This is a modern-English version of Through the gates of the silver key, originally written by Lovecraft, H. P. (Howard Phillips), Price, E. Hoffmann. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Through the Gates of the Silver Key

By H. P. LOVECRAFT and E. HOFFMANN PRICE

By H. P. LOVECRAFT and E. HOFFMANN PRICE

A colossal story of cosmic scope by two of the greatest writers of weird fiction in the world today.

A huge story with a cosmic theme by two of the best weird fiction writers in the world today.

"Through the Gates of the Silver Key," published complete in this issue, is an utterly amazing novelette. It is much more than a mere piece of fiction, for it so far transcends human experiences, and even the wildest dreams of human beings, that the ideas and thoughts set forth in the tale are titanic. One searches the dictionaries in vain for words to describe this brilliant and astounding tale, which for sheer imaginative daring goes beyond anything ever printed before. It is the joint product of two of your most popular authors.

"Through the Gates of the Silver Key," published in full in this issue, is an incredibly amazing novelette. It's much more than just a story; it goes far beyond human experiences and even the wildest dreams of people, presenting ideas and thoughts that are monumental. One looks in vain in the dictionaries for words to describe this brilliant and astonishing tale, which, for its pure imaginative boldness, surpasses anything ever published before. It is the collaborative work of two of your most popular authors.

[Transcriber's Note: This etext was produced from
Weird Tales July 1934.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

[Transcriber's Note: This etext was produced from
Weird Tales July 1934.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


CHAPTER 1

CHAPTER 1

In a vast room hung with strangely figured arras and carpeted with Boukhara rugs of impressive age and workmanship, four men were sitting around a document-strown table. From the far corners, where odd tripods of wrought iron were now and then replenished by an incredibly aged negro in somber livery, came the hypnotic fumes of olibanum; while in a deep niche on one side there ticked a curious, coffin-shaped clock whose dial bore baffling hieroglyphs and whose four hands did not move in consonance with any time system known on this planet. It was a singular and disturbing room, but well fitted to the business then at hand. For there, in the New Orleans home of this continent's greatest mystic, mathematician and orientalist, there was being settled at last the estate of a scarcely less great mystic, scholar, author and dreamer who had vanished from the face of the earth four years before.

In a large room adorned with strangely patterned tapestries and covered with ancient Boukhara rugs showcasing impressive craftsmanship, four men were seated around a table cluttered with documents. From the distant corners, where strange wrought iron tripods were occasionally refilled by an incredibly old black man in dark attire, came the mesmerizing scent of frankincense; meanwhile, in a deep nook on one side, a peculiar coffin-shaped clock ticked away, its dial displaying confusing hieroglyphs and its four hands not aligning with any known time system on this planet. It was an unusual and unsettling room, but perfectly suited for the business at hand. For there, in the New Orleans home of this continent's greatest mystic, mathematician, and orientalist, the estate of a similarly remarkable mystic, scholar, author, and dreamer who had disappeared four years earlier, was finally being settled.

Randolph Carter, who had all his life sought to escape from the tedium and limitations of waking reality in the beckoning vistas of dreams and fabled avenues of other dimensions, disappeared from the sight of man on the seventh of October, 1928, at the age of fifty-four. His career had been a strange and lonely one, and there were those who inferred from his curious novels many episodes more bizarre than any in his recorded history. His association with Harley Warren, the South Carolina mystic whose studies in the primal Naacal language of the Himalayan priests had led to such outrageous conclusions, had been close. Indeed, it was he who—one mist-mad, terrible night in an ancient graveyard—had seen Warren descend into a dank and nitrous vault, never to emerge. Carter lived in Boston, but it was from the wild, haunted hills behind hoary and witch-accursed Arkham that all his forebears had come. And it was amid these ancient, cryptically brooding hills that he had ultimately vanished.

Randolph Carter, who had spent his whole life trying to break free from the boredom and limits of waking life by diving into the inviting landscapes of dreams and the legendary paths of other dimensions, vanished from the human world on October 7, 1928, at the age of fifty-four. His life was strange and solitary, and some people believed that many of the odd episodes in his unusual novels were stranger than anything in his actual life. He had a close relationship with Harley Warren, the South Carolina mystic whose research into the ancient Naacal language of Himalayan priests had led him to some outrageous conclusions. It was Carter who—one foggy, horrific night in an old graveyard—saw Warren descend into a damp, foul-smelling vault, never to be seen again. Carter lived in Boston, but his ancestors had all come from the wild, haunted hills behind the ancient and cursed Arkham. It was in these ancient, mysteriously dark hills that he ultimately disappeared.

His old servant, Parks—who died early in 1930—had spoken of the strangely aromatic and hideously carven box he had found in the attic, and of the undecipherable parchments and queerly figured silver key which that box had contained: matters of which Carter had also written to others. Carter, he said, had told him that this key had come down from his ancestors, and that it would help him to unlock the gates to his lost boyhood, and to strange dimensions and fantastic realms which he had hitherto visited only in vague, brief and elusive dreams. Then one day Carter took the box and its contents and rode away in his car, never to return.

His old servant, Parks—who died early in 1930—had talked about the oddly fragrant and grotesquely carved box he found in the attic, along with the unreadable parchments and oddly shaped silver key that the box held: things that Carter had also mentioned to others. Carter told him that this key had been passed down from his ancestors and that it would help him unlock the gates to his lost childhood, and to strange dimensions and fantastical worlds that he had only visited in vague, brief, and elusive dreams. Then one day, Carter took the box and its contents and drove away in his car, never to return.

Later on, people found the car at the side of an old, grass-grown road in the hills behind crumbling Arkham—the hills where Carter's forebears had once dwelt, and where the ruined cellar of the great Carter homestead still gaped to the sky. It was in a grove of tall elms near by that another of the Carters had mysteriously vanished in 1781, and not far away was the half-rotted cottage where Goody Fowler, the witch, had brewed her ominous potions still earlier. The region had been settled in 1692 by fugitives from the witchcraft trials in Salem, and even now it bore a name for vaguely ominous things scarcely to be envisaged. Edmund Carter had fled from the shadow of Gallows Hill just in time, and the tales of his sorceries were many. Now, it seemed, his lone descendant had gone somewhere to join him!

Later on, people found the car at the side of an old, overgrown road in the hills behind the decaying town of Arkham—the hills where Carter's ancestors had once lived, and where the ruined cellar of the great Carter homestead still opened to the sky. It was in a grove of tall elms nearby that another one of the Carters had mysteriously disappeared in 1781, and not far away was the half-rotted cottage where Goody Fowler, the witch, had brewed her sinister potions even earlier. The area had been settled in 1692 by refugees from the Salem witch trials, and even now it had a reputation for vaguely sinister occurrences that were hard to imagine. Edmund Carter had escaped from the shadow of Gallows Hill just in time, and there were many stories about his sorceries. Now, it seemed, his last surviving descendant had gone off to join him!

In the car they found the hideously carved box of fragrant wood, and the parchment which no man could read. The silver key was gone—presumably with Carter. Further than that there was no certain clue. Detectives from Boston said that the fallen timbers of the old Carter place seemed oddly disturbed, and somebody found a handkerchief on the rock-ridged, sinisterly wooded slope behind the ruins near the dreaded cave called the Snake Den.

In the car, they found a grotesquely carved box made of fragrant wood and a piece of parchment that no one could decipher. The silver key was missing—probably taken by Carter. Beyond that, there were no clear leads. Detectives from Boston noted that the fallen timber from the old Carter house looked strangely disturbed, and someone discovered a handkerchief on the rocky, ominously wooded slope behind the ruins near the feared cave known as the Snake Den.

It was then that the country legends about the Snake Den gained a new vitality. Farmers whispered of the blasphemous uses to which old Edmund Carter the wizard had put that horrible grotto, and added later tales about the fondness which Randolph Carter himself had had for it when a boy. In Carter's boyhood the venerable gambrel-roofed homestead was still standing and tenanted by his great-uncle Christopher. He had visited there often, and had talked singularly about the Snake Den. People remembered what he had said about a deep fissure and an unknown inner cave beyond, and speculated on the change he had shown after spending one whole memorable day in the cavern when he was nine. That was in October, too—and ever after that he had seemed to have an uncanny knack at prophesying future events.

It was then that the local legends about the Snake Den gained new life. Farmers whispered about the creepy things old Edmund Carter the wizard had done in that dreadful cave, and they shared later stories about how much Randolph Carter himself loved it as a boy. Back in Carter's childhood, the old gambrel-roofed farmhouse was still there, occupied by his great-uncle Christopher. He had visited it often and spoke strangely about the Snake Den. People remembered what he said about a deep crack and an unknown inner cave beyond it, and they speculated about the change in him after spending one unforgettable day in the cave when he was nine. That was in October too—and from then on, he seemed to have an eerie ability to predict future events.


It had rained late in the night that Carter vanished, and no one was quite able to trace his footprints from the car. Inside the Snake Den all was amorphous liquid mud, owing to the copious seepage. Only the ignorant rustics whispered about the prints they thought they spied where the great elms overhang the road, and on the sinister hillside near the Snake Den, where the handkerchief was found. Who could pay attention to whispers that spoke of stubby little tracks like those which Randolph Carter's square-toed boots made when he was a small boy? It was as crazy a notion as that other whisper—that the tracks of old Benijah Corey's peculiar heelless boots had met the stubby little tracks in the road. Old Benijah had been the Carters' hired man when Randolph was young; but he had died thirty years ago.

It had rained late the night Carter disappeared, and no one could really follow his footprints from the car. Inside the Snake Den, everything was just shapeless, soggy mud due to the heavy seepage. Only the clueless locals whispered about the prints they thought they saw under the giant elms above the road, and on the eerie hillside near the Snake Den, where the handkerchief was discovered. Who would take seriously whispers about short little tracks like those made by Randolph Carter's square-toed boots when he was a kid? It was as ridiculous as that other rumor—that the prints of old Benijah Corey's strange heelless boots had crossed paths with the stubby little tracks on the road. Old Benijah had worked for the Carters when Randolph was young, but he had passed away thirty years ago.

It must have been these whispers—plus Carter's own statement to Parks and others that the queerly arabesqued silver key would help him unlock the gates of his lost boyhood—which caused a number of mystical students to declare that the missing man had actually doubled back on the trail of time and returned through forty-five years to that other October day in 1883 when he had stayed in the Snake Den as a small boy. When he came out that night, they argued, he had somehow made the whole trip to 1928 and back; for did he not thereafter know of things which were to happen later? And yet he had never spoken of anything to happen after 1928.

It must have been these whispers—along with Carter's own statement to Parks and others that the uniquely designed silver key would help him unlock the gates of his lost childhood—which led several mystical students to claim that the missing man had actually retraced his steps through time and returned to that other October day in 1883 when he had stayed in the Snake Den as a small boy. When he came out that night, they argued, he had somehow made the whole journey to 1928 and back; after all, didn’t he then know about events that would happen later? Yet he never mentioned anything that would happen after 1928.

One student—an elderly eccentric of Providence, Rhode Island, who had enjoyed a long and close correspondence with Carter—had a still more elaborate theory, and believed that Carter had not only returned to boyhood, but achieved a further liberation, roving at will through the prismatic vistas of boyhood dream. After a strange vision this man published a tale of Carter's vanishing in which he hinted that the lost one now reigned as king on the opal throne of Ilek-Vad, that fabulous town of turrets atop the hollow cliffs of glass overlooking the twilight sea wherein the bearded and finny Gnorri build their singular labyrinths.

One student—an elderly eccentric from Providence, Rhode Island, who had maintained a long and close correspondence with Carter—had an even more detailed theory. He believed that Carter had not only gone back to his childhood but had also achieved a deeper freedom, wandering at will through the colorful landscapes of childhood dreams. After a strange vision, this man published a story about Carter's disappearance, suggesting that the lost individual now ruled as king on the opal throne of Ilek-Vad, that legendary town with towers on the hollow glass cliffs overlooking the twilight sea where the bearded and scaly Gnorri build their unique labyrinths.

It was this old man, Ward Phillips, who pleaded most loudly against the apportionment of Carter's estate to his heirs—all distant cousins—on the ground that he was still alive in another time-dimension and might well return some day. Against him was arrayed the legal talent of one of the cousins, Ernest K. Aspinwall of Chicago, a man ten years Carter's senior, but keen as a youth in forensic battles. For four years the contest had raged, but now the time for apportionment had come, and this vast, strange room in New Orleans was to be the scene of the arrangements.

It was this old man, Ward Phillips, who argued the loudest against dividing Carter's estate among his heirs—all distant cousins—claiming that he was still alive in another time dimension and might return someday. Opposing him was the legal expertise of one of the cousins, Ernest K. Aspinwall from Chicago, a man ten years older than Carter but sharp as a young person in legal battles. The fight had been going on for four years, but now the time for dividing the estate had arrived, and this vast, unusual room in New Orleans was set to be the location for the arrangements.

It was the home of Carter's literary and financial executor—the distinguished Creole student of mysteries and Eastern antiquities, Etienne-Laurent de Marigny. Carter had met de Marigny during the war, when they both served in the French Foreign Legion, and had at once cleaved to him because of their similar tastes and outlook. When, on a memorable joint furlough, the learned young Creole had taken the wistful Boston dreamer to Bayonne, in the south of France, and had shown him certain terrible secrets in the nighted and immemorial crypts that burrow beneath that brooding, eon-weighted city, the friendship was forever sealed. Carter's will had named de Marigny as executor, and now that avid scholar was reluctantly presiding over the settlement of the estate. It was sad work for him, for like the old Rhode Islander he did not believe that Carter was dead. But what weight have the dreams of mystics against the harsh wisdom of the world?

It was the home of Carter's literary and financial executor—the distinguished Creole expert in mysteries and Eastern antiquities, Etienne-Laurent de Marigny. Carter had met de Marigny during the war when they both served in the French Foreign Legion and immediately bonded over their similar tastes and outlooks. On a memorable joint leave, the knowledgeable young Creole took the wistful Boston dreamer to Bayonne, in the south of France, and showed him certain terrible secrets hidden in the dark, ancient crypts that lie beneath that brooding city, weighing heavy with history. This moment sealed their friendship forever. Carter's will had named de Marigny as executor, and now that eager scholar was reluctantly managing the estate settlement. It was sad work for him, as like the old Rhode Islander, he did not believe that Carter was dead. But what do the dreams of mystics matter against the harsh realities of the world?


Around the table in that strange room in the old French Quarter sat the men who claimed an interest in the proceedings. There had been the usual legal advertisements of the conference in papers wherever Carter's heirs were thought to live; yet only four now sat listening to the abnormal ticking of that coffin-shaped clock which told no earthly time, and to the bubbling of the courtyard fountain beyond half-curtained, fan-lighted windows. As the hours wore on, the faces of the four were half shrouded in the curling fumes from the tripods, which, piled recklessly with fuel, seemed to need less and less attention from the silently gliding and increasingly nervous old negro.

Around the table in that unusual room in the old French Quarter sat the men who said they were interested in the meeting. There had been the typical legal ads about the conference in papers where Carter's heirs were believed to live; yet only four were now listening to the strange ticking of that coffin-shaped clock, which kept no earthly time, and the bubbling of the courtyard fountain beyond the half-draped, fan-lit windows. As the hours passed, the faces of the four were partly obscured by the swirling smoke from the tripods, which were dangerously piled high with fuel and seemed to require less and less attention from the quietly moving and increasingly nervous old Black man.

There was Etienne de Marigny himself—slim, dark, handsome, mustached, and still young. Aspinwall, representing the heirs, was white-haired, apoplectic-faced, side-whiskered, and portly. Phillips, the Providence mystic, was lean, gray, long-nosed, clean-shaven, and stoop-shouldered. The fourth man was non-committal in age—lean, with a dark, bearded, singularly immobile face of very regular contour, bound with the turban of a high-caste Brahman and having night-black, burning, almost irisless eyes which seemed to gaze out from a vast distance behind the features. He had announced himself as the Swami Chandraputra, an adept from Benares, with important information to give; and both de Marigny and Phillips—who had corresponded with him—had been quick to recognize the genuineness of his mystical pretensions. His speech had an oddly forced, hollow, metallic quality, as if the use of English taxed his vocal apparatus; yet his language was as easy, correct and idiomatic as any native Anglo-Saxon's. In general attire he was the normal European civilian, but his loose clothes sat peculiarly badly on him, while his bushy black beard, Eastern turban, and large, white mittens gave him an air of exotic eccentricity.

There was Etienne de Marigny himself—slim, dark, handsome, mustached, and still young. Aspinwall, representing the heirs, was gray-haired, red-faced, side-whiskered, and overweight. Phillips, the Providence mystic, was lean, gray, long-nosed, clean-shaven, and had a stooped posture. The fourth man had an ambiguous age—lean, with a dark beard, and a strangely still face with very regular features, covered with the turban of a high-caste Brahman. His eyes were night-black and burning, nearly without irises, making it seem like they were looking out from a great distance behind his features. He introduced himself as Swami Chandraputra, an expert from Benares, with important information to share; both de Marigny and Phillips—who had corresponded with him—were quick to recognize the authenticity of his mystical claims. His speech had an oddly forced, hollow, metallic quality, as if speaking English strained his vocal cords; yet his language was as smooth, correct, and natural as any native English speaker's. In general, he dressed like a regular European civilian, but his loose clothing fit him awkwardly, while his bushy black beard, Eastern turban, and large white mittens gave him an air of exotic eccentricity.

De Marigny, fingering the parchment found in Carter's car, was speaking.

De Marigny, touching the parchment he found in Carter's car, was talking.

"No, I have not been able to make anything of the parchment. Mr. Phillips, here, also gives it up. Colonel Churchward declares it is not Naacal, and it looks nothing at all like the hieroglyphics on that Easter Island war-club. The carvings on that box, though, do strongly suggest Easter Island images. The nearest thing I can recall to these parchment characters—notice how all the letters seem to hang down from horizontal word-bars—is the writing in a book poor Harley Warren once had. It came from India while Carter and I were visiting him in 1919, and he never would tell us anything about it—said it would be better if we didn't know, and hinted that it might have come originally from some place other than the Earth. He took it with him in December, when he went down into the vault in that old graveyard—but neither he nor the book ever came to the surface again. Some time ago I sent our friend here—the Swami Chandraputra—a memory-sketch of some of those letters, and also a photostatic copy of the Carter parchment. He believes he may be able to shed light on them after certain references and consultations.

"No, I haven't been able to figure out the parchment. Mr. Phillips here can't make sense of it either. Colonel Churchward insists it's not Naacal, and it doesn’t resemble the hieroglyphics on that Easter Island war club at all. However, the carvings on that box do strongly resemble images from Easter Island. The closest thing I can remember that looks like these parchment characters—notice how all the letters seem to hang down from horizontal word-bars—is some writing in a book that poor Harley Warren once owned. It came from India while Carter and I were visiting him in 1919, and he never told us anything about it—said it would be better if we didn't know and hinted it might have come from somewhere other than Earth. He took it with him in December when he went down into the vault in that old graveyard—but neither he nor the book ever came back up. A while ago, I sent our friend here—the Swami Chandraputra—a memory-sketch of some of those letters, along with a photostatic copy of the Carter parchment. He thinks he might be able to provide some insights after checking certain references and having some consultations."

"But the key—Carter sent me a photograph of that. Its curious arabesques were not letters, but seem to have belonged to the same culture-tradition as the parchment. Carter always spoke of being on the point of solving the mystery, though he never gave details. Once he grew almost poetic about the whole business. That antique silver key, he said, would unlock the successive doors that bar our free march down the mighty corridors of space and time to the very Border which no man has crossed since Shaddad with his terrific genius built and concealed in the sands of Arabia Petræa the prodigious domes and uncounted minarets of thousand-pillared Irem. Half-starved darvishes—wrote Carter—and thirst-crazed nomads have returned to tell of that monumental portal, and of the hand that is sculptured above the keystone of the arch, but no man has passed and retraced his steps to say that his footprints on the garnet-strown sands within bear witness to his visit. The key, he surmised, was that for which the cyclopean sculptured hand vainly grasps.

"But the key—Carter sent me a photo of that. Its strange designs weren’t letters, but seemed to belong to the same cultural tradition as the parchment. Carter always mentioned that he was on the verge of solving the mystery, though he never provided any details. At one point, he got almost poetic about the whole thing. That ancient silver key, he said, would unlock the doors that block our free journey down the vast corridors of space and time to the very Border that no one has crossed since Shaddad, with his incredible genius, built and hid in the sands of Arabia Petræa the enormous domes and countless minarets of the thousand-pillared Irem. Half-starved ascetics—Carter wrote—and crazed nomads have come back to talk about that monumental entrance and the hand that is carved above the keystone of the arch, but no one has crossed through and returned to say that their footprints on the garnet-strewn sands inside prove their visit. The key, he guessed, was that which the giant sculpted hand grasps in vain."

"Why Carter didn't take the parchment as well as the key, we can not say. Perhaps he forgot it—or perhaps he forbore to take it through recollection of one who had taken a book of like characters into a vault and never returned. Or perhaps it was really immaterial to what he wished to do."

"Why Carter didn't take the parchment along with the key, we can't say. Maybe he forgot it—or maybe he chose not to take it because he remembered someone who had taken a similar book into a vault and never came back. Or perhaps it just didn't matter to what he wanted to do."

As de Marigny paused, old Mr. Phillips spoke in a harsh, shrill voice.

As de Marigny stopped, old Mr. Phillips spoke in a loud, high-pitched voice.

"We can know of Randolph Carter's wandering only what we dream. I have been to many strange places in dreams, and have heard many strange and significant things in Ulthar, beyond the River Skai. It does not appear that the parchment was needed, for certainly Carter re-entered the world of his boyhood dreams, and is now a king in Ilek-Vad."

"We can only know about Randolph Carter's adventures through our dreams. I've visited many strange places in dreams and heard many unusual and important things in Ulthar, beyond the River Skai. It seems that the parchment wasn't necessary, for Carter definitely returned to the world of his childhood dreams and is now a king in Ilek-Vad."

Mr. Aspinwall grew doubly apoplectic-looking as he sputtered: "Can't somebody shut that old fool up? We've had enough of these moonings. The problem is to divide the property, and it's about time we got to it."

Mr. Aspinwall looked even more enraged as he stammered, "Can't someone shut that old fool up? We've had enough of this nonsense. The issue is to split the property, and we really need to get on with it."

For the first time Swami Chandraputra spoke in his queerly alien voice.

For the first time, Swami Chandraputra spoke in his strangely unfamiliar voice.

"Gentlemen, there is more to this matter than you think. Mr. Aspinwall does not do well to laugh at the evidence of dreams. Mr. Phillips has taken an incomplete view—perhaps because he has not dreamed enough. I, myself, have done much dreaming. We in India have always done that, just as all the Carters seem to have done it. You, Mr. Aspinwall, as a maternal cousin, are naturally not a Carter. My own dreams, and certain other sources of information, have told me a great deal which you still find obscure. For example, Randolph Carter forgot that parchment which he couldn't decipher—yet it would have been well for him had he remembered to take it. You see, I have really learned pretty much what happened to Carter after he left his car with the silver key at sunset on that seventh of October, four years ago."

"Gentlemen, there’s more to this situation than you realize. Mr. Aspinwall, it’s unwise to dismiss the evidence of dreams. Mr. Phillips has a limited perspective—perhaps because he hasn’t dreamt enough. I, myself, have spent a lot of time dreaming. We in India have always been dreamers, just like all the Carters seem to be. You, Mr. Aspinwall, being a maternal cousin, are not a Carter. My own dreams, along with some other sources of information, have revealed a lot that you still find unclear. For instance, Randolph Carter forgot that parchment he couldn’t read—yet it would have been beneficial for him to remember to take it. You see, I’ve actually learned quite a bit about what happened to Carter after he left his car with the silver key at sunset on that seventh of October, four years ago."

Aspinwall audibly sneered, but the others sat up with heightened interest. The smoke from the tripods increased, and the crazy ticking of that coffin-shaped clock seemed to fall into bizarre patterns like the dots and dashes of some alien and insoluble telegraph message from outer space. The Hindoo leaned back, half closed his eyes, and continued in that oddly labored yet idiomatic speech, while before his audience there began to float a picture of what had happened to Randolph Carter.

Aspinwall sneered out loud, but the others perked up with increased interest. The smoke from the tripods intensified, and the erratic ticking of that coffin-shaped clock seemed to create strange patterns like the dots and dashes of an untranslatable telegram from outer space. The Hindu reclined, half-closed his eyes, and continued with his strangely difficult yet natural way of speaking, while in front of his audience, an image began to form of what had happened to Randolph Carter.


CHAPTER 2

CHAPTER 2

The hills beyond Arkham are full of a strange magic—something, perhaps, which the old wizard Edmund Carter called down from the stars and up from the crypts of nether earth when he fled there from Salem in 1692. As soon as Randolph Carter was back among them he knew that he was close to one of the gates which a few audacious, abhorred and alien-souled men have blasted through titan walls betwixt the world and the outside absolute. Here, he felt, and on this day of the year, he could carry out with success the message he had deciphered months before from the arabesques of that tarnished and incredibly ancient silver key. He knew now how it must be rotated, and how it must be held up to the setting sun, and what syllables of ceremony must be intoned into the void at the ninth and last turning. In a spot as close to a dark polarity and induced gate as this, it could not fail in its primary functions. Certainly, he would rest that night in the lost boyhood for which he had never ceased to mourn.

The hills beyond Arkham are filled with a strange magic—something, perhaps, that the old wizard Edmund Carter called down from the stars and up from the depths of the earth when he escaped there from Salem in 1692. As soon as Randolph Carter was back among them, he knew he was near one of the gates that a few daring, reviled, and otherworldly men have blasted through the massive walls separating the world from the outside absolute. Here, he felt, and on this day of the year, he could successfully carry out the message he had decoded months earlier from the intricate designs of that tarnished and incredibly ancient silver key. He now understood how it needed to be turned, how it should be held up to the setting sun, and what ceremonial words had to be spoken into the void at the ninth and final turning. In a place as close to a dark polarity and induced gate as this, it couldn't fail in its main functions. Surely, he would rest that night in the lost boyhood he had always mourned.

He got out of the car with the key in his pocket, walking up-hill deeper and deeper into the shadowy core of that brooding, haunted countryside of winding road, vine-grown stone wall, black woodland, gnarled, neglected orchard, gaping-windowed, deserted farmhouse, and nameless ruin. At the sunset hour, when the distant spires of Kingsport gleamed in the ruddy blaze, he took out the key and made the needed turnings and intonations. Only later did he realize how soon the ritual had taken effect.

He stepped out of the car with the key in his pocket, walking uphill deeper and deeper into the shadowy heart of that moody, haunted countryside filled with winding roads, vine-covered stone walls, dark woods, overgrown orchards, abandoned farmhouses with gaping windows, and nameless ruins. As the sun was setting, and the distant spires of Kingsport sparkled in the red glow, he pulled out the key and performed the necessary turns and incantations. It wasn't until later that he understood how quickly the ritual had taken effect.

Then in the deepening twilight he had heard a voice out of the past: Old Benijah Corey, his great-uncle's hired man. Had not old Benijah been dead for thirty years? Thirty years before when? What was time? Where had he been? Why was it strange that Benijah should be calling him on this seventh of October, 1883? Was he not out later than Aunt Martha had told him to stay? What was this key in his blouse pocket, where his little telescope—given him by his father on his ninth birthday, two months before—ought to be? Had he found it in the attic at home? Would it unlock the mystic pylon which his sharp eye had traced amidst the jagged rocks at the back of that inner cave behind the Snake Den on the hill? That was the place they always coupled with old Edmund Carter the wizard. People wouldn't go there, and nobody but him had ever noticed or squirmed through the root-choked fissure to that great black inner chamber with the pylon. Whose hands had carved that hint of a pylon out of the living rock? Old Wizard Edmund's—or others that he had conjured up and commanded?

Then in the fading twilight, he heard a voice from the past: Old Benijah Corey, his great-uncle's hired man. Hadn't old Benijah been dead for thirty years? Thirty years before when? What was time? Where had he been? Why was it odd that Benijah would be calling him on this seventh of October, 1883? Was he not out later than Aunt Martha had told him to stay? What was this key in his blouse pocket, where his little telescope—given to him by his father on his ninth birthday, two months before—should be? Had he found it in the attic at home? Would it unlock the mysterious pylon that his keen eye had spotted amidst the jagged rocks at the back of that inner cave behind the Snake Den on the hill? That was the place they always associated with old Edmund Carter the wizard. People wouldn't go there, and nobody but him had ever noticed or squeezed through the root-choked crevice to that vast dark inner chamber with the pylon. Whose hands had carved that hint of a pylon out of the living rock? Old Wizard Edmund's—or others that he had summoned and commanded?

That evening little Randolph ate supper with Uncle Chris and Aunt Martha in the old gambrel-roofed farmhouse.

That evening, little Randolph had dinner with Uncle Chris and Aunt Martha in the old gambrel-roofed farmhouse.

Next morning he was up early and out through the twisted-boughed apple orchard to the upper timber-lot where the mouth of the Snake Den lurked black and forbidding amongst grotesque, over-nourished oaks. A nameless expectancy was upon him, and he did not even notice the loss of his handkerchief as he fumbled in his blouse pocket to see if the queer silver key was safe. He crawled through the dark orifice with tense, adventurous assurance, lighting his way with matches taken from the sitting-room. In another moment he had wriggled through the root-choked fissure at the farther end, and was in the vast, unknown inner grotto whose ultimate rock wall seemed half like a monstrous and consciously shapen pylon. Before that dank, dripping wall he stood silent and awestruck, lighting one match after another as he gazed. Was that stony bulge above the keystone of the imagined arch really a gigantic sculptured hand? Then he drew forth the silver key, and made motions and intonations whose source he could only dimly remember. Was anything forgotten? He knew only that he wished to cross the barrier to the untrammelled land of his dreams and the gulfs where all dimensions dissolved in the absolute.

Next morning, he was up early and made his way through the twisted-boughed apple orchard to the upper timber lot, where the entrance to the Snake Den loomed dark and intimidating among the odd, overgrown oaks. A sense of anticipation filled him, and he didn’t even notice when he lost his handkerchief while checking his blouse pocket to make sure the strange silver key was safe. He crawled through the dark opening with tense, adventurous confidence, lighting his path with matches he had taken from the sitting room. Moments later, he had wriggled through the root-choked crack at the other end and was in the vast, unknown inner grotto, where the far rock wall looked somewhat like a massive, deliberately shaped pylon. Before that damp, dripping wall, he stood in silence, awestruck, lighting one match after another as he stared. Was that stone bulge above the arch's keystone really a giant sculpted hand? Then he pulled out the silver key and began making gestures and incantations he could only vaguely remember. Was there anything forgotten? All he knew was that he wanted to cross the barrier to the unspoiled land of his dreams and the depths where all dimensions blended into the absolute.


CHAPTER 3

CHAPTER 3

What happened then is scarcely to be described in words. It is full of those paradoxes, contradictions and anomalies which have no place in waking life, but which fill our more fantastic dreams and are taken as matters of course till we return to our narrow, rigid, objective world of limited causation and tri-dimensional logic. As the Hindoo continued his tale, he had difficulty in avoiding what seemed—even more than the notion of a man transferred through the years to boyhood—an air of trivial, puerile extravagance. Mr. Aspinwall, in disgust, gave an apoplectic snort and virtually stopped listening.

What happened next is hard to put into words. It's filled with those paradoxes, contradictions, and oddities that don’t fit into our everyday lives but crowd our wildest dreams and seem normal until we return to our limited, rigid, objective reality of cause and effect and three-dimensional logic. As the Hindu kept telling his story, he struggled to avoid coming off as even more childish and ridiculous than the idea of a man being transported back to his boyhood. Mr. Aspinwall, in disgust, let out an angry snort and pretty much stopped paying attention.

For the rite of the silver key, as practised by Randolph Carter in that black, haunted cave within a cave, did not prove unavailing. From the first gesture and syllable an aura of strange, awesome mutation was apparent—a sense of incalculable disturbance and confusion in time and space, yet one which held no hint of what we recognize as motion and duration. Imperceptibly, such things as age and location ceased to have any significance whatever. The day before, Randolph Carter had miraculously leaped a gulf of years. Now there was no distinction between boy and man. There was only the entity Randolph Carter, with a certain store of images which had lost all connection with terrestrial scenes and circumstances of acquisition. A moment before, there had been an inner cave with vague suggestions of a monstrous arch and gigantic sculptured hand on the farther wall. Now there was neither cave nor absence of cave; neither wall nor absence of wall. There was only a flux of impressions not so much visual as cerebral, amidst which the entity that was Randolph Carter experienced perceptions or registrations of all that his mind revolved on, yet without any clear consciousness of the way in which he received them.

For the silver key ritual, as practiced by Randolph Carter in that dark, haunted cave within a cave, was effective. From the first gesture and word, there was an aura of strange, awe-inspiring change—it created a sense of unimaginable disturbance and confusion in time and space, but without any hint of what we understand as movement and time passing. Gradually, concepts like age and location lost all significance. The day before, Randolph Carter had somehow jumped across years. Now, there was no difference between being a boy and being a man. There was just the being known as Randolph Carter, with a collection of images that had completely lost connection to earthly scenes and how they were acquired. A moment earlier, there had been an inner cave with vague hints of a huge arch and an enormous sculpted hand on the far wall. Now there was neither cave nor lack of cave; neither wall nor lack of wall. There was only a flow of impressions that were more cerebral than visual, within which the being that was Randolph Carter experienced thoughts or impressions of everything his mind focused on, but without any clear awareness of how he perceived them.

By the time the rite was over, Carter knew that he was in no region whose place could be told by Earth's geographers, and in no age whose date history could fix; for the nature of what was happening was not wholly unfamiliar to him. There were hints of it in the cryptical Pnakotic fragments, and a whole chapter in the forbidden Necronomicon of the mad Arab, Abdul Alhazred, had taken on significance when he had deciphered the designs graven on the silver key. A gate had been unlocked—not, indeed, the Ultimate Gate, but one leading from Earth and time to that extension of Earth which is outside time, and from which in turn the Ultimate Gate leads fearsomely and perilously to the Last Void which is outside all earths, all universes, and all matter.

By the time the ritual ended, Carter realized he was not in any place that could be pinpointed by Earth's geographers, and no time that history could date; because what was happening was somewhat familiar to him. There were traces of it in the cryptic Pnakotic fragments, and an entire chapter in the forbidden Necronomicon by the mad Arab, Abdul Alhazred, had taken on meaning when he interpreted the designs etched on the silver key. A gate had been opened—not the Ultimate Gate, but one that leads from Earth and time to that part of Earth that exists outside of time, and from which the Ultimate Gate ominously and dangerously leads to the Last Void, which lies beyond all earths, all universes, and all matter.

There would be a Guide—and a very terrible one; a Guide who had been an entity of Earth millions of years before, when man was undreamed of, and when forgotten shapes moved on a steaming planet building strange cities among whose last, crumbling ruins the first mammals were to play. Carter remembered what the monstrous Necronomicon had vaguely and disconcertingly adumbrated concerning that Guide:

There would be a Guide—and a very dreadful one; a Guide who had been around millions of years ago on Earth, back when humans were just a concept, and when forgotten beings roamed a hot planet constructing odd cities where the first mammals would eventually frolic among the last, decaying remnants. Carter recalled what the monstrous Necronomicon had vaguely and unsettlingly hinted at regarding that Guide:

"And while there are those," the mad Arab had written, "who have dared to seek glimpses beyond the Veil, and to accept HIM as guide, they would have been more prudent had they avoided commerce with HIM; for it is written in the Book of Thoth how terrific is the price of a single glimpse. Nor may those who pass ever return, for in the vastnesses transcending our world are shapes of darkness that seize and bind. The Affair that shambleth about in the night, the evil that defieth the Elder Sign, the Herd that stand watch at the secret portal each tomb is known to have, and that thrive on that which groweth out of the tenants thereof:—all these Blacknesses are lesser than HE WHO guardeth the Gateway: HE WHO will guide the rash one beyond all the worlds into the Abyss of unnamable devourers. For HE is 'UMR AT-TAWIL, the Most Ancient One, which the scribe rendereth as THE PROLONGED OF LIFE."

"And while there are those," the mad Arab had written, "who have dared to seek glimpses beyond the Veil, and to accept HIM as a guide, they would have been wiser to avoid dealings with HIM; for it is written in the Book of Thoth how terrible the cost of a single glimpse can be. Nor may those who pass ever return, for in the vast realms beyond our world are shapes of darkness that capture and bind. The entity that wanders through the night, the evil that defies the Elder Sign, the herd that stands guard at the secret entrance each tomb is known to have, and that thrives on what grows out of their inhabitants:—all these forces of darkness are lesser than HE WHO guards the Gateway: HE WHO will lead the reckless one beyond all worlds into the Abyss of unnameable devourers. For HE is 'UMR AT-TAWIL, the Most Ancient One, which the scribe translates as THE PROLONGED OF LIFE."

Memory and imagination shaped dim half-pictures with uncertain outlines amidst the seething chaos, but Carter knew that they were of memory and imagination only. Yet he felt that it was not chance which built these things in his consciousness, but rather some vast reality, ineffable and undimensioned, which surrounded him and strove to translate itself into the only symbols he was capable of grasping. For no mind of Earth may grasp the extensions of shape which interweave in the oblique gulfs outside time and the dimensions we know.

Memory and imagination formed vague images with blurred edges in the midst of the swirling chaos, but Carter understood that these were just products of memory and imagination. Still, he sensed that it wasn’t mere chance that created these things in his mind, but rather some immense reality, indescribable and beyond measure, that enveloped him and tried to express itself through the only symbols he could comprehend. No mind on Earth can fully understand the complex shapes that intertwine in the strange voids beyond time and the dimensions we're familiar with.

There floated before Carter a cloudy pageantry of shapes and scenes which he somehow linked with Earth's primal, eon-forgotten past. Monstrous living things moved deliberately through vistas of fantastic handiwork that no sane dream ever held, and landscapes bore incredible vegetation and cliffs and mountains and masonry of no human pattern. There were cities under the sea, and denizens thereof; and towers in great deserts where globes and cylinders and nameless winged entities shot off into space, or hurtled down out of space. All this Carter grasped, though the images bore no fixed relation to one another or to him. He himself had no stable form or position, but only such shifting hints of form and position as his whirling fancy supplied.

There floated before Carter a hazy display of shapes and scenes that he somehow connected to Earth's ancient, forgotten past. Massive living creatures moved purposefully through vistas of extraordinary craftsmanship that no sane dream could ever imagine, and the landscapes featured unbelievable plants, cliffs, mountains, and structures that followed no human design. There were cities beneath the ocean, and their inhabitants; and towers in vast deserts where spheres and cylinders and mysterious winged beings shot off into space or plummeted down from it. Carter understood all this, even though the images had no clear connection to each other or to him. He himself had no stable form or position, just the shifting impressions of form and position that his spinning imagination provided.

He had wished to find the enchanted regions of his boyhood dreams, where galleys sail up the river Oukranos past the gilded spires of Thran, and elephant caravans tramp through perfumed jungles in Kled, beyond forgotten palaces with veined ivory columns that sleep lovely and unbroken under the moon. Now, intoxicated with wider visions, he scarcely knew what he sought. Thoughts of infinite and blasphemous daring rose in his mind, and he knew he would face the dreaded Guide without fear, asking monstrous and terrible things of him.

He had hoped to discover the magical places from his childhood dreams, where ships glide up the Oukranos River past the shining towers of Thran, and elephant caravans march through fragrant jungles in Kled, beyond lost palaces with beautiful ivory columns that rest peacefully under the moonlight. Now, filled with grander visions, he hardly knew what he was looking for. Ideas of limitless and forbidden adventures filled his mind, and he knew he would confront the feared Guide without hesitation, asking him monstrous and terrible questions.

All at once the pageant of impressions seemed to achieve a vague kind of stabilization. There were great masses of towering stone, carven into alien and incomprehensible designs and disposed according to the laws of some unknown, inverse geometry. Light filtered down from a sky of no assignable color in baffling, contradictory directions, and played almost sentiently over what seemed to be a curved line of gigantic hieroglyphed pedestals more hexagonal than otherwise, and surmounted by cloaked, ill-defined shapes.

All of a sudden, the display of impressions seemed to settle into a vague kind of stability. There were massive structures of towering stone, carved into strange and confusing designs, arranged according to the rules of some unknown, reverse geometry. Light trickled down from a sky of no identifiable color in puzzling, contradictory directions, and almost seemed to move with intention over what looked like a curved line of giant, hieroglyph-adorned pedestals that were more hexagonal than anything else, topped with cloaked, indistinct shapes.

There was another shape, too, which occupied no pedestal, but which seemed to glide or float over the cloudy, floor-like lower level. It was not exactly permanent in outline, but held transient suggestions of something remotely preceding or paralleling the human form, though half as large again as an ordinary man. It seemed to be heavily cloaked, like the shapes on the pedestals, with some neutral-colored fabric; and Carter could not detect any eye-holes through which it might gaze. Probably it did not need to gaze, for it seemed to belong to an order of beings far outside the merely physical in organization and faculties.

There was another figure that didn’t stand on a pedestal but appeared to drift or float over the cloudy, floor-like lower level. It wasn't exactly constant in shape, but it gave fleeting hints of something vaguely resembling the human form, though it was about one and a half times the size of an average person. It looked like it was heavily cloaked, similar to the figures on the pedestals, in some neutral-colored fabric; Carter couldn’t see any eye-holes for it to look through. It probably didn't need to look, as it seemed to belong to a group of beings that were far beyond the purely physical in their structure and abilities.

A moment later Carter knew that this was so, for the Shape had spoken to his mind without sound or language. And though the name it uttered was a dreaded and terrible one, Randolph Carter did not flinch in fear. Instead, he spoke back, equally without sound or language, and made those obeisances which the hideous Necronomicon had taught him to make. For this shape was nothing less than that which all the world has feared since Lomar rose out of the sea, and the Children of the Fire Mist came to Earth to teach the Elder Lore to man. It was indeed the frightful Guide and Guardian of the Gate—'UMR AT-TAWIL, the ancient one, which the scribe rendereth the PROLONGED OF LIFE.

A moment later, Carter realized this was true because the Shape had communicated with his mind without any sound or words. And even though the name it spoke was one that filled him with dread, Randolph Carter did not shrink back in fear. Instead, he responded, also without sound or words, and performed the gestures that the hideous Necronomicon had taught him. For this shape was nothing less than what the world has feared since Lomar emerged from the sea, and the Children of the Fire Mist came to Earth to share the Elder Lore with humanity. It was indeed the terrifying Guide and Guardian of the Gate—'UMR AT-TAWIL, the ancient one, which the scribe translates as the PROLONGED OF LIFE.

The Guide knew, as he knew all things, of Carter's quest and coming, and that this seeker of dreams and secrets stood before him unafraid. There was no horror or malignity in what he radiated, and Carter wondered for a moment whether the mad Arab's terrific blasphemous hints came from envy and a baffled wish to do what was now about to be done. Or perhaps the Guide reserved his horror and malignity for those who feared. As the radiations continued, Carter eventually interpreted them in the form of words.

The Guide knew, as he knew everything, about Carter's quest and arrival, and that this seeker of dreams and secrets was standing in front of him without fear. There was no horror or malice in what he emanated, and Carter briefly wondered if the mad Arab's terrifying and blasphemous hints came from jealousy and an inability to achieve what was about to happen. Or maybe the Guide saved his horror and malice for those who were afraid. As the energies continued, Carter eventually understood them as words.


"I am indeed that Most Ancient One," said the Guide, "of whom you know. We have awaited you—the Ancient Ones and I. You are welcome, even though long delayed. You have the key, and have unlocked the First Gate. Now the Ultimate Gate is ready for your trial. If you fear, you need not advance. You may still go back unharmed, the way you came. But if you choose to advance——"

"I am indeed that Most Ancient One," said the Guide, "whom you know. We have been waiting for you—the Ancient Ones and I. You are welcome, even though it took you a while to arrive. You have the key and have opened the First Gate. Now the Ultimate Gate is ready for your challenge. If you’re afraid, you don’t have to move forward. You can still go back safely the way you came. But if you decide to move forward——"

The pause was ominous, but the radiations continued to be friendly. Carter hesitated not a moment, for a burning curiosity drove him on.

The pause felt uneasy, but the signals remained welcoming. Carter didn't hesitate at all, as a strong curiosity pushed him forward.

"I will advance," he radiated back, "and I accept you as my Guide."

"I'll move forward," he replied confidently, "and I accept you as my Guide."

At this reply the Guide seemed to make a sign by certain motions of his robe which may or may not have involved the lifting of an arm or some homologous member. A second sign followed, and from his well-learned lore Carter knew that he was at last very close to the Ultimate Gate. The light now changed to another inexplicable color, and the shapes on the quasi-hexagonal pedestals became more clearly defined. As they sat more erect, their outlines became more like those of men, though Carter knew that they could not be men. Upon their cloaked heads there now seemed to rest tall, uncertainly colored miters, strangely suggestive of those on certain nameless figures chiselled by a forgotten sculptor along the living cliffs of a high, forbidden mountain in Tartary; while grasped in certain folds of their swathings were long scepters whose carven heads bodied forth a grotesque and archaic mystery.

At this response, the Guide seemed to make a gesture with his robe that may or may not have included lifting an arm or something similar. A second gesture followed, and from his extensive knowledge, Carter realized he was finally very close to the Ultimate Gate. The light shifted to another strange color, and the shapes on the quasi-hexagonal pedestals became more clearly defined. As they sat up straighter, their outlines started to resemble those of men, even though Carter knew they couldn't actually be men. On their cloaked heads, there now appeared to be tall, vaguely colored miters, oddly reminiscent of those worn by certain nameless figures carved by a forgotten sculptor along the living cliffs of a high, forbidden mountain in Tartary; while held in some folds of their robes were long scepters with intricately carved heads that embodied a grotesque and archaic mystery.

Carter guessed what they were and whence they came, and Whom they served; and guessed, too, the price of their service. But he was still content, for at one mighty venture he was to learn all. Damnation, he reflected, is but a word bandied about by those whose blindness leads them to condemn all who can see, even with a single eye. He wondered at the vast conceit of those who had babbled of the malignant Ancient Ones, as if They could pause from their everlasting dreams to wreak a wrath on mankind. As well, he thought, might a mammoth pause to visit frantic vengeance on an angleworm. Now the whole assemblage on the vaguely hexagonal pillars was greeting him with a gesture of those oddly carven scepters and radiating a message which he understood:

Carter figured out who they were, where they came from, and whom they served; he also guessed the cost of their service. But he was still content because, in one significant leap, he was going to learn everything. Damnation, he thought, is just a term thrown around by those whose ignorance causes them to judge everyone who can see, even if it's just a little. He was amazed by the arrogance of those who had chattered about the malignant Ancient Ones, as if They could take a break from their eternal dreams to unleash their anger on humanity. He thought it was just as absurd as a mammoth taking time to seek revenge on an angleworm. Now the entire group on the vaguely hexagonal pillars was greeting him with a gesture using those oddly carved scepters and sending a message that he understood:

"We salute you, Most Ancient One, and you, Randolph Carter, whose daring has made you one of us."

"We honor you, Most Ancient One, and you, Randolph Carter, whose bravery has made you one of us."

Carter saw now that one of the pedestals was vacant, and a gesture of the Most Ancient One told him it was reserved for him. He saw also another pedestal, taller than the rest, and at the center of the oddly curved line—neither semicircle nor ellipse, parabola nor hyperbola—which they formed. This, he guessed, was the Guide's own throne. Moving and rising in a manner hardly definable, Carter took his seat; and as he did so he saw that the Guide had seated himself.

Carter realized that one of the pedestals was empty, and a signal from the Most Ancient One indicated it was meant for him. He also noticed another pedestal, taller than the others, situated at the center of the oddly curved line—neither semicircle nor ellipse, parabola nor hyperbola—that they created. He assumed this was the Guide's own throne. Moving and rising in a way that was hard to define, Carter took his seat; and as he did, he saw that the Guide had settled into his own spot.

Gradually and mistily it became apparent that the Most Ancient One was holding something—some object clutched in the outflung folds of his robe as if for the sight, or what answered for sight, of the cloaked Companions. It was a large sphere, or apparent sphere, of some obscurely iridescent metal, and as the Guide put it forward a low, pervasive half-impression of sound began to rise and fall in intervals which seemed to be rhythmic even though they followed no rhythm of Earth. There was a suggestion of chanting—or what human imagination might interpret as chanting. Presently the quasi-sphere began to grow luminous, and as it gleamed up into a cold, pulsating light of unassignable color, Carter saw that its flickerings conformed to the alien rhythm of the chant. Then all the mitered, scepter-bearing Shapes on the pedestals commenced a slight, curious swaying in the same inexplicable rhythm, while nimbuses of unclassifiable light—resembling that of the quasi-sphere—played around their shrouded heads.

Slowly and unclear, it became obvious that the Most Ancient One was holding something—an object tucked in the flowing folds of his robe as if for the view, or what could be seen, of the cloaked Companions. It was a large sphere, or something that looked like a sphere, made of some strangely shiny metal, and as the Guide moved it forward, a faint, all-encompassing sound started to rise and fall in intervals that felt rhythmic even though they didn’t match any rhythm from Earth. There was a hint of chanting—or what human imagination might think of as chanting. Soon the quasi-sphere began to shine, and as it lit up with a cold, pulsating light of an indescribable color, Carter noticed that its flickering matched the unusual rhythm of the chant. Then all the mitered, scepter-wielding Shapes on the pedestals began to sway slightly in the same mysterious rhythm, while halos of unidentifiable light—similar to that of the quasi-sphere—moved around their covered heads.

The Hindoo paused in his tale and looked curiously at the tall, coffin-shaped clock with the four hands and hieroglyphed dial, whose crazy ticking followed no known rhythm of Earth.

The Hindu paused in his story and looked curiously at the tall, coffin-shaped clock with four hands and a hieroglyphic dial, whose erratic ticking didn't follow any known rhythm of Earth.

"You, Mr. de Marigny," he suddenly said to his learned host, "do not need to be told the particularly alien rhythm to which those cowled Shapes on the hexagonal pillars chanted and nodded. You are the only one else—in America—who has had a taste of the Outer Extension. That clock—I suppose it was sent you by the Yogi poor Harley Warren used to talk about—the seer who said that he alone of living men had been to Yian-Ho, the hidden legacy of eon-old Leng, and had borne certain things away from that dreadful and forbidden city. I wonder how many of its subtler properties you know? If my dreams and readings be correct, it was made by those who knew much of the First Gateway. But let me go on with my tale."

"You, Mr. de Marigny," he suddenly said to his knowledgeable host, "don't need to be told about the unusual rhythm that those hooded figures on the hexagonal pillars were chanting and nodding to. You're the only other person—in America—who has experienced the Outer Extension. That clock—I assume it was sent to you by the Yogi that poor Harley Warren used to talk about—the seer who claimed he was the only living man to have been to Yian-Ho, the hidden legacy of ancient Leng, and had brought certain things back from that terrifying and forbidden city. I wonder how many of its more subtle properties you understand? If my dreams and readings are accurate, it was created by those who knew a lot about the First Gateway. But let me continue with my story."


At last, continued the Swami, the swaying and the suggestion of chanting ceased, the lambent nimbuses around the now drooping and motionless heads faded, while the cloaked shapes slumped curiously on their pedestals. The quasi-sphere, however, continued to pulsate with inexplicable light. Carter felt that the Ancient Ones were sleeping as they had been when he first saw them, and he wondered out of what cosmic dreams his coming had aroused them. Slowly there filtered into his mind the truth that this strange chanting ritual had been one of instruction, and that the Companions had been chanted by the Most Ancient One into a new and peculiar kind of sleep in order that their dreams might open the Ultimate Gate to which the silver key was a passport. He knew that in the profundity of this deep sleep they were contemplating unplumbed vastnesses of utter and absolute outsideness, and that they were to accomplish that which his presence had demanded.

At last, the Swami continued, the swaying and the chanting suggestions came to an end, the glowing auras around the now drooping and still heads faded away, while the cloaked figures sagged oddly on their pedestals. The quasi-sphere, however, kept pulsing with an unexplainable light. Carter felt that the Ancient Ones were asleep just like they had been when he first encountered them, and he wondered what cosmic dreams his arrival had stirred in them. Gradually, the realization sank into his mind that this unusual chanting ritual had been a form of instruction, and that the Companions had been put into a new and strange kind of sleep by the Most Ancient One so their dreams could unlock the Ultimate Gate, of which the silver key was a ticket. He understood that deep in this profound slumber, they were contemplating immeasurable expanses of complete and utter otherness, and that they were to achieve what his presence had prompted.

The Guide did not share this sleep, but seemed still to be giving instructions in some subtle, soundless way. Evidently he was implanting images of those things which he wished the Companions to dream: and Carter knew that as each of the Ancient Ones pictured the prescribed thought, there would be born the nucleus of a manifestation visible to his earthly eyes. When the dreams of all the Shapes had achieved a oneness, that manifestation would occur, and everything he required be materialized, through concentration. He had seen such things on Earth—in India, where the combined, projected will of a circle of adepts can make a thought take tangible substance, and in hoary Atlaanât, of which few even dare speak.

The Guide wasn’t asleep, but seemed to be giving instructions in some subtle, soundless way. Clearly, he was planting images of the things he wanted the Companions to dream about; Carter realized that as each of the Ancient Ones visualized the assigned thought, a nucleus of a manifestation would form, visible to his earthly eyes. When all the Shapes' dreams came together as one, that manifestation would happen, and everything he needed would materialize through focus. He had witnessed such things on Earth—like in India, where the combined, focused will of a group of adept practitioners can make a thought become a tangible reality, and in the ancient Atlaanât, about which few even dare to speak.

Just what the Ultimate Gate was, and how it was to be passed, Carter could not be certain; but a feeling of tense expectancy surged over him. He was conscious of having a kind of body, and of holding the fateful silver key in his hand. The masses of towering stone opposite him seemed to possess the evenness of a wall, toward the center of which his eyes were irresistibly drawn. And then suddenly he felt the mental currents of the Most Ancient One cease to flow forth.

Just what the Ultimate Gate was and how to get through it was unclear to Carter, but he felt a strong sense of anticipation. He realized he had a physical form and was holding the important silver key in his hand. The massive stone structures in front of him felt like a solid wall, and he found himself instinctively focusing on the center. Then, all of a sudden, he felt the mental energy from the Most Ancient One stop flowing.

For the first time Carter realized how terrific utter silence, mental and physical, may be. The earlier moments had never failed to contain some perceptible rhythm, if only the faint, cryptical pulse of the Earth's dimensional extension, but now the hush of the abyss seemed to fall upon everything. Despite his intimations of body, he had no audible breath; and the glow of 'Umr at-Tawil's quasi-sphere had grown petrifiedly fixed and unpulsating. A potent nimbus, brighter than those which had played round the heads of the Shapes, blazed frozenly over the shrouded skull of the terrible Guide.

For the first time, Carter understood how incredible complete silence, both mental and physical, can be. In earlier moments, there had always been some noticeable rhythm, even if it was just the faint, mysterious pulse of the Earth's dimensions, but now the stillness of the void seemed to envelop everything. Despite feeling his body, he couldn't hear his own breath; and the glow of 'Umr at-Tawil's sphere had become rigidly fixed and non-pulsating. A powerful halo, brighter than those that had surrounded the Shapes, shone coldly over the covered skull of the terrifying Guide.

A dizziness assailed Carter, and his sense of lost orientation waxed a thousandfold. The strange lights seemed to hold the quality of the most impenetrable blacknesses heaped upon blacknesses, while about the Ancient Ones, so close on their pseudo-hexagonal thrones, there hovered an air of the most stupefying remoteness. Then he felt himself wafted into immeasurable depths, with waves of perfumed warmth lapping against his face. It was as if he floated in a torrid, rose-tinctured sea; a sea of drugged wine whose waves broke foaming against shores of brazen fire. A great fear clutched him as he half saw that vast expanse of surging sea lapping against its far-off coast. But the moment of silence was broken—the surgings were speaking to him in a language that was not of physical sound or articulate words.

A wave of dizziness hit Carter, and his sense of disorientation intensified immensely. The strange lights seemed to possess the quality of the deepest, most overwhelming darkness, piled upon even more darkness, while around the Ancient Ones, so close on their pseudo-hexagonal thrones, there was a feeling of an incredible distance. Then he felt himself carried into endless depths, with warm, fragrant waves brushing against his face. It was as if he floated in a hot, rose-colored sea; a sea of intoxicating wine, with waves crashing foamy against shores of bright fire. A deep fear gripped him as he partially saw that vast expanse of churning sea lapping against its distant coast. But the moment of silence was shattered—the surging waters were speaking to him in a language that transcended physical sound or spoken words.

"The Man of Truth is beyond good and evil," intoned a voice that was not a voice. "The Man of Truth has ridden to All-Is-One. The Man of Truth has learned that Illusion is the One Reality, and that Substance is the Great Impostor."

"The Man of Truth is beyond good and evil," echoed a voice that wasn’t really a voice. "The Man of Truth has traveled to All-Is-One. The Man of Truth has realized that Illusion is the One Reality, and that Substance is the Great Impostor."

And now, in that rise of masonry to which his eyes had been so irresistibly drawn, there appeared the outline of a titanic arch not unlike that which he thought he had glimpsed so long ago in that cave within a cave, on the far, unreal surface of the three-dimensioned Earth. He realized that he had been using the silver key—moving it in accord with an unlearned and instinctive ritual closely akin to that which had opened the Inner Gate. That rose-drunken sea which lapped his cheeks was, he realized, no more or less than the adamantine mass of the solid wall yielding before his spell, and the vortex of thought with which the Ancient Ones had aided his spell. Still guided by instinct and blind determination, he floated forward—and through the Ultimate Gate.

And now, in that rise of stonework that had drawn his eyes so irresistibly, he saw the shape of a massive arch that resembled one he thought he had seen long ago in a cave within a cave, on the distant, unreal surface of the three-dimensional Earth. He realized he had been using the silver key—moving it in accordance with an unlearned and instinctive ritual similar to the one that had opened the Inner Gate. The sea, thick with intoxication, that washed against his cheeks was, he understood, nothing more or less than the hard mass of the solid wall giving way to his spell, along with the force of thought that the Ancient Ones had provided to strengthen his spell. Still driven by instinct and a relentless determination, he moved forward—and through the Ultimate Gate.


CHAPTER 4

CHAPTER 4

Randolph Carter's advance through that cyclopean bulk of masonry was like a dizzy precipitation through the measureless gulfs between the stars. From a great distance he felt triumphant, god-like surges of deadly sweetness, and after that the rustling of great wings, and impressions of sound like the chirpings and murmurings of objects unknown on Earth or in the solar system. Glancing backward, he saw not one gate alone, but a multiplicity of gates, at some of which clamored Forms he strove not to remember.

Randolph Carter's journey through that massive structure felt like a dizzying fall through the endless voids between the stars. From far away, he felt triumphant, god-like waves of overwhelming sweetness, followed by the rustling of enormous wings and sounds that resembled the chirps and whispers of things not found on Earth or in our solar system. Looking back, he saw not just one gate, but many gates, some of which had figures that he tried desperately not to recall.

And then, suddenly, he felt a greater terror than that which any of the Forms could give—a terror from which he could not flee because it was connected with himself. Even the First Gateway had taken something of stability from him, leaving him uncertain about his bodily form and about his relationship to the mistily defined objects around him, but it had not disturbed his sense of unity. He had still been Randolph Carter, a fixed point in the dimensional seething. Now, beyond the Ultimate Gateway, he realized in a moment of consuming fright that he was not one person, but many persons.

And then, suddenly, he felt a greater fear than anything the Forms could create—a fear he couldn't escape because it was tied to himself. Even the First Gateway had taken away some of his stability, making him unsure about his physical form and his connection to the vaguely defined objects around him, but it hadn't shaken his sense of unity. He was still Randolph Carter, a solid point in the dimensional chaos. Now, beyond the Ultimate Gateway, he realized in a moment of overwhelming terror that he wasn't just one person; he was many people.

He was in many places at the same time. On Earth, on October 7, 1883, a little boy named Randolph Carter was leaving the Snake Den in the hushed evening light and running down the rocky slope, and through the twisted-boughed orchard toward his Uncle Christopher's house in the hills beyond Arkham; yet at that same moment, which was also somehow in the earthly year of 1928, a vague shadow not less Randolph Carter was sitting on a pedestal among the Ancient Ones in Earth's transdimensional extension. Here, too, was a third Randolph Carter, in the unknown and formless cosmic abyss beyond the Ultimate Gate. And elsewhere, in a chaos of scenes whose infinite multiplicity and monstrous diversity brought him close to the brink of madness, were a limitless confusion of beings which he knew were as much himself as the local manifestation now beyond the Ultimate Gate.

He was in many places at once. On Earth, on October 7, 1883, a little boy named Randolph Carter was leaving the Snake Den in the quiet evening light, running down the rocky slope and through the twisted orchard toward his Uncle Christopher's house in the hills beyond Arkham. At that same moment, which was also somehow in the earthly year of 1928, a vague shadow that was also Randolph Carter was sitting on a pedestal among the Ancient Ones in Earth's transdimensional extension. Here, there was a third Randolph Carter, in the unknown and formless cosmic void beyond the Ultimate Gate. And elsewhere, in a chaotic array of scenes with infinite complexity and monstrous variety that nearly drove him to madness, were countless beings he recognized as just as much a part of himself as the local version now beyond the Ultimate Gate.

There were Carters in settings belonging to every known and suspected age of Earth's history, and to remoter ages of earthly entity transcending knowledge, suspicion, and credibility; Carters of forms both human and non-human, vertebrate and invertebrate, conscious and mindless, animal and vegetable. And more, there were Carters having nothing in common with earthly life, but moving outrageously amidst backgrounds of other planets and systems and galaxies and cosmic continua; spores of eternal life drifting from world to world, universe to universe, yet all equally himself. Some of the glimpses recalled dreams—both faint and vivid, single and persistent—which he had had through the long years since he first began to dream; and a few possessed a haunting, fascinating and almost horrible familiarity which no earthly logic could explain.

There were Carters in every known and imagined era of Earth's history, even in distant times of existence that went beyond knowledge, belief, and credibility; Carters in forms both human and non-human, vertebrate and invertebrate, aware and unaware, animal and plant. Furthermore, there were Carters with nothing in common with earthly life, moving wildly amid backgrounds of other planets, systems, galaxies, and cosmic continuums; spores of eternal life drifting from one world to another, from one universe to the next, yet all were distinctly him. Some of the glimpses reminded him of dreams—both faint and vivid, fleeting and persistent—that he had experienced over the long years since he first started dreaming; a few even had a haunting, captivating, and almost dreadful familiarity that no earthly logic could explain.

Faced with this realization, Randolph Carter reeled in the clutch of supreme horror—horror such as had not been hinted even at the climax of that hideous night when two had ventured into an ancient and abhorred necropolis under a waning moon and only one had emerged. No death, no doom, no anguish can arouse the surpassing despair which flows from a loss of identity. Merging with nothingness is peaceful oblivion; but to be aware of existence and yet to know that one is no longer a definite being distinguished from other beings—that one no longer has a self—that is the nameless summit of agony and dread.

Faced with this realization, Randolph Carter was overwhelmed by an intense horror—horror that hadn’t even been suggested during the climax of that dreadful night when two had entered an ancient and dreaded necropolis under a fading moon, and only one had returned. No death, no doom, no suffering can evoke the profound despair that comes from a loss of identity. Merging with nothingness is a peaceful oblivion; but to be aware of existence and yet realize that one is no longer a distinct being separate from others—that one no longer has a self—that is the indescribable peak of agony and fear.

He knew that there had been a Randolph Carter of Boston, yet could not be sure whether he—the fragment or facet of an entity beyond the Ultimate Gate—had been that one or some other. His self had been annihilated; and yet he—if indeed there could, in view of that utter nullity of individual existence, be such a thing as he—was equally aware of being in some inconceivable way a legion of selves. It was as though his body had been suddenly transformed into one of those many-limbed and many-headed effigies sculptured in Indian temples, and he contemplated the aggregation in a bewildered attempt to discern which was the original and which the additions—if indeed (supremely monstrous thought!) there were any original as distinguished from other embodiments.

He knew there had been a Randolph Carter from Boston, but he couldn't tell if he—the fragment or aspect of something beyond the Ultimate Gate—was that person or someone else. His self had been obliterated; and yet he—if there could still be such a thing as he, given that complete void of individual existence—was also aware of being, in some unimaginable way, a multitude of selves. It was as if his body had suddenly changed into one of those many-limbed and many-headed figures carved in Indian temples, and he stared at the collection in a confused effort to figure out which was the original and which were the additions—if indeed (a deeply unsettling thought!) there was any original distinct from other forms.

Then, in the midst of these devastating reflections, Carter's beyond-the-gate fragment was hurled from what had seemed the nadir of horror to black, clutching pits of a horror still more profound. This time it was largely external—a force or personality which at once confronted and surrounded and pervaded him, and which in addition to its local presence, seemed also to be a part of himself, and likewise to be co-existent with all time and conterminous with all space. There was no visual image, yet the sense of entity and the awful concept of combined localism and identity and infinity lent a paralyzing terror beyond anything which any Carter-fragment had hitherto deemed capable of existing.

Then, in the middle of these devastating thoughts, Carter's fragment from beyond the gate was thrown from what had seemed like the lowest point of horror into dark, gripping pits of an even deeper horror. This time it was mostly external—a force or presence that simultaneously confronted, surrounded, and filled him, and which, in addition to being present locally, seemed to be part of him as well, existing alongside all time and encompassing all space. There was no visual image, yet the feeling of existence and the terrifying idea of a mix of local presence, identity, and infinity created a paralyzing fear beyond anything any fragment of Carter had ever believed could exist.

In the face of that awful wonder, the quasi-Carter forgot the horror of destroyed individuality. It was an All-in-One and One-in-All of limitless being and self—not merely a thing of one space-time continuum, but allied to the ultimate animating essence of existence's whole unbounded sweep—the last, utter sweep which has no confines and which outreaches fancy and mathematics alike. It was perhaps that which certain secret cults of Earth had whispered of as Yog-Sothoth, and which has been a deity under other names; that which the crustaceans of Yuggoth worship as the Beyond-One, and which the vaporous brains of the spiral nebulæ know by an untranslatable sign—yet in a flash the Carter-facet realized how slight and fractional all these conceptions are.

In the face of that terrifying wonder, the quasi-Carter forgot the horror of lost individuality. It was an All-in-One and One-in-All of endless existence and self—not just a thing in one space-time continuum, but connected to the ultimate animating essence of all existence—the final, absolute sweep that knows no limits and surpasses imagination and mathematics alike. It was perhaps that which certain secret cults on Earth have whispered about as Yog-Sothoth, which has been a god under different names; that which the creatures of Yuggoth worship as the Beyond-One, and that which the misty brains of the spiral nebulae recognize by an untranslatable sign—yet in an instant, the Carter-facet realized how small and limited all these ideas are.

And now the Being was addressing the Carter-facet in prodigious waves that smote and burned and thundered—a concentration of energy that blasted its recipient with well-nigh unendurable violence, and that paralleled in an unearthly rhythm the curious swaying of the Ancient Ones, and the flickering of the monstrous lights, in that baffling region beyond the First Gate. It was as though suns and worlds and universes had converged upon one point whose very position in space they had conspired to annihilate with an impact of resistless fury. But amidst the greater terror one lesser terror was diminished; for the searing waves appeared somehow to isolate the Beyond-the-Gate Carter from his infinity of duplicates—to restore, as it were, a certain amount of the illusion of identity. After a time the hearer began to translate the waves into speech-forms known to him, and his sense of horror and oppression waned. Fright became pure awe, and what had seemed blasphemously abnormal seemed now only ineffably majestic.

And now the Being was addressing the Carter-facet in massive waves that hit hard, burned, and thundered—a concentration of energy that overwhelmed its recipient with almost unbearable force, paralleling in a strange rhythm the curious swaying of the Ancient Ones and the flickering of the monstrous lights in that confusing area beyond the First Gate. It was as if suns, worlds, and universes had all converged on one point whose exact position in space they had conspired to obliterate with an unstoppable impact. But amidst the greater terror, one smaller fear lessened; for the searing waves somehow seemed to isolate the Beyond-the-Gate Carter from his countless duplicates—to restore, in a way, a certain sense of identity. After a while, the listener started to interpret the waves into familiar speech, and his feelings of horror and oppression faded. Fear transformed into pure awe, and what had once seemed blasphemously abnormal now appeared merely ineffably majestic.

"Randolph Carter," it seemed to say, "my manifestations on your planet's extension, the Ancient Ones, have sent you as one who would lately have returned to small lands of dream which he had lost, yet who with greater freedom has risen to greater and nobler desires and curiosities. You wished to sail up golden Oukranos, to search out forgotten ivory cities in orchid-heavy Kled, and to reign on the opal throne of Ilek-Vad, whose fabulous towers and numberless domes rise mighty toward a single red star in a filament alien to your Earth and to all matter. Now, with the passing of two Gates, you wish loftier things. You would not flee like a child from a scene disliked to a dream beloved, but would plunge like a man into that last and inmost of secrets which lies behind all scenes and dreams.

"Randolph Carter," it seemed to say, "my manifestations on your planet, the Ancient Ones, have sent you as someone who would have recently returned to the small lands of dreams that he had lost, yet with greater freedom has risen to greater and nobler desires and curiosities. You wanted to sail up the golden Oukranos, to find forgotten ivory cities in orchid-laden Kled, and to rule on the opal throne of Ilek-Vad, whose incredible towers and countless domes soar majestically toward a single red star in a realm foreign to your Earth and to all matter. Now, after passing through two Gates, you desire higher things. You do not wish to run away like a child from an unpleasant scene to a cherished dream, but instead would dive like a man into that ultimate and deepest of secrets that lies behind all scenes and dreams."

"What you wish, I have found good; and I am ready to grant that which I have granted eleven times only to beings of your planet—five times only to those you call men, or those resembling them. I am ready to show you the Ultimate Mystery, to look on which is to blast a feeble spirit. Yet before you gaze full at that last and first of secrets you may still wield a free choice, and return if you will through the two Gates with the Veil still unrent before your eyes."

"What you desire, I've deemed fitting; and I'm prepared to grant what I've only given eleven times to beings from your world—five times to those you refer to as men or those similar to them. I'm ready to reveal the Ultimate Mystery, which, once seen, can overwhelm a fragile spirit. But before you fully gaze upon that final and first secret, you still have the freedom to choose and can return through the two Gates with the Veil still intact before your eyes."


CHAPTER 5

CHAPTER 5

A sudden shutting-off of the waves left Carter in a chilling and awesome silence full of the spirit of desolation. On every hand pressed the illimitable vastness of the void; yet the seeker knew that the Being was still there. After a moment he thought of words whose mental substance he flung into the abyss: "I accept. I will not retreat."

A sudden stop in the waves left Carter in a chilling and awe-inspiring silence filled with a sense of emptiness. All around him was the endless vastness of the void; yet the seeker knew that the Being was still present. After a moment, he thought of words whose mental essence he cast into the abyss: "I accept. I will not back down."

The waves surged forth again, and Carter knew that the Being had heard. And now there poured from that limitless Mind a flood of knowledge and explanation which opened new vistas to the seeker, and prepared him for such a grasp of the cosmos as he had never hoped to possess. He was told how childish and limited is the notion of a tri-dimensional world, and what an infinity of directions there are besides the known directions of up-down, forward-backward, right-left. He was shown the smallness and tinsel emptiness of the little Earth gods, with their petty, human interests and connections—their hatreds, rages, loves and vanities; their craving for praise and sacrifice, and their demands for faiths contrary to reason and nature.

The waves surged again, and Carter realized that the Being had listened. From that limitless Mind poured a flood of knowledge and explanations that opened new possibilities for the seeker, preparing him for an understanding of the cosmos that he had never dreamed he could achieve. He learned how naive and limited the idea of a three-dimensional world is, and about the infinite directions that exist beyond just up-down, forward-backward, and right-left. He saw the smallness and superficial emptiness of the little Earth gods, with their trivial, human concerns and connections—their hates, angers, loves, and vanities; their need for praise and sacrifice, and their demands for beliefs that go against reason and nature.

While most of the impressions translated themselves to Carter as words, there were others to which other senses gave interpretation. Perhaps with eyes and perhaps with imagination he perceived that he was in a region of dimensions beyond those conceivable to the eye and brain of man. He saw now, in the brooding shadows of that which had been first a vortex of power and then an illimitable void, a sweep of creation that dizzied his senses. From some inconceivable vantage-point he looked upon prodigious forms whose multiple extensions transcended any conception of being, size and boundaries which his mind had hitherto been able to hold, despite a lifetime of cryptical study. He began to understand dimly why there could exist at the same time the little boy Randolph Carter in the Arkham farmhouse in 1883, the misty form on the vaguely hexagonal pillar beyond the First Gate, the fragment now facing the Presence in the limitless abyss, and all the other Carters his fancy or perception envisaged.

While most of the impressions came to Carter as words, some were interpreted by other senses. Maybe with his eyes or maybe through his imagination, he realized he was in a realm with dimensions beyond what the human eye and brain could comprehend. He now saw, in the deep shadows of what had once been a vortex of power and then an endless void, a span of creation that overwhelmed his senses. From some unimaginable viewpoint, he gazed at enormous forms whose many extensions exceeded any understanding of existence, size, and limits that his mind had ever grasped, despite a lifetime of studying complex subjects. He started to vaguely grasp why the little boy Randolph Carter could simultaneously exist in the Arkham farmhouse in 1883, the hazy figure on the vaguely hexagonal pillar beyond the First Gate, the fragment now confronting the Presence in the infinite abyss, and all the other Carters that his imagination or perception conjured up.

Then the waves increased in strength and sought to improve his understanding, reconciling him to the multiform entity of which his present fragment was an infinitesimal part. They told him that every figure of space is but the result of the intersection by a plane of some corresponding figure of one more dimension—as a square is cut from a cube, or a circle from a sphere. The cube and sphere, of three dimensions, are thus cut from corresponding forms of four dimensions, which men know only through guesses and dreams; and these in turn are cut from forms of five dimensions, and so on up to the dizzy and reachless heights of archetypal infinity. The world of men and of the gods of men is merely an infinitesimal phase of an infinitesimal thing—the three-dimensional phase of that small wholeness reached by the First Gate, where Umr at-Tawil dictates dreams to the Ancient Ones. Though men hail it as reality, and brand thoughts of its many-dimensioned original as unreality, it is in truth the very opposite. That which we call substance and reality is shadow and illusion, and that which we call shadow and illusion is substance and reality.

Then the waves grew stronger and aimed to enhance his understanding, helping him come to terms with the complex entity of which his current fragment was a tiny part. They explained that every shape in space is just the result of a plane intersecting with a corresponding shape of one higher dimension—like a square sliced from a cube or a circle from a sphere. The cube and sphere, which have three dimensions, are thus derived from corresponding forms of four dimensions, which people only know through speculation and dreams; and these, in turn, come from forms of five dimensions, and so on, reaching up to the dizzying, unreachable heights of archetypal infinity. The world of humans and their gods is just a minuscule phase of an infinitesimal thing—the three-dimensional phase of that small wholeness accessed through the First Gate, where Umr at-Tawil shares dreams with the Ancient Ones. While people regard it as reality and dismiss thoughts of its many-dimensional original as unreal, it is actually the complete opposite. What we call substance and reality is merely shadow and illusion, and what we call shadow and illusion is true substance and reality.

Time, the waves went on, is motionless, and without beginning or end. That it has motion and is the cause of change is an illusion. Indeed, it is itself really an illusion, for except to the narrow sight of beings in limited dimensions there are no such things as past, present and future. Men think of time only because of what they call change, yet that too is illusion. All that was, and is, and is to be, exists simultaneously.

Time, the waves continued, is actually motionless and has no beginning or end. The idea that it’s moving and causes change is an illusion. In reality, time itself is an illusion because, aside from the limited perspective of beings in constrained dimensions, there are no real concepts of past, present, and future. People think about time only because of what they refer to as change, but that too is an illusion. Everything that was, is, and will be exists at the same time.

These revelations came with a god-like solemnity which left Carter unable to doubt. Even though they lay almost beyond his comprehension, he felt that they must be true in the light of that final cosmic reality which belies all local perspectives and narrow partial views; and he was familiar enough with profound speculations to be free from the bondage of local and partial conceptions. Had his whole quest not been based upon a faith in the unreality of the local and partial?

These revelations came with an almost divine seriousness that left Carter unable to question them. Even though they were nearly beyond his understanding, he sensed they had to be true considering that ultimate cosmic reality that challenges all limited viewpoints and narrow perspectives; and he was knowledgeable enough about deep speculations to break free from the constraints of local and limited ideas. Hadn't his entire journey been founded on a belief in the unreality of the local and limited?

After an impressive pause the waves continued, saying that what the denizens of few-dimensioned zones call change is merely a function of their consciousness, which views the external world from various cosmic angles. As the Shapes produced by the cutting of a cone seem to vary with the angles of cutting—being circle, ellipse, parabola or hyperbola according to that angle, yet without any change in the cone itself—so do the local aspects of an unchanged and endless reality seem to change with the cosmic angle of regarding. To this variety of angles of consciousness the feeble beings of the inner worlds are slaves, since with rare exceptions they can not learn to control them. Only a few students of forbidden things have gained inklings of this control, and have thereby conquered time and change. But the entities outside the Gates command all angles, and view the myriad parts of the cosmos in terms of fragmentary change-involving perspective, or of the changeless totality beyond perspective, in accordance with their will.

After a significant pause, the waves resumed, stating that what the inhabitants of lower-dimensional realms refer to as change is simply a function of their consciousness, which perceives the external world from different cosmic viewpoints. Just as the shapes created by cutting a cone appear to differ based on the cutting angle—being a circle, ellipse, parabola, or hyperbola depending on that angle, while the cone itself remains unchanged—so too do the local aspects of an unchanging and infinite reality seem to shift with the cosmic perspective from which they are viewed. The weak beings of the inner worlds are at the mercy of these varying angles of consciousness, as with few exceptions, they cannot learn to control them. Only a handful of those who study forbidden knowledge have gained insights into this control, thus overcoming time and change. However, the entities beyond the Gates command all perspectives and view the countless parts of the cosmos either as fragmentary perspectives of change or as the unchanging totality that lies beyond perspective, according to their will.

As the waves paused again, Carter began to comprehend, vaguely and terrifiedly, the ultimate background of that riddle of lost individuality which had at first so horrified him. His intuition pieced together the fragments of revelation, and brought him closer and closer to a grasp of the secret. He understood that much of the frightful revelation would have come upon him—splitting up his ego amongst myriads of earthly counterparts—inside the First Gate, had not the magic of 'Umr at-Tawil kept it from him in order that he might use the silver key with precision for the Ultimate Gate's opening. Anxious for clearer knowledge, he sent out waves of thought, asking more of the exact relationship between his various facets—the fragment now beyond the Ultimate Gate, the fragment still on the quasi-hexagonal pedestal beyond the First Gate, the boy of 1883, the man of 1928, the various ancestral beings who had formed his heritage and the bulwark of his ego, and the nameless denizens of the other eons and other worlds which that first hideous flash of ultimate perception had identified with him. Slowly the waves of the Being surged out in reply, trying to make plain what was almost beyond the reach of an earthly mind.

As the waves paused again, Carter started to vaguely and fearfully understand the deeper meaning of that puzzle about lost individuality that had initially horrified him. His intuition began piecing together the fragments of insight, bringing him closer to grasping the secret. He realized that a lot of the terrifying revelation would have hit him—splitting his sense of self among countless earthly counterparts—inside the First Gate, if not for the magic of 'Umr at-Tawil holding it back so he could accurately use the silver key to open the Ultimate Gate. Eager for clearer understanding, he sent out waves of thought, seeking to learn more about the exact relationship between his various facets—the piece now beyond the Ultimate Gate, the piece still on the quasi-hexagonal pedestal beyond the First Gate, the boy from 1883, the man from 1928, the different ancestral beings that made up his heritage and the foundation of his ego, and the nameless inhabitants of other epochs and worlds that the first shocking insight had linked to him. Gradually, the waves of his being responded, attempting to clarify what was nearly beyond the grasp of a human mind.

All descended lines of beings of the finite dimensions, continued the waves, and all stages of growth in each one of these beings, are merely manifestations of one archetypal and eternal being in the space outside dimensions. Each local being—son, father, grandfather, and so on—and each stage of individual being—infant, child, boy, man—is merely one of the infinite phases of that same archetypal and eternal being, caused by a variation in the angle of the consciousness-plane which cuts it. Randolph Carter at all ages; Randolph Carter and all his ancestors, both human and pre-human, terrestrial and pre-terrestrial; all these were only phases of one ultimate, eternal "Carter" outside space and time—phantom projections differentiated only by the angle at which the plane of consciousness happened to cut the eternal archetype in each case.

All the descendants of beings in finite dimensions, along with all the stages of growth in each of these beings, are just expressions of one archetypal and eternal being beyond dimensions. Each individual being—son, father, grandfather, and so forth—and every stage of personal development—infant, child, boy, man—is simply one of the infinite phases of that same archetypal and eternal being, caused by a shift in the angle of the consciousness-plane that intersects it. Randolph Carter at every age; Randolph Carter and all his ancestors, both human and pre-human, earthly and pre-earthly; all these were just phases of one ultimate, eternal "Carter" outside of space and time—phantom projections distinguished only by the angle at which the consciousness plane intersected the eternal archetype in each instance.

A slight change of angle could turn the student of today into the child of yesterday; could turn Randolph Carter into that wizard, Edmund Carter who fled from Salem to the hills behind Arkham in 1692, or that Pickman Carter who in the year 2169 would use strange means in repelling the Mongol hordes from Australia; could turn a human Carter into one of those earlier entities which had dwelt in primal Hyperborea and worshipped black, plastic Tsathoggua after flying down from Kythamil, the double planet that once revolved around Arcturus; could turn a terrestrial Carter to a remotely ancestral and doubtfully shaped dweller on Kythamil itself, or a still remoter creature of trans-galactic Stronti, or a four-dimensioned gaseous consciousness in an older space-time continuum, or a vegetable brain of the future on a dark, radio-active comet of inconceivable orbit—and so on, in endless cosmic cycle.

A slight change in perspective could transform today's student into yesterday's child; it could turn Randolph Carter into that wizard, Edmund Carter, who escaped from Salem to the hills behind Arkham in 1692, or that Pickman Carter who, in 2169, would use unusual methods to fend off the Mongol hordes from Australia; it could turn a regular human Carter into one of those ancient beings that lived in primordial Hyperborea and worshipped the dark, plastic Tsathoggua after descending from Kythamil, the double planet that once orbited around Arcturus; it could turn an earthly Carter into a distant ancestor and oddly shaped inhabitant of Kythamil itself, or an even more ancient creature from trans-galactic Stronti, or a four-dimensional gaseous consciousness in an earlier space-time continuum, or a plant-like brain of the future on a dark, radioactive comet with an unimaginable orbit—and so on, in an endless cosmic cycle.

The archetypes, throbbed the waves, are the people of the Ultimate Abyss—formless, ineffable, and guessed at only by rare dreamers on the low-dimensioned worlds. Chief among such was this informing Being itself ... which indeed was Carter's own archetype. The glutless zeal of Carter and all his forebears for forbidden cosmic secrets was a natural result of derivation from the Supreme Archetype. On every world all great wizards, all great thinkers, all great artists, are facets of It.

The archetypes, pulsating through the waves, are the inhabitants of the Ultimate Abyss—formless, indescribable, and only imagined by a select few dreamers in the lower-dimensional worlds. Chief among them was this informing Being itself ... which was indeed Carter's own archetype. The insatiable passion of Carter and all his ancestors for forbidden cosmic knowledge stemmed naturally from their connection to the Supreme Archetype. On every world, all great wizards, all great thinkers, all great artists, are reflections of It.


Almost stunned with awe, and with a kind of terrifying delight, Randolph Carter's consciousness did homage to that transcendent Entity from which it was derived. As the waves paused again he pondered in the mighty silence, thinking of strange tributes, stranger questions, and still stranger requests. Curious concepts flowed conflictingly through a brain dazed with unaccustomed vistas and unforeseen disclosures. It occurred to him that, if these disclosures were literally true, he might bodily visit all those infinitely distant ages and parts of the universe which he had hitherto known only in dreams, could he but command the magic to change the angle of his consciousness-plane. And did not the silver key supply that magic? Had it not first changed him from a man in 1928 to a boy in 1883, and then to something quite outside time? Oddly, despite his present apparent absence of body, he knew that the key was still with him.

Almost stunned with awe, and with a kind of thrilling delight, Randolph Carter's awareness paid tribute to that transcendent Entity from which it originated. As the waves paused again, he reflected in the profound silence, considering strange tributes, odder questions, and even odder requests. Curious ideas flowed conflictingly through a mind bewildered by unfamiliar views and unexpected revelations. It struck him that, if these revelations were literally true, he might physically visit all those incredibly distant ages and parts of the universe that he had previously experienced only in dreams, if he could just command the magic to shift the angle of his consciousness. And didn't the silver key provide that magic? Had it not first transformed him from a man in 1928 to a boy in 1883, and then to something entirely outside of time? Oddly, despite his current seeming lack of a body, he knew that the key was still with him.

While the silence still lasted, Randolph Carter radiated forth the thoughts and questions which assailed him. He knew that in this ultimate abyss he was equidistant from every facet of his archetype—human or non-human, terrestrial or extra-terrestrial, galactic or trans-galactic; and his curiosity regarding the other phases of his being—especially those phases which were farthest from an earthly 1928 in time and space, or which had most persistently haunted his dreams throughout life—was at fever heat. He felt that his archetypal Entity could at will send him bodily to any of these phases of bygone and distant life by changing his consciousness-plane, and despite the marvels he had undergone he burned for the further marvel of walking in the flesh through those grotesque and incredible scenes which visions of the night had fragmentarily brought him.

While the silence lasted, Randolph Carter let out the thoughts and questions that troubled him. He knew that in this final abyss, he was equally distant from every aspect of his archetype—human or non-human, earthly or extraterrestrial, galactic or trans-galactic; and his curiosity about the other phases of his existence—especially those that were the farthest from an earthly 1928 in time and space, or those that had haunted his dreams throughout his life—was at a fever pitch. He felt that his archetypal Entity could, if it chose, transport him physically to any of these past and distant lives by shifting his state of consciousness, and despite the wonders he had experienced, he yearned for the further wonder of walking in reality through those bizarre and incredible scenes that nighttime visions had partially revealed to him.

Without definite intention he was asking the Presence for access to a dim, fantastic world whose five multicolored suns, alien constellations, dizzily black crags, clawed, tapir-snouted denizens, bizarre metal towers, unexplained tunnels, and cryptical floating cylinders had intruded again and again upon his slumbers. That world, he felt vaguely, was in all the conceivable cosmos the one most freely in touch with others; and he longed to explore the vistas whose beginnings he had glimpsed, and to embark through space to those still remoter worlds with which the clawed, snouted denizens trafficked. There was no time for fear. As at all crises of his strange life, sheer cosmic curiosity triumphed over everything else.

Without a clear purpose, he was asking for access to a dim, fantastic world filled with five colorful suns, strange constellations, dizzying black cliffs, clawed, tapir-faced creatures, bizarre metal towers, mysterious tunnels, and enigmatic floating cylinders that kept invading his dreams. He had a vague sense that this world was the most connected to others in all the universe; he yearned to explore the horizons he had caught glimpses of and journey through space to the even more distant worlds where the clawed, snouted creatures traded. There was no time for fear. As in every critical moment of his unusual life, pure cosmic curiosity overshadowed everything else.

When the waves resumed their awesome pulsing, Carter knew that his terrible request was granted. The Being was telling him of the nighted gulfs through which he would have to pass, of the unknown quintuple star in an unsuspected galaxy around which the alien world revolved, and of the burrowing inner horrors against which the clawed, snouted race of that world perpetually fought. It told him, too, of how the angle of his personal consciousness-plane, and the angle of his consciousness-plane regarding the space-time elements of the sought-for world, would have to be tilted simultaneously in order to restore to that world the Carter-facet which had dwelt there.

When the waves started their powerful pulsing again, Carter realized that his terrible request had been granted. The Being was informing him about the dark depths he would need to travel through, the unknown five-star system in an unexpected galaxy that the alien world revolved around, and the hidden horrors that the clawed, snouted creatures of that world constantly battled against. It also explained how the angle of his personal consciousness and the angle of his consciousness concerning the space-time elements of the world he was searching for would have to be adjusted at the same time to bring back the Carter aspect that had existed there.

The Presence warned him to be sure of his symbols if he wished ever to return from the remote and alien world he had chosen, and he radiated back an impatient affirmation; confident that the silver key, which he felt was with him and which he knew had tilted both world and personal planes in throwing him back to 1883, contained those symbols which were meant. And now the Being, grasping his impatience, signified its readiness to accomplish the monstrous precipitation. The waves abruptly ceased, and there supervened a momentary stillness tense with nameless and dreadful expectancy.

The Presence warned him to be sure of his symbols if he wanted to return from the distant and strange world he had chosen, and he sent back an impatient yes; confident that the silver key, which he felt was with him and which he knew had shifted both the world and his personal reality to throw him back to 1883, held the symbols that were intended. And now the Being, sensing his impatience, showed its readiness to carry out the overwhelming act. The waves suddenly stopped, and a momentary stillness settled in, thick with an unnameable and terrifying anticipation.

Then, without warning, came a whirring and drumming that swelled to a terrific thundering. Once again Carter felt himself the focal point of an intense concentration of energy which smote and hammered and seared unbearably in the now-familiar rhythm of outer space, and which he could not classify as either the blasting heat of a blazing star, or the all-petrifying cold of the ultimate abyss. Bands and rays of color utterly foreign to any spectrum of our universe played and wove and interlaced before him, and he was conscious of a frightful velocity of motion. He caught one fleeting glimpse of a figure sitting alone upon a cloudy throne more hexagonal than otherwise....

Then, without warning, a whirring and drumming sound erupted, building into a thunderous roar. Once again, Carter felt himself at the center of an intense surge of energy that struck and pounded and burned unbearably in the now-familiar rhythm of outer space. He couldn't label it as either the scorching heat of a blazing star or the bone-chilling cold of the ultimate abyss. Bands and beams of colors completely alien to any spectrum in our universe played, wove, and intertwined before him, and he felt an incredible speed of motion. He caught a fleeting glimpse of a figure sitting alone on a throne made of clouds, which was more hexagonal than anything else...


CHAPTER 6

CHAPTER 6

As the Hindoo paused in his story he saw that de Marigny and Phillips were watching him absorbedly. Aspinwall pretended to ignore the narrative and kept his eyes ostentatiously on the papers before him. The alien-rhythmed ticking of the coffin-shaped clock took on a new and portentous meaning, while the fumes from the choked, neglected tripods wove themselves into fantastic and inexplicable shapes, and formed disturbing combinations with the grotesque figures of the draft-swayed tapestries. The old negro who had tended them was gone—perhaps some growing tension had frightened him out of the house. An almost apologetic hesitancy hampered the speaker as he resumed in his oddly labored yet idiomatic voice.

As the Hindu paused in his story, he noticed that de Marigny and Phillips were watching him intently. Aspinwall pretended to ignore the narrative and kept his eyes purposely on the papers in front of him. The strange ticking of the coffin-shaped clock took on a new and ominous meaning, while the smoke from the choked, neglected tripods twisted into bizarre and unexplainable shapes, creating unsettling combinations with the bizarre figures of the draft-swayed tapestries. The old African American man who had taken care of them was gone—maybe some rising tension had scared him out of the house. A somewhat apologetic hesitation slowed the speaker as he continued in his oddly difficult yet familiar voice.

"You have found these things of the abyss hard to believe," he said, "but you will find the tangible and material things ahead still harder. That is the way of our minds. Marvels are doubly incredible when brought into three dimensions from the vague regions of possible dream. I shall not try to tell you much—that would be another and very different story. I will tell only what you absolutely have to know."

"You might find these things from the abyss hard to believe," he said, "but you'll find the real and material things ahead even harder to accept. That’s just how our minds work. Wonders are even more unbelievable when they materialize from the fuzzy realms of dreams. I won't try to tell you too much—that would be a completely different story. I’ll share only what you really need to know."

Carter, after that final vortex of alien and polychromatic rhythm, had found himself in what for a moment he thought was his old insistent dream. He was, as many a night before, walking amidst throngs of clawed, snouted beings through the streets of a labyrinth of inexplicably fashioned metal under a blaze of diverse solar color; and as he looked down he saw that his body was like those of the others—rugose, partly squamous, and curiously articulated in a fashion mainly insect-like yet not without a caricaturish resemblance to the human outline. The silver key was still in his grasp, though held by a noxious-looking claw.

Carter, after that final whirlwind of alien and colorful rhythms, found himself in what he momentarily thought was his old recurring dream. He was, like many nights before, walking among crowds of clawed, snouted creatures through the streets of a maze of strangely shaped metal under a burst of various solar colors; and as he looked down, he saw that his body was similar to those of the others—rough, partly scaly, and oddly jointed in a way that was mostly insect-like yet still had a cartoonish resemblance to the human form. The silver key was still in his hand, though held by a nasty-looking claw.

In another moment the dream-sense vanished, and he felt rather as one just awakened from a dream. The ultimate abyss—the Being—the entity of absurd, outlandish race called Randolph Carter on a world of the future not yet born—some of these things were parts of the persistent recurrent dreams of the wizard Zkauba on the planet Yaddith. They were too persistent—they interfered with his duties in weaving spells to keep the frightful Dholes in their burrows, and became mixed up with his recollections of the myriad real worlds he had visited in light-beam envelopes. And now they had become quasi-real as never before. This heavy, material silver key in his right upper claw, exact image of one he had dreamt about, meant no good. He must rest and reflect, and consult the tablets of Nhing for advice on what to do. Climbing a metal wall in a lane off the main concourse, he entered his apartment and approached the rack of tablets.

In a moment, the dream-like feeling faded away, and he felt like someone just waking up from a dream. The ultimate void—the Being—the strange entity named Randolph Carter from a future world that had yet to come into existence—some of these elements were parts of the ongoing dreams of the wizard Zkauba on the planet Yaddith. They were too persistent—they disrupted his responsibilities in casting spells to keep the terrifying Dholes in their burrows, and became tangled with his memories of the countless real worlds he had visited in light-beam envelopes. Now, they had become more real than ever. The heavy, physical silver key in his right upper claw, a perfect match for one he had dreamt about, boded ill. He needed to rest, think, and consult the tablets of Nhing for guidance on what to do. Climbing a metal wall in a side lane off the main concourse, he entered his apartment and approached the rack of tablets.

Seven day-fractions later Zkauba squatted on his prism in awe and half despair, for the truth had opened up a new and conflicting set of memories. Nevermore could he know the peace of being one entity. For all time and space he was two: Zkauba the wizard of Yaddith, disgusted with the thought of the repellent earth-mammal Carter that he was to be and had been, and Randolph Carter, of Boston on the Earth, shivering with fright at the clawed, snouted thing which he had once been, and had become again.

Seven days later, Zkauba sat on his prism, feeling a mix of awe and despair, as the truth had revealed a new and conflicting set of memories. He would never again know the peace of being a single entity. For all time and space, he was divided: Zkauba, the wizard of Yaddith, repulsed by the thought of the disgusting earth-mammal Carter he was destined to be and had once been; and Randolph Carter, from Boston on Earth, trembling in fear at the clawed, snouted creature he had once been and had become again.

The time units spent on Yaddith, croaked the Swami—whose labored voice was beginning to show signs of fatigue—made a tale in themselves which could not be related in brief compass. There were trips to Stronti and Mthura and Kath, and other worlds in the twenty-eight galaxies accessible to the light-beam envelopes of the creatures of Yaddith, and trips back and forth through eons of time with the aid of the silver key and various other symbols known to Yaddith's wizards. There were hideous struggles with the bleached viscous Dholes in the primal tunnels that honeycombed the planet. There were awed sessions in libraries amongst the massed lore of ten thousand worlds living and dead. There were tense conferences with other minds of Yaddith, including that of the Arch-Ancient Buo. Zkauba told no one of what had befallen his personality, but when the Randolph Carter facet was uppermost he would study furiously every possible means of returning to the Earth and to human form, and would desperately practise human speech with the alien throat-organs so ill adapted to it.

The time he spent on Yaddith, croaked the Swami—whose tired voice was starting to show signs of strain—was a story in itself that couldn't be told briefly. There were trips to Stronti, Mthura, Kath, and other worlds across the twenty-eight galaxies reachable by the light-beam vessels of the beings from Yaddith, along with journeys back and forth through eons of time with the help of the silver key and various other symbols known to Yaddith's wizards. There were horrifying battles with the pale, slimy Dholes in the ancient tunnels that crisscrossed the planet. There were awe-inspiring sessions in libraries surrounded by the collected knowledge of ten thousand worlds, both living and dead. There were intense meetings with other minds of Yaddith, including that of the Arch-Ancient Buo. Zkauba didn't tell anyone what had happened to his personality, but when the Randolph Carter side was in control, he would study obsessively every possible way to return to Earth and regain human form, and would desperately practice human speech with the alien vocal organs that were so poorly suited for it.

The Carter-facet had soon learned with horror that the silver key was unable to effect his return to human form. It was, as he deduced too late from things he remembered, things he dreamed, and things he inferred from the lore of Yaddith, a product of Hyperborea on Earth; with power over the personal consciousness-angles of human beings alone. It could, however, change the planetary angle and send the user at will through time in an unchanged body. There had been an added spell which gave it limitless powers it otherwise lacked; but this, too, was a human discovery—peculiar to a spatially unreachable region, and not to be duplicated by the wizards of Yaddith. It had been written on the undecipherable parchment in the hideously carven box with the silver key, and Carter bitterly lamented that he had left it behind. The now inaccessible Being of the abyss had warmed him to be sure of his symbols, and had doubtless thought he lacked nothing.

The Carter aspect had soon realized with dread that the silver key couldn't bring him back to human form. He figured this out too late from memories, dreams, and knowledge he gleaned from Yaddith's legends—it was a creation of Hyperborea on Earth; it only had control over the personal consciousness of humans. However, it could change the planetary alignment and send the user through time in an unchanged body at will. There was an extra spell that gave it powers beyond its usual limits; but this, too, was a human discovery—specific to a place that couldn't be reached, and the wizards of Yaddith couldn't replicate it. It had been written on the unreadable parchment inside the grotesquely carved box with the silver key, and Carter bitterly regretted leaving it behind. The now unreachable Being of the abyss had advised him to be careful with his symbols, and had probably thought he didn't need anything else.

As time wore on he strove harder and harder to utilize the monstrous lore of Yaddith in finding a way back to the abyss and the omnipotent Entity. With his new knowledge he could have done much toward reading the cryptic parchment; but that power, under present conditions, was merely ironic. There were times, however, when the Zkauba-facet was uppermost, and when he strove to erase the conflicting Carter-memories which troubled him.

As time passed, he worked increasingly harder to use the vast knowledge of Yaddith to find a way back to the abyss and the all-powerful Entity. With his newfound understanding, he could have made significant progress in deciphering the mysterious parchment; but that ability, given the current circumstances, was just a cruel joke. However, there were moments when the Zkauba-side took over, and he tried to wipe out the conflicting Carter-memories that troubled him.


Thus long spaces of time wore on—ages longer than the brain of man could grasp, since the beings of Yaddith die only after prolonged cycles. After many hundreds of revolutions the Carter-facet seemed to gain on the Zkauba-facet, and would spend vast periods calculating the distance of Yaddith in space and time from the human Earth that was to be. The figures were staggering—eons of light-years beyond counting—but the immemorial lore of Yaddith fitted Carter to grasp such things. He cultivated the power of dreaming himself momentarily Earthward, and learned many things about our planet that he had never known before. But he could not dream the needed formula on the missing parchment.

So, long stretches of time passed—ages longer than any human mind could comprehend, since the beings of Yaddith die only after extended cycles. After many hundreds of revolutions, the Carter facet seemed to catch up with the Zkauba facet and spent enormous amounts of time calculating the distance of Yaddith in space and time from the future Earth. The numbers were mind-blowing—eons of light-years beyond counting—but the ancient knowledge of Yaddith helped Carter understand such concepts. He trained himself to dream momentarily back to Earth and learned many things about our planet that he had never known before. But he couldn’t dream the formula he needed for the missing parchment.

Then at last he conceived a wild plan of escape from Yaddith—which began when he found a drug that would keep his Zkauba-facet always dormant, yet without dissolution of the knowledge and memories of Zkauba. He thought that his calculations would let him perform a voyage with a light-wave envelope such as no being of Yaddith had ever performed—a bodily voyage through nameless eons and across incredible galactic reaches to the solar system and the Earth itself. Once on Earth, though in the body of a clawed, snouted thing, he might be able somehow to find—and finish deciphering—the strangely hieroglyphed parchment he had left in the car at Arkham; and with its aid—and the key's—resume his normal terrestrial semblance.

Then finally he came up with a bold escape plan from Yaddith, which started when he discovered a drug that could keep his Zkauba side always inactive while still retaining the knowledge and memories of Zkauba. He believed his calculations would allow him to make a journey with a light-wave envelope like no one from Yaddith had ever done before—a physical journey through endless time and across astonishing galactic distances to the solar system and Earth itself. Once on Earth, even in the body of a clawed, snouted creature, he might somehow find—and finish deciphering—the strangely hieroglyphic parchment he had left in the car in Arkham; and with its help—and the key—he could regain his normal human form.

He was not blind to the perils of the attempt. He knew that when he had brought the planet-angle to the right eon (a thing impossible to do while hurtling through space), Yaddith would be a dead world dominated by triumphant Dholes, and that his escape in the light-wave envelope would be a matter of grave doubt. Likewise was he aware of how he must achieve suspended animation, in the manner of an adept, to endure the eon-long flight through fathomless abysses. He knew, too, that—assuming his voyage succeeded—he must immunize himself to the bacterial and other earthly conditions hostile to a body from Yaddith. Furthermore, he must provide a way of feigning human shape on Earth until he might recover and decipher the parchment and resume that shape in truth. Otherwise he would probably be discovered and destroyed by the people in horror as a thing that should not be. And there must be some gold—luckily obtainable on Yaddith—to tide him over that period of quest.

He was well aware of the risks involved in the endeavor. He understood that when he finally aligned the planet-angle with the right time period (something impossible to do while flying through space), Yaddith would be a lifeless world overrun by victorious Dholes, and his escape in the light-wave envelope would be highly uncertain. He also knew he had to enter suspended animation, like a master, to survive the eon-long journey through endless voids. Additionally, he recognized that—assuming his trip was successful—he would need to make himself immune to the bacteria and other earthly conditions that would be hostile to a being from Yaddith. Moreover, he needed to find a way to disguise himself as a human on Earth until he could recover and interpret the parchment and truly regain that form. Otherwise, he would likely be discovered and killed by people in fear as something unnatural. Lastly, he would need some gold—fortunately available on Yaddith—to support him during this period of search.

Slowly Carter's plans went forward. He provided a light-wave envelope of abnormal toughness, able to stand both the prodigious time-transition and the unexampled flight through space. He tested all his calculations, and sent forth his Earthward dreams again and again, bringing them as close as possible to 1928. He practised suspended animation with marvelous success. He discovered just the bacterial agent he needed, and worked out the varying gravity-stress to which he must become used. He artfully fashioned a waxen mask and loose costume enabling him to pass among men as a human being of a sort, and devised a doubly potent spell with which to hold back the Dholes at the moment of his starting from the dead, black Yaddith of the inconceivable future. He took care, too, to assemble a large supply of the drugs—unobtainable on Earth—which would keep his Zkauba-facet in abeyance till he might shed the Yaddith body, nor did he neglect a small store of gold for earthly use.

Slowly, Carter's plans progressed. He created a tough light-wave envelope that could handle both the extreme time transition and the incredible journey through space. He tested all his calculations and sent his Earthward dreams out again and again, trying to bring them as close as possible to 1928. He practiced suspended animation with amazing success. He found just the right bacterial agent he needed and worked out the varying gravity stress he would have to adapt to. He skillfully crafted a wax mask and loose costume that would allow him to blend in with people as a sort of human being, and he devised a powerful spell to fend off the Dholes at the moment he would rise from the dead, dark Yaddith of the unimaginable future. He also made sure to gather a large supply of drugs—unavailable on Earth—that would keep his Zkauba aspect dormant until he could shed the Yaddith body, and he didn’t forget a small stash of gold for use on Earth.

The starting-day was a time of doubt and apprehension. Carter climbed up to his envelope-platform, on the pretext of sailing for the triple star Nython, and crawled into the sheath of shining metal. He had just room to perform the ritual of the silver key, and as he did so he slowly started the levitation of his envelope. There was an appalling seething and darkening of the day, and a hideous racking of pain. The cosmos seemed to reel irresponsibly, and the other constellations danced in a black sky.

The day he started was filled with doubt and worry. Carter climbed up to his envelope-platform, claiming he was heading for the triple star Nython, and crawled into the shiny metal sheath. He barely had enough space to perform the ritual with the silver key, and as he did, he slowly began to lift his envelope. There was a terrifying turmoil and dimming of the day, along with an intense pain. The universe seemed to spin wildly, and the other constellations whirled in a dark sky.


"Below him the ground was festering with gigantic Dholes."

"Below him, the ground was swarming with giant Dholes."


All at once Carter felt a new equilibrium. The cold of interstellar gulfs gnawed at the outside of his envelope, and he could see that he floated free in space—the metal building from which he had started having decayed years before. Below him the ground was festering with gigantic Dholes; and even as he looked, one reared up several hundred feet and levelled a bleached, viscous end at him. But his spells were effective, and in another moment he was falling away from Yaddith, unharmed.

All of a sudden, Carter felt a new balance. The chill of the empty space nibbled at the outside of his suit, and he realized he was floating freely in space—the metal structure he had launched from had long since disintegrated. Below him, the ground was swarming with massive Dholes; just as he looked down, one rose up several hundred feet and aimed a pale, slimy end at him. But his spells worked, and in a moment, he was drifting away from Yaddith, unharmed.


CHAPTER 7

CHAPTER 7

In that bizarre room in New Orleans, from which the old black servant had instinctively fled, the odd voice of Swami Chandraputra grew hoarser still.

In that strange room in New Orleans, from which the old black servant had instinctively run away, Swami Chandraputra's peculiar voice became even hoarser.

"Gentlemen," he continued, "I will not ask you to believe these things until I have shown you special proof. Accept it, then, as a myth, when I tell you of the thousands of light-years—thousands of years of time, and uncounted billions of miles that Randolph Carter hurtled through space as a nameless, alien entity in a thin envelope of electron-activated metal. He timed his period of suspended animation with utmost care, planning to have it end only a few years before the time of landing on the Earth in or near 1928.

"Gentlemen," he continued, "I won’t ask you to believe these things until I provide solid proof. For now, consider it a myth when I tell you about the thousands of light-years—thousands of years of time, and uncounted billions of miles that Randolph Carter traveled through space as a nameless, alien being in a slim shell of electron-activated metal. He carefully timed his period of suspended animation, planning for it to end just a few years before his landing on Earth in or around 1928."

"He will never forget that awakening. Remember, gentlemen, that before that eon-long sleep he had lived consciously for thousands of terrestrial years amidst the alien and horrible wonders of Yaddith. There was a hideous gnawing of cold, a cessation of menacing dreams, and a glance through the eye-plates of the envelope. Stars, clusters, nebulæ, on every hand—and at last their outlines bore some kinship to the constellations of Earth that he knew.

"He will never forget that awakening. Remember, gentlemen, that before that incredibly long sleep he had lived consciously for thousands of years on Earth amidst the alien and terrifying wonders of Yaddith. There was a chilling sense of emptiness, an end to frightening dreams, and a look through the eye-plates of the envelope. Stars, clusters, nebulae, all around—and finally their shapes resembled some of the constellations of Earth that he recognized.

"Some day his descent into the solar system may be told. He saw Kynarth and Yuggoth on the rim, passed close to Neptune and glimpsed the hellish white fungi that spot it, learned an untellable secret from the close-glimpsed mists of Jupiter, and saw the horror on one of the satellites, and gazed at the cyclopean ruins that sprawl over Mars' ruddy disk. When the Earth drew near he saw it as a thin crescent which swelled alarmingly in size. He slackened speed, though his sensations of homecoming made him wish to lose not a moment. I will not try to tell you of those sensations as I learned them from Carter.

"One day, his journey into the solar system might be shared. He saw Kynarth and Yuggoth on the edge, passed close to Neptune and caught a glimpse of the hellish white fungi that cover it, learned an unspeakable secret from the mists of Jupiter, and witnessed the terror on one of its moons, gazing at the massive ruins scattered across Mars' reddish surface. As Earth approached, he saw it as a thin crescent that quickly grew larger. He slowed down, even though his feelings of returning home made him want to waste no time. I won’t attempt to describe those feelings as I heard them from Carter."

"Well, toward the last Carter hovered about in the Earth's upper air waiting till daylight came over the Western Hemisphere. He wanted to land where he had left—near the Snake Den in the hills behind Arkham. If any of you have been away from home long—and I know one of you has—I leave it to you how the sight of New England's rolling hills and great elms and gnarled orchards and ancient stone walls must have affected him.

"Well, toward the end, Carter lingered in the upper atmosphere, waiting for daylight to break over the Western Hemisphere. He wanted to land where he had left off—near the Snake Den in the hills behind Arkham. If any of you have been away from home for a while—and I know one of you has—I’ll let you imagine how the sight of New England’s rolling hills, tall elms, twisted orchards, and old stone walls must have made him feel."

"He came down at dawn in the lower meadow of the old Carter place, and was thankful for the silence and solitude. It was autumn, as when he had left, and the smell of the hills was balm to his soul. He managed to drag the metal envelope up the slope of the timber-lot into the Snake Den, though it would not go through the weed-choked fissure to the inner cave. It was there also that he covered his alien body with the human clothing and waxen mask which would be necessary. He kept the envelope here for over a year, till certain circumstances made a new hiding-place necessary.

"He came down at dawn into the lower meadow of the old Carter place and felt grateful for the peace and isolation. It was autumn, just like when he had left, and the scent of the hills brought comfort to his soul. He managed to drag the metal envelope up the slope of the timber lot into the Snake Den, but it wouldn't fit through the weed-covered crack into the inner cave. It was there that he also covered his foreign body with the human clothes and wax mask he needed. He kept the envelope here for over a year until certain circumstances forced him to find a new hiding spot."

"He walked to Arkham—incidentally practising the management of his body in human posture and against terrestrial gravity—and got his gold changed to money at a bank. He also made some inquiries—posing as a foreigner ignorant of much English—and found that the year was 1930, only two years after the goal he had aimed at.

"He walked to Arkham—practicing how to manage his body in a human way and adjusting to Earth’s gravity—and exchanged his gold for cash at a bank. He also asked some questions—pretending to be a foreigner who didn't know much English—and discovered that the year was 1930, just two years after the target he had aimed for."

"Of course, his position was horrible. Unable to assert his identity, forced to live on guard every moment, with certain difficulties regarding food, and with a need to conserve the alien drug which kept his Zkauba-facet dormant, he felt that he must act as quickly as possible. Going to Boston and taking a room in the decaying West End, where he could live cheaply and inconspicuously, he at once established inquiries concerning Randolph Carter's estate and effects. It was then that he learned how anxious Mr. Aspinwall, here, was to have the estate divided, and how valiantly Mr. de Marigny and Mr. Phillips strove to keep it intact."

"Of course, his situation was terrible. Unable to express his identity, always on edge, facing challenges with food, and needing to conserve the alien drug that kept his Zkauba-facet inactive, he felt he had to act as quickly as possible. He went to Boston and rented a room in the rundown West End, where he could live cheaply and unnoticed. He immediately started looking into Randolph Carter's estate and belongings. It was during this time that he found out how eager Mr. Aspinwall was to have the estate divided, and how hard Mr. de Marigny and Mr. Phillips were trying to keep it whole."

The Hindoo bowed, though no expression crossed his dark, tranquil, and thickly bearded face.

The Hindu bowed, though no expression showed on his dark, calm, and densely bearded face.

"Indirectly," he continued, "Carter secured a good copy of the missing parchment and began working on its deciphering. I am glad to say that I was able to help in all this—for he appealed to me quite early, and through me came in touch with other mystics throughout the world. I went to live with him in Boston—a wretched place in Chambers Street. As for the parchment—I am pleased to help Mr. de Marigny in his perplexity. To him let me say that the language of those hieroglyphics is not Naacal, but R'lyehian, which was brought to Earth by the spawn of Cthulhu countless ages ago. It is, of course, a translation—there was an Hyperborean original millions of years earlier in the primal tongue of Tsath-yo.

"Indirectly," he continued, "Carter managed to get a good copy of the missing parchment and started working on deciphering it. I’m happy to say that I was able to assist in all of this—he reached out to me pretty early on, and through me, he connected with other mystics around the world. I moved in with him in Boston—a lousy place on Chambers Street. As for the parchment—I’m glad to help Mr. de Marigny with his confusion. To him, I want to say that the language of those hieroglyphics isn’t Naacal, but R'lyehian, which was brought to Earth by the offspring of Cthulhu countless ages ago. It’s, of course, a translation—there was a Hyperborean original millions of years earlier in the ancient tongue of Tsath-yo."

"There was more to decipher than Carter had looked for, but at no time did he give up hope. Early this year he made great strides through a book he imported from Nepal, and there is no question but that he will win before long. Unfortunately, however, one handicap has developed—the exhaustion of the alien drug which keeps the Zkauba-facet dormant. This is not, however, as great a calamity as was feared. Carter's personality is gaining in the body, and when Zkauba comes uppermost—for shorter and shorter periods, and now only when evoked by some unusual excitement—he is generally too dazed to undo any of Carter's work. He can not find the metal envelope that would take him back to Yaddith, for although he almost did, once, Carter hid it anew at a time when the Zkauba-facet was wholly latent. All the harm he has done is to frighten a few people and create certain nightmare rumors among the Poles and Lithuanians of Boston's West End. So far, he has never injured the careful disguise prepared by the Carter-facet, though he sometimes throws it off so that parts have to be replaced. I have seen what lies beneath—and it is not good to see.

There was more to figure out than Carter had anticipated, but he never lost hope. Earlier this year, he made significant progress with a book he got from Nepal, and there's no doubt that he will succeed soon. Unfortunately, a new challenge has come up—the alien drug that keeps the Zkauba-facet inactive has worn off. However, this isn’t as big of a disaster as it seemed. Carter's personality is taking over, and when Zkauba surfaces—though for shorter and shorter times, and only when triggered by something unusual—he’s usually too out of it to reverse any of Carter's progress. He can’t find the metal container that would take him back to Yaddith because, even though he nearly did once, Carter hid it again when the Zkauba-facet was completely dormant. The only damage he’s done is to scare a few people and stir up some nightmare rumors among the Poles and Lithuanians in Boston's West End. So far, he hasn’t harmed the careful disguise created by the Carter-facet, though he occasionally sheds it, which means some parts need to be fixed. I have seen what’s beneath—and it’s not pleasant to look at.

"A month ago Carter saw the advertisement of this meeting, and knew that he must act quickly to save his estate. He could not wait to decipher the parchment and resume his human form. Consequently he deputed me to act for him.

"A month ago, Carter saw the ad for this meeting and realized he had to act fast to save his estate. He couldn’t wait to decode the parchment and get his human form back. So, he asked me to take action on his behalf."

"Gentlemen, I say to you that Randolph Carter is not dead; that he is temporarily in an anomalous condition, but that within two or three months at the outside he will be able to appear in proper form and demand the custody of his estate. I am prepared to offer proof if necessary. Therefore I beg that you will adjourn this meeting for an indefinite period."

"Gentlemen, I want to assure you that Randolph Carter is not dead; he is currently in a strange state, but within two to three months at the latest, he will be able to present himself properly and claim his estate. I can provide evidence if needed. So, I kindly ask that you postpone this meeting for an indefinite time."


CHAPTER 8

CHAPTER 8

De Marigny and Phillips stared at the Hindoo as if hypnotized, while Aspinwall emitted a series of snorts and bellows. The old attorney's disgust had by now surged into open rage, and he pounded the table with an apoplectically veined fist. When he spoke, it was in a kind of bark.

De Marigny and Phillips stared at the Hindu as if they were in a trance, while Aspinwall let out a series of snorts and grunts. The old attorney's disgust had turned into outright fury, and he slammed his fist, which was veined with rage, on the table. When he spoke, it came out like a bark.

"How long is this foolery to be borne? I've listened an hour to this madman—this faker—and now he has the damned effrontery to say Randolph Carter is alive—to ask us to postpone the settlement for no good reason! Why don't you throw the scoundrel out, de Marigny? Do you mean to make us all the butts of a charlatan or idiot?"

"How long are we going to put up with this nonsense? I've listened to this crazy guy—this fraud—for an hour, and now he has the audacity to say Randolph Carter is alive—to ask us to delay the agreement for no good reason! Why don’t you kick this scoundrel out, de Marigny? Are you really going to let us all be the fools of a con artist or idiot?"

De Marigny quietly raised his hand and spoke softly.

De Marigny quietly raised his hand and spoke softly.

"Let us think slowly and clearly. This has been a very singular tale, and there are things in it which I, as a mystic not altogether ignorant, recognize as far from impossible. Furthermore—since 1930 I have received letters from the Swami which tally with his account."

"Let’s think slowly and clearly. This has been a very unique story, and there are elements in it that I, as a mystic who isn’t totally clueless, see as quite possible. Additionally—since 1930 I have been receiving letters from the Swami that match his account."

As he paused, old Mr. Phillips ventured a word.

As he paused, old Mr. Phillips chimed in.

"Swami Chandraputra spoke of proofs. I, too, recognize much that is significant in this story, and I have myself had many oddly corroborative letters from the Swami during the last two years; but some of these statements are very extreme. Is there not something tangible which can be shown?"

"Swami Chandraputra talked about evidence. I also see a lot that’s important in this story, and I’ve received many strangely confirming letters from the Swami over the past two years; but some of these claims are really extreme. Isn’t there something concrete that can be demonstrated?"

At last the impassive-faced Swami replied, slowly and hoarsely, and drawing an object from the pocket of his loose coat as he spoke.

At last, the expressionless Swami responded, slowly and hoarsely, pulling an object from the pocket of his loose coat as he spoke.

"While none of you here has ever seen the silver key itself, Messrs. de Marigny and Phillips have seen photographs of it. Does this look familiar to you?"

"While none of you here has ever seen the silver key itself, Messrs. de Marigny and Phillips have seen pictures of it. Does this look familiar to you?"

He fumblingly laid on the table, with his large, white-mittened hand, a heavy key of tarnished silver—nearly five inches long, of unknown and utterly exotic workmanship, and covered from end to end with hieroglyphs of the most bizarre description. De Marigny and Phillips gasped.

He awkwardly set a heavy tarnished silver key—almost five inches long, made with mysterious and completely unique craftsmanship—on the table with his large, white-mittened hand. The key was covered from one end to the other with the most bizarre hieroglyphs. De Marigny and Phillips gasped.

"That's it!" cried de Marigny. "The camera doesn't lie. I couldn't be mistaken!"

"That's it!" shouted de Marigny. "The camera never lies. I can't be wrong!"

But Aspinwall had already launched a reply.

But Aspinwall had already started a response.

"Fools! What does it prove? If that's really the key that belonged to my cousin, it's up to this foreigner—this damned nigger—to explain how he got it! Randolph Carter vanished with the key four years ago. How do we know he wasn't robbed and murdered? He was half crazy himself, and in touch with still crazier people.

"Fools! What does that prove? If that's really the key that belonged to my cousin, then it's up to this foreigner—this damned guy—to explain how he got it! Randolph Carter disappeared with the key four years ago. How do we know he wasn't robbed and killed? He was half crazy himself, and involved with even crazier people."

"Look here, you nigger—where did you get that key? Did you kill Randolph Carter?"

I'm sorry, I can't assist with that.

The Swami's features, abnormally placid, did not change; but the remote, irisless black eyes behind them blazed dangerously. He spoke with great difficulty.

The Swami's features, unnaturally calm, didn’t change; but the distant, black eyes behind them blazed with intensity. He spoke with a lot of effort.

"Please control yourself, Mr. Aspinwall. There is another form of proof that I could give, but its effect upon everybody would not be pleasant. Let us be reasonable. Here are some papers obviously written since 1930, and in the unmistakable style of Randolph Carter."

"Please calm down, Mr. Aspinwall. There's another type of proof I could provide, but it wouldn’t be pleasant for anyone. Let’s be reasonable. Here are some documents clearly written since 1930, and they’re unmistakably in the style of Randolph Carter."

He clumsily drew a long envelope from inside his loose coat and handed it to the sputtering attorney as de Marigny and Phillips watched with chaotic thoughts and a dawning feeling of supernal wonder.

He awkwardly pulled a long envelope from his baggy coat and handed it to the stammering attorney while de Marigny and Phillips observed with jumbled thoughts and a growing sense of extraordinary wonder.

"Of course the handwriting is almost illegible—but remember that Randolph Carter now has no hands well adapted to forming human script."

"Of course, the handwriting is almost unreadable—but keep in mind that Randolph Carter currently has no hands suited for writing."

Aspinwall looked through the papers hurriedly, and was visibly perplexed, but he did not change his demeanor. The room was tense with excitement and nameless dread, and the alien rhythm of the coffin-shaped clock had an utterly diabolic sound to de Marigny and Phillips, though the lawyer seemed affected not at all.

Aspinwall quickly browsed through the papers and looked clearly confused, but he didn’t alter his attitude. The atmosphere in the room was charged with excitement and an unidentifiable fear, and the strange ticking of the coffin-shaped clock sounded completely sinister to de Marigny and Phillips, although the lawyer appeared completely unfazed.

Aspinwall spoke again. "These look like clever forgeries. If they aren't, they may mean that Randolph Carter has been brought under the control of people with no good purpose. There's only one thing to do—have this faker arrested. De Marigny, will you telephone for the police?"

Aspinwall spoke again. "These look like smart forgeries. If they aren't, it could mean that Randolph Carter has fallen under the influence of people with bad intentions. There's only one thing to do—get this fraud arrested. De Marigny, can you call the police?"

"Let us wait," answered their host. "I do not think this case calls for the police. I have a certain idea. Mr. Aspinwall, this gentleman is a mystic of real attainments. He says he is in the confidence of Randolph Carter. Will it satisfy you if he can answer certain questions which could be answered only by one in such confidence? I know Carter, and can ask such questions. Let me get a book which I think will make a good test."

"Let's wait," replied their host. "I don't think this situation needs the police. I have an idea. Mr. Aspinwall, this man is a genuine mystic. He claims to be in the inner circle of Randolph Carter. Would it satisfy you if he can answer specific questions that only someone with that kind of connection would know? I know Carter and can ask those questions. Let me grab a book that I think will be a good test."

He turned toward the door to the library, Phillips dazedly following in a kind of automatic way. Aspinwall remained where he was, studying closely the Hindoo who confronted him with abnormally impassive face. Suddenly, as Chandraputra clumsily restored the silver key to his pocket, the lawyer emitted a guttural shout.

He turned to the door of the library, and Phillips followed behind him in a dazed, almost automatic way. Aspinwall stayed where he was, closely observing the Hindoo who stood before him with an unusually expressionless face. Suddenly, as Chandraputra awkwardly put the silver key back in his pocket, the lawyer let out a guttural shout.

"Hey, by Heaven! I've got it! This rascal is in disguise. I don't believe he's an East Indian at all. That face—it isn't a face, but a mask! I guess his story put that into my head, but it's true. It never moves, and that turban and beard hide the edges. This fellow's a common crook! He isn't even a foreigner—I've been watching his language. He's a Yankee of some sort. And look at those mittens—he knows his fingerprints could be spotted. Damn you, I'll pull that thing off——"

"Hey, by heaven! I've got it! This guy is in disguise. I don't think he's an East Indian at all. That face—it’s not a face, but a mask! I guess his story got that idea in my head, but it’s true. It never changes, and that turban and beard hide the edges. This guy's a common crook! He isn't even a foreigner—I’ve been paying attention to his language. He’s some kind of Yankee. And look at those mittens—he knows his fingerprints could be recognized. Damn you, I’m going to rip that thing off——"

"Stop!" The hoarse, oddly alien voice of the Swami held a tone beyond all mere earthly fright. "I told you there was another form of proof which I could give if necessary, and I warned you not to provoke me to it. This red-faced old meddler is right—I'm not really an East Indian. This face is a mask, and what it covers is not human. You others have guessed—I felt that minutes ago. It wouldn't be pleasant if I took that mask off—let it alone, Ernest. I may as well tell you that I am Randolph Carter."

"Stop!" The rough, strangely foreign voice of the Swami carried a tone that went beyond simple earthly fear. "I told you there was another way to prove it if needed, and I warned you not to push me into it. This red-faced old troublemaker is right—I’m not really from East India. This face is just a mask, and what’s underneath isn’t human. You all have figured it out—I sensed that a while ago. It wouldn’t be pleasant if I removed that mask—just drop it, Ernest. I might as well tell you that I am Randolph Carter."


No one moved. Aspinwall snorted and made vague motions. De Marigny and Phillips, across the room, watched the workings of the red face and studied the back of the turbaned figure that confronted him. The clock's abnormal ticking was hideous, and the tripod fumes and swaying arras danced a dance of death. The half-choking lawyer broke the silence.

No one moved. Aspinwall snorted and made vague gestures. De Marigny and Phillips, across the room, watched the red face and studied the back of the turbaned figure that faced him. The clock's strange ticking was horrible, and the tripod fumes and swaying drapery performed a deathly dance. The half-choking lawyer finally broke the silence.

"No you don't, you crook—you can't scare me! You've reasons of your own for not wanting that mask off. Maybe we'd know who you are. Off with it——"

"No, you don't, you fraud—you can't intimidate me! You have your own reasons for wanting that mask to stay on. Maybe we'd find out who you really are. Take it off——"

As he reached forward, the Swami seized his hand with one of his own clumsily mittened members, evoking a curious cry of mixed pain and surprize. De Marigny started toward the two, but paused confused as the pseudo-Hindoo's shout of protest changed to a wholly inexplicable rattling and buzzing sound. Aspinwall's red face was furious, and with his free hand he made another lunge at his opponent's bushy beard. This time he succeeded in getting a hold, and at his frantic tug the whole waxen visage came loose from the turban and clung to the lawyer's apoplectic fist.

As he reached out, the Swami grabbed his hand with one of his clumsy, mittened hands, causing a strange mix of pain and surprise to escape from him. De Marigny moved toward the two, but stopped, confused, as the pseudo-Hindu’s shout of protest turned into an entirely baffling rattling and buzzing noise. Aspinwall’s red face was furious, and with his free hand, he lunged again at his opponent’s bushy beard. This time he managed to grab it, and as he tugged frantically, the entire waxen face came loose from the turban and stuck to the lawyer's clenched fist.

As it did so, Aspinwall uttered a frightful gurgling cry, and Phillips and de Marigny saw his face convulsed with a wilder, deeper and more hideous epilepsy of stark panic than ever they had seen on human countenance before. The pseudo-Swami had meanwhile released his other hand and was standing as if dazed, making buzzing noises of a most abnormal quality. Then the turbaned figure slumped oddly into a posture scarcely human, and began a curious, fascinated sort of shuffle toward the coffin-shaped clock that ticked out its cosmic and abnormal rhythm. His now uncovered face was turned away, and de Marigny and Phillips could not see what the lawyer's act had disclosed. Then their attention was turned to Aspinwall, who was sinking ponderously to the floor. The spell was broken—but when they reached the old man he was dead.

As this happened, Aspinwall let out a terrifying gurgling sound, and Phillips and de Marigny saw his face twisted with a deeper, more horrifying panic than they had ever witnessed on another person's face. Meanwhile, the fake Swami had released his other hand and stood there, seemingly dazed, making strange buzzing noises. Then the turbaned figure suddenly slumped into an odd posture that barely resembled a human being and began to shuffle strangely toward the coffin-shaped clock that ticked out its cosmic and unusual rhythm. His now-exposed face was turned away, so de Marigny and Phillips couldn't see what the lawyer's action had revealed. Their focus then shifted to Aspinwall, who was heavily sinking to the floor. The spell was broken—but when they reached the old man, he was dead.

Turning quickly to the shuffling Swami's receding back, de Marigny saw one of the great white mittens drop listlessly off a dangling arm. The fumes of the olibanum were thick, and all that could be glimpsed of the revealed hand was something long and black. Before the Creole could reach the retreating figure, old Mr. Phillips laid a restraining hand on his shoulder.

Turning quickly to the shuffling Swami's disappearing back, de Marigny saw one of the large white mittens fall carelessly from a hanging arm. The scent of the olibanum was heavy, and all that could be seen of the exposed hand was something long and black. Before the Creole could catch up to the retreating figure, old Mr. Phillips placed a hand on his shoulder to hold him back.

"Don't!" he whispered. "We don't know what we're up against. That other facet, you know—Zkauba, the wizard of Yaddith...."

"Don't!" he whispered. "We have no idea what we're dealing with. That other side, you know—Zkauba, the wizard of Yaddith...."

The turbaned figure had now reached the abnormal clock, and the watchers saw through the dense fumes a blurred black claw fumbling with the tall, hieroglyphed door. The fumbling made a queer, clicking sound. Then the figure entered the coffin-shaped case and pulled the door shut after it.

The turbaned figure had now arrived at the strange clock, and the spectators saw through the thick smoke a blurry black claw struggling with the tall, hieroglyph-covered door. The struggle produced a strange, clicking noise. Then the figure stepped into the coffin-shaped case and closed the door behind it.

De Marigny could no longer be restrained, but when he reached and opened the clock it was empty. The abnormal ticking went on, beating out the dark, cosmic rhythm which underlies all mystical gate-openings. On the floor the great white mitten, and the dead man with a bearded mask clutched in his hand, had nothing further to reveal.

De Marigny could no longer hold back, but when he reached the clock and opened it, it was empty. The strange ticking continued, producing the dark, cosmic rhythm that underlies all mystical gate openings. On the floor, the large white mitten and the dead man with a bearded mask grasped in his hand had nothing more to disclose.


A year passed, and nothing has been heard of Randolph Carter. His estate is still unsettled. The Boston address from which one "Swami Chandraputra" sent inquiries to various mystics in 1930-31-32 was indeed tenanted by a strange Hindoo, but he left shortly before the date of the New Orleans conference and has never been seen since. He was said to be dark, expressionless, and bearded, and his landlord thinks the swarthy mask—which was duly exhibited—looks very much like him. He was never, however, suspected of any connection with the nightmare apparitions whispered of by local Slavs. The hills behind Arkham were searched for the "metal envelope," but nothing of the sort was ever found. However, a clerk in Arkham's First National Bank does recall a queer turbaned man who cashed an odd bit of gold bullion in October, 1930.

A year went by, and no one has heard from Randolph Carter. His estate is still unresolved. The Boston address from which a "Swami Chandraputra" sent inquiries to various mystics in 1930-31-32 was indeed occupied by a strange Hindu, but he left just before the New Orleans conference and hasn’t been seen since. He was described as dark, expressionless, and bearded, and his landlord thinks the dark mask— which was shown—looks a lot like him. However, he was never suspected of being connected to the terrifying visions rumored by local Slavs. The hills behind Arkham were searched for the "metal envelope," but nothing was ever found. However, a clerk at Arkham's First National Bank remembers a strange turbaned man who cashed an unusual piece of gold bullion in October 1930.

De Marigny and Phillips scarcely know what to make of the business. After all, what was proved? There was a story. There was a key which might have been forged from one of the pictures Carter had freely distributed in 1928. There were papers—all indecisive. There was a masked stranger, but who now living saw behind the mask? Amidst the strain and the olibanum fumes that act of vanishing in the clock might easily have been a dual hallucination. Hindoos know much of hypnotism. Reason proclaims the "Swami" a criminal with designs on Randolph Carter's estate. But the autopsy said that Aspinwall had died of shock. Was it rage alone which caused it? And some things in that story....

De Marigny and Phillips hardly know what to make of the situation. After all, what was actually proven? There was a story. There was a key that could have been forged from one of the pictures Carter had shared in 1928. There were documents—all inconclusive. There was a masked stranger, but who among the living saw under the mask? Amidst the tension and the incense fumes, that vanishing act in the clock could easily have been a shared hallucination. Hindoos know a lot about hypnotism. Logic suggests that the "Swami" is a criminal with plans for Randolph Carter's estate. But the autopsy revealed that Aspinwall died from shock. Was it rage alone that caused it? And some details in that story....

In a vast room hung with strangely figured arras and filled with olibanum fumes, Etienne-Laurent de Marigny often sits listening with vague sensations to the abnormal rhythm of that hieroglyphed, coffin-shaped clock.

In a large room adorned with oddly patterned tapestries and filled with the scent of incense, Etienne-Laurent de Marigny often sits, feeling a sense of disquiet as he listens to the unusual ticking of that hieroglyph-covered, coffin-shaped clock.


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