hajer al-mathar, or the “rain-stone.” On it was impressed the word Aadhem or Aazem, the great name of God, by virtue of which whosoever possessed this stone could cause rain to fall whenever he pleased. In the long lapse of time this particular “precious” stone was lost, but some of the Turks were said to have certain stones endowed with a like power, and the more superstitious among these Turks solemnly asseverated that their “rain-stones” could beget progeny by a mysterious kind of generation.[8]
An old Muslim tradition, mentioned by Ibn Kadho Shobah in his Tarik al-Jafthi, tells that Noah, after the flood, set out with his family to settle and populate the areas to the east and north of Mt. Ararat. He entrusted them with a miraculous stone known to the Turks as jiude-tash, to the Persians as senkideh, and to the Arabs as hajer al-mathar, which means “rain-stone.” The Great Name of God, Aadhem or Aazem, was inscribed on it, allowing anyone who possessed this stone to summon rain whenever they wanted. Over time, this particular “precious” stone was lost, but some Turks were said to have stones with similar powers, and the more superstitious among them firmly claimed that their “rain-stones” could produce offspring through a mysterious kind of generation.[8]
Among the many stones or concretions endowed by medieval belief with wonderful powers, may be reckoned the “rain-making” stones. Some of these were to be found in Karmania, south of Khorassan. The miraculous effect was produced by rubbing one against another. The Arabic author who reports this declares that this rain-making power was a well-known fact. He adds that similar stones might be secured from near Toledo in Spain and also in the “land of Kimar,” inhabited by Turkish tribes.[9]
Among the many stones or concretions believed in medieval times to have amazing powers, we can include the “rain-making” stones. Some of these were found in Karmania, south of Khorassan. The miraculous effect was created by rubbing them against each other. The Arabic author who mentions this claims that the rain-making ability was a well-known fact. He also notes that similar stones could be found near Toledo in Spain and in the “land of Kimar,” where Turkish tribes live.[9]
The Oriental rain-stones noted by pseudo-Aristotle and by many other Arabic writers of medieval times, can be paralleled by similar rain-making or rain-inducing stones in many other parts of the world and among many primitive peoples even in modern times. The rain-makers of the African tribe of Wahumas, dwelling in the region bordering on the great Albert Nyanza Lake in Central Africa, use a black stone in the course of their magic rites. This is put 6into a vessel and water poured over it; the pulverized roots of certain herbs and some blood drawn from the veins of a black goat are then mixed with the water, and the resulting liquid mixture is thrown up into the air by the rain-maker.[10] The sorcerers among the Dieri in Central Australia place such trust in the efficacy of these conjurations as to believe that all rainfalls are produced thereby, generally through the intermediate action of ancestral spirits. If rain falls in a locality where no proceedings of the kind have taken place, then it is supposed that they have been initiated in some contiguous territory, a merely spontaneous and natural rainfall being out of the question. The clouds indeed generate the rain, but it will not be brought to the earth except by magic art. In the complicated magic ceremonies of these Dieri rain-makers, two large stones are employed; after a ceremonial, in the course of which the blood drawn from the two chief sorcerers is smeared over the bodies of the others, the stones are borne away by these two sorcerers for a distance of about twenty miles, and there put far up on the highest tree that can be found, the object evidently being to bring them as near to the clouds as possible.[11]
The Oriental rain stones mentioned by pseudo-Aristotle and many other Arabic writers from medieval times can be compared to similar rain-making or rain-inducing stones found in various parts of the world and among many indigenous peoples even today. The rain-makers of the African tribe of Wahumas, who live near the great Albert Nyanza Lake in Central Africa, use a black stone during their magical rituals. This stone is placed in a container, and water is poured over it; then, the crushed roots of certain herbs and some blood taken from the veins of a black goat are mixed with the water, and the resulting liquid is tossed into the air by the rain-maker.6 The sorcerers among the Dieri in Central Australia have such faith in the power of these rituals that they believe all rainfall is caused by them, usually through the intervention of ancestral spirits. If it rains in an area where no similar rituals have been performed, they assume that rituals have taken place nearby, as a completely natural rainfall is considered impossible. The clouds do indeed create the rain, but it will not reach the earth without magical intervention. In the complex magical ceremonies of these Dieri rain-makers, two large stones are used; after a ritual during which the blood from the two leading sorcerers is smeared on the bodies of the others, the stones are carried away by these two sorcerers for about twenty miles, and placed high up in the tallest tree available, with the clear intention of bringing them as close to the clouds as possible.[11]
Rock-crystal as a rain-compeller finds honor among the wizards of the Ta-ta-thi tribe in New South Wales, Australia. To bring down rain from the sky one of them will break off a fragment from a crystal and cast it heavenward, enwrapping the rest of the crystal in feathers. After immersing these with their enclosure in water, and leaving them to soak for a while, the whole is removed and buried 7in the earth, or hidden away in some safe place.[12] The widely spread fancy that rock-crystal is simply congealed water may have something to do with the choosing of this stone as a rain-maker.
Rock crystal is respected as a rain-bringer among the wizards of the Ta-ta-thi tribe in New South Wales, Australia. To summon rain from the sky, one of them will break off a piece of the crystal and throw it up towards the heavens, wrapping the remaining crystal in feathers. After soaking these in water for a while, the entire setup is taken out and buried in the ground or hidden in a safe spot. 7 The common belief that rock crystal is just frozen water might influence the choice of this stone as a rain-maker.
Sumatrans of Kota Gadanz use a stone whose form roughly resembles that of a cat in their invocations of rain, a live black cat being supposed in some parts of this island to have certain rain-producing virtues.[13] Perhaps the electric fur of the animal may have suggested a connection with thunder-storms. Stones of this type, indeed a great many of those to which magic properties are attributed, are in many cases smeared with the blood of fowls, or have incense offered to them, this treatment of such stones being observed by the peasants in Scandinavia and other parts of Europe as well as in the Far East.
Sumatrans from Kota Gadanz use a stone that looks somewhat like a cat in their rain rituals, as a live black cat is believed in some areas of the island to have special powers to bring rain.[13] It's possible that the cat's electric fur inspired a link to thunderstorms. Stones like this, and many others thought to have magical properties, are often covered in chicken blood or have incense burned for them. This practice is observed by farmers in Scandinavia and other parts of Europe, as well as in the Far East.
Stone crosses have sometimes been utilized as rain-bringers, as in the case of one belonging to St. Mary’s Church in the Island of Uist, one of the outer Hebrides, off the Scottish coast. When drought prevailed here the peasants would set up this cross which usually lay flat on the ground, in the confident belief that rain would ensue. Of course, sooner or later, it was sure to come, and then the cross, having done its duty, was quietly replaced in its former horizontal position.[14]
Stone crosses have sometimes been used as rain-bringers, like one at St. Mary’s Church on the Island of Uist, part of the outer Hebrides off the Scottish coast. When drought struck, the locals would stand this cross up from its usual flat position on the ground, believing that rain would follow. Eventually, rain would come, and once it did, the cross would be quietly returned to its original horizontal position.[14]
A mysterious stone mentioned in Rabbinical legend is called the shamir. This word occurs three times in the Old Testament (Jer. xvii, 1; Ezek. iii, 9; Zech. vii, 12), and in each signifies a material noted for its hardness. In the first 8of these passages there is express indication that the shamir was a pointed object used for engraving, and the word is translated “diamond” in our Bible; in the two other cases it is rendered “adamant” and “adamantine stone,” respectively, thus leaving the determination of the substance an open question. However, as it is almost certain that the Hebrews were not familiar with the diamond, shamir most probably signifies one of the varieties of corundum, the next hardest mineral to the diamond, and extensively used in classic times for engraving on softer stones.
A mysterious stone mentioned in Rabbinical legend is called the shamir. This word appears three times in the Old Testament (Jer. xvii, 1; Ezek. iii, 9; Zech. vii, 12), and in each case, it refers to a material known for its hardness. In the first 8 of these passages, it's specifically noted that the shamir was a pointed object used for engraving, and the word is translated as “diamond” in our Bible; in the other two instances, it is translated as “adamant” and “adamantine stone,” respectively, leaving the exact identity of the substance uncertain. However, since it's almost certain that the Hebrews were not familiar with diamonds, shamir likely refers to one of the varieties of corundum, the next hardest mineral after diamond, which was widely used in ancient times for engraving on softer stones.
In the luxuriant growth of legend that sprang up in Rabbinical times, the shamir is not forgotten. It is said to have been the seventh of the ten marvels created at the end of the sixth day of creation. In size, it is described as being not larger than a barley-corn, but it had the power to split up the hardest substances, if brought in contact with them, or even in their neighborhood. Some of the legends ascribe to it even more wonderful magic powers, so that, like Aladdin’s lamp, great buildings could be constructed by its help, Solomon having used it in the erection of the temple and other buildings. The etymology of the word indicates a pointed object, similar to our diamond-point, but in legend it is almost invariably described as a small worm, probably because of a fancied connection between this word and another designating a species of worm. Many have associated the Hebrew shamir with the Greek σμίρις, or emery.
In the rich tapestry of legends from Rabbinical times, the shamir isn’t overlooked. It's said to be the seventh of the ten wonders created at the end of the sixth day of creation. Its size is described as no bigger than a barley grain, but it had the ability to split the hardest materials, whether it touched them directly or was close by. Some legends attribute even more incredible magical abilities to it, claiming that, much like Aladdin’s lamp, it could help construct great buildings, with Solomon having used it to build the temple and other structures. The word’s etymology suggests a pointed object, similar to our diamond point, but in legends, it’s almost always described as a small worm, likely due to a supposed connection with another word that refers to a type of worm. Many have linked the Hebrew shamir with the Greek σμίρις, or emery.
The Hebrew shamir and the Greek ἀδάμας were both used metaphorically of hardness of heart and implacability. The Hebrew prophet Zechariah (vii, 12) says of the disobedient Jews that “they made their hearts as an adamant stone” (shamir), and the Greek poet Theocritus (fl. 228 B.C.) calls Pluto, the god of the infernal regions, “the adamas in Hades.” This clearly shows that invincible hardness was the common characteristic of the material designated by 9these words. However, it appears probable that while shamir signifies a form of corundum, the word adamas, as used by the early Greek writers, denoted a hard, metallic substance. Possibly, when iron first became known to the Greeks, the adjective ἀδαμάντινος, “indomitable,” was applied to it, and later the noun adamas was formed from this adjective and was used by the poets to signify an imaginary substance even harder than iron; hence, when the diamond became known in Greek lands, its extreme hardness suggested the application to it of this name.[15]
The Hebrew shamir and the Greek diamond were both used metaphorically to describe hard-heartedness and unyieldingness. The Hebrew prophet Zechariah (vii, 12) says of the disobedient Jews that “they made their hearts as hard as adamant stone” (shamir), and the Greek poet Theocritus (fl. 228 BCE) refers to Pluto, the god of the underworld, as “the adamas in Hades.” This clearly indicates that an unyielding hardness was the common trait of the materials represented by these terms. However, it seems likely that while shamir refers to a type of corundum, the word adamas, as used by early Greek writers, referred to a hard, metallic substance. It’s possible that when iron was first discovered by the Greeks, the adjective adamant, meaning “indomitable,” was applied to it, and later the noun adamas was created from this adjective, used by poets to denote an imaginary substance even tougher than iron; thus, when the diamond was introduced in Greek territories, its remarkable hardness led to the use of this name.[15]
An Arab legend concerning the fabled shamir stone is related by Cazwini in his cosmography. When King Solomon set about building the temple in Jerusalem, he commanded Satan to dress the stones that were to be used, but the work was performed with such demoniac energy that the people round about complained bitterly of the dreadful noise. To remedy this trouble, Solomon sought the council of the leading scribes and also that of the evil spirits known as Ifrites and Jinns. None of them, however, was able to help him in this difficulty, but one of them advised him to question an apostate named Sahr, who sometimes had special knowledge of such things. When called upon for his opinion, Sahr declared that he knew of a stone that would do the work required, but did not know where it could be found; nevertheless he believed that, by a stratagem, he could secure possession of it. He thereupon ordered that an eagle’s nest with its eggs should be brought to him, and also a bottle-shaped vessel made of very strong glass. Into this he slipped the eggs, put them back into the nest, and had nest and eggs replaced where they had been found. When the 10eagle returned to the nest it encountered this obstacle. In vain it struck at the vessel with claws and beak; after repeated efforts it flew away, but came back on the second day holding a piece of stone in its beak, which it let fall upon the vessel, breaking the latter into two halves without producing any sound. Upon this, Solomon, who knew the language of beasts and birds, asked the eagle where it had secured the stone. The bird answered: “O Prophet of God, in a mountain in the West called the Samur Mountain.” This was indication enough to the wise king who, summoning the Jinns to his aid, soon had in Jerusalem a plentiful supply of these samûr, or shamir stones, with which the work of shaping and polishing the blocks for the temple was noiselessly performed.[16]
An Arab legend about the famous shamir stone is shared by Cazwini in his cosmology. When King Solomon started building the temple in Jerusalem, he ordered Satan to shape the stones, but the work was done with such demonic energy that the people nearby complained loudly about the awful noise. To solve this problem, Solomon consulted the top scribes and the evil spirits known as Ifrites and Jinns. However, none could help him with this issue, but one of them suggested he ask an apostate named Sahr, who sometimes had special knowledge about such matters. When asked for his input, Sahr said he knew of a stone that would do the job but didn’t know where to find it; still, he believed he could devise a plan to get it. He then asked for an eagle’s nest with its eggs and a strong glass vessel shaped like a bottle. He placed the eggs inside the vessel, returned them to the nest, and put the nest and eggs back where they had been found. When the eagle returned to the nest, it encountered this obstacle. It tried to break the vessel with its claws and beak in vain; after several attempts, it flew away but came back the next day with a piece of stone in its beak, which it dropped on the vessel, breaking it into two halves without making a sound. Then Solomon, who understood the language of animals and birds, asked the eagle where it had found the stone. The bird replied, “O Prophet of God, in a mountain in the West called the Samur Mountain.” This was enough information for the wise king who, by summoning the Jinns to assist him, soon had a plentiful supply of these samûr or shamir stones in Jerusalem, with which the shaping and polishing of the blocks for the temple was done silently.[16]
Full and precise directions are given by the old authorities as to the proper way to secure possession of the stone called corvia. On the Calends, or first day of April, eggs are to be taken out of a crow’s nest and boiled until they are quite hard; they are then to be allowed to cool off and are replaced in the nest. The female bird notes that the eggs have been tampered with and flies away in search of the corvia-stone. When she has found it, she bears it to the nest, and as soon as it touches the eggs they become fresh and fertile again. This is the auspicious moment for securing the stone, which must be quickly taken from the nest else it would lose its virtue.[17] The lucky owner of the stone is promised increase of wealth and honors, and the power to read the future.
Full and precise instructions are provided by the old authorities on the right way to obtain the stone called corvia. On the Calends, or the first day of April, you should take eggs from a crow's nest and boil them until they're completely hard; then, let them cool off and put them back in the nest. The female bird will notice that the eggs have been disturbed and will fly off to find the corvia stone. When she finds it, she brings it back to the nest, and as soon as it touches the eggs, they become fresh and fertile again. This is the ideal time to grab the stone, which must be taken quickly from the nest, or it will lose its power.[17] The fortunate holder of the stone is promised an increase in wealth and honors, and the ability to see into the future.
The fabled gem-bearing dragons of India were said to have sometimes fallen victims to the enchanter’s art. Certain 11mystic characters were woven in thread of gold upon a scarlet cloth, and this cloth was spread by the hunters before the dragon’s den. When the creature emerged, his eyes were fascinated by the strange letters in which the enchanter had infused a wonderful soporific power. Hypnotized by the sight, the dragon would fall into a deep slumber and the hunters would rush upon him and sever his head from his body. Within the head were found gems of brilliant hue, some of these possessing the power of rendering the wearer invisible.[18]
The legendary gem-filled dragons of India were said to have occasionally fallen prey to the sorcerer's magic. Certain mystic symbols were stitched in gold thread on a red cloth, and this cloth was laid out by hunters in front of the dragon’s lair. When the creature came out, its eyes were entranced by the unusual letters that the sorcerer had infused with a magical sleep-inducing power. Hypnotized by the sight, the dragon would drift into a deep sleep, allowing the hunters to rush in and cut off its head. Inside the head, they would find gems of brilliant colors, some of which had the power to make the wearer invisible.[18]
The “Gem of Sovranty,” or the “Gem of the King of Kings,” may have been a purely poetic Hindu fancy, or possibly may have been the diamond. Its surpassing quality is emphasized by the declaration that though the earth produced the sapphire, the cat’s-eye, the topaz, the ruby, and the two mystic gems, the favorite of the sun, and the favorite of the moon, the Gem of the King of Kings was acknowledged to be the chief of all “for the sheen of that jewel spreads round about for a league on every side.” To King Milinda the following question was put: “Suppose that on the disappearance of a sovran overlord, the mystic Gem of Sovranty lay concealed in a cleft on the mountain peak, and that on another sovran overlord arriving at the supreme dignity it should appear to him, would you say, O King, that the gem was produced by him?” “Certainly not, sir,” replied the monarch, “the gem would be in its original condition. But it had received, as it were, a new birth through him.”[19]
The “Gem of Sovranty,” or the “Gem of the King of Kings,” might have been just a poetic idea from Hindu culture, or it could have been referring to the diamond. Its exceptional quality is highlighted by the statement that although the earth produces sapphires, cat’s-eyes, topazes, rubies, and the two mystical gems—one favored by the sun and the other by the moon—the Gem of the King of Kings is recognized as the best of all “for the shine of that jewel radiates for a mile in every direction.” King Milinda was asked, “If a sovereign overlord disappears and the mystical Gem of Sovranty is hidden in a crevice on a mountain peak, and then the gem appears to another sovereign overlord who reaches the highest rank, would you say, O King, that the gem was created by him?” “Of course not, sir,” replied the king, “the gem would remain in its original state. But in a way, it would have received a new life through him.”[19]
The Arabian author, Ibn Al-Beithar (b. ca. 1197 A.D.), describes a stone called in Arabic hajer al-kelb, or “dog-stone.” These stones had such attraction for dogs of a 12certain breed that when cast before them they would snap them up, bite them, and hold them in their jaws. The magicians saw in this a proof that the stones would produce enmity and ill-will among men. Having selected seven such stones they marked them with the names of any persons between whom they wished to stir up strife. The seven stones were then thrown one by one before a dog of the requisite species, and, after he had bitten them, two were chosen and were placed in water of which the persons who were to be set at variance were sure to drink. We are assured that the experiment had the desired evil result.[20]
The Arabian author, Ibn Al-Beithar (b. ca. 1197 CE), describes a stone known in Arabic as hajer al-kelb, or “dog-stone.” These stones had such a strong attraction for certain breeds of dogs that when thrown in front of them, they would eagerly grab them, bite them, and hold them in their mouths. The magicians believed this was evidence that the stones could create hostility and resentment among people. They picked seven such stones and marked them with the names of individuals they wanted to incite conflict between. The seven stones were then tossed one by one in front of a dog of the required breed, and after the dog bit them, two stones were chosen and placed in water that the targeted individuals were likely to drink. We are told that this experiment produced the intended negative outcome.[20]
In ancient times there was found in the river Meander a stone satirically named sophron, “temperate.” If it were placed upon the breast of any one, he immediately became enraged and killed one of his parents; however, after having appeased the Mother of the Gods, he was cured of his temporary madness.[21]
In ancient times, there was a stone found in the Meander River, humorously called sophron, meaning “temperate.” If someone placed it on their chest, they would instantly become furious and kill one of their parents; however, after making amends with the Mother of the Gods, they would be cured of their temporary madness.[21]
A most singular stone is described by Thomas de Cantimpré under the name of “piropholos.” This substance, according to Konrad von Megenberg’s version, was taken from the heart of a man who had been poisoned, “because the heart of such a man cannot be burned in fire.” If the heart were kept for nine years in fire this wonderful stone was produced. It gave protection from lightning, but its principal virtue was to guard the wearer from sudden death; indeed, we are told that a man could not die so long as he held this stone in his hand. However, it did not preserve him from disease, but only prolonged his life. The stone was said to be of a light and bright red color.[22]
A very unique stone is described by Thomas de Cantimpré, called "piropholos." According to Konrad von Megenberg’s version, it was taken from the heart of a man who had been poisoned, “because the heart of such a man cannot be burned in fire.” If the heart was kept in fire for nine years, this amazing stone was created. It protected against lightning, but its main benefit was to shield the wearer from sudden death; in fact, it was said that a person could not die as long as they held this stone in their hand. However, it didn’t protect them from illness, only extended their life. The stone was described as a light and bright red color.[22]
13After enumerating all the well-known precious stones, Volmar, in his “Steinbuch,” proceeds to relate that there is one which produces blindness, another that enables the wearer to understand the language of birds, still another that saves people from drowning, and, finally, one of such sovereign power that it brings back the dead to life. However, we are told that because of the miraculous virtues of these stones God hides them so well that no man can obtain them.[23] About a century earlier Saint Hildegard of Bingen wrote that “just as a poisonous herb placed on a man’s skin will produce ulceration,” by an analogous though contrary effect “certain precious stones will, if placed on the skin, confer health and sanity by their virtue.”[24]
13After listing all the famous gemstones, Volmar, in his “Steinbuch,” goes on to say that there's one that can cause blindness, another that allows the wearer to understand bird language, another that can save people from drowning, and finally, a stone so powerful that it can bring the dead back to life. However, we’re told that because of the extraordinary powers of these stones, God hides them so well that no one can ever obtain them.[23] About a hundred years earlier, Saint Hildegard of Bingen wrote that “just like a poisonous herb put on a person’s skin will cause an ulcer,” by a similar but opposite effect, “certain precious stones will, if placed on the skin, provide health and sanity through their virtue.”[24]
Persian records tell of a “royal stone” found in the head of the ouren bad, a kind of eagle; this preserved the wearer from the attacks of venomous reptiles. If a deadly poison had been administered to a person, he would be immediately cured by taking one drachm’s weight of the stone. It thus appears that its virtues were those of the far-famed bezoar.[25] Persia evidently had good store of “wonderworkers” of this kind, for the Persian romance entitled “Hatim Tai and the Benevolent Lady,” written about the beginning of the eighteenth century, recites the marvellous virtue of a stone called the Shah-muhra. If this were fastened on the arm the wearer became endowed with miraculous vision and all the gold and precious stones beneath the earth’s surface were revealed to him.[26]
Persian records mention a "royal stone" found in the head of the ouren bad, a type of eagle; this stone protected the wearer from venomous reptile attacks. If someone had been poisoned, they could be cured immediately by taking a drachm’s weight of the stone. It seems that its properties were similar to those of the famous bezoar.[25] Persia clearly had a variety of “wonderworkers” like this, as the Persian romance called “Hatim Tai and the Benevolent Lady,” written around the start of the eighteenth century, describes the incredible powers of a stone known as the Shah-muhra. When this stone was attached to the arm, the wearer gained miraculous vision and could see all the gold and precious stones hidden beneath the earth’s surface.[26]
For ten centuries or more, countless thousands, although feeling assured of spiritual immortality, were none the less eager to have eternal youth and vigor and the power to peer 14into the future. Hence Ponce de Leon’s quest for the “Fountain of Youth” in our Florida. But in addition to this, there has ever been an intense desire to find something by means of which gold could be made out of the baser metals, for youth and vigor, if coupled with poverty, are only half-blessings. The search for the “Philosopher’s Stone” appears to have been a more or less aimless pursuit of this end; but there can be no doubt that this search led to the discovery of many new substances and reactions, and helped to lay the foundation of our modern chemistry. Whether the conscious aim of the alchemist was the discovery of an actual stone, or merely the discovery of some process for turning a valueless substance into one of great value, is not clearly ascertainable from the purposely vague and obscure treatises on alchemy.
For over a thousand years, countless people, while confident in their spiritual immortality, still longed for eternal youth and vitality, along with the ability to see into the future. This is why Ponce de Leon sought the “Fountain of Youth” in Florida. Additionally, there has always been a strong desire to find a way to turn base metals into gold because youth and vitality, when paired with poverty, are only partial blessings. The pursuit of the “Philosopher’s Stone” seems to have been a somewhat aimless quest for this goal; however, it undoubtedly led to the discovery of many new substances and reactions, helping to establish the foundation of modern chemistry. Whether the alchemists were genuinely searching for an actual stone or just a method to turn worthless materials into something valuable is not clearly explained in the intentionally vague and obscure writings on alchemy.
The “Philosopher’s Stone,” the fond dream of so many who delved into nature’s mysteries in the past, does not seem so improbable to-day as it did twenty years ago. The recent discovery of the element radium, which is produced from the element uranium, and the story of the strange and protean changes of radium into helium, neon and argon, according to the environment in which it is placed, have given the death-blow to the old idea of the immutability of the elements. Still, while we have been allowed this peep into the storehouse of nature’s secrets, and are growing to believe that in eons of time the various different elements may have been evolved, successively, from one another, the power to provoke this change at will and in a brief space of time is as yet withheld from us, and may never be given to us, just as little as the power to send messages to the distant spheres, whose bulk, density and composition we can estimate with a considerable degree of accuracy.
The “Philosopher’s Stone,” a cherished dream for many who explored nature’s mysteries in the past, doesn't seem as unlikely today as it did twenty years ago. The recent discovery of radium, which comes from uranium, and the unusual and variable transformations of radium into helium, neon, and argon depending on its environment, have shattered the old belief that elements are unchanging. However, while we have been granted this glimpse into nature’s secrets and are beginning to believe that the various elements may have evolved from one another over eons, the ability to trigger this change at will in a short amount of time is still beyond our reach and may never be possible, just like our inability to send messages to far-off celestial bodies, whose size, density, and composition we can estimate quite accurately.
Numerous specimens still exist of what is alleged to be artificial gold made by the alchemists of a past age. Of 15all these the most striking is a large medallion, bearing in relief the heads of Emperor Leopold and his ancestors of the House of Hapsburg. It is related that on the name day of the emperor in 1677, this medallion, originally of silver and weighing 7250 grains, was transmuted into gold by Wenzel Seiler, a noted alchemist of that time. This wonder was performed in full view of the emperor and his courtiers, by dipping the medallion in a solution. As there are four notches on the edge, it has been conjectured that these were made to secure material for testing the quality of the transformed metal. However, the simple test of specific gravity shows that the metal cannot be gold, for according to Bauer’s calculation made in 1883, the medallion has a specific gravity of 12.67, between that of silver (10.5) and that of gold (19.27). This might indicate that in some unexplained way the alchemist had succeeded in precipitating a coating of gold upon the face of the object. It seems probable that the deception was soon discovered, for Seiler, who had been knighted on September 16, 1676, was exiled by order of Emperor Leopold, not long after the date on which the supposed transmutation is said to have taken place.
Numerous examples still exist of what is said to be artificial gold created by alchemists from a past era. Of 15 all these, the most remarkable is a large medallion featuring the heads of Emperor Leopold and his ancestors from the House of Hapsburg. It's said that on the emperor's name day in 1677, this medallion, originally made of silver and weighing 7250 grains, was turned into gold by Wenzel Seiler, a well-known alchemist at the time. This wonder was performed in front of the emperor and his courtiers by dipping the medallion in a solution. Since there are four notches on the edge, it has been suggested that these were made to collect material for testing the quality of the changed metal. However, the simple test of specific gravity shows that the metal cannot be gold, because according to Bauer’s calculation made in 1883, the medallion has a specific gravity of 12.67, which is between that of silver (10.5) and gold (19.27). This might suggest that in some unexplained way, the alchemist managed to create a coating of gold on the surface of the object. It seems likely that the trick was soon discovered, as Seiler, who was knighted on September 16, 1676, was exiled by order of Emperor Leopold not long after the date when the supposed transmutation is said to have occurred.
An exceedingly rare medal, and one of great interest to students of alchemy, was struck in 1647 by order of Emperor Ferdinand III from gold produced in his presence by Johann Peter Hofmann, a master of the alchemical art. A specimen of this medal is in the Imperial Cabinet of Coins in Vienna.[27] On the obverse, around two shields, one bearing eight fleurs-de-lis and the other the figure of a lion, are two hermetic inscriptions: Lilia Cum Niveo Copulantur Fulva Leone (yellow lilies lie down with the snow-white lion), and Sic Leo Mansuescet Sic Lilia Fulva Virescent 16(thus will the lion be tamed and thus will the yellow lilies flourish). Around a crown surmounting the two shields appear the initial letters I. P. H. V. N. F., indicating Latin words the sense of which is “Johannes Petrus Hofmann a Nurembergian subject made it,” and also the letters T G V L, intended to signify tinturæ guttæ v. libram, or “five drops of the tincture [transmuted] a pound.” The reverse has Latin words denoting that iron was the base of this tincture, the symbols used for lead, tin, copper, mercury, silver and gold being each accompanied by a cryptic declaration that Mars (iron) had controlled the respective metal.[28]
An extremely rare medal, which is of great interest to students of alchemy, was created in 1647 by order of Emperor Ferdinand III from gold produced in his presence by Johann Peter Hofmann, a master of alchemical arts. A specimen of this medal is in the Imperial Cabinet of Coins in Vienna.[27] On the front, surrounding two shields—one with eight fleurs-de-lis and the other featuring a lion—are two hermetic inscriptions: Lilia combine with the white snow and the red lion. (yellow lilies lie down with the snow-white lion), and Thus the lion will grow tame, thus the tawny lilies will become green. 16 (thus will the lion be tamed and thus will the yellow lilies flourish). Around a crown above the two shields are the initials I. P. H. V. N. F., which stand for Latin words meaning “Johannes Petrus Hofmann a Nurembergian subject made it,” along with the letters T G V L, meant to signify tinturæ guttæ v. libram, or “five drops of the tincture [transmuted] a pound.” The back features Latin words indicating that iron was the base of this tincture, with the symbols for lead, tin, copper, mercury, silver, and gold each accompanied by a cryptic note stating that Mars (iron) had controlled the respective metal.[28]
Besides the “Philosopher’s Stone,” the chief object of their quest, the alchemists believed that several other stones possessing magic virtues could be produced. Among these was the “angelical stone,” which gave power to see the angels in dreams and visions, and also the “mineral stone,” a substance by means of which common flints could be transmuted into diamonds, rubies, sapphires, emeralds, etc.[29] Possibly some alchemists were glass-makers, and fused the quartz with various mineral salts into imitations of the gems, having the colors, but not the hardness or other properties.
Besides the “Philosopher’s Stone,” the main goal of their quest, the alchemists believed that several other stones with magical properties could be created. Among these was the “angelic stone,” which allowed people to see angels in dreams and visions, and also the “mineral stone,” a substance that could turn ordinary flints into diamonds, rubies, sapphires, emeralds, and so on.[29] It's possible that some alchemists were glass-makers, fusing quartz with various mineral salts to create imitations of the gems that had the colors but not the hardness or other properties.
One of the strangest fancies as to the medicinal efficacy of stones is that held by the native Australians, who believe that “crystals” are embedded in the bodies of their medicine-men. This belief is encouraged by the medicine-men themselves; indeed, they are supposed only to retain their power so long as these atnongara or ultunda stones remain in their bodies, and a share of their might can be transmitted by transferring certain of the stones from their 17own bodies to that of another. The ceremony proceeds as follows:[30]
One of the weirdest beliefs about the healing power of stones is held by native Australians, who think that "crystals" are found inside the bodies of their medicine men. This belief is supported by the medicine men themselves; in fact, they are believed to keep their power only as long as these atnongara or ultunda stones stay inside them. A portion of their power can be passed on by moving certain stones from their bodies to someone else's. The ceremony goes like this:[30]
The Nung-gara [medicine-men] then withdrew from their bodies a number of small clear crystals called Ultunda which were placed one by one, as they were extracted, in the hollow of a spear-thrower. When a sufficient number had been withdrawn, the Nung-gara directed the man who had come with them to clasp the candidate from behind and to hold him tightly. Then each of them picked up some crystals, and taking hold of a leg, gripped the stones firmly and pressed them slowly and strongly along the front of the leg and then up the body as high as the breast-bone. This was repeated three times, the skin being scored at intervals with scratches, from which blood flowed. By this means the magic crystals are supposed to be forced into the body of the man.... After which each of them pressed a crystal on the head of the novice and struck it hard, the idea being to drive it into the skull, the scalp being made to bleed during the process....
The Nung-gara [medicine-men] then pulled out several small clear crystals known as Ultunda, placing them one by one in the hollow of a spear-thrower. When enough had been collected, the Nung-gara instructed the man who had come with them to grab the candidate from behind and hold him tightly. Each of them then picked up some crystals and, taking hold of a leg, pressed the stones firmly along the front of the leg and up the body as high as the breastbone. This was done three times, with the skin being scored at intervals, causing blood to flow. This way, the magic crystals are believed to be forced into the man's body. After that, each of them pressed a crystal onto the novice's head and struck it hard, with the idea of driving it into the skull, causing the scalp to bleed during the process.
One of the Nung-gara then withdrew from his skull just behind his ear (that is, he told the novice that he kept it there) a thin and sharp Ultunda, and taking up some dust from the ground, dried the man’s tongue with it, and then, pulling it out as far as possible, he made with the stone an incision almost half an inch in length.
One of the Nung-gara then pulled a thin and sharp Ultunda from just behind his ear (he told the novice that's where he kept it) and picked up some dust from the ground to dry the man's tongue. After that, he pulled it out as far as he could and used the stone to make a cut that's almost half an inch long.
The mesticas of the Malays represent a class of stones differing in important respects from the various types of bezoars. A principal distinction is that the mesticas are not supposed to owe their origin to pathological conditions in the organism wherein they occur, but rather to a superabundance of the normal and healthy constituents of the animal or plant. It is probably due to this that the virtues of these particular concretions are rather talismanic than therapeutic, and that they are believed to endow the finder, or one who receives them by gift, with courage, immunity from injury, and also with cunning and shrewdness in the affairs of life. Especially by warriors are these stones highly valued, for they are supposed to protect the wearer from wounds; indeed, this belief sometimes went so far as 18to lead the Malays to think that absolute invulnerability was conferred on one who carried several of them bound so closely to the skin that in some cases they even penetrated the flesh. The typical mestica is described as a hard stone, brilliant but seldom transparent; it is found in the flesh or fat, in the heart or on the legs of animals, and also sometimes in plants.[31]
The mesticas of the Malays are a type of stone that is quite different from various kinds of bezoars in significant ways. One major difference is that the mesticas are believed to originate from an excess of normal and healthy components of an animal or plant, rather than from any pathological conditions within them. Because of this, the qualities attributed to these specific stones are more about lucky symbolism than healing properties, and they are thought to give the finder, or someone who receives them as a gift, courage, protection from harm, and cleverness in life’s dealings. These stones are especially cherished by warriors, as they are believed to shield the wearer from injuries; in fact, this belief sometimes went so far as to lead the Malays to think that carrying several of them tightly bound to the skin could grant complete invulnerability, even to the point where some would penetrate the flesh. The typical mestica is described as a hard stone, shining but rarely transparent; it can be found in the flesh or fat, in the heart or on the legs of animals, and sometimes in plants.[31]
Rumphius declares that many extraordinary cases were related of warriors who could not be injured by any weapons until the mestica had been cut out of their flesh, wherein it had become embedded. Indeed, he states that Dutch officers of proved veracity had confidently asserted that they had encountered such men among their native antagonists. While Rumphius feels himself therefore forced to admit the truth of the invulnerability of these men, he hastens to add that such powers could not be inherent in any piece of stone, but must owe their origin to diabolical agencies.[32] The fact that the Mohammedans had their mesticas blessed by the priests of their faith, and burned incense beneath them on Fridays, the Mohammedan equivalent of the Christian Sunday, did not probably shake the belief of Rumphius that the Devil had something to do with these substances.
Rumphius states that many incredible stories were shared about warriors who couldn't be harmed by any weapons until the mestica was removed from their bodies, where it had become lodged. He claims that Dutch officers of known integrity confidently reported encountering such men among their native foes. Although Rumphius feels he must accept the truth of these men's invulnerability, he quickly adds that such abilities couldn’t be due to any stone, but must come from diabolical forces.[32] The fact that the Mohammedans had their mesticas blessed by their priests and burned incense beneath them on Fridays, which is the Mohammedan equivalent of the Christian Sunday, likely didn’t change Rumphius's belief that the Devil had a role in these substances.
The medicine-men of the Kainugá Indians of Paraguay mutter incantations over the bodies of the sick, and then, after many struggles and contortions, proceed to extract stones from their mouths, claiming that they have taken the patient’s disease into their own bodies, the stones being regarded as the seat of the ailment. In one case, the medicine-man produced five of these stones before the patient admitted that his pain was relieved. After the cure was completed the sorcerer was clever enough to feign extreme exhaustion, as though his vital forces had been subjected to a tremendous strain.[33]
The healers of the Kainugá Indians in Paraguay chant spells over sick people and then, after a lot of effort and strange movements, pull stones from their mouths. They claim these stones hold the patient’s illness, having taken it into their own bodies. In one instance, the healer pulled out five stones before the patient admitted that his pain had lessened. Once the healing was finished, the sorcerer cleverly pretended to be extremely exhausted, as if his life force had been greatly drained.[33]

INDIAN MEDICINE-MEN
From “Histoire Générale des Cérémonies Religieuses de tous les Peuples du Monde,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
INDIAN MEDICINE-MEN
From “General History of Religious Ceremonies of All the Peoples of the World,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
19In British New Guinea similar tactics are resorted to by the native doctors. A native who was suffering from lumbago fully believed the tale that his disease was caused by a stone embedded in his flesh. When the sorcerer made passes over this man’s back and then exhibited a stone which he pretended to have taken thence, the sufferer was convinced that the disease had left his body, and he began to feel relief. When examined, his back showed some superficial cuts at the spot where the stone was said to have been extracted. In another case, however, when a child was to be operated upon in a like way, the child’s father became suspicious and seized the operator’s hands before they came into contact with the little one’s body; the result being that the disease-laden stone was found concealed in the operator’s hand.[34]
19In British New Guinea, local healers use similar methods. A man suffering from lumbago was convinced that his pain came from a stone lodged in his body. When the healer waved his hands over the man's back and then showed a stone he claimed to have extracted, the man believed his pain was gone and started to feel better. Upon examination, there were some superficial cuts on his back where the stone was supposedly removed. In another instance, when a child was supposed to undergo a similar procedure, the father grew suspicious and grabbed the healer's hands before they touched his child; it turned out that the supposed disease-filled stone was hidden in the healer's hand.[34]
Pebble-mania or lithomania is an inherent trait in all mankind. From the most primitive man to the most modern, especially those of optimistic and investigating tendencies, this trait is present in a greater or lesser degree. That is, curious people would collect pebbles for their bright colors, or markings, for their transparency or translucence, and those of an investigating turn of mind, under the impression that the find was perhaps a diamond or a gem of some kind. In modern times this kind of collecting has developed into a regular industry, pebbles found on the shores of the United States and which are either pure white, transparent or translucent quartz, being cut and offered for sale. These pebbles 20are gathered, and are valuable to those who make a business of selling them, because the white opaque pebbles become translucent after cutting, or rather, during the process of cutting, and they are then passed off for moonstones, which are worth from one-third to one-half more than the cost of cutting the quartz pebbles, the purchaser being led to believe that he is getting a moonstone, although this could not be possible, since moonstones have never been found on either the eastern or the western coast of the United States. As for the cut moonstones which are brought back by the tourist, under the impression that he is getting native material and workmanship, these all come from Europe.
Pebble-mania, or lithomania, is a natural trait in all of humanity. From the most primitive individuals to the most modern, especially those who are curious and investigative, this trait is present to varying degrees. Curious people often collect pebbles for their bright colors or patterns, for their transparency or translucence, and those with an inquisitive mindset might hope that their find is a diamond or some kind of gem. Nowadays, this type of collecting has turned into a full-fledged industry, with pebbles found along the shores of the United States being cut and sold. These pebbles are gathered and are valuable to those who make a business out of selling them because white opaque pebbles become translucent during the cutting process. They are then marketed as moonstones, which are worth one-third to one-half more than the cost of cutting the quartz pebbles, misleading buyers into thinking they are purchasing a moonstone, even though moonstones have never been found on either the eastern or western coast of the United States. As for the cut moonstones that tourists bring back, thinking they are getting local materials and craftsmanship, these all come from Europe.
Pebble-mania is not confined to mankind alone. Birds and animals possess it. The magpie picks up and hides away bright objects, including odd pebbles, or carries them to its nest. The stones known as ætites were said to be found in eagles’ nests, although they may have been swallowed by the birds for digestive purposes, just as the hen’s crop is full of stones, many of them being transparent, a proof that the fowl had been attracted by them, and had swallowed these in preference to other, duller ones. Notable instances of transparent pebbles are the alectorii, or “cock-stones.”
Pebble-mania isn’t just a human thing. Birds and animals have it too. The magpie collects and stashes shiny objects, including unique pebbles, and takes them to its nest. The stones called ætites were said to be found in eagles’ nests, although they might have been eaten by the birds for digestion, similar to how a hen’s crop contains stones, many of which are clear, showing that the bird was attracted to them and preferred them over other, duller ones. A notable example of clear pebbles is the alectorii, or “cock-stones.”
The great Italian goldsmith and sculptor, Benvenuto Cellini (1500–1574), relates that when a youth he often shot cranes with his arquebuse, and that in several instances he found in their entrails not only fine turquoises, but also fragments of the so-called plasma-emerald and even occasionally small pearls. This serves to indicate that the pretty exterior of such objects exerted an influence upon these birds in some degree analogous to the impressions aroused in mankind on viewing them.[35]
The renowned Italian goldsmith and sculptor, Benvenuto Cellini (1500–1574), recounts that as a young man, he often hunted cranes with his arquebus, and on several occasions, he discovered not only beautiful turquoise in their insides but also bits of what’s known as plasma-emerald and even occasionally small pearls. This suggests that the attractive appearance of these objects had an effect on these birds similar to the feelings they evoke in people when they see them.[35]
21In seventeenth century Denmark there seems to have been no lack of “magic stones,” for it is related that one day as King Christian II was strolling along the beach, he picked up a shining pebble by the aid of which he could render himself invisible at will. Similar power was said to exist in stones that could be found in ant-hills if hot water were thrown onto them on St. Walpurgis Day, or St. Hans’ Day. The Danes of the time also shared in the belief that the stone from the lapwing preserved from illness and sorrow as did the “swallow’s-stone” as well.[36]
21In seventeenth century Denmark, there seemed to be no shortage of “magic stones.” It's said that one day, while King Christian II was walking on the beach, he found a shiny pebble that allowed him to become invisible at will. People also believed that similar powers could be found in stones from ant-hills if hot water was poured over them on St. Walpurgis Day or St. Hans’ Day. The Danes of that time also believed that the stone from the lapwing could protect against illness and sorrow, just like the “swallow’s-stone.”[36]
It has frequently been maintained that the source of pebbles could be broadly determined by their form and surface; for example, well-rounded specimens of fairly uniform size would be classed as marine pebbles, while river-pebbles would be subangular and usually flat; pebbles of glacial origin, on the other hand, would have faceted, rounded edges, their surfaces being polished and striated. However, although these rules might hold good in many cases, careful observation has demonstrated that pebbles of all these supposedly distinct types can be found among those of marine, fluviatile, or lacustrine origin. This is explicable by the fact that while the constant, unhindered action of sea or river would probably produce pebbles of distinct type, the local conditions often interfere with this. For instance, on a low sea-coast, with weak wave-action, pebbles frequently became buried in the sands, thus retaining their form practically unchanged, and even where the waves are stronger, so that the pebbles are more or less constantly exposed to their force, it must be borne in mind that some of these coast pebbles have been swept down by rivers, or have already been affected by glacial action. In these cases the force of 22the waves will indeed modify the form, but along the lines of that already produced by the earlier agencies. Broadly stated, those that were round or oval would generally remain so, rectangular fragments might have their angles worn away and become elliptical, while flat fragments would not exhibit any notable change in shape.[37]
It’s often said that you can tell where pebbles come from based on their shape and surface. For example, well-rounded pebbles of similar size are seen as marine pebbles, while river pebbles tend to be subangular and usually flat. On the other hand, glacial pebbles have faceted, rounded edges and are polished with striations. However, while these guidelines can apply in many situations, careful observation shows that you can find pebbles from all these supposedly distinct categories among those from marine, river, or lake sources. This happens because, although the consistent movement of the sea or river would likely create distinct types of pebbles, local conditions often disrupt this process. For instance, on a low coastline with weak waves, pebbles often get buried in the sand, keeping their shape mostly unchanged. Even in areas with stronger waves, where pebbles are frequently exposed, you need to remember that some of these coastal pebbles could have been carried down by rivers or already affected by glacial activity. In these cases, the waves may alter the shape, but it will generally follow the changes caused by those earlier processes. Broadly speaking, round or oval pebbles usually stay that way, rectangular pieces might lose their sharp edges and become elliptical, while flat pieces typically don’t change shape much. 22[37]
When a group of pebbles have been long exposed to attrition by the waters of a powerful stream, especially where the current is intermittent, and where a large quantity of sand has been worked or blown into the stream by freshet or wind storm, they may become rounded by the erosive action of the water or by the abrasive power of the sand, as well as by the attrition consequent upon their sharp contact with one another. This is exemplified in the case of boulders in a river bed, it having been noted in certain streams on the Navajo Reservation that while the upstream sides of the boulders were polished and rounded, and even sometimes faceted and etched, but little change was observable on the downstream sides. This has been tested experimentally, holes an inch in depth having been drilled in opposite sides of sandstone boulders, and on examination five years later in five different localities where this had been done, the deepest hole remaining on the upstream sides measured but four-tenths of an inch, while in one locality the holes had entirely disappeared, and yet so trifling was the effect of the water on the downstream side that a blue-pencil mark had not been washed away. Of course, the erosion of quartzite and limestone boulders tested in this way proved to be a much slower process, amounting to less than one-hundredth of an inch annually. Another important consideration in the shaping of pebbles by river-water is the swiftness of the current, 23it having been noted, for instance, that those which have been washed down the steep slopes of the Navajo Mountain and the edge of the Black Mesa are somewhat better rounded than those that have been borne along for a much greater distance by less swift-flowing water.
When a group of pebbles has been exposed to the wear and tear from the waters of a strong stream for a long time, especially where the current is fluctuating, and where a lot of sand has been carried or blown into the stream by floods or windstorms, they can become rounded due to the erosion from the water or the abrasive action of the sand, as well as from rubbing against each other. This can be seen with boulders in a riverbed; in certain streams on the Navajo Reservation, it's been observed that while the upstream sides of the boulders were polished and rounded—and sometimes even faceted and etched—there was little change on the downstream sides. This was tested in an experiment where holes an inch deep were drilled into opposite sides of sandstone boulders, and when checked five years later in five different locations, the deepest hole on the upstream sides measured just four-tenths of an inch, and in one location, the holes had completely disappeared. Meanwhile, water had such a minimal effect on the downstream side that a blue-pencil mark remained intact. Of course, the erosion of quartzite and limestone boulders examined in this way was a much slower process, averaging less than one-hundredth of an inch each year. Another important factor in the shaping of pebbles by river water is the speed of the current; for example, it has been noted that those washed down the steep slopes of Navajo Mountain and the edge of Black Mesa are somewhat better rounded than those carried along for a much longer distance by slower-moving water. 23
That striated, faceted, or polished pebbles are always of glacial origin, or that those of glacial origin usually offer these characteristics is far from the fact; indeed, it may rather be said that they are generally missing. The fluvio-glacial drift is much more widespread than ground moraine, and the pebbles found in the former rarely present these aspects; indeed, it has been noted that in an hour’s search through the glacial drift of Connecticut, only a single such specimen may be met with. On the other hand, many pebbles of this type have been found under conditions plainly showing that the striation was due to other causes, in some instances, as with those occurring in conglomerates, to pressure and differential movement.[38]
That striated, faceted, or polished pebbles are always from glaciers, or that glacial pebbles usually show these features, is far from the truth; in fact, it can be said that they typically lack these characteristics. Fluvio-glacial drift is much more common than ground moraine, and the pebbles found in the former rarely display these traits; indeed, it has been noted that during an hour of searching through the glacial drift of Connecticut, only one such specimen might be found. On the other hand, many pebbles of this type have been discovered under conditions clearly indicating that the striation was caused by other factors, in some cases, as seen in conglomerates, due to pressure and differential movement.[38]
The burying of white stones or lumps of quartz with the dead was not infrequent in early times in Ireland. The peasants of the north of Ireland call these Godstones. A cist found at Barnasraghy, County Sligo, was nearly filled with quartz pebbles, and not long since a white stone was found in a primitive burial place near Larne, County Antrim. That this was a usage confined to the earlier period of Irish history is generally admitted, and the discovery of such white stones in a grave is accepted as an indication that it belongs to an early date.[39]
The practice of burying white stones or chunks of quartz with the dead was quite common in ancient Ireland. The locals in the north of Ireland refer to these as Godstones. A burial site discovered at Barnasraghy in County Sligo was almost filled with quartz pebbles, and recently a white stone was found in a primitive burial site near Larne in County Antrim. It's widely accepted that this custom was specific to the earlier period of Irish history, and finding such white stones in a grave is seen as a sign that it dates back to an earlier time.[39]
It has been suggested that these white stones were used for burials because of the symbolic meaning of the color, 24which to the minds of many primitive peoples was that of purity, as indeed it is still among most modern peoples, although the symbolism may not always be consciously accepted. White marble seems to most of us the most appropriate and beautiful stone for monuments, and if to a very considerable degree granite is now used as a substitute, this is principally because of its greater resistance to the deteriorating effect of atmospheric changes. Already in prehistoric times, the cave-dwellers showed a fondness for gathering quartz crystals and fragments, and specimens of those taken from the Auvergne Mountains have been found in the cave-dwellings of Les Eyzies; they may have been used as amulets or talismans.[40]
It has been suggested that these white stones were used for burials because of the symbolic meaning of the color, 24 which for many ancient cultures represented purity, just as it still does for most modern people, even if they don't always consciously recognize the symbolism. White marble seems to be the most fitting and beautiful stone for monuments, and although granite is now often used as a substitute due to its better resistance to weathering, the preference for marble remains strong. Even in prehistoric times, cave dwellers liked to collect quartz crystals and fragments, and examples from the Auvergne Mountains have been found in the cave-dwellings of Les Eyzies; they may have been used as amulets or talismans.[40]
A legend of the great Irish saint, Columba, gives an instance of the curative use of white pebbles. After this saint had vainly entreated Broichan the Druid to free a Christian bond-maiden, as a last resort he menaced the druid with approaching death. The prediction or curse was speedily on the way to fulfilment, Broichan sickened unto death, and in his terror consented to free the maiden. Hereupon St. Columba went to the river Ness and picked up out of its shallows several white pebbles, announcing that they would, by the Lord’s power, work the cure of heathen people. One of the stones was blessed by the saint and placed in a vessel filled with water, on the surface of which it floated, and as soon as Broichan had taken a draught of the liquid he was restored to perfect health.[41]
A legend about the great Irish saint, Columba, showcases the healing properties of white pebbles. After this saint had unsuccessfully asked Broichan the Druid to release a Christian bond-maiden, he threatened the druid with impending death as a last resort. The prediction or curse quickly began to come true, as Broichan fell gravely ill, and in his fear, agreed to free the maiden. Subsequently, St. Columba went to the river Ness and collected several white pebbles from its shallow waters, proclaiming that they would, through the Lord’s power, heal non-believers. One of the stones was blessed by the saint and placed in a container filled with water, where it floated on the surface. As soon as Broichan took a sip of the liquid, he was completely healed.[41]
A famous Scotch amulet was a polished globular mass of white quartz, an inch and three-quarters in diameter, owned by the chiefs of Clan Donnachaidh and known as the 25“Stone of the Banner.” It had been accidentally found by a chief of this clan, who, on his way to join Robert Bruce in 1315, before the battle of Bannockburn, noted a glittering stone embedded in a clod of earth that had become attached to his flagstaff. It was looked upon as a powerful talisman in battle, and water in which it had been dipped was said to cure diseases. Tradition asserted that this white stone of Clan Donnachaidh was identical with that used long before by St. Columba.[42] As such white stones were often deposited in graves, sometimes even being placed in the mouth of a deceased person, it has been suggested that perhaps the sparks emitted by the quartz on percussion were believed to shed some faint gleams along the dark pathway of the departed in his journey to the underworld. In Christian times there can be little doubt in regard to the influence exercised by the text in Revelation: “To him that overcometh ... I will give a white stone, and in the stone a new name written, which no man knoweth save he that receiveth it.”[43]
A well-known Scottish amulet was a polished round piece of white quartz, about an inch and three-quarters in diameter, owned by the chiefs of Clan Donnachaidh and called the 25“Stone of the Banner.” It was discovered by a chief of this clan who, on his way to join Robert Bruce in 1315 before the battle of Bannockburn, noticed a shiny stone stuck in a clod of dirt that had attached itself to his flagpole. It was considered a powerful charm in battle, and water in which it had been dipped was said to heal illnesses. Tradition claimed that this white stone of Clan Donnachaidh was the same as the one used long ago by St. Columba.[42] Since such white stones were often placed in graves, sometimes even put in the mouths of deceased individuals, it has been suggested that the sparks produced by the quartz when struck were believed to cast some faint light along the dark path of the departed on their journey to the afterlife. In Christian times, there can be little doubt about the influence of the text in Revelation: “To him that overcometh ... I will give a white stone, and in the stone a new name written, which no man knoweth save he that receiveth it.”[43]
Crystal balls are not only valued for the visions to be seen, or supposed to be seen in them, but are sometimes worn as amulets against illness. In some parts of Japan they are thought to ward off dropsy, and their wear is also recommended to guard from all wasting diseases.[44] The likeness of rock-crystal to congealed water may well be credited, in the doctrine of sympathy, with its putative power of preventing the watery infiltration from which a dropsical patient suffers. As the Japanese make many choice crystal balls, these objects are generally more or less familiar in that land 26and have thus appealed as well to those who were superstitious as to those who appreciated things beautiful in themselves.
Crystal balls are not only valued for the visions people expect to see in them but are also sometimes worn as protective charms against illness. In some parts of Japan, they are believed to help prevent dropsy, and wearing them is recommended to guard against all kinds of wasting diseases.[44] The similarity of rock crystal to frozen water may be credited, in the doctrine of sympathy, with its supposed ability to prevent the fluid buildup experienced by those suffering from dropsy. Since the Japanese craft many exquisite crystal balls, these items are generally well-known in that country 26 and have attracted both the superstitious and those who appreciate beautiful objects.
In Yucatan quartz crystals were not only used for divining, but also to ensure the success of the crops. The fact that such crystals have been found in the Indian mounds of Arkansas, North Carolina, and elsewhere, may warrant the supposition that they had been worn as talismans and then interred with the deceased persons as a most intimate part of their property. The writer’s personal observation in Garland and Montgomery counties, Arkansas, demonstrated that quartz crystals were to be found in mounds together with chipped arrow-points of chalcedony, although the crystals did not appear to have been worked in any way. The region about Hot Springs, Arkansas, has furnished some of the finest rock-crystal found in the United States. From North Carolina also have come many remarkable specimens, the largest of which, found in 1886, was unluckily broken up by the person who discovered it. In its crystal state it must have weighed about 300 pounds, and if cut would have furnished a crystal ball 4½ or 5 inches in diameter. This splendid crystal came from Phœnix Mountain, Chestnut Hill township, in Ashe County, North Carolina, and from the largest fragment recovered, weighing 51 pounds, several slabs 8 inches square and from half inch to one inch in thickness were cut. Nearby a crystal weighing 285 pounds was found, and another weighing 188 pounds. Some of the crystals from this locality had on one side a green coating of chlorite, and when this was not removed, the effect was as though one saw a green moss growing beneath a pool of water. The rock-crystal slabs have an advantage over glass when used for mirrors, as they more truly reflect the tints of a fine complexion. Brilliant crystals from Lake George and its neighborhood have been called “Lake George 27Diamonds.” In marked contrast with the large examples we have noted, many crystals of quartz are so small that 200,000 would have an aggregate weight of but one ounce and yet many are perfect crystals and doubly terminated.
In Yucatan, quartz crystals were used not just for divination but also to ensure successful crops. The discovery of these crystals in the Indian mounds of Arkansas, North Carolina, and other places suggests they were likely worn as talismans and buried with the deceased as a personal possession. My own observations in Garland and Montgomery counties, Arkansas, showed that quartz crystals were found in mounds alongside chipped arrowheads made from chalcedony, even though the crystals didn’t seem to be shaped in any way. The area around Hot Springs, Arkansas, has produced some of the best rock crystals in the United States. North Carolina has also yielded many impressive pieces, including the largest one found in 1886, which unfortunately got broken by the person who discovered it. In its natural form, it probably weighed about 300 pounds, and if it had been cut, it could have made a crystal ball measuring 4½ to 5 inches in diameter. This remarkable crystal was sourced from Phœnix Mountain in Chestnut Hill township, Ashe County, North Carolina. From the largest piece recovered, weighing 51 pounds, several slabs measuring 8 inches square and between half an inch to one inch thick were created. Nearby, another crystal weighed 285 pounds, and another was 188 pounds. Some crystals from this area had a green chlorite coating on one side, and when this wasn’t removed, it looked like green moss growing under a pool of water. Rock crystal slabs are better than glass mirrors because they reflect the shades of a fine complexion more accurately. Brilliant crystals from Lake George and surrounding areas have been called “Lake George Diamonds.” In contrast to the large crystals mentioned, many quartz crystals are so tiny that 200,000 of them would only weigh about one ounce, yet many are perfect and doubly terminated.
The presence of white quartz pebbles in some graves of the Indian Moundbuilders, appears to be indicated to a satisfactory extent in the case of certain specimens from the Etowah Mound in Georgia; these pebbles, which form part of the Steiner collections in the United States National Museum, were not, however, worked or polished in any way, nor are there any traces of use for ornament or decoration. On the other hand, white quartz pebbles from the Pueblo region of the Southwest offer undeniable signs of having been long used and are of frequent occurrence; some of these have been found in graves. In connection with the probable reasons determining their presence the designations “fire stones” or “charms” have been given them; some specimens of this worked quartz had evidently been worn as pendants, while others had probably been regarded as fetishes.[45]
The presence of white quartz pebbles in some graves of the Indian Moundbuilders is clearly seen in certain specimens from the Etowah Mound in Georgia. These pebbles, which are part of the Steiner collections at the United States National Museum, were not shaped or polished in any way, nor are there any signs of them being used for decoration or adornment. In contrast, white quartz pebbles from the Pueblo region of the Southwest show clear evidence of long-term use and are commonly found; some of these have been discovered in graves. Regarding the possible reasons for their presence, they have been referred to as “fire stones” or “charms.” Some of these worked quartz pieces were likely worn as pendants, while others may have been considered fetishes.[45]
It is most interesting to note that the superstitious use of these objects in burials was so widespread as to prove that it must have been due to some inherent property or properties in white stones, and especially in pebbles of white quartz, which appealed very strongly to the mind of primitive man. That, as has been noted above, the conception of purity should be associated with whiteness, in its contrast to any obscure color, is natural enough, and rests upon the association of spotless cleanliness with moral purity, and very probably the sparkles of light emitted by a bright piece of quartz, normally or on percussion, brought this material into some connection with the worship of fire, or of fire-gods. 28To another possible conception along the same lines we have already alluded.
It's really interesting to see that the superstitious use of these items in burials was so common that it must have stemmed from some inherent qualities in white stones, especially in white quartz pebbles, which had a strong appeal to primitive people. As mentioned earlier, it makes sense that the idea of purity is associated with whiteness, contrasting with darker colors, and this links back to the association of being spotless clean with moral purity. It's likely that the sparkles of light from a shiny piece of quartz, whether naturally or when struck, connected this material to the worship of fire or fire deities. 28 We've already touched on another possible idea related to this.
An instance is reported where a very curious quartz pebble, one-half white and the other black, was found within the hand bones of the skeleton of an Indian; the finder carried it about with him for many years as a “lucky stone,” but it appears that his personal experience of its effects, if these can be judged from what happened to the bearer of such a talisman, has been of a kind to shatter the most robust faith in the protective power of his Indian charm. Possibly the strange relic may have symbolized night and day for the Indians, and thus have been believed to guard the wearer or the person with whom it was buried, at all times and seasons. That pebbles of this sort were sometimes buried in the ground, disposed in circles and squares, is vouched for by some who claim to have unearthed them in ploughing, but our informant was not able to confirm these statements, as the arrangements had always been effectually disturbed before he reached the spot.[46]
A remarkable instance is reported where a very interesting quartz pebble, one half white and the other half black, was discovered inside the hand bones of an Indian skeleton; the finder carried it with him for many years as a “lucky stone,” but it seems that his personal experiences with it, if you can judge by what happened to him, have shattered any strong belief he had in the protective powers of his Indian charm. It’s possible that the unusual relic symbolized night and day for the Indians, and was thought to protect the wearer or the person buried with it at all times. Some have claimed that pebbles like this were sometimes buried in the ground, arranged in circles and squares, but our informant couldn’t verify these claims since the arrangements were always disturbed before he got to the location.[46]
In many graves of the primitive Red-paint People of Maine, small pebbles have been found. As they were not large enough to have served as paint-grinders, and as but one such pebble occurs in any single grave, the presumption is quite strong that they were considered as talismans for the dead. The fact that the practical laborers of our day who dug out these graves instinctively named the pebbles “lucky stones” goes to prove that this supposition is not too far-fetched, although there is no positive evidence to support it. The pebbles were yellow, bright red, or gray in color, the graves explored being at Orland, Maine, as well as at the outlet of Lake Alamoosook, on the south side of this lake and at Passadumkeag; indeed such graves have been 29met with all the way from the Kennebec Valley eastward to Bar Harbor.[47]
In many graves of the early Red-paint People of Maine, small pebbles have been found. Since they were too small to be used as paint-grinders, and only one such pebble occurs in each grave, it's strongly believed that they were regarded as charms for the dead. The fact that modern workers who excavated these graves instinctively called the pebbles “lucky stones” supports this idea, though there’s no concrete evidence to confirm it. The pebbles were yellow, bright red, or gray, with the graves studied located in Orland, Maine, as well as at the outlet of Lake Alamoosook, on the south side of the lake, and at Passadumkeag; in fact, such graves have been found all the way from the Kennebec Valley eastward to Bar Harbor.29met with all the way from the Kennebec Valley eastward to Bar Harbor.[47]
The respective symbolic meanings of white and black are illustrated in the designations “white magic” and “black magic,” the latter denoting conjurations or spells in which the aid of the powers of darkness, of the Devil and his demons, was sought by the sorcerer, while “white magic” was to be performed by harmless and innocent means, sometimes even by religious rites. In this way it sometimes so closely approached the domain of religious miracle, that it becomes difficult to distinguish between these two conceptions of supernatural action in the material world.
The symbolic meanings of white and black are shown in the terms “white magic” and “black magic.” The latter refers to spells where the sorcerer seeks help from dark powers, the Devil, and his demons, while “white magic” is done through harmless and innocent methods, often including religious ceremonies. This sometimes comes so close to the realm of religious miracles that it becomes hard to tell the difference between these two ideas of supernatural actions in the physical world.
Quartz of a different type with needle-like inclusions is called “Thetis’s hair stone.” This is a transparent or translucent quartz, but so completely filled with acicular crystals of green actinolite, or occasionally altered actinolite of a yellow-brown or brown color, as to appear almost opaque; seals and charms have been made to a small extent of this variety. Of other inclusions in quartz we may note those of a very brilliant stibnite projecting in all directions, some of the intruded crystals being very curiously bent. Exceedingly beautiful gems have been cut from this material.[48] When this quartz is cut en cabochon across the ravalette inclusions, a cat’s-eye effect is produced. The yellow quartz cat’s-eye of Ceylon and the green of Haff, Bavaria, are of this type. So densely set were the green actinolite inclusions in the case of a specimen found at Gibsonville, North Carolina, that it was believed by the finder to be an emerald.
Quartz of a different type with needle-like inclusions is called “Thetis’s hair stone.” This is a transparent or translucent quartz, but it's so completely filled with needle-shaped crystals of green actinolite, or sometimes altered actinolite in yellow-brown or brown shades, that it looks almost opaque; seals and charms have been made to a small extent from this variety. Among the other inclusions in quartz, we can note those of very bright stibnite projecting in all directions, with some of the intruded crystals being very curiously bent. Extremely beautiful gems have been cut from this material.[48] When this quartz is cut as a cabochon across the needle-like inclusions, it creates a cat’s-eye effect. The yellow quartz cat’s-eye from Ceylon and the green one from Haff, Bavaria, fall into this category. The green actinolite inclusions in a specimen found at Gibsonville, North Carolina, were so densely packed that the finder initially believed it was an emerald.
An extremely beautiful effect in quartz is produced by enclosed, acicular crystals, or hair-like particles of some 30other mineral, such as rutile, for instance, and sometimes even of gold. To specimens of this latter type may be referred the Greek name “chrysothrix,” used in the Orphic poem “Lithica” and signifying literally “golden hair”; of this the verses tell us there were two varieties, that which may be identified with quartz, having a resemblance to “crystal,” while the other, said to have the appearance of chrysoberyl, may have been a yellower variety. To the quartz traversed by filaments of rutile, or the red oxide of titanium, has been given the taking name of “Venus’s hair stone”; a pretty French name is Flèches d’Amour or “Cupid’s Arrows.”[49]
An incredibly beautiful effect in quartz is created by embedded, needle-like crystals, or hair-like particles of another mineral, such as rutile, or sometimes even gold. The Greek term “chrysothrix,” used in the Orphic poem “Lithica,” literally means “golden hair” and refers to specimens of this kind. The verses describe two types: one resembling quartz, which looks like “crystal,” while the other, said to look like chrysoberyl, may have been a yellower variety. Quartz that features filaments of rutile, or red titanium oxide, is called “Venus’s hair stone,” and a charming French name for it is Love Arrows or “Cupid’s Arrows.”[49]
The California beaches have furnished some of the most interesting ornamental pebbles, the greater number being of chalcedony or agate weathered from an amygdaloidal rock, while a few are of jasper or fossil coral. Their variegated color-markings made them very attractive ornamental objects in themselves, and there is reason to believe that centuries ago the Indians of this region valued them as talismans or amulets. At present the finest specimens are gathered from Pescadero Beach in San Mateo County, about twenty-four miles west of San José, Redondo Beach, fifteen miles south of Los Angeles, and also from Crescent City Beach, in the northern part of California. On Moonstone Beach, Santa Catalina Island, many beautiful quartz and chalcedony nodules have been picked up, which have weathered out of ryolite rock of sanidine feldspar and quartz. It has been quite a custom for guests of the hotels to go down to Redondo Beach and gather these pebbles, and some of those collected by enterprising natives are placed in a bottle of water to bring out the beauty of their colors. Sometimes they are drilled and strung on flexible wire to form long chains or necklaces. Several pebbles presumably from Redondo Beach were found, in 1901, in an Indian grave, where they were probably placed as amulets for the dead.[50]
The California beaches have provided some of the most fascinating decorative pebbles, with the majority being made of chalcedony or agate that has weathered from an amygdaloidal rock, while a few are made of jasper or fossil coral. Their colorful patterns make them very appealing decorative items, and there’s good reason to believe that centuries ago, the Indigenous people of this region valued them as talismans or amulets. Currently, the best specimens are collected from Pescadero Beach in San Mateo County, about twenty-four miles west of San José, Redondo Beach, fifteen miles south of Los Angeles, and from Crescent City Beach in the northern part of California. On Moonstone Beach, Santa Catalina Island, many beautiful quartz and chalcedony nodules have been found, which have weathered out of rhyolite rock containing sanidine feldspar and quartz. It's become quite a tradition for hotel guests to visit Redondo Beach and collect these pebbles, and some of those gathered by enterprising locals are placed in a bottle of water to enhance the beauty of their colors. Sometimes, they are drilled and strung on flexible wire to create long chains or necklaces. Several pebbles, likely from Redondo Beach, were discovered in an Indian grave in 1901, where they were probably placed as amulets for the deceased.[50]

By courtesy of California State Mining Bureau.
1. Chalcedony and agate pebbles from Pescadero Beach, San Mateo County, California.
2. Pebble Beach, Redondo, Los Angeles County, California.
From George Frederick Kunz’s “Semi-precious Stones of California,” Sacramento, 1905.
Bulletin No. 37 of the State Mining Bureau.
Courtesy of the California State Mining Bureau.
1. Chalcedony and agate pebbles from Pescadero Beach, San Mateo County, California.
2. Pebble Beach, Redondo, Los Angeles County, California.
From George Frederick Kunz’s “Semi-precious Stones of California,” Sacramento, 1905.
Bulletin No. 37 of the State Mining Bureau.
31The occurrence of fluid cavities in quartz, chalcedony, sapphire, and other minerals, is due at times to cavernous structures formed during the growth of these minerals, when the crystalline substances, for some reason, instead of filling these up solid, will avoid the caverns and enclose the liquid of crystallization. In agate inclusions this is found with silicious content, possibly due to the fact that it is to an extent carbonic acid gas, or water containing salt or some other foreign substance. In agate chalcedony, whether in pebbles as minute as a pinhead, or in amygdules several feet across, the liquid is enclosed because the walls of the gas-pores in the rock, which are frequently almond-shaped, are gradually becoming smaller, or rather the walls thicken by the deposition of the silica forming agate, chalcedony, or any impenetrable layers, or else an impenetrable form of quartz; then again, frequently toward the centre or when the liquid forms less rapidly, or through some change, the quartz becomes crystalline, either colorless, smoky, or amethystine, and this is due to various inclusions. This gradual thickening of the walls means that the aperture into which the liquid penetrates becomes smaller and smaller until at last it is entirely sealed, so that it becomes enclosed in a kind of nature’s water-bottle, these being sometimes as large as in the chalcedony specimens from Uruguay; this is also the case with the hydrolites and the enhydros, when they can be shaken and the water rattles as in a bottle.
31The presence of fluid cavities in quartz, chalcedony, sapphire, and other minerals sometimes comes from cavernous structures formed during the growth of these minerals. Instead of completely filling these spaces, the crystalline substances will avoid the caverns and trap the liquid involved in crystallization. In agate inclusions, this is often found with silicious content, possibly because it contains carbonic acid gas, or water with salt or some other foreign substance. In agate chalcedony, whether in tiny pebbles no bigger than a pinhead or in amygdules several feet wide, the liquid gets enclosed because the walls of the gas-pores in the rock, which are often almond-shaped, gradually become smaller or the walls thicken due to the deposition of silica forming agate, chalcedony, or any impermeable layers, or even a solid form of quartz. Additionally, often toward the center or when the liquid forms more slowly, or due to some change, the quartz turns crystalline—either colorless, smoky, or amethystine—due to various inclusions. This gradual thickening of the walls means that the opening through which the liquid enters becomes smaller and smaller until it is completely sealed, creating a sort of natural water bottle; this can sometimes be quite large, as seen in chalcedony specimens from Uruguay. The same phenomenon occurs with hydrolites and enhydros, which can be shaken so that the water rattles like in a bottle.
An occasional small Redondo Beach, California, or Medford, Oregon pebble contains a moving bubble of air in liquid.
An occasional small pebble from Redondo Beach, California, or Medford, Oregon, has a tiny air bubble trapped in liquid.
32Most wonderful specimens of rutilated quartz are the great, rich brown, possibly titanium-colored masses in the Morgan Collection at the American Museum of Natural History, that in the Vaux Collection at the Philadelphia Academy of Natural Sciences, and a smaller mass in the British Museum; these were all obtained near Middlesex, Vermont. The rutile is a rich transparent or translucent red, varying in thinness from that of an ordinary needle to that of a knitting-needle, and even to that of a thin lead-pencil. Wonderful specimens are also found in the Alps of St. Gotthard, in Madagascar, and in Alexander County, North Carolina, where they are found in quantity as minute crystals of a rich red or golden yellow.
32Some of the most impressive examples of rutilated quartz are the large, dark brown, possibly titanium-colored pieces in the Morgan Collection at the American Museum of Natural History, those in the Vaux Collection at the Philadelphia Academy of Natural Sciences, and a smaller piece in the British Museum; all of these were sourced near Middlesex, Vermont. The rutile appears as a vibrant, transparent or translucent red, varying in thickness from that of a regular needle to that of a knitting needle, and even as thin as a light pencil. Fantastic specimens can also be found in the St. Gotthard Alps, Madagascar, and Alexander County, North Carolina, where they appear in abundance as tiny crystals of a rich red or golden yellow.
Other curious and interesting rock-crystals with inclusions are those showing enclosed drops of water, the kind termed enhydros by Pliny[51] and many old writers; in some of the rarer specimens the enclosed water is present in considerable quantity. Quartz with inclusions of this type was highly appreciated in the Greco-Roman world, and one of the best poets of the Decadence, Claudian (fl. about 400 A.D.), composed a series of poetic epigrams upon them, seven of these being in Latin and two in Greek. An example of the best in each tongue, the first in the former and the second in the latter, must be of interest, although the literal prose version cannot have the charm of the original verse.[52]
Other curious and interesting rock crystals with inclusions are those that contain trapped drops of water, called enhydros by Pliny[51] and many ancient writers; in some of the rarer examples, the trapped water is found in significant amounts. Quartz with this type of inclusion was highly valued in the Greco-Roman world, and one of the best poets of the Decadence, Claudian (active around 400 CE), wrote a series of poetic epigrams about them, seven of which are in Latin and two in Greek. An example of the best from each language, the first in Latin and the second in Greek, is certainly of interest, although the literal prose translation cannot capture the charm of the original verse.[52]
The Alpine ice, already precious in its frigidity, acquires an intense hardness through the action of the solar rays, but unable to transform itself entirely into a gem, it betrays its original source by the water that still remains within it. This adds at once to the beauty of this liquid stone and to its value.
The Alpine ice, already valuable in its coldness, gains a strong hardness from the sun's rays, but unable to completely turn into a gem, it reveals its original source with the water still inside it. This enhances both the beauty of this liquid stone and its worth.
In its changeful aspect, this crystal born from snow and fashioned by the hand of man is an image of the world, of the heavens enclosing cruel ocean in their wide embrace.
In its constantly changing form, this crystal made from snow and shaped by human hands reflects the world, the heavens, and the harsh ocean within their vast reach.
33An old superstition among the Laplanders of Sweden is that in order to avert or cure disease which may be or has been caused by sleeping in the open air on the exposed moorland, three pebbles should be gathered, one from the water, one out of the earth, and the third from the surface of the ground or “from the air.” These are placed on a fire until they become red-hot, and are then thrown into water; the stone which sizzles most is that belonging to the element which has caused the illness. The whole body, or sometimes only the afflicted part, is to be moistened with the water in which the pebbles have been immersed, and each separate stone is to be carefully returned to the spot whence it was taken.[53]
33An old belief among the Laplanders of Sweden is that to prevent or cure sickness, which may result from sleeping outdoors on the open moor, you should gather three pebbles: one from water, one from the earth, and one from the ground or "from the air." These pebbles are placed on a fire until they become red-hot and then are tossed into water; the stone that sizzles the most is the one associated with the element that caused the illness. The entire body, or sometimes just the affected area, should be dampened with the water where the pebbles were soaked, and each stone must be carefully returned to where it was found.[53]
Near Middleville, in Herkimer County, New York, in a calciferous limestone, gray and brownish-gray in color, there are numerous cavities varying in size from that of a pinhead to that of a man’s head. In these cavities are found carbonaceous substances such as asphaltum and other hard, black hydrocarbons. These cavities also frequently show mud or sand adhering to the sides, or mud and sand mixed with the petroleum, in which are often found brilliant and transparent rock-crystals, the purest of any found in the world. They are unusually perfect hexagonal prisms with both sets of six pyramid faces; that is, with same slight modification, eighteen brilliantly polished faces. These are especially sought after on account of their great purity, and because it is considered that he who wears one will have fair weather and secure the blessing of fair sailing on the sea of life. Some of these crystals are so small, though of absolute perfection, that it would require 250,000 of them to weigh an ounce; others again are sometimes as large as from one to 34two inches in length. When not entirely transparent they frequently contain inclusions of black asphaltum or other hydrocarbons and also contain hollow cavities which are filled with fluid, sometimes salt water and sometimes liquid carbonic acid gas. In these are moving bubbles and occasionally a heavy hydrocarbon; that is, a bubble will ascend and the hydrocarbon will sink; or else the bubble will rise and take with it a small speck of hydrocarbon, and another will sink. In a wonderful specimen now at the American Museum of Natural History there is an object like a small spider of hydrocarbon which sinks while a minute water-bubble rises. They are called fair-weather stones.
Near Middleville, in Herkimer County, New York, in a type of limestone that contains calcium, there's a range of cavities that vary in size from that of a pinhead to that of a human head. In these cavities, you can find carbon-rich materials like asphalt and other hard, black hydrocarbons. These cavities often have mud or sand sticking to the sides, or a mix of mud and sand with the petroleum, which sometimes contains brilliant and clear rock crystals, the purest in the world. They are remarkably perfect hexagonal prisms, featuring both sets of six pyramid faces; specifically, with one slight modification, eighteen smoothly polished faces. These crystals are particularly desired because of their great purity, and it’s believed that whoever wears one will enjoy good weather and gain the blessing of smooth sailing through life's challenges. Some of these crystals are so small, yet perfectly formed, that it would take 250,000 of them to equal an ounce; others can be as large as one to two inches long. When they aren't fully transparent, they often include bits of black asphalt or other hydrocarbons and contain hollow cavities filled with fluid, which can be either salt water or liquid carbonic acid gas. Inside, you can see bubbles moving around, and sometimes a heavy hydrocarbon; for instance, a bubble might rise while the hydrocarbon sinks, or it could carry a tiny piece of hydrocarbon with it as it ascends, while another bubble descends. In a remarkable specimen currently at the American Museum of Natural History, there’s an object resembling a small spider made of hydrocarbon that sinks while a tiny bubble of water rises. They are referred to as fair-weather stones.
Tasmanian rain-makers use white stones in their magical rites; however, the stone by itself is not considered an effective talisman, for it must be dipped in the blood of a young girl to give it added power. After a number of white pebbles have been steeped for a time in this blood, the rain-maker ties them up in strips of bark and sinks them in some deep water-hole in which a diabolical spirit is supposed to dwell. The natives confidently assert that this ceremony is soon followed by the desired rainfall. As the belief prevails here as elsewhere, that these white stones or pebbles to retain their power must not be looked upon by a woman, it seems a little strange that the rain-bringing stone is dipped in a young girl’s blood.[54]
Tasmanian rain-makers use white stones in their magical rituals; however, the stone alone isn’t seen as a strong talisman, because it needs to be dipped in the blood of a young girl to enhance its power. After several white pebbles have been soaked in this blood for a while, the rain-maker bundles them up in strips of bark and submerges them in a deep water-hole believed to be inhabited by a malevolent spirit. The locals firmly believe that this ritual is soon followed by the desired rainfall. Since there’s a common belief here, as in other places, that these white stones or pebbles must not be seen by a woman to keep their power, it seems a bit odd that the rain-bringing stone is dipped in a young girl's blood.[54]
However, white stones have not always and everywhere been regarded as lucky, for it is stated that among the fishermen of the Isle of Man the presence of a white stone in a fishing-smack is confidently believed to portend poor fishing. Indeed it has been reported by a Scotchman, who went out in a fishing boat for several consecutive days with a party of 35Manx fishermen, that after a succession of days marked by poor fishing they began to nickname him “White Stone.”[55]
However, white stones haven't always been seen as lucky everywhere. Fishermen on the Isle of Man firmly believe that having a white stone in a fishing boat indicates bad luck for fishing. A Scotsman who went out on a fishing boat for several days with a group of Manx fishermen reported that after several days of catching very little, they started calling him “White Stone.”[55]
An oath taken on sacred stones was regarded by the ancient Scandinavians as peculiarly binding upon him who took such an oath; in the old Norse annals it is stated that Gudrun Gjukesdatter offered King Atle that he would take an oath on the “pure white stone.” The hero Duthmaruno is said to have sworn by “Loda’s Stone of Power,” which represented the almighty divinity of the Norsemen.[56]
An oath taken on sacred stones was seen by the ancient Scandinavians as particularly binding for those who made such an oath; in the old Norse records, it’s noted that Gudrun Gjukesdatter asked King Atle to swear an oath on the “pure white stone.” The hero Duthmaruno is said to have sworn by “Loda’s Stone of Power,” which symbolized the all-powerful divinity of the Norse people.[56]
A sacred well on the north side of Lough Neagh, Ireland, lends peculiar sanctity to the yellow crystals found in great quantity near by. The belief in their miraculous quality finds expression in the legend that they grow up out of the ground on Midsummer Night, and whosoever wishes to possess them as talismans must pronounce certain magic rhymes in the act of collecting them. They then become luck-bringers of potent virtue and ensure the prosperity of the household in which they are guarded.[57]
A sacred well on the north side of Lough Neagh, Ireland, adds special significance to the yellow crystals found in abundance nearby. The belief in their miraculous properties is captured in the legend that they sprout from the ground on Midsummer Night, and anyone who wants to keep them as charms must recite certain magic rhymes while collecting them. They then become powerful luck-bringers and guarantee the prosperity of the household that keeps them safe.[57]
The stone, or rather rock, named catlinite, and popularly known as “pipe-stone,” was regarded by certain tribes as one of their most valuable materials,[58] and was extensively used for pipe-bowls. In color it ranges from a deep red to an ashy tint; the chief quarry is situated some three hundred miles west of the Falls of St. Anthony, on the dividing ridge between the Saint Peter’s and Missouri rivers. This region was visited in 1836 by George Catlin, to whom we are indebted for the preservation of so much regarding Indian folk-lore and customs, and after whom the substance 36is named. While it is impossible to determine with any degree of certainty for how long a time the Indians were familiar with this material, there are those who believe that the quarries were worked and the material used for pipe-bowls by native sculptors long before the earliest notice we have to that effect.[59] Great skill and patience were displayed by the Indians in the making of these pipe-bowls, which were sometimes carved with various symbolical figures. We have an early record of such pipes from the pen of Jacques Marquette, a Jesuit missionary to the Indians, who saw one when visiting the Illinois Indians in 1673. He reports it as being of polished red stone, like marble, so pierced that one orifice served to hold the tobacco, while the other was fastened on the stem, which was a stick two feet long, as thick as a common cane and pierced in the middle. The whole was covered with large feathers of red, green, and other colors.
The stone, or rather rock, called catlinite, commonly known as “pipe-stone,” was considered by certain tribes to be one of their most valuable resources,[58] and was widely used for making pipe bowls. Its color varies from deep red to a grayish hue; the main quarry is located about three hundred miles west of the Falls of St. Anthony, on the ridge dividing the Saint Peter’s and Missouri rivers. This area was visited in 1836 by George Catlin, to whom we owe a lot of knowledge about Indian folklore and customs, and after whom the material is named.36 While it's hard to say exactly how long the Indians have known this material, some believe that the quarries were being used and the material crafted into pipe bowls by native artists long before we have any records of it.[59] The Indians showed great skill and patience in creating these pipe bowls, which were sometimes carved with various symbolic designs. We have an early account of such pipes from Jacques Marquette, a Jesuit missionary to the Indians, who saw one during his visit with the Illinois Indians in 1673. He described it as being made of polished red stone, resembling marble, with one opening for holding tobacco and another attached to a two-foot-long stick that was as thick as a common cane and pierced in the middle. The entire piece was adorned with large feathers in red, green, and other colors.
Catlin states that at the time of his visit the “pipe-stone” quarry was guarded with a certain religious reverence from the visit of the white man, the Indians declaring that this red stone was “a part of their flesh,” and that to take it from them would be to tear out their flesh and spill their blood. This highly poetic language may or may not have signified a superstitious reverence for the substance; indeed, it may simply have voiced the fear of these Indians that they might be despoiled of what for them was an especially valuable material, which they asserted had been bestowed upon them by the Great Spirit for the making of pipes exclusively. In our day an old Ojibway Indian, especially skilled in the work, has a name signifying “he who makes pipes,” and carved pipe-bowls of catlinite are usually sold for from $1 to $10 apiece; as much as $20, however, is occasionally paid for a particularly large and finely carved specimen. This substance is also worked up into charms and other small ornaments which are sold to tourists, the annual sales of all descriptions amounting to some $10,000 annually. Catlinite takes a fine polish and is easily worked; a peculiarly attractive variety is red with white and gray spots.
Catlin mentions that during his visit, the “pipe-stone” quarry was treated with a certain spiritual respect by the Indigenous people, who claimed that this red stone was “a part of their flesh,” and that taking it from them would be like tearing out their flesh and spilling their blood. This poetic expression may or may not have indicated a superstitious devotion to the stone; it might have simply reflected their fear of losing something they considered particularly precious, which they believed had been given to them by the Great Spirit specifically for making pipes. Nowadays, an elderly Ojibway Indian known for his craftsmanship carries the name meaning “the one who makes pipes,” and carved catlinite pipe-bowls typically sell for between $1 and $10 each; however, prices can reach up to $20 for larger, finely crafted pieces. This material is also fashioned into charms and other small items sold to tourists, with total annual sales reaching around $10,000. Catlinite polishes beautifully and is easy to work with; a particularly appealing variety features red with white and gray spots.

HINDU WEARING A COLLECTION OF ANCESTRAL PEBBLES AS AMULETS
HINDU WEARING A COLLECTION OF ANCESTRAL PEBBLES AS AMULETS
37The popular fancy for the “Fairy Stones” from a peak of the Blue Ridge Mountains, Patrick County, Virginia, is said to be directly traceable to the tale, “Trail of the Lonesome Pine,” by John Fox, Jr., who makes one of these pretty staurolite crystals exercise an important influence over the destinies of his hero and heroine. This was cleverly utilized by the manager of a New York theatre, when he gave a souvenir performance of a dramatized version of the story, by presenting one of these “Fairy Stones” to each lady in the audience, a gift not only in perfect rapport with the play, but one highly appreciated by the recipients, few of whom were not unconsciously influenced by the symbolic half-religious, half-mythical quality ascribed to this attractive little gem.
37The popular fascination with the “Fairy Stones” from a peak in the Blue Ridge Mountains, Patrick County, Virginia, is said to stem directly from the story “Trail of the Lonesome Pine” by John Fox, Jr. In this tale, one of these beautiful staurolite crystals plays a significant role in the lives of the main characters. This was cleverly used by the manager of a New York theater when he held a special performance of a dramatized version of the story, giving each woman in the audience one of these “Fairy Stones.” This gift not only perfectly matched the play but was also highly valued by the recipients, many of whom were subtly influenced by the symbolic, partly religious and partly mythical, qualities attributed to this charming little gem.
Collections of stones and pebbles, often of little or no intrinsic value but supposed to possess occult powers, are handed down from father to son in many Hindu families of the poorer class. The accompanying illustration shows an aged Hindu, as he appeared to a recent traveller, decorated with such stones to the number of about three hundred on a ceremonial occasion. In this case they were all pierced and threaded on cords, so as to be attached to the person, and the old man proudly declared that, thousands of years ago, one of his ancestors was a playmate of the god Krishna, who had bestowed the stones upon him as a special mark of divine favor.
Collections of stones and pebbles, often having little or no real value but believed to hold mystical powers, are passed down from father to son in many poorer Hindu families. The accompanying illustration shows an elderly Hindu man, as seen by a recent traveler, adorned with about three hundred of these stones on a ceremonial occasion. In this case, they were all pierced and strung on cords to be worn by him, and the old man proudly claimed that, thousands of years ago, one of his ancestors was a childhood friend of the god Krishna, who gifted him the stones as a special sign of divine favor.
The presence of erratic boulders was accounted for by 38popular legend in a variety of ways. Sometimes it was declared that the Virgin or a saint, while bearing an enormous stone through the air to be used in the construction of a church, had learned on the way that the church was completed and the stone no longer needed, and immediately let it drop to the earth.[60]
The presence of random boulders was explained by popular legend in various ways. Sometimes it was said that the Virgin or a saint, while carrying a massive stone through the air for the construction of a church, found out along the way that the church was finished and the stone wasn't needed anymore, so they just dropped it to the ground.[60]
A stone having the rude form of a chair or seat, and known as Canna’s Stone, enjoyed repute in Wales for its curative powers. It was in a field in close proximity to the church of Llangan, Carmarthenshire, which owed its foundation to St. Canna. Near this stone is a well called Flynon Canna, the waters of which were believed to be a cure for ague. To make the cure effective, however, the patient, after imbibing the sacred water, had to sit for a time in Canna’s Stone, and if he dozed while sitting there this was considered to promise a speedy recovery. The combined treatment by well and stone was often repeated for several successive days and was occasionally prolonged for two or three weeks.[61]
A stone shaped like a rough chair, known as Canna’s Stone, was well-known in Wales for its healing abilities. It was located in a field close to the church of Llangan in Carmarthenshire, which was founded by St. Canna. Nearby is a well called Flynon Canna, whose waters were thought to cure fevers. However, for the treatment to be effective, the patient had to drink the sacred water and then sit for a while in Canna’s Stone. If they dozed off while sitting there, it was seen as a sign that they would recover quickly. This combined treatment of the well and the stone was often repeated for several days in a row and could sometimes last for two or three weeks.[61]
That a child could be cured of disease by being passed through an aperture in one of the sacred stones that had formed part of a dolmen is shown in the case of a stone of this kind preserved in the church of Villers-Saint-Sépulcre, dept. Oise, France. There is another such stone in the same department, at Trie, used in a like way for the cure of feeble children or those suffering from rachitis. This reveals in a striking way the persistence of superstitious beliefs which were already condemned in 567 A.D. by the council of Tours, which prescribed that the eucharist should be refused to those who venerated these so-called sacred stones, and at a 39still earlier date, in 443 A.D., a council decree pronounced those bishops guilty of sacrilege who permitted the making of vows over these stones or the deposition of offerings thereon.[62]
A child could be healed by being passed through an opening in one of the sacred stones that were part of a dolmen, as demonstrated by a stone of this kind preserved in the church of Villers-Saint-Sépulcre, dept. Oise, France. Another similar stone exists in the same department, at Trie, used similarly to treat weak children or those suffering from rickets. This dramatically illustrates the enduring nature of superstitious beliefs, which had already been condemned in 567 A.D. by the council of Tours, which mandated that the eucharist be denied to anyone who revered these so-called sacred stones. Even earlier, in 443 CE, a council decree declared that bishops were guilty of sacrilege if they allowed vows to be made over these stones or offerings to be placed on them.[62]
Some of the stones of the druidic dolmens were called by the French peasants of a later age pierres tourniresses, or “whirling stones,” for it was solemnly asseverated that at midnight on Christmas Eve these stones gyrated on their base. A still stranger fancy was that some other stones of this class became fearfully thirsty at times, once every hundred days, or perhaps only once in a century, and then rolled off to the nearest stream to slake their thirst. Under others, again, it was believed that a hidden treasure reposed, watchfully guarded by a terrible dragon. However, on one night in the year, while the clock was striking twelve, he snatched a moment’s sleep, and whoever was clever enough and quick enough to make use of this chance could acquire untold riches.[63]
Some of the stones of the druidic dolmens were referred to by later French peasants as twisted stones, or “whirling stones,” because it was seriously claimed that at midnight on Christmas Eve, these stones spun on their bases. An even stranger belief was that some of these stones became incredibly thirsty at certain times, perhaps every hundred days or only once every century, and would then roll off to the nearest stream to quench their thirst. It was also believed that hidden treasure lay beneath others, watched over by a terrifying dragon. However, on one night each year, while the clock was striking twelve, the dragon would take a moment's sleep, and whoever was clever and quick enough to seize this opportunity could obtain unimaginable riches.[63]
A strange belief prevails in and about Dourges (dept. Aube), France. On the top of a hill near this place is a chapel built in honor of St. Estapin, and in close proximity to this chapel are rocks with many irregular hollows of such varying shapes and forms that almost any part of the human body can be thrust into the openings. On the 6th of August in each year, those from the neighborhood suffering from illness or disability of any kind come hither, and, after having made their way as best they can nine times around the chapel, proceed to the platform whereon are the wonder-working stones, and introduce the afflicted part of their body into the appropriate opening in one of the rocks. The result 40is said to be an immediate cure of the trouble, however serious this may be, one experiment being sufficient.[64]
A strange belief exists around Dourges (dept. Aube), France. At the top of a hill near this location is a chapel dedicated to St. Estapin, and close to this chapel are rocks with many irregular hollows in various shapes that can accommodate almost any part of the human body. Every year on August 6th, people from the area who are suffering from illness or disability come here, and after making their way around the chapel nine times as best they can, they go to the platform where the miraculous stones are located and insert the affected part of their body into the appropriate opening in one of the rocks. The result is said to be an immediate cure for whatever the issue is, no matter how serious, with just one attempt being enough. 40
Stones of peculiar shape or marked color are those to which popular fancy has most often attributed a certain sanctity or power. Instances of this may be found in the Scottish isles. Thus, on the island of Arran in the Firth of Clyde, a green stone of approximately spherical form had acquired great repute for its healing virtue, especially for those having pains in the side. When this stone was laid upon the seat of the trouble, the pain would disappear. This, however, was not the only use to which it was put, for oaths were taken upon it, proving the presence of a certain animistic belief in the islanders’ minds, as though some spirit dwelt in or animated the stone and would take vengeance on a perjuror. A still better proof of this was the idea that the green stone of Arran would bring victory to a leader if he bore it with him and cast it into the enemies’ ranks at the decisive moment of a conflict, as is said to have been done by the Lord of the Isles. Alongside of this green stone may be placed a blue stone credited in the Scotch island of Fladda with the possession of like healing power, and on which also oaths were taken.[65]
Stones with unusual shapes or distinctive colors are the ones that people have often believed to have special powers or significance. A notable example can be found in the Scottish islands. On the island of Arran in the Firth of Clyde, a green stone shaped like a sphere was well known for its healing abilities, particularly for those suffering from side pain. When placed on the painful area, the discomfort would vanish. However, this stone served more purposes; oaths were sworn on it, indicating that the islanders believed a spirit might inhabit or give life to the stone, potentially punishing anyone who lied. An even clearer indication of this belief was the idea that the green stone of Arran would help a leader win battles if they carried it and threw it into the enemy’s ranks at a crucial moment, as supposedly done by the Lord of the Isles. Additionally, there was a blue stone in the Scottish island of Fladda that was also believed to possess similar healing powers and on which oaths were sworn.[65]
A large, flat stone in St. Andrew’s on the isle of Guernsey is stated to have borne a somewhat humorously misleading French inscription. This ran: “Celui qui me tournera, Son temps point ne perdra,” which has been freely rendered:
A large, flat stone in St. Andrew’s on the island of Guernsey is said to have had a somewhat humorously misleading French inscription. It read: “Whoever turns me will not waste their time.,” which has been freely translated:
This tempting promise, interpreted as a sign that some buried treasure was hidden in the ground beneath the stone, 41finally induced some one to devote much toil and time to the difficult task of turning the stone over. What, however, was his chagrin and disgust when the under side presented the words: “Tourner je voulais, Car lassée j’étais” (I longed to turn, because I was so tired). Whether the practical joker who originated the inscription was present to enjoy the success of his joke is not revealed.[66]
This enticing promise was seen as a sign that there was buried treasure hidden in the ground under the stone, 41which finally pushed someone to put in a lot of effort and time to the tough job of flipping the stone over. However, he was left feeling disappointed and disgusted when the underside revealed the words: “Tourner je voulais, Car lassée j’étais” (I longed to turn, because I was so tired). It’s unclear if the prankster who came up with the inscription was around to enjoy the success of his joke.[66]
To a mass of quartz at Jerbourg, Guernsey Island, local fancy has attached a wild legend, which finds expression in the strange designation of the stone as “The Devil’s Claw.” The old Chronique de Normandie, which, although written much earlier, was first printed in 1576 at Rouen, recounts under date of 797 A.D. that Duke Richard, when on his way from one of his strongholds to a manor where dwelt a damsel of surpassing beauty, was assailed by the Evil One; but, like a second St. Michael, Duke Richard overcame his dangerous antagonist. Seeing that he could not prevail by force, the Devil had recourse to one of his most perilous wiles, and changed himself into a beautiful, richly attired maiden. In this disguise he lured Duke Richard to the seashore and induced him to enter a boat and put out to sea. He thus spirited the duke away to the lonely isle of Guernsey, and at the landing spot, where the Devil finally seized his too-confiding prey, stands this mass of quartz, a deep black splash running right across, indicating in popular fancy the mark left by the devil’s claws.[67]
To a large piece of quartz at Jerbourg, Guernsey Island, local legend has attached a wild story, which is reflected in the unusual name of the stone as “The Devil’s Claw.” The old Chronique de Normandie, which was written much earlier but first published in 1576 in Rouen, recounts that in 797 CE, Duke Richard, while traveling from one of his strongholds to a manor where a remarkably beautiful woman lived, was attacked by the Evil One. However, like a modern-day St. Michael, Duke Richard triumphed over his dangerous foe. Seeing that he couldn't win with brute force, the Devil resorted to one of his most dangerous tricks and transformed himself into a lovely, well-dressed maiden. In this disguise, he led Duke Richard to the beach and persuaded him to get into a boat and go out to sea. He then took the duke away to the deserted island of Guernsey, and at the place where the Devil finally captured his too-trusting prey, this mass of quartz stands, with a deep black streak running right across it, representing in local lore the mark left by the devil’s claws.[67]
A solitary boulder standing on a heath in North Germany is the subject of a curious legend illustrating the superstitious reverence inspired by the thunder. Once upon a time a bridal procession was traversing the heath when a violent thunder-storm broke out. Taking no heed of this, the musicians who accompanied the procession continued to 42play their gay and festive music, and as a punishment for this lack of respect the God of Thunder changed the whole party into an immense rock.[68]
A solitary boulder standing on a heath in North Germany is the subject of a curious legend illustrating the superstitious reverence inspired by thunder. Once upon a time, a bridal procession was crossing the heath when a violent thunderstorm suddenly broke out. Ignoring this, the musicians who accompanied the procession continued to play their lively and festive music, and as a punishment for this disrespect, the God of Thunder transformed the entire party into a massive rock.42[68]
An erratic boulder lying in midstream in the River Ferse, in West Prussia, at a bend it makes between Peplin and Eichwald, is known in legend as the Teuffelsstein (Devil’s Stone). It can only be reached by swimming to it, the part above the surface of the water measuring 26¼ feet in circumference, the height from the bed of the stream being 8¼ feet. A thick growth of alders on the banks of the Ferse at this point casts strange and sharp shadows over the gleaming surface of the block which is a biotitic gneiss. Legend tells that the Devil once tried to wreck the tower of the church at Peplin by hurling this mass of rock at it, but just as he had it poised in the air and was about to cast it forth the church bells began to ring the call for early mass, and he was forced to let the boulder drop. Another version is that he really threw it, but that it fell short of its mark.[69]
An irregular boulder sitting in the middle of the River Ferse in West Prussia, at a bend between Peplin and Eichwald, is known in legend as the Teuffelsstein (Devil’s Stone). To reach it, you have to swim; the part above water measures 26¼ feet around and rises 8¼ feet from the riverbed. A dense thicket of alders along the banks casts strange and sharp shadows over the shining surface of the boulder, which is made of biotitic gneiss. According to legend, the Devil once tried to destroy the church tower at Peplin by throwing this massive rock at it, but just as he was about to launch it, the church bells began ringing for early mass, forcing him to drop the boulder. Another version claims he actually threw it, but it fell short of its target.[69]
Near Hasselager in Denmark there is an immense boulder about 150 feet in circumference and 32 feet in height. Of this stone legend tells that a witch became so enraged at the fact that the steeple of the church at Svinninge was used by sailors as a landmark, that she picked up the stone and hurled it at the church, but missed her aim. As the boulder is estimated to weigh 1000 tons, this “witch” must have been regarded as a superhuman personality. The legend seems to indicate that she profited by the shipwrecks which were only too frequent on this rocky coast, and grudged the poor sailors the good service rendered them by the prominent steeple.
Near Hasselager in Denmark, there's a massive boulder about 150 feet around and 32 feet tall. Legend has it that a witch got so angry that sailors were using the steeple of the church at Svinninge as a landmark that she picked up the stone and threw it at the church but missed. Since the boulder is estimated to weigh 1,000 tons, this “witch” must have been seen as a superhuman figure. The legend suggests that she benefited from the shipwrecks that were all too common along this rocky coast and resented the poor sailors for the assistance provided by the tall steeple.
43A rock in Ardmore Bay, Ireland, is known as the St. Declan Stone, after the first bishop of Ardmore, who came to Ireland even before the arrival of the great St. Patrick. This rock is believed by the peasants to be endowed with great and occult powers, and the legend tells that it was carried through the air from Rome to its present resting place in the bay, at the time St. Declan was erecting his church at Ardmore. The fact that the stone rests upon a number of smaller ones renders it possible for people to squeeze their way under it at low tide, and those who pass beneath it three times are believed to have earned the special favor of St. Declan.[70]
43A rock in Ardmore Bay, Ireland, is called the St. Declan Stone, named after the first bishop of Ardmore, who arrived in Ireland even before the great St. Patrick. The locals believe this rock has amazing and mysterious powers, and the legend says it was flown from Rome to its current spot in the bay while St. Declan was building his church in Ardmore. Because the stone rests on several smaller ones, people can squeeze under it at low tide, and those who pass underneath three times are thought to receive special blessings from St. Declan.[70]
A mass of calcareous stone in a village called Piada de Roland, situated in the commune of Toufailles (dept. Tarn et Garonne), France, shares with some other similar stones in this region the curious name of Roland’s Foot (Piada de Roland). The one preserved in Toufailles measures 70 cm. × 47 cm. × 50 cm., and bears a natural imprint having the form of a foot. Legend accounts for this by the tale that the hero Roland once jumped from this stone to another at Sept Albres and in taking this tremendous leap thrust his foot down so strongly upon its support as to leave an imprint on the solid rock. For a time the “Piada de Roland” was kept in a cow-house—not a remarkably honorable place of deposit—but after the death of one of the cows a sorcerer advised the stone should be broken and removed, as a precautionary measure; this is said to have happened but thirty years ago, showing how deeply rooted such superstitious ideas are among the peasantry in out-of-the-way parts of France.[71]
A mass of calcareous stone in a village called Piada de Roland, located in the commune of Toufailles (dept. Tarn et Garonne), France, shares the interesting name of Roland’s Foot (Piada de Roland) with some other similar stones in the area. The one found in Toufailles measures 70 cm × 47 cm × 50 cm and has a natural imprint shaped like a foot. According to legend, this imprint was created when the hero Roland jumped from this stone to another at Sept Albres, and during this incredible leap, he landed so hard that his foot left a mark on the solid rock. For a while, the “Piada de Roland” was stored in a cow-shed—not the most honorable place— but after one of the cows died, a sorcerer advised that the stone should be broken and removed for safety; this supposedly happened only thirty years ago, highlighting how deeply ingrained such superstitious beliefs are among the rural communities in remote areas of France.[71]
Another rock-imprint, this time simulating that made 44by the hoof of a horse, is to be seen toward the edge of the abyss of Padirac (dept. Lot). Here again a local legend has been evolved to explain the imprint. We are told that the attention of both Satan and St. Martin had been powerfully attracted to the region, each strenuously seeking to gain possession of the souls of those who died, Satan of course wishing to bear them off with him to the depths of the infernal regions, while St. Martin cherished the fond hope of bringing them to Heaven. Unhappily the sins of the inhabitants of the region so much outweighed their merits that the Devil was almost invariably successful. Once upon a time, when he was riding off to his lurid realm, bearing with him a sackful of lost souls, he met St. Martin, who was full of grief at the fact that he himself had not a single soul to carry heavenward. Knowing, however, that Satan was passionately fond of gaming, he proposed that they should play a game the stake of which should be the sackful of souls. Satan consented, trusting to his powers of trickery, but all his deceptions proved vain, and the precious souls became the property of the saint. Enraged at losing the stakes, the Devil stamped on the ground, and an immense abyss opened up, threatening to engulf St. Martin; however, the latter put up a prayer to God, and spurred on his steed to a supreme and successful effort at escape, but one of the hoofs struck the rock with such force that it made an indentation therein figuring the clear outlines of a horse’s hoof.[72]
Another rock imprint, this time resembling that made by a horse's hoof, can be seen near the edge of the abyss of Padirac (dept. Lot). A local legend has sprung up to explain this imprint. It's said that both Satan and St. Martin were drawn to the area, each trying hard to claim the souls of those who had died. Satan, of course, wanted to take them down to the depths of Hell, while St. Martin hoped to bring them to Heaven. Unfortunately, the sins of the local inhabitants greatly outnumbered their good deeds, so the Devil usually won. One day, while he was riding off to his dark realm with a sackful of lost souls, he encountered St. Martin, who was deeply saddened by not having a single soul to take to Heaven. Knowing that Satan loved to gamble, St. Martin suggested they play a game, with the sack of souls as the prize. Satan agreed, confident in his ability to cheat, but all his tricks failed, and the precious souls ended up with St. Martin. Furious about losing, the Devil stomped on the ground, and a huge abyss opened up, threatening to swallow St. Martin. However, St. Martin prayed to God and urged his horse to make one last desperate escape, but one of its hooves struck the rock with such force that it left a clear imprint of a horse's hoof.

KILLING A DRAGON TO EXTRACT ITS PRECIOUS STONE
From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483. See page 16.
KILLING A DRAGON TO GET ITS VALUABLE STONE
From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483. See page 16.

NATURALLY MARKED STONE
From Valentini, “Museum museorum,” Frankfurt am Mayn, 1714. Collection
of James I, of England; now in Copenhagen. See page 45.
NATURALLY MARKED STONE
From Valentini, “Museum museorum,” Frankfurt am Mayn, 1714. Collection
of James I, of England; now in Copenhagen. See page 45.
45The Kiowa have a sacred stone whose form suggests the head and bust of a man. This image, called taimé, has long been considered a kind of palladium of the tribe. It is preserved in a box made of stiff dressed rawhide (parflèche) and was only shown once a year, at the annual Sun Dance. As this sacred dance has not been performed since 1887, the taimé of the Kiowa has not been viewed by mortal eye since that time, not even the custodian of the treasure having the privilege of opening the box, except on the occasion of the ceremonial dance above mentioned.[73] Whether this stone has been rudely fashioned into its present shape, or whether its natural form suggested its use as a simulacrum of some deity, has not been determined; it is evidently not of meteoric origin as were many of the curiously shaped stones venerated as images of the gods in ancient times, in both Europe and Asia.
45The Kiowa have a sacred stone that resembles the head and upper body of a man. This image, called taimé, has long been considered a protective symbol of the tribe. It is kept in a box made of stiff rawhide (parflèche) and was only displayed once a year during the annual Sun Dance. Since this sacred dance hasn’t been held since 1887, the taimé of the Kiowa hasn’t been seen by anyone since then, even the keeper of the treasure hasn’t had the chance to open the box, except during the mentioned ceremonial dance. [73] Whether this stone was roughly shaped into its current form, or if its natural shape inspired its use as a representation of some deity, hasn’t been determined; it’s clear that it isn’t of meteoric origin like many oddly shaped stones that were worshipped as images of the gods in ancient times, in both Europe and Asia.
In the rock of St. Gowan’s chapel in Wales was a natural cavity upon which the name of the Expanding Stone was bestowed by popular tradition, because the strange fancy prevailed that this stone automatically adapted itself to the size of anyone who entered the cavity. The legend ran that once, during the Pagan persecutions, when a fugitive Christian, hotly pursued, reached this rock it opened up of its own accord so that he could slip into it, and then closed about him so as to hide him effectually from his enemies. This Expanding Stone was believed to manifest its magic power by bringing to pass the wish expressed by anyone who entered it, provided he did not change his wish while he turned around within it.[74]
In the rock of St. Gowan’s chapel in Wales, there was a natural cavity known as the Expanding Stone, a name given by popular tradition. People believed that this stone automatically adjusted to fit anyone who entered the cavity. According to legend, once during the Pagan persecutions, a fleeing Christian, being chased, reached this rock, and it opened up on its own so he could slip inside. It then closed around him, effectively hiding him from his pursuers. This Expanding Stone was thought to have the magical ability to fulfill the desire of anyone who entered it, as long as they didn't change their wish while turning around inside it.[74]
The natives of the French colony of New Caledonia in the southern Pacific, attach special importance to the fortuitous shape of stones in using them for talismans or amulets. According to their form such stones are considered to procure favorable effects against famine, madness, or death; to induce sunshine or rain, or else to bring good luck in fishing or in sailing, each special use being suggested 46by some different form, the color also being in some cases a determining factor. For the purpose of securing a better yield from fruit-trees a stone having the approximate shape of the fruit or with markings similar to those on fruit or tree is the one indicated by nature as the appropriate talisman, as in the case of the cocoanut palm, where a stone marked with black lines is the one chosen. Sometimes two different talismanic stones are used in this practice, a smaller one figuring the unripe fruit; when the tree begins to bear, the small stone is buried at its foot, and as soon as the fruit begins to mature, the small stone is removed and the larger one, representing the ripe fruit, is buried in its place.[75]
The people of the French colony of New Caledonia in the southern Pacific place great importance on the chance shapes of stones, using them as talismans or amulets. Depending on their shape, these stones are believed to provide protection against famine, insanity, or death; to bring sunshine or rain; or to create good luck in fishing or sailing. Each specific use is inspired by a different shape, with color sometimes playing a key role. To ensure a better yield from fruit trees, a stone that resembles the shape of the fruit or has markings similar to those on the fruit or tree is considered the right talisman, as seen with the coconut palm, where a stone marked with black lines is favored. Occasionally, two different talismanic stones are used: a smaller one representing unripe fruit. When the tree starts to bear fruit, the small stone is buried at its base; as soon as the fruit matures, the small stone is taken out and replaced with the larger stone, which symbolizes the ripe fruit.46
The Scotch of a century or more ago are said to have considered that an isolated stone or boulder, firmly fixed in the earth, possessed powers of a peculiar sort, and some such stones were used to cure bruises and strains and reduce swellings.[76] As it was also thought that a blow from a stone of this type was especially hurtful, this would be another case of homœopathic treatment of which so many and various examples are afforded by the superstitious use of stones and gems, as well as of other objects to which certain advantageous qualities were attributed.
The Scots over a century ago believed that a solitary stone or boulder, firmly embedded in the ground, had unique powers, and some of these stones were used to treat bruises, strains, and swellings.[76] It was also believed that a strike from such a stone was especially harmful, which is another instance of homeopathic treatment, similar to the many examples of the superstitious use of stones, gems, and other objects thought to have special beneficial qualities.
Small stone boulders have been made use of by ejected peasants in Fermanagh, Ireland, in a magical incantation designed to draw down a curse upon a merciless landlord. For this purpose the peasant would collect a number of such stones, pile them up on his hearth as he would have piled turf sods, and then put up a petition that all manner of bad luck and misfortune might befall the landlord and his descendants to remote generations. Hereupon he would gather up the stones again, and, carrying them off, would 47scatter them about in bog-holes, pools or streams, so that they should never be brought together again.[77] This was evidently done in the belief that the curse could only be raised if a counter-invocation were pronounced over the same collection of stones. An allusion to a custom of turning stones about while reciting a formula of malediction is contained in the following lines by Dr. Samuel Ferguson:
Small stone boulders were used by displaced peasants in Fermanagh, Ireland, in a magical chant aimed at placing a curse on a ruthless landlord. To do this, the peasant would gather several stones, stack them on his hearth like turf sods, and then make a wish that all kinds of bad luck and misfortune would come to the landlord and his descendants for generations to come. After that, he would collect the stones again and carry them off to scatter them in bog-holes, pools, or streams, ensuring they would never be gathered together again. This was clearly done with the belief that the curse could only be invoked if a counter-chant was recited over the same group of stones. A reference to the practice of turning stones while reciting a curse can be found in the following lines by Dr. Samuel Ferguson:
Of all “magic stones” none seem better to deserve this designation than those mysterious and fascinating mineral specimens, veritable lusus Naturæ, bearing imprinted upon them by nature’s hand some likeness of the human face or form. The grandeur and the overwhelming power of the material world are probably as much or even more felt in our prosaic age than they were in the earliest times, but this sentiment is sometimes coupled with a sense of distrust—happily neither general nor permanent—as to the presence in this tremendous and inspiring aggregate of forces of any distinct and definite evidence of the working of an intelligence closely similar to our own. It seems not unlikely that to this half-distrust is in great part due the fascination exercised by these naturally designed stones. We know, indeed, that when examined critically by the mineralogist, their strange markings become explicable as the results of fortuitous stratifications and juxtapositions, but to our instinctive appreciation they offer so close and startling an analogy to the artistic reproductions consciously made by the hand of man, guided by his experience 48and intelligence, that we are almost invariably impressed with a keener sense of our kinship with nature.
Of all "magic stones," none seem to deserve this title more than those mysterious and fascinating mineral specimens, true lusus Naturæ, which bear natural imprints resembling the human face or form. The awe and overwhelming power of the material world are probably felt just as much, if not more, in our everyday lives today than in ancient times, but this feeling is sometimes mixed with a sense of skepticism—thankfully neither widespread nor lasting—about the existence of any clear and distinct signs of intelligence resembling our own in this vast and inspiring collection of forces. It seems likely that this half-distrust significantly contributes to the allure of these naturally formed stones. We do know that when thoroughly examined by a mineralogist, their strange patterns can be explained by chance formations and arrangements, but to our instinctive perception, they present such a striking resemblance to the artistic creations consciously made by humans, shaped by experience and intelligence, that we are almost always left with a deeper feeling of our connection to nature. 48
Some very characteristic and interesting specimens of these natural designs were at one time in the possession of Queen Victoria, many of them having been formerly among the treasures in the valuable and extensive collection of pearls and precious stones carefully gathered together by the famous banker and connoisseur, Henry Philip Hope. Quite recently (April 20, 21, 1914) these objects, which had passed into the J. E. Hodgkin Collection, were sold at Christie’s in London. Perhaps the most remarkable is thus described by B. Hertz in the Hope Catalogue:[78]
Some very distinctive and fascinating examples of these natural designs were once owned by Queen Victoria, many of which were previously part of the valuable and extensive collection of pearls and gemstones carefully assembled by the renowned banker and collector, Henry Philip Hope. Recently (April 20, 21, 1914), these items, which had become part of the J. E. Hodgkin Collection, were sold at Christie’s in London. Perhaps the most notable is described by B. Hertz in the Hope Catalogue:[78]
No. 62. A very beautiful lusus, in white and brown agate, representing a miniature face and neck, with light brown hair and white chaplet, surrounded by a dark brown ground colour.
No. 62. A very beautiful oddity, in white and brown agate, showing a miniature face and neck, with light brown hair and a white garland, set against a dark brown background.
So singularly natural and artistic is this strange gem, that it is difficult to banish the conviction that we are not gazing upon a fine example of a miniature done by an impressionist.[79] Another interesting, though somewhat less notable example, was a polished flint, of a brownish-gray hue, bearing a half-front miniature of an aged head and face marked in a light brownish-white;[80] still another offered the representation of a human head, the face half turned away; this was also a flint, the groundwork of a light horn-color, the design being of a still lighter shade of the same color.[81]
This strange gem is so uniquely natural and artistic that it's hard to shake the belief that we are looking at a fine example of a miniature created by an impressionist.[79] Another interesting, though somewhat less notable example, was a polished flint with a brownish-gray color, featuring a half-front miniature of an aged head and face outlined in a light brownish-white;[80] yet another displayed the image of a human head, with the face slightly turned away; this was also a flint, the base being a light horn color, and the design rendered in an even lighter shade of the same color.[81]
While nearly all these natural designs are in the flat, occasional examples of relief or intaglio are recorded. As 49an instance may be noted a remarkable double gem or medallion said to have been revealed on splitting open a clump of copper ore from the Bottendorf copper mines. On each of the two halves was marked the image of a male human head, dressed with a peruke, but while on one side the representation was in relief, on the opposite half it was in intaglio.[82]
While almost all these natural designs are flat, there are some examples of relief or intaglio. A notable case is a remarkable double gem or medallion that was discovered when a clump of copper ore from the Bottendorf copper mines was split open. Each of the two halves showed an image of a male head wearing a wig, but one side had the image in relief while the other half had it in intaglio.[82]
A remarkable find of three of these naturally marked stones is stated to have been made in the river Theiss, near the town of Winterhut, in 1556, “on a Monday after the festival of St. Gall.” On one of these flint pebbles was depicted a cross, a sword and a rod; the two others bore respectively a cross and the Burgundian arms, all being as clearly defined as though the work of the human hand.[83]
A notable discovery of three naturally marked stones is reported to have been made in the River Theiss, near the town of Winterhut, in 1556, “on a Monday after the festival of St. Gall.” One of these flint pebbles had a cross, a sword, and a rod depicted on it; the other two had a cross and the Burgundian arms, all appearing as clearly defined as if crafted by human hands.[83]
These smaller natural pictures were, however, greatly surpassed in effectiveness by some most extraordinary representations on slabs of stone, frequently on marble slabs, the strange arrangement of the veinings constituting veritable pictures of considerable extent and marvellously deceptive quality. Thus in the church of San Lorenzo in Florence was to be seen a natural marble on which were depicted two men bearing a bunch of grapes on a rod.[84] Another marble slab, preserved in the Danish Collection in Copenhagen and originally owned by James I of England, presented in most beautiful colors an image of a crucifix.[85]
These smaller natural images were, however, greatly outdone by some truly extraordinary representations on stone slabs, often on marble, where the unique patterns in the stone created real pictures of considerable size and wonderfully deceptive quality. For example, in the church of San Lorenzo in Florence, there was a piece of natural marble that depicted two men carrying a bunch of grapes on a rod.[84] Another marble slab, kept in the Danish Collection in Copenhagen and originally owned by James I of England, displayed a beautifully colorful image of a crucifix.[85]
To the natural image found in a specimen of copper ore may be added a much more remarkable picture discovered in a piece of iron ore. This was found on October 8, 1669, 50by a miner of the Innesberg mines. The clump of ore weighed about two pounds and when the miner split it open with a blow of his hammer, he was startled to see on the upper half a strange and marvellous design. Calling up a companion, he exclaimed: “Look here! Here is the Blessed Virgin on this stone!” On examining the other half, the same design appeared there also. This remarkable find is said to have been recorded in the book of the mine, the stone itself having been delivered to the German imperial inspectors.[86]
The natural image found in a piece of copper ore can be enhanced by a much more astonishing picture discovered in a piece of iron ore. This was found on October 8, 1669, 50by a miner in the Innesberg mines. The chunk of ore weighed about two pounds, and when the miner cracked it open with a hammer, he was amazed to see a strange and marvelous design on the upper half. He called over a friend and exclaimed: “Look! Here is the Blessed Virgin on this stone!” When he examined the other half, the same design appeared there too. This remarkable find was recorded in the mine's book, and the stone itself was handed over to the German imperial inspectors.[86]
It is well to bear in mind that the number of these lusus naturæ seemed very much larger in the eyes of writers of a few centuries ago than to us to-day, for the numerous petrifactions, showing a great variety of animal and vegetable forms, were for a long period included in the same category with the stones bearing curiously deceptive markings or veinings. Much ingenuity was expended by early observers in the attempt to explain the cause of these phenomena. The learned Jesuit, Athanasius Kircher, for example, after having proved experimentally that designs treated with certain chemical agents could be made to impress figures upon stones, took refuge in the strange hypothesis that pictures made on wood or some soft material by primitive miners had been left in the mine and with the lapse of time had slipped down into crevices in the rock, and, becoming tightly wedged in, had impressed the design on the contact-rock; or else he suggested that the original material on which the design had been made might in process of time have, by some unknown means, been converted into marble.[87] As a striking example of a picture of this class, Kircher notes and figures an image naturally designed 51on a stone slab in St. Peter’s in Rome and bearing a remarkable likeness to the Blessed Virgin of Loreto.[88]
It’s good to remember that the number of these lusus naturæ looked a lot bigger to writers a few centuries ago than it does to us today. The many fossils, showing a wide range of animal and plant forms, were for a long time grouped together with stones that had oddly convincing markings or veins. Early observers spent a lot of effort trying to explain these phenomena. The learned Jesuit, Athanasius Kircher, for example, after proving that designs treated with certain chemicals could be used to imprint figures on stones, proposed the strange idea that pictures made on wood or some soft material by primitive miners had been left in the mine and, over time, slipped into crevices in the rock. Once wedged in, they supposedly impressed the design upon the surrounding rock; or he suggested that the original material where the design was made might have somehow turned into marble over time.[87] Kircher cites and illustrates a striking example of a picture from this category: an image naturally formed on a stone slab in St. Peter’s in Rome that bears a remarkable likeness to the Blessed Virgin of Loreto.[88]
The electric or magnetic gems, tourmaline, amber, and loadstone, possess not only great scientific interest, but demonstrate the fact that a certain energy really does proceed from some of these fair, ornamental objects, an energy that produces a positive action from without upon the human body. This may well serve to make us less resolutely sceptical as to the possible presence in gem-stones of some other forms of emanation not as yet susceptible of scientific determination.
The electric or magnetic gems, like tourmaline, amber, and loadstone, are not just fascinating from a scientific standpoint; they show that some of these beautiful, decorative objects actually emit a certain energy that has a real effect on the human body. This might make us less skeptical about the possibility that gem-stones could have other types of emissions that science hasn’t yet been able to measure.
The supersensitiveness of the innocent child-soul to the most delicate impressions, and hence to the radiations or emanations from precious stones, is well brought out in the pretty tale by Saxe Holme (Helen Hunt Jackson), entitled “My Tourmaline.”[89] The particular specimen here immortalized was one of the finest from the famous Mount Mica deposits in the State of Maine. One day, while on a country ramble, the little heroine’s eye is caught by the color and sparkle of a brilliant crystal lodged in the gnarled roots of an old tree. In springing forward to secure this pretty treasure the girl trips on the outstanding roots, falls, and sprains her leg very seriously, so that she is laid up for six weeks. However, the beautiful crystal is her great consolation through the long, dreary weeks, and, strange to say, she comes to feel that it has a kind of life in it. This is manifested to her and also to some others, on touching the stone, by a pricking or tingling sensation in the hand; but to the child the sensations excited by the wonderful crystal, as perfectly formed as though cut by a lapidary, red at one end, green at the other, with a separating band of white, are much more pronounced. When it is placed in the little silken bag that has been made to hold it, and 52is laid against her cheek, her feverish restlessness gradually disappears and gives place to tranquil sleep. More than this, she is aware of a species of subconscious sympathy with the tourmaline. So intense is this sympathy that although the child consented to part with her crystal that it might be offered as a unique specimen to a foreign museum, and was heart-broken to learn that through some carelessness it had been lost while being taken thither, she recognized its presence long years after, when, travelling in Europe as a young bride, she entered the cabinet of an enthusiastic collector to view his specimens, and was in no wise surprised when she really found her “Stonie” there among his prized tourmalines.
The heightened sensitivity of the innocent child's soul to the subtlest impressions—and thus to the vibrations from precious stones—is beautifully illustrated in the charming story by Saxe Holme (Helen Hunt Jackson) called "My Tourmaline." The specific specimen featured here was one of the finest from the renowned Mount Mica deposits in Maine. One day, while exploring the countryside, the little heroine's attention is drawn to the color and sparkle of a brilliant crystal nestled in the gnarled roots of an old tree. As she rushes forward to grab this lovely treasure, she trips on the exposed roots, falls, and seriously sprains her leg, leaving her unable to move for six weeks. However, the beautiful crystal becomes her greatest comfort during those long, dreary weeks, and oddly enough, she begins to feel that it has a kind of life of its own. This is shown to her and a few others by a pricking or tingling sensation in the hand when they touch the stone; but for the child, the sensations stirred by the wonderfully formed crystal—red at one end, green at the other, separated by a white band—are even more intense. When it is placed in the little silk bag made to hold it, and laid against her cheek, her feverish restlessness slowly fades, giving way to peaceful sleep. Moreover, she feels a kind of subconscious bond with the tourmaline. This sympathy is so strong that even though the child agrees to part with her crystal to be presented as a unique specimen to a foreign museum, and is heartbroken to discover it was lost due to carelessness while being transported, she recognizes its presence many years later. While traveling in Europe as a young bride, she enters the cabinet of an enthusiastic collector to see his specimens and is completely unsurprised to find her "Stonie" among his prized tourmalines.
In connection with this pretty recital it is interesting to note that the first chance observation of the attractive qualities of tourmalines is said to have been made in Amsterdam by a group of Dutch children whose attention had been attracted by a number of tourmaline crystals brought from the Orient, and who were puzzled to see bits of ash and straw attracted to the stones. This came to the knowledge of some Dutch lapidaries, who for a time called the stone Aschentrekker, or “Ash-Attractor.”[90] Our name tourmaline is derived from turmali, the name given the stone by the natives of Ceylon.
In relation to this delightful story, it's interesting to note that the first casual observation of the appealing qualities of tourmalines is believed to have occurred in Amsterdam by a group of Dutch children. They were intrigued by several tourmaline crystals brought from the East and were puzzled to see bits of ash and straw being attracted to the stones. This caught the attention of some Dutch lapidaries, who for a time referred to the stone as Aschentrekker, or “Ash-Attractor.”[90] Our name tourmaline comes from turmali, the name given to the stone by the locals in Ceylon.
There seems some little likelihood that certain examples of the gem called lychnis and noted by Pliny may have been varieties of the tourmaline. As the first tourmalines brought to modern Europe came to Holland from Ceylon, we might conjecture that those kinds of lychnis said by Pliny to have been brought from India had a like origin. Of these Indian specimens, the finest examples of this gem, one kind resembled the carbuncle or ruby, while another bore the designation Ionia because its color was like that of the violet 53(in Greek ion). The most striking peculiarity of the lychnis was its power to attract straws or bits of paper, when it had been heated by the sun’s rays or by hand-friction.[91]
It seems unlikely that certain examples of the gem called lychnis, noted by Pliny, were actually varieties of tourmaline. Since the first tourmalines that arrived in modern Europe came to Holland from Ceylon, we can guess that the types of lychnis mentioned by Pliny, which were brought from India, had a similar origin. Among these Indian specimens, the best examples of this gem included one kind that looked like a carbuncle or ruby, while another was called Ionia because its color was similar to that of the violet 53 (in Greek ion). The most notable feature of the lychnis was its ability to attract straws or bits of paper when it had been heated by the sun or through hand friction.[91]
Such is the confusion in the statements made by the early Greek and Latin writers as to the emerald, under which generic name they seem to have included almost all green stones of any ornamental or other value, that we cannot absolutely reject the conjecture[92] that Theophrastus (third century B.C.), the earliest of these writers on precious stones, might have referred to specimens of green tourmaline, when he states that the true emerald appeared to have been produced from jasper, as one of the Cyprian specimens was said to have consisted of one-half jasper and the other half emerald, the metamorphosis as yet being incomplete.[93] We admit that if Theophrastus uses the word jasper here to signify the reddish variety, we would have the combination of green and red zones in a single crystal sometimes observable in tourmaline. How this can be reconciled with the previous statement of the same author that the Cyprian “emeralds” which came from the copper mines of that island were chiefly used for soldering gold, and hence seem to have been of the class of mineral called chrysocolla by ancient writers, is, however, not easy to suggest.[94]
The early Greek and Latin writers created a lot of confusion regarding the emerald, as they seemed to use this term to refer to nearly all green stones of any decorative or practical value. Because of this, we can’t completely dismiss the idea that Theophrastus (third century B.C.), the first of these writers to discuss precious stones, might have been talking about green tourmaline when he noted that the true emerald seemed to have originated from jasper. He mentioned that one of the Cyprian specimens was said to be half jasper and half emerald, indicating that its transformation was still incomplete. If Theophrastus meant jasper in the reddish sense here, it could explain the combination of green and red zones sometimes seen in a single crystal of tourmaline. However, reconciling this with his earlier statement that the Cyprian "emeralds" from the island's copper mines were mainly used for soldering gold—hence likely belonging to the mineral class known as chrysocolla by ancient writers—is not easy to clarify.
The so-called Brazilian emeralds mentioned by the Dutch mineralogist, Johann de Laet, as having been found shortly before 1647 in mines near Spiritus Sanctus, may perhaps have been green tourmalines. These crystals were described 54by Gesner as of cylindrical form, striated, and of a vitreous lustre; their color was like that of the prase and they were transparent. Although De Laet adds the assertion that the Oriental emerald (green corundum) was as hard as the sapphire, the Brazilian emeralds approached more closely to the Oriental in point of hardness than did emeralds from any other source of supply;[95] and green sapphires have never been found in Brazil, while green tourmalines have been.
The Brazilian emeralds mentioned by the Dutch mineralogist, Johann de Laet, which were found shortly before 1647 in mines near Spiritus Sanctus, might actually have been green tourmalines. Gesner described these crystals as cylindrical, striated, and having a glassy shine; their color was similar to that of prase, and they were transparent. Although De Laet claims that the Oriental emerald (green corundum) was as hard as sapphire, the Brazilian emeralds were closer in hardness to the Oriental ones than any other source of emeralds; [95] and green sapphires have never been found in Brazil, whereas green tourmalines have.
The earliest published work in which the electric properties of tourmaline are noted appears to be an anonymous or quasi anonymous treatise published in 1707, certain initial letters of the quaint title being italicized to indicate the initials of the author’s name.[96] The first scientist to derive the action of the so-called Aschentrekker or “Ash-Attractor” from electric energy is said to have been the great Linnæus, who bestowed upon the tourmaline the name of the “Electrical Stone.”[97]
The earliest known work that mentions the electric properties of tourmaline seems to be an anonymous or semi-anonymous treatise published in 1707, with certain initial letters of the unusual title italicized to signify the author's initials.[96] The first scientist credited with explaining the action of the so-called Aschentrekker or “Ash-Attractor” using electric energy is said to be the renowned Linnæus, who referred to tourmaline as the “Electrical Stone.”[97]
The attractive properties of the tourmaline are said to have been first brought to scientific notice by M. Louis Lémery, in a report made during 1717 to the French Academy of Sciences; however, Lémery was inclined to attribute them to magnetic influence. That these phenomena of attraction and repulsion were really due to the electric properties of the stone was first clearly brought out by the German physicist, Franz Ulrich Theodor Aepinus, and his conclusions were communicated to the Berlin Academy of Sciences in 1756.[98] Aepinus made his experiments upon two specimens of tourmaline from Ceylon, which had been furnished him by Lehmann, a fellow-member of the Berlin Academy, who, as Aepinus frankly admits, first drew his attention to the electric action of the stone. That not only friction but heat also should develop the electric energy, both positive and negative, of the tourmaline, serves to differentiate it from many other potentially electric substances, in the case of which friction alone is effective.
The appealing properties of tourmaline were first noted scientifically by M. Louis Lémery in a report he presented to the French Academy of Sciences in 1717. However, Lémery believed they were related to magnetic influence. It wasn’t until the German physicist Franz Ulrich Theodor Aepinus that the idea that these attraction and repulsion phenomena were actually due to the stone's electric properties was clearly articulated. His findings were shared with the Berlin Academy of Sciences in 1756.[98] Aepinus conducted his experiments on two tourmaline specimens from Ceylon, provided to him by Lehmann, a fellow member of the Berlin Academy, who, as Aepinus openly acknowledges, was the first to highlight the electric properties of the stone. The fact that both friction and heat can generate electric energy—both positive and negative—in tourmaline distinguishes it from many other potentially electric substances, which typically rely solely on friction.

A SIMPLE APPARATUS FOR ILLUSTRATING THE ELECTRIC PROPERTIES OF THE TOURMALINE
The stone is suspended from a hollow rod and will be attracted by the finger, if the latter be brought within a short distance of the tourmaline. When the stone has been slightly heated, its positive electricity will draw toward it the heart-shaped piece of paper, just as amber attracts paper, or magnetic iron does iron filings.
A SIMPLE APPARATUS FOR ILLUSTRATING THE ELECTRIC PROPERTIES OF THE TOURMALINE
The stone is hung from a hollow rod and will be attracted by your finger when it’s brought close to the tourmaline. When the stone is warmed up a bit, its positive electricity will pull the heart-shaped piece of paper toward it, just like amber pulls in paper or magnetic iron pulls in iron filings.
55The specimen shown by M. Lémery to the French Academy of Sciences in 1717 is stated to have come from “a river in the Island of Ceylon,” and is described as being of small size, flat, orbicular, quite thin, of a brown color, and smooth brilliant surface.[99] Its peculiar property of attracting and then repelling ashes or iron filings as well as bits of paper, was duly noted. This specimen had cost M. Lémery 15 livres. After reciting the constant repulsion and attraction exercised by a magnet upon the needle, the attraction by the opposite pole, and repulsion by the same pole, he proceeds to remark that this Cinghalese stone acted quite differently, since it first attracted and then repulsed the same object presented in the same way. This intermittent or irregular action was in his opinion to be explained by the theory that a vortex was intermittently developed in the substance. As it begins the small bodies are attracted, when it ceases they remain stationary, but when it is renewed “and there emanates from the stone a material analogous to the magnetic emanation” then the bodies are repulsed. Another peculiarity was that the body which had been repulsed could not again be attracted, whence the conclusion was arrived at that the stone’s repellent force was superior to its attractive power. These necessarily somewhat inexact observations are interesting as marking one of the earliest attempts to 56explain these phenomena, even although the explanation is faulty.
55The specimen presented by M. Lémery to the French Academy of Sciences in 1717 is reported to have come from “a river in the Island of Ceylon.” It's described as small, flat, round, quite thin, brown in color, and having a smooth, shiny surface.[99] Its unusual ability to attract and then repel ashes, iron filings, and bits of paper was noted. M. Lémery paid 15 livres for this specimen. After discussing how a magnet consistently attracts and repels a needle, describing how opposite poles attract and the same poles repel, he pointed out that this Cinghalese stone behaved quite differently. It first attracted the object and then repelled it when presented the same way. He believed this irregular or intermittent behavior could be explained by the idea that a vortex was intermittently formed in the substance. When it starts, small objects are attracted; when it stops, they remain still, but when it starts again “and there emanates from the stone a material similar to magnetic emanation,” then the objects are repelled. Another odd feature was that the object which was repelled could not be attracted again, leading to the conclusion that the stone’s repelling force was stronger than its attracting power. These somewhat inaccurate observations are noteworthy as they mark one of the earliest attempts to explain these phenomena, even though the explanation is flawed. 56
The great French crystallographer, Abbé Haüy, relates his experiments on a tourmaline crystal.[100] He set this crystal in steel clamps, with a long stem which was inserted in a wooden handle, and then subjected the tourmaline to the heat of a brasier. As the heat augmented and penetrated the stone, its natural electric force became decomposed, the two component fluids being forced to separate from each other. It was now necessary to cool the tourmaline off a little; when too much heated the electrical phenomena were interrupted; they were also diminished in intensity when the stone became cool again. The perfect crystal chosen for experiment clearly showed the negative and positive electrical poles; even the smallest pieces showed this, and, indeed, if a very small piece were broken off the positively electric side of a crystal, it would preserve this positive electricity and soon develop a negative electricity also.
The great French crystallographer, Abbé Haüy, describes his experiments on a tourmaline crystal.[100] He placed this crystal in steel clamps, attached to a long stem that fit into a wooden handle, and then heated the tourmaline with a brazier. As the heat increased and penetrated the stone, its natural electric energy broke down, causing the two component fluids to separate from each other. It was necessary to cool the tourmaline slightly; when it was too hot, the electrical phenomena were disrupted, and they also decreased in intensity when the stone cooled down again. The perfect crystal used for the experiment clearly displayed the negative and positive electrical poles; even the smallest pieces showed this, and if a tiny fragment was broken off from the positively charged side of the crystal, it would retain this positive charge and soon also develop a negative charge.
We may be somewhat loath to doubt the tale that little Dutch children were the first to note what to them was the queer action of some bits of tourmaline, but preference should probably be given to the statement that the discovery of the electric phenomena induced by heating in these stones was due to the fact that some Dutch jewellers put specimens of tourmaline in the fire to test their hardness, and then found that the stones attracted or repelled the ashes of the fire.[101]
We might be a bit hesitant to question the story that little Dutch kids were the first to notice the strange behavior of pieces of tourmaline, but it’s likely more accurate to say that the discovery of the electric phenomena caused by heating these stones happened because some Dutch jewelers heated tourmaline specimens in the fire to check their hardness, and then noticed that the stones either attracted or repelled the ashes from the fire.[101]
Toward the middle of the eighteenth century Dr. Haberden, of London, confirmed the deductions of Lémery and the somewhat later experiments of the German physicist Aepinus, and the gay world of London took up the idea, 57causing the new stone to become a great favorite with the fashionable. One of Hogarth’s inimitable designs depicts a spendthrift fop who has just been arrested while his attention was riveted on the strange phenomena shown by the tourmaline.
Toward the middle of the 1700s, Dr. Haberden from London confirmed the findings of Lémery and the later experiments of the German physicist Aepinus. This caught the attention of London’s fashionable crowd, making the new stone a huge favorite. One of Hogarth's unique designs shows a reckless dandy who has just been arrested while he was captivated by the strange effects of the tourmaline. 57
In view of the important experiments made by Benjamin Franklin in the then almost unexplored field of electricity, it is easy to understand that the accounts of the newly-discovered electric properties of the tourmaline should have possessed considerable interest for him. This is testified to by a letter he addressed to Dr. William Haberden, June 7, 1759.[102] Herein he expresses his thanks for two tourmalines his correspondent had sent him, and states that he is returning the smaller one. Of the electric phenomena he writes that he had heard some “ingenious gentlemen abroad” had denied the negative electricity displayed by one side of a tourmaline, but he believes the failure to observe could be explained by defective cutting of the specimens used, the positive and negative planes having perhaps been obliquely placed; to obviate this he suggests that the positive and negative sides should be accurately determined before the operation of cutting begins. The larger of the specimens sent by Dr. Haberden was retained by Franklin, who had it mounted on a pivot in a ring, so that either side could be turned outward at will. He notes as a curious circumstance that when he wore this ring, the natural heat of the finger sufficed to charge the stone, causing it to attract light bodies. Several of his experiments were made with a cork ball suspended by a thread, and he claims that the attractive force of the positive face was increased by coating it with gold-leaf attached to the stone by white of egg. This greater effect he supposed “to be occasioned by the united force of 58the different parts of the face collected and acting together through the metal.”
Given the significant experiments conducted by Benjamin Franklin in the then largely uncharted area of electricity, it’s understandable that the reports of the newly discovered electrical properties of tourmaline would be of great interest to him. This is reflected in a letter he wrote to Dr. William Haberden on June 7, 1759.[102] In it, he expresses his gratitude for two tourmalines that were sent to him and mentions that he is returning the smaller one. Regarding the electrical phenomena, he notes that he heard some “clever gentlemen overseas” denied the negative electricity exhibited by one side of a tourmaline, but he believes that the failure to observe it could be due to poorly cut specimens, with the positive and negative sides perhaps not being aligned properly. To prevent this, he suggests that the positive and negative sides should be accurately identified before cutting begins. Franklin kept the larger specimen sent by Dr. Haberden and had it mounted on a pivot in a ring, allowing either side to be presented as desired. He observes a curious fact that when he wore this ring, the natural warmth of his finger was enough to charge the stone, making it attract light objects. Several of his experiments involved a cork ball hanging from a thread, and he claims that the attractive power of the positive side increased when he coated it with gold leaf attached using egg white. He theorized that this stronger effect was due to “the combined force of the different parts of the face working together through the metal.”
While the various corundum gems, ruby, sapphire, Oriental topaz, Oriental amethyst, etc., offer a remarkable instance of the many varieties of beautiful coloration observable in a practically identical substance, no single gem-mineral can be said to equal tourmaline in this respect, more especially, however, in the combination of several colors sometimes disposed in bands, at other times in concentric circles in the same crystal. When to this we add its peculiar electric qualities, we may truly say that a fine tourmaline answers our idea of what a talismanic gem or a gem-amulet should be better than any other of the beautiful crystals with which bountiful nature has provided us. These most attractive stones are to be found in widely separated regions on the earth’s surface, as fine examples have been discovered in the State of Minas Geraes, Brazil, and in our own land, in Maine and California especially. Where the color is homogeneous we may have the splendid red or rose-colored variety called rubellite, from its resemblance to the ruby, or the blue tourmaline gem named indicolite.
While the different corundum gems like ruby, sapphire, Oriental topaz, and Oriental amethyst showcase an amazing variety of beautiful colors in a nearly identical material, no single gem-mineral can compare to tourmaline in this regard. Tourmaline is particularly remarkable for its ability to display multiple colors, sometimes in bands and other times in concentric circles within the same crystal. When we consider its unique electric properties as well, we can genuinely say that a fine tourmaline embodies our idea of what a talismanic gem or gem-amulet should be better than any of the other beautiful crystals nature has generously given us. These stunning stones can be found in diverse locations across the globe, with excellent specimens uncovered in the State of Minas Gerais, Brazil, as well as in our own country, particularly in Maine and California. In terms of uniform color, we may encounter the beautiful red or rose-colored variety known as rubellite, due to its similarity to ruby, or the blue tourmaline gem called indicolite.
In times of old there was a belief that stones of various kinds would guard against the assaults of evil in the form of witchcraft, disease, and other disagreeable visitations. It was a warlike period in which peace was an unheard-of doctrine, and now that the idea of peace has become one of the ideals of present-day conditions, it is interesting to know that nature has furnished us with a stone at once beautiful, interesting, and illustrating the great fundamental principle of unity and peace.
In ancient times, people believed that different types of stones could protect them from evil, such as witchcraft, disease, and other unpleasant afflictions. It was a turbulent era where peace was a foreign concept, and now that peace has become one of the ideals of today’s world, it’s fascinating to realize that nature has given us a stone that is not only beautiful and intriguing but also represents the essential principle of unity and peace.
The Peace Stone is formed by the union in one crystal of the green and the red tourmaline, with an intervening band or zone of white, the latter strikingly beautiful effect being due to the combination at this point of the red coloring 59matter, manganese, and the iron constituent, the source of the green hue; these two materials, by their union, neutralize each other, furnishing the transparent, colorless vein or zone. A slightly different combination of colors appears in a fine crystal, found some years ago at Mount Mica, Oxford County, Maine; this even offers a kind of “triple alliance,” as it shows blue in its lower half, passing through white and pink to a grass-green at the upper end.[103]
The Peace Stone is created when green and red tourmaline come together in one crystal, separated by a band or zone of white, which creates a strikingly beautiful effect. This is due to the combination of the red coloring from manganese and the iron that produces the green color; together, these materials neutralize each other and form the transparent, colorless vein. A slightly different mix of colors was found in a fine crystal discovered a few years ago at Mount Mica in Oxford County, Maine; this one even showcases a kind of “triple alliance,” displaying blue in its lower half, transitioning through white and pink to a grass-green at the top. 59[103]
These three hues combined in one body, in indissoluble union in spite of the differences of quality and color, yet represent one principle. This action of manganese in neutralizing the iron is well known to glass-makers; otherwise white glass could not be made. It would all be greenish in tint were it not for the use of oxide of manganese, or “glass-maker’s soap,” as it is termed, which neutralizes the production of a green tint by the iron and makes the white hue.
These three colors mixed together in one form, joined together despite their different qualities and colors, still represent a single principle. Glass-makers are well aware of how manganese acts to counteract iron; without it, white glass wouldn’t be possible. Without the use of manganese oxide, known as “glass-maker’s soap,” all glass would have a greenish tint because of the iron, but manganese neutralizes that green tint and creates the white color.
This beautifully symbolic stone is found in Paris, Maine, in San Diego County, California, and in Brazil. At times the outer edge of the stone is green, a transparent white zone surrounding the interior red zone, the whole looking for all the world like a section of watermelon, and hence it is sometimes called the “Watermelon Stone.” Then again, the colors are joined in longitudinal strips, showing them side by side. This variety of tourmaline, although rare, is not especially costly, and is one more addition to the stones of sentiment, and more especially to those appropriate as symbols of our fair ideal, universal peace.
This beautifully symbolic stone is found in Paris, Maine, in San Diego County, California, and in Brazil. Sometimes, the outer edge of the stone is green, with a transparent white zone surrounding the interior red zone, making it look just like a slice of watermelon, so it’s often called the “Watermelon Stone.” Other times, the colors are arranged in long strips, showing them side by side. This type of tourmaline, while rare, is not particularly expensive and adds to the collection of sentimental stones, especially those that symbolize our noble ideal of universal peace.
We can see symbolized in them the great and consoling fact that, however marked may be the differences between any two peoples, they need not be cause for enmity, but may instead become true and enduring sources of peace and bonds 60of union. The characteristic talents of each one will supplement and complete those of the other, so that working together in harmony they may accomplish far more for each other and for humanity in general than either could do singly.
We can see represented in them the important and comforting truth that, no matter how significant the differences between any two groups are, they don't have to lead to conflict. Instead, they can become genuine and lasting sources of peace and connection. The unique talents of each will enhance and complete those of the other, allowing them to work together in harmony to achieve far more for each other and for humanity as a whole than either could on their own. 60
At an early date amber was brought from the Baltic coast to Rome, and Tacitus states that those who collected it called it glæsum, a name later applied to the glass introduced into that region by Roman traders. The natives knew nothing of the nature or growth of amber, and had no use for the material, only collecting it for export to Rome, where it commanded such a high price as to excite their astonishment. Tacitus gives in the following words his theory of the origin and character of amber—his chief error being due to his belief that the substance was of very recent formation.[104]
At an early date, amber was brought from the Baltic coast to Rome, and Tacitus noted that those who collected it referred to it as glæsum, a name that was later used for the glass imported into that region by Roman traders. The locals had no idea about the nature or formation of amber and didn’t use it themselves, only collecting it for export to Rome, where it sold for such a high price that it amazed them. Tacitus shares his theory about the origin and characteristics of amber in the following words—his main mistake being his belief that the substance was of very recent formation.[104]
Now you must know that amber is a juice of trees, since various creatures, some of them winged, are often found in it. They have become entangled in the liquid and then inclosed when the matter hardened. Therefore I believe that, as incense and balsam are exuded in the remote East, so in the luxuriant groves and islands of the West are juices which are forced out by the sun close to them. These flow into the neighboring sea and are washed up by the tempestuous waves on the opposite shore. If you test the quality of amber with fire, it may be lighted like a torch and burns with a small, well-nourished flame; then it is resolved into a glutinous mass resembling pitch or resin.
Now you should know that amber comes from tree sap, as various creatures, some of them winged, are often found trapped inside it. They got caught in the liquid and were sealed within when it hardened. So, I believe that just as incense and balsam are produced in the distant East, there are also saps in the lush groves and islands of the West that are released by the sun nearby. These saps flow into the neighboring sea and are washed ashore by the rough waves on the other side. If you test amber's quality with fire, it can be lit like a torch and burns with a small, steady flame; then it turns into a sticky mass that looks like pitch or resin.
Both Juvenal[105] and Martial[106] relate that effeminate Romans used to hold balls of amber in their hands to cool them during the summer heat. If any such agreeable sensation was really experienced, it must have been due to the well-known electric properties of this substance. It is stated that the Chinese often place pieces of amber on or in their 61pillows,[107] a use that may have been suggested by the same considerations.
Both Juvenal[105] and Martial[106] mention that effeminate Romans would hold balls of amber in their hands to cool off during the summer heat. If they did feel any pleasant sensation, it was likely because of the well-known electric properties of this material. It's said that the Chinese often put pieces of amber on or in their 61pillows,[107] a practice that may have been inspired by the same ideas.
As a proof of the extravagant value set upon amber by the Romans of the first century, Pliny notes that a very diminutive figure of a man, cut out of this substance, sold for a higher figure than did a healthy, vigorous slave. The popularity of this material was also attested by the fact that in the gay world of Rome the term “amber hair” was used to designate a rare and peculiar shade that became fashionable in this period.[108] It seems probable that this modish shade was somewhat lighter than the “Titian hair” once so much favored, although the difference may not have been very great.
As proof of the extravagant value placed on amber by the Romans in the first century, Pliny notes that a very small figure of a man carved from this substance sold for more than a healthy, strong slave. The popularity of this material is further supported by the fact that in the vibrant society of Rome, the term “amber hair” was used to refer to a rare and unique shade that became fashionable during this time.[108] It seems likely that this trendy shade was somewhat lighter than the “Titian hair” that was once so popular, although the difference may not have been significant.
A change of hue in amber was thought to portend a waning of love on the part of the giver, as is shown by the following not especially melodious lines from “The Fruits of Jealousy” published by Richard Tofte in 1615:[109]
A shift in the color of amber was believed to signal a decline in love from the person who gave it, as illustrated by the not particularly harmonious lines from “The Fruits of Jealousy” published by Richard Tofte in 1615:[109]
Not only for curative purposes and for general use as an amulet was amber prized, but an amber necklace was sometimes regarded as an especially auspicious decoration for a bride at her wedding, as is shown by an exceptionally fine necklace of facetted amber beads from Brunswick, Germany, made in the eighteenth century.
Not only was amber valued for healing and as a general amulet, but an amber necklace was also seen as a particularly lucky accessory for a bride on her wedding day. This is illustrated by a beautifully crafted necklace of faceted amber beads from Brunswick, Germany, created in the eighteenth century.
62Our earliest authority on the curative use of amber, the great encyclopædist Pliny, states that in his day the female peasants of the valley of the Po, in northern Italy, might be seen wearing amber necklaces, principally as ornaments, but also because of their remedial powers; for even at this early period it was generally believed that amber had most excellent effects in diseases of the throat and tonsils. The peasants of this region were especially subject to such disorders, and Pliny conjectures that they were caused by the different sorts of water in the neighborhood of the Alps.[111] He probably refers not only to diseases of the throat, properly so called, but also to a swelling of the glands of the neck, the goître with which so many of the peasants living on the slopes of the Alps, and in other mountainous regions of central Europe, are afflicted.
62Our earliest authority on the healing use of amber, the great encyclopedist Pliny, notes that in his time, the women from the Po Valley in northern Italy were often seen wearing amber necklaces, mainly as jewelry but also for their healing properties; even back then, people widely believed that amber was very effective for throat and tonsil issues. The local peasants were particularly prone to these problems, and Pliny speculates that they were caused by the different types of water around the Alps.[111] He likely refers not just to throat diseases, but also to swelling of the neck glands, the goître, which affects many peasants living on the slopes of the Alps and in other mountainous areas of central Europe.
The golden-hued amber was called chryselectrum by Callistratus, as cited by Pliny. This was said to attract the flame and to ignite if it came in contact with the fire. If worn on the neck it was a cure for fevers; if powdered and mixed with honey and oil of roses it was beneficial for dimness of vision, and its powder, whether taken by itself or in water with gum mastic, remedied diseases of the stomach.[112] In ancient and medieval times the fear of poison being administered in food or drink was very great, and any substance that was credited with the power to show the presence of poison, by some change in clearness or color, was highly valued. An amber cup was said to reveal the admixture of any of the various kinds of poison with the liquid it contained.[113]
The golden-hued amber was called chryselectrum by Callistratus, as mentioned by Pliny. It was said to attract flames and ignite upon contact with fire. When worn around the neck, it was believed to cure fevers; if powdered and mixed with honey and rose oil, it was helpful for vision problems, and its powder, whether taken alone or in water with gum mastic, was said to treat stomach ailments.[112] In ancient and medieval times, there was a strong fear of poison being added to food or drink, so any substance believed to indicate the presence of poison through a change in clarity or color was highly valued. An amber cup was said to reveal any poison mixed with the liquid it held.[113]
The use of amber as a preventive of erysipelas finds a defender in Rev. C. W. King, who writes as follows:
The use of amber as a way to prevent erysipelas has a supporter in Rev. C. W. King, who writes the following:

NECKLACE OF FACETED AMBER BEADS
German. Eighteenth century.
NECKLACE OF FACETED AMBER BEADS
German. 18th century.
63That the wearing an amber necklace will keep off the attacks of erysipelas in a person subject to them has been proved by repeated experiments beyond the possibility of doubt. Its action here cannot be explained; but its efficacy in defence of the throat against chills is evidently due to its extreme warmth when in contact with the skin and the circle of electricity so maintained.[114]
63The idea that wearing an amber necklace can prevent attacks of erysipelas in people prone to them has been confirmed by multiple experiments without a doubt. We can't explain how it works; however, its effectiveness in protecting the throat from chills is clearly because of the intense warmth it provides when touched to the skin and the electrical field it generates. [114]
The electrical property of amber was remarked as early as 600 B.C. by the Ionic philosopher Thales, and from this observation may be dated the beginnings of the study of electric phenomena.
The electrical property of amber was noticed as early as 600 B.C. by the Ionic philosopher Thales, marking the start of the study of electric phenomena.
That faith in the magic powers of amber beads still exists is illustrated in the case of an old Russian Jewess who recently died in one of our charitable institutions. This woman is said to have reached the age of one hundred and six years, and she ascribed her extraordinary longevity to the possession of a necklace of very large amber beads, which had been given her by her mother, who also lived more than a hundred years. The daughter, a few days before her death, bestowed this treasured heirloom upon her daughter, for it is generally believed that the virtues of gems largely depend upon their being received as gifts.
That belief in the magical properties of amber beads is still alive is shown by the story of an elderly Russian Jewish woman who recently passed away in one of our charitable institutions. This woman reportedly lived to be one hundred and six years old, and she credited her remarkable longevity to a necklace of very large amber beads given to her by her mother, who also lived for over a hundred years. A few days before her death, the daughter passed this cherished heirloom on to her daughter, as it is widely thought that the powers of gems largely depend on them being given as gifts.
In northern Germany, also, for more than a century a string of amber beads was looked upon as a favorite and necessary gift. The writer has seen hundreds of these strings, many of which have been worn for one, two, and sometimes more generations. The beads are round and usually facetted; however, they have been abraded against each other for so long that they are often flat disks, and a string originally fifteen or sixteen inches long will be twelve, and often only nine inches in length, so much of the original spheres having worn away.
In northern Germany, for over a century, a string of amber beads has been seen as a beloved and essential gift. The writer has encountered hundreds of these strings, many of which have been worn for one, two, and sometimes even more generations. The beads are round and usually faceted; however, after being rubbed against each other for so long, they often turn into flat disks, and a string that originally measured fifteen or sixteen inches can shrink to twelve, and often only nine inches, as much of the original spheres has worn away.
A well-known physician of the sixteenth century, Johann Meckenbach, claimed, in 1548, to have discovered the process 64of producing oil of amber. Although Meckenbach was not entitled to the credit he claimed, as the experiment had already been successfully made, he gained great repute by this means, and when he communicated to Duke Albrecht of Prussia the secret of his process, the rulers of other lands overwhelmed the duke with requests for a supply of the precious remedy. Ferdinand, Archduke of Austria, sent a special messenger the long journey to Berlin, twice in a year, for a few flasks of the oil, which was regarded as a cure for many diseases.[115] The oil of amber—oleum succini of the Pharmacopœia—has maintained its repute as a cure for various affections up to the present day. In some forms of gout and rheumatism it relieves the inflammation and pain in the joints; and its antispasmodic action makes it a valuable remedy in cases of asthma, whooping-cough, hysteria, bronchitis, and infantile convulsions.[116]
A well-known doctor from the sixteenth century, Johann Meckenbach, claimed in 1548 that he had discovered how to produce oil of amber. Even though Meckenbach wasn't truly deserving of the credit he took since others had already successfully done it, he gained a lot of fame through this claim. When he shared the secret of his process with Duke Albrecht of Prussia, rulers from other regions flooded the duke with requests for this valuable remedy. Ferdinand, Archduke of Austria, even sent a special messenger on a long journey to Berlin twice in a year for a few bottles of the oil, which was seen as a cure for many illnesses. The oil of amber—oleum succini from the Pharmacopœia—has continued to be recognized as a treatment for various ailments up to today. In certain cases of gout and rheumatism, it alleviates inflammation and pain in the joints; and its antispasmodic properties make it an effective remedy for asthma, whooping cough, hysteria, bronchitis, and infantile convulsions.
An early version of the strange tale that ships were attracted by masses of rocks, or even mountains of loadstone, is given by Palladius (c. 367–c. 431 A.D.). He relates that the loadstone was produced on a group of islands called the Maniolæ, which were on the route to Taprobane (Ceylon), and continues, “if any ship constructed with iron nails approached these islands they were drawn by the power of the loadstone and their course was arrested. For this reason those voyaging to Taprobane use ships especially put together with wooden pegs.” Probably the legend arose from the fact that wood was often used in the case of vessels trading in this region, because iron was scarce and expensive. This is the view of Procopius, who found the same story still current in the sixth century.[117]
An early version of the strange story that ships were drawn to large masses of rocks or even mountains of lodestone comes from Palladius (c. 367–c. 431 CE). He explains that lodestone was found on a group of islands called the Maniolæ, located on the way to Taprobane (Ceylon), and adds, “if any ship built with iron nails got near these islands, they were pulled by the lodestone’s power, and their course was stopped. For this reason, those traveling to Taprobane use ships made specially with wooden pegs.” The legend probably started because wooden materials were commonly used for ships trading in this area since iron was rare and expensive. This is the perspective of Procopius, who noted that the same story was still known in the sixth century.[117]
65It has been noted as a curious fact that none of the ancient writers who treat of the loadstone recognized that the attractive energy exerted by this substance on iron was also exerted by iron upon the loadstone; on the contrary, they constructed many ingenious hypotheses to explain why this was not the case.[118] The strange fancy that in the presence of a diamond a piece of loadstone was robbed of its attractive force, must have arisen from an observation of the well-known electric properties of the first-named stone, and from the idea that the much more valuable stone should have the greater power. Here, as in many other cases, we see how little interest was taken in actual experiment by ancient writers, a pre-conceived idea of the eternal fitness of things being the main criterion.
65It’s interesting to note that none of the ancient writers who discussed the loadstone realized that the attractive force it exerted on iron was also exerted by iron on the loadstone. Instead, they came up with various clever theories to explain why this wasn’t the case.[118] The odd belief that a piece of loadstone lost its attractive power in the presence of a diamond likely came from observing the well-known electric properties of diamonds, along with the notion that a more valuable stone should have greater power. Here, as in many other situations, it’s clear how little interest ancient writers had in actual experiments, relying instead on preconceived notions about the inherent order of things as their main standard.
Spaniards of the thirteenth century believed that the magnetic power of the loadstone would depart from it if it were steeped in the juice of leek or onion for three days; but the virtue would return to the stone if it were bathed in goat’s blood. This recalls the queer notion that the diamond could only be broken when moistened with goat’s blood, both fancies having their origin in the idea that goat’s, or rather ram’s blood, was endowed with warmth and vitality to a higher degree than other blood.
Spaniards in the thirteenth century believed that the magnetic power of the loadstone would disappear if it was soaked in leek or onion juice for three days; however, the power would return if it was washed in goat’s blood. This is reminiscent of the strange belief that a diamond could only be broken when wet with goat’s blood, both ideas stemming from the belief that goat’s or ram’s blood had a higher degree of warmth and vitality than other types of blood.
An ingenious magnetic oracle is described by De Boot.[119] This consisted of a round board, about the edge of which were marked the letters of the alphabet, while in the centre there stood a small wooden figure, set on a pivot, and holding extended in one hand a little wand. One foot of this figure was slightly advanced and within it was concealed a small iron ball. The experimenter held in his hand a wooden sceptre, with a powerful loadstone at its top, and as he 66touched with his sceptre the lower side of the board, beneath the spot on which any one of the letters was marked, the attraction exercised by the loadstone on the iron made the figure revolve on its pivot so that the little wand pointed toward the letter indicated. In this way any word could be spelled out and appropriate answers given to any question. The device would be too obvious at present, but in De Boot’s time it would have served well enough to mystify the spectators.
An ingenious magnetic oracle is described by De Boot.[119] This consisted of a round board with the letters of the alphabet marked around the edge, and in the center stood a small wooden figure on a pivot, holding a little wand in one hand. One foot of this figure was slightly advanced, and inside it was a small iron ball. The experimenter held a wooden scepter with a powerful lodestone at the top, and when he touched the lower side of the board beneath any of the marked letters with his scepter, the lodestone's attraction on the iron made the figure spin on its pivot so that the wand pointed to the indicated letter. This way, any word could be spelled out and suitable answers could be given to any question. The device might seem obvious today, but in De Boot’s time, it would have effectively mystified the audience.
That the loadstone was highly esteemed in the sixteenth century was well versified by Robert Norman in “The Newe Attractive.”
That the lodestone was highly valued in the sixteenth century was well expressed by Robert Norman in “The Newe Attractive.”
It was reported in the seventeenth century that ruptures were cured in Belgium by the help of the loadstone. The patient was first given a dose of iron filings, reduced to a very fine powder; thereupon a plaster made of crushed loadstone was applied externally to the affected part. This was said to produce a cure in the space of eight days.[121] Probably the plaster was believed to draw the iron filings or some emanation from them through the affected parts toward the surface.
In the seventeenth century, it was reported that ruptures were treated in Belgium using loadstone. The patient was first given a dose of iron filings, ground into a very fine powder; then a plaster made from crushed loadstone was applied externally to the affected area. This was claimed to result in a cure within eight days.[121] It was likely believed that the plaster drew the iron filings or some energy from them through the affected area to the surface.
In medieval Europe this mineral was greatly valued for its therapeutic virtues. Trotula, the first of the female physicians connected with the celebrated School of Salerno, the centre of medical culture in Europe in the Middle Ages, and who wrote a treatise on female diseases, recommended the use of the loadstone in childbirth. The stone was to be held in the right hand, and the learned lady asserted that the wearing of a coral necklace would aid its beneficent effect. Both these substances are prescribed for this use by the Oxford teacher, John Gadesden (1300), in his “Rosa Anglica.” Francisco Piemontese, who taught in Naples about 1340, also recommends the loadstone, but he directs that it be strewn with the ashes obtained by burning the hoof of an ass or a horse; according to this last authority, the stone should be held in the left hand.[122]
In medieval Europe, this mineral was highly valued for its healing properties. Trotula, the first known female physician associated with the famous School of Salerno, which was a center of medical knowledge in Europe during the Middle Ages, wrote a treatise on women's health and recommended using the loadstone during childbirth. The stone was to be held in the right hand, and Trotula claimed that wearing a coral necklace would enhance its positive effects. Both of these items are suggested for this purpose by the Oxford scholar, John Gadesden (1300), in his “Rosa Anglica.” Francisco Piemontese, who taught in Naples around 1340, also recommends the loadstone, but he advises that it should be sprinkled with the ashes from burning the hoof of a donkey or a horse; according to him, the stone should be held in the left hand.[122]
That wounds caused by burning could be healed if powdered loadstone were sprinkled over them was confidently taught even in the seventeenth century. However, some ill effects were occasionally remarked when the substance was used medicinally, for it sometimes produced melancholia. 68In this case an antidote was found in the emerald, and we are assured that if a solution made from this stone were taken thrice a day for nine consecutive days, the melancholia would pass away.[123]
That wounds from burns could be healed by sprinkling powdered loadstone over them was confidently taught even in the seventeenth century. However, some negative effects were occasionally noted when the substance was used for medicinal purposes, as it sometimes caused melancholia. 68 In this case, an antidote was found in the emerald, and we are assured that if a solution made from this stone was taken three times a day for nine consecutive days, the melancholia would go away.[123]
In the sixteenth century in India, it was believed that a small quantity of loadstone taken internally preserved the vigor of youth, and Garcias ab Orta relates that a king of Ceylon, when an old man, ordered that cooking utensils of this material should be made for him, and had all his food cooked in these. Garcias claims to have this information direct from a Jew, Isaac of Cairo, who was ordered to make the vessels.[124]
In the 16th century in India, people thought that a little bit of loadstone taken internally could keep you youthful. Garcias ab Orta mentions that an old king of Ceylon requested cooking utensils made from this material and had all his meals prepared in them. Garcias says he got this information directly from a Jewish man, Isaac of Cairo, who was instructed to make the vessels.[124]
A loadstone amulet for the cure of gout is stated to have been worn by a native of the English county of Essex. The stone was sewed up in a flannel covering to which was attached a black ribbon for suspension from the neck. Of course it was worn beneath the clothing, although the encasing flannel must have prevented direct contact with the skin. This piece of magnetic iron ore measured about an inch and a half in width, and was two-tenths of an inch thick. The patient, a Mr. Pelly, was an elderly man, who had suffered for some time from annually recurring attacks of gout which prostrated him for from three to four months. Learning of the reputed virtues of loadstones, more especially of those of Golconda, he sent to India for one and he is said to have been thereby relieved of his disease.[125]
A loadstone amulet for treating gout was reportedly worn by someone from Essex, England. The stone was sewn into a flannel cover that had a black ribbon attached for hanging around the neck. Naturally, it was worn under clothing, although the flannel covering likely stopped it from directly touching the skin. This piece of magnetic iron ore was about an inch and a half wide and two-tenths of an inch thick. The patient, Mr. Pelly, was an older man who had suffered from recurring gout attacks for several months each year that left him incapacitated for three to four months at a time. After hearing about the supposed healing powers of loadstones, particularly those from Golconda, he ordered one from India, and it’s said that it relieved him of his ailment.[125]

Vignette from the “Lapidario de Alfonso X, Codice Original” (fol. 12). Published in Madrid, 1881. This design shows the finding of the “Stone of Sterility.” Author’s library.
Vignette from the “Lapidario de Alfonso X, Codice Original” (fol. 12). Published in Madrid, 1881. This design illustrates the discovery of the “Stone of Sterility.” Author’s library.
69In Persia a certain stone received the name of Shahkevheren or “King of Jewels,” for it was reputed to attract all other precious stones, as the loadstone did iron. The greatest of the Sassanian monarchs, Khusrau II (590–628), had occasion to test the power of this wonderful stone. He had lost a ring of great price in the river Tigris, near the spot where some time later the Mohammedans founded the city of Bagdad. Taking a shahkevheren the monarch attached it to a line and literally fished for his ring, using the magic stone as a bait. We are told that the ring was recovered, and this must have greatly added to the reputation of the “King of Jewels.”[126]
69In Persia, a certain stone was called Shahkevheren or “King of Jewels,” because it was believed to attract all other precious stones, just like lodestones attract iron. The greatest of the Sassanian kings, Khusrau II (590–628), had a chance to test the power of this remarkable stone. He had lost a valuable ring in the Tigris River, near where the Muslims later established the city of Baghdad. Taking a shahkevheren, the king attached it to a line and literally fished for his ring, using the magical stone as bait. We're told that he succeeded in recovering the ring, which surely boosted the reputation of the “King of Jewels.”[126]
In the ninth century Arabic treatise, translated from an earlier Syriac text and falsely attributed to Aristotle, a number of fabulous stones are noted. All of these were said to have attractive properties, and as the loadstone attracted iron, they attracted various substances, each having its special affinity. First, we are told of the stone that attracted gold, then, in turn, of stones that attracted silver, copper, and other metals.[127] Probably the legend of the finding of these stones is based upon the employment of certain mineral substances in the purifying of gold, silver, etc. Among other fabulous or almost fabulous stones was one called askab, which, although of mean appearance, was able to break the diamond just as the diamond broke all other stones.[128] Have we here an allusion to the polishing of the diamond by its own dust? It is not improbable that this art, in an incomplete form, was known to the Hindus long before it was practised and perfected in Europe.
In a ninth-century Arabic treatise, translated from an earlier Syriac text and incorrectly attributed to Aristotle, various legendary stones are mentioned. All of these were said to have appealing properties, and just as lodestones attract iron, they drew in different substances, each with its own unique affinity. First, there's mention of a stone that attracted gold, followed by stones that attracted silver, copper, and other metals.[127] It's likely that the story of these stones comes from the use of certain minerals in the process of purifying gold, silver, and so on. Among other legendary or almost legendary stones was one called askab, which, despite its ordinary appearance, could break a diamond just like the diamond could break all other stones.[128] Could this be a reference to the diamond being polished by its own dust? It's quite possible that this technique, in an unfinished form, was known to the Hindus long before it was practiced and perfected in Europe.
The stone that attracted hair was the lightest of all stones and very fragile; a piece as large as a man’s fist weighed but a drachm. It looked like a piece of fur, but when touched was found to be a stone. The strange powers of this extraordinary substance could easily be demonstrated, 70for if placed on a hairy spot of man or beast the hair was extracted, while if it were rubbed over a bald spot the hair was made to grow.[129] Probably the appearance of certain minerals covered with fine, hair-like spines, suggested the idea that the body of the stone had attracted hair to itself, and thus gave rise to this strange belief in the depilatory power of the stone, or it may have been a form of amber that, owing to its opacity, was not recognized as being the same as the transparent variety.
The stone that attracted hair was the lightest of all stones and very fragile; a piece as large as a man's fist weighed only a tiny amount. It looked like a piece of fur, but when you touched it, you realized it was a stone. The unusual abilities of this remarkable substance could easily be demonstrated, 70 because if you placed it on a hairy spot on a person or an animal, it pulled the hair out, while rubbing it over a bald area made hair grow.[129] It’s likely that the appearance of certain minerals covered with fine, hair-like spines suggested the idea that the stone itself attracted hair, which led to this odd belief in its ability to remove hair, or it could have been a form of amber that, due to its opacity, was not recognized as being the same as the clear variety.
The Arabic Aristotle relates many wonderful tales of stones found by Alexander the Great during his Asiatic campaigns (327–323 B.C.). While these are all apocryphal, there can be no doubt that it was subsequent to these campaigns that western Europe was first made familiar with many of the precious stones of Persia and India. One of the stones reported by “Aristotle” bore the name el behacte or baddare, rendered in a Hebrew version dar (pearl?). This was the stone that attracted men, as the loadstone attracted iron. A quantity of these stones were found on the seashore by the soldiers of Alexander’s army, but the men were so fascinated by their aspect as to be unable to gather them up. Therefore Alexander ordered that the soldiers should veil their faces, or close their eyes, and, after covering the marvellous stones with a cloth, should take them away without once looking at them. Hereupon Alexander gave commands that a wall should be built around “a certain city.”[130] Possibly we have here a distant echo of the pearl gates of the New Jerusalem.
The Arabic Aristotle shares many amazing stories about stones discovered by Alexander the Great during his campaigns in Asia (327–323 BCE). While these tales are all fictional, it's clear that it was after these campaigns that Western Europe first became familiar with many of the precious stones from Persia and India. One of the stones mentioned by “Aristotle” was called el behacte or baddare, which was translated into Hebrew as dar (pearl?). This stone had the ability to attract people, just like a loadstone attracts iron. Many of these stones were found on the beach by Alexander’s soldiers, but the men were so mesmerized by their beauty that they couldn’t pick them up. So, Alexander ordered the soldiers to cover their faces or close their eyes, and after placing a cloth over the incredible stones, they were to take them without looking at them. Following this, Alexander commanded that a wall should be built around “a certain city.”[130] This may be a faint echo of the pearl gates of the New Jerusalem.
Two other strange stones are described, one of these appearing on the surface of the water only during the night, while the other shows itself during the daytime and sinks beneath the surface as soon as the sun sets. The “daystones,” 71according to the legend, were quite useful to Alexander in his campaigns, for if they were attached to the necks of horses or beasts of burden, the horses would not neigh, and the other animals would be equally mute as long as they bore the stones, so that the passage of the army would not be revealed to the enemy. The “night-stones,” on the other hand, produced an entirely opposite effect, for when wearing them the animals uttered their respective cries unceasingly. We are not told that Alexander ever used them to provide an animal symphony as martial music for his soldiers.
Two other unusual stones are mentioned, one of which appears on the water's surface only at night, while the other shows up during the day and sinks beneath the surface as soon as the sun sets. The "daystones," according to legend, were quite helpful to Alexander in his campaigns because if they were placed around the necks of horses or pack animals, the horses wouldn't neigh, and the other animals remained silent as long as they carried the stones, so the army's movement wouldn't be detected by the enemy. The "night-stones," on the other hand, had the exact opposite effect, causing the animals to make their usual noises continuously while wearing them. It's not mentioned that Alexander ever used them to create a noisy symphony as battle music for his soldiers. 71
Referring again to the subject of amber, as the objects placed in Roman sepulchral urns were always chosen because of some supposed religious or talismanic quality, there is considerable significance in the fact that an urn of this type, preserved by Cardinal Farnese, contained a piece of amber carved into the figure of an elephant. Coming down to modern times, there is record that the Macdonalds of Glencoe handed down as heirlooms four amber beads said to cure blindness, and there seems reason to conjecture that this substance was sometimes credited with being an antidote for the poison of snake bites, as a small perforated stone used as late as 1874 in the Island of Lewis for this purpose appears to be a semi-transparent amber.[131] Indeed, amber set as a jewel to cure rheumatism is said to be offered for sale in London to-day, and the writer has learned that the late Rev. Henry Ward Beecher long carried amber beads with him to ward off this malady.
Referring back to amber, the items placed in Roman burial urns were always chosen for their supposed religious or protective qualities. It's quite significant that an urn of this type, kept by Cardinal Farnese, contained a piece of amber carved into the shape of an elephant. Moving to modern times, there are records showing that the Macdonalds of Glencoe passed down four amber beads as heirlooms, believed to cure blindness. There’s also reason to suggest that this substance was sometimes thought to act as an antidote for snake bites, as a small perforated stone used as recently as 1874 on the Island of Lewis for this purpose seems to be semi-transparent amber.[131] In fact, amber set as jewelry to cure rheumatism is reportedly available for sale in London today, and I’ve learned that the late Rev. Henry Ward Beecher often carried amber beads with him to help prevent this illness.
II
On Meteorites or Space Rocks

It is somewhat difficult to obtain trustworthy accounts regarding the occurrence of meteorites in medieval and ancient times, as there was a strong tendency to confuse the real meteorites with flint arrow-heads and hatchets derived from the stone age. A number of interesting facts bearing on the history of certain real or supposed aerolites were given in a recent lecture delivered by Prof. Hubert A. Newton in New Haven, Conn.[132] Some of the more striking instances are here presented.
It’s pretty challenging to find reliable information about meteorites from medieval and ancient times because many people tended to mix up actual meteorites with flint arrowheads and stone-age tools. A recent lecture by Prof. Hubert A. Newton in New Haven, Conn., shared some fascinating details about certain real or suspected meteorites.[132] Here are some of the more notable examples.
As an illustration of the way in which meteorites may have come to be reverenced in former times, we have the modern instance of a stone that fell in the region north of Zanzibar, on the East African coast, and was seen and picked up by some shepherd boys. At first all the efforts of the German missionaries to buy this stone were fruitless, because the neighboring Wanikas looked upon it as a god, and, after securing possession of it, proceeded to anoint it with oil, clothe it with apparel and decorate it with pearls. They also built a temple wherein the stone received divine honors. This worship endured for some time, but when, three years later, the nomad tribes of the Masai swooped down on the Wanikas and burned their villages and massacred many of the inhabitants, the Wanikas lost all respect for the stone and were glad to part with it. This conduct was, after all, not entirely unreasonable, since the fetish had failed to prove its divine power.
As an example of how meteorites may have been revered in the past, we have a modern case of a stone that fell in the area north of Zanzibar, on the East African coast, which was seen and picked up by some shepherd boys. Initially, all the attempts by German missionaries to buy this stone were unsuccessful because the nearby Wanikas regarded it as a god. After they secured the stone, they began to anoint it with oil, dress it in garments, and decorate it with pearls. They even built a temple where the stone was worshipped. This practice continued for a while, but three years later, when the nomadic Masai tribes attacked the Wanikas, burning their villages and killing many people, the Wanikas lost all respect for the stone and were happy to get rid of it. This reaction was not entirely unreasonable, as the idol had failed to demonstrate any divine power.

By Courtesy Soule Photo Co.
THE “MADONNA DI FOLIGNO,” BY RAPHAEL
In the Vatican Collection, Rome. The white curve in the middle of the background shows the passage of the meteor to the earth.
By Courtesy of Soule Photo Co.
THE “MADONNA DI FOLIGNO,” BY RAPHAEL
In the Vatican Collection, Rome. The white curve in the center of the background shows the meteor's path to Earth.
73This occurrence in the nineteenth century may well be typical of what must have happened in past times. A case from the fifteenth century, narrated by Professor Newton, is very interesting, since the treatises on precious stones of that period and somewhat later contain many notices of supposed meteorites. We are told that, on November 16, 1492, a stone weighing 300 pounds fell at Ensisheim, in Alsace. Emperor Maximilian, who was then in Basel, caused the stone to be brought to the neighboring castle and summoned a state council to determine the character of the divine message associated with its fall. The council decided that the event signified some important occurrence in the approaching conflict between the French and the Turks, and the stone, with an appropriate inscription, was suspended in the church, the strictest injunctions being given that it should not be removed. Conrad Gesner, in his treatise, “De figuris lapidum,”[133] states that a fragment of this stone was given to him by a friend and that it resembled ordinary sandstone.
73This event in the nineteenth century could very well reflect what happened in earlier times. A case from the fifteenth century, described by Professor Newton, is particularly interesting since the treatises on precious stones from that era and shortly thereafter include many references to supposed meteorites. According to reports, on November 16, 1492, a 300-pound stone fell in Ensisheim, Alsace. Emperor Maximilian, who was in Basel at the time, had the stone taken to a nearby castle and called a state council to determine the meaning of the divine message related to its fall. The council concluded that the event indicated a significant development in the impending conflict between the French and the Turks, and the stone, with a suitable inscription, was hung in the church, with strict orders that it should not be moved. Conrad Gesner, in his treatise, “De figuris lapidum,”[133] mentions that a piece of this stone was given to him by a friend and that it looked like regular sandstone.
We are told that nineteen years later a shower of stones fell near Crema, east of Milan; these stones fell in French territory and at that time the Pope was engaged in hostilities with the French. During the following year, the French, who had long threatened the States of the Church from their possessions in Lombardy, were forced to withdraw from Italy. In the celebrated painting by Raphael, known as the Madonna di Foligno, one of the greatest treasures of the Vatican, this Crema fire-ball is depicted.
We are told that nineteen years later, a shower of stones fell near Crema, east of Milan; these stones landed in French territory, and at that time, the Pope was involved in conflicts with the French. The following year, the French, who had long been threatening the States of the Church from their holdings in Lombardy, were forced to leave Italy. In the famous painting by Raphael, known as the Madonna di Foligno, which is one of the greatest treasures of the Vatican, this Crema fireball is depicted.
Naturally the recitals from ancient times are not as easily controlled as the more modern accounts and it is always possible that stones other than meteorites were given a celestial origin by superstitious zeal. The black stone of the Kaabah, which is probably noted by early Greek writers and was an object of adoration for the Arabian tribes before 74the time of Mohammed, was believed to have dropped from heaven together with Adam, and in many Greek legends images were said to have fallen from heaven. Of course in the case of real statues this is simply a vague superstition, but the stone venerated in Phrygia as an image of Cybele may possibly have been a genuine meteorite.
Naturally, the stories from ancient times aren't as easily verified as modern accounts, and it's always possible that objects other than meteorites were attributed a celestial origin due to superstition. The black stone of the Kaabah, which early Greek writers likely referenced and was an object of worship for Arabian tribes before the time of Mohammed, was believed to have fallen from the sky along with Adam. In many Greek legends, images were said to have descended from heaven. While in the case of actual statues this is just a loose superstition, the stone that was revered in Phrygia as a representation of Cybele might have genuinely been a meteorite.
The following facts in relation to this stone are presented by Professor Newton:
The following facts about this stone are presented by Professor Newton:
It was a conical mass bearing a rude resemblance to a human head, and was said to have fallen near Pessinus. It was placed in the Temple of Cybele and worshipped as her image. During the second Punic war, in 205 B.C., because of Hannibal’s prolonged invasion of Italy, the downfall of the Roman state was feared, and the Romans were terrified by a shower of stones from the sky. On consulting the Sibylline books, some verses were found to the effect that a foreign enemy could be driven from Italy if the Idæan mother (Cybele) was brought from Pessinus in Phrygia to Rome. An embassy was sent to King Attalus of Pergamos to request his consent to the transfer of the stone, and although he even refused obedience to the commands of the Delphic oracle, which required him to surrender the stone as an act of hospitality, he at last yielded when a violent earthquake shook the country, and the voice of the goddess was heard, enunciating these words: “It is my will. Rome is a worthy place for any god; delay not.”[134]
It was a cone-shaped object that looked a lot like a human head, and it was said to have fallen near Pessinus. It was placed in the Temple of Cybele and worshipped as her image. During the second Punic War, in 205 BCE, because of Hannibal’s extended invasion of Italy, people feared the downfall of the Roman state, and the Romans were terrified by a rain of stones from the sky. When they consulted the Sibylline books, they found verses that suggested a foreign enemy could be driven from Italy if the Idæan mother (Cybele) was brought from Pessinus in Phrygia to Rome. An embassy was sent to King Attalus of Pergamos to ask for his permission to transfer the stone, and even though he initially refused to follow the commands of the Delphic oracle, which required him to hand over the stone as a gesture of hospitality, he eventually agreed when a powerful earthquake struck the region, and the voice of the goddess was heard saying, “It is my will. Rome is a worthy place for any god; do not delay.”[134]
Herodian, who relates this story, proceeds to narrate the arrival of the stone at Rome, where Scipio Africanus was chosen to bear it to the Temple of Victory. A silver image of the goddess was made, the conical stone serving as the head. For five hundred years this image, later transferred to the Temple of the Great Mother of the Gods, was an object of Roman worship. It has been described very fully by Arnobius (fl. 300 A.D.).[135] He states that it was a small stone which could be easily and lightly carried in the hand; it was of a black hue and of rough surface, and had many irregular projecting angles. As it was naturally marked 75with the form of a mouth, it was inserted in the face of an image of the goddess to figure that feature.
Herodian, who tells this story, goes on to describe the arrival of the stone in Rome, where Scipio Africanus was chosen to take it to the Temple of Victory. A silver statue of the goddess was created, with the conical stone serving as the head. For five hundred years, this statue, later moved to the Temple of the Great Mother of the Gods, was an object of worship for the Romans. Arnobius (fl. 300 A.D.) provides a detailed description of it. He mentions that it was a small stone that could be easily held in one hand; it was black, rough, and had many irregular protruding angles. As it naturally had a mouth-like shape, it was placed in the face of the goddess's statue to represent that feature.
As the stone was valueless, modern explorers long hoped that it might not have been carried off from Rome by the spoilers, but the search for it has been in vain. In a rare volume describing excavations made in the Palatine hill in 1730, Professor Lanciani is stated to have found a stone that had been unearthed at that time in a chapel, lacking any inscription to indicate the divinity to whom it was dedicated. This stone was said to be “of a deep brown color, looking very much like a piece of lava, and ending in a sharp point.” The similarity of this description to that of Arnobius indicates that the Cybele stone may really have been found in 1730, but it has since disappeared. It would have been extremely interesting for mineralogists if they could have been enabled to examine this supposed meteorite, perhaps the very earliest regarding which we have such definite information.
As the stone had no value, modern explorers hoped it hadn’t been taken from Rome by looters, but their search has been unsuccessful. In a rare book detailing excavations at Palatine Hill in 1730, Professor Lanciani reportedly found a stone unearthed at that time in a chapel, which had no inscription showing the deity it was dedicated to. This stone was described as “a deep brown color, resembling a piece of lava, and ending in a sharp point.” The similarity of this description to that of Arnobius suggests that the Cybele stone may have actually been found in 1730, but it has since vanished. It would have been very interesting for mineralogists if they had been able to examine this supposed meteorite, possibly the earliest one about which we have such clear information.
To throw it into greater relief it was surrounded by a silver rim. When first brought to land from the ship on which it had been transported to Rome, the sacred stone was confided to the care of a company of Roman matrons who passed it on from one to another as it was solemnly borne to the Temple of Victory.[136]
To make it stand out more, it was framed with a silver rim. When it was first brought to shore from the ship that had transported it to Rome, the sacred stone was entrusted to a group of Roman women who passed it from one to another as it was carefully carried to the Temple of Victory.[136]
Whether this stone was really a meteorite, as tradition taught, or whether it was a fossil of the type later known as hysteriolithus, as was conjectured by M. Falconnet, in 1770,[137] remains doubtful. Its light weight, upon which quality Arnobius lays stress, and its peculiar form seem to favor somewhat the latter supposition. A similar stone to which divine honors were paid was in a temple on Mount Ida.
Whether this stone was actually a meteorite, as tradition suggests, or if it was a fossil of the type later known as hysteriolithus, as M. Falconnet speculated in 1770,[137] remains uncertain. Its light weight, which Arnobius emphasizes, and its unusual shape seem to lean slightly towards the latter theory. A similar stone that was worshipped was found in a temple on Mount Ida.
76In prehistoric times meteorites were quite naturally supposed to possess a special sanctity, and were indeed regarded as animated by the very essence of some divinity. The name bætylus, given to these stones by Greeks and Romans, is derived from the Hebrew בֵּית־אֵל(bethel) or “house of God,” a term indicating clearly enough the belief held by the ancient Hebrews in regard to meteorites, or supposed meteorites. However, long before this designation had reached the Greeks, certain meteorites had been accorded a peculiar reverence, and even worship. One of these was a black stone, called the Omphalos of Delphi. This was said to be the stone given by Rhea to Kronos when she substituted a stone for her offspring Zeus, to save him from being devoured by his father, Kronos. Zeus himself (or Kronos) threw it down to the Earth and the spot where it struck was supposed to be the centre of the Earth, hence the name Omphalos, or “navel-stone.” Meteorites probably played an important part in the development of civilization, for it is believed that the earliest iron tools and weapons were made from meteoric iron, apparently the only supply available before the art of treating iron ores had been evolved.[138]
76In prehistoric times, people believed that meteorites had a special significance and were thought to be imbued with the essence of some divine being. The term bætylus, given to these stones by the Greeks and Romans, comes from the Hebrew בית אל (bethel), meaning “house of God.” This clearly shows the ancient Hebrews' belief regarding meteorites, or what they thought were meteorites. However, long before this name was adopted by the Greeks, some meteorites had already been held in high regard and even worshipped. One such stone was the black stone known as the Omphalos of Delphi. It was said to be the stone Rhea gave to Kronos when she replaced her son Zeus with a stone to prevent him from being eaten by his father, Kronos. Zeus (or Kronos) threw it down to Earth, and the location where it landed was believed to be the center of the Earth, hence the name Omphalos, or “navel-stone.” Meteorites likely played a significant role in the advancement of civilization, as it is believed that the earliest iron tools and weapons were made from meteoric iron, which was apparently the only source available before the method for processing iron ores had been developed.[138]
While there is admittedly but scant evidence of the existence of a Stone Age in China, and still less to indicate that Chinese civilization passed through such a period, a certain number of stone artefacts, all polished, have been found within the limits of China. However, curiously enough in view of this state of things, we find that here, as almost everywhere else, these objects were popularly regarded as “thunderbolts.” Thus Chien Tsang-Ki, the author of a Materia Medica, composed in the first half of the eighth century of our era, states that objects of this 77kind “have been found by people who explored a locality over which a thunder-storm had swept and dug three feet in the ground”; and he adds that some of these stone implements have two perforations. They were named pi-li-chen, “stones originating from the crash of thunder,” and a still earlier writer, Chang (232–300 A.D.) applies a similar designation to stone axes and wedges “frequently seen among the people.” Several centuries later Shen Kun (1030–1093 A.D.) testifies that the people of his time found many stone “thunder-wedges,” in all cases after a thunder-storm; these were unperforated. It is generally believed that most of these stone implements had been made by a Tungusian tribe, akin to the Manchus.[139]
While there isn't much evidence of a Stone Age in China, and even less to suggest that Chinese civilization went through such a period, a number of polished stone artifacts have been discovered in China. Interestingly, similar to many other places, these objects were commonly believed to be “thunderbolts.” For example, Chien Tsang-Ki, who wrote a Materia Medica in the first half of the eighth century, mentioned that these items “have been found by people who explored areas where a thunderstorm had passed and dug three feet underground”; he also noted that some of these stone tools have two holes. They were called pi-li-chen, meaning “stones from the crash of thunder,” and an earlier writer, Chang (232–300 CE), used a similar term for stone axes and wedges “commonly seen among the people.” Several centuries later, Shen Kun (1030–1093 CE) reported that people in his time found many stone “thunder-wedges,” all discovered after a thunderstorm; these were solid with no holes. It's generally believed that most of these stone tools were made by a Tungusian tribe related to the Manchus.[139]
This is partly due to the fact that it was natural, after a thunder-shower, for a search to be made. Then again, as thunder-showers are usually heavy rains, they were apt to loosen the soil and leave on the surface heavy objects, more especially such materials as jade, of the density of 2.9, or jadeite, of the density of 3.3. These are much heavier than the quartz, feldspar and other ingredients of the soil, which vary from 2.6 to 2.7 and are washed away. Finally, there is the natural disinclination on the part of the Chinese to dig, from their belief that it is wrong to explore the soil, and this disinclination on their part has done much to prevent a better knowledge of the Stone Age, and our knowledge of the races which must have preceded the civilization of China; many facts of mining interest have been neglected, as well, on account of this prejudice. Perhaps within the next twenty years we may learn something about a prehistoric race in China, for as traces of the existence of such races have been found in every other country of the 78world, there can be little or no doubt that such a race existed in China, although as yet we have no distinct evidences of it.
This is partly because it’s natural to search after a thunderstorm. Additionally, since thunderstorms usually bring heavy rain, they can loosen the soil and leave heavy objects on the surface, particularly materials like jade, which has a density of 2.9, or jadeite, with a density of 3.3. These are much heavier than the quartz, feldspar, and other components of the soil, which have densities ranging from 2.6 to 2.7 and get washed away. Finally, there’s a natural reluctance among the Chinese to dig due to their belief that it’s wrong to disturb the earth, and this reluctance has significantly hindered our understanding of the Stone Age and the peoples who must have lived before Chinese civilization. Many facts of mining interest have also been overlooked because of this prejudice. Perhaps in the next twenty years, we might discover something about a prehistoric race in China since traces of such races have been found in every other country in the world, and there is little doubt that a similar race existed in China, although we currently have no clear evidence of it. 78
The Babylonian royal astrologers taught that the mere fact of the passage of a meteor across the heavens, whether its course were from east to west, or from north to south, was a good omen, portending victory and the successful issue of the royal projects. Especially favorable was the augury when the meteor was very brilliant and left behind it a trail that might be likened to the tail of a scorpion. This not only foretold joy for the ruler and his house, but for the entire country; evil would be overcome, righteousness would reign supreme, and prosperity would prevail. A meteor of this type is recorded as having appeared at the time Nebuchadnezzar laid waste Elam about 1150 B.C. This refers to the elder Nebuchadnezzar.[140]
The Babylonian royal astrologers believed that just the sight of a meteor streaking across the sky, whether it traveled from east to west or from north to south, was a positive sign, indicating victory and the successful outcome of royal plans. It was especially favorable when the meteor was very bright and left behind a trail resembling a scorpion’s tail. This not only predicted happiness for the ruler and his family but also for the entire nation; evil would be defeated, justice would prevail, and prosperity would flourish. A meteor of this kind is noted to have appeared when Nebuchadnezzar ravaged Elam around 1150 BCE This refers to the elder Nebuchadnezzar.[140]
A curious series of cuneiform texts treats of the prognostics to be drawn from the transformations of stars into various animals, metals, stones, etc. This is explained as referring to the apparent form or hue of the meteor itself, or of the trail it left behind. The transformations into stones concern the dushu-stone, porphyry (or some other dark red or purple stone) and lapis lazuli. This omen is invariably a favorable one.[141]
A fascinating collection of cuneiform texts discusses the predictions that can be made based on the changes of stars into different animals, metals, stones, and so on. This is understood to refer to the visible shape or color of the meteor itself, or the path it left behind. The transformations into stones involve the dushu-stone, porphyry (or another dark red or purple stone), and lapis lazuli. This omen is always a positive one.[141]
The Old Testament offers abundant testimony of the ancient belief that certain stones were animated by a divine spirit. In regard to this, Benzinger writes:[142] “It was not Yahweh who found Jacob at Bethel but rather Jacob who found Yahweh there. He anoints the stone; that is, he sacrifices to it, for the divinity residing in the stone has caused his dream.” According to Benzinger’s opinion the Ark of the Covenant originally served as receptacle for a 79stone of this type, and was hence regarded as sheltering a divinity.
The Old Testament provides plenty of evidence of the ancient belief that certain stones were filled with a divine spirit. In this regard, Benzinger writes:[142] “It was not Yahweh who found Jacob at Bethel but rather Jacob who found Yahweh there. He anoints the stone; that is, he sacrifices to it, for the divinity residing in the stone has caused his dream.” According to Benzinger, the Ark of the Covenant originally held a stone of this kind, and was therefore seen as housing a deity.
One of the very earliest references to meteorites appears in the Book of Joshua (chap, x, verse 11), where we read, in the account of the battle fought by the Israelites against the Amorites and their allies, that “the Lord cast down great stones from heaven” upon the Amorites, so that more of the latter were killed by these stones than by the weapons of the Israelites. Admitting the historical character of the account, this fall of meteorites probably took place in the twelfth century B.C. In an Assyrian cuneiform inscription, there is mention of the seven black stones of the city of Urka in Chaldea. These were bætyli and were regarded as representations of the seven planets.[143]
One of the earliest references to meteorites shows up in the Book of Joshua (chap. x, verse 11), where it's mentioned in the story of the battle between the Israelites and the Amorites and their allies. It states that “the Lord tossed down large stones from heaven” on the Amorites, resulting in more deaths from these stones than from the Israelites' weapons. Assuming the historical accuracy of this account, this meteorite event likely occurred in the twelfth century BCE An Assyrian cuneiform inscription also refers to the seven black stones from the city of Urka in Chaldea. These were bætyli and were believed to represent the seven planets.[143]
The fall of meteors is noted frequently in Chinese records, the first instance dating from 644 B.C. Of a meteor that fell in 213 B.C., we are told that it descended as “a star which turned to a stone as it fell.”[144] A meteorite that fell in China in 211 B.C. is said to have been the indirect cause of many deaths. The event took place during the reign of the tyrannical emperor Chi Hoang-ti, who had incurred the resentment of all the Chinese litterati by his wholesale burning of books. Some believer in the power of sorcery caused an inscription to be cut on this stone predicting the death of the hated emperor within a year, and when news of the fact came to the monarch’s ears he gave orders to have the stone split up, and to put to death all the inhabitants of the place where it was found, this being no doubt looked upon as a most effective conjuration of the spell.[145]
The fall of meteors is often mentioned in Chinese records, with the earliest instance dating back to 644 B.C. For a meteor that fell in 213 B.C., it was described as “a star that turned into a stone as it descended.” A meteorite that landed in China in 211 B.C. is believed to have indirectly caused many deaths. This event occurred during the rule of the cruel emperor Chi Hoang-ti, who had angered all the Chinese intellectuals by burning books on a massive scale. Someone who believed in sorcery had an inscription carved on this stone, predicting the emperor's death within a year. When the news reached the emperor, he ordered the stone to be destroyed and commanded the execution of all the people in the area where it was found, thinking this would effectively counter the spell.
In 405 B.C., Lysander won his great victory over the 80Athenian fleet at Ægospotami in Thrace, and Plutarch writes, in his life of Lysander,[146] that a stone which fell from the heavens a short time before the battle was regarded by many as a portent predicting the dreadful slaughter that was to ensue. At the time Plutarch wrote (circa 150 A.D.) this stone could still be seen at Ægospotami, where it was regarded with great veneration by the Chersonites. The Greek philosopher Anaxagoras is said to have predicted the fall of this meteorite, as he had observed certain perturbations in the movements of the heavenly bodies. As Anaxagoras died in 428 B.C., his prediction must have long antedated the fall of the meteorite.
In 405 BCE, Lysander achieved a significant victory over the 80Athenian fleet at Ægospotami in Thrace. Plutarch notes in his biography of Lysander,[146] that a stone, which had fallen from the sky shortly before the battle, was considered by many to be an omen foreshadowing the horrific massacre that would follow. When Plutarch wrote this (around 150 CE), the stone was still visible at Ægospotami, and the Chersonites held it in high regard. The Greek philosopher Anaxagoras is said to have predicted the meteorite's fall after noticing some disturbances in the movements of celestial bodies. Since Anaxagoras passed away in 428 BCE, his prediction must have occurred well before the meteorite's fall.
A detail given in one of the early recitals might possibly have constituted the basis of a prediction by some contemporary physicist. In the latter part of his account of the phenomenon Plutarch quotes from a Treatise on Religion, by a certain Daimachus, to the effect that, for seventy-five days before the fall of the meteorite, a vast fiery body was seen in the heavens, in appearance “like a flaming cloud.” This well describes the appearance of a great comet, and might be regarded as significant when we consider the latest modern theory of the origin of meteors, according to which these bodies are detached particles of a cometary aggregation. Of this meteoric mass said to have fallen at Ægospotami, Pliny states that it was as large as a wagon and of a dusky hue, adding that a brilliant comet was visible at the time of its fall. Regarding the assertion that Anaxagoras predicted the occurrence, Pliny declares that this prediction, if true, was a greater miracle than the fall of the meteor. A portion of the stone was preserved as a venerated relic in the town of Potidæa.[147]
A detail mentioned in one of the early accounts might have formed the basis for a prediction by some physicist of that time. In the latter part of his description of the phenomenon, Plutarch quotes a Treatise on Religion by a certain Daimachus, claiming that for seventy-five days leading up to the meteorite's fall, a huge fiery object was visible in the sky, looking “like a flaming cloud.” This description fits well with what we know about great comets and could be considered important when we think about the latest modern theory on the origin of meteors, which suggests that these objects are bits of a cometary collection. Regarding the meteorite that supposedly fell at Ægospotami, Pliny says it was as large as a wagon and had a dark color, noting that a bright comet was visible when it fell. Concerning the claim that Anaxagoras predicted this event, Pliny states that if this prediction was accurate, it would be a greater miracle than the meteor's fall itself. A piece of the stone was kept as a revered relic in the town of Potidæa.[147]
81The site of the city of Seleucia is said to have been determined by the fall of an aerolite, and this stone is figured on some of the coins of the Seleucidæ, a thunderbolt appearing in its stead on other coins.
81The location of the city of Seleucia is thought to have been chosen because of the fall of a meteorite, and this stone is depicted on some of the coins of the Seleucid dynasty, with a thunderbolt instead appearing on other coins.
In the Temple of Diana, at Ephesus, there was a stone partly fashioned into the conventional form of the Ephesian Diana. This, it was asserted, had fallen down from the heavens. The stone is mentioned in the Acts of the Apostles (xix. 35), where we read that the city of the Ephesians was “a worshipper of the great goddess Diana, and of the image which fell down from Jupiter.” In this text the word “image” has been supplied by the translators, a more literal rendering being “that which fell down from the sky.” This clearly shows that the stone only faintly indicated the human form.
In the Temple of Diana in Ephesus, there was a stone that was roughly shaped like the traditional form of the Ephesian Diana. It was claimed that this stone had fallen from the heavens. The stone is mentioned in the Acts of the Apostles (xix. 35), where it states that the city of Ephesus was “a worshipper of the great goddess Diana, and of the image which fell down from Jupiter.” In this text, the word “image” was added by the translators, as a more literal translation would be “that which fell down from the sky.” This clearly indicates that the stone only slightly resembled a human form.
Tacitus says of the stone sacred to the Astarte (or Aphrodite) of Paphos, that it was a symbol of the goddess, not a human effigy, since it was an obscurely formed cone.[148] In his life of Apollonius of Tyana, Philostratus, also, mentions this stone and tells us that when Apollonius visited Paphos, he admired there “the famous symbolic figure of Aphrodite.”[149] These “living stones” λιθοι εμψυχοι were often covered with ornaments and vestments, and it has been conjectured that these adornments were, in some cases, changed so as to accord with the garments appropriate to certain special festivals of the respective gods.[150]
Tacitus mentions that the stone sacred to the Astarte (or Aphrodite) of Paphos was a symbol of the goddess, rather than a human figure, since it was shaped like an obscure cone.[148] In his biography of Apollonius of Tyana, Philostratus also refers to this stone and tells us that when Apollonius visited Paphos, he admired “the famous symbolic figure of Aphrodite.”[149] These “living stones” living stones were often decorated with ornaments and clothing, and it has been suggested that these decorations were sometimes changed to match the garments appropriate for specific festivals dedicated to the respective gods.[150]
The colossal emerald of the temple of Melkarth at Tyre is designated in the fragments of Sanchoniathon as an αεροπετῆ ἀστέρα, or star fallen from heaven. It was said to have been raised up by Astarte, and this last myth is 82represented on the silver coins of Marium in Cyprus. Here the radiance and splendor of the object suggested a stellar or celestial origin, and we see the same tendency at work in the application of the name ceraunia (thunder-stones) to certain brilliant gems by Pliny.[151]
The huge emerald from the temple of Melkarth at Tyre is referred to in the fragments of Sanchoniathon as an aeropetē asteras, or star that fell from the sky. It was believed to have been raised by Astarte, and this myth is 82 depicted on the silver coins of Marium in Cyprus. The brightness and beauty of the object suggested a heavenly origin, and we see the same idea with the use of the term ceraunia (thunder-stones) to describe certain shiny gems by Pliny.[151]
Virgil[152] seems to confound with thunder the detonation of a bolide, followed by a train of light, and he seems also to confound the bolide itself with a lightning flash, for he says that its fall diffused a sulphurous vapor far and wide. Seneca was more critical, for he regarded the fact of thunder sometimes accompanying the fall of a meteorite as merely a coincidence.
Virgil[152] appears to mix up the sound of thunder with the explosion of a meteor, which is followed by a streak of light. He also seems to equate the meteor itself with a lightning strike when he mentions that its fall spread a sulfurous vapor everywhere. Seneca took a more critical approach, seeing the occurrence of thunder alongside a meteorite's fall as just a coincidence.
Although, in the absence of exact and trustworthy contemporaneous accounts of the fall of these sacred stones, we cannot be absolutely certain that they were meteorites, the testimony in several cases is sufficient to render this almost certain, while in many other cases there is no reason to doubt the substantial accuracy of the tradition. The choice of some of the bætyli, however, was determined by their form alone, to which was ascribed a religious significance, not exactly compatible with our religious ideas of to-day, but quite easily understood when we remember that the divine creative energy was concretely represented in ancient times by many symbols offensive to our sense of propriety.
Although we don't have exact and reliable accounts of the fall of these sacred stones, we can't be completely certain they were meteorites. However, in several cases, the evidence is strong enough to make it almost certain, and in many other instances, there’s no reason to doubt the general accuracy of the tradition. The choice of some of the bætyli, though, was based solely on their shape, which had a religious significance that doesn’t quite align with our modern religious beliefs, but makes sense when we consider that in ancient times, divine creative energy was represented by many symbols that might seem inappropriate to us today.
In the treatise “On Rivers,” attributed to Plutarch, a stone is said to have been found on Mount Cronius, which bore the name of “cylinder.” When Jupiter thundered, this stone, terrified by the noise, rolled down from the top of the mountain.[153] This passage is interesting as suggesting one of the reasons which caused the name “thunderbolt” 83to be given to certain stones, for stones adapted to ornamental use might easily be exposed by the weathering of the rocks, and then detached by the concussion produced by heavy thunder. Of course, the cylinder-stone here mentioned must have more especially signified one of the prehistoric celts, but it is not unlikely that the name was also given to other, unworked stones, having a similar form.
In the essay "On Rivers," attributed to Plutarch, it mentions that a stone was found on Mount Cronius, called a "cylinder." When Jupiter thundered, the noise scared the stone, causing it to roll down from the mountain.[153] This passage is intriguing as it suggests one reason why certain stones were named "thunderbolt," since stones suitable for decorative use might easily be revealed by weathering and then dislodged by the impact of heavy thunder. Obviously, the cylinder-stone mentioned here likely referred specifically to one of the prehistoric celts, but it's also possible that the name was used for other unworked stones with a similar shape.
Before Galba was chosen emperor, and when he was acting as governor of the Basque provinces in Spain, a thunderbolt descended upon the shore of a lake in that region. Search was made for the stones which were supposed to have fallen, and Suetonius tells us that twelve axes were found. This was regarded as a sure augury of Galba’s elevation to the imperial dignity,[154] but for the archaeologist the presence of the axes merely signifies that this was the site of a lake dwellers’ village.
Before Galba was selected as emperor, while he was serving as the governor of the Basque provinces in Spain, a lightning bolt struck the shore of a lake in that area. People searched for the stones that were believed to have fallen, and Suetonius reports that twelve axes were discovered. This was seen as a guaranteed sign of Galba’s rise to imperial status,[154] but for archaeologists, the discovery of the axes simply indicates that this was the location of a settlement for lake dwellers.
In some cases, the stone which was held to be a dwelling-place of the divinity was also regarded as a representation, or epitome, of some sacred mountain. In the earliest stage of this belief, the god was supposed to have his abode in the mountain, and later he was thought to animate the stone which had a fancied likeness in shape to the mountain. A coin of the Roman emperor Elagabalus (204–222 A.D.)[155] bears on its reverse a representation of one of the sacred stones of Astarte, namely, that worshipped at Sidon. This is shown resting upon a car, and it seems probable that it was transported from place to place, so that large numbers 84of people could have the privilege of paying reverence to it.
In some cases, the stone believed to be a home for the divine was also seen as a symbol or epitome of a sacred mountain. In the earliest version of this belief, the god was thought to live in the mountain, and later he was believed to animate the stone, which was imagined to resemble the mountain. A coin from the Roman emperor Elagabalus (204–222 AD)[155] features a depiction of one of the sacred stones of Astarte, specifically the one worshipped at Sidon. This is shown resting on a cart, and it's likely that it was moved from place to place, allowing large numbers of people to have the chance to pay their respects to it. 84
There seems to be fairly strong reasons for the belief that the Black Stone of the Kaaba at Mecca is an aerolite.[156] If the conjecture be correct, this stone occupies a unique place among meteoric masses, for it was an object of worship for many centuries before the advent of Mohammed, and is to-day regarded with the highest reverence by one hundred and twenty millions of Mohammedans. One of the most solemn acts performed by the pilgrims at Mecca is the kissing of the Black Stone, and should any one doubt that true religious enthusiasm is aroused by this act, he should read the following words of Ibn Batoutah:[157]
There seem to be fairly strong reasons to believe that the Black Stone of the Kaaba in Mecca is a meteorite.[156] If this guess is correct, this stone holds a unique position among meteorites, as it was an object of worship for many centuries before Mohammed's time, and it is still held in the highest reverence by one hundred and twenty million Muslims today. One of the most significant acts performed by pilgrims at Mecca is kissing the Black Stone, and if anyone doubts that this act stirs genuine religious enthusiasm, they should read the following words of Ibn Batoutah:[157]
The eyes perceive in it a wonderful beauty, similar to that of a young bride; in kissing it one feels a pleasure that delights the mouth, and whoever kisses it wishes he might never cease to do so; for this is an inherent quality in it and a divine grace in its favor. Let us only cite the words of the Prophet in this connection: “Certainly it is the right hand of God on earth.”
The eyes see a stunning beauty in it, much like that of a young bride; when you kiss it, there's a pleasure that delights your mouth, and anyone who kisses it wishes they could keep doing so forever; this is an inherent quality and a divine grace in its favor. Let’s just refer to the Prophet’s words on this: “Surely it is the right hand of God on earth.”
For centuries before Mohammed’s time the Kaaba at Mecca had been a famous sanctuary and a religious centre for the nomadic Arabs. It is stated that there were 360 idols in the temple, a number which suggests a connection with the year of 360 days in use among the Arabs. The most celebrated of these idols bore the name of Hobal, and was the figure of a man cut out of red agate. There was a tradition to the effect that this idol had been brought from Belka in Syria. As one of the hands was broken off, the Koreish, the Arab tribe having charge of the Kaaba, repaired this defect by attaching a golden hand, in which were held seven arrows, plain shafts without heads or feathers, similar to the arrows used for divination by the Arabs. For some occult reason the agate was supposed to exercise a certain control over meteorological phenomena, for in Persia it was believed to ward off tempests, while prayers for rain in time of drought were made to this agate image of the Kaaba.[158]
For centuries before Mohammed’s time, the Kaaba in Mecca had been a well-known sanctuary and a religious center for the nomadic Arabs. It's said that there were 360 idols in the temple, a number that suggests a link to the 360-day year that the Arabs used. The most famous of these idols was named Hobal, which was a figure of a man made from red agate. There was a tradition that this idol had been brought from Belka in Syria. Since one of its hands was broken off, the Koreish, the Arab tribe in charge of the Kaaba, fixed this by attaching a golden hand that held seven plain arrows without heads or feathers, similar to the arrows used for divination by the Arabs. For some mysterious reason, the agate was thought to have a special influence over weather phenomena, as in Persia it was believed to ward off storms, while prayers for rain during droughts were directed to this agate image of the Kaaba.[158]

LE TEMPLE DE LA MECQUE
THE KAABA AT MECCA
The letter A indicates the place where the Black Stone is inserted in the wall of the building. From “Histoire générale des cérémonies religieuses de tous les peuples du monde,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
LE TEMPLE DE LA MECQUE
THE KAABA AT MECCA
The letter A marks the spot where the Black Stone is set into the wall of the building. From “General History of the Religious Ceremonies of All the Peoples of the World,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
85Much has been written regarding the Black Stone, but perhaps the most satisfactory description is that given by Burckhardt, who writes:[159]
85There’s been a lot of discussion about the Black Stone, but maybe the best description comes from Burckhardt, who says:[159]
At the Northeast corner of the Kaabah, near the door, is the famous “Black Stone”; it forms part of the sharp angle of the building at from four to five feet above the ground. It is an irregular oval, about seven inches in diameter, with an undulated surface, composed of about a dozen smaller stones of different sizes and shapes, well joined together with a small quantity of cement, and perfectly smooth; it looks as if the whole had been broken into many pieces by a violent blow, and then united again. It is very difficult to determine accurately the quality of this stone, which has been worn to its present surface by the millions of touches and kisses it has received. It appears to me like lava, containing several small extraneous particles of a whitish and of a yellowish substance. Its color is now a deep reddish-brown, approaching to black.
At the Northeast corner of the Kaabah, near the door, is the famous “Black Stone.” It’s part of the sharp angle of the building, positioned about four to five feet above the ground. It has an irregular oval shape, roughly seven inches in diameter, with a wavy surface made up of about a dozen smaller stones of different sizes and shapes, all tightly joined with a bit of cement and perfectly smooth. It looks like it was shattered into many pieces by a violent impact and then put back together. It's really hard to accurately determine the quality of this stone, which has been worn down to its current surface by millions of touches and kisses. To me, it resembles lava, containing several small bits of whitish and yellowish material. Its color is now a deep reddish-brown, almost black.
This description seems to support the conjecture that the stone is a meteorite. The injuries it has sustained are attributed to various accidental or intentional causes. In the early part of the Mohammedan era the Kaaba was damaged by fire, and the intense heat caused the stone to break into three pieces. This injury was repaired, but some years later (926 A.D.) the heretic sect of the Carmates captured and sacked Mecca. Hoping to divert to another place the tide of pilgrims, and the riches they brought with them, the leader of the sect caused the stone to be wrenched from its place and borne away to Hedjez. During the sack of Mecca, or possibly in its violent removal, the stone was broken into two pieces,—perhaps along the line of one of 86the old fractures. At first an offer of 50,000 dinars ($125,000) was made for the return of the stone, but before many years had passed the Carmates restored it voluntarily, having been disappointed in their hope of attracting the pilgrims. The Black Stone was destined to suffer still greater injury. In 1022 A.D., Hakem, the ruler of Egypt, who suffered from megalomania and was disposed to claim divine honors for himself, dispatched an emissary to Mecca to destroy the stone. Mixing with the crowd of pilgrims, this man approached the revered relic, and crying out “How long shall this stone be adored and kissed?” struck it a tremendous blow with a club. The story runs that only three small pieces were broken from the stone, but as it is also stated that these pieces were pulverized and the powder made into a cement to fill up the cracks, the injury was probably much greater than the pious Mohammedans were willing to admit.[160]
This description appears to support the idea that the stone is a meteorite. The damage it has suffered is attributed to various accidental or intentional causes. In the early part of the Islamic era, the Kaaba was damaged by fire, and the intense heat caused the stone to break into three pieces. This damage was repaired, but several years later (926 A.D.), the heretical sect of the Carmathians captured and sacked Mecca. Trying to redirect the flow of pilgrims and the wealth they brought with them, the leader of the sect had the stone removed from its place and taken to Hedjez. During the sack of Mecca, or possibly during its rough removal, the stone was broken into two pieces—probably along one of the old fractures. Initially, an offer of 50,000 dinars ($125,000) was made for the return of the stone, but before long, the Carmathians returned it voluntarily, having been disappointed in their attempt to attract the pilgrims. The Black Stone was destined to endure even more damage. In 1022 A.D., Hakem, the ruler of Egypt, who suffered from megalomania and sought to claim divine honors for himself, sent an emissary to Mecca to destroy the stone. Blending in with the crowd of pilgrims, this man approached the revered relic and shouted, “How long shall this stone be adored and kissed?” before striking it a powerful blow with a club. According to the story, only three small pieces were broken off the stone, but since it is also said that these pieces were ground into powder and used as cement to fill in the cracks, the damage was likely much worse than the devout Muslims were willing to acknowledge.[160]
Mohammedan tradition teaches that the Black Stone was sent from heaven and was once pure and brilliant; it only grew black because of the sins of men. Legend relates that Abraham stood on this stone during the construction of the Kaaba. This edifice was erected in a miraculous way, for the stones came of themselves, all cut and polished, from the Mountain of Arafat. However, no place was found for the Black Stone, and it was afflicted and said to Abraham: “Why have not I also been used for the House of God?” “Be comforted,” replied the Prophet; “for I will see that you are more honored than any other stone of the edifice. I will command all men, in the name of God, that they shall kiss you when they pass in the procession.”[161]
Mohammedan tradition teaches that the Black Stone was sent from heaven and was once pure and brilliant; it only turned black because of humanity's sins. Legend says that Abraham stood on this stone while building the Kaaba. This structure was built in a miraculous way, as the stones arrived by themselves, all cut and polished, from the Mountain of Arafat. However, there was no place for the Black Stone, and it lamented to Abraham: “Why haven’t I been used for the House of God?” “Don’t worry,” replied the Prophet; “for I will make sure you are honored more than any other stone in the building. I will command all people, in the name of God, to kiss you when they pass by during the procession.”[161]
A fragment of the Black Stone of Mecca was brought to Bagdad in 951 A.D. by order of the Khalif Moti Lillah, and 87was inserted in the threshold of the main entrance to the royal palace there. From a balcony directly above the entrance was suspended a piece of tapestry taken from that in the Kaaba, and it was so hung that its lower border was about on a level with the face of anyone entering the portal. All who passed in were strictly enjoined to touch their eyes with this tapestry and also to kiss the piece of the Black Stone, upon which no one was permitted to tread. These details are given in Khondemir’s life of Abu Jafer Al Mostasem, the last of the Khalifs, who died in 1258 A.D.[162]
A fragment of the Black Stone of Mecca was brought to Baghdad in 951 CE by order of the Caliph Moti Lillah, and 87 was placed in the threshold of the main entrance to the royal palace there. From a balcony directly above the entrance hung a piece of tapestry taken from the one in the Kaaba, and it was arranged so that its lower border was about level with the faces of anyone entering the doorway. Everyone who passed through was required to touch their eyes to this tapestry and also to kiss the piece of the Black Stone, which no one was allowed to walk on. These details are provided in Khondemir’s biography of Abu Jafer Al Mostasem, the last of the Caliphs, who died in 1258 A.D.[162]
The Kaaba at Mecca offers to the adoration of faithful Mohammedan pilgrims to the shrine, not only the famous Black Stone, which is set in the eastern corner of the building, but also another sacred stone inserted in the southern corner at a height of five feet from the ground. This is designated as the “Southern Stone.” The Kaaba itself is a small rectangular structure, built of stone from the surrounding hills, and having a length of 12 metres (39.4 feet), a width of 10 metres (32.8 feet) and a height of 15 metres (49.2 feet). One of the few Europeans who have been permitted to enter the sacred enclosure, Dr. Snouck-Hurgronje, does not believe that the Kaaba owes its origin and sanctity to the Black Stone, but that its foundation was rather due to the presence of the well Zemzem, whose waters were already reported to have a therapeutic quality in the early days of Islam, and which may have earned its repute on this account. If, however, we admit that the medical properties (of a purgative nature) are due to contamination or percolation posterior to the primitive time when the well Zemzem first attracted the reverence of the Arabs of this region, then the purity of the water may account for its 88high place in the esteem of the Arabs. Of the Black Stone, a native of Mecca who saw the stone when it had been taken out of the wall of the building, in the course of the latest restoration of the structure, states that its inner surface is of a grayish hue.[163]
The Kaaba in Mecca is a place of worship for devoted Muslim pilgrims, featuring not just the renowned Black Stone located in the eastern corner of the structure, but also another sacred stone known as the “Southern Stone,” which is set at a height of five feet from the ground in the southern corner. The Kaaba itself is a compact rectangular building made of stone from the nearby hills, measuring 12 meters (39.4 feet) in length, 10 meters (32.8 feet) in width, and 15 meters (49.2 feet) in height. One of the few Europeans allowed to enter the sacred area, Dr. Snouck-Hurgronje, believes that the Kaaba’s origin and significance come not from the Black Stone but from the nearby Zemzem well, whose waters were already known for their healing properties in the early days of Islam, possibly contributing to its fame. However, if we accept that these medicinal qualities (which act as a purgative) are due to contamination or changes after the time when the Zemzem well first gained the Arabs' reverence, then the purity of the water may explain its esteemed status among the Arabs. A local resident of Mecca who observed the Black Stone when it was removed from the wall during recent renovations noted that its inner surface has a grayish color.88
The Kaaba also contained the Maquam Ibrahim, a sacred stone preserved from pre-Islamite times, and brought into connection with the history of Abraham by the Mohammedan legends. This stone, enclosed in a receptacle of like material, was at one time buried in the ground underneath the building, but receptacle and enclosed stone are now set within the iron gratings which partition off a part of the space inside the cupola over the pulpit of the Mosque of Mecca.[164]
The Kaaba also housed the Maqam Ibrahim, a sacred stone that has been preserved since before Islam and is linked to the history of Abraham through Islamic legends. This stone, enclosed in a similarly made container, was once buried underground beneath the building, but now both the container and the stone are placed within the iron grates that section off part of the area inside the dome over the pulpit of the Mosque of Mecca.[164]
An Oriental poem by Assmai detailing the wonderful exploits of the hero Antar, describes the way in which he became possessed of a matchless sword. One day he came upon two knights in desperate encounter; on seeing him they paused in their strife and to his question as to its cause one of the combatants told him that they were brothers, sons of a great Arab emir, recently deceased. Their father had once found a black stone, in appearance like a common pebble, but possessed of such penetrative power that when a herdsman threw it at a camel it traversed the animal’s body, inflicting a gaping wound. The emir immediately recognized that the stone must be a “thunder-stone,” as meteorites were called; he therefore secured possession of it and commanded his most skilful smiths to forge a sword from it. When this task had been successfully performed the emir clothed the smith in a robe of honor, and then, drawing the new sword from its sheath, cut off his head with a single stroke. This served at once as a test of 89the weapon’s quality and as an assurance that it would not soon be duplicated. On his death-bed the emir called to him his youngest son and said to him: “My son, take the sword and hide it from your brother, and when you shall see that he has seized my goods and is squandering them in riotous living, and sends you away, without reverence for the Lord of Heaven and Earth, take the sword away with you. If you bring it to the court of the Persian King, Khusrau Nushirwan, he will heap gifts and honors upon you, or if you elect to go instead to the court of the Byzantine Cæsar, monarch of the Servants of the Cross, he will give you as much gold and silver as you may ask for.” This was the tale told by the younger knight, who added that when, after the father’s death, the brother had sought in vain for the famous sword, he had resorted to torture to extract from the favored son the secret of its hiding-place, and had brought the latter to this spot commanding him to find it and give it up, and when he refused so to do, had attacked him. The hero Antar, like a veritable knight-errant, took up the quarrel of the oppressed brother and slew his opponent, securing as a free-will offering of gratitude the magic sword.[165]
An Oriental poem by Assmai tells the thrilling adventures of the hero Antar and how he came to possess an unmatched sword. One day, he stumbled upon two knights engaged in a fierce battle; when they noticed him, they paused, and one of the fighters explained that they were brothers, sons of a great Arab emir who had recently passed away. Their father had discovered a black stone that looked like an ordinary pebble but had incredible power; when a herdsman threw it at a camel, it pierced the animal’s body, leaving a massive wound. The emir immediately recognized that the stone was a “thunder-stone,” as meteorites were known; he claimed it and ordered his best smiths to forge a sword from it. Once the task was accomplished, the emir honored the smith with a robe, then, drawing the new sword from its sheath, he beheaded him with one swift strike. This served as both a test of the sword's quality and a guarantee that it wouldn't be easily replicated. On his deathbed, the emir summoned his youngest son and said, “My son, take the sword and hide it from your brother. When you see him squandering my possessions in reckless living and showing no respect for the Lord of Heaven and Earth, take the sword with you. If you bring it to the court of the Persian King, Khusrau Nushirwan, he will shower you with gifts and honors, or if you choose to go to the court of the Byzantine Cæsar, ruler of the Servants of the Cross, he will offer you as much gold and silver as you desire.” This was the story shared by the younger knight, who added that after their father died, the brother had desperately searched for the famous sword. When he couldn’t find it, he resorted to torture to force the favored son to reveal its hiding place and brought him to this location, demanding that he find it and surrender it. When he refused, the brother attacked him. The hero Antar, like a true knight-errant, took up the cause of the oppressed brother and killed his opponent, earning the magic sword as a gesture of gratitude.[165]
The forging of swords from meteoric iron was, in the opinion of the Orientalist Hammer-Purgstall, the origin of the characteristic surface given to the famous Damascus blades. A most interesting modern example of a meteoric-iron weapon is a dagger made by Von Widmanstädt for Emperor Francis I of Austria, out of the famous Bohemian siderite long preserved in the Rathaus at Elbogen and known as the “Verwünschte Burggraf.” On the surface of this blade, however, the lines were angular, while on the 90true Damascus blade the lines are wavy.[166] An unsuccessful attempt to forge a sword from a piece of meteoric iron is reported by Avicenna in the case of a siderite that fell at Jurgan in 1009 A.D., from which swords that were ordered to be made by the Sultan of Khorassan could not be executed.[167]
The making of swords from meteoric iron was, according to the scholar Hammer-Purgstall, the source of the distinctive surface found on the famous Damascus blades. A particularly interesting modern example of a meteoric-iron weapon is a dagger crafted by Von Widmanstädt for Emperor Francis I of Austria, made from the renowned Bohemian siderite that has long been kept in the Rathaus at Elbogen and is known as the “Verwünschte Burggraf.” However, the surface of this blade features angular lines, while true Damascus blades have wavy lines. An unsuccessful attempt to forge a sword from a piece of meteoric iron is noted by Avicenna, regarding a siderite that fell at Jurgan in 1009 A.D., from which swords ordered by the Sultan of Khorassan could not be produced.
In an Arabic work bearing the name of Avicenna and entitled “The Cure,” the writer mentions a meteorite which fell in the Jordan, and of which Sultan Mohammed Ghazni wished to have a sword made for him, thus proving that the Sultan believed that meteorites possessed marvellous properties.[168]
In a work in Arabic attributed to Avicenna called “The Cure,” the author talks about a meteorite that fell in Jordan, which Sultan Mohammed Ghazni wanted to have turned into a sword for himself, showing that the Sultan believed meteorites held extraordinary powers.[168]
A number of Greek and Roman coins bearing representations of these sacred meteorites have come down to us, and more than two hundred specimens may be seen in the section of meteorites in the Natural History Museum (Königlich-kaiserliches naturhistoriches Hofmuseum) in Vienna. These coins are of great value in determining the history of those aerolites which were preserved in the temples of certain divinities.
A number of Greek and Roman coins featuring images of these sacred meteorites have survived, and over two hundred specimens can be found in the meteorites section of the Natural History Museum (Königlich-kaiserliches naturhistoriches Hofmuseum) in Vienna. These coins are very important for understanding the history of the aerolites that were kept in the temples of certain gods.
The Viennese collection of meteorites is the finest in the world, and this is largely due to the zeal and intelligence of the late Dr. Aristides Brezina, while superintendent of the department of mineralogy and meteorites in the Museum. In regard to the impression made upon the mind of man in ancient times by the fall of meteorites, Dr. Brezina writes:[169]
The Viennese collection of meteorites is the best in the world, thanks mainly to the passion and expertise of the late Dr. Aristides Brezina, who was the head of the mineralogy and meteorites department at the Museum. Regarding the impact that meteorite falls had on people's minds in ancient times, Dr. Brezina writes:[169]
91The ancients supposed the stars to be the domiciles of the gods; falling stars and falling meteorites signified the descending of a god or the sending of its image to the earth. These envoys were received with divine honor, embalmed and draped, and worshipped in temples built for them.
91Ancient people believed that the stars were homes for the gods; shooting stars and meteorites meant a god was coming down or sending a message to earth. These messengers were welcomed with great respect, preserved and adorned, and worshipped in temples made for them.

Title-page of one of the earliest treatises on meteorites.
Title page of one of the earliest writings on meteorites.
The coins to which we have alluded were usually struck in honor of the sanctuaries wherein the aerolites were objects of adoration, and the temple is often rudely figured with the stone set up in the centre. In many cases the meteorite was preserved in its original form, which, if conical, was regarded as a phallic symbol; in other cases, the mass was rudely shaped into the conventional form of some divinity.
The coins we mentioned were typically made to honor the places where the meteorites were worshipped, and the temple is often depicted with the stone placed in the center. In many instances, the meteorite was kept in its original shape, which, if it was cone-shaped, was seen as a phallic symbol; in other cases, the stone was roughly carved into the typical form of some deity.
It is stated in Spangenberg’s Chron. Saxon. that in 998 A.D. two immense stones fell at Magdeburg during a thunder-storm. One of these is said to have fallen in the town itself and the other in the open country, near the river Elbe. The description of a meteoric fall given in an eighteenth century treatise on meteors, presents a vivid picture of the phenomena attending—or believed to have attended—such a fall. We are told that on June 16, 1794, at about seven o’clock in the evening a thunder cloud was seen in Tuscany, near the city of Siena and the town of Radacofani. This 92cloud came from the north, and shot forth sparks like rockets, smoke rising from it like a furnace; at the same time a series of explosions was heard, not so much resembling the sound of thunder as that produced by the firing of cannon or the discharge of many muskets. The cloud remained suspended in the air for some time, during which many stones fell to the earth, some of which were found. One of them is described as being of irregular form, with a point like a diamond; it weighed about five pounds and gave out a “vitriolic smell.” Another weighed three and a half pounds, was very hard, of the color of iron, and “smelled like brimstone.”[170]
It is noted in Spangenberg’s Chron. Saxon. that in 998 A.D., two massive stones fell at Magdeburg during a thunderstorm. One of these is said to have landed in the town itself, and the other in the open countryside, near the river Elbe. An eighteenth-century treatise on meteors provides a vivid account of the phenomena thought to accompany such a fall. It mentions that on June 16, 1794, around seven o’clock in the evening, a thundercloud was spotted in Tuscany, near the city of Siena and the town of Radacofani. This cloud came from the north and shot out sparks like fireworks, with smoke billowing from it like a furnace; at the same time, a series of explosions was heard, sounding more like cannon fire or the discharge of multiple muskets than thunder. The cloud lingered in the air for some time, during which many stones fell to the ground, some of which were recovered. One of these stones was described as having an irregular shape, with a pointed end like a diamond; it weighed about five pounds and emitted a “vitriolic smell.” Another weighed three and a half pounds, was very hard, had the color of iron, and “smelled like brimstone.”[170]
The following passage written in the fourteenth, or perhaps in the thirteenth century, shows considerable accuracy of observation:[171]
The following passage written in the fourteenth, or perhaps in the thirteenth century, shows considerable accuracy of observation:[171]
There are some who fancy that the thunder is a stone, for the reason that a stone often falls when it thunders in stormy weather. This is not true, for if the thunder were a stone, it would wound the people and animals it strikes, just as any other falling stone does. However, this is not the case, for we see that the people who have been struck by thunder (sic) show no wounds, but they are black from the stroke, and this is because the hot vapor burns the blood in their hearts. Therefore, they perish without wounds.
Some people believe that thunder is a stone because stones often fall during storms. This isn’t true; if thunder were a stone, it would injure the people and animals it hits, just like any other falling stone would. However, that’s not what happens. We see that people struck by lightning don’t have visible wounds, but they do have blackened marks from the strike, which is because the hot vapor burns the blood in their hearts. So, they die without any physical injuries.
The fall of a siderite twenty miles east of Lahore in India, on April 17, 1621, is reported in contemporary records. From this iron, which weighed about 3¼ pounds, the Mogul Emperor Jehangir ordered two sabres to be made, as well as a knife and a dagger, and commanded that the fact should be properly registered. Here, as in other similar cases, the weapons were believed to possess a quasi-magic 93power because of the celestial origin of the material employed.[172]
The fall of a siderite twenty miles east of Lahore in India on April 17, 1621, is recorded in contemporary accounts. From this iron, which weighed about 3¼ pounds, the Mogul Emperor Jehangir ordered two sabres, a knife, and a dagger to be made, and he instructed that the event should be officially documented. Here, as in other similar instances, the weapons were thought to hold a kind of magical power because of their origin from the heavens. 93[172]
Michele Mercato[173] (d. 1593) gives a vivid description of the fall of a meteor which was observed near Castrovilarii, in Calabria, January 10, 1583. Some men in a meadow observed a black, whirling cloud rushing through the air, and saw it descend to the earth not far from where they were standing. The noise accompanying the descent of the meteorite was so deafening that it was heard far and wide, and the poor men fell to the ground almost unconscious from terror. People from the neighborhood hastened to the spot and, after restoring the terrified witnesses of the phenomena, discovered a mass of iron weighing thirty-three pounds at the spot where the black cloud had touched the earth.
Michele Mercato[173] (d. 1593) gives a vivid description of the fall of a meteor that was seen near Castrovilarii, Calabria, on January 10, 1583. Some men in a meadow noticed a black, swirling cloud rushing through the air and watched it come down to the ground not far from where they were standing. The noise from the meteorite’s descent was so loud that it could be heard for miles, and the poor men fell to the ground nearly unconscious from fear. People from the nearby area rushed to the scene, and after calming down the terrified witnesses, they found a mass of iron weighing thirty-three pounds at the spot where the black cloud had landed.
The startling phenomenon of a rain of stones from the sky which took place under rather queer circumstances is reported by the Jesuit priest Alvarus as having occurred in China in 1622. The Taoist priests of that land enjoyed the repute of being able to bring down rain from the sky by their magic or religious rites, and when, during the year mentioned, China was visited by a drought of unexampled severity, the aid of these rain-makers was invoked. Yielding, perhaps not unwillingly, to the popular entreaty, a group of priests ascended a hill and proceeded to pronounce their invocations. To the joy of the onlookers the sky became darkened and a rushing sound was heard, at first mistaken for an oncoming rainstorm, but to the dismay of all an immense shower of stones of all sizes fell upon the earth, destroying what remained of the parched fruits and 94grain crops, and killing or maiming many persons. So terrifying was the sight that the Jesuits who were watching the result of the affair half-believed that the Last Day had come. When the panic had finally subsided, the people fell upon the unlucky Taoist priests and beat them soundly.[174]
The shocking event of stones falling from the sky occurred under some strange circumstances, as reported by Jesuit priest Alvarus in China in 1622. The Taoist priests in that region were known for their ability to summon rain through their magic or religious rituals. During a particularly severe drought that year, the community turned to these rain-makers for help. Responding, perhaps not entirely unwillingly, to the pleas of the people, a group of priests climbed a hill and began their incantations. To the delight of the spectators, the sky darkened and a rushing sound was heard, initially mistaken for an approaching rainstorm. However, to everyone's horror, a massive shower of stones of various sizes fell to the ground, destroying what was left of the dry fruits and grain crops and injuring or killing many individuals. The scene was so terrifying that the Jesuits observing the incident genuinely believed the end of the world had arrived. Once the panic finally calmed down, the people turned on the unfortunate Taoist priests and gave them a severe beating.94[174]
In the “Annals of the Ottoman Empire,” by Subhi Mohammed Effendi, there is an account of the fall of a meteor at Hasergrad, on the banks of the Danube, on the fourth of Saban, A. H. 1153 (October 25, 1740). The weather was fine, not a cloud was to be seen in the sky, and not a breath of air was stirring. Suddenly there arose a whirlwind, the air became obscured with clouds of dust, rain fell in torrents, and it became dark as night. While all who were out of doors were hastening to seek shelter from the storm, three terrific peals of thunder were heard, as loud as the sound of many cannon. After the storm had passed several strange masses partly of stone and partly of iron were discovered in a nearby field. The Vizier bore two of these as great rarities to the Sultan in Constantinople.[175]
In the “Annals of the Ottoman Empire,” by Subhi Mohammed Effendi, there's a story about a meteor that fell at Hasergrad, by the Danube River, on the fourth of Saban, A. H. 1153 (October 25, 1740). The weather was nice, with not a single cloud in the sky and no wind at all. Suddenly, a whirlwind appeared, the air filled with dust clouds, heavy rain poured down, and it turned as dark as night. As everyone outside rushed to find shelter from the storm, three loud claps of thunder were heard, as loud as cannons firing. After the storm cleared, several unusual objects, made partly of stone and partly of iron, were found in a nearby field. The Vizier took two of these rare finds to the Sultan in Constantinople.[175]
The influence exerted by popular beliefs, even upon the learned, is well illustrated by the opinion given by some of the leading French physicists of the eighteenth century as to the character of meteorites. When a meteoric stone fell at Luce, Dept. Marne, France, September 13, 1768, three French scientists, among them the celebrated Lavoisier, were sent to investigate the matter. In their report to the Academy of Sciences, they state that there must have been some error in the accounts given of the event, for it was an assured fact that no such things as pierres de foudre, or thunder-stones, existed. This was, of course, perfectly true, but Lavoisier and his companions did not stop to think 95that stones might fall to the earth in some other way. The result of the investigation was summed up as follows:
The impact of popular beliefs, even on educated individuals, is clearly shown by the views expressed by some of the leading French physicists in the eighteenth century regarding meteorites. When a meteorite fell in Luce, Dept. Marne, France, on September 13, 1768, three French scientists, including the famous Lavoisier, were sent to look into it. In their report to the Academy of Sciences, they stated that there must have been some mistake in the reports about the event because it was a well-established fact that no such things as pierres de foudre, or thunder-stones, existed. This was, of course, totally true, but Lavoisier and his colleagues didn’t consider that stones could fall to the earth in other ways. The outcome of the investigation was summarized as follows:
If the existence of thunder-stones was regarded as doubtful at a time when physicists had scarcely any idea of the nature of thunder, it is even less admissible to-day, when modern physicists have discovered the effects of this natural phenomenon are the same as those of electricity. There is no record that the fulgarite, the fused sand or rock struck by the lightning, has ever been used.
If the existence of thunder-stones was considered questionable back when scientists barely understood thunder, it's even harder to accept today, now that modern scientists have found that the effects of this natural phenomenon are the same as those of electricity. There’s no record of fulgarite, the fused sand or rock hit by lightning, ever being used.
The opinion which seems the most probable to us, and that which is most in accord with the accepted principles of physics as well as with the facts reported by Abbé Bacheley, and our own investigation, is that the stone was originally covered with a slight crust of earth and turf, and was struck by lightning and so made visible.
The view that seems most likely to us, and that aligns best with the established principles of physics as well as the facts reported by Abbé Bacheley and our own research, is that the stone was initially covered with a thin layer of soil and grass, and was struck by lightning, making it visible.
Chladni reports in a pamphlet published in 1794 that the mass of meteoric iron discovered by Dr. Pallas in Siberia, and known as the Pallas or Krasnojarsk iron meteorite, was regarded by the Tartars as a sacred object which had fallen from heaven.[176] As it is somewhat unlikely that this belief could be accounted for by an ancient tradition, we must seek an explanation in the conviction among primitive peoples that any mass of rock or metal of unusual appearance and differing notably from the surrounding formations must have come from the sky. In this way primitive instinct often anticipates the results of modern scientific investigation. This siderite, of irregular form and weighing some 1500 pounds, was seen by Dr. Pallas in 1772, and deposited by him in 1776; he learned that it had been found in 1749 at the summit of a mountain situated between Krasnojarsk and Abakansk, by a Cossack. Most of this famous siderite is preserved in the St. Petersburg Museum.
Chladni states in a pamphlet published in 1794 that the mass of meteoric iron discovered by Dr. Pallas in Siberia, known as the Pallas or Krasnojarsk iron meteorite, was thought by the Tartars to be a sacred object that had fallen from the sky.[176] Since it's unlikely that this belief comes from an ancient tradition, we need to look for an explanation in the belief among primitive peoples that any rock or metal with an unusual appearance, significantly different from the local landscape, must have come from the heavens. In this way, primitive intuition often predicts what modern scientific research will reveal. This siderite, with an irregular shape and weighing about 1500 pounds, was observed by Dr. Pallas in 1772 and collected by him in 1776; he found out that it was discovered in 1749 at the top of a mountain located between Krasnojarsk and Abakansk by a Cossack. Most of this well-known siderite is kept in the St. Petersburg Museum.
A singular circumstance in regard to the fall of a meteor, and one that in ancient times would have been explained in 96a miraculous way, is that during the desperate and bloody battle of Borodino, won by Napoleon over the Russians, September 6, 1812, a meteorite is said to have fallen near the headquarters of the Russian general. This would certainly have been regarded—after the event—as a manifestation of divine wrath, and hence a prognostic of the Russian defeat. However, had the French been defeated, the meteorite would have been looked upon as a sign of divine favor, and it would have been honored and reverenced. In modern times the natural phenomenon is taken for what it is worth, and the only interest excited is a purely scientific one.
A unique situation regarding the fall of a meteor, which in ancient times would have been interpreted in a miraculous way, is that during the desperate and bloody battle of Borodino, where Napoleon defeated the Russians on September 6, 1812, a meteorite reportedly fell near the Russian general's headquarters. This would have definitely been viewed—after the fact—as a sign of divine wrath, and therefore a prediction of the Russian defeat. However, if the French had lost, the meteorite would have been seen as a sign of divine favor, and it would have been celebrated and revered. Nowadays, this natural phenomenon is seen for what it is, and the only interest it generates is purely scientific.
Of all the meteorites that have been discovered, the most remarkable are undoubtedly those found at Melville Bay, about 35 miles east of Cape York, West Greenland, in 1894, by Admiral, then Lieutenant, Robert E. Peary, and brought by him to the United States in 1895 and 1897.[177] They are now to be seen in the American Museum of Natural History, New York. The first report of the existence of meteoric iron in the vicinity came from Captain Ross, who in 1818 was given two iron knives, or lance-heads, by some Eskimo of Regent’s Bay. An analysis of the metal revealed the presence of nickel and immediately suggested a meteoric origin of the material; nothing more definite could be learned at the time from the Eskimo than that the metal had been taken from an “iron mountain” not far away. In 1840, the King of Denmark, whose interest had been aroused in the matter, authorized the sending out of an expedition to seek for the suspected siderites, but the search proved unsuccessful; a later attempt made by the officers of the North Star, a Franklin relief ship, in 1849–50, also failed. For a time the determination of the telluric origin of the supposed siderites discovered at Ovifak, Disko Island, West Greenland, by Baron N. A. E. Nordenskiold in 1870, cast some doubt upon the true meteoric character of the iron of which the Cape York knives had been made, and rather discouraged further searches. It was not until 1894 that these extraordinary masses of meteoric iron were at last seen and located by a European, one of the hunters of the Tellikontinah tribe of Smith Sound Eskimos serving as Lieutenant Peary’s guide. The siderites were three in number, the two smaller having been named by the Eskimo “The Dog” and “The Woman,” respectively, while the largest was known as “The Tent.” It now bears the name of Ahnighito, that of the daughter of the explorer.
Of all the meteorites that have been found, the most remarkable ones are definitely those discovered at Melville Bay, about 35 miles east of Cape York, West Greenland, in 1894, by Admiral, then Lieutenant, Robert E. Peary, who brought them to the United States in 1895 and 1897.[177] They are currently displayed at the American Museum of Natural History in New York. The first report of meteoric iron in the area came from Captain Ross, who, in 1818, received two iron knives or lance-heads from some Eskimos at Regent’s Bay. An analysis of the metal showed the presence of nickel and suggested it had a meteoric origin; the Eskimos could only tell that the metal came from an “iron mountain” nearby. In 1840, the King of Denmark, intrigued by this, approved an expedition to look for the suspected siderites, but the search was unsuccessful. A later attempt by the officers of the North Star, a ship sent to assist Franklin, in 1849–50 also had no luck. For a while, the discovery of supposed siderites at Ovifak, Disko Island, West Greenland, by Baron N. A. E. Nordenskiold in 1870 raised doubts about the meteoric nature of the iron used to make the Cape York knives and discouraged further searches. It wasn't until 1894 that these extraordinary masses of meteoric iron were finally found and confirmed by a European, a hunter from the Tellikontinah tribe of Smith Sound Eskimos who was serving as Lieutenant Peary’s guide. There were three siderites; the two smaller ones were named by the Eskimos “The Dog” and “The Woman,” while the largest was called “The Tent.” It is now known as Ahnighito, after the explorer’s daughter.

By courtesy of the American Museum of Natural History, New York.
“AHNIGHITO,” THE GREAT CAPE YORK METEORITE, WEIGHING MORE THAN 36½ TONS
In the American Museum of Natural History, New York City. Obtained by Admiral Peary.
Thanks to the American Museum of Natural History in New York.
“AHNIGHITO,” THE MASSIVE CAPE YORK METEORITE, WEIGHING OVER 36½ TONS
On display at the American Museum of Natural History in New York City. Collected by Admiral Peary.

By courtesy of the American Museum of Natural History, New York.
“THE WOMAN,” CAPE YORK METEORITE
In the American Museum of Natural History, New York City. Weight 3 tons. Obtained by Admiral Peary.
Thanks to the American Museum of Natural History in New York.
“THE WOMAN,” CAPE YORK METEORITE
On exhibit at the American Museum of Natural History in New York City. It weighs 3 tons and was acquired by Admiral Peary.
97The two smaller ones reposed loosely upon gneissic rocks, but Ahnighito, found on a small island some six miles away, on a terrace 80 feet above tide-water and about 100 feet from the shore, lay almost buried in rocks and sand.
97The two smaller ones rested loosely on gneissic rocks, but Ahnighito, located on a small island about six miles away, was on a terrace 80 feet above sea level and roughly 100 feet from the shore, almost buried in rocks and sand.
Eskimo legend had woven its web about these enigmatic meteorites and the natives saw in them an Innuit woman, who with her dog and tent had been hurled from the sky in a bygone age by Tornarsuk, the Evil One. Originally the mass called “The Woman” was said to have closely resembled the figure of a woman, seated and engaged in sewing, but by the gradual chipping away of fragments of the iron this form had almost disappeared. Peary was told that not long before, the “head” had fallen off and that a party of Eskimo had tried to carry it away, lashed to a sledge; however, as they were passing over the ice, it suddenly broke up, so that sledge, iron and dogs sank in the water and the Eskimo themselves barely escaped with their lives.
Eskimo legend had spun a tale around these mysterious meteorites, and the locals believed they saw an Inuit woman, who with her dog and tent, had been cast from the sky ages ago by Tornarsuk, the Evil One. The mass known as “The Woman” was said to have once closely resembled a seated figure of a woman sewing, but over time, the gradual erosion of iron fragments had nearly erased this shape. Peary learned that not long before, the “head” had fallen off and a group of Eskimos attempted to haul it away, strapped to a sled; however, as they were crossing the ice, it suddenly cracked, causing the sled, iron, and dogs to sink into the water, and the Eskimos themselves barely escaped with their lives.
The dimensions of Ahnighito, the largest siderite ever discovered, are given as follows: length, 10 feet 11 inches; height, 6 feet 9 inches; thickness, 5 feet 2 inches. It weighs something over 36½ tons. The weight of “The Woman” is 3 tons, and that of “The Dog” 1100 pounds. The 98chemical compositions of these three siderites, which are regarded as having originally constituted a single mass, have been determined by J. E. Whitfield. In addition to small quantities of copper, sulphur, phosphorus and carbon, the following proportions of the main constituents were ascertained:[178]
The dimensions of Ahnighito, the largest siderite ever found, are as follows: length, 10 feet 11 inches; height, 6 feet 9 inches; thickness, 5 feet 2 inches. It weighs just over 36½ tons. "The Woman" weighs 3 tons, while "The Dog" weighs 1100 pounds. The 98chemical compositions of these three siderites, believed to have originally formed a single mass, were analyzed by J. E. Whitfield. Besides small amounts of copper, sulfur, phosphorus, and carbon, the following proportions of the main components were determined:[178]
The Dog | The Woman | Ahnighito | |
---|---|---|---|
Iron | 90.99 | 91.47 | 91.48 |
Nickel | 8.27 | 7.78 | 7.79 |
Cobalt | .53 | .53 | .53 |
Though smaller and less imposing by its mass than the greatest of the Cape York meteorites, that called “Willamette” from having been found two miles northwest of the town of that name in Clackamas County, Oregon, ranks as the fourth, or possibly the third largest iron meteorite in the world, and is the largest discovered within the territory of the United States; remarkable peculiarities of form make it an especially interesting object.[179] It was a chance find, made in 1902 by two prospectors in their search for gold or silver. Noting what appeared to be a very slight rock projection they tapped this with their hammers and the sound of the blow revealed the presence of metal; digging down here and there, they ascertained the existence of a considerable mass of iron. Although at first no one supposed that it was a meteorite, before long this fact became known, and the finder, by very primitive methods and by dint of tireless efforts, succeeded in transporting the iron to his own land. His courageous attempt to acquire possession of it was not, however, crowned with success, as the courts decided that the company owning the land whereon it had been found possessed the right to reclaim it from the finder.
Though smaller and less impressive than the largest Cape York meteorites, the one called “Willamette,” found two miles northwest of the town of the same name in Clackamas County, Oregon, ranks as the fourth, or possibly the third largest iron meteorite in the world, and is the largest discovered in the United States. Its unique shape makes it particularly interesting.[179] It was discovered by chance in 1902 by two prospectors searching for gold or silver. They noticed what looked like a small rock projection and tapped it with their hammers. The sound revealed metal beneath, so they dug down in various spots and confirmed the presence of a significant mass of iron. Although initially no one thought it was a meteorite, word soon spread. The finder, using simple methods and tireless effort, managed to transport the iron to his property. However, his brave attempt to claim ownership was ultimately unsuccessful, as the courts ruled that the company owning the land where it was found had the right to take it back from him.

By courtesy of the American Museum of Natural History, New York.
“THE DOG,” CAPE YORK METEORITE
In the American Museum of Natural History, New York City. Weight 1100 pounds. Obtained by Admiral Peary.
Thanks to the American Museum of Natural History in New York.
“THE DOG,” CAPE YORK METEORITE
At the American Museum of Natural History in New York City. Weighs 1,100 pounds. Collected by Admiral Peary.

By courtesy of Rochester (N. Y.) Academy of Sciences.
TWO VIEWS OF THE WILLAMETTE METEORITE NOW IN THE AMERICAN MUSEUM OF NATURAL HISTORY, NEW YORK CITY
Found in Clackamas County, Oregon, near the town of Willamette. Weight 31,107 pounds.
With thanks to the Rochester (N.Y.) Academy of Sciences.
TWO VIEWS OF THE WILLAMETTE METEORITE NOW IN THE AMERICAN MUSEUM OF NATURAL HISTORY, NEW YORK CITY
Located in Clackamas County, Oregon, near the town of Willamette. Weight is 31,107 pounds.
99When weighed on the railroad scales in Portland, Oregon, the net weight of this siderite was shown to be 31,107 pounds. The most striking peculiarity is the abundance of pittings and hollows and their unusual size. That these resulted in part from the effects of the enormous heat generated by the swift flight of this weighty mass through the earth’s atmosphere, is generally admitted; but some of the deepest pits are believed to owe their origin to the decomposition of spheroidal nodules of troilite, and the cylindrical holes to the decomposition of rod-like masses of the same substance. Willamette, which was donated to the American Museum of Natural History, by Mrs. William E. Dodge, is 10 feet long, 6 feet 6 inches high, and has a thickness of 4 feet 3 inches.[180] Chemical analyses have been made by Mr. J. M. Davison of the University of Rochester and by J. E. Whitfield of Philadelphia. Their respective determinations are here given:
99When weighed on the railroad scales in Portland, Oregon, the net weight of this siderite was found to be 31,107 pounds. The most notable feature is the numerous pits and hollows and their unusual size. It's widely accepted that some of these resulted from the intense heat created by the rapid movement of this heavy mass through the Earth's atmosphere; however, some of the deepest pits are thought to have originated from the breakdown of spheroidal nodules of troilite, while the cylindrical holes are believed to be due to the decomposition of rod-like masses of the same material. Willamette, which was donated to the American Museum of Natural History by Mrs. William E. Dodge, measures 10 feet long, 6 feet 6 inches high, and has a thickness of 4 feet 3 inches.[180] Chemical analyses were conducted by Mr. J. M. Davison of the University of Rochester and by J. E. Whitfield of Philadelphia. Their respective findings are presented here:
Davison | Whitfield | |
---|---|---|
Iron | 91.65 | 91.46 |
Nickel | 7.88 | 8.30 |
Cobalt | .21 | ? |
Phosphorus | .09 | ? |
99.83 | 99.76 |
The famous Cañon Diablo meteorite possesses a surpassing mineralogical interest.[181] In 1891, at the Tenth International Geologic Congress, Washington, D. C., the mineralogist Koenig announced that he had discovered some 100microscopic diamonds in this meteorite, and later investigations by Prof. Henri Moissan confirmed this discovery and enlarged its scope. A mass of the iron weighing about 400 pounds was used by Professor Moissan; this was cut by means of a steel ribbon saw. As had been the case in Koenig’s investigations, the saw soon encountered excessively hard portions that obstructed its operation, so that twenty days’ labor was requisite to separate the iron into two parts, each with a section area of nearly 100 square inches. On close examination it became evident that the obstacles to the cutting consisted of round or elliptical nodules, of a dark gray to black hue, and enclosed in the bright iron. These nodules were mainly composed of troilite (iron protosulphide). After chemical treatment an insoluble residue remained, consisting of silica, amorphous carbon, graphite and diamond. Many of these very minute diamonds were black, but a few were transparent crystals, octahedrons with rounded edges.[182] The presence of this diamond material in the interior of the iron mass of the meteorite indicates their formation from carbon by the combined agencies of high temperature and great pressure, as in the case of the artificial diamonds experimentally produced by Moissan in an iron mass first subjected to intense heat in the electric furnace and then rapidly contracted in volume by sudden chilling. The fervid imagination of early writers would certainly have attributed wonderful talismanic powers to stones like these, probably generated in some lost planet and reaching our earth through the wastes of celestial space, could they have been able to observe and distinguish them with the incomplete optical resources of their time.
The famous Cañon Diablo meteorite has exceptional mineralogical significance.[181] In 1891, at the Tenth International Geologic Congress in Washington, D.C., mineralogist Koenig announced he had discovered some 100 microscopic diamonds in this meteorite. Later studies by Professor Henri Moissan confirmed and expanded on this finding. Moissan used an iron mass weighing about 400 pounds, which he cut with a steel ribbon saw. Just like in Koenig’s investigations, the saw quickly ran into extremely hard sections that hindered progress, requiring twenty days of work to split the iron into two parts, each with a cross-section of nearly 100 square inches. Upon closer inspection, it became clear that the cutting challenges were due to round or elliptical nodules, dark gray to black, embedded in the shiny iron. These nodules were primarily made of troilite (iron protosulphide). After chemical treatment, an insoluble residue was left, consisting of silica, amorphous carbon, graphite, and diamond. Many of these tiny diamonds were black, but a few were clear crystals, octahedrons with rounded edges.[182] The existence of this diamond material within the iron mass of the meteorite suggests they formed from carbon under conditions of high temperature and great pressure, similar to the artificial diamonds that Moissan created in an iron mass that was first heated intensely in an electric furnace and then rapidly cooled. Early writers, with their vivid imaginations, would surely have ascribed amazing talismanic powers to such stones, possibly crafted on some lost planet and arriving on Earth through the vastness of space, had they been able to see and distinguish them with the limited optical tools of their era.
The first announcement of the discovery of these diamonds 101from the Cañon Diablo meteorite was made by Dr. A. E. Foote, and not long after Professor Koenig’s determination of their character, the present writer suggested an experiment that would afford absolute proof that the material was really diamond. This was to charge a new skaif, or diamond-polishing wheel, with the supposed diamond dust obtained from the meteorite; should the material polish a diamond there could be no doubt as to its character. On September 11, 1893, this experiment was tried at the Mining Building of the World’s Columbian Exposition. After the skaif had been charged with the residuum separated from the meteorite by Dr. O. W. Huntington, it was given a speed of 2500 revolutions to the minute, and in less than fifteen minutes a small flat surface had been ground down and polished on a cleavage-piece of rough diamond held against the wheel. The experiment was then repeated several times on other diamonds and always successfully. This showed conclusively that the residuum of the meteorite contained many minute diamond fragments.[183]
The first announcement of the discovery of these diamonds 101from the Cañon Diablo meteorite was made by Dr. A. E. Foote. Shortly after, following Professor Koenig’s analysis of their properties, the current writer proposed an experiment to provide definitive proof that the material was indeed diamond. The plan was to load a new skaif, or diamond-polishing wheel, with the supposed diamond dust collected from the meteorite. If this material could polish a diamond, it would confirm its true nature. On September 11, 1893, this experiment took place at the Mining Building of the World’s Columbian Exposition. After Dr. O. W. Huntington had charged the skaif with the residue extracted from the meteorite, it was set to spin at 2500 revolutions per minute. In less than fifteen minutes, a small flat surface was ground down and polished on a cleavage piece of rough diamond that was pressed against the wheel. The experiment was repeated several times on additional diamonds with consistent success. This conclusively demonstrated that the residue from the meteorite contained many tiny diamond fragments.[183]
A most important group of meteorites were found in 1886 in Brenham township, Kiowa County, Kansas, by some of the farmers of this district in the course of their farming operations.[184] Entirely unaware of their scientific value, the finders used these objects to weight down haystacks, or for similar uses to which they would put small boulders. In all some twenty of these specimens have been recovered, varying in weight all the way from 466 pounds down to a single ounce. Most of them were taken from an area of about sixty acres, although some were scattered over a wider tract. The largest piece of the group, that on which the 102farmers had bestowed the fanciful name of the “moon meteorite,” had lain only three inches beneath the surface of the ground and broke a ploughshare when it was first struck; none of the masses appear to have been buried deeper down than from five to six inches. The largest mass measures twenty-four inches across the widest part and fourteen and a half at the thickest part. These Kiowa meteorites are in a sense gem-meteorites, for a number of beautiful and brilliant olivine crystals occur in them; many are in two distinct zones, the inner one being a bright transparent yellow, while the outer one is of a dark brown iron olivine, in reality a mixture of troilite and olivine. The character and composition of the worked iron of meteoric origin found in some of the Turner group of Indian mounds, in the Little Miami Valley, Ohio, indicate that the latter may perhaps be brought into connection with this group of meteorites. For here, as in the Frozen North among the Esquimo, and in a number of other cases, the iron available for primitive man was mainly that of meteorite origin.
A significant group of meteorites was discovered in 1886 in Brenham township, Kiowa County, Kansas, by local farmers during their farming activities.[184] Completely unaware of their scientific significance, the finders used these rocks to weigh down haystacks or for similar purposes as they would with small boulders. In total, about twenty of these specimens have been retrieved, weighing from 466 pounds down to just one ounce. Most of them were found in an area of around sixty acres, although some were spread over a larger area. The largest piece, which the farmers whimsically called the “moon meteorite,” was only three inches below the surface and broke a plowshare upon first contact; none of the pieces seem to have been buried deeper than five to six inches. The largest mass measures twenty-four inches at its widest and fourteen and a half inches at its thickest point. These Kiowa meteorites are somewhat like gem-meteorites, as they contain several beautiful and brilliant olivine crystals; many appear in two distinct zones, with the inner zone being a bright transparent yellow and the outer zone being a dark brown iron olivine, which is actually a mix of troilite and olivine. The type and composition of the worked iron of meteoric origin found in some of the Turner group of Indian mounds in the Little Miami Valley, Ohio, suggest a possible connection to this group of meteorites. Here, as well as in the Frozen North among the Eskimo and in several other instances, the iron available for early humans primarily came from meteorites.
In view of the relatively small number of meteorites that have fallen in historical times, and of the small part of the earth’s surface actually occupied by human settlements, we need scarcely be surprised at the statement that there is but one credibly recorded instance of the killing of a human being by a meteorite. This unique disaster is said to have happened at Mhow in India, and fragments of the meteorite which fell then are to be seen in museum collections. The great weight of some meteorites would have rendered them very destructive had they not fallen in the open country; the heaviest single mass actually known to have fallen, came to the ground at Knyahinya, Hungary, in 1866, and weighed 547 pounds; it buried itself 11 feet in the ground. Of course much heavier aerolites and siderites, satisfactorily recognizable as such, have been found, the 103heaviest being perhaps that at Bacubrit, Mexico, 13 feet in length with a width of 6 feet and a thickness of 5 feet; the weight of this mass is estimated to be some 50 tons. Of meteorites which have fallen in more or less close proximity to human beings, may be noted one at Tourinnes-la-Grosse, which broke the street pavement; another at Angers, which fell into a garden, near to where a lady was standing; and still another at Brunau, which passed through a cottage roof.[185]
Given the relatively small number of meteorites that have fallen throughout history and the limited areas of the earth's surface actually inhabited by people, it’s not surprising that there’s only one credible report of a human being killed by a meteorite. This rare incident reportedly occurred in Mhow, India, and pieces of the meteorite that fell during that event can be found in museum collections. The significant mass of some meteorites would have caused serious damage had they fallen in populated areas; the heaviest known meteorite fell in Knyahinya, Hungary, in 1866, weighing 547 pounds and burying itself 11 feet underground. Of course, there are much heavier meteorites, recognized as such, with the heaviest being around Bacubrit, Mexico, measuring 13 feet long, 6 feet wide, and 5 feet thick; this mass is estimated to weigh about 50 tons. Notable meteorites that have fallen in relatively close proximity to people include one at Tourinnes-la-Grosse, which broke the street pavement; another at Angers, which landed in a garden near where a woman was standing; and yet another at Brunau, which went through a cottage roof.[185]
Many other accidents caused by meteorites or what were believed to be meteorites are recorded, the credibility of some of the statements not being very convincing; others, however, appear to be quite worthy of credence. Thus the Chronicle of Ibn Alathir relates that several persons were killed by a rain of stones that fell to the earth in Africa in August, 1020 A.D.[186] In the middle of the seventeenth century the tower of a prison building in Warsaw is said to have been destroyed by a meteorite.[187] A hundred years or so before, on May 19, 1552, there was a great fall of stones, not far from Eisleben, one of which killed the favorite steed of Count Schwarzenburg, while another wounded the count’s body-physician, Dr. Mitthobius, in the foot. This was witnessed by Spangenberg, who reports it in his Saxon Chronicle; he carried off some of the stones with him to Eisleben.[188] An eight-pound stone (probably a siderite) is stated by a certain Olaf Erikson to have fallen on shipboard and killed two persons, at some time about the middle of the seventeenth century; this is rather indefinite information.[189] The most remarkable happening, however, is reported from 104Milan from the end of the seventeenth or the beginning of the eighteenth century, when a very small meteorite, weighing not quite an ounce, fell into the cloister of Santa Maria della Pace (now a cotton factory) and killed a Franciscan monk. Such was the velocity of this little stone that it penetrated deep into the monk’s body, whence it was extracted and preserved for a long time in the Collection of Count Settála. The greater part of this collection went later to the Ambrosian Library at Milan, but Chladni sought in vain there for any trace of the death-dealing meteorite.[190]
Many other incidents caused by meteorites or what were thought to be meteorites are documented, with some claims lacking credibility; however, others seem quite believable. For example, the Chronicle of Ibn Alathir tells that several people were killed by a rain of stones that fell to the earth in Africa in August, 1020 CE[186] In the mid-seventeenth century, it’s said that a meteorite destroyed a tower of a prison building in Warsaw.[187] About a hundred years earlier, on May 19, 1552, there was a significant fall of stones not far from Eisleben, one of which killed the beloved horse of Count Schwarzenburg, while another injured the count’s physician, Dr. Mitthobius, in the foot. This was witnessed by Spangenberg, who reported it in his Saxon Chronicle; he took some of the stones back with him to Eisleben.[188] An eight-pound stone (likely a siderite) is claimed by a certain Olaf Erikson to have fallen on a ship and killed two people, sometime around the mid-seventeenth century; this information is somewhat vague.[189] The most remarkable event, however, comes from Milan at the end of the seventeenth or beginning of the eighteenth century, when a very small meteorite, weighing just under an ounce, fell into the cloister of Santa Maria della Pace (now a cotton factory) and killed a Franciscan monk. The speed of this small stone was such that it penetrated deep into the monk’s body, from which it was removed and kept for a long time in the Collection of Count Settála. Most of this collection later went to the Ambrosian Library in Milan, but Chladni searched in vain for any sign of the fatal meteorite there.[190]
Among the Welsh peasants there is a belief that when a meteor falls to the earth it becomes reduced to a mass of jelly. This they name pwdre ser. The most plausible explanation offered for this fancy is that the autumn, the season when the largest number of meteors may be observed, is also the time of the year when the jelly-like masses of the plasmodium of Myxomycetes most frequently appear in the fields. A peasant who, after noting the apparent fall of a meteor, should go in search of it, might easily come across one of these lumps of plasma, and might well be induced to think that he had found all that was left of the meteor after its violent fall to the earth. Of course we have here to do with the apparent, not with the real, fall of a meteorite. In this connection it is interesting to note that the medusa, or jelly-fish, has been called a “fallen star” by sailors.[191]
Among the Welsh peasants, there’s a belief that when a meteor falls to the earth, it turns into a mass of jelly. They call this pwdre ser. The most likely explanation for this idea is that autumn, the season when we see the most meteors, is also when jelly-like masses of the plasmodium of Myxomycetes often appear in the fields. A peasant who sees a meteor falling and goes to look for it might easily find one of these blobs of plasma and think he’s discovered what was left of the meteor after its crash. Of course, this refers to the apparent, not the actual, fall of a meteorite. It’s worth noting that sailors have referred to the medusa, or jellyfish, as a “fallen star.”[191]
This Welsh fancy that meteors or “falling-stars” turned to a jelly when they struck the earth appears to have been quite general in Great Britain, and the jelly-like substance was variously named “star-slough,” “star-shoot,” “star-gelly” or “jelly,” “star-fall’n.” The Welsh pwdre ser literally means “star-rot.” As early as 1641 Sir John Suckling (1609–1642) wrote the following lines which well describe 105the way in which these gelatinous substances came to be regarded as the remains of a “fallen star”:
This Welsh belief that meteors or "falling stars" turned into a jelly when they hit the ground seems to have been pretty common in Great Britain, and the jelly-like substance was given various names like "star-slough," "star-shoot," "star-gelly," or just "jelly," "star-fall’n." The Welsh term pwdre ser literally means "star-rot." As early as 1641, Sir John Suckling (1609–1642) wrote the following lines that clearly describe how these gelatinous substances were thought to be the remnants of a "fallen star":
Sir Walter Scott also, whose familiarity with superstitions was very great, has not failed to note this one in his “Talisman,” where the hermit says: “Seek a fallen star and thou shalt only light on some foul jelly, which in shooting through the horizon has assumed an appearance of splendour.” Here the star itself is supposed to have had this gelatinous form.
Sir Walter Scott, who was very knowledgeable about superstitions, also pointed out this one in his “Talisman,” where the hermit says: “Look for a fallen star and you'll only find some ugly jelly that, while shooting through the horizon, has taken on a dazzling appearance.” Here, the star is believed to have taken on this gelatinous form.
An early writer,[192] noting this curious belief that “a white and gelatinous substance” was all that remained of a fallen star, declares that he had clearly demonstrated to the Royal Society that the mass was composed of the intestines of frogs, and had been vomited by crows, adding that his opinion had been confirmed by the testimony of other scientific men. Huxley, from a description, conjectured that the substance was nostoc, a gelatinous vegetable mass, but this seems to be somewhat doubtful. In 1744 Robert Boyle states that some of this “star-shoot” was given to a physician of his acquaintance, who “digested it in a well-stopt glass for a long time,” and then sold the liquor for a specific in the removal of wens.[193]
An early writer,[192] observing the strange belief that “a white and gelatinous substance” was all that was left of a fallen star, claimed he had clearly shown the Royal Society that the mass was made of frog intestines, which had been vomited by crows. He added that his view was supported by other scientists. Huxley speculated, based on a description, that the substance was nostoc, a gelatinous plant matter, but this is somewhat questionable. In 1744, Robert Boyle mentioned that some of this “star-shoot” was given to a doctor he knew, who “digested it in a tightly sealed glass for a long time” and then sold the liquid as a remedy for removing wens.[193]
A jelly-like mass believed by him to be the remains of a “fallen star” was found by Mr. Rufus Graves at Amherst, Mass., on August 14, 1819, and duly reported in the American Journal of Science.[194] As this gentleman was at one 106time lecturer on chemistry at Dartmouth College, his testimony is worth heeding, but there can be no doubt that while he accurately describes what he found, he was altogether mistaken in supposing that the meteor fell precisely on the spot where he discovered the gelatinous substance. As we have noted, it has recently been suggested that these “jellies” are plasmodia of forms of Myxomycetes which do not appear to have any connection with the spot whereon they rest, but seem to have fallen from the air.[195]
A jelly-like substance that he believed to be the remnants of a “fallen star” was discovered by Mr. Rufus Graves in Amherst, Massachusetts, on August 14, 1819, and was reported in the American Journal of Science.[194] Since this gentleman was once a chemistry lecturer at Dartmouth College, his account is worth considering, but there’s no doubt that while he accurately describes what he found, he was completely wrong in thinking that the meteor landed exactly where he found the gelatinous substance. As we’ve mentioned, it has recently been proposed that these “jellies” are plasmodia of certain Myxomycetes that don’t seem to be related to the location where they are found, but appear to have fallen from the sky.[195]
Falling stars are explained by the natives of Labrador and of Baffin’s Bay as being souls of the departed bound on an excursion to Hades in order to see what is going on there, while the phenomena of thunder and lightning are caused by a party of old women, who quarrel so violently over the possession of a seal that they bring the house down over their heads and shatter the lamps. These “old women” must, of course, be spirits of the upper air, not human beings.[196]
Falling stars are described by the locals of Labrador and Baffin’s Bay as the souls of the deceased on a trip to Hades to see what’s happening there, while thunder and lightning are said to be caused by a group of old women who argue so fiercely over a seal that they bring the roof down and break the lamps. These “old women” are, of course, spirits of the upper air, not ordinary people.[196]
In some Australian tribes the sorcerers, or “medicine-men,” taking advantage of the superstitious dread of falling stars common among the aborigines, pretend to have marked the spot where such a star has fallen and to have dug it up and preserved it in their medicine-bag. These supposititious “fallen stars” are sometimes quartz pebbles, and in one instance the curiosity of a European investigator was satisfied by the display of a piece of thick glass, which the sorcerer strictly maintained he had dug out of the ground wherein the star had fallen.[197]
In some Australian tribes, the sorcerers, or “medicine men,” take advantage of the superstitious fear of shooting stars that is common among the aborigines. They pretend to have marked the spot where a star has fallen and to have dug it up and kept it in their medicine bag. These imaginary “fallen stars” are sometimes just quartz pebbles, and in one case, a European researcher was shown a piece of thick glass, which the sorcerer adamantly claimed he had dug up from the ground where the star had fallen.[197]
Arrow-heads encased in silver were looked upon as the solid contents of the lightning flash, and were not only thought to protect the house in which they were kept from 107being struck by lightning, but their protective power was believed to extend to seven houses in the immediate neighborhood. An interesting example is a neolithic silex arrow-head figured by Bellucci. This has been elegantly set in silver in modern times, and comes from Pesca Costanzo, in the province of Aquila, Italy.
Arrowheads encased in silver were seen as the solid remnants of a lightning strike and were believed not only to protect the house where they were kept from being struck by lightning, but also to extend their protective power to seven nearby houses. An interesting example is a Neolithic flint arrowhead shown by Bellucci. This has been beautifully set in silver in modern times and comes from Pesca Costanzo, in the province of Aquila, Italy. 107
The Italians are convinced that if the arrow-head, or similar object, come in contact with a piece of iron, the “essence of the lightning” departs from it, revealing itself in a spark; hence they wrap it up, carefully, in skin, cloth, or paper so as to guard it from harm. Sometimes these objects are anointed with oil, a survival of the custom of making propitiatory offerings of oil. This usage in the case of sacred stones is very general, and is met with in places as remote from each other as Sweden, India and the Society Islands.[198]
The Italians believe that if the arrowhead or a similar item comes into contact with iron, the "essence of the lightning" leaves it, showing up as a spark. Because of this, they carefully wrap it in skin, cloth, or paper to protect it. Sometimes these objects are treated with oil, which is a leftover from the tradition of making offerings of oil. This practice with sacred stones is quite common and can be found in places as far apart as Sweden, India, and the Society Islands.[198]
In an Iroquois myth and legend, He-no, the god of thunder, is an object of great veneration because of the powerful aid he renders to those whom he favors. He is believed to direct the rain which shall fertilize the seed in the earth, and also to give aid to the harvesters when the fruits of the earth have ripened. While traversing the celestial vault, in his journeyings hither and thither above the surface of the globe, he bears with him an enormous basket filled with huge boulders of chert rock. These he casts at any evil spirit he may encounter, and when on occasion a spirit succeeds in avoiding such a boulder, it will fall down to the earth surrounded by fire. We have here another version of the almost universal myth of thunder-stones.[199]
In an Iroquois myth, He-no, the god of thunder, is highly respected because of the powerful help he gives to those he chooses. People believe he controls the rain that nourishes the seeds in the ground and supports the harvesters when the crops are ready. As he moves across the sky, traveling back and forth above the earth, he carries a giant basket filled with large boulders of chert rock. He throws these boulders at any evil spirit he encounters, and if a spirit manages to dodge one, it will fall to the ground surrounded by fire. This is another version of the widespread myth of thunder-stones.[199]
In treating of the flint arrow-heads of the American Indians, Adair notes that in form and material they closely 108resembled the “elf-stones” with which European peasants were wont to rub any of their cattle believed to have been “shot” by fairies or elves. A village in which one of these magic objects existed was considered to be particularly favored by fortune, as they not only served to protect the cattle from bewitchment but were equally efficacious in preserving human beings from the spells of witches.[200]
In discussing the flint arrowheads of the American Indians, Adair points out that they were similar in shape and material to the “elf-stones” that European peasants used to rub their cattle believed to have been “shot” by fairies or elves. A village with one of these magical objects was seen as especially lucky, as they not only protected the cattle from being cursed but also effectively kept people safe from witchcraft.[200]
In East Prussia, when cows are believed to have been bewitched so that their milk is under a spell, resort is had to the powers of a perforated “thunder-stone.” Such stones were ancient stone hammers with a central perforation for a handle. The stone is held beneath the cow at milking-time, and the milk is allowed to pass through the perforation.[201] By this means the spell is broken and the milk becomes harmless.
In East Prussia, when cows are thought to be under a spell that affects their milk, people use a special "thunder-stone" with a hole in it. These stones were old stone hammers with a central hole for a handle. The stone is placed underneath the cow during milking, and the milk is poured through the hole.[201] This way, the spell is lifted and the milk is restored to normal.
Such perforated stones are also used to protect a house from being struck by lightning. When a storm approaches nearer and nearer, the owner of one of these magic stones will thrust his finger through the hole, twirl the stone around three times, and then hurl it against the door of the room. When this has been done, the house is believed to be proof against lightning.[202]
Such perforated stones are also used to protect a house from being struck by lightning. When a storm gets closer, the owner of one of these magical stones will stick their finger through the hole, spin the stone around three times, and then throw it against the door of the room. After this, the house is thought to be safe from lightning.[202]
In Westphalia the stone is laid upon a table alongside of a consecrated candle, the shrewd peasants thus assuring for their houses the protection of the church as well as that of the ancient God of Thunder.[203]
In Westphalia, the stone is placed on a table next to a blessed candle, with the clever peasants securing protection for their homes from both the church and the ancient God of Thunder.[203]
Another phase of the superstition in regard to the stone axes known in many different parts of the world as thunder-stones, because they are believed to have fallen during a thunder-storm, is given by Dr. Lund in a letter written from Logoa Santa in Brazil. He states that the inhabitants rather look askance at these stones, believing that wherever they are found the lightning is apt to strike, “in order to seek its brother!”[204]
Another phase of the superstition regarding the stone axes known in many different parts of the world as thunder-stones, because they are thought to have fallen during a thunderstorm, is described by Dr. Lund in a letter written from Logoa Santa in Brazil. He mentions that the locals tend to be wary of these stones, believing that wherever they are found, lightning is likely to strike “to seek its brother!”[204]

By courtesy of the British Museum, London.
FLINT AMULETS OF THE PREDYNASTIC PERIOD, EGYPT
Thanks to the British Museum in London.
FLINT AMULETS FROM THE PREDYNASTIC PERIOD, EGYPT
109The stone implements of various forms found in the shell-heaps of Brazil are called by the natives Curiscos or “lightning-stones.” The Guaranis name them “stars fallen from heaven”; the Cajuas, “stones hurled by the thunder”; and the Coarados, “axe-stones.” A high price is paid for these by the gold-seekers in Brazil, who believe that, by attraction, they show the presence of gold beneath the surface, just as the divining-rod is supposed to be affected by the presence of water or by hidden treasures.[205]
109The stone tools of various shapes found in the shell mounds of Brazil are called by the locals Curiscos or “lightning stones.” The Guaranis refer to them as “stars that fell from the sky”; the Cajuas call them “stones thrown by the thunder”; and the Coarados name them “axe stones.” Gold seekers in Brazil pay a high price for these, believing that they can indicate the presence of gold underground, similar to how a divining rod is thought to react to water or hidden treasures.[205]
The peasants of Slavonic descent in Moravia have great faith in the virtues of the “thunder-stone.” During Passion Week the stone has the power to reveal the location of hidden treasures, and it is also believed that warts on man and horse will disappear if they be rubbed with such a stone before sunset. However, not only healing virtues are attributed, for if the stone be hurled at anyone and strikes him, it inflicts a mortal wound.[206]
The Slavic peasants in Moravia strongly believe in the power of the “thunder-stone.” During Passion Week, the stone can reveal where hidden treasures are located, and people think that warts on both humans and horses will vanish if they are rubbed with the stone before sunset. However, it’s not just for healing; if the stone is thrown at someone and hits them, it can cause a fatal injury.[206]
A poetic and appropriate name has been applied to the earliest of the chipped stone artefacts of primitive man by archæologists. They are called “Dawn Stones” (eoliths), and the name characterizes these interesting relics, the first steps in the development of sculptural art, as products of the dawn of human civilization.
A poetic and fitting name has been given to the earliest chipped stone tools used by early humans by archaeologists. They are called “Dawn Stones” (eoliths), which captures the essence of these fascinating artifacts as the initial steps in the evolution of sculptural art, representing the dawn of human civilization.
A curious survival of the adoration of stones is reported by the Earl of Roden in his “Progress of the Reformation in Ireland.”[207] A correspondent informed Lord Roden that 110in Inniskea, an island off the coast of Mayo, there was, in 1851, a stone idol called in the Irish tongue Neevougi. This was said to have been preserved and worshipped from time immemorial. The stone is described as having been wrapped in so many folds of homespun flannel that it looked like a mass of that material. This is explained by the custom of dedicating a dress of this flannel to the stone whenever its aid was sought, the garment being sewed on by an old woman who officiated as the priestess of the stone. Prayers were offered to this strange idol for the cure of diseases, as it was supposed to be endowed with extraordinary powers. A stranger petition sometimes made was that a storm might arise and wreck a ship upon the coast so that the thrifty islanders might profit by its misfortune; on the other hand, with charming inconsistency, when they wished to go a-fishing or pay a visit to the mainland, the trusty stone was expected to assure them fair weather and a calm sea.
A fascinating example of the reverence for stones is mentioned by the Earl of Roden in his “Progress of the Reformation in Ireland.” A correspondent told Lord Roden that on Inniskea, an island off the coast of Mayo, there was, in 1851, a stone idol referred to in Irish as Neevougi. This idol was said to have been preserved and worshipped for ages. The stone was described as being wrapped in so many layers of homespun flannel that it appeared to be nothing but a mass of that fabric. This was due to a custom where a dress made of the flannel was dedicated to the stone whenever its help was sought, with the garment sewn on by an elderly woman who acted as the priestess of the stone. People offered prayers to this unusual idol for healing diseases, believing it had special powers. Strangely, they sometimes asked for a storm to arise and sink a ship near the coast so that the thrifty islanders could benefit from its wreckage; yet, with charming inconsistency, when they wanted to go fishing or visit the mainland, they expected the reliable stone to ensure good weather and calm seas.
In Tavernier’s time (about 1650) many poor families living in the woods and on the hillsides in India, far from any village where there was a temple, would take a stone, probably one of a peculiar shape, and would roughly paint on it a nose and eyes in red or green color. This being done, the whole family would gather about this stone and reverently adore it as their idol.[208]
In Tavernier’s time (around 1650), many poor families living in the woods and on the hillsides in India, far from any village with a temple, would take a stone, likely one with a unique shape, and would roughly paint a nose and eyes on it in red or green. Once this was done, the whole family would gather around the stone and respectfully worship it as their idol.[208]
In certain districts in Norway, up to the end of the eighteenth century, superstitious peasants used to preserve round stones, and set them up in a conspicuous place in their houses. At Yule-tide these stones were sprinkled with fresh ale. Some of them were worshipped as divinities, and every Thursday, or oftener, they were smeared with butter, or some similar substance, before the fire. This ointment was allowed to dry on the stone, which was then returned to its 111place of honor. These ceremonies were supposed to insure the health and happiness of the household.[209]
In some areas of Norway, up until the end of the 18th century, superstitious farmers kept round stones and displayed them prominently in their homes. During the holiday season, these stones were drenched with fresh ale. Some were even revered as gods, and every Thursday, or more often, they were rubbed with butter or something similar before the fire. This ointment was allowed to dry on the stone, which was then put back in its special spot. These rituals were believed to ensure the health and happiness of the household.111

Types of ceraunia or “Thunder-stones.” From “Museum Wormianum.” Lugduni Batavorum, 1655.
Types of ceraunia or “Thunder-stones.” From “Museum Wormianum.” Lugduni Batavorum, 1655.
The fact that special ceremonies were performed in connection with these stones on Thursday, as well as the name “Thor-stones” applied to many of them, indicates that in early times they were associated with the worship of the god Thor. The so-called thunderbolts—usually flint axe-heads—are believed to have been hurled at the trolls or elves by the thunder, so that these evil-disposed spirits might be subdued and prevented from fulfilling an old saying, according to which they would desolate the earth. Originally it was Thor himself who was believed to hurl the thunderbolt.
The fact that special ceremonies were held with these stones on Thursday, along with the name “Thor-stones” given to many of them, shows that in ancient times they were connected to the worship of the god Thor. The so-called thunderbolts—usually flint axe heads—are thought to have been thrown at trolls or elves by the thunder, so that these malicious spirits could be tamed and stopped from carrying out an old saying that they would ruin the earth. Originally, it was Thor himself who was believed to throw the thunderbolt.
These stones were supposed to be endowed with wonder-working powers. When a woman was in labor, ale was allowed to drip over a stone of this kind, and was then given to the woman to drink. All through the Scandinavian countries the peasants believed that if such a stone were hung up in a house or on cattle, the trolls and other malevolent spirits would be driven away, and all spells and witchcraft would be rendered harmless.[210]
These stones were believed to have magical powers. When a woman was in labor, ale was allowed to drip over one of these stones and was then given to her to drink. Throughout the Scandinavian countries, peasants thought that if such a stone was hung up in a house or on livestock, trolls and other evil spirits would be driven away, and all spells and witchcraft would become ineffective.[210]
In Sir William Brereton’s account of his travels (1634–1635)[211] 112we read that he saw in the School of Anatomy at Leyden a stone called “Fulminis Sagitta, or the dart of the thunderbolt, about the size of your little finger.” This was either a belemnite[212] or a stone arrow-head of somewhat similar form. It bore a Latin inscription to the following effect: “Many believe that nursing children can be cured of rupture if this stone be attached to their thighs, or if they do not suffer from this complaint, they will be preserved from it.”
In Sir William Brereton’s travel account (1634–1635)[211] 112, he mentions seeing in the School of Anatomy at Leyden a stone called “Fulminis Sagitta, or the dart of the thunderbolt, about the size of your little finger.” This was likely a belemnite[212] or a stone arrowhead of a similar shape. It had a Latin inscription that stated: “Many believe that if this stone is attached to the thighs of nursing children, it can cure them of rupture, or if they don’t have this issue, they will be protected from it.”
On the ridge-beam of an Irish cottage at Portrush was found a neolithic celt of the kind believed by the peasantry to be “thunderbolts.” This celt had been placed on the roof of the cottage to protect it from being struck by lightning, a notion thoroughly in accord with the theory of sympathetic magic. In Surrey, England, a like belief is held as to the fossil belemnites, and nodules of iron pyrites such as have been found in Cretaceous formations near Cragdon are also thought to have fallen from the sky during a thunder-storm, and to possess peculiar powers in reference to the lightning.[213]
On the ridge-beam of an Irish cottage in Portrush, a neolithic celt was found, which the locals believed to be “thunderbolts.” This celt had been placed on the roof of the cottage to protect it from lightning strikes, a concept consistent with the idea of sympathetic magic. In Surrey, England, a similar belief exists concerning fossil belemnites, and nodules of iron pyrites found in Cretaceous formations near Cragdon are also thought to have fallen from the sky during thunderstorms and to have special powers related to lightning.[213]
In Ireland the prehistoric stone arrow-head is believed to have been shot at man or beast by the fairies. Should an old woman be so lucky as to find one she will become highly honored in her village, and it is used as a cure for diseases produced by the wiles of evil spirits. To effect a cure, the saigead (“arrow”) must be placed in water, which is then given to the sick person to drink.[214] Cows which have been wounded by the “fairy-darts” are also made to drink of this 113water. The Irish peasants wore the stone arrow-heads, set in silver, as amulets for protection against injury from like weapons at the hands of the fairies. Similar superstitions exist in the North of England.[215] Nilsson believes that the “elf-shots” (the arrow-points or axe-points) of the Irish peasantry are identical with the “Lap-shots” of the Swedish peasantry. These stones were thought to have belonged to the Laplanders, the “black elves” of the Edda, and were therefore used as a protection against the witcheries of these elves. The idea that the substance or thing that has caused an injury can effect a cure of this injury, appears in the Edda.[216]
In Ireland, it’s believed that prehistoric stone arrowheads were shot at people or animals by fairies. If an old woman happens to find one, she becomes highly respected in her village, and it’s used as a remedy for illnesses caused by evil spirits. To cure someone, the saigead (“arrow”) must be placed in water, which is then given to the sick person to drink.[214] Cows that have been hit by these “fairy darts” are also made to drink this water. The Irish peasants wore stone arrowheads set in silver as amulets to protect themselves from harm by similar weapons from the fairies. Similar beliefs can be found in Northern England.[215] Nilsson believes that the “elf shots” (the arrowheads or axe heads) of the Irish peasants are the same as the “Lap shots” of the Swedish peasantry. These stones were thought to belong to the Laplanders, the “black elves” of the Edda, and were therefore used to ward off the magic of these elves. The idea that the thing causing an injury can also heal that same injury appears in the Edda.[216]
The shepherds in the French Alps value the “thunder-stones” (peyros de tron) very highly. They are handed down from father to son as precious heirlooms, and when the flocks are driven to the pasturage, one of these wonder-working stones is embedded in a tuft of wool on the back of the bell-wether; this is supposed to serve as a protection for the whole flock.[217] In Spain the peasants call these stones piedros del rayo, or “lightning-stones.”[218]
The shepherds in the French Alps highly value the “thunder-stones” (Peyros of Tron). They are passed down from father to son as treasured heirlooms. When the flocks are taken to the pastures, one of these magical stones is placed in a tuft of wool on the back of the lead sheep; it is believed to protect the entire flock.[217] In Spain, the farmers refer to these stones as lightning stones, or “lightning-stones.”[218]
The names bestowed on such prehistoric stone implements by the inhabitants of the Malay Archipelago, of Java and Sumatra, all indicate that they are believed to have fallen from the sky. In Malacca they are called batu gontur, “lightning-stones,” and in Sumatra we have the name anakpitas, “child of the lightning.” In the island of Nias, near Sumatra, they are worn as amulets on the head or attached to the sword. The Watubela islanders denominate them “teeth of the thunder,” a name which suggests the appellation glossopetra (“stone-tongue”), and like this is evidently 114derived from the form of certain of these prehistoric celts.[219]
The names given to these prehistoric stone tools by the people of the Malay Archipelago, including Java and Sumatra, all suggest that they are thought to have come from the sky. In Malacca, they are referred to as batu gontur, meaning “lightning-stones,” and in Sumatra, they are called anakpitas, which translates to “child of the lightning.” On the island of Nias, near Sumatra, people wear them as amulets on their heads or attach them to their swords. The Watubela islanders call them “teeth of the thunder,” a name that hints at the term glossopetra (“stone-tongue”), which, like this, is clearly derived from the shape of some of these prehistoric celts.114
The Burmans have given the highly poetic name of “rainbow-disease” to the disorder known to us as appendicitis, and they use the axe-heads and other pointed or sharpened arrow-heads of the Stone Age for the cure of this malady, stroking the region affected with one of these implements. The natives share in the delusion almost universal among primitive peoples, that these stone implements have fallen from the sky during thunder-storms, and that they partake of the nature of thunderbolts; hence they are supposed to destroy the rainbow-disease, as the approach of heavy storm clouds, charged with lightning, darken the sun and put an end to the beautiful natural phenomenon.
The Burmans have given the poetic name "rainbow disease" to what we know as appendicitis. They use Stone Age axe heads and other pointed or sharpened arrowheads to treat this condition, stroking the affected area with one of these tools. The locals share a common belief found among many primitive cultures that these stone tools fell from the sky during thunderstorms and are considered to be like thunderbolts; therefore, they are believed to cure rainbow disease, just as the arrival of dark storm clouds full of lightning obscures the sun and ends the beautiful natural phenomenon.
In the island of Mindanao, one of the Philippine group, the heathen Manobos called the thunder the “speech of the lightning,” and regarded the latter as a kind of wild animal, so that whenever the lightning struck the earth or a tree they believed that the animal had buried its teeth in the spot. They therefore looked upon any stone implement found there as one of these teeth.[220]
In the island of Mindanao, part of the Philippines, the non-Christian Manobos referred to thunder as the “voice of the lightning” and saw lightning as a sort of wild animal. So whenever lightning hit the ground or a tree, they believed that the animal had bitten into that spot. As a result, they considered any stone tool found there to be one of these teeth.[220]
The ancient stone hammers found in Japan are called rai fu seki, “thunderbolts,” or tengu no masakari, “battle-axes of Tengu,” the warder of the heavens. Other stone implements bear the name “fox-axes,” or “fox-planes.” These peculiar designations are employed because the fox is a symbol of the devil, and the stone axes are regarded as weapons of the devil. Of course this in no wise prevents their use as amulets or medicinally; indeed, their powder is thought to be an especially effective remedy for boils and ulcers. Many such stones may be seen in the temples, where 115they are carefully preserved and shown to the pilgrims who visit the different shrines.[221]
The ancient stone hammers found in Japan are called rai fu seki, “thunderbolts,” or tengu no masakari, “battle-axes of Tengu,” the guardian of the heavens. Other stone tools are known as “fox-axes” or “fox-planes.” These unusual names are used because the fox symbolizes the devil, and the stone axes are seen as devil’s weapons. However, this doesn’t stop them from being used as amulets or for medicinal purposes; in fact, their powder is believed to be especially effective for treating boils and ulcers. Many of these stones can be seen in the temples, where they are carefully preserved and shown to the pilgrims who visit the various shrines.115[221]
Even at the present day, the superstitious belief in the magic properties of the prehistoric stone implements still survives among some of the Scandinavian peasants. They believe that these offer protection against lightning, and they are very unwilling to part with them. In some regions the stone axes or arrow-heads are supposed to afford protection against lightning, and they are occasionally used to relieve the pangs of childbirth. In the latter case they are placed in the bed of the suffering woman. Another curious use to which they are put is as a cure for an eruptive disease of children. Here the flint is struck sharply with a piece of steel, so that the sparks fall upon the child’s head.[222] This gives us an added proof of the association of these stone axes, etc., with fire and with the lightning flash.
Even today, some Scandinavian farmers still hold superstitious beliefs about the magical properties of ancient stone tools. They think these tools can protect against lightning and are often reluctant to part with them. In some areas, stone axes or arrowheads are believed to shield against lightning, and they are sometimes used to ease the pain of childbirth. In this case, they are placed in the bed of the woman in labor. Another interesting use is as a remedy for children's skin diseases. Here, the flint is struck sharply with a piece of steel to let sparks fall onto the child's head.[222] This further reinforces the connection between these stone tools and both fire and lightning.
The Burmese celts or stone hatchets are frequently of jade and differ from those usually met with in Europe and India, in that they are provided with a chisel-edge instead of a double-sloped cutting edge. An interesting account of the superstitions connected with these implements is given by Mr. Theobald,[223] from whom we quote the following passage. It will be noted that the Burmese ideas are in almost exact accord with those current in Europe.
The Burmese celts or stone hatchets are often made of jade and are different from those commonly found in Europe and India, as they have a chisel edge instead of a double-sloped cutting edge. Mr. Theobald provides an interesting account of the superstitions associated with these tools,[223] from which we quote the following passage. It's noteworthy that the beliefs in Burma are almost identical to those found in Europe.
The Burmese call these implements mo-jio, thunder-chain or thunderbolt, and believe that they descend with the lightning flash, and, after penetrating the earth, work their way back by degrees to the surface, where they are found scattered about the fields among the lower hills, usually after rain, or on removing the crops. The true mo-jio is supposed to possess many occult virtues, and it is not common to find one which does not show signs of having been chipped or scraped for medicinal purposes.
The Burmese refer to these tools as mo-jio, meaning thunder-chain or thunderbolt. They believe that these objects come down with a flash of lightning and, after burrowing into the ground, gradually make their way back to the surface, often appearing scattered across fields in the lower hills, usually after it rains or when crops are harvested. The genuine mo-jio is thought to have many hidden powers, and it's rare to find one that doesn't show evidence of having been chipped or scraped for medicinal uses.
116One of the chief virtues of the mo-jio is to render the person of the wearer invulnerable; and many an unlucky mo-jio has succumbed to the popular test, which is to wrap it in a cloth and fire a bullet at it at short range. If the man misses the cloth, the authenticity and power of the charm is at once established; if the stone is fractured it is held not to be a real mo-jio.
116One of the main benefits of the mo-jio is that it makes the person wearing it invulnerable; and many a poor mo-jio has failed the popular test, which involves wrapping it in a cloth and shooting a bullet at it from a close distance. If the person misses the cloth, the authenticity and power of the charm are immediately confirmed; if the stone breaks, it is considered not to be a genuine mo-jio.
Fire will not consume a house which contains one, though I never heard of this ordeal being attempted. Last but not least is the known fact that the owner of a real mo-jio can cut a rainbow in half with it.
Fire will not destroy a house that has one, though I’ve never heard of anyone trying this test. Last but not least is the well-known fact that the owner of a real mo-jio can cut a rainbow in half with it.
Certain recent happenings have suggested that the name “aviator-stone” would be a peculiarly appropriate designation for meteorites, and indeed this new name would only serve to emphasize the legendary belief, that he who bore with him a meteorite when he was in deadly peril would escape all injury. By a strange coincidence those who are willing to take great risks and chances are generally more or less superstitious regarding small things, and a daring aviator recently remarked that on one occasion, when his machine had suddenly fallen fifty feet, he felt for his tie and said to himself: “This accident has happened because I forgot to put on my opal pin, but I have been saved from injury because I carried a meteorite.” This aviator, having mentioned the incident to Harmon, a few minutes before the latter made his successful attempt to win the Doubleday-Page aviation prize, Harmon immediately took the meteorite which had been shown to him, saying: “Let me have it.” He accomplished his task, and although both the competing machines were injured, the aviators themselves were saved.
Certain recent events have suggested that the name “aviator-stone” would be an oddly fitting term for meteorites, and indeed this new name would only highlight the legendary belief that anyone who carried a meteorite while in serious danger would escape unhurt. Strangely, those who are willing to take great risks often tend to be somewhat superstitious about small things, and a daring aviator recently noted that on one occasion, when his aircraft suddenly dropped fifty feet, he felt for his tie and told himself, “This accident happened because I forgot to wear my opal pin, but I’m safe because I had a meteorite with me.” After sharing this incident with Harmon just minutes before Harmon made his successful attempt to win the Doubleday-Page aviation prize, Harmon immediately took the meteorite that had been shown to him, saying, “Let me have it.” He completed his task, and although both competing aircraft were damaged, the aviators themselves came out unharmed.
A meteorite, of course, cannot be claimed to be a preventive of danger on all occasions, but several who have always carried them have seemed to escape all sorts of harm. Some years ago a meteorite was given to Edward Heron Allen, the famous writer on palmistry and the violin, and this gifted man always wore it about him. One morning he awakened to find that the entire roof above him had fallen 117in, except just that portion over his bed. He told the story to one of the best known ladies in Boston; one who is known for her public spirit, her love of art and her faultless manner of entertaining. This lady successfully urged Allen to give her the meteorite. A few days later, while out driving, a great truck with two runaway horses attached to it struck her carriage. Instinctively she raised her muff to protect her face; the muff was almost cut in two, but the lady was not hurt. A few days later, while she was walking under some scaffolding, it fell, and the open part where the hoists went up proved to be just where she stood. Although surrounded by ruin, she remained unharmed.
A meteorite can’t be said to prevent danger all the time, but several people who have always carried one seem to escape various kinds of harm. A few years ago, Edward Heron Allen, the famous writer on palmistry and the violin, was given a meteorite, and he always kept it with him. One morning, he woke up to find that the entire roof above him had collapsed, except for the part directly over his bed. He shared this story with one of the most well-known ladies in Boston, recognized for her civic engagement, love of art, and impeccable hosting skills. This lady convinced Allen to give her the meteorite. A few days later, while she was out driving, a large truck hit her carriage, pulled by two runaway horses. Instinctively, she raised her muff to shield her face; the muff was nearly torn in half, but she came out uninjured. A few days after that, while walking under some scaffolding, it collapsed, and the open space where the hoists went up was exactly where she had been standing. Despite being surrounded by debris, she remained safe. 117
III
Healing Stones

In his commentary on Theophrastus, Sir John Hill touches upon the question of the medicinal virtues of precious stones. His researches regarding the causes and conditions determining color in stones, led him to the conjecture that the active principle, if it really existed, was to be sought in the coloring matter. As the opinion of a very clever student in his day, his words will bear quotation:[224]
In his commentary on Theophrastus, Sir John Hill discusses the medicinal properties of precious stones. His research into what causes and influences the colors in stones led him to believe that if there is an active principle, it should be found in the coloring agents. As a respected scholar of his time, his words are worth quoting:[224]
The greatest part of these [medicinal virtues] cannot but be seen at first view to be altogether imaginary; and as to the virtues of the Gems in general, it is now the reigning Opinion, that they are nearly all so, their greatest Friends allowing them no other than those of the common alkaline Absorbents. However, whether the metalline Particles, to which they owe their Colours, are, in either Quantity or Quality, in Condition to have any effect in the Body, is a Matter worthy of a strict and regular Tryal; and that would at once decide the Question between us and the Antients, and shew whether we have been too rash, or they too superstitious.
The main part of these [medicinal virtues] seems, at first glance, completely imaginary. As for the properties of Gems in general, the current belief is that they are mostly fictitious, with even their biggest supporters agreeing they only have the qualities of regular alkaline absorbents. However, whether the metallic particles that give them their colors are capable, in terms of either quantity or quality, of having any effect on the body is a question that deserves careful and thorough testing. This would immediately clarify the debate between us and the ancients, revealing whether we’ve been too hasty or they’ve been too superstitious.
The so-called “doctrine of signatures” treated of the marks set by nature upon certain objects to denote their usefulness in the cure of diseases affecting different parts of the body, or their power to neutralize the effects of the bites of certain animals or reptiles. Of this theory Martius says that the “signatures” are not to be sought in a fanciful resemblance to the form of the objects with the diseased parts of the human body, but rather in the color, odor, taste, composition, etc., of the objects.[225]
The so-called “doctrine of signatures” discussed the marks that nature places on certain objects to indicate their usefulness in healing diseases affecting different parts of the body, or their ability to counteract the effects of bites from certain animals or reptiles. Martius suggests that the “signatures” shouldn’t be looked for in a fanciful resemblance between the objects and the affected parts of the human body, but rather in the color, smell, taste, composition, and so on, of the objects.[225]
119Medieval medical literature has no more interesting example than the treatise entitled “Thesaurus Pauperum,” or the “Poor-man’s Treasury,” written by Petrus Hispanus, who later reigned for a brief period as pope under the name of John XXI (1276–1277). The birthplace of the author was Lisbon in Portugal, and he studied for some time at the University of Paris, where his learning earned him high praise. Prior to his election as pope, he served for a time as first physician to Pope Gregory X (1271–1276). Most of the remedies prescribed in this little treatise are naturally such as had long been popular among the peasantry, and the ingredients of which could easily be secured; vegetable growths, plants, herbs and flowers, and certain parts of the more common animals, served here, as in Pliny’s day and earlier still, as those most highly favored. Of the comparatively few mineral substances whose use is recommended may be noted the red variety of chelidonius or “swallow-stone,” for the cure of epilepsy; the powder of the “iris” (probably an iridescent variety of quartz) was also a cure for epileptics. Then we find, strange to say, a recommendation of such costly remedial agencies as emerald and sapphire, either of which if touched on the eye would heal diseases of that organ. Cold stones placed on the temples and tightly bound on were said to arrest bleeding from the nose, and coral was a great help in syncope. For stone in the bladder two mineral substances, “humus” and “songie,” are warmly recommended (the former can scarcely be held to signify mere “soil”), as are also “stones found in the gizzards of cocks” (the alectorius) and those from the bladders of hogs. All these were to be reduced to powder, dissolved in liquid, and taken in the form of potions. The use of stones and coral rather as amulets or talismans than as remedies is occasionally mentioned. Thus the loadstone, if worn, is said to remove discord between man and woman; 120coral, if kept in the house, destroyed all evil influences, and if a woman wore touching her skin a concretion taken from the stomach of a she-goat that had not had young, this woman would never bear a child.[226]
119Medieval medical literature features an intriguing example in the treatise titled “Thesaurus Pauperum,” or the “Poor-man’s Treasury,” written by Petrus Hispanus, who later served briefly as pope under the name John XXI (1276–1277). The author was born in Lisbon, Portugal, and studied for a time at the University of Paris, where he received considerable acclaim for his knowledge. Before becoming pope, he was the first physician to Pope Gregory X (1271–1276). Most of the remedies suggested in this small treatise are those that had long been popular among the common people, with ingredients that were readily available; plants, herbs, flowers, and parts of common animals were favored, just as they were in the times of Pliny and earlier. Among the few mineral substances recommended is the red variety of chelidonius or “swallow-stone,” used to treat epilepsy; the powder of “iris” (likely a colorful type of quartz) was also a remedy for epilepsy. Interestingly, there’s a recommendation for costly remedies like emeralds and sapphires, which, if touched to the eye, would heal eye diseases. Cold stones placed on the temples and tightly bound were believed to stop nosebleeds, and coral was said to greatly assist with fainting. For bladder stones, two mineral substances, “humus” and “songie,” are highly recommended (the former can hardly mean just “soil”), along with “stones found in the gizzards of cocks” (the alectorius) and those from the bladders of pigs. All of these should be ground into powder, dissolved in liquid, and consumed as potions. The use of stones and coral as protective amulets or talismans is also noted at times. For example, the loadstone, when worn, is said to eliminate conflict between men and women; 120coral, if kept in the house, was believed to ward off all negative influences, and if a woman wore a concretion taken from the stomach of a she-goat that had never given birth, she would never have children.[226]
The curious old medical treatise in verse called the “Schola Salernitana,” was translated into English by Sir James Harington in 1607. The following lines give advice that is as appropriate to the conditions of our own age as to those of any other:[227]
The interesting old medical guide in verse known as the “Schola Salernitana” was translated into English by Sir James Harington in 1607. The following lines offer advice that is just as relevant to our times as it was in the past:[227]
Whether with or without intention, the translator has omitted to render the qualification given in the original: “Si tibi deficiant medici” (if other doctors are lacking).
Whether intentionally or not, the translator has failed to include the qualification from the original: “Si tibi deficiant medici” (if other doctors are lacking).
The terrible plague known as the Black Death is said to have claimed 13,000,000 victims in Europe in the years 1347 and 1348. A contemporary, Olivier de la Haye, in a poem describing this fearful visitation, gives a number of recipes used, or to be used as remedies. In one of these there appear as ingredients pearls, jargoons, emeralds and coral, one-sixth of a drachm of each of these materials entering into the composition of the prescription.[228] The symptoms of this form of the plague, as described by the old writers, are said to resemble closely those of the disease that was prevalent not long ago in some parts of Asia, especially in northern China and Manchuria.
The terrible plague known as the Black Death is said to have claimed 13,000,000 victims in Europe in the years 1347 and 1348. A contemporary, Olivier de la Haye, in a poem describing this dreadful event, lists several recipes used, or intended to be used, as remedies. One of these includes pearls, jargoons, emeralds, and coral, with one-sixth of a drachm of each material making up the prescription.[228] The symptoms of this version of the plague, as described by earlier writers, are said to closely resemble those of the disease that was recently common in some areas of Asia, particularly in northern China and Manchuria.
A famous class of medical remedies used in medieval 121times bore the generic name theriaca, or theriac, this designation being derived from the Greek therion, signifying a beast, more specifically a poisonous animal and hence also a serpent. These preparations were primarily antidotes for poison, but were also freely administered for any form of “blood-poisoning,” for malarial infection, malignant fevers and the like. Principal ingredients were the “Armenian stone” (a friable, blue carbonate of copper), pearls, charred stag’s-horn, and coral. The Veronese physician, Francesco India, confidently affirms that this remedy not only cured the plague, but also protected those who had partaken of it from contracting the disease; this was said to be more especially true of the theriaca Andromachi, or Venice treacle as it was popularly called, which purported to be the invention of a Roman or Greek physician, Andromachus, who composed some medical poems dedicated to Cæsar.[229]
A well-known category of medical remedies used in medieval times was called theriaca, or theriac, a name that comes from the Greek word therion, meaning a beast, specifically a poisonous creature like a serpent. These preparations were mainly antidotes for poison but were also commonly used for any type of “blood-poisoning,” malarial infections, severe fevers, and similar conditions. Key ingredients included “Armenian stone” (a soft, blue copper carbonate), pearls, charred stag’s horn, and coral. The Veronese physician, Francesco India, confidently claimed that this remedy not only cured the plague but also protected those who took it from getting the disease; this was particularly believed to be true for the theriaca Andromachi, or Venice treacle as it was popularly known, which was supposedly developed by a Roman or Greek physician, Andromachus, who wrote some medical poems dedicated to Caesar.[229]
In medieval Bohemia the knowledge of precious stones and their employment for curative purposes is well attested. There exists a Bohemian manuscript list of precious stones dated in 1391, in which no less than 55 different gems are noted. Their medicinal use in Bohemia at this time is vouched for by the Synonima Apothecariorum where precious stones are listed among the materials of the apothecaries’ art.[230]
In medieval Bohemia, the understanding of precious stones and their use for healing purposes is well documented. There is a Bohemian manuscript from 1391 that lists no fewer than 55 different gems. The medicinal use of these stones in Bohemia during this period is confirmed by the Synonima Apothecariorum, where precious stones are included among the materials used in the apothecaries’ craft. [230]
In the testaments of royal and princely personages, medical stones are often bestowed as precious legacies. Thus in the will of the Hessian prince, Henry VIII of Fürstenberg, the following stones are mentioned as especially costly objects: a “crabstone” (Krebstein), a bloodstone, and a gravel-stone, the latter being a piece of jade or nephrite.[231] The crabstone, sometimes called crab’s-eye, is a chalky concretion which forms on either side of the stomach 122of a crab or other crustacean during the moulting period, and this was and is still used as an eye-stone for the removing of foreign bodies that have entered the eye, the eye-stone being introduced under the eyelid. This results in a rapid flow from the tear-ducts which often washes away the foreign bodies, the passage of the stone across the eyeball occasionally aiding in the work by rubbing off the body.
In the wills of royal and noble figures, medical stones are often given as valuable legacies. For example, in the will of the Hessian prince, Henry VIII of Fürstenberg, the following stones are listed as especially valuable: a “crabstone,” a bloodstone, and a gravel-stone, the latter being a piece of jade or nephrite.[231] The crabstone, sometimes known as crab’s-eye, is a chalky formation found on either side of the stomach of a crab or other crustacean during the molting period. It has been and continues to be used as an eye stone to remove foreign objects that have entered the eye, with the stone being placed under the eyelid. This causes rapid tearing, which often flushes out the foreign objects, and the stone's movement across the eyeball can help dislodge the object.

Interior of fifteenth century pharmacy. From Johannis de Cuba’s “Ortus Sanitatis”, Strassburg, 1483.
Interior of a 15th-century pharmacy. From Johannis de Cuba’s “Ortus Sanitatis,” Strasbourg, 1483.

THE “ORTUS SANITATIS” OF JOHANNIS DE CUBA, PUBLISHED AT STRASSBURG IN 1483.
The woodcut depicts Adam and Eve beneath the “Tree of Knowledge.”
THE “ORTUS SANITATIS” OF JOHANNIS DE CUBA, PUBLISHED AT STRASSBURG IN 1483.
The woodcut shows Adam and Eve under the “Tree of Knowledge.”
123In the sixteenth century sapphires, emeralds, rubies, garnets, jacinths, coral and sardonyxes were used in all tonics prescribed to protect the heart against the effects of poison and of the plague. As it was noted that these remedies were frequently ineffectual, an explanation was sought in the fact that spurious stones were often used, the apothecaries either not having the knowledge to recognize the genuine stones, or being moved by a desire to profit by the substitution of some inferior substance. Hence physicians were warned to be on their guard against such deceptions, and only to employ thoroughly trustworthy apothecaries for the compounding of their prescriptions. A substitution frequently made was that of the so-called yellow chrysoprase (cerogate), a stained chalcedony, for the jacinth, although the true jacinth of the ancients was of the color of the amethyst. The grinding of coral in a brass mortar, instead of in one of marble, was also regarded as a very dangerous proceeding, which would have the worst possible results for the unlucky patient who took the powder, for some particles of the brass might be rubbed away and mix with the coral. This was said to have often produced very serious illness.[232]
123In the sixteenth century, sapphires, emeralds, rubies, garnets, jacinths, coral, and sardonyxes were included in all tonics prescribed to protect the heart from poisons and the plague. It was observed that these remedies often didn't work, leading to the conclusion that fake stones were frequently used. Apothecaries either lacked the knowledge to identify the real stones or were tempted to profit by substituting them with inferior materials. As a result, physicians were advised to be cautious of such tricks and to only work with completely reliable apothecaries for their prescriptions. One common substitution was using the so-called yellow chrysoprase (cerogate), a stained chalcedony, instead of jacinth, even though the true jacinth from ancient times was the color of amethyst. Grinding coral in a brass mortar instead of a marble one was also considered very risky. It could lead to terrible consequences for the unfortunate patient who ingested the powder, as some brass particles might wear off and mix with the coral. This was said to have often caused serious illness.[232]
In a price-list of a firm of German druggists, printed in 1757, all the precious stones still appear. Here the cost of a pound of rock-crystal is six groschen ($.18); the same quantity of emerald was priced at eight groschen ($.25), while the pound of sapphire was quoted at sixteen groschen ($.50), of ruby at one thaler ($.75), and of lapis lazuli at five thalers ($3.75). This indicates quite clearly the quality of the emerald, sapphire and ruby offered for sale. A pound of Oriental bezoar commanded the highest price, sixteen thalers ($12).[233]
In a price list from a German pharmacy printed in 1757, all the precious stones are still listed. Here, a pound of rock crystal costs six groschen ($0.18); the same amount of emerald is priced at eight groschen ($0.25), while a pound of sapphire is quoted at sixteen groschen ($0.50), ruby at one thaler ($0.75), and lapis lazuli at five thalers ($3.75). This clearly indicates the quality of the emerald, sapphire, and ruby available for sale. A pound of Oriental bezoar commanded the highest price, at sixteen thalers ($12).[233]
124Regarding the length of time during which various preparations retained their strength, Braunfels[234] states that, according to the opinion of the Arabian physicians, the solution of lapis Armenus lasted for ten years, while that of lapis lazuli could be preserved only about three years. A list of the indispensable materials which should be in every good pharmacy included the following precious stones:
124Concerning how long different preparations kept their potency, Braunfels[234] mentions that, according to Arabian doctors, a solution of lapis Armenus lasted for ten years, while the solution of lapis lazuli could only be kept for about three years. A list of essential materials that should be in every good pharmacy included the following precious stones:
The supposed medicinal properties of precious stones are subjected to a searching criticism by the Veronese physician, Francesco India, writing in 1593.[235] After establishing the distinction between alimentary and medicinal substances, he proceeds to exclude from the latter category the jacinth, emerald, sapphire, etc., because although they could be reduced to a powder, they could not be dissolved, so that when taken in a potion they could be absorbed in the human system.[236] Hence no such effects could properly be ascribed to them as were to be expected from the regular and normal medicinal agencies. This writer ascribes the original use of such stones as remedies for malignant fevers and other dangerous diseases to the Arabs, adding that “had they not made this mistake and thus led many physicians into error, they would have been better worthy of praise.”[234] In fact he does not hesitate to pronounce the emphatic opinion that these stones are not remedial agents fit to be 125administered or used by any rational physician.[237] That powdered hematite (red oxide of iron) possesses an astringent quality and may really be looked upon as a medicine, he fully recognizes, more particularly its efficacy for the cure of diseases of the eye, but neither these nor similar qualities can be credited to sapphires, emeralds, or jacinths. At the same time he is not disposed to deny that these stones may have some subtle effect upon the body when worn, or when held in the mouth for a time. Thus he agrees with Avicenna (Ben Sina) that a jacinth worn over the heart may strengthen that organ, for he knows of the power inherent in jasper to check a hemorrhage. In a word his argument is principally directed against the internal use of powders made from these hard and unassimilable stones.[238]
The supposed healing properties of precious stones are thoroughly critiqued by the Veronese physician, Francesco India, in 1593.[235] After distinguishing between food and medicinal substances, he goes on to exclude stones like jacinth, emerald, and sapphire from the medicinal category. Although these stones can be ground into powder, they cannot be dissolved, meaning that when taken in a potion, they can't be absorbed into the human system.[236] Therefore, any effects attributed to them cannot match the expected impacts of standard medicinal treatments. He credits the original use of such stones as treatments for malignant fevers and other serious diseases to the Arabs, adding that “if they hadn't made this mistake and misguided many physicians, they would deserve more praise.”[234] He emphatically states that these stones are not effective remedies that any rational physician should use or prescribe.[237] He acknowledges that powdered hematite (red oxide of iron) has an astringent quality and can be considered a medicine, especially for eye diseases, but neither this nor any similar qualities can be attributed to sapphires, emeralds, or jacinths. However, he doesn’t deny that these stones might have some subtle effects on the body when worn or held in the mouth for a while. He agrees with Avicenna (Ben Sina) that wearing a jacinth over the heart may strengthen that organ, as he is aware of jasper's ability to stop bleeding. In short, his critique mainly targets the internal use of powders made from these hard and unassimilable stones.[238]
Robert Boyle, writing in 1663, attempts to show that the theory of the therapeutic action of precious stones is not incompatible with observed facts. In this connection he says:[239]
Robert Boyle, writing in 1663, tries to demonstrate that the belief in the healing properties of precious stones aligns with the facts we observe. In this context, he states:[239]
I am not altogether of their mind, that absolutely reject the internal use of Leaf-Gold, Rubies, Saphyrs, Emeralds, and other Gems, as things that are unconquerable by the heat of the stomach. For as there are rich Patients that may, without much inconvenience, goe to the price of the dearest Medicines; so I think the Stomach acts not on Medicines barely upon the account of its heat, but is endowed with a subtle dissolvent (whence never it hath it) by which it may perform divers things not to be done by so languid a heat. And I have, with Liquors of differing sorts, easily drawn from Vegetable Substances, and perhaps unrectified, sometimes dissolved, and sometimes drawn Tinctures from Gems, and that in the cold.... But that which I chiefly consider on this occasion is, that ’tis one thing to make it probable, that is, possible, Gold, Rubies, Saphyrs, etc., may be wrought upon by humane Stomach; and another thing to shew both that they are wont to be so, and that they are actually endowed with those particular 126and specifick Virtues that are ascribed to them; nay and (over and above) that these Virtues are such and so eminent, that they considerably surpass those of cheaper Simples. And I think, that in Prescriptions made for the poorer sort of Patients, a Physician may well substitute cheaper Ingredients in the place of these precious ones, whose Virtues are no half so unquestionable as their Dearnesse.
I don't completely agree with those who completely dismiss the internal use of leaf gold, rubies, sapphires, emeralds, and other gems, claiming that they can’t be broken down by stomach heat. Just as there are wealthy patients who can afford the most expensive medicines without much trouble, I believe the stomach doesn’t just rely on heat to act on medicines; it also has a subtle dissolving ability that allows it to do things that mere heat alone can’t achieve. I have easily extracted substances from various plant sources and sometimes even from gems, whether unprocessed or sometimes dissolved, and that was done at cold temperatures. But what I mostly want to emphasize here is that it’s one thing to suggest that it’s possible for the human stomach to process gold, rubies, sapphires, etc., and it’s another thing to prove that this actually happens and that they possess the specific properties attributed to them. Furthermore, these properties should be so extraordinary that they far exceed those of cheaper substances. I think that when prescribing for poorer patients, a physician could justifiably replace these expensive ingredients with cheaper alternatives, which have virtues that aren't nearly as questionable as their high prices.
Whether the somewhat mysterious illness and death of the popes Leo IV and Paul II could have been caused by the great quantity of pearls and precious stones they were in the habit of wearing was a question seriously discussed by Johann Wolff, the supposed lethal effect being attributed to the coldness of such objects.[240] Indeed, the frigidity of precious stones was adduced by certain writers as one of the chief reasons for their remedial use in fevers.[241]
Whether the somewhat mysterious illness and death of popes Leo IV and Paul II might have been caused by the large number of pearls and precious stones they usually wore was a topic seriously debated by Johann Wolff, who suggested that the coldness of these items could be harmful.[240] In fact, some writers pointed to the coldness of precious stones as one of the main reasons for their use in treating fevers.[241]
Not only to King Frederick III of Denmark himself, to whom on his death-bed in 1670, a dose of pulverized bezoar was administered, but to his queen and their children such remedies were given, there being record that on September 19, 1663, a prescription containing red coral and pearl-powder was compounded by the Court Pharmacy for the queen, while a few years earlier the inevitable bezoar and also a tonic pearl-milk were administered to some of the royal offspring.[242]
Not only to King Frederick III of Denmark himself, to whom a dose of powdered bezoar was given on his deathbed in 1670, but also to his queen and their children, such remedies were provided. There is a record that on September 19, 1663, the Court Pharmacy prepared a prescription containing red coral and pearl powder for the queen, while a few years prior, the unavoidable bezoar and a tonic made from pearl milk were given to some of the royal children.[242]

FAMOUS PEARL NECKLACE OF THE UNFORTUNATE EMPRESS CARLOTTA, WIDOW OF EMPEROR MAXIMILIAN OF MEXICO.
FAMOUS PEARL NECKLACE OF THE UNLUCKY EMPRESS CARLOTTA, WIDOW OF EMPEROR MAXIMILIAN OF MEXICO.
127Some interesting details as to the use of precious stone remedies for the cure of illness appear in the manuscript notes of lectures given at the Leyden Hospital by the seventeenth century physician, Lucas Schacht, in 1674 and 1675.[243] This shows that these remedial agents were there and at that time only used as a last resort, when the patient’s condition had become desperate, and the physician is usually obliged to record the fact that death ensued shortly afterwards. Thus we are told of the case of a certain Ludovicus Carels who was suffering from difficulty of breathing and purulent expectoration; his body was so distended that he could scarcely move his limbs, and he also had a severe diarrhœa. This was his condition on November 12, 1674, and the symptoms steadily grew worse under a treatment of herb decoctions, until a few days later, on November 21, it is noted that “he only thinks of death.” Still the doctors waited until November 24 before they decided to administer a compound remedy consisting in part of the elixirs of jacinth and pearl; three days later the patient died. In general the chief symptoms which justified the use of such remedies were those of high fever or great weakness.
127Some interesting details about the use of precious stone remedies for treating illness come from the lecture notes of the seventeenth-century physician, Lucas Schacht, at the Leyden Hospital in 1674 and 1675.[243] This indicates that these remedies were typically used only as a last resort when a patient's condition became desperate, often resulting in a note that death occurred shortly afterward. For instance, there's the case of Ludovicus Carels, who had trouble breathing and was coughing up pus; his body was so swollen that he could barely move, and he also suffered from severe diarrhea. This was his state on November 12, 1674, and his symptoms continued to worsen despite treatment with herbal decoctions, until a few days later, on November 21, it was noted that “he only thinks of death.” Yet, the doctors waited until November 24 to give him a mixed remedy that included jacinth and pearl elixirs; three days later, the patient died. Generally, the main symptoms that warranted the use of such remedies were high fever or extreme weakness.
Although by the middle of the eighteenth century the belief in the special curative powers of precious-stone material had almost entirely disappeared, giving place to a more scientific conception of the chemical composition of these bodies, still, we find, even in so capable a writer as the German mineralogist, U. F. B. Brückmann, a lingering trace of the old idea, for while he declares that all intelligent physicians have abandoned their use, he adds, “if, however, any stone of this kind has more effect than an ordinary earthy substance, it is the lapis lazuli, but we have a hundred other remedies equally efficacious and much cheaper.” He also testifies to the fact that very little genuine material was to be had from the apothecaries, he himself having often seen a yellow feldspar offered instead of a jacinth, and poor garnets as substitutes for rubies.[244]
By the mid-eighteenth century, the belief in the special healing powers of precious stones had nearly vanished, replaced by a more scientific understanding of their chemical makeup. However, even in the writing of the skilled German mineralogist U. F. B. Brückmann, there remains a faint echo of the old notion. He claims that all reasonable doctors have stopped using these stones, yet he adds, “If any stone of this kind has more effect than a regular earthy substance, it would be lapis lazuli, but we have a hundred other remedies that are just as effective and much cheaper.” He also notes that it was hard to find genuine materials from apothecaries; he often witnessed yellow feldspar being sold instead of jacinth and cheap garnets being passed off as rubies.[244]
Toward the end of the eighteenth century, a famous cordial medicine, called “Gascoign’s Powder,” after the 128physician who compounded it, had an immense vogue in England. This man is said to have got more than £50,000 ($250,000) from the sale of this single remedy. It is stated to have contained Oriental bezoar (the most important ingredient), white amber, red coral, crab’s eyes, powdered hartshorn, pearl and black crab’s claws; certainly a most incongruous mixture and one well calculated to test the resisting powers of the person to whom it was administered.[245]
Toward the end of the eighteenth century, a popular medicine known as “Gascoign’s Powder,” named after the physician who created it, became extremely popular in England. This man reportedly made over £50,000 ($250,000) from the sale of this one remedy. It was said to contain ingredients like Oriental bezoar (the most important component), white amber, red coral, crab’s eyes, powdered hartshorn, pearl, and black crab’s claws; certainly a very unusual mix, and one that would definitely test the tolerance of anyone who took it.[245]
A modern writer finds in the homeopathic theory of medicine an explanation of the apparent therapeutic effects of precious stones.[246] For if the smaller the dose the greater the effect, then such super-subtle emanations as are thought to proceed from precious stones must have effects still more powerful than those of the most highly diluted tinctures administered by homeopathists of the old school. Christian Science, however, with its bold denial of the existence of disease, and with its purely spiritual treatment of the “mental error” that is supposed to be at the root of all morbid symptoms, could even more easily account for the apparent cures wrought by merely wearing precious stones. The belief in their remedial virtue would serve to remove the morbid impression, and would restore the mind to its normal and healthy state.
A modern writer sees in the homeopathic theory of medicine an explanation for the apparent healing effects of precious stones.[246] If a smaller dose leads to a greater effect, then the ultra-subtle energies thought to come from precious stones must have even stronger effects than those from the most diluted tinctures given by traditional homeopaths. However, Christian Science, with its bold rejection of the existence of disease and its purely spiritual approach to the "mental error" believed to cause all unhealthy symptoms, could explain the apparent cures achieved just by wearing precious stones even more easily. The belief in their healing power would help eliminate the unhealthy mindset and restore the mind to a normal, healthy state.
An instance from our own day of the application of a mineral substance externally for the cure of disease, appears in the use of the uranium pitchblende occurring in Joachimsthal, Bohemia. This is enclosed in leather bags and applied to the head for the cure of headache. The most violent pains are said to be relieved in a short time by this treatment, 129the effect being produced by the radium contained in the pitchblende.[247]
An example from today of using a mineral substance externally to treat disease is the application of uranium pitchblende found in Joachimsthal, Bohemia. It's placed in leather bags and applied to the head to relieve headaches. It's said that even the worst pain can be eased quickly with this treatment, thanks to the radium present in the pitchblende. 129 [247]
Agate
Treating of the medicinal virtues of agates, Pliny distinguishes between the Indian agates, which were a remedy for diseases of the eyes, and those from Egypt and Crete, which were especially adapted for curing the bites of spiders or scorpions.[248] This latter quality was probably attributed to the agate because it was believed to have a cooling influence upon the body. Damigeron directs that when used to cure the bites of venomous creatures the stone should be reduced to a powder, which was to be strewn over the wound; sometimes, however, this powder was dissolved in wine and administered internally.[249] As an agate, if held in the mouth, was supposed to quench thirst, it was recommended at an early period for the cure of fevers and inflammatory diseases.[250]
Discussing the medicinal properties of agates, Pliny makes a distinction between Indian agates, which were used to treat eye diseases, and those from Egypt and Crete, which were particularly effective for healing bites from spiders or scorpions.[248] This latter property was likely assigned to the agate due to the belief that it had a cooling effect on the body. Damigeron recommends that when using it to treat bites from venomous creatures, the stone should be ground into a powder and sprinkled over the wound; sometimes, however, this powder was mixed in wine and taken internally.[249] Since an agate, when held in the mouth, was thought to relieve thirst, it was advised at an early stage for treating fevers and inflammatory conditions.[250]
In Byzantine times the use of agate for inflamed eyes and for headaches is still advised by Psellus (eleventh century), who adds that it checks menstruation and prevents the accumulation of water in cases of dropsy. This he attributes to the wonderful absorbent power of the stone.[251] It seems most probable that here some kind of hydrophane has been confounded with the agate. The other use, that of checking hemorrhages, presupposes the use of a red variety of agate.
In Byzantine times, Psellus (eleventh century) still recommended using agate for inflamed eyes and headaches. He also mentioned that it regulates menstruation and prevents fluid buildup in cases of dropsy, which he credited to the stone's remarkable absorbent properties.[251] It seems likely that a type of hydrophane has been confused with agate here. The other use, to control bleeding, assumes the use of a red variety of agate.
Beryl
Thomas de Cantimpré[252] tells us that the beryl cures quinsy and swollen glands in the neck if the affected part be rubbed with the stone. It is also useful as a remedy for diseases of the eye, and if water in which it has been steeped be given to anyone suffering from an attack of hiccoughs, relief will be afforded.
Thomas de Cantimpré[252] tells us that beryl can cure quinsy and swollen glands in the neck if the affected area is rubbed with the stone. It's also helpful as a treatment for eye diseases, and if someone suffering from hiccups drinks water that has been steeped with it, they will find relief.
The beryl was warmly recommended as a cure for injuries to the eyeball, even of the most serious kind. For use in such cases the stone was to be pulverized in a mortar, and this powder then passed through a fine sieve. Of the minute particles thus secured, a small quantity was to be introduced each morning into the injured eye, the patient being in a recumbent posture. He was then to keep properly quiet with his eyes shut for a considerable length of time after this operation. Although it was not indeed claimed that where the power of sight had been destroyed it could thus be restored, still even in case of such severe injury the eyeball was healed sooner and assumed a better appearance. In less serious cases a cure was considered to be assured.[253]
The beryl was highly recommended as a treatment for eye injuries, even the most serious ones. For this purpose, the stone had to be ground into a powder using a mortar, and then this powder was sifted through a fine sieve. A small amount of the resulting fine particles was to be placed each morning into the injured eye, with the patient lying down. After the application, the patient needed to remain still with their eyes closed for a significant amount of time. Although it wasn’t claimed that it could restore lost sight, it was believed that even with serious injuries, the eye would heal faster and look better. In less severe cases, a full recovery was considered guaranteed.[253]
Carbuncle
Many virtues are attributed to carbuncles. It is related that those who wear them can resist poisons and are preserved from the pest. They dissipate sadness, control incontinence, avert evil thoughts and dreams, exhilarate the soul and foretell misfortunes to man by losing their native splendor.[254]
Many virtues are associated with carbuncles. It's said that those who wear them can withstand poisons and are protected from disease. They lift spirits, manage incontinence, ward off negative thoughts and nightmares, boost the soul's energy, and predict misfortunes by losing their natural brilliance.[254]
Chalcedony
Perforated, spherical beads of milky white chalcedony are worn at the present day by Italian peasant women to increase the supply of milk. Hence the Italian name for such a bead, pietra lattea. Perforated beads of white steatite, belonging to the early Iron Age, have been found near Perugia, where the chalcedony beads are worn, and it is believed that these steatite beads were borne for the same purpose.[255]
Perforated, round beads made of milky white chalcedony are still worn today by Italian peasant women to boost milk production. That's why they’re called pietra lattea in Italian. Similar perforated beads made of white steatite from the early Iron Age have been discovered near Perugia, where the chalcedony beads are popular, and it’s thought that these steatite beads were worn for the same reason.[255]
Coral
Coral and safran, if wrapped in the skin of a cat, were believed to have marvellous powers; and when emeralds were added to the coral the talisman would drive off a mortal fever. To have the proper effect, however, it must be attached to the neck of the patient.[256] As a cure for hydrophobia, dog-collars set with flint and Maltese coral were recommended in Roman times; “sacred shells” and herbs over which magic incantations had been pronounced were also attached to, or enclosed in these collars. The use of coral in this case appears to have been due to the belief in its power to dissolve the spell cast by the Evil Eye, for Gratius, who flourished in the first century A.D. and was a contemporary of the poet Ovid, asserts that if such collars were put on dogs suffering from hydrophobia, the gods were appeased, and the charm cast by “an envious eye” was broken.[257]
Coral and saffron, when wrapped in a cat's skin, were thought to have incredible powers; and if you added emeralds to the coral, the amulet would cure a deadly fever. For it to work properly, though, it had to be worn around the patient's neck.[256] To treat hydrophobia, dog collars decorated with flint and Maltese coral were recommended in Roman times; “sacred shells” and herbs that had been blessed with magic spells were also attached to, or placed inside, these collars. The use of coral here seems to stem from the belief that it could negate the curse from the Evil Eye, as Gratius, who lived in the first century CE and was a contemporary of the poet Ovid, claims that if such collars were put on dogs with hydrophobia, the gods were pleased, and the spell from “an envious eye” was lifted.[257]
The Hindu physicians found that coral tasted both sweet and sour, and they asserted that its principal action was 132on the secretions of the mucous membrane, on the bile and on certain morbid secretions.[258] Although the chemical constituents of coral have but slight medicinal value, it is quite possible that some effects upon the secretions may have been observed experimentally after the administration of a dose of powdered coral.
The Hindu doctors discovered that coral had both a sweet and sour taste, and they claimed that its main effect was on the secretions of the mucous membrane, the bile, and certain unhealthy secretions.132[258] Although the chemical makeup of coral has minimal medicinal value, it's possible that some effects on the secretions could have been observed in experiments after taking a dose of powdered coral.
An old pharmacopœia gives elaborate directions for the preparation of the “Tincture of Coral.” A branch of very red coral was to be buried in melted wax, and allowed to remain over a fire for the space of two days, “after which time you will see that the coral has become white, while the wax has assumed a red hue.” A fresh branch of coral is then to be put into the partially colored wax, and the above operation repeated; the wax will then be “redder than before.” It is now to be broken into crusts, which are to be steeped in alcohol until the liquid has extracted the coloring matter from the wax and has become reddish. In this way, after the removal of the wax by filtration, etc., a tincture was obtained which is represented to have been an excellent tonic, and to have had the power to expel “bad humors,” by inducing perspiration, or by its diuretic action.[259] We strongly suspect that in this, as in many modern “tonics,” the contents of spirit was the active principle.
An old pharmacopoeia provides detailed instructions for making “Tincture of Coral.” A branch of bright red coral should be submerged in melted wax and kept over a fire for two days. “After that time, you’ll see that the coral has turned white, while the wax has taken on a red color.” Then, a fresh branch of coral should be added to the partially colored wax, and the process is repeated; the wax will then be “redder than it was before.” Next, it should be broken into pieces, which are soaked in alcohol until the liquid extracts the color from the wax and turns reddish. This way, after filtering out the wax and so on, a tincture is produced that is said to have been an excellent tonic, capable of expelling “bad humors” by promoting sweating or acting as a diuretic.[259] We strongly suspect that, like many modern “tonics,” the alcohol content was the active ingredient.
An apparent confirmation of the widespread belief of former centuries that red coral changed its hue in sympathy with the state of the wearer’s health, caused perhaps by the exudations or sweats arising from fevers or other ailments, is given from personal experience by the German physician, Johann Wittich. Writing toward the end of the sixteenth century, this author relates that he was called in to attend a youth named Bernard Erasmus, son of the burgomaster of 133Arnstadt. As the youth sickened unto death a red coral which he was wearing turned first whitish, then of a dirty yellow, and finally became covered with black spots. To the anxious questions of the youth’s sister, Wittich could only give a mournful answer, telling her to take away the coral, for death was surely approaching, and this prognostication proved to be only too true, as in a few hours young Erasmus was dead.[260]
An apparent confirmation of the long-standing belief from previous centuries that red coral changed color in response to the wearer's health is provided by the German doctor Johann Wittich, based on his personal experience. Writing in the late sixteenth century, Wittich recounts being called to care for a young man named Bernard Erasmus, the son of the burgomaster of 133Arnstadt. As the young man grew gravely ill, the red coral he was wearing first turned whitish, then a dirty yellow, and finally became covered in black spots. When the anxious sister of the young man asked about this, Wittich could only give her a sorrowful response, advising her to remove the coral, as death was surely approaching. Unfortunately, this prediction proved true, as young Erasmus died just a few hours later.[260]
A rosary of coral beads was sometimes called in France a pater de sang, or “blood-rosary,” since it was believed to check hemorrhages. An anonymous author of an eighteenth century treatise on superstitions, assuming that this effect could be produced only by thickening the blood, asserts that such a rosary might do more harm than good, for if it possessed this power at one time, it must possess it constantly, and its action would be very injurious.[261] Pearls and corals were still freely used as therapeutic agents in the last half of the seventeenth century, for we are told that Louis XIV (1638–1715), in 1655, took tablets containing gold and pearls, which had been prescribed for him by his physician Vallot, and, in 1664, a remedy composed of pearls and corals was recommended by the same authority.[262]
A rosary made of coral beads was sometimes referred to in France as a blood father, or “blood-rosary,” because it was believed to help stop bleeding. An anonymous author of an eighteenth-century treatise on superstitions claimed that this effect might only happen by thickening the blood, suggesting that such a rosary could do more harm than good. If it had this power at one time, it would need to have it all the time, and its effects could be quite harmful.[261] Pearls and corals were still commonly used as healing agents in the last half of the seventeenth century. It’s noted that Louis XIV (1638–1715) took tablets containing gold and pearls in 1655, which had been prescribed by his physician Vallot, and in 1664, Vallot also recommended a remedy made of pearls and corals.[262]
Corundum
A stone, which from the description seems to have been an almost colorless variety of corundum with a faint reddish tint, is recommended in the Syrian Aristotle for the alleviation of diseases of the breast. To have the proper effect 134this stone was to be worn on the region affected by the malady.[263]
A stone that seems to have been a nearly colorless type of corundum with a slight reddish hue is suggested in the Syrian Aristotle for easing breast-related illnesses. For it to work effectively, this stone was meant to be worn over the area affected by the condition.134[263]
Diamond
The Hindu physicians claimed that they had found that the diamond had six flavors; it was sweet, sour, salty, pungent, bitter, and acrid. Since the stone united all these apparently contradictory qualities, we have no reason to be surprised that it should be supposed to cure all diseases and lessen all ills. An elixir of great potency, stimulating and strengthening all the bodily functions, was made from the diamond.[264]
The Hindu doctors said they discovered that the diamond had six tastes: sweet, sour, salty, spicy, bitter, and sharp. Since the stone brought together all these seemingly opposite qualities, it’s no wonder people believed it could heal all diseases and ease all troubles. A powerful elixir that stimulated and strengthened all bodily functions was created from the diamond.[264]
The author of the Jawâhir-nâmeh (Book of Jewels), written about a century ago, gives some of the prevalent Hindu ideas regarding the diamond. He asserts that the similarity of this stone and rock-crystal led to the belief that the latter was only an incomplete or “unripe” form of the diamond. For this reason rock-crystal was called kacha, “unripe,” and the diamond, pakka, “ripe.” The same writer, after noting the general belief that if a diamond were put in the mouth it caused the teeth to fall out, states that some were not disposed to admit this, as diamond dust had been used as a tooth-powder without any bad effects.[265] It might certainly serve to whiten the teeth, but any one who trusted to this very drastic dentifrice would soon be sadly in need of the dentist’s help.
The author of the Jawâhir-nâmeh (Book of Jewels), written about a hundred years ago, shares some common Hindu beliefs about diamonds. He claims that the similarity between this stone and rock-crystal led to the idea that the latter was just an incomplete or “unripe” form of the diamond. Because of this, rock-crystal was called kacha, meaning “unripe,” while the diamond was referred to as pakka, meaning “ripe.” The same author, after mentioning the widespread belief that putting a diamond in the mouth would cause teeth to fall out, points out that some people disagreed with this, as diamond dust had been used as a tooth powder without any negative effects.[265] While it might indeed help whiten the teeth, anyone relying on such a harsh toothpaste would soon find themselves in desperate need of a dentist.
As a proof that the diamond was not much prized as an ornamental stone in the Middle Ages, although some of 135the praise bestowed upon it by Pliny and other classical writers was copied and recopied in a more or less perfunctory way, we may cite the few lines devoted to the stone by Psellus, who lived in Constantinople in the eleventh century A.D. This writer simply remarks of the diamond that it is hard and difficult to pierce, adding, as its chief virtue, that it would quench the heat of the “semi-tertian” fever.[266] The belief in this cooling quality of the diamond was suggested by its lack of color coupled with its extreme hardness, the latter quality being thought to augment the refrigerant power supposed to be inherent in colorless crystals which resembled ice.
As proof that diamonds weren't highly valued as decorative stones during the Middle Ages, even though some praise from Pliny and other ancient writers was copied and repeated in a somewhat routine manner, we can refer to the few lines that Psellus dedicated to the stone. Psellus lived in Constantinople in the eleventh century A.D. He simply notes that diamonds are hard and tough to pierce, mentioning their main virtue as their ability to cool the heat of “semi-tertian” fever. This belief in the diamond's cooling property stemmed from its colorless appearance combined with its extreme hardness, which was thought to enhance the cooling power believed to be inherent in colorless crystals that resembled ice.
Emerald
The emerald is especially commended for amulets to be suspended from the necks of children; it is believed to preserve them from epileptic convulsions and to prevent the falling sickness; but if the violence of the disease is such that it cannot be overcome by the stone, the latter breaks up. Bound to a woman’s thigh it is said to hasten parturition; hanging from the neck it drives off vain fears and evil spirits. It strengthens the memory, restores the sight, reveals adultery and gives a knowledge of the future, produces eloquence and increases wealth.[267]
The emerald is particularly praised for being worn as an amulet around children's necks; it's thought to protect them from seizures and to prevent epilepsy. However, if the severity of the condition is so great that the stone can't help, it will break apart. When tied to a woman's thigh, it's said to speed up childbirth; when worn around the neck, it dispels unnecessary fears and evil spirits. It enhances memory, improves vision, reveals infidelity, provides foresight, fosters eloquence, and increases wealth.[267]
Besides the usual designation marakata which Garbe believes to be derived from the Greek σμάραγδος, the Sanskrit has several distinguishing names for the emerald. One of these, açmagarbhaja, signifies “sprung from the rock,” and well describes the emerald in its matrix. Another name is garalari, “enemy of poison,” indicating the great repute enjoyed by this stone in India as an antidote for all animal, 136mineral and vegetable poisons.[268] In Mexico the emerald[269] bore the name Quetzalitzli, “stone of the quetzal,” because its color resembled the brilliant green of the plumes of the bird called in the Mexican tongue quetzal. These plumes were worn as insignia of royalty by the sovereigns of Mexico and Central America, and hence the emerald was regarded as an essentially regal gem, although its use was not confined to royalty.
Besides the common name marakata, which Garbe believes comes from the Greek emerald, Sanskrit has several unique names for the emerald. One of these, açmagarbhaja, means "from the rock," accurately describing the emerald in its natural setting. Another name is garalari, "enemy of poison," highlighting the stone's reputation in India as an antidote for all types of animal, mineral, and plant poisons.136[268] In Mexico, the emerald[269] was known as Quetzalitzli, or "stone of the quetzal," because its color resembled the vibrant green of the quetzal bird's feathers. These feathers were worn as royal symbols by the kings of Mexico and Central America, making the emerald considered a royal gem, although it wasn't limited to use by nobility.
The tincture of emerald is recommended by the Arab physician Abenzoar as an internal remedy for the cure of dysentery, the dose prescribed being six grains. He also claims to have cured one of his patients suffering from this disease by making him wear an emerald.[270] This illustrates the use of the stone in Moorish Spain in the early part of the eleventh century, the period of the highest development of Moorish civilization, for Abenzoar, or Abû Meruân, as he is sometimes called, was born in Seville about 1091 A.D. and died in 1161 or 1162.
The emerald tincture is advised by the Arab doctor Abenzoar as a treatment for dysentery, with a recommended dose of six grains. He also claims to have cured one of his patients suffering from this condition by having him wear an emerald.[270] This shows the use of the stone in Moorish Spain in the early eleventh century, during the peak of Moorish civilization, as Abenzoar, or Abû Meruân, as he is sometimes known, was born in Seville around 1091 CE and died in 1161 or 1162.
Hematite
The curative properties of the hematite were generally recognized by the early writers, and in this case they were not so much at fault, as this substance possesses considerable astringent properties. Galen recommends its use for inflamed eyelids, following in this the teachings of the Egyptian schools of medicine. If there were tumors on the eyelids, the hematite was to be dissolved in white of egg, and if the tumors were very large it was to be boiled with fenugreek (fœnum græcum); if, however, there were no tumors, but simply a general inflammation of the eyelids, a 137solution in water sufficed. At the outset a few drops of a weak solution were to be poured into the eye through a glass tube; should this treatment not prove effective, the solution was to be made thicker and thicker, until at last it had to be dipped out on the point of the tube. If ground to a fine powder in a mortar, hematite cured spitting of blood and all ulcers. Galen advises great care in judging of the quality and strength of the powder, which was to be poured on or spread over the sore, but in his own case he admits that he trusted to his sense of taste to determine its quality.[271]
The healing properties of hematite were widely acknowledged by early writers, and in this instance, they weren't entirely mistaken, as this substance has significant astringent qualities. Galen suggests using it for swollen eyelids, following the teachings of the Egyptian medical schools. If there were lumps on the eyelids, hematite was to be mixed with egg white, and if the lumps were quite large, it should be boiled with fenugreek; however, if there were no lumps, but just general inflammation of the eyelids, a water solution was enough. Initially, a few drops of a weak solution were to be poured into the eye using a glass tube; if this treatment didn’t work, the solution was to be thickened gradually until it needed to be scooped out on the tip of the tube. When ground into a fine powder in a mortar, hematite could treat blood spitting and all ulcers. Galen advises caution in assessing the quality and strength of the powder, which should be applied to the sore, but he admits that he relied on his sense of taste to evaluate its quality. 137
Sotacus as quoted by Pliny distinguishes five kinds of hematite, each one of which possessed special medicinal virtues. The best was the Ethiopic, which was a valuable ingredient in lotions for the eyes, and for burns. The second kind was called androdamus and came from Africa; this was very black, and was exceedingly hard and heavy, whence its name “conqueror of man”; it was reputed to attract silver, brass and iron. If rubbed with a moistened whetstone it gave forth a red juice, and was considered to be a specific for bilious disorders. The third kind was brought by the Arabs; this gave scarcely any juice when rubbed with the whetstone, but occasionally a little of a yellowish hue, and was useful for burns and for all bilious disorders. The fourth kind was called elatite in its natural state and melitite when burned; and the fifth appears to have contained an admixture of schist. These shared in the general virtues of the hematite, three grains of whose powder, when taken in oil, would cure all blood diseases.[272]
Sotacus, as quoted by Pliny, identifies five types of hematite, each with its own medicinal properties. The best one was the Ethiopic variety, which was a valuable component in eye lotions and for treating burns. The second type, called androdamus, came from Africa; it was very black, extremely hard, and heavy, giving it the nickname "conqueror of man." It was believed to attract silver, brass, and iron. When rubbed with a damp whetstone, it released a red juice and was thought to be a remedy for bile-related issues. The third type was brought by the Arabs; this type hardly produced any juice when rubbed with the whetstone, but sometimes a little yellowish liquid would come out and it was helpful for burns and bile disorders. The fourth type was known as elatite in its natural form and melitite when burned; the fifth seemed to contain a mix of schist. All these types shared the general properties of hematite, with just three grains of its powder, when taken with oil, being able to cure all blood-related illnesses.[272]
That the cause of the friendship between Hector and Dolon was the latter’s ownership of a hematite is asserted in the Greek Orphic poem “Lithica.” This statement must 138be derived from some annotation to the Iliad made in the Alexandrine schools, for Homer himself knows nothing of it. In the fateful encounter of Hector with Achilles, the form and aspect of Dolon are assumed by Athena to deceive Hector into the belief that his friend was at his side to aid him in the unequal struggle. The blood of Uranus when wounded by Kronos is stated in “Lithica” as the generating cause of hematite, and the stone is recommended as a cure for eye-diseases.[273]
That the friendship between Hector and Dolon was due to Dolon's ownership of a hematite is claimed in the Greek Orphic poem “Lithica.” This assertion likely comes from some commentary on the Iliad made in the Alexandrine schools, as Homer himself does not mention it. In the decisive encounter between Hector and Achilles, Athena takes on the form of Dolon to trick Hector into thinking that his friend is by his side to help him in the unfair battle. The blood of Uranus, when wounded by Kronos, is said in “Lithica” to be the source of hematite, and the stone is recommended as a treatment for eye diseases.[273]
Jacinth
A peculiarly stimulant and tonic effect exercised by the jacinth was noted by Ben Sina (Avicenna), and to this is attributed its value as an antidote for poisons. Not, however, to the material composition of the stone was this effect to be attributed, for it proceeded from the mass in the same way as did the virtue of the magnet. Hence Ben Sina is opposed to the theory that the natural warmth of the body acted upon the jacinth, when taken internally, producing a transmutation, dissolution and mingling of its substance with the volatile spiritual essence.[274]
A unique stimulating and restorative effect of the jacinth was noted by Avicenna (Ibn Sina), and this is believed to be why it serves as an antidote for poisons. However, this effect isn’t due to the stone's material composition; it arises from the stone itself, similar to how a magnet works. Therefore, Avicenna disagrees with the idea that the body's natural warmth interacts with the jacinth when taken internally, causing a transformation, dissolution, and blending of its substance with a volatile spiritual essence.[274]
In Constantinople, at a time when the plague was exceptionally prevalent, the citizens used to wear jacinths, because of the special virtues these stones were supposed to possess as guardians against the plague. That jacinth amulets intended for therapeutic use were occasionally to be found in pharmacies, is attested by Ambrosianus, who states that a jacinth the size of a human nail, and set in silver, was kept in a “pharmacy in Poland.” This stone, if held to a wound, was said to prevent mortification.[275]
In Constantinople, during a time when the plague was very common, people wore jacinths because these stones were believed to have special properties that protected against the plague. Ambrosianus confirms that jacinth amulets for therapeutic use could sometimes be found in pharmacies, noting that a jacinth the size of a human nail, set in silver, was kept in a "pharmacy in Poland." It was said that holding this stone to a wound could prevent it from becoming infected.[275]

JADE TONGUE AMULETS FOR THE DEAD. CHINESE
Figs. 1–4, plain types; Fig. 5, carved in shape of realistic cicada (a. upper, b. lower face); Figs. 6–9, conventionalized forms of cicada. From “Jade,” by Berthold Laufer.
By courtesy of the author and Field Museum of National History, Chicago.
JADE TONGUE AMULETS FOR THE DEAD. CHINESE
Figs. 1–4, plain types; Fig. 5, carved in the shape of a realistic cicada (a. upper, b. lower face); Figs. 6–9, stylized forms of cicada. From “Jade,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
Jade
The first mention of this material is made by Monardes, who says:[276]
The first mention of this material is made by Monardes, who says:[276]
The so-called nephritic stone is a species of stone, the finest of which resemble the emerald crystal, and are green with a milky hue. It is worn in various forms, made in ancient times, such as the Indians had; some like fish, some like the heads of birds, others like the beaks of parrots and others again round as balls; all, however, are perforated, since the Indians used to wear them attached for nephritic or gastric pains, for they had marvellous efficacy in both these infirmities. Their principal virtue regards the nephritic pain, and the passing of gravel and stone, in such sort that a gentleman who owns one, the best I have ever seen, wearing it bound on his arm, passed so much gravel that he often takes it off, thinking that it may be injurious for him to pass such a quantity; and, indeed, when he removes the stone he passes much less.... This stone has an occult property, by means of which it exercises a wonderful prophylactic effect, preventing the occurrence of nephritic pain, and should it nevertheless ensue, removing or alleviating it. The duchess my lady, having suffered three attacks of this malady during a short period, had one of these stones set in a bracelet and wore it on her arm, and from the time she put it on, she has never felt any pain, although ten years have past. In the same way it has served many, who have realized the same benefit. Therefore, it is highly prized and it cannot now be worn so easily as in former times, as only caciques and noblemen own it, and rightly, since it has such wonderful effects.
The nephritic stone is a type of gemstone, the best of which looks like emerald crystal and has a green, milky appearance. It comes in various shapes that were made in ancient times, similar to what the Indians used; some are shaped like fish, some like bird heads, others like parrot beaks, and some are round like balls. All of them have holes in them because the Indians wore them to help with nephritic or stomach pains, as they were incredibly effective for both issues. Their main benefit is related to nephritic pain and the passing of gravel and stones. For example, a gentleman I know, who owns the best one I've ever seen, wears it strapped to his arm and has passed so much gravel that he often takes it off, worried it might be harmful for him to pass that much. In fact, when he removes the stone, he passes much less. This stone has a hidden property that provides a remarkable preventative effect, stopping nephritic pain from happening and alleviating it if it does occur. My lady the duchess, who experienced three attacks of this condition in a short time, had one of these stones set into a bracelet and wore it on her arm; since she put it on, she has not felt any pain, even after ten years. Similarly, it has helped many others who have enjoyed the same benefit. Because of this, it is highly valued and is not as commonly worn as it was in the past; now only caciques and noblemen possess it, and rightly so, given its wonderful effects.
The Chinese Taoist adept T’ao Hung Ching, who flourished A.D. 500, directs that when powdered jade is prescribed by a physician, carved jade must not be used, nor unwrought jade that has been buried in tombs. While sometimes a very fine powder was recommended, the usual plan was to reduce the jade by pounding it into pieces the size of small pulse. When administered in this form the Chinese physicians asserted that the powder passed unchanged through the system, but that the essential principle, the innate virtue, was absorbed by the patient. It relieved heart-burn and 140asthma and stilled thirst. Taken regularly for a long period it acted as a powerful general tonic, and had the special effects of strengthening the voice and rendering the hair glossy; but all these good effects could only be secured by the use of unwrought jade.[277]
The Chinese Taoist expert T’ao Hung Ching, who thrived around A.D. 500, stated that when a doctor prescribes powdered jade, you shouldn't use carved jade or jade that has been buried in tombs. While a very fine powder was sometimes recommended, the common method was to reduce the jade by crushing it into small pieces, about the size of peas. When given in this form, Chinese doctors claimed that the powder passed through the body unchanged, but the essential quality, or innate virtue, was absorbed by the patient. It helped with heartburn and asthma and quenched thirst. When taken regularly over a long time, it served as a strong general tonic and had specific benefits like strengthening the voice and making hair shiny; however, all these benefits could only be achieved by using unwrought jade.[277]
The lapis nephriticus (jade) was held to be a remedy for œdematous affections of the feet. As this stone was so highly in favor in Europe for a century or two after it had first been brought from America by the Spaniards, many were of the opinion that it should be constantly worn to exert its full curative power. There were some, however, who argued that with this as with other remedies, constant and unremitting use weakened the effect, so that when the wearer was suddenly attacked by some disorder for which jade was a cure, his system would have become so habituated to its action that it would no longer work as a remedy.[278]
The lapis nephriticus (jade) was believed to be a treatment for swelling in the feet. This stone was very popular in Europe for a century or two after it was first brought from America by the Spaniards. Many people thought it should be worn all the time to maximize its healing properties. However, some argued that, like other remedies, constant use could diminish its effectiveness, so that if the wearer suddenly experienced a condition that jade was supposed to heal, their body would have become so accustomed to its effects that it would no longer be effective as a treatment.[278]
Of the lapis nephriticus the old Danish writer, Caspar Bertholin, relates in 1628 that four prominent citizens of Copenhagen, whom he had recommended to wear it to break up the calculi with which they were afflicted, could testify to its worth, adding, somewhat naïvely, “at least two of them can, for the two others are dead—but not of the stone.” He himself, however, although he had sent for specimens at great expense, to Venice, Nuremberg and Batavia, could not gain any relief from his trouble, but nevertheless, firm in his conviction of the special curative power of jade, he asserts that the calculi which tormented him must have been exceptionally hard and flint-like, so that they could not be broken up. The vogue enjoyed by this supposed remedy in the Denmark of the time is illustrated in the case of the reigning sovereign, Christian IV, who wore on his person a green nephrite until the day of his death. This stone is still preserved in the Rosenborg Museum collection among the relics of this king.[279]
Of the lapis nephriticus, the old Danish writer Caspar Bertholin mentioned in 1628 that four notable citizens of Copenhagen, whom he suggested wear it to help with their kidney stones, could vouch for its effectiveness, adding somewhat naively, “at least two of them can, because the other two are dead—but not from the stones.” However, despite sending for samples at great expense from Venice, Nuremberg, and Batavia, he himself found no relief from his issues. Yet, steadfast in his belief in jade's special healing properties, he claimed that the stones bothering him must have been exceptionally hard and flint-like, making them impossible to break up. The popularity of this supposed remedy in Denmark at the time is shown by the case of the reigning monarch, Christian IV, who wore a piece of green nephrite until his death. This stone is still kept in the Rosenborg Museum collection among this king's relics.[279]

FRONTISPIECE OF MUSEUM WORMIANUM
Printed in Leyden in 1655, showing a part of the remarkable collection of specimens illustrating natural history owned
by Olaus Wormius of Copenhagen.
FRONTISPIECE OF MUSEUM WORMIANUM
Printed in Leiden in 1655, showcasing part of the impressive collection of specimens illustrating natural history owned by Olaus Wormius of Copenhagen.
141Johannes de Laet was much impressed with the virtues of the lapis nephriticus as were most of his learned contemporaries, since he assures his readers that an oblong, smooth, moderately thick stone in his possession, having the color of honey and a very oily surface, had given his wife great relief from the severe pains caused by renal calculus, when the stone was bound upon her wrist. This particular specimen he sent a few years later to his Danish friend, Ole Worms, for the latter’s cabinet of natural history. De Laet writes that all the virtues claimed for nephrite by Monardes in 1574, were observable in his specimen.[280]
141Johannes de Laet was very impressed with the benefits of the lapis nephriticus, just like many of his educated peers. He tells his readers that he had a smooth, oblong, moderately thick stone, which was honey-colored and had a very oily surface, that provided his wife great relief from the intense pain caused by kidney stones when it was worn on her wrist. A few years later, he sent this specific stone to his Danish friend, Ole Worms, for his natural history collection. De Laet mentions that all the benefits attributed to nephrite by Monardes in 1574 could be seen in his specimen.[280]
As late as 1726, there were some who retained faith in the curative power of jade, for a record of that date informs us that the traveller Paul Lucas had just come back to Paris from the Orient, and had brought with him a specimen of the lapis nephriticus which he intended to have cut up into thin slabs to bestow upon such of his friends as were suffering from gravel or calculus, or similar troubles.[281]
As late as 1726, there were still people who believed in the healing properties of jade. A record from that time tells us that the traveler Paul Lucas had just returned to Paris from the East and had brought back a piece of nephrite jade. He planned to cut it into thin slabs to give to his friends who were suffering from kidney stones or similar issues.[281]
After relating that a specimen of American jadeite had been sent to him prior to 1602, Cleandro Arnobio states that when he showed it to a Signor Michele Mercato, “a man well versed in medicine and in the knowledge of minerals and herbs,” the latter immediately recognized it and called it “nephite,” from its virtues, saying also that he had found it useful in aiding parturition. A pharmacist, to whom it 142was shown in turn, declared that he had used the stone in this way but did not know its name. This is perhaps the earliest use of the name nephrite, the form occurring in the Italian text being either due to a typographical error, or to Arnobio’s ignorance of the correct spelling.
After mentioning that he received a sample of American jadeite before 1602, Cleandro Arnobio says that when he showed it to Signor Michele Mercato, “a man knowledgeable in medicine and the properties of minerals and herbs,” Mercato immediately recognized it and called it “nephrite,” referring to its beneficial qualities, and also mentioned that he had found it helpful in assisting childbirth. A pharmacist, who was shown the stone afterward, stated that he had used it for that purpose but didn’t know its name. This might be the earliest usage of the term nephrite, with the Italian version possibly being a typo or Arnobio’s mistake regarding the correct spelling.
Proceeding to dilate upon the many virtues of this stone, Cleandro quotes Aldobrando, “a physician, physicist and philosopher of Bologna,” who described it as having usually a purple shade, almost like porphyry, with various figures of herbs, flowers, knots and Arabic characters in a yellow color. There were, however, according to the same authority, some of a darker hue, with protuberances and bands of yellow and also black spots, as though the stone were a section of the spleen. This kind was recommended and used in diseases of the spleen. In another variety, in the midst of the purple color might be seen a yellow stain with pittings and hollows; this was thought to figure a section of the liver, spattered with bile, and such stones were employed with good effect to cure those suffering from bilious disorders. To discharge the bile a dose of four grains was administered, the powdered stone being thoroughly dissolved in wine. Still another kind, of a reddish hue, “like coagulated blood,” full of pittings and veinings, was thought to be more especially valuable as a remedy for disorders of the blood and for checking hemorrhages.[282]
Cleandro goes on to explain the many benefits of this stone, quoting Aldobrando, “a physician, physicist, and philosopher from Bologna,” who described it as usually having a purple hue, similar to porphyry, with various patterns of herbs, flowers, knots, and Arabic characters in yellow. However, according to the same source, there were some of a darker color, featuring bumps and bands of yellow and also black spots, resembling a section of the spleen. This type was recommended and used for spleen-related diseases. In another variation, amidst the purple color, a yellow stain with pits and hollows could be seen; this was believed to represent a section of the liver, speckled with bile, and such stones were effectively used to treat those suffering from bile-related issues. To eliminate bile, a dose of four grains was given, with the powdered stone being fully dissolved in wine. Another type, reddish in color, “like coagulated blood,” full of pits and veins, was considered especially useful as a remedy for blood disorders and to stop bleeding.[282]
The learned Ko Kei asserts that the body of a man who had taken nearly five pounds of jade did not change color after his death and states that the body having been exhumed several years later did not show the slightest alteration. Besides this, it was observed that there were gold and jade around the tomb. Since then (in China), in the Kan period, the custom was followed of embalming the dead bodies of the emperors, and of preserving them in a garment ornamented with pearls and enclosed in a case of jade.[283]
The knowledgeable Ko Kei claims that the body of a man who had ingested nearly five pounds of jade didn’t change color after he died and, when exhumed several years later, showed no signs of alteration whatsoever. Additionally, it was noted that there was gold and jade around the tomb. Since then (in China), during the Kan period, it became customary to embalm the bodies of emperors and to preserve them in a robe decorated with pearls and enclosed in a jade case.[283]

JADE BELL OF THE KIEN-LUNG PERIOD: 1731–1795.
Carved out of a single piece of jade. Dimensions: height, 20 cm.; width 14.6 cm.; thickness, from 1 cm. to
3.8 cm. From Berthold Lauter, “Jade, a Study in Chinese Archæology and Religion,” Chicago, 1912.
By courtesy of the author and Field Museum of Natural History, Chicago.
JADE BELL OF THE KIEN-LUNG PERIOD: 1731–1795.
Carved from a single piece of jade. Dimensions: height, 20 cm; width, 14.6 cm; thickness, from 1 cm to 3.8 cm. From Berthold Lauter, “Jade, a Study in Chinese Archaeology and Religion,” Chicago, 1912.
By courtesy of the author and Field Museum of Natural History, Chicago.
143The Indians of Brazil prize the so-called Amazon stones (jade) more highly than any other of the ornaments they wear. This is not chiefly because of their ornamental quality, but rather because these ita ybymbae (green stones) have in many cases been handed down from generation to generation for many centuries. They are of cylindrical, tabular or other regular form and polished, and are believed to be amulets affording protection against many diseases as well as against snake bites. They are worn suspended from the neck and are regarded as valuable aids in difficult parturition. Because of their remedial virtues they are sometimes called ita poçanga, or “medicine stones.” They are also found with the natives of the Caribbean islands and are there called “the smooth stones from the far-off continent.”[284]
143The Indigenous people of Brazil value the so-called Amazon stones (jade) more than any of their other jewelry. This is not just because of how they look, but mainly because these ita ybymbae (green stones) have been passed down through generations for many centuries. They come in cylindrical, tabular, or other regular shapes and are polished. They're believed to be amulets that protect against many illnesses as well as snake bites. They are worn around the neck and are seen as valuable support during difficult childbirths. Due to their healing properties, they're sometimes referred to as ita poçanga, or “medicine stones.” They are also found among the Indigenous people of the Caribbean islands, where they are called “the smooth stones from the far-off continent.”[284]
As in all superstitions, so in those concerning jade in China, the fact that ill luck instead of good luck fortuitously resulted from the use of the material was explained in a way that did not do violence to the fundamental idea. We are told that on the road near Kneha, in Turkestan, there lies a block of jade from the quarries of Raskam-Darya, in Eastern Turkestan. This block was on its way to Peking, when orders came from the imperial court not to forward any more jade from this quarry. The reason was that the heir apparent had been taken ill after having slept on a couch made of Raskam jade.[285]
As with all superstitions, the beliefs surrounding jade in China interpret the fact that bad luck, rather than good luck, happened from using the material in a way that still aligns with the basic idea. It's said that near Kneha, in Turkestan, there's a block of jade from the Raskam-Darya quarries in Eastern Turkestan. This block was on its way to Beijing when the imperial court ordered that no more jade from this quarry should be sent. The reason was that the heir apparent had fallen ill after sleeping on a couch made of Raskam jade.[285]
Jasper
In the collection of the Biblioteca di Ravenna there is a red jasper amulet engraved with a device representing Hercules strangling the Nemæan Lion. Amulets of this type are recommended for the cure of the colic by the Greek physician Alexander Trallianus, who flourished in the first half of the sixth century A.D. He directs that this design be engraved on a “Median stone,” which is then to be set in a gold ring and worn by the patient.[286] The fact that the constellation Leo was believed to rule over the stomach, and possibly over the liver also, probably determined the selection of the design. On the reverse of the Ravenna amulet are inscribed the letters K K K, which are believed to stand for Κωλική, “colic.”[287]
In the collection of the Biblioteca di Ravenna, there’s a red jasper amulet engraved with a design showing Hercules strangling the Nemæan Lion. Amulets like this are recommended for treating colic by the Greek physician Alexander Trallianus, who was active in the first half of the sixth century CE He suggests that this design should be engraved on a “Median stone,” which should then be set in a gold ring and worn by the patient.[286] The belief that the constellation Leo governed the stomach, and possibly the liver as well, likely influenced the choice of this design. On the back of the Ravenna amulet, the letters K K K are inscribed, which are thought to represent Κωλική, meaning “colic.”[287]
After noting the power of the jasper (probably the red variety) to check hemorrhages from any part, and its general effect upon the circulation of the blood in reducing the pulse, thus calming desire and quieting the restless mind, Cardano turns to another of the reputed virtues of this stone, that of rendering the wearer victorious in battle. The true reason for this he finds in the stone’s tendency to diminish passion, and hence to render the wearer timid and cautious, for “the timid usually conquer, since they avoid a doubtful contest if possible.” Gesner states that he saw “in the possession of a writer of Lausanne,” a green jasper, bearing the image of a dragon with rays, similar to the gem described by Galen.[288]
After highlighting the ability of jasper (likely the red kind) to stop bleeding from any area and its overall effect on improving blood circulation by slowing down the pulse, which calms desire and soothes the restless mind, Cardano shifts to another reputed quality of this stone: making the wearer successful in battle. He believes this occurs because the stone tends to lower passion, making the wearer more cautious and timid, since “the timid often win, as they avoid uncertain fights when they can.” Gesner mentions that he saw “in the possession of a writer from Lausanne” a green jasper featuring the image of a dragon with rays, similar to the gem described by Galen.[288]
Of the jasper, De Boot relates,[289] from his own experience, that for checking hemorrhages the red variety is the most effective, and, in this connection, he describes the case of a young woman in Prague, who had suffered for six 145years from hemorrhages. Many different remedies had been tried without avail, and when De Boot was called in to attend the case, he advised the woman to wear a red jasper. As soon as this stone was attached to her person the hemorrhage ceased. After wearing the jasper for some time, the woman thought she could safely lay it aside, but whenever she did so the hemorrhage returned after a longer or shorter interval, while it always ceased immediately she resumed wearing the stone. This seemed to prove conclusively that it checked the flow of blood. Eventually the woman was so effectively cured that she was able to give up wearing the stone. Green jasper, if worn attached to the neck so as to touch the gastric region, was, according to De Boot, a cure for all diseases of the stomach. The same writer alludes to the belief that the virtue of this stone was enhanced if it were engraved with the image of a scorpion while the sun was entering the constellation Scorpio, but he rejects this belief as entirely superstitious and futile, while admitting that, to obtain the best results, the jasper should always be set in silver.
Of the jasper, De Boot shares,[289] from his own experience, that the red variety is the most effective for stopping bleeding. He recounts the story of a young woman in Prague who had endured bleeding issues for six years. Many different treatments had been attempted without success. When De Boot was called to help, he recommended that the woman wear a red jasper. As soon as she wore the stone, the bleeding stopped. After some time, she thought she could safely take it off, but whenever she did, the bleeding returned after a brief or long period. It always stopped immediately when she put the stone back on. This seemed to firmly demonstrate that it helped control the blood flow. Eventually, the woman was cured well enough to stop wearing the stone altogether. De Boot noted that green jasper, if worn around the neck and touching the stomach area, was said to cure all stomach diseases. He also mentioned the belief that the power of this stone was heightened if it was engraved with a scorpion symbol while the sun was entering Scorpio, but he dismissed this idea as completely superstitious and pointless, while acknowledging that to achieve the best effects, the jasper should always be set in silver.
Pear-shaped pieces of red jasper seem to have been more especially favored for use as amulets. Italian amulets of to-day show this, and Bellucci finds that the form is chosen as representing a drop of blood, and thus aiding, by sympathetic magic, in the cure of hemorrhages or wounds, and preventing the infliction of the latter. Sometimes such amulets of red jasper are attached to the bed-post by a red ribbon. In the case of a particularly valued amulet of this type, Bellucci was informed by the peasant owner that it owed its great virtue to having been blessed by the parish priest. Thus the traditional power of a pagan amulet received the sanction of the church and the object was associated with purely Christian amulets.[290]
Pear-shaped pieces of red jasper seem to be particularly favored as amulets. Today's Italian amulets reflect this, and Bellucci notes that the shape is chosen to symbolize a drop of blood, which helps, through sympathetic magic, in healing hemorrhages or wounds, and preventing the occurrence of new ones. Sometimes, these red jasper amulets are tied to the bedpost with a red ribbon. In the case of a particularly valued amulet of this kind, Bellucci learned from the peasant owner that its great power came from being blessed by the parish priest. This way, the traditional power of a pagan amulet was endorsed by the church, connecting it to purely Christian amulets.[290]
Jet
Jet, the gagates of the ancients, was said to have been first found in the river Gagates in Lycia, whence its name was derived. Galen, the greatest physician of ancient times, reports, however, that he searched in vain for this river, although he sailed in a small vessel along the whole coast of Lycia, so that he might closely observe it. Still, he did not give up his search for the material, even when he failed to find its reputed source, and in Cælo-Syria, on a hill on the eastern shore of the Dead Sea, he came across certain black, crustaceous stones, which emitted a slender flame when placed in the fire. These must have been small masses of bitumen, and, according to Galen, they were used for chronic swellings of the knee-joint “which are difficult to cure.”[291]
Jet, the ancient gagates, was believed to have been first discovered in the river Gagates in Lycia, which is where its name comes from. Galen, the greatest physician of ancient times, reports that he searched in vain for this river, although he sailed in a small boat along the entire coast of Lycia to observe it closely. Still, he didn’t give up his search for the material, and in Cælo-Syria, on a hill on the eastern shore of the Dead Sea, he found certain black crusty stones that gave off a faint flame when placed in the fire. These were likely small pieces of bitumen, and according to Galen, they were used to treat chronic swelling of the knee joint “which are difficult to cure.”[291]
The fumes of jet are mentioned as a remedy for the pest in one of the earliest Greek medical treatises, written by Nicander, who flourished in the second century B.C. He declares that the most virulent pestilence could be driven away if the bedrooms were fumigated with the smoke of the slow-burning jet.[292] The plague was called the black plague and naturally the aid of a black substance was sought to cure it.
The smoke from jet is referred to as a cure for the plague in one of the earliest Greek medical texts, written by Nicander, who lived in the second century B.C. He states that even the most deadly plague could be eliminated if bedrooms were filled with the smoke from slow-burning jet.[292] The plague was known as the black plague, so it made sense that a black substance was used to treat it.
For Pliny, jet was endowed with many medicinal virtues. Its fumes were a cure for hysteria and were said to reveal the presence of a latent tendency to epilepsy; connected with this in some way was the curious belief, repeated by later authors with certain variations, that these fumes could also be used as a test of virginity. When powdered and mixed with wine, jet relieved the pains of those suffering from toothache, and if the powder were combined with wax, 147a salve was produced that gave very beneficial results in cases of scrofula.[293] Even as a toilet preparation jet was recommended for use, and a most excellent dentifrice is said to have been made from it. In this connection jet was credited with tonic as well as cleansing properties, as is shown by the words of Bartholomæus Anglicus, who declares that this material was especially beneficial for “feeble teeth and waggyng,” since it strengthened them and made them firm.[294]
For Pliny, jet was believed to have many medicinal benefits. Its fumes were a remedy for hysteria and were thought to indicate a hidden tendency for epilepsy; related to this was the strange belief, repeated by later authors with some variations, that these fumes could also be used as a test for virginity. When powdered and mixed with wine, jet helped relieve toothache pain, and if the powder was combined with wax, it created a salve that provided very beneficial results for scrofula.147[293] Jet was also recommended as a cosmetic, and it is said that a great toothpaste was made from it. In this context, jet was credited with both tonic and cleansing properties, as shown by the words of Bartholomæus Anglicus, who stated that this material was especially good for “weak teeth and wagging,” as it strengthened them and made them firm.[294]
The delusions and hallucinations of melancholic subjects were believed to be put to flight by the power of jet, either in its solid form or when reduced to a solution. The fact that this material was often used for the beads of rosaries was thought to have some connection with its supposed virtues, since the bad dreams or dreadful hallucinations sometimes accompanying melancholia were designated as “demons,” and thus the prayers counted off on jet beads might be supposed to have the greater power to banish the devil and his black angels. The old writer who cites these particulars about jet, adds that there was to be found in the river Nile a black stone the size of a bean, at sight of which dogs would stop barking, and which also drove away evil spirits. Here we have another among many instances of the curious blending of the doctrines of sympathy and antipathy, the black stone repelling the imps of darkness and nullifying the spells of the Black Art.[295]
People believed that the delusions and hallucinations of melancholic individuals could be chased away by the power of jet, whether in solid form or as a solution. Since this material was often used for rosary beads, it was thought to have some connection to its supposed healing properties, as the bad dreams or terrifying hallucinations that could accompany melancholia were referred to as "demons." Therefore, the prayers said on jet beads were considered more effective at driving away the devil and his dark angels. The old writer who mentions these details about jet also notes that there is a black stone the size of a bean found in the Nile River, which would make dogs stop barking at its sight and was said to repel evil spirits. This is another example of the interesting mix of sympathetic and antagonistic beliefs, where the black stone pushes away the forces of darkness and nullifies the effects of the Black Art.[295]
Lapis Armenus
The lapis Armenus was well known to the Arabs under the name hajer Armeny, and their medical writers describe it quite accurately and distinguish it from the somewhat 148similar lapis lazuli, with which it was often confused in ancient times. Ibn Beithar states that if properly prepared it would not provoke nausea, as was otherwise the case. It was said to cause a very abundant evacuation of bile and must have been regarded as an efficient remedy for the bilious disorders so general in warm climates.[296]
The lapis Armenus was well known to the Arabs as hajer Armeny, and their medical writers describe it quite accurately, distinguishing it from the somewhat similar lapis lazuli, which was often confused with it in ancient times. Ibn Beithar mentions that, if prepared correctly, it wouldn't cause nausea, which was usually the case. It was believed to lead to a very abundant bile evacuation and must have been seen as an effective remedy for the bile-related disorders common in warm climates.[296]
A “blue amulet” against vertigo, melancholia and epilepsy could be made up of the following ingredients: shavings from an elk’s horn and from a human skull, to be reduced to a fine powder, the excrement of a peacock, white agate, lapis lazuli or lapis Armenus, of which enough was to be used to give the required sky-blue tint. The whole mass was then to be softened by the addition of gum tragacanth, and formed into heart-shaped tablets, which were to be dried out in the air, and then smoothed on a turning-lathe. These amulets were to be worn attached to the neck or the arm, sometimes they were enclosed in a little receptacle of silver or of red sandal-wood and suspended from the neck.[297]
A “blue amulet” for vertigo, depression, and epilepsy could be made from the following ingredients: shavings from an elk’s antler and a human skull, ground into a fine powder, peacock droppings, white agate, lapis lazuli or lapis Armenus, using enough to create the desired sky-blue color. The entire mixture was then softened with gum tragacanth and shaped into heart-shaped tablets, which were air-dried and then polished on a lathe. These amulets were meant to be worn around the neck or the arm; sometimes they were placed in a small container made of silver or red sandalwood and hung from the neck.[297]
Lapis Lazuli
In Papyrus 3027 of the Berlin Museum, a record that dates from about the fifteenth century B.C., and appears to be contemporaneous with the celebrated Papyrus Ebers, we have directions for the curative use of three stones as amulets; namely, lapis lazuli, malachite (Amazon stone?) and, probably, red jasper. The interpretation of the text offers considerable difficulty, but it seems that the stones were worked into the form of beads and then strung on a cord and suspended from a sick child’s neck. Thereupon a formula was recited, calling upon the disease to pass 149through the beads and disperse itself through water and air, or, more literally, to attach itself to the denizens of water and air. The translation of Dr. Adolph Erman is as follows:[298]
In Papyrus 3027 at the Berlin Museum, a document that dates back to around the fifteenth century B.C. and seems to be from the same time as the famous Papyrus Ebers, we find instructions for the healing use of three stones as amulets: lapis lazuli, malachite (possibly Amazon stone?), and likely red jasper. Understanding the text is quite challenging, but it appears that the stones were made into beads, strung on a cord, and worn around a sick child's neck. Then, a formula was recited, instructing the disease to pass through the beads and disperse into water and air, or more literally, to attach itself to the creatures of water and air. Dr. Adolph Erman's translation is as follows:[298]
O, ye beads! fall upon the haunches [of the ...] in the flood; on the scales? of the fish in the stream; on the feathers of the birds in the heavens. Hasten forth! nšw, fall upon the earth
O, you beads! Fall upon the haunches of the [...] in the flood; on the scales of the fish in the stream; on the feathers of the birds in the sky. Hurry up! nšw, fall upon the earth.
Let this text be recited over the beads?, one of lapis lazuli, the other of jasper?, the other malachite, which are drawn on a string of ... and hung upon the neck of a child.
Let this text be recited over the beads, one of lapis lazuli, another of jasper, and another of malachite, all strung together and worn around a child's neck.
Erman does not venture to translate the name of the disease (nšw), but says that another word derived from the same root signifies a discharge from the nose. Possibly we have to do with croup or some similar disease of the respiratory organs.
Erman doesn't attempt to translate the name of the disease (nšw), but notes that another word derived from the same root means a discharge from the nose. It’s possible that this refers to croup or a similar respiratory illness.
A curious prescription for the cure of cataract is given in the Ebers Papyrus,[299] dating from about 1600 B.C. The six ingredients are as follows: genuine lapis lazuli, verdigris salve, a resinous substance perhaps similar to what is to-day called tabasheer, milk, stibium, and “crocodile-earth,” the slime of the Nile. It is possible that the word chesbet, which usually signifies lapis lazuli, was understood in this case as indicating some other stone, such as that known by the name of lapis Armenus—this latter is a carbonate of copper and really possesses astringent properties.
A strange remedy for treating cataracts is found in the Ebers Papyrus,[299] which dates back to around 1600 BCE The six ingredients are: real lapis lazuli, verdigris salve, a resinous substance that might be similar to what we now call tabasheer, milk, stibium, and “crocodile-earth,” the mud from the Nile. It’s possible that the term chesbet, which usually means lapis lazuli, was used here to refer to a different stone, like what is known as lapis Armenus—the latter is a copper carbonate and actually has astringent properties.
For remedial use a lapis lazuli (cyanus) of deep hue is 150recommended by Dioscorides. This stone was to be burned thoroughly and the resultant powder moistened so that a kind of paste was obtained. This was claimed to have an astringent and caustic effect, and was freely used as a counter-irritant.[300] Probably here as in other cases a sulphate of copper has been confused with the lapis lazuli. The ancients did not favor the administration of lapis lazuli internally, and Braunfels[301] therefore regarded the free use of pills of lapis lazuli which was common in his time as a source of grave danger. The lapis Armenus, however, if well prepared and properly washed, was less to be feared; but, unfortunately, the genuine stone was rarely to be found in the apothecaries’ shops.
For medical use, a deep blue lapis lazuli (cyanus) is recommended by Dioscorides. This stone needed to be burned completely, and the resulting powder should be moistened to create a paste. It was said to have astringent and caustic effects and was commonly used as a counter-irritant.[300] In this case, as in others, a copper sulfate may have been mistaken for lapis lazuli. The ancients didn't support taking lapis lazuli internally, and Braunfels[301] saw the widespread use of lapis lazuli pills in his time as a serious risk. However, the lapis Armenus, if well prepared and correctly washed, was less concerning; but unfortunately, the genuine stone was rarely available in apothecary shops.
Malachite
Many medicinal virtues were ascribed to malachite. Worn as an amulet, it averted attacks of faintness, prevented hernia, and saved the wearer from danger in falling. In this latter respect similar powers seem to have been admitted in the case of the green malachite as were attributed to the light blue or greenish-blue turquoise. If malachite were reduced to a powder, dissolved in milk and taken as a potion, it cured cardiac pains and colic; mixed with honey, and applied with a linen cloth to a wound, it stanched the flow of blood, and cramps were relieved if this solution were applied to the affected part; lastly, if mixed with wine, it was a cure for virulent ulcers.[302]
Many health benefits were attributed to malachite. When worn as an amulet, it helped prevent fainting, avoided hernias, and protected the wearer from falling. In this regard, it seemed to have similar powers to the green malachite as those attributed to light blue or greenish-blue turquoise. If malachite was ground into a powder, mixed with milk, and consumed as a drink, it could relieve heart pain and colic; when combined with honey and applied with a cloth to a wound, it stopped bleeding, and cramps were eased if this solution was put on the affected area; finally, when mixed with wine, it served as a remedy for severe ulcers.[302]
Powdered malachite was sometimes administered medicinally, with what results we have little definite information; certainly, if not very carefully used, the effect would 151have been anything but favorable. A friend of De Boot once told the latter that a dose of six grains of powdered malachite acted as a purgative, but the wary doctor confesses that he never ventured to test the efficacy of this prescription.[303] In Bavaria, at the present time, mothers and midwives are fond of wearing pieces of malachite set in rings or strung for use as necklaces. These are believed to help the dentition of children and are also thought to bring more clients to the midwives. Amulets of this and other kinds were sold in Bavaria, in the seventeenth century, by wandering students and by gypsies.[304]
Powdered malachite was sometimes used for medicinal purposes, but we have little solid information on the results; certainly, if not used very carefully, the effects would have been anything but positive. A friend of De Boot once mentioned that a dose of six grains of powdered malachite acted as a laxative, but the cautious doctor admits he never tried this remedy himself.[303] In Bavaria today, mothers and midwives often wear malachite pieces set in rings or made into necklaces. These are believed to aid in children's teething and are also thought to attract more clients to the midwives. Amulets of this kind and others were sold in Bavaria in the seventeenth century by wandering students and gypsies.[304]
Median Stone
Of the so-called Median stone we read, in Konrad von Megenberg’s “Buch der Natur,”[305] that it had powers of good and evil; “for when dissolved in the milk of a woman who has borne a son, it restores sight to the blind.” It also cured gout and insanity. If, however, anyone were so ill-advised as to dissolve the stone in water and partake of the solution, he would die of hasty consumption; or if he simply bathed his forehead with the liquid, he would be robbed of his sight.
Of the so-called Median stone, we read in Konrad von Megenberg’s “Buch der Natur,”[305] that it had both good and evil powers; “for when dissolved in the milk of a woman who has given birth to a son, it restores sight to the blind.” It also cured gout and insanity. However, if someone were foolish enough to dissolve the stone in water and drink the solution, they would die from rapid consumption; or if they simply washed their forehead with the liquid, they would lose their sight.
Onyx
A famous medicinal stone was at one time in the Abbey of St. Alban, founded in 793 A.D. by Offa, King of Mercia, in honor of the British protomartyr. In 1010, under Abbot Geoffrey de Gorham, a sumptuous shrine was erected to receive St. Alban’s body; this shrine was principally of silver, and was richly adorned with precious stones, chosen 152from among those in the treasury of the monastery. The records state that one of these stones “was so large that a man could not grasp it in his hand.” It was believed to give great help to women in childbirth. Hence, it was not set in the shrine, but was left free, so that it might be taken from house to house as required. The size of this stone and the fact that it was not used for ornamentation might have induced the belief that it was one of the singular “eagle-stones,” so celebrated in ancient and medieval times, but it is expressly described as an onyx-gem, the gift of King Ethelred II (968–1016) to the monastery. From the description we learn that on one side of this onyx was cut an image of Esculapius, the god of healing, and on the other that of “a boy bearing a buckler.” As the art of gem-cutting was practically unknown in Europe in the tenth century, this must have been an antique gem, and may have served as a pagan amulet many centuries before it was placed upon the shrine of a Christian saint and used as a Christian amulet.[306]
A well-known medicinal stone used to be at the Abbey of St. Alban, which was founded in 793 CE by Offa, King of Mercia, to honor the British protomartyr. In 1010, under Abbot Geoffrey de Gorham, an elaborate shrine was built to hold St. Alban’s body; this shrine was mainly made of silver and was richly decorated with precious stones taken from the monastery's treasury. Records indicate that one of these stones “was so large that a man could not grasp it in his hand.” It was believed to be very helpful for women in childbirth. Therefore, it wasn’t placed in the shrine but was kept free, so it could be taken from house to house as needed. The size of this stone and its lack of ornamental use may have led to the belief that it was one of the renowned “eagle-stones,” famous in ancient and medieval times, but it is specifically described as an onyx gem, a gift from King Ethelred II (968–1016) to the monastery. From the description, we learn that one side of this onyx was carved with an image of Esculapius, the god of healing, and on the other side, there was “a boy bearing a buckler.” Since the skill of gem-cutting was almost unknown in Europe in the tenth century, this must have been an antique gem and may have been used as a pagan amulet many centuries before it was placed on the shrine of a Christian saint and used as a Christian amulet.[306]
An old manuscript of Matthew Paris[307] gives a sketch of the gem from this author’s own hand. As the special power exerted by this talisman was to aid women in their confinements, it was loaned out from time to time to such as were considered worthy of the honor. In one case, however, it came into untrustworthy hands, for the favored lady failed to return the gem when her immediate need of its help had passed, retaining it in her possession until her death, when she bequeathed it to her daughter. During her lifetime the latter appears to have had no prickings of conscience, but on her death-bed, possibly through the exhortations of her confessor, she made provision that the long-lost sardonyx 153should be returned to the Abbey. It is said to have borne the name Kaadman, which Mr. Thomas Wright regarded as a corruption of cadmeus or cameus, early forms of our “cameo.”[308]
An old manuscript by Matthew Paris[307] provides a description of the gem in the author’s own handwriting. This talisman was specifically known for helping women during childbirth, so it was lent out occasionally to those deemed worthy of using it. In one case, though, it ended up in untrustworthy hands; the chosen lady did not return the gem after her immediate need had passed and kept it until her death, at which point she left it to her daughter. During her life, the daughter seems to have felt no guilt, but on her deathbed, perhaps due to her confessor's urging, she arranged for the long-lost sardonyx 153 to be returned to the Abbey. It was said to be called Kaadman, which Mr. Thomas Wright believed was a variation of cadmeus or cameus, early forms of our word “cameo.”[308]
Pyrite
In Geneva and in the neighboring regions great virtues are ascribed to a cut and facetted iron (pyrite), very hard, susceptible of a high polish and of resplendent lustre. This is cut to resemble the rose or brilliant form of diamond, and is set in rings, buckles, and other ornaments. In appearance it resembles polished steel and is called pierre de santé, or “health-stone,” for it is believed to grow pale when the health of the wearer is about to fail.[309] This substance is known as marcasite and is a bisulphide of iron. In the time of Louis XVI it was largely used for ornamental purposes; at present steel has almost entirely taken its place, although it is still utilized to a limited extent. Many believe that this is the material to which Victor Hugo alludes in his great romance, “Les Miserables,” as having been manufactured by Jean Valjean.
In Geneva and the surrounding areas, a lot of value is placed on cut and faceted iron (pyrite), which is very hard, can be polished to a high shine, and has a brilliant luster. It's shaped to look like the rose or brilliant cut of a diamond and used in rings, buckles, and other accessories. In its appearance, it resembles polished steel and is called pierre de santé, or “health-stone,” because it's believed to lose its color when the wearer's health is about to decline.[309] This material is known as marcasite and is a bisulphide of iron. During the time of Louis XVI, it was commonly used for decorative purposes; nowadays, steel has mostly replaced it, although it's still used to some extent. Many people think this is the material that Victor Hugo refers to in his famous novel, “Les Miserables,” as being made by Jean Valjean.
Rock-crystal
Medical men in Rome, in the first century, attested that no better cautery for the human body could be used than a crystal ball acted upon by the sun’s rays,[310] and this use of the material seems to have been very general at that time.
Medical professionals in Rome during the first century confirmed that no better cautery for the human body existed than a crystal ball powered by the sun's rays,[310] and this method appeared to be widely used at that time.
In his commentary on Andrea Bacci’s gem-treatise, Wolfgang Gabelchover, the German translator, says that a German name of rock-crystal in his time, the early sixteenth century, was Schwindelstein (“vertigo-stone”), because 154it was believed to preserve the wearer from attacks of dizziness. Other remedial or physical effects of rock-crystal are also noted. Taken as a powder in dry wine, it was a cure for dysentery, and the physician, Christopher Barzizius, taught that if its powder were mixed with honey and administered to mothers, they would be the better able to nurse their offspring.[311]
In his commentary on Andrea Bacci’s gem treatise, Wolfgang Gabelchover, the German translator, mentions that a German name for rock crystal in his day, the early sixteenth century, was Schwindelstein (“vertigo-stone”), because people believed it could protect the wearer from dizziness. Other medicinal or physical effects of rock crystal are also noted. When taken as a powder in dry wine, it was a remedy for dysentery, and the physician, Christopher Barzizius, taught that if the powder was mixed with honey and given to mothers, it would help them nurse their babies better.[311]
The following lines by Robert Wilson (d. 1600), a popular sixteenth-century comedy writer, credit amber and rock-crystal with qualities not commonly ascribed to them, although the fancied growth of rock-crystal from a piece of ice probably explains its supposed styptic virtue:[312]
The following lines by Robert Wilson (d. 1600), a well-known comedy writer from the sixteenth century, attribute unusual qualities to amber and rock-crystal, even though the imagined idea that rock-crystal grows from a piece of ice likely accounts for its believed healing properties:[312]
That a remedial tincture of rock-crystal could be made was firmly believed by the Danish chemist, Ole Borch (Olaus Borrichius, 1626–1690), and in his chemical lectures he gives the following directions as to the processes to be employed. A rock-crystal was to be heated to a high temperature and then cast, while still warm, into cold water; it would thereupon break up into small fragments. By heating these particles together with tartaric salts, the whole mass would be reduced to a liquid solution. Half of the quantity, after cooling off, was to be put into a distilling glass with the best “spirit of wine” and was to be digested in a bath of lukewarm water. It would then be seen that the solution became red. This process is repeated several times, and finally the tincture is concentrated by distilling off the spirit of wine, leaving the pure rock-crystal tincture. Its remedial quality is stated to have been applicable to dropsy, scrofula, or hypochondriac melancholia, if it were taken in doses up to forty drops in a proper medium.[313]
The Danish chemist Ole Borch (Olaus Borrichius, 1626–1690) firmly believed that a healing tincture could be made from rock crystal. In his chemistry lectures, he provided the following instructions for the processes involved. A rock crystal should be heated to a high temperature and then placed, while still warm, into cold water; it will then break into small pieces. By heating these particles along with tartaric salts, the entire mixture will turn into a liquid solution. After cooling, half of the solution should be placed into a distilling flask with high-quality “spirit of wine” and heated in a lukewarm water bath. You will notice that the solution turns red. This process is repeated several times, and finally, the tincture is concentrated by distilling off the spirit of wine, leaving behind the pure rock crystal tincture. Its healing properties were said to be useful for dropsy, scrofula, or hypochondriac melancholy, if taken in doses of up to forty drops in a suitable medium.[313]

ANCIENT PERSIAN RELIC KNOWN AS THE “CUP OF CHOSROES”
The engraved rock-crystal medallion in the centre depicts Khusrau II, Parwiz (A. D. 591–628), in the peculiar and characteristic garb of the Sassanian monarchs. The strange wing-like adornments rising from each shoulder, and the moon crescent and sun-disk above the head, are especially noteworthy. In the Royal Museum, Bucharest, Roumania.
ANCIENT PERSIAN RELIC KNOWN AS THE “CUP OF CHOSROES”
The engraved rock-crystal medallion in the center shows Khusrau II, Parwiz (A.D. 591–628), dressed in the distinctive and unique clothing of the Sassanian kings. The unusual wing-like decorations on each shoulder, along with the moon crescent and sun-disk above his head, are especially notable. In the Royal Museum, Bucharest, Romania.
155To make the magisterium of rock-crystal, a pound of the substance was to be heated to a high temperature and then dipped into spirits of vitriol. After this operation had been repeated ten times, the rock-crystal was to be ground, on a marble slab, to a very fine powder, which was a sure remedy for gout and for calculi formed in any of the bodily organs. The spirits of vitriol in which the rock-crystal had been dipped was sometimes filtered through blotting-paper and sold as crystal spirits of vitriol; this was asserted to be a powerful diuretic, from seven to ten drops being given at a dose in a cup of meat broth.[314]
155To create the magisterium of rock-crystal, a pound of the material needed to be heated to a high temperature and then dipped into sulfuric acid. After repeating this process ten times, the rock-crystal was ground on a marble slab into a very fine powder, which was considered an effective remedy for gout and for stones formed in any bodily organ. The sulfuric acid that the rock-crystal was dipped in was sometimes filtered through blotting paper and sold as crystal sulfuric acid; it was claimed to be a powerful diuretic, with seven to ten drops given per dose in a cup of meat broth.[314]
As late as the last half of the eighteenth century a Dr. Bourgeois recommended the use of rock-crystal, calcined and ground, as a very excellent astringent in the most obstinate cases of diarrhœa. In reporting this, Valmont de Bomare (1731–1807) adds that it would be desirable to know the nature of the acid in rock-crystal and its state of combination.[315] Here, as in all cases where some of the constituents of precious stones may really possess certain curative powers, a better result can be attained by using these constituents in other forms or combinations.
As late as the second half of the 1700s, Dr. Bourgeois suggested using ground and calcined rock-crystal as an excellent astringent for even the toughest cases of diarrhea. In his report, Valmont de Bomare (1731–1807) noted that it would be helpful to understand the type of acid in rock-crystal and how it forms. [315] Here, as in all situations where some components of precious stones might actually have healing properties, better results can be achieved by using these components in different forms or combinations.
The wonderful therapeutic virtues of a Scotch lake named Loch-mo-naire are explained by a local legend as 156having arisen from certain magic crystals which had been cast into its waters. These crystals, if placed in water, rendered the liquid a potion of great curative power. They were the property of a woman who had gained by their possession a great reputation as a healer, but her success attracted the envy of a neighbor who determined to secure for himself the woman’s wonder-working stones. In pursuance of this design he came to her, feigning illness. She saw through his deception and sought safety in flight, but he pursued her and was gaining rapidly on her, when she threw the stones into the waters of the lake, crying out the Gaelic word noire, “shame,” and uttering the wish that its waters should be rendered powerful to cure the sick, all except those of the clan Gordon to which the would-be thief belonged. As the correct translation of the name of the lake is said to be not “Lake of Shame” but “Serpent Lake,” the legend appears to have no good foundation, but is perhaps as true as any of the popular tales purporting to explain the origin of the virtues of healing springs or waters.[316]
The amazing healing qualities of a Scottish lake called Loch-mo-naire are explained by a local legend that says they came from magical crystals thrown into its waters. These crystals, if put in water, turned it into a powerful healing potion. They belonged to a woman who became well-known as a healer because of them, but her success made a neighbor envious, and he decided to steal her miraculous stones. To carry out his plan, he approached her, pretending to be sick. She saw through his trick and tried to escape, but he chased her down. Just as he was catching up, she threw the stones into the lake and shouted the Gaelic word noire, which means “shame,” wishing that the lake’s waters would become capable of healing the sick, but only for everyone except those from the Gordon clan to which the would-be thief belonged. Although the true meaning of the lake's name is said to be “Serpent Lake” rather than “Lake of Shame,” the legend may not be grounded in truth, but it’s probably as valid as any of the tales that attempt to explain the origins of healing springs or waters.[316]
To many stones was attributed the power of transmitting a certain remedial virtue to water or other liquid in which they were immersed. This, as we have related, was the case with the white stone that St. Columba sent to King Brude at Inverness when the king’s druid priest Broichan was suffering from disease. A peculiarity of this stone was that if it were required in the case of a person about to die, it would disappear from view. Thus its remedial powers could never be put to test unless success were assured.[317]
Many people believed that certain stones had the power to give medicinal properties to water or other liquids they were put in. As we've mentioned, this was true for the white stone that St. Columba sent to King Brude in Inverness when the king's druid priest Broichan was ill. A unique thing about this stone was that if it was needed for someone who was close to death, it would vanish from sight. Therefore, its healing abilities could never be tested unless success was guaranteed.[317]
There can be no reasonable doubt that some remarkable cures have been effected by means of relics, or by drinking the waters of a spring believed to have been pointed out by some divine vision. From a purely scientific standpoint 157this can be explained as the result of an extraordinary stimulation of the nerve-centres, caused by the rapt enthusiasm of religious faith. The relics, or the pure water, simply serve as an object about which this faith crystallizes, so to speak, and gains a concrete and external form, which in turn reacts upon the mind of the believer. It is a well-known fact that a great shock, or imminent peril, has sometimes suddenly restored the power of motion to those who have long been paralyzed. This view does not, however, necessarily exclude a religious interpretation of these phenomena when they are produced by religious impressions, for the divine will manifests itself by natural means, and a true understanding of the regular and normal working of these means should give us a deeper, truer, and purer faith.
There’s no reasonable doubt that some amazing cures have happened through relics or by drinking from springs thought to be pointed out by divine visions. From a purely scientific perspective, this can be explained as an extraordinary stimulation of the nerve centers, caused by the intense enthusiasm of religious faith. The relics or the clear water act as a focus for this faith to gather around, so to speak, giving it a concrete and external form, which then influences the believer’s mind. It’s well-known that a significant shock or facing imminent danger can sometimes suddenly restore movement to those who have been paralyzed for a long time. However, this perspective doesn’t necessarily rule out a religious interpretation of these events when they arise from religious experiences, since divine will can express itself through natural means, and a true understanding of how these means normally work should lead us to a deeper, truer, and purer faith.
Sapphire
As a substance for medicinal use, the Hindus declared the sapphire to be bitter to the taste and lukewarm. It had a remedial action against phlegm, bile and flatulence.[318] A similar action is ascribed to several other precious stones, the medicinal qualities attributed to them being less differentiated among the Hindus than they were with the Greeks and Romans, or in medieval times.
As a medicine, the Hindus stated that sapphire has a bitter taste and is lukewarm. It was believed to help with phlegm, bile, and gas.[318] A similar effect is said to be found in several other precious stones, with the medicinal properties assigned to them being less specific among the Hindus compared to the Greeks and Romans, or during medieval times.
To drink of a potion made from the sapphire was said to be helpful for those who had been bitten by a scorpion, and for those suffering from intestinal ulcerations, or from growths in the eye; it also prevented boils and pustules, and healed ruptured membranes.[319] Here we see that the sapphire shared with the emerald the power of strengthening the sight, and one authority asserts that if anyone looked long and intently at a sapphire, his eyes would be protected 158from all injury, and nothing harmful could befall them.[320]
Drinking a potion made from sapphire was said to help those who had been bitten by a scorpion and those suffering from intestinal ulcers or growths in the eye; it also prevented boils and pustules and healed ruptured membranes.[319] Here we see that sapphire, like emerald, had the power to strengthen vision, and one expert claims that anyone who looked long and intensely at a sapphire would have their eyes protected158 from all harm, and nothing bad could happen to them.[320]
A medieval test of the antitoxin quality of the sapphire was to place a spider in a vessel to whose mouth a sapphire was so suspended that it would swing backwards and forwards just above the spider. The supposedly venomous insect was not long able to resist the power of the stone and fell a victim to its virtues. Wolfgang Gabelchover gravely asserts that this experiment had often been successful.[321]
A medieval method to test the antitoxin quality of a sapphire involved placing a spider in a container, with a sapphire suspended above its opening so that it would swing back and forth just over the spider. The supposedly venomous spider couldn't withstand the power of the stone for long and ended up succumbing to its effects. Wolfgang Gabelchover seriously claims that this experiment was often successful.[321]
The removal of particles of sand or dust from the eye was said to be successfully accomplished by “warming” a sapphire over the eye, the virtue of the stone thus passing into the eye and giving the organ the strength necessary for the ejection of the troublesome foreign body.[322] This attribution of a chemical action to the sapphire in eye-trouble may be added to the many statements of its general curative powers in eye-diseases.
The process of getting rid of sand or dust particles from the eye was believed to be effectively done by “warming” a sapphire over it, allowing the stone’s properties to transfer into the eye and providing the necessary strength to remove the irritating foreign object.[322] This claim of a chemical effect from the sapphire on eye issues adds to the numerous claims about its overall healing abilities in eye diseases.
Topaz
The thirteenth century Hindu physician Naharari states that the topaz tastes sour and is cold. It is a remedy for flatulence and is a most excellent appetizer. Any man who wears this stone will be assured of long life, beauty and intelligence.[323] Many a curious legend has been woven about the old belief that the topaz quenched thirst. However, popular fancy does not endow any and every topaz with this power. One of these thirst-removing topazes is said to have been in the possession of a celebrated Hindu necromancer, whose services had been sought by one of the petty rajahs of India on the day of a decisive battle. Either this necromancer’s art must have failed him at the critical moment, or else a more powerful enchanter guided the fortunes of the enemy, for the latter prevailed and the owner of the potent topaz was left dying upon the field of battle. Alongside him was a poor wounded soldier who was clamoring for a drop of water to quench his burning thirst. Hearkening to this prayer, the dying necromancer threw his topaz to the soldier, telling him to place it upon his heart. No sooner did he do so than his thirst passed away, and we must suppose that his wounds were also healed, for we are told that on the morrow he sought everywhere on the battle-field for the corpse of his benefactor but could find no trace of it.
The thirteenth-century Hindu physician Naharari says that topaz has a sour taste and is cool. It helps with gas and is a great appetizer. Anyone who wears this stone will enjoy a long life, beauty, and intelligence.[323] Many intriguing legends have been created around the old belief that topaz can quench thirst. However, not every topaz has this ability according to popular belief. One of these thirst-quenching topazes was supposedly owned by a famous Hindu necromancer, who was sought after by a minor rajah of India on the day of a crucial battle. Either the necromancer's magic failed him at the critical moment, or a stronger sorcerer controlled the enemy's fate, for the enemy won, and the owner of the powerful topaz lay dying on the battlefield. Next to him was a poor wounded soldier who cried out for a drop of water to satisfy his burning thirst. Responding to this plea, the dying necromancer threw his topaz to the soldier, telling him to place it over his heart. As soon as he did, his thirst vanished, and we can assume his wounds were also healed, as we are told that the next day he searched the battlefield for his benefactor's body but found no trace of it.

1. Emerald that belonged to the deposed Sultan of Turkey, Abdul Hamid; weight 45.33 carats. Auctioned December 11, 1911, Paris.
1½. Side view of the emerald.
2. Almandite garnet (transparent) fashioned into a knuckle bone; on the upper surface is engraved an eagle with outspread wings, above which are the Greek characters κακγ. Charm seal of some early knuckle-bone player.
3. Sardonyx idol-eye of a Babylonian bull, pierced for suspension. Engraved at a later period with the head of a Parthian king.
4. Aquamarine seal (transparent). Sassanian Pahlavi. Found in ruins of Babylonia.
1. Emerald that belonged to the overthrown Sultan of Turkey, Abdul Hamid; weight 45.33 carats. Auctioned on December 11, 1911, in Paris.
1½. Side view of the emerald.
2. Transparent almandite garnet shaped like a knuckle bone; the upper surface is engraved with an eagle spreading its wings, above which are the Greek letters κακγ. This was a charm seal for some early knuckle-bone player.
3. Sardonyx idol-eye of a Babylonian bull, made for hanging. Later engraved with the head of a Parthian king.
4. Transparent aquamarine seal. Sassanian Pahlavi. Discovered in the ruins of Babylonia.
159Tavernier, the great French Seventeenth Century jeweler-traveler, the first European to visit the ruby mines, took with him a number of emeralds, generally large. These were often cut from the top of the crystal, usually darker in color, and simply domed off, preserving the original hexagonal shape. Remarkable specimens are in the Indian Museum and the South Kensington Museum, part of the jewels of Thebaud, King of Burma. The finest emeralds of this type belonged to the late Sultan of Turkey; one of the finest, a remarkable gem, cut rounded en cabochon, was with the Bijoux du Sultan, S. M. Abd-Ul-Hamid II, sold at the Galerie Georges Petit, November 28, 1914. It weighed 44³⁄₁₆ carats (old system) or 45.29 carats (metric system). (See color plate.)
159Tavernier, the renowned French jeweler and traveler from the 17th century, was the first European to explore the ruby mines. He brought along several large emeralds, which were often cut from the top of the crystal, typically darker in color, and simply rounded off while keeping their original hexagonal shape. Notable examples can be found in the Indian Museum and the South Kensington Museum, part of the jewels of Thebaud, King of Burma. The best emeralds of this kind belonged to the late Sultan of Turkey; one of the finest, an exceptional gem cut in a rounded cabochon shape, was part of the Bijoux du Sultan, S. M. Abd-Ul-Hamid II, sold at the Galerie Georges Petit on November 28, 1914. It weighed 44³⁄₁₆ carats (old system) or 45.29 carats (metric system). (See color plate.)
A remarkable charm is a hemispherical, transparent aquamarine, with figure of hump bull, found in ancient Babylonia. (See color plate.)
A striking charm is a round, clear aquamarine with the figure of a hump-backed bull, discovered in ancient Babylonia. (See color plate.)
A quaint, ancient amulet is carved out of fine knuckle bone, an eagle with spread wings engraved on one side; portrait of a Parthian King. (See color plate.)
A charming, old amulet is carved from fine knuckle bone, featuring an eagle with outstretched wings on one side; a portrait of a Parthian King. (See color plate.)
A Babylonian idol’s eye, of sardonyx, was pierced and worn as charm against the Evil Eye; later engraved with portrait of a Parthian King. (See color plate.)
A Babylonian idol’s eye, made of sardonyx, was drilled through and worn as a charm against the Evil Eye; later, it was engraved with a portrait of a Parthian King. (See color plate.)
IV
On the Benefits of Amazing Stones, Concretions, and Fossils

Not only precious or semi-precious stones were used as charms or talismans and for curative purposes; a large number of animal concretions also were and are still somewhat in favor. These concretions, variously composed but usually containing a quantity of carbonate of lime, are found in different parts of animals’ bodies, and they were believed to contain a sort of quintessence of the nature of the animal in which they occurred. For this reason the alectorius, from the body of the cock, one of the most widely known of the animal stones in ancient times, was thought to confer valor upon the wearer, and is said to have been worn by athletes in their contests.
Not just precious or semi-precious stones were used as charms or talismans and for healing purposes; a lot of animal concretions were and still are somewhat popular. These concretions, which vary in composition but usually contain some carbonate of lime, are found in different parts of animals’ bodies, and people believed they held a kind of essence of the animal they came from. For this reason, the alectorius, from the body of a rooster, one of the most well-known animal stones in ancient times, was thought to give courage to the wearer and is said to have been worn by athletes during their competitions.
In the case of venomous, or supposedly venomous, creatures, such as the toad and certain snakes, the stone was used as an antidote for poisons. This virtue was thought to be notably present in the so-called bezoar stone, taken from the stomach of a species of goat, as well as from some other animals. As we shall see, legend sought to account for the peculiar qualities of the bezoar by the tale that the animals in whose bodies the stones were formed had been bitten by serpents. Indeed, it seems not unlikely that the belief in the curative properties of the bezoar stone originally owed its existence to the finding of some such concretion in the body of an animal that had died from the effects of snake-bite.
In the case of venomous or supposedly venomous creatures, like toads and certain snakes, the stone was used as an antidote for poisons. This quality was believed to be especially strong in the so-called bezoar stone, which comes from the stomach of a certain type of goat, as well as from some other animals. As we will see, legend tried to explain the unique properties of the bezoar by telling the story that the animals from which the stones came had been bitten by snakes. In fact, it seems likely that the belief in the healing properties of the bezoar stone originally started from the discovery of such a stone in an animal that had died from a snake bite.
As is well known, certain pathological conditions induce the formation of stones of various kinds and shapes in the 161human body also. Here the tendency has been to use these stones to counteract the disease which produced them. Renal or vesical calculi, for instance, were recommended for diseases of the kidneys and bladder, a treatment quite in accord with the popular idea of the homeopathic theory.
As is well known, certain medical conditions lead to the formation of stones of various types and shapes in the human body. The common approach has been to use these stones to treat the disease that caused them. For example, kidney or bladder stones were suggested for treating kidney and bladder issues, which aligns with the well-known concept of homeopathy.
Another class of animal substances, namely, the fossil teeth of the shark, enjoyed a tremendous vogue at one time, and were known by the name of glossopetræ. These were usually regarded as stones, and because of their peculiar form were frequently assimilated to the belemnites and even to the flint arrow-heads and other prehistoric flint instruments, which were dug up in many places. All these flint artefacts were believed to have been precipitated to the earth by the discharge of electricity during a thunder-storm; in other words, they were “thunderbolts.”[324] The same idea was frequently held as to the origin of the glossopetræ, and those found on the island of Malta were brought into connection with an incident of St. Paul’s visit to that island.
Another type of animal substance, specifically the fossil teeth of sharks, became really popular at one point and were referred to as glossopetræ. These were typically thought of as stones, and due to their unique shape, they were often compared to belemnites and even flint arrowheads and other prehistoric flint tools that were discovered in various locations. People believed that all these flint artifacts were formed due to electricity discharges during thunderstorms; in other words, they were considered “thunderbolts.”[324] The same idea was often applied to the origin of the glossopetræ, and those found on the island of Malta were associated with an event from St. Paul’s visit to that island.
In many different countries, especially in the north of Europe, these flint arrow-heads and the fossil remains of similar form, were called fairy-darts or elf-shots, and were believed to be the enchanted weapons of the elves and fairies, who, in the old folk-lore, are represented as beings of a very different quality from the fairies and elves of the tales of our childhood. In some parts of Europe at the present day, for example in Ireland, the peasantry talk with bated breath of the doings of the “good people,” for they shrink from using the word “fairy” lest it might offend these mysterious and generally malevolent beings. The designation “good people” is therefore used to placate and flatter them.
In many countries, especially in northern Europe, these flint arrowheads and similar fossil remains were called fairy-darts or elf-shots, and people believed they were enchanted weapons of elves and fairies. In old folklore, these beings were seen as very different from the fairies and elves we hear about in childhood stories. Even today, in some parts of Europe, like Ireland, locals speak about the “good people” in hushed tones because they avoid saying the word “fairy” out of fear of offending these mysterious and often malevolent beings. The term “good people” is used to appease and flatter them.

Extracting toad-stone. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
Extracting toad stone. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
Various shell fossils were also used as talismans. Here the form generally determined the virtues they were supposed to possess. Some of these strange forms lent themselves 162to an interpretation in line with the primitive adoration of the life-giving forces of nature, and suggested the use of such fossils to cure certain special diseases. Other of these petrifactions retaining the form of the enclosing shell, especially those of circular shape, and with concentric rings, were believed to be of meteoric origin and to have fallen during thunder or rain; hence the names of brontia and ombria. A certain class of these fossils, with convolutions on the surface resembling the form of a snake, were called snake-eggs (ova anguina), and, very naturally, enjoyed the repute of preserving the wearer from poisons. All these varieties will be described in this and the following chapters.
Various shell fossils were also used as talismans. Here, the shape generally determined the qualities they were thought to possess. Some of these unusual shapes were interpreted as being related to the primitive worship of nature's life-giving forces, suggesting their use in curing specific illnesses. Others of these fossils, which kept the shape of the enclosing shell—especially those that were circular and had concentric rings—were believed to be of meteoric origin and thought to have fallen during thunderstorms or rain; hence the names of brontia and ombria. A certain type of these fossils, featuring surface convolutions that look like a snake, were referred to as snake-eggs (ova anguina) and, of course, were believed to protect the wearer from poisons. All these varieties will be described in this and the following chapters.
While some believed that the toad-stone was vomited by the animal, others held that it constituted a part of the toad’s head. That this was the popular belief in Shakespeare’s time is shown by the well-known lines in his “As You Like It” (Act II, sc. 1):
While some thought the toad-stone was spit out by the animal, others believed it was a part of the toad’s head. This was the common belief in Shakespeare’s time, as evidenced by the famous lines in his “As You Like It” (Act II, sc. 1):
De Boot, whose treatise was published about the time that Shakespeare wrote these lines, gives the following account of the result of his efforts to obtain a toad-stone according to the prescribed method:[325]
De Boot, whose treatise was published around the same time Shakespeare wrote these lines, provides the following account of the results of his efforts to obtain a toad-stone using the recommended method:[325]
I remember that, when a boy, I took an old toad and set it upon a red cloth that I might secure a toad-stone; for they say that it will not give up its stone unless it sits upon a red cloth. However, although I watched the 163toad for a whole night, it did not eject anything, and from this time I became convinced all the tales concerning this stone were merely fond imaginings.
I remember when I was a boy, I took an old toad and placed it on a red cloth to get a toadstone; they say it won't give up its stone unless it's on red cloth. However, even though I watched the toad all night, it didn't produce anything, and from that moment on, I was convinced that all the stories about this stone were just silly fantasies.
A stone called simply the “Indian Stone,” and said to be light and porous, is noted by pseudo-Aristotle, and to it is attributed the power to relieve those suffering from dropsy, by drawing the water to itself. If weighed after having been applied to the patient, the stone was found to have increased in weight in proportion to the amount of water absorbed, and when it was placed in the sun, water of a yellowish hue exuded, until, finally, the stone resumed its original appearance and weight.[326] Another and perhaps earlier authority gives the name “toad-stone” to this material.[327]
A stone known simply as the “Indian Stone,” which is said to be light and porous, is mentioned by pseudo-Aristotle. It's believed to have the ability to help people suffering from dropsy by absorbing excess water. After being used on a patient, the stone reportedly weighed more, correlating with the amount of water it had taken in. When placed in the sun, it would release water with a yellowish tint until it eventually returned to its original look and weight.[326] Another source, possibly older, refers to this substance as “toad-stone.”[327]

BVFONITES
Toad-stones. Natural concretions of claystone and limonite. From Mercati’s “Metallotheca
Vaticana,” Romæ, 1719.
BVFONITES
Toad-stones. Natural formations of claystone and limonite. From Mercati’s “Metallotheca
Vaticana,” Rome, 1719.
The toad-stone was not only an antidote for poisons, but was also thought to give warning of their presence by becoming very hot. To fully profit by this strange quality, the wearer of such a stone was advised to have it so set in a ring that it would touch the skin; in this way he would be 164sure to have timely notice, if any poisoned food or drink were offered to him.[328] The writer who mentions this adds the following tale of the discovery of a toad-stone:
The toad-stone was not only a remedy for poisons but was also believed to warn of their presence by heating up significantly. To make the most of this unusual quality, the person wearing the stone was advised to set it in a ring that would touch their skin; this way, they would receive timely warning if any poisoned food or drink was offered to them.164 The writer who mentions this shares the following story about the discovery of a toad-stone:
A clerk once found a toad which had a round knob on its head, wherefore he thought that there must be a toad-stone. So he took up the toad and tied it firmly in the sleeve of his coat. When he returned from the fields and searched for the toad he found it not, although the sleeve of his coat was tightly bound below and he could not discover any opening through which the creature could have passed. This shows us that it is a great help to prisoners in jail.
A clerk once found a toad with a round bump on its head, which made him believe it must have a toad-stone. So he picked up the toad and tied it securely in the sleeve of his coat. When he came back from the fields and looked for the toad, he couldn't find it, even though the sleeve of his coat was tightly closed below, and he couldn't find any way for the creature to escape. This illustrates that it's a great help to prisoners in jail.
Another early authority, Thomas de Cantimpré, says of the toad-stone:
Another early authority, Thomas de Cantimpré, talks about the toad-stone:
If one take the stone from a living and still quivering toad a little eye can be seen in the substance; but if it be taken from a toad that has been some time dead, the poison of the creature will have already destroyed this little eye and spoiled the stone.
If you take the stone from a living and still-wriggling toad, you can see a little eye in the substance; but if it's taken from a toad that has been dead for a while, the creature's poison will have already destroyed this little eye and ruined the stone.
If the toad-stone be swallowed at meal-time it passes through the system and carries off all impurities.[329] Here the substance may have been one of many concretionary materials,—bauxite, impure pearls, concretionary limestone, stalagmite, or even the eye-stones from the crawfish; indeed, any material, white or gray, that had a semblance to a toad color, and was then sold by the vendor of charm stones as coming from a toad’s head.
If you swallow the toad-stone during a meal, it goes through your system and gets rid of all the impurities.[329] Here, the material could have been one of many types of gathered substances—bauxite, flawed pearls, limestone, stalagmite, or even eye-stones from crawfish; basically, anything that was white or gray and looked like toad skin was sold by the charm stone vendor as being from a toad's head.
The great Erasmus (1465–1536) made a pilgrimage to the famous shrine of the Virgin in the church at Walsingham, in Kent. In his description of what he saw there he expressly notes a wonderful toad-stone:
The great Erasmus (1465–1536) took a trip to the well-known shrine of the Virgin in the church at Walsingham, in Kent. In his account of what he experienced there, he specifically mentions a remarkable toad-stone:
At the feet of the Virgin is a gem for which there is as yet no Latin or Greek name. The French have named it after the toad [crapaudine], because it represents so perfectly the figure of a toad that no art could do this 165so well. The miracle is all the greater that the stone is so small, and that the exterior surface has not the form of a toad, the image showing through it as though inclosed within.[330]
At the feet of the Virgin is a gem that still doesn't have a Latin or Greek name. The French have called it after the toad [crapaudine], because it resembles a toad so perfectly that no art could capture it better. The miracle is even more remarkable since the stone is so small, and the outer surface doesn’t look like a toad; instead, the image appears as if it's trapped inside.[330]
As we see, the stone of Erasmus contained the form or image of a toad. This was not usually the case with the concretions that bore this name, and it appears probable that the “crapaudine” of the shrine at Walsingham owed its peculiarity rather to art than to nature. A rather far-fetched explanation of the origin of these substances is given by Ambrosianus, who relates that, in order to investigate the quality and character of toad-stones, he killed a number of toads and took out their brains. Although these were not hard when extracted, they became, in time, as hard as stones.[331]
As we see, the stone of Erasmus had the shape or image of a toad. This was not usually the case with the stones that were called by this name, and it seems likely that the “crapaudine” of the shrine at Walsingham was more a result of art than nature. A rather implausible explanation for the origin of these stones is provided by Ambrosianus, who reports that, to explore the quality and nature of toad-stones, he killed several toads and removed their brains. Although these were not hard when taken out, they eventually became as hard as stones.[331]
A toad-stone which appeared to represent the form of this animal was preserved as an heirloom in the Lemnian family. It exceeded the size of a walnut and was often seen to dissipate the swelling caused by the bite of a venomous creature in any part of the body, if it were rubbed quickly over the swelling. It, therefore, seemed to possess the same quality as was attributed to the animal from which it was taken, namely, to draw out and annul all poisons. If any neighbor of the Lemnian family were bitten by a mouse, a spider, a dormouse, a wasp, a beetle, or any such creature, he soon sought the aid of this stone.[332]
A toadstone that looked like this animal was kept as a family heirloom in the Lemnian family. It was larger than a walnut and could often reduce swelling from a venomous bite if it was rubbed on the area quickly. It seemed to have the same properties as the animal it came from, meaning it could draw out and neutralize poisons. If any neighbor of the Lemnian family was bitten by a mouse, spider, dormouse, wasp, beetle, or any similar creature, they would quickly seek help from this stone.[332]
We have noted De Boot’s unsuccessful attempt to secure a toad-stone, but he does not seem to have used the orthodox method for obtaining it. According to one authority,[333] the creature should be placed in a cage covered with a red cloth 166and then set in the hot sunshine for several days, until thirst forced the poor toad to eject his precious stone, which was to be removed as soon as possible lest it should be swallowed again. Another method proposed is so cruel that it is a comfort to know that the whole matter is little more than a fanciful conceit. In this case, the toad was to be enclosed in a pot with many perforations, and the vessel with its unlucky inmate was then to be placed in an ant-hill and left there until nothing remained of the toad except his bones and the coveted stone. It is quite probable that any stone found in an ant-hill after this procedure would be termed a “toad-stone,” since the toad was put away in order to find one. In some instances they may have been bony concretions from the head of the toad, or even pebbles that the toad had swallowed.
We’ve noted De Boot’s failed attempt to get a toad-stone, but it looks like he didn’t use the traditional method to obtain it. According to one source,[333] the creature should be kept in a cage covered with a red cloth 166and then left in the hot sun for several days, until it got thirsty and expelled its precious stone, which needed to be taken out quickly to prevent it from being swallowed again. Another proposed method is so cruel that it’s a relief to know the whole concept is mostly just a fanciful idea. In this case, the toad was supposed to be put in a pot with numerous holes, and the pot with its unfortunate occupant was then placed in an ant-hill and left there until nothing was left of the toad but its bones and the desired stone. It's very likely that any stone found in an ant-hill after this process would be called a “toad-stone,” since the toad was sacrificed to find one. In some cases, they might have been bony growths from the toad’s head or even pebbles that the toad had swallowed.
While it is quite possible that some of the so-called toad-stones may really have been concretions found in the head of the toad, by far the greater part were probably small pebbles sold as “toad-stones” to those who believed in the magic virtues of such a stone and were ready to pay a good price for one. Where there is a demand there will always be a supply, and the rarer the genuine article is, the greater is the incentive to imitation or substitution. In the case of some of these “toad-stones” set in rings to serve as amulets, the material has been found to be the fossil palatal tooth of the ray, a species of fish.[334]
While it's possible that some of the so-called toad-stones were actual concretions found in the heads of toads, most were likely just small pebbles sold as “toad-stones” to those who believed in the magical properties of such stones and were willing to pay a high price for them. Where there's demand, there's always a supply, and the rarer the authentic item, the greater the incentive for imitation or substitution. In some cases, these “toad-stones” set in rings as amulets have been found to be the fossilized palatal tooth of a ray, a type of fish.[334]
The small share of material prosperity that fell to the lot of wits and literary men in the England of the sixteenth century, even in the age of Elizabeth, induced Thomas Nash (1567–1601) to liken the fate of the wit to that of the toad-stone, or, as he writes, of “the pearl,” which was said to be in the head of the toad, this “being of exceeding virtue, is enclosed with poison; the other, of no less value, compassed 167about with poverty.”[335] A writer of the same period affirms that if the toad-stone were touched to any part, “envenomed, hurt, or stung with rat, spider, wasp, or any other venomous beast,” the swelling and pain were diminished.[336]
The small amount of material wealth that came to intellectuals and writers in England during the sixteenth century, even in Elizabeth's era, led Thomas Nash (1567–1601) to compare the fate of the clever to that of the toad-stone, or, as he puts it, “the pearl,” which was said to be found in the head of the toad. This “being of great value is surrounded by poison; the other, of equal worth, is surrounded by poverty.”167 A writer from the same time claims that if the toad-stone was applied to any area that was “poisoned, hurt, or stung by a rat, spider, wasp, or any other venomous creature,” the swelling and pain would lessen.
The bones of the lizard were supposed to have medicinal virtues similar to those attributed to various “stones” found in animals. The following directions are given by Encelius for securing these bones: “Put a green lizard, while still alive, in a closed vessel filled with the best quality of salt. In a few days the salt will have consumed the flesh and the intestines, and you can easily gather up the bones.”[337] These were used as remedies for epilepsy and were considered to be as efficacious as the hoofs of the elk, a recommendation which seems to have been regarded as sufficient to convince the most sceptical of the remedial virtues of the lizard’s bones.
The lizard's bones were believed to have healing properties similar to those claimed for various "stones" found in animals. Encelius provides these instructions for obtaining the bones: "Place a green lizard, while still alive, in a sealed container filled with high-quality salt. After a few days, the salt will have dissolved the flesh and intestines, making it easy to collect the bones." [337] These bones were used as treatments for epilepsy and were thought to be as effective as elk hooves, a claim that seemed to be enough to persuade even the most doubtful about the healing powers of the lizard's bones.
The crab furnished the stone called the crab’s-eye, because in form it resembled an eye. Like almost all the animal concretions, it was principally used as a remedy for those suffering from vesical calculi, and no other concretion was believed to be so efficacious in breaking up or dissolving the calculi in the case of those who had long been afflicted with them. Those referred to by Encelius were from the crawfish and are often used as eye-stones.[338]
The crab produced a stone known as the crab’s-eye because it looked like an eye. Like most animal-based stones, it was mainly used to treat people suffering from bladder stones, and no other stone was thought to be as effective in breaking up or dissolving these stones for those who had been suffering from them for a long time. The ones mentioned by Encelius came from crawfish and are commonly used as eye stones.[338]
In the last joint of a crab’s claw was sometimes found a small concretion closely resembling in size and appearance a grain of millet-seed; it was in no wise like the “lapillus” found in crab’s eyes. We have the testimony of Cardanus that he had preserved two such concretions, one of which he had himself come across, while the other had been found 168by a colleague. They were smooth and light, and of a reddish-white color. Because they were very rarely met with, the circumstance was regarded as of good augury for the finder.[339]
In the last joint of a crab’s claw, you could sometimes find a small pebble that looked just like a millet seed in size and appearance; it wasn’t at all like the “lapillus” found in a crab’s eyes. Cardanus testified that he had preserved two of these pebbles—one he discovered himself, and the other was found by a colleague. They were smooth, lightweight, and reddish-white in color. Because these were so rarely found, discovering one was considered a sign of good luck for the person who found it.168[339]
A round concretion (a calculus) from the liver of the ox is described by Ibn Al-Beithar as being of a yellowish color and composed of successive superimposed layers. If secured at the time of the full moon it was believed to promote embonpoint, and was much prized by the Egyptian women for this virtue. The effect was to be attained by taking two grains of the pulverized concretion, either with the bath or directly after bathing, and thereupon a “fat hen” was to be eaten.[340] The latter prescription, if regularly and frequently administered, might be thought to suffice without the powdered calculus.
A round stone (a calculus) from the liver of the ox is described by Ibn Al-Beithar as being yellowish and made up of stacked layers. If obtained during the full moon, it was believed to promote weight gain and was highly valued by Egyptian women for this quality. The effect was said to be achieved by taking two grains of the powdered stone, either in the bath or right after bathing, and then eating a “fat hen.”[340] This latter recommendation, if taken regularly, might be thought to be enough on its own without the powdered stone.
From the second stomach of heifers was sometimes obtained a dark brown or blackish concretion of very light weight and as round as a ball. This was credited with great remedial virtues provided it had not fallen to the ground.[341] There seems to have been a belief that the curative or talismanic properties of animal concretions, or of the teeth of animals, were weakened, or destroyed, if these objects came in contact with the earth. This belief was perhaps due to the idea that the mysterious power of the substance was originally derived from earth currents, or emanations, and that the active principle would return to the earth if the object came in contact with it.
From the second stomach of heifers, people sometimes got a lightweight, dark brown or blackish ball-shaped concretion. It was believed to have great healing properties as long as it hadn’t touched the ground.[341] There seems to have been a belief that the healing or protective qualities of animal concretions, or animal teeth, were weakened or lost if these items made contact with the earth. This belief likely stemmed from the idea that the mysterious power of the substance originally came from earth currents or emanations, and that the active principle would revert to the earth if the object touched it.
The lapis carpionis or carp-stone, a triangular mass, was taken from the jaws of the carp. It was smaller or larger according to the size of the fish. The principal remedial use was against calculi, or for the cure of bilious diseases 169and colic.[342] These are bony plates from the upper part of the mouth of the carp. Such so-called “stones” were also said to check bleeding of the nose, a quality they owed to their astringent properties, quite noticeable if anyone tasted the powder made from them.[343]
The lapis carpionis or carp-stone, a triangular mass, was taken from the jaws of the carp. Its size varied depending on the fish. The main medicinal use was for treating stones or curing bile-related diseases and colic. 169[342] These are bony plates from the upper part of the carp's mouth. These so-called “stones” were also believed to stop nosebleeds, a property attributed to their noticeable astringent effects if someone tasted the powder made from them.[343]
The cinædias, a white and oblong concretion, had in Pliny’s time the reputation of possessing extraordinary powers, announcing beforehand whether the sea would be clear or stormy.[344] In what way this weather prediction was manifested we are not told; perhaps the surface of the concretion may have become dull or grayish when there was much humidity in the air. The cinædia were said to be found in pairs in the fish of that name; one pair being taken from the head of the fish and another pair from the two dorsal fins. Power to cure diseases of the eye was conferred upon these concretions by putting nine of them, duly numbered, in an earthen jar together with a green lizard. Each day one of the “stones” was taken from the vessel in the numerical order, and on the ninth day the lizard was liberated. Evidently it was thought that to kill the animal would interfere with the transmission of its virtue to the concretions.[345]
The cinædias, a white and elongated stone, were believed in Pliny’s time to have amazing powers, predicting in advance whether the sea would be calm or stormy.[344] We’re not told how this weather prediction happened; maybe the surface of the stone turned dull or grayish when there was high humidity in the air. The cinædia were said to be found in pairs inside the fish of that name, with one pair taken from the fish's head and another pair from its two dorsal fins. To treat eye diseases, nine of these stones were placed in a clay jar along with a green lizard, each stone numbered. Each day, one of the "stones" was removed from the jar in order, and on the ninth day, the lizard was set free. It was clearly believed that harming the animal would disrupt the transfer of its powers to the stones.[345]
The eye of the hyena was supposed to furnish a stone called hyænia and Pliny writes that these animals were hunted to secure possession of it. Like rock-crystal and many other decorative stones, this hyænia was thought to give the power to foretell the future, if it were placed beneath the tongue.[346] Because of the hyena’s uncanny habit of feeding on carrion, and unearthing dead bodies from 170graves, it has often been associated with necromancy and with evil spirits.
The eye of the hyena was believed to provide a stone called hyænia, and Pliny mentioned that these animals were hunted to obtain it. Like rock crystal and many other decorative stones, this hyænia was thought to have the ability to predict the future if placed under the tongue.[346] Due to the hyena’s strange habit of scavenging on carcasses and digging up dead bodies from graves, it has often been linked to necromancy and evil spirits.
The lacrima cervi, or “stag’s tear,” is not to be confounded with the bezoar stone according to Scaliger, who maintains that it was a bony concretion that formed in the corner of a stag’s eye only after the animal had passed its hundredth year; as the stag never attains this age he might as well have said that the existence of this “tear” was a fable. However, he describes it as though he had carefully inspected a specimen, saying that it was so smooth and light that it would almost slip through the fingers of anyone who held it in his hand. It had similar powers to those of the bezoar, being a powerful antidote to poisons and a cure for the plague if powdered and given with wine; these good effects resulting from the excessively profuse perspiration that followed the administration of the dose.[347]
The lacrima cervi, or “stag’s tear,” should not be confused with the bezoar stone, according to Scaliger, who argues that it was a bony growth that formed in the corner of a stag’s eye only after the animal turned a hundred years old. Since stags never live that long, he might as well have claimed that this “tear” was just a myth. Nevertheless, he describes it as if he had closely examined one, claiming it was so smooth and lightweight that it would nearly slip out of anyone's grasp. It had effects similar to those of the bezoar, acting as a strong antidote to poisons and a cure for the plague when powdered and mixed with wine; these benefits came from the heavy sweating that followed taking the dose.[347]
These fabled stag’s tears, though often praised as substitutes for the bezoar, were not believed in by all the early writers, one of them, Rollenhagen, giving expression to a caustic opinion that might do credit to a writer of our own day. Alluding to the many reports of the existence of such “tears,” shed by the animals because of the pains they suffered after indulging in a diet of serpents, he notes that all those who make these statements are careful to place the habitat of these eccentric stags as far away from their own land as possible, always “somewhere in the Orient,” probably at “Nowheretown,” as he adds.[348]
These legendary stag tears, though often hailed as substitutes for the bezoar, weren’t believed by all early writers. One of them, Rollenhagen, expressed a sharp opinion that could belong to a writer today. He referred to the numerous claims about the existence of these "tears," shed by stags after they suffered from eating snakes, and pointed out that those who make these claims always seem to locate these unusual stags as far from their own land as possible, always "somewhere in the East," likely in "Nowheretown," as he put it.[348]

Types of cheloniæ (tortoise-stones). Natural concretions. From Aldrovandi’s “Museum metallicum,” Bononiæ, 1648.
Types of cheloniæ (tortoise-stones). Natural concretions. From Aldrovandi’s “Museum metallicum,” Bologna, 1648.
The chelonia is said by Pliny to have been the eye of the Indian tortoise. The magicians asserted that this was the most marvellous of all “stones”; for if bathed in honey and then placed in the mouth, when the moon was either full 171or new, it conferred the power of divination, and this power lasted for one entire day.[349] This virtue was not, however, altogether peculiar to the chelonia, for it was shared by several other substances; in each case the stone was to be placed in the mouth, thus coming into more immediate contact with the organs of speech, and stimulating to prophetic utterance. A later writer states that it was the uterine stone from the tortoise that gave the gift of prophecy. That from the head cured headaches and averted lightning, while the stone taken from the liver, if administered in solution, was a remedy for ague.[350]
The chelonia is described by Pliny as the eye of the Indian tortoise. The magicians claimed it was the most remarkable of all "stones"; if it was soaked in honey and then placed in the mouth during a full or new moon, it granted the power of divination, and this ability lasted for a whole day.[349] However, this power wasn't exclusive to the chelonia; several other substances had similar properties. In each case, the stone was to be placed in the mouth, allowing it to make closer contact with the speech organs and promoting prophetic speech. A later writer mentions that the uterine stone from the tortoise was what provided the gift of prophecy. The stone from the head was said to cure headaches and ward off lightning, while the stone taken from the liver, when dissolved, served as a remedy for fever.[350]
The wild ass was another of the animals that furnished concretions prized for their talismanic and medicinal powers. That taken from the animal’s head cured headache and epilepsy; that from the jaw made the owner indefatigable, so that he yielded to none in battle. It was also a remedy for ague and for the bites of venomous creatures, as well as a marvellously efficacious vermifuge for children.[351] Very likely the story of Samson, who wrought such slaughter 172among the Philistines when armed with the jawbone of an ass, may have suggested the fancy that the concretion from the ass’s jaw would give victory to the wearer.
The wild donkey was another animal that provided materials valued for their magical and healing properties. The substance taken from the animal’s head cured headaches and epilepsy; the one from the jaw made the owner tireless, so they could not be defeated in battle. It was also a treatment for fevers and bites from poisonous creatures, as well as a highly effective worm remedy for children.[351] It’s very likely that the story of Samson, who caused such destruction among the Philistines when wielding the jawbone of a donkey, inspired the belief that the substance from the donkey’s jaw would bring victory to the bearer.

Chelidonius, or “Swallow-stones.” From “Museum Wormianum,” Lugduni Batavorum, 1655.
Chelidonius, or "Swallow-stones." From "Museum Wormianum," Lugduni Batavorum, 1655.
Pliny notes the opinion that a stone taken from the body of a young swallow, if worn attached to the human body, helps to strengthen the brain, and he adds that the stone is said to be found in the young bird even when it has just broken the shell.[352] According to Thomas de Cantimpré the swallow-stone is a talisman for merchants and tradesmen.[353] The merits of the chelidonius, as this stone was called, were fully recognized in Saxon England and are given due prominence in an Anglo-Saxon medical treatise, dating from the first half of the tenth century. When these “swallow-stones” had been obtained they were to be carefully protected from contact with water, earth, or other stones. To secure the best results three of them were to be applied to the person who stood in need of their remedial effects. Not only did they cure headache and eye-smart, but they banished the dreaded nightmare, rendered futile the wiles of goblin visitors, and dissolved all fascinations and enchantments. The seekers after these wonderful stones are stoutly assured that they can only be found in “big nestlings.”[354]
Pliny mentions that a stone taken from the body of a young swallow, when worn on the body, helps to strengthen the brain, and he notes that this stone is said to be found in the young bird even right after it has just hatched.[352] Thomas de Cantimpré claims that the swallow-stone serves as a talisman for merchants and tradesmen.[353] The benefits of the chelidonius, as this stone was called, were well acknowledged in Saxon England and are highlighted in an Anglo-Saxon medical treatise from the first half of the tenth century. Once these “swallow-stones” were obtained, they needed to be carefully protected from water, earth, or other stones. For the best results, three of them were to be applied to the person needing their healing effects. They not only cured headaches and eye discomfort but also got rid of nightmares, rendered the tricks of goblin visitors ineffective, and broke all spells and enchantments. Those searching for these remarkable stones are strongly assured that they can only be found in “big nestlings.”[354]
173The ætites (eagle-stone) is first mentioned by Pliny who states that it was found in the nests of eagles of a certain species, and adds that some called this stone gangites. Fire had no power over it and it was a useful remedy for many diseases. Its special virtue, however, was to prevent abortion, this use being suggested by the character of the stone itself, which “was as though pregnant, for when it was shaken another stone rattled within it, as though in a womb.” The curative virtues of the ætites, like that of the swallow-stone, only existed when the stone was taken from the bird’s nest. This was probably a story told by the vendors of such geodes to enhance the value of their wares, although there may have been some foundation for it in folk-lore.
173The ætites (eagle-stone) is first mentioned by Pliny, who states that it was found in the nests of a specific type of eagle and adds that some referred to this stone as gangites. Fire had no effect on it, and it was a helpful remedy for many ailments. Its most notable quality, however, was its ability to prevent miscarriage, a use inspired by the stone’s appearance, which was “as if pregnant, because when it was shaken, another stone rattled inside it, as if in a womb.” The healing properties of the ætites, similar to those of the swallow-stone, only existed when the stone was taken from the bird’s nest. This was likely a tale spun by sellers of these geodes to increase the value of their products, though there might have been some truth to it in folklore.
They are really hollow concretions of an iron stone, containing a piece of loose iron or hardened sand, or a concretion of some kind that rattles, and is called by the Italians bambino or “babe.” Such concretions are found at many places on every continent, many fine ones having been found in Delaware. They vary in size from one to six inches across. The small ones of a hard, smooth exterior that have become polished from wear, are especially valued as charms.[355]
They are actually hollow clumps of ironstone, containing either a loose piece of iron, hardened sand, or some kind of clump that makes a rattling sound, which the Italians call bambino or “babe.” These clumps can be found in various locations on all continents, with many beautiful examples discovered in Delaware. They come in sizes ranging from one to six inches across. The smaller ones with a hard, smooth surface that have been polished through use are especially sought after as charms.[355]
A passage in the treatise on stones by Theophrastus, pupil of Aristotle, might seem to indicate that the ætites was already known in the third century B.C. The words he employs are as follows: “The most astounding and greatest power of stones (if indeed this be true) is that of bearing progeny.” As both Pliny and Dioscorides name this stone or geode and fully describe its character, laying especial stress upon the loose, rattling material enclosed in its hollow interior, this fact giving rise in later time to the half-poetic 174name of “the pregnant stone,” there is every reason to believe that it was already known of three or four, or even more centuries before their time.[356]
A section in Theophrastus's treatise on stones, who was a student of Aristotle, suggests that the ætites was already known in the third century BCE He writes: “The most remarkable and powerful aspect of stones (if this is indeed true) is their ability to produce offspring.” Since both Pliny and Dioscorides mention this stone or geode and thoroughly describe its characteristics, particularly highlighting the loose, rattling material within its hollow center, which led to the somewhat poetic name of “the pregnant stone” later on, it’s reasonable to believe that it was known several centuries before their time. 174[356]
Marbodus of Rennes calls this stone “the guardian and defender of nests.”[357] Enclosing as it did one or more smaller stones, it was thought to be symbolically designated as an aid to parturition. According as it was attached to the left arm or to the left thigh, it either retarded or accelerated the natural processes. This, however, by no means exhausted the virtues of the stone, for when worn on the left arm of man or woman, it conferred sobriety, increased riches, and moved the wearer to love; it also brought victory and popularity, and preserved children from harm. In addition to all its other powers this stone seems to have possessed a certain detective quality, to judge from the following words of Ætius, who wrote in the sixth century A.D.:[358]
Marbodus of Rennes calls this stone “the guardian and defender of nests.”[357] Because it enclosed one or more smaller stones, it was believed to symbolically assist with childbirth. Depending on whether it was worn on the left arm or left thigh, it could either slow down or speed up natural processes. However, this wasn’t the only benefit of the stone; when worn on the left arm of a man or woman, it brought sobriety, increased wealth, and inspired love. It also granted victory and popularity, and protected children from harm. On top of all these powers, this stone appears to have had a certain ability to detect things, as noted by Ætius, who wrote in the sixth century CE:[358]
The ætites serves to discover thieves, if anyone places it in the bread which they eat; for whoever has committed a theft is unable to consume the bread. It has also been stated that, if cooked with any kind of food, the ætites unmasks thieves, since they cannot eat such food. If taken with wax from Cyprus, with fresh olive oil, or with any other calefacient, this stone greatly helps those suffering from rheumatism and paralysis.
The ætites is used to reveal thieves; if someone puts it in the bread they eat, anyone who has stolen won't be able to eat the bread. It's also said that if it's cooked with any type of food, the ætites exposes thieves, as they can't eat that food either. When combined with wax from Cyprus, fresh olive oil, or any other warming substance, this stone significantly helps those suffering from rheumatism and paralysis.

Ætites. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
Ætites. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
The loose, enclosed concretion was named in Latin callimus, and we have a detailed description from the sixteenth century of one of these, which belonged to Georgius Fabricius. Because of its curious markings he had it set on a pivot in a ring, so that both sides of the stone could be easily seen. The material was in part as clear as a rock-crystal, evidently a very translucent chalcedony, but the 175chief interest centred in the images or figures traced by nature upon the stone. These showed what seemed to be two forms, one of a cowled monk, and the other that of a tall, beardless man; there was also a third, showing an undefined form. On the under side of this callimus was marked the outline of a crescent moon.[359]
The loose, enclosed stone was called in Latin callimus, and we have a detailed description from the sixteenth century of one of these that belonged to Georgius Fabricius. Because of its interesting markings, he had it set on a pivot in a ring, so both sides of the stone could be easily seen. The material was partially as clear as rock crystal, clearly a very translucent chalcedony, but the main interest was in the images or figures formed naturally on the stone. These depicted what appeared to be two figures, one of a cowled monk and the other of a tall, beardless man; there was also a third, showing an undefined shape. On the underside of this callimus was marked the outline of a crescent moon.[359]
A seventeenth century writer, not otherwise uncritical, does not hesitate to declare that he had himself witnessed, in the case of a fig-tree, an instance of the special power exercised by the ætites. One of these stones having been attached to this tree, all the fruit dropped off in, the space of ten hours, although tree had apparently lost nothing of its vigor, its foliage remaining as luxuriant as before.[360]
A seventeenth-century writer, who was not overly critical, openly stated that he personally saw a fig tree that demonstrated the unique power of the ætites. When one of these stones was attached to the tree, all the fruit fell off within ten hours, even though the tree seemed to retain its strength, with its foliage staying just as lush as before.[360]
An old treatise on the ætites gives the following names as applied to it in various languages:[361]
An old treatise on the ætites lists the following names used for it in different languages:[361]
Some said that this stone might be found not only in the eagle’s nest, but also in that of the stork. This idea was, however, entirely erroneous in Bausch’s opinion, for though he had caused diligent search to be made by all those who encountered such nests, no “eagle-stone” could ever be found. To the supposed “stork-stones” had been given the name lychnites, as they were believed to be luminous, their light serving to frighten off any snakes which might be seeking the new-laid eggs.[362]
Some people believed that this stone could be found not just in the eagle's nest, but also in the stork's nest. However, Bausch thought this idea was completely wrong, because despite having all those who found such nests search diligently, no "eagle-stone" was ever discovered. The so-called "stork-stones" were called lychnites, as they were thought to be glowing, and their light was believed to scare away any snakes looking for the newly laid eggs.[362]
Bausch enumerates and rejects a number of explanations to account for the supposed presence of the ætites in the nests of eagles. One theory was that these stones served to give stability to the nest, and enabled it better to resist the assaults of the wind; others asserted that the coolness of the stones lowered the unduly high temperature of the eggs and of the parent bird’s body; others again were inclined to attribute to them a mysterious formative and vivifying power exerted on the eggs, or else a talismanic power protecting these from injury. While rejecting all these notions, as we have stated, and indeed denying the truth of the assertion that such stones were ever found in eagles’ nests, Bausch cites the authority of St. Jerome, in his commentary on Isaiah, chap. lxvi, that the amethyst had been found with the young of the eagle, being placed with them in the nest to protect them from venomous creatures.[363]
Bausch lists and dismisses several explanations for the supposed presence of the ætites in eagle nests. One theory suggested that these stones provided stability to the nest, helping it withstand strong winds; others claimed that the coolness of the stones reduced the excessively high temperature of the eggs and the parent bird's body; some even believed that the stones had a mysterious life-giving power over the eggs or a protective talismanic ability to shield them from harm. While rejecting all these ideas, as we've mentioned, and actually denying the truth of the claim that such stones were ever found in eagle nests, Bausch references St. Jerome's commentary on Isaiah, chap. lxvi, where it's noted that the amethyst was found with the eagle's young, placed in the nest to protect them from poisonous creatures.[363]
That the “eagle-stones” were not always hollow is shown by a specimen owned in the eighteenth century by the English family Postlethwayte. This was solid, and had been cut into the shape of a heart, a hole being pierced at the 177upper end so that the stone could be worn suspended. In a curious letter written April 25, 1742, by Martha Postlethwayte, sister of Sir Thomas Gooch, who successively presided over the episcopal sees of Bristol, Norwich and Ely, to her daughter Barbara Kerrick, the writer advises her correspondent, in order to avoid a repetition of former misadventures, to “wear the eagle-stone and take Mrs. Stone’s receit,” and adds: “I hope it may have good effect and make me a good grandmother.” The result was favorable, and must naturally have affirmed the faith in the powers of the stone.[364]
That the “eagle-stones” weren’t always hollow is shown by a specimen owned in the eighteenth century by the English family Postlethwayte. This one was solid and had been shaped like a heart, with a hole pierced at the 177top so it could be worn. In an interesting letter written on April 25, 1742, by Martha Postlethwayte, sister of Sir Thomas Gooch, who held the episcopal sees of Bristol, Norwich, and Ely in succession, to her daughter Barbara Kerrick, the writer advises her to “wear the eagle-stone and take Mrs. Stone’s recipe,” in order to avoid repeating past misadventures, and adds: “I hope it may have a good effect and make me a good grandmother.” The outcome was positive and likely reinforced the belief in the powers of the stone.[364]
An inventory of the furniture, plate, jewels, etc., of Charles V of France, made in 1379,[365] describes two stones preserved in a case of cypress-wood which the king always carried about with him. One of these was called the “holy stone” and aided women in childbirth. This was probably an “eagle-stone.” It was set in gold and the setting was adorned with four pearls, six emeralds and two balas-rubies. The other stone, which cured the gout, was an engraved gem bearing the figure of a king and an inscription in Hebrew characters. This description suggests one of the Gnostic gems so common in the early Christian centuries. The gem was suspended from a silver cord, so that it could be worn on the neck, or perhaps attached to some other part of the body. We find in the comptes royaux of 1420 an electuary composed of powdered precious stones, for the cure of the infirmities of Isabel of Bavaria, who was fifty years old and had been for several years obese and a valetudinarian.[366]
An inventory of the furniture, plates, jewels, etc., of Charles V of France, made in 1379,[365] describes two stones kept in a cypress-wood case that the king always carried with him. One of these was called the “holy stone” and helped women during childbirth. This was likely an “eagle-stone.” It was set in gold, and the setting was decorated with four pearls, six emeralds, and two balas-rubies. The other stone, which treated gout, was an engraved gem featuring the figure of a king and an inscription in Hebrew characters. This description hints at one of the Gnostic gems that were common in the early Christian centuries. The gem was hanging from a silver cord, allowing it to be worn around the neck or possibly attached to another part of the body. In the comptes royaux of 1420, we find a medicinal mixture made from powdered precious stones, intended to cure the ailments of Isabel of Bavaria, who was fifty years old and had been overweight and unwell for several years.[366]
In some parts of the Orient the superstitious notion exists that the ætites occasionally emits a wailing sound during the night, and this is said to be either an expression of the 178birth-pangs of the mother stone, or else the cry of its new-born offspring, the small stones enclosed within the geode, for the story goes that each night some of these are generated.[367]
In some areas of the East, there's a superstitious belief that the ætites sometimes makes a wailing sound at night. People say this is either the mother stone's birth pangs or the cries of its newborn offspring, the small stones inside the geode. According to the story, every night, some of these are created.[367]
These “eagle-stones” still retain their repute in Italy, where they are called pietre gravide, or “pregnant stones,” and are considered by many of the peasants as almost indispensable aids to parturition. They are in such demand that the lucky owners rent them for the nine months during which they are worn. As soon as one case has been happily concluded, the amulet is passed on to some other woman who is in need of it. A fee of five lire, or one dollar, is paid in each case, and a pledge worth a hundred lire ($20) is required before the stone is handed over. Some amulets of this class bear Christian symbols.[368]
These “eagle-stones” are still well-regarded in Italy, where they are referred to as pietre gravide, or “pregnant stones.” Many peasants consider them almost essential during childbirth. They are so sought after that the fortunate owners rent them out for the nine months they are used. Once one case has been successfully resolved, the amulet is passed on to another woman who needs it. A fee of five lire, or one dollar, is charged each time, and a deposit worth a hundred lire ($20) is required before the stone is given. Some of these amulets feature Christian symbols.[368]
Geodes of this description consisting of limonite are to be found in many places. Some of them are of relatively recent formation, and one of these shows curiously enough that in addition to its other virtues the ætites can on occasion perform the functions of a savings-bank. This strange specimen was found in 1846, at Périgueux, department Dordogne, France. On opening the geode there appeared within some 200 silver coins dated in the fifteenth and sixteenth centuries; all of these were encrusted with the material forming the enclosing mass.[369]
Geodes like this, made of limonite, can be found in many locations. Some are formed relatively recently, and interestingly, one of these can also serve as a kind of savings bank. This unusual specimen was discovered in 1846 in Périgueux, Dordogne, France. When the geode was opened, it revealed around 200 silver coins dated from the fifteenth and sixteenth centuries, all encrusted with the material that formed the geode's outer layer.[369]
Long, white, rough stones, calcareous shell growths, were sometimes taken from snails and cockles. These were believed to have a marked diuretic action, and were therefore strongly recommended for certain diseases of the kidneys and the bladder. They were also believed to be helpful in 179cases of difficult parturition. Although no details are given, it seems most probable that the stones were reduced to a powder from which some sort of potion was concocted,[370] this having no more action than so much ground shell or marble dust.
Long, white, rough stones, with calcareous shell growths, were sometimes taken from snails and clams. These were thought to have a strong diuretic effect and were highly recommended for certain kidney and bladder conditions. They were also believed to help with difficult childbirth. Although no details are provided, it seems likely that the stones were ground into a powder to create some kind of potion, which likely had no more effect than just ground shell or marble dust.

Extracting an alectorius. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
Extracting an alectorius. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
The alectorius or “cock-stone” is one of the most famous of those real or supposed animal concretions that were known in ancient times. From the age of Pliny—and unquestionably long before his time—there was a popular belief that this stone was only to be found in the gizzard of a cock which had been caponed when three years old, and had lived seven years longer. This was believed to allow the substance to acquire its boasted virtue, for the longer it remained in the body of the capon, the greater its power. Such a “cock-stone” never exceeded the size of a bean. From its association with the pugnacious fowl, the alectorius became a favorite stone with wrestlers, and the great and invincible Milo of Croton is said to have owed many of his victories to the possession of one, for if held in the mouth, it quenched the thirst and thus refreshed the combatant.
The alectorius or “cock-stone” is one of the most well-known animal concretions, whether real or imagined, from ancient times. Since Pliny's era—and certainly long before—there was a widespread belief that this stone could only be found in the gizzard of a capon that was three years old and had lived for another seven years. It was thought that this longevity allowed the stone to attain its claimed virtues, as the longer it stayed in the capon's body, the more powerful it became. This “cock-stone” never grew larger than a bean. Due to its connection with the aggressive bird, the alectorius became a popular stone among wrestlers, and the legendary Milo of Croton is said to have credited many of his victories to having one, as holding it in his mouth quench his thirst and refreshed him during combat.
Many other virtues of this stone are recorded; it rendered wives agreeable to their husbands, dissolved enchantments, brought new honors and powers in addition to those already enjoyed, and helped kings to acquire new dominions. How persistent was the faith in the virtue of the alectorius is shown by the fact that the great astronomer Tycho Brahe 180greatly valued a stone of this kind, not larger than a bean, and believed that it brought him luck in gambling and in love. Thomas de Cantimpré[371] says that the name signifies an allurer or enticer, because the stone excites the love of husbands for their wives.[372] In order to secure the due effect it should be held in the mouth, possibly because this would render the wife less eloquent.
Many other benefits of this stone are noted; it made wives more pleasant to their husbands, broke spells, brought new honors and powers in addition to those already held, and helped kings gain new territories. The strong belief in the power of the alectorius is demonstrated by the fact that the renowned astronomer Tycho Brahe greatly valued a stone of this type, no bigger than a bean, and believed it brought him good luck in gambling and love. Thomas de Cantimpré[371] states that the name means an allurer or enticer, because the stone sparks husbands' love for their wives.[372] To achieve the desired effect, it should be kept in the mouth, possibly because this would make the wife less talkative.

ALECTORIVS
Alectorius. From Mercati’s “Metallotheca Vaticana,” Romæ, 1719.
ALECTORIVS
Alectorius. From Mercati’s “Metallotheca Vaticana,” Rome, 1719.
A specimen of the alectorius is listed in the inventories of Jean Duc de Berry (1401–1416). It is called there a “capon-stone” and is described as having red and white spots. Several other objects to which talismanic virtues were ascribed are also noted, such, for instance, as the “molar of a giant,” set in leather; probably the tooth of a hippopotamus, or the fossil tooth of some antediluvian creature. There is also what is termed a “tester,” composed of several “serpent’s teeth” (glossopetræ?), horns of the “unicorn” (narwhal’s teeth) and stones regarded as antidotes to poison. These were all suspended by golden chains, and were valued at seventy-five livres tournois.[373]
A specimen of the alectorius is found in Jean Duc de Berry's inventories (1401–1416). It's referred to as a “capon-stone” and is described as having red and white spots. There are several other objects believed to have talismanic properties, like the “molar of a giant,” set in leather; likely the tooth of a hippopotamus, or the fossil tooth of some ancient creature. There is also what’s called a “tester,” made of several “serpent’s teeth” (glossopetræ?), horns of the “unicorn” (actually narwhal’s teeth), and stones thought to counteract poison. These items were all hung on golden chains and were valued at seventy-five livres tournois.[373]
As a companion piece to the “cock-stone,” the hen furnished a concretion possessing special virtues. This came from the fowl’s gizzard and was of a sky-blue color; its 181Arabic name was hajar al-ḥattaf. If it were worn by an epileptic, the attacks of his malady would cease; it favored procreation and also nullified the effects of the Evil Eye, and it kept children from having bad dreams if placed beneath their heads when they were sleeping. Thus the effects it was fancied to produce differed from those ascribed to the alectorius.[374]
As a companion piece to the “cock-stone,” the hen provided a special stone with unique benefits. This stone, found in the bird’s gizzard, was a sky-blue color; its Arabic name was hajar al-ḥattaf. If worn by someone with epilepsy, it would stop their seizures; it also promoted fertility, counteracted the Evil Eye, and prevented children from having nightmares if placed under their heads while they slept. Therefore, the effects attributed to it were different from those related to the alectorius.[374]
In medieval times bunches of dried “serpent’s tongues” were sometimes hung around salt-cellars or attached to spits; but frequently, for royal or princely use, such tongues, or the jawbones of snakes, were set with valuable precious stones and constituted a peculiar jewel termed in old French a languier, or épreuve (tester); for these utensils, often very rich and tasteful specimens of the goldsmith’s art, were believed to show in some way the presence of the much-dreaded poison in any viands with which they were brought in contact.[375]
In medieval times, bunches of dried “serpent’s tongues” were sometimes hung around salt shakers or attached to cooking spits. However, for royal or princely use, these tongues or snake jawbones were often adorned with valuable gemstones and were known in old French as a languish or test (tester). These items, often exquisite and tasteful examples of goldsmithing, were believed to somehow reveal the presence of the much-feared poison in any food they came into contact with.[375]
The Indians and Spaniards in South America made remedial use of a stone said to be obtained from the cayman or alligator, at Nombre de Dios, Cartagena, etc. This was employed as a cure for various intermittent fevers. Monardes writes that he applied two of these lapides caymanum to the temples of a young girl suffering from an attack of fever, and found that the fever was alleviated thereby; but he doubts that fevers could be entirely cured by this treatment.[376]
The Indigenous people and Spaniards in South America used a stone that was said to be sourced from the cayman or alligator, in places like Nombre de Dios and Cartagena. This stone was used as a remedy for various intermittent fevers. Monardes mentions that he placed two of these lapides caymanum on the temples of a young girl who was having a fever and noticed that it helped reduce her fever; however, he wasn't convinced that this treatment could completely cure fevers.[376]
From New Spain was also brought the lapis manati, taken from the manatee, or sea-cow. This does not appear 182to have been a stone, but rather the cochleæ of the animal, the small bones in the head which transmit the auditory vibrations to the sensorium. They were highly valued by the Indians for their remedial action in cramps and colic, and the Spaniards collected them and brought them to Spain to enrich their very miscellaneous pharmacopœia. Sometimes they were taken internally, but often they were set in rings or worn suspended from the neck as amulets. This stone, or bone, is described as oval in shape and of a hue resembling that of ivory. When pulverized and dissolved, the solution was odorless and tasteless. They are in size often as large as a woman’s clinched fist.[377]
From New Spain also came the lapis manati, taken from the manatee, or sea cow. This doesn’t seem to be a stone, but rather the cochleæ of the animal, the small bones in the head that transmit sound vibrations to the brain. The Indians highly valued them for their healing properties in treating cramps and colic, and the Spaniards collected them to bring back to Spain to enhance their diverse collection of medicines. Sometimes, they were ingested, but often they were set in rings or worn around the neck as amulets. This stone or bone is described as oval-shaped and has a color similar to ivory. When ground into powder and dissolved, the solution was odorless and tasteless. They are often about the size of a woman’s clenched fist.[377]

Lapis manati. From Valentini’s “Museum Museorum, oder Vollständige Schau-Bühne,” Frankfurt am Main, 1714.
Lapis manati. From Valentini’s “Museum Museorum, or Complete Showcase,” Frankfurt am Main, 1714.
The ear-bones of fish, almost invariably in pairs, are still used as amulets in Spain and Italy. One of their chief virtues is to protect children from the Evil Eye, as well as 183from accidents of any kind. They are also believed to preserve the wearer from deafness or diseases of the ear.[378] This is quite in accord with the primitive fancy that the different parts of the animal body had prophylactic or curative powers in relation to any disease of that portion of the human body.
The ear bones of fish, usually found in pairs, are still used as charms in Spain and Italy. One of their main benefits is to protect children from the Evil Eye, as well as from accidents of any kind. They are also thought to keep the wearer safe from deafness or ear diseases.[378] This aligns with the ancient belief that different parts of an animal's body had protective or healing properties related to specific human ailments.

Lapis malacensis, stone of the hedgehog or porcupine. From Mercati’s “Metallotheca Vaticana,” Romæ, 1719.
Lapis malacensis, the stone of the hedgehog or porcupine. From Mercati’s “Metallotheca Vaticana,” Rome, 1719.
Even the spider was supposed to produce a stone having remedial power, especially that variety called by the Germans Kreuzspinne (“cross-spider”). The belief was general in Germany, in the sixteenth century, that it was very unlucky to injure one of these spiders; indeed, Encelius writes that although he had never seen a “spider-stone,” he had never dared to dissect one of the spiders to seek for the stone. He also remarks that it was in no wise strange this should have such power, since spider-webs were used as remedies for many diseases. Naturally enough the “spider-stone” was an antidote against poisons, and a belief was current that in a year when the plague was raging no Kreuzspinne was to be seen.[379]
Even the spider was believed to produce a stone with healing powers, especially the type known by the Germans as Kreuz spider (“cross-spider”). In the sixteenth century, it was a common belief in Germany that harming one of these spiders would bring bad luck; in fact, Encelius notes that although he had never seen a “spider-stone,” he had never dared to dissect one of the spiders to look for it. He also points out that it’s not surprising this should have such power since spider webs were used as treatments for various illnesses. It was naturally believed that the “spider-stone” could counteract poisons, and it was widely thought that during a year when the plague was widespread, no Kreuzspinne could be found.[379]
An attempt to induce one of these spiders to secrete or produce its stone or calculus is told by Simon Paulli. On his return from France in 1630, he stopped for the summer with his revered master, Sennart, at Wittenberg, in order to pursue his studies. One day they found by chance that an enormous spider had wandered into the rain-water holder, and the extraordinary size of the creature—it was as big as a muscat nut—suggested the idea of making it the subject of experiment. It was therefore put into a glass jar 184with a quantity of powdered valerian root, this material (or salt) being reputed to have a favorable influence in the production of the stone. However, the experimenters were doomed to disappointment, for the poor spider was unable to live up to its reputation. Tired of waiting for nothing, recourse was finally had to the drastic measure of dissection, but no stone of any kind could be found. This convinced the observers that all the talk about spiders’ stones was mere foolishness or deception. In a note in the Miscellanea Curiosa, under date of 1686, the statement is made that such stones could indeed be found, but only in the autumn season and in no other part of the year.[380]
An attempt to get one of these spiders to produce its stone or calculus is recounted by Simon Paulli. After returning from France in 1630, he spent the summer with his esteemed mentor, Sennart, in Wittenberg to continue his studies. One day, they accidentally discovered a huge spider that had wandered into the rainwater collector, and its extraordinary size—it was as big as a muscat nut—sparked the idea of using it for an experiment. They placed it in a glass jar with a quantity of powdered valerian root, as this substance was believed to help in the production of the stone. However, the experimenters were disappointed, as the poor spider couldn’t live up to expectations. Frustrated by the lack of results, they ultimately resorted to the drastic measure of dissection, but no stone of any kind was found. This led the observers to conclude that all the talk about spider stones was just nonsense or trickery. In a note in the Miscellanea Curiosa from 1686, it's stated that such stones could indeed be found, but only during the autumn season and not at any other time of the year.184[380]
A small golden amulet, having the form of a heart and set with various stones, was strongly recommended to ward off the plague by Oswald Croll, a writer of the early part of the seventeenth century. On the upper side of the heart-amulet should be set a fair blue sapphire; above, beneath, and at either side of this should be put a toad-stone, or a “spider-stone,” so as to give a cross effect. The “spider-stones” were asserted to be powerful enemies of the plague. On the under side of the heart a good-sized jacinth was to be set, the jacinth also being credited with great virtue against plague or pestilence. The gold heart was to be hollow within. To give a finishing touch to the efficacy of the amulet it was necessary to take a living toad and keep the creature suspended by its hind-legs until it died and dried up so that the body could be reduced to a powder. This powder was then to be kneaded into a sort of paste with a little very sharp vinegar and introduced into the hollow interior of the gold heart.[381]
A small gold amulet shaped like a heart and set with different stones was highly recommended by Oswald Croll, a writer from the early seventeenth century, to protect against the plague. On the top side of the heart amulet, a nice blue sapphire should be placed; above, below, and on either side of it should be a toadstone or a “spider-stone” to create a cross effect. The “spider-stones” were believed to be powerful against the plague. On the underside of the heart, a decent-sized jacinth was to be set, which was also thought to have strong protective qualities against plague or disease. The gold heart was to be hollow inside. To enhance the amulet's effectiveness, it was necessary to take a live toad and hang it by its hind legs until it died and dried out, so the body could be ground into a powder. This powder was then to be mixed into a paste with some very strong vinegar and placed inside the hollow of the gold heart.[381]
The “fretful porcupine” also contributed its stone to the 185series of concretions; this was usually found in the animal’s head, and was considered to be even superior to the bezoar as an antidote against poison. If steeped in water for a quarter of an hour, the water became so bitter that “there was nothing in the world more bitter.” Another stone supposed to be found in the animal’s entrails possessed like properties, but was said to lose none of its weight when placed in water, while the first-mentioned stone became lighter. Tavernier bought three of these stones, paying as much as five hundred crowns for one of them.[382]
The “fretful porcupine” also added its stone to the 185collection of concretions; this was typically found in the animal’s head and was considered even better than bezoar as an antidote against poison. If soaked in water for fifteen minutes, the water became so bitter that “there was nothing in the world more bitter.” Another stone thought to be found in the animal’s intestines had similar properties but was said to not lose any weight when placed in water, while the first stone became lighter. Tavernier bought three of these stones, paying as much as five hundred crowns for one of them.[382]
A jewel made of ambergris, in the J. Pierpont Morgan collection, is said to be the only specimen of its kind that has been preserved for us from medieval times. The perfumed material has been skilfully carved into the symbolic figures of a woman and three children. At one time believed to symbolize Charity, the later theory is that these figures have a less pure significance and rather denote the reproductive energies, for ornaments of this material were credited with aphrodisiac powers; however, they were also believed to cure stomachic disorders. The delicate perfume they exhaled was one of their chief titles to admiration, and after the lapse of more than three centuries, this particular jewel still emits a fragrant aromatic odor when it has been held for some time in a warm hand. The style of the workmanship indicates that this is a piece of cinquecento Italian work. It was at one time in the Wencke Collection, in Hamburg, and later formed part of the Spitzer Collection, until the sale of the latter in 1893.[383]
A jewel made of ambergris, in the J. Pierpont Morgan collection, is said to be the only specimen of its kind preserved from medieval times. The scented material has been expertly carved into the symbolic figures of a woman and three children. Once thought to symbolize Charity, later interpretations suggest these figures have a less pure meaning, representing reproductive energy, as ornaments made from this material were believed to have aphrodisiac properties; they were also thought to treat stomach issues. The subtle perfume they released was one of the main reasons for their admiration, and after more than three centuries, this particular jewel still gives off a fragrant aroma when held in a warm hand. The style of the craftsmanship indicates that it is a piece from cinquecento Italian art. It was previously part of the Wencke Collection in Hamburg and later belonged to the Spitzer Collection until that collection was sold in 1893.[383]
While many of the reports of the finding of immense masses of ambergris (in one the weight of the mass is given as three thousand pounds) may be classed as at least highly 186improbable, still there is abundant unmistakable evidence that very large pieces have really occasionally been found. In Rome and in the Santa Casa of Loreto costly and artistically shaped pieces of ambergris were to be seen, which clearly indicated that the weight of the original unworked mass must have greatly exceeded that of the ornamental object. There can be no doubt of the authenticity of the details regarding a great piece of ambergris weighing 182 pounds bought in the year 1693 from King Fidori by the Dutch East India Company for 11,000 rigsdalers or nearly $12,000 at the current valuation of the coin of that time. In form it resembled a tortoise-shell, was 5 feet 8 inches thick, and 2 feet 2 inches long. After being long kept in Amsterdam as a curiosity, and having been viewed there by thousands of persons, it was finally broken up and sold at auction.[384] A lump extracted from a whale in the Windward Islands weighed 130 pounds and was sold for $3500, or nearly $27 a pound.
While many of the reports about huge finds of ambergris (one claim states it weighed three thousand pounds) might seem quite unlikely, there is plenty of clear evidence that very large pieces have indeed been found. In Rome and at the Santa Casa of Loreto, there were valuable and artistically crafted pieces of ambergris on display, indicating that the original, unworked mass must have weighed considerably more than the decorative item. There’s no doubt about the authenticity of the story about a massive piece of ambergris weighing 182 pounds that was purchased in 1693 from King Fidori by the Dutch East India Company for 11,000 rigsdalers, which is nearly $12,000 in today’s money. It was shaped like a tortoise shell, measured 5 feet 8 inches thick, and was 2 feet 2 inches long. After being kept in Amsterdam as a curiosity and being seen by thousands of people, it was eventually broken up and sold at auction.[384] A chunk taken from a whale in the Windward Islands weighed 130 pounds and was sold for $3,500, or about $27 a pound.
The livers of certain animals provided concretions called haraczi by the Arabs; these were much used as remedies for epilepsy. The Turkish butchers, when slaughtering animals, always examined the livers carefully so as to secure these stones. As the Jews were said to suffer much from melancholia and epileptic disorders they valued the liver-stones very highly.[385]
The livers of certain animals contained concretions known as haraczi by the Arabs; these were widely used as treatments for epilepsy. Turkish butchers always inspected the livers carefully when slaughtering animals to collect these stones. Since the Jews were believed to experience significant issues with depression and epilepsy, they placed a high value on the liver stones.[385]
The use of fossils as talismans and for the cure of diseases was mainly due to their strange and various forms. As color played the most important part in the case of precious stones, each color being looked upon as possessing a certain symbolic significance fitting the stone for some special use or uses, so in the case of fossils the form was 187the determining factor. Sometimes it was as the form of some creature held by the superstitious to be particularly endowed with mysterious qualities beneficial to mankind, at other times the fossil form suggested some part of the human body, and was therefore believed to afford protection to this part, or to cure any disease affecting it. This will be made clearer by a brief notice of some of the principal fossils which were favored in ancient and medieval times, either by popular superstition or by those who from interested motives made use of these superstitions for the purpose of gain, although they may have only half believed in the real virtue of the objects they sold.
The use of fossils as charms and for healing diseases was mainly due to their strange and varied shapes. Just like how color is crucial for precious stones, with each color considered to have a specific symbolic meaning that makes the stone suitable for certain purposes, the shape of fossils was the key factor. Sometimes the shape resembled a creature that people believed had mysterious powers beneficial to humanity; other times, the fossil's shape was reminiscent of a part of the human body, leading to the belief that it could protect that body part or cure any diseases affecting it. This concept will be made clearer with a brief overview of some of the main fossils that were popular in ancient and medieval times, whether due to folklore or because some individuals exploited these beliefs for profit, even if they only partially believed in the actual power of the items they sold. 187

Lapis Judaicus. Pentremite heads. From “Museum Wormianum,” Lugduni Batavorum, 1655.
Lapis Judaicus. Pentremite heads. From “Museum Wormianum,” Leiden, 1655.
The remedial quality of fossils, which were believed to have been formed from shells and marine animals deposited during the deluge, is ascribed by Mentzel to the fact that they had been produced by the action of fire, and hence had the same quality as though prepared and calcined by the chemist’s art. They were therefore believed to have great medicinal virtues in the cure of diseases.[386]
The healing properties of fossils, which were thought to have come from shells and marine animals laid down during the flood, are attributed by Mentzel to their formation through fire. This means they possessed qualities similar to those created and processed by a chemist's techniques. As a result, they were considered to have strong medicinal benefits in treating illnesses.[386]
The lapis Judaicus[387] is described as of oval form, in shape like an olive, and sometimes provided with a stem at the upper part as though it had grown on a tree. The stone was soft and friable and in color either white or grayish. The “male” variety had several rows of equidistant spines, while the “female” was quite smooth. The description and the figured representations of the lapis Judaicus show that it was a form of pentremite—that is, a form of crinoid. This fossil, which was said to come from Syria and Palestine, was taken in solution as a remedy for calculus. The larger, male 188stones, were regarded as the better for renal calculus and the smaller, female stones, for vesical calculus. Hence this fossil was sometimes called tecolithos, from τήκειν, to dissolve, and λίθος, stone.[388] Pliny also states that this name was applied to certain concretions found in sponges and supposed to possess similar virtues.[389] Of the remedial use of this stone, or fossil, Galen states that when prescribed for vesical calculi, it was pulverized in a mortar, and the powder being mixed with water, three glasses of the solution were given. He adds, however: “I must say that as far as I have seen they have no effect, but they are efficient in the case of renal calculi.”[390]
The lapis Judaicus[387] is described as oval-shaped, resembling an olive, and sometimes has a stem at the top, as if it grew on a tree. The stone is soft and crumbly, and its color is either white or grayish. The “male” variety has several rows of evenly spaced spines, while the “female” is smooth. Descriptions and illustrations of the lapis Judaicus indicate that it was a type of pentremite—that is, a type of crinoid. This fossil, believed to come from Syria and Palestine, was dissolved in a solution as a remedy for stones. The larger male stones were thought to be better for kidney stones, while the smaller female stones were preferred for bladder stones. Thus, this fossil was sometimes called tecolithos, from τούρτες, meaning to dissolve, and stone, meaning stone.[388] Pliny also mentions that this name was used for certain concretions found in sponges, which were thought to have similar properties.[389] Regarding the medicinal use of this stone or fossil, Galen states that when used for bladder stones, it was ground into a powder in a mortar, mixed with water, and three glasses of the solution were administered. However, he adds: “I must say that from what I've seen, they have no effect, but they are effective for kidney stones.”[390]

Glossopetræ. Fossil shark’s teeth. From “Museum Wormianum,” Lugduni Batavorum, 1655.
Glossopetræ. Fossil shark teeth. From “Museum Wormianum,” Lugduni Batavorum, 1655.
No fossils were more prized than the so-called glossopetræ or “tongue-stones.” Although these were really the fossilized or petrified teeth of a species of shark, Pliny and 189his sources believed them to be meteorites, which “fell from the sky when the moon was waning.” This was, indeed, a prevalent fancy regarding all dart-shaped, pointed or sharpened fossils, or flints. Because of this celestial origin, the glossopetræ were said to control the winds and even to affect the motions of the moon. At a later time the chief source of supply for these petrified teeth was the island of Malta, and they were therefore sometimes called lingues Melitenses, or Maltese tongues; the Germans named them Steinzungen, or “stone-tongues.” According to popular belief these so-called Maltese tongues were petrified snakes’ tongues and they were brought into connection with the miraculous adventure of St. Paul on the island of Malta, when he shook off a viper that had fastened on his hand, and sustained no injury from the bite (Acts, xxviii, 3–5). This was taken to signify that the poison had been taken from all the snakes on the island.[391]
No fossils were more valuable than the so-called glossopetræ or “tongue-stones.” Although these were actually the fossilized or petrified teeth of a species of shark, Pliny and his sources believed they were meteorites that “fell from the sky when the moon was waning.” This idea was widely held about all dart-shaped, pointed, or sharpened fossils, or flints. Because of this celestial origin, the glossopetræ were said to control the winds and even influence the moon's movements. Later on, the main source of these petrified teeth was the island of Malta, so they were sometimes called Maltese languages, or Maltese tongues; the Germans referred to them as Steinzungen, or “stone-tongues.” According to popular belief, these so-called Maltese tongues were petrified snakes’ tongues, and they were connected to the miraculous event of St. Paul on the island of Malta, when he shook off a viper that had bitten his hand and suffered no injury from the bite (Acts, xxviii, 3–5). This was interpreted to mean that the poison had been removed from all the snakes on the island.[391]
The material called “St. Paul’s Earth,” said to be derived from “St. Paul’s Cave,” in the island of Malta, was reduced to a fine powder and made into tablets. These were stamped with the Maltese cross; sometimes on the opposite side some other figure was impressed. As there was temptation to sell other material for the genuine, the purchaser was warned to be on his guard. The virtues of this powder—which was dissolved in wine or water—were numerous, and were the same as those ascribed to the “tongues” (glossopetræ) and to the “eyes”; for it was believed to be an antidote for poisons, cured the bites of venomous creatures, and remedied many other ills. The “eyes” were set in rings so that the material touched the wearer’s skin; the “tongues” were worn attached to the arm or suspended from the neck. Sometimes vessels were made from the earth. These were 190filled with wine or water, the liquid being allowed to stand until it had absorbed the virtues of the earth; it was then taken as a potion with good effects. The “tongues” and “eyes” were often dipped in wine or water and were supposed to transmit their curative powers to the liquid.[392]
The material known as “St. Paul’s Earth,” said to come from “St. Paul’s Cave” on the island of Malta, was ground into a fine powder and formed into tablets. These were stamped with the Maltese cross; sometimes on the other side, there was another figure. Given the temptation to sell fake material as the real thing, buyers were cautioned to be careful. The benefits of this powder—which was mixed with wine or water—were many and similar to those attributed to the “tongues” (glossopetræ) and “eyes”; it was believed to be an antidote for poisons, healed bites from poisonous creatures, and addressed various other ailments. The “eyes” were set in rings so that the material touched the wearer’s skin; the “tongues” were worn on the arm or hung around the neck. Sometimes containers were made from the earth. These were filled with wine or water, allowing the liquid to sit until it absorbed the qualities of the earth; it was then consumed as a potion with beneficial effects. The “tongues” and “eyes” were often dipped in wine or water and were thought to transfer their healing properties to the liquid.190
In the fifteenth and sixteenth centuries a strange belief was prevalent among the ignorant to the effect that the fossil sharks’-teeth, the “tongue-stones,” were the teeth of witches who sucked the blood of infants; these “vampires” were called lamiæ in ancient times.[393] Probably the fact that a certain species of shark bore the name lamiæ gave rise to this idea, which was therefore merely due to a confusion of names. Nevertheless we can easily understand that this popular belief added to the repute of the glossopetræ, for the more dreaded the object the greater the power it was credited with possessing. In the seventeenth century De Laet (d. 1649), the Dutch naturalist and geographer, received in Leyden certain glossopetræ sent him by a friend in Bordeaux, who wrote that they would cure any one suffering from soreness of the mouth, whether this were the result of having eaten impure food, or were produced by some derangement of the secretions. The “tongues” were to be dipped in spring water and would cause bubbles to form therein; as soon as these disappeared, the water was to be used as a gargle, and the mouth was to be washed with it two or three times. De Laet’s friend assured him that this treatment would cure the disorder in twenty-four hours.[394]
In the fifteenth and sixteenth centuries, a strange belief was common among the uneducated that fossil sharks' teeth, known as "tongue-stones," were the teeth of witches who sucked the blood of infants; these "vampires" were called lamiæ in ancient times.[393] It's likely that a specific species of shark having the name lamiæ led to this idea, which was simply due to a mix-up of names. Still, it's easy to see how this belief increased the fear surrounding the glossopetræ, as the more feared an object was, the more power people believed it had. In the seventeenth century, De Laet (d. 1649), the Dutch naturalist and geographer, received some glossopetræ in Leyden from a friend in Bordeaux, who said they would cure anyone suffering from mouth soreness, whether caused by eating bad food or some issue with the body's secretions. The "tongues" were to be dipped in spring water, which would create bubbles; once the bubbles disappeared, the water was to be used as a gargle, and the mouth should be rinsed with it two or three times. De Laet’s friend assured him that this treatment would cure the problem in twenty-four hours.[394]
A seventeenth century amulet of a fossil shark’s tooth, mounted in silver and found in an excavation at Salzburg, Austria, was among the objects exhibited by the writer for the New York branch of the American Folk-Lore Society, in 191the Department of Ethnology of the Columbian Exposition held in Chicago, in 1893. They are frequently found at Lake Constance but are from the ancient fossiliferous formations and not from the lake. They are often sold as amulets.
A seventeenth-century amulet made from a fossil shark’s tooth, set in silver and discovered during an excavation in Salzburg, Austria, was one of the items showcased by the writer for the New York branch of the American Folk-Lore Society, in 191 the Ethnology Department at the Columbian Exposition in Chicago in 1893. These amulets are often found at Lake Constance, but they come from ancient fossil-rich formations and not from the lake itself. They are commonly sold as amulets.

Belemnites. Fossilized bony end of extinct cuttlefish. From Aldrovandi’s “Museum metallicum,” Bononiæ, 1648.
Belemnites. Fossilized bony tips of extinct cuttlefish. From Aldrovandi’s “Museum metallicum,” Bologna, 1648.
Fossils whose form suggested that of a more or less acutely pointed shaft, were thought to possess special powers, sometimes offensive as against enemies, and again defensive for the protection of the wearer. Thus the belemnites,[395] considered to represent the form of a dart, when dissolved and taken as a potion, were said to prevent nightmare and to guard against enchantments. They are often either ash-colored or whitish, and sometimes reddish-black. All these varieties were frequently found during the sixteenth century in Hildesheim, and in the marble grotto near the castle of Marienburg, called the “Dwarf’s Grotto.”[396]
Fossils that looked like a more or less sharply pointed shaft were believed to have special powers, sometimes offensive against enemies and sometimes defensive for the protection of the person using them. The belemnites, [395] thought to resemble a dart, when dissolved and consumed as a potion, were said to prevent nightmares and protect against enchantments. They are often ash-colored or whitish, and sometimes reddish-black. All these varieties were commonly found during the sixteenth century in Hildesheim and in the marble grotto near the Marienburg castle, known as the “Dwarf’s Grotto.”[396]
The umbilicus marinus, a fossil shell, which in form bore a great likeness to the human navel, was called “sea-bean” by sailors. Usually of a pale saffron hue, some specimens have a reddish or blackish tinge. In the sixteenth century it was believed to have astringent properties. We are also told that women used it as one of the ingredients of a cosmetic for whitening the complexion.[397]
The umbilicus marinus, a fossil shell that closely resembled the human belly button, was known as the “sea-bean” by sailors. Typically pale yellow, some examples have a reddish or blackish tint. In the sixteenth century, it was thought to have astringent qualities. It’s also reported that women incorporated it into a cosmetic for lightening their skin tone.[397]
192Certain echinites (fossil sea-urchins) found on the Baltic coast are called by the peasants Adlersteine and Krallensteine (“eagle-stones” and “claw-stones”), since they believe that while the substance was soft eagles had seized them with their talons, thus producing the peculiar forms and markings. Whoever had a fossil of this description on his table while a thunder-storm was raging ran no risk of being struck by lightning.[398]
192Certain echinites (fossil sea urchins) found along the Baltic coast are called by the locals Adlersteine and Krallensteine (“eagle stones” and “claw stones”), as they believe that when the material was still soft, eagles grabbed them with their talons, creating the unique shapes and patterns. Anyone who had a fossil like this on their table during a thunderstorm was thought to be safe from being struck by lightning.[398]
Reich describes another variety of echinite, which was popularly known as a “toad-stone,” the specimen he figures having been given him by a certain Johannis Krauss. In this appeared some large cavities, whose presence Reich found it very difficult to explain, until Krauss informed him that they had been made by a former owner of the fossil who had scraped out a few grains of the substance each year for medicinal use. He was persuaded that his long life—he attained the age of eighty—was entirely owing to his employment of this remedy.[399]
Reich talks about another type of echinite, which was commonly called a “toad-stone.” The specimen he illustrates was given to him by someone named Johannis Krauss. This specimen had some large cavities, and Reich found it really difficult to explain them until Krauss told him that they were created by a previous owner of the fossil, who scraped out a few grains of the substance each year for medicinal purposes. He believed that his long life—he lived to be eighty—was entirely due to using this remedy.[399]
The trochites and entrochus, named Räderstein, or “wheel-stone,” by the Germans, are other fossils to which remedial or talismanic virtue was accorded in popular fancy. These “wheel-stones,” while detachable, fitted as closely together in the original formation as though they had been skilfully adjusted by a clever artisan.[400] De Laet states that when immersed in oil they gave forth bubbles and moved about spontaneously. Still another of these fossils believed to be amulets was the enastros, which De Boot terms the asteria vera, or genuine asteria, since it not merely showed a star-shaped marking as did the fossil coral bearing the name 193astroites, but was shaped like a five-pointed star. As with the trochites, chains of these little stars were found, closely joined together but separable from one another. Some called them “star-seals,” because the stellar imprint was sharp and clearly defined as though the work of an engraver or gem-cutter.[401] These fossils are types of encrinites.
The trochites and entrochus, called Räderstein or “wheel-stone” by the Germans, are other fossils believed in popular belief to have healing or protective powers. These “wheel-stones,” while separable, originally fit together so closely that it seemed like they had been expertly crafted by a skilled artisan.[400] De Laet notes that when placed in oil, they produced bubbles and moved around on their own. Another fossil thought to be a charm was the enastros, which De Boot refers to as the asteria vera, or true asteria, because it not only had a star-shaped marking like the fossil coral named 193astroites, but also resembled a five-pointed star. Similar to the trochites, chains of these small stars were found, closely linked yet able to be separated. Some called them “star-seals” because the star imprint was sharp and clearly defined, almost as if an engraver or gem-cutter had done the work.[401] These fossils are types of encrinites.

Brontia. Fossil sea-urchins. From Mercati’s “Metallotheca Vaticana,” Romæ, 1719.
Brontia. Fossil sea urchins. From Mercati’s “Metallotheca Vaticana,” Rome, 1719.


Trochites | Fossil | |
Crinoid | From Mercati, “Metallotheca Vaticana,” Romæ, 1719. | |
Enastros | Stems. |
The sections of the stem-like fossils called entrochus by the older writers have been named St. Cuthbert’s beads in later times, while the fossil called lapis Judaicus has borne the name of “stone-lily,” because in form it resembles the lily. Ages ago the stem and flower-like head united constituted 195a crinoid (a marine zoophyte). These aquatic creatures—half-plant and half-animal—usually twine their roots about some shell in the depths of the waters, but sometimes they become detached and then, moving their delicate tentacles, they creep along the bottom of the sea.
The sections of the stem-like fossils known as entrochus by earlier writers are referred to as St. Cuthbert’s beads nowadays, while the fossil called lapis Judaicus is known as “stone-lily” because its shape resembles that of a lily. Long ago, the stem and flower-like head together formed a crinoid (a marine creature that is part plant and part animal). These aquatic beings typically wrap their roots around some shell in the deep waters, but sometimes they break free and then, by moving their delicate tentacles, they crawl along the ocean floor.

Bucardites triplex. From Aldrovandi’s “Museum metallicum,” Bononiæ, 1648.
Bucardites triplex. From Aldrovandi’s “Museum metallicum,” Bologna, 1648.
In olden times parts, or segments, of an animal were worn as a protection against harm from that particular creature, or else to endow the wearer with some of its real or fancied qualities. In modern times this tendency finds expression in the wearing of jewels of animal form, wherein precious stones are grouped and arranged so as to constitute different parts of the creature’s body. Such jewels are often looked upon as “mascots.”
In the past, different parts of an animal were worn as protection against harm from that specific creature, or to give the wearer some of its real or imagined qualities. Nowadays, this idea is reflected in wearing jewelry shaped like animals, where precious stones are arranged to represent various parts of the creature’s body. These pieces of jewelry are often seen as “mascots.”
A peculiar fossil was known to the Germans by the name of Mutterstein, and is called hysterolithus in the Latin treatises of Agricola, De Boot, etc., a word of Greek derivation signifying the resemblance of the object to an organ of the body. These fossils are formed from the contents of certain shells, and retain the shape of the enclosing shell, which has broken away. Some of these formations were called enorchi from a fancied resemblance to another organ and were regarded as phallic emblems, while others were thought to figure the heart, especially large specimens being named bucardites, 196or “ox-hearts.” This name is already employed by Pliny. The hysterolithus was used to cure various female diseases, and to the bucardites was accorded among other virtues that of increasing the wearer’s courage.[402] The hysterolithus is believed to be the same as the autoglyphus mentioned by pseudo-Plutarch as having been found in the river Sagaris, in Asia Minor. Its peculiar shape was regarded as symbolizing Cybele, the mother of the gods, and the story ran that if one of the unfortunate male victims of Eastern jealousy should obtain a stone of this kind he would become reconciled to his sad lot and would cease to regret his lost manhood.
A strange fossil was known to the Germans as Mutterstone, and it’s referred to as hysterolith in the Latin writings of Agricola, De Boot, and others. This term comes from Greek and indicates that the object resembles an organ of the body. These fossils form from the contents of specific shells and maintain the shape of the shell, which has since broken away. Some of these formations were called enorchi due to a supposed resemblance to another organ and were seen as phallic symbols, while others were thought to represent the heart, with larger specimens being called bucardites, or “ox-hearts.” Pliny had already used this name. The hysterolithus was believed to cure various female ailments, and the bucardites was said to have virtues, including boosting the wearer’s courage.[402] The hysterolithus is thought to be the same as the autoglyphus mentioned by pseudo-Plutarch, which was found in the river Sagaris in Asia Minor. Its unique shape was believed to symbolize Cybele, the mother of the gods, and it was said that if one of the unfortunate male victims of jealousy from the East obtained a stone like this, he would find peace with his unfortunate situation and stop lamenting his lost masculinity.

Types of Ombria (Fossil Sea Urchins). From Mercati’s “Metallotheca Vaticana,” Romæ, 1719.
Types of Ombria (Fossil Sea Urchins). From Mercati’s “Metallotheca Vaticana,” Rome, 1719.
If we were inclined to accord the title of precious stones to stones greatly esteemed for their talismanic virtues, a high place in this category would be assigned to the sâlagrâma-stone of the Hindus.[403] Among the aboriginal inhabitants of India this was regarded as a symbol of the female principle in nature, and of its representative the goddess Prakrti, and in the later Hindu belief the stone was looked upon as the special emblem of the god Vishnu, the “Preserver,” the second personage of the Hindu Trimurti. It is therefore ardently revered by those who are more especially 197devoted to the worship of Vishnu. These stones are fossil formations, either of ammonites or univalve mollusks of a spiral order, and consist of a number of spirals surrounding a circular, central perforation. They are generally the hardened filling of the shell itself, which has entirely weathered away. For the stone to be an effectual talisman, the diameter of the perforation should not exceed one-eighth of the total diameter of the sâlagrâma. The best specimens are said to be found in Nepal, on the upper course of the Gandakî, which flows into the Ganges from the north, and is called the Salagrama River, because the sacred stone is found in it.
If we were to give the title of precious stones to those stones highly valued for their protective abilities, the sâlagrâma-stone of the Hindus would definitely be at the top of the list.[403] Among the original inhabitants of India, this stone was seen as a symbol of the female principle in nature and its embodiment, the goddess Prakrti. In later Hindu belief, the stone came to be regarded as the special symbol of the god Vishnu, the “Preserver,” who is the second figure in the Hindu Trimurti. Because of this, it is deeply revered by those particularly devoted to the worship of Vishnu. These stones are fossil formations, either from ammonites or univalve mollusks with a spiral shape, and consist of several spirals surrounding a central perforation. They are generally the hardened remains of the shell itself, which has completely eroded away. For the stone to work as a talisman, the diameter of the perforation should not exceed one-eighth of the total diameter of the sâlagrâma. The best examples are said to be found in Nepal, in the upper reaches of the Gandakî River, which flows into the Ganges from the north. It's called the Salagrama River because the sacred stone is found there.

Cornu ammonis (Fossil Nautilus.) From “Museum Wormianum,” Lugduni Batavorum, 1655.
Cornu ammonis (Fossil Nautilus.) From “Museum Wormianum,” Leiden, 1655.
There can be little doubt that we have here a substance similar to the fossils described by Pliny and his successors under the names brontia, ombria, ovum anguinum, and cornu ammonis, and it is most probable that in India, as in Europe, these fossils were believed to have fallen from heaven, and were associated with the thunderbolt. Hence they would be regarded by the Hindus as more especially sacred to Vishnu, who was originally a divinity representing the various forms of light, one of his manifestations being the lightning.
There’s little doubt that we have a substance similar to the fossils described by Pliny and his successors under the names brontia, ombria, ovum anguinum, and cornu ammonis. It’s highly likely that in India, just as in Europe, these fossils were thought to have fallen from the sky and were linked to the thunderbolt. Therefore, the Hindus would see them as particularly sacred to Vishnu, who was originally a god representing various forms of light, with one of his manifestations being lightning.
The sâlagrâmas must be carefully chosen, for not all of them are luck-bringing, some being bearers of ill-fortune. A black sâlagrâma brings fame to the owner, and a red one, a crown; but one with an unduly large perforation would cause dissension and strife in a family, one with irregularly formed spirals portends misfortune, and a brown one would bring to pass the death of its owner’s wife. Each faithful worshipper of Vishnu has one of these stones, but two may not be in the same house. To give away a sâlagrâma would 198be equivalent to casting away every prospect of good fortune. However, only one who belongs to the three highest castes is entitled to become an owner of the sacred stone, in which the very spirit of Vishnu is supposed to dwell; neither a Sudra nor a Pariah enjoys this privilege, which is also denied to women.
The sâlagrâmas need to be selected carefully because not all of them bring good luck; some actually bring bad luck. A black sâlagrâma brings fame to its owner, and a red one represents a crown; however, a stone with an excessively large hole can cause conflict and strife within a family, one with uneven spirals indicates misfortune, and a brown one can lead to the death of its owner’s wife. Every devoted worshipper of Vishnu possesses one of these stones, but two cannot be in the same house. Giving away a sâlagrâma would mean losing all chances of good fortune. However, only individuals from the three highest castes can own this sacred stone, which is believed to house the spirit of Vishnu; neither a Sudra nor a Pariah has this privilege, and it is also denied to women.
The sâlagrâma is carefully wrapped in linen cloths, and must be often washed and perfumed. The water with which it has been washed becomes a consecrated drink. The master of the house must adore the stone once each day, either in the morning or in the evening. As the sâlagrâma not only brings happiness in this world but also insures felicity in the future world, it is held over the dying Hindu while water is allowed to trickle through the orifice. This ceremony appears to have a certain analogy to the rite of extreme unction administered in the Catholic Church.
The sâlagrâma is carefully wrapped in linen cloths and needs to be washed and perfumed frequently. The water used to wash it becomes a sacred drink. The head of the household must worship the stone once a day, either in the morning or the evening. Since the sâlagrâma brings happiness in this life and ensures good fortune in the afterlife, it is held over the dying Hindu while water is allowed to flow through its opening. This ceremony seems to be similar to the rite of extreme unction in the Catholic Church.
It is stated by Finn Magnusen that in Iceland, toward the beginning of the last century, he saw superstitious peasants carefully guard small stones of peculiar appearance in pretty bags filled with fine flour. They treated these stones with great reverence and either wore them on their persons or placed them in their beds or other furniture.[404]
Finn Magnusen reported that in Iceland, around the start of the last century, he witnessed superstitious farmers carefully keeping small stones that looked unusual in nice bags filled with fine flour. They treated these stones with a lot of respect, either wearing them or putting them under their pillows or in other furniture.[404]
The fossils known as brontiæ, ombriæ and chelonites were all believed to be antidotes for poison and also to make the wearer victorious over his enemies. Hence they were sometimes set in the pommels of swords. That these objects were equally potent in peace, is shown by the fact that Danish peasant women placed them in their milk pails to ward off the effects of any spell that might have been cast over the cow’s milk by a malevolent witch.[405]
The fossils known as brontiæ, ombriæ, and chelonites were thought to be antidotes for poison and also to help the wearer triumph over enemies. That's why they were sometimes set in the pommels of swords. Their effectiveness in peaceful situations is evidenced by Danish peasant women who would place them in their milk pails to protect against any spells that a wicked witch might have cast on the cow’s milk.[405]
199David Reich notes the four kinds of astroites, or “victory stones,” given by De Boot; the first, marked with small stars; the second, with rose-like figures; the third, with wavy lines, like the convolutions of a worm; the fourth, with obscure and indefinite markings. To these varieties Reich adds a fifth, the convex side of which was marked with black crosses, while the other, flat side, showed larger crosses surrounded by circles; all these markings were so perfect that an artist could scarcely imitate them; this specimen he had set, with other precious gems, in a silver cross, the flat side of the fossil, at the back of the cross, being covered by a heart-shaped topaz.[406] These were all specimens of fossil coral.
199David Reich describes four types of astroites, or “victory stones,” mentioned by De Boot: the first has small stars; the second has rose-like shapes; the third features wavy lines, resembling the folds of a worm; and the fourth is marked with unclear and vague designs. Reich adds a fifth type, which has a rounded side marked with black crosses, while the flat side displays larger crosses encircled by rings; all these markings were so intricate that an artist could barely replicate them. He had this specimen set in a silver cross, with the flat side of the fossil on the back of the cross covered by a heart-shaped topaz.[406] These were all examples of fossil coral.

.ASTROITES.
Specimens of Astroites (asteria), or fossil coral. From Mercati’s “Metallotheca Vaticana,”
Romæ, 1719.
.ASTROITES.
Samples of Astroites (asteria), or fossil coral. From Mercati’s “Metallotheca Vaticana,”
Rome, 1719.
The saga of Dietrich of Bern relates of King Nidung that 200on the eve of a battle in which his forces were much inferior to those of the enemy, he was filled with despair to find that he had left his “victory stone” in his castle, miles away from where he had pitched his tent. Overmastered by his desire to regain possession of his stone at this critical time, Nidung offered a large sum of money and his daughter’s hand to anyone who would bring it to him before the battle began. The distance was so great and the time so short that the task seemed utterly impossible, and a young esquire, Velint by name, was the only one willing to risk the enterprise. He was favored in his quest by having a horse of wonderful strength and endurance, by whose help he barely succeeded in making the long journey to the castle and returning in time. King Nidung, wearing his invincible stone, was the victor in the battle, and he did not fail to carry out his rather rash promise.[407]
The story of Dietrich of Bern tells of King Nidung who, on the eve of a battle where his forces were significantly outnumbered, felt despair when he realized he had left his “victory stone” in his castle, miles away from his camp. Overcome by the urgent need to retrieve his stone at that critical moment, Nidung offered a substantial reward and his daughter's hand in marriage to anyone who could bring it to him before the battle started. The distance was great and time was short, making the task seem impossible, and only a young squire named Velint was willing to take on the challenge. He was fortunate to have a horse with remarkable strength and endurance, which allowed him to make the long journey to the castle and back just in time. King Nidung, wearing his invincible stone, won the battle and honored his rather reckless promise.[407]
Amulets of fossil coral are freely used in Italy, especially in the province of Aquila, and are called “witch-stones” (pietre stregonie). These are similar to one type of the “asterias” worn as amulets in ancient and medieval times. Many of the Italian amulets are incised or engraved with Christian subjects, one figured by Bellucci bearing the head of Christ on the obverse, and Christ on the cross on the reverse side; on others appears the image of the Virgin Mary.[408]
Amulets made from fossil coral are commonly used in Italy, particularly in the province of Aquila, where they are known as “witch-stones” (pietre stregonie). These are similar to a type of “asterias” that were worn as amulets in ancient and medieval times. Many of the Italian amulets are carved or engraved with Christian themes, such as one created by Bellucci that features the head of Christ on one side and Christ on the cross on the other; other amulets depict the image of the Virgin Mary.[408]
Crystalline quartz will sometimes show a star either at base or apex, if cut en cabochon. This is due to the presence of acicular crystals of rutile or to air spaces. Those specimens from Albany, Maine and other places present this phenomenon, and Starolite and Astrolite or “star stone” has been suggested as an appropriate name for this variety.
Crystalline quartz can sometimes display a star either at the bottom or the top when cut en cabochon. This happens because of the presence of needle-like rutile crystals or air pockets. Specimens from Albany, Maine, and other locations exhibit this effect, and the names Starolite and Astrolite, or "star stone," have been proposed as fitting names for this variety.
V
Snake Stones and Bezoars

The bezoar stone, according to the usual belief, was taken from the intestines or the liver either of the goat or of the deer. The Arabs told a strange tale as to the generation of this stone.[409] They said that at certain seasons the deer were wont to devour snakes and other venomous creatures, whereupon they would straightway hasten to the nearest pool and plunge into it until only their nostrils were above the water. Here they remained until the feverish heat caused by the poison they had swallowed was alleviated. During this time stones were formed in the corners of their eyes; these dropped as the deer left the pool, and were found on its banks. The stones were a sovereign antidote for poisons of all kinds. When reduced to a powder and taken internally, or when simply bound to the injured part, they effected a cure by inducing a profuse perspiration. It is curious to note that this tale foreshadows, in a fanciful way, the latest progress of medical science; namely, the use of a substance generated in the body of a diseased animal as an antidote for the disease from which the animal suffered.
The bezoar stone, according to common belief, came from the intestines or liver of either a goat or a deer. The Arabs shared a strange story about how this stone was formed.[409] They claimed that during certain seasons, deer would eat snakes and other poisonous creatures, and then rush to the nearest pool, submerging themselves until only their nostrils were above the water. They stayed there until the fever caused by the poison they had ingested was relieved. During this time, stones formed in the corners of their eyes, and these dropped out as the deer left the pool, later found along its banks. The stones were a powerful remedy for all kinds of poison. When ground into a powder and taken internally, or simply applied to the injured area, they would cure the affliction by inducing heavy sweating. It’s interesting to note that this tale hints, in a whimsical way, at the latest advancements in medical science—specifically, the use of substances produced in the body of a sick animal as a cure for the disease the animal had.
We are also told that Abdallah Narach narrates the case of the Moorish king of Cordoba, Miramamolin, as Monardes gives the name, to whom a violent poison had been administered and who was cured by means of a bezoar stone. The king, overcome with gratitude for the preservation of his life, gave his royal palace to the man who had brought him the stone. Monardes remarks: “This certainly was a royal gift, since we see that at this day the castle of Cordova is 202something rare and of great value and the stone must have been highly prized when such a price was paid for it.”[410]
We are also told that Abdallah Narach describes the story of the Moorish king of Cordoba, Miramamolin, as Monardes calls him, who was given a strong poison and was cured with a bezoar stone. The king, filled with gratitude for being saved, gifted his royal palace to the person who brought him the stone. Monardes notes: “This was truly a royal gift, since today the castle of Cordova is 202something rare and very valuable, and the stone must have been highly esteemed when such a price was paid for it.”[410]

Application of a besoar to cure a victim of poisoning. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
Application of a bezoar to cure someone who has been poisoned. From Johannis de Cuba’s “Ortus Sanitatis,” Strassburg, 1483.
The first mention of the bezoar stone is by the Arabic and Persian writers. In the Arabic work attributed to Aristotle, and which was certainly written as early as the ninth and possibly in the seventh century, it is even described among the precious stones. The same is true of the oldest Persian work on medicine, namely, that of Abu Mansur Muwaffak, composed about the middle of the tenth century. A valuable monograph on the bezoar was written in 1625 by Caspar Bauhin, a learned professor and physician of Basel; this work contains all that was then known of the various qualities ascribed to this substance by the older authors.
The first reference to the bezoar stone comes from Arabic and Persian writers. In an Arabic text attributed to Aristotle, which was definitely written as early as the ninth century and possibly in the seventh century, it’s even listed among precious stones. The same applies to the oldest Persian medical work, by Abu Mansur Muwaffak, written around the middle of the tenth century. A significant monograph on bezoars was authored in 1625 by Caspar Bauhin, a knowledgeable professor and physician from Basel; this work includes everything that was known at the time about the various properties attributed to this substance by earlier writers.
The bezoar does not appear to have been used medicinally in Europe before the twelfth century, when the so-called pestilential fevers became very prevalent. In their distress people turned to the lapis bezoar, which was so highly recommended by the Arabic physicians whose works were, at that time, becoming more widely known through the intercourse between the Spaniards and the Moors. Caspar Bauhin writes:[411] “Even to-day princes and nobles prize it very highly and guard it in their treasures among their most precious gems; so that the physicians are forced, sometimes 203against their better judgment, to employ it as a remedy. So great are its virtues that many imitations are made.”
The bezoar doesn't seem to have been used for medicinal purposes in Europe until the twelfth century, when pestilential fevers became quite common. In their suffering, people turned to the lapis bezoar, which was highly recommended by Arabic physicians, whose writings were becoming more familiar due to the exchanges between the Spaniards and the Moors. Caspar Bauhin writes:[411] “Even today, princes and nobles value it highly and keep it among their most precious gems; so much so that physicians are sometimes compelled, against their better judgment, to use it as a remedy. Its virtues are so esteemed that many imitations are produced.”
The name bezoar, derived from the Persian padzahr (pad, expelling; zahr, poison), or some of its many variants, was often used to designate any antidote for poison, so that the Arabs would say that such or such a substance was the bezoar for a particular poison. This should be understood to signify that the stone received its name because it was regarded as a specially powerful antidote.
The term bezoar, which comes from the Persian padzahr (pad, to expel; zahr, poison), or one of its many variations, was commonly used to refer to any antidote for poison. As a result, Arabs would claim that a specific substance acted as the bezoar for a certain poison. This means that the stone was named for its reputation as a particularly effective antidote.
The various authors give many different sources for the bezoar. We have already cited Monardes and repeated his account; other writers asserted that this concretion came from the heads of certain animals, others again said that it was taken from their livers, and still others stated that it was formed in the eye of the stag. Naturally, concretions of a similar form and quality may well have been obtained from any of these sources. Indeed, one of the most potent bezoars was that taken from the monkey. A specimen of this kind is described and figured in the Museum Brittanicum[412] with the following description:
The various authors provide multiple sources for the bezoar. We've already mentioned Monardes and repeated his account; other writers claimed that this substance came from the heads of certain animals, while others said it was extracted from their livers, and still others suggested it formed in the eye of the stag. Naturally, concretions of a similar shape and quality could have come from any of these sources. In fact, one of the most powerful bezoars was taken from a monkey. A specimen like this is described and illustrated in the Museum Brittanicum[412] with the following description:
A Monkey’s Bezoar, very much resembling one from the goat, of an oblong shape broke in two, with a long straw, or some such like substance in its centre; its colour brown, pink, or deep yellow. I found it set as generally they are for preservation in a little chest, or case, of what is called Lignum Læevisiunum; the pith or medula of which appears to resemble the common elder, and may, for what I know, be as curious as the stone itself.
A monkey's bezoar, which looks a lot like one from a goat, was oval-shaped and split in two, with a long straw or something similar in the middle; its color was brown, pink, or deep yellow. I found it kept, as is usual, in a small chest or case made of what’s called Lignum Læevisiunum; the pith or core of which seems to be similar to common elder and could be just as interesting as the stone itself.
Toll quotes[413] Jacob Bontius to the effect that these monkey bezoars, which were rounded and a little longer than the finger, were considered the best of all.
Toll quotes[413] Jacob Bontius, saying that these monkey bezoars, which were round and a bit longer than a finger, were regarded as the best of all.
As the chief quality claimed for the bezoar was that it induced a profuse perspiration, we might understand that it could have a beneficial effect in some cases. It was 204also remarked that the solution of the stone blackened the teeth and those who used it were therefore obliged to take great care that the medicine should not touch their teeth.
As the main quality attributed to the bezoar was that it caused excessive sweating, we can see how it might have some positive effects in certain situations. It was also noted that the solution of the stone stained the teeth, so those who used it needed to be very careful to keep the medicine away from their teeth. 204

Monkey bezoar. From Valentini’s “Museum Museorum oder Vollständige Schau-Bühne,” Frankfurt am Main, 1714.
Monkey bezoar. From Valentini’s “Museum Museorum or Complete Show Stage,” Frankfurt am Main, 1714.
We learn that a genuine stone was valued at 50 gold crowns (about $125) in Calcutta; another is said to have brought 130 crowns ($325). De Boot states that a drachm of the powdered stone was worth two ducats ($5) in Lower Germany and four ($10) in Upper Germany; why, he does not say.
We learn that a genuine stone was valued at 50 gold crowns (about $125) in Calcutta; another is said to have sold for 130 crowns ($325). De Boot mentions that a drachm of the powdered stone was worth two ducats ($5) in Lower Germany and four ($10) in Upper Germany; he doesn't explain why.
Garcias ab Horto, a Portuguese physician of Goa, in India, describes a variety of the bezoar called the Lapis Malacensis, used as an antidote for poisons in Malacca. This was found in the liver of the hedgehog, and the substance was held in such esteem that of two found in the fifteenth Century, one was sent as a very valuable gift to the Portuguese Viceroy at Goa. Garcias describes this as being of a light purple hue, bitter to the taste and smooth as the skin of a toad. The custom was to steep the stone in water for some time and then to give this water to the patient as a medicinal draught. A specimen was brought to Rome from Portugal by Cardinal Alexandrinus, and Mercato states that he had seen a test of its virtues as an antidote for poisons. In the opinion of De Boot: “As an antidote for any poison which may have been administered, nothing more excellent than the bezoar stone can be had.”[414] It 205was even asserted that if a bezoar set in a ring were frequently placed in the mouth and sucked, this would afford a cure for poison by inducing a profuse perspiration.[415] Besides its exceptional quality as an antidote for poisons, this stone was regarded as a panacea for all chronic and painful diseases, especially if taken each morning for several days, after the use of a cathartic.
Garcias ab Horto, a Portuguese physician from Goa, India, talks about a type of bezoar known as the Lapis Malacensis, which was used as an antidote for poisons in Malacca. This bezoar was found in the liver of the hedgehog and was so highly valued that one of the two discovered in the fifteenth century was sent as a valuable gift to the Portuguese Viceroy in Goa. Garcias describes it as being a light purple color, bitter in taste, and smooth like a toad's skin. The usual practice was to soak the stone in water for a while and then give that water to the patient as a medicinal drink. A specimen was taken to Rome from Portugal by Cardinal Alexandrinus, and Mercato noted that he had witnessed its effectiveness as an antidote for poisons. According to De Boot, “As an antidote for any poison that might have been ingested, nothing more excellent than the bezoar stone exists.”[414] It 205was even claimed that if a bezoar set in a ring was regularly placed in the mouth and sucked on, it would cure poison by causing excessive sweating.[415] In addition to its remarkable properties as an antidote for poisons, this stone was seen as a cure-all for chronic and painful diseases, especially if taken every morning for several days after using a laxative.

1. Hedge-hogstone from Malacca. 2, 3. Spurious stones of this type manufactured in Ceylon. From Kaempfer’s “Amœnitatum exoticarum fasciculi V,” Lemgoviæ, 1712.
1. Hedgehog stone from Malacca. 2, 3. Fake stones of this type made in Ceylon. From Kaempfer’s “Amœnitatum exoticarum fasciculi V,” Lemgoviæ, 1712.
Besides this use as a remedy or antidote, the bezoar was credited with the powers of an elixir of life, for some of the Hindus employed it as a preservative of youth and vigor. Twice a year, after dosing themselves with a strong cathartic medicine, they would take ten grains of powdered bezoar daily for fifteen days, and they are said to have derived great benefit from this treatment.[416]
Besides this use as a remedy or antidote, the bezoar was believed to have the powers of a life elixir, as some Hindus used it to preserve youth and vitality. Twice a year, after using a strong laxative, they would take ten grains of powdered bezoar daily for fifteen days, and they are said to have gained significant benefits from this treatment.[416]
The celebrated practical test of the bezoar’s power as 206an antidote to poison, recorded by the famous French surgeon, Ambroise Paré (1510–1590), was performed in Paris with one which had been brought from Spain to Charles IX of France. Clearly the only perfectly satisfactory means of ascertaining whether the reputed virtues of this curious concretion were really present was to make an experiment therewith upon a living human being. Now it chanced that just at this time there was in the royal prison a cook who had stolen two silver dishes from his master, and who, in accord with the pitiless laws of that period, had been condemned to death for this offence. Here was an excellent opportunity, therefore, to make a trial of the bezoar, but as the adjudged legal penalty could not well be arbitrarily changed to some other form of death, the matter was first laid before the condemned man himself, with the promise that should he not succumb to the poison he would be given his liberty. As at the worst this was taking a chance of life in exchange for certain death, the cook readily consented. The necessary preparations having been made, the poison was administered and immediately thereafter the man was given a dose composed of a part of the bezoar reduced to powder and dissolved in liquid. The effects of the poison were soon manifested by violent retching and purging, and when Paré was called in an hour later, he found the man in great agony, with blood issuing from his nose, ears and mouth, and from the other bodily apertures. He piteously complained that he felt as though consumed by an inward flame, and before another hour had passed he expired, crying out that it would have been much better to have died by hanging. From his report, Paré seems not to have been present when the poison was given and not to have been informed of its character, as he merely states that from the results of his autopsy and from the symptoms he had observed, he concluded that it 207was corrosive sublimate. Probably, conscientious and truly religious as he was, he was unwilling to take an active part in such an affair. The king ordered that his discredited bezoar should be cast into the fire and destroyed. As an illustration of Ambroise Paré’s humility and piety we may cite his remark on the recovery of one of his patients: “I treated him and God cured him.”[417] It was Paré who operated upon Admiral Coligny after the unsuccessful attempt on the latter’s life made a few days before his assassination on St. Bartholomew’s Day, August 24, 1572, at the outset of the dreadful massacre.
The famous practical test of the bezoar’s ability as 206an antidote to poison, recorded by the renowned French surgeon, Ambroise Paré (1510–1590), took place in Paris with one that had been brought from Spain to Charles IX of France. Clearly, the only reliable way to determine if the supposed benefits of this unusual substance were genuine was to experiment on a living person. At that time, there happened to be a cook in the royal prison who had stolen two silver dishes from his employer and, in line with the harsh laws of the time, had been sentenced to death for this crime. This presented a perfect opportunity to test the bezoar, but since the legal punishment couldn’t easily be changed to a different form of execution, the situation was first presented to the condemned man himself, with the promise that if he survived the poison, he would be set free. Given that this was essentially a chance at life in exchange for certain death, the cook agreed without hesitation. After the necessary preparations were made, the poison was administered, and soon after, he was given a dose made from a piece of the bezoar ground into powder and mixed in liquid. The poison's effects quickly became apparent, causing severe vomiting and diarrhea, and when Paré was called in an hour later, he found the man in extreme pain, with blood coming from his nose, ears, mouth, and other bodily openings. He sadly complained of feeling as if he was being burned from within, and before another hour had passed, he died, crying out that it would have been much better to have faced hanging. From his account, it seems Paré wasn’t present when the poison was administered and wasn’t informed of its nature, as he only mentions that from the results of his autopsy and the symptoms he witnessed, he concluded that it 207was corrosive sublimate. Likely, being both conscientious and deeply religious, he was reluctant to take an active role in such an event. The king ordered that the discredited bezoar be thrown into the fire and destroyed. To illustrate Ambroise Paré’s humility and faith, we can quote his remark on the recovery of one of his patients: “I treated him and God cured him.”[417] It was Paré who operated on Admiral Coligny after the unsuccessful assassination attempt made a few days before Coligny’s murder on St. Bartholomew’s Day, August 24, 1572, at the beginning of the horrific massacre.
Alluding to the ill-success attending the experiment performed by Ambroise Paré, in order to test effectively the supposed virtues of the substance as an antidote for poisons, Engelbert Kaempfer remarks that Paré’s bezoar may have been of inferior quality, and, moreover, bezoars could not be successfully used to counteract mineral poisons, but were only useful when vegetable poisons had been taken. This opinion was probably due to the fact that the bezoar itself is largely or in the main a vegetable substance. That the interior layers of a specimen should be inferior in quality to the external layers was not for Kaempfer a proof of its spurious character, but might easily be accounted for by a change of pasturage in the case of the creature in whose body the concretion had formed.
Alluding to the lack of success with the experiment conducted by Ambroise Paré to effectively test the supposed benefits of the substance as an antidote for poisons, Engelbert Kaempfer notes that Paré’s bezoar might have been of lower quality. Additionally, he points out that bezoars could not successfully counteract mineral poisons and were only effective against vegetable poisons. This view likely stemmed from the fact that bezoars are primarily a vegetable substance. For Kaempfer, the idea that the inner layers of a specimen could be of lower quality than the outer layers did not prove it was fake; rather, it could easily be explained by a change in the grazing conditions of the animal from which the concretion formed.
This writer asserts that he considered those bezoars to be genuine which were of a partly resinous and partly mineral composition, so that when pulverized they could be dissolved in nitric acid, the solution having a reddish hue. The Persians not only attributed to bezoars the same virtues as did the Europeans, but also recommended the administration of the bezoar elixir to persons in health, that they might avoid contracting disease and prolong their lives, 208more especially if the dose were taken at the beginning of the year. In general, however, he found that where Europeans used the bezoar as a remedy, the Persians gave a dose of pearl tincture instead; but as rarities, or perhaps as talismans, bezoars were even more highly prized in Persia than in Europe, for there was hardly a Persian of note who did not preserve one of these concretions among his treasures. The price depended upon perfection of form and color, as well as upon size, one weighing a mishkel (about 75 grains Troy) was commonly valued at one toman, the equivalent of 15 ounces of silver (about $20), according to Kaempfer’s computation, but the price rose rapidly with the size of the bezoar in a proportion similar to that observable in the case of pearls. As Persian bezoars were so costly in Persia, and the home demand for them so great, those sold by this name in Europe must have had another origin.[418]
This writer claims that he considered those bezoars to be real if they had a mix of resin and mineral content, so that when ground up, they could dissolve in nitric acid, resulting in a reddish solution. The Persians not only believed bezoars had the same healing properties as the Europeans did, but they also recommended giving the bezoar elixir to healthy people to help them avoid illness and extend their lives, especially if taken at the start of the year. In general, though, he noticed that while Europeans used bezoars as a remedy, Persians preferred to give a dose of pearl tincture instead. However, bezoars were valued even more in Persia than in Europe as rare items or possibly as talismans, since hardly any notable Persian didn’t keep one of these formations among their treasures. The price varied based on how perfect the form and color were, as well as the size; one weighing a mishkel (about 75 grains Troy) was typically worth one toman, equivalent to 15 ounces of silver (around $20), according to Kaempfer's estimates, but the price increased quickly with size in a manner similar to pearls. Since Persian bezoars were so expensive in Persia and the local demand for them was so high, those sold under this name in Europe must have come from a different source. 208[418]
Of several experiments made with criminals to whom poison was administered and then a dose of bezoar to test its virtues as an antidote, one of the most interesting has to do with a criminal incarcerated in the prison at Prague, in the reign of Emperor Rudolph II. To this man a drachm of the deadly poison aconitum napellus was administered. Five hours were allowed to elapse before the bezoar was given, so that the poison should have full time to be absorbed by the system. During this time the effects were fully manifested, oppression at the chest, pain in the gastric region, dimness of vision and dizziness. When the five hours had expired five grains of bezoar were given to the man in a little wine. After taking the dose he felt some relief and vomited, but the bad symptoms soon returned and even became aggravated, as though a supreme conflict for the mastery between poison and antidote were in progress. There 209was delirium, extreme tension of the abdomen, repeated vomiting, and an irregular, feverish pulse; finally an acute inflammation of the eyes supervened, causing such intense pain that the man declared he would rather die than endure it longer. However, at the end of eight hours’ time from the administration of the poison—three hours after the dose of bezoar had been given—all the morbid conditions passed off, the patient was able to eat food with relish and he slept quietly. In the morning he was perfectly well, and never realized any subsequent bad effects. The emperor released him from prison and even bestowed a handsome reward upon him.[419]
Of several experiments conducted with criminals who were given poison followed by a dose of bezoar to test its effectiveness as an antidote, one of the most fascinating involves a criminal imprisoned in Prague during Emperor Rudolph II's reign. This man was given a drachm of the deadly poison aconitum napellus. Five hours were allowed to pass before the bezoar was administered, ensuring the poison had enough time to be absorbed by his body. During this period, the effects were fully felt: chest tightness, stomach pain, blurred vision, and dizziness. When the five hours were up, the man was given five grains of bezoar mixed in a little wine. After taking the dose, he experienced some relief and vomited, but the negative symptoms quickly returned and even worsened, as if there was a dramatic battle between the poison and the antidote. He experienced delirium, severe abdominal tension, repeated vomiting, and an irregular, feverish pulse; ultimately, he developed acute inflammation of the eyes that caused such intense pain that he said he'd rather die than endure it any longer. However, after eight hours from the time he was poisoned—three hours after receiving the bezoar—all the troubling symptoms disappeared, he was able to eat with appetite, and he slept peacefully. By morning, he was completely well and didn’t suffer any lasting negative effects. The emperor released him from prison and even awarded him a generous reward.[419]
A strange experiment to determine the character and quality of bezoars is related by Kaempfer on the authority of Jager. The latter asserted that while in Golconda he had the opportunity of examining recently captured gazelles for the presence of bezoars, and that by compressing their abdomens he could distinctly feel two such concretions in the case of one of the animals and five or six in the case of the other. They were kept some days for further observation, but as they absolutely refused all food, it was decided to kill them rather than have them starve to death. This was done, but when the bodies were opened no trace of any bezoar could be found, and Jager conjectures that the substance of these concretions had been absorbed into the system of the animal for lack of any other nourishment.[420]
A strange experiment to determine the character and quality of bezoars is recounted by Kaempfer based on Jager's account. Jager claimed that while in Golconda, he had the chance to examine recently captured gazelles for the presence of bezoars. By pressing on their abdomens, he could distinctly feel two such concretions in one animal and five or six in another. They were kept for a few days for further observation, but since they refused to eat anything, it was decided to euthanize them to prevent starvation. This was done, but when the bodies were examined, no trace of any bezoar could be found. Jager speculates that the substance of these concretions had been absorbed into the animals' bodies due to a lack of other nourishment.[420]
In his memoirs, Jehangir Shah relates that an Afghan once brought from the Carnetic two goats said to have bezoar stones [pâzahar] in their bodies. Jehangir was much surprised to note that these animals were fat and healthy 210looking, as he had always been told that those having bezoars were invariably thin and wretched in appearance. However, the Afghan was shown to be correct in his conjecture, for when one of the goats was killed and the body opened four fine bezoars were brought to light.[421]
In his memoirs, Jehangir Shah shares that an Afghan once brought two goats from the Carnatic that were said to have bezoar stones in them. Jehangir was quite surprised to see that these animals looked fat and healthy, as he had always been told that those with bezoars were usually thin and in bad shape. However, the Afghan turned out to be right in his observation, because when one of the goats was killed and opened up, four fine bezoars were found. 210 [421]
About the beginning of the eighteenth century, Charles Jacques Poncet, a French physician, was called to the court of the Abyssinian monarch of that time. One of the favorite remedies of this Frenchman was a kind of artificial bezoar, which he claims to have used with great success in cases of intermittent fever. This so-called bezoar he administered to the sovereign and to two of his children, and he also revealed to the Abyssinian king the secret of its composition. He tells us that this “Emperor of Ethiopia,” as he terms him, showed great interest in medical science, and listened eagerly to explanations of the character and operation of the various remedies.[422]
Around the beginning of the eighteenth century, Charles Jacques Poncet, a French doctor, was invited to the court of the Abyssinian king of that time. One of this Frenchman's favorite treatments was a type of artificial bezoar, which he claimed to have used very effectively for intermittent fever. He gave this so-called bezoar to the king and two of his children, and he also disclosed the secret of its ingredients to the Abyssinian ruler. He mentioned that this "Emperor of Ethiopia," as he refers to him, was very interested in medical science and listened intently to explanations about the nature and effects of the different remedies.[422]
The Indians of Peru had their own theory as to the genesis of the bezoar stone. In relation to this Joseph de Acosta writes:[423]
The indigenous people of Peru had their own explanation for how the bezoar stone was formed. In this regard, Joseph de Acosta writes:[423]
The Indians relate from the traditions and teachings of their ancestors, that in the province of Xaura, and in other provinces of Peru there are various poisonous herbs and animals which empoison the waters and pastures where they [the vicuñas, etc.] drink and eat. Of these poisonous herbs, one is right well known by a natural instinct to the vicuña and to the other animals which engender the bezoar, and they eat of this herb and thus preserve themselves from the poison of the waters and pastures. The Indians also say that the stone is formed in the stomachs of these animals from this herb, whence comes the virtue it possesses as an antidote for poisons, as well as its other marvellous properties.
The Indigenous people share from their traditions and teachings that in the province of Xaura and other regions of Peru, there are various poisonous plants and animals that poison the waters and pastures where the vicuñas and others drink and eat. One of these poisonous plants is well-known by instinct to the vicuña and other animals that produce bezoar stones, and they consume this plant to protect themselves from the poison in the water and pastures. The Indigenous people also say that the stone forms in the stomachs of these animals from this plant, which is where it gets its effectiveness as an antidote for poisons, along with its other amazing properties.
211Of the mineral bezoar, which was also regarded as an antidote against poisons, Mohammed ben Mançur relates that various ornamental figures were formed from it, such as small images of the Shah or little female figures; these were perhaps regarded as talismans. Knife-handles were also made of this material,[424] and here the use may have been connected with the belief in the curative power of the bezoar, if brought into direct contact with the skin, as would be the case when the knife-handle was grasped in the hand.
211Mohammed ben Mançur mentions that the mineral bezoar, which was also seen as an antidote for poisons, was shaped into various decorative figures, like small statues of the Shah or tiny female figures; these might have been considered talismans. Knife handles were also crafted from this material,[424] and its use may have been linked to the belief in the healing properties of the bezoar when it came into direct contact with the skin, as would happen when the knife handle was held in hand.
A mineral bezoar bearing a close likeness to the animal concretion was found in Sicily. This stone was usually round, sometimes oblong like an egg, and sometimes compressed; its usual size was about that of a pigeon’s egg, the largest stone not surpassing the size of a hen’s egg. It was commonly white, occasionally of a somewhat ashy hue, and the surface was generally smooth, though now and then it was rough with small protuberances. Its taste resembled that of the white bolus armenus. The composition of this stone was similar to that of the Oriental bezoar of animal origin, having the same layers, and in the centre a small mass of sand over which nature had imposed from eight to ten layers, just as in the animal bezoar.[425]
A mineral bezoar that closely resembled animal concretions was discovered in Sicily. This stone was typically round, occasionally egg-shaped, and sometimes flattened; its usual size was similar to that of a pigeon’s egg, with the largest not exceeding that of a hen’s egg. It was mostly white, sometimes with a slightly ashy tint, and the surface was generally smooth, although it could occasionally be rough with small bumps. Its taste was similar to that of the white bolus armenus. The composition of this stone was akin to that of the Oriental bezoar from animals, having similar layers, with a small core of sand in the center, over which nature had formed eight to ten layers, just like in the animal bezoar.[425]
A peculiar bezoar is reported from Indrapura, India. This was said to have been found in the skull of a rhinoceros, and was of light weight and of a black hue, varying to pale red when held against the light; it was hard enough to cut glass. The owner believed it to be a panacea for all ills. For blood-spitting it was held in the mouth; for rheumatism, bruises, or burns, it was rubbed over the affected part; and for the bites of venomous creatures it was simply laid 212upon the wound; even those at the point of death were revived by it.[426]
A strange bezoar was reported from Indrapura, India. It was claimed to have been found in the skull of a rhinoceros, and it was lightweight and black, shifting to a pale red when held up to the light; it was hard enough to cut glass. The owner thought it was a cure-all. For spitting blood, it was held in the mouth; for rheumatism, bruises, or burns, it was rubbed on the affected area; and for the bites of poisonous creatures, it was simply placed on the wound; even those close to death were revived by it.212[426]
An amulet set with a bezoar stone is said to have possessed such a power to prevent bleeding that when a Malacca prince was killed in a battle with his rebellious subjects, no blood was flowing from any of his numerous wounds. On stripping the body a golden armlet set with a bezoar came to view, and the moment this was removed blood began to flow freely from the wounds.[427]
An amulet featuring a bezoar stone is believed to have had the power to stop bleeding so effectively that when a prince from Malacca was killed in a battle against his rebellious subjects, no blood was coming from any of his many wounds. When his body was examined, a golden armlet set with a bezoar was discovered, and as soon as it was taken off, blood started to flow freely from the wounds.[427]
Mercato writes of a marvellous Occidental bezoar, sent from Peru to Rome in 1534, as a gift to Pope Gregory XIII. It weighed no less than fifty-six ounces, although it was defective, since a large portion of the exterior crust was missing, the second layer was partly broken away, and even the third layer was damaged in some places. This wonderful concretion had been dedicated to one of the Peruvian gods, as a rare and precious object, and it was taken away by the Spaniards when they spoiled the temple. Mercato says that this bezoar was “of a truly monstrous size, unheard of in all previous centuries, and it is still the largest in the whole realm of nature.”[428]
Mercato talks about an amazing Western bezoar that was sent from Peru to Rome in 1534 as a gift to Pope Gregory XIII. It weighed at least fifty-six ounces, but it was flawed because a large part of the outer crust was missing, the second layer was partially broken, and even the third layer had some damage. This remarkable stone had been offered to one of the Peruvian gods as a rare and valuable item, and it was taken by the Spaniards when they looted the temple. Mercato states that this bezoar was “of a truly monstrous size, unheard of in all previous centuries, and it is still the largest in the whole realm of nature.”[428]
The bezoars of the New World seem to have differed considerably from those of India. They had a rough surface, were usually of a gray color, of various sizes and forms, and composed of a number of superimposed, coalescing layers, much thicker than those of the Oriental, or Indian, bezoar. They were usually of considerable size, either hollow within or containing seeds, needles and similar substances. They came from the West Indies, especially from Peru, and were brought thence by the Spaniards and Portuguese. 213The greater number were found in a kind of chamois; however, we are told that the bezoar was not found in all these animals, “but only in the old ones.”[429]
The bezoars from the New World seemed quite different from those in India. They had a rough texture, were typically gray, came in various sizes and shapes, and were made up of multiple thick, layered sections, much thicker than the Oriental or Indian bezoars. They were usually quite large, either hollow inside or filled with seeds, needles, and other similar materials. These bezoars were sourced from the West Indies, particularly from Peru, and were brought back by the Spaniards and Portuguese. 213 Most of them were found in a type of chamois; however, it was noted that bezoars were not found in all these animals, “but only in the older ones.”[429]
A letter written in the sixteenth century by one who had travelled extensively in India and in Peru, illustrates the ideas of that time regarding both Oriental and Occidental bezoars:
A letter written in the sixteenth century by someone who had traveled widely in India and Peru illustrates the ideas of that time about both Eastern and Western bezoars:
A gentleman living about twenty-eight years in these Countries, writes to his Friend, that he saw those Animals out of which comes the Bezoar, and saith, they are very like Goats, only they have no Horns; and are so swift, that they are forc’d to shoot them with guns. He tells us, that he and some Friends, on the 10th of June 1568, hunted some of these Creatures, and in five Days kill’d many of them; and that in one of the oldest of them, they made diligent Search for the stone, but found it not, neither in the Ventricle, nor in any other Part of the Animal. They ask’d the Indians that attended upon them, where the Stones lay; they denied they knew anything of them, being very envious and unwilling to disclose such a Secret. At length (he saith) a Boy about twelve years old perceiving us to be very inquisitive, and to be very desirous of Satisfaction in that Particular, shew’d us a certain Receptacle and (as it were) a Purse, into which they receive their eaten herbs, which afterwards when churned, they convey into the Ventricle.[430]
A gentleman who has lived in these countries for about twenty-eight years writes to his friend that he saw the animals that produce the bezoar stone. He says they look a lot like goats, but they have no horns and are so fast that they have to shoot them with guns. He tells us that he and some friends hunted some of these creatures on June 10, 1568, and in five days, they killed many of them. They searched diligently for the stone in one of the oldest animals but didn’t find it in the stomach or any other part of the animal. They asked the Indians accompanying them where the stones were, but they claimed not to know anything about them, being quite secretive and unwilling to share such information. Eventually, he says, a boy about twelve years old noticed that we were very curious and eager to find out. He showed us a specific receptacle, like a purse, where they keep the herbs they eat, which are later churned and then sent into the stomach.[430]
The same circumstances were observed by this informant in regard to the Peruvian bezoars, and from the “pouch” of one of these animals were taken no less than nine stones, “which, by the help of nature, seemed to be made of the Juice of those salutiferous Herbs, which were crammed up into this little Pouch.”[431]
The same situation was noted by this informant concerning the Peruvian bezoars, and from the "pouch" of one of these animals, no fewer than nine stones were extracted, "which, with the help of nature, appeared to be made from the juice of those healing herbs, which were stuffed into this little pouch."[431]
While the Occidental bezoar from South America enjoyed a special repute in Europe in the sixteenth and seventeenth centuries, when bezoars were so freely used as poison-antidotes, 214and for the cure of fevers and other diseases, it has been doubted whether the aborigines of South America ever valued them in any way before the time of the Spanish Conquest. What seems, however, to be a proof that they sometimes did so, is afforded by the discovery of a bezoar, probably taken from the body of a llama, in a tomb at Cojitambo, in the Cañari region of Ecuador. In spite of the contrary opinion expressed by Garcilasso de la Vega, there is reason to believe that such animal concretions were used by these Indians in magic practices. The Quichua name is illa, and Holquin in his Quichua dictionary says that the natives believed that bezoars were luck-bringing stones. Another name, quicu, is vouched for by Arriaga, who states that the Spaniards found some bezoars stained with the blood of sacrificial victims, thus showing that they were thought to possess a certain religious or mystic significance. Another author, Don Vasco de Contreros y Vievedo, writing in 1650, states that the most highly valued of these concretions among the natives of South America were those taken from the American tapir, which they called danta.[432]
While the bezoar from South America had a special reputation in Europe during the sixteenth and seventeenth centuries, when bezoars were commonly used as antidotes for poison and to treat fevers and other illnesses, it's been questioned whether the indigenous people of South America valued them at all before the Spanish Conquest. However, evidence suggesting they did comes from the discovery of a bezoar, likely taken from a llama, in a tomb at Cojitambo in the Cañari region of Ecuador. Despite Garcilasso de la Vega's opposing view, there is reason to believe these indigenous people used such animal concretions in magical practices. The Quichua term for it is illa, and Holquin in his Quichua dictionary mentions that the natives considered bezoars to be lucky stones. Another name, quicu, is confirmed by Arriaga, who notes that the Spaniards found some bezoars stained with the blood of sacrificial victims, indicating they were believed to have some religious or mystical significance. Another author, Don Vasco de Contreros y Vivedo, writing in 1650, claims that the most highly valued concretions among the South American natives were those taken from the American tapir, which they called danta.[432]
The comparative value of Oriental and Occidental bezoars was still an open question toward the end of the sixteenth century. In a letter written by Sir George Carew to Sir Robert Cecil, on October 10, 1594, the former states that he had submitted a bezoar from the West Indies to a London jeweler named Josepho, who had told him that had the substance come from the East Indies he would value it as high as £100, but that never having made trial of West Indian bezoars, he would not venture on an estimate, although he did not doubt but that they were quite as good. 215Nevertheless he would not care to buy this one before having tested its virtues experimentally.[433]
The comparative value of Eastern and Western bezoars was still a debated topic toward the end of the sixteenth century. In a letter written by Sir George Carew to Sir Robert Cecil on October 10, 1594, he mentions that he had given a bezoar from the West Indies to a London jeweler named Josepho. Josepho told him that if the substance had come from the East Indies, he would value it at £100. However, since he had never tested West Indian bezoars, he was hesitant to make an estimate, even though he believed they were just as good. 215 Nonetheless, he wouldn't want to buy this one without testing its qualities first.[433]
That good Queen Bess shared the beliefs of her age as to the virtues of stones is well known, and she appears to have regarded her bezoars as worthy of a place among the treasures of the Crown, for in the inventory of the jewels made at the accession of James I we read:
That good Queen Bess shared the beliefs of her time regarding the virtues of stones, and she seemed to consider her bezoars valuable enough to be included among the Crown's treasures. In the inventory of the jewels created when James I ascended the throne, we read:
Also one greate Bezar stone, sett in goulde that was Queene Elizabeth’s, with some Unicorne’s Horne, in a paper; and one other large Bezar stone, broken in peeces, delivered to our owne handes, by the Lord Brooke, the two and twentith day of Januarie, one thousand sixe hundred and twenty and two.[434]
Also, one great bezoar stone set in gold that belonged to Queen Elizabeth, along with some unicorn horn, in a paper; and another large bezoar stone, broken into pieces, given to us by Lord Brooke on January 22, 1622.[434]
After the death of Rudolph II, in 1612, the Venetian envoy, Girolamo Soranzo, wrote to the Doge, “No other monarch has ever accumulated so many jewels.” He also communicates the fact that some at least of these gems were to follow him to the grave, for when interred, his head was covered with a cap adorned with many valuable precious stones. However, Rudolph’s fondness for the more splendid gems and jewels was accompanied by a very particular taste for the collection of Oriental bezoars, of which a large number are noted as in his possession at the time of his death. These ranged in weight from 1 loth (½ oz. Troy) to 25½ loth (a little more than one pound Troy); most of them were provided with a rich gold setting, and one especially prized bezoar, weighing about 8 ounces, reposed in a silver box decorated with 32 diamonds and 26 rubies. Another of very singular shape, resembling “four toes,” is also entered on the list. Besides these the imperial collection included several other curious animal concretions, probably 216regarded as having therapeutic virtues, such, for instance, as a “stone” from the body of a doe; this had been found by a certain Helmhardt Jörger and by him presented to the emperor; another of these treasured concretions came from the stomach of a stag. A specimen of the famed “eagle-stone” is also listed; this had a double gold setting, and on it were inscribed the words “Piedra Geodas,” showing that the real character of this stone as a geode was then well understood.[435]
After the death of Rudolph II in 1612, the Venetian envoy, Girolamo Soranzo, wrote to the Doge, “No other monarch has ever owned so many jewels.” He also mentioned that some of these gems were indeed going to be buried with him because, when laid to rest, his head was covered with a cap decorated with many valuable stones. However, Rudolph's passion for extravagant gems and jewels was also matched by a very particular interest in collecting Oriental bezoars, of which a large number were noted as being in his possession at the time of his death. These ranged in weight from 1 loth (½ oz. Troy) to 25½ loth (just over one pound Troy); most of them were set in rich gold settings, and one particularly prized bezoar, weighing about 8 ounces, rested in a silver box adorned with 32 diamonds and 26 rubies. Another one, with a very unusual shape resembling “four toes,” is also listed. In addition to these, the imperial collection included several other unusual animal concretions, likely believed to have therapeutic benefits, such as a “stone” from the body of a doe; this had been discovered by a certain Helmhardt Jörger and then presented to the emperor. Another treasured concretion came from the stomach of a stag. A specimen of the famous “eagle-stone” is also mentioned; it had a double gold setting, and the words “Piedra Geodas” were inscribed on it, indicating that the true nature of this stone as a geode was well understood at that time.[435]
Some of the gold mounted bezoars of Rudolph II are still to be seen in the Hofmuseum, at Vienna. One is surrounded by a gold band with a scroll pattern; another has a capping of gold and stands upon a golden base, and still another, capped and belted with gold, is attached by a chain to a golden bowl. This was probably to be used as a test of the freedom from poison of any beverage in the vessel. A bezoar of the eighteenth century is mounted upon a tree of gold, against the trunk of which a wild boar is leaning. This may be only a decorative adjunct, or it might be an indication of the particular animal source of this special bezoar.[436]
Some of Rudolph II's gold-mounted bezoars can still be seen in the Hofmuseum in Vienna. One is surrounded by a gold band with a scroll pattern; another has a gold cap and sits on a golden base, and yet another, capped and belted with gold, is attached by a chain to a golden bowl. This was likely intended to test whether any beverage in the vessel was free from poison. An eighteenth-century bezoar is set on a gold tree, against which a wild boar is leaning. This might be just a decorative element, or it could indicate the specific animal source of this particular bezoar.[436]
The bezoars of Borneo are taken either from monkeys or porcupines. For medicinal use, the gratings are dissolved in water and the solution is administered as required. Skeats relates that he was once asked $200 by a native for a small stone, erroneously asserted to be a bezoar. This stone was carefully wrapped up in cotton and preserved in a tin box with some grains of rice, the owner firmly believing that the stone fed on the rice. A red monkey (semnopithecus) furnishes many of these bezoars, but those from the porcupine are supposed to be so much the more efficacious that the Sultan of Saik claims all bezoars of this kind found in his dominions as his personal property; nevertheless, many are said to be surreptitiously taken out of the country by Malayan or Chinese traders. A remarkably fine specimen in the possession of the Sultan is valued at $900; small ones may be worth no more than $40, but the value increases very rapidly with the size of the concretion. Though it is confidently believed that the bezoars work wonderful cures in diseases of the bowels and of the respiratory organs, the natives value them chiefly as aphrodisiacs, this action being secured either by wearing them or by taking them in solution.[437]
The bezoars from Borneo come from either monkeys or porcupines. For medicinal purposes, the grinded bezoars are dissolved in water, and the mixture is used as needed. Skeats mentions that a local once asked him for $200 for a small stone that was mistakenly claimed to be a bezoar. This stone was carefully wrapped in cotton and stored in a tin box with some grains of rice, as the owner believed that the stone fed on the rice. A red monkey (semnopithecus) provides many of these bezoars, but those from porcupines are thought to be much more effective. The Sultan of Saik claims ownership of all bezoars of this type found in his territory; however, many are reportedly smuggled out of the country by Malay or Chinese traders. A particularly fine specimen owned by the Sultan is valued at $900, while smaller ones might be worth around $40, but their value increases significantly with size. Although it's widely believed that bezoars can cure diseases of the bowels and respiratory tract, locals primarily value them as aphrodisiacs, either wearing them or taking them dissolved in liquid.[437]

BEZOARS OF EMPEROR RUDOLPH II, NOW IN THE HOFMUSEUM, VIENNA
BEZOARS OF EMPEROR RUDOLPH II, NOW IN THE HOFMUSEUM, VIENNA
217The Chinese work entitled P’ing-chou-k’o-t’an, by Chu Yü, written in the first quarter of the twelfth century, mentions the mo-so stone (the bezoar) and states that it was worn in finger rings. Should anyone have reason to suppose that he had taken poison, all he had to do in order to escape any bad effects was to lick the bezoar stone set in his ring. The Chinese writer adds that it might thus be justly called “a life preserver.”[438]
217The Chinese work titled P’ing-chou-k’o-t’an, by Chu Yü, written in the early 1100s, mentions the mo-so stone (the bezoar) and notes that it was worn in rings. If anyone thought they had been poisoned, all they needed to do to avoid any harmful effects was to lick the bezoar stone in their ring. The Chinese author adds that it could rightly be called “a life preserver.”[438]
The Dayaks of Borneo have a method for producing bezoars which they call guligas. This is to shoot an animal with an unpoisoned arrow. When the wound heals, there is often a hardening of the skin, which finally results in the formation of a guliga. In some of these concretions the point of the arrow still remains. The guligas of natural formation are frequently found between the flesh and the skin of apes and porcupines.[439]
The Dayaks of Borneo have a way of producing bezoars that they call guligas. They do this by shooting an animal with an unpoisoned arrow. When the wound heals, there is often a hardening of the skin, which eventually leads to the formation of a guliga. In some of these concretions, the arrow tip can still be seen. The naturally formed guligas are often found between the flesh and the skin of apes and porcupines.[439]
In the eighteenth century Valmont de Bomare reports that the bezoars of the hedgehog commanded the highest 218price. These were greasy and soapy, both to the eye and to the touch, and of a greenish or yellowish color; a few were reddish or blackish. They were so highly valued in Holland that a Jew in Amsterdam asked 6000 livres ($1200) for a specimen in his possession as large as a pigeon’s egg; and such bezoars were even rented in Holland and Portugal, at the rate of one ducat ($2.50) a day, to those who were exposed to contagion, and believed that the bezoars, if worn as amulets, would protect them from the danger.[440]
In the eighteenth century, Valmont de Bomare noted that hedgehog bezoars were the most expensive. They were greasy and soapy in appearance and texture, with a greenish or yellowish hue; some were reddish or blackish. In Holland, they were so highly prized that a Jewish man in Amsterdam asked for 6000 livres ($1200) for a specimen the size of a pigeon’s egg. These bezoars were even rented out in Holland and Portugal for one ducat ($2.50) a day to people at risk of contagion, who believed that wearing them as amulets would keep them safe from danger.218[440]
In a letter to the Macon, Georgia, Journal and Messenger of August, 1854, Major J. D. Wilkes, of Dooley County, relates that while hunting he shot down a fine buck. He states that on cutting up the animal he found a stone of a dark greenish color, about where the windpipe joins the lights. It was from an inch and a half to two inches long, and quite heavy for its size, although it appeared to be porous. Major Wilkes says that he had heard of similar stones from old hunters, and had been told that they possessed the power of extracting poison, but that they were rarely found. The communication proceeds to relate a case where this stone was successfully applied to a dog which had been bitten by a rattlesnake. We have here one of the few notices extant regarding an American bezoar stone.[441]
In a letter to the Macon, Georgia, Journal and Messenger from August 1854, Major J. D. Wilkes of Dooley County shares that while he was hunting, he shot a nice buck. He mentions that when he was gutting the animal, he found a dark greenish stone located near where the windpipe connects to the lungs. It was about an inch and a half to two inches long and surprisingly heavy for its size, even though it seemed somewhat porous. Major Wilkes recalls hearing about similar stones from older hunters who claimed they could extract poison, but that they were rarely found. The letter goes on to describe a situation where this stone was effectively used on a dog that had been bitten by a rattlesnake. This is one of the few accounts known regarding an American bezoar stone.[441]
An American bezoar taken from the stomach of a deer killed in the Chilhowee Mountains, in Tennessee, was reported in 1866 by Prof. David Christy. In extracting this concretion the hunter had damaged the outer layer, but when this was removed there remained a perfectly smooth, round body, about the size and shape of a hen’s egg, and of a light brown color. When Professor Christy obtained it, 219this bezoar had already acquired the reputation of possessing great though somewhat undefined virtues; he presented it to Professor Wood of the Ohio Medical College in Cincinnati.[442]
An American bezoar taken from the stomach of a deer killed in the Chilhowee Mountains, Tennessee, was reported in 1866 by Professor David Christy. While extracting this concretion, the hunter damaged the outer layer, but once it was removed, a perfectly smooth, round body remained, about the size and shape of a hen’s egg, and a light brown color. When Professor Christy received it, 219 this bezoar had already gained a reputation for having significant, if somewhat vague, benefits; he presented it to Professor Wood at the Ohio Medical College in Cincinnati.[442]
Writing of bezoars in the year 1876, Dr. Learned states that Signor Korkos, of Morocco, showed him one for which he had paid twelve dollars. It was as large as a small walnut, the surface being smooth and cream-colored; a section revealed the presence of the concentric circular layers characterizing the formation of this concretion. For remedial use it was rubbed on a stone until a sufficient quantity of its powder was obtained, which was then diluted in liquid and administered as a potion. Strict dieting and absolute rest in the house for seven days were an essential part of the treatment, the bezoar powder being more especially recommended in diseases of the heart, liver or other internal organs, but for sore eyes and for rheumatism its virtues were praised. This illustrates a modern employment of the concretion in Mohammedan Morocco.[443]
Writing about bezoars in 1876, Dr. Learned mentions that Signor Korkos from Morocco showed him one he had paid twelve dollars for. It was about the size of a small walnut, with a smooth, cream-colored surface. When cut open, it revealed the concentric circular layers typical of this formation. For medicinal use, it was ground on a stone until enough powder was collected, which was then mixed with liquid and taken as a potion. Strict dieting and complete rest at home for seven days were essential parts of the treatment, with bezoar powder especially recommended for diseases of the heart, liver, or other internal organs, though its benefits for sore eyes and rheumatism were also highlighted. This showcases a modern use of the concretion in Muslim Morocco.[443]
Some medical authorities of the sixteenth century were disposed to regard the calculus produced by the human subject as superior in medicinal efficacy to the far-famed bezoar. One of their arguments was that as man was the highest type of organized being a human product must exceed in value one from an animal source; then again, his food was of the best, superior in quality to that taken by the animals furnishing the bezoars. For every theory a proof can be found if one is on the lookout for it, and therefore we need not be surprised if the virtues of calculi or gravel were also supported by evidence. In 1624 or 1625 the Dutch city of Leyden was visited by the plague, and to the great regret of the physicians there was no supply of bezoars on hand. Hereupon 220they were driven to make use of human gravel, and found to their astonishment that this was an even more excellent sudorific than the bezoar itself.[444]
Some medical experts in the sixteenth century believed that human-produced calculus had better medicinal properties than the well-known bezoar. One of their arguments was that since humans are the highest form of organized life, any product from a human must have more value than one from an animal. Additionally, humans consumed better quality food compared to the animals that produced bezoars. You can always find proof to support any theory if you're looking for it, so it's not surprising that the benefits of calculi or gravel had evidence backing them. In 1624 or 1625, the city of Leyden in the Netherlands faced a plague, and unfortunately, the physicians found they had no bezoars available. As a result, they had to resort to using human gravel and were astonished to discover that it worked even better as a sweat-inducing remedy than the bezoar itself.220[444]

Calculi taken from the bladder of Pope Pius V. From Mercati’s “Metallotheca Vaticana.” Romæ, 1719.
Calculi taken from the bladder of Pope Pius V. From Mercati’s “Metallotheca Vaticana.” Rome, 1719.
Although there is no direct relation between bezoars and the hair-balls sometimes found in the stomach or intestines of human beings, there is some slight analogy, as the animal bezoar concretions seem to have been formed about a nucleus consisting of some indigestible material that has been swallowed by an animal. From the report of hospital surgeons, it appears that these hair-balls, which result from a long-continued 221habit of swallowing hair, are almost exclusively found in the bodies of women, generally of very young girls. The large size which they sometimes attain is very surprising; in several instances they have so filled up the stomach that they are moulded by it into its exact shape. Although when a hair-ball has reached this size, and indeed long before, the most alarming symptoms set in, frequently recurrent vomiting being the most characteristic, we cannot but wonder how it is possible for any food to enter and pass through the stomach under such conditions, the only explanation being the great power of dilation this organ possesses. Its disposition to patiently tolerate foreign bodies where it cannot expel them, renders it often a poor guide in a diagnosis based upon the patient’s personal experience. These hair-balls accumulate and lodge not only in the stomach but also in the intestines, and in either case the eventual result is almost certain to be fatal unless the obstacle is removed by operation. Very occasionally only does nature react sufficiently to expel the impediment without surgical aid. Of course all treatment is vain unless the morbid habit of hair-swallowing can be overcome. This does not seem to be an accompaniment of a distinctly diseased mental condition, although that is sometimes coincident, but must assuredly result from some derangement or abnormality of the nervous centres, inducing a morbid and unnatural craving.[445]
Although there's no direct connection between bezoars and the hairballs sometimes found in the stomach or intestines of humans, there's a slight similarity. Animal bezoars seem to form around an indigestible object that was swallowed. According to reports from hospital surgeons, these hairballs, which come from a long habit of swallowing hair, are mostly found in women, particularly very young girls. The large sizes they sometimes reach are quite surprising; in several cases, they've filled the stomach so much that they take its exact shape. Even when a hairball reaches such a size, and indeed long before, alarming symptoms begin to show up, with recurrent vomiting being the most common. It’s hard to understand how any food can enter and pass through the stomach under such conditions, except for the stomach's incredible ability to expand. Its tendency to endure foreign objects it can't expel often leads to poor diagnostic insights based on the patient’s personal experience. These hairballs can accumulate not only in the stomach but also in the intestines, and in either case, the end result is almost guaranteed to be fatal unless the obstruction is surgically removed. Very rarely does nature react strongly enough to expel the obstruction without surgery. Obviously, any treatment would be ineffective unless the harmful habit of swallowing hair is addressed. This doesn't seem to be tied to a specific mental illness, although that could sometimes happen, but is likely a result of some dysfunction or abnormality in the nervous system, leading to an unhealthy and unnatural craving. [445]

Types of the Ovum Anguinum. Echinites (sea-urchins). From Aldrovandi’s “Museum metallicum,” Bononiæ, 1648.
Types of the Ovum Anguinum. Echinites (sea urchins). From Aldrovandi’s “Museum metallicum,” Bologna, 1648.
The serpent-stone, called by Pliny ovum anguinum, or “serpent’s egg,” is said to have been worn by the Druid priests as a badge of distinction. Pliny relates that he had seen one of them which was as large as a moderate-sized apple, its shell being a cartilaginous substance. It was supposed to be generated in midsummer out of the saliva and slime exuding from a knot of intertwined serpents. When the moisture had coagulated and formed into a sphere, this was tossed in the air by the hissing snakes, and, in order to 223preserve its efficacy as a talisman, the finder had to catch it in a linen cloth before it fell to the ground. Such “serpent’s eggs” were in high favor with the Romans, who believed they procured for the wearers success in all disputes and the protection of kings. So great was the faith reposed in their magical virtues that Claudius is said to have condemned to death a Roman knight, one of the Vecontii, simply because he had an ovum anguinum concealed in his bosom when he appeared in court during the trial of a lawsuit in which he was involved. In order to enhance the value of this amulet, the story was circulated that great dangers were incurred in securing it; for the snakes pursued any one who seized the egg and he could only escape by fording a river, across which they could not swim.[446] In later accounts of this amulet it is described as a ring, sometimes composed of a blue stone with an undulating streak or stripe of yellow, thought to represent a snake.
The serpent-stone, referred to by Pliny as ovum anguinum or "serpent’s egg," was supposedly worn by Druid priests as a symbol of status. Pliny mentioned that he had seen one as large as a medium-sized apple, with a shell made of a cartilaginous material. It was believed to form in midsummer from the saliva and slime produced by a group of intertwined snakes. Once the moisture solidified into a sphere, the hissing snakes would toss it into the air, and to keep its protective powers as a talisman, the person who found it had to catch it in a linen cloth before it hit the ground. These "serpent’s eggs" were highly prized by the Romans, who thought they brought success in arguments and protection for leaders. The belief in their magical properties was so strong that Claudius reportedly sentenced a Roman knight from the Vecontii to death just because he had an ovum anguinum hidden in his clothing when he appeared in court for a lawsuit he was involved in. To increase the value of this charm, tales circulated that significant dangers awaited anyone who tried to obtain it; the snakes would chase anyone who grabbed the egg, and the only way to escape was to cross a river that they couldn't swim across.[446] In later descriptions of this amulet, it was noted as a ring, sometimes made of a blue stone with a wavy yellow stripe, which was thought to represent a snake.
Certain so-called floating-stones have been found in a branch of Mann Creek, a tributary of the Weiser River, which flows into the latter near its confluence with the Snake River in Idaho.[447] These are hollow quartz globes, with a shell so thin that the air in the cavity more than makes up for the specific gravity of the quartz. Some formation similar to this may possibly have been intended by Pliny in his description of the ovum anguinum or serpent’s egg of the Druids, which floated if thrown into a stream, although it is perhaps more probable that these “serpent’s eggs” were shells of the sea-urchin, as they are figured by De Boot and other writers.
Certain so-called floating stones have been found in a branch of Mann Creek, a tributary of the Weiser River, which flows into the latter near its confluence with the Snake River in Idaho.[447] These are hollow quartz globes, with a shell so thin that the air inside compensates for the specific gravity of the quartz. A formation like this might have been what Pliny meant in his description of the ovum anguinum or serpent's egg of the Druids, which floated when thrown into a stream, although it’s probably more likely that these "serpent's eggs" were actually shells of the sea urchin, as illustrated by De Boot and other authors.
The snake-stone, legends regarding which are met with in so many different parts of the world, is known to the Lapps of northern Europe, and strange to say, some of the 224elements of Pliny’s old recital touching the “serpent’s egg” come out in the account given of it by this primitive race, in general so far removed from any notion of classical tradition. Anyone in search of this stone must resort, according to the Lapps, to the pairing place of snakes, for here they throw the stone, which is small and white, back and forth to one another; he must steal along quietly until he is quite near to the snakes and then snatch the stone as it flies through the air, and run away with it as fast as he can to the nearest piece of water. Should he reach the water before the snake does—for the reptile pursues him—he gains the ownership of the stone; if, however, the snake first reaches the water, this is very dangerous for the man. Hence he should carefully search out the nearest water before snatching the stone, and as the snake will not immediately know what has become of it, and will hunt for it awhile before starting in pursuit of the thief, the latter will have time to come first to the water.[448]
The snake-stone, which is talked about in many places around the globe, is known to the Lapps in northern Europe. Interestingly, some elements of Pliny’s old story about the “serpent’s egg” appear in the account given by this ancient culture, which is generally quite distant from any classical traditions. According to the Lapps, anyone looking for this stone must go to the snake's mating ground, where they throw the small, white stone back and forth to each other. To find it, you need to sneak up quietly until you're very close to the snakes and then grab the stone as it flies through the air, running away as quickly as possible to the nearest body of water. If you get to the water before the snake does—since the reptile will chase you—you gain ownership of the stone. However, if the snake reaches the water first, it’s very dangerous for you. Therefore, you should scout out the nearest water before grabbing the stone, as the snake won’t immediately realize what has happened and will search for it for a while before starting to chase you, giving you time to reach the water first.[448]
Tertullian writes that the wearing of stones taken from the head of a dragon or of a serpent was especially reprehensible in the case of a Christian; for how could a Christian be said to “bruise the head” of the Old Serpent (Gen. iii, 15) while wearing such a stone about his neck or on his head, and thus testifying to a kind of serpent worship![449]
Tertullian argues that wearing stones from the head of a dragon or serpent is particularly inappropriate for a Christian; how can a Christian be said to “bruise the head” of the Old Serpent (Gen. iii, 15) while having such a stone around their neck or on their head, effectively showing a form of serpent worship![449]
The Greek poem “Lithica,” belonging to the fourth century B.C., also celebrates the virtues of a “snake-stone,” which is to be pressed closely on the bitten spot; but besides this application, the drinking of undiluted wine in which the stone ostrites had been pulverized, is recommended. This shows that the therapeutic value of alcohol as a stimulant to 225revive the nerve-centres, paralyzed by the animal poison, was recognized at this time. An unusually precise description is given of the ostrites; it was round, hard, black and rough, and was marked by many wavy lines or veins. Some one of the many varieties of banded agate seems to answer best to this description.[450]
The Greek poem “Lithica,” from the fourth century BCE, also highlights the benefits of a “snake-stone,” which should be pressed firmly onto the bitten area; in addition to this method, drinking undiluted wine mixed with crushed ostrites is suggested. This indicates that the healing power of alcohol as a stimulant to revive the nerve centers affected by venom was acknowledged during this time. There is a remarkably detailed description of the ostrites; it was round, hard, black, and rough, featuring many wavy lines or veins. One of the various types of banded agate seems to match this description best.[450]
The legend that St. Patrick drove out all snakes from Ireland sometimes took the form that the saint had transformed them into stones. This belief is noted by Andrew Borde, physician and ecclesiastic, who, writing in 1542, mentions some strange stones he had been shown on that island:
The legend that St. Patrick drove all the snakes out of Ireland sometimes took the form that the saint had turned them into stones. This belief is noted by Andrew Borde, a physician and churchman, who, writing in 1542, mentions some unusual stones he had been shown on that island:
I have sene stones the whiche have had the forme and shape of a snake and other venimous wormes. And the people of the countrie sayth that such stones were wormes, and they were turned into stones by the power of God and the prayers of saynt Patrick. And English merchauntes of England do fetch of the erth of Irlonde to caste in their garden’s, to keepe out and to kyll venimous wormes.[451]
I have seen stones that look like snakes and other poisonous worms. The people in the area say that these stones were once worms, transformed into stone by God's power and the prayers of Saint Patrick. English merchants from England bring earth from Ireland to spread in their gardens to keep out and kill poisonous worms.[451]
The legendary serpent-stone is usually one taken from the reptile’s head, but Welsh tradition tells of one extracted from the tail of a serpent by the hero Peredur, and having the magic property that anyone holding it in one hand would grasp a handful of gold in the other. This stone was generously bestowed upon Etlym by the finder, who only secured it after vanquishing the serpent in a dangerous conflict.[452]
The legendary serpent stone is typically taken from the head of the serpent, but Welsh tradition tells of one that was taken from the tail by the hero Peredur. This stone has the magical ability that anyone holding it in one hand could grasp a handful of gold in the other. The finder generously gave this stone to Etlym after defeating the serpent in a perilous battle.[452]
The snake-stone (or “madstone”), in Arabic ḥajar alḥayyat, is described by the Arab writer Kazwini, as being of the size of a small nut. It was found in the heads of certain snakes. To cure the bite of a venomous creature the 226injured part was to be immersed in sour milk, or in hot water, and when the stone was thrown into the liquid it would immediately attract itself to the bitten part and draw out the poison.[453] The homeopathic idea plays a considerable rôle in the superstitions of the Arabs of northern Africa. To cure the bite or sting of the scorpion, the creature is to be crushed over the wound it has inflicted. If anyone is bitten by a dog, he should cut off some of the animal’s hair and lay this on the bitten part; if, however, the dog was mad, it must be killed, its body opened and the heart removed. This is then to be broiled and eaten by the person who has been bitten.[454]
The snake-stone (or “madstone”), in Arabic ḥajar alḥayyat, is described by the Arab writer Kazwini as being the size of a small nut. It was found in the heads of certain snakes. To treat a bite from a venomous creature, the affected area was to be soaked in sour milk or hot water, and when the stone was tossed into the liquid, it would immediately attach itself to the bitten area and draw out the poison.[453] The homeopathic idea plays a significant role in the superstitions of the Arabs of northern Africa. To treat a scorpion sting, the creature is to be crushed over the wound it caused. If someone is bitten by a dog, they should cut off some of the animal’s hair and place it on the bitten area; however, if the dog was rabid, it must be killed, its body opened, and the heart removed. This heart is then to be cooked and eaten by the person who was bitten.[454]
Many beautiful glass beads of Roman, or perhaps of British fabrication, have been found in Great Britain and Ireland. Upon some of these are bosses composed of white spirals, the body of the bead being blue, red, yellow, or some other brilliant color. These have been called “holy snake beads.” Probably most of them are merely ornamental productions and were not intended to represent serpent-stones. The curious test of the genuineness of an ovum anguinum mentioned by Pliny, namely, that even if set in gold, it would float up a stream against the current, indicates a very porous structure; perhaps some of these serpent’s eggs were hollow, vitrified clay balls with wavy lines on the surface.
Many beautiful glass beads made by the Romans, or maybe the British, have been discovered in Great Britain and Ireland. Some of these feature raised designs made of white spirals, while the main colors of the beads are blue, red, yellow, or other vibrant shades. They are referred to as “holy snake beads.” Most of them were likely just decorative items and were not meant to represent serpent stones. The interesting test for the authenticity of an ovum anguinum mentioned by Pliny, which states that even when set in gold, it would float upstream against the current, suggests a very porous structure; perhaps some of these serpent’s eggs were hollow, glazed clay balls with wavy lines on the surface.
De Boot, in his treatise on stones and gems,[455] figures the ovum anguinum, and says that its form was either hemispherical or lenticular. In his opinion the name “serpent’s egg” was given to the stone because on its surface 227there appeared five ridges, starting from the base and tapering off toward the top. These bore a certain resemblance to a serpent’s or adder’s tail. The stone was believed to protect the wearer from pestilential vapors and from poisons.
De Boot, in his book on stones and gems,[455] describes the ovum anguinum and states that its shape was either hemispherical or lenticular. He thought the name “serpent’s egg” came from the five ridges visible on its surface that started from the base and narrowed towards the top. These looked a bit like a serpent's or adder's tail. The stone was thought to protect the wearer from harmful vapors and poisons.
The so-called “snake-stones,” many specimens of which have been found in British barrows, bear in the Scottish Lowlands the designation “Adder Stanes.” They are also sometimes called adder-beads or serpent-stones. For the Welsh they were gleini na droedh and for the Irish glaine nan druidhe, the meaning being the same, “Druid’s glass.” Many interesting examples were added to the collection of the Museum of Scotch Antiquaries, one of these being of red glass, spotted with white; another of blue glass, streaked with yellow; other types were of pale green and blue glass, some of these being ribbed while others again were of smooth and plain surface. That the glass “snake-stones” were objects of considerable care and attention is indicated by the mending of a broken specimen shown by Lord Landesborough at a meeting of the Society of Antiquaries in 1850. This broken bead had been repaired and strengthened by the application of a bronze hoop.[456]
The so-called “snake-stones,” many of which have been found in British burial mounds, are called “Adder Stanes” in the Scottish Lowlands. They are also sometimes referred to as adder-beads or serpent-stones. In Welsh, they were known as gleini na droedh and in Irish as glaine nan druidhe, both meaning “Druid’s glass.” Many fascinating examples were added to the collection at the Museum of Scotch Antiquaries, including one made of red glass with white spots, another in blue glass streaked with yellow, and others in pale green and blue glass, some ribbed while others were smooth and plain. The fact that the glass “snake-stones” were treated with great care is underscored by a repaired specimen shown by Lord Landesborough at a meeting of the Society of Antiquaries in 1850. This broken bead had been fixed and reinforced with a bronze hoop.[456]
The supposed snake-stones are also to be found among the Cornishmen, who sometimes call these objects milprey or “thousand worms,” and they even lay claim to the power of forcing a snake to fabricate the “stone” by thrusting a hazel-wand into the spirals of a sleeping reptile. In another version it is not a bead that is formed but a ring which grows around a hazel-wand when a snake breathes on it. If water in which this ring has been dipped be given to a human being or an animal that has been bitten by a venomous creature, 228all ill effects of the bite will be warded off, the water acting as a powerful antidote to the poison.[457]
The so-called snake-stones can also be found among the Cornish people, who sometimes refer to these objects as milprey or “thousand worms.” They even claim that a snake can be made to create the “stone” by inserting a hazel stick into the coils of a sleeping snake. In another version, instead of a bead, a ring forms around the hazel stick when a snake breathes on it. If water that has been dipped in this ring is given to a person or an animal that has been bitten by a venomous creature, 228 it will prevent any harmful effects of the bite, with the water serving as a strong antidote to the poison.[457]
The belief that the snake-stone of Welsh legend—in reality either a fossil or a bead—was evolved from the venom or saliva ejected by a concourse of hissing snakes, gave rise to a peculiar popular saying among the Welsh to the effect that people who are whispering together mysteriously, and apparently gossiping, or perhaps hatching some mischief, are “blowing the gem.”[458]
The idea that the snake-stone from Welsh legend—in fact, either a fossil or a bead—came from the venom or saliva released by a group of hissing snakes led to a unique saying among the Welsh. It implies that people who are whispering together secretly, seemingly gossiping, or perhaps plotting something mischievous are “blowing the gem.”[458]
Many of the glass beads known as “snake-stones” or “Druid’s glass” are perforated, and this is fancifully explained as being the work of one of the group of snakes which forms the bead. This particular snake thrusts its tail through the viscous mass before it has become hardened into a glass sphere. In various parts of Scotland such beads are treasured up by the peasants; according to the testimony of an English visitor of 1699, who reports that they were hung on children’s necks as protection from whooping-cough and other children’s diseases, and were also valued as talismans productive of good fortune and protective against the onslaught of malevolent spirits. To guard one of these precious beads from the depredations of the dreaded fairies the peasant would keep it enclosed in an iron box, this metal being much feared by the fairies.[459]
Many of the glass beads called “snake-stones” or “Druid’s glass” have holes in them, and this is playfully explained as being caused by one of the snakes that makes the bead. This specific snake pushes its tail through the sticky material before it hardens into a glass sphere. In various parts of Scotland, peasants treasure these beads; according to an English visitor in 1699, who noted that they were worn around children’s necks to protect them from whooping cough and other childhood illnesses, and were also seen as lucky charms that could ward off evil spirits. To protect these valuable beads from the feared fairies, a peasant would keep them in an iron box, as this metal was greatly feared by the fairies.[459]
A type of snake-stone used in Asia Minor is described as being of a pearly white hue, rounded on one side, and flat on the other. Toward the edge of the flat side runs a fine, wavy, bluish line, the undulations of which are fancied to figure a serpent. The victim of a snake-bite first had the spot rubbed with some kind of sirup; then the stone was 229applied to the bitten spot, and it would adhere to the inflamed surface for eight days; at the expiration of this time it would fall off. The bite would be entirely healed and would not be followed by ill effects of any kind.[460]
A type of snake-stone found in Asia Minor is described as having a pearly white color, rounded on one side and flat on the other. A fine, wavy, bluish line runs along the edge of the flat side, with its undulations believed to resemble a serpent. When someone is bitten by a snake, they would first rub the bite area with a type of syrup; then the stone would be placed on the bitten area, sticking to the inflamed surface for eight days. After that time, it would fall off, and the bite would be completely healed, with no lingering side effects.229[460]
A novel theory in regard to the formation of a type of snake-stones is given by an old Chinese writer. This is that snakes, before they begin to hibernate, swallow some yellow earth and retain this in the gullet until they come forth again in the springtime, when they cast it forth. By this time the earth has acquired the consistency of a stone, the surface remaining yellow, while the interior is black. If picked up during the second phase of the moon this concretion was thought to be a cure for children’s convulsions, and for gravel, and was powdered and given in infusion. The infusion could also be applied with advantage externally to envenomed swellings.[461]
An old Chinese writer proposed a new theory about how a type of snake stone forms. He suggested that snakes swallow some yellow earth before they hibernate and hold onto it in their throats until spring when they expel it. By that time, the earth has hardened into a stone-like consistency, with a yellow surface and black interior. If this stone was collected during the second phase of the moon, it was believed to cure children's convulsions and gravel. It was ground into a powder and given as an infusion. This infusion could also be effectively used externally on swollen areas caused by venom. [461]
An old manuscript found in a manor house in Essex, England, contains a translation, made in 1732 by an Oxford student, E. Swinton, of some details on the snake-stone, taken from a work published in the same year at Bologna by Nicolo Campitelli. After noting that these stones came from the province of Kwang-shi in China and from different places in India, their appearance and qualities are described. In color they were almost black, some having pale gray or ash-color spots. The test of the genuineness of such a stone was to apply it to the lips; if not a spurious one, it would cling so closely to the membrane that considerable force must be exerted to separate it therefrom. The usual directions are given for its employment in the cure of snake bites, but its usefulness by no means ended here; its curative power was also exhibited in the case of “Scrophulous Eruptions 230and Pestilential Bubos,” and it could be used in the treatment of malignant tremors, venereal disorders, etc. With the manuscript was found a specimen snake-stone. This was described as being a thin oval body, about an inch in length and three-quarters of an inch broad; the color was gray with light streaks, and the surface was bright and polished. It was of the consistency of horn, and the writer of the note in the “Lancet” believes that it was part of a stag’s antler or some similar substance, from which the animal matter had been removed by the action of heat; many of the Oriental snake-stones are of this type, but, as we have already seen, a great variety of more or less porous materials have been and are still used in this way in different parts of the world. A practical experiment was made in 1867 by Dr. John Schrott, who excited six cobras to bite a number of pariah dogs. Without delay the snake-stones were applied to the wounds, but they proved absolute failures, death resulting as speedily as though nothing had been done.[462]
An old manuscript found in a manor house in Essex, England, includes a translation made in 1732 by an Oxford student, E. Swinton, detailing information about the snake-stone from a work published that same year in Bologna by Nicolo Campitelli. The manuscript notes that these stones came from the province of Kwang-shi in China and various locations in India, describing their appearance and qualities. They were nearly black in color, with some featuring light gray or ash-colored spots. To test the authenticity of such a stone, it was applied to the lips; if it was genuine, it would stick tightly to the skin, requiring significant force to remove it. Instructions were provided for using it to treat snake bites, but its usefulness didn’t stop there; it also showed healing properties for "Scrophulous Eruptions and Pestilential Bubos," and could be used to treat severe tremors, venereal diseases, and more. Alongside the manuscript was a specimen snake-stone. This was described as a thin, oval object, about an inch long and three-quarters of an inch wide; it was gray with light streaks and had a shiny, polished surface. It was as hard as horn, and the author of the note in the “Lancet” suggested it was part of a stag’s antler or a similar material, from which the organic matter had been removed by heat; many Oriental snake-stones are of this kind, but as we’ve seen, a wide range of porous materials have been and continue to be used in this manner across the globe. In 1867, Dr. John Schrott conducted a practical experiment where he had six cobras bite several pariah dogs. The snake-stones were quickly applied to the wounds, but they failed completely, with death occurring just as quickly as if nothing had been done.[462]
Jean Baptiste Tavernier, the great Oriental traveller of the seventeenth century, gives the following description of the “snake-stones” found in India:[463]
Jean Baptiste Tavernier, the famous traveler from the East in the seventeenth century, offers this description of the “snake-stones” found in India:[463]
Finally, I will mention the snake-stone, which is about the size of a doubloon, some approximating to an oval form, being thicker in the middle and tapering toward the edges. The Indians say that it forms on the head of certain snakes, but I rather believe that the priests of these idolators make them think this, and that this stone is a composition of certain drugs. However this may be, it has great virtue to draw out all the poison, when anyone has been bitten by a venomous creature. If the part that has been bitten has not been punctured, an incision must be made, so that the blood can flow out, and when the stone has been applied, it does not fall off until it has absorbed all the poison which gathers about it. To clean it, woman’s milk is used, or should this be lacking, cow’s milk, and after ten or twelve 231hours steeping, the milk which has drawn out all the poison takes on the color of pus. Having dined one day with the Archbishop of Goa, he took me into his museum, where he had several curious objects. Among other things he showed me one of these stones, and having told me of its properties, he assured me that but three days before he had seen them tested, and presented the stone to me. As he was traversing a marsh on the Island of Salsate, whereon Goa is situated, to go to a country house, one of those who bore his palanquin, and who was almost entirely naked, was bitten by a snake and was immediately cured by this stone. I have bought several of them, and they are sold only by the brahmins, which makes me think the brahmins themselves make the stones. There are two methods of testing whether the stone is good or the product of some deception. The first of these tests is to place it in one’s mouth, for then, if it be good, it springs up and cleaves to the palate; the second test is to place it in a glass full of water; if it is not sophisticated, the water begins to seethe, small bubbles rising from the stone at the bottom to the surface of the water.
Finally, I’ll mention the snake-stone, which is about the size of a doubloon, some being somewhat oval, thicker in the middle and tapering at the edges. The locals say it forms on the heads of certain snakes, but I suspect that the priests of these idolaters make them believe this, and that the stone is actually a mix of certain substances. Whatever the case, it’s said to have strong properties for drawing out poison when someone is bitten by a venomous creature. If the bitten area hasn’t been punctured, an incision must be made to let the blood flow out, and once the stone is applied, it won’t fall off until it has absorbed all the poison surrounding it. To clean it, they use women’s milk, or if that’s not available, cow’s milk; after steeping for ten or twelve hours, the milk that has drawn out the poison turns the color of pus. One day, after having dinner with the Archbishop of Goa, he took me to his museum, where he displayed several interesting items. Among other things, he showed me one of these stones, explained its properties, and assured me that just three days earlier, he had witnessed its effects. He presented the stone to me and recounted that while crossing a marsh on the Island of Salsate, where Goa is located, one of the bearers of his palanquin, who was almost completely naked, was bitten by a snake and was immediately cured by this stone. I’ve bought several of them, and they’re sold only by the Brahmins, which makes me think they actually create the stones themselves. There are two ways to test whether the stone is genuine or a fake. The first method is to place it in your mouth; if it’s genuine, it will spring up and stick to the roof of your mouth. The second test is to put it in a glass of water; if it’s authentic, the water will start to boil, with small bubbles rising from the stone at the bottom to the surface of the water.
Thevenot, a French traveller who visited India in 1666, about the time Tavernier was there, asserts that the famous “Stones of the Cobra” were manufactured in the town of Diu, in Guzerat, and that they were made “of the ashes of burnt roots, mingled with a kind of Earth they have, and were again burnt with that Earth, which afterwards is made up into a Paste, of which these Stones are formed.” After describing the process employed for cleaning the stones after they had been used, Thevenot adds that if not freed from the absorbed venom the stones would burst.[464]
Thevenot, a French traveler who visited India in 1666, around the same time Tavernier was there, claims that the famous “Stones of the Cobra” were made in the town of Diu, in Gujarat. He says they were created “from the ashes of burnt roots, mixed with a kind of Earth they have, and then baked again with that Earth, which is later turned into a Paste, and from which these Stones are shaped.” After explaining the method used to clean the stones after they had been used, Thevenot notes that if they aren’t cleared of the absorbed venom, the stones would explode.[464]
Dr. J. Davy examined and analyzed some of these “stones,” and found one of them to be a piece of bone partially calcined. When applied to the tongue or to any other moist surface it adhered firmly. Another, which lacked all absorbent or adhesive power, was said to have saved the life of four men. It therefore appears that while some of the “snake-stones” really possessed some possible curative virtues, others were esteemed only because of a superstitious 232belief in their magical properties. Kaempfer, writing in 1712, informs us that these stones should always be used in pairs, and applied successively to the wound.[465] The belief in the efficacy of such stones is still general in India, and one of the varieties is supposed to be found in the head of the adjutant bird.[466]
Dr. J. Davy examined and analyzed some of these "stones" and discovered that one of them was a piece of partially burnt bone. When it was placed on the tongue or any other moist surface, it stuck firmly. Another one, which had no absorbent or adhesive properties, was said to have saved the lives of four men. This suggests that while some of the "snake-stones" may have had possible healing properties, others were valued only due to a superstitious belief in their magical powers. Kaempfer, writing in 1712, noted that these stones should always be used in pairs and applied one after the other on the wound. The belief in the effectiveness of such stones is still widespread in India, and one type is thought to be found in the head of the adjutant bird.
Francisco Redi[467] describes the extraordinary healing power attributed to stones obtained from the heads of certain serpents, called by the Portuguese “cobras de capello,” found throughout Hindostan and Farther India. These stones are claimed to be an infallible remedy for the bites and stings of all kinds of venomous reptiles or animals, and likewise for wounds made by poisoned arrows, etc. He repeats the usual tales of their adhering powerfully when applied to the bite or wound, and clinging to it like a cupping-glass until they had absorbed all the poison, when they would fall off spontaneously, leaving the man or animal sound and free. Then follows the account of steeping the stones in milk to remove the poison, the milk assuming a color between yellow and green. These wonderful stones and the narrations concerning them had been brought to Italy by Catholic missionaries, who seemed to have entire faith in their powers; so that Redi says they offered to prove the accounts by any number of experiments, such as would satisfy the most incredulous, and prove to medical men that Galen was correct when he wrote (Chapter XIV, Book I) that certain medicines attract poison as the magnet does iron. For this purpose a search for vipers, etc., was recommended; but, owing to the season being later and colder than usual, none could at that time be obtained, as they had not emerged from their winter quarters. An experiment was therefore substituted, after much consultation among the learned men of the Academy of Pisa, whereby oil of tobacco was introduced into the leg of a rooster. This was regarded as one of the most fatal of such substances, and was administered by impregnating a thread with it to the width of four fingers and drawing it through the punctured wound. One of the monks forthwith applied the stone, which behaved in the regular manner described. The bird did not recover, but it survived eight hours, to the admiration of the monks and other spectators of the experiment.
Francisco Redi[467] describes the remarkable healing power attributed to stones taken from the heads of certain snakes, known by the Portuguese as “cobras de capello,” found throughout Hindostan and Farther India. These stones are said to be a sure cure for bites and stings from all types of venomous reptiles or animals, as well as for wounds caused by poisoned arrows, and so on. He recounts the common stories of how they stick powerfully when applied to a bite or wound, clinging to it like a cupping glass until they absorb all the poison, at which point they fall off on their own, leaving the person or animal healthy and unharmed. Next, he describes soaking the stones in milk to draw out the poison, with the milk changing to a color between yellow and green. These amazing stones and the stories about them were brought to Italy by Catholic missionaries, who seemed to fully believe in their efficacy; Redi notes that they offered to prove their claims through as many experiments as needed to satisfy even the most skeptical and show medical professionals that Galen was right when he wrote (Chapter XIV, Book I) that certain medicines attract poison like a magnet attracts iron. For this, a search for vipers was suggested; however, due to the season being later and colder than usual, none could be found since they hadn’t come out of their winter hideouts. An experiment was therefore arranged instead, after much discussion among the scholars of the Academy of Pisa, in which tobacco oil was introduced into the leg of a rooster. This substance was considered one of the most lethal, and it was administered by soaking a thread in it, wide enough to be four fingers across, and pulling it through the punctured wound. One of the monks immediately applied the stone, which acted as expected. The bird didn’t recover, but it lived for eight hours, astonishing the monks and other witnesses of the experiment.

Frontispiece and title-page of Francesco Redi’s “Experimenta naturalia,” Amsterdam, 1675, and two specimen pages of this treatise, referring to the snake-stones believed to be taken from the Indian Cobras de Capello, or hooded snakes.
Frontispiece and title page of Francesco Redi’s “Experimenta naturalia,” Amsterdam, 1675, along with two sample pages of this work, discussing the snake-stones thought to be taken from the Indian Cobras de Capello, or hooded snakes.

FORMS OF TABASHEER
Bought at Fair at Calcutta, 1888, by Dr. Valentine Ball.
FORMS OF TABASHEER
Purchased at the Fair in Calcutta, 1888, by Dr. Valentine Ball.
233Redi states that he himself possessed some of these stones, as did also Vincent Sandrinus, one of the most learned herbalists of Pisa. Redi describes them as “always lenticular in form, varying somewhat in size, but in general about as large as a farthing, more or less. In color some are black, others white, others black, with an ashy hue on one side or both,” etc.
233Redi mentions that he had some of these stones, and so did Vincent Sandrinus, one of the most knowledgeable herbalists from Pisa. Redi describes them as “always lens-shaped, varying somewhat in size, but generally about the size of a farthing, more or less. In color, some are black, others white, and some are black with a grayish tint on one side or both,” etc.
Up to the present time no one has apparently identified what Tavernier referred to in speaking of snake-stones. It, however, occurred to the writer, after receiving a quantity of tabasheer from Dr. F. H. Mallet of the Geological Survey of India, who obtained it at the bazaar of the Calcutta Fair in November of 1888, that many, if not most of the Hindu snake-stones must have been tabasheer. Tabasheer is a variety of opal that is found in the joints of certain species of bamboo in Hindostan, Burma, and South America; it is originally a juice, which by evaporation changes into a mucilaginous state, then becomes a solid substance. It ranges from translucent to opaque in color, and is either white or bluish-white by reflected light, and pale yellow or slight sherry red by transmitted light. Upon fracture it breaks into irregular pieces like starch. As in Tavernier’s account of its clinging to the palate and causing 234water to boil when immersed, it actually has the property of strongly adhering to the tongue, and when put into water emits rapid streams of minute bubbles of air. It has a strong siliceous odor, but after absorbing an equal bulk of water becomes transparent like a Colorado hydrophane described by the writer several years ago before the New York Academy of Sciences.
Up to now, no one has seemingly figured out what Tavernier meant when he talked about snake-stones. However, it occurred to me, after receiving a lot of tabasheer from Dr. F. H. Mallet of the Geological Survey of India, who got it at the Calcutta Fair bazaar in November 1888, that many, if not most, of the Hindu snake-stones must be tabasheer. Tabasheer is a type of opal found in the joints of certain bamboo species in India, Burma, and South America. It starts as a juice that changes to a thick substance through evaporation and then solidifies. Its color varies from translucent to opaque, appearing white or bluish-white in reflected light, and pale yellow or slight sherry red in transmitted light. When broken, it shatters into irregular pieces similar to starch. As mentioned in Tavernier’s account about it sticking to the palate and causing water to boil when soaked, it does indeed have the property of strongly sticking to the tongue and releases rapid streams of tiny bubbles of air when placed in water. It has a strong siliceous smell, but after soaking up an equal amount of water, it becomes transparent like a Colorado hydrophane I described a few years ago before the New York Academy of Sciences.
Although tabasheer is mentioned in nearly all the textbooks, very little of it has reached the United States. It is highly interesting, since we have here an organic product scarcely to be distinguished from a similar opal-like body found by Mr. Arnold Hague in the geysers of the Yellowstone Park. Both tabasheer and the hydrophane were probably what was called “Oculus Beli,” “Oculus Mundi,” and “Lapis mutabilis” by Thomas Nicol, Robert Boyle, and other writers of the seventeenth century, and “Weltauge” by the Germans.
Although tabasheer is mentioned in almost all textbooks, very little of it has made its way to the United States. It’s quite fascinating, as we have here an organic substance that's almost indistinguishable from a similar opal-like material discovered by Mr. Arnold Hague in the geysers of Yellowstone Park. Both tabasheer and hydrophane were likely what was referred to as “Oculus Beli,” “Oculus Mundi,” and “Lapis mutabilis” by Thomas Nicol, Robert Boyle, and other 17th-century writers, and “World eye” by the Germans.
The great capacity of this substance for absorbing a fluid would undoubtedly render it as efficacious for the purpose of absorbing poison as any other known stone, providing the wound were open enough; and its internal use to-day as a medicine is possibly also due to this property.
The remarkable ability of this substance to soak up liquid would definitely make it just as effective for absorbing poison as any other known stone, as long as the wound is sufficiently open; and its use today as a medicine is likely also related to this quality.
Tabasheer, as known among mineralogists, is a corruption of the word tabixir, a name which was used even in the time of Avicenna, the Grand Vizier and body surgeon of the Sultan of Persia in the tenth century. It played a very important part in medicine during the Middle Ages. As to its origin, Sir David Brewster[468] says that tabasheer is only formed in diseased or injured bamboo joints or stalks.
Tabasheer, as it's known among mineralogists, is a variation of the word tabixir, a term used back in the time of Avicenna, the Grand Vizier and chief surgeon for the Sultan of Persia in the tenth century. It was very important in medicine during the Middle Ages. Regarding its origin, Sir David Brewster[468] states that tabasheer is only found in sick or damaged bamboo joints or stalks.

SPECIMENS OF TABASHEER
At the upper right-hand corner is figured a hydrophane, or “Magic Stone,” at the upper left-hand corner is a floating stone from Oregon. The tabasheer was bought at the Fair held in Calcutta in 1888.
SPECIMENS OF TABASHEER
In the upper right-hand corner is a hydrophane, or “Magic Stone,” and in the upper left-hand corner, there's a floating stone from Oregon. The tabasheer was purchased at the Fair held in Calcutta in 1888.
235Guibourt[469] differs from Brewster, inasmuch as he attributes the different rates of growth to the fact that when there is a superabundance of sap the tabasheer is formed from the residuum. More recently, Henry Cecil[470] says, “In the onrush of tropical growth in the young shoot, nature, after flooring the knot, has poured in, as it were, sap and silica sufficient for a normal length and width of stem to the knot next above it. But by some check to the impulse, or by irregularity of conditions, the portion of stem thus provided for is shorter or narrower than intended, and the unused silica is left behind as a sediment, compacted by the drying residuum sap.”
235Guibourt[469] differs from Brewster because he believes that the different growth rates are due to the fact that when there's an excess of sap, tabasheer is formed from what’s left over. More recently, Henry Cecil[470] states, “In the rapid growth of tropical plants in a young shoot, nature, after creating the knot, has essentially filled it with enough sap and silica for a normal-length and -width stem to the knot above it. However, if there's a disruption in growth or if conditions are irregular, the portion of the stem that's supposed to grow is shorter or narrower than expected, and the unused silica gets left behind as a sediment, compacted by the drying leftover sap.”
This latter view is sustained by Dr. Ernst Huth, who discusses the name, history, origin, and reputed virtues of this substance with much fulness.[471] In regard to its use in medicine during the Middle Ages, he quotes a remarkable list of applications to the ills that flesh is heir to.
This later viewpoint is supported by Dr. Ernst Huth, who thoroughly discusses the name, history, origin, and believed benefits of this substance.[471] When it comes to its medicinal use during the Middle Ages, he provides an impressive list of its applications for various health issues.
Here it is cited as a remedy for affections of the eyes, the chest, and of the stomach, for coughs, fevers, and biliary complaints, and especially for melancholia arising from solitude, dread of the past, and fears for the future. Other writers speak of its use in bilious fevers and dysentery, internal and external heat, and injuries and maladies.
Here it is mentioned as a treatment for issues related to the eyes, chest, and stomach, including coughs, fevers, and digestive problems, especially for depression caused by loneliness, fear of the past, and worries about the future. Other authors talk about its use for liver fevers and dysentery, internal and external heat, and injuries and illnesses.
The writer has examined a large number of so-called madstones, and they have all proved to be an aluminous shale or other absorptive substance. But tabasheer possesses absorptive properties to a greater degree than any other of the mineral substances examined, and it is strange that it has never been mentioned as being used as an antidote. It may be confidently recommended to the credence of any person who may desire to believe in a madstone.
The writer has looked into many so-called madstones, and they all turned out to be either aluminous shale or some other absorbent material. However, tabasheer has greater absorbent qualities than any other mineral studied, and it's odd that it hasn't been noted as a remedy. It can be confidently suggested to anyone who wants to believe in a madstone.

Cobra de Capello. From Tavernier’s Travels, English translation by John Philips, London, 1684.
Cobra de Capello. From Tavernier’s Travels, English translation by John Philips, London, 1684.
The writer believes that Tavernier’s snake-stones may all have been tabasheer, or again, while some of them were of this substance, others may have been artificially compounded by the authorized dealers of the Brahmin caste. The instance he gives of the successful use of such a stone is not altogether incredible, as, should one of the less active poisons be sucked out of a wound shortly after this were inflicted, a cure might well be effected. In view of the great difference in the virulence of poisons and the varying degrees of the sensibility to toxic effects, it is not strange that the snake-stones should sometimes seem to give good results. Tavernier states that these stones were brought to India by Portuguese soldiers 237returning from service in Mozambique.[472] For successful use a pair of them were needed, so that, when applied to a snake-bite, as soon as one became saturated with the venom the other could be immediately substituted. To have them always at hand, those natives fortunate enough to own a pair of pedras de cobra carried them about in a little bag.[473]
The writer believes that Tavernier's snake-stones could all have been tabasheer, or while some might have been this substance, others may have been artificially created by authorized dealers from the Brahmin caste. The example he gives of the successful use of such a stone isn't entirely unbelievable; if a less active poison is sucked out of a wound soon after it’s inflicted, a cure might actually happen. Given the significant differences in the potency of poisons and the varying levels of sensitivity to toxic effects, it’s not surprising that snake-stones sometimes seem to produce good outcomes. Tavernier mentions that these stones were brought to India by Portuguese soldiers returning from service in Mozambique. 237 For them to be effective, a pair was necessary, so that when applied to a snake bite, as soon as one became saturated with the venom, the other could be quickly swapped in. To keep them handy, the natives lucky enough to have a pair of pedras de cobra carried them in a small bag.
A curious traditional belief is current in some parts of India, notably in Ceylon, to the effect that the male cobra, during the night, uses a certain luminous stone to lure its prey and to attract the female. This is probably the chlorophane, a variety of fluorite, a substance which shines with a phosphorescent light in the darkness, and this quality, quite mysterious in the eyes of the natives, may have induced them to associate the stone with the snake, the epitome of all subtlety and cunning. Serpent-stones were supposed to exist in both ancient and medieval times, and the belief in their existence is widespread among many races of mankind.
A curious traditional belief exists in some parts of India, especially in Sri Lanka, that the male cobra, at night, uses a special glowing stone to attract its prey and lure females. This stone is likely chlorophane, a type of fluorite that shines with a phosphorescent light in the dark. The natives find this mysterious quality fascinating, which may have led them to connect the stone with the snake, known for its subtlety and cunning. The idea of serpent-stones has been around since ancient and medieval times, and the belief in their existence is common among many different cultures.
A chlorophane is also found in the microlite localities of Amelia Court House, Virginia. The writer made a series of experiments and noted that some of these specimens emit a phosphorescent light at a low temperature. The material occurs in Siberia, and Pallas describes a specimen from this locality. When subjected to the heat of the hand, it gave out a white light, in boiling water a green light, and when placed on a burning coal a brilliant emerald-green light, visible at a considerable distance. Similar phenomena have been observed by the writer, who has found that very slight attrition, even the rubbing of one specimen against another in the dark, will produce phosphorescence.[474]
A chlorophane is also found in the microlite locations of Amelia Court House, Virginia. The author conducted a series of experiments and observed that some of these specimens emit a phosphorescent light at low temperatures. This material is also found in Siberia, and Pallas describes a specimen from there. When heated by hand, it emitted a white light; in boiling water, it glowed green; and when placed on burning coal, it produced a bright emerald-green light that was visible from a considerable distance. The author has observed similar phenomena, noting that even slight friction, such as rubbing one specimen against another in the dark, can create phosphorescence.[474]
The real or supposed virtues of the “snake-stones” of Ceylon are detailed at considerable length by the great 238Dutch naturalist, Rumphius. After noting the old tale that the “natural” snake-stones came from the cobra de capello (Serpens pilosus), he proceeds to relate the information he had been able to gather regarding the “spurious” stones of this type. These were fabricated by the Brahmins, the process being kept a profound secret; indeed, there were those who asserted that the Brahmins themselves had lost the art, as this had been possessed by but a single family which had died out, leaving the secret unrevealed. Rumphius describes these artificial stones as usually round and flat, the size varying from that of a half-shilling piece to that of a two-shilling piece. Some were of lenticular form and a few were oblong; all had a white spot in the middle. In making the application, the bitten spot was first pricked until it bled, whereupon the stone was immediately laid on and allowed to remain until it dropped off of itself “just as a leech would do.” So intense was its absorbent activity that it would sometimes break, in which case a substitute had to be quickly applied. The saturated stone was placed in milk and the absorbed venom was thus drawn out, turning the milk blue.[475]
The actual or rumored benefits of the “snake-stones” from Ceylon are explained in detail by the renowned Dutch naturalist, Rumphius. After mentioning the old legend that the “natural” snake-stones came from the cobra de capello (Serpens pilosus), he shares the information he managed to gather about the “fake” ones of this kind. These were made by the Brahmins, and the method was kept a closely guarded secret; in fact, some claimed that the Brahmins themselves had forgotten how to make them, as the knowledge had died with a single family, leaving the secret unknown. Rumphius describes these artificial stones as typically round and flat, with sizes ranging from that of a half-shilling to a two-shilling piece. Some were lenticular in shape, and a few were oblong; all featured a white spot in the center. When applying the stone, the bite area was pricked until it bled, and then the stone was placed on it and left until it detached on its own “like a leech.” Its absorbent power was so strong that it would sometimes break, and in those cases, a replacement had to be quickly applied. The saturated stone was put in milk, and the venom it absorbed would turn the milk blue.[475]
One of the tales of the Gesta Romanorum treats of a serpent-stone of singular medicinal virtue. According to the story—which is, of course, a mere legend—a certain Theodosius, who “reigned in a Roman city,” was a most prudent ruler, but was afflicted with blindness. In his care for the welfare of his subjects he had decreed that when anyone who desired justice rang the bell at the palace gate, a judge must forthwith appear and try his case. Now it happened that a serpent had its nest near the bell-rope, and one day, while the reptile was absent, a toad took possession of the nest. Returning and finding the nest occupied, 239the serpent,—evidently a worthy descendant of the original serpent of Paradise, “more subtle than any beast of the field,”—wound its tail about the bell-rope and pulled the bell. When the judge appeared, as in duty bound, he was struck by this strange spectacle, and reported it to the emperor, who told him to right the wrong which had been done, directing him to expel and kill the toad. Not long after, the serpent made its way into the palace and entered the emperor’s room, bearing in its mouth a small stone. Proceeding to the emperor’s couch, it crawled up, raised its head above the emperor’s face and dropped the stone upon his eyes. As soon as the stone touched the eyes, the emperor’s sight was restored. The serpent disappeared and was never seen again.[476]
One of the stories in the Gesta Romanorum talks about a serpent-stone with unique healing properties. According to the legend, a certain Theodosius, who "ruled in a Roman city," was a wise leader but was blind. Concerned for his people's well-being, he decided that when anyone seeking justice rang the bell at the palace gate, a judge must immediately appear to hear their case. One day, a serpent had its nest by the bell-rope, but while it was away, a toad moved in. When the serpent returned and found its nest occupied, it—clearly a clever descendant of the original serpent from Paradise, "more cunning than any beast of the field"—wrapped its tail around the bell-rope and rang the bell. When the judge arrived, as required, he was baffled by the unusual sight and reported it to the emperor, who instructed him to correct the injustice by getting rid of the toad. Shortly after, the serpent entered the palace and made its way to the emperor's room, carrying a small stone in its mouth. The serpent crawled up to the emperor's bed, lifted its head above the emperor's face, and dropped the stone onto his eyes. As soon as the stone touched his eyes, the emperor's vision was restored. The serpent then vanished and was never seen again.[476]
A representative type of “madstone” is a concretionary calculus occasionally, but very rarely, found in the gullet of male deer. In form it bears a resemblance to a water-worn pebble and is usually of oblong shape, the largest specimens being 3 inches in length and 1½ inches in width. The chemical analysis of Dr. H. C. White showed that the chief component was tricalcic phosphate. His experiments demonstrated that while such a concretion would absorb water to the amount of 5 per cent. of its own weight, the quantity of blood or other fluid it was able to absorb only amounted to 2.3 per cent. of its weight. When immersed in water, after having been placed on a wound caused by the bite of a venomous creature, the liquid absorbed was given out so as to discolor the water, and the material exuded was found to be of toxic quality. However, experiments with animals that had been bitten by snakes or other reptiles, failed to show that the stone exercised any curative effect. Dr. White states that he has in his possession a “madstone” 240dating from 1654, but this is of a different type, being a porous sandstone.[477]
A common type of “madstone” is a concretionary calculus that is sometimes, but very rarely, found in the throat of male deer. It looks like a water-worn pebble and is usually oblong, with the largest specimens measuring 3 inches long and 1½ inches wide. Dr. H. C. White’s chemical analysis showed that the main component was tricalcic phosphate. His experiments demonstrated that this kind of concretion could absorb water at about 5 percent of its own weight, while the amount of blood or other fluid it could absorb was only 2.3 percent of its weight. When placed on a wound caused by a venomous bite and then immersed in water, it released a liquid that discolored the water, and the substance it exuded was found to be toxic. However, experiments with animals bitten by snakes or other reptiles failed to show that the stone had any healing effect. Dr. White mentions that he has a “madstone” 240 from 1654, but it is a different type, being a porous sandstone.[477]
Even in South Africa snake-stones are known, but it appears that the few specimens reported had been brought thither from the Dutch East Indies; one such stone had been handed down for generations in a Dutch settler’s family. From their appearance some of these snake-stones were judged to be pieces of burnt hartshorn. A Boer farmer owned an amulet of this kind that he would loan from time to time to neighbors who might have need of it. On one occasion, when the daughter of an English hunter had been bitten by a snake, the father sent off a man on horseback to borrow this snake-stone. Owing to the unavoidable delay, some hours elapsed before it could be applied to the wound. The girl recovered after its use but the wound did not heal satisfactorily, and this was attributed to the length of time that had intervened between the attack of the snake and the use of the remedial stone.[478]
Even in South Africa, snake stones are known, but it seems that the few reported specimens were brought over from the Dutch East Indies; one such stone had been passed down for generations in a Dutch settler’s family. Based on their appearance, some of these snake stones were thought to be pieces of burnt hartshorn. A Boer farmer owned one of these amulets that he would lend to neighbors in need. One time, when the daughter of an English hunter had been bitten by a snake, the father sent a man on horseback to borrow the snake stone. Due to unavoidable delays, it took several hours before it could be applied to the wound. The girl recovered after using it, but the wound didn't heal well, and this was blamed on the time that passed between the snake bite and the use of the healing stone.[478]
In December, 1887,[479] the writer described a white opaque variety of hydrophane with a white, chalky or glazed coating, which had recently been brought from a Colorado locality. The absorbent quality of this stone is quite remarkable, and when water is allowed to drop on it, it first becomes very white and chalky, and then gradually perfectly transparent. This property is developed so strikingly that the finder proposed the name “Magic Stone” for the mineral and suggested its use in rings, lockets, charms, etc., to conceal photographs, hair, and other objects, which the wearer wishes to reveal only as caprice dictates.
In December 1887,[479] the writer described a white, opaque type of hydrophane that had a white, chalky, or glossy coating, which had just been brought from a location in Colorado. The stone’s absorbent quality is quite impressive; when water is dropped on it, it first turns very white and chalky, then gradually becomes completely transparent. This characteristic is so striking that the discoverer suggested calling it “Magic Stone” and proposed using it in rings, lockets, charms, etc., to hide photographs, hair, and other items that the wearer wants to reveal only when they feel like it.
VI
Angels and Grace Ministers

The veneration of angels and the attribution to them of especial days or months, as well as the idea that they were guardians of those born on those days or during those months, was the result of many factors. The belief in the existence of angels is present in all parts of the Bible, but in the earlier portions they are not individualized in any way. The angel of God, or of the Lord (malach Elohim or malach Yahveh) was simply a messenger of God, employed to communicate his will or else to accomplish some act of divine justice.
The reverence for angels and the assignment of specific days or months to them, along with the belief that they protect those born on those days or during those months, came from various influences. The belief in angels appears throughout the Bible, but in the earlier parts, they aren't characterized as individual beings. The angel of God, or the Lord (malach Elohim or malach Yahveh), was merely a messenger of God, used to convey His will or to carry out acts of divine justice.
It is quite possible that the greater prominence given to angels among the Jews after the Babylonian Captivity was not solely dependent upon Babylonian or Persian influence. We learn from the historical and prophetical books of the Old Testament that the Jews had, from the earliest times, worshipped other gods besides the God of Israel, and were ever ready to assimilate the religious superstitions of the heathen world. Several of the divinities that were worshipped in Babylonia and Assyria were also objects of adoration in Israel, not indeed by the chosen spirits of the nation from whom we receive our records, but by the masses of the people. This very fact, however, served in a certain sense to maintain the purity of the national religion. As the superstitious inclinations of the populace were so fully satisfied from without, there was no necessity to develop or distort the national religion in this direction. The Babylonian Captivity changed all this. It was the élite of the 242Jewish nation that was deported, and the sufferings and humiliations to which they were subjected in a foreign land only served to strengthen their faith in Yahveh and in his Law. Hence it is, that when this tried and purified remnant returned to Judæa, rebuilt the fallen temple and reorganized the state, the latter became a theocracy in a much stricter sense than ever before, and from this time we can really speak of Judaism as the religion of the whole people.
It’s very likely that the increased focus on angels among the Jews after the Babylonian Captivity was not just a result of Babylonian or Persian influence. Historical and prophetic books of the Old Testament show that Jews, from the earliest times, worshipped other gods alongside the God of Israel and were quick to adopt the religious beliefs of the surrounding cultures. Many deities worshipped in Babylonia and Assyria were also venerated in Israel, not by the chosen leaders of the nation from whom we receive our records, but by the general populace. However, this very fact helped to preserve the purity of the national religion in a way. Since the superstitious needs of the people were met externally, there was no need to alter or twist the national religion in that direction. The Babylonian Captivity changed everything. It was the elite of the Jewish nation who were taken away, and the hardships and humiliations they faced in a foreign land only strengthened their faith in Yahveh and His Law. Therefore, when this tested and refined remnant returned to Judea, rebuilt the fallen temple, and reorganized the state, it became a theocracy in a much stricter sense than before, and from this point onward, we can truly refer to Judaism as the religion of the entire people.
But the inevitable tendency to split up the unity of the divine force, a tendency that makes itself felt in all religions and among all peoples, soon asserted itself anew and in a different direction. As the people were no longer allowed, we may even say were no longer inclined, to go after foreign gods, they proceeded to develop the idea of divine messengers or intermediaries which had always formed part of the national faith, but had never been fully evolved. While Isaiah and Ezekiel both knew of a division of the angels into certain categories as, for example, cherubim, seraphim, hayyot (living creatures), ofanim (wheels) and arelim, there is no attempt at individualization, and the first mention of an angel’s name occurs in the Book of Daniel, which later critics are disposed to assign to the second century B.C. It is most natural to suppose that such names were known and were familiar to the people long before that time. When we read in the Book of Daniel, xii, 1: “And at that time shall Michael stand up, the great prince which standeth for the children of Israel,” it is easy to see that the idea that certain special qualities were attributed to this angel was deeply rooted in the popular mind. In a previous verse, x, 13, we read: “Michael, one of the chief princes, came to help me,”—a conclusive proof that a hierarchy of angels had already been thought out.
But the inevitable tendency to break up the unity of the divine force—a trend seen in all religions and among all people—soon emerged again in a different way. Since the people were no longer allowed, or perhaps no longer inclined, to pursue foreign gods, they began to develop the concept of divine messengers or intermediaries, which had always been part of the national faith but had never been fully realized. While Isaiah and Ezekiel referenced a division of angels into specific categories such as cherubim, seraphim, hayyot (living creatures), ofanim (wheels), and arelim, there was no attempt to individualize them. The first mention of an angel’s name appears in the Book of Daniel, which later critics tend to assign to the second century BCE It's reasonable to assume that such names were already known and familiar to the people long before that time. When we read in the Book of Daniel, xii, 1: “And at that time shall Michael stand up, the great prince which standeth for the children of Israel,” it’s clear that the belief in certain specific qualities attributed to this angel was deeply rooted in the public's consciousness. In a previous verse, x, 13, we read: “Michael, one of the chief princes, came to help me”—a conclusive proof that a hierarchy of angels had already been conceptualized.

Fossil Coral of the Devonian Period 1000 BCE | Amethystine Quartz About 2500 BCE | Lapis Lazuli About 2000 B.C. | Anhydrite About 2500 B.C. | Banded Agate About 2800 BCE | Hematite About 2000 BCE |
Amethystine Quartz Probably Assyrian of 700 BCE | Lapis Lazuli 2000 B.C. or earlier | Aragonite-banded 3000 BCE | Amazon Stone About 1500 B.C. | Black Serpentine, hard and compact. Seals of this type are generally as old as 2500 BCE |
Marble, discolored by fire About 2500 BCE | Jaspery Agate As late as 800 B.C. | Aragonite Probably as old as 3000 BCE | Rock-Crystal About 1200 BCE | Serpentine (banded) Probably as early as 2500 BCE |
Ferruginous Agate About 800 BCE | Shell 3000 BCE or earlier | Jasper, banded red and black About 1200 BCE | Chalcedony, Blue Saphirine About 700 B.C. | Agate (banded) Assyrian of about 700 BCE |
ILLUSTRATIONS OF ACTUAL PRECIOUS STONES AND MINERALS USED FOR SEALS IN ANCIENT ASSYRIA AND BABYLONIA | ||||
Mostly from the collection in the American Museum of Natural History, New York City. |
243The great source of information in regard to angelology is the Rabbinical literature which had its rise about the first century B.C. and culminated in the Talmuds of Babylon and Jerusalem in the fifth century A.D. As these compilations, although nominally commentaries on the books of the Old Testament, are almost encyclopedic in their character, they throw much light on this subject. In a monograph of Kohut, entitled “Jüdische Angelologie,”[480] many extracts, belonging to an early period, are given. Seven princes of heaven were recognized and among these four were especially favored. They occupied a place near to the Throne of Light and were bathed in its radiance. We are told that “God surrounded his Throne of Light with four angels: Michael, ‘Who is like God?’ at the right; Gabriel, ‘Might of God,’ at the left; Uriel, ‘Splendor of God,’ before it; and Raphael, ‘Salvation of God,’ at the west” (Numeri Rabba, c. 2).[481] They represented various attributes of the divine: Michael, goodness and mercy; Gabriel, punitive justice; Uriel, the majesty of God, and Raphael, his providence. Michael and Gabriel are particularly prominent and are called Royal Angels (מלכיהון דמלאכיא); they have especial care of Israel. As we have seen, Michael was singled out by Daniel and he was commonly regarded as chief prince. Gabriel was looked upon as the avenger and the executor of divine judgments and occupied the next place, while Uriel and Raphael are less frequently alluded to, although the latter appears prominently in the Book of Tobit.
243The main source of information about angels comes from Rabbinical literature, which began to emerge around the first century B.C. and reached its peak in the Talmuds of Babylon and Jerusalem during the fifth century CE. These compilations, while officially commentaries on the Old Testament, are almost encyclopedic in nature and provide significant insights into this topic. In a monograph by Kohut called “Jüdische Angelologie,”[480] several excerpts from an earlier period are included. Seven heavenly princes were recognized, among which four were especially favored. They stood close to the Throne of Light and were immersed in its brilliance. It is said that “God surrounded His Throne of Light with four angels: Michael, ‘Who is like God?’ on the right; Gabriel, ‘Might of God,’ on the left; Uriel, ‘Splendor of God,’ in front; and Raphael, ‘Salvation of God,’ to the west” (Numeri Rabba, c. 2).[481] They represented various divine qualities: Michael symbolized goodness and mercy; Gabriel stood for punitive justice; Uriel represented the majesty of God; and Raphael embodied His providence. Michael and Gabriel are especially significant and are referred to as Royal Angels (מלכים של מלאכים); they have special care over Israel. As we noted, Michael was highlighted by Daniel and was commonly seen as the chief prince. Gabriel was viewed as the avenger and executor of divine judgments and held the next position, while Uriel and Raphael are mentioned less frequently, although Raphael plays a prominent role in the Book of Tobit.
In the New Testament, also, Michael and Gabriel are evidently regarded as the chief angels, and Revelation places Michael at the head of the hosts of the good angels in their conflict with Satan and his followers. We can see in the Gospels how widespread was the belief in demoniacal possession, and in the existence of evil spirits; it was almost inevitable that the aid of good spirits should be invoked to 244counteract them, and although both Christianity and Judaism sternly rebuked any direct worship of angels, they were regarded as ministering spirits, and it was only natural that the masses should be led to use their names on amulets and talismans, and little by little to arrive at the belief that a particular angel was entrusted with the welfare of each individual. The same tendencies were at work in both religions, but a new development was initiated for the Christian church by the growing veneration of the early martyrs and of their relics. When this became more pronounced, the saints to a great extent took the place of the angels; a passage from the writings of St. Ambrose composed in 377 A.D. shows us that this transformation of belief had already begun to make itself felt at that time. St. Ambrose writes: “We should address our supplications to the angels who are appointed to guard us; we should also address them to the martyrs, whose patronage seems assured to us by a physical pledge” (their relics).
In the New Testament, Michael and Gabriel are clearly seen as the leading angels, and Revelation shows Michael leading the good angels in their battle against Satan and his followers. The Gospels reveal how widespread the belief in demonic possession and evil spirits was; it was almost inevitable that people would call on good spirits for help against them. While both Christianity and Judaism strongly condemned any direct worship of angels, they were viewed as helpful spirits. It’s only natural that people would start using their names on amulets and talismans, gradually leading to the belief that a specific angel was responsible for each person's well-being. Similar trends appeared in both religions, but the Christian church saw a new shift with the rising respect for early martyrs and their relics. As this grew more prominent, saints largely took the place of angels. A quote from St. Ambrose's writings from 377 C.E. indicates that this change in belief was already being felt at that time. St. Ambrose wrote: “We should address our prayers to the angels assigned to protect us; we should also address them to the martyrs, whose support seems guaranteed by a physical reminder” (their relics).
The danger that the worshipping of angels might lead Christians away from the Church into magic practices and beliefs was clearly recognized in the early centuries, and at the Council of Laodicea, in 363 A.D., it was proclaimed that Christians should not render worship to angels outside the church, or in private assemblies or associations. Whoever was found guilty of such practices (of such idolatry, as it was called) was pronounced anathema, as he was considered to have turned away from the Lord Jesus Christ and worshipped idols. The first Council of Rome, held in 492 A.D., expressly forbids the wearing of talismans inscribed with the names “not of angels as they pretend, but rather with those of demons.” Indeed, there is abundant evidence that in this age, and even earlier, those addicted to angelolatry were not satisfied with the few angels named in the Holy Scriptures, but addressed their petitions to a multitude of 245angels evolved from the fervid imagination of the superstitious among the Jews. Of these angels not recognized by the Church, the following prayer of a certain Aldebert, condemned by the second Council of Rome, 745 A.D., gives us a few names: “I pray and supplicate the angel Uriel, angel Raguel, angel Michael, angel Adimis, angel Tubuas, angel Sabaoth and angel Simihel.” In the judgment of the Church fathers, all these names, with the exception of Michael, designated demons.[482]
The risk that worshiping angels could distract Christians from the Church and lead them into magical practices and beliefs was clearly recognized in the early centuries. At the Council of Laodicea in 363 CE, it was stated that Christians should not worship angels outside of church or in private gatherings. Anyone found guilty of such practices (which was referred to as idolatry) was declared anathema, as they were seen as having turned away from the Lord Jesus Christ and worshiped idols. The first Council of Rome, held in 492 CE, specifically prohibited wearing talismans inscribed with names “not of angels as they claimed, but rather those of demons.” In fact, there is a lot of evidence that during this time and even before, those obsessed with angel worship were not content with the few angels mentioned in the Holy Scriptures, but instead prayed to a large number of angels created from the vivid imaginations of the superstitious among the Jews. Regarding these angels not recognized by the Church, a prayer from a certain Aldebert, condemned by the second Council of Rome in 745 CE, mentions a few names: “I pray and plead with the angel Uriel, angel Raguel, angel Michael, angel Adimis, angel Tubuas, angel Sabaoth, and angel Simihel.” According to the Church fathers, all these names, except Michael, referred to demons.[482]
A manuscript of the ninth or tenth century in the Library of Cologne gives the following “nomina angelorum”, and instructs the reader as to their special virtues:
A manuscript from the ninth or tenth century in the Library of Cologne lists the following “nomina angelorum” and guides the reader on their unique virtues:
If when it thunders you think of the Archangel Gabriel, no harm will befall you. If on awakening you think of Michael you will have a happy day. Have Orihel (Uriel) in mind against your adversary and you will prevail. When eating and drinking think of Raphael and abundance will be yours. On a journey think of Raguhel and everything will prosper. Should you have to lay your case before a judge, think of Barachahel and all will be explained. When you take part in a banquet, think of Pantasaron and all the guests will delight in you.[483]
If you think of the Archangel Gabriel when it thunders, you won't come to any harm. If you think of Michael when you wake up, your day will go well. Keep Orihel (Uriel) in mind when facing your enemies, and you will succeed. When you eat and drink, think of Raphael, and you'll have plenty. On a journey, think of Raguhel, and everything will go smoothly. If you need to present your case to a judge, think of Barachahel, and everything will be clear. When you join a banquet, think of Pantasaron, and all the guests will enjoy your company.[483]
On some medieval gems appear angel figures, one very curious specimen of this class being an onyx, engraved in intaglio. On this gem, which is in the British Museum, the engraver depicts the Annunciation, but the figure of the Angel Gabriel is precisely that of a nude Cupid; hand and foot are raised as though the little god (or angel) were dancing. It has been conjectured that this strange attempt at adapting a classic form is due to the fact that the gem was cut in Constantinople during one of the violent iconoclastic persecutions, and that the engraver thus sought to veil the true significance of his work. In this case, however, 246we must believe that the accompanying inscription was added at a later date, for it expressly names the Annunciation, the Angel Gabriel, and the Virgin (“Mother of God”).[484]
On some medieval gems, there are figures of angels, one particularly interesting example being an onyx carved in intaglio. This gem, which is part of the British Museum's collection, shows the Annunciation, but the figure of the Angel Gabriel is actually depicted as a nude Cupid; its hand and foot are raised as if the little god (or angel) is dancing. It's been suggested that this unusual adaptation of a classic form is because the gem was carved in Constantinople during one of the intense iconoclastic persecutions, with the engraver trying to disguise the true meaning of his work. In this case, though, we should think that the inscription added later specifically mentions the Annunciation, the Angel Gabriel, and the Virgin (“Mother of God”).246
Another interesting gem, from about the same period,
is a square amethyst, measuring about 3 cm. in each direction.
This bears, engraved in intaglio, a standing figure
of Christ, without a halo; behind his head is the monogram ,
and in his left hand he holds a scroll with the words (in
Greek): “In the beginning was the Word”; his right hand
is stretched forth in benediction, and alongside the figure are
the following angels’ names in Greek characters: Raphaêl,
Penel, Ouriêl, Ichthys, Michaêl, Gabriêl, Azaêl. The fourth
and middle name, Ichthys (fish) is the well-known anagram
of the Greek words signifying “Jesus Christ, the Son of
God, the Saviour,” and the use of this as the name of an
angel is thought to have been suggested by a passage in
Isaiah (ix, 6).[485]
Another interesting gem from around the same time is a square amethyst that measures about 3 cm on each side. It features an engraved standing figure of Christ without a halo; behind his head is the monogram . In his left hand, he holds a scroll with the words (in Greek): “In the beginning was the Word.” His right hand is raised in blessing, and next to the figure are the names of several angels written in Greek letters: Raphaêl, Penel, Ouriêl, Ichthys, Michaêl, Gabriêl, Azaêl. The fourth and central name, Ichthys (fish), is the well-known anagram of the Greek words meaning “Jesus Christ, the Son of God, the Savior,” and the use of this name for an angel is believed to have been inspired by a passage in Isaiah (ix, 6).[485]
A “prime émeraude” among the Gorlæus gems is engraved with a design showing two souls brought before God by the two guardian angels.[486] Somewhat the same belief in the guiding or conducting of souls after death is found in Plato’s “Phædon,” where it is said that the daimon which had guided a person during life led his spirit to the place in Hades where judgment was to be rendered.
A “prime emerald” among the Gorlæus gems is engraved with a design showing two souls brought before God by their two guardian angels.[486] A similar belief in the guiding or leading of souls after death is found in Plato’s “Phaedo,” where it’s said that the daimon that guided a person during life led their spirit to the place in Hades where judgment was to take place.
The following list from Lodge’s “Wit’s Miserie,” printed in 1596, gives the seven good angels and sets over against them the seven bad angels, each of whom represents one of the seven deadly sins:
The following list from Lodge’s “Wit’s Miserie,” printed in 1596, shows the seven good angels and contrasts them with the seven bad angels, each of which represents one of the seven deadly sins:

By courtesy of the American Numismatic Society, New York.
ZODIAC MOHURS, COINED BY THE MOGUL SOVEREIGN SHAH JEHAN, ABOUT 1628.
Courtesy of the American Numismatic Society, New York.
ZODIAC MOHURS, COINED BY THE MUGHAL EMPEROR SHAH JEHAN, AROUND 1628.
247 | |
Good Angels | Bad Angels |
---|---|
Michael | Leviathan, pride |
Gabriel | Mammon, avarice |
Raphael | Asmodeus, lechery |
Uriel | Beelzebub, envy |
Euchudiel | Baalberith, ire |
Barchiel | Belphagor, gluttony |
Salathiel | Ashtaroth, sloth |
The curious book called in Hebrew “Sepher de-Adam Kadmah” and attributed to the angel Raziel, is supposed to belong to the twelfth or the thirteenth century, or at the earliest to the eleventh century,[487] although the redactor may have used some earlier materials. Legend states that it was engraved upon a sapphire and was given by the angel Raziel to Adam when the latter was driven from Paradise. Handed down from generation to generation, it finally came into the possession of Solomon. The name Raziel signifies “secret of God,” in allusion to the revelations contained in the book, which was supposed to protect the house wherein it was from all danger of fire.
The interesting book known in Hebrew as “Sepher de-Adam Kadmah,” which is attributed to the angel Raziel, is believed to date back to the twelfth or thirteenth century, or possibly as early as the eleventh century,[487] although the editor may have incorporated some earlier texts. According to legend, it was engraved on a sapphire and given by the angel Raziel to Adam when he was banished from Paradise. Passed down through generations, it eventually came into the possession of Solomon. The name Raziel means “secret of God,” referring to the insights contained in the book, which was said to protect the house that held it from all fire hazards.
In this book there is an interesting list of angels, denominated the twelve princes, set over the twelve months of the year. The text of the first printed edition appears to be corrupt in some places, but the names may be transliterated as follows:[488]
In this book, there's an intriguing list of angels called the twelve princes, assigned to the twelve months of the year. The text of the first printed edition seems to be flawed in some areas, but the names can be transliterated as follows:[488]
Sh’efiel, “Balm of God” | Presiding over Nisan (April) |
Ragael, “Balance of God” | Presiding over Ayyar (May) |
Didanor, “Our Light” | Presiding over Sivan (June) |
Ta’anbanu, “Answer for us” | Presiding over Tammuz (July) |
Tohargar, “Whirlwind” | Presiding over Ab (August) |
248Morael, “Fear of God” | Presiding over Elul (September) |
Hahedan, “The Brilliant” | Presiding over Tishri (October) |
Uleranen, “To chant, celebrate” | Presiding over Marchesvan (November) |
Anatganor, “Thou art the Guardian” | Presiding over Kislev (December) |
Mephniel, “Before God” | Presiding over Tebah (January) |
Tashnadernis, “Saturnus” | Presiding over Shebat (February) |
Abarchiel, “Fire of God” | Presiding over Adar (March) |
The following list, while probably of later date than the one we have just given, is more frequently cited as authoritative:[489]
The following list, though likely compiled later than the one we just provided, is often referenced as the definitive source:[489]
Orders | Angels | Tribes | Signs |
---|---|---|---|
Seraphim | Malchidiel | Dan | Aries |
Cherubim | Asmodel | Reuben | Taurus |
Thrones | Ambriel | Judah | Gemini |
Dominations | Muriel | Manasseh | Cancer |
Powers | Verchiel | Asher | Leo |
Virtues | Hamaliel | Simeon | Virgo |
Principalities | Zuriel | Issachar | Libra |
Archangels | Barbiel | Benjamin | Scorpio |
Angels | Adnachiel | Naphtali | Sagittarius |
Innocents | Hanael | Gad | Capricornus |
Martyrs | Gabriel | Zabulun | Aquarius |
Confessors | Borichiel | Ephraim | Pisces |
In Rabbinical writings we are told that if a man fulfilled one of the commandments, one angel was bestowed upon him; if he fulfilled two commandments, he received two angels; if, however, he fulfilled all the commandments, many angels were given him. This was a literal construction of the text Ps. xci, 11: “For he shall give his angels charge over thee.” These angels were believed to shield the believer from the attacks of evil spirits.[490]
In Rabbinical writings, it’s said that if a person followed one of the commandments, they were assigned one angel; if they followed two commandments, they received two angels; but if they followed all the commandments, they were given many angels. This interpretation is based on the text Ps. xci, 11: “For he shall give his angels charge over thee.” These angels were thought to protect the believer from the assaults of evil spirits.[490]

The medieval conception of the cosmos, the successive spheres of the planets, including the sun, and beyond these the crystalline heaven and the empyrean. In an outermost circle are named the great celestial powers, as recapitulated above the spheres. From a XIV century Italian MS. in the author’s library.
The medieval view of the universe, with the different layers of the planets, including the sun, and beyond them, the crystal heaven and the highest sky. In the outermost circle, the major celestial forces are mentioned, sitting above the layers. From a 14th-century Italian manuscript in the author’s library.
249The Mohammedan Atlas, the angel appointed by God to bear the earth on his shoulders, was given a rock of ruby to stand upon. Beneath this ruby-rock, were, successively a huge bull, an immense fish, a mass of water, and lastly darkness.[491] Thus the grand vision of “the face of the deep” over which hovered the Spirit of God, before the creative words were spoken, giving form to the earth, is not altogether lost sight of in this Mohammedan fancy.
249The Mohammedan Atlas, the angel chosen by God to carry the earth on his shoulders, stood on a rock of ruby. Beneath this ruby-rock were, in order, a massive bull, an enormous fish, a body of water, and finally darkness.[491] So, the grand vision of “the face of the deep” that the Spirit of God hovered over before the creative words were spoken, giving shape to the earth, isn't completely forgotten in this Mohammedan idea.
Luther was a firm believer in the existence of guardian angels, and he even goes so far as to assert that the angels assigned to men differed in rank and ability as did the men themselves. Of this he says:
Luther strongly believed in guardian angels, and he even claimed that the angels assigned to people varied in rank and ability, just like the people themselves. He says:
Just as among men, one is large and another small, and one is strong and another weak, so one angel is larger, stronger, and wiser than another. Therefore, a prince has a much larger and stronger angel, one who is also shrewder and wiser, than that of a count, and the angel of a count is larger and stronger than that of a common man. The higher the rank and the more important the vocation of a man, the larger and stronger is the angel who guards him and holds the Devil aloof.[492]
Just like people, some angels are bigger, stronger, and wiser than others. So, a prince has a much bigger and stronger angel, who’s also sharper and wiser, compared to a count, and the angel of a count is bigger and stronger than that of an ordinary person. The higher a person's rank and the more important their role, the bigger and stronger the angel that protects them and keeps the Devil away.[492]
Our idea of a guardian angel is so spiritual and so pure that it is difficult for us to understand the curious results this belief has occasionally produced among the primitive peoples. A weird tale is told of a Congo negro who killed his mother so as to gain an especially powerful guardian spirit.[493] The dreadful deed was perpetrated in the full conviction that the mother’s love would remain unshaken, while her power for good would be increased. Such ferocious egoism does not find an exact parallel among civilized peoples, but the underlying principle is unfortunately too often illustrated in our midst at the present day.
Our concept of a guardian angel is so spiritual and pure that it’s hard for us to grasp the strange outcomes this belief has sometimes led to among primitive cultures. There's a bizarre story about a man from the Congo who killed his mother to gain a particularly powerful guardian spirit.[493] He committed this horrifying act fully believing that his mother’s love would remain unchanged while her ability to do good would actually grow stronger. This brutal selfishness doesn’t have an exact equivalent in civilized societies, but the basic idea is unfortunately still too often seen around us today.
The belief in guardian angels has the best of Scripture warrant as offered by the text Matthew, chapter xviii, v. 10, 250where Christ speaking of little children says: “Their angels do always behold the face of my Father who is in Heaven.” Another New Testament passage testifying distinctly to the existence of this belief in the Apostolic Age, is in the Acts of the Apostles (xii, 15), where we read that after the miraculous rescue of Peter from his imprisonment, his friends could not believe the report that he had been seen standing at the door of their dwelling, and exclaimed: “It is his angel.”
The belief in guardian angels is well supported by Scripture, as shown in Matthew 18:10, where Christ speaks of little children and says, “Their angels always see the face of my Father who is in Heaven.” Another New Testament passage that clearly indicates this belief during the Apostolic Age is in the Acts of the Apostles (12:15), where we read that after Peter’s miraculous rescue from prison, his friends couldn’t believe that he was standing at their door and exclaimed, “It’s his angel.”
That not only individuals but nations also had special guardian angels was, as we have already noted, a belief held to a certain extent among the Jews after the Babylonian Captivity. To the trace of this in the tenth chapter of Daniel (vs. 13, 21), where Michael stands for Israel, may be added the evidence afforded by the Greek Septuagint version of Deuteronomy xxxii, 8, part of the “Song of Moses.” Here the Revised version based on our Hebrew text reads:
That not only individuals but also nations had special guardian angels was, as we've already mentioned, a belief held to some degree among the Jews after the Babylonian Captivity. In the tenth chapter of Daniel (vs. 13, 21), where Michael represents Israel, we can see a trace of this belief, along with evidence from the Greek Septuagint version of Deuteronomy xxxii, 8, which is part of the “Song of Moses.” Here, the Revised version based on our Hebrew text reads:
The Septuagint translators, however, must have had a slightly different text before them for they render the last words: “According to the number of God’s angels.” It therefore seems probable that they read in Hebrew benê Elohim instead of benê Yisrael. Of the benê Elohim or “Sons of God” we read in Genesis, chapter vi, verse 2, that they wedded with the “Daughters of Men.” This has been given a poetic form by Thomas Moore in his “Loves of the Angels.” The Book of Job also, in its Prologue in Heaven (i, 6–12), introduces the “Sons of God” among whom appeared Satan, the “Adversary.” Of angel names, as has been noted, there is Biblical warrant only for Gabriel, Michael, and Raphael, the last-mentioned, in the Apocryphal Book of Tobit; to these IV Esdras (not a canonical book) adds Jeremiel and Uriel, names not admitted by the Church.
The Septuagint translators must have had a slightly different text because they translated the last words as: “According to the number of God’s angels.” This suggests that they likely read in Hebrew benê Elohim instead of benê Yisrael. We read about the benê Elohim or “Sons of God” in Genesis, chapter vi, verse 2, where it says they married the “Daughters of Men.” Thomas Moore gave this a poetic interpretation in his “Loves of the Angels.” The Book of Job also mentions the “Sons of God” in its Prologue in Heaven (i, 6–12), where Satan, the “Adversary,” appears among them. As noted, there is only Biblical support for the names Gabriel, Michael, and Raphael, the last of which is found in the Apocryphal Book of Tobit; IV Esdras (not a canonical book) adds Jeremiel and Uriel, names not recognized by the Church.

THE ANGEL RAPHAEL REFUSING THE GIFTS OFFERED BY TOBIT
By Giovanni Biliverti. Pitti Palace, Florence.
THE ANGEL RAPHAEL REFUSING THE GIFTS OFFERED BY TOBIT
By Giovanni Biliverti. Pitti Palace, Florence.
251There has been preserved for us a most interesting calendar for the city of Rome, written by Furius Dionysius Filocalus in 354 A.D., and containing a series of drawings by his hand showing the symbolical figures of the months of the year. Though the original manuscript is lost, several apparently faithful copies exist, one of which is in the Imperial Library in Vienna. Much of this work deals with matters referring to the Roman calendar, but perhaps its most valuable part is a list of the early Christian saints and martyrs. As this is the earliest list of the kind, of even earlier date than the rest of the work, we give it here unabridged, as a most interesting documentary proof of the veneration in which the saints were held in the fourth, or, we should probably say, in the third century.
251 We have an intriguing calendar from the city of Rome, created by Furius Dionysius Filocalus in 354 CE. It features a series of drawings he made that illustrate the symbolic figures representing the months of the year. Although the original manuscript is lost, several apparently accurate copies exist, with one residing in the Imperial Library in Vienna. Much of this work focuses on aspects related to the Roman calendar, but perhaps its most significant section is a list of early Christian saints and martyrs. Since this is the earliest list of its kind, predating the rest of the work, we present it here in full as a fascinating historical document that shows the veneration for saints during the fourth, or more accurately, the third century.
ITEM DEPOSITIO MARTIRUM[494]
- VIII kal.
- Jan. natus Christum in Betleem Judeæ. mense Januario.
- XIII kal.
- Feb. Fabiani in Callisti et Sebastiani in Catacumbas.
- XII kal.
- Feb. Agnetis in Nomentana. mense Februario.
- VIII kal.
- Martias natale Petri de cathedra. mense Martio. non. Martias. Perpetuæ et Felicitatis, Africæ. mense Maio.
- XIIII kal.
- Jun. Partheni et Caloceri in Callisti, Diocletiano VIIII et Maximiano VIII [304]. mense Junio. 252
- III kal.
- Jul. Petri in Catacumbas et Pauli Ostense, Tusco et Basso cons. [258]. mense Julio.
- VI idus
- Felicis et Filippi in Priscillæ et in Jordanorum, Martialis Vitalis Alexandri et in Maximi Silani. hunc Silanum martirem Nouati furati sunt. et in Praetextatæ, Januari.
- III kal.
- Aug. Abdos et Semnes in Pontiani, quod est ad ursum piliatum. mense Augusto.
- VIII idus
- Aug. Xysti in Callisti et in Praetextati Agapiti et Felicissimi.
- VI idus
- Aug. Secundi Carpofori Victorini, et Seueriani Albano. et Ostense VII ballisteria Cyriaci Largi Crescentiani Memmiæ Julianetis et Ixmaracdi.
- IIII idus
- Aug. Laurenti in Tiburtina.
- idus
- Aug. Ypoliti in Tiburtina. et Pontiani in Callisti.
- XI kal.
- Septemb. Timotei, Ostense
- V kal.
- Sept. Hermetis in Basillæ Salaria uetere. mense Septembre.
- non.
- Sept. Aconti, in Porto, et Nonni et Herculani et Taurini.
- V idus
- Sept. Gorgoni in Lauicana.
- III idus
- Sept. Proti et Jacinti, in Basillæ.
- XVIII kal.
- Octob. Cypriani, Africæ. Romæ celebratur in Callisti.
- X kal.
- Octob. Basillæ, Salaria uetere, Diocletiano IX et Maximiano VIII consul. (304) mense Octobre.
- pri. idus
- Octob. Callisti in via Aurelia. miliario III. mense Nouembre.
- V idus
- Nou. Clementis Semproniani Claui Nicostrati in comitatum.
- III kal.
- Dec. Saturnini in Trasonis. mense Decembre.
- idus
- Decem. Ariston in pontum.
This list, which begins with the great Christian festival of Christmas, enumerates the days on which Roman martyrs 253died and were buried. The months are given in their order and below their names appears a very brief record, giving the day and place of burial and the name of each of the martyrs. The first entry, for instance, reads: “January 20, interment of Fabianus in the cemetery of Callistus.” The earliest martyrs mentioned are SS. Perpetua and Felicitas who died in 202 A.D.; thus all definite memory of the many martyrs of the first and second centuries seems to have been lost. Even heretics do not appear to have been excluded, for as it is stated that the Novatians carried away the body of Silanus, it seems more than probable that he himself belonged to this heretical sect. As martyrs, all are regarded as equally entitled to the highest veneration, regardless of what they may have passed through on earth. Other communities than the Roman one possessed similar lists, as is clearly indicated by the words of Cyprian, in his thirty-ninth epistle, where he says: “As you remember, we offered the sacrifice for them, just as we celebrated a commemoration of the sufferings of the martyrs and of their anniversary days.”
This list, starting with the important Christian holiday of Christmas, outlines the days on which Roman martyrs died and were buried. The months are listed in order, and below their names is a short record that notes the day and place of burial along with the name of each martyr. For example, the first entry states: “January 20, burial of Fabianus in the cemetery of Callistus.” The earliest martyrs mentioned are SS. Perpetua and Felicitas, who died in 202 CE; so it seems that all specific memory of many martyrs from the first and second centuries has been lost. Even heretics don’t appear to have been excluded, as it is noted that the Novatians took the body of Silanus, suggesting he was likely part of this heretical group. As martyrs, they are all seen as equally deserving of the highest respect, regardless of their earthly experiences. Other communities besides the Roman one had similar lists, as indicated by Cyprian in his thirty-ninth letter, where he states: “As you remember, we offered the sacrifice for them, just as we celebrated a commemoration of the sufferings of the martyrs and their anniversary days.”
To many of the saints curative powers are attributed, and these powers are usually specialized so that each of these saints is invoked for aid against a different disease or defect. With very few exceptions it will be found that some circumstance in the history or legend of the saint is the origin of these beliefs. An exception may perhaps be made in the case of the two saints to whom recourse is most frequent at the present day, namely, St. Anthony of Padua (June 13) and St. Anne, the mother of the Virgin Mary (July 26). Relics of the latter saint, preserved in many parts of Europe and also in America, are regarded as endowed with wonderful therapeutic powers. Recently, in New York City, at the church of St. Jean Baptiste, a relic of St. Anne was shown to many thousands of the faithful, and 254some wonderful cures are said to have been accomplished by its aid. Sceptics will be inclined to attribute such cures to the influence of suggestion, while Catholics will see in them a proof of the power of the saint’s intercession on behalf of those who repose their trust in her. St. Anthony is usually appealed to for success in difficult enterprises, and more particularly for the discovery of lost articles. Here the belief in the successful intervention of the respective saints is more generalized and appears to have grown up independently of any event chronicled in the legends, but these instances are quite exceptional.
Many saints are believed to have healing powers, each one typically called upon for help with a specific illness or issue. With very few exceptions, these beliefs trace back to some aspect of the saint's history or legend. A notable exception might be the two saints most commonly sought for help today: St. Anthony of Padua (June 13) and St. Anne, the mother of the Virgin Mary (July 26). Relics of St. Anne, found in various locations in Europe and America, are thought to possess remarkable healing abilities. Recently, at the St. Jean Baptiste church in New York City, a relic of St. Anne was displayed to thousands of believers, and it's reported that some amazing cures occurred through its influence. Skeptics may attribute these healings to the power of suggestion, while Catholics view them as evidence of the saint's intercession for those who trust in her. St. Anthony is often called upon for success in challenging endeavors, especially for finding lost items. In these cases, the belief in the saints' effective help seems to have developed somewhat independently of the events described in the legends, but such instances are quite rare.
An exceedingly beautiful jewelled medallion said to have been given by Pope Paul V, in 1614, to the Archbishop of Lisbon, Don Miguel de Castro, shows in the centre the figures of the Virgin and Child, surrounded by a setting of old Indian, table-cut diamonds. The archbishop donated this to the Church of St. Antonia da Se, sometimes called the “Royal House of St. Antonio,” for this church was built on the site of the house in which dwelt the parents of St. Anthony, Don Martin de Bulhoes and Dona Teresa de Azavedo, and in which the saint was born on February 6, 1195. At his baptism he was given the name Fernando, but later he changed this to Antonio. The great Lisbon earthquake of 1755 completely wrecked this church, but the high altar wherein the medallion had been placed escaped comparatively unharmed, and the jewel was found by some peasants, who later sold it to the family of Machados e Silvas, in whose private chapel it reposed until within a few years.
An incredibly beautiful jeweled medallion, believed to have been given by Pope Paul V in 1614 to the Archbishop of Lisbon, Don Miguel de Castro, features the figures of the Virgin and Child at its center, surrounded by a setting of old Indian, table-cut diamonds. The archbishop donated this to the Church of St. Antonia da Se, often referred to as the “Royal House of St. Antonio,” since this church was built on the site of the home of St. Anthony's parents, Don Martin de Bulhoes and Dona Teresa de Azavedo, where the saint was born on February 6, 1195. He was baptized with the name Fernando but later changed it to Antonio. The catastrophic Lisbon earthquake of 1755 completely destroyed this church, but the high altar where the medallion had been placed survived relatively intact, and the jewel was discovered by some peasants, who later sold it to the Machados e Silvas family, where it remained in their private chapel until just a few years ago.
The shrine of St. Anne de Beaupré may be seen in the Basilica of Beaupré, about 20 miles distant from Quebec. It stands on the site of a small wooden sanctuary erected about the middle of the seventeenth century by some Breton mariners who, when in imminent danger of shipwreck while navigating the St. Lawrence, made a vow to build a chapel to 255St. Anne, the dearly-loved patron saint of their native province, at the spot where they should first come to land. St. Anne was regarded in French Canada as the patroness of seafarers and hence a large number of those who frequented her shrine were seafaring people. However, even more were attracted by the report of the marvellous cures of all kinds of diseases which were said to have taken place there. Pilgrimages to this shrine continue to be made at the present time; indeed, the number of those who thus testify to their belief in the power of the saint has increased rapidly during the past thirty years. In 1880 the pilgrims numbered 36,000; in 1900 the record showed 135,000, and in 1910 the number had increased to 188,266, a proof that the devotees are more and more convinced that St. Anne’s relics are the sources of great healing virtue.
The shrine of St. Anne de Beaupré can be found in the Basilica of Beaupré, about 20 miles from Quebec. It is built on the site of a small wooden sanctuary set up in the mid-17th century by Breton sailors who, when facing the threat of shipwreck while navigating the St. Lawrence, promised to build a chapel to St. Anne, the beloved patron saint of their home province, at the place where they first landed. In French Canada, St. Anne is considered the patroness of sailors, so many of the visitors to her shrine were seafarers. However, even more were drawn in by reports of miraculous cures for all sorts of illnesses that supposedly occurred there. Pilgrimages to this shrine are still happening today; in fact, the number of people expressing their faith in the saint's power has surged over the last thirty years. In 1880, there were 36,000 pilgrims; by 1900, that number had risen to 135,000, and in 1910, it reached 188,266, showing that devotees are increasingly convinced that St. Anne’s relics have incredible healing qualities.
All of the numerous relics of St. Anne exhibited in Canada and elsewhere are said to have come originally from the town of Apt in France, where, according to Catholic tradition, her body was found by the Emperor Charlemagne in 792, and it is related that when the reliquary covering the holy body was opened a fragrance as of balsam emanated from the interior. How the body was transferred to Apt from its resting place in Palestine is a mystery not solved even in tradition, although some believe that it was brought thither by St. Auspicius, known as the Apostle of Apt. The Basilica of Beaupré contains five of these precious relics; one of them was brought to Canada from the Cathedral of Carcasonne, in France, about the year 1662, at the instance of Monseigneur de Laval, first bishop of Quebec, and founder of Laval University. This is the first joint of the middle finger of the saint. The devotees at the shrine first saw this precious gift March 12, 1670; it is adorned with two intersecting rows of pearls, forming a cross. Another relic of peculiar importance is that given in 1892 by the 256late Cardinal Taschereau. This is a bone from St. Anne’s wrist measuring four inches in length. It is enclosed in a reliquary made of massive gold and studded with precious stones, the gifts of those whose prayers to the saint had been answered. In the ornamentation appear eight diamonds, four amethysts, a fire opal, etc. At the bottom of the reliquary there is a gold plate with the inscription: “Ex brachio S. Annae,” and a gold ring set with twenty-eight diamonds. This jealously-guarded treasure is exhibited in the shrine but once a year, from July 26 to August 2, a period comprising St. Anne’s Day and the week following it; at other times the reliquary is kept in the Sacristy, but may be seen on special request.
All of the many relics of St. Anne displayed in Canada and elsewhere are said to have originally come from the town of Apt in France. According to Catholic tradition, Emperor Charlemagne discovered her body there in 792, and it’s said that when the reliquary covering her holy body was opened, a fragrance like balsam wafted out. How the body made its way to Apt from its resting place in Palestine remains a mystery, even in tradition, though some believe it was brought there by St. Auspicius, known as the Apostle of Apt. The Basilica of Beaupré holds five of these precious relics; one of them was brought to Canada from the Cathedral of Carcassonne, in France, around 1662, at the request of Monseigneur de Laval, the first bishop of Quebec and founder of Laval University. This relic is the first joint of the middle finger of the saint. The worshippers at the shrine first saw this precious gift on March 12, 1670; it is adorned with two intersecting rows of pearls that form a cross. Another relic of significant importance is the one given in 1892 by the late Cardinal Taschereau. This is a bone from St. Anne’s wrist, measuring four inches long. It is housed in a reliquary made of solid gold and set with precious stones, gifts from those whose prayers to the saint have been answered. The ornamentation includes eight diamonds, four amethysts, a fire opal, and more. At the bottom of the reliquary, there is a gold plate with the inscription: “Ex brachio S. Annae,” and a gold ring set with twenty-eight diamonds. This cherished treasure is displayed in the shrine only once a year, from July 26 to August 2, the time including St. Anne’s Day and the following week; at other times, the reliquary is kept in the Sacristy but can be viewed upon special request.
A remarkable jewel in the treasury of the Basilica is the seal of Santa Anna, elected president of Mexico in 1832. A golden eagle, with eyes formed of two rubies, stands on a rock of lapis lazuli and bears the stamp of the seal; resting on his spread wings is a sphere of lapis lazuli in which the words “Diaz, Mexico,” are inlaid in letters of gold. The seal is engraved with the initials of the president’s name, surrounded by a design embodying the insignia of his office.
A remarkable jewel in the treasury of the Basilica is the seal of Santa Anna, who was elected president of Mexico in 1832. A golden eagle, with eyes made of two rubies, stands on a rock of lapis lazuli and carries the stamp of the seal; resting on its spread wings is a sphere of lapis lazuli that has the words “Diaz, Mexico,” inlaid in gold letters. The seal is engraved with the president’s initials, surrounded by a design that reflects the insignia of his office.
At the feast of St. Blaise, Bishop of Sebaste, in Armenia (d. circa 316), which occurs on February 3d in the Roman Church, the wick of a candle is sometimes dipped in a vessel containing consecrated oil, the throats of the faithful being then touched with this wick, to preserve them from diseases of the throat. At other times the ceremony is performed in a different way. The priest holds two candles, adjusted so as to form a cross, above the heads of those who come to seek the saint’s aid, and the following prayer is recited: “Through the intercession of St. Blaise may God free thee from diseases of the throat, and from every other disease. (Per intercessionem S. Blasii liberet te Deus a malo gutteris et a quovis alio malo.)”
At the feast of St. Blaise, Bishop of Sebaste in Armenia (d. around 316), which is celebrated on February 3rd in the Roman Church, the wick of a candle is sometimes dipped into a container of blessed oil. The priest then touches the throats of the faithful with this wick to protect them from throat diseases. At other times, the ceremony is done differently. The priest holds two candles crossed above the heads of those seeking the saint's help, and the following prayer is said: “Through the intercession of St. Blaise, may God free you from throat diseases and from any other sickness. (Through the intercession of St. Blaise, may God deliver you from the evil of throat ailments and from any other harm.)”
257It is related that this saint in his travels, once meeting a poor woman whose only child had swallowed a fish-bone, relieved the child of its trouble by offering up a prayer and laying his hand upon its throat. In the prayer he adjures all who may suffer from a like trouble to seek his intercession with God.
257It's said that during his travels, this saint once met a poor woman whose only child had swallowed a fish bone. He helped the child by praying and placing his hand on its throat. In his prayer, he calls on anyone who might experience a similar issue to ask for his help with God.
St. Apollonia of Alexandria (February 9) is said to cure toothache and all diseases of the teeth, the reason for this being that at her martyrdom all her beautiful teeth were pulled out. In a similar way St. Agatha, of Catania or Palermo, in Sicily, is endowed with the power to cure diseases of the breast, because it is related that before her martyrdom her breasts were cruelly torn and mutilated.
St. Apollonia of Alexandria (February 9) is believed to be able to cure toothaches and all dental diseases, as it’s said that during her martyrdom, all her beautiful teeth were removed. Similarly, St. Agatha, from Catania or Palermo in Sicily, is known for her ability to heal breast ailments because it is reported that before her martyrdom, her breasts were savagely torn and mutilated.
To recite the formula of St. Apollonia was considered by the Spaniards of three centuries ago to be a cure for toothache. This fact is brought out by a passage in Don Quixote, when the knight’s housekeeper is urged to recite it for her master’s benefit when he is ailing. To this request the woman quickly answers: “That might do something if my master’s distemper lay in his teeth, but, alas! it lies in his brain.” This formula was probably used before the age of Cervantes, and has persisted to our own time. It is in verse and has been literally translated into English as follows:[495]
To recite the formula of St. Apollonia was thought by the Spaniards three centuries ago to be a remedy for toothaches. This is highlighted in a passage from Don Quixote, where the knight’s housekeeper is encouraged to say it for her master’s benefit while he is unwell. In response, the woman quickly replies: “That might help if my master’s illness were about his teeth, but unfortunately, it’s in his head.” This formula was probably used even before Cervantes’ time and has continued to this day. It is in verse and has been literally translated into English as follows:[495]
Apollonia was at the gate of Heaven and the Virgin Mary passed that way. “Say, Apollonia, what are you about?” “My Lady, I neither sleep nor watch, I am dying with a pain in my teeth.” “By the star of Venus and the setting sun, by the Most Holy Sacrament, which I bore in my womb, may no pain in your tooth, neither front nor back, afflict you from this time henceforward.”
Apollonia was at the gate of Heaven when the Virgin Mary walked by. “Hey, Apollonia, what’s going on?” “My Lady, I’m neither resting nor keeping watch; I’m suffering from a terrible toothache.” “By the star of Venus and the setting sun, and by the Most Holy Sacrament that I carried in my womb, may no tooth pain—front or back—ever trouble you from now on.”
Of Santa Lucia (December 13), born in Syracuse on the island of Sicily, a strange legend is told. A young man fell 258passionately in love with her, and wrote to her that her wonderful eyes pursued him even in his dreams. Moved by the Scripture text, “If thine eye offend thee, pluck it out,” and longing to save the youth from sensual passion, Lucia cut out her beautiful eyes, placed them on a dish, and sent them to her lover with the following message: “Here thou hast what thou so ardently desirest; I beseech thee leave me in peace.” Very naturally, this saint is believed to cure all diseases of the eye.
Of Santa Lucia (December 13), who was born in Syracuse on the island of Sicily, a strange legend is told. A young man fell passionately in love with her and wrote to her that her beautiful eyes haunted him even in his dreams. Moved by the Scripture text, “If your eye causes you to stumble, gouge it out,” and wanting to save the young man from his lust, Lucia cut out her beautiful eyes, placed them on a plate, and sent them to her lover with the following message: “Here you have what you desire; please leave me in peace.” Naturally, this saint is believed to heal all eye-related ailments.
For protection against highway robbers and thieves, St. Nicholas (December 6), Bishop of Myra, in Lycia, was invoked. Legend relates of this saint that he restored to life three boys who had been murdered at an inn by the wicked innkeeper, a wretch who was in the habit of making away with his guests and then utilizing their bodies to enrich his menu. This tale accounts for the fact that, under the familiar name of Santa Claus, St. Nicholas is the patron saint of children.
For protection against highway robbers and thieves, St. Nicholas (December 6), Bishop of Myra in Lycia, was called upon. According to legend, this saint brought back to life three boys who had been killed by a wicked innkeeper, a scoundrel who would often dispose of his guests and then use their bodies to enhance his menu. This story explains why, under the well-known name of Santa Claus, St. Nicholas is the patron saint of children.
St. Barbara (December 4), born in Heliopolis, is appealed to for protection against lightning and injury by firearms. For this reason the gun-room on a ship is called in French the sainte-barbe. The legend, as usual, gives us the origin of the belief in the saint’s special powers, for her heathen father is said to have been killed by a stroke of lightning, because of his having denounced his daughter, as a Christian, to the Roman authorities, and then executed judgment upon her with his own hands. Of St. Barbara the legend says: “She was a fair fruit from an evil tree.”[496]
St. Barbara (December 4), who was born in Heliopolis, is invoked for protection against lightning and gunfire injuries. Because of this, the gun room on a ship is referred to in French as sainte-barbara. The legend, as usual, explains the origin of the belief in the saint’s special powers; it says her pagan father was struck down by lightning after he denounced his daughter as a Christian to the Roman authorities and then executed her himself. The legend describes St. Barbara as: “She was a fair fruit from an evil tree.”[496]
Beneath portraits or images of St. Christopher (July 25) there often appears a Latin verse to the effect that whoever gazes on the image will not suffer from faintness or exhaustion on that day. As the saint is said to have been of great size and strength, the worshipper at his shrine was believed to acquire some of his physical power.
Beneath portraits or images of St. Christopher (July 25), there often appears a Latin verse stating that anyone who looks at the image won't experience faintness or exhaustion on that day. Since the saint is said to have been very large and strong, it was believed that worshippers at his shrine would gain some of his physical power.

SANTA BARBARA
French school, 1520. Leaf of a triptych in the Museum of Budapest.
SANTA BARBARA
French school, 1520. Leaf of a triptych in the Museum of Budapest.
259The cure of diseases of the tongue was the province of St. Catherine of Alexandria (November 25), who was famed for her eloquence as well as for her devotion to the study of the Scriptures.
259The healing of tongue-related illnesses was the area of expertise for St. Catherine of Alexandria (November 25), who was well-known for her eloquence and her dedication to studying the Scriptures.
St. Roch, who was born in Montpelier toward the end of the thirteenth century (d. August 16, 1327), is regarded as the special guardian of those afflicted with plague or pestilence. In his lifetime he went from place to place ministering to those who suffered from the plague until finally he himself succumbed to this malady. So great was the repute of St. Roch’s curative powers that the Venetians are said to have stolen his body from Montpelier, where it was interred, and transported it to Venice, that they might have ever-present help in the numerous pestilences from which this city suffered, because of the constant commercial intercourse with the East.
St. Roch, who was born in Montpelier towards the end of the thirteenth century (d. August 16, 1327), is seen as the special protector of those suffering from plague or disease. During his life, he traveled from place to place helping those affected by the plague until he ultimately fell victim to it himself. St. Roch's healing abilities were so well-known that the people of Venice are said to have taken his body from Montpelier, where he was buried, and moved it to Venice, so they could have constant support during the many outbreaks this city faced due to its ongoing trade with the East.
Another saint who was invoked for help in plague and pestilence was St. Sebastian (January 20), born in Narbonne in Gaul. In this case the story of the saint’s martyrdom gave rise to the belief in his curative powers, for the legend tells us that he was transfixed with arrows, and these missiles were regarded as symbols of the plague. We have an illustration of this old belief in the first book of Homer’s Iliad, where the pestilence that visited the army of the Greeks is represented as due to the shafts sped from Apollo’s silver bow.
Another saint who was called upon for help during plagues and epidemics was St. Sebastian (January 20), who was born in Narbonne in Gaul. In this case, the story of the saint’s martyrdom led to the belief in his healing powers, as the legend tells us that he was shot with arrows, which were seen as symbols of the plague. We see an example of this old belief in the first book of Homer’s Iliad, where the sickness that struck the Greek army is attributed to the arrows fired from Apollo’s silver bow.
Although no curative powers are attributed to them, no one of English speech should forget SS. Crispin and Crispian, on whose day the battle of Agincourt was fought, in 1415. The old feud between France and England has been long forgotten, the rivalry between these nations has given place to a close friendship, and there is no trace of animosity 260in the glow that warms an Englishman’s heart when he reads the ringing words put by Shakespeare into the mouth of Henry V:
Although no healing powers are associated with them, no English speaker should forget SS. Crispin and Crispian, on whose day the battle of Agincourt was fought in 1415. The old feud between France and England is long forgotten; the rivalry between these nations has turned into a close friendship, and there’s no trace of animosity in the warmth that fills an Englishman’s heart when he reads the stirring words that Shakespeare put in the mouth of Henry V:
It is related by Metaphrastus that when St. George was condemned to death by burning, his executioners (fearing that the flames of the pyre might be extinguished because of his virtue) covered his body with a garment of amiantos (asbestos); for it was believed that when this material began to burn the flame could not be extinguished. But all precautions were vain, for as soon as the saint was placed in the flames the fire went out, contrary to the laws of nature, and not a hair of his head was injured. This tale illustrates a curious but not unnatural misunderstanding of the name asbestos, which really signifies inextinguishable, but was intended to mean that the substance would not burn, and hence that no flame could be extinguished in it.[497]
It’s said by Metaphrastus that when St. George was sentenced to be burned alive, his executioners, fearing that the flames of the pyre might go out due to his virtue, covered his body with a garment made of amiantos (asbestos); it was believed that once this material started burning, the flames couldn’t be put out. However, all their precautions were for nothing, because as soon as the saint was placed in the flames, the fire went out, defying the laws of nature, and not a single hair on his head was harmed. This story highlights a strange but not entirely unnatural misunderstanding of the term asbestos, which actually means inextinguishable, but was thought to mean that the material wouldn’t burn, and therefore no flames could be extinguished in it.[497]
In an unpublished manuscript written by Aubrey are quoted the following curious lines on the legend of St. George and the Dragon:[498]
In an unpublished manuscript written by Aubrey, the following interesting lines about the legend of St. George and the Dragon are quoted:[498]
The St. George thalers, coined by the counts of Mansfeld (Thüringen), enjoyed in bygone times a reputation as amulets for soldiers. This belief is said to have originated from the actual preservation of a soldier’s life by one of these coins, which he had sewed up in the lining of his coat just 261over his heart for safe-keeping. A bullet which struck him here and would otherwise have killed him, was diverted by coming in contact with the thaler. Hungarian St. George thalers were regarded as amulets for sailors as well as soldiers. These coins derived their name from bearing the design of St. George and the Dragon.
The St. George thalers, minted by the counts of Mansfeld (Thüringen), were once thought of as lucky charms for soldiers. This belief is said to have come from a story where one of these coins saved a soldier's life. He had sewn it into the lining of his coat, right over his heart for protection. A bullet hit him there, but instead of killing him, it was deflected by the thaler. Hungarian St. George thalers were also seen as protective charms for sailors as well as soldiers. These coins got their name because they feature the design of St. George and the Dragon.
Among the wonder-working saints none enjoyed greater repute in medieval times than Sainte Foy, the virgin martyr whose remains were taken from Agen to the abbey-church at Conques, a village on the hills of Aveyron. Pilgrims came from far and near to the shrine of Sainte Foy, for she worked marvellous cures upon those who appealed to her for help, even giving sight to the blind. Her grace appears to have been bestowed upon animals as well as upon human beings, a fantastic legend relating that she had raised donkeys from the grave! Naturally the pilgrims must bring rich gifts, as otherwise the saint might turn a deaf ear to their prayers.
Among the miraculous saints, none was more renowned in medieval times than Sainte Foy, the virgin martyr whose remains were moved from Agen to the abbey church in Conques, a village in the Aveyron hills. Pilgrims traveled from near and far to visit the shrine of Sainte Foy, as she performed amazing healings for those who sought her help, even restoring sight to the blind. Her powers seemed to extend to animals as well as humans, with a wild legend claiming she brought donkeys back from the dead! Naturally, pilgrims had to bring valuable offerings, or else the saint might ignore their prayers.
Many of these treasures may still be seen in this out-of-the-way church, wherein no one would suspect the existence of the rich specimens of early goldsmiths’ work that are carefully preserved in the treasury. The most interesting of these treasures is a statuette supposed to represent the saint. This is a seated figure, about 33 inches high and encrusted with an immense number of precious stones, uncut emeralds, sapphires and amethysts, as well as with many cameos and pearls; all these having been offered at various times to the saint.
Many of these treasures can still be seen in this remote church, where no one would expect to find the impressive examples of early goldsmiths' work that are carefully kept in the treasury. The most fascinating of these treasures is a statuette believed to represent the saint. This is a seated figure, about 33 inches tall and adorned with a vast number of precious stones, including uncut emeralds, sapphires, and amethysts, as well as many cameos and pearls; all of these have been offered to the saint at different times.
The figure—probably the representation of some ecclesiastic—is seated on an elaborate chair, originally surmounted by two golden doves. The saint is said to have appeared in a vision to the Bishop of Beaulieu and expressly directed this adornment; these doves have disappeared and have been replaced by crystal balls. The execution of the statuette—constructed 262of wood covered with gold plates—is stiff and conventional, but it is not unimpressive and gives evidence of considerable skill on the part of the artist. Nevertheless, it certainly has nothing of the youthful grace we would associate with a virgin martyr.[499]
The figure—likely a depiction of some religious figure—sits on an ornate chair, originally topped with two golden doves. It's said that the saint appeared in a vision to the Bishop of Beaulieu and specifically requested this decoration; those doves have now vanished and been replaced by crystal balls. The craftsmanship of the statuette—made of wood covered with gold plates—is rigid and traditional, but it still holds a certain impact and showcases considerable skill from the artist. However, it definitely lacks the youthful grace we would expect from a virgin martyr.262 [499]
The offering of precious stones to attract the favor of gods or saints is really a talismanic use of such gems and is intimately connected with the wearing of gems for their talismanic or therapeutic effect. The gift established a sort of relation between the being whose help was desired and the petitioner, and the gem was the medium through which the favor was bestowed.
The practice of giving precious stones to gain the favor of gods or saints is essentially a way of using these gems as talismans and is closely linked to wearing gems for their magical or healing properties. The gift created a kind of connection between the entity being called upon for help and the person praying, with the gem serving as the channel for that favor.
The legend of the royal princess who was canonized by the Church as St. Enimie (d. 628 or 630 A.D.) contains an account of a miraculous spring and also enshrines the popular view of the cause of the strange outlines of an extensive mass of heaped-up boulders. This saint was a daughter of the French king Clotaire II (d. 628). Her most ardent wish was to devote herself exclusively to the service of Christ, but her royal parent insisted upon a marriage with one of the great nobles. The princess, who was the fairest of the fair, put up an earnest prayer that the Lord would destroy her beauty, even at the expense of some dreadful malady, so that she might cease to be an object of desire for men. Her prayer was heard and she was stricken with leprosy which entirely blotted out her charms. Not long after this an angel appeared to her in a dream and directed her to bathe in the Fountain of Boule, in the region of Gévaudan. On doing so she was immediately cured of her leprosy, but as soon as she went away from the spring to return to the royal residence, the malady returned. A second attempt had the same favorable and unfavorable results, and she 263now recognized that she must remain near the spring. So after bathing there a third time and being again completely cured, she erected a monastery on the spot and became the prioress. The institution flourished, but a few years later the saintly prioress was horrified to see that the Devil was busy with her nuns. Once more she sought for divine aid, and she was given authority to imprison the Evil One should she catch him in the monastery. This she did, but the Devil was crafty enough to make his escape. Near the spot where the monastery stood was a mass of heaped-up boulders, through which led a way called the Chasm Road which led to a rocky aperture of unknown depth. This was fabled to afford egress and ingress to the Devil in his passage out of and back to the infernal regions. Along this road he fled when he escaped from the monastery; St. Enimie fearlessly pursued, but the agile demon was on the point of slipping back again into his own realm, when the saint made a supreme appeal and called upon the rocks to help her. As she raised her arms in supplication, one of the largest boulders, called “La Sourde,” moved of its own accord and fell upon the Devil, pinning him fast to the ground beneath its ponderous weight. In his rage and despair he made frantic efforts to free himself and his bloody claws left an imprint on the rock. This mark, still observable a half-century ago, though it has now disappeared, was prosaically explained by scientists as a stain of iron-oxide. The other boulders were in motion to assist in the good work, but when the Devil had been caught they stopped short in their downward course, and this is supposed to account for the strange angles at which they stand.[500] It would be pleasant to fancy that His Satanic Majesty eventually failed 264to make his escape, but unfortunately the ever-recurring instances of his activity from the age of St. Enimie down to our own time preclude this belief.
The story of the royal princess who was canonized by the Church as St. Enimie (d. 628 or 630 C.E.) includes a tale about a miraculous spring and reflects the common belief about the unusual shapes of a large pile of boulders. This saint was the daughter of French King Clotaire II (d. 628). Her greatest desire was to dedicate herself to serving Christ, but her royal father insisted she marry one of the noble families. The beautiful princess earnestly prayed for the Lord to take away her beauty, even if it meant suffering from a horrible illness, so that she wouldn’t be desired by men. Her prayer was answered, and she was afflicted with leprosy, which completely erased her looks. Shortly after, an angel appeared to her in a dream and instructed her to bathe in the Fountain of Boule, located in the region of Gévaudan. When she did, she was instantly cured of her leprosy, but as soon as she left the spring to go back to the royal residence, the illness returned. A second try had the same result, both good and bad, and she realized she had to stay near the spring. After bathing there a third time and being fully healed again, she built a monastery at the site and became the prioress. The institution thrived, but a few years later, the saintly prioress was horrified to see the Devil was troubling her nuns. Once again, she sought divine help and was granted permission to imprison the Evil One if she caught him in the monastery. She did so, but the Devil was clever enough to escape. Close to where the monastery was located was a mound of boulders, with a path known as the Chasm Road that led to a rocky opening of unknown depth. It was said that this path allowed the Devil to come and go between his realm and the mortal world. He fled down this road when he escaped the monastery; St. Enimie bravely followed, but the nimble demon was almost back in his own domain when the saint made a desperate plea and called for the rocks to assist her. As she raised her arms in prayer, one of the largest boulders, named “La Sourde,” moved by itself and fell on the Devil, pinning him to the ground with its heavy weight. In his anger and desperation, he tried wildly to break free, leaving bloody marks on the rock. This mark, which was still visible half a century ago, has since vanished, but scientists explained it as a stain from iron-oxide. The other boulders also shifted to help, but when the Devil was caught, they froze in their downward movement, which is thought to explain the strange angles at which they stand.[500] It’s nice to imagine that His Satanic Majesty ultimately failed to escape, but sadly, the countless occurrences of his activities from St. Enimie’s time to now suggest otherwise.
An heirloom in the family of Dom Pedro of Brazil is said to have been loaned to one of the pioneer aviators, Santos-Dumont, by Dom Pedro’s daughter, the Comtesse d’Eu. This was a medal of St. Benedict and had been long regarded as a powerful talisman in the Braganza family. One of its princely members had a striking proof of this virtue in 1705, when, after having worn the medal but two weeks, he was saved from deadly peril by the timely discovery and consequent defeat of a plot. Santos-Dumont had just experienced a terrible fall while experimenting with his new airship in the Rothschild park near Paris, and this it was that induced the Comtesse d’Eu to loan him the talismanic medal, with the injunction that he should always wear it on his person, and the assurance that if he did so no further harm could befall him. The talisman seemed to do its work well, for although the aviator had many narrow escapes, he was always saved from serious injury. Unfortunately, however, a thief picked it from the pocket of his coat while he was busily engaged in work on an airship in a Paris machine-shop.[501]
An heirloom in the family of Dom Pedro of Brazil is said to have been loaned to one of the early aviators, Santos-Dumont, by Dom Pedro’s daughter, the Comtesse d’Eu. This was a medal of St. Benedict and had long been seen as a powerful talisman in the Braganza family. One of its royal members had a striking example of this power in 1705 when, after wearing the medal for just two weeks, he was saved from deadly danger due to the timely discovery and defeat of a plot. Santos-Dumont had just endured a terrible fall while testing his new airship in the Rothschild park near Paris, and this prompted the Comtesse d’Eu to loan him the talismanic medal, with the condition that he always wear it and the assurance that if he did, no further harm would come to him. The talisman seemed to work effectively, for although the aviator faced many close calls, he was always saved from serious injury. Unfortunately, a thief stole it from the pocket of his coat while he was focused on working on an airship in a Paris machine shop.[501]
While it was customary to close the shops of the goldsmiths on Sundays and feast-days, a special exception permitted the “Confrérie de St. Eloi,” the goldsmiths’ guild, to open a single shop (not always the same one) on each Sunday and feast-day, the profits of the sales being devoted to providing a dinner on Easter Day for the poor of the Hôtel Dieu.[502] This combination of commercialism and philanthropy has illustrations in our own day, and, whatever 265may be the ulterior motives, some good results are certainly attained.
While it was common practice to close goldsmith shops on Sundays and holidays, a special exception allowed the “Confrérie de St. Eloi,” the goldsmiths' guild, to open one shop (not always the same one) on each Sunday and holiday. The profits from these sales went towards providing a dinner on Easter Day for the poor at the Hôtel Dieu.[502] This mix of business and charity is seen in today's world, and regardless of the underlying motives, some positive outcomes definitely arise.
The Well of St. Cuthbert, near Cranstock, Newquay, England, long enjoyed the repute of miraculously curing the ailments of infants. Not only were curative powers attributed to the waters of the well, but also to a perforated stone alongside of it. As recently as 1868 a puny infant is said to have been passed through the orifice of this stone with the firm expectation that this act would strengthen the infant and bring good luck to it.[503]
The Well of St. Cuthbert, near Cranstock, Newquay, England, had a long-standing reputation for miraculously healing the ailments of infants. People believed that the waters of the well had curative powers, as did a perforated stone next to it. As recently as 1868, a weak infant was said to have been passed through the hole in this stone with the strong belief that it would strengthen the baby and bring it good luck.[503]
In the region of the Abruzzi, in Italy, more especially in the province of Teramo, wonderful virtues are attributed to the intercession of St. Donato. So great is thought to be his power to cure those afflicted with epilepsy that in this region the disease is called the malady of St. Donato. This saint, however, is credited with much more extensive powers, for he is believed to cure hydrophobia, to prevent the ill effects of the Evil Eye, and in general to bring to naught the enchantments of witches. Such being his powers, it is not surprising that his image was added to many amulets, those figuring the lunar crescent being frequently surmounted with the bust of the saint. This type of amulet owes its supposed efficacy to the horn-like shape of the crescent, horns or substances having a likeness to a horn, like certain branches of coral, being regarded as a sure protection against the Evil Eye. A curious amulet bears the bust of St. Donato surmounting a crescent moon within which is the dreaded number thirteen. This fateful number is considered to be a source of misfortune for those who do not wear it inscribed on an amulet; but it becomes a source of good fortune and a happy life for those who possess such an amulet.[504]
In the Abruzzi region of Italy, particularly in the province of Teramo, people believe that St. Donato has amazing healing powers. His ability to cure epilepsy is so well-known that the disease is often referred to as the malady of St. Donato. However, this saint is thought to have even broader abilities, including curing rabies, protecting against the negative effects of the Evil Eye, and generally neutralizing witchcraft. Given these powers, it's no surprise that his image appears on many amulets, especially those shaped like a crescent moon topped with his bust. These amulets are believed to be effective because the crescent's horn-like shape and items resembling horns, like certain types of coral, are seen as protective against the Evil Eye. One interesting amulet features St. Donato's bust on top of a crescent moon, which contains the ominous number thirteen. This number is considered unlucky for those who don't have it on an amulet; however, it brings good fortune and a happy life for those who do.[504]
266A notable instance of the use of a saint’s name to facilitate the perpetration of a crime is afforded in the case of the poison known as Aqua Tofana. This appears to have been a preparation of arsenic and was concocted by a woman named Tofana, a native of Palermo, in Sicily, who eventually took up her abode in Naples and devoted herself to the preparation and sale of her poison in Naples, Rome and elsewhere. To divert suspicion she used vials marked “Manna of St. Nicholas of Bari,” and bearing the image of this saint. Most of her clients are said to have been women who were anxious to rid themselves of their husbands, and she must have had a large practice in this specialty, for so many husbands died in Rome in a mysterious manner that in 1659 the authorities finally took cognizance of the matter and instituted a searching investigation. This revealed the fact that there existed in Rome a secret society entirely composed of women who wished to “remove” their husbands by poison. The leader of this society and many of the members were duly executed, but Tofana does not seem to have been molested.
266A striking example of using a saint's name to commit a crime is the poison known as Aqua Tofana. This was likely a mixture of arsenic created by a woman named Tofana, originally from Palermo in Sicily, who later moved to Naples and focused on making and selling her poison there, as well as in Rome and other places. To deflect suspicion, she used bottles labeled “Manna of St. Nicholas of Bari,” featuring the image of this saint. Most of her clients were reportedly women looking to get rid of their husbands, and she must have had a significant business in this area, as numerous husbands died mysteriously in Rome, prompting the authorities in 1659 to investigate thoroughly. This inquiry uncovered a secret society in Rome made up entirely of women who wanted to "remove" their husbands with poison. The leader of this group and many of its members were executed, but Tofana seems to have escaped any trouble.
Many strange superstitions as to the saints prevail among the Spanish-speaking inhabitants of New Mexico. If a saint whose aid has been invoked fails to respond to the appeal, his image is shut up in some receptacle until he vouchsafes to render the service desired. On the other hand, if the image of a saint falls to the ground, this is interpreted as a sign that the saint has performed a miracle. One means of forcing a saint to perform a miracle was to hang the image head downward; this was especially recommended in the case of St. Anthony. All strangers who presented themselves on St. Anthony’s day or St. Joseph’s day were to be hospitably received and entertained, for one of them might be the saint himself. Those who wished to read the future were instructed to put the white of an egg in a glass of water on the eve of St. John’s day; on examining the contents of the glass the next morning they would see written in black characters on the white background a prophecy of what was to happen. On this saint’s day women were assured that if they cut the tip of their hair with an axe, or merely washed it, they would be blessed with an abundant growth of hair.
Many odd superstitions about the saints are common among the Spanish-speaking people of New Mexico. If a saint whose help has been requested doesn’t respond, their image is put away in a container until they agree to provide the needed assistance. Conversely, if a saint's image falls to the ground, it’s seen as a sign that the saint has done a miracle. One way to force a saint to work a miracle was to hang the image upside down; this was particularly recommended for St. Anthony. All newcomers who showed up on St. Anthony’s day or St. Joseph’s day were to be warmly welcomed and entertained, since one of them might be the saint himself. Those who wanted to foresee the future were told to put the white of an egg in a glass of water on the eve of St. John’s day; when they checked the glass the next morning, they would see a prophecy written in dark characters against the white background. On this saint’s day, women were promised that if they cut the ends of their hair with an axe or just washed it, they would be blessed with a thick growth of hair.

BLOODSTONE MEDALLION, SHOWING THE SANTA CASA OF LORETO CARRIED BY ANGELS TO DALMATIA FROM GALILEE
BLOODSTONE MEDALLION, SHOWING THE SANTA CASA OF LORETO BEING CARRIED BY ANGELS TO DALMATIA FROM GALILEE
267A strange legend of angelic activity is that touching the miraculous transportation through the air (from Galilee to Dalmatia) of the “Santa Casa,” the house wherein the Virgin Mary dwelt. This event is placed in 1295, and the reverse of an Italian medallion engraved in 1508, during the pontificate of Julius II, gives a representation of the journey to Dalmatia, two angels sufficing to bear the little edifice. The sea, over which the house is being borne, is conventionally indicated by waves, but the fact that the medallist has seen fit to show a relatively large figure of the Virgin seated on the roof of the little structure and holding the Infant Jesus in her arms, scarcely adds to the realism of the effect.
267A strange legend about angelic activity tells of the miraculous journey through the air (from Galilee to Dalmatia) of the “Santa Casa,” the house where the Virgin Mary lived. This event is said to have happened in 1295, and the back of an Italian medallion engraved in 1508, during the papacy of Julius II, depicts the journey to Dalmatia, with two angels carrying the small structure. The sea, over which the house is being carried, is typically represented by waves, but the fact that the engraver chose to show a relatively large figure of the Virgin sitting on the roof of the small building, holding the Infant Jesus in her arms, hardly adds to the realism of the image.
Quite naturally Catholicism could not be satisfied with the pagan idea that the constellations held sway over the different parts of the human body, and the saints were substituted for the stars.
Quite naturally, Catholicism couldn't accept the pagan idea that the constellations influenced different parts of the human body, so the saints were taken as replacements for the stars.
The saints of the Romanists have usurped the place of the zodiacal constellations in their government of the parts of man’s body, and so for every limbe they have a saint. Thus, St. Otilia keepes the head instead of Aries; St. Blasius is appointed to govern the necke instead of Taurus; St. Lawrence keepes the backe and shoulders instead of Gemini, Cancer and Leo; St. Erasmus rules the belly with the entrayls, in the place of Libra and Scorpius; in the stead of Sagittarius, Capricornus, Aquarius and Pisces, the holy church of Rome hath elected St. Burgarde, St. Rochus, St. Quirinius, St. John, and many others, which govern the thighes, feet, shinnes and knees.[505]
The saints of the Roman Catholics have taken over the roles of the zodiac constellations in overseeing different parts of the human body, so for every limb, there’s a corresponding saint. For example, St. Otilia represents the head instead of Aries; St. Blasius is in charge of the neck instead of Taurus; St. Lawrence oversees the back and shoulders instead of Gemini, Cancer, and Leo; St. Erasmus governs the belly and intestines in place of Libra and Scorpius; and instead of Sagittarius, Capricorn, Aquarius, and Pisces, the holy church of Rome has chosen St. Burgarde, St. Rochus, St. Quirinius, St. John, and many others to oversee the thighs, feet, shins, and knees.[505]
268When we consider how many beautiful and symbolic rites and observances have marked the celebration of saint’s days and holidays in the Old World, and how few of these have been preserved by the inhabitants of our own country, we must find this most regrettable. Of late years there has been a marked tendency to increase the number of holidays, and in a few cases to revive the celebration of old holidays, but the popular idea of the best way to celebrate these occasions seems to be confined to making them carnivals of noise and disorder. This is largely owing to a lack of intelligent guidance, for it is too much to expect that any people, above all those so practical as our American people, can spontaneously evolve, at short notice, an emblematic expression of the idea underlying the festival. If, however, a beautiful and adequate symbolism were presented in a concrete form, the masses of the people would grasp its significance quickly enough, and would thus gain a higher and better conception of the historic anniversary or the time-honored festival they were called upon to celebrate.
268When we think about the many beautiful and meaningful traditions that have marked the celebration of saint’s days and holidays in the Old World, and how few of these have been carried on by people in our own country, it’s hard not to feel disappointed. In recent years, there has been a noticeable effort to add more holidays and even bring back some old ones, but the common idea of how to celebrate these occasions often revolves around making them loud and chaotic. This is mostly due to a lack of thoughtful direction, because it’s unrealistic to expect any group of people, especially one as practical as Americans, to quickly come up with a meaningful way to express the deeper essence of these festivals. However, if a beautiful and fitting symbol were presented in a clear way, people would quickly understand its importance and develop a richer appreciation for the historical significance or traditional value of the celebration they were participating in.
The saint’s days on which the summer and winter solstices fell were memorized by distichs. For instance:
The saint's days that corresponded with the summer and winter solstices were remembered through rhymes. For example:
The former of the verses is probably the earlier, as St. Barnabas’ Day is June 11, the day on which the summer solstice fell in England for some time before the reform of the “Old Style” calendar, in 1752, replaced this date; while St. Thomas’ Day is December 21, the date of the winter solstice in our modern calendar.[506]
The first verse is likely the earlier one, as St. Barnabas’ Day is June 11, which was the day of the summer solstice in England before the “Old Style” calendar was reformed in 1752 and this date was changed. Meanwhile, St. Thomas’ Day is December 21, the date of the winter solstice in our current calendar.[506]
Writing of the origin of the rural superstitions in regard 269to the weather on certain saint’s days, Wehrenfels quotes the distich:
Writing about the origins of rural superstitions related to the weather on specific saint's days, Wehrenfels quotes the couplet: 269
and continues:
and keeps going:
The contrary has happened a thousand Times, but however this cannot destroy the Rule. It once happened; certainly, say they, these Rules of the Husbandmen are not to be despised; see how exactly they are made good by Experience. Thus a great Part of Mankind reasons; which if one consider, he will neither depend much upon the Content of the common People in these Things, nor wonder at so great a Number of most silly Opinions.[507]
The opposite has happened countless times, but that doesn't change the rule. It has happened before; certainly, as they say, these farming rules shouldn't be taken lightly; look at how well they hold up in practice. This is how a large part of humanity thinks, and if you really consider it, you won’t rely too much on the opinions of the average people on these matters, nor will you be surprised by the many foolish beliefs out there.[507]
VERSES ON SAINTS’ DAYS AT VARIOUS SEASONS OF THE YEAR.[508]
January 25. Saint Paul’s Day:
January 25. Saint Paul's Day:
Somewhat different in a Latin form:
Somewhat different in a Latin form:
February 2. Candlemas Day:
February 2. Candlemas:
February 12. St. Eulalia’s Day:
February 12. St. Eulalia's Day:
270February 14. St. Valentine’s Day:
February 14. Valentine's Day:
February 24. St. Matthias’ Day:
February 24. St. Matthias Day:
March 1. St. David’s Day:
March 1. St. David's Day:
June 15. St. Vitus’ Day:
June 15. St. Vitus Day:
July 15. St. Swithin’s Day:
July 15. St. Swithin’s Day:
July 20. St. Margaret’s Day:
July 20: St. Margaret’s Day
271July 25. St. James’ Day:
July 25. St. James’ Day:
August 24. St. Bartholomew’s Day:
August 24. St. Bartholomew's Day:
October 28. St. Simon and St. Jude:
October 28. St. Simon and St. Jude:
November 11. St. Martin’s Day:
November 11. St. Martin's Day:
December 13. St. Lucy’s Day:
December 13. St. Lucia’s Day:
December 21. St. Thomas’ Day:
December 21. St. Thomas Day:
December 27. St. John the Evangelist’s Day:
December 27. St. John the Evangelist’s Day:
272Additional verses on Candlemas Day (Purification of the Blessed Virgin):
272More verses for Candlemas Day (Purification of the Blessed Virgin):
In Latin:
In Latin:
SAINTS’ DAYS
Adrian. September 8. As also of his wife, Natalia. Anniversary of translation of his relics to Rome; anciently his festival on day of his martyrdom, March 4, 306. Patron of soldiers in Flanders, Germany, and northern France; also against the plague. Relics in Abbey of St. Adrian, Gearsburg, Belgium; and elsewhere.
Adrian. September 8. Also for his wife, Natalia. Anniversary of the transfer of his relics to Rome; traditionally celebrated on the day of his martyrdom, March 4, 306. He is the patron saint of soldiers in Flanders, Germany, and northern France; also invoked against the plague. His relics are in the Abbey of St. Adrian, Gearsburg, Belgium, and other locations.
Afra. August 5. Especially celebrated in Augsburg, of which city (her native one) she is patroness. Martyred Aug. 7, 304.
Afra. August 5. Particularly honored in Augsburg, her hometown, where she is the patron saint. Martyred August 7, 304.
Agatha. February 5. Patroness of Malta, and Catania, Sicily. Died February 5, 251.
Agatha. February 5. Saint of Malta and Catania, Sicily. Died February 5, 251.
Agnes. January 21. Supposed anniversary of martyrdom in 304.
Agnes. January 21. Believed to be the anniversary of her martyrdom in 304.
Alban. June 22. First English saint and martyr, died June 22, 303. Present town of St. Albans upon site of martyrdom.
Alban. June 22. The first English saint and martyr, died on June 22, 303. The current town of St. Albans is located at the site of his martyrdom.
Amable. June 11. Patron of Riom, France. Died 475.
Kind. June 11. Patron saint of Riom, France. Died in 475.
Ambrose. December 7. Patron of Milan. Died April 4, 397. Founder of church, now Sant’ Ambrogio basilica Maggiore, Milan, in 387. One of four Latin Fathers.
Ambrose. December 7. Patron of Milan. Died April 4, 397. Founder of the church, now Sant’ Ambrogio basilica Maggiore, Milan, in 387. One of the four Latin Fathers.
Andrew. November 30. Apostle, patron of Scotland and Russia.
Andrew. November 30. Apostle, protector of Scotland and Russia.
Anne. July 26. Supposed anniversary of her death. Mother of the Virgin Mary. Patroness of Canada.
Anne. July 26. Alleged anniversary of her death. Mother of the Virgin Mary. Patron saint of Canada.
Anselm. April 21. Archbishop of Canterbury (1033–1109).
Anselm. April 21. Archbishop of Canterbury (1033–1109).
Anthony. January 17. Hermit (251–356).
Anthony. January 17. Hermit (251–356).
Anthony of Padua. June 13. Died June 13, 1231.
St. Anthony of Padua. June 13. Died June 13, 1231.
Apollonia. February 9. Martyred February 9, 250. Patroness of those suffering from toothache.
Apollonia. February 9. Died for her faith on February 9, 250. Patron saint of people dealing with tooth pain.
Athanasius. May 2. One of four Greek Fathers. Died May 2, 373.
Athanasius. May 2. One of the four Greek Fathers. Died May 2, 373.
Augustine. August 28. Died 430. Patron of theologians and learning. Bishop of Hippo in Africa. One of four Latin Fathers.
Augustine. August 28. Died 430. Patron of theologians and education. Bishop of Hippo in Africa. One of the four Latin Fathers.
Augustine. May 26. Apostle to England in 596. Died May 26, 604.
Augustine. May 26. Apostle to England in 596. Died May 26, 604.
Babylas. September 1 (14) in Eastern Church; January 24 in Western Church (237–250). Bishop of Antioch. Relics said to have silenced the revived oracle of Apollo at Delphi, during reign of Julian the Apostate.
Babylas. September 1 (14) in the Eastern Church; January 24 in the Western Church (237–250). Bishop of Antioch. His relics are said to have silenced the restored oracle of Apollo at Delphi during the reign of Julian the Apostate.
273Barbara. December 4. Patroness of Ferrara, Mantua and Guastalla, Italy, and of armourers and gunsmiths. Died December 4, 235 (?).
273Barbara. December 4. She’s the patron saint of Ferrara, Mantua, and Guastalla in Italy, as well as of armor makers and gunsmiths. Died on December 4, 235 (?).
Barnabas. June 11. His birthday. One of the patrons of Milan. Apostle.
Barnabas. June 11. His birthday. One of the patrons of Milan. Apostle.
Bartholomew. August 24. Apostle.
Bartholomew. August 24. Apostle.
Basil the Great. January 1, Eastern Church; June 14, Western Church (328–380).
Basil the Great. January 1, Eastern Church; June 14, Western Church (328–380).
Bathilda. January 30 in France; January 26 in Roman Martyrology (died ca. 680).
Bathilda. January 30 in France; January 26 in the Roman Martyrology (died around 680).
Bayo or Bavon. October 1. Patron of Ghent (589–653).
Bayo or Bavon. October 1. Patron of Ghent (589–653).
Benedict. March 21. Founder of Benedictine Order (480–543).
Benny. March 21. Founder of the Benedictine Order (480–543).
Bernard of Clairvaux. August 20. Founder of Abbey of Clairvaux, one of the Fathers of the Church (1091–1153).
Bernard of Clairvaux. August 20. Founder of the Abbey of Clairvaux, one of the Church Fathers (1091–1153).
Bernard of Menthon. June 15. Founder of hospices in the Alps, “Great St. Bernard” and “Little St. Bernard” (923–1008?).
Bernard of Menthon. June 15. He established hospices in the Alps, known as “Great St. Bernard” and “Little St. Bernard” (923–1008?).
Blaise. February 3. Patron of Ragusa, and of those afflicted with throat diseases. Bishop of Sebaste, Cappadocia (died 316).
Blaise. February 3. Patron of Ragusa and those suffering from throat illnesses. Bishop of Sebaste, Cappadocia (died 316).
Boniface. June 5. Apostle of Germany (680–755).
Boniface. June 5. Apostle of Germany (680–755).
Bridget or Bride. February 1. Patroness of Ireland (450–521).
Bridget or Bride. February 1. Patron saint of Ireland (450–521).
Bruno. October 6. Founder of Carthusian Order (1035–1101).
Bruno. October 6. Founder of the Carthusian Order (1035–1101).
Catherine. November 25. Patroness of Venice and appealed to against diseases of the tongue.
Catherine. November 25. Protector of Venice, called upon for help with tongue-related illnesses.
Catherine of Siena. Patroness of Siena; lived in fourteenth century.
Catherine of Siena. Patron saint of Siena; lived in the 14th century.
Cecilia. November 22. Patroness of sacred music (died 100).
Cecilia. November 22. Patron saint of sacred music (died 100).
Clement. November 23. Patron of farriers and blacksmiths (died 100).
Clement. November 23. Patron of farriers and blacksmiths (died 100).
Columban. November 21. Irish saint (543–615).
Columban. November 21. Irish saint (543–615).
Crispin and Crispinian. October 25. Patrons of shoemakers (died 284).
Crispin and Crispinian. October 25. Saints of shoemakers (died 284).
Cuthbert. March 20. Patron saint of Durham, England (died 687).
Cuthbert. March 20. The patron saint of Durham, England (died 687).
David. March 1. Patron saint of Wales (446–549).
David. March 1. The patron saint of Wales (446–549).
Declan. July 24. First bishop of Ardmore, Ireland.
Declan. July 24. The first bishop of Ardmore, Ireland.
Denis. October 9. Patron of France. Living in 250.
Denis. October 9. Patron of France. Lived in 250.
Domenic. August 4. Founder of Dominican Order (1170–1221).
Domenic. August 4. Founder of the Dominican Order (1170–1221).
Edmund. November 20. King of East Anglia and martyr (died 870).
Edmund. November 20. King of East Anglia and martyr (died 870).
Edward. March 18. King of England and martyr (962–978).
Edward. March 18. King of England and martyr (962–978).
Edward the Confessor. October 13. King of England (1004–1066).
Edward the Confessor. October 13. King of England (1004–1066).
Elizabeth of Hungary. November 19. Daughter of Alexander II, King of Hungary (1207–1231).
Elizabeth of Hungary. November 19. Daughter of Alexander II, King of Hungary (1207–1231).
Elmo (Erasmus). June 2 (died 304).
Elmo (Erasmus). June 2 (died 304).
Eloy (Eligius). December 1. Patron of goldsmiths (588–659).
Eloy (Eligius). December 1. Patron saint of goldsmiths (588–659).
Emeric. November 4. Eldest son of St. Stephen of Hungary.
Emeric. November 4. The oldest son of St. Stephen of Hungary.
Engracia.
Engracia.
274Eric (or Henry). May 18. Patron of Sweden (died 1151).
274Eric (or Hank). May 18. Saint of Sweden (died 1151).
Ethelreda (Audrey). October 17. Princess of East Anglia (died 679).
Audrey. October 17. Princess of East Anglia (died 679).
Euphemia. September 16. Patroness of Chalcedon (died ca. 307).
Euphemia. September 16. Protector of Chalcedon (died around 307).
Felicitas. November 23. Patroness of male heirs (died 173).
Felicity. November 23. Protector of male heirs (died 173).
Fillan. January 9. Scotch saint (died ca. 649).
Fillan. January 9. Scottish saint (died around 649).
Filomena (Filumina, Philomena). August 10. Supposititious saint.
Filomena (Filumina, Philomena). August 10. Alleged saint.
Francis of Assisi. October 4. Founder of Franciscan Order (1182–1226).
St. Francis of Assisi. October 4. Founder of the Franciscan Order (1182–1226).
Francis Xavier. December 3. Patron and Apostle of India (1506–1552).
Francis Xavier. December 3. Patron and Apostle of India (1506–1552).
Frideswide. October 19. Patroness of city and university of Oxford, daughter of Sidan, Prince of Oxford (died ca. 740).
Frideswide October 19. Patron saint of the city and university of Oxford, daughter of Sidan, Prince of Oxford (died around 740).
Genevieve. January 3. Patroness of Paris.
Genevieve. January 3. Saint of Paris.
George. April 23. Patron of England, of Germany and Venice, of soldiers and armourers (born third century).
George. April 23. Patron saint of England, Germany, and Venice, as well as soldiers and armorers (born in the third century).
Giles. September 1. Patron of Edinburgh (ca. 640–).
Giles. September 1. Patron saint of Edinburgh (circa 640–).
Gregory the Great. March 12 (born 540).
Pope Gregory I. March 12 (born 540).
Gudula. January 8. Patron of Brussels (born middle of seventh century).
Good luck. January 8. Patron saint of Brussels (born in the middle of the 7th century).
Helena. August 18. Wife of Constantius, mother of Constantine the Great (died 328).
Helena. August 18. Wife of Constantius, mother of Constantine the Great (died 328).
Henry of Bavaria. July 15. Patron of Bavaria. Emperor (Henry II) of Germany (972–1024).
Henry of Bavaria. July 15. Patron of Bavaria. Emperor (Henry II) of Germany (972–1024).
Hilary. January 14 (died 368).
Hilary. January 14 (died 368).
Honoratus. Bishop of Arles. Died January 6, 429.
Honoratus. Bishop of Arles. Died January 6, 429.
Honoratus (Honoré). May 16. Patron of bakers. Bishop of Amiens. (Died 690.)
Honoratus (Honoré). May 16. Patron saint of bakers. Bishop of Amiens. (Died 690.)
Hubert of Liege. November 3. Patron of the chase and of dogs (died 727).
Hubert of Liège. November 3. Patron of hunting and dogs (died 727).
Ignatius Loyola. July 3. Founder of Jesuit Order (1491–1556).
Ignatius of Loyola. July 3. Founder of the Jesuit Order (1491–1556).
Isidore the Ploughman (Isidro el Labrador). May 15. Patron of Madrid and of farmers (born ca. 1110–1170).
Isidore the Farmer (Isidro el Labrador). May 15. Patron saint of Madrid and farmers (born around 1110–1170).
James the Great. July 25. Apostle; patron of Spain and of pilgrims to Jerusalem (died 42).
James the Greater. July 25. Apostle; patron saint of Spain and of pilgrims to Jerusalem (died 42).
Januarius. September 19. Patron of Naples (died 305).
Januarius. September 19. Patron saint of Naples (died 305).
Jerome. September 30. Patron of scholars. One of the four Latin Fathers (342–420).
Jeremiah. September 30. Patron of scholars. One of the four Latin Fathers (342–420).
John the Baptist. June 24, or Midsummer Day.
John the Baptist. June 24, or Midsummer Day.
John the Evangelist. December 27 (died 101).
John the Apostle. December 27 (died 101).
Joseph. March 19.
Joseph. March 19.
Julian Hospitator. January 9. Patron of hospitals (died 313).
Julian the Host. January 9. Patron saint of hospitals (died 313).
275Justina of Padua. October 7. One of the patrons of Padua and Venice (died 303).
275Justina of Padua. October 7. She is one of the patrons of Padua and Venice (died 303).
Kenelm. December 13 and July 17. Son of Kenulph, King of Murcia (812–820).
Kenelm. December 13 and July 17. Son of Kenulph, King of Murcia (812–820).
Keyne (Keyna). Cornish saint (died 689).
Keyne (Keyna). Cornish saint (died 689).
Kilian. July 8. Irish saint (died 689).
Kilian. July 8. Irish saint (died 689).
Lawrence. August 10. Patron of Nuremberg, Genoa, and of the Escorial.
Lawrence. August 10. Patron of Nuremberg, Genoa, and the Escorial.
Leonhardt. November 6. Patron of prisoners and slaves; in Bavaria, of cattle (died ca. 560).
Leonhardt. November 6. Patron of prisoners and slaves; in Bavaria, of cattle (died around 560).
Lucy (Lucia). December 13. Patron of Syracuse, and against eye-diseases.
Lucy (Lucia). December 13. Patron saint of Syracuse and protector against eye diseases.
Ludmilla. September 16. Patron of Bohemia. Queen of that country (died ca. 920).
Ludmilla. September 16. Patron of Bohemia. Queen of that country (died around 920).
Luke. October 18. Patron of painters.
Luke. October 18. Saint of artists.
Macaire the Elder. January 15. (Fourth century.)
Macaire Senior. January 15. (4th century.)
Macaire the Younger. January 2. (Fourth century.)
Macaire Jr. January 2. (4th century.)
Malo (Maclou). November 15. Patron of St. Malo, France (died 627).
Malo (Maclou). November 15. Patron saint of St. Malo, France (died 627).
Margaret. July 20. One of the patrons of Cremona and of women in childbirth (died fourth century).
Margaret. July 20. A supporter of Cremona and women in childbirth (died fourth century).
Mark. April 25. Evangelist (died 68).
Mark. April 25. Evangelist (died 68).
Martha of Bethany. July 29. Patroness of cooks and housewives (died 84).
Martha from Bethany. July 29. Patron saint of cooks and homemakers (died 84).
Martin of Tours. November 11, Martinmas. Patron of Tours and of beggars, tavern-keepers and wine-growers (316–397).
Martin of Tours. November 11, Martinmas. Patron saint of Tours, as well as beggars, tavern owners, and wine growers (316–397).
Mary Magdalene. July 22. Patroness of Provence and of Marseilles as well as of penitent fallen women.
Mary Magdalene. July 22. Patron saint of Provence and Marseilles, as well as of repentant fallen women.
Matthias. February 24.
Matthias. February 24.
Maurice. September 22. Patron of Austria, Savoy, Mantua, and of foot-soldiers (fourth century).
Maurice. September 22. Patron of Austria, Savoy, Mantua, and infantry (fourth century).
Michael. September 29. Archangel.
Michael. September 29. Archangel.
Nicholas. December 6. Archbishop of Myra in Lycia, patron of Russia, and especially of serfs and serfdom (died 342).
Nicholas. December 6. Archbishop of Myra in Lycia, patron saint of Russia, and particularly of serfs and serfdom (died 342).
Olaf. July 29. Patron of Norway. Not canonized but informally accepted.
Olaf. July 29. Patron of Norway. Not officially recognized as a saint, but widely accepted.
Ouen (Ouine). August 24. Patron of Rouen (595–683).
Ouen (Ouine). August 24. Patron saint of Rouen (595–683).
Pantaleone. June 27. Patron of physicians (fourth century).
Pantaleone. June 27. Patron saint of doctors (400s).
Patrick. March 17. Patron of Ireland (born ca. 386).
Patrick. March 17. Patron saint of Ireland (born around 386).
Paul. June 29 (with St. Peter), and January 25.
Paul. June 29 (with St. Peter), and January 25.
276Peter. June 29; also August 1, St. Peter’s Chains, and January 18, Chair of St. Peter.
276Peter. June 29; also August 1, St. Peter’s Chains, and January 18, Chair of St. Peter.
Philip. May 1. Patron of Brabant and Luxemburg.
Philip. May 1. Patron of Brabant and Luxembourg.
Philip Neri. May 26. Founder of Oratorian Order (1515–1595).
Philip Neri. May 26. Founder of the Oratorian Order (1515–1595).
Polycarp. January 26. Bishop of Smyrna (died 167).
Polycarp. January 26. Bishop of Smyrna (died 167).
Quietus. (No day.) Bones in church of Our Lady of Grau, Hoboken, enshrined June 1, 1856, Archbishop Bailey officiating.
Quietus. (No day.) Bones in the church of Our Lady of Grau, Hoboken, enshrined June 1, 1856, Archbishop Bailey officiating.
Roche (Roch, Roque). August 16. Patron of prisoners and the sick, especially the plague-stricken (born ca. 1280–1327).
Roche (Roch, Roque). August 16. He is the patron saint of prisoners and the sick, especially those suffering from the plague (born around 1280–1327).
Romain. October 23. Patron of Rouen (died 639).
Romain. October 23. Patron saint of Rouen (died 639).
Romuald. February 7 (956–1027).
Romuald. February 7 (956–1027).
Rosalia. September 4. Patroness of Palermo (died 1160).
Rosalía. September 4. Patron saint of Palermo (died 1160).
Rumald (Rumbald). November 3. Patron of Brackley and Buckingham, England. Son of King of Northumbria.
Rumald (Rumbald). November 3. Patron of Brackley and Buckingham, England. Son of the King of Northumbria.
Scholastica. February 10. Sister of St. Benedict (died ca. 543).
Scholastica. February 10. Sister of St. Benedict (died around 543).
Sebald. Son of a Danish king (eighth century).
Sebald. Son of a Danish king (eighth century).
Sebastian. January 20. Patron of Chiemsee, Mannheim, Oetting, Palma, Rome, Soissons, and of archers (fourth century).
Sebastian. January 20. Patron saint of Chiemsee, Mannheim, Oetting, Palma, Rome, Soissons, and of archers (4th century).
Secundus. March 30. Patron of Asti (died 119).
Secundus. March 30. Patron of Asti (died 119).
Stephen. December 26. Patron of horses.
Stephen. December 26. Horse patron.
Swithin (Swithun). July 15. Patron of Winchester (died 862).
Swithin (Swithun). July 15. Patron of Winchester (died 862).
Symphorosa. July 18. Only in Greek Church. A Jewish martyr, the mother of the Maccabees (second century B.C.).
Symphorosa. July 18. Observed only in the Greek Church. A Jewish martyr, the mother of the Maccabees (2nd century B.C.).
Theresa. October 15. Patron of Spain (1515–1582).
Theresa. October 15. Patron saint of Spain (1515–1582).
Thomas à Becket. July 7 (1117–1170).
Thomas à Becket. July 7 (1117–1170).
Thomas Didymus. December 21. Apostle, patron of Portugal and Palma.
Thomas the Twin. December 21. Apostle, patron saint of Portugal and Palma.
Urban. May 25. Pope and martyr (died 236).
City. May 25. Pope and martyr (died 236).
Ursula. October 21. Patroness of young girls, and of educational institutions (died 383).
Ursula. October 21. Guardian of young girls and educational institutions (died 383).
Valentine. February 14 (first century).
Valentine's Day. February 14 (first century).
Veronica. Shrove Tuesday (first century).
Veronica. Shrove Tuesday (1st century).
Victor. Patron of Marseilles (fourth century).
Victor. Patron of Marseille (fourth century).
Vincent. January 22. Patron of Lisbon, Valencia, Saragossa, Milan, and Châlons.
Vinny. January 22. Guardian of Lisbon, Valencia, Saragossa, Milan, and Châlons.
Vincent de Paul. July 19. Founder of Order of the Sisters of Charity.
Vincent de Paul. July 19. Founder of the Sisters of Charity.
Vitus. June 15. Patron of Bohemia, Saxony, Sicily, and of dancers and actors (third century).
Vitus. June 15. Patron of Bohemia, Saxony, Sicily, and of dancers and actors (3rd century).
Walburga. February 25 (died ca. 778).
Walburga. February 25 (died around 778).
William. January 10. Patron of Bruges (died 1209).
William. January 10. Patron saint of Bruges (died 1209).
Winifred. November 3. British maiden of seventh century.
Winny. November 3. British woman of the seventh century.
VII
On the Religious Use of Different Stones

The precious stone mentioned in the earliest biblical reference, Gen. ii, 12, and there translated onyx, is rendered chrysoprase in the Septuagint version, and is by others referred to the emerald on the ground that the land of Havilah, where it is there said to occur, is thought to have been a part of what was later called Scythia, and as such would include the emerald region of the Urals. But the ancient emeralds are now known to have come largely from Upper Egypt, and such vague conjectures are of little use in determining what stone was really meant in this most ancient allusion. Professor Haupt has even suggested that we might translate the Hebrew word shoham used in this passage by “pearl,” since he conjectures that one of the four “rivers” surrounding the land of Havilah was the Persian Gulf.
The precious stone mentioned in the earliest biblical reference, Gen. ii, 12, which is translated as onyx, is called chrysoprase in the Septuagint version. Others believe it refers to the emerald because the land of Havilah, where it's said to occur, is thought to have been part of what later became known as Scythia, potentially including the emerald region of the Urals. However, ancient emeralds are now known to have mostly come from Upper Egypt, making these vague guesses unhelpful in identifying the stone actually referenced in this ancient mention. Professor Haupt has even suggested that we could translate the Hebrew word shoham in this passage as “pearl,” since he speculates that one of the four “rivers” surrounding the land of Havilah was the Persian Gulf.
For all attempted identifications of the stones mentioned in the Old Testament, we are principally dependent upon the Greek version of the Seventy. As this was made in the Alexandrian period, not far from the time of Theophrastus, whose work on gems we shall presently mention, the names at that time adopted by the Greek translators may be regarded as fairly correct equivalents of the Hebrew. The difficulty lies more in the translation of the classical names into the English, and arises largely from the unscientific nomenclature of the ancients; the same name being employed for stones that resemble each other to the eye, but which are now well distinguished by chemical and physical differences formerly unknown.
For all the attempts to identify the stones mentioned in the Old Testament, we mainly rely on the Greek version of the Seventy. Since this was created during the Alexandrian period, not long after Theophrastus, whose work on gems we'll discuss shortly, the names used by the Greek translators back then can be seen as pretty accurate equivalents of the Hebrew. The challenge comes more from translating the classical names into English, which mostly stems from the unscientific naming conventions of ancient times; the same name was often used for stones that looked similar, even though they are now clearly distinguished by chemical and physical differences that were unknown back then.
278There are some traces in the Bible of the use of precious stones as amulets. In Proverbs xvii, 8, we read that “a gift is like a precious stone in the eyes of the owner; whithersoever he turneth he prospereth.” This passage is rendered somewhat differently in the Authorized Version, but the above translation is evidently more correct. The stones of the breastplate were of course amulets in a certain sense, and possibly oracles also, and it is therefore quite probable that the Hebrews shared in the belief common to all the peoples around them, although opposition of the orthodox to all magical practices prevented them from going into particulars in regard to such superstitious fancies.
278There are some hints in the Bible about the use of precious stones as charms. In Proverbs 17:8, it says, “a gift is like a precious stone in the eyes of the owner; wherever he goes, he thrives.” This passage is phrased a bit differently in the Authorized Version, but the translation above is clearly more accurate. The stones on the breastplate were, in a way, charms and possibly also oracles, so it's likely that the Hebrews believed in the same ideas that were common among the surrounding cultures. However, the orthodox opposition to magical practices stopped them from discussing these superstitious beliefs in detail.
In support of his theory that the Urim and Thummim of the Hebrew high-priest signified the stones of the breastplate worn on the sacred ephod, and should be rendered “perfectly brilliant,” Bellermann cites the passage in Ezekiel (chap, xxviii, verse 14), where he writes of “fiery stones” in treating of the royal splendors of the ruler of the great commercial city of Tyre. As to the oracular utterances of the high-priest when, clad in the ephod and wearing the glittering breastplate, he sought for the counsel of the Almighty, this author rejects the idea that the divine will was revealed by changes in the brilliancy of the stones, by casting of lots, or by a mysterious use of the ineffable name, the Tetragrammaton, J h w h (Jahweh), but believes that the answer to the questions was communicated to the high-priest by an inner voice, an inspiration similar to that vouchsafed to the great prophets of Israel.[509]
To support his theory that the Urim and Thummim of the Hebrew high priest represented the stones in the breastplate worn on the sacred ephod and should be interpreted as “perfectly brilliant,” Bellermann references the passage in Ezekiel (chap. xxviii, verse 14), where he describes “fiery stones” while discussing the royal splendor of the ruler of the powerful trading city of Tyre. Regarding the oracular statements of the high priest, when he was dressed in the ephod and wearing the shining breastplate while seeking guidance from the Almighty, this author dismisses the idea that divine will was shown through changes in the brightness of the stones, by casting lots, or through a mysterious use of the ineffable name, the Tetragrammaton, J h w h (Jahweh). Instead, he believes that the answers to the questions were conveyed to the high priest by an inner voice, an inspiration similar to that granted to the great prophets of Israel.[509]
A curious analogy to the use by Christians of fragments supposed to have come from the True Cross as amulets, was the employment by the Talmudic Jews of chips from an 279idol or from something that had been offered to an idol, for the same purpose. It is needless to say that this was severely condemned by the Rabbis.
A striking parallel to how Christians used pieces believed to come from the True Cross as amulets is how Talmudic Jews used chips from an idol or something that had been offered to an idol for the same reason. It's unnecessary to mention that this practice was strongly condemned by the Rabbis.
It is interesting to note the statements of Arab historians that the mummy of Cheops, the Pharaoh of the Great Pyramid, was decorated with a pectoral of precious stones. As the regal and priestly functions were united in the monarch, we may have here the first form of the high-priest’s breastplate.
It’s interesting to see what Arab historians have said about the mummy of Cheops, the Pharaoh of the Great Pyramid, being adorned with a necklace of precious stones. Since the royal and priestly roles were combined in the monarch, this might be the earliest version of the high priest’s breastplate.
The Arab historian Abd er-Rahmân, writing in 829 A.D., states that Al Mamoun(813–833), son of Haroun-al-Raschid, entered the great pyramid and found the body of Cheops:
The Arab historian Abd er-Rahmân, writing in 829 CE, states that Al Mamoun (813–833), the son of Haroun-al-Raschid, entered the great pyramid and found the body of Cheops:
In a stone sarcophagus was a green stone statue of a man, like an emerald, containing a human body, covered with a sheet of fine gold ornamented with a great quantity of precious stones; on the breast was a priceless sword, on the head a ruby as large as a hen’s egg, brilliant as a flame. I have seen the statue which contained the body; it was near the palace of Fôstat.
In a stone sarcophagus was a green stone statue of a man, like an emerald, containing a human body, covered with a sheet of fine gold adorned with many precious stones; on the chest was a priceless sword, and on the head was a ruby as big as a hen’s egg, shining like a flame. I have seen the statue that held the body; it was near the palace of Fôstat.
Essentially the same account is given by Ebub Abd el-Holem, another Arab, who says:
Essentially the same story is told by Ebub Abd el-Holem, another Arab, who says:
One saw beneath the summit of the pyramid a chamber with a hollow prison, in which was a statue of stone enclosing the body of a man, who had on the breast a pectoral of gold enriched by fine stones, and a sword of inestimable price, on the head a carbuncle the size of an egg, brilliant as the sun, on which were characters no man could read.
One could see below the top of the pyramid a room with an empty prison, containing a stone statue that encased the body of a man. He wore a gold pectoral adorned with fine stones, and an incredibly valuable sword. On his head rested a gemstone the size of an egg, shining like the sun, covered in symbols that no one could decipher.
In the opinion of Mariette Bey these details are so circumstantial as to leave little doubt that the mummy of Cheops was found by Mamoun, but he believes that the body was covered with a gilt wrapper and that the stones were paste imitations. The ruby was probably the “uræus,” the sacred asp, emblem of royalty, and the wonderful sword may have been a sceptre or a poniard similar to those found in tombs of the eleventh dynasty and in that of Queen Aah-Hotep; the statue of green serpentine often occurs in later 280tombs. Should this view be correct, precious stones were imitated in glass at a very remote period.[510]
According to Mariette Bey, these details are so specific that there's little doubt Mamoun found the mummy of Cheops. However, he thinks the body was covered in a gold wrapper and that the stones were just glass imitations. The ruby was likely the "uræus," the sacred asp that symbolizes royalty, and the magnificent sword could have been a scepter or a dagger similar to those found in tombs from the eleventh dynasty and Queen Aah-Hotep's burial site; the green serpentine statue often appears in later tombs. If this view is accurate, then precious stones were being imitated in glass a very long time ago.280[510]
An exceedingly fine specimen of ancient Egyptian goldsmith’s work, now in the Louvre Museum, Paris, is a pendant terminating in a bull’s head, each of the horns being tipped with a little ball. Above the double reins are four rondelles, one of gold, two of a material still undetermined, and one of lapis lazuli; the different parts of the pendant are connected by gold wire. Its most interesting and attractive feature, however, is a polished hexagonal amethyst, engraved on both faces. In each case the form of a priest is figured; in one he appears with his official staff or wand, and in the other he is represented as bearing an incense-burner and offering the mineral and vegetable sacrifices; an Oriental pearl is set above the engraved amethyst. The religious and sacrificial significance of this ornament, coupled with the costliness of the materials and the superior excellence of the workmanship, make it likely that we have here an amulet or talisman made for some Egyptian of very high rank.[511]
An exceptional piece of ancient Egyptian goldsmithing, now in the Louvre Museum in Paris, is a pendant ending in a bull's head, with each horn tipped by a small ball. Above the double reins are four circular discs: one made of gold, two made of an undetermined material, and one made of lapis lazuli; the various parts of the pendant are connected by gold wire. Its most interesting and appealing feature is a polished hexagonal amethyst, engraved on both sides. On each side is the image of a priest; on one side, he holds his official staff or wand, and on the other, he carries an incense-burner while making mineral and vegetable sacrifices; an Oriental pearl is set above the engraved amethyst. The religious and sacrificial significance of this ornament, along with the expensive materials and exceptional craftsmanship, suggest that this could have been an amulet or talisman created for someone of very high status in ancient Egypt.[511]
St. Jerome (346?–420 A.D.), in his commentary on Isaiah (liv, 11, 12), alludes to the verses of Ezekiel describing the glories of the King of Tyre and the precious stones with which he was adorned. Evidently Jerome believed that this passage was to be taken symbolically, for he asks:
St. Jerome (around 346–420 CE), in his commentary on Isaiah (liv, 11, 12), references the verses from Ezekiel that describe the splendor of the King of Tyre and the precious stones adorning him. Clearly, Jerome thought this passage should be understood symbolically, as he questions:
Who could have so little judgment and intelligence as to think that any Prince of Tyre whatever should be set in the Paradise of God, and have his place among the Cherubim, or could fancy that he dwelt with the glowing stones, which we should without doubt understand as the angels and the celestial virtues.[512]
Who could be so lacking in judgment and common sense to believe that any Prince of Tyre should be placed in the Paradise of God, among the Cherubim, or could imagine that he lived with the shining stones, which we would undoubtedly interpret as the angels and heavenly virtues.[512]
281It would be both curious and interesting if we could trace a connection between the significance of the names of the Hebrew tribes and those of the breastplate gems assigned to the tribes. In ancient times names were much more significant than they are to-day, and the tribal names in particular possessed for the Hebrews a symbolic meaning, but this does not appear to have induced any marked tendency to connect the colors or the symbolic meanings of the different stones with the fame, or with the characteristics or fortunes of the several tribes. On the other hand, the foundation stones, as symbols of the Apostles, became a favorite theme with the early Christian writers. Possibly the neglect of ancient Hebrew writers to perform a similar task in connection with the breastplate stones might still be made good, even at this late date, and an effort in this direction might result in giving a wider range to the symbolic value of certain well-known gems.
281It would be both curious and interesting to explore a connection between the meanings of the names of the Hebrew tribes and those of the gems on the breastplate assigned to them. In ancient times, names carried much more significance than they do today, and the tribal names, in particular, held symbolic meaning for the Hebrews. However, this doesn't seem to have led to a strong tendency to link the colors or symbolic meanings of the different stones with the reputation or characteristics of the various tribes. On the other hand, the foundation stones representing the Apostles became a popular subject for early Christian writers. It's possible that the lack of focus from ancient Hebrew writers on a similar task regarding the breastplate stones could still be addressed, even at this late date, and that an effort in this area might expand the symbolic value of certain well-known gems.
The name Reuben signifies “Behold a Son,” and this has been given a Messianic meaning by some commentators. In Jacob’s enigmatic blessing, “excellency of dignity” and “excellency of power” are attributed to Reuben, but this birthright is taken from him because of a heinous sin he has committed. Still we might see in the carnelian, the gem of Reuben, a symbol of “dignity” and “power.”
The name Reuben means “Behold a Son,” and some commentators have assigned it a Messianic significance. In Jacob’s mysterious blessing, Reuben is noted for having “excellency of dignity” and “excellency of power,” but his birthright is taken away because of a terrible sin he committed. Still, we might see in the carnelian, the gem of Reuben, a symbol of “dignity” and “power.”
Simeon has been variously rendered “Hearing” or “Hearkener.” The blessing accuses him of an act of cruelty in which he was aided by his brother Levi. To the peridot, or chrysolite, dedicated to Simeon, could be appropriately assigned the meaning “good tidings.”
Simeon has been referred to as “Hearing” or “Hearkener.” The blessing calls him out for a cruel act he committed with the help of his brother Levi. The peridot, or chrysolite, associated with Simeon can fittingly symbolize “good tidings.”
The priestly functions of the tribe of Levi are expressed by the name itself which means “attached” or “joined,” that is, to the altar. Hence in the emerald we should see the symbol of “dedication” or “ministration,” in addition to its 282other and better known meanings, such as “hope,” “faith,” and “resurrection.”
The priestly roles of the tribe of Levi are reflected in the name itself, which means “attached” or “joined,” that is, to the altar. Therefore, in the emerald, we should see the symbol of “dedication” or “service,” along with its other more common meanings, such as “hope,” “faith,” and “resurrection.” 282
For the tribe of Judah we have the ruby, and here the meaning of the name, “praised,” fits in well with the dignity of the rare and glowing ruby. This noble gem has always been a favorite adornment for royal crowns and from Judah sprang the royalty of Israel. The blessing given to this tribe declares that “the sceptre shall not depart from Judah, nor a lawgiver from between his feet, until Shiloh come.” This is often taken to signify the consummation of the Kingdom of Israel in the Kingdom of Heaven.
For the tribe of Judah, we have the ruby, and the meaning of the name, "praised," aligns perfectly with the beauty of the rare and bright ruby. This noble gem has always been a popular choice for royal crowns, and from Judah came the kings of Israel. The blessing given to this tribe states that "the scepter shall not depart from Judah, nor a lawgiver from between his feet, until Shiloh comes." This is often interpreted as indicating the fulfillment of the Kingdom of Israel in the Kingdom of Heaven.
Issachar, signifying “reward,” or “the rewarded,” suggests as symbolic meanings of the tribal stone lapis lazuli, “success” and “fruition.” This stone, the sapphire of the ancients, was typical of heaven, probably owing to the appearance of the specimens most highly valued in olden times, those in which a number of golden spots are scattered over the blue surface of the stone, which thus figure both the blue of heaven and the hosts of the stars.
Issachar, meaning “reward” or “the rewarded,” suggests symbolic meanings related to the tribal stone lapis lazuli, which are “success” and “fruition.” This stone, the sapphire of ancient times, was commonly associated with heaven, likely because of the highly valued specimens from the past that had several golden spots scattered over the blue surface, representing both the blue of the sky and the many stars.
The tribal name Zebulon signifies “exaltation,” and to this tribe is assigned a dwelling-place by the sea bordering on the domains of the rich Phenician seaport, Sidon. We could thus see in the gem of Zebulon, the onyx, a symbol of dominion and authority. This could serve to offset some of the old superstitions regarding the onyx, which was sometimes charged with bringing discord and dissension.
The tribal name Zebulon means “exaltation,” and this tribe is given a home by the sea near the wealthy Phoenician port of Sidon. We can see in the gem of Zebulon, the onyx, a symbol of power and leadership. This could help counter some of the old superstitions about the onyx, which was sometimes believed to bring conflict and disagreement.
Of the tribe Joseph, we are told that it was to be increased, and this meaning is contained in the name itself, which is rendered: “May God add.” To Joseph were promised “blessings of heaven above,” and “blessings of the deep that lieth under.” The sapphire, probably the tribal stone of Joseph, was known in ancient times by the name hyacinth and was a stone of good omen, bringing increase of health and wealth; therefore its significance as a tribal gem does not differ essentially from the traditional one.
Of the tribe of Joseph, it's said that it would grow, and this idea is reflected in the name itself, which means: "May God add." Joseph was promised "blessings from heaven above" and "blessings from the depths below." The sapphire, likely the tribal stone of Joseph, was known in ancient times as hyacinth and was seen as a good luck stone, promoting health and wealth; thus, its meaning as a tribal gem is essentially the same as the traditional one.

CHINESE JADE AMULETS FOR THE DEAD
Figs. 1a and b, pair of eye-protecting amulets; Fig. 2, presumably eye-amulets; Fig. 3, eye-amulet with design of fish; Figs 4–7, lip amulets, 4 and 7 in shape of fish; Figs. 8–9, amulets in the shape of monsters. From “Jade,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
CHINESE JADE AMULETS FOR THE DEAD
Figs. 1a and b, a pair of eye-protecting amulets; Fig. 2, likely eye-amulets; Fig. 3, eye-amulet designed with a fish; Figs 4–7, lip amulets, with 4 and 7 shaped like fish; Figs. 8–9, amulets designed as monsters. From “Jade,” by Berthold Laufer.
Thanks to the author and the Field Museum of Natural History in Chicago.
283Benjamin signifies “son of the right hand,” hence this name denotes strength and power. This meaning accords well with what is said in Jacob’s blessing: “Benjamin shall raven as a wolf; in the morning he shall devour the prey and at night he shall divide the spoil.” The banded agate symbolizing this tribe would have the meaning “strength” and “mastery”; indeed, according to other sources the agate was reputed to bring victory to the wearer.
283Benjamin means "son of the right hand," so this name represents strength and power. This meaning aligns with what Jacob said in his blessing: "Benjamin will be like a wolf; in the morning, he will take his prey, and in the evening, he will share the spoils." The banded agate representing this tribe symbolizes "strength" and "mastery"; in fact, according to other sources, the agate was believed to bring victory to the person wearing it.
Dan is the “judge” among the tribes, according to the meaning of the name. In Jacob’s blessing Dan is said to be “a serpent by the way,” and “an adder in the path.” These metaphors, which may not strike us as commendatory of the tribe, probably indicated the craft and courage of the tribesmen in attacking and defeating their foes, and enriching themselves with the spoils of war. The amethyst, as the tribal stone of Dan, could thus signify both “judgment” and “craft.”
Dan is the “judge” among the tribes, based on the meaning of his name. In Jacob’s blessing, Dan is described as “a serpent by the way” and “an adder in the path.” While these metaphors might not seem flattering for the tribe, they likely reflected the cunning and bravery of the tribesmen in confronting and overcoming their enemies, as well as gaining wealth from their victories. The amethyst, being the tribal stone of Dan, could therefore represent both “judgment” and “cunning.”
To the tribe of Gad was given the beryl, and the fact that spheres made from this stone were believed to be best adapted for use in crystal-gazing makes it an especially appropriate gem for the tribe of “good fortune,” this being the most probable signification of the name “Gad,” although in the Bible the interpretation “a troop,” is given. The beryl would therefore signify “good luck” and perhaps also “coöperation.”
To the tribe of Gad was given the beryl, and since spheres made from this stone were thought to be the best for crystal-gazing, it makes this gem especially fitting for the tribe of "good fortune." This is likely the most accurate meaning of the name "Gad," even though the Bible interprets it as "a troop." Thus, the beryl would symbolize "good luck" and perhaps also "cooperation."
The twelfth and last tribe, Asher, has the jasper for its gem. This would also gain an auspicious significance from its association with Asher, which means “happy.” To the other meanings assigned to jasper might be added that of “happiness.” As we have elsewhere remarked, there seems good reason to suppose that jade was frequently designated 284jasper in ancient times, and this stone was everywhere believed to possess wonderful magic powers.
The twelfth and final tribe, Asher, has jasper as its gem. This also takes on a positive meaning because of its link to Asher, which means “happy.” Along with other meanings associated with jasper, we could add “happiness.” As we've noted elsewhere, there’s a strong possibility that jade was often referred to as jasper in ancient times, and this stone was widely believed to have amazing magical powers.
The jasper[513] as an emblem of strength and fortitude is noted by St. Jerome in his commentary on Isaiah (liv, 11, 12), where he writes that the bulwarks or walls of the Holy City were strengthened by jasper. These bulwarks served “to overthrow and refute every proud attack against the knowledge of God, and to subject falsehood to truth. Whoever, therefore, is most convincing in debate and best fortified with texts of Holy Scripture is a bulwark of the Church.”[514] Jerome also alludes to the variety of jasper called grammatias, because of the peculiar markings, suggesting letters of the alphabet. This was believed to possess great talismanic virtue, especially in putting to flight phantoms and apparitions, since the markings were thought to signify some potent spell, written on the stone by nature’s hand. Of another kind of jasper, “white as snow or sea-foam,”[515] and having reddish stains, we are told that it symbolizes the spiritual graces, which preserve those endowed with them from vain terrors; and the learned Father quotes as descriptive of this stone the words of Solomon’s Song (v, 10): “My beloved is white and ruddy.”[516]
The jasper[513] as a symbol of strength and resilience is mentioned by St. Jerome in his commentary on Isaiah (liv, 11, 12), where he notes that the fortifications or walls of the Holy City were reinforced by jasper. These fortifications served “to defeat and counter every arrogant attack against the knowledge of God, and to bring falsehood under the authority of truth. Therefore, whoever is most persuasive in debate and well-supported with passages from Holy Scripture is a stronghold of the Church.”[514] Jerome also refers to a type of jasper called grammatias, recognized for its unique markings that resemble letters of the alphabet. This was thought to have significant magical power, especially for driving away ghosts and visions, since the markings were believed to represent a powerful incantation, inscribed on the stone by nature itself. Of another type of jasper, “white as snow or sea-foam,”[515] with reddish spots, it is said to symbolize the spiritual gifts that protect those who possess them from unnecessary fears; and the learned Father quotes the words from Solomon’s Song (v, 10) to describe this stone: “My beloved is white and ruddy.”[516]
Writing of the sapphire (lapis lazuli), one of the foundation stones of the Holy City, St. Jerome likens it to heaven and to the air above us, adding, somewhat fancifully, that we might apply to the sapphire the words of Socrates in the “Clouds” of Aristophanes: “I walk upon air and look down upon the Sun.” Turning then to Holy Scripture, Jerome notes the well-known passage in Ezekiel (i, 26) where the 285Throne of God is said to have “the appearance of a sapphire stone,” and finds in this text a proof that blue denoted the glory of God.[517] The ingenuity of the ancient commentators in finding hidden meanings in the simplest things is well shown by the assertion of Thomas de Cantimpré that St. John placed the emerald fourth in the list of foundation stones, because the four evangelists are constant in their praise of chastity.[518]
Writing about the sapphire (lapis lazuli), one of the key stones of the Holy City, St. Jerome compares it to heaven and the sky above us, adding, a bit fancifully, that we might use Socrates' words from Aristophanes' “Clouds”: “I walk on air and look down at the Sun.” Turning to the Bible, Jerome cites the well-known passage in Ezekiel (i, 26) where the Throne of God is described as having “the appearance of a sapphire stone,” finding in this verse evidence that blue represents the glory of God.[517] The creativity of ancient commentators in uncovering hidden meanings in the simplest things is clearly demonstrated by Thomas de Cantimpré’s claim that St. John placed the emerald fourth in the list of foundation stones because the four evangelists consistently praise chastity.[518]
Certain gems and stones have a definite relation and appropriateness to the various religious holidays and festivals. Notable among these is the rhodonite, a silicate of magnesia, named from the Greek word rhodon, “a rose,” because of its beautiful rose-pink hue. This is found more especially in the Ural Mountains, and in Massachusetts, but in a number of other places as well. In the Ural Mountains one single mass was so immense that ninety horses were needed to move the 22–ton weight a distance of thirty miles to the Imperial Lapidary Works at Ekaterineburg; here the material was cut up into smaller masses to be finally worked up in the Imperial Lapidary Works at Peterhof into a sarcophagus and tomb for the Emperor Nicholas I.
Certain gems and stones are closely connected to various religious holidays and festivals. Notably, there’s rhodonite, a silicate of magnesia, named after the Greek word rhodon, meaning “rose,” because of its beautiful rose-pink color. It's primarily found in the Ural Mountains and Massachusetts, along with several other locations. In the Ural Mountains, one massive piece was so huge that it took ninety horses to move the 22-ton weight a distance of thirty miles to the Imperial Lapidary Works in Ekaterineburg. There, the material was cut into smaller pieces to be crafted into a sarcophagus and tomb for Emperor Nicholas I at the Imperial Lapidary Works in Peterhof.
This stone is a great favorite in Russia, and is frequently cut into egg-shaped ornaments, either in the form of a simple egg, or of one with a halo and a moonstone effect at one end. It may well be termed the “Easter Stone.” For those unable to afford such an egg-shaped piece of rhodonite, a yellow fibrous gypsum or satinspar cut into a similar form may be substituted. Jade cut in the same way is also sometimes favored, as well as many varieties of rock-crystal.
This stone is really popular in Russia and is often carved into egg-shaped decorations, either as a plain egg or one that has a halo and a moonstone effect at one end. It's commonly called the “Easter Stone.” For those who can’t afford an egg-shaped piece made of rhodonite, a yellow fibrous gypsum or satin spar shaped similarly can be used instead. Jade carved in the same style is also sometimes preferred, along with various types of rock crystal.
In marked contrast with the joyful festival of Easter stands the most solemn day of the Christian year, Good 286Friday, and for this day also we have a singularly appropriate stone, the variety of jasper known as the bloodstone. Here the red markings can be regarded as symbolical of the blood of Our Lord, shed for the salvation of mankind in the supreme sacrifice of the Passion. When the head of the Christ is cut in this stone it is often possible to utilize the red spots to figure the drops of blood flowing from the wounds inflicted by the Crown of Thorns.
In sharp contrast to the joyful celebration of Easter is the most solemn day in the Christian calendar, Good Friday. For this day, we also have a uniquely fitting stone, a type of jasper called bloodstone. The red markings on this stone can be seen as symbols of the blood of Our Lord, shed for the salvation of humanity during the ultimate sacrifice of the Passion. When the image of Christ is carved into this stone, it's often possible to use the red spots to represent the drops of blood flowing from the wounds caused by the Crown of Thorns.
With the glad tidings of Christmas Day is intimately associated the memory of the Star of Bethlehem, which served as a beacon light to guide the three wise men of the East to the humble manger wherein reposed the newly-born Saviour of the World. Hence for this great Christian festival no gem can equal the star-sapphire, combining as it does the pure sapphire-hue, always looked upon as symbolic of the highest moral, spiritual, and religious sentiments, and the mysterious moving star, which, shifting its apparent place with the slightest movement of the stone, seems endowed with a wonderful independent life, just as the phenomenal star of Bethlehem, unlike the fixed and changeless stars of the firmament, glided through the heavenly expanse, by a miraculous motion, due indeed to some supernatural law, but differing in kind and degree from all the usual, every-day aspects of nature.
With the joyous celebrations of Christmas Day closely tied to the memory of the Star of Bethlehem, which acted as a guiding light for the three wise men from the East to find the humble manger where the newly born Savior of the World lay. Therefore, for this significant Christian holiday, no gem compares to the star sapphire, as it blends the pure sapphire hue—often seen as representing the highest moral, spiritual, and religious values—with the mysterious moving star. This star shifts its apparent position with the slightest movement of the stone, appearing to have a remarkable independent life, much like the extraordinary Star of Bethlehem, which, unlike the fixed stars in the sky, moved across the heavens through a miraculous motion—attributed to some supernatural law, yet different from all the usual, everyday aspects of nature.
The symbolism of precious stones presented in so many different ways by the early ecclesiastical writers appears in the prayer offered by the Archbishop of Canterbury at the coronation of the kings and queens of England. While the king kneels upon a footstool, the archbishop takes St. Edward’s Crown and lays it upon the altar; whereupon he pronounces the following words:
The symbolism of precious stones, as expressed in various ways by early church writers, is evident in the prayer given by the Archbishop of Canterbury during the coronation of England's kings and queens. As the king kneels on a footstool, the archbishop takes St. Edward’s Crown and places it on the altar; then he says the following words:

LA MADONNA DELLA SALUTE, BY OTTAVIANO NELLI
In the Basilica of S. Francesco at Assisi.
LA MADONNA DELLA SALUTE, BY OTTAVIANO NELLI
In the Basilica of St. Francis in Assisi.
287O, God, the crown of the faithful, who on the heads of Thy saints placed crowns of glory, bless and sanctify this crown, that as the same is adorned with divers precious stones, so this Thy servant, wearing it, may be replenished of Thy grace, with the manifold gifts of all precious virtues, through the King eternal, Thy Son our Lord. Amen.”[519]
287O God, the crown of the faithful, who places crowns of glory on the heads of Your saints, bless and sanctify this crown. As it is adorned with various precious stones, may this servant, who wears it, be filled with Your grace and the many gifts of all valuable virtues, through Christ our eternal King. Amen.”[519]
In a tractate “Of the Crown of the Virgin,” ascribed to Saint Ildefonso (607–669), the writer describes this wondrous gold crown as adorned with twelve precious stones, six splendid stars, and six beautiful and fragrant flowers, thus uniting the fairest treasures of earth and sky in honor of the Queen of Heaven.[520]
In a section called "Of the Crown of the Virgin," attributed to Saint Ildefonso (607–669), the author describes this amazing gold crown embellished with twelve precious stones, six stunning stars, and six lovely, fragrant flowers, bringing together the most beautiful treasures from both earth and sky in tribute to the Queen of Heaven.[520]
The gems, stars and flowers are given in the following order: Topaz, Sirius, sard, lily, chalcedony, Arcturus, sapphire, crocus, agate, the evening star, jasper, the rose, carbuncle, the Sun, emerald, the violet, amethyst, the Moon, chrysolite, sun-flower, chrysoprase, Orion, beryl, camomile. “That thus,” the writer concludes, “with precious stones, radiant luminaries, and fair flowers, a splendid crown may be ennobled, beautified and adorned, and may be the more willingly and gladly accepted by Our Lady.”
The gems, stars, and flowers are listed in the following order: Topaz, Sirius, sard, lily, chalcedony, Arcturus, sapphire, crocus, agate, the evening star, jasper, the rose, carbuncle, the Sun, emerald, the violet, amethyst, the Moon, chrysolite, sunflower, chrysoprase, Orion, beryl, chamomile. “Thus,” the writer concludes, “with precious stones, shining stars, and beautiful flowers, a magnificent crown can be enriched, enhanced, and adorned, making it more willingly and joyfully accepted by Our Lady.”
In a private collection in Smyrna there is a black hematite engraved somewhat in the style of an Abraxas gem; and certainly not Christian. On it is represented a galloping horseman, beneath whose steed is a crouching man; above the rider’s head appears a star. The reverse bears the inscription: σφραγίς θεοῦ, “seal of God.” In contrast with this is an intaglio carnelian of the Munich Royal Collection, with the figures of the Virgin Mary and the Infant Jesus, and the Greek words ἡ ἐικὼν τῆς ἁγίας Μαρίας, “the image of the Holy Mary.” This is one of the best examples of Byzantine work in gem-cutting.[521]
In a private collection in Smyrna, there is a black hematite piece engraved somewhat like an Abraxas gem; it’s definitely not Christian. It shows a galloping horseman, with a crouching man beneath the horse; above the rider’s head, there’s a star. The back features the inscription: seal of God, “seal of God.” In contrast, there is an intaglio carnelian from the Munich Royal Collection, depicting the Virgin Mary and the Infant Jesus, with the Greek words the image of Saint Mary, “the image of the Holy Mary.” This is one of the best examples of Byzantine gem-cutting work. [521]
288One of the very curious cases of the employment of a purely secular Roman gem for ecclesiastical uses is offered by the exceedingly beautiful convex blue aquamarine engraved with the head of Julia, daughter of Titus, a fine work of the Augustan Age, now in the French Cabinet des Médailles in Paris. This was donated in the ninth century by the Carolingian emperor, Charles the Bald, to the Treasury of St. Denis, after it had been given a setting of pearls and precious stones. In St. Denis it was placed at the apex of a reliquary, which became known as the Oratorium of Charlemagne, and the head of the vain and worldly princess is said to have been venerated by the pious monks and priests as that of the Virgin Mary. As a work of portrait art this gem is one of the finest examples from classic times.[522]
288One of the most intriguing instances of a purely secular Roman gem being used for religious purposes is the stunning convex blue aquamarine engraved with the head of Julia, daughter of Titus. This remarkable piece from the Augustan Age is currently housed in the French Cabinet des Médailles in Paris. Donated in the ninth century by the Carolingian emperor, Charles the Bald, it was given a setting of pearls and precious stones before being added to the Treasury of St. Denis. In St. Denis, it was placed at the top of a reliquary known as the Oratorium of Charlemagne, and the head of the vain and worldly princess was said to be venerated by the devout monks and priests as that of the Virgin Mary. As an example of portrait art, this gem is one of the finest from classical times.[522]
The strange decadence and the conventionalized but profoundly earnest quality of Early Christian art is shown in an intaglio gem of the Royal Numismatic Museum in Munich. This is a dark-hued sardonyx of two layers, and the engraving depicts a bearded Christ, enthroned and accompanied by the twelve apostles, six on either side, four of them beardless while the remainder are represented with beards; they are all gazing reverently upon the central figure, behind whose head appear the arms of the cross and above them the letters I̅C̅ X̅C̅ Ἰησοῦς Χριστός.[523] Another somewhat similar Early Christian gem is a cameo cut in a sardonyx of three layers, the groundwork being a brownish-black, and the figures of a light-bluish hue, the upper parts yellowish-brown. Here also we have an enshrined Christ; above his head two angels hold a diadem. This is of superior workmanship to the intaglio gem just described.[524] There is a sardonyx cameo showing a rude figure of the Prophet 289Daniel, a lion on either side of him, and inscribed with his name in Greek letters. This is of Byzantine workmanship.[525]
The unusual decadence and the traditional yet deeply sincere quality of Early Christian art is illustrated in an intaglio gem at the Royal Numismatic Museum in Munich. This is a dark sardonyx with two layers, and the engraving shows a bearded Christ seated and surrounded by the twelve apostles, six on each side, with four of them clean-shaven while the others have beards; they all look reverently at the central figure, behind whose head the arms of the cross appear, along with the letters I̅C̅ X̅C̅ Jesus Christ.[523] Another similar Early Christian gem is a cameo carved from a three-layered sardonyx, with a brownish-black background and figures in a light blue hue, while the upper parts are yellowish-brown. Here again we have a Christ figure in a prominent position; above his head, two angels hold a crown. This piece showcases superior craftsmanship compared to the previously described intaglio gem.[524] There is a sardonyx cameo featuring a crude depiction of the Prophet 289Daniel, flanked by lions, and inscribed with his name in Greek letters. This piece reflects Byzantine craftsmanship.[525]
The reliquarium of Wittekind, now in the Kunstgewerbe Museum at Berlin, is considered to be probably the most important specimen of early Frankish goldsmith-work that has been preserved, and is richly set with precious stones, some of these being ancient gems. This is one of a number of cases where engraved stones of Pagan times were used in the adornment of ornamental objects destined for Christian religious use. The upper edge shows a row of entwined animal figures, and the front side has medallions with primitive bird forms in cloisonné enamel; on the reverse side are very rudely executed repoussé figures of saints. This work is assigned to the latter part of the eighth century A.D., and is conjectured to have been a gift from Charlemagne to the Saxon King Wittekind, on the occasion of the latter’s conversion to Christianity in the year 807. It was long preserved in Wittekind’s foundation at Enger near Herford, to which he had bequeathed his treasures; in 1414 it was removed for safe-keeping to the Johanniskirche at Herford, where it remained until 1888, when it came into the possession of the Berlin Kunstgewerbe Museum. This precious example of the earliest German work has the form of a small portable satchel, in which could be placed those sacred relics the owner might wish to bear around with him because of the protection they were assumed to afford.[526]
The reliquary of Wittekind, now in the Kunstgewerbe Museum in Berlin, is likely the most significant example of early Frankish goldsmithing that has survived. It is lavishly adorned with precious stones, including some ancient gems. This is one of several instances where engraved stones from Pagan times were used to embellish decorative objects meant for Christian religious purposes. The upper edge displays a row of interwoven animal figures, and the front features medallions with basic bird designs in cloisonné enamel; the back has very crudely made repoussé figures of saints. This piece is dated to the latter part of the eighth century A.D. and is believed to have been a gift from Charlemagne to the Saxon King Wittekind when Wittekind converted to Christianity in 807. It was preserved for a long time in Wittekind's foundation at Enger near Herford, where he had left his treasures; in 1414, it was moved for safekeeping to the Johanniskirche in Herford, where it remained until 1888, when it was acquired by the Berlin Kunstgewerbe Museum. This valuable example of early German craftsmanship takes the shape of a small portable satchel, designed to hold sacred relics that the owner wished to carry for the protection they were believed to provide.[526]
One of the most notable and valuable objects in the famous Guelph treasure that has recently been brought back to the city of Brunswick as a result of the marriage of the Duke of Cumberland’s son, Ernest Augustus, with the daughter of Emperor William II, is an elaborately designed 290cross, a very fine specimen of the goldsmith’s art of the twelfth century. This with the other treasures was taken by the Duke of Cumberland to Vienna for safe-keeping, at the time he gave up, in 1884, his title as Duke of Brunswick, rather than acknowledge Prussian supremacy. The cross, which has the form of a so-called “crutch-cross,” with rectangular projecting plates at the ends of the arms, was designed to serve as a reliquary, the relic shrine being in a cruciform capsule behind a small, round-edged golden cross set in the midst of the cross proper. The precious relics reposing here were said to be bones of John the Baptist, St. Peter, St. Mark the Evangelist, and St. Sebastian. On the reverse side of the cross are set four large and beautiful sapphires and in the centre is a remarkably brilliant topaz.
One of the most notable and valuable objects in the famous Guelph treasure, which has recently been returned to the city of Brunswick due to the marriage of Duke of Cumberland’s son, Ernest Augustus, to the daughter of Emperor William II, is an intricately designed 290 cross, a fine example of 12th-century goldsmithing. This and the other treasures were taken by the Duke of Cumberland to Vienna for safekeeping when he gave up his title as Duke of Brunswick in 1884, choosing not to acknowledge Prussian dominance. The cross, which is shaped like a "crutch-cross" with rectangular plates at the ends of the arms, was created to function as a reliquary, containing a relic shrine in a cruciform capsule behind a small, rounded golden cross embedded in the main cross. The valuable relics housed here were believed to include bones of John the Baptist, St. Peter, St. Mark the Evangelist, and St. Sebastian. On the back of the cross are four large and beautiful sapphires, and in the center, there is an exceptionally brilliant topaz.
While nothing definite is known as to the goldsmith who executed this work, its style and general character suggest the conjecture that it may have been produced by the artist who made the “Crown of Charlemagne” in Vienna, really a crown executed for Conrad III, King of the Germans (1093–1152), the first Hohenstaufen, and also several regal ornaments for the latter’s consort, Queen Gisela. In addition to the jewelled decoration of its reverse, the front of the cross is set with many pearls, and the form of these settings is one of the chief arguments adduced in favor of attributing it to the maker of the so-called “Crown of Charlemagne.”[527]
While nothing certain is known about the goldsmith who created this piece, its style and overall characteristics suggest that it might have been made by the artist who crafted the “Crown of Charlemagne” in Vienna, which was actually a crown made for Conrad III, King of the Germans (1093–1152), the first Hohenstaufen, as well as several royal ornaments for his wife, Queen Gisela. In addition to the jeweled decoration on the back, the front of the cross is adorned with many pearls, and the arrangement of these settings is one of the main reasons it’s believed to be made by the same maker of the so-called “Crown of Charlemagne.”[527]
An ecclesiastical jewel of great beauty and remarkable historic interest is known as the Cross of Zaccaria. It was secured in 1308 by Ticino Zaccaria at the capture of the ancient Greek colonial city Phocæa, in Asia Minor, and was donated to the Cathedral of San Lorenzo in Genoa. This 291cross is of silver gilt, measuring 64 cm. in height and 40 cm. in width, and within it behind a crystal is set a piece of the Holy Cross. It is profusely adorned with precious and semi-precious stones, there being 57 good-sized rubies, emeralds, sapphires, carnelians, malachites and amethysts, besides 44 smaller stones and 299 of still lesser size. The jewel is now preserved in the Palazzo Bianco, Genoa.
An ecclesiastical jewel of great beauty and significant historic interest is known as the Cross of Zaccaria. It was acquired in 1308 by Ticino Zaccaria during the capture of the ancient Greek colonial city Phocæa, in Asia Minor, and was donated to the Cathedral of San Lorenzo in Genoa. This 291 cross is made of silver gilt, measuring 64 cm in height and 40 cm in width, and behind a crystal, it contains a piece of the Holy Cross. It is richly decorated with precious and semi-precious stones, including 57 sizable rubies, emeralds, sapphires, carnelians, malachites, and amethysts, along with 44 smaller stones and 299 even smaller ones. The jewel is now kept in the Palazzo Bianco, Genoa.
The greatest treasure in the Cathedral of Chartres was the “Sacred Shrine.” It was made of cedar-wood covered with gold plates and was adorned with an immense number of precious stones including diamonds, rubies, emeralds, sapphires, jacinths, agates, turquoises, opals, topazes, onyxes, chrysolites, amethysts, garnets, girasols, sardonyxes, asterias, chalcedonies, heliotropes, etc. These had been presented by many different donors during a long period of time. In front of this shrine was a cross composed entirely of precious stones, comprising 56 rubies and garnets, 18 sapphires, 22 pearls, 8 emeralds, 8 onyxes and 4 jacinths. When this was first placed in the cathedral is not known, but it was there in 1353, as it is noted in an inventory made at that time. An uncut diamond weighing about 45 carats, and constituting one of the adornments of the shrine in 1682, was said to have been the gift of a marshal of France; another ornament, an oval agate engraved with the Virgin and Child, may now be seen in the Louvre where it forms part of the Sauvageot Collection.[528]
The most valuable treasure in the Cathedral of Chartres was the “Sacred Shrine.” It was made of cedar wood covered with gold plates and decorated with a huge number of precious stones, including diamonds, rubies, emeralds, sapphires, jacinths, agates, turquoises, opals, topazes, onyxes, chrysolites, amethysts, garnets, girasols, sardonyxes, asterias, chalcedonies, heliotropes, and more. These were donated by many different contributors over a long time. In front of this shrine was a cross entirely made of precious stones, consisting of 56 rubies and garnets, 18 sapphires, 22 pearls, 8 emeralds, 8 onyxes, and 4 jacinths. The exact date of its placement in the cathedral is unknown, but it was present in 1353, as noted in an inventory from that period. An uncut diamond weighing about 45 carats, which was one of the decorations of the shrine in 1682, was said to have been a gift from a marshal of France; another piece, an oval agate engraved with the Virgin and Child, can now be seen in the Louvre as part of the Sauvageot Collection.[528]
That all trace has been lost of an emerald engraved with the head of Christ and given to Pope Innocent VIII by Sultan Bajazet II about the year 1488, is greatly to be deplored, even though there be no truth in the legend or report that it had been engraved in the time of Christ by the order of Tiberius Cæsar. The evidence of two medals with Latin legends and of certain old paintings with English inscriptions 292of the sixteenth century seems to prove the existence of the gem in the Vatican treasury about the time specified, and it has been conjectured, with some probability, that the emerald had been engraved by a Byzantine artist at some time before 1453, when Constantinople fell into the hands of the Turks, and that this gem formed part of the booty they then secured. A print, often copied photographically and otherwise, purporting to be a representation of this emerald portrait of Christ, has no evidential value, and has either been freely worked up from the details of the spurious letter of Lentulus to Tiberius, giving a personal description of the Saviour, or still more probably from a Rafaelesque type of Christ’s head.[529]
That all trace of an emerald engraved with the head of Christ, given to Pope Innocent VIII by Sultan Bajazet II around 1488, has been lost is very unfortunate, even if there is no truth to the legend or claim that it was engraved during Christ's time by order of Tiberius Cæsar. The evidence from two medals with Latin inscriptions and some old paintings with English text from the sixteenth century suggests that the gem was indeed part of the Vatican treasury around that time. It has been speculated, with some likelihood, that the emerald was engraved by a Byzantine artist sometime before 1453, when Constantinople fell to the Turks, and that it was included in the spoils they captured. A print, which has been frequently reproduced in photographs and other formats, claiming to represent this emerald portrait of Christ, holds no evidential value. It has either been heavily adapted from details of the fictitious letter of Lentulus to Tiberius, which offers a personal description of the Savior, or more likely, derived from a Rafaelesque depiction of Christ’s head.[529]
The beads of rosaries, when blessed by the Supreme Pontiff, or by one of the dignitaries of the Church, are considered to be endowed with a certain special virtue in favor of the individual for whom the blessing is imparted. However, should this person loan the beads to another with the intention of making him a partaker of this special blessing, or indulgencing, they lose their virtue. It is prescribed that these beads should be made of stone, glass, or some other durable material not easily broken, in order that the effects of the blessing should not be lost, or perhaps that the object so blessed should be less liable to injury. Various precious stones as well as pearls are used for this purpose, there being generally groups of ten small spheres, each group separated from the other by a larger sphere, the ten smaller beads serving to numerate the paternosters while the large bead is passed through the fingers when a credo has been recited.
The beads of rosaries, when blessed by the Pope or by another Church leader, are seen to have a special significance for the person receiving the blessing. However, if that person lends the beads to someone else in hopes of sharing that special blessing or indulgence, they lose their special significance. It is recommended that these beads be made of stone, glass, or another durable material that won’t break easily, so that the effects of the blessing are preserved and the blessed object is less likely to get damaged. Various precious stones and pearls are typically used for this purpose, usually arranged in groups of ten small beads, with each group separated by a larger bead. The ten smaller beads are used to count the prayers, while the larger bead is held when a creed is recited.
A legend very popular in the Middle Ages has been conjectured to be the source of the word “rosary” as applied 293to a chaplet of beads for counting prayers. This legend tells of a pious youth, who on each and every day wove a garland of roses for the statue of the Virgin in the parish church. His religious zeal soon induced him to become a monk, and as the restrictions and duties of monastic life forced him to discontinue his floral offerings, he was much troubled in conscience, and was only relieved when the abbot told him that by reciting 150 aves at the close of each day, he would please the Virgin as much as by the gift of flowers. The prayers were faithfully said and they eventually became the occasion of a miracle. One evening, as the young monk was traversing a dense forest, it suddenly occurred to him that he had forgotten to recite his aves. He knelt down quickly and began to pray; all at once he saw a radiant and beautiful figure standing before him, and he immediately recognized in it the Blessed Virgin. Graciously she bent over him and drew from his lips one rose after the other, until fifty roses of supernatural beauty lay upon the ground. Of these she then made a garland and placed it upon the head of her faithful servant.[530]
A popular legend from the Middle Ages is believed to be the origin of the word “rosary,” which refers to a string of beads used for counting prayers. This legend tells of a devout young man who made a garland of roses every day for the statue of the Virgin in the parish church. His strong religious devotion eventually led him to become a monk, and when the rules and responsibilities of monastic life forced him to stop his floral offerings, he felt deeply troubled. He found relief only when the abbot told him that reciting 150 aves at the end of each day would please the Virgin just as much as giving her flowers. He faithfully recited the prayers, which eventually led to a miracle. One evening, as the young monk was walking through a dense forest, he suddenly realized he had forgotten to say his aves. He quickly knelt down and began to pray; in that moment, he saw a glowing and beautiful figure standing before him, and he immediately recognized it as the Blessed Virgin. Gently, she leaned over him and drew one rose after another from his lips until fifty roses of extraordinary beauty lay on the ground. She then used these to make a garland and placed it on the head of her devoted servant.[530]
The first literary allusion to rosaries in India is in a Jain treatise written about the beginning of our era. The Prakrit name here employed, ganettiya, is equivalent to the sanscrit ganayitrika, or “counter,” and it is enumerated among the ten utensils of a Brahman ascetic. The other nine are the tridanda-stick, the water jar, the Bramanical thread, the earthen vessel named karotikâ, the bundle of straw used as a seat, the clout, the six-knotted wood, the hook, and the finger-ring. It is said that no mention of rosaries has been found in Indian Buddhist literature.[531]
The first mention of rosaries in India appears in a Jain text written around the beginning of our era. The Prakrit term used here, ganettiya, is the same as the Sanskrit ganayitrika, meaning “counter,” and is listed among the ten items of a Brahman ascetic. The other nine items are the tridanda stick, the water jar, the Brahmanical thread, the earthen vessel called karotikâ, the bundle of straw used as a seat, the clout, the six-knotted wood, the hook, and the finger ring. It is noted that no references to rosaries have been discovered in Indian Buddhist literature.[531]
294A splendid ecclesiastical ornament is described in the inventory of the royal treasures in the Château de Fontainebleau made in 1560, on the accession of Charles IX. This was of gold and composed of a crucifix with the figures of the Virgin Mary and St. John. It was “enriched with 41 sapphires, 3 pointed diamonds and 12 balas-rubies,” which served to mark the nails in the cross. The weight of the gold was 25 marks 5 ounces, and the value of the entire object, gold and precious stones, is given as 2720 écus, or about $6120. The intrinsic value of the gold alone would be about $4240.[532]
294A stunning church ornament is detailed in the inventory of the royal treasures at the Château de Fontainebleau created in 1560, during the reign of Charles IX. It was made of gold and featured a crucifix with figures of the Virgin Mary and St. John. It was "adorned with 41 sapphires, 3 pointed diamonds, and 12 balas rubies," which marked the nails in the cross. The gold weighed 25 marks and 5 ounces, and the total value of the whole piece, including the gold and gemstones, was estimated at 2720 écus, or about $6120. The intrinsic value of the gold alone would be roughly $4240.[532]
The most impressive of the ecclesiastical ornaments in the Spanish churches was the custodia, or monstrance, in which the Holy Eucharist was borne through the streets on Corpus Christi day; indeed, only at this time was the custodia publicly shown. It was in fact a large shrine, generally affecting the form of a church tower. The most ancient example now in existence is in the Cathedral of Gerona. It is of gold, is 1.85 m. (over 6 feet) high, and weighs nearly 66 pounds. This work, in which the architectural style is an ornate Gothic, was completed in 1458 by the goldsmith Francisco de Asís Artau. One of the finest specimens, however, was executed by Enrique d’Arphe for Charles V and is in the Cathedral of Toledo. This custodia measures no less than nine feet in height and is three feet wide. Here also the form is that of a Gothic tower; the cross at the apex was made by the goldsmith Lainez, and is adorned with 86 pearls and 4 large emeralds.
The most impressive church decoration in Spanish churches was the case, or monstrance, which was used to carry the Holy Eucharist through the streets on Corpus Christi day; in fact, it was only displayed publicly during this time. It was essentially a large shrine, typically designed to resemble a church tower. The oldest existing example is located in the Cathedral of Gerona. It's made of gold, stands 1.85 m (over 6 feet) tall, and weighs almost 66 pounds. This piece, showcasing an ornate Gothic architectural style, was finished in 1458 by the goldsmith Francisco de Asís Artau. One of the finest examples, however, was crafted by Enrique d’Arphe for Charles V and is housed in the Cathedral of Toledo. This custodia is an impressive nine feet tall and three feet wide. It also takes the form of a Gothic tower; the cross at the top was created by the goldsmith Lainez and is decorated with 86 pearls and 4 large emeralds.
The shrine itself contains 795 marks’ weight of silver (about 600 pounds), the gold in its composition weighing 29557 marks, or about 38 pounds. The Venetian Navagero estimated its worth to be 30,000 ducats.[533]
The shrine itself has 795 marks of silver (about 600 pounds), and the gold in it weighs 57 marks, or about 38 pounds. The Venetian Navagero estimated its value at 30,000 ducats.[533]
The wife of Marshal Junot, the celebrated Duchesse d’Abrantès, seeks to exonerate her husband and to refute the many charges of spoliation brought against him during and after the French occupation of Spain in 1808 and the succeeding years. For her, Marshal Lannes was a much worse offender, and she asserts that after the siege of Saragossa in 1809, Lannes secured possession of the immensely valuable treasures of the church of Nuestra Señora del Pilar, treasures valued at nearly $1,000,000. On his arrival in Paris, Lannes informed Napoleon that he had brought with him from Spain “a few colored stones of little value,” and was graciously told that he could keep them for himself. The finest jewel of this collection contained 1300 diamonds, nine of which were of great magnitude and value; the jewel was heart-shaped, and had in the centre a dove, typifying the Holy Spirit, with wings extended. It had been given to the church by Doña Barbara de Portugal, Queen of Spain.[534]
The wife of Marshal Junot, the famous Duchesse d’Abrantès, wants to clear her husband’s name and refute the many accusations of looting made against him during and after the French occupation of Spain in 1808 and the following years. For her, Marshal Lannes was a much worse criminal, and she claims that after the siege of Saragossa in 1809, Lannes took possession of the incredibly valuable treasures from the church of Nuestra Señora del Pilar, treasures worth almost $1,000,000. When he arrived in Paris, Lannes told Napoleon he had brought back from Spain “a few colored stones of little value,” and was kindly told he could keep them for himself. The best jewel in this collection had 1,300 diamonds, nine of which were quite large and valuable; the jewel was heart-shaped, with a dove representing the Holy Spirit in the center, its wings spread. It had been given to the church by Doña Barbara de Portugal, Queen of Spain.[534]
About the year 1630 there could be seen in Paris a crucifix a foot and a half high, all of a single piece of yellow amber; on either side were the figures of the Virgin Mary and of St. John respectively, each carved in most excellent style. The writer who gives this information, a lineal descendant of Lodowyk van Berghem, commonly regarded as the first diamond-cutter, tells from hearsay evidence of a marvellous emerald which six hundred years before his time, or about 1060, hung suspended from the top of the nave of the Cathedral of Mainz. It was “as large as half-a-melon,” and was of exceeding brilliance.[535]
About the year 1630, a crucifix about a foot and a half tall could be seen in Paris, made entirely from a single piece of yellow amber. On either side stood carved figures of the Virgin Mary and St. John, both exceptionally crafted. The writer sharing this information, a direct descendant of Lodowyk van Berghem, who is commonly recognized as the first diamond cutter, recounts from hearsay a remarkable emerald that hung from the top of the nave of the Cathedral of Mainz around 1060, or about six hundred years earlier. It was "as large as half a melon" and was extremely brilliant.[535]
296The writer of a Bohemian poem on the legend of St. Catherine’s betrothal to Christ, written about 1355, appears to have been, in one part, inspired by the glowing adornment of the Wenceslaus chapel in the cathedral of St. Veit. The poet gives an enthusiastic description of the gorgeous ornamentation of the mystic, imaginary temple in which the betrothal takes place. The pavement is of aquamarine beryl, the walls are studded with diamonds in golden settings, the framework of the windows is alternately of emerald or of sapphire, and the window-panes are not of stained glass, but of precious or semi-precious stones. Some of these are not ill fitted for this use, the transparency of rubies, amethysts, spinels, jacinths, garnets, and similar stones, admitting quite sufficient light; but others mentioned here, such as turquoises, chalcedonys and jaspers, would permit but a dim ray of light to traverse their opaque or semi-opaque substance. It has been conjectured by some that the poet drew his material from the account of the temple of the Holy Grail in the old German legend, probably through a Bohemian version; but as he omits in his enumeration twelve of the stones given in the Grail legend, and adds a number of others, diamond, turquoise, chalcedony, garnet, etc., this literary source is not fully satisfactory. Rather might it be believed that the splendid decoration of the Wenceslaus chapel and of the Karlstein Castle suggested the vision wrought out by the Bohemian poet, especially as among the stones he mentions which are not in the Grail legend, we have the garnet, so eminently a product of Bohemia.[536]
296The author of a Bohemian poem about the legend of St. Catherine’s betrothal to Christ, written around 1355, seems to have been inspired in part by the stunning decoration of the Wenceslaus chapel in the St. Veit cathedral. The poet gives an enthusiastic description of the elaborate ornamentation of the mystic, imaginary temple where the betrothal takes place. The floor is made of aquamarine beryl, the walls are adorned with diamonds set in gold, the window frames are alternately made of emerald or sapphire, and the window panes are not made of stained glass, but of precious or semi-precious stones. Some of these are quite suitable for this purpose, as the transparency of rubies, amethysts, spinels, jacinths, garnets, and similar stones allows in enough light; however, others mentioned here, like turquoises, chalcedonies, and jaspers, would only let a faint light pass through their opaque or semi-opaque surfaces. Some speculate that the poet took inspiration from the description of the temple of the Holy Grail in the old German legend, probably through a Bohemian version; but since he leaves out twelve of the stones listed in the Grail legend and includes a number of others, such as diamond, turquoise, chalcedony, and garnet, this literary source isn’t entirely convincing. It seems more likely that the stunning decoration of the Wenceslaus chapel and Karlstein Castle inspired the vision created by the Bohemian poet, especially since among the stones he mentions that aren’t in the Grail legend, we find the garnet, which is a notable product of Bohemia.[536]
A peculiar and very interesting facetted diamond of 6³⁄₃₂ carats displays alternate black and white facets and presents the appearance of a clearly defined Greek cross in 297black outline when viewed by transmitted light. The original crystal, which came from Brazil and weighed 10½ carats, was an octahedron and was of a jet black hue. The expectation was that the result of its cutting would be the production of a black brilliant, but when one of the points of the octahedron had been removed to form the table, it became evident that the black tint was only superficial, the body of the crystal being white. This peculiarity was then utilized by leaving some of the natural black faces of the crystal. This diamond was found to be of excessive hardness, rendering the task of cutting it an exceedingly arduous one. It is now in the possession of one of the Royal Household of Siam.[537]
A unique and very interesting faceted diamond of 6 ⅜ carats shows alternating black and white facets and looks like a clearly defined Greek cross in black outline when viewed with transmitted light. The original crystal, which came from Brazil and weighed 10½ carats, was an octahedron and had a jet black color. The expectation was that cutting it would result in a black brilliant, but after one of the points of the octahedron was removed to form the table, it became clear that the black color was only on the surface, while the body of the crystal was white. This uniqueness was then taken advantage of by keeping some of the natural black faces of the crystal. The diamond was found to be extremely hard, making the cutting process very challenging. It is now owned by a member of the Royal Household of Siam.[537]
Among the Buddhist legends current in India in the seventh century A.D. is one referring to the vases offered by the “four kings of heaven” to the Buddha. They first brought four gold vases, but the Buddha declared that one who had renounced the world could not use such costly vases. Silver vessels were then substituted, and were also refused, as were successively vases made of rock-crystal, lapis lazuli, carnelian, amber, ruby and other precious materials. Finally, four stone vases were proffered. These were of violet color and transparent, but the fact that they were not of precious material rendered them acceptable to the Buddha.[538]
Among the Buddhist legends from India in the seventh century CE, there's one about the vases presented by the “four kings of heaven” to the Buddha. They first brought four gold vases, but the Buddha said that someone who has given up worldly possessions couldn't use such expensive vases. Silver vessels were then brought, but they were also rejected, along with vases made of rock-crystal, lapis lazuli, carnelian, amber, ruby, and other precious materials. Finally, four stone vases were offered. These were violet and transparent, but because they weren't made of precious materials, the Buddha found them acceptable.[538]
The images of Buddha usually bear as adornment a small gem. This is most frequently a moonstone, but occasionally a ruby or some other gem will be used. The reason for this religious use of gems must not be sought only in the idea that precious and costly objects are most fitting as decorations 298of the sacred images, but it also implies a certain belief in the magic or quasi-sacred character of the gem itself.
The images of Buddha typically have a small gem as decoration. Most often, this is a moonstone, but sometimes a ruby or another gem is used. The religious use of gems shouldn't be seen only as a belief that precious and expensive items are the best decorations for sacred images; it also suggests a belief in the magical or semi-sacred quality of the gem itself. 298
The Saddharma-Pundarîka, one of the nine most sacred books of the Buddhists, composed perhaps as early as the beginning of our era, gives the following description of a celestial stûpra, a sort of shrine containing a celestial being:[539]
The Saddharma-Pundarîka, one of the nine holiest texts of Buddhism, written possibly as early as the start of our era, provides the following description of a heavenly stūpa, a type of shrine that holds a celestial being:[539]
It [the stûpra] consisted of seven precious substances, viz., gold, silver, lapis lazuli, musaragalva, emerald, red coral, and Karketana stone.
It [the stûpra] was made up of seven precious materials, namely, gold, silver, lapis lazuli, musaragalva, emerald, red coral, and Karketana stone.
This stûpra of precious substances once formed, the gods of paradise strewed and covered it with mandârava and great mandâra flowers. And from that stûpra of precious substances there issued the voice: “Excellent, excellent, Lord Sâkyamuni! thou hast well expounded the Dharmapayârya of the Lotus of the True Law. So is it, Lord; so is it, sugata.”
This stûpra of precious substances completed, the gods of paradise spread and adorned it with mandârava and magnificent mandâra flowers. From that stûpra of precious substances, a voice emerged: “Excellent, excellent, Lord Sâkyamuni! You have clearly explained the Dharmapayârya of the Lotus of the True Law. That's right, Lord; that's right, sugata.”
Some of the most valuable temple treasures in the Island of Ceylon were preserved in a pagoda near the frontiers of the realm of Saula. The report of the gold and jewels accumulated here excited the avidity of the Portuguese, then in control of a considerable part of the island, and finally an energetic attempt was made to gain possession of them. Although the existence of the pagoda was well attested, the Portuguese were ignorant of its exact location in the tract of forest land wherein it stood. The expeditionary force consisted of 150 Portuguese and 2000 Lascars. On nearing the forest they placed themselves under the guidance of a native captured in the neighborhood. He led them through the woodland, traversing it hither and thither, but no pagoda appeared. Suddenly the native exhibited signs of madness, which were at first believed to be simulated, but were later regarded as genuine, on which he was made away with and another native substituted, however, with the same result. One after another five natives showed the same symptoms 299and were successively put to death, and at last the Portuguese were compelled to abandon this unsuccessful quest. We have here either a remarkable example of fidelity to the temple, or else an instance of the psychic influence of the terror inspired by the risk of violating it. Undoubtedly the priests represented the result as due to supernatural influence, and perhaps really felt justified in doing so.[540]
Some of the most valuable temple treasures on the Island of Ceylon were kept in a pagoda near the borders of the Saula territory. The news of the gold and jewels stored there sparked the greed of the Portuguese, who at the time controlled a significant portion of the island, leading to a determined effort to seize them. Although the pagoda's existence was well-known, the Portuguese didn’t know its exact location within the forest. The expedition team included 150 Portuguese and 2,000 Lascars. As they approached the forest, they followed the guidance of a local who had been captured nearby. He led them through the woods, twisting and turning, but they found no pagoda. Suddenly, the local began to show signs of madness, which at first they thought was fake, but later were seen as real. He was killed, and another local was brought in, but he reacted the same way. One after another, five locals displayed the same symptoms and were executed, and eventually, the Portuguese had to give up this fruitless search. This may either be a striking example of loyalty to the temple or a case of the psychological impact of the fear of breaking its sanctity. The priests likely portrayed the outcome as a result of supernatural forces, and perhaps they actually believed they had good reason to do so.[540]
An official account of the embassy of the Cinghalese monarch Kirti Sri to Siam, in 1750, offers a description of the magnificent pagoda erected over the Sacred Footprint of Buddha, at Swarna Panchatha Maha Pahath. The free use of sapphires and rubies is quite natural, when we consider that some of the finest specimens of these stones are still found in this region:[541]
An official account of the embassy of the Cinghalese monarch Kirti Sri to Siam in 1750 describes the impressive pagoda built over the Sacred Footprint of Buddha at Swarna Panchatha Maha Pahath. The generous use of sapphires and rubies makes sense, given that some of the best examples of these stones are still found in this area:[541]
Above the sacred footstep and made of solid gold was a pagoda supported on suitable pillars, forming a shrine. At the four corners were placed four golden sésat, and from above hung four bunches of precious stones like bunches of ripe areca-nuts in size. On the edge of the roof hung ropes of pearls, and on the point of the spire was set a sapphire the size of a lime fruit. Within and overshadowing the footprint like a canopy, there hung from the middle of the spire a full-blown lotus of gold, in the middle of which was set a ruby of similar size. Chariots, ships, elephants, and horses with their riders, all made of gold, and of a suitable size, were placed on a golden support above the silver pavement. This was hung on wires of gold, to which were hung ornaments set with pearls the size of the nelli fruit, as well as other jewelled ornaments, rings and chains. By some skilful device all this could be moved along the silver pavement.
Above the sacred footprint stood a pagoda made of solid gold, supported by strong pillars, creating a shrine. At each corner were four golden sésat, and from above dangled four clusters of precious stones, about the size of ripe areca nuts. Ropes of pearls hung from the roof's edge, and at the top of the spire was a sapphire the size of a lime. A golden lotus in full bloom overshadowed the footprint like a canopy, with a ruby of the same size set in its center. Gold chariots, ships, elephants, and horses with their riders were placed on a golden support above a silver pavement. This was suspended by gold wires, adorned with ornaments set with pearls as big as nelli fruits, along with other jeweled decorations, rings, and chains. Through some clever mechanism, all of this could be moved along the silver pavement.
Recent excavations made by Dr. J. H. Marshall in the Punjab, India, on the site of the ancient city of Taxila, captured by Alexander the Great during his Indian campaign, have brought to light many valuable Buddhist remains, dating 300from about 2000 years ago. One of the most striking of these is a relic casket taken from a tope of the type called dagoba, this name designating that class of those Buddhist structures designed especially for the reception of relics. This relic casket is of steatite, and contained a golden box within which was a fragment of bone, presumably regarded as a relic of the Buddha; around it were many pearls as well as engraved carnelians and also a number of other precious stones.
Recent excavations by Dr. J. H. Marshall in the Punjab region of India, at the site of the ancient city of Taxila, which was captured by Alexander the Great during his campaign in India, have uncovered many valuable Buddhist artifacts dating back around 2000 years. One of the most notable finds is a relic casket taken from a type of stupa known as a dagoba, which refers to these Buddhist structures specifically built to hold relics. This relic casket is made of steatite and contained a golden box inside, which held a fragment of bone believed to be a relic of the Buddha. Surrounding it were many pearls, engraved carnelians, and several other precious stones.
A carved sapphire, once in the collection of the Marquess of Northampton, shows a representation of the Hindu divinity, Siva. It is of Indian workmanship and the stone measures 1½ inches in length, 1½ inches in width and ¾ inch in thickness.[542]
A carved sapphire, previously owned by the Marquess of Northampton, depicts the Hindu god Siva. It is crafted in India and the stone is 1½ inches long, 1½ inches wide, and ¾ inch thick.[542]
One of the writers most familiar with Indian gem-lore recognizes that while the rich and educated Hindus of our day wear diamonds and other gems chiefly as ornaments, in ancient times these brilliant objects were more largely employed in India to enrich the images of the gods, thus rendering the idols more impressive and causing them to be worshipped with more intense fervor. In ancient India gemmed ornaments were believed to bring to the wearer “respect, fame, longevity, wealth, happiness, strength, and fruition”; a list of benefits long enough to satisfy the most exigent. However, as though this were not enough, we are further assured that these gems “ward off evil astral influences, make the body healthy, remove misery and ill-fortune, and wash away sin.”[543]
One of the writers most knowledgeable about Indian gem lore points out that while today’s wealthy and educated Hindus wear diamonds and other gems mainly as accessories, in ancient times, these sparkling items were used more extensively in India to adorn the images of the gods. This made the idols more striking and led to them being worshipped with greater devotion. In ancient India, it was believed that wearing gem-studded jewelry could bring the wearer “respect, fame, longevity, wealth, happiness, strength, and success”—a list of benefits that would satisfy even the most demanding. But as if that weren't enough, it’s also said that these gems “protect against harmful astral forces, promote good health, eliminate suffering and bad luck, and cleanse one of sins.”[543]

Ceremony annually observed in the Mogul Empire of weighing the sovereign against precious metals, jewels and other valuable objects, which were distributed as gifts. From “Histoire générale des cérémonies religieuses de tous les peuples du monde,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
Ceremony held every year in the Mogul Empire to weigh the ruler against precious metals, jewels, and other valuable items, which were given out as gifts. From “General History of Religious Ceremonies of All the Peoples of the World,” by Abbé Banier and Abbé Mascrier, Paris, 1741.
301The oldest jewel offered to a shrine by an Indian potentate, of which we have certain knowledge, was a magnificent pendant containing a number of precious stones, the gift of Sundara Pandiyan, at a date prior to 1310 A.D. Another magnificent gift was a gorgeous jewelled turban adorned with diamonds, rubies, emeralds and pearls, bestowed in 1623 by Trimal Nayakkan.[544] These gifts or dedications show the prevailing tendency to propitiate the higher powers and insure success in royal enterprises.
301The oldest known jewel given to a shrine by an Indian ruler was an impressive pendant featuring several precious stones, a gift from Sundara Pandiyan, dated before 1310 CE Another stunning gift was a beautiful jeweled turban decorated with diamonds, rubies, emeralds, and pearls, presented in 1623 by Trimal Nayakkan.[544] These offerings reflect the common practice of seeking favor from higher powers and ensuring success in royal endeavors.
The English ambassador, Sir Thomas Roe, sent to the court of Shah Jehangir by King James I, saw the Shah on the day of his great birthday festival when he was weighed against a great variety of objects, jewels, gold, silver, stuffs of gold and silver, silk, butter, rice, fruits, etc. All these things, heaped up on the scale balancing the one in which stood the Shah, were distributed as imperial gifts after the conclusion of the ceremony. Sir Thomas Roe declares that on this occasion (he missed seeing the actual weighing) the monarch was adorned with a great array of jewels, and he adds: “I must confess I never saw at one time such unspeakable wealth,” a testimony of considerable value, for the English Court in the time of James I was one by no means poor in jewels, that sovereign having a great fondness for them. After the ceremony of weighing had been completed, Jehangir enjoyed the spectacle of a procession of twelve troupes of his choicest elephants, each troupe led by a “lord elephant of exceptional stature.” The finest of these had all the plates on his head and breast set with rubies and emeralds, and all the elephants as they neared the Shah saluted him with their trunks.[545]
The English ambassador, Sir Thomas Roe, sent to the court of Shah Jehangir by King James I, met the Shah on the day of his grand birthday celebration when he was weighed against a diverse collection of items, including jewels, gold, silver, fabrics of gold and silver, silk, butter, rice, fruits, and more. All these items, piled on one side of the scale balancing the Shah, were given away as imperial gifts after the ceremony. Sir Thomas Roe noted that on this occasion (he missed seeing the actual weighing), the monarch was adorned with an impressive array of jewels, and he remarked, “I must admit I have never seen such incredible wealth at one time,” a statement of great significance, considering that the English Court during James I's reign was far from lacking in jewels, as that king had a deep appreciation for them. Once the weighing ceremony was over, Jehangir enjoyed a parade featuring twelve groups of his finest elephants, each group led by a “lord elephant of remarkable size.” The most magnificent of these had all the plates on his head and chest adorned with rubies and emeralds, and all the elephants, as they approached the Shah, saluted him with their trunks.[545]
In Persia the pink and red coral was believed to have acquired its beautiful color after removal from the water, and the odor of the material was said to be a trustworthy 302means of discriminating between genuine and imitation coral; genuine coral had the smell of sea-water. The Chinese and the Hindus prized this substance very highly, because among them it was used to adorn the images of the gods.[546]
In Persia, it was believed that pink and red coral gained its beautiful color after being taken out of the water, and the smell of the material was said to be a reliable way to tell the difference between real and fake coral; real coral smelled like seawater. The Chinese and Hindus valued this material greatly because it was used to decorate the images of their gods.[546]
The perforated jade disk called ts’ang pi is still used as the symbol of the deity Heaven (T’ien) in the temple of that divinity at Peking. By a regulation of Emperor K’ien-lung, the proper dimensions of this ceremonial disk were rigidly established; the diameter of the disk proper was set at 6.1 inches, and its thickness at ⁷⁄₁₀ of an inch; the perforation was to have a diameter of ⁴⁄₁₀ of an inch. While the quality of the jade to be employed is not especially determined, the name ts’ang implies jade of a bluish shade. The veined type of stone is regarded as peculiarly adapted for this purpose.[547]
The perforated jade disk called ts’ang pi is still used as the symbol of the deity Heaven (T’ien) in the temple dedicated to that divinity in Beijing. According to a regulation from Emperor K’ien-lung, the official dimensions of this ceremonial disk were strictly defined; the diameter of the disk itself was set at 6.1 inches, and its thickness at ⁷⁄₁₀ of an inch; the hole was to have a diameter of ⁴⁄₁₀ of an inch. While the specific quality of jade to be used is not particularly specified, the name ts’ang suggests jade with a bluish tint. The veined type of stone is considered especially suitable for this purpose.[547]

PERFORATED JADE DISK CALLED TS’ANG PI, A CHINESE SYMBOL OF THE DEITY HEAVEN (T’IEN)
From Berthold Laufer, “Jade, a Study in Chinese Archæology and Religion,” Chicago, 1912, p. 157.
By courtesy of the Author and Field Museum of Natural History, Chicago.
PERFORATED JADE DISK KNOWN AS TS’ANG PI, A CHINESE SYMBOL OF THE HEAVEN DEITY (T’IEN)
From Berthold Laufer, “Jade, a Study in Chinese Archaeology and Religion,” Chicago, 1912, p. 157.
With thanks to the Author and the Field Museum of Natural History in Chicago.
303We are apt to regard Tibet as the land least accessible to modern influence of any kind, and that least in touch with any aspect of European civilization. It seems, therefore, not a little strange that at the chief altar of the Royal Chapel in the Dalai Lama’s palace on Potala Hill, Lhasa, the elaborate tse-boum (incense vase or vessel), used by the Buddhist priests in their services, is a product of modern Parisian art, having been made in Paris about ten years ago. The vessel proper, which is carved from several exceptionally large pieces of coral, rests upon a flat, silver-gilt base, ornamented with two dragons, and is crowned with an oval framework of lapis lazuli leaves; upon this framework is a coral statuette of Amitabha, the “Lord of Boundless Light,” revered as the emanation of Adi-Buddha, supported by a lotus flower of white chalcedony. At the apex of the leafy oval rests a representation in white chalcedony of a crescent moon, above is a sun in yellow stone from which springs a coral flame, symbolizing the radiance of wisdom (nada). Although the Dalai Lama was anxious to avail himself of the aid of French art for the embellishment of his altar, he took due precautions that the religious character of the vessel should be properly conceived and maintained, and therefore sent one of his high-priests to Europe to choose the artists best fitted for the execution of the vessel, and this priest took the pains to make a special trip to Leghorn in order to select the coral appropriate for the sacred utensil. As will be noted, this material, so greatly prized by the Tibetans, is that most prominent in this temple incense vase. The dragons attached to the silver-gilt platter have been placed there to honor the Chinese, and are so affixed that they can be removed when no Chinese representatives are present at the ceremonies. In the older tse-boum, to take the place of which this Paris product was executed, the red-tinted ivory was used where coral appears in the newer vessel. The employment of this color is due to the fact that it is the sacred color of Amitabha.[548]
303We tend to see Tibet as the place least influenced by modern culture and the least connected to any part of European civilization. It’s quite surprising, then, that at the main altar of the Royal Chapel in the Dalai Lama’s palace on Potala Hill, Lhasa, the intricate tse-boum (incense vase or vessel) used by Buddhist priests during their ceremonies is a product of modern Parisian art, created in Paris about ten years ago. The vessel itself, carved from several exceptionally large pieces of coral, sits on a flat, silver-gilt base adorned with two dragons and is topped with an oval framework made of lapis lazuli leaves; on this framework is a coral statuette of Amitabha, the “Lord of Boundless Light,” honored as the manifestation of Adi-Buddha, which is supported by a lotus flower of white chalcedony. At the top of the leafy oval is a white chalcedony depiction of a crescent moon, above which is a sun made of yellow stone from which a coral flame emerges, symbolizing the light of wisdom (nada). Although the Dalai Lama was eager to incorporate French art to decorate his altar, he took proper steps to ensure that the religious significance of the vessel was well-conceived and preserved. He sent one of his high priests to Europe to select the best artists for creating the vessel, and this priest made an extra trip to Leghorn to choose the right coral for the sacred utensil. As noted, this material, highly valued by the Tibetans, is prominently featured in this temple incense vase. The dragons on the silver-gilt platter were added to honor the Chinese and are designed to be removable when there are no Chinese representatives present at the ceremonies. In the earlier tse-boum, which this Parisian piece replaced, red-tinted ivory was used instead of coral. This color choice is significant as it represents the sacred color of Amitabha.[548]
Within the sacred precincts of the temple of Cho Kang, in Tibet, is a splendid, life-size image of the Buddha formed of solid gold. The priests teach that it is of supernatural origin, and ascribe its execution to the creative energy of Visvakarma, a personification of the formative energy in the cosmos. The gold in this image is, however, not absolutely pure, but is alloyed with silver, copper, zinc and iron, the choice of these four metal alloys being dictated by the significance of the five metals in union as symbols of the world. The precious-stone adornment of this wonderful 304idol consists of magnificent diamonds, rubies, emeralds and indranila or Indian sapphires. Pearl, turquoise and coral necklaces are twined around the figure’s neck and crossed over its breast; on its head rests a golden coronet with a setting of turquoises, and rising from the rim of this coronet are five upright leaves within each of which is a small golden image of the Buddha; from one of these hangs as a pendant a remarkably fine, large and flawless piece of turquoise, measuring six inches in length and four inches in width. All these splendors lavished upon the image of the great apostle of the simple life show but a poor comprehension of the deep meanings and tendencies of his early career.
Within the sacred confines of the Cho Kang temple in Tibet, there is a stunning, life-size statue of the Buddha made of solid gold. The priests claim it has a supernatural origin and attribute its creation to Visvakarma, who represents the creative energy in the cosmos. However, the gold in this statue isn’t completely pure; it’s mixed with silver, copper, zinc, and iron. The choice of these four metals symbolizes the significance of the five metals combined as representations of the world. The statue is adorned with magnificent diamonds, rubies, emeralds, and indranila, or Indian sapphires. Pearl, turquoise, and coral necklaces are wrapped around the figure’s neck and crossed over its chest; on its head sits a golden crown featuring turquoise, from which rise five upright leaves, each containing a small golden image of the Buddha. Hanging from one of these is an exceptionally large and flawless turquoise pendant, measuring six inches long and four inches wide. All these lavish decorations on the image of the great apostle of the simple life demonstrate a limited understanding of the profound meanings and lessons from his early life.
Treating of the religious associations of turquoise among the Tibetans, Dr. Berthold Laufer writes:[549]
Treating the religious associations of turquoise among the Tibetans, Dr. Berthold Laufer writes:[549]
Turquoises, usually in connection with gold, belong to the most ancient propitiatory offerings to the gods and demons; in the enumeration, gold always precedes turquois as the more valuable gift. They also figure among the presents bestowed on saints and Lamas by kings and wealthy laymen. The thrones on which kings and Lamas take their place are usually described as adorned with gold and turquoises, and they wear cloaks ornamented with these stones. It may be inferred from traditions and epic stories that in ancient times arrow-heads were made not only of common flint, but also occasionally of turquois to which a high value was attached. A powerful saint, by touching the bow and arrow of a blacksmith, transforms the bow into gold, and the arrow-head into turquois.
Turquoises, often associated with gold, are among the oldest offerings to gods and demons; in these lists, gold is always mentioned before turquoise as the more valuable gift. They also appear in the presents given to saints and Lamas by kings and wealthy individuals. The thrones for kings and Lamas are usually described as decorated with gold and turquoises, and they wear cloaks adorned with these stones. Traditions and epic tales suggest that in ancient times, arrowheads were made not only from regular flint but also sometimes from turquoise, which was highly valued. A powerful saint, by touching a blacksmith's bow and arrow, transforms the bow into gold and the arrowhead into turquoise.
In the native languages of Mexico and Central America the name chalchiḥuitl most frequently designates jadeite, but it appears sometimes to have been applied to other stones of a green or greenish-blue color, such as the so-called amazon-stone from the region of the Amazon River, and even occasionally to the turquoise. Thus the talismanic value of the chalchihuitl seems to have depended rather upon its hue 305and its rarity, than upon its mineralogical character; indeed, among primitive peoples, stones of the same, or closely similar color, although of different composition, often bore the same name, and were conceived to have the same virtues whether talismanic or therapeutic. Writing of the rich gifts sent by Montezuma to Cortés upon the latter’s arrival at San Juan de Ulúa (1519), Bernal Diaz de Castillo mentions[550] “four chalchiuites, a kind of green stone of great value, and much esteemed by them [the Indians], more highly, indeed, than we esteem the emerald. They are of a green color.” And he proceeds to state that each one of these stones was said to be worth a great weight of gold.
In the native languages of Mexico and Central America, the name chalchiḥuitl usually refers to jadeite, but it was sometimes used for other stones that are green or greenish-blue, like the so-called amazon-stone from the Amazon River region, and even occasionally for turquoise. Thus, the talismanic value of the chalchihuitl seems to have relied more on its color and rarity than on its mineral composition; in fact, among primitive peoples, stones with the same or very similar colors, even if made of different materials, often shared the same name and were believed to possess the same powers, whether for talismanic or healing purposes. Writing about the valuable gifts that Montezuma sent to Cortés upon his arrival at San Juan de Ulúa (1519), Bernal Diaz de Castillo mentions[550] “four chalchiuites, a type of green stone that they [the Indians] valued highly, even more than we value the emerald. They are green in color.” He goes on to say that each of these stones was said to be worth a significant amount of gold.
The statue of the earth-goddess Couatlicue, found in the village of Cozcatlan, Mexico, and now preserved in the National Museum of Mexico, shows, inserted in the cheek, a disk of jadeite.[551] Green seems thus to have been the color sacred to this goddess, which may remind us of the attribution of the green emerald to Venus. Indeed, green as the color of foliage and plants must naturally have suggested itself as eminently appropriate for an earth-goddess, just as its significance as a symbol of life and generation connected it with the Goddess of Love.
The statue of the earth goddess Coatlicue, discovered in the village of Cozcatlan, Mexico, and now housed in the National Museum of Mexico, features a jadeite disk embedded in her cheek.[551] Green appears to have been the color sacred to this goddess, reminiscent of the association of the green emerald with Venus. Indeed, green, representing foliage and plants, would naturally seem fitting for an earth goddess, just as its role as a symbol of life and reproduction links it to the Goddess of Love.
The story of the emeralds brought from the New World by Hernan Cortés must have been quite familiar to sixteenth century writers, for we find Brantôme applying some details of this story to “a beautiful and incomparable pearl” said to have been brought from Mexico by Cortés on his return to Spain. This he later allowed to slip from his fingers into the sea while showing it to a friend on board 306the ship that was bearing him toward Algiers; it was lost in the sea, and in the words of Brantôme “vanished from the sight of mankind, unworthy to possess such a miracle of nature.” The loss of this pearl is looked upon by the French writer as a punishment for the “inscription” Cortés had caused to be placed upon it: Inter natos mulierum non surrexit major;[552] this refers to John the Baptist and was, as we have seen, engraved upon one of the famous emeralds of Cortés. Brantôme believes that its application to a simple product of nature was sacrilegious and the cause of the object’s loss; he also sees in this loss an omen of the death of the Emperor Charles which occurred shortly afterward, and he draws attention to the fact that the “Africans” called their kings “precious stones.”[553]
The story of the emeralds brought from the New World by Hernan Cortés must have been pretty well-known to writers of the sixteenth century because we see Brantôme applying some details of this story to "a beautiful and incomparable pearl" that he claims Cortés brought back from Mexico to Spain. He later let it slip from his fingers into the sea while showing it to a friend on the ship taking him toward Algiers; it was lost in the ocean, and in Brantôme's words, "vanished from the sight of mankind, unworthy to possess such a miracle of nature." The loss of this pearl is viewed by the French writer as a punishment for the "inscription" Cortés had put on it: Among the children born to women, none has risen greater.;[552] this refers to John the Baptist and was, as we've noted, engraved on one of the famous emeralds of Cortés. Brantôme believes that applying it to a simple product of nature was sacrilegious and the reason for the object's loss; he also sees this loss as a sign of Emperor Charles's death, which happened shortly after, and he points out that the "Africans" referred to their kings as "precious stones."[553]
The Aztec art-workers of the period immediately antedating the Spanish Conquest had attained a high order of skill in the difficult work of inlaying carefully cut and shaped bits of precious material so as to produce some form or design of symbolic or religious meaning. In judging the artistic merit of such work, we must always remember that the Aztec inlayers were only provided with rude and primitive tools and implements for the execution of their task, and extraordinary patience and application must have been necessary to complete some of the objects that have been preserved for us. This art seems only to have been cultivated in ancient Mexico and Central America, and perhaps Peru also; of the Mexican work some twenty-five examples have been saved. The Spaniards, shortly after their first landing, were given an opportunity to judge of the quality of this Aztec inlaying, for among the gifts sent by Montezuma to Cortés, were five such objects, a mask with incrustations of turquoise, so disposed as to figure two intertwined serpents; a crozier, also with turquoise mosaic and ending in a serpent’s head; a pair of large ear-rings of serpentine form decorated with the chalchihuitl stone (perhaps nephrite or jadeite); a mitre of ocelot skin, surmounted by a large chalchihuitl, and also decorated with turquoise mosaic, and a staff of office with similar inlays. A serpent-mask answering to the description of one of Montezuma’s gifts is now in the British Museum and is in a fairly good state of preservation, although unfortunately the two serpent-heads have been lost. Evidently this mask was used in connection with the worship of Quetzalcoatl, the serpent-god, an incarnation of which deity the poor Aztecs at first believed Cortés to be.[554]
The Aztec artisans just before the Spanish Conquest had developed impressive skills in the challenging art of inlaying precisely cut pieces of valuable materials to create designs with symbolic or religious significance. When assessing the artistic quality of this work, we must remember that the Aztec inlayers had only basic and primitive tools to carry out their tasks, and completing some of the preserved pieces would have required immense patience and dedication. This art form appears to have been unique to ancient Mexico and Central America, and possibly Peru as well; about twenty-five examples of the Mexican work have survived. Shortly after their arrival, the Spaniards had a chance to evaluate this Aztec inlaying when Montezuma sent Cortés five remarkable pieces: a mask with turquoise inlays shaped to represent two intertwined serpents; a crozier adorned with a turquoise mosaic that ends in a serpent’s head; a pair of large serpentine earrings decorated with the chalchihuitl stone (likely nephrite or jadeite); a mitre made from ocelot skin, topped with a large chalchihuitl and embellished with a turquoise mosaic; and a staff of office with similar inlays. A serpent mask matching one of Montezuma’s gifts is now housed in the British Museum and is relatively well-preserved, although, sadly, the two serpent heads have been lost. This mask was clearly used in the worship of Quetzalcoatl, the serpent god, whom the desperate Aztecs initially believed Cortés to be.[554]

By courtesy of Dr. Edward H. Thompson.
THE SACRED WELL OF CHICHEN ITZA
Wherein, according to tradition, human victims and votive offerings of great value were cast.
Thanks to Dr. Edward H. Thompson.
THE SACRED WELL OF CHICHEN ITZA
Where, as per tradition, human sacrifices and valuable offerings were thrown in.
307Surpassing this mask in a certain strange and weird interest, and equalling it in artistic workmanship, is another most remarkable Aztec ceremonial mask, also in the British Museum Collection. The foundation of this is the front part of a human skull, and its outer surface has been covered with an incrustation of turquoise and jet mosaic in five alternate bands, the upper, middle and lower ones being of jet, while the two intermediate ones are of shaped pieces of turquoise; part of the nose has been removed and the space covered over by tablets of pink shell; protruding eyeballs are figured by convex disks of polished iron pyrites with a bordering of white shell; a number of the teeth have been broken out. Straps attached at the temples rendered it possible to bind this mask to the face of an idol, or for a priest of high rank to wear it on solemn ceremonial occasions.
307Outdoing this mask in a unique and strange appeal, and matching it in artistic craftsmanship, is another impressive Aztec ceremonial mask, also in the British Museum Collection. This one is based on the front part of a human skull, with its outer surface covered in a mosaic of turquoise and jet arranged in five alternating bands; the upper, middle, and lower bands are made of jet, while the two middle bands are made of shaped turquoise pieces. Part of the nose has been removed and covered with pink shell tablets; the eyeballs are represented by convex disks of polished iron pyrites surrounded by white shell. Several teeth have been broken out. Straps attached at the temples make it possible to secure this mask to the face of an idol or for a high-ranking priest to wear it during important ceremonial events.
Some three hundred yards or more from the great temple pyramid at Chichen Itzá, Yucatan, Mexico, at the termination 308of the Sacred Way traversed in times of tribulation, of pestilence or famine, by processions of priests conveying sacrifices to be offered to the offended divinities, was the Sacred Well. Into this the priests would throw the ornaments and trinkets dedicated to the gods as peace-offerings. But such inanimate objects were regarded as insufficient, and even animal sacrifices were deemed to be inadequate, and hence it often happened that prisoners of war and fair maidens were cast into the deep, still waters of the Sacred Well.[555]
Some three hundred yards or more from the great temple pyramid at Chichen Itzá, Yucatan, Mexico, at the end of the Sacred Way that was traveled during times of crisis, pestilence, or famine by processions of priests bringing sacrifices to appease the offended gods, was the Sacred Well. The priests would throw ornaments and trinkets dedicated to the gods into this well as peace offerings. However, such inanimate objects were seen as insufficient, and even animal sacrifices were considered inadequate; therefore, it often happened that prisoners of war and beautiful maidens were thrown into the deep, still waters of the Sacred Well.[555]
Many fragments of the carved stone ornaments have been recovered from the depths of this Sacred Well, and even in their present imperfect state, they testify to a considerable development of the lapidarian art among the ancient Mayas, and a high degree of artistic skill in the fashioning of such objects of adornment. Undoubtedly those used in this way as sacred offerings were considered to be amulets and therefore to be the more acceptable in the sight of the gods.
Many pieces of the carved stone decorations have been discovered in the depths of this Sacred Well, and even in their current damaged state, they show a significant advancement in stone carving among the ancient Mayas and a high level of artistic skill in creating these decorative items. It’s clear that those used as sacred offerings were viewed as amulets and thus more pleasing to the gods.
That lapis lazuli was as much favored for religious use by the aborigines of the New World as it was in ancient Egypt and in other parts of the Old World, is shown by the recent discovery of twenty-eight carefully formed cylindrical beads of lapis lazuli among some very ancient deposits in the island of La Plata, Ecuador. From the general character of these deposits it is evident that they did not belong to permanent dwellers on the island, and there is every reason to believe that they were left by visitors from the mainland, who came to the island for the performance of certain sacred rites and ceremonies.[556]
That lapis lazuli was just as prized for religious purposes by the indigenous people of the New World as it was in ancient Egypt and other parts of the Old World is evidenced by the recent discovery of twenty-eight well-crafted cylindrical beads made of lapis lazuli among some very ancient deposits on the island of La Plata, Ecuador. From the overall nature of these deposits, it’s clear that they didn’t belong to permanent residents of the island, and there is every reason to believe they were left behind by visitors from the mainland who came to the island to perform certain sacred rituals and ceremonies.[556]

By courtesy of Dr. Edward H. Thompson.
CARVED AND WORKED STONES FROM THE SACRED WELL AT CHICHEN ITZA, YUCATAN, MEXICO
Courtesy of Dr. Edward H. Thompson.
CARVED AND WORKED STONES FROM THE SACRED WELL AT CHICHEN ITZA, YUCATAN, MEXICO
309The ancient Mexicans held the turquoise in high esteem, and that Los Cerrillos and other mines in Arizona and New Mexico were extensively worked prior to the discovery of America is proved by fragments of Aztec pottery-vases; by drinking, eating, and cooking utensils; by stone hammers, wedges, mauls, and idols which have been discovered in the debris found in many different localities.
309The ancient Mexicans valued turquoise greatly, and evidence shows that the Los Cerrillos and other mines in Arizona and New Mexico were actively mined long before America was discovered. This is supported by pieces of Aztec pottery, including vases, as well as drinking, eating, and cooking tools, along with stone hammers, wedges, mauls, and idols that have been found in debris at various locations.
While Major Hyde was exploring this neighborhood in 1880, he was visited by several Pueblo Indians from San Domingo, who stated that the turquoise he was taking from the old mine was sacred, and must not go into the hands of those whose Saviour was not a Montezuma, and these Indians offered, at the same time, to purchase all that might come from the mine in the future.
While Major Hyde was exploring this neighborhood in 1880, he was visited by several Pueblo Indians from San Domingo, who stated that the turquoise he was taking from the old mine was sacred and must not fall into the hands of those whose Savior was not a Montezuma. At the same time, these Indians offered to buy all that might come from the mine in the future.
About ten miles from Tempe, Arizona, in ruins designated as Los Muertos, there was found enclosed in asbestos, in a decorated Zuñi jar, a sea-shell coated with black pitch, in which were incrusted turquoise and garnets, in the form of a toad, the sacred emblem of the Zuñi. Incrusted clam shells, representing toads, may be seen in the Brunswick Collection, the Christie Collection in the British Museum, and in the Pitorini Museum, Rome.
About ten miles from Tempe, Arizona, in ruins called Los Muertos, they found a decorated Zuñi jar wrapped in asbestos. Inside was a sea shell covered in black pitch, with turquoise and garnets embedded in the shape of a toad, which is the sacred symbol of the Zuñi. You can see similar clam shells shaped like toads in the Brunswick Collection, the Christie Collection at the British Museum, and the Pitorini Museum in Rome.
At the annual Fiesta which is attended by the San Felipe, the Navajo, the Isleta, the Acoma, the Jicorrilla, Apache and other Indians at the Pueblo of Santo Domingo, a place situated about three miles west by south of Wallace Station on the Atchison, Topeka and Santa Fé Railroad, a carved wooden image of the saint, about four feet in height, and said to date from the time of the conquest in 1692, is carried in procession through the principal streets to a small tent made of the finest Navajo blankets, where it is placed on an improvised altar. Here various offerings are made. Among them strings of turquoise beads, both round and flat, of the choicest color, are suspended from the ears of the figure, and from a string which encircles its neck. On the centre of 310the breast is one of the curious turquoise-encrusted marine clam-shells similar to the one found by Lieutenant F. H. Cushing in the excavations near Tempe, Arizona. The writer saw a fine example of this ornamental object suspended from the neck of the Virgin of Santo Domingo, at the Annual Fiesta, August 4, 1890. With the exception of a black band of obsidian running across the centre, the entire exterior of the shell is covered with a sort of miniature pavement of little squares of turquoise which are cemented to it with a black shellac-like substance obtained from “the grease-wood” plant common in New Mexico.[557]
At the annual Fiesta attended by the San Felipe, Navajo, Isleta, Acoma, Jicorrilla, Apache, and other tribes at the Pueblo of Santo Domingo, located about three miles southwest of Wallace Station on the Atchison, Topeka and Santa Fé Railroad, a carved wooden statue of the saint, about four feet tall and thought to be from the time of the conquest in 1692, is paraded through the main streets to a small tent made of the finest Navajo blankets, where it is placed on a makeshift altar. Here, various offerings are presented. Among them, strings of turquoise beads, both round and flat, in the best colors, are hung from the statue's ears and from a string around its neck. In the center of the breast is one of the unique turquoise-encrusted marine clam shells similar to the one found by Lieutenant F. H. Cushing in the excavations near Tempe, Arizona. The writer saw a striking example of this decorative item hanging from the neck of the Virgin of Santo Domingo at the Annual Fiesta on August 4, 1890. With the exception of a black band of obsidian across the center, the entire exterior of the shell is covered with a miniature pavement of small turquoise squares, which are affixed with a black shellac-like substance derived from the “grease-wood” plant common in New Mexico.[557]
It has been suggested that the types of ornamentation used by the aborigines of Central America may become fashionable at the time of the opening of the Panama Canal. In jewelry the crawfish model, as shown in a gold-plated ornament discovered in the Chiriqui district of Panama, offers a striking and peculiar form which might win favor; a curious frog pattern could also be used. If the local usage in ancient times is to be considered, the emerald and other green stones would be given the preference for decoration, as stones of this color were the most in favor among the primitive inhabitants of Central America because it symbolized the verdure of field and forest, and hence youth and vigor. When set in gold these stones gained in symbolic value, for gold, having the color of the sun, was regarded as typical of force, courage, and vitality.
It has been suggested that the types of ornamentation used by the indigenous people of Central America may become trendy around the time the Panama Canal opens. In jewelry, the crawfish design, seen in a gold-plated ornament found in the Chiriqui region of Panama, presents a striking and unique style that could become popular; a distinctive frog pattern might also be considered. If we look at local practices from ancient times, emeralds and other green stones would likely be favored for decoration, as these stones were the most popular among the early inhabitants of Central America due to their representation of the lushness of fields and forests, symbolizing youth and vitality. When set in gold, these stones gained even more symbolic importance, as gold, with its sun-like color, was seen as emblematic of strength, bravery, and energy.
The mystic lake of Guatavita, high up on the Andean plateau of Colombia, South America, was the chief holy place of the native Indians of this locality hundreds of years ago, at a time when gold and emeralds were plentiful among them, luxuries unknown to their impoverished descendants of our day. Legend had taught them to regard this lake as 311the abiding place of a powerful divinity or demon, whose good will must be secured at any price if dire disease were to be held aloof from the people. Four other sacred lakes on the plateau, Guasca, Siecha, Teusaca, and Ubaque, shared in a lesser degree with the principal one in the attribution of mysterious power. As early as 1534 word was brought to Sebastian de Belalcazar, founder of Quito, that in the course of the religious ceremonies held by the Indians at the Lake of Guatavita, they were wont to cast into its waters immense quantities of gold-dust, emeralds and other precious stones. It was also related that at these semi-annual festivals the Caciques and the principal chiefs, bearing valuable gifts of gold-dust and emeralds, were paddled out in canoes (or on rafts) to the exact middle of the lake, this point being determined by the intersection of two ropes stretching from four temples erected at four equidistant points on its banks. Arrived at this spot the offerings were cast into the lake, and the Cacique of Guatavita, whose naked body had been coated with an adhesive clay, over which gold-dust was sprinkled in profusion, sprang into the water, and after washing off the gold-dust, swam to the shore. This resplendent living golden figure strongly appealed to the Spaniards’ imagination, and the name they bestowed upon the Cacique, El Dorado (“The Golden,” or “Gilded”), is used to our day as a designation of a region or a spot exceptionally rich in gold. At the moment the “Golden Cacique” made his plunge into the lake, the assembled people scattered along its banks turned their backs toward the water, shouted loudly, and threw their propitiatory offerings over their shoulders into the lake.
The mystical lake of Guatavita, high on the Andean plateau in Colombia, South America, was the main sacred site for the local Indigenous tribes hundreds of years ago, when gold and emeralds were abundant among them, luxuries unknown to their impoverished descendants today. Legends taught them to see this lake as the home of a powerful deity or demon, whose favor had to be secured at any cost to keep serious illness away from the people. Four other sacred lakes on the plateau—Guasca, Siecha, Teusaca, and Ubaque—shared some of the mysterious power attributed to the main lake. As early as 1534, word reached Sebastian de Belalcazar, the founder of Quito, that during the religious ceremonies held by the Indigenous people at Guatavita, they would cast vast amounts of gold dust, emeralds, and other precious stones into its waters. It was also said that at these semi-annual festivals, the Caciques and the main chiefs, carrying valuable gifts of gold dust and emeralds, were taken out to the middle of the lake in canoes (or on rafts). This spot was determined by the intersection of two ropes extending from four temples placed at equal distances along the shoreline. Once they reached this spot, the offerings were thrown into the lake, and the Cacique of Guatavita, whose naked body was covered in a sticky clay and generously sprinkled with gold dust, jumped into the water, washed off the gold dust, and swam to shore. This dazzling living golden figure captivated the Spaniards’ imagination, and the name they gave to the Cacique, El Dorado (“The Golden” or “Gilded”), is still used today to describe a place exceptionally rich in gold. At the moment the “Golden Cacique” dove into the lake, the gathered people along its banks turned their backs to the water, shouted loudly, and threw their offerings over their shoulders into the lake.
Attempts have often been made to secure the treasures by drawing off the waters of the lake, but only with very partial success so far. The first serious effort is said to have been made by Antonio de Sepulveda, a merchant of 312Santa Fé, in United States of Colombia, who obtained a Spanish concession. In or about 1823 we have record of another unsuccessful venture on the part of José Ignacio Paris, in an account of Colombia written in 1824 by Captain Charles Stuart Cochrane, of the Royal Navy, who aided Paris in his efforts. The report that at the time of the Spanish Conquest, the Cacique of Guatavita caused gold-dust constituting the burdens of fifty men to be cast into the lake, greatly contributed to the zeal of the treasure-seekers in the vicinity. One of the early attempts at least resulted in the recovery of so much treasure that the Government’s 3 per cent. share is said to have amounted to $170,000.
Attempts have often been made to secure the treasures by draining the lake, but so far, these efforts have only seen limited success. The first serious attempt is believed to have been made by Antonio de Sepulveda, a merchant from Santa Fé in what is now Colombia, who received a Spanish concession. Around 1823, there’s a record of another unsuccessful venture by José Ignacio Paris, mentioned in an account of Colombia written in 1824 by Captain Charles Stuart Cochrane of the Royal Navy, who assisted Paris in his efforts. The story that during the Spanish Conquest, the Cacique of Guatavita had gold dust weighing as much as fifty men thrown into the lake significantly fueled the enthusiasm of treasure hunters in the area. One of the early attempts reportedly led to the recovery of enough treasure that the government's 3 percent share was said to be $170,000.
In none of these essays, however, was the lake really and effectually drained off, and that of Paris in 1823 or 1824 failed in the same way, because of inadequate capital. He had succeeded in persuading sixteen shareholders to club together, each one contributing $500 to a common fund, but after not only this $8,000, but $12,000 more supplied by himself had been expended, there still remained 33 feet of water in the lake.
In none of these essays, however, was the lake actually drained, and the attempt in Paris in 1823 or 1824 failed for the same reason: a lack of funds. He managed to convince sixteen shareholders to contribute, with each person putting in $500 to a shared fund, but after spending not just this $8,000, but an additional $12,000 of his own money, there were still 33 feet of water left in the lake.
Recently an English company has recognized that the treasure must be sought at or even beneath the true bottom, as this existed at the time of the Spanish Conquest, and thus at levels considerably lower than those of the bottom at the present time. The project is, after 30 feet of the present bottom has been removed, to set up a steam shovel and sink down 40 or 50 feet in search of the gold-dust, golden ornaments and emeralds believed to exist here.
Recently, an English company has realized that the treasure needs to be found at or even below the original bottom, as it was during the time of the Spanish Conquest, and therefore at levels much lower than today's bottom. The plan is, after removing 30 feet of the current bottom, to set up a steam shovel and dig down 40 or 50 feet in search of the gold dust, gold ornaments, and emeralds thought to be located here.
VIII
Amulets: Ancient, Medieval, and Eastern

The present and the following chapter are devoted to a study of the talismanic virtues attributed to precious stones and gems, as distinguished from the curative powers with which they were credited. It is sometimes difficult to establish a hard and fast dividing line between the two classes, as everything that conduces to the happiness and well-being of man also affects his bodily health, but a distinction, correct in the main, may be made by regarding the talismanic use as covering all cases except those in which the stone was used where to-day some really medicinal substance would be administered.
The current and the next chapter focus on exploring the symbolic powers attributed to precious stones and gems, separate from their supposed healing abilities. It can be tricky to draw a clear line between these two categories since anything that contributes to a person's happiness and well-being also impacts their physical health. However, a basic distinction can be made by considering talismanic use to encompass all situations except those where the stone was used in place of what would today be seen as a genuinely medicinal substance.
A modern German writer on amulets has proposed to apply the term “emanism” (Emanismus) to the virtue existing or supposed to exist in amulets and talismans, and gives as his opinion that their virtue is neither a spiritual nor a personal one, but the operation of forces, the latter not being special, mysterious vital forces, but impersonal physical components and qualities, and that these exercise their influence by means of emanation. Wundt has held that the very earliest amulets were parts of the human body, and almost always such parts as were believed to be the bearers of the soul.[558]
A contemporary German writer on amulets has suggested using the term “emanism” (Emanismus) to describe the perceived power in amulets and talismans. He believes that this power is neither spiritual nor personal, but rather the result of forces that are not special or mysterious vital energies, but rather impersonal physical elements and qualities. These forces exert their influence through emanation. Wundt argued that the very first amulets were parts of the human body, specifically those parts thought to carry the soul.[558]
Radiation or emanation of energy, without observable loss of substance, is a fact familiar enough to us to-day, but this phenomenon was not so generally accepted centuries ago. Still the lodestone always offered a striking example 314with which all writers on such subjects were acquainted. A stranger argument in support of the truth of this property was adduced by the seventeenth century physician, Sir Thomas Browne (1605–1682), who writes:[559]
Radiation or emission of energy, without any noticeable loss of material, is something we understand well today, but this idea wasn't widely accepted centuries ago. Nonetheless, the lodestone always served as a clear example that all writers on these topics recognized. An unusual argument supporting this trait was made by the 17th-century physician, Sir Thomas Browne (1605–1682), who writes:[559]
If amulets do work by emanation from their bodies upon those parts whereunto they are appended and are not yet observed to abate their weight; if they produce visible and reall effects by imponderous and invisible emissions, it may be unjust to deny all efficacy to gold, in the non-emission of weight or deperdition of any ponderous articles.
If amulets really do work by giving off energy from their bodies to the places they're attached and haven't been shown to lose weight; if they create visible and real effects through light and invisible emissions, it might be unfair to completely deny any power of gold, even when there's no loss of weight or any heavy materials.
While the learned doctor does not expressly state his belief in these “imponderous and invisible emissions” from amulets, he certainly does not attempt to deny their existence.
While the knowledgeable doctor doesn’t directly say he believes in these “weightless and invisible emissions” from amulets, he definitely doesn’t try to deny that they exist.
The Bolivian natives believe that the so-called mountain-sickness, the affection from which some travellers suffer at high altitudes, probably originates in subtle emanations from certain mineral veins. A confirmation of the fact that such a belief exists, though not of the truth of the theory, is found in the native name for this illness, veta, which signifies at once “mountain-sickness” and a vein or lode. The fact that at the pass of Livichuco, on the trail from Challapata to Sucre, there are considerable deposits of antimony, is regarded as substantiating this strange fancy.[560]
The Bolivian natives believe that mountain sickness, which some travelers experience at high altitudes, likely comes from subtle emissions from certain mineral veins. Evidence that such a belief exists, though not proof of the theory, is found in the native term for this illness, veta, which means both “mountain sickness” and a vein or lode. The significant deposits of antimony at the Livichuco pass, along the trail from Challapata to Sucre, are seen as supporting this unusual idea.[560]
Among the Babylonians one of the most dreaded of the malign spiritual powers was the terrible female demon Labastu, and a long series of amulets are recommended, one or more of which should be worn to ward off her pernicious influence. For some of these amulets precious stones were used, and the effect of color, probably a determining circumstance in the selection of the particular stone, was to be strengthened by the color of the wrapping about the stone and of the cord by means of which it was to be hung from the neck, or attached to the right or left hand or foot, or to other parts of the body. As this dreadful spirit was chiefly feared as the inducer of disease, the location of the amulet was perhaps in some cases determined by the presence of local pain or disorder; in this case it would be expected to act as a cure of disease rather than a mere preventive. The following passages refer to such stone amulets:[561]
Among the Babylonians, one of the most feared spiritual entities was the terrifying female demon Labastu. A long list of amulets is recommended, and one or more of these should be worn to fend off her harmful influence. Some of these amulets used precious stones, and the effect of color—likely an important factor in choosing the specific stone—was enhanced by the color of the wrapping around the stone and the cord used to hang it from the neck, or attach it to the right or left hand or foot, or other parts of the body. Since this dreadful spirit was mainly feared for causing illness, the placement of the amulet might have been influenced by any local pain or disorder; in such cases, it was expected to serve as a remedy for illness rather than just a preventive measure. The following passages refer to such stone amulets:[561]

EYE AGATES
Used as charms against the Evil Eye. East Indian.
EYE AGATES
Used as charms to protect against the Evil Eye. From East India.
315Thou shalt wrap up a shubu-stone in white wool, and hang it on a white woollen cord, with four eye-stones (enâti) and four parê, and bind it to thy right hand.
315You should wrap a shubu-stone in white wool, and hang it on a white wool cord, with four eye-stones (enâti) and four parê, and tie it to your right hand.
A black ka-stone shalt thou enwrap in black wool, hang it on a black woollen cord, provide it with three eye-stones and three parê, and bind it to thy left hand.
A black ka-stone you shall wrap in black wool, hang it on a black wool cord, attach three eye-stones and three parê, and secure it to your left hand.
Thou shalt wrap a white ka-stone in red wool, hang it on a red woollen cord, with four eye-stones and four parê, and bind it to the right foot.
You should wrap a white ka-stone in red wool, hang it on a red wool cord, with four eye-stones and four parê, and attach it to your right foot.
An appu-stone shalt thou wrap up in blue wool, hang it on a blue woollen cord, furnish it with three eye-stones and three parê, and bind it to the left foot.
An appu-stone you shall wrap in blue wool, hang it on a blue wool cord, add three eye-stones and three parê, and attach it to the left foot.
Seven eye-stones and seven parê shalt thou string on a black cord.
Seven eye-stones and seven parê you shall string on a black cord.
The enâti (eye-stones) here mentioned were most probably eye-agates similar to those still prized in the Mesapotamian region for their supposed magical virtues, and more especially for protection against the Evil Eye. There is, indeed, a bare possibility that some form of the cat’s-eye (known by that name to the Arabs) or one of the star-stones may occasionally be signified by this Assyrian name. The word parê, as it is not preceded by the determinative character signifying stone, may refer to some other material.
The enâti (eye-stones) mentioned here were likely eye-agates, similar to those that are still valued in the Mesopotamian region for their believed magical properties, particularly for protection against the Evil Eye. There is a slight possibility that this Assyrian name could occasionally refer to a type of cat’s-eye (known by that name to the Arabs) or one of the star-stones. The word parê, since it isn’t preceded by the character that indicates stone, might refer to a different material.
An immediate association of an animal eye with a turquoise, an example of the sympathetic magic to which we have frequently alluded, comes from Persia. During the celebration of the imposing ceremonies attending the great 316annual assemblage of pilgrims at the shrine of Mecca, it is customary to slaughter an immense number of sheep, and certain of the Persian pilgrims will secure possession of some of the eyes of their sacrificial victims, and will embed turquoises in them, firmly believing that in this way they have composed an infallible amulet against the Evil Eye.[562]
An immediate connection between an animal's eye and a turquoise, an example of the sympathetic magic we’ve often mentioned, comes from Persia. During the grand ceremonies of the large annual gathering of pilgrims at the shrine of Mecca, it is customary to slaughter a huge number of sheep. Some Persian pilgrims collect the eyes of these sacrificed animals and embed turquoises in them, firmly believing that they have created a powerful amulet against the Evil Eye.[562]
A Persian manuscript of a work entitled “Nozhat Namah Ellaiy,” written in the eleventh century by Schem Eddin, the transcription being dated 1304, asserts that the turquoise (piruzeh), though lacking in brilliancy, was esteemed to be a stone of good omen, and one that would bring good luck, since this was indicated by its name, signifying in Persian, “the Victorious.”[563]
A Persian manuscript of a work called “Nozhat Namah Ellaiy,” written in the eleventh century by Schem Eddin, with the transcription dated 1304, claims that turquoise (piruzeh), although not very bright, was considered a stone of good fortune and one that would bring luck, as suggested by its name, which means “the Victorious” in Persian.[563]
One of the Egyptian tales from the time of the early dynasties shows the value placed upon the turquoise in Egypt at that time. This recital occurs in Baufra’s Tale. The reigning Pharaoh, to relieve a fit of mental depression, took a pleasure trip on the palace lake in a boat rowed by twenty beautiful and richly attired maidens. While bending over her oar, one of the maidens let fall into the water from her hair-adornment a fine turquoise (Egypt mafkat, thus rendered by Petrie) and was deeply chagrined at the loss. However, the court magician Zazamankh, who accompanied the sovereign, by his magic arts was able to provide a remedy, for on his reciting a charm of great power the turquoise rose up through the water so that it could be picked up from the surface and returned to its disconsolate owner.[564]
One of the Egyptian stories from the early dynasties highlights the value of turquoise in Egypt at that time. This account is found in Baufra’s Tale. The ruling Pharaoh, seeking to lift his spirits, took a boat ride on the palace lake, rowed by twenty beautiful and elegantly dressed maidens. While bending over her oar, one of the maidens accidentally dropped a fine turquoise from her hair accessory into the water and felt very upset about losing it. However, the court magician Zazamankh, who was with the Pharaoh, used his magical skills to help. By reciting a powerful charm, the turquoise rose up through the water so that it could be retrieved from the surface and returned to its sorrowful owner.[564]

TYPES OF EGYPTIAN SEALS AND SCARABS IN THE MURCH COLLECTION, METROPOLITAN MUSEUM OF ART, NEW YORK
Royal names: Fig. 1, XII Dynasty (2000–1788 B.C.), Usertasen III; Fig. 2, XIII Dyn. (1788–1680, B.C.), Sebekhetep III; Fig. 3, Hyksos
Kings (1680–1580 B.C.), Aamu; Fig. 4, XVIII Dyn. (1580–1350 B.C.), Amenhetep I; Fig. 5, XIX Dyn. (1350–1205 B.C.), Rameses II; Fig. 8,
XXII Dyn. (945–745 B.C.), Sheshonk I; Fig. 9, XXV Dyn. (712–663 B.C.), Taharka; Fig. 10, XXVI Dyn. (663–525 B.C.), Psamtek I; Private
names; Fig. 11, Shemses, “Attendant”; Fig 12, Rera, “Superintendent of the Storehouse of Offerings”; Fig. 13, Ankh, “Attendant”; Figs.
14–16, scroll designs and ornamental groupings of hieroglyphs; Fig. 17, Goodluck amulet “May your name be established, may you have
a son!”
Figs. 18–24, animal-back seals.
TYPES OF EGYPTIAN SEALS AND SCARABS IN THE MURCH COLLECTION, METROPOLITAN MUSEUM OF ART, NEW YORK
Royal names: Fig. 1, XII Dynasty (2000–1788 BCE), Usertasen III; Fig. 2, XIII Dyn. (1788–1680, BCE), Sebekhetep III; Fig. 3, Hyksos
Kings (1680–1580 B.C.), Aamu; Fig. 4, XVIII Dyn. (1580–1350 BCE), Amenhetep I; Fig. 5, XIX Dyn. (1350–1205 BCE), Rameses II; Fig. 8,
XXII Dyn. (945–745 BCE), Sheshonk I; Fig. 9, XXV Dyn. (712–663 BCE), Taharka; Fig. 10, XXVI Dyn. (663–525 BCE), Psamtek I; Private
names; Fig. 11, Shemses, “Attendant”; Fig 12, Rera, “Superintendent of the Storehouse of Offerings”; Fig. 13, Ankh, “Attendant”; Figs.
14–16, scroll designs and decorative groups of hieroglyphs; Fig. 17, Goodluck amulet “May your name be established, may you have a son!”
Figs. 18–24, animal-back seals.
317The Egyptians believed that the different kinds of precious stones were endowed with certain special talismanic properties, and these stones were combined in their necklaces in a way supposed to afford protection from all manner of malign influences. The beads were of various forms, sometimes round or oval, and at others, rectangular or oblong; besides the stones in general use, such as the emerald, carnelian, agate, lapis lazuli, amethyst, rock-crystal, beryl, jasper and garnet, beads of gold, silver, glass, faience, and even of clay and straw, were employed. To complete the efficacy of the necklace, small images of the gods and of the sacred animals were added as pendants. Even on the mummies and mummy cases such ornaments are painted in imitation of necklaces or collars of precious stones, with flowers, etc., as pendants.[565]
317The Egyptians believed that different types of precious stones had special protective qualities, and they arranged these stones in their necklaces to shield against all kinds of negative influences. The beads came in various shapes, sometimes round or oval, and other times rectangular or oblong. In addition to commonly used stones like emerald, carnelian, agate, lapis lazuli, amethyst, rock crystal, beryl, jasper, and garnet, they also used beads made of gold, silver, glass, faience, and even clay and straw. To enhance the necklace's effectiveness, small images of gods and sacred animals were added as pendants. Even on mummies and mummy cases, such decorations are painted to look like necklaces or collars made of precious stones, complete with flowers and other pendants.[565]
One of the most artistic and beautiful specimens of ancient Egyptian goldsmiths’ work was recently sent by Dr. Flinders Petrie, on behalf of the Egyptian Research Account Society, to the Boston Museum of Fine Arts. It is adorned with amethysts set in gold, the stones with their symbolic settings constituting a charm of powerful amulets for the protection of the wearer, who is believed to have been the Princess Sat-Hathor-Ant, of the Twelfth Dynasty, the wife of the heir to the throne. Dr. Petrie pronounces this to be one of the finest ancient Egyptian necklaces he has ever seen.
One of the most artistic and beautiful examples of ancient Egyptian goldsmithing was recently sent by Dr. Flinders Petrie, representing the Egyptian Research Account Society, to the Boston Museum of Fine Arts. It’s decorated with amethysts set in gold, with the stones and their symbolic arrangements forming a powerful charm for the protection of the wearer, who is believed to be Princess Sat-Hathor-Ant from the Twelfth Dynasty, the wife of the heir to the throne. Dr. Petrie declares this to be one of the finest ancient Egyptian necklaces he has ever seen.
This splendid ornament came from tomb No. 154 at Haragh. It measures 26.3 inches in length and is composed of 88 amethyst beads varying in length from nearly a quarter-inch to about four-tenths of an inch (0.6 cm. to 1 cm.) and in diameter from a little over a quarter-inch to over four-tenths of an inch (0.7 cm. to 1.1 cm.). The beads are slightly flattened and the borings were made from both ends, meeting accurately in the centre in the majority of 318cases. In spite of small surface scars, they are generally of very clear and even color.[566]
This beautiful ornament was found in tomb No. 154 at Haragh. It measures 26.3 inches long and consists of 88 amethyst beads, ranging in length from nearly a quarter inch to about four-tenths of an inch (0.6 cm to 1 cm) and in diameter from just over a quarter inch to over four-tenths of an inch (0.7 cm to 1.1 cm). The beads are slightly flattened, and the holes were drilled from both ends, meeting accurately in the center in most cases. Despite some minor surface scratches, they are generally very clear and have an even color.318[566]
Special chapters from the great Egyptian collection of hymns and invocations known as the “Book of the Dead” were inscribed on certain particular stones, as in the following instances:
Special chapters from the amazing Egyptian collection of hymns and prayers known as the “Book of the Dead” were carved on specific stones, as seen in the following examples:
Chapter XXVI of the Book of the Dead to be inscribed on, or recited over, a figure in lapis lazuli.[567]
Chapter XXVI of the Book of the Dead to be inscribed on, or recited over, a figure in lapis lazuli.[567]
Chapter whereby the Heart is given to a person in the Netherworld.
Chapter whereby the Heart is given to a person in the Netherworld.
He saith: Heart mine to me, in the place of Hearts! Whole Heart mine to me, in the place of Whole Hearts!
He says: My heart to me, in the place of hearts! My whole heart to me, in the place of whole hearts!
Let me have my Heart that it may rest within me; but I shall feed upon the food of Osiris, on the eastern side of the mead of amaranthine flowers.
Let my Heart rest inside me; but I will feed on the food of Osiris, on the eastern side of the meadow of everlasting flowers.
Be mine a bark for descending the stream and another for ascending.
Give me a boat for going down the river and another for coming back up.
I go down into the bark where thou art.
I go down into the place where you are.
Be there given to me my mouth wherewith to speak, and my feet for walking; and let me have my arms wherewith to overthrow my adversaries.
Give me my mouth to speak, my feet for walking, and my arms to defeat my enemies.
Let two hands from the Earth open my mouth: Let Seb, the Erpâ of the gods, part my two jaws; let him open my two eyes which are closed, and give motion to my two hands which are powerless; and let Anubis give vigor to my legs that I may raise myself upon them.
Let two hands from the Earth open my mouth: Let Seb, the Erpâ of the gods, part my two jaws; let him open my two eyes which are shut, and give strength to my two hands which are weak; and let Anubis give energy to my legs so I can stand up on them.
And may Sechit the divine one lift me up, so that I may arise in Heaven and issue my behest in Memphis.
And may Sechit the divine one lift me up, so that I can rise in Heaven and carry out my wishes in Memphis.
I am in possession of my Heart, I am in possession of my Whole Heart, I am in possession of my arms and I have possession of my legs.
I have my heart, I have my whole heart, I have my arms, and I have my legs.
[I do whatsoever my Genius willeth, and my Soul is not bound to my body at the gates of Amenta.]
[I do whatever my Genius wants, and my Soul is not tied to my body at the gates of Amenta.]
Chapter XXVII of the Book of the Dead to be inscribed on, or recited over, a figure in green feldspar.[568]
Chapter XXVII of the Book of the Dead to be inscribed on, or recited over, a figure in green feldspar.[568]
Chapter whereby the Heart of a person is not taken from him in the Netherworld.
Chapter whereby the Heart of a person is not taken from him in the Netherworld.
319O ye gods who seize upon Hearts, and who pluck out the Whole Heart; and whose hands fashion anew the Heart of a person according to what he hath done; lo now, let that be forgiven to him by you.
319O gods who take hold of hearts and reshape them entirely; and whose hands remold a person's heart based on their actions; look now, let that be forgiven by you.
Hail to you, O ye Lords of Everlasting Time and Eternity!
Hail to you, O Lords of Everlasting Time and Eternity!
Let not my Heart be torn from me by your fingers.
Let not my heart be torn from me by your hands.
Let not my Heart be fashioned anew according to all the evil things said against me.
Let my heart not be reshaped by the negative things said about me.
For this Heart of mine is the Heart of the god of mighty names [Thoth], of the great god whose words are in his members, and who giveth free course to his Heart which is within him.
For this Heart of mine is the Heart of the god of powerful names [Thoth], the great god whose words are in his being, and who allows his Heart, which is within him, to flow freely.
And most keen of insight is his heart among the gods. Ho to me! Heart of mine: I am in possession of thee, I am thy master, and thou art by me; fall not away from me; I am the dictator to whom thou shalt obey in the Netherworld.
And the sharpest insight is in his heart among the gods. Hey, listen to me! Heart of mine: I have you, I am your master, and you are with me; don't stray from me; I am the one you will follow in the afterlife.
Were there sufficient evidence as to the use of jade by the ancient Egyptians, we might be justified in finding an allusion to this substance in the 160th chapter of the Book of the Dead. This chapter was to be inscribed upon a small column made of a green stone (Renouf translates “green feldspar”), as appears in the text, which reads, in part, as follows:
Were there enough evidence regarding the use of jade by the ancient Egyptians, we could be justified in finding a reference to this material in the 160th chapter of the Book of the Dead. This chapter was meant to be inscribed on a small column made of a green stone (Renouf translates it as “green feldspar”), as is stated in the text, which reads, in part, as follows:
I am the column of green feldspar which cannot be crushed, and which is raised by the hand of Thoth.
I am the column of green feldspar that can't be broken, and which is lifted by the hand of Thoth.
Injury is an abomination for it. If it is safe, I am safe; if it is not injured, I am not injured; if it receives no cut, I receive no cut.
Injury is a terrible thing for it. If it’s safe, I’m safe; if it’s not hurt, I’m not hurt; if it doesn’t get a cut, I don’t get a cut.
Said by Thoth: arise, come in peace, lord of Heliopolis, lord who resides at Pu.
Said by Thoth: rise, come in peace, lord of Heliopolis, lord who lives at Pu.
The text is accompanied by a vignette in which Thoth is represented bringing the column enclosed in a box or casket. This is one of the forms of the neshem-stone, a name used in Egyptian as widely and vaguely as was smaragdus in Latin. One thing is, however, quite evident, the material designated here must have been of exceptional hardness and toughness, for the special virtue of the column-amulet was to make the body as hard and indestructible as itself. Incidentally 320we may recall that the hermetic work of Thoth, named by the later Greeks Trismegistos, the Thrice Mighty One, which was said to have been unearthed in a tomb, was inscribed upon smaragdus.
The text is accompanied by a scene where Thoth is depicted bringing the column inside a box or chest. This represents one type of the neshem-stone, a term used in Egyptian as broadly and vaguely as emerald was in Latin. One thing is clear, though: the material referred to here must have been extremely hard and durable, because the special property of the column-amulet was to make the body as hard and indestructible as itself. By the way, 320 we might remember that the hermetic work of Thoth, which the later Greeks called Trismegistos, the Thrice Mighty One, was said to have been discovered in a tomb and was inscribed on smaragdus.
The larger part of the amulets used in ancient Egypt represented some living creature. The most usual type is the bull’s head, which was cut from carnelian, hematite, amazon stone, lapis lazuli, or quartz. Prehistoric Egyptian amulets representing the fly have been found; these were of slate, lapis lazuli and serpentine. In historic times gold was employed as the material. Other types occurring in prehistoric times are the hawk, of quartz or limestone; the serpent, of lapis lazuli or limestone; the crocodile and the frog. Carnelian was freely used as the material for amulets in the earlier historic times, among the prevailing forms were the hand, the fist, and the eye; amulets figuring the lion, the jackal-head, the frog, and the bee, also appear. Silver or electrum was substituted for carnelian in the Middle Kingdom. At a later period amulets were used less and less frequently.[569]
The majority of the amulets used in ancient Egypt depicted some living creature. The most common type was the bull’s head, made from carnelian, hematite, amazonite, lapis lazuli, or quartz. Prehistoric Egyptian amulets representing flies have been discovered, crafted from slate, lapis lazuli, and serpentine. During historic times, gold became the preferred material. Other types from prehistoric times include the hawk, made of quartz or limestone; the serpent, made of lapis lazuli or limestone; as well as the crocodile and the frog. Carnelian was widely used for amulets in earlier historic times, with prevalent shapes including the hand, the fist, and the eye. Amulets featuring the lion, the jackal head, the frog, and the bee were also common. In the Middle Kingdom, silver or electrum replaced carnelian. Over time, the use of amulets decreased significantly.[569]
The mysterious virtues of the scarab are not yet forgotten in the East, in Syria at least, for we are told that this beetle is an object of much veneration among the Syrian peasants as an amulet. One use of it in this way is to enclose a specimen in a box and lay this upon the breast of a babe in its cradle as a sure protection against the greatly-dreaded Evil Eye. There is also a superstition in this region that if a “scarab” is found lying helplessly on its back, anyone who charitably relieves it of its embarrassment by setting it on its feet, will be relieved of the guilt of a number of sins.[570]
The mysterious qualities of the scarab are still remembered in the East, particularly in Syria. It's said that this beetle is highly respected by Syrian peasants as a protective amulet. One way they use it is by enclosing a specimen in a box and placing it on a baby's chest in the cradle to protect against the feared Evil Eye. There's also a local superstition that if someone finds a "scarab" lying on its back and kindly helps it by flipping it over, that person will be absolved of numerous sins.[570]

By courtesy of Herbert J. Ward and John Murray, Publisher.
COLOSSAL SCARAB IN BLACK GRANITE, BRITISH MUSEUM
Length 60 in., by 33 in. high. From “The Sacred Beetle” by John Ward, F.S.A.
Thanks to Herbert J. Ward and John Murray, Publisher.
COLOSSAL SCARAB IN BLACK GRANITE, BRITISH MUSEUM
Length 60 in., height 33 in. From “The Sacred Beetle” by John Ward, F.S.A.
321It is difficult to see any other origin for the scaraboid, or imperfect scarab form, than that afforded by the Egyptian scarabs, some of which date back to about 4000 B.C. Whether we can literally say that the scaraboid was introduced into Babylon by the Egyptians may be open to question, as the form itself appears to have been evolved by Etruscans and Greeks. Unquestionably the scaraboid was much more easily shaped than the scarab proper, and for those traders who wished large supplies for commercial purposes at a low cost, this was by no means a negligible quality.
321It's hard to identify any other origin for the scaraboid, or the imperfect scarab shape, than the Egyptian scarabs, some of which go back to around 4000 BCE Whether we can definitively say that the Egyptians introduced the scaraboid to Babylon is debatable, as the shape seems to have been developed by the Etruscans and Greeks. There's no doubt that the scaraboid was much easier to make than the proper scarab, and for traders looking to buy large quantities for commercial use at a low cost, this was a significant advantage.
The evolution of the ring from the cylindrical seal is of course purely a matter of conjecture. Here, as is often the case in a chain or series of fossil remains, we have a succession of types which may be connected with one another genetically, but which must not be so connected. That is to say, we cannot prove the affirmative and can only point to a probability.
The evolution of the ring from the cylindrical seal is really just a matter of guesswork. Here, as is often seen in a series of fossil remains, we have various types that might be related to one another genetically, but they don’t have to be. In other words, we can’t prove it for sure and can only suggest that it's likely.
Many cut and engraved stones, some of which had evidently been used as talismans, have been washed up on the shore at Alexandria, Egypt. Not all of these are completed, some being only half worked, as though the engraver had become dissatisfied with his design, or had found a flaw in the material, or that they had been lost from boats or ships. It has been conjectured that these half-completed gems were the work of household jewellers employed in the palaces of Alexandria.[571] In Mas’ûdi’s “Meadows of Gold” we read that in his time, in the tenth century A.D., there was what he terms “a fishery for precious stones” on the sea-coast near Alexandria, Egypt. To account for this he relates two bits 322of legend. One of them represents these fragments of precious stones as having originally adorned the richly decorated vases and vessels of Alexander the Great, which were broken up and cast into the sea by Alexander’s mother after his death. The other tale was to the effect that Alexander himself had gathered together a mass of jewels and ordered them to be thrown into the sea near the Pharos, so that its neighborhood should never be deserted; for, Mas’ûdi remarks, wherever precious stones are to be found, whether in mines or in the depths of the sea, men are sure to assemble to seek for them.[572]
Many cut and engraved stones, some of which seem to have been used as talismans, have been found washed up on the shore at Alexandria, Egypt. Not all of these are finished; some are only half done, as if the engraver lost interest in the design, found a flaw in the material, or if they fell from boats or ships. It’s been suggested that these incomplete gems were made by local jewelers working in the palaces of Alexandria.[571] In Mas’ûdi’s “Meadows of Gold,” he mentions that during his time in the tenth century CE, there was what he calls “a fishery for precious stones” along the sea-coast near Alexandria, Egypt. To explain this, he shares two legends. One suggests that these fragments of precious stones originally adorned the beautifully decorated vases and vessels of Alexander the Great, which were shattered and tossed into the sea by Alexander’s mother after his death. The other story indicates that Alexander himself gathered a trove of jewels and ordered them to be thrown into the sea near the Pharos, so that the area would never be abandoned; Mas’ûdi notes that wherever precious stones can be found—whether in mines or beneath the sea—people will always gather to search for them.[572]
The prophet Isaiah in his third chapter, where he scores the wantonness and vanity of the Daughters of Zion (vs. 16–26), enumerates in detail the various adornments of a Hebrew mondaine toward the end of the eighth century before Christ. Among the jewels and trinkets, amulets (lehâshîm; v. 20) are expressly mentioned, and also “crescents,” these being probably of gold. While it is not possible to determine the material of the amulets, the fact that they are named together with rich ornaments of various kinds, rings, nose-jewels, bracelets, anklets, etc., indicates that they were of precious material, and were possibly engraved precious stones or seals of some sort.[573] In the Song of Songs, which can scarcely be assigned to a later date than Isaiah, and may have been written earlier, the seal is named in what is perhaps the most beautiful passage of this unique poem, Chapter VII, verse 6:
The prophet Isaiah, in his third chapter, criticizes the extravagance and vanity of the Daughters of Zion (vs. 16–26) and lists the different adornments of a Hebrew woman from the late eighth century BC. Among the jewelry and trinkets, amulets (lehâshîm; v. 20) are specifically mentioned, as well as “crescents,” which were likely made of gold. While we can't pinpoint the material of the amulets, the mention of them alongside other luxurious items like rings, nose jewelry, bracelets, anklets, etc., suggests they were made of precious materials, possibly featuring engraved stones or seals.[573] In the Song of Songs, which is unlikely to be written much later than Isaiah and may even be older, the seal is referenced in what could be the most beautiful part of this unique poem, Chapter VII, verse 6:
The golden “crescents” were used as amulets by the Midianites for suspension on the necks of their camels, at the period of the Hebrew conquest of Canaan, as appears from the eighth chapter of Judges (v. 21).
The golden “crescents” were worn as charms by the Midianites, hanging around the necks of their camels during the time of the Hebrew conquest of Canaan, as mentioned in the eighth chapter of Judges (v. 21).
The burying in a grave of valuable gems and ornaments worn by the deceased during life must have been originally due to a belief that they served as talismans to guard the remains from the malign influence of evil spirits, or perhaps even to afford protection and aid, by some strange occult power, to the soul of the departed in the under or upper world whither it had journeyed. In the New World, among the more highly civilized and wealthy Indian tribes of the south, this custom was very general, and rich spoils have been taken from their graves by the unsentimental settlers from Europe. In the Old World also this usage was quite common; Egyptian tombs have afforded jewels of gold and gems worth large sums intrinsically, apart from their archæological value, and only to note one among many instances, we may recall the treasures unearthed by the indefatigable Schliemann in the old Greek tombs of Mycenæ. However, of all these finds none surpasses in interest that made by M. Henry de Morgan near Susa on February 10, 1901, when there was brought to light, from a depth of some six metres below the surface, a bronze sarcophagus containing the skeleton of a woman. Heaped upon the breast of the skeleton and strewn about the head and neck was a mass of finely-wrought and artistic gems and jewels, including several detached amulets. From coins found in the burial and also from the general character of these relics, M. de Morgan 324believes that the interment must have been made at some date between 350 and 330 B.C., just before Alexander’s invasion of Persia.[574]
The practice of burying valuable gems and ornaments worn by the deceased must have originally stemmed from the belief that these items acted as talismans to protect the remains from the harmful influence of evil spirits, or perhaps even to provide protection and assistance, through some mysterious supernatural power, to the soul of the departed as it traveled to the afterlife. In the New World, this custom was widespread among the more advanced and wealthy Indian tribes in the south, and many treasures have been taken from their graves by the unsentimental European settlers. This practice was also quite common in the Old World; Egyptian tombs have yielded gold jewelry and gems worth considerable amounts, aside from their archaeological significance, and just to mention one of many examples, we can recall the treasures discovered by the tireless Schliemann in the ancient Greek tombs of Mycenae. However, of all these discoveries, none is more intriguing than the find made by M. Henry de Morgan near Susa on February 10, 1901, when a bronze sarcophagus containing the skeleton of a woman was unearthed from about six meters below the surface. Piled on the chest of the skeleton and scattered around the head and neck was a collection of beautifully crafted and artistic gems and jewels, including several separate amulets. Based on coins found in the burial and the overall character of these artifacts, M. de Morgan believes that the burial occurred sometime between 350 and 330 B.C., just before Alexander’s invasion of Persia.324
The jewels embrace a beautiful gold torque weighing 385 grams (something over one pound Troy). The hoop terminates in two lions’ heads having cheeks of turquoise, while on the muzzle is a lapis lazuli flanked by two turquoises; on the top of the head is a plate of mother-of-pearl. Bracelets similar in design and decoration to the torque go to complete the parure. Of even greater interest than the gold torque was a three-row pearl necklace, 238 of the pearls being still more or less well preserved; originally there must have been from 400 to 500 of them. Still another valuable necklace consists of 400 beads of precious or ornamental stone material and 400 gold beads. The stones represented are turquoise, lapis lazuli, emerald, agate, various jaspers, red and blond carnelian, feldspar, jade (?), hyaline and milky quartz, amethyst of a pale violet hue, hematite, several marbles and breccia. A fourth necklace had a row of beads and pendants incrusted with carnelian, lapis lazuli and turquoise; here the sharp contrast of the bright red carnelian disturbs the harmonious effect produced by the combination of the dark blue lapis lazuli and the light blue turquoise.
The jewels include a stunning gold torque that weighs 385 grams (a little over one pound Troy). The hoop ends in two lion heads with turquoise cheeks, and the muzzles feature lapis lazuli flanked by two pieces of turquoise; on the top of their heads is a plate made of mother-of-pearl. Bracelets that match the design and decoration of the torque complete the set. Even more interesting than the gold torque is a three-row pearl necklace, with 238 pearls still in fairly good condition; originally, there must have been between 400 and 500 pearls. There’s also another valuable necklace made of 400 beads from precious or decorative stones and 400 gold beads. The stones include turquoise, lapis lazuli, emerald, agate, various jaspers, red and blonde carnelian, feldspar, possibly jade, hyaline and milky quartz, pale violet amethyst, hematite, and several types of marble and breccia. A fourth necklace features a row of beads and pendants inlaid with carnelian, lapis lazuli, and turquoise; here, the striking contrast of the bright red carnelian disrupts the harmonious effect created by the combination of the dark blue lapis lazuli and the light blue turquoise.
The detached amulets are of various forms, one figuring a sphinx with a ram’s head; this was in white paste with green enamel. Another, of gold, was rudely fashioned in the form of a lion or a cat, and there was also a dove of lapis lazuli, poorly executed, the amulets (mainly of Egyptian type) being of very inferior workmanship as compared with the jewels. Still they serve to confirm the belief that this heaping up in the tomb of all the dearest treasures cherished 325in life, was intended to exert a post-mortem influence upon the after-life of the dead woman.
The detached amulets come in various designs, including one depicting a sphinx with a ram's head; this one was made of white paste and green enamel. Another amulet, made of gold, was roughly shaped like a lion or a cat, and there was also a dove made of lapis lazuli, which was poorly crafted. The amulets (mainly of Egyptian style) were made with much lower quality compared to the jewels. Still, they support the belief that collecting all the cherished treasures in the tomb was meant to have an impact on the afterlife of the deceased woman. 325
That some of the Hebrew patriots who fought under the banner of Judas Maccabæus toward the middle of the second century B.C. were tinged with the prevailing superstition regarding amulets, appears in a passage of the second book of Maccabees, where it is stated that when Judas collected together for burial the bodies of those patriots who had fallen in battle before Odolla, they were found to have worn beneath their tunics certain idolatrous amulets, a custom strictly forbidden to the Jews. Their death was then looked upon as a signal instance of divine justice, which “had made hidden things manifest,” and Judas exhorted the people to take this lesson to heart and guard themselves from sin.
Some of the Hebrew patriots who fought under Judas Maccabeus in the middle of the second century BCE were influenced by the common superstition about amulets. This is shown in a passage from the second book of Maccabees, where it states that when Judas collected the bodies of his fallen comrades who died in battle against Odolla for burial, they were found to be wearing certain idolatrous amulets under their tunics, a practice strictly forbidden for the Jews. Their deaths were viewed as a clear example of divine justice, which “had made hidden things manifest,” and Judas urged the people to take this lesson to heart and protect themselves from sin.
The wealth of books on magic and divination produced in the ancient city of Ephesus, in Asia Minor, was so great that the designation “Ephesian writings” was quite generally given to writings of this kind, more especially to denote short texts that could be worn as amulets or charms. We read in the Acts of the Apostles (xix, 19) that after hearing the fervent discourses of St. Paul, in which he eloquently attacked the superstitions of the Ephesians, many of those who owned books of this description were so deeply moved that they burned up all such books in their possession, to the value of 50,000 pieces of silver, that is to say $9000, equivalent perhaps to $90,000, if we make due allowance for the greater purchasing power of money nearly two thousand years ago. The small literary value of the writings of this sort that have been preserved for us indicates that the loss to posterity by this auto-da-fé was not very considerable, and yet many queer superstitions and strange usages of which we now lack information must have been noted in these magic rolls and sheets.
The huge number of books on magic and divination produced in the ancient city of Ephesus, in Asia Minor, was so significant that the term “Ephesian writings” was commonly used to refer to these kinds of texts, especially those that could be worn as amulets or charms. We read in the Acts of the Apostles (xix, 19) that after hearing the passionate speeches of St. Paul, where he strongly criticized the superstitions of the Ephesians, many people who owned such books were so moved that they burned all their copies, worth about 50,000 pieces of silver, which is around $9,000 today, possibly equating to $90,000 when considering the greater purchasing power of money nearly two thousand years ago. The limited literary value of the writings that have survived indicates that the loss to future generations from this act of burning was not very significant, but many strange superstitions and peculiar practices that we don’t have information about must have been recorded in those magical scrolls and sheets.
The following lines may serve to show how highly the 326jasper was esteemed in ancient times, this designation covering jade as well:[575]
The following lines may serve to show how highly the 326jasper was valued in ancient times, this term also including jade as well:[575]
Auro, quid melius? Jaspis. Quid Jaspite? Virtus. Quid virtute? Deus. Quid deitate? Nihil.
Auro, what’s better? Jasper. What about Jasper? Virtue. What about virtue? God. What about divinity? Nothing.
What is better than Gold? Jasper.
What’s better than gold? Jasper.
What is better than Jasper? Virtue.
What’s better than Jasper? Integrity.
What is better than Virtue? God.
What’s better than Virtue? God.
What is better than the deity? Nothing.
What’s better than a god? Nothing.
The first mention of the famous charm Abracadabra, which so often appears engraved on Gnostic gems, occurs in a Latin medical poem written by Serenus Sammonicus who lived in the third century and is said to have bequeathed his library consisting of sixty-two thousand volumes to the Emperor Gordian the Younger. The poem recommends this mystic word, or name, as a sovereign remedy for the “demitertian” fever, if it were written on a piece of paper and suspended by a linen thread from the neck of the patient. To have its full efficacy the word should be written as many times as there are letters in it, but taking away one letter each time, so that the inscription assumed the form of an inverted cone.[576]
The first mention of the famous charm Abracadabra, which frequently appears carved on Gnostic gemstones, is found in a Latin medical poem by Serenus Sammonicus, who lived in the third century and is said to have left his library of sixty-two thousand volumes to Emperor Gordian the Younger. The poem suggests this magical word as a powerful remedy for “demitertian” fever, if it is written on a piece of paper and hung from a linen thread around the patient's neck. To be fully effective, the word should be written as many times as there are letters in it, but with one letter removed each time, so that the inscription forms an inverted cone.[576]
It is interesting to note that De Foe, writing in the seventeenth century of the Great Plague in London (1665), alludes to this strange talisman as still in use.[577] Treating of the curious prophylactics employed at that time, he reproaches those who employed such methods, and acted “as if the plague was not the hand of God, but a kind of possession of an evil spirit, and that it was to be kept off with crossings, signs of the zodiac, papers tied up with so many 327knots, and certain words or figures, as particularly the word Abracadabra formed in triangle or pyramid, thus:
It’s interesting to note that Defoe, writing in the seventeenth century about the Great Plague in London (1665), refers to this unusual talisman as still in use.[577] Discussing the odd preventive measures used back then, he criticizes those who relied on such tactics, acting “as if the plague were not the hand of God, but a kind of possession by an evil spirit, and that it could be warded off with crossings, zodiac signs, papers tied up with numerous knots, and certain words or symbols, like the word Abracadabra arranged in a triangle or pyramid, like this:
A curious charm which was extensively used as an amulet in medieval times consists of five Latin words so arranged that they can be read backwards or forwards and also upwards or downwards. The disposition of the letters is as follows:
A fascinating charm that was widely used as an amulet in medieval times consists of five Latin words arranged so that they can be read both backward and forward, as well as upward and downward. The arrangement of the letters is as follows:
This charm has been preserved for us in Greek and Coptic as well as in Roman characters, and examples of it have been found cut in a marble slab above the chapel of St. Laurent at Rochemaur (Ardèche), France, and also in the plaster wall of an old Roman house at Cirncester, Gloucestershire, England. In a Greek manuscript in the Bibliothèque Nationale, in Paris,[578] the Latin words are transliterated and translated as follows:
This charm has been kept for us in Greek and Coptic, as well as in Roman letters, and examples of it have been discovered carved into a marble slab above the chapel of St. Laurent at Rochemaur (Ardèche), France, and also in the plaster wall of an old Roman house in Cirencester, Gloucestershire, England. In a Greek manuscript at the Bibliothèque Nationale in Paris,[578] the Latin words are transliterated and translated like this:
328Another and more ingenious explanation of this puzzle has, however, been given.[579] Beginning with the last word “rotas,” and taking the other words in their order, it is proposed to read as follows: “The plough-wheels (rotas), the laborer (opera), holds (tenet), creep after him (arepo), I, the sower (sator).” The chief defect in this version appears to be the assumption that “opera” can be rendered “laborer,” an interpretation which is, at best, supported by a doubtful use of the word in that sense by Horace. This charm appears in an Italian manuscript of the fourteenth century,[580] where it is recommended to be used for the assurance of a speedy delivery.
328Another, more clever explanation of this puzzle has been provided.[579] Starting with the last word “rotas,” and taking the other words in order, it is suggested to read as follows: “The plough-wheels (rotas), the laborer (opera), holds (tenet), creep after him (arepo), I, the sower (sator).” The main flaw in this version seems to be the assumption that “opera” can be translated as “laborer,” an interpretation that is, at best, backed by a questionable use of the word in that context by Horace. This charm appears in an Italian manuscript from the fourteenth century,[580] where it is advised to be used for ensuring a quick delivery.
Touching the wonderful and mystic power attributed to the seven vowels of the Greek alphabet by the Gnostics, C. W. King cites the following words from the Pistis Sophia of Valentinus:[581]
Touching on the amazing and mystical power that the Gnostics attributed to the seven vowels of the Greek alphabet, C. W. King references the following words from the Pistis Sophia of Valentinus:[581]
Nothing therefore is more excellent than the mysteries which ye seek after, saving only the mystery of the Seven Vowels and their forty and nine Powers, and the Numbers thereof. And no name is more excellent than all these [Vowels], a Name wherein be contained all Names and all Lights and all Powers.
Nothing is more excellent than the mysteries you seek, except for the mystery of the Seven Vowels and their forty-nine Powers, and the Numbers associated with them. And no name is greater than all these [Vowels], a Name that contains all Names, all Lights, and all Powers.
The last sentence probably refers to the arrangement of these vowels often met with in inscribed Gnostic talismans, the so-called Abraxas gems. Here we often find them in the following order Ι Ε Η Θ Ο Υ Α, and the sound of these vowels really suggests the conventional pronunciation of the Hebrew name Jehovah (yehowah). The words quoted from the Pistis Sophia are placed in the mouth of Jesus, and King calls attention to the fact that in Greek the same word is used for voice and vowel (φώνη). He therefore believes that the passage in Revelations (x, 3–4): “The seven thunders uttered their voices,” signifies that the sound of the seven vowels “echoed through the vault of heaven, and composed that mystic utterance which the sainted seer was forbidden to reveal unto mortals.”
The last sentence probably refers to the arrangement of these vowels commonly found in inscribed Gnostic talismans, known as the Abraxas gems. Here, we often see them in the following order Ι Ε Η Θ Ο Υ Α, and the sound of these vowels really suggests the usual pronunciation of the Hebrew name Jehovah (yehowah). The words quoted from the Pistis Sophia are spoken by Jesus, and King points out that in Greek the same word is used for voice and vowel (φωνή). He believes that the passage in Revelations (x, 3–4): “The seven thunders uttered their voices,” signifies that the sound of the seven vowels “echoed through the vault of heaven, and composed that mystic utterance which the sainted seer was forbidden to reveal unto mortals.”

A MEDIEVAL SPELL
From a XIV century Italian MS. in the author’s library. The efficacy of the spell is to be insured by reciting the accompanying invocation thrice.
A MEDIEVAL SPELL
From a 14th-century Italian manuscript in the author’s library. To ensure the spell works, the accompanying invocation should be recited three times.
329Certain talismans were supposed to afford protection not only to individuals but even to entire cities. Of this class were two talismans described by Gregory of Tours. He relates that Paris had enjoyed from ancient times a surprising immunity from serpents and rats, as well as from fires. However, in clearing out the channel beneath a bridge across the Seine, the workmen found, embedded in the mud, two brazen images, one of a serpent and the other of a rat; after these had been removed from their resting place, serpents and rats appeared, and conflagrations became common.[582]
329Certain talismans were believed to protect not just individuals but whole cities as well. Among these were two talismans mentioned by Gregory of Tours. He noted that Paris had long enjoyed an unusual freedom from snakes and rats, as well as from fires. However, while cleaning out the channel under a bridge over the Seine, workers discovered two bronze figures in the mud, one of a snake and the other of a rat. Once these were taken away from their resting place, snakes and rats started to appear, and fires became frequent.[582]
Of the many memorials of the Age of Charlemagne preserved in the Cathedral Treasury at Aachen, that popularly known as the Talisman of Charlemagne always exerted a peculiar fascination over the minds of those visiting the shrine, both because of its sacred character and on account of the mystic power ascribed to it.
Of the many memorials from the Age of Charlemagne kept in the Cathedral Treasury at Aachen, the one commonly referred to as the Talisman of Charlemagne has always captivated visitors to the shrine. This is due both to its sacred significance and the mysterious power attributed to it.
The “Talisman” is composed of two large sapphires, cut en cabochon, one being of oval form and the other square, these constituting respectively the front and back of the relic; enclosed between them is a cross made from wood of the Holy Cross said to have been found in Palestine by St. Helena, mother of Constantine the Great. This is only visible when looking through the oval sapphire set in front of the medallion. The two sapphires are joined and framed by a band studded with precious stones, and various other gems are set above and below them. The oval sapphire is of 330a pale blue, and is furnished with a gold openwork bordering. At the top of the medallion, in a square space is set a lozenge-shaped garnet, and around the oval sapphire forming the front are placed successively, (1) an emerald, (2) a pearl, (3) a garnet, (4) a pearl, (5) an emerald, (6) a pearl, (7) a garnet, (8) a pearl, (9) an emerald, (10) a pearl, (11) a garnet, (12) a pearl, (13) an emerald, (14) a pearl, (15) a garnet, (16) a pearl.
The “Talisman” is made up of two large sapphires, cut en cabochon, one oval and the other square, which form the front and back of the relic, respectively. Between them is a cross made from wood of the Holy Cross, believed to have been found in Palestine by St. Helena, mother of Constantine the Great. This cross is only visible when looking through the oval sapphire on the front of the medallion. The two sapphires are connected and framed by a band adorned with precious stones, and various other gems are set above and below them. The oval sapphire is a light blue and features a gold openwork border. At the top of the medallion, in a square space, there’s a lozenge-shaped garnet, and surrounding the oval sapphire at the front are placed (1) an emerald, (2) a pearl, (3) a garnet, (4) a pearl, (5) an emerald, (6) a pearl, (7) a garnet, (8) a pearl, (9) an emerald, (10) a pearl, (11) a garnet, (12) a pearl, (13) an emerald, (14) a pearl, (15) a garnet, (16) a pearl.
The square sapphire at the back of the medallion is of poor quality and imperfect color; about it are sixteen settings, containing respectively, (1) (lacking), (2) a pearl, (3) a garnet, (4) a pearl, (5) an emerald, (6) a pearl, (7) a garnet, (8) a pearl, (9) an emerald, (10) a pearl, (11) a garnet, (12) a pearl, (13) an emerald, (14) a pearl, (15) a garnet, (16) a pearl.
The square sapphire on the back of the medallion is of low quality and has a dull color; surrounding it are sixteen settings, which include (1) (missing), (2) a pearl, (3) a garnet, (4) a pearl, (5) an emerald, (6) a pearl, (7) a garnet, (8) a pearl, (9) an emerald, (10) a pearl, (11) a garnet, (12) a pearl, (13) an emerald, (14) a pearl, (15) a garnet, (16) a pearl.
On the band are set the following stones: (1) a pearl, (2) a sapphire, (3) a pearl, (4) an amethyst, (5) a pearl, (6) a sapphire, (7) a pearl, (8) an amethyst, (9) a pearl, (10) an almost white sapphire, (11) a pearl, (12) an amethyst, (13) a pearl, (14) a white sapphire.
On the band are the following stones: (1) a pearl, (2) a sapphire, (3) a pearl, (4) an amethyst, (5) a pearl, (6) a sapphire, (7) a pearl, (8) an amethyst, (9) a pearl, (10) an almost white sapphire, (11) a pearl, (12) an amethyst, (13) a pearl, (14) a white sapphire.
In the summer of 1804, Empress Josephine went to Aix-la-Chapelle (Aachen) to take the waters there, and during her stay, on August 1, she visited the tomb of Charlemagne in the Cathedral. We are told that Napoleon, who joined Josephine at Aix-le-Chapelle on September 3, had already authorized the Cathedral chapter to part with certain of the relics and bestow them upon Josephine at the time of her visit to the tomb. This authorization, of course, was only a polite equivalent for a command, and was duly carried out, the most prized object secured by Josephine being precisely this famed talisman. It eventually came into the hands of Hortense, Josephine’s daughter, the mother of Napoleon III, and was inherited by him. It is said to be now in a 331private collection in Paris.[583] Empress Eugénie is stated to have worn it at the time of the birth of the Prince Imperial, and to have further shown her belief in the mystic, or magic, virtues of the talisman by sending it several years later to Biarritz, that it might be kept for a time in the sick-room of M. Bacciochi, when he was prostrated by illness in that city.[584]
In the summer of 1804, Empress Josephine traveled to Aix-la-Chapelle (Aachen) to take the healing waters there, and during her stay on August 1, she visited Charlemagne's tomb in the Cathedral. It's noted that Napoleon, who joined Josephine at Aix-la-Chapelle on September 3, had already authorized the Cathedral chapter to part with certain relics and give them to Josephine during her visit to the tomb. This authorization was really just a polite way of issuing a command, and it was carried out as expected. The most valuable item Josephine received was this famous talisman. It later passed to Hortense, Josephine’s daughter and the mother of Napoleon III, and eventually came into his possession. It is reportedly now in a 331private collection in Paris.[583] Empress Eugénie is said to have worn it when the Prince Imperial was born and to have further demonstrated her belief in the mystical, or magical, powers of the talisman by sending it several years later to Biarritz, so it could be kept for a time in the sick-room of M. Bacciochi while he was seriously ill in that city.[584]
An Anglo-Saxon treatise on the medical art, from the beginning of the tenth century, the original manuscript of which was owned by an Anglo-Saxon leech named Bald, as testified to by an entry on the title-leaf, gives the agate a prominent place as a talismanic and curative agent. More especially is its power over the demon-world emphasized. Indeed it is asserted to serve as a sort of diagnostic of demoniacal possession, the words being: “The man who hath in him secretly the loathly fiend, if he taketh in liquid any portion of the shavings of this stone, then soon is exhibited manifestly in him that which before secretly lay hid.” Less unfamiliar to those acquainted with the early literature on the subject are the statements that the wearers of agates were guarded against danger from lightning, and from venom. The liquid “extract of agate,” taken internally, also produced smooth skin and rendered the partaker immune from the bites of snakes.[585]
An Anglo-Saxon text on medicine from the early tenth century, originally owned by an Anglo-Saxon healer named Bald, as noted on the title page, highlights the agate as an important talisman and healing stone. Its influence over demons is particularly stressed. It is claimed that agate acts as a sort of test for demonic possession, with the statement: “If a person secretly possesses the vile demon within, and drinks any liquid containing shavings of this stone, what was hidden will soon be revealed.” Those familiar with early literature on the topic will recognize claims that wearing agates protects against dangers like lightning and venom. The liquid “extract of agate,” when taken, also resulted in smooth skin and made the drinker safe from snake bites.[585]
An extremely strange type of amulets found occasionally in Gallic sepulchres are disks made from human skulls. It appears to be a well-ascertained fact that the operation of 332trephining was performed at this early date, almost if not quite exclusively in the case of infants, and it is believed principally for the cure of epilepsy. If the child survived the operation its skull was thought to have acquired a certain magic power. This idea had its rise in the belief that epilepsy was the result of an indwelling evil spirit, so that if the disease disappeared as a result or sequence of the operation, this evil spirit was believed to have made his way out through the aperture. On the eventual death of one whose skull had been successfully trephined, disks were sometimes cut just on the edge of the opening through which the possessing spirit had slipped out, leaving as a trace of his passage some of his diabolic but still potent virtue.[586] That the superstition regarding these cranial disks lasted well into the sixteenth century, even among some of the educated, is proven by the fact that on a bracelet which belonged to and was worn by Catherine de’ Medici, one of the talismans was a piece of a human skull.
An extremely unusual type of amulet found occasionally in Gallic tombs are disks made from human skulls. It seems to be a well-established fact that the practice of trephining was done at this early time, almost exclusively on infants, and it was mainly believed to be for treating epilepsy. If the child survived the procedure, it was thought that their skull gained a certain magical power. This belief stemmed from the idea that epilepsy was caused by an evil spirit inside a person, so if the illness disappeared following the operation, it was believed that the spirit had exited through the opening. When someone whose skull had been successfully trephined eventually died, disks were sometimes cut right at the edge of the opening through which the evil spirit had escaped, leaving behind a mark of its passage along with some of its dark but still potent power. That the superstition surrounding these cranial disks persisted well into the sixteenth century, even among some educated people, is supported by the fact that one of the talismans on a bracelet owned and worn by Catherine de’ Medici was a piece of a human skull.
Attention was first called to the strange amulets taken from the human skull by the operation of trephining, by M. Prunetière, at a meeting of the French Association for the Advancement of Science, held in Lyons in 1873.[587] The specimen he then exhibited came from a sepulture in the department of Lozère. This particular example showed a break on the edge, and M. Paul Broca has conjectured that a small piece may have been chipped off, so that it might be pulverized and administered as a powder to persons suffering from disease of the brain, a treatment favored by those who doubted the generally-believed supernatural origin of 333epilepsy, and suspected its source in some lesion of the brain or of the meninges. For this, of course, no more efficient remedy could suggest itself, according to the old sympathetic theory of medicines, than a powder made from the skull of one who had been an epileptic. These skull-amulets have been unearthed in neolithic burials in various parts of France, a considerable number having been found by M. de Baye and others in the department of Marne; a specimen was also found in an Algerian sepulture by General Faidherbe.
Attention was first drawn to the unusual amulets taken from human skulls during a trepanation procedure by M. Prunetière at a meeting of the French Association for the Advancement of Science in Lyons in 1873.[587] The specimen he showcased came from a burial site in the Lozère department. This particular example had a break on the edge, and M. Paul Broca speculated that a small piece might have been chipped off for it to be ground into powder and given to people suffering from brain diseases. This treatment was supported by those who were skeptical of the widely accepted supernatural causes of 333 epilepsy and suspected it stemmed from some kind of brain or meninges lesion. According to the old sympathetic theory of medicine, nothing could be more effective than a powder made from the skull of someone who had experienced epilepsy. These skull amulets have been discovered in Neolithic burials across various regions of France, with a significant number found by M. de Baye and others in the Marne department; a specimen was also uncovered in an Algerian burial site by General Faidherbe.
The great Greek physician Hippocrates of Cos, a contemporary of Plato, advised that resort should be had to the operation of trephining in many cases of injury to the head, and that the ancient Hindus were to a certain extent familiar with it as a method of treating diseases of the brain appears in one of the Buddhist recitals from a Tibetan source. Here it is related that Atreya, master of the King of Physicians, Jîvaka, when appealed to for help by a man suffering from a distressful cerebral disorder, directed the man to dig a pit and fill it up with dung; he then thrust the man into this soft and savory mass until nothing but his head and neck protruded, and opened his skull. From it was drawn out a reptile whose presence had caused the malady. Jîvaka seems to have been in consultation with his master in this interesting operation, and is said to have later extracted a centipede from a man’s skull after making an aperture therein with a golden knife.[588] In neither of these cases, however, do we have any hint that disks or fragments from the human skull were used as amulets.
The great Greek doctor Hippocrates of Cos, a contemporary of Plato, recommended using trephining in many cases of head injuries, and it's noted that the ancient Hindus were somewhat familiar with it as a treatment for brain diseases, as mentioned in one of the Buddhist stories from a Tibetan source. In this account, Atreya, the master of the King of Physicians, Jîvaka, when asked for help by a man suffering from a severe brain issue, instructed the man to dig a pit and fill it with dung; he then placed the man into this soft and smelly mass until only his head and neck were above it, and opened his skull. From there, a reptile was removed that had caused the illness. Jîvaka appears to have been consulting with his master during this fascinating procedure and is later said to have extracted a centipede from a man's skull after making an opening with a golden knife.[588] However, in neither case do we find any indication that disks or fragments from the human skull were used as amulets.
A ghastly object much favored in France in the Middle Ages, as it was believed to give the owner the power to discover 334hidden treasures, was the so-called main-de-gloire, or “hand of glory,” which was the desiccated hand of one who had met his death by hanging.[589]
A horrifying object that was quite popular in France during the Middle Ages, as people thought it would give the owner the ability to uncover hidden treasures, was the so-called main-de-gloire, or “hand of glory,” which was the dried-up hand of someone who had died by hanging.[589]
A remarkable talismanic bracelet owned by Catherine de’ Medici was set with a skull-fragment and with a representation of a “main-de-gloire.” This is described in the catalogue made in 1786 of M. d’Ennery’s collection. The settings of the bracelet, ten in number, comprised the following objects, to each of which was probably ascribed some special significance and virtue.[590]
A remarkable talisman bracelet owned by Catherine de’ Medici featured a piece of skull and a depiction of a “main-de-gloire.” This is detailed in the catalogue from 1786 of M. d’Ennery’s collection. The bracelet had ten settings, each likely attributed with its own special significance and meaning.[590]
An oval “eagle-stone” (ætites), on which was graven in intaglio a winged dragon; above this figure was the date 1559, the year in which the bracelet was composed and that of the death of Catherine’s husband, Henri II.
An oval "eagle-stone" (ætites), which had a winged dragon engraved in intaglio; above this figure was the date 1559, the year the bracelet was made and the year Catherine’s husband, Henri II, died.
An octagonal agate, traversed by a number of tubular apertures, the orifices of which could be seen on either side of the stone.
An octagonal agate with several tubular openings, which were visible on both sides of the stone.
A very fine oval onyx of three colors, bearing graven on its edge the following names of angels: Gabriel, Raphael, Michael, Uriel.
A beautiful oval onyx with three colors, engraved on its edge with the names of the following angels: Gabriel, Raphael, Michael, Uriel.
A large oval turquoise with a gold band.
A big oval turquoise stone with a gold band.
A piece of black and white marble.
A piece of black and white marble.
An oval brown agate, with a caduceus, a star and a crescent engraved in intaglio on one of its faces, and on its edge the name Jehovah and certain talismanic characters; on the other face were figured the constellation Serpens, the zodiacal sign Scorpio and the Sun, around which were the six planets.
An oval brown agate, engraved with a caduceus, a star, and a crescent on one side, and along its edge, the name Jehovah along with some magical symbols; on the other side, the constellation Serpens, the zodiac sign Scorpio, and the Sun surrounded by the six planets.
An oblong section of a human skull.
An elongated part of a human skull.
A rounded piece of gold on the convex side of which was 335graven in relief the “hand of glory” (main-de-gloire); on the concave side appeared the Sun and Moon done in repoussé work.
A rounded piece of gold with the “hand of glory” (main-de-gloire) carved in relief on the convex side; on the concave side, there were the Sun and Moon created using repoussé work.
A perfectly round onyx, bearing graven in the centre the name or word “Publeni”; this possibly designated the original Roman owner of the stone.
A perfectly round onyx, engraved in the center with the name or word “Publeni”; this likely indicated the original Roman owner of the stone.
In the opinion of a German writer of the eleventh or twelfth century, the amethyst, if worn by a man, attracted to him the love of noble women, and also protected him from the attacks of thieves.[591] This stone was always prized because of its beautiful color, even though it was never so rare or costly as some others. Some authorities assert that the amethyst induces sleep.[592] Perhaps this was one of the means by which the stone cured inebriety, as it enabled its votaries to sleep off the effects of their potations.
In the view of a German writer from the eleventh or twelfth century, the amethyst, when worn by a man, would attract the love of noble women and also protect him from thieves.[591] This stone was always valued for its beautiful color, even though it was never as rare or expensive as some others. Some experts believe that the amethyst helps induce sleep.[592] Perhaps this was one of the ways the stone helped cure drunkenness, allowing its users to sleep off the effects of their drinking.
As testimony of the belief in the efficiency, remedial or talismanic, of precious stones prevalent at the opening of the fifteenth century, may be noted the presence among the manuscript books of Marguerite de Flandres, Duchesse de Bourgogne, of a work listed as follows: “The book of the properties of certain stones.” It was carefully enclosed in a crimson velvet covering.[593] Incidentally it is a rather interesting fact that at this early date, 1405, we find in Duchess Margaret’s little library two Bibles in French and a separate copy of the Gospels also in that language. This serves to disprove the popular idea that translations of the Bible into the vernacular were in distinct disfavor with Roman Catholics before the era of the Reformation. Of course until the 336invention and use of the art of printing there could be no wide diffusion of such translations.
As evidence of the belief in the effectiveness, whether healing or magical, of precious stones at the beginning of the fifteenth century, we can note the presence among the manuscript books of Marguerite de Flandres, Duchess of Bourgogne, of a work titled: “The book of the properties of certain stones.” It was carefully enclosed in a crimson velvet cover.[593] Interestingly, at this early date, 1405, we find in Duchess Margaret’s small library two Bibles in French and a separate copy of the Gospels also in that language. This counters the common belief that translations of the Bible into the vernacular were greatly disapproved by Roman Catholics before the Reformation. Of course, until the invention and use of printing, there could be no widespread distribution of such translations.
The jacinth is described by Thomas de Cantimpré as being a stone of a yellow color. “It is very hard and difficult to cleave, or cut; it can, however, be worked with diamond dust. It is very cold, especially when held in the mouth.” Among many other virtues, it protects from melancholia and poison, and makes the wearer beloved of God and men. It also acts as a sort of barometer, since it grows dark and dull in bad weather and becomes clear and bright in fine weather.[594] Cardano says that when the weather was fine the stone became obscure and dull, but when a tempest was impending, it assumed the ruddy hue of a burning coal. It also lost its color when in contact with any one suffering from disease, more especially from the plague.[595]
The jacinth is described by Thomas de Cantimpré as a yellow stone. “It’s very hard and tough to cut; however, it can be worked with diamond dust. It feels very cold, especially when held in the mouth.” Among many other benefits, it protects against sadness and poison, and makes the wearer favored by God and others. It also works like a barometer, as it becomes dark and dull in bad weather and bright and clear in good weather.[594] Cardano states that when the weather was nice, the stone became obscure and dull, but when a storm was approaching, it took on the reddish color of a burning coal. It also lost its color when in contact with anyone suffering from illness, especially the plague.[595]
As a result of his study of precious stones, Cardano was induced to affirm that they had life, but he gravely states that he had never noted that they possessed sex (a common belief in his day), although “as nature delights as much in miracle as we do, some may be so constituted that they are almost distinguished by sex.”[596]
Due to his study of precious stones, Cardano claimed that they were alive, but he seriously noted that he had never observed them having a gender (a common belief at the time), although “since nature takes pleasure in miracles just as we do, some may be arranged in a way that makes them seem almost like they have genders.”[596]
The beautiful sapphire has always been a great favorite with lovers of precious stones and to it has been attributed a chastening, purifying influence upon the soul. Even Burton, in his Anatomy of Melancholy, wherein precious stones are rarely mentioned, takes occasion to write as follows of the sapphire: “It is the fairest of all precious stones of sky colour, and a great enemy to black choler, frees the mind, mends manners.”[597]
The beautiful sapphire has always been a favorite among lovers of precious stones, and it's said to have a calming, purifying effect on the soul. Even Burton, in his Anatomy of Melancholy, where precious stones are infrequently mentioned, takes a moment to write about the sapphire: “It is the fairest of all precious stones with a sky color, a great enemy to black bile, it clears the mind and improves behavior.”[597]

FROM A PORTRAIT OF QUEEN ELIZABETH
In the possession of the Duke of Devonshire, K. G., Hardwick Hall. The queen has jewels in her hair, a pearl eardrop, and two necklaces, one fitting close to the neck, the other falling over the breast. The stiff brocade skirt is embroidered with a wonderful array of aquatic birds and animals. On the left, the cushion of the chair of state is embroidered with the queen’s monogram. Surmounting the chair is a crystal ball. The original canvas measures 90 × 66 inches.
FROM A PORTRAIT OF QUEEN ELIZABETH
In the collection of the Duke of Devonshire, K. G., Hardwick Hall. The queen has jewels in her hair, a pearl earring, and two necklaces, one close to her neck and the other draping over her chest. The stiff brocade skirt is embroidered with a stunning variety of aquatic birds and animals. To the left, the cushion of the throne is embroidered with the queen’s initials. Above the chair is a crystal ball. The original canvas measures 90 × 66 inches.
337The poets have sung the praises of the turquoise. In Shakespeare’s Merchant of Venice, when the “amorous Jessica” made off with her father’s jewels, Shylock particularly bewails the disappearance of his turquoise, crying out that he would not have lost it for “a wilderness of monkeys.” The poet Donne, also, writes of this stone and draws attention to its sympathetic quality in these words:
337The poets have celebrated the beauty of turquoise. In Shakespeare’s Merchant of Venice, when the “loving Jessica” escaped with her father’s jewels, Shylock especially mourns the loss of his turquoise, lamenting that he would not trade it for “a wilderness of monkeys.” The poet Donne also refers to this stone and highlights its sympathetic nature in these words:
That Queen Elizabeth clung fondly to life is well known, and it is said that she trusted much in the virtues of a talisman which she wore round her neck. This was a piece of gold engraved with certain mystic characters. The statement has also been made that at the bottom of a chair in which she often sat, was the queen of hearts from a pack of cards, having a nail driven through the forehead of the figure.[598] Could this have been a spell of witchcraft used against her hated rival, Mary of Scotland?
That Queen Elizabeth was deeply attached to life is well-known, and it's said that she relied greatly on the powers of a talisman she wore around her neck. This was a piece of gold inscribed with certain mysterious symbols. It has also been noted that at the bottom of a chair she frequently sat in lay the queen of hearts from a deck of cards, with a nail driven through the forehead of the figure.[598] Could this have been a spell of witchcraft used against her despised rival, Mary of Scotland?
The belief that turquoise changes its hue with the changing health of the wearer leads an early seventeenth century author to offer it as a symbol of wifely devotion, saying that “a true wife should be like a turquoise stone, clear in heart in her husband’s health, and cloudy in his sickness.” Although a more prosaic explanation than that of occult sympathy has been proposed for this asserted change of hue, we need not therefore reject the more poetic fancy.[599]
The idea that turquoise shifts its color depending on the wearer's health prompted a writer from the early 1600s to present it as a symbol of a wife's loyalty, stating that “a true wife should be like a turquoise stone, clear in heart when her husband is healthy, and cloudy when he is sick.” While there is a more practical explanation than the idea of mystical connection for this claimed color change, we don’t have to dismiss the more romantic notion.[599]
Among the believers in the virtue of amulets must be counted the French religious philosopher, Pascal. After his death in 1662 there was found, sewed up in his pourpoint, a piece of paper bearing a long and very strange inscription. 338At the top was a cross with rays, a similar cross being drawn at the bottom of the text. This began with the following words:
Among those who believed in the power of amulets was the French religious philosopher, Pascal. After he died in 1662, a piece of paper with a long and very strange inscription was found sewn into his coat. 338 At the top was a cross with rays, and a similar cross was drawn at the bottom of the text. It began with the following words:
Monday, November 23, the day of St. Clement, pope and martyr, and of others in the martyrology.
Monday, November 23, the feast day of St. Clement, pope and martyr, along with others from the martyrology.
The Eve of St. Chrysogone, martyr, and of others. From about half-past ten in the evening until about a half-hour after midnight,
The Eve of St. Chrysogone, martyr, and of others. From around 10:30 PM until about 12:30 AM,
Then follow a series of ejaculations and short religious sentences, and toward the end, after the name of Christ, thrice repeated, the words:
Then there are a series of exclamations and brief religious phrases, and towards the end, after the name of Christ, mentioned three times, the words:
I have separated myself from Him, I have fled from Him, denied Him.
I have cut myself off from Him, I have run away from Him, rejected Him.
and finally the prayer that this separation might henceforth cease. The original text is said to be in the Bibliothèque Nationale in Paris with the MS. of the “Pensées.”
and finally the hope that this separation might come to an end. The original text is said to be in the Bibliothèque Nationale in Paris with the MS. of the “Pensées.”
Pascal is stated to have always kept this amulet on his person, removing it carefully from the lining of an old garment and putting in a new one, when this was assumed. The strange introduction referred to a vision of fire which he had had on the night in question, and this has been explained as resulting from a severe nervous shock he had experienced six months before, when driving along the banks of the Seine. As the vehicle neared Neuilly the horses took fright and ran away, dashing toward the edge of the bank; just on the brink the reins broke and the horses plunged down into the river, leaving the carriage in which Pascal was sitting on the edge of the precipice. This shock impressed him so vividly that he would often see the precipice before him as distinctly as though it were a reality. In any case the matter is of interest as showing that one of the most gifted men of the seventeenth century was a believer in amulets.[600]
Pascal was known to always keep this amulet on him, carefully taking it out from the lining of an old piece of clothing and placing it in a new one when he changed. The unusual introduction referred to a vision of fire he experienced on the night in question, which has been interpreted as stemming from a severe nervous shock he had undergone six months earlier while driving alongside the Seine. As the carriage approached Neuilly, the horses got spooked and bolted, racing toward the edge of the bank. Right at the brink, the reins snapped, and the horses plunged into the river, leaving Pascal’s carriage teetering on the edge of the cliff. This shock impacted him so deeply that he would often see the precipice in his mind as clearly as if it were actually in front of him. In any case, the story is interesting as it shows that one of the most brilliant minds of the seventeenth century believed in amulets.[600]
339The giving of corals to new-born infants was expressly forbidden in 1708 in the bishopric of Bamberg, because of the superstition connected therewith, although Christian painters of the fourteenth century often represented the child Jesus as holding corals in his hand. The persistence of the superstition as to the Evil Eye and the belief that coral safeguarded the wearer therefrom, have impressed many cultured Italians of our day, and even so able and clear-headed a statesman as prime minister Crispi is said never to have gone to a parliamentary sitting without having with him a coral amulet.[601]
339In 1708, giving coral to newborn infants was specifically banned in the bishopric of Bamberg due to the associated superstition, even though Christian artists of the fourteenth century often depicted the child Jesus holding coral in his hand. The belief in the Evil Eye and the idea that coral protected the wearer from it still resonate with many educated Italians today. It's said that even a capable and clear-thinking leader like Prime Minister Crispi would never attend a parliamentary session without carrying a coral amulet.[601]
Some characteristic Hindu amulets figure the god Jagannath (Lord of the World), or associated divinities, and also symbols related to the worship of this form of Krishna.[602] In the month Joyestha (May-June) his world-renowned temple at Puri in Orissa is thronged with pilgrims from all parts of India, and on the great festival day his image and those of his brother Balarana and of his sister Subhadra are taken out of the sanctuary and placed in an elaborately decorated car, which is drawn through the streets of the city. The readiness of fanatical believers to sacrifice their lives by casting themselves beneath the wheels of this ponderous car, has made the expression “Car of Jagannath” almost a household word, freely used by those who know little or nothing about Hindu religion. The English Government has long since put a stop to these reckless and useless martyrdoms.
Some characteristic Hindu amulets feature the god Jagannath (Lord of the World), along with related deities and symbols connected to the worship of this form of Krishna.[602] In the month of Joyestha (May-June), his famous temple in Puri, Orissa, is packed with pilgrims from all over India. On the big festival day, his image, along with those of his brother Balarama and his sister Subhadra, is taken out of the sanctuary and placed in an intricately decorated cart that is pulled through the city streets. The willingness of fervent devotees to sacrifice their lives by throwing themselves beneath the wheels of this heavy cart has made the term “Car of Jagannath” a commonly known expression, often used by those who know little or nothing about Hinduism. The English Government has long since put a stop to these reckless and pointless acts of martyrdom.
Many of these amulets are made of a black steatite. One represents Krishna (Jagannath) standing and playing on a flute, another figures this avatar of Vishnu with his wife 340Radha. A curious series presents Jagannath, Balarana and Subhadra; the unnaturally large heads of the figures and the truncated crowns and legs are explained by the fact that the group was carved from the trisala of a tope of a Buddhist temple erected at Puri in the third century B.C., the Hindus of a later time having utilized this relic of a former faith for gods of their ethnic religion. There are also a number of stamps, incised with emblematic figures such as a shell, a sankha wheel, a serpent, two footprints, etc., so that the corresponding seal may be impressed in colored clay upon the arms of the faithful in the sanctuary of Jagannath. Many of the amulets bearing the double footprint, emblematic of Vishnu (Krishna-Jagannath), are arranged in groups of five, all being perforated so that a group can be suspended on the person.
Many of these amulets are made of black steatite. One shows Krishna (Jagannath) standing and playing a flute, while another depicts this avatar of Vishnu with his wife Radha. An interesting series features Jagannath, Balarama, and Subhadra; the oversized heads of the figures and the shortened crowns and legs are explained by the fact that the group was carved from the pillar of a Buddhist temple built at Puri in the third century B.C., with Hindus later using this relic of an earlier faith for their own gods. There are also several stamps, engraved with symbolic figures like a shell, a sankha wheel, a serpent, and two footprints, allowing the corresponding seal to be stamped in colored clay on the arms of devotees in the sanctuary of Jagannath. Many of the amulets featuring the double footprint, symbolizing Vishnu (Krishna-Jagannath), are arranged in groups of five, all having holes so that a group can be worn by a person.
The footprints are explained by a curious legend to the effect that when a dispute as to superiority arose between the gods of the Trimurti, Brahma, Siva and Vishnu, the selection of a test to decide this was left to Bhrigu, one of the ten patriarchs. He approached Brahma without saluting him; this infuriated the god, but he restrained himself. Approaching Siva in turn, Bhrigu failed to return the god’s salutation, which so enraged him that he raised his trident to slay the insulter, and was only prevented from doing this by the timely intervention of the goddess Parvati. Nothing daunted Bhrigu pursued his test, and, finding Vishnu reposing with his head in Lakshmi’s lap, he kicked the divinity to arouse him. Vishnu, however, instead of losing his temper, quietly arose; saluted the rash patriarch, and even thanked him for the reminder, and craved his pardon that he had not immediately greeted him, asserting that the kick (which must have been most vigorously administered if it left two footprints) had left on his breast a mark of good augury.
The footprints come from an intriguing legend that says when a disagreement about who was superior arose between the gods of the Trimurti—Brahma, Siva, and Vishnu—Bhrigu, one of the ten patriarchs, was chosen to decide the test. He went to Brahma without greeting him, which made the god furious, but he kept his cool. Next, Bhrigu approached Siva but also ignored his greeting, which made Siva so angry that he raised his trident to kill him, only to be stopped by the timely arrival of the goddess Parvati. Undeterred, Bhrigu continued his test and found Vishnu lying down with his head in Lakshmi’s lap. Bhrigu kicked the deity to wake him up. However, instead of getting angry, Vishnu calmly stood up, acknowledged the bold patriarch, thanked him for the reminder, and apologized for not greeting him right away, claiming that the kick (which must have been quite forceful to leave two footprints) had marked his chest with a sign of good luck.

COMPLETE VIEW OF THE ANCIENT JADE GIRDLE-PENDANT (FROM, KU YÜ T’U P’U)
From “Jade,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
COMPLETE VIEW OF THE ANCIENT JADE GIRDLE-PENDANT (FROM, KU YÜ T’U P’U)
From “Jade,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
341A fine presentation of the style of jewels worn by the Mahârânî of Sikkim, a full-blooded Tibetan by birth, is offered by a portrait of this queen done in oil by Damodar Dutt, a Bengali artist, in 1908, while the Mahârânî was sharing the captivity of her husband at Darjeeling, where they had been sequestrated by the British authorities for many years. The elaborate and rather oppressive headdress is a typical adornment of the queens of Sikkim; the broad bandeaux are composed of pearls, and a brilliant color effect is produced by the rows of alternating corals and turquoises. The gold ear-rings have a turquoise-inlay, in concentric rings, and from the queen’s neck hangs a long necklace of coral beads, separated at intervals by large spheres of amber; a coral bracelet and two rings, with coral and turquoise setting respectively, complete the very effective, if not especially costly, jewelry.[603]
341A stunning portrayal of the jewelry style worn by the Mahârânî of Sikkim, a full-blooded Tibetan by birth, is presented in a portrait created in oil by Damodar Dutt, a Bengali artist, in 1908, while the Mahârânî was sharing her husband’s captivity in Darjeeling, where they had been held by the British authorities for many years. The intricate and somewhat heavy headdress is a typical accessory of the queens of Sikkim; the wide bands are made of pearls, and a vibrant color effect is achieved with alternating rows of corals and turquoises. The gold earrings feature turquoise inlay in concentric rings, and from the queen’s neck hangs a long necklace of coral beads, with intervals of large amber spheres; a coral bracelet and two rings, one set with coral and the other with turquoise, finish off the striking yet not particularly expensive jewelry.[603]
Jade girdle pendants having a talismanic quality were in great favor during the period of the Chou dynasty (1122–249 B.C.). The typical girdle pendant of that time was a seven-jewelled one, each of the combined ornaments being made of some one of the choice varieties of jade. These adornments consisted of a top-piece or brooch, whence depended a circular central plaque (yü), flanked by two square ornaments (kü); below followed a centre-ornament of segment form, on either side of which was a bow-shaped jewel. The girdle ornaments were rich in symbolic significance, the rhythmic swinging of the jades caused a musical note whenever they came in contact with one another, or with any metallic object; as love-trinkets they had the most fortunate meaning; as indications of office they gained consideration and respect for the wearers of high rank, while for those of 342less distinction they were so differentiated as to become marks of the respective craft or vocation.[604]
Jade girdle pendants, known for their lucky properties, were very popular during the Chou dynasty (1122–249 BCE). The typical girdle pendant from that era featured seven jewels, each made from various types of fine jade. These pieces included a top brooch with a circular central plaque (yü) hanging down, flanked by two square ornaments (kü). Below that was a central segment-shaped ornament, with bow-shaped jewels on either side. The girdle ornaments held significant symbolism, and the rhythmic movement of the jades produced musical notes whenever they touched each other or contacted any metallic object. They were considered love tokens with very positive meanings; as symbols of rank, they earned respect for those of high status, while for those of lesser standing, they were distinct enough to signify their specific trades or occupations.342
In Siam the girls’ heads are shaved, with the exception of the top of the head, where a knot of hair is allowed to grow. On the fourteenth anniversary of the girl’s birthday this “top-knot” is cut off, the operation being accompanied by a solemn religious ceremony, to mark and consecrate the event, which denotes the passing of the girl into womanhood. On this occasion, the members of the family gather together all the jewels they can secure for the adornment of the “new woman,” and where they are not wealthy enough to provide brilliant and rich ornaments from their own possessions kind friends will always be found ready to supply the deficiency. In the case of the Siamese girl figured in our plate, and of a girl companion, the Queen of Siam herself acted as fairy godmother to the extent of furnishing from her own private treasures a costly and suitable decoration. The gems and ornaments worn were worth $20,000 and are said to have filled a small steamer-trunk.[605]
In Siam, girls have their heads shaved, except for the top of their heads where a knot of hair is allowed to grow. On their fourteenth birthday, this “top-knot” is cut off during a solemn religious ceremony to celebrate the event, which signifies the girl's transition into womanhood. Family members come together to collect all the jewels they can find to adorn the “new woman,” and if they can’t provide enough beautiful ornaments themselves, generous friends are always willing to help out. For the Siamese girl shown in our plate, along with her friend, the Queen of Siam personally acted as a fairy godmother by providing exquisite decorations from her own private collection. The gems and ornaments they wore were valued at $20,000 and reportedly filled a small steamer trunk.[605]
In a favorite form of white jade amulet, the stone is cut flat and is then inlaid with rubies in gold settings, so disposed as to indicate a flower-form. Jade amulets of this type are found in China and in various parts of northern Asia, and are believed to guard or free the wearer from palpitation of the heart.[606]
In a popular style of white jade amulet, the stone is shaped flat and then inlaid with rubies in gold settings, arranged to resemble a flower. Jade amulets like this can be found in China and various regions of northern Asia, and they are thought to protect or relieve the wearer from heart palpitations.[606]

TIBETAN WOMAN WITH COMPLETE JEWELRY
From “Notes on Turquois in the East,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
TIBETAN WOMAN WITH COMPLETE JEWELRY
From “Notes on Turquoise in the East,” by Berthold Laufer.
By courtesy of the author and Field Museum of Natural History, Chicago.
343Flowers fashioned from precious stones make most attractive ornaments, and by their variety of coloring can be worn with almost any costume. A celebrated beauty of London society has a number of pansies of different colors, one made of rubies, another of sapphires, still another of emeralds, and so on through the range of colors. In this way she always had a pansy according in color with that of her gown. As bridal gifts these jewel-flowers are most appropriate, more especially when the lady-love bears a “floral name” such as Violet or Rose.
343Flowers made from precious stones are incredibly beautiful ornaments, and their variety of colors makes them easy to match with almost any outfit. A well-known beauty in London society has several pansies in different colors, one crafted from rubies, another from sapphires, and yet another from emeralds, covering the entire spectrum of colors. This way, she always has a pansy that matches her dress. These jewel-flowers make perfect wedding gifts, especially when the bride-to-be has a “floral name” like Violet or Rose.
Coral ornaments of all sorts are in great demand in Tibet, and a fine piece of this material will bring about $20 an ounce, and is therefore literally worth its weight in gold. The Venetian traveller, Marco Polo, who visited Tibet in the latter half of the thirteenth century, already noted that coral was in high favor there and that coral necklaces adorned the necks of the women and also those of the idols in their temples. The love of personal adornment is very strong among the Tibetan women, and those in any way well-to-do load themselves with a mass of jewelled ornaments, great pieces of amber, coral and turquoise constituting the principal gem-material. The favor extended to coral, apart from the religious significance of red as symbolical of one of the incarnations of Buddha, may perhaps have an esthetic basis as well, for red or pink affords a pleasant contrast to the dark complexions and hair of the Tibetans.[607]
Coral ornaments of all kinds are highly sought after in Tibet, and a good piece of coral can fetch around $20 an ounce, making it literally worth its weight in gold. The Venetian traveler, Marco Polo, who visited Tibet in the late 13th century, already observed that coral was very popular there, with coral necklaces adorning both the necks of women and the idols in their temples. The desire for personal decoration is very strong among Tibetan women, and those who are somewhat well-off adorn themselves with a variety of jeweled ornaments, with large pieces of amber, coral, and turquoise being the main materials. The preference for coral, apart from its religious significance associated with the color red symbolizing one of the incarnations of Buddha, may also have an aesthetic basis, as red or pink provides a nice contrast to the dark complexions and hair of the Tibetans.[607]
Much more prized, however, than coral is the beautiful blue turquoise, which not only serves for purely ornamental use but is freely employed in the decoration of religious objects, such as the curious “prayer wheels” so indispensable a part of Tibetan ritual.
Much more valued, however, than coral is the beautiful blue turquoise, which not only serves for purely decorative purposes but is also widely used in the decoration of religious items, such as the unique “prayer wheels” that are an essential part of Tibetan rituals.
The talismanic quality of this stone is an important element in its popularity, as it is supposed to bring good fortune and physical well-being to the wearer and to afford protection against contagion. The Tibetans share in the quite general belief that the turquoise will grow pale in 344sympathy with the present or prospective fortune and health of the person wearing it, and as a loss of color is considered portentous of coming evil, such stones are gotten rid of as soon as possible to be replaced by those of a brighter hue. The dealers who buy up for a trifling sum these discolored turquoises often treat them with a dose of blue dyestuff which superficially restores the color, and it is stated that many of the soldiers of the British expeditionary force to Tibet in 1904 were at first deceived into buying these vamped-up stones, but they soon discovered the deception and were more careful later on. Turquoises are also believed to guard against the Evil Eye, and a quasi-sacred character is lent to some especially fine specimens by setting them in the foreheads of statues of the Buddha or other religious images.[608]
The talismanic quality of this stone is a key part of its popularity, as it’s believed to bring good luck and promote health for the wearer, while also providing protection against illness. Tibetans commonly believe that turquoise will fade in response to the current or future fortunes and health of the person wearing it. Since a loss of color is seen as a sign of impending misfortune, these stones are often discarded quickly and replaced with brighter ones. Dealers who buy these faded turquoises for a small price often treat them with blue dye to temporarily restore their color. It’s said that many soldiers from the British expeditionary force to Tibet in 1904 were initially tricked into buying these touched-up stones, but they soon realized the deception and became more cautious later. Turquoises are also thought to protect against the Evil Eye, and some particularly fine specimens gain a quasi-sacred significance when set in the foreheads of Buddha statues or other religious images.[608]
The women of Tibet are said to prize most highly as amulets pieces of cloth adorned with turquoise or coral, which they have acquired from the Lamas, who by the imposition of their priestly blessing have endowed these objects with a peculiar sanctity in the eyes of the Tibetan devotees. Another amulet favored in this far-off land is a small metal box of gold, silver, or copper, and encrusted with turquoise. Within are enclosed little scrolls inscribed with mystic characters to conjure evil spirits and thwart their malevolent schemes for the tribulation of mankind.
The women of Tibet are known to treasure pieces of cloth decorated with turquoise or coral as amulets. They get these from the Lamas, who, through their priestly blessings, give these items a special significance for Tibetan followers. Another popular amulet in this distant land is a small metal box made of gold, silver, or copper, adorned with turquoise. Inside, there are tiny scrolls written with mystical symbols to ward off evil spirits and prevent their harmful plans against humanity.
An ingenious, if rather far-fetched explanation of the supposed power of coral to avert lightning and hail is given by Fortunio Liceti. In his opinion, coral, being of a warm quality, overcomes the coldness of the atmosphere, which produces lightning by the attraction of contraries, and hail by its own quality. This is a specimen of the attempts to find a plausible physiological reason for the powers of gems, the writers never for a moment hesitating to accept the popular beliefs in this respect.[609]
An inventive, albeit somewhat improbable explanation for coral's supposed ability to prevent lightning and hail comes from Fortunio Liceti. He believes that because coral has a warm quality, it counteracts the coldness of the atmosphere, which causes lightning through the attraction of opposites, and hail through its own nature. This is an example of the efforts to find a believable scientific reason for the powers of gemstones, with writers never wavering in their acceptance of popular beliefs regarding this matter.[609]

“THE LIGHT OF THE EAST”
Mural fresco painting by Albert Herter, in the Hotel St. Francis, San Francisco, California. The crystal ball upheld by the female figure is more highly esteemed in Japan than any other jewel. Note the fine contrast afforded by the black armor of the Japanese warrior to the white arm and pure crystal sphere.
By Courtesy of the Artist and Hotel St. Francis, San Francisco.
“THE LIGHT OF THE EAST”
Mural fresco painting by Albert Herter, in the Hotel St. Francis, San Francisco, California. The crystal ball held by the woman is valued more in Japan than any other gem. Notice the striking contrast between the black armor of the Japanese warrior and the white arm and clear crystal sphere.
By Courtesy of the Artist and Hotel St. Francis, San Francisco.
345Among the Bhots of Landakh in the western part of Tibet, a large piece of amber or agate is often worn by the men suspended from the neck as an amulet. Here as in so many other parts of the world, the amulet is believed to acquire especial efficacy when worn in this way, as it comes in immediate contact with the person of the wearer.[610]
345In the Bhots of Ladakh, located in the western region of Tibet, men often wear a large piece of amber or agate as an amulet hanging from their necks. Similar to many other cultures around the world, it's believed that the amulet is particularly powerful when worn this way, as it is in direct contact with the wearer's body.[610]
A very singular manner of using precious stones as talismans is noted in Burma.[611] There are certain talismans called hkoung-beht-set, which are inserted in the flesh beneath the skin. They are usually of gold, silver, or lead, or else of tortoise-shell, horn, etc., but sometimes they are rolled pebbles and occasionally precious stones. We are told that when a prisoner is found to have such talismans on, or rather in his person, the jailer cuts them out lest they should be used to bribe the guards. The talismans owe much of their supposed power to inscriptions in mystic characters, and they are so highly favored that some of the natives wear one or more rows of them across the chest.
A unique way of using precious stones as talismans is noted in Burma.[611] There are certain talismans called hkoung-beht-set, which are placed under the skin. They are typically made of gold, silver, or lead, but can also be made from tortoise-shell, horn, and similar materials, and sometimes they are even rolled pebbles or precious stones. It’s said that when a prisoner is found to have such talismans on or in their body, the jailer removes them to prevent bribing the guards. The talismans are believed to have much of their power from inscriptions in mystical characters, and they are so popular that some people wear one or more rows of them across their chest.
For the Japanese, rock-crystal is the “perfect jewel,” tama; it is at once a symbol of purity and of the infinity of space, and also of patience and perseverance. This latter significance probably originated from an observation of the patience and skill required for the production of the splendid crystal balls made by the accurate and painstaking Japanese cutters and polishers.
For the Japanese, rock crystal is the "perfect jewel," tama; it represents both purity and the infinite expanse of space, as well as patience and perseverance. This latter meaning likely comes from noticing the patience and skill needed to create the beautiful crystal balls made by the precise and dedicated Japanese cutters and polishers.
The belief of Mohammedans in the Evil Eye claims the authority of the Prophet to the effect that “the áïn (eye) is a reality.” The Arabs also designate the Evil Eye as 346nuzra, “the look,” and nafs, “breath or spirit.” It is not commonly regarded as the result of a definite malevolent intention, but rather as an effect engendered by envy at the sight of anything especially beautiful or attractive. Indeed, sometimes the bare expression of great admiration is supposed to produce evil results, as is illustrated by the assertion that when a man, on seeing an exceptionally large and fine stone, exclaimed, “What a large stone!” it immediately broke into three pieces.
The belief among Muslims in the Evil Eye rests on the Prophet's teaching that "the áïn (eye) is real." Arabs also refer to the Evil Eye as 346nuzra, meaning "the look," and nafs, which translates to "breath or spirit." It's not usually seen as a result of clear malicious intent but rather as an effect caused by envy upon seeing something particularly beautiful or attractive. In fact, even simply expressing great admiration can be thought to bring about negative consequences, as shown by the story of a man who, upon seeing an exceptionally large and beautiful stone, exclaimed, "What a large stone!" and it instantly shattered into three pieces.
In the Sahara, the horns of oxen, and sometimes their skulls with the horns attached, are set over the entrances of dwellings to protect the residents from this dreaded influence; in Tunis and Algiers, boars’ tusks are also used in this way. However, the most favored weapons of defence are the outstretched fingers of the hand, sometimes but two fingers, but more often all five. The gesture of holding out the fingers toward the envious person is frequently accompanied by the utterance of the words: Khamsa fi ȧïnek, “five (fingers) in your eye!” The number five has thus acquired such a special significance that Thursday, as the fifth day of the week, is looked upon as the appropriate day for pilgrimages to the shrines of those saints whose protection against the Evil Eye is believed to be most potent.[612]
In the Sahara, the horns of oxen, and sometimes their skulls with the horns still attached, are placed over the entrances of homes to keep the residents safe from this feared influence; in Tunis and Algiers, boar tusks are also used this way. However, the most popular way to defend against it is by extending the fingers of the hand, sometimes just two fingers, but more often all five. The gesture of extending the fingers toward an envious person is often accompanied by the phrase: Khamsa fi ȧïnek, “five (fingers) in your eye!” The number five has gained such special significance that Thursday, being the fifth day of the week, is considered the best day for pilgrimages to the shrines of those saints believed to provide the strongest protection against the Evil Eye.[612]
The Arabs of Arabia Petraæ believe that when anyone casts longing and covetous eyes upon any animal belonging to another, part of his soul enters the animal and the latter is doomed to destruction if it remains in the possession of the rightful owner. The same idea prevails in the case of a child whose possession is envied, or who is unduly admired. Where the identity of the one who has cast the spell is known, there is a fair chance of rendering it harmless if a piece of the guilty one’s garment can be stolen and the animal or child rubbed with it. The virtue of coral as a protection 347from such dangers is generally believed, and almost every woman, child, mare and camel, wears or bears a coral amulet of some kind. A special variety of amulets against the Evil Eye, worn by equestrians, are small, smooth flint-stones, gathered at a spot where two valleys unite; and, for horses, protection is believed to be afforded by a ring of blue glass or blue porcelain, suspended from the neck. Another queer superstition among these Arabs regarding the Evil Eye is that if a child yawns, this is supposed to be a sign that he has been smitten by the evil spell, and the mother is advised to place glowing coals on a plate, strew alum over the coals, and bear the plate around the child.[613]
The Arabs of Petra believe that when someone looks at another person's animal with envy or desire, part of that person's soul enters the animal, and it is doomed if it stays with its rightful owner. The same belief applies to children who are envied or excessively admired. If the identity of the person who cast the spell is known, there’s a good chance of reversing it if a piece of the guilty person’s clothing can be stolen and used to rub the animal or child. Coral is commonly believed to have protective qualities against these dangers, so almost every woman, child, mare, and camel wears or carries some kind of coral amulet. A specific type of amulet against the Evil Eye, used by riders, consists of small, smooth flint stones collected from where two valleys meet; for horses, a ring of blue glass or porcelain worn around the neck is believed to offer protection. Another strange superstition among these Arabs related to the Evil Eye is that if a child yawns, it’s thought to mean they have been affected by the evil spell. In this case, the mother is advised to put hot coals on a plate, sprinkle alum over them, and carry the plate around the child.[613]
Over the entrance gate of the Alhambra in Granada, Spain, may be seen the representation of a hand, and this is regarded as having been figured there to serve for a talisman against the Evil Eye,[614] just as some of the Arabs are still wont to paint or figure a so-called “Fatima’s Hand” on doors or door-posts for a similar purpose. The idea which has been advanced that the “horse-shoe arch” had some connection with the belief in the luck-bringing quality of the horse-shoe, is, however, scarcely to be admitted as an explanation of this most characteristic feature of Moorish architecture.
Over the entrance gate of the Alhambra in Granada, Spain, you can see the image of a hand, which is thought to have been placed there as a talisman against the Evil Eye,[614] just as some Arabs still like to paint or display what’s known as “Fatima’s Hand” on doors or door frames for the same reason. However, the suggestion that the “horse-shoe arch” is connected to the belief in the luck-bringing quality of the horse-shoe is not really a valid explanation for this distinctive feature of Moorish architecture.
IX
Amulets from Ancient Cultures and Today

The folk-lore tales of the settlement called Milpa Alta, in the Federal District, Mexico, not far from Mexico City, have preserved many legends from old Aztec times, as this community was originally settled by some noble Aztec families fortunate enough to escape with their goods from the Spaniards at the time of the conquest by Cortés. In several of these legends the chalchihuitl (a green stone, often nephrite or jadeite) is mentioned. Thus it is said that when some minor divinity sees fit to confer upon a man or woman the endowments of a tlamátque or “sage,” he gave warning of this in a dream, and the truth of the vision was confirmed when, during the ensuing day, the dreamer found on the ground within his enclosure idols of chalchihuitl, or fragments of obsidian, which were believed to have fallen from the sky, this usually occurring during a rainstorm. Evidently the rain had washed them out of the earth or volcanic ash in which they had been buried. These objects were immediately picked up and preserved, as they signified that the person whose dream had thus been verified was admitted to the companionship of the gods. There appears to have followed some initiation ceremony to render definite the consecration of the chosen tlamátque, and this was to be connected with a fiery ordeal, the traces of which in scars or severe burns, and sometimes even in the loss of eyesight, served to recommend the “sage” to those seeking his aid. This was called for in cases of illness and also for the finding of hidden treasure and for predictions of the weather. In attempting 349to effect cures, the tlamátque made use of pieces of jade as talismans, fortified by elaborate exorcisms and prayers.[615]
The folk tales of the settlement called Milpa Alta, located in the Federal District of Mexico, not far from Mexico City, have preserved many legends from ancient Aztec times. This community was originally settled by noble Aztec families who managed to escape with their belongings from the Spaniards during Cortés’ conquest. In several of these legends, the chalchihuitl (a green stone, often nephrite or jadeite) is mentioned. It’s said that when a minor deity decides to bestow the gifts of a tlamátque or “sage” upon someone, they first receive a warning in a dream. The truth of this vision is confirmed the next day when the dreamer finds idols made of chalchihuitl or pieces of obsidian on the ground within their space, believed to have fallen from the sky, usually during a rainstorm. The rain likely washed them out of the earth or volcanic ash where they had been buried. These objects are immediately picked up and kept, as they signify that the dreamer has been welcomed into the presence of the gods. There seems to have been an initiation ceremony to officially consecrate the chosen tlamátque, which involved a fiery ordeal. The scars or severe burns, and sometimes even the loss of eyesight, served to enhance the "sage's" reputation among those seeking help. This help was called upon in cases of illness, for finding hidden treasures, and for weather predictions. In attempting to cure, the tlamátque used pieces of jade as talismans, backed by elaborate exorcisms and prayers.[615]
Among the lower classes of the Mexican Indian population of Milpa Alta, to cure diseases the aid of a tepo pohque (one who purifies the disease) is sometimes called in. This once very general custom is, however, gradually falling into disuse. The progress of popular scepticism is illustrated by the half-apologetic tone in which this is explained in the words: “If he does no good, he will do no harm, and besides he is so cheap.” The healer may be either a man or a woman. One of the most important helps is a chain of chalchihuitl beads. After invocations of the various appearances of Christ and of the Virgin chronicled in local tradition, and of the patron saints (for these Indians are devout Roman Catholics), the healer chooses out a chalchihuitl bead with which he pretends to extract the “air” from the sick person. He successively touches with it the patient’s temples, the sides and top of the head, the stomach, and lastly the affected part, at the same time forcibly drawing in his own breath, producing thereby a peculiar noise. The use of the stone is sometimes supplemented by that of two eggs, one being held in each of the healer’s hands. A different type or form of chalchihuitl is used for each different disease, and as a final operation the affected part is moistened with alcohol, and then “massaged” with the stone, bathing with a hot decoction of herbs being also resorted to in some cases.[616]
Among the lower classes of the Mexican Indian population in Milpa Alta, people sometimes call on a tepo pohque (someone who purifies diseases) to treat illnesses. This once-common practice is slowly fading away. The growing skepticism is shown in the somewhat apologetic way people explain it: “If he doesn’t do any good, he won’t do any harm, and besides, he’s really inexpensive.” The healer can be either a man or a woman. One of the most important tools is a chain of chalchihuitl beads. After invoking the various manifestations of Christ and the Virgin detailed in local tradition, as well as the patron saints (these Indians are devout Roman Catholics), the healer selects a chalchihuitl bead with which they pretend to draw out the “air” from the sick person. They touch the patient’s temples, sides and top of the head, stomach, and finally the affected area, all while forcefully inhaling their own breath, creating a peculiar sound. Sometimes, the stone is used in conjunction with two eggs, one held in each of the healer’s hands. A specific type of chalchihuitl is used for each different ailment, and as a final step, the affected area is moistened with alcohol and then “massaged” with the stone; in some cases, bathing it with a hot herbal decoction is also done.[616]
A characteristic object secured in the Province of Chiriqui, Republic of Panama, is a singular amulet of a fine quality of green translucent jade (jadeite). This is fashioned into a conventional representation of a parrot with a 350disproportionately long beak. The details of the bird-form are but roughly indicated, what is supposed to represent the head and body being but a trifle larger than the beak. In the region of the neck, marked by a peripheral incision, there is a hole through which a cord for suspension was probably passed. The type resembles that of the Chiriquian gold parrots, and differs from that of the amulets of Las Guacas, Costa Rica. As a much larger number of jade objects have been found at this latter place than occur at Chiriqui, it has been conjectured that the common source was a deposit of jade somewhere in Costa Rica.[617] Chiriqui has also yielded a plain, highly-polished amulet of pale green jade; the front is convex and is traversed by a groove; a small hole has been pierced near the top to facilitate suspension.
A notable item found in the Province of Chiriqui, Republic of Panama, is a unique amulet made from high-quality green translucent jade (jadeite). It's shaped like a traditional depiction of a parrot with an unusually long beak. The details of the bird are only roughly defined, with the head and body being just slightly larger than the beak. There’s a hole near the neck, marked by a peripheral incision, where a cord for hanging was likely passed through. This design is similar to the Chiriquian gold parrots and differs from the amulets found in Las Guacas, Costa Rica. Since many more jade items have been discovered in Las Guacas than in Chiriqui, it’s been suggested that both locations might have originated from the same jade deposit in Costa Rica.[617] Chiriqui has also produced a plain, highly-polished amulet made of pale green jade; the front is curved and has a groove running through it, with a small hole near the top for hanging.
The South American Indians had a class of stone love-amulets, representing more or less clearly two embracing figures. It was claimed by their magicians that these had not been cut or fashioned in any way, but were so formed by nature, and were endowed with the power of attracting to the wearer the love of the chosen object of affection. These special amulets bore in the native language the names of huacanqui and cuyancarumi. They were said to be found buried in the earth where a thunderbolt had descended, and were thus a particular class of the so-called “thunder-stones,” and a high price could be obtained for one, more especially if the owner had to deal with a woman. A characteristic specimen, presumably from Ecuador, is of black serpentine.[618]
The South American Indians had a type of stone love amulet, depicting two figures embracing. Their shamans claimed that these weren't carved or shaped in any way but were naturally formed and had the power to attract the love of the person one desired. These unique amulets were called huacanqui and cuyancarumi in the native language. They were said to be found buried in the ground where a lightning bolt had struck, categorizing them as a specific kind of “thunder-stone,” and could fetch a high price, especially if the owner was trying to win over a woman. A notable example, likely from Ecuador, is made of black serpentine.[618]
351The Araucarian Indians of Chili and Argentina, who occupied a region 1000 miles in length, bordering on the Pacific Ocean, according to facts communicated by the Rev. Charles Sadleir, had their medicine women, instead of medicine-men. These women carried with them a quartz crystal (as did many of the medicine-men of the Indian tribes) or a rolled fragment of quartz found in the river beds. They affirmed that this crystal had been entered by a mighty spirit who dwelt in one of the great volcanoes which existed in that region (called pillan in the native tongue). This spirit inspired the medicine-woman with a knowledge of what she should tell those who came to her for advice or for forecasts of the future.
351The Araucarian Indians of Chile and Argentina, who lived in a region 1000 miles long along the Pacific Ocean, as reported by Rev. Charles Sadleir, had women as their healers instead of men. These women carried a quartz crystal (just like many male healers in other tribes) or a piece of quartz they found in riverbeds. They claimed that this crystal was inhabited by a powerful spirit that lived in one of the large volcanoes in the area (called pillan in the local language). This spirit gave the medicine-woman insight into what she should tell those who sought her guidance or predictions about the future.
A medicine-woman will never show the crystal, because, as the abode of a spirit, it must not be seen. While it is to be supposed that the services of these “doctoresses” are not altogether gratuitous, the Araucarians as a general rule detest gold, although they willingly accept silver. This preference for the less valuable metal is due to the traditions handed down to them from the time the Spaniards persecuted their ancestors for the gold they owned, or were thought to own.
A medicine woman will never show the crystal because, as a dwelling place for a spirit, it must remain unseen. While it’s assumed that the services of these “doctoresses” aren’t entirely free, the Araucarians generally dislike gold, although they are happy to accept silver. Their preference for the less valuable metal comes from traditions passed down from the time when the Spaniards persecuted their ancestors for the gold they had or were believed to have.
These Indians have a peculiar belief in regard to the nature of the soul, which they regard as a dual being formed of a superior essence, or spirit, which they call pullu, and an inferior essence, or soul, to which they give the name am.
These Indians have a unique belief about the nature of the soul, which they see as a dual being made up of a higher essence, or spirit, which they call pullu, and a lower essence, or soul, which they refer to as am.
An agate charm in the shape of a dog’s head was found in the Valley of Mexico. The material used here was a banded agate with a rich stain in the centre. The great variety of markings presented by these stones rendered them especially attractive for use as amulets, since fancy could easily trace designs and figures of symbolic significance calculated to secure success or protection.
An agate charm shaped like a dog's head was discovered in the Valley of Mexico. The material used was banded agate with a deep stain in the center. The wide range of markings on these stones made them particularly appealing for use as amulets, as people could easily create designs and figures with symbolic meanings meant to ensure success or protection.
Of all quaint ideas in amulet making and naming, none 352is stranger than that of employing for this purpose artificial eyes from Peruvian mummies. Originally eyes of the giant cuttlefish (loligo gigas), they were used by the ancient Peruvians to replace the natural eyes of the dead because these substitutes were more durable. Of course the rather grewsome source whence these mummy-eye amulets were secured, bringing them measurably in touch with a sort of necromancy, made them all the more sought after by the superstitious natives. An example from a mummy found at Cuzco, Peru, was exhibited by the writer in the Folk-Lore Collection at the Columbian Exhibition in Chicago in 1893.[619]
Of all the quirky ideas in making and naming amulets, none is weirder than using artificial eyes from Peruvian mummies. Originally made from the eyes of giant cuttlefish (loligo gigas), the ancient Peruvians used these to replace the natural eyes of the dead because they were more durable. Naturally, the rather gruesome origin of these mummy-eye amulets, which linked them to a kind of necromancy, made them even more desirable to the superstitious locals. An example from a mummy discovered in Cuzco, Peru, was displayed by the writer in the Folk-Lore Collection at the Columbian Exhibition in Chicago in 1893.[619]
A strange animal figure from the Pueblo Bonito ruins, rudely carved out of stone and having a band composed of pieces of turquoise set about the neck, was undoubtedly an amulet. Two depressions in the stone where the eyes should be indicate that these were of inlaid turquoise. In spite of the imperfect form of this object, it gives evidence in some of its details to the skill of the native artist who executed it, especially in the care he has taken to protect the soft stone from the attrition of the cord used for its suspension, a piece of bird-bone having been introduced into the perforation near the neck, and the ends of the hole countersunk and filled with gum into which a piece of turquoise was set; one of these caps still remains in place. Frog forms, entirely of turquoise, also appear in Pueblo Bonito, several tadpoles and frogs of this material having been found in the burialroom explored by Mr. Pepper. Sometimes the form is barely indicated by the protuberant eyes and a slight incising which marks the place of the neck.[620]
A strange animal figure from the Pueblo Bonito ruins, roughly carved from stone and featuring a band made of pieces of turquoise around the neck, was definitely an amulet. Two indentations where the eyes should be suggest they were made of inlaid turquoise. Despite the object's flawed shape, it showcases the skill of the native artist, especially in how he protected the soft stone from wear caused by the cord used for hanging it. A piece of bird bone was placed in the hole near the neck, with the ends of the hole countersunk and filled with gum to hold a piece of turquoise, and one of these caps is still intact. Frog shapes, made entirely of turquoise, were also found in Pueblo Bonito, with several tadpoles and frogs of this material discovered in the burial room explored by Mr. Pepper. Sometimes, the form is only hinted at by the bulging eyes and a slight engraving marking the neck. [620]

TURQUOISE INCRUSTED OBJECTS, PROBABLY AMULETS, FOUND AT PUEBLO BONITO, NEW MEXICO
The work of ancient Indian dwellers in this region. From George H. Pepper, American Anthropologist, vol. vii, Pl. xvii. 1. Turquoise incrusted bone. 2. Jet frog with turquoise eyes. 3. Jet plaque with turquoise setting.
TURQUOISE INCRUSTED OBJECTS, PROBABLY AMULETS, FOUND AT PUEBLO BONITO, NEW MEXICO
The work of ancient Native American inhabitants in this area. From George H. Pepper, American Anthropologist, vol. vii, Pl. xvii. 1. Turquoise-inlaid bone. 2. Jet frog with turquoise eyes. 3. Jet plaque with turquoise inlay.
353The Pueblo Bonito ruins in New Mexico have furnished some very effective examples of turquoise inlaying by the Indians of an earlier time who dwelt in this region. The symbolic forms, the precious material used for the inlays, and the labor and skill expended in the execution of certain of these works, indicate that they must have been regarded as amulets. Perhaps the finest inlaying-work is shown in the turquoise decoration of a fragment of bone of peculiar shape, having alternate bands of jet with a chevron-decoration of interlaced triangular pieces of jet and turquoise. Another of these jet and turquoise amulets is a frog, the body being of jet and the protruding eyes of turquoise; about the creature’s neck runs a band of turquoise mosaic. Still another of these relics is a square plaque of jet with an inlaid turquoise at each of the four corners; two of these inlays have fallen out.[621]
353The Pueblo Bonito ruins in New Mexico showcase some impressive examples of turquoise inlay created by the Native Americans who lived in this area long ago. The symbolic designs, the precious materials used for the inlays, and the effort and craftsmanship evident in certain pieces suggest that they were likely viewed as amulets. One of the finest examples of inlay work is found in the turquoise decoration of a uniquely shaped bone fragment, featuring alternating bands of jet with chevron designs made of interlaced triangular pieces of jet and turquoise. Another amulet made of jet and turquoise is in the shape of a frog, with the body crafted from jet and the eyes made of turquoise; a band of turquoise mosaic circles its neck. Yet another relic is a square jet plaque that has a turquoise piece inlaid at each of its four corners, although two of these inlays have fallen out.[621]
The history of the turquoise, a stone which has been mined in Persia for thousands of years, and has long been prized as one of the most beautiful and attractive of the semi-precious stones, has been very fully and ably treated in an exceedingly comprehensive monograph recently published by Dr. Joseph E. Pogue.[622] This valuable and interesting work contains extracts from all the older and more modern writers on the subject, and also describes the stone fully from a mineralogical point of view, besides discussing it from the historic standpoints.
The history of turquoise, a stone that has been mined in Persia for thousands of years and has long been valued as one of the most beautiful and appealing semi-precious stones, has been thoroughly and skillfully covered in a highly detailed monograph recently published by Dr. Joseph E. Pogue.[622] This insightful and fascinating work includes excerpts from both older and modern authors on the topic, fully describes the stone from a mineralogical perspective, and also examines it from historical viewpoints.
So highly was the turquoise esteemed among the Pima Indians of southern Arizona, that the loss of one was looked upon as a most ominous event, portending for the owner a serious illness or physical disability, which could only be cured by the magic rites of a medicine-man. When one of 354those worthies is called in to avert the impending misfortune, his favorite remedy consists in placing a piece of slate, a turquoise and a crystal in a vessel filled with water, the liquid being administered in regular doses to the threatened victim. The threefold remedy, comprising a specimen of the lost stone, is supposed to outweigh and counteract the probable evil influences of the lost turquoise alone.[623]
The Pima Indians of southern Arizona held turquoise in such high regard that losing one was seen as a very bad sign, suggesting that the owner would face serious illness or disability, which could only be treated by the rituals of a medicine man. When one of these skilled healers is called in to prevent the looming disaster, his go-to remedy involves placing a piece of slate, a turquoise, and a crystal in a container filled with water. This liquid is then given to the worried individual in measured doses. The combination of these three items, including a piece of the lost turquoise, is believed to balance out and negate the negative effects of losing the turquoise by itself.[623]
The magic power that dwelt in these Indian fetishes was named oyaron in the Iroquoian tongue, and each person or kindred was believed to have a special oyaron which exerted a controlling power over their good or evil fortune. The material object in which this entity would take up its abode was determined in a peculiar way. When a youth had attained maturity, he was entrusted to the charge of an old man who took him to a far-away lodge in the wilderness. Here he had his face, shoulders and breast blackened to symbolize his lack of spiritual or occult enlightenment. He was then compelled to fast for a considerable time and was instructed to carefully note his dreams, and if he should have an exceptionally vivid dream regarding any specific object, to tell his guardian of it. The fact was then duly reported to the wise men of the tribe, who decided whether the object was the chosen abiding place of his oyaron. This having been satisfactorily determined, an object of the kind was sought out and was preserved and treasured by the one to whom it had been assigned in the vision. Perhaps the familiar spirit might have elected to dwell in a calumet, a pipe or a knife, or else in some animal, plant, or mineral form.[624]
The magic power that resided in these Indian fetishes was called oyaron in the Iroquoian language, and each person or family was thought to have a specific oyaron that influenced their good or bad luck. The physical object where this entity would inhabit was chosen in an unusual way. When a young man reached adulthood, he was placed under the care of an elder who took him to a remote lodge in the wilderness. There, his face, shoulders, and chest were painted black to symbolize his lack of spiritual or mystical knowledge. He was then required to fast for a significant period and instructed to pay close attention to his dreams. If he experienced a particularly vivid dream about a specific object, he was to share it with his guardian. The information was then reported to the tribal elders, who determined if the object was the designated home of his oyaron. Once this was confirmed, an object of that kind was found and kept as a treasured possession by the individual it was assigned to in the vision. Perhaps the familiar spirit chose to inhabit a calumet, a pipe, a knife, or even some form of animal, plant, or mineral.[624]

INDIAN MEDICINE-MAN
From “Histoire Générale des Cérémonies Religieuses du tous les Peuples du Monde,” by Abbé Banier and
Abbé Mascrier, Paris, 1741.
INDIAN MEDICINE-MAN
From “General History of Religious Ceremonies of All the Peoples of the World,” by Abbé Banier and
Abbé Mascrier, Paris, 1741.
355The Midêwiwin, or, as it is sometimes erroneously called, the “Grand Medicine Society” of the Ojibway Indians, is an association composed of shamans, whose supposed powers are much in request among these Indians of the northwest. Two other classes of medicine-men exist among them to a very limited extent, the Wâbeno, “Men of the Dawn,” and the Jessakid or “revealers of hidden things.” The members of this latter class, who operate singly, are regarded as very dangerous and generally malevolent sorcerers, having the power to call evil spirits to their aid, and are even believed to practise the fearful art of drawing a man’s soul out of his body, so that he either becomes insane or dies. The turtle is regarded by the Jessakids as the abode or symbol of the mightiest spirit. However, the Midês, members of the Midêwiwin, are far the most numerous, and it is to them that the Indian looks for help and health. While they usually “treat” their patients in their own abodes, when the disease fails to yield to the might of ordinary incantations and spells, the assistance of the great magic stone in the Medicine Lodge or Midêwigen must be resorted to. For this purpose the sick person is carried thither and is laid on the ground constituting the floor of the lodge, so that the diseased part of his body may touch the stone. In addition to this magic stone, which is set in the ground near the entrance, three magic wooden posts rise up, one behind the other, and at the end opposite the entrance is set a painted wooden cross, the base of which is cut four-square, each side having a different coloring, namely, white, for the East, the source of light; green, for the South, the source of rain which brings the verdure; red, for the West, where the red glow of the sunset appears and whither the spirits of the departed wend their way after death, and, lastly, black, for the cold and pitiless North, the origin of disease, famine and death.[625]
355The Midêwiwin, or what is sometimes mistakenly referred to as the “Grand Medicine Society” of the Ojibway Indians, is a group made up of shamans, whose supposed abilities are highly sought after among these northwest Indians. There are also two other classes of medicine men, but they exist in very small numbers: the Wâbeno, "Men of the Dawn," and the Jessakid or “revealers of hidden things.” The members of the latter group, who operate alone, are seen as very dangerous and often malevolent sorcerers, believed to have the ability to summon evil spirits to help them, and are even thought to practice the terrifying art of pulling a person’s soul out of their body, resulting in insanity or death. The turtle is considered by the Jessakids to be the home or symbol of the most powerful spirit. However, the Midês, the members of the Midêwiwin, are by far the most numerous, and they are the ones that the Indian community turns to for help and healing. While they typically “treat” their patients at their own homes, if the illness does not respond to regular incantations and spells, they must rely on the great magic stone in the Medicine Lodge or Midêwigen. For this, the sick individual is carried there and laid on the floor of the lodge, so that the affected part of their body comes into contact with the stone. Along with this magic stone, which is placed in the ground near the entrance, three magic wooden posts stand, one behind the other, and at the far end from the entrance is a painted wooden cross. The base of the cross is square and each side has a different color: white for the East, the source of light; green for the South, the source of rain that brings greenery; red for the West, where the red glow of the sunset occurs and where the spirits of those who have died journey after death; and finally, black for the cold and merciless North, the origin of disease, famine, and death.[625]
356The various adjuncts of the sorcerer’s trade are carefully preserved by the Midê or Jessakid in his medicine-bag. A good specimen of this was made out of the skin of a mink, Putorius vison, Gapp., and adorned at one end with two fluffy white feathers.[626] Often a flat, black, water-worn pebble will be one of the great treasures in this sack. The virtues of a stone of this type are said to have been put to a curious test on the person of a Jessakid at Leech Lake, Minn., in 1858. The man offered to wager $100 that if he were securely tied up, hand and foot, with stout rope, but having his stone resting on his thigh, he could remove the bonds without assistance. The wager was taken up and the test duly applied; the Jessakid being left alone in his tent tightly and firmly bound. Before long he called out to those on the watch outside the tent that search should be made for the rope at a certain spot nearby. This was done and the rope was found with the knots undisturbed, while the Jessakid was to be seen calmly seated on the ground, smoking a pipe and still bearing his magic black stone on his thigh.[627]
356The various tools of the sorcerer's trade are carefully kept by the Midê or Jessakid in his medicine bag. A good example of this was made from the skin of a mink, Putorius vison, Gapp., and decorated at one end with two fluffy white feathers.[626] Often, a flat, black, water-worn pebble will be one of the treasures in this bag. The powers of a stone like this were put to an unusual test on a Jessakid at Leech Lake, Minn., in 1858. The man bet $100 that if he were securely tied up, hand and foot, with strong rope, but had his stone resting on his thigh, he could get free without help. The bet was accepted, and the test was carried out; the Jessakid was left alone in his tent tightly bound. Before long, he called out to those outside the tent to search for the rope at a specific spot nearby. They did this, and the rope was found with the knots untouched, while the Jessakid was seen calmly sitting on the ground, smoking a pipe and still holding his magic black stone on his thigh.[627]
French missionaries of the early part of the eighteenth century reported that the Indian wizards of some of the northwestern tribes would take a pebble the size of a pigeon’s egg, and mutter over it certain conjurations. This, they assert, caused the formation of a like stone within the body of the person who was to be bewitched.[628] The medicine-men of certain Canadian tribes of this time were not content with muttered conjurations in treating their patients, but would not infrequently resort to the charm supposed to be exerted 357by dancing and howling before the sick person. The nervous shock produced by a combination of such grotesque movements and discordant cries might well “rouse” the patient, and perhaps had sometimes good effects in restoring vitality.
French missionaries in the early 1700s reported that some Indian wizards from northwestern tribes would take a pebble about the size of a pigeon’s egg and mutter specific incantations over it. They claimed this would lead to the creation of a similar stone inside the body of the person being bewitched.[628] The medicine men of certain Canadian tribes at the time weren’t satisfied with just muttering incantations to treat their patients; they often resorted to charms that involved dancing and howling in front of the sick person. The intense shock from a mix of these bizarre movements and jarring sounds could certainly "wake up" the patient and might sometimes help in restoring their vitality.

Canadian Indian Medicine-man. From “Histoire générale des cérémonies, mœurs, et coutumes religieuses de tous les peuples du monde,” by Abbé Banier and Abbé Mascrier. Vol. VII. Paris. 1741.
Canadian Indian Medicine-man. From “General history of the ceremonies, customs, and religious practices of all the peoples of the world,” by Abbé Banier and Abbé Mascrier. Vol. VII. Paris. 1741.
358An interesting use of the Röntgen rays to detect hidden amulets is noted by Stewart Culin. It was conjectured by Mr. Cushing that some pieces of turquoise, conceived to be the hearts of fetichistic birds, were concealed beneath the heavy wrapping of brown yarn that binds the finger-loops of the prehistoric throwing stick in the Museum of the University of Pennsylvania. This object was too valuable and too fragile to permit of its examination, and therefore the Röntgen rays were used, disclosing the presence of four stone beads, presumably of turquoise, as Mr. Cushing had indicated.[629]
358An interesting application of X-rays to find hidden amulets is mentioned by Stewart Culin. Mr. Cushing speculated that some pieces of turquoise, believed to be the hearts of fetish birds, were hidden under the heavy wrapping of brown yarn that secures the finger-loops of a prehistoric throwing stick in the Museum of the University of Pennsylvania. This item was too valuable and too delicate for examination, so X-rays were used, revealing the presence of four stone beads, likely made of turquoise, as Mr. Cushing had suggested.[629]
As the Point Barrow Eskimos are so largely dependent on fishing, they especially favor amulets or talismans referring to this, and in many cases the peculiar power of the talisman is accentuated by giving it a specially significant form. Thus, from Utkiavwin was brought a piece of dark crimson jasper two inches long, rudely fashioned by chipping into the form of a whale, and also a similar figure made from a water-worn quartz pebble.[630] Another Point Barrow amulet consisted of three small fragments of amber, carefully wrapped up and placed in a cottonwood box 1½ inches in length. This box was cleverly made of two semicircular pieces of the wood, the flat faces having been hollowed out so as to leave space for the amber. They were then bound together by loosely knotted sinew braid.[631]
As the Point Barrow Eskimos rely heavily on fishing, they particularly value amulets or talismans related to this, and often the unique power of the talisman is emphasized by giving it a specific shape. For example, from Utkiavwin, there was a piece of dark crimson jasper about two inches long, roughly shaped into the form of a whale, along with a similar figure made from a water-worn quartz pebble.[630] Another Point Barrow amulet consisted of three small pieces of amber, carefully wrapped and placed in a cottonwood box that was 1½ inches long. This box was cleverly crafted from two semicircular pieces of wood, with the flat sides hollowed out to create space for the amber. They were then tied together with loosely knotted sinew braid.[631]
A black jade, adze-shaped, that may have served as a fisherman’s talisman for the Point Barrow Eskimo, was brought from Utkiavwin. It measured 5.1 inches in length, 359and was slung with a thong and whalebone, so that it could be suspended. Its weight is so considerable as to make it somewhat burdensome for wear on the person, but as one of these Eskimo wore a stone weighing two pounds suspended from a belt, the jade artefact may really have been worn in this way. The form suggests that of a sinker, as was also the case with the two-pound stone, and it may have earned its repute as a talisman from having been used in former times by some exceptionally fortunate or skilful fisherman, in the belief that it would transmit his good luck to anyone wearing it.[632] An artefact of somewhat similar form, 1.4 inches in length, and made of red jasper, came from the same locality; this was slung in a sinew band for suspension.[633]
A black jade piece shaped like an adze, which may have been a fisherman’s talisman for the Point Barrow Eskimo, was brought from Utkiavik. It measured 5.1 inches long, 359 and was attached with a thong and whalebone for suspension. Its weight is significant enough to make it somewhat cumbersome to wear, but since one of these Eskimos wore a stone weighing two pounds from a belt, the jade artifact may indeed have been worn in this way. The shape resembles that of a sinker, similar to the two-pound stone, and it may have gained its reputation as a talisman because it was once used by an exceptionally lucky or skilled fisherman, with the belief that it would pass on his good fortune to anyone wearing it.[632] Another artifact with a similar shape, 1.4 inches long and made of red jasper, also came from the same area; this one was suspended with a sinew band.[633]
The native Greenlanders of a couple of centuries ago had a great variety of amulets, and Hans Egede, in his Description of Greenland, notes these “Amulets or Pomanders” which the natives wore about the neck or arms, the materials being of the most heterogeneous kind, pieces of old wood, old fragments of stone, bones of various animals, the bill and claws of certain birds, and many other objects whose form or associations had suggested the possession of a magic potency.[634] A similar account of old Greenland amulets is given by David Crantz, another early author, who even asserts that some of the amulets were so grotesque that the natives themselves occasionally laughed at them. In the absence of any more definite talisman, recourse was sometimes had to the expedient of binding a leather strap over the forehead or around the arm.[635] Possibly, however, some 360talisman was hidden beneath this strap, or else it may have been designed to serve as a point of support for an amulet that had been taken off at the time the traveller saw the strap.
The native Greenlanders from a couple of centuries ago had a wide variety of amulets, and Hans Egede, in his Description of Greenland, mentions these “Amulets or Pomanders” that the locals wore around their necks or arms. The materials used were very diverse, including pieces of old wood, fragments of stone, animal bones, the beak and claws of certain birds, and many other objects whose shapes or associations suggested they had magical properties.[634] David Crantz, another early author, gives a similar description of the old Greenland amulets and even claims that some of them were so strange that the natives would occasionally laugh at them. When a more specific talisman wasn’t available, people sometimes resorted to tying a leather strap over their forehead or around their arm.[635] It’s possible, though, that some talisman was hidden beneath this strap, or it might have been meant to hold an amulet that had been taken off when the traveler saw the strap.
Animal amulets, that is to say, amulets for animals, are in use in the Arctic regions, one class of these being stones that have fallen from a bird-rock. These the Eskimo attach to their dogs, proceeding upon the theory that as these pieces of rock in falling from a great height have traversed the air with tremendous rapidity, they will communicate the quality of fleetness to the dogs.[636] This transmission of an acquired quality of the stone to the person wearing it is shown in other instances, a favorite amulet with the Eskimos being a piece of an old hearth-stone. This is believed to give strength to the wearer, because the stone has so long endured the attacks of fire, the strongest and fiercest element. Such fragments of stone are often worn by Eskimo women, who wrap them up in pieces of seal-skin, making in this way a decoration to be worn on the neck.[637]
Animal amulets, meaning amulets for animals, are used in the Arctic regions. One type of these amulets consists of stones that have fallen from a bird-rock. The Eskimo attach these to their dogs, believing that since these rocks fall from a great height and travel through the air at high speed, they will pass on the quality of swiftness to the dogs.[636] This transfer of an acquired quality of the stone to the wearer is evident in other examples as well, with a popular amulet among the Eskimos being a piece of an old hearth-stone. It's thought to give strength to the wearer because the stone has withstood the intense power of fire for so long. These stone fragments are often worn by Eskimo women, who wrap them in pieces of seal-skin, creating a decorative piece to wear around the neck.[637]
Not only does the medicine-bag of an Eskimo medicine-man serve to guard his trusted amulets and talismans, but some of these wonder-doctors claim to be able to draw within it the soul of a sick child, so as to keep this soul hidden away from all harm and danger. In fact, the opinion has been expressed that many personal amulets have owed their repute to their supposed power as soul-guardians, the owners’ souls having been transferred to the material body of the amulet, which is more easily concealed and kept out-of-the way of injury than is the human body, the tabernacle of the spirit. A trace of this belief has been found by some in the term battê ha-nephesh, used by Isaiah (chap, iii, ver. 20). These feminine adornments are called “perfume boxes” in the 361Revised Version, but the literal meaning is “houses of the soul (or life).”[638]
Not only does an Inuit healer's medicine bag hold their treasured amulets and talismans, but some of these incredible doctors also claim they can draw out the soul of a sick child and protect it from harm. In fact, it's been suggested that many personal amulets gained their reputation due to their believed power as soul protectors, with the owners’ souls transferred to the material body of the amulet, which is easier to hide and keep safe from injury than the human body, the home of the spirit. A hint of this belief has been found by some in the term battê ha-nephesh, used by Isaiah (chap, iii, ver. 20). These feminine ornaments are referred to as “perfume boxes” in the 361Revised Version, but the literal translation is “houses of the soul (or life).”[638]
The natives of southwestern Australia regard shining stones with so much veneration that only sorcerers or priests are believed to be worthy to handle them, and so great is the faith in the innate power of such objects that any ordinary native does not dare to touch them and cannot even be bribed so to do. For the preservation of the virtue of these stones it is considered essential that no woman shall be permitted to touch them, or even to look upon them. A particular form of talisman is made by winding lengths of opossum yarn about a fragment of quartz, of carnelian, of chalcedony, or some other attractive stone, and thus forming a round ball about the size of a crochet-ball; these are worn suspended from the girdle. Talismans of this type are very highly prized for their supposed power to cure diseases, and in case of illness a tribe which is not provided with one will borrow it from a more fortunate tribe.[639] White quartz is used by the natives in New South Wales, Australia, for the manufacture of a charm to cast a spell over an enemy. This charm is called muli, and consists of a fragment of white quartz to which a piece of opossum-fur has been gummed; it must then be smeared with the fat of a dead body and placed in a slow-burning fire. It is confidently believed that the person over whom the spell is cast wastes slowly away and dies.[640]
The Indigenous people of southwestern Australia hold shining stones in such high regard that only sorcerers or priests are considered worthy of handling them. The belief in the inherent power of these objects is so strong that an ordinary person would not dare to touch them, and even substantial bribes won't convince them to do so. To maintain the stones' virtue, it’s essential that no woman is allowed to touch or even look at them. A specific type of talisman is created by wrapping lengths of opossum yarn around a fragment of quartz, carnelian, chalcedony, or another appealing stone, forming a round ball about the size of a crochet-ball; these are worn hanging from the waist. These talismans are greatly valued for their believed ability to cure ailments, and if a tribe lacks one during an illness, they will borrow it from a more fortunate tribe.[639] In New South Wales, Australia, the locals use white quartz to make a charm intended to cast a spell on an enemy. This charm is called muli, and it consists of a piece of white quartz with a piece of opossum fur glued to it. It must then be smeared with the fat of a deceased person and placed in a slow-burning fire. It is believed with confidence that the person under the spell will gradually weaken and eventually die.[640]
Jade carvings of an exceedingly peculiar type are the hei-tikis (neck-ornaments) greatly prized among the Maoris of New Zealand. The grotesque representation of the human form here realized by the native carvers, the association of 362these objects, treasured up as heirlooms, with the personality of some renowned ancestor, the story that the special portraiture to be made was sometimes communicated in a dream or vision, all this induces the belief that in former times, though perhaps not at the present time, the Maoris looked upon their hei-tikis as amulets, or possibly even as fetiches.[641]
Jade carvings of a very unique kind are the hei-tikis (neck ornaments) that are highly valued by the Maoris of New Zealand. The strange depiction of the human form created by the native artisans, the connection of these items, cherished as family heirlooms, to the identity of a famous ancestor, and the idea that the specific design was sometimes revealed in a dream or vision, all suggest that in the past, although perhaps not now, the Maoris regarded their hei-tikis as amulets, or maybe even as fetishes.[641]
The Dowager Queen Alexandra is said to greatly value as a talisman a pendant consisting of a nugget of massive gold surmounted by a figure of a hunchback, executed in green enamel. The nugget is hollowed out and opens when a secret spring is touched; within appears a heart-shaped ornament made of New Zealand jade. The story runs that this jewel was given to his mother by the late Duke of Clarence, the elder brother of the present King George V.[642]
The Dowager Queen Alexandra is said to really treasure a pendant that features a large nugget of solid gold topped with a figure of a hunchback made of green enamel. The nugget can be opened by touching a secret spring, revealing a heart-shaped ornament made of New Zealand jade inside. According to the story, this jewel was given to her by the late Duke of Clarence, the older brother of the current King George V.[642]
The popularity in England of these queer hei-tiki amulets, made from the punamu or “green-stone” (nephrite) of New Zealand, has been ascribed by many to the wearing by Queen Alexandra of ornaments made of New Zealand jade, and to the report that every member of the “All Blacks,” an almost invincible English foot-ball team, carried some little trinket made from this material while he was engaged in play. The popular faith in “lucky jade” was further corroborated by the story that Lord Rosebery had on his person a jade amulet when his horse Cicero won the Derby and that Lord Rothschild was wearing such an amulet as his horse St. Amand carried his colors to victory.[643] When we consider to how great an extent popular enthusiasm is excited in England by her great and classic horse-races, we need not hesitate to believe that these reports did much to render jade amulets generally fashionable.
The popularity of these unique hei-tiki amulets in England, made from punamu or “green-stone” (nephrite) from New Zealand, is largely attributed to Queen Alexandra wearing ornaments made from New Zealand jade and to the fact that every player on the nearly unbeatable English football team, the “All Blacks,” carried some small trinket made from this material while playing. The belief in “lucky jade” was further supported by the story that Lord Rosebery had a jade amulet on him when his horse Cicero won the Derby, and that Lord Rothschild was wearing a jade amulet as his horse St. Amand raced to victory.[643] Given how much excitement her major and historic horse races generate in England, we can confidently believe that these stories played a significant role in making jade amulets generally trendy.

HEI-TIKI AMULETS OF NEW ZEALAND
Made of the jade found on the island, the punamu, or “green-stone.” Illustrates the two types of this “neck-ornament,”
one with the eyes slanted to the left, the other to the right.
HEI-TIKI AMULETS OF NEW ZEALAND
Made from the jade found on the island, the punamu, or “greenstone.” This shows the two types of this “necklace,”
one with the eyes slanted to the left, the other to the right.
363An old Polynesian legend recounts that jade was brought to New Zealand from a distant land by a certain Ngahue, who sought by this means to save the precious material from an enemy who coveted it. He settled at Arahua, on the west coast of the middle island, and in this region he found an eternal and safe resting place for his jade, which he valued above all things.[644] This legend has often been adduced as a proof that the New Zealand jade was brought from other countries, but as it proceeds to state that Ngahue made neck and ear ornaments of this material, there is at least as great probability that we have here the supposed origin of the hei-tiki ornaments, and that the legend testifies to the popular belief that the art of making these objects came to New Zealand from without.
363An old Polynesian legend tells that jade was brought to New Zealand from a faraway land by a man named Ngahue, who wanted to protect this precious material from an enemy who desired it. He settled in Arahua, on the west coast of the South Island, and there he found an eternal and safe place for his jade, which he valued above everything else.[644] This legend has often been cited as evidence that New Zealand jade came from other countries, but since it mentions that Ngahue made neck and ear ornaments from this material, it’s likely that this is the supposed origin of the hei-tiki ornaments, suggesting that the belief is that the art of making these items came to New Zealand from somewhere else.
The quasi-magic character of New Zealand jade (nephrite) in the eyes of Maoris of the olden time is proved by the fact that certain superstitious restrictions were established in regard to the cutting of nephrite, one of these being that no woman should be allowed to approach the jade-cutters while they were engaged in their task. For the drilling of holes in jade implements or amulets the cord-drill was employed, and the surface of the object received its polish by rubbing it with a piece of sandstone, after it had been roughly fashioned, by chipping, to the desired form. The toughness of jade is such that infinite patience and long-continued effort must have been necessary to complete any ornament or implement under these primitive conditions.[645]
The almost magical quality of New Zealand jade (nephrite) in the eyes of the ancient Māori is demonstrated by the superstitious rules that were put in place regarding its cutting, one of which was that no woman was allowed to approach the jade cutters while they were working. To drill holes in jade tools or amulets, they used a cord drill, and the surface of the item was polished by rubbing it with a piece of sandstone after it had been roughly shaped by chipping. The toughness of jade requires immense patience and consistent effort to finish any ornament or tool under these basic conditions.[645]
A curious and characteristic jade artefact, known as nbouet or koindien, is found among the natives of New Caledonia. 364This is a more or less circular disk of jade, with a cutting edge. In most cases this disk is attached through two perforations to a straight cylindrical handle, having a slit at the upper extremity into which the jade disk is introduced. The lower extremity has an ovoid termination, or else it is set in a cocoanut shell, usually covered with the integument of a pteropod. Attached are pendants of beautiful marine shells, and sometimes the cocoanut shell is filled with small pebbles so that it can be used as a rattle. These nbouet were originally used as cleavers to cut up the dead bodies for the cannibalistic orgies, and this use seems to have been thought to impart a kind of talismanic virtue to the objects, for they eventually became insignia of the chiefs of the native tribes.[646]
A unique and distinctive jade artifact, known as nbouet or koindien, is found among the Indigenous people of New Caledonia. 364 It's a roughly circular jade disk with a sharp edge. Typically, this disk is attached through two holes to a straight, cylindrical handle, which has a slit at the top for inserting the jade disk. The bottom end has an oval shape, or it’s fixed within a coconut shell, often covered with the skin of a pteropod. Beautiful marine shell pendants are attached, and sometimes the coconut shell is filled with small pebbles so it can be shaken like a rattle. These nbouet were originally used as cleavers to dismember bodies for cannibalistic rituals, and this purpose was believed to give them a kind of magical power, leading them to eventually become symbols of authority for the chiefs of the native tribes.[646]
The ornament most highly prized by the natives of New Caledonia is a necklace of perforated jade beads. One of these necklaces, in the rich collection of Signor Giglioli, contains 122 jade beads, somewhat larger than peas; another necklace comprises eight beads alternating with small shells of the oliva, a species of mussel. As a pendant hangs an oudip, or slung-shot, of steatite.[647] Necklaces of this kind are called peigha by the natives, and the high esteem in which they are held probably arises from their supposed talismanic powers. The jade ornaments or artefacts found in the neighboring Loyalty Islands have all been brought from New Caledonia, and we are told that so great was the value placed upon them that the natives of the Loyalty Islands often traded their young girls in exchange for objects made from the greatly coveted jade.
The ornament most valued by the people of New Caledonia is a necklace made of perforated jade beads. One of these necklaces, part of Signor Giglioli's impressive collection, features 122 jade beads, which are slightly larger than peas; another necklace contains eight beads alternating with small shells of the oliva, a type of mussel. An oudip, or slung-shot, made of steatite hangs as a pendant. [647] These necklaces are called peigha by the locals, and their high regard likely comes from their believed talismanic powers. The jade ornaments or artifacts found in the nearby Loyalty Islands have all come from New Caledonia, and it is said that the value placed on them was so high that the people of the Loyalty Islands would often trade their young girls for items made from the highly sought-after jade.
From a Fijian mission teacher at Goodenough Island 365comes a tale of a magic crystal. Many years ago some Europeans embarked in a boat manned by two Fijians to visit one of the smaller islands of the group. After they had landed and gone off to explore the island, one of the Fijians said to the other: “You look after the boat while I take a look around.” He had not gone far when he saw two strange men, one of whom fled at his approach; the other he seized, holding on to him fast, although dragged along for a considerable distance until after scrambling up a hill the strange man finally loosed himself and disappeared in the hollow of a tree-trunk. For some time the Fijian lay in a trance, but awakening from this he found his way back to the boat. In the course of the afternoon the strange being appeared to him suddenly and told him “to go back to the tree, where he would find a small stone wrapped up in a piece of calico.” This he duly sought and found; it proved to be a crystal, like glass. In the night time the man or spirit again appeared and strictly enjoined the Fijian not to let anyone see his crystal but told him that if he wished for anything he only had to look into the stone. The possession of this treasure earned a wonderful repute for the Fijian as a medicine-man, as when any sick person sought for help one look into the stone revealed the proper remedy for the disease. All this time, however, no one had been allowed to see his crystal, or to suspect the source of his wisdom. At last his fame reached the ears of some European doctors, who called him in to help them in their hospital work, and while he was at the hospital two young men came in and asked him to prescribe for a sick friend. The Fijian consented, but, unluckily for him, the men saw him take out his crystal and look into it before prescribing the treatment. They told this to the doctors and the man was locked up for two years, his crystal being taken away from him. The mission teacher who related the story 366believed that Sir J. Thurston, at this time governor of the islands, had secured possession of the confiscated crystal.[648] It is rather difficult to determine in what proportions truth and fiction are represented in this tale.
From a Fijian mission teacher at Goodenough Island 365 dayscomes a story about a magic crystal. Many years ago, some Europeans took a boat with two Fijians to visit one of the smaller islands in the group. After landing and heading off to explore the island, one of the Fijians said to the other, “You keep an eye on the boat while I check out the area.” He hadn’t gone far when he spotted two strange men; one ran away as he approached, but he managed to catch the other, holding on tightly even as he was dragged a considerable distance until, after climbing a hill, the strange man finally broke free and vanished into a hollow tree trunk. For some time, the Fijian remained in a trance, but when he woke up, he found his way back to the boat. Later that afternoon, the strange being suddenly appeared to him and instructed him to “go back to the tree, where you’ll find a small stone wrapped in a piece of calico.” He searched for it and found the stone, which turned out to be a crystal, clear like glass. That night, the man or spirit reappeared and firmly instructed the Fijian not to let anyone see his crystal but told him that he could simply look into the stone whenever he wanted something. Owning this treasure made the Fijian renowned as a medicine man, as just a look into the stone revealed the right remedy for any illness whenever a sick person came seeking help. Throughout this time, however, no one was allowed to see his crystal or guess the source of his wisdom. Eventually, his reputation caught the attention of some European doctors, who asked for his help in their hospital work. While he was there, two young men approached him and asked him to suggest treatment for a sick friend. The Fijian agreed, but unfortunately, the men saw him take out his crystal and consult it before making his recommendation. They reported this to the doctors, and he was locked up for two years, during which his crystal was taken from him. The mission teacher who shared this story 366believed that Sir J. Thurston, the governor of the islands at the time, had taken possession of the confiscated crystal.[648] It's pretty tough to tell how much of this tale is true and how much is fiction.
The doctrine of sympathy finds an echo among the natives of Melanesia. In the Banks Islands, for instance, if a native comes across a piece of coral to which the action of the waves has imparted the form of a loaf of bread, this will be taken to signify that such a coral has an affinity with the bread-fruit tree, and the native will bury it under such a tree in the confident expectation that its fruit-bearing quality will be enhanced thereby. Chance may perhaps seem to prove the truth of his belief, and in this case he will permit his neighbors to bury stones near his own, so that somewhat of its virtue may pass into them.[649]
The idea of sympathy resonates with the people of Melanesia. In the Banks Islands, for example, if someone finds a piece of coral shaped by the waves to look like a loaf of bread, they believe it means the coral has a connection to the breadfruit tree. The person will bury it under that tree, expecting that it will improve the tree's fruit production. If this belief seems to be proven right by coincidence, they will let their neighbors bury stones close to theirs so that some of its good qualities might transfer to them.[649]
To have one’s life depend upon the safe preservation of a talisman may not always be a blessing, as appears in a Kalmuck story. A Khan who owned such a talisman thought that he had concealed it so effectively that no one could find it, and hence he did not hesitate to make the discovery of its hiding-place a crucial test of the skill of a wise man who came to visit his court. The sage proved equal to the emergency and found the talisman while its owner was asleep, but was so rejoiced at the successful accomplishment of the task that he very irreverently clapped a bladder on the sleeping Khan’s head, who was so much enraged at the indignity that he ordered the wise man’s immediate execution. However, the latter quickly made use of the magic power over the Khan’s life that the possession of the talisman gave him, and cast it down so violently as to break it. No sooner 367had this happened than blood spurted from the Khan’s nostrils and death overtook him.[650]
Having your life rely on the safe keeping of a talisman may not always be a blessing, as shown in a Kalmuck story. A Khan who possessed such a talisman believed he had hidden it so well that no one could discover it, and thus he boldly decided that finding its hiding spot would be a key test for the wise man visiting his court. The sage rose to the occasion and located the talisman while the Khan was asleep, but he was so thrilled with his success that he irreverently placed a bladder on the sleeping Khan’s head. The Khan, furious at this humiliation, ordered the wise man to be executed immediately. However, the sage quickly utilized the magical power over the Khan’s life that came with the talisman, and he smashed it down so hard that it broke. As soon as this happened, blood erupted from the Khan’s nostrils, and he died. 367[650]
Agate amulets still find favor in Spain, a number of interesting examples having recently been acquired in that country by Mr. W. L. Hildburgh, many of them being offered for sale in small stalls, both in the capital, Madrid, and in other of the Spanish cities.[651] In a number of cases these amulets are milky white agates, this hue recommending their use as lactation amulets. In one specimen, however, secured in Seville, the agate showed seven concentric white stripes, probably indicating that it had been used as a charm against the Evil Eye as well as to favor the secretion of milk.
Agate amulets are still popular in Spain, with several interesting examples recently acquired by Mr. W. L. Hildburgh. Many of them are being sold in small stalls in the capital, Madrid, and in other Spanish cities.[651] In some cases, these amulets are milky white agates, which makes them suitable for use as lactation amulets. In one example, however, obtained in Seville, the agate had seven concentric white stripes, likely indicating that it was used as a charm against the Evil Eye as well as to promote milk secretion.
For the latter purpose, in lieu of agate, white glass beads are often sold, a dealer in a small stall in Madrid having in his stock a string of fifty such beads which he sold one by one to the women who had faith in their efficacy; agate beads of combined grayish, reddish and white coloration are also to be found.
For that purpose, instead of agate, white glass beads are often sold. A dealer in a small stall in Madrid has a string of fifty of these beads, which he sells one by one to women who believe in their effectiveness. You can also find agate beads that are a mix of gray, red, and white colors.
Quite an ambitious type of these popular amulets is figured by Mr. Hildburgh (Pl. i, p. 64, fig. 7). This is a triple pendant, with chain attached for suspension, the upper part being an agate grayish-white and reddish, probably rendering it at once a lactation amulet and one serving still another use as a woman’s amulet. The middle of this pendant was of blue glass banded with other colors, and the terminal was of black glass, spotted blue, yellow and red; both of these glass objects are supposed to have served against the Evil Eye. Thus this particular amulet combined a number of virtues.
Quite an ambitious example of these popular amulets is illustrated by Mr. Hildburgh (Pl. i, p. 64, fig. 7). This is a triple pendant, featuring a chain for hanging, with the upper part made of grayish-white and reddish agate, likely serving both as a lactation amulet and for another purpose as a woman's amulet. The middle part of this pendant was made of blue glass striped with other colors, and the bottom was made of black glass, speckled with blue, yellow, and red; both glass pieces are believed to protect against the Evil Eye. Therefore, this specific amulet combined several protective qualities.
Coral is a favorite material for amulets in Spain as in many other lands, being shaped for this purpose as a “fig-hand” 368or into some other of the diverse forms to which a certain symbolic significance has been given. One amulet of rock-crystal is reported, which may have been taken from some old reliquary; this was used against the Evil Eye. Amber also, in its way as generally popular as coral, is freely used in Spain by the makers of amulets; being generally given the form of beads. The wearing of these is regarded as very effective in the case of teething children. For some reason or other, a preference is given to facetted beads, in spite of the risk that the sharp edges may irritate the sensitive and delicate skin of an infant.[652]
Coral is a popular material for amulets in Spain, just like in many other places, and it’s often shaped as a “fig-hand” or into other forms that carry symbolic meanings. There’s a report of one rock-crystal amulet that might have come from an old reliquary; it was used to protect against the Evil Eye. Amber, which is also quite popular, is commonly used by amulet makers in Spain and is usually made into beads. Wearing these is thought to be very effective for teething children. For some reason, there’s a preference for facetted beads, even though the sharp edges might irritate a baby’s sensitive skin.[652]
Some of the “fig-hand” amulets made and sold in Madrid are of jet, the peculiar hand form being in many cases so highly conventionalized as to be barely indicated. These are believed to be efficacious not only against the Evil Eye, as the other amulets of this form, but also for the preservation of the hair. When worn for this purpose the women of Madrid are said to carry them upon any part of the person, but those of Toledo place them in the hair itself, so that the desired effect may be more immediate.[653]
Some of the “fig-hand” amulets made and sold in Madrid are made of jet. The unique hand shape is often so stylized that it's hardly recognizable. These amulets are thought to be effective not only against the Evil Eye, like other amulets of the same shape, but also for protecting hair. When used for this purpose, women in Madrid are said to carry them anywhere on their bodies, while those in Toledo place them directly in their hair for a more immediate effect.[653]
In southern Russia amulets enjoy high power both among Jews and Christians. Especially are they valued for the protection of children and for the cure of their diseases. An imitation wolf’s-tooth, made of bone, set in a ring, is one of these amulets; however, while such imitation teeth are used, the natural teeth are greatly preferred. As an amulet against the Evil Eye the wing-bones of a cock will be used. This malign influence is held in such awe by the common people that they do not even dare to use the word “evil” of it and call it “the good eye.” Carnelian beads purporting 369to have been brought from Palestine command what is regarded as a good price, three roubles being paid for a single one; these are great favorites with the Jews more especially, one of their supposed virtues being to prevent abortion.[654]
In southern Russia, amulets hold significant power for both Jews and Christians. They are especially valued for protecting children and treating their illnesses. One example is a fake wolf’s tooth made of bone set in a ring; however, natural teeth are preferred. To ward off the Evil Eye, people use the wing bones of a rooster. This negative influence is so feared by the common folk that they avoid calling it “evil,” instead referring to it as “the good eye.” Carnelian beads that are said to have come from Palestine fetch a high price, with three roubles paid for each one; these are particularly popular among Jews, as one of their believed benefits is preventing miscarriage.369
The religious fervor of the Russians is illustrated by the character of the amulet said to be constantly worn by the Czar as a protection against the dangers which hourly threaten him. This is a ring in which is set a piece of the True Cross, the sacred material which was believed to lend a mighty potency to the famous “Talisman of Charlemagne.” A less venerable belief is said to render the Czar superstitiously careful to see that an ancestral watch in his possession is always kept wound up, for a family legend tells that should this watch ever stop the glory of the reigning house would pass away.[655]
The deep religious devotion of the Russians is shown through the amulet that the Czar is said to wear constantly for protection against the dangers that threaten him every hour. This amulet is a ring that contains a piece of the True Cross, the sacred relic believed to give great power to the legendary “Talisman of Charlemagne.” A less traditional belief makes the Czar superstitiously cautious about keeping an ancestral watch he owns always wound, as a family legend claims that if this watch ever stops, the glory of the reigning house will fade away.[655]
Of bone amulets there is a great variety. Among those used in the British Isles may be noted a hammer-shaped type, fashioned out of a sheep’s bone, worn by Whelby fishermen as protection from drowning; similarly shaped bone amulets find favor with some London laborers as preventives of rheumatism. This is the type of Thor’s Hammer, still popular with the Manxmen. The strange resemblance of the os sacrum of the rabbit to a fox’s head has recommended its use as a talisman, or luck-bringer, and a London solicitor is stated to have owned an example which he had mounted as a gold scarf-pin, the likeness to an animal head being brought out still more by the insertion of onyx eyes.[656]
Bone amulets come in many different forms. In the British Isles, there’s a hammer-shaped type made from a sheep’s bone that Whelby fishermen wear for protection against drowning. Similarly shaped bone amulets are also popular among some London laborers as a way to prevent rheumatism. This type is known as Thor’s Hammer, which is still favored by the Manx people. The unique shape of the rabbit’s sacrum resembling a fox’s head has made it a popular talisman or good luck charm. It's noted that a solicitor from London owned one that he had turned into a gold scarf pin, emphasizing the animal head likeness even more by adding onyx eyes.[656]
The talismanic power of the turquoise is still credited in provincial England, for in the counties of Hampshire and Sussex it is believed that when two persons station themselves 370on opposite banks of a frozen stream or pond, on a Christmas Day, and each one slides a turquoise to the other over the ice, both of them will be blessed with good fortune for the following year and will prosper in all their undertakings. If the stream or pond were at all wide, the fact of having accomplished this feat successfully might indeed be taken as proof of considerable dexterity, and might perhaps indicate that one who could succeed in this little exploit had a chance of making his way in more important matters.
The magical power of turquoise is still recognized in rural England. In Hampshire and Sussex, people believe that if two individuals stand on opposite banks of a frozen stream or pond on Christmas Day and slide a turquoise over the ice to each other, they will be granted good luck for the coming year and will thrive in all their endeavors. If the stream or pond is wide, successfully pulling off this act might be seen as a sign of significant skill and could suggest that someone who can achieve this small task has a good chance of succeeding in more important affairs.
The natural markings on agate pebbles often present designs having some special symbolical significance, and could then be looked upon by the superstitious as amulets of notable power, much exceeding in efficacy those artificially formed. A strange instance in illustration of this is an agate pebble picked up not long since on Newport Beach, Rhode Island. This stone is clearly and definitely marked with the mystic Chinese monad, a device that is widely known in the United States from its adoption as a symbol by the Northern Pacific Railroad.
The natural patterns on agate stones often create designs with special symbolic meaning, and for the superstitious, these can be seen as amulets with significant power, far surpassing those made artificially. A peculiar example of this is an agate pebble recently found on Newport Beach, Rhode Island. This stone is distinctly marked with the mystical Chinese monad, a symbol that is well-known in the United States due to its use by the Northern Pacific Railroad.
A limestone pebble with peculiar markings is in a private collection in New York. This somewhat resembles in shape the famous magatama jewel of the Japanese, and the markings suggest that, like the latter, it may have had a phallic significance, or at least one connected with the worship of the reproductive powers. The markings indicate an attempt to figure an undeveloped being, and possibly the object was intended for use as an amulet to facilitate parturition.
A limestone pebble with unique markings is part of a private collection in New York. Its shape somewhat resembles the famous magatama jewel from Japan, and the markings suggest that, like the magatama, it may have had a phallic significance, or at least something related to the worship of fertility. The markings indicate an attempt to represent an undeveloped being, and it’s possible that the object was meant to be used as an amulet to aid in childbirth.
The prevailing reaction against the purely materialistic beliefs so generally accepted a score or more of years ago, finds expression in a marked tendency toward a renewal—in a greatly modified form, of course—of the old fancies or instinctive ideas touching the virtues of gems. Thus one modern writer at least was bold enough to suggest not long since that “the efficacy of charms and precious stones may be recognized and placed on a scientific basis before many years are passed.”[657]
The widespread backlash against the purely materialistic beliefs that were commonly accepted over twenty years ago is reflected in a notable trend towards a revival—though in a significantly altered form—of the old notions or instinctive ideas about the benefits of gems. So, one contemporary writer was brave enough to propose recently that “the effectiveness of charms and precious stones could be acknowledged and established on a scientific basis within the next few years.”[657]

HILT OF JEWELLED SWORD GIVEN BY THE GREEKS OF THE UNITED STATES ON EASTER DAY, 1913, TO THE CROWN PRINCE OF GREECE, LATER KING CONSTANTINE XII. See page 373
View from above, showing the splendid star-sapphire, a symbol of success, set at the apex.
HILT OF JEWELLED SWORD GIVEN BY THE GREEKS OF THE UNITED STATES ON EASTER DAY, 1913, TO THE CROWN PRINCE OF GREECE, LATER KING CONSTANTINE XII. See page 373
View from above, showing the stunning star-sapphire, a symbol of success, placed at the top.
371The belief in the hidden powers of precious stones was used as the theme of one of Hoffman’s novels, “Das Fräulein von Scudéry.” Here the hero, René Cardillac, is represented as a man for whom the possession of precious stones has become indispensable, and who is happy only when he can handle them and watch the play of light and color emanating from them. They exert a kind of hypnotic influence over him, and so intense and absorbing is his devotion to them that he even resorts to murder rather than part with one of his darling stones.
371The belief in the hidden powers of precious stones is the main theme of one of Hoffman's novels, "Das Fräulein von Scudéry." In this story, the protagonist, René Cardillac, is portrayed as a man who finds it essential to possess precious stones, and he is only truly happy when he can hold them and see the light and colors they reflect. They have a sort of hypnotic effect on him, and his obsession is so deep and consuming that he would even commit murder rather than give up one of his beloved stones.
In the course of a meeting of the English Folk-Lore Society, one of the members expressed the opinion that the revival of interest in amulets and talismans and in all sorts and kinds of “mascots” was largely due to the articles printed about such things in certain of the daily and weekly papers. These items, put in a taking way and read with avidity, more especially by those who were already predisposed to a belief in the mythical or magical, served to spread these fancies far and wide throughout the land. The president of the society, Dr. Gaster, in closing the discussion, said that “from his experience the modern belief in amulets as aids to luck was genuine and widely spread.”[658]
During a meeting of the English Folk-Lore Society, one member shared the view that the growing interest in amulets, talismans, and various "mascots" was mainly driven by articles about these topics published in certain daily and weekly newspapers. These pieces, presented in an appealing manner and eagerly read—especially by those already inclined to believe in the mythical or magical—helped to disseminate these ideas widely across the country. The society's president, Dr. Gaster, concluded the discussion by stating that “from his experience, the modern belief in amulets as sources of luck is genuine and widespread.”[658]
One of the latest Parisian oracles on mystic subjects, the Baroness d’Orchamps, says that emeralds should not be worn by women before their fiftieth year, although men may wear this gem without danger at any age. Sapphires, on the other hand, may be worn by both sexes at all times, since they have a potent influence for good luck. Hence 372speculators, and indeed all who hope for a favorable turn of Fortune’s wheel, should look with favor on this stone. As medicinal gems, the ruby and the moonstone are especially recommended; the former for chronic headaches and the latter for the manifold forms of nervousness. Lastly, the diamond, if worn on the left side, wards off evil influences and attracts good fortune. The unjustly maligned opal is asserted to be robbed of all power to harm if it be associated with diamonds and rubies.
One of the latest Parisian experts on mystical topics, the Baroness d’Orchamps, says that women shouldn’t wear emeralds until they turn fifty, while men can wear this gem safely at any age. Sapphires, on the other hand, can be worn by anyone at any time, as they bring good luck. Therefore, 372 investors, and anyone hoping for a positive change in their fortune, should favor this stone. For medicinal stones, the ruby and moonstone are highly recommended; the ruby is great for chronic headaches, and the moonstone helps with various forms of anxiety. Lastly, wearing a diamond on the left side protects against bad influences and brings good luck. The often-maligned opal is said to lose all its harmful powers when paired with diamonds and rubies.
Many of the members of the French nobility are the owners and wearers of talismanic ornaments of one kind or another. A powerful combination of such “life-preservers” is credited to the Duc de Guiche. On his right hand he wears three curiously chased rings, one on the first finger, the second on the middle finger, and the third on the “ring-finger.” One of the rings is set with a sardonyx engraved with the figure of an eagle, the second ring bears a topaz on which has been graven a falcon, and the third ring shows a beautiful coral bearing the design of a man holding a drawn sword in his right hand. Both the stones and the special designs engraved on each one are in accord with the oldest traditional lore in regard to talismans, and the stones themselves are those indicated by the date of the duke’s birth and by his baptismal name. While such an array of finger rings would hardly appeal to the taste of an American man, the fashion of wearing an appropriate series of rings has met with considerable favor among our American mondaines, and certainly has the merit of lending an individual significance to the rings selected for wear.[659]
Many members of the French nobility own and wear various talismanic ornaments. A powerful collection of these "life-preservers" is attributed to the Duc de Guiche. On his right hand, he wears three intricately designed rings: one on his index finger, another on his middle finger, and the last on his ring finger. One ring features a sardonyx engraved with an eagle, the second has a topaz engraved with a falcon, and the third displays a beautiful coral design of a man holding a drawn sword in his right hand. Both the stones and their unique engravings align with the oldest traditional beliefs about talismans, and the stones themselves correspond to the duke’s birth date and baptismal name. While this collection of rings might not suit an American man's taste, the trend of wearing a meaningful series of rings has gained popularity among American socialites and certainly adds a personal touch to the chosen rings.[659]

JEWELLED SWORD GIVEN BY THE GREEKS OF THE UNITED STATES, ON EASTER DAY, 1913, TO CROWN PRINCE CONSTANTINE, LATER KING CONSTANTINE XII OF GREECE
Top of scabbard, showing didrachm of Alexander the Great.
JEWELLED SWORD PRESENTED BY THE GREEKS OF THE UNITED STATES, ON EASTER SUNDAY, 1913, TO CROWN PRINCE CONSTANTINE, WHO WOULD LATER BECOME KING CONSTANTINE XII OF GREECE
Top of the scabbard, showing a didrachm of Alexander the Great.

JEWELLED SWORD GIVEN BY THE GREEKS OF THE UNITED STATES, ON EASTER DAY, 1913, TO CROWN PRINCE CONSTANTINE, LATER KING CONSTANTINE XII OF GREECE
Side view of hilt.
JEWELLED SWORD GIFTED BY THE GREEKS OF THE UNITED STATES, ON EASTER DAY, 1913, TO CROWN PRINCE CONSTANTINE, LATER KING CONSTANTINE XII OF GREECE
Side view of the hilt.
373The magnificent star-sapphire set in the hilt of the richly chased and ornamented sword given by the Greeks of America to King Constantine of Greece, on Easter Day, 1913, just before the recipient succeeded to the royal dignity, may be looked upon as a talisman designed to assure good fortune and long life to the sovereign, as well as prosperity to the state over which he rules. This sword, which was made by Tiffany & Company, is even more noteworthy because of its artistic merit than on account of its intrinsic value. Another talismanic embellishment of the sword is an inlaid didrachm of Alexander the Great (356–323 B.C.); it is a well-known fact and one frequently recorded by ancient and medieval writers, that the coins of this monarch were often treasured up as amulets or talismans.[660] In the present instance, indeed, the charm, if charm there be, should work most effectively, as we can imagine no more appropriate guardian of the present ruler of Greece than the greatest hero and the mightiest conqueror the Greek race ever produced.
373The stunning star-sapphire set in the hilt of the beautifully crafted sword given by the Greeks of America to King Constantine of Greece on Easter Day, 1913, just before he became king, can be seen as a good luck charm meant to ensure prosperity and longevity for the ruler, as well as success for the country he leads. This sword, made by Tiffany & Company, is notable for its artistic quality even more than its material worth. Another significant feature of the sword is an inlaid didrachm of Alexander the Great (356–323 BCE); it's commonly known and often noted by ancient and medieval writers that the coins of this king were often kept as amulets or charms.[660] In this case, the charm, if there is one, should be quite powerful, as we can't think of a more fitting protector for the current ruler of Greece than the greatest hero and most formidable conqueror in Greek history.
This sword was presented to His Majesty Constantine XII, King of the Hellenes, by the Greek residents of the United States, to commemorate his defeat of the Turks at Salonika and Janina. By these victories of the Greek armies under King Constantine, who was at that time the Crown Prince of Greece, the Greek people of Macedonia and Epirus were liberated from the Turkish yoke, and these rich provinces were added to the Greek crown. The Committee of Presentation consisted of Mr. Caftanzoglu, Chargé d’Affaires of Greece in Washington; Mr. D. Vlasto, editor of “Atlantis”; Dr. Breck Trowbridge, president, and Dr. T. Tileston Wells, vice-president of the Society of American Philhellenes, with the coöperation of Dr. George F. Kunz, a member of the council of the above society.
This sword was given to His Majesty Constantine XII, King of the Hellenes, by the Greek community in the United States to celebrate his victory over the Turks at Salonika and Janina. Thanks to these victories by the Greek armies under King Constantine, who was then the Crown Prince of Greece, the Greek people of Macedonia and Epirus were freed from Turkish rule, and these prosperous regions became part of the Greek crown. The Presentation Committee included Mr. Caftanzoglu, Chargé d’Affaires of Greece in Washington; Mr. D. Vlasto, editor of "Atlantis"; Dr. Breck Trowbridge, president; and Dr. T. Tileston Wells, vice-president of the Society of American Philhellenes, along with the support of Dr. George F. Kunz, a council member of the same society.
The green variety of microcline, a potash-feldspar, is known as the “amazon-stone.” It is found at Amelia Court House, Virginia, at Pike’s Peak, Colorado, at Rockport, 374Cape Ann, and in the Ural Mountains in Russia. It has recently been proposed as the stone for the Suffrage party. This amazon-stone could be cut in little beads of a beautiful pale green and after appropriate mounting they could be worn suspended by a ribbon from the button-hole. As the stone is inexpensive it ought to meet with favor among the hundreds of thousands who are aggressive in their advocacy of this cause.
The green variety of microcline, a type of potash-feldspar, is called “amazon-stone.” It can be found in Amelia Court House, Virginia, at Pike’s Peak, Colorado, at Rockport, 374 Cape Ann, and in the Ural Mountains of Russia. It has recently been suggested as the stone for the Suffrage party. This amazon-stone can be shaped into small beads of a lovely pale green, and once properly mounted, they can be worn suspended by a ribbon from the buttonhole. Since the stone is affordable, it should appeal to the many people who are passionate about advocating for this cause.
Among the many persons of our day who still have or had a lingering faith in the efficacy of amulets, may be mentioned the late actress, Mrs. Annie Yeamans, who left special directions in her will that a little amulet attached to a gold chain which she constantly wore, should be left on her body and buried with her. We may call this superstition or sentiment, as we will, but there seems to be an almost invincible tendency to associate something of those dear to us and lost to us with inanimate objects that may have been theirs, and the memories called up by some simple trinket show that psychologically a certain power really does exist in such objects. The sentiment they awaken is only in ourselves, and the impression that awakes it as well, but the presence of the inanimate object actually conditions the awakening of the feeling. Thus we can scarcely deny to amulets a certain inherent quality in this respect.
Among the many people today who still have or had a lingering belief in the power of amulets, there's the late actress, Mrs. Annie Yeamans, who left specific instructions in her will that a small amulet on a gold chain, which she always wore, should be placed on her body and buried with her. We can label this as superstition or sentiment, but there seems to be an almost undeniable tendency to connect something lost and dear to us with inanimate objects that may have belonged to them. The memories triggered by a simple trinket indicate that, psychologically, a certain power truly exists in such items. The feelings they evoke are only within us, and the impression that triggers them is too, but the presence of the inanimate object actually influences the awakening of those emotions. Thus, we can hardly deny that amulets possess a certain inherent quality in this regard.
Often some strange, quaint, or bizarre design seen in the shop of a dealer in antiques will make a peculiar and individual appeal to the observer, and will be chosen by him as his personal amulet, as though fate had destined the object for his special use. So we are told that Mr. Augustin Osman, the artist, secured possession of a singular gold ornament representing a human skull; upon it was figured in opals the word “Ave.” On the first night after the acquisition of this object, the artist had a vivid dream, in which the impression was conveyed to him that he would always enjoy good fortune as long as the golden skull remained in his possession. Evidently the opals took nothing in his opinion from the luck-producing quality of this grewsome ornament; indeed, it seems more probable that they added to it.
Often, some strange, quirky, or unusual design seen in an antique dealer's shop catches the observer's eye and becomes a personal good luck charm for them, as if fate intended the object just for them. For example, Mr. Augustin Osman, the artist, acquired a unique gold ornament shaped like a human skull, which had the word “Ave” depicted in opals. On the first night after getting this item, the artist had a vivid dream where he felt that he would always have good luck as long as the golden skull was in his possession. Clearly, he believed the opals didn’t take away from the lucky vibe of this creepy ornament; in fact, it seems more likely that they enhanced it.

THE BIRTH OF THE OPAL
Autographed for this work by the authoress, Ella Wheeler Wilcox
THE BIRTH OF THE OPAL
Signed for this work by the author, Ella Wheeler Wilcox
375A curious modern talisman is the work of M. Charles Rivaud, who has frequently exhibited splendid specimens of artistic jewelry at the Paris Salon; this talisman cleverly combines artistic merit with a dash of African magic. It is a slender bracelet composed of interlaced spirals of oxidized silver and gold; around the circlet is twined a hair taken from an elephant. Among the tribesmen of the Soudan the hairs of this animal are believed to be endowed with great talismanic virtue; indeed, they enjoyed a similar repute among the ancient Romans. Whether this belief was due to the idea that the wearer of the hair was assured a mighty protection, typified by the enormous strength of the elephant, or whether to the fact that the elephant was with some peoples a divine symbol, we cannot easily determine.
375A fascinating modern talisman is the creation of M. Charles Rivaud, who has often showcased stunning pieces of artistic jewelry at the Paris Salon; this talisman skillfully blends artistic value with a touch of African magic. It is a slim bracelet made of intertwined spirals of oxidized silver and gold; wrapped around the band is a hair taken from an elephant. Among the tribes of the Soudan, hairs from this animal are thought to possess significant talismanic power; in fact, they were held in similar esteem by the ancient Romans. It's unclear whether this belief stems from the idea that wearing the hair guarantees mighty protection, reflecting the elephant's immense strength, or because the elephant was regarded as a divine symbol by some cultures.
The opal has long since emerged from the slight cloud of disfavor due to a most erroneous fancy that it was in some way associated with ill-luck. This idea, possibly in its origin explainable by the comparative fragility of the gem, found a consistent and earnest opponent in the late Queen Victoria, whose influence did much to make opals fashionable. Of late years they have become favorite bridal gifts, the exceptional variety of color in the beautiful examples from the White Cliff mines in New South Wales, having also contributed to the renewed popularity of the stone. A parure of these opals was not long since bestowed upon the Empress Augusta by Emperor William of Germany, and one of the finest Australian opals is a treasured possession of the Duchess of Marlborough.
The opal has long since come out of the minor cloud of dislike due to a completely mistaken belief that it was somehow linked to bad luck. This notion, likely rooted in the gem's relative fragility, found a dedicated opponent in the late Queen Victoria, whose influence helped make opals fashionable. In recent years, they have become popular wedding gifts, with the stunning variety of colors from the White Cliff mines in New South Wales also adding to the stone's renewed popularity. A set of these opals was recently given to Empress Augusta by Emperor William of Germany, and one of the finest Australian opals is a cherished possession of the Duchess of Marlborough.
A very attractive example of symbolic jewelry has lately been made by a jeweler’s firm of Besançon, France. This 376ornament is composed of three keys, to which are given the respective names, Key of Love, Key of Good Fortune, and Key of Heaven. They are to open up for the wearer the treasures of true love, of wedded bliss, and, finally, of paradise. A legend from the time of the Crusades suggested the form of this pretty jewel. Mourning the departure of a knight on the long and perilous journey to Palestine, a Provençal maiden wandered through the woodland, seeking peace and consolation in its quiet recesses. As she passed along the leafy pathways, she all unconsciously gave utterance to her longings and fears in softly spoken words. All at once a bright light beamed about her, and a radiant fairy advanced toward her and gave her an ivory casket in which lay three jewelled keys, masterpieces of the goldsmith’s art. The first of these, the fairy assured her, would open the young knight’s heart to receive her image; the second would open the church door to admit her, a happy bride; and the third, when life’s journey was o’er, would unlock for her the gates of Paradise.
A really attractive example of symbolic jewelry has recently been created by a jeweler from Besançon, France. This 376ornament consists of three keys, each named: the Key of Love, the Key of Good Fortune, and the Key of Heaven. They are meant to open up the treasures of true love, marital happiness, and, ultimately, paradise for the wearer. A legend from the time of the Crusades inspired the design of this beautiful piece. Mourning the departure of a knight on his long and dangerous journey to Palestine, a young woman from Provence wandered through the woods, searching for peace and comfort in its quiet spaces. As she strolled along the leafy paths, she unconsciously voiced her longings and fears in soft murmurs. Suddenly, a bright light surrounded her, and a radiant fairy approached, presenting her with an ivory box containing three jeweled keys, masterpieces of goldsmithing. The first key, the fairy assured her, would unlock the young knight’s heart to embrace her image; the second would open the church door to welcome her as a joyful bride; and the third, when her journey in life came to an end, would grant her access to the gates of Paradise.
On the deservedly popular watch bracelets, things of beauty as well as utility, the precious stones used for decoration are sometimes selected for the significance of the first letters of their names when read in sequence. The following example may be noted:
On the rightly popular watch bands, which are both beautiful and functional, the precious stones used for decoration are sometimes chosen based on the significance of the first letters of their names when read in order. The following example can be noted:
In this way any name or endearing epithet can be prettily expressed.
In this way, any name or affectionate nickname can be nicely expressed.
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Facts and Myths about Precious Stones

Many interesting facts about precious stones do not properly refer either to their talismanic or curative powers, and yet serve in not a few cases to indicate more or less clearly the reasons which have determined popular fancy or superstition in attributing particular virtues to a given stone.
Many interesting facts about precious stones don't really relate to their supposed talismanic or healing powers, yet they often help explain the reasons behind people's beliefs or superstitions in associating specific virtues with certain stones.
As an instance of the strange vagaries of belief in the influence exerted by certain of these stones, we may take the statement that powdered agate dissolved in beer was used by the Bretons as a test of virginity. If a young girl were unable to retain this delectable mixture on her stomach, she was supposed to be impure.[661] The ability to stand this test seems rather to prove the possession of a strong stomach than a clear conscience.
As an example of the odd quirks of belief in the power of certain stones, we can look at the claim that powdered agate mixed with beer was used by the Bretons as a virginity test. If a young girl couldn’t keep this tasty mixture down, she was thought to be impure.[661] The ability to pass this test seems more like a sign of having a strong stomach than a clear conscience.
Rainbow Agate is a name appropriately applied to agates showing a beautiful prismatic effect. These are composed of quartz and chalcedony in very fine layers. The writer secured a splendid specimen of this type of agate set in a jewel which had formed part of an old Saxon collection; it may possibly have come from India. The prismatic play of color differs from that observed in quartz iris, in that the iridescence is due to the minute interference lines and not, as with the iris, to internal fractures.
Rainbow Agate is a fitting name for agates that display a stunning prismatic effect. These stones are made up of quartz and chalcedony in very fine layers. The author obtained an impressive specimen of this type of agate set in a piece of jewelry that was part of an old Saxon collection; it may have originated in India. The prismatic display of color is different from what you see in quartz iris, as the iridescence comes from tiny interference lines rather than from internal fractures, like in the case of iris.
The greatest interest was manifested in the eighteenth century in these agates, one of which was described in a special pamphlet under the title, “Regenbogen Achat,” and 378illustrated with a colored plate. The effect was that of a spectrum rather than the iris effect of the crystalline quartz. This iris was also highly valued, and great favor was set upon brilliant examples of what was in reality rock-crystal fractured, the small fracture-planes causing the breaking up of the light and producing the rainbow or iris effect. In fact it was a spectrum produced by the mixture of quartz between the chalcedonic layers.
The biggest interest in these agates emerged in the eighteenth century, with one being specifically detailed in a pamphlet titled “Regenbogen Achat,” which featured a colored plate. The result was more like a spectrum than the iris effect seen in crystalline quartz. This iris effect was also highly regarded, and there was a strong preference for striking examples of what were essentially fractured rock crystals; the small fracture planes dispersed the light, creating the rainbow or iris effect. In reality, it was a spectrum formed by the mix of quartz within the chalcedonic layers.
Cellini has a marvellous story to tell of a luminous carbuncle. A certain Jacopo Cola, a vine-grower, going into his vineyard one night noticed what appeared to be a bit of glowing coal at the foot of one of the vines, but on reaching the spot he was unable to locate the source of this radiance. Very wisely he retraced his steps to the spot whence he had first observed the light, which became again apparent, and when he now very carefully approached the vine he found that the gleam proceeded from a rough little stone, which he joyfully picked up and carried off with him. He showed it to a number of his friends and among them chanced to be a Venetian envoy, an expert on precious stones, who immediately recognized that the find was a carbuncle. Thereupon taking a base advantage of the finder’s ignorance, he succeeded in buying the stone for only ten scudi, and then hastened away from Rome, lest his deception should be discovered. Not long afterwards this same Venetian went to Constantinople and sold the stone to the Sultan of the time for 100,000 scudi, a profit of 10,000 per cent.[662] The fact that the vintner could only see the gleam from a given spot is in itself sufficient proof that what he noted was merely the reflection of some distant light striking a smooth surface of the stone at a certain angle.
Cellini has an amazing story about a glowing carbuncle. One night, a vineyard owner named Jacopo Cola walked into his vineyard and saw what looked like a piece of glowing coal at the base of one of the vines. When he got closer, he couldn't figure out where the light was coming from. Smartly, he went back to the spot where he first saw the light, which became visible again, and when he carefully approached the vine, he discovered that the glow was coming from a rough little stone. He happily picked it up and took it with him. He showed it to several friends, among them a Venetian envoy who was an expert on precious stones. The envoy instantly recognized the find as a carbuncle. Taking advantage of the finder’s lack of knowledge, he bought the stone for just ten scudi and quickly left Rome to avoid being caught in his deception. Soon after, this same Venetian traveled to Constantinople and sold the stone to the Sultan for 100,000 scudi, making a profit of 10,000 percent.[662] The fact that the vintner could only see the glow from a particular spot is clear evidence that what he saw was simply the reflection of some distant light on a smooth surface of the stone at a certain angle.
Among the many virtues credited to carnelian by the 379Mohammedans may be noted its power to preserve the equanimity and gravity of the wearer in the midst of disputes or inordinate laughter. A special and peculiar utilization of this material was to employ splinters of it as toothpicks. Their use not only whitened the teeth but also prevented bleeding of the gums. The Prophet, according to tradition, asserted that the wearer of a carnelian ring would never cease to be happy and blessed.[663]
Among the many benefits of carnelian noted by Muslims is its ability to keep the wearer calm and composed during arguments or excessive laughter. A unique and special way to use this stone was to make toothpicks from its splinters. Using them not only helped whiten teeth but also prevented gum bleeding. According to tradition, the Prophet claimed that anyone wearing a carnelian ring would always be happy and blessed.[663]
The chrysolite is now regarded as a semi-precious stone only, yet Shakespeare presented this gem as the type of excellence in its kind when he wrote (“Othello,” Act V, Scene 2):
The chrysolite is now considered a semi-precious stone only, yet Shakespeare portrayed this gem as the embodiment of excellence in its category when he wrote (“Othello,” Act V, Scene 2):
It is interesting to note that this appreciation of the beauty of the chrysolite is also shown in an old Greek glossary of alchemical terms, where occur the words: Ιερὸς λίθος ἐστὶ Χρυσόλιθος, “Sacred stone means the chrysolite.”[664]
It’s interesting to see that this appreciation for the beauty of chrysolite is also reflected in an old Greek glossary of alchemical terms, which includes the words: Χρυσόλιθος είναι ιερός λίθος, “Sacred stone means the chrysolite.”[664]
Such was the sacred quality ascribed to strings of coral beads in some parts of Africa, not long since, that they were regarded as the most precious gifts a ruler could bestow. If the favored recipient were so unfortunate as to lose this royal donation—which was a mark of high rank—he himself, as well as all involved in the theft, incurred the penalty of death. A writer of the seventeenth century, Palisot de Beauvais, relates that in Benin human victims were sacrificed at a “coral festival,” when the corals of the king and royal family were dipped in the victim’s blood, so as to placate the coral fetish and ensure a further supply of the precious 380material.[665] Possibly human blood was believed to strengthen the special virtue supposed to be inherent in this red substance.
Such was the sacred value placed on strings of coral beads in some parts of Africa not long ago that they were seen as the most precious gifts a ruler could give. If the lucky recipient happened to lose this royal gift—which was a sign of high status—he, along with everyone involved in the theft, faced the death penalty. A seventeenth-century writer, Palisot de Beauvais, recounts that in Benin, human sacrifices were made at a “coral festival,” where the blood of the victim was used to dip the corals of the king and royal family to appease the coral fetish and ensure a continued supply of the valuable material. Possibly, human blood was thought to enhance the special quality believed to be inherent in this red substance.
There is a note of republican simplicity in the reported wearing of coral ornaments on ceremonial occasions by the present Queen of Italy. Indeed, the assertion that this is done to stimulate the coral industry in Italy may be true, as nothing would better tend to do this than such an example of royal favor for coral. Certainly this is in marked contrast with the almost exclusive use of pearl ornaments of all kinds so characteristic of Queen Margarita, whose devotion to the pearl, now perhaps the most costly of gems, had a poetic appropriateness for one bearing her name, and we can scarcely imagine the Pearl of Savoy without her splendid parures and necklaces of pearls. Still, undoubtedly this new departure renders it possible for all Italian women, rich or poor, to loyally follow the example set by their Queen Helena, and there is little danger that the rich will ever neglect to avail themselves of the exclusive privilege they possess of owning and wearing diamonds, pearls, rubies, sapphires and emeralds, which surpass coral as much in beauty as they do in price.
There’s something refreshingly simple about the current Queen of Italy wearing coral jewelry for formal occasions. In fact, saying that she does this to boost Italy’s coral industry might be spot on, as there’s no better way to promote it than with royal support. This stands in stark contrast to the almost exclusive use of pearls by Queen Margarita, who had a poetic connection to pearls—the most expensive gems—especially given her name. It’s hard to imagine the Pearl of Savoy without her gorgeous pearl jewelry and necklaces. However, this new direction allows all Italian women, regardless of wealth, to proudly follow Queen Helena’s example. Meanwhile, the wealthy will still take advantage of their unique privilege to own and wear diamonds, pearls, rubies, sapphires, and emeralds, which are far more beautiful and expensive than coral.
A comparatively recent attempt to use diamond dust as a poison is said to have been made in 1874 on Colonel Phayre, British Resident at the court of the then reigning Gaikwar of Baroda. The colonel was in the habit of refreshing himself after his morning walk with a glass of sugared water flavored with a little lime-juice. One day, on taking a sip of his customary beverage, he noted that it had a strange taste, and instead of drinking it he saved it up and had it analyzed. The analysis revealed the presence of arsenic in quantity sufficient to cause death, and of diamond dust as 381well. Here, as in the case of Sir Thomas Overbury, the really innocuous diamond material was accompanied by an actual poison. The current belief in the poisonous quality of the diamond is reflected in the words “mortal as diamond dust,” used by Horace Walpole in one of his letters to the Countess of Ossory.[666]
A relatively recent attempt to use diamond dust as poison reportedly happened in 1874 with Colonel Phayre, the British Resident at the court of the then-reigning Gaikwar of Baroda. The colonel would cool down after his morning walk with a glass of sweetened water flavored with some lime juice. One day, when he took a sip of his usual drink, he noticed it had an unusual taste. Instead of drinking it, he saved it and had it analyzed. The analysis showed the presence of arsenic in a quantity lethal enough to cause death, along with diamond dust as well. Just like in the case of Sir Thomas Overbury, the harmless diamond material was mixed with a real poison. The common belief in diamonds being poisonous is captured in the phrase "mortal as diamond dust," used by Horace Walpole in one of his letters to the Countess of Ossory.[666]
A German writer of the seventeenth century quotes with admiration a wonderful tale told by Johannes Bustamantius to the effect that he had seen a marriage of two diamonds, the two crystals being so firmly drawn toward each other by mutual sympathy that when they were put in one place they would cling to one another, as with an “unending kiss,” as though one were a man and the other a woman, and he asserts that the union was blessed with offspring. This curious idea has been repeatedly put forth by certain of the older writers as we have had occasion to note elsewhere.[667]
A German writer from the seventeenth century expresses admiration for a fascinating story told by Johannes Bustamantius, who claimed to have witnessed a marriage between two diamonds. The two crystals were so strongly attracted to each other by mutual affection that when placed together, they would cling to one another, as if sharing an “endless kiss,” just like a man and a woman. He also claimed that their union was blessed with offspring. This intriguing concept has been mentioned multiple times by some older writers, as we've noted elsewhere.[667]
After expatiating on the mechanical skill displayed by the Indians of the New World, an early Spanish traveller gives the following details regarding their success as gem-cutters:[668]
After elaborating on the mechanical skill shown by the Indigenous people of the New World, an early Spanish traveler shares the following details about their success as gem-cutters:[668]
Yet all that we have said is surpassed by the ingenuity of the Indians in working emeralds, with which they are supplied from the coast of Manta and the countries dependent on the government of Atacames, Coaquis or Quaques. But these mines are now entirely lost, very probably through negligence. These curious emeralds are found in the tombs of the Indians of Manta and Atacames; and are, in beauty, size and hardness superior to those found in the district of Santa Fé; but what chiefly raises the admiration of the connoisseur is, to find them worked, some in spherical, some cylindrical, some conical, and of various other figures; and all with a perfect accuracy. 382But the unsurmountable difficulty here is, to explain how they could work a stone of such hardness, it being evident that steel and iron were utterly unknown to them. They pierced emeralds and other gems, with all the delicacy of the present times, furnished with so many tools; and the direction of the hole is also very observable; in some it passes through the diameter, in others only to the centre of the stone, and coming out at its circumference they formed triangles at a small distance from one another, and thus the figure of the stone to give it relief was varied with the direction of the holes.
Yet all that we've mentioned is overshadowed by the skill of the Indigenous people in crafting emeralds, which they obtain from the coast of Manta and the regions governed by Atacames, Coaquis, or Quaques. Unfortunately, these mines are now completely lost, likely due to neglect. These remarkable emeralds are found in the burial sites of the Indigenous people of Manta and Atacames; they surpass those from the Santa Fé area in beauty, size, and hardness. What mainly astonishes experts is how they shaped the stones—some are spherical, some cylindrical, some conical, and others take various forms, all with perfect precision. 382 However, the major challenge here is explaining how they could shape a stone of such hardness, especially since it's clear that steel and iron were completely unknown to them. They drilled emeralds and other gems with the same finesse seen today, despite using far fewer tools. The orientation of the holes is also very noticeable; in some, it goes through the diameter, while in others, it only reaches the center of the stone, exiting at its edge. They created triangles spaced closely together, thereby varying the stone's shape and adding relief based on the angle of the holes.
The existence of emeralds in the region near Berenice is vouched for by Ptolemy. The mines of emerald here were duly entered in the map of the patriarch and the Arabs are said to have dug for them; but, Pocock writes, “As all stones that may be found belong to the Grand Signior, the Arabs are very well satisfied that the presence of emeralds should not be suspected, because he would have the profit, and the inhabitants might be obliged to work in the mines for a very small consideration.”[669]
The existence of emeralds in the area near Berenice is confirmed by Ptolemy. The emerald mines here were noted on the patriarch's map, and it’s said that the Arabs mined for them; however, Pocock writes, “Since all stones that can be found belong to the Grand Signior, the Arabs are quite content that the existence of emeralds should not be suspected, because he would take the profits, and the locals might have to work in the mines for very little pay.”[669]
The number of ancient hematite artefacts found in the United States indicates that this material was more largely used within its territorial limits for implements and ornaments than in any other part of the world;[670] indeed the somewhat sweeping statement has been ventured that it does not seem to have been used outside of this section of the New World; however, some exceptions to this rule must be admitted. That certain of these ornaments were used as amulets is highly probable, and they were undoubtedly regarded as objects of great value, since with the primitive tools at his command the Indian cutter must have found his task a very hard one, requiring the expenditure of much time and patience. In the Andover Collection there is an exceptionally fine specimen from Ross County, Ohio. It is 383of heavy pure hematite, which has been worked into the form of a pendant; notches have been made at both ends, as a form of decoration, and on the lower, broad end, fourteen lines have been incised; the edges are slightly beveled and the patina indicates the antiquity of the work. The lines have evidently been made by a flint cutting-implement.[671] Another probable hematite amulet is a rudely fashioned fish effigy. Here the appearances of eye and gill (only on one side) are evidently merely natural irregularities of surface, which it has been conjectured determined the cutter to add a mouth and round off the material so as to approximate a fish-form; the hematite is black and of fine quality. This relic comes from Cole Camp, Benton County, Missouri.[672] The larger number of these hematite artefacts are from Missouri, southern Iowa, Illinois, Indiana, Ohio, West Virginia and Kentucky, and considerable numbers have been turned up in Tennessee, New York, Wisconsin, and parts of Arkansas. Only a relatively small number were taken out of burials or graves, the majority of specimens having been secured on or near the surface.
The number of ancient hematite artifacts found in the United States shows that this material was used more extensively for tools and ornaments here than anywhere else in the world;[670] indeed, it has even been suggested that it wasn't used outside this region of the New World; however, there are some exceptions to this claim. It's highly likely that some of these ornaments were used as amulets and were considered valuable items, as the early toolmakers must have found it quite challenging to create them, requiring significant time and effort. The Andover Collection has an exceptionally fine piece from Ross County, Ohio. It is made of heavy pure hematite and shaped like a pendant; notches have been added at both ends as decoration, and on the lower, wider end, there are fourteen incised lines; the edges are slightly beveled, and the patina shows the age of the piece. The lines were clearly made with a flint cutting tool.[671] Another likely hematite amulet is a roughly carved fish effigy. Here, the structures resembling an eye and gill (only on one side) appear to be just natural surface irregularities, which led the cutter to add a mouth and round off the piece to make it look more like a fish; the hematite is black and of good quality. This artifact comes from Cole Camp, Benton County, Missouri.[672] Most of these hematite artifacts are from Missouri, southern Iowa, Illinois, Indiana, Ohio, West Virginia, and Kentucky, with a significant number also found in Tennessee, New York, Wisconsin, and parts of Arkansas. Only a relatively small number were discovered in burials or graves, with the majority of specimens being found on or near the surface.
Shah Jehangir relates in his memoirs that Mûnis Khân, son of Mihtar Khân, presented him with a jug of jasper (jade), which had been made in the reign of Mîrzâ Ulugh Beg Gûrgân, in the honored name of that prince. It was a very delicate rarity and of a beautiful shape. Its stone was exceedingly white and pure. Around the neck of the jar were carved characters expressing the auspicious name of the Mîrzâ and the Hijra year. Jehangir ordered them to inscribe his name and the auspicious name of Akbar on the edge of the lip of the jar.[673]
Shah Jehangir shares in his memoirs that Mûnis Khân, the son of Mihtar Khân, gave him a beautifully crafted jasper (jade) jug made during the reign of Mîrzâ Ulugh Beg Gûrgân, in honor of that prince. It was a delicate and striking piece. The stone was exceptionally white and clear. Around the neck of the jar were carved letters that displayed the fortunate name of the Mîrzâ along with the Hijra year. Jehangir instructed them to engrave his name and the fortunate name of Akbar on the rim of the jar.[673]
384Jade ornaments of ancient workmanship have been found in Syria, and it is quite likely that in many cases where the designation plasma is used by ancient writers, true jade, or nephrite, was the material. As there was no specific designation for jade, the different varieties were assimilated to other stones of like color and appearance, so that, among others, the names jasper, plasma and even smaragdus were used to denote jade.
384Jade ornaments made by ancient artisans have been discovered in Syria, and it’s very likely that in many instances where ancient writers referred to plasma, they were actually talking about true jade or nephrite. Since there wasn't a specific term for jade, various types were grouped with other stones that looked similar, so names like jasper, plasma, and even smaragdus were used to refer to jade.
Mortuary tablets of jade have been used from time immemorial in China for the reception of historic inscriptions, the toughness and durability of the material making it especially desirable for this purpose. In the case of rulers, such tablets not only bore the names of the deceased sovereign but also an epitome of the leading events of his reign, and additions were made to this record from time to time so that in historic value they may be compared with the clay tablets of Babylonia and Assyria. One of these interesting monuments found its way to San Francisco, after the looting of the Forbidden City by the international army of relief in 1901. On it appeared a record of the treaty between the United States and China in 1868, and the other records went back to the death of Shun Chi in 1661. Probably owing to exposure to the weather the earlier inscriptions were not very legible.
Mortuary tablets made of jade have been used for ages in China to hold historical inscriptions, with the strength and durability of the material making it especially suitable for this purpose. For rulers, these tablets not only had the names of the deceased sovereign but also a summary of significant events from their reign, with updates added over time. In terms of historical value, they can be compared to the clay tablets of Babylon and Assyria. One of these fascinating monuments ended up in San Francisco after the looting of the Forbidden City by an international relief force in 1901. It contained a record of the treaty between the United States and China from 1868, and other inscriptions dated back to the death of Shun Chi in 1661. Due to weather exposure, the earlier inscriptions were not very readable.
At all important Chinese marriage ceremonies the priest carries what is known as a “marriage sword.” This is usually about twelve or thirteen inches in length and the sheath is often studded with various pink stones, cut en cabochon. The stones most favored for this decoration are pink tourmaline, rubellite from the Shan Mountains, or rose-quartz, and the natural color of these gems is often intensified by placing a pink paste or foil beneath them; occasionally the coloration of the stones is enhanced by dipping them in a pink aniline solution. A piece of green jade is usually 385set as a boss at the hilt of this symbolical sword. In one remarkable specimen the guard consisted of a piece of white jade with the figure of a dragon carved in relief upon it; the sword-blade was of bronze. At the marriage ceremony the bridegroom is given the sword to hold, and the bride the sheath; as the wedding ring is placed upon the bride’s finger, sword and sheath are brought together.
At all significant Chinese wedding ceremonies, the priest carries what's known as a “marriage sword.” This sword is typically about twelve or thirteen inches long, and its sheath is often decorated with various pink stones, cut en cabochon. The stones that are most commonly used for this decoration include pink tourmaline, rubellite from the Shan Mountains, or rose quartz, and the natural color of these gems is often enhanced by placing a pink paste or foil underneath them; sometimes, the color of the stones is intensified by dipping them in a pink aniline solution. A piece of green jade is usually set as a boss at the hilt of this symbolic sword. In one notable example, the guard was made from a piece of white jade with a dragon carved in relief on it, and the sword blade was made of bronze. During the wedding ceremony, the groom is given the sword to hold while the bride receives the sheath; as the wedding ring is placed on the bride’s finger, the sword and sheath are brought together.
Among the innumerable forms of jade decoration or carving, produced by the indefatigable and painstaking Chinese artists, is a small curved wand often having a trefoil termination; sometimes the entire wand is of jade, and at other times it is of teakwood adorned with jade medallions, frequently showing birds and flowers. This wand was used as a kind of sceptre of office, and the official entitled to bear it would hold it in both hands when standing before the emperor. Its name, ju-i, means “may all be,” and is to be taken as a wish that everything may turn out fortunately. In modern times the ju-i is carried as a lucky charm, although its official significance is not forgotten. This form of wand is said to have been introduced into China from India, at the time of the Buddhist propaganda, and in representations of Buddhist priests they are sometimes shown carrying one of them. In ancient India it was taught to be one of the seven precious objects, the septa-ratna, mentioned in the Vedas.[674] This Indian origin is, of course, highly probable, but it is strange that in ancient Egypt also, curved wands of a somewhat different type, made of ivory and embellished with symbolical figures, possessed the same blended significance of marks of official dignity and magic wands.
Among the countless types of jade decoration or carving created by the tireless and meticulous Chinese artists is a small curved wand that often has a three-lobed end. Sometimes the entire wand is made of jade, while other times it is made of teakwood, enhanced with jade medallions that frequently depict birds and flowers. This wand was used as a kind of ceremonial scepter, and the official allowed to carry it would hold it with both hands when standing before the emperor. Its name, ju-i, means “may all be,” which expresses a hope that everything will turn out well. In modern times, the ju-i is kept as a lucky charm, although its ceremonial importance is still acknowledged. This type of wand is believed to have been brought to China from India during the spread of Buddhism, and in depictions of Buddhist priests, they are sometimes shown holding one. In ancient India, it was considered one of the seven precious objects, the septa-ratna, mentioned in the Vedas.[674] This Indian origin is certainly likely, but it's interesting that in ancient Egypt, there were also curved wands of a somewhat different style, made of ivory and decorated with symbolic figures, that held a similar combination of official prestige and magical significance.
A large mass of lapis lazuli was found in one of the 386Inca graves of Peru by Señor Emilio Montés, and was exhibited by him in the Centennial Exhibition of 1913. With the exception of one corner that has been chipped off, the block is of symmetrical form, the dimensions being, in inches, 24 × 14 × 9, and the weight 312 pounds. The smoothed surface gives evidence of careful and fairly successful polishing by the native lapidaries. This exceptionally fine specimen of lapis lazuli is now in the Field Museum of Natural History in Chicago.[675] Evidently in ancient Peru as in the Old World the “celestial hue” of lapis lazuli was thought to render it most appropriate for use as a memorial offering to the dead or as a talisman by the aid of which their heavenward journey might be made easier.
A large block of lapis lazuli was discovered in one of the 386Inca graves in Peru by Señor Emilio Montés and was showcased by him at the Centennial Exhibition of 1913. Aside from a chipped corner, the block has a symmetrical shape, measuring 24 × 14 × 9 inches and weighing 312 pounds. The polished surface shows signs of careful and quite successful work by the native lapidaries. This remarkable piece of lapis lazuli is now housed in the Field Museum of Natural History in Chicago.[675] Clearly, in ancient Peru, just like in the Old World, the “celestial hue” of lapis lazuli was believed to make it ideal for use as a memorial offering to the deceased or as a talisman that would help ease their journey to the afterlife.
The so-called “black onyx” has almost entirely replaced jet. This is a chalcedony impregnated with a carbonic matter, such as blood or a solution of sugar, the carbonate of which is charred by sulphuric acid, giving a rich, velvety, black hue to the stone, which takes a high polish. However, a certain limited amount of the old “Whitby Jet” once so highly favored is still mined and worked up into ornaments in the neighborhood of Whitby on the northeast coast of England, in the district of Leeds, although but fifty persons are now engaged in this industry which fifty years ago gave employment to 1500 workers. Some Spanish jet is also used, a material harder and more brittle than that found in England.
The so-called “black onyx” has nearly completely taken the place of jet. This is a type of chalcedony infused with a carbon-based material, like blood or a sugar solution, which is charred by sulfuric acid, giving the stone a rich, velvety black color that can be polished to a high shine. However, a limited amount of the old “Whitby Jet,” once highly prized, is still mined and made into jewelry in the Whitby area on the northeast coast of England, specifically in Leeds. Yet now, only about fifty people work in this industry, compared to the 1,500 workers it employed fifty years ago. Some Spanish jet is also used, a material that is harder and more brittle than what is found in England.

Autographed for this work by the author of the poem, Dr. Edward Forrester Sutton.
Autographed for this work by the poem's author, Dr. Edward Forrester Sutton.
387The story was current that Pope Leo X (1475–1521) had a precious stone, probably some type of “moonstone,”[676] which grew brighter as the moon waxed, exhibiting the soft, silvery brilliance of our satellite, and then gradually lost its brightness as the moon waned, growing paler and dimmer and becoming quite obscure as the moon’s disk ceased to be illumined by the sun. As a mate to this, Pope Clement VII (1475–1534) was reputed to have in his possession a stone with a golden spot which moved across the surface in exact accord with the apparent motion of the sun across the heavens from sunrise to sunset.[677] These are undoubtedly fables that were circulated intentionally, or more probably through pure love of exaggeration, in order to enhance the merit of two exceptionally fine specimens of moonstone and sunstone in the papal treasury.
387The story goes that Pope Leo X (1475–1521) had a special gem, likely a kind of “moonstone,”[676] which brightened as the moon grew fuller, showing the soft, silvery glow of our satellite, and then gradually dimmed as the moon waned, becoming lighter and less distinct until it was nearly invisible when the moon wasn’t lit by the sun. In addition, Pope Clement VII (1475–1534) was said to own a stone with a golden spot that moved across its surface in perfect sync with the sun’s journey across the sky from dawn to dusk.[677] These are clearly tales that were likely spread on purpose, or more probably out of a love for embellishment, to elevate the reputation of two remarkably fine examples of moonstone and sunstone in the papal treasury.
In the eighteenth century the collection of the Duke of Brunswick contained a magnificent ancient drinking-cup, of the kind used in sacrificial ceremonies, cut from a single piece of onyx; this cup was said to have formed part of the rich spoils taken from Mithridates by the Romans under Pompey. It was valued in the duke’s inventory at 150,000 thalers, and Catherine II of Russia is stated to have offered four times that sum, or 600,000 thalers ($400,000) for this unique cup.[678]
In the 1700s, the Duke of Brunswick's collection included a stunning ancient drinking cup, crafted from a single piece of onyx, which was used in sacrificial ceremonies. This cup was believed to be part of the wealth taken from Mithridates by the Romans under Pompey. It was valued at 150,000 thalers in the duke’s inventory, and Catherine II of Russia reportedly offered four times that amount, or 600,000 thalers ($400,000), for this one-of-a-kind cup.[678]
In the symbolism of the Manichean sect, an early Christian heresy owing its origin to a direct and predominant influence of Persian ideas, pearls occupy a prominent place. A legendary or poetic pearl called “the bright moon” was the symbol of compassion, and one of the treatises ends with the words: “Our heart has received the majestic splendor of the pearl granting every wish.” We are also told of “a diamond pillar” which sustains humanity, and the Messenger of Light is likened to a perfumed mountain entirely composed of a mass of jewels.[679]
In the symbolism of the Manichean sect, an early Christian heresy that was heavily influenced by Persian ideas, pearls hold a significant role. A legendary or poetic pearl called “the bright moon” symbolizes compassion, and one of the writings concludes with the words: “Our heart has received the majestic splendor of the pearl granting every wish.” There’s also mention of “a diamond pillar” that supports humanity, and the Messenger of Light is compared to a fragrant mountain made entirely of jewels.[679]
388The recital of two Arab travelers, Hasan ibn Vazid and Sulaiman, who visited India in the ninth century, contains a curious theory of the formation of pearls or rather of the pearl-oyster. The primal matter is assumed to be a gelatinous moss, analogous to that of a species of algæ. This floats upon the water and attaches itself to the keels of ships, where it hardens, develops a shell, and finally drops off to sink into the depths of the sea. The formation of the pearl itself is then discussed and the theory noted in Pliny’s Natural History and so often repeated after his time, namely, that pearls are formed from the “dew of heaven,” is cited; but the writer adds: “Others say that they [the pearls] are produced in the oysters themselves. This appears more probable and is confirmed by experience; for the greater part of those observed in the oysters are firmly attached there and are immovable. Those which are mobile are called by the merchants seed-pearls.” As a true Mohammedan the writer concludes with the pious ejaculation: “God knows how the matter really stands!”[680]
388The accounts of two Arab travelers, Hasan ibn Vazid and Sulaiman, who toured India in the ninth century, include an interesting theory about how pearls—or more specifically, the pearl oyster—forms. They suggest that the initial material is a gelatinous moss, similar to a type of algae. This moss floats on the water and attaches to ship keels, where it hardens, grows a shell, and eventually falls off to sink into the ocean. The discussion then shifts to how pearls themselves are formed, citing the theory from Pliny’s Natural History that pearls come from the “dew of heaven.” However, the author adds, “Others believe that pearls are actually produced within the oysters themselves. This seems more likely and is backed by experience; most pearls found in oysters are securely attached and don’t move. The ones that can move are referred to by merchants as seed-pearls.” Being a devout Muslim, the writer ends with the heartfelt remark: “God knows how things truly are!”[680]
The same travellers relate the story of the discovery of a pearl under very singular conditions. An Arab came to Bassora with a very fine pearl. He took it to a druggist whom he knew and asked the latter how much it was worth. The merchant estimated it at a hundred pieces of silver, to the great surprise of the Arab, who demanded whether anyone could be found willing to pay so much. Without hesitation the merchant declared that he was ready to give the price himself, and immediately paid over the money. He then took his purchase to Bagdad, where he secured a large profit on his investment. On concluding his sale the Arab told the Bassora druggist how he had secured his pearl. One day, while walking along the Bahrein coast, he saw on the 389sands a dead fox, whose mouth was tightly compressed by a strange object. On closer observation this proved to be an enormous pearl-oyster shell. Evidently the fox had thrust his snout into the shell while the valves were open so that he might devour the soft contents, but the valves suddenly closed upon him and he had died of suffocation. On prying open the shell the Arab found therein the pearl which was destined to bring him what he regarded as a fabulous sum.[681]
The same travelers tell the story of how a pearl was discovered under very unusual circumstances. An Arab came to Basra with a very nice pearl. He took it to a pharmacist he knew and asked him how much it was worth. The merchant valued it at a hundred pieces of silver, which greatly surprised the Arab, who asked if there was anyone willing to pay that much. Without hesitation, the merchant said he would pay that amount himself and immediately gave him the money. He then took his purchase to Baghdad, where he made a large profit on his investment. After finishing his sale, the Arab told the Basra pharmacist how he had found his pearl. One day, while walking along the Bahrain coast, he saw a dead fox whose mouth was tightly shut around a strange object. Upon closer inspection, he discovered it was a huge pearl oyster shell. Clearly, the fox had stuck its snout into the shell to eat the soft contents, but the shell had suddenly closed on him, resulting in his suffocation. When the Arab pried open the shell, he found the pearl inside, which he believed was worth a fortune.[681]
The women of the Arab town occupying a site close to that on which stood the Babylon of ancient times, wore, as a favorite adornment, nose-rings of gold set with a pearl and a turquoise. The English traveller, John Eldred, who traversed Mesopotamia in 1583, found this custom so general that he writes: “This they doe be they never so poore.”[682]
The women of the Arab town near where ancient Babylon once stood wore gold nose rings decorated with a pearl and a turquoise as their favorite accessory. The English traveler, John Eldred, who traveled through Mesopotamia in 1583, observed this custom so widely practiced that he noted, “This they do be they never so poor.”[682]
For years a statement has been going through the press that pearls are liable to become diseased and die, and that the famous necklace of pearls presented by President Thiers of France to his wife, and bequeathed by Mme. Thiers to the French Government, had lost their lustre and died, perhaps owing to the death of the owner. For there is an old belief that pearls, as well as opals and turquoises, lose some of their lustre when the owner or wearer becomes ill, and change to a dull and lifeless hue when the owner dies. An examination of the necklace by the writer showed that the pearls were in good condition, and to confirm his statement to this effect he had the director of the Louvre Museum write him a letter. In this official communication the director not only states that the pearls had not sickened and died, but that they were in as “healthy” a condition as they had ever been.
For years, there's been a rumor going around that pearls can get sick and lose their shine, and that the famous pearl necklace given by President Thiers of France to his wife, which was later inherited by Mme. Thiers and given to the French Government, had lost its luster and faded, possibly due to the owner's death. There's an old belief that pearls, along with opals and turquoises, lose some of their shine when their owner or wearer is unwell, and become dull and lifeless when the owner dies. After examining the necklace, the writer found that the pearls were in good shape, and to back up his findings, he asked the director of the Louvre Museum to write him a letter. In this official letter, the director confirmed that the pearls had not gotten sick and that they were in as "healthy" a condition as they had ever been.
390The invariable experience of the writer has been that whenever pearls have been said to have suffered in this way, the true explanation has been that they were old and poor at the time of their purchase, and that this romance was started on its travels as an excuse to cover up the defect of such pearls and to arouse the belief that they had been remarkably beautiful and valuable when they were originally acquired.
390The writer’s consistent experience has been that whenever it's claimed that pearls have been harmed in this way, the real reason is that they were old and of low quality when they were bought. This story was then created as a way to hide the flaws of these pearls and to ignite the belief that they had been truly beautiful and valuable when they were first obtained.
As though to make amends to the Queen Gem for such disadvantageous rumors, considerable publicity has recently been given to a report that, in the Musée de Monaco, there was a luminous pearl whose beauties were revealed by an inner light, so that darkness had no power to dim its lustre. In a thoroughly impartial spirit, the writer went to the fountain-head for information in this matter, and received as answer from the director of the museum that there was no such pearl in the collection and that he had absolutely no faith in the luminosity of pearls.
As if to make up for the bad rumors about Queen Gem, there’s been a lot of buzz lately about a report claiming that in the Musée de Monaco, there’s a glowing pearl whose beauty shines from within, making darkness unable to dull its shine. Being completely fair, the writer decided to go straight to the source for information and asked the museum director, who responded that there is no such pearl in the collection and that he has no belief in the glow of pearls at all.
As has been seen, both of these legends must be set aside as false, and we fear there is just as little truth in a report that a genuine “pearl-powder” is now used by the fair ladies of Paris and by their numerous imitators. The story goes that the Arab workmen engaged in pearl-piercing in India are noted for the clearness—we can hardly say, the lightness—of their complexions, and that this is supposed to be attributable to the fact that, when resting from their difficult task, they are in the habit of taking up some of the pearl-dust that has fallen on the floor and rubbing their faces with it. As the conditions under which these men work are eminently unsanitary, those who noted the clearness and smoothness of their complexions came to the conclusion that there must be something especially beneficial in pearl-dust, and brought the matter to the notice of a French chemist. The latter proceeded to utilize the suggestion and compounded 391a new cosmetic. He did not, however, pin his faith to the pearl-dust alone, but wisely added a number of other ingredients.
As we've seen, both of these legends should be dismissed as false, and we're concerned that there's just as little truth in the report that genuine “pearl powder” is currently used by the beautiful ladies of Paris and their many imitators. The story goes that the Arab workers involved in pearl-piercing in India are known for the clarity—we can barely say, the brightness—of their complexions, and this is thought to be due to the fact that, when they take a break from their difficult work, they have a habit of picking up some of the pearl dust that has fallen on the floor and rubbing it on their faces. Given that the conditions in which these men work are extremely unsanitary, those who observed the clarity and smoothness of their skin concluded that there must be something particularly beneficial about pearl dust, which they then brought to the attention of a French chemist. The chemist decided to take the suggestion and created a new cosmetic. However, he didn't rely solely on pearl dust; he wisely included several other ingredients as well.
Still another mythical tale in reference to pearls has to be refuted. For some time past numerous specimens of a so-called “cocoanut-pearl” have been brought from the East. These are very white pearls, resembling in hue the hard meat of the cocoanut, and said to have been produced in the cocoanut, just as other pearls are produced in certain species of mollusks. However, the writer has always found them to be pearls secreted by the gigantic mollusk Ostrea Singapora.
Still another mythical story about pearls needs to be debunked. For some time now, many examples of a so-called “coconut pearl” have been brought from the East. These are very white pearls that look like the hard meat of a coconut and are said to have come from the coconut itself, just like other pearls come from certain types of mollusks. However, the author has always found them to be pearls secreted by the giant mollusk Ostrea Singapora.
A strange poetic fancy regarding the transmutation of parts of the human form into gems of the sea appears in Ariel’s song in Shakespeare’s “Tempest”:
A peculiar poetic idea about transforming parts of the human body into sea gems shows up in Ariel's song in Shakespeare's "Tempest":
Some natives of the Sulu Archipelago believe that the nautilus pearl is a most unlucky object to possess, for should a man engage in a fight while wearing such a pearl he would inevitably be killed. Hence, when a native by chance comes across one of them, he very quickly throws it away, as a probable bringer of ill-luck. Occasionally, however, such pearls fall into the hands of those who are less influenced by superstition, and one weighing 72 grains was given, in 1884, to an Australian gentleman, by Mohammed Beddreddin, brother-in-law of the Sultan of Sulu. This was a perfect, pear-shaped pearl of a creamy-white hue and somewhat 392translucent; it is composed of the porcelanous, not of the nacreous constituent of the shell.[683]
Some locals from the Sulu Archipelago believe that the nautilus pearl is extremely unlucky to own. If a person gets into a fight while wearing one, they believe he will inevitably be killed. Because of this, when a local happens to find one, he quickly tosses it away, fearing it might bring bad luck. However, sometimes these pearls end up with people who aren't as superstitious. In 1884, a 72-grain pearl was given to an Australian gentleman by Mohammed Beddreddin, the brother-in-law of the Sultan of Sulu. This pearl was a flawless, pear-shaped gem with a creamy-white color and a somewhat translucent quality; it consists of the porcelanous part of the shell, not the nacreous part.392

East Indian Baroque pearl. Weight over 1700 grains, Holland, 1775.
East Indian Baroque pearl. Weighs over 1700 grains, Holland, 1775.
It has been stated that this Sulu superstition is not shared by the natives of Celebes Island, near Borneo, for here such pearls are kept as charms and talismans. One of an irregular pear-shape, weighing 27½ grains, has been found on the northern coast of the island.[684] The finding of a nautilus pearl by a Chinese woman in Borneo is noted by Rumphius, who describes it as being as large as a bean and white as a piece of alabaster, hard and bright, but of very irregular shape. The finder put it in a closed box, and was not a little surprised to discover when she opened the box after a time that the original pearl had engendered another one the size of a lentil; later it had two other, smaller offspring. The woman carefully treasured her find as a lucky stone which would bring her good fortune in her search for mussels. Rumphius shrewdly conjectures that the smaller concretions had broken off the larger one while it was enclosed in the box.[685]
It has been said that the Sulu superstition is not shared by the people of Celebes Island, near Borneo, where such pearls are kept as charms and talismans. One pearl, shaped irregularly and weighing 27½ grains, was found on the northern coast of the island.[684] A Chinese woman in Borneo discovered a nautilus pearl, which Rumphius noted was as big as a bean and as white as alabaster, hard and shiny, but very oddly shaped. She put it in a closed box and was quite surprised to find, when she opened it later, that the original pearl had created another one the size of a lentil; eventually, it produced two smaller ones as well. She carefully kept her find as a lucky stone that she believed would bring her good fortune in her search for mussels. Rumphius astutely speculates that the smaller pearls broke off the larger one while it was kept in the box.[685]
393The well-known lines in Shakespeare’s “Othello”:
393The well-known lines in Shakespeare’s “Othello”:
have been explained in many different ways by the commentators, one of whom (Steevens) saw in them a reference to the following story current in Venice in the sixteenth century. A Jew, after long and perilous wanderings in the East, succeeded in bringing with him to Venice a great number of fine pearls. These he disposed of there at satisfactory prices, with the exception of one pearl of immense size and extraordinary beauty, upon which he set a price so high that no one was willing to pay it. Finally, the Jew invited all the leading gem-dealers to meet him on the Rialto, and when as many of them as answered his call had assembled, he once more, and for the last time, offered his peerless pearl for sale, detailing all its perfections in eloquent terms. However, he made no concession in the price, and the dealers unanimously refused to purchase it, probably expecting that the Jew would at last be forced to make a reduction, but to their amazement, instead of doing this, he threw his pearl before their very eyes into the waters of the canal, preferring rather to lose it than to cheapen it.[686]
have been explained in many different ways by the commentators, one of whom (Steevens) saw in them a reference to the following story that was common in Venice in the sixteenth century. A Jew, after long and dangerous travels in the East, managed to bring back to Venice a large number of beautiful pearls. He sold them there at good prices, except for one pearl of immense size and extraordinary beauty, which he priced so high that no one was willing to buy it. Eventually, the Jew invited all the top gem dealers to meet him on the Rialto, and when as many of them as could came together, he once again offered his unmatched pearl for sale, describing all its qualities in impressive terms. However, he did not lower the price, and the dealers all refused to buy it, likely thinking the Jew would eventually have to lower the price. To their surprise, instead of doing that, he threw his pearl right before their eyes into the waters of the canal, preferring to lose it rather than sell it for less. [686]
The belief that the growth of pearls in the pearl-oyster was due to rain-drops is perpetuated in the Arab proverb: “The rain of the month of Nisan brings forth pearls in the 394sea and wheat on the land.”[687] This spring month was, and is still, the period when pearl-fishing begins in the Orient. Another pearl proverb repeats the evangelical saying in this form: “Do not throw pearls under the feet of swine.”
The idea that pearls grow in the pearl oyster because of raindrops is reflected in the Arab saying: “The rain of the month of Nisan brings pearls in the 394sea and wheat on the land.”[687] This spring month was, and still is, when pearl fishing starts in the East. Another pearl saying echoes the biblical phrase: “Don’t cast pearls before swine.”
A Tonquinise legend of the origin of pearls represents them as springing from the blood of a young princess who was slain by the king, her father, because she had betrayed to her husband the secret of a magic bow, whose death-dealing arrows always flew to their mark. In his anger at his daughter’s act, the father drew his scimitar and beheaded her, but with her last breath she prayed that her blood might be turned to pearls. Her prayer was heard and now the finest pearls of this land are found in the waters about the place where she died.[688]
A Tonquinese legend about the origin of pearls says that they come from the blood of a young princess who was killed by her father, the king, because she revealed the secret of a magical bow to her husband. This bow shot deadly arrows that always hit their target. Furious at his daughter's betrayal, the father drew his sword and beheaded her. But with her dying breath, she wished that her blood would be turned into pearls. Her wish was granted, and now the most beautiful pearls in this region can be found in the waters where she died.[688]
From blue sapphires the color may be extracted so that they become white, in such sort that they excellently imitate the diamond, so well, indeed, that the fraud can only be detected by an expert jeweller. This art was known at an early period, and no doubt induced many writers to ascribe certain of the qualities of the diamond to the sapphire. As illustrating this, a Rabbinical author states that a certain man went to Rome to sell a sapphire. The purchaser said to him: “I will buy it provided I may first test it.” He placed it on an anvil and struck it with a hammer; the anvil was split and the hammer was broken to pieces but the stone remained in its place uninjured.[689]
From blue sapphires, their color can be changed to become white, which makes them look just like diamonds—so much so that only a skilled jeweler can tell the difference. This technique has been known for a long time, which likely led many writers to attribute some of the diamond's qualities to the sapphire. To illustrate this, a Rabbinical writer recounts a story about a man who went to Rome to sell a sapphire. The buyer said to him, “I’ll buy it if I can test it first.” He put it on an anvil and struck it with a hammer; the anvil cracked, and the hammer shattered, but the stone stayed intact and unharmed.[689]

CLEOPATRA DISSOLVING HER PRICELESS PEARL AT THE BANQUET TO MARK ANTONY
Tapestry. Eighteenth century.
CLEOPATRA DISSOLVING HER PRICELESS PEARL AT THE BANQUET TO MARK ANTONY
Tapestry. Eighteenth century.
395The virtues of the sapphire are enumerated at length by Bartolomæus Anglicus, the old scholastic philosopher, who flourished in the first half of the thirteenth century and taught theology in the famous University of Paris.[690] After noting the old dictum according to which the sapphire was the “gem of gems” and one worthy to adorn the fingers of kings, Bartolomæus proceeds to instruct his readers in regard to the wonderful curative powers of this beautiful gem. These appear always to be connected with its supposed calming and cooling influence. Thus it reduced the temperature in fevers and checked the flow of blood; for instance, if attached to the temples it stopped nose-bleed; if the heart were unduly excited, this agitation could be controlled by the power of the sapphire. Too profuse perspiration was also checked if a sapphire were worn. It shared with the diamond the virtue of reconciling discord. Its power as an antidote to poison was believed to be proved by an experiment in which a spider was placed in a box with a sapphire. After a short time the poor spider expired, done to death by the supreme virtue of the celestial stone. A like story was told by ancient writers in regard to the emerald. Of course, the chastening virtues of the sapphire are not forgotten, virtues which have caused it to be selected as especially appropriate for the rings of cardinals and high church dignitaries; this belief arose from the association of purity with the color of the heavens, the pure, unadulterated blue of the cloudless sky.
395The virtues of the sapphire are detailed at length by Bartolomæus Anglicus, an old scholastic philosopher who lived in the early thirteenth century and taught theology at the renowned University of Paris.[690] After mentioning the old saying that the sapphire is the “gem of gems” and fit to grace the fingers of kings, Bartolomæus goes on to inform his readers about the amazing healing powers of this beautiful stone. These powers are always linked to its supposed calming and soothing effects. For example, it lowers body temperature during fevers and slows down bleeding; when worn on the temples, it could stop nosebleeds, and if the heart was racing too fast, the sapphire could help calm it down. It was also said to reduce excessive sweating when worn. The sapphire shared with the diamond the ability to bring peace during disputes. Its effectiveness as an antidote to poison was believed to be demonstrated through an experiment where a spider was placed in a box with a sapphire. After a short time, the spider died, overcome by the powerful properties of the celestial stone. A similar account was written by ancient authors regarding the emerald. Naturally, the purifying qualities of the sapphire are also noted, which has led to its use in the rings of cardinals and high church officials; this belief stems from its association with purity, reflected in the clear, unblemished blue of the sky.
One of the rarest and most beautiful of the corundum gems of Ceylon is locally known there by the name padparasham. It is of a most rare and delicate orange-pink hue, the various specimens showing many different blendings of the pink and orange. The significance of the Cinghalese name seems to be somewhat obscure, but a probable conjecture explains it to mean “hidden ray of light”; another etymology 396would see in the first syllable, pad, an abbreviation of padma, lotus, the petals of this flower often having a soft orange tint. In this case the meaning would be “hidden lotus,” as though the very color-essence of the flower were enclosed within and shone through the gem.[691]
One of the rarest and most beautiful corundum gems from Ceylon is known locally as padparasham. It has a truly unique and delicate orange-pink color, with various specimens displaying different mixes of pink and orange. The meaning of the Cinghalese name is somewhat unclear, but one possible interpretation suggests it means “hidden ray of light.” Another theory looks at the first syllable, pad, as a shortened version of padma, meaning lotus, as the petals of this flower often have a soft orange tint. In this case, the meaning would be “hidden lotus,” as if the very essence of the flower's color is captured within and shines through the gem.396[691]
A Persian treatise on precious stones was composed by Mohammed Ben Mansur[692] in the thirteenth century of our era. This work was written for Sultan Abu Naçr Behadirchan, and consists of two divisions, the first treating of precious stones and the second of metals. It is interesting to note in this treatise the recognition of the essential likeness of the Oriental ruby, sapphire, topaz, etc.; these varieties of corundum are all grouped under the single designation “yakut.” Ben Mansur writes:[693]
A Persian treatise on precious stones was written by Mohammed Ben Mansur[692] in the thirteenth century. This work was created for Sultan Abu Naçr Behadirchan and is divided into two parts: the first discusses precious stones, and the second covers metals. It's interesting to see in this treatise the acknowledgment of the fundamental similarities between Oriental rubies, sapphires, topazes, etc.; these types of corundum are all categorized under the single term “yakut.” Ben Mansur writes:[693]
The yakut is six-fold: 1, the red; 2, the yellow; 3, the black; 4, the white; 5, the green or peacock-hued; 6, the blue or smoky-hued. Some divide the yakut into four classes: red, yellow, dark, and white, reckoning the peacock-hued and the blue among the dark. The yakut cuts all stones except carnelian and diamond.
The yakut comes in six varieties: 1, red; 2, yellow; 3, black; 4, white; 5, green or peacock-colored; 6, blue or smoky-colored. Some classify the yakut into four groups: red, yellow, dark, and white, considering the peacock-colored and blue ones as dark. The yakut can cut all stones except for carnelian and diamond.
Although the Oriental carnelian is hard and difficult to cut or polish only popular prejudice accounts for this statement, as it falls far short of the diamond in hardness.
Although Oriental carnelian is hard and tough to cut or polish, this statement is mainly based on common misconceptions, as it is much less hard than a diamond.
Pseudo-Aristotle, writing some time from the seventh to the ninth century A.D., was the first to define clearly the three leading varieties of the corundum gems (yakut) as the same mineral substance, and differing only in color. These are the ruby, the Oriental topaz (jacinthus citrinus) and the sapphire. Instead of according different medicinal or talismanic virtues to these three precious stones, this writer states that each and all of them, when set in rings or worn 397suspended from the neck, protected the wearer from danger in epidemics, gave him the honor and good will of his fellow-men, and also the privilege of having his petitions accorded.[694]
Pseudo-Aristotle, writing sometime between the seventh and ninth century A.D., was the first to clearly define the three main types of corundum gems (yakut) as the same mineral, differing only in color. These are the ruby, Oriental topaz (jacinthus citrinus), and sapphire. Instead of assigning different medicinal or talismanic properties to these three precious stones, this writer states that each of them, when set in rings or worn 397 suspended from the neck, would protect the wearer from danger during epidemics, provide them with the respect and goodwill of others, and grant them the opportunity to have their requests fulfilled.[694]
The great Athenian comic poet, Aristophanes (c. 448–c. 385), makes Strepsiades, one of his characters in the “Clouds,” assert to Socrates that he knows of a stone having the virtue of saving him from the payment of a claim of five talents, for which suit has been brought against him. This stone, called ὓαλος in Greek, was to be found in the stock of those who dealt in medicines; it was transparent and with it fire could be kindled. The philosopher, although he knows the stone well enough, fails to see how it could be made to help the defendant in a suit at law, and asks Streposiades what he proposes to do with it. The latter is not at a loss for an answer and declares that when the clerk proceeds to write down the charge on his waxen tablet, he, Streposiades, will hold the stone in the sun’s rays so that its beam of light will fall upon the tablet and melt the wax, thus quite literally “wiping out the charge.”[695]
The great Athenian comic poet, Aristophanes (c. 448–c. 385), has Strepsiades, one of his characters in "Clouds," tell Socrates that he knows about a stone that can save him from having to pay a claim of five talents, for which a lawsuit has been filed against him. This stone, called ὓαλος in Greek, could be found among those who sold medicines; it was transparent and could light a fire. The philosopher, although he knows the stone well enough, doesn’t understand how it could help the defendant in a legal case and asks Strepsiades what he plans to do with it. Strepsiades quickly responds that when the clerk starts writing down the charge on his wax tablet, he will hold the stone in the sunlight so that its beam will hit the tablet and melt the wax, effectively “wiping out the charge.”[695]
Rock-crystal was so highly prized in Roman times that one of the greatest treasures preserved in the Capitol was a mass of this stone, weighing fifty pounds, that had been dedicated by Livia, wife of Augustus Cæsar. Vessels of great size were also made from this material, one of the largest being a bowl owned by Lucius Verus, the colleague of Marcus Aurelius, the dimensions of which were so great that the stoutest toper of the time could not empty it at a single draught. If we can trust a statement of Mohammed Ben Mansur, the Arabs and Persians of a later age must have far surpassed the Romans in the size of their crystal vessels, 398for he says that a Mauritanian merchant owned a basin of rock-crystal within which four men could seat themselves at the same time. It is true that this basin was composed of two pieces of the material.[696]
Rock crystal was so valued in Roman times that one of the biggest treasures kept in the Capitol was a 50-pound mass of this stone, dedicated by Livia, the wife of Augustus Caesar. Large vessels were also crafted from this material, with one of the largest being a bowl owned by Lucius Verus, a colleague of Marcus Aurelius. Its dimensions were so impressive that the most seasoned drinker of the time couldn’t finish it in one go. If we can believe a claim from Mohammed Ben Mansur, the Arabs and Persians of a later era must have far exceeded the Romans in the size of their crystal vessels, as he mentions that a Mauritanian merchant owned a rock-crystal basin large enough for four men to sit inside at the same time. It's worth noting that this basin was made up of two pieces of the material. 398
The Chinese word for crystal, ching, was originally represented
by the symbol ; that is, three suns, an attempt to
figure the refraction and dispersion of light by the crystal.[697]
The soui che stone of the Chinese which is said to quench
thirst if it be placed in the mouth, is almost certainly rock-crystal,
for the Chinese, in common with the ancient Greeks
and Romans, believed this substance to be a transformation
of water, a kind of fossil ice. A similar power was attributed
by Pliny to one of the varieties of agate.[698]
The Chinese word for crystal, ching, was originally represented by the symbol ; that is, three suns, an attempt to represent the way light is refracted and dispersed by the crystal.[697] The soui che stone of the Chinese, which is said to quench thirst when placed in the mouth, is almost certainly rock-crystal, as the Chinese, like the ancient Greeks and Romans, believed this substance to be a transformation of water, a kind of fossil ice. A similar power was attributed by Pliny to one of the varieties of agate.[698]
Labrets of quartz are used in Central Africa and we have a very interesting description by M. A. Lacroix regarding these ornaments as worn by the natives of a part of the French possessions. In the land of the Bandas the natives highly prize a piece of rock-crystal so shaped that it can be introduced into the lower lip. This usage is confined to the basins of the Ombella, the Kemo and the Tomi, affluents of the Oubanghi.
Labrets made of quartz are used in Central Africa, and there's a fascinating description by M. A. Lacroix about these ornaments as worn by the locals in a part of the French territories. In Banda territory, the locals greatly value a piece of rock crystal shaped to be inserted into the lower lip. This practice is limited to the areas around the Ombella, Kemo, and Tomi rivers, which are tributaries of the Oubanghi.
The following description of the labrets was communicated to M. Lacroix by M. Lucien Fourneau, Administrator of the Colonies:
The following description of the labrets was shared with M. Lacroix by M. Lucien Fourneau, Administrator of the Colonies:
These objects, called baguérés, consist of hyaline quartz, perfectly transparent; they are very regularly cut, and measure from four to seven cm. (two to three inches) in length. Some have the form of a very elongated and pointed cone, without any protuberances, the greatest diameter being about one cm. (about half an inch); the others, thinner and sharper, have at the base a rim destined to hold them in place; in all cases a pad of thread constituting a kind of permanent plug, assures and completes their stability. Some women wear as many as three of these singular ornaments, thrust, point downwards, into the same lip.
These objects, called baguérés, are made of clear quartz and are completely transparent. They are cut very uniformly and measure between four to seven cm (two to three inches) in length. Some are shaped like very long, pointed cones without any bumps, with the widest part being around one cm (about half an inch); others are thinner and sharper, featuring a rim at the base designed to hold them in place. In all cases, a thread pad serves as a sort of permanent plug, ensuring and adding to their stability. Some women wear up to three of these unique ornaments, inserted point downwards into the same lip.
399The most regular quartz crystals are selected, and these are chipped off and roughly shaped by blows struck with a hard substance; the quartz is then set in a wooden handle, and the final shaping and polishing are accomplished by friction upon a round slab of quartzite or sandstone. These slabs show grooves along which the crystals have been rubbed. On an average the time required is four or five days of five hours. The completed ornament is valued at nine pounds of red wood worth about $1.20; sometimes one can be secured for three chickens, worth sixty cents.[699] Those who cannot afford quartz labrets substitute wood, glass, or pewter. M. Lacroix draws our attention to the fact that a study of the processes employed in shaping and polishing these pieces of quartz is of great importance for the elucidation of the methods in use during the Stone Age.[700]
399The most uniform quartz crystals are chosen, and they are chipped and roughly shaped by striking them with a hard material; the quartz is then fitted into a wooden handle, and the final shaping and polishing are done by rubbing against a round slab of quartzite or sandstone. These slabs have grooves where the crystals have been polished. On average, this process takes four to five days, working around five hours each day. The finished ornament is valued at nine pounds of red wood, worth about $1.20; sometimes you can trade it for three chickens, valued at sixty cents.[699] Those who can't afford quartz labrets use wood, glass, or pewter instead. M. Lacroix highlights that studying the methods used to shape and polish these quartz pieces is crucial for understanding techniques from the Stone Age.[700]
A nose-jewel from the New Hebrides consists of a crystal of hyaline quartz reduced to a cylindrical form, one extremity having been pointed, while the other retains the natural faces of the crystal. This was passed through the septum of the nose, and was most likely worn as an amulet.[701]
A nose ring from the New Hebrides is made of a crystal of clear quartz shaped into a cylinder, with one end pointed and the other end keeping the natural faces of the crystal. This was inserted through the septum of the nose and was probably worn as a charm.[701]
Rock-crystal has been used extensively in the past year with ornaments of ribbon-like or plaque-like effects. Sometimes all the parts are made into the exact shape of a bowknot, with a bordering of platinum and diamonds, or of platinum and diamonds with a calibre-cut onyx; that is, the rock-crystal material is cut into minute square or oblong stones, which are run into double triangular edges that hold them. The crystals are dulled, and frequently have the appearance 400of moonstones. At times, indeed, moonstones are used in their place. Sometimes these panels, or bits and pieces of rock-crystal, are drilled, diamonds set in platinum are inserted into the drill-holes, and the ornament is engraved in classic designs of Watteau-like effects.
Rock crystal has been widely used over the past year in designs featuring ribbon-like or plaque-like effects. Sometimes all the elements are fashioned into the exact shape of a bowknot, bordered with platinum and diamonds, or with platinum and diamonds alongside calibre-cut onyx. This means the rock crystal is cut into tiny square or rectangular stones that are set into double triangular edges that hold them in place. The crystals are often dulled, giving them the appearance of moonstones. In fact, moonstones are occasionally used instead. Sometimes these panels, or fragments of rock crystal, are drilled, diamonds set in platinum are placed into the drill holes, and the piece is engraved with classic designs reminiscent of Watteau-style effects. 400
The origin of Burmese rubies is thus explained in a Burmese legend current in the region of the Ruby Mines. According to this legend, in the first century of our era three eggs were laid by a female naga, or serpent; out of the first was born Pyusawti, a king of Pagan; out of the second came an Emperor of China, and out of the third were emitted the rubies of the Ruby Mines.[702]
The origin of Burmese rubies is explained in a local legend from the Ruby Mines region. According to this legend, in the first century AD, a female naga, or serpent, laid three eggs; from the first hatched Pyusawti, a king of Pagan; from the second came an Emperor of China, and from the third emerged the rubies of the Ruby Mines.[702]
Dealing in precious stones was by no means an unusual occupation in Europe more than four hundred years ago, as is shown by the fact that a certain Peter, one of the secret agents of Perkin Warbeck, a pretender to the throne of England in Henry VIII’s reign, was called in the secret correspondence of the conspirators, “The Merchant of the Ruby.” Such dealers frequently travelled from place to place, and usually offered their wares to princes and nobles; hence the statement in a letter that the Merchant of the Ruby “was not able to sell his wares in Flaunders” might not seem suspicious if the letter were intercepted and read, although the meaning was that the emissary had been unable to obtain succor in Flanders for the cause of the pretender.[703] Probably this designation also contained a covert allusion to the Red Rose of York, for Perkin Warbeck gave himself out to be Richard, Duke of York.
Dealing in precious stones was quite a common job in Europe over four hundred years ago, as shown by the fact that a certain Peter, one of Perkin Warbeck's secret agents—who claimed to be a rightful heir to the English throne during Henry VIII’s reign—was referred to in the conspirators’ secret correspondence as “The Merchant of the Ruby.” These merchants often traveled around and typically sold their gems to princes and nobles; therefore, the statement in a letter that the Merchant of the Ruby “was not able to sell his wares in Flanders” might not raise any red flags if the letter were intercepted and read, although it actually meant that the agent had been unable to get support in Flanders for the pretender's cause. [703] This title probably also hinted at the Red Rose of York, as Perkin Warbeck claimed to be Richard, Duke of York.
A sixteenth-century traveller, the Portuguese Duarte Barbosa, after saying that “the rubies grow in India,” proceeds to state that those of finest quality and greatest value were for the most part gathered in a river called Pegu and 401were named nir puce by the Malabars. As a test of their fineness, the Hindus would touch them with the tip of the tongue, the coldest (densest) being the best. When a superior ruby was thus picked out, the examiner would attach a little wax to its finest point, and so pick it up and look through it against a bright light; by this means any blemish would immediately become apparent. These rubies came not only from the river of Pegu but from other parts of the land of the same name, often being discovered in deep mountain clefts. However, they were not cut and polished in that country, but were merely cleaned and sent for cutting to “Palecote and the country of Narsynga.”[704]
A sixteenth-century traveler, the Portuguese Duarte Barbosa, after mentioning that “the rubies grow in India,” goes on to say that the highest quality and most valuable ones were mostly found in a river called Pegu and were called nir puce by the Malabars. To test their quality, the Hindus would touch them with the tip of their tongue, with the coldest (densest) ones being the best. When a top-quality ruby was identified, the examiner would attach a small piece of wax to its finest point, then pick it up and look through it against a bright light; this way, any flaws would become obvious. These rubies came not only from the river Pegu but also from other regions with the same name, often found in deep mountain crevices. However, they weren’t cut and polished in that area; they were just cleaned and sent for cutting to “Palecote and the country of Narsynga.”[704]
The balas-ruby (originally a spinel from Badakshan) was one of the most admired precious stones in medieval times, before the diamond was helped to its proud preëminence by having its beauties revealed through the exercise of the diamond-cutters’ skill. Almost all the large “rubies” of which we read, those of Europe at least, were balas-rubies, as were also by far the greater part of the so-called rubies in Oriental royal collections of that and later times. The great Italian poet Dante uses this stone (balascio) as a symbol of the glowing radiance of divine joy in the following lines from the Divina Commedia (Paradiso, ix, 67–69):
The balas-ruby (originally a spinel from Badakshan) was one of the most admired precious stones in medieval times, before diamonds rose to prominence thanks to the skill of diamond cutters revealing their beauty. Almost all the large “rubies” we read about, at least in Europe, were actually balas-rubies, as were most of the so-called rubies found in Oriental royal collections during that time and beyond. The great Italian poet Dante uses this stone (balascio) as a symbol of the glowing radiance of divine joy in the following lines from the Divina Commedia (Paradiso, ix, 67–69):
In very ancient times as well as at the present day (if we admit that the anthrax of Theophrastus really was ruby and not a pyrope garnet), the ruby was the most valuable of all precious stones, the Greek writer stating that at the time he wrote, about 260 B.C., an exceedingly small specimen 402would sell for as much as forty gold pieces. His statement that these stones came from Carthage and Marseilles should not induce us to prejudge the question as to their real character, as many articles of Asiatic commerce were distributed from these parts, more especially from the great Carthaginian seaport.[705]
In ancient times and even today (if we agree that the anthrax of Theophrastus was indeed ruby and not a pyrope garnet), rubies have been considered the most valuable of all precious stones. The Greek writer noted that around 260 BCE, a very small ruby could sell for as much as forty gold coins. His claim that these stones came from Carthage and Marseilles shouldn’t lead us to jump to conclusions about their true nature, as many goods from Asia were traded from these locations, especially from the major Carthaginian port.[705]
A variety of sapphire, having, to a certain extent, the coloration of the ruby, was called by natives of Ceylon in the sixteenth century nilacandi;[706] this might be rendered sapphire-ruby. These stones are purple-red by daylight, but artificial light kills the blue and they appear red. They are frequently called phenomenal sapphires or alexandrite sapphires.
A type of sapphire, which has some of the color of a ruby, was referred to by the locals in Ceylon in the sixteenth century as nilacandi;[706] this can be translated to sapphire-ruby. These stones look purple-red in daylight, but under artificial light, the blue fades and they seem red. They are often referred to as phenomenal sapphires or alexandrite sapphires.
Indian poetic fancy has connected the creation of sapphires in Ceylon with the fair maidens of that island.[707]
Indian poetic imagination has linked the creation of sapphires in Ceylon with the beautiful maidens of that island.[707]
When the young Cingalese maidens sway, with the tips of their fingers, the stems of the lavali blossoms, then do the two dark blue eyes of the Daitya fall, eyes with a sheen like that of the lotus in full bloom.
When the young Cingalese girls sway the stems of the lavali blossoms with their fingertips, then the two dark blue eyes of the Daitya lower, eyes that shine like a fully bloomed lotus.
Hence it is that this island, with its long sea-coast and its interminable forests of ketskas, abounds in magnificent sapphires, which are its glory.
Hence it is that this island, with its long coastline and endless forests of ketskas, is full of magnificent sapphires, which are its pride.
The following pretty bit of Oriental imagery occurs in a Cinghalese poem on the deeds of Constantino de Sá, a Portuguese Captain-General. Here the poet, writing of a river that flowed through the island, calls it “that lovely stream, the Kaluganga, which meandered as a sapphire chain over the shoulders of the maiden Lanka.”[708] Lanka is a Cingalese name for Ceylon.
The following beautiful piece of Eastern imagery appears in a Cinghalese poem about the exploits of Constantino de Sá, a Portuguese Captain-General. In this poem, the author describes a river on the island as “that lovely stream, the Kaluganga, which flowed like a sapphire chain over the shoulders of the maiden Lanka.”[708] Lanka is the Cingalese name for Ceylon.
The depth of the coloration of sapphires and other stones 403was believed to indicate their degree of “ripeness,” the pale stones being “unripe.” As an illustration of this, Cardano instances a sapphire he had examined, a small part of which was blue, while the rest resembled a diamond. Specimens of this kind exist in several collections.[709] The writer has seen many that are dark blue when viewed from above, and almost white when viewed through the back. The Cinghalese lapidaries had very cleverly cut a crystal that was white, with a thin coating of blue, so that the blue was at the back, fully realizing the wonderful dispersive power of the sapphire, and that it would appear dark blue if viewed from above. The value was naturally only trifling compared with that of a perfectly even-colored gem.
The depth of color in sapphires and other stones 403was thought to show how “ripe” they were, with pale stones considered “unripe.” For example, Cardano mentions a sapphire he examined, where a small part was blue while the rest looked like a diamond. There are several such specimens in different collections.[709] The writer has seen many that appear dark blue from above but almost white when viewed from the back. The Cinghalese lapidaries skillfully cut a white crystal with a thin blue coating so that the blue was at the back, taking advantage of the sapphire's amazing dispersive power, making it look dark blue when seen from above. Naturally, its value was only minimal compared to that of a perfectly even-colored gem.
Al-Berûnî (973–1048 A.D.) gives as the hues of the “red yakut” (ruby), pomegranate-colored safran (henna), purple, flesh-colored, rose-colored, and of the shade of a pomegranate blossom. Other colors of the yakut (corundum crystals) were yellow (Oriental topaz), gray, green (Oriental emerald), white (white sapphire), and black. A henna-colored yakut, if weighing one mitqal (about 24 carats), was valued at 5000 dinars ($12,500), if its weight was half as much, or about 12 carats, it was esteemed to be worth 2000 dinars ($4500), but for one weighing as much as 2 mitqals (48 carats) no definite price could be given, probably because of its great rarity and costliness.[710]
Al-Berûnî (973–1048 CE) describes the colors of the “red yakut” (ruby), including pomegranate-colored saffron (henna), purple, flesh-colored, rose-colored, and the shade of a pomegranate blossom. Other colors of the yakut (corundum crystals) were yellow (Oriental topaz), gray, green (Oriental emerald), white (white sapphire), and black. A henna-colored yakut that weighed one mitqal (about 24 carats) was valued at 5000 dinars ($12,500); if its weight was half as much, or about 12 carats, it was thought to be worth 2000 dinars ($4500). However, for one weighing as much as 2 mitqals (48 carats), no specific price could be provided, likely due to its extreme rarity and expense.[710]
The Sanskrit name for the topaz, pita, signifies “the yellow stone.” This Sanskrit word is thought by many to be the original of the Hebrew pitdah, a stone of the high-priest’s breastplate. Another Sanskrit name is pushparaga, “flower-colored.”[711] It must be borne in mind, however, 404that these names refer not to our topaz but to yellow corundum, or Oriental topaz, as it has often been called.
The Sanskrit word for topaz, pita, means “the yellow stone.” Many believe this Sanskrit term is the source of the Hebrew pitdah, a gemstone on the high priest’s breastplate. Another Sanskrit term is pushparaga, which means “flower-colored.”[711] It's important to note, however, 404 that these names actually refer not to our topaz but to yellow corundum, or what is often called Oriental topaz.
A topaz of exceptional size is that known as the “Maxwell-Stuart Topaz”[712] from the name of the owner. It was brought from Ceylon to England with a lot of inferior rubies and sapphires for use in watchmaking, and was believed to be simply a piece of quartz. So little was it appreciated that when sold at auction it only brought £3 10s. ($17.50). When on closer examination its true quality became apparent, the owner decided to have it cut in brilliant form. The operation required twenty-eight days’ consecutive work, the diamond-wheel being used, and resulted in the production of a fine cut stone of a pure white hue, weighing 368³¹⁄₃₂ carats. When the cutting was partially completed, a “feather” became apparent that would have spoiled the table, but as it was still possible to reverse the position of table and culet, this was done, and the “feather” removed. At this time, in 1879, this topaz could lay claim to being the largest cut stone in existence, although its size is considerably surpassed now by that of the largest Cullinan diamond, 516½ carats.
A remarkable topaz known as the “Maxwell-Stuart Topaz”[712] is named after its owner. It was brought from Ceylon to England along with a bunch of lesser-quality rubies and sapphires intended for watchmaking, and it was thought to be just a piece of quartz. It was so undervalued that when it went up for auction, it only fetched £3 10s. ($17.50). After a closer look revealed its true quality, the owner decided to have it cut into a brilliant shape. The process took twenty-eight consecutive days of work, using a diamond wheel, and resulted in a beautifully cut stone with a pure white color, weighing 368³¹⁄₃₂ carats. During the cutting, a “feather” appeared that could have ruined the table, but since it was still possible to switch the positions of the table and culet, that was done, and the “feather” was removed. At that time, in 1879, this topaz was considered the largest cut stone in existence, though it is now significantly overshadowed by the largest Cullinan diamond, which weighs 516½ carats.
The same exceptional position taken by jade among the Chinese is occupied by turquoise among the Tibetans; these are so emphatically primates among gem-minerals that the very name “stone” seems a designation unworthy of them, and as a Chinese would say, “it is jade, not a stone,” so would a loyal Tibetan exclaim of his favorite gem, “it is a turquoise, not a stone.” Another indication of the exceptional rank of turquoise in Tibet is that, as with the famous Oriental and European diamonds and also with some celebrated balas-rubies, certain of the first turquoises of Tibet have received individual names, such, for example, as “the 405resplendent turquoise of the gods” and “the white turquoise of the gods.” A tradition relates that the largest turquoise found up to that time was discovered in the eighth century A.D. by King Du-srong Mang-po on the summit of a mountain near the sacred Tibetan city of Lhasa.[713]
The same special status that jade holds among the Chinese is held by turquoise among the Tibetans; these gems are so prominently regarded that calling them simply “stones” feels inadequate. Just as a Chinese person would say, “it is jade, not a stone,” a devoted Tibetan would say of their treasured gem, “it is a turquoise, not a stone.” Another sign of turquoise's exceptional status in Tibet is that, similar to the famous Oriental and European diamonds and some well-known balas-rubies, certain notable turquoises from Tibet have been individually named, such as “the resplendent turquoise of the gods” and “the white turquoise of the gods.” A tradition states that the largest turquoise found until then was discovered in the eighth century CE by King Du-srong Mang-po at the peak of a mountain near the sacred Tibetan city of Lhasa.[713]
In 1613, Shah Abbas of Persia sent to Jehangir six bags of “turquoise-dust,” weighing in all some 23½ pounds Troy. However, the material proved to be of very inferior quality, for the jewellers searched in vain through the whole mass for a single stone fit for setting in a ring. Jehangir consoles himself with the reflection that “probably in these days turquoise-dust is not procurable such as it was in the time of Shah Tahmasp.”[714]
In 1613, Shah Abbas of Persia sent Jehangir six bags of “turquoise dust,” weighing about 23½ pounds Troy in total. However, the material turned out to be of extremely poor quality, as the jewelers searched unsuccessfully through the entire batch for even one stone suitable for setting in a ring. Jehangir reassures himself by thinking that “probably nowadays, turquoise dust isn’t available like it was in Shah Tahmasp’s time.”[714]
When the Syrian monarch Antiochus XIII visited Syracuse during the prætorship of Caius Verres, he bore with him many richly adorned vessels, some of them being of gold set with gems after the Syrian fashion. However, the finest of all was a wine-cup carved out of a single piece of precious-stone material. When this had once met the gaze of the greedy Verres, he did not rest until he had got it into his possession. To attain his end he resorted to a most ignoble stratagem. Professing his ardent admiration of this as well as of the other richly-adorned and finely-wrought vessels, Verres requested that they might be left with him for a short time so that he might contemplate them at his leisure, and might also have an opportunity to submit them to examination by his goldsmiths with a view to having some copies executed. Antiochus readily acceded to this request, but when after the lapse of a few days he wished to regain possession of his things, Verres put him off from day to day, on 406one pretext or another. Finally, as Antiochus refused to take the more than broad hints that the precious objects should be bestowed as gifts, Verres spread the rumor that a piratical fleet was on its way from Syria to attack Sicily, and forced Antiochus to leave the island that very day, retaining the borrowed vessels in spite of all remonstrances.[715]
When the Syrian king Antiochus XIII visited Syracuse during Caius Verres's time as prætorship, he brought many beautifully decorated items, including some gold pieces set with gems in the Syrian style. However, the best of all was a wine cup carved from a single piece of precious stone. Once greedy Verres saw it, he would not stop until he had it for himself. To get it, he used a sly trick. Pretending to admire it and the other lavishly decorated vessels, he asked if he could keep them for a little while so he could admire them at his leisure and show them to his goldsmiths to create copies. Antiochus agreed to this request, but when he wanted to get his items back a few days later, Verres kept making excuses. Finally, when Antiochus didn’t take the obvious hints that he should just give the precious items as gifts, Verres spread a rumor that a pirate fleet was coming from Syria to attack Sicily and forced Antiochus to leave the island that same day, keeping the borrowed vessels despite all objections.[715]
That precious stones should be used to decorate the teeth seems a rather queer development of art, although the practice is not altogether unknown at the present day, when we hear now and again of diamonds being set in teeth to satisfy the vanity of some eccentric individual. In pre-Colombian times, however, there is abundant evidence that this strange form of personal adornment was by no means rare, several examples having been unearthed from burials in Ecuador, and evidence of the usage being offered by remains from Mexico and also from Central America. Among the Mayans here jadeite seems to have been the stone principally favored for this purpose, while in Mexico hematite has been met with in Oaxaca, turquoise in Vera Cruz, and at other places in the land, rock-crystal and obsidian.[716] For the insertion of the stones, the primitive dental artists carefully and skilfully cut or rubbed away the enamel from a section of the front part of the tooth to be decorated, and then applied the precious stone, cut to the required shape, as an inlay. The way in which this was done gives evidence of a remarkably high degree of skill in this line of work; in many cases an inlay of gold was used, instead of a precious stone, and it has even been conjectured that some of these gold inlays represent a kind of gold filling for the protection of the tooth. While this is open to question, the undoubted fact that new teeth were occasionally inserted to take the place of those which 407had fallen out or decayed, as shown in several specimens, might be regarded as corroborative of the broader assumption. The expert workmanship of these pre-Colombian “dental surgeons” is clearly manifested in the good condition of the teeth whence so much of the enamel had been removed, showing that the inlays must have been so closely adjusted that the tooth was effectively protected from the introduction of moisture.
Using precious stones to decorate teeth seems like a strange twist in art, even though it’s not entirely unheard of today, as we occasionally hear about diamonds being set in teeth to satisfy the vanity of some quirky individuals. However, in pre-Columbian times, there’s plenty of evidence that this unusual form of personal adornment was quite common, with several examples found in burials in Ecuador, and evidence from remains in Mexico and Central America. Among the Mayans, jadeite appears to have been the preferred stone for this purpose, while in Mexico, hematite has been found in Oaxaca, turquoise in Veracruz, and in other areas, rock crystal and obsidian. For inserting the stones, primitive dental artists carefully cut or rubbed away the enamel from the front part of the tooth to be decorated, and then placed the precious stone, shaped as needed, as an inlay. The method used shows a surprisingly high level of skill in this craft; in many instances, an inlay of gold was used instead of a precious stone, and it’s even been suggested that some of these gold inlays acted as a type of filling to protect the tooth. While this is debatable, the undeniable fact that new teeth were sometimes placed where ones had fallen out or decayed, as shown in several specimens, could support this broader idea. The expert craftsmanship of these pre-Columbian "dental surgeons" is clearly seen in the well-preserved state of the teeth from which so much of the enamel had been removed, indicating that the inlays were fitted so well that the tooth was effectively protected from moisture.
One of the latest fashionable fads, suggested by the great variety of bright-colored costumes worn by the mondaines (and others) at the present day, is the selection and wear of jewelry set with stones of the same color as the striking gown. Thus with a costume of glowing red, the ruddy ruby would be chosen, a sky-blue costume would insure the wearing of the justly popular sapphire, dress of a golden-yellow hue would call for one of the shades of topazes, while the “new brown,” now so much in vogue, finds its complementary stone in topaz of a slightly darker shade. The grass-green costume would suggest one of the many beautiful shades of the tourmaline, and jewelry of the pink tourmaline would be appropriate to garments of this color. With their wonderful play of color, opals would accord with all varieties of hue in costume and might thus be worn with either of the other more especially matched stones.
One of the latest trendy fads, highlighted by the wide range of bright-colored outfits worn by the mondaines (and others) today, is choosing and wearing jewelry that matches the color of the striking dress. So, for a vibrant red outfit, a deep ruby would be picked; a sky-blue outfit would mean wearing the popular sapphire; a golden-yellow dress would call for one of the shades of topaz, while the “new brown,” which is currently in style, pairs well with a slightly darker shade of topaz. A grass-green outfit would suggest one of the many stunning shades of tourmaline, and jewelry made of pink tourmaline would be fitting for garments in that color. With their amazing play of color, opals would complement all shades of outfits and could be worn with any of the other specifically matched stones.
An old account of the London trades and guilds, in writing of the jewellers’ art, makes the following statement regarding the qualifications of a jeweller, as appropriate to our own times as to any other.[717]
An old account of the London trades and guilds, discussing the art of jewelry making, makes the following statement about what qualifications a jeweler should have, which is just as relevant today as it was back then.[717]
He ought to be an elegant Designer, and have a quick Invention for new Patterns, not only to range the stones in such manner as to give Lustre to one another, but to create Trade; for a new Fashion takes as much with the Ladies in Jewels as in anything else; he that can furnish them oftenest with the newest Whim has the best Chance for their Custom.
He should be a stylish designer with a knack for coming up with new patterns, not just arranging the stones to make them shine against each other, but also to create demand; a new trend excites women with jewelry just like it does with anything else; the designer who can provide them with the latest craze most often has the best chance of gaining their business.
Index
- 409%center%A
- Aazem, great name of God, on rain-stone,5
- Abarchiel, angel of March, 248
- Abbott, Charles E., vii
- Abdos, St., 252
- Abenzoar, 136
- Abracadabra charm, 326, 327
- Abraham, 86
- Abrantès, Duchesse d’, 295
- Acontus, St., 252
- Acosta, José de, 210
- Acrostics in jewels, 375
- Actinolite, 29
- Acts of the Apostles in burning of Ephesian magic books, 325
- Adair, 107
- Adlerstein, 193
- Ægospotami, meteor of, 79, 80
- Aepinus, Franz Ulrich Theodor, 54
- Ætites, 20, 124, 173–178
- names of, in various languages, 175
- Ætius, 174
- Agapitus, St., 252
- Agate, 30, 31, 291, 317, 324
- Agatha, St., 257, 272
- Agincourt, battle of, 259
- “Ahnighito,” great Cape York meteorite, 97
- Alban, St., stone in Abbey of, 151–153
- Al-Beruni’s statement of prices of precious stones in eleventh century, 403
- Alcathous, 2
- Alchemist’s gold, 14, 16
- 410Alchemy, 14–16
- Alectorius, 20, 119, 160, 179, 180, 181
- Alexander the Great, 299, 322, 324, 378
- wonderful stones found by, 70
- Alexandra, Queen, talisman of, 362
- Allen, Edward Heron, 116
- Amazon stones, 143, 148, 304, 320
- symbol of Suffrage Party, 374
- Amber, 60–64, 297, 343, 345, 358
- Ambergris, 185, 186
- Ambrose, St., 243, 272
- American Folk Lore Society’s exhibit in Chicago, 190, 191, 352
- American Museum of Natural History, 32, 34, 96, 99
- Amethyst, 58, 123, 296, 330, 335
- Amitabha, emanation of Adi-Buddha, coral statuette of, in Royal Chapel at Lhasa, Tibet, 303
- Amulets and talismans, 313–376
- Abracadabra, 326, 327
- against Evil Eye, 345–347
- Babylonian, 314, 315
- Chinese jade wands as, 385
- detected by Röntgen rays, 358
- Egyptian necklace of, 317
- Egyptian, with engraved amethyst, 280
- encircled with elephant’s hair, 375
- explanations of influence of, 313, 314
- for animals, 360
- 411fragments of skull used as, 331–334
- from Pueblo Bonito ruins, 352
- from Russia, 308
- Gnostic, with seven vowels, 328
- hei-tikis of New Zealand jade, 361
- Hindu, 330, 340
- in the Bible, 278, 322, 323, 325, 360
- in Ecuador, to arouse love, 350
- in Egypt, 317–321
- in old Italian MS., 327, 328
- in Persian grave, 324
- jade, in Panama, 349
- life preserving, story of, 366, 367
- “mummy eyes,” Peruvian, 350
- of agate and coral in Spain, 367, 368
- of Catherine de’ Medici, 334
- of hematite, 383
- of Mexican Indians, 348
- of Paris, 329
- of the Czar, 309
- Pascal’s, 337
- pearls as, 392
- Queen Elizabeth’s, 337
- set in the skin in Burma, 345
- “Talisman of Charlemagne,” 329–331
- teeth and bone used as, 368, 369
- Tibetan, 343–345
- used by Eskimos, 358, 359
- Anatganor, angel of December, 248
- Anaxagoras, predicts fall of meteorite, 80
- “Angelical stone,” for visions, 16
- Angels, 241–251
- Anglo-Saxon “Laece Bok,” of Bald, 331
- 412Anna, Santa, President of Mexico, 256
- Anne, St., 253, 272
- Antar, Persian hero, legend of, 88, 89
- Anthony, St., of Padua, 253, 266, 272
- medallion given to church of, by Pope Paul V, 254
- Anthrax, 401
- Aphrodite, 81
- Apollo, 3
- Apollonia, St., of Alexandria, 272
- legend of, 257
- Apollonius of Tyana, 81
- Aquamarine, engraved with head of Julia, 288
- “Aqua Tofana,” 266
- Ariston, St., 252
- Aristophanes, 284
- Aristotle, pseudo-, 5, 69, 70, 163, 396
- Arnobio, Cleandro, 140, 142
- Arnobius, 74
- Arphe, Enrique d’, 294
- Aschentrekker (ash-attractor), a Dutch designation of tourmaline, 52, 54
- Asis Artau, Francisco d’, 295
- Askal, stone said to break the diamond, 69
- Assos, Asia Minor, stone of, 3
- Astarte, 81, 83
- Asteria, 291
- Astroites, 199
- Atnongara-stones of Australian medicine-men, 16
- Aubrey, John, 260
- Auspicius, St., 255
- Autoglyphus, 196
- “Aviator-stone,” 116, 117
- Avicenna (Ben Sina), 90, 125, 138
- Azaêl, angel, 246
- B
- Baccii, Andrea, 153
- Bætyli, 76, 82
- Bajazet II, Sultan, 291
- Balas-ruby, 401, 404
- Bannockburn, Battle of, 25
- Barbara de Portugal, Queen of Spain, 295
- Barbara, St., 273
- legend of, 258
- Barbosa, Duarte, 401
- Barnabas, St., 268, 273
- 413Baroda, Gaikwar of, 380
- Bartholomæus Anglicus, 147, 394, 395
- Bartholomew, St., 271
- Basillæ, St., 252
- Battê ha-nephesh of Hebrews, 360
- Bauhin, Caspar, 202
- Bausch, 175, 176
- Belaleazar, Sebastian de, 311
- Belemnites, 112, 161, 191
- Bellermann, Johann Joachim, 278
- Belucci, Prof. Giuseppe, 107, 145, 200
- Benzinger, 78
- Berghem, Lodowyk van, 295
- Berlin Academy of Sciences, 54
- Bertholin, Caspar, 139
- Beryl, 287, 317
- Bezoar, 13, 17, 123, 126, 160, 170, 201–220
- “Black magic,” 29
- “Black stone” of Kaabah at Mecca, 73, 84–88
- Blaise, St., 256, 257, 267, 273
- Blake, W. W., vii
- Bloodstone, 121, 286
- Bomare, Valmont de, 155, 217
- “Book of the Dead,” extracts from, 318–320
- Boot, Anselmus de, 65, 144, 145, 151, 162, 165, 192, 199, 204, 223, 226
- Borodino, battle of, 96
- Borrichius, Plaus, 154
- Boston Museum of Fine Arts, 317
- Boulder’s, legends of, 38 sqq., 263
- Boyle, Robert, 105, 125
- Braddock, Charles, vii
- Brantôme, Seigneur de, 305, 306
- Brereton, Sir William, 111
- 414Brezina, Aristides, 90
- British Museum, 32, 307
- Broca, Paul, 332
- Broichan the Druid and St. Columba, 24, 156
- Brontia, 162, 197, 198
- Browne, Sir Thomas, on amulets, 314
- Bruce, Robert, 25
- Brückmann, U. F. B., 127
- Bucardites, 196
- Buddha, gem on images of, 297
- Bufonitis, or “toad-stone,” 163
- Burckhardt, 85
- Burgarde, St., 267
- Burton’s “Anatomy of Melancholy,” on stone charms, 336
- C
- Caftanzoglu, 373
- Callimus, inclusion in ætites, 174, 175
- Callistratus, 62
- Callistus, St., 252
- Caloceri, St., 251
- Candlemas Day, 269, 272
- Cañon Diablo meteorite, 99–101
- Canticles, 284, 322
- Cantimpré, Thomas de, 12, 130, 164, 172, 180, 285, 336
- Cape York meteorites, 96–98
- chemical composition of, 98
- Carbuncle, 279, 387
- Cardano, Girolamo, 144, 167, 336
- Carew, Sir George, 214
- Carnelian, 291, 297, 300, 317, 324, 361, 368, 378
- Carpoforus, St., 252
- Carrington, Hereward, vii
- Catherine II, Empress, 387
- Catherine, St., of Alexandria, 259, 295
- 415Catlin, George, 35, 36
- Catlinite, 35, 37
- Cat’s-eye, 11, 29
- Cecil, Henry, 235
- Cecil, Sir Robert, 214
- Cellini, Benvenuto, 20, 378
- Ceraunia, 82
- Ceylon, temple treasure in, 298, 299
- Chalcedony, 30, 31, 123, 131, 287, 291, 296, 301, 303, 361
- Chalchihuitl, 304, 305, 307, 348
- Charlemagne, Emperor, 189, 255, 288, 290
- talisman of, 329–331
- Charles V, Emperor, 294, 306
- Charles V of France, 177
- Charles IX of France, 294
- Charles the Bald, 288
- Charm in old Italian MS., 327, 328
- Chelidonius, or “swallow-stone,” 119, 172
- Chelonia, 170, 171, 198
- Cheops, mummy of, decorated with precious stones, 279
- Chesbet, Egyptian name of lapis lazuli, 149
- Chicken Itzá, Sacred Well of, 307, 308
- Chinkstone (phonolite), 2
- Chladni, 95, 104
- Chlorophane, 237
- Christ, head of, engraved on emerald, 291, 292
- Christian II of Denmark, his magic pebble, 21
- Christian IV of Denmark, 140
- Christopher, St., 258, 259
- Christy collection, 309
- Christy, David, 218
- Chrysocolla, 53
- Chrysolite (peridot), 287, 291
- Chrysoprase, 123, 277, 287
- Cinædias, 169
- Claudian’s epigrams on rock-crystal, 32
- Claui, St., 252
- Clemens, St., 252
- Clement VII, Pope, 387
- Clerc, G. O., vii
- Clotaire II, 262
- Cochrane, Capt. Charles Stuart, 312
- Coligny, Gaspard de, 207
- 416Color, harmony of, between gowns and jewels, 407
- Columba, St., and white pebbles, legend of, 24, 25, 156
- Conrad III, King of the Germans, 290
- Constantine the Great, 329
- Constantine XII, of Greece, star-sapphire in sword of, 372–373
- Coral, 30, 119, 120, 121, 123, 124, 126, 298, 301, 304, 341, 371
- Cornu ammonis, 197
- Cortés, Hernan, 305, 307
- Corundum, 133
- varieties of, 396
- “Crab’s eye,” 167
- “Crabstone,” 121, 122
- Crantz, David, 359
- Crapaudine, or “toad-stone,” 164, 165
- Crescentius, St., 252
- Crispi, Francesco, 339
- Crispin and Crispian, SS., 259, 273
- Cross, jewelled, of Duke of Brunswick, 289
- “Crown of the Virgin,” 287
- Crystal, magic, of a Fijian, 364–366
- Crystal balls as curative amulets, 25
- Culin, Stewart, 358
- Curative “crystals” of Australian medicine-men, 16
- Curative use of gems, 118–159
- Cushing, Lieut. F. H., 310, 358
- Custodia, or monstrance, examples of, in Spain, 294, 295
- Cuthbert, St., 273
- well of, 265
- Cybele, image of, a meteorite, 74, 75
- Cyprianus, St., 252, 253
- Cyriacus, St., 252
- D
- Dagoba, jewelled Buddhist reliquary, 300
- Damigeron, 129
- Daniel, Book of, 242, 243, 250
- David, St., 270, 273
- Davison, J. M., 99
- “Dawn stones” (eoliths), 109
- Declan, St., 273
- stone named after him, 43
- De Foe, Daniel, 326
- Delphi, Omphalus of, probably a meteorite, 76
- “Depositio Martirum” of 354 CE, 251, 252
- “Devil’s stone,” boulder in East Prussia, 42
- Diamond, 16, 61, 294, 300, 304, 372, 387
- Diana, 81
- Diaz de Castillo, Bernal, 305
- Didanor, Angel of June, 247
- Dieris of Central Africa, rain-stones of the, 6
- Dietrich of Bern, Saga of, story of “Victory Stone” from, 199, 200
- Dioscorides, 150, 173
- Dodge, Mrs. William E., 99
- Dog-collars set with coral as cure for hydrophobia, 131
- 418Dolmens, curative stones of, 38
- whirling stones of, 39
- Domingo, Santo, Fiesta de, 309
- Donato, St., amulets of, 265
- Donne, John, 337
- Dragons, gem-bearing, of India, 11
- Draper, Mrs. Henry, vii
- “Druid’s glass,” 227, 228
- E
- “Easter stone,” 285
- Ebers papyrus, 148, 149
- Echinites, 192, 193
- Egede, Hans, 359
- Elagabalus, Emperor, 83
- Eldred, John, 389
- Electric gems, 51–64
- Elephants, 299, 301
- “Elf-stones,” 108, 109, 110, 161
- Elizabeth, Queen, 215, 337
- Eloy, St., 264, 273
- “Emanism,” term used to denote influence of amulets, 313
- Emerald, 4, 16, 29, 53, 68, 119, 120, 123, 124, 125, 131, 136, 277, 278, 287, 291, 294, 298, 304, 310, 317, 324, 330, 343, 371, 395
- Enastros, 192, 194
- Encelius, 167
- Enimie, St., legend of, 262, 264
- Entrochus, 192, 194
- Ephesian writings for amulets, etc., 325
- Ephesus, Temple of Diana at, 81
- Épreuve, or tester, 181
- Erasmus, 164
- Erasmus, St., 267
- Erman, Adolph, 149
- Erosion of stones and pebbles, 22
- Ethelred II, 152
- Eugénie, Empress, 331
- 419Eulalia, St., 269
- “Evil eye,” 131, 265, 315, 320, 339, 344, 345–347, 367, 368
- “Expanding stone,” 45
- F
- Fabianus, St., 251, 253
- Fairbanks, Arthur, vii
- “Fairy stones,” 37
- Farrington, O. C., vii
- “Fatima’s hand,” 347
- Feavearyear, A. W., vii
- Feldspar, 30, 77, 324
- Felicissimus, St., 252
- Felicitas, St., 251, 253, 274
- Felix, St., 252
- Ferdinand III, Emperor, 15
- Field Museum of Natural History, Chicago, vii
- Filippus, St., 252
- Filocalus, Furius Dionysius, calendar of, 251
- Floating-stones, 223
- Flower jewels, 342, 343
- Foote, A. E., 101
- Fossils and concretions, virtues of, 160–190
- Fox, John, Jr.’s “Trail of the Lonesome Pine,” 37
- Foy, Sainte, statuette of, 261, 262
- Francis I of Austria, 89
- Franklin, Benjamin, on tourmaline, 57
- Frederick III of Denmark, 126
- French Academy of Sciences, 54
- G
- Gabelchover, Wolfgang, 153, 158
- Gabriel, archangel, 243, 245, 246, 250 334
- Galactite, 3, 4
- Galba, Emperor, 83
- Galen, 136, 137, 146, 188, 232
- Garcias ab Orta, 68, 204
- Garcilasso de la Vega, 214
- Garnet, 123, 291, 296, 309, 317, 330
- “Gascoigne’s powder,” 127, 128
- Gaster, 371
- “Gem of Sovranty” or “Gem of the King of Kings,” 11
- Gem-cutters, American Indian, 381
- George V, King, 362
- George, St., 261, 274
- 420Gesner, Conrad, 4, 54, 73, 144
- Gesta Romanorum, snake story from, 238
- Giglioli, Enrico H., 364
- Girasol, 291
- Glæsum (amber), 60
- Glossopetræ, 161, 180, 188–190
- Gnostics, magic jewels of, 328
- “Godstones” buried with the dead, 23
- “Golden Cacique” (El Dorado) at Lake Guatavita, 311
- Gordian the Younger, Emperor, 326
- Gorgonus, St., 252
- Grammatias, variety of jasper, 284
- Green, Miss Bella Da Costa, vii
- Gregory X, Pope, 119
- Gregory XIII, Pope, 212
- Gregory of Tours, his account of Paris talismans, 329
- Guatavita, Lake of, treasures thrown in, 310–312
- Guligas (bezoars) artificially induced by Dayaks of Borneo, 217
- H
- Haberden, William, his researches on tourmaline, 56, 57
- Hadrian, Emperor, 1
- Hahedan, angel of October, 248
- Hair-balls, 220, 221
- Hajar al-hattaf, or “hen-stone,” 181
- Hajar al-hayyat (“madstone”), 225
- Hajer al-Kelb, “dog-stone,” 11, 12
- Hajer al-mathar, Arabic rain-stone, 5
- Hammer-Purgstall, 89
- Harington, Sir James, 120
- Haupt, Paul, 277
- Haüy, Abbé, 56
- Haye, Olivier de la, his poem on “Black Death,” 120
- Hei-tikis, carved jades of New Zealand, 361
- Helena, Queen, 380
- Helena, St., 329
- Heliotrope, 291
- Hematite, 124, 125, 320
- He-no, Iroquois god of thunder, 107
- Henri II, of France, 334
- Herculanus, St., 252
- 421Hermetes, St., 252
- Herodian, 74
- Hertz, B., 48
- Hildburgh, W. L., 367
- Hildegard, St., her theory of curative stones, 13
- Hill, Sir John, 118
- Hippocrates of Cos, 333
- Hofmann, Johann Peter, alchemist, 15, 16
- Hoffman’s “Fräulein von Scudéry,” 371
- Holme, Saxe (pseudonym), 51
- Holmes, W. H., vii
- Hope, Henry Philip, collection of, 48
- Hortense, Queen, 330
- Hugo, Victor, 153
- Huntington, O. W., 101
- Huth, Ernst, 235
- Huxley, Thomas, 105
- Hyacinth (sapphire?), 282
- Hyænia, 169
- Hydaspes River, stone of, 2
- Hyde, Major, 309
- Hydrophane, or “magic stone,” 240
- Hysterolithus, 75, 195, 196
- I
- Ibn Al-Beithar, 11, 148, 167
- Ibn Batoutah, 84
- Ibn Kadho Shobah, 4
- Ichthys, angel, 246
- Iliad, 138
- Inclusions in crystals, 31, 34
- India, Francesco, 121, 124
- “Indian stone,” 163
- Innocent VIII, Pope, 291
- Isabel of Bavaria, precious-stone remedy of, 177
- Ivory, 303
- Ixmaracdus, St., 252
- J
- Jacinth, 123, 124, 125, 127, 184, 291, 296
- curative use of, 138
- Jacinti, St., 252
- Jackson, Helen Hunt, 51
- Jacob’s stone at Bethel, 76, 78
- Jade, 4, 77, 121, 283, 285, 324, 348, 359, 383, 384, 404
- amulets of white, 342
- as preservative of dead body, 142
- carved amulets of, in Panama, 348, 349
- 422Chinese girdle pendants of, 341
- Chinese wands of, 384
- curative use of, 139–143
- disk of, in Temple of Heaven, Peking, 302
- Eskimo talismans of, 358
- hei-tiki amulets of, from New Zealand, 361
- in Egypt, 319
- in New Caledonia, 363, 364
- mortuary tablets of, Chinese, 384
- of New Zealand, 362
- ornaments of, from Syria, 384
- Queen Alexandra’s, 362
- Jadeite, 77, 304, 305
- Jagannath, 339, 340
- James I of England, 49, 301
- James, St., 271, 274
- Jargoon, 120
- Jasper, 4, 30, 53, 124, 148, 286, 287, 296, 317, 324, 383
- Jehangir, Mogul Emperor, 92, 208, 301, 383, 405
- Jeremiel, angel, 251
- Jerome, St., 176, 274
- Jerusalem, Temple of, 9
- stones of the New, 70
- Jessen, Peter, vii
- Jet, 352, 386
- Jeweller’s dictum in old London, 407
- Job, Book of, 250
- John XXI, Pope, 119
- John, St., 267, 271, 274
- John the Baptist, 290, 306
- Joseph, St., 266
- Josephine, Empress, 330
- Judd, Neil M., vii
- Julianetes, St., 252
- Julius II, Pope, 267
- Jupiter the Thunderer, 82
- Juvenal, 60
- K
- Kaabah at Mecca, black stone of, 73, 84–88
- Kaempfer, Engelbert, 207, 209
- 423Khusrau Nushirwan, 89
- Khusrau II, 69
- K’ien-lung, Emperor, 302
- King, Rev. C. W., 62, 328
- Kircher, Athanasius, his theory of lusus naturæ, 50
- Koenig, 99, 100
- Kohut, 243
- Krallenstein, 193
- Krishna, 37
- L
- Lacrima cervi, “stag’s tear,” 170
- Laet, Johann de, 53, 54, 141, 190, 192
- “Lake George diamonds,” 26
- Lamiæ, 190
- Lanciani, 75
- Languier, or “tester,” 181
- Lannes, Marshal, 295
- Lapides caymanum, 181
- Lapis Armenus, 124, 149
- Lapis carpionis, 168, 169
- Lapis Judaicus, 187, 194
- Lapis lazuli, 78, 123, 124, 148, 149, 280, 284, 297, 298, 301, 317, 320, 324
- Lapis Malacensis, 204
- Lapis manati, 181, 182
- Lapis nephriticus (jade), 140
- Laufer, Berthold, 304
- Laurence, St., 267
- Laurentus, St., 252
- Lavoisier, 94
- Lebour, Mrs. Nona, vii
- Lémery, M. Louis, 54
- Leo IV, Pope, 126
- Leo X, Pope, 386
- Leopold, Emperor, 16
- Liceti, Fortunio, 344
- Lingucs Melitenses, 189
- Linnæus, 54
- “Lithica,” Orphic poem on stones, 137, 224
- Lithomania, 19
- “Liver-stones,” 186
- Livia, wife of Augustus, 397
- 424Loadstone, 64–68, 119, 313
- Loch-mo-naire in Scotland, legend of, 155, 156
- “Loda’s stone of power,” 35
- Los Muertos, Zuñi, jar with turquoise inlays found at, 309
- Lough Neagh, Ireland, legend of yellow crystal there, 35
- Louis XIV, 133
- Louis XVI, 153
- Louvre Museum, 280, 291, 389
- Lucia, St., 258, 271, 275
- legend of, 257
- “Lucky stone,” 28
- Luminous stone of male cobra, 237
- Lusus Naturæ, stones bearing naturally marked images, 47–51
- Luther, Martin, 249
- Lychnis of Pliny (tourmaline?), 52
- Lychnites, 176
- Lysander, 79
- M
- Maccabæus, Judas, 325
- “Madstones,” 225 sqq.
- Mafkat (Egyptian for turquoise?), 316
- Magic stones, 1–71, 109 sqq.
- Magnes (loadstone), 124
- Magnusen, Finn, 198
- Main-de-gloire, 334
- Malachite, 148, 291
- curative use of, 150
- “Malediction stones” in Ireland, 46, 47
- Mallet, F. H., 233
- Mamoun, Khalif, 279
- Maquam Ibrahim, sacred stone in Kaabah at Mecca, 88
- Marbodus of Rennes, 174
- Marco Polo, 343
- 425Margaret, St., 270, 275
- Margarita, Queen of Italy, 380
- Marguerite de Flandres, 335
- Mariette, 279
- Mark, St., 290
- Marquette, Jacques, 35
- Marriage sword, Chinese ceremony of, 384, 385
- Marshall, J. H., 299
- Martial, 60
- Martin, St., 271
- and the Devil, legend of, 44
- Mary of Scotland, 337
- Mask, ancient Mexican, with turquoise inlays, 306, 307
- Mas’ûdi’s “Meadows of Gold,” 321, 322
- Matthias, St., 270
- Meander River, magic stone of, 12
- “Median stone,” for colic, 144, 151
- Medici, Catherine de’, 332
- her bracelet of charms, 334
- Medicine-men, 348, 349, 353–358
- Medicine-women of Araucarian Indians, Chili, 351
- Megara, sonorous stone at, 2
- Megenberg, Konrad von, 12, 151
- Memmiæ, St., 252
- Memnon, Vocal, 1
- Mentzel, Christian, 187
- Mephniel, angel of January, 248
- Mercato, Michele, 93, 212
- Mesticas of the Malays, 17, 18
- invulnerability conferred by, 18
- Meteorites, 72–117
- accidents caused by, 102–104
- coins representing, 90, 91
- collection of, in Vienna, 90
- from Cape York, 96–98
- from Kiowa Co., Kansas, 101, 102
- from Willamette, Ore., 98, 99
- of Ægospotami, 79, 80
- of Bacubrit, Mexico, 103
- of Book of Joshua, 79
- of Cañon Diablo, 99–101
- of Castrovilarii, Calabria, 93
- of Diana Temple at Ephesus, 81
- of Eisleben, 103
- of Ensisheim, 73
- 426of Knyahinya, Hungary, 102
- of Lahore, India, 92
- of Luce, Dept. Marne, France, 94
- of Magdeburg, 91
- of Mecca (Black Stone), 73, 84–88
- of Paphos, 81
- of Pergamos, brought to Rome, 74
- of Radacofani, Italy, 91
- of Zanzibar, 71
- Pallas, or Krasnojarsk, 95
- pwdre ser, or “star-rot” of Welsh, 104–106
- Swords made of, 88–90, 92
- “Verwünschte Burggraf” of Elbogen, 89, 90
- Michael, archangel, 243, 245, 246, 250, 334
- Midêwiwin, or Great Medicine Society of the Ojibways, 354, 355
- Milinda, King, 11
- Milo of Croton, wore an alectorius, 179
- Milprey, “thousand worms,” Cornish name of a snake-stone, 227
- “Mineral stone,” for turning pebbles into precious stones, 16
- Mohammed, 74, 84
- Mohammed Ben Mansur, 396, 397
- Mohammed Ghazni, Sultan, 90
- Moissan, Henri, 100
- Monardes, Nicolo, in jade, 139, 201, 203
- Montezuma’s gifts to Cortés, 305, 307, 309
- Months, angels of the, 247
- Moonstone, remarkable, of Pope Leo X, 386
- Moonstone Beach, Santa Catalina Island, pebbles from, 30
- Moore, Thomas, 250
- Morael, angel of September, 248
- Morgan, Henry de, 323
- Morgan, J. Pierpont, 185
- “Mummy eyes,” Peruvian, 352
- Museum of University of Pennsylvania, 358
- N
- Napoleon I, 96, 295
- Napoleon III, Emperor, 330
- 427Nash, Thomas, 166
- Nautilus pearls, 391
- Nebuchadnezzar I, 78
- Necklace of the Egyptian Princess Sat-Hathor-Ant, XII Dynasty, 317, 318
- Neshem-stone, 320
- New Caledonian stone amulets, 45
- New Zealand jade, punamu or “green-stone,” 361–363
- Newton, Hubert A., 72, 73, 74
- Nicholas I, Emperor, 285
- Nicholas, St., 275
- legend of, 258
- Nicholas, St., of Bari, “manna” of, 266
- Nicostratus, St., 252
- Noah’s rain-stone, 4, 5
- Nonnus, St., 252
- Nordenskiold, Baron N. A. E., 97
- Norman, Robert, poem on loadstone, 66
- Nung-gara, or Australian medicine-men, 17
- O
- Oleum succini, 64
- Ombria, 162, 197, 198
- Onyx, 277, 335, 369
- Opal, 372, 374, 407
- Orchamps, Baronesse d’, 371
- Osman, Augustin, 374
- Ostrea Singapora, 391
- Ostrites, 224, 225
- Otilia, St., 267
- Overbury, Sir Thomas, 381
- Ovid, 131
- Ovum anguinum, 162, 197, 221–224, 226
- Oyaron, Indian amulet-control, 354
- P
- Padparasham-gem (corundum) of Ceylon, 395
- Palladius, 64
- Paré, Ambroise, 206, 207
- 428Paris, Matthew, 152
- Paris talismans, Gregory of Tours’ account of, 329
- Parthenus, St., 251
- Pascal, Blaise, amulet of, 337, 338
- Pater de sang, or “blood-rosary,” 133
- Patrick, St., 43, 225
- Paul II, Pope, 126
- Paul V, Pope, 254
- Paul, St., 269, 275
- Pausanius, 2
- “Peace Stone,” 58
- Pearls, 20, 120, 124, 126, 127, 277, 280, 291, 294, 299, 300, 304, 305, 330, 341, 380, 387
- Arabic theory of genesis of, 388, 394
- “cocoanut,” supposed, 391
- from Philippines, 391, 392
- immense baroque, 392
- Mme. Thiers’ necklace of, 389
- necklace of, in Persian grave, 324
- of nautilus, 391
- “powder,” 390
- Rumphius on supposed breeding of, 392
- story of a luminous, 390
- story of, thrown into Venetian canal by pearl-dealer, 393
- strange tale of, 388, 389
- Peary, Admiral Robert E., 96
- “Pebble-mania,” 19, 20
- among birds, 20
- Pebbles, ornamental, 19–31
- worn by Hindus, 37
- Penel, angel, 246
- Pepper, George H., 352
- Peridot (chrysolite), 281
- Perkin Warbeck, 401
- Perpetua, St., 251, 253
- Persian princess, jewels in her grave, 323–325
- Pescadero Beach, Cal., pebbles from, 30
- Peter, St., 250, 251, 276, 290
- Peter’s, St., in Rome, 51
- Petrie, Flinders, 317
- Petrograd Museum of Natural History, 95
- Petrus Hispanus (Pope John XXI), 119
- 429Philadelphia Academy of Natural Sciences, 32
- Philippine pearls, 391, 392
- “Philosopher’s Stone,” 14, 16
- Phonolite, 2
- Pierre de santé, 153
- Pierres de foudre, 94
- “Pierres tourniresses,” or whirling stones, 39
- Pietre gravide, or “pregnant stones,” 178
- Pilatus Mountain, Lake Lucerne, galactite found on, 4
- “Pipestone,” 35
- Piropholos, stone from heart of a poisoned man, 12
- Pitchblende, 129
- Pitdah, stone of high-priest’s breastplate, 403
- Plasma-emerald, 20
- Plato’s Phædon, daimon, or guardian angel in, 246
- Pliny, 3, 32, 52, 62, 80, 82, 129, 137, 146, 169, 170, 172, 173, 188, 196, 221, 222, 224, 226
- Plutarch, 80, 82
- Pogue, Joseph E., 353
- Point Barrow Eskimos, amulets of, 358, 359
- Ponce de Leon, 14
- Poncet, Charles Jacques, 210
- Pontianus, St., 252
- “Porcupine-stone,” 184, 185
- Precious stones thrown up on coast of Alexandria, Egypt, 321
- Procopius, 64
- Protus, St., 252
- Psellus, 129, 135
- Ptolemy the Geographer, 382
- Pwdre ser, “star-rot,” 104–106
- Pyrite, curative use of, 153
- Q
- Quartz, 324
- 430Quartz pebbles, 19 sqq.
- Quirinius, St., 267
- R
- Radium, 129
- Raguel, angel, 245
- of May, 247
- “Rainbow agate,” 377, 378
- “Rainbow-disease,” 114
- Rain-making stones, 4–7
- Raphael, archangel, 243, 245, 250
- Raziel, angel, 247
- Redi, Francesco, 232
- Redondo Beach, Cal., pebbles from, 30, 31
- Red-paint People of Maine, 28
- Reed, Sir Charles Hercules, vii
- Reich, David, 192, 199
- Religious use of precious stones, 277–312
- Renouf, P. Le Page, 319
- Revelation, Book of, 243
- Rhodonite used for tomb of Nicholas I, 285
- as “Easter Stone,” 285
- Rivaud, Charles, 375
- Roch, St., 259, 267, 276
- Rock-crystal, 123, 170, 285, 297, 317
- Roe, Sir Thomas, 301
- “Roland’s Foot,” stone at Toufailles, France, 43
- Röntgen rays to detect amulets, 358
- 431Rosaries, 202
- Rose-quartz, 384
- Royal National Museum of Munich, 288
- “Royal stone,” from eagle’s head, 13
- Rubellite, 384
- Ruby, 11, 16, 58, 123, 125, 291, 294, 296, 297, 299, 314, 343, 407
- Rudolph II, Emperor, 208, 215
- Rumphius, Georg Eberhard, 18, 238, 244, 392
- S
- Sabaoth, angel, 245
- “Sacred shrine” of Cathedral of Chartres, 291
- Sacred stone of Kiowa Indians, 44
- Sadlier, Rev. Charles, vii
- Saints’ Days, alphabetical list of, 272–276
- Sâlagrâma-stone of Hindus, 196–198
- Sammonicus, Serenus, 326
- Sanchoniathon, 81
- Santa Casa of Loreto, 186, 267
- Santos-Dumont’s loadstone, 264
- Sapphire, 11, 16, 31, 58, 119, 123, 124, 125, 284, 285, 287, 290, 291, 294, 299, 304, 330, 336, 343, 407
- Sarcophagus-stone, 3
- Sard, 287
- Sardonyx, 123, 291, 372
- engraved gem of, 288
- Saturninus, St., 252
- 432Sauvageot collection, 291
- Scarabs, 320, 321
- Schliemann, Heinrich, 323
- Schola Salernitana, 120
- Schrott, John, 230
- Schwindelstein (vertigo-stone), 153
- Scipio Africanus, 74
- Sebastian, St., 251, 259, 276, 290
- Secundus, St., 252, 276
- Seiler, Wenzel, alchemist, 15
- Seleucia, meteorite of, 81
- Semnes, St., 252
- Sempronianus, St., 252
- Seneca, 82
- “Sepher de-Adam Kadmah,” 247
- Serpentine, 320, 350
- “Serpents’ eggs,” 221–224, 226
- Seuerianus, St., 252
- Shahkevheren, or “King of Jewels,” 68, 69
- Shah-muhra, Persian magic stone, 13
- Shakespeare, 162, 260, 337, 379, 391, 393
- Shamir, mysterious Hebrew stone, 7–10
- Sharks’ teeth, fossil, 190
- Sh’efiel, angel of April, 247
- Shoham-stone, 277
- Siamese girl’s consecration, jewels worn at, 342
- Signatures, doctrine of, 118
- Silanus, St., 252
- Simon and Jude, SS., 271
- Skulls, disks from, as talismans, 331–334
- Smaragdus, 319, 320, 384
- “Snake-stone,” 221–240
- Snouck-Hurgronje, Dr. C., 87
- Socrates, 397
- Solomon, 9, 10
- “Southern stone” in Kaabah at Mecca, 87
- Spangenberg’s Saxon Chronicle, 103
- “Spider-stone,” 183, 184
- anecdote of, 183
- Spinel, 296
- Spitzer collection, 185
- 433“St. Paul’s earth,” 189
- Star-sapphire, as Christmas gem, 286
- Steatite, 300
- Steinzungen, 189
- Stone Age in China, 76–78
- “Stone of the Banner,” 25
- “Stones of the cobra,” 231, 232, 235–238
- Stûpra, celestial, Hindu shrine, 298
- Suckling, Sir John, 104
- Suetonius, 83
- Suffrage Party, amazon-stone as symbol of, 374
- Sunstone, 387
- Sutton, Edward Forrester, vii
- Swithin, St., 270, 276
- Swords made of meteoric iron, 88–90, 92
- Symbolic jewel composed of three keys, 375
- Sympathetic magic, doctrine of, 366
- T
- Ta’anbanu, angel of July, 247
- Tabasheer, 149, 233, 235
- Tacitus, 60, 81
- Talismans, see amulets
- Tan Sien Ko, vii
- Tashnedernis, angel of February, 248
- Tasmanian rain-makers, 34
- Taurinus, St., 252
- Tavernier, Jean Baptiste, 110, 185, 230, 231, 235
- Tecolithos, 188
- Teeth as amulets, 368
- Tetragrammaton, 278
- Thales, 63
- Thebes, 1, 2
- Theophrastus, 3, 53, 118, 173, 401
- Theriaca Andromachi or “Venice treacle,” 121
- “Thesaurus Pauperum” of Pope John XXI, 119
- “Thetis’s hair stone,” 29
- Thevenot, M. de, 231
- Thiers, Mme., pearl necklace of, 389
- Thomas, St., 268, 271
- Thoth, named “Trismegistos” by the Greeks, 320
- 434“Thunder-stones,” 76, 86, 83, 92, 94, 106–116, 161, 350
- Thurston, Sir J., 366
- Tiberius Cæsar, 291, 292
- Tibetan jewelry, 341
- Tiffany and Co., 373
- Timoteus, St., 252
- Toad-stone, 162–167, 192
- Tobit, Book of, 243, 250
- Tofte, Richard, 61
- Tohargar, angel of August, 247
- Topaz, 11, 58, 124, 287, 290, 291, 372, 407
- Tourmaline, 51–60, 384, 407
- Trallianus, Alexander, 144
- Trephining in primitive times to obtain skull-talismans, 332, 333
- Tribes, Hebrew, meaning of their names, 281–284
- Trochites, 192, 193
- Trowbridge, Breck, 373
- Tse-boum, or incense vase, in Dalai Lama’s palace at Lhasa, 302
- Tubuas, angel, 245
- Turmali, Cinghalese name of tourmaline, 52
- Turquoise, 20, 159, 291, 296, 310
- amulets of, from Pueblo Bonito, 352
- book on, by Dr. Joseph E. Pogue, 353
- favorite stone in Tibet, 343, 344, 404
- in ancient Egyptian tale, 316
- in ancient Persian jewels, 324
- inlays of, in Mexican masks, 306, 307
- large pendant of, on Buddha’s statue, 304
- meaning of Persian name of, 316
- 435offered to image of Santo Domingo, 309
- of Los Cerrillos, 309
- religious favor given to, in Tibet, 304
- set in sheep’s eyes, 316
- Shylock’s, 337
- valued by Pima Indians of Arizona, 353
- Tycho Brahe, 179
- U
- Uleranen, angel of November, 248
- Ultunda-stones of Australian medicine-men, 16
- Umbilicus marinus, 191
- Uriel, archangel, 243, 245, 246, 251, 334
- Urim and Thummim, 278
- V
- Valentine, St., 270, 276
- Vases offered to the Buddha, 297
- Verres, Caius, 405, 406
- Verus, Lucius, 397
- Victoria, Queen, 48, 375
- Victorini, St., 252
- Vienna, Natural History Museum of, 90
- Virgil, 82
- “Virgin’s milk,” 4
- Vishnu, double footprint of, legend regarding, 340
- Vitus, St., 270, 276
- Vlasto, D., 373
- Volmar, 13
- W
- Wada, T., vii
- Walpole, Horace, 381
- 436Walpurgis, St., Day, 21
- Ward, W. Hayes, vii
- “Watermelon stone,” variety of tourmaline, 58
- Weighing of the Mogul Emperor, 301
- Wells, T. Tilestone, 373
- Wenceslaus Chapel in St. Veit’s at Prague, adorned with precious stones, 296
- “Whitby jet,” 380
- White, H. C., 239
- “White magic,” 29
- White quartz of Clan Donnachaidh, 24, 25
- White stones in burials, 23, 24, 27
- Whitfield, J. E., 98, 99
- Wilkes, Major J. D., 218
- Willamette meteorite, 98, 99
- chemical composition of, 99
- Wilson, Robert, 154
- “Witch-stones,” 200
- Wittich, Johann, 132
- Wolff, Johann, 126
- Wright, Thomas, 153
- Wundt, Wilhelm Max, 313
- X
- Xystus, St., 252
- Y
- Yeamans, Mrs. Annie, 374
- Ypolitus, St., 252
- Z
- Zemzem, well of, at Mecca, 87
9. “Exposition de ce qu’il y a de plus remarquable et des merveilles,” by Abdorrashish, surnamed Yakuti, a geographical work of the fifteenth century, transl. into French and published in Notices et Extraits des Manuscrits de la Bibliothèque du Roi, vol. ii, pp. 452, 520, 534; Paris, 1789.
9. “Exhibition of the most remarkable things and wonders,” by Abdorrashish, known as Yakuti, a geographical work from the fifteenth century, translated into French and published in Notices and Excerpts from the Manuscripts of the King's Library, vol. ii, pp. 452, 520, 534; Paris, 1789.
11. S. Gason, “The Dieyeric Tribe” in “Native Tribes of South Australia,” pp. 276 sqq.; see also: A. W. Howitt, “The Dieri and Other Kindred Tribes of Central Australia.”
11. S. Gason, “The Dieyeric Tribe” in “Native Tribes of South Australia,” pp. 276 sqq.; see also: A. W. Howitt, “The Dieri and Other Related Tribes of Central Australia.”
13. J. L. van der Toorn, “Het animisme bij den Minangkabaner der Padangsche Bovenland, Bijdragen tot de Taal-Land-en Volkerkunde van Nederlandsch Indie,” vol. xxxix, 1890, p. 86.
13. J. L. van der Toorn, “Animism among the Minangkabau of the Padang Highlands, Contributions to the Language, Geography, and Ethnology of Dutch Indies,” vol. xxxix, 1890, p. 86.
15. See Pinder, “De adamante,” Berolini, 1829, pp. 70 sqq., where the use of the word adamas to designate iron is said to have been conjectured by Schneider, in his “Analecta ad hist. rei met. vet.,” pp. 5, 6. Adamas as a man’s name occurs in the “Iliad,” xii, 140 and xiii, 560.
15. See Pinder, “De adamante,” Berlin, 1829, pp. 70 and following, where the use of the word adamas to refer to iron is said to have been suggested by Schneider, in his “Analecta ad hist. rei met. vet.,” pp. 5, 6. Adamas as a personal name appears in the “Iliad,” xii, 140 and xiii, 560.
16. Julius Ruska, “Das Steinbuch aus der Kosmographie des Muhammad ibn Mahmud al Kazwini,” Beilage to the Jahresbericht of the Oberrealschule Heidelberg, 1895–96.
16. Julius Ruska, “The Book of Stones from the Cosmography of Muhammad ibn Mahmud al Kazwini,” Supplement to the Annual Report of the Oberrealschule Heidelberg, 1895–96.
35. Benvenuto Cellini, “Due trattati, uno intorno alle otto principali arti dell’oreficeria,” etc., Fiorenzi, Valente Panizzi & Marco Peri, 1568, fol. 10 recto.
35. Benvenuto Cellini, “Two treatises, one about the eight main arts of goldsmithing.,” etc., Fiorenzi, Valente Panizzi & Marco Peri, 1568, fol. 10 recto.
36. Axel Garboe, “Kulturhistoriske Studier over Ædelstene, med særligt Henblik paa det 17. Aarhundrede,” Kobenhavn og Kristiania, 1915, p. 225; citing a manuscript in the Royal Library at Copenhagen.
36. Axel Garboe, "Cultural Historical Studies on Precious Stones, Focusing on the 17th Century," Copenhagen and Kristiania, 1915, p. 225; citing a manuscript in the Royal Library in Copenhagen.
37. See Herbert E. Gregory, “Note on the Shape of Pebbles,” in The American Journal of Science, vol. xxxix, pp. 300–304; March, 1915; also for two succeeding paragraphs.
37. See Herbert E. Gregory, “Note on the Shape of Pebbles,” in The American Journal of Science, vol. xxxix, pp. 300–304; March, 1915; also for two succeeding paragraphs.
41. Nona Lebour, “White Quartz Pebbles and their Archæological Significance”; reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, January 30, 1914, p. 11.
41. Nona Lebour, “White Quartz Pebbles and their Archaeological Significance”; reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, January 30, 1914, p. 11.
45. From letter of Mr. Neil M. Judd, Assistant in Archæology in the United States National Museum, communicated by Dr. W. H. Holmes, Head Curator of the Department of Anthropology in that institution.
45. From a letter by Mr. Neil M. Judd, Assistant in Archaeology at the United States National Museum, shared by Dr. W. H. Holmes, Head Curator of the Department of Anthropology at that institution.
47. Warren K. Moorehead, “The Red-Paint People of Maine,” pp. 42, 43. Reprint from the American Anthropologist (N. S.), vol. xv, No. 1, January-March, 1913.
47. Warren K. Moorehead, “The Red-Paint People of Maine,” pp. 42, 43. Reprint from the American Anthropologist (N. S.), vol. xv, No. 1, January-March, 1913.
50. George Frederick Kunz, “Gems, Jewelers’ Materials and Ornamental Stones of California,” California State Mining Bureau, Bulletin No. 37, Sacramento, 1905, pp. 71–73.
50. George Frederick Kunz, “Gems, Jewelers’ Materials and Ornamental Stones of California,” California State Mining Bureau, Bulletin No. 37, Sacramento, 1905, pp. 71–73.
54. Nona Lebour, “White Quartz Pebbles and their Archæological Significance”; reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, January 30, 1914, p. 10.
54. Nona Lebour, “White Quartz Pebbles and their Archaeological Significance”; reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, January 30, 1914, p. 10.
63. Ibid., 1906, p. 368.
__A_TAG_PLACEHOLDER_0__. Same source, 1906, p. 368.
64. Paul Sebillot, “The Worship of Stones in France,” trans. by Joseph D. McGuire, American Anthropologist, Jan.-Mar., 1902, vol. iv, No. 1, p. 98; citing Société des Antiquaires, vol. i, p. 429.
64. Paul Sebillot, “The Worship of Stones in France,” translated by Joseph D. McGuire, American Anthropologist, Jan.-Mar., 1902, vol. iv, No. 1, p. 98; citing Société des Antiquaires, vol. i, p. 429.
69. Hermann, “Die erratischen Blöcke im Regierungsbezirck Danzig,” Berlin, 1911, p. 41; in vol. ii, Pt. I, “Beiträge zur Naturdenkmalpflege,” ed. by H. Conwentz.
69. Hermann, “The erratic blocks in the Danzig district,” Berlin, 1911, p. 41; in vol. ii, Pt. I, “Contributions to nature conservation,” edited by H. Conwentz.
71. Armand Viré, “Pierres à gravures et Pierres à légendes dans le Lot et le Tarn et Garonne”; in Compte Rendu of the Ninth Session of the Congrès Préhistorique de France, Paris, 1914, p. 349.
71. Armand Viré, “Engraved Stones and Legendary Stones in the Lot and Tarn and Garonne”; in the Proceedings of the Ninth Session of the Prehistoric Congress of France, Paris, 1914, p. 349.
72. Ibid., p. 350.
__A_TAG_PLACEHOLDER_0__. Same source, p. 350.
73. Dr. Walter Hough in “Handbook of American Indians north of Mexico,” ed. by Frederick Webb Hodge, Smithsonian Inst.; Bur. of Am. Ethn., Bull. 30; Washington, 1910, Pt. 2, p. 194.
73. Dr. Walter Hough in “Handbook of American Indians North of Mexico,” ed. by Frederick Webb Hodge, Smithsonian Inst.; Bur. of Am. Ethn., Bull. 30; Washington, 1910, Pt. 2, p. 194.
77. Lean’s Collectanea (by Vincent Stuckey Lean), vol. ii, Pt. I, Bristol, 1903, p. 476; see W. F. Wademan in Jour. Roy. Hist, and Arch. Assoc. of Ireland, July, 1875.
77. Lean’s Collectanea (by Vincent Stuckey Lean), vol. ii, Pt. I, Bristol, 1903, p. 476; see W. F. Wademan in Jour. Roy. Hist, and Arch. Assoc. of Ireland, July, 1875.
78. Catalogue of the collection of pearls and precious stones formed by Henry Philip Hope, Esq. Systematically arranged and described by B. Hertz, London, 1830.
78. Catalog of the collection of pearls and precious stones created by Henry Philip Hope, Esq. Systematically organized and detailed by B. Hertz, London, 1830.
79. Op. cit., p. 106.
__A_TAG_PLACEHOLDER_0__. Reference, p. 106.
89. Scribner & Co., 1886.
__A_TAG_PLACEHOLDER_0__. Scribner & Co., 1886.
90. The Germans called it Aschenzieher.
__A_TAG_PLACEHOLDER_0__. The Germans referred to it as Aschenzieher.
91. Pliny, “Naturalia historia,” Lib. xxxvii, cap. 29. In his recently published “Curious Lore of Precious Stones” the present writer suggested that Pliny’s lychnis might have been a spinel, but while some of these “ardent stones” may have been spinels, those displaying the phenomenon of attraction must have been tourmalines.
91. Pliny, “Natural History,” Book 37, Chapter 29. In his recently published “Curious Lore of Precious Stones,” the author suggested that Pliny’s lychnis might have been a spinel, but while some of these “ardent stones” could have been spinels, those that showed the phenomenon of attraction must have been tourmalines.
92. A. C. Hamlin.
__A_TAG_PLACEHOLDER_0__. A. C. Hamlin.
96. “Curiose Speculationes bey schlaflosen Nächten ... von einem Liebhaber der Immer Gern Speculirt,” Chemnitz und Leipzig, bey Conr. Stosseln, 1707, 857, pp. 80.
96. “Curiose Speculationes during sleepless nights ... by a Lover who Is always Given to Speculating,” Chemnitz and Leipzig, by Conr. Stosseln, 1707, 857, pp. 80.
100. Abbé Haüy, “Trattato dei caratteri fisici delle pietre preziose,” Ital. trans. by Luigi Configliachi, Milano, 1819, pp. 135–138; see Plate II, fig. 49.
100. Abbé Haüy, “Treatise on the Physical Characteristics of Precious Stones,” Ital. trans. by Luigi Configliachi, Milan, 1819, pp. 135–138; see Plate II, fig. 49.
101. Aepinus, l. c.
__A_TAG_PLACEHOLDER_0__. Aepinus, l. c.
103. See the writer’s “Gems and Precious Stones of North America,” New York, 1890, Pl. 4, and also his “Precious Stones” in 20th Annual Report of the U. S. Geological Survey, Pt. VI, Washington, 1899, p. 577.
103. Check out the writer’s “Gems and Precious Stones of North America,” New York, 1890, Pl. 4, and also his “Precious Stones” in the 20th Annual Report of the U.S. Geological Survey, Pt. VI, Washington, 1899, p. 577.
118. Martin, “Observations et théories des anciens sur les attractions et la repulsion magnétiques,” in Atti dell’ Accademia Pontefici dei Nuovi Lincei, vol. xviii, p. 18 (1864–65).
118. Martin, “Observations and Theories of the Ancients on Magnetic Attraction and Repulsion,” in Proceedings of the Pontifical Academy of the New Lynx, vol. xviii, p. 18 (1864–65).
124. Garcias ab Orta, “Aromatum historia” (Latin version by Clusius), Antverpiæ, 1579, p. 178. See also Valentine Ball in Proc. Roy. Ir. Soc., 3d Ser., vol. i, p. 662; Colloquy xliii, of the work of Garcias, translated from the Portuguese original.
124. Garcias ab Orta, “History of Aromatics” (Latin version by Clusius), Antwerp, 1579, p. 178. See also Valentine Ball in Proc. Roy. Ir. Soc., 3rd Ser., vol. i, p. 662; Colloquy xliii, of Garcias’s work, translated from the Portuguese original.
128. Ibid., p. 358.
__A_TAG_PLACEHOLDER_0__. Same source, p. 358.
129. Ibid., p. 370.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 370.
130. Ibid., p. 379.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 379.
131. Nona Lebour, “Amber and Jet in Ancient Burials,” reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, Nov. 27, 1914, pp. 4, 5.
131. Nona Lebour, “Amber and Jet in Ancient Burials,” reprint from Transactions of the Dumfriesshire and Galloway Natural History and Antiquarian Society, Nov. 27, 1914, pp. 4, 5.
133. Tiguri, 1565, f. 66.
__A_TAG_PLACEHOLDER_0__. Tiguri, 1565, p. 66.
135. “Adversus Gentes,” lib. vii.
__A_TAG_PLACEHOLDER_0__. “Against the Nations,” book seven.
139. Laufer, “Jade: A Study in Chinese Archæology and Religion,” Chicago, 1912, pp. 54, 55, 57, 63, 64; Field Museum of Natural History, Pub. 154, Archæological Series, vol. x.
139. Laufer, “Jade: A Study in Chinese Archaeology and Religion,” Chicago, 1912, pp. 54, 55, 57, 63, 64; Field Museum of Natural History, Pub. 154, Archaeological Series, vol. x.
141. Ibid., pp. 692–694.
__A_TAG_PLACEHOLDER_0__. Ibid., pp. 692–694.
152. Aen. ii, 692–698.
__A_TAG_PLACEHOLDER_0__. Aen. ii, 692–698.
155. This name signifies “Mountain-God” and its assumption by the emperor marked his devotion to the worship of the divinity animating the stone of Emesa, El Gabal, which Elagabalus had conveyed to Rome, where it remained until 222 A.D. This stone was regarded as a miniature representation of the sacred mountain near Emesa. The stone is figured on the aureus of the emperor Uranius Antonius. See Ch. Lenormant, Rev. Numismatique, 1843, p. 273, sq., Pl. IX, No. 1.
155. This name means “Mountain-God,” and when the emperor adopted it, it showed his commitment to worshiping the deity represented by the stone of Emesa, El Gabal, which Elagabalus had brought to Rome, where it stayed until 222 CE This stone was seen as a small representation of the sacred mountain near Emesa. The stone is depicted on the aureus of the emperor Uranius Antonius. See Ch. Lenormant, Rev. Numismatique, 1843, p. 273, sq., Pl. IX, No. 1.
164. Op. cit., p. 11.
__A_TAG_PLACEHOLDER_0__. Referenced work, p. 11.
165. From Hammer-Purgstall’s “Fundgrube des Orients,” vol. iv, Heft 3; cited by E. F. F. Chladni, “Neues Verzeichniss der herabgefallenen Stein- und Eisenmassen,” p. 55; Gilbert’s Annalen der Physik, vol. 1.
165. From Hammer-Purgstall’s “Fundgrube des Orients,” vol. iv, no. 3; cited by E. F. F. Chladni, “New Directory of Fallen Rock and Iron Masses __A_TAG_PLACEHOLDER_0__,” p. 55; Gilbert’s Annalen der Physik, vol. 1.
167. Ibid., p. 5.
__A_TAG_PLACEHOLDER_0__. Same source, p. 5.
171. Megenberg, “Buch der Natur,” ed. Pfeiffer, Stuttgart, 1861, p. 92. (This is based on Thomas de Cantimpré’s “Liber de natura rerum,” written about 1240.)
171. Megenberg, “Book of Nature,” ed. Pfeiffer, Stuttgart, 1861, p. 92. (This is based on Thomas de Cantimpré’s “The Book of the Nature of Things,” written around 1240.)
172. E. F. F. Chladni, “Neues Verzeichniss der herabgefallenen Stein- und Eisenmassen,” p. 17; Gilbert’s Annalen der Physik, vol. 1. (From copy having MS. notes and emendations by the author.)
172. E. F. F. Chladni, “New Directory of Fallen Stone and Iron Masses,” p. 17; Gilbert’s Annals of Physics, vol. 1. (From a copy containing handwritten notes and corrections by the author.)
181. See the present writer’s “Diamond and Moissanite; Natural, Artificial and Meteoric,” a lecture delivered at the Twelfth General Meeting of the American Electro-chemical Society in New York City, October 18, 1907; here the literature on this important meteor is fully given. Two other interesting meteorites are described by George F. Kunz and Ernest Weinschenk in the American Journal of Science, vol. xliii, May 1892, pp. 424–426, figures.
181. Check out the author’s “Diamond and Moissanite; Natural, Artificial and Meteoric,” a lecture presented at the Twelfth General Meeting of the American Electro-chemical Society in New York City on October 18, 1907; this provides a comprehensive look at the literature on this significant meteor. Two other fascinating meteorites are discussed by George F. Kunz and Ernest Weinschenk in the American Journal of Science, vol. xliii, May 1892, pp. 424–426, with illustrations.
182. See Henri Moissan, “Étude de la météorite de Cañon Diablo,” Comptes Rendus de l’Académie des Sciences, vol. cxvi (1893), pp. 288 sqq.; see also his paper on the Ovifak meteorite, Comptes Rendus, vol. cxxi (1895), pp. 483 sqq.
182. See Henri Moissan, "Research on the Cañon Diablo Meteorite," Proceedings of the Academy of Sciences, vol. cxvi (1893), pp. 288 and following; see also his paper on the Ovifak meteorite, Proceedings, vol. cxxi (1895), pp. 483 and following.
183. G. F. Kunz and O. W. Huntington, “On the Diamond in the Cañon Diablo Meteoric Iron and on the Hardness of Carborundum,” American Journal of Science, vol. xlvi, December, 1893.
183. G. F. Kunz and O. W. Huntington, “On the Diamond in the Canyon Diablo Meteoric Iron and on the Hardness of Carborundum,” American Journal of Science, vol. xlvi, December, 1893.
199. Harriet Maxwell Converse, “Myths and Legends of the N. Y. State Iroquois,” edited and annotated by Arthur Caswell Parker (Ga-wa-so-wa-neh), New York State Museum Bulletin, No. 125, Albany, 1908, p. 40.
199. Harriet Maxwell Converse, “Myths and Legends of the N. Y. State Iroquois,” edited and annotated by Arthur Caswell Parker (Ga-wa-so-wa-neh), New York State Museum Bulletin, No. 125, Albany, 1908, p. 40.
202. Ibid., p. 107.
__A_TAG_PLACEHOLDER_0__. Same source, p. 107.
213. A. E. Wright and E. Lovett, “Specimens of Modern Mascots and Ancient Amulets of the British Isles,” Folk Lore, vol. xix, 1908, p. 298; Pl. VI, fig. 2.
213. A. E. Wright and E. Lovett, “Examples of Modern Mascots and Ancient Amulets from the British Isles,” Folk Lore, vol. xix, 1908, p. 298; Pl. VI, fig. 2.
219. Morgan, “Matériaux pour l’hist. primitive,” Paris, 1885, p. 484; Verhandl. Berl. Anthrop. Ges., 1879, p. 300; Von Rosenberg, “Der Malayische Archipel,” Leipzig, 1878, p. 175.
219. Morgan, “Materials for Primitive History,” Paris, 1885, p. 484; Proceedings of the Berlin Anthropological Society, 1879, p. 300; Von Rosenberg, “The Malay Archipelago,” Leipzig, 1878, p. 175.
226. From a fourteenth century Italian MS. translation of the treatise in the author’s library; see fol. 8, recto, col. 2; fol. 9, recto, col. 1; fol. 10, recto, col. 2; fol. 14, verso, col. 1; fol. 17, verso, col. 1; fol. 25, verso, col. 1; fol. 26, verso, col. 1; fol. 26, verso, col. 2; fol. 29, verso, col. 2.
226. From a 14th-century Italian manuscript translation of the treatise in the author's library; see fol. 8, recto, col. 2; fol. 9, recto, col. 1; fol. 10, recto, col. 2; fol. 14, verso, col. 1; fol. 17, verso, col. 1; fol. 25, verso, col. 1; fol. 26, verso, col. 1; fol. 26, verso, col. 2; fol. 29, verso, col. 2.
227. Regimen sanitatis Salernitanum, ed. Sir Alexander Cooke, Oxford, 1830, p. 125. This edition contains reproductions of many curious woodcuts from the old German editions of Curio, published in 1559, 1568 and 1573.
227. Regimen sanitatis Salernitanum, ed. Sir Alexander Cooke, Oxford, 1830, p. 125. This edition features reproductions of several interesting woodcuts from the old German editions of Curio, published in 1559, 1568, and 1573.
237. Op. cit., p. 116.
__A_TAG_PLACEHOLDER_0__. Cited work, p. 116.
238. Op. cit., pp. 118–122.
__A_TAG_PLACEHOLDER_0__. Op. cit., pp. 118–122.
243. See Axel Garboe, “Kulturhistoriske Studier over Ædelstene, med særligt Henbilk paa det 17. Aarhundrede,” Kjbenhavn og Kristiania, 1915, pp. 141 sqq.
243. See Axel Garboe, “Cultural Historical Studies on Gemstones, with a Special Focus on the 17th Century,” Copenhagen and Kristiania, 1915, pp. 141 and onwards.
253. Andreæ Baccii, “De Gemmis et Lapidibus Pretiosis” (Latin version by Wolfgang Gabelchover of the Italian original), Francofurti, 1603, pp. 100, 101, Note of Gabelchover.
253. Andreæ Baccii, “On Gems and Precious Stones” (Latin version by Wolfgang Gabelchover of the Italian original), Frankfurt, 1603, pp. 100, 101, Note of Gabelchover.
260. Johannes Wittichius, “Bericht von den wunderbaren Bezoardischen Steinen,” Leipzig, 1589, p. 56, cited in Axel Garboe’s “Kunsthistoriske Studier over Ædelstene,” Kobenhavn og Kristiania, 1915, p. 98.
260. Johannes Wittichius, “Report on the Amazing Bezoar Stones,” Leipzig, 1589, p. 56, cited in Axel Garboe’s “Art Historical Studies on Gemstones,” Copenhagen and Kristiania, 1915, p. 98.
265. “Oriental Accounts of the Precious Minerals,” trans. by Raja Kalikishan, with remarks by James Prinsep; Journ. Asiat. Soc. of Bengal, vol. i, Calcutta, p. 354.
265. “Eastern Accounts of the Precious Minerals,” translated by Raja Kalikishan, with comments by James Prinsep; Journal of the Asiatic Society of Bengal, vol. i, Calcutta, p. 354.
273. “Lithica,” lines 636 sqq.
__A_TAG_PLACEHOLDER_0__. “Lithica,” lines 636 and following.
277. T’ang Jung-tso, “Yü-shuo” (a discourse on jade), trans. by Stephen W. Bushell; Investigations and Studies in Jade, The Bishop Collection, New York, 1900, pp. 329, 330.
277. T’ang Jung-tso, “Yü-shuo” (a talk about jade), translated by Stephen W. Bushell; Investigations and Studies in Jade, The Bishop Collection, New York, 1900, pages 329, 330.
278. Jacobi Wolff, “Curiosus amuletorum scrutator,” Francofurti et Lipsiæ, 1692, pp. 218, 219; citing principally, Bartholini, “De lapide nephritico.”
278. Jacobi Wolff, “Curious researcher of amulets,” Frankfurt and Leipzig, 1692, pp. 218, 219; mainly referencing Bartholini, “On the nephritic stone.”
279. Axel Garboe, “Kulturhistoriske Studier over Ædelstene, med særligt Henblik paa det 17. Aarhundrede,” Kobenhavn og Kristiania, 1915, pp. 204, 205; citing Caspar Bertholini, “De lapide nephritico opusculum,” 1628.
279. Axel Garboe, “Cultural Historical Studies on Gemstones, with a Special Focus on the 17th Century,” Copenhagen and Kristiania, 1915, pp. 204, 205; citing Caspar Bertholini, “A Brief Guide to Nephrite,” 1628.
296. Ibn el Beithar, “Traité des simples;” French trans. of L. Leclerc in “Notices et Extraits de MSS. de la Bib. Nat.,” etc., vol. xxiii, Pt. 5, Paris, 1877, pp. 418, 419.
296. Ibn el Beithar, “Herbal Treatise;” French translation by L. Leclerc in “Notices and Excerpts from the National Library Manuscripts.,” etc., vol. xxiii, Pt. 5, Paris, 1877, pp. 418, 419.
299. “Papyrus Ebers, Die Maase und das Kapitel über die Augenkrankheiten,” by Georg Ebers. In the Abhandl. d. phil. hist. Klasse der Königl. sächs. Gesell. d. Wissenschaften, vol. xi, Leip., 1890, p. 318.
299. “Papyrus Ebers, The Diseases and the Chapter on Eye Diseases,” by Georg Ebers. In the Transactions of the Philosophical-Historical Class of the Royal Saxon Society of Sciences, vol. xi, Leipzig, 1890, p. 318.
303. Ibid., loc. cit.
__A_TAG_PLACEHOLDER_0__. Same source, same location.
307. De vit. abbot.
__A_TAG_PLACEHOLDER_0__. De vit. abbot.
312. Wilson, “The Three Ladies of London,” 1584. The three female characters are symbolical or allegorical and are named respectively, Lucre, Love, and Conscience.
312. Wilson, “The Three Ladies of London,” 1584. The three female characters are symbolic or allegorical and are named Lucre, Love, and Conscience.
313. From MS. of Borch’s lectures of 1685, in the Royal Library at Copenhagen, Thottske Collection, 744; cited in Axel Garboe’s “Kulturhistoriske Studier over Ædelstene,” Kobenhavn og Kristiania, 1915, p. 215.
313. From the manuscript of Borch’s lectures from 1685, in the Royal Library at Copenhagen, Thottske Collection, 744; cited in Axel Garboe’s "Cultural Historical Studies on Precious Stones," Copenhagen and Kristiania, 1915, p. 215.
340. Traité des Simples of Ibn Al-Beithar in “Notices et Extraits des Manuscrits de la Bibliothèque Nationale,” vol. xxiii, pp. 416–417; Paris, 1877.
340. Treatise on Simples by Ibn Al-Beithar in “Notices and Excerpts from the Manuscripts of the National Library,” vol. xxiii, pp. 416–417; Paris, 1877.
351. Ibid., fol. xxiv.
__A_TAG_PLACEHOLDER_0__. Same source, p. xxiv.
357. Marbodei, loc. cit.
__A_TAG_PLACEHOLDER_0__. Marbodei, same source.
359. Conradi Gesneri, “De figuris lapidum,” Tiguri, 1565, pp. 142, 143; with figures of ring. Pliny already mentions the callimus, “Naturalis historia,” lib. xxxvi, cap. 39.
359. Conradi Gesneri, “On the Figures of Stones,” Zurich, 1565, pp. 142, 143; with figures of rings. Pliny already mentions the callimus in “Natural History,” book 36, chapter 39.
361. Ibid., p. 9.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 9.
362. Ibid., pp. 9, 10.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 9, 10.
363. Ibid., pp. 11, 12.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 11, 12.
374. Julius Ruska, “Das Steinbuch aus der Kosmographie des Muhammad ibn Mahmud al-Kazwînî,” Beilage to the Jahresbericht of the Oberrealschule, Heidelberg, 1895–96, p. 15.
374. Julius Ruska, “The Stone Book from the Cosmography of Muhammad ibn Mahmud al-Kazwînî,” Supplement to the Annual Report of the Oberrealschule, Heidelberg, 1895–96, p. 15.
380. See text in Axel Garboe’s “Kulturhistoriske Studier over Ædelstene,” Kjbenhavn og Kristiana, 1915, p. 56, note from Simon Paulli, “Quadripartitum botanicum,” Argentorati, 1667, p. 163.
380. See text in Axel Garboe’s "Cultural Historical Studies of Gemstones," Copenhagen and Christiania, 1915, p. 56, note from Simon Paulli, “Quadripartitum botanicum,” Strasbourg, 1667, p. 163.
395. This is the fossilized horny part of the tail of an extinct cuttlefish, and numerous specimens have been found in the marl of New Jersey as well as in many other places.
395. This is the fossilized hard part of the tail of an extinct cuttlefish, and many specimens have been found in the marl of New Jersey and in several other locations.
400. De Boot, “Gemmarum et lapidum historia,” ed. Toll, Lug. Bat., 1647, p. 410; lib. ii, cap. ccxxvii, and also De Laet, “De gemmis et lapidibus,” Lug. Bat., 1647, p. 138.
400. De Boot, “History of Gems and Stones,” ed. Toll, Leiden, 1647, p. 410; book ii, chapter 227, and also De Laet, “On Gems and Stones,” Leiden, 1647, p. 138.
410. Ibid., pp. 104–5.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 104–5.
416. Ibid., p. 809.
__A_TAG_PLACEHOLDER_0__. Same source, p. 809.
424. Von Hammer, “Auszüge aus dem persischen Werke, Buch der Edelsteine, von Mohammed ben Manssur,” in Fundgruben des Orients, vol. vi, p. 134; Wien, 1818.
424. Von Hammer, “Excerpts from the Persian work, Book of Gems, by Mohammed ben Manssur,” in Treasures of the East, vol. vi, p. 134; Vienna, 1818.
431. Ibid., loc. cit.
__A_TAG_PLACEHOLDER_0__. Same source, same location.
432. R. Verneau and P. Rivet, “Ethnologie ancienne de l’Equateur,” Paris, 1912; vol. vi of Mission du service géologique de l’armée pour la mesure d’un arc de méridien équatorial en Amérique du Sud, 1899–1906, pp. 235, 236; figure (nat. size) on p. 235.
432. R. Verneau and P. Rivet, “Ancient Ethnology of Ecuador,” Paris, 1912; vol. vi of the Geological Service of the Army's Mission for the Measurement of an Equatorial Meridian Arc in South America, 1899–1906, pp. 235, 236; figure (natural size) on p. 235.
438. Chau Ju-Kua, “Chu-fan-chi” (“A Description of Barbarous Peoples”), trans. by Friedrich Hirth and W. W. Rockhill, St. Petersburg, 1911, p. 16, and p. 90, note 7.
438. Chau Ju-Kua, “Chu-fan-chi” (“A Description of Barbarous Peoples”), trans. by Friedrich Hirth and W. W. Rockhill, St. Petersburg, 1911, p. 16, and p. 90, note 7.
445. See Ledra Hazlit, M.D., “Hair-balls of the Stomach and Intestines,” Jour. A. M. A., vol. lxii, No. 2, pp. 107–110, with illustration; and G. A. Moore, “Hair Cast of the Stomach with Respect of a Case,” Boston Medical and Surgical Journal, Jan. 1, 1914.
445. See Ledra Hazlit, M.D., “Hairballs in the Stomach and Intestines,” Jour. A. M. A., vol. 62, No. 2, pp. 107–110, with illustration; and G. A. Moore, “Hairball in the Stomach Relating to a Case,” Boston Medical and Surgical Journal, Jan. 1, 1914.
448. Johann Turi, “Muittalus samid birra; en bog om Lappernas liv.”; text, and Danish trans. by Emilie Demnant, Kjøbenhavn, 1911, p. 184 (p. 62 of text).
448. Johann Turi, “Muittalus samid birra; a book about the life of the Lapps.”; text, and Danish trans. by Emilie Demnant, Copenhagen, 1911, p. 184 (p. 62 of text).
450. “Lithica,” lines 336 sqq.
__A_TAG_PLACEHOLDER_0__. “Lithica,” lines 336 and following.
451. The fyrste boke of the introduction of Knowledge made by Andrew Borde of Psysycke Doctore. Ed. by Furnival, London, 1870, p. 121. Early English Text Soc., Extra Series No. X.
451. The first book of the introduction of Knowledge made by Andrew Borde of Physician Doctor. Ed. by Furnival, London, 1870, p. 121. Early English Text Soc., Extra Series No. X.
453. Julius Ruska, “Das Steinbuch aus der Kosmographie des Muḥammad ibn Mahmud al-Kazwînî,” Beilage to the Jahresberichte of the Oberrealschule, Heidelberg, 1895–96, p. 15.
453. Julius Ruska, “The Book of Stones from the Cosmography of Muḥammad ibn Mahmud al-Kazwînî,” Appendix to the Annual Reports of the Oberrealschule, Heidelberg, 1895–96, p. 15.
465. Davy, “An Analysis of the Snake-stone,” Asiatic Researches, vol. xiii, p. 318; Kaempfer, “Amoen. Exit.,” pp. 395–397; cited in Yule-Burnell, “A Glossary of Anglo-Indian Colloquial Words and Other Phrases,” London, 1886, pp. 643, 644.
465. Davy, “An Analysis of the Snake-stone,” Asiatic Researches, vol. xiii, p. 318; Kaempfer, “Amoen. Exit.,” pp. 395–397; cited in Yule-Burnell, “A Glossary of Anglo-Indian Colloquial Words and Other Phrases,” London, 1886, pp. 643, 644.
468. Edinburgh Philos. Journal, No. 1, p. 147; Philos. Trans., cix, p. 283; and “The Natural History and Properties of Tabersheer,” 1828; Edinburgh Journal, viii, p. 288.
468. Edinburgh Philos. Journal, No. 1, p. 147; Philos. Trans., cix, p. 283; and “The Natural History and Properties of Tabersheer,” 1828; Edinburgh Journal, viii, p. 288.
470. Nature, xxxv, p. 437.
__A_TAG_PLACEHOLDER_0__. Nature, 35, p. 437.
477. Dr. H. C. White, “The Chemical and Physical Characters of the So-called ‘Mad-Stones,’” British Association for the Advancement of Science, 73d Report, Meeting of 1903 at Smithfield, London, 1904, p. 605.
477. Dr. H. C. White, “The Chemical and Physical Characters of the So-called ‘Mad-Stones,’” British Association for the Advancement of Science, 73rd Report, Meeting of 1903 at Smithfield, London, 1904, p. 605.
480. Leipsic, 1866.
__A_TAG_PLACEHOLDER_0__. Leipzig, 1866.
483. Ibid., col. 2089.
__A_TAG_PLACEHOLDER_0__. Same source, p. 2089.
487. Zunz, “Die gottesdienstliche Vorträge der Juden,” Berlin, 1832, p. 167. Zunz conjectures that Eleazar of Worms (1176–1238) may have written a portion of this work.
487. Zunz, “The Worship Services of the Jews,” Berlin, 1832, p. 167. Zunz suggests that Eleazar of Worms (1176–1238) might have written part of this work.
488. “Sepher de-Adam Kadmah,” Amsterdam, 1701, fol. 34 verso. The interpretations of the several names are from Schwab’s “Vocabulaire de l’angélologie,” Paris, 1897, except in the case of Ragael, where Schwab gives “angel of the moment.”
488. “Sepher de-Adam Kadmah,” Amsterdam, 1701, fol. 34 verso. The meanings of the different names come from Schwab’s “Vocabulaire de l’angélologie,” Paris, 1897, except for Ragael, which Schwab describes as “angel of the moment.”
501. St. Louis Democrat, 1905.
__A_TAG_PLACEHOLDER_0__. St. Louis Democrat, 1905.
505. Pettigrew, “On Superstitions Connected with the History and Practice of Medicine and Surgery,” p. 36. (Quotation from Melton, “Astrologaster,” p. 20.)
505. Pettigrew, “On Superstitions Linked to the History and Practice of Medicine and Surgery,” p. 36. (Quotation from Melton, “Astrologaster,” p. 20.)
509. Johann Joachim Bellermann, “Die Urim und Thummim, die ältesten Gemmen,” Berlin, 1824, pp. 21, 22. For a full account of the breastplate see the present writer’s “The Curious Lore of Precious Stones,” Philadelphia and London, 1913, chap. viii, pp. 275–306.
509. Johann Joachim Bellermann, “The Urim and Thummim, the oldest gems.,” Berlin, 1824, pp. 21, 22. For a complete discussion of the breastplate, see the author's “The Curious Lore of Precious Stones,” Philadelphia and London, 1913, chap. viii, pp. 275–306.
517. Ibid. col. 544.
__A_TAG_PLACEHOLDER_0__. Same source, col. 544.
532. Inventory of royal treasures in the Château de Fontainebleau, Bibl. Nat. MS. franc. 4732; fol. 3 of transcript in author’s library from the collection of M. E. Molinier.
532. List of royal treasures in the Château de Fontainebleau, Bibl. Nat. MS. franc. 4732; fol. 3 of transcript in author’s library from the collection of M. E. Molinier.
541. An account of King Kirti Sri’s embassy to Siam in 1672, Saka (1750 A.D.), trans. from Sinhalese by P. E. Pieris. Extract from Jour. Roy. As. Soc., vol. xviii, No. 54 (1903).
541. A report on King Kirti Sri’s mission to Siam in 1672, Saka (1750 CE), translated from Sinhalese by P. E. Pieris. Extract from Jour. Roy. As. Soc., vol. xviii, No. 54 (1903).
545. “Journal of Sir Thomas Roe, Ambassador of James I to Shah Jehangir, Mogul Emperor of Hindoostan”; in Kerr’s Collection of Voyages and Travels, Edinburgh, 1824, vol. ix, p. 288.
545. “Journal of Sir Thomas Roe, Ambassador of James I to Shah Jehangir, Mogul Emperor of Hindustan”; in Kerr’s Collection of Voyages and Travels, Edinburgh, 1824, vol. ix, p. 288.
546. Von Hammer, “Auszüge aus dem persischen Werke, Buch der Edelsteine, von Mohammed Ben Manssur”; in Fundgruben des Orients, vol. vi, p. 138; Wien, 1818.
546. Von Hammer, "Excerpts from the Persian work, Book of Precious Stones, by Mohammed Ben Manssur"; in Treasures of the East, vol. vi, p. 138; Vienna, 1818.
549. Berthold Laufer, “Notes on Turquois in the East,” Field Museum of Natural History, Anthropological Series, vol. xiii, No. 1, Chicago, July, 1913, p. 11.
549. Berthold Laufer, “Notes on Turquoise in the East,” Field Museum of Natural History, Anthropological Series, vol. xiii, No. 1, Chicago, July, 1913, p. 11.
551. Dr. Eduard Seler, “Similarity of Design of Some Teotihuacan Frescoes and Certain Mexican Pottery Objects,” in Proceedings of the International Congress of Americanists, XVIII Session, London, 1912; Pt. II, London, 1913, p. 200.
551. Dr. Eduard Seler, “Similarity of Design of Some Teotihuacan Frescoes and Certain Mexican Pottery Objects,” in Proceedings of the International Congress of Americanists, XVIII Session, London, 1912; Pt. II, London, 1913, p. 200.
554. W. H. Holmes, “Masterpieces of Aboriginal American Art,” II, Mosaic Work; reprint from Art and Archæology, vol. I, no. 3, Nov., 1914; see pp. 96, 97, and Figs. 2 and 3, pp. 92, 93.
554. W. H. Holmes, “Masterpieces of Aboriginal American Art,” II, Mosaic Work; reprint from Art and Archaeology, vol. I, no. 3, Nov. 1914; see pp. 96, 97, and Figs. 2 and 3, pp. 92, 93.
556. Fewkes, “Archæological Investigations on the Island of La Plata, Ecuador,” Field Columbian Museum Pub. No. 56; Anthrop. Ser., vol. ii, No. 5, Chicago, 1901, pp. 266 sqq.
556. Fewkes, “Archaeological Investigations on La Plata Island, Ecuador,” Field Columbian Museum Pub. No. 56; Anthrop. Ser., vol. ii, No. 5, Chicago, 1901, pp. 266 and following.
563. Cited by Joseph E. Pogue, in “The Turquois”; Memoirs of the National Academy of Sciences, vol. xii, pt. ii, Third Memoir, Washington, 1915, p. 13. From Ouseley, “Travels in Various Countries of the East, more Particularly Persia,” London, 1819, vol. i, pp. 210–212.
563. Cited by Joseph E. Pogue, in “The Turquois”; Memoirs of the National Academy of Sciences, vol. xii, pt. ii, Third Memoir, Washington, 1915, p. 13. From Ouseley, “Travels in Various Countries of the East, more Particularly Persia,” London, 1819, vol. i, pp. 210–212.
571. Oskar Schneider, “Ueber Anschwemmung von antiken Arbeitsmaterial an der Alexandriner Küste,” in “Naturwissenschaftliche Beiträge zur Geographie und Kulturgeschichte,” Dresden, 1883, pp. 4, 5, 6.
571. Oskar Schneider, “On the Accumulation of Ancient Work Materials on the Alexandrian Coast,” in “Scientific Contributions to Geography and Cultural History,” Dresden, 1883, pp. 4, 5, 6.
572. Maçoudi, “Les Prairies d’Or,” text and French trans. by Barbier de Meynard and Pavet de Courteille, vol. ii, Paris, 1863, pp. 436, 437, chap, xxxii.
572. Maçoudi, “The Golden Meadows,” text and French translation by Barbier de Meynard and Pavet de Courteille, vol. ii, Paris, 1863, pp. 436, 437, chap. xxxii.
573. Gesenius in his Hebrew Dictionary even conjectures that the lehâshîm may have been shells, which when held to the ear gave forth sounds believed to have an ominous significance.
573. Gesenius in his Hebrew Dictionary even suggests that the lehâshîm may have been shells that, when held to the ear, produced sounds thought to have a dark significance.
580. In the author’s library.
__A_TAG_PLACEHOLDER_0__. In the author's collection.
583. Dictionnaire d’Archéologie Chrétienne, ed. by Dom Fernand Cabrol and Dom H. Leclercq, Fasc. xxv, Paris, 1911, cols. 696–698, with cuts of the talisman taken from those given by E. Aus’m Weertht to illustrate a paper in the Jahrb. des Vereins der Alterthumsfreunde im Rheinlande, vols. xxxix-xl, p. 265–272, Plates IV, V, VI, Bonn, 1866. The original photographs were taken by express permission of Napoleon III.
583. Dictionary of Christian Archaeology, edited by Dom Fernand Cabrol and Dom H. Leclercq, Fasc. xxv, Paris, 1911, cols. 696–698, featuring images of the talisman based on those provided by E. Aus’m Weertht to illustrate a paper in the Yearbook of the Society of Antiquity Friends in the Rhineland, vols. xxxix-xl, p. 265–272, Plates IV, V, VI, Bonn, 1866. The original photographs were taken with express permission from Napoleon III.
585. Rev. Oswald Cockayne, “Leechdoms, Wortcunning and Starcraft of Early England,” London, 1865, vol. ii, p. 299 (Bk. II, cap. 66 of the “Laece Boc”).
585. Rev. Oswald Cockayne, “Leechdoms, Wortcunning and Starcraft of Early England,” London, 1865, vol. ii, p. 299 (Bk. II, cap. 66 of the “Laece Boc”).
587. See Paul Broca, “Sur la trépanation du crâne et les amulettes crâniennes de l’époque néolitique,” Revue d’Anthropologie, vol. vi, 1877, pp. 1–42, 193–225; and also his “Amulettes crâniennes et trépanation préhistorique” in the same Revue, vol. v, 1876, pp. 106, 107.
587. See Paul Broca, “On the Trepanning of the Skull and Neolithic Skull Amulets,” Revue d’Anthropologie, vol. vi, 1877, pp. 1–42, 193–225; and also his “Prehistoric Trepanning and Skull Amulets” in the same Revue, vol. v, 1876, pp. 106, 107.
588. Kumagusu Minakata, “Trepanning among Ancient Peoples,” Nature, Jan. 15, 1914, pp. 555, 556; citing Encyclopædia Britannica, 1910, vol. xiii, p. 518, and E. A. Schiefner, “Tibetan Tales,” trans. Ralston, 1906, p. 98.
588. Kumagusu Minakata, “Trepanning among Ancient Peoples,” Nature, Jan. 15, 1914, pp. 555, 556; citing Encyclopædia Britannica, 1910, vol. xiii, p. 518, and E. A. Schiefner, “Tibetan Tales,” trans. Ralston, 1906, p. 98.
590. Martin, “Histoire de France,” vol. x, Paris, 1844, p. 451, note. From a communication of Pierre Lacroix, citing as authority: “Catalogue des tableaux, antiquités, pierres gravées, etc., etc., du cabinet de feu M. d’Ennery, écuyer,” by Remi and Miliotti, Paris, 1786.
590. Martin, “History of France,” vol. x, Paris, 1844, p. 451, note. From a message from Pierre Lacroix, referencing: “Catalog of paintings, antiques, engraved stones, etc., etc., from the collection of the late Mr. d’Ennery, gentleman.,” by Remi and Miliotti, Paris, 1786.
593. Inventaire des biens de Marguerite de Flandres Duchesse de Bourgogne, Bibl. Nat., coll. Moreau, 1727; on fol. 96 of transcription in author’s library, from the collection of M. E. Molinier.
593. Inventory of the possessions of Marguerite of Flanders, Duchess of Burgundy, Bibl. Nat., coll. Moreau, 1727; on fol. 96 of the transcription in the author’s library, from the collection of M. E. Molinier.
599. Alex. Nicholes, “A Discourse of Marriage and Wiveing,” 1615, Hasl. Misc. II, 180; cited in Lean’s Collectanea, vol. ii, Pt. II, Bristol, 1903, p. 641.
599. Alex. Nicholes, “A Discourse of Marriage and Wiving,” 1615, Hasl. Misc. II, 180; cited in Lean’s Collectanea, vol. ii, Pt. II, Bristol, 1903, p. 641.
600. F. Lalut, “L’amulet de Pascal,” in Annales méd. psych., I ser., vol. v, pp. 157–180; and P. E. Littré, “Médecine et médecins,” Paris, 1872, pp. 95–97.
600. F. Lalut, “The Pascal Amulet,” in Annales méd. psych., I ser., vol. v, pp. 157–180; and P. E. Littré, “Medicine and Doctors,” Paris, 1872, pp. 95–97.
602. Enrico H. Giglioli, “Di alcuni ex-voto amuleti, ed altri oggetti litici adoperati nel culto di Krishna, sotto la forma di Jagan-natha a Puri in Orissa,” Archivio per l’Antropologia, vol. xxiii, pp. 87–89; Firanzi, 1893.
602. Enrico H. Giglioli, “On certain ex-voto amulets and other stone objects used in the worship of Krishna, in the form of Jagan-natha in Puri, Orissa,” Archivio per l’Antropologia, vol. xxiii, pp. 87–89; Firanzi, 1893.
603. Berthold Laufer, “Notes on Turquois in the East,” Field Museum of Natural History, Publication 169; Anthropological Series, vol. xiii, No. 1. Chicago, July, 1913; see text opposite frontispiece plate.
603. Berthold Laufer, “Notes on Turquoise in the East,” Field Museum of Natural History, Publication 169; Anthropological Series, vol. xiii, No. 1. Chicago, July, 1913; see text opposite frontispiece plate.
608. Ibid., pp. 348, 349.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 348, 349.
611. H. Shway Yoe, “The Burman: His Life and Nations,” in “Indian Jewellery,” by T. H. Hendley. The Journal of Indian Art and Industry, Jan., 1909, vol. xii, No. 105, p. 143.
611. H. Shway Yoe, “The Burman: His Life and Nations,” in “Indian Jewellery,” by T. H. Hendley. The Journal of Indian Art and Industry, Jan., 1909, vol. xii, No. 105, p. 143.
615. Professora Isabel Ramirez Castañeda, “El Folk-Lore de Milpa Alta, D. F., Mexico,” in Proceedings of the International Congress of Americanists, XVIII Session, London, 1912, Pt. II, London, 1913, pp. 352–354.
615. Professor Isabel Ramirez Castañeda, “The Folklore of Milpa Alta, D. F., Mexico,” in Proceedings of the International Congress of Americanists, XVIII Session, London, 1912, Pt. II, London, 1913, pp. 352–354.
616. Ibid., pp. 356, 357.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 356, 357.
617. George Grant McCurdy, Ph.D., “A Study of Chiriquian Antiquities,” New Haven, Conn., 1911, p. 42, figs. 45 and 49; Mem. of the Conn. Acad, of Arts and Sciences, vol. iii, March, 1911.
617. George Grant McCurdy, Ph.D., “A Study of Chiriquian Antiquities,” New Haven, Conn., 1911, p. 42, figs. 45 and 49; Mem. of the Conn. Acad, of Arts and Sciences, vol. iii, March, 1911.
618. R. Verneau and P. Rivet, “Ethnologie ancienne de l’Equateur,” Paris, 1912, vol. vi of Mission du service Géologique de l’armée pour la mesure d’un arc de méridien equatorial en Amérique du Sud, 1899–1900, pp. 222, 223, Plate XIII, fig. 4.
618. R. Verneau and P. Rivet, “Ancient Ethnology of Ecuador,” Paris, 1912, vol. vi of the Geological Service Mission of the Army for Measuring an Arc of the Equatorial Meridian in South America, 1899–1900, pp. 222, 223, Plate XIII, fig. 4.
619. George Frederick Kunz, “Folk-lore of Precious Stones,” Chicago, 1894; reprint from Memoirs of the International Congress of Anthropology; see p. 269.
619. George Frederick Kunz, “Folklore of Precious Stones,” Chicago, 1894; reprint from Memoirs of the International Congress of Anthropology; see p. 269.
622. “The Turquois. A Study of its History, Mineralogy, Geology, Ethnology, Archæology, Mythology, Folklore and Technology.” By Joseph E. Pogue. Third Memoir, vol. xii, National Academy of Sciences, Washington, D. C., 1915, 162 p., plates 22, 4to.
622. “The Turquoise: A Study of Its History, Mineralogy, Geology, Ethnology, Archaeology, Mythology, Folklore, and Technology.” By Joseph E. Pogue. Third Memoir, vol. xii, National Academy of Sciences, Washington, D. C., 1915, 162 p., plates 22, 4to.
624. “Handbook of American Indians North of Mexico,” ed. by Frederick Webb Hodge; Smithsonian Inst., Bur. of Am. Ethn., Bull. 30, Pt. II, p. 178; Washington, 1910.
624. “Handbook of American Indians North of Mexico,” edited by Frederick Webb Hodge; Smithsonian Institution, Bureau of American Ethnology, Bulletin 30, Part II, page 178; Washington, 1910.
625. W. J. Hoffman, “The Midêwiwin, or Grand Medicine Society of the Ojibway”; 7th Report of the Bureau of Ethnology, 1885–86, Washington, 1891, pp. 149–300, with many illustrations.
625. W. J. Hoffman, “The Midêwiwin, or Grand Medicine Society of the Ojibway”; 7th Report of the Bureau of Ethnology, 1885–86, Washington, 1891, pp. 149–300, with many illustrations.
627. W. J. Hoffman, “The Midêwiwin, or Grand Medicine Society of the Ojibway”; 7th Report of the Bureau of Ethnology, 1885–86, Washington, 1891, p. 277.
627. W. J. Hoffman, “The Midêwiwin, or Grand Medicine Society of the Ojibway”; 7th Report of the Bureau of Ethnology, 1885–86, Washington, 1891, p. 277.
628. L’Abbé Banier and l’Abbé Mascrier, “Histoire générale des cérémonies, mœurs, et coutumes religieuses de tous les peuples du monde,” Paris, 1741, p. 101.
628. Abbé Banier and Abbé Mascrier, “General history of the ceremonies, customs, and religious practices of all the peoples of the world.,” Paris, 1741, p. 101.
633. Ibid., p. 439.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 439.
637. Ibid., p. 139.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 139.
638. J. G. Frazer, “Balder the Beautiful,” London, 1913, vol. ii, p. 155. See also by the same writer, “Folk-lore in the Old-Testament,” in Anthropological Essays, presented to E. B. Tyler, Oxford, 1907, pp. 148 sqq.
638. J. G. Frazer, “Balder the Beautiful,” London, 1913, vol. ii, p. 155. See also by the same author, “Folk-lore in the Old-Testament,” in Anthropological Essays, presented to E. B. Tyler, Oxford, 1907, pp. 148 sqq.
641. For further details concerning these strange ornaments, see the writer’s “Curious Lore of Precious Stones,” J. B. Lippincott Company, Philadelphia and London, 1913, pp. 87–90.
641. For more information about these unusual ornaments, check out the author's “Curious Lore of Precious Stones,” J. B. Lippincott Company, Philadelphia and London, 1913, pp. 87–90.
647. Ibid., pp. 82, 83.
__A_TAG_PLACEHOLDER_0__. Same source, pp. 82, 83.
653. W. L. Hildburgh, “Further Notes on Spanish Amulets,” in Folk Lore, vol. xxiv, No. 1, p. 66, March 31, 1913; one of those amulets is shown in Plate I, fig. 4, p. 64.
653. W. L. Hildburgh, “Further Notes on Spanish Amulets,” in Folk Lore, vol. xxiv, No. 1, p. 66, March 31, 1913; one of those amulets is shown in Plate I, fig. 4, p. 64.
656. A. E. Wright and E. Lovett, “Specimens of Modern Mascots and Ancient Amulets of the British Isles,” Folk Lore, vol. xix, p. 295, Plate V, fig. 1.
656. A. E. Wright and E. Lovett, “Examples of Modern Mascots and Ancient Amulets from the British Isles,” Folk Lore, vol. xix, p. 295, Plate V, fig. 1.
657. See A. E. Wright and E. Lovett, “Specimens of Modern Mascots and Ancient Amulets of the British Isles,” Folk Lore, vol. xix, 1904, pp. 288–303; citing Bratly, “The Power of Gems and Charms,” London, 1907.
657. See A. E. Wright and E. Lovett, “Specimens of Modern Mascots and Ancient Amulets of the British Isles,” Folk Lore, vol. xix, 1904, pp. 288–303; citing Bratly, “The Power of Gems and Charms,” London, 1907.
659. St. Louis Democrat, 1905.
__A_TAG_PLACEHOLDER_0__. St. Louis Democrat, 1905.
662. Benvenuto Cellini, “Due trattati, uno intorno alle otto principali arti dell’ oreficeria,” etc., Fiorenzi, Valenti Panizzi & Marco Peri, 1568, fol. 10.
662. Benvenuto Cellini, “Two Treatises, One on the Eight Main Arts of Goldsmithing,” etc., Florence, Valenti Panizzi & Marco Peri, 1568, fol. 10.
667. C. G. Jentsch, “Dissertatio physico-historica de gemmis,” Lipaiæ, 1706, p. 19. See also the present writer’s “The Curious Lore of Precious Stones,” Philadelphia and London, 1913, p. 41.
667. C. G. Jentsch, “Dissertation on the Physical and Historical Aspects of Gems,” Leipzig, 1706, p. 19. See also the author’s “The Curious Lore of Precious Stones,” Philadelphia and London, 1913, p. 41.
670. See Warren K. Moorehead, “Hematite Implements of the United States,” Bulletin VI of the Department of Archæology, Phillips Academy, Andover, Mass., Andover, 1912.
670. See Warren K. Moorehead, “Hematite Tools of the United States,” Bulletin VI of the Department of Archaeology, Phillips Academy, Andover, Mass., Andover, 1912.
673. Note on jade copied from the Tûzuk-i-Jâhangiri, or memoirs of Jahangir, trans. by Alexander Rogers, London, 1909, p. 146; Orient. Trans. Fund, N. S., vol. xix.
673. Note on jade copied from the Tûzuk-i-Jâhangiri, or memoirs of Jahangir, trans. by Alexander Rogers, London, 1909, p. 146; Orient. Trans. Fund, N. S., vol. xix.
674. See The Morgan-Whitney Collection of Chinese Jades and other Hard Stones, donated to the Isaac Delgado Museum of Art, City Park, New Orleans, 1914, p. 32; plate opp. p. 33.
674. Check out The Morgan-Whitney Collection of Chinese Jades and other Hard Stones, donated to the Isaac Delgado Museum of Art, City Park, New Orleans, 1914, p. 32; plate opp. p. 33.
679. Berthold Laufer, “Notes on Turquois in the East,” Chicago, 1913, p. 50, vol. xiii, No. 1, of Anthropological Series of Field Museum of Natural History; citing a translation by MM. Chavannes and Pelliot entitled: “Un traité manichéen retrouvé en Chine,” pub. in Journal Asiatique, 1912.
679. Berthold Laufer, “Notes on Turquoise in the East,” Chicago, 1913, p. 50, vol. xiii, No. 1, of Anthropological Series of Field Museum of Natural History; citing a translation by MM. Chavannes and Pelliot titled: “A Manichaean Treaty Found in China,” published in Journal Asiatique, 1912.
686. Schiller’s “Werke,” ed. by R. Boxberger, vol. iv, Berlin and Stuttgart, n. d., pp. 179, 180, note; from a communication to the editor by Dr. R. Köhler of Weimar, in illustration of the following lines of Schiller’s “Don Karlos,” Act II, Sc. 8:
686. Schiller’s “Werke,” edited by R. Boxberger, vol. iv, Berlin and Stuttgart, n. d., pp. 179, 180, note; from a message to the editor by Dr. R. Köhler of Weimar, illustrating the following lines from Schiller’s “Don Karlos,” Act II, Sc. 8:
690. From a XIII century MS. of his work, “De Proprietatibus Rerum,” fol. clxi, recto and verso. This vellum MS. was originally in the possession of the Carthusian Monastery of the Holy Trinity at Dijon. Now the property of I. Martini of New York.
690. From a 13th-century manuscript of his work, "De Proprietatibus Rerum," fol. clxi, recto and verso. This vellum manuscript was originally owned by the Carthusian Monastery of the Holy Trinity in Dijon. It is now the property of I. Martini of New York.
693. Ibid., p. 129.
__A_TAG_PLACEHOLDER_0__. Ibid., p. 129.
699. Lacroix, “Sur le travail de la pierre polie dans le Haut-Oubangi”; La Géographie, bulletin of the Société de Géographie, Paris, Oct. 15, 1909, pp. 201–206; figures.
699. Lacroix, “On the Work of Polished Stone in Haut-Oubangi”; La Géographie, bulletin of the Société de Géographie, Paris, Oct. 15, 1909, pp. 201–206; figures.
704. “A Description of the Coasts of East Africa and Malabar in the Beginning of the Sixteenth Century, by Duarte Barbosa, a Portuguese,” trans. by Henry E. Staney, London, 1866, p. 208; Hakluyt Soc. Pub., vol. xxxv.
704. “A Description of the Coasts of East Africa and Malabar in the Beginning of the Sixteenth Century, by Duarte Barbosa, a Portuguese,” trans. by Henry E. Staney, London, 1866, p. 208; Hakluyt Soc. Pub., vol. xxxv.
713. Berthold Laufer, “Notes on Turquois in the East.” Field Museum of Natural History, Anthropological Series, vol. xiii, No. 1, Chicago, July, 1913, pp. 5, 8.
713. Berthold Laufer, “Notes on Turquoise in the East.” Field Museum of Natural History, Anthropological Series, vol. xiii, No. 1, Chicago, July, 1913, pp. 5, 8.
- Silently corrected obvious typographical errors and variations in spelling.
- Retained archaic, non-standard, and uncertain spellings as printed.
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