This is a modern-English version of The festival, originally written by Lovecraft, H. P. (Howard Phillips). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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The Festival

By H. P. Lovecraft
Author of “Dagon,” “The Rats in the Walls,” etc.
“Efficiunt daemones, ut quae non sunt, sic tamen quasi sint, conspicienda hominibus exhibeant.”—Lactantius.
“Demons make things that aren't real seem as if they are, presenting them to humans for observation.” —Lactantius.

I was far from home, and the spell of the eastern sea was upon me. In the twilight I heard it pounding on the rocks, and I knew it lay just over the hill where the twisting willows writhed against the clearing sky and the first stars of evening. And because my fathers had called me to the old town beyond, I pushed on through the shallow, new-fallen snow along the road that soared lonely up to where Aldebaran twinkled among the trees; on toward the very ancient town I had never seen but often dreamed of.

I was miles away from home, and the pull of the eastern sea was strong. In the evening light, I heard it crashing against the rocks, knowing it was just over the hill where the twisting willows danced against the darkening sky and the first stars appeared. Because my ancestors had called me to the old town ahead, I trudged through the light, fresh snow along the lonely road that climbed up to where Aldebaran shone among the trees, heading toward the ancient town I had never visited but often dreamed about.

It was the Yuletide, which men call Christmas, though they know in their hearts it is older than Bethlehem and Babylon, older than Memphis and mankind. It was the Yuletide, and I had come at last to the ancient sea town where my people had dwelt and kept festival in the elder time when festival was forbidden; where also they had commanded their sons to keep festival once every century, that the memory of primal secrets might not be forgotten. Mine were an old people, old even when this land was settled three hundred years before. And they were strange, because they had come as dark, furtive folk from opiate southern gardens of orchids, and spoken another tongue before they learnt the tongue of the blue-eyed fishers. And now they were scattered, and shared only the rituals of mysteries that none living could understand. I was the only one who came back that night to the old fishing town as legend bade, for only the poor and the lonely remember.

It was Christmas time, though people know in their hearts it’s older than Bethlehem and Babylon, even older than Memphis and mankind itself. It was the holiday season, and I had finally arrived at the ancient seaside town where my ancestors had lived and celebrated in a time when celebrations were not allowed; where they had ordered their sons to celebrate once every hundred years so that the memory of ancient secrets wouldn’t fade. My people were old, even before this land was settled three hundred years ago. They were unique, having arrived as dark, secretive folk from the lush southern gardens filled with orchids, speaking a different language before they learned the language of the blue-eyed fishermen. Now they were scattered, sharing only the rituals of mysteries that no one alive could comprehend. I was the only one who returned that night to the old fishing town, just as the legends said, because only the poor and the lonely remember.

Then beyond the hill’s crest I saw Kingsport outspread frostily in the gloaming; snowy Kingsport with its ancient vanes and steeples, ridgepoles and chimneypots, wharves and small bridges, willow trees and graveyards; endless labyrinths of steep, narrow, crooked streets, and dizzy church-crowned central peak that time durst not touch; ceaseless mazes of colonial houses piled and scattered at all angles and levels like a child’s disordered blocks; antiquity hovering on gray wings over winter-whitened gables and gambrel roofs. And against the rotting wharves the sea pounded; the secretive, immemorial sea out of which the people had come in the elder time.

Then beyond the hill’s crest, I saw Kingsport spread out frostily in the fading light; snowy Kingsport with its old vanes and steeples, ridgepoles and chimneypots, wharves and small bridges, willow trees and graveyards; endless mazes of steep, narrow, crooked streets, and the dizzying church-crowned central peak that time could not touch; endless clusters of colonial houses piled and scattered at all angles and levels like a child’s messy blocks; history hovering on gray wings over winter-white gables and gambrel roofs. And against the decaying wharves, the sea crashed; the mysterious, timeless sea from which the people had come in ancient times.

Beside the road at its crest a still higher summit rose, bleak and windswept, and I saw that it was a burying-ground where black gravestones stuck ghoulishly through the snow like the decayed fingernails of a gigantic corpse. The printless road was very lonely, and sometimes I thought I heard a distant horrible creaking as of a gibbet in the wind. They had hanged four kinsmen of mine for witchcraft in 1692, but I did not know just where.

Beside the road at its peak, a higher summit loomed, desolate and wind-blown. I realized it was a graveyard where black gravestones jutted eerily through the snow like the rotting fingernails of a massive corpse. The unmarked road was extremely lonely, and occasionally I thought I heard a distant, horrifying creaking like a gallows swaying in the wind. Four of my relatives were hanged for witchcraft in 1692, though I wasn’t sure exactly where it happened.

As the road wound down the seaward slope I listened for the merry sounds of a village at evening, but did not hear them. Then I thought of the season, and felt that these old Puritan folk might well have Christmas customs strange to me, and full of silent hearthside prayer. So after that I did not listen for merriment or look for wayfarers, but kept on down past the hushed, lighted farmhouses and shadowy stone walls to where the signs of ancient shops and sea taverns creaked in the salt breeze, and the grotesque knockers of pillared doorways glistened along deserted, unpaved lanes in the light of little, curtained windows.

As the road curved down towards the sea, I listened for the cheerful sounds of a village in the evening, but I didn't hear any. Then I thought about the time of year and realized that these old Puritan folks might have Christmas traditions that were unfamiliar to me, filled with quiet, heartfelt prayers. So after that, I stopped expecting to hear laughter or see travelers and continued walking past the quiet, lit-up farmhouses and shadowy stone walls to where the signs of old shops and seaside taverns creaked in the salty breeze, and the quirky knockers on pillared doorways shone along empty, unpaved streets in the glow of small, curtained windows.

I had seen maps of the town, and knew where to find the home of my people. It was told that I should be known and welcomed, for village legend lives long; so I hastened through Back Street to Circle Court, and across the fresh snow on the one full flagstone pavement in the town, to where Green Lane leads off behind the Market House. I was glad I had chosen to walk. The white village had seemed very beautiful from the hill; and now I was eager to knock at the door of my people, the seventh house on the left in Green Lane, with an ancient peaked roof and jutting second story, all built before 1650.

I had seen maps of the town and knew where to find my family's home. It was said that I would be recognized and welcomed, since village legends last a long time; so I hurried through Back Street to Circle Court, and across the fresh snow on the only paved pathway in the town, to where Green Lane branches off behind the Market House. I was glad I chose to walk. The white village had looked really beautiful from the hill; and now I was excited to knock on the door of my family, the seventh house on the left in Green Lane, with its old peaked roof and protruding second story, all built before 1650.

There were lights inside the house when I came upon it, and I saw from the diamond window-panes that it must have been kept very close to its antique state. The upper part overhung the narrow, grass-grown street and nearly met the overhanging part of the house opposite, so that I was almost in a tunnel, with the low stone doorstep wholly free from snow. There was no sidewalk, but many houses had high doors reached by double flights of steps with iron railings. It was an odd scene, and because I was strange to New England I had never known its like before. Though it pleased me, I would have relished it better if there had been footprints in the snow, and people in the streets, and a few windows without drawn curtains.

There were lights on inside the house when I stumbled upon it, and I could see from the diamond window panes that it must have been preserved very well in its original state. The upper part jutted over the narrow, grassy street and almost met the overhanging part of the house across from it, making it feel like I was walking through a tunnel, with the low stone doorstep completely clear of snow. There wasn’t a sidewalk, but many houses had tall doors reached by double flights of steps with iron railings. It was a strange scene, and since I was unfamiliar with New England, I had never seen anything like it before. Even though it intrigued me, I would have enjoyed it more if there had been footprints in the snow, people in the streets, and a few windows without drawn curtains.


When I sounded the archaic iron knocker I was half afraid. Some fear had been gathering in me, perhaps because of the strangeness of my heritage, and the bleakness of the evening, and the queerness of the silence in that aged town of curious customs. And when my knock was answered I was fully afraid, because I had not heard any footsteps before the door creaked open. But I was not afraid long, for the gowned, slippered old man in the doorway had a bland face that reassured me; and though he made signs that he was dumb, he wrote a quaint and ancient welcome with the stylus and wax tablet he carried.

When I knocked on the old iron door knocker, I felt a little afraid. Some fear had been building up inside me, maybe because of the weirdness of my background, the dreariness of the evening, and the odd silence in that ancient town with its strange customs. When the door opened and I saw the old man standing there, my fear deepened because I hadn't heard any footsteps before the door creaked open. But I quickly felt reassured, as the man in the robe and slippers had a friendly face. Even though he indicated that he couldn't speak, he greeted me warmly with the stylus and wax tablet he was holding.

He beckoned me into a low, candlelit room with massive exposed rafters and dark, stiff, sparse furniture of the seventeenth century. The past was vivid there, for not an attribute was missing. There was a cavernous fireplace and a spinning-wheel at which a bent old woman in loose wrapper and deep poke-bonnet sat back toward me, silently spinning despite the festive season. An infinite dampness seemed upon the place, and I marveled that no fire should be blazing. The high-backed settle faced the row of curtained windows at the left, and seemed to be occupied, though I was not sure. I did not like everything about what I saw, and felt again the fear I had had. This fear grew stronger from what had before lessened it, for the more I looked at the old man’s bland face, the more its very blandness terrified me. The eyes never moved, and the skin was too like wax. Finally I was sure it was not a face at all, but a fiendishly cunning mask. But the flabby hands, curiously gloved, wrote genially on the tablet and told me I must wait a while before I could be led to the place of festival.

He waved me into a cozy, candlelit room with huge exposed beams and dark, stiff, minimal furniture from the seventeenth century. The past felt alive there, as nothing was out of place. There was a huge fireplace and a spinning wheel where a hunched old woman in a loose gown and a deep bonnet sat turned away from me, silently spinning despite the festive season. An endless dampness hung in the air, and I wondered why there wasn't a fire roaring. The high-backed bench faced a row of curtained windows on the left and seemed to be occupied, though I couldn't be sure. I didn’t like everything I saw and felt the same fear I had felt before. This fear intensified as what had previously eased it faded, because the more I looked at the old man’s expressionless face, the more its very blankness frightened me. His eyes never moved, and his skin resembled wax too closely. Eventually, I became convinced it wasn’t a face at all, but a wickedly clever mask. However, his flabby hands, oddly gloved, wrote kindly on the tablet and told me I had to wait a little longer before I could be taken to the celebration.

Pointing to a chair, table, and pile of books, the old man now left, the room; and when I sat down to read I saw that the books were hoary and moldy, and that they included old Morryster’s wild “Marvels of Science,” the terrible “Saducismus Triumphatus” of Joseph Glanvil, published in 1681, the shocking “Daemonolatreia” of Remigius, printed in 1595 at Lyons, and worst of all, the unmentionable “Necronomicon” of the mad Arab Abdul Alhazred, in Olaus Wormius’ forbidden Latin translation: a book which I had never seen, but of which I had heard monstrous things whispered. No one spoke to me, but I could hear the creaking of signs in the wind outside, and the whir of the wheel as the bonneted old woman continued her silent spinning, spinning.

Pointing to a chair, a table, and a stack of books, the old man left the room. When I sat down to read, I noticed that the books were old and musty, including Morryster’s wild “Marvels of Science,” the frightening “Saducismus Triumphatus” by Joseph Glanvil, published in 1681, the shocking “Daemonolatreia” by Remigius, printed in 1595 in Lyons, and worst of all, the unspeakable “Necronomicon” by the mad Arab Abdul Alhazred, in Olaus Wormius’ banned Latin translation—a book I had never seen but had heard horrifying things about. No one spoke to me, but I could hear the creaking of signs in the wind outside and the spinning wheel of the old woman in a bonnet as she continued her silent work.

I thought the room and the books and the people very morbid and disquieting, but because an old tradition of my father’s had summoned me to strange feastings, I resolved to expect queer things. So I tried to read, and soon became tremblingly absorbed by something I found in that accursed “Necronomicon”; a thought and a legend too hideous for sanity or consciousness. But I disliked it when I fancied I heard the closing of one of the windows that the settle faced, as if it had been stealthily opened. It had seemed to follow a whirring that was not of the old woman’s spinning-wheel. This was not much, though, for the old woman was spinning very hard, and the aged clock had been striking. After that I lost the feeling that there were persons on the settle, and was reading intently and shudderingly when the old man came back booted and dressed in a loose antique costume, and sat down on that very bench, so that I could not see him. It was certainly nervous waiting, and the blasphemous book in my hands made it doubly so. When 11 o’clock struck, however, the old man stood up, glided to a massive carved chest in a corner, and got two hooded cloaks, one of which he donned, and the other of which he draped round the old woman, who was ceasing her monotonous spinning. Then they both started for the outer door; the woman lamely creeping, and the old man, after picking up the very book I had been reading, beckoning me as he drew his hood over that unmoving face or mask.

I found the room, the books, and the people really unsettling, but because an old family tradition had drawn me to this strange gathering, I prepared myself for bizarre experiences. So I tried to read, and soon became deeply engrossed in something I discovered in that cursed “Necronomicon”; a thought and a legend too dreadful for sanity or awareness. However, I felt uneasy when I thought I heard one of the windows that faced the settle close, as if it had been opened quietly. It seemed to follow a whirring sound that wasn't from the old woman's spinning wheel. But it wasn't much, since the old woman was spinning vigorously, and the old clock had been chiming. After that, I lost the sense that there were people on the settle, and I was reading intently and nervously when the old man returned, dressed in a loose, vintage outfit, and sat down on that very bench, blocking my view of him. It was certainly a tense waiting period, and the blasphemous book in my hands made it even more so. When 11 o'clock struck, though, the old man got up, glided over to a massive carved chest in the corner, and pulled out two hooded cloaks, putting one on himself and draping the other around the old woman, who was finally stopping her monotonous spinning. Then they both headed for the outer door; the woman moving slowly, and the old man, after picking up the very book I had been reading, signaling for me as he pulled his hood over that unchanging face or mask.

We went out into the moonless and tortuous network of that incredibly ancient town; went out as the lights in the curtained windows disappeared one by one, and the Dog Star leered at the throng of cowled, cloaked figures that poured silently from every doorway and formed monstrous processions up this street and that, past the creaking signs and antediluvian gables, the thatched roofs and the diamond-paned windows; threading precipitous lanes where decaying houses overlapped and crumbled together, gliding across open courts and churchyards where the bobbing lanterns made eldritch drunken constellations.

We stepped out into the dark and winding maze of that incredibly old town; we left as the lights in the curtained windows faded one by one, and the Dog Star gazed down at the crowd of hooded figures that silently streamed from every doorway, forming huge processions up this street and that, past the creaking signs and ancient gables, the thatched roofs and diamond-paned windows; navigating steep paths where decaying houses leaned against each other and fell apart, gliding through open courtyards and churchyards where the swaying lanterns created eerie, drunken constellations.

Amid these hushed throngs I followed my voiceless guides; jostled by elbows that seemed preternaturally soft, and pressed by chests and stomachs that seemed abnormally pulpy; but seeing never a face and hearing never a word. Up, up, up, the eery columns slithered, and I saw that all the travelers were converging as they flowed near a sort of focus of crazy alleys at the top of a high hill in the center of the town, where perched a great white church. I had seen it from the road’s crest when I looked at Kingsport in the new dusk, and it had made me shiver because Aldebaran had seemed to balance itself a moment on the ghostly spire.

Amid these quiet crowds, I followed my silent guides, jostled by elbows that felt unnaturally soft and pressed by chests and stomachs that seemed oddly squishy, yet never seeing a face or hearing a word. Up, up, up, the eerie columns twisted, and I noticed that all the travelers were coming together as they moved toward a sort of focal point of narrow alleys at the top of a high hill in the center of the town, where a large white church stood. I had seen it from the road's peak when I looked at Kingsport in the twilight, and it made me shiver because Aldebaran appeared to balance for a moment on the ghostly spire.

There was an open space around the church; partly a churchyard with spectral shafts, and partly a half-paved square swept nearly bare of snow by the wind, and lined with unwholesomely archaic houses having peaked roofs and overhanging gables. Death-fires danced over the tombs, revealing gruesome vistas, though queerly failing to cast any shadows. Past the churchyard, where there were no houses, I could see over the hill’s summit and watch the glimmer of stars on the harbor, though the town was invisible in the dark. Only once in a while a lantern bobbed horribly through serpentine alleys on its way to overtake the throng that was now slipping speechlessly into the church.

There was an open space around the church; partly a churchyard with ghostly shafts, and partly a half-paved square almost cleared of snow by the wind, lined with oddly old-fashioned houses that had peaked roofs and overhanging gables. Death-fires flickered over the tombs, revealing disturbing scenes, yet strangely not casting any shadows. Beyond the churchyard, where there were no houses, I could see over the hilltop and catch a glimpse of stars reflecting on the harbor, though the town was hidden in the dark. Every now and then, a lantern moved eerily through winding alleys, making its way to catch up with the crowd that was quietly slipping into the church.

I waited till the crowd had oozed into the black doorway, and till all the stragglers had followed. The old man was pulling at my sleeve, but I was determined to be the last. Then finally I went, the sinister man and the old spinning woman before me. Crossing the threshold into that swarming temple of unknown darkness, I turned once to look at the outside world as the churchyard phosphorescence cast a sickly glow on the hilltop pavement. And as I did so I shuddered. For though the wind had not left much snow, a few patches did remain on the path near the door; and in that fleeting backward look it seemed to my troubled eye that they bore no mark of passing feet, not even mine.

I waited until the crowd had flowed into the dark doorway, and until all the stragglers had followed. The old man was tugging at my sleeve, but I was determined to be the last one in. Then finally I went, with the creepy guy and the old spinning woman in front of me. As I crossed the threshold into that bustling temple of unknown darkness, I turned one last time to look at the outside world, as the faint glow from the churchyard cast a sickly light on the pavement atop the hill. And in that moment, I shuddered. Though the wind had cleared away most of the snow, a few patches still remained on the path near the door; and in that brief backward glance, it seemed to my troubled eyes that they showed no signs of having been walked on, not even by me.

The church was scarce lighted by all the lanterns that had entered it, for most of the throng had already vanished. They had streamed up the aisle between the high white pews to the trapdoor of the vaults which yawned loathsomely open just before the pulpit, and were now squirming noiselessly in. I followed dumbly down the footworn steps and into the dank, suffocating crypt. The tail of that sinuous line of night-marchers seemed very horrible, and as I saw them wriggling into a venerable tomb, they seemed more horrible still. Then I noticed that the tomb’s floor had an aperture down which the throng was sliding, and in a moment we were all descending an ominous staircase of rough-hewn stone; a narrow spiral staircase damp and peculiarly odorous, that wound endlessly down into the bowels of the hill, past monotonous walls of dripping stone blocks and crumbling mortar. It was a silent, shocking descent, and I observed after a horrible interval that the walls and steps were changing in nature, as if chiseled out of the solid rock. What mainly troubled me was that the myriad footfalls made no sound and set up no echoes. After more eons of descent I saw some side passages or burrows leading from unknown recesses of blackness to this shaft of nighted mystery. Soon they became excessively numerous, like impious catacombs of nameless menace; and their pungent odor of decay grew quite unbearable. I knew we must have passed down through the mountain and beneath the earth of Kingsport itself, and I shivered that a town should be so aged and maggoty with subterraneous evil.

The church was barely lit by the few lanterns inside, since most of the crowd had already disappeared. They had moved up the aisle between the tall white pews to the trapdoor of the vaults, which gaped ominously open just in front of the pulpit, and were now quietly slipping inside. I followed, almost in a trance, down the worn steps and into the damp, suffocating crypt. The end of that twisting line of nighttime marchers looked terrifying, and as I watched them wriggle into an ancient tomb, it felt even more disturbing. Then I noticed that the tomb’s floor had an opening down which the crowd was sliding, and in moments, we were all going down a foreboding staircase made of rough stone; a narrow spiral staircase that was damp and had a strange smell, winding endlessly down into the heart of the hill, past dull walls of dripping stone blocks and crumbling mortar. It was a quiet, shocking descent, and after a terrible while, I saw that the walls and steps were changing, as if carved from solid rock. What mainly bothered me was that the countless footsteps made no sound and didn’t create any echoes. After what felt like ages of going down, I noticed some side passages or tunnels leading from unknown dark corners into this shaft of darkness. Soon, they became overwhelming in number, like sinister catacombs filled with nameless threats; and their strong, musty smell of decay grew nearly unbearable. I realized we must have descended through the mountain and beneath the very ground of Kingsport itself, and I shivered at the thought of a town being so ancient and decayed with hidden evil.

Then I saw the lurid shimmering of pale light, and heard the insidious lapping of sunless waters. Again I shivered, for I did not like the things that the night had brought, and wished bitterly that no forefather had summoned me to this primal rite. As the steps and the passage grew broader, I heard another sound, the thin, whining mockery of a feeble flute; and suddenly there spread out before me the boundless vista of an inner world—a vast fungous shore litten by a belching column of sick greenish flame and washed by a wide oily river that flowed from abysses frightful and unsuspected to join the blackest gulfs of immemorial ocean.

Then I saw the eerie glow of pale light and heard the unsettling lapping of sunless waters. I shivered again because I didn't like what the night had brought and bitterly wished that no ancestor had called me to this ancient ritual. As the steps and the passage widened, I heard another sound, the high, whiny mockery of a weak flute; and suddenly, a vast expanse of an inner world unfolded before me—a huge, fungus-covered shore illuminated by a belching column of sickly green flame and washed by a wide, oily river that flowed from terrifying and unknown depths to merge with the darkest depths of an ancient ocean.


Fainting and gasping, I looked at that unhallowed Erebus of titan toadstools, leprous fire and slimy water, and saw the cloaked throngs forming a semicircle around the blazing pillar. It was the Yule-rite, older than man and fated to survive him; the primal rite of the solstice and of spring’s promise beyond the snows; the rite of fire and evergreen, light and music. And in that Stygian grotto I saw them do the rite, and adore the sick pillar of flame, and throw into the water handfuls gouged out of the viscous vegetation which glittered green in the chlorotic glare. I saw this, and I saw something amorphously squatted far away from the light, piping noisomely on a flute; and as the thing piped I thought I heard noxious muffled flutterings in the fetid darkness where I could not see. But what frightened me most was that flaming column; spouting volcanically from depths profound and inconceivable, casting no shadows as healthy flame should, and coating the nitrous stone above with a nasty, venomous verdigris. For in all that seething combustion no warmth lay, but only the clamminess of death and corruption.

Fainting and gasping, I looked at that cursed place filled with giant toadstools, sickly fire, and slimy water, and saw the cloaked crowd forming a semicircle around the blazing pillar. It was the Yule rite, older than humanity and destined to outlast us; the ancient ritual of the solstice and the promise of spring beyond the snow; the rite of fire and evergreen, light and music. In that dark cavern, I watched them perform the rite, worship the sickly pillar of flame, and toss handfuls of the slimy vegetation into the water that shimmered green in the sickly light. I saw this, and in the distance, something misshapen hunched away from the light, playing a horrible tune on a flute; and as it played, I thought I heard muffled, disturbing movements in the foul darkness where I couldn't see. But what terrified me most was that flaming column; erupting violently from profound and unimaginable depths, casting no shadows like a healthy flame should, and coating the nitrogen-rich stone above with a disgusting, poisonous patina. For in all that raging fire, there was no warmth, just the chilliness of death and decay.

The man who had brought me now squirmed to a point directly beside the hideous flame, and made stiff ceremonial motions to the semicircle he faced. At certain stages of the ritual they did groveling obeisance, especially when he held above his head that abhorrent “Necronomicon” he had taken with him; and I shared all the obeisances because I had been summoned to this festival by the writings of my forefathers. Then the old man made a signal to the half-seen flute-player in the darkness, which player thereupon changed its feeble drone to a scarce louder drone in another key; precipitating as it did so a horror unthinkable and unexpected. At this horror I sank nearly to the lichened earth, transfixed with a dread not of this nor any world, but only of the mad spaces between the stars.

The man who brought me now positioned himself right beside the grotesque flame and made rigid, ceremonial gestures toward the semicircle in front of him. At certain points in the ritual, they bowed deeply, especially when he raised that repulsive “Necronomicon” above his head; I joined in all the bows because I had been called to this event by the writings of my ancestors. Then the old man signaled to the partially hidden flute player in the darkness, who shifted from a weak drone to a slightly louder drone in a different key; this change triggered an unimaginable and unexpected horror. Overwhelmed by this fear, I nearly sank to the moss-covered ground, paralyzed by a terror not of this world or any other, but solely of the mad voids between the stars.

Out of the unimaginable blackness beyond the gangrenous glare of that cold flame, out of the tartarean leagues through which that oily river rolled uncanny, unheard, and unsuspected, there flopped rhythmically a horde of tame, trained, hybrid winged things that no sound eye could ever wholly grasp, or sound brain ever wholly remember. They were not altogether crows, nor moles, nor buzzards, nor ants, nor vampire bats, nor decomposed human beings, but something I cannot and must not recall. They flopped limply along, half with their webbed feet and half with their membranous wings; and as they reached the throng of celebrants the cowled figures seized and mounted them, and rode off one by one along the reaches of that unlighted river, into pits and galleries of panic where poison springs feed frightful and undiscoverable cataracts.

Out of the unimaginable darkness beyond the sickly glow of that cold flame, from the depths where that slimy river flowed eerily, silently, and unexpectedly, a crowd of strange, trained, hybrid winged creatures emerged, moving in rhythm. No clear eye could completely comprehend them, and no clear mind could fully remember them. They weren't just crows, moles, buzzards, ants, vampire bats, or decomposed humans, but something I can't and shouldn't recall. They flapped along ineffectively, using their webbed feet and their thin wings; as they joined the gathering of revelers, the cloaked figures grabbed them and rode off one by one along the dark river, heading into pits and chambers of dread where toxic springs fed terrifying and hidden waterfalls.

The old spinning woman had gone with the throng, and the old man remained only because I had refused when he motioned me to seize an animal and ride like the rest. I saw when I staggered to my feet that the amorphous flute-player had rolled out of sight, but that two of the beasts were patiently standing by. As I hung back, the old man produced his stylus and tablet and wrote that he was the true deputy of my fathers who had founded the Yule worship in this ancient place; that it had been decreed I should come back; and that the most secret mysteries were yet to be performed. He wrote this in a very ancient hand, and when I still hesitated he pulled from his loose robe a seal ring and a watch, both with my family arms, to prove that he was what he said. But it was a hideous proof, because I knew from old papers that that watch had been buried with my great-great-great-great-grandfather in 1698.

The old spinning woman had joined the crowd, and the old man stayed behind simply because I had refused when he gestured for me to grab an animal and ride like everyone else. When I managed to get to my feet, I noticed that the shapeless flute-player had disappeared, but two of the creatures were patiently waiting nearby. As I hesitated, the old man took out his stylus and tablet and wrote that he was the true representative of my ancestors who established the Yule worship in this ancient site; that it had been decided I would return; and that the most secret rituals were yet to be performed. He wrote this in a very old style, and when I still hesitated, he pulled from his loose robe a seal ring and a watch, both bearing my family crest, to prove his identity. But it was a gruesome proof, because I knew from old documents that the watch had been buried with my great-great-great-great-grandfather in 1698.

Presently the old man drew back his hood and pointed to the family resemblance in his face, but I only shuddered, because I was sure that the face was merely a devilish waxen mask. The flopping animals were now scratching restlessly at the lichens, and I saw that the old man was nearly as restless himself. When one of the things began to waddle and edge away, he turned quickly to stop it; so that the suddenness of his motion dislodged the waxen mask from what should have been his head. And then, because that nightmare’s position barred me from the stone staircase down which we had come, I flung myself into the oily underground river that bubbled somewhere to the caves of the sea; flung myself into that putrescent juice of earth’s inner horrors before the madness of my screams could bring down upon me all the charnel legions these pest-gulfs might conceal.

Right now, the old man pulled back his hood and pointed to the resemblance we shared in our faces, but I just shuddered, convinced that his face was nothing more than a devilish wax mask. The flopping creatures were now scratching anxiously at the lichens, and I noticed that the old man was almost as restless as they were. When one of the creatures started to waddle away, he turned quickly to stop it; the suddenness of his movement knocked the wax mask off what should have been his head. And then, because that nightmare's position blocked my way to the stone staircase we had come down, I threw myself into the thick underground river bubbling somewhere toward the caves of the sea; I threw myself into that putrid essence of the earth's inner horrors before the madness of my screams could attract all the terrifying legions that these pestilential depths might hide.


At the hospital they told me I had been found half-frozen in Kingsport Harbor at dawn, clinging to the drifting spar that accident sent to save me. They told me I had taken the wrong fork of the hill road the night before, and fallen over the cliffs at Orange Point—a thing they deducted from prints found in the snow. There was nothing I could say, because everything was wrong. Everything was wrong, with the broad window showing a sea of roofs in which only about one in five was ancient, and the sound of trolleys and motors in the streets below. They insisted that this was Kingsport, and I could not deny it.

At the hospital, they told me I had been found half-frozen in Kingsport Harbor at dawn, clinging to the drifting spar that had come to save me. They said I had taken the wrong fork of the hill road the night before and fallen over the cliffs at Orange Point—a conclusion they reached from prints found in the snow. There was nothing I could say because everything was wrong. Everything was wrong, with the wide window showing a sea of roofs where only about one in five was old, and the sound of trolleys and cars in the streets below. They insisted that this was Kingsport, and I couldn’t deny it.

When I went delirious at hearing that the hospital stood near the old churchyard on Central Hill, they sent me to St. Mary’s Hospital in Arkham, where I could have better care. I liked it there, for the doctors were broadminded, and even lent me their influence in obtaining the carefully sheltered copy of Alhazred’s objectionable “Necronomicon” from the library of Miskatonic University. They said something about a “psychosis,” and agreed that I had better get my harassing obsessions off my mind.

When I went crazy after learning that the hospital was close to the old churchyard on Central Hill, they sent me to St. Mary’s Hospital in Arkham for better care. I liked it there because the doctors were open-minded and even helped me get a carefully protected copy of Alhazred’s controversial “Necronomicon” from the library of Miskatonic University. They mentioned something about a “psychosis,” and agreed that I should try to get my disturbing obsessions out of my head.

So I read again that hideous chapter, and shuddered doubly because it was indeed not new to me. I had seen it before, let footprints tell what they might; and where it was I had seen it were best forgotten. There was no one—in waking hours—who could remind me of it; but my dreams are filled with terror, because of phrases I dare not quote. I dare quote only one paragraph, put into such English as I can make from the awkward Low Latin.

So I read that terrible chapter again, and I shuddered even more because it definitely wasn’t new to me. I had seen it before, no matter what the footprints might reveal; and where I had seen it is better left forgotten. There was no one—in my waking hours—who could remind me of it; but my dreams are filled with fear because of phrases I won’t dare to repeat. I can only repeat one paragraph, translated into the best English I can manage from the clumsy Low Latin.

“The nethermost caverns,” wrote the mad Arab, “are not for the fathoming of eyes that see; for their marvels are strange and terrific. Cursed the ground where dead thoughts live new and oddly bodied, and evil the mind that is held by no head. Wisely did Ibn Schacabac say that happy is the tomb where no wizard hath lain, and happy the town at night whose wizards are all in ashes. For it is of old rumor that the soul of the devil-bought hastes not from his charnel clay, but fats and instructs the very worm that gnaws; till out of corruption horrid life springs, and the dull scavengers of earth wax crafty to vex it and swell monstrous to plague it. Great holes secretly are digged where earth’s pores ought to suffice, and things have learnt to walk that ought to crawl.”

“The deepest caves,” wrote the mad Arab, “are not meant for eyes that can see; their wonders are strange and terrifying. Cursed is the ground where dead thoughts live anew in bizarre forms, and evil is the mind that has no guiding presence. Ibn Schacabac wisely said that blessed is the tomb where no sorcerer has rested, and blessed is the town at night where all the sorcerers are reduced to ashes. For it is an old belief that the soul of the devil's bargain does not leave its decaying body but nourishes and instructs the very worm that gnaws; until out of decay, horrifying life emerges, and the dull scavengers of the earth grow clever to torment it and swell monstrous to afflict it. Deep holes are secretly dug where the earth's natural pores should be enough, and things have learned to walk that should only crawl.”

Transcriber’s Note: This story appeared in the January 1925 issue of Weird Tales Magazine.

Transcriber’s Note: This story was published in the January 1925 issue of Weird Tales Magazine.


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