THE MAN UPSTAIRS
AND OTHER STORIES

by P. G. Wodehouse

THE MAN UPSTAIRS
SOMETHING TO WORRY ABOUT
DEEP WATERS
WHEN DOCTORS DISAGREE
BY ADVICE OF COUNSEL
ROUGH-HEW THEM HOW WE WILL
THE MAN WHO DISLIKED CATS
RUTH IN EXILE
ARCHIBALD'S BENEFIT
THE MAN, THE MAID, AND THE MIASMA
THE GOOD ANGEL
POTS O'MONEY
OUT OF SCHOOL
THREE FROM DUNSTERVILLE
THE TUPPENNY MILLIONAIRE
AHEAD OF SCHEDULE
SIR AGRAVAINE
THE GOAL-KEEPER AND THE PLUTOCRAT
IN ALCALA

THERE were three distinct stages in the evolution of Annette Brougham's attitude towards the knocking in the room above. In the beginning it had been merely a vague discomfort. Absorbed in the composition of her waltz, she had heard it almost subconsciously. The second stage set in when it became a physical pain like red-hot pincers wrenching her mind from her music. Finally, with a thrill in indignation, she knew it for what it was—an insult. The unseen brute disliked her playing, and was intimating his views with a boot-heel.

Defiantly, with her foot on the loud pedal, she struck—almost slapped—the keys once more.

'Bang!' from the room above. 'Bang! Bang!'

Annette rose. Her face was pink, her chin tilted. Her eyes sparkled with the light of battle. She left the room and started to mount the stairs. No spectator, however just, could have helped feeling a pang of pity for the wretched man who stood unconscious of imminent doom, possibly even triumphant, behind the door at which she was on the point of tapping.

'Come in!' cried the voice, rather a pleasant voice; but what is a pleasant voice if the soul be vile?

Annette went in. The room was a typical Chelsea studio, scantily furnished and lacking a carpet. In the centre was an easel, behind which were visible a pair of trousered legs. A cloud of grey smoke was curling up over the top of the easel.

'I beg your pardon,' began Annette.

'I don't want any models at present,' said the Brute. 'Leave your card on the table.'

'I am not a model,' said Annette, coldly. 'I merely came—'

At this the Brute emerged from his fortifications and, removing his pipe from his mouth, jerked his chair out into the open.

'I beg your pardon,' he said. 'Won't you sit down?'

How reckless is Nature in the distribution of her gifts! Not only had this black-hearted knocker on floors a pleasant voice, but, in addition, a pleasing exterior. He was slightly dishevelled at the moment, and his hair stood up in a disordered mop; but in spite of these drawbacks, he was quite passably good-looking. Annette admitted this. Though wrathful, she was fair.

'I thought it was another model,' he explained. 'They've been coming in at the rate of ten an hour ever since I settled here. I didn't object at first, but after about the eightieth child of sunny Italy had shown up it began to get on my nerves.'

Annette waited coldly till he had finished.

'I am sorry,' she said, in a this-is-where-you-get-yours voice, 'if my playing disturbed you.'

One would have thought nobody but an Eskimo wearing his furs and winter under-clothing could have withstood the iciness of her manner; but the Brute did not freeze.

'I am sorry,' repeated Annette, well below zero, 'if my playing disturbed you. I live in the room below, and I heard you knocking.'

'No, no,' protested the young man, affably; 'I like it. Really I do.'

'Then why knock on the floor?' said Annette, turning to go. 'It is so bad for my ceiling,' she said over shoulder. 'I thought you would not mind my mentioning it. Good afternoon.'

'No; but one moment. Don't go.'

She stopped. He was surveying her with a friendly smile. She noticed most reluctantly that he had a nice smile. His composure began to enrage her more and more. Long ere this he should have been writhing at her feet in the dust, crushed and abject.

'You see,' he said, 'I'm awfully sorry, but it's like this. I love music, but what I mean is, you weren't playing a tune. It was just the same bit over and over again.'

'I was trying to get a phrase,' said Annette, with dignity, but less coldly. In spite of herself she was beginning to thaw. There was something singularly attractive about this shock-headed youth.

'A phrase?'

'Of music. For my waltz. I am composing a waltz.'

A look of such unqualified admiration overspread the young man's face that the last remnants of the ice-pack melted. For the first time since they had met Annette found herself positively liking this blackguardly floor-smiter.

'Can you compose music?' he said, impressed.

'I have written one or two songs.'

'It must be great to be able to do things—artistic things, I mean, like composing.'

'Well, you do, don't you? You paint.'

The young man shook his head with a cheerful grin.

'I fancy,' he said, 'I should make a pretty good house-painter. I want scope. Canvas seems to cramp me.'

It seemed to cause him no discomfort. He appeared rather amused than otherwise.

'Let me look.'

She crossed over to the easel.

'I shouldn't,' he warned her. 'You really want to? Is this not mere recklessness? Very well, then.'

To the eye of an experienced critic the picture would certainly have seemed crude. It was a study of a dark-eyed child holding a large black cat. Statisticians estimate that there is no moment during the day when one or more young artists somewhere on the face of the globe are not painting pictures of children holding cats.

'I call it "Child and Cat",' said the young man. 'Rather a neat title, don't you think? Gives you the main idea of the thing right away. That,' he explained, pointing obligingly with the stem of his pipe, 'is the cat.'

Annette belonged to that large section of the public which likes or dislikes a picture according to whether its subject happens to please or displease them. Probably there was not one of the million or so child-and-cat eyesores at present in existence which she would not have liked. Besides, he had been very nice about her music.

'I think it's splendid,' she announced.

The young man's face displayed almost more surprise than joy.

'Do you really?' he said. 'Then I can die happy—that is, if you'll let me come down and listen to those songs of yours first.'

'You would only knock on the floor,' objected Annette.

'I'll never knock on another floor as long as I live,' said the ex-brute, reassuringly. 'I hate knocking on floors. I don't see what people want to knock on floors for, anyway.'

Friendships ripen quickly in Chelsea. Within the space of an hour and a quarter Annette had learned that the young man's name was Alan Beverley (for which Family Heraldic affliction she pitied rather than despised him), that he did not depend entirely on his work for a living, having a little money of his own, and that he considered this a fortunate thing. From the very beginning of their talk he pleased her. She found him an absolutely new and original variety of the unsuccessful painter. Unlike Reginald Sellers, who had a studio in the same building, and sometimes dropped in to drink her coffee and pour out his troubles, he did not attribute his non-success to any malice or stupidity on the part of the public. She was so used to hearing Sellers lash the Philistine and hold forth on unappreciated merit that she could hardly believe the miracle when, in answer to a sympathetic bromide on the popular lack of taste in Art, Beverley replied that, as far as he was concerned, the public showed strong good sense. If he had been striving with every nerve to win her esteem, he could not have done it more surely than with that one remark. Though she invariably listened with a sweet patience which encouraged them to continue long after the point at which she had begun in spirit to throw things at them, Annette had no sympathy with men who whined. She herself was a fighter. She hated as much as anyone the sickening blows which Fate hands out to the struggling and ambitious; but she never made them the basis of a monologue act. Often, after a dreary trip round the offices of the music-publishers, she would howl bitterly in secret, and even gnaw her pillow in the watches of the night; but in public her pride kept her unvaryingly bright and cheerful.

Today, for the first time, she revealed something of her woes. There was that about the mop-headed young man which invited confidences. She told him of the stony-heartedness of music-publishers, of the difficulty of getting songs printed unless you paid for them, of their wretched sales.

'But those songs you've been playing,' said Beverley, 'they've been published?'

'Yes, those three. But they are the only ones.'

'And didn't they sell?'

'Hardly at all. You see, a song doesn't sell unless somebody well known sings it. And people promise to sing them, and then don't keep their word. You can't depend on what they say.'

'Give me their names,' said Beverley, 'and I'll go round tomorrow and shoot the whole lot. But can't you do anything?'

'Only keep on keeping on.'

'I wish,' he said, 'that any time you're feeling blue about things you would come up and pour out the poison on me. It's no good bottling it up. Come up and tell me about it, and you'll feel ever so much better. Or let me come down. Any time things aren't going right just knock on the ceiling.'

She laughed.

'Don't rub it in,' pleaded Beverley. 'It isn't fair. There's nobody so sensitive as a reformed floor-knocker. You will come up or let me come down, won't you? Whenever I have that sad, depressed feeling, I go out and kill a policeman. But you wouldn't care for that. So the only thing for you to do is to knock on the ceiling. Then I'll come charging down and see if there's anything I can do to help.'

'You'll be sorry you ever said this.'

'I won't,' he said stoutly.

'If you really mean it, it would be a relief,' she admitted. 'Sometimes I'd give all the money I'm ever likely to make for someone to shriek my grievances at. I always think it must have been so nice for the people in the old novels, when they used to say: "Sit down and I will tell you the story of my life." Mustn't it have been heavenly?'

'Well,' said Beverley, rising, 'you know where I am if I'm wanted. Right up there where the knocking came from.'

'Knocking?' said Annette. 'I remember no knocking.'

'Would you mind shaking hands?' said Beverley.

A particularly maddening hour with one of her pupils drove her up the very next day. Her pupils were at once her salvation and her despair. They gave her the means of supporting life, but they made life hardly worth supporting. Some of them were learning the piano. Others thought they sang. All had solid ivory skulls. There was about a teaspoonful of grey matter distributed among the entire squad, and the pupil Annette had been teaching that afternoon had come in at the tail-end of the division.

In the studio with Beverley she found Reginald Sellers, standing in a critical attitude before the easel. She was not very fond of him. He was a long, offensive, patronizing person, with a moustache that looked like a smear of charcoal, and a habit of addressing her as 'Ah, little one!'

Beverley looked up.

'Have you brought your hatchet, Miss Brougham? If you have, you're just in time to join in the massacre of the innocents. Sellers has been smiting my child and cat hip and thigh. Look at his eye. There! Did you see it flash then? He's on the warpath again.'

'My dear Beverley,' said Sellers, rather stiffly, 'I am merely endeavouring to give you my idea of the picture's defects. I am sorry if my criticism has to be a little harsh.'

'Go right on,' said Beverley, cordially. 'Don't mind me; it's all for my good.'

'Well, in a word, then, it is lifeless. Neither the child nor the cat lives.'

He stepped back a pace and made a frame of his hands.

'The cat now,' he said. 'It is—how shall I put it? It has no—no—er—'

'That kind of cat wouldn't,' said Beverley. 'It isn't that breed.'

'I think it's a dear cat,' said Annette. She felt her temper, always quick, getting the better of her. She knew just how incompetent Sellers was, and it irritated her beyond endurance to see Beverley's good-humoured acceptance of his patronage.

'At any rate,' said Beverley, with a grin, 'you both seem to recognize that it is a cat. You're solid on that point, and that's something, seeing I'm only a beginner.'

'I know, my dear fellow; I know,' said Sellers, graciously. 'You mustn't let my criticism discourage you. Don't think that your work lacks promise. Far from it. I am sure that in time you will do very well indeed. Quite well.'

A cold glitter might have been observed in Annette's eyes.

'Mr Sellers,' she said, smoothly, 'had to work very hard himself before he reached his present position. You know his work, of course?'

For the first time Beverley seemed somewhat confused.

'I—er—why—' he began.

'Oh, but of course you do,' she went on, sweetly. 'It's in all the magazines.'

Beverley looked at the great man with admiration, and saw that he had flushed uncomfortably. He put this down to the modesty of genius.

'In the advertisement pages,' said Annette. 'Mr Sellers drew that picture of the Waukeesy Shoe and the Restawhile Settee and the tin of sardines in the Little Gem Sardine advertisement. He is very good at still life.'

There was a tense silence. Beverley could almost hear the voice of the referee uttering the count.

'Miss Brougham,' said Sellers at last, spitting out the words, 'has confined herself to the purely commercial side of my work. There is another.'

'Why, of course there is. You sold a landscape for five pounds only eight months ago, didn't you? And another three months before that.'

It was enough. Sellers bowed stiffly and stalked from the room.

Beverley picked up a duster and began slowly to sweep the floor with it.

'What are you doing?' demanded Annette, in a choking voice.

'The fragments of the wretched man,' whispered Beverley. 'They must be swept up and decently interred. You certainly have got the punch, Miss Brougham.'

He dropped the duster with a startled exclamation, for Annette had suddenly burst into a flood of tears. With her face buried in her hands she sat in her chair and sobbed desperately.

'Good Lord!' said Beverley, blankly.

'I'm a cat! I'm a beast! I hate myself!'

'Good Lord!' said Beverley, blankly.

'I'm a pig! I'm a fiend!'

'Good Lord!' said Beverley, blankly.

'We're all struggling and trying to get on and having hard luck, and instead of doing what I can to help, I go and t-t-taunt him with not being able to sell his pictures! I'm not fit to live! Oh!'

'Good Lord!' said Beverley, blankly.

A series of gulping sobs followed, diminishing by degrees into silence. Presently she looked up and smiled, a moist and pathetic smile.

'I'm sorry,' she said, 'for being so stupid. But he was so horrid and patronizing to you, I couldn't help scratching. I believe I'm the worst cat in London.'

'No, this is,' said Beverley, pointing to the canvas. 'At least, according to the late Sellers. But, I say, tell me, isn't the deceased a great artist, then? He came curveting in here with his chest out and started to slate my masterpiece, so I naturally said, "What-ho! 'Tis a genius!" Isn't he?'

'He can't sell his pictures anywhere. He lives on the little he can get from illustrating advertisements. And I t-taunt—'

'Please!' said Beverley, apprehensively.

She recovered herself with a gulp.

'I can't help it,' she said, miserably. 'I rubbed it in. Oh, it was hateful of me! But I was all on edge from teaching one of my awful pupils, and when he started to patronize you—'

She blinked.

'Poor devil!' said Beverley. 'I never guessed. Good Lord!'

Annette rose.

'I must go and tell him I'm sorry,' she said. 'He'll snub me horribly, but I must.'

She went out. Beverley lit a pipe and stood at the window looking thoughtfully down into the street.

It is a good rule in life never to apologize. The right sort of people do not want apologies, and the wrong sort take a mean advantage of them. Sellers belonged to the latter class. When Annette, meek, penitent, with all her claws sheathed, came to him and grovelled, he forgave her with a repulsive magnanimity which in a less subdued mood would have stung her to renewed pugnacity. As it was, she allowed herself to be forgiven, and retired with a dismal conviction that from now on he would be more insufferable than ever.

Her surmise proved absolutely correct. His visits to the newcomer's studio began again, and Beverley's picture, now nearing completion, came in for criticism enough to have filled a volume. The good humour with which he received it amazed Annette. She had no proprietary interest in the painting beyond what she acquired from a growing regard for its parent (which disturbed her a good deal when she had time to think of it); but there were moments when only the recollection of her remorse for her previous outbreak kept her from rending the critic. Beverley, however, appeared to have no artistic sensitiveness whatsoever. When Sellers savaged the cat in a manner which should have brought the S.P.C.A. down upon him, Beverley merely beamed. His long-sufferingness was beyond Annette's comprehension.

She began to admire him for it.

To make his position as critic still more impregnable, Sellers was now able to speak as one having authority. After years of floundering, his luck seemed at last to have turned. His pictures, which for months had lain at an agent's, careened like crippled battleships, had at length begun to find a market. Within the past two weeks three landscapes and an allegorical painting had sold for good prices; and under the influence of success he expanded like an opening floweret. When Epstein, the agent, wrote to say that the allegory had been purchased by a Glasgow plutocrat of the name of Bates for one hundred and sixty guineas, Sellers' views on Philistines and their crass materialism and lack of taste underwent a marked modification. He spoke with some friendliness of the man Bates.

'To me,' said Beverley, when informed of the event by Annette, 'the matter has a deeper significance. It proves that Glasgow has at last produced a sober man. No drinker would have dared face that allegory. The whole business is very gratifying.'

Beverley himself was progressing slowly in the field of Art. He had finished the 'Child and Cat', and had taken it to Epstein together with a letter of introduction from Sellers. Sellers' habitual attitude now was that of the kindly celebrity who has arrived and wishes to give the youngsters a chance.

Since its departure Beverley had not done much in the way of actual execution. Whenever Annette came to his studio he was either sitting in a chair with his feet on the window-sill, smoking, or in the same attitude listening to Sellers' views on art. Sellers being on the upgrade, a man with many pounds to his credit in the bank, had more leisure now. He had given up his advertisement work, and was planning a great canvas—another allegorical work. This left him free to devote a good deal of time to Beverley, and he did so. Beverley sat and smoked through his harangues. He may have been listening, or he may not. Annette listened once or twice, and the experience had the effect of sending her to Beverley, quivering with indignation.

'Why do you let him patronize you like that?' she demanded. 'If anybody came and talked to me like that about my music, I'd—I'd—I don't know what I'd do. Yes, even if he were really a great musician.'

'Don't you consider Sellers a great artist, then, even now?'

'He seems to be able to sell his pictures, so I suppose they must be good; but nothing could give him the right to patronize you as he does.'

'"My learned friend's manner would be intolerable in an emperor to a black-beetle,"' quoted Beverley. 'Well, what are we going to do about it?'

'If only you could sell a picture, too!'

'Ah! Well, I've done my part of the contract. I've delivered the goods. There the thing is at Epstein's. The public can't blame me if it doesn't sell. All they've got to do is to waltz in in their thousands and fight for it. And, by the way, talking of waltzes—'

'Oh, it's finished,' said Annette, dispiritedly. 'Published too, for that matter.'

'Published! What's the matter, then? Why this drooping sadness? Why aren't you running around the square, singing like a bird?'

'Because,' said Annette, 'unfortunately, I had to pay the expenses of publication. It was only five pounds, but the sales haven't caught up with that yet. If they ever do, perhaps there'll be a new edition.'

'And will you have to pay for that?'

'No. The publishers would.'

'Who are they?'

'Grusczinsky and Buchterkirch.'

'Heavens, then what are you worrying about? The thing's a cert. A man with a name like Grusczinsky could sell a dozen editions by himself. Helped and inspired by Buchterkirch, he will make the waltz the talk of the country. Infants will croon it in their cots.'

'He didn't seem to think so when I saw him last.'

'Of course not. He doesn't know his own power. Grusczinsky's shrinking diffidence is a by-word in musical circles. He is the genuine Human Violet. You must give him time.'

'I'll give him anything if he'll only sell an edition or two,' said Annette.

The outstanding thing was that he did. There seemed no particular reason why the sale of that waltz should not have been as small and as slow as that of any other waltz by an unknown composer. But almost without warning it expanded from a trickle into a flood. Grusczinsky, beaming paternally whenever Annette entered the shop—which was often—announced two new editions in a week. Beverley, his artistic growth still under a watchful eye of Sellers, said he had never had any doubts as to the success of the thing from the moment when a single phrase in it had so carried him away that he had been compelled to stamp his applause enthusiastically on the floor. Even Sellers forgot his own triumphs long enough to allow him to offer affable congratulations. And money came rolling in, smoothing the path of life.

Those were great days. There was a hat ...

Life, in short, was very full and splendid. There was, indeed, but one thing which kept it from being perfect. The usual drawback to success is that it annoys one's friends so; but in Annette's case this drawback was absent. Sellers' demeanour towards her was that of an old-established inmate welcoming a novice into the Hall of Fame. Her pupils—worthy souls, though bone-headed—fawned upon her. Beverley seemed more pleased than anyone. Yet it was Beverley who prevented her paradise from being complete. Successful herself, she wanted all her friends to be successful; but Beverley, to her discomfort, remained a cheery failure, and worse, absolutely refused to snub Sellers. It was not as if Sellers' advice and comments were disinterested. Beverley was simply the instrument on which he played his songs of triumph. It distressed Annette to such an extent that now, if she went upstairs and heard Sellers' voice in the studio, she came down again without knocking.

One afternoon, sitting in her room, she heard the telephone-bell ring.

The telephone was on the stairs, just outside her door. She went out and took up the receiver.

'Halloa!' said a querulous voice. 'Is Mr Beverley there?'

Annette remembered having heard him go out. She could always tell his footstep.

'He is out,' she said. 'Is there any message?'

'Yes,' said the voice, emphatically. 'Tell him that Rupert Morrison rang up to ask what he was to do with all this great stack of music that's arrived. Does he want it forwarded on to him, or what?' The voice was growing high and excited. Evidently Mr Morrison was in a state of nervous tension when a man does not care particularly who hears his troubles so long as he unburdens himself of them to someone.

'Music?' said Annette.

'Music!' shrilled Mr Morrison. 'Stacks and stacks and stacks of it. Is he playing a practical joke on me, or what?' he demanded, hysterically. Plainly he had now come to regard Annette as a legitimate confidante. She was listening. That was the main point. He wanted someone—he did not care whom—who would listen. 'He lends me his rooms,' wailed Mr Morrison, 'so that I can be perfectly quiet and undisturbed while I write my novel, and, first thing I know, this music starts to arrive. How can I be quiet and undisturbed when the floor's littered two yards high with great parcels of music, and more coming every day?'

Annette clung weakly to the telephone box. Her mind was in a whirl, but she was beginning to see many things.

'Are you there?' called Mr Morrison.

'Yes. What—what firm does the music come from?'

'What's that?'

'Who are the publishers who send the music?'

'I can't remember. Some long name. Yes, I've got it. Grusczinsky and someone.'

'I'll tell Mr Beverley,' said Annette, quietly. A great weight seemed to have settled on her head.

'Halloa! Halloa! Are you there?' came Mr Morrison's voice.

'Yes?'

'And tell him there are some pictures, too.'

'Pictures?'

'Four great beastly pictures. The size of elephants. I tell you, there isn't room to move. And—'

Annette hung up the receiver.

Mr Beverley, returned from his walk, was racing up the stairs three at a time in his energetic way, when, as he arrived at Annette's door, it opened.

'Have you a minute to spare?' said Annette.

'Of course. What's the trouble? Have they sold another edition of the waltz?'

'I have not heard, Mr—Bates.'

For once she looked to see the cheerful composure of the man upstairs become ruffled; but he received the blow without agitation.

'You know my name?' he said.

'I know a good deal more than your name. You are a Glasgow millionaire.'

'It's true,' he admitted, 'but it's hereditary. My father was one before me.'

'And you use your money,' said Annette, bitterly, 'creating fools' paradises for your friends, which last, I suppose, until you grow tired of the amusement and destroy them. Doesn't it ever strike you, Mr Bates, that it's a little cruel? Do you think Mr Sellers will settle down again cheerfully to hack-work when you stop buying his pictures, and he finds out that—that—'

'I shan't stop,' said the young man. 'If a Glasgow millionaire mayn't buy Sellers' allegorical pictures, whose allegorical pictures may he buy? Sellers will never find out. He'll go on painting and I'll go on buying, and all will be joy and peace.'

'Indeed! And what future have you arranged for me?'

'You?' he said, reflectively. 'I want to marry you.'

Annette stiffened from head to foot. He met her blazing eyes with a look of quiet devotion.

'Marry me?'

'I know what you are thinking,' he said. 'Your mind is dwelling on the prospect of living in a house decorated throughout with Sellers' allegorical pictures. But it won't be. We'll store them in the attic.'

She began to speak, but he interrupted her.

'Listen!' he said. 'Sit down and I will tell you the story of my life. We'll skip the first twenty-eight years and three months, merely mentioning that for the greater part of that time I was looking for somebody just like you. A month and nine days ago I found you. You were crossing the Embankment. I was also on the Embankment. In a taxi. I stopped the taxi, got out, and observed you just stepping into the Charing Cross Underground. I sprang—'

'This does not interest me,' said Annette.

'The plot thickens,' he assured her. 'We left our hero springing, I think. Just so. Well, you took the West End train and got off at Sloane Square. So did I. You crossed Sloane Square, turned up King's Road, and finally arrived here. I followed. I saw a notice up, "Studio to Let". I reflected that, having done a little painting in an amateur way, I could pose as an artist all right; so I took the studio. Also the name of Alan Beverley. My own is Bill Bates. I had often wondered what it would feel like to be called by some name like Alan Beverley or Cyril Trevelyan. It was simply the spin of the coin which decided me in favour of the former. Once in, the problem was how to get to know you. When I heard you playing I knew it was all right. I had only to keep knocking on the floor long enough—'

'Do—you—mean—to—tell—me'—Annette's voice trembled 'do you mean to tell me that you knocked that time simply to make me come up?'

'That was it. Rather a scheme, don't you think? And now, would you mind telling me how you found out that I had been buying your waltz? Those remarks of yours about fools' paradises were not inspired solely by the affairs of Sellers. But it beats me how you did it. I swore Rozinsky, or whatever his name is, to secrecy.'

'A Mr Morrison,' said Annette, indifferently, 'rang up on the telephone and asked me to tell you that he was greatly worried by the piles of music which were littering the rooms you lent him.'

The young man burst into a roar of laughter.

'Poor old Morrison! I forgot all about him. I lent him my rooms at the Albany. He's writing a novel, and he can't work if the slightest thing goes wrong. It just shows—'

'Mr Bates!'

'Yes?'

'Perhaps you didn't intend to hurt me. I dare say you meant only to be kind. But—but—oh, can't you see how you have humiliated me? You have treated me like a child, giving me a make-believe success just to—just to keep me quiet, I suppose. You—'

He was fumbling in his pocket.

'May I read you a letter?' he said.

'A letter?'

'Quite a short one. It is from Epstein, the picture-dealer. This is what he says. "Sir," meaning me, not "Dear Bill," mind you—just "Sir." "I am glad to be able to inform you that I have this morning received an offer of ten guineas for your picture, 'Child and Cat'. Kindly let me know if I am to dispose of it at this price."'

'Well?' said Annette, in a small voice.

'I have just been to Epstein's. It seems that the purchaser is a Miss Brown. She gave an address in Bayswater. I called at the address. No Miss Brown lives there, but one of your pupils does. I asked her if she was expecting a parcel for Miss Brown, and she said that she had had your letter and quite understood and would take it in when it arrived.'

Annette was hiding her face in her hands.

'Go away!' she said, faintly.

Mr Bates moved a step nearer.

'Do you remember that story of the people on the island who eked out a precarious livelihood by taking in one another's washing?' he asked, casually.

'Go away!' cried Annette.

'I've always thought,' he said, 'that it must have drawn them very close together—made them feel rather attached to each other. Don't you?'

'Go away!'

'I don't want to go away. I want to stay and hear you say you'll marry me.'

'Please go away! I want to think.'

She heard him moving towards the door. He stopped, then went on again. The door closed quietly. Presently from the room above came the sound of footsteps—footsteps pacing monotonously to and fro like those of an animal in a cage.

Annette sat listening. There was no break in the footsteps.

Suddenly she got up. In one corner of the room was a long pole used for raising and lowering the window-sash. She took it, and for a moment stood irresolute. Then with a quick movement, she lifted it and stabbed three times at the ceiling.

A GIRL stood on the shingle that fringes Millbourne Bay, gazing at the red roofs of the little village across the water. She was a pretty girl, small and trim. Just now some secret sorrow seemed to be troubling her, for on her forehead were wrinkles and in her eyes a look of wistfulness. She had, in fact, all the distinguishing marks of one who is thinking of her sailor lover.

But she was not. She had no sailor lover. What she was thinking of was that at about this time they would be lighting up the shop-windows in London, and that of all the deadly, depressing spots she had ever visited this village of Millbourne was the deadliest.

The evening shadows deepened. The incoming tide glistened oilily as it rolled over the mud flats. She rose and shivered.

'Goo! What a hole!' she said, eyeing the unconscious village morosely. 'What a hole!'

This was Sally Preston's first evening in Millbourne. She had arrived by the afternoon train from London—not of her own free will. Left to herself, she would not have come within sixty miles of the place. London supplied all that she demanded from life. She had been born in London; she had lived there ever since—she hoped to die there. She liked fogs, motor-buses, noise, policemen, paper-boys, shops, taxi-cabs, artificial light, stone pavements, houses in long, grey rows, mud, banana-skins, and moving-picture exhibitions. Especially moving-picture exhibitions. It was, indeed, her taste for these that had caused her banishment to Millbourne.

The great public is not yet unanimous on the subject of moving-picture exhibitions. Sally, as I have said, approved of them. Her father, on the other hand, did not. An austere ex-butler, who let lodgings in Ebury Street and preached on Sundays in Hyde Park, he looked askance at the 'movies'. It was his boast that he had never been inside a theatre in his life, and he classed cinema palaces with theatres as wiles of the devil. Sally, suddenly unmasked as an habitual frequenter of these abandoned places, sprang with one bound into prominence as the Bad Girl of the Family. Instant removal from the range of temptation being the only possible plan, it seemed to Mr Preston that a trip to the country was indicated.

He selected Millbourne because he had been butler at the Hall there, and because his sister Jane, who had been a parlour-maid at the Rectory, was now married and living in the village.

Certainly he could not have chosen a more promising reformatory for Sally. Here, if anywhere, might she forget the heady joys of the cinema. Tucked away in the corner of its little bay, which an accommodating island converts into a still lagoon, Millbourne lies dozing. In all sleepy Hampshire there is no sleepier spot. It is a place of calm-eyed men and drowsy dogs. Things crumble away and are not replaced. Tradesmen book orders, and then lose interest and forget to deliver the goods. Only centenarians die, and nobody worries about anything—or did not until Sally came and gave them something to worry about.

Next door to Sally's Aunt Jane, in a cosy little cottage with a wonderful little garden, lived Thomas Kitchener, a large, grave, self-sufficing young man, who, by sheer application to work, had become already, though only twenty-five, second gardener at the Hall. Gardening absorbed him. When he was not working at the Hall he was working at home. On the morning following Sally's arrival, it being a Thursday and his day off, he was crouching in a constrained attitude in his garden, every fibre of his being concentrated on the interment of a plump young bulb. Consequently, when a chunk of mud came sailing over the fence, he did not notice it.

A second, however, compelled attention by bursting like a shell on the back of his neck. He looked up, startled. Nobody was in sight. He was puzzled. It could hardly be raining mud. Yet the alternative theory, that someone in the next garden was throwing it, was hardly less bizarre. The nature of his friendship with Sally's Aunt Jane and old Mr Williams, her husband, was comfortable rather than rollicking. It was inconceivable that they should be flinging clods at him.

As he stood wondering whether he should go to the fence and look over, or simply accept the phenomenon as one of those things which no fellow can understand, there popped up before him the head and shoulders of a girl. Poised in her right hand was a third clod, which, seeing that there was now no need for its services, she allowed to fall to the ground.

'Halloa!' she said. 'Good morning.'

She was a pretty girl, small and trim. Tom was by way of being the strong, silent man with a career to think of and no time for bothering about girls, but he saw that. There was, moreover, a certain alertness in her expression rarely found in the feminine population of Millbourne, who were apt to be slightly bovine.

'What do you think you're messing about at?' she said, affably.

Tom was a slow-minded young man, who liked to have his thoughts well under control before he spoke. He was not one of your gay rattlers. Besides, there was something about this girl which confused him to an extraordinary extent. He was conscious of new and strange emotions. He stood staring silently.

'What's your name, anyway?'

He could answer that. He did so.

'Oh! Mine's Sally Preston. Mrs Williams is my aunt. I've come from London.'

Tom had no remarks to make about London.

'Have you lived here all your life?'

'Yes,' said Tom.

'My goodness! Don't you ever feel fed up? Don't you want a change?'

Tom considered the point.

'No,' he said.

'Well, I do. I want one now.'

'It's a nice place,' hazarded Tom.

'It's nothing of the sort. It's the beastliest hole in existence. It's absolutely chronic. Perhaps you wonder why I'm here. Don't think I wanted to come here. Not me! I was sent. It was like this.' She gave him a rapid summary of her troubles. 'There! Don't you call it a bit thick?' she concluded.

Tom considered this point, too.

'You must make the best of it,' he said, at length.

'I won't! I'll make father take me back.'

Tom considered this point also. Rarely, if ever, had he been given so many things to think about in one morning.

'How?' he inquired, at length.

'I don't know. I'll find some way. You see if I don't. I'll get away from here jolly quick, I give you my word.'

Tom bent low over a rose-bush. His face was hidden, but the brown of his neck seemed to take on a richer hue, and his ears were undeniably crimson. His feet moved restlessly, and from his unseen mouth there proceeded the first gallant speech his lips had ever framed. Merely considered as a speech, it was, perhaps, nothing wonderful; but from Tom it was a miracle of chivalry and polish.

What he said was: 'I hope not.'

And instinct telling him that he had made his supreme effort, and that anything further must be bathos, he turned abruptly and stalked into his cottage, where he drank tea and ate bacon and thought chaotic thoughts. And when his appetite declined to carry him more than half-way through the third rasher, he understood. He was in love.

These strong, silent men who mean to be head-gardeners before they are thirty, and eliminate woman from their lives as a dangerous obstacle to the successful career, pay a heavy penalty when they do fall in love. The average irresponsible young man who has hung about North Street on Saturday nights, walked through the meadows and round by the mill and back home past the creek on Sunday afternoons, taken his seat in the brake for the annual outing, shuffled his way through the polka at the tradesmen's ball, and generally seized all legitimate opportunities for sporting with Amaryllis in the shade, has a hundred advantages which your successful careerer lacks. There was hardly a moment during the days which followed when Tom did not regret his neglected education.

For he was not Sally's only victim in Millbourne. That was the trouble. Her beauty was not of that elusive type which steals imperceptibly into the vision of the rare connoisseur. It was sudden and compelling. It hit you. Bright brown eyes beneath a mass of fair hair, a determined little chin, a slim figure—these are disturbing things; and the youths of peaceful Millbourne sat up and took notice as one youth. Throw your mind back to the last musical comedy you saw. Recall the leading lady's song with chorus of young men, all proffering devotion simultaneously in a neat row. Well, that was how the lads of the village comported themselves towards Sally.

Mr and Mrs Williams, till then a highly-esteemed but little-frequented couple, were astonished at the sudden influx of visitors. The cottage became practically a salon. There was not an evening when the little sitting-room looking out on the garden was not packed. It is true that the conversation lacked some of the sparkle generally found in the better class of salon. To be absolutely accurate, there was hardly any conversation. The youths of Melbourne were sturdy and honest. They were the backbone of England. England, in her hour of need, could have called upon them with the comfortable certainty that, unless they happened to be otherwise engaged, they would leap to her aid.

But they did not shine at small-talk. Conversationally they were a spent force after they had asked Mr Williams how his rheumatism was. Thereafter they contented themselves with sitting massively about in corners, glowering at each other. Still, it was all very jolly and sociable, and helped to pass the long evenings. And, as Mrs Williams pointed out, in reply to some rather strong remarks from Mr Williams on the subject of packs of young fools who made it impossible for a man to get a quiet smoke in his own home, it kept them out of the public-houses.

Tom Kitchener, meanwhile, observed the invasion with growing dismay. Shyness barred him from the evening gatherings, and what was going on in that house, with young bloods like Ted Pringle, Albert Parsons, Arthur Brown, and Joe Blossom (to name four of the most assiduous) exercising their fascinations at close range, he did not like to think. Again and again he strove to brace himself up to join the feasts of reason and flows of soul which he knew were taking place nightly around the object of his devotions, but every time he failed. Habit is a terrible thing; it shackles the strongest, and Tom had fallen into the habit of inquiring after Mr Williams' rheumatism over the garden fence first thing in the morning.

It was a civil, neighbourly thing to do, but it annihilated the only excuse he could think of for looking in at night. He could not help himself. It was like some frightful scourge—the morphine habit, or something of that sort. Every morning he swore to himself that nothing would induce him to mention the subject of rheumatism, but no sooner had the stricken old gentleman's head appeared above the fence than out it came.

'Morning, Mr Williams.'

'Morning, Tom.'

Pause, indicative of a strong man struggling with himself; then:

'How's the rheumatism, Mr Williams?'

'Better, thank'ee, Tom.'

And there he was, with his guns spiked.

However, he did not give up. He brought to his wooing the same determination which had made him second gardener at the Hall at twenty-five. He was a novice at the game, but instinct told him that a good line of action was to shower gifts. He did so. All he had to shower was vegetables, and he showered them in a way that would have caused the goddess Ceres to be talked about. His garden became a perfect crater, erupting vegetables. Why vegetables? I think I hear some heckler cry. Why not flowers—fresh, fair, fragrant flowers? You can do a lot with flowers. Girls love them. There is poetry in them. And, what is more, there is a recognized language of flowers. Shoot in a rose, or a calceolaria, or an herbaceous border, or something, I gather, and you have made a formal proposal of marriage without any of the trouble of rehearsing a long speech and practising appropriate gestures in front of your bedroom looking-glass. Why, then, did not Thomas Kitchener give Sally Preston flowers? Well, you see, unfortunately, it was now late autumn, and there were no flowers. Nature had temporarily exhausted her floral blessings, and was jogging along with potatoes and artichokes and things. Love is like that. It invariably comes just at the wrong time. A few months before there had been enough roses in Tom Kitchener's garden to win the hearts of a dozen girls. Now there were only vegetables, 'Twas ever thus.

It was not to be expected that a devotion so practically displayed should escape comment. This was supplied by that shrewd observer, old Mr Williams. He spoke seriously to Tom across the fence on the subject of his passion.

'Young Tom,' he said, 'drop it.'

Tom muttered unintelligibly. Mr Williams adjusted the top-hat without which he never stirred abroad, even into his garden. He blinked benevolently at Tom.

'You're making up to that young gal of Jane's,' he proceeded. 'You can't deceive me. All these p'taties, and what not. I seen your game fast enough. Just you drop it, young Tom.'

'Why?' muttered Tom, rebelliously. A sudden distaste for old Mr Williams blazed within him.

'Why? 'Cos you'll only burn your fingers if you don't, that's why. I been watching this young gal of Jane's, and I seen what sort of a young gal she be. She's a flipperty piece, that's what she be. You marry that young gal, Tom, and you'll never have no more quiet and happiness. She'd just take and turn the place upsy-down on you. The man as marries that young gal has got to be master in his own home. He's got to show her what's what. Now, you ain't got the devil in you to do that, Tom. You're what I might call a sort of a sheep. I admires it in you, Tom. I like to see a young man steady and quiet, same as what you be. So that's how it is, you see. Just you drop this foolishness, young Tom, and leave that young gal be, else you'll burn your fingers, same as what I say.'

And, giving his top-hat a rakish tilt, the old gentleman ambled indoors, satisfied that he had dropped a guarded hint in a pleasant and tactful manner.

It is to be supposed that this interview stung Tom to swift action. Otherwise, one cannot explain why he should not have been just as reticent on the subject nearest his heart when bestowing on Sally the twenty-seventh cabbage as he had been when administering the hundred and sixtieth potato. At any rate, the fact remains that, as that fateful vegetable changed hands across the fence, something resembling a proposal of marriage did actually proceed from him. As a sustained piece of emotional prose it fell short of the highest standard. Most of it was lost at the back of his throat, and what did emerge was mainly inaudible. However, as she distinctly caught the word 'love' twice, and as Tom was shuffling his feet and streaming with perspiration, and looking everywhere at once except at her, Sally grasped the situation. Whereupon, without any visible emotion, she accepted him.

Tom had to ask her to repeat her remark. He could not believe his luck. It is singular how diffident a normally self-confident man can become, once he is in love. When Colonel Milvery, of the Hall, had informed him of his promotion to the post of second gardener, Tom had demanded no encore. He knew his worth. He was perfectly aware that he was a good gardener, and official recognition of the fact left him gratified, but unperturbed. But this affair of Sally was quite another matter. It had revolutionized his standards of value—forced him to consider himself as a man, entirely apart from his skill as a gardener. And until this moment he had had grave doubt as to whether, apart from his skill as a gardener, he amounted to much.

He was overwhelmed. He kissed Sally across the fence humbly. Sally, for her part, seemed very unconcerned about it all. A more critical man than Thomas Kitchener might have said that, to all appearances, the thing rather bored Sally.

'Don't tell anybody just yet,' she stipulated.

Tom would have given much to be allowed to announce his triumph defiantly to old Mr Williams, to say nothing of making a considerable noise about it in the village; but her wish was law, and he reluctantly agreed.

There are moments in a man's life when, however enthusiastic a gardener he may be, his soul soars above vegetables. Tom's shot with a jerk into the animal kingdom. The first present he gave Sally in his capacity of fiance was a dog.

It was a half-grown puppy with long legs and a long tail, belonging to no one species, but generously distributing itself among about six. Sally loved it, and took it with her wherever she went. And on one of these rambles down swooped Constable Cobb, the village policeman, pointing out that, contrary to regulations, the puppy had no collar.

It is possible that a judicious meekness on Sally's part might have averted disaster. Mr Cobb was human, and Sally was looking particularly attractive that morning. Meekness, however, did not come easily to Sally. In a speech which began as argument and ended (Mr Cobb proving solid and unyielding) as pure cheek, she utterly routed the constable. But her victory was only a moral one, for as she turned to go Mr Cobb, dull red and puffing slightly, was already entering particulars of the affair in his note-book, and Sally knew that the last word was with him.

On her way back she met Tom Kitchener. He was looking very tough and strong, and at the sight of him a half-formed idea, which she had regretfully dismissed as impracticable, of assaulting Constable Cobb, returned to her in an amended form. Tom did not know it, but the reason why she smiled so radiantly upon him at that moment was that she had just elected him to the post of hired assassin. While she did not want Constable Cobb actually assassinated, she earnestly desired him to have his helmet smashed down over his eyes; and it seemed to her that Tom was the man to do it.

She poured out her grievance to him and suggested her scheme. She even elaborated it.

'Why shouldn't you wait for him one night and throw him into the creek? It isn't deep, and it's jolly muddy.'

'Um!' said Tom, doubtfully.

'It would just teach him,' she pointed out.

But the prospect of undertaking the higher education of the police did not seem to appeal to Tom. In his heart he rather sympathized with Constable Cobb. He saw the policeman's point of view. It is all very well to talk, but when you are stationed in a sleepy village where no one ever murders, or robs, or commits arson, or even gets drunk and disorderly in the street, a puppy without a collar is simply a godsend. A man must look out for himself.

He tried to make this side of the question clear to Sally, but failed signally. She took a deplorable view of his attitude.

'I might have known you'd have been afraid,' she said, with a contemptuous jerk of her chin. 'Good morning.'

Tom flushed. He knew he had never been afraid of anything in his life, except her; but nevertheless the accusation stung. And as he was still afraid of her he stammered as he began to deny the charge.

'Oh, leave off!' said Sally, irritably. 'Suck a lozenge.'

'I'm not afraid,' said Tom, condensing his remarks to their minimum as his only chance of being intelligible.

'You are.'

'I'm not. It's just that I—'

A nasty gleam came into Sally's eyes. Her manner was haughty.

'It doesn't matter.' She paused. 'I've no doubt Ted Pringle will do what I want.'

For all her contempt, she could not keep a touch of uneasiness from her eyes as she prepared to make her next remark. There was a look about Tom's set jaw which made her hesitate. But her temper had run away with her, and she went on.

'I am sure he will,' she said. 'When we became engaged he said that he would do anything for me.'

There are some speeches that are such conversational knockout blows that one can hardly believe that life will ever pick itself up and go on again after them. Yet it does. The dramatist brings down the curtain on such speeches. The novelist blocks his reader's path with a zareba of stars. But in life there are no curtains, no stars, nothing final and definite—only ragged pauses and discomfort. There was such a pause now.

'What do you mean?' said Tom at last. 'You promised to marry me.'

'I know I did—and I promised to marry Ted Pringle!'

That touch of panic which she could not wholly repress, the panic that comes to everyone when a situation has run away with them like a strange, unmanageable machine, infused a shade too much of the defiant into Sally's manner. She had wished to be cool, even casual, but she was beginning to be afraid. Why, she could not have said. Certainly she did not anticipate violence on Tom's part. Perhaps that was it. Perhaps it was just because he was so quiet that she was afraid. She had always looked on him contemptuously as an amiable, transparent lout, and now he was puzzling her. She got an impression of something formidable behind his stolidity, something that made her feel mean and insignificant.

She fought against the feeling, but it gripped her; and, in spite of herself, she found her voice growing shrill and out of control.

'I promised to marry Ted Pringle, and I promised to marry Joe Blossom, and I promised to marry Albert Parsons. And I was going to promise to marry Arthur Brown and anybody else who asked me. So now you know! I told you I'd make father take me back to London. Well, when he hears that I've promised to marry four different men, I bet he'll have me home by the first train.'

She stopped. She had more to say, but she could not say it. She stood looking at him. And he looked at her. His face was grey and his mouth oddly twisted. Silence seemed to fall on the whole universe.

Sally was really afraid now, and she knew it. She was feeling very small and defenceless in an extremely alarming world. She could not have said what it was that had happened to her. She only knew that life had become of a sudden very vivid, and that her ideas as to what was amusing had undergone a striking change. A man's development is a slow and steady process of the years—a woman's a thing of an instant. In the silence which followed her words Sally had grown up.

Tom broke the silence.

'Is that true?' he said.

His voice made her start. He had spoken quietly, but there was a new note in it, strange to her. Just as she could not have said what it was that had happened to her, so now she could not have said what had happened to Tom. He, too, had changed, but how she did not know. Yet the explanation was simple. He also had, in a sense, grown up. He was no longer afraid of her.

He stood thinking. Hours seemed to pass.

'Come along!' he said, at last, and he began to move off down the road.

Sally followed. The possibility of refusing did not enter her mind.

'Where are you going?' she asked. It was unbearable, this silence.

He did not answer.

In this fashion, he leading, she following, they went down the road into a lane, and through a gate into a field. They passed into a second field, and as they did so Sally's heart gave a leap. Ted Pringle was there.

Ted Pringle was a big young man, bigger even than Tom Kitchener, and, like Tom, he was of silent habit. He eyed the little procession inquiringly, but spoke no word. There was a pause.

'Ted,' said Tom, 'there's been a mistake.'

He stepped quickly to Sally's side, and the next moment he had swung her off her feet and kissed her.

To the type of mind that Millbourne breeds, actions speak louder than words, and Ted Pringle, who had gaped, gaped no more. He sprang forward, and Tom, pushing Sally aside, turned to meet him.

I cannot help feeling a little sorry for Ted Pringle. In the light of what happened, I could wish that it were possible to portray him as a hulking brute of evil appearance and worse morals—the sort of person concerning whom one could reflect comfortably that he deserved all he got. I should like to make him an unsympathetic character, over whose downfall the reader would gloat. But honesty compels me to own that Ted was a thoroughly decent young man in every way. He was a good citizen, a dutiful son, and would certainly have made an excellent husband. Furthermore, in the dispute on hand he had right on his side fully as much as Tom. The whole affair was one of those elemental clashings of man and man where the historian cannot sympathize with either side at the expense of the other, but must confine himself to a mere statement of what occurred. And, briefly, what occurred was that Tom, bringing to the fray a pent-up fury which his adversary had had no time to generate, fought Ted to a complete standstill in the space of two minutes and a half.

Sally had watched the proceedings, sick and horrified. She had never seen men fight before, and the terror of it overwhelmed her. Her vanity received no pleasant stimulation from the thought that it was for her sake that this storm had been let loose. For the moment her vanity was dead, stunned by collision with the realities. She found herself watching in a dream. She saw Ted fall, rise, fall again, and lie where he had fallen; and then she was aware that Tom was speaking.

'Come along!'

She hung back. Ted was lying very still. Gruesome ideas presented themselves. She had just accepted them as truth when Ted wriggled. He wriggled again. Then he sat up suddenly, looked at her with unseeing eyes, and said something in a thick voice. She gave a little sob of relief. It was ghastly, but not so ghastly as what she had been imagining.

Somebody touched her arm. Tom was by her side, grim and formidable. He was wiping blood from his face.

'Come along!'

She followed him without a word. And presently, behold, in another field, whistling meditatively and regardless of impending ill, Albert Parsons.

In everything that he did Tom was a man of method. He did not depart from his chosen formula.

'Albert,' he said, 'there's been a mistake.'

And Albert gaped, as Ted had gaped.

Tom kissed Sally with the gravity of one performing a ritual.

The uglinesses of life, as we grow accustomed to them, lose their power to shock, and there is no doubt that Sally looked with a different eye upon this second struggle. She was conscious of a thrill of excitement, very different from the shrinking horror which had seized her before. Her stunned vanity began to tingle into life again. The fight was raging furiously over the trampled turf, and quite suddenly, as she watched, she was aware that her heart was with Tom.

It was no longer two strange brutes fighting in a field. It was her man battling for her sake.

She desired overwhelmingly that he should win, that he should not be hurt, that he should sweep triumphantly over Albert Parsons as he had swept over Ted Pringle.

Unfortunately, it was evident, even to her, that he was being hurt, and that he was very far from sweeping triumphantly over Albert Parsons. He had not allowed himself time to recover from his first battle, and his blows were slow and weary. Albert, moreover, was made of sterner stuff than Ted. Though now a peaceful tender of cows, there had been a time in his hot youth when, travelling with a circus, he had fought, week in, week out, relays of just such rustic warriors as Tom. He knew their methods—their headlong rushes, their swinging blows. They were the merest commonplaces of life to him. He slipped Tom, he side-stepped Tom, he jabbed Tom; he did everything to Tom that a trained boxer can do to a reckless novice, except knock the fight out of him, until presently, through the sheer labour of hitting, he, too, grew weary.

Now, in the days when Albert Parsons had fought whole families of Toms in an evening, he had fought in rounds, with the boss holding the watch, and half-minute rests, and water to refresh him, and all orderly and proper. Today there were no rounds, no rests, no water, and the peaceful tending of cows had caused flesh to grow where there had been only muscle. Tom's headlong rushes became less easy to side-step, his swinging blows more difficult than the scientific counter that shot out to check them. As he tired Tom seemed to regain strength. The tide of the battle began to ebb. He clinched, and Tom threw him off. He feinted, and while he was feinting Tom was on him. It was the climax of the battle—the last rally. Down went Albert, and stayed down. Physically, he was not finished; but in his mind a question had framed itself—the question. 'Was it worth it?'—and he was answering, 'No.' There were other girls in the world. No girl was worth all this trouble.

He did not rise.

'Come along!' said Tom.

He spoke thickly. His breath was coming in gasps. He was a terrible spectacle, but Sally was past the weaker emotions. She was back in the Stone Age, and her only feeling was one of passionate pride. She tried to speak. She struggled to put all she felt into words, but something kept her dumb, and she followed him in silence.

In the lane outside his cottage, down by the creek, Joe Blossom was clipping a hedge. The sound of footsteps made him turn.

He did not recognize Tom till he spoke.

'Joe, there's been a mistake,' said Tom.

'Been a gunpowder explosion, more like,' said Joe, a simple, practical man. 'What you been doin' to your face?'

'She's going to marry me, Joe.'

Joe eyed Sally inquiringly.

'Eh? You promised to marry me.'

'She promised to marry all of us. You, me, Ted Pringle, and Albert Parsons.'

'Promised—to—marry—all—of—us!'

'That's where the mistake was. She's only going to marry me. I—I've arranged it with Ted and Albert, and now I've come to explain to you, Joe.'

'You promised to marry—!'

The colossal nature of Sally's deceit was plainly troubling Joe Blossom. He expelled his breath in a long note of amazement. Then he summed up.

'Why you're nothing more nor less than a Joshua!'

The years that had passed since Joe had attended the village Sunday-school had weakened his once easy familiarity with the characters of the Old Testament. It is possible that he had somebody else in his mind.

Tom stuck doggedly to his point.

'You can't marry her, Joe.'

Joe Blossom raised his shears and clipped a protruding branch. The point under discussion seemed to have ceased to interest him.

'Who wants to?' he said. 'Good riddance!'

They went down the lane. Silence still brooded over them. The words she wanted continued to evade her.

They came to a grassy bank. Tom sat down. He was feeling unutterably tired.

'Tom!'

He looked up. His mind was working dizzily.

'You're going to marry me,' he muttered.

She sat down beside him.

'I know,' she said. 'Tom, dear, lay your head on my lap and go to sleep.'

If this story proves anything (beyond the advantage of being in good training when you fight), it proves that you cannot get away from the moving pictures even in a place like Millbourne; for as Sally sat there, nursing Tom, it suddenly struck her that this was the very situation with which that 'Romance of the Middle Ages' film ended. You know the one I mean. Sir Percival Ye Something (which has slipped my memory for the moment) goes out after the Holy Grail; meets damsel in distress; overcomes her persecutors; rescues her; gets wounded, and is nursed back to life in her arms. Sally had seen it a dozen times. And every time she had reflected that the days of romance are dead, and that that sort of thing can't happen nowadays.

HISTORIANS of the social life of the later Roman Empire speak of a certain young man of Ariminum, who would jump into rivers and swim in 'em. When his friends said, 'You fish!' he would answer, 'Oh, pish! Fish can't swim like me, they've no vim in 'em.'

Just such another was George Barnert Callender.

On land, in his land clothes, George was a young man who excited little remark. He looked very much like other young men. He was much about the ordinary height. His carriage suggested the possession of an ordinary amount of physical strength. Such was George—on shore. But remove his clothes, drape him in a bathing-suit, and insert him in the water, and instantly, like the gentleman in The Tempest, he 'suffered a sea-change into something rich and strange.' Other men puffed, snorted, and splashed. George passed through the ocean with the silent dignity of a torpedo. Other men swallowed water, here a mouthful, there a pint, anon, maybe, a quart or so, and returned to the shore like foundering derelicts. George's mouth had all the exclusiveness of a fashionable club. His breast-stroke was a thing to see and wonder at. When he did the crawl, strong men gasped. When he swam on his back, you felt that that was the only possible method of progression.

George came to Marvis Bay at about five o'clock one evening in July. Marvis Bay has a well-established reputation as a summer resort, and, while not perhaps in every respect the paradise which the excitable writer of the local guide-book asserts it to be, on the whole it earns its reputation. Its sands are smooth and firm, sloping almost imperceptibly into the ocean. There is surf for those who like it, and smoother water beyond for those whose ideals in bathing are not confined to jumping up and down on a given jelly-fish. At the northern end of the beach there is a long pier. It was to this that George made his way on his arrival.

It was pleasant on the pier. Once you had passed the initial zareba of fruit stands, souvenir stands, ice-cream stands, and the lair of the enthusiast whose aim in life it was to sell you picture post-cards, and had won through to the long walk where the seats were, you were practically alone with Nature. At this hour of the day the place was deserted; George had it to himself. He strolled slowly along. The water glittered under the sun-rays, breaking into a flurry of white foam as it reached the beach. A cool breeze blew. The whole scenic arrangements were a great improvement on the stuffy city he had left. Not that George had come to Marvis Bay with the single aim of finding an antidote to metropolitan stuffiness. There was a more important reason. In three days Marvis Bay was to be the scene of the production of Fate's Footballs, a comedy in four acts by G. Barnert Callender. For George, though you would not have suspected it from his exterior, was one of those in whose cerebra the grey matter splashes restlessly about, producing strong curtains and crisp dialogue. The company was due at Marvis Bay on the following evening for the last spasm of rehearsals.

George's mind, as he paced the pier, was divided between the beauties of Nature and the forthcoming crisis in his affairs in the ratio of one-eighth to the former and seven-eighths to the latter. At the moment when he had left London, thoroughly disgusted with the entire theatrical world in general and the company which was rehearsing Fate's Footballs in particular, rehearsals had just reached that stage of brisk delirium when the author toys with his bottle of poison and the stage-manager becomes icily polite. The Footpills—as Arthur Mifflin, the leading juvenile in the great play, insisted upon calling it, much to George's disapproval—was his first piece. Never before had he been in one of those kitchens where many cooks prepare, and sometimes spoil, the theatrical broth. Consequently the chaos seemed to him unique. Had he been a more experienced dramatist, he would have said to himself, 'Twas ever thus.' As it was, what he said to himself—and others—was more forcible.

He was trying to dismiss the whole thing from his mind—a feat which had hitherto proved beyond his powers—when Fate, in an unusually kindly mood, enabled him to do so in a flash by presenting to his jaundiced gaze what, on consideration, he decided was the most beautiful girl he had ever seen. 'When a man's afraid,' shrewdly sings the bard, 'a beautiful maid is a cheering sight to see'. In the present instance the sight acted on George like a tonic. He forgot that the lady to whom an injudicious management had assigned the role of heroine in Fate's Footballs invariably—no doubt from the best motives—omitted to give the cynical roue his cue for the big speech in Act III. His mind no longer dwelt on the fact that Arthur Mifflin, an estimable person in private life, and one who had been a friend of his at Cambridge, preferred to deliver the impassioned lines of the great renunciation scene in a manner suggesting a small boy (and a sufferer from nasal catarrh at that) speaking a piece at a Sunday-school treat. The recollection of the hideous depression and gloom which the leading comedian had radiated in great clouds fled from him like some grisly nightmare before the goddess of day. Every cell in his brain was occupied, to the exclusion of all other thoughts, by the girl swimming in the water below.

She swam well. His practised eye saw that. Her strong, easy strokes carried her swiftly over the swell of the waves. He stared, transfixed. He was a well-brought-up young man, and he knew how ill-bred it was to stare; but this was a special occasion. Ordinary rules of conventional etiquette could not apply to a case like this. He stared. More, he gaped. As the girl passed on into the shadow of the pier he leaned farther over the rail, and his neck extended in joints like a telescope.

At this point the girl turned to swim on her back. Her eyes met his. Hers were deep and clear; his, bulging. For what seemed an eternity to George, she continued to look at him. Then, turning over again, she shot past under the pier.

George's neck was now at its full stretch. No power of will or muscle could add another yard to it. Realizing this, he leaned farther over the rail, and farther still. His hat slid from his hand. He grabbed at it, and, over-balancing, fell with a splash into the water.

Now, in ordinary circumstances, to fall twelve feet into the ocean with all his clothes on would have incommoded George little. He would hardly have noticed it. He would have swum to shore with merely a feeling of amused self-reproach akin to that of the man who absent-mindedly walks into a lamp-post in the street. When, therefore, he came to the surface he prepared without agitation to strike out in his usual bold fashion. At this moment, however, two hands, grasping him beneath the arms, lifted his head still farther from the waves, and a voice in his ear said, 'Keep still; don't struggle. There's no danger.'

George did not struggle. His brain, working with the cool rapidity of a buzz-saw in an ice-box, had planned a line of action. Few things are more difficult in this world for a young man than the securing of an introduction to the right girl under just the right conditions. When he is looking his best he is presented to her in the midst of a crowd, and is swept away after a rapid hand-shake. When there is no crowd he has toothache, or the sun has just begun to make his nose peel. Thousands of young lives have been saddened in this manner.

How different was George's case! By this simple accident, he reflected, as, helping the good work along with an occasional surreptitious leg-stroke, he was towed shorewards, there had been formed an acquaintanceship, if nothing more, which could not lightly be broken. A girl who has saved a man from drowning cannot pass him by next day with a formal bow. And what a girl, too! There had been a time, in extreme youth, when his feminine ideal was the sort of girl who has fuzzy, golden hair, and drops things. Indeed in his first year at the University he had said—and written—as much to one of the type, the episode concluding with a strong little drama, in which a wrathful, cheque-signing father had starred, supported by a subdued, misogynistic son. Which things, aided by the march of time, had turned George's tastes towards the healthy, open-air girl, who did things instead of dropping them.

The pleasantest functions must come to an end sooner or later; and in due season George felt his heels grate on the sand. His preserver loosed her hold. They stood up and faced each other. George began to express his gratitude as best he could—it was not easy to find neat, convincing sentences on the spur of the moment—but she cut him short.

'Of course, it was nothing. Nothing at all,' she said, brushing the sea-water from her eyes. 'It was just lucky I happened to be there.'

'It was splendid,' said the infatuated dramatist. 'It was magnificent. It—'

He saw that she was smiling.

'You're very wet,' she said.

George glanced down at his soaked clothes. It had been a nice suit once.

'Hadn't you better hurry back and change into something dry?'

Looking round about him, George perceived that sundry of the inquisitive were swooping down, with speculation in their eyes. It was time to depart.

'Have you far to go?'

'Not far. I'm staying at the Beach View Hotel.'

'Why, so am I. I hope we shall meet again.'

'We shall,' said George confidently.

'How did you happen to fall in?'

'I was—er—I was looking at something in the water.'

'I thought you were,' said the girl, quietly.

George blushed.

'I know,' he said, 'it was abominably rude of me to stare like that; but—'

'You should learn to swim,' interrupted the girl. 'I can't understand why every boy in the country isn't made to learn to swim before he's ten years old. And it isn't a bit difficult, really. I could teach you in a week.'

The struggle between George and George's conscience was brief. The conscience, weak by nature and flabby from long want of exercise, had no sort of chance from the start.

'I wish you would,' said George. And with those words he realized that he had definitely committed himself to his hypocritical role. Till that moment explanation would have been difficult, but possible. Now it was impossible.

'I will,' said the girl. 'I'll start tomorrow if you like.' She waded into the water.

'We'll talk it over at the hotel,' she said, hastily. 'Here comes a crowd of horrid people. I'm going to swim out again.'

She hurried into deeper water, while George, turning, made his way through a growing throng of goggling spectators. Of the fifteen who got within speaking distance of him, six told him that he was wet. The other nine asked him if he had fallen.

Her name was Vaughan, and she was visiting Marvis Bay in company with an aunt. So much George ascertained from the management of the hotel. Later, after dinner, meeting both ladies on the esplanade, he gleaned further information—to wit, that her first name was Mary, that her aunt was glad to make his acquaintance, liked Marvis Bay but preferred Trouville, and thought it was getting a little chilly and would go indoors.

The elimination of the third factor had a restorative effect upon George's conversation, which had begun to languish. In feminine society as a rule he was apt to be constrained, but with Mary Vaughan it was different. Within a couple of minutes he was pouring out his troubles. The cue-withholding leading lady, the stick-like Mifflin, the funereal comedian—up they all came, and she, gently sympathetic, was endeavouring, not without success, to prove to him that things were not so bad as they seemed.

'It's sure to be all right on the night,' she said.

How rare is the combination of beauty and intelligence! George thought he had never heard such a clear-headed, well-expressed remark.

'I suppose it will,' he said, 'but they were very bad when I left. Mifflin, for instance. He seems to think Nature intended him for a Napoleon of Advertising. He has a bee in his bonnet about booming the piece. Sits up at nights, when he ought to be sleeping or studying his part, thinking out new schemes for advertising the show. And the comedian. His speciality is drawing me aside and asking me to write in new scenes for him. I couldn't stand it any longer. I just came away and left them to fight it out among themselves.'

'I'm sure you have no need to worry. A play with such a good story is certain to succeed.'

George had previously obliged with a brief description of the plot of The Footpills.

'Did you like the story?' he said, tenderly.

'I thought it was fine.'

'How sympathetic you are!' cooed George, glutinously, edging a little closer. 'Do you know—'

'Shall we be going back to the hotel?' said the girl.

Those noisome creatures, the hired murderers of Fate's Footpills, descended upon Marvis Bay early next afternoon, and George, meeting them at the station, in reluctant pursuance of a promise given to Arthur Mifflin, felt moodily that, if only they could make their acting one-half as full of colour as their clothes, the play would be one of the most pronounced successes of modern times. In the forefront gleamed, like the white plumes of Navarre, the light flannel suit of Arthur Mifflin, the woodenest juvenile in captivity.

His woodenness was, however, confined to stage rehearsals. It may be mentioned that, once the run of a piece had begun, he was sufficiently volatile, and in private life he was almost excessively so—a fact which had been noted at an early date by the keen-eyed authorities of his University, the discovery leading to his tearing himself away from Alma Mater by request with some suddenness. He was a long, slender youth, with green eyes, jet-black hair, and a passionate fondness for the sound of his own voice.

'Well, here we are,' he said, kicking breezily at George's leg with his cane.

'I saw you,' said George, coldly, side-stepping.

'The whole team,' continued Mr Mifflin; 'all bright, bonny, and trained to the minute.'

'What happened after I left?' George asked. 'Has anybody begun to act yet? Or are they waiting till the dress-rehearsal?'

'The rehearsals,' admitted Mr Mifflin, handsomely, 'weren't perfect; but you wait. It'll be all right on the night.'

George thought he had never heard such a futile, vapid remark.

'Besides,' said Mr Mifflin, 'I have an idea which will make the show. Lend me your ear—both ears. You shall have them back. Tell me: what pulls people into a theatre? A good play? Sometimes. But failing that, as in the present case, what? Fine acting by the leading juvenile? We have that, but it is not enough. No, my boy; advertisement is the thing. Look at all these men on the beach. Are they going to roll in of their own free wills to see a play like The Footpills? Not on your life. About the time the curtain rises every man of them will be sitting in his own private corner of the beach—'

'How many corners do you think the beach has?'

'Gazing into a girl's eyes, singing, "Shine on, thou harvest moon", and telling her how his boss is practically dependent on his advice. You know.'

'I don't,' said George, coldly.

'Unless,' proceeded Mr Mifflin, 'we advertise. And by advertise, I mean advertise in the right way. We have a Press-agent, but for all the good he does he might be back on the old farm, gathering in the hay. Luckily for us, I am among those present. I have brains, I have resource. What's that?'

'I said nothing.'

'I thought you did. Well, I have an idea which will drag these people like a magnet. I thought it out coming down in the train.'

'What is it?'

'I'll tell you later. There are a few details to be worked upon first. Meanwhile, let us trickle to the sea-front and take a sail in one of those boats. I am at my best in a boat. I rather fancy Nature intended me for a Viking.'

Matters having been arranged with the financier to whom the boat belonged, they set forth. Mr Mifflin, having remarked, 'Yo-ho!' in a meditative voice, seated himself at the helm, somewhat saddened by his failure to borrow a quid of tobacco from the Ocean Beauty's proprietor. For, as he justly observed, without properties and make-up, where were you? George, being skilled in the ways of boats, was in charge of the sheet. The summer day had lost its oppressive heat. The sun no longer beat down on the face of the waters. A fresh breeze had sprung up. George, manipulating the sheet automatically, fell into a reverie. A moment comes in the life of every man when an inward voice whispers to him, 'This is The One!' In George's case the voice had not whispered; it had shouted. From now onward there could be but one woman in the world for him. From now onwards—The Ocean Beauty gave a sudden plunge. George woke up.

'What the deuce are you doing with that tiller?' he inquired.

'My gentle somnambulist,' said Mr Mifflin, aggrieved, 'I was doing nothing with this tiller. We will now form a commission to inquire into what you were doing with that sheet. Were you asleep?'

'My fault,' said George; 'I was thinking.'

'If you must break the habit of a lifetime,' said Mr Mifflin, complainingly, 'I wish you would wait till we get ashore. You nearly upset us.'

'It shan't happen again. They are tricky, these sailing boats—turn over in a second. Whatever you do, don't get her broadside on. There's more breeze out here than I thought there was.'

Mr Mifflin uttered a startled exclamation.

'What's the matter?' asked George.

'Just like a flash,' said Mr Mifflin, complacently. 'It's always the way with me. Give me time, and the artistic idea is bound to come. Just some little thought, some little, apparently obvious, idea which stamps the man of genius. It beats me why I didn't think of it before. Why, of course, a costume piece with a male star is a hundred times more effective.'

'What are you talking about?'

'I see now,' continued Mr Mifflin, 'that there was a flaw in my original plan. My idea was this. We were talking in the train about the bathing down here, and Jane happened to say she could swim some, and it suddenly came to me.'

Jane was the leading woman, she who omitted to give cues.

'I said to myself, "George is a sportsman. He will be delighted to do a little thing like that".'

'Like to do what?'

'Why, rescue Jane.'

'What!'

'She and you,' said Mr Mifflin, 'were to go in swimming together, while I waited on the sands, holding our bone-headed Press-agent on a leash. About a hundred yards from the shore up go her arms. Piercing scream. Agitated crowds on the beach. What is the matter? What has happened? A touch of cramp. Will she be drowned? No! G. Barnert Callender, author of Fate's Footballs, which opens at the Beach Theatre on Monday evening next, at eight-fifteen sharp, will save her. See! He has her. He is bringing her in. She is safe. How pleased her mother will be! And the public, what a bit of luck for them! They will be able to see her act at eight-fifteen sharp on Monday after all. Back you come to the shore. Cheering crowds. Weeping women. Strong situation. I unleash the Press-agent, and off he shoots, in time to get the story into the evening paper. It was a great idea, but I see now there were one or two flaws in it.'

'You do, do you?' said George.

'It occurs to me on reflection that after all you wouldn't have agreed to it. A something, I don't know what, which is lacking in your nature, would have made you reject the scheme.'

'I'm glad that occurred to you.'

'And a far greater flaw was that it was too altruistic. It boomed you and it boomed Jane, but I didn't get a thing out of it. My revised scheme is a thousand times better in every way.'

'Don't say you have another.'

'I have. And,' added Mr Mifflin, with modest pride, 'it is a winner. This time I unhesitatingly assert that I have the goods. In about one minute from now you will hear me exclaim, in a clear musical voice, the single word, "Jump!" That is your cue to leap over the side as quick as you can move, for at that precise moment this spanking craft is going to capsize.'

George spun round in his seat. Mr Mifflin's face was shining with kindly enthusiasm. The shore was at least two hundred yards away, and that morning he had had his first swimming-lesson.

'A movement of the tiller will do it. These accidents are common objects of the seashore. I may mention that I can swim just enough to keep myself afloat; so it's up to you. I wouldn't do this for everyone, but, seeing that we were boys together—Are you ready?'

'Stop!' cried George. 'Don't do it! Listen!'

'Are you ready?'

The Ocean Beauty gave a plunge.

'You lunatic! Listen to me. It—'

'Jump!' said Mr Mifflin.

George came to the surface some yards from the overturned boat, and, looking round for Mr Mifflin, discovered that great thinker treading water a few feet away.

'Get to work, George,' he remarked.

It is not easy to shake one's fist at a man when in deep water, but George managed it.

'For twopence,' he cried, 'I'd leave you to look after yourself.'

'You can do better than that,' said Mr Mifflin. 'I'll give you threepence to tow me in. Hurry up. It's cold.'

In gloomy silence George gripped him by the elbows. Mr Mifflin looked over his shoulder.

'We shall have a good house,' he said. 'The stalls are full already, and the dress-circle's filling. Work away, George, you're doing fine. This act is going to be a scream from start to finish.'

With pleasant conversation he endeavoured to while away the monotony of the journey; but George made no reply. He was doing some rapid thinking. With ordinary luck, he felt bitterly, all would have been well. He could have gone on splashing vigorously under his teacher's care for a week, gradually improving till he emerged into a reasonably proficient swimmer. But now! In an age of miracles he might have explained away his present performance; but how was he to—And then there came to him an idea—simple, as all great ideas are, but magnificent.

He stopped and trod water.

'Tired?' said Mr Mifflin. 'Well, take a rest,' he added, kindly, 'take a rest. No need to hurry.'

'Look here,' said George, 'this piece is going to be recast. We're going to exchange parts. You're rescuing me. See? Never mind why. I haven't time to explain it to you now. Do you understand?'

'No,' said Mr Mifflin.

'I'll get behind you and push you; but don't forget, when we get to the shore, that you've done the rescuing.'

Mr Mifflin pondered.

'Is this wise?' he said. 'It is a strong part, the rescuer, but I'm not sure the other wouldn't suit my style better. The silent hand-grip, the catch in the voice. You want a practised actor for that. I don't think you'd be up to it, George.'

'Never mind about me. That's how it's going to be.'

Mr Mifflin pondered once more.

'No,' he said at length, 'it wouldn't do. You mean well, George, but it would kill the show. We'll go on as before.'

'Will we?' said George, unpleasantly. 'Would you like to know what I'm going to do to you, then? I'm going to hit you very hard under the jaw, and I'm going to take hold of your neck and squeeze it till you lose consciousness, and then I'm going to drag you to the beach and tell people I had to hit you because you lost your head and struggled.'

Mr Mifflin pondered for the third time.

'You are?' he said.

'I am,' said George.

'Then,' said Mr Mifflin, cordially, 'say no more. I take your point. My objections are removed. But,' he concluded, 'this is the last time I come bathing with you, George.'

Mr Mifflin's artistic misgivings as to his colleague's ability to handle so subtle a part as that of rescuee were more than justified on their arrival. A large and interested audience had collected by the time they reached the shore, an audience to which any artist should have been glad to play; but George, forcing his way through, hurried to the hotel without attempting to satisfy them. Not a single silent hand-shake did he bestow on his rescuer. There was no catch in his voice as he made the one remark which he did make—to a man with whiskers who asked him if the boat had upset. As an exhibition of rapid footwork his performance was good. In other respects it was poor.

He had just changed his wet clothes—it seemed to him that he had been doing nothing but change his wet clothes since he had come to Marvis Bay—when Mr Mifflin entered in a bathrobe.

'They lent me this downstairs,' he explained, 'while they dried my clothes. They would do anything for me. I'm the popular hero. My boy, you made the mistake of your life when you threw up the rescuer part. It has all the fat. I see that now. The rescuer plays the other man off the stage every time. I've just been interviewed by the fellow on the local newspaper. He's correspondent to a couple of London papers. The country will ring with this thing. I've told them all the parts I've ever played and my favourite breakfast food. There's a man coming up to take my photograph tomorrow. Footpills stock has gone up with a run. Wait till Monday and see what sort of a house we shall draw. By the way, the reporter fellow said one funny thing. He asked if you weren't the same man who was rescued yesterday by a girl. I said of course not—that you had only come down yesterday. But he stuck to it that you were.'

'He was quite right.'

'What!'

'I was.'

Mr Mifflin sat down on the bed.

'This fellow fell off the pier, and a girl brought him in.'

George nodded.

'And that was you?'

George nodded.

Mr Mifflin's eyes opened wide.

'It's the heat,' he declared, finally. 'That and the worry of rehearsals. I expect a doctor could give the technical name for it. It's a what-do-you-call-it—an obsession. You often hear of cases. Fellows who are absolutely sane really, but cracked on one particular subject. Some of them think they're teapots and things. You've got a craving for being rescued from drowning. What happens, old man? Do you suddenly get the delusion that you can't swim? No, it can't be that, because you were doing all the swimming for the two of us just now. I don't know, though. Maybe you didn't realize that you were swimming?'

George finished lacing his shoe and looked up.

'Listen,' he said; 'I'll talk slow, so that you can understand. Suppose you fell off a pier, and a girl took a great deal of trouble to get you to the shore, would you say, "Much obliged, but you needn't have been so officious. I can swim perfectly well?"'

Mr Mifflin considered this point. Intelligence began to dawn in his face. 'There is more in this than meets the eye,' he said. 'Tell me all.'

'This morning'—George's voice grew dreamy—'she gave me a swimming-lesson. She thought it was my first. Don't cackle like that. There's nothing to laugh at.'

Mr Mifflin contradicted this assertion.

'There is you,' he said, simply. 'This should be a lesson to you, George. Avoid deceit. In future be simple and straightforward. Take me as your model. You have managed to scrape through this time. Don't risk it again. You are young. There is still time to make a fresh start. It only needs will-power. Meanwhile, lend me something to wear. They are going to take a week drying my clothes.'

There was a rehearsal at the Beach Theatre that evening. George attended it in a spirit of resignation and left it in one of elation. Three days had passed since his last sight of the company at work, and in those three days, apparently, the impossible had been achieved. There was a snap and go about the piece now. The leading lady had at length mastered that cue, and gave it out with bell-like clearness. Arthur Mifflin, as if refreshed and braced by his salt-water bath, was infusing a welcome vigour into his part. And even the comedian, George could not help admitting, showed signs of being on the eve of becoming funny. It was with a light heart and a light step that he made his way back to the hotel.

In the veranda were a number of basket-chairs. Only one was occupied. He recognized the occupant.

'I've just come back from a rehearsal,' he said, seating himself beside her.

'Really?'

'The whole thing is different,' he went on, buoyantly. 'They know their lines. They act as if they meant it. Arthur Mifflin's fine. The comedian's improved till you wouldn't know him. I'm awfully pleased about it.'

'Really?'

George felt damped.

'I thought you might be pleased, too,' he said, lamely.

'Of course I am glad that things are going well. Your accident this afternoon was lucky, too, in a way, was it not? It will interest people in the play.'

'You heard about it?'

'I have been hearing about nothing else.'

'Curious it happening so soon after—'

'And so soon before the production of your play. Most curious.'

There was a silence. George began to feel uneasy. You could never tell with women, of course. It might be nothing; but it looked uncommonly as if—

He changed the subject.

'How is your aunt this evening, Miss Vaughan?'

'Quite well, thank you. She went in. She found it a little chilly.'

George heartily commended her good sense. A little chilly did not begin to express it. If the girl had been like this all the evening, he wondered her aunt had not caught pneumonia. He tried again.

'Will you have time to give me another lesson tomorrow?' he said.

She turned on him.

'Mr Callender, don't you think this farce has gone on long enough?'

Once, in the dear, dead days beyond recall, when but a happy child, George had been smitten unexpectedly by a sportive playmate a bare half-inch below his third waistcoat-button. The resulting emotions were still green in his memory. As he had felt then, so did he feel now.

'Miss Vaughan! I don't understand.'

'Really?'

'What have I done?'

'You have forgotten how to swim.'

A warm and prickly sensation began to manifest itself in the region of George's forehead.

'Forgotten!'

'Forgotten. And in a few months. I thought I had seen you before, and today I remembered. It was just about this time last year that I saw you at Hayling Island swimming perfectly wonderfully, and today you are taking lessons. Can you explain it?'

A frog-like croak was the best George could do in that line.

She went on.

'Business is business, I suppose, and a play has to be advertised somehow. But—'

'You don't think—' croaked George.

'I should have thought it rather beneath the dignity of an author; but, of course, you know your own business best. Only I object to being a conspirator. I am sorry for your sake that yesterday's episode attracted so little attention. Today it was much more satisfactory, wasn't it? I am so glad.'

There was a massive silence for about a hundred years.

'I think I'll go for a short stroll,' said George.

Scarcely had he disappeared when the long form of Mr Mifflin emerged from the shadow beyond the veranda.

'Could you spare me a moment?'

The girl looked up. The man was a stranger. She inclined her head coldly.

'My name is Mifflin,' said the other, dropping comfortably into the chair which had held the remains of George.

The girl inclined her head again more coldly; but it took more than that to embarrass Mr Mifflin. Dynamite might have done it, but not coldness.

'The Mifflin,' he explained, crossing his legs. 'I overheard your conversation just now.'

'You were listening?' said the girl, scornfully.

'For all I was worth,' said Mr Mifflin. 'These things are very much a matter of habit. For years I have been playing in pieces where I have had to stand concealed up stage, drinking in the private conversation of other people, and the thing has become a second nature to me. However, leaving that point for a moment, what I wish to say is that I heard you—unknowingly, of course—doing a good man a grave injustice.'

'Mr Callender could have defended himself if he had wished.'

'I was not referring to George. The injustice was to myself.'

'To you?'

'I was the sole author of this afternoon's little drama. I like George, but I cannot permit him to pose in any way as my collaborator. George has old-fashioned ideas. He does not keep abreast of the times. He can write plays, but he needs a man with a big brain to boom them for him. So, far from being entitled to any credit for this afternoon's work, he was actually opposed to it.'

'Then why did he pretend you had saved him?' she demanded.

'George's,' said Mr Mifflin, 'is essentially a chivalrous nature. At any crisis demanding a display of the finer feelings he is there with the goods before you can turn round. His friends frequently wrangle warmly as to whether he is most like Bayard, Lancelot, or Happy Hooligan. Some say one, some the other. It seems that yesterday you saved him from a watery grave without giving him time to explain that he could save himself. What could he do? He said to himself, "She must never know!" and acted accordingly. But let us leave George, and return—'

'Thank you, Mr Mifflin.' There was a break in her laugh. 'I don't think there is any necessity. I think I understand now. It was very clever of you.'

'It was more than cleverness,' said Mr Mifflin, rising. 'It was genius.'

A white form came to meet George as he re-entered the veranda.

'Mr Callender!'

He stopped.

'I'm very sorry I said such horrid things to you just now. I have been talking to Mr Mifflin, and I want to say I think it was ever so nice and thoughtful of you. I understand everything.'

George did not, by a good deal; but he understood sufficient for his needs. He shot forward as if some strong hand were behind him with a needle.

'Miss Vaughan—Mary—I—'

'I think I hear aunt calling,' said she.

But a benevolent Providence has ordained that aunts cannot call for ever; and it is on record that when George entered his box on the two hundredth night of that great London success, Fate's Footballs, he did not enter it alone.

IT is possible that, at about the time at which this story opens, you may have gone into the Hotel Belvoir for a hair-cut. Many people did; for the young man behind the scissors, though of a singularly gloomy countenance, was undoubtedly an artist in his line. He clipped judiciously. He left no ridges. He never talked about the weather. And he allowed you to go away unburdened by any bottle of hair-food.

It is possible, too, that, being there, you decided that you might as well go the whole hog and be manicured at the same time.

It is not unlikely, moreover, that when you had got over the first shock of finding your hands so unexpectedly large and red, you felt disposed to chat with the young lady who looked after that branch of the business. In your genial way you may have permitted a note of gay (but gentlemanly) badinage to creep into your end of the dialogue.

In which case, if you had raised your eyes to the mirror, you would certainly have observed a marked increase of gloom in the demeanour of the young man attending to your apex. He took no official notice of the matter. A quick frown. A tightening of the lips. Nothing more. Jealous as Arthur Welsh was of all who inflicted gay badinage, however gentlemanly, on Maud Peters, he never forgot that he was an artist. Never, even in his blackest moments, had he yielded to the temptation to dig the point of the scissors the merest fraction of an inch into a client's skull.

But Maud, who saw, would understand. And, if the customer was an observant man, he would notice that her replies at that juncture became somewhat absent, her smile a little mechanical.

Jealousy, according to an eminent authority, is the 'hydra of calamities, the sevenfold death'. Arthur Welsh's was all that and a bit over. It was a constant shadow on Maud's happiness. No fair-minded girl objects to a certain tinge of jealousy. Kept within proper bounds, it is a compliment; it makes for piquancy; it is the gin in the ginger-beer of devotion. But it should be a condiment, not a fluid.

It was the unfairness of the thing which hurt Maud. Her conscience was clear. She knew girls—several girls—who gave the young men with whom they walked out ample excuse for being perfect Othellos. If she had ever flirted on the open beach with the baritone of the troupe of pierrots, like Jane Oddy, she could have excused Arthur's attitude. If, like Pauline Dicey, she had roller-skated for a solid hour with a black-moustached stranger while her fiance floundered in Mug's Alley she could have understood his frowning disapprovingly. But she was not like Pauline. She scorned the coquetries of Jane. Arthur was the centre of her world, and he knew it. Ever since the rainy evening when he had sheltered her under his umbrella to her Tube station, he had known perfectly well how things were with her. And yet just because, in a strictly business-like way, she was civil to her customers, he must scowl and bite his lip and behave generally as if it had been brought to his notice that he had been nurturing a serpent in his bosom. It was worse than wicked—it was unprofessional.

She remonstrated with him.

'It isn't fair,' she said, one morning when the rush of customers had ceased and they had the shop to themselves.

Matters had been worse than usual that morning. After days of rain and greyness the weather had turned over a new leaf. The sun glinted among the bottles of Unfailing Lotion in the window, and everything in the world seemed to have relaxed and become cheerful. Unfortunately, everything had included the customers. During the last few days they had taken their seats in moist gloom, and, brooding over the prospect of coming colds in the head, had had little that was pleasant to say to the divinity who was shaping their ends. But today it had been different. Warm and happy, they had bubbled over with gay small-talk.

'It isn't fair,' she repeated.

Arthur, who was stropping a razor and whistling tunelessly, raised his eyebrows. His manner was frosty.

'I fail to understand your meaning,' he said.

'You know what I mean. Do you think I didn't see you frowning when I was doing that gentleman's nails?'

The allusion was to the client who had just left—a jovial individual with a red face, who certainly had made Maud giggle a good deal. And why not? If a gentleman tells really funny stories, what harm is there in giggling? You had to be pleasant to people. If you snubbed customers, what happened? Why, sooner or later, it got round to the boss, and then where were you? Besides, it was not as if the red-faced customer had been rude. Write down on paper what he had said to her, and nobody could object to it. Write down on paper what she had said to him, and you couldn't object to that either. It was just Arthur's silliness.

She tossed her head.

'I am gratified,' said Arthur, ponderously—in happier moments Maud had admired his gift of language; he read a great deal: encyclopedias and papers and things—'I am gratified to find that you had time to bestow a glance on me. You appeared absorbed.'

Maud sniffed unhappily. She had meant to be cold and dignified throughout the conversation, but the sense of her wrongs was beginning to be too much for her. A large tear splashed on to her tray of orange-sticks. She wiped it away with the chamois leather.

'It isn't fair,' she sobbed. 'It isn't. You know I can't help it if gentlemen talk and joke with me. You know it's all in the day's work. I'm expected to be civil to gentlemen who come in to have their hands done. Silly I should look sitting as if I'd swallowed a poker. I do think you might understand, Arthur, you being in the profession yourself.'

He coughed.

'It isn't so much that you talk to them as that you seem to like—'

He stopped. Maud's dignity had melted completely. Her face was buried in her arms. She did not care if a million customers came in, all at the same time.

'Maud!'

She heard him moving towards her, but she did not look up. The next moment his arms were round her, and he was babbling.

And a customer, pushing open the door unnoticed two minutes later, retired hurriedly to get shaved elsewhere, doubting whether Arthur's mind was on his job.

For a time this little thunderstorm undoubtedly cleared the air. For a day or two Maud was happier than she ever remembered to have been. Arthur's behaviour was unexceptionable. He bought her a wrist-watch— light brown leather, very smart. He gave her some chocolates to eat in the Tube. He entertained her with amazing statistics, culled from the weekly paper which he bought on Tuesdays. He was, in short, the perfect lover. On the second day the red-faced man came in again. Arthur joined in the laughter at his stories. Everything seemed ideal.

It could not last. Gradually things slipped back into the old routine. Maud, looking up from her work, would see the frown and the bitten lip. She began again to feel uncomfortable and self-conscious as she worked. Sometimes their conversation on the way to the Tube was almost formal.

It was useless to say anything. She had a wholesome horror of being one of those women who nagged; and she felt that to complain again would amount to nagging. She tried to put the thing out of her mind, but it insisted on staying there. In a way she understood his feelings. He loved her so much, she supposed, that he hated the idea of her exchanging a single word with another man. This, in the abstract, was gratifying; but in practice it distressed her. She wished she were some sort of foreigner, so that nobody could talk to her. But then they would look at her, and that probably would produce much the same results. It was a hard world for a girl.

And then the strange thing happened. Arthur reformed. One might almost say that he reformed with a jerk. It was a parallel case to those sudden conversions at Welsh revival meetings. On Monday evening he had been at his worst. On the following morning he was a changed man. Not even after the original thunderstorm had he been more docile. Maud could not believe that first. The lip, once bitten, was stretched in a smile. She looked for the frown. It was not there.

Next day it was the same; and the day after that. When a week had gone by, and still the improvement was maintained, Maud felt that she might now look upon it as permanent. A great load seemed to have been taken off her mind. She revised her views on the world. It was a very good world, quite one of the best, with Arthur beaming upon it like a sun.

A number of eminent poets and essayists, in the course of the last few centuries, have recorded, in their several ways, their opinion that one can have too much of a good thing. The truth applies even to such a good thing as absence of jealousy. Little by little Maud began to grow uneasy. It began to come home to her that she preferred the old Arthur, of the scowl and the gnawed lip. Of him she had at least been sure. Whatever discomfort she may have suffered from his spirited imitations of Othello, at any rate they had proved that he loved her. She would have accepted gladly an equal amount of discomfort now in exchange for the same certainty. She could not read this new Arthur. His thoughts were a closed book. Superficially, he was all that she could have wished. He still continued to escort her to the Tube, to buy her occasional presents, to tap, when conversing, the pleasantly sentimental vein. But now these things were not enough. Her heart was troubled. Her thoughts frightened her. The little black imp at the back of her mind kept whispering and whispering, till at last she was forced to listen. 'He's tired of you. He doesn't love you any more. He's tired of you.'

It is not everybody who, in times of mental stress, can find ready to hand among his or her personal acquaintances an expert counsellor, prepared at a moment's notice to listen with sympathy and advise with tact and skill. Everyone's world is full of friends, relatives, and others, who will give advice on any subject that may be presented to them; but there are crises in life which cannot be left to the amateur. It is the aim of a certain widely read class of paper to fill this void.

Of this class Fireside Chat was one of the best-known representatives. In exchange for one penny its five hundred thousand readers received every week a serial story about life in highest circles, a short story packed with heart-interest, articles on the removal of stains and the best method of coping with the cold mutton, anecdotes of Royalty, photographs of peeresses, hints on dress, chats about baby, brief but pointed dialogues between Blogson and Snogson, poems, Great Thoughts from the Dead and Brainy, half-hours in the editor's cosy sanctum, a slab of brown paper, and—the journal's leading feature—Advice on Matters of the Heart. The weekly contribution of the advice specialist of Fireside Chat, entitled 'In the Consulting Room, by Dr Cupid', was made up mainly of Answers to Correspondents. He affected the bedside manner of the kind, breezy old physician; and probably gave a good deal of comfort. At any rate, he always seemed to have plenty of cases on his hands.

It was to this expert that Maud took her trouble. She had been a regular reader of the paper for several years; and had, indeed, consulted the great man once before, when he had replied favourably to her query as to whether it would be right for her to accept caramels from Arthur, then almost a stranger. It was only natural that she should go to him now, in an even greater dilemma. The letter was not easy to write, but she finished it at last; and, after an anxious interval, judgement was delivered as follows:

'Well, well, well! Bless my soul, what is all this? M. P. writes me:

'I am a young lady, and until recently was very, very happy, except that my fiance, though truly loving me, was of a very jealous disposition, though I am sure I gave him no cause. He would scowl when I spoke to any other man, and this used to make me unhappy. But for some time now he has quite changed, and does not seem to mind at all, and though at first this made me feel happy, to think that he had got over his jealousy, I now feel unhappy because I am beginning to be afraid that he no longer cares for me. Do you think this is so, and what ought I to do?'

'My dear young lady, I should like to be able to reassure you; but it is kindest sometimes, you know, to be candid, however it may hurt. It has been my experience that, when jealousy flies out of the window, indifference comes in at the door. In the old days a knight would joust for the love of a ladye, risking physical injury rather than permit others to rival him in her affections. I think, M. P., that you should endeavour to discover the true state of your fiance's feelings. I do not, of course, advocate anything in the shape of unwomanly behaviour, of which I am sure, my dear young lady, you are incapable; but I think that you should certainly try to pique your fiance, to test him. At your next ball, for instance, refuse him a certain number of dances, on the plea that your programme is full. At garden-parties, at-homes, and so on, exhibit pleasure in the society and conversation of other gentlemen, and mark his demeanour as you do so. These little tests should serve either to relieve your apprehensions, provided they are groundless, or to show you the truth. And, after all, if it is the truth, it must be faced, must it not, M. P.?'

Before the end of the day Maud knew the whole passage by heart. The more her mind dwelt on it, the more clearly did it seem to express what she had felt but could not put into words. The point about jousting struck her as particularly well taken. She had looked up 'joust' in the dictionary, and it seemed to her that in these few words was contained the kernel of her trouble. In the old days, if any man had attempted to rival him in her affections (outside business hours), Arthur would undoubtedly have jousted—and jousted with the vigour of one who means to make his presence felt. Now, in similar circumstances, he would probably step aside politely, as who should say, 'After you, my dear Alphonse.'

There was no time to lose. An hour after her first perusal of Dr Cupid's advice, Maud had begun to act upon it. By the time the first lull in the morning's work had come, and there was a chance for private conversation, she had invented an imaginary young man, a shadowy Lothario, who, being introduced into her home on the previous Sunday by her brother Horace, had carried on in a way you wouldn't believe, paying all manner of compliments.

'He said I had such white hands,' said Maud.

Arthur nodded, stropping a razor the while. He appeared to be bearing the revelations with complete fortitude. Yet, only a few weeks before, a customer's comment on this same whiteness had stirred him to his depths.

'And this morning—what do you think? Why, he meets me as bold as you please, and gives me a cake of toilet soap. Like his impudence!'

She paused, hopefully.

'Always useful, soap,' said Arthur, politely sententious.

'Lovely it was,' went on Maud, dully conscious of failure, but stippling in like an artist the little touches which give atmosphere and verisimilitude to a story. 'All scented. Horace will tease me about it, I can tell you.'

She paused. Surely he must—Why, a sea-anemone would be torn with jealousy at such a tale.

Arthur did not even wince. He was charming about it. Thought it very kind of the young fellow. Didn't blame him for being struck by the whiteness of her hands. Touched on the history of soap, which he happened to have been reading up in the encyclopedia at the free library. And behaved altogether in such a thoroughly gentlemanly fashion that Maud stayed awake half the night, crying.

If Maud had waited another twenty-four hours there would have been no need for her to have taxed her powers of invention, for on the following day there entered the shop and her life a young man who was not imaginary—a Lothario of flesh and blood. He made his entry with that air of having bought most of the neighbouring property which belongs exclusively to minor actors, men of weight on the Stock Exchange, and American professional pugilists.

Mr 'Skipper' Shute belonged to the last-named of the three classes. He had arrived in England two months previously for the purpose of holding a conference at eight-stone four with one Joseph Edwardes, to settle a question of superiority at that weight which had been vexing the sporting public of two countries for over a year. Having successfully out-argued Mr Edwardes, mainly by means of strenuous work in the clinches, he was now on the eve of starting on a lucrative music-hall tour with his celebrated inaudible monologue. As a result of these things he was feeling very, very pleased with the world in general, and with Mr Skipper Shute in particular. And when Mr Shute was pleased with himself his manner was apt to be of the breeziest.

He breezed into the shop, took a seat, and, having cast an experienced eye at Maud, and found her pleasing, extended both hands, and observed, 'Go the limit, kid.'

At any other time Maud might have resented being addressed as 'kid' by a customer, but now she welcomed it. With the exception of a slight thickening of the lobe of one ear, Mr Shute bore no outward signs of his profession. And being, to use his own phrase, a 'swell dresser', he was really a most presentable young man. Just, in fact, what Maud needed. She saw in him her last hope. If any faint spark of his ancient fire still lingered in Arthur, it was through Mr Shute that it must be fanned.

She smiled upon Mr Shute. She worked on his robust fingers as if it were an artistic treat to be permitted to handle them. So carefully did she toil that she was still busy when Arthur, taking off his apron and putting on his hat, went out for his twenty-minutes' lunch, leaving them alone together.

The door had scarcely shut when Mr Shute bent forward.

'Say!'

He sank his voice to a winning whisper.

'You look good to muh,' he said, gallantly.

'The idea!' said Maud, tossing her head.

'On the level,' Mr Shute assured her.

Maud laid down her orange-sticks.

'Don't be silly,' she said. 'There—I've finished.'

'I've not,' said Mr Shute. 'Not by a mile. Say!'

'Well?'

'What do you do with your evenings?'

'I go home.'

'Sure. But when you don't? It's a poor heart that never rejoices. Don't you ever whoop it up?'

'Whoop it up?'

'The mad whirl,' explained Mr Shute. 'Ice-cream soda and buck-wheat cakes, and a happy evening at lovely Luna Park.'

'I don't know where Luna Park is.'

'What did they teach you at school? It's out in that direction,' said Mr Shute, pointing over his shoulder. 'You go straight on about three thousand miles till you hit little old New York; then you turn to the right. Say, don't you ever get a little treat? Why not come along to the White City some old evening? This evening?'

'Mr Welsh is taking me to the White City tonight.'

'And who is Mr Welsh?'

'The gentleman who has just gone out.'

'Is that so? Well, he doesn't look a live one, but maybe it's just because he's had bad news today. You never can tell.' He rose. 'Farewell, Evelina, fairest of your sex. We shall meet again; so keep a stout heart.'

And, taking up his cane, straw hat, and yellow gloves, Mr Shute departed, leaving Maud to her thoughts.

She was disappointed. She had expected better results. Mr Shute had lowered with ease the record for gay badinage, hitherto held by the red-faced customer; yet to all appearances there had been no change in Arthur's manner. But perhaps he had scowled (or bitten his lip), and she had not noticed it. Apparently he had struck Mr Shute, an unbiased spectator, as gloomy. Perhaps at some moment when her eyes had been on her work—She hoped for the best.

Whatever his feelings may have been during the afternoon, Arthur was undeniably cheerful that evening. He was in excellent spirits. His light-hearted abandon on the Wiggle-Woggle had been noted and commented upon by several lookers-on. Confronted with the Hairy Ainus, he had touched a high level of facetiousness. And now, as he sat with her listening to the band, he was crooning joyously to himself in accompaniment to the music, without, it would appear, a care in the world.

Maud was hurt and anxious. In a mere acquaintance this blithe attitude would have been welcome. It would have helped her to enjoy her evening. But from Arthur at that particular moment she looked for something else. Why was he cheerful? Only a few hours ago she had been—yes, flirting with another man before his very eyes. What right had he to be cheerful? He ought to be heated, full of passionate demands for an explanation—a flushed, throaty thing to be coaxed back into a good temper and then forgiven—all this at great length—for having been in a bad one. Yes, she told herself, she had wanted certainty one way or the other, and here it was. Now she knew. He no longer cared for her.

She trembled.

'Cold?' said Arthur. 'Let's walk. Evenings beginning to draw in now. Lum-da-diddley-ah. That's what I call a good tune. Give me something lively and bright. Dumty-umpty-iddley-ah. Dum tum—'

'Funny thing—' said Maud, deliberately.

'What's a funny thing?'

'The gentleman in the brown suit whose hands I did this afternoon—'

'He was,' agreed Arthur, brightly. 'A very funny thing.'

Maud frowned. Wit at the expense of Hairy Ainus was one thing—at her own another.

'I was about to say,' she went on precisely, 'that it was a funny thing, a coincidence, seeing that I was already engaged, that the gentleman in the brown suit whose hands I did this afternoon should have asked me to come here, to the White City, with him tonight.'

For a moment they walked on in silence. To Maud it seemed a hopeful silence. Surely it must be the prelude to an outburst.

'Oh!' he said, and stopped.

Maud's heart gave a leap. Surely that was the old tone?

A couple of paces, and he spoke again.

'I didn't hear him ask you.'

His voice was disappointingly level.

'He asked me after you had gone out to lunch.'

'It's a nuisance,' said Arthur, cheerily, 'when things clash like that. But perhaps he'll ask you again. Nothing to prevent you coming here twice. Well repays a second visit, I always say. I think—'

'You shouldn't,' said a voice behind him. 'It hurts the head. Well, kid, being shown a good time?'

The possibility of meeting Mr Shute had not occurred to Maud. She had assumed that, being aware that she would be there with another, he would have stayed away. It may, however, be remarked that she did not know Mr Shute. He was not one of your sensitive plants. He smiled pleasantly upon her, looking very dapper in evening dress and a silk hat that, though a size too small for him, shone like a mirror.

Maud hardly knew whether she was glad or sorry to see him. It did not seem to matter much now either way. Nothing seemed to matter much, in fact. Arthur's cheery acceptance of the news that she received invitations from others had been like a blow, leaving her numb and listless.

She made the introductions. The two men eyed each other.

'Pleased to meet you,' said Mr Shute.

'Weather keeps up,' said Arthur.

And from that point onward Mr Shute took command.

It is to be assumed that this was not the first time that Mr Shute had made one of a trio in these circumstances, for the swift dexterity with which he lost Arthur was certainly not that of a novice. So smoothly was it done that it was not until she emerged from the Witching Waves, guided by the pugilist's slim but formidable right arm, that Maud realized that Arthur had gone.

She gave a little cry of dismay. Secretly she was beginning to be somewhat afraid of Mr Shute. He was showing signs of being about to step out of the role she had assigned to him and attempt something on a larger scale. His manner had that extra touch of warmth which makes all the difference.

'Oh! He's gone!' she cried.

'Sure,' said Mr Shute. 'He's got a hurry-call from the Uji Village. The chief's cousin wants a hair-cut.'

'We must find him. We must.'

'Surest thing you know,' said Mr Shute. 'Plenty of time.'

'We must find him.'

Mr Shute regarded her with some displeasure.

'Seems to be ace-high with you, that dub,' he said.

'I don't understand you.'

'My observation was,' explained Mr Shute, coldly, 'that, judging from appearances, that dough-faced lemon was Willie-boy, the first and only love.'

Maud turned on him with flaming cheeks.

'Mr Welsh is nothing to me! Nothing! Nothing!' she cried.

She walked quickly on.

'Then, if there's a vacancy, star-eyes,' said the pugilist at her side, holding on a hat which showed a tendency to wobble, 'count me in. Directly I saw you—see here, what's the idea of this road-work? We aren't racing—'

Maud slowed down.

'That's better. As I was saying, directly I saw you, I said to myself, "That's the one you need. The original candy kid. The—"'

His hat lurched drunkenly as he answered the girl's increase of speed. He cursed it in a brief aside.

'That's what I said. "The original candy kid." So—'

He shot out a restraining hand. 'Arthur!' cried Maud. 'Arthur!'

'It's not my name' breathed Mr Shute, tenderly. 'Call me Clarence.'

Considered as an embrace, it was imperfect. At these moments a silk hat a size too small handicaps a man. The necessity of having to be careful about the nap prevented Mr Shute from doing himself complete justice. But he did enough to induce Arthur Welsh, who, having sighted the missing ones from afar, had been approaching them at a walking pace, to substitute a run for the walk, and arrive just as Maud wrenched herself free.

Mr Shute took off his hat, smoothed it, replaced it with extreme care, and turned his attention to the new-comer.

'Arthur!' said Maud.

Her heart gave a great leap. There was no mistaking the meaning in the eye that met hers. He cared! He cared!

'Arthur!'

He took no notice. His face was pale and working. He strode up to Mr Shute.

'Well?' he said between his teeth.

An eight-stone-four champion of the world has many unusual experiences in his life, but he rarely encounters men who say 'Well?' to him between their teeth. Mr Shute eyed this freak with profound wonder.

'I'll teach you to—to kiss young ladies!'

Mr Shute removed his hat again and gave it another brush. This gave him the necessary time for reflection.

'I don't need it,' he said. 'I've graduated.'

'Put them up!' hissed Arthur.

Almost a shocked look spread itself over the pugilist's face. So might Raphael have looked if requested to draw a pavement-picture.

'You aren't speaking to ME?' he said, incredulously.

'Put them up!'

Maud, trembling from head to foot, was conscious of one overwhelming emotion. She was terrified—yes. But stronger than the terror was the great wave of elation which swept over her. All her doubts had vanished. At last, after weary weeks of uncertainty, Arthur was about to give the supreme proof. He was going to joust for her.

A couple of passers-by had paused, interested, to watch developments. You could never tell, of course. Many an apparently promising row never got any farther than words. But, glancing at Arthur's face, they certainly felt justified in pausing. Mr Shute spoke.

'If it wasn't,' he said, carefully, 'that I don't want trouble with the Society for the Prevention of Cruelty to Animals, I'd—'

He broke off, for, to the accompaniment of a shout of approval from the two spectators, Arthur had swung his right fist, and it had taken him smartly on the side of the head.

Compared with the blows Mr Shute was wont to receive in the exercise of his profession, Arthur's was a gentle tap. But there was one circumstance which gave it a deadliness all its own. Achilles had his heel. Mr Shute's vulnerable point was at the other extremity. Instead of countering, he uttered a cry of agony, and clutched wildly with both hands at his hat.

He was too late. It fell to the ground and bounded away, with its proprietor in passionate chase. Arthur snorted and gently chafed his knuckles.

There was a calm about Mr Shute's demeanour as, having given his treasure a final polish and laid it carefully down, he began to advance on his adversary, which was more than ominous. His lips were a thin line of steel. The muscles stood out over his jaw-bones. Crouching in his professional manner, he moved forward softly, like a cat.

And it was at this precise moment, just as the two spectators, reinforced now by eleven other men of sporting tastes, were congratulating themselves on their acumen in having stopped to watch, that Police-Constable Robert Bryce, intruding fourteen stones of bone and muscle between the combatants, addressed to Mr Shute these memorable words: ''Ullo, 'ullo! 'Ullo, 'ullo, 'ul-lo!'

Mr Shute appealed to his sense of justice.

'The mutt knocked me hat off.'

'And I'd do it again,' said Arthur, truculently.

'Not while I'm here you wouldn't, young fellow,' said Mr Bryce, with decision. 'I'm surprised at you,' he went on, pained. 'And you look a respectable young chap, too. You pop off.'

A shrill voice from the crowd at this point offered the constable all cinematograph rights if he would allow the contest to proceed.

'And you pop off, too, all of you,' continued Mr Bryce. 'Blest if I know what kids are coming to nowadays. And as for you,' he said, addressing Mr Shute, 'all you've got to do is to keep that face of yours closed. That's what you've got to do. I've got my eye on you, mind, and if I catch you a-follerin' of him'—he jerked his thumb over his shoulder at Arthur's departing figure—'I'll pinch you. Sure as you're alive.' He paused. 'I'd have done it already,' he added, pensively, 'if it wasn't me birthday.'

Arthur Welsh turned sharply. For some time he had been dimly aware that somebody was calling his name.

'Oh, Arthur!'

She was breathing quickly. He could see the tears in her eyes.

'I've been running. You walked so fast.'

He stared down at her gloomily.

'Go away,' he said. 'I've done with you.'

She clutched at his coat.

'Arthur, listen—listen! It's all a mistake. I thought you—you didn't care for me any more, and I was miserable, and I wrote to the paper and asked what should I do, and they said I ought to test you and try and make you jealous, and that that would relieve my apprehensions. And I hated it, but I did it, and you didn't seem to care till now. And you know that there's nobody but you.'

'You—The paper? What?' he stammered.

'Yes, yes, yes. I wrote to Fireside Chat, and Dr Cupid said that when jealousy flew out of the window indifference came in at the door, and that I must exhibit pleasure in the society of other gentlemen and mark your demeanour. So I—Oh!'

Arthur, luckier than Mr Shute, was not hampered by a too small silk hat.

It was a few moments later, as they moved slowly towards the Flip-Flap—which had seemed to both of them a fitting climax for the evening's emotions—that Arthur, fumbling in his waist-coat pocket, produced a small slip of paper.

'What's that?' Maud asked.

'Read it,' said Arthur. 'It's from Home Moments, in answer to a letter I sent them. And,' he added with heat, 'I'd like to have five minutes alone with the chap who wrote it.'

And under the electric light Maud read

ANSWERS TO CORRESPONDENTS

By the Heart Specialist

Arthur W.—Jealousy, Arthur W., is not only the most wicked, but the most foolish of passions. Shakespeare says:

It is the green-eyed monster, which doth mock
The meat it feeds on.

You admit that you have frequently caused great distress to the young lady of your affections by your exhibition of this weakness. Exactly. There is nothing a girl dislikes or despises more than jealousy. Be a man, Arthur W. Fight against it. You may find it hard at first, but persevere. Keep a smiling face. If she seems to enjoy talking to other men, show no resentment. Be merry and bright. Believe me, it is the only way.

THE traveller champed meditatively at his steak. He paid no attention to the altercation which was in progress between the waiter and the man at the other end of the dingy room. The sounds of strife ceased. The waiter came over to the traveller's table and stood behind his chair. He was ruffled.

'If he meant lamb,' he said, querulously, 'why didn't he say "lamb", so's a feller could hear him? I thought he said "ham", so I brought ham. Now Lord Percy gets all peevish.'

He laughed bitterly. The traveller made no reply.

'If people spoke distinct,' said the waiter, 'there wouldn't be half the trouble there is in the world. Not half the trouble there wouldn't be. I shouldn't be here, for one thing. In this restawrong, I mean.' A sigh escaped him.

'I shouldn't,' he said, 'and that's the truth. I should be getting up when I pleased, eating and drinking all I wanted, and carrying on same as in the good old days. You wouldn't think, to look at me, would you now, that I was once like the lily of the field?'

The waiter was a tall, stringy man, who gave the impression of having no spine. In that he drooped, he might have been said to resemble a flower, but in no other respect. He had sandy hair, weak eyes set close together, and a day's growth of red stubble on his chin. One could not see him in the lily class.

'What I mean to say is, I didn't toil, neither did I spin. Ah, them was happy days! Lying on me back, plenty of tobacco, something cool in a jug—'

He sighed once more.

'Did you ever know a man of the name of Moore? Jerry Moore?'

The traveller applied himself to his steak in silence.

'Nice feller. Simple sort of feller. Big. Quiet. Bit deaf in one ear. Straw-coloured hair. Blue eyes. 'Andsome, rather. Had a 'ouse just outside of Reigate. Has it still. Money of his own. Left him by his pa. Simple sort of feller. Not much to say for himself. I used to know him well in them days. Used to live with him. Nice feller he was. Big. Bit hard of hearing. Got a sleepy kind of grin, like this—something.'

The traveller sipped his beer in thoughtful silence.

'I reckon you never met him,' said the waiter. 'Maybe you never knew Gentleman Bailey, either? We always called him that. He was one of these broken-down Eton or 'Arrer fellers, folks said. We struck up a partnership kind of casual, both being on the tramp together, and after a while we 'appened to be round about Reigate. And the first house we come to was this Jerry Moore's. He come up just as we was sliding to the back door, and grins that sleepy grin. Like this—something. "'Ullo!" he says. Gentleman kind of gives a whoop, and hollers, "If it ain't my old pal, Jerry Moore! Jack," he says to me, "this is my old pal, Mr Jerry Moore, wot I met in 'appier days down at Ramsgate one summer."

'They shakes hands, and Jerry Moore says, "Is this a friend of yours, Bailey?" looking at me. Gentleman introduces me. "We are partners," he says, "partners in misfortune. This is my friend, Mr Roach."

'"Come along in," says Jerry.

'So we went in, and he makes us at home. He's a bachelor, and lives all by himself in this desirable 'ouse.

'Well, I seen pretty quick that Jerry thinks the world of Gentleman. All that evening he's acting as if he's as pleased as Punch to have him there. Couldn't do enough for him. It was a bit of all right, I said to meself. It was, too.

'Next day we gets up late and has a good breakfast, and sits on the lawn and smokes. The sun was shining, the little birds was singing, and there wasn't a thing, east, west, north, or south, that looked like work. If I had been asked my address at that moment, on oath, I wouldn't have hesitated a second. I should have answered, "No. 1, Easy Street." You see, Jerry Moore was one of these slow, simple fellers, and you could tell in a moment what a lot he thought of Gentleman. Gentleman, you see, had a way with him. Not haughty, he wasn't. More affable, I should call it. He sort of made you feel that all men are born equal, but that it was awful good of him to be talking to you, and that he wouldn't do it for everybody. It went down proper with Jerry Moore. Jerry would sit and listen to him giving his views on things by the hour. By the end of the first day I was having visions of sitting in that garden a white-baked old man, and being laid out, when my time should come, in Jerry's front room.'

He paused, his mind evidently in the past, among the cigars and big breakfasts. Presently he took up his tale.

'This here Jerry Moore was a simple sort of feller. Deafies are like that. Ever noticed? Not that Jerry was a real deafy. His hearing was a bit off, but he could foller you if you spoke to him nice and clear. Well, I was saying, he was kind of simple. Liked to put in his days pottering about the little garden he'd made for himself, looking after his flowers and his fowls, and sit of an evening listening to Gentleman 'olding forth on Life. He was a philosopher, Gentleman was. And Jerry took everything he said as gospel. He didn't want no proofs. 'E and the King of Denmark would have been great pals. He just sat by with his big blue eyes getting rounder every minute and lapped it up.

'Now you'd think a man like that could be counted on, wouldn't you? Would he want anything more? Not he, you'd say. You'd be wrong. Believe me, there isn't a man on earth that's fixed and contented but what a woman can't knock his old Paradise into 'ash with one punch.

'It wasn't long before I begin to notice a change in Jerry. He never had been what you'd call a champion catch-as-catch-can talker, but now he was silenter than ever. And he got a habit of switching Gentleman off from his theories on Life in general to Woman in particular. This suited Gentleman just right. What he didn't know about Woman wasn't knowledge.

'Gentleman was too busy talking to have time to get suspicious, but I wasn't; and one day I draws Gentleman aside and puts it to him straight. "Gentleman," I says, "Jerry Moore is in love!"

'Well, this was a nasty knock, of course, for Gentleman. He knew as well as I did what it would mean if Jerry was to lead home a blushing bride through that front door. It would be outside into the cold, hard world for the bachelor friends. Gentleman sees that quick, and his jaw drops. I goes on. "All the time," I says, "that you're talking away of an evening, Jerry's seeing visions of a little woman sitting in your chair. And you can bet we don't enter into them visions. He may dream of little feet pattering about the house," I says, "but they aren't ours; and you can 'ave something on that both ways. Look alive, Gentleman," I says, "and think out some plan, or we might as well be padding the hoof now."

'Well, Gentleman did what he could. In his evening discourses he started to give it to Woman all he knew. Began to talk about Delilahs and Jezebels and Fools-there-was and the rest of it, and what a mug a feller was to let a female into 'is cosy home, who'd only make him spend his days hooking her up, and his nights wondering how to get back the blankets without waking her. My, he was crisp! Enough to have given Romeo the jumps, you'd have thought. But, lor! It's no good talking to them when they've got it bad.

'A few days later we caught him with the goods, talking in the road to a girl in a pink dress.

'I couldn't but admit that Jerry had picked one right from the top of the basket. This wasn't one of them languishing sort wot sits about in cosy corners and reads story-books, and don't care what's happening in the home so long as they find out what became of the hero in his duel with the Grand Duke. She was a brown, slim, wiry-looking little thing. You know. Held her chin up and looked you up and down with eyes the colour of Scotch whisky, as much as to say, "Well, what about it?" You could tell without looking at her, just by the feel of the atmosphere when she was near, that she had as much snap and go in her as Jerry Moore hadn't, which was a good bit. I knew, just as sure as I was standing there on one leg, that this was the sort of girl who would have me and Gentleman out of that house about three seconds after the clergyman had tied the knot.

'Jerry says, "These are my friends, Miss Tuxton—Mr Bailey and Mr Roach. They are staying with me for a visit. This is Miss Jane Tuxton," he says to us. "I was just going to see Miss Tuxton home," he says, sort of wistful. "Excellent," says Gentleman. "We'll come too." And we all goes along. There wasn't much done in the way of conversation. Jerry never was one for pushing out the words; nor was I, when in the presence of the sect; and Miss Jane had her chin in the air, as if she thought me and Gentleman was not needed in any way whatsoever. The only talk before we turned her in at the garden gate was done by Gentleman, who told a pretty long story about a friend of his in Upper Sydenham who had been silly enough to marry, and had had trouble ever since.

'That night, after we had went to bed, I said to Gentleman, "Gentleman," I says, "what's going to be done about this? We've got about as much chance, if Jerry marries that girl," I says, "as a couple of helpless chocolate creams at a school-girls' picnic." "If," says Gentleman. "He ain't married her yet. That is a girl of character, Jack. Trust me. Didn't she strike you as a girl who would like a man with a bit of devil in him, a man with some go in him, a you-be-darned kind of man? Does Jerry fill the bill? He's more like a doormat with 'Welcome' written on it, than anything else."

'Well, we seen a good deal of Miss Jane in the next week or so. We keeps Jerry under—what's it the heroine says in the melodrama? "Oh, cruel, cruel, S.P. something." Espionage, that's it. We keeps Jerry under espionage, and whenever he goes trickling round after the girl, we goes trickling round after him.

'"Things is running our way," says Gentleman to me, after one of these meetings. "That girl is getting cross with Jerry. She wants Reckless Rudolf, not a man who stands and grins when other men butt in on him and his girl. Mark my words, Jack. She'll get tired of Jerry, and go off and marry a soldier, and we'll live happy ever after." "Think so?" I says. "Sure of it," said Gentleman.

'It was the Sunday after this that Jerry Moore announces to us, wriggling, that he had an engagement to take supper with Jane and her folks. He'd have liked to have slipped away secret, but we was keeping him under espionage too crisp for that, so he has to tell us. "Excellent," said Gentleman. "It will be a great treat to Jack and myself to meet the family. We will go along with you." So off we all goes, and pushes our boots in sociable fashion under the Tuxton table. I looked at Miss Jane out of the corner of my eye; and, honest, that chin of hers was sticking out a foot, and Jerry didn't dare look at her. Love's young dream, I muses to myself, how swift it fades when a man has the nature and disposition of a lop-eared rabbit!

'The Tuxtons was four in number, not counting the parrot, and all male. There was Pa Tuxton, an old feller with a beard and glasses; a fat uncle; a big brother, who worked in a bank and was dressed like Moses in all his glory; and a little brother with a snub nose, that cheeky you'd have been surprised. And the parrot in its cage and a fat yellow dog. And they're all making themselves pleasant to Jerry, the wealthy future son-in-law, something awful. It's "How are the fowls, Mr Moore?" and "A little bit of this pie, Mr Moore; Jane made it," and Jerry sitting there with a feeble grin, saying "Yes" and "No" and nothing much more, while Miss Jane's eyes are snapping like Fifth of November fireworks. I could feel Jerry's chances going back a mile a minute. I felt as happy as a little child that evening. I sang going back home.

'Gentleman's pleased, too. "Jack," he says to me when we're in bed, "this is too easy. In my most sanguinary dreams I hardly hoped for this. No girl of spirit's going to love a man who behaves that way to her parents. The way to win the heart of a certain type of girl," he says, beginning on his theories, "the type to which Jane Tuxton belongs, is to be rude to her family. I've got Jane Tuxton sized up and labelled. Her kind wants her folks to dislike her young man. She wants to feel that she's the only one in the family that's got the sense to see the hidden good in Willie. She doesn't want to be one of a crowd hollering out what a nice young man he is. It takes some pluck in a man to stand up to a girl's family, and that's what Jane Tuxton is looking for in Jerry. Take it from one who has studied the sect," says Gentleman, "from John o' Groat's to Land's End, and back again."

'Next day Jerry Moore's looking as if he'd only sixpence in the world and had swallowed it. "What's the matter, Jerry?" says Gentleman. Jerry heaves a sigh. "Bailey," he says, "and you, Mr Roach, I expect you both seen how it is with me. I love Miss Jane Tuxton, and you seen for yourselves what transpires. She don't value me, not tuppence." "Say not so," says Gentleman, sympathetic. "You're doing fine. If you knew the sect as I do you wouldn't go by mere superficial silences and chin-tiltings. I can read a girl's heart, Jerry," he says, patting him on the shoulder, "and I tell you you're doing fine. All you want now is a little rapid work, and you win easy. To make the thing a cert," he says, getting up, "all you have to do is to make a dead set at her folks." He winks at me. "Don't just sit there like you did last night. Show 'em you've got something in you. You know what folks are: they think themselves the most important things on the map. Well, go to work. Consult them all you know. Every opportunity you get. There's nothing like consulting a girl's folks to put you in good with her." And he pats Jerry on the shoulder again and goes indoors to find his pipe.

'Jerry turns to me. "Do you think that's really so?" he says. I says, "I do." "He knows all about girls, I reckon," says Jerry. "You can go by him every time," I says. "Well, well," says Jerry, sort of thoughtful.'

The waiter paused. His eye was sad and dreamy. Then he took up the burden of his tale.

'First thing that happens is that Gentleman has a sore tooth on the next Sunday, so don't feel like coming along with us. He sits at home, dosing it with whisky, and Jerry and me goes off alone.

'So Jerry and me pikes off, and once more we prepares to settle down around the board. I hadn't noticed Jerry particular, but just now I catches sight of his face in the light of the lamp. Ever see one of those fighters when he's sitting in his corner before a fight, waiting for the gong to go? Well, Jerry looks like that; and it surprises me.

'I told you about the fat yellow dog that permeated the Tuxton's house, didn't I? The family thought a lot of that dog, though of all the ugly brutes I ever met he was the worst. Sniffing round and growling all the time. Well, this evening he comes up to Jerry just as he's going to sit down, and starts to growl. Old Pa Tuxton looks over his glasses and licks his tongue. "Rover! Rover!" he says, kind of mild. "Naughty Rover; he don't like strangers, I'm afraid." Jerry looks at Pa Tuxton, and he looks at the dog, and I'm just expecting him to say "No" or "Yes", same as the other night, when he lets out a nasty laugh—one of them bitter laughs. "Ho!" he says. "Ho! don't he? Then perhaps he'd better get further away from them." And he ups with his boot and—well, the dog hit the far wall.

'Jerry sits down and pulls up his chair. "I don't approve," he says, fierce, "of folks keeping great, fat, ugly, bad-tempered yellow dogs that are a nuisance to all. I don't like it."

'There was a silence you could have scooped out with a spoon. Have you ever had a rabbit turn round on you and growl? That's how we all felt when Jerry outs with them crisp words. They took our breath away.

'While we were getting it back again the parrot, which was in its cage, let out a squawk. Honest, I jumped a foot in my chair.

'Jerry gets up very deliberate, and walks over to the parrot. "Is this a menagerie?" he says. "Can't a man have supper in peace without an image like you starting to holler? Go to sleep."

'We was all staring at him surprised, especially Uncle Dick Tuxton, whose particular pet the parrot was. He'd brought him home all the way from some foreign parts.

'"Hello, Billy!" says the bird, shrugging his shoulders and puffing himself up. "R-r-r-r! R-r-r-r! 'lo, Billy! 'lo, 'lo, 'lo! R-r WAH!"

'Jerry gives its cage a bang.

'"Don't talk back at me," he says, "or I'll knock your head off. You think because you've got a green tail you're someone." And he stalks back to his chair and sits glaring at Uncle Dick.

'Well, all this wasn't what you might call promoting an easy flow of conversation. Everyone's looking at Jerry, 'specially me, wondering what next, and trying to get their breath, and Jerry's frowning at the cold beef, and there's a sort of awkward pause. Miss Jane is the first to get busy. She bustles about and gets the food served out, and we begins to eat. But still there's not so much conversation that you'd notice it. This goes on till we reaches the concluding stages, and then Uncle Dick comes up to the scratch.

'"How is the fowls, Mr Moore?" he says.

'"Gimme some more pie," says Jerry. "What?"

'Uncle Dick repeats his remark.

'"Fowls?" says Jerry. "What do you know about fowls? Your notion of a fowl is an ugly bird with a green tail, a Wellington nose, and—gimme a bit of cheese."

'Uncle Dick's fond of the parrot, so he speaks up for him. "Polly's always been reckoned a handsome bird," he says.

'"He wants stuffing," says Jerry.

'And Uncle Dick drops out of the talk.

'Up comes big brother, Ralph his name was. He's the bank-clerk and a dude. He gives his cuffs a flick, and starts in to make things jolly all round by telling a story about a man he knows named Wotherspoon. Jerry fixes him with his eye, and, half-way through, interrupts.

'"That waistcoat of yours is fierce," he says.

'"Pardon?" says Ralph.

'"That waistcoat of yours," says Jerry. "It hurts me eyes. It's like an electric sign."

'"Why, Jerry," I says, but he just scowls at me and I stops.

'Ralph is proud of his clothes, and he isn't going to stand this. He glares at Jerry and Jerry glares at him.

'"Who do you think you are?" says Ralph, breathing hard.

'"Button up your coat," says Jerry.

'"Look 'ere!" says Ralph.

'"Cover it up, I tell you," says Jerry. "Do you want to blind me?" Pa Tuxton interrupts.

'"Why, Mr Moore," he begins, sort of soothing; when the small brother, who's been staring at Jerry, chips in. I told you he was cheeky.

'He says, "Pa, what a funny nose Mr Moore's got!"

'And that did it. Jerry rises, very slow, and leans across the table and clips the kid brother one side of the ear-'ole. And then there's a general imbroglio, everyone standing up and the kid hollering and the dog barking.

'"If you'd brought him up better," says Jerry, severe, to Pa Tuxton, "this wouldn't ever have happened."

Pa Tuxton gives a sort of howl.

'"Mr Moore," he yells, "what is the meaning of this extraordinary behaviour? You come here and strike me child—"

'Jerry bangs on the table.

'"Yes," he says, "and I'd strike him again. Listen to me," he says. "You think just because I'm quiet I ain't got no spirit. You think all I can do is to sit and smile. You think—Bah! You aren't on to the hidden depths in me character. I'm one of them still waters that runs deep. I'm—Here, you get out of it! Yes, all of you! Except Jane. Jane and me wants this room to have a private talk in. I've got a lot of things to say to Jane. Are you going?"

'I turns to the crowd. I was awful disturbed. "You mustn't take any notice," I says. "He ain't well. He ain't himself." When just then the parrot cuts with another of them squawks. Jerry jumps at it.

'"You first," he says, and flings the cage out of the window. "Now you," he says to the yellow dog, putting him out through the door. And then he folds his arms and scowls at us, and we all notice suddenly that he's very big. We look at one another, and we begins to edge towards the door. All except Jane, who's staring at Jerry as if he's a ghost.

'"Mr Moore," says Pa Tuxton, dignified, "we'll leave you. You're drunk."

'"I'm not drunk," says Jerry. "I'm in love."

'"Jane," says Pa Tuxton, "come with me, and leave this ruffian to himself."

'"Jane," says Jerry, "stop here, and come and lay your head on my shoulder."

'"Jane," says Pa Tuxton, "do you hear me?"

'"Jane," says Jerry, "I'm waiting."

'She looks from one to the other for a spell, and then she moves to where Jerry's standing.

'"I'll stop," she says, sort of quiet.

'And we drifts out.'

The waiter snorted.

'I got back home quick as I could,' he said, 'and relates the proceedings to Gentleman. Gentleman's rattled. "I don't believe it," he says. "Don't stand there and tell me Jerry Moore did them things. Why, it ain't in the man. 'Specially after what I said to him about the way he ought to behave. How could he have done so?" Just then in comes Jerry, beaming all over. "Boys," he shouts, "congratulate me. It's all right. We've fixed it up. She says she hadn't known me properly before. She says she'd always reckoned me a sheep, while all the time I was one of them strong, silent men." He turns to Gentleman—'

The man at the other end of the room was calling for his bill.

'All right, all right,' said the waiter. 'Coming! He turns to Gentleman,' he went on rapidly, 'and he says, "Bailey, I owe it all to you, because if you hadn't told me to insult her folks—"'

He leaned on the traveller's table and fixed him with an eye that pleaded for sympathy.

''Ow about that?' he said. 'Isn't that crisp? "Insult her folks!" Them was his very words. "Insult her folks."'

The traveller looked at him inquiringly.

'Can you beat it?' said the waiter.

'I don't know what you are saying,' said the traveller. 'If it is important, write it on a slip of paper. I am stone-deaf.'

PAUL BOIELLE was a waiter. The word 'waiter' suggests a soft-voiced, deft-handed being, moving swiftly and without noise in an atmosphere of luxury and shaded lamps. At Bredin's Parisian Cafe and Restaurant in Soho, where Paul worked, there were none of these things; and Paul himself, though he certainly moved swiftly, was by no means noiseless. His progress through the room resembled in almost equal proportions the finish of a Marathon race, the star-act of a professional juggler, and a monologue by an Earl's Court side-showman. Constant acquaintance rendered regular habitues callous to the wonder, but to a stranger the sight of Paul tearing over the difficult between-tables course, his hands loaded with two vast pyramids of dishes, shouting as he went the mystic word, 'Comingsarecominginamomentsaresteaksareyessarecomingsare!' was impressive to a degree. For doing far less exacting feats on the stage music-hall performers were being paid fifty pounds a week. Paul got eighteen shillings.

What a blessing is poverty, properly considered. If Paul had received more than eighteen shillings a week he would not have lived in an attic. He would have luxuriated in a bed-sitting-room on the second floor; and would consequently have missed what was practically a genuine north light. The skylight which went with the attic was so arranged that the room was a studio in miniature, and, as Paul was engaged in his spare moments in painting a great picture, nothing could have been more fortunate; for Paul, like so many of our public men, lived two lives. Off duty, the sprinting, barking juggler of Bredin's Parisian Cafe became the quiet follower of Art. Ever since his childhood he had had a passion for drawing and painting. He regretted that Fate had allowed him so little time for such work; but after all, he reflected, all great artists had had their struggles—so why not he? Moreover, they were now nearly at an end. An hour here, an hour there, and every Thursday a whole afternoon, and the great picture was within measurable distance of completion. He had won through. Without models, without leisure, hungry, tired, he had nevertheless triumphed. A few more touches, and the masterpiece would be ready for purchase. And after that all would be plain sailing. Paul could forecast the scene so exactly. The picture would be at the dealer's, possibly—one must not be too sanguine—thrust away in some odd corner. The wealthy connoisseur would come in. At first he would not see the masterpiece; other more prominently displayed works would catch his eye. He would turn from them in weary scorn, and then!... Paul wondered how big the cheque would be.

There were reasons why he wanted the money. Looking at him as he cantered over the linoleum at Bredin's, you would have said that his mind was on his work. But it was not so. He took and executed orders as automatically as the penny-in-the-slot musical-box in the corner took pennies and produced tunes. His thoughts were of Jeanne Le Brocq, his co-worker at Bredin's, and a little cigar shop down Brixton way which he knew was in the market at a reasonable rate. To marry the former and own the latter was Paul's idea of the earthly paradise, and it was the wealthy connoisseur, and he alone, who could open the gates.

Jeanne was a large, slow-moving Norman girl, stolidly handsome. One could picture her in a de Maupassant farmyard. In the clatter and bustle of Bredin's Parisian Cafe she appeared out of place, like a cow in a boiler-factory. To Paul, who worshipped her with all the fervour of a little man for a large woman, her deliberate methods seemed all that was beautiful and dignified. To his mind she lent a tone to the vulgar whirlpool of gorging humanity, as if she had been some goddess mixing in a Homeric battle. The whirlpool had other views—and expressed them. One coarse-fibred brute, indeed, once went so far as to address to her the frightful words, ''Urry up, there, Tottie! Look slippy.' It was wrong, of course, for Paul to slip and spill an order of scrambled eggs down the brute's coat-sleeve, but who can blame him?

Among those who did not see eye to eye with Paul in his views on deportment in waitresses was M. Bredin himself, the owner of the Parisian Cafe; and it was this circumstance which first gave Paul the opportunity of declaring the passion which was gnawing him with the fierce fury of a Bredin customer gnawing a tough steak against time during the rush hour. He had long worshipped her from afar, but nothing more intimate than a 'Good morning, Miss Jeanne', had escaped him, till one day during a slack spell he came upon her in the little passage leading to the kitchen, her face hidden in her apron, her back jerking with sobs.

Business is business. Paul had a message to deliver to the cook respecting 'two fried, coffee, and one stale'. He delivered it and returned. Jeanne was still sobbing.

'Ah, Miss Jeanne,' cried Paul, stricken, 'what is the matter? What is it? Why do you weep?'

'The patron,' sobbed Jeanne. 'He—'

'My angel,' said Paul, 'he is a pig.'

This was perfectly true. No conscientious judge of character could have denied that Paul had hit the bull's eye. Bredin was a pig. He looked like a pig; he ate like a pig; he grunted like a pig. He had the lavish embonpoint of a pig. Also a porcine soul. If you had tied a bit of blue ribbon round his neck you could have won prizes with him at a show.

Paul's eyes flashed with fury. 'I will slap him in the eye,' he roared.

'He called me a tortoise.'

'And kick him in the stomach,' added Paul.

Jeanne's sobs were running on second speed now. The anguish was diminishing. Paul took advantage of the improved conditions to slide an arm part of the way round her waist. In two minutes he had said as much as the ordinary man could have worked off in ten. All good stuff, too. No padding.

Jeanne's face rose from her apron like a full moon. She was too astounded to be angry.

Paul continued to babble. Jeanne looked at him with growing wrath. That she, who received daily the affectionate badinage of gentlemen in bowler hats and check suits, who had once been invited to the White City by a solicitor's clerk, should be addressed in this way by a waiter! It was too much. She threw off his hand.

'Wretched little man!' she cried, stamping angrily.

'My angel!' protested Paul.

Jeanne uttered a scornful laugh.

'You!' she said.

There are few more withering remarks than 'You!' spoken in a certain way. Jeanne spoke it in just that way.

Paul wilted.

'On eighteen shillings a week,' went on Jeanne, satirically, 'you would support a wife, yes? Why—'

Paul recovered himself. He had an opening now, and proceeded to use it.

'Listen,' he said. 'At present, yes, it is true, I earn but eighteen shillings a week, but it will not always be so, no. I am not only a waiter. I am also an artist. I have painted a great picture. For a whole year I have worked, and now it is ready. I will sell it, and then, my angel—?'

Jeanne's face had lost some of its scorn. She was listening with some respect. 'A picture?' she said, thoughtfully. 'There is money in pictures.'

For the first time Paul was glad that his arm was no longer round her waist. To do justice to the great work he needed both hands for purposes of gesticulation.

'There is money in this picture,' he said. 'Oh, it is beautiful. I call it "The Awakening". It is a woodland scene. I come back from my work here, hot and tired, and a mere glance at that wood refreshes me. It is so cool, so green. The sun filters in golden splashes through the foliage. On a mossy bank, between two trees, lies a beautiful girl asleep. Above her, bending fondly over her, just about to kiss that flower-like face, is a young man in the dress of a shepherd. At the last moment he has looked over his shoulder to make sure that there is nobody near to see. He is wearing an expression so happy, so proud, that one's heart goes out to him.'

'Yes, there might be money in that,' cried Jeanne.

'There is, there is!' cried Paul. 'I shall sell it for many francs to a wealthy connoisseur. And then, my angel—'

'You are a good little man,' said the angel, patronizingly. 'Perhaps. We will see.'

Paul caught her hand and kissed it. She smiled indulgently. 'Yes,' she said. 'There might be money. These English pay much money for pictures.'

It is pretty generally admitted that Geoffrey Chaucer, the eminent poet of the fourteenth century, though obsessed with an almost Rooseveltian passion for the new spelling, was there with the goods when it came to profundity of thought. It was Chaucer who wrote the lines:

Which means, broadly, that it is difficult to paint a picture, but a great deal more difficult to sell it.

Across the centuries Paul Boielle shook hands with Geoffrey Chaucer. 'So sharpe the conquering' put his case in a nutshell.

The full story of his wanderings with the masterpiece would read like an Odyssey and be about as long. It shall be condensed.

There was an artist who dined at intervals at Bredin's Parisian Cafe, and, as the artistic temperament was too impatient to be suited by Jeanne's leisurely methods, it had fallen to Paul to wait upon him. It was to this expert that Paul, emboldened by the geniality of the artist's manner, went for information. How did monsieur sell his pictures? Monsieur said he didn't, except once in a blue moon. But when he did? Oh, he took the thing to the dealers. Paul thanked him. A friend of him, he explained, had painted a picture and wished to sell it.

'Poor devil!' was the artist's comment.

Next day, it happening to be a Thursday, Paul started on his travels. He started buoyantly, but by evening he was as a punctured balloon. Every dealer had the same remark to make—to wit, no room.

'Have you yet sold the picture?' inquired Jeanne, when they met. 'Not yet,' said Paul. 'But they are delicate matters, these negotiations. I use finesse. I proceed with caution.'

He approached the artist again.

'With the dealers,' he said, 'my friend has been a little unfortunate. They say they have no room.'

'I know,' said the artist, nodding.

'Is there, perhaps, another way?'

'What sort of a picture is it?' inquired the artist.

Paul became enthusiastic.

'Ah! monsieur, it is beautiful. It is a woodland scene. A beautiful girl—'

'Oh! Then he had better try the magazines. They might use it for a cover.'

Paul thanked him effusively. On the following Thursday he visited divers art editors. The art editors seemed to be in the same unhappy condition as the dealers. 'Overstocked!' was their cry.

'The picture?' said Jeanne, on the Friday morning. 'Is it sold?'

'Not yet,' said Paul, 'but—'

'Always but!'

'My angel!'

'Bah!' said Jeanne, with a toss of her large but shapely head.

By the end of the month Paul was fighting in the last ditch, wandering disconsolately among those who dwell in outer darkness and have grimy thumbs. Seven of these in all he visited on that black Thursday, and each of the seven rubbed the surface of the painting with a grimy thumb, snorted, and dismissed him. Sick and beaten, Paul took the masterpiece back to his skylight room.

All that night he lay awake, thinking. It was a weary bundle of nerves that came to the Parisian Cafe next morning. He was late in arriving, which was good in that it delayed the inevitable question as to the fate of the picture, but bad in every other respect. M. Bredin, squatting behind the cash-desk, grunted fiercely at him; and, worse, Jeanne, who, owing to his absence, had had to be busier than suited her disposition, was distant and haughty. A murky gloom settled upon Paul.

Now it so happened that M. Bredin, when things went well with him, was wont to be filled with a ponderous amiability. It was not often that this took a practical form, though it is on record that in an exuberant moment he once gave a small boy a halfpenny. More frequently it merely led him to soften the porcine austerity of his demeanour. Today, business having been uncommonly good, he felt pleased with the world. He had left his cash-desk and was assailing a bowl of soup at one of the side-tables. Except for a belated luncher at the end of the room the place was empty. It was one of the hours when there was a lull in the proceedings at the Parisian Cafe. Paul was leaning, wrapped in the gloom, against the wall. Jeanne was waiting on the proprietor.

M. Bredin finished his meal and rose. He felt content. All was well with the world. As he lumbered to his desk he passed Jeanne. He stopped. He wheezed a compliment. Then another. Paul, from his place by the wall, watched with jealous fury.

M. Bredin chucked Jeanne under the chin.

As he did so, the belated luncher called 'Waiter!' but Paul was otherwise engaged. His entire nervous system seemed to have been stirred up with a pole. With a hoarse cry he dashed forward. He would destroy this pig who chucked his Jeanne under the chin.

The first intimation M. Bredin had of the declaration of war was the impact of a French roll on his ear. It was one of those nobbly, chunky rolls with sharp corners, almost as deadly as a piece of shrapnel. M. Bredin was incapable of jumping, but he uttered a howl and his vast body quivered like a stricken jelly. A second roll, whizzing by, slapped against the wall. A moment later a cream-bun burst in sticky ruin on the proprietor's left eye.

The belated luncher had been anxious to pay his bill and go, but he came swiftly to the conclusion that this was worth stopping on for. He leaned back in his chair and watched. M. Bredin had entrenched himself behind the cash-desk, peering nervously at Paul through the cream, and Paul, pouring forth abuse in his native tongue, was brandishing a chocolate eclair. The situation looked good to the spectator.

It was spoiled by Jeanne, who seized Paul by the arm and shook him, adding her own voice to the babel. It was enough. The eclair fell to the floor. Paul's voice died away. His face took on again its crushed, hunted expression. The voice of M. Bredin, freed from competition, rose shrill and wrathful.

'The marksman is getting sacked,' mused the onlooker, diagnosing the situation.

He was right. The next moment Paul, limp and depressed, had retired to the kitchen passage, discharged. It was here, after a few minutes, that Jeanne found him.

'Fool! Idiot! Imbecile!' said Jeanne.

Paul stared at her without speaking.

'To throw rolls at the patron. Imbecile!'

'He—' began Paul.

'Bah! And what if he did? Must you then attack him like a mad dog? What is it to you?'

Paul was conscious of a dull longing for sympathy, a monstrous sense of oppression. Everything was going wrong. Surely Jeanne must be touched by his heroism? But no. She was scolding furiously. Suppose Andromeda had turned and scolded Perseus after he had slain the sea-monster! Paul mopped his forehead with his napkin. The bottom had dropped out of his world.

'Jeanne!'

'Bah! Do not talk to me, idiot of a little man. Almost you lost me my place also. The patron was in two minds. But I coaxed him. A fine thing that would have been, to lose my good place through your foolishness. To throw rolls. My goodness!'

She swept back into the room again, leaving Paul still standing by the kitchen door. Something seemed to have snapped inside him. How long he stood there he did not know, but presently from the dining-room came calls of 'Waiter!' and automatically he fell once more into his work, as an actor takes up his part. A stranger would have noticed nothing remarkable in him. He bustled to and fro with undiminished energy.

At the end of the day M. Bredin paid him his eighteen shillings with a grunt, and Paul walked out of the restaurant a masterless man.

He went to his attic and sat down on the bed. Propped up against the wall was the picture. He looked at it with unseeing eyes. He stared dully before him.

Then thoughts came to him with a rush, leaping and dancing in his mind like imps in Hades. He had a curious sense of detachment. He seemed to be watching himself from a great distance.

This was the end. The little imps danced and leaped; and then one separated itself from the crowd, to grow bigger than, the rest, to pirouette more energetically. He rose. His mind was made up. He would kill himself.

He went downstairs and out into the street. He thought hard as he walked. He would kill himself, but how?

His preoccupation was so great that an automobile, rounding a corner, missed him by inches as he crossed the road. The chauffeur shouted angrily at him as he leapt back.

Paul shook his fist at the retreating lights.

'Pig!' he shouted. 'Assassin! Scoundrel! Villain! Would you kill me? I will take your number, rascal. I will inform the police. Villain!'

A policeman had strolled up and was eyeing him curiously. Paul turned to him, full of his wrongs.

'Officer,' he cried, 'I have a complaint. These pigs of chauffeurs! They are reckless. They drive so recklessly. Hence the great number of accidents.'

'Awful!' said the policeman. 'Pass along, sonny.'

Paul walked on, fuming. It was abominable that these chauffeurs—And then an idea came to him. He had found a way.

It was quiet in the Park. He had chosen the Park because it was dark and there would be none to see and interfere. He waited long in the shadow by the roadside. Presently from the darkness there came the distant drone of powerful engines. Lights appeared, like the blazing eyes of a dragon swooping down to devour its prey.

He ran out into the road with a shout.

It was an error, that shout. He had intended it for an inarticulate farewell to his picture, to Jeanne, to life. It was excusable to the driver of the motor that he misinterpreted it. It seemed to him a cry of warning. There was a great jarring of brakes, a scuttering of locked wheels on the dry road, and the car came to a standstill a full yard from where he stood.

'What the deuce—' said a cool voice from behind the lights.

Paul struck his chest and folded his arms.

'I am here,' he cried. 'Destroy me!'

'Let George do it,' said the voice, in a marked American accent. 'I never murder on a Friday; it's unlucky. If it's not a rude question, which asylum are you from? Halloa!'

The exclamation was one of surprise, for Paul's nerves had finally given way, and he was now in a heap on the road, sobbing.

The man climbed down and came into the light. He was a tall young man with a pleasant, clean-cut face. He stopped and shook Paul.

'Quit that,' he said. 'Maybe it's not true. And if it is, there's always hope. Cut it out. What's the matter? All in?'

Paul sat up, gulping convulsively. He was thoroughly unstrung. The cold, desperate mood had passed. In its place came the old feeling of desolation. He was a child, aching for sympathy. He wanted to tell his troubles. Punctuating his narrative with many gestures and an occasional gulp, he proceeded to do so. The American listened attentively.

'So you can't sell your picture, and you've lost your job, and your girl has shaken you?' he said. 'Pretty bad, but still you've no call to go mingling with automobile wheels. You come along with me to my hotel, and tomorrow we'll see if we can't fix up something.'

There was breakfast at the hotel next morning, a breakfast to put heart into a man. During the meal a messenger dispatched in a cab to Paul's lodgings returned with the canvas. A deferential waiter informed the American that it had been taken with every possible care to his suite.

'Good,' said the young man. 'If you're through, we'll go and have a look at it.'

They went upstairs. There was the picture resting against a chair.

'Why, I call that fine,' said the young man. 'It's a cracker jack.'

Paul's heart gave a sudden leap. Could it be that here was the wealthy connoisseur? He was wealthy, for he drove an automobile and lived in an expensive hotel. He was a connoisseur, for he had said that the picture was a crackerjack.

'Monsieur is kind,' murmured Paul.

'It's a bear-cat,' said the young man, admiringly.

'Monsieur is flattering,' said Paul, dimly perceiving a compliment.

'I've been looking for a picture like that,' said the young man, 'for months.'

Paul's eyes rolled heavenwards.

'If you'll make a few alterations, I'll buy it and ask for more.'

'Alterations, monsieur?'

'One or two small ones.' He pointed to the stooping figure of the shepherd. 'Now, you see this prominent citizen. What's he doing!'

'He is stooping,' said Paul, fervently, 'to bestow upon his loved one a kiss. And she, sleeping, all unconscious, dreaming of him—'

'Never mind about her. Fix your mind on him. Willie is the "star" in this show. You have summed him up accurately. He is stooping. Stooping good. Now, if that fellow was wearing braces and stooped like that, you'd say he'd burst those braces, wouldn't you?'

With a somewhat dazed air Paul said that he thought he would. Till now he had not looked at the figure from just that view-point.

'You'd say he'd bust them?'

'Assuredly, monsieur.'

'No!' said the young man, solemnly, tapping him earnestly on the chest. 'That's where you're wrong. Not if they were Galloway's Tried and Proven. Galloway's Tried and Proven will stand any old strain you care to put on them. See small bills. Wear Galloway's Tried and Proven, and fate cannot touch you. You can take it from me. I'm the company's general manager.'

'Indeed, monsieur!'

'And I'll make a proposition to you. Cut out that mossy bank, and make the girl lying in a hammock. Put Willie in shirt-sleeves instead of a bathrobe, and fix him up with a pair of the Tried and Proven, and I'll give you three thousand dollars for that picture and a retaining fee of four thousand a year to work for us and nobody else for any number of years you care to mention. You've got the goods. You've got just the touch. That happy look on Willie's face, for instance. You can see in a minute why he's so happy. It's because he's wearing the Tried and Proven, and he knows that however far he stoops they won't break. Is that a deal?'

Paul's reply left no room for doubt. Seizing the young man firmly round the waist, he kissed him with extreme fervour on both cheeks.

'Here, break away!' cried the astonished general manager. 'That's no way to sign a business contract.'

It was at about five minutes after one that afternoon that Constable Thomas Parsons, patrolling his beat, was aware of a man motioning to him from the doorway of Bredin's Parisian Cafe and Restaurant. The man looked like a pig. He grunted like a pig. He had the lavish embonpoint of a pig. Constable Parsons suspected that he had a porcine soul. Indeed, the thought flitted across Constable Parsons' mind that, if he were to tie a bit of blue ribbon round his neck, he could win prizes with him at a show.

'What's all this?' he inquired, halting.

The stout man talked volubly in French. Constable Parsons shook his head.

'Talk sense,' he advised.

'In dere,' cried the stout man, pointing behind him into the restaurant, 'a man, a—how you say?—yes, sacked. An employe whom I yesterday sacked, today he returns. I say to him, "Cochon, va!"'

'What's that?'

'I say, "Peeg, go!" How you say? Yes, "pop off!" I say, "Peeg, pop off!" But he—no, no; he sits and will not go. Come in, officer, and expel him.'

With massive dignity the policeman entered the restaurant. At one of the tables sat Paul, calm and distrait. From across the room Jeanne stared freezingly.

'What's all this?' inquired Constable Parsons. Paul looked up.

'I too,' he admitted, 'I cannot understand. Figure to yourself, monsieur. I enter this cafe to lunch, and this man here would expel me.'

'He is an employe whom I—I myself—have but yesterday dismissed,' vociferated M. Bredin. 'He has no money to lunch at my restaurant.'

The policeman eyed Paul sternly.

'Eh?' he said. 'That so? You'd better come along.'

Paul's eyebrows rose.

Before the round eyes of M. Bredin he began to produce from his pockets and to lay upon the table bank-notes and sovereigns. The cloth was covered with them.

He picked up a half-sovereign.

'If monsieur,' he said to the policeman, 'would accept this as a slight consolation for the inconvenience which this foolish person here has caused him—'

'Not half,' said Mr Parsons, affably. 'Look here'—he turned to the gaping proprietor—'if you go on like this you'll be getting yourself into trouble. See? You take care another time.'

Paul called for the bill of fare.

It was the inferior person who had succeeded to his place as waiter who attended to his needs during the meal; but when he had lunched it was Jeanne who brought his coffee.

She bent over the table.

'You sold your picture, Paul—yes?' she whispered. 'For much money? How glad I am, dear Paul. Now we will—'

Paul met her glance coolly.

'Will you be so kind,' he said, 'as to bring me also a cigarette, my good girl?'

IT was Harold who first made us acquainted, when I was dining one night at the Cafe Britannique, in Soho. It is a peculiarity of the Cafe Britannique that you will always find flies there, even in winter. Snow was falling that night as I turned in at the door, but, glancing about me, I noticed several of the old faces. My old acquaintance, Percy the bluebottle, looking wonderfully fit despite his years, was doing deep breathing exercises on a mutton cutlet, and was too busy to do more than pause for a moment to nod at me; but his cousin, Harold, always active, sighted me and bustled up to do the honours.

He had finished his game of touch-last with my right ear, and was circling slowly in the air while he thought out other ways of entertaining me, when there was a rush of air, a swish of napkin, and no more Harold.

I turned to thank my preserver, whose table adjoined mine. He was a Frenchman, a melancholy-looking man. He had the appearance of one who has searched for the leak in life's gas-pipe with a lighted candle; of one whom the clenched fist of Fate has smitten beneath the temperamental third waistcoat-button.

He waved my thanks aside. 'It was a bagatelle,' he said. We became friendly. He moved to my table, and we fraternized over our coffee.

Suddenly he became agitated. He kicked at something on the floor. His eyes gleamed angrily.

'Ps-s-st!' he hissed. 'Va-t'en!'

I looked round the corner of the table, and perceived the restaurant cat in dignified retreat.

'You do not like cats?' I said.

'I 'ate all animals, monsieur. Cats especially.' He frowned. He seemed to hesitate.

'I will tell you my story,' he said. 'You will sympathize. You have a sympathetic face. It is the story of a man's tragedy. It is the story of a blighted life. It is the story of a woman who would not forgive. It is the story—'

'I've got an appointment at eleven,' I said.

He nodded absently, drew at his cigarette, and began:

I have conceived my 'atred of animals, monsieur, many years ago in Paris. Animals are to me a symbol for the lost dreams of youth, for ambitions foiled, for artistic impulses cruelly stifled. You are astonished. You ask why I say these things. I shall tell you.

I am in Paris, young, ardent, artistic. I wish to paint pictures. I 'ave the genius, the ent'usiasm. I wish to be disciple of the great Bouguereau. But no. I am dependent for support upon an uncle. He is rich. He is proprietor of the great Hotel Jules Priaulx. My name is also Priaulx. He is not sympathetic. I say, 'Uncle, I 'ave the genius, the ent'usiasm. Permit me to paint.' He shakes his head. He say, 'I will give you position in my hotel, and you shall earn your living.' What choice? I weep, but I kill my dreams, and I become cashier at my uncle's hotel at a salary of thirty-five francs a week. I, the artist, become a machine for the changing of money at dam bad salary. What would you? What choice? I am dependent. I go to the hotel, and there I learn to 'ate all animals. Cats especially.

I will tell you the reason. My uncle's hotel is fashionable hotel. Rich Americans, rich Maharajahs, rich people of every nation come to my uncle's hotel. They come, and with them they have brought their pets. Monsieur, it was the existence of a nightmare. Wherever I have looked there are animals. Listen. There is an Indian prince. He has with him two dromedaries. There is also one other Indian prince. With him is a giraffe. The giraffe drink every day one dozen best champagne to keep his coat good. I, the artist, have my bock, and my coat is not good. There is a guest with a young lion. There is a guest with an alligator. But especially there is a cat. He is fat. His name is Alexander. He belongs to an American woman. She is fat. She exhibits him to me. He is wrapped in a silk and fur creation like an opera cloak. Every day she exhibits him. It is 'Alexander this' and 'Alexander that', till I 'ate Alexander very much. I 'ate all the animals, but especially Alexander.

And so, monsieur, it goes on, day by day, in this hotel that is a Zoological Garden. And every day I 'ate the animals the more. But especially Alexander.

We artists, monsieur, we are martyrs to our nerves. It became insupportable, this thing. Each day it became more insupportable. At night I dream of all the animals, one by one—the giraffe, the two dromedaries, the young lion, the alligator, and Alexander. Especially Alexander. You have 'eard of men who cannot endure the society of a cat—how they cry out and jump in the air if a cat is among those present. Hein? Your Lord Roberts? Precisely, monsieur. I have read so much. Listen, then. I am become by degrees almost like 'im. I do not cry out and jump in the air when I see the cat Alexander, but I grind my teeth and I 'ate 'im.

Yes, I am the sleeping volcano, and one morning, monsieur, I have suffered the eruption. It is like this. I shall tell you.

Not only at that time am I the martyr to nerves, but also to toothache. That morning I 'ave 'ad the toothache very bad. I 'ave been in pain the most terrible. I groan as I add up the figures in my book.

As I groan I 'ear a voice.

'Say good morning to M. Priaulx, Alexander.' Conceive my emotions, monsieur, when this fat, beastly cat is placed before me upon my desk!

It put the cover upon it. No, that is not the phrase. The lid. It put the lid upon it. All my smothered 'atred of the animal burst forth. I could no longer conceal my 'atred.

I rose. I was terrible. I seized 'im by the tail. I flung him—I did not know where. I did not care. Not then. Afterwards, yes, but not then.

Your Longfellow has a poem. 'I shot an arrow into the air. It fell to earth, I know not where.' And then he has found it. The arrow in the 'eart of a friend. Am I right? Also was that the tragedy with me. I flung the cat Alexander. My uncle, on whom I am dependent, is passing at the moment. He has received the cat in the middle of his face.

My companion, with the artist's instinct for the 'curtain', paused. He looked round the brightly-lit restaurant. From every side arose the clatter of knife and fork, and the clear, sharp note of those who drank soup. In a distant corner a small waiter with a large voice was calling the cook names through the speaking-tube. It was a cheerful scene, but it brought no cheer to my companion. He sighed heavily and resumed:

I 'urry over that painful scene. There is blooming row. My uncle is 'ot-tempered man. The cat is 'eavy cat. I 'ave thrown 'im very hard, for my nerves and my toothache and my 'atred 'ave given me the giant's strength. Alone is this enough to enrage my 'ot-tempered uncle. I am there in his hotel, you will understand, as cashier, not as cat-thrower. And now, besides all this, I have insulted valuable patron. She 'ave left the hotel that day.

There are no doubts in my mind as to the outcome. With certainty I await my conge. And after painful scene I get it. I am to go. At once. He 'ave assured the angry American woman that I go at once.

He has called me into his private office. 'Jean,' he has said to me, at the end of other things, 'you are a fool, dolt, no-good imbecile. I give you good place in my hotel, and you spend your time flinging cats. I will 'ave no more of you. But even now I cannot forget that you are my dear brother's child. I will now give you one thousand francs and never see you again.'

I have thanked him, for to me it is wealth. Not before have I ever had one thousand francs of my own.

I go out of the hotel. I go to a cafe and order a bock. I smoke a cigarette. It is necessary that I think out plans. Shall I with my one thousand francs rent a studio in the Quarter and commence my life as artist? No. I have still the genius, the ent'usiasm, but I have not the training. To train myself to paint pictures I must study long, and even one thousand francs will not last for ever. Then what shall I do? I do not know. I order one other bock, and smoke more cigarettes, but still I do not know.

And then I say to myself, 'I will go back to my uncle, and plead with him. I will seize favourable opportunity. I will approach him after dinner when he is in good temper. But for that I must be close at hand. I must be—what's your expression?—"Johnny-on-the-spot".'

My mind is made up. I have my plan.

I have gone back to my uncle's hotel, and I have engaged not too expensive bedroom. My uncle does not know. He still is in his private office. I secure my room.

I dine cheaply that night, but I go to theatre and also to supper after the theatre, for have I not my thousand francs? It is late when I reach my bedroom.

I go to bed. I go to sleep.

But I do not sleep long. I am awakened by a voice.

It is a voice that says, 'Move and I shoot! Move and I shoot!' I lie still. I do not move. I am courageous, but I am unarmed.

And the voice says again, 'Move and I shoot!' Is it robbers? Is it some marauder who has made his way to my room to plunder me?

I do not know. Per'aps I think yes.

'Who are you?' I have asked.

There is no answer.

I take my courage in my 'ands. I leap from my bed. I dash for the door. No pistol has been fire. I have reached the passage, and have shouted for assistance.

Hotel officials run up. Doors open. 'What is it?' voices cry.

'There is in my room an armed robber,' I assure them.

And then I have found—no, I am mistaken. My door, you will understand, is open. And as I have said these words, a large green parrot comes 'opping out. My assassin is nothing but a green parrot.

'Move and I shoot!' it has said to those gathered in the corridor. It then has bitten me in the 'and and passed on.

I am chagrined, monsieur. But only for a moment. Then I forget my chagrin. For a voice from a door that 'as opened says with joy, 'It is my Polly, which I 'ave this evening lost!'

I turn. I gasp for admiration. It is a beautiful lady in a pink dressing-gown which 'ave spoken these words.

She has looked at me. I 'ave looked at her. I forget everything but that she is adorable. I forget those who stand by. I forget that the parrot has bitten me in the 'and. I forget even that I am standing there in pyjamas, with on my feet nothing. I can only gaze at her and worship.

I have found words.

'Mademoiselle,' I have said, 'I am rejoiced that I have been the means of restoring to you your bird.'

She has thanked me with her eyes, and then with words also. I am bewitched. She is divine. I care not that my feet are cold. I could wish to stand there talking all night.

She has given a cry of dismay.

'Your 'and! It is wounded!'

I look at my 'and. Yes, it is bleeding, where the bird 'ave bitten it.

'Tchut, mademoiselle,' I have said. 'It is a bagatelle.'

But no. She is distressed. She is what your poet Scott 'ave said, a ministering angel thou. She 'ave torn her 'andkerchief and is binding up my wound. I am enchanted. Such beauty! Such kindness! 'Ardly can I resist to fall on my knees before 'er and declare my passion.

We are twin souls. She has thanked me again. She has scolded the parrot. She has smiled upon me as she retires to her room. It is enough. Nothing is said, but I am a man of sensibility and discernment, and I understand that she will not be offended if I seek to renew our friendship on a more suitable occasion.

The doors shut. The guests have returned to bed, the hotel servants to their duties. And I go back to my room. But not to sleep. It is very late, but I do not sleep. I lie awake and think of 'er.

You will conceive, Monsieur, with what mixed feelings I descend next morning. On the one 'and, I must keep the sharp look-out for my uncle, for 'im I must avoid till he shall have—what do you say in your idiom? Yes, I have it—simmered down and tucked in his shirt. On the other 'and, I must watch for my lady of the parrot. I count the minutes till we shall meet again.

I avoid my uncle with success, and I see 'er about the hour of dejeuner. She is talking to old gentleman. I have bowed. She have smiled and motioned me to approach.

'Father,' she has said, 'this is the gentleman who caught Polly.'

We have shaken hands. He is indulgent papa. He has smiled and thanked me also. We have confided to each other our names. He is English. He owns much land in England. He has been staying in Paris. He is rich. His name is 'Enderson. He addresses his daughter, and call her Marion. In my 'eart I also call her Marion. You will perceive that I am, as you say, pretty far gone.

The hour of dejeuner has arrived. I entreat them to be my guests. I can run to it, you understand, for there are still in my pockets plenty of my uncle's francs. They consent. I am in 'eaven.

All is well. Our friendship has progressed with marvellous speed. The old gentleman and I are swiftly the dear old pals. I 'ave confided to 'im my dreams of artistic fame, and he has told me 'ow much he dislikes your Lloyd George. He has mentioned that he and Miss Marion depart for London that day. I am desolate. My face tumbles. He has observed my despair. He has invited me to visit them in London.

Imagine my chagrin. To visit them in London is the one thing I desire to do. But how? I accept gratefully, but I ask myself how it is to be done? I am poor blighter with no profession and nine 'undred francs. He 'as taken it for granted that I am wealthy.

What shall I do? I spend the afternoon trying to form a plan. And then I am resolved. I will go to my uncle and say: 'Uncle, I have the magnificent chance to marry the daughter of wealthy English landowner. Already I 'ave her gratitude. Soon—for I am young, 'andsome, debonair—I shall 'ave her love. Give me one more chance, uncle. Be decent old buck, and put up the money for this affair.'

These words I have resolved to say to my uncle.

I go back to the hotel. I enter his private office. I reveal no secret when I say that he is not cordial.

'Ten thousand devils!' he has cried. 'What do you here?'

I 'asten to tell him all, and plead with him to be decent old buck. He does not believe.

Who is he? he asks. This English landowner? How did I meet him? And where?

I tell him. He is amazed.

'You 'ad the infernal impudence to take room in my hotel?' he has cried.

I am crafty. I am diplomat.

'Where else, dear uncle?' I say. 'In all Paris there is no such 'ome from 'ome. The cuisine—marvellous! The beds—of rose-leaves! The attendance—superb! If only for one night, I have said to myself, I must stay in this of all hotels.'

I 'ave—what do you say?—touched the spot.

'In what you say,' he has said, more calmly, 'there is certainly something. It is a good hotel, this of mine!'

The only hotel, I have assured him. The Meurice? Chut! I snap my fingers. The Ritz? Bah! Once again I snap my fingers. 'In all Paris there is no hotel like this.'

He 'as simmered down. His shirt is tucked in. 'Tell me again this plan of yours, Jean.'

When I leave 'im we have come to an understanding. It is agreed between us that I am to 'ave one last chance. He will not spoil this promising ship for the 'a'porth of tar. He will give me money for my purpose. But he has said, as we part, if I fail, his 'ands shall be washed of me. He cannot now forget that I am his dear brother's child; but if I fail to accomplish the conquest of the divine Miss Marion, he thinks he will be able to.

It is well. A week later I follow the 'Endersons to London.

For the next few days, monsieur, I am in Paradise. My 'ost has much nice 'ouse in Eaton Square. He is rich, popular. There is much society. And I—I have the succes fou. I am young, 'andsome, debonair. I cannot speak the English very well—not so well as I now speak 'im—but I manage. I get along. I am intelligent, amiable. Everyone loves me.

No, not everyone. Captain Bassett, he does not love me. And why? Because he loves the charming Miss Marion, and observes that already I am succeeding with her like a 'ouse on fire. He is ami de famille. He is captain in your Garde Ecossais, and my 'ost told me 'e has distinguished himself as soldier pretty much. It may be so. As soldier, per'aps. But at conversation he is not so good. He is quite nice fellow, you understand—'andsome, yes; distinguished, yes. But he does not sparkle. He has not my verve, my elan. I—how do you say?—I make the rings round him.

But, Chut! At that moment I would have made the rings round the 'ole British Army. Yes, and also the Corps Diplomatique. For I am inspired. Love 'as inspired me. I am conqueror.

But I will not weary you, monsieur, with the details of my wooing. You are sympathetic, but I must not weary you. Let us say that I 'ave in four days or five made progress the most remarkable, and proceed to the tragic end.

Almost could I tell it in four words. In them one would say that it is set forth. There was in London at that time popular a song, a comic, vulgar song of the 'Alls, 'The Cat Came Back'. You 'ave 'eard it? Yes? I 'eard it myself, and without emotion. It had no sinister warning for me. It did not strike me as omen. Yet, in those four words, monsieur, is my tragedy.

How? I shall tell you. Every word is a sword twisted in my 'eart, but I shall tell you.

One afternoon we are at tea. All is well. I am vivacious, gay; Miss Marion, charming, gracious. There is present also an aunt, Mr 'Enderson's sister; but 'er I do not much notice. It is to Marion I speak—both with my lips and also with my eyes.

As we sit, Captain Bassett is announced.

He has entered. We have greeted each other politely but coldly, for we are rivals. There is in his manner also a something which I do not much like—a species of suppressed triumph, of elation.

I am uneasy—but only yet vaguely, you will understand. I have not the foreboding that he is about to speak my death-sentence.

He addresses Miss Marion. There is joy in his voice. 'Miss 'Enderson,' he has said, 'I have for you the bally good news. You will remember, isn't it, the cat belonging to the American woman in the hotel at Paris, of which you have spoken to me? Last night at dinner I have been seated beside her. At first I am not certain is it she. Then I say that there cannot be two Mrs Balderstone Rockmettlers in Europe, so I mention to her the cat. And, to cut the long story short, I have ventured to purchase for you as a little present the cat Alexander.'

I have uttered a cry of horror, but it is not 'eard because of Miss Marion's cry of joy.

'Oh, Captain Bassett,' she has said, 'how very splendid of you! Ever since I first saw him have I loved Alexander. I cannot tell you how grateful I am. But it amazes me that you should have been able to induce her to part with 'im. In Paris she has refused all my offers.'

He has paused, embarrassed.

'The fact is,' he has said, 'there is between her and Alexander a certain coolness. He 'as deceived 'er, and she loves him no more. Immediately upon arrival in London, he had the misfortune to 'ave six fine kittens. 'Owever, out of evil cometh good, and I have thus been able to secure 'im for you. 'E is downstairs in a basket!'

Miss Marion 'as rung the bell and commanded for him to be brought instantly.

I will not describe the meeting, monsieur. You are sympathetic. You will understand my feelings. Let us 'urry on.

Figure yourself, monsieur, to what extent I was now 'arassed. I am artist. I am a man of nerves. I cannot be gay, brilliant, debonair in the presence of a cat. Yet always the cat is there. It is terrible.

I feel that I am falling behind in the race. 'Er gratitude has made her the more gracious to Captain Bassett. She smiles upon him. And, like Chanticleer at the sight of the sun, he flaps his wings and crows. He is no longer the silent listener. It is I who have become the silent listener.

I have said to myself that something must be done.

Chance has shown me the way. One afternoon I am by fortune alone in the 'all. In his cage the parrot Polly is 'opping. I address him through the bars.

'Move and I shoot I' he has cried.

The tears have filled my eyes. 'Ow it has brought the 'ole scene back to me!

As I weep, I perceive the cat Alexander approaching.

I have formed a plan. I have opened the cage-door and released the parrot. The cat, I think, will attack the parrot of which Miss 'Enderson is so fond. She will love him no more. He will be expelled.

He paused. I suppose my face must have lost some of its alleged sympathy as he set forth this fiendish plot. Even Percy the bluebottle seemed shocked. He had settled on the sugar-bowl, but at these words he rose in a marked manner and left the table.

'You do not approve?' he said.

I shrugged my shoulders.

'It's no business of mine,' I said. 'But don't you think yourself it was playing it a bit low down? Didn't the thought present itself to you in a shadowy way that it was rather rough on the bird?'

'It did, monsieur. But what would you? It is necessary to break eggs in order to make an omelette. All is fair, you say, in love and war, and this was both. Moreover, you must understand, I do not dictate his movements to the parrot. He is free agent. I do but open the cage-door. Should he 'op out and proceed to the floor where is the cat, that is his affair. I shall continue, yes?'

Alors! I open the cage-door and disappear discreetly. It is not politic that I remain to witness what shall transpire. It is for me to establish an alibi. I go to the drawing-room, where I remain.

At dinner that night Mr 'Enderson has laughed.

'In the 'all this afternoon,' he has said, 'I have seen by chance the dickens of a funny occurrence. That parrot of yours, Marion, had escaped once again from its cage and was 'aving an argument with that cat which Captain Bassett has given to you.'

'Oh! I hope that Alexander 'as not hurt poor Polly, of whom I am very fond,' she has said.

'The affair did not come to blows,' has said Mr 'Enderson. 'You may trust that bird to take care of himself, my dear. When I came upon the scene the cat was crouching in a corner, with his fur bristling and his back up, while Polly, standing before 'im, was telling 'im not to move or he would shoot. Nor did he move, till I 'ad seized the parrot and replaced him in the cage, when he shot upstairs like a streak of lightning. By sheer force of character that excellent bird 'ad won the bloodless victory. I drink to 'im!'

You can conceive my emotion as I listen to this tale. I am like the poet's mice and men whose best-kid schemes have gone away. I am baffled. I am discouraged. I do not know what I shall do. I must find another plan, but I do not know what.

How shall I remove the cat? Shall I kill 'im? No, for I might be suspect.

Shall I 'ire someone to steal 'im? No, for my accomplice might betray me.

Shall I myself steal 'im? Ah! that is better. That is a very good plan.

Soon I have it perfected, this plan. Listen, monsieur; it is as follows. It is simple, but it is good. I will await my opportunity. I will remove the cat secretly from the 'ouse. I will take him to an office of the District Messenger Boys. I will order a messenger to carry him at once to the Cats' House, and to request M. le Directeur immediately to destroy him. It is a simple plan, but it is good.

I carry it through without a 'itch. It is not so difficult to secure the cat. 'E is asleep in the drawing-room. There is nobody at hand. I have in my bedroom a 'at-box which I have brought from Paris. I have brought it with me to the drawing-room. I have placed in it the cat. I have escaped from the 'ouse. The cat has uttered a cry, but none has 'eard. I have reached the office of the District Messenger Boys. I have 'anded over the cat in its box. The manager is courteous, sympathetic. A messenger has started in a cab for the Cats' House. I have breathed a sigh of relief. I am saved.

That is what I say to myself as I return. My troubles are over, and once more I can be gay, debonair, vivacious with Miss Marion, for no longer will there be present the cat Alexander to 'arass me.

When I have returned there is commotion in the 'ouse. I pass on the stairs domestics calling 'Puss, puss!' The butler is chirruping loudly and poking beneath the furniture with a umbrella. All is confusion and agitation.

In the drawing-room is Miss Marion. She is distressed.

'Nowhere,' she has said, 'can there be found the cat Alexander of whom I am so fond. Nowhere in the 'ouse is he, Where can he be? He is lost.'

I am gentle, sympathetic. I endeavour to console her. I 'int to her that am I not sufficient substitute for a beastly cat? She is, however, inconsolable. I must be patient. I must wait my time.

Captain Bassett is announced. He is informed of what has 'appened. He is distressed. He has the air as if he, too, would endeavour to be gentle, sympathetic. But I am Johnny-on-the-spot. I stay till he 'as gone.

Next day again it is 'Puss, puss!' Again the butler has explored under the furniture with the umbrella. Again Miss Marion is distressed. Again 'ave I endeavoured to console.

This time I think I am not so unsuccessful. I am, you understand, young, 'andsome, sympathetic. In another two ticks I am about to seize 'er 'and and declare my passion.

But, before I can do so, Captain Bassett is announced.

I gaze at him as at unsuccessful rival. I am confident. I am conqueror. Ah, I little know! It is in the moments of our highest 'ope, monsieur, that we are destroyed.

Captain Bassett, he, too, 'as the air of the conqueror.

He has begun to speak.

'Miss 'Enderson,' he has said, 'I have once more the bally good news. I rather fancy that I 'ave tracked down the missing Alexander, do you not know?'

Miss Marion 'as cried out with joy. But I am calm, for is not Alexander already yesterday destroyed?

'It is like this,' he has resumed. 'I have thought to myself where is lost cat most likely to be? And I have answered, "In the Cats' House." I go this morning to the Cats' House, and there I see a cat which is either lost Alexander or his living image. Exactly is he the same to all appearances as the lost Alexander. But there is, when I try to purchase 'im, some curious 'itch which they do not explain. They must 'ave time, they say, to consider. They cannot at once decide.'

'Why, what nonsense!' Miss Marion 'ave cried. 'If the cat is my cat, surely then must they return 'im to me! Come,' she has said, 'let us all three at once in a taxi-cab go to the Cats' House. If the all three of us identify the lost Alexander, then must they return 'im.'

Monsieur, I am uneasy. I have foreboding. But I go. What choice? We go in a taxi-cab to the Cats' House.

The directeur is courteous and sympathetic. He has introduced us to the cat, and my 'eart 'as turned to water, for it is Alexander. Why has he not been destroyed?

The directeur is speaking. I 'ear him in a dream.

'If you identify 'im as your cat, miss,' he has said, 'the matter is ended. My 'esitation when you, sir, approached me this morning on the matter was due to the fact that a messenger was sent with instructions that he be destroyed at once.'

'Rather rough, wasn't it, that, on the messenger, yes,' Captain Bassett has said. He is facetious, you understand, for he is conqueror.

I am silent. I am not facetious. For already I feel—how do you say?—my fowl is cooked.

'Not the messenger, sir,' the directeur has said. 'You 'ave misunderstood me. It was the cat which was to be destroyed as per instructions of the anonymous sender.'

'Who could have played such a wicked trick?' Miss Marion has asked, indignant.

The directeur has stooped, and from behind a table he has brought a 'at-box.

'In this,' he has said, 'the above animal was conveyed. But with it was no accompanying letter. The sender was anonymous.'

'Per'aps,' Captain Bassett has said—and still more in a dream I 'ear him—'per'aps on the 'at-box there is some bally name or other, do you not know—what?'

I clutch at the table. The room is spinning round and round. I have no stomach—only emptiness.

'Why, bless me,' the directeur has said, 'you're quite right, sir. So there is. Funny of me not to have before observed it. There is a name, and also an address. It is the name of Jean Priaulx, and the address is the Hotel Jules Priaulx, Paris.'

My companion stopped abruptly. He passed a handkerchief over his forehead. With a quick movement he reached for his glass of liqueur brandy and drained it at a gulp.

'Monsieur,' he said, 'you will not wish me to describe the scene? There is no need for me—hein?—to be Zolaesque. You can imagine?'

'She chucked you?' In moments of emotion it is the simplest language that comes to the lips.

He nodded.

'And married Captain Bassett?'

He nodded again.

'And your uncle?' I said. 'How did he take it?'

He sighed.

'There was once more,' he said, 'blooming row, monsieur.'

'He washed his hands of you?'

'Not altogether. He was angry, but he gave me one more chance. I am still 'is dear brother's child, and he cannot forget it. An acquaintance of his, a man of letters, a M. Paul Sartines, was in need of a secretary. The post was not well paid, but it was permanent. My uncle insist that I take it. What choice? I took it. It is the post which I still 'old.'

He ordered another liqueur brandy and gulped it down.

'The name is familiar to you, monsieur? You 'ave 'eard of M. Sartines?'

'I don't think I have. Who is he?'

'He is a man of letters, a savant. For five years he has been occupied upon a great work. It is with that that I assist him by collecting facts for 'is use. I 'ave spent this afternoon in the British Museum collecting facts. Tomorrow I go again. And the next day. And again after that. The book will occupy yet another ten years before it is completed. It is his great work.'

'It sounds as if it was,' I said. 'What's it about?'

He signalled to the waiter.

'Garcon, one other liqueur brandy. The book, monsieur, is a 'Istory of the Cat in Ancient Egypt.'

THE clock struck five—briskly, as if time were money. Ruth Warden got up from her desk and, having put on her hat, emerged into the outer office where M. Gandinot received visitors. M. Gandinot, the ugliest man in Roville-sur-Mer, presided over the local mont-de-piete, and Ruth served him, from ten to five, as a sort of secretary-clerk. Her duties, if monotonous, were simple. They consisted of sitting, detached and invisible, behind a ground-glass screen, and entering details of loans in a fat book. She was kept busy as a rule, for Roville possesses two casinos, each offering the attraction of petits chevaux, and just round the corner is Monte Carlo. Very brisk was the business done by M. Gandinot, the pawnbroker, and very frequent were the pitying shakes of the head and clicks of the tongue of M. Gandinot, the man; for in his unofficial capacity Ruth's employer had a gentle soul, and winced at the evidences of tragedy which presented themselves before his official eyes.

He blinked up at Ruth as she appeared, and Ruth, as she looked at him, was conscious, as usual, of a lightening of the depression which, nowadays, seemed to have settled permanently upon her. The peculiar quality of M. Gandinot's extraordinary countenance was that it induced mirth—not mocking laughter, but a kind of smiling happiness. It possessed that indefinable quality which characterizes the Billiken, due, perhaps, to the unquenchable optimism which shone through the irregular features; for M. Gandinot, despite his calling, believed in his fellow-man.

'You are going, mademoiselle?'

As Ruth was wearing her hat and making for the door, and as she always left at this hour, a purist might have considered the question superfluous; but M. Gandinot was a man who seized every opportunity of practising his English.

'You will not wait for the good papa who calls so regularly for you?'

'I think I won't today, M. Gandinot. I want to get out into the air. I have rather a headache. Will you tell my father I have gone to the Promenade?'

M. Gandinot sighed as the door closed behind her. Ruth's depression had not escaped his notice. He was sorry for her. And not without cause, for Fate had not dealt too kindly with Ruth.

It would have amazed Mr Eugene Warden, that genial old gentleman, if, on one of those occasions of manly emotion when he was in the habit of observing that he had been nobody's enemy but his own, somebody had hinted that he had spoiled his daughter's life. Such a thought had never entered his head. He was one of those delightful, irresponsible, erratic persons whose heads thoughts of this kind do not enter, and who are about as deadly to those whose lives are bound up with theirs as a Upas tree.

In the memory of his oldest acquaintance, Ruth's father had never done anything but drift amiably through life. There had been a time when he had done his drifting in London, feeding cheerfully from the hand of a long-suffering brother-in-law. But though blood, as he was wont to remark while negotiating his periodical loans, is thicker than water, a brother-in-law's affection has its limits. A day came when Mr Warden observed with pain that his relative responded less nimbly to the touch. And a little while later the other delivered his ultimatum. Mr Warden was to leave England, and to stay away from England, to behave as if England no longer existed on the map, and a small but sufficient allowance would be made to him. If he declined to do this, not another penny of the speaker's money would he receive. He could choose.

He chose. He left England, Ruth with him. They settled in Roville, that haven of the exile who lives upon remittances.

Ruth's connexion with the mont-de-piete had come about almost automatically. Very soon after their arrival it became evident that, to a man of Mr Warden's nature, resident a stone's-throw distant from two casinos, the small allowance was not likely to go very far. Even if Ruth had not wished to work, circumstances could have compelled her. As it was, she longed for something to occupy her, and, the vacancy at the mont-de-piete occurring, she had snatched at it. There was a certain fitness in her working there. Business transactions with that useful institution had always been conducted by her, it being Mr Warden's theory that Woman can extract in these crises just that extra franc or two which is denied to the mere male. Through constantly going round, running across, stepping over, and popping down to the mont-de-piete she had established almost a legal claim on any post that might be vacant there.

And under M. Gandinot's banner she had served ever since.

Five minutes' walk took her to the Promenade des Anglais, that apparently endless thoroughfare which is Roville's pride. The evening was fine and warm. The sun shone gaily on the white-walled houses, the bright Gardens, and the two gleaming casinos. But Ruth walked listlessly, blind to the glitter of it all.

Visitors who go to Roville for a few weeks in the winter are apt to speak of the place, on their return, in a manner that conveys the impression that it is a Paradise on earth, with gambling facilities thrown in. But, then, they are visitors. Their sojourn comes to an end. Ruth's did not.

A voice spoke her name. She turned, and saw her father, dapper as ever, standing beside her.

'What an evening, my dear!' said Mr Warden. 'What an evening! Smell the sea!'

Mr Warden appeared to be in high spirits. He hummed a tune and twirled his cane. He chirruped frequently to Bill, the companion of his walks abroad, a wiry fox-terrier of a demeanour, like his master's, both jaunty and slightly disreputable. An air of gaiety pervaded his bearing.

'I called in at the mont-de-piete but you had gone. Gandinot told me you had come here. What an ugly fellow that Gandinot is! But a good sort. I like him. I had a chat with him.'

The high spirits were explained. Ruth knew her father. She guessed, correctly, that M. Gandinot, kindest of pawnbrokers, had obliged, in his unofficial capacity, with a trifling loan.

'Gandinot ought to go on the stage,' went on Mr Warden, pursuing his theme. 'With that face he would make his fortune. You can't help laughing when you see it. One of these days—'

He broke off. Stirring things had begun to occur in the neighbourhood of his ankles, where Bill, the fox-terrier, had encountered an acquaintance, and, to the accompaniment of a loud, gargling noise, was endeavouring to bite his head off. The acquaintance, a gentleman of uncertain breed, equally willing, was chewing Bill's paw with the gusto of a gourmet. An Irish terrier, with no personal bias towards either side, was dancing round and attacking each in turn as he came uppermost. And two poodles leaped madly in and out of the melee, barking encouragement.

It takes a better man than Mr Warden to break up a gathering of this kind. The old gentleman was bewildered. He added his voice to the babel, and twice smote Bill grievously with his cane with blows intended for the acquaintance, but beyond that he effected nothing. It seemed probable that the engagement would last till the combatants had consumed each other, after the fashion of the Kilkenny cats, when there suddenly appeared from nowhere a young man in grey.

The world is divided into those who can stop dog-fights and those who cannot. The young man in grey belonged to the former class. Within a minute from his entrance on the scene the poodles and the Irish terrier had vanished; the dog of doubtful breed was moving off up the hill, yelping, with the dispatch of one who remembers an important appointment, and Bill, miraculously calmed, was seated in the centre of the Promenade, licking honourable wounds.

Mr Warden was disposed to effervesce with gratitude. The scene had shaken him, and there had been moments when he had given his ankles up for lost.

'Don't mention it,' said the young man. 'I enjoy arbitrating in these little disputes. Dogs seem to like me and trust my judgement. I consider myself as a sort of honorary dog.'

'Well, I am bound to say, Mr—?'

'Vince—George Vince.'

'My name is Warden. My daughter.'

Ruth inclined her head, and was conscious of a pair of very penetrating brown eyes looking eagerly into hers in a manner which she thoroughly resented. She was not used to the other sex meeting her gaze and holding it as if confident of a friendly welcome. She made up her mind in that instant that this was a young man who required suppression.

'I've seen you several times out here since I arrived, Miss Warden,' said Mr Vince. 'Four in all,' he added, precisely.

'Really?' said Ruth.

She looked away. Her attitude seemed to suggest that she had finished with him, and would be obliged if somebody would come and sweep him up.

As they approached the casino restlessness crept into Mr Warden's manner. At the door he stopped and looked at Ruth.

'I think, my dear—' he said.

'Going to have a dash at the petits chevaux?' inquired Mr Vince. 'I was there just now. I have an infallible system.'

Mr Warden started like a war-horse at the sound of the trumpet.

'Only it's infallible the wrong way,' went on the young man. 'Well, I wish you luck. I'll see Miss Warden home.'

'Please don't trouble,' said Ruth, in the haughty manner which had frequently withered unfortunate fellow-exiles in their tracks.

It had no such effect on Mr Vince.

'I shall like it,' he said.

Ruth set her teeth. She would see whether he would like it.

They left Mr Warden, who shot in at the casino door like a homing rabbit, and walked on in silence, which lasted till Ruth, suddenly becoming aware that her companion's eyes were fixed on her face, turned her head, to meet a gaze of complete, not to say loving, admiration. She flushed. She was accustomed to being looked at admiringly, but about this particular look there was a subtle quality that distinguished it from the ordinary—something proprietorial.

Mr Vince appeared to be a young man who wasted no time on conventional conversation-openings.

'Do you believe in affinities, Miss Warden?' he said,

'No,' said Ruth.

'You will before we've done,' said Mr Vince, confidently. 'Why did you try to snub me just now?'

'Did I?'

'You mustn't again. It hurts me. I'm a sensitive man. Diffident. Shy. Miss Warden, will you marry me?'

Ruth had determined that nothing should shake her from her icy detachment, but this did. She stopped with a gasp, and stared at him.

Mr Vince reassured her.

'I don't expect you to say "Yes". That was just a beginning—the shot fired across the bows by way of warning. In you, Miss Warden, I have found my affinity. Have you ever considered this matter of affinities? Affinities are the—the—Wait a moment.'

He paused, reflecting.

'I—' began Ruth.

''Sh!' said the young man, holding up his hand.

Ruth's eyes flashed. She was not used to having ''Sh!' said to her by young men, and she resented it.

'I've got it,' he declared, with relief. 'I knew I should, but these good things take time. Affinities are the zero on the roulette-board of life. Just as we select a number on which to stake our money, so do we select a type of girl whom we think we should like to marry. And just as zero pops up instead of the number, so does our affinity come along and upset all our pre-conceived notions of the type of girl we should like to marry.'

'I—' began Ruth again.

'The analogy is in the rough at present. I haven't had time to condense and polish it. But you see the idea. Take my case, for instance. When I saw you a couple of days ago I knew in an instant that you were my affinity. But for years I had been looking for a woman almost your exact opposite. You are dark. Three days ago I couldn't have imagined myself marrying anyone who was not fair. Your eyes are grey. Three days ago my preference for blue eyes was a by-word. You have a shocking temper. Three days ago—'

'Mr Vince!'

'There!' said that philosopher, complacently. 'You stamped. The gentle, blue-eyed blonde whom I was looking for three days ago would have drooped timidly. Three days ago my passion for timid droopers amounted to an obsession.'

Ruth did not reply. It was useless to bandy words with one who gave such clear evidence of being something out of the common run of word-bandiers. No verbal attack could crush this extraordinary young man. She walked on, all silence and stony profile, uncomfortably conscious that her companion was in no way abashed by the former and was regarding the latter with that frank admiration which had made itself so obnoxious to her before, until they reached their destination. Mr Vince, meanwhile, chatted cheerfully, and pointed out objects of interest by the wayside.

At the door Ruth permitted herself a word of farewell.

'Good-bye,' she said.

'Till tomorrow evening,' said Mr Vince. 'I shall be coming to dinner.'

Mr Warden ambled home, very happy and contented, two hours later, with half a franc in his pocket, this comparative wealth being due to the fact that the minimum stake permitted by the Roville casino is just double that sum. He was sorry not to have won, but his mind was too full of rosy dreams to permit of remorse. It was the estimable old gentleman's dearest wish that his daughter should marry some rich, open-handed man who would keep him in affluence for the remainder of his days, and to that end he was in the habit of introducing to her notice any such that came his way. There was no question of coercing Ruth. He was too tender-hearted for that. Besides he couldn't. Ruth was not the sort of girl who is readily coerced. He contented himself with giving her the opportunity to inspect his exhibits. Roville is a sociable place, and it was not unusual for him to make friends at the casino and to bring them home, when made, for a cigar. Up to the present, he was bound to admit, his efforts had not been particularly successful. Ruth, he reflected sadly, was a curious girl. She did not show her best side to these visitors. There was no encouragement in her manner. She was apt to frighten the unfortunate exhibits. But of this young man Vince he had brighter hopes. He was rich. That was proved by the very handsome way in which he had behaved in the matter of a small loan when, looking in at the casino after parting from Ruth, he had found Mr Warden in sore straits for want of a little capital to back a brand-new system which he had conceived through closely observing the run of the play. He was also obviously attracted by Ruth. And, as he was remarkably presentable—indeed, quite an unusually good-looking young man—there seemed no reason why Ruth should not be equally attracted by him. The world looked good to Mr Warden as he fell asleep that night.

Ruth did not fall asleep so easily. The episode had disturbed her. A new element had entered her life, and one that gave promise of producing strange by-products.

When, on the following evening, Ruth returned from the stroll on the Promenade which she always took after leaving the mont-de-piete, with a feeling of irritation towards things in general, this feeling was not diminished by the sight of Mr Vince, very much at his ease, standing against the mantelpiece of the tiny parlour.

'How do you do?' he said. 'By an extraordinary coincidence I happened to be hanging about outside this house just now, when your father came along and invited me in to dinner. Have you ever thought much about coincidences, Miss Warden? To my mind, they may be described as the zero on the roulette-board of life.'

He regarded her fondly.

'For a shy man, conscious that the girl he loves is inspecting him closely and making up her mind about him,' he proceeded, 'these unexpected meetings are very trying ordeals. You must not form your judgement of me too hastily. You see me now, nervous, embarrassed, tongue-tied. But I am not always like this. Beneath this crust of diffidence there is sterling stuff, Miss Warden. People who know me have spoken of me as a little ray of sun—But here is your father.'

Mr Warden was more than usually disappointed with Ruth during dinner. It was the same old story. So far from making herself pleasant to this attractive stranger, she seemed positively to dislike him. She was barely civil to him. With a sigh Mr Warden told himself that he did not understand Ruth, and the rosy dreams he had formed began to fade.

Ruth's ideas on the subject of Mr Vince as the days went by were chaotic. Though she told herself that she thoroughly objected to him, he had nevertheless begun to have an undeniable attraction for her. In what this attraction consisted she could not say. When she tried to analyse it, she came to the conclusion that it was due to the fact that he was the only element in her life that made for excitement. Since his advent the days had certainly passed more swiftly for her. The dead level of monotony had been broken. There was a certain fascination in exerting herself to suppress him, which increased daily as each attempt failed.

Mr Vince put this feeling into words for her. He had a maddening habit of discussing the progress of his courtship in the manner of an impartial lecturer.

'I am making headway,' he observed. 'The fact that we cannot meet without your endeavouring to plant a temperamental left jab on my spiritual solar plexus encourages me to think that you are beginning at last to understand that we are affinities. To persons of spirit like ourselves the only happy marriage is that which is based on a firm foundation of almost incessant quarrelling. The most beautiful line in English poetry, to my mind, is, "We fell out, my wife and I." You would be wretched with a husband who didn't like you to quarrel with him. The position of affairs now is that I have become necessary to you. If I went out of your life now I should leave an aching void. You would still have that beautiful punch of yours, and there would be nobody to exercise it on. You would pine away. From now on matters should, I think, move rapidly. During the course of the next week I shall endeavour to propitiate you with gifts. Here is the first of them.'

He took a piece of paper from his pocket and handed it her. It was a pencil-sketch, rough and unfinished, but wonderfully clever. Even Ruth could appreciate that—and she was a prejudiced observer, for the sketch was a caricature of herself. It represented her, drawn up to her full height, with enormous, scornful eyes and curling lips, and the artist had managed to combine an excellent likeness while accentuating everything that was marked in what she knew had come to be her normal expression of scorn and discontent.

'I didn't know you were an artist, Mr Vince,' she said, handing it back.

'A poor amateur. Nothing more. You may keep it.'

'I have not the slightest wish to keep it.'

'You haven't?'

'It is not in the least clever, and it is very impertinent of you to show it to me. The drawing is not funny. It is simply rude.'

'A little more,' said Mr Vince, 'and I shall begin to think you don't like it. Are you fond of chocolates?'

Ruth did not answer.

'I am sending you some tomorrow.'

'I shall return them.'

'Then I shall send some more, and some fruit. Gifts!' soliloquized Mr Vince. 'Gifts! That is the secret. Keep sending gifts. If men would only stick to gifts and quarrelling, there would be fewer bachelors.'

On the morrow, as promised, the chocolates arrived, many pounds of them in a lordly box. The bludgeoning of fate had not wholly scotched in Ruth a human weakness for sweets, and it was with a distinct effort that she wrapped the box up again and returned it to the sender. She went off to her work at the mont-de-piete with a glow of satisfaction which comes to those who exhibit an iron will in trying circumstances.

And at the mont-de-piete there occurred a surprising incident.

Surprising incidents, as Mr Vince would have said, are the zero on the roulette-board of life. They pop up disturbingly when least expected, confusing the mind and altering pre-conceived opinions. And this was a very surprising incident indeed.

Ruth, as has been stated, sat during her hours of work behind a ground-glass screen, unseen and unseeing. To her the patrons of the establishment were mere disembodied voices—wheedling voices, pathetic voices, voices that protested, voices that hectored, voices that whined, moaned, broke, appealed to the saints, and in various other ways endeavoured to instil into M. Gandinot more spacious and princely views on the subject of advancing money on property pledged. She was sitting behind her screen this morning, scribbling idly on the blotting-pad, for there had been a lull in the business, when the door opened, and the polite, 'Bonjour, monsieur,' of M. Gandinot announced the arrival of another unfortunate.

And then, shaking her like an electric shock, came a voice that she knew—the pleasant voice of Mr Vince.

The dialogues that took place on the other side of the screen were often protracted and always sordid, but none had seemed to Ruth so interminable, so hideously sordid, as this one.

Round and round its miserable centre—a silver cigarette-case—the dreary argument circled. The young man pleaded; M. Gandinot, adamant in his official role, was immovable.

Ruth could bear it no longer. She pressed her hands over her burning ears, and the voices ceased to trouble her.

And with the silence came thought, and a blaze of understanding that flashed upon her and made all things clear. She understood now why she had closed her ears.

Poverty is an acid which reacts differently on differing natures. It had reduced Mr Eugene Warden's self-respect to a minimum. Ruth's it had reared up to an abnormal growth. Her pride had become a weed that ran riot in her soul, darkening it and choking finer emotions. Perhaps it was her father's naive stratagems for the enmeshing of a wealthy husband that had produced in her at last a morbid antipathy to the idea of playing beggar-maid to any man's King Cophetua. The state of mind is intelligible. The Cophetua legend never has been told from the beggar-maid's point of view, and there must have been moments when, if a woman of spirit, she resented that monarch's somewhat condescending attitude, and felt that, secure in his wealth and magnificence, he had taken her grateful acquiescence very much for granted.

This, she saw now, was what had prejudiced her against George Vince. She had assumed that he was rich. He had conveyed the impression of being rich. And she had been on the defensive against him accordingly. Now, for the first time, she seemed to know him. A barrier had been broken down. The royal robes had proved tinsel, and no longer disguised the man she loved.

A touch on her arm aroused her. M. Gandinot was standing by her side. Terms, apparently had been agreed upon and the interview concluded, for in his hand was a silver cigarette-case.

'Dreaming, mademoiselle? I could not make you hear. The more I call to you, the more you did not answer. It is necessary to enter this loan.'

He recited the details and Ruth entered them in her ledger. This done, M. Gandinot, doffing his official self, sighed.

'It is a place of much sorrow, mademoiselle, this office. How he would not take no for an answer, that young man, recently departed. A fellow-countryman of yours, mademoiselle. You would say, "What does this young man, so well-dressed, in a mont-de-piete?" But I know better, I, Gandinot. You have an expression, you English—I heard it in Paris in a cafe, and inquired its meaning—when you say of a man that he swanks. How many young men have I seen here, admirably dressed—rich, you would say. No, no. The mont-de-piete permits no secrets. To swank, mademoiselle, what is it? To deceive the world, yes. But not the mont-de-piete. Yesterday also, when you had departed, was he here, that young man. Yet here he is once more today. He spends his money quickly, alas! that poor young swanker.'

When Ruth returned home that evening she found her father in the sitting-room, smoking a cigarette. He greeted her with effusion, but with some uneasiness—for the old gentleman had nerved himself to a delicate task. He had made up his mind tonight to speak seriously to Ruth on the subject of her unsatisfactory behaviour to Mr Vince. The more he saw of that young man the more positive was he that this was the human gold-mine for which he had been searching all these weary years. Accordingly, he threw away his cigarette, kissed Ruth on the forehead, and began to speak.

It had long been Mr Warden's opinion that, if his daughter had a fault, it was a tendency towards a quite unnecessary and highly inconvenient frankness. She had not that tact which he would have liked a daughter of his to possess. She would not evade, ignore, agree not to see. She was at times painfully blunt.

This happened now. He was warming to his subject when she interrupted him with a question.

'What makes you think Mr Vince is rich, father?' she asked.

Mr Warden was embarrassed. The subject of Mr Vince's opulence had not entered into his discourse. He had carefully avoided it. The fact that he was thinking of it and that Ruth knew that he was thinking of it, and that he knew that Ruth knew, had nothing to do with the case. The question was not in order, and it embarrassed him.

'I—why—I don't—I never said he was rich, my dear. I have no doubt that he has ample—'

'He is quite poor.'

Mr Warden's jaw fell slightly.

'Poor? But, my dear, that's absurd!' he cried. 'Why, only this evening—'

He broke off abruptly, but it was too late.

'Father, you've been borrowing money from him!'

Mr Warden drew in his breath, preparatory to an indignant denial, but he altered his mind and remained silent. As a borrower of money he had every quality but one. He had come to look on her perspicacity in this matter as a sort of second sight. It had frequently gone far to spoiling for him the triumph of success.

'And he has to pawn things to live!' Her voice trembled. 'He was at the mont-de-piete today. And yesterday too. I heard him. He was arguing with M. Gandinot—haggling—'

Her voice broke. She was sobbing helplessly. The memory of it was too raw and vivid.

Mr Warden stood motionless. Many emotions raced through his mind, but chief among them the thought that this revelation had come at a very fortunate time. An exceedingly lucky escape, he felt. He was aware, also, of a certain measure of indignation against this deceitful young man who had fraudulently imitated a gold-mine with what might have been disastrous results.

The door opened and Jeanne, the maid-of-all-work, announced Mr Vince.

He entered the room briskly.

'Good evening!' he said. 'I have brought you some more chocolates, Miss Warden, and some fruit. Great Scott! What's the matter?'

He stopped, but only for an instant. The next he had darted across the room, and, before the horrified eyes of Mr Warden, was holding Ruth in his arms. She clung to him.

Bill, the fox-terrier, over whom Mr Vince had happened to stumble, was the first to speak. Almost simultaneously Mr Warden joined in, and there was a striking similarity between the two voices, for Mr Warden, searching for words, emitted as a preliminary to them a sort of passionate yelp.

Mr Vince removed the hand that was patting Ruth's shoulder and waved it reassuringly at him.

'It's all right,' he said.

'All right! All right!'

'Affinities,' explained Mr Vince over his shoulder. 'Two hearts that beat as one. We're going to be married. What's the matter, dear? Don't you worry; you're all right.'

'I refuse!' shouted Mr Warden. 'I absolutely refuse.'

Mr Vince lowered Ruth gently into a chair and, holding her hand, inspected the fermenting old gentleman gravely.

'You refuse?' he said. 'Why, I thought you liked me.'

Mr Warden's frenzy had cooled. It had been something foreign to his nature. He regretted it. These things had to be managed with restraint.

'My personal likes and dislikes,' he said, 'have nothing to do with the matter, Mr Vince. They are beside the point. I have my daughter to consider. I cannot allow her to marry a man without a penny.'

'Quite right,' said Mr Vince, approvingly. 'Don't have anything to do with the fellow. If he tries to butt in, send for the police.'

Mr Warden hesitated. He had always been a little ashamed of Ruth's occupation. But necessity compelled.

'Mr Vince, my daughter is employed at the mont-de-piete, and was a witness to all that took place this afternoon.'

Mr Vince was genuinely agitated. He looked at Ruth, his face full of concern.

'You don't mean to say you have been slaving away in that stuffy—Great Scott! I'll have you out of that quick. You mustn't go there again.'

He stooped and kissed her.

'Perhaps you had better let me explain,' he said. 'Explanations, I always think, are the zero on the roulette-board of life. They're always somewhere about, waiting to pop up. Have you ever heard of Vince's Stores, Mr Warden? Perhaps they are since your time. Well, my father is the proprietor. One of our specialities is children's toys, but we haven't picked a real winner for years, and my father when I last saw him seemed so distressed about it that I said I'd see if I couldn't whack out an idea for something. Something on the lines of the Billiken, only better, was what he felt he needed. I'm not used to brain work, and after a spell of it I felt I wanted a rest. I came here to recuperate, and the very first morning I got an inspiration. You may have noticed that the manager of the mont-de-piete here isn't strong on conventional good looks. I saw him at the casino, and the thing flashed on me. He thinks his name's Gandinot, but it isn't. It's Uncle Zip, the Hump-Curer, the Man who Makes You Smile.'

He pressed Ruth's hand affectionately.

'I lost track of him, and it was only the day before yesterday that I discovered who he was and where he was to be found. Well, you can't go up to a man and ask him to pose as a model for Uncle Zip, the Hump-Curer. The only way to get sittings was to approach him in the way of business. So I collected what property I had and waded in. That's the whole story. Do I pass?'

Mr Warden's frosty demeanour had gradually thawed during this recital, and now the sun of his smile shone out warmly. He gripped Mr Vince's hand with every evidence of esteem, and after that he did what was certainly the best thing, by passing gently from the room. On his face, as he went, was a look such as Moses might have worn on the summit of Pisgah.

It was some twenty minutes later that Ruth made a remark.

'I want you to promise me something,' she said. 'Promise that you won't go on with that Uncle Zip drawing. I know it means ever so much money, but it might hurt poor M. Gandinot's feelings, and he has been very kind to me.'

'That settles it,' said Mr Vince. 'It's hard on the children of Great Britain, but say no more. No Uncle Zip for them.'

Ruth looked at him, almost with awe.

'You really won't go on with it? In spite of all the money you would make? Are you always going to do just what I ask you, no matter what it costs you?'

He nodded sadly.

'You have sketched out in a few words the whole policy of my married life. I feel an awful fraud. And I had encouraged you to look forward to years of incessant quarrelling. Do you think you can manage without it? I'm afraid it's going to be shockingly dull for you,' said Mr Vince, regretfully.

ARCHIBALD MEALING was one of those golfers in whom desire outruns performance. Nobody could have been more willing than Archibald. He tried, and tried hard. Every morning before he took his bath he would stand in front of his mirror and practise swings. Every night before he went to bed he would read the golden words of some master on the subject of putting, driving, or approaching. Yet on the links most of his time was spent in retrieving lost balls or replacing America. Whether it was that Archibald pressed too much or pressed too little, whether it was that his club deviated from the dotted line which joined the two points A and B in the illustrated plate of the man making the brassy shot in the Hints on Golf book, or whether it was that he was pursued by some malignant fate, I do not know. Archibald rather favoured the last theory.

The important point is that, in his thirty-first year, after six seasons of untiring effort, Archibald went in for a championship, and won it.

Archibald, mark you, whose golf was a kind of blend of hockey, Swedish drill, and buck-and-wing dancing.

I know the ordeal I must face when I make such a statement. I see clearly before me the solid phalanx of men from Missouri, some urging me to tell it to the King of Denmark, others insisting that I produce my Eskimos. Nevertheless, I do not shrink. I state once more that in his thirty-first year Archibald Mealing went in for a golf championship, and won it.

Archibald belonged to a select little golf club, the members of which lived and worked in New York, but played in Jersey. Men of substance, financially as well as physically, they had combined their superfluous cash and with it purchased a strip of land close to the sea. This land had been drained—to the huge discomfort of a colony of mosquitoes which had come to look on the place as their private property—and converted into links, which had become a sort of refuge for incompetent golfers. The members of the Cape Pleasant Club were easygoing refugees from other and more exacting clubs, men who pottered rather than raced round the links; men, in short, who had grown tired of having to stop their game and stand aside in order to allow perspiring experts to whiz past them. The Cape Pleasant golfers did not make themselves slaves to the game. Their language, when they foozled, was gently regretful rather than sulphurous. The moment in the day's play which they enjoyed most was when they were saying: 'Well, here's luck!' in the club-house.

It will, therefore, be readily understood that Archibald's inability to do a hole in single figures did not handicap him at Cape Pleasant as it might have done at St. Andrews. His kindly clubmates took him to their bosoms to a man, and looked on him as a brother. Archibald's was one of those admirable natures which prompt their possessor frequently to remark: 'These are on me!' and his fellow golfers were not slow to appreciate the fact. They all loved Archibald.

Archibald was on the floor of his bedroom one afternoon, picking up the fragments of his mirror—a friend had advised him to practise the Walter J. Travis lofting shot—when the telephone bell rang. He took up the receiver, and was hailed by the comfortable voice of McCay, the club secretary.

'Is that Mealing?' asked McCay. 'Say, Archie, I'm putting your name down for our championship competition. That's right, isn't it?'

'Sure,' said Archibald. 'When does it start?'

'Next Saturday.'

'That's me.'

'Good for you. Oh, Archie.'

'Hello?'

'A man I met today told me you were engaged. Is that a fact?'

'Sure,' murmured Archibald, blushfully.

The wire hummed with McCay's congratulations.

'Thanks,' said Archibald. 'Thanks, old man. What? Oh, yes. Milsom's her name. By the way, her family have taken a cottage at Cape Pleasant for the summer. Some distance from the links. Yes, very convenient, isn't it? Good-bye.'

He hung up the receiver and resumed his task of gathering up the fragments. Now McCay happened to be of a romantic and sentimental nature. He was by profession a chartered accountant, and inclined to be stout; and all rather stout chartered accountants are sentimental. McCay was the sort of man who keeps old ball programmes and bundles of letters tied round with lilac ribbon. At country houses, where they lingered in the porch after dinner to watch the moonlight flooding the quiet garden, it was McCay and his colleague who lingered longest. McCay knew Ella Wheeler Wilcox by heart, and could take Browning without anaesthetics. It is not to be wondered at, therefore, that Archibald's remark about his fiancee coming to live at Cape Pleasant should give him food for thought. It appealed to him.

He reflected on it a good deal during the day, and, running across Sigsbee, a fellow Cape Pleasanter, after dinner that night at the Sybarites' Club, he spoke of the matter to him. It so happened that both had dined excellently, and were looking on the world with a sort of cosy benevolence. They were in the mood when men pat small boys on the head and ask them if they mean to be President when they grow up.

'I called up Archie Mealing today,' said McCay. 'Did you know he was engaged?'

'I did hear something about it. Girl of the name of Wilson, or—'

'Milsom. She's going to spend the summer at Cape Pleasant, Archie tells me.'

'Then she'll have a chance of seeing him play in the championship competition.'

McCay sucked his cigar in silence for a while, watching with dreamy eyes the blue smoke as it curled ceiling-ward. When he spoke his voice was singularly soft.

'Do you know, Sigsbee,' he said, sipping his Maraschino with a gentle melancholy—'do you know, there is something wonderfully pathetic to me in this business. I see the whole thing so clearly. There was a kind of quiver in the poor old chap's voice when he said: "She is coming to Cape Pleasant," which told me more than any words could have done. It is a tragedy in its way, Sigsbee. We may smile at it, think it trivial; but it is none the less a tragedy. That warm-hearted, enthusiastic girl, all eagerness to see the man she loves do well—Archie, poor old Archie, all on fire to prove to her that her trust in him is not misplaced, and the end—Disillusionment—Disappointment—Unhappiness.'

'He ought to keep his eye on the ball,' said the more practical Sigsbee.

'Quite possibly,' continued McCay, 'he has told her that he will win this championship.'

'If Archie's mutt enough to have told her that,' said Sigsbee decidedly, 'he deserves all he gets. Waiter, two Scotch highballs.'

McCay was in no mood to subscribe to this stony-hearted view.

'I tell you,' he said, 'I'm sorry for Archie! I'm sorry for the poor old chap. And I'm more than sorry for the girl.'

'Well, I don't see what we can do,' said Sigsbee. 'We can hardly be expected to foozle on purpose, just to let Archie show off before his girl.'

McCay paused in the act of lighting his cigar, as one smitten with a great thought.

'Why not?' he said. 'Why not, Sigsbee? Sigsbee, you've hit it.'

'Eh?'

'You have! I tell you, Sigsbee, you've solved the whole thing. Archie's such a bully good fellow, why not give him a benefit? Why not let him win this championship? You aren't going to tell me that you care whether you win a tin medal or not?'

Sigsbee's benevolence was expanding under the influence of the Scotch highball and his cigar. Little acts of kindness on Archie's part, here a cigar, there a lunch, at another time seats for the theatre, began to rise to the surface of his memory like rainbow-coloured bubbles. He wavered.

'Yes, but what about the rest of the men?' he said. 'There will be a dozen or more in for the medal.'

'We can square them,' said McCay confidently. 'We will broach the matter to them at a series of dinners at which we will be joint hosts. They are white men who will be charmed to do a little thing like that for a sport like Archie.'

'How about Gossett?' said Sigsbee.

McCay's face clouded. Gossett was an unpopular subject with members of the Cape Pleasant Golf Club. He was the serpent in their Eden. Nobody seemed quite to know how he had got in, but there, unfortunately, he was. Gossett had introduced into Cape Pleasant golf a cheerless atmosphere of the rigour of the game. It was to enable them to avoid just such golfers as Gossett that the Cape Pleasanters had founded their club. Genial courtesy rather than strict attention to the rules had been the leading characteristics of their play till his arrival. Up to that time it had been looked on as rather bad form to exact a penalty. A cheery give-and-take system had prevailed. Then Gossett had come, full of strange rules, and created about the same stir in the community which a hawk would create in a gathering of middle-aged doves.

'You can't square Gossett,' said Sigsbee.

McCay looked unhappy.

'I forgot him,' he said. 'Of course, nothing will stop him trying to win. I wish we could think of something. I would almost as soon see him lose as Archie win. But, after all, he does have off days sometimes.'

'You need to have a very off day to be as bad as Archie.'

They sat and smoked in silence.

'I've got it,' said Sigsbee suddenly. 'Gossett is a fine golfer, but nervous. If we upset his nerves enough, he will go right off his stroke. Couldn't we think of some way?'

McCay reached out for his glass.

'Yours is a noble nature, Sigsbee,' he said.

'Oh, no,' said the paragon modestly. 'Have another cigar?'

In order that the reader may get the mental half-Nelson on the plot of this narrative which is so essential if a short story is to charm, elevate, and instruct, it is necessary now, for the nonce (but only for the nonce), to inspect Archibald's past life.

Archibald, as he had stated to McCay, was engaged to a Miss Milsom—Miss Margaret Milsom. How few men, dear reader, are engaged to girls with svelte figures, brown hair, and large blue eyes, now sparkling and vivacious, now dreamy and soulful, but always large and blue! How few, I say. You are, dear reader, and so am I, but who else? Archibald was one of the few who happened to be.

He was happy. It is true that Margaret's mother was not, as it were, wrapped up in him. She exhibited none of that effervescent joy at his appearance which we like to see in our mothers-in-law elect. On the contrary, she generally cried bitterly whenever she saw him, and at the end of ten minutes was apt to retire sobbing to her room, where she remained in a state of semi-coma till an advanced hour. She was by way of being a confirmed invalid, and something about Archibald seemed to get right in among her nerve centres, reducing them for the time being to a complicated hash. She did not like Archibald. She said she liked big, manly men. Behind his back she not infrequently referred to him as a 'gaby'; sometimes even as that 'guffin'.

She did not do this to Margaret, for Margaret, besides being blue-eyed, was also a shade quick-tempered. Whenever she discussed Archibald, it was with her son Stuyvesant. Stuyvesant Milsom, who thought Archibald a bit of an ass, was always ready to sit and listen to his mother on the subject, it being, however, an understood thing that at the conclusion of the seance she yielded one or two saffron-coloured bills towards his racing debts. For Stuyvesant, having developed a habit of backing horses which either did not start at all or else sat down and thought in the middle of the race, could always do with ten dollars or so. His prices for these interviews worked out, as a rule, at about three cents a word.

In these circumstances it was perhaps natural that Archibald and Margaret should prefer to meet, when they did meet, at some other spot than the Milsom home. It suited them both better that they should arrange a secret tryst on these occasions. Archibald preferred it because being in the same room as Mrs Milsom always made him feel like a murderer with particularly large feet; and Margaret preferred it because, as she told Archibald, these secret meetings lent a touch of poetry to what might otherwise have been a commonplace engagement.

Archibald thought this charming; but at the same time he could not conceal from himself the fact that Margaret's passion for the poetic cut, so to speak, both ways. He admired and loved the loftiness of her soul, but, on the other hand, it was a tough job having to live up to it. For Archibald was a very ordinary young man. They had tried to inoculate him with a love of poetry at school, but it had not taken. Until he was thirty he had been satisfied to class all poetry (except that of Mr George Cohan) under the general heading of punk. Then he met Margaret, and the trouble began. On the day he first met her, at a picnic, she had looked so soulful, so aloof from this world, that he had felt instinctively that here was a girl who expected more from a man than a mere statement that the weather was great. It so chanced that he knew just one quotation from the classics, to wit, Tennyson's critique of the Island-Valley of Avilion. He knew this because he had had the passage to write out one hundred and fifty times at school, on the occasion of his being caught smoking by one of the faculty who happened to be a passionate admirer of the 'Idylls of the King'.

A remark of Margaret's that it was a splendid day for a picnic and that the country looked nice gave him his opportunity.

'It reminds me,' he said, 'it reminds me strongly of the Island-Valley of Avilion, where falls not hail, or rain, or any snow, nor ever wind blows loudly; but it lies deep-meadow'd, happy, fair, with orchard lawns....'

He broke off here to squash a hornet; but Margaret had heard enough. 'Are you fond of the poets, Mr Mealing?' she said, with a far-off look.

'Me?' said Archibald fervently. 'Me? Why, I eat 'em alive!'

And that was how all the trouble had started. It had meant unremitting toil for Archibald. He felt that he had set himself a standard from which he must not fall. He bought every new volume of poetry which was praised in the press, and learned the reviews by heart. Every evening he read painfully a portion of the classics. He plodded through the poetry sections of Bartlett's Familiar Quotations. Margaret's devotion to the various bards was so enthusiastic, and her reading so wide, that there were times when Archibald wondered if he could endure the strain. But he persevered heroically, and so far had not been found wanting. But the strain was fearful.

The early stages of the Cape Pleasant golf tournament need no detailed description. The rules of match play governed the contests, and Archibald disposed of his first three opponents before the twelfth hole. He had been diffident when he teed off with McCay in the first round, but, finding that he defeated the secretary with ease, he met one Butler in the second round with more confidence. Butler, too, he routed; with the result that, by the time he faced Sigsbee in round three, he was practically the conquering hero. Fortune seemed to be beaming upon him with almost insipid sweetness. When he was trapped in the bunker at the seventh hole, Sigsbee became trapped as well. When he sliced at the sixth tee, Sigsbee pulled. And Archibald, striking a brilliant vein, did the next three holes in eleven, nine, and twelve; and, romping home, qualified for the final.

Gossett, that serpent, meanwhile, had beaten each of his three opponents without much difficulty.

The final was fixed for the following Thursday morning. Gossett, who was a broker, had made some frivolous objection about the difficulty of absenting himself from Wall Street, but had been overruled. When Sigsbee pointed out that he could easily defeat Archibald and get to the city by lunch-time if he wished, and that in any case his partner would be looking after things, he allowed himself to be persuaded, though reluctantly. It was a well-known fact that Gossett was in the midst of some rather sizeable deals at that time.

Thursday morning suited Archibald admirably. It had occurred to him that he could bring off a double event. Margaret had arrived at Cape Pleasant on the previous evening, and he had arranged by telephone to meet her at the end of the board-walk, which was about a mile from the links, at one o'clock, supply her with lunch, and spend the afternoon with her on the water. If he started his match with Gossett at eleven-thirty, he would have plenty of time to have his game and be at the end of the board-walk at the appointed hour. He had no delusions about the respective merits of Gossett and himself as golfers. He knew that Gossett would win the necessary ten holes off the reel. It was saddening, but it was a scientific fact. There was no avoiding it. One simply had to face it.

Having laid these plans, he caught the train on the Thursday morning with the consoling feeling that, however sadly the morning might begin, it was bound to end well.

The day was fine, the sun warm, but tempered with a light breeze. One or two of the club had come to watch the match, among them Sigsbee.

Sigsbee drew Gossett aside.

'You must let me caddie for you, old man,' he said. 'I know your temperament so exactly. I know how little it takes to put you off your stroke. In an ordinary game you might take one of these boys, I know, but on an important occasion like this you must not risk it. A grubby boy, probably with a squint, would almost certainly get on your nerves. He might even make comments on the game, or whistle. But I understand you. You must let me carry your clubs.'

'It's very good of you,' said Gossett.

'Not at all,' said Sigsbee.

Archibald was now preparing to drive off from the first tee. He did this with great care. Everyone who has seen Archibald Mealing play golf knows that his teeing off is one of the most impressive sights ever witnessed on the links. He tilted his cap over his eyes, waggled his club a little, shifted his feet, waggled his club some more, gazed keenly towards the horizon for a moment, waggled his club again, and finally, with the air of a Strong Man lifting a bar of iron, raised it slowly above his head. Then, bringing it down with a sweep, he drove the ball with a lofty slice some fifty yards. It was rarely that he failed either to slice or pull his ball. His progress from hole to hole was generally a majestic zigzag.

Gossett's drive took him well on the way to the green. He holed out in five. Archibald, mournful but not surprised, made his way to the second tee.

The second hole was shorter. Gossett won it in three. The third he took in six, the fourth in four. Archibald began to feel that he might just as well not be there. He was practically a spectator.

At this point he reached in his pocket for his tobacco-pouch, to console himself with smoke. To his dismay he found it was not there. He had had it in the train, but now it had vanished. This added to his gloom, for the pouch had been given to him by Margaret, and he had always thought it one more proof of the way her nature towered over the natures of other girls that she had not woven a monogram on it in forget-me-nots. This record pouch was missing, and Archibald mourned for the loss.

His sorrows were not alleviated by the fact that Gossett won the fifth and sixth holes.

It was now a quarter past twelve, and Archibald reflected with moody satisfaction that the massacre must soon be over, and that he would then be able to forget it in the society of Margaret.

As Gossett was about to drive off from the seventh tee, a telegraph boy approached the little group.

'Mr Gossett,' he said.

Gossett lowered his driver, and wheeled round, but Sigsbee had snatched the envelope from the boy's hand.

'It's all right, old man,' he said. 'Go right ahead. I'll keep it safe for you.'

'Give it to me,' said Gossett anxiously. 'It may be from the office. Something may have happened to the market. I may be needed.'

'No, no,' said Sigsbee, soothingly. 'Don't you worry about it. Better not open it. It might have something in it that would put you off your stroke. Wait till the end of the game.'

'Give it to me. I want to see it.'

Sigsbee was firm.

'No,' he said. 'I'm here to see you win this championship and I won't have you taking any risks. Besides, even if it was important, a few minutes won't make any difference.'

'Well, at any rate, open it and read it.'

'It is probably in cipher,' said Sigsbee. 'I wouldn't understand it. Play on, old man. You've only a few more holes to win.'

Gossett turned and addressed his ball again. Then he swung. The club tipped the ball, and it rolled sluggishly for a couple of feet. Archibald approached the tee. Now there were moments when Archibald could drive quite decently. He always applied a considerable amount of muscular force to his efforts. It was in that direction, as a rule, he erred. On this occasion, whether inspired by his rival's failure or merely favoured by chance, he connected with his ball at precisely the right moment. It flew from the tee, straight, hard, and low, struck the ground near the green, bounded on and finally rocked to within a foot of the hole. No such long ball had been driven on the Cape Pleasant links since their foundation.

That it should have taken him three strokes to hole out from this promising position was unfortunate, but not fatal, for Gossett, who seemed suddenly to have fallen off his game, only reached the green in seven. A moment later a murmur of approval signified the fact that Archibald had won his first hole.

'Mr Gossett,' said a voice.

Those murmuring approval observed that the telegraph boy was once more in their midst. This time he bore two missives. Sigsbee dexterously impounded both.

'No,' he said with decision. 'I absolutely refuse to let you look at them till the game is over. I know your temperament.'

Gossett gesticulated.

'But they must be important. They must come from my office. Where else would I get a stream of telegrams? Something has gone wrong. I am urgently needed.'

Sigsbee nodded gravely.

'That is what I fear,' he said. 'That is why I cannot risk having you upset. Time enough, Gossett, for bad news after the game. Play on, man, and dismiss it from your mind. Besides, you couldn't get back to New York just yet, in any case. There are no trains. Dismiss the whole thing from your mind and just play your usual, and you're sure to win.'

Archibald had driven off during this conversation, but without his previous success. This time he had pulled his ball into some long grass. Gossett's drive was, however, worse; and the subsequent movement of the pair to the hole resembled more than anything else the manoeuvres of two men rolling peanuts with toothpicks as the result of an election bet. Archibald finally took the hole in twelve after Gossett had played his fourteenth.

When Archibald won the next in eleven and the tenth in nine, hope began to flicker feebly in his bosom. But when he won two more holes, bringing the score to like-as-we-lie, it flamed up within him like a beacon.

The ordinary golfer, whose scores per hole seldom exceed those of Colonel Bogey, does not understand the whirl of mixed sensations which the really incompetent performer experiences on the rare occasions when he does strike a winning vein. As stroke follows stroke, and he continues to hold his opponent, a wild exhilaration surges through him, followed by a sort of awe, as if he were doing something wrong, even irreligious. Then all these yeasty emotions subside and are blended into one glorious sensation of grandeur and majesty, as of a giant among pygmies.

By the time that Archibald, putting with the care of one brushing flies off a sleeping Venus, had holed out and won the thirteenth, he was in the full grip of this feeling. And as he walked to the fifteenth tee, after winning the fourteenth, he felt that this was Life, that till now he had been a mere mollusc.

Just at that moment he happened to look at his watch, and the sight was like a douche of cold water. The hands stood at five minutes to one.

Let us pause and ponder on this point for a while. Let us not dismiss it as if it were some mere trivial, everyday difficulty. You, dear reader, play an accurate, scientific game and beat your opponent with ease every time you go the links, and so do I; but Archibald was not like us. This was the first occasion on which he had ever felt that he was playing well enough to give him a chance of defeating a really good man. True, he had beaten McCay, Sigsbee, and Butler in the earlier rounds; but they were ignoble rivals compared with Gossett. To defeat Gossett, however, meant the championship. On the other hand, he was passionately devoted to Margaret Milsom, whom he was due to meet at the end of the board-walk at one sharp. It was now five minutes to one, and the end of the board-walk still a mile away.

The mental struggle was brief but keen. A sharp pang, and his mind was made up. Cost what it might, he must stay on the links. If Margaret broke off the engagement—well, it might be that Time would heal the wound, and that after many years he would find some other girl for whom he might come to care in a wrecked, broken sort of way. But a chance like this could never come again. What is Love compared with holing out before your opponent?

The excitement now had become so intense that a small boy, following with the crowd, swallowed his chewing-gum; for a slight improvement had become noticeable in Gossett's play, and a slight improvement in the play of almost anyone meant that it became vastly superior to Archibald's. At the next hole the improvement was not marked enough to have its full effect, and Archibald contrived to halve. This made him two up and three to play. What the average golfer would consider a commanding lead. But Archibald was no average golfer. A commanding lead for him would have been two up and one to play.

To give the public of his best, your golfer should have his mind cool and intent upon the game. Inasmuch as Gossett was worrying about the telegrams, while Archibald, strive as he might to dismiss it, was haunted by a vision of Margaret standing alone and deserted on the board-walk, play became, as it were, ragged. Fine putting enabled Gossett to do the sixteenth hole in twelve, and when, winning the seventeenth in nine, he brought his score level with Archibald's the match seemed over. But just then—

'Mr Gossett!' said a familiar voice.

Once more was the much-enduring telegraph boy among those present.

'T'ree dis time!' he observed.

Gossett sprang, but again the watchful Sigsbee was too swift.

'Be brave, Gossett—be brave,' he said. 'This is a crisis in the game. Keep your nerve. Play just as if nothing existed outside the links. To look at these telegrams now would be fatal.'

Eye-witnesses of that great encounter will tell the story of the last hole to their dying day. It was one of those Titanic struggles which Time cannot efface from the memory. Archibald was fortunate in getting a good start. He only missed twice before he struck his ball on the tee. Gossett had four strokes ere he achieved the feat. Nor did Archibald's luck desert him in the journey to the green. He was out of the bunker in eleven.

Gossett emerged only after sixteen. Finally, when Archibald's twenty-first stroke sent the ball trickling into the hole, Gossett had played his thirtieth.

The ball had hardly rested on the bottom of the hole before Gossett had begun to tear the telegrams from their envelopes. As he read, his eyes bulged in their sockets.

'Not bad news, I hope,' said a sympathetic bystander.

Sigsbee took the sheaf of telegrams.

The first ran: 'Good luck. Hope you win. McCay.' The second also ran: 'Good luck. Hope you win. McCay.' So, singularly enough, did the third, fourth, fifth, sixth, and seventh.

'Great Scott!' said Sigsbee. 'He seems to have been pretty anxious not to run any risk of missing you, Gossett.'

As he spoke, Archibald, close beside him, was looking at his watch. The hands stood at a quarter to two.

Margaret and her mother were seated in the parlour when Archibald arrived. Mrs Milsom, who had elicited the fact that Archibald had not kept his appointment, had been saying 'I told you so' for some time, and this had not improved Margaret's temper. When, therefore, Archibald, damp and dishevelled, was shown in, the chill in the air nearly gave him frost-bite. Mrs Milsom did her celebrated imitation of the Gorgon, while Margaret, lightly humming an air, picked up a weekly paper and became absorbed in it.

'Margaret, let me explain,' panted Archibald. Mrs Milsom was understood to remark that she dared say. Margaret's attention was riveted by a fashion plate.

'Driving in a taximeter to the ferry this morning,' resumed Archibald, 'I had an accident.'

This was the result of some rather feverish brain-work on the way from the links to the cottage.

The periodical flopped to the floor.

'Oh, Archie, are you hurt?'

'A few scratches, nothing more; but it made me miss my train.'

'What train did you catch?' asked Mrs Milsom sepulchrally.

'The one o'clock. I came straight on here from the station.'

'Why,' said Margaret, 'Stuyvesant was coming home on the one o'clock train. Did you see him?'

Archibald's jaw dropped slightly.

'Er—no,' he said.

'How curious,' said Margaret.

'Very curious,' said Archibald.

'Most curious,' said Mrs Milsom.

They were still reflecting on the singularity of this fact when the door opened, and the son of the house entered in person.

'Thought I should find you here, Mealing,' he said. 'They gave me this at the station to give to you; you dropped it this morning when you got out of the train.'

He handed Archibald the missing pouch.

'Thanks,' said the latter huskily. 'When you say this morning, of course you mean this afternoon, but thanks all the same—thanks—thanks.'

'No, Archibald Mealing, he does not mean this afternoon,' said Mrs Milsom. 'Stuyvesant, speak! From what train did that guf—did Mr Mealing alight when he dropped the tobacco-pouch?'

'The ten o'clock, the fellow told me. Said he would have given it back to him then only he sprinted off in the deuce of a hurry.'

Six eyes focused themselves upon Archibald.

'Margaret,' he said, 'I will not try to deceive you—'

'You may try,' observed Mrs Milsom, 'but you will not succeed.'

'Well, Archibald?'

Archibald fingered his collar.

'There was no taximeter accident.'

'Ah!' said Mrs Milsom.

'The fact is, I have been playing in a golf tournament.'

Margaret uttered an exclamation of surprise.

'Playing golf!'

Archibald bowed his head with manly resignation.

'Why didn't you tell me? Why didn't you arrange for us to meet on the links? I should have loved it.'

Archibald was amazed.

'You take an interest in golf, Margaret? You! I thought you scorned it, considered it an unintellectual game. I thought you considered all games unintellectual.'

'Why, I play golf myself. Not very well.'

'Margaret! Why didn't you tell me?'

'I thought you might not like it. You were so spiritual, so poetic. I feared you would despise me.'

Archibald took a step forward. His voice was tense and trembling.

'Margaret,' he said, 'this is no time for misunderstandings. We must be open with one another. Our happiness is at stake. Tell me honestly, do you like poetry really?'

Margaret hesitated, then answered bravely:

'No, Archibald,' she said, 'it is as you suspect. I am not worthy of you. I do not like poetry. Ah, you shudder! You turn away! Your face grows hard and scornful!'

'I don't!' yelled Archibald. 'It doesn't! It doesn't do anything of the sort! You've made me another man!'

She stared, wild-eyed, astonished.

'What! Do you mean that you, too—'

'I should just say I do. I tell you I hate the beastly stuff. I only pretended to like it because I thought you did. The hours I've spent learning it up! I wonder I've not got brain fever.'

'Archie! Used you to read it up, too? Oh, if I'd only known!'

'And you forgive me—this morning, I mean?'

'Of course. You couldn't leave a golf tournament. By the way, how did you get on?'

Archibald coughed.

'Rather well,' he said modestly. 'Pretty decently. In fact, not badly. As a matter of fact, I won the championship.'

'The championship!' whispered Margaret. 'Of America?'

'Well, not absolutely of America,' said Archibald. 'But all the same, a championship.'

'My hero.'

'You won't be wanting me for a while, I guess?' said Stuyvesant nonchalantly. 'Think I'll smoke a cigarette on the porch.'

And sobs from the stairs told that Mrs Milsom was already on her way to her room.

ALTHOUGH this story is concerned principally with the Man and the Maid, the Miasma pervades it to such an extent that I feel justified in putting his name on the bills. Webster's Dictionary gives the meaning of the word 'miasma' as 'an infection floating in the air; a deadly exhalation'; and, in the opinion of Mr Robert Ferguson, his late employer, that description, though perhaps a little too flattering, on the whole summed up Master Roland Bean pretty satisfactorily. Until the previous day he had served Mr Ferguson in the capacity of office-boy; but there was that about Master Bean which made it practically impossible for anyone to employ him for long. A syndicate of Galahad, Parsifal, and Marcus Aurelius might have done it, but to an ordinary erring man, conscious of things done which should not have been done, and other things equally numerous left undone, he was too oppressive. One conscience is enough for any man. The employer of Master Bean had to cringe before two. Nobody can last long against an office-boy whose eyes shine with quiet, respectful reproof through gold-rimmed spectacles, whose manner is that of a middle-aged saint, and who obviously knows all the Plod and Punctuality books by heart and orders his life by their precepts. Master Bean was a walking edition of Stepping-Stones to Success, Millionaires who Have Never Smoked, and Young Man, Get up Early. Galahad, Parsifal, and Marcus Aurelius, as I say, might have remained tranquil in his presence, but Robert Ferguson found the contract too large. After one month he had braced himself up and sacked the Punctual Plodder.

Yet now he was sitting in his office, long after the last clerk had left, long after the hour at which he himself was wont to leave, his mind full of his late employee.

Was this remorse? Was he longing for the touch of the vanished hand, the gleam of the departed spectacles? He was not. His mind was full of Master Bean because Master Bean was waiting for him in the outer office; and he lingered on at his desk, after the day's work was done, for the same reason. Word had been brought to him earlier in the evening, that Master Roland Bean would like to see him. The answer to that was easy: 'Tell him I'm busy.' Master Bean's admirably dignified reply was that he understood how great was the pressure of Mr Ferguson's work, and that he would wait till he was at liberty. Liberty! Talk of the liberty of the treed possum, but do not use the word in connexion with a man bottled up in an office, with Roland Bean guarding the only exit.

Mr Ferguson kicked the waste-paper basket savagely. The unfairness of the thing hurt him. A sacked office-boy ought to stay sacked. He had no business to come popping up again like Banquo's ghost. It was not playing the game.

The reader may wonder what was the trouble—why Mr Ferguson could not stalk out and brusquely dispose of his foe; but then the reader has not employed Master Bean for a month. Mr Ferguson had, and his nerve had broken.

A slight cough penetrated the door between the two offices. Mr Ferguson rose and grabbed his hat. Perhaps a sudden rush—he shot out with the tense concentration of one moving towards the refreshment-room at a station where the train stops three minutes.

'Good evening, sir!' was the watcher's view-hallo.

'Ah, Bean,' said Mr Ferguson, flitting rapidly, 'you still here? I thought you had gone. I'm afraid I cannot stop now. Some other time—'

He was almost through.

'I fear, sir, that you will be unable to get out,' said Master Bean, sympathetically. 'The building is locked up.'

Men who have been hit by bullets say the first sensation is merely a sort of dull shock. So it was with Mr Ferguson. He stopped in his tracks and stared.

'The porter closes the door at seven o'clock punctually, sir. It is now nearly twenty minutes after the hour.'

Mr Ferguson's brain was still in the numbed stage.

'Closes the door?' he said.

'Yes, sir.'

'Then how are we to get out?'

'I fear we cannot get out, sir.'

Mr Ferguson digested this.

'I am no longer in your employment, sir,' said Master Bean, respectfully, 'but I hope that in the circumstances you will permit me to remain here during the night.'

'During the night!'

'It would enable me to sleep more comfortably than on the stairs.'

'But we can't stop here all night,' said Mr Ferguson, feebly.

He had anticipated an unpleasant five minutes in Master Bean's company. Imagination boggled at the thought of an unpleasant thirteen hours.

He collapsed into a chair.

'I called,' said Master Bean, shelving the trivial subject of the prospective vigil, 'in the hope that I might persuade you, sir, to reconsider your decision in regard to my dismissal. I can assure you, sir, that I am extremely anxious to give satisfaction. If you would take me back and inform me how I have fallen short, I would endeavour to improve, I—'

'We can't stop here all night,' interrupted Mr Ferguson, bounding from his chair and beginning to pace the floor.

'Without presumption, sir, I feel that if you were to give me another chance I should work to your satisfaction. I should endeavour—'

Mr Ferguson stared at him in dumb horror. He had a momentary vision of a sleepless night spent in listening to a nicely-polished speech for the defence. He was seized with a mad desire for flight. He could not leave the building, but he must get away somewhere and think.

He dashed from the room and raced up the dark stairs. And as he arrived at the next floor his eye was caught by a thin pencil of light which proceeded from a door on the left.

No shipwrecked mariner on a desert island could have welcomed the appearance of a sail with greater enthusiasm. He bounded at the door. He knew to whom the room belonged. It was the office of one Blaythwayt; and Blaythwayt was not only an acquaintance, but a sportsman. Quite possibly there might be a pack of cards on Blaythwayt's person to help pass the long hours. And if not, at least he would be company and his office a refuge. He flung open the door without going through the formality of knocking. Etiquette is not for the marooned.

'I say, Blaythwayt—' he began, and stopped abruptly.

The only occupant of the room was a girl.

'I beg your pardon,' he said, 'I thought—'

He stopped again. His eyes, dazzled with the light, had not seen clearly. They did so now.

'You!' he cried.

The girl looked at him, first with surprise, then with a cool hostility. There was a long pause. Eighteen months had passed since they had parted, and conversation does not flow easily after eighteen months of silence, especially if the nature of the parting has been bitter and stormy.

He was the first to speak.

'What are you doing here?' he said.

'I thought my doings had ceased to interest you,' she said. 'I am Mr Blaythwayt's secretary, I have been here a fortnight. I have wondered if we should meet. I used to see you sometimes in the street.'

'I never saw you.'

'No?' she said indifferently.

He ran his hand through his hair in a dazed way.

'Do you know we are locked in?' he said.

He had expected wild surprise and dismay. She merely clicked her tongue in an annoyed manner.

'Again!' she said. 'What a nuisance! I was locked in only a week ago.'

He looked at her with unwilling respect, the respect of the novice for the veteran. She was nothing to him now, of course. She had passed out of his life. But he could not help remembering that long ago—eighteen months ago—what he had admired most in her had been this same spirit, this game refusal to be disturbed by Fate's blows. It braced him up.

He sat down and looked curiously at her.

'So you left the stage?' he said.