This is a modern-English version of The Adventures of Tom Sawyer, Part 1., originally written by Twain, Mark. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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THE ADVENTURES OF TOM SAWYER



BY MARK TWAIN

(Samuel Langhorne Clemens)



Part 1.



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CONTENTS

CHAPTER I.
Y-o-u-u Tom-Aunt Polly Decides Upon her Duty
—Tom Practices Music—The Challenge—A Private Entrance

CHAPTER I.
You, Tom—Aunt Polly Decides What to Do
—Tom Practices His Music—The Challenge—A Secret Entrance

CHAPTER II.
Strong Temptations—Strategic Movements
—The Innocents Beguiled

CHAPTER II.
Strong Temptations—Tactical Moves
—The Innocents Deceived

CHAPTER III.
Tom as a General—Triumph and Reward
—Dismal Felicity—Commission and Omission

CHAPTER III.
Tom as a General—Victory and Reward
—Bleak Happiness—Action and Inaction





ILLUSTRATIONS





PREFACE


Most of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but not from an individual—he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture.

Most of the adventures in this book really happened; a couple were my own experiences, while the rest belonged to boys I went to school with. Huck Finn is based on a real person; Tom Sawyer is too, but he’s not based on one specific individual—he’s a mix of traits from three boys I knew, so he fits into the composite style.

The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story—that is to say, thirty or forty years ago.

The strange superstitions mentioned were common among children and slaves in the West during the time of this story—that is to say, thirty or forty years ago.

Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in.

Although my book is mainly designed for the enjoyment of kids, I hope that adults won’t avoid it because of that. Part of my goal has been to gently remind grown-ups of who they once were, how they felt, what they thought and said, and the strange adventures they sometimes took part in.

THE AUTHOR.

THE AUTHOR.

HARTFORD, 1876.

HARTFORD, 1876.









CHAPTER I





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"TOM!"

"TOM!"

No answer.

No response.

"TOM!"

"TOM!"

No answer.

No response.

"What's gone with that boy,  I wonder? You TOM!"

"What's up with that boy, I wonder? You, TOM!"

No answer.

No response.

The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked THROUGH them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:

The old lady lowered her glasses and looked around the room; then she pushed them up and peered out from underneath. She hardly ever looked THROUGH them for something as small as a boy; they were her fancy pair, the pride of her heart, and made for "style," not for practical use—she could have seen just as well through a couple of stove lids. She looked confused for a moment, and then said, not angrily, but still loud enough for the furniture to hear:

"Well, I lay if I get hold of you I'll—"

"Well, I swear if I get my hands on you, I'll—"

She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.

She didn’t finish because by that point she was crouching down and sweeping under the bed with the broom, so she needed breath to keep up the movements. All she found was the cat.

"I never did see the beat of that boy!"

"I never did see anyone like that boy!"

She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted:

She walked over to the open door, stood in it, and gazed out at the tomato plants and "jimpson" weeds that made up the garden. No Tom. So she raised her voice at just the right angle to carry and called out:

"Y-o-u-u TOM!"

"Hey, you, Tom!"

There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight.

There was a small noise behind her, and she turned just in time to grab a little boy by the loose part of his jacket and stop him from running away.

"There! I might 'a' thought of that closet. What you been doing in there?"

"There! I might have thought of that closet. What have you been doing in there?"

"Nothing."

"None."

"Nothing! Look at your hands. And look at your mouth. What IS that truck?"

"Nothing! Look at your hands. And look at your mouth. What is that truck?"

"I don't know, aunt."

"I don't know, Aunt."

"Well, I know. It's jam—that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch."

"Well, I know. It's jam—that's what it is. I've told you forty times that if you didn't leave that jam alone, I would skin you. Hand me that switch."

The switch hovered in the air—the peril was desperate—

The switch hovered in the air—the danger was urgent—

"My! Look behind you, aunt!"

"Wow! Look behind you, aunt!"

The old lady whirled round, and snatched her skirts out of danger. The lad fled on the instant, scrambled up the high board-fence, and disappeared over it.

The old lady spun around and pulled her skirts out of harm's way. The boy took off immediately, climbed up the tall wooden fence, and vanished over it.





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His aunt Polly stood surprised a moment, and then broke into a gentle laugh.

His Aunt Polly stood there in surprise for a moment, and then broke into a soft laugh.

"Hang the boy, can't I never learn anything? Ain't he played me tricks enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can't learn an old dog new tricks, as the saying is. But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again and I can't hit him a lick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows. Spare the rod and spile the child, as the Good Book says. I'm a laying up sin and suffering for us both, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart most breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hookey this evening, * and [* Southwestern for "afternoon"] I'll just be obleeged to make him work, tomorrow, to punish him. It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've GOT to do some of my duty by him, or I'll be the ruination of the child."

"Hang the kid, can’t I ever learn anything? Hasn’t he pulled enough tricks on me by now for me to watch out for him? But old fools are the biggest fools there are. You can’t teach an old dog new tricks, as the saying goes. But my goodness, he never plays the same trick two days in a row, and how is anyone supposed to know what’s coming? He seems to know just how long he can mess with me before I get angry, and he knows if he can make me laugh or distract me for even a minute, it’s all over and I can’t hit him. I’m not doing my duty by that boy, and that’s the truth, goodness knows. Spare the rod and spoil the child, as the Good Book says. I’m building up sin and suffering for both of us, I know. He’s full of mischief, but my word! he’s my late sister’s boy, poor thing, and I just can’t bring myself to punish him. Every time I let him off the hook, my conscience hurts me so much, and every time I hit him, my heart almost breaks. Well, well, man that is born of woman has a short life full of trouble, as the Scripture says, and I guess that’s true. He’ll skip school this evening, and tomorrow I’ll just have to make him work as punishment. It’s really tough to make him work on Saturdays, when all the other boys are having fun, but he hates work more than anything else, and I HAVE to do some of my duty by him, or I’ll ruin the kid."

Tom did play hookey, and he had a very good time. He got back home barely in season to help Jim, the small colored boy, saw next-day's wood and split the kindlings before supper—at least he was there in time to tell his adventures to Jim while Jim did three-fourths of the work. Tom's younger brother (or rather half-brother) Sid was already through with his part of the work (picking up chips), for he was a quiet boy, and had no adventurous, trouble-some ways.

Tom skipped school, and he had a great time. He got home just in time to help Jim, the young Black boy, saw the wood for the next day and split the kindling before dinner—at least he was there to share his adventures with Jim while Jim did most of the work. Tom's younger brother (or rather half-brother) Sid had already finished his part of the chores (picking up chips) because he was a quiet boy and didn't have any adventurous or troublesome habits.





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While Tom was eating his supper, and stealing sugar as opportunity offered, Aunt Polly asked him questions that were full of guile, and very deep—for she wanted to trap him into damaging revealments. Like many other simple-hearted souls, it was her pet vanity to believe she was endowed with a talent for dark and mysterious diplomacy, and she loved to contemplate her most transparent devices as marvels of low cunning. Said she:

While Tom was having his dinner and sneaking sugar whenever he could, Aunt Polly asked him questions that were sneaky and quite clever—she was trying to catch him off guard into making some damaging revelations. Like many other genuinely sweet people, it was her little pride to think she had a gift for subtle and tricky diplomacy, and she enjoyed considering her simplest schemes as brilliant acts of cleverness. She said:

"Tom, it was middling warm in school, warn't it?"

"Tom, it was kind of warm in school, wasn't it?"

"Yes'm."

"Yes, ma'am."

"Powerful warm, warn't it?"

"Powerful warm, wasn't it?"

"Yes'm."

"Yes, ma'am."

"Didn't you want to go in a-swimming, Tom?"

"Didn't you want to go swimming, Tom?"

A bit of a scare shot through Tom—a touch of uncomfortable suspicion. He searched Aunt Polly's face, but it told him nothing. So he said:

A wave of fear hit Tom—a hint of uneasy doubt. He looked at Aunt Polly's face, but it revealed nothing. So he said:

"No'm—well, not very much."

"No, not really."

The old lady reached out her hand and felt Tom's shirt, and said:

The elderly woman extended her hand and touched Tom's shirt, and said:

"But you ain't too warm now, though." And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind. But in spite of her, Tom knew where the wind lay, now. So he forestalled what might be the next move:

"But you're not too warm right now, are you?" And it pleased her to think that she had figured out the shirt was dry without anyone realizing that was what she was thinking. But despite her, Tom understood the situation now. So he preempted what might be the next step:

"Some of us pumped on our heads—mine's damp yet. See?"

"Some of us are feeling it on our heads—mine's still wet. See?"

Aunt Polly was vexed to think she had overlooked that bit of circumstantial evidence, and missed a trick. Then she had a new inspiration:

Aunt Polly was annoyed to realize she had overlooked that piece of circumstantial evidence and missed an opportunity. Then she had a new idea:

"Tom, you didn't have to undo your shirt collar where I sewed it, to pump on your head, did you? Unbutton your jacket!"

"Tom, you didn't have to unbutton your shirt collar where I stitched it, just to mess with your hair, right? Button up your jacket!"

The trouble vanished out of Tom's face. He opened his jacket. His shirt collar was securely sewed.

The trouble disappeared from Tom's face. He opened his jacket. His shirt collar was firmly stitched.

"Bother! Well, go 'long with you. I'd made sure you'd played hookey and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a singed cat, as the saying is—better'n you look. THIS time."

"Bother! Well, go on, then. I figured you'd skipped school and been swimming. But I forgive you, Tom. I guess you're like a singed cat, as the saying goes—better than you seem. THIS time."

She was half sorry her sagacity had miscarried, and half glad that Tom had stumbled into obedient conduct for once.

She was partly sorry that her smart thinking had failed, and partly glad that Tom had, for once, acted obediently.

But Sidney said:

But Sidney said:

"Well, now, if I didn't think you sewed his collar with white thread, but it's black."

"Well, now, I didn't realize you sewed his collar with white thread, but it's actually black."

"Why, I did sew it with white! Tom!"

"Why, I sewed it with white! Tom!"

But Tom did not wait for the rest. As he went out at the door he said:

But Tom didn't wait for the others. As he walked out the door, he said:

"Siddy, I'll lick you for that."

"Siddy, I'm going to get you for that."

In a safe place Tom examined two large needles which were thrust into the lapels of his jacket, and had thread bound about them—one needle carried white thread and the other black. He said:

In a safe spot, Tom looked at two big needles stuck into the lapels of his jacket, with thread wrapped around them—one needle had white thread and the other had black. He said:

"She'd never noticed if it hadn't been for Sid. Confound it! sometimes she sews it with white, and sometimes she sews it with black. I wish to gee-miny she'd stick to one or t'other—I can't keep the run of 'em. But I bet you I'll lam Sid for that. I'll learn him!"

"She would have never noticed if it hadn't been for Sid. Damn it! Sometimes she sews it with white, and sometimes she sews it with black. I wish to God she'd just stick to one or the other—I can't keep track of them. But I bet you I'll give Sid a piece of my mind for that. I'll teach him!"

He was not the Model Boy of the village. He knew the model boy very well though—and loathed him.

He wasn't the perfect kid in the village. He knew the perfect kid really well, though—and hated him.

Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men's misfortunes are forgotten in the excitement of new enterprises. This new interest was a valued novelty in whistling, which he had just acquired from a negro, and he was suffering to practise it un-disturbed. It consisted in a peculiar bird-like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music—the reader probably remembers how to do it, if he has ever been a boy. Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude. He felt much as an astronomer feels who has discovered a new planet—no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer.

Within two minutes, or even less, he had forgotten all his troubles. Not because his troubles were any less heavy and bitter to him than they are to anyone else, but because a new and powerful interest pushed them aside and cleared his mind for a while—just like how people forget their misfortunes in the excitement of new adventures. This new interest was a cool way of whistling, which he had just picked up from a Black man, and he was eager to practice it without interruption. It involved a unique bird-like twist, a sort of fluid warble, created by tapping the tongue against the roof of the mouth at short intervals while whistling—the reader probably remembers how to do it if they’ve ever been a kid. With some focus and effort, he quickly got the hang of it, and he walked down the street filled with music and overflowing with gratitude. He felt much like an astronomer who has discovered a new planet—no doubt, as far as pure, deep enjoyment goes, the boy had the edge over the astronomer.

The summer evenings were long. It was not dark, yet. Presently Tom checked his whistle. A stranger was before him—a boy a shade larger than himself. A new-comer of any age or either sex was an im-pressive curiosity in the poor little shabby village of St. Petersburg. This boy was well dressed, too—well dressed on a week-day. This was simply as- tounding. His cap was a dainty thing, his close-buttoned blue cloth roundabout was new and natty, and so were his pantaloons. He had shoes on—and it was only Friday. He even wore a necktie, a bright bit of ribbon. He had a citified air about him that ate into Tom's vitals. The more Tom stared at the splendid marvel, the higher he turned up his nose at his finery and the shabbier and shabbier his own outfit seemed to him to grow. Neither boy spoke. If one moved, the other moved—but only sidewise, in a circle; they kept face to face and eye to eye all the time. Finally Tom said:

The summer evenings felt endless. It wasn't dark yet. Soon, Tom checked his whistle. A stranger stood before him—a boy slightly bigger than he was. In the rundown little village of St. Petersburg, any newcomer, regardless of age or gender, was a fascinating sight. This boy was well dressed too—well dressed for a weekday. It was simply astounding. His cap was stylish, his snug blue cloth jacket was new and sharp, and so were his pants. He wore shoes—and it was only Friday. He even had a necktie, a bright piece of ribbon. He gave off a polished vibe that made Tom feel uneasy. The more Tom stared at this impressive sight, the more he looked down on his own shabby clothes, which seemed even worse in comparison. Neither boy spoke. If one moved, the other moved too—but only to the side, in a circle; they stayed face to face and locked in eye contact the whole time. Finally, Tom said:

"I can lick you!"

"I can kiss you!"

"I'd like to see you try it."

"I'd like to see you give it a shot."

"Well, I can do it."

"Sure, I can do it."

"No you can't, either."

"No, you can't either."

"Yes I can."

"Yep, I can."

"No you can't."

"No, you can't."

"I can."

"I can do it."

"You can't."

"You can’t."

"Can!"

"Sure!"

"Can't!"

"Cannot!"

An uncomfortable pause. Then Tom said:

An awkward silence followed. Then Tom said:

"What's your name?"

"What's your name?"

"'Tisn't any of your business, maybe."

"It might not be any of your business."

"Well I 'low I'll MAKE it my business."

"Well, I guess I'll make it my business."

"Well why don't you?"

"Why don't you?"

"If you say much, I will."

"If you talk a lot, I will."

"Much—much—MUCH. There now."

"Way—way—WAY. There you go."

"Oh, you think you're mighty smart, DON'T you? I could lick you with one hand tied behind me, if I wanted to."

"Oh, you think you're really clever, don't you? I could beat you with one hand tied behind my back, if I wanted to."

"Well why don't you DO it? You SAY you can do it."

"Well, why don't you just do it? You say you can do it."

"Well I WILL, if you fool with me."

"Well, I definitely will if you mess with me."

"Oh yes—I've seen whole families in the same fix."

"Oh yeah—I’ve seen entire families in the same situation."

"Smarty! You think you're SOME, now, DON'T you? Oh, what a hat!"

"Smarty! You think you're something special now, don’t you? Oh, what a hat!"

"You can lump that hat if you don't like it. I dare you to knock it off—and anybody that'll take a dare will suck eggs."

"You can throw that hat away if you don't like it. I challenge you to knock it off—and anyone who takes a challenge will eat dirt."

"You're a liar!"

"You're lying!"

"You're another."

"You're one of them."

"You're a fighting liar and dasn't take it up."

"You're a lying fighter and can't handle it."

"Aw—take a walk!"

"Aw—go for a walk!"

"Say—if you give me much more of your sass I'll take and bounce a rock off'n your head."

"Hey—if you keep talking back like that, I'll throw a rock at your head."

"Oh, of COURSE you will."

"Oh, of course you will."

"Well I WILL."

"Well I WILL."

"Well why don't you DO it then? What do you keep SAYING you will for? Why don't you DO it? It's because you're afraid."

"Well, why don't you just do it then? What do you keep saying you will for? Why don't you just do it? It's because you're scared."

"I AIN'T afraid."

"I'm not afraid."

"You are."

"You are."

"I ain't."

"I'm not."

"You are."

"You are."





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Another pause, and more eying and sidling around each other. Presently they were shoulder to shoulder. Tom said:

Another pause, and they kept eyeing and moving close to each other. Soon they were shoulder to shoulder. Tom said:

"Get away from here!"

"Get out of here!"

"Go away yourself!"

"Leave me alone!"

"I won't."

"I can't."

"I won't either."

"Me neither."

So they stood, each with a foot placed at an angle as a brace, and both shoving with might and main, and glowering at each other with hate. But neither could get an advantage. After struggling till both were hot and flushed, each relaxed his strain with watchful caution, and Tom said:

So they stood there, each with a foot positioned at an angle for stability, both pushing with all their strength and glaring at each other with hatred. But neither could gain the upper hand. After wrestling until they were both hot and flushed, they each eased their tension with careful observation, and Tom said:

"You're a coward and a pup. I'll tell my big brother on you, and he can thrash you with his little finger, and I'll make him do it, too."

"You're a coward and a baby. I'm going to tell my big brother on you, and he can take you down with just his pinky, and I'll make sure he does."

"What do I care for your big brother? I've got a brother that's bigger than he is—and what's more, he can throw him over that fence, too." [Both brothers were imaginary.]

"What do I care about your big brother? I've got a brother who's bigger than he is—and what's more, he can toss him over that fence, too." [Both brothers were imaginary.]

"That's a lie."

"That's not true."

"YOUR saying so don't make it so."

"Just because you say it doesn’t make it true."

Tom drew a line in the dust with his big toe, and said:

Tom drew a line in the dirt with his big toe and said:

"I dare you to step over that, and I'll lick you till you can't stand up. Anybody that'll take a dare will steal sheep."

"I challenge you to step over that, and I'll keep teasing you until you can't take it anymore. Anyone who’s willing to take a dare will definitely steal sheep."

The new boy stepped over promptly, and said:

The new kid came over quickly and said:

"Now you said you'd do it, now let's see you do it."

"Now you said you’d do it, so let’s see you make it happen."

"Don't you crowd me now; you better look out."

"Don't get too close to me now; you better watch out."

"Well, you SAID you'd do it—why don't you do it?"

"Well, you said you would do it—why aren't you doing it?"

"By jingo! for two cents I WILL do it."

"Wow! For two cents, I WILL do it."

The new boy took two broad coppers out of his pocket and held them out with derision. Tom struck them to the ground. In an instant both boys were rolling and tumbling in the dirt, gripped together like cats; and for the space of a minute they tugged and tore at each other's hair and clothes, punched and scratched each other's nose, and covered themselves with dust and glory. Presently the confusion took form, and through the fog of battle Tom appeared, seated astride the new boy, and pounding him with his fists. "Holler 'nuff!" said he.

The new kid pulled out two shiny coins from his pocket and waved them around mockingly. Tom knocked them to the ground. In an instant, the two boys were rolling around in the dirt, locked together like cats; for about a minute, they yanked at each other's hair and clothes, threw punches, scratched each other's noses, and covered themselves in dust and chaos. Eventually, things settled down, and through the haze of the fight, Tom was seen sitting on the new kid, hitting him with his fists. "Yell 'enough!'" he said.

The boy only struggled to free himself. He was crying—mainly from rage.

The boy just fought to break free. He was crying—mostly out of anger.

"Holler 'nuff!"—and the pounding went on.

"Yell louder!"—and the pounding continued.

At last the stranger got out a smothered "'Nuff!" and Tom let him up and said:

At last, the stranger managed to mumble a subdued "'Nuff!" and Tom let him up and said:

"Now that'll learn you. Better look out who you're fooling with next time."

"Now that'll teach you. You better watch out who you mess with next time."

The new boy went off brushing the dust from his clothes, sobbing, snuffling, and occasionally looking back and shaking his head and threatening what he would do to Tom the "next time he caught him out." To which Tom responded with jeers, and started off in high feather, and as soon as his back was turned the new boy snatched up a stone, threw it and hit him between the shoulders and then turned tail and ran like an antelope. Tom chased the traitor home, and thus found out where he lived. He then held a position at the gate for some time, daring the enemy to come outside, but the enemy only made faces at him through the window and declined. At last the enemy's mother appeared, and called Tom a bad, vicious, vulgar child, and ordered him away. So he went away; but he said he "'lowed" to "lay" for that boy.

The new kid walked away, brushing the dust off his clothes, crying and sniffling, occasionally looking back to shake his head and threaten what he would do to Tom the next time he caught him. Tom responded with jeers and walked off confidently, but as soon as his back was turned, the new kid picked up a stone, threw it, and hit him between the shoulders before running away like the wind. Tom chased the traitor home and discovered where he lived. He then waited at the gate for a while, daring the kid to come outside, but the kid just made faces at him through the window and refused to come out. Eventually, the kid’s mom showed up and called Tom a bad, nasty, rude kid and told him to leave. So he left, but he said he planned to get even with that boy.





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He got home pretty late that night, and when he climbed cautiously in at the window, he uncovered an ambuscade, in the person of his aunt; and when she saw the state his clothes were in her resolution to turn his Saturday holiday into captivity at hard labor became adamantine in its firmness.

He got home pretty late that night, and when he carefully climbed in through the window, he found his aunt waiting for him. When she saw how dirty his clothes were, her decision to turn his Saturday holiday into hard labor became absolutely unyielding.









CHAPTER II





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SATURDAY morning was come, and all the summer world was bright and fresh, and brimming with life. There was a song in every heart; and if the heart was young the music issued at the lips. There was cheer in every face and a spring in every step. The locust-trees were in bloom and the fragrance of the blossoms filled the air. Cardiff Hill, beyond the village and above it, was green with vegetation and it lay just far enough away to seem a Delectable Land, dreamy, reposeful, and inviting.

SATURDAY morning had arrived, and the summer world was bright, fresh, and full of life. Everyone felt a song in their heart; if you were young, the music spilled out of your lips. There was joy on every face and a spring in every step. The locust trees were in bloom, and the scent of the blossoms filled the air. Cardiff Hill, just beyond the village and above it, was lush with greenery and seemed far enough away to feel like a beautiful, dreamy, peaceful, and inviting place.

Tom appeared on the sidewalk with a bucket of whitewash and a long-handled brush. He surveyed the fence, and all gladness left him and a deep melancholy settled down upon his spirit. Thirty yards of board fence nine feet high. Life to him seemed hollow, and existence but a burden. Sighing, he dipped his brush and passed it along the topmost plank; repeated the operation; did it again; compared the insignificant whitewashed streak with the far-reaching continent of unwhitewashed fence, and sat down on a tree-box discouraged. Jim came skipping out at the gate with a tin pail, and singing Buffalo Gals. Bringing water from the town pump had always been hateful work in Tom's eyes, before, but now it did not strike him so. He remembered that there was company at the pump. White, mulatto, and negro boys and girls were always there waiting their turns, resting, trading playthings, quarrelling, fighting, skylarking. And he remembered that although the pump was only a hundred and fifty yards off, Jim never got back with a bucket of water under an hour—and even then somebody generally had to go after him. Tom said:

Tom came out onto the sidewalk with a bucket of whitewash and a long-handled brush. He looked at the fence, and all his happiness vanished, replaced by a deep sadness. Thirty yards of board fence standing nine feet high. Life felt empty to him, and existence felt like a burden. Sighing, he dipped his brush and dragged it along the top plank; he did this again, and again; he compared the small whitewashed streak to the vast expanse of unwhitewashed fence and sat down on a tree box, feeling discouraged. Jim came bouncing out of the gate with a tin pail, singing "Buffalo Gals." Bringing water from the town pump had always been a despised task in Tom's mind, but now it didn’t seem so bad. He remembered that there was always a crowd at the pump. White, mixed, and Black boys and girls were usually there, waiting their turn, hanging out, trading toys, arguing, fighting, and playing around. And he recalled that even though the pump was only a hundred and fifty yards away, Jim never returned with a bucket of water in less than an hour—and even then, someone usually had to go looking for him. Tom said:

"Say, Jim, I'll fetch the water if you'll whitewash some."

"Hey, Jim, I'll get the water if you paint some of the fence white."

Jim shook his head and said:

Jim shook his head and said:

"Can't, Mars Tom. Ole missis, she tole me I got to go an' git dis water an' not stop foolin' roun' wid anybody. She say she spec' Mars Tom gwine to ax me to whitewash, an' so she tole me go 'long an' 'tend to my own business—she 'lowed SHE'D 'tend to de whitewashin'."

"Can't do it, Tom. The old lady told me I need to go get this water and not waste time messing around with anyone. She said she thought you were going to ask me to whitewash, so she told me to go on and take care of my own business—she said she’d handle the whitewashing herself."

"Oh, never you mind what she said, Jim. That's the way she always talks. Gimme the bucket—I won't be gone only a a minute. SHE won't ever know."

"Oh, don't worry about what she said, Jim. That's just how she always talks. Give me the bucket—I won't be gone for more than a minute. SHE won't ever know."

"Oh, I dasn't, Mars Tom. Ole missis she'd take an' tar de head off'n me. 'Deed she would."

"Oh, I can't, Mars Tom. Old miss would take my head off. She really would."

"SHE! She never licks anybody—whacks 'em over the head with her thimble—and who cares for that, I'd like to know. She talks awful, but talk don't hurt—anyways it don't if she don't cry. Jim, I'll give you a marvel. I'll give you a white alley!"

"SHE! She never kisses anyone—hits them on the head with her thimble—and who cares about that, I’d like to know. She talks a lot, but talking doesn’t hurt—at least it doesn’t if she doesn’t cry. Jim, I’ll give you something amazing. I’ll give you a white alley!"

Jim began to waver.

Jim started to hesitate.

"White alley, Jim! And it's a bully taw."

"White alley, Jim! And it's a great shot."

"My! Dat's a mighty gay marvel, I tell you! But Mars Tom I's powerful 'fraid ole missis—"

"My! That's a really impressive sight, I tell you! But Mars Tom I'm really scared of the old lady—"

"And besides, if you will I'll show you my sore toe."

"And besides, if you want, I'll show you my sore toe."

Jim was only human—this attraction was too much for him. He put down his pail, took the white alley, and bent over the toe with absorbing interest while the bandage was being unwound. In another moment he was flying down the street with his pail and a tingling rear, Tom was whitewashing with vigor, and Aunt Polly was retiring from the field with a slipper in her hand and triumph in her eye.

Jim was just a guy—this attraction was overwhelming for him. He set down his pail, took the side street, and leaned over the toe with intense curiosity while the bandage was being unwrapped. Moments later, he was sprinting down the street with his pail and a buzzing behind him, Tom was whitewashing energetically, and Aunt Polly was leaving the scene with a slipper in her hand and a look of victory in her eyes.





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But Tom's energy did not last. He began to think of the fun he had planned for this day, and his sorrows multiplied. Soon the free boys would come tripping along on all sorts of delicious expeditions, and they would make a world of fun of him for having to work—the very thought of it burnt him like fire. He got out his worldly wealth and examined it—bits of toys, marbles, and trash; enough to buy an exchange of WORK, maybe, but not half enough to buy so much as half an hour of pure freedom. So he returned his straitened means to his pocket, and gave up the idea of trying to buy the boys. At this dark and hopeless moment an inspiration burst upon him! Nothing less than a great, magnificent inspiration.

But Tom's energy didn't last. He started thinking about the fun he had planned for the day, and his sadness grew. Soon, the other boys would come bouncing along with all sorts of exciting adventures, and they would tease him for having to work—the thought of it burned like fire. He pulled out his meager belongings and looked them over—bits of toys, marbles, and junk; enough to maybe pay for a swap of WORK, but not nearly enough to buy even half an hour of true freedom. So he put his limited resources back in his pocket and abandoned the idea of trying to buy off the other boys. At this dark and hopeless moment, a brilliant idea struck him! Nothing less than a great, magnificent idea.

He took up his brush and went tranquilly to work. Ben Rogers hove in sight presently—the very boy, of all boys, whose ridicule he had been dreading. Ben's gait was the hop-skip-and-jump—proof enough that his heart was light and his anticipations high. He was eating an apple, and giving a long, melodious whoop, at intervals, followed by a deep-toned ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance—for he was personating the Big Missouri, and considered himself to be drawing nine feet of water. He was boat and captain and engine-bells combined, so he had to imagine himself standing on his own hurricane-deck giving the orders and executing them:

He picked up his brush and calmly got to work. Ben Rogers soon came into view—the exact boy he had been fearing would mock him. Ben was skipping along—clearly in a good mood and full of excitement. He was munching on an apple and letting out a long, melodious whoop now and then, followed by a deep, resounding "ding-dong-dong, ding-dong-dong," because he was pretending to be a steamboat. As he got closer, he slowed down, took over the middle of the street, leaned way over to one side, and made a big, fancy turn—because he was acting like the Big Missouri and thought he was drawing nine feet of water. He was both the boat and the captain and the engine bells all rolled into one, so he had to imagine himself standing on his own hurricane deck, giving orders and following through with them.

"Stop her, sir! Ting-a-ling-ling!" The headway ran almost out, and he drew up slowly toward the sidewalk.

"Stop her, sir! Ding-dong!" The progress was almost over, and he gradually pulled up to the curb.

"Ship up to back! Ting-a-ling-ling!" His arms straightened and stiffened down his sides.

"Get ready to go back! Ting-a-ling-ling!" His arms straightened and stiffened at his sides.

"Set her back on the stabboard! Ting-a-ling-ling! Chow! ch-chow-wow! Chow!" His right hand, mean-time, describing stately circles—for it was representing a forty-foot wheel.

"Put her back on the starboard! Ting-a-ling-ling! Chow! ch-chow-wow! Chow!" His right hand, meanwhile, making grand circles—since it was illustrating a forty-foot wheel.

"Let her go back on the labboard! Ting-a-ling-ling! Chow-ch-chow-chow!" The left hand began to describe circles.

"Let her go back on the labboard! Ting-a-ling-ling! Chow-ch-chow-chow!" The left hand started making circles.

"Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead on the stabboard! Stop her! Let your outside turn over slow! Ting-a-ling- ling! Chow-ow-ow! Get out that head-line! LIVELY now! Come—out with your spring-line—what're you about there! Take a turn round that stump with the bight of it! Stand by that stage, now—let her go! Done with the engines, sir! Ting-a-ling-ling! SH'T! S'H'T! SH'T!" (trying the gauge-cocks).

"Stop the starboard! Ding-a-ling-ling! Stop the labboard! Come ahead on the starboard! Stop her! Let your outside turn over slow! Ding-a-ling-ling! Woof-woof-woof! Get out that head-line! LET'S GO now! Come out with your spring-line—what are you doing there! Take a turn around that stump with the bight of it! Stand by that stage now—let her go! Done with the engines, sir! Ding-a-ling-ling! SH'T! S'H'T! SH'T!" (trying the gauge-cocks).

Tom went on whitewashing—paid no attention to the steamboat. Ben stared a moment and then said: "Hi-YI! YOU'RE up a stump, ain't you!"

Tom kept on whitewashing—didn't pay any attention to the steamboat. Ben looked for a moment and then said: "Wow! You're in a tough spot, aren't you!"

No answer. Tom surveyed his last touch with the eye of an artist, then he gave his brush another gentle sweep and surveyed the result, as before. Ben ranged up alongside of him. Tom's mouth watered for the apple, but he stuck to his work. Ben said:

No answer. Tom examined his last brushstroke like an artist, then he gave his brush another light sweep and looked at the result again. Ben came up beside him. Tom's mouth was watering for the apple, but he stayed focused on his work. Ben said:

"Hello, old chap, you got to work, hey?"

"Hey there, buddy, you need to get to work, right?"

Tom wheeled suddenly and said:

Tom turned suddenly and said:

"Why, it's you, Ben! I warn't noticing."

"Wow, it's you, Ben! I didn't see you there."

"Say—I'm going in a-swimming, I am. Don't you wish you could? But of course you'd druther WORK—wouldn't you? Course you would!"

"Hey—I’m going swimming, I am. Don’t you wish you could? But of course you’d rather WORK—wouldn’t you? Of course you would!"

Tom contemplated the boy a bit, and said:

Tom thought about the boy for a moment and said:

"What do you call work?"

"What do you call a job?"

"Why, ain't THAT work?"

"Why, isn't THAT working?"





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Tom resumed his whitewashing, and answered carelessly:

Tom went back to painting the fence and replied casually:

"Well, maybe it is, and maybe it ain't. All I know, is, it suits Tom Sawyer."

"Well, maybe it is, and maybe it isn't. All I know is that it suits Tom Sawyer."

"Oh come, now, you don't mean to let on that you LIKE it?"

"Oh come on, you can't seriously mean that you actually LIKE it?"

The brush continued to move.

The brush kept moving.

"Like it? Well, I don't see why I oughtn't to like it. Does a boy get a chance to whitewash a fence every day?"

"Do you like it? Well, I don’t see why I shouldn’t like it. Does a boy get to whitewash a fence every day?"

That put the thing in a new light. Ben stopped nibbling his apple. Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticised the effect again—Ben watching every move and getting more and more interested, more and more absorbed. Presently he said:

That changed everything. Ben stopped nibbling on his apple. Tom gently swept his brush back and forth—stepped back to see how it looked—added a bit here and there—criticized the effect again—while Ben watched every move, becoming more and more interested, more and more absorbed. After a while, he said:

"Say, Tom, let ME whitewash a little."

"Hey, Tom, let me do some whitewashing."

Tom considered, was about to consent; but he altered his mind:

Tom thought about it and was about to agree; but he changed his mind:

"No—no—I reckon it wouldn't hardly do, Ben. You see, Aunt Polly's awful particular about this fence—right here on the street, you know—but if it was the back fence I wouldn't mind and SHE wouldn't. Yes, she's awful particular about this fence; it's got to be done very careful; I reckon there ain't one boy in a thousand, maybe two thousand, that can do it the way it's got to be done."

"No—no—I don’t think that would be a good idea, Ben. You see, Aunt Polly is really particular about this fence—it's right here on the street, you know—but if it were the back fence, I wouldn’t mind and she wouldn’t either. Yes, she’s very particular about this fence; it has to be done very carefully. I bet there’s not one boy in a thousand, maybe two thousand, who can do it the way it needs to be done."

"No—is that so? Oh come, now—lemme just try. Only just a little—I'd let YOU, if you was me, Tom."

"No—is that really true? Oh come on—just let me try. Just a little bit—I'd let YOU do it if I were you, Tom."

"Ben, I'd like to, honest injun; but Aunt Polly—well, Jim wanted to do it, but she wouldn't let him; Sid wanted to do it, and she wouldn't let Sid. Now don't you see how I'm fixed? If you was to tackle this fence and anything was to happen to it—"

"Ben, I really want to, I swear; but Aunt Polly—well, Jim wanted to do it, but she wouldn’t let him; Sid wanted to do it, and she wouldn’t let Sid either. Don’t you see how I’m stuck? If you tried to tackle this fence and something went wrong—"

"Oh, shucks, I'll be just as careful. Now lemme try. Say—I'll give you the core of my apple."

"Oh, come on, I'll be just as careful. Now let me try. Hey—I'll give you the core of my apple."

"Well, here—No, Ben, now don't. I'm afeard—"

"Well, here—No, Ben, don't do that. I'm scared—"

"I'll give you ALL of it!"

"I'll give you all of it!"

Tom gave up the brush with reluctance in his face, but alacrity in his heart. And while the late steamer Big Missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents. There was no lack of material; boys happened along every little while; they came to jeer, but remained to whitewash. By the time Ben was fagged out, Tom had traded the next chance to Billy Fisher for a kite, in good repair; and when he played out, Johnny Miller bought in for a dead rat and a string to swing it with—and so on, and so on, hour after hour. And when the middle of the afternoon came, from being a poor poverty-stricken boy in the morning, Tom was literally rolling in wealth. He had besides the things before mentioned, twelve marbles, part of a jews-harp, a piece of blue bottle-glass to look through, a spool cannon, a key that wouldn't unlock anything, a fragment of chalk, a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six fire-crackers, a kitten with only one eye, a brass door-knob, a dog-collar—but no dog—the handle of a knife, four pieces of orange-peel, and a dilapidated old window sash.

Tom reluctantly put down the brush, but he felt good inside. While the late steamer Big Missouri toiled in the sun, the retired artist sat on a barrel in the shade nearby, swinging his legs, munching on an apple, and planning the downfall of more unsuspecting victims. There was no shortage of options; boys came by every so often; they’d come to mock, but stayed to paint. By the time Ben was worn out, Tom had traded the next opportunity to Billy Fisher for a kite in decent shape; and when that ran out, Johnny Miller jumped in for a dead rat and a string to swing it with— and so on, hour after hour. When the middle of the afternoon rolled around, Tom had gone from being a poor, broke kid in the morning to literally rolling in riches. Besides what he already had, he accumulated twelve marbles, part of a jews-harp, a piece of blue bottle-glass to look through, a spool cannon, a key that wouldn’t unlock anything, a piece of chalk, a glass stopper from a decanter, a tin soldier, a couple of tadpoles, six fire-crackers, a one-eyed kitten, a brass doorknob, a dog-collar—but no dog—the handle of a knife, four bits of orange peel, and a beat-up old window sash.





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He had had a nice, good, idle time all the while—plenty of company—and the fence had three coats of whitewash on it! If he hadn't run out of whitewash he would have bankrupted every boy in the village.

He had a great, relaxing time the whole time—lots of friends around—and the fence had three coats of whitewash on it! If he hadn't run out of whitewash, he would have made every kid in the village broke.

Tom said to himself that it was not such a hollow world, after all. He had discovered a great law of human action, without knowing it—namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is OBLIGED to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a tread-mill is work, while rolling ten-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign.

Tom thought to himself that the world wasn’t so empty after all. He had stumbled upon an important truth about human behavior, without even realizing it—namely, that to make someone want something, it just has to be hard to get. If he were a great and wise philosopher, like the author of this book, he would understand that Work is what someone is REQUIRED to do, while Play is what someone is not required to do. This insight would clarify why making fake flowers or exercising on a treadmill is considered work, while playing bowling or climbing Mont Blanc is merely fun. There are wealthy people in England who drive four-horse passenger coaches for twenty or thirty miles on a daily route during the summer because the privilege costs them a lot; but if they were offered payment for the service, it would then become work, and they would quit.

The boy mused awhile over the substantial change which had taken place in his worldly circumstances, and then wended toward headquarters to report.

The boy thought for a while about the significant change that had happened in his life, and then headed to headquarters to report.





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CHAPTER III





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TOM presented himself before Aunt Polly, who was sitting by an open window in a pleasant rearward apartment, which was bedroom, breakfast-room, dining-room, and library, combined. The balmy summer air, the restful quiet, the odor of the flowers, and the drowsing murmur of the bees had had their effect, and she was nodding over her knitting—for she had no company but the cat, and it was asleep in her lap. Her spectacles were propped up on her gray head for safety. She had thought that of course Tom had deserted long ago, and she wondered at seeing him place himself in her power again in this intrepid way. He said: "Mayn't I go and play now, aunt?"

Tom walked up to Aunt Polly, who was sitting by an open window in a cozy room that served as a bedroom, breakfast nook, dining area, and library all in one. The warm summer air, peaceful atmosphere, sweet scent of flowers, and the soft buzzing of bees had made her feel drowsy, and she was dozing off while knitting—her only company being the cat, which was curled up asleep in her lap. Her glasses were balanced on her gray hair for safekeeping. She had assumed that Tom had run off a long time ago, so she was surprised to see him put himself in her hands again so boldly. He asked, "Can I go play now, Aunt?"

"What, a'ready? How much have you done?"

"What, already? How much have you done?"

"It's all done, aunt."

"Everything's done, aunt."

"Tom, don't lie to me—I can't bear it."

"Tom, don’t lie to me—I can’t stand it."

"I ain't, aunt; it IS all done."

"I’m not, aunt; it’s all done."

Aunt Polly placed small trust in such evidence. She went out to see for herself; and she would have been content to find twenty per cent. of Tom's statement true. When she found the entire fence white-washed, and not only whitewashed but elaborately coated and recoated, and even a streak added to the ground, her astonishment was almost unspeakable. She said:

Aunt Polly had little faith in that kind of evidence. She went out to see for herself and would have been satisfied if only twenty percent of Tom's story turned out to be true. When she saw that the whole fence was whitewashed, and not just whitewashed but also intricately coated and recoated, with even a streak on the ground, her shock was almost beyond words. She said:

"Well, I never! There's no getting round it, you can work when you're a mind to, Tom." And then she diluted the compliment by adding, "But it's powerful seldom you're a mind to, I'm bound to say. Well, go 'long and play; but mind you get back some time in a week, or I'll tan you."

"Well, I can't believe it! There's just no denying it, you can actually work when you feel like it, Tom." Then she softened the compliment by adding, "But it's pretty rare for you to feel like it, I have to say. Anyway, go ahead and play; but make sure you come back sometime this week, or I'll give you a spanking."

She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a happy Scriptural flourish, he "hooked" a doughnut.

She was so amazed by his amazing achievement that she took him into the closet, picked out a special apple, and handed it to him, along with a motivational talk about how much better something tastes when it’s earned through good effort. And as she finished with a joyful quote from the Bible, he "hooked" a doughnut.

Then he skipped out, and saw Sid just starting up the outside stairway that led to the back rooms on the second floor. Clods were handy and the air was full of them in a twinkling. They raged around Sid like a hail-storm; and before Aunt Polly could collect her surprised faculties and sally to the rescue, six or seven clods had taken personal effect, and Tom was over the fence and gone. There was a gate, but as a general thing he was too crowded for time to make use of it. His soul was at peace, now that he had settled with Sid for calling attention to his black thread and getting him into trouble.

Then he ran outside and saw Sid just starting up the outdoor stairs that led to the back rooms on the second floor. Dirt clods were nearby, and in no time, the air was filled with them. They flew around Sid like a hailstorm, and before Aunt Polly could collect herself and rush to help, six or seven clods had hit their target, and Tom was over the fence and gone. There was a gate, but usually, he didn’t have enough time to use it. He felt at peace now that he had gotten back at Sid for pointing out his black thread and getting him into trouble.





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Tom skirted the block, and came round into a muddy alley that led by the back of his aunt's cow-stable. He presently got safely beyond the reach of capture and punishment, and hastened toward the public square of the village, where two "military" companies of boys had met for conflict, according to previous appointment. Tom was General of one of these armies, Joe Harper (a bosom friend) General of the other. These two great commanders did not condescend to fight in person—that being better suited to the still smaller fry—but sat together on an eminence and conducted the field operations by orders delivered through aides-de-camp. Tom's army won a great victory, after a long and hard-fought battle. Then the dead were counted, prisoners exchanged, the terms of the next disagreement agreed upon, and the day for the necessary battle appointed; after which the armies fell into line and marched away, and Tom turned homeward alone.

Tom went around the block and into a muddy alley behind his aunt’s cow stable. He soon got away from capture and punishment, and hurried toward the village square, where two groups of boys had gathered for a fight as planned. Tom was the General of one army, and his close friend Joe Harper was General of the other. The two leaders didn’t bother to fight themselves—that was better for the younger kids—but sat together on a raised spot, directing the battle through messengers. Tom’s army achieved a great victory after a long and tough battle. Then they counted the dead, exchanged prisoners, agreed on terms for the next conflict, and set a date for the upcoming battle; after that, the armies lined up and marched away, and Tom headed home on his own.





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As he was passing by the house where Jeff Thatcher lived, he saw a new girl in the garden—a lovely little blue-eyed creature with yellow hair plaited into two long-tails, white summer frock and embroidered pan-talettes. The fresh-crowned hero fell without firing a shot. A certain Amy Lawrence vanished out of his heart and left not even a memory of herself behind. He had thought he loved her to distraction; he had regarded his passion as adoration; and behold it was only a poor little evanescent partiality. He had been months winning her; she had confessed hardly a week ago; he had been the happiest and the proudest boy in the world only seven short days, and here in one instant of time she had gone out of his heart like a casual stranger whose visit is done.

As he was walking by the house where Jeff Thatcher lived, he spotted a new girl in the garden—a beautiful little blue-eyed girl with yellow hair styled in two long braids, wearing a white summer dress and embroidered shorts. The freshly crowned hero fell without a fight. A certain Amy Lawrence disappeared from his heart, leaving no trace behind. He had thought he was head over heels for her; he saw his feelings as deep admiration; and yet it turned out to be just a fleeting crush. He had spent months trying to win her over; she had only confessed her feelings about a week ago; he had been the happiest and proudest boy in the world just seven short days ago, and now in an instant, she had left his heart like a passing stranger whose visit has ended.

He worshipped this new angel with furtive eye, till he saw that she had discovered him; then he pretended he did not know she was present, and began to "show off" in all sorts of absurd boyish ways, in order to win her admiration. He kept up this grotesque foolishness for some time; but by-and-by, while he was in the midst of some dangerous gymnastic performances, he glanced aside and saw that the little girl was wending her way toward the house. Tom came up to the fence and leaned on it, grieving, and hoping she would tarry yet awhile longer. She halted a moment on the steps and then moved toward the door. Tom heaved a great sigh as she put her foot on the threshold. But his face lit up, right away, for she tossed a pansy over the fence a moment before she disappeared.

He admired this new girl from a distance until he realized she noticed him; then he acted like he didn't see her and started to show off in all sorts of silly, childish ways to impress her. He kept up this ridiculous act for a while, but eventually, while he was in the middle of some risky stunts, he looked over and saw that the little girl was walking toward the house. Tom walked up to the fence and leaned on it, feeling sad, wishing she would stay a little longer. She paused for a moment on the steps and then headed for the door. Tom let out a big sigh as she stepped onto the threshold. But his face brightened immediately when she threw a pansy over the fence just before she disappeared.





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The boy ran around and stopped within a foot or two of the flower, and then shaded his eyes with his hand and began to look down street as if he had discovered something of interest going on in that direction. Presently he picked up a straw and began trying to balance it on his nose, with his head tilted far back; and as he moved from side to side, in his efforts, he edged nearer and nearer toward the pansy; finally his bare foot rested upon it, his pliant toes closed upon it, and he hopped away with the treasure and disappeared round the corner. But only for a minute—only while he could button the flower inside his jacket, next his heart—or next his stomach, possibly, for he was not much posted in anatomy, and not hypercritical, anyway.

The boy ran around and stopped a foot or two from the flower, then shaded his eyes with his hand and started looking down the street as if he had spotted something interesting happening in that direction. Soon, he picked up a straw and tried to balance it on his nose, tilting his head back; as he swayed from side to side in his attempts, he inched closer and closer to the pansy. Finally, his bare foot landed on it, his flexible toes wrapped around it, and he hopped away with the flower and disappeared around the corner. But only for a minute—just long enough to tuck the flower inside his jacket, close to his heart—or maybe his stomach, since he didn’t really know much about anatomy and wasn’t overly critical, anyway.

He returned, now, and hung about the fence till nightfall, "showing off," as before; but the girl never exhibited herself again, though Tom comforted himself a little with the hope that she had been near some window, meantime, and been aware of his attentions. Finally he strode home reluctantly, with his poor head full of visions.

He came back and lingered by the fence until dark, "showing off," just like before; but the girl never showed herself again, even though Tom felt a bit better thinking she might have been watching him from a nearby window, aware of his efforts. In the end, he walked home slowly, his mind full of dreams.

All through supper his spirits were so high that his aunt wondered "what had got into the child." He took a good scolding about clodding Sid, and did not seem to mind it in the least. He tried to steal sugar under his aunt's very nose, and got his knuckles rapped for it. He said:

All through dinner, he was in such a good mood that his aunt wondered what was going on with him. He got in trouble for messing with Sid and didn’t seem to care at all. He even tried to sneak sugar right in front of his aunt and got his knuckles slapped for it. He said:

"Aunt, you don't whack Sid when he takes it."

"Aunt, you don’t hit Sid when he takes it."

"Well, Sid don't torment a body the way you do. You'd be always into that sugar if I warn't watching you."

"Well, Sid doesn't bother people the way you do. You'd be all over that sugar if I wasn't keeping an eye on you."

Presently she stepped into the kitchen, and Sid, happy in his immunity, reached for the sugar-bowl—a sort of glorying over Tom which was wellnigh unbearable. But Sid's fingers slipped and the bowl dropped and broke. Tom was in ecstasies. In such ecstasies that he even controlled his tongue and was silent. He said to himself that he would not speak a word, even when his aunt came in, but would sit perfectly still till she asked who did the mischief; and then he would tell, and there would be nothing so good in the world as to see that pet model "catch it." He was so brimful of exultation that he could hardly hold himself when the old lady came back and stood above the wreck discharging lightnings of wrath from over her spectacles. He said to himself, "Now it's coming!" And the next instant he was sprawling on the floor! The potent palm was uplifted to strike again when Tom cried out:

She walked into the kitchen, and Sid, feeling untouchable, reached for the sugar bowl—a sort of triumph over Tom that was almost unbearable. But Sid's fingers slipped, and the bowl dropped and shattered. Tom was overjoyed. So overjoyed that he even managed to keep quiet. He told himself that he wouldn’t say a word, even when his aunt came in, but would sit completely still until she asked who did it; then he would tell, and there would be nothing better in the world than watching that favorite little troublemaker get in trouble. He was so full of glee that he could hardly contain himself when the old lady returned and hovered over the mess, shooting daggers of anger from behind her glasses. He thought, "Here it comes!" And the next moment he was sprawled on the floor! The powerful hand was raised to strike again when Tom shouted:

"Hold on, now, what 'er you belting ME for?—Sid broke it!"

"Hold on, why are you yelling at ME?—Sid broke it!"

Aunt Polly paused, perplexed, and Tom looked for healing pity. But when she got her tongue again, she only said:

Aunt Polly paused, confused, and Tom looked for sympathy. But when she found her voice again, she only said:

"Umf! Well, you didn't get a lick amiss, I reckon. You been into some other audacious mischief when I wasn't around, like enough."

"Umf! Well, you didn't miss a beat, I guess. You've been off doing some other bold mischief while I wasn't around, that's for sure."





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Then her conscience reproached her, and she yearned to say something kind and loving; but she judged that this would be construed into a confession that she had been in the wrong, and discipline forbade that. So she kept silence, and went about her affairs with a troubled heart. Tom sulked in a corner and exalted his woes. He knew that in her heart his aunt was on her knees to him, and he was morosely gratified by the consciousness of it. He would hang out no signals, he would take notice of none. He knew that a yearning glance fell upon him, now and then, through a film of tears, but he refused recognition of it. He pictured himself lying sick unto death and his aunt bending over him beseeching one little forgiving word, but he would turn his face to the wall, and die with that word unsaid. Ah, how would she feel then? And he pictured himself brought home from the river, dead, with his curls all wet, and his sore heart at rest. How she would throw herself upon him, and how her tears would fall like rain, and her lips pray God to give her back her boy and she would never, never abuse him any more! But he would lie there cold and white and make no sign—a poor little sufferer, whose griefs were at an end. He so worked upon his feelings with the pathos of these dreams, that he had to keep swallowing, he was so like to choke; and his eyes swam in a blur of water, which overflowed when he winked, and ran down and trickled from the end of his nose. And such a luxury to him was this petting of his sorrows, that he could not bear to have any worldly cheeriness or any grating delight intrude upon it; it was too sacred for such contact; and so, presently, when his cousin Mary danced in, all alive with the joy of seeing home again after an age-long visit of one week to the country, he got up and moved in clouds and darkness out at one door as she brought song and sunshine in at the other.

Then her conscience nagged at her, and she wanted to say something kind and loving; but she thought it would look like she was admitting she was wrong, and discipline wouldn’t allow that. So she stayed silent and went about her tasks with a heavy heart. Tom sulked in a corner, wallowing in his misery. He knew that deep down, his aunt was begging for his forgiveness, and he found a gloomy satisfaction in that awareness. He wouldn’t give any signs; he wouldn’t acknowledge her. He saw her longing gaze occasionally flickering over to him, blurred by tears, but he refused to recognize it. He imagined himself lying on his deathbed, with his aunt leaning over him, pleading for just one word of forgiveness, but he would turn his face to the wall and die without saying it. Oh, how would she feel then? He pictured being brought home from the river, lifeless, with his hair all wet and his troubled heart finally at peace. She would throw herself over him, her tears falling like rain, begging God to bring her boy back and promising never to mistreat him again! But he would lie there cold and pale, giving no sign—a poor little sufferer, free from his sorrows. He became so absorbed in the sadness of these thoughts that he kept having to swallow hard, feeling like he might choke; his eyes filled with tears, which spilled over when he blinked and dripped from the tip of his nose. He found such comfort in indulging his sadness that he couldn’t stand any cheerfulness or annoying happiness to intrude; it felt too sacred for that. So, when his cousin Mary bounced in, full of joy at being home again after a long week in the country, he got up and slipped out through one door, while she brought in song and sunshine through the other.





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He wandered far from the accustomed haunts of boys, and sought desolate places that were in harmony with his spirit. A log raft in the river invited him, and he seated himself on its outer edge and contemplated the dreary vastness of the stream, wishing, the while, that he could only be drowned, all at once and unconsciously, without undergoing the uncomfortable routine devised by nature. Then he thought of his flower. He got it out, rumpled and wilted, and it mightily increased his dismal felicity. He wondered if she would pity him if she knew? Would she cry, and wish that she had a right to put her arms around his neck and comfort him? Or would she turn coldly away like all the hollow world? This picture brought such an agony of pleasurable suffering that he worked it over and over again in his mind and set it up in new and varied lights, till he wore it threadbare. At last he rose up sighing and departed in the darkness.

He wandered far from the usual spots where boys hung out and looked for desolate places that felt in tune with his spirit. A log raft in the river caught his attention, and he sat on its edge, staring out at the bleak expanse of the water, wishing he could just drown suddenly and without feeling, skipping the uncomfortable process nature had in store. Then he thought about his flower. He took it out, all crumpled and wilted, and it greatly intensified his gloomy comfort. He wondered if she would feel sorry for him if she knew. Would she cry and wish she could wrap her arms around him to comfort him? Or would she just turn away coldly like everyone else in this empty world? This thought brought a mix of painful pleasure that he replayed in his mind over and over again, analyzing it in different ways until it felt worn out. Finally, he stood up with a sigh and left into the darkness.





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About half-past nine or ten o'clock he came along the deserted street to where the Adored Unknown lived; he paused a moment; no sound fell upon his listening ear; a candle was casting a dull glow upon the curtain of a second-story window. Was the sacred presence there? He climbed the fence, threaded his stealthy way through the plants, till he stood under that window; he looked up at it long, and with emotion; then he laid him down on the ground under it, disposing himself upon his back, with his hands clasped upon his breast and holding his poor wilted flower. And thus he would die—out in the cold world, with no shelter over his homeless head, no friendly hand to wipe the death-damps from his brow, no loving face to bend pityingly over him when the great agony came. And thus SHE would see him when she looked out upon the glad morning, and oh! would she drop one little tear upon his poor, lifeless form, would she heave one little sigh to see a bright young life so rudely blighted, so untimely cut down?

Around 9:30 or 10 o'clock, he walked down the empty street to where the Adored Unknown lived; he paused for a moment; no sound reached his attentive ears; a candle was casting a dull glow on the curtain of a second-floor window. Was the sacred presence inside? He climbed the fence and stealthily made his way through the plants until he stood beneath that window; he looked up at it for a long time, filled with emotion; then he lay down on the ground beneath it, positioning himself on his back, hands clasped on his chest, holding his poor wilted flower. And this is how he would die—out in the cold world, with no shelter over his homeless head, no friendly hand to wipe the death-sweat from his brow, no loving face to look down on him with pity when the great pain came. And this is how SHE would see him when she looked out on the bright morning, and oh! would she drop one small tear on his poor, lifeless body, would she let out one little sigh to see a bright young life so roughly cut short, so untimely taken?

The window went up, a maid-servant's discordant voice profaned the holy calm, and a deluge of water drenched the prone martyr's remains!

The window went up, a maid's jarring voice broke the peaceful silence, and a torrent of water soaked the fallen martyr's remains!





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The strangling hero sprang up with a relieving snort. There was a whiz as of a missile in the air, mingled with the murmur of a curse, a sound as of shivering glass followed, and a small, vague form went over the fence and shot away in the gloom.

The choking hero jumped up with a sigh of relief. There was a whoosh like a missile flying through the air, mixed with the sound of a muttered curse. Then came the sound of shattering glass, and a small, indistinct figure leaped over the fence and disappeared into the darkness.

Not long after, as Tom, all undressed for bed, was surveying his drenched garments by the light of a tallow dip, Sid woke up; but if he had any dim idea of making any "references to allusions," he thought better of it and held his peace, for there was danger in Tom's eye.

Not long after, as Tom, completely undressed for bed, was looking over his soaked clothes by the light of a candle, Sid woke up; but if he had any vague thoughts about making any "references to allusions," he thought better of it and stayed quiet, because there was something dangerous in Tom's eye.

Tom turned in without the added vexation of prayers, and Sid made mental note of the omission.

Tom went to bed without the extra bother of prayers, and Sid mentally noted the absence.





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