This is a modern-English version of Tono-Bungay, originally written by Wells, H. G. (Herbert George). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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[Illustration]

Tono-Bungay

by H.G. Wells


Contents

BOOK THE FIRST
CHAPTER THE FIRST
CHAPTER THE SECOND
CHAPTER THE THIRD

BOOK THE SECOND
CHAPTER THE FIRST
CHAPTER THE SECOND
CHAPTER THE THIRD
CHAPTER THE FOURTH

BOOK THE THIRD
CHAPTER THE FIRST
CHAPTER THE SECOND
CHAPTER THE THIRD
CHAPTER THE FOURTH

BOOK THE FOURTH
CHAPTER THE FIRST
CHAPTER THE SECOND
CHAPTER THE THIRD

BOOK THE FIRST
THE DAYS BEFORE TONO-BUNGAY WAS INVENTED

CHAPTER THE FIRST
OF BLADESOVER HOUSE, AND MY MOTHER; AND THE CONSTITUTION OF SOCIETY

I

Most people in this world seem to live “in character”; they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than “character actors.” They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have played the part. But there is also another kind of life that is not so much living as a miscellaneous tasting of life. One gets hit by some unusual transverse force, one is jerked out of one’s stratum and lives crosswise for the rest of the time, and, as it were, in a succession of samples. That has been my lot, and that is what has set me at last writing something in the nature of a novel. I have got an unusual series of impressions that I want very urgently to tell. I have seen life at very different levels, and at all these levels I have seen it with a sort of intimacy and in good faith. I have been a native in many social countries. I have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks—the unjustifiable gifts of footmen—in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and—to go to my other extreme—I was once—oh, glittering days!—an item in the house-party of a countess. She was, I admit, a countess with a financial aspect, but still, you know, a countess. I’ve seen these people at various angles. At the dinner-table I’ve met not simply the titled but the great. On one occasion—it is my brightest memory—I upset my champagne over the trousers of the greatest statesman in the empire—Heaven forbid I should be so invidious as to name him!—in the warmth of our mutual admiration.

Most people in this world seem to live “in character”; they have a beginning, a middle, and an end, and the three fit together and follow the rules of their type. You can classify them as belonging to this group or that. They are, as actors would say, nothing more (and nothing less) than “character actors.” They have a class, a place, they know what looks good on them and what’s appropriate for them, and the right size for their tombstone finally reflects how well they played their part. But there’s also another kind of life that’s not so much about living as it is about sampling life. You get hit by some unexpected force, you’re pulled out of your usual place, and you end up living sideways for the rest of your time, in a series of experiences. That’s been my path, and that’s what has led me to finally write something like a novel. I have an unusual collection of impressions that I really want to share. I’ve seen life at very different levels, and at all these levels, I’ve experienced it with a kind of intimacy and sincerity. I’ve been a local in many different social circles. I’ve been the unwanted guest of a working-class baker, my cousin, who has since passed away in the Chatham infirmary; I’ve snuck snacks—the unacceptable gifts of footmen—in pantries, and been looked down upon for my lack of style (and later married and divorced) by the daughter of a gasworks clerk; and—to give you the other extreme—I was once—oh, those glorious days!—part of a house party hosted by a countess. I admit, she was a countess with a financial angle, but still, you know, a countess. I’ve seen these people from different perspectives. At the dinner table, I've encountered not just the titled but the truly great. One time—it’s my fondest memory—I spilled my champagne on the trousers of the greatest statesman in the empire—Heaven forbid I should be so rude as to name him!—in the enthusiasm of our shared admiration.

And once (though it is the most incidental thing in my life) I murdered a man....

And once (even though it's the most random thing in my life) I killed a man...

Yes, I’ve seen a curious variety of people and ways of living altogether. Odd people they all are great and small, very much alike at bottom and curiously different on their surfaces. I wish I had ranged just a little further both up and down, seeing I have ranged so far. Royalty must be worth knowing and very great fun. But my contacts with princes have been limited to quite public occasions, nor at the other end of the scale have I had what I should call an inside acquaintance with that dusty but attractive class of people who go about on the high-roads drunk but en famille (so redeeming the minor lapse), in the summertime, with a perambulator, lavender to sell, sun-brown children, a smell, and ambiguous bundles that fire the imagination. Navvies, farm-labourers, sailormen and stokers, all such as sit in 1834 beer-houses, are beyond me also, and I suppose must remain so now for ever. My intercourse with the ducal rank too has been negligible; I once went shooting with a duke, and in an outburst of what was no doubt snobbishness, did my best to get him in the legs. But that failed.

Yes, I’ve encountered a fascinating mix of people and lifestyles. They’re all odd, both great and small, quite similar at their core yet intriguingly different on the surface. I wish I had explored a bit more both up and down the social ladder, considering how far I’ve already ventured. Royalty must be interesting and so much fun. However, my interactions with princes have mostly happened in public settings, and at the other end of the spectrum, I haven’t really gotten to know that dusty yet appealing group of people who walk along the highways drunk but en famille (redeeming themselves slightly for the minor lapse), during summertime, with a stroller, selling lavender, sun-kissed kids, a smell, and mysterious bundles that spark the imagination. Workers, farmers, sailors, and stokers, the kind who hang out in beer houses in 1834, are also beyond my reach, and I guess they always will be. My contact with the nobility has been minimal too; I once went shooting with a duke and, in a moment of what was probably snobbishness, tried my best to shoot him in the legs. But that didn’t work out.

I’m sorry I haven’t done the whole lot though....

I’m sorry I haven’t done everything yet....

You will ask by what merit I achieved this remarkable social range, this extensive cross-section of the British social organism. It was the Accident of Birth. It always is in England. Indeed, if I may make the remark so cosmic, everything is. But that is by the way. I was my uncle’s nephew, and my uncle was no less a person than Edward Ponderevo, whose comet-like transit of the financial heavens happened—it is now ten years ago! Do you remember the days of Ponderevo, the great days, I mean, of Ponderevo? Perhaps you had a trifle in some world-shaking enterprise! Then you know him only too well. Astraddle on Tono-Bungay, he flashed athwart the empty heavens—like a comet—rather, like a stupendous rocket!—and overawed investors spoke of his star. At his zenith he burst into a cloud of the most magnificent promotions. What a time that was! The Napoleon of domestic conveniences!

You might wonder how I gained this impressive social range, this broad cross-section of British society. It was simply due to my birth. That’s how it works in England. In fact, if I can make a cosmic observation, that’s true for everything. But that’s beside the point. I was my uncle’s nephew, and my uncle was none other than Edward Ponderevo, whose rise in the financial world happened—can you believe it?—ten years ago! Do you remember the days of Ponderevo, the great days, I mean, of Ponderevo? Maybe you had a stake in some groundbreaking venture! If so, you know him all too well. Riding on Tono-Bungay, he shot across the empty sky—like a comet—no, more like a massive rocket!—and investors who were taken by his brilliance spoke of his star. At his peak, he exploded into a series of the most amazing promotions. What a time that was! The Napoleon of home conveniences!

I was his nephew, his peculiar and intimate nephew. I was hanging on to his coat-tails all the way through. I made pills with him in the chemist’s shop at Wimblehurst before he began. I was, you might say, the stick of his rocket; and after our tremendous soar, after he had played with millions, a golden rain in the sky, after my bird’s-eye view of the modern world, I fell again, a little scarred and blistered perhaps, two and twenty years older, with my youth gone, my manhood eaten in upon, but greatly edified, into this Thames-side yard, into these white heats and hammerings, amidst the fine realites of steel—to think it all over in my leisure and jot down the notes and inconsecutive observations that make this book. It was more, you know, than a figurative soar. The zenith of that career was surely our flight across the channel in the Lord Roberts B....

I was his nephew, his unique and close nephew. I was there supporting him all the way. I made pills with him in the drugstore at Wimblehurst before he started. I was, you could say, the fuel for his success; and after our incredible rise, after he’d played with millions, a golden shower in the sky, after my aerial view of the modern world, I fell back down, a bit scarred and blistered maybe, two and twenty years older, with my youth gone, my manhood diminished, but greatly enlightened, into this yard by the Thames, into these intense work and pounding sounds, amid the solid realities of steel—to reflect on it all in my own time and write down the notes and scattered thoughts that make up this book. It was more, you know, than just a metaphorical rise. The peak of that career was definitely our flight across the channel in the Lord Roberts B....

I warn you this book is going to be something of an agglomeration. I want to trace my social trajectory (and my uncle’s) as the main line of my story, but as this is my first novel and almost certainly my last, I want to get in, too, all sorts of things that struck me, things that amused me and impressions I got—even although they don’t minister directly to my narrative at all. I want to set out my own queer love experiences too, such as they are, for they troubled and distressed and swayed me hugely, and they still seem to me to contain all sorts of irrational and debatable elements that I shall be the clearer-headed for getting on paper. And possibly I may even flow into descriptions of people who are really no more than people seen in transit, just because it amuses me to recall what they said and did to us, and more particularly how they behaved in the brief but splendid glare of Tono-Bungay and its still more glaring offspring. It lit some of them up, I can assure you! Indeed, I want to get in all sorts of things. My ideas of a novel all through are comprehensive rather than austere....

I want to warn you that this book is going to be a bit of a mix. I plan to trace my social journey (and my uncle’s) as the main thread of my story, but since this is my first novel—and probably my last—I want to include all sorts of things that caught my attention, things that made me laugh, and impressions I gathered—even if they don’t directly relate to my narrative at all. I also want to share my own unique love experiences, however they turned out, because they troubled, distressed, and influenced me a lot, and I think writing them down will help me make sense of the irrational and debatable aspects they hold. I might even include descriptions of people who were really just passing by, simply because it amuses me to remember what they said and did, especially how they acted in the brief but brilliant spotlight of Tono-Bungay and its even more dazzling offshoots. It revealed some of them in a way that I can assure you was striking! Honestly, I want to cover a wide range of topics. My ideas about a novel are more about breadth than seriousness...

Tono-Bungay still figures on the hoardings, it stands in rows in every chemist’s storeroom, it still assuages the coughs of age and brightens the elderly eye and loosens the elderly tongue; but its social glory, its financial illumination, have faded from the world for ever. And I, sole scorched survivor from the blaze, sit writing of it here in an air that is never still for the clang and thunder of machines, on a table littered with working drawings, and amid fragments of models and notes about velocities and air and water pressures and trajectories—of an altogether different sort from that of Tono-Bungay.

Tono-Bungay is still advertised everywhere, found in every pharmacy's stockroom; it still soothes aging coughs, brightens elderly eyes, and gets older folks talking. But its social prestige and financial success have disappeared forever. Here I am, the last survivor from the past, writing about it surrounded by the nonstop noise of machines, sitting at a table cluttered with working drawings, pieces of models, and notes on speeds and air and water pressure and trajectories—completely different from the world of Tono-Bungay.

II

I write that much and look at it, and wonder whether, after all, this is any fair statement of what I am attempting in this book. I’ve given, I see, an impression that I want to make simply a hotch-potch of anecdotes and experiences with my uncle swimming in the middle as the largest lump of victual. I’ll own that here, with the pen already started, I realise what a fermenting mass of things learnt and emotions experienced and theories formed I’ve got to deal with, and how, in a sense, hopeless my book must be from the very outset. I suppose what I’m really trying to render is nothing more nor less than Life—as one man has found it. I want to tell—myself, and my impressions of the thing as a whole, to say things I have come to feel intensely of the laws, traditions, usages, and ideas we call society, and how we poor individuals get driven and lured and stranded among these windy, perplexing shoals and channels. I’ve got, I suppose, to a time of life when things begin to take on shapes that have an air of reality, and become no longer material for dreaming, but interesting in themselves. I’ve reached the criticising, novel-writing age, and here I am writing mine—my one novel—without having any of the discipline to refrain and omit that I suppose the regular novel-writer acquires.

I write a lot and look it over, wondering if this really captures what I’m trying to accomplish in this book. I realize I’ve given the impression that I want to create a random collection of stories and experiences, with my uncle swimming in the middle as the biggest focus. I admit that now, with my pen already moving, I see how I’m dealing with a chaotic mix of what I’ve learned, the emotions I’ve experienced, and the theories I’ve formed, and that my book might feel hopeless from the start. What I’m really trying to express is nothing more than Life—as one person has found it. I want to share—myself, and my thoughts about everything as a whole, to talk about the things I have come to feel deeply about the laws, traditions, customs, and ideas we call society, and how we individuals get pushed, tempted, and stuck among these confusing and tricky waters. I guess I’ve reached a point in life where things start to take on shapes that feel real, becoming no longer just dreams, but interesting in their own right. I’ve hit that age where I question and write novels, and here I am writing mine—my one novel—without having the discipline to hold back and edit that I assume regular novelists develop.

I’ve read an average share of novels and made some starts before this beginning, and I’ve found the restraints and rules of the art (as I made them out) impossible for me. I like to write, I am keenly interested in writing, but it is not my technique. I’m an engineer with a patent or two and a set of ideas; most of whatever artist there is in me has been given to turbine machines and boat building and the problem of flying, and do what I will I fail to see how I can be other than a lax, undisciplined story-teller. I must sprawl and flounder, comment and theorise, if I am to get the thing out I have in mind. And it isn’t a constructed tale I have to tell, but unmanageable realities. My love-story—and if only I can keep up the spirit of truth-telling all through as strongly as I have now, you shall have it all—falls into no sort of neat scheme of telling. It involves three separate feminine persons. It’s all mixed up with the other things....

I’ve read my fair share of novels and started a few projects before this one, and I’ve found the rules and constraints of the craft (as I see them) impossible for me. I enjoy writing, I’m really interested in it, but it’s just not my style. I’m an engineer with a couple of patents and some ideas; most of whatever creativity I have has gone into turbine machines, boat building, and the challenge of flying, and no matter what I do, I can’t help but be a loose, undisciplined storyteller. I need to sprawl and flounder, comment and theorize, if I want to express what I have in mind. And it’s not a neatly constructed story I’m trying to tell, but messy realities. My love story—and if I can keep the spirit of honesty throughout as strongly as I have now, you’ll get the whole thing—doesn’t fit into any tidy narrative. It involves three different women. It’s all tangled up with other things....

But I’ve said enough, I hope, to excuse myself for the method or want of method in what follows, and I think I had better tell without further delay of my boyhood and my early impressions in the shadow of Bladesover House.

But I’ve said enough, I hope, to justify the way I’ve approached what comes next, and I think it’s time to share, without any more delay, my childhood and my early experiences living in the shadow of Bladesover House.

III

There came a time when I realised that Bladesover House was not all it seemed, but when I was a little boy I took the place with the entirest faith as a complete authentic microcosm. I believed that the Bladesover system was a little working-model—and not so very little either—of the whole world.

There came a time when I realized that Bladesover House wasn’t everything it appeared to be, but when I was a little kid, I accepted the place wholeheartedly as a perfect, authentic microcosm. I thought the Bladesover system was a little working model—and not that little, either—of the entire world.

Let me try and give you the effect of it.

Let me try to show you what it feels like.

Bladesover lies up on the Kentish Downs, eight miles perhaps from Ashborough; and its old pavilion, a little wooden parody of the temple of Vesta at Tibur, upon the hill crest behind the house, commands in theory at least a view of either sea, of the Channel southward and the Thames to the northeast. The park is the second largest in Kent, finely wooded with well-placed beeches, many elms and some sweet chestnuts, abounding in little valleys and hollows of bracken, with springs and a stream and three fine ponds and multitudes of fallow deer. The house was built in the eighteenth century, it is of pale red brick in the style of a French chateau, and save for one pass among the crests which opens to blue distances, to minute, remote, oast-set farm-houses and copses and wheat fields and the occasional gleam of water, its hundred and seventeen windows look on nothing but its own wide and handsome territories. A semi-circular screen of great beeches masks the church and village, which cluster picturesquely about the high road along the skirts of the great park. Northward, at the remotest corner of that enclosure, is a second dependent village, Ropedean, less fortunate in its greater distance and also on account of a rector. This divine was indeed rich, but he was vindictively economical because of some shrinkage of his tithes; and by reason of his use of the word Eucharist for the Lord’s Supper he had become altogether estranged from the great ladies of Bladesover. So that Ropedean was in the shadows through all that youthful time.

Bladesover is located on the Kentish Downs, about eight miles from Ashborough. Its old pavilion, a small wooden copy of the Temple of Vesta at Tibur, sits on the hill behind the house and theoretically offers views of both seas—the Channel to the south and the Thames to the northeast. The park is the second largest in Kent, beautifully wooded with well-placed beeches, many elms, and some sweet chestnuts, filled with little valleys and bracken hollows, featuring springs, a stream, three lovely ponds, and plenty of fallow deer. The house was built in the eighteenth century, made of pale red brick in the style of a French chateau, and aside from one opening among the hills that reveals distant blue views of remote, small oast-set farmhouses, woodlands, wheat fields, and the occasional glimmer of water, its hundred and seventeen windows overlook nothing but its own expansive and attractive grounds. A semi-circular row of large beeches hides the church and the village, which are charmingly clustered along the main road at the edge of the vast park. Northward, in the farthest corner of that area, is a second village, Ropedean, which is less fortunate due to its greater distance and also because of its rector. This clergyman was indeed wealthy but became unreasonably frugal because his tithes had declined; and because he used the word Eucharist instead of the Lord’s Supper, he became entirely estranged from the prominent ladies of Bladesover. As a result, Ropedean remained in the shadows during all those youthful years.

Now the unavoidable suggestion of that wide park and that fair large house, dominating church, village and the country side, was that they represented the thing that mattered supremely in the world, and that all other things had significance only in relation to them. They represented the Gentry, the Quality, by and through and for whom the rest of the world, the farming folk and the labouring folk, the trades-people of Ashborough, and the upper servants and the lower servants and the servants of the estate, breathed and lived and were permitted. And the Quality did it so quietly and thoroughly, the great house mingled so solidly and effectually earth and sky, the contrast of its spacious hall and saloon and galleries, its airy housekeeper’s room and warren of offices with the meagre dignities of the vicar, and the pinched and stuffy rooms of even the post-office people and the grocer, so enforced these suggestions, that it was only when I was a boy of thirteen or fourteen and some queer inherited strain of scepticism had set me doubting whether Mr. Bartlett, the vicar, did really know with certainty all about God, that as a further and deeper step in doubting I began to question the final rightness of the gentlefolks, their primary necessity in the scheme of things. But once that scepticism had awakened it took me fast and far. By fourteen I had achieved terrible blasphemies and sacrilege; I had resolved to marry a viscount’s daughter, and I had blacked the left eye—I think it was the left—of her half-brother, in open and declared rebellion.

Now the undeniable presence of that vast park and that grand house, overlooking the church, village, and countryside, suggested that they represented what mattered most in the world, with everything else holding significance only in relation to them. They symbolized the Gentry, the elite, for whom the rest of the world—the farmers, the laborers, the tradespeople of Ashborough, the upper servants, the lower servants, and the estate workers—existed, lived, and were allowed to breathe. The elite did this so quietly and effectively; the grand house blended earth and sky so seamlessly, the contrast of its spacious hall, salon, and galleries, its bright housekeeper’s room and maze of offices with the meager dignity of the vicar, and the cramped, stuffy rooms of the post-office staff and the grocer reinforced these ideas. It was only when I was around thirteen or fourteen, and some strange inherited skepticism made me question whether Mr. Bartlett, the vicar, truly understood everything about God, that I began to doubt the absolute authority of the gentry, their essential role in the grand scheme of things. But once that skepticism emerged, it took hold of me completely. By fourteen, I had embraced outrageous blasphemies and sacrilege; I had decided to marry a viscount’s daughter, and I had punched—if I recall correctly, it was his left eye—her half-brother in open and defiant rebellion.

But of that in its place.

But that's for another time.

The great house, the church, the village, and the labourers and the servants in their stations and degrees, seemed to me, I say, to be a closed and complete social system. About us were other villages and great estates, and from house to house, interlacing, correlated, the Gentry, the fine Olympians, came and went. The country towns seemed mere collections of ships, marketing places for the tenantry, centres for such education as they needed, as entirely dependent on the gentry as the village and scarcely less directly so. I thought this was the order of the whole world. I thought London was only a greater country town where the gentle-folk kept town-houses and did their greater shopping under the magnificent shadow of the greatest of all fine gentlewomen, the Queen. It seemed to be in the divine order. That all this fine appearance was already sapped, that there were forces at work that might presently carry all this elaborate social system in which my mother instructed me so carefully that I might understand my “place,” to Limbo, had scarcely dawned upon me even by the time that Tono-Bungay was fairly launched upon the world.

The big house, the church, the village, and the workers and servants in their roles and positions felt to me like a closed and complete social system. Around us were other villages and large estates, and between houses, the gentry—those refined elites—came and went. The country towns seemed like mere collections of shops, places for the tenants to buy goods, and centers for whatever education they needed, completely dependent on the gentry just like the village, and hardly any less so. I thought this was just how the whole world worked. I believed London was just a bigger version of a country town, where the wealthy had townhouses and did their bigger shopping under the impressive presence of the greatest of all fine ladies, the Queen. It all seemed part of a divine order. The fact that this polished facade was already weakening, that there were forces at play that could soon disrupt this intricate social system my mother carefully taught me about so I would know my “place,” hadn’t really struck me even by the time Tono-Bungay was officially launched into the world.

There are many people in England to-day upon whom it has not yet dawned. There are times when I doubt whether any but a very inconsiderable minority of English people realise how extensively this ostensible order has even now passed away. The great houses stand in the parks still, the cottages cluster respectfully on their borders, touching their eaves with their creepers, the English countryside—you can range through Kent from Bladesover northward and see persists obstinately in looking what it was. It is like an early day in a fine October. The hand of change rests on it all, unfelt, unseen; resting for awhile, as it were half reluctantly, before it grips and ends the thing for ever. One frost and the whole face of things will be bare, links snap, patience end, our fine foliage of pretences lie glowing in the mire.

There are still many people in England today who haven't yet realized this. Sometimes, I wonder if only a tiny minority of English people truly understand how much this apparent order has already faded away. The grand houses still stand in the parks, the cottages cluster respectfully around them, their vines brushing against the eaves; the English countryside—you can travel through Kent from Bladesover northward and see it stubbornly clinging to what it used to be. It feels like a beautiful day in early October. Change is hovering over everything, unnoticed and unfelt, lingering for a moment, as if half hesitating, before it takes hold and transforms everything for good. One frost, and the entire landscape will be stripped bare, connections will break, patience will run out, and our lovely facade of pretenses will lie shining in the mud.

For that we have still to wait a little while. The new order may have gone far towards shaping itself, but just as in that sort of lantern show that used to be known in the village as the “Dissolving Views,” the scene that is going remains upon the mind, traceable and evident, and the newer picture is yet enigmatical long after the lines that are to replace those former ones have grown bright and strong, so that the new England of our children’s children is still a riddle to me. The ideas of democracy, of equality, and above all of promiscuous fraternity have certainly never really entered into the English mind. But what is coming into it? All this book, I hope, will bear a little on that. Our people never formulates; it keeps words for jests and ironies. In the meanwhile the old shapes, the old attitudes remain, subtly changed and changing still, sheltering strange tenants. Bladesover House is now let furnished to Sir Reuben Lichtenstein, and has been since old Lady Drew died; it was my odd experience to visit there, in the house of which my mother had been housekeeper, when my uncle was at the climax of Tono-Bungay. It was curious to notice then the little differences that had come to things with this substitution. To borrow an image from my mineralogical days, these Jews were not so much a new British gentry as “pseudomorphous” after the gentry. They are a very clever people, the Jews, but not clever enough to suppress their cleverness. I wished I could have gone downstairs to savour the tone of the pantry. It would have been very different I know. Hawksnest, over beyond, I noted, had its pseudomorph too; a newspaper proprietor of the type that hustles along with stolen ideas from one loud sink-or-swim enterprise to another, had bought the place outright; Redgrave was in the hands of brewers.

For that, we still have to wait a little while. The new order may have started to take shape, but just like in that old lantern show the village called “Dissolving Views,” the current scene is still vivid in the mind, clear and recognizable, while the new picture remains puzzling even after the lines meant to replace the old ones have become bright and bold. So, the new England of our children's children is still a mystery to me. The ideas of democracy, equality, and especially uninhibited brotherhood have never truly resonated with the English mindset. But what is beginning to emerge? I hope this book will shed some light on that. Our people never articulate it; they save words for jokes and sarcasm. In the meantime, the old forms and attitudes persist, subtly shifting and still evolving, accommodating unusual inhabitants. Bladesover House is now rented out furnished to Sir Reuben Lichtenstein and has been since old Lady Drew passed away; I had the strange experience of visiting there, in a house where my mother had been housekeeper, when my uncle was at the height of Tono-Bungay. It was interesting to notice the small changes that had occurred with this replacement. To borrow an image from my geology days, these Jews weren't so much a new British gentry as “pseudomorphous” after the gentry. They are very clever people, the Jews, but not clever enough to hide their cleverness. I wished I could have gone downstairs to enjoy the vibe of the pantry. I know it would have been very different. I noticed that Hawksnest, over there, had its own pseudomorph too; a newspaper owner of the type that scrambles through stolen ideas from one loud, sink-or-swim venture to another had bought the place outright; Redgrave was now in the hands of brewers.

But the people in the villages, so far as I could detect, saw no difference in their world. Two little girls bobbed and an old labourer touched his hat convulsively as I walked through the village. He still thought he knew his place—and mine. I did not know him, but I would have liked dearly to have asked him if he remembered my mother, if either my uncle or old Lichtenstein had been man enough to stand being given away like that.

But the people in the villages, as far as I could tell, saw no difference in their world. Two little girls curtsied and an old laborer nervously tipped his hat as I walked through the village. He still believed he knew his place—and mine. I didn’t know him, but I would have really liked to ask him if he remembered my mother, if either my uncle or old Lichtenstein had been brave enough to handle being given away like that.

In that English countryside of my boyhood every human being had a “place.” It belonged to you from your birth like the colour of your eyes, it was inextricably your destiny. Above you were your betters, below you were your inferiors, and there were even an unstable questionable few, cases so disputable that you might for the rough purposes of every day at least, regard them as your equals. Head and centre of our system was Lady Drew, her “leddyship,” shrivelled, garrulous, with a wonderful memory for genealogies and very, very old, and beside her and nearly as old, Miss Somerville, her cousin and companion. These two old souls lived like dried-up kernels in the great shell of Bladesover House, the shell that had once been gaily full of fops, of fine ladies in powder and patches and courtly gentlemen with swords; and when there was no company they spent whole days in the corner parlour just over the housekeeper’s room, between reading and slumber and caressing their two pet dogs. When I was a boy I used always to think of these two poor old creatures as superior beings living, like God, somewhere through the ceiling. Occasionally they bumped about a bit and one even heard them overhead, which gave them a greater effect of reality without mitigating their vertical predominance. Sometimes too I saw them. Of course if I came upon them in the park or in the shrubbery (where I was a trespasser) I hid or fled in pious horror, but I was upon due occasion taken into the Presence by request. I remember her “leddyship” then as a thing of black silks and a golden chain, a quavering injunction to me to be a good boy, a very shrunken loose-skinned face and neck, and a ropy hand that trembled a halfcrown into mine. Miss Somerville hovered behind, a paler thing of broken lavender and white and black, with screwed up, sandy-lashed eyes. Her hair was yellow and her colour bright, and when we sat in the housekeeper’s room of a winter’s night warming our toes and sipping elder wine, her maid would tell us the simple secrets of that belated flush.... After my fight with young Garvell I was of course banished, and I never saw those poor old painted goddesses again.

In the English countryside of my childhood, everyone had their own “place.” It was yours from birth, like the color of your eyes; it was simply your fate. Above you were those of higher status, below you were those of lower status, and there were even a few uncertain ones, questionable enough that you could, for everyday purposes at least, think of them as your equals. At the center of our social structure was Lady Drew, her “ladieship,” shriveled and chatty, with an amazing memory for family trees—very, very old. Alongside her, and nearly as old, was Miss Somerville, her cousin and companion. These two elderly women lived like dried-up seeds in the grand shell of Bladesover House, a place that had once been lively with fops, elegantly dressed ladies with powder and patches, and courtly gentlemen with swords. When there were no guests, they spent whole days in the corner parlor just above the housekeeper’s room, alternating between reading, dozing, and pampering their two pet dogs. As a boy, I always viewed these two poor old ladies as superior beings, almost like gods, living somewhere up through the ceiling. Sometimes they moved around a bit, and you could hear them overhead, which made them feel more real without changing their lofty status. Occasionally, I saw them in person. If I happened to come across them in the park or in the shrubbery (where I shouldn’t have been), I would hide or run off in pious horror. However, on special occasions, I was summoned to see them. I remember her “ladieship” dressed in black silks and a golden chain, her shaky reminder for me to be a good boy, her face and neck loose and wrinkled, and her trembling hand handing me a half crown. Miss Somerville lingered behind, a paler figure in faded lavender, white, and black, with squinty, sandy-eyed lashes. Her hair was yellow, her complexion lively, and when we sat in the housekeeper’s room on a winter night, warming our toes and sipping elder wine, her maid would share simple secrets about that late-night blush... After my fight with young Garvell, I was, of course, banished, and I never saw those poor old painted goddesses again.

Then there came and went on these floors over our respectful heads, the Company; people I rarely saw, but whose tricks and manners were imitated and discussed by their maids and valets in the housekeeper’s room and the steward’s room—so that I had them through a medium at second hand. I gathered that none of the company were really Lady Drew’s equals, they were greater and lesser after the manner of all things in our world. Once I remember there was a Prince, with a real live gentleman in attendance, and that was a little above our customary levels and excited us all, and perhaps raised our expectations unduly. Afterwards, Rabbits, the butler, came into my mother’s room downstairs, red with indignation and with tears in his eyes. “Look at that!” gasped Rabbits. My mother was speechless with horror. That was a sovereign, a mere sovereign, such as you might get from any commoner!

Then there came and went on these floors above our respectful heads, the Company; people I rarely saw, but whose behaviors and quirks were mimicked and talked about by their maids and valets in the housekeeper’s room and the steward’s room—so I got to know them secondhand. I realized that none of the company were truly Lady Drew’s equals; they were ranked greater and lesser like everything else in our world. I remember there was once a Prince, with a real live gentleman by his side, and that felt a bit above our usual standards and excited us all, maybe raising our expectations too high. Later, Rabbits, the butler, came into my mother’s room downstairs, flushed with anger and tears in his eyes. “Look at that!” Rabbits gasped. My mother was speechless with shock. That was a sovereign, just a mere sovereign, like the kind you could get from any commoner!

After Company, I remember, came anxious days, for the poor old women upstairs were left tired and cross and vindictive, and in a state of physical and emotional indigestion after their social efforts....

After Company, I remember, came anxious days, because the poor old women upstairs were left tired, irritable, and resentful, in a state of physical and emotional discomfort after their social efforts....

On the lowest fringe of these real Olympians hung the vicarage people, and next to them came those ambiguous beings who are neither quality nor subjects. The vicarage people certainly hold a place by themselves in the typical English scheme; nothing is more remarkable than the progress the Church has made—socially—in the last two hundred years. In the early eighteenth century the vicar was rather under than over the house-steward, and was deemed a fitting match for the housekeeper or any not too morally discredited discard. The eighteenth century literature is full of his complaints that he might not remain at table to share the pie. He rose above these indignities because of the abundance of younger sons. When I meet the large assumptions of the contemporary cleric, I am apt to think of these things. It is curious to note that to-day that down-trodden, organ-playing creature, the Church of England village Schoolmaster, holds much the same position as the seventeenth century parson. The doctor in Bladesover ranked below the vicar but above the “vet,” artists and summer visitors squeezed in above or below this point according to their appearance and expenditure, and then in a carefully arranged scale came the tenantry, the butler and housekeeper, the village shopkeeper, the head keeper, the cook, the publican, the second keeper, the blacksmith (whose status was complicated by his daughter keeping the post-office—and a fine hash she used to make of telegrams too!) the village shopkeeper’s eldest son, the first footman, younger sons of the village shopkeeper, his first assistant, and so forth.

On the lowest edge of these true Olympians were the vicarage folks, and next to them were those ambiguous people who are neither high status nor subjects. The vicarage people definitely have a unique place in the typical English hierarchy; nothing is more striking than the social progress the Church has made in the past two hundred years. In the early eighteenth century, the vicar was considered somewhat below the house-steward and was seen as a suitable match for the housekeeper or any other not overly questionable option. Eighteenth-century literature is full of complaints from vicars who weren’t allowed to stay at the table to share the pie. He managed to rise above these indignities thanks to the abundance of younger sons. When I encounter the grand claims of today’s clerics, I can’t help but think of these things. Interestingly, today, that underappreciated, organ-playing figure, the Church of England village Schoolmaster, holds a similar position to that of the seventeenth-century parson. In Bladesover, the doctor was ranked below the vicar but above the vet, while artists and summer visitors were placed either above or below this based on their appearance and spending. Then, in a carefully arranged order, came the tenants, the butler and housekeeper, the village shopkeeper, the head keeper, the cook, the pub owner, the second keeper, the blacksmith (whose status was complicated by his daughter running the post office—and she really made a mess of the telegrams too!), the village shopkeeper’s oldest son, the first footman, younger sons of the village shopkeeper, his first assistant, and so on.

All these conceptions and applications of a universal precedence and much else I drank in at Bladesover, as I listened to the talk of valets, ladies’-maids, Rabbits the butler and my mother in the much-cupboarded, white-painted, chintz-brightened housekeeper’s room where the upper servants assembled, or of footmen and Rabbits and estate men of all sorts among the green baize and Windsor chairs of the pantry—where Rabbits, being above the law, sold beer without a license or any compunction—or of housemaids and still-room maids in the bleak, matting-carpeted still-room or of the cook and her kitchen maids and casual friends among the bright copper and hot glow of the kitchens.

All these ideas and uses of a universal order and so much more I absorbed at Bladesover, as I listened to the conversations of valets, ladies’ maids, Rabbits the butler, and my mother in the cluttered, white-painted, cheery housekeeper’s room where the upper servants gathered, or among footmen, Rabbits, and estate workers of all kinds in the pantry with its green baize and Windsor chairs—where Rabbits, being above the law, sold beer without a license or any guilt—or of housemaids and still-room maids in the bare, matting-covered still-room or of the cook and her kitchen maids and occasional guests among the shining copper and warm glow of the kitchens.

Of course their own ranks and places came by implication to these people, and it was with the ranks and places of the Olympians that the talk mainly concerned itself. There was an old peerage and a Crockford together with the books of recipes, the Whitaker’s Almanack, the Old Moore’s Almanack, and the eighteenth century dictionary, on the little dresser that broke the cupboards on one side of my mother’s room; there was another peerage, with the covers off, in the pantry; there was a new peerage in the billiard-room, and I seem to remember another in the anomalous apartment that held the upper servants’ bagatelle board and in which, after the Hall dinner, they partook of the luxury of sweets. And if you had asked any of those upper servants how such and such a Prince of Battenberg was related to, let us say, Mr. Cunninghame Graham or the Duke of Argyle, you would have been told upon the nail. As a boy, I heard a great deal of that sort of thing, and if to this day I am still a little vague about courtesy titles and the exact application of honorifics, it is, I can assure you, because I hardened my heart, and not from any lack of adequate opportunity of mastering these succulent particulars.

Of course, their own ranks and positions were implied to these people, and the conversation mainly focused on the ranks and positions of the Olympians. There was an old peerage book and a Crockford, along with recipe books, Whitaker’s Almanack, Old Moore’s Almanack, and an eighteenth-century dictionary on the little dresser that separated the cupboards in my mother’s room; there was another peerage book, with the covers off, in the pantry; a new peerage was in the billiard room, and I seem to remember another in the odd room that had the upper servants’ bagatelle board, where, after Hall dinner, they enjoyed the indulgence of sweets. And if you had asked any of those upper servants how a certain Prince of Battenberg was related to, let’s say, Mr. Cunninghame Graham or the Duke of Argyle, they would have promptly told you. As a boy, I heard a lot about this sort of thing, and if to this day I’m still a bit unclear about courtesy titles and the exact use of honorifics, I assure you it’s because I chose not to care, not because I lacked the chance to grasp these intriguing details.

Dominating all these memories is the figure of my mother—my mother who did not love me because I grew liker my father every day—and who knew with inflexible decision her place and the place of every one in the world—except the place that concealed my father—and in some details mine. Subtle points were put to her. I can see and hear her saying now, “No, Miss Fison, peers of England go in before peers of the United Kingdom, and he is merely a peer of the United Kingdom.” She had much exercise in placing people’s servants about her tea-table, where the etiquette was very strict. I wonder sometimes if the etiquette of housekeepers’ rooms is as strict to-day, and what my mother would have made of a chauffeur....

Dominating all these memories is the figure of my mother—my mother who didn't love me because I became more like my father every day—and who knew with strict certainty her own place and the place of everyone else in the world—except for the place that hid my father—and in some details, mine. Subtle questions were often presented to her. I can still see and hear her saying now, “No, Miss Fison, peers of England go in before peers of the United Kingdom, and he is merely a peer of the United Kingdom.” She had a lot of practice arranging people’s servants around her tea table, where the etiquette was very strict. I sometimes wonder if the etiquette in housekeepers’ rooms is still as strict today, and what my mother would have thought of a chauffeur....

On the whole I am glad that I saw so much as I did of Bladesover—if for no other reason than because seeing it when I did, quite naively, believing in it thoroughly, and then coming to analyse it, has enabled me to understand much that would be absolutely incomprehensible in the structure of English society. Bladesover is, I am convinced, the clue to almost all that is distinctively British and perplexing to the foreign inquirer in England and the English-speaking peoples. Grasp firmly that England was all Bladesover two hundred years ago; that it has had Reform Acts indeed, and such—like changes of formula, but no essential revolution since then; that all that is modern and different has come in as a thing intruded or as a gloss upon this predominant formula, either impertinently or apologetically; and you will perceive at once the reasonableness, the necessity, of that snobbishness which is the distinctive quality of English thought. Everybody who is not actually in the shadow of a Bladesover is as it were perpetually seeking after lost orientations. We have never broken with our tradition, never even symbolically hewed it to pieces, as the French did in quivering fact in the Terror. But all the organizing ideas have slackened, the old habitual bonds have relaxed or altogether come undone. And America too, is, as it were, a detached, outlying part of that estate which has expanded in queer ways. George Washington, Esquire, was of the gentlefolk, and he came near being a King. It was Plutarch, you know, and nothing intrinsically American that prevented George Washington being a King....

Overall, I'm glad I experienced so much of Bladesover—if for no other reason than that seeing it when I did, completely naively and believing in it wholeheartedly, and then analyzing it later, has helped me understand a lot that would be completely incomprehensible about the structure of English society. Bladesover is, I believe, the key to almost everything distinctly British that confuses foreign observers in England and among English-speaking peoples. Keep in mind that England was basically all Bladesover two hundred years ago; there have been Reform Acts and similar changes, but no fundamental revolution since then; everything modern and different has emerged as either an intrusion or a superficial addition to this dominant formula, either in a bold manner or with an apologetic tone. When you recognize this, you'll immediately understand the reasonableness and necessity of that snobbishness, which is a defining trait of English thought. Everyone who isn’t directly associated with a Bladesover is essentially always searching for lost direction. We have never completely broken away from our tradition, never even symbolically shattered it like the French did during the Terror. But all the organizing ideas have weakened, the old habitual ties have loosened, or have completely come apart. And America is, in a way, a detached, peripheral part of that estate that has developed in strange ways. George Washington, Esquire, belonged to the gentry, and he almost became a King. It was Plutarch, you see, and nothing essentially American that stopped George Washington from becoming a King....

IV

I hated teatime in the housekeeper’s room more than anything else at Bladesover. And more particularly I hated it when Mrs. Mackridge and Mrs. Booch and Mrs. Latude-Fernay were staying in the house. They were, all three of them, pensioned-off servants.

I hated teatime in the housekeeper’s room more than anything else at Bladesover. And especially, I hated it when Mrs. Mackridge, Mrs. Booch, and Mrs. Latude-Fernay were staying in the house. They were all three retired servants.

Old friends of Lady Drew’s had rewarded them posthumously for a prolonged devotion to their minor comforts, and Mrs. Booch was also trustee for a favourite Skye terrier. Every year Lady Drew gave them an invitation—a reward and encouragement of virtue with especial reference to my mother and Miss Fison, the maid. They sat about in black and shiny and flouncey clothing adorned with gimp and beads, eating great quantities of cake, drinking much tea in a stately manner and reverberating remarks.

Old friends of Lady Drew had given them posthumous gifts for their long-standing care of their small comforts, and Mrs. Booch was also the trustee for a beloved Skye terrier. Every year, Lady Drew sent them an invitation—a reward and encouragement for their goodness, especially for my mother and Miss Fison, the maid. They lounged around in black, shiny, frilly outfits decorated with gimp and beads, eating lots of cake, drinking a lot of tea in a dignified way, and sharing loud comments.

I remember these women as immense. No doubt they were of negotiable size, but I was only a very little chap and they have assumed nightmare proportions in my mind. They loomed, they bulged, they impended. Mrs. Mackridge was large and dark; there was a marvel about her head, inasmuch as she was bald. She wore a dignified cap, and in front of that upon her brow, hair was painted. I have never seen the like since. She had been maid to the widow of Sir Roderick Blenderhasset Impey, some sort of governor or such-like portent in the East Indies, and from her remains—in Mrs. Mackridge—I judge Lady Impey was a very stupendous and crushing creature indeed. Lady Impey had been of the Juno type, haughty, unapproachable, given to irony and a caustic wit. Mrs. Mackridge had no wit, but she had acquired the caustic voice and gestures along with the old satins and trimmings of the great lady. When she told you it was a fine morning, she seemed also to be telling you you were a fool and a low fool to boot; when she was spoken to, she had a way of acknowledging your poor tinkle of utterance with a voluminous, scornful “Haw!” that made you want to burn her alive. She also had a way of saying “Indade!” with a droop of the eyelids.

I remember these women as enormous. They might have been a manageable size, but I was just a little kid, and in my mind, they took on nightmarish proportions. They towered, they bulged, they loomed over me. Mrs. Mackridge was large and dark; her bald head was quite remarkable. She wore a dignified cap, and on her forehead, her hair was painted. I’ve never seen anything like it since. She had been the maid to the widow of Sir Roderick Blenderhasset Impey, some kind of governor or notable figure in the East Indies, and from what I gathered from Mrs. Mackridge, Lady Impey must have been an incredibly imposing presence. Lady Impey had the Juno type of demeanor—proud, unapproachable, known for her irony and biting wit. Mrs. Mackridge lacked wit, but she had picked up the sharp tone and gestures along with the old silks and embellishments of the great lady. When she told you it was a nice morning, it felt like she was also saying you were an idiot and a downright low one at that; when she was addressed, she had a way of responding to your feeble attempts to speak with a loud, disdainful “Haw!” that made you want to set her on fire. She also had a way of saying “Indade!” with a slight droop of her eyelids.

Mrs. Booch was a smaller woman, brown haired, with queer little curls on either side of her face, large blue eyes and a small set of stereotyped remarks that constituted her entire mental range. Mrs. Latude-Fernay has left, oddly enough, no memory at all except her name and the effect of a green-grey silk dress, all set with gold and blue buttons. I fancy she was a large blonde. Then there was Miss Fison, the maid who served both Lady Drew and Miss Somerville, and at the end of the table opposite my mother, sat Rabbits the butler. Rabbits, for a butler, was an unassuming man, and at tea he was not as you know butlers, but in a morning coat and a black tie with blue spots. Still, he was large, with side whiskers, even if his clean-shaven mouth was weak and little. I sat among these people on a high, hard, early Gregorian chair, trying to exist, like a feeble seedling amidst great rocks, and my mother sat with an eye upon me, resolute to suppress the slightest manifestation of vitality. It was hard on me, but perhaps it was also hard upon these rather over-fed, ageing, pretending people, that my youthful restlessness and rebellious unbelieving eyes should be thrust in among their dignities.

Mrs. Booch was a short woman with brown hair and quirky little curls on either side of her face. She had large blue eyes and a small set of clichéd remarks that made up her entire way of thinking. Mrs. Latude-Fernay, strangely enough, left no impression other than her name and the memory of a green-grey silk dress adorned with gold and blue buttons. I think she must have been a tall blonde. Then there was Miss Fison, the maid who served both Lady Drew and Miss Somerville, and at the end of the table opposite my mother sat Rabbits, the butler. For a butler, Rabbits was quite unassuming; at tea, he was dressed not like the traditional butler but in a morning coat and a black tie with blue spots. Still, he was a big guy with side whiskers, even if his clean-shaven mouth looked weak and small. I sat among these people on a high, hard, early Gregorian chair, struggling to exist like a fragile seedling among huge rocks, while my mother kept a watchful eye on me, determined to suppress any sign of energy. It was tough on me, but perhaps it was also hard on these rather overindulged, aging, pretentious people that my youthful restlessness and skeptical, questioning gaze were imposed upon their pretenses.

Tea lasted for nearly three-quarters of an hour, and I sat it out perforce; and day after day the talk was exactly the same.

Tea lasted for almost forty-five minutes, and I had no choice but to sit through it; and day after day, the conversation was exactly the same.

“Sugar, Mrs. Mackridge?” my mother used to ask.

“Sugar, Mrs. Mackridge?” my mom used to ask.

“Sugar, Mrs. Latude-Fernay?”

“Sugar, Mrs. Latude-Fernay?”

The word sugar would stir the mind of Mrs. Mackridge. “They say,” she would begin, issuing her proclamation—at least half her sentences began “they say”—“sugar is fatt-an-ing, nowadays. Many of the best people do not take it at all.”

The word sugar would get Mrs. Mackridge thinking. “They say,” she would start, making her statement—at least half of her sentences started with “they say”—“sugar is fattening these days. Many of the best people don’t take it at all.”

“Not with their tea, ma’am,” said Rabbits intelligently.

“Not with their tea, ma’am,” said Rabbits smartly.

“Not with anything,” said Mrs. Mackridge, with an air of crushing repartee, and drank.

“Not with anything,” said Mrs. Mackridge, with a vibe of sharp wit, and took a sip.

“What won’t they say next?” said Miss Fison.

“What won’t they say next?” Miss Fison said.

“They do say such things!” said Mrs. Booch.

“They really say stuff like that!” Mrs. Booch exclaimed.

“They say,” said Mrs. Mackridge, inflexibly, “the doctors are not recomm-an-ding it now.”

“They say,” said Mrs. Mackridge, firmly, “the doctors aren’t recommending it now.”

My Mother: “No, ma’am?”

My Mom: “No, ma’am?”

Mrs. Mackridge: “No, ma’am.”

Mrs. Mackridge: “No, ma'am.”

Then, to the table at large: “Poor Sir Roderick, before he died, consumed great quan-ta-ties of sugar. I have sometimes fancied it may have hastened his end.”

Then, to the table at large: “Poor Sir Roderick, before he died, ate a lot of sugar. I’ve sometimes thought it might have sped up his end.”

This ended the first skirmish. A certain gloom of manner and a pause was considered due to the sacred memory of Sir Roderick.

This wrapped up the first skirmish. A certain sadness and silence were observed in honor of the cherished memory of Sir Roderick.

“George,” said my mother, “don’t kick the chair!”

“George,” my mom said, “don’t kick the chair!”

Then, perhaps, Mrs. Booch would produce a favourite piece from her repertoire. “The evenings are drawing out nicely,” she would say, or if the season was decadent, “How the evenings draw in!” It was an invaluable remark to her; I do not know how she would have got along without it.

Then, maybe, Mrs. Booch would share a favorite piece from her collection. “The evenings are getting longer,” she would say, or if it was the end of the season, “How the evenings are getting shorter!” It was an essential comment for her; I don’t know how she would have managed without it.

My mother, who sat with her back to the window, would always consider it due to Mrs. Booch to turn about and regard the evening in the act of elongation or contraction, whichever phase it might be.

My mother, who sat with her back to the window, would always feel it was courtesy to Mrs. Booch to turn around and look at the evening as it stretched or shrank, depending on the phase it was in.

A brisk discussion of how long we were to the longest or shortest day would ensue, and die away at last exhausted.

A lively discussion about how we were linked to the longest or shortest day would follow, and eventually fade away when we were worn out.

Mrs. Mackridge, perhaps, would reopen. She had many intelligent habits; among others she read the paper—The Morning Post. The other ladies would at times tackle that sheet, but only to read the births, marriages, and deaths on the front page. It was, of course, the old Morning Post that cost threepence, not the brisk coruscating young thing of to-day. “They say,” she would open, “that Lord Tweedums is to go to Canada.”

Mrs. Mackridge might reopen. She had a lot of smart habits; for example, she read the paper—The Morning Post. The other ladies would occasionally take a look at it, but only to check out the births, marriages, and deaths on the front page. It was, of course, the old Morning Post that cost threepence, not the lively, sparkling version we have today. “They say,” she would start, “that Lord Tweedums is going to Canada.”

“Ah!” said Mr. Rabbits; “dew they?”

“Ah!” said Mr. Rabbits; “Do they?”

“Isn’t he,” said my mother, “the Earl of Slumgold’s cousin?” She knew he was; it was an entirely irrelevant and unnecessary remark, but still, something to say.

“Isn’t he,” my mom said, “the Earl of Slumgold’s cousin?” She knew he was; it was a completely unnecessary comment, but still, it was something to say.

“The same, ma’am,” said Mrs. Mackridge. “They say he was extremelay popular in New South Wales. They looked up to him greatlay. I knew him, ma’am, as a young man. A very nice pleasant young fella.”

“The same, ma’am,” said Mrs. Mackridge. “They say he was extremely popular in New South Wales. They looked up to him greatly. I knew him, ma’am, as a young man. A very nice, pleasant young guy.”

Interlude of respect.

Moment of respect.

“’Is predecessor,” said Rabbits, who had acquired from some clerical model a precise emphatic articulation without acquiring at the same time the aspirates that would have graced it, “got into trouble at Sydney.”

“’Is predecessor,” said Rabbits, who had picked up a clear and forceful way of speaking from some clerical example without picking up the breathy sounds that would have made it better, “got into trouble at Sydney.”

“Haw!” said Mrs. Mackridge, scornfully, “so am tawled.”

“Haw!” said Mrs. Mackridge, mockingly, “so am I.”

“’E came to Templemorton after ’e came back, and I remember them talking ’im over after ’e’d gone again.”

“He came to Templemorton after he came back, and I remember them discussing him after he left again.”

“Haw?” said Mrs. Mackridge, interrogatively.

“Huh?” said Mrs. Mackridge, questioning.

“’Is fuss was quotin’ poetry, ma’am. ’E said—what was it ’e said—‘They lef’ their country for their country’s good,’—which in some way was took to remind them of their being originally convic’s, though now reformed. Every one I ’eard speak, agreed it was takless of ’im.”

Is fuss was quoting poetry, ma’am. ’E said—what was it ’e said—‘They left their country for their country’s good,’—which in some way was taken to remind them of their being originally convicts, though now reformed. Everyone I heard speak agreed it was tasteless of him.”

“Sir Roderick used to say,” said Mrs. Mackridge, “that the First Thing,”—here Mrs. Mackridge paused and looked dreadfully at me—“and the Second Thing”—here she fixed me again—“and the Third Thing”—now I was released—“needed in a colonial governor is Tact.” She became aware of my doubts again, and added predominantly, “It has always struck me that that was a Singularly True Remark.”

“Sir Roderick used to say,” Mrs. Mackridge said, “that the First Thing,”—she paused and looked at me with a serious expression—“and the Second Thing”—she locked eyes with me again—“and the Third Thing”—now I was finally off the hook—“that a colonial governor needs is Tact.” She noticed my skepticism and emphasized, “It has always seemed to me that this is a particularly accurate statement.”

I resolved that if ever I found this polypus of Tact growing up in my soul, I would tear it out by the roots, throw it forth and stamp on it.

I decided that if I ever found this polyp of negativity growing in my soul, I would rip it out by the roots, throw it away, and step on it.

“They’re queer people—colonials,” said Rabbits, “very queer. When I was at Templemorton I see something of ’em. Queer fellows, some of ’em. Very respectful of course, free with their money in a spasammy sort of way, but—Some of ’em, I must confess, make me nervous. They have an eye on you. They watch you—as you wait. They let themselves appear to be lookin’ at you...”

“They're unusual people—colonials,” said Rabbits, “really unusual. When I was at Templemorton, I saw some of them. Strange guys, some of them. Very polite, of course, and they’re generous with their money in a somewhat flashy way, but—Some of them, I have to admit, make me uneasy. They keep an eye on you. They watch you while you wait. They make it seem like they're looking at you...”

My mother said nothing in that discussion. The word colonies always upset her. She was afraid, I think, that if she turned her mind in that direction my errant father might suddenly and shockingly be discovered, no doubt conspicuously bigamic and altogether offensive and revolutionary. She did not want to rediscover my father at all.

My mom stayed quiet during that conversation. The word "colonies" always bothered her. I think she was worried that if she thought about it, she might suddenly and surprisingly find out about my wayward dad, who would probably be seen as openly married to two people and completely scandalous and revolutionary. She didn’t want to think about my dad at all.

It is curious that when I was a little listening boy I had such an idea of our colonies that I jeered in my heart at Mrs. Mackridge’s colonial ascendancy. These brave emancipated sunburnt English of the open, I thought, suffer these aristocratic invaders as a quaint anachronism, but as for being gratified—!

It’s interesting that when I was a little boy listening in, I had such a view of our colonies that I secretly mocked Mrs. Mackridge’s colonial dominance. I thought these bold, sun-tanned English people of the outdoors were just putting up with these aristocratic intruders as a strange throwback, but as for feeling pleased—!

I don’t jeer now. I’m not so sure.

I don't mock anymore. I'm not so certain.

V

It is a little difficult to explain why I did not come to do what was the natural thing for any one in my circumstances to do, and take my world for granted. A certain innate scepticism, I think, explains it and a certain inaptitude for sympathetic assimilation. My father, I believe, was a sceptic; my mother was certainly a hard woman.

It’s a bit hard to explain why I didn’t do what would be the obvious choice for anyone in my situation and just accept my life as it was. I think a natural skepticism explains my behavior, along with a lack of ability to easily connect with others. My father, I believe, was a skeptic; my mother was definitely a tough woman.

I was an only child, and to this day I do not know whether my father is living or dead. He fled my mother’s virtues before my distincter memories began. He left no traces in his flight, and she, in her indignation, destroyed every vestige that she could of him. Never a photograph nor a scrap of his handwriting have I seen; and it was, I know, only the accepted code of virtue and discretion that prevented her destroying her marriage certificate and me, and so making a clean sweep of her matrimonial humiliation. I suppose I must inherit something of the moral stupidity that would enable her to make a holocaust of every little personal thing she had of him. There must have been presents made by him as a lover, for example—books with kindly inscriptions, letters perhaps, a flattened flower, a ring, or such-like gage. She kept her wedding-ring, of course, but all the others she destroyed. She never told me his christian name or indeed spoke a word to me of him; though at times I came near daring to ask her: add what I have of him—it isn’t much—I got from his brother, my hero, my uncle Ponderevo. She wore her ring; her marriage certificate she kept in a sealed envelope in the very bottom of her largest trunk, and me she sustained at a private school among the Kentish hills. You must not think I was always at Bladesover—even in my holidays. If at the time these came round, Lady Drew was vexed by recent Company, or for any other reason wished to take it out of my mother, then she used to ignore the customary reminder my mother gave her, and I “stayed on” at the school.

I was an only child, and to this day I still don’t know if my father is alive or dead. He left my mother before my clearer memories began. He left no traces behind, and she, in her anger, destroyed every reminder of him that she could. I’ve never seen a photo of him or a piece of his handwriting; it was only the accepted norms of virtue and discretion that stopped her from getting rid of her marriage certificate and me, thus making a complete break from her marital shame. I guess I must have inherited some of the moral cluelessness that allowed her to wipe out every personal thing she had of him. There had to be gifts from him as a lover—maybe books with sweet notes, letters, a pressed flower, a ring, or something similar. She kept her wedding ring, of course, but she got rid of all the others. She never told me his first name or even mentioned him; though sometimes I almost dared to ask her, what I have of him—it isn’t much—I got from his brother, my hero, my Uncle Ponderevo. She wore her ring; her marriage certificate was hidden in a sealed envelope at the very bottom of her biggest trunk, and she supported me at a private school in the Kentish hills. You shouldn’t think I was always at Bladesover—even during the holidays. If, when the holidays came around, Lady Drew was upset about recent visitors, or for any other reason wanted to take it out on my mother, she would sometimes ignore the usual reminder my mother gave her, and I would “stay on” at the school.

But such occasions were rare, and I suppose that between ten and fourteen I averaged fifty days a year at Bladesover.

But those times were uncommon, and I guess that between the ages of ten and fourteen, I spent about fifty days a year at Bladesover.

Don’t imagine I deny that was a fine thing for me. Bladesover, in absorbing the whole countryside, had not altogether missed greatness. The Bladesover system has at least done one good thing for England, it has abolished the peasant habit of mind. If many of us still live and breathe pantry and housekeeper’s room, we are quit of the dream of living by economising parasitically on hens and pigs.... About that park there were some elements of a liberal education; there was a great space of greensward not given over to manure and food grubbing; there was mystery, there was matter for the imagination. It was still a park of deer. I saw something of the life of these dappled creatures, heard the belling of stags, came upon young fawns among the bracken, found bones, skulls, and antlers in lonely places. There were corners that gave a gleam of meaning to the word forest, glimpses of unstudied natural splendour. There was a slope of bluebells in the broken sunlight under the newly green beeches in the west wood that is now precious sapphire in my memory; it was the first time that I knowingly met Beauty.

Don’t think I’m denying that it was a great experience for me. Bladesover, in taking over the entire countryside, hadn't completely overlooked greatness. The Bladesover system has at least done one good thing for England: it has eliminated the peasant mindset. While many of us still live and breathe pantry and housekeeper’s room, we've moved on from the dream of living by parasitically saving on hens and pigs... Around that park, there were some aspects of a well-rounded education; there was a vast expanse of green grass not dedicated to manure and food gathering; there was mystery and something to spark the imagination. It was still a deer park. I glimpsed some of the life of these spotted creatures, heard the roars of stags, stumbled upon young fawns among the bracken, and discovered bones, skulls, and antlers in secluded spots. There were areas that truly captured the essence of what a forest means, with glimpses of untamed natural beauty. There was a slope of bluebells in the dappled sunlight under the newly green beech trees in the west wood that has now become a precious memory for me; it was the first time I consciously experienced Beauty.

And in the house there were books. The rubbish old Lady Drew read I never saw; stuff of the Maria Monk type, I have since gathered, had a fascination for her; but back in the past there had been a Drew of intellectual enterprise, Sir Cuthbert, the son of Sir Matthew who built the house; and thrust away, neglected and despised, in an old room upstairs, were books and treasures of his that my mother let me rout among during a spell of wintry wet. Sitting under a dormer window on a shelf above great stores of tea and spices, I became familiar with much of Hogarth in a big portfolio, with Raphael, there was a great book of engravings from the stanzas of Raphael in the Vatican—and with most of the capitals of Europe as they had looked about 1780, by means of several pig iron-moulded books of views. There was also a broad eighteenth century atlas with huge wandering maps that instructed me mightily. It had splendid adornments about each map title; Holland showed a fisherman and his boat; Russia a Cossack; Japan, remarkable people attired in pagodas—I say it deliberately, “pagodas.” There were Terrae Incognitae in every continent then, Poland, Sarmatia, lands since lost; and many a voyage I made with a blunted pin about that large, incorrect and dignified world. The books in that little old closet had been banished, I suppose, from the saloon during the Victorian revival of good taste and emasculated orthodoxy, but my mother had no suspicion of their character. So I read and understood the good sound rhetoric of Tom Paine’s “Rights of Man,” and his “Common Sense,” excellent books, once praised by bishops and since sedulously lied about. Gulliver was there unexpurgated, strong meat for a boy perhaps but not too strong I hold—I have never regretted that I escaped niceness in these affairs. The satire of Traldragdubh made my blood boil as it was meant to do, but I hated Swift for the Houyhnhnms and never quite liked a horse afterwards. Then I remember also a translation of Voltaire’s “Candide,” and “Rasselas;” and, vast book though it was, I really believe I read, in a muzzy sort of way of course, from end to end, and even with some reference now and then to the Atlas, Gibbon—in twelve volumes.

And in the house, there were books. The awful old Lady Drew read stuff I never saw; I later learned she was into things like Maria Monk, which fascinated her. But back in the day, there was a Drew with real intellectual drive, Sir Cuthbert, the son of Sir Matthew who built the house. Up in a neglected room upstairs were his books and treasures that my mom let me rummage through during a wet winter spell. Sitting under a dormer window on a shelf above a stash of tea and spices, I got familiar with a lot of Hogarth in a big portfolio, and with Raphael, there was a hefty book of engravings from the Vatican. I also explored how most of Europe looked around 1780 through several cast-iron books filled with views. There was even a broad eighteenth-century atlas with huge, wandering maps that taught me a lot. Each map title had great decorations; Holland featured a fisherman and his boat, Russia showcased a Cossack, and Japan displayed remarkable people dressed in pagodas—I say that intentionally, “pagodas.” There were Terrae Incognitae on every continent then, Poland, Sarmatia, lands that have vanished; I took many imaginary journeys with a dull pin across that large, inaccurate, and refined world. Those books in that little old closet must have been banished from the parlor during the Victorian revival of good taste and strict orthodoxy, but my mom had no clue about their content. So I read and grasped the solid rhetoric of Tom Paine’s “Rights of Man” and his “Common Sense,” great books, once admired by bishops and later often misrepresented. Gulliver was there unedited, perhaps a bit too intense for a boy, but I don’t think it was too much—I’ve never regretted avoiding the blandness in these matters. The satire of Traldragdubh made my blood boil, which was the point, but I disliked Swift because of the Houyhnhnms and never quite liked horses afterward. I also recall a translation of Voltaire’s “Candide,” and “Rasselas;” and despite being a massive book, I genuinely think I read Gibbon—from cover to cover, in a fuzzy sort of way, of course, occasionally referencing the Atlas, in twelve volumes.

These readings whetted my taste for more, and surreptitiously I raided the bookcases in the big saloon. I got through quite a number of books before my sacrilegious temerity was discovered by Ann, the old head-housemaid. I remember that among others I tried a translation of Plato’s “Republic” then, and found extraordinarily little interest in it; I was much too young for that; but “Vathek”—“Vathek” was glorious stuff. That kicking affair! When everybody had to kick!

These readings sparked my curiosity for more, and secretly I rummaged through the bookcases in the large living room. I went through quite a few books before my impudent behavior was noticed by Ann, the old head housemaid. I remember I attempted to read a translation of Plato’s “Republic” back then and found it surprisingly dull; I was way too young for that. But “Vathek”—“Vathek” was amazing. That kicky story! When everyone had to kick!

The thought of “Vathek” always brings back with it my boyish memory of the big saloon at Bladesover.

The thought of “Vathek” always brings back my childhood memory of the big lounge at Bladesover.

It was a huge long room with many windows opening upon the park, and each window—there were a dozen or more reaching from the floor up—had its elaborate silk or satin curtains, heavily fringed, a canopy (is it?) above, its completely white shutters folding into the deep thickness of the wall. At either end of that great still place was an immense marble chimney-piece; the end by the bookcase showed the wolf and Romulus and Remus, with Homer and Virgil for supporters; the design of the other end I have forgotten. Frederick, Prince of Wales, swaggered flatly over the one, twice life-size, but mellowed by the surface gleam of oil; and over the other was an equally colossal group of departed Drews as sylvan deities, scantily clad, against a storm-rent sky. Down the centre of the elaborate ceiling were three chandeliers, each bearing some hundreds of dangling glass lustres, and over the interminable carpet—it impressed me as about as big as Sarmatia in the store-room Atlas—were islands and archipelagoes of chintz-covered chairs and couches, tables, great Sevres vases on pedestals, a bronze man and horse. Somewhere in this wilderness one came, I remember, upon—a big harp beside a lyre-shaped music stand, and a grand piano....

It was a huge long room with many windows opening onto the park, and each window—more than a dozen stretching from floor to ceiling—had its fancy silk or satin curtains, heavily fringed, a canopy (maybe?) above, and completely white shutters that folded into the deep wall. At either end of that great, quiet space was a massive marble fireplace; the end near the bookcase featured the wolf and Romulus and Remus, with Homer and Virgil as supporters; I’ve forgotten the design of the other end. Frederick, Prince of Wales, swaggered flatly over the one, twice life-size, but softened by the shiny oil surface; and on the other end was an equally large group of long-gone Drews as forest deities, scantily dressed, against a stormy sky. Down the center of the ornate ceiling hung three chandeliers, each with hundreds of dangling glass prisms, and over the enormous carpet—it seemed as big as Sarmatia in the Atlas storeroom—were clusters of chintz-covered chairs and sofas, tables, large Sevres vases on pedestals, and a bronze man and horse. Somewhere in this expanse, I remember spotting—a big harp next to a lyre-shaped music stand, and a grand piano....

The book-borrowing raid was one of extraordinary dash and danger.

The book-borrowing raid was one of incredible daring and risk.

One came down the main service stairs—that was legal, and illegality began in a little landing when, very cautiously, one went through a red baize door. A little passage led to the hall, and here one reconnoitered for Ann, the old head-housemaid—the younger housemaids were friendly and did not count. Ann located, came a dash across the open space at the foot of that great staircase that has never been properly descended since powder went out of fashion, and so to the saloon door. A beast of an oscillating Chinaman in china, as large as life, grimaced and quivered to one’s lightest steps. That door was the perilous place; it was double with the thickness of the wall between, so that one could not listen beforehand for the whisk of the feather-brush on the other side. Oddly rat-like, is it not, this darting into enormous places in pursuit of the abandoned crumbs of thought?

One came down the main service stairs—that was allowed, but things got tricky at a small landing when, very carefully, one passed through a red baize door. A short passage led to the hall, where one looked for Ann, the old head housemaid—the younger maids were friendly and didn’t matter as much. Once Ann was spotted, there was a quick dash across the open space at the bottom of that grand staircase that hasn’t been properly used since powder went out of style, and then to the saloon door. A huge, oscillating Chinese figure in china, lifelike and all, grimaced and shook with even the lightest steps. That door was the risky spot; it was double the thickness of the wall between, making it impossible to listen beforehand for the sound of the feather brush on the other side. Oddly rat-like, isn’t it, this rush into vast places in search of the forgotten crumbs of thought?

And I found Langhorne’s “Plutarch” too, I remember, on those shelves. It seems queer to me now to think that I acquired pride and self-respect, the idea of a state and the germ of public spirit, in such a furtive fashion; queer, too, that it should rest with an old Greek, dead these eighteen hundred years to teach that.

And I found Langhorne’s “Plutarch” too, I remember, on those shelves. It feels strange to me now to think that I gained pride and self-respect, the concept of a community, and the beginnings of civic responsibility in such a sneaky way; also strange that it should be an old Greek, who’s been dead for eighteen hundred years, teaching that.

VI

The school I went to was the sort of school the Bladesover system permitted. The public schools that add comic into existence in the brief glow of the Renascence had been taken possession of by the ruling class; the lower classes were not supposed to stand in need of schools, and our middle stratum got the schools it deserved, private schools, schools any unqualified pretender was free to establish. Mine was kept by a man who had had the energy to get himself a College of Preceptors diploma, and considering how cheap his charges were, I will readily admit the place might have been worse. The building was a dingy yellow-brick residence outside the village, with the schoolroom as an outbuilding of lath and plaster.

The school I attended was the kind allowed by the Bladesover system. The public schools that sparked creativity during the brief period of the Renaissance had been taken over by the ruling class; the lower classes weren’t expected to need schools, and our middle class got the schools it deserved—private schools, where any unqualified wannabe could set one up. Mine was run by a guy who managed to earn a College of Preceptors diploma, and given how low his fees were, I’ll admit the place could have been worse. The building was a rundown yellow-brick house on the edge of the village, with the schoolroom being a separate structure made of lath and plaster.

I do not remember that my school-days were unhappy—indeed I recall a good lot of fine mixed fun in them—but I cannot without grave risk of misinterpretation declare that we were at all nice and refined. We fought much, not sound formal fighting, but “scrapping” of a sincere and murderous kind, into which one might bring one’s boots—it made us tough at any rate—and several of us were the sons of London publicans, who distinguished “scraps” where one meant to hurt from ordered pugilism, practising both arts, and having, moreover, precocious linguistic gifts. Our cricket-field was bald about the wickets, and we played without style and disputed with the umpire; and the teaching was chiefly in the hands of a lout of nineteen, who wore ready-made clothes and taught despicably. The head-master and proprietor taught us arithmetic, algebra, and Euclid, and to the older boys even trigonometry, himself; he had a strong mathematical bias, and I think now that by the standard of a British public school he did rather well by us.

I don't remember my school days as being unhappy—in fact, I recall a lot of mixed fun during that time—but I can't say we were particularly nice or refined without risking serious misunderstanding. We fought a lot, not in a formal way, but in a genuine and aggressive manner, where one could really get hurt—it at least toughened us up—and several of us were the sons of London pub owners, who understood the difference between rough fights and orderly boxing, practicing both skills and also having a knack for language. Our cricket field was bare around the wickets, and we played without any real style, often arguing with the umpire; the teaching was mainly done by a nineteen-year-old who wore off-the-rack clothes and taught poorly. The headmaster and owner taught us math, algebra, and Euclid, and even trigonometry to the older boys himself; he had a strong background in math, and I now think that compared to a typical British public school, he did fairly well by us.

We had one inestimable privilege at that school, and that was spiritual neglect. We dealt with one another with the forcible simplicity of natural boys, we “cheeked,” and “punched” and “clouted”; we thought ourselves Red Indians and cowboys and such-like honourable things, and not young English gentlemen; we never felt the strain of “Onward Christian soldiers,” nor were swayed by any premature piety in the cold oak pew of our Sunday devotions. All that was good. We spent our rare pennies in the uncensored reading matter of the village dame’s shop, on the Boys of England, and honest penny dreadfuls—ripping stuff, stuff that anticipated Haggard and Stevenson, badly printed and queerly illustrated, and very very good for us. On our half-holidays we were allowed the unusual freedom of rambling in twos and threes wide and far about the land, talking experimentally, dreaming wildly. There was much in those walks! To this day the landscape of the Kentish world, with its low broad distances, its hop gardens and golden stretches of wheat, its oasts and square church towers, its background of downland and hangers, has for me a faint sense of adventure added to the pleasure of its beauty. We smoked on occasion, but nobody put us up to the proper “boyish” things to do; we never “robbed an orchard” for example, though there were orchards all about us, we thought stealing was sinful, we stole incidental apples and turnips and strawberries from the fields indeed, but in a criminal inglorious fashion, and afterwards we were ashamed. We had our days of adventure, but they were natural accidents, our own adventures. There was one hot day when several of us, walking out towards Maidstone, were incited by the devil to despise ginger beer, and we fuddled ourselves dreadfully with ale; and a time when our young minds were infected to the pitch of buying pistols, by the legend of the Wild West. Young Roots from Highbury came back with a revolver and cartridges, and we went off six strong to live a free wild life one holiday afternoon. We fired our first shot deep in the old flint mine at Chiselstead, and nearly burst our ear drums; then we fired in a primrose studded wood by Pickthorn Green, and I gave a false alarm of “keeper,” and we fled in disorder for a mile. After which Roots suddenly shot at a pheasant in the high road by Chiselstead, and then young Barker told lies about the severity of the game laws and made Roots sore afraid, and we hid the pistol in a dry ditch outside the school field. A day or so after we got in again, and ignoring a certain fouling and rusting of the barrel, tried for a rabbit at three hundred yards. Young Roots blew a molehill at twenty paces into a dust cloud, burnt his fingers, and scorched his face; and the weapon having once displayed this strange disposition to flame back upon the shooter, was not subsequently fired.

We had one invaluable privilege at that school, and that was spiritual neglect. We interacted with each other with the raw simplicity of boys, we teased, and punched, and slapped each other; we saw ourselves as Indians and cowboys and other adventurous characters, not as young English gentlemen; we never felt the pressure of “Onward Christian Soldiers,” nor were swayed by any early piety in the cold oak pew of our Sunday services. All of that was good. We spent our rare pennies on the uncensored reading material from the village shop, on the Boys of England, and genuine penny dreadfuls—exciting stuff, the kind that foreshadowed Haggard and Stevenson, poorly printed and oddly illustrated, but very beneficial for us. On our half-holidays, we enjoyed the unusual freedom of roaming in pairs or small groups across the countryside, talking freely, dreaming wildly. Those walks held a lot! To this day, the landscape of Kent, with its low wide vistas, hop gardens, and golden fields of wheat, its oasts and square church towers, framed by rolling hills, evokes a faint sense of adventure that enhances its beauty for me. We smoked occasionally, but no one encouraged us to do typical “boyish” things; we never “robbed an orchard,” even though orchards were everywhere. We thought stealing was wrong, and while we did take incidental apples, turnips, and strawberries from the fields, it was done clumsily, and we felt ashamed afterward. We had our adventurous days, but they were just natural occurrences, our own escapades. One hot day, several of us, walking toward Maidstone, were tempted by the devil to snub ginger beer, and we got terribly drunk on ale; and there was a time our young minds were inspired enough by tales of the Wild West to buy pistols. Young Roots from Highbury came back with a revolver and cartridges, and we set off, six of us, to live a free wild life one holiday afternoon. We fired our first shot deep in the old flint mine at Chiselstead and nearly burst our eardrums; then we shot in a primrose-filled wood by Pickthorn Green, and I falsely cried out “keeper,” causing us to flee in a panic for a mile. After that, Roots suddenly shot at a pheasant on the road by Chiselstead, and young Barker made up stories about the strict game laws, scaring Roots, and we hid the pistol in a dry ditch outside the school field. A day or two later, we got it back, ignoring the dirt and rust on the barrel, and attempted to shoot a rabbit from three hundred yards. Young Roots blasted a molehill into a dust cloud from twenty paces, burned his fingers, and scorched his face; and after that strange incident of the gun firing back at him, we decided not to fire it again.

One main source of excitement for us was “cheeking” people in vans and carts upon the Goudhurst road; and getting myself into a monstrous white mess in the chalk pits beyond the village, and catching yellow jaundice as a sequel to bathing stark naked with three other Adamites, old Ewart leading that function, in the rivulet across Hickson’s meadows, are among my memorabilia. Those free imaginative afternoons! how much they were for us! how much they did for us! All streams came from the then undiscovered “sources of the Nile” in those days, all thickets were Indian jungles, and our best game, I say it with pride, I invented. I got it out of the Bladesover saloon. We found a wood where “Trespassing” was forbidden, and did the “Retreat of the Ten Thousand” through it from end to end, cutting our way bravely through a host of nettle beds that barred our path, and not forgetting to weep and kneel when at last we emerged within sight of the High Road Sea. So we have burst at times, weeping and rejoicing, upon startled wayfarers. Usually I took the part of that distinguished general Xenōphen—and please note the quantity of the ō. I have all my classical names like that,—Socrates rhymes with Bates for me, and except when the bleak eye of some scholar warns me of his standards of judgment, I use those dear old mispronunciations still. The little splash into Latin made during my days as a chemist washed off nothing of the habit. Well,—if I met those great gentlemen of the past with their accents carelessly adjusted I did at least meet them alive, as an equal, and in a living tongue. Altogether my school might easily have been worse for me, and among other good things it gave me a friend who has lasted my life out.

One main source of excitement for us was "cheeking" people in vans and carts along the Goudhurst road; and getting myself into a huge white mess in the chalk pits beyond the village, and catching yellow jaundice as a result of bathing completely naked with three other Adamites, with old Ewart leading that adventure, in the stream across Hickson’s meadows, are among my memorabilia. Those carefree afternoons! How much they meant to us! How much they did for us! All streams came from the then undiscovered "sources of the Nile" back then, all thickets were Indian jungles, and our best game, I say it with pride, I invented. I got it out of the Bladesover saloon. We found a woods where "Trespassing" was forbidden, and staged the "Retreat of the Ten Thousand" through it from one end to the other, bravely cutting our way through a bunch of nettle beds that blocked our path, and not forgetting to weep and kneel when we finally emerged in sight of the High Road Sea. So we have burst forth at times, weeping and rejoicing, upon startled travelers. Usually, I played the part of that distinguished general Xenōphen—and please note the quantity of the ō. I have all my classical names like that,—Socrates rhymes with Bates for me, and except when the harsh gaze of some scholar warns me of his standards of judgment, I still use those dear old mispronunciations. The little splash of Latin I picked up during my time as a chemist washed off none of that habit. Well,—if I met those great gentlemen of the past with their accents carelessly adjusted, at least I met them alive, as an equal, and in a living language. All in all, my school could have been worse for me, and among other good things, it gave me a friend who has lasted my entire life.

This was Ewart, who is now a monumental artist at Woking, after many vicissitudes. Dear chap, how he did stick out of his clothes to be sure! He was a longlimbed lout, ridiculously tall beside my more youth full compactness, and, except that there was no black moustache under his nose blob, he had the same round knobby face as he has to-day, the same bright and active hazel brown eyes, the stare, the meditative moment, the insinuating reply. Surely no boy ever played the fool as Bob Ewart used to play it, no boy had a readier knack of mantling the world with wonder. Commonness vanished before Ewart, at his expository touch all things became memorable and rare. From him I first heard tell of love, but only after its barbs were already sticking in my heart. He was, I know now the bastard of that great improvident artist, Rickmann Ewart; he brought the light of a lax world that at least had not turned its back upon beauty, into the growing fermentation of my mind.

This was Ewart, who is now a well-known artist in Woking, after many ups and downs. What a character he was, always sticking out of his clothes! He was a tall, awkward guy, ridiculously tall compared to my more compact youth. Aside from the lack of a black mustache under his nose, he had the same round, knobby face as he does today, the same bright, lively hazel brown eyes, the intense stare, the thoughtful moments, and the clever responses. No boy ever played the fool like Bob Ewart did; no one could create such wonder. Ordinary things faded away in his presence; with his insightful touch, everything became memorable and unique. He was the first to tell me about love, but only after I already felt its sting in my heart. I now realize he was the illegitimate son of that great reckless artist, Rickmann Ewart; he brought the vision of a relaxed world that still appreciated beauty into the bubbling chaos of my mind.

I won his heart by a version of Vathek, and after that we were inseparable yarning friends. We merged our intellectual stock so completely that I wonder sometimes how much I did not become Ewart, how much Ewart is not vicariously and derivatively me.

I won his heart with a version of Vathek, and after that, we were inseparable, close friends. We combined our intellectual resources so completely that I sometimes wonder how much I didn't become Ewart and how much Ewart isn't just a part of me.

VII

And then when I had newly passed my fourteenth birthday, came my tragic disgrace.

And then, right after I turned fourteen, my tragic disgrace happened.

It was in my midsummer holidays that the thing happened, and it was through the Honourable Beatrice Normandy. She had “come into my life,” as they say, before I was twelve.

It was during my summer break that the event occurred, and it was thanks to the Honourable Beatrice Normandy. She had “entered my life,” as people say, before I turned twelve.

She descended unexpectedly into a peaceful interlude that followed the annual going of those Three Great Women. She came into the old nursery upstairs, and every day she had tea with us in the housekeeper’s room. She was eight, and she came with a nurse called Nannie; and to begin with, I did not like her at all.

She unexpectedly stepped into a calm moment after the yearly departure of those Three Great Women. She entered the old nursery upstairs, and every day she had tea with us in the housekeeper’s room. She was eight years old and came with a nurse named Nannie; at first, I didn't like her at all.

Nobody liked this irruption into the downstairs rooms; the two “gave trouble,”—a dire offence; Nannie’s sense of duty to her charge led to requests and demands that took my mother’s breath away. Eggs at unusual times, the reboiling of milk, the rejection of an excellent milk pudding—not negotiated respectfully but dictated as of right. Nannie was a dark, longfeatured, taciturn woman in a grey dress; she had a furtive inflexibility of manner that finally dismayed and crushed and overcame. She conveyed she was “under orders”—like a Greek tragedy. She was that strange product of the old time, a devoted, trusted servant; she had, as it were, banked all her pride and will with the greater, more powerful people who employed her, in return for a life-long security of servitude—the bargain was nonetheless binding for being implicit. Finally they were to pension her, and she would die the hated treasure of a boarding-house. She had built up in herself an enormous habit of reference to these upstairs people, she had curbed down all discordant murmurings of her soul, her very instincts were perverted or surrendered. She was sexless, her personal pride was all transferred, she mothered another woman’s child with a hard, joyless devotion that was at least entirely compatible with a stoical separation. She treated us all as things that counted for nothing save to fetch and carry for her charge. But the Honourable Beatrice could condescend.

Nobody liked this interruption in the downstairs rooms; the two “caused trouble”—a serious offense. Nannie’s sense of duty to her charge led to requests and demands that left my mother speechless. Eggs at odd hours, reheating milk, rejecting a perfectly good milk pudding—not negotiated respectfully but dictated as if it were her right. Nannie was a tall, dark-featured, quiet woman in a gray dress; she had a sneaky inflexibility that eventually disheartened, crushed, and overwhelmed. It felt like she was “under orders”—like a Greek tragedy. She was that strange product of an older time, a loyal, trusted servant; she had, in a way, invested all her pride and will in the more powerful people who employed her, in exchange for a lifetime of job security—the deal was just as binding for being unspoken. Eventually, they were going to pension her off, and she would die the despised treasure of a boarding house. She had developed an enormous habit of deferring to these upstairs people, suppressing all dissent within her, her very instincts twisted or surrendered. She was sexless, her personal pride completely transferred. She cared for another woman’s child with a hard, joyless devotion that was at least fully compatible with a stoic detachment. She treated us all as if we were worth nothing except to fetch and carry for her charge. But the Honorable Beatrice could condescend.

The queer chances of later years come between me and a distinctly separated memory of that childish face. When I think of Beatrice, I think of her as I came to know her at a later time, when at last I came to know her so well that indeed now I could draw her, and show a hundred little delicate things you would miss in looking at her. But even then I remember how I noted the infinite delicacy of her childish skin and the fine eyebrow, finer than the finest feather that ever one felt on the breast of a bird. She was one of those elfin, rather precocious little girls, quick coloured, with dark hair, naturally curling dusky hair that was sometimes astray over her eyes, and eyes that were sometimes impishly dark, and sometimes a clear brown yellow. And from the very outset, after a most cursory attention to Rabbits, she decided that the only really interesting thing at the tea-table was myself.

The unusual experiences of later years create a gap between me and a clearly defined memory of that youthful face. When I think of Beatrice, I picture her as I came to know her over time, to the point where I could truly draw her and highlight a hundred little details you might overlook. But even then, I remember how I noticed the incredible delicacy of her childhood skin and her finely shaped eyebrow, which was finer than the smallest feather you ever felt on a bird's breast. She was one of those enchanting, somewhat precocious little girls, vibrant, with dark hair that naturally curled and sometimes fell into her eyes, and eyes that were sometimes playfully dark and at other times a bright brown-yellow. From the very beginning, after only a quick glance at the rabbits, she decided that the only truly interesting thing at the tea table was me.

The elders talked in their formal dull way—telling Nannie the trite old things about the park and the village that they told every one, and Beatrice watched me across the table with a pitiless little curiosity that made me uncomfortable.

The elders spoke in their boring, formal manner—sharing the same cliché stories about the park and the village that they told everyone, while Beatrice stared at me from across the table with a cold curiosity that made me uneasy.

“Nannie,” she said, pointing, and Nannie left a question of my mother’s disregarded to attend to her; “is he a servant boy?”

“Nannie,” she said, pointing, and Nannie left a question of my mother’s ignored to attend to her; “is he a servant boy?”

“S-s-sh,” said Nannie. “He’s Master Ponderevo.”

“S-s-sh,” said Nannie. “He’s Master Ponderevo.”

“Is he a servant boy?” repeated Beatrice.

“Is he a servant boy?” Beatrice asked again.

“He’s a schoolboy,” said my mother.

“He’s just a kid,” said my mom.

“Then may I talk to him, Nannie?”

“Can I talk to him, Nannie?”

Nannie surveyed me with brutal inhumanity. “You mustn’t talk too much,” she said to her charge, and cut cake into fingers for her.

Nannie looked at me with cold cruelty. “You shouldn’t talk too much,” she told her charge, and sliced the cake into fingers for her.

“No,” she added decisively, as Beatrice made to speak.

“No,” she said firmly, as Beatrice started to speak.

Beatrice became malignant. Her eyes explored me with unjustifiable hostility. “He’s got dirty hands,” she said, stabbing at the forbidden fruit. “And there’s a fray to his collar.”

Beatrice turned hostile. Her eyes scanned me with unfair animosity. “He’s got dirty hands,” she said, pointing at the forbidden fruit. “And his collar is frayed.”

Then she gave herself up to cake with an appearance of entire forgetfulness of me that filled me with hate and a passionate desire to compel her to admire me.... And the next day before tea, I did for the first time in my life, freely, without command or any compulsion, wash my hands.

Then she completely indulged in cake, acting as if she had forgotten all about me, which made me feel a mix of hatred and a strong urge to make her notice me.... And the next day before tea, for the first time in my life, I casually washed my hands without anyone telling me to do it.

So our acquaintance began, and presently was deepened by a whim of hers. She had a cold and was kept indoors, and confronted Nannie suddenly with the alternative of being hopelessly naughty, which in her case involved a generous amount of screaming unsuitable for the ears of an elderly, shaky, rich aunt, or having me up to the nursery to play with her all the afternoon. Nannie came downstairs and borrowed me in a careworn manner; and I was handed over to the little creature as if I was some large variety of kitten. I had never had anything to do with a little girl before, I thought she was more beautiful and wonderful and bright than anything else could possibly be in life, and she found me the gentlest of slaves—though at the same time, as I made evident, fairly strong. And Nannie was amazed to find the afternoon slip cheerfully and rapidly away. She praised my manners to Lady Drew and to my mother, who said she was glad to hear well of me, and after that I played with Beatrice several times. The toys she had remain in my memory still as great splendid things, gigantic to all my previous experience of toys, and we even went to the great doll’s house on the nursery landing to play discreetly with that, the great doll’s house that the Prince Regent had given Sir Harry Drew’s first-born (who died at five), that was a not ineffectual model of Bladesover itself, and contained eighty-five dolls and had cost hundreds of pounds. I played under imperious direction with that toy of glory.

So our friendship started and quickly deepened because of a whim of hers. She had a cold and was stuck indoors, and suddenly confronted Nannie with the choice of being hopelessly naughty, which for her would mean a lot of screaming not suitable for the ears of an elderly, shaky, rich aunt, or having me come up to the nursery to play with her all afternoon. Nannie came downstairs looking worn out and borrowed me; I was handed over to the little girl as if I were some big kind of kitten. I had never interacted with a little girl before, and I thought she was more beautiful, wonderful, and bright than anything else in life. She treated me like her gentle servant—though I made it clear that I was also quite strong. Nannie was surprised to see the afternoon fly by so cheerfully. She praised my manners to Lady Drew and my mother, who said she was glad to hear good things about me, and after that, I played with Beatrice several times. The toys she had still stand out in my memory as amazing, much bigger than anything I had experienced before, and we even went to the big dollhouse on the nursery landing to play discreetly with that, the big dollhouse that the Prince Regent had given to Sir Harry Drew's first child (who passed away at five), which was a pretty impressive replica of Bladesover itself and contained eighty-five dolls and had cost hundreds of pounds. I played under her command with that glorious toy.

I went back to school when that holiday was over, dreaming of beautiful things, and got Ewart to talk to me of love; and I made a great story out of the doll’s house, a story that, taken over into Ewart’s hands, speedily grew to an island doll’s city all our own.

I went back to school when the holiday was over, dreaming of beautiful things, and got Ewart to talk to me about love; I turned the dollhouse into a big story, one that, once it reached Ewart, quickly expanded into an island doll city that was all our own.

One of the dolls, I privately decided, was like Beatrice.

One of the dolls, I quietly decided, was like Beatrice.

One other holiday there was when I saw something of her—oddly enough my memory of that second holiday in which she played a part is vague—and then came a gap of a year, and then my disgrace.

One other holiday, I caught a glimpse of her—strangely, my memory of that second holiday where she was involved is unclear—and then there was a year-long gap, followed by my downfall.

VIII

Now I sit down to write my story and tell over again things in their order, I find for the first time how inconsecutive and irrational a thing the memory can be. One recalls acts and cannot recall motives; one recalls quite vividly moments that stand out inexplicably—things adrift, joining on to nothing, leading nowhere. I think I must have seen Beatrice and her half-brother quite a number of times in my last holiday at Bladesover, but I really cannot recall more than a little of the quality of the circumstances. That great crisis of my boyhood stands out very vividly as an effect, as a sort of cardinal thing for me, but when I look for details, particularly details that led up to the crisis—I cannot find them in any developing order at all. This halfbrother, Archie Garvell, was a new factor in the affair. I remember him clearly as a fair-haired, supercilious looking, weedily-lank boy, much taller than I, but I should imagine very little heavier, and that we hated each other by a sort of instinct from the beginning; and yet I cannot remember my first meeting with him at all.

Now I sit down to write my story and recount everything in order, I realize for the first time how disjointed and irrational memory can be. You remember actions but can’t recall the motives; you vividly remember moments that stand out for no clear reason—things that feel lost, connecting to nothing, leading nowhere. I think I must have seen Beatrice and her half-brother a good number of times during my last holiday at Bladesover, but I really can’t remember much about the circumstances. That big event from my childhood stands out very clearly as a key moment for me, but when I search for details, especially those that led up to it—I can’t find them in any coherent order. This half-brother, Archie Garvell, was a new element in the situation. I remember him distinctly as a fair-haired, condescending-looking, lanky boy, much taller than I was, but I imagine not much heavier, and that we instinctively hated each other from the start; still, I can’t remember my first meeting with him at all.

Looking back into these past things—it is like rummaging in a neglected attic that has experienced the attentions of some whimsical robber—I cannot even account for the presence of these children at Bladesover. They were, I know, among the innumerable cousins of Lady Drew, and according to the theories of downstairs candidates for the ultimate possession of Bladesover. If they were, their candidature was unsuccessful. But that great place, with all its faded splendour, its fine furniture, its large traditions, was entirely at the old lady’s disposition; and I am inclined to think it is true that she used this fact to torment and dominate a number of eligible people. Lord Osprey was among the number of these, and she showed these hospitalities to his motherless child and step-child, partly, no doubt, because he was poor, but quite as much, I nowadays imagine, in the dim hope of finding some affectionate or imaginative outcome of contact with them. Nannie had dropped out of the world this second time, and Beatrice was in the charge of an extremely amiable and ineffectual poor army-class young woman whose name I never knew. They were, I think, two remarkably illmanaged and enterprising children. I seem to remember too, that it was understood that I was not a fit companion for them, and that our meetings had to be as unostentatious as possible. It was Beatrice who insisted upon our meeting.

Looking back on those past events—it feels like sifting through a forgotten attic that’s been touched by some quirky thief—I can't quite explain how these kids ended up at Bladesover. I know they were part of Lady Drew's countless cousins and were in the running for ownership of Bladesover according to the theories among those downstairs. If they were in the running, they didn't win. But that grand place, with all its faded glory, beautiful furniture, and rich history, was entirely under the control of the old lady; and I suspect it’s true that she used this to tease and manipulate a number of eligible folks. Lord Osprey was one of them, and she offered her hospitality to his motherless child and stepchild, partly, I assume, because he was poor, but also, I think now, in the faint hope of finding some genuine or creative connection with them. Nannie had stepped back from the world once again, and Beatrice was being looked after by a very nice but ineffectual young woman from a lower-class background whose name I never learned. They were, in my opinion, two quite mismanaged and adventurous kids. I also seem to recall that it was understood I wasn’t an appropriate playmate for them, so our meetings had to be as low-key as possible. It was Beatrice who pushed for us to meet.

I am certain I knew quite a lot about love at fourteen and that I was quite as much in love with Beatrice then as any impassioned adult could be, and that Beatrice was, in her way, in love with me. It is part of the decent and useful pretences of our world that children of the age at which we were, think nothing, feel nothing, know nothing of love. It is wonderful what people the English are for keeping up pretences. But indeed I cannot avoid telling that Beatrice and I talked of love and kissed and embraced one another.

I’m sure I knew a lot about love when I was fourteen and that I was just as in love with Beatrice then as any passionate adult could be, and that Beatrice, in her own way, was in love with me too. It’s one of the decent and useful pretenses of our world that kids our age believe they don’t think, feel, or know anything about love. It’s impressive how good the English are at maintaining these pretenses. But honestly, I can’t help but say that Beatrice and I talked about love and kissed and hugged each other.

I recall something of one talk under the overhanging bushes of the shrubbery—I on the park side of the stone wall, and the lady of my worship a little inelegantly astride thereon. Inelegantly do I say? you should have seen the sweet imp as I remember her. Just her poise on the wall comes suddenly clear before me, and behind her the light various branches of the bushes of the shrubbery that my feet might not profane, and far away and high behind her, dim and stately, the cornice of the great façade of Bladesover rose against the dappled sky. Our talk must have been serious and business-like, for we were discussing my social position.

I remember a conversation we had under the overhanging bushes in the garden—I was on the park side of the stone wall, and the girl I admired was sitting a bit awkwardly on top of it. Awkwardly, you ask? You should have seen the adorable little troublemaker as I recall her. Just the way she balanced on the wall comes to mind so clearly, and behind her, the light filtered through the various branches of the bushes I was careful not to disturb, and far away and high up behind her, the elegant cornice of the grand Bladesover estate rose against the mottled sky. Our conversation must have been serious and professional, as we were discussing my social standing.

“I don’t love Archie,” she had said, apropos of nothing; and then in a whisper, leaning forward with the hair about her face, “I love you!

“I don’t love Archie,” she had said, out of the blue; and then in a whisper, leaning forward with her hair falling around her face, “I love you!

But she had been a little pressing to have it clear that I was not and could not be a servant.

But she had been a bit insistent to make it clear that I was not, and could not be, a servant.

“You’ll never be a servant—ever!”

"You'll never be a servant!"

I swore that very readily, and it is a vow I have kept by nature.

I easily made that promise, and it's one I've kept by nature.

“What will you be?” said she.

"What do you want to be?" she asked.

I ran my mind hastily over the professions.

I quickly reviewed the different professions in my mind.

“Will you be a soldier?” she asked.

“Are you going to be a soldier?” she asked.

“And be bawled at by duffers? No fear!” said I. “Leave that to the plough-boys.”

“And get yelled at by idiots? No way!” I said. “Leave that to the farm boys.”

“But an officer?”

"But a cop?"

“I don’t know,” I said, evading a shameful difficulty.

“I don’t know,” I said, dodging an embarrassing struggle.

“I’d rather go into the navy.”

"I'd rather join the Navy."

“Wouldn’t you like to fight?”

"Want to fight?"

“I’d like to fight,” I said. “But a common soldier it’s no honour to have to be told to fight and to be looked down upon while you do it, and how could I be an officer?”

“I want to fight,” I said. “But as a regular soldier, it’s not honorable to be ordered to fight and to be treated with disrespect while doing it. How could I ever be an officer?”

“Couldn’t you be?” she said, and looked at me doubtfully; and the spaces of the social system opened between us.

“Couldn’t you be?” she said, looking at me with uncertainty; and the gaps in the social system widened between us.

Then, as became a male of spirit, I took upon myself to brag and lie my way through this trouble. I said I was a poor man, and poor men went into the navy; that I “knew” mathematics, which no army officer did; and I claimed Nelson for an exemplar, and spoke very highly of my outlook upon blue water. “He loved Lady Hamilton,” I said, “although she was a lady—and I will love you.”

Then, as a spirited guy, I decided to brag and lie my way through this mess. I said I was a poor man, and poor men joined the navy; that I “knew” math, which no army officer did; and I held up Nelson as a role model, talking up my viewpoint on the open sea. “He loved Lady Hamilton,” I said, “even though she was a lady—and I will love you.”

We were somewhere near that when the egregious governess became audible, calling “Beeee-âtrice! Beeee-e-âtrice!”

We were somewhere around that when the outrageous governess became audible, calling “Beeee-âtrice! Beeee-e-âtrice!”

“Snifty beast!” said my lady, and tried to get on with the conversation; but that governess made things impossible.

“Sneaky beast!” said my lady, and tried to continue the conversation; but that governess made it impossible.

“Come here!” said my lady suddenly, holding out a grubby hand; and I went very close to her, and she put her little head down upon the wall until her black fog of hair tickled my cheek.

“Come here!” my lady said suddenly, extending a dirty hand; I stepped close to her, and she rested her little head against the wall until her dark hair brushed against my cheek.

“You are my humble, faithful lover,” she demanded in a whisper, her warm flushed face near touching mine, and her eyes very dark and lustrous.

“You are my humble, loyal lover,” she insisted softly, her warm, flushed face almost touching mine, and her eyes very dark and shining.

“I am your humble, faithful lover,” I whispered back.

“I am your devoted, loyal partner,” I whispered back.

And she put her arm about my head and put out her lips and we kissed, and boy though I was, I was all atremble. So we two kissed for the first time.

And she wrapped her arm around my head, leaned in, and we kissed. Even though I was just a kid, I felt completely nervous. So we kissed for the first time.

Beeee-e-e-â-trice!” fearfully close.

Beeee-e-e-â-trice!” fearfully close.

My lady had vanished, with one wild kick of her black-stocking leg. A moment after, I heard her sustaining the reproaches of her governess, and explaining her failure to answer with an admirable lucidity and disingenuousness.

My lady had disappeared with one wild kick of her black-stockinged leg. Moments later, I heard her facing the criticism of her governess, explaining her inability to respond with remarkable clarity and insincerity.

I felt it was unnecessary for me to be seen just then, and I vanished guiltily round the corner into the West Wood, and so to love-dreams and single-handed play, wandering along one of those meandering bracken valleys that varied Bladesover park. And that day and for many days that kiss upon my lips was a seal, and by night the seed of dreams.

I thought it was pointless for me to be seen at that moment, so I slipped away feeling guilty around the corner into the West Wood, into daydreams and solo adventures, wandering through one of those winding bracken valleys that marked Bladesover park. That day, and for many days after, that kiss on my lips felt like a seal, and at night it became the source of dreams.

Then I remember an expedition we made—she, I, and her half-brother—into those West Woods—they two were supposed to be playing in the shrubbery—and how we were Indians there, and made a wigwam out of a pile of beech logs, and how we stalked deer, crept near and watched rabbits feeding in a glade, and almost got a squirrel. It was play seasoned with plentiful disputing between me and young Garvell, for each firmly insisted upon the leading rôles, and only my wider reading—I had read ten stories to his one—gave me the ascendency over him. Also I scored over him by knowing how to find the eagle in a bracken stem. And somehow—I don’t remember what led to it at all—I and Beatrice, two hot and ruffled creatures, crept in among the tall bracken and hid from him. The great fronds rose above us, five feet or more, and as I had learnt how to wriggle through that undergrowth with the minimum of betrayal by tossing greenery above, I led the way. The ground under bracken is beautifully clear and faintly scented in warm weather; the stems come up black and then green; if you crawl flat, it is a tropical forest in miniature. I led the way and Beatrice crawled behind, and then as the green of the further glade opened before us, stopped. She crawled up to me, her hot little face came close to mine; once more she looked and breathed close to me, and suddenly she flung her arm about my neck and dragged me to earth beside her, and kissed me and kissed me again. We kissed, we embraced and kissed again, all without a word; we desisted, we stared and hesitated—then in a suddenly damped mood and a little perplexed at ourselves, crawled out, to be presently run down and caught in the tamest way by Archie.

Then I remember an adventure we had—she, I, and her half-brother—into those West Woods. They were supposed to be playing in the bushes, and how we pretended to be Indians and built a wigwam out of a pile of beech logs. We stalked deer, crept closer to watch rabbits grazing in a clearing, and almost caught a squirrel. It was fun mixed with plenty of arguments between me and young Garvell, as each of us insisted on taking the lead roles. Only my broader knowledge—I had read ten stories to his one—gave me an edge over him. I also had the upper hand because I knew how to find the eagle hiding in a bracken stem. Somehow—I can’t recall how it started—Beatrice and I, two hot and flustered kids, crept into the tall bracken to hide from him. The big fronds towered over us, five feet or more, and since I had learned how to wiggle through that undergrowth without giving ourselves away by moving the greenery above, I led the way. The ground under the bracken is beautifully clear and faintly scented in warm weather; the stems start out black and then turn green. If you crawl flat, it feels like a mini tropical forest. I led the way, and Beatrice crawled behind me, but then as we neared the opening of the glade, I stopped. She crawled up to me, her hot little face close to mine; she looked at me and breathed softly nearby, and suddenly, she wrapped her arm around my neck, pulled me down next to her, and kissed me again and again. We kissed, embraced, and kissed some more, all without saying a word; we paused, stared at each other, and hesitated—then in a suddenly awkward mood and a bit confused, we crawled out, only to be quickly found and caught in the most ordinary way by Archie.

That comes back very clearly to me, and other vague memories—I know old Hall and his gun, out shooting at jackdaws, came into our common experiences, but I don’t remember how; and then at last, abruptly, our fight in the Warren stands out. The Warren, like most places in England that have that name, was not particularly a warren, it was a long slope of thorns and beeches through which a path ran, and made an alternative route to the downhill carriage road between Bladesover and Ropedean. I don’t know how we three got there, but I have an uncertain fancy it was connected with a visit paid by the governess to the Ropedean vicarage people. But suddenly Archie and I, in discussing a game, fell into a dispute for Beatrice. I had made him the fairest offer: I was to be a Spanish nobleman, she was to be my wife, and he was to be a tribe of Indians trying to carry her off. It seems to me a fairly attractive offer to a boy to be a whole tribe of Indians with a chance of such a booty. But Archie suddenly took offence.

That comes back to me very clearly, along with some other vague memories—I remember old Hall and his gun, out shooting at jackdaws, which was part of our shared experiences, but I can’t recall how it all connected; and then suddenly, our fight in the Warren stands out. The Warren, like most places in England with that name, wasn't really a warren; it was just a long slope of thorns and beeches with a path running through it, providing an alternative route to the downhill carriage road between Bladesover and Ropedean. I’m not sure how the three of us ended up there, but I have a hazy feeling it was linked to a visit the governess made to the Ropedean vicarage. Then, out of nowhere, Archie and I started arguing over Beatrice while discussing a game. I had offered him a great deal: I was to be a Spanish nobleman, she was to be my wife, and he was to be a tribe of Indians trying to kidnap her. It seems like a pretty appealing offer for a boy—to be a whole tribe of Indians with a chance of such a prize. But Archie suddenly got offended.

“No,” he said; “we can’t have that!”

“No,” he said, “we can’t allow that!”

“Can’t have what?”

“Can’t have what?”

“You can’t be a gentleman, because you aren’t. And you can’t play Beatrice is your wife. It’s—it’s impertinent.”

“You can’t be a gentleman because you’re not. And you can’t act like Beatrice is your wife. That’s— that’s rude.”

“But” I said, and looked at her.

“But,” I said, looking at her.

Some earlier grudge in the day’s affairs must have been in Archie’s mind. “We let you play with us,” said Archie; “but we can’t have things like that.”

Some earlier issue from the day's events must have been on Archie's mind. “We let you hang out with us,” said Archie; “but we can't have things like that.”

“What rot!” said Beatrice. “He can if he likes.”

“What nonsense!” Beatrice said. “He can if he wants to.”

But he carried his point. I let him carry it, and only began to grow angry three or four minutes later. Then we were still discussing play and disputing about another game. Nothing seemed right for all of us.

But he got his way. I let him have it, and only started to get angry three or four minutes later. Then we were still talking about the game and arguing over another one. Nothing seemed to sit right with any of us.

“We don’t want you to play with us at all,” said Archie.

“We don’t want you to play with us at all,” Archie said.

“Yes, we do,” said Beatrice.

“Yeah, we do,” Beatrice said.

“He drops his aitches like anything.”

“He drops his H’s like it’s nothing.”

“No, ’e doesn’t,” said I, in the heat of the moment.

“No, he doesn’t,” I said, in the heat of the moment.

“There you go!” he cried. “E, he says. E! E! E!”

“There you go!” he shouted. “E, he says. E! E! E!”

He pointed a finger at me. He had struck to the heart of my shame. I made the only possible reply by a rush at him. “Hello!” he cried, at my blackavised attack. He dropped back into an attitude that had some style in it, parried my blow, got back at my cheek, and laughed with surprise and relief at his own success. Whereupon I became a thing of murderous rage. He could box as well or better than I—he had yet to realise I knew anything of that at all—but I had fought once or twice to a finish with bare fists. I was used to inflicting and enduring savage hurting, and I doubt if he had ever fought. I hadn’t fought ten seconds before I felt this softness in him, realised all that quality of modern upper-class England that never goes to the quick, that hedges about rules and those petty points of honour that are the ultimate comminution of honour, that claims credit for things demonstrably half done. He seemed to think that first hit of his and one or two others were going to matter, that I ought to give in when presently my lip bled and dripped blood upon my clothes. So before we had been at it a minute he had ceased to be aggressive except in momentary spurts, and I was knocking him about almost as I wanted to do; and demanding breathlessly and fiercely, after our school manner, whether he had had enough, not knowing that by his high code and his soft training it was equally impossible for him to either buck-up and beat me, or give in.

He pointed a finger at me. He had hit right at the core of my shame. I made the only possible response by rushing at him. “Hello!” he shouted, surprised by my aggressive move. He fell back into a pose that had some style, blocked my punch, hit me on the cheek, and laughed in surprise and relief at his own success. In that moment, I was filled with a rage to kill. He could box as well as I could, if not better—he still didn’t realize I knew anything about that—but I had fought to the finish a couple of times with bare fists. I was used to delivering and taking brutal blows, and I doubt he had ever really fought. I hadn’t been at it for ten seconds before I sensed his weakness, recognized that quality of modern upper-class England that never gets to the point, that gets caught up in rules and those insignificant points of honor that ultimately destroy real honor, that tries to take credit for things only half-done. He seemed to think that his first hit and a couple of others would count, that I should back down when my lip started bleeding and dripped onto my clothes. So before we had been going at it for a minute, he had stopped being aggressive except for brief moments, and I was hitting him around almost as much as I wanted; breathlessly and fiercely I asked, in our schoolboy way, whether he had had enough, unaware that according to his lofty code and his soft upbringing, it was just as impossible for him to either toughen up and beat me, or to give in.

I have a very distinct impression of Beatrice dancing about us during the affair in a state of unladylike appreciation, but I was too preoccupied to hear much of what she was saying. But she certainly backed us both, and I am inclined to think now—it may be the disillusionment of my ripened years—whichever she thought was winning.

I have a clear memory of Beatrice dancing around us at the event, showing her appreciation in a way that wasn't very ladylike, but I was too distracted to catch much of what she said. However, she definitely supported both of us, and I'm starting to believe now—it could just be the disillusionment that comes with age—that she rooted for whoever she thought was going to win.

Then young Garvell, giving way before my slogging, stumbled and fell over a big flint, and I, still following the tradition of my class and school, promptly flung myself on him to finish him. We were busy with each other on the ground when we became aware of a dreadful interruption.

Then young Garvell, unable to keep up with my relentless pace, tripped and fell over a large flint rock, and I, still adhering to the expectations of my background and school, immediately jumped on him to finish the job. We were preoccupied with each other on the ground when we suddenly noticed a terrible interruption.

“Shut up, you fool!” said Archie.

“Shut up, you fool!” said Archie.

“Oh, Lady Drew!” I heard Beatrice cry. “They’re fighting! They’re fighting something awful!”

“Oh, Lady Drew!” I heard Beatrice shout. “They’re fighting! They’re fighting like crazy!”

I looked over my shoulder. Archie’s wish to get up became irresistible, and my resolve to go on with him vanished altogether.

I turned around. Archie’s desire to get up became too strong to resist, and my determination to continue with him completely disappeared.

I became aware of the two old ladies, presences of black and purple silk and fur and shining dark things; they had walked up through the Warren, while the horses took the hill easily, and so had come upon us. Beatrice had gone to them at once with an air of taking refuge, and stood beside and a little behind them. We both rose dejectedly. The two old ladies were evidently quite dreadfully shocked, and peering at us with their poor old eyes; and never had I seen such a tremblement in Lady Drew’s lorgnettes.

I noticed the two old ladies, dressed in black and purple silk and fur, adorned with shiny dark accessories; they had made their way up through the Warren while the horses easily ascended the hill, and so they found us. Beatrice immediately approached them, looking for refuge, and stood beside and slightly behind them. We both got up reluctantly. The two old ladies were clearly very shocked, looking at us with their frail old eyes; and I had never seen Lady Drew's lorgnettes shake so much.

“You’ve never been fighting?” said Lady Drew.

“You’ve never fought before?” Lady Drew asked.

“You have been fighting.”

"You've been fighting."

“It wasn’t proper fighting,” snapped Archie, with accusing eyes on me.

“It wasn’t real fighting,” snapped Archie, glaring at me.

“It’s Mrs. Ponderevo’s George!” said Miss Somerville, so adding a conviction for ingratitude to my evident sacrilege.

“It’s Mrs. Ponderevo’s George!” said Miss Somerville, adding to my clear wrongdoing with a sense of betrayal.

“How could he dare?” cried Lady Drew, becoming very awful.

“How could he dare?” shouted Lady Drew, looking quite terrifying.

“He broke the rules” said Archie, sobbing for breath. “I slipped, and—he hit me while I was down. He knelt on me.”

“He broke the rules,” Archie said, gasping for air. “I slipped, and—he hit me while I was on the ground. He kneeled on me.”

“How could you dare?” said Lady Drew.

“How could you dare?” said Lady Drew.

I produced an experienced handkerchief rolled up into a tight ball, and wiped the blood from my chin, but I offered no explanation of my daring. Among other things that prevented that, I was too short of breath.

I took out a seasoned handkerchief rolled up tightly and wiped the blood from my chin, but I didn’t offer any explanation for my boldness. One reason was that I was too out of breath.

“He didn’t fight fair,” sobbed Archie.

“He didn’t play fair,” sobbed Archie.

Beatrice, from behind the old ladies, regarded me intently and without hostility. I am inclined to think the modification of my face through the damage to my lip interested her. It became dimly apparent to my confused intelligence that I must not say these two had been playing with me. That would not be after the rules of their game. I resolved in this difficult situation upon a sulky silence, and to take whatever consequences might follow.

Beatrice, standing behind the older ladies, watched me closely but without any hostility. I think she was intrigued by the change in my face from the injury to my lip. It slowly dawned on my confused mind that I shouldn't mention that these two had been messing with me. That wouldn't fit with the rules of their game. So, in this tricky situation, I decided to stay sullenly quiet and accept whatever consequences came my way.

IX

The powers of justice in Bladesover made an extraordinary mess of my case.

The justice system in Bladesover completely mishandled my case.

I have regretfully to admit that the Honourable Beatrice Normandy did, at the age of ten, betray me, abandon me, and lie most abominably about me. She was, as a matter of fact, panic-stricken about me, conscience stricken too; she bolted from the very thought of my being her affianced lover and so forth, from the faintest memory of kissing; she was indeed altogether disgraceful and human in her betrayal. She and her half-brother lied in perfect concord, and I was presented as a wanton assailant of my social betters. They were waiting about in the Warren, when I came up and spoke to them, etc.

I have to sadly admit that the Honorable Beatrice Normandy did, at the age of ten, betray me, abandon me, and lie about me in the worst possible way. She was, in fact, so panicked about me and guilty too; she ran away from the very idea of me being her fiancé and anything related to kissing. She was completely disgraceful and flawed in her betrayal. She and her half-brother lied in perfect harmony, and I was portrayed as a reckless attacker of my social betters. They were hanging out in the Warren when I approached and talked to them, etc.

On the whole, I now perceive Lady Drew’s decisions were, in the light of the evidence, reasonable and merciful.

Overall, I now see that Lady Drew’s decisions were, based on the evidence, reasonable and compassionate.

They were conveyed to me by my mother, who was, I really believe, even more shocked by the grossness of my social insubordination than Lady Drew. She dilated on her ladyship’s kindnesses to me, on the effrontery and wickedness of my procedure, and so came at last to the terms of my penance. “You must go up to young Mr. Garvell, and beg his pardon.”

They were shared with me by my mom, who I truly believe was even more shocked by my blatant disregard for social norms than Lady Drew was. She went on about the favors Lady Drew had done for me, the boldness and wrongness of my actions, and eventually got to the details of my punishment. “You need to go to young Mr. Garvell and apologize to him.”

“I won’t beg his pardon,” I said, speaking for the first time.

“I won’t apologize to him,” I said, speaking for the first time.

My mother paused, incredulous.

My mom paused, shocked.

I folded my arms on her table-cloth, and delivered my wicked little ultimatum. “I won’t beg his pardon nohow,” I said. “See?”

I crossed my arms on her tablecloth and made my little threat. “I’m not going to apologize to him at all,” I said. “Got it?”

“Then you will have to go off to your uncle Frapp at Chatham.”

“Then you will have to head over to your uncle Frapp in Chatham.”

“I don’t care where I have to go or what I have to do, I won’t beg his pardon,” I said.

“I don’t care where I have to go or what I have to do, I won’t beg for his forgiveness,” I said.

And I didn’t.

And I didn’t.

After that I was one against the world. Perhaps in my mother’s heart there lurked some pity for me, but she did not show it. She took the side of the young gentleman; she tried hard, she tried very hard, to make me say I was sorry I had struck him. Sorry!

After that, I was all alone against the world. Maybe my mom felt some pity for me, but she didn't show it. She sided with the young man; she worked really hard, really hard, to make me admit I was sorry for hitting him. Sorry!

I couldn’t explain.

I can't explain.

So I went into exile in the dog-cart to Redwood station, with Jukes the coachman, coldly silent, driving me, and all my personal belongings in a small American cloth portmanteau behind.

So I went into exile in the dog cart to Redwood station, with Jukes the coachman, who was coldly silent, driving me, and all my personal belongings in a small American cloth suitcase behind.

I felt I had much to embitter me; the game had and the beginnings of fairness by any standards I knew.... But the thing that embittered me most was that the Honourable Beatrice Normandy should have repudiated and fled from me as though I was some sort of leper, and not even have taken a chance or so, to give me a good-bye. She might have done that anyhow! Supposing I had told on her! But the son of a servant counts as a servant. She had forgotten and now remembered.

I felt like I had a lot to be bitter about; the game had its flaws and the beginnings of fairness by any standards I knew.... But what upset me the most was that the Honourable Beatrice Normandy rejected me and ran away like I was some kind of pariah, not even bothering to say goodbye. She could have at least done that! What if I had exposed her? But the son of a servant is still just a servant. She had forgotten and now remembered.

I solaced myself with some extraordinary dream of coming back to Bladesover, stern, powerful, after the fashion of Coriolanus. I do not recall the details, but I have no doubt I displayed great magnanimity...

I comforted myself with an incredible dream of returning to Bladesover, strong and powerful, like Coriolanus. I can’t remember the details, but I’m sure I showed a lot of generosity...

Well, anyhow I never said I was sorry for pounding young Garvell, and I am not sorry to this day.

Well, anyway, I never said I was sorry for hitting young Garvell, and I still don't regret it to this day.

CHAPTER THE SECOND
OF MY LAUNCH INTO THE WORLD AND THE LAST I SAW OF BLADESOVER

I

When I was thus banished from Bladesover House, as it was then thought for good and all, I was sent by my mother in a vindictive spirit, first to her cousin Nicodemus Frapp, and then, as a fully indentured apprentice, to my uncle Ponderevo.

When I was banished from Bladesover House, which was believed to be permanent, my mother, in a vengeful mood, first sent me to her cousin Nicodemus Frapp, and then, as a fully committed apprentice, to my uncle Ponderevo.

I ran away from the care of my cousin Nicodemus back to Bladesover House.

I escaped from my cousin Nicodemus's care and returned to Bladesover House.

My cousin Nicodemus Frapp was a baker in a back street—a slum rather—just off that miserable narrow mean high road that threads those exquisite beads, Rochester and Chatham. He was, I must admit, a shock to me, much dominated by a young, plump, prolific, malingering wife; a bent, slow-moving, unwilling dark man with flour in his hair and eyelashes, in the lines of his face and the seams of his coat. I’ve never had a chance to correct my early impression of him, and he still remains an almost dreadful memory, a sort of caricature of incompetent simplicity. As I remember him, indeed, he presented the servile tradition perfected. He had no pride in his person; fine clothes and dressing up wasn’t “for the likes of” him, so that he got his wife, who was no artist at it, to cut his black hair at irregular intervals, and let his nails become disagreeable to the fastidious eye; he had no pride in his business nor any initiative; his only virtues were not doing certain things and hard work. “Your uncle,” said my mother—all grown-up cousins were uncles by courtesy among the Victorian middle-class—“isn’t much to look at or talk to, but he’s a Good Hard-Working Man.” There was a sort of base honourableness about toil, however needless, in that system of inversion. Another point of honour was to rise at or before dawn, and then laboriously muddle about.

My cousin Nicodemus Frapp was a baker in a back street—a slum, really—just off that miserable, narrow, drab main road connecting those beautiful places, Rochester and Chatham. I have to admit, he shocked me, heavily dominated by a young, plump, overly dramatic wife; a bent, slow-moving, reluctant dark-skinned man with flour in his hair and eyelashes, and in the creases of his face and the seams of his coat. I’ve never had a chance to change my early impression of him, and he still remains an almost haunting memory, a sort of caricature of incompetent simplicity. As I remember him, he represented the ultimate servile tradition. He had no pride in himself; fine clothes and dressing up weren’t “for people like” him, so he had his wife, who wasn’t great at it, cut his black hair irregularly, and he let his nails grow unsightly for anyone who cared. He had no pride in his work or any initiative; his only virtues were avoiding certain things and hard work. “Your uncle,” said my mother—all grown-up cousins were referred to as uncles among the Victorian middle class—“isn’t much to look at or talk to, but he’s a Good Hard-Working Man.” There was a sort of base honor in toil, no matter how pointless, in that twisted system. Another point of honor was rising at or before dawn, and then laboriously shuffling around.

It was very distinctly impressed on my mind that the Good Hard-Working Man would have thought it “fal-lallish” to own a pocket handkerchief. Poor old Frapp—dirty and crushed by, product of, Bladesover’s magnificence! He made no fight against the world at all, he was floundering in small debts that were not so small but that finally they overwhelmed him, whenever there was occasion for any exertion his wife fell back upon pains and her “condition,” and God sent them many children, most of whom died, and so, by their coming and going, gave a double exercise in the virtues of submission.

It was clearly stuck in my mind that the Good Hard-Working Man would have thought it ridiculous to carry a pocket handkerchief. Poor old Frapp—dirty and crushed by the splendor of Bladesover! He didn’t fight back against the world at all; he was struggling with small debts that were significant enough to finally overwhelm him. Whenever there was a need for any effort, his wife would revert to her pains and her “condition,” and God sent them many children, most of whom died, which by their coming and going, taught them a double lesson in the virtues of submission.

Resignation to God’s will was the common device of these people in the face of every duty and every emergency. There were no books in the house; I doubt if either of them had retained the capacity for reading consecutively for more than a minute or so, and it was with amazement that day after day, over and above stale bread, one beheld food and again more food amidst the litter that held permanent session on the living-room table.

Resigning to God’s will was the usual approach for these people when faced with any responsibility or crisis. There were no books in the house; I doubt either of them could focus on reading for more than a minute at a time, and it was with disbelief that, day after day, alongside the stale bread, one saw food and even more food scattered amid the clutter that constantly occupied the living-room table.

One might have doubted if either of them felt discomfort in this dusty darkness of existence, if it was not that they did visibly seek consolation. They sought this and found it of a Sunday, not in strong drink and raving, but in imaginary draughts of blood. They met with twenty or thirty other darkened and unclean people, all dressed in dingy colours that would not show the dirt, in a little brick-built chapel equipped with a spavined roarer of a harmonium, and there solaced their minds on the thought that all that was fair and free in life, all that struggled, all that planned and made, all pride and beauty and honour, all fine and enjoyable things, were irrevocably damned to everlasting torments. They were the self-appointed confidants of God’s mockery of his own creation. So at any rate they stick in my mind. Vaguer, and yet hardly less agreeable than this cosmic jest, this coming “Yah, clever!” and general serving out and “showing up” of the lucky, the bold, and the cheerful, was their own predestination to Glory.

One might have questioned whether either of them felt any discomfort in this dusty darkness of life, if it weren't for the fact that they were clearly looking for comfort. They looked for it and found it on a Sunday, not in heavy drinking and wild behavior, but in imaginary sips of blood. They gathered with twenty or thirty other gloomy and unrefined people, all dressed in drab colors that wouldn't show the dirt, in a little brick chapel that had a creaky old harmonium, and there they eased their minds with the thought that everything beautiful and free in life, everything that struggled, everything that planned and created, all pride and beauty and honor, all the fine and enjoyable aspects, were forever doomed to eternal suffering. They considered themselves the self-appointed witnesses to God’s mockery of his own creation. So, at least, they remain in my mind. Vague, and yet hardly less enjoyable than this cosmic joke, this impending “Yah, clever!” and the general exposure and “putting down” of the fortunate, the brave, and the cheerful, was their own destiny for Glory.

“There is a Fountain, filled with Blood
Drawn from Emmanuel’s Veins,”

“There is a fountain, filled with blood
Drawn from Emmanuel’s veins,”

so they sang. I hear the drone and wheeze of that hymn now. I hated them with the bitter uncharitable condemnation of boyhood, and a twinge of that hate comes back to me. As I write the words, the sounds and then the scene return, these obscure, undignified people, a fat woman with asthma, an old Welsh milk-seller with a tumour on his bald head, who was the intellectual leader of the sect, a huge-voiced haberdasher with a big black beard, a white-faced, extraordinarily pregnant woman, his wife, a spectacled rate collector with a bent back.... I hear the talk about souls, the strange battered old phrases that were coined ages ago in the seaports of the sun-dry Levant, of balm of Gilead and manna in the desert, of gourds that give shade and water in a thirsty land; I recall again the way in which at the conclusion of the service the talk remained pious in form but became medical in substance, and how the women got together for obstetric whisperings. I, as a boy, did not matter, and might overhear.

so they sang. I can still hear the drone and wheeze of that hymn now. I hated them with the harsh, unkind judgment of childhood, and a bit of that hate comes back to me. As I write these words, the sounds and the scene come back to mind: these obscure, undignified people—a heavyset woman with asthma, an old Welsh milk seller with a tumor on his bald head who was the intellectual leader of the group, a loud haberdasher with a big black beard, a pale, extraordinarily pregnant woman, his wife, a spectacled tax collector with a hunchback.... I remember the talk about souls, the strange, ancient phrases that were coined centuries ago in the sun-baked seaports of the Levant, about balm of Gilead and manna in the desert, about gourds that provide shade and water in a thirsty land; I recall how, at the end of the service, the discussion remained pious in form but turned medical in content, and how the women gathered for whispered conversations about childbirth. As a boy, I didn’t matter, so I could overhear.

If Bladesover is my key for the explanation of England, I think my invincible persuasion that I understand Russia was engendered by the circle of Uncle Frapp.

If Bladesover is my gateway to understanding England, I believe my unshakeable confidence in my grasp of Russia comes from the circle of Uncle Frapp.

I slept in a dingy sheeted bed with the two elder survivors of Frapp fecundity, and spent my week days in helping in the laborious disorder of the shop and bakehouse, in incidental deliveries of bread and so forth, and in parrying the probings of my uncle into my relations with the Blood, and his confidential explanations that ten shillings a week—which was what my mother paid him—was not enough to cover my accommodation. He was very anxious to keep that, but also he wanted more. There were neither books nor any seat nor corner in that house where reading was possible, no newspaper ever brought the clash of worldly things into its heavenward seclusion; horror of it all grew in me daily, and whenever I could I escaped into the streets and tramped about Chatham. The news shops appealed to me particularly. One saw there smudgy illustrated sheets, the Police News in particular, in which vilely drawn pictures brought home to the dullest intelligence an interminable succession of squalid crimes, women murdered and put into boxes, buried under floors, old men bludgeoned at midnight by robbers, people thrust suddenly out of trains, happy lovers shot, vitrioled and so forth by rivals. I got my first glimpse of the life of pleasure in foully drawn pictures of “police raids” on this and that. Interspersed with these sheets were others in which Sloper, the urban John Bull, had his fling with gin bottle and obese umbrella, or the kindly empty faces of the Royal Family appeared and reappeared, visiting this, opening that, getting married, getting offspring, lying in state, doing everything but anything, a wonderful, good-meaning, impenetrable race apart.

I slept in a shabby bed with the two older survivors of Frapp's abundance, and I spent my weekdays helping out with the chaotic work in the shop and the bakehouse, making occasional deliveries of bread and other things, while dodging my uncle's probing questions about my connections with the Blood and his private comments that the ten shillings a week my mother gave him wasn’t enough to cover my living expenses. He was very eager to keep that amount but also wanted more. There were no books or chairs or spots in that house where I could read; no newspapers ever brought the noise of the outside world into its heavenly isolation; my horror of it all grew stronger each day, and whenever I could, I escaped to the streets and wandered around Chatham. The newsstands were especially appealing to me. There, you could find smudged illustrated sheets, particularly the Police News, which featured poorly drawn pictures that clearly conveyed an endless stream of grim crimes—women murdered and stuffed into boxes, buried under floors, old men beaten at midnight by robbers, people suddenly pushed off trains, happy lovers shot and attacked with acid by jealous rivals. I got my first glimpse of the nightlife through these crudely drawn images of “police raids” happening here and there. Mixed in with these sheets were others depicting Sloper, the urban John Bull, enjoying himself with a gin bottle and a large umbrella, or the kindly blank faces of the Royal Family that appeared again and again, visiting places, opening events, getting married, having kids, lying in state, doing everything but actually living, a wonderful, well-meaning, impenetrable group set apart.

I have never revisited Chatham; the impression it has left on my mind is one of squalid compression, unlit by any gleam of a maturer charity. All its effects arranged themselves as antithetical to the Bladesover effects. They confirmed and intensified all that Bladesover suggested. Bladesover declared itself to be the land, to be essentially England; I have already told how its airy spaciousness, its wide dignity, seemed to thrust village, church, and vicarage into corners, into a secondary and conditional significance. Here one gathered the corollary of that. Since the whole wide country of Kent was made up of contiguous Bladesovers and for the gentlefolk, the surplus of population, all who were not good tenants nor good labourers, Church of England, submissive and respectful, were necessarily thrust together, jostled out of sight, to fester as they might in this place that had the colours and even the smells of a well-packed dustbin. They should be grateful even for that; that, one felt, was the theory of it all.

I have never gone back to Chatham; it left me with a grim feeling, with no hint of any mature kindness. Everything about it stood in stark contrast to Bladesover. It confirmed and heightened everything that Bladesover represented. Bladesover claimed to be the land, to be essentially England; I've already explained how its open spaces and grand presence seemed to push the village, church, and vicarage into the background, making them feel less important. Here, you could see the result of that. Since the entire region of Kent was made up of interconnected Bladesovers, the excess population—those who weren’t good tenants or hardworking laborers, Church of England, obedient and respectful—were inevitably crammed together, pushed out of view, left to fester in a place that had the colors and even the smells of a well-stuffed trash bin. They should be thankful for that; that, it seemed, was the underlying idea.

And I loafed about this wilderness of crowded dinginess, with young, receptive, wide-open eyes, and through the blessing (or curse) of some fairy godmother of mine, asking and asking again: “But after all, why—”

And I wandered through this messy wilderness, with young, open, eager eyes, and thanks to some fairy godmother of mine—whether that's a blessing or a curse—I kept asking and asking again: “But after all, why—”

I wandered up through Rochester once, and had a glimpse of the Stour valley above the town, all horrible with cement works and foully smoking chimneys and rows of workmen’s cottages, minute, ugly, uncomfortable, and grimy. So I had my first intimation of how industrialism must live in a landlord’s land. I spent some hours, too, in the streets that give upon the river, drawn by the spell of the sea. But I saw barges and ships stripped of magic and mostly devoted to cement, ice, timber, and coal. The sailors looked to me gross and slovenly men, and the shipping struck me as clumsy, ugly, old, and dirty. I discovered that most sails don’t fit the ships that hoist them, and that there may be as pitiful and squalid a display of poverty with a vessel as with a man. When I saw colliers unloading, watched the workers in the hold filling up silly little sacks and the succession of blackened, half-naked men that ran to and fro with these along a plank over a thirty-foot drop into filth and mud, I was first seized with admiration of their courage and toughness and then, “But after all, why—?” and the stupid ugliness of all this waste of muscle and endurance came home to me. Among other things it obviously wasted and deteriorated the coal.... And I had imagined great things of the sea!

I once wandered through Rochester and caught a glimpse of the Stour Valley above the town, all grim with cement factories and billowing smokestacks, along with rows of tiny, ugly, cramped, and dirty workers’ cottages. That was my first hint of what industrial life is like in a landlord’s territory. I also spent some hours in the streets by the river, drawn in by the allure of the sea. But what I saw were barges and ships stripped of their charm, mostly used for transporting cement, ice, timber, and coal. The sailors appeared to me as rough and unkempt men, and the shipping looked clunky, unattractive, old, and filthy. I realized most sails don’t fit the ships that carry them, and that poverty can look just as miserable and squalid on a vessel as it does with a person. When I saw coal barges being unloaded, watched the workers in the hold filling tiny sacks, and the stream of blackened, half-clothed men running back and forth with these along a plank over a thirty-foot drop into muck and dirt, I first felt admiration for their courage and resilience, and then I thought, “But after all, why—?” and the senseless ugliness of all this waste of strength and endurance hit me hard. Among other things, it clearly wasted and degraded the coal... And I had imagined grand things about the sea!

Well, anyhow, for a time that vocation was stilled.

Well, anyway, for a while that job was quiet.

But such impressions came into my leisure, and of that I had no excess. Most of my time was spent doing things for Uncle Frapp, and my evenings and nights perforce in the company of the two eldest of my cousins. He was errand boy at an oil shop and fervently pious, and of him I saw nothing until the evening except at meals; the other was enjoying the midsummer holidays without any great elation; a singularly thin and abject, stunted creature he was, whose chief liveliness was to pretend to be a monkey, and who I am now convinced had some secret disease that drained his vitality away. If I met him now I should think him a pitiful little creature and be extremely sorry for him. Then I felt only a wondering aversion. He sniffed horribly, he was tired out by a couple of miles of loafing, he never started any conversation, and he seemed to prefer his own company to mine. His mother, poor woman, said he was the “thoughtful one.”

But those thoughts would come to me in my free time, which I didn't have much of. Most of my hours were spent doing things for Uncle Frapp, and my evenings and nights were inevitably spent with my two oldest cousins. One was a delivery boy at an oil shop and was extremely religious, and I hardly saw him during the day except at mealtimes; the other was going through the summer holiday without much excitement. He was a strangely thin and weak little guy, whose main source of energy seemed to come from pretending to be a monkey, and I now believe he had some hidden illness that sapped his strength. If I saw him today, I would find him a pitiful little thing and feel really sorry for him. Back then, all I felt was a strange kind of aversion. He sniffed constantly, was exhausted from just a couple of miles of lounging around, never initiated any conversations, and seemed to prefer being alone rather than with me. His mother, poor thing, called him the "thoughtful one."

Serious trouble came suddenly out of a conversation we held in bed one night. Some particularly pious phrase of my elder cousin’s irritated me extremely, and I avowed outright my entire disbelief in the whole scheme of revealed religion. I had never said a word about my doubts to any one before, except to Ewart who had first evolved them. I had never settled my doubts until at this moment when I spoke. But it came to me then that the whole scheme of salvation of the Frappes was not simply doubtful, but impossible. I fired this discovery out into the darkness with the greatest promptitude.

Serious trouble came suddenly from a conversation we had in bed one night. A particularly pious remark from my older cousin really annoyed me, and I bluntly declared my complete disbelief in the whole idea of revealed religion. I had never shared my doubts with anyone before, except for Ewart, who had first brought them up. I had never resolved my doubts until that moment when I spoke. But it struck me then that the entire concept of salvation related to the Frappes was not just questionable, but impossible. I shot this realization out into the darkness immediately.

My abrupt denials certainly scared my cousin amazingly.

My sudden rejections definitely shocked my cousin.

At first they could not understand what I was saying, and when they did I fully believe they expected an instant answer in thunderbolts and flames. They gave me more room in the bed forthwith, and then the elder sat up and expressed his sense of my awfulness. I was already a little frightened at my temerity, but when he asked me categorically to unsay what I had said, what could I do but confirm my repudiation?

At first, they didn't get what I was saying, and when they finally did, I honestly think they expected an immediate response with dramatic flair. They quickly gave me more space in the bed, and then the older one sat up and made it clear how shocked he was by what I had said. I was already feeling a bit nervous about my boldness, but when he directly asked me to take back what I'd said, what could I do but confirm my denial?

“There’s no hell,” I said, “and no eternal punishment. No God would be such a fool as that.”

“There’s no hell,” I said, “and no eternal punishment. No God would be that foolish.”

My elder cousin cried aloud in horror, and the younger lay scared, but listening. “Then you mean,” said my elder cousin, when at last he could bring himself to argue, “you might do just as you liked?”

My older cousin cried out in fear, and the younger one lay terrified but listening. “So you mean,” my older cousin said, finally managing to debate, “you could do whatever you wanted?”

“If you were cad enough,” said I.

“If you were rude enough,” I said.

Our little voices went on interminably, and at one stage my cousin got out of bed and made his brother do likewise, and knelt in the night dimness and prayed at me. That I found trying, but I held out valiantly. “Forgive him,” said my cousin, “he knows not what he sayeth.”

Our little voices went on forever, and at one point my cousin got out of bed and made his brother do the same, kneeling in the dim light of the night and praying at me. I found that challenging, but I hung in there. “Forgive him,” said my cousin, “he doesn’t know what he’s saying.”

“You can pray if you like,” I said, “but if you’re going to cheek me in your prayers I draw the line.”

“You can pray if you want,” I said, “but if you’re going to sass me in your prayers, that’s where I draw the line.”

The last I remember of that great discussion was my cousin deploring the fact that he “should ever sleep in the same bed with an Infidel!”

The last thing I remember from that big conversation is my cousin lamenting that he “should ever sleep in the same bed with a nonbeliever!”

The next day he astonished me by telling the whole business to his father. This was quite outside all my codes. Uncle Nicodemus sprang it upon me at the midday meal.

The next day, he shocked me by telling his father everything. This was completely outside my expectations. Uncle Nicodemus dropped it on me during lunch.

“You been sayin’ queer things, George,” he said abruptly. “You better mind what you’re saying.”

“You've been saying strange things, George,” he said suddenly. “You should watch what you're saying."

“What did he say, father?” said Mrs. Frapp.

“What did he say, Dad?” said Mrs. Frapp.

“Things I couldn’t’ repeat,” said he.

“Things I couldn’t repeat,” he said.

“What things?” I asked hotly.

“What things?” I asked angrily.

“Ask ’im,” said my uncle, pointing with his knife to his informant, and making me realise the nature of my offence. My aunt looked at the witness. “Not—?” she framed a question.

“Ask ’im,” my uncle said, pointing with his knife to his informant, making me realize what I had done wrong. My aunt glanced at the witness. “Not—?” she started to ask.

“Wuss,” said my uncle. “Blarsphemy.”

“Wuss,” said my uncle. “Blasphemy.”

My aunt couldn’t touch another mouthful. I was already a little troubled in my conscience by my daring, and now I began to feel the black enormity of the course upon which I had embarked.

My aunt couldn't eat another bite. I was already feeling a bit guilty about my boldness, and now I started to really grasp the seriousness of the path I had chosen.

“I was only talking sense,” I said.

“I was just being sensible,” I said.

I had a still more dreadful moment when presently I met my cousin in the brick alley behind the yard, that led back to his grocer’s shop.

I experienced an even more terrifying moment when I soon ran into my cousin in the brick alley behind the yard that led back to his grocery store.

“You sneak!” I said, and smacked his face hard forthwith. “Now then,” said I.

“You sneak!” I said, and slapped his face hard right away. “Now then,” I said.

He started back, astonished and alarmed. His eyes met mine, and I saw a sudden gleam of resolution. He turned his other cheek to me.

He stepped back, shocked and worried. Our eyes locked, and I noticed a quick spark of determination in him. He turned his other cheek to me.

“’It it,” he said. “’It it. I’ll forgive you.”

“'It is,' he said. 'It is. I’ll forgive you.”

I felt I had never encountered a more detestable way of evading a licking. I shoved him against the wall and left him there, forgiving me, and went back into the house.

I felt like I had never seen a more pathetic way to avoid a beating. I pushed him against the wall and left him there, forgiving me, and went back into the house.

“You better not speak to your cousins, George,” said my aunt, “till you’re in a better state of mind.”

“You better not talk to your cousins, George,” my aunt said, “until you’re feeling better.”

I became an outcast forthwith. At supper that night a gloomy silence was broken by my cousin saying,

I immediately became an outcast. At dinner that night, a heavy silence was interrupted when my cousin said,

“’E ’it me for telling you, and I turned the other cheek, muvver.”

“‘You hit me for telling you, and I turned the other cheek, mom.’”

“’E’s got the evil one be’ind ’im now, a ridin’ on ’is back,” said my aunt, to the grave discomfort of the eldest girl, who sat beside me.

“He's got the evil one behind him now, riding on his back,” said my aunt, to the grave discomfort of the oldest girl, who sat beside me.

After supper my uncle, in a few ill-chosen words, prayed me to repent before I slept.

After dinner, my uncle awkwardly urged me to repent before going to bed.

“Suppose you was took in your sleep, George,” he said; “where’d you be then? You jest think of that me boy.” By this time I was thoroughly miserable and frightened, and this suggestion unnerved me dreadfully but I kept up an impenitent front. “To wake in ’ell,” said Uncle Nicodemus, in gentle tones. “You don’t want to wake in ’ell, George, burnin’ and screamin’ for ever, do you? You wouldn’t like that?”

“Imagine you were taken in your sleep, George,” he said; “where would you be then? Just think about that, my boy.” By this point, I was completely miserable and scared, and this idea really unsettled me, but I maintained a bold front. “To wake in hell,” said Uncle Nicodemus gently. “You don’t want to wake in hell, George, burning and screaming forever, do you? You wouldn’t like that?”

He tried very hard to get me to “jest ’ave a look at the bake’ouse fire” before I retired. “It might move you,” he said.

He really wanted me to “just take a look at the bakehouse fire” before I went to bed. “It might inspire you,” he said.

I was awake longest that night. My cousins slept, the sleep of faith on either side of me. I decided I would whisper my prayers, and stopped midway because I was ashamed, and perhaps also because I had an idea one didn’t square God like that.

I was awake the longest that night. My cousins were asleep, peacefully on either side of me. I decided to whisper my prayers, but I stopped halfway because I felt embarrassed, and maybe also because I thought you couldn't approach God like that.

“No,” I said, with a sudden confidence, “damn me if you’re coward enough.... But you’re not. No! You couldn’t be!”

“No,” I said, feeling suddenly confident, “damn me if you’re cowardly enough... But you’re not. No! You couldn't be!”

I woke my cousins up with emphatic digs, and told them as much, triumphantly, and went very peacefully to sleep with my act of faith accomplished.

I woke my cousins up with enthusiastic nudges and proudly told them about it, then peacefully went to sleep after completing my little victory.

I slept not only through that night, but for all my nights since then. So far as any fear of Divine injustice goes, I sleep soundly, and shall, I know, to the end of things. That declaration was an epoch in my spiritual life.

I haven't just slept through that night, but through all my nights since then. As far as any fear of Divine injustice is concerned, I sleep well, and I know I will until the end of time. That statement was a turning point in my spiritual journey.

II

But I didn’t expect to have the whole meeting on Sunday turned on to me.

But I didn’t expect the entire meeting on Sunday to focus on me.

It was. It all comes back to me, that convergence of attention, even the faint leathery smell of its atmosphere returns, and the coarse feel of my aunt’s black dress beside me in contact with my hand. I see again the old Welsh milkman “wrestling” with me, they all wrestled with me, by prayer or exhortation. And I was holding out stoutly, though convinced now by the contagion of their universal conviction that by doing so I was certainly and hopelessly damned. I felt that they were right, that God was probably like them, and that on the whole it didn’t matter. And to simplify the business thoroughly I had declared I didn’t believe anything at all. They confuted me by texts from Scripture which I now perceive was an illegitimate method of reply. When I got home, still impenitent and eternally lost and secretly very lonely and miserable and alarmed, Uncle Nicodemus docked my Sunday pudding.

It was. It all comes back to me, that moment when everyone focused their attention, even the slight leathery smell of the atmosphere comes back, and I can feel the rough texture of my aunt’s black dress next to my hand. I see the old Welsh milkman “wrestling” with me, just like everyone else did, either through prayer or urging. And I was holding my ground, even though I was now convinced by the power of their shared belief that I was definitely and hopelessly damned. I felt that they were right, that God was probably like them, and that overall, it didn’t really matter. To make things simpler, I declared that I didn’t believe in anything at all. They countered me with quotes from Scripture, which I now see was an unfair way to respond. When I got home, still unrepentant and feeling eternally lost, secretly very lonely, miserable, and anxious, Uncle Nicodemus took away my Sunday pudding.

One person only spoke to me like a human being on that day of wrath, and that was the younger Frapp. He came up to me in the afternoon while I was confined upstairs with a Bible and my own thoughts.

One person spoke to me like a real human on that day of anger, and that was the younger Frapp. He came to me in the afternoon while I was stuck upstairs with a Bible and my own thoughts.

“’Ello,” he said, and fretted about.

“Hey,” he said, looking concerned.

“D’you mean to say there isn’t—no one,” he said, funking the word.

“Do you mean to say there isn’t—no one,” he said, hesitating on the word.

“No one?”

“Is anyone there?”

“No one watching yer—always.”

“No one’s watching you—ever.”

“Why should there be?” I asked.

“Why should there be?” I asked.

“You can’t ’elp thoughts,” said my cousin, “anyhow. You mean—” He stopped hovering. “I s’pose I oughtn’t to be talking to you.”

“You can’t help your thoughts,” said my cousin, “anyway. You mean—” He paused. “I guess I shouldn’t be talking to you.”

He hesitated and flitted away with a guilty back glance over his shoulder....

He paused and quickly glanced back over his shoulder with a guilty look.

The following week made life quite intolerable for me; these people forced me at last into an Atheism that terrified me. When I learnt that next Sunday the wrestling was to be resumed, my courage failed me altogether.

The following week made life pretty unbearable for me; these people finally pushed me into a fearsome Atheism. When I found out that wrestling was set to start again next Sunday, I completely lost my nerve.

I happened upon a map of Kent in a stationer’s window on Saturday, and that set me thinking of one form of release. I studied it intently for half an hour perhaps, on Saturday night, got a route list of villages well fixed in my memory, and got up and started for Bladesover about five on Sunday morning while my two bed mates were still fast asleep.

I came across a map of Kent in a stationery store window on Saturday, and that got me thinking about one way to escape. I examined it closely for about half an hour that Saturday night, memorized a route list of villages, and then got up and left for Bladesover around five on Sunday morning while my two roommates were still sound asleep.

III

I remember something, but not so much of it as I should like to recall, of my long tramp to Bladesover House. The distance from Chatham is almost exactly seventeen miles, and it took me until nearly one. It was very interesting and I do not think I was very fatigued, though I got rather pinched by one boot.

I remember a bit, but not as much as I wish I could, about my long walk to Bladesover House. The distance from Chatham is almost exactly seventeen miles, and it took me until nearly one o'clock. It was really interesting, and I don’t think I was too tired, though one of my boots did pinch me a bit.

The morning must have been very clear, because I remember that near Itchinstow Hall I looked back and saw the estuary of the Thames, that river that has since played so large a part in my life. But at the time I did not know it was the Thames, I thought this great expanse of mud flats and water was the sea, which I had never yet seen nearly. And out upon it stood ships, sailing ships and a steamer or so, going up to London or down out into the great seas of the world. I stood for a long time watching these and thinking whether after all I should not have done better to have run away to sea.

The morning must have been really clear because I remember looking back near Itchinstow Hall and seeing the Thames estuary, a river that has since played a huge role in my life. But at the time, I didn’t realize it was the Thames; I thought this vast stretch of mud flats and water was the sea, which I had never really seen up close. Out on it were ships—sailing ships and a steamer or two—heading to London or out into the vast oceans of the world. I stood there for a long time, watching them and wondering if I would have been better off running away to sea.

The nearer I drew to Bladesover, the more doubtful I grew of the duality of my reception, and the more I regretted that alternative. I suppose it was the dirty clumsiness of the shipping I had seen nearly, that put me out of mind of that. I took a short cut through the Warren across the corner of the main park to intercept the people from the church. I wanted to avoid meeting any one before I met my mother, and so I went to a place where the path passed between banks, and without exactly hiding, stood up among the bushes. This place among other advantages eliminated any chance of seeing Lady Drew, who would drive round by the carriage road.

The closer I got to Bladesover, the more uncertain I felt about how I'd be received and the more I regretted that choice. I guess it was the messy shipping I had recently seen that distracted me from that. I took a shortcut through the Warren, cutting across the corner of the main park to catch the people coming from the church. I wanted to avoid running into anyone before seeing my mother, so I found a spot where the path went between some banks and, without exactly hiding, stood among the bushes. This spot, among other things, also ensured that I wouldn't see Lady Drew, who would take the carriage road.

Standing up to waylay in this fashion I had a queer feeling of brigandage, as though I was some intrusive sort of bandit among these orderly things. It is the first time I remember having that outlaw feeling distinctly, a feeling that has played a large part in my subsequent life. I felt there existed no place for me that I had to drive myself in.

Standing up to block in this way, I felt a strange sense of being a bandit, as if I was some uninvited thief among these orderly things. It’s the first time I clearly remember feeling that outcast sensation, a feeling that has played a significant role in my life since then. I felt like there was no place for me, and I had to force myself in.

Presently, down the hill, the servants appeared, straggling by twos and threes, first some of the garden people and the butler’s wife with them, then the two laundry maids, odd inseparable old creatures, then the first footman talking to the butler’s little girl, and at last, walking grave and breathless beside old Ann and Miss Fison, the black figure of my mother.

Currently, down the hill, the servants showed up, walking in pairs and small groups: first some of the gardeners and the butler’s wife with them, then the two laundry maids, quirky inseparable old souls, then the first footman chatting with the butler’s little girl, and finally, walking solemn and out of breath beside old Ann and Miss Fison, the dark figure of my mother.

My boyish mind suggested the adoption of a playful form of appearance. “Coo-ee, mother” said I, coming out against the sky, “Coo-ee!”

My childish mind thought it would be fun to look playful. “Hey there, Mom,” I called out, emerging against the sky, “Hey!”

My mother looked up, went very white, and put her hand to her bosom.

My mother looked up, went pale, and put her hand on her chest.

I suppose there was a fearful fuss about me. And of course I was quite unable to explain my reappearance. But I held out stoutly, “I won’t go back to Chatham; I’ll drown myself first.” The next day my mother carried me off to Wimblehurst, took me fiercely and aggressively to an uncle I had never heard of before, near though the place was to us. She gave me no word as to what was to happen, and I was too subdued by her manifest wrath and humiliation at my last misdemeanour to demand information. I don’t for one moment think Lady Drew was “nice” about me. The finality of my banishment was endorsed and underlined and stamped home. I wished very much now that I had run away to sea, in spite of the coal dust and squalour Rochester had revealed to me. Perhaps over seas one came to different lands.

I guess there was a huge stir about me. And of course, I couldn't explain my return. But I stood my ground, saying, “I won’t go back to Chatham; I’ll drown myself first.” The next day, my mom took me to Wimblehurst, dragging me forcefully to an uncle I had never heard of before, even though it was close to us. She didn’t tell me what was going to happen, and I was too cowed by her obvious anger and embarrassment over my last mistake to ask for details. I really don’t think Lady Drew was “nice” about me. The finality of my banishment was made very clear and enforced. I really wished then that I had run away to sea, even with the coal dust and messiness Rochester had shown me. Maybe out there, I would find different places.

IV

I do not remember much of my journey to Wimblehurst with my mother except the image of her as sitting bolt upright, as rather disdaining the third-class carriage in which we traveled, and how she looked away from me out of the window when she spoke of my uncle. “I have not seen your uncle,” she said, “since he was a boy....” She added grudgingly, “Then he was supposed to be clever.”

I don’t remember much of the trip to Wimblehurst with my mom, except the sight of her sitting straight up, kind of looking down on the third-class carriage we were in, and how she looked out the window when she talked about my uncle. “I haven’t seen your uncle,” she said, “since he was a kid....” She added reluctantly, “He was supposed to be smart.”

She took little interest in such qualities as cleverness.

She didn’t care much about qualities like cleverness.

“He married about three years ago, and set up for himself in Wimblehurst.... So I suppose she had some money.”

“He got married about three years ago and started his life in Wimblehurst.... So I guess she had some money.”

She mused on scenes she had long dismissed from her mind. “Teddy,” she said at last in the tone of one who has been feeling in the dark and finds. “He was called Teddy... about your age.... Now he must be twenty-six or seven.”

She thought about moments she had long pushed out of her mind. “Teddy,” she finally said, sounding like someone who has been searching in the dark and finally discovers something. “His name was Teddy... around your age.... Now he must be twenty-six or twenty-seven.”

I thought of my uncle as Teddy directly I saw him; there was something in his personal appearance that in the light of that memory phrased itself at once as Teddiness—a certain Teddidity. To describe it in and other terms is more difficult. It is nimbleness without grace, and alertness without intelligence. He whisked out of his shop upon the pavement, a short figure in grey and wearing grey carpet slippers; one had a sense of a young fattish face behind gilt glasses, wiry hair that stuck up and forward over the forehead, an irregular nose that had its aquiline moments, and that the body betrayed an equatorial laxity, an incipient “bow window” as the image goes. He jerked out of the shop, came to a stand on the pavement outside, regarded something in the window with infinite appreciation, stroked his chin, and, as abruptly, shot sideways into the door again, charging through it as it were behind an extended hand.

I immediately thought of my uncle as Teddy when I saw him; there was something about his appearance that instantly reminded me of Teddiness—a kind of Teddidity. It's hard to describe it in other words. It's like nimbleness without grace and alertness without intelligence. He popped out of his shop onto the sidewalk, a short figure in gray wearing gray carpet slippers. You could sense a young, pudgy face behind gold glasses, wiry hair that stood up and forward over his forehead, an irregular nose that had its moments of being aquiline, and his body showed a kind of relaxed plumpness, a hint of what you might call a “bow window.” He jerked out of the shop, stopped on the sidewalk outside, looked at something in the window with deep appreciation, stroked his chin, and just as abruptly, darted back into the door again, charging through it as if propelled by an extended hand.

“That must be him,” said my mother, catching at her breath.

"That must be him," my mother said, catching her breath.

We came past the window whose contents I was presently to know by heart, a very ordinary chemist’s window except that there was a frictional electrical machine, an air pump and two or three tripods and retorts replacing the customary blue, yellow, and red bottles above. There was a plaster of Paris horse to indicate veterinary medicines among these breakables, and below were scent packets and diffusers and sponges and soda-water syphons and such-like things. Only in the middle there was a rubricated card, very neatly painted by hand, with these words—

We walked by a window that I would soon know by heart. It was a pretty standard chemist's window, except instead of the usual blue, yellow, and red bottles, there was a frictional electrical machine, an air pump, and two or three tripods and retorts. There was a plaster horse to represent veterinary medicines among the fragile items, and below that were scent packets, diffusers, sponges, soda-water siphons, and similar things. Only in the center was a neat card, painted by hand in red, with these words—

Buy Ponderevo’s Cough Linctus now.
NOW!
WHY?
Twopence Cheaper than in Winter.
You Store Apples! why not the Medicine
You are Bound to Need?

in which appeal I was to recognise presently my uncle’s distinctive note.

in which I was soon to recognize my uncle’s unique style.

My uncle’s face appeared above a card of infant’s comforters in the glass pane of the door. I perceived his eyes were brown, and that his glasses creased his nose. It was manifest he did not know us from Adam. A stare of scrutiny allowed an expression of commercial deference to appear in front of it, and my uncle flung open the door.

My uncle's face appeared above a card of baby comforters in the glass pane of the door. I noticed his eyes were brown, and his glasses left marks on his nose. It was clear he didn't recognize us at all. He looked us over with curiosity, then put on a polite smile, and flung open the door.

“You don’t know me?” panted my mother.

“You don’t know me?” my mom panted.

My uncle would not own he did not, but his curiosity was manifest. My mother sat down on one of the little chairs before the soap and patent medicine-piled counter, and her lips opened and closed.

My uncle wouldn’t admit it, but his curiosity was obvious. My mom sat down on one of the small chairs in front of the counter stacked with soap and patent medicine, her lips moving without sound.

“A glass of water, madam,” said my uncle, waved his hand in a sort of curve and shot away.

“A glass of water, ma'am,” my uncle said, waving his hand in a sort of curve before he darted away.

My mother drank the water and spoke. “That boy,” she said, “takes after his father. He grows more like him every day.... And so I have brought him to you.”

My mother drank the water and said, “That boy,” she said, “is just like his father. He gets more like him every day... And that’s why I brought him to you.”

“His father, madam?”

"Is that your father, ma'am?"

“George.”

“George.”

For a moment the chemist was still at a loss. He stood behind the counter with the glass my mother had returned to him in his hand. Then comprehension grew.

For a moment, the chemist was confused. He stood behind the counter, holding the glass my mother had given back to him. Then he started to understand.

“By Gosh!” he said. “Lord!” he cried. His glasses fell off. He disappeared replacing them, behind a pile of boxed-up bottles of blood mixture. “Eleven thousand virgins!” I heard him cry. The glass was banged down. “O-ri-ental Gums!”

“Wow!” he said. “Oh my!” he exclaimed. His glasses fell off. He disappeared behind a stack of boxed blood mixture bottles to put them back on. “Eleven thousand virgins!” I heard him shout. The glass was slammed down. “Oriental Gums!”

He shot away out of the shop through some masked door. One heard his voice. “Susan! Susan!”

He burst out of the shop through a hidden door. You could hear his voice. “Susan! Susan!”

Then he reappeared with an extended hand. “Well, how are you?” he said. “I was never so surprised in my life. Fancy!... You!

Then he came back with his hand out. “So, how are you?” he said. “I’ve never been so surprised in my life. Can you believe it?... You!

He shook my mother’s impassive hand and then mine very warmly holding his glasses on with his left forefinger.

He shook my mom's expressionless hand and then mine very warmly, holding his glasses on with his left index finger.

“Come right in!” he cried—“come right in! Better late than never!” and led the way into the parlour behind the shop.

“Come on in!” he shouted—“come on in! Better late than never!” and showed the way into the living room behind the shop.

After Bladesover that apartment struck me as stuffy and petty, but it was very comfortable in comparison with the Frapp living-room. It had a faint, disintegrating smell of meals about it, and my most immediate impression was of the remarkable fact that something was hung about or wrapped round or draped over everything. There was bright-patterned muslin round the gas-bracket in the middle of the room, round the mirror over the mantel, stuff with ball-fringe along the mantel and casing in the fireplace,—I first saw ball-fringe here—and even the lamp on the little bureau wore a shade like a large muslin hat. The table-cloth had ball-fringe and so had the window curtains, and the carpet was a bed of roses. There were little cupboards on either side of the fireplace, and in the recesses, ill-made shelves packed with books, and enriched with pinked American cloth. There was a dictionary lying face downward on the table, and the open bureau was littered with foolscap paper and the evidences of recently abandoned toil. My eye caught “The Ponderevo Patent Flat, a Machine you can Live in,” written in large firm letters. My uncle opened a little door like a cupboard door in the corner of this room, and revealed the narrowest twist of staircase I had ever set eyes upon. “Susan!” he bawled again. “Wantje. Some one to see you. Surprisin’.”

After Bladesover, that apartment felt cramped and trivial, but it was pretty cozy compared to the Frapp living room. It had a slight, fading smell of past meals, and my first impression was how everything seemed to have something hung around it, wrapped up, or draped over it. There was brightly patterned muslin around the gas bracket in the middle of the room, around the mirror above the mantel, fringe-covered decor along the mantel and the fireplace surround—I first noticed ball fringe here—and even the lamp on the small bureau had a shade like a large muslin hat. The tablecloth had ball fringe, and so did the window curtains, while the carpet was covered in roses. There were small cupboards on either side of the fireplace, and in the recesses, poorly made shelves filled with books, adorned with pinked American cloth. A dictionary lay face down on the table, and the open bureau was cluttered with foolscap paper and signs of recently abandoned work. My eye caught “The Ponderevo Patent Flat, a Machine you can Live in,” written in bold letters. My uncle opened a small door like a cupboard in the corner of the room and revealed the narrowest twist of staircase I had ever seen. “Susan!” he shouted again. “Wantje. Someone to see you. Surprising.”

There came an inaudible reply, and a sudden loud bump over our heads as of some article of domestic utility pettishly flung aside, then the cautious steps of someone descending the twist, and then my aunt appeared in the doorway with her hand upon the jamb.

There was a quiet response, followed by a loud thud above us, like some household item being thrown aside in irritation. Then, we heard careful footsteps coming down the stairs, and my aunt showed up in the doorway with her hand on the frame.

“It’s Aunt Ponderevo,” cried my uncle. “George’s wife—and she’s brought over her son!” His eye roamed about the room. He darted to the bureau with a sudden impulse, and turned the sheet about the patent flat face down. Then he waved his glasses at us, “You know, Susan, my elder brother George. I told you about ’im lots of times.”

“It’s Aunt Ponderevo,” my uncle shouted. “George’s wife—and she’s brought her son!” His eyes scanned the room. He quickly moved to the dresser, flipped the sheet about the plain flat face down, and then waved his glasses at us. “You know, Susan, my older brother George. I’ve told you about him many times.”

He fretted across to the hearthrug and took up a position there, replaced his glasses and coughed.

He anxiously walked over to the hearth rug and stood there, adjusted his glasses, and coughed.

My aunt Susan seemed to be taking it in. She was then rather a pretty slender woman of twenty-three or four, I suppose, and I remember being struck by the blueness of her eyes and the clear freshness of her complexion. She had little features, a button nose, a pretty chin and a long graceful neck that stuck out of her pale blue cotton morning dress. There was a look of half-assumed perplexity on her face, a little quizzical wrinkle of the brow that suggested a faintly amused attempt to follow my uncle’s mental operations, a vain attempt and a certain hopelessness that had in succession become habitual. She seemed to be saying, “Oh Lord! What’s he giving me this time?” And as came to know her better I detected, as a complication of her effort of apprehension, a subsidiary riddle to “What’s he giving me?” and that was—to borrow a phrase from my schoolboy language “Is it keeps?” She looked at my mother and me, and back to her husband again.

My aunt Susan seemed to be taking it all in. She was a pretty slender woman around twenty-three or twenty-four, and I remember being struck by the blueness of her eyes and the fresh clarity of her complexion. She had small features, a button nose, a pretty chin, and a long graceful neck that stuck out from her pale blue cotton morning dress. There was a look of half-confused puzzlement on her face, a little quizzical wrinkle on her brow that suggested a faintly amused attempt to follow my uncle's thoughts, a futile effort that had become somewhat habitual. She seemed to be thinking, “Oh Lord! What’s he giving me this time?” And as I got to know her better, I picked up on an additional question underlying her effort to understand: “Is it keeps?” She looked at my mother and me, then back to her husband again.

“You know,” he said. “George.”

“You know,” he said. “George.”

“Well,” she said to my mother, descending the last three steps of the staircase and holding out her hand! “you’re welcome. Though it’s a surprise.... I can’t ask you to have anything, I’m afraid, for there isn’t anything in the house.” She smiled, and looked at her husband banteringly. “Unless he makes up something with his old chemicals, which he’s quite equal to doing.”

“Well,” she said to my mother, coming down the last three steps of the staircase and extending her hand. “You’re welcome. Though it’s a surprise.... I can’t ask you to have anything, I’m afraid, because there isn’t anything in the house.” She smiled and looked at her husband teasingly. “Unless he whips up something with his old chemicals, which he’s definitely capable of doing.”

My mother shook hands stiffly, and told me to kiss my aunt....

My mom shook hands awkwardly and told me to give my aunt a kiss.

“Well, let’s all sit down,” said my uncle, suddenly whistling through his clenched teeth, and briskly rubbing his hands together. He put up a chair for my mother, raised the blind of the little window, lowered it again, and returned to his hearthrug. “I’m sure,” he said, as one who decides, “I’m very glad to see you.”

“Well, let’s all sit down,” my uncle said, suddenly whistling through his clenched teeth and briskly rubbing his hands together. He pulled out a chair for my mom, raised the blind of the little window, lowered it again, and returned to his spot on the hearthrug. “I’m sure,” he said, as if making a decision, “I’m really glad to see you.”

V

As they talked I gave my attention pretty exclusively to my uncle.

As they talked, I focused mostly on my uncle.

I noted him in great detail. I remember now his partially unbuttoned waistcoat, as though something had occurred to distract him as he did it up, and a little cut upon his chin. I liked a certain humour in his eyes. I watched, too, with the fascination that things have for an observant boy, the play of his lips—they were a little oblique, and there was something “slipshod,” if one may strain a word so far, about his mouth, so that he lisped and sibilated ever and again and the coming and going of a curious expression, triumphant in quality it was, upon his face as he talked. He fingered his glasses, which did not seem to fit his nose, fretted with things in his waistcoat pockets or put his hands behind him, looked over our heads, and ever and again rose to his toes and dropped back on his heels. He had a way of drawing air in at times through his teeth that gave a whispering zest to his speech It’s a sound I can only represent as a soft Zzzz.

I observed him closely. I now remember his partially unbuttoned waistcoat, as if something had distracted him while he was fastening it, and a small cut on his chin. I liked a certain humor in his eyes. I watched, with the fascination that things have for an observant boy, the way his lips moved—they were slightly askew, and there was something “sloppy,” if I can stretch a word that far, about his mouth, so that he lisped and hissed now and then, along with a curious expression that looked triumphant appearing and disappearing on his face as he spoke. He fiddled with his glasses, which didn’t seem to fit his nose, toyed with things in the pockets of his waistcoat, or put his hands behind him, looked over our heads, and occasionally rose up on his toes before dropping back onto his heels. He had a way of drawing in air at times through his teeth that added a whispery energy to his speech. It’s a sound I can only describe as a soft Zzzz.

He did most of the talking. My mother repeated what she had already said in the shop, “I have brought George over to you,” and then desisted for a time from the real business in hand. “You find this a comfortable house?” she asked; and this being affirmed: “It looks—very convenient.... Not too big to be a trouble—no. You like Wimblehurst, I suppose?”

He did most of the talking. My mom repeated what she had already said in the shop, “I brought George over to you,” and then paused for a bit from the real matter at hand. “Do you find this house comfortable?” she asked, and when that was confirmed, she continued, “It looks—very convenient.... Not too big to be a hassle—no. You like Wimblehurst, I assume?”

My uncle retorted with some inquiries about the great people of Bladesover, and my mother answered in the character of a personal friend of Lady Drew’s. The talk hung for a time, and then my uncle embarked upon a dissertation upon Wimblehurst.

My uncle shot back with some questions about the notable people of Bladesover, and my mother responded as if she were a close friend of Lady Drew. The conversation paused for a bit, and then my uncle started a lecture about Wimblehurst.

“This place,” he began, “isn’t of course quite the place I ought to be in.”

“This place,” he started, “isn't really where I should be.”

My mother nodded as though she had expected that.

My mom nodded as if she had seen that coming.

“It gives me no Scope,” he went on. “It’s dead-and-alive. Nothing happens.”

“It doesn’t give me any freedom,” he continued. “It’s lifeless. Nothing goes on.”

“He’s always wanting something to happen,” said my aunt Susan. “Some day he’ll get a shower of things and they’ll be too much for him.”

“He always wants something to happen,” my aunt Susan said. “One day, he'll get a ton of things and it’ll be way too much for him.”

“Not they,” said my uncle, buoyantly.

"Not them," my uncle said cheerfully.

“Do you find business—slack?” asked my mother.

“Do you find business—slow?” asked my mother.

“Oh! one rubs along. But there’s no Development—no growth. They just come along here and buy pills when they want ’em—and a horseball or such. They’ve got to be ill before there’s a prescription. That sort they are. You can’t get ’em to launch out, you can’t get ’em to take up anything new. For instance, I’ve been trying lately—induce them to buy their medicines in advance, and in larger quantities. But they won’t look for it! Then I tried to float a little notion of mine, sort of an insurance scheme for colds; you pay so much a week, and when you’ve got a cold you get a bottle of Cough Linctus so long as you can produce a substantial sniff. See? But Lord! they’ve no capacity for ideas, they don’t catch on; no Jump about the place, no Life. Live!—they trickle, and what one has to do here is to trickle too—Zzzz.”

“Oh! You just get by. But there’s no progress—no growth. They just come here to buy pills when they need them—and a horseball or something. They have to be sick before they get a prescription. That’s just how they are. You can’t get them to branch out, you can’t get them to try anything new. For example, I’ve been trying lately to encourage them to buy their medicines in advance, and in larger quantities. But they won’t even consider it! Then I tried to pitch a little idea of mine, kind of an insurance plan for colds; you pay a certain amount each week, and when you catch a cold, you get a bottle of Cough Syrup as long as you can show that you’re really sick. You see? But goodness! they have no capacity for ideas, they don’t understand; there’s no energy around, no Life. Live!—they barely move, and what you have to do here is move slowly too—Zzzz.”

“Ah!” said my mother.

“Ah!” my mom said.

“It doesn’t suit me,” said my uncle. “I’m the cascading sort.”

“It doesn’t suit me,” said my uncle. “I’m more of the cascading type.”

“George was that,” said my mother after a pondering moment.

“George was that,” my mother said after thinking for a moment.

My aunt Susan took up the parable with an affectionate glance at her husband.

My aunt Susan began the story with a loving look at her husband.

“He’s always trying to make his old business jump,” she said. “Always putting fresh cards in the window, or getting up to something. You’d hardly believe. It makes ME jump sometimes.”

“He’s always trying to get his old business going,” she said. “Always putting new signs up front, or doing something. You wouldn’t believe it. It makes ME jump sometimes.”

“But it does no good,” said my uncle.

“But it doesn't help,” said my uncle.

“It does no good,” said his wife. “It’s not his miloo...”

“It doesn’t help,” said his wife. “It’s not his miloo...”

Presently they came upon a wide pause.

Presently, they came to a wide stop.

From the beginning of their conversation there had been the promise of this pause, and I pricked my ears. I knew perfectly what was bound to come; they were going to talk of my father. I was enormously strengthened in my persuasion when I found my mother’s eyes resting thoughtfully upon me in the silence, and than my uncle looked at me and then my aunt. I struggled unavailingly to produce an expression of meek stupidity.

From the start of their conversation, it was clear that this pause was coming, and I listened carefully. I knew exactly what was about to happen; they were going to talk about my dad. I felt even more convinced when I noticed my mom’s eyes looking at me thoughtfully during the silence, and then my uncle glanced at me, followed by my aunt. I tried unsuccessfully to put on a face of blank innocence.

“I think,” said my uncle, “that George will find it more amusing to have a turn in the market-place than to sit here talking with us. There’s a pair of stocks there, George—very interesting. Old-fashioned stocks.”

“I think,” said my uncle, “that George will find it more entertaining to check out the market than to sit here chatting with us. There’s a pair of stocks there, George—really interesting. Old-school stocks.”

“I don’t mind sitting here,” I said.

“I’m fine sitting here,” I said.

My uncle rose and in the most friendly way led me through the shop. He stood on his doorstep and jerked amiable directions to me.

My uncle got up and, in the friendliest way, guided me through the shop. He stood on his doorstep and gave me friendly directions.

“Ain’t it sleepy, George, eh? There’s the butcher’s dog over there, asleep in the road-half an hour from midday! If the last Trump sounded I don’t believe it would wake. Nobody would wake! The chaps up there in the churchyard—they’d just turn over and say: ‘Naar—you don’t catch us, you don’t! See?’.... Well, you’ll find the stocks just round that corner.”

“Ain’t it sleepy, George? Look at the butcher’s dog over there, snoozing in the road—half an hour until noon! If the last Trump sounded, I don’t think it would wake up. Nobody would wake up! The guys up in the churchyard—they’d just roll over and say: ‘Nah—you’re not catching us, you’re not! Get it?’... Well, you’ll find the stocks just around that corner.”

He watched me out of sight.

He watched me without being seen.

So I never heard what they said about my father after all.

So I never found out what they said about my dad after all.

VI

When I returned, my uncle had in some remarkable way become larger and central. “Tha’chu, George?” he cried, when the shop-door bell sounded. “Come right through”; and I found him, as it were, in the chairman’s place before the draped grate.

When I got back, my uncle had somehow become bigger and more important. “Is that you, George?” he exclaimed when the shop doorbell rang. “Come on in”; and I found him, so to speak, in the chairman’s spot in front of the covered fireplace.

The three of them regarded me.

The three of them looked at me.

“We have been talking of making you a chemist, George,” said my uncle.

“We've been discussing making you a chemist, George,” said my uncle.

My mother looked at me. “I had hoped,” she said, “that Lady Drew would have done something for him—” She stopped.

My mom looked at me. “I had hoped,” she said, “that Lady Drew would have done something for him—” She stopped.

“In what way?” said my uncle.

“In what way?” my uncle asked.

“She might have spoken to some one, got him into something perhaps....” She had the servant’s invincible persuasion that all good things are done by patronage.

“She might have talked to someone, gotten him involved in something maybe....” She had the worker’s unshakeable belief that all good things come from connections.

“He is not the sort of boy for whom things are done,” she added, dismissing these dreams. “He doesn’t accommodate himself. When he thinks Lady Drew wishes a thing, he seems not to wish it. Towards Mr. Redgrave, too, he has been—disrespectful—he is like his father.”

“He's not the kind of boy who has things done for him,” she added, brushing off those dreams. “He doesn’t adapt. When he thinks Lady Drew wants something, he seems to want the opposite. With Mr. Redgrave too, he has been—disrespectful—just like his father.”

“Who’s Mr. Redgrave?”

“Who is Mr. Redgrave?”

“The Vicar.”

" The Vicar."

“A bit independent?” said my uncle, briskly.

“A little independent?” my uncle said briskly.

“Disobedient,” said my mother. “He has no idea of his place. He seems to think he can get on by slighting people and flouting them. He’ll learn perhaps before it is too late.”

“Disobedient,” said my mother. “He has no idea of his place. He seems to think he can get ahead by disrespecting people and disregarding them. He might learn, hopefully before it’s too late.”

My uncle stroked his cut chin and me. “Have you learnt any Latin?” he asked abruptly.

My uncle rubbed his chin and looked at me. “Have you learned any Latin?” he asked suddenly.

I said I had not.

I said I haven't.

“He’ll have to learn a little Latin,” he explained to my mother, “to qualify. H’m. He could go down to the chap at the grammar school here—it’s just been routed into existence again by the Charity Commissioners and have lessons.”

“He’ll need to learn some Latin,” he told my mother, “to qualify. Hm. He could go to the guy at the grammar school here—it just got restarted by the Charity Commissioners and could take lessons.”

“What, me learn Latin!” I cried, with emotion.

“What, me learn Latin?” I exclaimed, feeling emotional.

“A little,” he said.

"A bit," he said.

“I’ve always wanted” I said and; “Latin!

“I’ve always wanted,” I said, “Latin!

I had long been obsessed by the idea that having no Latin was a disadvantage in the world, and Archie Garvell had driven the point of this pretty earnestly home. The literature I had read at Bladesover had all tended that way. Latin had had a quality of emancipation for me that I find it difficult to convey. And suddenly, when I had supposed all learning was at an end for me, I heard this!

I had been really focused on the idea that not knowing Latin put me at a disadvantage in the world, and Archie Garvell had really emphasized this point. The literature I read at Bladesover reinforced this belief. Latin had this freeing quality for me that I find hard to explain. And then, just when I thought my learning journey was over, I heard this!

“It’s no good to you, of course,” said my uncle, “except to pass exams with, but there you are!”

“It’s not useful to you, really,” said my uncle, “except for passing exams, but there it is!”

“You’ll have to learn Latin because you have to learn Latin,” said my mother, “not because you want to. And afterwards you will have to learn all sorts of other things....”

“You’ll have to learn Latin because you have to learn Latin,” said my mom, “not because you want to. And then you’ll have to learn all kinds of other things....”

The idea that I was to go on learning, that to read and master the contents of books was still to be justifiable as a duty, overwhelmed all other facts. I had had it rather clear in my mind for some weeks that all that kind of opportunity might close to me for ever. I began to take a lively interest in this new project.

The thought that I was meant to keep learning, that reading and mastering the contents of books was still a rightful duty, overshadowed everything else. I had been realizing for a few weeks that this kind of opportunity might be gone for good. I started to feel a strong interest in this new project.

“Then shall I live here?” I asked, “with you, and study... as well as work in the shop?”

“Then will I be living here?” I asked, “with you, studying... as well as working in the shop?”

“That’s the way of it,” said my uncle.

"That's how it is," my uncle said.

I parted from my mother that day in a dream, so sudden and important was this new aspect of things to me. I was to learn Latin! Now that the humiliation of my failure at Bladesover was past for her, now that she had a little got over her first intense repugnance at this resort to my uncle and contrived something that seemed like a possible provision for my future, the tenderness natural to a parting far more significant than any of our previous partings crept into her manner.

I said goodbye to my mom that day in a dream, as this new development felt so sudden and significant to me. I was going to learn Latin! Now that the embarrassment of my failure at Bladesover was behind her, now that she had somewhat moved past her initial strong dislike of this resort to my uncle and managed to create what seemed like a potential plan for my future, a tenderness that was appropriate for a farewell much more meaningful than any of our previous goodbyes emerged in her behavior.

She sat in the train to return, I remember, and I stood at the open door of her compartment, and neither of us knew how soon we should cease for ever to be a trouble to one another.

She sat on the train to go back, I remember, and I stood at the open door of her compartment, and neither of us knew how soon we'd stop being a bother to each other for good.

“You must be a good boy, George,” she said. “You must learn.... And you mustn’t set yourself up against those who are above you and better than you.... Or envy them.”

“You need to be a good boy, George,” she said. “You have to learn.... And you shouldn’t oppose those who are above you and better than you.... Or envy them.”

“No, mother,” I said.

"No, Mom," I said.

I promised carelessly. Her eyes were fixed upon me. I was wondering whether I could by any means begin Latin that night.

I promised without thinking. Her eyes were locked on me. I was considering if there was any way I could start Latin that night.

Something touched her heart then, some thought, some memory; perhaps some premonition.... The solitary porter began slamming carriage doors.

Something touched her heart then, a thought or a memory; maybe some sort of premonition.... The lone porter started banging the carriage doors.

“George” she said hastily, almost shamefully, “kiss me!”

“George,” she said quickly, almost embarrassed, “kiss me!”

I stepped up into her compartment as she bent downward.

I stepped into her compartment as she leaned down.

She caught me in her arms quite eagerly, she pressed me to her—a strange thing for her to do. I perceived her eyes were extraordinarily bright, and then this brightness burst along the lower lids and rolled down her cheeks.

She caught me in her arms with such enthusiasm, pulling me close—a strange thing for her to do. I noticed her eyes were unusually bright, and then this brightness spilled over her lower lids and ran down her cheeks.

For the first and last time in my life I saw my mother’s tears. Then she had gone, leaving me discomforted and perplexed, forgetting for a time even that I was to learn Latin, thinking of my mother as of something new and strange.

For the first and last time in my life, I saw my mother's tears. Then she was gone, leaving me feeling uneasy and confused, forgetting for a while even that I was supposed to learn Latin, thinking of my mother as something new and strange.

The thing recurred though I sought to dismiss it, it stuck itself into my memory against the day of fuller understanding. Poor, proud, habitual, sternly narrow soul! poor difficult and misunderstanding son! it was the first time that ever it dawned upon me that my mother also might perhaps feel.

The thought kept coming back even though I tried to push it away; it lodged itself in my memory for when I would understand better. Poor, proud, rigid, and narrow-minded soul! Poor, complicated, and misunderstood son! It was the first time it occurred to me that my mother might also have feelings.

VII

My mother died suddenly and, it was thought by Lady Drew, inconsiderately, the following spring. Her ladyship instantly fled to Folkestone with Miss Somerville and Fison, until the funeral should be over and my mother’s successor installed.

My mom passed away unexpectedly, and Lady Drew thought it was really inconsiderate, the following spring. She immediately went to Folkestone with Miss Somerville and Fison until the funeral was over and my mom’s replacement was settled in.

My uncle took me over to the funeral. I remember there was a sort of prolonged crisis in the days preceding this because, directly he heard of my loss, he had sent a pair of check trousers to the Judkins people in London to be dyed black, and they did not come back in time. He became very excited on the third day, and sent a number of increasingly fiery telegrams without any result whatever, and succumbed next morning with a very ill grace to my aunt Susan’s insistence upon the resources of his dress-suit. In my memory those black legs of his, in a particularly thin and shiny black cloth—for evidently his dress-suit dated from adolescent and slenderer days—straddle like the Colossus of Rhodes over my approach to my mother’s funeral. Moreover, I was inconvenienced and distracted by a silk hat he had bought me, my first silk hat, much ennobled, as his was also, by a deep mourning band.

My uncle took me to the funeral. I remember there was a kind of ongoing crisis in the days leading up to it because, as soon as he heard about my loss, he sent a pair of checkered trousers to the Judkins people in London to be dyed black, and they didn’t arrive in time. He got really anxious on the third day and sent a bunch of increasingly urgent telegrams, but nothing worked. The next morning, he reluctantly gave in to my aunt Susan's insistence that he wear his dress suit. In my memory, those black legs of his, in a particularly thin and shiny black fabric—since his dress suit was obviously from his younger and slimmer days—tower over my approach to my mother’s funeral like the Colossus of Rhodes. Also, I was distracted by a silk top hat he had bought for me, my first silk hat, which, like his, was adorned with a deep mourning band.

I remember, but rather indistinctly, my mother’s white paneled housekeeper’s room and the touch of oddness about it that she was not there, and the various familiar faces made strange by black, and I seem to recall the exaggerated self-consciousness that arose out of their focussed attention. No doubt the sense of the new silk hat came and went and came again in my emotional chaos. Then something comes out clear and sorrowful, rises out clear and sheer from among all these rather base and inconsequent things, and once again I walk before all the other mourners close behind her coffin as it is carried along the churchyard path to her grave, with the old vicar’s slow voice saying regretfully and unconvincingly above me, triumphant solemn things.

I remember, though not very clearly, my mom's white-paneled housekeeper's room and the strange feeling that came with her absence. The familiar faces were made odd by their black attire, and I seem to recall the awkward self-consciousness that came from their focused attention on me. The new silk hat would come and go in my emotional turmoil. Then, something rises clear and sorrowful from all these confusing and insignificant things: I find myself walking in front of the other mourners, who follow closely behind her coffin as it's carried along the path in the churchyard to her grave, while the old vicar's slow voice speaks regretfully and insincerely above me, declaring solemn things.

“I am the resurrection and the life, saith the Lord; he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me shall never die.”

“I am the resurrection and the life, says the Lord; anyone who believes in me, even if they die, will live; and everyone who lives and believes in me will never die.”

Never die! The day was a high and glorious morning in spring, and all the trees were budding and bursting into green. Everywhere there were blossoms and flowers; the pear trees and cherry trees in the sexton’s garden were sunlit snow, there were nodding daffodils and early tulips in the graveyard beds, great multitudes of daisies, and everywhere the birds seemed singing. And in the middle was the brown coffin end, tilting on men’s shoulders and half occluded by the vicar’s Oxford hood.

Never die! It was a bright and beautiful spring morning, and all the trees were starting to bloom and turn green. Everywhere you looked, there were blossoms and flowers; the pear and cherry trees in the sexton’s garden looked like sunlit snow, there were swaying daffodils and early tulips in the graveyard beds, lots of daisies, and everywhere the birds seemed to be singing. And in the center was the brown coffin, being carried by men and partly covered by the vicar’s Oxford hood.

And so we came to my mother’s waiting grave.

And so we arrived at my mother's grave, where she was waiting.

For a time I was very observant, watching the coffin lowered, hearing the words of the ritual. It seemed a very curious business altogether.

For a while, I was really aware of everything around me, watching the coffin being lowered and listening to the words of the ritual. It all felt like a very strange situation.

Suddenly as the service drew to its end, I felt something had still to be said which had not been said, realised that she had withdrawn in silence, neither forgiving me nor hearing from me—those now lost assurances. Suddenly I knew I had not understood. Suddenly I saw her tenderly; remembered not so much tender or kindly things of her as her crossed wishes and the ways in which I had thwarted her. Surprisingly I realised that behind all her hardness and severity she had loved me, that I was the only thing she had ever loved and that until this moment I had never loved her. And now she was there and deaf and blind to me, pitifully defeated in her designs for me, covered from me so that she could not know....

Suddenly, as the service was coming to a close, I felt like something still needed to be said that hadn’t been said. I realized she had withdrawn in silence, neither forgiving me nor hearing my side—those lost reassurances. In that moment, I knew I hadn’t understood. I saw her in a new light; I remembered not so much the tender or kind things about her but the times I had frustrated her wishes. Surprisingly, I realized that despite all her toughness and strictness, she had loved me, that I was the only thing she had ever truly loved, and until now, I had never loved her back. And now she was there, deaf and blind to me, heartbreakingly defeated in her hopes for me, shut off from me so that she couldn’t know...

I dug my nails into the palms of my hands, I set my teeth, but tears blinded me, sobs would have choked me had speech been required of me. The old vicar read on, there came a mumbled response—and so on to the end. I wept as it were internally, and only when we had come out of the churchyard could I think and speak calmly again.

I dug my nails into my palms, gritted my teeth, but tears blurred my vision, and I would have choked on sobs if I had to speak. The old vicar kept reading, there was a mumbled response—and it went on like that until the end. I cried inside, and only when we were out of the churchyard could I think and speak clearly again.

Stamped across this memory are the little black figures of my uncle and Rabbits, telling Avebury, the sexton and undertaker, that “it had all passed off very well—very well indeed.”

Stamped across this memory are the small black figures of my uncle and Rabbits, telling Avebury, the sexton and undertaker, that “it all went smoothly—really smoothly.”

VIII

That is the last I shall tell of Bladesover. The dropscene falls on that, and it comes no more as an actual presence into this novel. I did indeed go back there once again, but under circumstances quite immaterial to my story. But in a sense Bladesover has never left me; it is, as I said at the outset, one of those dominant explanatory impressions that make the framework of my mind. Bladesover illuminates England; it has become all that is spacious, dignified pretentious, and truly conservative in English life. It is my social datum. That is why I have drawn it here on so large a scale.

That’s the last I’ll say about Bladesover. The curtain falls on that, and it won’t appear again in this story. I did go back there once more, but it was under circumstances that aren’t important to my narrative. Still, in a way, Bladesover has always stayed with me; as I mentioned at the beginning, it’s one of those key impressions that shape my perspective. Bladesover shines a light on England; it embodies everything that is spacious, dignified, pretentious, and truly conservative in English life. It’s my social reference point. That’s why I’ve depicted it here in such a grand way.

When I came back at last to the real Bladesover on an inconsequent visit, everything was far smaller than I could have supposed possible. It was as though everything had shivered and shrivelled a little at the Lichtenstein touch. The harp was still in the saloon, but there was a different grand piano with a painted lid and a metrostyle pianola, and an extraordinary quantity of artistic litter and bric-à-brac scattered about. There was the trail of the Bond Street showroom over it all. The furniture was still under chintz, but it wasn’t the same sort of chintz although it pretended to be, and the lustre-dangling chandeliers had passed away. Lady Lichtenstein’s books replaced the brown volumes I had browsed among—they were mostly presentation copies of contemporary novels and the National Review and the Empire Review, and the Nineteenth Century and After jostled current books on the tables—English new books in gaudy catchpenny “artistic” covers, French and Italian novels in yellow, German art handbooks of almost incredible ugliness. There were abundant evidences that her ladyship was playing with the Keltic renascence, and a great number of ugly cats made of china—she “collected” china and stoneware cats—stood about everywhere—in all colours, in all kinds of deliberately comic, highly glazed distortion.

When I finally returned to the real Bladesover for a seemingly random visit, everything seemed much smaller than I had imagined. It was like everything had shrunk a bit under the Lichtenstein influence. The harp was still in the living room, but there was a new grand piano with a painted lid and a metrostyle pianola, along with an overwhelming amount of artistic clutter and bric-à-brac scattered around. The trace of the Bond Street showroom was evident throughout. The furniture was still covered in chintz, but it wasn't the same type of chintz, even though it tried to look like it, and the sparkling chandeliers had disappeared. Lady Lichtenstein’s books replaced the brown volumes I had browsed through—they were mostly presentation copies of contemporary novels, along with the National Review, the Empire Review, and the Nineteenth Century and After mixed in with new English books in flashy, eye-catching “artistic” covers, French and Italian novels in yellow, and German art handbooks of almost unbelievable ugliness. There were plenty of signs that she was indulging in the Keltic renaissance, and numerous ugly china cats—she “collected” china and stoneware cats—were scattered about in various colors and types of intentionally comical, highly polished distortion.

It is nonsense to pretend that finance makes any better aristocrats than rent. Nothing can make an aristocrat but pride, knowledge, training, and the sword. These people were no improvement on the Drews, none whatever. There was no effect of a beneficial replacement of passive unintelligent people by active intelligent ones. One felt that a smaller but more enterprising and intensely undignified variety of stupidity had replaced the large dullness of the old gentry, and that was all. Bladesover, I thought, had undergone just the same change between the seventies and the new century that had overtaken the dear old Times, and heaven knows how much more of the decorous British fabric. These Lichtensteins and their like seem to have no promise in them at all of any fresh vitality for the kingdom. I do not believe in their intelligence or their power—they have nothing new about them at all, nothing creative nor rejuvenescent, no more than a disorderly instinct of acquisition; and the prevalence of them and their kind is but a phase in the broad slow decay of the great social organism of England. They could not have made Bladesover they cannot replace it; they just happen to break out over it—saprophytically.

It’s ridiculous to act like finance creates better aristocrats than rent does. The only things that truly make an aristocrat are pride, knowledge, training, and skill. These people didn’t improve on the Drews, not at all. There was no positive shift from passive, dull individuals to active, intelligent ones. It felt like a smaller but more ambitious and intensely undignified form of stupidity had taken the place of the old gentry's large dullness, and that was it. Bladesover, I thought, had gone through the same transformation between the seventies and the new century as the beloved old Times, and goodness knows how much more of the respectable British fabric. These Lichtensteins and their kind seem to have no potential for any fresh energy for the country. I don’t trust their intelligence or their influence—they bring nothing new to the table, nothing creative or rejuvenating, just a chaotic instinct to acquire; and their dominance is merely a phase in the gradual decline of England's great social structure. They couldn’t have built Bladesover, and they can’t replace it; they just happen to emerge over it—parasitically.

Well—that was my last impression of Bladesover.

Well—that was my final impression of Bladesover.

CHAPTER THE THIRD
THE WIMBLEHURST APPRENTICESHIP

I

So far as I can remember now, except for that one emotional phase by the graveside, I passed through all these experiences rather callously. I had already, with the facility of youth, changed my world, ceased to think at all of the old school routine and put Bladesover aside for digestion at a latter stage. I took up my new world in Wimblehurst with the chemist’s shop as its hub, set to work at Latin and materia medica, and concentrated upon the present with all my heart. Wimblehurst is an exceptionally quiet and grey Sussex town rare among south of England towns in being largely built of stone. I found something very agreeable and picturesque in its clean cobbled streets, its odd turnings and abrupt corners; and in the pleasant park that crowds up one side of the town. The whole place is under the Eastry dominion and it was the Eastry influence and dignity that kept its railway station a mile and three-quarters away. Eastry House is so close that it dominates the whole; one goes across the marketplace (with its old lock-up and stocks), past the great pre-reformation church, a fine grey shell, like some empty skull from which the life has fled, and there at once are the huge wrought-iron gates, and one peeps through them to see the façade of this place, very white and large and fine, down a long avenue of yews. Eastry was far greater than Bladesover and an altogether completer example of the eighteenth century system. It ruled not two villages, but a borough, that had sent its sons and cousins to parliament almost as a matter of right so long as its franchise endured. Every one was in the system, every one—except my uncle. He stood out and complained.

As far as I can remember now, except for that one emotional moment at the graveside, I went through all these experiences rather indifferently. With the ease of youth, I had already changed my world, stopped thinking about the old school routine, and set Bladesover aside for later. I jumped into my new life in Wimblehurst, with the chemist’s shop at its center, focused on Latin and pharmacology, and put all my energy into the present. Wimblehurst is a notably quiet and gray Sussex town, unique among southern England towns for being mostly built of stone. I found its clean cobbled streets, quirky turns, and abrupt corners quite charming, and enjoyed the lovely park that lines one side of the town. The entire area is under the Eastry influence, which is why its railway station is a mile and three-quarters away. Eastry House is so near that it looms over everything; one crosses the marketplace (with its old jail and stocks), passes the grand pre-reformation church—a fine gray shell, like an empty skull devoid of life—and there are the massive wrought-iron gates, where one peeks through to see the large, white, impressive facade of the house at the end of a long yew avenue. Eastry was much greater than Bladesover and represented a more complete example of the eighteenth-century system. It governed not just two villages, but a borough that had sent its sons and cousins to parliament almost as a matter of course for as long as its franchise lasted. Everyone was part of the system, everyone—except my uncle. He stood apart and complained.

My uncle was the first real breach I found in the great front of Bladesover the world had presented me, for Chatham was not so much a breach as a confirmation. But my uncle had no respect for Bladesover and Eastry—none whatever. He did not believe in them. He was blind even to what they were. He propounded strange phrases about them, he exfoliated and wagged about novel and incredible ideas.

My uncle was the first real crack I noticed in the grand facade of Bladesover that the world had shown me, because Chatham was more of a confirmation than a crack. But my uncle had no respect for Bladesover and Eastry—none at all. He didn’t believe in them. He was completely oblivious to what they really were. He came up with odd phrases about them and tossed around new and unbelievable ideas.

“This place,” said my uncle, surveying it from his open doorway in the dignified stillness of a summer afternoon, “wants Waking Up!”

“This place,” said my uncle, looking out from his open doorway in the serene stillness of a summer afternoon, “needs to be Woken Up!”

I was sorting up patent medicines in the corner.

I was organizing patent medicines in the corner.

“I’d like to let a dozen young Americans loose into it,” said my uncle. “Then we’d see.”

“I’d like to set a dozen young Americans free in it,” my uncle said. “Then we’d see.”

I made a tick against Mother Shipton’s Sleeping Syrup. We had cleared our forward stock.

I checked off Mother Shipton’s Sleeping Syrup. We had emptied our front stock.

“Things must be happening somewhere, George,” he broke out in a querulously rising note as he came back into the little shop. He fiddled with the piled dummy boxes of fancy soap and scent and so forth that adorned the end of the counter, then turned about petulantly, stuck his hands deeply into his pockets and withdrew one to scratch his head. “I must do something,” he said. “I can’t stand it.

“Something has to be happening somewhere, George,” he said with a frustrated tone as he returned to the small shop. He fiddled with the stacked display of fancy soap and perfume at the end of the counter, then turned around irritably, shoved his hands deep into his pockets, and took one out to scratch his head. “I need to do something,” he said. “I can’t take this anymore.”

“I must invent something. And shove it.... I could.

“I need to create something. And push it.... I could.

“Or a play. There’s a deal of money in a play, George. What would you think of me writing a play eh?... There’s all sorts of things to be done.

“Or a play. There’s a lot of money in a play, George. What do you think about me writing a play, huh?... There are all sorts of things to be done.

“Or the stog-igschange.”

“Or the stog-igschange.”

He fell into that meditative whistling of his.

He got lost in that thoughtful whistling of his.

“Sac-ramental wine!” he swore, “this isn’t the world—it’s Cold Mutton Fat! That’s what Wimblehurst is! Cold Mutton Fat!—dead and stiff! And I’m buried in it up to the arm pits. Nothing ever happens, nobody wants things to happen ‘scept me! Up in London, George, things happen. America! I wish to Heaven, George, I’d been born American—where things hum.

“Sacramental wine!” he swore, “this isn’t the world—it’s Cold Mutton Fat! That’s what Wimblehurst is! Cold Mutton Fat!—dead and stiff! And I’m buried in it up to my armpits. Nothing ever happens, nobody wants things to happen except me! Up in London, George, things happen. America! I wish to Heaven, George, I’d been born American—where things hum.

“What can one do here? How can one grow? While we’re sleepin’ here with our Capital oozing away into Lord Eastry’s pockets for rent-men are up there....” He indicated London as remotely over the top of the dispensing counter, and then as a scene of great activity by a whirl of the hand and a wink and a meaning smile at me.

“What can we do here? How can we grow? While we’re sleeping here with our money just flowing into Lord Eastry’s pockets, rent collectors are up there....” He pointed toward London as if it were far above the dispensing counter, and then he gestured dramatically with his hand and gave me a wink and a knowing smile.

“What sort of things do they do?” I asked.

“What kind of things do they do?” I asked.

“Rush about,” he said. “Do things! Somethin’ glorious. There’s cover gambling. Ever heard of that, George?” He drew the air in through his teeth. “You put down a hundred say, and buy ten thousand pounds worth. See? That’s a cover of one per cent. Things go up one, you sell, realise cent per cent; down, whiff, it’s gone! Try again! Cent per cent, George, every day. Men are made or done for in an hour. And the shoutin’! Zzzz.... Well, that’s one way, George. Then another way—there’s Corners!”

“Rush around,” he said. “Get things done! Something amazing. There’s cover gambling. Ever heard of that, George?” He sucked in air through his teeth. “You put down a hundred, let’s say, and buy ten thousand pounds’ worth. See? That’s a cover of one percent. If things go up one, you sell, make a hundred percent; if they go down, poof, it’s gone! Try again! A hundred percent, George, every day. Men can make it big or lose everything in an hour. And the shouting! Zzzz... Well, that’s one way, George. Then another way—there are Corners!”

“They’re rather big things, aren’t they?” I ventured.

“They're pretty big, aren't they?” I said.

“Oh, if you go in for wheat or steel—yes. But suppose you tackled a little thing, George. Just some little thing that only needed a few thousands. Drugs for example. Shoved all you had into it—staked your liver on it, so to speak. Take a drug—take ipecac, for example. Take a lot of ipecac. Take all there is! See? There you are! There aren’t unlimited supplies of ipecacuanha—can’t be!—and it’s a thing people must have. Then quinine again! You watch your chance, wait for a tropical war breaking out, let’s say, and collar all the quinine. Where ARE they? Must have quinine, you know. Eh? Zzzz.

“Oh, if you’re investing in wheat or steel—sure. But what if you focused on something smaller, George? Just something that only needed a few thousand. Like drugs, for instance. Put everything you have into it—risk everything, so to speak. Take a drug—like ipecac, for example. Get a lot of ipecac. Take all there is! You see? There’s not an endless supply of ipecacuanha—there can’t be!—and it’s something people need. Then there’s quinine! Wait for the right moment, wait for a tropical war to break out, let’s say, and grab all the quinine. Where are they? People must have quinine, you know. Huh? Zzzz.

“Lord! there’s no end of things—no end of little things. Dill-water—all the suffering babes yowling for it. Eucalyptus again—cascara—witch hazel—menthol—all the toothache things. Then there’s antiseptics, and curare, cocaine....”

“Wow! There’s just so much stuff—so many little things. Dill water—all the crying babies desperate for it. Eucalyptus again—cascara—witch hazel—menthol—all the stuff for toothaches. Then there are antiseptics, and curare, cocaine....”

“Rather a nuisance to the doctors,” I reflected.

“More of a hassle for the doctors,” I thought.

“They got to look out for themselves. By Jove, yes. They’ll do you if they can, and you do them. Like brigands. That makes it romantic. That’s the Romance of Commerce, George. You’re in the mountains there! Think of having all the quinine in the world, and some millionaire’s pampered wife gone ill with malaria, eh? That’s a squeeze, George, eh? Eh? Millionaire on his motor car outside, offering you any price you liked. That ’ud wake up Wimblehurst.... Lord! You haven’t an Idea down here. Not an idea. Zzzz.”

“They have to look out for themselves. Absolutely. They’ll take advantage of you if they can, and you do the same to them. It’s like a bunch of outlaws. That makes it exciting. That’s the excitement of business, George. You’re up in the mountains there! Imagine having all the quinine in the world, and some millionaire’s spoiled wife is sick with malaria, right? That’s a big opportunity, George, right? A millionaire in his fancy car outside, willing to pay you anything you want. That would get Wimblehurst buzzing... Goodness! You don’t have a clue down here. Not a clue. Zzzz.”

He passed into a rapt dream, from which escaped such fragments as: “Fifty per cent. advance sir; security—to-morrow. Zzzz.”

He drifted into a deep sleep, from which escaped bits like: “Fifty percent advance, sir; security—tomorrow. Zzzz.”

The idea of cornering a drug struck upon my mind then as a sort of irresponsible monkey trick that no one would ever be permitted to do in reality. It was the sort of nonsense one would talk to make Ewart laugh and set him going on to still odder possibilities. I thought it was part of my uncle’s way of talking. But I’ve learnt differently since. The whole trend of modern money-making is to foresee something that will presently be needed and put it out of reach, and then to haggle yourself wealthy. You buy up land upon which people will presently want to build houses, you secure rights that will bar vitally important developments, and so on, and so on. Of course the naïve intelligence of a boy does not grasp the subtler developments of human inadequacy. He begins life with a disposition to believe in the wisdom of grown-up people, he does not realise how casual and disingenuous has been the development of law and custom, and he thinks that somewhere in the state there is a power as irresistible as a head master’s to check mischievous and foolish enterprises of every sort. I will confess that when my uncle talked of cornering quinine, I had a clear impression that any one who contrived to do that would pretty certainly go to jail. Now I know that any one who could really bring it off would be much more likely to go to the House of Lords!

The idea of cornering a drug popped into my head back then as a reckless stunt that no one would ever actually be allowed to pull off. It was the kind of silly thing you’d say to get Ewart laughing and to inspire him to go off on even crazier ideas. I thought it was just my uncle's way of chatting. But I’ve learned differently since. The whole trend in how people make money these days is to predict something that will be in demand soon and then make it unavailable, which is how they get rich. You buy up land where people will eventually want to build homes, you secure rights that will block important developments, and so on. Of course, the innocent perspective of a kid doesn’t grasp the more complex aspects of human flaws. A boy starts out believing in the wisdom of adults; he doesn’t realize how arbitrary and insincere the evolution of laws and customs can be, and he assumes there’s some kind of power in the government as unstoppable as a headmaster's that can intervene against every mischievous and foolish scheme. I’ll admit that when my uncle talked about cornering quinine, I really believed that anyone who managed to do that would almost certainly end up in jail. Now I know that someone who could actually pull it off would be much more likely to end up in the House of Lords!

My uncle ranged over the gilt labels of his bottles and drawers for a while, dreaming of corners in this and that. But at last he reverted to Wimblehurst again.

My uncle browsed through the shiny labels on his bottles and drawers for a while, lost in thought about this and that. But eventually, he returned to Wimblehurst again.

“You got to be in London when these things are in hand. Down here—!

“You have to be in London when these things are being taken care of. Down here—!

“Jee-rusalem!” he cried. “Why did I plant myself here? Everything’s done. The game’s over. Here’s Lord Eastry, and he’s got everything, except what his lawyers get, and before you get any more change this way you’ll have to dynamite him—and them. He doesn’t want anything more to happen. Why should he? Any chance ’ud be a loss to him. He wants everything to burble along and burble along and go on as it’s going for the next ten thousand years, Eastry after Eastry, one parson down another come, one grocer dead, get another! Any one with any ideas better go away. They have gone away! Look at all these blessed people in this place! Look at ’em! All fast asleep, doing their business out of habit—in a sort of dream, Stuffed men would do just as well—just. They’ve all shook down into their places. They don’t want anything to happen either. They’re all broken in. There you are! Only what are they all alive for?...

“Jerusalem!” he shouted. “Why did I end up here? Everything’s done. The game’s over. Here’s Lord Eastry, and he’s got it all, except for what his lawyers take, and before you get any more changes this way you’ll have to blow him—and them—up. He doesn’t want anything more to happen. Why would he? Any chance would just be a loss for him. He wants everything to just keep going along for the next ten thousand years, Eastry after Eastry, one pastor down, another comes in, one grocer dies, get another! Anyone with any ideas better take off. They have taken off! Look at all these people in this place! Look at them! All fast asleep, doing their business out of habit—in a sort of dream. Stuffed men would do just as well—just. They’ve all settled into their roles. They don’t want anything to change either. They’re all conditioned. There you go! But what are they all alive for?...

“Why can’t they get a clockwork chemist?”

“Why can’t they get a mechanical chemist?”

He concluded as he often concluded these talks. “I must invent something,—that’s about what I must do. Zzzz. Some convenience. Something people want.... Strike out.... You can’t think, George, of anything everybody wants and hasn’t got? I mean something you could turn out retail under a shilling, say? Well, you think, whenever you haven’t got anything better to do. See?”

He wrapped up, just like he usually did after these discussions. “I need to come up with something—that’s basically what I have to do. Zzzz. Some kind of convenience. Something people actually want.... Come on.... Can’t you, George, think of anything that everyone wants but doesn’t have? I mean something you could sell for under a shilling, maybe? Well, you think about it whenever you don’t have anything better to do. Got it?”

II

So I remember my uncle in that first phase, young, but already a little fat, restless, fretful, garrulous, putting in my fermenting head all sorts of discrepant ideas. Certainly he was educational....

So I remember my uncle in that first phase, young but already a little overweight, restless, anxious, chatty, filling my developing mind with all kinds of conflicting ideas. He was definitely informative...

For me the years at Wimblehurst were years of pretty active growth. Most of my leisure and much of my time in the shop I spent in study. I speedily mastered the modicum of Latin necessary for my qualifying examinations, and—a little assisted by the Government Science and Art Department classes that were held in the Grammar School—went on with my mathematics. There were classes in physics, in chemistry, in mathematics and machine drawing, and I took up these subjects with considerable avidity. Exercise I got chiefly in the form of walks. There was some cricket in the summer and football in the winter sustained by young men’s clubs that levied a parasitic blackmail of the big people and the sitting member, but I was never very keen at these games. I didn’t find any very close companions among the youths of Wimblehurst. They struck me, after my cockney schoolmates, as loutish and slow, servile and furtive, spiteful and mean. We used to swagger, but these countrymen dragged their feet and hated an equal who didn’t; we talked loud, but you only got the real thoughts of Wimblehurst in a knowing undertone behind its hand. And even then they weren’t much in the way of thoughts.

For me, the years at Wimblehurst were a time of pretty active growth. I spent most of my free time and a lot of my hours in the shop studying. I quickly got the hang of the basic Latin needed for my qualifying exams, and with a little help from the Government Science and Art Department classes at the Grammar School, I continued with my math. There were classes in physics, chemistry, math, and machine drawing, and I jumped into these subjects with a lot of enthusiasm. I mostly got my exercise from walking. There was some cricket in the summer and football in the winter, organized by young men's clubs that put pressure on the local bigwigs and the sitting member, but I was never really into those games. I didn’t find any close friends among the guys in Wimblehurst. After my Cockney schoolmates, they seemed clumsy and slow, submissive and sneaky, petty and spiteful. We used to show off, but these country guys dragged their feet and disliked anyone who didn’t; we talked loudly, but you only heard the real thoughts of Wimblehurst in a quiet, conspiratorial whisper. And even then, they didn’t have much to say.

No, I didn’t like those young countrymen, and I’m no believer in the English countryside under the Bladesover system as a breeding ground for honourable men. One hears a frightful lot of nonsense about the Rural Exodus and the degeneration wrought by town life upon our population. To my mind, the English townsman, even in the slums, is infinitely better spiritually, more courageous, more imaginative and cleaner, than his agricultural cousin. I’ve seen them both when they didn’t think they were being observed, and I know. There was something about my Wimblehurst companions that disgusted me. It’s hard to define. Heaven knows that at that cockney boarding-school at Goudhurst we were coarse enough; the Wimblehurst youngsters had neither words nor courage for the sort of thing we used to do—for our bad language, for example; but, on the other hand, they displayed a sort of sluggish, real lewdness, lewdness is the word—a baseness of attitude. Whatever we exiled urbans did at Goudhurst was touched with something, however coarse, of romantic imagination. We had read the Boys of England, and told each other stories. In the English countryside there are no books at all, no songs, no drama, no valiant sin even; all these things have never come or they were taken away and hidden generations ago, and the imagination aborts and bestialises. That, I think, is where the real difference against the English rural man lies. It is because I know this that I do not share in the common repinings because our countryside is being depopulated, because our population is passing through the furnace of the towns. They starve, they suffer, no doubt, but they come out of it hardened, they come out of it with souls.

No, I didn’t like those young country folks, and I don’t believe that the English countryside under the Bladesover system is a breeding ground for honorable people. You hear a ton of nonsense about the Rural Exodus and how living in towns is ruining our population. In my opinion, the English townsman, even in the slums, is so much better spiritually—more courageous, more imaginative, and cleaner—than his farming counterpart. I’ve seen both when they didn’t know I was watching, and I can tell. There was something about my Wimblehurst friends that disgusted me. It’s hard to put into words. God knows we were pretty rough at that cockney boarding school in Goudhurst; the Wimblehurst kids didn’t have the words or courage for the things we used to do—like our swearing, for instance—but on the flip side, they showed a kind of sluggish, real lewdness—lewdness is the right term—a base attitude. Whatever we city kids did at Goudhurst had, despite its coarseness, a hint of romantic imagination. We had read the Boys of England and shared stories. In the English countryside, there are no books, no songs, no drama, and not even any bold sins; all these things have either never existed or were taken away and hidden generations ago, causing the imagination to wither and degrade. That’s where I think the real difference lies when it comes to the English rural man. Because I understand this, I don’t share the common grief about our countryside losing its population or about our people going through the tough times in the towns. They starve, they struggle, no doubt, but they come out stronger, they come out with souls.

Of an evening the Wimblehurst blade, shiny-faced from a wash and with some loud finery, a coloured waistcoat or a vivid tie, would betake himself to the Eastry Arms billiard-room, or to the bar parlour of some minor pub where nap could be played. One soon sickened of his slow knowingness, the cunning observation of his deadened eyes, his idea of a “good story,” always, always told in undertones, poor dirty worm! his shrewd, elaborate maneuvers for some petty advantage, a drink to the good or such-like deal. There rises before my eyes as I write, young Hopley Dodd, the son of the Wimblehurst auctioneer, the pride of Wimblehurst, its finest flower, with his fur waistcoat and his bulldog pipe, his riding breeches—he had no horse—and his gaiters, as he used to sit, leaning forward and watching the billiard-table from under the brim of his artfully tilted hat. A half-dozen phrases constituted his conversation: “hard lines!” he used to say, and “Good baazness,” in a bass bleat. Moreover, he had a long slow whistle that was esteemed the very cream of humorous comment. Night after night he was there.

In the evening, the Wimblehurst guy, looking shiny and freshly washed, decked out in loud clothes like a colorful waistcoat or a bright tie, would head to the billiard room at the Eastry Arms or to the bar of some smaller pub where they could play cards. You quickly got tired of his slow, knowing looks, the sly observation from his lifeless eyes, his idea of a “good story,” always, always told in whispers, poor dirty worm! His clever, complicated moves for some small advantage, like a free drink or a similar deal, were exhausting. As I write, I picture young Hopley Dodd, the auctioneer's son from Wimblehurst, the pride of the town, dressed in his fur waistcoat and smoking his bulldog pipe, wearing riding breeches—though he didn’t own a horse—and gaiters, as he leaned forward, watching the billiard table from beneath the brim of his stylishly tilted hat. His dialogue consisted of just a handful of phrases: “hard lines!” he would say, and “Good baazness,” in a deep, bleating voice. Additionally, he had a long, slow whistle that everyone thought was the height of humor. He was there night after night.

Also you knew he would not understand that I could play billiards, and regarded every stroke I made as a fluke. For a beginner I didn’t play so badly, I thought. I’m not so sure now; that was my opinion at the time. But young Dodd’s scepticism and the “good baazness” finally cured me of my disposition to frequent the Eastry Arms, and so these noises had their value in my world.

Also, you knew he wouldn’t get that I could play billiards and saw every shot I took as a lucky accident. For a beginner, I didn’t play too badly, I thought. I’m not so sure now; that was my opinion back then. But young Dodd’s doubt and the “good banter” eventually cured me of my tendency to hang out at the Eastry Arms, so those sounds had their purpose in my life.

I made no friends among the young men of the place at all, and though I was entering upon adolescence I have no love-affair to tell of here. Not that I was not waking up to that aspect of life in my middle teens I did, indeed, in various slightly informal ways scrape acquaintance with casual Wimblehurst girls; with a little dressmaker’s apprentice I got upon shyly speaking terms, and a pupil teacher in the National School went further and was “talked about” in connection with me but I was not by any means touched by any reality of passion for either of these young people; love—love as yet came to me only in my dreams. I only kissed these girls once or twice. They rather disconcerted than developed those dreams. They were so clearly not “it.” I shall have much to say of love in this story, but I may break it to the reader now that it is my role to be a rather ineffectual lover. Desire I knew well enough—indeed, too well; but love I have been shy of. In all my early enterprises in the war of the sexes, I was torn between the urgency of the body and a habit of romantic fantasy that wanted every phase of the adventure to be generous and beautiful. And I had a curiously haunting memory of Beatrice, of her kisses in the bracken and her kiss upon the wall, that somehow pitched the standard too high for Wimblehurst’s opportunities. I will not deny I did in a boyish way attempt a shy, rude adventure or so in love-making at Wimblehurst; but through these various influences, I didn’t bring things off to any extent at all. I left behind me no devastating memories, no splendid reputation. I came away at last, still inexperienced and a little thwarted, with only a natural growth of interest and desire in sexual things.

I didn't make any friends among the local guys at all, and even though I was entering my teenage years, I don't have any love stories to share. It’s not that I wasn’t waking up to that part of life in my mid-teens—I did start to connect with some Wimblehurst girls in a somewhat casual way; I managed to get on talking terms with a shy dressmaker's apprentice, and there was a student teacher at the National School who went a bit further and was “talked about” in relation to me. But I wasn't really feeling any genuine passion for either of them; love—real love—only came to me in my dreams. I only kissed these girls once or twice, and they mostly confused rather than inspired those dreams. They were clearly not “the one.” I’ll have a lot to say about love in this story, but I should tell you now that I tend to be a rather ineffective lover. I knew desire well enough—maybe too well—but I was hesitant about love. In all my early attempts at dating, I was caught between physical urges and a tendency for romantic fantasy that wanted every encounter to be generous and beautiful. I held onto a haunting memory of Beatrice, of her kisses among the ferns and her kiss against the wall, which somehow set the standard too high for what Wimblehurst had to offer. I won’t deny that I made some shy, awkward attempts at love in Wimblehurst, but through those different experiences, I didn’t really succeed at all. I left with no unforgettable memories or a great reputation. In the end, I came away still inexperienced and a bit frustrated, with just a growing natural curiosity and desire for sexual things.

If I fell in love with any one in Wimblehurst it was with my aunt. She treated me with a kindliness that was only half maternal—she petted my books, she knew about my certificates, she made fun of me in a way that stirred my heart to her. Quite unconsciously I grew fond of her....

If I fell in love with anyone in Wimblehurst, it was my aunt. She cared for me in a way that was only partly like a mother—she encouraged my love for books, she was aware of my achievements, and she playfully teased me in a way that warmed my heart. Without even realizing it, I became fond of her...

My adolescent years at Wimblehurst were on the whole laborious, uneventful years that began in short jackets and left me in many ways nearly a man, years so uneventful that the Calculus of Variations is associated with one winter, and an examination in Physics for Science and Art department Honours marks an epoch. Many divergent impulses stirred within me, but the master impulse was a grave young disposition to work and learn and thereby in some not very clearly defined way get out of the Wimblehurst world into which I had fallen. I wrote with some frequency to Ewart, self-conscious, but, as I remember them, not intelligent letters, dated in Latin and with lapses into Latin quotation that roused Ewart to parody. There was something about me in those days more than a little priggish. But it was, to do myself justice, something more than the petty pride of learning. I had a very grave sense of discipline and preparation that I am not ashamed at all to remember. I was serious. More serious than I am at the present time. More serious, indeed, than any adult seems to be. I was capable then of efforts—of nobilities.... They are beyond me now. I don’t see why, at forty, I shouldn’t confess I respect my own youth. I had dropped being a boy quite abruptly. I thought I was presently to go out into a larger and quite important world and do significant things there. I thought I was destined to do something definite to a world that had a definite purpose. I did not understand then, as I do now, that life was to consist largely in the world’s doing things to me. Young people never do seem to understand that aspect of things. And, as I say, among my educational influences my uncle, all unsuspected, played a leading part, and perhaps among other things gave my discontent with Wimblehurst, my desire to get away from that clean and picturesque emptiness, a form and expression that helped to emphasise it. In a way that definition made me patient. “Presently I shall get to London,” I said, echoing him.

My teenage years at Wimblehurst were mostly tough and boring, starting with short jackets and ending with me almost feeling like a man. They were so uneventful that the Calculus of Variations is linked to one winter, and a Physics exam for the Science and Art department marked a significant moment. Many conflicting feelings stirred inside me, but the main drive was a serious desire to work and learn, and in some unclear way, escape the Wimblehurst world I had found myself in. I wrote to Ewart fairly often, self-consciously, but as I remember, my letters weren't very smart; they were dated in Latin and included quotes that made Ewart want to parody me. There was something about me back then that was more than a little pretentious. But to be fair, it was more than just the petty pride of learning. I had a strong sense of discipline and preparation that I am not ashamed to recall. I was serious—more serious than I am now and even more serious than most adults seem to be. I was capable of great efforts and nobility, which I feel are beyond me now. I don’t see why, at forty, I shouldn’t admit I respect my own youth. I had abruptly stopped being a boy. I thought I was about to step into a bigger and important world and do significant things there. I believed I was meant to contribute to a world with a clear purpose. I didn’t realize then, as I do now, that life would largely consist of the world doing things to me. Young people never really seem to grasp that. And, as I said, amidst my educational influences, my uncle, unbeknownst to me, played a major role. He perhaps gave my discontent with Wimblehurst and my desire to leave that clean yet empty place a form and expression, making it more pronounced. In a way, that definition made me patient. “Soon I shall get to London,” I said, echoing him.

I remember him now as talking, always talking, in those days. He talked to me of theology, he talked of politics, of the wonders of science and the marvels of art, of the passions and the affections, of the immortality of the soul and the peculiar actions of drugs; but predominantly and constantly he talked of getting on, of enterprises, of inventions and great fortunes, of Rothschilds, silver kings, Vanderbilts, Goulds, flotations, realisations and the marvelous ways of Chance with men—in all localities, that is to say, that are not absolutely sunken to the level of Cold Mutton Fat.

I remember him now as someone who was always talking back then. He talked to me about theology, politics, the wonders of science, the marvels of art, passions and feelings, the immortality of the soul, and the strange effects of drugs; but mainly and constantly, he talked about getting ahead, ventures, inventions, and great wealth, about Rothschilds, silver kings, Vanderbilts, Goulds, stock market schemes, successes, and the amazing ways that chance affects people's lives—in all places, that is, that aren't completely sunk to the level of cold mutton fat.

When I think of those early talks, I figure him always in one of three positions. Either we were in the dispensing lair behind a high barrier, he pounding up things in a mortar perhaps, and I rolling pill-stuff into long rolls and cutting it up with a sort of broad, fluted knife, or he stood looking out of the shop door against the case of sponges and spray-diffusers, while I surveyed him from behind the counter, or he leant against the little drawers behind the counter, and I hovered dusting in front. The thought of those early days brings back to my nostrils the faint smell of scent that was always in the air, marbled now with streaks of this drug and now of that, and to my eyes the rows of jejune glass bottles with gold labels, mirror-reflected, that stood behind him. My aunt, I remember, used sometimes to come into the shop in a state of aggressive sprightliness, a sort of connubial ragging expedition, and get much fun over the abbreviated Latinity of those gilt inscriptions. “Ol Amjig, George,” she would read derisively, “and he pretends it’s almond oil! Snap!—and that’s mustard. Did you ever, George?

When I think about those early conversations, I always picture him in one of three positions. Either we were in the back room behind a high counter, him grinding things in a mortar, while I rolled pill ingredients into long tubes and sliced them with a broad knife, or he stood by the shop door against the display of sponges and spray bottles, while I watched him from behind the counter, or he leaned against the small drawers behind the counter while I dusted in front. The memory of those early days brings back the faint scent of perfume that lingered in the air, mixed with different drugs, and I can picture the rows of plain glass bottles with gold labels, reflecting in the mirror, that stood behind him. I remember my aunt sometimes coming into the shop with a lively attitude, as if on a playful mission, and finding it amusing to poke fun at the short Latin on those gold labels. “Ol Amjig, George,” she would read mockingly, “and he claims it’s almond oil! Snap!—and that’s mustard. Did you ever, George?

“Look at him, George, looking dignified. I’d like to put an old label on to him round the middle like his bottles are, with Ol Pondo on it. That’s Latin for Impostor, George must be. He’d look lovely with a stopper.”

“Look at him, George, looking all dignified. I’d love to slap an old label on him around the middle like his bottles have, with Ol Pondo on it. That’s Latin for Impostor, George must be. He’d look great with a stopper.”

You want a stopper,” said my uncle, projecting his face....

You want a stopper,” my uncle said, leaning forward....

My aunt, dear soul, was in those days quite thin and slender, with a delicate rosebud completion and a disposition to connubial badinage, to a sort of gentle skylarking. There was a silvery ghost of lisping in her speech. She was a great humourist, and as the constraint of my presence at meals wore off, I became more and more aware of a filmy but extensive net of nonsense she had woven about her domestic relations until it had become the reality of her life. She affected a derisive attitude to the world at large and applied the epithet “old” to more things than I have ever heard linked to it before or since. “Here’s the old news-paper,” she used to say—to my uncle. “Now don’t go and get it in the butter, you silly old Sardine!”

My aunt, a lovely person, was at that time quite thin and delicate, with a soft rosebud complexion and a knack for playful teasing. There was a slight lisp in her speech. She had a great sense of humor, and as I got more comfortable at meals, I noticed more and more the light but expansive web of nonsense she had spun around her family life until it became her reality. She took a mocking attitude toward the world and used the term “old” for more things than I've ever heard before or since. “Here’s the old newspaper,” she would say—to my uncle. “Now don’t go and get it in the butter, you silly old Sardine!”

“What’s the day of the week, Susan?” my uncle would ask.

“What day is it, Susan?” my uncle would ask.

“Old Monday, Sossidge,” she would say, and add, “I got all my Old Washing to do. Don’t I know it!”...

“Old Monday, Sossidge,” she would say, and add, “I have all my Old Washing to do. Don’t I know it!”...

She had evidently been the wit and joy of a large circle of schoolfellows, and this style had become a second nature with her. It made her very delightful to me in that quiet place. Her customary walk even had a sort of hello! in it. Her chief preoccupation in life was, I believe, to make my uncle laugh, and when by some new nickname, some new quaintness or absurdity, she achieved that end, she was, behind a mask of sober amazement, the happiest woman on earth. My uncle’s laugh when it did come, I must admit was, as Baedeker says, “rewarding.” It began with gusty blowings and snortings, and opened into a clear “Ha ha!” but in fullest development it included, in those youthful days, falling about anyhow and doubling up tightly, and whackings of the stomach, and tears and cries of anguish. I never in my life heard my uncle laugh to his maximum except at her; he was commonly too much in earnest for that, and he didn’t laugh much at all, to my knowledge, after those early years. Also she threw things at him to an enormous extent in her resolve to keep things lively in spite of Wimblehurst; sponges out of stock she threw, cushions, balls of paper, clean washing, bread; and once up the yard when they thought that I and the errand boy and the diminutive maid of all work were safely out of the way, she smashed a boxful of eight-ounce bottles I had left to drain, assaulting my uncle with a new soft broom. Sometimes she would shy things at me—but not often. There seemed always laughter round and about her—all three of us would share hysterics at times—and on one occasion the two of them came home from church shockingly ashamed of themselves, because of a storm of mirth during the sermon. The vicar, it seems, had tried to blow his nose with a black glove as well as the customary pocket-handkerchief. And afterwards she had picked up her own glove by the finger, and looking innocently but intently sideways, had suddenly by this simple expedient exploded my uncle altogether. We had it all over again at dinner.

She had clearly been the life and soul of a large group of school friends, and this way of being had become second nature to her. It made her incredibly enjoyable to me in that quiet place. Even her usual walk had a kind of cheerful vibe to it. I believe her main focus in life was to make my uncle laugh, and when she succeeded with some new nickname or quirky thing, she was, behind a mask of serious surprise, the happiest woman alive. My uncle's laughter, when it did happen, was truly "rewarding," as Baedeker would say. It started with loud sounds and snorts, then would burst into a clear "Ha ha!" But at its peak, back in those youthful days, it involved him collapsing all over the place, doubling over, clutching his stomach, and tears and cries of joy. I never heard him laugh with such intensity except at her; he usually took life too seriously for that and didn’t laugh much at all in my knowledge after those early years. Plus, she threw things at him a lot to keep the atmosphere lively, even in Wimblehurst—sponges, cushions, balls of paper, clean laundry, bread; and once in the yard, when they thought I, the errand boy, and the tiny maid were out of sight, she smashed a box of eight-ounce bottles I had left to drain, attacking my uncle with a new soft broom. Occasionally, she would toss things at me—but not often. There always seemed to be laughter surrounding her—all three of us would sometimes share hysterics—and one time they came home from church terribly embarrassed because they had laughed so hard during the sermon. Apparently, the vicar had tried to blow his nose with a black glove instead of the usual handkerchief. Later, she picked up her own glove by the finger and, looking innocently but intently to the side, caused my uncle to burst out laughing again with this simple act. We relived the moment over dinner.

“But it shows you,” cried my uncle, suddenly becoming grave, “what Wimblehurst is, to have us all laughing at a little thing like that! We weren’t the only ones that giggled. Not by any means! And, Lord! it was funny!”

“But it shows you,” my uncle exclaimed, suddenly serious, “what Wimblehurst is like, getting us all to laugh at something so trivial! We weren’t the only ones who chuckled. Not at all! And, wow! it was funny!”

Socially, my uncle and aunt were almost completely isolated. In places like Wimblehurst the tradesmen’s lives always are isolated socially, all of them, unless they have a sister or a bosom friend among the other wives, but the husbands met in various bar-parlours or in the billiard-room of the Eastry Arms. But my uncle, for the most part, spent his evenings at home. When first he arrived in Wimblehurst I think he had spread his effect of abounding ideas and enterprise rather too aggressively; and Wimblehurst, after a temporary subjugation, had rebelled and done its best to make a butt of him. His appearance in a public-house led to a pause in any conversation that was going on.

Socially, my uncle and aunt were pretty much cut off from everyone. In places like Wimblehurst, tradespeople usually live in isolation, unless they have a sister or close friend among the other wives. The husbands would meet up in different pubs or in the billiard room at the Eastry Arms. But my uncle mostly spent his evenings at home. When he first arrived in Wimblehurst, I think he had come on a bit too strong with his ideas and enthusiasm, and after a brief period of accepting him, Wimblehurst had pushed back and tried to make him the subject of jokes. Whenever he walked into a pub, all conversation would just stop.

“Come to tell us about everything, Mr. Pond’revo?” some one would say politely.

“Are you here to tell us everything, Mr. Pond’revo?” someone would say politely.

“You wait,” my uncle used to answer, disconcerted, and sulk for the rest of his visit.

“You wait,” my uncle would reply, clearly bothered, and then he would mope for the rest of his visit.

Or some one with an immense air of innocence would remark to the world generally, “They’re talkin’ of rebuildin’ Wimblehurst all over again, I’m told. Anybody heard anything of it? Going to make it a reg’lar smartgoin’, enterprisin’ place—kind of Crystal Pallas.”

Or someone with an overwhelming sense of innocence would comment to everyone, “I’ve heard they’re planning to rebuild Wimblehurst from scratch. Has anyone heard anything about it? They’re gonna turn it into a really trendy, bustling place—like a kind of Crystal Palace.”

“Earthquake and a pestilence before you get that,” my uncle would mutter, to the infinite delight of every one, and add something inaudible about “Cold Mutton Fat.”...

“Earthquake and a plague before you get that,” my uncle would grumble, much to everyone's amusement, and then add something we couldn’t hear about “Cold Mutton Fat.”...

III

We were torn apart by a financial accident to my uncle of which I did not at first grasp the full bearings. He had developed what I regarded as an innocent intellectual recreation which he called stock-market meteorology. I think he got the idea from one use of curves in the graphic presentation of associated variations that he saw me plotting. He secured some of my squared paper and, having cast about for a time, decided to trace the rise and fall of certain lines and railways. “There’s something in this, George,” he said, and I little dreamt that among other things that were in it, was the whole of his spare money and most of what my mother had left to him in trust for me.

We were separated by a financial accident involving my uncle that I didn’t fully understand at first. He had developed what I thought was a harmless intellectual hobby he called stock-market meteorology. I think he got the idea from the curves I was plotting to show related variations. He got some of my graph paper and, after some time, decided to track the rise and fall of certain stocks and railways. “There’s something to this, George,” he said, and I had no idea that included all his spare money and most of what my mother had left him in trust for me.

“It’s as plain as can be,” he said. “See, here’s one system of waves and here’s another! These are prices for Union Pacifics—extending over a month. Now next week, mark my words, they’ll be down one whole point. We’re getting near the steep part of the curve again. See? It’s absolutely scientific. It’s verifiable. Well, and apply it! You buy in the hollow and sell on the crest, and there you are!”

“It’s as clear as day,” he said. “Look, here’s one set of waves and here’s another! These are prices for Union Pacifics—spanning over a month. Now next week, mark my words, they’ll drop by a full point. We’re getting close to the steep part of the curve again. See? It’s completely scientific. It’s verifiable. Well, just apply it! You buy in the trough and sell at the peak, and that’s it!”

I was so convinced of the triviality of this amusement that to find at last that he had taken it in the most disastrous earnest overwhelmed me.

I was so sure that this amusement was trivial that discovering he had taken it so seriously totally shocked me.

He took me for a long walk to break it to me, over the hills towards Yare and across the great gorse commons by Hazelbrow.

He took me for a long walk to tell me, over the hills towards Yare and across the vast gorse fields near Hazelbrow.

“There are ups and downs in life, George,” he said—halfway across that great open space, and paused against the sky.... “I left out one factor in the Union Pacific analysis.”

“There are ups and downs in life, George,” he said—halfway across that vast open space, and paused against the sky.... “I left out one factor in the Union Pacific analysis.”

Did you?” I said, struck by the sudden chance in his voice. “But you don’t mean?”

Did you?” I said, surprised by the sudden change in his voice. “But you don’t mean?”

I stopped and turned on him in the narrow sandy rut of pathway and he stopped likewise.

I paused and faced him in the narrow sandy groove of the pathway, and he did the same.

“I do, George. I do mean. It’s bust me! I’m a bankrupt here and now.”

“I really do, George. I really mean it. It’s true! I’m broke right now.”

“Then—?”

“Then what?”

“The shop’s bust too. I shall have to get out of that.”

“The shop’s closed too. I need to get out of that.”

“And me?”

"And me?"

“Oh, you!—you’re all right. You can transfer your apprenticeship, and—er—well, I’m not the sort of man to be careless with trust funds, you can be sure. I kept that aspect in mind. There’s some of it left George—trust me!—quite a decent little sum.”

“Oh, you!—you’re fine. You can transfer your apprenticeship, and—uh—well, I’m not the kind of person to be reckless with trust funds, you can be sure. I kept that in mind. There’s some of it left, George—trust me!—a pretty decent little amount.”

“But you and aunt?”

"But what about you and Aunt?"

“It isn’t quite the way we meant to leave Wimblehurst, George; but we shall have to go. Sale; all the things shoved about and ticketed—lot a hundred and one. Ugh!... It’s been a larky little house in some ways. The first we had. Furnishing—a spree in its way.... Very happy...” His face winced at some memory. “Let’s go on, George,” he said shortly, near choking, I could see.

“It isn’t exactly how we planned to leave Wimblehurst, George; but we have to go. Sale; all the stuff moved around and tagged—lot a hundred and one. Ugh!... It’s been a fun little house in some ways. The first we had. Furnishing it—a kind of spree.... Very happy...” His face twitched at a memory. “Let’s move on, George,” he said abruptly, nearly choking, I could tell.

I turned my back on him, and did not look round again for a little while.

I turned my back on him and didn’t look back for a little while.

“That’s how it is, you see, George.” I heard him after a time.

“That’s just how it is, you know, George.” I heard him after a while.

When we were back in the high road again he came alongside, and for a time we walked in silence.

When we were back on the main road again, he walked next to me, and for a while we were silent.

“Don’t say anything home yet,” he said presently. “Fortunes of War. I got to pick the proper time with Susan—else she’ll get depressed. Not that she isn’t a first-rate brick whatever comes along.”

“Don’t say anything at home yet,” he said after a moment. “Fortunes of War. I need to choose the right time with Susan—otherwise, she’ll get down. Not that she isn’t a top-notch person no matter what happens.”

“All right,” I said, “I’ll be careful”; and it seemed to me for the time altogether too selfish to bother him with any further inquiries about his responsibility as my trustee. He gave a little sigh of relief at my note of assent, and was presently talking quite cheerfully of his plans.... But he had, I remember, one lapse into moodiness that came and went suddenly. “Those others!” he said, as though the thought had stung him for the first time.

“All right,” I said, “I’ll be careful”; and it felt too selfish to bring up any more questions about his role as my trustee. He let out a small sigh of relief at my agreement and soon started talking cheerfully about his plans.... But he did have one moment of sudden moodiness. “Those others!” he said, as if the thought had just hit him for the first time.

“What others?” I asked.

“What others?” I asked.

“Damn them!” said he.

"Curse them!" he said.

“But what others?”

“But which others?”

“All those damned stick-in-the-mud-and-die-slowly tradespeople: Ruck, the butcher, Marbel, the grocer. Snape! Gord! George, how they’ll grin!”

“All those annoying, stubborn tradespeople who won't change: Ruck, the butcher, Marbel, the grocer. Snape! Gord! George, how they'll grin!”

I thought him over in the next few weeks, and I remember now in great detail the last talk we had together before he handed over the shop and me to his successor. For he had the good luck to sell his business, “lock, stock, and barrel”—in which expression I found myself and my indentures included. The horrors of a sale by auction of the furniture even were avoided.

I thought about him over the next few weeks, and I now remember in great detail the last conversation we had before he passed the shop and me on to his successor. He was fortunate enough to sell his business, “lock, stock, and barrel”—which meant I was included along with my indentures. The nightmare of an auction sale of the furniture was even avoided.

I remember that either coming or going on that occasion, Ruck, the butcher, stood in his doorway and regarded us with a grin that showed his long teeth.

I remember that whether we were coming or going on that occasion, Ruck, the butcher, stood in his doorway and looked at us with a grin that showed off his long teeth.

“You half-witted hog!” said my uncle. “You grinning hyaena”; and then, “Pleasant day, Mr. Ruck.”

“You dimwitted hog!” my uncle said. “You smirking hyena”; and then, “Nice day, Mr. Ruck.”

“Goin’ to make your fortun’ in London, then?” said Mr. Ruck, with slow enjoyment.

“Are you going to make your fortune in London then?” Mr. Ruck said, savoring the moment.

That last excursion took us along the causeway to Beeching, and so up the downs and round almost as far as Steadhurst, home. My moods, as we went, made a mingled web. By this time I had really grasped the fact that my uncle had, in plain English, robbed me; the little accumulations of my mother, six hundred pounds and more, that would have educated me and started me in business, had been eaten into and was mostly gone into the unexpected hollow that ought to have been a crest of the Union Pacific curve, and of the remainder he still gave no account. I was too young and inexperienced to insist on this or know how to get it, but the thought of it all made streaks of decidedly black anger in that scheme of interwoven feelings. And you know, I was also acutely sorry for him—almost as sorry as I was for my aunt Susan. Even then I had quite found him out. I knew him to be weaker than myself; his incurable, irresponsible childishness was as clear to me then as it was on his deathbed, his redeeming and excusing imaginative silliness. Through some odd mental twist perhaps I was disposed to exonerate him even at the cost of blaming my poor old mother who had left things in his untrustworthy hands.

That last trip took us along the causeway to Beeching, and then up the hills and almost as far as Steadhurst, home. My emotions, as we went, created a tangled mess. By this point, I had really understood that my uncle had, to put it simply, taken advantage of me; the little savings of my mother, over six hundred pounds, that should have funded my education and helped me start a business, had been largely consumed and was mostly gone into the unexpected void that should have been a peak on the Union Pacific curve, and he still offered no explanation for what was left. I was too young and naive to demand answers or know how to get them, but the thought of it all filled me with deep, dark anger amidst all those mixed feelings. And you know, I also felt really sorry for him—almost as sorry as I felt for my aunt Susan. Even then, I had figured him out. I knew he was weaker than I was; his incurable, irresponsible childishness was as obvious to me then as it was at his deathbed, his redeeming and justifying imaginative foolishness. Through some strange mental twist, I was perhaps inclined to excuse him even at the expense of blaming my poor old mother, who had left everything in his untrustworthy hands.

I should have forgiven him altogether, I believe, if he had been in any manner apologetic to me; but he wasn’t that. He kept reassuring me in a way I found irritating. Mostly, however, his solicitude was for Aunt Susan and himself.

I think I would have completely forgiven him if he had shown any kind of remorse; but he didn’t. He kept trying to reassure me in a way that just annoyed me. Most of the time, though, he was more focused on Aunt Susan and himself.

“It’s these Crises, George,” he said, “try Character. Your aunt’s come out well, my boy.”

“It’s these crises, George,” he said, “that reveal character. Your aunt has handled it well, my boy.”

He made meditative noises for a space.

He made thoughtful sounds for a while.

“Had her cry of course,”—the thing had been only too painfully evident to me in her eyes and swollen face—“who wouldn’t? But now—buoyant again!... She’s a Corker.

“Had her cry of course,”—the thing had been more than clear to me in her eyes and swollen face—“who wouldn’t? But now—bouncy again!... She’s amazing.

“We’ll be sorry to leave the little house of course. It’s a bit like Adam and Eve, you know. Lord! what a chap old Milton was!

“We’ll miss the little house, of course. It’s kind of like Adam and Eve, you know. Wow! What a guy old Milton was!”

“‘The world was all before them, where to choose
Their place of rest, and Providence their guide.’

“‘The world was wide open for them, ready to choose
Their spot to settle, with Providence guiding them.’”

“It sounds, George.... Providence their guide!... Well—thank goodness there’s no imeedgit prospect of either Cain or Abel!”

“It sounds like, George... Providence is their guide!... Well—thank goodness there's no immediate prospect of either Cain or Abel!”

“After all, it won’t be so bad up there. Not the scenery, perhaps, or the air we get here, but—Life! We’ve got very comfortable little rooms, very comfortable considering, and I shall rise. We’re not done yet, we’re not beaten; don’t think that, George. I shall pay twenty shillings in the pound before I’ve done—you mark my words, George,—twenty—five to you.... I got this situation within twenty-four hours—others offered. It’s an important firm—one of the best in London. I looked to that. I might have got four or five shillings a week more—elsewhere. Quarters I could name. But I said to them plainly, wages to go on with, but opportunity’s my game—development. We understood each other.”

“Honestly, it won't be that bad up there. The view might not be great, and the air won’t be like what we have here, but—Life! We have nice little rooms, really comfortable all things considered, and I will rise up. We're not finished yet, we haven't been defeated; don’t think that, George. I will pay twenty shillings on the pound before I'm done—you can take my word for it, George,—twenty—five to you.... I got this job in less than twenty-four hours—others were offering. It's a reputable firm—one of the best in London. I made sure of that. I could have gotten four or five shillings a week more—somewhere else. There are places I could mention. But I told them straight, wages are important to get started, but opportunity is what I’m after—growth. We were on the same page.”

He threw out his chest, and the little round eyes behind his glasses rested valiantly on imaginary employers.

He puffed out his chest, and the little round eyes behind his glasses confidently focused on imaginary bosses.

We would go on in silence for a space while he revised and restated that encounter. Then he would break out abruptly with some banal phrase.

We would sit quietly for a while as he went over and rephrased that encounter. Then he would suddenly say something cliché.

“The Battle of Life, George, my boy,” he would cry, or “Ups and Downs!”

“The Battle of Life, George, my boy,” he would shout, or “Ups and Downs!”

He ignored or waived the poor little attempts I made to ascertain my own position. “That’s all right,” he would say; or, “Leave all that to me. I’ll look after them.” And he would drift away towards the philosophy and moral of the situation. What was I to do?

He dismissed or brushed off my feeble attempts to figure out my own situation. “That’s fine,” he would say, or, “Leave all that to me. I’ll take care of it.” Then he would wander off into the philosophy and morality of the situation. What was I supposed to do?

“Never put all your resources into one chance, George; that’s the lesson I draw from this. Have forces in reserve. It was a hundred to one, George, that I was right—a hundred to one. I worked it out afterwards. And here we are spiked on the off-chance. If I’d have only kept back a little, I’d have had it on U.P. next day, like a shot, and come out on the rise. There you are!”

“Never invest all your resources in one opportunity, George; that’s what I take away from this. Always have backup options. The odds were a hundred to one that I was right—a hundred to one. I figured that out later. And now we are stuck on a gamble. If I had just held back a little, I could have had it on U.P. the next day, easily, and come out ahead. There you go!”

His thoughts took a graver turn.

His thoughts got more serious.

“It’s where you’ll bump up against Chance like this, George, that you feel the need of religion. Your hard-and-fast scientific men—your Spencers and Huxleys—they don’t understand that. I do. I’ve thought of it a lot lately—in bed and about. I was thinking of it this morning while I shaved. It’s not irreverent for me to say it, I hope—but God comes in on the off-chance, George. See? Don’t you be too cocksure of anything, good or bad. That’s what I make out of it. I could have sworn. Well, do you think I—particular as I am—would have touched those Union Pacifics with trust money at all, if I hadn’t thought it a thoroughly good thing—good without spot or blemish?... And it was bad!

“It’s in moments like this, George, when you run into Chance, that you really feel the need for religion. Your strict scientific types—your Spencers and Huxleys—they just don’t get it. I do. I’ve been thinking about it a lot lately—lying in bed and going about my day. I was thinking about it this morning while I was shaving. I hope it’s not disrespectful for me to say this, but God shows up randomly, George. Got it? Don’t be too sure of anything, whether it seems good or bad. That’s what I take away from it. I could have swore. Well, do you think I—being as particular as I am—would have touched those Union Pacifics with trust money if I hadn’t thought it was a completely solid investment—good without any flaws?... And it turned out to be bad!

“It’s a lesson to me. You start in to get a hundred percent. and you come out with that. It means, in a way, a reproof for Pride. I’ve thought of that, George—in the Night Watches. I was thinking this morning when I was shaving, that that’s where the good of it all comes in. At the bottom I’m a mystic in these affairs. You calculate you’re going to do this or that, but at bottom who knows at all what he’s doing? When you most think you’re doing things, they’re being done right over your head. You’re being done—in a sense. Take a hundred-to one chance, or one to a hundred—what does it matter? You’re being Led.”

“It’s a lesson for me. You aim for a hundred percent, and that’s what you get. In a way, it’s a reminder against Pride. I’ve thought about that, George—in the quiet of the night. I was reflecting this morning while shaving, that’s where the value of it all comes in. Deep down, I’m a mystic about these things. You plan to do this or that, but in reality, who really knows what they’re doing? When you think you’re in control, things are happening right above your head. You’re being guided—in a sense. Whether you take a hundred-to-one chance or one-to-a-hundred—what’s the difference? You’re being Led.”

It’s odd that I heard this at the time with unutterable contempt, and now that I recall it—well, I ask myself, what have I got better?

It’s strange that I heard this back then with such deep contempt, and now that I think about it—well, I ask myself, what do I have that's better?

“I wish,” said I, becoming for a moment outrageous, “you were being Led to give me some account of my money, uncle.”

“I wish,” I said, becoming a bit dramatic for a moment, “you would explain to me what’s happening with my money, uncle.”

“Not without a bit of paper to figure on, George, I can’t. But you trust me about that never fear. You trust me.”

“Not without a bit of paper to work on, George, I can’t. But you can trust me on that, no worries. You trust me.”

And in the end I had to.

And in the end, I had to.

I think the bankruptcy hit my aunt pretty hard. There was, so far as I can remember now, a complete cessation of all those cheerful outbreaks of elasticity, no more skylarking in the shop nor scampering about the house. But there was no fuss that I saw, and only little signs in her complexion of the fits of weeping that must have taken her. She didn’t cry at the end, though to me her face with its strain of self-possession was more pathetic than any weeping. “Well” she said to me as she came through the shop to the cab, “Here’s old orf, George! Orf to Mome number two! Good-bye!” And she took me in her arms and kissed me and pressed me to her. Then she dived straight for the cab before I could answer her.

I think the bankruptcy really affected my aunt. As far as I can remember, all those cheerful moments of energy just stopped; there was no more joking around in the shop or running around the house. But I didn’t notice any drama, just a few signs on her face that showed she must have had some tears. She didn’t cry at the end, but to me, her calm expression was more heartbreaking than any tears. “Well,” she said as she walked through the shop to the cab, “Here’s old off, George! Off to Mome number two! Goodbye!” Then she hugged me, kissed me, and held me tight. Before I could say anything back, she headed straight for the cab.

My uncle followed, and he seemed to me a trifle too valiant and confident in his bearing for reality. He was unusually white in the face. He spoke to his successor at the counter. “Here we go!” he said. “One down, the other up. You’ll find it a quiet little business so long as you run it on quiet lines—a nice quiet little business. There’s nothing more? No? Well, if you want to know anything write to me. I’ll always explain fully. Anything—business, place or people. You’ll find Pil Antibil. a little overstocked by-the-by, I found it soothed my mind the day before yesterday making ’em, and I made ’em all day. Thousands! And where’s George? Ah! there you are! I’ll write to you, George, fully, about all that affair. Fully!”

My uncle followed, and to me, he seemed a bit too bold and self-assured for reality. He looked unusually pale. He spoke to his successor at the counter. “Here we go!” he said. “One down, the other up. You’ll find it to be a calm little business as long as you keep it low-key—a nice, quiet business. Is there anything else? No? Well, if you want to know anything, just write to me. I’ll always explain everything thoroughly. Anything—business, location, or people. You’ll find Pil Antibil a little overstocked, by the way. I found making them helped clear my mind the day before yesterday, and I made them all day. Thousands! And where’s George? Ah! there you are! I’ll write to you, George, thoroughly, about that whole situation. Thoroughly!”

It became clear to me as if for the first time, that I was really parting from my aunt Susan. I went out on to the pavement and saw her head craned forward, her wide-open blue eyes and her little face intent on the shop that had combined for her all the charms of a big doll’s house and a little home of her very own. “Good-bye!” she said to it and to me. Our eyes met for a moment—perplexed. My uncle bustled out and gave a few totally unnecessary directions to the cabman and got in beside her. “All right?” asked the driver. “Right,” said I; and he woke up the horse with a flick of his whip. My aunt’s eyes surveyed me again. “Stick to your old science and things, George, and write and tell me when they make you a Professor,” she said cheerfully.

It became clear to me as if for the first time that I was really saying goodbye to my aunt Susan. I stepped onto the pavement and saw her leaning forward, her wide-open blue eyes and little face focused on the shop that combined all the charms of a big dollhouse and her very own little home. “Goodbye!” she said to it and to me. Our eyes locked for a moment—confused. My uncle hurried out and gave a few completely unnecessary directions to the cab driver before getting in next to her. “All set?” the driver asked. “Yep,” I said, and he flicked his whip to wake up the horse. My aunt looked at me again. “Stick to your science stuff, George, and write to me when they make you a Professor,” she said cheerfully.

She stared at me for a second longer with eyes growing wider and brighter and a smile that had become fixed, glanced again at the bright little shop still saying “Ponderevo” with all the emphasis of its fascia, and then flopped back hastily out of sight of me into the recesses of the cab. Then it had gone from before me and I beheld Mr. Snape, the hairdresser, inside his store regarding its departure with a quiet satisfaction and exchanging smiles and significant headshakes with Mr. Marbel.

She stared at me for a second longer with eyes widening and brightening, and a smile that had become frozen, glanced again at the bright little shop still saying “Ponderevo” with all the emphasis of its sign, and then quickly flopped back out of sight into the back of the cab. Then it was gone, and I saw Mr. Snape, the hairdresser, inside his store, watching it leave with quiet satisfaction and exchanging smiles and knowing head shakes with Mr. Marbel.

IV

I was left, I say, as part of the lock, stock, and barrel, at Wimblehurst with my new master, a Mr. Mantell; who plays no part in the progress of this story except in so far as he effaced my uncle’s traces. So soon as the freshness of this new personality faded, I began to find Wimblehurst not only a dull but a lonely place, and to miss my aunt Susan immensely. The advertisements of the summer terms for Cough Linctus were removed; the bottles of coloured water—red, green, and yellow—restored to their places; the horse announcing veterinary medicine, which my uncle, sizzling all the while, had coloured in careful portraiture of a Goodwood favourite, rewhitened; and I turned myself even more resolutely than before to Latin (until the passing of my preliminary examination enabled me to drop that), and then to mathematics and science.

I was left, I say, as part of the whole package, at Wimblehurst with my new master, Mr. Mantell; who does not play a role in this story except for erasing any signs of my uncle. Once the novelty of this new person wore off, I started to find Wimblehurst not just boring but really lonely, and I missed my aunt Susan a lot. The ads for the summer terms for Cough Linctus were taken down; the bottles of colored liquid—red, green, and yellow—were put back in their places; the horse that advertised veterinary medicine, which my uncle had carefully painted to look like a Goodwood favorite, was repainted; and I turned myself even more determinedly than before to Latin (until passing my preliminary exam let me drop that), and then to math and science.

There were classes in Electricity and Magnetism at the Grammar School. I took a little “elementary” prize in that in my first year and a medal in my third; and in Chemistry and Human Physiology and Sound, Light and Heat, I did well. There was also a lighter, more discursive subject called Physiography, in which one ranged among the sciences and encountered Geology as a process of evolution from Eozoon to Eastry House, and Astronomy as a record of celestial movements of the most austere and invariable integrity. I learnt out of badly-written, condensed little text-books, and with the minimum of experiment, but still I learnt. Only thirty years ago it was, and I remember I learnt of the electric light as an expensive, impracticable toy, the telephone as a curiosity, electric traction as a practical absurdity. There was no argon, no radium, no phagocytes—at least to my knowledge, and aluminium was a dear, infrequent metal. The fastest ships in the world went then at nineteen knots, and no one but a lunatic here and there ever thought it possible that men might fly.

There were classes in Electricity and Magnetism at the Grammar School. I won a little "elementary" prize in that in my first year and a medal in my third; and I did well in Chemistry and Human Physiology and Sound, Light, and Heat. There was also a lighter, more general subject called Physiography, where we explored different sciences and learned about Geology as a process of evolution from Eozoon to Eastry House, and Astronomy as a record of celestial movements with serious and unchanging integrity. I learned from poorly written, condensed little textbooks, and with minimal experimentation, but I still learned. It was only thirty years ago, and I remember learning about electric light as an expensive, impractical novelty, the telephone as a curiosity, and electric traction as a practical absurdity. There was no argon, no radium, no phagocytes—at least not that I knew of, and aluminum was a rare, costly metal. The fastest ships in the world then traveled at nineteen knots, and no one but an occasional lunatic thought it possible that humans might fly.

Many things have happened since then, but the last glance I had of Wimblehurst two years ago remarked no change whatever in its pleasant tranquillity. They had not even built any fresh houses—at least not actually in the town, though about the station there had been some building. But it was a good place to do work in, for all its quiescence. I was soon beyond the small requirements of the Pharmaceutical Society’s examination, and as they do not permit candidates to sit for that until one and twenty, I was presently filling up my time and preventing my studies becoming too desultory by making an attack upon the London University degree of Bachelor of Science, which impressed me then as a very splendid but almost impossible achievement. The degree in mathematics and chemistry appealed to me as particularly congenial—albeit giddily inaccessible. I set to work. I had presently to arrange a holiday and go to London to matriculate, and so it was I came upon my aunt and uncle again. In many ways that visit marked an epoch. It was my first impression of London at all. I was then nineteen, and by a conspiracy of chances my nearest approach to that human wilderness had been my brief visit to Chatham. Chatham too had been my largest town. So that I got London at last with an exceptional freshness of effect, as the sudden revelation of a whole unsuspected other side to life.

A lot has happened since then, but the last time I saw Wimblehurst two years ago, it seemed just as calm and pleasant as ever. They hadn’t built any new houses—at least not in the town itself, although there had been some construction around the station. But it was still a great place to get some work done, despite its quietness. I quickly passed the basic requirements of the Pharmaceutical Society’s exam, and since they don’t allow candidates to sit for that until they're twenty-one, I kept myself busy by pursuing a Bachelor of Science degree from London University, which seemed like an impressive but almost unattainable goal back then. The degree in mathematics and chemistry really appealed to me, even if it felt dauntingly out of reach. I got to work on it. Soon, I had to plan a trip to London to register, and that's when I reunited with my aunt and uncle. That visit really marked a turning point for me. It was my first time experiencing London at all. I was nineteen, and by a twist of fate, my closest encounter with such a large city had only been a short trip to Chatham. Chatham had also been my biggest town up until then. So, when I finally got to London, it felt remarkably fresh, like a sudden glimpse into a whole new side of life.

I came to it on a dull and smoky day by the South Eastern Railway, and our train was half an hour late, stopping and going on and stopping again. I marked beyond Chiselhurst the growing multitude of villas, and so came stage by stage through multiplying houses and diminishing interspaces of market garden and dingy grass to regions of interlacing railway lines, big factories, gasometers and wide reeking swamps of dingy little homes, more of them and more and more. The number of these and their dinginess and poverty increased, and here rose a great public house and here a Board School and there a gaunt factory; and away to the east there loomed for a time a queer, incongruous forest of masts and spars. The congestion of houses intensified and piled up presently into tenements; I marveled more and more at this boundless world of dingy people; whiffs of industrial smell, of leather, of brewing, drifted into the carriage; the sky darkened, I rumbled thunderously over bridges, van-crowded streets, peered down on and crossed the Thames with an abrupt eclat of sound. I got an effect of tall warehouses, of grey water, barge crowded, of broad banks of indescribable mud, and then I was in Cannon Street Station—a monstrous dirty cavern with trains packed across its vast floor and more porters standing along the platform than I had ever been in my life before. I alighted with my portmanteau and struggled along, realising for the first time just how small and weak I could still upon occasion feel. In this world, I felt, an Honours medal in Electricity and magnetism counted for nothing at all.

I arrived on a dull, smoky day via the South Eastern Railway, and our train was half an hour late, stopping and starting repeatedly. Beyond Chiselhurst, I noticed the growing number of villas and gradually passed through more and more houses, with fewer open spaces of market gardens and shabby grass. I entered areas filled with crisscrossing railway tracks, large factories, gas tanks, and wide, grimy swamps of shabby little homes—more and more of them. The quantity of these homes, along with their dreariness and poverty, increased, and there stood a large pub, a Board School, and a stark factory; to the east, an odd, mismatched forest of masts and spars loomed for a while. The crowding of houses intensified, stacking up into tenements. I couldn't help but marvel at this endless world of downtrodden people; smells of industry, leather, and brewing wafted into the carriage; the sky darkened, and I thundered over bridges, crammed streets, peered down at and crossed the Thames with a sudden burst of sound. I saw tall warehouses, grey water crowded with barges, broad banks of indescribable mud, and then I found myself at Cannon Street Station—a huge, filthy cave filled with trains packed across its vast floor, with more porters on the platform than I had ever seen in my life. I stepped off with my suitcase, struggling along and realizing for the first time just how small and weak I could still occasionally feel. In this world, I thought, an Honours medal in Electricity and magnetism meant nothing at all.

Afterwards I drove in a cab down a canon of rushing street between high warehouses, and peeped up astonished at the blackened greys of Saint Paul’s. The traffic of Cheapside—it was mostly in horse omnibuses in those days—seemed stupendous, its roar was stupendous; I wondered where the money came from to employ so many cabs, what industry could support the endless jostling stream of silk-hatted, frock-coated, hurrying men. Down a turning I found the Temperance Hotel Mr. Mantell had recommended to me. The porter in a green uniform who took over my portmanteau, seemed, I thought, to despise me a good deal.

Afterwards, I took a cab down a bustling street lined with tall warehouses and looked up in amazement at the dark greys of Saint Paul’s. The traffic in Cheapside—mostly horse-drawn buses back then—was incredible, and the noise was overwhelming; I wondered where all the money came from to keep so many cabs running and what kind of industry could support the endless flow of men in silk hats and formal coats rushing around. I turned down a side street and found the Temperance Hotel that Mr. Mantell had recommended. The porter in a green uniform who grabbed my suitcase seemed to look down on me quite a bit.

V

Matriculation kept me for four full days and then came an afternoon to spare, and I sought out Tottenham Court Road through a perplexing network of various and crowded streets. But this London was vast! it was endless! it seemed the whole world had changed into packed frontages and hoardings and street spaces. I got there at last and made inquiries, and I found my uncle behind the counter of the pharmacy he managed, an establishment that did not impress me as doing a particularly high-class trade. “Lord!” he said at the sight of me, “I was wanting something to happen!”

Matriculation kept me busy for four whole days, and then one afternoon I finally had some free time. I navigated through a confusing maze of busy streets to reach Tottenham Court Road. But London was huge! It felt never-ending! It seemed like the entire world had transformed into crowded buildings, billboards, and bustling streets. I eventually arrived and asked around, finding my uncle working behind the counter of the pharmacy he managed. It didn’t seem like a particularly upscale place. “Wow!” he exclaimed when he saw me, “I was hoping for something exciting to happen!”

He greeted me warmly. I had grown taller, and he, I thought, had grown shorter and smaller and rounder but otherwise he was unchanged. He struck me as being rather shabby, and the silk hat he produced and put on, when, after mysterious negotiations in the back premises he achieved his freedom to accompany me, was past its first youth; but he was as buoyant and confident as ever.

He greeted me warmly. I had grown taller, and he, I thought, had gotten shorter, smaller, and rounder, but otherwise, he was the same. He came off as a bit shabby, and the silk hat he produced and put on, after some mysterious negotiations in the back room that allowed him to come with me, was definitely showing its age; but he was as lively and confident as ever.

“Come to ask me about all that,” he cried. “I’ve never written yet.”

“Come ask me about all that,” he shouted. “I’ve never written anything yet.”

“Oh, among other things,” said I, with a sudden regrettable politeness, and waived the topic of his trusteeship to ask after my aunt Susan.

“Oh, among other things,” I said, with an unexpected politeness, and dropped the subject of his trusteeship to ask about my aunt Susan.

“We’ll have her out of it,” he said suddenly; “we’ll go somewhere. We don’t get you in London every day.”

“We’ll get her out of it,” he said suddenly; “we’ll go somewhere. We don’t get you in London every day.”

“It’s my first visit,” I said, “I’ve never seen London before”; and that made him ask me what I thought of it, and the rest of the talk was London, London, to the exclusion of all smaller topics. He took me up the Hampstead Road almost to the Cobden statue, plunged into some back streets to the left, and came at last to a blistered front door that responded to his latch-key, one of a long series of blistered front doors with fanlights and apartment cards above. We found ourselves in a drab-coloured passage that was not only narrow and dirty but desolatingly empty, and then he opened a door and revealed my aunt sitting at the window with a little sewing-machine on a bamboo occasional table before her, and “work”—a plum-coloured walking dress I judged at its most analytical stage—scattered over the rest of the apartment.

“It’s my first visit,” I said, “I’ve never been to London before”; and that made him ask me what I thought of it, leading the conversation to focus entirely on London. He took me up Hampstead Road almost to the Cobden statue, veered into some back streets on the left, and finally arrived at a chipped front door that opened with his latch-key, one of a long line of worn front doors with fanlights and apartment signs above. We found ourselves in a dull-colored hallway that was not only narrow and dirty but also distressingly empty, and then he opened a door to reveal my aunt sitting by the window with a little sewing machine on a bamboo side table in front of her, and “work”—a plum-colored walking dress, I guessed, at its most detailed stage—scattered throughout the rest of the apartment.

At the first glance I judged my aunt was plumper than she had been, but her complexion was just as fresh and her China blue eye as bright as in the old days.

At first glance, I thought my aunt was a bit heavier than she used to be, but her skin was just as fresh and her bright China blue eye was as lively as back in the day.

“London,” she said, didn’t “get blacks” on her.

“London,” she said, didn’t “understand black people” with her.

She still “cheeked” my uncle, I was pleased to find. “What are you old Poking in for at this time—Gubbitt?” she said when he appeared, and she still looked with a practised eye for the facetious side of things. When she saw me behind him, she gave a little cry and stood up radiant. Then she became grave.

She still “cheeked” my uncle, which I was glad to see. “What are you old Poking in for at this time—Gubbitt?” she said when he showed up, and she still had a keen eye for the funny side of things. When she spotted me behind him, she let out a little squeal and stood up beaming. Then she turned serious.

I was surprised at my own emotion in seeing her. She held me at arm’s length for a moment, a hand on each shoulder, and looked at me with a sort of glad scrutiny. She seemed to hesitate, and then pecked little kiss off my cheek.

I was surprised by my own feelings when I saw her. She held me at arm’s length for a moment, a hand on each shoulder, and looked at me with this happy, careful gaze. She seemed to hesitate, then gave me a quick peck on the cheek.

“You’re a man, George,” she said, as she released me, and continued to look at me for a while.

“You’re a man, George,” she said, as she let go of me and kept looking at me for a while.

Their ménage was one of a very common type in London. They occupied what is called the dining-room floor of a small house, and they had the use of a little inconvenient kitchen in the basement that had once been scullery. The two rooms, bedroom behind and living room in front, were separated by folding-doors that were never now thrown back, and indeed, in the presence of a visitor, not used at all. There was of course no bathroom or anything of that sort available, and there was no water supply except to the kitchen below. My aunt did all the domestic work, though she could have afforded to pay for help if the build of the place had not rendered that inconvenient to the pitch of impossibility. There was no sort of help available except that of indoor servants, for whom she had no accommodation. The furniture was their own; it was partly secondhand, but on the whole it seemed cheerful to my eye, and my aunt’s bias for cheap, gay-figured muslin had found ample score. In many ways I should think it must have been an extremely inconvenient and cramped sort of home, but at the time I took it, as I was taking everything, as being there and in the nature of things. I did not see the oddness of solvent decent people living in a habitation so clearly neither designed nor adapted for their needs, so wasteful of labour and so devoid of beauty as this was, and it is only now as I describe this that I find myself thinking of the essential absurdity of an intelligent community living in such makeshift homes. It strikes me now as the next thing to wearing second-hand clothes.

Their ménage was a pretty common kind in London. They lived on what’s called the dining-room floor of a small house, and they had access to a tiny, inconvenient kitchen in the basement that used to be a scullery. The two rooms, with the bedroom at the back and living room at the front, were divided by folding doors that were never opened anymore, and honestly, they weren’t used at all when a visitor was around. There was, of course, no bathroom or anything like that available, and the only water supply was to the kitchen downstairs. My aunt handled all the household chores, even though she could have paid for help if the layout of the place hadn’t made that virtually impossible. There was no kind of help available except for indoor servants, for whom she had no proper space. The furniture was theirs; it was partly secondhand, but overall it looked cheerful to me, and my aunt’s preference for cheap, brightly-patterned muslin was well represented. In many ways, I imagine it must have been a pretty inconvenient and cramped home, but at the time, I accepted it, like everything else, as simply how things were. I didn’t notice the oddity of respectable people living in a place so clearly unsuitable for their needs, so inefficient and so lacking in beauty as this was, and it’s only now that I’m describing it that I’m realizing the fundamental absurdity of a smart community living in such makeshift homes. It now strikes me as almost like wearing second-hand clothes.

You see it was a natural growth, part of that system to which Bladesover, I hold, is the key. There are wide regions of London, miles of streets of houses, that appear to have been originally designed for prosperous-middle-class homes of the early Victorian type. There must have been a perfect fury of such building in the thirties, forties, and fifties. Street after street must have been rushed into being, Campden Town way, Pentonville way, Brompton way, West Kensington way in the Victoria region and all over the minor suburbs of the south side.

You see, it was a natural development, part of that system to which I believe Bladesover is the key. There are vast areas of London, miles of streets lined with houses, that seem to have been originally designed for prosperous middle-class homes of the early Victorian style. There must have been an incredible surge of building in the thirties, forties, and fifties. Street after street must have been quickly constructed, in places like Camden Town, Pentonville, Brompton, West Kensington in the Victoria area, and all over the smaller suburbs on the south side.

I am doubtful if many of these houses had any long use as the residences of single families if from the very first almost their tenants did not makeshift and take lodgers and sublet. They were built with basements, in which their servants worked and lived—servants of a more submissive and troglodytic generation who did not mind stairs. The dining-room (with folding doors) was a little above the ground level, and in that the wholesome boiled and roast with damp boiled potatoes and then pie to follow, was consumed and the numerous family read and worked in the evening, and above was the drawing-room (also with folding doors), where the infrequent callers were received. That was the vision at which those industrious builders aimed. Even while these houses were being run up, the threads upon the loom of fate were shaping to abolish altogether the type of household that would have fitted them. Means of transit were developing to carry the moderately prosperous middle-class families out of London, education and factory employment were whittling away at the supply of rough, hardworking, obedient girls who would stand the subterranean drudgery of these places, new classes of hard-up middle-class people such as my uncle, employees of various types, were coming into existence, for whom no homes were provided. None of these classes have ideas of what they ought to be, or fit in any legitimate way into the Bladesover theory that dominates our minds. It was nobody’s concern to see them housed under civilised conditions, and the beautiful laws of supply and demand had free play. They had to squeeze in. The landlords came out financially intact from their blundering enterprise. More and more these houses fell into the hands of married artisans, or struggling widows or old servants with savings, who became responsible for the quarterly rent and tried to sweat a living by sub-letting furnished or unfurnished apartments.

I'm not sure many of these houses served as long-term homes for single families since, from the start, their tenants often improvised by taking in lodgers and subletting. They were constructed with basements where their servants lived and worked—servants from a more submissive and primitive time who didn't mind climbing stairs. The dining room (with folding doors) was slightly above ground level, where wholesome meals of boiled and roasted dishes, along with soggy boiled potatoes and pie for dessert, were eaten. The large family would read and work in the evenings there, while above was the drawing room (also with folding doors) for receiving rare visitors. That was the ideal the hardworking builders envisioned. Even while these houses were being built, the threads of fate were weaving a future that would completely eliminate the type of household suitable for them. Transportation methods were evolving, allowing moderately prosperous middle-class families to move out of London, and education and factory jobs were reducing the number of rough, hardworking, obedient girls available for the underground chores in these homes. New classes of struggling middle-class people, like my uncle, who worked in various jobs, were emerging with no housing options. None of these groups had a clear idea of what they should be or fit into any established framework of the Bladesover theory that occupies our thoughts. It wasn't anyone's responsibility to ensure they had decent living conditions, and the beautiful laws of supply and demand operated freely. They had to squeeze in where they could. Landlords came out financially unscathed from their misguided ventures. Increasingly, these houses fell into the hands of married artisans, struggling widows, or frugal old servants who took on the burden of paying quarterly rent and tried to make ends meet by subletting furnished or unfurnished apartments.

I remember now that a poor grey-haired old woman who had an air of having been roused from a nap in the dust bin, came out into the area and looked up at us as we three went out from the front door to “see London” under my uncle’s direction. She was the sub-letting occupier; she squeezed out a precarious living by taking the house whole and sub-letting it in detail and she made her food and got the shelter of an attic above and a basement below by the transaction. And if she didn’t chance to “let” steadily, out she went to pauperdom and some other poor, sordid old adventurer tried in her place....

I now remember that a poor, gray-haired old woman, who looked like she had just been woken up from a nap in a trash bin, stepped out into the area and looked up at us as we three left the front door to “see London” under my uncle’s guidance. She was the tenant who sublet the place; she scraped by on a shaky income by renting the whole house and subletting the rooms. She made her meals and found shelter in the attic above and the basement below through this arrangement. If she didn’t manage to keep renting steadily, she would end up in poverty, and some other unfortunate old soul would take her place…

It is a foolish community that can house whole classes, useful and helpful, honest and loyal classes, in such squalidly unsuitable dwellings. It is by no means the social economy it seems, to use up old women, savings and inexperience in order to meet the landlord’s demands. But any one who doubts this thing is going on right up to to-day need only spend an afternoon in hunting for lodgings in any of the regions of London I have named.

It’s a foolish society that allows entire groups—useful and helpful, honest and loyal—to live in such terrible accommodations. It's certainly not the social economy it appears to be to deplete older women, savings, and inexperience just to satisfy the landlord’s demands. Anyone who thinks this isn’t still happening today should just spend an afternoon looking for places to live in any of the areas of London I've mentioned.

But where has my story got to? My uncle, I say, decided I must be shown London, and out we three went as soon as my aunt had got her hat on, to catch all that was left of the day.

But where has my story gotten to? My uncle, I say, decided that I should be shown London, and out we three went as soon as my aunt had put her hat on, to make the most of the rest of the day.

VI

It pleased my uncle extremely to find I had never seen London before. He took possession of the metropolis forthwith. “London, George,” he said, “takes a lot of understanding. It’s a great place. Immense. The richest town in the world, the biggest port, the greatest manufacturing town, the Imperial city—the centre of civilisation, the heart of the world! See those sandwich men down there! That third one’s hat! Fair treat! You don’t see poverty like that in Wimblehurst George! And many of them high Oxford honour men too. Brought down by drink! It’s a wonderful place, George—a whirlpool, a maelstrom! whirls you up and whirls you down.”

My uncle was really pleased to discover I had never been to London before. He immediately took charge of the city. “London, George,” he said, “takes a lot to get used to. It’s an amazing place. Huge. The richest city in the world, the biggest port, the greatest manufacturing hub, the Imperial city—the center of civilization, the heart of the world! Look at those sandwich men down there! That third one’s hat! Quite a sight! You don't see poverty like that in Wimblehurst, George! And many of those are top Oxford graduates too. Brought down by alcohol! It’s an incredible place, George—a whirlwind, a maelstrom! It sweeps you up and then throws you down.”

I have a very confused memory of that afternoon’s inspection of London. My uncle took us to and fro showing us over his London, talking erratically, following a route of his own. Sometimes we were walking, sometimes we were on the tops of great staggering horse omnibuses in a heaving jumble of traffic, and at one point we had tea in an Aerated Bread Shop. But I remember very distinctly how we passed down Park Lane under an overcast sky, and how my uncle pointed out the house of this child of good fortune and that with succulent appreciation.

I have a pretty unclear memory of that afternoon’s tour of London. My uncle took us here and there, showing us his London, chatting randomly, following his own path. Sometimes we walked, sometimes we rode on the tops of huge, swaying horse-drawn buses in a chaotic traffic jam, and at one point we had tea in an Aerated Bread Shop. But I clearly remember how we went down Park Lane under a cloudy sky, and how my uncle pointed out the homes of this lucky kid and that one with delight.

I remember, too, that as he talked I would find my aunt watching my face as if to check the soundness of his talk by my expression.

I also remember that while he was talking, I'd notice my aunt watching my face as if she were checking the validity of his words based on my expression.

“Been in love yet, George?” she asked suddenly, over a bun in the tea-shop.

“Have you ever been in love, George?” she asked suddenly, over a bun in the tea shop.

“Too busy, aunt,” I told her.

“I'm too busy, Aunt,” I said to her.

She bit her bun extensively, and gesticulated with the remnant to indicate that she had more to say.

She bit into her bun and waved the leftover piece around to show that she had more to say.

“How are you going to make your fortune?” she said so soon as she could speak again. “You haven’t told us that.”

“How are you planning to make your fortune?” she said as soon as she could speak again. “You haven’t shared that with us.”

“’Lectricity,” said my uncle, taking breath after a deep draught of tea.

“Electricity,” said my uncle, pausing after taking a deep sip of tea.

“If I make it at all,” I said. “For my part I think shall be satisfied with something less than a fortune.”

“If I make it at all,” I said. “As for me, I think I’ll be happy with something less than a fortune.”

“We’re going to make ours—suddenly,” she said.

“We’re going to make ours—right now,” she said.

“So he old says.” She jerked her head at my uncle.

“So he says.” She nodded towards my uncle.

“He won’t tell me when—so I can’t get anything ready. But it’s coming. Going to ride in our carriage and have a garden. Garden—like a bishop’s.”

“He won’t tell me when—so I can’t prepare anything. But it’s coming. Going to ride in our carriage and have a garden. Garden—like a bishop’s.”

She finished her bun and twiddled crumbs from her fingers. “I shall be glad of the garden,” she said. “It’s going to be a real big one with rosaries and things. Fountains in it. Pampas grass. Hothouses.”

She finished her bun and brushed the crumbs off her fingers. “I’ll be really happy to have the garden,” she said. “It’s going to be a really big one with rose bushes and things. Fountains in it. Pampas grass. Greenhouses.”

“You’ll get it all right,” said my uncle, who had reddened a little.

“You’ll get it all right,” said my uncle, slightly blushing.

“Grey horses in the carriage, George,” she said. “It’s nice to think about when one’s dull. And dinners in restaurants often and often. And theatres—in the stalls. And money and money and money.”

“Gray horses in the carriage, George,” she said. “It’s nice to think about when you’re bored. And dinners in restaurants all the time. And theaters—in the best seats. And money and money and money.”

“You may joke,” said my uncle, and hummed for a moment.

“You can joke,” my uncle said, then hummed for a moment.

“Just as though an old Porpoise like him would ever make money,” she said, turning her eyes upon his profile with a sudden lapse to affection. “He’ll just porpoise about.”

“Just like an old Porpoise like him would ever make money,” she said, glancing at his profile with a sudden wave of fondness. “He’ll just porpoise around.”

“I’ll do something,” said my uncle, “you bet! Zzzz!” and rapped with a shilling on the marble table.

“I’ll do something,” my uncle said, “you bet! Zzzz!” and tapped a shilling on the marble table.

“When you do you’ll have to buy me a new pair of gloves,” she said, “anyhow. That finger’s past mending. Look! you Cabbage—you.” And she held the split under his nose, and pulled a face of comical fierceness.

“When you do, you’ll have to buy me a new pair of gloves,” she said, “anyway. That finger’s beyond fixing. Look! you Cabbage—you.” And she held the split under his nose and made a funny fierce face.

My uncle smiled at these sallies at the time, but afterwards, when I went back with him to the Pharmacy—the low-class business grew brisker in the evening and they kept open late—he reverted to it in a low expository tone. “Your aunt’s a bit impatient, George. She gets at me. It’s only natural.... A woman doesn’t understand how long it takes to build up a position. No.... In certain directions now—I am—quietly—building up a position. Now here.... I get this room. I have my three assistants. Zzzz. It’s a position that, judged by the criterion of imeedjit income, isn’t perhaps so good as I deserve, but strategically—yes. It’s what I want. I make my plans. I rally my attack.”

My uncle smiled at these outbursts at the time, but later, when I went back with him to the Pharmacy—the low-end business got busier in the evening and stayed open late—he brought it up again in a quiet, explanatory tone. “Your aunt’s a bit impatient, George. She gets on my case. It’s only natural.... A woman doesn’t understand how long it takes to build a career. No.... In some ways now—I am—quietly—building a career. Now here.... I have this room. I have my three assistants. Zzzz. It’s a position that, if you look at it from the standpoint of immediate income, isn’t perhaps as good as I deserve, but strategically—yes. It’s what I want. I make my plans. I prepare my strategy.”

“What plans,” I said, “are you making?”

“What plans are you making?” I asked.

“Well, George, there’s one thing you can rely upon, I’m doing nothing in a hurry. I turn over this one and that, and I don’t talk—indiscreetly. There’s—No! I don’t think I can tell you that. And yet, why NOT?”

“Well, George, there’s one thing you can count on, I’m not rushing into anything. I consider this option and that, and I don’t speak—carelessly. There’s—No! I don’t think I can share that with you. And yet, why NOT?”

He got up and closed the door into the shop. “I’ve told no one,” he remarked, as he sat down again. “I owe you something.”

He got up and closed the door to the shop. “I haven’t told anyone,” he said as he sat down again. “I owe you something.”

His face flushed slightly, he leant forward over the little table towards me.

His face turned a bit red as he leaned forward over the small table towards me.

“Listen!” he said.

"Listen!" he said.

I listened.

I heard.

“Tono-Bungay,” said my uncle very slowly and distinctly.

“Tono-Bungay,” my uncle said very slowly and clearly.

I thought he was asking me to hear some remote, strange noise. “I don’t hear anything,” I said reluctantly to his expectant face. He smiled undefeated. “Try again,” he said, and repeated, “Tono-Bungay.”

I thought he was asking me to listen to some distant, weird sound. “I don’t hear anything,” I said hesitantly to his hopeful face. He smiled confidently. “Try again,” he said, and repeated, “Tono-Bungay.”

“Oh, that!” I said.

“Oh, that!” I replied.

“Eh?” said he.

“Eh?” he said.

“But what is it?”

“What is it, though?”

“Ah!” said my uncle, rejoicing and expanding. “What is it? That’s what you got to ask? What won’t it be?” He dug me violently in what he supposed to be my ribs. “George,” he cried—“George, watch this place! There’s more to follow.”

“Ah!” my uncle exclaimed, filled with excitement. “What is it? Is that really your question? What won’t it be?” He poked me hard in what he thought were my ribs. “George,” he shouted—“George, keep an eye on this place! There’s more to come.”

And that was all I could get from him.

And that was everything I could get from him.

That, I believe, was the very first time that the words Tono-Bungay ever heard on earth—unless my uncle indulged in monologues in his chamber—a highly probable thing. Its utterance certainly did not seem to me at the time to mark any sort of epoch, and had I been told this word was the Open Sesame to whatever pride and pleasure the grimy front of London hid from us that evening, I should have laughed aloud.

That, I think, was the very first time the words Tono-Bungay were ever spoken—unless my uncle was having long talks by himself, which is quite possible. At the time, it definitely didn't seem like a big deal to me, and if someone had told me that this word was the key to all the pride and pleasure hidden behind the dirty facade of London that evening, I would have laughed out loud.

“Coming now to business,” I said after a pause, and with a chill sense of effort; and I opened the question of his trust.

“Getting down to business now,” I said after a moment, feeling a bit uneasy; and I brought up the topic of his trust.

My uncle sighed, and leant back in his chair. “I wish I could make all this business as clear to you as it is to me,” he said. “However—Go on! Say what you have to say.”

My uncle sighed and leaned back in his chair. “I wish I could make all this stuff as clear to you as it is to me,” he said. “But—Go on! Say what you need to say.”

VII

After I left my uncle that evening I gave way to a feeling of profound depression. My uncle and aunt seemed to me to be leading—I have already used the word too often, but I must use it again—dingy lives. They seemed to be adrift in a limitless crowd of dingy people, wearing shabby clothes, living uncomfortably in shabby second-hand houses, going to and fro on pavements that had always a thin veneer of greasy, slippery mud, under grey skies that showed no gleam of hope of anything for them but dinginess until they died. It seemed absolutely clear to me that my mother’s little savings had been swallowed up and that my own prospect was all too certainly to drop into and be swallowed up myself sooner or later by this dingy London ocean. The London that was to be an adventurous escape from the slumber of Wimblehurst, had vanished from my dreams. I saw my uncle pointing to the houses in Park Lane and showing a frayed shirt-cuff as he did so. I heard my aunt: “I’m to ride in my carriage then. So he old says.”

After I left my uncle that evening, I was hit by a deep sense of sadness. My uncle and aunt seemed to be living—I’ve already used this word too much, but I need to use it again—dingy lives. They felt adrift in a never-ending sea of dingy people, wearing worn-out clothes, struggling in shabby second-hand houses, walking on sidewalks always covered in a thin layer of greasy, slippery mud, under grey skies that offered no hint of hope for anything better than dinginess until they died. It was completely obvious to me that my mother’s small savings had been used up and that my own future was likely to be consumed by this dingy London ocean sooner or later. The London that was supposed to be an exciting escape from the dullness of Wimblehurst had vanished from my dreams. I could see my uncle pointing to the houses in Park Lane while showing a frayed shirt cuff. I heard my aunt say, “I’m supposed to ride in my carriage then. So he old says.”

My feelings towards my uncle were extraordinarily mixed. I was intensely sorry not only for my aunt Susan but for him—for it seemed indisputable that as they were living then so they must go on—and at the same time I was angry with the garrulous vanity and illness that had elipped all my chance of independent study, and imprisoned her in those grey apartments. When I got back to Wimblehurst I allowed myself to write him a boyishly sarcastic and sincerely bitter letter. He never replied. Then, believing it to be the only way of escape for me, I set myself far more grimly and resolutely to my studies than I had ever done before. After a time I wrote to him in more moderate terms, and he answered me evasively. And then I tried to dismiss him from my mind and went on working.

My feelings about my uncle were extremely mixed. I felt really sorry not just for my aunt Susan but for him too—because it seemed obvious that the way they were living then was how they would continue—but at the same time, I was frustrated with the talkative arrogance and illness that had taken away my chance for independent study and trapped her in those dull apartments. When I got back to Wimblehurst, I wrote him a sarcastic letter that was also genuinely bitter. He never replied. Then, thinking it was my only way out, I focused on my studies more seriously and determinedly than ever before. After a while, I wrote to him again in a calmer tone, and he responded vaguely. Then I tried to push him out of my mind and kept on working.

Yes, that first raid upon London under the moist and chilly depression of January had an immense effect upon me. It was for me an epoch-making disappointment. I had thought of London as a large, free, welcoming, adventurous place, and I saw it slovenly and harsh and irresponsive.

Yes, that first raid on London in the damp and chilly gloom of January had a huge impact on me. It was a groundbreaking disappointment. I had imagined London as a big, open, friendly, and exciting place, but I found it dirty, rough, and unwelcoming.

I did not realise at all what human things might be found behind those grey frontages, what weakness that whole forbidding façade might presently confess. It is the constant error of youth to over-estimate the Will in things. I did not see that the dirt, the discouragement, the discomfort of London could be due simply to the fact that London was a witless old giantess of a town, too slack and stupid to keep herself clean and maintain a brave face to the word. No! I suffered from the sort of illusion that burnt witches in the seventeenth century. I endued her grubby disorder with a sinister and magnificent quality of intention.

I had no idea what human experiences could be hidden behind those grey exteriors, or what flaws that intimidating facade might reveal. Young people often make the mistake of overestimating the strength of things. I didn’t realize that the dirt, the discouragement, and the discomfort of London could simply be because London was a clueless old giant of a city, too lazy and foolish to keep itself clean and put on a brave face for the world. No! I was under the kind of delusion that led to witch hunts in the seventeenth century. I gave her messy disorder a dark and impressive sense of purpose.

And my uncle’s gestures and promises filled me with doubt and a sort of fear for him. He seemed to me a lost little creature, too silly to be silent, in a vast implacable condemnation. I was full of pity and a sort of tenderness for my aunt Susan, who was doomed to follow his erratic fortunes mocked by his grandiloquent promises.

And my uncle’s gestures and promises made me feel doubt and a kind of fear for him. He looked like a lost little creature, too foolish to be quiet, in a huge and unforgiving situation. I felt so sorry and a sort of tenderness for my aunt Susan, who was stuck following his unpredictable fortunes, mocked by his grandiose promises.

I was to learn better. But I worked with the terror of the grim underside of London in my soul during all my last year at Wimblehurst.

I was meant to learn more. But I carried the fear of the dark side of London within me throughout my last year at Wimblehurst.

BOOK THE SECOND
THE RISE OF TONO-BUNGAY

CHAPTER THE FIRST
HOW I BECAME A LONDON STUDENT AND WENT ASTRAY

I

I came to live in London, as I shall tell you, when I was nearly twenty-two. Wimblehurst dwindles in perspective, is now in this book a little place far off, Bladesover no more than a small pinkish speck of frontage among the distant Kentish hills; the scene broadens out, becomes multitudinous and limitless, full of the sense of vast irrelevant movement. I do not remember my second coming to London as I do my first, for my early impressions, save that an October memory of softened amber sunshine stands out, amber sunshine falling on grey house fronts I know not where. That, and a sense of a large tranquillity.

I moved to London when I was almost twenty-two. Wimblehurst feels distant now; in this book, it seems like a little place far away, and Bladesover is just a small pinkish spot among the distant hills of Kent. The scene expands, becoming varied and endless, filled with a sense of vast, irrelevant movement. I don't remember my second time in London as clearly as my first, except for a memory from October of soft amber sunlight shining on gray house fronts that I can't quite place. That, along with a feeling of great tranquility.

I could fill a book, I think, with a more or less imaginary account of how I came to apprehend London, how first in one aspect and then in another it grew in my mind. Each day my accumulating impressions were added to and qualified and brought into relationship with new ones; they fused inseparably with others that were purely personal and accidental. I find myself with a certain comprehensive perception of London, complete indeed, incurably indistinct in places and yet in some way a whole that began with my first visit and is still being mellowed and enriched.

I could probably write a whole book about how I came to understand London, how it first appeared to me in one way and then in another. Each day, I added to my growing impressions, connecting them with new experiences; they blended inseparably with others that were purely personal and coincidental. I have developed a pretty broad understanding of London, complete but still a bit vague in places, yet it's somehow a whole that started with my first visit and continues to evolve and deepen.

London!

London!

At first, no doubt, it was a chaos of streets and people and buildings and reasonless going to and fro. I do not remember that I ever struggled very steadily to understand it, or explored it with any but a personal and adventurous intention. Yet in time there has grown up in me a kind of theory of London; I do think I see lines of an ordered structure out of which it has grown, detected a process that is something more than a confusion of casual accidents though indeed it may be no more than a process of disease.

At first, it was definitely a chaotic mix of streets, people, and buildings, with everyone moving back and forth without reason. I don't recall ever really trying to understand it in depth or exploring it with anything other than a personal, adventurous mindset. However, over time, I've developed a kind of theory about London; I believe I can see the outlines of an ordered structure that it's developed from, and I've noticed a process that's more than just a jumble of random events, even though it might just be a process of decay.

I said at the outset of my first book that I find in Bladesover the clue to all England. Well, I certainly imagine it is the clue to the structure of London. There have been no revolutions no deliberate restatements or abandonments of opinion in England since the days of the fine gentry, since 1688 or thereabouts, the days when Bladesover was built; there have been changes, dissolving forest replacing forest, if you will; but then it was that the broad lines of the English system set firmly. And as I have gone to and fro in London in certain regions constantly the thought has recurred this is Bladesover House, this answers to Bladesover House. The fine gentry may have gone; they have indeed largely gone, I think; rich merchants may have replaced them, financial adventurers or what not. That does not matter; the shape is still Bladesover.

I mentioned at the beginning of my first book that I see Bladesover as the key to all of England. Well, I definitely believe it is the key to understanding the layout of London. There haven't been any revolutions or major shifts in opinion in England since the days of the landed gentry, around 1688, when Bladesover was built. There have been changes, forests dissolving and being replaced, if you will; but it was then that the fundamental features of the English system were established. As I've wandered around certain parts of London, I've often thought, this is like Bladesover House, this corresponds to Bladesover House. The gentry may be gone; they've mostly disappeared, I think; wealthy merchants may have taken their place, along with financial adventurers or others. But that doesn't matter; the essence still remains Bladesover.

I am most reminded of Bladesover and Eastry by all those regions round about the West End parks; for example, estate parks, each more or less in relation to a palace or group of great houses. The roads and back ways of Mayfair and all about St. James’s again, albeit perhaps of a later growth in point of time, were of the very spirit and architectural texture of the Bladesover passages and yards; they had the same smells, the space, the large cleanest and always going to and fro where one met unmistakable Olympians and even more unmistakable valets, butlers, footmen in mufti. There were moments when I seemed to glimpse down areas the white panelling, the very chintz of my mother’s room again.

I’m often reminded of Bladesover and Eastry by all the areas around the West End parks; for instance, estate parks, each connected in some way to a palace or a cluster of grand houses. The streets and alleyways of Mayfair and the surrounding St. James’s, although perhaps developed later, had the same vibe and architectural character as the passages and yards of Bladesover; they carried the same scents, the open spaces, the clean and bustling areas where you would encounter unmistakable members of high society and even more recognizable staff like valets, butlers, and footmen in casual dress. Sometimes, I felt like I could catch a glimpse of the white paneling and the very chintz from my mother’s room again.

I could trace out now on a map what I would call the Great-House region; passing south-westward into Belgravia, becoming diffused and sporadic westward, finding its last systematic outbreak round and about Regent’s Park. The Duke of Devonshire’s place in Piccadilly, in all its insolent ugliness, pleases me particularly; it is the quintessence of the thing; Apsley House is all in the manner of my theory, Park Lane has its quite typical mansions, and they run along the border of the Green Park and St. James’s. And I struck out a truth one day in Cromwell Road quite suddenly, as I looked over the Natural History Museum “By Jove,” said I “but this is the little assemblage of cases of stuffed birds and animals upon the Bladesover staircase grown enormous, and yonder as the corresponding thing to the Bladesover curios and porcelain is the Art Museume and there in the little observatories in Exhibition Road is old Sir Cuthbert’s Gregorian telescope that I hunted out in the storeroom and put together.” And diving into the Art Museum under this inspiration, I came to a little reading-room and found as I had inferred, old brown books!

I can now pinpoint on a map what I’d call the Great-House area; it stretches southwest into Belgravia, becoming scattered and irregular as it goes west, with its last notable area around Regent’s Park. The Duke of Devonshire’s place in Piccadilly, in all its blatant ugliness, stands out to me; it perfectly represents the idea. Apsley House reflects my theory, Park Lane has its typical mansions, and those line the edges of Green Park and St. James's. One day on Cromwell Road, a truth suddenly struck me as I looked over the Natural History Museum. “Wow,” I thought, “this is just like the small collection of stuffed birds and animals on the Bladesover staircase, but blown up, and over there, the Art Museum corresponds to the Bladesover curios and porcelain. And there, in the little observatories on Exhibition Road, is old Sir Cuthbert’s Gregorian telescope that I discovered in the storeroom and assembled.” Feeling inspired, I went into the Art Museum and found, just as I suspected, old brown books!

It was really a good piece of social comparative anatomy I did that day; all these museums and libraries that are dotted over London between Piccadilly and West Kensington, and indeed the museum and library movement throughout the world, sprang from the elegant leisure of the gentlemen of taste. Theirs were the first libraries, the first houses of culture; by my rat-like raids into the Bladesover saloon I became, as it were, the last dwindled representative of such a man of letters as Swift. But now these things have escaped out of the Great House altogether, and taken on a strange independent life of their own.

It was really an impressive study of social comparative anatomy I did that day; all these museums and libraries scattered across London between Piccadilly and West Kensington, and indeed the museum and library movement worldwide, originated from the refined leisure of cultured gentlemen. They established the first libraries, the first cultural hubs; through my sneaky visits to the Bladesover saloon, I became, in a way, the last diminished representative of a literary figure like Swift. But now these things have completely separated from the Great House and developed their own unique existence.

It is this idea of escaping parts from the seventeenth century system of Bladesover, of proliferating and overgrowing elements from the Estates, that to this day seems to me the best explanation, not simply of London, but of all England. England is a country of great Renascence landed gentlefolk who have been unconsciously outgrown and overgrown. The proper shops for Bladesover custom were still to be found in Regent Street and Bond Street in my early London days in those days they had been but lightly touched by the American’s profaning hand—and in Piccadilly. I found the doctor’s house of the country village or country town up and down Harley Street, multiplied but not otherwise different, and the family solicitor (by the hundred) further eastward in the abandoned houses of a previous generation of gentlepeople, and down in Westminster, behind Palladian fronts, the public offices sheltered in large Bladesoverish rooms and looked out on St. James’s Park. The Parliament Houses of lords and gentlemen, the parliament house that was horrified when merchants and brewers came thrusting into it a hundred years ago, stood out upon its terrace gathering the whole system together into a head.

It’s this idea of breaking away from the seventeenth-century system of Bladesover, of expanding and overtaking elements from the Estates, that still seems to me the best explanation, not just for London, but for all of England. England is a country filled with prominent landed gentry who have been unconsciously surpassed and outgrown. The right shops for Bladesover custom could still be found on Regent Street and Bond Street in my early days in London; back then, they had only been lightly influenced by the American touch—and in Piccadilly. I found the doctor’s homes in villages and towns replicated along Harley Street, similar but not really different, and the family solicitors (by the hundreds) further eastward in the abandoned houses of a previous generation of gentlefolk. Down in Westminster, behind the Palladian fronts, public offices were housed in large Bladesover-like rooms and overlooked St. James’s Park. The Houses of Parliament, which had been shocked when merchants and brewers pushed their way in a hundred years ago, stood out on its terrace, unifying the whole system.

And the more I have paralleled these things with my Bladesover-Eastry model, the more evident it has become to me that the balance is not the same, and the more evident is the presence of great new forces, blind forces of invasion, of growth. The railway termini on the north side of London have been kept as remote as Eastry had kept the railway-station from Wimblehurst, they stop on the very outskirts of the estates, but from the south, the South Eastern railway had butted its great stupid rusty iron head of Charing Cross station, that great head that came smashing down in 1905—clean across the river, between Somerset House and Whitehall. The south side had no protecting estate. Factory chimneys smoke right over against Westminster with an air of carelessly not having permission, and the whole effect of industrial London and of all London east of Temple Bar and of the huge dingy immensity of London port is to me of something disproportionately large, something morbidly expanded, without plan or intention, dark and sinister toward the clean clear social assurance of the West End. And south of this central London, south-east, south-west, far west, north-west, all round the northern hills, are similar disproportionate growths, endless streets of undistinguished houses, undistinguished industries, shabby families, second-rate shops, inexplicable people who in a once fashionable phrase do not “exist.” All these aspects have suggested to my mind at times, do suggest to this day, the unorganised, abundant substance of some tumorous growth-process, a process which indeed bursts all the outlines of the affected carcass and protrudes such masses as ignoble comfortable Croydon, as tragic impoverished West Ham. To this day I ask myself will those masses ever become structural, will they indeed shape into anything new whatever, or is that cancerous image their true and ultimate diagnosis?...

And the more I compared these things with my Bladesover-Eastry model, the more it became clear to me that the balance isn't the same, and the more evident the presence of powerful new forces, blind forces of invasion and growth. The train stations on the north side of London have been kept as far away as Eastry kept the train station from Wimblehurst; they stop on the very edges of the estates. But from the south, the South Eastern railway has pushed its massive, rusty Charing Cross station right across the river, between Somerset House and Whitehall. The south side had no protective estate. Factory chimneys smoke right up against Westminster, as if they careless hadn’t bothered to get permission, and the whole effect of industrial London, and all of London east of Temple Bar, with the huge, grim expanse of London port, feels to me like something disproportionately large, something morbidly expanded, without any plan or purpose, dark and sinister compared to the clean, clear social stability of the West End. And south of this central London, to the southeast, southwest, far west, and northwest, there are similar disproportionate developments—endless streets of ordinary houses, nondescript industries, struggling families, second-rate shops, and puzzling people who, in a once-popular phrase, seemingly “don’t exist.” All these aspects have suggested to me at times, and continue to suggest today, the unorganized, overflowing mass of some tumorous growth process, a process that indeed breaks through all the outlines of the affected body and protrudes such areas as unattractive, complacent Croydon and tragically impoverished West Ham. To this day I ask myself, will those areas ever become structured, will they truly evolve into something new at all, or is that cancerous image their true and final diagnosis?

Moreover, together with this hypertrophy there is an immigration of elements that have never understood and never will understand the great tradition, wedges of foreign settlement embedded in the heart of this yeasty English expansion. One day I remember wandering eastward out of pure curiosity—it must have been in my early student days—and discovering a shabbily bright foreign quarter, shops displaying Hebrew placards and weird, unfamiliar commodities and a concourse of bright-eyed, eagle-nosed people talking some incomprehensible gibberish between the shops and the barrows. And soon I became quite familiar with the devious, vicious, dirtily-pleasant eroticism of Soho. I found those crowded streets a vast relief from the dull grey exterior of Brompton where I lodged and lived my daily life. In Soho, indeed, I got my first inkling of the factor of replacement that is so important in both the English and the American process.

Moreover, along with this growth, there’s an influx of people who have never understood and never will understand the great tradition, foreign settlers embedded in the heart of this vibrant English expansion. I remember one day wandering east out of pure curiosity—it must have been during my early student days—and discovering a somewhat shabby yet colorful foreign neighborhood, shops with Hebrew signs and strange, unfamiliar products, and a crowd of bright-eyed, sharp-nosed people speaking some incomprehensible language between the shops and the stalls. And soon I became quite familiar with the twisted, gritty, crude charm of Soho. I found those crowded streets to be a huge escape from the dull gray exterior of Brompton, where I lived and went about my daily life. In Soho, I really got my first hint of the replacement factor that is so crucial in both the English and American processes.

Even in the West End, in Mayfair and the square, about Pall Mall, Ewart was presently to remind me the face of the old aristocratic dignity was fairer than its substance; here were actors and actresses, here money lenders and Jews, here bold financial adventurers, and I thought of my uncle’s frayed cuff as he pointed out this house in Park Lane and that. That was so and so’s who made a corner in borax, and that palace belonged to that hero among modern adventurers, Barmentrude, who used to be an I.D.B.,—an illicit diamond buyer that is to say. A city of Bladesovers, the capital of a kingdom of Bladesovers, all much shaken and many altogether in decay, parasitically occupied, insidiously replaced by alien, unsympathetic and irresponsible elements; and with a ruling an adventitious and miscellaneous empire of a quarter of this daedal earth complex laws, intricate social necessities, disturbing insatiable suggestions, followed from this. Such was the world into which I had come, into which I had in some way to thrust myself and fit my problem, my temptations, my efforts, my patriotic instinct, all my moral instincts, my physical appetites, my dreams and my sanity.

Even in the West End, in Mayfair and around Pall Mall, Ewart reminded me that the face of old aristocratic dignity looked better than what was underneath; here were actors and actresses, money lenders, and Jews, here were bold financial risk-takers. I thought of my uncle’s frayed cuff as he pointed out this house in Park Lane and that one. That place belonged to so-and-so, who cornered the borax market, and that palace belonged to Barmentrude, a hero among modern adventurers, who used to be an I.D.B.—an illicit diamond buyer, in other words. A city of Bladesovers, the capital of a kingdom of Bladesovers, all much shaken and many completely decaying, parasitically occupied, insidiously replaced by foreign, unsympathetic, and irresponsible elements; with a ruling, random, and diverse empire of a quarter of this intricately complex world, there were complex laws, intricate social necessities, and disturbing, insatiable suggestions that came from this. Such was the world I had entered, a world where I had somehow to force myself in and figure out my problems, my temptations, my efforts, my patriotic instincts, all my moral instincts, my physical desires, my dreams, and my sanity.

London! I came up to it, young and without advisers, rather priggish, rather dangerously open-minded and very open-eyed, and with something—it is, I think, the common gift of imaginative youth, and I claim it unblushingly—fine in me, finer than the world and seeking fine responses. I did not want simply to live or simply to live happily or well; I wanted to serve and do and make—with some nobility. It was in me. It is in half the youth of the world.

London! I arrived there, young and without guidance, a bit naive, a bit dangerously curious, and very observant, with something — I believe it's a common trait of imaginative youth, and I say this without shame — admirable in me, better than the world and searching for meaningful interactions. I didn't just want to exist or just to be happy or well-off; I wanted to contribute and create — with some nobility. It was in me. It's in half the youth of the world.

II

I had come to London as a scholar. I had taken the Vincent Bradley scholarship of the Pharmaceutical Society, but I threw this up when I found that my work of the Science and Art Department in mathematics, physics and chemistry had given me one of the minor Technical Board Scholarships at the Consolidated Technical Schools at South Kensington. This latter was in mechanics and metallurgy; and I hesitated between the two. The Vincent Bradley gave me £70 a year and quite the best start-off a pharmaceutical chemist could have; the South Kensington thing was worth about twenty-two shillings a week, and the prospects it opened were vague. But it meant far more scientific work than the former, and I was still under the impulse of that great intellectual appetite that is part of the adolescence of men of my type. Moreover it seemed to lead towards engineering, in which I imagined—I imagine to this day—my particular use is to be found. I took its greater uncertainty as a fair risk. I came up very keen, not doubting that the really hard and steady industry that had carried me through Wimblehurst would go on still in the new surroundings.

I came to London as a student. I had received the Vincent Bradley scholarship from the Pharmaceutical Society, but I gave that up when I realized that my work with the Science and Art Department in math, physics, and chemistry had earned me one of the smaller Technical Board Scholarships at the Consolidated Technical Schools in South Kensington. This one was focused on mechanics and metallurgy, and I was torn between the two options. The Vincent Bradley scholarship provided me with £70 a year and was arguably the best starting point for a pharmaceutical chemist; the South Kensington scholarship was worth about twenty-two shillings a week, with vague prospects. However, it offered significantly more scientific work than the first option, and I was still driven by that strong intellectual curiosity that characterizes young men like me. Furthermore, it seemed to lead toward engineering, which I believed—I still believe—was where my true potential lay. I considered its greater uncertainty a fair risk. I arrived very enthusiastic, confident that the hard work and determination that helped me succeed at Wimblehurst would continue in this new environment.

Only from the very first it didn’t....

Only from the very beginning it didn’t....

When I look back now at my Wimblehurst days, I still find myself surprised at the amount of steady grinding study, of strenuous self-discipline that I maintained throughout my apprenticeship. In many ways I think that time was the most honourable period in my life. I wish I could say with a certain mind that my motives in working so well were large and honourable too. To a certain extent they were so; there was a fine sincere curiosity, a desire for the strength and power of scientific knowledge and a passion for intellectual exercise; but I do not think those forces alone would have kept me at it so grimly and closely if Wimblehurst had not been so dull, so limited and so observant. Directly I came into the London atmosphere, tasting freedom, tasting irresponsibility and the pull of new forces altogether, my discipline fell from me like a garment. Wimblehurst to a youngster in my position offered no temptations worth counting, no interests to conflict with study, no vices—such vices as it offered were coarsely stripped of any imaginative glamourfull drunkenness, clumsy leering shameful lust, no social intercourse even to waste one’s time, and on the other hand it would minister greatly to the self-esteem of a conspicuously industrious student. One was marked as “clever,” one played up to the part, and one’s little accomplishment stood out finely in one’s private reckoning against the sunlit small ignorance of that agreeable place. One went with an intent rush across the market square, one took one’s exercise with as dramatic a sense of an ordered day as an Oxford don, one burnt the midnight oil quite consciously at the rare respectful, benighted passer-by. And one stood out finely in the local paper with one’s unapproachable yearly harvest of certificates. Thus I was not only a genuinely keen student, but also a little of a prig and poseur in those days—and the latter kept the former at it, as London made clear.

When I look back on my days at Wimblehurst, I'm still surprised by how much dedicated studying and intense self-discipline I maintained during my apprenticeship. In many ways, I believe that period was the most honorable of my life. I wish I could confidently say that my reasons for working so hard were noble as well. To some extent, they were; there was genuine curiosity, a desire for the strength and power of scientific knowledge, and a passion for intellectual challenge. However, I don't think those motivations alone would have kept me so focused if Wimblehurst hadn't been so dull, so limited, and so watchful. As soon as I entered the London atmosphere, experiencing freedom, irresponsibility, and entirely new influences, my discipline fell away like a discarded garment. For someone in my position, Wimblehurst presented no tempting distractions, no conflicting interests with my studies, and no vices—any vices it offered were stripped of any imaginative allure: crude drunkenness, clumsy and shameful lust, and not even social interaction to waste time. On the other hand, it greatly boosted the self-esteem of a noticeably hardworking student. You were recognized as “clever,” played up to that role, and your small accomplishments stood out impressively against the bright ignorance of that pleasant place. You rushed purposefully across the market square, took your exercise with the dramatic sense of a well-structured day like an Oxford scholar, and consciously burned the midnight oil while the rare respectful, lost passerby looked on. And you stood out in the local newspaper with your unapproachable annual collection of certificates. So, I was not just a genuinely enthusiastic student, but also a bit of a self-righteous poseur in those days—and the latter kept the former going, as London made clear.

Moreover Wimblehurst had given me no outlet in any other direction.

Moreover, Wimblehurst hadn’t provided me with any way to explore other options.

But I did not realise all this when I came to London, did not perceive how the change of atmosphere began at once to warp and distribute my energies. In the first place I became invisible. If I idled for a day, no one except my fellow-students (who evidently had no awe for me) remarked it. No one saw my midnight taper; no one pointed me out as I crossed the street as an astonishing intellectual phenomenon. In the next place I became inconsiderable. In Wimblehurst I felt I stood for Science; nobody there seemed to have so much as I and to have it so fully and completely. In London I walked ignorant in an immensity, and it was clear that among my fellow-students from the midlands and the north I was ill-equipped and under-trained. With the utmost exertion I should only take a secondary position among them. And finally, in the third place, I was distracted by voluminous new interests; London took hold of me, and Science, which had been the universe, shrank back to the dimensions of tiresome little formulae compacted in a book. I came to London in late September, and it was a very different London from that great greyly-overcast, smoke-stained house-wilderness of my first impressions. I reached it by Victoria and not by Cannon Street, and its centre was now in Exhibition Road. It shone, pale amber, blue-grey and tenderly spacious and fine under clear autumnal skies, a London of hugely handsome buildings and vistas and distances, a London of gardens and labyrinthine tall museums, of old trees and remote palaces and artificial waters. I lodged near by in West Brompton at a house in a little square.

But I didn’t realize any of this when I arrived in London; I didn’t see how the change in atmosphere started to warp and change my energy right away. First off, I became invisible. If I took a day to relax, no one except my fellow students (who clearly didn’t think much of me) noticed. No one saw my late-night lamp; no one pointed me out while I crossed the street as some amazing intellectual phenomenon. Then I became insignificant. Back in Wimblehurst, I felt like I represented Science; nobody there seemed to have as much knowledge or to understand it as well as I did. In London, I walked around feeling lost in a vastness, and it was clear that among my fellow students from the Midlands and the North, I was outmatched and underprepared. Despite my best efforts, I would only be in a secondary position among them. Finally, I was overwhelmed by a flood of new interests; London captivated me, and Science, which had once felt like the entire universe, shrank down to a collection of tedious little formulas packed into a book. I arrived in London in late September, and it looked very different from that great, gray, smoke-stained maze of houses that I had first encountered. I came through Victoria instead of Cannon Street, and the center of the city was now on Exhibition Road. It shone in pale amber, blue-gray, and was beautifully spacious and fine under the clear autumn skies, a London of stunning buildings and wide views, gardens, intricate tall museums, old trees, distant palaces, and artificial bodies of water. I stayed nearby in West Brompton at a house in a small square.

So London faced me the second time, making me forget altogether for a while the grey, drizzling city visage that had first looked upon me. I settled down and went to and fro to my lectures and laboratory; in the beginning I worked hard, and only slowly did the curiosity that presently possessed me to know more of this huge urban province arise, the desire to find something beyond mechanism that I could serve, some use other than learning. With this was a growing sense of loneliness, a desire for adventure and intercourse. I found myself in the evenings poring over a map of London I had bought, instead of copying out lecture notes—and on Sundays I made explorations, taking omnibus rides east and west and north and south, and to enlarging and broadening the sense of great swarming hinterlands of humanity with whom I had no dealings, of whom I knew nothing....

So London faced me for the second time, making me forget for a while the grey, drizzly city view that had first welcomed me. I settled in and went back and forth to my lectures and lab; at first, I worked hard, and only slowly did my growing curiosity about this vast urban landscape develop, the desire to find something beyond mechanics that I could contribute to, some purpose other than just learning. Along with this came a rising sense of loneliness, a longing for adventure and connection. In the evenings, I found myself studying a map of London I had bought instead of copying lecture notes, and on Sundays, I went on explorations, taking bus rides east, west, north, and south, expanding my understanding of the vast, buzzing areas of humanity with whom I had no connections, about whom I knew nothing....

The whole illimitable place teemed with suggestions of indefinite and sometimes outrageous possibility, of hidden but magnificent meanings.

The entire vast space was full of hints of endless and sometimes outrageous possibilities, of hidden but amazing meanings.

It wasn’t simply that I received a vast impression of space and multitude and opportunity; intimate things also were suddenly dragged from neglected, veiled and darkened corners into an acute vividness of perception. Close at hand in the big art museum I came for the first time upon the beauty of nudity, which I had hitherto held to be a shameful secret, flaunted and gloried in; I was made aware of beauty as not only permissible, but desirable and frequent and of a thousand hitherto unsuspected rich aspects of life. One night in a real rapture, I walked round the upper gallery of the Albert Hall and listened for the first time to great music; I believe now that it was a rendering of Beethoven’s Ninth Symphony....

It wasn’t just that I got a huge sense of space, variety, and opportunity; personal things were also suddenly pulled from neglected, hidden, and dark corners into a sharp clarity of perception. Right there in the big art museum, I discovered for the first time the beauty of nudity, which I had previously thought of as a shameful secret, flaunted and celebrated; I became aware of beauty as not just acceptable, but desirable and common, revealing a thousand previously unnoticed rich aspects of life. One night in a true state of bliss, I walked around the upper gallery of the Albert Hall and listened for the first time to great music; I now believe it was a performance of Beethoven’s Ninth Symphony....

My apprehension of spaces and places was reinforced by a quickened apprehension of persons. A constant stream of people passed by me, eyes met and challenged mine and passed—more and more I wanted then to stay—if I went eastward towards Piccadilly, women who seemed then to my boyish inexperience softly splendid and alluring, murmured to me as they passed. Extraordinarily life unveiled. The very hoardings clamoured strangely at one’s senses and curiosities. One bought pamphlets and papers full of strange and daring ideas transcending one’s boldest; in the parks one heard men discussing the very existence of God, denying the rights of property, debating a hundred things that one dared not think about in Wimblehurst. And after the ordinary overcast day, after dull mornings, came twilight, and London lit up and became a thing of white and yellow and red jewels of light and wonderful floods of golden illumination and stupendous and unfathomable shadows—and there were no longer any mean or shabby people—but a great mysterious movement of unaccountable beings....

My awareness of spaces and places grew stronger alongside a heightened awareness of people. A steady flow of individuals passed by me, their eyes meeting and challenging mine before moving on—more and more I wanted to stay—if I headed east toward Piccadilly, women who, due to my youthful naivety, appeared softly beautiful and enticing, whispered to me as they walked by. Extraordinary life unveiled itself. The billboards loudly grabbed at one’s senses and curiosities. One bought pamphlets and newspapers filled with strange and daring ideas that surpassed one’s wildest thoughts; in the parks, one overheard men discussing the very existence of God, questioning property rights, debating a hundred topics one wouldn't dare think about in Wimblehurst. And after the usual gray day, after dull mornings, came twilight, and London lit up, becoming a spectacle of white, yellow, and red jewels of light and marvelous streams of golden illumination along with incredible and unfathomable shadows—and there were no longer any mean or shabby people—but a great mysterious movement of inexplicable beings....

Always I was coming on the queerest new aspects. Late one Saturday night I found myself one of a great slow-moving crowd between the blazing shops and the flaring barrows in the Harrow Road; I got into conversation with two bold-eyed girls, bought them boxes of chocolate, made the acquaintance of father and mother and various younger brothers and sisters, sat in a public-house hilariously with them all, standing and being stood drinks, and left them in the small hours at the door of “home,” never to see them again. And once I was accosted on the outskirts of a Salvation Army meeting in one of the parks by a silk-hatted young man of eager and serious discourse, who argued against scepticism with me, invited me home to tea into a clean and cheerful family of brothers and sisters and friends, and there I spent the evening singing hymns to the harmonium (which reminded me of half-forgotten Chatham), and wishing all the sisters were not so obviously engaged....

I always discovered the strangest new experiences. Late one Saturday night, I found myself part of a large, slow-moving crowd amid the bright shops and flashy stalls on the Harrow Road. I struck up a conversation with two bold-eyed girls, bought them boxes of chocolates, met their parents and various younger siblings, and spent a fun night at a pub with them, taking turns buying drinks. I left them in the early hours at the door of their "home," never to see them again. Another time, I was approached on the outskirts of a Salvation Army meeting in one of the parks by a well-dressed young man who passionately discussed his views against skepticism. He invited me home for tea to meet his warm and cheerful family of siblings and friends, where I spent the evening singing hymns to the harmonium (which reminded me of half-forgotten Chatham), wishing all the sisters weren't so obviously occupied...

Then on the remote hill of this boundless city-world I found Ewart.

Then, on the distant hill of this endless city-world, I found Ewart.

III

How well I remember the first morning, a bright Sunday morning in early October, when I raided in upon Ewart! I found my old schoolfellow in bed in a room over an oil-shop in a back street at the foot of Highgate Hill. His landlady, a pleasant, dirty young woman with soft-brown eyes, brought down his message for me to come up; and up I went. The room presented itself as ample and interesting in detail and shabby with a quite commendable shabbiness. I had an impression of brown walls—they were papered with brown paper—of a long shelf along one side of the room, with dusty plaster casts and a small cheap lay figure of a horse, of a table and something of grey wax partially covered with a cloth, and of scattered drawings. There was a gas stove in one corner, and some enameled ware that had been used for overnight cooking. The oilcloth on the floor was streaked with a peculiar white dust. Ewart himself was not in the first instance visible, but only a fourfold canvas screen at the end of the room from which shouts proceeded of “Come on!” then his wiry black hair, very much rumpled, and a staring red-brown eye and his stump of a nose came round the edge of this at a height of about three feet from the ground “It’s old Ponderevo!” he said, “the Early bird! And he’s caught the worm! By Jove, but it’s cold this morning! Come round here and sit on the bed!”

How well I remember the first morning, a bright Sunday morning in early October, when I showed up at Ewart's place! I found my old classmate in bed in a room over an oil shop on a back street at the foot of Highgate Hill. His landlady, a friendly but messy young woman with soft brown eyes, brought down his message for me to come up; so I did. The room was spacious, interesting in detail, and had a charming kind of shabby look. I remember the brown walls—they were covered with brown paper—along with a long shelf on one side filled with dusty plaster casts and a small, cheap mannequin of a horse, a table with something gray and waxy mostly covered with a cloth, and scattered drawings everywhere. There was a gas stove in one corner and some enameled cookware that had been used for last night's dinner. The oilcloth on the floor was marked with some odd white dust. Ewart himself wasn’t visible at first, just a four-fold canvas screen at the end of the room from behind which I heard shouts of “Come on!” Then his tousled black hair appeared, along with a wide red-brown eye and his stub of a nose peeking around the edge at about three feet off the ground. “It’s old Ponderevo!” he exclaimed, “the early bird! And he’s caught the worm! By Jove, it’s cold this morning! Come over here and sit on the bed!”

I walked round, wrung his hand, and we surveyed one another.

I walked around, shook his hand, and we looked each other over.

He was lying on a small wooden fold-up bed, the scanty covering of which was supplemented by an overcoat and an elderly but still cheerful pair of check trousers, and he was wearing pajamas of a virulent pink and green. His neck seemed longer and more stringy than it had been even in our schooldays, and his upper lip had a wiry black moustache. The rest of his ruddy, knobby countenance, his erratic hair and his general hairy leanness had not even—to my perceptions grown.

He was lying on a small wooden fold-up bed, which had a thin covering supplemented by an overcoat and an old but still cheerful pair of checkered trousers, and he was wearing bright pink and green pajamas. His neck looked longer and leaner than it had even in our school days, and his upper lip sported a wiry black mustache. The rest of his ruddy, bumpy face, his messy hair, and his generally scruffy thinness hadn’t even—at least to my eyes—changed.

“By Jove!” he said, “you’ve got quite decent-looking, Ponderevo! What do you think of me?”

“Wow!” he said, “you look pretty good, Ponderevo! What do you think of me?”

“You’re all right. What are you doing here?”

“You're okay. What are you doing here?”

“Art, my son—sculpture! And incidentally—” He hesitated. “I ply a trade. Will you hand me that pipe and those smoking things? So! You can’t make coffee, eh? Well, try your hand. Cast down this screen—no—fold it up and so we’ll go into the other room. I’ll keep in bed all the same. The fire’s a gas stove. Yes. Don’t make it bang. too loud as you light it—I can’t stand it this morning. You won’t smoke ... Well, it does me good to see you again, Ponderevo. Tell me what you’re doing, and how you’re getting on.”

“Art, my son—sculpture! And by the way—” He paused. “I have a job. Can you pass me that pipe and those smoking items? Great! You can’t make coffee, huh? Well, give it a try. Move this screen—no—fold it up and we’ll head into the other room. I’ll stay in bed anyway. The fire’s a gas stove. Yes. Just don’t make it bang too loudly when you light it—I can’t handle that this morning. You won’t smoke... Well, it’s nice to see you again, Ponderevo. Tell me what you’re up to and how things are going.”

He directed me in the service of his simple hospitality, and presently I came back to his bed and sat down and smiled at him there, smoking comfortably, with his hands under his head, surveying me.

He guided me in the spirit of his straightforward hospitality, and soon I returned to his bed, sat down, and smiled at him as he lounged comfortably, hands behind his head, watching me.

“How’s Life’s Morning, Ponderevo? By Jove, it must be nearly six years since we met! They’ve got moustaches. We’ve fleshed ourselves a bit, eh? And you?”

“How’s life treating you, Ponderevo? Wow, it must be almost six years since we last met! They’ve got mustaches. We’ve put on a bit of weight, huh? And you?”

I felt a pipe was becoming after all, and that lit, I gave him a favourable sketch of my career.

I felt that a pipe was becoming after all, and once it was lit, I gave him a positive overview of my career.

“Science! And you’ve worked like that! While I’ve been potting round doing odd jobs for stone-masons and people, and trying to get to sculpture. I’ve a sort of feeling that the chisel—I began with painting, Ponderevo, and found I was colour-blind, colour-blind enough to stop it. I’ve drawn about and thought about—thought more particularly. I give myself three days a week as an art student, and the rest of the time I’ve a sort of trade that keeps me. And we’re still in the beginning of things, young men starting. Do you remember the old times at Goudhurst, our doll’s-house island, the Retreat of the Ten Thousand Young Holmes and the rabbits, eh? It’s surprising, if you think of it, to find we are still young. And we used to talk of what we would be, and we used to talk of love! I suppose you know all about that now, Ponderevo?”

“Science! And you’ve been working hard like that! While I’ve been doing odd jobs for stone-masons and others, trying to get into sculpture. I have this feeling that the chisel—I started with painting, Ponderevo, and then realized I’m color-blind, color-blind enough to give that up. I’ve sketched and thought about it—thought a lot more, actually. I spend three days a week as an art student, and the rest of the time I’ve got a job that supports me. And we’re still just starting out, young guys beginning our journey. Do you remember the old days at Goudhurst, our little dollhouse island, the Retreat of the Ten Thousand Young Holmes and the rabbits, huh? It’s surprising, if you think about it, that we’re still young. We used to talk about what we would become and all those discussions about love! I guess you know all about that now, Ponderevo?”

I finished and hesitated on some vague foolish lie, “No,” I said, a little ashamed of the truth. “Do you? I’ve been too busy.”

I finished and paused, considering some unclear silly excuse, "No," I said, feeling a bit embarrassed about the truth. "Do you? I've been too busy."

“I’m just beginning—just as we were then. Things happen.”

“I’m just getting started—just like we were back then. Things happen.”

He sucked at his pipe for a space and stared at the plaster cast of a flayed hand that hung on the wall.

He took a puff from his pipe for a moment and looked at the plaster cast of a skinless hand that was hanging on the wall.

“The fact is, Ponderevo, I’m beginning to find life a most extraordinary queer set-out; the things that pull one, the things that don’t. The wants—This business of sex. It’s a net. No end to it, no way out of it, no sense in it. There are times when women take possession of me, when my mind is like a painted ceiling at Hampton Court with the pride of the flesh sprawling all over it. Why>?... And then again sometimes when I have to encounter a woman, I am overwhelmed by a terror of tantalising boredom—I fly, I hide, I do anything. You’ve got your scientific explanations perhaps; what’s Nature and the universe up to in that matter?”

“The truth is, Ponderevo, I'm starting to see life as a really strange journey; the things that draw me in, the things that don’t. The desires—This whole sex thing. It’s a trap. No way to escape it, no logic behind it. There are times when women completely take over my mind, making it feel like a beautifully painted ceiling at Hampton Court, filled with the excesses of desire. Why>?... And then other times when I have to be around a woman, I'm hit with this fear of unbearable boredom—I run away, I hide, I do whatever I can. You might have your scientific reasons; what’s Nature and the universe up to with all of this?”

“It’s her way, I gather, of securing the continuity of the species.”

“It’s her way of ensuring the species continues.”

“But it doesn’t,” said Ewart. “That’s just it! No. I have succumbed to—dissipation—down the hill there. Euston Road way. And it was damned ugly and mean, and I hate having done it. And the continuity of the species—Lord!... And why does Nature make a man so infernally ready for drinks? There’s no sense in that anyhow.” He sat up in bed, to put this question with the greater earnestness. “And why has she given me a most violent desire towards sculpture and an equally violent desire to leave off work directly I begin it, eh?... Let’s have some more coffee. I put it to you, these things puzzle me, Ponderevo. They dishearten me. They keep me in bed.”

“But it doesn’t,” Ewart said. “That’s the point! No. I’ve given in to—partying—down there on Euston Road. And it was absolutely awful and petty, and I hate that I did it. And the continuation of our species—goodness! … And why does nature make a man so incredibly ready for drinks? There’s no logic in that anyway.” He sat up in bed to ask the question with more seriousness. “And why has she given me this intense craving for sculpture and an equally intense urge to quit working as soon as I start, huh?... Let’s have some more coffee. I ask you, these things puzzle me, Ponderevo. They bring me down. They keep me in bed.”

He had an air of having saved up these difficulties for me for some time. He sat with his chin almost touching his knees, sucking at his pipe.

He seemed like he had been saving up these issues for me for a while. He sat with his chin nearly touching his knees, puffing on his pipe.

“That’s what I mean,” he went on, “when I say life is getting on to me as extraordinarily queer, I don’t see my game, nor why I was invited. And I don’t make anything of the world outside either. What do you make of it?”

“That's what I mean,” he continued, “when I say life is feeling really strange to me. I can’t see my purpose or why I was included. And I don't think much of the world outside either. What do you think of it?”

“London,” I began. “It’s—so enormous!”

“London,” I began. “It’s—so huge!”

“Isn’t it! And it’s all up to nothing. You find chaps keeping grocers’ shops—why the devil, Ponderevo, do they keep grocers’ shops? They all do it very carefully, very steadily, very meanly. You find people running about and doing the most remarkable things being policemen, for example, and burglars. They go about these businesses quite gravely and earnestly. I somehow—can’t go about mine. Is there any sense in it at all—anywhere?”

“Isn’t it? And it’s all for nothing. You see guys running grocery stores—why on earth, Ponderevo, do they do that? They go about it very carefully, very steadily, very miserably. You see people hustling and doing the most amazing things, like being cops or robbers. They handle those jobs quite seriously and earnestly. I just can’t seem to approach mine that way. Is there any point to it at all—anywhere?”

“There must be sense in it,” I said. “We’re young.”

“There has to be some logic to it,” I said. “We’re young.”

“We’re young—yes. But one must inquire. The grocer’s a grocer because, I suppose, he sees he comes in there. Feels that on the whole it amounts to a call.... But the bother is I don’t see where I come in at all. Do you?”

“We’re young—yeah. But we have to ask questions. The grocer is a grocer because, I guess, he realizes he belongs there. Feels like it’s a calling.... But the problem is I don’t see where I fit in at all. Do you?”

“Where you come in?”

“Where do you come in?”

“No, where you come in.”

“No, this is where you come in.”

“Not exactly, yet,” I said. “I want to do some good in the world—something—something effectual, before I die. I have a sort of idea my scientific work—I don’t know.”

“Not quite yet,” I said. “I want to make a positive impact in the world—something real—something that matters, before I die. I have this notion about my scientific work—I’m not sure.”

“Yes,” he mused. “And I’ve got a sort of idea my sculpture,—but how it is to come in and why,—I’ve no idea at all.” He hugged his knees for a space. “That’s what puzzles me, Ponderevo, no end.”

“Yes,” he thought. “And I have a kind of idea for my sculpture,—but how it’s going to come together and why,—I have no clue at all.” He hugged his knees for a moment. “That’s what really puzzles me, Ponderevo, endlessly.”

He became animated. “If you will look in that cupboard,” he said, “you will find an old respectable looking roll on a plate and a knife somewhere and a gallipot containing butter. You give them me and I’ll make my breakfast, and then if you don’t mind watching me paddle about at my simple toilet I’ll get up. Then we’ll go for a walk and talk about this affair of life further. And about Art and Literature and anything else that crops up on the way.... Yes, that’s the gallipot. Cockroach got in it? Chuck him out—damned interloper....”

He became excited. “If you check that cupboard,” he said, “you’ll find an old, respectable-looking roll on a plate and a knife somewhere, plus a jar with butter. Give those to me, and I’ll make my breakfast. Then, if you don’t mind watching me get ready, I’ll get up. After that, we’ll go for a walk and talk more about this whole life thing. And about art and literature and anything else that comes up along the way... Yes, that’s the jar. A cockroach got in it? Toss him out—damn intruder...”

So in the first five minutes of our talk, as I seem to remember it now, old Ewart struck the note that ran through all that morning’s intercourse....

So in the first five minutes of our conversation, as I recall now, old Ewart hit the tone that echoed throughout all of that morning's interactions...

To me it was a most memorable talk because it opened out quite new horizons of thought. I’d been working rather close and out of touch with Ewart’s free gesticulating way. He was pessimistic that day and sceptical to the very root of things. He made me feel clearly, what I had not felt at all before, the general adventurousness of life, particularly of life at the stage we had reached, and also the absence of definite objects, of any concerted purpose in the lives that were going on all round us. He made me feel, too, how ready I was to take up commonplace assumptions. Just as I had always imagined that somewhere in social arrangements there was certainly a Head-Master who would intervene if one went too far, so I had always had a sort of implicit belief that in our England there were somewhere people who understood what we were all, as a nation, about. That crumpled into his pit of doubt and vanished.

To me, it was a really memorable conversation because it opened up completely new ways of thinking. I had been working pretty closely and had lost touch with Ewart’s expressive style. He was feeling pessimistic that day and skeptical about everything. He clearly made me realize, in a way I hadn't before, the overall adventurousness of life, especially at the stage we were at, as well as the lack of clear goals or any shared purpose in the lives happening around us. He also made me see how ready I was to accept ordinary assumptions. Just as I had always thought there was a Head-Master somewhere in the social structures who would step in if things went too far, I had always held a sort of unspoken belief that in our England, there were people who understood what we were all about as a nation. That belief crumbled in his sea of doubt and disappeared.

He brought out, sharply cut and certain, the immense effect of purposelessness in London that I was already indistinctly feeling. We found ourselves at last returning through Highgate Cemetery and Waterlow Park—and Ewart was talking.

He clearly highlighted the huge impact of aimlessness in London that I was already vaguely sensing. We eventually ended up walking back through Highgate Cemetery and Waterlow Park—and Ewart was speaking.

“Look at it there,” he said, stopping and pointing to the great vale of London spreading wide and far. “It’s like a sea—and we swim in it. And at last down we go, and then up we come—washed up here.” He swung his arms to the long slopes about us, tombs and headstones in long perspectives, in limitless rows.

“Look at it there,” he said, stopping and pointing to the vast expanse of London stretching wide and far. “It’s like an ocean—and we’re swimming in it. And finally, down we go, and then up we come—washed up here.” He swung his arms to the long slopes around us, graves and headstones lined up in endless rows.

“We’re young, Ponderevo, but sooner or later our whitened memories will wash up on one of these beaches, on some such beach as this. George Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!”

“We’re young, Ponderevo, but sooner or later our faded memories will wash up on one of these beaches, on a beach like this. George Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at all of them!”

He paused. “Do you see that hand? The hand, I mean, pointing upward, on the top of a blunted obelisk. Yes. Well, that’s what I do for a living—when I’m not thinking, or drinking, or prowling, or making love, or pretending I’m trying to be a sculptor without either the money or the morals for a model. See? And I do those hearts afire and those pensive angel guardians with the palm of peace. Damned well I do ’em and damned cheap! I’m a sweated victim, Ponderevo...”

He paused. “Do you see that hand? The one pointing up, on top of a blunt obelisk? Yeah. Well, that’s my job—when I’m not lost in thought, drinking, wandering around, making love, or pretending to be a sculptor without the cash or the morals for a model. Got it? And I make those fiery hearts and those thoughtful angel guardians with the palm of peace. I definitely do them, and I do it for cheap! I’m a exploited worker, Ponderevo...”

That was the way of it, anyhow. I drank deep of talk that day; we went into theology, into philosophy; I had my first glimpse of socialism. I felt as though I had been silent in a silence since I and he had parted. At the thought of socialism Ewart’s moods changed for a time to a sort of energy. “After all, all this confounded vagueness might be altered. If you could get men to work together...”

That was just how it was. I soaked up conversation that day; we talked about theology, philosophy, and I got my first taste of socialism. I felt like I had been quiet in a stillness ever since I had last seen him. Thinking about socialism sparked a change in Ewart’s mood, giving him a burst of energy. “After all, all this frustrating uncertainty could be changed. If you could get people to collaborate...”

It was a good talk that rambled through all the universe. I thought I was giving my mind refreshment, but indeed it was dissipation. All sorts of ideas, even now, carry me back as it were to a fountain-head, to Waterlow Park and my resuscitated Ewart. There stretches away south of us long garden slopes and white gravestones and the wide expanse of London, and somewhere in the picture is a red old wall, sun-warmed, and a great blaze of Michaelmas daisies set off with late golden sunflowers and a drift of mottled, blood-red, fallen leaves. It was with me that day as though I had lifted my head suddenly out of dull and immediate things and looked at life altogether.... But it played the very devil with the copying up of my arrears of notes to which I had vowed the latter half of that day.

It was a great conversation that wandered all over the universe. I thought I was refreshing my mind, but really, it was just a distraction. All kinds of ideas still take me back, as if to a source, to Waterlow Park and my revived friend Ewart. South of us, there are long garden slopes and white gravestones, stretching out over the vastness of London, and somewhere in that scene is an old red wall, warmed by the sun, surrounded by a brilliant display of Michaelmas daisies paired with late golden sunflowers and a scattering of mottled, blood-red fallen leaves. That day, it felt like I had suddenly lifted my head from dull, everyday matters and looked at life from a different perspective.... But it really messed with my plans to catch up on my notes, which I had promised to dedicate the latter half of that day to.

After that reunion Ewart and I met much and talked much, and in our subsequent encounters his monologue was interrupted and I took my share. He had exercised me so greatly that I lay awake at nights thinking him over, and discoursed and answered him in my head as I went in the morning to the College. I am by nature a doer and only by the way a critic; his philosophical assertion of the incalculable vagueness of life which fitted his natural indolence roused my more irritable and energetic nature to active protests. “It’s all so pointless,” I said, “because people are slack and because it’s in the ebb of an age. But you’re a socialist. Well, let’s bring that about! And there’s a purpose. There you are!”

After that reunion, Ewart and I met a lot and talked a lot, and in our later meetings, his long monologues were interrupted as I joined in. He had occupied my thoughts so much that I lay awake at night thinking about him, and I would argue with him in my head on my way to the College in the morning. I'm naturally a doer and only occasionally a critic; his philosophical claim about the unpredictable vagueness of life, which suited his lazy nature, stirred up my more restless and energetic personality to push back. “It’s all so pointless,” I said, “because people are lazy and because it's the decline of an era. But you’re a socialist. Well, let’s make that happen! There’s a purpose. There you go!”

Ewart gave me all my first conceptions of socialism; in a little while I was an enthusiastic socialist and he was a passive resister to the practical exposition of the theories he had taught me. “We must join some organisation,” I said. “We ought to do things.... We ought to go and speak at street corners. People don’t know.”

Ewart introduced me to all my initial ideas about socialism; soon enough, I became an enthusiastic socialist while he turned into a passive resister to the practical application of the theories he had taught me. “We need to join an organization,” I said. “We should take action... We should go speak at street corners. People are unaware.”

You must figure me a rather ill-dressed young man in a state of great earnestness, standing up in that shabby studio of his and saying these things, perhaps with some gesticulations, and Ewart with a clay-smudged face, dressed perhaps in a flannel shirt and trousers, with a pipe in his mouth, squatting philosophically at a table, working at some chunk of clay that never got beyond suggestion.

You probably picture me as a poorly dressed young guy who's really serious, standing in his rundown studio and saying these things, maybe waving my hands a bit. Ewart, with clay all over his face, is probably wearing a flannel shirt and pants, sitting thoughtfully at a table, fiddling with a lump of clay that never turned into anything solid.

“I wonder why one doesn’t want to,” he said.

"I wonder why someone wouldn't want to," he said.

It was only very slowly I came to gauge Ewart’s real position in the scheme of things, to understand how deliberate and complete was this detachment of his from the moral condemnation and responsibilities that played so fine a part in his talk. His was essentially the nature of an artistic appreciator; he could find interest and beauty in endless aspects of things that I marked as evil, or at least as not negotiable; and the impulse I had towards self-deception, to sustained and consistent self-devotion, disturbed and detached and pointless as it was at that time, he had indeed a sort of admiration for but no sympathy. Like many fantastic and ample talkers he was at bottom secretive, and he gave me a series of little shocks of discovery throughout our intercourse.

It was only gradually that I came to understand Ewart’s true role in the grand scheme of things, to realize how purposeful and complete his detachment was from the moral judgments and responsibilities that were so prominent in his conversations. He had the nature of an artistic appreciator; he could find interest and beauty in countless aspects of things that I viewed as evil, or at least as non-negotiable. The impulse I felt toward self-deception and persistent self-devotion, though disturbing and pointless at that time, was something he admired but did not sympathize with. Like many great conversationalists, he was ultimately secretive, and he often surprised me with small revelations throughout our interactions.

The first of these came in the realisation that he quite seriously meant to do nothing in the world at all towards reforming the evils he laid bare in so easy and dexterous a manner. The next came in the sudden appearance of a person called “Milly”—I’ve forgotten her surname—whom I found in his room one evening, simply attired in a blue wrap—the rest of her costume behind the screen—smoking cigarettes and sharing a flagon of an amazingly cheap and self-assertive grocer’s wine Ewart affected, called “Canary Sack.” “Hullo!” said Ewart, as I came in. “This is Milly, you know. She’s been being a model—she IS a model really.... (keep calm, Ponderevo!) Have some sack?”

The first realization that hit me was that he genuinely intended to do nothing at all to fix the problems he had so effortlessly pointed out. The next surprise came when I suddenly found someone named “Milly”—her last name escapes me—sitting in his room one evening, casually dressed in a blue wrap, with the rest of her outfit hidden behind a screen. She was smoking cigarettes and sharing a bottle of some ridiculously cheap wine Ewart liked, called “Canary Sack.” “Hey!” Ewart said as I walked in. “This is Milly, you know. She’s been posing as a model—she really IS a model.... (stay composed, Ponderevo!) Want some sack?”

Milly was a woman of thirty, perhaps, with a broad, rather pretty face, a placid disposition, a bad accent and delightful blond hair that waved off her head with an irrepressible variety of charm; and whenever Ewart spoke she beamed at him. Ewart was always sketching this hair of hers and embarking upon clay statuettes of her that were never finished. She was, I know now, a woman of the streets, whom Ewart had picked up in the most casual manner, and who had fallen in love with him, but my inexperience in those days was too great for me to place her then, and Ewart offered no elucidations. She came to him, he went to her, they took holidays together in the country when certainly she sustained her fair share of their expenditure. I suspect him now even of taking money from her. Odd old Ewart! It was a relationship so alien to my orderly conceptions of honour, to what I could imagine any friend of mine doing, that I really hardly saw it with it there under my nose. But I see it and I think I understand it now....

Milly was a woman of about thirty, with a wide, kind of pretty face, a calm nature, a thick accent, and lovely blond hair that flowed from her head with an irresistible charm; and whenever Ewart spoke, she lit up. Ewart was always drawing her hair and starting clay sculptures of her that he never finished. I realize now she was a woman from the streets, whom Ewart had casually picked up, and who had fallen in love with him, but my lack of experience back then was too great for me to recognize her situation, and Ewart offered no explanations. She came to him, he went to her, they took vacations together in the countryside, where she definitely contributed her fair share of their expenses. I even suspect he took money from her. Silly old Ewart! Their relationship was so foreign to my neat ideas of honor, to what I could picture any friend of mine doing, that I really hardly noticed it right in front of me. But I see it now, and I think I understand it...

Before I fully grasped the discursive manner in which Ewart was committed to his particular way in life, I did, I say, as the broad constructive ideas of socialism took hold of me, try to get him to work with me in some definite fashion as a socialist.

Before I really understood the way Ewart was dedicated to his unique lifestyle, I did, I admit, as the big ideas of socialism began to inspire me, try to get him to join me in some specific way as a socialist.

“We ought to join on to other socialists,” I said.

“We should connect with other socialists,” I said.

“They’ve got something.”

“They have something.”

“Let’s go and look at some first.”

“Let’s go check some out first.”

After some pains we discovered the office of the Fabian Society, lurking in a cellar in Clement’s Inn; and we went and interviewed a rather discouraging secretary who stood astraddle in front of a fire and questioned us severely and seemed to doubt the integrity of our intentions profoundly. He advised us to attend the next open meeting in Clifford’s Inn and gave us the necessary data. We both contrived to get to the affair, and heard a discursive gritty paper on Trusts and one of the most inconclusive discussions you can imagine. Three-quarters of the speakers seemed under some jocular obsession which took the form of pretending to be conceited. It was a sort of family joke, and as strangers to the family we did not like it.... As we came out through the narrow passage from Clifford’s Inn to the Strand, Ewart suddenly pitched upon a wizened, spectacled little man in a vast felt hat and a large orange tie.

After some effort, we found the office of the Fabian Society, hidden away in a basement in Clement’s Inn. We interviewed a rather discouraging secretary who stood with his legs apart in front of a fire, questioning us sternly and seeming to doubt our intentions deeply. He suggested we attend the next open meeting in Clifford’s Inn and provided us with the necessary details. We both managed to make it to the event and heard a long, gritty presentation on Trusts followed by one of the most inconclusive discussions you can imagine. Three-quarters of the speakers seemed to be under some sort of playful obsession that involved pretending to be arrogant. It felt like a family joke, and as outsiders, we didn’t appreciate it... As we exited through the narrow passage from Clifford’s Inn to the Strand, Ewart suddenly spotted a small, wiry man with glasses, wearing a large felt hat and a big orange tie.

“How many members are there in this Fabian Society of yours?” he asked.

“How many members are there in your Fabian Society?” he asked.

The little man became at once defensive in his manner.

The little man immediately became defensive in his attitude.

“About seven hundred,” he said; “perhaps eight.”

“About seven hundred,” he said, “maybe eight.”

“Like—like the ones here?”

“Like the ones here?”

The little man gave a nervous self-satisfied laugh. “I suppose they’re up to sample,” he said.

The little man let out a nervous, satisfied chuckle. “I guess they’re here to try things out,” he said.

The little man dropped out of existence and we emerged upon the Strand. Ewart twisted his arm into a queerly eloquent gesture that gathered up all the tall façades of the banks, the business places, the projecting clock and towers of the Law Courts, the advertisements, the luminous signs, into one social immensity, into a capitalistic system gigantic and invincible.

The little man vanished, and we found ourselves on the Strand. Ewart raised his arm in a strangely expressive gesture that captured all the tall fronts of the banks, the business buildings, the protruding clock and towers of the Law Courts, the ads, and the bright signs into one vast social scene, a massive and unstoppable capitalist system.

“These socialists have no sense of proportion,” he said. “What can you expect of them?”

“These socialists have no sense of proportion,” he said. “What do you expect from them?”

IV

Ewart, as the embodiment of talk, was certainly a leading factor in my conspicuous failure to go on studying. Social theory in its first crude form of Democratic Socialism gripped my intelligence more and more powerfully. I argued in the laboratory with the man who shared my bench until we quarreled and did not speak and also I fell in love.

Ewart, being the personification of conversation, was definitely a major reason for my clear failure to continue my studies. Social theory in its early, rough version of Democratic Socialism increasingly captivated my mind. I would argue in the lab with the guy who shared my bench until we fought and stopped speaking to each other, and I also fell in love.

The ferment of sex had been creeping into my being like a slowly advancing tide through all my Wimblehurst days, the stimulus of London was like the rising of a wind out of the sea that brings the waves in fast and high. Ewart had his share in that. More and more acutely and unmistakably did my perception of beauty, form and sound, my desire for adventure, my desire for intercourse, converge on this central and commanding business of the individual life. I had to get me a mate.

The excitement of sex had been gradually building in me like a slowly rising tide throughout my time at Wimblehurst, and the energy of London felt like a strong wind off the sea that pushes the waves in quickly and high. Ewart played a part in that. My awareness of beauty, shape, and sound, along with my yearning for adventure and connection, increasingly focused on this vital and significant aspect of individual life. I needed to find a partner.

I began to fall in love faintly with girls I passed in the street, with women who sat before me in trains, with girl fellow-students, with ladies in passing carriages, with loiterers at the corners, with neat-handed waitresses in shops and tea-rooms, with pictures even of girls and women. On my rare visits to the theatre I always became exalted, and found the actresses and even the spectators about me mysterious, attractive, creatures of deep interest and desire. I had a stronger and stronger sense that among these glancing, passing multitudes there was somewhere one who was for me. And in spite of every antagonistic force in the world, there was something in my very marrow that insisted: “Stop! Look at this one! Think of her! Won’t she do? This signifies—this before all things signifies! Stop! Why are you hurrying by? This may be the predestined person—before all others.”

I started to be drawn to girls I saw on the street, women sitting next to me on trains, female classmates, ladies in passing cars, people hanging out at street corners, and neat waitresses in shops and cafes, even images of girls and women. During my rare visits to the theater, I always felt uplifted and found the actresses and even the people around me to be mysterious, intriguing, and deeply fascinating. I had an increasingly strong feeling that among these roaming crowds, there was someone out there who was meant for me. And despite all the obstacles in the world, something deep within me urged, “Wait! Look at her! Think about her! Could she be the one? This matters—this matters more than anything! Wait! Why are you rushing past? This might be the destined person—above all others.”

It is odd that I can’t remember when first I saw Marion, who became my wife—whom I was to make wretched, who was to make me wretched, who was to pluck that fine generalised possibility of love out of my early manhood and make it a personal conflict. I became aware of her as one of a number of interesting attractive figures that moved about in my world, that glanced back at my eyes, that flitted by with a kind of averted watchfulness. I would meet her coming through the Art Museum, which was my short cut to the Brompton Road, or see her sitting, reading as I thought, in one of the bays of the Education Library. But really, as I found out afterwards, she never read. She used to come there to eat a bun in quiet. She was a very gracefully-moving figure of a girl then, very plainly dressed, with dark brown hair I remember, in a knot low on her neck behind that confessed the pretty roundness of her head and harmonised with the admirable lines of ears and cheek, the grave serenity of mouth and brow.

It's strange that I can't remember the first time I saw Marion, who became my wife—who I was going to make miserable, who was going to make me miserable, who took that wonderful, generalized idea of love from my youth and turned it into a personal struggle. I started noticing her as one of several interesting and attractive figures that moved around in my world, who glanced back at me, who passed by with a kind of cautious awareness. I would see her walking through the Art Museum, which was my shortcut to the Brompton Road, or sitting, reading as I thought, in one of the corners of the Education Library. But I later found out that she never actually read. She would go there to quietly eat a bun. At that time, she was a very gracefully moving young woman, simply dressed, with dark brown hair tied back in a low knot that highlighted the pretty roundness of her head and complemented the elegant lines of her ears and cheeks, along with the serious calmness of her mouth and forehead.

She stood out among the other girls very distinctly because they dressed more than she did, struck emphatic notes of colour, startled one by novelties in hats and bows and things. I’ve always hated the rustle, the disconcerting colour boundaries, the smart unnatural angles of women’s clothes. Her plain black dress gave her a starkness....

She stood out from the other girls noticeably because they wore more elaborate outfits, made bold color choices, and surprised people with unique hats and accessories. I’ve always disliked the sound of their clothing, the distracting color contrasts, and the sharp, unnatural shapes of women's fashion. Her simple black dress gave her a striking presence....

I do remember, though, how one afternoon I discovered the peculiar appeal of her form for me. I had been restless with my work and had finally slipped out of the Laboratory and come over to the Art Museum to lounge among the pictures. I came upon her in an odd corner of the Sheepshanks gallery, intently copying something from a picture that hung high. I had just been in the gallery of casts from the antique, my mind was all alive with my newly awakened sense of line, and there she stood with face upturned, her body drooping forward from the hips just a little—memorably graceful—feminine.

I do remember, though, how one afternoon I discovered how uniquely attractive her form was to me. I had been restless with my work and had finally slipped out of the Laboratory and come over to the Art Museum to relax among the artworks. I came across her in a strange corner of the Sheepshanks gallery, intently copying something from a picture that was hung high. I had just been in the gallery of casts from ancient times, my mind was buzzing with my newly sharpened sense of line, and there she stood with her face upturned, her body slightly leaning forward from the hips—memorable and graceful—feminine.

After that I know I sought to see her, felt a distinctive emotion at her presence, began to imagine things about her. I no longer thought of generalised womanhood or of this casual person or that. I thought of her.

After that, I know I wanted to see her, felt a unique sensation when she was around, and started to imagine things about her. I didn’t think about women in general or random people anymore. I thought about her.

An accident brought us together. I found myself one Monday morning in an omnibus staggering westward from Victoria—I was returning from a Sunday I’d spent at Wimblehurst in response to a unique freak of hospitality on the part of Mr. Mantell. She was the sole other inside passenger. And when the time came to pay her fare, she became an extremely scared, disconcerted and fumbling young woman; she had left her purse at home.

An accident brought us together. One Monday morning, I was on a bus heading west from Victoria, coming back from a Sunday I had spent at Wimblehurst due to Mr. Mantell’s unusual hospitality. She was the only other passenger inside. When it was time to pay her fare, she turned into a very nervous, flustered, and clumsy young woman; she had forgotten her purse at home.

Luckily I had some money.

Fortunately, I had some money.

She looked at me with startled, troubled brown eyes; she permitted my proffered payment to the conductor with a certain ungraciousness that seemed a part of her shyness, and then as she rose to go, she thanked me with an obvious affectation of ease.

She looked at me with startled, troubled brown eyes; she allowed my offered payment to the conductor with a bit of ungraciousness that seemed like a part of her shyness, and then as she got up to leave, she thanked me with a clear affectation of ease.

“Thank you so much,” she said in a pleasant soft voice; and then less gracefully, “Awfully kind of you, you know.”

“Thank you so much,” she said in a nice soft voice; and then less gracefully, “So kind of you, you know.”

I fancy I made polite noises. But just then I wasn’t disposed to be critical. I was full of the sense of her presence; her arm was stretched out over me as she moved past me, the gracious slenderness of her body was near me. The words we used didn’t seem very greatly to matter. I had vague ideas of getting out with her—and I didn’t.

I think I made some polite sounds. But at that moment, I wasn't in the mood to be critical. I was overwhelmed by her presence; her arm brushed against me as she moved by, and the graceful slenderness of her body was close to me. The words we exchanged didn't seem to matter much. I had a vague thought of going out with her—and I didn’t.

That encounter, I have no doubt, exercised me enormously. I lay awake at night rehearsing it, and wondering about the next phase of our relationship. That took the form of the return of my twopence. I was in the Science Library, digging something out of the Encyclopædia Britannica, when she appeared beside me and placed on the open page an evidently premeditated thin envelope, bulgingly confessing the coins within.

That encounter definitely had a huge impact on me. I lay awake at night thinking about it and wondering what would happen next in our relationship. This played out when she returned my two pence. I was in the Science Library, looking something up in the Encyclopædia Britannica, when she suddenly appeared next to me and dropped a clearly planned thin envelope on the open page, which was obviously stuffed with the coins inside.

“It was so very kind of you,” she said, “the other day. I don’t know what I should have done, Mr.—”

“It was really so kind of you,” she said, “the other day. I don’t know what I would have done, Mr.—”

I supplied my name. “I knew,” I said, “you were a student here.”

I gave my name. “I knew,” I said, “you were a student here.”

“Not exactly a student. I—”

“Not really a student. I—”

“Well, anyhow, I knew you were here frequently. And I’m a student myself at the Consolidated Technical Schools.”

“Well, anyway, I knew you were here a lot. And I’m a student myself at the Consolidated Technical Schools.”

I plunged into autobiography and questionings, and so entangled her in a conversation that got a quality of intimacy through the fact that, out of deference to our fellow-readers, we were obliged to speak in undertones. And I have no doubt that in substance it was singularly banal. Indeed I have an impression that all our early conversations were incredibly banal. We met several times in a manner half-accidental, half furtive and wholly awkward. Mentally I didn’t take hold of her. I never did take hold of her mentally. Her talk, I now know all too clearly, was shallow, pretentious, evasive. Only—even to this day—I don’t remember it as in any way vulgar. She was, I could see quite clearly, anxious to overstate or conceal her real social status, a little desirous to be taken for a student in the art school and a little ashamed that she wasn’t. She came to the museum to “copy things,” and this, I gathered, had something to do with some way of partially earning her living that I wasn’t to inquire into. I told her things about myself, vain things that I felt might appeal to her, but that I learnt long afterwards made her think me “conceited.” We talked of books, but there she was very much on her guard and secretive, and rather more freely of pictures. She “liked” pictures. I think from the outset I appreciated and did not for a moment resent that hers was a commonplace mind, that she was the unconscious custodian of something that had gripped my most intimate instinct, that she embodied the hope of a possibility, was the careless proprietor of a physical quality that had turned my head like strong wine. I felt I had to stick to our acquaintance, flat as it was. Presently we should get through these irrelevant exterior things, and come to the reality of love beneath.

I jumped into personal stories and questions, pulling her into a conversation that felt intimate because we had to talk in whispers out of respect for our fellow readers. I’m sure the substance of our chat was pretty dull. In fact, I think all our early talks were incredibly bland. We met a few times in ways that were half-accidental, half-secretive, and totally awkward. I never really connected with her on a deeper level. Her conversation, which I now recognize was shallow, pretentious, and evasive, didn't strike me as vulgar at the time. It was clear she wanted to exaggerate or hide her true social status; she seemed eager to be seen as an art student while feeling a bit ashamed that she wasn’t one. She came to the museum to “copy things,” which I figured was related to some way of making a living that I shouldn't ask about. I shared things about myself, vain things I thought might impress her, but later I learned she found me “conceited.” We talked about books, but she was guarded and secretive about that, while she opened up more about pictures. She said she “liked” pictures. From the start, I realized and didn’t resent that her mind was pretty ordinary, that she was the unknowing keeper of something that tapped into my deepest instincts, that she represented the hope of a possibility, and she held a physical allure that captivated me like strong wine. I felt I needed to maintain our acquaintance, no matter how flat it seemed. Soon, I thought, we would get past these trivial outer layers and reach the true essence of love underneath.

I saw her in dreams released, as it were, from herself, beautiful, worshipful, glowing. And sometimes when we were together, we would come on silences through sheer lack of matter, and then my eyes would feast on her, and the silence seemed like the drawing back of a curtain—her superficial self. Odd, I confess. Odd, particularly, the enormous hold of certain things about her upon me, a certain slight rounded duskiness of skin, a certain perfection of modelling in her lips, her brow, a certain fine flow about the shoulders. She wasn’t indeed beautiful to many people—these things are beyond explaining. She had manifest defects of form and feature, and they didn’t matter at all. Her complexion was bad, but I don’t think it would have mattered if it had been positively unwholesome. I had extraordinarily limited, extraordinarily painful, desires. I longed intolerably to kiss her lips.

I saw her in dreams, as if freed from herself, beautiful, enchanting, glowing. Sometimes when we were together, we would fall into silences just from having nothing to say, and then my eyes would feast on her, and that silence felt like pulling back a curtain—her surface self. Strange, I admit. Especially strange was the strong pull certain things about her had on me: a slight, rounded duskiness to her skin, the perfect shape of her lips, her brow, a graceful line about her shoulders. She wasn't considered beautiful by many—some things just can't be explained. She had noticeable flaws in her form and features, but they didn’t matter at all. Her complexion wasn’t great, but I don’t think it would have mattered even if it were truly unhealthy. I had incredibly limited, incredibly painful desires. I desperately wanted to kiss her lips.

V

The affair was immensely serious and commanding to me. I don’t remember that in these earlier phases I had any thought of turning back at all. It was clear to me that she regarded me with an eye entirely more critical than I had for her, that she didn’t like my scholarly untidiness, my want of even the most commonplace style. “Why do you wear collars like that?” she said, and sent me in pursuit of gentlemanly neckwear. I remember when she invited me a little abruptly one day to come to tea at her home on the following Sunday and meet her father and mother and aunt, that I immediately doubted whether my hitherto unsuspected best clothes would create the impression she desired me to make on her belongings. I put off the encounter until the Sunday after, to get myself in order. I had a morning coat made and I bought a silk hat, and had my reward in the first glance of admiration she ever gave me. I wonder how many of my sex are as preposterous. I was, you see, abandoning all my beliefs, my conventions unasked. I was forgetting myself immensely. And there was a conscious shame in it all. Never a word—did I breathe to Ewart—to any living soul of what was going on.

The situation was extremely serious and intense for me. I don’t recall thinking about backing out at all in those early stages. It was obvious to me that she looked at me much more critically than I looked at her, that she disapproved of my messy scholarly habits and my lack of even basic style. “Why do you wear collars like that?” she asked, and pushed me to find some decent neckwear. I remember when she somewhat abruptly invited me one day to tea at her place the following Sunday to meet her parents and aunt; I immediately doubted whether my previously unrecognized nice clothes would leave the impression she wanted me to make on her family. I postponed the meeting until the Sunday after to get myself sorted out. I had a morning coat made and bought a silk hat, and I was rewarded with the first look of admiration she ever gave me. I wonder how many men are as ridiculous as I was. I was, you see, discarding all my beliefs and conventions without being asked. I was completely losing sight of myself. And there was a noticeable shame in all of it. I never mentioned a word of what was happening to Ewart or to anyone else.

Her father and mother and aunt struck me as the dismalest of people, and her home in Walham Green was chiefly notable for its black and amber tapestry carpets and curtains and table-cloths, and the age and irrelevance of its books, mostly books with faded gilt on the covers. The windows were fortified against the intrusive eye by cheap lace curtains and an “art pot” upon an unstable octagonal table. Several framed Art School drawings of Marion’s, bearing official South Kensington marks of approval, adorned the room, and there was a black and gilt piano with a hymn-book on the top of it. There were draped mirrors over all the mantels, and above the sideboard in the dining-room in which we sat at tea was a portrait of her father, villainously truthful after the manner of such works. I couldn’t see a trace of the beauty I found in her in either parent, yet she somehow contrived to be like them both.

Her father, mother, and aunt seemed like the saddest people, and her home in Walham Green was mainly known for its black and amber tapestry carpets, curtains, and tablecloths, along with its old and irrelevant books, most of which had faded gold on the covers. The windows were covered with cheap lace curtains to block the prying eye and featured an “art pot” on a wobbly octagonal table. The room was decorated with several framed Art School drawings by Marion, which had official South Kensington seals of approval, and there was a black and gold piano with a hymn book resting on top. There were draped mirrors over all the mantels, and above the sideboard in the dining room where we had tea hung a portrait of her father, unflinchingly honest, as these portraits often are. I couldn’t see any hint of the beauty I noticed in her in either parent, yet she somehow managed to resemble both of them.

These people pretended in a way that reminded me of the Three Great Women in my mother’s room, but they had not nearly so much social knowledge and did not do it nearly so well. Also, I remarked, they did it with an eye on Marion. They had wanted to thank me, they said, for the kindness to their daughter in the matter of the ‘bus fare, and so accounted for anything unusual in their invitation. They posed as simple gentlefolk, a little hostile to the rush and gadding-about of London, preferring a secluded and unpretentious quiet.

These people acted in a way that reminded me of the Three Great Women in my mom’s room, but they didn’t have nearly as much social savvy and didn’t pull it off nearly as well. I also noticed that they were keeping an eye on Marion. They said they wanted to thank me for my kindness to their daughter regarding the bus fare, which explained any oddness in their invitation. They presented themselves as simple folks, a bit annoyed by the hustle and bustle of London, and preferred a peaceful, low-key life.

When Marion got out the white table-cloth from the sideboard-drawer for tea, a card bearing the word “APARTMENTS” fell to the floor. I picked it up and gave it to her before I realised from her quickened colour that I should not have seen it; that probably had been removed from the window in honour of my coming.

When Marion took the white tablecloth out of the sideboard drawer for tea, a card with the word “APARTMENTS” fell to the floor. I picked it up and handed it to her before I noticed her sudden blush, which told me I shouldn’t have seen it; it was likely taken down from the window to welcome me.

Her father spoke once in a large remote way of he claims of business engagements, and it was only long afterwards I realised that he was a supernumerary clerk in the Walham Green Gas Works and otherwise a useful man at home. He was a large, loose, fattish man with unintelligent brown eyes magnified by spectacles; he wore an ill-fitting frock-coat and a paper collar, and he showed me, as his great treasure and interest, a large Bible which he had grangerised with photographs of pictures. Also he cultivated the little garden-yard behind the house, and he had a small greenhouse with tomatoes. “I wish I ’ad ’eat,” he said. “One can do such a lot with ’eat. But I suppose you can’t ’ave everything you want in this world.”

Her father spoke grandly about his supposed business commitments, and it was only much later that I realized he was just an extra clerk at the Walham Green Gas Works and otherwise helpful at home. He was a big, loose, chubby man with dull brown eyes magnified by glasses; he wore a poorly fitting frock coat and a paper collar, and he showed me with pride a large Bible that he had filled with pictures. He also took care of the small garden behind the house and had a little greenhouse for growing tomatoes. “I wish I had heat,” he said. “You can do so much with heat. But I guess you can’t have everything you want in this world.”

Both he and Marion’s mother treated her with a deference that struck me as the most natural thing in the world. Her own manner changed, became more authoritative and watchful, her shyness disappeared. She had taken a line of her own I gathered, draped the mirror, got the second-hand piano, and broken her parents in.

Both he and Marion’s mother treated her with a respect that seemed completely natural to me. Her own behavior changed; she became more commanding and observant, and her shyness faded away. It seemed like she had found her own path—she covered the mirror, got the used piano, and managed to win her parents over.

Her mother must once have been a pretty woman; she had regular features and Marion’s hair without its lustre, but she was thin and careworn. The aunt, Miss Ramboat, was a large, abnormally shy person very like her brother, and I don’t recall anything she said on this occasion.

Her mom must have been a pretty woman back in the day; she had nice features and Marion’s hair minus its shine, but she looked thin and tired. The aunt, Miss Ramboat, was a big, unusually shy person just like her brother, and I don’t remember anything she said during this time.

To begin with there was a good deal of tension, Marion was frightfully nervous and every one was under the necessity of behaving in a mysteriously unreal fashion until I plunged, became talkative and made a certain ease and interest. I told them of the schools, of my lodgings, of Wimblehurst and my apprenticeship days. “There’s a lot of this Science about nowadays,” Mr. Ramboat reflected; “but I sometimes wonder a bit what good it is?”

To start with, there was a lot of tension; Marion was extremely nervous, and everyone felt the need to act in a strangely unreal way until I dove in, started chatting, and created a sense of comfort and interest. I shared stories about the schools, my living situation, Wimblehurst, and my apprenticeship days. “There’s a lot of this science around these days,” Mr. Ramboat commented; “but I sometimes wonder what good it really does?”

I was young enough to be led into what he called “a bit of a discussion,” which Marion truncated before our voices became unduly raised. “I dare say,” she said, “there’s much to be said on both sides.”

I was young enough to be drawn into what he called “a bit of a discussion,” which Marion cut short before our voices got too loud. “I have to say,” she said, “there's a lot to consider on both sides.”

I remember Marion’s mother asked me what church I attended, and that I replied evasively. After tea there was music and we sang hymns. I doubted if I had a voice when this was proposed, but that was held to be a trivial objection, and I found sitting close beside the sweep of hair from Marion’s brow had many compensations. I discovered her mother sitting in the horsehair armchair and regarding us sentimentally. I went for a walk with Marion towards Putney Bridge, and then there was more singing and a supper of cold bacon and pie, after which Mr. Ramboat and I smoked. During that walk, I remember, she told me the import of her sketchings and copyings in the museum. A cousin of a friend of hers whom she spoke of as Smithie, had developed an original business in a sort of tea-gown garment which she called a Persian Robe, a plain sort of wrap with a gaily embroidered yoke, and Marion went there and worked in the busy times. In the times that weren’t busy she designed novelties in yokes by an assiduous use of eyes and note-book in the museum, and went home and traced out the captured forms on the foundation material. “I don’t get much,” said Marion, “but it’s interesting, and in the busy times we work all day. Of course the workgirls are dreadfully common, but we don’t say much to them. And Smithie talks enough for ten.”

I remember Marion’s mom asked me what church I went to, and I answered vaguely. After tea, we had music and sang hymns. I wasn't sure if I could sing when that was suggested, but they thought that was a minor issue, and I found that sitting close to Marion, with her hair swept back, had many perks. I noticed her mom sitting in the horsehair armchair, watching us with a sentimental look. I took a walk with Marion toward Putney Bridge, and then there was more singing and a dinner of cold bacon and pie, after which Mr. Ramboat and I smoked. During that walk, I remember she explained the meaning behind her sketches and copies at the museum. A cousin of a friend of hers, whom she referred to as Smithie, had started a unique business making a type of tea-gown she called a Persian Robe, which was a simple wrap with a brightly embroidered yoke. Marion went there and worked during busy times. When it wasn't busy, she designed new yokes, using her keen observations and notes at the museum, and then went home and traced the shapes onto the fabric. “I don’t earn much,” Marion said, “but it’s interesting, and during busy times we work all day. The factory girls are really common, but we don’t talk to them much. And Smithie talks enough for ten.”

I quite understood the workgirls were dreadfully common.

I totally understood that the factory girls were extremely ordinary.

I don’t remember that the Walham Green ménage and the quality of these people, nor the light they threw on Marion, detracted in the slightest degree at that time from the intent resolve that held me to make her mine. I didn’t like them. But I took them as part of the affair. Indeed, on the whole, I think they threw her up by an effect of contrast; she was so obviously controlling them, so consciously superior to them.

I don't remember that the Walham Green ménage and the nature of these people, or the perspective they gave on Marion, lessened my strong determination to make her mine in any way back then. I didn't like them. But I accepted them as part of the situation. In fact, overall, I think they highlighted her by contrast; she was clearly in control of them, so obviously above them.

More and more of my time did I give to this passion that possessed me. I began to think chiefly of ways of pleasing Marion, of acts of devotion, of treats, of sumptuous presents for her, of appeals she would understand. If at times she was manifestly unintelligent, in her ignorance became indisputable, I told myself her simple instincts were worth all the education and intelligence in the world. And to this day I think I wasn’t really wrong about her. There was something extraordinarily fine about her, something simple and high, that flickered in and out of her ignorance and commonness and limitations like the tongue from the mouth of a snake....

More and more of my time I devoted to this passion that consumed me. I started focusing mainly on ways to please Marion, on acts of devotion, gifts, lavish presents for her, and gestures she would appreciate. Even when she seemed undeniably oblivious, and her ignorance became clear, I convinced myself that her simple instincts were worth more than all the education and intelligence in the world. To this day, I believe I wasn't entirely wrong about her. There was something incredibly special about her, something simple and noble, that flickered in and out of her ignorance, mundanity, and limitations like a flickering tongue from a snake's mouth...

One night I was privileged to meet her and bring her home from an entertainment at the Birkbeck Institute. We came back on the underground railway and we travelled first-class—that being the highest class available. We were alone in the carriage, and for the first time I ventured to put my arm about her.

One night, I was lucky enough to meet her and take her home after an event at the Birkbeck Institute. We took the underground railway back and traveled first-class, which was the best option available. We were alone in the carriage, and for the first time, I dared to put my arm around her.

“You mustn’t,” she said feebly.

"You can't," she said weakly.

“I love you,” I whispered suddenly with my heart beating wildly, drew her to me, drew all her beauty to me and kissed her cool and unresisting lips.

“I love you,” I whispered out of nowhere, my heart racing, pulled her close, gathered all her beauty to me, and kissed her cool, unyielding lips.

“Love me?” she said, struggling away from me, “Don’t!” and then, as the train ran into a station, “You must tell no one.... I don’t know.... You shouldn’t have done that....”

“Love me?” she said, pulling away from me, “Don’t!” and then, as the train pulled into a station, “You can’t tell anyone.... I don’t know.... You shouldn’t have done that....”

Then two other people got in with us and terminated my wooing for a time.

Then two other people joined us and interrupted my attempts at flirting for a while.

When we found ourselves alone together, walking towards Battersea, she had decided to be offended. I parted from her unforgiven and terribly distressed.

When we were alone together, walking toward Battersea, she chose to be offended. I left her without forgiveness and feeling really upset.

When we met again, she told me I must never say “that” again.

When we met again, she told me I should never say “that” again.

I had dreamt that to kiss her lips was ultimate satisfaction. But it was indeed only the beginning of desires. I told her my one ambition was to marry her.

I had dreamed that kissing her would be the ultimate satisfaction. But it was really just the start of my desires. I told her my only goal was to marry her.

“But,” she said, “you’re not in a position—What’s the good of talking like that?”

“But,” she said, “you’re not in a position—What’s the point of talking like that?”

I stared at her. “I mean to,” I said.

I stared at her. “I plan to,” I said.

“You can’t,” she answered. “It will be years”

"You can't," she replied. "It'll take years."

“But I love you,” I insisted.

“But I love you,” I insisted.

I stood not a yard from the sweet lips I had kissed; I stood within arm’s length of the inanimate beauty I desired to quicken, and I saw opening between us a gulf of years, toil, waiting, disappointments and an immense uncertainty.

I stood just a yard away from the sweet lips I had kissed; I stood within arm’s reach of the lifeless beauty I wanted to awaken, and I saw a gap of years, hard work, waiting, disappointments, and a huge uncertainty opening between us.

“I love you,” I said. “Don’t you love me?”

“I love you,” I said. “Don’t you love me?”

She looked me in the face with grave irresponsive eyes.

She looked me in the face with serious, unresponsive eyes.

“I don’t know,” she said. “I like you, of course.... One has to be sensibl...”

“I don’t know,” she said. “I like you, of course.... You have to be sensible...”

I can remember now my sense of frustration by her unresilient reply. I should have perceived then that for her my ardour had no quickening fire. But how was I to know? I had let myself come to want her, my imagination endowed her with infinite possibilities. I wanted her and wanted her, stupidly and instinctively....

I can remember now my frustration with her indifferent response. I should have realized then that my passion didn’t ignite any excitement in her. But how was I supposed to know? I had allowed myself to desire her, my imagination filled her with endless possibilities. I wanted her and wanted her, foolishly and instinctively...

“But,” I said “Love—!”

“But,” I said, “Love—!”

“One has to be sensible,” she replied. “I like going about with you. Can’t we keep as we are?’”

“One has to be sensible,” she replied. “I enjoy spending time with you. Can’t we just stay as we are?”

VI

Well, you begin to understand my breakdown now, I have been copious enough with these apologia. My work got more and more spiritless, my behaviour degenerated, my punctuality declined; I was more and more outclassed in the steady grind by my fellow-students. Such supplies of moral energy as I still had at command shaped now in the direction of serving Marion rather than science.

Well, now you start to get why I broke down. I've been pretty thorough with these apologies. My work became increasingly lackluster, my behavior worsened, and I fell behind in my punctuality; I felt more and more overshadowed by my classmates in the relentless routine. The little moral energy I still had was now focused more on helping Marion than on my studies.

I fell away dreadfully, more and more I shirked and skulked; the humped men from the north, the pale men with thin, clenched minds, the intent, hard-breathing students I found against me, fell at last from keen rivalry to moral contempt. Even a girl got above me upon one of the lists. Then indeed I made it a point of honour to show by my public disregard of every rule that I really did not even pretend to try.

I completely withdrew, becoming more and more evasive and sneaky; the hunchbacked guys from the north, the pale guys with tight, rigid minds, and the focused, hard-breathing students who I faced turned from fierce competition to moral disdain. Even a girl surpassed me on one of the lists. At that point, I made it a point to demonstrate by openly ignoring every rule that I wasn't even pretending to put in any effort.

So one day I found myself sitting in a mood of considerable astonishment in Kensington Gardens, reacting on a recent heated interview with the school Registrar in which I had displayed more spirit than sense. I was astonished chiefly at my stupendous falling away from all the militant ideals of unflinching study I had brought up from Wimblehurst. I had displayed myself, as the Registrar put it, “an unmitigated rotter.” My failure to get marks in the written examination had only been equalled by the insufficiency of my practical work.

So one day, I found myself sitting in a state of shock in Kensington Gardens, reflecting on a recent heated meeting with the school Registrar where I had shown more attitude than common sense. I was mainly amazed at how drastically I had strayed from all the strong ideals of relentless study I had brought up from Wimblehurst. I had shown myself, as the Registrar put it, "a complete failure." My inability to get marks in the written exam was only matched by how inadequate my practical work was.

“I ask you,” the Registrar had said, “what will become of you when your scholarship runs out?”

“I ask you,” the Registrar had said, “what will happen to you when your scholarship ends?”

It certainly was an interesting question. What was going to become of me?

It definitely was an intriguing question. What was going to happen to me?

It was clear there would be nothing for me in the schools as I had once dared to hope; there seemed, indeed, scarcely anything in the world except an illpaid assistantship in some provincial organized Science School or grammar school. I knew that for that sort of work, without a degree or any qualification, one earned hardly a bare living and had little leisure to struggle up to anything better. If only I had even as little as fifty pounds I might hold out in London and take my B.Sc. degree, and quadruple my chances! My bitterness against my uncle returned at the thought. After all, he had some of my money still, or ought to have. Why shouldn’t I act within my rights, threaten to ‘take proceedings’? I meditated for a space on the idea, and then returned to the Science Library and wrote him a very considerable and occasionally pungent letter.

It was clear that there would be nothing for me in the schools as I had once hoped; there seemed, in fact, almost nothing in the world except a poorly paid assistant position in some provincial organized Science School or grammar school. I knew that for that kind of work, without a degree or any qualifications, one barely made a living and had little free time to work towards anything better. If only I had even as little as fifty pounds, I could hold on in London and pursue my B.Sc. degree, which would greatly improve my chances! My resentment towards my uncle surfaced again at that thought. After all, he still had some of my money, or at least he should. Why shouldn’t I act within my rights and threaten to ‘take legal action’? I pondered the idea for a while, then returned to the Science Library and wrote him a strongly worded and occasionally biting letter.

That letter to my uncle was the nadir of my failure. Its remarkable consequences, which ended my student days altogether, I will tell in the next chapter.

That letter to my uncle was the lowest point of my failure. The significant consequences that brought my student days to an end will be explained in the next chapter.

I say “my failure.” Yet there are times when I can even doubt whether that period was a failure at all, when I become defensively critical of those exacting courses I did not follow, the encyclopaedic process of scientific exhaustion from which I was distracted. My mind was not inactive, even if it fed on forbidden food. I did not learn what my professors and demonstrators had resolved I should learn, but I learnt many things. My mind learnt to swing wide and to swing by itself.

I say “my failure.” Yet there are times when I even question whether that time was really a failure at all, when I defensively criticize those strict courses I chose not to take, the exhaustive journey of scientific study that I got sidetracked from. My mind wasn’t idle, even if it consumed things that were off-limits. I didn’t learn what my professors and teaching assistants decided I should learn, but I absorbed a lot of knowledge. My mind learned to reach far and to operate independently.

After all, those other fellows who took high places in the College examinations and were the professor’s model boys haven’t done so amazingly. Some are professors themselves, some technical experts; not one can show things done such as I, following my own interest, have achieved. For I have built boats that smack across the water like whiplashes; no one ever dreamt of such boats until I built them; and I have surprised three secrets that are more than technical discoveries, in the unexpected hiding-places of Nature. I have come nearer flying than any man has done. Could I have done as much if I had had a turn for obeying those rather mediocre professors at the college who proposed to train my mind? If I had been trained in research—that ridiculous contradiction in terms—should I have done more than produce additions to the existing store of little papers with blunted conclusions, of which there are already too many? I see no sense in mock modesty upon this matter. Even by the standards of worldly success I am, by the side of my fellow-students, no failure. I had my F.R.S. by the time I was thirty-seven, and if I am not very wealthy poverty is as far from me as the Spanish Inquisition. Suppose I had stamped down on the head of my wandering curiosity, locked my imagination in a box just when it wanted to grow out to things, worked by so-and-so’s excellent method and so-and-so’s indications, where should I be now?

After all, those other guys who excelled in the college exams and were the professor’s favorite students haven’t done anything that impressive. Some are professors themselves, some are technical experts; not one can show off achievements like mine, which I reached by following my own interests. I’ve built boats that cut through the water like whips; no one ever imagined such boats until I made them, and I’ve uncovered three secrets that go beyond just technical discoveries, hidden away in Nature's unexpected places. I’ve come closer to flying than anyone else. Would I have accomplished as much if I had obeyed those rather mediocre professors at the college who tried to shape my mind? If I had been trained in research—that ridiculous contradiction—would I have done more than add to the already overwhelming number of pointless papers with dull conclusions? I see no reason for false modesty about this. Even by the standards of worldly success, I'm not a failure compared to my fellow students. I had my F.R.S. by the time I was thirty-seven, and while I may not be very rich, poverty is as far from me as the Spanish Inquisition. Imagine if I had stifled my wandering curiosity, locked my imagination in a box just when it wanted to explore new things, followed someone else's so-called excellent methods and instructions—where would I be now?

I may be all wrong in this. It may be I should be a far more efficient man than I am if I had cut off all those divergent expenditures of energy, plugged up my curiosity about society with more currently acceptable rubbish or other, abandoned Ewart, evaded Marion instead of pursuing her, concentrated. But I don’t believe it!

I could be completely off base here. Maybe I should be a lot more efficient if I had stopped all those distractions, ignored my curiosity about society with more acceptable nonsense, ditched Ewart, avoided Marion instead of chasing her, and focused. But I don’t believe that!

However, I certainly believed it completely and was filled with remorse on that afternoon when I sat dejectedly in Kensington Gardens and reviewed, in the light of the Registrar’s pertinent questions my first two years in London.

However, I totally believed it and felt really sorry that afternoon when I sat sadly in Kensington Gardens and thought about my first two years in London, considering the Registrar’s important questions.

CHAPTER THE SECOND
THE DAWN COMES, AND MY UNCLE APPEARS IN A NEW SILK HAT

I

Throughout my student days I had not seen my uncle. I refrained from going to him in spite of an occasional regret that in this way I estranged myself from my aunt Susan, and I maintained a sulky attitude of mind towards him. And I don’t think that once in all that time I gave a thought to that mystic word of his that was to alter all the world for us. Yet I had not altogether forgotten it. It was with a touch of memory, dim transient perplexity if no more—why did this thing seem in some way personal?—that I read a new inscription upon the hoardings:

Throughout my student years, I hadn't seen my uncle. I held back from visiting him, even though I sometimes regretted that it pushed me away from my aunt Susan, and I kept a grumpy attitude toward him. I don't think I ever really considered that mysterious word of his that was supposed to change everything for us. Still, I hadn’t completely forgotten it. With a hint of memory and a fleeting confusion—why did this feel personal?—I read a new sign on the billboards:

THE SECRET OF VIGOUR,
TONO-BUNGAY.

That was all. It was simple and yet in some way arresting. I found myself repeating the word after I had passed; it roused one’s attention like the sound of distant guns. “Tono”—what’s that? and deep, rich, unhurrying;—“bun—gay!”

That was it. It was straightforward yet somehow captivating. I caught myself saying the word after I walked by; it grabbed your attention like the sound of distant gunfire. “Tono”—what is that? and deep, rich, and unhurried;—“bun—gay!”

Then came my uncle’s amazing telegram, his answer to my hostile note: “Come to me at once you are wanted three hundred a year certain tono-bungay.

Then came my uncle’s amazing telegram, his response to my hostile note: “Come to me at once, you are wanted. Three hundred a year, guaranteed tono-bungay.

“By Jove!” I cried, “of course!

“By Jove!” I exclaimed, “of course!

“It’s something—. A patent-medicine! I wonder what he wants with me.”

“It’s something—. A patent medicine! I wonder what he wants with me.”

In his Napoleonic way my uncle had omitted to give an address. His telegram had been handed in at Farringdon Road, and after complex meditations I replied to Ponderevo, Farringdon Road, trusting to the rarity of our surname to reach him.

In his Napoleonic manner, my uncle had forgotten to include an address. His telegram was sent from Farringdon Road, and after some deep thought, I replied to Ponderevo, Farringdon Road, hoping that the uniqueness of our last name would help the message reach him.

“Where are you?” I asked.

"Where are you?" I asked.

His reply came promptly:

He replied right away:

“192A, Raggett Street, E.C.”

“192A Raggett St, London EC”

The next day I took an unsanctioned holiday after the morning’s lecture. I discovered my uncle in a wonderfully new silk hat—oh, a splendid hat! with a rolling brim that went beyond the common fashion. It was decidedly too big for him—that was its only fault. It was stuck on the back of his head, and he was in a white waistcoat and shirt sleeves. He welcomed me with a forgetfulness of my bitter satire and my hostile abstinence that was almost divine. His glasses fell off at the sight of me. His round inexpressive eyes shone brightly. He held out his plump short hand.

The next day, I took an unauthorized day off after the morning lecture. I found my uncle wearing a wonderfully stylish new silk hat—oh, what a fantastic hat! It had a wide brim that went way beyond the usual style. It was definitely too big for him—that was its only flaw. It was perched on the back of his head, and he was in a white vest and shirt sleeves. He greeted me with a remarkable forgetfulness of my bitter remarks and my unfriendly distance that felt almost heavenly. His glasses fell off when he saw me. His round, expressionless eyes sparkled with brightness. He extended his chubby, short hand.

“Here we are, George! What did I tell you? Needn’t whisper it now, my boy. Shout it—loud! spread it about! Tell every one! Tono—TONO—, TONO-BUNGAY!”

“Here we are, George! What did I tell you? No need to whisper it now, my boy. Shout it—loud! Spread the word! Tell everyone! Tono—TONO—, TONO-BUNGAY!”

Raggett Street, you must understand, was a thoroughfare over which some one had distributed large quantities of cabbage stumps and leaves. It opened out of the upper end of Farringdon Street, and 192A was a shop with the plate-glass front coloured chocolate, on which several of the same bills I had read upon the hoardings had been stuck. The floor was covered by street mud that had been brought in on dirty boots, and three energetic young men of the hooligan type, in neck-wraps and caps, were packing wooden cases with papered-up bottles, amidst much straw and confusion. The counter was littered with these same swathed bottles, of a pattern then novel but now amazingly familiar in the world, the blue paper with the coruscating figure of a genially nude giant, and the printed directions of how under practically all circumstances to take Tono-Bungay. Beyond the counter on one side opened a staircase down which I seem to remember a girl descending with a further consignment of bottles, and the rest of the background was a high partition, also chocolate, with “Temporary Laboratory” inscribed upon it in white letters, and over a door that pierced it, “Office.” Here I rapped, inaudible amid much hammering, and then entered unanswered to find my uncle, dressed as I have described, one hand gripping a sheath of letters, and the other scratching his head as he dictated to one of three toiling typewriter girls. Behind him was a further partition and a door inscribed “ABSOLUTELY PRIVATE—NO ADMISSION,” thereon. This partition was of wood painted the universal chocolate, up to about eight feet from the ground, and then of glass. Through the glass I saw dimly a crowded suggestion of crucibles and glass retorts, and—by Jove!—yes!—the dear old Wimblehurst air-pump still! It gave me quite a little thrill—that air-pump! And beside it was the electrical machine—but something—some serious trouble—had happened to that. All these were evidently placed on a shelf just at the level to show.

Raggett Street, you should know, was a street where someone had dumped a lot of cabbage stumps and leaves. It branched off from the upper end of Farringdon Street, and 192A was a shop with a chocolate-colored plate-glass front, onto which several of the same posters I had seen on the billboards were stuck. The floor was covered in street mud that had been tracked in on dirty boots, and three energetic young men, looking a bit rough around the edges, wearing neck wraps and caps, were packing wooden crates filled with paper-wrapped bottles, surrounded by straw and chaos. The counter was cluttered with these same wrapped bottles, which had a design that was new at the time but is now quite familiar, featuring blue paper with a sparkling image of a cheerful, naked giant, along with printed instructions on how to take Tono-Bungay under almost any circumstances. Beyond the counter, on one side, there was a staircase down which I vaguely recall a girl coming with more bottles, and the rest of the background was a high partition, also chocolate-colored, with “Temporary Laboratory” written in white letters, and over a door that cut through it, “Office.” I knocked, but it was drowned out by the sound of hammering, and then I walked in without a response to find my uncle, dressed as I mentioned before, one hand holding a bundle of letters and the other scratching his head as he dictated to one of the three busy typists. Behind him was another partition with a door that read “ABSOLUTELY PRIVATE—NO ADMISSION.” This partition was made of wood painted the usual chocolate color, up to about eight feet high, and then glass. Through the glass, I could dimly see a busy array of crucibles and glass retorts, and—wow!—yes!—there was the beloved old Wimblehurst air-pump still there! That air-pump gave me quite a little thrill! And next to it was the electrical machine—but something—some serious issue—had happened to that. All of these were clearly placed on a shelf just at the right level to be seen.

“Come right into the sanctum,” said my uncle, after he had finished something about “esteemed consideration,” and whisked me through the door into a room that quite amazingly failed to verify the promise of that apparatus. It was papered with dingy wall-paper that had peeled in places; it contained a fireplace, an easy-chair with a cushion, a table on which stood two or three big bottles, a number of cigar-boxes on the mantel, whisky Tantalus and a row of soda syphons. He shut the door after me carefully.

“Come on in to the inner room,” said my uncle, after he wrapped up some talk about “respectful consideration,” and pulled me through the door into a room that surprisingly did not live up to the expectation set by that setup. The walls were covered with faded wallpaper that was peeling in spots; there was a fireplace, a comfy chair with a cushion, a table holding a couple of large bottles, several cigar boxes on the mantel, a whiskey Tantalus, and a line of soda siphons. He closed the door behind me carefully.

“Well, here we are!” he said. “Going strong! Have a whisky, George? No!—Wise man! Neither will I! You see me at it! At it—hard!”

“Well, here we are!” he said. “Going strong! Want a whisky, George? No!—Smart choice! Neither will I! You see me at it! At it—hard!”

“Hard at what?”

"Hard at what, exactly?"

“Read it,” and he thrust into my hand a label—that label that has now become one of the most familiar objects of the chemist’s shop, the greenish-blue rather old-fashioned bordering, the legend, the name in good black type, very clear, and the strong man all set about with lightning flashes above the double column of skilful lies in red—the label of Tono-Bungay. “It’s afloat,” he said, as I stood puzzling at this. “It’s afloat. I’m afloat!” And suddenly he burst out singing in that throaty tenor of his—

“Read this,” he said, shoving a label into my hand—that label that has now become one of the most recognizable items in the chemist’s shop, with its old-fashioned greenish-blue border, the emblazoned text, the name in bold black type, very clear, and the strong man surrounded by lightning bolts above the two columns of clever lies in red—the label of Tono-Bungay. “It’s happening,” he said as I stood there confused by it. “It’s happening. I’m happening!” And suddenly, he broke into song in that throaty tenor of his—

“I’m afloat, I’m afloat on the fierce flowing tide,
The ocean’s my home and my bark is my bride!

“I’m adrift, I’m adrift on the strong rushing tide,
The ocean’s my home and my ship is my bride!

“Ripping song that is, George. Not so much a bark as a solution, but still—it does! Here we are at it! By-the-by! Half a mo’! I’ve thought of a thing.” He whisked out, leaving me to examine this nuclear spot at leisure while his voice became dictatorial without. The den struck me as in its large grey dirty way quite unprecedented and extraordinary. The bottles were all labelled simply A, B, C, and so forth, and that dear old apparatus above, seen from this side, was even more patiently “on the shelf” than when it had been used to impress Wimblehurst. I saw nothing for it but to sit down in the chair and await my uncle’s explanations. I remarked a frock-coat with satin lapels behind the door; there was a dignified umbrella in the corner and a clothes-brush and a hat-brush stood on a side-table. My uncle returned in five minutes looking at his watch—a gold watch—“Gettin’ lunch-time, George,” he said. “You’d better come and have lunch with me!”

“Great song that is, George. Not so much a shout as a solution, but it works! Here we are! By the way! Hold on a second! I just thought of something.” He rushed out, leaving me to check out this key spot while his voice took on a commanding tone outside. The den struck me as quite unique and extraordinary in its large grey, dirty way. The bottles were all labeled simply A, B, C, and so on, and that old equipment above, seen from this angle, looked even more patiently “on the shelf” than when it had been used to impress Wimblehurst. I figured I had no choice but to sit down in the chair and wait for my uncle to explain. I noticed a frock coat with satin lapels behind the door; there was an elegant umbrella in the corner, and a clothes brush and a hat brush were on a side table. My uncle came back in five minutes looking at his gold watch—“It’s almost lunch time, George,” he said. “You should come and have lunch with me!”

“How’s Aunt Susan?” I asked.

“How’s Aunt Susan?” I asked.

“Exuberant. Never saw her so larky. This has bucked her up something wonderful—all this.”

“Excited. I've never seen her so cheerful. This has really lifted her spirits—everything about this.”

“All what?”

"All what?"

“Tono-Bungay.”

“Tono-Bungay.”

“What is Tono-Bungay?” I asked.

“What’s Tono-Bungay?” I asked.

My uncle hesitated. “Tell you after lunch, George,” he said. “Come along!” and having locked up the sanctum after himself, led the way along a narrow dirty pavement, lined with barrows and swept at times by avalanche-like porters bearing burthens to vans, to Farringdon Street. He hailed a passing cab superbly, and the cabman was infinitely respectful. “Schäfer’s,” he said, and off we went side by side—and with me more and more amazed at all these things—to Schäfer’s Hotel, the second of the two big places with huge lace curtain-covered windows, near the corner of Blackfriars Bridge.

My uncle hesitated. “I'll tell you after lunch, George,” he said. “Let's go!” After locking up the private room behind him, he led the way along a narrow, dirty sidewalk, lined with stalls and occasionally swept by porters carrying heavy loads to vans, toward Farringdon Street. He waved down a passing cab confidently, and the driver was very respectful. “Schäfer’s,” he said, and off we went side by side—with me becoming more and more amazed by everything—heading to Schäfer’s Hotel, the second of the two big places with huge windows covered in lace curtains, near the corner of Blackfriars Bridge.

I will confess I felt a magic charm in our relative proportions as the two colossal, pale-blue-and-red liveried porters of Schäfers’ held open the inner doors for us with a respectful salutation that in some manner they seemed to confine wholly to my uncle. Instead of being about four inches taller, I felt at least the same size as he, and very much slenderer. Still more respectful—waiters relieved him of the new hat and the dignified umbrella, and took his orders for our lunch. He gave them with a fine assurance.

I have to admit I felt a certain charm in our relative sizes as the two huge porters dressed in pale blue and red from Schäfers held open the inner doors for us with a respectful greeting that seemed to be directed entirely at my uncle. Instead of feeling about four inches shorter, I felt at least his equal in height, and definitely slimmer. Even more respectfully, the waiters took his new hat and his dignified umbrella, and took his lunch order. He gave it confidently.

He nodded to several of the waiters.

He nodded to a few of the waiters.

“They know me, George, already,” he said. “Point me out. Live place! Eye for coming men!”

“They already know me, George,” he said. “Just point me out. What a lively place! A keen eye for those on the rise!”

The detailed business of the lunch engaged our attention for a while, and then I leant across my plate. “And NOW?” said I.

The details of lunch held our attention for a bit, and then I leaned across my plate. “So, what’s next?” I asked.

“It’s the secret of vigour. Didn’t you read that label?”

“It’s the secret to energy. Didn’t you see that label?”

“Yes, but—”

“Yes, but—”

“It’s selling like hot cakes.”

“It’s selling like crazy.”

“And what is it?” I pressed.

“And what is it?” I asked.

“Well,” said my uncle, and then leant forward and spoke softly under cover of his hand, “It’s nothing more or less than...”

“Well,” said my uncle, leaning forward and speaking softly under his hand, “It’s nothing more or less than...”

(But here an unfortunate scruple intervenes. After all, Tono-Bungay is still a marketable commodity and in the hands of purchasers, who bought it from—among other vendors—me. No! I am afraid I cannot give it away—)

(But here an unfortunate doubt comes up. After all, Tono-Bungay is still a sellable product and in the hands of buyers, who bought it from—among other sellers—me. No! I’m afraid I can’t just give it away—)

“You see,” said my uncle in a slow confidential whisper, with eyes very wide and a creased forehead, “it’s nice because of the” (here he mentioned a flavouring matter and an aromatic spirit), “it’s stimulating because of” (here he mentioned two very vivid tonics, one with a marked action on the kidney.) “And the” (here he mentioned two other ingredients) “makes it pretty intoxicating. Cocks their tails. Then there’s” (but I touch on the essential secret.) “And there you are. I got it out of an old book of recipes—all except the” (here he mentioned the more virulent substance, the one that assails the kidneys), “which is my idea! Modern touch! There you are!”

“You see,” my uncle said in a slow, confidential whisper, with wide eyes and a wrinkled forehead, “it’s nice because of the” (here he mentioned a flavoring ingredient and an aromatic spirit), “it’s stimulating because of” (here he mentioned two very specific tonics, one that has a strong effect on the kidneys). “And the” (here he mentioned two other ingredients) “makes it pretty intoxicating. Gets them all fired up. Then there’s” (but I won't reveal the key secret). “And there you have it. I got it from an old recipe book—all except the” (here he mentioned the more potent substance, the one that targets the kidneys), “which is my addition! A modern twist! There you go!”

He reverted to the direction of our lunch.

He turned back to the direction of our lunch.

Presently he was leading the way to the lounge—sumptuous piece in red morocco and yellow glazed crockery, with incredible vistas of settees and sofas and things, and there I found myself grouped with him in two excessively upholstered chairs with an earthenware Moorish table between us bearing coffee and Benedictine, and I was tasting the delights of a tenpenny cigar. My uncle smoked a similar cigar in an habituated manner, and he looked energetic and knowing and luxurious and most unexpectedly a little bounder, round the end of it. It was just a trivial flaw upon our swagger, perhaps that we both were clear our cigars had to be “mild.” He got obliquely across the spaces of his great armchair so as to incline confidentially to my ear, he curled up his little legs, and I, in my longer way, adopted a corresponding receptive obliquity. I felt that we should strike an unbiased observer as a couple of very deep and wily and developing and repulsive persons.

Right now, he was leading the way to the lounge—a lavish spot with red leather and yellow ceramics, featuring amazing views of couches and chairs and all sorts of things. There, I found myself sitting with him in two overstuffed chairs, with a clay Moorish table between us holding coffee and Benedictine, while I enjoyed the pleasures of a cheap cigar. My uncle smoked a similar cigar casually, looking energetic, knowledgeable, luxurious, and surprisingly a bit of a snob at the end of it. It was just a minor flaw in our demeanor that we both clearly preferred our cigars to be “mild.” He leaned confidentially toward my ear from the spaciousness of his oversized armchair, curling up his little legs, and I, in my taller way, adopted a similarly relaxed position. I realized that a neutral observer might consider us a couple of very clever, scheming, growing, and somewhat unpleasant characters.

“I want to let you into this”—puff—“George,” said my uncle round the end of his cigar. “For many reasons.”

“I want to share this with you”—puff—“George,” my uncle said, around the end of his cigar. “For many reasons.”

His voice grew lower and more cunning. He made explanations that to my inexperience did not completely explain. I retain an impression of a long credit and a share with a firm of wholesale chemists, of a credit and a prospective share with some pirate printers, of a third share for a leading magazine and newspaper proprietor.

His voice became quieter and more sneaky. He offered explanations that, due to my inexperience, didn’t fully clarify things. I remember having a long credit and a stake with a wholesale chemist company, a credit and a potential stake with some pirate printers, and a third share with a major magazine and newspaper owner.

“I played ’em off one against the other,” said my uncle. I took his point in an instant. He had gone to each of them in turn and said the others had come in.

“I played them off against each other,” my uncle said. I got his point right away. He had gone to each of them in turn and told them that the others had joined in.

“I put up four hundred pounds,” said my uncle, “myself and my all. And you know—”

“I put up four hundred pounds,” said my uncle, “me and my whole crew. And you know—”

He assumed a brisk confidence. “I hadn’t five hundred pence. At least—”

He took on a quick confidence. “I didn’t have five hundred pennies. At least—”

For a moment he really was just a little embarrassed. “I did” he said, “produce capital. You see, there was that trust affair of yours—I ought, I suppose—in strict legality—to have put that straight first. Zzzz....

For a moment, he was genuinely a bit embarrassed. “I did” he said, “create some capital. You see, there was that trust issue of yours—I guess I should have, in all fairness, sorted that out first. Zzzz....

“It was a bold thing to do,” said my uncle, shifting the venue from the region of honour to the region of courage. And then with a characteristic outburst of piety, “Thank God it’s all come right!

“It was a daring thing to do,” said my uncle, moving the focus from honor to bravery. And then with a typical display of faith, “Thank God it all turned out well!”

“And now, I suppose, you ask where do YOU come in? Well, fact is I’ve always believed in you, George. You’ve got—it’s a sort of dismal grit. Bark your shins, rouse you, and you’ll go! You’d rush any position you had a mind to rush. I know a bit about character, George—trust me. You’ve got—” He clenched his hands and thrust them out suddenly, and at the same time said, with explosive violence, “Wooosh! Yes. You have! The way you put away that Latin at Wimblehurst; I’ve never forgotten it.

“And now, I guess you’re wondering how YOU fit into all this? Well, the truth is I’ve always believed in you, George. You have this—it's a kind of stubborn determination. You stumble and get knocked down, but you keep going! You’d tackle any challenge you set your mind to. I know a thing or two about character, George—believe me. You’ve got—” He clenched his fists and suddenly thrust them forward, exclaiming with intense energy, “Whoosh! Yes. You do! The way you handled that Latin at Wimblehurst; I’ve never forgotten it.

“Wo-oo-oo-osh! Your science and all that! Wo-oo-oo-osh! I know my limitations. There’s things I can do, and” (he spoke in a whisper, as though this was the first hint of his life’s secret) “there’s things I can’t. Well, I can create this business, but I can’t make it go. I’m too voluminous—I’m a boiler-over, not a simmering stick-at-it.You keep on hotting up and hotting up. Papin’s digester. That’s you, steady and long and piling up,—then, wo-oo-oo-oo-osh. Come in and stiffen these niggers. Teach them that wo-oo-oo-oo-osh. There you are! That’s what I’m after. You! Nobody else believes you’re more than a boy. Come right in with me and be a man. Eh, George? Think of the fun of it—a thing on the go—a Real Live Thing! Wooshing it up! Making it buzz and spin! Whoo-oo-oo.”—He made alluring expanding circles in the air with his hand. “Eh?”

"Wo-oo-oo-osh! All that science stuff! Wo-oo-oo-osh! I know what I can and can't do. There are things I'm capable of, and" (he whispered, as if sharing the first clue to his life's secret) "there are things I can't do. Sure, I can start this business, but I can't make it succeed. I'm too much—I overflow, not like someone who can just stick with it. You keep heating up and heating up. That's you, steady and persistent, building up—then, wo-oo-oo-oo-osh. Get in here and toughen these guys up. Show them that wo-oo-oo-oo-osh. That's what I need! You! No one else thinks you're more than just a kid. Come on, join me and be a man. Right, George? Just think about the excitement of it—a thing that's alive—a Real Live Thing! Wooshing it up! Making it buzz and spin! Whoo-oo-oo." He gestured enticing expanding circles in the air with his hand. "Right?"

His proposal, sinking to confidential undertones again, took more definite shape. I was to give all my time and energy to developing and organising. “You shan’t write a single advertisement, or give a single assurance” he declared. “I can do all that.” And the telegram was no flourish; I was to have three hundred a year. Three hundred a year. (“That’s nothing,” said my uncle, “the thing to freeze on to, when the time comes, is your tenth of the vendor’s share.”)

His proposal, dropping to a secretive tone again, started to take a clearer form. I was supposed to dedicate all my time and energy to developing and organizing. “You won’t write a single advertisement or give a single assurance,” he insisted. “I can handle all that.” And the telegram wasn’t just for show; I was set to make three hundred a year. Three hundred a year. (“That’s nothing,” my uncle said, “the crucial thing to focus on when the time comes is your tenth of the vendor’s share.”)

Three hundred a year certain, anyhow! It was an enormous income to me. For a moment I was altogether staggered. Could there be that much money in the whole concern? I looked about me at the sumptuous furniture of Schäfer’s Hotel. No doubt there were many such incomes.

Three hundred a year for sure! That was a huge income for me. For a moment, I was completely stunned. Could there really be that much money in the whole operation? I glanced around at the luxurious furniture in Schäfer’s Hotel. No doubt there were many incomes like this.

My head was spinning with unwonted Benedictine and Burgundy.

My head was spinning from unexpected Benedictine and Burgundy.

“Let me go back and look at the game again,” I said. “Let me see upstairs and round about.”

“Let me go back and check out the game again,” I said. “Let me see upstairs and around.”

I did.

I did.

“What do you think of it all?” my uncle asked at last.

“What do you think about it all?” my uncle finally asked.

“Well, for one thing,” I said, “why don’t you have those girls working in a decently ventilated room? Apart from any other consideration, they’d work twice as briskly. And they ought to cover the corks before labelling round the bottle.”

“Well, for one thing,” I said, “why don’t you have those girls working in a properly ventilated room? Besides anything else, they’d work twice as efficiently. And they should cover the corks before labeling around the bottle.”

“Why?” said my uncle.

“Why?” my uncle asked.

“Because—they sometimes make a mucker of the cork job, and then the label’s wasted.”

“Because—they sometimes mess up the cork job, and then the label’s ruined.”

“Come and change it, George,” said my uncle, with sudden fervour “Come here and make a machine of it. You can. Make it all slick, and then make it woosh. I know you can. Oh! I know you can.”

“Come and change it, George,” my uncle said, suddenly passionate. “Come here and turn it into a machine. You can do it. Make it all smooth, and then make it whoosh. I believe you can. Oh! I believe you can.”

II

I seem to remember very quick changes of mind after that lunch. The muzzy exaltation of the unaccustomed stimulants gave way very rapidly to a model of pellucid and impartial clairvoyance which is one of my habitual mental states. It is intermittent; it leaves me for weeks together, I know, but back it comes at last like justice on circuit, and calls up all my impression, all my illusions, all my willful and passionate proceedings. We came downstairs again into that inner room which pretended to be a scientific laboratory through its high glass lights, and indeed was a lurking place. My uncle pressed a cigarette on me, and I took it and stood before the empty fireplace while he propped his umbrella in the corner, deposited the new silk hat that was a little too big for him on the table, blew copiously and produced a second cigar.

I remember having quick changes of mind after that lunch. The hazy exhilaration from the unfamiliar stimulants quickly turned into a clear and unbiased awareness, which is one of my usual mental states. It’s inconsistent; it disappears for weeks at a time, I know, but it eventually returns like justice coming around, bringing back all my impressions, all my beliefs, and all my stubborn, passionate actions. We walked back downstairs into that inner room, which tried to look like a scientific lab with its big glass lights, but was really just a hiding spot. My uncle offered me a cigarette, and I took it, standing in front of the empty fireplace while he leaned his umbrella in the corner, put his slightly too big new silk hat on the table, blew his nose a lot, and pulled out a second cigar.

It came into my head that he had shrunken very much in size since the Wimblehurst days, that the cannon ball he had swallowed was rather more evident and shameless than it had been, his skin less fresh and the nose between his glasses, which still didn’t quite fit, much redder. And just then he seemed much laxer in his muscles and not quite as alertly quick in his movements. But he evidently wasn’t aware of the degenerative nature of his changes as he sat there, looking suddenly quite little under my eyes.

It struck me that he had shrunk quite a bit since the Wimblehurst days, that the cannonball he had swallowed was definitely more noticeable and embarrassing than before, his skin less fresh and the nose between his glasses, which still didn’t fit quite right, much redder. At that moment, he also seemed much laxer in his muscles and not as quick in his movements. But he clearly wasn’t aware of how much he had changed as he sat there, looking surprisingly small in front of me.

“Well, George!” he said, quite happily unconscious of my silent criticism, “what do you think of it all?”

“Well, George!” he said, completely unaware of my silent criticism, “what do you think of it all?”

“Well,” I said, “in the first place—it’s a damned swindle!”

“Well,” I said, “first of all—it’s a total scam!”

“Tut! tut!” said my uncle. “It’s as straight as—It’s fair trading!”

“Come on!” said my uncle. “It’s perfectly fine—It’s a good deal!”

“So much the worse for trading,” I said.

“So much the worse for business,” I said.

“It’s the sort of thing everybody does. After all, there’s no harm in the stuff—and it may do good. It might do a lot of good—giving people confidence, f’rinstance, against an epidemic. See? Why not? don’t see where your swindle comes in.”

“It’s the kind of thing everyone does. After all, there’s no harm in it—and it might actually help. It could do a lot of good—boosting people’s confidence, for example, during an outbreak. Get it? Why not? I don’t see how this is a scam.”

“H’m,” I said. “It’s a thing you either see or don’t see.”

“Hm,” I said. “It’s something you either notice or don’t notice.”

“I’d like to know what sort of trading isn’t a swindle in its way. Everybody who does a large advertised trade is selling something common on the strength of saying it’s uncommon. Look at Chickson—they made him a baronet. Look at Lord Radmore, who did it on lying about the alkali in soap! Rippin’ ads those were of his too!”

“I want to know what kind of trading isn’t a scam in some way. Everyone who does a big advertised trade is selling something ordinary by claiming it’s special. Just look at Chickson—they made him a baronet. Look at Lord Radmore, who got his title by lying about the alkali in soap! Those were some shady ads he ran too!”

“You don’t mean to say you think doing this stuff up in bottles and swearing it’s the quintessence of strength and making poor devils buy it at that, is straight?”

“You can’t be serious thinking that putting this stuff in bottles and claiming it’s the essence of strength, then making desperate people buy it, is okay?”

“Why not, George? How do we know it mayn’t be the quintessence to them so far as they’re concerned?”

“Why not, George? How do we know it might not be the very best for them in their eyes?”

“Oh!” I said, and shrugged my shoulders.

“Oh!” I said, shrugging my shoulders.

“There’s Faith. You put Faith in ’em.... I grant our labels are a bit emphatic. Christian Science, really. No good setting people against the medicine. Tell me a solitary trade nowadays that hasn’t to be—emphatic. It’s the modern way! Everybody understands it—everybody allows for it.”

“There’s Faith. You put Faith in them.... I admit our labels are a bit strong. Christian Science, really. It’s not good to set people against medicine. Tell me one single profession today that doesn’t have to be—strong. It’s the modern way! Everyone gets it—everyone accepts it.”

“But the world would be no worse and rather better, if all this stuff of yours was run down a conduit into the Thames.”

“But the world would be no worse and actually better if all this stuff of yours was dumped into the Thames.”

“Don’t see that, George, at all. ’Mong other things, all our people would be out of work. Unemployed! I grant you Tono-Bungay may be—not quite so good a find for the world as Peruvian bark, but the point is, George—it makes trade! And the world lives on trade. Commerce! A romantic exchange of commodities and property. Romance. ’Magination. See? You must look at these things in a broad light. Look at the wood—and forget the trees! And hang it, George! we got to do these things! There’s no way unless you do. What do you mean to do—anyhow?”

“Don’t see that, George, at all. Among other things, all our people would be out of work. Unemployed! I admit Tono-Bungay might be—not quite as good a find for the world as Peruvian bark, but the point is, George—it creates trade! And the world depends on trade. Commerce! A romantic exchange of goods and property. Romance. Imagination. See? You have to look at these things from a broader perspective. Look at the forest—and forget the trees! And honestly, George! we have to do these things! There’s no way unless you take action. What do you plan to do—anyway?”

“There’s ways of living,” I said, “Without either fraud or lying.”

“There are ways of living,” I said, “without any fraud or lying.”

“You’re a bit stiff, George. There’s no fraud in this affair, I’ll bet my hat. But what do you propose to do? Go as chemist to some one who is running a business, and draw a salary without a share like I offer you. Much sense in that! It comes out of the swindle as you call it—just the same.”

“You're a bit uptight, George. There's no dishonesty in this situation, I’m sure of it. But what do you plan to do? Work as a chemist for someone who *is* running a business and earn a salary without any stake like I'm offering you? That makes a lot of sense! It comes out of the scam you call it—exactly the same.”

“Some businesses are straight and quiet, anyhow; supply a sound article that is really needed, don’t shout advertisements.”

“Some businesses run smoothly and quietly; they provide a solid product that people actually need without making a big fuss with advertisements.”

“No, George. There you’re behind the times. The last of that sort was sold up ‘bout five years ago.”

“No, George. You're out of touch. The last one like that was sold about five years ago.”

“Well, there’s scientific research.”

"Well, there’s scientific study."

“And who pays for that? Who put up that big City and Guilds place at South Kensington? Enterprising business men! They fancy they’ll have a bit of science going on, they want a handy Expert ever and again, and there you are! And what do you get for research when you’ve done it? Just a bare living and no outlook. They just keep you to make discoveries, and if they fancy they’ll use ’em they do.”

“And who pays for that? Who funded that big City and Guilds place in South Kensington? Enterprising business owners! They think they’ll have a bit of science happening, they want a handy Expert from time to time, and there you go! And what do you get for research when you’ve completed it? Just a basic living and no future. They just keep you around to make discoveries, and if they think they’ll use them, they do.”

“One can teach.”

"Anyone can teach."

“How much a year, George? How much a year? I suppose you must respect Carlyle! Well, you take Carlyle’s test—solvency. (Lord! what a book that French Revolution of his is!) See what the world pays teachers and discoverers and what it pays business men! That shows the ones it really wants. There’s a justice in these big things, George, over and above the apparent injustice. I tell you it wants trade. It’s Trade that makes the world go round! Argosies! Venice! Empire!”

“How much do you make in a year, George? How much? I guess you must admire Carlyle! Well, take Carlyle’s test—solvency. (Wow! His book on the French Revolution is something else!) Look at what the world pays teachers and innovators compared to what it pays businesspeople! That shows who really matters. There’s a fairness in these big things, George, beyond the obvious unfairness. I’m telling you, the world craves trade. It’s trade that keeps everything moving! Wealth! Venice! Empire!”

My uncle suddenly rose to his feet.

My uncle suddenly stood up.

“You think it over, George. You think it over! And come up on Sunday to the new place—we got rooms in Gower Street now—and see your aunt. She’s often asked for you, George often and often, and thrown it up at me about that bit of property—though I’ve always said and always will, that twenty-five shillings in the pound is what I’ll pay you and interest up to the nail. And think it over. It isn’t me I ask you to help. It’s yourself. It’s your aunt Susan. It’s the whole concern. It’s the commerce of your country. And we want you badly. I tell you straight, I know my limitations. You could take this place, you could make it go! I can see you at it—looking rather sour. Woosh is the word, George.”

“You think it over, George. You think it over! And come by on Sunday to the new place—we’ve got rooms on Gower Street now—and see your aunt. She’s asked for you a lot, George, and has brought up that property I’ve mentioned—though I’ve always said, and I always will, that twenty-five shillings in the pound is what I’ll pay you, along with interest up to the last penny. And think about it. It’s not just me I’m asking you to help. It’s yourself. It’s your aunt Susan. It’s the whole operation. It’s the economy of your country. And we really need you. I’m telling you honestly, I know my limits. You could take this place and make it work! I can picture you doing it—looking a bit annoyed. Woosh is the word, George.”

And he smiled endearingly.

And he smiled sweetly.

“I got to dictate a letter,” he said, ending the smile, and vanished into the outer room.

“I need to dictate a letter,” he said, dropping the smile, and disappeared into the other room.

III

I didn’t succumb without a struggle to my uncle’s allurements. Indeed, I held out for a week while I contemplated life and my prospects. It was a crowded and muddled contemplation. It invaded even my sleep.

I didn't give in easily to my uncle's temptations. In fact, I resisted for a week while I thought about life and my future. It was a chaotic and confusing reflection. It even disrupted my sleep.

My interview with the Registrar, my talk with my uncle, my abrupt discovery of the hopeless futility of my passion for Marion, had combined to bring me to sense of crisis. What was I going to do with life?

My interview with the Registrar, my conversation with my uncle, and my sudden realization of the hopelessness of my feelings for Marion had all combined to create a sense of crisis in me. What was I supposed to do with my life?

I remember certain phases of my indecisions very well.

I clearly remember some times when I was unsure about things.

I remember going home from our talk. I went down Farringdon Street to the Embankment because I thought to go home by Holborn and Oxford Street would be too crowded for thinking.... That piece of Embankment from Blackfriars to Westminster still reminds me of that momentous hesitation.

I remember heading home after our conversation. I took Farringdon Street to the Embankment because I figured that going home through Holborn and Oxford Street would be too busy for thinking... That stretch of the Embankment from Blackfriars to Westminster still brings back memories of that significant moment of hesitation.

You know, from first to last, I saw the business with my eyes open, I saw its ethical and moral values quite clearly. Never for a moment do I remember myself faltering from my persuasion that the sale of Tono-Bungay was a thoroughly dishonest proceeding. The stuff was, I perceived, a mischievous trash, slightly stimulating, aromatic and attractive, likely to become a bad habit and train people in the habitual use of stronger tonics and insidiously dangerous to people with defective kidneys. It would cost about sevenpence the large bottle to make, including bottling, and we were to sell it at half a crown plus the cost of the patent medicine stamp. A thing that I will confess deterred me from the outset far more than the sense of dishonesty in this affair, was the supreme silliness of the whole concern. I still clung to the idea that the world of men was or should be a sane and just organisation, and the idea that I should set myself gravely, just at the fine springtime of my life, to developing a monstrous bottling and packing warehouse, bottling rubbish for the consumption of foolish, credulous and depressed people, had in it a touch of insanity. My early beliefs still clung to me. I felt assured that somewhere there must be a hitch in the fine prospect of ease and wealth under such conditions; that somewhere, a little overgrown, perhaps, but still traceable, lay a neglected, wasted path of use and honour for me.

You know, from start to finish, I saw the situation clearly; I understood its ethical and moral implications. I never once wavered in my belief that selling Tono-Bungay was completely dishonest. I recognized that the product was essentially worthless, somewhat stimulating, aromatic, and appealing, likely to lead to bad habits and encourage people to rely on stronger tonics, which could be especially harmful to those with kidney issues. It would cost about seven pence to make the large bottle, including bottling, and we were planning to sell it for two shillings and six pence, plus the cost of the patent medicine stamp. What bothered me even more than the dishonesty of the whole thing was the sheer absurdity of it. I still held on to the belief that the world should be a sane and just place, and the thought of dedicating myself, just as I was entering the prime of my life, to building a huge bottling and packaging operation, filling bottles with nonsense for the consumption of gullible, misled, and disheartened people seemed insane. My early ideals still had a grip on me. I felt certain that there must be some flaw in the promising outlook of comfort and wealth under these circumstances; that somewhere, perhaps overgrown but still identifiable, there must exist a neglected yet honorable path for me.

My inclination to refuse the whole thing increased rather than diminished at first as I went along the Embankment. In my uncle’s presence there had been a sort of glamour that had prevented an outright refusal. It was a revival of affection for him I felt in his presence, I think, in part, and in part an instinctive feeling that I must consider him as my host. But much more was it a curious persuasion he had the knack of inspiring—a persuasion not so much of his integrity and capacity as of the reciprocal and yielding foolishness of the world. One felt that he was silly and wild, but in some way silly and wild after the fashion of the universe. After all, one must live somehow. I astonished him and myself by temporising.

My tendency to refuse the whole thing grew stronger rather than weaker as I walked along the Embankment. In my uncle’s presence, there was a kind of charm that kept me from saying no outright. I felt a reconnection with him, partly due to affection, and partly because I instinctively knew I needed to treat him as my host. But even more, it was a strange influence he had a way of creating—a sense not so much of his honesty and skills but of the silly and accommodating foolishness of the world. One could tell he was goofy and impulsive, yet somehow goofy and impulsive in a way that fit with the universe. After all, we have to figure out how to live. I surprised both him and myself by hesitating.

“No,” said I, “I’ll think it over!”

“No,” I said, “I’ll think about it!”

And as I went along the embankment the first effect was all against my uncle. He shrank—for a little while he continued to shrink—in perspective until he was only a very small shabby little man in a dirty back street, sending off a few hundred bottles of rubbish to foolish buyers. The great buildings on the right of us, the Inns and the School Board place—as it was then—Somerset House, the big hotels, the great bridges, Westminster’s outlines ahead, had an effect of grey largeness that reduced him to the proportions of a busy black beetle in a crack in the floor.

And as I walked along the embankment, the first impression was all against my uncle. He shrank—for a little while he kept shrinking—in perspective until he appeared as just a small, shabby man in a dirty back street, sending off a few hundred bottles of junk to clueless buyers. The large buildings on our right, the Inns and the School Board building—what it was called then—Somerset House, the big hotels, the grand bridges, and the outlines of Westminster ahead created a sense of grey enormity that made him seem like a busy little black beetle in a crack in the floor.

And then my eye caught the advertisements on the south side of “Sorber’s Food,” of “Cracknell’s Ferric Wine,” very bright and prosperous signs, illuminated at night, and I realised how astonishingly they looked at home there, how evidently part they were in the whole thing.

And then I noticed the ads on the south side of “Sorber’s Food” for “Cracknell’s Ferric Wine,” bright and successful signs that lit up at night. I realized how astonishingly they fit in there, how clearly they were part of the whole scene.

I saw a man come charging out of Palace Yard—the policeman touched his helmet to him—with a hat and a bearing astonishingly like my uncle’s. After all,—didn’t Cracknell himself sit in the House?

I saw a guy rush out of Palace Yard—the cop touched his helmet to him—with a hat and a stance incredibly similar to my uncle’s. After all, didn’t Cracknell himself sit in the House?

Tono-Bungay shouted at me from a hoarding near Adelphi Terrace; I saw it afar off near Carfax Street; it cried out again upon me in Kensington High Street, and burst into a perfect clamour; six or seven times I saw it as I drew near my diggings. It certainly had an air of being something more than a dream.

Tono-Bungay called out to me from an advertisement near Adelphi Terrace; I spotted it from a distance near Carfax Street; it called out to me again on Kensington High Street and erupted into a complete racket; I saw it six or seven times as I got closer to my place. It definitely felt like it was more than just a dream.

Yes, I thought it over—thoroughly enough.... Trade rules the world. Wealth rather than trade! The thing was true, and true too was my uncle’s proposition that the quickest way to get wealth is to sell the cheapest thing possible in the dearest bottle. He was frightfully right after all. Pecunia non olet,—a Roman emperor said that. Perhaps my great heroes in Plutarch were no more than such men, fine now only because they are distant; perhaps after all this Socialism to which I had been drawn was only a foolish dream, only the more foolish because all its promises were conditionally true. Morris and these others played with it wittingly; it gave a zest, a touch of substance, to their aesthetic pleasures. Never would there be good faith enough to bring such things about. They knew it; every one, except a few young fools, knew it. As I crossed the corner of St. James’s Park wrapped in thought, I dodged back just in time to escape a prancing pair of greys. A stout, common-looking woman, very magnificently dressed, regarded me from the carriage with a scornful eye. “No doubt,” thought I, “a pill-vendor’s wife....”

Yes, I thought it through—thoroughly enough... Trade rules the world. Wealth rather than trade! That was true, and my uncle's idea that the fastest way to get rich is to sell the cheapest thing possible in the most expensive packaging was spot on after all. He was unbelievably right. Pecunia non olet,—a Roman emperor said that. Maybe my great heroes in Plutarch were just like those guys, impressive now only because they're from the past; maybe all this Socialism I had been drawn to was just a silly dream, even sillier because all its promises had some truth to them. Morris and the others played with it knowingly; it added a thrill, a sense of substance, to their aesthetic pleasures. There would never be enough good faith to make those things happen. They knew it; everyone, except a few young fools, knew it. As I crossed the corner of St. James’s Park lost in thought, I stepped back just in time to avoid a prancing pair of grey horses. A stout, ordinary-looking woman, who was very elegantly dressed, looked at me from the carriage with a scornful expression. “No doubt,” I thought, “a pill-vendor’s wife…”

Running through all my thoughts, surging out like a refrain, was my uncle’s master-stroke, his admirable touch of praise: “Make it all slick—and then make it go Woosh. I know you can! Oh! I know you can!”

Running through all my thoughts, bursting out like a catchy line, was my uncle’s brilliant advice, his amazing compliment: “Make it all smooth—and then make it go Woosh. I know you can! Oh! I know you can!”

IV

Ewart as a moral influence was unsatisfactory. I had made up my mind to put the whole thing before him, partly to see how he took it, and partly to hear how it sounded when it was said. I asked him to come and eat with me in an Italian place near Panton Street where one could get a curious, interesting, glutting sort of dinner for eighteen-pence. He came with a disconcerting black-eye that he wouldn’t explain. “Not so much a black-eye,” he said, “as the aftermath of a purple patch.... What’s your difficulty?”

Ewart was not a good moral influence. I decided to lay everything out for him, partly to see his reaction and partly to hear how it sounded when I said it. I invited him to join me for dinner at an Italian restaurant near Panton Street that had an unusual, fascinating, and filling dinner for eighteen pence. He showed up with a puzzling black eye that he wouldn’t explain. “It’s not really a black eye,” he said, “more like the result of a wild night.... What’s bothering you?”

“I’ll tell you with the salad,” I said.

“I’ll tell you with the salad,” I said.

But as a matter of fact I didn’t tell him. I threw out that I was doubtful whether I ought to go into trade, or stick to teaching in view of my deepening socialist proclivities; and he, warming with the unaccustomed generosity of a sixteen-penny Chianti, ran on from that without any further inquiry as to my trouble.

But the truth is, I didn’t tell him. I mentioned that I was unsure whether I should go into business or stay in teaching because of my growing socialist beliefs; and he, feeling unusually generous after a cheap bottle of Chianti, kept talking without asking anything more about my situation.

His utterances roved wide and loose.

His words wandered freely and loosely.

“The reality of life, my dear Ponderevo,” I remember him saying very impressively and punctuating with the nut-crackers as he spoke, “is Chromatic Conflict ... and Form. Get hold of that and let all these other questions go. The Socialist will tell you one sort of colour and shape is right, the Individualist another. What does it all amount to? What does it all amount to? Nothing! I have no advice to give anyone,—except to avoid regrets. Be yourself, seek after such beautiful things as your own sense determines to be beautiful. And don’t mind the headache in the morning.... For what, after all, is a morning, Ponderevo? It isn’t like the upper part of a day!”

“The reality of life, my dear Ponderevo,” I remember him saying very emphatically, punctuating his words with the nut-crackers as he spoke, “is Chromatic Conflict ... and Form. Understand that and let go of all these other questions. The Socialist will tell you one kind of color and shape is right, the Individualist another. What does it all come down to? What does it all come down to? Nothing! I have no advice to give anyone—except to avoid regrets. Be yourself, pursue the beautiful things that your own sense defines as beautiful. And don't worry about the headache in the morning.... Because what, after all, is a morning, Ponderevo? It isn't like the upper part of a day!”

He paused impressively.

He paused dramatically.

“What Rot!” I cried, after a confused attempt to apprehend him.

“What nonsense!” I exclaimed, after a confused effort to catch up with him.

“Isn’t it! And it’s my bedrock wisdom in the matter! Take it or leave it, my dear George; take it or leave it.”... He put down the nut-crackers out of my reach and lugged a greasy-looking note-book from his pocket. “I’m going to steal this mustard pot,” he said.

“Isn't it! And it's my solid advice on the subject! Take it or leave it, my dear George; take it or leave it.”... He placed the nut-crackers out of my reach and pulled out a greasy-looking notebook from his pocket. “I'm going to take this mustard pot,” he said.

I made noises of remonstrance.

I expressed my disapproval.

“Only as a matter of design. I’ve got to do an old beast’s tomb.

“Just for design purposes. I have to create a tomb for an old beast.”

“Wholesale grocer. I’ll put it on his corners,—four mustard pots. I dare say he’d be glad of a mustard plaster now to cool him, poor devil, where he is. But anyhow,—here goes!”

“Wholesale grocer. I’ll put it on his corners,—four mustard pots. I bet he’d appreciate a mustard plaster right now to soothe him, poor guy, where he is. But anyway,—here goes!”

V

It came to me in the small hours that the real moral touchstone for this great doubting of mind was Marion. I lay composing statements of my problem and imagined myself delivering them to her—and she, goddess-like and beautiful; giving her fine, simply-worded judgment.

It hit me in the early hours that the true moral benchmark for all this doubt was Marion. I lay there, thinking about how to articulate my problem and pictured myself sharing it with her—and she, like a goddess and stunningly beautiful, offering her clear and thoughtful verdict.

“You see, it’s just to give one’s self over to the Capitalistic System,” I imagined myself saying in good Socialist jargon; “it’s surrendering all one’s beliefs. We may succeed, we may grow rich, but where would the satisfaction be?”

“You see, it’s just about giving in to the Capitalist System,” I pictured myself saying in classic Socialist terms; “it’s letting go of all your beliefs. We might succeed, we might get rich, but what would be the point?”

Then she would say, “No! That wouldn’t be right.”

Then she would say, “No! That wouldn’t be okay.”

“But the alternative is to wait!”

“But the alternative is to wait!”

Then suddenly she would become a goddess. She would turn upon me frankly and nobly, with shining eyes, with arms held out. “No,” she would say, “we love one another. Nothing ignoble shall ever touch us. We love one another. Why wait to tell each other that, dear? What does it matter that we are poor and may keep poor?”

Then suddenly she would become a goddess. She would turn to me openly and nobly, with shining eyes and arms wide open. “No,” she would say, “we love each other. Nothing shameful will ever touch us. We love one another. Why wait to tell each other that, dear? What does it matter that we’re poor and might stay poor?”

But indeed the conversation didn’t go at all in that direction. At the sight of her my nocturnal eloquence became preposterous and all the moral values altered altogether. I had waited for her outside the door of the Parsian-robe establishment in Kensington High Street and walked home with her thence. I remember how she emerged into the warm evening light and that she wore a brown straw hat that made her, for once not only beautiful but pretty.

But the conversation didn’t go that way at all. When I saw her, my late-night charm felt ridiculous, and all my principles shifted completely. I had waited for her outside the boutique in Kensington High Street and walked home with her from there. I remember how she stepped out into the warm evening light, wearing a brown straw hat that made her not just beautiful but also cute for once.

“I like that hat,” I said by way of opening; and she smiled her rare delightful smile at me.

“I like that hat,” I said to start the conversation; and she smiled her rare, delightful smile at me.

“I love you,” I said in an undertone, as we jostled closer on the pavement.

“I love you,” I murmured quietly, as we squeezed closer on the sidewalk.

She shook her head forbiddingly, but she still smiled. Then—“Be sensible!”

She shook her head disapprovingly, but she still smiled. Then—“Be reasonable!”

The High Street pavement is too narrow and crowded for conversation and we were some way westward before we spoke again.

The sidewalk on the High Street is too narrow and crowded for talking, and it was a while before we spoke again as we headed west.

“Look here,” I said; “I want you, Marion. Don’t you understand? I want you.”

“Listen,” I said; “I want you, Marion. Don’t you get it? I want you.”

“Now!” she cried warningly.

"Now!" she yelled urgently.

I do not know if the reader will understand how a passionate lover, an immense admiration and desire, can be shot with a gleam of positive hatred. Such a gleam there was in me at the serene self-complacency of that “Now!” It vanished almost before I felt it. I found no warning in it of the antagonisms latent between us.

I don't know if the reader will get how a passionate lover, filled with huge admiration and desire, can feel a flash of real hatred. I felt that flash when I saw the calm self-satisfaction of that “Now!” It disappeared almost as quickly as I felt it. I didn't see any sign of the underlying conflicts between us.

“Marion,” I said, “this isn’t a trifling matter to me. I love you; I would die to get you.... Don’t you care?”

“Marion,” I said, “this isn’t a small deal to me. I love you; I would do anything to be with you.... Don’t you care?”

“But what is the good?”

“But what’s the point?”

“You don’t care,” I cried. “You don’t care a rap!”

“You don’t care,” I shouted. “You don’t care at all!”

“You know I care,” she answered. “If I didn’t—If I didn’t like you very much, should I let you come and meet me—go about with you?”

“You know I care,” she replied. “If I didn’t—if I didn’t like you a lot, would I let you come and meet me—hang out with you?”

“Well then,” I said, “promise to marry me!”

“Well then,” I said, “promise that you’ll marry me!”

“If I do, what difference will it make?”

“If I do, what difference does it make?”

We were separated by two men carrying a ladder who drove between us unawares.

We were divided by two guys carrying a ladder who passed by us without realizing it.

“Marion,” I asked when we got together again, “I tell you I want you to marry me.”

“Marion,” I said when we met up again, “I’m serious, I want you to marry me.”

“We can’t.”

"We can't."

“Why not?”

"Why not?"

“We can’t marry—in the street.”

“We can’t get married outside.”

“We could take our chance!”

“Let’s take our chance!”

“I wish you wouldn’t go on talking like this. What is the good?”

“I wish you wouldn’t keep talking like this. What’s the point?”

She suddenly gave way to gloom. “It’s no good marrying” she said. “One’s only miserable. I’ve seen other girls. When one’s alone one has a little pocket-money anyhow, one can go about a little. But think of being married and no money, and perhaps children—you can’t be sure....”

She suddenly fell into a deep sadness. “Marrying is pointless,” she said. “It just makes you miserable. I’ve seen other girls. When you're single, you have a little extra cash to spend, and you can go out and enjoy yourself. But think about being married with no money and maybe kids—you can't be certain....”

She poured out this concentrated philosophy of her class and type in jerky uncompleted sentences, with knitted brows, with discontented eyes towards the westward glow—forgetful, it seemed, for a moment even of me.

She shared this intense philosophy of her social class and type in short, unfinished sentences, with furrowed brows and dissatisfied eyes focused on the glow in the west—at that moment, it seemed she even forgot about me.

“Look here, Marion,” I said abruptly, “what would you marry on?”

“Listen, Marion,” I said suddenly, “what would you marry for?”

“What is the good?” she began.

“What is the good?” she asked.

“Would you marry on three hundred a year?”

“Would you marry for three hundred a year?”

She looked at me for a moment. “That’s six pounds a week,” she said. “One could manage on that, easily. Smithie’s brother—No, he only gets two hundred and fifty. He married a typewriting girl.”

She glanced at me for a moment. “That’s six pounds a week,” she said. “You could easily get by on that. Smithie’s brother—No, he only gets two hundred and fifty. He married a typist.”

“Will you marry me if I get three hundred a year?”

“Will you marry me if I earn three hundred a year?”

She looked at me again, with a curious gleam of hope.

She looked at me again, with a curious spark of hope.

If!” she said.

If!” she replied.

I held out my hand and looked her in the eyes. “It’s a bargain,” I said.

I extended my hand and looked her in the eyes. “It’s a deal,” I said.

She hesitated and touched my hand for an instant. “It’s silly,” she remarked as she did so. “It means really we’re—” She paused.

She hesitated and touched my hand for a moment. “It’s silly,” she said while doing so. “It really means we’re—” She paused.

“Yes?” said I.

“Yeah?” I said.

“Engaged. You’ll have to wait years. What good can it do you?”

“Engaged. You’ll be waiting for years. What good will that do you?”

“Not so many years.” I answered.

“Not so many years,” I replied.

For a moment she brooded.

She pondered for a moment.

Then she glanced at me with a smile, half-sweet, half-wistful, that has stuck in my memory for ever.

Then she looked at me with a smile, part sweet and part longing, that has stuck in my memory forever.

“I like you!” she said. “I shall like to be engaged to you.”

“I like you!” she said. “I want to be engaged to you.”

And, faint on the threshold of hearing, I caught her ventured “dear!” It’s odd that in writing this down my memory passed over all that intervened and I feel it all again, and once again I’m Marion’s boyish lover taking great joy in such rare and little things.

And, barely audible, I heard her softly say “dear!” It’s strange that as I write this down, my memory skips over everything that happened in between, and I can feel it all again. Once more, I’m Marion’s youthful lover, finding so much joy in those rare and small moments.

VI

At last I went to the address my uncle had given me in Gower Street, and found my aunt Susan waiting tea for him.

At last, I went to the address my uncle had given me on Gower Street and found my aunt Susan waiting to serve tea for him.

Directly I came into the room I appreciated the change in outlook that the achievement of Tono-Bungay had made almost as vividly as when I saw my uncle’s new hat. The furniture of the room struck upon my eye as almost stately. The chairs and sofa were covered with chintz which gave it a dim, remote flavour of Bladesover; the mantel, the cornice, the gas pendant were larger and finer than the sort of thing I had grown accustomed to in London. And I was shown in by a real housemaid with real tails to her cap, and great quantities of reddish hair. There was my aunt too looking bright and pretty, in a blue-patterned tea-wrap with bows that seemed to me the quintessence of fashion. She was sitting in a chair by the open window with quite a pile of yellow-labelled books on the occasional table beside her. Before the large, paper-decorated fireplace stood a three-tiered cake-stand displaying assorted cakes, and a tray with all the tea equipage except the teapot, was on the large centre-table. The carpet was thick, and a spice of adventure was given it by a number of dyed sheep-skin mats.

As soon as I stepped into the room, I noticed how much it had changed because of Tono-Bungay, almost as clearly as I did when I saw my uncle's new hat. The furniture looked almost elegant. The chairs and sofa were covered in chintz, which gave the room a subtle, old-fashioned vibe reminiscent of Bladesover; the mantel, cornice, and gas pendant were bigger and nicer than what I was used to in London. I was welcomed by a real housemaid, with her hair in something resembling tails and a lot of reddish hair. My aunt was there too, looking cheerful and stylish in a blue-patterned tea-wrap with bows that I thought were the height of fashion. She was sitting in a chair by the open window, surrounded by a stack of yellow-labelled books on the occasional table next to her. In front of the large, decorated fireplace stood a three-tiered cake stand filled with various cakes, and a tray with all the tea set except the teapot was on the big central table. The carpet was thick, and it had a touch of adventure from several dyed sheepskin mats.

“Hel-lo!” said my aunt as I appeared. “It’s George!”

“Hey!” said my aunt as I showed up. “It’s George!”

“Shall I serve the tea now, Mem?” said the real housemaid, surveying our greeting coldly.

“Should I serve the tea now, Ma'am?” said the real housemaid, looking at our greeting coldly.

“Not till Mr. Ponderevo comes, Meggie,” said my aunt, and grimaced with extraordinary swiftness and virulence as the housemaid turned her back.

“Not until Mr. Ponderevo arrives, Meggie,” said my aunt, making a sharp grimace just as the housemaid turned her back.

“Meggie she calls herself,” said my aunt as the door closed, and left me to infer a certain want of sympathy.

“Meggie calls herself that,” my aunt said as the door closed, leaving me to assume a lack of sympathy.

“You’re looking very jolly, aunt,” said I.

“You look really cheerful, Aunt,” I said.

“What do you think of all this old Business he’s got?” asked my aunt.

“What do you think of all this old business he has?” asked my aunt.

“Seems a promising thing,” I said.

"Sounds like a good idea," I said.

“I suppose there is a business somewhere?”

"I guess there's a business around here?"

“Haven’t you seen it?”

"Have you not seen it?"

“‘Fraid I’d say something AT it George, if I did. So he won’t let me. It came on quite suddenly. Brooding he was and writing letters and sizzling something awful—like a chestnut going to pop. Then he came home one day saying Tono-Bungay till I thought he was clean off his onion, and singing—what was it?”

“I'm afraid I'd say something about it, George, if I did. So he won't let me. It came on pretty suddenly. He was brooding and writing letters, really fired up—like a chestnut about to pop. Then one day he came home talking about Tono-Bungay until I thought he was totally losing it, and singing—what was it?”

“‘I’m afloat, I’m afloat,’” I guessed.

“‘I’m floating, I’m floating,’” I guessed.

“The very thing. You’ve heard him. And saying our fortunes were made. Took me out to the Ho’burm Restaurant, George,—dinner, and we had champagne, stuff that blows up the back of your nose and makes you go So, and he said at last he’d got things worthy of me—and we moved here next day. It’s a swell house, George. Three pounds a week for the rooms. And he says the Business’ll stand it.”

“The exact thing. You’ve heard him. And saying our fortunes were made. Took me out to the Ho’burm Restaurant, George—dinner, and we had champagne, stuff that makes your nose tingle and makes you go So, and he finally said he had things deserving of me—and we moved here the next day. It’s a great house, George. Three pounds a week for the rooms. And he says the business can handle it.”

She looked at me doubtfully.

She looked at me skeptically.

“Either do that or smash,” I said profoundly.

“Do that or break it,” I said seriously.

We discussed the question for a moment mutely with our eyes. My aunt slapped the pile of books from Mudie’s.

We exchanged a wordless glance about the question for a moment. My aunt knocked the stack of books from Mudie’s onto the floor.

“I’ve been having such a Go of reading, George. You never did!”

“I’ve been really getting into reading, George. You never have!”

“What do you think of the business?” I asked.

“What do you think of the business?” I asked.

“Well, they’ve let him have money,” she said, and thought and raised her eyebrows.

“Well, they’ve given him money,” she said, thinking and raising her eyebrows.

“It’s been a time,” she went on. “The flapping about! Me sitting doing nothing and him on the go like a rocket. He’s done wonders. But he wants you, George—he wants you. Sometimes he’s full of hope—talks of when we’re going to have a carriage and be in society—makes it seem so natural and topsy-turvy, I hardly know whether my old heels aren’t up here listening to him, and my old head on the floor.... Then he gets depressed. Says he wants restraint. Says he can make a splash but can’t keep on. Says if you don’t come in everything will smash—But you are coming in?”

“It’s been quite a time,” she continued. “All this fuss! Me just sitting around doing nothing while he’s running around like crazy. He’s accomplished amazing things. But he wants you, George—he really wants you. Sometimes he’s full of hope—talks about when we’re going to have a carriage and be part of society—makes it seem so natural and upside down, I can hardly tell if my old heels are up here listening to him and my old head is on the floor.... Then he gets down. Says he wants boundaries. Says he can make a splash but can’t keep it going. Says if you don’t join in, everything will fall apart—But you are joining in, right?”

She paused and looked at me.

She stopped and looked at me.

“Well—”

"Well..."

“You don’t say you won’t come in!”

“You're not saying you won't come in!”

“But look here, aunt,” I said, “do you understand quite?... It’s a quack medicine. It’s trash.”

“But look here, aunt,” I said, “do you really get it?... It’s a fake medicine. It’s garbage.”

“There’s no law against selling quack medicine that I know of,” said my aunt. She thought for a minute and became unusually grave. “It’s our only chance, George,” she said. “If it doesn’t go...”

“There's no law against selling fake medicine that I know of,” said my aunt. She thought for a moment and became unusually serious. “It’s our only chance, George,” she said. “If it doesn’t work...”

There came the slamming of a door, and a loud bellowing from the next apartment through the folding doors. “Here-er Shee Rulk lies Poo Tom Bo—oling.”

There was a loud slam of a door, followed by a booming voice from the neighboring apartment through the folding doors. “Here-er Shee Rulk lies Poo Tom Bo—oling.”

“Silly old Concertina! Hark at him, George!” She raised her voice. “Don’t sing that, you old Walrus, you! Sing ‘I’m afloat!’”

“Silly old Concertina! Listen to him, George!” She raised her voice. “Don’t sing that, you old Walrus, you! Sing ‘I’m afloat!’”

One leaf of the folding doors opened and my uncle appeared.

One leaf of the folding doors swung open and my uncle walked in.

“Hullo, George! Come along at last? Gossome tea-cake, Susan?”

“Hai, George! You finally made it? Want some tea cake, Susan?”

“Thought it over George?” he said abruptly.

“Have you thought it over, George?” he said suddenly.

“Yes,” said I.

“Yeah,” I said.

“Coming in?”

"Want to come in?"

I paused for a last moment and nodded yes.

I took a moment to pause and nodded in agreement.

“Ah!” he cried. “Why couldn’t you say that a week ago?”

“Ah!” he exclaimed. “Why couldn’t you have said that a week ago?”

“I’ve had false ideas about the world,” I said. “Oh! they don’t matter now! Yes, I’ll come, I’ll take my chance with you, I won’t hesitate again.”

“I’ve had wrong ideas about the world,” I said. “Oh! they don’t matter now! Yes, I’ll come, I’ll take my chance with you, I won’t hesitate again.”

And I didn’t. I stuck to that resolution for seven long years.

And I didn’t. I kept that promise for seven long years.

CHAPTER THE THIRD
HOW WE MADE TONO-BUNGAY HUM

I

So I made my peace with my uncle, and we set out upon this bright enterprise of selling slightly injurious rubbish at one-and-three-halfpence and two-and-nine a bottle, including the Government stamp. We made Tono-Bungay hum! It brought us wealth, influence, respect, the confidence of endless people. All that my uncle promised me proved truth and understatement; Tono-Bungay carried me to freedoms and powers that no life of scientific research, no passionate service of humanity could ever have given me....

So I made amends with my uncle, and we embarked on this exciting venture of selling slightly harmful junk for one shilling and three and a half pence and two shillings and nine pence a bottle, including the Government tax. We made Tono-Bungay thrive! It brought us wealth, influence, respect, and the trust of countless people. Everything my uncle promised me turned out to be true and even an understatement; Tono-Bungay gave me freedoms and powers that no life of scientific research or passionate service to humanity could have ever provided me with...

It was my uncle’s genius that did it. No doubt he needed me,—I was, I will admit, his indispensable right hand; but his was the brain to conceive. He wrote every advertisement; some of them even he sketched. You must remember that his were the days before the Time took to enterprise and the vociferous hawking of that antiquated Encyclopædia. That alluring, button-holing, let-me-just-tell-you-quite-soberly-something-you-ought-to-know style of newspaper advertisement, with every now and then a convulsive jump of some attractive phrase into capitals, was then almost a novelty. “Many people who are MODERATELY well think they are QUITE well,” was one of his early efforts. The jerks in capitals were, “DO NOT NEED DRUGS OR MEDICINE,” and “SIMPLY A PROPER REGIMEN TO GET YOU IN TONE.” One was warned against the chemist or druggist who pushed “much-advertised nostrums” on one’s attention. That trash did more harm than good. The thing needed was regimen—and Tono-Bungay!

It was my uncle's brilliance that made it happen. No doubt he needed me—I admit I was his essential right hand—but he was the one with the ideas. He wrote every advertisement; some of them he even sketched himself. You have to remember that this was before the time when companies started promoting themselves aggressively and the loud advertising of that old Encyclopædia. The enticing, persuasive, “let me just share something important with you” style of newspaper ads, where occasionally an eye-catching phrase would jump out in capital letters, was still pretty new. “Many people who are MODERATELY well think they are QUITE well,” was one of his early lines. The capitalized phrases were, “DO NOT NEED DRUGS OR MEDICINE,” and “SIMPLY A PROPER REGIMEN TO GET YOU IN TONE.” People were warned against the pharmacist or druggist pushing “overly-advertised remedies” on them. That nonsense did more harm than good. What was really needed was a regimen—and Tono-Bungay!

Very early, too, was that bright little quarter column, at least it was usually a quarter column in the evening papers: “HILARITY—Tono-Bungay. Like Mountain Air in the Veins.” The penetrating trio of questions: “Are you bored with your Business? Are you bored with your Dinner. Are you bored with your Wife?”—that, too, was in our Gower Street days. Both these we had in our first campaign when we worked London south central, and west; and then, too, we had our first poster—the HEALTH, BEAUTY, AND STRENGTH one. That was his design; I happen still to have got by me the first sketch he made for it. I have reproduced it here with one or two others to enable the reader to understand the mental quality that initiated these familiar ornaments of London.

Very early on, there was that bright little quarter column, usually a quarter column in the evening papers: “HILARITY—Tono-Bungay. Like Mountain Air in the Veins.” The sharp trio of questions: “Are you bored with your job? Are you bored with your dinner? Are you bored with your wife?”—that was back in our Gower Street days. Both of these were part of our first campaign when we worked in south central and west London; and we also had our first poster—the HEALTH, BEAUTY, AND STRENGTH one. That was his design; I still happen to have the original sketch he made for it. I’ve included it here along with a couple of others to help the reader appreciate the creative thinking that sparked these familiar features of London.

(The second one is about eighteen months later, the germ of the well-known “Fog” poster; the third was designed for an influenza epidemic, but never issued.)

(The second one is about eighteen months later, the seed of the famous “Fog” poster; the third was created for an influenza outbreak, but was never released.)

These things were only incidental in my department. I had to polish them up for the artist and arrange the business of printing and distribution, and after my uncle had had a violent and needless quarrel with the advertising manager of the Daily Regulator about the amount of display given to one of his happy thoughts, I also took up the negotiations of advertisements for the press.

These things were just minor details in my department. I had to clean them up for the artist and handle the printing and distribution business, and after my uncle had a heated and unnecessary argument with the advertising manager of the Daily Regulator over the amount of display given to one of his great ideas, I also took over the negotiations for advertisements in the press.

We discussed and worked out distribution together first in the drawing-room floor in Gower Street with my aunt sometimes helping very shrewdly, and then, with a steadily improving type of cigar and older and older whisky, in his smuggery at their first house, the one in Beckenham. Often we worked far into the night sometimes until dawn.

We talked and figured out distribution together first in the living room on Gower Street, with my aunt occasionally helping out intelligently, and then, with increasingly better cigars and older whisky, in his hideout at their first house, the one in Beckenham. We often worked late into the night, sometimes until dawn.

We really worked infernally hard, and, I recall, we worked with a very decided enthusiasm, not simply on my uncle’s part but mine, It was a game, an absurd but absurdly interesting game, and the points were scored in cases of bottles. People think a happy notion is enough to make a man rich, that fortunes can be made without toil. It’s a dream, as every millionaire (except one or two lucky gamblers) can testify; I doubt if J.D. Rockefeller in the early days of Standard Oil, worked harder than we did. We worked far into the night—and we also worked all day. We made a rule to be always dropping in at the factory unannounced to keep things right—for at first we could afford no properly responsible underlings—and we traveled London, pretending to be our own representatives and making all sorts of special arrangements.

We really worked incredibly hard, and I remember we were both really enthusiastic about it—not just my uncle, but me too. It was a game, a ridiculous but oddly fascinating game, and we scored points based on bottles. People think that having a great idea is enough to get rich, that you can build fortunes without hard work. It’s a fantasy, as every millionaire (except maybe a couple of lucky gamblers) can confirm; I don’t think J.D. Rockefeller in the early days of Standard Oil worked any harder than we did. We worked late into the night—and we also worked all day. We made it a rule to drop by the factory unexpectedly to keep things on track—since at first, we couldn’t afford any reliable assistants—and we traveled around London, pretending to be our own representatives and making all kinds of special arrangements.

But none of this was my special work, and as soon as we could get other men in, I dropped the traveling, though my uncle found it particularly interesting and kept it up for years. “Does me good, George, to see the chaps behind their counters like I was once,” he explained. My special and distinctive duty was to give Tono-Bungay substance and an outward and visible bottle, to translate my uncle’s great imaginings into the creation of case after case of labelled bottles of nonsense, and the punctual discharge of them by railway, road and steamer towards their ultimate goal in the Great Stomach of the People. By all modern standards the business was, as my uncle would say, “absolutely bonâ fide.” We sold our stuff and got the money, and spent the money honestly in lies and clamour to sell more stuff. Section by section we spread it over the whole of the British Isles; first working the middle-class London suburbs, then the outer suburbs, then the home counties, then going (with new bills and a more pious style of “ad”) into Wales, a great field always for a new patent-medicine, and then into Lancashire.

But none of this was my specific job, and as soon as we could hire other guys, I stopped traveling, even though my uncle found it really interesting and continued for years. “It does me good, George, to see the folks behind their counters like I used to,” he explained. My unique responsibility was to give Tono-Bungay substance and a visible bottle, translating my uncle’s grand ideas into the production of case after case of labelled bottles of nonsense, and ensuring they were promptly shipped by train, road, and steamer to their final destination in the Great Stomach of the People. By all modern standards, the business was, as my uncle would say, “absolutely bonâ fide.” We sold our products, earned money, and honestly spent that money on lies and noise to sell more products. Piece by piece, we spread it all over the British Isles; first targeting the middle-class suburbs of London, then the outer suburbs, then the home counties, and then moving (with new ads and a more pious style of promotion) into Wales, which was always a great market for a new patent medicine, and then into Lancashire.

My uncle had in his inner office a big map of England, and as we took up fresh sections of the local press and our consignments invaded new areas, flags for advertisements and pink underlines for orders showed our progress.

My uncle had a large map of England in his private office, and as we tackled new sections of the local press and our shipments reached new areas, flags for advertisements and pink underlines for orders marked our progress.

“The romance of modern commerce, George!” my uncle would say, rubbing his hands together and drawing in air through his teeth. “The romance of modern commerce, eh? Conquest. Province by province. Like sogers.”

“The excitement of modern business, George!” my uncle would say, rubbing his hands together and sucking in air through his teeth. “The excitement of modern business, huh? Conquest. One region at a time. Just like soldiers.”

We subjugated England and Wales; we rolled over the Cheviots with a special adaptation containing eleven per cent. of absolute alcohol; “Tono-Bungay: Thistle Brand.” We also had the Fog poster adapted to a kilted Briton in a misty Highland scene.

We took control of England and Wales; we cruised over the Cheviots with a special blend that had eleven percent pure alcohol; “Tono-Bungay: Thistle Brand.” We also modified the Fog poster to feature a kilted Brit against a misty Highland backdrop.

Under the shadow of our great leading line we were presently taking subsidiary specialties into action; “Tono-Bungay Hair Stimulant” was our first supplement. Then came “Concentrated Tono-Bungay” for the eyes. That didn’t go, but we had a considerable success with the Hair Stimulant. We broached the subject, I remember, in a little catechism beginning: “Why does the hair fall out? Because the follicles are fagged. What are the follicles?...” So it went on to the climax that the Hair Stimulant contained all “The essential principles of that most reviving tonic, Tono-Bungay, together with an emollient and nutritious oil derived from crude Neat’s Foot Oil by a process of refinement, separation and deodorization.... It will be manifest to any one of scientific attainments that in Neat’s Foot Oil derived from the hoofs and horns of beasts, we must necessarily have a natural skin and hair lubricant.”

Under the shadow of our main product line, we started launching additional specialties; “Tono-Bungay Hair Stimulant” was our first supplement. Next came “Concentrated Tono-Bungay” for the eyes. That didn’t take off, but we had significant success with the Hair Stimulant. I remember we kicked off the discussion with a little quiz starting: “Why does hair fall out? Because the follicles are worn out. What are the follicles?...” It continued until we reached the point that the Hair Stimulant included all “The essential ingredients of that revitalizing tonic, Tono-Bungay, along with a soothing and nourishing oil extracted from crude Neat’s Foot Oil through a process of refinement, separation, and deodorization.... It will be clear to anyone with scientific knowledge that Neat’s Foot Oil, sourced from the hooves and horns of animals, must naturally provide a lubricant for skin and hair.”

And we also did admirable things with our next subsidiaries, “Tono-Bungay Lozenges,” and “Tono-Bungay Chocolate.” These we urged upon the public for their extraordinary nutritive and recuperative value in cases of fatigue and strain. We gave them posters and illustrated advertisements showing climbers hanging from marvelously vertical cliffs, cyclist champions upon the track, mounted messengers engaged in Aix-to-Ghent rides, soldiers lying out in action under a hot sun. “You can GO for twenty-four hours,” we declared, “on Tono-Bungay Chocolate.” We didn’t say whether you could return on the same commodity. We also showed a dreadfully barristerish barrister, wig, side-whiskers, teeth, a horribly life-like portrait of all existing barristers, talking at a table, and beneath, this legend: “A Four Hours’ Speech on Tono-Bungay Lozenges, and as fresh as when he began.” Then brought in regiments of school-teachers, revivalist ministers, politicians and the like. I really do believe there was an element of “kick” in the strychnine in these lozenges, especially in those made according to our earlier formula. For we altered all our formulae—invariably weakening them enormously as sales got ahead.

And we also did impressive things with our next products, “Tono-Bungay Lozenges” and “Tono-Bungay Chocolate.” We promoted them to the public for their amazing nutritional and restorative benefits in cases of fatigue and stress. We created posters and ads featuring climbers scaling steep cliffs, champion cyclists on the track, messengers on long rides from Aix to Ghent, and soldiers resting in action under the blazing sun. “You can GO for twenty-four hours,” we proclaimed, “on Tono-Bungay Chocolate.” We didn’t mention whether you could come back on the same product. We also showcased a very stereotypical barrister—full wig, sideburns, and a painfully realistic depiction of all barristers—talking at a table, with the caption: “A Four Hours’ Speech on Tono-Bungay Lozenges, and as fresh as when he started.” Then we added crowds of school teachers, revivalist ministers, politicians, and others. I really do think there was a hint of “kick” in the strychnine in these lozenges, especially in those made with our original formula. We changed all our formulas—always significantly weakening them as sales picked up.

In a little while—so it seems to me now—we were employing travelers and opening up Great Britain at the rate of a hundred square miles a day. All the organisation throughout was sketched in a crude, entangled, half-inspired fashion by my uncle, and all of it had to be worked out into a practicable scheme of quantities and expenditure by me. We had a lot of trouble finding our travelers; in the end at least half of them were Irish-Americans, a wonderful breed for selling medicine. We had still more trouble over our factory manager, because of the secrets of the inner room, and in the end we got a very capable woman, Mrs. Hampton Diggs, who had formerly managed a large millinery workroom, whom we could trust to keep everything in good working order without finding out anything that wasn’t put exactly under her loyal and energetic nose. She conceived a high opinion of Tono-Bungay and took it in all forms and large quantities so long as I knew her. It didn’t seem to do her any harm. And she kept the girls going quite wonderfully.

In a little while—at least it feels that way now—we were hiring travelers and expanding across Great Britain at a pace of a hundred square miles a day. My uncle outlined all the organization in a rough, tangled, somewhat inspired way, and it was up to me to turn it into a practical plan for quantities and expenses. Finding our travelers was quite challenging; eventually, at least half of them were Irish-Americans, a fantastic group for selling medicine. We had even more difficulty with our factory manager, due to the secrets of the inner room. In the end, we hired a very capable woman, Mrs. Hampton Diggs, who had previously managed a large millinery workshop. We could rely on her to keep everything running smoothly without discovering anything that wasn’t right in front of her loyal and energetic nose. She developed a high opinion of Tono-Bungay and took it in all forms and large quantities for as long as I knew her. It didn’t seem to harm her, and she managed the girls remarkably well.

My uncle’s last addition to the Tono-Bungay group was the Tono-Bungay Mouthwash. The reader has probably read a hundred times that inspiring inquiry of his, “You are Young Yet, but are you Sure Nothing has Aged your Gums?”

My uncle's final contribution to the Tono-Bungay line was the Tono-Bungay Mouthwash. You've probably come across his thought-provoking question countless times: "You are young, but are you sure nothing has aged your gums?"

And after that we took over the agency for three or four good American lines that worked in with our own, and could be handled with it; Texan Embrocation, and “23—to clear the system” were the chief....

And after that, we took over the agency for three or four reliable American brands that fit well with our own and could be managed together; Texan Embrocation and “23—to clear the system” were the main ones....

I set down these bare facts. To me they are all linked with the figure of my uncle. In some of the old seventeenth and early eighteenth century prayerbooks at Bladesover there used to be illustrations with long scrolls coming out of the mouths of the wood-cut figures. I wish I could write all this last chapter on a scroll coming out of the head of my uncle, show it all the time as unfolding and pouring out from a short, fattening, small-legged man with stiff cropped hair, disobedient glasses on a perky little nose, and a round stare behind them. I wish I could show you him breathing hard and a little through his nose as his pen scrabbled out some absurd inspiration for a poster or a picture page, and make you hear his voice, charged with solemn import like the voice of a squeaky prophet, saying, “George! list’n! I got an ideer. I got a notion! George!”

I’m laying out these simple facts. To me, they’re all connected to my uncle. In some of the old prayer books from the seventeenth and early eighteenth centuries at Bladesover, there were illustrations with long scrolls coming out of the mouths of woodcut figures. I wish I could write this last chapter on a scroll that comes out of my uncle's head, showing it all as it unfolds and spills out from a short, plump, small-legged man with stiff, cropped hair, unruly glasses perched on his nose, and a wide-eyed stare behind them. I wish I could show him breathing hard and a little through his nose as he scribbles out some ridiculous idea for a poster or a picture page, and make you hear his voice, heavy with seriousness like a squeaky prophet saying, “George! Listen! I’ve got an idea. I’ve got a notion! George!”

I should put myself into the same picture. Best setting for us, I think, would be the Beckenham snuggery, because there we worked hardest. It would be the lamplit room of the early nineties, and the clock upon the mantel would indicate midnight or later. We would be sitting on either side of the fire, I with a pipe, my uncle with a cigar or cigarette. There would be glasses standing inside the brass fender. Our expressions would be very grave. My uncle used to sit right back in his armchair; his toes always turned in when he was sitting down and his legs had a way of looking curved, as though they hadn’t bones or joints but were stuffed with sawdust.

I should picture myself in that scene. The best place for us, I think, would be the Beckenham lounge, since that's where we worked the hardest. It would be a cozy, lamplit room from the early nineties, and the clock on the mantel would show midnight or later. We'd be sitting on either side of the fire, me with a pipe and my uncle with a cigar or cigarette. There would be glasses sitting inside the brass fender. Our faces would be quite serious. My uncle would be lounging back in his armchair; his toes always turned in when he sat down, and his legs looked a bit curved, as if they were filled with sawdust instead of bones or joints.

“George, whad’yer think of T.B. for sea-sickness?” he would say.

“George, what do you think of T.B. for sea sickness?” he would say.

“No good that I can imagine.”

“No good that I can think of.”

“Oom! No harm trying, George. We can but try.”

“Oom! No harm in trying, George. We can only try.”

I would suck my pipe. “Hard to get at. Unless we sold our stuff specially at the docks. Might do a special at Cook’s office, or in the Continental Bradshaw.”

I would smoke my pipe. “It's tough to reach. Unless we sold our things specifically at the docks. We might do a special deal at Cook’s office, or in the Continental Bradshaw.”

“It ’ud give ’em confidence, George.”

“It would give them confidence, George.”

He would Zzzz, with his glasses reflecting the red of the glowing coals.

He would doze off, with his glasses reflecting the red of the glowing coals.

“No good hiding our light under a Bushel,” he would remark.

“No point in hiding our light under a bushel,” he would say.

I never really determined whether my uncle regarded Tono-Bungay as a fraud, or whether he didn’t come to believe in it in a kind of way by the mere reiteration of his own assertions. I think that his average attitude was one of kindly, almost parental, toleration. I remember saying on one occasion, “But you don’t suppose this stuff ever did a human being the slightest good all?” and how his face assumed a look of protest, as of one reproving harshness and dogmatism.

I never quite figured out if my uncle thought Tono-Bungay was a scam, or if he ended up believing in it in some way just from repeating his own claims. I think his overall attitude was one of gentle, almost parental, acceptance. I remember asking him once, “But you don’t really think this stuff ever did any good for anyone, right?” and how his face showed a look of protest, like he was disapproving of harshness and dogmatism.

“You’ve a hard nature, George,” he said. “You’re too ready to run things down. How can one tell? How can one venture to tell?...”

“You have a tough personality, George,” he said. “You’re too quick to criticize. How can one know? How can one dare to know?...”

I suppose any creative and developing game would have interested me in those years. At any rate, I know I put as much zeal into this Tono-Bungay as any young lieutenant could have done who suddenly found himself in command of a ship. It was extraordinarily interesting to me to figure out the advantage accruing from this shortening of the process or that, and to weigh it against the capital cost of the alteration. I made a sort of machine for sticking on the labels, that I patented; to this day there is a little trickle of royalties to me from that. I also contrived to have our mixture made concentrated, got the bottles, which all came sliding down a guarded slant-way, nearly filled with distilled water at one tap, and dripped our magic ingredients in at the next. This was an immense economy of space for the inner sanctum. For the bottling we needed special taps, and these, too, I invented and patented.

I guess any creative and developing game would have caught my interest during those years. Regardless, I know I put as much energy into this Tono-Bungay as any young lieutenant would have when suddenly placed in command of a ship. It was incredibly exciting for me to figure out the benefits of shortening this process or that one, and to balance it against the costs of making those changes. I created a machine for applying the labels, which I patented; even now, I still receive a small amount of royalties from that. I also managed to have our mixture made more concentrated, got the bottles that all came sliding down a controlled slope, nearly filled with distilled water from one tap, and dripped our special ingredients in at the next. This was a huge space saver for the inner sanctum. For bottling, we needed special taps, and I invented and patented those too.

We had a sort of endless band of bottles sliding along an inclined glass trough made slippery with running water. At one end a girl held them up to the light, put aside any that were imperfect and placed the others in the trough; the filling was automatic; at the other end a girl slipped in the cork and drove it home with a little mallet. Each tank, the little one for the vivifying ingredients and the big one for distilled water, had a level indicator, and inside I had a float arrangement that stopped the slide whenever either had sunk too low. Another girl stood ready with my machine to label the corked bottles and hand them to the three packers, who slipped them into their outer papers and put them, with a pad of corrugated paper between each pair, into a little groove from which they could be made to slide neatly into position in our standard packing-case. It sounds wild, I know, but I believe I was the first man in the city of London to pack patent medicines through the side of the packing-case, to discover there was a better way in than by the lid. Our cases packed themselves, practically; had only to be put into position on a little wheeled tray and when full pulled to the lift that dropped them to the men downstairs, who padded up the free space and nailed on top and side. Our girls, moreover, packed with corrugated paper and matchbook-wood box partitions when everybody else was using expensive young men to pack through the top of the box with straw, many breakages and much waste and confusion.

We had this endless line of bottles sliding down a sloped glass trough made slick with running water. At one end, a girl held them up to the light, set aside any that were flawed, and placed the good ones in the trough; the filling happened automatically. At the other end, another girl slipped in the cork and hammered it down with a small mallet. Each tank, the smaller one for the vital ingredients and the larger one for distilled water, had a level gauge, and inside, I had a float system that stopped the slide whenever either tank got too low. Another girl was ready with my machine to label the corked bottles and hand them to the three packers, who slid them into their outer wraps and placed them, with a pad of corrugated paper between each pair, into a small groove so they could slide neatly into position in our standard packing case. It sounds crazy, I know, but I believe I was the first person in London to pack patent medicines through the side of the box, realizing there was a better way to do it than through the lid. Our cases practically packed themselves; they just needed to be positioned on a little wheeled tray and, when full, pulled to the lift that dropped them down to the men below, who filled the empty space and nailed the top and sides closed. Our girls also packed with corrugated paper and matchbook-wood box dividers when everyone else was using expensive young men to pack through the top of the box with straw, resulting in many breakages and a lot of waste and confusion.

II

As I look back at them now, those energetic years seem all compacted to a year or so; from the days of our first hazardous beginning in Farringdon Street with barely a thousand pounds’ worth of stuff or credit all told—and that got by something perilously like snatching—to the days when my uncle went to the public on behalf of himself and me (one-tenth share) and our silent partners, the drug wholesalers and the printing people and the owner of that group of magazines and newspapers, to ask with honest confidence for £150,000. Those silent partners were remarkably sorry, I know, that they had not taken larger shares and given us longer credit when the subscriptions came pouring in. My uncle had a clear half to play with (including the one-tenth understood to be mine).

As I think back on those lively years now, they seem to be crammed into just about a year; from our risky start on Farringdon Street with hardly a thousand pounds' worth of assets or credit overall—and that was achieved through something that felt almost like stealing—to the time when my uncle approached the public for himself, me (with a one-tenth share), and our silent partners, the drug wholesalers, the printing guys, and the owner of that collection of magazines and newspapers, to confidently ask for £150,000. Those silent partners were definitely regretting that they hadn't taken larger shares and let us have longer credit when the subscriptions started flooding in. My uncle had a solid half to work with (including the one-tenth that was understood to be mine).

£150,000—think of it!—for the goodwill in a string of lies and a trade in bottles of mitigated water! Do you realise the madness of the world that sanctions such a thing? Perhaps you don’t. At times use and wont certainly blinded me. If it had not been for Ewart, I don’t think I should have had an inkling of the wonderfulness of this development of my fortunes; I should have grown accustomed to it, fallen in with all its delusions as completely as my uncle presently did. He was immensely proud of the flotation. “They’ve never been given such value,” he said, “for a dozen years.” But Ewart, with his gesticulating hairy hands and bony wrists, his single-handed chorus to all this as it played itself over again in my memory, and he kept my fundamental absurdity illuminated for me during all this astonishing time.

£150,000—can you believe it!?—for the reputation built on a bunch of lies and a business selling watered-down drinks! Do you realize how crazy the world is for allowing such a thing? Maybe you don’t. Sometimes, the routine really blinded me. If it hadn't been for Ewart, I don't think I would have realized how amazing this twist in my fortunes was; I would have gotten used to it and accepted all its illusions just like my uncle did. He was really proud of the launch. “They’ve never been valued like this,” he said, “in over a decade.” But Ewart, with his animated, hairy hands and bony wrists, his one-man show replaying in my mind, kept reminding me of my own absurd situation throughout all this incredible time.

“It’s just on all fours with the rest of things,” he remarked; “only more so. You needn’t think you’re anything out of the way.”

“It’s just on all fours with everything else,” he said; “only more so. Don’t think you’re anything special.”

I remember one disquisition very distinctly. It was just after Ewart had been to Paris on a mysterious expedition to “rough in” some work for a rising American sculptor. This young man had a commission for an allegorical figure of Truth (draped, of course) for his State Capitol, and he needed help. Ewart had returned with his hair cut en brosse and with his costume completely translated into French. He wore, I remember, a bicycling suit of purplish-brown, baggy beyond ageing—the only creditable thing about it was that it had evidently not been made for him—a voluminous black tie, a decadent soft felt hat and several French expletives of a sinister description. “Silly clothes, aren’t they?” he said at the sight of my startled eye. “I don’t know why I got’m. They seemed all right over there.”

I clearly remember one conversation. It was right after Ewart had gone to Paris on some secret mission to work on a project for a rising American sculptor. This young guy had a commission for an allegorical figure of Truth (draped, of course) for his State Capitol, and he needed some assistance. Ewart came back with his hair cut short and his outfit completely transformed into French style. He wore, if I recall correctly, a baggy purplish-brown cycling suit that looked way too big for him—the only decent thing about it was that it clearly wasn’t made for him—a big black tie, a disheveled felt hat, and a bunch of French swear words that sounded pretty harsh. “Silly clothes, right?” he said when he saw my shocked expression. “I don’t know why I got them. They seemed fine over there.”

He had come down to our Raggett Street place to discuss a benevolent project of mine for a poster by him, and he scattered remarkable discourse over the heads (I hope it was over the heads) of our bottlers.

He came over to our Raggett Street place to talk about a charitable project of mine for a poster he was designing, and he shared some amazing thoughts that I hope went over the heads of our bottlers.

“What I like about it all, Ponderevo, is its poetry.... That’s where we get the pull of the animals. No animal would ever run a factory like this. Think!... One remembers the Beaver, of course. He might very possibly bottle things, but would he stick a label round ’em and sell ’em? The Beaver is a dreamy fool, I’ll admit, him and his dams, but after all there’s a sort of protection about ’em, a kind of muddy practicality! They prevent things getting at him. And it’s not your poetry only. It’s the poetry of the customer too. Poet answering to poet—soul to soul. Health, Strength and Beauty—in a bottle—the magic philtre! Like a fairy tale....

“What I love about all this, Ponderevo, is its poetry.... That’s where we feel the connection to the animals. No animal would ever run a factory like this. Think about it!... You remember the Beaver, right? He might bottle things, but would he actually put a label on them and sell them? The Beaver is a dreamy fool, I’ll admit, with his dams, but there’s a kind of protection in that, a sort of muddy practicality! They keep things away from him. And it’s not just your poetry. It’s the poetry of the customer too. Poet responding to poet—soul to soul. Health, Strength, and Beauty—in a bottle—the magic potion! Like a fairy tale....

“Think of the people to whom your bottles of footle go! (I’m calling it footle, Ponderevo, out of praise,” he said in parenthesis.)

“Think about the people who receive your bottles of footle! (I’m calling it footle, Ponderevo, as a compliment,” he added in parentheses.)

“Think of the little clerks and jaded women and overworked people. People overstrained with wanting to do, people overstrained with wanting to be.... People, in fact, overstrained.... The real trouble of life, Ponderevo, isn’t that we exist—that’s a vulgar error; the real trouble is that we don’t really exist and we want to. That’s what this—in the highest sense—just stands for! The hunger to be—for once—really alive—to the finger tips!...

“Think of the little clerks and tired women and overworked people. People stressed out with wanting to do, people stressed out with wanting to be.... People, in fact, stressed out.... The real issue in life, Ponderevo, isn’t that we exist—that’s a common mistake; the real issue is that we don’t truly exist and we want to. That’s what this—in the highest sense—really represents! The desire to be—for once—truly alive—to the fingertips!...

“Nobody wants to do and be the things people are—nobody. YOU don’t want to preside over this—this bottling; I don’t want to wear these beastly clothes and be led about by you; nobody wants to keep on sticking labels on silly bottles at so many farthings a gross. That isn’t existing! That’s—sus—substratum. None of us want to be what we are, or to do what we do. Except as a sort of basis. What do we want? You know. I know. Nobody confesses. What we all want to be is something perpetually young and beautiful—young Joves—young Joves, Ponderevo”—his voice became loud, harsh and declamatory—“pursuing coy half-willing nymphs through everlasting forests.”...

“Nobody wants to do or be what people are—nobody. YOU don’t want to oversee this—this bottling; I don’t want to wear these terrible clothes and be led around by you; nobody wants to keep sticking labels on silly bottles for a few pence each. That isn’t living! That’s—sus—substratum. None of us want to be who we are or do what we do. Only as a sort of foundation. What do we want? You know. I know. Nobody admits it. What we all want to be is something forever young and beautiful—young Joves—young Joves, Ponderevo”—his voice became loud, harsh, and declamatory—“chasing shy, half-willing nymphs through endless forests.”...

There was a just-perceptible listening hang in the work about us.

There was a barely noticeable listening silence in the work around us.

“Come downstairs,” I interrupted, “we can talk better there.”

“Come downstairs,” I interrupted, “we can talk better down there.”

“I can talk better here,” he answered.

“I can talk better here,” he said.

He was just going on, but fortunately the implacable face of Mrs. Hampton Diggs appeared down the aisle of bottling machines.

He was just rambling on, but luckily the unwavering expression of Mrs. Hampton Diggs appeared down the row of bottling machines.

“All right,” he said, “I’ll come.”

“All right,” he said, “I’ll go.”

In the little sanctum below, my uncle was taking a digestive pause after his lunch and by no means alert. His presence sent Ewart back to the theme of modern commerce, over the excellent cigar my uncle gave him. He behaved with the elaborate deference due to a business magnate from an unknown man.

In the small room below, my uncle was taking a break after lunch and was far from alert. His presence brought Ewart back to discussing modern commerce, while he enjoyed the great cigar my uncle had given him. He acted with the kind of elaborate respect you'd show a business mogul from someone you didn't know.

“What I was pointing out to your nephew, sir,” said Ewart, putting both elbows on the table, “was the poetry of commerce. He doesn’t, you know, seem to see it at all.”

“What I was trying to explain to your nephew, sir,” said Ewart, leaning both elbows on the table, “was the beauty of commerce. He doesn’t, you know, seem to grasp it at all.”

My uncle nodded brightly. “Whad I tell ’im,” he said round his cigar.

My uncle nodded cheerfully. “What did I tell him?” he said around his cigar.

“We are artists. You and I, sir, can talk, if you will permit me, as one artist to another. It’s advertisement has—done it. Advertisement has revolutionised trade and industry; it is going to revolutionise the world. The old merchant used to tote about commodities; the new one creates values. Doesn’t need to tote. He takes something that isn’t worth anything—or something that isn’t particularly worth anything—and he makes it worth something. He takes mustard that is just like anybody else’s mustard, and he goes about saying, shouting, singing, chalking on walls, writing inside people’s books, putting it everywhere, ‘Smith’s Mustard is the Best.’ And behold it is the best!”

“We are artists. You and I, sir, can have a conversation, if you don’t mind, as one artist to another. Advertising has done it. Advertising has transformed trade and industry; it’s set to transform the world. The old merchant used to carry goods around; the new one creates value. No need to carry. He takes something that’s worth nothing—or something that’s not really worth much—and he makes it valuable. He takes mustard that’s just like everyone else’s mustard, and he goes around saying, shouting, singing, writing on walls, putting it in people’s books, spreading it everywhere, ‘Smith’s Mustard is the Best.’ And suddenly, it is the best!”

“True,” said my uncle, chubbily and with a dreamy sense of mysticism; “true!”

“True,” said my uncle, plump and with a dreamy sense of mysticism; “true!”

“It’s just like an artist; he takes a lump of white marble on the verge of a lime-kiln, he chips it about, he makes—he makes a monument to himself—and others—a monument the world will not willingly let die. Talking of mustard, sir, I was at Clapham Junction the other day, and all the banks are overgrown with horse radish that’s got loose from a garden somewhere. You know what horseradish is—grows like wildfire—spreads—spreads. I stood at the end of the platform looking at the stuff and thinking about it. ‘Like fame,’ I thought, ‘rank and wild where it isn’t wanted. Why don’t the really good things in life grow like horseradish?’ I thought. My mind went off in a peculiar way it does from that to the idea that mustard costs a penny a tin—I bought some the other day for a ham I had. It came into my head that it would be ripping good business to use horseradish to adulterate mustard. I had a sort of idea that I could plunge into business on that, get rich and come back to my own proper monumental art again. And then I said, ‘But why adulterate? I don’t like the idea of adulteration.’”

“It’s just like an artist; he takes a block of white marble near a lime kiln, shapes it, and creates—a monument to himself—and others—a monument the world won't easily forget. Speaking of mustard, I was at Clapham Junction the other day, and all the banks are overgrown with horseradish that’s escaped from a garden somewhere. You know what horseradish is—it grows like wildfire—spreads—spreads. I stood at the end of the platform looking at it and thinking. ‘Like fame,’ I thought, ‘rank and wild where it isn’t wanted. Why don’t the truly good things in life grow like horseradish?’ My mind drifted from that to the fact that mustard costs a penny a tin—I bought some the other day for a ham I had. It occurred to me that it would be a great idea to use horseradish to stretch mustard. I had this notion that I could dive into that business, get rich, and then return to my true monumental art again. And then I thought, ‘But why adulterate? I don’t like the idea of adulteration.’”

“Shabby,” said my uncle, nodding his head. “Bound to get found out!”

“Shabby,” my uncle said, shaking his head. “You're definitely going to get caught!”

“And totally unnecessary, too! Why not do up a mixture—three-quarters pounded horseradish and a quarter mustard—give it a fancy name—and sell it at twice the mustard price. See? I very nearly started the business straight away, only something happened. My train came along.”

“And totally unnecessary, too! Why not mix together three-quarters pounded horseradish and a quarter mustard, give it a cool name, and sell it for double the mustard price? See? I almost started the business right then, but then my train arrived.”

“Jolly good ideer,” said my uncle. He looked at me. “That really is an ideer, George,” he said.

“Great idea,” said my uncle. He looked at me. “That really is an idea, George,” he said.

“Take shavin’s, again! You know that poem of Longfellow’s, sir, that sounds exactly like the first declension. What is it?—‘Marr’s a maker, men say!’”

“Take shaving, again! You know that poem by Longfellow, sir, that sounds exactly like the first declension. What is it?—‘Marr’s a maker, men say!’”

My uncle nodded and gurgled some quotation that died away.

My uncle nodded and murmured a quote that faded out.

“Jolly good poem, George,” he said in an aside to me.

“Great poem, George,” he said quietly to me.

“Well, it’s about a carpenter and a poetic Victorian child, you know, and some shavin’s. The child made no end out of the shavin’s. So might you. Powder ’em. They might be anything. Soak ’em in jipper,—Xylo-tobacco! Powder’em and get a little tar and turpentinous smell in,—wood-packing for hot baths—a Certain Cure for the scourge of Influenza! There’s all these patent grain foods,—what Americans call cereals. I believe I’m right, sir, in saying they’re sawdust.”

“Well, it’s about a carpenter and a poetic Victorian kid, you know, and some shavings. The kid made endless things out of the shavings. So could you. Powder them. They could be anything. Soak them in jipper,—Xylo-tobacco! Powder them and add a little tar and turpentine smell in,—wood packing for hot baths—a Certain Cure for the scourge of Influenza! There are all these patent grain foods,—what Americans call cereals. I believe I’m right, sir, in saying they’re sawdust.”

“No!” said my uncle, removing his cigar; “as far as I can find out it’s really grain,—spoilt grain.... I’ve been going into that.”

“No!” said my uncle, taking out his cigar. “From what I can tell, it’s actually grain—damaged grain.... I’ve been looking into that.”

“Well, there you are!” said Ewart. “Say it’s spoilt grain. It carried out my case just as well. Your modern commerce is no more buying and selling than sculpture. It’s mercy—it’s salvation. It’s rescue work! It takes all sorts of fallen commodities by the hand and raises them. Cana isn’t in it. You turn water—into Tono-Bungay.”

“Well, here you are!” Ewart said. “Call it spoiled grain. It made my point just as well. Your modern commerce is no more about buying and selling than sculpture is. It’s about mercy—it’s about salvation. It’s rescue work! It takes all kinds of discarded goods and lifts them up. Cana doesn’t compare. You turn water into Tono-Bungay.”

“Tono-Bungay’s all right,” said my uncle, suddenly grave. “We aren’t talking of Tono-Bungay.”

“Tono-Bungay is fine,” my uncle said, suddenly serious. “We’re not discussing Tono-Bungay.”

“Your nephew, sir, is hard; he wants everything to go to a sort of predestinated end; he’s a Calvinist of Commerce. Offer him a dustbin full of stuff; he calls it refuse—passes by on the other side. Now you, sir you’d make cinders respect themselves.”

“Your nephew, sir, is tough; he wants everything to have a specific purpose; he’s a Calvinist of Commerce. Offer him a dumpster full of things; he calls it trash—walks right past it. Now you, sir, you’d make even ashes have some dignity.”

My uncle regarded him dubiously for a moment. But there was a touch of appreciation in his eye.

My uncle looked at him with skepticism for a moment. But there was a hint of appreciation in his eye.

“Might make ’em into a sort of sanitary brick,” he reflected over his cigar end.

“Might turn them into a kind of sanitary brick,” he thought while chewing on his cigar end.

“Or a friable biscuit. Why not? You might advertise: ‘Why are Birds so Bright? Because they digest their food perfectly! Why do they digest their food so perfectly? Because they have a gizzard! Why hasn’t man a gizzard? Because he can buy Ponderevo’s Asphalt Triturating, Friable Biscuit—Which is Better.’”

“Or a crumbly biscuit. Why not? You could advertise: ‘Why are birds so smart? Because they digest their food perfectly! Why do they digest their food so well? Because they have a gizzard! Why doesn't man have a gizzard? Because he can buy Ponderevo’s Asphalt Triturating, Crumbly Biscuit—Which is Better.’”

He delivered the last words in a shout, with his hairy hand flourished in the air....

He shouted the last words, waving his hairy hand in the air....

“Damn clever fellow,” said my uncle, after he had one. “I know a man when I see one. He’d do. But drunk, I should say. But that only makes some chap brighter. If he WANTS to do that poster, he can. Zzzz. That ideer of his about the horseradish. There’s something in that, George. I’m going to think over that....”

“Really clever guy,” said my uncle after he had one. “I can recognize a man when I see one. He’d be good. But drunk, I should say. But that just makes some guy sharper. If he WANTS to make that poster, he can. Zzzz. That idea of his about the horseradish. There’s something to that, George. I’m going to think that over....”

I may say at once that my poster project came to nothing in the end, though Ewart devoted an interesting week to the matter. He let his unfortunate disposition to irony run away with him. He produced a picture of two beavers with a subtle likeness, he said, to myself and my uncle—the likeness to my uncle certainly wasn’t half bad—and they were bottling rows and rows of Tono-Bungay, with the legend “Modern commerce.” It certainly wouldn’t have sold a case, though he urged it on me one cheerful evening on the ground that it would “arouse curiosity.” In addition he produced a quite shocking study of my uncle, excessively and needlessly nude, but, so far as I was able to judge, an admirable likeness, engaged in feats of strength of a Gargantuan type before an audience of deboshed and shattered ladies. The legend, “Health, Beauty, Strength,” below, gave a needed point to his parody. This he hung up in the studio over the oil shop, with a flap of brown paper; by way of a curtain over it to accentuate its libellous offence.

I can say right away that my poster project ended up being a flop, even though Ewart spent an intriguing week on it. He let his unfortunate tendency for irony take control. He created a picture of two beavers that he claimed bore a subtle resemblance to me and my uncle—the resemblance to my uncle wasn’t half bad—and they were bottling rows and rows of Tono-Bungay, with the caption “Modern commerce.” It definitely wouldn’t have sold a single box, even though he insisted that it would “spark curiosity” one cheerful evening. Additionally, he created a pretty shocking depiction of my uncle, excessively and unnecessarily nude, but, as far as I could tell, it was an impressive likeness, showcasing feats of strength that were truly over-the-top in front of an audience of debauched and shattered ladies. The caption “Health, Beauty, Strength” below added a much-needed twist to his parody. He hung it up in the studio above the oil shop, covered with a flap of brown paper to serve as a curtain, highlighting its defamatory nature.

CHAPTER THE FOURTH
MARION

I

As I look back on those days in which we built up the great Tono-Bungay property out of human hope and credit for bottles and rent and printing, I see my life as it were arranged in two parallel columns of unequal width, a wider, more diffused, eventful and various one which continually broadens out, the business side of my life, and a narrow, darker and darkling one shot ever and again with a gleam of happiness, my home-life with Marion. For, of course, I married Marion.

As I reflect on those days when we developed the impressive Tono-Bungay property fueled by human hope and credit for bottles, rent, and printing, I see my life laid out in two parallel columns of different widths. One is wider, more varied, and full of events, representing the business side of my life that keeps expanding. The other is a narrow, darker column, occasionally brightened by moments of happiness, which captures my home life with Marion. Because, of course, I married Marion.

I didn’t, as a matter of fact, marry her until a year after Tono-Bungay was thoroughly afloat, and then only after conflicts and discussions of a quite strenuous sort. By that time I was twenty-four. It seems the next thing to childhood now. We were both in certain directions unusually ignorant and simple; we were temperamentally antagonistic, and we hadn’t—I don’t think we were capable of—an idea in common. She was young and extraordinarily conventional—she seemed never to have an idea of her own but always the idea of her class—and I was young and sceptical, enterprising and passionate; the two links that held us together were the intense appeal her physical beauty had for me, and her appreciation of her importance in my thoughts. There can be no doubt of my passion for her. In her I had discovered woman desired. The nights I have lain awake on account of her, writhing, biting my wrists in a fever of longing! ...

I didn’t actually marry her until a year after Tono-Bungay was fully established, and that was only after some pretty intense arguments and discussions. By that time, I was twenty-four. It feels like the next stage after childhood now. In some ways, we were both surprisingly naive and straightforward; we were fundamentally incompatible, and I don’t think we were capable of sharing a single idea. She was young and incredibly conventional—she seemed to never have her own thoughts, only those of her social class—and I was young and skeptical, ambitious, and passionate; the two things that connected us were my strong attraction to her physical beauty and her awareness of her importance in my life. There’s no doubt about my passion for her. In her, I found the woman I desired. The nights I’ve spent awake thinking about her, twisting and biting my wrists in a fever of yearning! ...

I have told how I got myself a silk hat and black coat to please her on Sunday—to the derision of some of my fellow-students who charged to meet me, and how we became engaged. But that was only the beginning of our difference. To her that meant the beginning of a not unpleasant little secrecy, an occasional use of verbal endearments, perhaps even kisses. It was something to go on indefinitely, interfering in no way with her gossiping spells of work at Smithie’s. To me it was a pledge to come together into the utmost intimacy of soul and body so soon as we could contrive it....

I’ve shared how I got myself a silk hat and a black coat to impress her on Sunday—much to the amusement of some of my classmates who made fun of me—and how we got engaged. But that was just the start of our differences. For her, it meant the beginning of a fun little secret, with occasional sweet words and maybe even kisses. It was something that could go on forever, not interfering with her gossip-filled study sessions at Smithie’s. For me, it was a promise to eventually connect on a much deeper level, both emotionally and physically, as soon as we could arrange it....

I don’t know if it will strike the reader that I am setting out to discuss the queer, unwise love relationship and my bungle of a marriage with excessive solemnity. But to me it seems to reach out to vastly wider issues than our little personal affair. I’ve thought over my life. In these last few years I’ve tried to get at least a little wisdom out of it. And in particular I’ve thought over this part of my life. I’m enormously impressed by the ignorant, unguided way in which we two entangled ourselves with each other. It seems to me the queerest thing in all this network of misunderstandings and misstatements and faulty and ramshackle conventions which makes up our social order as the individual meets it, that we should have come together so accidentally and so blindly. Because we were no more than samples of the common fate. Love is not only the cardinal fact in the individual life, but the most important concern of the community; after all, the way in which the young people of this generation pair off determines the fate of the nation; all the other affairs of the State are subsidiary to that. And we leave it to flushed and blundering youth to stumble on its own significance, with nothing to guide in but shocked looks and sentimental twaddle and base whisperings and cant-smeared examples.

I’m not sure if it’ll hit the reader that I’m about to talk about our strange, misguided love and my messy marriage with a lot of seriousness. But to me, it feels like it ties into much bigger issues than just our personal situation. I’ve been reflecting on my life. In the past few years, I’ve tried to gain at least a bit of wisdom from it. Specifically, I’ve thought about this part of my life. I’m really struck by how lost and aimless we both were in getting involved with each other. It seems so bizarre within this web of misunderstandings, miscommunications, and shaky conventions that make up our social structure as individuals experience it, that we came together so randomly and blindly. After all, we were just examples of the common fate. Love isn’t just the key factor in an individual’s life; it’s also the most crucial issue for the community. The way young people today form their relationships ultimately affects the future of our society; all other political matters take a backseat to that. Yet, we leave it to enthusiastic and clumsy youth to figure out its own importance, guided only by shocked reactions, emotional nonsense, and whispered gossip along with misleading examples.

I have tried to indicate something of my own sexual development in the preceding chapter. Nobody was ever frank and decent with me in this relation; nobody, no book, ever came and said to me thus and thus is the world made, and so and so is necessary. Everything came obscurely, indefinitely, perplexingly; and all I knew of law or convention in the matter had the form of threatenings and prohibitions. Except through the furtive, shameful talk of my coevals at Goudhurst and Wimblehurst, I was not even warned against quite horrible dangers. My ideas were made partly of instinct, partly of a romantic imagination, partly woven out of a medley of scraps of suggestion that came to me haphazard. I had read widely and confusedly “Vathek,” Shelley, Tom Paine, Plutarch, Carlyle, Haeckel, William Morris, the Bible, the Freethinker, the Clarion, “The Woman Who Did,”—I mention the ingredients that come first to mind. All sorts of ideas were jumbled up in me and never a lucid explanation. But it was evident to me that the world regarded Shelley, for example, as a very heroic as well as beautiful person; and that to defy convention and succumb magnificently to passion was the proper thing to do to gain the respect and affection of all decent people.

I tried to share something about my own sexual development in the previous chapter. No one was ever straightforward and honest with me about this; no one, no book, ever came along and told me how the world worked or what was necessary. Everything I learned was vague, confusing, and unclear; all I knew about laws or social norms came in the form of threats and restrictions. Aside from the secret, shameful conversations with my peers at Goudhurst and Wimblehurst, I wasn’t even warned about some genuinely terrible dangers. My understanding was shaped partly by instinct, partly by a romantic imagination, and partly by a random mix of suggestions that came my way. I had read a lot but in a confusing way: “Vathek,” Shelley, Tom Paine, Plutarch, Carlyle, Haeckel, William Morris, the Bible, the Freethinker, the Clarion, “The Woman Who Did”—these are just a few of the things that come to mind. All sorts of ideas were mixed up in my head with no clear explanations. But it was clear to me that the world saw Shelley, for instance, as both a very heroic and beautiful person; and that to defy conventions and surrender dramatically to passion was the right way to earn the respect and affection of all decent people.

And the make-up of Marion’s mind in the matter was an equally irrational affair. Her training had been one, not simply of silences, but suppressions. An enormous force of suggestion had so shaped her that the intense natural fastidiousness of girlhood had developed into an absolute perversion of instinct. For all that is cardinal in this essential business of life she had one inseparable epithet—“horrid.” Without any such training she would have been a shy lover, but now she was an impossible one. For the rest she had derived, I suppose, partly from the sort of fiction she got from the Public Library, and partly from the workroom talk at Smithie’s. So far as the former origin went, she had an idea of love as a state of worship and service on the part of the man and of condescension on the part of the woman. There was nothing “horrid” about it in any fiction she had read. The man gave presents, did services, sought to be in every way delightful. The woman “went out” with him, smiled at him, was kissed by him in decorous secrecy, and if he chanced to offend, denied her countenance and presence. Usually she did something “for his good” to him, made him go to church, made him give up smoking or gambling, smartened him up. Quite at the end of the story came a marriage, and after that the interest ceased.

And Marion's thoughts on the subject were equally irrational. Her upbringing wasn't just filled with silence, but also with repression. A huge amount of suggestion had shaped her to the point where the natural fastidiousness of her youth had turned into a complete distortion of instinct. For everything important in this fundamental aspect of life, she had one constant label—“horrid.” Without this upbringing, she would have been a shy lover, but now she was simply impossible. I suppose her ideas came partly from the kind of fiction she read at the Public Library and partly from the conversations in the workroom at Smithie’s. Regarding the fiction, she imagined love as a situation where the man worships and serves while the woman looks down on him. In any story she read, there was nothing “horrid” about it. The man gave gifts, did favors, and tried to be charming in every way. The woman “went out” with him, smiled at him, and was kissed by him in proper secrecy. If he happened to upset her, she would withdraw her attention and presence. Usually, she would do something “for his good,” like make him go to church, get him to quit smoking or gambling, and tidy him up. At the very end of the story, they would get married, and after that, the interest fizzled out.

That was the tenor of Marion’s fiction; but I think the work-table conversation at Smithie’s did something to modify that. At Smithie’s it was recognised, I think, that a “fellow” was a possession to be desired; that it was better to be engaged to a fellow than not; that fellows had to be kept—they might be mislaid, they might even be stolen. There was a case of stealing at Smithie’s, and many tears.

That was the vibe of Marion’s writing; however, I believe the discussions at Smithie’s changed that a bit. At Smithie’s, it was understood that having a “boyfriend” was something to be valued; that being engaged to a guy was better than being single; that guys needed to be held onto— they could get lost, or even taken away. There was an incident of theft at Smithie’s, and it caused a lot of tears.

Smithie I met before we were married, and afterwards she became a frequent visitor to our house at Ealing. She was a thin, bright-eyed, hawk-nosed girl of thirtyodd, with prominent teeth, a high-pitched, eager voice and a disposition to be urgently smart in her dress. Her hats were startling and various, but invariably disconcerting, and she talked in a rapid, nervous flow that was hilarious rather than witty, and broken by little screams of “Oh, my dear!” and “you never did!” She was the first woman I ever met who used scent. Poor old Smithie! What a harmless, kindly soul she really was, and how heartily I detested her! Out of the profits on the Persian robes she supported a sister’s family of three children, she “helped” a worthless brother, and overflowed in help even to her workgirls, but that didn’t weigh with me in those youthfully-narrow times. It was one of the intense minor irritations of my married life that Smithie’s whirlwind chatter seemed to me to have far more influence with Marion than anything I had to say. Before all things I coveted her grip upon Marion’s inaccessible mind.

Smithie was someone I met before we got married, and afterwards she became a regular visitor at our house in Ealing. She was a thin, bright-eyed girl in her thirties, with a hawk-like nose, prominent teeth, a high-pitched, eager voice, and a tendency to dress in an attention-grabbing way. Her hats were eye-catching and varied, but always kind of unsettling, and she spoke in a fast, nervous stream that was funny rather than clever, punctuated by little exclamations of “Oh, my dear!” and “you never did!” She was the first woman I ever met who wore perfume. Poor old Smithie! What a harmless, kind-hearted person she really was, and yet I absolutely detested her! From the profits of selling Persian robes, she supported her sister’s family of three kids, “helped” her good-for-nothing brother, and was generous even with her workers, but that didn’t matter to me during those narrow-minded young days. One of the most annoying things about my married life was that Smithie’s endless chitchat seemed to have way more impact on Marion than anything I said. Above all, I envied her hold on Marion’s closed-off mind.

In the workroom at Smithie’s, I gathered, they always spoke of me demurely as “A Certain Person.” I was rumoured to be dreadfully “clever,” and there were doubts—not altogether without justification—of the sweetness of my temper.

In the workroom at Smithie’s, I heard they always referred to me modestly as “A Certain Person.” People said I was really “smart,” and there were concerns—not entirely without reason—about how sweet my personality was.

II

Well, these general explanations will enable the reader to understand the distressful times we two had together when presently I began to feel on a footing with Marion and to fumble conversationally for the mind and the wonderful passion I felt, obstinately and stupidity, must be in her. I think she thought me the maddest of sane men; “clever,” in fact, which at Smithie’s was, I suppose, the next thing to insanity, a word intimating incomprehensible and incalculable motives.... She could be shocked at anything, she misunderstood everything, and her weapon was a sulky silence that knitted her brows, spoilt her mouth and robbed her face of beauty. “Well, if we can’t agree, I don’t see why you should go on talking,” she used to say. That would always enrage me beyond measure. Or, “I’m afraid I’m not clever enough to understand that.”

Well, these general explanations will help the reader understand the tough times we had together when I started to feel more comfortable with Marion and struggled to find the words to express the feelings and intense passion I believed, stubbornly and foolishly, must be inside her. I think she saw me as the craziest of sane people; “clever,” in fact, which at Smithie’s was probably the closest thing to madness, a term suggesting incomprehensible and unpredictable motives.... She could be shocked by anything, misunderstood everything, and her weapon was a sulky silence that creased her forehead, ruined her smile, and took away her beauty. “Well, if we can’t agree, I don’t see why you should keep talking,” she used to say. That would always infuriate me like nothing else. Or, “I’m afraid I’m not clever enough to understand that.”

Silly little people! I see it all now, but then I was no older than she and I couldn’t see anything but that Marion, for some inexplicable reason, wouldn’t come alive.

Silly little people! I get it all now, but back then I was just as young as she was and I couldn’t understand why Marion, for some unknown reason, wouldn’t come to life.

We would contrive semi-surreptitious walks on Sunday, and part speechless with the anger of indefinable offences. Poor Marion! The things I tried to put before her, my fermenting ideas about theology, about Socialism, about aesthetics—the very words appalled her, gave her the faint chill of approaching impropriety, the terror of a very present intellectual impossibility. Then by an enormous effort I would suppress myself for a time and continue a talk that made her happy, about Smithie’s brother, about the new girl who had come to the workroom, about the house we would presently live in. But there we differed a little. I wanted to be accessible to St. Paul’s or Cannon Street Station, and she had set her mind quite resolutely upon Ealing.... It wasn’t by any means quarreling all the time, you understand. She liked me to play the lover “nicely”; she liked the effect of going about—we had lunches, we went to Earl’s Court, to Kew, to theatres and concerts, but not often to concerts, because, though Marion “liked” music, she didn’t like “too much of it,” to picture shows—and there was a nonsensical sort of babytalk I picked up—I forget where now—that became a mighty peacemaker.

We would arrange semi-secret walks on Sundays, and part ways speechless with the frustration of unclear offenses. Poor Marion! The things I tried to share with her—my brewing thoughts on theology, Socialism, and aesthetics—these words shocked her, sending a shiver of impending impropriety and the fear of a real intellectual impossibility. Then, with enormous effort, I would hold back for a while and keep our conversation light, talking about Smithie’s brother, the new girl who had joined the workroom, or the house we would soon live in. But we had some differences. I wanted to be near St. Paul’s or Cannon Street Station, while she was firmly set on Ealing... It wasn’t all about arguing, you know. She liked me to act like a loving boyfriend; she enjoyed the effect of our outings—we had lunches together, visited Earl’s Court, Kew, and went to theaters and concerts, though not very often to concerts because, while Marion “liked” music, she didn’t “like too much of it,” and we also went to movies. There was a silly kind of baby talk I picked up somewhere that turned out to be a great peacemaker.

Her worst offence for me was an occasional excursion into the Smithie style of dressing, debased West Kensington. For she had no sense at all of her own beauty. She had no comprehension whatever of beauty of the body, and she could slash her beautiful lines to rags with hat-brims and trimmings. Thank Heaven! a natural refinement, a natural timidity, and her extremely slender purse kept her from the real Smithie efflorescence! Poor, simple, beautiful, kindly limited Marion! Now that I am forty-five, I can look back at her with all my old admiration and none of my old bitterness with a new affection and not a scrap of passion, and take her part against the equally stupid, drivingly-energetic, sensuous, intellectual sprawl I used to be. I was a young beast for her to have married—a hound beast. With her it was my business to understand and control—and I exacted fellowship, passion....

Her worst offense for me was when she occasionally dressed in that Smithie style, which was so tacky. She completely lacked awareness of her own beauty. She didn’t grasp at all the beauty of her body, and she could ruin her lovely lines with wide hat brims and unnecessary embellishments. Thank goodness her natural refinement, shyness, and very tight budget kept her from fully diving into that Smithie trend! Poor, simple, beautiful, sweet Marion! Now that I’m forty-five, I can reflect on her with all my previous admiration and none of my former bitterness, feeling a new affection devoid of any passion, and I can defend her against the equally foolish, overly energetic, sensuous, and intellectual mess I used to be. I was a young brute for her to have married—a complete hound. With her, it was my role to understand and manage things—and I demanded companionship, passion...

We became engaged, as I have told; we broke it off and joined again. We went through a succession of such phases. We had no sort of idea what was wrong with us. Presently we were formally engaged. I had a wonderful interview with her father, in which he was stupendously grave and h—less, wanted to know about my origins and was tolerant (exasperatingly tolerant) because my mother was a servant, and afterwards her mother took to kissing me, and I bought a ring. But the speechless aunt, I gathered, didn’t approve—having doubts of my religiosity. Whenever we were estranged we could keep apart for days; and to begin with, every such separation was a relief. And then I would want her; a restless longing would come upon me. I would think of the flow of her arms, of the soft, gracious bend of her body. I would lie awake or dream of a transfigured Marion of light and fire. It was indeed Dame Nature driving me on to womankind in her stupid, inexorable way; but I thought it was the need of Marion that troubled me. So I always went back to Marion at last and made it up and more or less conceded or ignored whatever thing had parted us, and more and more I urged her to marry me....

We got engaged, as I mentioned before; we ended it and got back together again. We went through a series of these ups and downs. We had no idea what was wrong with us. Eventually, we were officially engaged. I had a serious talk with her dad, who was incredibly serious and a bit intense. He wanted to know about my background and was surprisingly tolerant (frustratingly tolerant) since my mom worked as a servant, and then her mom started kissing me, and I bought a ring. But I sensed that her silent aunt didn’t approve—she had doubts about my faith. Whenever we had a falling out, we could go days without seeing each other; at first, every separation felt like a relief. Then, I would miss her; a restless longing would hit me. I would think about the way her arms flowed, the gentle curve of her body. I would lie awake or dream of a transformed Marion, shining with light and fire. It was really Nature pushing me toward women in her mindless, unforgiving way; but I thought it was my need for Marion that bothered me. So, I always ended up going back to Marion, making amends and mostly overlooking whatever had driven us apart, and more and more, I urged her to marry me...

In the long run that became a fixed idea. It entangled my will and my pride; I told myself I was not going to be beaten. I hardened to the business. I think, as a matter of fact, my real passion for Marion had waned enormously long before we were married, that she had lived it down by sheer irresponsiveness. When I felt sure of my three hundred a year she stipulated for delay, twelve months’ delay, “to see how things would turn out.” There were times when she seemed simply an antagonist holding out irritatingly against something I had to settle. Moreover, I began to be greatly distracted by the interest and excitement of Tono-Bungay’s success, by the change and movement in things, the going to and fro. I would forget her for days together, and then desire her with an irritating intensity at last, one Saturday afternoon, after a brooding morning, I determined almost savagely that these delays must end.

In the long run, this became a constant thought. It tangled up my will and my pride; I kept telling myself I wasn't going to lose. I toughened up regarding the situation. Honestly, I think my true feelings for Marion faded a lot before we got married, and she had moved on because of her complete lack of interest. When I felt secure about my three hundred a year, she insisted on delaying things for twelve months “to see how things would turn out.” There were times when she felt like just an opponent stubbornly resisting something I needed to resolve. Plus, I started getting really caught up in the excitement and success of Tono-Bungay, in the changes and the movement happening around me, the coming and going. I could forget about her for days at a time, and then suddenly crave her with an annoying intensity. One Saturday afternoon, after a pensive morning, I decided almost fiercely that these delays had to stop.

I went off to the little home at Walham Green, and made Marion come with me to Putney Common. Marion wasn’t at home when I got there and I had to fret for a time and talk to her father, who was just back from his office, he explained, and enjoying himself in his own way in the greenhouse.

I went to the small house at Walham Green and made Marion come with me to Putney Common. Marion wasn't home when I arrived, so I had to wait for a while and chat with her dad, who had just returned from work and was having a good time in the greenhouse.

“I’m going to ask your daughter to marry me!” I said. “I think we’ve been waiting long enough.”

“I’m going to ask your daughter to marry me!” I said. “I think we’ve been waiting long enough.”

“I don’t approve of long engagements either,” said her father. “But Marion will have her own way about it, anyhow. Seen this new powdered fertiliser?”

“I don’t approve of long engagements either,” her father said. “But Marion will do what she wants, anyway. Have you seen this new powdered fertilizer?”

I went in to talk to Mrs. Ramboat. “She’ll want time to get her things,” said Mrs. Ramboat....

I went in to talk to Mrs. Ramboat. “She'll need some time to gather her things,” said Mrs. Ramboat.

I and Marion sat down together on a little seat under some trees at the top of Putney Hill, and I came to my point abruptly.

Marion and I sat down on a small bench under some trees at the top of Putney Hill, and I got straight to the point.

“Look here, Marion,” I said, “are you going to marry me or are you not?”

“Hey, Marion,” I said, “are you going to marry me or not?”

She smiled at me. “Well,” she said, “we’re engaged—aren’t we?”

She smiled at me. “So,” she said, “we’re engaged—right?”

“That can’t go on for ever. Will you marry me next week?”

"That can't go on forever. Will you marry me next week?"

She looked me in the face. “We can’t,” she said.

She looked me in the eye. “We can’t,” she said.

“You promised to marry me when I had three hundred a year.”

“You promised to marry me when I was making three hundred a year.”

She was silent for a space. “Can’t we go on for a time as we are? We could marry on three hundred a year. But it means a very little house. There’s Smithie’s brother. They manage on two hundred and fifty, but that’s very little. She says they have a semi-detached house almost on the road, and hardly a bit of garden. And the wall to next-door is so thin they hear everything. When her baby cries—they rap. And people stand against the railings and talk.... Can’t we wait? You’re doing so well.”

She was quiet for a moment. “Can’t we just keep things as they are for a while? We could get married on three hundred a year. But that would mean a really small house. There’s Smithie’s brother. They get by on two hundred and fifty, but that's really tight. She says they live in a semi-detached house right on the road, with hardly any garden. And the wall next door is so thin that they hear everything. When her baby cries, they knock on the wall. And people stand by the railings and talk... Can’t we wait? You’re doing so well.”

An extraordinary bitterness possessed me at this invasion of the stupendous beautiful business of love by sordid necessity. I answered her with immense restraint.

An overwhelming bitterness filled me at this invasion of the incredible, beautiful experience of love by grim necessity. I responded to her with great restraint.

“If,” I said, “we could have a double-fronted, detached house—at Ealing, say—with a square patch of lawn in front and a garden behind—and—and a tiled bathroom.”

“If,” I said, “we could have a spacious, detached house—maybe in Ealing—with a nice patch of lawn out front and a garden in the back—and—and a tiled bathroom.”

“That would be sixty pounds a year at least.”

"That would be at least sixty pounds a year."

“Which means five hundred a year.... Yes, well, you see, I told my uncle I wanted that, and I’ve got it.”

“Which means five hundred a year.... Yes, well, you see, I told my uncle I wanted that, and I’ve got it.”

“Got what?”

"Got what?"

“Five hundred pounds a year.”

"£500 a year."

“Five hundred pounds!”

“£500!”

I burst into laughter that had more than a taste of bitterness.

I laughed, but there was a hint of bitterness in it.

“Yes,” I said, “really! and now what do you think?”

“Yes,” I said, “really! And now, what do you think?”

“Yes,” she said, a little flushed; “but be sensible! Do you really mean you’ve got a Rise, all at once, of two hundred a year?”

“Yes,” she said, a bit embarrassed; “but be reasonable! Do you really mean you’ve suddenly got a raise of two hundred a year?”

“To marry on—yes.”

"To get married—yes."

She scrutinised me a moment. “You’ve done this as a surprise!” she said, and laughed at my laughter. She had become radiant, and that made me radiant, too.

She looked me over for a moment. “You did this as a surprise!” she said, laughing at my laughter. She had become glowing, and that made me glow, too.

“Yes,” I said, “yes,” and laughed no longer bitterly.

“Yes,” I said, “yes,” and I laughed, no longer feeling bitter.

She clasped her hands and looked me in the eyes.

She held her hands together and looked me in the eyes.

She was so pleased that I forgot absolutely my disgust of a moment before. I forgot that she had raised her price two hundred pounds a year and that I had bought her at that.

She was so happy that I completely forgot my earlier disgust. I forgot that she had raised her price by two hundred pounds a year and that I had agreed to that.

“Come!” I said, standing up; “let’s go towards the sunset, dear, and talk about it all. Do you know—this is a most beautiful world, an amazingly beautiful world, and when the sunset falls upon you it makes you into shining gold. No, not gold—into golden glass.... Into something better that either glass or gold.”...

“Come on!” I said, getting to my feet. “Let’s head towards the sunset, sweetheart, and discuss everything. You know, this world is truly beautiful, incredibly beautiful, and when the sunset shines on you, it turns you into shining gold. No, not gold—more like golden glass... Something even better than glass or gold.”

And for all that evening I wooed her and kept her glad. She made me repeat my assurances over again and still doubted a little.

And that whole evening, I flirted with her and kept her happy. She had me repeat my promises again and still felt a little unsure.

We furnished that double-fronted house from attic—it ran to an attic—to cellar, and created a garden.

We furnished that house with two fronts from attic to basement, and we made a garden.

“Do you know Pampas Grass?” said Marion. “I love Pampas Grass... if there is room.”

“Do you know Pampas Grass?” Marion asked. “I love Pampas Grass... if there's enough space.”

“You shall have Pampas Grass,” I declared. And there were moments as we went in imagination about that house together, when my whole being cried out to take her in my arms—now. But I refrained. On that aspect of life I touched very lightly in that talk, very lightly because I had had my lessons. She promised to marry me within two months’ time. Shyly, reluctantly, she named a day, and next afternoon, in heat and wrath, we “broke it off” again for the last time. We split upon procedure. I refused flatly to have a normal wedding with wedding cake, in white favours, carriages and the rest of it. It dawned upon me suddenly in conversation with her and her mother, that this was implied. I blurted out my objection forthwith, and this time it wasn’t any ordinary difference of opinion; it was a “row.” I don’t remember a quarter of the things we flung out in that dispute. I remember her mother reiterating in tones of gentle remonstrance: “But, George dear, you must have a cake—to send home.” I think we all reiterated things. I seem to remember a refrain of my own: “A marriage is too sacred a thing, too private a thing, for this display. Her father came in and stood behind me against the wall, and her aunt appeared beside the sideboard and stood with arms, looking from speaker to speaker, a sternly gratified prophetess. It didn’t occur to me then! How painful it was to Marion for these people to witness my rebellion.

“You're getting Pampas Grass,” I said. And there were times as we imagined that house together when I desperately wanted to take her in my arms—right then. But I held back. I only lightly touched on that part of life in our conversation because I had learned my lessons. She agreed to marry me in two months. Hesitantly, she set a date, and the next afternoon, in anger and frustration, we “called it off” again for the final time. We disagreed on the details. I flatly refused to have a traditional wedding with cake, white favors, carriages, and all that. It suddenly hit me during a conversation with her and her mom that this was what they expected. I blurted out my objection right away, and this wasn’t just a simple disagreement; it turned into a “fight.” I can’t remember a quarter of what we argued about during that dispute. I do recall her mom gently insisting, “But, George dear, you must have a cake—to send home.” I think we all kept repeating ourselves. I seem to remember myself saying, “A marriage is too sacred, too private for this kind of display.” Her dad came in and stood behind me against the wall, and her aunt appeared by the sideboard with her arms crossed, looking between us like a sternly satisfied prophetess. It didn’t occur to me then how painful it was for Marion to have her family witness my rebellion.

“But, George,” said her father, “what sort of marriage do you want? You don’t want to go to one of those there registry offices?”

“But, George,” her father said, “what kind of marriage do you want? You don’t want to go to one of those registry offices, do you?”

“That’s exactly what I’d like to do. Marriage is too private a thing—”

"That’s exactly what I want to do. Marriage is too personal a matter—"

“I shouldn’t feel married,” said Mrs. Ramboat.

“I shouldn't feel married,” Mrs. Ramboat said.

“Look here, Marion,” I said; “we are going to be married at a registry office. I don’t believe in all these fripperies and superstitions, and I won’t submit to them. I’ve agreed to all sorts of things to please you.”

“Listen, Marion,” I said, “we’re getting married at a registry office. I don’t believe in all these frills and superstitions, and I won’t go along with them. I’ve agreed to all sorts of things to make you happy.”

“What’s he agreed to?” said her father—unheeded.

“What has he agreed to?” her father said, going ignored.

“I can’t marry at a registry office,” said Marion, sallow-white.

“I can’t get married at a registry office,” said Marion, pale and sickly.

“Very well,” I said. “I’ll marry nowhere else.”

“Alright,” I said. “I won’t marry anywhere else.”

“I can’t marry at a registry office.”

“I can’t get married at a registry office.”

“Very well,” I said, standing up, white and tense and it amazed me, but I was also exultant; “then we won’t marry at all.”

“Okay,” I said, standing up, pale and tense, which surprised me, but I was also thrilled; “so we just won’t get married at all.”

She leant forward over the table, staring blankly. But presently her half-averted face began to haunt me as she had sat at the table, and her arm and the long droop of her shoulder.

She leaned forward over the table, staring blankly. But soon her half-turned face started to haunt me as she sat at the table, her arm and the long droop of her shoulder.

III

The next day I did an unexampled thing. I sent a telegram to my uncle, “Bad temper not coming to business,” and set off for Highgate and Ewart. He was actually at work—on a bust of Millie, and seemed very glad for any interruption.

The next day I did something unusual. I sent a telegram to my uncle, “Bad temper not coming to business,” and headed to Highgate and Ewart. He was actually working—on a bust of Millie, and seemed really happy for any interruption.

“Ewart, you old Fool,” I said, “knock off and come for a day’s gossip. I’m rotten. There’s a sympathetic sort of lunacy about you. Let’s go to Staines and paddle up to Windsor.”

“Ewart, you old fool,” I said, “stop what you’re doing and come hang out for a day. I’m feeling terrible. There’s a relatable craziness about you. Let’s go to Staines and paddle up to Windsor.”

“Girl?” said Ewart, putting down a chisel.

“Girl?” Ewart asked, setting down a chisel.

“Yes.”

"Yep."

That was all I told him of my affair.

That’s all I shared with him about my relationship.

“I’ve got no money,” he remarked, to clear up ambiguity in my invitation.

“I don’t have any money,” he said, to clarify any confusion about my invitation.

We got a jar of shandy-gaff, some food, and, on Ewart’s suggestion, two Japanese sunshades in Staines; we demanded extra cushions at the boathouse and we spent an enormously soothing day in discourse and meditation, our boat moored in a shady place this side of Windsor. I seem to remember Ewart with a cushion forward, only his heels and sunshade and some black ends of hair showing, a voice and no more, against the shining, smoothly-streaming mirror of the trees and bushes.

We got a jar of shandy-gaff, some food, and, at Ewart’s suggestion, two Japanese sunshades in Staines; we asked for extra cushions at the boathouse and spent a wonderfully relaxing day talking and meditating, our boat anchored in a shady spot this side of Windsor. I recall Ewart with a cushion up front, just his heels and sunshade and some dark hair showing, a voice and nothing else, against the bright, smoothly flowing reflection of the trees and bushes.

“It’s not worth it,” was the burthen of the voice. “You’d better get yourself a Millie, Ponderevo, and then you wouldn’t feel so upset.”

“It’s not worth it,” the voice said. “You should get yourself a Millie, Ponderevo, and then you wouldn’t feel so upset.”

“No,” I said decidedly, “that’s not my way.”

“No,” I said firmly, “that's not how I do things.”

A thread of smoke ascended from Ewart for a while, like smoke from an altar.

A wisp of smoke rose from Ewart for a bit, like smoke from a sacrifice.

“Everything’s a muddle, and you think it isn’t. Nobody knows where we are—because, as a matter of fact we aren’t anywhere. Are women property—or are they fellow-creatures? Or a sort of proprietary goddesses? They’re so obviously fellow-creatures. You believe in the goddess?”

“Everything’s a mess, and you think it’s not. Nobody knows where we are—because, honestly, we aren’t anywhere. Are women property—or are they fellow beings? Or some kind of owning goddesses? They’re clearly fellow beings. Do you believe in the goddess?”

“No,” I said, “that’s not my idea.”

“No,” I said, “that’s not what I had in mind.”

“What is your idea?”

"What’s your idea?"

“Well”

"Okay"

“H’m,” said Ewart, in my pause.

“Hm,” said Ewart, during my pause.

“My idea,” I said, “is to meet one person who will belong to me—to whom I shall belong—body and soul. No half-gods! Wait till she comes. If she comes at all.... We must come to each other young and pure.”

“My idea,” I said, “is to meet one person who will be mine—to whom I will belong—body and soul. No half-gods! Let's wait until she arrives. If she arrives at all.... We need to connect with each other while we’re young and pure.”

“There’s no such thing as a pure person or an impure person.... Mixed to begin with.”

"There’s no such thing as a completely pure person or a completely impure person.... We’re all mixed from the start."

This was so manifestly true that it silenced me altogether.

This was so obviously true that it left me completely speechless.

“And if you belong to her and she to you, Ponderevo—which end’s the head?”

“And if you belong to her and she belongs to you, Ponderevo—which end finishes the head?”

I made no answer except an impatient “oh!”

I didn’t respond except for an annoyed “oh!”

For a time we smoked in silence....

For a while, we sat in silence, smoking...

“Did I tell you, Ponderevo, of a wonderful discovery I’ve made?” Ewart began presently.

“Did I tell you, Ponderevo, about the amazing discovery I’ve made?” Ewart said after a moment.

“No,” I said, “what is it?”

“No,” I said, “what’s going on?”

“There’s no Mrs. Grundy.”

“No Mrs. Grundy anymore.”

“No?”

“Nope?”

“No! Practically not. I’ve just thought all that business out. She’s merely an instrument, Ponderevo. She’s borne the blame. Grundy’s a man. Grundy unmasked. Rather lean and out of sorts. Early middle age. With bunchy black whiskers and a worried eye. Been good so far, and it’s fretting him! Moods! There’s Grundy in a state of sexual panic, for example,—‘For God’s sake cover it up! They get together—they get together! It’s too exciting! The most dreadful things are happening!’ Rushing about—long arms going like a windmill. ‘They must be kept apart!’ Starts out for an absolute obliteration of everything absolute separations. One side of the road for men, and the other for women, and a hoarding—without posters between them. Every boy and girl to be sewed up in a sack and sealed, just the head and hands and feet out until twenty-one. Music abolished, calico garments for the lower animals! Sparrows to be suppressed—ab-so-lutely.”

“No! Almost not at all. I’ve really thought all this through. She’s just a tool, Ponderevo. She’s taking all the blame. Grundy’s a man. Grundy unmasked. Kind of thin and out of shape. In his early middle age. With scruffy black whiskers and a worried look. He’s been doing well so far, and it’s stressing him out! Moods! There’s Grundy in a total state of sexual panic, for instance,—‘For God’s sake, cover it up! They keep getting together—they keep getting together! It’s too exciting! The worst things are happening!’ Running around—his long arms flailing like a windmill. ‘They must be kept apart!’ He starts pushing for a complete separation of everything. One side of the street for men, and the other for women, with a fence—no posters in between. Every boy and girl should be locked away in a bag and sealed up, only their heads, hands, and feet out until they turn twenty-one. Music banned, with calico clothes for the lower animals! Sparrows to be completely suppressed—ab-so-lutely.”

I laughed abruptly.

I laughed out of nowhere.

“Well, that’s Mr. Grundy in one mood—and it puts Mrs. Grundy—She’s a much-maligned person, Ponderevo—a rake at heart—and it puts her in a most painful state of fluster—most painful! She’s an amenable creature. When Grundy tells her things are shocking, she’s shocked—pink and breathless. She goes about trying to conceal her profound sense of guilt behind a haughty expression....

“Well, that’s Mr. Grundy in one mood—and it puts Mrs. Grundy—She’s a much-maligned person, Ponderevo—a rake at heart—and it puts her in a very uncomfortable state of fluster—so uncomfortable! She’s an agreeable person. When Grundy tells her things are shocking, she’s shocked—blushing and breathless. She goes around trying to hide her deep sense of guilt behind a snobby expression....

“Grundy, meanwhile, is in a state of complete whirlabout. Long lean knuckly hands pointing and gesticulating! ‘They’re still thinking of things—thinking of things! It’s dreadful. They get it out of books. I can’t imagine where they get it! I must watch! There’re people over there whispering! Nobody ought to whisper!—There’s something suggestive in the mere act! Then, pictures! In the museum—things too dreadful for words. Why can’t we have pure art—with the anatomy all wrong and pure and nice—and pure fiction pure poetry, instead of all this stuff with allusions—allusions?... Excuse me! There’s something up behind that locked door! The keyhole! In the interests of public morality—yes, Sir, as a pure good man—I insist—I’ll look—it won’t hurt me—I insist on looking my duty—M’m’m—the keyhole!’”

“Grundy, meanwhile, is in a complete state of chaos. Long, lean, knobby hands are pointing and waving around! ‘They’re still thinking up new things—thinking things through! It’s horrible. They pull it from books. I can’t imagine where they get it! I have to keep an eye on this! There are people over there whispering! No one should be whispering!—There’s something suggestive in just doing that! Then, pictures! In the museum—things too awful to describe. Why can’t we have pure art—with the anatomy all wrong, and clean and nice—and pure fiction, pure poetry, instead of all this stuff loaded with allusions—allusions?... Excuse me! There’s something happening behind that locked door! The keyhole! For the sake of public morality—yes, Sir, as a good man—I insist—I’ll take a look—it won’t hurt me—I insist on doing my duty—M’m’m—the keyhole!’”

He kicked his legs about extravagantly, and I laughed again.

He flailed his legs around dramatically, and I laughed again.

“That’s Grundy in one mood, Ponderevo. It isn’t Mrs. Grundy. That’s one of the lies we tell about women. They’re too simple. Simple! Woman ARE simple! They take on just what men tell ’em.”

"That’s Grundy in one mood, Ponderevo. It isn’t Mrs. Grundy. That’s one of the lies we tell about women. They’re too simple. Simple! Women ARE simple! They take on just what men say to them."

Ewart meditated for a space. “Just exactly as it’s put to them,” he said, and resumed the moods of Mr. Grundy.

Ewart thought for a moment. “Exactly how it’s presented to them,” he said, and continued adopting Mr. Grundy’s attitudes.

“Then you get old Grundy in another mood. Ever caught him nosing, Ponderevo? Mad with the idea of mysterious, unknown, wicked, delicious things. Things that aren’t respectable. Wow! Things he mustn’t do!... Any one who knows about these things, knows there’s just as much mystery and deliciousness about Grundy’s forbidden things as there is about eating ham. Jolly nice if it’s a bright morning and you’re well and hungry and having breakfast in the open air. Jolly unattractive if you’re off colour. But Grundy’s covered it all up and hidden it and put mucky shades and covers over it until he’s forgotten it. Begins to fester round it in his mind. Has dreadful struggles—with himself about impure thoughts.... Then you set Grundy with hot ears,—curious in undertones. Grundy on the loose, Grundy in a hoarse whisper and with furtive eyes and convulsive movements—making things indecent. Evolving—in dense vapours—indecency!

“Then you find old Grundy in a different mood. Ever seen him snooping, Ponderevo? He’s obsessed with the idea of mysterious, unknown, wicked, delicious things. Things that aren’t respectable. Wow! Things he shouldn't indulge in!... Anyone who understands these things knows there’s just as much mystery and allure in Grundy’s forbidden pleasures as there is in enjoying ham. It’s great if it’s a sunny morning and you’re feeling good and hungry while having breakfast outdoors. Not so appealing if you’re feeling off. But Grundy’s buried it all and hidden it under mucky shades and covers until he’s forgotten. He starts to stew over it in his mind. He has terrible struggles—with himself over impure thoughts.... Then you see Grundy with flushed cheeks—curious in hushed tones. Grundy unleashed, Grundy whispering hoarsely with shifty eyes and twitchy movements—making things inappropriate. Creating—in thick mists—indecency!

“Grundy sins. Oh, yes, he’s a hypocrite. Sneaks round a corner and sins ugly. It’s Grundy and his dark corners that make vice, vice! We artists—we have no vices.

“Grundy sins. Oh, yes, he’s a hypocrite. He sneaks around a corner and sins in a really ugly way. It’s Grundy and his dark corners that create vice, vice! We artists—we have no vices.

“And then he’s frantic with repentance. And wants to be cruel to fallen women and decent harmless sculptors of the simple nude—like me—and so back to his panic again.”

“And then he’s overwhelmed with guilt. He wants to be harsh toward fallen women and nice, innocent sculptors of the simple nude—like me—and so he spirals back into his panic again.”

“Mrs. Grundy, I suppose, doesn’t know he sins,” I remarked.

“Mrs. Grundy probably doesn't know about his sins,” I remarked.

“No? I’m not so sure.... But, bless her heart she’s a woman.... She’s a woman. Then again you get Grundy with a large greasy smile—like an accident to a butter tub—all over his face, being Liberal Minded—Grundy in his Anti-Puritan moments, ‘trying not to see Harm in it’—Grundy the friend of innocent pleasure. He makes you sick with the Harm he’s trying not to see in it...

“No? I’m not so sure.... But, bless her heart she’s a woman.... She’s a woman. Then again you see Grundy with a big greasy smile—like he just had an accident in a butter tub—all over his face, being open-minded—Grundy in his Anti-Puritan moments, ‘trying not to see the harm in it’—Grundy the friend of innocent fun. He makes you sick with the harm he’s pretending not to see in it...”

“And that’s why everything’s wrong, Ponderevo. Grundy, damn him! stands in the light, and we young people can’t see. His moods affect us. We catch his gusts of panic, his disease of nosing, his greasiness. We don’t know what we may think, what we may say, he does his silly utmost to prevent our reading and seeing the one thing, the one sort of discussion we find—quite naturally and properly—supremely interesting. So we don’t adolescence; we blunder up to sex. Dare—dare to look—and he may dirt you for ever! The girls are terror-stricken to silence by his significant whiskers, by the bleary something in his eyes.”

“And that’s why everything’s messed up, Ponderevo. Grundy, damn him! stands in the spotlight, and we young people can’t see. His moods impact us. We catch his waves of panic, his obsession, his sleaziness. We don’t know what we might think or say; he does his utmost to keep us from reading and seeing the one thing, the one type of discussion we find—perfectly normal and proper—extremely interesting. So we skip adolescence; we stumble into sex. Dare—dare to look—and he might ruin you forever! The girls are so scared they can't speak, intimidated by his conspicuous whiskers and the hazy something in his eyes.”

Suddenly Ewart, with an almost Jack-in-the-box effect, sat up.

Suddenly, Ewart shot up, like a jack-in-the-box.

“He’s about us everywhere, Ponderevo,” he said, very solemnly. “Sometimes—sometimes I think he is—in our blood. In mine.”

“He’s everywhere around us, Ponderevo,” he said very seriously. “Sometimes—sometimes I think he is—in our blood. In mine.”

He regarded me for my opinion very earnestly, with his pipe in the corner of his mouth.

He looked at me seriously for my opinion, with his pipe in the corner of his mouth.

“You’re the remotest cousin he ever had,” I said.

“You're the most distant cousin he’s ever had,” I said.

I reflected. “Look here, Ewart,” I asked, “how would you have things different?”

I thought for a moment. “Hey, Ewart,” I asked, “what would you change?”

He wrinkled up his queer face, regarded the wait and made his pipe gurgle for a space, thinking deeply.

He scrunched up his unusual face, considered the wait, and made his pipe gurgle for a moment, lost in thought.

“There are complications, I admit. We’ve grown up under the terror of Grundy and that innocent but docile and—yes—formidable lady, his wife. I don’t know how far the complications aren’t a disease, a sort of bleaching under the Grundy shadow.... It is possible there are things I have still to learn about women.... Man has eaten of the Tree of Knowledge. His innocence is gone. You can’t have your cake and eat it. We’re in for knowledge; let’s have it plain and straight. I should begin, I think, by abolishing the ideas of decency and indecency....”

“There are complications, I’ll admit. We’ve grown up under the fear of Grundy and that innocent but passive and—yes—formidable woman, his wife. I don’t know how much of the complications aren’t just a symptom, a kind of fading under the Grundy shadow.... It’s possible there are things I still need to understand about women.... Man has taken from the Tree of Knowledge. His innocence is gone. You can’t have it both ways. We’re here for knowledge; let’s have it straightforward. I think I should start by getting rid of the concepts of decency and indecency....”

“Grundy would have fits!” I injected.

“Grundy would freak out!” I said.

“Grundy, Ponderevo, would have cold douches—publicly—if the sight was not too painful—three times a day.... But I don’t think, mind you, that I should let the sexes run about together. No. The fact behind the sexes—is sex. It’s no good humbugging. It trails about—even in the best mixed company. Tugs at your ankle. The men get showing off and quarrelling—and the women. Or they’re bored. I suppose the ancestral males have competed for the ancestral females ever since they were both some sort of grubby little reptile. You aren’t going to alter that in a thousand years or so.... Never should you have a mixed company, never—except with only one man or only one woman. How would that be?...

“Grundy, Ponderevo, would take cold showers—publicly—if the sight wasn’t too painful—three times a day.... But I don't think, just to be clear, that I should let the genders mix freely. No. The reality of genders—is sex. There’s no point in pretending otherwise. It lingers around—even in the best mixed company. Pulls at your ankles. The men start showing off and fighting—and the women. Or they get bored. I guess the male ancestors have been competing for the female ancestors ever since they were both some kind of grubby little reptile. You’re not going to change that in a thousand years or so.... You should never have mixed company, never—except with only one man or only one woman. How would that be?...

“Or duets only?...

“Or just duets?”

“How to manage it? Some rule of etiquette, perhaps.”... He became portentously grave.

“How do you handle it? Maybe some etiquette rule?”... He became seriously solemn.

Then his long hand went out in weird gestures.

Then his long hand moved in strange gestures.

“I seem to see—I seem to see—a sort of City of Women, Ponderevo. Yes.... A walled enclosure—good stone-mason’s work—a city wall, high as the walls of Rome, going about a garden. Dozens of square miles of garden—trees—fountains—arbours—lakes. Lawns on which the women play, avenues in which they gossip, boats.... Women like that sort of thing. Any woman who’s been to a good eventful girls’ school lives on the memory of it for the rest of her life. It’s one of the pathetic things about women—the superiority of school and college—to anything they get afterwards. And this city-garden of women will have beautiful places for music, places for beautiful dresses, places for beautiful work. Everything a woman can want. Nurseries. Kindergartens. Schools. And no man—except to do rough work, perhaps—ever comes in. The men live in a world where they can hunt and engineer, invent and mine and manufacture, sail ships, drink deep and practice the arts, and fight—”

“I feel like I see—I feel like I see—a kind of City of Women, Ponderevo. Yeah... A walled area—great craftsmanship—a city wall, as high as the walls of Rome, surrounding a garden. Dozens of square miles of garden—trees—fountains—shelters—lakes. Lawns where the women play, paths where they chat, boats.... Women love that sort of thing. Any woman who’s been to a good, exciting girls’ school carries the memory of it with her for the rest of her life. It’s one of the sad things about women—the superiority of school and college—to anything they experience afterwards. And this city-garden of women will have beautiful areas for music, spaces for lovely dresses, places for fine work. Everything a woman could want. Nurseries. Kindergartens. Schools. And no man—except maybe to do labor—ever enters. The men live in a world where they can hunt and engineer, invent and mine and manufacture, sail ships, indulge deeply, pursue the arts, and fight—”

“Yes,” I said, “but—”

“Yes,” I replied, “but—”

He stilled me with a gesture.

He calmed me with a gesture.

“I’m coming to that. The homes of the women, Ponderevo, will be set in the wall of their city; each woman will have her own particular house and home, furnished after her own heart in her own manner—with a little balcony on the outside wall. Built into the wall—and a little balcony. And there she will go and look out, when the mood takes her, and all round the city there will be a broad road and seats and great shady trees. And men will stroll up and down there when they feel the need of feminine company; when, for instance, they want to talk about their souls or their characters or any of the things that only women will stand.... The women will lean over and look at the men and smile and talk to them as they fancy. And each woman will have this; she will have a little silken ladder she can let down if she chooses—if she wants to talk closer...”

“I’m getting to that. The homes of the women, Ponderevo, will be built into the city wall; each woman will have her own unique house and home, decorated according to her tastes—with a small balcony on the outside wall. Built into the wall—and a small balcony. And she can go out there and look around whenever she feels like it, and all around the city there will be a wide road with benches and big shady trees. Men will stroll up and down there when they need some female company; for example, when they want to discuss their souls or their personalities or any of the topics that only women will entertain.... The women will lean over and look at the men and smile and chat with them as they wish. Each woman will have this; she will have a little silk ladder she can lower if she wants—if she wants to talk up close...”

“The men would still be competing.”

“The guys would still be competing.”

“There perhaps—yes. But they’d have to abide by the women’s decisions.”

“There maybe—yes. But they’d have to respect the women’s choices.”

I raised one or two difficulties, and for a while we played with this idea.

I pointed out a couple of challenges, and for a while, we toyed with this idea.

“Ewart,” I said, “this is like Doll’s Island.

“Ewart,” I said, “this is just like Doll’s Island.

“Suppose,” I reflected, “an unsuccessful man laid siege to a balcony and wouldn’t let his rival come near it?”

“Let’s say,” I thought, “a guy who hasn’t succeeded blocked off a balcony and wouldn’t let his competitor get close to it?”

“Move him on,” said Ewart, “by a special regulation. As one does organ-grinders. No difficulty about that. And you could forbid it—make it against the etiquette. No life is decent without etiquette.... And people obey etiquette sooner than laws...”

“Move him along,” Ewart said, “by a special rule. Just like you do with organ-grinders. It’s not a problem. And you could ban it—make it against the etiquette. No life is decent without etiquette.... And people follow etiquette more readily than laws...”

“H’m,” I said, and was struck by an idea that is remote in the world of a young man. “How about children?” I asked; “in the City? Girls are all very well. But boys, for example—grow up.”

“H’m,” I said, and an idea struck me that felt distant in the world of a young man. “What about kids?” I asked; “in the City? Girls are nice and all. But boys, for instance—grow up.”

“Ah!” said Ewart. “Yes. I forgot. They mustn’t grow up inside.... They’d turn out the boys when they were seven. The father must come with a little pony and a little gun and manly wear, and take the boy away. Then one could come afterwards to one’s mother’s balcony.... It must be fine to have a mother. The father and the son...”

“Ah!” said Ewart. “Yes. I forgot. They can't grow up inside... They'd send the boys out when they're seven. The dad has to come with a little pony, a little gun, and some manly clothes, and take the boy away. Then you could come later to your mom’s balcony... It must be great to have a mom. The dad and the son...”

“This is all very pretty in its way,” I said at last, “but it’s a dream. Let’s come back to reality. What I want to know is, what are you going to do in Brompton, let us say, or Walham Green now?

“This is all very nice in its own way,” I finally said, “but it’s just a dream. Let’s get back to reality. What I want to know is, what are you planning to do in Brompton, or let’s say, Walham Green now?

“Oh! damn it!” he remarked, “Walham Green! What a chap you are, Ponderevo!” and he made an abrupt end to his discourse. He wouldn’t even reply to my tentatives for a time.

“Oh! damn it!” he said, “Walham Green! What a guy you are, Ponderevo!” and he suddenly stopped talking. He wouldn’t even respond to my attempts for a while.

“While I was talking just now,” he remarked presently,

“While I was just talking,” he said after a moment,

“I had a quite different idea.”

“I had a completely different idea.”

“What?”

"What?"

“For a masterpiece. A series. Like the busts of the Cæsars. Only not heads, you know. We don’t see the people who do things to us nowadays...”

“For a masterpiece. A series. Like the busts of the Caesars. Just not heads, you know. We don’t see the people who affect us these days...”

“How will you do it, then?”

“How are you going to do it, then?”

“Hands—a series of hands! The hands of the Twentieth Century. I’ll do it. Some day some one will discover it—go there—see what I have done, and what is meant by it.”

“Hands—a collection of hands! The hands of the 20th Century. I’ll make it happen. Someday, someone will find it—go there—see what I’ve created and what it means.”

“See it where?”

"Where can I see it?"

“On the tombs. Why not? The Unknown Master of the Highgate Slope! All the little, soft feminine hands, the nervous ugly males, the hands of the flops, and the hands of the snatchers! And Grundy’s loose, lean, knuckly affair—Grundy the terror!—the little wrinkles and the thumb! Only it ought to hold all the others together—in a slightly disturbing squeeze....Like Rodin’s great Hand—you know the thing!”

“On the tombs. Why not? The Unknown Master of the Highgate Slope! All the little, soft feminine hands, the nervous ugly men, the hands of the losers, and the hands of the thieves! And Grundy’s loose, lean, knobby hand—Grundy the terror!—the little wrinkles and the thumb! It should hold all the others together—in a slightly unsettling grip....Like Rodin’s great Hand—you know what I mean!”

IV

I forget how many days intervened between that last breaking off of our engagement and Marion’s surrender. But I recall now the sharpness of my emotion, the concentrated spirit of tears and laughter in my throat as I read the words of her unexpected letter—“I have thought over everything, and I was selfish....” I rushed off to Walham Green that evening to give back all she had given me, to beat her altogether at giving. She was extraordinarily gentle and generous that time, I remember, and when at last I left her, she kissed me very sweetly.

I can't remember how many days passed between the end of our engagement and Marion finally giving in. But I clearly remember the intensity of my feelings, the mix of tears and laughter in my throat as I read her surprising letter—“I’ve thought about everything, and I was selfish….” I hurried over to Walham Green that evening to return everything she had given me, to outdo her in generosity. She was incredibly kind and generous that time, I recall, and when I finally left, she kissed me very sweetly.

So we were married.

So we got married.

We were married with all the customary incongruity. I gave—perhaps after a while not altogether ungrudgingly—and what I gave, Marion took, with a manifest satisfaction. After all, I was being sensible. So that we had three livery carriages to the church (one of the pairs of horses matched) and coachmen—with improvised flavour and very shabby silk hats—bearing white favours on their whips, and my uncle intervened with splendour and insisted upon having a wedding breakfast sent in from a caterer’s in Hammersmith. The table had a great display of chrysanthemums, and there was orange blossom in the significant place and a wonderful cake. We also circulated upwards of a score of wedges of that accompanied by silver-printed cards in which Marion’s name of Ramboat was stricken out by an arrow in favour of Ponderevo. We had a little rally of Marion’s relations, and several friends and friends’ friends from Smithie’s appeared in the church and drifted vestry-ward. I produced my aunt and uncle a select group of two. The effect in that shabby little house was one of exhilarating congestion. The side-board, in which lived the table-cloth and the “Apartments” card, was used for a display of the presents, eked out by the unused balance of the silver-printed cards.

We got married with all the usual awkwardness. I gave—maybe not too reluctantly after a while—and what I gave, Marion took, looking visibly pleased. After all, I was being reasonable. So, we had three carriages to the church (one pair of horses matched), and coachmen—with a makeshift flair and very worn silk hats—carrying white ribbons on their whips. My uncle stepped in with flair and insisted on ordering a wedding breakfast from a caterer in Hammersmith. The table was beautifully decorated with chrysanthemums, and there was orange blossom in the important spot along with a stunning cake. We also shared over twenty slices of that cake, accompanied by silver-printed cards where Marion's last name, Ramboat, was crossed out with an arrow in favor of Ponderevo. A few of Marion's relatives joined us, along with several friends and acquaintances from Smithie’s who appeared at the church and drifted toward the vestry. I introduced my aunt and uncle—a select duo. The atmosphere in that small, shabby house was one of exciting crowding. The sideboard, home to the tablecloth and the “Apartments” card, was used to showcase the presents, enhanced by the leftover silver-printed cards.

Marion wore the white raiment of a bride, white silk and satin, that did not suit her, that made her seem large and strange to me; she obtruded bows and unfamiliar contours. She went through all this strange ritual of an English wedding with a sacramental gravity that I was altogether too young and egotistical to comprehend. It was all extraordinarily central and important to her; it was no more than an offensive, complicated, and disconcerting intrusion of a world I was already beginning to criticise very bitterly, to me. What was all this fuss for? The mere indecent advertisement that I had been passionately in love with Marion! I think, however, that Marion was only very remotely aware of my smouldering exasperation at having in the end behaved “nicely.” I had played—up to the extent of dressing my part; I had an admirably cut frock—coat, a new silk hat, trousers as light as I could endure them—lighter, in fact—a white waistcoat, night tie, light gloves. Marion, seeing me despondent had the unusual enterprise to whisper to me that I looked lovely; I knew too well I didn’t look myself. I looked like a special coloured supplement to Men’s Wear, or The Tailor and Cutter, Full Dress For Ceremonial Occasions. I had even the disconcerting sensations of an unfamiliar collar. I felt lost—in a strange body, and when I glanced down myself for reassurance, the straight white abdomen, the alien legs confirmed that impression.

Marion wore the white dress of a bride, made from white silk and satin, but it didn’t suit her; it made her look big and odd to me. She had on bows and unfamiliar shapes. She went through the whole strange ritual of an English wedding with a seriousness that I was too young and self-absorbed to understand. It was all incredibly central and important to her; for me, it was just an annoying, complicated, and confusing interruption of a world I was already starting to criticize harshly. What was all this fuss about? Just the embarrassing announcement that I had been passionately in love with Marion! However, I think Marion was only vaguely aware of my smoldering frustration at having ultimately acted “nicely.” I had played my part—right down to my outfit; I had a well-tailored frock coat, a new silk hat, trousers as light as I could handle—actually, lighter—a white waistcoat, a bow tie, and light gloves. Marion, noticing my gloom, had the uncommon thought to whisper that I looked lovely; I knew full well I didn’t look like myself. I looked like a colorful feature from Men’s Wear or The Tailor and Cutter, Full Dress For Ceremonial Occasions. I even felt the odd sensation of a strange collar. I felt out of place—in a strange body, and when I glanced down for reassurance, the flat white abdomen and the unfamiliar legs only confirmed that feeling.

My uncle was my best man, and looked like a banker—a little banker—in flower. He wore a white rose in his buttonhole. He wasn’t, I think, particularly talkative. At least I recall very little from him.

My uncle was my best man, and he looked like a banker—a little banker—in bloom. He had a white rose in his buttonhole. I don't think he was particularly chatty. At least, I remember very little from him.

“George” he said once or twice, “this is a great occasion for you—a very great occasion.” He spoke a little doubtfully.

“George,” he said once or twice, “this is a huge moment for you—a really big moment.” He spoke with a bit of uncertainty.

You see I had told him nothing about Marion until about a week before the wedding; both he and my aunt had been taken altogether by surprise. They couldn’t, as people say, “make it out.” My aunt was intensely interested, much more than my uncle; it was then, I think, for the first time that I really saw that she cared for me. She got me alone, I remember, after I had made my announcement. “Now, George,” she said, “tell me everything about her. Why didn’t you tell—ME at least—before?”

You see, I hadn’t told him anything about Marion until about a week before the wedding; both he and my aunt were completely taken by surprise. They couldn’t, as people say, “figure it out.” My aunt was really interested, way more than my uncle; it was then, I think, for the first time that I truly saw that she cared about me. I remember she got me alone after I made my announcement. “Now, George,” she said, “tell me everything about her. Why didn’t you tell—ME at least—before?”

I was surprised to find how difficult it was to tell her about Marion. I perplexed her.

I was surprised to see how hard it was to tell her about Marion. I confused her.

“Then is she beautiful?” she asked at last.

“Is she beautiful then?” she finally asked.

“I don’t know what you’ll think of her,” I parried. “I think—”

“I’m not sure what you’ll think of her,” I dodged. “I think—”

“Yes?”

"Yes?"

“I think she might be the most beautiful person in the world.”

“I think she might be the most beautiful person in the world.”

“And isn’t she? To you?”

“And isn’t she? For you?”

“Of course,” I said, nodding my head. “Yes. She IS...”

“Of course,” I said, nodding. “Yes. She IS...”

And while I don’t remember anything my uncle said or did at the wedding, I do remember very distinctly certain little things, scrutiny, solicitude, a curious rare flash of intimacy in my aunt’s eyes. It dawned on me that I wasn’t hiding anything from her at all. She was dressed very smartly, wearing a big-plumed hat that made her neck seem longer and slenderer than ever, and when she walked up the aisle with that rolling stride of hers and her eye all on Marion, perplexed into self-forgetfulness, it wasn’t somehow funny. She was, I do believe, giving my marriage more thought than I had done, she was concerned beyond measure at my black rage and Marion’s blindness, she was looking with eyes that knew what loving is—for love.

And while I don’t remember anything my uncle said or did at the wedding, I do clearly recall certain little things: her gaze, her concern, a rare moment of connection in my aunt’s eyes. It hit me that I wasn’t hiding anything from her at all. She was dressed very stylishly, wearing a big-feathered hat that made her neck look longer and slimmer than ever, and when she walked down the aisle with her characteristic rolling stride, her focus all on Marion, lost in thought, it didn’t seem funny at all. I truly believe she was putting more thought into my marriage than I had, she was deeply worried about my anger and Marion’s cluelessness, she was looking with eyes that understood what love is—for love.

In the vestry she turned away as we signed, and I verily believe she was crying, though to this day I can’t say why she should have cried, and she was near crying too when she squeezed my hand at parting—and she never said a word or looked at me, but just squeezed my hand....

In the vestry, she turned away as we signed, and I really believe she was crying, though to this day I can’t figure out why she would have cried. She was almost crying too when she squeezed my hand as we said goodbye—and she didn’t say a word or look at me, just squeezed my hand...

If I had not been so grim in spirit, I think I should have found much of my wedding amusing. I remember a lot of ridiculous detail that still declines to be funny in my memory. The officiating clergyman had a cold, and turned his “n’s” to “d’s,” and he made the most mechanical compliment conceivable about the bride’s age when the register was signed. Every bride he had ever married had had it, one knew. And two middle-aged spinsters, cousins of Marion’s and dressmakers at Barking, stand out. They wore marvellously bright and gay blouses and dim old skirts, and had an immense respect for Mr. Ramboat. They threw rice; they brought a whole bag with them and gave handfuls away to unknown little boys at the church door and so created a Lilliputian riot; and one had meant to throw a slipper. It was a very warm old silk slipper, I know, because she dropped it out of a pocket in the aisle—there was a sort of jumble in the aisle—and I picked it up for her. I don’t think she actually threw it, for as we drove away from the church I saw her in a dreadful, and, it seemed to me, hopeless, struggle with her pocket; and afterwards my eye caught the missile of good fortune lying, it or its fellow, most obviously mislaid, behind the umbrella-stand in the hall....

If I hadn’t been so down, I think I would have found a lot of my wedding funny. I remember so many silly details that still don’t strike me as funny. The officiating clergyman had a cold, mixing up “n’s” with “d’s,” and he gave the most generic compliment about the bride’s age when we signed the register. You could tell he’d said the same to every bride he’d ever married. Two middle-aged single ladies, cousins of Marion’s who were seamstresses in Barking, really stood out. They wore incredibly bright and cheerful blouses with old, worn-out skirts and had a huge respect for Mr. Ramboat. They threw rice; they brought a whole bag with them and handed out handfuls to random little boys at the church door, creating a mini riot; and one of them had intended to throw a slipper. It was a very warm old silk slipper, I know, because she dropped it out of a pocket in the aisle—there was a bit of chaos in the aisle—and I picked it up for her. I don’t think she actually threw it, because as we drove away from the church, I saw her in a frustrating, and what seemed like a hopeless, battle with her pocket; and later, I spotted the good luck charm lying, either that one or its mate, clearly misplaced, behind the umbrella stand in the hall....

The whole business was much more absurd, more incoherent, more human than I had anticipated, but I was far too young and serious to let the latter quality atone for its shortcomings. I am so remote from this phase of my youth that I can look back at it all as dispassionately as one looks at a picture—at some wonderful, perfect sort of picture that is inexhaustible; but at the time these things filled me with unspeakable resentment. Now I go round it all, look into its details, generalise about its aspects. I’m interested, for example, to square it with my Bladesover theory of the British social scheme. Under stress of tradition we were all of us trying in the fermenting chaos of London to carry out the marriage ceremonies of a Bladesover tenant or one of the chubby middling sort of people in some dependent country town. There a marriage is a public function with a public significance. There the church is to a large extent the gathering-place of the community, and your going to be married a thing of importance to every one you pass on the road. It is a change of status that quite legitimately interests the whole neighbourhood. But in London there are no neighbours, nobody knows, nobody cares. An absolute stranger in an office took my notice, and our banns were proclaimed to ears that had never previously heard our names. The clergyman, even, who married us had never seen us before, and didn’t in any degree intimate that he wanted to see us again.

The whole situation was way more ridiculous, more confusing, and more human than I expected, but I was way too young and serious to appreciate that last point. I’m so far removed from that time in my youth that I can look back on it as calmly as someone views a picture—some beautiful, perfect kind of picture that never gets old; but at the time, these experiences filled me with indescribable anger. Now I go around it all, examining the details and generalizing about its aspects. I’m curious, for instance, to connect it to my Bladesover theory of the British social system. Under the pressure of tradition, we were all trying to carry out the marriage ceremonies of a Bladesover tenant or one of those average, plump people in some outlying town. There, marriage is a public event with public significance. The church is often the community gathering spot, and getting married is a big deal for everyone you pass on the street. It’s a change in status that genuinely interests the whole neighborhood. But in London, there are no neighbors; nobody knows and nobody cares. An absolute stranger in an office took notice of us, and our banns were announced to people who had never heard our names before. The clergyman who married us had never seen us before and didn’t show any interest in seeing us again.

Neighbours in London! The Ramboats did not know the names of the people on either side of them. As I waited for Marion before we started off upon our honeymoon flight, Mr. Ramboat, I remember, came and stood beside me and stared out of the window.

Neighbours in London! The Ramboats didn’t know the names of the people living next to them. As I waited for Marion before we headed out on our honeymoon flight, Mr. Ramboat, I remember, came and stood next to me and stared out of the window.

“There was a funeral over there yesterday,” he said, by way of making conversation, and moved his head at the house opposite. “Quite a smart affair it was with a glass ’earse....”

“There was a funeral over there yesterday,” he said, trying to make conversation, and nodded toward the house across the street. “It was quite a fancy event with a glass hearse....”

And our little procession of three carriages with white-favour-adorned horses and drivers, went through all the huge, noisy, indifferent traffic like a lost china image in the coal-chute of an ironclad. Nobody made way for us, nobody cared for us; the driver of an omnibus jeered; for a long time we crawled behind an unamiable dust-cart. The irrelevant clatter and tumult gave a queer flavour of indecency to this public coming together of lovers. We seemed to have obtruded ourselves shamelessly. The crowd that gathered outside the church would have gathered in the same spirit and with greater alacrity for a street accident....

And our little parade of three carriages with horses decorated with white favors and their drivers made its way through all the huge, noisy, indifferent traffic like a lost decorative figure in a coal chute. Nobody made way for us; nobody cared about us. The driver of a bus mocked us; for a long time, we crawled behind a grumpy garbage truck. The irrelevant noise and chaos gave a strange sense of embarrassment to this public gathering of lovers. We seemed to have intruded shamelessly. The crowd that formed outside the church would have gathered with the same eagerness, and even more, for a street accident.

At Charing Cross—we were going to Hastings—the experienced eye of the guard detected the significance of our unusual costume and he secured us a compartment.

At Charing Cross—we were heading to Hastings—the guard's trained eye noticed the importance of our unusual outfit, and he arranged a private compartment for us.

“Well,” said I, as the train moved out of the station, “That’s all over!” And I turned to Marion—a little unfamiliar still, in her unfamiliar clothes—and smiled.

“Well,” I said as the train left the station, “That’s all over!” I turned to Marion—a bit unfamiliar still in her new clothes—and smiled.

She regarded me gravely, timidly.

She looked at me seriously, shyly.

“You’re not cross?” she asked.

"Are you not mad?" she asked.

“Cross! Why?”

"Cross! Why though?"

“At having it all proper.”

“At having it all right.”

“My dear Marion!” said I, and by way of answer took and kissed her white-gloved, leather-scented hand....

“My dear Marion!” I said, and in response, I took her white-gloved, leather-scented hand and kissed it....

I don’t remember much else about the journey, an hour or so it was of undistinguished time—for we were both confused and a little fatigued and Marion had a slight headache and did not want caresses. I fell into a reverie about my aunt, and realised as if it were a new discovery, that I cared for her very greatly. I was acutely sorry I had not told her earlier of my marriage.

I don't remember much else about the trip; it was about an hour of unremarkable time. We were both a bit confused and tired, and Marion had a slight headache and didn't want any affection. I drifted into a daydream about my aunt and suddenly realized, as if it were a new revelation, just how much I cared for her. I felt really bad that I hadn't informed her sooner about my marriage.

But you will not want to hear the history of my honeymoon. I have told all that was needed to serve my present purpose. Thus and thus it was the Will in things had its way with me. Driven by forces I did not understand, diverted altogether from the science, the curiosities and work to which I had once given myself, I fought my way through a tangle of traditions, customs, obstacles and absurdities, enraged myself, limited myself, gave myself to occupations I saw with the clearest vision were dishonourable and vain, and at last achieved the end of purblind Nature, the relentless immediacy of her desire, and held, far short of happiness, Marion weeping and reluctant in my arms.

But you probably don’t want to hear about my honeymoon. I’ve said enough to make my point. This is how the universe played out for me. Driven by forces I didn’t understand and completely distracted from the science, curiosities, and work I once dedicated myself to, I struggled through a mess of traditions, customs, obstacles, and absurdities. I got angry, limited myself, and got involved in things that I clearly saw as dishonorable and pointless. In the end, I reached the end of blind Nature’s relentless desires, holding Marion, who was weeping and hesitant, in my arms—far from happiness.

V

Who can tell the story of the slow estrangement of two married people, the weakening of first this bond and then that of that complex contact? Least of all can one of the two participants. Even now, with an interval of fifteen years to clear it up for me, I still find a mass of impressions of Marion as confused, as discordant, as unsystematic and self-contradictory as life. I think of this thing and love her, of that and hate her—of a hundred aspects in which I can now see her with an unimpassioned sympathy. As I sit here trying to render some vision of this infinitely confused process, I recall moments of hard and fierce estrangement, moments of clouded intimacy, the passage of transition all forgotten. We talked a little language together whence were “friends,” and I was “Mutney” and she was “Ming,” and we kept up such an outward show that till the very end Smithie thought our household the most amiable in the world.

Who can tell the story of the gradual distance between two married people, the weakening of this bond and then that of their complicated connection? Certainly, neither of the two involved can. Even now, with fifteen years to gain some perspective, I still find my memories of Marion as jumbled, conflicting, disorganized, and self-contradictory as life itself. I think of one thing and love her, of another and hate her—of a hundred aspects where I can now view her with calm understanding. As I sit here attempting to outline this incredibly confusing process, I remember moments of deep and intense separation, moments of unclear intimacy, the passing of transitions all forgotten. We shared a little language for a time where I was “Mutney” and she was “Ming,” and we maintained such a facade that even at the very end, Smithie believed our household was the most loving in the world.

I cannot tell to the full how Marion thwarted me and failed in that life of intimate emotions which is the kernel of love. That life of intimate emotions is made up of little things. A beautiful face differs from an ugly one by a difference of surfaces and proportions that are sometimes almost infinitesimally small. I find myself setting down little things and little things; none of them do more than demonstrate those essential temperamental discords I have already sought to make clear. Some readers will understand—to others I shall seem no more than an unfeeling brute who couldn’t make allowances.... It’s easy to make allowances now; but to be young and ardent and to make allowances, to see one’s married life open before one, the life that seemed in its dawn a glory, a garden of roses, a place of deep sweet mysteries and heart throbs and wonderful silences, and to see it a vista of tolerations and baby-talk; a compromise, the least effectual thing in all one’s life.

I can’t fully express how Marion undermined me and failed in that life of deep emotions that is at the heart of love. That life of deep emotions is made up of small things. A beautiful face is different from an ugly one by differences in features and proportions that can sometimes be almost imperceptibly small. I find myself noting these small things; none of them do more than highlight those essential emotional clashes I have already tried to explain. Some readers will get it—while to others, I’ll just seem like an unfeeling jerk who couldn’t be understanding... It’s easy to be understanding now; but to be young and passionate and to make allowances, to see one’s married life unfold before you, a life that once seemed like a glorious dawn, a garden of roses, filled with deep sweet mysteries, heartbeats, and wonderful silences, only to realize it’s just a series of tolerances and baby talk; a compromise, the least effective thing in all one’s life.

Every love romance I read seemed to mock our dull intercourse, every poem, every beautiful picture reflected upon the uneventful succession of grey hours we had together. I think our real difference was one of aesthetic sensibility.

Every love story I read seemed to tease our boring relationship; every poem and every beautiful picture highlighted the monotonous flow of dull hours we spent together. I believe our main difference was in our sense of aesthetics.

I do still recall as the worst and most disastrous aspect of all that time, her absolute disregard of her own beauty. It’s the pettiest thing to record, I know, but she could wear curl-papers in my presence. It was her idea, too, to “wear out” her old clothes and her failures at home when “no one was likely to see her”—“no one” being myself. She allowed me to accumulate a store of ungracious and slovenly memories....

I still remember the worst and most disastrous thing from that time: her complete disregard for her own beauty. It may seem trivial to mention, but she would wear curlers in front of me. It was also her idea to "wear out" her old clothes and hide her failures at home when "no one was likely to see her"—meaning just me. She let me build up a collection of ungracious and messy memories...

All our conceptions of life differed. I remember how we differed about furniture. We spent three or four days in Tottenham Court Road, and she chose the things she fancied with an inexorable resolution,—sweeping aside my suggestions with—“Oh, you want such queer things.” She pursued some limited, clearly seen and experienced ideal—that excluded all other possibilities. Over every mantel was a mirror that was draped, our sideboard was wonderfully good and splendid with beveled glass, we had lamps on long metal stalks and cozy corners and plants in grog-tubs. Smithie approved it all. There wasn’t a place where one could sit and read in the whole house. My books went upon shelves in the dining-room recess. And we had a piano though Marion’s playing was at an elementary level.

All our views on life were different. I remember how we disagreed about furniture. We spent three or four days on Tottenham Court Road, and she picked out the things she liked with a firm determination, brushing off my suggestions with, “Oh, you like such weird things.” She was chasing a specific, clearly defined ideal that shut out any other options. Every mantel had a draped mirror, our sideboard was beautifully made with beveled glass, we had lamps on long metal stems, cozy nooks, and plants in old tubs. Smithie liked everything. There wasn’t a single spot to sit and read in the entire house. My books ended up on shelves in the dining room. We even had a piano, even though Marion’s playing was pretty basic.

You know, it was the cruelest luck for Marion that I, with my restlessness, my scepticism, my constantly developing ideas, had insisted on marriage with her. She had no faculty of growth or change; she had taken her mould, she had set in the limited ideas of her peculiar class. She preserved her conception of what was right in drawing-room chairs and in marriage ceremonial and in every relation of life with a simple and luminous honesty and conviction, with an immense unimaginative inflexibility—as a tailor-bird builds its nest or a beaver makes its dam.

You know, it was the harshest luck for Marion that I, with my restlessness, my skepticism, and my ever-evolving ideas, had pushed her into marriage. She didn’t have the ability to grow or change; she had taken her shape, solidified in the narrow ideas of her specific class. She held onto her views of what was proper regarding living room furniture, wedding ceremonies, and every relationship in life with a clear and sincere honesty and certainty, with an immense unimaginative rigidity—like how a tailor bird builds its nest or a beaver creates its dam.

Let me hasten over this history of disappointments and separation. I might tell of waxings and waning of love between us, but the whole was waning. Sometimes she would do things for me, make me a tie or a pair of slippers, and fill me with none the less gratitude because the things were absurd. She ran our home and our one servant with a hard, bright efficiency. She was inordinately proud of house and garden. Always, by her lights, she did her duty by me.

Let me quickly go through this story of disappointments and separation. I could talk about the ups and downs of our love, but overall, it was fading. Occasionally, she would do things for me, like make me a tie or a pair of slippers, and I would feel grateful, even if those things were a bit silly. She managed our home and our one servant with sharp, effective skill. She was extremely proud of the house and garden. Always, in her own way, she did her best for me.

Presently the rapid development of Tono-Bungay began to take me into the provinces, and I would be away sometimes for a week together. This she did not like; it left her “dull,” she said, but after a time she began to go to Smithie’s again and to develop an independence of me. At Smithie’s she was now a woman with a position; she had money to spend. She would take Smithie to theatres and out to lunch and talk interminably of the business, and Smithie became a sort of permanent weekender with us. Also Marion got a spaniel and began to dabble with the minor arts, with poker-work and a Kodak and hyacinths in glasses. She called once on a neighbour. Her parents left Walham Green—her father severed his connection with the gas-works—and came to live in a small house I took for them near us, and they were much with us.

Currently, the rapid growth of Tono-Bungay started taking me into the countryside, and sometimes I would be gone for a whole week. She didn’t like this; it made her feel “dull,” she said, but eventually, she started going to Smithie’s again and developing her independence from me. At Smithie’s, she was now a respected woman; she had money to spend. She would take Smithie to the theater and out to lunch, talking endlessly about the business, and Smithie became a sort of regular weekend guest with us. Additionally, Marion got a spaniel and began experimenting with the arts, like pyrography, photography with a Kodak, and arranging hyacinths in vases. She once visited a neighbor. Her parents moved out of Walham Green—her father ended his work with the gas-works—and came to live in a small house I found for them nearby, and they spent a lot of time with us.

Odd the littleness of the things that exasperate when the fountains of life are embittered! My father-in-law was perpetually catching me in moody moments and urging me to take to gardening. He irritated me beyond measure.

Odd how the little things can be so annoying when life feels so heavy! My father-in-law was always catching me in my down moments and pushing me to get into gardening. He really got on my nerves.

“You think too much,” he would say. “If you was to let in a bit with a spade, you might soon ’ave that garden of yours a Vision of Flowers. That’s better than thinking, George.”

“You think too much,” he would say. “If you were to dig a little with a spade, you could soon have that garden of yours a beautiful sight. That’s better than just thinking, George.”

Or in a torrent of exasperation, “I CARN’T think, George, why you don’t get a bit of glass ’ere. This sunny corner you c’d do wonders with a bit of glass.”

Or in a rush of frustration, “I CAN’T think, George, why you don’t get some glass here. This sunny corner you could do amazing things with a bit of glass.”

And in the summer time he never came in without performing a sort of conjuring trick in the hall, and taking cucumbers and tomatoes from unexpected points of his person. “All out o’ MY little bit,” he’d say in exemplary tones. He left a trail of vegetable produce in the most unusual places, on mantel boards, sideboards, the tops of pictures. Heavens! how the sudden unexpected tomato could annoy me!...

And in the summer, he never came in without doing a kind of magic trick in the hallway, pulling cucumbers and tomatoes from unexpected places on his body. “All out of MY little bit,” he’d say in a very proper tone. He left a trail of vegetables in the most unusual spots, on mantelpieces, side tables, and the tops of pictures. Oh man! How the sudden, unexpected tomato could irritate me!...

It did much to widen our estrangement that Marion and my aunt failed to make friends, became, by a sort of instinct, antagonistic.

It really contributed to our growing distance that Marion and my aunt couldn't make friends and, almost instinctively, became hostile.

My aunt, to begin with, called rather frequently, for she was really anxious to know Marion. At first she would arrive like a whirlwind and pervade the house with an atmosphere of hello! She dressed already with that cheerfully extravagant abandon that signalised her accession to fortune, and dressed her best for these visits.

My aunt, to start with, called quite often because she was really eager to meet Marion. At first, she would show up like a whirlwind and fill the house with an atmosphere of excitement. She dressed in that cheerfully extravagant style that marked her rise to wealth and always put on her best for these visits.

She wanted to play the mother to me, I fancy, to tell Marion occult secrets about the way I wore out my boots and how I never could think to put on thicker things in cold weather. But Marion received her with that defensive suspiciousness of the shy person, thinking only of the possible criticism of herself; and my aunt, perceiving this, became nervous and slangy...

She wanted to act like my mother, I guess, to share hidden secrets with Marion about how I wore out my boots and how I never thought to wear thicker stuff in cold weather. But Marion met her with that defensive suspicion typical of shy people, only focused on how she might be criticized. My aunt noticed this, and it made her nervous and casual...

“She says such queer things,” said Marion once, discussing her. “But I suppose it’s witty.”

“She says such strange things,” Marion said once while talking about her. “But I guess it's clever.”

“Yes,” I said; “it is witty.”

“Yes,” I said; “it is witty.”

“If I said things like she does—”

“If I said things like she does—”

The queer things my aunt said were nothing to the queer things she didn’t say. I remember her in our drawing-room one day, and how she cocked her eye—it’s the only expression—at the India-rubber plant in a Doulton-ware pot which Marion had placed on the corner of the piano.

The strange things my aunt said were nothing compared to the strange things she didn’t say. I remember her one day in our living room, and how she tilted her eye—it’s the only way to describe it—at the rubber plant in a Doulton-ware pot that Marion had set on the corner of the piano.

She was on the very verge of speech. Then suddenly she caught my expression, and shrank up like a cat that has been discovered looking at the milk.

She was just about to speak. Then suddenly she noticed my expression and froze up like a cat caught staring at the milk.

Then a wicked impulse took her.

Then a mischievous urge took over her.

“Didn’t say an old word, George,” she insisted, looking me full in the eye.

“Didn’t say a single word, George,” she insisted, looking me straight in the eye.

I smiled. “You’re a dear,” I said, “not to,” as Marion came lowering into the room to welcome her. But I felt extraordinarily like a traitor—to the India-rubber plant, I suppose—for all that nothing had been said...

I smiled. “You’re so sweet,” I said, “not to,” as Marion came down into the room to greet her. But I felt really like a traitor—to the rubber plant, I guess—for all that nothing had been said...

“Your aunt makes Game of people,” was Marion’s verdict, and, open-mindedly: “I suppose it’s all right... for her.”

“Your aunt plays with people,” was Marion’s verdict, and, open-mindedly: “I guess it’s fine... for her.”

Several times we went to the house in Beckenham for lunch, and once or twice to dinner. My aunt did her peculiar best to be friends, but Marion was implacable. She was also, I know, intensely uncomfortable, and she adopted as her social method, an exhausting silence, replying compactly and without giving openings to anything that was said to her.

Several times we went to the house in Beckenham for lunch, and once or twice for dinner. My aunt tried her best to be friendly, but Marion was unyielding. I also know she felt very uncomfortable, and her way of handling social situations was to stay silent, responding briefly and not giving anyone a chance to keep the conversation going.

The gaps between my aunt’s visits grew wider and wider.

The gaps between my aunt’s visits became bigger and bigger.

My married existence became at last like a narrow deep groove in the broad expanse of interests in which I was living. I went about the world; I met a great number of varied personalities; I read endless books in trains as I went to and fro. I developed social relationships at my uncle’s house that Marion did not share. The seeds of new ideas poured in upon me and grew in me. Those early and middle years of one’s third decade are, I suppose, for a man the years of greatest mental growth. They are restless years and full of vague enterprise.

My married life eventually became like a narrow, deep groove in the wide range of interests I was exploring. I traveled around, met a lot of different people, and read countless books on trains as I went back and forth. I built social connections at my uncle’s house that Marion didn’t share. New ideas flooded in and took root within me. I guess the early to middle years of a man’s thirties are his biggest period of mental growth. They’re restless times filled with uncertain ambitions.

Each time I returned to Ealing, life there seemed more alien, narrow, and unattractive—and Marion less beautiful and more limited and difficult—until at last she was robbed of every particle of her magic. She gave me always a cooler welcome, I think, until she seemed entirely apathetic. I never asked myself then what heartaches she might hide or what her discontents might be.

Each time I went back to Ealing, life there felt more foreign, cramped, and unappealing—and Marion seemed less beautiful and more constrained and difficult—until eventually, all her charm was gone. She always greeted me with a colder welcome, I think, until she seemed completely indifferent. I never questioned what heartaches she might be hiding or what her frustrations could be.

I would come home hoping nothing, expecting nothing.

I would come home not hoping for anything, not expecting anything.

This was my fated life, and I had chosen it. I became more sensitive to the defects I had once disregarded altogether; I began to associate her sallow complexion with her temperamental insufficiency, and the heavier lines of her mouth and nostril with her moods of discontent. We drifted apart; wider and wider the gap opened. I tired of baby-talk and stereotyped little fondlings; I tired of the latest intelligence from those wonderful workrooms, and showed it all too plainly; we hardly spoke when we were alone together. The mere unreciprocated physical residue of my passion remained—an exasperation between us.

This was my destined life, and I had chosen it. I became more aware of the flaws I had once completely ignored; I started to link her pale complexion with her emotional shortcomings, and the deeper lines of her mouth and nostrils with her moods of dissatisfaction. We drifted apart; the gap widened more and more. I grew tired of childish talk and cliché affection; I lost interest in the latest updates from those amazing workrooms, and it showed too clearly; we hardly spoke when we were alone together. Only the unreturned physical remnants of my passion remained—an annoyance between us.

No children came to save us. Marion had acquired at Smithie’s a disgust and dread of maternity. All that was the fruition and quintessence of the “horrid” elements in life, a disgusting thing, a last indignity that overtook unwary women. I doubt indeed a little if children would have saved us; we should have differed so fatally about their upbringing.

No kids came to save us. Marion had developed a strong aversion to motherhood after her time at Smithie’s. It all felt like the ultimate and most appalling aspects of life, a repulsive situation, a final humiliation that caught unsuspecting women off guard. Honestly, I’m not sure kids would have saved us; we likely would have disagreed too much about how to raise them.

Altogether, I remember my life with Marion as a long distress, now hard, now tender. It was in those days that I first became critical of my life and burdened with a sense of error and maladjustment. I would lie awake in the night, asking myself the purpose of things, reviewing my unsatisfying, ungainly home-life, my days spent in rascal enterprise and rubbish-selling, contrasting all I was being and doing with my adolescent ambitions, my Wimblehurst dreams. My circumstances had an air of finality, and I asked myself in vain why I had forced myself into them.

Altogether, I remember my life with Marion as a long struggle, sometimes tough, sometimes gentle. It was during that time that I first became critical of my life and weighed down by a sense of mistakes and feeling out of place. I would lie awake at night, questioning the purpose of things, reflecting on my unsatisfactory, clumsy home life, my days spent in shady ventures and selling junk, comparing everything I was and did with my teenage dreams and aspirations. My situation felt final, and I fruitlessly wondered why I had put myself in it.

VI

The end of our intolerable situation came suddenly and unexpectedly, but in a way that I suppose was almost inevitable.

The end of our unbearable situation came suddenly and unexpectedly, but in a way that I guess was almost inevitable.

My alienated affections wandered, and I was unfaithful to Marion.

My distant feelings drifted, and I was untrue to Marion.

I won’t pretend to extenuate the quality of my conduct. I was a young and fairly vigorous male; all my appetite for love had been roused and whetted and none of it had been satisfied by my love affair and my marriage. I had pursued an elusive gleam of beauty to the disregard of all else, and it had failed me. It had faded when I had hoped it would grow brighter. I despaired of life and was embittered. And things happened as I am telling. I don’t draw any moral at all in the matter, and as for social remedies, I leave them to the social reformer. I’ve got to a time of life when the only theories that interest me are generalisations about realities.

I won’t pretend to downplay my behavior. I was a young and relatively energetic guy; my desire for love had been stirred and intensified, but none of it had been fulfilled by my relationship and marriage. I had chased a fleeting glimpse of beauty while ignoring everything else, and it let me down. It faded just when I had hoped it would shine brighter. I felt hopeless about life and became resentful. And that's how things unfolded, as I’m describing. I don’t draw any conclusions from it, and when it comes to social solutions, I’ll leave that to the reformers. I’ve reached a stage in life where the only theories that interest me are general ideas about reality.

To go to our inner office in Raggett Street I had to walk through a room in which the typists worked. They were the correspondence typists; our books and invoicing had long since overflowed into the premises we had had the luck to secure on either side of us. I was, I must confess, always in a faintly cloudily-emotional way aware of that collection of for the most part round-shouldered femininity, but presently one of the girls detached herself from the others and got a real hold upon my attention. I appreciated her at first as a straight little back, a neater back than any of the others; as a softly rounded neck with a smiling necklace of sham pearls; as chestnut hair very neatly done—and as a side-long glance; presently as a quickly turned face that looked for me.

To get to our inner office on Raggett Street, I had to walk through a room where the typists worked. They were the correspondence typists; our books and invoicing had long since spilled over into the spaces we were lucky enough to secure on either side of us. I must admit, I always felt a bit vaguely sentimental about that group of mostly round-shouldered women, but soon one of the girls caught my attention for real. I noticed her at first for her straight little back, a tidier back than the others; for her softly rounded neck adorned with a cheerful necklace of fake pearls; for her neatly done chestnut hair—and for a sidelong glance; then I saw her quickly turn her face to look at me.

My eye would seek her as I went through on business things—I dictated some letters to her and so discovered she had pretty, soft-looking hands with pink nails. Once or twice, meeting casually, we looked one another for the flash of a second in the eyes.

My eye would look for her as I went about my work—I dictated some letters to her and noticed she had nice, soft-looking hands with pink nails. A couple of times, during casual encounters, we caught each other's gaze for just a moment.

That was all. But it was enough in the mysterious free-masonry of sex to say essential things. We had a secret between us.

That was everything. But in the mysterious world of sex, it was enough to express important things. We shared a secret.

One day I came into Raggett Street at lunch time and she was alone, sitting at her desk. She glanced up as I entered, and then became very still, with a downcast face and her hands clenched on the table. I walked right by her to the door of the inner office, stopped, came back and stood over her.

One day, I walked into Raggett Street during lunch, and she was alone, sitting at her desk. She looked up when I came in, then went completely still, her expression sad and her hands clenched on the table. I walked past her to the door of the inner office, then stopped, turned around, and stood over her.

We neither of us spoke for quite a perceptible time. I was trembling violently.

We both stayed silent for a noticeable amount of time. I was shaking uncontrollably.

“Is that one of the new typewriters?” I asked at last for the sake of speaking.

“Is that one of the new typewriters?” I finally asked just to say something.

She looked up at me without a word, with her face flushed and her eyes alight, and I bent down and kissed her lips. She leant back to put an arm about me, drew my face to her and kissed me again and again. I lifted her and held her in my arms. She gave a little smothered cry to feel herself so held.

She looked up at me silently, her face red and her eyes shining, and I leaned down and kissed her lips. She leaned back to wrap an arm around me, pulled my face to hers, and kissed me over and over. I lifted her and held her in my arms. She let out a soft, muffled sound from the joy of being held like that.

Never before had I known the quality of passionate kisses.

Never before had I experienced the thrill of passionate kisses.

Somebody became audible in the shop outside.

Somebody could be heard in the shop outside.

We started back from one another with flushed faces and bright and burning eyes.

We pulled away from each other with flushed faces and bright, intense eyes.

“We can’t talk here,” I whispered with a confident intimacy. “Where do you go at five?”

“We can’t talk here,” I whispered with a sure sense of closeness. “Where do you go at five?”

“Along the Embankment to Charing Cross,” she answered as intimately. “None of the others go that way...”

“Along the Embankment to Charing Cross,” she replied just as intimately. “None of the others go that way...”

“About half-past five?”

"Around 5:30?"

“Yes, half-past five...”

"Yes, 5:30..."

The door from the shop opened, and she sat down very quickly.

The shop door opened, and she quickly sat down.

“I’m glad,” I said in a commonplace voice, “that these new typewriters are all right.”

“I’m glad,” I said in a casual tone, “that these new typewriters are good.”

I went into the inner office and routed out the paysheet in order to find her name—Effie Rink. And did no work at all that afternoon. I fretted about that dingy little den like a beast in a cage.

I went into the inner office and dug out the paysheet to find her name—Effie Rink. And I didn’t do any work that afternoon. I paced around that gloomy little room like a trapped animal.

When presently I went out, Effie was working with an extraordinary appearance of calm—and there was no look for me at all....

When I stepped outside, Effie was working with an incredible sense of calm—and she didn't even glance my way at all....

We met and had our talk that evening, a talk in whispers when there was none to overhear; we came to an understanding. It was strangely unlike any dream of romance I had ever entertained.

We met and had our conversation that evening, a conversation in whispers when there was no one around to hear us; we came to an understanding. It was oddly different from any romantic dream I had ever imagined.

VII

I came back after a week’s absence to my home again—a changed man. I had lived out my first rush of passion for Effie, had come to a contemplation of my position. I had gauged Effie’s place in the scheme of things, and parted from her for a time. She was back in her place at Raggett Street after a temporary indisposition. I did not feel in any way penitent or ashamed, I know, as I opened the little cast-iron gate that kept Marion’s front grader and Pampas Grass from the wandering dog. Indeed, if anything, I felt as if I had vindicated some right that had been in question. I came back to Marion with no sense of wrong-doing at all with, indeed, a new friendliness towards her. I don’t know how it may be proper to feel on such occasions; that is how I felt.

I returned home after being away for a week—a changed person. I had experienced the initial thrill of my feelings for Effie and taken some time to think about my situation. I had figured out Effie’s role in my life and stepped away from her for a bit. She was back at her place on Raggett Street after a brief illness. I didn’t feel guilty or ashamed at all, I can assure you, as I opened the small cast-iron gate that kept Marion’s front yard and Pampas Grass safe from wandering dogs. In fact, if anything, I felt like I had restored some kind of right that had been in question. I returned to Marion without any sense of wrongdoing, and with a newfound friendliness towards her. I’m not sure how one is supposed to feel in situations like this; that’s just how I felt.

I followed her in our drawing-room, standing beside the tall lamp-stand that half filled the bay as though she had just turned from watching for me at the window. There was something in her pale face that arrested me. She looked as if she had not been sleeping. She did not come forward to greet me.

I followed her into our living room, standing next to the tall lamp that almost filled the bay like she had just turned away from watching for me at the window. There was something about her pale face that caught my attention. She looked like she hadn't been sleeping. She didn't move to greet me.

“You’ve come home,” she said.

"You’re home," she said.

“As I wrote to you.”

"As I texted you."

She stood very still, a dusky figure against the bright window.

She stood completely still, a dark silhouette against the bright window.

“Where have you been?” she asked.

“Where have you been?” she asked.

“East Coast,” I said easily.

“East Coast,” I said casually.

She paused for a moment. “I know,” she said.

She paused for a moment. “I know, ” she said.

I stared at her. It was the most amazing moment in any life....

I stared at her. It was the most incredible moment in anyone's life...

“By Jove!” I said at last, “I believe you do!”

“Wow!” I finally said, “I really think you do!”

“And then you come home to me!”

“And then you come home to me!”

I walked to the hearthrug and stood quite still there regarding this new situation.

I walked to the fireplace rug and stood completely still, taking in this new situation.

“I didn’t dream,” she began. “How could you do such a thing?”

“I didn’t dream,” she said. “How could you do something like that?”

It seemed a long interval before either of us spoke another word.

It felt like a long time before either of us said anything else.

“Who knows about it?” I asked at last.

“Who knows about it?” I finally asked.

“Smithie’s brother. They were at Cromer.”

“Smithie’s brother. They were at Cromer.”

“Confound Cromer! Yes!”

"Curse Cromer! Yes!"

“How could you bring yourself”

“How could you do that?”

I felt a spasm of petulant annoyance at this unexpected catastrophe.

I felt a surge of irritated frustration at this unexpected disaster.

“I should like to wring Smithie’s brother’s neck,” I said....

“I would like to choke Smithie’s brother,” I said....

Marion spoke in dry, broken fragments of sentences. “You... I’d always thought that anyhow you couldn’t deceive me... I suppose all men are horrid—about this.”

Marion spoke in short, choppy sentences. “You... I always thought you couldn’t fool me... I guess all guys are terrible—about this.”

“It doesn’t strike me as horrid. It seems to me the most necessary consequence—and natural thing in the world.”

“It doesn’t seem horrible to me. It appears to be the most essential outcome—and the most natural thing in the world.”

I became aware of some one moving about in the passage, and went and shut the door of the room, then I walked back to the hearthrug and turned.

I noticed someone moving around in the hallway, so I went and closed the door to the room. Then I walked back to the hearth rug and turned around.

“It’s rough on you,” I said. “But I didn’t mean you to know. You’ve never cared for me. I’ve had the devil of a time. Why should you mind?”

“It’s tough on you,” I said. “But I didn’t mean for you to find out. You’ve never really cared about me. I’ve had a really hard time. So why should you care?”

She sat down in a draped armchair. “I have cared for you,” she said.

She settled into a covered armchair. “I have cared for you,” she said.

I shrugged my shoulders.

I shrugged.

“I suppose,” she said, “she cares for you?”

“I guess,” she said, “she likes you?”

I had no answer.

I had no response.

“Where is she now?”

"Where is she now?"

“Oh! does it matter to you?... Look here, Marion! This—this I didn’t anticipate. I didn’t mean this thing to smash down on you like this. But, you know, something had to happen. I’m sorry—sorry to the bottom of my heart that things have come to this between us. But indeed, I’m taken by surprise. I don’t know where I am—I don’t know how we got here. Things took me by surprise. I found myself alone with her one day. I kissed her. I went on. It seemed stupid to go back. And besides—why should I have gone back? Why should I? From first to last, I’ve hardly thought of it as touching you.... Damn!”

“Oh! Does it matter to you? Look, Marion! I didn’t see this coming. I never meant for things to crash down on you like this. But, you know, something had to give. I’m really sorry—truly sorry—to my core that it’s come to this between us. But honestly, I’m shocked. I have no idea how we got here. Everything took me by surprise. One day, I found myself alone with her. I kissed her. I just kept going. It felt dumb to turn back. And besides—why would I? Why should I? From start to finish, I barely even thought about how it would affect you... Damn!”

She scrutinised my face, and pulled at the ball-fringe of the little table beside her.

She examined my face closely and tugged at the ball-fringe of the small table next to her.

“To think of it,” she said. “I don’t believe I can ever touch you again.”

“To think about it,” she said. “I don’t think I’ll ever be able to touch you again.”

We kept a long silence. I was only beginning to realise in the most superficial way the immense catastrophe that had happened between us. Enormous issues had rushed upon us. I felt unprepared and altogether inadequate. I was unreasonably angry. There came a rush of stupid expressions to my mind that my rising sense of the supreme importance of the moment saved me from saying. The gap of silence widened until it threatened to become the vast memorable margin of some one among a thousand trivial possibilities of speech that would vex our relations for ever.

We fell into a long silence. I was just starting to grasp, in the most basic way, the enormous disaster that had occurred between us. Huge issues had come crashing down on us. I felt unprepared and completely unqualified. I was unreasonably angry. A flood of foolish things came to mind that my growing awareness of how important the moment was kept me from saying. The silence stretched on until it threatened to become a significant divide, filled with countless trivial things we could say that would ruin our relationship forever.

Our little general servant tapped at the door—Marion always liked the servant to tap—and appeared.

Our little general servant knocked on the door—Marion always preferred the servant to knock—and came in.

“Tea, M’m,” she said—and vanished, leaving the door open.

“Tea, ma’am,” she said—and disappeared, leaving the door open.

“I will go upstairs,” said I, and stopped. “I will go upstairs” I repeated, “and put my bag in the spare room.”

“I'll go upstairs,” I said, and paused. “I'll go upstairs,” I repeated, “and put my bag in the spare room.”

We remained motionless and silent for a few seconds.

We stayed still and quiet for a few seconds.

“Mother is having tea with us to-day,” Marion remarked at last, and dropped the worried end of ball-fringe and stood up slowly....

“Mom is having tea with us today,” Marion said finally, letting go of the worried end of the ball-fringe and standing up slowly....

And so, with this immense discussion of our changed relations hanging over us, we presently had tea with the unsuspecting Mrs. Ramboat and the spaniel. Mrs. Ramboat was too well trained in her position to remark upon our somber preoccupation. She kept a thin trickle of talk going, and told us, I remember, that Mr. Ramboat was “troubled” about his cannas.

And so, with this big conversation about our changed relationship hanging over us, we ended up having tea with the unaware Mrs. Ramboat and her spaniel. Mrs. Ramboat was too skilled in her role to comment on our serious mood. She kept a steady stream of conversation going and mentioned, if I remember correctly, that Mr. Ramboat was “worried” about his cannas.

“They don’t come up and they won’t come up. He’s been round and had an explanation with the man who sold him the bulbs—and he’s very heated and upset.”

“They're not coming up, and they won't. He went around and talked things over with the guy who sold him the bulbs—and he's very worked up and frustrated.”

The spaniel was a great bore, begging and doing small tricks first at one and then at the other of us. Neither of us used his name. You see we had called him Miggles, and made a sort of trio in the baby-talk of Mutney and Miggles and Ming.

The spaniel was really annoying, begging and doing little tricks first for one of us and then the other. We didn’t use his name at all. You see, we had named him Miggles, and our little trio included the baby talk of Mutney, Miggles, and Ming.

VIII

Then presently we resumed our monstrous, momentous dialogue. I can’t now make out how long that dialogue went on. It spread itself, I know, in heavy fragments over either three days or four. I remember myself grouped with Marion, talking sitting on our bed in her room, talking standing in our dining-room, saving this thing or that. Twice we went for long walks. And we had a long evening alone together, with jaded nerves and hearts that fluctuated between a hard and dreary recognition of facts and, on my part at least, a strange unwonted tenderness; because in some extraordinary way this crisis had destroyed our mutual apathy and made us feel one another again.

Then, soon after, we picked up our intense, significant conversation. I can't really remember how long that conversation lasted. I know it stretched out over either three or four days in heavy bits and pieces. I recall sitting with Marion on our bed in her room, talking, and then standing in our dining room, discussing this and that. We went for long walks twice. And we spent a lengthy evening alone together, our nerves worn out and our hearts swinging between a bleak acceptance of reality and, at least for me, an unexpected tenderness; because in a strange way, this crisis had shattered our indifference and made us truly connect again.

It was a dialogue that had discrepant parts that fell into lumps of talk that failed to join on to their predecessors, that began again at a different level, higher or lower, that assumed new aspects in the intervals and assimilated new considerations. We discussed the fact that we two were no longer lovers; never before had we faced that. It seems a strange thing to write, but as I look back, I see clearly that those several days were the time when Marion and I were closest together, looked for the first and last time faithfully and steadfastly into each other’s soul. For those days only, there were no pretences, I made no concessions to her nor she to me; we concealed nothing, exaggerated nothing. We had done with pretending. We had it out plainly and soberly with each other. Mood followed mood and got its stark expression.

It was a conversation with mismatched pieces that broke into chunks of talk that didn’t connect to what came before, that started over at a different level, whether higher or lower, that took on new aspects in between and incorporated new thoughts. We talked about how we were no longer lovers; we had never confronted that before. It seems odd to write this, but looking back, I can see clearly that those few days were when Marion and I felt the closest, as we looked for the first and last time faithfully and sincerely into each other’s souls. For those days only, there were no pretenses; I didn’t make any concessions to her, and she didn’t to me; we hid nothing, exaggerated nothing. We were done with pretending. We laid everything out plainly and seriously with each other. Mood followed mood and found its raw expression.

Of course there was quarreling between us, bitter quarreling, and we said things to one another—long pent-up things that bruised and crushed and cut. But over it all in my memory now is an effect of deliberate confrontation, and the figure of Marion stands up, pale, melancholy, tear-stained, injured, implacable and dignified.

Of course, we argued fiercely, and we said things to each other—long-held feelings that hurt and wounded us deeply. But what sticks in my memory now is the sense of intentional confrontation, and the image of Marion stands out, pale, sad, tear-streaked, hurt, unyielding, and dignified.

“You love her?” she asked once, and jerked that doubt into my mind.

“You love her?” she asked once, planting that doubt in my mind.

I struggled with tangled ideas and emotions. “I don’t know what love is. It’s all sorts of things—it’s made of a dozen strands twisted in a thousand ways.”

I dealt with a jumble of thoughts and feelings. “I don’t really know what love is. It’s a mix of so many things—it’s made up of a bunch of threads twisted in countless ways.”

“But you want her? You want her now—when you think of her?”

“But you want her? You want her now—when you think about her?”

“Yes,” I reflected. “I want her—right enough.”

“Yes,” I thought. “I definitely want her.”

“And me? Where do I come in?”

“And what about me? Where do I fit in?”

“I suppose you come in here.”

“I guess you came in here.”

“Well, but what are you going to do?”

“Well, what are you going to do?”

“Do!” I said with the exasperation of the situation growing upon me. “What do you want me to do?”

“Do!” I said, feeling more and more frustrated with the situation. “What do you want me to do?”

As I look back upon all that time—across a gulf of fifteen active years—I find I see it with an understanding judgment. I see it as if it were the business of some one else—indeed of two other people—intimately known yet judged without passion. I see now that this shock, this sudden immense disillusionment, did in real fact bring out a mind and soul in Marion; that for the first time she emerged from habits, timidities, imitations, phrases and a certain narrow will-impulse, and became a personality.

As I reflect on all that time—over a span of fifteen busy years—I realize I view it with a clear understanding. It feels like it belongs to someone else—actually, to two other people—familiar yet assessed without emotion. I now recognize that this shock, this sudden, overwhelming disillusionment, truly revealed Marion's mind and soul; for the first time, she broke free from her habits, fears, imitations, phrases, and a certain limited will, and emerged as a true individual.

Her ruling motive at first was, I think, an indignant and outraged pride. This situation must end. She asked me categorically to give up Effie, and I, full of fresh and glowing memories, absolutely refused.

Her main motivation at first was, I think, a mix of anger and wounded pride. This situation had to change. She demanded that I give up Effie, and I, filled with vibrant and joyful memories, outright refused.

“It’s too late, Marion,” I said. “It can’t be done like that.”

“It’s too late, Marion,” I said. “It can’t be done that way.”

“Then we can’t very well go on living together,” she said. “Can we?”

“Then we can’t really keep living together,” she said. “Can we?”

“Very well,” I deliberated “if you must have it so.”

“Alright,” I thought, “if that's what you want.”

“Well, can we?”

"Can we?"

“Can you stay in this house? I mean—if I go away?”

“Can you stay in this house? I mean—if I leave?”

“I don’t know.... I don’t think I could.”

“I don’t know... I don’t think I can.”

“Then—what do you want?”

"Then—what do you want?"

Slowly we worked our way from point to point, until at last the word “divorce” was before us.

Slowly we moved from point to point, until finally the word "divorce" was right in front of us.

“If we can’t live together we ought to be free,” said Marion.

“If we can’t live together, we should be free,” said Marion.

“I don’t know anything of divorce,” I said—“if you mean that. I don’t know how it is done. I shall have to ask somebody—or look it up.... Perhaps, after all, it is the thing to do. We may as well face it.”

“I don’t know anything about divorce,” I said—“if that's what you mean. I don’t know how it works. I’ll have to ask someone—or check it out.... Maybe, after all, it’s the right thing to do. We might as well face it.”

We began to talk ourselves into a realisation of what our divergent futures might be. I came back on the evening of that day with my questions answered by a solicitor.

We started to talk ourselves into realizing what our different futures could be. I returned that evening with my questions answered by a lawyer.

“We can’t as a matter of fact,” I said, “get divorced as things are. Apparently, so far as the law goes you’ve got to stand this sort of thing. It’s silly but that is the law. However, it’s easy to arrange a divorce. In addition to adultery there must be desertion or cruelty. To establish cruelty I should have to strike you, or something of that sort, before witnesses. That’s impossible—but it’s simple to desert you legally. I have to go away from you; that’s all. I can go on sending you money—and you bring a suit, what is it?—for Restitution of Conjugal Rights. The Court orders me to return. I disobey. Then you can go on to divorce me. You get a Decree Nisi, and once more the Court tries to make me come back. If we don’t make it up within six months and if you don’t behave scandalously the Decree is made absolute. That’s the end of the fuss. That’s how one gets unmarried. It’s easier, you see, to marry than unmarry.”

“We can’t, actually,” I said, “get divorced right now. Apparently, according to the law, you have to put up with this kind of situation. It’s ridiculous, but that’s how it is. However, getting a divorce isn’t too complicated. Besides adultery, there has to be desertion or cruelty. To prove cruelty, I would have to hit you or something like that, in front of witnesses. That’s impossible—but legally abandoning you is straightforward. I just need to leave you; that’s it. I can keep sending you money—and you can file a suit, what is it?—for Restitution of Conjugal Rights. The court would order me to come back. If I ignore that, then you can move on to divorce me. You’d get a Decree Nisi, and once again the court would try to make me return. If we don’t reconcile within six months and if you don’t act scandalously, the Decree becomes absolute. That’s the end of the hassle. That’s how you get unmarried. It’s easier, you see, to get married than to get un-married.”

“And then—how do I live? What becomes of me?”

“And then—how do I live? What happens to me?”

“You’ll have an income. They call it alimony. From a third to a half of my present income—more if you like—I don’t mind—three hundred a year, say. You’ve got your old people to keep and you’ll need all that.”

“You’ll have an income. They call it alimony. From a third to a half of my current income—more if you want—I don’t mind—three hundred a year, let’s say. You have your elderly relatives to support, and you’ll need all of that.”

“And then—then you’ll be free?”

“And then you’ll be free?”

“Both of us.”

"Both of us."

“And all this life you’ve hated”

“And all this life you’ve loathed”

I looked up at her wrung and bitter face. “I haven’t hated it,” I lied, my voice near breaking with the pain of it all. “Have you?”

I looked up at her twisted and bitter face. “I haven’t hated it,” I lied, my voice close to breaking with all the pain. “Have you?”

IX

The perplexing thing about life is the irresolvable complexity of reality, of things and relations alike. Nothing is simple. Every wrong done has a certain justice in it, and every good deed has dregs of evil. As for us, young still, and still without self-knowledge, resounded a hundred discordant notes in the harsh angle of that shock. We were furiously angry with each other, tender with each other, callously selfish, generously self-sacrificing.

The confusing thing about life is the unresolvable complexity of reality, including both things and relationships. Nothing is straightforward. Every wrong committed has a certain form of justice within it, and every good deed carries some elements of evil. As for us, still young and lacking self-awareness, a hundred clashing emotions echoed in the harshness of that moment. We were fiercely angry with one another, gentle with each other, coldly selfish, and yet also generously self-sacrificing.

I remember Marion saying innumerable detached things that didn’t hang together one with another, that contradicted one another, that were, nevertheless, all in their places profoundly true and sincere. I see them now as so many vain experiments in her effort to apprehend the crumpled confusions of our complex moral landslide. Some I found irritating beyond measure. I answered her—sometimes quite abominably.

I remember Marion saying countless random things that didn’t connect to each other, that contradicted each other, but were still all deeply true and sincere in their own way. I now see them as so many useless attempts in her struggle to understand the messy chaos of our complicated moral downfall. Some of them annoyed me to no end. I responded to her—sometimes quite horribly.

“Of course,” she would say again and again, “my life has been a failure.”

“Of course,” she would say over and over, “my life has been a failure.”

“I’ve besieged you for three years,” I would retort “asking it not to be. You’ve done as you pleased. If I’ve turned away at last—”

“I’ve been hounding you for three years,” I would reply, “asking you not to do it. You’ve done whatever you wanted. If I’ve finally turned away—”

Or again she would revive all the stresses before our marriage.

Or she'd bring back all the stress from before our marriage.

“How you must hate me! I made you wait. Well now—I suppose you have your revenge.”

“How much you must hate me! I kept you waiting. Well now—I guess you got your revenge.”

Revenge!” I echoed.

"Revenge!" I echoed.

Then she would try over the aspects of our new separated lives.

Then she would reflect on the different aspects of our newly separate lives.

“I ought to earn my own living,” she would insist.

“I should earn my own living,” she would insist.

“I want to be quite independent. I’ve always hated London. Perhaps I shall try a poultry farm and bees. You won’t mind at first my being a burden. Afterwards—”

“I want to be completely independent. I've always disliked London. Maybe I'll try farming chickens and keeping bees. You won't mind at first if I'm a burden. Later—”

“We’ve settled all that,” I said.

“We’ve worked all that out,” I said.

“I suppose you will hate me anyhow...”

“I guess you’ll hate me anyway...”

There were times when she seemed to regard our separation with absolute complacency, when she would plan all sorts of freedoms and characteristic interests.

There were times when she seemed totally okay with our separation, when she would plan all kinds of freedoms and activities that were typical for her.

“I shall go out a lot with Smithie,” she said.

“I’m going to hang out a lot with Smithie,” she said.

And once she said an ugly thing that I did indeed hate her for that I cannot even now quite forgive her.

And there was a time when she said something really hurtful that I truly hated her for, and even now, I still can't fully forgive her.

“Your aunt will rejoice at all this. She never cared for me...”

“Your aunt will be so happy about all this. She never liked me...”

Into my memory of these pains and stresses comes the figure of Smithie, full-charged with emotion, so breathless in the presence of the horrid villain of the piece that she could make no articulate sounds. She had long tearful confidences with Marion, I know, sympathetic close clingings. There were moments when only absolute speechlessness prevented her giving me a stupendous “talking-to”—I could see it in her eye. The wrong things she would have said! And I recall, too, Mrs. Ramboat’s slow awakening to something in, the air, the growing expression of solicitude in her eye, only her well-trained fear of Marion keeping her from speech.

Into my memory of these pains and stresses comes the figure of Smithie, so full of emotion and breathless in the presence of the horrible villain that she couldn’t make any sounds. I know she shared long, tearful confidences with Marion, holding on to each other sympathetically. There were moments when only her total speechlessness stopped her from giving me a huge “talking-to”—I could see it in her eyes. The wrong things she would have said! I also remember Mrs. Ramboat slowly sensing something in the air, the growing concern reflected in her eyes, but her well-trained fear of Marion kept her from speaking.

And at last through all this welter, like a thing fated and altogether beyond our control, parting came to Marion and me.

And finally, after all this chaos, like something destined and completely out of our hands, Marion and I had to part ways.

I hardened my heart, or I could not have gone. For at the last it came to Marion that she was parting from me for ever. That overbore all other things, had turned our last hour to anguish. She forgot for a time the prospect of moving into a new house, she forgot the outrage on her proprietorship and pride. For the first time in her life she really showed strong emotions in regard to me, for the first time, perhaps, they really came to her. She began to weep slow, reluctant tears. I came into her room, and found her asprawl on the bed, weeping.

I steeled myself, or I wouldn't have been able to leave. In the end, it hit Marion that she was saying goodbye to me forever. That overshadowed everything else and turned our final moments into pain. She momentarily forgot about moving into a new house and the blow to her ownership and pride. For the first time in her life, she truly expressed strong feelings for me, and maybe for the first time, they genuinely hit her. She started to cry slow, hesitant tears. When I walked into her room, I found her sprawled on the bed, crying.

“I didn’t know,” she cried. “Oh! I didn’t understand!”

“I didn't know,” she exclaimed. “Oh! I didn’t understand!”

“I’ve been a fool. All my life is a wreck!

“I’ve been an idiot. My whole life is a disaster!”

“I shall be alone!...Mutney! Mutney, don’t leave me! Oh! Mutney! I didn’t understand.”

“I'll be alone!...Mutney! Mutney, don’t go! Oh! Mutney! I didn’t get it.”

I had to harden my heart indeed, for it seemed to me at moments in those last hours together that at last, too late, the longed-for thing had happened and Marion had come alive. A new-born hunger for me lit her eyes.

I really had to toughen up because it felt like, in those final hours we spent together, the thing I had been longing for had finally happened and Marion was truly alive. A fresh longing for me sparkled in her eyes.

“Don’t leave me!” she said, “don’t leave me!” She clung to me; she kissed me with tear-salt lips.

“Don’t leave me!” she said, “don’t leave me!” She held on to me; she kissed me with lips that tasted of salt tears.

I was promised now and pledged, and I hardened my heart against this impossible dawn. Yet it seems to me that there were moments when it needed but a cry, but one word to have united us again for all our lives. Could we have united again? Would that passage have enlightened us for ever or should we have fallen back in a week or so into the old estrangement, the old temperamental opposition?

I was promised now and committed, and I closed my heart to this impossible dawn. Still, it seems to me that there were moments when it only needed a cry, just one word to bring us back together for the rest of our lives. Could we have come together again? Would that moment have given us lasting clarity or would we have slipped back into the old distance, the old emotional conflict, in a week or so?

Of that there is now no telling. Our own resolve carried us on our predestined way. We behaved more and more like separating lovers, parting inexorably, but all the preparations we had set going worked on like a machine, and we made no attempt to stop them. My trunks and boxes went to the station. I packed my bag with Marion standing before me. We were like children who had hurt each other horribly in sheer stupidity, who didn’t know now how to remedy it. We belonged to each other immensely—immensely. The cab came to the little iron gate.

Of that, there's no telling now. Our own determination pushed us along our destined path. We behaved more and more like lovers who were separating, parting uncontrollably, but all the preparations we had started continued like a machine, and we made no effort to stop them. My trunks and boxes went to the station. I packed my bag with Marion standing in front of me. We were like kids who had hurt each other badly out of sheer foolishness, not knowing how to fix it now. We belonged to each other deeply—deeply. The cab arrived at the little iron gate.

“Good-bye!” I said.

“Goodbye!” I said.

“Good-bye.”

“Goodbye.”

For a moment we held one another in each other’s arms and kissed—incredibly without malice. We heard our little servant in the passage going to open the door. For the last time we pressed ourselves to one another. We were not lovers nor enemies, but two human souls in a frank community of pain. I tore myself from her.

For a moment, we embraced and kissed—surprisingly without any resentment. We could hear our little servant in the hallway going to answer the door. For the last time, we pressed ourselves against each other. We were neither lovers nor enemies, but two human beings sharing an honest connection in our pain. I pulled away from her.

“Go away,” I said to the servant, seeing that Marion had followed me down.

“Go away,” I told the servant, noticing that Marion had followed me down.

I felt her standing behind me as I spoke to the cab man.

I could feel her standing behind me as I talked to the taxi driver.

I got into the cab, resolutely not looking back, and then as it started jumped up, craned out and looked at the door.

I got into the cab, determined not to look back, and then as it started moving, I jumped up, leaned out, and looked at the door.

It was wide open, but she had disappeared....

It was completely open, but she was gone....

I wonder—I suppose she ran upstairs.

I wonder—maybe she went up.

X

So I parted from Marion at an extremity of perturbation and regret, and went, as I had promised and arranged, to Effie, who was waiting for me in apartments near Orpington. I remember her upon the station platform, a bright, flitting figure looking along the train for me, and our walk over the fields in the twilight. I had expected an immense sense of relief where at last the stresses of separation were over, but now I found I was beyond measure wretched and perplexed, full of the profoundest persuasion of irreparable error. The dusk and somber Marion were so alike, her sorrow seemed to be all about me. I had to hold myself to my own plans, to remember that I must keep faith with Effie, with Effie who had made no terms, exacted no guarantees, but flung herself into my hands.

So, I parted ways with Marion, feeling a mix of anxiety and regret, and went, as I had promised and arranged, to see Effie, who was waiting for me in a place near Orpington. I remember seeing her on the station platform, a bright, quick figure scanning the train for me, and our walk across the fields in the twilight. I had expected an immense sense of relief now that the stresses of separation were over, but instead, I felt incredibly miserable and confused, overwhelmed by a deep sense of making an irreparable mistake. The dusk and somber presence of Marion were so similar, and her sorrow seemed to surround me. I had to stick to my own plans and remember that I needed to stay true to Effie, who made no demands, asked for no guarantees, but simply threw herself into my arms.

We went across the evening fields in silence, towards a sky of deepening gold and purple, and Effie was close beside me always, very close, glancing up ever and again at my face.

We walked quietly through the evening fields, heading toward a sky filled with deepening gold and purple, and Effie was always right next to me, very close, stealing glances at my face now and then.

Certainly she knew I grieved for Marion, that ours was now no joyful reunion. But she showed no resentment and no jealousy. Extraordinarily, she did not compete against Marion. Never once in all our time together did she say an adverse word of Marion....

Certainly she knew I was upset about Marion, that our reunion wasn’t joyful anymore. But she had no resentment or jealousy. Strikingly, she didn’t see Marion as competition. Not once during all our time together did she say anything negative about Marion....

She set herself presently to dispel the shadow that brooded over me with the same instinctive skill that some women will show with the trouble of a child. She made herself my glad and pretty slave and handmaid; she forced me at last to rejoice in her. Yet at the back of it all Marion remained, stupid and tearful and infinitely distressful, so that I was almost intolerably unhappy for her—for her and the dead body of my married love.

She immediately set out to lift the gloom that hung over me, using the same natural skill some women have when comforting a child. She became my cheerful and beautiful helper; she eventually made me find joy in her presence. Yet, behind it all, Marion was still there—dull, tearful, and endlessly distressing—making me feel almost unbearably sad for her, for her and the lifeless body of my married love.

It is all, as I tell it now, unaccountable to me. I go back into these remote parts, these rarely visited uplands and lonely tares of memory, and it seems to me still a strange country. I had thought I might be going to some sensuous paradise with Effie, but desire which fills the universe before its satisfaction, vanishes utterly like the going of daylight—with achievement. All the facts and forms of life remain darkling and cold. It was an upland of melancholy questionings, a region from which I saw all the world at new angles and in new aspects; I had outflanked passion and romance.

It’s all, as I recount it now, beyond my understanding. I go back into these remote areas, these seldom visited highlands and solitary fragments of memory, and it still feels like a strange place. I had thought I would be heading to some sensual paradise with Effie, but desire that fills the universe before it’s fulfilled disappears completely like the fading light—once it’s achieved. All the facts and aspects of life remain dim and cold. It was a highland of sad questions, a region from which I saw the whole world from new angles and different perspectives; I had surpassed passion and romance.

I had come into a condition of vast perplexities. For the first time in my life, at least so it seems to me now in this retrospect, I looked at my existence as a whole.

I found myself in a state of great confusion. For the first time in my life, or at least that's how it feels to me now looking back, I viewed my life as a whole.

Since this was nothing, what was I doing? What was I for?

Since this was nothing, what was I doing? What was my purpose?

I was going to and fro about Tono-Bungay—the business I had taken up to secure Marion and which held me now in spite of our intimate separation—and snatching odd week-ends and nights for Orpington, and all the while I struggled with these obstinate interrogations. I used to fall into musing in the trains, I became even a little inaccurate and forgetful about business things. I have the clearest memory of myself sitting thoughtful in the evening sunlight on a grassy hillside that looked toward Seven Oaks and commanded a wide sweep of country, and that I was thinking out my destiny. I could almost write my thought down now, I believe, as they came to me that afternoon. Effie, restless little cockney that she was, rustled and struggled in a hedgerow below, gathering flowers, discovering flowers she had never seen before. I had. I remember, a letter from Marion in my pocket. I had even made some tentatives for return, for a reconciliation; Heaven knows now how I had put it! but her cold, ill-written letter repelled me. I perceived I could never face that old inconclusive dullness of life again, that stagnant disappointment. That, anyhow, wasn’t possible. But what was possible? I could see no way of honour or fine living before me at all.

I was going back and forth about Tono-Bungay—the business I had taken on to secure Marion, which still held me in its grip despite our close separation—and grabbing random weekends and nights in Orpington, all while I wrestled with these stubborn questions. I often found myself daydreaming on the trains, becoming a bit careless and forgetful about business matters. I distinctly remember sitting pensively in the evening sunlight on a grassy hillside overlooking Seven Oaks, taking in a broad view of the countryside, thinking about my future. I could almost write down my thoughts from that afternoon as they came to me. Effie, the restless little Cockney that she was, was rustling around in a hedgerow below, picking flowers, discovering blooms she’d never seen before. I had a letter from Marion in my pocket. I had even made some tentative attempts at returning to her, hoping for a reconciliation; Heaven knows how I managed that! But her cold, poorly written letter pushed me away. I realized I could never face that old, unresolved dullness of life again, that stagnant disappointment. That wasn't an option. But what was? I couldn’t see any path to honor or a meaningful life ahead.

“What am I to do with life?” that was the question that besieged me.

“What should I do with my life?” that was the question that overwhelmed me.

I wondered if all the world was even as I, urged to this by one motive and to that by another, creatures of chance and impulse and unmeaning traditions. Had I indeed to abide by what I had said and done and chosen? Was there nothing for me in honour but to provide for Effie, go back penitent to Marion and keep to my trade in rubbish—or find some fresh one—and so work out the residue of my days? I didn’t accept that for a moment. But what else was I to do? I wondered if my case was the case of many men, whether in former ages, too, men had been so guideless, so uncharted, so haphazard in their journey into life. In the Middle Ages, in the old Catholic days, one went to a priest, and he said with all the finality of natural law, this you are and this you must do. I wondered whether even in the Middle Ages I should have accepted that ruling without question.

I wondered if everyone else in the world felt the same way I did, driven by one motivation or another, just creatures of chance, impulse, and meaningless traditions. Did I really have to stick to everything I had said, done, and chosen? Was there nothing for me in terms of honor except to take care of Effie, go back to Marion filled with regret, and return to my job that felt pointless—or find a new one—and just get through the rest of my life? I couldn’t accept that for a second. But what other options did I have? I questioned whether my situation was common among many men, wondering if in past ages, too, men had been so lost, so directionless, and so random in their journey through life. During the Middle Ages, in the old Catholic days, you’d go to a priest, and he’d tell you definitively what you were and what you had to do. I wondered if even in the Middle Ages I would have accepted that ruling without question.

I remember too very distinctly how Effie came and sat beside me on a little box: that was before the casement window of our room.

I remember very clearly how Effie came and sat next to me on a small box: that was before the window in our room.

“Gloomkins,” said she.

"Gloomkins," she said.

I smiled and remained head on hand, looking out of the window forgetful of her.

I smiled and rested my head on my hand, gazing out the window, oblivious to her.

“Did you love your wife so well?” she whispered softly.

“Did you love your wife that much?” she whispered softly.

“Oh!” I cried, recalled again; “I don’t know. I don’t understand these things. Life is a thing that hurts, my dear! It hurts without logic or reason. I’ve blundered! I didn’t understand. Anyhow—there is no need to go hurting you, is there?”

“Oh!” I cried, remembering again; “I don’t know. I don’t get these things. Life is something that hurts, my dear! It hurts without any logic or reason. I’ve messed up! I didn’t understand. Anyway—there’s no need to go hurting you, right?”

And I turned about and drew her to me, and kissed her ear....

And I turned around and pulled her close to me, kissing her ear...

Yes, I had a very bad time—I still recall. I suffered, I suppose, from a sort of ennui of the imagination. I found myself without an object to hold my will together. I sought. I read restlessly and discursively. I tried Ewart and got no help from him. As I regard it all now in this retrospect, it seems to me as if in those days of disgust and abandoned aims I discovered myself for the first time. Before that I had seen only the world and things in it, had sought them self-forgetful of all but my impulse. Now I found myself grouped with a system of appetites and satisfactions, with much work to do—and no desire, it seemed, left in me.

Yes, I had a really tough time—I still remember. I guess I was dealing with a kind of boredom of the mind. I felt lost, without anything to focus my will. I searched. I read aimlessly and in bits and pieces. I tried Ewart but didn't get any help from him. Looking back now, it feels like during those days of frustration and lost goals, I discovered myself for the first time. Before that, I had only seen the world and the things in it, pursuing them without thinking, totally caught up in my impulses. Now, I found myself tangled up with a mix of desires and needs, with a lot of work to do—and it seemed like I had no desire left in me.

There were moments when I thought of suicide. At times my life appeared before me in bleak, relentless light, a series of ignorances, crude blunderings, degradation and cruelty. I had what the old theologians call a “conviction of sin.” I sought salvation—not perhaps in the formula a Methodist preacher would recognise but salvation nevertheless.

There were moments when I thought about suicide. At times, my life seemed to unfold in a harsh, unforgiving light, a series of mistakes, brutal missteps, degradation, and cruelty. I experienced what the old theologians refer to as a “conviction of sin.” I sought salvation—not in the way a Methodist preacher would understand, but salvation nonetheless.

Men find their salvation nowadays in many ways. Names and forms don’t, I think, matter very much; the real need is something that we can hold and that holds one. I have known a man find that determining factor in a dry-plate factory, and another in writing a history of the Manor. So long as it holds one, it does not matter. Many men and women nowadays take up some concrete aspect of Socialism or social reform. But Socialism for me has always been a little bit too human, too set about with personalities and foolishness. It isn’t my line. I don’t like things so human. I don’t think I’m blind to the fun, the surprises, the jolly little coarsenesses and insufficiency of life, to the “humour of it,” as people say, and to adventure, but that isn’t the root of the matter with me. There’s no humour in my blood. I’m in earnest in warp and woof. I stumble and flounder, but I know that over all these merry immediate things, there are other things that are great and serene, very high, beautiful things—the reality. I haven’t got it, but it’s there nevertheless. I’m a spiritual guttersnipe in love with unimaginable goddesses. I’ve never seen the goddesses nor ever shall—but it takes all the fun out of the mud—and at times I fear it takes all the kindliness, too.

Men nowadays find their salvation in many different ways. The names and forms don’t really matter; what we need is something tangible that also uplifts us. I’ve seen one man discover this in a dry-plate factory and another while writing a history of the Manor. As long as it provides support, it doesn’t matter what it is. Many men and women today focus on specific aspects of Socialism or social reform. But for me, Socialism has always felt a bit too personal, too caught up in individuals and their nonsense. It’s just not my thing. I don’t like things to be so human. I don’t think I’m blind to the fun, the surprises, the little rough edges and shortcomings of life, or the “humor of it,” as people say, plus the thrill of adventure, but that’s not what really matters to me. There’s no humor in my nature. I take everything seriously at my core. I stumble and struggle, but I know that beyond all these cheerful, immediate matters, there are greater, more serene things—high, beautiful realities. I don’t possess these realities, but they exist nonetheless. I’m like a spiritual vagrant in love with incredible goddesses. I’ve never seen these goddesses and probably never will—but knowing they’re out there takes away some of the joy from the muck—and sometimes I worry it takes away some of the kindness too.

But I’m talking of things I can’t expect the reader to understand, because I don’t half understand them myself. There is something links things for me, a sunset or so, a mood or so, the high air, something there was in Marion’s form and colour, something I find and lose in Mantegna’s pictures, something in the lines of these boats I make. (You should see X2, my last and best!)

But I’m talking about things I can’t expect the reader to understand, because I don’t fully understand them myself. There’s something that connects things for me—a sunset here and there, a mood, the clear air, something in Marion’s shape and color, something I find and lose in Mantegna’s paintings, something in the lines of these boats I create. (You should see X2, my latest and best!)

I can’t explain myself, I perceive. Perhaps it all comes to this, that I am a hard and morally limited cad with a mind beyond my merits. Naturally I resist that as a complete solution. Anyhow, I had a sense of inexorable need, of distress and insufficiency that was unendurable, and for a time this aeronautical engineering allayed it....

I can't explain myself, I realize. Maybe it all boils down to the fact that I'm a tough and morally limited jerk with a mind that exceeds my abilities. Naturally, I push back against that being the whole story. Anyway, I felt an overwhelming need, a sense of distress and inadequacy that was unbearable, and for a while, this aeronautical engineering helped ease it....

In the end of this particular crisis of which I tell so badly, I idealised Science. I decided that in power and knowledge lay the salvation of my life, the secret that would fill my need; that to these things I would give myself.

In the end of this crisis that I describe so poorly, I idealized Science. I concluded that my salvation and fulfillment lay in power and knowledge, and I resolved to dedicate myself to these pursuits.

I emerged at last like a man who has been diving in darkness, clutching at a new resolve for which he had groped desperately and long.

I finally came out like someone who has been swimming in the dark, grasping for a new determination that I had been searching for desperately and for a long time.

I came into the inner office suddenly one day—it must have been just before the time of Marion’s suit for restitution—and sat down before my uncle.

I walked into the inner office one day—probably right before Marion’s lawsuit for restitution—and sat down in front of my uncle.

“Look here,” I said, “I’m sick of this.”

“Listen,” I said, “I’m tired of this.”

“Hullo!” he answered, and put some papers aside.

“Hullo!” he replied, pushing some papers aside.

“What’s up, George?”

"What's up, George?"

“Things are wrong.”

“Something's wrong.”

“As how?”

“How come?”

“My life,” I said, “it’s a mess, an infinite mess.”

“My life,” I said, “it’s a disaster, an endless disaster.”

“She’s been a stupid girl, George,” he said; “I partly understand. But you’re quit of her now, practically, and there’s just as good fish in the sea—”

“She’s been a foolish girl, George,” he said; “I sort of understand. But you’re pretty much done with her now, and there are plenty more fish in the sea—”

“Oh! it’s not that!” I cried. “That’s only the part that shows. I’m sick—I’m sick of all this damned rascality.”

“Oh! it’s not that!” I shouted. “That’s just the part that’s visible. I’m tired—I’m tired of all this damn dishonesty.”

“Eh? Eh?” said my uncle. “What—rascality?”

“Wait, what?” said my uncle. “What—are you kidding me?”

“Oh, you know. I want some stuff, man. I want something to hold on to. I shall go amok if I don’t get it. I’m a different sort of beast from you. You float in all this bunkum. I feel like a man floundering in a universe of soapsuds, up and downs, east and west. I can’t stand it. I must get my foot on something solid or—I don’t know what.”

“Oh, you know. I want some things, man. I want something to hold on to. I’ll go crazy if I don’t get it. I’m a different kind of person from you. You just drift through all this nonsense. I feel like a guy struggling in a world full of bubbles, ups and downs, east and west. I can’t handle it. I need something solid to stand on, or—I don’t know what.”

I laughed at the consternation in his face.

I laughed at the confusion on his face.

“I mean it,” I said. “I’ve been thinking it over. I’ve made up my mind. It’s no good arguing. I shall go in for work—real work. No! this isn’t work; it’s only laborious cheating. But I’ve got an idea! It’s an old idea—I thought of years ago, but it came back to me. Look here! Why should I fence about with you? I believe the time has come for flying to be possible. Real flying!”

“I mean it,” I said. “I’ve thought it through. I’ve made my decision. There’s no point in arguing. I’m going to focus on work—actual work. No! This isn’t work; it’s just tedious deception. But I have an idea! It’s an old idea—I came up with it years ago, but it’s come back to me. Listen! Why should I waste time with you? I truly believe that the time has come for flying to be a reality. Real flying!”

“Flying!”

"Taking flight!"

I stuck to that, and it helped me through the worst time in my life. My uncle, after some half-hearted resistance and a talk with my aunt, behaved like the father of a spoilt son. He fixed up an arrangement that gave me capital to play with, released me from too constant a solicitude for the newer business developments—this was in what I may call the later Moggs period of our enterprises—and I went to work at once with grim intensity.

I held on to that, and it got me through the toughest time in my life. My uncle, after some half-hearted objections and a conversation with my aunt, acted like a father to a spoiled kid. He set up a deal that gave me some money to work with, took away my constant worry about the latest business developments—this was during what I’d call the later Moggs period of our ventures—and I jumped right in with serious focus.

But I will tell of my soaring and flying machines in the proper place. I’ve been leaving the story of my uncle altogether too long. I wanted merely to tell how it was I took to this work. I took to these experiments after I had sought something that Marion in some indefinable way had seemed to promise. I toiled and forgot myself for a time, and did many things. Science too has been something of an irresponsive mistress since, though I’ve served her better than I served Marion. But at the time Science, with her order, her inhuman distance, yet steely certainties, saved me from despair.

But I'll share my experiences with flying machines when the time is right. I've been neglecting the story of my uncle for far too long. I just wanted to explain how I got into this work. I began these experiments after I was searching for something that Marion had seemingly promised in some vague way. I worked hard and lost myself for a while, doing many different things. Science has also been a bit of a distant mistress since then, although I've devoted more to her than I did to Marion. But at that time, Science, with her structure, her cold aloofness, and her definite truths, kept me from falling into despair.

Well, I have still to fly; but incidentally I have invented the lightest engines in the world.

Well, I still have to fly; but in the meantime, I've invented the lightest engines in the world.

I am trying to tell of all the things that happened to me. It’s hard enough simply to get it put down in the remotest degree right. But this is a novel, not a treatise. Don’t imagine that I am coming presently to any sort of solution of my difficulties. Here among my drawings and hammerings now, I still question unanswering problems. All my life has been at bottom, seeking, disbelieving always, dissatisfied always with the thing seen and the thing believed, seeking something in toil, in force, in danger, something whose name and nature I do not clearly understand, something beautiful, worshipful, enduring, mine profoundly and fundamentally, and the utter redemption of myself; I don’t know—all I can tell is that it is something I have ever failed to find.

I’m trying to share everything that’s happened to me. It's tough just to get it written down even a little bit right. But this is a novel, not an essay. Don’t expect me to come to any sort of conclusion about my struggles. Here among my sketches and efforts right now, I’m still facing unanswered questions. Throughout my life, I’ve been, at heart, searching, always doubting, always dissatisfied with what I see and what I believe, looking for something in hard work, in strength, in danger, something whose name and nature I don’t fully grasp, something beautiful, worthy of worship, lasting, deeply and fundamentally mine, and the complete redemption of myself; I don’t know—all I can say is that it’s something I’ve never been able to find.

XI

But before I finish this chapter and book altogether and go on with the great adventure of my uncle’s career. I may perhaps tell what else remains to tell of Marion and Effie, and then for a time set my private life behind me.

But before I wrap up this chapter and the book entirely and move forward with the exciting journey of my uncle’s career, I might share what's left to say about Marion and Effie, and then for a while, put my personal life aside.

For a time Marion and I corresponded with some regularity, writing friendly but rather uninforming letters about small business things. The clumsy process of divorce completed itself.

For a while, Marion and I kept in touch pretty regularly, writing friendly but mostly unhelpful letters about trivial business matters. The awkward process of divorce wrapped up.

She left the house at Ealing and went into the country with her aunt and parents, taking a small farm near Lewes in Sussex. She put up glass, she put in heat for her father, happy man! and spoke of figs and peaches. The thing seemed to promise well throughout a spring and summer, but the Sussex winter after London was too much for the Ramboats. They got very muddy and dull; Mr. Ramboat killed a cow by improper feeding, and that disheartened them all. A twelvemonth saw the enterprise in difficulties. I had to help her out of this, and then they returned to London and she went into partnership with Smithie at Streatham, and ran a business that was intimated on the firm’s stationery as “Robes.” The parents and aunt were stowed away in a cottage somewhere. After that the letters became infrequent. But in one I remember a postscript that had a little stab of our old intimacy: “Poor old Miggles is dead.”

She left the house in Ealing and headed into the countryside with her aunt and parents, taking a small farm near Lewes in Sussex. She installed glass windows, set up heating for her father, happy man!, and talked about figs and peaches. It seemed promising through the spring and summer, but the Sussex winter after London was too much for the Ramboats. They got muddy and dreary; Mr. Ramboat accidentally killed a cow by feeding it poorly, and that discouraged them all. A year later, the venture was facing difficulties. I had to help her out of this, and then they returned to London, where she partnered with Smithie in Streatham and ran a business that was labeled on the firm’s stationery as “Robes.” The parents and aunt were tucked away in a cottage somewhere. After that, the letters started to become infrequent. But in one, I remember a postscript that had a little reminder of our old closeness: “Poor old Miggles is dead.”

Nearly eight years slipped by. I grew up. I grew in experience, in capacity, until I was fully a man, but with many new interests, living on a larger scale in a wider world than I could have dreamt of in my Marion days. Her letters become rare and insignificant. At last came a gap of silence that made me curious. For eighteen months or more I had nothing from Marion save her quarterly receipts through the bank. Then I damned at Smithie, and wrote a card to Marion.

Nearly eight years went by. I grew up. I gained experience and skills until I was a fully developed man, with many new interests, living life on a larger scale in a broader world than I could have imagined during my Marion days. Her letters became infrequent and unimportant. Finally, there was a silence that made me curious. For more than eighteen months, I received nothing from Marion except her quarterly bank statements. Then I got frustrated with Smithie and sent a card to Marion.

“Dear Marion,” I said, “how goes it?”

“Hey Marion,” I said, “how's it going?”

She astonished me tremendously by telling me she had married again—“a Mr. Wachorn, a leading agent in the paper-pattern trade.” But she still wrote on the Ponderevo and Smith (Robes) notepaper, from the Ponderevo and Smith address.

She really surprised me when she told me she had remarried—“a Mr. Wachorn, a top agent in the paper-pattern business.” But she was still using the Ponderevo and Smith (Robes) notepaper, from the Ponderevo and Smith address.

And that, except for a little difference of opinion about the continuance of alimony which gave me some passages of anger, and the use of my name by the firm, which also annoyed me, is the end of Marion’s history for me, and she vanishes out of this story. I do not know where she is or what she is doing. I do not know whether she is alive or dead. It seems to me utterly grotesque that two people who have stood so close to one another as she and I should be so separated, but so it is between us.

And that, aside from a minor disagreement about the ongoing alimony that caused me some frustration, and the firm using my name, which also bothered me, is the conclusion of Marion’s story for me, and she disappears from this narrative. I have no idea where she is or what she’s up to. I don’t know if she’s alive or dead. It feels completely absurd that two people who were once so close, like she and I, should be so far apart, but that’s just how it is between us.

Effie, too, I have parted from, though I still see her at times. Between us there was never any intention of marriage nor intimacy of soul. She had a sudden, fierce, hot-blooded passion for me and I for her, but I was not her first lover nor her last. She was in another world from Marion. She had a queer, delightful nature; I’ve no memory of ever seeing her sullen or malicious. She was—indeed she was magnificently—eupeptic. That, I think, was the central secret of her agreeableness, and, moreover, that she was infinitely kind-hearted. I helped her at last into an opening she coveted, and she amazed me by a sudden display of business capacity. She has now a typewriting bureau in Riffle’s Inn, and she runs it with a brisk vigour and considerable success, albeit a certain plumpness has overtaken her. And she still loves her kind. She married a year or so ago a boy half her age—a wretch of a poet, a wretched poet, and given to drugs, a thing with lank fair hair always getting into his blue eyes, and limp legs. She did it, she said, because he needed nursing....

Effie, too, I've said goodbye to, though I still see her occasionally. There was never any plan for marriage or deep emotional connection between us. She had a sudden, intense passion for me, and I felt the same for her, but I wasn’t her first lover nor would I be her last. She lived in a different world than Marion. She had a strange, delightful personality; I can’t recall ever seeing her moody or mean. She was—truly she was—fantastically cheerful. I think that was the key to her charm, along with her infinite kindness. I eventually helped her get into an opportunity she wanted, and she surprised me with her sudden business acumen. She now runs a typewriting bureau at Riffle’s Inn, and she manages it with energetic determination and quite a bit of success, even though she has become somewhat rounder. And she still has a big heart. She married a year or so ago a guy half her age—a pathetic poet, really, who struggles with drugs, a skinny guy with fair hair always falling into his blue eyes, and weak legs. She said she did it because he needed taking care of...

But enough of this disaster of my marriage and of my early love affairs; I have told all that is needed for my picture to explain how I came to take up aeroplane experiments and engineering science; let me get back to my essential story, to Tono-Bungay and my uncle’s promotions and to the vision of the world these things have given me.

But enough about the disaster of my marriage and my early relationships; I've shared all that's necessary for my story to show how I got into airplane experiments and engineering; let me return to my main narrative, to Tono-Bungay and my uncle’s achievements and to the outlook on the world these things have provided me.

BOOK THE THIRD
THE GREAT DAYS OF TONO-BUNGAY

CHAPTER THE FIRST
THE HARDINGHAM HOTEL, AND HOW WE BECAME BIG PEOPLE

I

But now that I resume the main line of my story it may be well to describe the personal appearance of my uncle as I remember him during those magnificent years that followed his passage from trade to finance. The little man plumped up very considerably during the creation of the Tono-Bungay property, but with the increasing excitements that followed that first flotation came dyspepsia and a certain flabbiness and falling away. His abdomen—if the reader will pardon my taking his features in the order of their value—had at first a nice full roundness, but afterwards it lost tone without, however, losing size. He always went as though he was proud of it and would make as much of it as possible. To the last his movements remained quick and sudden, his short firm legs, as he walked, seemed to twinkle rather than display the scissors-stride of common humanity, and he never seemed to have knees, but instead, a dispersed flexibility of limb.

But now that I get back to the main part of my story, it’s worth describing my uncle’s appearance as I remember him during those amazing years after he switched from trade to finance. The little guy gained quite a bit of weight during the development of the Tono-Bungay property, but with the excitement that followed that first launch came indigestion and some sagging and weight loss. His stomach—if you'll pardon me discussing his features based on their importance—initially had a nice roundness, but later lost its firmness without losing its size. He always carried himself as if he was proud of it and showed it off as much as he could. Until the end, his movements were quick and sudden; his short, sturdy legs seemed to twinkle as he walked, instead of showing the typical walking style of most people, and he never really seemed to have knees, but rather a kind of flexible movement in his limbs.

There was, I seem to remember, a secular intensification of his features; his nose developed character, became aggressive, stuck out at the world more and more; the obliquity of his mouth, I think, increased. From the face that returns to my memory projects a long cigar that is sometimes cocked jauntily up from the higher corner, that sometimes droops from the lower;—it was as eloquent as a dog’s tail, and he removed it only for the more emphatic modes of speech. He assumed a broad black ribbon for his glasses, and wore them more and more askew as time went on. His hair seemed to stiffen with success, but towards the climax it thinned greatly over the crown, and he brushed it hard back over his ears where, however, it stuck out fiercely. It always stuck out fiercely over his forehead, up and forward.

I remember there was a noticeable change in his features; his nose took on more character, becoming more assertive, jutting out into the world more and more; the slant of his mouth, I think, got more pronounced. From the face that I recall, there was a long cigar that was sometimes held up at a jaunty angle from one corner and other times drooped from the lower side; it was as expressive as a dog’s tail, and he only took it out for particularly emphatic speech. He started wearing a broad black ribbon for his glasses, and as time went on, he wore them more and more askew. His hair seemed to stiffen with success, but as he reached his peak, it thinned significantly at the crown, and he brushed it hard back over his ears where, however, it stuck out defiantly. It always stuck out fiercely over his forehead, pushed up and forward.

He adopted an urban style of dressing with the onset of Tono-Bungay and rarely abandoned it. He preferred silk hats with ample rich brims, often a trifle large for him by modern ideas, and he wore them at various angles to his axis; his taste in trouserings was towards fairly emphatic stripes and his trouser cut was neat; he liked his frock-coat long and full, although that seemed to shorten him. He displayed a number of valuable rings, and I remember one upon his left little finger with a large red stone bearing Gnostic symbols. “Clever chaps, those Gnostics, George,” he told me. “Means a lot. Lucky!” He never had any but a black mohair watch-chair. In the country he affected grey and a large grey cloth top-hat, except when motoring; then he would have a brown deer-stalker cap and a fur suit of esquimaux cut with a sort of boot-end to the trousers. Of an evening he would wear white waistcoats and plain gold studs. He hated diamonds. “Flashy,” he said they were. “Might as well wear—an income tax-receipt. All very well for Park Lane. Unsold stock. Not my style. Sober financier, George.”

He adopted an urban style of dressing when Tono-Bungay came out and rarely changed it. He preferred silk hats with wide, rich brims, often a bit too large by today’s standards, and he wore them at various angles. His taste in trousers leaned towards bold stripes, and they had a neat cut; he liked his frock coat long and full, even though it made him look shorter. He wore several valuable rings, and I remember one on his left little finger with a large red stone featuring Gnostic symbols. “Clever guys, those Gnostics, George,” he told me. “It means a lot. Lucky!” He always just had a black mohair watch-chair. In the country, he went for grey and a big grey cloth top hat, except when driving; then he’d wear a brown deer-stalker cap and a fur suit with a sort of boot-cut to the trousers. In the evenings, he would put on white waistcoats and plain gold studs. He hated diamonds. “They’re flashy,” he said. “Might as well wear—an income tax receipt. All very well for Park Lane. Unsold stock. Not my style. Sober financier, George.”

So much for his visible presence. For a time it was very familiar to the world, for at the crest of the boom he allowed quite a number of photographs and at least one pencil sketch to be published in the sixpenny papers.

So much for his visible presence. For a while, it was well-known to the world, since at the peak of the boom he permitted several photographs and at least one pencil sketch to be published in the sixpenny papers.

His voice declined during those years from his early tenor to a flat rich quality of sound that my knowledge of music is inadequate to describe. His Zzz-ing inrush of air became less frequent as he ripened, but returned in moments of excitement. Throughout his career, in spite of his increasing and at last astounding opulence, his more intimate habits remained as simple as they had been at Wimblehurst. He would never avail himself of the services of a valet; at the very climax of his greatness his trousers were folded by a housemaid and his shoulders brushed as he left his house or hotel. He became wary about breakfast as life advanced, and at one time talked much of Dr. Haig and uric acid. But for other meals he remained reasonably omnivorous. He was something of a gastronome, and would eat anything he particularly liked in an audible manner, and perspire upon his forehead. He was a studiously moderate drinker—except when the spirit of some public banquet or some great occasion caught him and bore him beyond his wariness—there he would, as it were, drink inadvertently and become flushed and talkative—about everything but his business projects.

His voice changed over the years from a bright tenor to a deep, rich sound that I can’t quite find the words for. The breathing in and out became less frequent as he matured, but it would come back in moments of excitement. Throughout his career, despite his growing and eventually incredible wealth, his everyday habits remained as simple as they were back in Wimblehurst. He never hired a valet; even at the peak of his success, a housemaid would fold his trousers and brush off his shoulders as he left his house or hotel. He grew cautious about breakfast as he got older, often discussing Dr. Haig and uric acid. But for other meals, he was fairly open to eating anything he liked, and he would eat in a noticeable way, often sweating on his forehead. He was thoughtfully moderate when it came to drinking—except when the energy of some public event or special occasion swept him up, causing him to drink without thinking and become flushed and chatty—talking about everything except his business plans.

To make the portrait complete one wants to convey an effect of sudden, quick bursts of movement like the jumps of a Chinese-cracker to indicate that his pose whatever it is, has been preceded and will be followed by a rush. If I were painting him, I should certainly give him for a background that distressed, uneasy sky that was popular in the eighteenth century, and at a convenient distance a throbbing motor-car, very big and contemporary, a secretary hurrying with papers, and an alert chauffeur.

To complete the portrait, one aims to create an effect of sudden, quick bursts of movement, similar to the pops of a Chinese firecracker, to suggest that his pose, whatever it may be, has been preceded by and will be followed by a rush. If I were painting him, I would definitely include that distressed, uneasy sky that was trendy in the eighteenth century, along with a large, modern car in the background, a secretary rushing with papers, and an attentive chauffeur.

Such was the figure that created and directed the great property of Tono-Bungay, and from the successful reconstruction of that company passed on to a slow crescendo of magnificent creations and promotions until the whole world of investors marveled. I have already I think, mentioned how, long before we offered Tono Bungay to the public, we took over the English agency of certain American specialties. To this was presently added our exploitation of Moggs’ Domestic Soap, and so he took up the Domestic Convenience Campaign that, coupled with his equatorial rotundity and a certain resolute convexity in his bearings won my uncle his Napoleonic title.

That was the person who created and ran the great Tono-Bungay company, and from the successful rebuilding of that business, he went on to a gradual rise of impressive creations and promotions that amazed the entire investing world. I believe I've already mentioned that, long before we offered Tono Bungay to the public, we took on the English agency for certain American products. Soon after, we also started promoting Moggs’ Domestic Soap, and that’s when he launched the Domestic Convenience Campaign, which, along with his round belly and a certain determined poise, earned my uncle his Napoleonic nickname.

II

It illustrates the romantic element in modern commerce that my uncle met young Moggs at a city dinner—I think it was the Bottle-makers’ Company—when both were some way advanced beyond the initial sobriety of the occasion. This was the grandson of the original Moggs, and a very typical instance of an educated, cultivated, degenerate plutocrat. His people had taken him about in his youth as the Ruskins took their John and fostered a passion for history in him, and the actual management of the Moggs’ industry had devolved upon a cousin and a junior partner.

It shows the romantic side of modern business that my uncle met young Moggs at a city dinner—I believe it was the Bottle-makers’ Company—when both were quite a bit past the initial seriousness of the event. This was the grandson of the original Moggs and a classic example of an educated, cultured, degenerate wealthy person. His family had taken him around in his younger years like the Ruskins did with their John, nurturing a love for history in him, while the day-to-day management of the Moggs’ business had fallen to a cousin and a junior partner.

Mr. Moggs, being of a studious and refined disposition, had just decided—after a careful search for a congenial subject in which he would not be constantly reminded of soap—to devote himself to the History of the Thebaid, when this cousin died suddenly and precipitated responsibilities upon him. In the frankness of conviviality, Moggs bewailed the uncongenial task thus thrust into his hands, and my uncle offered to lighten his burden by a partnership then and there. They even got to terms—extremely muzzy terms, but terms nevertheless.

Mr. Moggs, who was studious and refined, had just decided—after a careful search for a suitable subject that wouldn’t constantly remind him of soap—to focus on the History of the Thebaid when his cousin suddenly passed away, leaving him with new responsibilities. In a moment of open conversation, Moggs lamented the unpleasant task he had been given, and my uncle offered to help share the load by teaming up with him right then and there. They even came to an agreement—rather fuzzy terms, but an agreement nonetheless.

Each gentleman wrote the name and address of the other on his cuff, and they separated in a mood of brotherly carelessness, and next morning neither seems to have thought to rescue his shirt from the wash until it was too late. My uncle made a painful struggle—it was one of my business mornings—to recall name and particulars.

Each man wrote the other's name and address on his cuff, and they parted with a sense of casual camaraderie. By the next morning, it seemed that neither of them remembered to save his shirt from the laundry until it was too late. My uncle had a tough time—since it was one of my business mornings—trying to remember the name and details.

“He was an aquarium-faced, long, blond sort of chap, George, with glasses and a genteel accent,” he said.

“He was a tall guy with a fishbowl face, long blond hair, glasses, and a sophisticated accent,” he said.

I was puzzled. “Aquarium-faced?”

I was confused. “Aquarium-faced?”

“You know how they look at you. His stuff was soap, I’m pretty nearly certain. And he had a name—And the thing was the straightest Bit-of-All-right you ever. I was clear enough to spot that...”

“You know how they look at you. His stuff was soap, I’m pretty sure. And he had a name—And the thing was the straightest Bit-of-All-right you ever saw. I was clear enough to notice that…”

We went out at last with knitted brows, and wandered up into Finsbury seeking a good, well-stocked looking grocer. We called first on a chemist for a pick-me-up for my uncle, and then we found the shop we needed.

We finally headed out with furrowed brows and made our way up to Finsbury in search of a good, well-stocked grocery store. We first stopped at a pharmacy for a pick-me-up for my uncle, and then we found the shop we were looking for.

“I want,” said my uncle, “half a pound of every sort of soap you got. Yes, I want to take them now. Wait a moment, George.... Now what sort of soap d’you call that?

“I want,” said my uncle, “half a pound of every kind of soap you have. Yes, I want to take them now. Wait a moment, George.... Now what kind of soap do you call that?

At the third repetition of that question the young man said, “Moggs’ Domestic.”

At the third time he was asked that question, the young man replied, “Moggs’ Domestic.”

“Right,” said my uncle. “You needn’t guess again. Come along, George, let’s go to a telephone and get on to Moggs. Oh—the order? Certainly. I confirm it. Send it all—send it all to the Bishop of London; he’ll have some good use for it—(First-rate man, George, he is—charities and all that)—and put it down to me, here’s a card—Ponderevo—Tono-Bungay.”

“Right,” said my uncle. “You don’t need to guess anymore. Come on, George, let’s head to a phone and call Moggs. Oh—the order? Sure. I approve it. Send everything—send it all to the Bishop of London; he’ll put it to good use—(First-rate guy, George, he really is—charities and all that)—and put it on my tab, here’s a card—Ponderevo—Tono-Bungay.”

Then we went on to Moggs and found him in a camel-hair dressing-jacket in a luxurious bed, drinking China tea, and got the shape of everything but the figures fixed by lunch time.

Then we went to Moggs and found him in a camel-hair bathrobe in a fancy bed, sipping China tea, and we had everything figured out except for the numbers by lunchtime.

Young Moggs enlarged my mind considerably; he was a sort of thing I hadn’t met before; he seemed quite clean and well-informed and he assured me to never read newspapers nor used soap in any form at all, “Delicate skin,” he said.

Young Moggs greatly expanded my thinking; he was someone I had never encountered before; he seemed clean and knowledgeable, and he told me he never read newspapers or used any kind of soap, “Delicate skin,” he said.

“No objection to our advertising you wide and free?” said my uncle.

“No problem with us advertising you far and wide?” my uncle asked.

“I draw the line at railway stations,” said Moggs, “south-coast cliffs, theatre programmes, books by me and poetry generally—scenery—oh!—and the Mercure de France.”

“I can't stand railway stations,” said Moggs, “south-coast cliffs, theater programs, books written by me, and poetry in general—scenery—ugh!—and the Mercure de France.”

“We’ll get along,” said my uncle.

“We’ll get along,” my uncle said.

“So long as you don’t annoy me,” said Moggs, lighting a cigarette, “you can make me as rich as you like.”

“So long as you don’t bother me,” said Moggs, lighting a cigarette, “you can make me as rich as you want.”

We certainly made him no poorer. His was the first firm that was advertised by a circumstantial history; we even got to illustrated magazine articles telling of the quaint past of Moggs. We concocted Moggsiana. Trusting to our partner’s preoccupation with the uncommercial aspects of life, we gave graceful history—of Moggs the First, Moggs the Second, Moggs the Third, and Moggs the Fourth. You must, unless you are very young, remember some of them and our admirable block of a Georgian shop window. My uncle brought early nineteenth-century memoirs, soaked himself in the style, and devised stories about old Moggs the First and the Duke of Wellington, George the Third and the soap dealer (“almost certainly old Moggs”). Very soon we had added to the original Moggs’ Primrose several varieties of scented and superfatted, a “special nurseries used in the household of the Duke of Kent and for the old Queen in Infancy,” a plate powder, “the Paragon,” and a knife powder. We roped in a good little second-rate black-lead firm, and carried their origins back into the mists of antiquity. It was my uncle’s own unaided idea that we should associate that commodity with the Black Prince. He became industriously curious about the past of black-lead. I remember his button-holing the president of the Pepys Society.

We definitely didn't make him any poorer. His was the first company that was promoted with a detailed backstory; we even got illustrated magazine articles showcasing the unique history of Moggs. We created Moggsiana. Relying on our partner’s focus on the non-commercial side of things, we crafted an elegant history—of Moggs the First, Moggs the Second, Moggs the Third, and Moggs the Fourth. You must remember some of them, unless you're very young, and our impressive Georgian shop window. My uncle dug up early nineteenth-century memoirs, immersed himself in the style, and invented stories about old Moggs the First and the Duke of Wellington, George the Third and the soap dealer (“almost certainly old Moggs”). Before long, we had added various scented and superfatted soaps to the original Moggs’ Primrose, a “special nurseries used in the household of the Duke of Kent and for the old Queen in Infancy,” a plate powder, “the Paragon,” and a knife powder. We teamed up with a decent second-rate black-lead company and traced their origins back into the fog of history. It was my uncle's idea to link that product with the Black Prince. He became really curious about the history of black-lead. I remember him cornering the president of the Pepys Society.

“I say, is there any black-lead in Pepys? You know—black-lead—for grates! Or does he pass it over as a matter of course?

“I’m asking, is there any black lead in Pepys? You know—black lead—for grates! Or does he just skip over it like it’s no big deal?

He became in those days the terror of eminent historians. “Don’t want your drum and trumpet history—no fear,” he used to say. “Don’t want to know who was who’s mistress, and why so-and-so devastated such a province; that’s bound to be all lies and upsy-down anyhow. Not my affair. Nobody’s affair now. Chaps who did it didn’t clearly know.... What I want to know is, in the Middle Ages, did they do anything for Housemaid’s Knee? What did they put in their hot baths after jousting, and was the Black Prince—you know the Black Prince—was he enameled or painted, or what? I think myself, black-leaded—very likely—like pipe-clay—but did they use blacking so early?”

He became, during that time, the nightmare of prominent historians. “I don’t care for your drum and trumpet history—no way,” he would say. “I don’t want to hear about who was someone’s mistress or why one person devastated a province; that’s bound to be all lies and twisted anyway. Not my concern. No one’s concern now. The guys who did it didn’t really understand.... What I want to know is, in the Middle Ages, did they do anything for Housemaid’s Knee? What did they add to their hot baths after jousting, and was the Black Prince—you know, the Black Prince—was he enameled or painted, or what? I think it’s likely black-leaded—very probable—like pipe-clay—but did they really use blacking that early?”

So it came about that in designing and writing those Moggs’ Soap Advertisements, that wrought a revolution in that department of literature, my uncle was brought to realise not only the lost history, but also the enormous field for invention and enterprise that lurked among the little articles, the dustpans and mincers, the mousetraps and carpet-sweepers that fringe the shops of the oilman and domestic ironmonger. He was recalled to one of the dreams of his youth, to his conception of the Ponderevo Patent Flat that had been in his mind so early as the days before I went to serve him at Wimblehurst. “The Home, George,” he said, “wants straightening up. Silly muddle! Things that get in the way. Got to organise it.”

So, while designing and writing those Moggs’ Soap Advertisements, which changed that part of literature, my uncle came to realize not just the forgotten history but also the huge opportunity for creativity and business that lay in the small items—the dustpans and mincers, the mousetraps and carpet-sweepers—that clutter the shops of the oil merchant and the local hardware store. He was reminded of one of his childhood dreams, his idea for the Ponderevo Patent Flat that he had envisioned even before I started working for him at Wimblehurst. “The Home, George,” he said, “needs to be organized. Such a mess! Stuff that just gets in the way. We have to sort it out.”

For a time he displayed something like the zeal of a genuine social reformer in relation to these matters.

For a while, he showed a kind of enthusiasm similar to that of a true social reformer regarding these issues.

“We’ve got to bring the Home Up to Date? That’s my idee, George. We got to make a civilised domestic machine out of these relics of barbarism. I’m going to hunt up inventors, make a corner in d’mestic ideas. Everything. Balls of string that won’t dissolve into a tangle, and gum that won’t dry into horn. See? Then after conveniences—beauty. Beauty, George! All these few things ought to be made fit to look at; it’s your aunt’s idea, that. Beautiful jam-pots! Get one of those new art chaps to design all the things they make ugly now. Patent carpet-sweepers by these greenwood chaps, housemaid’s boxes it’ll be a pleasure to fall over—rich coloured house-flannels. Zzzz. Pails, f’rinstance. Hang ’em up on the walls like warming-pans. All the polishes and things in such tins—you’ll want to cuddle ’em, George! See the notion? ‘Sted of all the silly ugly things we got.”...

“We need to update the house, right? That’s my idea, George. We need to turn these outdated relics into a modern home. I’m going to look for inventors and gather innovative domestic ideas. Everything. Tangles-free balls of string and gum that won’t dry up. You get it? Then, after making it convenient—let’s add beauty. Beauty, George! All these basic items should be visually appealing; that’s your aunt’s idea. Beautiful jam jars! Let’s get one of those new art designers to create stylish versions of the stuff that looks bad now. State-of-the-art carpet sweepers from those hip designers, and housemaid’s baskets that you’ll actually enjoy tripping over—vividly colored house towels. Zzzz. Buckets, for instance. Let’s hang them up on the walls like warming pans. All the polishes and products in nice tins—you’d want to cuddle them, George! You see the concept? Instead of all the silly, ugly things we have.”

We had some magnificent visions; they so affected me that when I passed ironmongers and oil-shops they seemed to me as full of promise as trees in late winter, flushed with the effort to burst into leaf and flower.... And really we did do much towards that very brightness these shops display. They were dingy things in the eighties compared to what our efforts have made them now, grey quiet displays.

We had some amazing visions; they impacted me so much that when I walked by hardware stores and oil shops, they seemed as full of potential as trees in late winter, eager to bloom and flourish... And honestly, we really contributed a lot to the brightness these shops show now. They looked pretty dull in the eighties compared to what our efforts have transformed them into today, with their calm, muted displays.

Well, I don’t intend to write down here the tortuous financial history of Moggs’ Limited, which was our first development of Moggs and Sons; nor will I tell very much of how from that we spread ourselves with a larger and larger conception throughout the chandlery and minor ironmongery, how we became agents for this little commodity, partners in that, got a tentacle round the neck of a specialised manufacturer or so, secured a pull upon this or that supply of raw material, and so prepared the way for our second flotation, Domestic Utilities; “Do it,” they reordered it in the city. And then came the reconstruction of Tono-Bungay, and then “Household services” and the Boom!

Well, I don’t plan to recount the complicated financial history of Moggs’ Limited, which was our first venture from Moggs and Sons; nor will I say much about how we expanded our vision across the chandlery and minor ironmongery, how we became agents for this product, partners in that one, got involved with a specialized manufacturer here and there, secured access to various raw materials, and ultimately paved the way for our second venture, Domestic Utilities; “Do it,” they said in the city. Then came the restructuring of Tono-Bungay, followed by “Household services” and the Boom!

That sort of development is not to be told in detail in a novel. I have, indeed, told much of it elsewhere. It is to be found set out at length, painfully at length, in my uncle’s examination and mine in the bankruptcy proceedings, and in my own various statements after his death. Some people know everything in that story, some know it all too well, most do not want the details, it is the story of a man of imagination among figures, and unless you are prepared to collate columns of pounds, shillings and pence, compare dates and check additions, you will find it very unmeaning and perplexing. And after all, you wouldn’t find the early figures so much wrong as strained. In the matter of Moggs and Do Ut, as in the first Tono-Bungay promotion and in its reconstruction, we left the court by city standards without a stain on our characters. The great amalgamation of Household Services was my uncle’s first really big-scale enterprise and his first display of bolder methods: for this we bought back Do Ut, Moggs (going strong with a seven per cent. dividend) and acquired Skinnerton’s polishes, the Riffleshaw properties and the Runcorn’s mincer and coffee-mill business. To that Amalgamation I was really not a party; I left it to my uncle because I was then beginning to get keen upon the soaring experiments I had taken on from the results then to hand of Lilienthal, Pilcher and the Wright brothers. I was developing a glider into a flyer. I meant to apply power to this glider as soon as I could work out one or two residual problems affecting the longitudinal stability. I knew that I had a sufficiently light motor in my own modification of Bridger’s light turbine, but I knew too that until I had cured my aeroplane of a tendency demanding constant alertness from me, a tendency to jerk up its nose at unexpected moments and slide back upon me, the application of an engine would be little short of suicide.

That kind of development isn't something to be explained in detail in a novel. I've actually shared a lot of it elsewhere. You can find it laid out in great detail in my uncle's examination and mine during the bankruptcy proceedings, as well as in my various statements after his death. Some people know the entire story, some know it all too well, and most aren't interested in the specifics. It's a story about a creative man involved with numbers, and unless you're ready to go through columns of pounds, shillings, and pence, compare dates, and check calculations, you'll find it very confusing and meaningless. And honestly, the earlier numbers wouldn't be so much wrong as they would be strained. In the cases of Moggs and Do Ut, as well as in the first Tono-Bungay promotion and its restructuring, we left the court by city standards without any blemishes on our reputations. The major merger of Household Services was my uncle's first truly large-scale venture and his first showcase of bolder strategies. For this, we bought back Do Ut, Moggs (which was thriving with a seven percent dividend) and acquired Skinnerton’s polishes, the Riffleshaw properties, and the Runcorn’s mincer and coffee mill business. I wasn't really involved in that merger; I left it to my uncle because I was just starting to get excited about the ambitious experiments I had taken on, inspired by the results from Lilienthal, Pilcher, and the Wright brothers. I was converting a glider into a powered aircraft. I intended to add power to this glider as soon as I could solve a couple of remaining issues affecting its longitudinal stability. I knew I had a lightweight motor in my own version of Bridger’s light turbine, but I also knew that until I fixed my airplane's tendency to unexpectedly raise its nose and slide back towards me, adding an engine would be nothing short of reckless.

But that I will tell about later. The point I was coming to was that I did not realise until after the crash how recklessly my uncle had kept his promise of paying a dividend of over eight per cent. on the ordinary shares of that hugely over-capitalised enterprise, Household Services.

But I’ll share more about that later. The point I was getting to was that I didn’t realize until after the crash how carelessly my uncle had kept his promise of paying a dividend of over eight percent on the ordinary shares of that massively over-capitalized company, Household Services.

I drifted out of business affairs into my research much more than either I or my uncle had contemplated. Finance was much less to my taste than the organisation of the Tono-Bungay factory. In the new field of enterprise there was a great deal of bluffing and gambling, of taking chances and concealing material facts—and these are hateful things to the scientific type of mind. It wasn’t fear I felt so much as an uneasy inaccuracy. I didn’t realise dangers, I simply disliked the sloppy, relaxing quality of this new sort of work. I was at last constantly making excuses not to come up to him in London. The latter part of his business career recedes therefore beyond the circle of any particular life. I lived more or less with him; I talked, I advised, I helped him at times to fight his Sunday crowd at Crest Hill, but I did not follow nor guide him. From the Do Ut time onward he rushed up the financial world like a bubble in water and left me like some busy water-thing down below in the deeps.

I drifted away from business matters and focused on my research much more than either my uncle or I expected. I found finance far less appealing than organizing the Tono-Bungay factory. In this new world of enterprise, there was a lot of bluffing and taking risks, hiding important facts—and those things are detestable to someone with a scientific mindset. It wasn’t so much fear that I experienced but rather a feeling of vague discomfort. I didn’t recognize the dangers; I just disliked the messy, laid-back nature of this new kind of work. Eventually, I kept making excuses not to go up to see him in London. The later part of his business career slips away from the context of any specific life. I lived more or less alongside him; I talked with him, offered advice, and occasionally helped him fend off his weekend crowd at Crest Hill, but I didn’t steer or guide him. From the Do Ut time on, he soared up the financial world like a bubble in water, leaving me behind like some busy creature in the depths below.

Anyhow, he was an immense success. The public was, I think, particularly attracted by the homely familiarity of his field of work—you never lost sight of your investment they felt, with the name on the house-flannel and shaving-strop—and its allegiance was secured by the Egyptian solidity of his apparent results. Tono-Bungay, after its reconstruction, paid thirteen, Moggs seven, Domestic Utilities had been a safe-looking nine; here was Household Services with eight; on such a showing he had merely to buy and sell Roeburn’s Antiseptic fluid, Razor soaks and Bath crystals in three weeks to clear twenty thousand pounds.

Anyway, he was a huge success. The public was, I think, especially drawn to the relatable familiarity of his field of work—you always felt connected to your investment with the brand name on the house flannel and shaving strop—and their loyalty was secured by the solid results he seemed to deliver. Tono-Bungay, after its makeover, sold for thirteen, Moggs for seven, and Domestic Utilities looked like a reliable nine; here was Household Services at eight; with numbers like these, he only needed to buy and sell Roeburn’s Antiseptic fluid, Razor soaks, and Bath crystals in three weeks to make twenty thousand pounds.

I do think that as a matter of fact Roeburn’s was good value at the price at which he gave it to the public, at least until it was strained by ill-conserved advertisement. It was a period of expansion and confidence; much money was seeking investment and “Industrials” were the fashion. Prices were rising all round. There remained little more for my uncle to do therefore, in his climb to the high unstable crest of Financial Greatness but, as he said, to “grasp the cosmic oyster, George, while it gaped,” which, being translated, meant for him to buy respectable businesses confidently and courageously at the vendor’s estimate, add thirty or forty thousand to the price and sell them again. His sole difficulty indeed was the tactful management of the load of shares that each of these transactions left upon his hands. But I thought so little of these later things that I never fully appreciated the peculiar inconveniences of that until it was too late to help him.

I honestly think that Roeburn's was a good deal at the price he offered to the public, at least until it was tainted by poorly managed advertising. It was a time of growth and optimism; a lot of money was looking for investment, and "Industrials" were in vogue. Prices were going up across the board. There wasn't much left for my uncle to do in his pursuit of Financial Greatness except, as he put it, to "grab the cosmic oyster, George, while it was open," which meant for him to confidently and boldly buy respectable businesses at the seller’s price, add thirty or forty thousand to it, and sell them again. His main challenge, in fact, was managing the load of shares that each of these deals left him with. But I gave so little thought to these later issues that I never fully understood the specific troubles that came with that until it was too late to assist him.

III

When I think of my uncle near the days of his Great Boom and in connection with the actualities of his enterprises, I think of him as I used to see him in the suite of rooms he occupied in the Hardingham Hotel, seated at a great old oak writing-table, smoking, drinking, and incoherently busy; that was his typical financial aspect—our evenings, our mornings, our holidays, our motor-car expeditions, Lady Grove and Crest Hill belong to an altogether different set of memories.

When I think of my uncle during the time of his Great Boom and in relation to his business ventures, I picture him as I used to see him in the suite of rooms at the Hardingham Hotel, sitting at a huge old oak writing desk, smoking, drinking, and chaotically busy; that was his usual financial vibe—our evenings, our mornings, our holidays, and our road trips to Lady Grove and Crest Hill belong to a completely different set of memories.

These rooms in the Hardingham were a string of apartments along one handsome thick-carpeted corridor. All the doors upon the corridor were locked except the first; and my uncle’s bedroom, breakfast-room and private sanctum were the least accessible and served by an entrance from the adjacent passage, which he also used at times as a means of escape from importunate callers. The most eternal room was a general waiting-room and very business-like in quality; it had one or two uneasy sofas, a number of chairs, a green baize table, and a collection of the very best Moggs and Tone posters: and the plush carpets normal to the Hardingham had been replaced by a grey-green cork linoleum; Here I would always find a remarkable miscellany of people presided over by a peculiarly faithful and ferocious looking commissioner, Ropper, who guarded the door that led a step nearer my uncle. Usually there would be a parson or so, and one or two widows; hairy, eyeglassy, middle-aged gentlemen, some of them looking singularly like Edward Ponderevos who hadn’t come off, a variety of young and youngish men more or less attractively dressed, some with papers protruding from their pockets, others with their papers decently concealed. And wonderful, incidental, frowsy people.

These rooms in the Hardingham were a line of apartments along a nice, thick-carpeted hallway. All the doors along the corridor were locked except for the first one; my uncle’s bedroom, breakfast room, and private retreat were the hardest to access and had an entrance from the nearby passage, which he sometimes used to escape from pushy visitors. The most constant room was a general waiting area, very business-like in feel; it had a couple of uncomfortable sofas, several chairs, a green felt table, and a collection of the best Moggs and Tone posters. The plush carpets typical of the Hardingham were replaced by grey-green cork linoleum. Here, I would always find an interesting mix of people overseen by a particularly loyal and fierce-looking commissioner, Ropper, who guarded the door that led a step closer to my uncle. Usually, there would be a pastor or two and a couple of widows; hairy, middle-aged men with glasses, some of them looking oddly like unsuccessful versions of Edward Ponderevos, a mix of young and somewhat young men dressed in various ways, some with papers sticking out of their pockets, others with their papers neatly hidden. And there were also wonderfully random, disheveled people.

All these persons maintained a practically hopeless siege—sometimes for weeks together; they had better have stayed at home. Next came a room full of people who had some sort of appointment, and here one would find smart-looking people, brilliantly dressed, nervous women hiding behind magazines, nonconformist divines, clergy in gaiters, real business men, these latter for the most part gentlemen in admirable morning dress who stood up and scrutinised my uncle’s taste in water colours manfully and sometimes by the hour together. Young men again were here of various social origins, young Americans, treasonable clerks from other concerns, university young men, keen-looking, most of them, resolute, reserved, but on a sort of hair trigger, ready at any moment to be most voluble, most persuasive.

All these people kept up a nearly hopeless wait—sometimes for weeks at a time; they would have been better off staying at home. Then there was a room full of people with some kind of appointment, and here you’d find well-dressed individuals, stylishly attired, anxious women hiding behind magazines, unconventional clergy, ministers in gaiters, and genuine businessmen, mostly gentlemen in impressive morning attire who stood up and critically examined my uncle’s taste in watercolors, often for hours. There were also young men from various backgrounds, young Americans, disloyal clerks from other businesses, university students, most of them sharp-looking, determined, and reserved, but also on edge, ready at any moment to be very talkative and persuasive.

This room had a window, too, looking out into the hotel courtyard with its fern-set fountains and mosaic pavement, and the young men would stand against this and sometimes even mutter. One day I heard one repeating in all urgent whisper as I passed “But you don’t quite see, Mr. Ponderevo, the full advantages, the full advantages—” I met his eye and he was embarrassed.

This room also had a window that faced the hotel courtyard, which featured fern-lined fountains and mosaic tiles. The young men would lean against it and sometimes mumble. One day, as I walked by, I heard one of them urgently whispering, “But you don’t really see, Mr. Ponderevo, the full benefits, the full benefits—” I caught his gaze, and he looked embarrassed.

Then came a room with a couple of secretaries—no typewriters, because my uncle hated the clatter—and a casual person or two sitting about, projectors whose projects were being entertained. Here and in a further room nearer the private apartments, my uncle’s correspondence underwent an exhaustive process of pruning and digestion before it reached him. Then the two little rooms in which my uncle talked; my magic uncle who had got the investing public—to whom all things were possible. As one came in we would find him squatting with his cigar up and an expression of dubious beatitude upon his face, while some one urged him to grow still richer by this or that.

Then came a room with a couple of secretaries—no typewriters, because my uncle hated the noise—and a few casual people hanging around, projectors showcasing ideas. Here, and in another room closer to the private areas, my uncle’s correspondence went through a thorough process of editing and organization before it reached him. Then there were the two small rooms where my uncle would talk; my magical uncle who had captured the interest of the investing public—where anything was possible. As you walked in, you’d see him sitting with his cigar held high and a look of questionable bliss on his face, while someone urged him to get even richer through this or that.

“That’ju, George?” he used to say. “Come in. Here’s a thing. Tell him—Mister—over again. Have a drink, George? No! Wise man! Liss’n.”

“That you, George?” he used to say. “Come in. Here’s the deal. Tell him—Mister—again. Want a drink, George? No! Smart move! Listen.”

I was always ready to listen. All sorts of financial marvels came out of the Hardingham, more particularly during my uncle’s last great flurry, but they were nothing to the projects that passed in. It was the little brown and gold room he sat in usually. He had had it redecorated by Bordingly and half a dozen Sussex pictures by Webster hung about it. Latterly he wore a velveteen jacket of a golden-brown colour in this apartment that I think over-emphasised its esthetic intention, and he also added some gross Chinese bronzes.

I was always ready to listen. All kinds of financial wonders came out of the Hardingham, especially during my uncle’s last big push, but they were nothing compared to the projects that came through. It was the little brown and gold room he usually sat in. He had it redecorated by Bordingly and hung half a dozen Sussex paintings by Webster around it. Recently, he wore a golden-brown velveteen jacket in that room, which I think over-emphasized its aesthetic intention, and he also added some flashy Chinese bronze pieces.

He was, on the whole, a very happy man throughout all that wildly enterprising time. He made and, as I shall tell in its place, spent great sums of money. He was constantly in violent motion, constantly stimulated mentally and physically and rarely tired. About him was an atmosphere of immense deference much of his waking life was triumphal and all his dreams. I doubt if he had any dissatisfaction with himself at all until the crash bore him down. Things must have gone very rapidly with him.... I think he must have been very happy.

He was generally a very happy man during all that wildly ambitious time. He earned and, as I will explain later, spent large amounts of money. He was always in constant motion, mentally and physically stimulated, and rarely tired. There was an atmosphere of immense respect around him; much of his waking life felt triumphant, and all his dreams did as well. I doubt he had any dissatisfaction with himself until the crash brought him down. Things must have happened very quickly for him.... I think he must have been very happy.

As I sit here writing about all these things, jerking down notes and throwing them aside in my attempt to give some literary form to the tale of our promotions, the marvel of it all comes to me as if it came for the first time the supreme unreason of it. At the climax of his Boom, my uncle at the most sparing estimate must have possessed in substance and credit about two million pounds’-worth of property to set off against his vague colossal liabilities, and from first to last he must have had a controlling influence in the direction of nearly thirty millions.

As I’m sitting here writing about all this, jotting down notes and tossing them aside in my effort to shape the story of our promotions, the sheer wonder of it hits me afresh: the incredible irrationality of it all. At the height of his success, my uncle must have had at least two million pounds’ worth of assets to balance against his vague, enormous debts, and from start to finish, he had a major influence over nearly thirty million.

This irrational muddle of a community in which we live gave him that, paid him at that rate for sitting in a room and scheming and telling it lies. For he created nothing, he invented nothing, he economised nothing. I cannot claim that a single one of the great businesses we organised added any real value to human life at all. Several like Tono-Bungay were unmitigated frauds by any honest standard, the giving of nothing coated in advertisements for money. And the things the Hardingham gave out, I repeat, were nothing to the things that came in. I think of the long procession of people who sat down before us and propounded this and that. Now it was a device for selling bread under a fancy name and so escaping the laws as to weight—this was afterwards floated as the Decorticated Health-Bread Company and bumped against the law—now it was a new scheme for still more strident advertisement, now it was a story of unsuspected deposits of minerals, now a cheap and nasty substitute for this or that common necessity, now the treachery of a too well-informed employee, anxious to become our partner. It was all put to us tentatively, persuasively. Sometimes one had a large pink blusterous person trying to carry us off our feet by his pseudo-boyish frankness, now some dyspeptically yellow whisperer, now some earnest, specially dressed youth with an eye-glass and a buttonhole, now some homely-speaking, shrewd Manchester man or some Scotchman eager to be very clear and full.

This crazy mess of a community we live in gave him that, paying him for just sitting in a room and scheming while spinning lies. He created nothing, invented nothing, saved nothing. I can’t say that any of the big businesses we set up added any real value to people’s lives. Several, like Tono-Bungay, were outright scams by any honest measure, providing nothing but dressed-up ads for money. And the products the Hardingham handed out, I’ll say again, were nothing compared to what came in. I think of the long line of people who came to us with their ideas. One wanted to sell bread under a fancy name to dodge the weight laws—later this was launched as the Decorticated Health-Bread Company and ran into legal trouble—then there was a new scheme for even louder advertising, a tale of hidden mineral deposits, a cheap, lousy substitute for some basic need, the betrayal of an over-informed employee wanting to become our partner. It was all pitched to us hesitantly, persuasively. Sometimes we had a big, blustering person trying to sweep us off our feet with his fake boyish charm, other times it was a sallow person whispering, or an earnest, neatly dressed young man with a monocle and a flower in his buttonhole, or some straightforward, shrewd guy from Manchester, or a Scotsman eager to be very clear and thorough.

Many came in couples or trios, often in tow of an explanatory solicitor. Some were white and earnest, some flustered beyond measure at their opportunity. Some of them begged and prayed to be taken up. My uncle chose what he wanted and left the rest. He became very autocratic to these applicants.

Many arrived in pairs or threes, often accompanied by a legal advisor. Some were serious and focused, while others were incredibly nervous about their chance. A few begged and pleaded to be accepted. My uncle picked what he wanted and ignored the rest. He became quite authoritative with these applicants.

He felt he could make them, and they felt so too. He had but to say “No!” and they faded out of existence.... He had become a sort of vortex to which wealth flowed of its own accord. His possessions increased by heaps; his shares, his leaseholds and mortgages and debentures.

He believed he could create them, and they believed so too. All he had to do was say "No!" and they would disappear... He had turned into a kind of vortex where wealth came to him effortlessly. His possessions grew immensely; his stocks, his leases, and his mortgages and bonds.

Behind his first-line things he found it necessary at last, and sanctioned by all the precincts, to set up three general trading companies, the London and African Investment Company, the British Traders’ Loan Company, and Business Organisations Limited. This was in the culminating time when I had least to do with affairs. I don’t say that with any desire to exculpate myself; I admit I was a director of all three, and I will confess I was willfully incurious in that capacity. Each of these companies ended its financial year solvent by selling great holdings of shares to one or other of its sisters, and paying a dividend out of the proceeds. I sat at the table and agreed. That was our method of equilibrium at the iridescent climax of the bubble.

Behind his first-line things, he found it necessary, eventually approved by all the relevant groups, to establish three general trading companies: the London and African Investment Company, the British Traders’ Loan Company, and Business Organisations Limited. This was during a time when I was least involved in affairs. I’m not saying this to excuse myself; I admit I was a director of all three, and I will confess that I was willfully indifferent in that role. Each of these companies ended its financial year in good standing by selling significant amounts of shares to one of its sister companies and paying out dividends from the proceeds. I sat at the table and agreed. That was our method of maintaining balance at the colorful peak of the bubble.

You perceive now, however, the nature of the services for which this fantastic community have him unmanageable wealth and power and real respect. It was all a monstrous payment for courageous fiction, a gratuity in return for the one reality of human life—illusion. We gave them a feeling of hope and profit; we sent a tidal wave of water and confidence into their stranded affairs. “We mint Faith, George,” said my uncle one day. “That’s what we do. And by Jove we got to keep minting! We been making human confidence ever since I drove the first cork of Tono-Bungay.”

You see now, though, what the services are that this incredible community has given him unmanageable wealth, power, and real respect for. It was all a huge payoff for daring fiction, a token of gratitude for the one truth of human life—illusion. We gave them a sense of hope and profit; we brought a surge of energy and confidence into their struggling affairs. “We create Faith, George,” said my uncle one day. “That’s what we do. And by God, we have to keep creating! We’ve been building human confidence ever since I drove in the first cork of Tono-Bungay.”

“Coining” would have been a better word than minting! And yet, you know, in a sense he was right. Civilisation is possible only through confidence, so that we can bank our money and go unarmed about the streets. The bank reserve or a policeman keeping order in a jostling multitude of people, are only slightly less impudent bluffs than my uncle’s prospectuses. They couldn’t for a moment “make good” if the quarter of what they guarantee was demanded of them. The whole of this modern mercantile investing civilisation is indeed such stuff as dreams are made of. A mass of people swelters and toils, great railway systems grow, cities arise to the skies and spread wide and far, mines are opened, factories hum, foundries roar, ships plough the seas, countries are settled; about this busy striving world the rich owners go, controlling all, enjoying all, confident and creating the confidence that draws us all together into a reluctant, nearly unconscious brotherhood. I wonder and plan my engines. The flags flutter, the crowds cheer, the legislatures meet. Yet it seems to me indeed at times that all this present commercial civilisation is no more than my poor uncle’s career writ large, a swelling, thinning bubble of assurances; that its arithmetic is just as unsound, its dividends as ill-advised, its ultimate aim as vague and forgotten; that it all drifts on perhaps to some tremendous parallel to his individual disaster...

“Coining” would have been a better word than minting! And yet, you know, in a way he was right. Civilization is only possible through confidence, so that we can keep our money in banks and walk around the streets without weapons. The bank reserves or a cop maintaining order in a crowd are only slightly less bold deceptions than my uncle’s investment brochures. They couldn’t “make good” for even a second if a fraction of what they guarantee was actually demanded from them. The entire modern capitalist investing civilization is truly just a collection of dreams. A massive number of people work hard and struggle, huge railway systems are built, cities reach for the sky and spread far and wide, mines are opened, factories buzz, foundries roar, ships sail the seas, and countries are settled; around this busy striving world, the wealthy owners move, controlling everything, enjoying everything, creating the confidence that brings us all together into a reluctant, nearly unconscious brotherhood. I wonder and plan my machines. The flags wave, the crowds cheer, the legislatures convene. Yet sometimes it feels to me that this current commercial civilization is nothing more than my poor uncle’s life story blown up, a growing, shrinking bubble of promises; that its numbers are just as unreliable, its returns just as misguided, its ultimate goals just as vague and forgotten; that it all drifts on perhaps toward some massive echo of his personal failure...

Well, so it was we Boomed, and for four years and a half we lived a life of mingled substance and moonshine. Until our particular unsoundness overtook us we went about in the most magnificent of motor-cars upon tangible high roads, made ourselves conspicuous and stately in splendid houses, ate sumptuously and had a perpetual stream of notes and money trickling into our pockets; hundreds of thousands of men and women respected us, saluted us and gave us toil and honour; I asked, and my worksheets rose, my aeroplanes swooped out of nothingness to scare the downland pe-wits; my uncle waved his hand and Lady Grove and all its associations of chivalry and ancient peace were his; waved again, and architects were busy planning the great palace he never finished at Crest Hill and an army of folkmen gathered to do his bidding, blue marble came from Canada, and timber from New Zealand; and beneath it all, you know, there was nothing but fictitious values as evanescent as rainbow gold.

Well, that’s how we made it big, and for four and a half years we lived a life full of both reality and illusion. Until our specific weaknesses caught up with us, we cruised around in the most luxurious cars on solid highways, stood out and looked grand in amazing houses, ate lavishly, and had a constant flow of cash and checks coming into our wallets; hundreds of thousands of people admired us, greeted us, and brought us work and respect; I asked for more, and my projects took off, my planes appeared out of nowhere to surprise the local residents; my uncle waved his hand, and Lady Grove along with all its ties to nobility and old-world serenity became his; he waved again, and architects started designing the huge palace he never completed at Crest Hill, and a crowd of workers gathered to follow his orders, blue marble came from Canada, and wood from New Zealand; and underneath it all, you know, there was nothing but fake values as fleeting as gold in a rainbow.

IV

I pass the Hardingham ever and again and glance aside through the great archway at the fountain and the ferns, and think of those receding days when I was so near the centre of our eddy of greed and enterprise. I see again my uncle’s face, white and intent, and hear him discourse, hear him make consciously Napoleonic decisions, “grip” his nettles, put his “finger on the spot,” “bluff,” say “snap.” He became particularly addicted to the last idiom. Towards the end every conceivable act took the form of saying “snap!”

I pass the Hardingham now and then and take a look through the big archway at the fountain and the ferns. I think about those fading days when I was so close to the heart of our whirlwind of greed and ambition. I can see my uncle's face again, pale and focused, and I can hear him talking, making those decisive moves, “gripping” his nettles, putting his “finger on the spot,” “bluffing,” and saying “snap.” He really became hooked on that last phrase. By the end, every possible action was just him saying “snap!”

The odd fish that came to us! And among others came Gordon-Nasmyth, that queer blend of romance and illegality who was destined to drag me into the most irrelevant adventure in my life the Mordet Island affair; and leave me, as they say, with blood upon my hands. It is remarkable how little it troubles my conscience and how much it stirs my imagination, that particular memory of the life I took. The story of Mordet Island has been told in a government report and told all wrong; there are still excellent reasons for leaving it wrong in places, but the liveliest appeals of discretion forbid my leaving it out altogether.

The strange characters that showed up! Among them was Gordon-Nasmyth, a bizarre mix of romance and crime who pulled me into the most pointless adventure of my life—the Mordet Island incident—and left me, as they say, with blood on my hands. It's amazing how little it weighs on my conscience and how much it ignites my imagination, that particular memory of the life I took. The story of Mordet Island has been written in a government report, but it was told all wrong; there are still plenty of good reasons to keep it wrong in parts, but the strongest calls for caution prevent me from leaving it out completely.

I’ve still the vividest memory of Gordon-Nasmyth’s appearance in the inner sanctum, a lank, sunburnt person in tweeds with a yellow-brown hatchet face and one faded blue eye—the other was a closed and sunken lid—and how he told us with a stiff affectation of ease his incredible story of this great heap of quap that lay abandoned or undiscovered on the beach behind Mordet’s Island among white dead mangroves and the black ooze of brackish water.

I still have the clearest memory of Gordon-Nasmyth showing up in the inner circle, a tall, sunburned guy in tweeds with a yellow-brown hatchet face and one faded blue eye—the other was a shut and sunk lid—and how he told us, with an awkward attempt at casualness, his unbelievable story about this massive pile of stuff that was left behind or unnoticed on the beach behind Mordet’s Island among the white dead mangroves and the black sludge of salty water.

“What’s quap?” said my uncle on the fourth repetition of the word.

“What’s quap?” my uncle asked after hearing the word for the fourth time.

“They call it quap, or quab, or quabb,” said Gordon-Nasmyth; “but our relations weren’t friendly enough to get the accent right....

“They call it quap, or quab, or quabb,” said Gordon-Nasmyth; “but our relationships weren’t close enough to get the accent right....

“But there the stuff is for the taking. They don’t know about it. Nobody knows about it. I got down to the damned place in a canoe alone. The boys wouldn’t come. I pretended to be botanising.” ...

“But there it is for the taking. They don’t know about it. Nobody knows about it. I got down to that damn place in a canoe by myself. The guys wouldn’t come. I pretended to be studying plants.”

To begin with, Gordon-Nasmyth was inclined to be dramatic.

To start, Gordon-Nasmyth had a tendency to be dramatic.

“Look here,” he said when he first came in, shutting the door rather carefully behind him as he spoke, “do you two men—yes or no—want to put up six thousand—for—a clear good chance of fifteen hundred per cent. on your money in a year?”

“Listen up,” he said when he first walked in, closing the door pretty carefully behind him as he spoke, “do you two guys—yes or no—want to invest six thousand—for—a solid chance of getting fifteen hundred percent on your money in a year?”

“We’re always getting chances like that,” said my uncle, cocking his cigar offensively, wiping his glasses and tilting his chair back. “We stick to a safe twenty.”

“We're always getting opportunities like that,” my uncle said, adjusting his cigar in an exaggerated way, cleaning his glasses, and tilting his chair back. “We play it safe with a solid twenty.”

Gordon-Nasmyth’s quick temper showed in a slight stiffening of his attitude.

Gordon-Nasmyth’s quick temper was evident in a slight stiffening of his posture.

“Don’t you believe him,” said I, getting up before he could reply. “You’re different, and I know your books. We’re very glad you’ve come to us. Confound it, uncle! Its Gordon-Nasmyth! Sit down. What is it? Minerals?”

“Don’t believe him,” I said, getting up before he could respond. “You’re unique, and I know your books. We’re really glad you’re here. Damn it, uncle! It’s Gordon-Nasmyth! Sit down. What’s going on? Minerals?”

“Quap,” said Gordon-Nasmyth, fixing his eye on me, “in heaps.”

“Quap,” said Gordon-Nasmyth, locking his gaze on me, “in piles.”

“In heaps,” said my uncle softly, with his glasses very oblique.

“In heaps,” my uncle said softly, with his glasses tilted at a strange angle.

“You’re only fit for the grocery,” said Gordon-Nasmyth scornfully, sitting down and helping himself to one of my uncle’s cigars. “I’m sorry I came. But, still, now I’m here.... And first as to quap; quap, sir, is the most radio-active stuff in the world. That’s quap! It’s a festering mass of earths and heavy metals, polonium, radium, ythorium, thorium, carium, and new things, too. There’s a stuff called Xk—provisionally. There they are, mucked up together in a sort of rotting sand. What it is, how it got made, I don’t know. It’s like as if some young creator had been playing about there. There it lies in two heaps, one small, one great, and the world for miles about it is blasted and scorched and dead. You can have it for the getting. You’ve got to take it—that’s all!”

“You're only good for the grocery store,” Gordon-Nasmyth said mockingly as he sat down and helped himself to one of my uncle’s cigars. “I regret coming here. But now that I’m here... First, let’s talk about quap; quap, sir, is the most radioactive substance on the planet. That’s quap! It’s a decaying mix of earth and heavy metals, polonium, radium, ythorium, thorium, carium, and new things as well. There’s something called Xk—temporarily. It’s all mixed together in what looks like rotting sand. I have no idea what it is or how it was made. It’s like some young creator was just messing around there. It sits in two piles, one small and one large, and the land for miles around it is wrecked and scorched and lifeless. You can take it if you want. You just have to grab it—that’s all!”

“That sounds all right,” said I. “Have you samples?”

"That sounds good," I said. "Do you have samples?"

“Well—should I? You can have anything—up to two ounces.”

“Well—should I? You can have anything—up to two ounces.”

“Where is it?”...

"Where is it?"

His blue eye smiled at me and scrutinised me. He smoked and was fragmentary for a time, fending off my questions; then his story began to piece itself together. He conjured up a vision of this strange forgotten kink in the world’s littoral, of the long meandering channels that spread and divaricate and spend their burden of mud and silt within the thunderbelt of Atlantic surf, of the dense tangled vegetation that creeps into the shimmering water with root and sucker. He gave a sense of heat and a perpetual reek of vegetable decay, and told how at last comes a break among these things, an arena fringed with bone-white dead trees, a sight of the hard-blue sea line beyond the dazzling surf and a wide desolation of dirty shingle and mud, bleached and scarred.... A little way off among charred dead weeds stands the abandoned station,—abandoned because every man who stayed two months at that station stayed to die, eaten up mysteriously like a leper with its dismantled sheds and its decaying pier of wormrotten and oblique piles and planks, still insecurely possible.

His blue eye smiled at me and studied me closely. He smoked and was evasive for a while, avoiding my questions; then his story started to come together. He painted a picture of this strange, forgotten bend in the world's shoreline, of the long winding channels that spread out and fork and deposit their load of mud and silt within the crashing waves of the Atlantic, of the dense, tangled vegetation that reaches into the shimmering water with roots and suckers. He conveyed a sense of heat and a constant smell of rotting plants, and described how, at last, there’s a break in all this—a clearing surrounded by bone-white dead trees, a view of the deep blue ocean beyond the dazzling surf, and a wide stretch of dirty pebbles and mud, bleached and scarred... A little way off among the burned remains of weeds stands the abandoned station—abandoned because every man who stayed there for two months ultimately stayed to die, consumed mysteriously like a leper, with its dismantled sheds and its decaying pier of worm-eaten and uneven piles and planks, still precariously there.

And in the midst, two clumsy heaps shaped like the backs of hogs, one small, one great, sticking out under a rib of rock that cuts the space across,—quap!

And in the middle, two awkward piles shaped like the backs of pigs, one small, one large, jutting out from under a ledge of rock that spans the area—thud!

“There it is,” said Gordon-Nasmyth, “worth three pounds an ounce, if it’s worth a penny; two great heaps of it, rotten stuff and soft, ready to shovel and wheel, and you may get it by the ton!”

“There it is,” said Gordon-Nasmyth, “worth three pounds an ounce, if it’s worth a penny; two huge piles of it, decayed and soft, ready to shovel and wheel, and you can get it by the ton!”

“How did it get there?”

“Where did it come from?”

“God knows! ... There it is—for the taking! In a country where you mustn’t trade. In a country where the company waits for good kind men to find it riches and then take ’em away from ’em. There you have it—derelict.”

“God knows! ... There it is—for the taking! In a country where you can’t trade. In a country where the company relies on good-hearted people to find it wealth and then take it away from them. There you have it—abandoned.”

“Can’t you do any sort of deal?”

"Can't you work out any kind of deal?"

“They’re too damned stupid. You’ve got to go and take it. That’s all.”

“They're just too clueless. You have to go and grab it. That's it.”

“They might catch you.”

"They could catch you."

“They might, of course. But they’re not great at catching.”

“They might, sure. But they’re not very good at catching.”

We went into the particulars of that difficulty. “They wouldn’t catch me, because I’d sink first. Give me a yacht,” said Gordon-Nasmyth; “that’s all I need.”

We talked about the specifics of that issue. “They wouldn’t catch me because I’d sink first. Just give me a yacht,” said Gordon-Nasmyth; “that’s all I need.”

“But if you get caught,” said my uncle.

"But if you get caught," my uncle said.

I am inclined to think Gordon-Nasmyth imagined we would give him a cheque for six thousand pounds on the strength of his talk. It was very good talk, but we didn’t do that. I stipulated for samples of his stuff for analysis, and he consented—reluctantly.

I think Gordon-Nasmyth believed we would write him a check for six thousand pounds just based on his speech. It was a great speech, but we didn’t go that route. I insisted on getting samples of his material for analysis, and he agreed—though not happily.

I think, on the whole, he would rather I didn’t examine samples. He made a motion pocketwards, that gave us an invincible persuasion that he had a sample upon him, and that at the last instant he decided not to produce it prematurely.

I think, overall, he’d prefer it if I didn’t look at the samples. He gestured towards his pocket, which made us convinced that he had a sample on him, but at the last moment he chose not to reveal it too soon.

There was evidently a curious strain of secretiveness in him. He didn’t like to give us samples, and he wouldn’t indicate within three hundred miles the position of this Mordet Island of his. He had it clear in his mind that he had a secret of immense value, and he had no idea at all of just how far he ought to go with business people. And so presently, to gain time for these hesitations of his, he began to talk of other things. He talked very well. He talked of the Dutch East Indies and of the Congo, of Portuguese East Africa and Paraguay, of Malays and rich Chinese merchants, Dyaks and negroes and the spread of the Mahometan world in Africa to-day. And all this time he was trying to judge if we were good enough to trust with his adventure. Our cosy inner office became a little place, and all our business cold and lifeless exploits beside his glimpses of strange minglings of men, of slayings unavenged and curious customs, of trade where no writs run, and the dark treacheries of eastern ports and uncharted channels.

There was clearly a strange sense of secrecy about him. He didn't want to give us any hints, and he wouldn’t even point out where this Mordet Island of his was, even if we were three hundred miles away. He was convinced he had a secret of huge value, and he had no idea how much to share with business people. So eventually, to buy time while he figured things out, he started talking about other subjects. He was quite a speaker. He talked about the Dutch East Indies and the Congo, Portuguese East Africa and Paraguay, Malays and wealthy Chinese merchants, Dyaks and Black people, and how Islam is spreading in Africa today. All the while, he was trying to assess whether we were trustworthy enough to include in his adventure. Our comfy office felt small in comparison to his stories of unusual mixes of people, unpunished killings and strange traditions, trades where no laws apply, and the dark deceptions of eastern ports and uncharted waters.

We had neither of us gone abroad except for a few vulgar raids on Paris; our world was England, are the places of origin of half the raw material of the goods we sold had seemed to us as remote as fairyland or the forest of Arden. But Gordon-Nasmyth made it so real and intimate for us that afternoon—for me, at any rate—that it seemed like something seen and forgotten and now again remembered.

We had both never traveled abroad except for a few casual trips to Paris; our world was England, and the places that produced half the raw materials of the goods we sold felt as distant as a fairy tale or the forest of Arden. But Gordon-Nasmyth made it feel so real and personal for us that afternoon—for me, at least—that it seemed like something I had seen and forgotten and was now remembering again.

And in the end he produced his sample, a little lump of muddy clay speckled with brownish grains, in a glass bottle wrapped about with lead and flannel—red flannel it was, I remember—a hue which is, I know, popularly supposed to double all the mystical efficacies of flannel.

And in the end, he revealed his sample: a small chunk of muddy clay dotted with brownish grains, in a glass bottle wrapped in lead and flannel—red flannel, if I recall correctly—a color that, I know, is commonly believed to enhance all the mystical powers of flannel.

“Don’t carry it about on you,” said Gordon-Nasmyth. “It makes a sore.”

“Don’t keep it on you,” said Gordon-Nasmyth. “It creates a wound.”

I took the stuff to Thorold, and Thorold had the exquisite agony of discovering two new elements in what was then a confidential analysis. He has christened them and published since, but at the time Gordon-Nasmyth wouldn’t hear for a moment of our publication of any facts at all; indeed, he flew into a violent passion and abused me mercilessly even for showing the stuff to Thorold. “I thought you were going to analyse it yourself,” he said with the touching persuasion of the layman that a scientific man knows and practises at the sciences.

I brought the material to Thorold, and Thorold experienced the intense excitement of discovering two new elements in what was then a confidential analysis. He named them and published about them later, but at the time, Gordon-Nasmyth completely refused to allow us to publish any information at all; in fact, he became extremely angry and berated me harshly just for showing the material to Thorold. “I thought you were going to analyze it yourself,” he said, with the heartfelt belief of someone not in the field that a scientist knows and works within the sciences.

I made some commercial inquiries, and there seemed even then much truth in Gordon-Nasmyth’s estimate of the value of the stuff. It was before the days of Capern’s discovery of the value of canadium and his use of it in the Capern filament, but the cerium and thorium alone were worth the money he extracted for the gas-mantles then in vogue. There were, however, doubts. Indeed, there were numerous doubts. What were the limits of the gas-mantle trade? How much thorium, not to speak of cerium, could they take at a maximum. Suppose that quantity was high enough to justify our shipload, came doubts in another quarter. Were the heaps up to sample? Were they as big as he said? Was Gordon-Nasmyth—imaginative? And if these values held, could we after all get the stuff? It wasn’t ours. It was on forbidden ground. You see, there were doubts of every grade and class in the way of this adventure.

I made some business inquiries, and even then, there seemed to be a lot of truth in Gordon-Nasmyth’s assessment of the value of the material. This was before Capern discovered the value of canadium and started using it in the Capern filament, but the cerium and thorium alone were worth the money he was getting for the gas mantles that were popular at the time. However, there were doubts. In fact, there were many doubts. What were the limits of the gas mantle market? How much thorium, not to mention cerium, could they handle at most? Assuming that amount was high enough to justify our shipment, more doubts arose. Were the heaps up to standard? Were they as large as he claimed? Was Gordon-Nasmyth being imaginative? And if these values were accurate, could we actually obtain the material? It wasn’t ours. It was on restricted land. You see, there were all kinds of doubts standing in the way of this venture.

We went some way, nevertheless, in the discussion of his project, though I think we tried his patience. Then suddenly he vanished from London, and I saw no more of him for a year and a half.

We made some progress in discussing his project, but I think we tested his patience. Then, suddenly, he disappeared from London, and I didn’t see him again for a year and a half.

My uncle said that was what he had expected, and when at last Gordon-Nasmyth reappeared and mentioned in an incidental way that he had been to Paraguay on private (and we guessed passionate) affairs, the business of the “quap” expedition had to be begun again at the beginning. My uncle was disposed to be altogether sceptical, but I wasn’t so decided. I think I was drawn by its picturesque aspects. But we neither of us dreamt of touching it seriously until Capern’s discovery.

My uncle said that’s what he had expected, and when Gordon-Nasmyth finally came back and casually mentioned that he had been to Paraguay on private (and we assumed passionate) matters, we had to start the business of the “quap” expedition all over again. My uncle was totally skeptical, but I wasn’t so sure. I think I was attracted by its interesting aspects. But neither of us thought about taking it seriously until Capern’s discovery.

Nasmyth’s story had laid hold of my imagination like one small, intense picture of tropical sunshine hung on a wall of grey business affairs. I kept it going during Gordon-Nasmyth’s intermittent appearances in England. Every now and then he and I would meet and reinforce its effect. We would lunch in London, or he would cone to see my gliders at Crest Hill, and make new projects for getting at those heaps again now with me, now alone.

Nasmyth’s story captured my imagination like a vivid image of tropical sunshine against a backdrop of dull business matters. I held onto it during Gordon-Nasmyth’s sporadic visits to England. Occasionally, we would meet up and strengthen that feeling. We’d have lunch in London, or he’d come to check out my gliders at Crest Hill, brainstorming new ways to tackle those challenges again, whether together or on our own.

At times they became a sort of fairy-story with us, an imaginative exercise. And there came Capern’s discovery of what he called the ideal filament and with it an altogether less problematical quality about the business side of quap. For the ideal filament needed five per cent. of canadium, and canadium was known to the world only as a newly separated constituent of a variety of the rare mineral rutile. But to Thorold it was better known as an element in a mysterious sample brought to him by me, and to me it was known as one of the elements in quap. I told my uncle, and we jumped on to the process at once. We found that Gordon-Nasmyth, still unaware of the altered value of the stuff, and still thinking of the experimental prices of radium and the rarity value of cerium, had got hold of a cousin named Pollack, made some extraordinary transaction about his life insurance policy, and was buying a brig. We put in, put down three thousand pounds, and forthwith the life insurance transaction and the Pollack side of this finance vanished into thin air, leaving Pollack, I regret to say, in the brig and in the secret—except so far as canadium and the filament went—as residuum. We discussed earnestly whether we should charter a steamer or go on with the brig, but we decided on the brig as a less conspicuous instrument for an enterprise that was after all, to put it plainly, stealing.

At times, they felt like a sort of fairy tale for us, a creative exercise. Then Capern discovered what he called the ideal filament, which made the business side of quap a lot less complicated. The ideal filament required five percent canadium, and canadium was known to the world only as a recently isolated component of a rare mineral called rutile. But to Thorold, it was better known as an element from a mysterious sample I brought him, and to me, it was one of the elements in quap. I told my uncle, and we jumped right into the process. We found that Gordon-Nasmyth, still unaware of the changed value of the stuff and still focused on the experimental prices of radium and the rarity of cerium, had contacted a cousin named Pollack and made some bizarre transaction regarding his life insurance policy while buying a brig. We put down three thousand pounds, and almost immediately, the life insurance deal and the Pollack financial side vanished into thin air, leaving Pollack, unfortunately, in the brig and in the dark—except for what related to canadium and the filament—as a leftover. We seriously debated whether to charter a steamer or stick with the brig, but we opted for the brig since it was a less noticeable vehicle for an endeavor that was essentially, to put it bluntly, stealing.

But that was one of our last enterprises before our great crisis, and I will tell of it in its place.

But that was one of our last projects before our big crisis, and I will share the details later.

So it was quap came into our affairs, came in as a fairy-tale and became real. More and more real it grew until at last it was real, until at last I saw with my eyes the heaps my imagination had seen for so long, and felt between my fingers again that half-gritty, half soft texture of quap, like sanded moist-sugar mixed with clay in which there stirs something—

So it was quap entered our lives, starting as a fairy tale and turning into reality. It became more and more real until finally, it was real. Eventually, I saw with my own eyes the piles my imagination had envisioned for so long and felt between my fingers once again that half gritty, half soft texture of quap, like sanded moist sugar mixed with clay in which something stirs—

One must feel it to understand.

One has to experience it to understand.

V

All sorts of things came to the Hardingham and offered themselves to my uncle. Gordon-Nasmyth stands but only because he played a part at last in the crisis of our fortunes. So much came to us that it seemed to me at times as though the whole world of human affairs was ready to prostitute itself to our real and imaginary millions. As I look back, I am still dazzled and incredulous to think of the quality of our opportunities.

All kinds of things came to the Hardingham and presented themselves to my uncle. Gordon-Nasmyth is still around mainly because he finally played a role in our financial crisis. So much came our way that it often felt like the entire world of human affairs was eager to sell itself for our real and imagined wealth. Looking back, I’m still amazed and unable to believe the quality of the opportunities we had.

We did the most extraordinary things; things that it seems absurd to me to leave to any casual man of wealth and enterprise who cares to do them. I had some amazing perceptions of just how modern thought and the supply of fact to the general mind may be controlled by money. Among other things that my uncle offered for, he tried very hard to buy the British Medical Journal and the Lancet, and run them on what he called modern lines, and when they resisted him he talked very vigorously for a time of organising a rival enterprise. That was a very magnificent idea indeed in its way; it would have given a tremendous advantage in the handling of innumerable specialties and indeed I scarcely know how far it would not have put the medical profession in our grip. It still amazes me—I shall die amazed—that such a thing can be possible in the modern state. If my uncle failed to bring the thing off, some one else may succeed. But I doubt, even if he had got both these weeklies, whether his peculiar style would have suited them. The change of purpose would have shown. He would have found it difficult to keep up their dignity.

We did some incredible things; things that seem ridiculous to hand over to any random wealthy and ambitious person willing to take them on. I had some striking insights into how today’s thinking and the flow of information can be influenced by money. My uncle, among other ventures, really tried to buy the British Medical Journal and the Lancet, aiming to run them on what he called modern principles. When they pushed back, he talked passionately about starting a competing business. That was actually a pretty grand idea; it could have given us a huge advantage in managing countless specialties, and honestly, I can’t even imagine how much control it could have given us over the medical profession. It still surprises me—I’ll die surprised—that such a thing can happen in the modern world. If my uncle couldn’t pull it off, someone else might manage to do it. But even if he had acquired those two publications, I doubt his unique approach would have been a good fit for them. The shift in purpose would have been obvious. He would have struggled to maintain their dignity.

He certainly did not keep up the dignity of the Sacred Grove, an important critical organ which he acquired one day—by saying “snap”—for eight hundred pounds. He got it “lock, stock and barrel”—under one or other of which three aspects the editor was included. Even at that price it didn’t pay. If you are a literary person you will remember the bright new cover he gave that representative organ of British intellectual culture, and how his sound business instincts jarred with the exalted pretensions of a vanishing age. One old wrapper I discovered the other day runs:—

He definitely didn't uphold the dignity of the Sacred Grove, a key critical publication he picked up one day—just by saying “snap”—for eight hundred pounds. He got it “lock, stock and barrel”—which meant the editor was included too. Even at that price, it wasn't worth it. If you're into literature, you'll recall the bright new cover he gave to that symbol of British intellectual culture, and how his sharp business sense clashed with the lofty ambitions of a fading era. I found one old wrapper the other day that says:—

“THE SACRED GROVE.”

"The Sacred Grove."

A Weekly Magazine of Art, Philosophy, Science and Belles Lettres.

A Weekly Magazine about Art, Philosophy, Science, and Literature.


HAVE YOU A NASTY TASTE IN YOUR MOUTH?
IT IS LIVER.

HAVE YOU A NASTY TASTE IN YOUR MOUTH?
IT IS LIVER.

YOU NEED ONE TWENTY-THREE PILL.
(JUST ONE.)
NOT A DRUG BUT A LIVE AMERICAN REMEDY.

YOU NEED ONE TWENTY-THREE PILL.
(JUST ONE.)
NOT A DRUG BUT A LIVE AMERICAN REMEDY.


CONTENTS.

TABLE OF CONTENTS.

A Hitherto Unpublished Letter from Walter Pater.
Charlotte Brontë’s Maternal Great Aunt.
A New Catholic History of England.
The Genius of Shakespeare.
Correspondence:—The Mendelian Hypothesis; The Split Infinitive; “Commence,” or “Begin;” Claverhouse; Socialism and the Individual; The Dignity of Letters.
Folk-lore Gossip.
The Stage; the Paradox of Acting.
Travel Biography, Verse, Fiction, etc.

A Previously Unpublished Letter from Walter Pater.
Charlotte Brontë’s Maternal Great Aunt.
A New Catholic History of England.
The Genius of Shakespeare.
Correspondence:—The Mendelian Hypothesis; The Split Infinitive; “Commence” or “Begin;” Claverhouse; Socialism and the Individual; The Dignity of Letters.
Folk-lore Gossip.
The Stage; the Paradox of Acting.
Travel Biography, Verse, Fiction, etc.

THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER

THE BEST PILL IN THE WORLD FOR AN IRREGULAR LIVER

I suppose it is some lingering traces of the Bladesover tradition to me that makes this combination of letters and pills seem so incongruous, just as I suppose it is a lingering trace of Plutarch and my ineradicable boyish imagination that at bottom our State should be wise, sane and dignified, that makes me think a country which leaves its medical and literary criticism, or indeed any such vitally important criticism, entirely to private enterprise and open to the advances of any purchaser must be in a frankly hopeless condition. These are ideal conceptions of mine.

I guess it's some leftover influence from the Bladesover tradition that makes this mix of letters and pills feel so out of place. Just like it's probably a remnant of Plutarch and my stubbornly youthful imagination that makes me believe our State should be wise, sensible, and dignified. This belief leads me to think that a country which hands over its medical and literary criticism—or really any important criticism—entirely to private interests and is open to anyone with money must be in a pretty hopeless state. These are my idealistic views.

As a matter of fact, nothing would be more entirely natural and representative of the relations of learning, thought and the economic situation in the world at the present time than this cover of the Sacred Grove—the quiet conservatism of the one element embedded in the aggressive brilliance of the other; the contrasted notes of bold physiological experiment and extreme mental immobility.

As a matter of fact, nothing would be more completely natural and representative of the connections between learning, thought, and the economic situation in the world today than this cover of the Sacred Grove—the calm conservatism of one aspect set against the bold brilliance of the other; the contrasting elements of daring physiological experimentation and severe mental stagnation.

VI

There comes back, too, among these Hardingham memories, an impression of a drizzling November day, and how we looked out of the windows upon a procession of the London unemployed.

There also comes back, among these Hardingham memories, a memory of a drizzly November day, and how we looked out of the windows at a procession of the unemployed from London.

It was like looking down a well into some momentarily revealed nether world. Some thousands of needy ineffectual men had been raked together to trail their spiritless misery through the West Eire with an appeal that was also in its way a weak and insubstantial threat: “It is Work we need, not Charity.”

It was like peering down a well into a briefly exposed underworld. Thousands of desperate, ineffective men had been gathered together to drag their heavy misery through West Eire with a plea that was also, in its way, a feeble and inconsequential threat: “We need Work, not Charity.”

There they were, half-phantom through the fog, a silent, foot-dragging, interminable, grey procession. They carried wet, dirty banners, they rattled boxes for pence; these men who had not said “snap” in the right place, the men who had “snapped” too eagerly, the men who had never said “snap,” the men who had never had a chance of saying “snap.” A shambling, shameful stream they made, oozing along the street, the gutter waste of competitive civilisation. And we stood high out of it all, as high as if we looked godlike from another world, standing in a room beautifully lit and furnished, skillfully warmed, filled with costly things.

There they were, half-ghostly in the fog, a silent, shuffling, endless gray parade. They carried wet, dirty banners and rattled boxes for coins; these men who hadn’t said “snap” at the right time, the men who had “snapped” too eagerly, the men who had never said “snap,” the men who never had the chance to say “snap.” They formed a shameful, staggering line, creeping along the street, the gutter refuse of competitive society. And we stood far above it all, as if we looked godlike from another world, standing in a beautifully lit and furnished room, skillfully heated, filled with expensive things.

“There,” thought I, “but for the grace of God, go George and Edward Ponderevo.”

“There,” I thought, “if it weren't for the grace of God, that could be George and Edward Ponderevo.”

But my uncle’s thoughts ran in a different channel, and he made that vision the test of a spirited but inconclusive harangue upon Tariff Reform.

But my uncle's thoughts went in a different direction, and he used that vision as the basis for an energetic but inconclusive rant about Tariff Reform.

CHAPTER THE SECOND
OUR PROGRESS FROM CAMDEN TOWN TO CREST HILL

I

So far my history of my aunt and uncle has dealt chiefly with his industrial and financial exploits. But side by side with that history of inflation from the infinitesimal to the immense is another development, the change year by year from the shabby impecuniosity of the Camden Town lodging to the lavish munificence of the Crest Hill marble staircase and my aunt’s golden bed, the bed that was facsimiled from Fontainebleau. And the odd thing is that as I come to this nearer part of my story I find it much more difficult to tell than the clear little perspective memories of the earlier days. Impressions crowd upon one another and overlap one another; I was presently to fall in love again, to be seized by a passion to which I still faintly respond, a passion that still clouds my mind. I came and went between Ealing and my aunt and uncle, and presently between Effie and clubland, and then between business and a life of research that became far more continuous, infinitely more consecutive and memorable than any of these other sets of experiences. I didn’t witness a regular social progress therefore; my aunt and uncle went up in the world, so far as I was concerned, as if they were displayed by an early cinematograph, with little jumps and flickers.

So far, my story about my aunt and uncle has mainly focused on his business and financial ventures. But alongside that story of growth from the tiny to the massive is another story, the year-by-year transition from the shabby poverty of the Camden Town flat to the extravagant opulence of the Crest Hill marble staircase and my aunt’s golden bed, which was a replica of one from Fontainebleau. The strange thing is that as I approach this part of my story, I find it much harder to describe than the clear little memories of earlier days. Impressions blend and overlap; I was about to fall in love again, caught by a passion that still lingers in my mind, a passion that continues to fog my thoughts. I moved back and forth between Ealing and my aunt and uncle’s place, then between Effie and clubland, and later between work and a research-focused life that became far more consistent, infinitely more cohesive, and memorable than any of these other experiences. So, I didn’t witness a straightforward social progression; my aunt and uncle seemed to rise in the world, as far as I was concerned, like an old film with little jumps and flickers.

As I recall this side of our life, the figure of my round-eyes, button-nosed, pink-and-white Aunt Susan tends always to the central position. We drove the car and sustained the car, she sat in it with a magnificent variety of headgear poised upon her delicate neck, and always with that faint ghost of a lisp no misspelling can render—commented on and illuminated the new aspects.

As I think back on this part of our life, my round-eyed, button-nosed, pink-and-white Aunt Susan always stands out. While we drove and maintained the car, she sat in it wearing a stunning array of hats balanced delicately on her neck, always speaking with that subtle hint of a lisp that no misspelling can capture—pointing out and highlighting the new details.

I’ve already sketched the little home behind the Wimblehurst chemist’s shop, the lodging near the Cobden statue, and the apartments in Gower Street. Thence my aunt and uncle went into a flat in Redgauntlet Mansions. There they lived when I married. It was a compact flat, with very little for a woman to do in it In those days my aunt, I think, used to find the time heavy upon her hands, and so she took to books and reading, and after a time even to going to lectures in the afternoon. I began to find unexpected books upon her table: sociological books, travels, Shaw’s plays. “Hullo!” I said, at the sight of some volume of the latter.

I’ve already drawn a sketch of the little house behind the Wimblehurst chemist’s shop, the place near the Cobden statue, and the apartments on Gower Street. After that, my aunt and uncle moved into a flat in Redgauntlet Mansions. That’s where they lived when I got married. It was a cozy flat, with hardly anything for a woman to do in it. Back then, I think my aunt found her time dragging on, so she started getting into books and reading, and eventually even going to lectures in the afternoon. I began to notice unexpected books on her table: sociological texts, travel books, Shaw’s plays. “Huh!” I said, spotting one of the latter volumes.

“I’m keeping a mind, George,” she explained.

“I’m staying aware, George,” she explained.

“Eh?”

"Huh?"

“Keeping a mind. Dogs I never cared for. It’s been a toss-up between setting up a mind and setting up a soul. It’s jolly lucky for Him and you it’s a mind. I’ve joined the London Library, and I’m going in for the Royal Institution and every blessed lecture that comes along next winter. You’d better look out.”...

“Keeping a mind. I've never been fond of dogs. It's been a dilemma between developing a mind and nurturing a soul. It’s pretty fortunate for Him and you that it’s a mind. I’ve signed up for the London Library, and I'm planning to attend the Royal Institution and every single lecture that comes up next winter. You’d better watch out.”

And I remember her coming in late one evening with a note-book in her hand.

And I remember her coming in late one evening with a notebook in her hand.

“Where ya been, Susan?” said my uncle.

“Where have you been, Susan?” my uncle said.

“Birkbeck—Physiology. I’m getting on.” She sat down and took off her gloves. “You’re just glass to me,” she sighed, and then in a note of grave reproach: “You old Package! I had no idea! The Things you’ve kept from me!”

“Birkbeck—Physiology. I’m getting older.” She sat down and took off her gloves. “You’re just a mystery to me,” she sighed, and then with a serious accusation: “You old Package! I had no clue! The things you’ve hidden from me!”

Presently they were setting; up the house at Beckengham, and my aunt intermitted her intellectual activities. The house at Beckengham was something of an enterprise for them at that time, a reasonably large place by the standards of the early years of Tono-Bungay. It was a big, rather gaunt villa, with a conservatory and a shrubbery, a tennis-lawn, a quite considerable vegetable garden, and a small disused coach-house. I had some glimpses of the excitements of its inauguration, but not many because of the estrangement between my aunt and Marion.

They were currently setting up the house in Beckenham, and my aunt paused her intellectual pursuits. The Beckenham house was quite a project for them at that time, a reasonably large place by the standards of the early years of Tono-Bungay. It was a big, somewhat bare villa, featuring a conservatory and a garden, a tennis lawn, a fairly large vegetable garden, and a small, unused coach house. I caught a few glimpses of the excitement surrounding its opening, but not many due to the distance between my aunt and Marion.

My aunt went into that house with considerable zest, and my uncle distinguished himself by the thoroughness with which he did the repainting and replumbing. He had all the drains up and most of the garden with them, and stood administrative on heaps—administrating whisky to the workmen. I found him there one day, most Napoleonic, on a little Elba of dirt, in an atmosphere that defies print. He also, I remember, chose what he considered cheerful contrasts of colours for the painting of the woodwork. This exasperated my aunt extremely—she called him a “Pestilential old Splosher” with an unusual note of earnestness—and he also enraged her into novelties of abuse by giving each bedroom the name of some favourite hero—Cliff, Napoleon, Cæsar, and so forth—and having it painted on the door in gilt letters on a black label. “Martin Luther” was kept for me. Only her respect for domestic discipline, she said, prevented her retaliating with “Old Pondo” on the housemaid’s cupboard.

My aunt entered that house with a lot of enthusiasm, while my uncle stood out for the thorough job he did repainting and fixing the plumbing. He dug up all the drains and most of the garden along with them, and he managed the project while handing out whiskey to the workers. One day, I found him there, looking quite commanding on a small mound of dirt, in an atmosphere that’s hard to describe. I also remember that he picked what he thought were cheerful color combinations for the woodwork. This really annoyed my aunt—she called him a "Pestilential old Splosher" with surprising seriousness—and he further angered her by naming each bedroom after some favorite hero—Cliff, Napoleon, Caesar, and so on—and having it painted on the door in gold letters on a black background. “Martin Luther” was reserved for me. Only her respect for household order, she said, stopped her from getting back at him by naming the housemaid’s cupboard “Old Pondo.”

Also he went and ordered one of the completest sets of garden requisites I have ever seen—and had them all painted a hard clear blue. My aunt got herself large tins of a kindlier hued enamel and had everything secretly recoated, and this done, she found great joy in the garden and became an ardent rose grower and herbaceous borderer, leaving her Mind, indeed, to damp evenings and the winter months. When I think of her at Beckenham, I always think first of her as dressed in that blue cotton stuff she affected, with her arms in huge gauntleted gardening gloves, a trowel in one hand and a small but no doubt hardy and promising annual, limp and very young-looking and sheepish, in the other.

He also went and ordered one of the most complete sets of garden supplies I’ve ever seen—and had them all painted a bright, clear blue. My aunt bought large cans of a warmer-toned enamel and had everything secretly repainted, and after that, she found great joy in the garden and became a passionate rose gardener and flower bed enthusiast, leaving her thoughts for the gloomy evenings and winter months. When I think of her at Beckenham, I always picture her dressed in that blue cotton outfit she liked, with her arms in huge gardening gloves, a trowel in one hand and a small but probably tough and promising young plant, limp and looking a bit shy, in the other.

Beckenham, in the persons of a vicar, a doctor’s wife, and a large proud lady called Hogberry, “called” on my uncle and aunt almost at once, so soon in fact as the lawn was down again, and afterwards my aunt made friends with a quiet gentlewoman next door, a propos of an overhanging cherry tree and the need of repairing the party fence. So she resumed her place in society from which she had fallen with the disaster of Wimblehurst. She made a partially facetious study of the etiquette of her position, had cards engraved and retaliated calls. And then she received a card for one of Mrs. Hogberry’s At Homes, gave an old garden party herself, participated in a bazaar and sale of work, and was really becoming quite cheerfully entangled in Beckenham society when she was suddenly taken up by the roots again by my uncle and transplanted to Chiselhurst.

Beckenham, represented by a vicar, a doctor's wife, and a large, proud woman named Hogberry, “dropped by” to see my uncle and aunt almost immediately, right after the lawn was restored. Then my aunt became friends with a quiet, gentle woman next door, sparked by a conversation about an overhanging cherry tree and the need to fix the shared fence. This helped her re-establish her social standing, which had been lost after the disaster at Wimblehurst. She playfully studied the etiquette of her new position, had cards printed, and returned visits. Soon after, she got an invitation to one of Mrs. Hogberry’s At Homes, hosted an old-fashioned garden party herself, took part in a bazaar and a sale of work, and was really starting to fit into Beckenham society when my uncle suddenly uprooted her again and took her to Chiselhurst.

“Old Trek, George,” she said compactly, “Onward and Up,” when I found her superintending the loading of two big furniture vans. “Go up and say good-bye to ‘Martin Luther,’ and then I’ll see what you can do to help me.”

“Old Trek, George,” she said briefly, “Onward and Up,” when I found her overseeing the loading of two big furniture trucks. “Go up and say goodbye to ‘Martin Luther,’ and then I’ll see how you can help me.”

II

I look into the jumbled stores of the middle distance of memory, and Beckenham seems to me a quite transitory phase. But really they were there several years; through nearly all my married life, in fact, and far longer than the year and odd months we lived together at Wimblehurst. But the Wimblehurst time with them is fuller in my memory by far then the Beckenham period. There comes back to me with a quite considerable amount of detail the effect of that garden party of my aunt’s and of a little social misbehaviour of which I was guilty on that occasion. It’s like a scrap from another life. It’s all set in what is for me a kind of cutaneous feeling, the feeling of rather ill-cut city clothes, frock coat and grey trousers, and of a high collar and tie worn in sunshine among flowers. I have still a quite vivid memory of the little trapezoidal lawn, of the gathering, and particularly of the hats and feathers of the gathering, of the parlour-maid and the blue tea-cups, and of the magnificent presence of Mrs. Hogberry and of her clear, resonant voice. It was a voice that would have gone with a garden party on a larger scale; it went into adjacent premises; it included the gardener who was far up the vegetable patch and technically out of play. The only other men were my aunt’s doctor, two of the clergy, amiable contrasted men, and Mrs. Hogberry’s imperfectly grown-up son, a youth just bursting into collar. The rest were women, except for a young girl or so in a state of speechless good behaviour. Marion also was there.

I look into the messy stores of my memories, and Beckenham feels like a momentary phase. But they were actually there for several years; almost all of my married life, in fact, and much longer than the year and a few months we spent together at Wimblehurst. However, the time at Wimblehurst stands out much more vividly in my mind than the Beckenham period. I can clearly recall, with a good amount of detail, the impact of that garden party my aunt hosted, along with the small social faux pas I committed that day. It feels like a fragment from another life. It’s all tied to a sensory memory—the discomfort of poorly fitting city clothes, including a frock coat and grey trousers, and a high collar and tie worn under the sun among flowers. I still vividly remember the little trapezoidal lawn, the gathering itself, especially the hats and feathers worn by the guests, the parlour-maid, the blue teacups, and the impressive presence of Mrs. Hogberry with her clear, resonant voice. Her voice would have suited a larger garden party; it carried to the nearby properties and even reached the gardener who was far up the vegetable patch and technically out of earshot. The only other men there were my aunt’s doctor, two contrasting clergymen, and Mrs. Hogberry’s somewhat immature son, a young man just starting to wear a collar. The rest were women, apart from a young girl or two who were quietly well-behaved. Marion was also there.

Marion and I had arrived a little estranged, and I remember her as a silent presence, a shadow across all that sunlit emptiness of intercourse. We had embittered each other with one of those miserable little disputes that seemed so unavoidable between us. She had, with the help of Smithie, dressed rather elaborately for the occasion, and when she saw me prepared to accompany her in, I think it was a grey suit, she protested that silk hat and frock coat were imperative. I was recalcitrant, she quoted an illustrated paper showing a garden party with the King present, and finally I capitulated—but after my evil habit, resentfully.... Eh, dear! those old quarrels, how pitiful they were, how trivial! And how sorrowful they are to recall! I think they grow more sorrowful as I grow older, and all the small passionate reasons for our mutual anger fade and fade out of memory.

Marion and I had arrived a bit distant, and I remember her as a quiet presence, a shadow over all that sunlit emptiness of interaction. We had soured each other with one of those petty arguments that felt so inevitable between us. She had, with Smithie's help, dressed quite elaborately for the occasion, and when she saw me ready to join her in what I think was a grey suit, she insisted that a silk hat and frock coat were essential. I was stubborn, she pointed out an illustrated magazine showing a garden party with the King present, and finally I gave in—but, true to my bad habit, it was with resentment. Oh, those old arguments, how pitiful they were, how trivial! And how sad they are to remember! I think they become more sorrowful as I get older, and all the little passionate reasons for our mutual anger fade and fade from memory.

The impression that Beckenham company has left on my mind is one of a modest unreality; they were all maintaining a front of unspecified social pretension, and evading the display of the economic facts of the case. Most of the husbands were “in business” off stage, it would have been outrageous to ask what the business was—and the wives were giving their energies to produce, with the assistance of novels and the illustrated magazines, a moralised version of the afternoon life of the aristocratic class. They hadn’t the intellectual or moral enterprise of the upper-class woman, they had no political interests, they had no views about anything, and consequently they were, I remember, extremely difficult to talk to. They all sat about in the summer-house and in garden-chairs, and were very hatty and ruffley and sunshady. Three ladies and the curate played croquet with a general immense gravity, broken by occasional loud cries of feigned distress from the curate. “Oh! Whacking me about again! Augh!”

The impression that the Beckenham company left on me felt like a strange kind of modesty; they were all putting on a front of vague social superiority while avoiding any mention of their financial situations. Most of the husbands were “in business” offstage, and it would have been considered outrageous to ask what that business was—and the wives were focused on creating, with help from novels and magazines, a polished version of the afternoon life of the upper class. They didn’t have the intellectual or moral drive of upper-class women, they had no political interests, they had no opinions about anything, and because of this, I remember, they were really hard to talk to. They all lounged around in the summer house and in garden chairs, looking very fancy with their hats and frills in the sun. Three ladies and the curate played croquet with an air of serious importance, occasionally interrupted by exaggerated cries of distress from the curate. “Oh! Whacking me about again! Augh!”

The dominant social fact that afternoon was Mrs. Hogberry; she took up a certain position commanding the croquet and went on, as my aunt said to me in an incidental aside, “like an old Roundabout.” She talked of the way in which Beckenham society was getting mixed, and turned on to a touching letter she had recently received from her former nurse at Little Gossdean. Followed a loud account of Little Gossdean and how much she and her eight sisters had been looked up to there. “My poor mother was quite a little Queen there,” she said. “And such nice Common people! People say the country labourers are getting disrespectful nowadays. It isn’t so—not if they’re properly treated. Here of course in Beckenham it’s different. I won’t call the people we get here a Poor—they’re certainly not a proper Poor. They’re Masses. I always tell Mr. Bugshoot they’re Masses, and ought to be treated as such.”...

The main focus that afternoon was Mrs. Hogberry; she took a certain spot to oversee the croquet and, as my aunt casually mentioned to me, “she was like an old merry-go-round.” She talked about how Beckenham society was becoming mixed up and shared a heartfelt letter she had recently received from her former nurse at Little Gossdean. Then she launched into a loud story about Little Gossdean and how admired she and her eight sisters were there. “My poor mother was like a little queen there,” she said. “And such nice common folks! People say that country laborers are becoming disrespectful these days. That’s not true—not if they’re treated well. Here, of course, in Beckenham it’s different. I wouldn’t call the people we have here poor—they’re definitely not proper poor. They’re masses. I always tell Mr. Bugshoot they’re masses and should be treated as such.”

Dim memories of Mrs. Mackridge floated through my mind as I listened to her....

Dim memories of Mrs. Mackridge drifted through my mind as I listened to her....

I was whirled on this roundabout for a bit, and then had the fortune to fall off into a tête-à-tête with a lady whom my aunt introduced as Mrs. Mumble—but then she introduced everybody to me as Mumble that afternoon, either by way of humour or necessity.

I was spun around on this roundabout for a while, and then I was lucky enough to tumble into a tête-à-tête with a woman my aunt introduced as Mrs. Mumble—but then she introduced everyone to me as Mumble that afternoon, either for fun or out of necessity.

That must have been one of my earliest essays in the art of polite conversation, and I remember that I began by criticising the local railway service, and that at the third sentence or thereabouts Mrs. Mumble said in a distinctly bright and encouraging way that she feared I was a very “frivolous” person.

That must have been one of my earliest attempts at polite conversation, and I remember starting off by criticizing the local train service. By the third sentence or so, Mrs. Mumble brightly and encouragingly mentioned that she feared I was a very “frivolous” person.

I wonder now what it was I said that was “frivolous.”

I’m curious now about what I said that was “frivolous.”

I don’t know what happened to end that conversation, or if it had an end. I remember talking to one of the clergy for a time rather awkwardly, and being given a sort of topographical history of Beckenham, which he assured me time after time was “Quite an old place. Quite an old place.” As though I had treated it as new and he meant to be very patient but very convincing. Then we hung up in a distinct pause, and my aunt rescued me. “George,” she said in a confidential undertone, “keep the pot a-boiling.” And then audibly, “I say, will you both old trot about with tea a bit?”

I’m not sure how that conversation ended, or if it even had a proper end. I remember having a somewhat awkward chat with one of the clergy, who gave me a kind of detailed history of Beckenham, insisting repeatedly that it was “Quite an old place. Quite an old place.” It was as if he thought I viewed it as new, and he was trying to be very patient but also very convincing. Then there was a noticeable pause before we hung up, and my aunt came to my rescue. “George,” she said in a confidential tone, “keep the pot a-boiling.” Then, a little louder, she asked, “I say, will you both old trot about with tea a bit?”

“Only too delighted to trot for you, Mrs. Ponderevo,” said the clergyman, becoming fearfully expert and in his elements; “only too delighted.”

“Absolutely thrilled to trot for you, Mrs. Ponderevo,” said the clergyman, getting very skilled and in his element; “absolutely thrilled.”

I found we were near a rustic table, and that the housemaid was behind us in a suitable position to catch us on the rebound with the tea things.

I noticed we were near a wooden table, and that the maid was behind us in a good spot to catch us with the tea things.

“Trot!” repeated the clergyman to me, much amused; “excellent expression!” And I just saved him from the tray as he turned about.

“Trot!” the clergyman said to me, clearly amused; “great expression!” And I just caught the tray before he turned around.

We handed tea for a while....

We served tea for a while....

“Give ’em cakes,” said my aunt, flushed, but well in hand. “Helps ’em to talk, George. Always talk best after a little nourishment. Like throwing a bit of turf down an old geyser.”

“Give them some cakes,” my aunt said, a bit flustered but still composed. “It gets them talking, George. People always talk best after a little food. It's like throwing a bit of turf into an old geyser.”

She surveyed the gathering with a predominant blue eye and helped herself to tea.

She looked over the gathering with her striking blue eye and poured herself some tea.

“They keep on going stiff,” she said in an undertone.... “I’ve done my best.”

“They just keep getting stiff,” she said softly.... “I’ve done my best.”

“It’s been a huge success,” I said encouragingly.

“It’s been a huge success,” I said supportively.

“That boy has had his legs crossed in that position and hasn’t spoken for ten minutes. Stiffer and stiffer. Brittle. He’s beginning a dry cough—always a bad sign, George.... Walk ’em about, shall I?—rub their noses with snow?”

“That boy has had his legs crossed like that and hasn’t spoken for ten minutes. Stiffer and stiffer. Fragile. He’s starting a dry cough—always a bad sign, George.... Should I take them for a walk?—rub their noses with snow?”

Happily she didn’t. I got myself involved with the gentlewoman from next door, a pensive, languid-looking little woman with a low voice, and fell talking; our topic, Cats and Dogs, and which it was we liked best.

Happily she didn’t. I got involved with the lady from next door, a thoughtful, sleepy-looking woman with a soft voice, and we started chatting about our favorite topic, Cats and Dogs, and which one we liked more.

“I always feel,” said the pensive little woman, “that there’s something about a dog—A cat hasn’t got it.”

“I always feel,” said the thoughtful little woman, “that there’s something special about a dog—A cat just doesn’t have it.”

“Yes,” I found myself admitting with great enthusiasm, “there is something. And yet again—”

“Yes,” I found myself saying with great enthusiasm, “there is something. And yet again—”

“Oh! I know there’s something about a cat, too. But it isn’t the same.”

“Oh! I know there’s something about a cat, too. But it’s not the same.”

“Not quite the same,” I admitted; “but still it’s something.”

“Not exactly the same,” I admitted; “but it’s still something.”

“Ah! But such a different something!”

“Ah! But such a different thing!”

“More sinuous.”

“More curvy.”

“Much more.”

“Way more.”

“Ever so much more.”

“Much more.”

“It makes all the difference, don’t you think?”

“It makes all the difference, right?”

“Yes,” I said, “all.”

“Yes,” I said, “everything.”

She glanced at me gravely and sighed a long, deeply felt “Yes.”

She looked at me seriously and let out a long, heartfelt “Yes.”

A long pause.

A lengthy pause.

The thing seemed to me to amount to a stale-mate. Fear came into my heart and much perplexity.

The situation felt like a deadlock to me. Fear filled my heart and I was really confused.

“The—er—Roses,” I said. I felt like a drowning man. “Those roses—don’t you think they are—very beautiful flowers?”

“The—um—roses,” I said. I felt like I was drowning. “Aren’t those roses—don’t you think they’re—really beautiful flowers?”

“Aren’t they!” she agreed gently. “There seems to be something in roses—something—I don’t know how to express it.”

“Aren’t they!” she agreed softly. “There’s something about roses—something—I can’t quite put into words.”

“Something,” I said helpfully.

"Something," I said supportively.

“Yes,” she said, “something. Isn’t there?”

“Yes,” she said, “there’s definitely something. Isn’t there?”

“So few people see it,” I said; “more’s the pity!”

“So few people notice it,” I said; “what a shame!”

She sighed and said again very softly, “Yes.”...

She sighed and said again very softly, “Yes.”...

There was another long pause. I looked at her and she was thinking dreamily. The drowning sensation returned, the fear and enfeeblement. I perceived by a sort of inspiration that her tea-cup was empty.

There was another long pause. I looked at her and she seemed lost in thought. The feeling of drowning came back, along with the fear and weakness. I somehow realized that her tea cup was empty.

“Let me take your cup,” I said abruptly, and, that secured, made for the table by the summer-house. I had no intention then of deserting my aunt. But close at hand the big French window of the drawing-room yawned inviting and suggestive. I can feel all that temptation now, and particularly the provocation of my collar. In an instant I was lost. I would—Just for a moment!

“Let me take your cup,” I said suddenly, and once I had it, I headed for the table by the summer-house. I didn’t plan to leave my aunt alone. But just nearby, the large French window of the drawing-room looked inviting and tempting. I can still feel that urge now, especially the pull of my collar. In an instant, I was all in. I would—just for a moment!

I dashed in, put down the cup on the keys of the grand piano and fled upstairs, softly, swiftly, three steps at a time, to the sanctuary of my uncle’s study, his snuggery. I arrived there breathless, convinced there was no return for me. I was very glad and ashamed of myself, and desperate. By means of a penknife I contrived to break open his cabinet of cigars, drew a chair to the window, took off my coat, collar and tie, and remained smoking guiltily and rebelliously, and peeping through the blind at the assembly on the lawn until it was altogether gone....

I rushed in, set the cup down on the keys of the grand piano, and hurried upstairs, quietly and quickly, taking three steps at a time, to the safe haven of my uncle’s study, his cozy spot. I reached there out of breath, convinced there was no going back for me. I felt both relieved and ashamed of myself, and desperate. With a penknife, I managed to break open his cigar cabinet, pulled a chair to the window, took off my coat, collar, and tie, and sat there smoking nervously and defiantly, peeking through the blinds at the gathering on the lawn until everything had cleared out....

The clergymen, I thought, were wonderful.

The ministers, I thought, were amazing.

III

A few such pictures of those early days at Beckenham stand out, and then I find myself among the Chiselhurst memories. The Chiselhurst mansion had “grounds” rather than a mere garden, and there was a gardener’s cottage and a little lodge at the gate. The ascendant movement was always far more in evidence there than at Beckenham. The velocity was increasing.

A few pictures from those early days at Beckenham really stick out, and then I find myself recalling memories of Chiselhurst. The Chiselhurst mansion had "grounds" instead of just a garden, and there was a gardener’s cottage and a small lodge at the gate. The lively atmosphere there was always much more noticeable than at Beckenham. Things were moving faster.

One night picks itself out as typical, as, in its way, marking an epoch. I was there, I think, about some advertisement stuff, on some sort of business anyhow, and my uncle and aunt had come back in a fly from a dinner at the Runcorns. (Even there he was nibbling at Runcorn with the idea of our great Amalgamation budding in his mind.) I got down there, I suppose, about eleven. I found the two of them sitting in the study, my aunt on a chair-arm with a whimsical pensiveness on her face, regarding my uncle, and he, much extended and very rotund, in the low arm-chair drawn up to the fender.

One night stands out as typical, marking a significant moment. I was there, I think, for some advertising work or some business anyway, and my uncle and aunt had returned in a cab from dinner at the Runcorns. (Even there, he was toying with the idea of our big merger, which was forming in his mind.) I arrived around eleven. I found them both sitting in the study, my aunt perched on the arm of a chair with a quirky look of contemplation on her face, watching my uncle, who was much larger and quite round, in the low armchair pulled up to the fireplace.

“Look here, George,” said my uncle, after my first greetings. “I just been saying: We aren’t Oh Fay!”

“Listen up, George,” my uncle said after I greeted him. “I just said: We are definitely not Oh Fay!”

“Eh?”

"Wait, what?"

“Not Oh Fay! Socially!”

“Not Oh Fay! Socially!”

“Old Fly, he means, George—French!”

"Old Fly, he means George—French!"

“Oh! Didn’t think of French. One never knows where to have him. What’s gone wrong to-night?”

“Oh! I didn’t think about French. You never know where to place him. What went wrong tonight?”

“I been thinking. It isn’t any particular thing. I ate too much of that fishy stuff at first, like salt frog spawn, and was a bit confused by olives; and—well, I didn’t know which wine was which. Had to say that each time. It puts your talk all wrong. And she wasn’t in evening dress, not like the others. We can’t go on in that style, George—not a proper ad.”

“I’ve been thinking. It’s not about anything specific. I overindulged in that fishy stuff at first, like salty frog spawn, and I was a bit thrown off by the olives; and—well, I had no idea which wine was which. I had to mention that every time. It messes up your conversation. Plus, she wasn’t in evening dress, unlike the others. We can’t keep going on like this, George—not a proper ad.”

“I’m not sure you were right,” I said, “in having a fly.”

“I’m not sure you were right,” I said, “to have a fly.”

“We got to do it all better,” said my uncle, “we got to do it in Style. Smart business, smart men. She tries to pass it off as humorous”—my aunt pulled a grimace—“it isn’t humorous! See! We’re on the up-grade now, fair and square. We’re going to be big. We aren’t going to be laughed at as Poovenoos, see!”

“We have to do everything better,” my uncle said, “we have to do it in style. Smart business, smart people. She tries to play it off as a joke”—my aunt made a grimace—“but it’s not funny! Look! We’re on the rise now, no doubt about it. We’re going to be successful. We’re not going to be mocked as losers, you see!”

“Nobody laughed at you,” said my aunt. “Old Bladder!”

“Nobody laughed at you,” my aunt said. “Old Bladder!”

“Nobody isn’t going to laugh at me,” said my uncle, glancing at his contours and suddenly sitting up.

“Nobody's not going to laugh at me,” said my uncle, looking at his shape and suddenly sitting up.

My aunt raised her eyebrows slightly, swung her foot, and said nothing.

My aunt raised her eyebrows a bit, swung her foot, and said nothing.

“We aren’t keeping pace with our own progress, George. We got to. We’re bumping against new people, and they set up to be gentlefolks—etiquette dinners and all the rest of it. They give themselves airs and expect us to be fish-out-of-water. We aren’t going to be. They think we’ve no Style. Well, we give them Style for our advertisements, and we’re going to give ’em Style all through.... You needn’t be born to it to dance well on the wires of the Bond Street tradesmen. See?”

“We're not keeping up with our own progress, George. We have to. We're running into new people, and they present themselves as gentlemen—etiquette dinners and all that. They act superior and expect us to feel out of place. We’re not going to. They think we have no style. Well, we provide them with style for our ads, and we’re going to show them style all the way through... You don’t have to be born into it to navigate the Bond Street tradesmen successfully. Got it?”

I handed him the cigar-box.

I gave him the cigar box.

“Runcorn hadn’t cigars like these,” he said, truncating one lovingly. “We beat him at cigars. We’ll beat him all round.”

“Runcorn didn’t have cigars like these,” he said, cutting one down carefully. “We outdid him with cigars. We’ll outshine him everywhere.”

My aunt and I regarded him, full of apprehensions.

My aunt and I looked at him, filled with worries.

“I got idees,” he said darkly to the cigar, deepening our dread.

“I have ideas,” he said ominously to the cigar, deepening our sense of dread.

He pocketed his cigar-cutter and spoke again.

He put his cigar cutter in his pocket and spoke again.

“We got to learn all the rotten little game first. See, F’rinstance, we got to get samples of all the blessed wines there are—and learn ’em up. Stern, Smoor, Burgundy, all of ’em! She took Stern to-night—and when she tasted it first—you pulled a face, Susan, you did. I saw you. It surprised you. You bunched your nose. We got to get used to wine and not do that. We got to get used to wearing evening dress—you, Susan, too.”

“We need to learn all the tricky little details first. For example, we have to get samples of all the different wines out there—and learn about them. Stern, Smoor, Burgundy, all of them! She tried Stern tonight—and when she tasted it for the first time—you made a face, Susan, you really did. I noticed. It caught you off guard. You scrunched up your nose. We need to get used to wine and not react like that. We also have to get used to wearing evening clothes—you, Susan, too.”

“Always have had a tendency to stick out of my clothes,” said my aunt. “However—Who cares?” She shrugged her shoulders.

“Always had a tendency to stick out of my clothes,” my aunt said. “But—Who cares?” She shrugged her shoulders.

I had never seen my uncle so immensely serious.

I had never seen my uncle take things so seriously.

“Got to get the hang of etiquette,” he went on to the fire. “Horses even. Practise everything. Dine every night in evening dress.... Get a brougham or something. Learn up golf and tennis and things. Country gentleman. Oh Fay. It isn’t only freedom from Goochery.”

“Got to get the hang of etiquette,” he said to the fire. “Horses too. Practice everything. Dine every night in formal wear... Get a carriage or something. Learn golf and tennis and stuff. Country gentleman. Oh Fay. It’s not just about being free from Goochery.”

“Eh?” I said.

"Wait, what?" I said.

“Oh!—Gawshery, if you like!”

“Oh!—Gosh, if you want!”

“French, George,” said my aunt. “But I’m not ol’ Gooch. I made that face for fun.”

“French, George,” said my aunt. “But I’m not old Gooch. I made that face just for laughs.”

“It isn’t only freedom from Gawshery. We got to have Style. See! Style! Just all right and one better. That’s what I call Style. We can do it, and we will.”

“It’s not just about being free from Gawshery. We need to have Style. Get it? Style! Just right and then some. That’s what I mean by Style. We can pull it off, and we will.”

He mumbled his cigar and smoked for a space, leaning forward and looking into the fire.

He took a puff of his cigar and smoked for a while, leaning forward and gazing into the fire.

“What is it,” he asked, “after all? What is it? Tips about eating; tips about drinking. Clothes. How to hold yourself, and not say jes’ the few little things they know for certain are wrong—jes’ the shibboleth things.”

“What is it,” he asked, “after all? What is it? Advice about eating; advice about drinking. Fashion. How to carry yourself, and not just mention the few little things they know for sure are wrong—just the obvious stuff.”

He was silent again, and the cigar crept up from the horizontal towards the zenith as the confidence of his mouth increased.

He fell silent once more, and the cigar rose from being horizontal to point towards the sky as his confidence grew.

“Learn the whole bag of tricks in six months.” he said, becoming more cheerful. “Ah, Susan? Beat it out! George, you in particular ought to get hold of it. Ought to get into a good club, and all that.”

“Learn all the tricks in six months,” he said, getting more cheerful. “Hey, Susan? Make it happen! George, you especially should get a handle on it. You should join a good club and all that.”

“Always ready to learn!” I said. “Ever since you gave me the chance of Latin. So far we don’t seem to have hit upon any Latin-speaking stratum in the population.”

“Always ready to learn!” I said. “Ever since you gave me the opportunity to study Latin. So far, it doesn’t seem like we’ve come across any Latin-speaking group in the population.”

“We’ve come to French,” said my aunt, “anyhow.”

“We’ve arrived in France,” my aunt said, “anyway.”

“It’s a very useful language,” said my uncle. “Put a point on things. Zzzz. As for accent, no Englishman has an accent. No Englishman pronounces French properly. Don’t you tell me. It’s a Bluff.—It’s all a Bluff. Life’s a Bluff—practically. That’s why it’s so important, Susan, for us to attend to Style. Le Steel Say Lum. The Style it’s the man. Whad you laughing at, Susan? George, you’re not smoking. These cigars are good for the mind.... What do you think of it all? We got to adapt ourselves. We have—so far.... Not going to be beat by these silly things.”

“It’s a really useful language,” my uncle said. “It makes things clear. Zzzz. As for accent, no Englishman has an accent. No Englishman pronounces French correctly. Don’t even try to argue with me. It’s all an illusion. Life’s basically an illusion. That’s why it’s so important, Susan, for us to focus on Style. The style is the person. What are you laughing at, Susan? George, you’re not smoking. These cigars are good for your mind.... What do you think about it all? We need to adapt. We have—up to now.... We’re not going to let these silly things get us down.”

IV

“What do you think of it, George?” he insisted.

“What do you think of it, George?” he pressed.

What I said I thought of it I don’t now recall. Only I have very distinctly the impression of meeting for a moment my aunt’s impenetrable eye. And anyhow he started in with his accustomed energy to rape the mysteries of the Costly Life, and become the calmest of its lords. On the whole, I think he did it—thoroughly. I have crowded memories, a little difficult to disentangle, of his experimental stages, his experimental proceedings. It’s hard at times to say which memory comes in front of which. I recall him as presenting on the whole a series of small surprises, as being again and again, unexpectedly, a little more self-confident, a little more polished, a little richer and finer, a little more aware of the positions and values of things and men.

What I said I thought about it I can’t remember now. I just have a very clear memory of briefly meeting my aunt’s unreadable gaze. Anyway, he started off with his usual energy to explore the complexities of the Wealthy Life and became one of its most composed lords. Overall, I think he succeeded—completely. I have jumbled memories that are a bit hard to sort out of his experimental phases and efforts. Sometimes it’s tough to tell which memory stands out the most. I remember him as consistently presenting a series of small surprises, being unexpectedly a bit more self-assured, a little more polished, somewhat richer and finer, and a bit more aware of the worth and status of people and things.

There was a time—it must have been very early—when I saw him deeply impressed by the splendours of the dining-room of the National Liberal Club. Heaven knows who our host was or what that particular little “feed” was about now!—all that sticks is the impression of our straggling entry, a string of six or seven guests, and my uncle looking about him at the numerous bright red-shaded tables, at the exotics in great Majolica jars, at the shining ceramic columns and pilasters, at the impressive portraits of Liberal statesmen and heroes, and all that contributes to the ensemble of that palatial spectacle. He was betrayed into a whisper to me, “This is all Right, George!” he said. That artless comment seems almost incredible as I set it down; there came a time so speedily when not even the clubs of New York could have overawed my uncle, and when he could walk through the bowing magnificence of the Royal Grand Hotel to his chosen table in that aggressively exquisite gallery upon the river, with all the easy calm of one of earth’s legitimate kings.

There was a time—it must have been very early—when I saw him clearly impressed by the splendor of the dining room at the National Liberal Club. Who our host was or what that particular little gathering was about, I can’t say now!—all I remember is the image of our awkward entrance, a line of six or seven guests, and my uncle looking around at the many bright red-shaded tables, at the exotic plants in large Majolica jars, at the shiny ceramic columns and pilasters, at the striking portraits of Liberal statesmen and heroes, and everything that adds to the grandeur of that impressive scene. He couldn’t help but whisper to me, “This is all right, George!” he said. That simple remark seems almost unbelievable as I write it; there came a time very quickly when even the clubs in New York could not intimidate my uncle, and when he could stroll through the lavish elegance of the Royal Grand Hotel to his chosen table in that strikingly exquisite gallery by the river, with all the easy confidence of one of the world’s rightful kings.

The two of them learnt the new game rapidly and well; they experimented abroad, they experimented at home. At Chiselhurst, with the aid of a new, very costly, but highly instructive cook, they tried over everything they heard of that roused their curiosity and had any reputation for difficulty, from asparagus to plover’s eggs. They afterwards got a gardener who could wait at table—and he brought the soil home to one. Then there came a butler.

The two of them quickly picked up the new game; they tried it out both away and at home. At Chiselhurst, with the help of an expensive but very skilled cook, they tested out everything they heard about that piqued their interest and had a reputation for being challenging, from asparagus to plover’s eggs. Later, they hired a gardener who could also wait on tables—and he brought the soil home to one of them. Then a butler arrived.

I remember my aunt’s first dinner-gown very brightly, and how she stood before the fire in the drawing-room confessing once unsuspected pretty arms with all the courage she possessed, and looking over her shoulder at herself in a mirror.

I clearly remember my aunt’s first evening dress, and how she stood in front of the fire in the living room, bravely showing off her unexpectedly beautiful arms and glancing over her shoulder at her reflection in the mirror.

“A ham,” she remarked reflectively, “must feel like this. Just a necklace.”...

“A ham,” she said thoughtfully, “must feel like this. Just a necklace.”

I attempted, I think, some commonplace compliment.

I think I tried to give a typical compliment.

My uncle appeared at the door in a white waistcoat and with his hands in his trouser pockets; he halted and surveyed her critically.

My uncle showed up at the door wearing a white waistcoat and had his hands in his pants pockets; he stopped and looked her over critically.

“Couldn’t tell you from a duchess, Susan,” he remarked. “I’d like to have you painted, standin’ at the fire like that. Sargent! You look—spirited, somehow. Lord!—I wish some of those damned tradesmen at Wimblehurst could see you.”...

“Can’t tell you apart from a duchess, Susan,” he said. “I’d love to have you painted, standing by the fire like that. Sargent! You look—full of life, somehow. Wow!—I wish some of those annoying tradesmen at Wimblehurst could see you.”

They did a lot of week-ending at hotels, and sometimes I went down with them. We seemed to fall into a vast drifting crowd of social learners. I don’t know whether it is due simply to my changed circumstances, but it seems to me there have been immensely disproportionate developments of the hotel-frequenting and restaurant-using population during the last twenty years. It is not only, I think, that there are crowds of people who, like we were, are in the economically ascendant phase, but whole masses of the prosperous section of the population must be altering its habits, giving up high-tea for dinner and taking to evening dress, using the week-end hotels as a practise-ground for these new social arts. A swift and systematic conversion to gentility has been going on, I am convinced, throughout the whole commercial upper-middle class since I was twenty-one. Curiously mixed was the personal quality of the people one saw in these raids. There were conscientiously refined and low-voiced people reeking with proud bashfulness; there were aggressively smart people using pet diminutives for each other loudly and seeking fresh occasions for brilliant rudeness; there were awkward husbands and wives quarrelling furtively about their manners and ill at ease under the eye of the winter; cheerfully amiable and often discrepant couples with a disposition to inconspicuous corners, and the jolly sort, affecting an unaffected ease; plump happy ladies who laughed too loud, and gentlemen in evening dress who subsequently “got their pipes.” And nobody, you knew, was anybody, however expensively they dressed and whatever rooms they took.

They spent a lot of weekends at hotels, and sometimes I went along with them. We seemed to get caught up in a huge, wandering crowd of social learners. I’m not sure if it’s just because my situation has changed, but it feels to me like there’s been a huge growth in the number of people going to hotels and restaurants over the last twenty years. It’s not just that there are tons of people who, like us, are moving up economically, but it seems like whole groups of the well-off are changing their habits, trading high tea for dinner and adopting evening dress, using weekend hotels as a practice ground for these new social skills. I’m convinced there’s been a rapid and systematic shift towards gentility among the entire commercial upper-middle class since I turned twenty-one. The mix of people you’d see during these outings was quite interesting. There were deliberately refined and soft-spoken people radiating proud shyness; there were boldly stylish people loudly using cute nicknames for each other and hunting for opportunities to be cheekily rude; there were awkward husbands and wives secretly arguing about their manners and feeling uncomfortable in the winter ambiance; cheerful and often mismatched couples who preferred quiet corners; and the fun-loving types, trying to act effortlessly relaxed; chubby, happy women who laughed too loudly, and men in evening wear who later “lit their pipes.” And you could tell that nobody was really anyone important, no matter how fancy they dressed or what kind of rooms they had.

I look back now with a curious remoteness of spirit to those crowded dining-rooms with their dispersed tables and their inevitable red-shaded lights and the unsympathetic, unskillful waiters, and the choice of “Thig or Glear, Sir?” I’ve not dined in that way, in that sort of place, now for five years—it must be quite five years, so specialised and narrow is my life becoming.

I look back now with a strange detachment to those packed dining rooms with their scattered tables, their unavoidable red-shaded lights, and the unhelpful, clumsy waiters, and the question of “Would you like Thig or Glear, Sir?” I haven't eaten in that way, in that type of place, for five years now—it must be exactly five years, as my life is becoming so specialized and restricted.

My uncle’s earlier motor-car phases work in with these associations, and there stands out a little bright vignette of the hall of the Magnificent, Bexhill-on-Sea, and people dressed for dinner and sitting about amidst the scarlet furniture—satin and white-enameled woodwork until the gong should gather them; and my aunt is there, very marvelously wrapped about in a dust cloak and a cage-like veil, and there are hotel porters and under-porters very alert, and an obsequious manager; and the tall young lady in black from the office is surprised into admiration, and in the middle of the picture is my uncle, making his first appearance in that Esquimaux costume I have already mentioned, a short figure, compactly immense, hugely goggled, wearing a sort of brown rubber proboscis, and surmounted by a table-land of motoring cap.

My uncle’s earlier car phases fit well with these memories, and I can clearly picture the hall of the Magnificent in Bexhill-on-Sea, where people are dressed for dinner, lounging around among the bright red furniture—satin and white-painted woodwork—waiting for the gong to call them. My aunt is there, wonderfully wrapped in a dust cloak and a cage-like veil, and the hotel porters and under-porters are very attentive, along with an overly polite manager. A tall young lady in black from the office looks on in surprise and admiration, and right in the center is my uncle, making his first appearance in that Eskimo outfit I’ve already mentioned—a short, solid figure, heavily goggled, wearing a sort of brown rubber nose, topped off with a motoring cap.

V

So it was we recognised our new needs as fresh invaders of the upper levels of the social system, and set ourselves quite consciously to the acquisition of Style and Savoir Faire. We became part of what is nowadays quite an important element in the confusion of our world, that multitude of economically ascendant people who are learning how to spend money. It is made up of financial people, the owners of the businesses that are eating up their competitors, inventors of new sources of wealth, such as ourselves; it includes nearly all America as one sees it on the European stage. It is a various multitude having only this in common: they are all moving, and particularly their womankind are moving, from conditions in which means were insistently finite, things were few, and customs simple, towards a limitless expenditure and the sphere of attraction of Bond Street, Fifth Avenue, and Paris. Their general effect is one of progressive revolution, of limitless rope.

So we recognized our new needs as fresh entrants in the upper levels of the social system and consciously set out to acquire Style and Savoir Faire. We became part of what is now a significant aspect of the confusion in our world: the large number of economically rising individuals who are learning how to spend money. This group consists of financial professionals, business owners who are outpacing their competitors, and inventors of new sources of wealth, like us; it includes nearly all of America as it appears on the European stage. It’s a diverse group, united by one thing: they are all on the move, especially their women, transitioning from situations where resources were strictly limited, things were scarce, and customs were simple, to a world of unlimited spending and the allure of Bond Street, Fifth Avenue, and Paris. Their overall impact creates a sense of progressive revolution and boundless opportunity.

They discover suddenly indulgences their moral code never foresaw and has no provision for, elaborations, ornaments, possessions beyond their wildest dreams. With an immense astonished zest they begin shopping, begin a systematic adaptation to a new life crowded and brilliant with things shopped, with jewels, maids, butlers, coachmen, electric broughams, hired town and country houses. They plunge into it as one plunges into a career; as a class, they talk, think, and dream possessions. Their literature, their Press, turns all on that; immense illustrated weeklies of unsurpassed magnificence guide them in domestic architecture, in the art of owning a garden, in the achievement of the sumptuous in motor-cars, in an elaborate sporting equipment, in the purchase and control of their estates, in travel and stupendous hotels. Once they begin to move they go far and fast. Acquisition becomes the substance of their lives. They find a world organised to gratify that passion. In a brief year or so they are connoisseurs. They join in the plunder of the eighteenth century, buy rare old books, fine old pictures, good old furniture. Their first crude conception of dazzling suites of the newly perfect is replaced almost from the outset by a jackdaw dream of accumulating costly discrepant old things.

They suddenly discover luxuries their moral code never anticipated and has no guidelines for, enhancements, decorations, possessions beyond their wildest dreams. With immense surprise and enthusiasm, they start shopping, beginning a systematic adjustment to a new life overflowing with purchased items, jewels, maids, butlers, coachmen, electric carriages, rented town and country houses. They dive into it like one dives into a career; as a class, they talk, think, and dream about possessions. Their literature, their press, revolves entirely around that; massive illustrated weeklies of unmatched grandeur guide them in home design, the art of gardening, luxurious cars, elaborate sports equipment, purchasing and managing their estates, traveling, and staying in extravagant hotels. Once they start moving, they go far and fast. Acquiring things becomes the essence of their lives. They discover a world built to satisfy that desire. In just a year or so, they become connoisseurs. They join in gathering treasures from the eighteenth century, buying rare books, fine paintings, and quality furniture. Their initial naive vision of dazzling new suites quickly morphs into a burgeoning dream of collecting expensive, eclectic antiques.

I seem to remember my uncle taking to shopping quite suddenly. In the Beckenham days and in the early Chiselhurst days he was chiefly interested in getting money, and except for his onslaught on the Beckenham house, bothered very little about his personal surroundings and possessions. I forget now when the change came and he began to spend. Some accident must have revealed to him this new source of power, or some subtle shifting occurred in the tissues of his brain. He began to spend and “shop.” So soon as he began to shop, he began to shop violently. He began buying pictures, and then, oddly enough, old clocks. For the Chiselhurst house he bought nearly a dozen grandfather clocks and three copper warming pans. After that he bought much furniture. Then he plunged into art patronage, and began to commission pictures and to make presents to churches and institutions. His buying increased with a regular acceleration. Its development was a part of the mental changes that came to him in the wild excitements of the last four years of his ascent. Towards the climax he was a furious spender; he shopped with large unexpected purchases, he shopped like a mind seeking expression, he shopped to astonish and dismay; shopped crescendo, shopped fortissimo, con molto espressione until the magnificent smash of Crest Hill eroded his shopping for ever. Always it was he who shopped. My aunt did not shine as a purchaser. It is a curious thing, due to I know not what fine strain in her composition, that my aunt never set any great store upon possessions. She plunged through that crowded bazaar of Vanity Fair during those feverish years, spending no doubt freely and largely, but spending with detachment and a touch of humorous contempt for the things, even the “old” things, that money can buy. It came to me suddenly one afternoon just how detached she was, as I saw her going towards the Hardingham, sitting up, as she always did, rather stiffly in her electric brougham, regarding the glittering world with interested and ironically innocent blue eyes from under the brim of a hat that defied comment. “No one,” I thought, “would sit so apart if she hadn’t dreams—and what are her dreams?”

I remember my uncle suddenly getting into shopping. Back in the Beckenham days and the early Chiselhurst days, he was mostly focused on making money and didn't really care much about his surroundings or possessions, except for his attack on the Beckenham house. I can't recall when the change happened that made him start spending. Something must have shown him this new source of power, or maybe something shifted in his mind. Once he started shopping, he went all in. He began buying artwork and, strangely enough, old clocks. For the Chiselhurst house, he bought almost a dozen grandfather clocks and three copper warming pans. After that, he invested in a lot of furniture. Then he got into art patronage, commissioning paintings and making donations to churches and institutions. His spending picked up speed consistently. It was a part of the mental changes he experienced during the exciting four years of his rise. Near the peak, he was a big spender; he shopped with unexpected splurges, like someone searching for an outlet, shopping to impress and shock; he shopped in a **crescendo**, shopped **fortissimo, con molto espressione** until the dramatic collapse of Crest Hill ended his shopping spree for good. It was always him shopping. My aunt wasn’t much of a buyer. It’s strange, but there’s something in her character that made her not value possessions highly. She moved through that chaotic marketplace of Vanity Fair during those intense years, spending no doubt generously, but doing so with a sense of detachment and a hint of humorous disdain for the things, even the “old” ones, that money can buy. One afternoon it hit me just how detached she was as I saw her heading toward the Hardingham, sitting up, as she always did, rather stiffly in her electric brougham, looking at the dazzling world with curious and ironically innocent blue eyes from beneath a hat that was impossible to comment on. “No one,” I thought, “would sit so apart if she didn’t have dreams—and what could her dreams be?”

I’d never thought.

I never thought.

And I remember, too, an outburst of scornful description after she had lunched with a party of women at the Imperial Cosmic Club. She came round to my rooms on the chance of finding me there, and I gave her tea. She professed herself tired and cross, and flung herself into my chair....

And I remember, too, a burst of sarcastic comments after she had lunch with a group of women at the Imperial Cosmic Club. She stopped by my place hoping to find me there, and I made her tea. She said she was tired and irritable, and she threw herself into my chair....

“George,” she cried, “the Things women are! Do I stink of money?”

“George,” she exclaimed, “What are women like! Do I smell like money?”

“Lunching?” I asked.

“Having lunch?” I asked.

She nodded.

She agreed.

“Plutocratic ladies?”

"Rich women?"

“Yes.”

"Yeah."

“Oriental type?”

"Asian type?"

“Oh! Like a burst hareem!... Bragging of possessions.... They feel you. They feel your clothes, George, to see if they are good!”

“Oh! Like a flashy show!... Boasting about what they own.... They check you out. They feel your clothes, George, to see if they're nice!”

I soothed her as well as I could. “They are Good aren’t they?” I said.

I comforted her as best as I could. “They are good, right?” I said.

“It’s the old pawnshop in their blood,” she said, drinking tea; and then in infinite disgust, “They run their hands over your clothes—they paw you.”

“It’s the old pawnshop in their blood,” she said, sipping her tea; and then with utter disgust, “They run their hands over your clothes—they paw you.”

I had a moment of doubt whether perhaps she had not been discovered in possession of unsuspected forgeries. I don’t know. After that my eyes were quickened, and I began to see for myself women running their hands over other women’s furs, scrutinising their lace, even demanding to handle jewelry, appraising, envying, testing. They have a kind of etiquette. The woman who feels says, “What beautiful sables?” “What lovely lace?” The woman felt admits proudly: “It’s Real, you know,” or disavows pretension modestly and hastily, “It’s Rot Good.” In each other’s houses they peer at the pictures, handle the selvage of hangings, look at the bottoms of china....

I had a moment of doubt wondering if she might have been caught with hidden forgeries. I'm not sure. After that, I became more observant and noticed women running their hands over other women’s furs, inspecting their lace, even asking to handle jewelry, evaluating, envying, and testing. They have a certain etiquette. The woman who is impressed says, “What beautiful sables!” “What lovely lace?” The woman being complimented proudly replies, “It’s real, you know,” or downplays it modestly and quickly says, “It’s not good.” In each other’s homes, they look at the pictures, touch the edges of drapes, and check the bottoms of china...

I wonder if it IS the old pawnshop in the blood.

I wonder if it’s the old pawnshop in the blood.

I doubt if Lady Drew and the Olympians did that sort of thing, but here I may be only clinging to another of my former illusions about aristocracy and the State. Perhaps always possessions have been Booty, and never anywhere has there been such a thing as house and furnishings native and natural to the women and men who made use of them....

I doubt Lady Drew and the Olympians ever did that kind of thing, but maybe I'm just holding onto another one of my old beliefs about the aristocracy and the State. Maybe possessions have always been just plunder, and there’s never been anything like a home and furnishings that truly belonged to the men and women who used them....

VI

For me, at least, it marked an epoch in my uncle’s career when I learnt one day that he had “shopped” Lady Grove. I realised a fresh, wide, unpreluded step. He took me by surprise with the sudden change of scale from such portable possessions as jewels and motor-cars to a stretch of countryside. The transaction was Napoleonic; he was told of the place; he said “snap”; there were no preliminary desirings or searchings. Then he came home and said what he had done. Even my aunt was for a day or so measurably awestricken by this exploit in purchase, and we both went down with him to see the house in a mood near consternation. It struck us then as a very lordly place indeed. I remember the three of us standing on the terrace that looked westward, surveying the sky-reflecting windows of the house, and a feeling of unwarrantable intrusion comes back to me.

For me, it marked a significant moment in my uncle’s career when I learned one day that he had bought Lady Grove. I realized it was a big, unexpected step. I was surprised by the sudden shift from things like jewels and cars to an entire piece of countryside. The deal was bold; he heard about the place, he said “let’s do it,” and there were no prior considerations or searches. Then he came home and told us what he had done. Even my aunt was somewhat impressed by this purchase for a day or so, and we both went with him to see the house feeling almost overwhelmed. It seemed to us like a very grand place. I remember the three of us standing on the terrace that faced west, looking at the sky-reflecting windows of the house, and I still feel that sense of unwarranted intrusion.

Lady Grove, you know, is a very beautiful house indeed, a still and gracious place, whose age-long seclusion was only effectively broken with the toot of the coming of the motor-car. An old Catholic family had died out in it, century by century, and was now altogether dead. Portions of the fabric are thirteenth century, and its last architectural revision was Tudor; within, it is for the most part dark and chilly, save for two or three favoured rooms and its tall-windowed, oak-galleried hall. Its terrace is its noblest feature; a very wide, broad lawn it is, bordered by a low stone battlement, and there is a great cedar in one corner under whose level branches one looks out across the blue distances of the Weald, blue distances that are made extraordinarily Italian in quality by virtue of the dark masses of that single tree. It is a very high terrace; southward one looks down upon the tops of wayfaring trees and spruces, and westward on a steep slope of beechwood, through which the road comes. One turns back to the still old house, and sees a grey and lichenous façade with a very finely arched entrance. It was warmed by the afternoon light and touched with the colour of a few neglected roses and a pyracanthus. It seemed to me that the most modern owner conceivable in this serene fine place was some bearded scholarly man in a black cassock, gentle-voiced and white-handed, or some very soft-robed, grey gentlewoman. And there was my uncle holding his goggles in a sealskin glove, wiping the glass with a pocket-handkerchief, and asking my aunt if Lady Grove wasn’t a “Bit of all Right.”

Lady Grove, as you know, is a truly beautiful house, a calm and elegant place, whose long-standing isolation was only truly disrupted by the arrival of the motorcar. An old Catholic family had lived and died there for centuries, and now they were entirely gone. Parts of the building date back to the thirteenth century, with its last architectural update being from the Tudor period; inside, it's mostly dark and chilly, except for two or three favored rooms and its tall-windowed, oak-galleried hall. Its terrace is its most impressive feature; it's a very wide, expansive lawn bordered by a low stone wall, and there’s a large cedar tree in one corner whose sprawling branches provide a view over the picturesque landscape of the Weald, a view that has an exceptionally Italian quality thanks to the dark silhouette of that single tree. The terrace is quite elevated; to the south, you can look down upon the tops of traveling trees and spruces, and to the west, there's a steep slope of beechwood through which the road winds. Turning back to the quiet old house, you see a grey facade covered in lichen with an elegantly arched entrance. It was warmed by the afternoon sun and complemented by the colors of a few neglected roses and a pyracantha. I imagined that the most modern owner you could picture in this serene and beautiful place would be a scholarly man with a beard dressed in a black cassock, soft-spoken and gentle, or perhaps a kindly, elegantly dressed older woman. And there was my uncle, holding his goggles in a sealskin glove, cleaning the lenses with a pocket handkerchief, and asking my aunt if Lady Grove wasn’t “a Bit of all Right.”

My aunt made him no answer.

My aunt didn't respond to him.

“The man who built this,” I speculated, “wore armour and carried a sword.”

“The guy who built this,” I thought, “wore armor and carried a sword.”

“There’s some of it inside still,” said my uncle.

"There’s still some of it inside," my uncle said.

We went inside. An old woman with very white hair was in charge of the place and cringed rather obviously to the new master. She evidently found him a very strange and frightful apparition indeed, and was dreadfully afraid of him. But if the surviving present bowed down to us, the past did not. We stood up to the dark, long portraits of the extinguished race—one was a Holbein—and looked them in their sidelong eyes. They looked back at us. We all, I know, felt the enigmatical quality in them. Even my uncle was momentarily embarrassed, I think, by that invincibly self-complacent expression. It was just as though, after all, he had not bought them up and replaced them altogether; as though that, secretly, they knew better and could smile at him.

We went inside. An old woman with very white hair was in charge of the place and clearly flinched at the new master. She obviously found him very strange and intimidating, and was genuinely afraid of him. But while the living present bowed to us, the past did not. We stood up to the dark, long portraits of the extinguished lineage—one was a Holbein—and looked them in their sideways glances. They looked back at us. We all felt the mysterious quality in them. Even my uncle seemed momentarily uncomfortable, I think, because of that impossibly smug expression. It was almost as if, after all, he had not bought them up and completely replaced them; as if, deep down, they knew better and could smile at him.

The spirit of the place was akin to Bladesover, but touched with something older and remoter. That armour that stood about had once served in tilt-yards, if indeed it had not served in battle, and this family had sent its blood and treasure, time after time, upon the most romantic quest in history, to Palestine. Dreams, loyalties, place and honour, how utterly had it all evaporated, leaving, at last, the final expression of its spirit, these quaint painted smiles, these smiles of triumphant completion! It had evaporated, indeed, long before the ultimate Durgan had died, and in his old age he had cumbered the place with Early Victorian cushions and carpets and tapestry table-cloths and invalid appliances of a type even more extinct, it seemed to us, than the crusades.... Yes, it was different from Bladesover.

The vibe of the place was similar to Bladesover, but it had something older and more distant about it. The armor that surrounded us had likely once been used in jousting competitions, if it hadn't seen actual battle, and this family had repeatedly invested their blood and wealth in the most legendary quest in history, going to Palestine. Dreams, loyalties, honor, and legacy—how completely it had all disappeared, leaving behind the final expression of its essence: these odd painted smiles, these smiles of victorious completion! It had faded away long before the last Durgan had passed, and in his later years, he cluttered the place with early Victorian cushions, carpets, tapestry tablecloths, and medical aids of a type that seemed even more outdated than the crusades.... Yes, it felt different from Bladesover.

“Bit stuffy, George,” said my uncle. “They hadn’t much idea of ventilation when this was built.”

“Kind of stuffy, George,” my uncle said. “They didn’t really think about ventilation when they built this.”

One of the panelled rooms was half-filled with presses and a four-poster bed. “Might be the ghost room,” said my uncle; but it did not seem to me that so retiring a family as the Durgans, so old and completely exhausted a family as the Durgans, was likely to haunt anybody. What living thing now had any concern with their honour and judgments and good and evil deeds? Ghosts and witchcraft were a later innovation—that fashion came from Scotland with the Stuarts.

One of the paneled rooms was half-filled with cabinets and a four-poster bed. “Might be the ghost room,” said my uncle; but it didn't seem to me that such a withdrawn family as the Durgans, so old and completely worn out, would be likely to haunt anyone. What living thing now cared about their honor, judgments, or good and bad deeds? Ghosts and witchcraft were a later trend— that style came from Scotland with the Stuarts.

Afterwards, prying for epitaphs, we found a marble crusader with a broken nose, under a battered canopy of fretted stone, outside the restricted limits of the present Duffield church, and half buried in nettles. “Ichabod,” said my uncle. “Eh? We shall be like that, Susan, some day.... I’m going to clean him up a bit and put a railing to keep off the children.”

Afterwards, while looking for tombstones, we came across a marble knight with a broken nose, under a worn stone canopy, outside the current Duffield church, and partially buried in nettles. “Ichabod,” said my uncle. “Huh? We’ll be like that, Susan, someday... I’m going to tidy him up a bit and put up a railing to keep the kids away.”

“Old saved at the eleventh hour,” said my aunt, quoting one of the less successful advertisements of Tono-Bungay.

“Old saved at the last minute,” said my aunt, quoting one of the less successful ads for Tono-Bungay.

But I don’t think my uncle heard her.

But I don't think my uncle heard her.

It was by our captured crusader that the vicar found us. He came round the corner at us briskly, a little out of breath. He had an air of having been running after us since the first toot of our horn had warned the village of our presence. He was an Oxford man, clean-shaven, with a cadaverous complexion and a guardedly respectful manner, a cultivated intonation, and a general air of accommodation to the new order of things. These Oxford men are the Greeks of our plutocratic empire. He was a Tory in spirit, and what one may call an adapted Tory by stress of circumstances; that is to say, he was no longer a legitimist; he was prepared for the substitution of new lords for old. We were pill vendors he knew, and no doubt horribly vulgar in soul; but then it might have been some polygamous Indian rajah, a great strain on a good man’s tact, or some Jew with an inherited expression of contempt. Anyhow, we were English, and neither Dissenters nor Socialists, and he was cheerfully prepared to do what he could to make gentlemen of both of us. He might have preferred Americans for some reasons; they are not so obviously taken from one part of the social system and dumped down in another, and they are more teachable; but in this world we cannot always be choosers. So he was very bright and pleasant with us, showed us the church, gossiped informingly about our neighbours on the countryside—Tux, the banker; Lord Boom, the magazine and newspaper proprietor; Lord Carnaby, that great sportsman, and old Lady Osprey. And finally he took us by way of a village lane—three children bobbed convulsively with eyes of terror for my uncle—through a meticulous garden to a big, slovenly Vicarage with faded Victorian furniture and a faded Victorian wife, who gave us tea and introduced us to a confusing family dispersed among a lot of disintegrating basket chairs upon the edge of a well-used tennis lawn.

It was our captured crusader who led the vicar to us. He rounded the corner quickly, a bit out of breath, as if he had been running after us since the first honk of our horn had alerted the village to our arrival. He was an Oxford man, clean-shaven, with a pale complexion and a cautiously respectful demeanor. He spoke with a cultured tone and seemed to adapt well to the new way of things. These Oxford guys are like the Greeks in our wealthy empire. He was a Tory at heart, but what you might call an adapted Tory due to circumstances; in other words, he was no longer a legitimist and accepted that new leaders would replace the old ones. He knew we were pill vendors, probably finding us terribly vulgar in spirit; but then again, he could have been dealing with some polygamous Indian rajah, which would be quite a challenge for a good man’s tact, or perhaps a Jew with a natural air of disdain. In any case, we were English, and neither Dissenters nor Socialists, and he was happily willing to do what he could to make gentlemen out of both of us. He might have preferred Americans for some reasons; they don’t seem to come from one part of the social system and get dropped in another as obviously, and they’re easier to teach; but in this world, we can’t always choose. So he was very friendly and cheerful with us, showed us the church, and shared interesting gossip about our neighbors in the countryside—Tux the banker; Lord Boom, who owned magazines and newspapers; Lord Carnaby, the great sportsman; and old Lady Osprey. Finally, he led us along a village lane—where three children ducked away in terror at the sight of my uncle—through a well-kept garden to a big, messy Vicarage with worn Victorian furniture and a faded Victorian wife, who offered us tea and introduced us to a confusing family scattered among a bunch of rickety basket chairs at the edge of a well-used tennis lawn.

These people interested me. They were a common type, no doubt, but they were new to me. There were two lank sons who had been playing singles at tennis, red-eared youths growing black moustaches, and dressed in conscientiously untidy tweeds and unbuttoned and ungirt Norfolk jackets. There were a number of ill-nourished-looking daughters, sensible and economical in their costume, the younger still with long, brown-stockinged legs, and the eldest present—there were, we discovered, one or two hidden away—displaying a large gold cross and other aggressive ecclesiastical symbols; there were two or three fox-terriers, a retrieverish mongrel, and an old, bloody-eyed and very evil-smelling St. Bernard. There was a jackdaw. There was, moreover, an ambiguous, silent lady that my aunt subsequently decided must be a very deaf paying guest. Two or three other people had concealed themselves at our coming and left unfinished teas behind them. Rugs and cushions lay among the chairs, and two of the latter were, I noted, covered with Union Jacks.

These people caught my attention. They were a typical bunch, no doubt, but they were new to me. There were two tall sons who had been playing singles tennis, young guys with pink ears growing dark mustaches, dressed in purposely messy tweed outfits with their Norfolk jackets unbuttoned and unbelted. There were several daughters who looked a bit malnourished, sensible and practical in their clothes; the younger ones still had long legs in brown stockings, and the oldest among them—there were, we found, one or two hiding—was showing off a large gold cross and other bold religious symbols. There were two or three fox terriers, a mixed-breed retriever, and an old St. Bernard that was bloody-eyed and had a terrible smell. There was a jackdaw. Additionally, there was an ambiguous, quiet woman that my aunt later decided must be a very deaf paying guest. Two or three other people had hidden when we arrived and left half-finished teas behind them. Rugs and cushions were scattered among the chairs, and I noticed that two of the chairs were covered with Union Jacks.

The vicar introduced us sketchily, and the faded Victorian wife regarded my aunt with a mixture of conventional scorn and abject respect, and talked to her in a languid, persistent voice about people in the neighbourhood whom my aunt could not possibly know.

The vicar briefly introduced us, and the worn-out Victorian wife looked at my aunt with a mix of typical disdain and complete respect. She spoke to her in a slow, constant voice about people in the neighborhood that my aunt definitely wouldn’t know.

My aunt received these personalia cheerfully, with her blue eyes flitting from point to point, and coming back again and again to the pinched faces of the daughters and the cross upon the eldest’s breast. Encouraged by my aunt’s manner, the vicar’s wife grew patronising and kindly, and made it evident that she could do much to bridge the social gulf between ourselves and the people of family about us.

My aunt accepted this personal information happily, her blue eyes darting from one detail to another, repeatedly returning to the strained faces of the daughters and the cross hanging from the eldest’s neck. Spurred on by my aunt’s attitude, the vicar’s wife became condescending yet friendly, making it clear that she could do a lot to close the social gap between us and the well-off families around us.

I had just snatches of that conversation. “Mrs. Merridew brought him quite a lot of money. Her father, I believe, had been in the Spanish wine trade—quite a lady though. And after that he fell off his horse and cracked his brain pan and took to fishing and farming. I’m sure you’ll like to know them. He’s most amusing.... The daughter had a disappointment and went to China as a missionary and got mixed up in a massacre.”...

I only caught bits of that conversation. “Mrs. Merridew brought him a good amount of money. Her dad, I think, was in the Spanish wine business—definitely an impressive woman. Then he had an accident on his horse, injured his head, and switched to fishing and farming. I’m sure you’ll enjoy meeting them. He’s really funny.... The daughter had a setback, went to China as a missionary, and got involved in a massacre.”...

“The most beautiful silks and things she brought back, you’d hardly believe!”

“The most beautiful silks and items she brought back, you wouldn't believe!”

“Yes, they gave them to propitiate her. You see, they didn’t understand the difference, and they thought that as they’d been massacring people, they’d be massacred. They didn’t understand the difference Christianity makes.”...

“Yes, they gave them to appease her. You see, they didn’t understand the difference, and they thought that since they’d been slaughtering people, they’d be slaughtered. They didn’t realize the difference Christianity makes.”

“Seven bishops they’ve had in the family!”

“Seven bishops have been in the family!”

“Married a Papist and was quite lost to them.”...

“Married a Catholic and was completely out of touch with them.”

“He failed some dreadful examination and had to go into the militia.”...

“He failed a terrible exam and had to join the militia.”

“So she bit his leg as hard as ever she could and he let go.”...

“So she bit his leg as hard as she could, and he let go.”

“Had four of his ribs amputated.”...

“Had four of his ribs removed.”...

“Caught meningitis and was carried off in a week.”

“Caught meningitis and was taken away in a week.”

“Had to have a large piece of silver tube let into his throat, and if he wants to talk he puts his finger on it. It makes him so interesting, I think. You feel he’s sincere somehow. A most charming man in every way.”

“Had to have a big piece of silver tube inserted into his throat, and if he wants to talk, he just puts his finger on it. It makes him really interesting, I think. You can feel he's genuine somehow. A completely charming man in every way.”

“Preserved them both in spirits very luckily, and there they are in his study, though of course he doesn’t show them to everybody.”

“Luckily, he managed to preserve both of them in spirits, and there they sit in his study, although he doesn’t show them to just anyone.”

The silent lady, unperturbed by these apparently exciting topics, scrutinised my aunt’s costume with a singular intensity, and was visibly moved when she unbuttoned her dust cloak and flung it wide. Meanwhile we men conversed, one of the more spirited daughters listened brightly, and the youths lay on the grass at our feet. My uncle offered them cigars, but they both declined,—out of bashfulness, it seemed to me, whereas the vicar, I think, accepted out of tact. When we were not looking at them directly, these young men would kick each other furtively.

The silent woman, unfazed by these seemingly exciting topics, examined my aunt’s outfit with a focused intensity and was clearly moved when she unbuttoned her dust cloak and threw it open. Meanwhile, we men chatted, one of the livelier daughters listened enthusiastically, and the young men lounged on the grass at our feet. My uncle offered them cigars, but they both turned him down—seemingly out of shyness, while the vicar, I believe, took one out of politeness. When we weren’t looking directly at them, these young men would discreetly nudge each other.

Under the influence of my uncle’s cigar, the vicar’s mind had soared beyond the limits of the district. “This Socialism,” he said, “seems making great headway.”

Under the influence of my uncle’s cigar, the vicar’s mind had soared beyond the limits of the district. “This Socialism,” he said, “seems to be making great progress.”

My uncle shook his head. “We’re too individualistic in this country for that sort of nonsense,” he said “Everybody’s business is nobody’s business. That’s where they go wrong.”

My uncle shook his head. “We’re too individualistic in this country for that kind of nonsense,” he said. “Everyone’s business is nobody’s business. That’s where they mess up.”

“They have some intelligent people in their ranks, I am told,” said the vicar, “writers and so forth. Quite a distinguished playwright, my eldest daughter was telling me—I forget his name.

“They have some smart people among them, I hear,” said the vicar, “writers and things like that. My oldest daughter was telling me about a pretty well-known playwright—I can’t remember his name.”

“Milly, dear! Oh! she’s not here. Painters, too, they have. This Socialist, it seems to me, is part of the Unrest of the Age.... But, as you say, the spirit of the people is against it. In the country, at any rate. The people down here are too sturdily independent in their small way—and too sensible altogether.”...

“Milly, honey! Oh! she’s not here. Painters, too, they exist. This Socialist, it seems to me, is part of the Restlessness of our Time... But, as you mentioned, the spirit of the people is against it. In the countryside, at least. The folks down here are too firmly independent in their own way—and too sensible overall.”

“It’s a great thing for Duffield to have Lady Grove occupied again,” he was saying when my wandering attention came back from some attractive casualty in his wife’s discourse. “People have always looked up to the house and considering all things, old Mr. Durgan really was extraordinarily good—extraordinarily good. You intend to give us a good deal of your time here, I hope.”

“It’s fantastic for Duffield to have Lady Grove occupied again,” he was saying when my wandering attention returned from some interesting detail in his wife’s conversation. “People have always respected the house, and considering everything, old Mr. Durgan was truly remarkable—truly remarkable. I hope you plan to spend a lot of your time here.”

“I mean to do my duty by the Parish,” said my uncle.

“I plan to do my duty by the Parish,” said my uncle.

“I’m sincerely glad to hear it—sincerely. We’ve missed—the house influence. An English village isn’t complete—People get out of hand. Life grows dull. The young people drift away to London.”

“I’m really glad to hear that—truly. We’ve missed—the presence of the house. An English village isn’t complete—people start to act out. Life becomes monotonous. The young people end up moving to London.”

He enjoyed his cigar gingerly for a moment.

He cautiously enjoyed his cigar for a moment.

“We shall look to you to liven things up,” he said, poor man!

“We're counting on you to liven things up,” he said, poor guy!

My uncle cocked his cigar and removed it from his mouth.

My uncle took a puff from his cigar and pulled it away from his mouth.

“What you think the place wants?” he asked.

“What do you think the place needs?” he asked.

He did not wait for an answer. “I been thinking while you been talking—things one might do. Cricket—a good English game—sports. Build the chaps a pavilion perhaps. Then every village ought to have a miniature rifle range.”

He didn't wait for a response. "I've been thinking while you've been talking—about things we could do. Cricket—a great English game—sports. Maybe we could build the guys a pavilion. And every village should have a small rifle range."

“Ye-ees,” said the vicar. “Provided, of course, there isn’t a constant popping.”...

“Yeah,” said the vicar. “As long as there isn’t a constant popping.”

“Manage that all right,” said my uncle. “Thing’d be a sort of long shed. Paint it red. British colour. Then there’s a Union Jack for the church and the village school. Paint the school red, too, p’raps. Not enough colour about now. Too grey. Then a maypole.”

“Manage that properly,” said my uncle. “It would be kind of like a long shed. Paint it red. Classic British color. Then there’s a Union Jack for the church and the village school. Maybe paint the school red, too. There’s not enough color around these days. Too dull. Then a maypole.”

“How far our people would take up that sort of thing—” began the vicar.

“How far our people would go with that kind of thing—” began the vicar.

“I’m all for getting that good old English spirit back again,” said my uncle. “Merrymakings. Lads and lasses dancing on the village green. Harvest home. Fairings. Yule Log—all the rest of it.”

“I’m all for bringing back that good old English spirit,” said my uncle. “Festivities. Boys and girls dancing on the village green. Harvest celebrations. Fairs. Yule Log—all that stuff.”

“How would old Sally Glue do for a May Queen?” asked one of the sons in the slight pause that followed.

"How would old Sally Glue be as a May Queen?" asked one of the sons after a brief pause that followed.

“Or Annie Glassbound?” said the other, with the huge virile guffaw of a young man whose voice has only recently broken.

“Or Annie Glassbound?” said the other, with the loud, manly laugh of a young guy whose voice had just changed.

“Sally Glue is eighty-five,” explained the vicar, “and Annie Glassbound is well—a young lady of extremely generous proportions. And not quite right, you know. Not quite right—here.” He tapped his brow.

“Sally Glue is eighty-five,” the vicar explained, “and Annie Glassbound is, well—a young woman with very generous proportions. And not entirely right, you know. Not entirely right—here.” He tapped his forehead.

“Generous proportions!” said the eldest son, and the guffaws were renewed.

“Generous proportions!” said the oldest son, and the laughter started up again.

“You see,” said the vicar, “all the brisker girls go into service in or near London. The life of excitement attracts them. And no doubt the higher wages have something to do with it. And the liberty to wear finery. And generally—freedom from restraint. So that there might be a little difficulty perhaps to find a May Queen here just at present who was really young and er—pretty.... Of course I couldn’t think of any of my girls—or anything of that sort.”

“You see,” said the vicar, “all the lively girls go into work in or near London. The excitement of that life pulls them in. And I'm sure the higher wages play a part too. Plus, they get to wear nice clothes. And overall—freedom from restrictions. So, it might be a bit tricky to find a May Queen here right now who is truly young and, um, pretty.... Of course, I couldn’t think of any of my girls—or anything like that.”

“We got to attract ’em back,” said my uncle. “That’s what I feel about it. We got to Buck-Up the country. The English country is a going concern still; just as the Established Church—if you’ll excuse me saying it, is a going concern. Just as Oxford is—or Cambridge. Or any of those old, fine old things. Only it wants fresh capital, fresh idees and fresh methods. Light railways, f’rinstance—scientific use of drainage. Wire fencing machinery—all that.”

“We need to bring them back,” said my uncle. “That’s how I see it. We have to improve the country. The English countryside is still viable, just like the Established Church—if you don’t mind me saying so, it’s still thriving. Just like Oxford or Cambridge. Or any of those great, historic institutions. It just needs new investment, fresh ideas, and new approaches. Light railways, for example—scientific drainage practices. Wire fencing machinery—all of that.”

The vicar’s face for one moment betrayed dismay. Perhaps he was thinking of his country walks amids the hawthorns and honeysuckle.

The vicar’s face briefly showed dismay. Maybe he was remembering his country walks among the hawthorns and honeysuckle.

“There’s great things,” said my uncle, “to be done on Mod’un lines with Village Jam and Pickles—boiled in the country.”

“There are great things,” said my uncle, “to be done along modern lines with Village Jam and Pickles—boiled in the country.”

It was the reverberation of this last sentence in my mind, I think, that sharpened my sentimental sympathy as we went through the straggling village street and across the trim green on our way back to London. It seemed that afternoon the most tranquil and idyllic collection of creeper-sheltered homes you can imagine; thatch still lingered on a whitewashed cottage or two, pyracanthus, wall-flowers, and daffodils abounded, and an unsystematic orchard or so was white with blossom above and gay with bulbs below. I noted a row of straw beehives, beehive-shaped, beehives of the type long since condemned as inefficient by all progressive minds, and in the doctor’s acre of grass a flock of two whole sheep was grazing,—no doubt he’d taken them on account. Two men and one old woman made gestures of abject vassalage, and my uncle replied with a lordly gesture of his great motoring glove....

It was the echo of that last sentence in my mind, I think, that intensified my sentimental sympathy as we passed through the winding village street and across the neat green on our way back to London. That afternoon, it appeared to be the most peaceful and picturesque collection of homes sheltered by climbing plants you can imagine; there was thatch still on a couple of whitewashed cottages, with plenty of pyracantha, wallflowers, and daffodils, and a scattered orchard or two was covered in blossoms above and vibrant with bulbs below. I noticed a row of straw beehives, beehive-shaped, beehives of the kind long deemed inefficient by forward-thinking people, and in the doctor’s patch of grass, a flock of two sheep was grazing—no doubt he’d taken them for that reason. Two men and one old woman made gestures of extreme servitude, and my uncle responded with a grand gesture of his big motoring glove....

“England’s full of Bits like this,” said my uncle, leaning over the front seat and looking back with great satisfaction. The black glare of his goggles rested for a time on the receding turrets of Lady Grove just peeping over the trees.

“England’s full of places like this,” said my uncle, leaning over the front seat and looking back with great satisfaction. The dark glare of his goggles rested for a moment on the distant towers of Lady Grove just peeking above the trees.

“I shall have a flagstaff, I think,” he considered. “Then one could show when one is in residence. The villagers will like to know.”...

“I think I’ll get a flagpole,” he thought. “That way, people will know when I'm around. The villagers will appreciate it.”

I reflected. “They will” I said. “They’re used to liking to know.”...

I thought for a moment. “They will,” I said. “They’re used to wanting to know.”

My aunt had been unusually silent. Suddenly she spoke. “He says Snap,” she remarked; “he buys that place. And a nice old job of Housekeeping he gives me! He sails through the village swelling like an old turkey. And who’ll have to scoot the butler? Me! Who’s got to forget all she ever knew and start again? Me! Who’s got to trek from Chiselhurst and be a great lady? Me! ... You old Bother! Just when I was settling down and beginning to feel at home.”

My aunt had been unusually quiet. Suddenly, she spoke up. “He says Snap,” she said; “he’s buying that place. And what a nice old job of housekeeping he’s giving me! He struts through the village like a proud turkey. And who’s going to have to deal with the butler? Me! Who has to forget everything she ever knew and start over? Me! Who has to travel from Chiselhurst and become a great lady? Me! ... You old bother! Just when I was finally settling down and starting to feel at home.”

My uncle turned his goggles to her. “Ah! this time it is home, Susan.... We got there.”

My uncle turned his goggles to her. “Ah! this time it's home, Susan.... We made it.”

VII

It seems to me now but a step from the buying of Lady Grove to the beginning of Crest Hill, from the days when the former was a stupendous achievement to the days when it was too small and dark and inconvenient altogether for a great financier’s use. For me that was a period of increasing detachment from our business and the great world of London; I saw it more and more in broken glimpses, and sometimes I was working in my little pavilion above Lady Grove for a fortnight together; even when I came up it was often solely for a meeting of the aeronautical society or for one of the learned societies or to consult literature or employ searchers or some such special business. For my uncle it was a period of stupendous inflation. Each time I met him I found him more confident, more comprehensive, more consciously a factor in great affairs. Soon he was no longer an associate of merely business men; he was big enough for the attentions of greater powers.

It feels like just a moment ago that we moved from buying Lady Grove to starting Crest Hill. Back then, Lady Grove seemed like a huge accomplishment, but eventually, it felt too small, dark, and inconvenient for a major financier's needs. For me, that was a time when I increasingly detached from our business and the bustling world of London; I began to see it only in fleeting glimpses. Sometimes I would spend two weeks working in my little pavilion above Lady Grove, and even when I came to London, it was often just for a meeting of the aeronautical society, one of the learned societies, to look up some literature, hire researchers, or handle some other special task. For my uncle, it was a time of tremendous growth. Each time I saw him, he appeared more confident, more knowledgeable, and more aware of his role in significant matters. Before long, he was no longer just mingling with business associates; he was commanding the attention of much bigger players.

I grew used to discovering some item of personal news about him in my evening paper, or to the sight of a full-page portrait of him in a sixpenny magazine. Usually the news was of some munificent act, some romantic piece of buying or giving or some fresh rumour of reconstruction. He saved, you will remember, the Parbury Reynolds for the country. Or at times, it would be an interview or my uncle’s contribution to some symposium on the “Secret of Success,” or such-like topic. Or wonderful tales of his power of work, of his wonderful organisation to get things done, of his instant decisions and remarkable power of judging his fellow-men. They repeated his great mot: “Eight hour working day—I want eighty hours!”

I got used to finding some piece of personal news about him in my evening paper or seeing a full-page portrait of him in a sixpenny magazine. Usually, the news was about some generous act, some romantic story of buying or giving, or a new rumor about reconstruction. He saved, as you’ll remember, the Parbury Reynolds for the country. Sometimes, it would be an interview or my uncle’s contribution to some symposium on the “Secret of Success,” or something similar. Or amazing stories of his work ethic, his incredible ability to get things done, his quick decisions, and his remarkable judgment of people. They repeated his famous line: “Eight hour working day—I want eighty hours!”

He became modestly but resolutely “public.” They cartooned him in Vanity Fair. One year my aunt, looking indeed a very gracious, slender lady, faced the portrait of the King in the great room at Burlington House, and the next year saw a medallion of my uncle by Ewart, looking out upon the world, proud and imperial, but on the whole a trifle too prominently convex, from the walls of the New Gallery.

He became modestly but firmly “public.” They featured him in Vanity Fair. One year, my aunt, who looked like a very gracious, slender lady, stood in front of the King’s portrait in the grand room at Burlington House, and the next year, there was a medallion of my uncle by Ewart, gazing out at the world, proud and regal, but overall a bit too prominently rounded, hanging on the walls of the New Gallery.

I shared only intermittently in his social experiences. People knew of me, it is true, and many of them sought to make through me a sort of flank attack upon him, and there was a legend, owing, very unreasonably, partly to my growing scientific reputation and partly to an element of reserve in my manner, that I played a much larger share in planning his operations than was actually the case. This led to one or two very intimate private dinners, to my inclusion in one or two house parties and various odd offers of introductions and services that I didn’t for the most part accept. Among other people who sought me in this way was Archie Garvell, now a smart, impecunious soldier of no particular distinction, who would, I think, have been quite prepared to develop any sporting instincts I possessed, and who was beautifully unaware of our former contact. He was always offering me winners; no doubt in a spirit of anticipatory exchange for some really good thing in our more scientific and certain method of getting something for nothing....

I participated only occasionally in his social life. People were familiar with me, and many of them tried to use me to get closer to him. There was a rumor, quite unfairly, that I played a much bigger role in planning his operations than I actually did, partly because of my growing reputation in science and partly because of my reserved nature. This led to a few intimate dinners, my invitation to a couple of house parties, and several odd offers for introductions and services, most of which I declined. Among those who sought me out in this way was Archie Garvell, now a sharp, broke soldier with no notable achievements. He seemed ready to nurture any athletic interests I had and was blissfully unaware of our past connection. He was always suggesting winning bets, likely hoping to get something valuable in return from our more scientific and reliable way of obtaining something for nothing.

In spite of my preoccupation with my experiments, work, I did, I find now that I come to ransack my impressions, see a great deal of the great world during those eventful years; I had a near view of the machinery by which an astounding Empire is run, rubbed shoulders and exchanged experiences with bishops and statesmen, political women and women who were not political, physicians and soldiers, artists and authors, the directors of great journals, philanthropists and all sorts of eminent, significant people. I saw the statesmen without their orders and the bishops with but a little purple silk left over from their canonicals, inhaling, not incensen but cigar smoke. I could look at them all the better because, for the most part, they were not looking at me but at my uncle, and calculating consciously or unconsciously how they might use him and assimilate him to their system, the most unpremeditated, subtle, successful and aimless plutocracy that ever encumbered the destinies of mankind. Not one of them, so far as I could see, until disaster overtook him, resented his lies, his almost naked dishonesty of method, the disorderly disturbance of this trade and that, caused by his spasmodic operations. I can see them now about him, see them polite, watchful, various; his stiff compact little figure always a centre of attention, his wiry hair, his brief nose, his under-lip, electric with self-confidence. Wandering marginally through distinguished gatherings, I would catch the whispers: “That’s Mr. Ponderevo!”

Despite being absorbed in my experiments and work, I now realize that I experienced a lot of the larger world during those impactful years. I got a close look at the machinery behind an incredible Empire, mingled with bishops and politicians, women involved in politics and those who were not, doctors and soldiers, artists and writers, leaders of major publications, philanthropists, and all kinds of notable, influential people. I saw the politicians without their formal attire and the bishops with just a hint of purple silk left from their robes, inhaling not incense but cigar smoke. I could observe them more clearly because, for the most part, they weren’t looking at me but at my uncle, consciously or unconsciously calculating how they could use him and fit him into their system, the most spontaneous, subtle, successful, and aimless plutocracy that ever burdened humanity's fate. As far as I could tell, none of them, until disaster struck, resented his lies or his almost entirely dishonest methods, nor the chaotic disruption of this business or that caused by his erratic actions. I can still see them around him, polite, attentive, diverse; his stiff, compact little figure always the center of attention, his wiry hair, his short nose, his underlip full of self-confidence. As I wandered through distinguished gatherings, I would catch whispers: “That’s Mr. Ponderevo!”

“The little man?”

"That short guy?"

“Yes, the little bounder with the glasses.”

“Yes, the little jerk with the glasses.”

“They say he’s made—“...

“They say he’s rich—“

Or I would see him on some parterre of a platform beside my aunt’s hurraying hat, amidst titles and costumes, “holding his end up,” as he would say, subscribing heavily to obvious charities, even at times making brief convulsive speeches in some good cause before the most exalted audiences. “Mr. Chairman, your Royal Highness, my Lords, Ladies and Gentlemen,” he would begin amidst subsiding applause and adjust those obstinate glasses and thrust back the wings of his frock-coat and rest his hands upon his hips and speak his fragment with ever and again an incidental Zzzz. His hands would fret about him as he spoke, fiddle his glasses, feel in his waistcoat pockets; ever and again he would rise slowly to his toes as a sentence unwound jerkily like a clockwork snake, and drop back on his heels at the end. They were the very gestures of our first encounter when he had stood before the empty fireplace in his minute draped parlour and talked of my future to my mother.

Or I would see him on some platform next to my aunt’s flashy hat, surrounded by titles and costumes, “holding his end up,” as he would say, donating generously to obvious charities, and sometimes giving brief, passionate speeches for good causes in front of the most distinguished audiences. “Mr. Chairman, your Royal Highness, my Lords, Ladies and Gentlemen,” he would start as the applause died down, adjusting those stubborn glasses, pushing back the flaps of his frock coat, placing his hands on his hips, and delivering his remarks with an occasional Zzzz. His hands would move nervously as he spoke, fiddling with his glasses, checking his waistcoat pockets; now and then, he would rise slowly onto his toes as a sentence unfolded awkwardly like a mechanical snake, then drop back onto his heels at the end. These were the very gestures from our first meeting when he stood before the empty fireplace in his small, draped parlor and discussed my future with my mother.

In those measurelessly long hot afternoons in the little shop at Wimblehurst he had talked and dreamt of the Romance of Modern Commerce. Here, surely, was his romance come true.

In those incredibly long hot afternoons in the little shop at Wimblehurst, he had talked and dreamed about the excitement of Modern Commerce. Here, without a doubt, was his dream come true.

VIII

People say that my uncle lost his head at the crest of his fortunes, but if one may tell so much truth of a man one has in a manner loved, he never had very much head to lose. He was always imaginative, erratic, inconsistent, recklessly inexact, and his inundation of wealth merely gave him scope for these qualities. It is true, indeed, that towards the climax he became intensely irritable at times and impatient of contradiction, but that, I think, was rather the gnawing uneasiness of sanity than any mental disturbance. But I find it hard either to judge him or convey the full development of him to the reader. I saw too much of him; my memory is choked with disarranged moods and aspects. Now he is distended with megalomania, now he is deflated, now he is quarrelsome, now impenetrably self-satisfied, but always he is sudden, jerky, fragmentary, energetic, and—in some subtle fundamental way that I find difficult to define—absurd.

People say my uncle lost his mind when he was at the height of his success, but if you can be honest about someone you’ve kind of loved, he never really had much of a mind to lose. He was always imaginative, unpredictable, inconsistent, recklessly inaccurate, and his flood of wealth just gave him more room to be those things. It's true that towards the end he became really irritable at times and couldn't handle anyone disagreeing with him, but I think that was more about the nagging tension of sanity than any true mental problem. However, I find it hard to judge him or fully convey who he was to the reader. I saw too much of him; my memories are cluttered with mixed moods and traits. Sometimes he was overconfident, sometimes he was deflated, sometimes he was argumentative, and sometimes he was oddly self-satisfied, but he was always sudden, jerky, inconsistent, energetic, and—in some subtle, fundamental way that I struggle to put into words—absurd.

There stands out—because of the tranquil beauty of its setting perhaps—a talk we had in the veranda of the little pavilion near my worksheds behind Crest Hill in which my aeroplanes and navigable balloons were housed. It was one of many similar conversations, and I do not know why it in particular should survive its fellows. It happens so. He had come up to me after his coffee to consult me about a certain chalice which in a moment of splendour and under the importunity of a countess he had determined to give to a deserving church in the east-end. I, in a moment of even rasher generosity, had suggested Ewart as a possible artist. Ewart had produced at once an admirable sketch for the sacred vessel surrounded by a sort of wreath of Millies with open arms and wings and had drawn fifty pounds on the strength of it. After that came a series of vexatious delays. The chalice became less and less of a commercial man’s chalice, acquired more and more the elusive quality of the Holy Grail, and at last even the drawing receded.

There’s one conversation that stands out—maybe it’s because of the peaceful beauty of the setting—when we talked on the veranda of the little pavilion near my workshops behind Crest Hill, where I kept my airplanes and airships. It was one of many similar chats, and I can’t figure out why this one specifically stuck with me. Sometimes it just happens that way. He approached me after having his coffee to ask for my advice about a chalice he had decided to donate to a deserving church in the east-end, spurred on by the insistence of a countess. In a moment of even bolder generosity, I had suggested Ewart as a potential artist for the project. Ewart quickly produced a fantastic sketch for the sacred vessel, featuring a kind of wreath of Millies with open arms and wings, and he drew fifty pounds based on that. After that, we faced a series of annoying delays. The chalice started to feel less like something a businessman would make and more like the elusive Holy Grail, and eventually, even the drawing faded away.

My uncle grew restive.... “You see, George, they’ll begin to want the blasted thing!”

My uncle got impatient.... “You see, George, they’ll start to want the damn thing!”

“What blasted thing?”

“What the heck?”

“That chalice, damn it! They’re beginning to ask questions. It isn’t Business, George.”

“That chalice, damn it! They’re starting to ask questions. This isn’t Business, George.”

“It’s art,” I protested, “and religion.”

“It’s art,” I argued, “and faith.”

“That’s all very well. But it’s not a good ad for us, George, to make a promise and not deliver the goods.... I’ll have to write off your friend Ewart as a bad debt, that’s what it comes to, and go to a decent firm.”...

“That’s all fine. But it’s not a good look for us, George, to make a promise and not follow through.... I’ll have to consider your friend Ewart a lost cause, that’s what it amounts to, and take my business to a reliable company.”...

We sat outside on deck chairs in the veranda of the pavilion, smoked, drank whisky, and, the chalice disposed of, meditated. His temporary annoyance passed. It was an altogether splendid summer night, following a blazing, indolent day. Full moonlight brought out dimly the lines of the receding hills, one wave beyond another; far beyond were the pin-point lights of Leatherhead, and in the foreground the little stage from which I used to start upon my gliders gleamed like wet steel. The season must have been high June, for down in the woods that hid the lights of the Lady Grove windows, I remember the nightingales thrilled and gurgled....

We sat outside in deck chairs on the veranda of the pavilion, smoking, drinking whisky, and after we were done with the chalice, we reflected. His brief annoyance faded away. It was an absolutely wonderful summer night, following a hot, lazy day. The full moonlight softly illuminated the outlines of the distant hills, one after another; further out were the tiny lights of Leatherhead, and in the foreground, the little stage where I used to launch my gliders shone like wet steel. It must have been mid-June, because down in the woods that concealed the lights of the Lady Grove windows, I remember the nightingales singing and trilling....

“We got here, George,” said my uncle, ending a long pause. “Didn’t I say?”

“We made it here, George,” said my uncle, breaking a long silence. “Didn’t I tell you?”

“Say!—when?” I asked.

"Hey!—when?" I asked.

“In that hole in the To’nem Court Road, eh? It’s been a Straight Square Fight, and here we are!”

“In that spot on To’nem Court Road, right? It’s been a full-on fight, and here we are!”

I nodded.

I agreed.

“’Member me telling you—Tono-Bungay?.... Well.... I’d just that afternoon thought of it!”

“Remember me telling you about Tono-Bungay?.... Well.... I just thought of it that afternoon!”

“I’ve fancied at times;” I admitted.

"I've thought about it sometimes," I admitted.

“It’s a great world, George, nowadays, with a fair chance for every one who lays hold of things. The career ouvert to the Talons—eh? Tono-Bungay. Think of it! It’s a great world and a growing world, and I’m glad we’re in it—and getting a pull. We’re getting big people, George. Things come to us. Eh? This Palestine thing.”...

“It’s a fantastic world, George, these days, with a fair chance for anyone who grabs hold of opportunities. The career available to the Talons—right? Tono-Bungay. Can you believe it? It’s an amazing world and an expanding world, and I’m happy we’re part of it—and making our mark. We’re working with influential people, George. Things are coming our way. Right? This Palestine situation.”

He meditated for a time and Zzzzed softly. Then he became still.

He meditated for a while and softly drifted off to sleep. Then he became still.

His theme was taken up by a cricket in the grass until he himself was ready to resume it. The cricket too seemed to fancy that in some scheme of its own it had got there. “Chirrrrrrup” it said; “chirrrrrrup.”

His theme was picked up by a cricket in the grass until he was ready to continue it. The cricket also seemed to think that it had arrived there for some reason of its own. “Chirrrrrrup,” it said; “chirrrrrrup.”

“Lord, what a place that was at Wimblehurst!” he broke out. “If ever I get a day off we’ll motor there, George, and run over that dog that sleeps in the High Street. Always was a dog asleep there—always. Always... I’d like to see the old shop again. I daresay old Ruck still stands between the sheep at his door, grinning with all his teeth, and Marbel, silly beggar! comes out with his white apron on and a pencil stuck behind his ear, trying to look awake... Wonder if they know it’s me? I’d like ’em somehow to know it’s me.”

“Wow, what a place that was at Wimblehurst!” he exclaimed. “If I ever get a day off, we’ll drive there, George, and run over that dog that always sleeps in the High Street. There’s always been a dog sleeping there—always. Always... I’d love to see the old shop again. I bet old Ruck is still standing between the sheep at his door, grinning with all his teeth, and Marbel, that silly guy! comes out with his white apron on and a pencil stuck behind his ear, trying to look awake... I wonder if they know it’s me? I’d like them to somehow know it’s me.”

“They’ll have had the International Tea Company and all sorts of people cutting them up,” I said. “And that dog’s been on the pavement this six years—can’t sleep even there, poor dear, because of the motor-horns and its shattered nerves.”

“They’ll have had the International Tea Company and all kinds of people bothering them,” I said. “And that dog’s been on the pavement for six years—can’t even sleep there, poor thing, because of the car horns and its frayed nerves.”

“Movin’ everywhere,” said my uncle. “I expect you’re right.... It’s a big time we’re in, George. It’s a big Progressive On-coming Imperial Time. This Palestine business—the daring of it.... It’s, it’s a Process, George. And we got our hands on it. Here we sit—with our hands on it, George. Entrusted.

“Moving everywhere,” said my uncle. “I think you’re right.... We’re in a significant time, George. It’s a major Progressive Era of Imperial change. This whole Palestine situation—the boldness of it.... It’s, it’s a Process, George. And we have control over it. Here we are—with our hands on it, George. Entrusted.

“It seems quiet to—night. But if we could see and hear.” He waved his cigar towards Leatherhead and London.

“It seems quiet tonight. But if we could see and hear.” He waved his cigar toward Leatherhead and London.

“There they are, millions, George. Jes’ think of what they’ve been up to to-day—those ten millions—each one doing his own particular job. You can’t grasp it. It’s like old Whitman says—what is it he says? Well, anyway it’s like old Whitman. Fine chap, Whitman! Fine old chap! Queer, you can’t quote him. ... And these millions aren’t anything. There’s the millions over seas, hundreds of millions, Chinese, M’rocco, Africa generally, ’Merica.... Well, here we are, with power, with leisure, picked out—because we’ve been energetic, because we’ve seized opportunities, because we’ve made things hum when other people have waited for them to hum. See? Here we are—with our hands on it. Big people. Big growing people. In a sort of way,—Forces.”

“There they are, millions, George. Just think about what they’ve been doing today—those ten million—each one handling their own specific job. You can’t really grasp it. It’s like old Whitman says—what does he say? Well, anyway, it’s like old Whitman. Great guy, Whitman! Really great guy! Funny, you can’t quote him. ... And these millions aren’t everything. There are millions overseas, hundreds of millions, Chinese, Moroccan, Africa in general, America.... Well, here we are, with power, with free time, chosen—because we’ve been hardworking, because we’ve taken opportunities, because we’ve made things happen while others waited for them to happen. See? Here we are—with our hands on it. Big people. Big growing people. In a way,—Forces.”

He paused. “It’s wonderful, George,” he said.

He paused. “It’s amazing, George,” he said.

“Anglo-Saxon energy,” I said softly to the night.

“Anglo-Saxon energy,” I said quietly to the night.

“That’s it, George—energy. It’s put things in our grip—threads, wires, stretching out and out, George, from that little office of ours, out to West Africa, out to Egypt, out to Inja, out east, west, north and south. Running the world practically. Running it faster and faster. Creative. There’s that Palestine canal affair. Marvellous idee! Suppose we take that up, suppose we let ourselves in for it, us and the others, and run that water sluice from the Mediterranean into the Dead Sea Valley—think of the difference it will make! All the desert blooming like a rose, Jericho lost for ever, all the Holy Places under water.... Very likely destroy Christianity.”...

“That’s it, George—energy. It’s put everything in our hands—threads, wires, stretching out and out, George, from our little office, all the way to West Africa, to Egypt, to India, going east, west, north, and south. Basically running the world. Making it move faster and faster. Creative. There’s that Palestine canal project. Amazing idea! What if we pursue that, what if we get involved, along with the others, and run that water channel from the Mediterranean into the Dead Sea Valley—think about the difference it will make! All the desert blooming like a rose, Jericho gone for good, all the Holy Places submerged.... Probably even change Christianity.”

He mused for a space. “Cuttin’ canals,” murmured my uncle. “Making tunnels.... New countries.... New centres.... Zzzz.... Finance.... Not only Palestine.

He thought for a moment. “Cutting canals,” my uncle murmured. “Building tunnels... New countries... New centers... Zzzz... Finance... Not just Palestine.

“I wonder where we shall get before we done, George? We got a lot of big things going. We got the investing public sound and sure. I don’t see why in the end we shouldn’t be very big. There’s difficulties but I’m equal to them. We’re still a bit soft in our bones, but they’ll harden all right.... I suppose, after all, I’m worth something like a million, George, cleared up and settled. If I got out of things now. It’s a great time, George, a wonderful time!”...

“I wonder where we're going to end up, George? We have a lot of big things happening. We've got the investing public solid and secure. I don’t see why we shouldn’t become really big in the end. There are challenges, but I can handle them. We’re still a little inexperienced, but we’ll toughen up for sure... I guess, all things considered, I’m worth about a million, George, after everything’s all settled. If I walked away from everything now. It’s an amazing time, George, a fantastic time!”

I glanced through the twilight at his convexity and I must confess it struck me that on the whole he wasn’t particularly good value.

I looked through the dusk at his shape and I have to admit it occurred to me that overall he wasn't really worth it.

“We got our hands on things, George, us big people. We got to hang together, George run the show. Join up with the old order like that mill-wheel of Kipling’s. (Finest thing he ever wrote, George; I jes’ been reading it again. Made me buy Lady Grove.) Well, we got to run the country, George. It’s ours. Make it a Scientific Organised Business Enterprise. Put idees into it. ’Lectrify it. Run the Press. Run all sorts of developments. All sorts of developments. I been talking to Lord Boom. I been talking to all sorts of people. Great things. Progress. The world on business lines. Only jes’ beginning.”...

“We're in control now, George, us adults. We need to stick together, and you should take charge. We should connect with the old ways, like that mill-wheel in Kipling’s work. (Best thing he ever wrote, George; I just read it again. Made me buy Lady Grove.) Anyway, we need to run the country, George. It's ours. Turn it into a Scientific Organized Business Enterprise. Bring in new ideas. Electrify it. Control the press. Oversee all kinds of developments. All kinds of developments. I've been talking to Lord Boom. I've been speaking with various people. Big opportunities. Progress. The world is shifting towards business. We're just getting started...”

He fell into a deep meditation.

He went into a deep state of thought.

He Zzzzed for a time and ceased.

He drifted off to sleep for a while and then stopped.

Yes,” he said at last in the tone of a man who has at last emerged with ultimate solutions to the profoundest problems.

Yeah,” he finally said in the tone of a man who has finally come up with the ultimate solutions to the deepest issues.

“What?” I said after a seemly pause.

“What?” I said after a brief pause.

My uncle hung fire for a moment and it seemed to me the fate of nations trembled in the balance. Then he spoke as one who speaks from the very bottom of his heart—and I think it was the very bottom of his heart.

My uncle hesitated for a moment, and it felt like the fate of nations was hanging in the balance. Then he spoke from the depths of his heart—and I believe it truly came from the depths of his heart.

“I’d jes’ like to drop into the Eastry Arms, jes’ when all those beggars in the parlour are sittin’ down to whist, Ruck and Marbel and all, and give ’em ten minutes of my mind, George. Straight from the shoulder. Jes’ exactly what I think of them. It’s a little thing, but I’d like to do it jes’ once before I die.”...

“I just want to stop by the Eastry Arms, right when all those beggars in the parlor are settling down to play whist, Ruck and Marbel and everyone, and give them ten minutes of my thoughts, George. Just straightforward. Exactly what I think of them. It’s a small thing, but I’d like to do it just once before I die.”

He rested on that for some time Zzzz-ing.

He relaxed on that for a while, dozing off.

Then he broke out at a new place in a tone of detached criticism.

Then he started again in a tone of cool criticism.

“There’s Boom,” he reflected.

“There’s a boom,” he reflected.

“It’s a wonderful system this old British system, George. It’s staid and stable and yet it has a place for new men. We come up and take our places. It’s almost expected. We take a hand. That’s where our Democracy differs from America. Over there a man succeeds; all he gets is money. Here there’s a system open to every one—practically.... Chaps like Boom—come from nowhere.”

“It’s a great system, this old British system, George. It’s traditional and stable, yet there’s room for new people. We rise up and take our places. It’s almost expected. We join in. That’s where our Democracy is different from America. Over there, when a man succeeds, all he gets is money. Here, there’s a system that’s open to practically everyone…. Guys like Boom—come from nowhere.”

His voice ceased. I reflected upon the spirit of his words. Suddenly I kicked my feet in the air, rolled on my side and sat up suddenly on my deck chair with my legs down.

His voice stopped. I thought about the meaning of his words. Suddenly, I kicked my feet in the air, rolled onto my side, and sat up quickly in my deck chair with my legs hanging down.

“You don’t mean it!” I said.

“You can't be serious!” I said.

“Mean what, George?”

"Mean what, George?"

“Subscription to the party funds. Reciprocal advantage. Have we got to that?”

“Subscription to the party funds. Mutual benefit. Have we really reached that point?”

“Whad you driving at, George?”

“What are you getting at, George?”

“You know. They’d never do it, man!”

“You know. They would never do it, dude!”

“Do what?” he said feebly; and, “Why shouldn’t they?”

“Do what?” he asked weakly; and, “Why shouldn’t they?”

“They’d not even go to a baronetcy. No!.... And yet, of course, there’s Boom! And Collingshead and Gorver. They’ve done beer, they’ve done snippets! After all Tono-Bungay—it’s not like a turf commission agent or anything like that!... There have of course been some very gentlemanly commission agents. It isn’t like a fool of a scientific man who can’t make money!”

“They wouldn’t even qualify for a baronetcy. No!.... And yet, of course, there’s Boom! And Collingshead and Gorver. They’ve done beer, they’ve done snippets! After all, Tono-Bungay—it’s not like being a turf commission agent or anything like that!... There have, of course, been some very respectable commission agents. It’s not like some clueless scientist who can’t make any money!”

My uncle grunted; we’d differed on that issue before.

My uncle grunted; we had disagreed about that issue before.

A malignant humour took possession of me. “What would they call you?” I speculated. “The vicar would like Duffield. Too much like Duffer! Difficult thing, a title.” I ran my mind over various possibilities. “Why not take a leaf from a socialist tract I came upon yesterday. Chap says we’re all getting delocalised. Beautiful word—delocalised! Why not be the first delocalised peer? That gives you—Tono-Bungay! There is a Bungay, you know. Lord Tono of Bungay—in bottles everywhere. Eh?”

A dark thought crossed my mind. “What would they call you?” I wondered aloud. “The vicar would probably prefer Duffield. Sounds too much like Duffer! Choosing a title is tricky.” I considered different options. “How about taking inspiration from a socialist pamphlet I found yesterday? The guy says we’re all becoming delocalized. What a great word—delocalized! Why not be the first delocalized peer? That gives you—Tono-Bungay! There’s actually a Bungay, you know. Lord Tono of Bungay—in bottles everywhere. Right?”

My uncle astonished me by losing his temper.

My uncle surprised me by losing his cool.

“Damn it. George, you don’t seem to see I’m serious! You’re always sneering at Tono-Bungay! As though it was some sort of swindle. It was perfec’ly legitimate trade, perfec’ly legitimate. Good value and a good article.... When I come up here and tell you plans and exchange idees—you sneer at me. You do. You don’t see—it’s a big thing. It’s a big thing. You got to get used to new circumstances. You got to face what lies before us. You got to drop that tone.”

“Damn it. George, you don’t seem to realize I’m serious! You’re always mocking Tono-Bungay like it’s some kind of scam. It was perfectly legitimate business, perfectly legitimate. Good value and a quality product... When I come up here to share my plans and exchange ideas—you mock me. You really do. You don’t see—it’s a big deal. It’s a big deal. You have to get used to new circumstances. You have to confront what’s ahead of us. You need to lose that attitude.”

IX

My uncle was not altogether swallowed up in business and ambition. He kept in touch with modern thought. For example, he was, I know, greatly swayed by what he called “This Overman idee, Nietzsche—all that stuff.”

My uncle wasn't completely consumed by work and ambition. He stayed connected with contemporary ideas. For instance, I know he was heavily influenced by what he referred to as “This Overman idea, Nietzsche—all that stuff.”

He mingled those comforting suggestions of a potent and exceptional human being emancipated from the pettier limitations of integrity with the Napoleonic legend. It gave his imagination a considerable outlet. That Napoleonic legend! The real mischief of Napoleon’s immensely disastrous and accidental career began only when he was dead and the romantic type of mind was free to elaborate his character. I do believe that my uncle would have made a far less egregious smash if there had been no Napoleonic legend to misguide him. He was in many ways better and infinitely kinder than his career. But when in doubt between decent conduct and a base advantage, that cult came in more and more influentially: “think of Napoleon; think what the inflexibly-wilful Napoleon would have done with such scruples as yours;” that was the rule, and the end was invariably a new step in dishonour.

He blended those reassuring ideas of a powerful and extraordinary person free from the smaller constraints of integrity with the legend of Napoleon. It really sparked his imagination. That Napoleon legend! The real trouble of Napoleon's incredibly disastrous and accidental career only started after his death, when romantic minds could freely shape his character. I truly believe my uncle would have made a lot fewer mistakes if there hadn't been that Napoleon legend to lead him astray. He was, in many ways, better and much kinder than his actions suggested. But whenever he faced a choice between doing the right thing and taking an easier, selfish option, that belief crept in more and more strongly: “think of Napoleon; think about what the determined Napoleon would have done with your scruples;” that became the guideline, and it always ended with him taking another step into dishonor.

My uncle was in an unsystematic way a collector of Napoleonic relics; the bigger the book about his hero the more readily he bought it; he purchased letters and tinsel and weapons that bore however remotely upon the Man of Destiny, and he even secured in Geneva, though he never brought home, an old coach in which Buonaparte might have ridden; he crowded the quiet walls of Lady Grove with engravings and figures of him, preferring, my aunt remarked, the more convex portraits with the white vest and those statuettes with the hands behind the back which threw forward the figure. The Durgans watched him through it all, sardonically.

My uncle was a pretty random collector of Napoleonic memorabilia; the larger the book about his hero, the quicker he would buy it. He picked up letters, decorations, and weapons that had even the slightest connection to the Man of Destiny, and he even acquired an old carriage in Geneva that Buonaparte might have used, though he never brought it home. He filled the quiet walls of Lady Grove with engravings and figures of him, often choosing, as my aunt noted, the more exaggerated portraits featuring the white vest and those statuettes with their hands behind their backs that made the figure look more prominent. The Durgans observed all of this with a sarcastic eye.

And he would stand after breakfast at times in the light of the window at Lady Grove, a little apart, with two fingers of one hand stuck between his waistcoat-buttons and his chin sunken, thinking,—the most preposterous little fat man in the world. It made my aunt feel, she said, “like an old Field Marshal—knocks me into a cocked hat, George!”

And sometimes after breakfast, he would stand in the light of the window at Lady Grove, a bit off to the side, with two fingers of one hand stuck between his waistcoat buttons and his chin dropped, lost in thought—the most ridiculous little fat man in the world. My aunt said it made her feel “like an old Field Marshal—knocks me into a cocked hat, George!”

Perhaps this Napoleonic bias made him a little less frequent with his cigars than he would otherwise have been, but of that I cannot be sure, and it certainly caused my aunt a considerable amount of vexation after he had read Napoleon and the Fair Sex, because for a time that roused him to a sense of a side of life he had in his commercial preoccupations very largely forgotten. Suggestion plays so great a part in this field. My uncle took the next opportunity and had an “affair”!

Perhaps this Napoleonic influence made him smoke cigars less often than he might have otherwise, but I can't be certain about that. It definitely caused my aunt a lot of annoyance after he read Napoleon and the Fair Sex, because for a while, it made him aware of a side of life he had mostly overlooked due to his business focus. Suggestion has such a significant role in this area. My uncle seized the next chance and had an “affair”!

It was not a very impassioned affair, and the exact particulars never of course reached me. It is quite by chance I know anything of it at all. One evening I was surprised to come upon my uncle in a mixture of Bohemia and smart people at an At Home in the flat of Robbert, the R.A. who painted my aunt, and he was standing a little apart in a recess, talking or rather being talked to in undertones by a plump, blond little woman in pale blue, a Helen Scrymgeour who wrote novels and was organising a weekly magazine. I elbowed a large lady who was saying something about them, but I didn’t need to hear the thing she said to perceive the relationship of the two. It hit me like a placard on a hoarding. I was amazed the whole gathering did not see it. Perhaps they did. She was wearing a remarkably fine diamond necklace, much too fine for journalism, and regarding him with that quality of questionable proprietorship, of leashed but straining intimacy, that seems inseparable from this sort of affair. It is so much more palpable than matrimony. If anything was wanted to complete my conviction it was my uncles’s eyes when presently he became aware of mine, a certain embarrassment and a certain pride and defiance. And the next day he made an opportunity to praise the lady’s intelligence to me concisely, lest I should miss the point of it all.

It wasn't a very passionate situation, and I never really got the full details. It’s purely by chance that I know anything about it at all. One evening, I was surprised to find my uncle mingling with a mix of bohemian types and trendy people at an At Home event in Robbert's flat, the R.A. who painted my aunt. He was standing slightly apart in a nook, either talking or being talked to in low voices by a plump, blond woman in pale blue, a Helen Scrymgeour who wrote novels and was putting together a weekly magazine. I nudged a large lady who was saying something about them, but I didn’t need to hear what she said to grasp the connection between the two. It hit me like a billboard. I was shocked that the whole crowd didn’t notice. Maybe they did. She was wearing a stunning diamond necklace, far too extravagant for journalism, and looking at him with that vibe of questionable ownership, a restrained yet eager intimacy that seems unavoidable in these kinds of relationships. It's so much more tangible than marriage. If anything could confirm my suspicion, it was my uncle’s expression when he finally noticed me—there was a mix of embarrassment, pride, and defiance in his eyes. The next day, he made sure to compliment the lady’s intelligence to me clearly, so I wouldn’t miss the whole point of it.

After that I heard some gossip—from a friend of the lady’s. I was much too curious to do anything but listen. I had never in all my life imagined my uncle in an amorous attitude. It would appear that she called him her “God in the Car”—after the hero in a novel of Anthony Hope’s. It was essential to the convention of their relations that he should go relentlessly whenever business called, and it was generally arranged that it did call. To him women were an incident, it was understood between them; Ambition was the master-passion. A great world called him and the noble hunger for Power. I have never been able to discover just how honest Mrs. Scrymgeour was in all this, but it is quite possible the immense glamour of his financial largeness prevailed with her and that she did bring a really romantic feeling to their encounters. There must have been some extraordinary moments....

After that, I heard some gossip from a friend of the lady's. I was way too curious to do anything but listen. I had never, in my entire life, imagined my uncle being romantic. It turns out that she called him her “God in the Car”—after a character in a novel by Anthony Hope. It was crucial to the nature of their relationship that he would always leave whenever business needed him, and it was usually agreed that it did. To him, women were just a side note, and they both understood that; ambition was his main passion. A big world called to him with a strong desire for power. I’ve never been able to figure out how sincere Mrs. Scrymgeour was in all this, but it's quite possible that his immense wealth charmed her and that she genuinely brought a romantic feeling to their meetings. There must have been some extraordinary moments....

I was a good deal exercised and distressed about my aunt when I realised what was afoot. I thought it would prove a terrible humiliation to her. I suspected her of keeping up a brave front with the loss of my uncle’s affections fretting at her heart, but there I simply underestimated her. She didn’t hear for some time and when she did hear she was extremely angry and energetic. The sentimental situation didn’t trouble her for a moment. She decided that my uncle “wanted smacking.” She accentuated herself with an unexpected new hat, went and gave him an inconceivable talking-to at the Hardingham, and then came round to “blow-up” me for not telling her what was going on before....

I was really worried and upset about my aunt when I realized what was happening. I thought it would be a huge embarrassment for her. I suspected she was putting on a brave face while the loss of my uncle’s love was bothering her, but I completely underestimated her. She didn’t hear about it right away, and when she finally did, she was incredibly angry and full of energy. The emotional situation didn’t seem to bother her at all. She decided that my uncle “needed a wake-up call.” She dressed herself up with a surprising new hat, went to the Hardingham, and gave him an unbelievable talking-to, and then she came over to “blow up” at me for not telling her what was going on sooner.

I tried to bring her to a proper sense of the accepted values in this affair, but my aunt’s originality of outlook was never so invincible. “Men don’t tell on one another in affairs of passion,” I protested, and such-like worldly excuses.

I tried to help her understand the accepted values in this situation, but my aunt’s unique perspective was always too strong. “Men don’t snitch on each other in matters of love,” I protested, along with similar worldly justifications.

“Women!” she said in high indignation, “and men! It isn’t women and men—it’s him and me, George! Why don’t you talk sense?

“Women!” she said in high indignation, “and men! It’s not about women and men—it’s about him and me, George! Why don’t you make any sense?

“Old passion’s all very well, George, in its way, and I’m the last person to be jealous. But this is old nonsense.... I’m not going to let him show off what a silly old lobster he is to other women.... I’ll mark every scrap of his underclothes with red letters, ‘Ponderevo-Private’—every scrap.

“Old passion is fine, George, in its own way, and I’m definitely not someone who gets jealous. But this is just silly nonsense... I’m not going to let him show off how ridiculous he is to other women... I’ll mark every single piece of his underwear with red letters, ‘Ponderevo-Private’—every single piece.”

“Going about making love indeed,—in abdominal belts!—at his time of life!”

“Having sex like that—wearing abdominal belts!—at his age!”

I cannot imagine what passed between her and my uncle. But I have no doubt that for once her customary badinage was laid aside. How they talked then I do not know, for I who knew them so well had never heard that much of intimacy between them. At any rate it was a concerned and preoccupied “God in the Car” I had to deal with in the next few days, unusually Zzzz-y and given to slight impatient gestures that had nothing to do with the current conversation. And it was evident that in all directions he was finding things unusually difficult to explain.

I can't imagine what happened between her and my uncle. But I have no doubt that, for once, her usual playful teasing was put aside. I don’t know how they talked because, even though I knew them so well, I had never seen that much intimacy between them. In any case, I had to deal with a worried and distracted “God in the Car” for the next few days, unusually sleepy and prone to small, impatient gestures that had nothing to do with what we were discussing. It was clear that he was struggling to explain things in every direction.

All the intimate moments in this affair were hidden from me, but in the end my aunt triumphed. He did not so much throw as jerk over Mrs. Scrymgeour, and she did not so much make a novel of it as upset a huge pailful of attenuated and adulterated female soul upon this occasion. My aunt did not appear in that, even remotely. So that it is doubtful if the lady knew the real causes of her abandonment. The Napoleonic hero was practically unmarried, and he threw over his lady as Napoleon threw over Josephine for a great alliance.

All the private moments in this affair were kept from me, but in the end, my aunt came out on top. He didn't so much throw Mrs. Scrymgeour aside as he abruptly ended things with her, and she didn't so much turn it into a story as she tipped over a huge bucket of her mixed emotions during this situation. My aunt wasn’t involved in that at all. So, it's unclear if the lady even knew the true reasons for her being left behind. The Napoleonic hero was practically single, and he abandoned his lady like Napoleon did with Josephine for a bigger alliance.

It was a triumph for my aunt, but it had its price. For some time it was evident things were strained between them. He gave up the lady, but he resented having to do so, deeply. She had meant more to his imagination than one could have supposed. He wouldn’t for a long time “come round.” He became touchy and impatient and secretive towards my aunt, and she, I noted, after an amazing check or so, stopped that stream of kindly abuse that had flowed for so long and had been so great a refreshment in their lives. They were both the poorer for its cessation, both less happy. She devoted herself more and more to Lady Grove and the humours and complications of its management. The servants took to her—as they say—she god-mothered three Susans during her rule, the coachman’s, the gardener’s, and the Up Hill gamekeeper’s. She got together a library of old household books that were in the vein of the place. She revived the still-room, and became a great artist in jellies and elder and cowslip wine.

It was a victory for my aunt, but it came at a cost. For a while, it was clear that things were tense between them. He let her go, but he deeply resented having to do it. She had meant more to his imagination than anyone would have thought. It took him a long time to "come around." He became touchy, impatient, and secretive with my aunt, and I noticed that after a surprising pause, she stopped her stream of playful teasing that had been a refreshing part of their lives for so long. They both felt poorer for its absence, both less happy. She threw herself more and more into Lady Grove and the challenges of managing it. The servants took to her—so they say—she became a godmother to three Susans during her time there, the coachman’s, the gardener’s, and the Up Hill gamekeeper’s. She built a collection of old household books that matched the style of the place. She revived the still-room and became an expert at making jellies and elder and cowslip wine.

X

And while I neglected the development of my uncle’s finances—and my own, in my scientific work and my absorbing conflict with the difficulties of flying,—his schemes grew more and more expansive and hazardous, and his spending wilder and laxer. I believe that a haunting sense of the intensifying unsoundness of his position accounts largely for his increasing irritability and his increasing secretiveness with my aunt and myself during these crowning years. He dreaded, I think, having to explain, he feared our jests might pierce unwittingly to the truth. Even in the privacy of his mind he would not face the truth. He was accumulating unrealisable securities in his safes until they hung a potential avalanche over the economic world. But his buying became a fever, and his restless desire to keep it up with himself that he was making a triumphant progress to limitless wealth gnawed deeper and deeper. A curious feature of this time with him was his buying over and over again of similar things. His ideas seemed to run in series. Within a twelve-month he bought five new motor-cars, each more swift and powerful than its predecessor, and only the repeated prompt resignation of his chief chauffeur at each moment of danger, prevented his driving them himself. He used them more and more. He developed a passion for locomotion for its own sake.

And while I ignored my uncle's finances—and my own, as I focused on my scientific work and the challenges of flying—his plans became more ambitious and risky, and his spending grew wilder and more careless. I think a nagging awareness of how unstable his situation was contributed a lot to his growing irritability and his increasing secrecy with my aunt and me during those pivotal years. He seemed to fear having to explain things and worried that our jokes might accidentally hit too close to home. Even in his own thoughts, he wouldn't confront the reality. He was stockpiling worthless securities in his safes, creating a potential avalanche over the economic landscape. His buying turned into an obsession, and his restless need to convince himself that he was making triumphant strides toward unlimited wealth gnawed at him more and more. A strange aspect of this time was his repeated purchases of similar things. His ideas seemed to come in waves. Within a year, he bought five new cars, each one faster and more powerful than the last, and only the repeated and timely resignation of his main chauffeur during moments of danger stopped him from driving them himself. He used them more frequently, developing a passion for movement just for the sake of it.

Then he began to chafe at Lady Grove, fretted by a chance jest he had overheard at a dinner. “This house, George,” he said. “It’s a misfit. There’s no elbow-room in it; it’s choked with old memories. And I can’t stand all these damned Durgans!

Then he started to get annoyed with Lady Grove, bothered by a joke he had heard at dinner. “This house, George,” he said. “It’s a mismatch. There’s no space in it; it’s filled with old memories. And I can’t stand all these damn Durgans!

“That chap in the corner, George. No! the other corner! The man in a cherry-coloured coat. He watched you! He’d look silly if I stuck a poker through his Gizzard!”

“That guy in the corner, George. No! The other corner! The man in a cherry-colored coat. He was watching you! He’d look ridiculous if I poked a stick through his stomach!”

“He’d look,” I reflected, “much as he does now. As though he was amused.”

“He’d look,” I thought, “pretty much the same as he does now. Like he’s amused.”

He replaced his glasses, which had fallen at his emotion, and glared at his antagonists. “What are they? What are they all, the lot of ’em? Dead as Mutton! They just stuck in the mud. They didn’t even rise to the Reformation. The old out-of-date Reformation! Move with the times!—they moved against the times.

He put his glasses back on, which had fallen due to his emotions, and glared at his opponents. “What are they? What are they all, all of them? Dead as mutton! They’re just stuck in the mud. They didn’t even rise to the Reformation. The old, outdated Reformation! Move with the times!—they moved against the times.

“Just a Family of Failure,—they never even tried!

“Just a Family of Failures—they never even tried!"

“They’re jes’, George, exactly what I’m not. Exactly. It isn’t suitable.... All this living in the Past.

“They're just, George, exactly what I'm not. Exactly. It isn't appropriate... All this living in the past."

“And I want a bigger place too, George. I want air and sunlight and room to move about and more service. A house where you can get a Move on things! Zzzz. Why! it’s like a discord—it jars—even to have the telephone.... There’s nothing, nothing except the terrace, that’s worth a Rap. It’s all dark and old and dried up and full of old-fashioned things—musty old idees—fitter for a silver-fish than a modern man.... I don’t know how I got here.”

“And I want a bigger place too, George. I want fresh air and sunlight and space to move around and more convenience. A house where you can make things happen! Zzzz. Wow! It’s like a clash—it’s jarring—even having the phone.... There’s nothing, nothing except the terrace, that’s worth a dime. It’s all dark and old and stale and full of outdated stuff—musty old ideas—better suited for a silverfish than a modern person.... I don’t know how I ended up here.”

He broke out into a new grievance. “That damned vicar,” he complained, “thinks I ought to think myself lucky to get this place! Every time I meet him I can see him think it.... One of these days, George I’ll show him what a Mod’un house is like!”

He started complaining again. “That damn vicar,” he said, “thinks I should feel lucky to have this place! Every time I run into him, I can tell what he’s thinking.... One of these days, George, I’m going to show him what a modern house is really like!”

And he did.

And he did.

I remember the day when he declared, as Americans say, for Crest Hill. He had come up to see my new gas plant, for I was then only just beginning to experiment with auxiliary collapsible balloons, and all the time the shine of his glasses was wandering away to the open down beyond. “Let’s go back to Lady Grove over the hill,” he said. “Something I want to show you. Something fine!”

I remember the day he announced, as Americans say, for Crest Hill. He had come to check out my new gas plant because I was just starting to experiment with auxiliary collapsible balloons, and the whole time, the glare from his glasses kept drifting toward the open area beyond. “Let’s head back to Lady Grove over the hill,” he said. “There’s something I want to show you. Something great!”

It was an empty sunlit place that summer evening, sky and earth warm with sundown, and a pe-wit or so just accentuating the pleasant stillness that ends a long clear day. A beautiful peace, it was, to wreck for ever. And there was my uncle, the modern man of power, in his grey top-hat and his grey suit and his black-ribboned glasses, short, thin-legged, large-stomached, pointing and gesticulating, threatening this calm.

It was a sunlit, empty spot that summer evening, with the sky and ground warm from the setting sun, and a pe-wit or two just highlighting the nice stillness that follows a long, clear day. It was a beautiful peace, ready to be ruined forever. And there was my uncle, the modern man of influence, in his grey top hat and grey suit, with his black-ribboned glasses, short and thin-legged, with a big stomach, pointing and gesturing, interrupting this calm.

He began with a wave of his arm. “That’s the place, George,” he said. “See?”

He started by waving his arm. “That’s the spot, George,” he said. “See?”

“Eh!” I cried—for I had been thinking of remote things.

“Ugh!” I shouted—because I had been lost in distant thoughts.

“I got it.”

“Got it.”

“Got what?”

"Got what?"

“For a house!—a Twentieth Century house! That’s the place for it!”

“For a house!—a 21st Century house! That’s the perfect spot for it!”

One of his characteristic phrases was begotten in him.

One of his signature phrases came to him.

“Four-square to the winds of heaven, George!” he said. “Eh? Four-square to the winds of heaven!”

“Facing the winds of heaven, George!” he said. “Huh? Facing the winds of heaven!”

“You’ll get the winds up here,” I said.

“You’ll get the winds up here,” I said.

“A mammoth house it ought to be, George—to suit these hills.”

“A huge house it should be, George—to match these hills.”

“Quite,” I said.

"Definitely," I said.

“Great galleries and things—running out there and there—See? I been thinking of it, George! Looking out all this way—across the Weald. With its back to Lady Grove.”

“Great galleries and stuff—running out there and there—See? I’ve been thinking about it, George! Looking out this way—across the Weald. With its back to Lady Grove.”

“And the morning sun in its eye.”

“And the morning sun in its gaze.”

“Like an eagle, George,—like an eagle!”

“Like an eagle, George—like an eagle!”

So he broached to me what speedily became the leading occupation of his culminating years, Crest Hill. But all the world has heard of that extravagant place which grew and changed its plans as it grew, and bubbled like a salted snail, and burgeoned and bulged and evermore grew. I know not what delirium of pinnacles and terraces and arcades and corridors glittered at last upon the uplands of his mind; the place, for all that its expansion was terminated abruptly by our collapse, is wonderful enough as it stands,—that empty instinctive building of a childless man. His chief architect was a young man named Westminster, whose work he had picked out in the architecture room of the Royal Academy on account of a certain grandiose courage in it, but with him he associated from time to time a number of fellow professionals, stonemasons, sanitary engineers, painters, sculptors, scribes, metal workers, wood carvers, furniture designers, ceramic specialists, landscape gardeners, and the man who designs the arrangement and ventilation of the various new houses in the London Zoological Gardens. In addition he had his own ideas. The thing occupied his mind at all times, but it held it completely from Friday night to Monday morning. He would come down to Lady Grove on Friday night in a crowded motor-car that almost dripped architects. He didn’t, however, confine himself to architects; every one was liable to an invitation to week-end and view Crest Hill, and many an eager promoter, unaware of how Napoleonically and completely my uncle had departmentalised his mind, tried to creep up to him by way of tiles and ventilators and new electric fittings. Always on Sunday mornings, unless the weather was vile, he would, so soon as breakfast and his secretaries were disposed of, visit the site with a considerable retinue, and alter and develop plans, making modifications, Zzzz-ing, giving immense new orders verbally—an unsatisfactory way, as Westminster and the contractors ultimately found.

So he told me about what quickly became the main focus of his later years, Crest Hill. But everyone knows about that extravagant place which evolved and changed its plans as it developed, bubbling like a salted snail, growing and expanding endlessly. I don’t know what wild visions of towers, terraces, arcades, and corridors finally shimmered in his mind; the place, despite its sudden halt in expansion due to our downfall, is impressive enough as it stands—an instinctive creation of a man without children. His main architect was a young guy named Westminster, whose work he had noticed in the architecture room of the Royal Academy because it had a certain grand, bold quality. However, he occasionally collaborated with a number of other professionals, including stonemasons, sanitary engineers, painters, sculptors, writers, metal workers, wood carvers, furniture designers, ceramic specialists, landscape gardeners, and even the person who designs the layout and ventilation for various new houses at the London Zoo. Additionally, he had his own ideas. This project occupied his thoughts constantly, but it completely consumed him from Friday night to Monday morning. He would drive down to Lady Grove on Friday nights in a packed car full of architects. He didn’t just stick to architects; anyone could get an invitation to spend the weekend and check out Crest Hill, and many eager promoters, unaware of how thoroughly my uncle had compartmentalized his thinking, tried to impress him with ideas about tiles, ventilation, and new electric fittings. Every Sunday morning, unless the weather was terrible, he would head to the site right after breakfast and dealing with his secretaries, bringing along a substantial entourage to tweak and refine plans, making adjustments, and verbally issuing significant new orders—an unsatisfactory method, as Westminster and the contractors eventually discovered.

There he stands in my memory, the symbol of this age for me, the man of luck and advertisement, the current master of the world. There he stands upon the great outward sweep of the terrace before the huge main entrance, a little figure, ridiculously disproportionate to that forty-foot arch, with the granite ball behind him—the astronomical ball, brass coopered, that represented the world, with a little adjustable tube of lenses on a gun-metal arm that focussed the sun upon just that point of the earth on which it chanced to be shining vertically. There he stands, Napoleonically grouped with his retinue men in tweeds and golfing-suits, a little solicitor, whose name I forget, in grey trousers and a black jacket, and Westminster in Jaeger underclothing, a floriferous tie, and peculiar brown cloth of his own.

There he stands in my memory, the symbol of this era for me, the lucky man and advertisement, the current master of the world. There he is on the wide terrace before the big main entrance, a tiny figure, hilariously out of proportion to that forty-foot arch, with the granite globe behind him—the astronomical globe, made of brass, that represented the world, with a small adjustable tube of lenses on a gun-metal arm that focused the sun on exactly that spot on Earth where it happened to be shining directly. There he stands, Napoleonically posed with his group of men in tweeds and golf attire, a little lawyer, whose name I can’t recall, in grey pants and a black jacket, and Westminster in Jaeger underwear, a flashy tie, and some unusual brown fabric of his own.

The downland breeze flutters my uncle’s coat-tails, disarranges his stiff hair, and insists on the evidence of undisciplined appetites in face and form, as he points out this or that feature in the prospect to his attentive collaborator.

The breeze from the downs flutters my uncle’s coat-tails, messes up his stiff hair, and reveals the signs of unrestrained desires in his face and body as he highlights various features in the view to his attentive companion.

Below are hundreds of feet of wheeling-planks, ditches, excavations, heaps of earth, piles of garden stone from the Wealden ridges. On either hand the walls of his irrelevant unmeaning palace rise at one time he had working in that place—disturbing the economic balance of the whole countryside by their presence—upwards of three thousand men....

Below are hundreds of feet of wheeling planks, ditches, excavations, mounds of earth, and stacks of garden stones from the Wealden ridges. On either side, the walls of his pointless, meaningless palace rise, where at one time he had over three thousand men working in that place—disrupting the economic balance of the entire countryside with their presence....

So he poses for my picture amidst the raw beginnings that were never to be completed. He did the strangest things about that place, things more and more detached from any conception of financial scale, things more and more apart from sober humanity. He seemed to think himself, at last, released from any such limitations. He moved a quite considerable hill, and nearly sixty mature trees were moved with it to open his prospect eastward, moved it about two hundred feet to the south. At another time he caught a suggestion from some city restaurant and made a billiard-room roofed with plate glass beneath the waters of his ornamental lake. He furnished one wing while its roof still awaited completion. He had a swimming bath thirty feet square next to his bedroom upstairs, and to crown it all he commenced a great wall to hold all his dominions together, free from the invasion of common men. It was a ten-foot wall, glass surmounted, and had it been completed as he intended it, it would have had a total length of nearly eleven miles. Some of it towards the last was so dishonestly built that it collapsed within a year upon its foundations, but some miles of it still stand. I never think of it now but what I think of the hundreds of eager little investors who followed his “star,” whose hopes and lives, whose wives’ security and children’s prospects are all mixed up beyond redemption with that flaking mortar....

So he poses for my picture among the unfinished beginnings that would never be completed. He did the strangest things around that place, things increasingly detached from any sense of financial reality, things more and more disconnected from serious humanity. He seemed to believe he was finally free from such constraints. He moved a pretty large hill, taking nearly sixty mature trees with it to open up his view to the east, relocating it about two hundred feet to the south. At another time, he got an idea from some city restaurant and built a billiard room covered with plate glass beneath the waters of his decorative lake. He furnished one wing while its roof was still unfinished. He had a thirty-foot square swimming pool next to his bedroom upstairs, and to top it all off, he started building a massive wall to keep all his territory together, free from the intrusion of ordinary people. It was a ten-foot wall topped with glass, and if it had been completed as he envisioned, it would have stretched nearly eleven miles. Some of it towards the end was so poorly constructed that it collapsed within a year on its foundations, but some miles of it still stand. I can’t think of it now without thinking of the hundreds of eager little investors who followed his “star,” whose hopes and lives, whose wives’ security and children’s futures are all hopelessly tangled with that crumbling mortar....

It is curious how many of these modern financiers of chance and bluff have ended their careers by building. It was not merely my uncle. Sooner or later they all seem to bring their luck to the test of realisation, try to make their fluid opulence coagulate out as bricks and mortar, bring moonshine into relations with a weekly wages-sheet. Then the whole fabric of confidence and imagination totters—and down they come....

It’s interesting how many of these modern gamblers and risk-takers have ended their careers by creating something tangible. It wasn’t just my uncle. Eventually, they all seem to put their luck to the test of reality, trying to turn their fluid wealth into solid buildings, and bring fanciful dreams into line with a regular paycheck. Then the whole structure of confidence and imagination wobbles—and down they go...

When I think of that despoiled hillside, that colossal litter of bricks and mortar, and crude roads and paths, the scaffolding and sheds, the general quality of unforeseeing outrage upon the peace of nature, I am reminded of a chat I had with the vicar one bleak day after he had witnessed a glide. He talked to me of aeronautics as I stood in jersey and shorts beside my machine, fresh from alighting, and his cadaverous face failed to conceal a peculiar desolation that possessed him.

When I think of that ruined hillside, that huge mess of bricks and mortar, rough roads and paths, the scaffolding and sheds, and the general disregard for the peace of nature, I remember a conversation I had with the vicar one gloomy day after he had seen a glide. He talked to me about aviation while I stood in a sweater and shorts next to my machine, just after landing, and his pale face couldn't hide a strange sense of sadness that overwhelmed him.

“Almost you convince me,” he said, coming up to me, “against my will.... A marvellous invention! But it will take you a long time, sir, before you can emulate that perfect mechanism—the wing of a bird.”

“Almost you convince me,” he said, approaching me, “against my will.... A marvelous invention! But it will take you a long time, sir, before you can replicate that perfect mechanism—the wing of a bird.”

He looked at my sheds.

He checked out my sheds.

“You’ve changed the look of this valley, too,” he said.

“You’ve changed the appearance of this valley, too,” he said.

“Temporary defilements,” I remarked, guessing what was in his mind.

“Temporary blemishes,” I said, sensing what he was thinking.

“Of course. Things come and go. Things come and go. But—H’m. I’ve just been up over the hill to look at Mr. Edward Ponderevo’s new house. That—that is something more permanent. A magnificent place!—in many ways. Imposing. I’ve never somehow brought myself to go that way before. Things are greatly advanced.... We find—the great number of strangers introduced into the villages about here by these operations, working-men chiefly, a little embarrassing. It put us out. They bring a new spirit into the place; betting—ideas—all sorts of queer notions. Our publicans like it, of course. And they come and sleep in one’s outhouses—and make the place a little unsafe at nights. The other morning I couldn’t sleep—a slight dyspepsia—and I looked out of the window. I was amazed to see people going by on bicycles. A silent procession. I counted ninety-seven—in the dawn. All going up to the new road for Crest Hill. Remarkable I thought it. And so I’ve been up to see what they were doing.”

“Of course. Things come and go. Things come and go. But—hmm. I just went over the hill to check out Mr. Edward Ponderevo’s new house. That—now that’s something more permanent. It’s a magnificent place!—in many ways. Impressive. I’ve never really taken the time to go that way before. Things have really changed... We notice that the influx of strangers brought into the nearby villages by these projects, mostly working-class people, is a bit awkward. It threw us off. They bring a new energy to the area; betting—ideas—all kinds of strange notions. Our local bars love it, of course. They come and sleep in our outbuildings—and make the place a little unsafe at night. The other morning, I couldn’t sleep—a bit of indigestion—and I looked out the window. I was shocked to see people passing by on bicycles. A silent parade. I counted ninety-seven—at dawn. All heading up to the new road for Crest Hill. I thought it was remarkable. So I went up to see what they were doing.”

“They would have been more than remarkable thirty years ago,” I said.

“They would have been more than remarkable thirty years ago,” I said.

“Yes, indeed. Things change. We think nothing of it now at all—comparatively. And that big house—”

“Yes, definitely. Things change. We barely think about it now—relatively. And that big house—”

He raised his eyebrows. “Really stupendous! Stupendous.

He raised his eyebrows. “Really amazing! Amazing.

“All the hillside—the old turf—cut to ribbons!”

“All the hillside—the old grass—torn to shreds!”

His eye searched my face. “We’ve grown so accustomed to look up to Lady Grove,” he said, and smiled in search of sympathy. “It shifts our centre of gravity.”

His gaze scanned my face. “We’ve become so used to looking up to Lady Grove,” he said, smiling for sympathy. “It changes our center of gravity.”

“Things will readjust themselves,” I lied.

“Things will figure themselves out,” I lied.

He snatched at the phrase. “Of course,” he said.

He grabbed the phrase. “Of course,” he said.

“They’ll readjust themselves—settle down again. Must. In the old way. It’s bound to come right again—a comforting thought. Yes. After all, Lady Grove itself had to be built once upon a time—was—to begin with—artificial.”

“They’ll readjust themselves—settle down again. They have to. In the old way. It’s bound to work out again—a comforting thought. Yes. After all, Lady Grove itself had to be built at some point—was—to start with—artificial.”

His eye returned to my aeroplane. He sought to dismiss his graver preoccupations. “I should think twice,” he remarked, “before I trusted myself to that concern.... But I suppose one grows accustomed to the motion.”

His gaze shifted back to my airplane. He tried to push aside his more serious worries. “I should really think twice,” he said, “before I put my trust in that thing.... But I guess you get used to the motion.”

He bade me good morning and went his way, bowed and thoughtful....

He wished me a good morning and walked away, looking thoughtful and contemplative....

He had kept the truth from his mind a long time, but that morning it had forced its way to him with an aspect that brooked no denial that this time it was not just changes that were coming in his world, but that all his world lay open and defenceless, conquered and surrendered, doomed so far as he could see, root and branch, scale and form alike, to change.

He had pushed the truth out of his mind for a long time, but that morning it broke through in a way that left no room for denial. This time, it wasn’t just changes coming to his world; it felt like his entire world was exposed and vulnerable, defeated and given up, doomed in every way he could see, from roots to branches, in scale and shape, to change.

CHAPTER THE THIRD
SOARING

I

For nearly all the time that my uncle was incubating and hatching Crest Hill I was busy in a little transverse valley between that great beginning and Lady Grove with more and more costly and ambitious experiments in aerial navigation. This work was indeed the main substance of my life through all the great time of the Tono-Bungay symphony.

For almost the entire time my uncle was working on and developing Crest Hill, I was occupied in a small cross valley between that major project and Lady Grove, conducting increasingly expensive and ambitious experiments in flight. This work was truly the focus of my life during the entire significant period of the Tono-Bungay symphony.

I have told already how I came to devote myself to this system of inquiries, how in a sort of disgust with the common adventure of life I took up the dropped ends of my college studies, taking them up again with a man’s resolution instead of a boy’s ambition. From the first I did well at this work. It—was, I think, largely a case of special aptitude, of a peculiar irrelevant vein of faculty running through my mind. It is one of those things men seem to have by chance, that has little or nothing to do with their general merit, and which it is ridiculous to be either conceited or modest about. I did get through a very big mass of work in those years, working for a time with a concentrated fierceness that left little of such energy or capacity as I possess unused. I worked out a series of problems connected with the stability of bodies pitching in the air and the internal movements of the wind, and I also revolutionised one leading part at last of the theory of explosive engines. These things are to be found in the Philosophical Transactions, the Mathematical Journal, and less frequently in one or two other such publications, and they needn’t detain us here. Indeed, I doubt if I could write about them here. One acquires a sort of shorthand for one’s notes and mind in relation to such special work. I have never taught; nor lectured, that is to say, I have never had to express my thoughts about mechanical things in ordinary everyday language, and I doubt very much if I could do so now without extreme tedium.

I’ve already mentioned how I started to dedicate myself to this line of inquiry, how, out of a sort of frustration with the usual course of life, I picked up the unfinished threads of my college studies, approaching them with a man’s determination instead of a boy’s ambition. From the beginning, I excelled at this work. It was, I think, mainly due to a unique talent, a strange, irrelevant ability flowing through my mind. It’s one of those things that seem to come to people by chance, unrelated to their overall abilities, and it’s silly to be either arrogant or humble about it. I managed to get through a significant amount of work during those years, applying a focused intensity that used up nearly all the energy and capability I had. I tackled a series of problems related to the stability of objects moving through the air and the internal dynamics of wind, and I also finally transformed a key aspect of the theory of explosive engines. You can find these works in the Philosophical Transactions, the Mathematical Journal, and occasionally in a couple of other similar publications, but they don’t need to be our focus here. In fact, I’m not sure I could discuss them effectively. One develops a sort of shorthand for notes and ideas related to such specialized work. I’ve never taught or lectured; that is, I’ve never had to express my thoughts about mechanical things in everyday language, and I seriously doubt I could do so now without it being incredibly tedious.

My work was, to begin with, very largely theoretical. I was able to attack such early necessities of verification as arose with quite little models, using a turntable to get the motion through the air, and cane, whalebone and silk as building material. But a time came when incalculable factors crept in, factors of human capacity and factors of insufficient experimental knowledge, when one must needs guess and try. Then I had to enlarge the scale of my operations, and soon I had enlarged them very greatly. I set to work almost concurrently on the balance and stability of gliders and upon the steering of inflated bags, the latter a particularly expensive branch of work. I was no doubt moved by something of the same spirit of lavish expenditure that was running away with my uncle in these developments. Presently my establishment above Lady Grove had grown to a painted wood chalet big enough to accommodate six men, and in which I would sometimes live for three weeks together; to a gasometer, to a motor-house, to three big corrugated-roofed sheds and lock-up houses, to a stage from which to start gliders, to a workshop and so forth. A rough road was made. We brought up gas from Cheaping and electricity from Woking, which place I found also afforded a friendly workshop for larger operations than I could manage. I had the luck also to find a man who seemed my heaven-sent second-in-command—Cothope his name was. He was a self-educated-man; he had formerly been a sapper and he was one of the best and handiest working engineers alive. Without him I do not think I could have achieved half what I have done. At times he has been not so much my assistant as my collaborator, and has followed my fortunes to this day. Other men came and went as I needed them.

My work was mostly theoretical at first. I tackled early verification needs with small models, using a turntable to simulate motion through the air, and materials like cane, whalebone, and silk. But then, countless unpredictable factors came into play—human abilities and gaps in experimental knowledge—forcing me to guess and experiment. I had to scale up my efforts, and I quickly did. I began working on the balance and stability of gliders while also focusing on steering inflatables, which was a particularly expensive endeavor. I was likely influenced by the same spirit of extravagant spending that was driving my uncle in these projects. Eventually, my setup above Lady Grove expanded into a painted wood chalet that could house six people, where I'd sometimes stay for three weeks straight; along with a gasometer, a motor house, three large corrugated-roofed sheds and storage units, a launch platform for gliders, a workshop, and more. A rough road was constructed. We brought in gas from Cheaping and electricity from Woking, which also became a helpful spot for larger projects than I could handle alone. I was fortunate to find a man who seemed like a blessing as my second-in-command—his name was Cothope. He was self-taught, had previously been a sapper, and was one of the best and most versatile engineers alive. Without him, I doubt I could have accomplished half of what I have. At times, he was not just an assistant but a collaborator, and he has been with me throughout my journey. Other people came and went as needed.

I do not know how far it is possible to convey to any one who has not experienced it, the peculiar interest, the peculiar satisfaction that lies in a sustained research when one is not hampered by want of money. It is a different thing from any other sort of human effort. You are free from the exasperating conflict with your fellow-creatures altogether—at least so far as the essential work goes; that for me is its peculiar merit. Scientific truth is the remotest of mistresses; she hides in strange places, she is attained by tortuous and laborious roads, but she is always there! Win to her and she will not fail you; she is yours and mankind’s for ever. She is reality, the one reality I have found in this strange disorder of existence. She will not sulk with you nor misunderstand you nor cheat you of your reward upon some petty doubt. You cannot change her by advertisement or clamour, nor stifle her in vulgarities. Things grow under your hands when you serve her, things that are permanent as nothing else is permanent in the whole life of man. That, I think, is the peculiar satisfaction of science and its enduring reward....

I don't know how to explain to anyone who hasn't experienced it the unique interest and satisfaction that comes from sustained research when you're not held back by a lack of money. It's different from any other type of human effort. You’re completely free from the frustrating conflicts with others—at least as far as the essential work is concerned; that's what I find most rewarding about it. Scientific truth is the most elusive of mistresses; she hides in unexpected places and is found through winding and difficult paths, but she is always there! Win her over, and she won't let you down; she belongs to you and humanity forever. She is reality, the only reality I've discovered in this chaotic existence. She won't sulk, misunderstand, or cheat you out of your reward over some trivial doubt. You can't change her with promotions or noise, nor can you drown her in superficiality. Things flourish in your hands when you serve her, creating things that are as enduring as nothing else in all of human life. That, I believe, is the unique satisfaction of science and its lasting reward...

The taking up of experimental work produced a great change in my personal habits. I have told how already once in my life at Wimblehurst I had a period of discipline and continuous effort, and how, when I came to South Kensington, I became demoralised by the immense effect of London, by its innumerable imperative demands upon my attention and curiosity. And I parted with much of my personal pride when I gave up science for the development of Tono-Bungay. But my poverty kept me abstinent and my youthful romanticism kept me chaste until my married life was well under way. Then in all directions I relaxed. I did a large amount of work, but I never troubled to think whether it was my maximum nor whether the moods and indolences that came to me at times were avoidable things. With the coming of plenty I ate abundantly and foolishly, drank freely and followed my impulses more and more carelessly. I felt no reason why I should do anything else. Never at any point did I use myself to the edge of my capacity. The emotional crisis of my divorce did not produce any immediate change in these matters of personal discipline. I found some difficulty at first in concentrating my mind upon scientific work, it was so much more exacting than business, but I got over that difficulty by smoking. I became an inordinate cigar smoker; it gave me moods of profound depression, but I treated these usually by the homeopathic method,—by lighting another cigar. I didn’t realise at all how loose my moral and nervous fibre had become until I reached the practical side of my investigations and was face to face with the necessity of finding out just how it felt to use a glider and just what a man could do with one.

Taking up experimental work really changed my personal habits. I’ve mentioned before how, during a time in Wimblehurst, I had a period of discipline and hard work, and how when I got to South Kensington, I was overwhelmed by the huge impact of London, with its countless demands on my attention and curiosity. I lost a lot of my personal pride when I chose to focus on developing Tono-Bungay instead of pursuing science. However, my financial struggles kept me restrained and my youthful romanticism kept me in check until I was well into my married life. Then I started to relax in all areas. I did a lot of work, but I never really thought about whether it was my best or whether the moods and laziness I sometimes felt were avoidable. With the arrival of plenty, I began to eat excessively and foolishly, drink freely, and follow my impulses more carelessly. I didn’t see any reason to do anything differently. I never pushed myself to the limits of my abilities. The emotional turmoil from my divorce didn’t lead to any immediate changes in my personal discipline. I initially struggled to focus on scientific work since it was much more demanding than just business, but I overcame that by smoking. I became an excessive cigar smoker; it brought me intense feelings of depression, but I usually dealt with that by lighting up another cigar. I had no idea how much my moral compass and mental well-being had deteriorated until I got into the practical side of my work and realized I needed to understand what it felt like to use a glider and what a person could actually do with one.

I got into this relaxed habit of living in spite of very real tendencies in my nature towards discipline. I’ve never been in love with self-indulgence. That philosophy of the loose lip and the lax paunch is one for which I’ve always had an instinctive distrust. I like bare things, stripped things, plain, austere and continent things, fine lines and cold colours. But in these plethoric times when there is too much coarse stuff for everybody and the struggle for life takes the form of competitive advertisement and the effort to fill your neighbour’s eye, when there is no urgent demand either for personal courage, sound nerves or stark beauty, we find ourselves by accident. Always before these times the bulk of the people did not over-eat themselves, because they couldn’t, whether they wanted to do so or not, and all but a very few were kept “fit” by unavoidable exercise and personal danger. Now, if only he pitch his standard low enough and keep free from pride, almost any one can achieve a sort of excess. You can go through contemporary life fudging and evading, indulging and slacking, never really hungry nor frightened nor passionately stirred, your highest moment a mere sentimental orgasm, and your first real contact with primary and elemental necessities, the sweat of your death-bed. So I think it was with my uncle; so, very nearly, it was with me.

I developed this laid-back way of living despite my natural inclination towards discipline. I've never really liked self-indulgence. That idea of being carefree and lazy is something I've always instinctively distrusted. I prefer minimalism, things that are stripped down, plain, austere, and disciplined—clean lines and cool colors. But in these excessive times, when there's too much rough stuff around and the struggle for life turns into competitive advertising and trying to impress others, we find ourselves by accident. In the past, most people didn't overeat because they couldn't, whether they wanted to or not, and nearly everyone stayed "fit" due to unavoidable exercise and personal risk. Now, if you just lower your standards enough and avoid pride, almost anyone can reach a kind of excess. You can navigate modern life by avoiding challenges and indulging, never truly feeling hungry, scared, or deeply moved, with your highest moments being nothing but sentimental highs, and your first real connection with basic needs being the realization of your mortality. I think that’s how it was with my uncle; pretty much, that’s how it was with me too.

But the glider brought me up smartly. I had to find out how these things went down the air, and the only way to find out is to go down with one. And for a time I wouldn’t face it.

But the glider lifted me up quickly. I had to figure out how these things descended through the air, and the only way to learn that was to go down with one. For a while, I wouldn’t confront it.

There is something impersonal about a book, I suppose. At any rate I find myself able to write down here just the confession I’ve never been able to make to any one face to face, the frightful trouble it was to me to bring myself to do what I suppose every other coloured boy in the West Indies could do without turning a hair, and that is to fling myself off for my first soar down the wind. The first trial was bound to be the worst; it was an experiment I made with life, and the chance of death or injury was, I supposed, about equal to the chance of success. I believed that with a dawn-like lucidity. I had begun with a glider that I imagined was on the lines of the Wright brothers’ aeroplane, but I could not be sure. It might turn over. I might upset it. It might burrow its nose at the end and smash itself and me. The conditions of the flight necessitated alert attention; it wasn’t a thing to be done by jumping off and shutting one’s eyes or getting angry or drunk to do it. One had to use one’s weight to balance. And when at last I did it it was horrible—for ten seconds. For ten seconds or so, as I swept down the air flattened on my infernal framework and with the wind in my eyes, the rush of the ground beneath me filled me with sick and helpless terror; I felt as though some violent oscillatory current was throbbing in brain and back bone, and I groaned aloud. I set my teeth and groaned. It was a groan wrung out of me in spite of myself. My sensations of terror swooped to a climax. And then, you know, they ended!

There’s something impersonal about a book, I guess. Anyway, I find that I can write down the confession I've never been able to say to anyone in person—the intense struggle it was for me to do what I think every other colored boy in the West Indies could do without flinching, which was to launch myself off for my first flight. The first attempt was definitely the hardest; it was a gamble with my life, and I figured the risk of death or injury was about the same as the chance of succeeding. I believed that with a clarity like dawn. I started with a glider that I thought resembled the Wright brothers' airplane, but I couldn't be sure. It could flip over. I could crash it. It might dig its nose into the ground and destroy itself and me. The conditions for flying required complete focus; it wasn’t something to do by just jumping off and closing my eyes or getting agitated or drunk to go through with it. I had to use my weight to balance. And when I finally did it, it was awful—for about ten seconds. For those ten seconds or so, as I plunged down with my body pressed against that infernal structure and wind in my face, the ground rushing beneath me filled me with a sickening and helpless fear; I felt like some violent, oscillating force was pounding in my brain and spine, and I groaned loudly. I clenched my teeth and groaned. It was a groan that came out of me despite everything. My feelings of terror peaked. And then, you know, they just stopped!

Suddenly my terror was over and done with. I was soaring through the air right way up, steadily, and no mischance had happened. I felt intensely alive and my nerves were strung like a bow. I shifted a limb, swerved and shouted between fear and triumph as I recovered from the swerve and heeled the other way and steadied myself.

Suddenly, my fear was gone. I was flying through the air, upright, without any mishaps. I felt incredibly alive, and my nerves were on edge. I moved a limb, swerved, and shouted in a mix of fear and triumph as I regained control, leaned the other way, and steadied myself.

I thought I was going to hit a rook that was flying athwart me,—it was queer with what projectile silence that jumped upon me out of nothingness, and I yelled helplessly, “Get out of the way!” The bird doubled itself up like a partly inverted V, flapped, went up to the right abruptly and vanished from my circle of interest. Then I saw the shadow of my aeroplane keeping a fixed distance before me and very steady, and the turf as it seemed streaming out behind it. The turf!—it wasn’t after all streaming so impossibly fast.

I thought I was going to hit a bird that was flying right in front of me—it was strange how silently it appeared out of nowhere, and I yelled helplessly, “Get out of the way!” The bird folded itself like a partially inverted V, flapped its wings, turned sharply to the right, and disappeared from my view. Then I noticed the shadow of my airplane staying at a consistent distance ahead of me and very steady, with the ground seeming to rush out behind it. The ground!—it wasn’t actually moving as impossibly fast as it seemed.

When I came gliding down to the safe spread of level green I had chosen, I was as cool and ready as a city clerk who drops off an omnibus in motion, and I had learnt much more than soaring. I tilted up her nose at the right moment, levelled again and grounded like a snowflake on a windless day. I lay flat for an instant and then knelt up and got on my feet atremble, but very satisfied with myself. Cothope was running down the hill to me. ...

When I glided down to the safe patch of flat green I had picked, I felt as composed and prepared as a city clerk hopping off a moving bus, and I had learned a lot more than just flying. I lifted her nose at the right time, leveled off, and landed like a snowflake on a calm day. I stayed flat for a moment, then knelt up and stood, shaking but very pleased with myself. Cothope was running down the hill towards me. ...

But from that day I went into training, and I kept myself in training for many months. I had delayed my experiments for very nearly six weeks on various excuses because of my dread of this first flight, because of the slackness of body and spirit that had come to me with the business life. The shame of that cowardice spurred me none the less because it was probably altogether my own secret. I felt that Cothope at any rate might suspect. Well,—he shouldn’t suspect again.

But from that day, I started training and kept at it for several months. I had postponed my experiments for almost six weeks with various excuses because I was so afraid of this first flight and because I felt sluggish both physically and mentally due to the everyday grind. The embarrassment of that cowardice drove me even harder, even though it was probably just my secret. I felt that Cothope might suspect something. Well, he wouldn’t suspect again.

It is curious that I remember that shame and self accusation and its consequences far more distinctly than I recall the weeks of vacillation before I soared. For a time I went altogether without alcohol, I stopped smoking altogether and ate very sparingly, and every day I did something that called a little upon my nerves and muscles. I soared as frequently as I could. I substituted a motor-bicycle for the London train and took my chances in the southward traffic, and I even tried what thrills were to be got upon a horse. But they put me on made horses, and I conceived a perhaps unworthy contempt for the certitudes of equestrian exercise in comparison with the adventures of mechanism. Also I walked along the high wall at the back of Lady Grove garden, and at last brought myself to stride the gap where the gate comes. If I didn’t altogether get rid of a certain giddy instinct by such exercises, at least I trained my will until it didn’t matter. And soon I no longer dreaded flight, but was eager to go higher into the air, and I came to esteem soaring upon a glider, that even over the deepest dip in the ground had barely forty feet of fall beneath it, a mere mockery of what flight might be. I began to dream of the keener freshness in the air high above the beechwoods, and it was rather to satisfy that desire than as any legitimate development of my proper work that presently I turned a part of my energies and the bulk of my private income to the problem of the navigable balloon.

It’s interesting that I remember feelings of shame and self-blame, along with their consequences, much more clearly than I remember the weeks of uncertainty before I took flight. For a while, I completely stopped drinking alcohol, quit smoking entirely, and ate very little. Each day, I did something that tested my nerves and muscles. I soared as often as possible. I swapped the London train for a motorbike and took my chances in the busy traffic heading south, and I even sought out the thrills of riding a horse. However, I was put on trained horses, which led me to develop a perhaps unearned disdain for the certainty of horseback riding compared to the excitement of machinery. I also walked along the high wall at the back of Lady Grove garden and finally built up the courage to jump across the gap where the gate was. If I didn’t completely eliminate a certain dizzy inclination through these activities, I at least trained my will until it didn’t matter. Soon, I no longer feared flying; instead, I was eager to soar higher into the sky. I began to regard gliding as trivial, even over the deepest dip in the ground, which had barely a forty-foot drop beneath it, a mere mockery of what real flight could be. I started dreaming of the exhilarating freshness of the air above the beechwoods, and it was more to satisfy that longing than as any genuine progression in my main work that I eventually devoted part of my energy and most of my personal savings to the challenge of creating a navigable balloon.

II

I had gone far beyond that initial stage; I had had two smashes and a broken rib which my aunt nursed with great energy, and was getting some reputation in the aeronautic world when, suddenly, as though she had never really left it, the Honourable Beatrice Normandy, dark-eyed, and with the old disorderly wave of the hair from her brow, came back into my life. She came riding down a grass path in the thickets below Lady Grove, perched up on a huge black horse, and the old Earl of Carnaby and Archie Garvell, her half-brother, were with her. My uncle had been bothering me about the Crest Hill hot-water pipes, and we were returning by a path transverse to theirs and came out upon them suddenly. Old Carnaby was trespassing on our ground, and so he hailed us in a friendly fashion and pulled up to talk to us.

I had moved way past that first phase; I had suffered two crashes and a broken rib, which my aunt took care of with real dedication, and I was starting to gain a reputation in the aviation world when, out of nowhere, the Honourable Beatrice Normandy, with her dark eyes and the familiar messy wave of hair falling from her forehead, reentered my life. She rode down a grassy path in the thickets below Lady Grove, sitting astride a massive black horse, accompanied by the old Earl of Carnaby and her half-brother Archie Garvell. My uncle had been pestering me about the hot water pipes at Crest Hill, and we were taking a different path that crossed theirs when we unexpectedly came upon them. Old Carnaby was on our land, so he greeted us warmly and paused to chat.

I didn’t note Beatrice at all at first. I was interested in Lord Carnaby, that remarkable vestige of his own brilliant youth. I had heard of him, but never seen him. For a man of sixty-five who had sinned all the sins, so they said, and laid waste the most magnificent political debut of any man of his generation, he seemed to me to be looking remarkably fit and fresh. He was a lean little man with grey-blue eyes in his brown face, and his cracked voice was the worst thing in his effect.

I didn’t notice Beatrice at all at first. I was focused on Lord Carnaby, that impressive reminder of his once brilliant youth. I had heard about him but had never seen him. For a sixty-five-year-old who had supposedly committed every sin and squandered the most remarkable political debut of his generation, he actually looked quite fit and fresh. He was a thin man with grey-blue eyes in his tanned face, and his raspy voice was the worst part of his overall presence.

“Hope you don’t mind us coming this way, Ponderevo,” he cried; and my uncle, who was sometimes a little too general and generous with titles, answered, “Not at all, my lord, not at all! Glad you make use of it!”

“Hope you don’t mind us passing through, Ponderevo,” he called out; and my uncle, who sometimes got a bit carried away with titles, replied, “Not at all, my lord, not at all! Happy you’re using it!”

“You’re building a great place over the hill,” said Carnaby.

“You’re creating an awesome spot over the hill,” said Carnaby.

“Thought I’d make a show for once,” said my uncle. “It looks big because it’s spread out for the sun.”

“Thought I’d put on a show for once,” my uncle said. “It looks big because it’s spread out for the sun.”

“Air and sunlight,” said the earl. “You can’t have too much of them. But before our time they used to build for shelter and water and the high road.”

“Air and sunlight,” said the earl. “You can’t have too much of either. But in the past, they used to build for shelter, water, and the main road.”

Then I discovered that the silent figure behind the earl was Beatrice.

Then I realized that the quiet figure behind the earl was Beatrice.

I’d forgotten her sufficiently to think for a moment that she hadn’t changed at all since she had watched me from behind the skirts of Lady Drew. She was looking at me, and her dainty brow under her broad brimmed hat—she was wearing a grey hat and loose unbuttoned coat—was knit with perplexity, trying, I suppose, to remember where she had seen me before. Her shaded eyes met mine with that mute question....

I’d forgotten her enough to think for a moment that she hadn’t changed at all since she watched me from behind Lady Drew’s skirts. She was looking at me, and her delicate brow under her wide-brimmed hat—she was wearing a grey hat and a loose, unbuttoned coat—was furrowed with confusion, probably trying to remember where she had seen me before. Her shaded eyes met mine with that silent question...

It seemed incredible to me she didn’t remember.

It seemed unbelievable to me that she didn’t remember.

“Well,” said the earl and touched his horse.

"Well," said the earl, as he patted his horse.

Garvell was patting the neck of his horse, which was inclined to fidget, and disregarding me. He nodded over his shoulder and followed. His movement seemed to release a train of memories in her. She glanced suddenly at him and then back at me with a flash of recognition that warmed instantly to a faint smile. She hesitated as if to speak to me, smiled broadly and understandingly and turned to follow the others. All three broke into a canter and she did not look back. I stood for a second or so at the crossing of the lanes, watching her recede, and then became aware that my uncle was already some paces off and talking over his shoulder in the belief that I was close behind. I turned about and strode to overtake him. My mind was full of Beatrice and this surprise. I remembered her simply as a Normandy. I’d clean forgotten that Garvell was the son and she the step-daughter of our neighbour, Lady Osprey. Indeed, I’d probably forgotten at that time that we had Lady Osprey as a neighbour. There was no reason at all for remembering it. It was amazing to find her in this Surrey countryside, when I’d never thought of her as living anywhere in the world but at Bladesover Park, near forty miles and twenty years away. She was so alive—so unchanged! The same quick warm blood was in her cheeks. It seemed only yesterday that we had kissed among the bracken stems....

Garvell was patting his horse's neck, which was a bit restless, and ignoring me. He nodded over his shoulder and continued on. His movement seemed to trigger a wave of memories for her. She suddenly looked at him and then back at me with a spark of recognition that quickly turned into a faint smile. She paused as if she wanted to say something to me, smiled widely and knowingly, and then turned to follow the others. All three of them broke into a canter, and she didn’t look back. I stood for a moment at the intersection of the paths, watching her disappear, then realized that my uncle was already several paces ahead, talking over his shoulder, thinking I was right behind him. I turned around and hurried to catch up with him. My mind was filled with thoughts of Beatrice and this surprise. I remembered her simply as a Normandy. I had completely forgotten that Garvell was the son and she was the stepdaughter of our neighbor, Lady Osprey. In fact, I probably hadn’t even remembered at that moment that Lady Osprey was our neighbor. There was no reason to recall it. It was astonishing to see her in this Surrey countryside, since I had never imagined her living anywhere but at Bladesover Park, nearly forty miles and twenty years away. She seemed so vibrant—so unchanged! The same warm color was in her cheeks. It felt like just yesterday that we had kissed among the bracken stems....

“Eh?” I said.

"Wait, what?" I said.

“I say he’s good stuff,” said my uncle. “You can say what you like against the aristocracy, George; Lord Carnaby’s rattling good stuff. There’s a sort of Savoir Faire, something—it’s an old-fashioned phrase, George, but a good one there’s a Bong-Tong.... It’s like the Oxford turf, George, you can’t grow it in a year. I wonder how they do it. It’s living always on a Scale, George. It’s being there from the beginning.”...

“I say he’s a great guy,” said my uncle. “You can say whatever you want about the aristocracy, George; Lord Carnaby’s really something. There’s a kind of Savoir Faire, something—it's an old-fashioned term, George, but it fits. There’s a Bong-Tong.... It’s like the Oxford turf, George, you can’t just grow it overnight. I wonder how they manage it. It’s always about living on a larger Scale, George. It’s being part of it from the start.”

“She might,” I said to myself, “be a picture by Romney come alive!”

“She might,” I said to myself, “be a painting by Romney come to life!”

“They tell all these stories about him,” said my uncle, “but what do they all amount to?”

“They tell all these stories about him,” my uncle said, “but what do they really mean?”

“Gods!” I said to myself; “but why have I forgotten for so long? Those queer little brows of hers, the touch of mischief in her eyes—the way she breaks into a smile!”

“Wow!” I said to myself; “but why have I forgotten for so long? Those strange little eyebrows of hers, the playful spark in her eyes—the way she suddenly smiles!”

“I don’t blame him,” said my uncle. “Mostly it’s imagination. That and leisure, George. When I was a young man I was kept pretty busy. So were you. Even then—!”

"I don’t blame him," my uncle said. "It’s mostly imagination. That and free time, George. When I was young, I was always kept pretty busy. So were you. Even back then—!"

What puzzled me more particularly was the queer trick of my memory that had never recalled anything vital of Beatrice whatever when I met Garvell again that had, indeed, recalled nothing except a boyish antagonism and our fight. Now when my senses were full of her, it seemed incredible that I could ever have forgotten....

What puzzled me even more was the strange way my memory worked, as it had never really brought back anything meaningful about Beatrice when I met Garvell again, only a childish rivalry and our fight. Now that my thoughts were filled with her, it was hard to believe I could have ever forgotten...

III

“Oh, Crikey!” said my aunt, reading a letter behind her coffee-machine. “Here’s a young woman, George!”

“Oh, wow!” said my aunt, reading a letter behind her coffee machine. “Here’s a young woman, George!”

We were breakfasting together in the big window bay at Lady Grove that looks upon the iris beds; my uncle was in London.

We were having breakfast together in the large window bay at Lady Grove that overlooks the iris gardens; my uncle was in London.

I sounded an interrogative note and decapitated an egg.

I asked a question and broke the top off an egg.

“Who’s Beatrice Normandy?” asked my aunt. “I’ve not heard of her before.”

“Who’s Beatrice Normandy?” my aunt asked. “I’ve never heard of her before.”

“She the young woman?”

"Is she the young woman?"

“Yes. Says she knows you. I’m no hand at old etiquette, George, but her line is a bit unusual. Practically she says she’s going to make her mother—”

“Yes. She says she knows you. I’m not great with old etiquette, George, but her approach is a bit unusual. Basically, she says she’s going to make her mother—”

“Eh? Step-mother, isn’t it?”

"Uh? Is it stepmom?"

“You seem to know a lot about her. She says ‘mother’—Lady Osprey. They’re to call on me, anyhow, next Wednesday week at four, and there’s got to be you for tea.”

“You seem to know a lot about her. She calls her ‘mother’—Lady Osprey. They’re coming to see me, anyway, next Wednesday at four, and you have to be there for tea.”

“Eh?”

"What?"

“You—for tea.

"You—for tea."

“H’m. She had rather—force of character. When I knew her before.”

“Hm. She had more—strength of character. When I knew her back then.”

I became aware of my aunt’s head sticking out obliquely from behind the coffee-machine and regarding me with wide blue curiosity. I met her gaze for a moment, flinched, coloured, and laughed.

I noticed my aunt’s head peeking out at an angle from behind the coffee machine, looking at me with wide blue eyes filled with curiosity. I locked eyes with her for a moment, flinched, flushed, and laughed.

“I’ve known her longer than I’ve known you,” I said, and explained at length.

“I’ve known her longer than I’ve known you,” I said, and went into detail.

My aunt kept her eye on me over and round the coffee-machine as I did so. She was greatly interested, and asked several elucidatory questions.

My aunt watched me closely around the coffee machine as I did this. She was very interested and asked several clarifying questions.

“Why didn’t you tell me the day you saw her? You’ve had her on your mind for a week,” she said.

“Why didn’t you tell me the day you saw her? You’ve been thinking about her for a week,” she said.

“It IS odd I didn’t tell you,” I admitted.

“It’s weird I didn’t tell you,” I admitted.

“You thought I’d get a Down on her,” said my aunt conclusively. “That’s what you thought” and opened the rest of her letters.

“You thought I’d get a Down on her,” my aunt said firmly. “That’s what you thought,” and she opened the rest of her letters.

The two ladies came in a pony-carriage with conspicuous punctuality, and I had the unusual experience of seeing my aunt entertaining callers. We had tea upon the terrace under the cedar, but old Lady Osprey, being an embittered Protestant, had never before seen the inside of the house, and we made a sort of tour of inspection that reminded me of my first visit to the place. In spite of my preoccupation with Beatrice, I stored a queer little memory of the contrast between the two other women; my aunt, tall, slender and awkward, in a simple blue homekeeping dress, an omnivorous reader and a very authentic wit, and the lady of pedigree, short and plump, dressed with Victorian fussiness, living at the intellectual level of palmistry and genteel fiction, pink in the face and generally flustered by a sense of my aunt’s social strangeness and disposed under the circumstances to behave rather like an imitation of the more queenly moments of her own cook. The one seemed made of whalebone, the other of dough. My aunt was nervous, partly through the intrinsic difficulty of handling the lady and partly because of her passionate desire to watch Beatrice and me, and her nervousness took a common form with her, a wider clumsiness of gesture and an exacerbation of her habitual oddity of phrase which did much to deepen the pink perplexity of the lady of title. For instance, I heard my aunt admit that one of the Stuart Durgan ladies did look a bit “balmy on the crumpet”; she described the knights of the age of chivalry as “korvorting about on the off-chance of a dragon”; she explained she was “always old mucking about the garden,” and instead of offering me a Garibaldi biscuit, she asked me with that faint lisp of hers, to “have some squashed flies, George.” I felt convinced Lady Osprey would describe her as “a most eccentric person” on the very first opportunity;—“a most eccentric person.” One could see her, as people say, “shaping” for that.

The two ladies arrived in a pony carriage right on time, and I had the unusual experience of watching my aunt entertain guests. We had tea on the terrace under the cedar tree, but old Lady Osprey, being a bitter Protestant, had never seen the inside of the house before, so we gave her a little tour that reminded me of my first visit to the place. Despite being preoccupied with Beatrice, I couldn’t help but notice the odd contrast between the two women; my aunt, tall, slender, and awkward in a simple blue dress, an avid reader with a genuine sense of humor, and the lady of means, short and plump, dressed in an overly fussy Victorian style, living at the intellectual level of palm reading and genteel novels, her face flushed and clearly flustered by my aunt’s social awkwardness, behaving somewhat like a less polished version of her own cook during her more regal moments. My aunt seemed made of whalebone, while the other was like dough. My aunt was nervous, partly because it was challenging to deal with the lady and partly due to her strong desire to observe Beatrice and me, and her nervousness manifested in a wider awkwardness of gesture and an intensification of her usual quirky way of speaking, which only added to Lady Osprey's pink confusion. For example, I heard my aunt say that one of the Stuart Durgan ladies looked a bit “balmy on the crumpet”; she referred to the knights of the age of chivalry as “korvorting about on the off-chance of a dragon”; she mentioned she was “always mucking about in the garden,” and instead of offering me a Garibaldi biscuit, she asked me with her slight lisp if I wanted to “have some squashed flies, George.” I was sure that Lady Osprey would describe her as “a most eccentric person” at the first chance she got—“a most eccentric person.” You could see her, as people say, “shaping” for that.

Beatrice was dressed very quietly in brown, with a simple but courageous broad-brimmed hat, and an unexpected quality of being grown-up and responsible. She guided her step-mother through the first encounter, scrutinised my aunt, and got us all well in movement through the house, and then she turned her attention to me with a quick and half-confident smile.

Beatrice was dressed modestly in brown, with a straightforward yet bold wide-brimmed hat, giving off an unexpected vibe of maturity and responsibility. She led her stepmother through the initial meeting, observed my aunt closely, and helped us all move around the house smoothly. Then, she focused on me with a quick, somewhat shy smile.

“We haven’t met,” she said, “since—”

“We haven’t met,” she said, “since—”

“It was in the Warren.”

“It was in the Warren.”

“Of course,” she said, “the Warren! I remembered it all except just the name.... I was eight.”

“Of course,” she said, “the Warren! I remembered everything except the name.... I was eight.”

Her smiling eyes insisted on my memories being thorough. I looked up and met them squarely, a little at a loss for what I should say.

Her smiling eyes made sure my memories were clear. I looked up and met them directly, unsure of what to say.

“I gave you away pretty completely,” she said, meditating upon my face. “And afterwards I gave way Archie.”

“I let you go pretty completely,” she said, looking at my face thoughtfully. “And after that, I gave in to Archie.”

She turned her face away from the others, and her voice fell ever so little.

She turned her face away from the others, and her voice dropped just a bit.

“They gave him a licking for telling lies!” she said, as though that was a pleasant memory. “And when it was all over I went to our wigwam. You remember the wigwam?”

“They gave him a beating for lying!” she said, as if that was a nice memory. “And when it was all done, I went to our cabin. You remember the cabin?”

“Out in the West Wood?”

“Out in the West Woods?”

“Yes—and cried—for all the evil I had done you, I suppose.... I’ve often thought of it since.”...

“Yes—and cried—for all the harm I’ve caused you, I guess…. I’ve thought about it a lot since then.”

Lady Osprey stopped for us to overtake her. “My dear!” she said to Beatrice. “Such a beautiful gallery!” Then she stared very hard at me, puzzled in the most naked fashion to understand who I might be.

Lady Osprey paused to let us catch up to her. “My dear!” she said to Beatrice. “What a lovely gallery!” Then she stared intensely at me, clearly trying to figure out who I was.

“People say the oak staircase is rather good,” said my aunt, and led the way.

“People say the oak staircase is pretty nice,” my aunt said, leading the way.

Lady Osprey, with her skirts gathered for the ascent to the gallery and her hand on the newel, turned and addressed a look full of meaning overflowing indeed with meanings—at her charge. The chief meaning no doubt was caution about myself, but much of it was just meaning at large. I chanced to catch the response in a mirror and detected Beatrice with her nose wrinkled into a swift and entirely diabolical grimace. Lady Osprey became a deeper shade of pink and speechless with indignation—it was evident she disavowed all further responsibility, as she followed my aunt upstairs.

Lady Osprey, with her skirts gathered as she climbed to the gallery and her hand on the banister, turned and gave a look full of significant meaning—overflowing with meanings, really—at her charge. The main message was probably a warning about me, but there was also a lot of just meaning in general. I happened to catch the reaction in a mirror and saw Beatrice with her nose scrunched up in a quick and completely wicked grimace. Lady Osprey turned a deeper shade of pink and was speechless with anger—it was clear she wanted nothing more to do with the situation as she followed my aunt upstairs.

“It’s dark, but there’s a sort of dignity,” said Beatrice very distinctly, regarding the hall with serene tranquillity, and allowing the unwilling feet on the stairs to widen their distance from us. She stood a step up, so that she looked down a little upon me and over me at the old hall.

“It's dark, but there's a certain dignity,” Beatrice said clearly, looking at the hall with calm serenity and letting the hesitant footsteps on the stairs create more space between us. She stood on a higher step, so she looked down at me slightly and also over me at the old hall.

She turned upon me abruptly when she thought her step-mother was beyond ear-shot.

She suddenly turned to me when she thought her stepmother was out of earshot.

“But how did you get here?” she asked.

“But how did you get here?” she asked.

“Here?”

"Here?"

“All this.” She indicated space and leisure by a wave of the hand at hall and tall windows and sunlit terrace. “Weren’t you the housekeeper’s son?”

“All this.” She gestured broadly at the hall, tall windows, and sunlit terrace. “Weren’t you the housekeeper’s son?”

“I’ve adventured. My uncle has become—a great financier. He used to be a little chemist about twenty miles from Bladesover. We’re promoters now, amalgamators, big people on the new model.”

“I’ve had my adventures. My uncle has become a major financier. He used to be a small-town chemist about twenty miles from Bladesover. Now we’re promoters, consolidators, and important figures in this new era.”

“I understand.” She regarded me with interested eyes, visibly thinking me out.

“I understand.” She looked at me with curious eyes, clearly trying to figure me out.

“And you recognised me?” I asked.

“And you recognized me?” I asked.

“After a second or so. I saw you recognised me. I couldn’t place you, but I knew I knew you. Then Archie being there helped me to remember.”

“After a second or so, I could see you recognized me. I couldn’t figure out where I knew you from, but I was sure I knew you. Then having Archie there jogged my memory.”

“I’m glad to meet again,” I ventured. “I’d never forgotten you.”

“I’m glad to see you again,” I said. “I’ve never forgotten you.”

“One doesn’t forget those childish things.”

“One doesn’t forget those things from childhood.”

We regarded one another for a moment with a curiously easy and confident satisfaction in coming together again. I can’t explain our ready zest in one another. The thing was so. We pleased each other, we had no doubt in our minds that we pleased each other. From the first we were at our ease with one another. “So picturesque, so very picturesque,” came a voice from above, and then: “Bee-atrice!”

We looked at each other for a moment with a strangely easy and confident happiness at being together again. I can’t explain why we were so excited to see one another. It was just how it was. We enjoyed each other's company, and we both knew we did. From the start, we felt completely comfortable with each other. “So picturesque, so very picturesque,” came a voice from above, and then: “Bee-atrice!”

“I’ve a hundred things I want to know about you,” she said with an easy intimacy, as we went up the winding steps....

“I have a hundred things I want to know about you,” she said with a casual familiarity as we walked up the winding steps....

As the four of us sat at tea together under the cedar on the terrace she asked questions about my aeronautics. My aunt helped with a word or so about my broken ribs. Lady Osprey evidently regarded flying as a most indesirable and improper topic—a blasphemous intrusion upon the angels. “It isn’t flying,” I explained. “We don’t fly yet.”

As the four of us sat together for tea under the cedar on the terrace, she asked questions about my aeronautics. My aunt added a word or two about my broken ribs. Lady Osprey clearly saw flying as a very undesirable and inappropriate subject—an outrageous intrusion upon the angels. “It’s not flying,” I explained. “We don’t fly yet.”

“You never will,” she said compactly. “You never will.”

“You never will,” she said firmly. “You never will.”

“Well,” I said, “we do what we can.”

“Well,” I said, “we do our best.”

The little lady lifted a small gloved hand and indicated a height of about four feet from the ground. “Thus far,” she said, “thus far—and no farther! No!”

The little lady raised a small gloved hand and pointed to a height of about four feet off the ground. “This high,” she said, “this high—and no more! No!”

She became emphatically pink. “No,” she said again quite conclusively, and coughed shortly. “Thank you,” she said to her ninth or tenth cake. Beatrice burst into cheerful laughter with her eye on me. I was lying on the turf, and this perhaps caused a slight confusion about the primordial curse in Lady Osprey’s mind.

She turned bright pink. “No,” she said firmly again, then coughed briefly. “Thank you,” she said to her ninth or tenth cake. Beatrice erupted into joyful laughter while looking at me. I was lying on the grass, which might have created a little confusion about the fundamental curse in Lady Osprey’s mind.

“Upon his belly shall he go,” she said with quiet distinctness, “all the days of his life.”

“On his belly he will crawl,” she said clearly and quietly, “for all the days of his life.”

After which we talked no more of aeronautics.

After that, we didn’t talk about aeronautics anymore.

Beatrice sat bunched together in a chair and regarded me with exactly the same scrutiny, I thought, the same adventurous aggression, that I had faced long ago at the tea-table in my mother’s room. She was amazingly like that little Princess of my Bladesover memories, the wilful misbehaviours of her hair seemed the same—her voice; things one would have expected to be changed altogether. She formed her plans in the same quick way, and acted with the same irresponsible decision.

Beatrice sat tightly in a chair and looked at me with the same intense curiosity, I thought, the same daring spirit, that I had encountered long ago at the tea table in my mother’s room. She was strikingly similar to that little Princess from my Bladesover memories; the mischievousness of her hair seemed unchanged—her voice; things you would expect to be completely different. She devised her plans just as quickly and acted with the same reckless determination.

She stood up abruptly.

She stood up suddenly.

“What is there beyond the terrace?” she said, and found me promptly beside her.

“What’s beyond the terrace?” she asked, and I quickly joined her.

I invented a view for her.

I created a perspective for her.

At the further corner from the cedar she perched herself up upon the parapet and achieved an air of comfort among the lichenous stones. “Now tell me,” she said, “all about yourself. Tell me about yourself; I know such duffers of men! They all do the same things. How did you get—here? All my men were here. They couldn’t have got here if they hadn’t been here always. They wouldn’t have thought it right. You’ve climbed.”

At the far corner from the cedar, she settled on the wall and found a comfortable spot among the mossy stones. “Now tell me,” she said, “everything about you. What’s your story? I know so many boring guys! They all act the same way. How did you end up—here? All my guys were here. They couldn’t have gotten here if they hadn’t always been here. They wouldn’t have thought it was okay. You’ve climbed.”

“If it’s climbing,” I said.

“If it’s climbing,” I said.

She went off at a tangent. “It’s—I don’t know if you’ll understand—interesting to meet you again. I’ve remembered you. I don’t know why, but I have. I’ve used you as a sort of lay figure—when I’ve told myself stories. But you’ve always been rather stiff and difficult in my stories—in ready-made clothes—a Labour Member or a Bradlaugh, or something like that. You’re not like that a bit. And yet you are!

She went off on a tangent. “It’s—I don’t know if you’ll get this—it’s interesting to see you again. I’ve remembered you. I don’t know why, but I have. I’ve kind of used you as a stand-in when I’ve made up stories. But you’ve always been pretty stiff and hard to deal with in my stories—in generic outfits—a Labour Member or a Bradlaugh, or something like that. You’re not like that at all. And yet you are!

She looked at me. “Was it much of a fight? They make out it is.”

She looked at me. “Was it really a big fight? They act like it was.”

“I don’t know why.”

“I don’t know why.”

“I was shot up here by an accident,” I said. “There was no fight at all. Except to keep honest, perhaps and I made no great figure in that. I and my uncle mixed a medicine and it blew us up. No merit in that! But you’ve been here all the time. Tell me what you have done first.”

“I got shot up here by accident,” I said. “There wasn't any fight at all. Maybe just to stay honest, but I didn’t do anything special in that. My uncle and I mixed a medicine, and it blew up in our faces. No skill in that! But you’ve been here this whole time. Tell me what you’ve done first.”

“One thing we didn’t do.” She meditated for a moment.

“One thing we didn't do.” She thought about it for a moment.

“What?” said I.

"What?" I asked.

“Produce a little half-brother for Bladesover. So it went to the Phillbrick gang. And they let it! And I and my step-mother—we let, too. And live in a little house.”

“Make a little half-brother for Bladesover. So it went to the Phillbrick gang. And they allowed it! And my stepmother and I—we allowed it, too. And we live in a small house.”

She nodded her head vaguely over her shoulder and turned to me again. “Well, suppose it was an accident. Here you are! Now you’re here, what are you going to do? You’re young. Is it to be Parliament? heard some men the other day talking about you. Before I knew you were you. They said that was what you ought to do.”...

She nodded vaguely behind her and turned back to me. “Well, let’s say it was an accident. Here you are! Now that you're here, what are you going to do? You’re young. Is Parliament in your future? I overheard some guys the other day talking about you, back when I didn’t even know who you were. They said that’s what you should pursue.”

She put me through my intentions with a close and vital curiosity. It was just as she had tried to imagine me a soldier and place me years ago. She made me feel more planless and incidental than ever. “You want to make a flying-machine,” she pursued, “and when you fly? What then? Would it be for fighting?”

She examined my intentions with a close and intense curiosity. It was just like when she tried to picture me as a soldier and place me years ago. She made me feel more aimless and unimportant than ever. “You want to build a flying machine,” she continued, “and once you fly? What then? Would it be for fighting?”

I told her something of my experimental work. She had never heard of the soaring aeroplane, and was excited by the thought, and keen to hear about it. She had thought all the work so far had been a mere projecting of impossible machines. For her Pilcher and Lilienthal had died in vain. She did not know such men had lived in the world.

I shared some of my experimental work with her. She had never heard of the flying airplane and was thrilled by the idea, eager to learn more about it. She believed that all the previous efforts had just been about dreaming up impossible machines. To her, Pilcher and Lilienthal had wasted their lives. She didn’t realize that such men had ever existed in the world.

“But that’s dangerous!” she said, with a note of discovery.

“But that’s risky!” she said, with a hint of realization.

“Oh!—it’s dangerous.”

“Oh!—that’s risky.”

“Bee-atrice!” Lady Osprey called.

“Bee-atrice!” Lady Osprey shouted.

Beatrice dropped from the wall to her feet.

Beatrice jumped down from the wall to her feet.

“Where do you do this soaring?”

“Where do you do this soaring?”

“Beyond the high Barrows. East of Crest Hill and the wood.”

“Beyond the high hills. East of Crest Hill and the forest.”

“Do you mind people coming to see?”

“Do you care if people come to visit?”

“Whenever you please. Only let me know”

“Whenever you want. Just let me know.”

“I’ll take my chance some day. Some day soon.” She looked at me thoughtfully, smiled, and our talk was at an end.

“I’ll take my chance someday. Someday soon.” She looked at me thoughtfully, smiled, and our conversation ended.

IV

All my later work in aeronautics is associated in my memory with the quality of Beatrice, with her incidental presence, with things she said and did and things I thought of that had reference to her.

All my later work in aeronautics is linked in my memories with Beatrice's qualities, her occasional presence, the things she said and did, and the thoughts I had that related to her.

In the spring of that year I had got to a flying machine that lacked nothing but longitudinal stability. My model flew like a bird for fifty or a hundred yards or so, and then either dived and broke its nose or, what was commoner, reared up, slid back and smashed its propeller. The rhythm of the pitching puzzled me. I felt it must obey some laws not yet quite clearly stated. I became therefore a student of theory and literature for a time; I hit upon the string of considerations that led me to what is called Ponderevo’s Principle and my F.R.S., and I worked this out in three long papers. Meanwhile I made a lot of turn-table and glider models and started in upon an idea of combining gas-bags and gliders. Balloon work was new to me. I had made one or two ascents in the balloons of the Aëro Club before I started my gasometer and the balloon shed and gave Cothope a couple of months with Sir Peter Rumchase. My uncle found part of the money for these developments; he was growing interested and competitive in this business because of Lord Boom’s prize and the amount of réclame involved, and it was at his request that I named my first navigable balloon Lord Roberts Alpha.

In the spring of that year, I had created a flying machine that was missing only stability in the long direction. My model flew like a bird for about fifty to a hundred yards but then either dived and broke its nose or, more commonly, reared up, slid backward, and smashed its propeller. The pattern of the pitching puzzled me. I felt it had to follow certain laws that were not yet fully understood. So, I decided to study theory and literature for a while; I discovered a series of thoughts that led me to what’s called Ponderevo’s Principle and my F.R.S., which I elaborated in three lengthy papers. In the meantime, I built a lot of turn-table and glider models and began working on an idea to combine gas bags and gliders. Ballooning was new to me. I had made one or two ascents in the Aëro Club’s balloons before starting my gasometer and the balloon shed and gave Cothope a couple of months with Sir Peter Rumchase. My uncle provided part of the funding for these developments; he was becoming interested and competitive in this field because of Lord Boom’s prize and the publicity involved, and it was at his suggestion that I named my first navigable balloon Lord Roberts Alpha.

Lord Roberts A very nearly terminated all my investigations. My idea both in this and its more successful and famous younger brother, Lord Roberts β, was to utilise the idea of a contractile balloon with a rigid flat base, a balloon shaped rather like an inverted boat that should almost support the apparatus, but not quite. The gas-bag was of the chambered sort used for these long forms, and not with an internal balloonette. The trouble was to make the thing contractile. This I sought to do by fixing a long, fine-meshed silk net over it that was fastened to be rolled up on two longitudinal rods. Practically I contracted my sausage gas-bag by netting it down. The ends were too complex for me to describe here, but I thought them out elaborately and they were very carefully planned. Lord Roberts A was furnished with a single big screw forward, and there was a rudder aft. The engine was the first one to be, so to speak, right in the plane of the gas-bag. I lay immediately under the balloon on a sort of glider framework, far away from either engine or rudder, controlling them by wire-pulls constructed on the principle of the well-known Bowden brake of the cyclist.

Lord Roberts almost ended all my investigations. My idea for this and its more successful and famous younger version, Lord Roberts β, was to use a contractile balloon with a rigid flat base, shaped like an upside-down boat that would almost support the apparatus, but not completely. The gas bag was of the chambered type used for these longer shapes and didn’t have an internal balloonette. The challenge was making the thing contractable. I aimed to achieve this by placing a long, fine-meshed silk net over it, which was attached to roll up on two long rods. Essentially, I was contracting my sausage gas bag by netting it down. The ends were too complicated for me to describe here, but I planned them thoroughly and carefully. Lord Roberts A was equipped with a single large screw at the front, and there was a rudder at the back. The engine was the first one to be positioned, so to speak, right in line with the gas bag. I lay directly under the balloon on a kind of glider frame, far away from both the engine and the rudder, controlling them with wire pulls based on the well-known Bowden brake used by cyclists.

But Lord Roberts A has been pretty exhaustively figured and described in various aeronautical publications. The unforeseen defect was the badness of the work in the silk netting. It tore aft as soon as I began to contract the balloon, and the last two segments immediately bulged through the hole, exactly as an inner tube will bulge through the ruptured outer cover of a pneumatic tire, and then the sharp edge of the torn net cut the oiled-silk of the distended last segment along a weak seam and burst it with a loud report.

But Lord Roberts A has been thoroughly analyzed and detailed in various aviation publications. The unexpected issue was the poor quality of the silk netting. It tore at the back as soon as I started to deflate the balloon, and the last two segments immediately bulged through the hole, just like an inner tube pushes through the damaged outer layer of a tire, and then the sharp edge of the torn net sliced the oiled silk of the stretched last segment along a weak seam and burst it with a loud bang.

Up to that point the whole thing had been going on extremely well. As a navigable balloon and before I contracted it, the Lord Roberts A was an unqualified success. It had run out of the shed admirably at nine or ten miles an hour or more, and although there was a gentle southwester blowing, it had gone up and turned and faced it as well as any craft of the sort I have ever seen.

Up to that point, everything had been going really well. As a balloon that could be navigated, the Lord Roberts A was a clear success before I took it on. It had rolled out of the shed at a solid nine or ten miles an hour, and even though there was a gentle southwest wind blowing, it had lifted off, turned, and faced it just like any craft of that kind I’ve ever seen.

I lay in my customary glider position, horizontal and face downward, and the invisibility of all the machinery gave an extraordinary effect of independent levitation. Only by looking up, as it were, and turning my head back could I see the flat aeroplane bottom of the balloon and the rapid successive passages, swish, swish, swish of the vans of the propeller. I made a wide circle over Lady Grove and Duffield and out towards Effingham and came back quite successfully to the starting-point.

I lay in my usual glider position, flat and face down, and the hidden machinery created an amazing feeling of floating freely. I could only see the flat bottom of the balloon and the quick, rhythmic swishing of the propeller blades by looking up and turning my head back. I made a big loop over Lady Grove and Duffield, then out toward Effingham, and successfully returned to my starting point.

Down below in the October sunlight were my sheds and the little group that had been summoned to witness the start, their faces craned upward and most of them scrutinising my expression through field-glasses. I could see Carnaby and Beatrice on horseback, and two girls I did not know with them; Cothope and three or four workmen I employed; my aunt and Mrs. Levinstein, who was staying with her, on foot, and Dimmock, the veterinary surgeon, and one or two others. My shadow moved a little to the north of them like the shadow of a fish. At Lady Grove the servants were out on the lawn, and the Duffield school playground swarmed with children too indifferent to aeronautics to cease their playing. But in the Crest Hill direction—the place looked extraordinarily squat and ugly from above—there were knots and strings of staring workmen everywhere—not one of them working, but all agape. (But now I write it, it occurs to me that perhaps it was their dinner hour; it was certainly near twelve.) I hung for a moment or so enjoying the soar, then turned about to face a clear stretch of open down, let the engine out to full speed and set my rollers at work rolling in the net, and so tightening the gas-bags. Instantly the pace quickened with the diminished resistance...

Down below in the October sunlight were my sheds and the small group that had been called to witness the start. Their faces were tilted up, with most of them examining my expression through binoculars. I could see Carnaby and Beatrice on horseback, along with two girls I didn’t recognize; Cothope and three or four workers I employed; my aunt and Mrs. Levinstein, who was staying with her, on foot, as well as Dimmock, the vet, and a couple of others. My shadow moved slightly to the north of them, like the shadow of a fish. At Lady Grove, the servants were out on the lawn, and the Duffield school playground was filled with kids who were too disinterested in aeronautics to stop playing. But in the direction of Crest Hill—the place looked really flat and ugly from above—there were groups of workers everywhere, none of them working, all staring. (Now that I think about it, it might have been their lunch hour; it was definitely close to twelve.) I hung in the air for a moment, enjoying the lift, then turned to face a clear stretch of open land, pushed the engine to full throttle, and set my rollers to work rolling in the net, tightening the gas bags. Instantly, the pace quickened as the resistance dropped...

In that moment before the bang I think I must have been really flying. Before the net ripped, just in the instant when my balloon was at its systole, the whole apparatus was, I am convinced, heavier than air. That, however, is a claim that has been disputed, and in any case this sort of priority is a very trivial thing.

In that moment before the bang, I think I must have been really soaring. Before the net tore, just at the instant when my balloon was at its peak, the whole setup was, I’m sure, heavier than air. However, that’s a point that’s been challenged, and in any case, this kind of priority is a very minor detail.

Then came a sudden retardation, instantly followed by an inexpressibly disconcerting tilt downward of the machine. That I still recall with horror. I couldn’t see what was happening at all and I couldn’t imagine. It was a mysterious, inexplicable dive. The thing, it seemed, without rhyme or reason, was kicking up its heels in the air. The bang followed immediately, and I perceived I was falling rapidly.

Then there was a sudden slowdown, quickly followed by an incredibly unsettling drop of the machine. I still remember that with fear. I couldn’t see what was happening at all and I couldn’t even guess. It was a strange, unexplainable dive. The thing, for some unknown reason, was flipping upside down in the air. The crash came right after, and I realized I was falling quickly.

I was too much taken by surprise to think of the proper cause of the report. I don’t even know what I made of it. I was obsessed, I suppose, by that perpetual dread of the modern aeronaut, a flash between engine and balloon. Yet obviously I wasn’t wrapped in flames. I ought to have realised instantly it wasn’t that. I did, at any rate, whatever other impressions there were, release the winding of the outer net and let the balloon expand again, and that no doubt did something to break my fall. I don’t remember doing that. Indeed, all I do remember is the giddy effect upon the landscape of falling swiftly upon it down a flat spiral, the hurried rush of fields and trees and cottages on my left shoulder and the overhung feeling as if the whole apparatus was pressing down the top of my head. I didn’t stop or attempt to stop the screw. That was going on, swish, swish, swish all the time.

I was too shocked to think about what the report actually meant. I don’t even know how to process it. I was probably consumed by that constant fear of the modern balloonist, a jolt between the engine and the balloon. Yet clearly, I wasn’t surrounded by flames. I should have quickly realized it wasn’t that. Still, despite any other feelings I had, I did release the outer net and let the balloon expand again, which probably helped slow my fall. I don’t recall doing that. In fact, all I remember is the dizzying sensation of swiftly descending in a flat spiral, the rapid blur of fields, trees, and cottages flying by on my left side, and the overwhelming feeling like the whole setup was pushing down on my head. I didn’t stop or try to stop the spin. It kept going, swish, swish, swish the entire time.

Cothope really knows more about the fall than I do. He describes the easterly start, the tilt, and the appearance and bursting of a sort of bladder aft. Then down I swooped, very swiftly, but not nearly so steeply as I imagined I was doing. “Fifteen or twenty degrees,” said Cothope, “to be exact.” From him it was that I learnt that I let the nets loose again, and so arrested my fall. He thinks I was more in control of myself than I remember.

Cothope really knows more about the fall than I do. He talks about the eastward start, the tilt, and the way a kind of bladder appears and bursts in the back. Then I swooped down quickly, but not nearly as steeply as I thought. “Fifteen or twenty degrees,” Cothope said, “to be exact.” It was from him that I learned I released the nets again, which stopped my fall. He thinks I had more control over myself than I remember.

But I do not see why I should have forgotten so excellent a resolution. His impression is that I was really steering and trying to drop into the Farthing Down beeches. “You hit the trees,” he said, “and the whole affair stood on its nose among them, and then very slowly crumpled up. I saw you’d been jerked out, as I thought, and I didn’t stay for more. I rushed for my bicycle.”

But I don’t understand why I would have forgotten such a great plan. He thinks I was really trying to steer and land among the beeches at Farthing Down. “You hit the trees,” he said, “and the whole thing ended up on its nose among them, and then very slowly crumpled. I saw you get thrown out, or so I thought, and I didn’t stick around to find out more. I ran for my bike.”

As a matter of fact, it was purely accidental that I came down in the woods. I am reasonably certain that I had no more control then than a thing in a parcel. I remember I felt a sort of wincing, “Now it comes!” as the trees rushed up to me. If I remember that, I should remember steering. Then the propeller smashed, everything stopped with a jerk, and I was falling into a mass of yellowing leaves, and Lord Roberts A, so it seemed to me, was going back into the sky.

Actually, it was totally by chance that I ended up in the woods. I'm pretty sure I had no more control then than an object in a package. I remember feeling a weird kind of dread, thinking, “Here it comes!” as the trees rushed toward me. If I remember that, I should remember trying to steer. Then the propeller broke, everything came to a sudden halt, and I was tumbling into a pile of yellow leaves, and Lord Roberts A, or so it appeared to me, was going back up into the sky.

I felt twigs and things hit me in the face, but I didn’t feel injured at the time; I clutched at things that broke, tumbled through a froth of green and yellow into a shadowy world of great bark-covered arms, and there, snatching wildly, got a grip on a fair round branch, and hung.

I felt twigs and things hitting my face, but I didn’t feel hurt at the time; I grabbed onto things that broke, tumbled through a mix of green and yellow into a shadowy world of large, bark-covered arms, and there, reaching out desperately, I caught hold of a nice, round branch, and hung on.

I became intensely alert and clear-headed. I held by that branch for a moment and then looked about me, and caught at another, and then found myself holding to a practicable fork. I swung forward to that and got a leg around it below its junction, and so was able presently to clamber down, climbing very coolly and deliberately. I dropped ten feet or so from the lowest branch and fell on my feet. “That’s all right,” I said, and stared up through the tree to see what I could of the deflated and crumpled remains that had once been Lord Roberts A festooned on the branches it had broken. “Gods!” I said, “what a tumble!”

I became really alert and clear-headed. I held onto that branch for a moment, then looked around, grabbed another one, and found myself holding onto a good fork. I swung forward to that and wrapped my leg around it below where it joined, which let me eventually climb down, moving very calmly and deliberately. I dropped about ten feet from the lowest branch and landed on my feet. “That’s all right,” I said, staring up through the tree at what was left of Lord Roberts, which was tangled in the branches it had broken. “Wow!” I said, “what a fall!”

I wiped something that trickled from my face and was shocked to see my hand covered with blood. I looked at myself and saw what seemed to me an astonishing quantity of blood running down my arm and shoulder. I perceived my mouth was full of blood. It’s a queer moment when one realises one is hurt, and perhaps badly hurt, and has still to discover just how far one is hurt. I explored my face carefully and found unfamiliar contours on the left side. The broken end of a branch had driven right through my cheek, damaging my cheek and teeth and gums, and left a splinter of itself stuck, like an explorer’s fartherest-point flag, in the upper maxillary. That and a sprained wrist were all my damage. But I bled as though I had been chopped to pieces, and it seemed to me that my face had been driven in. I can’t describe just the horrible disgust I felt at that.

I wiped something that was dripping from my face and was shocked to see my hand covered in blood. I looked at myself and saw what seemed like an incredible amount of blood running down my arm and shoulder. I realized my mouth was full of blood. It’s a strange moment when you realize you’re hurt, and maybe really hurt, and still have to find out how badly. I carefully checked my face and felt unfamiliar shapes on the left side. The broken end of a branch had gone right through my cheek, damaging my cheek, teeth, and gums, and left a piece of itself stuck in my upper jaw, like a flag marking an explorer’s farthest point. That and a sprained wrist were my only injuries. But I bled like I had been cut to pieces, and it felt like my face had been caved in. I can’t describe the horrible disgust I felt about that.

“This blood must be stopped, anyhow,” I said, thickheadedly.

"This blood needs to be stopped, no matter what," I said, stubbornly.

“I wonder where there’s a spider’s web”—an odd twist for my mind to take. But it was the only treatment that occurred to me.

“I wonder where there’s a spider’s web”—a strange thought for me to have. But it was the only solution that came to mind.

I must have conceived some idea of going home unaided, because I was thirty yards from the tree before I dropped.

I must have thought I could get home on my own, because I was thirty yards away from the tree when I fell.

Then a kind of black disc appeared in the middle of the world and rushed out to the edge of things and blotted them out. I don’t remember falling down. I fainted from excitement, disgust at my injury and loss of blood, and lay there until Cothope found me.

Then a black disc appeared in the center of the world and quickly moved to the edges, obscuring everything. I don’t recall falling. I fainted from a mix of excitement, disgust at my injury, and loss of blood, and lay there until Cothope discovered me.

He was the first to find me, scorching as he did over the downland turf, and making a wide course to get the Carnaby plantations at their narrowest. Then presently, while he was trying to apply the methodical teachings of the St. John’s Ambulance classes to a rather abnormal case, Beatrice came galloping through the trees full-tilt, with Lord Carnaby hard behind her, and she was hatless, muddy from a fall, and white as death. “And cool as a cucumber, too,” said Cothope, turning it over in his mind as he told me.

He was the first to spot me, racing across the grasslands and taking a wide path to get to the Carnaby fields at their narrowest point. Then, while he was attempting to use the methods he learned in the St. John’s Ambulance classes on a rather unusual situation, Beatrice came charging through the trees at full speed, with Lord Carnaby right behind her. She was missing her hat, covered in mud from a fall, and looked pale as a ghost. “And cool as a cucumber, too,” Cothope remarked, pondering it as he shared the story with me.

(“They never seem quite to have their heads, and never seem quite to lose ’em,” said Cothope, generalising about the sex.)

(“They never really seem to have their heads on straight, and they never really seem to lose them either,” said Cothope, generalizing about the gender.)

Also he witnessed she acted with remarkable decision. The question was whether I should be taken to the house her step-mother occupied at Bedley Corner, the Carnaby dower house, or down to Carnaby’s place at Easting. Beatrice had no doubt in the matter, for she meant to nurse me. Carnaby didn’t seem to want that to happen. “She would have it wasn’t half so far,” said Cothope. “She faced us out....

Also, he saw that she acted with impressive determination. The question was whether I should be taken to the house her stepmother lived in at Bedley Corner, the Carnaby dower house, or down to Carnaby’s place at Easting. Beatrice was sure about it because she intended to take care of me. Carnaby didn’t seem to want that to happen. “She would have it wasn’t half so far,” said Cothope. “She faced us out....

“I hate to be faced out of my opinion, so I’ve taken a pedometer over it since. It’s exactly forty-three yards further.

“I hate having my opinion disregarded, so I’ve been keeping track with a pedometer since then. It’s exactly forty-three yards further.”

“Lord Carnaby looked at her pretty straight,” said Cothope, finishing the picture; “and then he give in.”

“Lord Carnaby looked at her pretty seriously,” said Cothope, finishing the picture; “and then he gave in.”

V

But my story has made a jump from June to October, and during that time my relations with Beatrice and the countryside that was her setting had developed in many directions. She came and went, moving in an orbit for which I had no data, going to London and Paris, into Wales and Northampton, while her stepmother, on some independent system of her own, also vanished and recurred intermittently. At home they obeyed the rule of an inflexible old maid, Charlotte, and Beatrice exercised all the rights of proprietorship in Carnaby’s extensive stables. Her interest in me was from the first undisguised. She found her way to my worksheds and developed rapidly, in spite of the sincere discouragement of Cothope, into a keen amateur of aeronautics. She would come sometimes in the morning, sometimes in the afternoon, sometimes afoot with an Irish terrier, sometimes riding. She would come for three or four days every day, vanish for a fortnight or three weeks, return.

But my story has jumped from June to October, and during that time, my relationship with Beatrice and the countryside that was her backdrop has evolved in many ways. She came and went, moving in a pattern I didn’t understand, traveling to London and Paris, into Wales and Northampton, while her stepmother, following her own erratic schedule, also appeared and disappeared at random. At home, they followed the strict rules of an inflexible old maid, Charlotte, and Beatrice took full control of Carnaby’s large stables. Her interest in me was clear from the beginning. She found her way to my workshops and quickly developed, despite the genuine discouragement from Cothope, into an enthusiastic amateur in aeronautics. She would show up sometimes in the morning, sometimes in the afternoon, sometimes on foot with an Irish terrier, sometimes riding. She would come for three or four days in a row, disappear for a fortnight or three weeks, then return.

It was not long before I came to look for her. From the first I found her immensely interesting. To me she was a new feminine type altogether—I have made it plain, I think, how limited was my knowledge of women. But she made me not simply interested in her, but in myself. She became for me something that greatly changes a man’s world. How shall I put it? She became an audience. Since I’ve emerged from the emotional developments of the affair I have thought it out in a hundred aspects, and it does seem to me that this way in which men and women make audiences for one another is a curiously influential force in their lives. For some it seems an audience is a vital necessity, they seek audiences as creatures seek food; others again, my uncle among them, can play to an imaginary audience. I, I think, have lived and can live without one. In my adolescence I was my own audience and my own court of honour. And to have an audience in one’s mind is to play a part, to become self-conscious and dramatic. For many years I had been self-forgetful and scientific. I had lived for work and impersonal interests until I found scrutiny, applause and expectation in Beatrice’s eyes. Then I began to live for the effect I imagined I made upon her, to make that very soon the principal value in my life. I played to her. I did things for the look of them. I began to dream more and more of beautiful situations and fine poses and groupings with her and for her.

It wasn't long before I started looking for her. From the beginning, I found her incredibly intriguing. To me, she represented a completely new type of woman—I’ve made it clear, I think, how limited my understanding of women was. But she made me not just interested in her, but in myself. She became something that profoundly changes a person’s world. How should I say it? She became my audience. Since I’ve moved past the emotional ups and downs of the relationship, I’ve thought about it in countless ways, and it seems to me that the way men and women create audiences for each other is a surprisingly powerful force in their lives. For some, an audience feels like a vital necessity; they seek out audiences like other creatures seek food. Others, like my uncle, can perform for an imaginary audience. I think I’ve lived and can live without one. In my teenage years, I was my own audience and my own judge. Having an audience in your mind means playing a role, becoming self-aware and dramatic. For many years, I was self-forgetful and focused on my work. I was consumed by impersonal interests until I found scrutiny, admiration, and anticipation in Beatrice’s eyes. Then I started living for the impact I thought I had on her, quickly making that the main focus of my life. I performed for her. I did things for how they appeared. I began to fantasize more and more about beautiful moments and striking poses and arrangements with her and for her.

I put these things down because they puzzle me. I think I was in love with Beatrice, as being in love is usually understood; but it was quite a different state altogether from my passionate hunger for Marion, or my keen, sensuous desire for and pleasure in Effie. These were selfish, sincere things, fundamental and instinctive, as sincere as the leap of a tiger. But until matters drew to a crisis with Beatrice, there was an immense imaginative insurgence of a quite different quality. I am setting down here very gravely, and perhaps absurdly, what are no doubt elementary commonplaces for innumerable people. This love that grew up between Beatrice and myself was, I think—I put it quite tentatively and rather curiously—romantic love. That unfortunate and truncated affair of my uncle and the Scrymgeour lady was really of the same stuff, if a little different in quality. I have to admit that. The factor of audience was of primary importance in either else.

I’m writing these thoughts down because they confuse me. I believe I was in love with Beatrice in the traditional sense; however, it felt completely different from my intense craving for Marion or my strong, pleasurable attraction to Effie. Those feelings were selfish and genuine, primal and instinctive, as real as a tiger's leap. But until things reached a turning point with Beatrice, there was a huge surge of imagination that had a different quality altogether. I’m noting this down seriously, and maybe a bit ridiculously, but these may be basic ideas for many people. The love that developed between Beatrice and me was, I think—I say this tentatively and with curiosity—romantic love. That unfortunate and unfinished situation with my uncle and the Scrymgeour lady was really of the same nature, although somewhat different in quality. I must acknowledge that. The presence of an audience was crucial in both cases.

Its effect upon me was to make me in many respects adolescent again. It made me keener upon the point of honour, and anxious and eager to do high and splendid things, and in particular, brave things. So far it ennobled and upheld me. But it did also push me towards vulgar and showy things. At bottom it was disingenuous; it gave my life the quality of stage scenery, with one side to the audience, another side that wasn’t meant to show, and an economy of substance. It certainly robbed my work of high patience and quality. I cut down the toil of research in my eagerness and her eagerness for fine flourishes in the air, flights that would tell. I shirked the longer road.

Its effect on me was to make me feel young and impulsive again. It made me more concerned about honor and eager to pursue grand and impressive achievements, especially brave ones. In that way, it uplifted and inspired me. But it also pushed me toward shallow and flashy things. At its core, it was insincere; it made my life feel like a stage set, with one side for the audience and another side that wasn't meant to be seen, lacking depth. It definitely took away the patience and quality from my work. I reduced the effort of research due to my eagerness and her desire for showy, attention-grabbing moments. I avoided the longer, more challenging path.

And it robbed me, too, of any fine perception of absurdity.

And it took away my ability to see the absurdity in things.

Yet that was not everything in our relationship. The elemental thing was there also. It came in very suddenly.

Yet that wasn't everything in our relationship. The essential thing was there too. It appeared very suddenly.

It was one day in the summer, though I do not now recall without reference to my experimental memoranda whether it was in July or August. I was working with a new and more bird-like aeroplane with wing curvatures studied from Lilienthal, Pilcher and Phillips, that I thought would give a different rhythm for the pitching oscillations than anything I’d had before. I was soaring my long course from the framework on the old barrow by my sheds down to Tinker’s Corner. It is a clear stretch of downland, except for two or three thickets of box and thorn to the right of my course; one transverse trough, in which there is bush and a small rabbit warren, comes in from the east. I had started, and was very intent on the peculiar long swoop with which any new arrangement flew. Then, without any sort of notice, right ahead of me appeared Beatrice, riding towards Tinker’s Corner to waylay and talk to me. She looked round over her shoulder, saw me coming, touched her horse to a gallop, and then the brute bolted right into the path of my machine.

It was a summer day, though I can't remember if it was in July or August without checking my notes. I was working with a new, more bird-like airplane with wing shapes inspired by Lilienthal, Pilcher, and Phillips, which I thought would create a different rhythm for the pitching oscillations than anything I'd used before. I was soaring along my long route from the framework on the old hill near my sheds down to Tinker’s Corner. It's a clear stretch of downs, except for a couple of thickets of box and thorn to the right of my path; one small valley, with some bushes and a small rabbit warren, comes in from the east. I had taken off and was focused on the unusual long swoop that any new design flies. Then, out of nowhere, right in front of me appeared Beatrice, riding toward Tinker’s Corner to stop and talk to me. She glanced back over her shoulder, saw me approaching, urged her horse into a gallop, and then the animal charged straight into the path of my machine.

There was a queer moment of doubt whether we shouldn’t all smash together. I had to make up my mind very quickly whether I would pitch-up and drop backward at once and take my chance of falling undamaged—a poor chance it would have been—in order to avoid any risk to her, or whether I would lift against the wind and soar right over her. This latter I did. She had already got her horse in hand when I came up to her. Her woman’s body lay along his neck, and she glanced up as I, with wings aspread, and every nerve in a state of tension, swept over her.

There was a strange moment of uncertainty about whether we were all going to crash together. I had to decide quickly whether I would dive down and risk falling unscathed—a pretty slim chance it would have been—to avoid any danger to her, or whether I would lift against the wind and soar right over her. I chose the latter. She already had her horse under control when I approached her. Her body was positioned along its neck, and she looked up as I, with my wings spread wide and every nerve on edge, flew over her.

Then I had landed, and was going back to where her horse stood still and trembling.

Then I had landed and was returning to where her horse stood still and shaking.

We exchanged no greetings. She slid from her saddle into my arms, and for one instant I held her.

We didn’t say a word to each other. She slipped off her horse and into my arms, and for a brief moment, I held her.

“Those great wings,” she said, and that was all.

“Those huge wings,” she said, and that was it.

She lay in my arms, and I thought for a moment she had fainted.

She was lying in my arms, and for a moment, I thought she had passed out.

“Very near a nasty accident,” said Cothope, coming up and regarding our grouping with disfavour. He took her horse by the bridle. “Very dangerous thing coming across us like that.”

“Really close to a bad accident,” said Cothope, approaching and looking at our group disapprovingly. He grabbed her horse by the bridle. “It’s a very dangerous situation running into us like that.”

Beatrice disengaged herself from me, stood for a moment trembling, and then sat down on the turf “I’ll just sit down for a moment,” she said.

Beatrice pulled away from me, stood for a moment shaking, and then sat down on the grass. “I'll just sit here for a minute,” she said.

“Oh!” she said.

"Oh!" she exclaimed.

She covered her face with her hands, while Cothope looked at her with an expression between suspicion and impatience.

She covered her face with her hands, while Cothope looked at her with a mix of suspicion and impatience.

For some moments nobody moved. Then Cothope remarked that perhaps he’d better get her water.

For a few moments, no one moved. Then Cothope said that maybe he should get her some water.

As for me, I was filled with a new outrageous idea, begotten I scarcely know how from this incident, with its instant contacts and swift emotions, and that was that I must make love to and possess Beatrice. I see no particular reason why that thought should have come to me in that moment, but it did. I do not believe that before then I had thought of our relations in such terms at all. Suddenly, as I remember it, the factor of passion came. She crouched there, and I stood over her, and neither of us said a word. But it was just as though something had been shouted from the sky.

As for me, I was hit with this wild new idea, born out of this incident, with its quick connections and intense feelings, and that was that I needed to make love to and have Beatrice. I don't really know why that thought came to me at that moment, but it did. I don't think I had ever viewed our relationship in that way before. Suddenly, as I recall, passion played a role. She was crouched there, and I stood over her, and neither of us said anything. But it felt like something had been shouted down from the sky.

Cothope had gone twenty paces perhaps when she uncovered her face. “I shan’t want any water,” she said. “Call him back.”

Cothope had walked about twenty paces when she unveiled her face. “I don't want any water,” she said. “Call him back.”

VI

After that the spirit of our relations changed. The old ease had gone. She came to me less frequently, and when she came she would have some one with her, usually old Carnaby, and he would do the bulk of the talking. All through September she was away. When we were alone together there was a curious constraint. We became clouds of inexpressible feeling towards one another; we could think of nothing that was not too momentous for words.

After that, the vibe between us shifted. The old comfort disappeared. She started visiting me less often, and when she did, she usually brought someone with her, often old Carnaby, and he would handle most of the conversation. She was away all through September. Whenever it was just the two of us, there was an odd tension. We became like clouds of unspoken emotions towards each other; we could only think of things that felt too important to put into words.

Then came the smash of Lord Roberts A, and I found myself with a bandaged face in a bedroom in the Bedley Corner dower-house with Beatrice presiding over an inefficient nurse, Lady Osprey very pink and shocked in the background, and my aunt jealously intervening.

Then came the crash of Lord Roberts A, and I found myself with a bandaged face in a bedroom in the Bedley Corner dower house, with Beatrice supervising an incompetent nurse, Lady Osprey looking very pink and shocked in the background, and my aunt intervening out of jealousy.

My injuries were much more showy than serious, and I could have been taken to Lady Grove next day, but Beatrice would not permit that, and kept me at Bedley Corner three clear days. In the afternoon of the second day she became extremely solicitous for the proper aeration of the nurse, packed her off for an hour in a brisk rain, and sat by me alone.

My injuries were more about appearances than anything serious, and I could have gone to Lady Grove the next day, but Beatrice wouldn’t allow it and kept me at Bedley Corner for three full days. On the afternoon of the second day, she became very concerned about making sure the nurse got some fresh air, sent her out for an hour in a brisk rain, and sat with me by myself.

I asked her to marry me.

I proposed to her.

All the whole I must admit it was not a situation that lent itself to eloquence. I lay on my back and talked through bandages, and with some little difficulty, for my tongue and mouth had swollen. But I was feverish and in pain, and the emotional suspense I had been in so long with regard to her became now an unendurable impatience.

All in all, I have to say it wasn't a situation that allowed for much eloquence. I was lying on my back, speaking through bandages, and it was a bit tricky since my tongue and mouth were swollen. But I was feverish and in pain, and the emotional tension I'd felt for so long about her turned into an unbearable impatience.

“Comfortable?” she asked.

“Are you comfortable?” she asked.

“Yes.”

“Yep.”

“Shall I read to you?”

"Should I read to you?"

“No. I want to talk.”

“No. I want to chat.”

“You can’t. I’d better talk to you.”

“You can’t. I should talk to you instead.”

“No,” I said, “I want to talk to you.”

“No,” I said, “I want to talk to you.”

She came and stood by my bedside and looked me in the eyes. “I don’t—I don’t want you to talk to me,” she said. “I thought you couldn’t talk.”

She came and stood by my bedside and looked me in the eyes. “I don’t—I don’t want you to talk to me,” she said. “I thought you couldn’t talk.”

“I get few chances—of you.”

"I have few chances with you."

“You’d better not talk. Don’t talk now. Let me chatter instead. You ought not to talk.”

“You should really keep quiet. Don’t say anything right now. Let me do the talking instead. You shouldn’t speak.”

“It isn’t much,” I said.

"It’s not much," I said.

“I’d rather you didn’t.”

"Please don't."

“I’m not going to be disfigured,” I said. “Only a scar.”

“I’m not going to be disfigured,” I said. “Just a scar.”

“Oh!” she said, as if she had expected something quite different. “Did you think you’d become a sort of gargoyle?”

“Oh!” she said, as if she was expecting something totally different. “Did you think you’d turn into some kind of gargoyle?”

“L’Homme qui Rit!—I didn’t know. But that’s all right. Jolly flowers those are!”

“Laughing Man!—I didn’t know. But that's okay. Those are cheerful flowers!”

“Michaelmas daisies,” she said. “I’m glad you’r not disfigured, and those are perennial sunflowers. Do you know no flowers at all? When I saw you on the ground I certainly thought you were dead. You ought to have been, by all the rules of the game.”

“Michaelmas daisies,” she said. “I’m glad you’re not disfigured, and those are perennial sunflowers. Do you honestly not know any flowers at all? When I saw you on the ground, I really thought you were dead. You should have been, according to all the rules of the game.”

She said some other things, but I was thinking of my next move.

She said a few other things, but I was focused on my next move.

“Are we social equals?” I said abruptly.

“Are we social equals?” I asked suddenly.

She stared at me. “Queer question,” she said.

She looked at me. “Weird question,” she said.

“But are we?”

“But are we, though?”

“H’m. Difficult to say. But why do you ask? Is the daughter of a courtesy Baron who died—of general disreputableness, I believe—before his father—? I give it up. Does it matter?”

“H’m. Hard to say. But why are you asking? Is it the daughter of a courtesy Baron who died—of general disreputability, I think—before his father—? I give up. Does it even matter?”

“No. My mind is confused. I want to know if you will marry me.”

“No. I'm confused. I need to know if you will marry me.”

She whitened and said nothing. I suddenly felt I must plead with her. “Damn these bandages!” I said, breaking into ineffectual febrile rage.

She turned pale and said nothing. Suddenly, I felt the urge to plead with her. “Damn these bandages!” I exclaimed, breaking into a futile fit of anger.

She roused herself to her duties as nurse. “What are you doing? Why are you trying to sit up? Sit down! Don’t touch your bandages. I told you not to talk.”

She got herself back to her duties as a nurse. “What are you doing? Why are you trying to sit up? Sit down! Don’t touch your bandages. I told you not to talk.”

She stood helpless for a moment, then took me firmly by the shoulders and pushed me back upon the pillow. She gripped the wrist of the hand I had raised to my face.

She stood there for a moment, feeling helpless, then took me firmly by the shoulders and pushed me back onto the pillow. She held the wrist of the hand I had raised to my face.

“I told you not to talk,” she whispered close to my face. “I asked you not to talk. Why couldn’t you do as I asked you?”

“I told you not to speak,” she whispered right in my face. “I asked you not to say anything. Why couldn’t you just do what I asked?”

“You’ve been avoiding me for a month,” I said.

“You’ve been dodging me for a month,” I said.

“I know. You might have known. Put your hand back—down by your side.”

“I know. You probably knew. Put your hand back—by your side.”

I obeyed. She sat on the edge of the bed. A flush had come to her cheeks, and her eyes were very bright. “I asked you,” she repeated, “not to talk.”

I complied. She sat on the edge of the bed. A blush had risen to her cheeks, and her eyes were quite bright. “I told you,” she repeated, “not to talk.”

My eyes questioned her mutely.

My eyes silently questioned her.

She put her hand on my chest. Her eyes were tormented.

She placed her hand on my chest. Her eyes were filled with turmoil.

“How can I answer you now?” she said.

“How can I respond to you right now?” she said.

“How can I say anything now?”

“How can I say anything right now?”

“What do you mean?” I asked.

“What do you mean?” I asked.

She made no answer.

She didn't reply.

“Do you mean it must be ‘No’?”

“Do you really mean it has to be ‘No’?”

She nodded.

She nodded.

“But” I said, and my whole soul was full of accusations.

"But," I said, and my entire being was filled with accusations.

“I know,” she said. “I can’t explain. I can’t. But it has to be ‘No!’ It can’t be. It’s utterly, finally, for ever impossible.... Keep your hands still!”

“I know,” she said. “I can’t explain. I really can’t. But it has to be ‘No!’ It can’t be. It’s completely, absolutely, forever impossible.... Keep your hands still!”

“But,” I said, “when we met again—”

“But,” I said, “when we got together again—”

“I can’t marry. I can’t and won’t.”

“I can’t get married. I can’t and I won’t.”

She stood up. “Why did you talk?” she cried, “couldn’t you see?

She stood up. “Why did you say anything?” she yelled, “couldn’t you see?

She seemed to have something it was impossible to say.

She seemed to have something that was hard to describe.

She came to the table beside my bed and pulled the Michaelmas daisies awry. “Why did you talk like that?” she said in a tone of infinite bitterness. “To begin like that!”

She walked over to the table by my bed and messed with the Michaelmas daisies. “Why did you talk like that?” she asked, her voice filled with deep bitterness. “To start off like that!”

“But what is it?” I said. “Is it some circumstance—my social position?”

“But what is it?” I asked. “Is it some situation—my social status?”

“Oh, damn your social position!” she cried.

“Oh, damn your social status!” she cried.

She went and stood at the further window, staring out at the rain. For a long time we were absolutely still. The wind and rain came in little gusts upon the pane. She turned to me abruptly.

She went and stood at the far window, looking out at the rain. We were completely silent for a long time. The wind and rain hit the glass in small bursts. She suddenly turned to me.

“You didn’t ask me if I loved you,” she said.

“You didn’t ask me if I loved you,” she said.

“Oh, if it’s that!” said I.

“Oh, if it’s that!,” I said.

“It’s not that,” she said. “But if you want to know—” She paused.

“It’s not that,” she said. “But if you want to know—” She paused.

“I do,” she said.

“I do,” she replied.

We stared at one another.

We looked at each other.

“I do—with all my heart, if you want to know.”

“I do—with all my heart, if you want to know.”

“Then, why the devil—?” I asked.

“Then, why the hell—?” I asked.

She made no answer. She walked across the room to the piano and began to play, rather noisily and rapidly, with odd gusts of emphasis, the shepherd’s pipe music from the last act in “Tristan and Isolde.” Presently she missed a note, failed again, ran her finger heavily up the scale, struck the piano passionately with her fist, making a feeble jar in the treble, jumped up, and went out of the room....

She didn't reply. She walked over to the piano and started playing loudly and quickly, with strange bursts of emphasis, the shepherd’s pipe music from the last act of “Tristan and Isolde.” Soon, she missed a note, messed up again, slammed her finger up the scale, hit the piano forcefully with her fist, causing a weak sound in the treble, jumped up, and left the room....

The nurse found me still wearing my helmet of bandages, partially dressed, and pottering round the room to find the rest of my clothes. I was in a state of exasperated hunger for Beatrice, and I was too inflamed and weakened to conceal the state of my mind. I was feebly angry because of the irritation of dressing, and particularly of the struggle to put on my trousers without being able to see my legs. I was staggering about, and once I had fallen over a chair and I had upset the jar of Michaelmas daisies.

The nurse found me still in my bandaged helmet, partly dressed, and wandering around the room looking for the rest of my clothes. I was feeling desperately hungry for Beatrice, and I was too agitated and weak to hide how I felt. I was weakly angry because of the hassle of getting dressed, especially struggling to put on my pants without being able to see my legs. I was stumbling around, and at one point I tripped over a chair and knocked over the jar of Michaelmas daisies.

I must have been a detestable spectacle. “I’ll go back to bed,” said I, “if I may have a word with Miss Beatrice. I’ve got something to say to her. That’s why I’m dressing.”

I must have looked awful. “I’ll go back to bed,” I said, “if I can have a moment with Miss Beatrice. I have something to tell her. That’s why I’m getting dressed.”

My point was conceded, but there were long delays. Whether the household had my ultimatum or whether she told Beatrice directly I do not know, and what Lady Osprey can have made of it in the former case I don’t imagine.

My point was accepted, but there were long delays. I don’t know if the household got my ultimatum or if she told Beatrice directly, and I can’t imagine what Lady Osprey must have thought in the first case.

At last Beatrice came and stood by my bedside. “Well?” she said.

At last, Beatrice came and stood by my bedside. “Well?” she asked.

“All I want to say,” I said with the querulous note of a misunderstood child, “is that I can’t take this as final. I want to see you and talk when I’m better, and write. I can’t do anything now. I can’t argue.”

“All I want to say,” I said with the whiny tone of a misunderstood kid, “is that I can’t accept this as final. I want to see you and talk when I’m feeling better, and write. I can’t do anything right now. I can’t argue.”

I was overtaken with self-pity and began to snivel, “I can’t rest. You see? I can’t do anything.”

I was overwhelmed with self-pity and started to whine, “I can’t relax. You see? I can’t do anything.”

She sat down beside me again and spoke softly. “I promise I will talk it all over with you again. When you are well. I promise I will meet you somewhere so that we can talk. You can’t talk now.

She sat down next to me again and spoke softly. “I promise I’ll go over everything with you again. When you’re feeling better. I promise I’ll meet you somewhere so we can talk. You can’t talk right now.

“I asked you not to talk now. All you want to know you shall know... Will that do?”

“I told you not to talk right now. You’ll learn everything you need to know... Is that okay?”

“I’d like to know”

"I want to know"

She looked round to see the door was closed, stood up and went to it.

She looked around to see that the door was closed, stood up, and went over to it.

Then she crouched beside me and began whispering very softly and rapidly with her face close to me.

Then she knelt beside me and started whispering quickly and softly with her face close to mine.

“Dear,” she said, “I love you. If it will make you happy to marry me, I will marry you. I was in a mood just now—a stupid, inconsiderate mood. Of course I will marry you. You are my prince, my king. Women are such things of mood—or I would have behaved differently. We say ‘No’ when we mean ‘Yes’—and fly into crises. So now, Yes—yes—yes. I will. I can’t even kiss you. Give me your hand to kiss that. Understand, I am yours. Do you understand? I am yours just as if we had been married fifty years. Your wife—Beatrice. Is that enough? Now—now will you rest?”

“Hey,” she said, “I love you. If marrying me will make you happy, I’ll do it. I was just in a momentary, thoughtless mood. Of course I’ll marry you. You’re my prince, my king. Women can be so moody—or I would have acted differently. We say ‘No’ when we really mean ‘Yes’—and get all worked up. So now, Yes—yes—yes. I will. I can’t even kiss you. Let me kiss your hand instead. Just know, I’m yours. Do you get it? I’m yours as if we’ve been married for fifty years. Your wife—Beatrice. Is that enough? Now—now will you relax?”

“Yes,” I said, “but why?”

“Yes,” I said, “but why?”

“There are complications. There are difficulties. When you are better you will be able to—understand them. But now they don’t matter. Only you know this must be secret—for a time. Absolutely secret between us. Will you promise that?”

“There are complications. There are difficulties. When you feel better, you will be able to understand them. But right now, they don't matter. Only you know this has to be a secret—for a while. Absolutely secret between us. Will you promise that?”

“Yes,” I said, “I understand. I wish I could kiss you.”

“Yes,” I said, “I get it. I wish I could kiss you.”

She laid her head down beside mine for a moment and then she kissed my hand.

She rested her head next to mine for a moment and then kissed my hand.

“I don’t care what difficulties there are,” I said, and I shut my eyes.

“I don’t care what challenges there are,” I said, and I closed my eyes.

VII

But I was only beginning to gauge the unaccountable elements in Beatrice. For a week after my return to Lady Grove I had no sign of her, and then she called with Lady Osprey and brought a huge bunch of perennial sunflowers and Michaelmas daisies, “just the old flowers there were in your room,” said my aunt, with a relentless eye on me. I didn’t get any talk alone with Beatrice then, and she took occasion to tell us she was going to London for some indefinite number of weeks. I couldn’t even pledge her to write to me, and when she did it was a brief, enigmatical, friendly letter with not a word of the reality between us.

But I was just starting to understand the mysterious things about Beatrice. For a week after I got back to Lady Grove, I didn’t hear from her at all, and then she showed up with Lady Osprey, bringing a huge bouquet of perennial sunflowers and Michaelmas daisies, “just like the old flowers that were in your room,” my aunt said, giving me a knowing look. I didn’t get a chance to talk to Beatrice alone then, and she mentioned that she was going to London for an unspecified number of weeks. I couldn’t even get her to promise to write to me, and when she finally did, it was a short, cryptic, friendly letter that didn’t mention the reality between us.

I wrote back a love letter—my first love letter—and she made no reply for eight days. Then came a scrawl: “I can’t write letters. Wait till we can talk. Are you better?”

I wrote back a love letter—my first love letter—and she didn’t respond for eight days. Then I got a quick note: “I can’t write letters. Wait until we can talk. Are you feeling better?”

I think the reader would be amused if he could see the papers on my desk as I write all this, the mangled and disfigured pages, the experimental arrangements of notes, the sheets of suggestions balanced in constellations, the blottesque intellectual battlegrounds over which I have been fighting. I find this account of my relations to Beatrice quite the most difficult part of my story to write. I happen to be a very objective-minded person, I forget my moods, and this was so much an affair of moods. And even such moods and emotions as I recall are very difficult to convey. To me it is about as difficult as describing a taste or a scent.

I think the reader would find it amusing if they could see the papers on my desk while I write all of this—the crumpled and messy pages, the haphazard arrangements of notes, the sheets of ideas stacked in disarray, the chaotic intellectual battlegrounds I’ve been navigating. I find this part of my story about my relationship with Beatrice to be the most challenging to write. I tend to be very objective, often forgetting my moods, and this was largely a matter of feelings. Even the moods and emotions I do remember are tough to express. For me, it’s about as hard as describing a taste or a scent.

Then the objective story is made up of little things that are difficult to set in a proper order. And love in an hysterical passion, now high, now low, now exalted, and now intensely physical. No one has ever yet dared to tell a love story completely, its alternations, its comings and goings, its debased moments, its hate. The love stories we tell, tell only the net consequence, the ruling effect....

Then the main story consists of small details that are hard to arrange properly. And love, in its crazy passion, swings from high to low, from uplifting to intensely physical. No one has ever really managed to tell a complete love story, capturing its ups and downs, its comings and goings, its low points, and its moments of hate. The love stories we share only convey the overall outcome, the dominant effect...

How can I rescue from the past now the mystical quality of Beatrice; my intense longing for her; the overwhelming, irrational, formless desire? How can I explain how intimately that worship mingled with a high, impatient resolve to make her mine, to take her by strength and courage, to do my loving in a violent heroic manner? And then the doubts, the puzzled arrest at the fact of her fluctuations, at her refusal to marry me, at the fact that even when at last she returned to Bedley Corner she seemed to evade me?

How can I bring back the mystical quality of Beatrice from the past; my intense longing for her; the overwhelming, irrational, and formless desire? How can I explain how closely that worship mixed with a strong, impatient determination to make her mine, to take her by strength and courage, to express my love in a bold, heroic way? And then the doubts, the confusion at her changes, at her refusal to marry me, and the fact that even when she finally returned to Bedley Corner, she seemed to avoid me?

That exasperated me and perplexed me beyond measure.

That frustrated me and confused me more than I can say.

I felt that it was treachery. I thought of every conceivable explanation, and the most exalted and romantic confidence in her did not simply alternate, but mingled with the basest misgivings.

I felt that it was betrayal. I considered every possible explanation, and my highest and most romantic trust in her didn’t just switch back and forth, but mixed with the deepest doubts.

And into the tangle of memories comes the figure of Carnaby, coming out slowly from the background to a position of significance, as an influence, as a predominant strand in the nets that kept us apart, as a rival. What were the forces that pulled her away from me when it was so clearly manifest she loved me? Did she think of marrying him? Had I invaded some long-planned scheme? It was evident he did not like me, that in some way I spoilt the world for him. She returned to Bedley Corner, and for some weeks she was flitting about me, and never once could I have talk with her alone. When she came to my sheds Carnaby was always with her, jealously observant. (Why the devil couldn’t she send him about his business?) The days slipped by and my anger gathered.

And into the mix of memories comes Carnaby, slowly stepping out from the background to take on an important role, as an influence, as a key factor in the barriers that kept us apart, as a rival. What made her pull away from me when it was so obvious she loved me? Did she think about marrying him? Had I interrupted some long-planned arrangement? It was clear he didn’t like me, that somehow I ruined things for him. She went back to Bedley Corner, and for a few weeks, she was darting around me, and I never once got a chance to talk to her alone. Whenever she came to my sheds, Carnaby was always with her, watching closely. (Why the hell couldn't she just send him away?) The days went by, and my frustration grew.

All this mingles with the making of Lord Roberts β. I had resolved upon that one night as I lay awake at Bedley Corner; I got it planned out before the bandages were off my face. I conceived this second navigable balloon in a grandiose manner. It was to be a second Lord Roberts α, only more so; it was to be three times as big, large enough to carry three men, and it was to be an altogether triumphant vindication of my claims upon the air. The framework was to be hollow like a bird’s bones, airtight, and the air pumped in or out, and the weight of fuel I carried changed. I talked much and boasted to Cothope—whom I suspected of scepticisms about this new type—of what it would do, and it progressed—slowly. It progressed slowly because I was restless and uncertain. At times I would go away to London to snatch some chance of seeing Beatrice there, at times nothing but a day of gliding and hard and dangerous exercise would satisfy me. And now in the newspapers, in conversation, in everything about me, arose a new invader of my mental states. Something was happening to the great schemes of my uncle’s affairs; people were beginning to doubt, to question. It was the first quiver of his tremendous insecurity, the first wobble of that gigantic credit top he had kept spinning so long.

All of this blends into the creation of Lord Roberts β. I had decided on it one night while lying awake at Bedley Corner; I mapped it out before the bandages were even off my face. I envisioned this second navigable balloon in a grand way. It was going to be a larger version of Lord Roberts α, only more impressive; it was going to be three times bigger, large enough to carry three people, and it was meant to be a complete validation of my claims in aviation. The framework was designed to be hollow like a bird’s bones, airtight, with air pumped in and out, allowing the weight of the fuel I carried to change. I talked a lot and boasted to Cothope—whom I suspected was skeptical about this new design—about what it could achieve, and it progressed—slowly. It progressed slowly because I was restless and uncertain. Sometimes I would head to London for a chance to see Beatrice, and other times I could only find satisfaction in a day packed with gliding and intense, risky exercise. And now in the newspapers, in conversations, everywhere around me, a new disturbance invaded my thoughts. Something was happening to the major plans of my uncle’s business; people were starting to doubt, to question. It was the first sign of his overwhelming insecurity, the first hint of that enormous credit bubble he had managed to keep inflated for so long.

There were comings and goings, November and December slipped by. I had two unsatisfactory meetings with Beatrice, meetings that had no privacy—in which we said things of the sort that need atmosphere, baldly and furtively. I wrote to her several times and she wrote back notes that I would sometimes respond to altogether, sometimes condemn as insincere evasions. “You don’t understand. I can’t just now explain. Be patient with me. Leave things a little while to me.” She wrote.

There were a lot of arrivals and departures, and November and December passed by. I had two unsatisfying meetings with Beatrice, meetings that lacked privacy—where we discussed things that needed a certain atmosphere, awkwardly and secretly. I wrote to her several times, and her responses were notes that I would sometimes reply to completely, and other times I would dismiss as insincere excuses. “You don’t get it. I can’t explain right now. Please be patient with me. Just give me a little time,” she wrote.

I would talk aloud to these notes and wrangle over them in my workroom—while the plans of Lord Roberts β waited.

I would speak out loud to these notes and argue about them in my workspace—while Lord Roberts' plans waited.

“You don’t give me a chance!” I would say. “Why don’t you let me know the secret? That’s what I’m for—to settle difficulties! to tell difficulties to!”

“You’re not giving me a chance!” I would say. “Why don’t you share the secret with me? That’s what I’m here for—to help with problems! to talk about problems!”

And at last I could hold out no longer against these accumulating pressures.

And finally, I couldn't resist these mounting pressures any longer.

I took an arrogant, outrageous line that left her no loopholes; I behaved as though we were living in a melodrama.

I took a bold, over-the-top approach that left her no way out; I acted like we were in a soap opera.

“You must come and talk to me,” I wrote, “or I will come and take you. I want you—and the time runs away.”

“You need to come and talk to me,” I wrote, “or I’ll just come and get you. I want you—and time is running out.”

We met in a ride in the upper plantations. It must have been early in January, for there was snow on the ground and on the branches of the trees. We walked to and fro for an hour or more, and from the first I pitched the key high in romance and made understandings impossible. It was our worst time together. I boasted like an actor, and she, I know not why, was tired and spiritless.

We met during a ride in the upper plantations. It must have been early January because there was snow on the ground and on the branches of the trees. We walked back and forth for an hour or more, and from the start, I set the mood high with romance, making any real connection impossible. It was our worst time together. I was boasting like an actor, and she, for some reason, seemed exhausted and lifeless.

Now I think over that talk in the light of all that has happened since, I can imagine how she came to me full of a human appeal I was too foolish to let her make. I don’t know. I confess I have never completely understood Beatrice. I confess I am still perplexed at many things she said and did. That afternoon, anyhow, I was impossible. I posed and scolded. I was—I said it—for “taking the Universe by the throat!”

Now that I think about that conversation in light of everything that's happened since, I can picture how she approached me with a genuine human appeal that I was too naive to accept. I don’t know. I admit I have never fully understood Beatrice. I confess I am still confused by many things she said and did. That afternoon, anyway, I was unbearable. I acted pretentious and criticized. I was—I said it—for “taking the Universe by the throat!”

“If it was only that,” she said, but though I heard, I did not heed her.

“If it was just that,” she said, but even though I heard her, I didn’t pay attention.

At last she gave way to me and talked no more. Instead she looked at me—as a thing beyond her controlling, but none the less interesting—much as she had looked at me from behind the skirts of Lady Drew in the Warren when we were children together.

At last she surrendered to me and stopped talking. Instead, she just looked at me—as something beyond her control, but still interesting—much like how she had looked at me from behind Lady Drew's skirts in the Warren when we were kids together.

Once even I thought she smiled faintly.

Once, I even thought she smiled a little.

“What are the difficulties” I cried, “there’s no difficulty I will not overcome for you! Do your people think I’m no equal for you? Who says it? My dear, tell me to win a title! I’ll do it in five years!...

“What are the difficulties?” I cried. “There’s no challenge I won’t take on for you! Do your people think I’m not your equal? Who says that? My love, just tell me to earn a title! I’ll do it in five years!...

“Here am I just grown a man at the sight of you. I have wanted something to fight for. Let me fight for you!...

“Here I am, just grown into a man at the sight of you. I’ve wanted something to fight for. Let me fight for you!...

“I’m rich without intending it. Let me mean it, give me an honourable excuse for it, and I’ll put all this rotten old Warren of England at your feet!”

“I’m wealthy without even trying. If you give me a valid reason to care about it, I’ll lay all this decaying old mess of England at your feet!”

I said such things as that. I write them down here in all their resounding base pride. I said these empty and foolish things, and they are part of me. Why should I still cling to pride and be ashamed? I shouted her down.

I said things like that. I'm writing them down here in all their loud, basic pride. I said these empty and foolish things, and they’re part of who I am. Why should I still hold on to pride and feel ashamed? I shouted her down.

I passed from such megalomania to petty accusations.

I went from such grand delusions to minor accusations.

“You think Carnaby is a better man than I?” I said.

“You think Carnaby is a better man than me?” I said.

“No!” she cried, stung to speech. “No!”

"No!" she exclaimed, caught off guard. "No!"

“You think we’re unsubstantial. You’ve listened to all these rumours Boom has started because we talked of a newspaper of our own. When you are with me you know I’m a man; when you get away from me you think I’m a cheat and a cad.... There’s not a word of truth in the things they say about us. I’ve been slack. I’ve left things. But we have only to exert ourselves. You do not know how wide and far we have spread our nets. Even now we have a coup—an expedition—in hand. It will put us on a footing.”...

“You think we’re insignificant. You’ve believed all those rumors Boom has started because we mentioned wanting our own newspaper. When you’re with me, you see I’m a real man; when you’re away from me, you think I’m a fraud and a jerk.... None of what they say about us is true. I’ve been careless. I’ve let things slide. But all we need to do is put in some effort. You have no idea how far and wide we’ve cast our nets. Right now, we have a big opportunity—a plan—in motion. It’s going to set us up properly.”...

Her eyes asked mutely and asked in vain that I would cease to boast of the very qualities she admired in me.

Her eyes silently pleaded and desperately hoped that I would stop bragging about the very qualities she admired in me.

In the night I could not sleep for thinking of that talk and the vulgar things I had said in it. I could not understand the drift my mind had taken. I was acutely disgusted. And my unwonted doubts about myself spread from a merely personal discontent to our financial position. It was all very well to talk as I had done of wealth and power and peerages, but what did I know nowadays of my uncle’s position? Suppose in the midst of such boasting and confidence there came some turn I did not suspect, some rottenness he had concealed from me? I resolved I had been playing with aeronautics long enough; that next morning I would go to him and have things clear between us.

That night, I couldn’t sleep because I kept thinking about our conversation and the inappropriate things I had said. I couldn’t grasp the direction my thoughts had taken. I felt a deep sense of disgust. My unusual self-doubts expanded from personal dissatisfaction to concerns about our finances. It was easy to talk about wealth, power, and titles like I had, but what did I really know about my uncle's current situation? What if, amidst all my bragging and confidence, there was something hidden from me—some issue he had kept secret? I decided I had been toying with these ideas for too long; the next morning, I would go to him and sort everything out.

I caught an early train and went up to the Hardingham.

I took an early train and headed up to Hardingham.

I went up to the Hardingham through a dense London fog to see how things really stood. Before I had talked to my uncle for ten minutes I felt like a man who has just awakened in a bleak, inhospitable room out of a grandiose dream.

I went up to Hardingham through a thick London fog to check out what was really going on. It took just ten minutes of talking to my uncle for me to feel like a guy who has just woken up in a cold, unwelcoming room after a fancy dream.

CHAPTER THE FOURTH
HOW I STOLE THE HEAPS OF QUAP FROM MORDET ISLAND

I

“We got to make a fight for it,” said my uncle. “We got to face the music!”

“We have to fight for it,” said my uncle. “We have to face the consequences!”

I remember that even at the sight of him I had a sense of impending calamity. He sat under the electric light with the shadow of his hair making bars down his face. He looked shrunken, and as though his skin had suddenly got loose and yellow. The decorations of the room seemed to have lost freshness, and outside the blinds were up—there was not so much fog as a dun darkness. One saw the dingy outlines of the chimneys opposite quite distinctly, and then a sky of such brown as only London can display.

I remember that just seeing him gave me a feeling that something bad was about to happen. He sat under the fluorescent light, the shadows of his hair casting lines across his face. He looked gaunt, as if his skin had suddenly become loose and turned a sickly yellow. The decorations in the room seemed worn out, and outside, the blinds were open—there wasn’t so much fog as just a heavy darkness. You could clearly make out the grim outlines of the chimneys across the way, and the sky was a brown that only London can produce.

“I saw a placard,” I said: “‘More Ponderevity.’”

“I saw a sign,” I said: “‘More Ponderevity.’”

“That’s Boom,” he said. “Boom and his damned newspapers. He’s trying to fight me down. Ever since I offered to buy the Daily Decorator he’s been at me. And he thinks consolidating Do Ut cut down the ads. He wants everything, damn him! He’s got no sense of dealing. I’d like to bash his face!”

“That's Boom,” he said. “Boom and his damn newspapers. He's trying to take me down. Ever since I offered to buy the Daily Decorator, he's been on my case. And he thinks consolidating Do Ut will cut the ads. He wants it all, damn him! He's got no clue about dealing. I’d love to punch him!”

“Well,” I said, “what’s to be done?”

“Well,” I said, “what should we do?”

“Keep going,” said my uncle.

“Keep going,” my uncle urged.

“I’ll smash Boom yet,” he said, with sudden savagery.

“I'll take down Boom yet,” he said, with sudden intensity.

“Nothing else?” I asked.

"Anything else?" I asked.

“We got to keep going. There’s a scare on. Did you notice the rooms? Half the people out there this morning are reporters. And if I talk they touch it up!... They didn’t used to touch things up! Now they put in character touches—insulting you. Don’t know what journalism’s coming to. It’s all Boom’s doing.”

“We have to keep moving. There's a panic happening. Did you see the rooms? Half the people out there this morning are reporters. And if I say anything, they’ll twist it!... They didn’t used to edit things! Now they add personal touches—insulting you. I don’t know what journalism is turning into. It’s all Boom’s fault.”

He cursed Lord Boom with considerable imaginative vigour.

He cursed Lord Boom with a lot of creativity and intensity.

“Well,” said I, “what can he do?”

“Well,” I said, “what can he do?”

“Shove us up against time, George; make money tight for us. We been handling a lot of money—and he tightens us up.”

“Push us against the clock, George; make money scarce for us. We’ve been dealing with a lot of cash—and he’s tightening the screws on us.”

“We’re sound?”

"Are we good?"

“Oh, we’re sound, George. Trust me for that! But all the same—There’s such a lot of imagination in these things.... We’re sound enough. That’s not it.”

“Oh, we're good, George. Trust me on that! But still—There’s so much imagination in these things.... We’re good enough. That’s not the issue.”

He blew. “Damn Boom!” he said, and his eyes over his glasses met mine defiantly.

He blew. “Damn Boom!” he said, and his eyes over his glasses met mine boldly.

“We can’t, I suppose, run close hauled for a bitstop expenditure?”

“We can’t, I guess, sail close to the wind for a quick stop expense?”

“Where?”

“Where at?”

“Well,—Crest Hill”

"Well, - Crest Hill"

“What!” he shouted. “Me stop Crest Hill for Boom!” He waved a fist as if to hit his inkpot, and controlled himself with difficulty. He spoke at last in a reasonable voice. “If I did,” he said, “he’d kick up a fuss. It’s no good, even if I wanted to. Everybody’s watching the place. If I was to stop building we’d be down in a week.”

“What!” he shouted. “Me stop Crest Hill for Boom!” He waved his fist as if he wanted to smash his inkpot, struggling to calm himself. Finally, he spoke in a more reasonable tone. “If I did,” he said, “he’d cause a big scene. It wouldn’t work, even if I wanted to. Everyone’s keeping an eye on the place. If I stopped building, we’d be finished in a week.”

He had an idea. “I wish I could do something to start a strike or something. No such luck. Treat those workmen a sight too well. No, sink or swim, Crest Hill goes on until we’re under water.”

He had an idea. “I wish I could do something to start a strike or something. No such luck. They treat those workers way too well. No, sink or swim, Crest Hill goes on until we’re underwater.”

I began to ask questions and irritated him instantly.

I started asking questions and instantly annoyed him.

“Oh, dash these explanations, George!” he cried; “You only make things look rottener than they are. It’s your way. It isn’t a case of figures. We’re all right—there’s only one thing we got to do.”

“Oh, forget these explanations, George!” he exclaimed; “You just make things look worse than they are. That’s your style. This isn’t a matter of numbers. We’re fine—there’s just one thing we need to do.”

“Yes?”

"Yes?"

“Show value, George. That’s where this quap comes in; that’s why I fell in so readily with what you brought to me week before last. Here we are, we got our option on the perfect filament, and all we want’s canadium. Nobody knows there’s more canadium in the world than will go on the edge of a sixpence except me and you. Nobody has an idee the perfect filament’s more than just a bit of theorising. Fifty tons of quap and we’d turn that bit of theorising into something. We’d make the lamp trade sit on its tail and howl. We’d put Ediswan and all of ’em into a parcel without last year’s trousers and a hat, and swap ’em off for a pot of geraniums. See? We’d do it through Business Organisations, and there you are! See? Capern’s Patent Filament!

“Show value, George. That’s where this quap comes in; that’s why I quickly got on board with what you brought to me last week. Here we are, we have our option on the perfect filament, and all we need is canadium. Nobody knows there’s more canadium in the world than what will fit on the edge of a sixpence except you and me. Nobody realizes the perfect filament is more than just a theory. Fifty tons of quap, and we’d turn that theory into something real. We’d make the lamp industry sit up and listen. We’d leave Ediswan and the rest of them without last year’s trousers and a hat, trading them for a pot of geraniums. Get it? We’d do it through Business Organisations, and there you have it! See? Capern’s Patent Filament!

“The Ideal and the Real! George, we’ll do it! We’ll bring it off! And then we’ll give such a facer to Boom, he’ll think for fifty years. He’s laying up for our London and African meeting. Let him. He can turn the whole paper on to us. He says the Business Organisations shares aren’t worth fifty-two and we quote ’em at eighty-four. Well, here we are gettin’ ready for him—loading our gun.”

“The Ideal and the Real! George, we're going to make it happen! We'll pull it off! And then we'll hit Boom so hard, he'll be thinking about it for fifty years. He's preparing for our London and African meeting. Let him. He can direct the whole paper at us. He claims the Business Organisations shares aren't worth fifty-two while we're quoting them at eighty-four. Well, here we are, getting ready for him—loading our gun.”

His pose was triumphant.

He struck a triumphant pose.

“Yes,” I said, “that’s all right. But I can’t help thinking where should we be if we hadn’t just by accident got Capern’s Perfect Filament. Because, you know it was an accident—my buying up that.”

“Yes,” I said, “that’s fine. But I can’t help wondering where we would be if we hadn’t just happened to get Capern’s Perfect Filament. Because, you know it was an accident—me buying that.”

He crumpled up his nose into an expression of impatient distaste at my unreasonableness.

He scrunched up his nose in a look of annoyed disapproval at my unreasonableness.

“And after all, the meeting’s in June, and you haven’t begun to get the quap! After all, we’ve still got to load our gun.”

“And after all, the meeting’s in June, and you haven’t started to get the quap! We still need to load our gun.”

“They start on Toosday.”

"They start on Tuesday."

“Have they got the brig?”

"Do they have the brig?"

“They’ve got a brig.”

“They have a brig.”

“Gordon-Nasmyth!” I doubted.

“Gordon-Nasmyth!” I questioned.

“Safe as a bank,” he said. “More I see of that man the more I like him. All I wish is we’d got a steamer instead of a sailing ship.”

“Safe as a bank,” he said. “The more I see of that guy, the more I like him. All I hope is that we had a steamer instead of a sailing ship.”

“And,” I went on, “you seem to overlook what used to weigh with us a bit. This canadium side of the business and the Capern chance has rushed you off your legs. After all—it’s stealing, and in its way an international outrage. They’ve got two gunboats on the coast.”

“And,” I continued, “you seem to ignore what used to matter to us a little. This Canadian aspect of the business and the Capern opportunity has knocked you off your feet. After all—it’s theft, and in its own way, an international scandal. They’ve got two gunboats on the coast.”

I jumped up and went and stared out at the fog.

I jumped up and went to stare out at the fog.

“And, by Jove, it’s about our only chance! I didn’t dream.”

“And, wow, it’s pretty much our only shot! I never imagined.”

I turned on him. “I’ve been up in the air,” I said.

I turned to him. “I’ve been feeling anxious,” I said.

“Heaven knows where I haven’t been. And here’s our only chance—and you give it to that adventurous lunatic to play in his own way—in a brig!”

“Heaven knows where I haven’t been. And here’s our only chance—and you give it to that reckless nutjob to do things his own way—in a brig!”

“Well, you had a voice—”

"Well, you had a say—"

“I wish I’d been in this before. We ought to have run out a steamer to Lagos or one of those West Coast places and done it from there. Fancy a brig in the channel at this time of year, if it blows southwest!”

“I wish I’d been involved in this earlier. We should have sent a steamer to Lagos or one of those West Coast spots and handled it from there. Can you imagine a brig in the channel at this time of year if the wind blows from the southwest?”

“I dessay you’d have shoved it, George. Still you know, George.... I believe in him.”

“I guess you would have gone along with it, George. But you know, George.... I believe in him.”

“Yes,” I said. “Yes, I believe in him, too. In a way. Still—”

“Yes,” I said. “Yes, I believe in him, too. In a way. Still—”

We took up a telegram that was lying on his desk and opened it. His face became a livid yellow. He put the flimsy paper down with a slow, reluctant movement and took off his glasses.

We picked up a telegram that was on his desk and opened it. His face turned a pale yellow. He set the thin paper down slowly, with a hesitant motion, and removed his glasses.

“George,” he said, “the luck’s against us.”

“George,” he said, “the odds are not in our favor.”

“What?”

“What?”

He grimaced with his mouth—in the queerest way at the telegram.

He grimaced with his mouth—in the strangest way at the telegram.

“That.”

"That."

I took it up and read:

I picked it up and read:

“Motor smash compound fracture of the leg gordon nasmyth what price mordet now”

“Motor crash, compound fracture of the leg. Gordon Nasmyth, what's the cost now?”

For a moment neither of us spoke.

For a moment, neither of us said anything.

“That’s all right,” I said at last.

"Sounds good," I finally said.

“Eh?” said my uncle.

"Wait, what?" said my uncle.

I’m going. I’ll get that quap or bust.”

I’m going. I’ll get that money or nothing.

II

I had a ridiculous persuasion that I was “saving the situation.”

I had a crazy belief that I was “saving the situation.”

“I’m going,” I said quite consciously and dramatically. I saw the whole affair—how shall I put it?—in American colours.

“I’m going,” I said, very aware of how dramatic it sounded. I saw the whole situation—how can I describe it?—in American colors.

I sat down beside him. “Give me all the data you’ve got,” I said, “and I’ll pull this thing off.”

I sat down next to him. “Give me all the data you have,” I said, “and I’ll make this work.”

“But nobody knows exactly where—”

“But no one knows exactly where—”

“Nasmyth does, and he’ll tell me.”

“Nasmyth does, and he’ll let me know.”

“He’s been very close,” said my uncle, and regarded me.

“He's been really close,” my uncle said, looking at me.

“He’ll tell me all right, now he’s smashed.”

“He’ll definitely tell me now that he’s drunk.”

He thought. “I believe he will.”

He thought, "I think he will."

“George,” he said, “if you pull this thing off—Once or twice before you’ve stepped in—with that sort of Woosh of yours—”

“George,” he said, “if you pull this off—Once or twice before you’ve stepped in—with that kind of Woosh of yours—”

He left the sentence unfinished.

He left the sentence hanging.

“Give me that note-book,” I said, “and tell me all you know. Where’s the ship? Where’s Pollack? And where’s that telegram from? If that quap’s to be got, I’ll get it or bust. If you’ll hold on here until I get back with it.”...

“Give me that notebook,” I said, “and tell me everything you know. Where’s the ship? Where’s Pollack? And where’s that telegram from? If that thing can be found, I’ll find it or die trying. If you’ll wait here until I get back with it.”

And so it was I jumped into the wildest adventure of my life.

And that’s how I dove into the craziest adventure of my life.

I requisitioned my uncle’s best car forthwith. I went down that night to the place of despatch named on Nasmyth’s telegram, Bampton S.O. Oxon, routed him out with a little trouble from that centre, made things right with him and got his explicit directions; and I was inspecting the Maud Mary with young Pollack, his cousin and aide, the following afternoon. She was rather a shock to me and not at all in my style, a beast of a brig inured to the potato trade, and she reeked from end to end with the faint, subtle smell of raw potatoes so that it prevailed even over the temporary smell of new paint. She was a beast of a brig, all hold and dirty framework, and they had ballasted her with old iron and old rails and iron sleepers, and got a miscellaneous lot of spades and iron wheelbarrows against the loading of the quap. I thought her over with Pollack, one of those tall blond young men who smoke pipes and don’t help much, and then by myself, and as a result I did my best to sweep Gravesend clean of wheeling planks, and got in as much cord and small rope as I could for lashing. I had an idea we might need to run up a jetty. In addition to much ballast she held, remotely hidden in a sort of inadvertent way a certain number of ambiguous cases which I didn’t examine, but which I gathered were a provision against the need of a trade.

I quickly borrowed my uncle’s best car. That night, I went to the shipping location mentioned in Nasmyth’s telegram, Bampton S.O. Oxon. I found him with a bit of effort, sorted things out, and got his detailed instructions. The next afternoon, I was checking out the Maud Mary with young Pollack, his cousin and assistant. She was quite a surprise to me and not at all what I liked, a tough brig used for the potato trade, and she smelled strongly of raw potatoes, even more than the fresh paint. She was a rough brig, full of dirt and old framework, ballasted with old iron, rails, and iron sleepers, and there were a bunch of spades and iron wheelbarrows ready for loading. I thought about the ship with Pollack, one of those tall, blond guys who smoke pipes and don’t contribute much, and then by myself. As a result, I tried my best to clear out Gravesend of planks and gathered as much cord and small rope as I could for tying things down. I had a feeling we might need to set up a jetty. Besides all the ballast, there were a number of mysterious cases stashed away that I didn’t check, but I got the impression they were there just in case we needed supplies for trade.

The captain was a most extraordinary creature, under the impression we were after copper ore; he was a Roumanian Jew, with twitching, excitable features, who had made his way to a certificate after some preliminary naval experiences in the Black Sea. The mate was an Essex man of impenetrable reserve. The crew were astoundingly ill-clad and destitute and dirty; most of them youths, unwashed, out of colliers. One, the cook was a mulatto; and one, the best-built fellow of them all, was a Breton. There was some subterfuge about our position on board—I forget the particulars now—I was called the supercargo and Pollack was the steward. This added to the piratical flavour that insufficient funds and Gordon-Nasmyth’s original genius had already given the enterprise.

The captain was quite an unusual character, thinking we were after copper ore; he was a Romanian Jew with twitchy, restless features who had earned his certificate after some initial naval experiences in the Black Sea. The mate was a reserved guy from Essex. The crew was astonishingly poorly dressed, lacking resources, and filthy; most were young, unwashed, and came from coal ships. One crew member, the cook, was a mixed-race man; and another, the best-built of them all, was a Breton. There was some confusion about our status on board—I can’t remember the details now—I was called the supercargo and Pollack was the steward. This added to the pirate-like vibe that lack of funds and Gordon-Nasmyth’s original genius had already given to the venture.

Those two days of bustle at Gravesend, under dingy skies, in narrow, dirty streets, were a new experience for me. It is like nothing else in my life. I realised that I was a modern and a civilised man. I found the food filthy and the coffee horrible; the whole town stank in my nostrils, the landlord of the Good Intent on the quay had a stand-up quarrel with us before I could get even a hot bath, and the bedroom I slept in was infested by a quantity of exotic but voracious flat parasites called locally “bugs,” in the walls, in the woodwork, everywhere. I fought them with insect powder, and found them comatose in the morning. I was dipping down into the dingy underworld of the contemporary state, and I liked it no better than I did my first dip into it when I stayed with my Uncle Nicodemus Frapp at the bakery at Chatham—where, by-the-by, we had to deal with cockroaches of a smaller, darker variety, and also with bugs of sorts.

Those two hectic days in Gravesend, under gloomy skies and in narrow, dirty streets, were a completely new experience for me. It was unlike anything else in my life. I realized that I was a modern and civilized man. I found the food disgusting and the coffee terrible; the whole town was a smell I couldn’t stand. The landlord of the Good Intent on the quay had a heated argument with us before I could even get a hot bath, and the bedroom I stayed in was infested with a bunch of exotic but hungry little pests called “bugs” by the locals, in the walls, in the woodwork, everywhere. I fought them with insect powder and found them lifeless in the morning. I was plunging into the grimy underbelly of the current state, and I liked it no better than my first experience when I stayed with my Uncle Nicodemus Frapp at the bakery in Chatham—where, by the way, we also had to deal with cockroaches of a smaller, darker kind, and the same kind of bugs.

Let me confess that through all this time before we started I was immensely self-conscious, and that Beatrice played the part of audience in my imagination throughout. I was, as I say, “saving the situation,” and I was acutely aware of that. The evening before we sailed, instead of revising our medicine-chest as I had intended, I took the car and ran across country to Lady Grove to tell my aunt of the journey I was making, dress, and astonish Lady Osprey by an after dinner call.

Let me admit that all the time before we started, I was really self-conscious, and Beatrice was a part of my imagination the whole time. I was, as I mentioned, “saving the situation,” and I was very conscious of that. The night before we sailed, instead of going over our medicine kit as I had planned, I took the car and drove across the countryside to Lady Grove to tell my aunt about the trip I was taking, get dressed, and surprise Lady Osprey with an after-dinner visit.

The two ladies were at home and alone beside a big fire that seemed wonderfully cheerful after the winter night. I remember the effect of the little parlour in which they sat as very bright and domestic. Lady Osprey, in a costume of mauve and lace, sat on a chintz sofa and played an elaborately spread-out patience by the light of a tall shaded lamp; Beatrice, in a whiteness that showed her throat, smoked a cigarette in an armchair and read with a lamp at her elbow. The room was white-panelled and chintz-curtained. About those two bright centres of light were warm dark shadow, in which a circular mirror shone like a pool of brown water. I carried off my raid by behaving like a slave of etiquette. There were moments when I think I really made Lady Osprey believe that my call was an unavoidable necessity, that it would have been negligent of me not to call just how and when I did. But at the best those were transitory moments.

The two women were at home and alone next to a big fire that felt really cozy after the winter night. I remember the little living room they were in as being very bright and homey. Lady Osprey, dressed in mauve and lace, sat on a patterned sofa playing an elaborate card game under the glow of a tall shaded lamp. Beatrice, dressed in white that highlighted her neck, smoked a cigarette in an armchair while reading with a lamp beside her. The room had white panels and chintz curtains. Surrounding those two bright spots of light were warm dark shadows, where a round mirror glimmered like a pool of brown water. I managed to pull off my visit by acting like a stickler for etiquette. There were moments when I think I actually made Lady Osprey believe that my visit was absolutely necessary, that it would’ve been rude of me not to stop by just when I did. But at best, those were just fleeting moments.

They received me with disciplined amazement. Lady Osprey was interested in my face and scrutinised the scar. Beatrice stood behind her solicitude. Our eyes met, and in hers I could see startled interrogations.

They welcomed me with a controlled sense of wonder. Lady Osprey was fascinated by my face and examined the scar closely. Beatrice stood behind her with concern. Our eyes met, and I could see surprised questions in hers.

“I’m going,” I said, “to the west coast of Africa.”

“I’m going,” I said, “to the west coast of Africa.”

They asked questions, but it suited my mood to be vague.

They asked questions, but I felt like being vague.

“We’ve interests there. It is urgent I should go. I don’t know when I may return.”

“We have interests there. It's urgent that I go. I don't know when I might be back.”

After that I perceived Beatrice surveyed me steadily.

After that, I noticed Beatrice looking at me intently.

The conversation was rather difficult. I embarked upon lengthy thanks for their kindness to me after my accident. I tried to understand Lady Osprey’s game of patience, but it didn’t appear that Lady Osprey was anxious for me to understand her patience. I came to the verge of taking my leave.

The conversation was pretty tough. I started expressing my gratitude for their kindness to me after my accident. I tried to figure out Lady Osprey's game of patience, but it seemed like she wasn't really interested in me getting her patience. I was just about ready to say goodbye.

“You needn’t go yet,” said Beatrice, abruptly.

“You don’t have to go yet,” Beatrice said suddenly.

She walked across to the piano, took a pile of music from the cabinet near, surveyed Lady Osprey’s back, and with a gesture to me dropped it all deliberately on to the floor.

She walked over to the piano, grabbed a stack of music from the nearby cabinet, looked at Lady Osprey’s back, and with a signal to me, let it all fall deliberately to the floor.

“Must talk,” she said, kneeling close to me as I helped her to pick it up. “Turn my pages. At the piano.”

“Need to talk,” she said, kneeling next to me as I helped her pick it up. “Flip through my pages. At the piano.”

“I can’t read music.”

"I can't read music."

“Turn my pages.”

"Flip my pages."

Presently we were at the piano, and Beatrice was playing with noisy inaccuracy. She glanced over her shoulder and Lady Osprey had resumed her patience. The old lady was very pink, and appeared to be absorbed in some attempt to cheat herself without our observing it.

Currently, we were at the piano, and Beatrice was playing with loud mistakes. She looked back, and Lady Osprey had regained her composure. The elderly lady was quite flushed and seemed to be focused on trying to trick herself without us noticing.

“Isn’t West Africa a vile climate?” “Are you going to live there?” “Why are you going?”

“Isn’t West Africa an awful climate?” “Are you really going to live there?” “Why are you going?”

Beatrice asked these questions in a low voice and gave me no chance to answer. Then taking a rhythm from the music before her, she said—

Beatrice asked these questions in a soft voice and didn’t give me a chance to respond. Then, picking up the rhythm from the music in front of her, she said—

“At the back of the house is a garden—a door in the wall—on the lane. Understand?”

“At the back of the house is a garden—a door in the wall—on the street. Got it?”

I turned over the pages without any effect on her playing.

I flipped through the pages without interrupting her playing.

“When?” I asked.

“When?” I asked.

She dealt in chords. “I wish I could play this!” she said. “Midnight.”

She played in chords. “I wish I could play this!” she said. “Midnight.”

She gave her attention to the music for a time.

She focused on the music for a while.

“You may have to wait.”

"You might have to wait."

“I’ll wait.”

"I'll wait."

She brought her playing to an end by—as school boys say—“stashing it up.”

She finished her performance by—like school boys say—“stashing it up.”

“I can’t play to-night,” she said, standing up and meeting my eyes. “I wanted to give you a parting voluntary.”

“I can’t play tonight,” she said, standing up and looking me in the eyes. “I wanted to give you a farewell performance.”

“Was that Wagner, Beatrice?” asked Lady Osprey looking up from her cards. “It sounded very confused.”

“Was that Wagner, Beatrice?” Lady Osprey asked, looking up from her cards. “It sounded really messy.”

I took my leave. I had a curious twinge of conscience as I parted from Lady Osprey. Either a first intimation of middle-age or my inexperience in romantic affairs was to blame, but I felt a very distinct objection to the prospect of invading this good lady’s premises from the garden door. I motored up to the pavilion, found Cothope reading in bed, told him for the first time of West Africa, spent an hour with him in settling all the outstanding details of Lord Roberts β, and left that in his hands to finish against my return. I sent the motor back to Lady Grove, and still wearing my fur coat—for the January night was damp and bitterly cold—walked to Bedley Corner. I found the lane to the back of the Dower House without any difficulty, and was at the door in the wall with ten minutes to spare. I lit a cigar and fell to walking up and down. This queer flavour of intrigue, this nocturnal garden-door business, had taken me by surprise and changed my mental altitudes. I was startled out of my egotistical pose and thinking intently of Beatrice, of that elfin quality in her that always pleased me, that always took me by surprise, that had made her for example so instantly conceive this meeting.

I said my goodbyes. I felt a strange twinge of conscience as I left Lady Osprey. Whether it was the first hint of middle age or just my lack of experience in romantic matters, I was definitely uneasy about the idea of sneaking into this nice lady’s place through the garden door. I drove up to the pavilion, found Cothope reading in bed, told him for the first time about West Africa, spent an hour sorting out all the details of Lord Roberts β with him, and left it in his hands to complete before I got back. I sent the car back to Lady Grove and, still wearing my fur coat since it was a damp and bitterly cold January night, walked to Bedley Corner. I found the lane behind the Dower House without any trouble and arrived at the door in the wall with ten minutes to spare. I lit a cigar and started pacing back and forth. This strange sense of intrigue, this late-night garden-door situation, caught me off guard and shifted my mindset. I was jolted out of my self-absorbed thoughts and found myself focused intensely on Beatrice, on that enchanting quality in her that always delighted me, that always surprised me, which had made her, for instance, come up with this meeting so quickly.

She came within a minute of midnight; the door opened softly and she appeared, a short, grey figure in a motor-coat of sheepskin, bareheaded to the cold drizzle. She flitted up to me, and her eyes were shadows in her dusky face.

She arrived just before midnight; the door opened quietly and she walked in, a small, gray figure in a sheepskin coat, her head bare against the chilly drizzle. She moved quickly toward me, and her eyes were like shadows on her dark face.

“Why are you going to West Africa?” she asked at once.

“Why are you going to West Africa?” she asked immediately.

“Business crisis. I have to go.”

“Business crisis. I need to leave.”

“You’re not going—? You’re coming back?”

“You're not going—? You're coming back?”

“Three or four months,” I said, “at most.”

“Three or four months,” I said, “at most.”

“Then, it’s nothing to do with me?”

“Then, it’s got nothing to do with me?”

“Nothing,” I said. “Why should it have?”

“Nothing,” I said. “Why would it?”

“Oh, that’s all right. One never knows what people think or what people fancy.” She took me by the arm, “Let’s go for a walk,” she said.

“Oh, that’s fine. You never really know what people think or what they like.” She took my arm, “Let’s go for a walk,” she said.

I looked about me at darkness and rain.

I looked around at the darkness and the rain.

“That’s all right,” she laughed. “We can go along the lane and into the Old Woking Road. Do you mind? Of course you don’t. My head. It doesn’t matter. One never meets anybody.”

“That’s fine,” she laughed. “We can walk down the lane and onto the Old Woking Road. Is that okay with you? Of course it is. My head. It’s not a big deal. You rarely see anyone around here.”

“How do you know?”

"How do you know that?"

“I’ve wandered like this before.... Of course. Did you think”—she nodded her head back at her home—“that’s all?”

“I’ve wandered like this before... Of course. Did you think”—she pointed back at her home—“that’s all?”

“No, by Jove!” I cried; “it’s manifest it isn’t.”

“No way, I swear!” I exclaimed; “it's obvious it isn't.”

She took my arm and turned me down the lane. “Night’s my time,” she said by my side. “There’s a touch of the werewolf in my blood. One never knows in these old families.... I’ve wondered often.... Here we are, anyhow, alone in the world. Just darkness and cold and a sky of clouds and wet. And we—together.

She grabbed my arm and led me down the path. “Night is my time,” she said next to me. “There’s a bit of the werewolf in my blood. You never know with these old families.... I’ve thought about it a lot.... But here we are, anyway, alone in the world. Just darkness and cold and a sky filled with clouds and rain. And us—together.

“I like the wet on my face and hair, don’t you? When do you sail?”

“I love having the water on my face and hair, don’t you? When are you going sailing?”

I told her to-morrow.

I told her tomorrow.

“Oh, well, there’s no to-morrow now. You and I!” She stopped and confronted me.

“Oh, well, there's no tomorrow now. You and I!” She paused and faced me.

“You don’t say a word except to answer!”

“You only talk to reply!”

“No,” I said.

“No,” I replied.

“Last time you did all the talking.”

“Last time you did all the talking.”

“Like a fool. Now—”

“Like an idiot. Now—”

We looked at each other’s two dim faces. “You’re glad to be here?”

We glanced at each other's two dull faces. "Are you happy to be here?"

“I’m glad—I’m beginning to be—it’s more than glad.”

“I’m glad—I’m starting to be—it’s more than just glad.”

She put her hands on my shoulders and drew me down to kiss her.

She placed her hands on my shoulders and pulled me down to kiss her.

“Ah!” she said, and for a moment or so we just clung to one another.

“Ah!” she said, and for a moment, we just held onto each other.

“That’s all,” she said, releasing herself. “What bundles of clothes we are to-night. I felt we should kiss some day again. Always. The last time was ages ago.”

"That's it," she said, pulling away. "Look at how bundled up we are tonight. I knew we would kiss again someday. Always. The last time was forever ago."

“Among the fern stalks.”

“Among the fern stems.”

“Among the bracken. You remember. And your lips were cold. Were mine? The same lips—after so long—after so much!... And now let’s trudge through this blotted-out world together for a time. Yes, let me take your arm. Just trudge. See? Hold tight to me because I know the way—and don’t talk—don’t talk. Unless you want to talk.... Let me tell you things! You see, dear, the whole world is blotted out—it’s dead and gone, and we’re in this place. This dark wild place.... We’re dead. Or all the world is dead. No! We’re dead. No one can see us. We’re shadows. We’ve got out of our positions, out of our bodies—and together. That’s the good thing of it—together. But that’s why the world can’t see us and why we hardly see the world. Sssh! Is it all right?”

“Among the ferns. You remember. And your lips were cold. Were mine? The same lips—after so long—after so much!... And now let’s trudge through this erased world together for a while. Yes, let me take your arm. Just trudge. See? Hold tight to me because I know the way—and don’t talk—don’t talk. Unless you feel like it.... Let me tell you things! You see, dear, the whole world is erased—it’s dead and gone, and we’re in this place. This dark wild place.... We’re dead. Or all the world is dead. No! We’re dead. No one can see us. We’re shadows. We’ve gotten out of our positions, out of our bodies—and together. That’s the bright side of it—together. But that’s why the world can’t see us and why we hardly see the world. Sssh! Is it all right?”

“It’s all right,” I said.

"It's okay," I said.

We stumbled along for a time in a close silence. We passed a dim-lit, rain-veiled window.

We trudged along for a while in quiet. We walked past a faintly lit, rain-covered window.

“The silly world,” she said, “the silly world! It eats and sleeps. If the wet didn’t patter so from the trees we’d hear it snoring. It’s dreaming such stupid things—stupid judgments. It doesn’t know we are passing, we two—free of it—clear of it. You and I!”

“The ridiculous world,” she said, “the ridiculous world! It eats and sleeps. If the rain didn’t drip so from the trees, we’d hear it snoring. It’s dreaming such dumb things—dumb judgments. It doesn’t even realize we’re passing by, you and me—free from it—all clear of it. You and I!”

We pressed against each other reassuringly.

We leaned into each other for comfort.

“I’m glad we’re dead,” she whispered. “I’m glad we’re dead. I was tired of it, dear. I was so tired of it, dear, and so entangled.”

“I’m glad we’re gone,” she whispered. “I’m glad we’re gone. I was done with it, sweetheart. I was so done with it, sweetheart, and so caught up in it.”

She stopped abruptly.

She halted suddenly.

We splashed through a string of puddles. I began to remember things I had meant to say.

We splashed through a series of puddles. I started to remember things I had wanted to say.

“Look here!” I cried. “I want to help you beyond measure. You are entangled. What is the trouble? I asked you to marry me. You said you would. But there’s something.”

“Look here!” I shouted. “I want to help you more than you know. You’re in a difficult situation. What’s going on? I asked you to marry me. You said you would. But something’s not right.”

My thoughts sounded clumsy as I said them.

My thoughts came out awkwardly as I expressed them.

“Is it something about my position?... Or is it something—perhaps—about some other man?”

“Is it something about my role?... Or is it something—maybe—about another guy?”

There was an immense assenting silence.

There was a huge, consenting silence.

“You’ve puzzled me so. At first—I mean quite early—I thought you meant to make me marry you.”

“You’ve confused me so much. At first—I mean really early—I thought you were trying to make me marry you.”

“I did.”

"I did."

“And then?”

"What’s next?"

“To-night,” she said after a long pause, “I can’t explain. No! I can’t explain. I love you! But—explanations! To-night my dear, here we are in the world alone—and the world doesn’t matter. Nothing matters. Here I am in the cold with you and my bed away there deserted. I’d tell you—I will tell you when things enable me to tell you, and soon enough they will. But to-night—I won’t—I won’t.”

“To night,” she said after a long pause, “I can’t explain. No! I can’t explain. I love you! But—explanations! To night, my dear, here we are alone in the world—and the world doesn’t matter. Nothing matters. Here I am in the cold with you and my bed over there is empty. I’ll tell you—I will tell you when I can, and soon enough I will. But to night—I won’t—I won’t.”

She left my side and went in front of me.

She moved in front of me.

She turned upon me. “Look here,” she said, “I insist upon your being dead. Do you understand? I’m not joking. To-night you and I are out of life. It’s our time together. There may be other times, but this we won’t spoil. We’re—in Hades if you like. Where there’s nothing to hide and nothing to tell. No bodies even. No bothers. We loved each other—down there—and were kept apart, but now it doesn’t matter. It’s over.... If you won’t agree to that—I will go home.”

She turned to me. “Look,” she said, “I insist that you be dead. Do you get it? I’m not kidding. Tonight, you and I are out of this life. This is our time together. There may be other times, but we won’t mess this one up. We’re—in Hades if you want. Where there’s nothing to hide and nothing to say. No bodies at all. No mess. We loved each other—down there—and were kept apart, but now it doesn’t matter. It’s over.... If you won’t agree to that—I’ll go home.”

“I wanted,” I began.

"I wanted," I started.

“I know. Oh! my dear, if you’d only understand I understand. If you’d only not care—and love me to-night.”

“I know. Oh! my dear, if you’d just understand that I get it. If you could just not care—and love me tonight.”

“I do love you,” I said.

“I really love you,” I said.

“Then love me,” she answered, “and leave all the things that bother you. Love me! Here I am!”

“Then love me,” she replied, “and let go of everything that troubles you. Love me! I’m right here!”

“But!—”

“But!”

“No!” she said.

“No!” she replied.

“Well, have your way.”

"Okay, do it your way."

So she carried her point, and we wandered into the night together and Beatrice talked to me of love....

So she got her way, and we strolled into the night together while Beatrice talked to me about love....

I’d never heard a woman before in all my life who could talk of love, who could lay bare and develop and touch with imagination all that mass of fine emotion every woman, it may be, hides. She had read of love, she had thought of love, a thousand sweet lyrics had sounded through her brain and left fine fragments in her memory; she poured it out, all of it, shamelessly, skilfully, for me. I cannot give any sense of that talk, I cannot even tell how much of the delight of it was the magic of her voice, the glow of her near presence. And always we walked swathed warmly through a chilly air, along dim, interminable greasy roads—with never a soul abroad it seemed to us, never a beast in the fields.

I had never met a woman before who could talk about love like she did, who could openly explore and creatively express all the deep emotions that every woman might hide. She had read about love, thought about love; a thousand sweet lyrics had played in her mind and left beautiful traces in her memory. She shared it all, unreservedly and skillfully, with me. I can't really capture the essence of that conversation; I can't even describe how much of the joy came from the enchanting quality of her voice and the warmth of her presence. And all the while, we walked, warmly wrapped up against the chilly air, along endless, dim, grimy roads—seemingly without a soul in sight, not even a single animal in the fields.

“Why do people love each other?” I said.

“Why do people love each other?” I asked.

“Why not?”

"Why not?"

“But why do I love you? Why is your voice better than any voice, your face sweeter than any face?”

“But why do I love you? Why is your voice better than any other voice, your face more beautiful than any other face?”

“And why do I love you?” she asked; “not only what is fine in you, but what isn’t? Why do I love your dullness, your arrogance? For I do. To—night I love the very raindrops on the fur of your coat!”...

“And why do I love you?” she asked; “not just the things that are great about you, but the things that aren't? Why do I love your dullness, your arrogance? Because I do. Tonight I love the very raindrops on the fur of your coat!”...

So we talked; and at last very wet, still glowing but a little tired, we parted at the garden door. We had been wandering for two hours in our strange irrational community of happiness, and all the world about us, and particularly Lady Osprey and her household, had been asleep—and dreaming of anything rather than Beatrice in the night and rain.

So we chatted, and finally, quite soaked, still buzzing but a bit worn out, we said goodbye at the garden door. We’d been wandering for two hours in our weirdly joyful world, and everything around us, especially Lady Osprey and her household, had been asleep—dreaming of anything other than Beatrice in the night and rain.

She stood in the doorway, a muffled figure with eyes that glowed.

She stood in the doorway, a shadowy figure with glowing eyes.

“Come back,” she whispered. “I shall wait for you.”

“Come back,” she whispered. “I’ll be waiting for you.”

She hesitated.

She paused.

She touched the lapel of my coat. “I love you NOW,” she said, and lifted her face to mine.

She touched the collar of my coat. “I love you NOW,” she said, and lifted her face to mine.

I held her to me and was atremble from top to toe. “O God!” I cried. “And I must go!”

I held her close and trembled all over. “Oh God!” I exclaimed. “And I have to leave!”

She slipped from my arms and paused, regarding me. For an instant the world seemed full of fantastic possibilities.

She slipped out of my arms and stopped, looking at me. For a moment, the world felt full of incredible possibilities.

“Yes, Go!” she said, and vanished and slammed the door upon me, leaving me alone like a man new fallen from fairyland in the black darkness of the night.

“Yes, Go!” she said, then disappeared, slamming the door behind me, leaving me alone like a guy who just dropped out of a fantasy world into the pitch-black night.

III

That expedition to Mordet Island stands apart from all the rest of my life, detached, a piece by itself with an atmosphere of its own. It would, I suppose, make a book by itself—it has made a fairly voluminous official report—but so far as this novel of mine goes it is merely an episode, a contributory experience, and I mean to keep it at that.

That trip to Mordet Island is different from everything else in my life; it's separate, with its own unique vibe. I guess it could be a whole book on its own—it has resulted in a pretty lengthy official report—but as far as this novel is concerned, it's just a part of the story, an added experience, and I plan to keep it that way.

Vile weather, an impatient fretting against unbearable slowness and delay, sea—sickness, general discomfort and humiliating self—revelation are the master values of these memories.

Vile weather, an impatient worry about unbearable slowness and delays, seasickness, general discomfort, and humiliating self-revelation are the main aspects of these memories.

I was sick all through the journey out. I don’t know why. It was the only time I was ever sea-sick, and I have seen some pretty bad weather since I became a boat-builder. But that phantom smell of potatoes was peculiarly vile to me. Coming back on the brig we were all ill, every one of us, so soon as we got to sea, poisoned, I firmly believe, by quap. On the way out most of the others recovered in a few days, but the stuffiness below, the coarse food, the cramped dirty accommodation kept me, if not actually sea-sick, in a state of acute physical wretchedness the whole time. The ship abounded in cockroaches and more intimate vermin. I was cold all the time until after we passed Cape Verde, then I became steamily hot; I had been too preoccupied with Beatrice and my keen desire to get the Maud Mary under way at once, to consider a proper wardrobe for myself, and in particular I lacked a coat. Heavens! how I lacked that coat! And, moreover, I was cooped up with two of the worst bores in Christendom, Pollack and the captain. Pollack, after conducting his illness in a style better adapted to the capacity of an opera house than a small compartment, suddenly got insupportably well and breezy, and produced a manly pipe in which he smoked a tobacco as blond as himself, and divided his time almost equally between smoking it and trying to clean it. “There’s only three things you can clean a pipe with,” he used to remark with a twist of paper in hand. “The best’s a feather, the second’s a straw, and the third’s a girl’s hairpin. I never see such a ship. You can’t find any of ’em. Last time I came this way I did find hairpins anyway, and found ’em on the floor of the captain’s cabin. Regular deposit. Eh?... Feelin’ better?”

I was sick the entire time we traveled out. I have no idea why. It was the only time I've ever been seasick, and I've encountered some pretty rough weather since I started boat-building. But that weird smell of potatoes was especially disgusting to me. On our return trip on the brig, we were all sick as soon as we hit the open sea, poisoned, I truly believe, by quap. Most of the others felt better after a few days on the way out, but the stuffy hold, the awful food, and the cramped, dirty space kept me, if not completely seasick, in a state of extreme physical misery the whole time. The ship was crawling with cockroaches and other pests. I was cold the entire time until we passed Cape Verde, and then I became ridiculously hot; I had been so focused on Beatrice and my strong wish to get the Maud Mary going right away that I didn't think about getting proper clothes for myself, especially lacking a coat. Goodness! how I missed that coat! Plus, I was stuck with two of the dullest people in the world, Pollack and the captain. Pollack, after handling his sickness in a way more suited for an opera house than a small cabin, suddenly got annoyingly energetic and cheery, pulled out a manly pipe, and smoked a tobacco that was as light as he was, splitting his time almost evenly between smoking it and trying to clean it. “There’s only three things you can clean a pipe with,” he would say, twisting a piece of paper in his hand. “The best is a feather, the second is a straw, and the third is a girl’s hairpin. I’ve never seen such a ship. You can’t find any of them. Last time I came this way, I did find hairpins, anyway, and found them on the floor of the captain’s cabin. Regular deposit. Eh?... Feeling better?”

At which I usually swore.

At which I usually cursed.

“Oh, you’ll be all right soon. Don’t mind my puffin’ a bit? Eh?”

“Oh, you’ll be okay soon. Don’t worry about me puffing a bit, alright?”

He never tired of asking me to “have a hand at Nap. Good game. Makes you forget it, and that’s half the battle.”

He never got tired of asking me to “give Nap a try. It's a good game. It helps you forget everything, and that’s half the struggle.”

He would sit swaying with the rolling of the ship and suck at his pipe of blond tobacco and look with an inexpressibly sage but somnolent blue eye at the captain by the hour together. “Captain’s a Card,” he would say over and over again as the outcome of these meditations. “He’d like to know what we’re up to. He’d like to know—no end.”

He would sit swaying with the motion of the ship, puffing on his light-colored tobacco pipe and gazing with a deeply wise yet sleepy blue eye at the captain for hours. “Captain’s a Card,” he would keep saying as a result of these thoughts. “He wants to know what we’re up to. He really wants to know—more than anything.”

That did seem to be the captain’s ruling idea. But he also wanted to impress me with the notion that he was a gentleman of good family and to air a number of views adverse to the English, to English literature, to the English constitution, and the like.

That definitely seemed to be the captain’s main idea. But he also wanted to show me that he was from a good family and share several opinions against the English, English literature, the English constitution, and so on.

He had learnt the sea in the Roumanian navy, and English out of a book; he would still at times pronounce the e’s at the end of “there” and “here”; he was a naturalised Englishman, and he drove me into a reluctant and uncongenial patriotism by his everlasting carping at things English. Pollack would set himself to “draw him out.” Heaven alone can tell how near I came to murder.

He had learned about the sea in the Romanian navy and picked up English from a book; sometimes, he would still pronounce the e’s at the end of “there” and “here.” He was a naturalized Englishman, and his constant criticism of English things forced me into a reluctant and uncomfortable patriotism. Pollack would try to “get him to open up.” Only heaven knows how close I came to murder.

Fifty-three days I had outward, cooped up with these two and a shy and profoundly depressed mate who read the Bible on Sundays and spent the rest of his leisure in lethargy, three and fifty days of life cooped up in a perpetual smell, in a persistent sick hunger that turned from the sight of food, in darkness, cold and wet, in a lightly ballasted ship that rolled and pitched and swayed. And all the time the sands in the hour-glass of my uncle’s fortunes were streaming out. Misery! Amidst it all I remember only one thing brightly, one morning of sunshine in the Bay of Biscay and a vision of frothing waves, sapphire green, a bird following our wake and our masts rolling about the sky. Then wind and rain close in on us again.

Fifty-three days I was stuck with these two and a quiet, deeply depressed guy who read the Bible on Sundays and spent the rest of his time in a daze, three and fifty days of life cramped in a constant foul smell, a nagging sick hunger that turned away from food, in darkness, cold, and damp, on a lightly loaded ship that rolled and pitched and swayed. And all the while, my uncle’s fortunes were slipping away. What a drag! Yet, through all of it, I only vividly remember one thing: one sunny morning in the Bay of Biscay and a vision of frothy waves, vibrant sapphire green, a bird gliding behind us while our masts swayed in the sky. Then wind and rain closed in on us again.

You must not imagine they were ordinary days, days, I mean, of an average length; they were not so much days as long damp slabs of time that stretched each one to the horizon, and much of that length was night. One paraded the staggering deck in a borrowed sou’-wester hour after hour in the chilly, windy, splashing and spitting darkness, or sat in the cabin, bored and ill, and looked at the faces of those inseparable companions by the help of a lamp that gave smell rather than light. Then one would see going up, up, up, and then sinking down, down, down, Pollack, extinct pipe in mouth, humorously observant, bringing his mind slowly to the seventy-seventh decision that the captain was a Card, while the words flowed from the latter in a nimble incessant good. “Dis England eet is not a country aristocratic, no! Eet is a glorified bourgeoisie! Eet is plutocratic. In England dere is no aristocracy since de Wars of Roses. In the rest of Europe east of the Latins, yes; in England, no.

You shouldn't think of those as ordinary days—days that were just an average length. They felt less like days and more like long, damp stretches of time that seemed to go on forever, with much of that time being night. You would walk up and down the slippery deck in a borrowed raincoat hour after hour in the chilly, windy darkness, or sit in the cabin, bored and feeling sick, staring at the faces of your inseparable companions by the dim light of a lamp that smelled more than it illuminated. Then you'd notice Pollack, a pipe long extinguished in his mouth, humorously observing, slowly coming to the seventy-seventh conclusion that the captain was a joker, while the captain's words flowed effortlessly and constantly. “This England, it is not an aristocratic country, no! It is a glorified middle class! It is plutocratic. In England, there is no aristocracy since the Wars of Roses. In the rest of Europe, east of the Latins, yes; in England, no.”

“Eet is all middle-class, youra England. Everything you look at, middle-class. Respectable! Everything good—eet is, you say, shocking. Madame Grundy! Eet is all limited and computing and self-seeking. Dat is why your art is so limited, youra fiction, your philosophin, why you are all so inartistic. You want nothing but profit! What will pay! What would you?”...

“It's all middle-class, your England. Everything you see is middle-class. Respectable! Everything good—you say it's shocking. Madame Grundy! It's all so limited, calculating, and self-serving. That's why your art is so narrow, your fiction, your philosophy—it's why you're all so uncreative. You only care about profit! What will pay! What do you want?”...

He had all those violent adjuncts to speech we Western Europeans have abandoned, shruggings of the shoulders, waving of the arms, thrusting out of the face, wonderful grimaces and twiddlings of the hands under your nose until you wanted to hit them away. Day after day it went on, and I had to keep any anger to myself, to reserve myself for the time ahead when it would be necessary to see the quap was got aboard and stowed—knee deep in this man’s astonishment. I knew he would make a thousand objections to all we had before us. He talked like a drugged man. It ran glibly over his tongue. And all the time one could see his seamanship fretting him, he was gnawed by responsibility, perpetually uneasy about the ship’s position, perpetually imagining dangers. If a sea hit us exceptionally hard he’d be out of the cabin in an instant making an outcry of inquiries, and he was pursued by a dread of the hold, of ballast shifting, of insidious wicked leaks. As we drew near the African coast his fear of rocks and shoals became infectious.

He had all those dramatic gestures that we Western Europeans have left behind—shrugging shoulders, waving arms, thrusting out his face, amazing grimaces, and fidgeting hands right in your face until you wanted to swat them away. Day after day, it kept going on, and I had to keep any anger to myself, saving it for when it would be necessary to get the cargo on board and stored—knee-deep in this man’s shock. I knew he would raise a thousand objections to everything we had to do. He spoke like someone under the influence; the words flowed easily from him. And all the while, you could see his skills as a sailor gnawing at him; he was consumed by responsibility, constantly anxious about the ship’s position, always imagining dangers. If a wave hit us particularly hard, he’d be out of the cabin in an instant, shouting questions, and was haunted by fears of the hold, of shifting ballast, and of sneaky, dangerous leaks. As we got closer to the African coast, his fear of rocks and shallow waters became contagious.

“I do not know dis coast,” he used to say. “I cama hera because Gordon-Nasmyth was coming too. Den he does not come!”

“I don’t know this coast,” he used to say. “I came here because Gordon-Nasmyth was coming too. Then he didn’t come!”

“Fortunes of war,” I said, and tried to think in vain if any motive but sheer haphazard could have guided Gordon-Nasmyth in the choice of these two men. I think perhaps Gordon-Nasmyth had the artistic temperament and wanted contrasts, and also that the captain helped him to express his own malignant Anti-Britishism.

“Fortunes of war,” I said, and tried to futilely consider if there was any reason other than pure chance that could have influenced Gordon-Nasmyth in choosing these two men. I think maybe Gordon-Nasmyth had an artistic temperament and wanted contrasts, and that the captain also helped him express his own bitter Anti-British sentiments.

He was indeed an exceptionally inefficient captain. On the whole I was glad I had come even at the eleventh hour to see to things.

He was definitely an incredibly ineffective captain. Overall, I was glad I showed up, even at the last minute, to handle things.

(The captain, by-the-by, did at last, out of sheer nervousness, get aground at the end of Mordet’s Island, but we got off in an hour or so with a swell and a little hard work in the boat.)

(The captain, by the way, finally did get stuck at the end of Mordet’s Island, out of sheer nervousness, but we managed to get off in about an hour with a swell and some hard work in the boat.)

I suspected the mate of his opinion of the captain long before he expressed it. He was, I say, a taciturn man, but one day speech broke through him. He had been sitting at the table with his arms folded on it, musing drearily, pipe in mouth, and the voice of the captain drifted down from above.

I suspected that my companion felt a certain way about the captain long before he actually said it. He was, I’d say, a quiet guy, but one day, he finally spoke up. He had been sitting at the table with his arms crossed, lost in thought, pipe in his mouth, while the captain's voice floated down from above.

The mate lifted his heavy eyes to me and regarded me for a moment. Then he began to heave with the beginnings of speech. He disembarrassed himself of his pipe. I cowered with expectation. Speech was coming at last. Before he spoke he nodded reassuringly once or twice.

The crew member lifted his tired eyes to me and looked me over for a moment. Then he started to gather his thoughts to speak. He took his pipe out of his mouth. I waited anxiously. Finally, he was about to say something. Before he started, he gave me a few reassuring nods.

“E—”

“E—”

He moved his head strangely and mysteriously, but a child might have known he spoke of the captain.

He moved his head in a weird and mysterious way, but a child could have understood he was talking about the captain.

“E’s a foreigner.”

"He's an outsider."

He regarded me doubtfully for a time, and at last decided for the sake of lucidity to clench the matter.

He looked at me uncertainly for a while, and finally decided to sort things out for the sake of clarity.

“That’s what E is—a Dago!

“That’s what E is—a Dago!”

He nodded like a man who gives a last tap to a nail, and I could see he considered his remark well and truly laid. His face, though still resolute, became as tranquil and uneventful as a huge hall after a public meeting has dispersed out of it, and finally he closed and locked it with his pipe.

He nodded like someone finishing a job well done, and I could tell he thought his comment was solid. His face, though still determined, became as calm and uneventful as a large room after a public meeting has wrapped up, and finally, he shut and locked it with his pipe.

“Roumanian Jew, isn’t he?” I said.

“Isn’t he a Romanian Jew?” I said.

He nodded darkly and almost forbiddingly.

He nodded seriously and almost menacingly.

More would have been too much. The thing was said. But from that time forth I knew I could depend upon him and that he and I were friends. It happens I never did have to depend upon him, but that does not affect our relationship.

More would have been excessive. What was said was said. But from that moment on, I knew I could count on him and that we were friends. I never actually had to rely on him, but that doesn't change our relationship.

Forward the crew lived lives very much after the fashion of ours, more crowded, more cramped and dirty, wetter, steamier, more verminous. The coarse food they had was still not so coarse but that they did not think they were living “like fighting cocks.” So far as I could make out they were all nearly destitute men; hardly any of them had a proper sea outfit, and what small possessions they had were a source of mutual distrust. And as we pitched and floundered southward they gambled and fought, were brutal to one another, argued and wrangled loudly, until we protested at the uproar.

Forward, the crew lived lives similar to ours, but more crowded, cramped, and dirty—wetter, steamier, and filled with pests. The rough food they had was still decent enough for them to feel like they were living "like fighting cocks." From what I could see, they were mostly impoverished men; hardly any of them had proper clothing for the sea, and the few belongings they had became a source of mutual suspicion. As we pitched and struggled southward, they gambled and fought, were brutal to one another, and argued loudly until we protested about the noise.

There’s no romance about the sea in a small sailing ship as I saw it. The romance is in the mind of the landsman dreamer. These brigs and schooners and brigantines that still stand out from every little port are relics from an age of petty trade, as rotten and obsolescent as a Georgian house that has sunken into a slum. They are indeed just floating fragments of slum, much as icebergs are floating fragments of glacier. The civilised man who has learnt to wash, who has developed a sense of physical honour, of cleanly temperate feeding, of time, can endure them no more. They pass, and the clanking coal-wasting steamers will follow them, giving place to cleaner, finer things....

There’s nothing romantic about the sea on a small sailing ship, at least not how I see it. The romance exists only in the minds of dreamers from the land. These brigs, schooners, and brigantines that still stand out in every small port are remnants from a time of minor trade, as decayed and outdated as a Georgian house that has fallen into disrepair. They are really just floating pieces of a slum, similar to how icebergs are merely floating chunks of a glacier. The civilized person who has learned to wash and has developed a sense of physical dignity, of clean and moderate eating, of time, can no longer tolerate them. They will fade away, and the noisy, coal-guzzling steamers will take their place, making way for cleaner, better things...

But so it was I made my voyage to Africa, and came at last into a world of steamy fogs and a hot smell of vegetable decay, and into sound and sight of surf and distant intermittent glimpses of the coast. I lived a strange concentrated life through all that time, such a life as a creature must do that has fallen in a well. All my former ways ceased, all my old vistas became memories.

But that's how I ended up on my trip to Africa, finally arriving in a world full of humid fog and a strong smell of rotting plants, where I could hear the waves and catch distant, occasional glimpses of the shore. I lived a bizarre, intense life during that period, like a creature trapped in a well. Everything I used to do stopped, and all my old perspectives turned into memories.

The situation I was saving was very small and distant now; I felt its urgency no more. Beatrice and Lady Grove, my uncle and the Hardingham, my soaring in the air and my habitual wide vision of swift effectual things, became as remote as if they were in some world I had left for ever....

The situation I was trying to save felt very small and far away now; I no longer felt its urgency. Beatrice and Lady Grove, my uncle, and the Hardingham, my soaring thoughts and my usual broad view of quick, effective things, seemed as distant as if they were in a world I had left behind forever....

IV

All these African memories stand by themselves. It was for me an expedition into the realms of undisciplined nature out of the world that is ruled by men, my first bout with that hot side of our mother that gives you the jungle—that cold side that gives you the air-eddy I was beginning to know passing well. They are memories woven upon a fabric of sunshine and heat and a constant warm smell of decay. They end in rain—such rain as I had never seen before, a vehement, a frantic downpouring of water, but our first slow passage through the channels behind Mordet’s Island was in incandescent sunshine.

All these African memories exist on their own. It was for me an adventure into the wild side of nature, away from the world controlled by humans, my first experience with that fiery aspect of our mother that brings you the jungle—that cooler aspect that gives you the gentle breeze I was starting to get to know quite well. They are memories woven into a tapestry of sunlight and heat, filled with a constant warm scent of decay. They culminate in rain—like nothing I had ever seen before, a furious, frenzied downpour, but our initial slow journey through the channels behind Mordet’s Island was under brilliant sunshine.

There we go in my memory still, a blistered dirty ship with patched sails and a battered mermaid to present Maud Mary, sounding and taking thought between high ranks of forest whose trees come out knee-deep at last in the water. There we go with a little breeze on our quarter, Mordet Island rounded and the quap, it might be within a day of us.

There we are in my memory still, a scuffed-up, dirty ship with patched sails and a worn-out mermaid representing Maud Mary, making noise and pondering between tall ranks of trees whose roots finally dip knee-deep in the water. There we are with a slight breeze at our backs, Mordet Island rounded, and the quap, it could be just a day away from us.

Here and there strange blossoms woke the dank intensities of green with a trumpet call of colour. Things crept among the jungle and peeped and dashed back rustling into stillness. Always in the sluggishly drifting, opaque water were eddyings and stirrings; little rushes of bubbles came chuckling up light-heartedly from this or that submerged conflict and tragedy; now and again were crocodiles like a stranded fleet of logs basking in the sun. Still it was by day, a dreary stillness broken only by insect sounds and the creaking and flapping of our progress, by the calling of the soundings and the captain’s confused shouts; but in the night as we lay moored to a clump of trees the darkness brought a thousand swampy things to life and out of the forest came screaming and howlings, screaming and yells that made us glad to be afloat. And once we saw between the tree stems long blazing fires. We passed two or three villages landward, and brown-black women and children came and stared at us and gesticulated, and once a man came out in a boat from a creek and hailed us in an unknown tongue; and so at last we came to a great open place, a broad lake rimmed with a desolation of mud and bleached refuse and dead trees, free from crocodiles or water birds or sight or sound of any living thing, and saw far off, even as Nasmyth had described, the ruins of the deserted station, and hard by two little heaps of buff-hued rubbish under a great rib of rock, the quap! The forest receded. The land to the right of us fell away and became barren, and far on across notch in its backbone was surf and the sea.

Here and there, strange flowers brightened the damp greenery with bursts of color. Creatures moved through the jungle, peeking out before rushing back into silence. Always in the slow-moving, murky water, there were ripples and movements; little bubbles bubbled up cheerfully from some hidden struggle or tragedy; occasionally, we spotted crocodiles lying in the sun like a shipwrecked fleet of logs. During the day, there was a dull stillness, broken only by the sounds of insects and the creaking and flapping as we moved, along with the calls of soundings and the captain’s muddled shouts. But at night, when we were anchored by a cluster of trees, the darkness awakened a thousand swampy creatures, and screams and howls echoed from the forest, happily reminding us we were afloat. Once, we saw long, bright fires flickering between the tree trunks. We passed by a couple of villages along the shore, where brown-black women and children came out to stare at us and wave. A man even paddled out from a creek in a boat, calling to us in a language we didn’t understand. Finally, we arrived at a vast, open area, a broad lake bordered by a wasteland of mud, discarded debris, and dead trees, devoid of crocodiles, water birds, or any sign of life. In the distance, just as Nasmyth had described, we could see the ruins of an abandoned station, and nearby, two small mounds of buff-colored trash under a massive rock. The forest receded. The land to our right sloped down into barrenness, and beyond a notch in the land’s spine, we could see the surf of the sea.

We took the ship in towards those heaps and the ruined jetty slowly and carefully. The captain came and talked.

We carefully navigated the ship towards those piles and the damaged jetty. The captain came over to chat.

“This is eet?” he said.

“This is it?” he said.

“Yes,” said I.

“Yes,” I said.

“Is eet for trade we have come?”

“Is it for trade we have come?”

This was ironical.

This was ironic.

“No,” said I.

“Nope,” I said.

“Gordon-Nasmyth would haf told me long ago what it ees for we haf come.”

“Gordon-Nasmyth would have told me long ago what it is that we have come for.”

“I’ll tell you now,” I said. “We are going to lay in as close as we can to those two heaps of stuff—you see them?—under the rock. Then we are going to chuck all our ballast overboard and take those in. Then we’re going home.”

“I’ll tell you now,” I said. “We’re going to get as close as we can to those two piles of stuff—you see them?—under the rock. Then we’re going to toss all our ballast overboard and take those in. Then, we’re heading home.”

“May I presume to ask—is eet gold?”

“Can I ask— is it gold?”

“No,” I said incivilly, “it isn’t.”

“No,” I said rudely, “it isn’t.”

“Then what is it?”

"What's that about?"

“It’s stuff—of some commercial value.”

“It’s things—worth some money.”

“We can’t do eet,” he said.

“We can’t do it,” he said.

“We can,” I answered reassuringly.

"We can," I said reassuringly.

“We can’t,” he said as confidently. “I don’t mean what you mean. You know so liddle—But—dis is forbidden country.”

“We can’t,” he said confidently. “I don’t mean what you think. You know so little—but this is forbidden territory.”

I turned on him suddenly angry and met bright excited eyes. For a minute we scrutinised one another. Then I said, “That’s our risk. Trade is forbidden. But this isn’t trade.... This thing’s got to be done.”

I suddenly turned to him, angry, and saw his bright, excited eyes. For a moment, we sized each other up. Then I said, “That’s our risk. Trading is off-limits. But this isn’t trading... This has to happen.”

His eyes glittered and he shook his head....

His eyes sparkled, and he shook his head....

The brig stood in slowly through the twilight toward this strange scorched and blistered stretch of beach, and the man at the wheel strained his ears to listening the low-voiced angry argument that began between myself and the captain, that was presently joined by Pollack. We moored at last within a hundred yards of our goal, and all through our dinner and far into the night we argued intermittently and fiercely with the captain about our right to load just what we pleased. “I will haf nothing to do with eet,” he persisted. “I wash my hands.” It seemed that night as though we argued in vain. “If it is not trade,” he said, “it is prospecting and mining. That is worse. Any one who knows anything—outside England—knows that is worse.”

The brig slowly made its way through the twilight toward the strange, scorched, and blistered stretch of beach. The man at the wheel strained to hear the low, angry argument that had started between me and the captain, soon joined by Pollack. We finally moored within a hundred yards of our destination, and throughout dinner and far into the night, we argued fiercely with the captain about our right to load whatever we wanted. “I'm not getting involved,” he insisted. “I wash my hands of this.” It felt that night like we were arguing for nothing. “If it’s not trade,” he said, “it’s prospecting and mining. That’s worse. Anyone who knows anything—outside of England—knows that’s worse.”

We argued and I lost my temper and swore at him. Pollack kept cooler and chewed his pipe watchfully with that blue eye of his upon the captain’s gestures. Finally I went on deck to cool. The sky was overcast I discovered all the men were in a knot forward, staring at the faint quivering luminosity that had spread over the heaps of quap, a phosphorescence such as one sees at times on rotting wood. And about the beach east and west there were patches and streaks of something like diluted moonshine....

We argued, and I lost my temper and shouted at him. Pollack stayed calm and chewed his pipe, keeping a watchful eye on the captain's gestures. Eventually, I went on deck to cool off. I noticed the sky was overcast, and all the men were gathered at the front, staring at the faint, shimmering light that spread over the piles of quap, a phosphorescence like what you sometimes see on decaying wood. Along the beach, both east and west, there were patches and streaks of something resembling faded moonlight...

In the small hours I was still awake and turning over scheme after scheme in my mind whereby I might circumvent the captain’s opposition. I meant to get that quap aboard if I had to kill some one to do it. Never in my life had I been so thwarted! After this intolerable voyage! There came a rap at my cabin door and then it opened and I made out a bearded face. “Come in,” I said, and a black voluble figure I could just see obscurely came in to talk in my private ear and fill my cabin with its whisperings and gestures. It was the captain. He, too, had been awake and thinking things over. He had come to explain—enormously. I lay there hating him and wondering if I and Pollack could lock him in his cabin and run the ship without him. “I do not want to spoil dis expedition,” emerged from a cloud of protestations, and then I was able to disentangle “a commission—shush a small commission—for special risks!” “Special risks” became frequent. I let him explain himself out. It appeared he was also demanding an apology for something I had said. No doubt I had insulted him generously. At last came definite offers. I broke my silence and bargained.

In the early hours, I was still awake, running through one plan after another in my head to get around the captain’s objections. I was determined to get that quap on board, even if it meant hurting someone to do it. I had never felt so hindered in my life! After this unbearable journey! There was a knock at my cabin door, and then it opened to reveal a bearded face. “Come in,” I said, and a tall, animated figure I could barely see stepped in to talk in my ear, filling the cabin with whispers and gestures. It was the captain. He had also been awake, thinking things over. He had come to explain—at great length. I lay there resenting him and wondering if Pollack and I could lock him in his cabin and take over the ship without him. “I do not want to ruin this expedition,” he said, surfacing from a barrage of protestations, and then I caught the words “a commission—shush, a small commission—for special risks!” “Special risks” kept popping up. I let him talk until he was done. It turned out he was also asking for an apology for something I had said. No doubt, I had insulted him quite a bit. Finally, he made explicit offers. I broke my silence and began to negotiate.

“Pollack!” I cried and hammered the partition.

“Pollack!” I shouted and pounded on the wall.

“What’s up?” asked Pollack.

"What's up?" asked Pollack.

I stated the case concisely.

I summarized the case clearly.

There came a silence.

There was a silence.

“He’s a Card,” said Pollack. “Let’s give him his commission. I don’t mind.”

“He's a character,” said Pollack. “Let’s give him his commission. I’m okay with that.”

“Eh?” I cried.

“Wait, what?” I cried.

“I said he was a Card, that’s all,” said Pollack. “I’m coming.”

“I said he was a character, that’s all,” Pollack said. “I’m on my way.”

He appeared in my doorway a faint white figure joined our vehement whisperings.

He appeared in my doorway as a faint white figure, joining our intense whispers.

We had to buy the captain off; we had to promise him ten per cent. of our problematical profits. We were to give him ten per cent. on what we sold the cargo for over and above his legitimate pay, and I found in my out-bargained and disordered state small consolation in the thought that I, as the Gordon-Nasmyth expedition, was to sell the stuff to myself as Business Organisations. And he further exasperated me by insisting on having our bargain in writing. “In the form of a letter,” he insisted.

We had to bribe the captain; we had to promise him ten percent of our uncertain profits. We were supposed to give him ten percent on whatever we sold the cargo for, beyond his regular pay, and I found little comfort in the fact that I, as the Gordon-Nasmyth expedition, was going to sell the goods to myself as Business Organizations. He further annoyed me by insisting on having our deal in writing. “In the form of a letter,” he insisted.

“All right,” I acquiesced, “in the form of a letter. Here goes! Get a light!”

“All right,” I agreed, “in the form of a letter. Here we go! Get a light!”

“And the apology,” he said, folding up the letter.

“And the apology,” he said, folding the letter.

“All right,” I said; “Apology.”

"Okay," I said; "Sorry."

My hand shook with anger as I wrote, and afterwards I could not sleep for hate of him. At last I got up. I suffered, I found, from an unusual clumsiness. I struck my toe against my cabin door, and cut myself as I shaved. I found myself at last pacing the deck under the dawn in a mood of extreme exasperation. The sun rose abruptly and splashed light blindingly into my eyes and I swore at the sun. I found myself imagining fresh obstacles with the men and talking aloud in anticipatory rehearsal of the consequent row.

My hand shook with anger as I wrote, and afterwards I couldn’t sleep because of my hatred for him. Finally, I got up. I realized I was unusually clumsy. I stubbed my toe against my cabin door and cut myself while shaving. Eventually, I found myself pacing the deck at dawn, feeling extremely frustrated. The sun rose suddenly and blasted light into my eyes, and I shouted at the sun. I started imagining new conflicts with the guys and talking to myself in anticipation of the argument that would follow.

The malaria of the quap was already in my blood.

The malaria of the quap was already in my blood.

V

Sooner or later the ridiculous embargo that now lies upon all the coast eastward of Mordet Island will be lifted and the reality of the deposits of quap ascertained. I am sure that we were merely taking the outcrop of a stratum of nodulated deposits that dip steeply seaward. Those heaps were merely the crumbled out contents of two irregular cavities in the rock; they are as natural as any talus or heap of that kind, and the mud along the edge of the water for miles is mixed with quap, and is radio-active and lifeless and faintly phosphorescent at night. But the reader will find the full particulars of my impression of all this in the Geological Magazine for October, 1905, and to that I must refer him. There, too, he will find my unconfirmed theories of its nature. If I am right it is something far more significant from the scientific point of view than those incidental constituents of various rare metals, pitchblende, rutile, and the like, upon which the revolutionary discoveries of the last decade are based. Those are just little molecular centres of disintegration, of that mysterious decay and rotting of those elements, elements once regarded as the most stable things in nature. But there is something—the only word that comes near it is cancerous—and that is not very near, about the whole of quap, something that creeps and lives as a disease lives by destroying; an elemental stirring and disarrangement, incalculably maleficent and strange.

Sooner or later, the ridiculous embargo currently placed on all the coast east of Mordet Island will be lifted, and the reality of the quap deposits will be confirmed. I believe we were just observing the outcrop of a layer of nodulated deposits that slope steeply towards the sea. Those piles were just the broken remnants of two irregular cavities in the rock; they're as natural as any slope or heap like that, and the mud along the water's edge for miles is mixed with quap. It's radioactive, lifeless, and faintly phosphorescent at night. But the reader can find the full details of my observations in the Geological Magazine for October 1905, to which I must refer him. There, he'll also find my unverified theories about its nature. If I'm correct, it's something far more significant from a scientific perspective than those incidental elements of various rare metals, pitchblende, rutile, and so on, on which the groundbreaking discoveries of the last decade are based. Those are just small molecular centers of disintegration, of that mysterious decay and corruption of those elements, which were once considered the most stable things in nature. But there is something— the closest word is cancerous—and that's not very close at all, about the whole of quap; something that lingers and endures, much like a disease that survives by destroying; an elemental disturbance and disarray, infinitely harmful and strange.

This is no imaginative comparison of mine. To my mind radio-activity is a real disease of matter. Moreover, it is a contagious disease. It spreads. You bring those debased and crumbling atoms near others and those too presently catch the trick of swinging themselves out of coherent existence. It is in matter exactly what the decay of our old culture is in society, a loss of traditions and distinctions and assured reactions. When I think of these inexplicable dissolvent centres that have come into being in our globe—these quap heaps are surely by far the largest that have yet been found in the world; the rest as yet mere specks in grains and crystals—I am haunted by a grotesque fancy of the ultimate eating away and dry-rotting and dispersal of all our world. So that while man still struggles and dreams his very substance will change and crumble from beneath him. I mention this here as a queer persistent fancy. Suppose, indeed, that is to be the end of our planet; no splendid climax and finale, no towering accumulation of achievements, but just—atomic decay! I add that to the ideas of the suffocating comet, the dark body out of space, the burning out of the sun, the distorted orbit, as a new and far more possible end—as Science can see ends—to this strange by-play of matter that we call human life. I do not believe this can be the end; no human soul can believe in such an end and go on living, but to it science points as a possible thing, science and reason alike. If single human beings—if one single ricketty infant—can be born as it were by accident and die futile, why not the whole race? These are questions I have never answered, that now I never attempt to answer, but the thought of quap and its mysteries brings them back to me.

This isn't just a creative analogy. In my view, radioactivity is a real disease of matter. What's more, it's a contagious disease. It spreads. When you bring those decayed and crumbling atoms close to others, those too quickly start to lose their stability. In matter, it mirrors the decay of our old culture in society—a loss of traditions, distinctions, and reliable reactions. When I think about these inexplicable dissolving centers that have emerged on our planet—these quap heaps are surely the largest yet discovered; the rest are just tiny specks in grains and crystals—I can't shake a disturbing thought about the ultimate erosion and decay of everything in our world. So while humanity still struggles and dreams, its very foundation may change and crumble beneath it. I bring this up as a peculiar, lingering idea. What if this is the fate of our planet? No glorious ending or grand culmination of achievements, just—atomic decay! I add this to the concepts of suffocating comets, dark bodies from space, the sun burning out, and distorted orbits as a new and far more plausible ending—as science sees endings—to this strange interplay of matter we call human life. I don't think this can be the conclusion; no human soul can truly believe in such an ending and continue to live, yet science points to it as a possibility, as do reason and logic. If individual humans—if just one frail infant—can be born seemingly by accident and die without purpose, why not the whole human race? These are questions I’ve never answered, questions I'm not attempting to answer now, but the thought of quap and its mysteries brings them back to me.

I can witness that the beach and mud for two miles or more either way was a lifeless beach—lifeless as I could have imagined no tropical mud could ever be, and all the dead branches and leaves and rotting dead fish and so forth that drifted ashore became presently shrivelled and white. Sometimes crocodiles would come up out of the water and bask, and now and then water birds would explore the mud and rocky ribs that rose out of it, in a mood of transitory speculation. That was its utmost admiration. And the air felt at once hot and austere, dry and blistering, and altogether different the warm moist embrace that had met us at our first African landfall and to which we had grown accustomed.

I can see that the beach and mud stretched for two miles or more in either direction was a lifeless stretch—more lifeless than I could have imagined any tropical mud could be. All the dead branches, leaves, and rotting fish that washed ashore quickly became shriveled and white. Sometimes crocodiles would come out of the water to bask, and occasionally, water birds would wander the mud and rocky outcrops, exploring in a moment of fleeting curiosity. That was as much admiration as it could gain. The air felt both hot and harsh, dry and scorching, completely different from the warm, humid embrace we experienced when we first arrived in Africa and had grown used to.

I believe that the primary influence of the quap upon us was to increase the conductivity of our nerves, but that is a mere unjustifiable speculation on my part. At any rate it gave a sort of east wind effect to life. We all became irritable, clumsy, languid and disposed to be impatient with our languor. We moored the brig to the rocks with difficulty, and got aground on mud and decided to stick there and tow off when we had done—the bottom was as greasy as butter. Our efforts to fix up planks and sleepers in order to wheel the quap aboard were as ill-conceived as that sort of work can be—and that sort of work can at times be very ill-conceived. The captain had a superstitious fear of his hold: he became wildly gesticulatory and expository and incompetent at the bare thought of it. His shouts still echo in my memory, becoming as each crisis approached less and less like any known tongue.

I think the main effect of the quap on us was to make our nerves more sensitive, but that's just my ungrounded guess. Regardless, it created a kind of chilly atmosphere in our lives. We all became irritable, awkward, sluggish, and prone to impatience with our own fatigue. We struggled to tie the brig to the rocks and ended up stuck in mud, deciding to wait it out and tow off when we could—the bottom was slick like butter. Our attempts to set up planks and supports to get the quap on board were as poorly planned as that kind of task can be—and it can often be really poorly planned. The captain had a superstitious fear of the hold; he became wildly animated, talking a lot, and totally ineffective at just the thought of it. His shouts still ring in my memory, becoming less and less like any recognizable language as each crisis approached.

But I cannot now write the history of those days of blundering and toil: of how Milton, one of the boys, fell from a plank to the beach, thirty feet perhaps, with his barrow and broke his arm and I believe a rib, of how I and Pollack set the limb and nursed him through the fever that followed, of how one man after another succumbed to a feverish malaria, and how I—by virtue of my scientific reputation—was obliged to play the part of doctor and dose them with quinine, and then finding that worse than nothing, with rum and small doses of Easton’s Syrup, of which there chanced to be a case of bottles aboard—Heaven and Gordon-Nasmyth know why. For three long days we lay in misery and never shipped a barrow-load. Then, when they resumed, the men’s hands broke out into sores. There were no gloves available; and I tried to get them, while they shovelled and wheeled, to cover their hands with stockings or greased rags. They would not do this on account of the heat and discomfort. This attempt of mine did, however, direct their attention to the quap as the source of their illness and precipitated what in the end finished our lading, an informal strike. “We’ve had enough of this,” they said, and they meant it. They came aft to say as much. They cowed the captain.

But I can't write about those days of mistakes and hard work now: how Milton, one of the boys, fell from a plank to the beach—about thirty feet, I think—with his barrow and broke his arm and I believe a rib, how Pollack and I set the limb and took care of him through the fever that followed, how one man after another fell ill with a feverish malaria, and how I—because of my scientific background—had to act as the doctor and give them quinine, and then finding that was worse than nothing, switched to rum and small doses of Easton’s Syrup, of which there just happened to be a case of bottles on board—God knows why. For three long days we suffered in misery and didn’t complete a single barrow-load. Then, when they got back to work, the men’s hands broke out in sores. There were no gloves available, and I tried to get them to cover their hands with stockings or greased rags while they shoveled and wheeled. They refused to do this because of the heat and discomfort. However, this attempt of mine did make them focus on the quap as the cause of their illness and ultimately led to what finished our loading, an informal strike. “We’ve had enough of this,” they said, and they meant it. They came to the captain to say so. They intimidated him.

Through all these days the weather was variously vile, first a furnace heat under a sky of a scowling intensity of blue, then a hot fog that stuck in one’s throat like wool and turned the men on the planks into colourless figures of giants, then a wild burst of thunderstorms, mad elemental uproar and rain. Through it all, against illness, heat, confusion of mind, one master impetus prevailed with me, to keep the shipping going, to maintain one motif at least, whatever else arose or ceased, the chuff of the spades, the squeaking and shriek of the barrows, the pluppa, pluppa, pluppa, as the men came trotting along the swinging high planks, and then at last, the dollop, dollop, as the stuff shot into the hold. “Another barrow-load, thank God! Another fifteen hundred, or it may be two thousand pounds, for the saving of Ponderevo!...”

Throughout these days, the weather was all over the place—first, it was scorching hot under a harshly bright blue sky, then there was a hot fog that felt like wool stuck in your throat, turning the men on the planks into ghostly giant figures. After that came a wild storm with chaotic noise and heavy rain. Through it all, despite illness, heat, and mental confusion, one strong drive kept me going: to keep the shipping moving, to maintain at least one consistent task, no matter what else happened or stopped. The sound of the shovels, the squeaking and shrieking of the wheelbarrows, the pluppa, pluppa, pluppa as the men hustled along the swinging high planks, and finally, the dollop, dollop as the materials dropped into the hold. “Another wheelbarrow load, thank God! Another fifteen hundred, or maybe even two thousand pounds, for the sake of Ponderevo!...”

I found out many things about myself and humanity in those weeks of effort behind Mordet Island. I understand now the heart of the sweater, of the harsh employer, of the nigger-driver. I had brought these men into a danger they didn’t understand, I was fiercely resolved to overcome their opposition and bend and use them for my purpose, and I hated the men. But I hated all humanity during the time that the quap was near me.

I discovered a lot about myself and humanity during those weeks of work behind Mordet Island. I now get the core of the task, the tough boss, the ruthless overseer. I had put these men in a situation they didn't fully grasp, I was determined to push through their resistance and manipulate them for my goals, and I resented the men. But I felt a deep hatred for all humanity while the quap was close to me.

And my mind was pervaded, too, by a sense of urgency and by the fear that we should be discovered and our proceedings stopped. I wanted to get out to sea again—to be beating up northward with our plunder. I was afraid our masts showed to seaward and might betray us to some curious passer on the high sea. And one evening near the end I saw a canoe with three natives far off down the lake; I got field-glasses from the captain and scrutinised them, and I could see them staring at us. One man might have been a half-breed and was dressed in white. They watched us for some time very quietly and then paddled off into some channel in the forest shadows.

And my mind was filled with a sense of urgency and the fear that we would be caught and our activities interrupted. I wanted to get back out to sea—to be heading north with our loot. I was worried that our masts were visible from the ocean and might give us away to some curious passerby. One evening near the end, I saw a canoe with three locals far off down the lake; I borrowed binoculars from the captain and examined them closely, and I could see them watching us. One of the men might have been of mixed race and was dressed in white. They observed us quietly for a while and then paddled away into a channel among the shadows of the trees.

And for three nights running, so that it took a painful grip upon my inflamed imagination, I dreamt of my uncle’s face, only that it was ghastly white like a clown’s, and the throat was cut from ear to ear—a long ochreous cut. “Too late,” he said; “Too late!...”

And for three nights in a row, it held a painful grip on my troubled mind, I dreamed of my uncle’s face, except it was a sickly white like a clown’s, and his throat was slashed from ear to ear—a long, yellowish cut. “Too late,” he said; “Too late!...”

VI

A day or so after we had got to work upon the quap I found myself so sleepless and miserable that the ship became unendurable. Just before the rush of sunrise I borrowed Pollack’s gun, walked down the planks, clambered over the quap heaps and prowled along the beach. I went perhaps a mile and a half that day and some distance beyond the ruins of the old station. I became interested in the desolation about me, and found when I returned that I was able to sleep for nearly an hour. It was delightful to have been alone for so long,—no captain, no Pollack, no one. Accordingly I repeated this expedition the next morning and the next until it became a custom with me. There was little for me to do once the digging and wheeling was organised, and so these prowlings of mine grew longer and longer, and presently I began to take food with me.

A day or so after we started working on the quap, I found myself so restless and miserable that the ship became unbearable. Just before dawn, I borrowed Pollack’s gun, walked down the planks, climbed over the quap heaps, and wandered along the beach. I went about a mile and a half that day, traveling past the ruins of the old station. I became intrigued by the desolation around me, and when I returned, I was able to sleep for almost an hour. It was refreshing to have been alone for so long—no captain, no Pollack, no one. So, I repeated this excursion the next morning and the next until it became a routine for me. Once the digging and wheeling were organized, I had little to do, and these wanderings of mine extended longer and longer, and soon I started bringing food with me.

I pushed these walks far beyond the area desolated by the quap. On the edges of that was first a zone of stunted vegetation, then a sort of swampy jungle that was difficult to penetrate, and then the beginnings of the forest, a scene of huge tree stems and tangled creeper ropes and roots mingled with oozy mud. Here I used to loaf in a state between botanising and reverie—always very anxious to know what was up above in the sunlight—and here it was I murdered a man.

I pushed these walks far beyond the area devastated by the quap. At first, there was a zone of stunted vegetation, then a kind of swampy jungle that was hard to get through, and then the start of the forest, a scene of massive tree trunks and tangled vines and roots mixed with squishy mud. This is where I would hang out in a state between studying plants and daydreaming—always eager to know what was happening up above in the sunlight—and this is where I killed a man.

It was the most unmeaning and purposeless murder imaginable. Even as I write down its well-remembered particulars there comes again the sense of its strangeness, its pointlessness, its incompatibility with any of the neat and definite theories people hold about life and the meaning of the world. I did this thing and I want to tell of my doing it, but why I did it and particularly why I should be held responsible for it I cannot explain.

It was the most pointless and senseless murder imaginable. Even as I write down the details I remember so well, I feel again the strangeness of it, its meaninglessness, and its clash with any clear and tidy theories people have about life and what the world means. I did this thing, and I want to share what happened, but I can't explain why I did it or why I should be held accountable for it.

That morning I had come upon a track in the forest, and it had occurred to me as a disagreeable idea that this was a human pathway. I didn’t want to come upon any human beings. The less our expedition saw of the African population the better for its prospects. Thus far we had been singularly free from native pestering. So I turned back and was making my way over mud and roots and dead fronds and petals scattered from the green world above when abruptly I saw my victim.

That morning, I stumbled upon a path in the forest, and it struck me as an unsettling thought that this was a human trail. I really didn’t want to encounter any people. The less our expedition came into contact with the local population, the better our chances of success. Up to that point, we had been remarkably free from being bothered by the natives. So, I turned around and started navigating through mud, roots, and the dead leaves and petals that had fallen from the lush canopy above when suddenly, I spotted my target.

I became aware of him perhaps forty feet off standing quite still and regarding me.

I noticed him about forty feet away, standing completely still and looking at me.

He wasn’t by any means a pretty figure. He was very black and naked except for a dirty loin-cloth, his legs were ill-shaped and his toes spread wide and the upper edge of his cloth and a girdle of string cut his clumsy abdomen into folds. His forehead was low, his nose very flat and his lower lip swollen and purplish-red. His hair was short and fuzzy, and about his neck was a string and a little purse of skin. He carried a musket, and a powder-flask was stuck in his girdle. It was a curious confrontation. There opposed to him stood I, a little soiled, perhaps, but still a rather elaborately civilised human being, born, bred and trained in a vague tradition. In my hand was an unaccustomed gun. And each of us was essentially a teeming, vivid brain, tensely excited by the encounter, quite unaware of the other’s mental content or what to do with him.

He wasn’t exactly a good-looking guy. He was very dark and naked except for a dirty loincloth, his legs were oddly shaped, and his toes were splayed wide. The upper edge of his cloth and a string belt dug into his awkward belly. He had a low forehead, a very flat nose, and a lower lip that was swollen and purplish-red. His hair was short and fuzzy, and around his neck was a string holding a small pouch made of skin. He carried a musket, and a powder flask was tucked into his belt. It was a strange meeting. Facing him was me, a bit dirty maybe, but still a fairly sophisticated human being, raised and trained in a vague tradition. In my hand was an unfamiliar gun. And each of us was essentially a bustling, vibrant mind, intensely engaged by the encounter, completely unaware of each other’s thoughts or what to do next.

He stepped back a pace or so, stumbled and turned to run.

He took a step back, tripped, and turned to run.

“Stop,” I cried; “stop, you fool!” and started to run after him, shouting such things in English. But I was no match for him over the roots and mud.

“Stop,” I shouted; “stop, you idiot!” and began to chase after him, yelling things in English. But I couldn't keep up with him over the roots and mud.

I had a preposterous idea. “He mustn’t get away and tell them!”

I had a ridiculous thought. “He can't get away and tell them!”

And with that instantly I brought both feet together, raised my gun, aimed quite coolly, drew the trigger carefully and shot him neatly in the back.

And with that, I quickly brought my feet together, lifted my gun, aimed calmly, pulled the trigger carefully, and shot him neatly in the back.

I saw, and saw with a leap of pure exaltation, the smash of my bullet between his shoulder blades. “Got him,” said I, dropping my gun and down he flopped and died without a groan. “By Jove!” I cried with note of surprise, “I’ve killed him!” I looked about me and then went forward cautiously, in a mood between curiosity and astonishment, to look at this man whose soul I had flung so unceremoniously out of our common world. I went to him, not as one goes to something one has made or done, but as one approaches something found.

I watched, filled with a rush of excitement, as my bullet hit right between his shoulder blades. “Got him,” I said, dropping my gun as he fell without a sound. “Wow!” I exclaimed in surprise, “I’ve killed him!” I looked around and then approached cautiously, caught between curiosity and disbelief, to see this man whose life I had abruptly taken from our shared world. I approached him, not like someone who had caused this, but like someone who had stumbled upon something unexpected.

He was frightfully smashed out in front; he must have died in the instant. I stooped and raised him by his shoulder and realised that. I dropped him, and stood about and peered about me through the trees. “My word!” I said. He was the second dead human being—apart, I mean, from surgical properties and mummies and common shows of that sort—that I have ever seen. I stood over him wondering, wondering beyond measure.

He was totally wrecked in front; he must have died instantly. I bent down and lifted him by his shoulder and realized that. I dropped him and stood around, looking through the trees. “Wow!” I said. He was the second dead person—besides, I mean, the surgical specimens, mummies, and typical exhibits of that kind—that I have ever seen. I stood over him, wondering, wondering endlessly.

A practical idea came into that confusion. Had any one heard the gun?

A useful thought emerged from the chaos. Has anyone heard the gun?

I reloaded.

I refreshed.

After a time I felt securer, and gave my mind again to the dead I had killed. What must I do?

After a while, I felt more secure and started thinking again about the people I had killed. What should I do?

It occurred to me that perhaps I ought to bury him. At any rate, I ought to hide him. I reflected coolly, and then put my gun within easy reach and dragged him by the arm towards a place where the mud seemed soft, and thrust him in. His powder-flask slipped from his loin-cloth, and I went back to get it. Then I pressed him down with the butt of my rifle.

It struck me that maybe I should bury him. At the very least, I should hide him. I thought it over calmly, then made sure my gun was within easy reach and pulled him by the arm towards a spot where the mud looked soft, and shoved him in. His powder flask fell from his loincloth, so I went back to grab it. After that, I pushed him down with the butt of my rifle.

Afterwards this all seemed to me most horrible, but at the time it was entirely a matter-of-fact transaction. I looked round for any other visible evidence of his fate, looked round as one does when one packs one’s portmanteau in an hotel bedroom.

Afterward, this all seemed really terrible to me, but at the time, it was just a straightforward situation. I looked around for any other obvious signs of his fate, just as one does when packing a suitcase in a hotel room.

When I got my bearings, and carefully returned towards the ship. I had the mood of grave concentration of a boy who has lapsed into poaching. And the business only began to assume proper proportions for me as I got near the ship, to seem any other kind of thing than the killing of a bird or rabbit.

When I found my footing and cautiously made my way back to the ship, I felt the intense focus of a kid who had slipped into poaching. It wasn't until I got closer to the ship that the situation started to feel like anything other than just killing a bird or a rabbit.

In the night, however, it took on enormous and portentous forms. “By God!” I cried suddenly, starting wide awake; “but it was murder!”

In the night, though, it took on huge and threatening shapes. “Oh my God!” I suddenly shouted, waking up instantly; “that was murder!”

I lay after that wide awake, staring at my memories. In some odd way these visions mixed up with my dream of in my uncle in his despair. The black body which saw now damaged and partly buried, but which, nevertheless, I no longer felt was dead but acutely alive and perceiving, I mixed up with the ochreous slash under my uncle’s face. I tried to dismiss this horrible obsession from my mind, but it prevailed over all my efforts.

I lay there wide awake, staring at my memories. In a strange way, these visions merged with my dream of my uncle in his despair. The dark figure I saw, damaged and partly buried, felt to me not dead but intensely alive and aware. I connected it with the yellowish mark under my uncle’s face. I tried to push this horrifying thought out of my mind, but it overpowered all my attempts.

The next day was utterly black with my sense of that ugly creature’s body. I am the least superstitious of men, but it drew me. It drew me back into those thickets to the very place where I had hidden him.

The next day was completely dark with my awareness of that ugly creature’s body. I’m not superstitious at all, but it pulled me in. It pulled me back into those bushes to the exact spot where I had hidden him.

Some evil and detestable beast had been at him, and he lay disinterred.

Some wicked and horrible creature had attacked him, and he lay unearthed.

Methodically I buried his swollen and mangled carcass again, and returned to the ship for another night of dreams. Next day for all the morning I resisted the impulse to go to him, and played nap with Pollack with my secret gnawing at me, and in the evening started to go and was near benighted. I never told a soul of them of this thing I had done.

Methodically, I buried his swollen and mangled body again and went back to the ship for another night of dreams. The next day, I spent the whole morning resisting the urge to go to him, passing the time playing cards with Pollack while my secret gnawed at me. In the evening, I finally started to go, but it was almost dark. I never told anyone about what I had done.

Next day I went early, and he had gone, and there were human footmarks and ugly stains round the muddy hole from which he had been dragged.

Next day I went early, and he was gone, with human footprints and nasty stains around the muddy hole where he had been dragged.

I returned to the ship, disconcerted and perplexed. That day it was the men came aft, with blistered hands and faces, and sullen eyes. When they proclaimed, through Edwards, their spokesman, “We’ve had enough of this, and we mean it,” I answered very readily, “So have I. Let’s go.”

I went back to the ship, feeling uneasy and confused. That day the crew came to the back, with blistered hands and faces, and gloomy eyes. When they declared, through Edwards, their spokesperson, “We’ve had enough of this, and we mean it,” I quickly responded, “So have I. Let’s go.”

VII

We were none too soon. People had been reconnoitring us, the telegraph had been at work, and we were not four hours at sea before we ran against the gunboat that had been sent down the coast to look for us and that would have caught us behind the island like a beast in a trap. It was a night of driving cloud that gave intermittent gleams of moonlight; the wind and sea were strong and we were rolling along through a drift of rails and mist. Suddenly the world was white with moonshine. The gunboat came out as a long dark shape wallowing on the water to the east.

We were barely in time. People had been scouting us, the telegraph was buzzing, and we hadn’t been at sea for more than four hours before we ran into the gunboat that had been sent down the coast to find us and would have caught us behind the island like a trapped animal. It was a night filled with moving clouds that let through patches of moonlight; the wind and sea were fierce, and we were rolling along through a mix of rails and fog. Suddenly, the world was bright with moonlight. The gunboat appeared as a long dark shape bobbing on the water to the east.

She sighted the Maud Mary at once, and fired some sort of popgun to arrest us.

She spotted the Maud Mary right away and fired some kind of toy gun to stop us.

The mate turned to me.

My friend turned to me.

“Shall I tell the captain?”

"Should I tell the captain?"

“The captain be damned” said I, and we let him sleep through two hours of chase till a rainstorm swallowed us up. Then we changed our course and sailed right across them, and by morning only her smoke was showing.

“The captain be damned,” I said, and we let him sleep through two hours of chasing until a rainstorm engulfed us. Then we changed our course and sailed right over them, and by morning only her smoke was visible.

We were clear of Africa—and with the booty aboard I did not see what stood between us and home.

We were out of Africa—and with the loot on board, I couldn't see what was stopping us from getting home.

For the first time since I had fallen sick in the Thames my spirits rose. I was sea-sick and physically disgusted, of course, but I felt kindly in spite of my qualms. So far as I could calculate then the situation was saved. I saw myself returning triumphantly into the Thames, and nothing on earth to prevent old Capern’s Perfect Filament going on the market in fortnight. I had the monopoly of electric lamps beneath my feet.

For the first time since I got sick in the Thames, I felt a spark of hope. I was seasick and physically nauseous, of course, but I felt good despite my discomfort. As far as I could tell, the situation was looking up. I imagined myself returning to the Thames in triumph, and nothing could stop old Capern’s Perfect Filament from hitting the market in two weeks. I had the monopoly on electric lamps right beneath me.

I was released from the spell of that bloodstained black body all mixed up with grey-black mud. I was going back to baths and decent food and aeronautics and Beatrice. I was going back to Beatrice and my real life again—out of this well into which I had fallen. It would have needed something more than sea-sickness and quap fever to prevent my spirits rising.

I was freed from the grip of that bloodstained black body covered in grey-black mud. I was heading back to baths, good food, flying, and Beatrice. I was returning to Beatrice and my real life again—out of this pit I had fallen into. It would take more than seasickness and a fever to keep my spirits down.

I told the captain that I agreed with him that the British were the scum of Europe, the westward drift of all the people, a disgusting rabble, and I lost three pounds by attenuated retail to Pollack at ha’penny nap and euchre.

I told the captain that I agreed with him that the British were the worst of Europe, the westward migration of all people, a pathetic crowd, and I lost three pounds from small bets to Pollack at half a penny per game and euchre.

And then you know, as we got out into the Atlantic this side of Cape Verde, the ship began to go to pieces. I don’t pretend for one moment to understand what happened. But I think Greiffenhagen’s recent work on the effects of radium upon ligneous tissue does rather carry out my idea that emanations from quap have rapid rotting effect upon woody fibre.

And then, you know, as we made our way into the Atlantic near Cape Verde, the ship started falling apart. I don't pretend to understand what happened for even a second. But I believe Greiffenhagen's recent research on the effects of radium on wood supports my idea that emissions from quap rapidly decay woody fiber.

From the first there had been a different feel about the ship, and as the big winds and waves began to strain her she commenced leaking. Soon she was leaking—not at any particular point, but everywhere. She did not spring a leak, I mean, but water came in first of all near the decaying edges of her planks, and then through them.

From the start, the ship had a different vibe, and as the strong winds and waves began to push her, she started to leak. Before long, she was leaking—not from one specific spot, but all over. She didn't just spring a leak; water first came in near the rotting edges of her planks, and then through them.

I firmly believe the water came through the wood. First it began to ooze, then to trickle. It was like trying to carry moist sugar in a thin paper bag. Soon we were taking in water as though we had opened a door in her bottom.

I truly believe the water seeped through the wood. First, it started to ooze, then to trickle. It was like trying to carry wet sugar in a flimsy paper bag. Before long, we were taking in water as if we had opened a door in her bottom.

Once it began, the thing went ahead beyond all fighting. For a day or so we did our best, and I can still remember in my limbs and back the pumping—the fatigue in my arms and the memory of a clear little dribble of water that jerked as one pumped, and of knocking off and the being awakened to go on again, and of fatigue piling up upon fatigue. At last we ceased to think of anything but pumping; one became a thing of torment enchanted, doomed to pump for ever. I still remember it as pure relief when at last Pollack came to me pipe in mouth.

Once it started, the situation escalated beyond all attempts to fight it. For about a day, we did everything we could, and I can still feel the strain in my limbs and back from all the pumping—the tiredness in my arms and the memory of a little stream of water that pulsed as we pumped, and of stopping only to be jolted awake to continue, with fatigue piling on top of fatigue. Eventually, we stopped thinking about anything except pumping; we became trapped in endless torment, cursed to pump forever. I still remember the sheer relief when Pollack finally came to me with a pipe in his mouth.

“The captain says the damned thing’s going down right now;” he remarked, chewing his mouthpiece. “Eh?”

“The captain says the damn thing is going down right now,” he said, chewing on his mouthpiece. “Huh?”

“Good idea!” I said. “One can’t go on pumping for ever.”

“Great idea!” I said. “You can't keep pushing forever.”

And without hurry or alacrity, sullenly and wearily we got into the boats and pulled away from the Maud Mary until we were clear of her, and then we stayed resting on our oars, motionless upon a glassy sea, waiting for her to sink. We were all silent, even the captain was silent until she went down. And then he spoke quite mildly in an undertone.

And without rushing or eagerness, slowly and tiredly we got into the boats and pulled away from the Maud Mary until we were clear of her. Then we rested on our oars, still on a smooth sea, waiting for her to sink. We were all quiet; even the captain was silent until she went down. Then he spoke softly, almost in a whisper.

“Dat is the first ship I haf ever lost.... And it was not a fair game! It wass not a cargo any man should take. No!”

“That's the first ship I've ever lost.... And it wasn't a fair game! It wasn't a cargo any man should take. No!”

I stared at the slow eddies that circled above the departed Maud Mary, and the last chance of Business Organisations. I felt weary beyond emotion. I thought of my heroics to Beatrice and my uncle, of my prompt “I’ll go,” and of all the ineffectual months I had spent after this headlong decision. I was moved to laughter at myself and fate.

I stared at the slow swirling currents above the departed Maud Mary, and the final opportunity for Business Organizations. I felt exhausted beyond words. I thought about my dramatic gestures to Beatrice and my uncle, my quick “I’ll go,” and all the pointless months I had wasted after that impulsive decision. I was struck with amusement at myself and what fate had in store.

But the captain and the men did not laugh. The men scowled at me and rubbed their sore and blistered hands, and set themselves to row....

But the captain and the crew didn’t laugh. The men glared at me and rubbed their sore, blistered hands as they got ready to row...

As all the world knows we were picked up by the Union Castle liner, Portland Castle.

As everyone knows, we were picked up by the Union Castle liner, Portland Castle.

The hairdresser aboard was a wonderful man, and he even improvised me a dress suit, and produced a clean shirt and warm underclothing. I had a hot bath, and dressed and dined and drank a bottle of Burgundy.

The hairdresser on board was an amazing guy, and he even made me a dress suit, along with a clean shirt and warm underwear. I had a hot bath, got dressed, had dinner, and drank a bottle of Burgundy.

“Now,” I said, “are there any newspapers? I want to know what’s been happening in the world.”

“Now,” I said, “are there any newspapers? I want to know what’s been going on in the world.”

My steward gave me what he had, but I landed at Plymouth still largely ignorant of the course of events. I shook off Pollack, and left the captain and mate in an hotel, and the men in a Sailor’s Home until I could send to pay them off, and I made my way to the station.

My steward gave me what he had, but I arrived in Plymouth still mostly unaware of what had happened. I ditched Pollack, left the captain and mate at a hotel, and the crew at a Sailor’s Home until I could arrange to pay them off, and then I headed to the station.

The newspapers I bought, the placards I saw, all England indeed resounded to my uncle’s bankruptcy.

The newspapers I bought, the posters I saw, all of England was buzzing about my uncle’s bankruptcy.

BOOK THE FOURTH
THE AFTERMATH OF TONO-BUNGAY

CHAPTER THE FIRST
THE STICK OF THE ROCKET

I

That evening I talked with my uncle in the Hardingham for the last time. The atmosphere of the place had altered quite shockingly. Instead of the crowd of importunate courtiers there were just half a dozen uninviting men, journalists waiting for an interview. Ropper the big commissionaire was still there, but now indeed he was defending my uncle from something more than time-wasting intrusions. I found the little man alone in the inner office pretending to work, but really brooding. He was looking yellow and deflated.

That evening, I spoke with my uncle at the Hardingham for the last time. The vibe of the place had changed dramatically. Instead of the group of pushy courtiers, there were just a handful of unfriendly men, journalists waiting for an interview. Ropper, the big doorman, was still there, but now he was protecting my uncle from more than just people wasting his time. I found the little man alone in the back office pretending to work, but really just lost in thought. He looked pale and deflated.

“Lord!” he said at the sight of me. “You’re lean, George. It makes that scar of yours show up.”

“Wow!” he said when he saw me. “You’ve really slimmed down, George. That scar of yours is really noticeable now.”

We regarded each other gravely for a time.

We looked at each other seriously for a while.

“Quap,” I said, “is at the bottom of the Atlantic. There’s some bills—We’ve got to pay the men.”

“Quap,” I said, “is at the bottom of the Atlantic. There are some bills—we need to pay the guys.”

“Seen the papers?”

"Checked the news?"

“Read ’em all in the train.”

“Read them all on the train.”

“At bay,” he said. “I been at bay for a week.... Yelping round me.... And me facing the music. I’m feelin’ a bit tired.”

“At bay,” he said. “I’ve been backed into a corner for a week... Yapping all around me... And I’m dealing with it. I’m feeling a bit worn out.”

He blew and wiped his glasses.

He blew on his glasses and wiped them clean.

“My stomack isn’t what it was,” he explained. “One finds it—these times. How did it all happen, George? Your Marconigram—it took me in the wind a bit.”

“My stomach isn’t what it used to be,” he explained. “You notice that—these days. How did it all happen, George? Your Marconigram—it caught me off guard a bit.”

I told him concisely. He nodded to the paragraphs of my narrative and at the end he poured something from a medicine bottle into a sticky little wineglass and drank it. I became aware of the presence of drugs, of three or four small bottles before him among his disorder of papers, of a faint elusively familiar odour in the room.

I told him briefly. He nodded at the sections of my story and, when he finished, he poured something from a medicine bottle into a tiny sticky wineglass and drank it. I noticed some drugs, three or four small bottles in front of him among his messy papers, and a faint, vaguely familiar smell in the room.

“Yes,” he said, wiping his lips and recorking the bottle. “You’ve done your best, George. The luck’s been against us.”

“Yes,” he said, wiping his lips and recorking the bottle. “You’ve done your best, George. The luck hasn’t been on our side.”

He reflected, bottle in hand. “Sometimes the luck goes with you and sometimes it doesn’t. Sometimes it doesn’t. And then where are you? Grass in the oven! Fight or no fight.”

He thought, bottle in hand. “Sometimes luck is on your side, and sometimes it isn’t. Sometimes it isn’t. And then what do you do? Grass in the oven! Whether you fight or not.”

He asked a few questions and then his thoughts came back to his own urgent affairs. I tried to get some comprehensive account of the situation from him, but he would not give it.

He asked a few questions and then his mind returned to his own pressing matters. I attempted to get a clear understanding of the situation from him, but he wouldn’t share it.

“Oh, I wish I’d had you. I wish I’d had you, George. I’ve had a lot on my hands. You’re clear headed at times.”

“Oh, I wish I had you. I wish I had you, George. I’ve had a lot to deal with. You think clearly sometimes.”

“What has happened?”

"What happened?"

“Oh! Boom!—infernal things.”

“Oh! Boom!—awful things.”

“Yes, but—how? I’m just off the sea, remember.”

“Yes, but—how? I just came from the sea, remember.”

“It’d worry me too much to tell you now. It’s tied up in a skein.”

“It would stress me out too much to tell you right now. It’s all tangled up.”

He muttered something to himself and mused darkly, and roused himself to say—

He whispered something under his breath and thought to himself, then snapped himself out of it to say—

“Besides—you’d better keep out of it. It’s getting tight. Get ’em talking. Go down to Crest Hill and fly. That’s your affair.”

“Besides—you’d better stay out of this. Things are getting tense. Get them talking. Go down to Crest Hill and take off. That’s your business.”

For a time his manner set free queer anxieties in my brain again.

For a while, his behavior stirred up strange worries in my mind again.

I will confess that that Mordet Island nightmare of mine returned, and as I looked at him his hand went out for the drug again. “Stomach, George,” he said.

I have to admit that my nightmare about Mordet Island came back, and as I watched him, his hand reached out for the drug again. “Stomach, George,” he said.

“I been fightin’ on that. Every man fights on some thing—gives way somewheres—head, heart, liver—something. Zzzz. Gives way somewhere. Napoleon did at last. All through the Waterloo campaign, his stomach—it wasn’t a stomach! Worse than mine, no end.”

“I’ve been struggling with that. Every man struggles with something—gives in somewhere—head, heart, liver—something. Zzzz. Gives in somewhere. Napoleon did in the end. Throughout the Waterloo campaign, his stomach—it wasn’t just a stomach! Worse than mine, no doubt.”

The mood of depression passed as the drug worked within him. His eyes brightened. He began to talk big. He began to dress up the situation for my eyes, to recover what he had admitted to me. He put it as a retreat from Russia. There were still the chances of Leipzig.

The feeling of depression faded as the drug took effect. His eyes lit up. He started to talk boldly. He began to embellish the situation for me, trying to take back what he had confessed. He framed it as a retreat from Russia. There were still the possibilities of Leipzig.

“It’s a battle, George—a big fight. We’re fighting for millions. I’ve still chances. There’s still a card or so. I can’t tell all my plans—like speaking on the stroke.”

“It’s a struggle, George—a major fight. We’re fighting for millions. I still have chances. There are still a few cards left. I can’t share all my plans—like speaking right on the dot.”

“You might,” I began.

"You might," I said.

“I can’t, George. It’s like asking to look at some embryo. You got to wait. I know. In a sort of way, I know. But to tell it—No! You been away so long. And everything’s got complicated.”

“I can’t, George. It’s like asking to look at some embryo. You have to wait. I know. In a way, I understand. But to explain it—No! You’ve been gone for so long. And everything’s gotten complicated.”

My perception of disastrous entanglements deepened with the rise of his spirits. It was evident that I could only help to tie him up in whatever net was weaving round his mind by forcing questions and explanations upon him. My thoughts flew off at another angle. “How’s Aunt Susan?” said I.

My understanding of his complicated problems grew as he started to feel better. I realized that the more I pressed him with questions and explanations, the more I would end up complicating things for him. My mind shifted to something else. “How’s Aunt Susan?” I asked.

I had to repeat the question. His busy whispering lips stopped for a moment, and he answered in the note of one who repeats a formula.

I had to repeat the question. His lips, busy with whispering, paused for a moment, and he replied in the tone of someone reciting a formula.

“She’d like to be in the battle with me. She’d like to be here in London. But there’s corners I got to turn alone.” His eye rested for a moment on the little bottle beside him. “And things have happened.

“She wants to be in the fight with me. She wants to be here in London. But there are things I have to handle on my own.” His gaze lingered briefly on the small bottle next to him. “And things have happened.

“You might go down now and talk to her,” he said, in a directer voice. “I shall be down to-morrow night, I think.”

“You can go down now and talk to her,” he said, in a more straightforward tone. “I’ll be down tomorrow night, I think.”

He looked up as though he hoped that would end our talk.

He looked up as if he was hoping that would wrap up our conversation.

“For the week-end?” I asked.

"For the weekend?" I asked.

“For the week-end. Thank God for week-ends, George!”

“For the weekend. Thank God for weekends, George!”

II

My return home to Lady Grove was a very different thing from what I had anticipated when I had got out to sea with my load of quap and fancied the Perfect-Filament was safe within my grasp. As I walked through the evening light along the downs, the summer stillness seemed like the stillness of something newly dead. There were no lurking workmen any more, no cyclists on the high road.

My return home to Lady Grove was nothing like what I had expected when I set out to sea with my load of quap and thought the Perfect-Filament was finally within my reach. As I walked through the evening light along the hills, the summer calm felt like the silence of something recently deceased. There were no lurking workers anymore, no cyclists on the main road.

Cessation was manifest everywhere. There had been, I learnt from my aunt, a touching and quite voluntary demonstration when the Crest Hill work had come to an end and the men had drawn their last pay; they had cheered my uncle and hooted the contractors and Lord Boom.

Cessation was evident everywhere. I learned from my aunt that there had been a heartfelt and completely voluntary demonstration when the Crest Hill project wrapped up and the workers received their final pay; they had cheered for my uncle and jeered at the contractors and Lord Boom.

I cannot now recall the manner in which my aunt and I greeted one another. I must have been very tired there, but whatever impression was made has gone out of my memory. But I recall very clearly how we sat at the little round table near the big window that gave on the terrace, and dined and talked. I remember her talking of my uncle.

I can’t remember how my aunt and I greeted each other. I must have been really tired then, but whatever impression I had is lost from my memory. However, I clearly remember us sitting at the little round table by the big window that looked out onto the terrace, having dinner and chatting. I remember her talking about my uncle.

She asked after him, and whether he seemed well. “I wish I could help,” she said. “But I’ve never helped him much, never. His way of doing things was never mine. And since—since—. Since he began to get so rich, he’s kept things from me. In the old days—it was different....

She asked about him and if he looked okay. “I wish I could help,” she said. “But I’ve never really helped him, not at all. His way of doing things has never been my way. And since—since—. Since he started getting so rich, he’s kept things from me. Back in the day—it was different....

“There he is—I don’t know what he’s doing. He won’t have me near him....

“There he is—I have no idea what he's up to. He won’t let me anywhere close to him....

“More’s kept from me than anyone. The very servants won’t let me know. They try and stop the worst of the papers—Boom’s things—from coming upstairs.... I suppose they’ve got him in a corner, George. Poor old Teddy! Poor old Adam and Eve we are! Ficial Receivers with flaming swords to drive us out of our garden! I’d hoped we’d never have another Trek. Well—anyway, it won’t be Crest Hill.... But it’s hard on Teddy. He must be in such a mess up there. Poor old chap. I suppose we can’t help him. I suppose we’d only worry him. Have some more soup George—while there is some?...”

“More is being kept from me than from anyone else. Even the servants won’t tell me anything. They try to keep the worst of the papers—Boom’s stuff—from getting upstairs.... I guess they’ve got him cornered, George. Poor old Teddy! Poor old Adam and Eve we are! Ficial Receivers with flaming swords driving us out of our garden! I’d hoped we’d never have to go through another Trek. Well—at least it won’t be Crest Hill.... But it’s tough on Teddy. He must be in such a mess up there. Poor guy. I guess we can’t help him. I suppose we’d just end up worrying him. Have some more soup, George—while there's still some left?..."

The next day was one of those days of strong perception that stand out clear in one’s memory when the common course of days is blurred. I can recall now the awakening in the large familiar room that was always kept for me, and how I lay staring at its chintz-covered chairs, its spaced fine furniture, its glimpse of the cedars without, and thought that all this had to end.

The next day was one of those days with a strong clarity that sticks out in your memory when everyday life feels fuzzy. I can still remember waking up in the big familiar room that was always reserved for me, and how I lay there staring at the patterned chairs, the carefully arranged furniture, the view of the cedars outside, and thought that all of this had to come to an end.

I have never been greedy for money, I have never wanted to be rich, but I felt now an immense sense of impending deprivation. I read the newspapers after breakfast—I and my aunt together—and then I walked up to see what Cothope had done in the matter of Lord Roberts β. Never before had I appreciated so acutely the ample brightness of the Lady Grove gardens, the dignity and wide peace of all about me. It was one of those warm mornings in late May that have won all the glory of summer without losing the gay delicacy of spring. The shrubbery was bright with laburnum and lilac, the beds swarmed with daffodils and narcissi and with lilies of the valley in the shade.

I’ve never been greedy for money or wanted to be rich, but now I felt a huge sense of coming loss. I read the newspapers after breakfast—with my aunt—and then I walked up to see what Cothope had done regarding Lord Roberts β. I had never before appreciated the bright beauty of the Lady Grove gardens, the dignity, and the peaceful surroundings as much as I did then. It was one of those warm late May mornings that had captured all the glory of summer while still retaining the cheerful delicacy of spring. The bushes were vibrant with laburnum and lilac, and the flower beds were packed with daffodils, narcissi, and lilies of the valley in the shade.

I went along the well-kept paths among the rhododendra and through the private gate into the woods where the bluebells and common orchid were in profusion. Never before had I tasted so completely the fine sense of privilege and ownership. And all this has to end, I told myself, all this has to end.

I walked along the nicely maintained paths among the rhododendrons and went through the private gate into the woods where the bluebells and common orchids were blooming everywhere. I had never felt such a deep sense of privilege and ownership before. And I kept telling myself that all of this has to come to an end, all of this has to end.

Neither my uncle nor I had made any provision for disaster; all we had was in the game, and I had little doubt now of the completeness of our ruin. For the first time in my life since he had sent me that wonderful telegram of his I had to consider that common anxiety of mankind,—Employment. I had to come off my magic carpet and walk once more in the world.

Neither my uncle nor I had prepared for disaster; everything we had was tied up in the game, and I was now quite sure of our total ruin. For the first time since he sent me that amazing telegram, I had to think about that universal worry of people—employment. I had to step down from my magic carpet and walk in the real world again.

And suddenly I found myself at the cross drives where I had seen Beatrice for the first time after so many years. It is strange, but so far as I can recollect I had not thought of her once since I had landed at Plymouth. No doubt she had filled the background of my mind, but I do not remember one definite, clear thought. I had been intent on my uncle and the financial collapse.

And suddenly I found myself at the crossroads where I had seen Beatrice for the first time after so many years. It’s odd, but as far as I can recall, I hadn't thought about her at all since I landed in Plymouth. She may have occupied the back of my mind, but I don't remember a single clear thought about her. I had been focused on my uncle and the financial crisis.

It came like a blow in the face now; all that, too, had to end!

It hit like a punch to the face now; all of that had to come to an end!

Suddenly I was filled with the thought of her and a great longing for her. What would she do when she realised our immense disaster? What would she do? How would she take it? It filled me with astonishment to realise how little I could tell....

Suddenly, I was overwhelmed by thoughts of her and a deep longing for her. What would she think when she found out about our huge disaster? What would she do? How would she handle it? I was astonished by how little I could understand.

Should I perhaps presently happen upon her?

Should I maybe run into her now?

I went on through the plantations and out upon the downs, and thence I saw Cothope with a new glider of his own design soaring down wind to my old familiar “grounding” place. To judge by its long rhythm it was a very good glider. “Like Cothope’s cheek,” thought I, “to go on with the research. I wonder if he’s keeping notes.... But all this will have to stop.”

I walked through the fields and out onto the hills, and from there I saw Cothope flying a new glider he designed, soaring downwind to my old familiar landing spot. From its smooth glide, it looked like a really good glider. “Just like Cothope,” I thought, “to keep pursuing the research. I wonder if he’s taking notes.... But all of this has to come to an end.”

He was sincerely glad to see me. “It’s been a rum go,” he said.

He was genuinely happy to see me. “It’s been a tough time,” he said.

He had been there without wages for a month, a man forgotten in the rush of events.

He had been there for a month without pay, a man overlooked in the whirlwind of events.

“I just stuck on and did what I could with the stuff. I got a bit of money of my own—and I said to myself, ‘Well, here you are with the gear and no one to look after you. You won’t get such a chance again, my boy, not in all your born days. Why not make what you can with it? ‘”

“I just went with it and did what I could with the things I had. I had a little bit of money to myself—and I thought, ‘Well, here you are with the tools and no one to take care of you. You won’t get an opportunity like this again, my friend, not in your whole life. So why not make the most of it?’”

“How’s Lord Roberts β?”

“How’s Lord Roberts doing?”

Cothope lifted his eyebrows. “I’ve had to refrain,” he said. “But he’s looking very handsome.”

Cothope raised his eyebrows. “I’ve had to hold back,” he said. “But he’s looking really handsome.”

“Gods!” I said, “I’d like to get him up just once before we smash. You read the papers? You know we’re going to smash?”

“Gods!” I said, “I’d love to get him up just once before we crash. Have you read the news? You know we’re going to crash?”

“Oh! I read the papers. It’s scandalous, sir, such work as ours should depend on things like that. You and I ought to be under the State, sir, if you’ll excuse me.”

“Oh! I read the news. It’s outrageous, sir, that our work should depend on things like that. You and I should be supported by the government, sir, if you don’t mind me saying.”

“Nothing to excuse,” I said. “I’ve always been a Socialist—of a sort—in theory. Let’s go and have a look at him. How is he? Deflated?”

“Nothing to apologize for,” I said. “I’ve always been a Socialist—kind of—in theory. Let’s go check him out. How is he? Defeated?”

“Just about quarter full. That last oil glaze of yours holds the gas something beautiful. He’s not lost a cubic metre a week.”...

“Just about a quarter full. That last oil glaze of yours holds the gas really well. He hasn’t lost a cubic meter a week.”

Cothope returned to Socialism as we went toward the sheds.

Cothope went back to talking about Socialism as we headed toward the sheds.

“Glad to think you’re a Socialist, sir,” he said, “it’s the only civilised state. I been a Socialist some years—off the Clarion. It’s a rotten scramble, this world. It takes the things we make and invent and it plays the silly fool with ’em. We scientific people, we’ll have to take things over and stop all this financing and advertisement and that. It’s too silly. It’s a noosance. Look at us!”

“I'm glad to hear you're a Socialist, sir,” he said, “it’s the only civilized way to live. I’ve been a Socialist for a few years—since the Clarion. This world is a messy scramble. It takes what we create and invent and just messes around with it. We, the scientific people, need to take control and put an end to all this financing and advertising. It’s just ridiculous. It’s a nuisance. Look at us!”

Lord Roberts B, even in his partially deflated condition in his shed, was a fine thing to stare up at. I stood side by side with Cothope regarding him, and it was borne in upon me more acutely than ever that all this had to end. I had a feeling just like the feeling of a boy who wants to do wrong, that I would use up the stuff while I had it before the creditors descended. I had a queer fancy, too, I remember, that if I could get into the air it would advertise my return to Beatrice.

Lord Roberts B, even in his somewhat deflated state in his shed, was impressive to look at. I stood next to Cothope, both of us watching him, and it hit me more clearly than ever that all this had to come to an end. I felt just like a boy tempted to do something wrong, wanting to consume the resources while I still could before the creditors arrived. I also had a strange thought, remembering that if I could get into the air, it would signal my return to Beatrice.

“We’ll fill her,” I said concisely.

“We’ll take care of her,” I said briefly.

“It’s all ready,” said Cothope, and added as an afterthought, “unless they cut off the gas.”...

“It’s all set,” said Cothope, adding as an afterthought, “unless they shut off the gas.”

I worked and interested myself with Cothope all the morning and for a time forgot my other troubles. But the thought of Beatrice flooded me slowly and steadily. It became an unintelligent sick longing to see her. I felt that I could not wait for the filling of Lord Roberts β, that I must hunt her up and see her soon. I got everything forward and lunched with Cothope, and then with the feeblest excuses left him in order to prowl down through the woods towards Bedley Corner. I became a prey to wretched hesitations and diffidence. Ought I to go near her now? I asked myself, reviewing all the social abasements of my early years. At last, about five, I called at the Dower House. I was greeted by their Charlotte—with a forbidding eye and a cold astonishment.

I spent the whole morning with Cothope and for a while forgot my other problems. But thoughts of Beatrice gradually took over, turning into a deep, frustrating longing to see her. I felt like I couldn’t wait for Lord Roberts β to finish up; I had to find her and see her soon. I got everything sorted, had lunch with Cothope, and then, with the weakest excuses, left him to wander down through the woods toward Bedley Corner. I was overwhelmed with doubts and insecurity. Should I go to see her now? I asked myself, recalling all the humiliations from my early years. Finally, around five, I stopped by the Dower House. Charlotte greeted me with a disapproving look and cold surprise.

Both Beatrice and Lady Osprey were out.

Both Beatrice and Lady Osprey were out.

There came into my head some prowling dream of meeting her. I went along the lane towards Woking, the lane down which we had walked five months ago in the wind and rain.

There came to mind a wandering thought of meeting her. I walked down the lane towards Woking, the same lane we had walked along five months ago in the wind and rain.

I mooned for a time in our former footsteps, then swore and turned back across the fields, and then conceived a distaste for Cothope and went Downward. At last I found myself looking down on the huge abandoned masses of the Crest Hill house.

I lingered for a while in our old paths, then cursed and turned back across the fields, and then felt a growing dislike for Cothope and went downhill. Finally, I found myself looking down at the massive, abandoned remains of the Crest Hill house.

That gave my mind a twist into a new channel. My uncle came uppermost again. What a strange, melancholy emptiness of intention that stricken enterprise seemed in the even evening sunlight, what vulgar magnificence and crudity and utter absurdity! It was as idiotic as the pyramids. I sat down on the stile, staring at it as though I had never seen that forest of scaffold poles, that waste of walls and bricks and plaster and shaped stones, that wilderness of broken soil and wheeling tracks and dumps before. It struck me suddenly as the compactest image and sample of all that passes for Progress, of all the advertisement-inflated spending, the aimless building up and pulling down, the enterprise and promise of my age. This was our fruit, this was what he had done, I and my uncle, in the fashion of our time. We were its leaders and exponents, we were the thing it most flourishingly produced. For this futility in its end, for an epoch of such futility, the solemn scroll of history had unfolded....

That gave my mind a twist into a new direction. My uncle came to the forefront again. What a strange, sad emptiness of purpose that failed project seemed in the soft evening sunlight, what tacky grandiosity and crudeness and pure absurdity! It was as ridiculous as the pyramids. I sat down on the stile, staring at it as if I had never seen that forest of scaffold poles, that wasteland of walls and bricks and plaster and shaped stones, that mess of broken ground and winding tracks and heaps before. It suddenly struck me as the most compact image and example of everything that counts as Progress, of all the inflated spending related to advertisements, the pointless building and tearing down, the ambition and promise of my time. This was our outcome, this was what he had achieved, I and my uncle, in the way of our era. We were its leaders and advocates, we were what it most abundantly produced. For this futility in its conclusion, for an era of such futility, the serious scroll of history had unfolded....

“Great God!” I cried, “but is this Life?”

“Great God!” I exclaimed, “is this really Life?”

For this the armies drilled, for this the Law was administered and the prisons did their duty, for this the millions toiled and perished in suffering, in order that a few of us should build palaces we never finished, make billiard-rooms under ponds, run imbecile walls round irrational estates, scorch about the world in motor-cars, devise flying-machines, play golf and a dozen such foolish games of ball, crowd into chattering dinner parties, gamble and make our lives one vast, dismal spectacle of witless waste! So it struck me then, and for a time I could think of no other interpretation. This was Life! It came to me like a revelation, a revelation at once incredible and indisputable of the abysmal folly of our being.

For this, the armies trained, for this the law was enforced and the prisons did their job, for this the millions worked hard and suffered, so that a few of us could build palaces we never finished, make billiard rooms under ponds, put up silly walls around useless properties, zoom around the world in cars, invent flying machines, play golf and a bunch of other pointless games, crowd into noisy dinner parties, gamble, and turn our lives into one huge, sad display of mindless waste! That’s how it hit me then, and for a while, I could think of no other way to see it. This was Life! It came to me like a revelation, a revelation that was both unbelievable and undeniable about the deep foolishness of our existence.

III

I was roused from such thoughts by the sound of footsteps behind me.

I was pulled out of my thoughts by the sound of footsteps behind me.

I turned half hopeful—so foolish is a lover’s imagination, and stopped amazed. It was my uncle. His face was white—white as I had seen it in my dream.

I felt a mix of hope and disbelief—how silly a lover’s imagination can be—and then I stopped in shock. It was my uncle. His face was pale—pale like I had seen it in my dream.

“Hullo!” I said, and stared. “Why aren’t you in London?”

“Hullo!” I said, and stared. “Why aren’t you in London?”

“It’s all up,” he said....

“It’s all set,” he said....

“Adjudicated?”

"Judged?"

“No!”

“No way!”

I stared at him for a moment, and then got off the stile.

I looked at him for a moment, then got off the stile.

We stood swaying and then came forward with a weak motion of his arms like a man who cannot see distinctly, and caught at and leant upon the stile. For a moment we were absolutely still. He made a clumsy gesture towards the great futility below and choked. I discovered that his face was wet with tears, that his wet glasses blinded him. He put up his little fat hand and clawed them off clumsily, felt inefficiently for his pocket-handkerchief, and then, to my horror, as he clung to me, he began to weep aloud, this little, old worldworn swindler. It wasn’t just sobbing or shedding tears, it was crying as a child cries. It was oh! terrible!

We stood swaying and then moved forward with a weak motion of his arms like a man who can’t see clearly, and he grabbed onto the stile for support. For a moment, we were completely still. He made a clumsy gesture towards the great futility below and choked back a sound. I noticed that his face was wet with tears and that his glasses were too fogged to see through. He lifted his little chubby hand and awkwardly took them off, then fumbled around for his pocket handkerchief, and to my horror, as he clung to me, he started to cry loudly, this little, old, world-weary trickster. It wasn’t just sobbing or shedding tears; it was crying like a child cries. It was oh! terrible!

“It’s cruel,” he blubbered at last. “They asked me questions. They kep’ asking me questions, George.”

“It's cruel,” he cried at last. “They kept asking me questions. They kept asking me questions, George.”

He sought for utterance, and spluttered.

He tried to speak but stumbled over his words.

“The Bloody bullies!” he shouted. “The Bloody Bullies.”

“The damn bullies!” he shouted. “The damn bullies.”

He ceased to weep. He became suddenly rapid and explanatory.

He stopped crying. He became suddenly quick and detailed.

“It’s not a fair game, George. They tire you out. And I’m not well. My stomach’s all wrong. And I been and got a cold. I always been li’ble to cold, and this one’s on my chest. And then they tell you to speak up. They bait you—and bait you, and bait you. It’s torture. The strain of it. You can’t remember what you said. You’re bound to contradict yourself. It’s like Russia, George.... It isn’t fair play.... Prominent man. I’ve been next at dinners with that chap, Neal; I’ve told him stories—and he’s bitter! Sets out to ruin me. Don’t ask a civil question—bellows.” He broke down again. “I’ve been bellowed at, I been bullied, I been treated like a dog. Dirty cads they are! Dirty cads! I’d rather be a Three-Card Sharper than a barrister; I’d rather sell cat’s-meat in the streets.

“It’s not a fair game, George. They wear you out. And I’m not well. My stomach is all messed up. And I’ve caught a cold. I’ve always been prone to colds, and this one’s settled in my chest. And then they tell you to speak up. They provoke you—and provoke you, and provoke you. It’s torture. The strain of it. You can’t remember what you said. You’re bound to contradict yourself. It’s like Russia, George.... It isn’t fair play.... Prominent man. I’ve sat next to that guy, Neal, at dinners; I’ve shared stories with him—and he’s bitter! He’s out to ruin me. Doesn’t ask a civil question—just bellows.” He broke down again. “I’ve been yelled at, I’ve been bullied, I’ve been treated like a dog. They’re dirty scoundrels! Dirty scoundrels! I’d rather be a Three-Card Monty hustler than a barrister; I’d rather sell cat food in the streets.”

“They sprung things on me this morning, things I didn’t expect. They rushed me! I’d got it all in my hands and then I was jumped. By Neal! Neal I’ve given city tips to! Neal! I’ve helped Neal....

“They surprised me this morning, things I didn’t see coming. They rushed me! I had everything under control and then I was ambushed. By Neal! Neal, to whom I’ve given city tips! Neal! I’ve helped Neal...."

“I couldn’t swallow a mouthful—not in the lunch hour. I couldn’t face it. It’s true, George—I couldn’t face it. I said I’d get a bit of air and slipped out and down to the Embankment, and there I took a boat to Richmond. Some idee. I took a rowing boat when I got there and I rowed about on the river for a bit. A lot of chaps and girls there was on the bank laughed at my shirt-sleeves and top hat. Dessay they thought it was a pleasure trip. Fat lot of pleasure! I rowed round for a bit and came in. Then I came on here. Windsor way. And there they are in London doing what they like with me.... I don’t care!”

“I couldn’t swallow a bite—not during lunch. I just couldn’t deal with it. It’s true, George—I couldn’t handle it. I said I’d get some fresh air and slipped out to the Embankment, where I took a boat to Richmond. What a crazy idea. I grabbed a rowing boat when I got there and paddled around on the river for a while. A bunch of guys and girls on the bank laughed at my shirt sleeves and top hat. I bet they thought I was on some fun outing. What a joke! I rowed around for a bit and then came back in. Then I headed over here. Windsor way. And there they are in London doing whatever they want with me.... I don’t care!”

“But” I said, looking down at him, perplexed.

"But," I said, looking down at him, confused.

“It’s abscondin’. They’ll have a warrant.”

“It’s running away. They’ll have an arrest warrant.”

“I don’t understand,” I said.

"I don't get it," I said.

“It’s all up, George—all up and over.

“It’s all gone, George—all gone and done.”

“And I thought I’d live in that place, George and die a lord! It’s a great place, reely, an imperial—if anyone has the sense to buy it and finish it. That terrace—”

“And I thought I’d live in that place, George, and die a lord! It’s a great place, really, an imperial—if anyone has the sense to buy it and finish it. That terrace—”

I stood thinking him over.

I stood thinking about him.

“Look here!” I said. “What’s that about—a warrant? Are you sure they’ll get a warrant? I’m sorry uncle; but what have you done?”

“Look here!” I said. “What’s that about—a warrant? Are you sure they’re going to get a warrant? I’m sorry, uncle; but what did you do?”

“Haven’t I told you?”

"Haven't I mentioned this?"

“Yes, but they won’t do very much to you for that. They’ll only bring you up for the rest of your examination.”

“Yes, but they won’t really punish you for that. They’ll just call you back for the rest of your exam.”

He remained silent for a time. At last he spoke—speaking with difficulty.

He stayed quiet for a while. Finally, he spoke—struggling to find the words.

“It’s worse than that. I’ve done something. They’re bound to get it out. Practically they have got it out.”

“It’s worse than that. I’ve done something. They’re bound to find it out. Practically they have found it out.”

“What?”

“What’s up?”

“Writin’ things down—I done something.”

"Writing things down—I did something."

For the first time in his life, I believe, he felt and looked ashamed. It filled me with remorse to see him suffer so.

For the first time in his life, I think, he felt and looked ashamed. It made me feel guilty to see him in so much pain.

“We’ve all done things,” I said. “It’s part of the game the world makes us play. If they want to arrest you—and you’ve got no cards in your hand—! They mustn’t arrest you.”

“We’ve all made mistakes,” I said. “It’s part of the game that life forces us to play. If they want to arrest you—and you have no power to fight back—! They shouldn’t arrest you.”

“No. That’s partly why I went to Richmond. But I never thought—”

“No. That’s part of the reason I went to Richmond. But I never thought—”

His little bloodshot eyes stared at Crest Hill.

His small, red-rimmed eyes stared at Crest Hill.

“That chap Wittaker Wright,” he said, “he had his stuff ready. I haven’t. Now you got it, George. That’s the sort of hole I’m in.”

“Hey, that guy Wittaker Wright,” he said, “he had his stuff ready. I don’t. Now you understand, George. That’s the kind of mess I’m in.”

IV

That memory of my uncle at the gate is very clear and full. I am able to recall even the undertow of my thoughts while he was speaking. I remember my pity and affection for him in his misery growing and stirring within me, my realisation that at any risk I must help him. But then comes indistinctness again. I was beginning to act. I know I persuaded him to put himself in my hands, and began at once to plan and do. I think that when we act most we remember least, that just in the measure that the impulse of our impressions translates itself into schemes and movements, it ceases to record itself in memories. I know I resolved to get him away at once, and to use the Lord Roberts β in effecting that. It was clear he was soon to be a hunted man, and it seemed to me already unsafe for him to try the ordinary Continental routes in his flight. I had to evolve some scheme, and evolve it rapidly, how we might drop most inconspicuously into the world across the water. My resolve to have one flight at least in my airship fitted with this like hand to glove. It seemed to me we might be able to cross over the water in the night, set our airship adrift, and turn up as pedestrian tourists in Normandy or Brittany, and so get away. That, at any rate, was my ruling idea.

That memory of my uncle at the gate is very clear and vivid. I can even recall the undertow of my thoughts while he was speaking. I remember my pity and affection for him in his misery growing and stirring inside me, my realization that I had to help him no matter the risk. But then everything becomes unclear again. I was starting to take action. I know I convinced him to trust me, and I immediately began to plan and take action. I think that when we act the most, we remember the least; that as the impulse of our impressions turns into plans and movements, it stops being recorded in our memories. I know I decided to get him away immediately, using Lord Roberts β to do so. It was obvious he was about to be a hunted man, and it seemed unsafe for him to try the usual European routes in his escape. I had to come up with a plan, and fast, on how we could slip most inconspicuously into the world across the water. My determination to have at least one flight in my airship matched perfectly with this idea. It seemed to me we could cross the water at night, let our airship drift away, and appear as casual tourists in Normandy or Brittany, thus making our escape. That, at any rate, was my main idea.

I sent off Cothope with a dummy note to Woking, because I did not want to implicate him, and took my uncle to the pavilion. I went down to my aunt, and made a clean breast of the situation. She became admirably competent. We went into his dressing-room and ruthlessly broke his locks. I got a pair of brown boots, a tweed suit and a cap of his, and indeed a plausible walking outfit, and a little game bag for his pedestrian gear; and, in addition, a big motoring overcoat and a supply of rugs to add to those I had at the pavilion. I also got a flask of brandy, and she made sandwiches. I don’t remember any servants appearing, and I forget where she got those sandwiches. Meanwhile we talked. Afterwards I thought with what a sure confidence we talked to each other.

I sent Cothope off with a fake note to Woking because I didn't want to involve him, and I took my uncle to the pavilion. I went down to my aunt and told her everything. She was impressively capable. We went into his dressing room and broke his locks without hesitation. I grabbed a pair of brown boots, a tweed suit, and a cap of his, making a pretty convincing walking outfit, along with a small game bag for his hiking gear; plus, I got a large motoring overcoat and a bunch of rugs to add to the ones I had at the pavilion. I also picked up a flask of brandy while she made sandwiches. I don’t remember any servants coming around, and I can't recall where she got those sandwiches. In the meantime, we talked. Later, I realized how confidently we spoke to each other.

“What’s he done?” she said.

“What did he do?” she said.

“D’you mind knowing?”

"Do you mind knowing?"

“No conscience left, thank God!”

“Thank God there's no conscience!”

“I think—forgery!”

"I suspect it's a forgery!"

There was just a little pause. “Can you carry this bundle?” she asked.

There was a brief pause. “Can you carry this bundle?” she asked.

I lifted it.

I picked it up.

“No woman ever has respected the law—ever,” she said. “It’s too silly.... The things it lets you do! And then pulls you up—like a mad nurse minding a child.”

“No woman has ever respected the law—ever,” she said. “It’s so ridiculous.... The things it allows! And then it scolds you—like a crazy nurse watching over a child.”

She carried some rugs for me through the shrubbery in the darkling.

She carried some rugs for me through the bushes in the dark.

“They’ll think we’re going mooning,” she said, jerking her head at the household. “I wonder what they make of us—criminals.” ... An immense droning note came as if in answer to that. It startled us both for a moment. “The dears!” she said. “It’s the gong for dinner!... But I wish I could help little Teddy, George. It’s awful to think of him there with hot eyes, red and dry. And I know—the sight of me makes him feel sore. Things I said, George. If I could have seen, I’d have let him have an omnibusful of Scrymgeours. I cut him up. He’d never thought I meant it before.... I’ll help all I can, anyhow.”

“They’ll think we’re going to moon them,” she said, nodding toward the house. “I wonder what they think of us—like we’re criminals.” ... A loud buzzing sound came, as if in reply to that. It caught us both off guard for a moment. “The sweethearts!” she said. “It’s the gong for dinner!... But I wish I could help little Teddy, George. It’s terrible to think of him there with burning eyes, red and dry. And I know—that seeing me only makes him feel worse. Things I said, George. If I had known, I would have let him have an entire busload of Scrymgeours. I really hurt him. He never thought I meant it before.... I’ll do everything I can to help, anyway.”

I turned at something in her voice, and got a moon light gleam of tears upon her face.

I turned at something in her voice and caught a glimpse of tears shining on her face in the moonlight.

“Could she have helped?” she asked abruptly.

“Could she have helped?” she asked suddenly.

She?

“She?”

“That woman.”

"That woman."

“My God!” I cried, “helped! Those—things don’t help!”

“My God!” I cried, “helped! Those—things don’t help!”

“Tell me again what I ought to do,” she said after a silence.

“Tell me again what I should do,” she said after a pause.

I went over the plans I had made for communicating, and the things I thought she might do. I had given her the address of a solicitor she might put some trust in.

I reviewed the plans I had made for communicating and considered what she might do. I had given her the address of a lawyer she could trust.

“But you must act for yourself,” I insisted.

“But you need to act for yourself,” I insisted.

“Roughly,” I said, “it’s a scramble. You must get what you can for us, and follow as you can.”

“Basically,” I said, “it’s a rush. You need to grab what you can for us and keep up as best as you can.”

She nodded.

She agreed.

She came right up to the pavilion and hovered for a time shyly, and then went away.

She walked right up to the pavilion and lingered for a moment, feeling shy, and then she left.

I found my uncle in my sitting-room in an arm-chair, with his feet upon the fender of the gas stove, which he had lit, and now he was feebly drunken with my whisky, and very weary in body and spirit, and inclined to be cowardly.

I found my uncle in my living room in a chair, with his feet on the gas stove's edge, which he had lit, and now he was slightly drunk on my whiskey, very tired in both body and spirit, and a bit cowardly.

“I lef’ my drops,” he said.

“I left my drops,” he said.

He changed his clothes slowly and unwillingly. I had to bully him, I had almost to shove him to the airship and tuck him up upon its wicker flat. Single-handed I made but a clumsy start; we scraped along the roof of the shed and bent a van of the propeller, and for a time I hung underneath without his offering a hand to help me to clamber up. If it hadn’t been for a sort of anchoring trolley device of Cothope’s, a sort of slip anchor running on a rail, we should never have got clear at all.

He changed his clothes slowly and reluctantly. I had to push him, I practically had to shove him onto the airship and settle him down on its wicker platform. I struggled to get started on my own; we dragged along the shed roof and bent one of the propeller blades, and for a while, I was hanging underneath without him offering a hand to help me climb up. If it hadn’t been for a kind of anchoring trolley device from Cothope, a slip anchor that runs on a rail, we would never have managed to get free at all.

V

The incidents of our flight in Lord Roberts β do not arrange themselves in any consecutive order. To think of that adventure is like dipping haphazard into an album of views. One is reminded first of this and then of that. We were both lying down on a horizontal plate of basketwork; for Lord Roberts β had none of the elegant accommodation of a balloon. I lay forward, and my uncle behind me in such a position that he could see hardly anything of our flight. We were protected from rolling over simply by netting between the steel stays. It was impossible for us to stand up at all; we had either to lie or crawl on all fours over the basket work. Amidships were lockers made of Watson’s Aulite material,—and between these it was that I had put my uncle, wrapped in rugs. I wore sealskin motoring boots and gloves, and a motoring fur coat over my tweeds, and I controlled the engine by Bowden wires and levers forward.

The events of our flight in Lord Roberts β don’t follow any particular sequence. Thinking about that adventure feels like randomly flipping through a photo album. One memory leads to another. We were both lying on a flat platform made of woven material; after all, Lord Roberts β didn’t have the stylish setup of a balloon. I lay in front, and my uncle was behind me in a way that he could hardly see anything during our flight. The netting between the steel supports kept us from falling over. We couldn’t stand up at all; we had to either lie down or crawl on all fours over the woven platform. In the middle were lockers made of Watson’s Aulite material, and that’s where I had my uncle wrapped in blankets. I was wearing sealskin driving boots and gloves, along with a fur coat over my tweed outfit, and I controlled the engine using Bowden wires and levers up front.

The early part of that night’s experience was made up of warmth, of moonlit Surrey and Sussex landscape, and of a rapid and successful flight, ascending and swooping, and then ascending again southward. I could not watch the clouds because the airship overhung me; I could not see the stars nor gauge the meteorological happening, but it was fairly clear to me that a wind shifting between north and northeast was gathering strength, and after I had satisfied myself by a series of entirely successful expansions and contractions of the real air-worthiness of Lord Roberts β, I stopped the engine to save my petrol, and let the monster drift, checking its progress by the dim landscape below. My uncle lay quite still behind me, saying little and staring in front of him, and I was left to my own thoughts and sensations.

The early part of that night’s experience was filled with warmth, the moonlit landscapes of Surrey and Sussex, and a quick, smooth flight, going up and swooping down, then climbing again southward. I couldn’t see the clouds because the airship was above me; I couldn’t see the stars or assess the weather, but it was quite clear to me that a wind shifting between north and northeast was gaining strength. After I confirmed the airworthiness of Lord Roberts β with a series of successful tests, I stopped the engine to save fuel and let the airship drift, monitoring its movement by the faint landscape below. My uncle lay completely still behind me, saying little and staring ahead, leaving me to my own thoughts and feelings.

My thoughts, whatever they were, have long since faded out of memory, and my sensations have merged into one continuous memory of an countryside lying, as it seemed, under snow, with square patches of dimness, white phantoms of roads, rents and pools of velvety blackness, and lamp-jewelled houses. I remember a train boring its way like a hastening caterpillar of fire across the landscape, and how distinctly I heard its clatter. Every town and street was buttoned with street lamps. I came quite close to the South Downs near Lewes, and all the lights were out in the houses, and the people gone to bed. We left the land a little to the east of Brighton, and by that time Brighton was well abed. and the brightly lit sea-front deserted. Then I let out the gas chamber to its fullest extent and rose. I like to be high above water.

My thoughts, whatever they were, have long faded from memory, and my feelings have blended into one continuous recollection of a countryside that appeared to be covered in snow, with dark patches, white ghostly roads, and soft black pools, along with houses sparkling with lights. I remember a train carving its way like a rushing caterpillar of fire across the landscape, and I could clearly hear its clatter. Every town and street was lined with street lamps. I got quite close to the South Downs near Lewes, where all the lights were off in the houses, and everyone had gone to bed. We left the area just east of Brighton, and by then, Brighton was sound asleep, with the brightly lit seafront empty. Then I opened the gas chamber to its fullest and ascended. I enjoy being high above the water.

I do not clearly know what happened in the night. I think I must have dozed, and probably my uncle slept. I remember that once or twice I heard him talking in an eager, muffled voice to himself, or to an imaginary court. But there can be no doubt the wind changed right round into the east, and that we were carried far down the Channel without any suspicion of the immense leeway we were making. I remember the kind of stupid perplexity with which I saw the dawn breaking over a grey waste of water, below, and realised that something was wrong. I was so stupid that it was only after the sunrise I really noticed the trend of the foam caps below, and perceived we were in a severe easterly gale. Even then, instead of heading southeasterly, I set the engine going, headed south, and so continued a course that must needs have either just hit Ushant, or carry us over the Bay of Biscay. I thought I was east of Cherbourg, when I was far to the west and stopped my engine in that belief, and then set it going again. I did actually sight the coast of Brittany to the southeast in the late afternoon, and that it was woke me up to the gravity of our position. I discovered it by accident in the southeast, when I was looking for it in the southwest. I turned about east and faced the wind for some time, and finding I had no chance in its teeth, went high, where it seemed less violent, and tried to make a course southeast. It was only then that I realised what a gale I was in. I had been going westward, and perhaps even in gusts north of west, at a pace of fifty or sixty miles an hour.

I don’t really know what happened during the night. I think I must have dozed off, and my uncle probably slept too. I remember hearing him talk to himself in an eager, muffled voice a couple of times, as if to an imaginary court. But there’s no doubt the wind shifted around to the east, and we were swept far down the Channel without realizing how much ground we were losing. I remember feeling a kind of dumb confusion as I saw the dawn breaking over a gray stretch of water below and realized something was off. I was so clueless that it wasn’t until after sunrise that I really noticed the direction of the foam caps below and understood we were caught in a strong easterly gale. Even then, instead of heading southeast, I started the engine, aimed south, and continued on a course that would either hit Ushant or take us over the Bay of Biscay. I thought I was east of Cherbourg when I was actually far to the west, and I stopped the engine thinking that was right before starting it again. I actually spotted the coast of Brittany to the southeast in the late afternoon, and that woke me up to the seriousness of our situation. I stumbled upon it by accident while looking in the southwest. I turned east and faced the wind for a while, and when I realized I had no chance against it, I went higher where it seemed less harsh and tried to steer southeast. That’s when I understood how intense the gale was. I had been heading west, or maybe even slightly north of west, at a speed of fifty or sixty miles an hour.

Then I began what I suppose would be called a Fight against the east wind. One calls it a Fight, but it was really almost as unlike a fight as plain sewing. The wind tried to drive me westwardly, and I tried to get as much as I could eastwardly, with the wind beating and rocking us irregularly, but by no means unbearably, for about twelve hours. My hope lay in the wind abating, and our keeping in the air and eastward of Finisterre until it did, and the chief danger was the exhaustion of our petrol. It was a long and anxious and almost meditative time; we were fairly warm, and only slowly getting hungry, and except that my uncle grumbled a little and produced some philosophical reflections, and began to fuss about having a temperature, we talked very little. I was tired and sulky, and chiefly worried about the engine. I had to resist a tendency to crawl back and look at it. I did not care to risk contracting our gas chamber for fear of losing gas. Nothing was less like a fight. I know that in popular magazines, and so forth, all such occasions as this are depicted in terms of hysteria. Captains save their ships engineers complete their bridges, generals conduct their battles, in a state of dancing excitement, foaming recondite technicalities at the lips. I suppose that sort of thing works up the reader, but so far as it professes to represent reality, I am convinced it is all childish nonsense, schoolboys of fifteen, girls of eighteen, and literary men all their lives, may have these squealing fits, but my own experience is that most exciting scenes are not exciting, and most of the urgent moments in life are met by steady-headed men.

Then I started what I guess you could call a struggle against the east wind. We call it a struggle, but it was really more like plain sewing. The wind was pushing me to the west, and I was trying to go as far east as I could, with the wind buffeting us in a rough but not unbearable way for about twelve hours. I hoped the wind would calm down, and that we could stay in the air and east of Finisterre until it did. The main concern was running out of fuel. It was a long, anxious, and almost reflective time; we were relatively warm and only gradually feeling hungry. Other than my uncle grumbling a bit and sharing some philosophical thoughts while worrying about having a fever, we didn't talk much. I felt tired and grumpy, mostly worried about the engine. I had to fight the urge to crawl back and check it. I didn't want to risk compromising our gas chamber and losing gas. There was nothing like a struggle about it. I know that in popular magazines and similar outlets, occasions like this are portrayed with hysteria. Captains save their ships, engineers complete their bridges, and generals lead their battles in a frenzy of excitement, spouting complex technical details. I guess that kind of thing gets readers pumped up, but as far as it claims to represent reality, I’m convinced it's all childish nonsense. Fifteen-year-old schoolboys, eighteen-year-old girls, and lifelong writers might have those fits of excitement, but from my experience, most thrilling moments aren’t actually thrilling, and most urgent situations are handled by level-headed people.

Neither I nor my uncle spent the night in ejaculations, nor in humorous allusions, nor any of these things. We remained lumpish.

Neither my uncle nor I spent the night in exclamations, jokes, or anything like that. We just felt sluggish.

My uncle stuck in his place and grumbled about his stomach, and occasionally rambled off into expositions of his financial position and denunciations of Neal—he certainly struck out one or two good phrases for Neal—and I crawled about at rare intervals in a vague sort of way and grunted, and our basketwork creaked continually, and the wind on our quarter made a sort of ruffled flapping in the wall of the gas chamber. For all our wraps we got frightfully cold as the night wore on.

My uncle stayed in his spot and complained about his stomach, and every now and then he went off on tangents about his financial problems and slammed Neal—he definitely came up with a couple of sharp comments about Neal—and I moved around sporadically in a vague way and made some sounds, while our wicker furniture creaked nonstop, and the wind against our side caused a sort of flapping noise against the wall of the gas chamber. Despite our layers of clothing, we got really cold as the night dragged on.

I must have dozed, and it was still dark when I realised with a start that we were nearly due south of, and a long way from, a regularly-flashing lighthouse, standing out before the glow of some great town, and then that the thing that had awakened me was the cessation of our engine, and that we were driving back to the west.

I must have dozed off, and it was still dark when I suddenly realized that we were nearly due south of, and quite far from, a regularly flashing lighthouse, standing out against the glow of some big city. Then I realized that what had woken me up was the stopping of our engine, and that we were turning back to the west.

Then, indeed, for a time I felt the grim thrill of life. I crawled forward to the cords of the release valves, made my uncle crawl forward too, and let out the gas until we were falling down through the air like a clumsy glider towards the vague greyness that was land.

Then, for a while, I really felt the intense excitement of being alive. I crawled ahead to the release valve cords, got my uncle to crawl forward too, and let out the gas until we were plummeting through the air like a poor glider heading towards the indistinct grayness that was the ground.

Something must have intervened here that I have forgotten.

Something must have come up here that I forgot.

I saw the lights of Bordeaux when it was quite dark, a nebulous haze against black; of that I am reasonably sure. But certainly our fall took place in the cold, uncertain light of early dawn. I am, at least, equally sure of that. And Mimizan, near where we dropped, is fifty miles from Bordeaux, whose harbour lights I must have seen.

I saw the lights of Bordeaux when it was really dark, a blurry glow against the black; I'm pretty sure of that. But our fall definitely happened in the chilly, uncertain light of early dawn. I'm equally sure of that. And Mimizan, close to where we landed, is fifty miles from Bordeaux, whose harbor lights I must have seen.

I remember coming down at last with a curious indifference, and actually rousing myself to steer. But the actual coming to earth was exciting enough. I remember our prolonged dragging landfall, and the difficulty I had to get clear, and how a gust of wind caught Lord Roberts B as my uncle stumbled away from the ropes and litter, and dropped me heavily, and threw me on to my knees. Then came the realisation that the monster was almost consciously disentangling itself for escape, and then the light leap of its rebound. The rope slipped out of reach of my hand. I remember running knee-deep in a salt pool in hopeless pursuit of the airship.

I remember finally coming down with a strange indifference and actually pushing myself to steer. But the landing itself was thrilling enough. I recall our long, dragging touch down, and how hard it was for me to get clear, and how a gust of wind caught Lord Roberts B just as my uncle stumbled away from the ropes and debris, causing me to fall heavily and land on my knees. Then I realized that the airship was almost intentionally freeing itself to escape, followed by its sudden bounce back. The rope slipped out of my reach. I remember running knee-deep in a salt pool in futile pursuit of the airship.

As it dragged and rose seaward, and how only after it had escaped my uttermost effort to recapture it, did I realise that this was quite the best thing that could have happened. It drove swiftly over the sandy dunes, lifting and falling, and was hidden by a clump of windbitten trees. Then it reappeared much further off, and still receding. It soared for a time, and sank slowly, and after that I saw it no more. I suppose it fell into the sea and got wetted with salt water and heavy, and so became deflated and sank.

As it dragged and floated out to sea, only after I had completely failed to catch it did I realize that this was the best thing that could have happened. It moved quickly over the sandy dunes, rising and falling, and disappeared behind a group of wind-swept trees. Then it came back into view much further away, still getting farther. It soared for a while, then sank slowly, and after that, I didn’t see it again. I guess it fell into the ocean, got soaked with salt water, became heavy, and eventually sank.

It was never found, and there was never a report of anyone seeing it after it escaped from me.

It was never found, and there was never a report of anyone seeing it after it got away from me.

VI

But if I find it hard to tell the story of our long flight through the air overseas, at least that dawn in France stands cold and clear and full. I see again almost as if I saw once more with my bodily eyes the ridges of sand rising behind ridges of sand, grey and cold and black-browed, with an insufficient grass. I feel again the clear, cold chill of dawn, and hear the distant barking of a dog. I find myself asking again, “What shall we do now?” and trying to scheme with brain tired beyond measure.

But even though I struggle to describe our long journey through the skies overseas, that dawn in France is still sharp, vivid, and unforgettable. I can almost see it again as if I were looking at it with my own eyes—the layers of sand piling up behind layers of sand, gray and cold and shadowy, with barely any grass. I feel the brisk, biting chill of dawn once more, and I hear the distant bark of a dog. I find myself asking again, “What should we do now?” while trying to come up with a plan despite being utterly exhausted.

At first my uncle occupied my attention. He was shivering a good deal, and it was all I could do to resist my desire to get him into a comfortable bed at once. But I wanted to appear plausibly in this part of the world. I felt it would not do to turn up anywhere at dawn and rest, it would be altogether too conspicuous; we must rest until the day was well advanced, and then appear as road-stained pedestrians seeking a meal. I gave him most of what was left of the biscuits, emptied our flasks, and advised him to sleep, but at first it was too cold, albeit I wrapped the big fur rug around him.

At first, my uncle had all my attention. He was shaking quite a bit, and I really wanted to get him into a comfortable bed right away. But I didn’t want to look out of place here. I thought it wouldn’t be a good idea to show up anywhere at dawn and take a break; it would be way too obvious. We needed to wait until the day was well underway and then show up like tired travelers looking for something to eat. I gave him most of the remaining biscuits, finished our flasks, and told him to sleep, but at first it was too cold, even though I wrapped a big fur blanket around him.

I was struck now by the flushed weariness of his face, and the look of age the grey stubble on his unshaved chin gave him. He sat crumpled up, shivering and coughing, munching reluctantly, but drinking eagerly, and whimpering a little, a dreadfully pitiful figure to me. But we had to go through with it; there was no way out for us.

I was struck by the exhausted, flushed look on his face and the way the gray stubble on his unshaved chin made him appear older. He sat hunched over, shivering and coughing, reluctantly chewing but eagerly drinking, and whimpering a bit—such a terribly pitiful sight to me. But we had to get through it; there was no escaping for us.

Presently the sun rose over the pines, and the sand grew rapidly warm. My uncle had done eating, and sat with his wrists resting on his knees, the most hopeless looking of lost souls.

Currently, the sun rose over the pines, and the sand quickly became warm. My uncle had finished eating and sat with his wrists resting on his knees, looking like the most hopeless lost soul.

“I’m ill,” he said, “I’m damnably ill! I can feel it in my skin!”

“I’m sick,” he said, “I’m really sick! I can feel it in my skin!”

Then—it was horrible to me—he cried, “I ought to be in bed; I ought to be in bed... instead of flying about,” and suddenly he burst into tears.

Then—it was so terrible to me—he cried, “I should be in bed; I should be in bed... instead of running around,” and suddenly he broke down in tears.

I stood up. “Go to sleep, man!” I said, and took the rug from him, and spread it out and rolled him up in it.

I got up. “Go to sleep, dude!” I said, took the rug from him, and spread it out, rolling him up in it.

“It’s all very well,” he protested; “I’m not young enough—”

“It’s all very well,” he protested; “I’m not young enough—”

“Lift up your head,” I interrupted, and put his knapsack under it.

“Lift up your head,” I interrupted, and placed his backpack under it.

“They’ll catch us here, just as much as in an inn,” he grumbled and then lay still.

“They’ll catch us here just as easily as in a motel,” he grumbled and then lay still.

Presently, after a long time, I perceived he was asleep. His breath came with peculiar wheezings, and every now and again he would cough. I was very stiff and tired myself, and perhaps I dozed. I don’t remember. I remember only sitting, as it seemed, nigh interminably, beside him, too weary even to think in that sandy desolation.

Presently, after a long time, I realized he was asleep. His breathing had a strange wheeze, and every now and then he would cough. I was very stiff and tired myself, and maybe I dozed off. I don’t remember. I only recall sitting, it seemed, for what felt like forever, beside him, too exhausted even to think in that sandy wasteland.

No one came near us; no creature, not even a dog. I roused myself at last, feeling that it was vain to seek to seem other than abnormal, and with an effort that was like lifting a sky of lead, we made our way through the wearisome sand to a farmhouse. There I feigned even a more insufficient French than I possess naturally, and let it appear that we were pedestrians from Biarritz who had lost our way along the shore and got benighted.

No one approached us; not a single creature, not even a dog. I finally pulled myself together, realizing it was pointless to try to appear anything other than unusual, and with an effort that felt like lifting a heavy weight, we trudged through the exhausting sand to a farmhouse. There, I pretended to speak even worse French than I actually do, making it seem like we were just travelers from Biarritz who had lost our way along the coast and ended up stranded at night.

This explained us pretty well, I thought, and we got most heartening coffee and a cart to a little roadside station. My uncle grew more and more manifestly ill with every stage of our journey. I got him to Bayonne, where he refused at first to eat, and was afterwards very sick, and then took him shivering and collapsed up a little branch line to a frontier place called Luzon Gare.

This explained things pretty well, I thought, and we got some uplifting coffee and a cart to a small roadside station. My uncle became increasingly obviously sick with every part of our journey. I got him to Bayonne, where he initially refused to eat, then got very sick, and then I took him, shivering and feeling weak, up a little branch line to a border place called Luzon Gare.

We found one homely inn with two small bedrooms, kept by a kindly Basque woman. I got him to bed, and that night shared his room, and after an hour or so of sleep he woke up in a raging fever and with a wandering mind, cursing Neal and repeating long, inaccurate lists of figures. He was manifestly a case for a doctor, and in the morning we got one in. He was a young man from Montpelier, just beginning to practise, and very mysterious and technical and modern and unhelpful. He spoke of cold and exposure, and la grippe and pneumonia. He gave many explicit and difficult directions.... I perceived it devolved upon me to organise nursing and a sick-room. I installed a religieuse in the second bedroom of the inn, and took a room for myself in the inn of Port de Luzon, a quarter of a mile away.

We found a cozy inn with two small bedrooms, run by a kind Basque woman. I got him to bed and spent the night in his room. After about an hour of sleep, he woke up with a high fever and a confused mind, cursing Neal and listing off long, incorrect figures. He clearly needed a doctor, so we called one in the morning. He was a young guy from Montpelier, just starting his practice, and he was very mysterious, technical, modern, and not very helpful. He talked about cold and exposure, and influenza and pneumonia. He gave many detailed and complicated instructions.... I realized it was up to me to arrange for nursing and a sickroom. I placed a nurse in the second bedroom of the inn and took a room for myself at the inn of Port de Luzon, a quarter of a mile away.

VII

And now my story converges on what, in that queer corner of refuge out of the world, was destined to be my uncle’s deathbed. There is a background of the Pyrenees, of blue hills and sunlit houses, of the old castle of Luzon and a noisy cascading river, and for a foreground the dim, stuffy room whose windows both the religieuse and hostess conspired to shut, with its waxed floor, its four-poster bed, its characteristically French chairs and fireplace, its champagne bottles and dirty basins and used towels and packets of Somatosé on the table. And in the sickly air of the confined space in behind the curtains of the bed lay my little uncle, with an effect of being enthroned and secluded, or sat up, or writhed and tossed in his last dealings of life. One went and drew back the edge of the curtains if one wanted to speak to him or look at him.

And now my story leads to what became my uncle’s deathbed in that strange little refuge away from the world. In the background, you can see the Pyrenees, with blue hills and sunlit houses, the old castle of Luzon, and a noisy, rushing river. In the foreground is a dim, stuffy room where both the nun and the hostess worked to keep the windows shut, featuring a waxed floor, a four-poster bed, classic French chairs and a fireplace, along with champagne bottles, dirty basins, used towels, and packs of Somatosé on the table. In the sickly air of this cramped space behind the bed’s curtains lay my little uncle, appearing either enthroned and isolated, sitting up, or writhing and tossing as he faced his final moments. You could pull back the edge of the curtains if you wanted to speak to him or see him.

Usually he was propped up against pillows, because so he breathed more easily. He slept hardly at all.

Usually, he was propped up against pillows because it made breathing easier for him. He barely slept at all.

I have a confused memory of vigils and mornings and afternoons spent by that bedside, and how the religieuse hovered about me, and how meek and good and inefficient she was, and how horribly black were her nails. Other figures come and go, and particularly the doctor, a young man plumply rococo, in bicycling dress, with fine waxen features, a little pointed beard, and the long black frizzy hair and huge tie of a minor poet. Bright and clear-cut and irrelevant are memories of the Basque hostess of my uncle’s inn and of the family of Spanish people who entertained me and prepared the most amazingly elaborate meals for me, with soup and salad and chicken and remarkable sweets. They were all very kind and sympathetic people, systematically so. And constantly, without attracting attention, I was trying to get newspapers from home.

I have a jumbled memory of vigils and mornings and afternoons spent by that bedside, and how the religieuse hovered around me, and how gentle and kind yet ineffective she was, and how shockingly black her nails were. Other faces drift in and out, especially the doctor, a young man with a plump, extravagant style, dressed for biking, with delicate waxy features, a little pointed beard, and long, curly black hair along with a big tie like a minor poet. Bright and vivid yet disconnected are memories of my uncle's inn's Basque hostess and the Spanish family who hosted me and made the most incredibly elaborate meals, with soup, salad, chicken, and incredible desserts. They were all really kind and supportive people, very consistently so. And all the while, without drawing attention, I was trying to get newspapers from home.

My uncle is central to all these impressions.

My uncle is at the heart of all these impressions.

I have tried to make you picture him, time after time, as the young man of the Wimblehurst chemist’s shop, as the shabby assistant in Tottenham Court Road, as the adventurer of the early days of Tono-Bungay, as the confident, preposterous plutocrat. And now I have to tell of him strangely changed under the shadow of oncoming death, with his skin lax and yellow and glistening with sweat, his eyes large and glassy, his countenance unfamiliar through the growth of a beard, his nose pinched and thin. Never had he looked so small as now. And he talked to me in a whispering, strained voice of great issues, of why his life had been, and whither he was going. Poor little man! that last phase is, as it were, disconnected from all the other phases. It was as if he crawled out from the ruins of his career, and looked about him before he died. For he had quite clear-minded states in the intervals of his delirium.

I’ve tried to make you imagine him, time and time again, as the young guy at the Wimblehurst pharmacy, as the scruffy assistant on Tottenham Court Road, as the daring man of the early days of Tono-Bungay, as the self-assured, outrageous wealthy guy. And now I have to describe him strangely transformed under the shadow of impending death, with his skin loose and yellow, glistening with sweat, his eyes big and glassy, and his face unfamiliar because of the beard growth, his nose pinched and thin. He had never looked so small as he did now. He spoke to me in a whispery, strained voice about important issues, about the meaning of his life, and where he was headed. Poor little man! That last phase feels, in a way, disconnected from all the other phases. It was like he crawled out from the wreckage of his life, looking around before he passed away. Because he had clear moments in between his delirium.

He knew he was almost certainly dying. In a way that took the burthen of his cares off his mind. There was no more Neal to face, no more flights or evasions, no punishments.

He knew he was probably dying. In a way, this relieved him of his worries. There was no more Neal to deal with, no more running away or avoiding, no more consequences.

“It has been a great career, George,” he said, “but I shall be glad to rest. Glad to rest!... Glad to rest.”

“It’s been a fantastic career, George,” he said, “but I’ll be happy to rest. Happy to rest!... Happy to rest.”

His mind ran rather upon his career, and usually, I am glad to recall, with a note of satisfaction and approval. In his delirious phases he would most often exaggerate this self-satisfaction, and talk of his splendours. He would pluck at the sheet and stare before him, and whisper half-audible fragments of sentences.

His thoughts mostly focused on his career, and usually, I'm happy to remember, with a sense of satisfaction and approval. During his delirious moments, he would often exaggerate this self-satisfaction and talk about his glories. He would tug at the sheet and gaze ahead, whispering barely audible pieces of sentences.

“What is this great place, these cloud-capped towers, these any pinnacles?... Ilion. Sky-pointing.... Ilion House, the residence of one of our great merchant princes.... Terrace above terrace. Reaching to the heavens.... Kingdoms Cæsar never knew.... A great poet, George. Zzzz. Kingdoms Cæsar never knew.... Under entirely new management.

“What is this amazing place, these towers that touch the clouds, these towering peaks?... Ilion. Reaching for the sky.... Ilion House, the home of one of our major merchant leaders.... Terrace after terrace. Extending to the heavens.... Kingdoms Cæsar never dreamed of.... A great poet, George. Zzzz. Kingdoms Cæsar never dreamed of.... Under completely new management.”

“Greatness....Millions... Universities.... He stands on the terrace—on the upper terrace—directing—directing—by the globe—directing—the trade.”

“Greatness....Millions... Universities.... He stands on the terrace—on the upper terrace—guiding—guiding—by the globe—guiding—the trade.”

It was hard at times to tell when his sane talk ceased and his delirium began. The secret springs of his life, the vain imaginations were revealed. I sometimes think that all the life of man sprawls abed, careless and unkempt, until it must needs clothe and wash itself and come forth seemly in act and speech for the encounter with one’s fellow-men. I suspect that all things unspoken in our souls partake somewhat of the laxity of delirium and dementia. Certainly from those slimy, tormented lips above the bristling grey beard came nothing but dreams and disconnected fancies....

It was sometimes difficult to tell when his rational conversation stopped and his delirium started. The hidden motivations of his life, the empty fantasies were laid bare. I often think that all of a person's life sprawls in bed, messy and unkempt, until it has to get dressed and cleaned up to face others properly in action and speech. I believe that everything unspoken in our souls has a bit of the looseness of delirium and madness. Certainly, from those slimy, tormented lips above the bristly gray beard, nothing but dreams and random thoughts came forth....

Sometimes he raved about Neal, threatened Neal. “What has he got invested?” he said. “Does he think he can escape me?... If I followed him up.... Ruin. Ruin.... One would think I had taken his money.”

Sometimes he went on and on about Neal, even threatened him. “What does he have invested?” he said. “Does he think he can get away from me?... If I tracked him down.... Destruction. Destruction.... One would think I had taken his money.”

And sometimes he reverted to our airship flight. “It’s too long, George, too long and too cold. I’m too old a man—too old—for this sort of thing.... You know you’re not saving—you’re killing me.”

And sometimes he went back to talking about our airship flight. “It’s too long, George, too long and too cold. I’m too old for this kind of stuff.... You know you’re not saving me—you’re killing me.”

Towards the end it became evident our identity was discovered. I found the press, and especially Boom’s section of it, had made a sort of hue and cry for us, sent special commissioners to hunt for us, and though none of these emissaries reached us until my uncle was dead, one felt the forewash of that storm of energy. The thing got into the popular French press. People became curious in their manner towards us, and a number of fresh faces appeared about the weak little struggle that went on in the closeness behind the curtains of the bed. The young doctor insisted on consultations, and a motor-car came up from Biarritz, and suddenly odd people with questioning eyes began to poke in with inquiries and help. Though nothing was said, I could feel that we were no longer regarded as simple middle-class tourists; about me, as I went, I perceived almost as though it trailed visibly, the prestige of Finance and a criminal notoriety. Local personages of a plump and prosperous quality appeared in the inn making inquiries, the Luzon priest became helpful, people watched our window, and stared at me as I went to and fro; and then we had a raid from a little English clergyman and his amiable, capable wife in severely Anglican blacks, who swooped down upon us like virtuous but resolute vultures from the adjacent village of Saint Jean de Pollack.

Towards the end, it became clear that our identity had been discovered. I noticed that the press, especially Boom's section, had raised a huge commotion about us, sending special agents to look for us. Although none of these agents found us until after my uncle had died, I could feel the buildup of that impending storm. The news made it into the popular French press. People started behaving differently towards us, and several unfamiliar faces began to appear during the fragile little struggle happening behind the curtains of the bed. The young doctor insisted on consultations, and a car came from Biarritz, bringing in various odd individuals with curious expressions, asking questions and offering help. Although nothing was explicitly stated, I sensed that we were no longer seen as just ordinary middle-class tourists; I felt as though I was trailing the weight of financial prestige and a criminal reputation. Local figures of a wealthy and prosperous nature began appearing at the inn, making inquiries; the Luzon priest became helpful, people watched our window, and stared at me as I moved around. Then we had a visit from a small English clergyman and his friendly, capable wife dressed in formal Anglican black, who swooped in on us like virtuous yet determined vultures from the nearby village of Saint Jean de Pollack.

The clergyman was one of those odd types that oscillate between remote country towns in England and the conduct of English Church services on mutual terms in enterprising hotels abroad, a tremulous, obstinate little being with sporadic hairs upon his face, spectacles, a red button nose, and aged black raiment. He was evidently enormously impressed by my uncle’s monetary greatness, and by his own inkling of our identity, and he shone and brimmed over with tact and fussy helpfulness. He was eager to share the watching of the bedside with me, he proffered services with both hands, and as I was now getting into touch with affairs in London again, and trying to disentangle the gigantic details of the smash from the papers I had succeeded in getting from Biarritz, I accepted his offers pretty generously, and began the studies in modern finance that lay before me. I had got so out of touch with the old traditions of religion that I overlooked the manifest possibility of his attacking my poor, sinking vestiges of an uncle with theological solicitudes. My attention was called to that, however, very speedily by a polite but urgent quarrel between himself and the Basque landlady as to the necessity of her hanging a cheap crucifix in the shadow over the bed, where it might catch my uncle’s eye, where, indeed, I found it had caught his eye.

The clergyman was one of those quirky types who flit between remote country towns in England and leading English Church services in enterprising hotels abroad. He was a shaky, stubborn little guy with sporadic facial hair, glasses, a red button nose, and old black clothes. He was clearly very impressed by my uncle’s wealth and by his own vague sense of our identity, and he overflowed with politeness and fussy assistance. He was eager to share the vigil at the bedside with me, offering his help with both hands. Since I was just starting to reconnect with things back in London and trying to sort out the massive details of the collapse from the papers I had managed to get from Biarritz, I accepted his offers quite willingly and began the studies in modern finance that lay ahead of me. I had become so disconnected from the old traditions of religion that I overlooked the obvious chance of him bombarding my poor, failing uncle with theological concerns. However, I was quickly reminded of that by a polite but heated argument between him and the Basque landlady over the necessity of her hanging a cheap crucifix in the shadow over the bed, where it might catch my uncle’s eye, which, in fact, I found it had.

“Good Lord!” I cried; “is that still going on!”

“Good Lord!” I exclaimed; “is that still happening!”

That night the little clergyman watched, and in the small hours he raised a false alarm that my uncle was dying, and made an extraordinary fuss. He raised the house. I shall never forget that scene, I think, which began with a tapping at my bedroom door just after I had fallen asleep, and his voice—

That night, the little clergyman stayed up, and in the early hours, he raised a false alarm that my uncle was dying and created an unbelievable commotion. He woke everyone in the house. I don't think I'll ever forget that scene, which started with a knock on my bedroom door just after I had fallen asleep, followed by his voice—

“If you want to see your uncle before he goes, you must come now.”

“If you want to see your uncle before he leaves, you need to come now.”

The stuffy little room was crowded when I reached it, and lit by three flickering candles. I felt I was back in the eighteenth century. There lay my poor uncle amidst indescribably tumbled bedclothes, weary of life beyond measure, weary and rambling, and the little clergyman trying to hold his hand and his attention, and repeating over and over again:

The cramped little room was packed when I got there, lit by three flickering candles. I felt like I had stepped back into the 1700s. My poor uncle lay there among the jumbled bedclothes, utterly exhausted with life, tired and rambling, while the little clergyman tried to hold his hand and keep his focus, repeating over and over again:

“Mr. Ponderevo, Mr. Ponderevo, it is all right. It is all right.

“Mr. Ponderevo, Mr. Ponderevo, it’s okay. It’s okay.

“Only Believe! ‘Believe on me, and ye shall be saved’!”

“Just Believe! ‘Believe in me, and you will be saved’!”

Close at hand was the doctor with one of those cruel and idiotic injection needles modern science puts in the hands of these half-educated young men, keeping my uncle flickeringly alive for no reason whatever. The religieuse hovered sleepily in the background with an overdue and neglected dose. In addition, the landlady had not only got up herself, but roused an aged crone of a mother and a partially imbecile husband, and there was also a fattish, stolid man in grey alpaca, with an air of importance—who he was and how he got there, I don’t know. I rather fancy the doctor explained him to me in French I did not understand. And they were all there, wearily nocturnal, hastily and carelessly dressed, intent upon the life that flickered and sank, making a public and curious show of its going, queer shapes of human beings lit by three uncertain candles, and every soul of them keenly and avidly resolved to be in at the death. The doctor stood, the others were all sitting on chairs the landlady had brought in and arranged for them.

Close by was the doctor with one of those cruel, pointless injection needles that modern science puts in the hands of these underqualified young men, unnecessarily keeping my uncle barely alive. The religieuse was lurking sleepily in the background with a long-overdue and neglected dose. Additionally, the landlady had not only gotten up herself, but also stirred an elderly mother and a somewhat slow-witted husband, along with a plump, serious man in a grey alpaca suit, who seemed to carry himself with importance—who he was and how he ended up there, I have no idea. I think the doctor explained him to me in French that I didn’t understand. And there they all were, tired and up late, hastily and carelessly dressed, focused on the flickering life that was fading, making a public and curious spectacle of its departure, strange shapes of people illuminated by three uncertain candles, each of them eagerly determined to witness the end. The doctor stood while the others sat on chairs that the landlady had brought in and arranged for them.

And my uncle spoilt the climax, and did not die.

And my uncle ruined the ending and didn't die.

I replaced the little clergyman on the chair by the bedside, and he hovered about the room.

I took the place of the small clergyman sitting in the chair by the bed, and he moved around the room.

“I think,” he whispered to me mysteriously, as he gave place to me, “I believe—it is well with him.”

“I think,” he whispered to me in a mysterious tone, as he made room for me, “I believe—he’s doing well.”

I heard him trying to render the stock phrases of Low Church piety into French for the benefit of the stolid man in grey alpaca. Then he knocked a glass off the table, and scrabbled for the fragments. From the first I doubted the theory of an immediate death. I consulted the doctor in urgent whispers. I turned round to get champagne, and nearly fell over the clergyman’s legs. He was on his knees at the additional chair the Basque landlady had got on my arrival, and he was praying aloud, “Oh, Heavenly Father, have mercy on this thy Child....” I hustled him up and out of the way, and in another minute he was down at another chair praying again, and barring the path of the religieuse, who had found me the corkscrew. Something put into my head that tremendous blasphemy of Carlyle’s about “the last mew of a drowning kitten.” He found a third chair vacant presently; it was as if he was playing a game.

I heard him trying to translate the standard phrases of Low Church piety into French for the benefit of the thickset guy in grey alpaca. Then he knocked a glass off the table and scrambled for the pieces. Right from the start, I doubted the theory of an immediate death. I whispered urgently to the doctor. I turned around to grab some champagne and almost tripped over the clergyman’s legs. He was kneeling at the extra chair the Basque landlady had brought out when I arrived, praying aloud, “Oh, Heavenly Father, have mercy on this your Child....” I hurried him up and out of the way, and in a minute, he was at another chair praying again, blocking the path of the religieuse, who had found me the corkscrew. Something popped into my head about that intense blasphemy of Carlyle’s about “the last mew of a drowning kitten.” He eventually found a third chair that was empty; it was like he was playing a game.

“Good Heavens!” I said, “we must clear these people out,” and with a certain urgency I did.

“Wow!” I said, “we need to get these people out of here,” and with a sense of urgency, I took action.

I had a temporary lapse of memory, and forgot all my French. I drove them out mainly by gesture, and opened the window, to the universal horror. I intimated the death scene was postponed, and, as a matter of fact, my uncle did not die until the next night.

I had a momentary memory loss and forgot all my French. I communicated mostly through gestures and opened the window, causing universal dismay. I suggested that the death scene was delayed, and actually, my uncle didn’t pass away until the following night.

I did not let the little clergyman come near him again, and I was watchful for any sign that his mind had been troubled. But he made none. He talked once about “that parson chap.”

I didn’t allow the little clergyman to get close to him again, and I kept an eye out for any indication that he was feeling troubled. But he showed none. He mentioned once about “that parson guy.”

“Didn’t bother you?” I asked.

"Did that not bother you?" I asked.

“Wanted something,” he said.

“Wanted something,” he said.

I kept silence, listening keenly to his mutterings. I understood him to say, “They wanted too much.” His face puckered like a child’s going to cry. “You can’t get a safe six per cent.,” he said. I had for a moment a wild suspicion that those urgent talks had not been altogether spiritual, but that, I think, was a quite unworthy and unjust suspicion. The little clergyman was as simple and honest as the day. My uncle was simply generalising about his class.

I stayed quiet, paying close attention to his mumbling. I heard him say, “They wanted too much.” His face scrunched up like a kid about to cry. “You can’t get a safe six percent,” he said. For a moment, I had a wild suspicion that those urgent discussions weren’t entirely about spirituality, but I realized that thought was really unfair and unworthy. The little clergyman was as straightforward and sincere as could be. My uncle was just generalizing about his class.

But it may have been these talks that set loose some long dormant string of ideas in my uncle’s brain, ideas the things of this world had long suppressed and hidden altogether. Near the end he suddenly became clearminded and lucid, albeit very weak, and his voice was little, but clear.

But it might have been these conversations that awakened some long-buried thoughts in my uncle’s mind, ideas that life had suppressed and kept hidden for a long time. Toward the end, he suddenly became clear-headed and aware, even though he was very weak, and his voice was soft but clear.

“George,” he said.

“George,” he said.

“I’m here,” I said, “close beside you.”

“I’m here,” I said, “right next to you.”

“George. You have always been responsible for the science. George. You know better than I do. Is—Is it proved?”

“George. You've always been in charge of the science. George. You know more than I do. Is—Is it proven?”

“What proved?”

“What was proven?”

“Either way?”

"Either way?"

“I don’t understand.”

"I don't get it."

“Death ends all. After so much—Such splendid beginnin’s. Somewhere. Something.”

“Death ends everything. After so much—Such amazing beginnings. Somewhere. Something.”

I stared at him amazed. His sunken eyes were very grave.

I stared at him in shock. His hollow eyes looked very serious.

“What do you expect?” I said in wonder.

“What do you expect?” I said in amazement.

He would not answer. “Aspirations,” he whispered. He fell into a broken monologue, regardless of me. “Trailing clouds of glory,” he said, and “first-rate poet, first-rate....George was always hard. Always.”

He wouldn't respond. “Aspirations,” he whispered. He slipped into a disjointed speech, ignoring me. “Trailing clouds of glory,” he said, and “top-notch poet, top-notch....George was always tough. Always.”

For a long time there was silence.

For a long time, there was silence.

Then he made a gesture that he wished to speak.

Then he gestured that he wanted to talk.

“Seems to me, George”

“Looks like, George”

I bent my head down, and he tried to lift his hand to my shoulder. I raised him a little on his pillows, and listened.

I lowered my head, and he tried to lift his hand to my shoulder. I propped him up a bit on his pillows and listened.

“It seems to me, George, always—there must be something in me—that won’t die.”

“It seems to me, George, always—there must be something in me—that won’t die.”

He looked at me as though the decision rested with me.

He looked at me as if the decision was mine to make.

“I think,” he said; “—something.”

“I think,” he said; “—something.”

Then, for a moment, his mind wandered. “Just a little link,” he whispered almost pleadingly, and lay quite still, but presently he was uneasy again.

Then, for a moment, his mind drifted. “Just a little connection,” he whispered almost desperately, and stayed completely still, but soon he felt uneasy again.

“Some other world”

“Another world”

“Perhaps,” I said. “Who knows?”

“Maybe,” I said. “Who knows?”

“Some other world.”

"Another world."

“Not the same scope for enterprise,” I said.

“Not the same opportunities for business,” I said.

“No.”

“No.”

He became silent. I sat leaning down to him, and following out my own thoughts, and presently the religieuse resumed her periodic conflict with the window fastening. For a time he struggled for breath.... It seemed such nonsense that he should have to suffer so—poor silly little man!

He became quiet. I sat leaning down to him, lost in my own thoughts, and soon the religieuse started her usual battle with the window latch again. For a while, he fought for breath.... It seemed so absurd that he had to suffer like this—poor silly little man!

“George,” he whispered, and his weak little hand came out. “Perhaps—”

“George,” he whispered, and his frail little hand reached out. “Maybe—”

He said no more, but I perceived from the expression of his eyes that he thought the question had been put.

He didn't say anything more, but I could tell from the look in his eyes that he felt the question had been asked.

“Yes, I think so;” I said stoutly.

“Yes, I think so,” I said confidently.

“Aren’t you sure?”

"Are you sure?"

“Oh—practically sure,” said I, and I think he tried to squeeze my hand. And there I sat, holding his hand tight, and trying to think what seeds of immortality could be found in all his being, what sort of ghost there was in him to wander out into the bleak immensities. Queer fancies came to me.... He lay still for a long time, save for a brief struggle or so for breath and ever and again I wiped his mouth and lips.

“Oh—pretty sure,” I said, and I think he tried to squeeze my hand. So there I sat, holding his hand tight, trying to figure out what seeds of immortality could be found in all of him, what kind of ghost was in him that could wander out into the vast emptiness. Strange thoughts crossed my mind.... He lay still for a long time, except for the occasional struggle for breath, and every now and then, I wiped his mouth and lips.

I fell into a pit of thought. I did not remark at first the change that was creeping over his face. He lay back on his pillow, made a faint zzzing sound that ceased, and presently and quite quietly he died—greatly comforted by my assurance. I do not know when he died. His hand relaxed insensibly. Suddenly, with a start, with a shock, I found that his mouth had fallen open, and that he was dead....

I got lost in my thoughts. At first, I didn’t notice the change spreading across his face. He lay back on his pillow, made a faint zzzing sound that faded away, and then, very quietly, he died—greatly comforted by what I had told him. I can’t pinpoint exactly when he died. His hand loosened without me realizing it. Suddenly, I was jolted back to reality and realized his mouth had fallen open, and he was dead...

VIII

It was dark night when I left his deathbed and went back to my own inn down the straggling street of Luzon.

It was a dark night when I left his deathbed and walked back to my own inn down the winding street of Luzon.

That return to my inn sticks in my memory also as a thing apart, as an experience apart. Within was a subdued bustle of women, a flitting of lights, and the doing of petty offices to that queer, exhausted thing that had once been my active and urgent little uncle. For me those offices were irksome and impertinent. I slammed the door, and went out into the warm, foggy drizzle of the village street lit by blurred specks of light in great voids of darkness, and never a soul abroad. That warm veil of fog produced an effect of vast seclusion. The very houses by the roadside peered through it as if from another world. The stillness of the night was marked by an occasional remote baying of dogs; all these people kept dogs because of the near neighbourhood of the frontier.

That return to my inn sticks in my memory as a separate experience. Inside was a low-key bustle of women, flickering lights, and the fussing over that strange, worn-out figure that had once been my lively, demanding little uncle. To me, those activities felt annoying and intrusive. I slammed the door and stepped out into the warm, foggy drizzle of the village street, illuminated by blurred patches of light in the deep darkness, with hardly a soul around. That warm fog created a sense of great isolation. The houses along the road peeked through it as if from another world. The stillness of the night was punctuated by the occasional distant barking of dogs; everyone kept dogs because of the nearby frontier.

Death!

Death!

It was one of those rare seasons of relief, when for a little time one walks a little outside of and beside life. I felt as I sometimes feel after the end of a play. I saw the whole business of my uncle’s life as something familiar and completed. It was done, like a play one leaves, like a book one closes. I thought of the push and the promotions, the noise of London, the crowded, various company of people through which our lives had gone, the public meetings, the excitements, the dinners and disputations, and suddenly it appeared to me that none of these things existed.

It was one of those rare moments of relief, when for a brief time you step a little outside of and beside life. I felt like I sometimes do after finishing a play. I viewed my uncle’s entire life as something familiar and completed. It was over, like a play you walk away from, like a book you close. I thought about the hustle and the promotions, the noise of London, the diverse crowd of people that our lives had mingled with, the public gatherings, the excitement, the dinners and debates, and suddenly it seemed to me that none of those things mattered anymore.

It came to me like a discovery that none of these things existed.

It hit me like a revelation that none of these things were real.

Before and after I have thought and called life a phantasmagoria, but never have I felt its truth as I did that night.... We had parted; we two who had kept company so long had parted. But there was, I knew, no end to him or me. He had died a dream death, and ended a dream; his pain dream was over. It seemed to me almost as though I had died, too. What did it matter, since it was unreality, all of it, the pain and desire, the beginning and the end? There was no reality except this solitary road, this quite solitary road, along which one went rather puzzled, rather tired....

Before and after, I thought of life as a confusing illusion, but I never felt its reality like I did that night.... We had gone our separate ways; we, who had been together for so long, had separated. But I knew there was no finality for either of us. He had died a dreamlike death, and ended a dream; his suffering was over. It felt almost as if I had died too. What did it matter, since it was all unreal, the pain and longing, the beginning and the end? The only reality was this lonely road, this completely solitary road, along which one wandered, feeling confused and weary....

Part of the fog became a big mastiff that came towards me and stopped and slunk round me, growling, barked gruffly, and shortly and presently became fog again.

Part of the fog turned into a large mastiff that approached me, stopped, and circled around me, growling and barking in a harsh, brief manner, and then it became fog again.

My mind swayed back to the ancient beliefs and fears of our race. My doubts and disbeliefs slipped from me like a loosely fitting garment. I wondered quite simply what dogs bayed about the path of that other walker in the darkness, what shapes, what lights, it might be, loomed about him as he went his way from our last encounter on earth—along the paths that are real, and the way that endures for ever?

My mind drifted back to the old beliefs and fears of our people. My doubts and disbelief faded away like a loose piece of clothing. I couldn't help but wonder what dogs were barking about the other person's journey in the dark, what shapes or lights might be surrounding him as he made his way from our last meeting on Earth—along the paths that are real and the way that lasts forever?

IX

Last belated figure in that grouping round my uncle’s deathbed is my aunt. When it was beyond all hope that my uncle could live I threw aside whatever concealment remained to us and telegraphed directly to her. But she came too late to see him living. She saw him calm and still, strangely unlike his habitual garrulous animation, an unfamiliar inflexibility.

The final person in that group around my uncle’s deathbed is my aunt. When it became clear that my uncle wouldn’t survive, I put aside any pretense and sent a telegram straight to her. But she arrived too late to see him alive. She found him calm and motionless, strangely different from his usual talkative self, with an unfamiliar rigidity.

“It isn’t like him,” she whispered, awed by this alien dignity.

“It’s not like him,” she whispered, struck by this strange dignity.

I remember her chiefly as she talked and wept upon the bridge below the old castle. We had got rid of some amateurish reporters from Biarritz, and had walked together in the hot morning sunshine down through Port Luzon. There, for a time, we stood leaning on the parapet of the bridge and surveying the distant peeks, the rich blue masses of the Pyrenees. For a long time we said nothing, and then she began talking.

I mainly remember her talking and crying on the bridge beneath the old castle. We had managed to shake off some amateur reporters from Biarritz and walked together in the hot morning sun down through Port Luzon. There, for a while, we leaned on the bridge's railing and looked out at the distant peaks, the deep blue ranges of the Pyrenees. We stayed quiet for a long time, and then she started to speak.

“Life’s a rum Go, George!” she began. “Who would have thought, when I used to darn your stockings at old Wimblehurst, that this would be the end of the story? It seems far away now—that little shop, his and my first home. The glow of the bottles, the big coloured bottles! Do you remember how the light shone on the mahogany drawers? The little gilt letters! Ol Amjig, and S’nap! I can remember it all—bright and shining—like a Dutch picture. Real! And yesterday. And here we are in a dream. You a man—and me an old woman, George. And poor little Teddy, who used to rush about and talk—making that noise he did—Oh!”

“Life’s a strange ride, George!” she started. “Who would have thought, when I used to mend your socks at old Wimblehurst, that this would be the outcome? It feels so distant now—that little shop, our first home. The shine of the bottles, the big colorful bottles! Do you remember how the light brightened the mahogany drawers? The little gold letters! Ol Amjig, and S’nap! I can remember it all—vivid and bright—like a Dutch painting. Real! And just yesterday. And here we are in a dream. You a man—and me an old woman, George. And poor little Teddy, who used to rush around and talk—making that noise he did—Oh!”

She choked, and the tears flowed unrestrained. She wept, and I was glad to see her weeping.

She choked up, and the tears streamed down uncontrollably. She cried, and I was happy to see her letting it out.

She stood leaning over the bridge; her tear-wet handkerchief gripped in her clenched hand.

She stood leaning over the bridge, clutching her tear-soaked handkerchief in her tight fist.

“Just an hour in the old shop again—and him talking. Before things got done. Before they got hold of him. And fooled him.

“Just an hour in the old shop again—and him talking. Before things got done. Before they got hold of him. And fooled him.

“Men oughtn’t to be so tempted with business and things....

“Men shouldn't be so tempted by business and distractions....

“They didn’t hurt him, George?” she asked suddenly.

“They didn’t hurt him, did they, George?” she asked suddenly.

For a moment I was puzzled.

For a moment, I was confused.

“Here, I mean,” she said.

"Here, I mean," she said.

“No,” I lied stoutly, suppressing the memory of that foolish injection needle I had caught the young doctor using.

“No,” I boldly lied, pushing aside the memory of that silly injection needle I had seen the young doctor using.

“I wonder, George, if they’ll let him talk in Heaven....”

“I wonder, George, if they’ll let him talk in Heaven....”

She faced me. “Oh! George, dear, my heart aches, and I don’t know what I say and do. Give me your arm to lean on—it’s good to have you, dear, and lean upon you.... Yes, I know you care for me. That’s why I’m talking. We’ve always loved one another, and never said anything about it, and you understand, and I understand. But my heart’s torn to pieces by this, torn to rags, and things drop out I’ve kept in it. It’s true he wasn’t a husband much for me at the last. But he was my child, George, he was my child and all my children, my silly child, and life has knocked him about for me, and I’ve never had a say in the matter; never a say; it’s puffed him up and smashed him—like an old bag—under my eyes. I was clever enough to see it, and not clever enough to prevent it, and all I could do was to jeer. I’ve had to make what I could of it. Like most people. Like most of us.... But it wasn’t fair, George. It wasn’t fair. Life and Death—great serious things—why couldn’t they leave him alone, and his lies and ways? If we could see the lightness of it—

She looked at me. “Oh! George, my dear, my heart hurts, and I don’t know what I'm saying or doing. Give me your arm to lean on—it’s so good to have you close, dear, and to rely on you... Yes, I know you care about me. That’s why I’m talking like this. We've always loved each other but never said anything about it, and you get it, and I get it. But my heart is shattered by this, completely torn apart, and things I’ve kept inside are spilling out. It’s true he wasn’t much of a husband to me in the end. But he was my child, George, he was my child and all my children, my silly child, and life has been so hard on him for me, and I’ve never had a say in it; never a say; it’s puffed him up and broken him—like an old bag—right before my eyes. I was smart enough to see it, and not smart enough to stop it, and all I could do was mock it. I’ve had to make the best of it. Like most people do. Like most of us... But it wasn’t fair, George. It wasn’t fair. Life and Death—such serious matters—why couldn’t they just leave him alone, along with his lies and ways? If we could see the lightness of it—

“Why couldn’t they leave him alone?” she repeated in a whisper as we went towards the inn.

“Why couldn’t they just leave him alone?” she whispered again as we walked toward the inn.

CHAPTER THE SECOND
LOVE AMONG THE WRECKAGE

I

When I came back I found that my share in the escape and death of my uncle had made me for a time a notorious and even popular character. For two weeks I was kept in London “facing the music,” as he would have said, and making things easy for my aunt, and I still marvel at the consideration with which the world treated me. For now it was open and manifest that I and my uncle were no more than specimens of a modern species of brigand, wasting the savings of the public out of the sheer wantonness of enterprise. I think that in a way, his death produced a reaction in my favour and my flight, of which some particulars now appeared stuck in the popular imagination. It seemed a more daring and difficult feat than it was, and I couldn’t very well write to the papers to sustain my private estimate. There can be little doubt that men infinitely prefer the appearance of dash and enterprise to simple honesty. No one believed I was not an arch plotter in his financing. Yet they favoured me. I even got permission from the trustee to occupy my chalet for a fortnight while I cleared up the mass of papers, calculations, notes of work, drawings and the like, that I left in disorder when I started on that impulsive raid upon the Mordet quap heaps.

When I returned, I found that my involvement in my uncle's escape and death had made me a notorious and even popular figure for a while. For two weeks, I was stuck in London "facing the music," as he would have said, and making things easier for my aunt. I still can't believe how kindly people treated me. It was clear that my uncle and I were just examples of a modern kind of outlaw, squandering public savings out of sheer recklessness. His death seemed to create a boost in my favor, along with the details of my escape that had stuck in people's minds. It seemed like a bolder and more difficult achievement than it actually was, and I couldn't exactly write to the newspapers to support my own image. There’s no doubt that people much prefer the illusion of bravery and enterprise over plain honesty. No one believed I wasn’t a master schemer in his financing. Still, they showed me kindness. I even got permission from the trustee to stay in my chalet for two weeks while I sorted through the pile of papers, calculations, work notes, drawings, and other things that I had left in chaos when I impulsively set off on that raid of the Mordet quap heaps.

I was there alone. I got work for Cothope with the Ilchesters, for whom I now build these destroyers. They wanted him at once, and he was short of money, so I let him go and managed very philosophically by myself.

I was there by myself. I got a job with the Ilchesters at Cothope, where I'm currently building these destroyers. They needed him right away, and he was low on cash, so I let him leave and handled things on my own without too much fuss.

But I found it hard to fix my attention on aeronautics, I had been away from the work for a full half-year and more, a half-year crowded with intense disconcerting things. For a time my brain refused these fine problems of balance and adjustment altogether; it wanted to think about my uncle’s dropping jaw, my aunt’s reluctant tears, about dead negroes and pestilential swamps, about the evident realities of cruelty and pain, about life and death. Moreover, it was weary with the frightful pile of figures and documents at the Hardingham, a task to which this raid to Lady Grove was simply an interlude. And there was Beatrice.

But I found it difficult to focus on aeronautics; I had been away from the work for over six months, a time filled with intense and unsettling experiences. For a while, my mind completely rejected these intricate problems of balance and adjustment; it wanted to dwell on my uncle's slack jaw, my aunt's hesitant tears, dead Black people, and disease-ridden swamps, the undeniable realities of cruelty and suffering, life and death. On top of that, I was exhausted from the overwhelming stack of figures and documents at the Hardingham, and this trip to Lady Grove felt like just a break from that task. And then there was Beatrice.

On the second morning, as I sat out upon the veranda recalling memories and striving in vain to attend to some too succinct pencil notes of Cothope’s, Beatrice rode up suddenly from behind the pavilion, and pulled rein and became still; Beatrice, a little flushed from riding and sitting on a big black horse.

On the second morning, as I sat on the veranda reminiscing and struggling to make sense of some brief pencil notes from Cothope, Beatrice suddenly rode up from behind the pavilion, reined in her horse, and came to a stop; Beatrice, a bit flushed from riding and sitting on a big black horse.

I did not instantly rise. I stared at her. “You!” I said.

I didn't get up right away. I looked at her. “You!” I said.

She looked at me steadily. “Me,” she said

She looked at me intently. “Me,” she said.

I did not trouble about any civilities. I stood up and asked point blank a question that came into my head.

I didn't worry about being polite. I stood up and asked a straightforward question that popped into my mind.

“Whose horse is that?” I said.

“Whose horse is that?” I asked.

She looked me in the eyes. “Carnaby’s,” she answered.

She looked me in the eyes. “Carnaby’s,” she replied.

“How did you get here—this way?”

“How did you end up here—like this?”

“The wall’s down.”

“The wall is down.”

“Down? Already?”

"Down? Already?"

“A great bit of it between the plantations.”

“A large area between the farms.”

“And you rode through, and got here by chance?”

“And you rode through and ended up here by chance?”

“I saw you yesterday. And I rode over to see you.” I had now come close to her, and stood looking up into her face.

“I saw you yesterday. And I rode over to see you.” I had now come close to her and stood looking up into her face.

“I’m a mere vestige,” I said.

“I’m just a shadow of my former self,” I said.

She made no answer, but remained regarding me steadfastly with a curious air of proprietorship.

She didn’t respond but kept looking at me intently with a strange sense of ownership.

“You know I’m the living survivor now of the great smash. I’m rolling and dropping down through all the scaffolding of the social system.... It’s all a chance whether I roll out free at the bottom, or go down a crack into the darkness out of sight for a year or two.”

“You know I’m the only one left now from the big crash. I’m tumbling down through all the support structures of society... It’s completely a gamble whether I come out okay at the bottom or disappear into a gap out of view for a year or two.”

“The sun,” she remarked irrelevantly, “has burnt you.... I’m getting down.”

“The sun,” she said casually, “has really got you burnt.... I'm coming down.”

She swung herself down into my arms, and stood beside me face to face.

She jumped into my arms and stood next to me, facing me directly.

“Where’s Cothope?” she asked.

“Where's Cothope?” she asked.

“Gone.”

"Missing."

Her eyes flitted to the pavilion and back to me. We stood close together, extraordinarily intimate, and extraordinarily apart.

Her eyes darted to the pavilion and back to me. We stood close together, incredibly intimate, yet incredibly distant.

“I’ve never seen this cottage of yours,” she said, “and I want to.”

“I’ve never seen your cottage,” she said, “and I want to.”

She flung the bridle of her horse round the veranda post, and I helped her tie it.

She threw the bridle of her horse around the porch post, and I helped her tie it.

“Did you get what you went for to Africa?” she asked.

“Did you get what you went to Africa for?” she asked.

“No,” I said, “I lost my ship.”

“No,” I said, “I lost my boat.”

“And that lost everything?”

“And that lost it all?”

“Everything.”

"All of it."

She walked before me into the living-room of the chalet, and I saw that she gripped her riding-whip very tightly in her hand. She looked about her for a moment,—and then at me.

She walked ahead of me into the living room of the chalet, and I noticed she was holding her riding whip very tightly in her hand. She glanced around for a moment—and then looked at me.

“It’s comfortable,” she remarked.

“It’s cozy,” she remarked.

Our eyes met in a conversation very different from the one upon our lips. A sombre glow surrounded us, drew us together; an unwonted shyness kept us apart. She roused herself, after an instant’s pause, to examine my furniture.

Our eyes locked in a conversation that felt very different from the words we were saying. A gloomy aura enveloped us, bringing us closer; an unusual shyness held us back. She gathered herself, after a brief pause, to take a look at my furniture.

“You have chintz curtains. I thought men were too feckless to have curtains without a woman. But, of course, your aunt did that! And a couch and a brass fender, and—is that a pianola? That is your desk. I thought men’s desks were always untidy, and covered with dust and tobacco ash.”

“You have chintz curtains. I thought men were too careless to have curtains without a woman. But, of course, your aunt did that! And a couch and a brass fender, and—is that a player piano? That’s your desk. I thought men’s desks were always messy and covered with dust and tobacco ash.”

She flitted to my colour prints and my little case of books. Then she went to the pianola. I watched her intently.

She moved quickly to my color prints and my small bookcase. Then she went over to the piano player. I watched her closely.

“Does this thing play?” she said.

“Does this thing work?” she said.

“What?” I asked.

“What?” I said.

“Does this thing play?”

“Does this work?”

I roused myself from my preoccupation.

I shook myself out of my daydream.

“Like a musical gorilla with fingers all of one length. And a sort of soul.... It’s all the world of music to me.”

“Like a musical gorilla with fingers all the same length. And a kind of soul... It’s everything music means to me.”

“What do you play?”

"What are you playing?"

“Beethoven, when I want to clear up my head while I’m working. He is—how one would always like to work. Sometimes Chopin and those others, but Beethoven. Beethoven mainly. Yes.”

“Beethoven, when I want to clear my head while I’m working. He is—how I always want to work. Sometimes Chopin and the others, but Beethoven. Mainly Beethoven. Yes.”

Silence again between us. She spoke with an effort.

Silence fell between us again. She spoke with difficulty.

“Play me something.” She turned from me and explored the rack of music rolls, became interested and took a piece, the first part of the Kreutzer Sonata, hesitated. “No,” she said, “that!”

“Play me something.” She turned away from me and looked through the rack of music rolls, seemed intrigued, and picked one up, the first part of the Kreutzer Sonata, then paused. “No,” she said, “that one!”

She gave me Brahms’ Second Concerto, Op. 58, and curled up on the sofa watching me as I set myself slowly to play....

She gave me Brahms' Second Concerto, Op. 58, and settled on the sofa, watching me as I slowly started to play...

“I say,” he said when I had done, “that’s fine. I didn’t know those things could play like that. I’m all astir...”

“I say,” he said when I was finished, “that’s great. I didn’t know they could play like that. I’m all stirred up...”

She came and stood over me, looking at me. “I’m going to have a concert,” she said abruptly, and laughed uneasily and hovered at the pigeon-holes. “Now—now what shall I have?” She chose more of Brahms. Then we came to the Kreutzer Sonata. It is queer how Tolstoy has loaded that with suggestions, debauched it, made it a scandalous and intimate symbol. When I had played the first part of that, she came up to the pianola and hesitated over me. I sat stiffly—waiting.

She came and stood over me, looking down. “I’m going to have a concert,” she said suddenly, laughing nervously and hovering by the pigeonholes. “So—what should I choose?” She picked more of Brahms. Then we arrived at the Kreutzer Sonata. It’s strange how Tolstoy has packed it with meaning, tainted it, turned it into a scandalous and personal symbol. After I played the first part, she approached the pianola and paused. I sat there stiffly—waiting.

Suddenly she seized my downcast head and kissed my hair. She caught at my face between her hands and kissed my lips. I put my arms about her and we kissed together. I sprang to my feet and clasped her.

Suddenly, she grabbed my lowered head and kissed my hair. She held my face between her hands and kissed my lips. I wrapped my arms around her, and we kissed each other. I jumped to my feet and embraced her.

“Beatrice!” I said. “Beatrice!”

“Beatrice!” I said. “Beatrice!”

“My dear,” she whispered, nearly breathless, with her arms about me. “Oh! my dear!”

“My dear,” she whispered, almost breathless, wrapping her arms around me. “Oh! my dear!”

II

Love, like everything else in this immense process of social disorganisation in which we live, is a thing adrift, a fruitless thing broken away from its connexions. I tell of this love affair here because of its irrelevance, because it is so remarkable that it should mean nothing, and be nothing except itself. It glows in my memory like some bright casual flower starting up amidst the débris of a catastrophe. For nearly a fortnight we two met and made love together. Once more this mighty passion, that our aimless civilisation has fettered and maimed and sterilised and debased, gripped me and filled me with passionate delights and solemn joys—that were all, you know, futile and purposeless. Once more I had the persuasion “This matters. Nothing else matters so much as this.” We were both infinitely grave in such happiness as we had. I do not remember any laughter at all between us.

Love, like everything else in this vast social chaos we live in, is unmoored, a fruitless thing detached from its connections. I share this love story here because of its insignificance, because it’s so striking that it should mean nothing and be nothing except for itself. It shines in my memory like a bright, random flower blooming among the débris of a disaster. For nearly two weeks, we met and made love together. Once again, this powerful passion, which our aimless society has restrained, injured, rendered sterile, and degraded, took hold of me and filled me with passionate pleasures and serious joys—that were ultimately, you know, pointless and without purpose. Once again, I felt the conviction, “This matters. Nothing else matters as much as this.” We were both incredibly serious in the happiness we found together. I don't recall any laughter between us at all.

Twelve days it lasted from that encounter in my chalet until our parting.

Twelve days it lasted from that meeting in my cabin until we said goodbye.

Except at the end, they were days of supreme summer, and there was a waxing moon. We met recklessly day by day. We were so intent upon each other at first so intent upon expressing ourselves to each other, and getting at each other, that we troubled very little about the appearance of our relationship. We met almost openly.... We talked of ten thousand things, and of ourselves. We loved. We made love. There is no prose of mine that can tell of hours transfigured. The facts are nothing. Everything we touched, the meanest things, became glorious. How can I render bare tenderness and delight and mutual possession? I sit here at my desk thinking of untellable things.

Except at the end, they were days of perfect summer, and there was a growing moon. We met boldly every day. We were so focused on each other at first, so eager to express ourselves and understand each other, that we didn’t worry much about how our relationship looked. We met almost openly.... We talked about a million things, and about ourselves. We loved. We made love. There's no writing of mine that can capture those transformed hours. The facts don’t matter. Everything we touched, even the simplest things, became extraordinary. How can I express pure tenderness, joy, and our shared connection? I sit here at my desk thinking about things that can’t be put into words.

I have come to know so much of love that I know now what love might be. We loved, scarred and stained; we parted—basely and inevitably, but at least I met love.

I’ve experienced enough love to understand what it truly is. We loved, marked and flawed; we separated—cruelly and unavoidably, but at least I encountered love.

I remember as we sat in a Canadian canoe, in a reedy, bush-masked shallow we had discovered operating out of that pine-shaded Woking canal, how she fell talking of the things that happened to her before she met me again....

I remember when we were sitting in a Canadian canoe in a weedy, bush-covered shallow area we had found while paddling out of that pine-shaded Woking canal, and she started sharing stories about what happened to her before we met again...

She told me things, and they so joined and welded together other things that lay disconnected in my memory, that it seemed to me I had always known what she told me. And yet indeed I had not known nor suspected it, save perhaps for a luminous, transitory suspicion ever and again.

She shared things with me, and they connected and merged with other memories that were previously scattered, making it feel like I had always known what she was saying. Yet, in reality, I hadn't known or even suspected it, except maybe for a fleeting, bright intuition every now and then.

She made me see how life had shaped her. She told me of her girlhood after I had known her. “We were poor and pretending and managing. We hacked about on visits and things. I ought to have married. The chances I had weren’t particularly good chances. I didn’t like ’em.”

She made me realize how life had influenced her. She talked about her childhood that I hadn't seen. “We were poor and pretending to get by. We awkwardly navigated visits and events. I should have gotten married. The opportunities I had weren’t exactly great opportunities. I just didn’t like them.”

She paused. “Then Carnaby came along.”

She paused. “Then Carnaby showed up.”

I remained quite still. She spoke now with downcast eyes, and one finger just touching the water.

I stayed completely still. She spoke with her eyes cast down, one finger lightly touching the water.

“One gets bored, bored beyond redemption. One does about to these huge expensive houses I suppose—the scale’s immense. One makes one’s self useful to the other women, and agreeable to the men. One has to dress.... One has food and exercise and leisure, It’s the leisure, and the space, and the blank opportunity it seems a sin not to fill. Carnaby isn’t like the other men. He’s bigger.... They go about making love. Everybody’s making love. I did.... And I don’t do things by halves.”

“One gets bored, bored beyond redemption. I guess that happens with these huge, expensive houses—the scale is immense. You make yourself useful to the other women and try to be agreeable to the men. You have to dress up.... There’s food, exercise, and free time. It’s the free time, the space, and the blank opportunities that feel wrong not to fill. Carnaby isn’t like the other men. He’s bigger.... They’re all about making love. Everyone’s making love. I did.... And I don’t do things halfway.”

She stopped.

She paused.

“You knew?”—she asked, looking up, quite steadily. I nodded.

"You knew?" she asked, looking up, quite steadily. I nodded.

“Since when?”

"Since when?"

“Those last days.... It hasn’t seemed to matter really. I was a little surprised.”

“Those last days.... It hasn't really seemed to matter. I was a bit surprised.”

She looked at me quietly. “Cothope knew,” she said. “By instinct. I could feel it.”

She stared at me in silence. “Cothope knew,” she said. “I could sense it instinctively.”

“I suppose,” I began, “once, this would have mattered immensely. Now—”

“I guess,” I started, “at one point, this would have been a huge deal. Now—”

“Nothing matters,” she said, completing me. “I felt I had to tell you. I wanted you to understand why I didn’t marry you—with both hands. I have loved you”—she paused—“have loved you ever since the day I kissed you in the bracken. Only—I forgot.”

“Nothing matters,” she said, making me whole. “I felt like I needed to tell you. I wanted you to get why I didn’t marry you—with everything I had. I have loved you”—she paused—“have loved you since the day I kissed you in the ferns. Only—I forgot.”

And suddenly she dropped her face upon her hands, and sobbed passionately—

And suddenly she buried her face in her hands and cried uncontrollably—

“I forgot—I forgot,” she cried, and became still....

“I forgot—I forgot,” she exclaimed, and fell silent....

I dabbled my paddle in the water. “Look here!” I said; “forget again! Here am I—a ruined man. Marry me.”

I dipped my paddle in the water. “Look here!” I said; “forget it again! Here I am—a broken man. Marry me.”

She shook her head without looking up.

She shook her head without looking up.

We were still for a long time. “Marry me!” I whispered.

We stayed quiet for a while. “Marry me!” I whispered.

She looked up, twined back a whisp of hair, and answered dispassionately—

She looked up, tucked a strand of hair behind her ear, and replied without any emotion—

“I wish I could. Anyhow, we have had this time. It has been a fine time—has it been—for you also? I haven’t nudged you all I had to give. It’s a poor gift—except for what it means and might have been. But we are near the end of it now.”

“I wish I could. Anyway, we've had this time. It's been a good time—has it been for you too? I haven’t shared all I had to give. It’s not much—except for what it means and what it could have been. But we're close to the end of it now.”

“Why?” I asked. “Marry me! Why should we two—”

“Why?” I asked. “Marry me! Why should the two of us—”

“You think,” she said, “I could take courage and come to you and be your everyday wife—while you work and are poor?”

“You think,” she said, “I could find the courage to come to you and be your everyday wife—while you work and struggle financially?”

“Why not?” said I.

"Why not?" I said.

She looked at me gravely, with extended finger. “Do you really think that—of me? Haven’t you seen me—all?”

She looked at me seriously, pointing her finger. “Do you really think that—of me? Haven’t you seen me—all?”

I hesitated.

I paused.

“Never once have I really meant marrying you,” she insisted. “Never once. I fell in love with you from the first. But when you seemed a successful man, I told myself I wouldn’t. I was love-sick for you, and you were so stupid, I came near it then. But I knew I wasn’t good enough. What could I have been to you? A woman with bad habits and bad associations, a woman smirched. And what could I do for you or be to you? If I wasn’t good enough to be a rich man’s wife, I’m certainly not good enough to be a poor one’s. Forgive me for talking sense to you now, but I wanted to tell you this somehow.”

“Never once have I actually meant to marry you,” she said firmly. “Not once. I fell in love with you right from the start. But when you seemed successful, I told myself I wouldn’t. I was lovesick for you, and you were so oblivious, I almost gave in back then. But I knew I wasn’t good enough. What could I have been to you? A woman with bad habits and the wrong crowd, a tarnished woman. And what could I offer you or be to you? If I wasn’t good enough to be a wealthy man’s wife, I’m definitely not good enough to be a poor one’s. Forgive me for being practical with you now, but I needed to say this somehow.”

She stopped at my gesture. I sat up, and the canoe rocked with my movement.

She paused at my signal. I sat up, and the canoe swayed with my movement.

“I don’t care,” I said. “I want to marry you and make you my wife!”

“I don’t care,” I said. “I want to marry you and make you my wife!”

“No,” she said, “don’t spoil things. That is impossible!”

“No,” she said, “don’t ruin things. That’s not possible!”

“Impossible!”

“Not a chance!”

“Think! I can’t do my own hair! Do you mean you will get me a maid?”

“Think! I can't do my own hair! Are you saying you'll get me a maid?”

“Good God!” I cried, disconcerted beyond measure, “won’t you learn to do your own hair for me? Do you mean to say you can love a man—”

“Good God!” I exclaimed, completely thrown off, “Can’t you just learn to do your own hair for me? Are you really saying you can love a man—”

She flung out her hands at me. “Don’t spoil it,” she cried. “I have given you all I have, I have given you all I can. If I could do it, if I was good enough to do it, I would. But I am a woman spoilt and ruined, dear, and you are a ruined man. When we are making love we’re lovers—but think of the gulf between us in habits and ways of thought, in will and training, when we are not making love. Think of it—and don’t think of it! Don’t think of it yet. We have snatched some hours. We still may have some hours!”

She threw her hands out toward me. “Don’t ruin this,” she shouted. “I’ve given you everything I have, everything I can. If I could do it, if I were good enough, I would. But I’m a woman who’s spoiled and broken, dear, and you’re a broken man. When we're together, we're lovers—but consider the gap between us in our habits and ways of thinking, in our will and upbringing, when we’re not being intimate. Think about it—and don’t think about it! Don’t think about it yet. We’ve stolen some time together. We might still have a little more time!”

She suddenly knelt forward toward me, with a glowing darkness in her eyes. “Who cares if it upsets?” she cried. “If you say another word I will kiss you. And go to the bottom clutching you.

She suddenly knelt forward toward me, with a bright darkness in her eyes. “Who cares if it upsets?” she shouted. “If you say another word, I will kiss you. And we'll go down together, holding on tight.”

“I’m not afraid of that. I’m not a bit afraid of that. I’ll die with you. Choose a death, and I’ll die with you—readily. Do listen to me! I love you. I shall always love you. It’s because I love you that I won’t go down to become a dirty familiar thing with you amidst the grime. I’ve given all I can. I’ve had all I can.... Tell me,” and she crept nearer, “have I been like the dusk to you, like the warm dusk? Is there magic still? Listen to the ripple of water from your paddle. Look at the warm evening light in the sky. Who cares if the canoe upsets? Come nearer to me. Oh, my love! come near! So.”

“I’m not afraid of that. Not at all. I’ll die with you. Choose a way to die, and I’ll do it with you—without hesitation. Please listen to me! I love you. I will always love you. It’s because I love you that I won’t let myself become a disgusting shadow of what we are together in this mess. I’ve given everything I can. I’ve experienced everything I can.... Tell me,” and she moved closer, “have I been like the dusk to you, like the gentle dusk? Is there still some magic? Listen to the water rippling from your paddle. Look at the soft evening light in the sky. Who cares if the canoe flips? Come closer to me. Oh, my love! come close! Like this.”

She drew me to her and our lips met.

She pulled me close and we kissed.

III

I asked her to marry me once again.

I asked her to marry me again.

It was our last morning together, and we had met very early, about sunrise, knowing that we were to part. No sun shone that day. The sky was overcast, the morning chilly and lit by a clear, cold, spiritless light. A heavy dampness in the air verged close on rain. When I think of that morning, it has always the quality of greying ashes wet with rain.

It was our last morning together, and we met very early, around sunrise, knowing we were about to say goodbye. No sun was shining that day. The sky was cloudy, the morning was chilly and lit by a clear, cold, lifeless light. A heavy dampness hung in the air, almost ready to rain. When I think of that morning, it always feels like grey ashes soaked with rain.

Beatrice too had changed. The spring had gone out of her movement; it came to me, for the first time, that some day she might grow old. She had become one flesh with the rest of common humanity; the softness had gone from her voice and manner, the dusky magic of her presence had gone. I saw these things with perfect clearness, and they made me sorry for them and for her. But they altered my love not a whit, abated it nothing. And when we had talked awkwardly for half a dozen sentences, I came dully to my point.

Beatrice had changed too. The energy had faded from her movements; it suddenly occurred to me that someday she might get old. She had become one with the rest of humanity; the warmth had left her voice and demeanor, the enchanting quality of her presence was gone. I recognized these changes clearly, and they made me feel sad for her and for them. But they didn’t change my love at all, not even a little. After we awkwardly exchanged a few sentences, I finally got to the point.

“And now,” I cried, “will you marry me?”

“And now,” I shouted, “will you marry me?”

“No,” she said, “I shall keep to my life here.”

“No,” she said, “I’m going to stick with my life here.”

I asked her to marry me in a year’s time. She shook her head.

I asked her to marry me in a year. She shook her head.

“This world is a soft world,” I said, “in spite of my present disasters. I know now how to do things. If I had you to work for—in a year I could be a prosperous man.”

“This world is a gentle world,” I said, “despite my current troubles. I know now how to get things done. If I had you to work for—as little as a year I could be a successful man.”

“No,” she said, “I will put it brutally, I shall go back to Carnaby.”

“No,” she said, “I’ll be blunt, I’m going back to Carnaby.”

“But—!” I did not feel angry. I had no sort of jealousy, no wounded pride, no sense of injury. I had only a sense of grey desolation, of hopeless cross-purposes.

“But—!” I didn’t feel angry. I wasn’t jealous, I didn’t have a bruised ego, and I didn’t feel hurt. I only felt a sense of dull emptiness and hopeless confusion.

“Look here,” she said. “I have been awake all night and every night. I have been thinking of this—every moment when we have not been together. I’m not answering you on an impulse. I love you. I love you. I’ll say that over ten thousand times. But here we are—”

“Listen,” she said. “I’ve been awake all night and every night. I’ve been thinking about this—every moment we haven’t been together. I’m not reacting on a whim. I love you. I love you. I could say that a thousand times. But here we are—”

“The rest of life together,” I said.

"The rest of our life together," I said.

“It wouldn’t be together. Now we are together. Now we have been together. We are full of memories I do not feel I can ever forget a single one.”

“It wouldn’t be together. Now we are together. Now we have been together. We are full of memories I don’t think I can ever forget a single one.”

“Nor I.”

"Me neither."

“And I want to close it and leave it at that. You see, dear, what else is there to do?”

“And I want to wrap it up and leave it at that. You see, dear, what more is there to do?”

She turned her white face to me. “All I know of love, all I have ever dreamt or learnt of love I have packed into these days for you. You think we might live together and go on loving. No! For you I will have no vain repetitions. You have had the best and all of me. Would you have us, after this, meet again in London or Paris or somewhere, scuffle to some wretched dressmaker’s, meet in a cabinet particulier?

She turned her pale face towards me. “Everything I know about love, everything I’ve ever dreamed or learned about it, I’ve packed into these days for you. You think we could live together and keep loving each other. No! I won’t offer you any pointless do-overs. You’ve had the best and all of me. Do you want us, after this, to meet again in London or Paris or somewhere else, to scrabble over some awful dressmaker’s, to meet in a cabinet particulier?

“No,” I said. “I want you to marry me. I want you to play the game of life with me as an honest woman should. Come and live with me. Be my wife and squaw. Bear me children.”

“No,” I said. “I want you to marry me. I want you to play the game of life with me like a real partner should. Come and live with me. Be my wife and partner. Have my children.”

I looked at her white, drawn face, and it seemed to me I might carry her yet. I spluttered for words.

I looked at her pale, tired face, and it felt like I could still carry her. I struggled to find the right words.

“My God! Beatrice!” I cried; “but this is cowardice and folly! Are you afraid of life? You of all people! What does it matter what has been or what we were? Here we are with the world before us! Start clean and new with me. We’ll fight it through! I’m not such a simple lover that I’ll not tell you plainly when you go wrong, and fight our difference out with you. It’s the one thing I want, the one thing I need—to have you, and more of you and more! This love-making—it’s love-making. It’s just a part of us, an incident—”

“Oh my God! Beatrice!” I exclaimed; “but this is so cowardly and foolish! Are you scared of life? You, of all people! What does it matter what has happened or who we were? Here we are with the whole world ahead of us! Let’s start fresh and new together. We’ll face it all together! I’m not such a naive lover that I won’t tell you honestly when you’re wrong and work through our disagreements with you. It’s the one thing I want, the one thing I need—to have you, and more of you and more! This love-making—it’s love-making. It’s just a part of us, a moment—”

She shook her head and stopped me abruptly. “It’s all,” she said.

She shook her head and interrupted me suddenly. “That's all,” she said.

“All!” I protested.

"All!" I said.

“I’m wiser than you. Wiser beyond words.” She turned her eyes to me and they shone with tears.

“I’m smarter than you. Smarter beyond words.” She turned her eyes to me, and they sparkled with tears.

“I wouldn’t have you say anything—but what you’re saying,” she said. “But it’s nonsense, dear. You know it’s nonsense as you say it.”

“I wouldn’t want you to say anything except what you’re saying,” she said. “But it’s nonsense, dear. You know it’s nonsense as you say it.”

I tried to keep up the heroic note, but she would not listen to it.

I tried to maintain the heroic tone, but she wouldn’t hear it.

“It’s no good,” she cried almost petulantly. “This little world has made us what we are. Don’t you see—don’t you see what I am? I can make love. I can make love and be loved, prettily. Dear, don’t blame me. I have given you all I have. If I had anything more—I have gone through it all over and over again—thought it out. This morning my head aches, my eyes ache.

“It’s not working,” she exclaimed almost sulkily. “This little world has shaped us into who we are. Don’t you see—don’t you see what I am? I can love. I can love and be loved, beautifully. Please, don’t blame me. I’ve given you everything I have. If I had anything more—I’ve been through it all repeatedly—thought it through. This morning, my head hurts, my eyes hurt.

“The light has gone out of me and I am a sick and tired woman. But I’m talking wisdom—bitter wisdom. I couldn’t be any sort of helper to you, any sort of wife, any sort of mother. I’m spoilt.

“The light has gone out of me and I am a sick and tired woman. But I’m speaking truth—bitter truth. I couldn’t be any kind of helper to you, any kind of wife, any kind of mother. I’m spoiled.”

“I’m spoilt by this rich idle way of living, until every habit is wrong, every taste wrong. The world is wrong. People can be ruined by wealth just as much as by poverty. Do you think I wouldn’t face life with you if I could, if I wasn’t absolutely certain I should be down and dragging in the first half-mile of the journey? Here I am—damned! Damned! But I won’t damn you. You know what I am! You know. You are too clear and simple not to know the truth. You try to romance and hector, but you know the truth. I am a little cad—sold and done. I’m—. My dear, you think I’ve been misbehaving, but all these days I’ve been on my best behaviour.... You don’t understand, because you’re a man.

“I’m spoiled by this luxurious, lazy lifestyle, where every habit is wrong and every taste is off. The world feels wrong. People can be destroyed by wealth just as much as by poverty. Do you think I wouldn’t be ready to face life with you if I could, if I wasn’t completely certain I’d be struggling right from the start? Here I am—damned! Damned! But I won’t drag you down with me. You know who I am! You know. You’re too straightforward and clear to not see the truth. You try to charm and criticize, but you know the truth. I’m a little jerk—finished and done. I’m—. My dear, you think I’ve been acting out, but all this time I’ve been on my best behavior.... You don’t get it because you’re a man.

“A woman, when she’s spoilt, is spoilt. She’s dirty in grain. She’s done.”

“A woman, when she's spoiled, is spoiled. She’s flawed at her core. She’s finished.”

She walked on weeping.

She walked on crying.

“You’re a fool to want me,” she said. “You’re a fool to want me—for my sake just as much as yours. We’ve done all we can. It’s just romancing—”

“You're a fool to want me,” she said. “You're a fool to want me—for both our sakes. We've done all we can. It's just flirting—”

She dashed the tears from her eyes and turned upon me. “Don’t you understand?” she challenged. “Don’t you know?”

She wiped away the tears from her eyes and faced me. “Don’t you get it?” she challenged. “Don’t you know?”

We faced one another in silence for a moment.

We stood facing each other in silence for a moment.

“Yes,” I said, “I know.”

"Yeah," I said, "I know."

For a long time we spoke never a word, but walked on together, slowly and sorrowfully, reluctant to turn about towards our parting. When at last we did, she broke silence again.

For a long time, we didn't say a word, but walked together, slowly and sadly, hesitant to turn back toward our goodbye. When we finally did, she spoke up again.

“I’ve had you,” she said.

“I’ve got you,” she said.

“Heaven and hell,” I said, “can’t alter that.”

“Heaven and hell,” I said, “can’t change that.”

“I’ve wanted—” she went on. “I’ve talked to you in the nights and made up speeches. Now when I want to make them I’m tongue-tied. But to me it’s just as if the moments we have had lasted for ever. Moods and states come and go. To-day my light is out...”

“I’ve wanted—” she continued. “I’ve talked to you at night and rehearsed speeches. Now that I want to say them, I’m at a loss for words. But for me, it feels like the moments we've shared have lasted forever. Emotions and feelings come and go. Today, my light is out...”

To this day I cannot determine whether she said or whether I imagined she said “chloral.” Perhaps a half-conscious diagnosis flashed it on my brain. Perhaps I am the victim of some perverse imaginative freak of memory, some hinted possibility that scratched and seared. There the word stands in my memory, as if it were written in fire.

To this day, I still can't tell if she actually said "chloral" or if I just imagined it. Maybe a half-conscious thought popped into my head. Perhaps I'm just a victim of some weird quirk of memory, some lingering idea that scratched and burned. That word is lodged in my mind as if it were written in flames.

We came to the door of Lady Osprey’s garden at last, and it was beginning to drizzle.

We finally arrived at the gate of Lady Osprey’s garden, and it was starting to drizzle.

She held out her hands and I took them.

She stretched out her hands and I took them.

“Yours,” she said, in a weary unimpassioned voice; “all that I had—such as it was. Will you forget?”

“Yours,” she said, in a tired, flat voice; “everything I had—though it wasn't much. Will you forget?”

“Never,” I answered.

"Not a chance," I replied.

“Never a touch or a word of it?”

“Never a touch or a word about it?”

“No.”

“No.”

“You will,” she said.

"You will," she said.

We looked at one another in silence, and her face full of fatigue and misery.

We stared at each other in silence, her face showing exhaustion and distress.

What could I do? What was there to do?

What could I do? What was there to do?

“I wish—” I said, and stopped.

“I wish—” I said, and stopped.

“Good-bye.”

“Bye.”

IV

That should have been the last I saw of her, but, indeed, I was destined to see her once again. Two days after I was at Lady Grove, I forget altogether upon what errand, and as I walked back to the station believing her to be gone away she came upon me, and she was riding with Carnaby, just as I had seen them first. The encounter jumped upon us unprepared. She rode by, her eyes dark in her white face, and scarcely noticed me. She winced and grew stiff at the sight of me and bowed her head. But Carnaby, because he thought I was a broken and discomfited man, saluted me with an easy friendliness, and shouted some genial commonplace to me.

That should have been the last time I saw her, but I was meant to see her again. Two days after I was at Lady Grove, I can't remember what I was doing, and as I was walking back to the station, thinking she had already left, she appeared out of nowhere, riding with Carnaby, just like I had seen them the first time. The encounter caught us off guard. She rode past, her eyes dark against her pale face, barely acknowledging me. She flinched and tensed up when she saw me and lowered her head. But Carnaby, assuming I was a defeated and troubled man, greeted me with a casual friendliness and called out some cheerful small talk.

They passed out of sight and left me by the roadside....

They disappeared from view and left me by the side of the road...

And then, indeed, I tasted the ultimate bitterness of life. For the first time I felt utter futility, and was wrung by emotion that begot no action, by shame and pity beyond words. I had parted from her dully and I had seen my uncle break and die with dry eyes and a steady mind, but this chance sight of my lost Beatrice brought me to tears. My face was wrung, and tears came pouring down my cheeks. All the magic she had for me had changed to wild sorrow. “Oh God!” I cried, “this is too much,” and turned my face after her and made appealing gestures to the beech trees and cursed at fate. I wanted to do preposterous things, to pursue her, to save her, to turn life back so that she might begin again. I wonder what would have happened had I overtaken them in pursuit, breathless with running, uttering incoherent words, weeping, expostulatory. I came near to doing that.

And then, I truly experienced the deepest bitterness of life. For the first time, I felt completely helpless, overwhelmed by emotions that led to no action, filled with an indescribable shame and pity. I had said goodbye to her numbly, and I had witnessed my uncle break down and pass away with dry eyes and a clear mind, but this unexpected glimpse of my lost Beatrice brought me to tears. My face was contorted, and tears streamed down my cheeks. All the magic she once held for me had turned into wild sorrow. “Oh God!” I yelled, “this is too much,” and I turned my face toward her, making desperate gestures toward the beech trees and cursing fate. I wanted to do ridiculous things, to chase after her, to save her, to turn back time so she could start anew. I wonder what would have happened if I had caught up to them, breathless from running, babbling incoherently, crying and pleading. I almost did that.

There was nothing in earth or heaven to respect my curses or weeping. In the midst of it a man who had been trimming the opposite hedge appeared and stared at me.

There was nothing in the world or the sky that acknowledged my curses or tears. In the middle of it all, a man who had been trimming the hedge across from me showed up and stared at me.

Abruptly, ridiculously, I dissembled before him and went on and caught my train....

Abruptly, I put on a facade in front of him and then hurried to catch my train.

But the pain I felt then I have felt a hundred times; it is with me as I write. It haunts this book, I see, that is what haunts this book, from end to end.

But the pain I felt back then I have experienced a hundred times; it’s with me as I write. It haunts this book, I see, and that is what haunts this book, from beginning to end.

CHAPTER THE THIRD
NIGHT AND THE OPEN SEA

I

I have tried throughout all this story to tell things as they happened to me. In the beginning—the sheets are still here on the table, grimy and dogs-eared and old-looking—I said I wanted to tell myself and the world in which I found myself, and I have done my best. But whether I have succeeded I cannot imagine. All this writing is grey now and dead and trite and unmeaning to me; some of it I know by heart. I am the last person to judge it.

I’ve tried to share my story just as it happened to me. At the start—the sheets are still here on the table, dirty and worn and looking old—I said I wanted to express myself and the world I found myself in, and I’ve done my best. But I can’t tell if I’ve succeeded. All this writing feels dull and lifeless and cliché to me now; I even know some of it by heart. I’m the last person who should judge it.

As I turn over the big pile of manuscript before me certain things become clearer to me, and particularly the immense inconsequences of my experiences. It is, I see now that I have it all before me, a story of activity and urgency and sterility. I have called it Tono-Bungay, but I had far better have called it Waste. I have told of childless Marion, of my childless aunt, of Beatrice wasted and wasteful and futile. What hope is there for a people whose women become fruitless? I think of all the energy I have given to vain things. I think of my industrious scheming with my uncle, of Crest Hill’s vast cessation, of his resonant strenuous career. Ten thousand men have envied him and wished to live as he lived. It is all one spectacle of forces running to waste, of people who use and do not replace, the story of a country hectic with a wasting aimless fever of trade and money-making and pleasure-seeking. And now I build destroyers!

As I sift through the large stack of manuscript in front of me, certain things become clearer, especially the overwhelming contradictions in my experiences. I realize now that I have it all laid out: a story filled with action, urgency, and emptiness. I called it Tono-Bungay, but I should have named it Waste. I've written about childless Marion, my childless aunt, and Beatrice, who is wasted, wasteful, and futile. What hope is there for a society where women become barren? I reflect on all the energy I’ve invested in pointless endeavors. I think about my busy plotting with my uncle, Crest Hill’s vast decline, and his impactful yet exhausting career. Ten thousand men have envied him and wished to live as he did. It’s all just a display of wasted potential, of people who take but don’t give back, a narrative of a country caught up in a fruitless, aimless frenzy of trade, money-making, and pleasure-seeking. And now I’m building destroyers!

Other people may see this country in other terms; this is how I have seen it. In some early chapter in this heap I compared all our present colour and abundance to October foliage before the frosts nip down the leaves. That I still feel was a good image. Perhaps I see wrongly. It may be I see decay all about me because I am, in a sense, decay. To others it may be a scene of achievement and construction radiant with hope. I, too, have a sort of hope, but it is a remote hope, a hope that finds no promise in this Empire or in any of the great things of our time.

Other people might view this country differently; this is how I see it. In an earlier chapter of this collection, I compared all our current vibrancy and abundance to October leaves before the frost takes them away. I still think that’s a good comparison. Maybe I’m seeing things the wrong way. Perhaps I notice decay all around me because, in a way, I’m experiencing decay myself. For others, it might look like a scene of success and building, full of hope. I have my own kind of hope, but it’s a distant hope, one that sees no promise in this Empire or in any of the big achievements of our time.

How they will look in history I do not know, how time and chance will prove them I cannot guess; that is how they have mirrored themselves on one contemporary mind.

How they'll be viewed in history, I don’t know; I can't imagine how time and chance will reveal them. This is how they’ve reflected themselves in one modern mind.

II

Concurrently with writing the last chapter of this book I have been much engaged by the affairs of a new destroyer we have completed. It has been an oddly complementary alternation of occupations. Three weeks or so ago this novel had to be put aside in order that I might give all my time day and night to the fitting and finishing of the engines. Last Thursday X 2, for so we call her, was done and I took her down the Thames and went out nearly to Texel for a trial of speed.

Concurrently with writing the last chapter of this book, I've been really busy with the details of a new destroyer we've completed. It’s been a strangely complementary mix of tasks. About three weeks ago, I had to set this novel aside to devote all my time, day and night, to fitting and finishing the engines. Last Thursday, we finished X 2, as we call her, and I took her down the Thames and nearly out to Texel for a speed trial.

It is curious how at times one’s impressions will all fuse and run together into a sort of unity and become continuous with things that have hitherto been utterly alien and remote. That rush down the river became mysteriously connected with this book.

It’s interesting how sometimes our impressions can blend together into a single experience and connect with things that used to feel completely foreign and distant. That rush down the river somehow became linked to this book.

As I passed down the Thames I seemed in a new and parallel manner to be passing all England in review. I saw it then as I had wanted my readers to see it. The thought came to me slowly as I picked my way through the Pool; it stood out clear as I went dreaming into the night out upon the wide North Sea.

As I walked along the Thames, it felt like I was also taking a fresh look at all of England. I saw it then just as I wanted my readers to see it. The idea gradually came to me while I navigated through the Pool; it became clear as I lost myself in thought, drifting into the night out on the vast North Sea.

It wasn’t so much thinking at the time as a sort of photographic thought that came and grew clear. X2 went ripping through the dirty oily water as scissors rip through canvas, and the front of my mind was all intent with getting her through under the bridges and in and out among the steam-boats and barges and rowing-boats and piers. I lived with my hands and eyes hard ahead. I thought nothing then of any appearances but obstacles, but for all that the back of my mind took the photographic memory of it complete and vivid....

It wasn’t really thinking at the time; it was more like a clear, vivid image that formed in my mind. X2 tore through the dirty, oily water like scissors cutting through fabric, and my focus was entirely on navigating her under the bridges and in and out among the steam boats, barges, rowboats, and piers. I was fully engaged with my hands and eyes set ahead. I didn’t think about how it looked—only the obstacles in the way—but still, the back of my mind captured it all, clear and detailed....

“This,” it came to me, “is England. That is what I wanted to give in my book. This!”

“This,” it hit me, “is England. That’s what I wanted to convey in my book. This!”

We started in the late afternoon. We throbbed out of our yard above Hammersmith Bridge, fussed about for a moment, and headed down stream. We came at an easy rush down Craven Reach, past Fulham and Hurlingham, past the long stretches of muddy meadow And muddy suburb to Battersea and Chelsea, round the cape of tidy frontage that is Grosvenor Road and under Vauxhall Bridge, and Westminster opened before us. We cleared a string of coal barges and there on the left in the October sunshine stood the Parliament houses, and the flag was flying and Parliament was sitting.

We started in the late afternoon. We pulsed out of our yard above Hammersmith Bridge, messed around for a moment, and headed downstream. We cruised easily down Craven Reach, past Fulham and Hurlingham, past the long stretches of muddy meadows and suburbs to Battersea and Chelsea, around the curve of the neat frontage that is Grosvenor Road and under Vauxhall Bridge, and Westminster opened up before us. We navigated past a line of coal barges, and there on the left in the October sunshine stood the Houses of Parliament, the flag was flying, and Parliament was in session.

I saw it at the time unseeingly; afterwards it came into my mind as the centre of the whole broad panoramic effect of that afternoon. The stiff square lace of Victorian Gothic with its Dutch clock of a tower came upon me suddenly and stared and whirled past in a slow half pirouette and became still, I know, behind me as if watching me recede. “Aren’t you going to respect me, then?” it seemed to say.

I saw it at the time without realizing; later, it became the focal point of the entire wide view of that afternoon. The rigid square lace of Victorian Gothic, with its Dutch clock tower, suddenly appeared in front of me, stared, spun around in a slow half turn, and then stood still, I know, behind me as if it were watching me move away. “Aren’t you going to acknowledge me, then?” it seemed to ask.

Not I! There in that great pile of Victorian architecture the landlords and the lawyers, the bishops, the railway men and the magnates of commerce go to and fro—in their incurable tradition of commercialised Bladesovery, of meretricious gentry and nobility sold for riches. I have been near enough to know. The Irish and the Labour-men run about among their feet, making a fuss, effecting little, they’ve got no better plans that I can see. Respect it indeed! There’s a certain paraphernalia of dignity, but whom does it deceive? The King comes down in a gilt coach to open the show and wears long robes and a crown; and there’s a display of stout and slender legs in white stockings and stout and slender legs in black stockings and artful old gentlemen in ermine. I was reminded of one congested afternoon I had spent with my aunt amidst a cluster of agitated women’s hats in the Royal Gallery of the House of Lords and how I saw the King going to open Parliament, and the Duke of Devonshire looking like a gorgeous pedlar and terribly bored with the cap of maintenance on a tray before him hung by slings from his shoulder. A wonderful spectacle!

Not me! In that huge stack of Victorian buildings, the landlords, lawyers, bishops, railway workers, and business magnates are constantly moving around—caught up in their unshakeable tradition of commercialized elitism, where fake gentry and nobility are sold off for wealth. I've been close enough to see it. The Irish and the laborers scurry around their feet, making a lot of noise but accomplishing little; I don't see any better ideas from them. Respect it, really? There’s a certain display of dignity, but who does it fool? The King arrives in a fancy coach to kick off the event, decked out in long robes and a crown; and there’s a showcase of sturdy and slender legs in white stockings and sturdy and slender legs in black stockings, along with crafty old men in ermine. I was reminded of one crowded afternoon spent with my aunt among a bunch of flustered women’s hats in the Royal Gallery of the House of Lords, watching as the King headed to open Parliament, and the Duke of Devonshire looking like an extravagant peddler, utterly bored, with the cap of maintenance resting on a tray hanging from slings on his shoulder. What a sight!

It is quaint, no doubt, this England—it is even dignified in places—and full of mellow associations. That does not alter the quality of the realities these robes conceal. The realities are greedy trade, base profit—seeking, bold advertisement; and kingship and chivalry, spite of this wearing of treasured robes, are as dead among it all as that crusader my uncle championed against the nettles outside the Duffield church.

It’s charming, for sure, this England—it’s even dignified in some spots—and filled with warm memories. That doesn’t change the truth behind these robes. The truth is about greedy business, selfish profit-seeking, and aggressive advertising; and kingship and chivalry, despite all this display of cherished garments, are as dead among it all as that crusader my uncle supported against the weeds outside the Duffield church.

I have thought much of that bright afternoon’s panorama.

I have thought a lot about the view from that sunny afternoon.

To run down the Thames so is to run one’s hand over the pages in the book of England from end to end. One begins in Craven Reach and it is as if one were in the heart of old England. Behind us are Kew and Hampton Court with their memories of Kings and Cardinals, and one runs at first between Fulham’s episcopal garden parties and Hurlingham’s playground for the sporting instinct of our race. The whole effect is English. There is space, there are old trees and all the best qualities of the home-land in that upper reach. Putney, too, looks Anglican on a dwindling scale. And then for a stretch the newer developments slop over, one misses Bladesover and there come first squalid stretches of mean homes right and left and then the dingy industrialism of the south side, and on the north bank the polite long front of nice houses, artistic, literary, administrative people’s residences, that stretches from Cheyne Walk nearly to Westminster and hides a wilderness of slums. What a long slow crescendo that is, mile after mile, with the houses crowding closelier, the multiplying succession of church towers, the architectural moments, the successive bridges, until you come out into the second movement of the piece with Lambeth’s old palace under your quarter and the houses of Parliament on your bow! Westminster Bridge is ahead of you then, and through it you flash, and in a moment the round-faced clock tower cranes up to peer at you again and New Scotland Yard squares at you, a fat beef-eater of a policeman disguised miraculously as a Bastille.

To glide down the Thames is like flipping through the pages of England's history from start to finish. You begin in Craven Reach, feeling like you’re in the heart of old England. Behind you are Kew and Hampton Court, rich with memories of kings and cardinals. At first, you travel between Fulham’s bishop's garden parties and Hurlingham’s favorite play area for those with a competitive spirit. The overall vibe is distinctly English. There’s space, ancient trees, and all the best aspects of the homeland in that upper stretch. Putney, too, appears Anglican but on a smaller scale. Then, for a while, the newer developments take over; you miss Bladesover and encounter first some rundown areas filled with shabby homes on both sides, then the dreary industrial landscape on the south bank, while on the north bank, there’s a refined row of lovely houses, homes to artistic, literary, and administrative folks, stretching from Cheyne Walk almost to Westminster, concealing a maze of slums. It’s a long, gradual buildup, mile after mile, with houses getting closer together, a growing number of church towers, architectural highlights, and the series of bridges, until you reach the second part of the ride, with Lambeth’s old palace on your left and the Houses of Parliament ahead! Westminster Bridge is right in front of you then, and you zoom through it, and in a moment, the round-faced clock tower pops up to glance at you again, while New Scotland Yard watches you back, resembling a plump beefeater of a policeman cleverly disguised as a fortress.

For a stretch you have the essential London; you have Charing Cross railway station, heart of the world, and the Embankment on the north side with its new hotels overshadowing its Georgian and Victorian architecture, and mud and great warehouses and factories, chimneys, shot towers, advertisements on the south. The northward skyline grows more intricate and pleasing, and more and more does one thank God for Wren. Somerset House is as picturesque as the civil war, one is reminded again of the original England, one feels in the fretted sky the quality of Restoration Lace.

For a while, you have the true essence of London; you have Charing Cross train station, the center of the world, and the Embankment on the north side with its new hotels overshadowing the Georgian and Victorian buildings, along with mud, large warehouses, factories, chimneys, and shot towers, with advertisements on the south. The skyline to the north becomes more detailed and appealing, and one increasingly feels grateful for Wren. Somerset House is as charming as the Civil War, reminding you of the original England, and in the intricacies of the sky, you can sense the elegance of Restoration Lace.

And then comes Astor’s strong box and the lawyers’ Inns.

And then comes Astor's vault and the lawyers' lounges.

(I had a passing memory of myself there, how once I had trudged along the Embankment westward, weighing my uncle’s offer of three hundred pounds a year....)

(I had a fleeting memory of being there, how I once walked along the Embankment heading west, considering my uncle’s offer of three hundred pounds a year....)

Through that central essential London reach I drove, and X2 bored her nose under the foam regardless of it all like a black hound going through reeds—on what trail even I who made her cannot tell.

Through that central part of London, I drove, and X2 pushed her nose into the foam without a care, like a black dog moving through the reeds—on what path, even I who created her, cannot say.

And in this reach, too, one first meets the seagulls and is reminded of the sea. Blackfriars one takes—just under these two bridges and just between them is the finest bridge moment in the world—and behold, soaring up, hanging in the sky over a rude tumult of warehouses, over a jostling competition of traders, irrelevantly beautiful and altogether remote, Saint Paul’s! “Of course!” one says, “Saint Paul’s!” It is the very figure of whatever fineness the old Anglican culture achieved, detached, a more dignified and chastened Saint Peter’s, colder, greyer, but still ornate; it has never been over thrown, never disavowed, only the tall warehouses and all the roar of traffic have forgotten it, every one has forgotten it; the steamships, the barges, go heedlessly by regardless of it, intricacies of telephone wires and poles cut blackly into its thin mysteries, and presently, when in a moment the traffic permits you and you look round for it, it has dissolved like a cloud into the grey blues of the London sky.

And in this stretch, you first see the seagulls and are reminded of the sea. You pass Blackfriars—right under these two bridges and just between them is the best bridge moment in the world—and there it is, soaring up, hanging in the sky over a chaotic jumble of warehouses, amidst a bustling crowd of traders, irrelevant yet extraordinarily beautiful and completely distant, Saint Paul’s! “Of course!” you say, “Saint Paul’s!” It represents the essence of whatever greatness the old Anglican culture achieved, separate, a more dignified and understated Saint Peter’s, colder, greyer, but still elaborate; it has never been overthrown, never rejected, only the tall warehouses and all the noise of traffic have forgotten it, everyone has forgotten it; the steamships, the barges, sail by without a thought, and the tangled mess of telephone wires and poles cuts darkly into its delicate mysteries, and then, when the traffic finally lets up and you glance around for it, it has vanished like a cloud into the grey blues of the London sky.

And then the traditional and ostensible England falls from you altogether. The third movement begins, the last great movement in the London symphony, in which the trim scheme of the old order is altogether dwarfed and swallowed up. Comes London Bridge, and the great warehouses tower up about you, waving stupendous cranes, the gulls circle and scream in your ears, large ships lie among their lighters, and one is in the port of the world. Again and again in this book I have written of England as a feudal scheme overtaken by fatty degeneration and stupendous accidents of hypertrophy.

And then the traditional and superficial England completely disappears from view. The third movement begins, the last grand movement in the London symphony, where the neat structure of the old order is totally overshadowed and consumed. You arrive at London Bridge, and the massive warehouses rise around you, with huge cranes waving high, and gulls circling and screeching in your ears. Large ships are nestled among their lighters, and you find yourself in the port of the world. I have repeatedly described England in this book as a feudal system that’s been overwhelmed by excessive growth and huge unforeseen developments.

For the last time I must strike that note as the memory of the dear neat little sunlit ancient Tower of London lying away in a gap among the warehouses comes back to me, that little accumulation of buildings so provincially pleasant and dignified, overshadowed by the vulgarest, most typical exploit of modern England, the sham Gothic casings to the ironwork of the Tower Bridge. That Tower Bridge is the very balance and confirmation of Westminster’s dull pinnacles and tower. That sham Gothic bridge; in the very gates of our mother of change, the Sea!

For the last time, I have to mention how I remember the charming, sunlit old Tower of London, nestled among the warehouses. It's that collection of buildings that's so quaint and dignified, yet overshadowed by the most ordinary display of modern England—the fake Gothic design around the ironwork of the Tower Bridge. That Tower Bridge perfectly balances and confirms the dull spires and towers of Westminster. That fake Gothic bridge sits right at the entrance to our ever-changing mother, the Sea!

But after that one is in a world of accident and nature. For the third part of the panorama of London is beyond all law, order, and precedence; it is the seaport and the sea. One goes down the widening reaches through a monstrous variety of shipping, great steamers, great sailing-ships, trailing the flags of all the world, a monstrous confusion of lighters, witches’ conferences of brown-sailed barges, wallowing tugs, a tumultuous crowding and jostling of cranes and spars, and wharves and stores, and assertive inscriptions. Huge vistas of dock open right and left of one, and here and there beyond and amidst it all are church towers, little patches of indescribably old-fashioned and worn-out houses, riverside pubs and the like, vestiges of townships that were long since torn to fragments and submerged in these new growths. And amidst it all no plan appears, no intention, no comprehensive desire. That is the very key of it all. Each day one feels that the pressure of commerce and traffic grew, grew insensibly monstrous, and first this man made a wharf and that erected a crane, and then this company set to work and then that, and so they jostled together to make this unassimilable enormity of traffic. Through it we dodged and drove eager for the high seas.

But after that, you enter a world filled with chaos and nature. The third part of the view of London is beyond any law, order, or hierarchy; it is the seaport and the sea. You travel down increasingly wide channels through an incredible variety of ships—large steamers, majestic sailing vessels, flying the flags of every nation, a chaotic mix of barges with brown sails, bobbing tugs, a tumult of cranes and masts, docks and warehouses, and bold signage. Massive dock areas open up to the right and left, and here and there, amidst it all, you can spot church towers, small clusters of indescribably old and run-down houses, riverside pubs, and similar remnants of towns that were long ago demolished and submerged in these new developments. And throughout all of it, there’s no apparent plan, no intention, no overall vision. That’s the crux of it all. Each day, you can feel the increasing pressure of commerce and traffic becoming overwhelmingly huge, as one person built a dock, another raised a crane, and this company began working, then that one, all bumping against each other to create this unmanageable mass of activity. Through it, we navigated, eager for the open sea.

I remember how I laughed aloud at the glimpse of the name of a London County Council steamboat that ran across me. Caxton it was called, and another was Pepys, and another was Shakespeare. They seemed so wildly out of place, splashing about in that confusion. One wanted to take them out and wipe them and put them back in some English gentleman’s library. Everything was alive about them, flash ing, splashing, and passing, ships moving, tugs panting, hawsers taut, barges going down with men toiling at the sweeps, the water all a-swirl with the wash of shipping, scaling into millions of little wavelets, curling and frothing under the whip of the unceasing wind. Past it all we drove. And at Greenwich to the south, you know, there stands a fine stone frontage where all the victories are recorded in a Painted Hall, and beside it is the “Ship” where once upon a time those gentlemen of Westminster used to have an annual dinner—before the port of London got too much for them altogether. The old façade of the Hospital was just warming to the sunset as we went by, and after that, right and left, the river opened, the sense of the sea increased and prevailed, reach after reach from Northfleet to the Nore.

I remember laughing out loud when I caught sight of the name of a London County Council steamboat. It was called Caxton, and there was another named Pepys, and yet another, Shakespeare. They felt so out of place, splashing around in all that chaos. One wanted to take them out and dust them off, putting them back in some English gentleman’s library. Everything around them was alive—flashing, splashing, and moving. Ships were sailing, tugs were panting, ropes were taut, and barges were gliding down with men working the oars, the water swirling with the wake of boats, breaking into millions of little waves, curling and frothing under the constant wind. We drove past all of it. And at Greenwich to the south, you know, there’s a beautiful stone front where all the victories are recorded in a Painted Hall, and next to it is the “Ship,” where those gentlemen from Westminster used to have an annual dinner—before the port of London became too overwhelming for them. The old façade of the Hospital was just catching the sunset as we went by, and after that, on the right and left, the river opened up, and the feeling of the sea grew stronger and took over, stretching from Northfleet to the Nore.

And out you come at last with the sun behind you into the eastern sea. You speed up and tear the oily water louder and faster, siroo, siroo-swish-siroo, and the hills of Kent—over which I once fled from the Christian teachings of Nicodemus Frapp—fall away on the right hand and Essex on the left. They fall away and vanish into blue haze, and the tall slow ships behind the tugs, scarce moving ships and wallowing sturdy tugs, are all wrought of wet gold as one goes frothing by. They stand out, bound on strange missions of life and death, to the killing of men in unfamiliar lands. And now behind us is blue mystery and the phantom flash of unseen lights, and presently even these are gone, and I and my destroyer tear out to the unknown across a great grey space. We tear into the great spaces of the future and the turbines fall to talking in unfamiliar tongues. Out to the open we go, to windy freedom and trackless ways. Light after light goes down. England and the Kingdom, Britain and the Empire, the old prides and the old devotions, glide abeam, astern, sink down upon the horizon, pass—pass. The river passes—London passes, England passes...

And finally, you emerge with the sun behind you into the eastern sea. You pick up speed and cut through the oily water louder and faster, siroo, siroo-swish-siroo, and the hills of Kent—where I once ran away from the Christian teachings of Nicodemus Frapp—fade away on the right and Essex on the left. They disappear into a blue haze, and the tall, slow ships behind the tugs, barely moving ships and steady, strong tugs, all appear to be made of wet gold as we rush by. They stand out, headed on strange missions of life and death, to the killing of men in unfamiliar lands. Now behind us is a blue mystery and the ghostly flash of unseen lights, and soon even these are gone, and my destroyer and I surge into the unknown across a vast grey space. We surge into the great expanses of the future, and the turbines start to communicate in unfamiliar languages. We head out to the open, to windy freedom and unmarked paths. Light after light goes down. England and the Kingdom, Britain and the Empire, the old prides and past loyalties, glide past, sinking down on the horizon, moving on—moving on. The river moves on—London moves on, England moves on...

III

This is the note I have tried to emphasise, the note that sounds clear in my mind when I think of anything beyond the purely personal aspects of my story.

This is the point I've been trying to highlight, the point that resonates strongly in my mind when I consider anything beyond the purely personal parts of my story.

It is a note of crumbling and confusion, of change and seemingly aimless swelling, of a bubbling up and medley of futile loves and sorrows. But through the confusion sounds another note. Through the confusion something drives, something that is at once human achievement and the most inhuman of all existing things. Something comes out of it.... How can I express the values of a thing at once so essential and so immaterial. It is something that calls upon such men as I with an irresistible appeal.

It’s a mix of decay and chaos, of change and what feels like pointless growth, a combination of unfulfilled loves and sorrows bubbling to the surface. But within that confusion, there’s another tone. Amidst the chaos, something pushes through, something that embodies both human achievement and the most inhumane aspects of existence. Something emerges from it... How can I describe the significance of something that is both crucial and intangible? It’s something that calls to men like me with an irresistible allure.

I have figured it in my last section by the symbol of my destroyer, stark and swift, irrelevant to most human interests. Sometimes I call this reality Science, sometimes I call it Truth. But it is something we draw by pain and effort ont of the heart of life, that we disentangle and make clear. Other men serve it, I know, in art, in literature, in social invention, and see it in a thousand different figures, under a hundred names. I see it always as austerity, as beauty. This thing we make clear is the heart of life. It is the one enduring thing. Men and nations, epochs and civilisation pass each making its contribution I do not know what it is, this something, except that it is supreme. It is, a something, a quality, an element, one may find now in colours, now in norms, now in sounds, now in thoughts. It emerges from life with each year one lives and feels, and generation by generation and age by age, but the how and why of it are all beyond the compass of my mind....

I figured it out in my last section through the symbol of my destroyer, stark and swift, irrelevant to most human concerns. Sometimes I call this reality Science, sometimes I call it Truth. But it’s something we extract through pain and effort from the core of life, that we untangle and clarify. Other people serve it, I know, in art, literature, and social innovation, seeing it manifested in a thousand different forms under a hundred different names. I see it always as austerity, as beauty. This clarity we achieve is the essence of life. It is the one lasting truth. Men and nations, eras and civilizations, all pass by, each making their own contribution. I don’t know what this is, this something, except that it is supreme. It’s a quality, an element that one might find in colors, in norms, in sounds, or in thoughts. It emerges from life with each year we live and feel, and generation by generation and age by age, but the how and why of it are all beyond my understanding....

Yet the full sense of it was with me all that night as I drove, lonely above the rush and murmur of my engines, out upon the weltering circle of the sea.

Yet the complete understanding of it stayed with me all night as I drove, feeling alone above the noise and hum of my engines, out upon the churning circle of the sea.

Far out to the northeast there came the flicker of a squadron of warships waving white swords of light about the sky. I kept them hull-down, and presently they were mere summer lightning over the watery edge of the globe.... I fell into thought that was nearly formless, into doubts and dreams that have no words, and it seemed good to me to drive ahead and on and or through the windy starlight, over the long black waves.

Far out to the northeast, I saw the flash of a fleet of warships cutting through the sky with bright beams of light. I kept them hidden below the horizon, and soon they were just flashes of summer lightning at the watery edge of the world. I drifted into thoughts that were almost shapeless, filled with doubts and dreams that couldn’t be put into words. It felt right to push forward through the windy starlight, over the long dark waves.

IV

It was morning and day before I returned with the four sick and starving journalists who had got permission to come with me, up the shining river, and past the old grey Tower....

It was morning the day before I came back with the four sick and starving journalists who had gotten permission to join me, up the sparkling river, and past the old gray Tower....

I recall the back views of those journalists very distinctly, going with a certain damp weariness of movement, along a side street away from the river. They were good men and bore me no malice, and they served me up to the public in turgid degenerate Kiplingese, as a modest button on the complacent stomach of the Empire. Though as a matter of fact, X2 isn’t intended for the empire, or indeed for the hands of any European power. We offered it to our own people first, but they would have nothing to do with me, and I have long since ceased to trouble much about such questions. I have come to see myself from the outside, my country from the outside—without illusions. We make and pass.

I clearly remember watching those journalists from behind, moving with a sort of damp weariness down a side street away from the river. They were good people who didn’t mean me any harm, and they presented me to the public in overly complicated, outdated language, like a small button on the satisfied belly of the Empire. But honestly, X2 isn’t meant for the empire or for any European power. We offered it to our own people first, but they rejected me completely, and I’ve stopped worrying about that a long time ago. I’ve learned to see myself from the outside, and my country from the outside—without any illusions. We create and then we move on.

We are all things that make and pass striving upon a hidden mission, out to the open sea.

We are all part of what makes and drives us, on a secret mission, setting sail into the open sea.


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