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THE GREATEST
WONDERS
OF THE
WORLD


MER DE GLACE, MONT BLANC. Frontispiece.
MER DE GLACE, MONT BLANC. Cover page.
GREATEST
WONDERS
of the WORLD
GREATEST
WONDERS
of the WORLD
AS SEEN AND DESCRIBED
BY FAMOUS WRITERS
AS SEEN AND DESCRIBED
BY FAMOUS WRITERS
EDITED AND TRANSLATED
EDITED AND TRANSLATED
By ESTHER SINGLETON
By ESTHER SINGLETON
AUTHOR OF
AUTHOR OF
“TURRETS, TOWERS AND TEMPLES,” “GREAT PICTURES,”
“PARIS,” AND “A GUIDE TO THE OPERA,” AND TRANSLATOR
OF THE MUSIC DRAMAS OF RICHARD WAGNER
“TURRETS, TOWERS AND TEMPLES,” “GREAT PICTURES,”
“PARIS,” AND “A GUIDE TO THE OPERA,” AND TRANSLATOR
OF THE MUSIC DRAMAS OF RICHARD WAGNER
WITH NUMEROUS ILLUSTRATIONS
WITH MANY ILLUSTRATIONS

NEW YORK
THE CHRISTIAN HERALD
LOUIS KLOPSCH, Proprietor
Nos. 91 to 115 BIBLE HOUSE
NEW YORK
THE CHRISTIAN HERALD
LOUIS KLOPSCH, Owner
Nos. 91 to 115 BIBLE HOUSE
Copyright, 1900, By Dodd, Mead & Co.
Copyright, 1906, By Louis Klopsch
Copyright, 1900, by Dodd, Mead & Co.
Copyright, 1906, by Louis Klopsch
Preface
In my former collections of objects of interest to the tourist, I have confined myself to masterpieces of painting and architecture. The success of those books has encouraged me to carry the idea still further and make a compilation of pleasurable and striking impressions produced upon thoughtful travellers by a contemplation of the wonders of nature.
In my previous collections of things that interest tourists, I focused on great works of painting and architecture. The success of those books has motivated me to take this idea even further and create a compilation of enjoyable and memorable impressions generated in thoughtful travelers by observing the wonders of nature.
The range is somewhat limited, for I have confined myself to the description of the grand, the curious and the awe-inspiring in nature, leaving the beauties of landscape for future treatment. Those who miss the Lakes of Killarney or the vine-clad hills of the Rhine therefore will remember that in the following pages I have purposely neglected beautiful scenery.
The range is somewhat limited because I've focused on describing the grand, the curious, and the awe-inspiring aspects of nature, leaving the beauty of landscapes for another time. So, those who miss the Lakes of Killarney or the vine-covered hills of the Rhine should keep in mind that I have intentionally overlooked beautiful scenery in the pages that follow.
The professional traveller, by which I mean the emissary of a scientific society, appears very seldom here, because it is the effect produced rather than the topographical or detailed description that I have sought. I hope this book will appeal to that large class of readers that takes pleasure in travelling by imagination, as well as to those who have actually seen the objects described and pictured here.
The professional traveler, meaning the representative of a scientific organization, is rarely seen here because I’ve focused more on the feelings generated rather than on geographical details or descriptions. I hope this book will resonate with the many readers who enjoy traveling through their imagination, as well as with those who have actually visited the places described and shown here.
It is interesting to note the difference between the old and the modern travellers. The day of the Marco Polos[Pg vi] has passed; the traveller of old seemed to feel himself under an obligation to record marvels and report trifling details, while the modern traveller is more concerned about describing or analyzing the effect produced upon himself. He feels it encumbent upon him to exhibit æsthetic appreciation. For this tendency we have to thank Gautier and his humble follower D’Amicis. Thackeray and Dickens write of their journeyings in a holiday spirit; Kipling is a stimulating combination of the flippant and the devout; Shelley is quite up to date; and Fromentin and Gautier always speak in terms of the palette. Thus we get an additional pleasure from the varied literary treatment of nature’s wonders—apart from their intrinsic interest.
It's interesting to see the difference between old and modern travelers. The era of Marco Polos[Pg vi] is gone; travelers of the past felt a duty to record wonders and share minor details, while today's travelers focus more on describing or analyzing the impact an experience has on them. They feel it's their responsibility to show aesthetic appreciation. We can thank Gautier and his devoted follower D’Amicis for this trend. Thackeray and Dickens write about their travels with a festive spirit; Kipling offers a lively mix of the casual and the serious; Shelley is completely in sync with modern views; and Fromentin and Gautier always discuss things in terms of artistic expression. This gives us even more enjoyment from the diverse literary portrayals of nature's wonders—beyond their inherent appeal.
Though there is a great deal of information in the following pages, I have generally avoided what is simply instructive; my aim has been to suit all tastes.
Though there's a lot of information in the following pages, I've mostly steered clear of what's just instructional; my goal has been to cater to all preferences.
E. S.
E. S.
New York, September, 1900.
New York, September 1900.
[Pg vii]
[Pg vii]
Contents
The Blue Grotto in Capri | 1 |
Alex Dumas. | |
Mont Blanc and Chamonix | 7 |
Percy Bysshe Shelley. | |
The Dead Sea | 15 |
Pierre Loti. | |
Mount Vesuvius | 25 |
Charles Dickens | |
The Rhine Falls | 39 |
Victor Hugo. | |
In Arctic and Antarctic oceans | 46 |
I. Lord Dufferin. | |
II. W. G. Burn Murdoch. | |
The Sahara Desert | 55 |
Eugène Fromentin. | |
Fingal's Cave | 62 |
I. Sir Walter Scott. | |
II. John Keats. | |
In the Himalayas | 71 |
G. W. Steevens. | |
Niagara Falls | 79 |
I. Anthony Trollope. | |
II. Charles Dickens. | |
Mount Fuji | 90 |
Sir Edwin Arnold. | |
The Cedars of Lebanon | 98 |
Alphonse de Lamartine | |
The Giant's Causeway | 103 |
William Makepeace Thackeray. | |
The Great Glacier of the Selkirks | 113 |
Douglas Sladen. | |
Mauna Loa | 118 |
Lady Brassey. | |
Trollhättan | 129 |
Hans Christian Andersen. | |
The Grand Canyon of the Colorado | 134 |
C. F. Gordon-Cumming. | |
The Rock of Gibraltar | 139 |
Augustus J.C. Hare. | |
Thingvalla | 144 |
Lord Dufferin. | |
Land’s End and Logan Rock | 152 |
John Ayrton Paris. | |
Hekla Volcano | 160 |
Sir Richard Francis Burton. | |
Victoria Falls | 169 |
David Livingstone. | |
The Orotava Dragon Tree | 179 |
Alexander von Humboldt. | |
Mount Shasta | 183 |
J. W. Boddam-Wheatham. | |
The Venetian Lagoons | 189 |
John Ruskin. | |
The Nile's Cataracts | 199 |
Amelia B. Edwards. | |
In the Alps | 205 |
Théophile Gautier.[Pg ix] | |
Kashmir Valley | 212 |
Andrew Wilson. | |
The Pitch Lake | 220 |
Charles Kingsley. | |
The Lachine Rapids | 228 |
Douglas Sladen. | |
Rotorua Lake | 232 |
H.R. Haweis. | |
California's Giant Sequoias | 239 |
C. F. Gordon-Cumming. | |
Gersoppa Falls | 248 |
W.M. Yool. | |
Etna | 254 |
Alex Dumas. | |
Pike's Peak and the Garden of the Gods | 263 |
Iza Duffus-Hardy. | |
The Great Geysir in Iceland | 268 |
Sir Richard Francis Burton. | |
The Danube Rapids | 275 |
William Beattie. | |
Mammoth Cave | 283 |
Bayard Taylor. | |
Stromboli | 295 |
Alex Dumas. | |
The Heights | 302 |
Charles Kingsley. | |
Yosemite Valley | 323 |
C.F. Gordon-Cumming. | |
The Golden Horn | 342 |
Alphonse de Lamartine. | |
Yellowstone National Park | 352 |
Rudyard Kipling. | |
[Pg xi] |
Illustrations
Mer de Glace, Mont Blanc | Switzerland | Frontispiece |
FACING PAGE | ||
Blue Grotto | Italy | 4 |
Chamonix, Mer de Glace | Switzerland | 12 |
The Dead Sea | Palestine | 20 |
Mount Vesuvius | Italy | 28 |
Rhine Falls | Germany | 40 |
An Ice Floe | Antarctic | 52 |
The Sahara Desert | Africa | 60 |
Fingal's Cave | Scotland | 64 |
The Himalayas | India | 72 |
Niagara Falls | North America | 80 |
Niagara Falls in winter | North America | 88 |
Mount Fuji | Japan | 92 |
The Cedar Trees of Lebanon | Syria | 100 |
The Giant's Loom, Giant's Causeway | Ireland | 104 |
The Keystone, Giant's Causeway | Ireland | 108 |
The Great Glacier of the Selkirks | Canada | 116 |
Lava flow cascade | Hawaii | 124 |
Trollhättan | Sweden | 132 |
Grand Canyon | North America | 136 |
The Rock of Gibraltar | Spain | 140 |
Gibraltar Rock | Spain | 144 |
Thingvalla | Iceland | 148 |
Rocky Stones, Land's End | England | 156 |
Victoria Falls | Africa | 172 |
The Dragon Tree | Teneriffe | 180 |
Mount Shasta | North America | 184 |
The City of Canals | Italy | 192[Pg xii] |
First Cataract of the Nile | Africa | 200 |
Mont Blanc | Switzerland | 208 |
Aiguille du Dru, Alps | Switzerland | 210 |
Kashmir Valley | India | 216 |
The Lachine Rapids | Canada | 228 |
Lake Rotorua | New Zealand | 232 |
California's Giant Trees | North America | 240 |
Gersoppa Falls | India | 248 |
Etna | Sicily | 256 |
Garden of the Gods | America | 264 |
The Iron Gates of the Danube | Turkey | 280 |
The Tall Woods | South America | 304 |
Yosemite Valley | North America | 328 |
The Golden Horn | Turkey | 344 |
Cost of Springs, Yellowstone | North America | 352 |
WONDERS OF THE WORLD
Wonders of the World
THE BLUE GROTTO OF CAPRI
(ITALY)
(ITALY)
ALEXANDRE DUMAS
ALEXANDRE DUMAS
We were surrounded by five and twenty boatmen, each of whom exerted himself to get our custom: these were the ciceroni of the Blue Grotto. I chose one and Jadin another, for you must have a boat and a boatman to get there, the opening being so low and so narrow that one cannot enter unless in a very small boat.
We were surrounded by twenty-five boatmen, each trying hard to get our business: these were the ciceroni of the Blue Grotto. I chose one and Jadin picked another, because you need a boat and a boatman to reach it, as the entrance is so low and narrow that you can only get in with a very small boat.
The sea was calm, nevertheless, even in this beautiful weather it broke with such force against the belt of rocks surrounding the island that our barks bounded as if in a tempest, and we were obliged to lie down and cling to the sides to avoid being thrown into the sea. At last, after three-quarters of an hour of navigation, during which we skirted about one-sixth of the island’s circumference, our boatmen informed us of our arrival. We looked about us, but we could not perceive the slightest suspicion of a grotto until we made out with difficulty a little black, circular point above the foaming waves: this was the orifice of the vault.
The sea was calm, but even in this beautiful weather, it crashed with such force against the rocky shore surrounding the island that our boats bounced around as if caught in a storm, forcing us to lie down and cling to the sides to avoid being thrown overboard. Finally, after about forty-five minutes of traveling along one-sixth of the island’s perimeter, our boatmen let us know we had arrived. We looked around, but we couldn’t see any hint of a grotto until we finally made out a small black circular spot above the foaming waves: that was the entrance to the vault.
[Pg 2]
[Pg 2]
The first sight of this entrance was not reässuring: you could not understand how it was possible to clear it without breaking your head against the rocks. As the question seemed important enough for discussion, I put it to my boatman, who replied that we were perfectly right in remaining seated now, but presently we must lie down to avoid the danger. We had not come so far as this to flinch. It was my turn first; my boatman advanced, rowing with precaution and indicating that, accustomed as he was to the work, he could not regard it as exempt from danger. As for me, from the position that I occupied, I could see nothing but the sky; soon I felt myself rising upon a wave, the boat slid down it rapidly, and I saw nothing but a rock that seemed for a second to weigh upon my breast. Then, suddenly, I found myself in a grotto so marvellous that I gave a cry of astonishment, and I jumped up so quickly to look about me that I nearly capsized the boat.
The first view of this entrance was not reassuring: it was hard to understand how we could get through without smashing our heads against the rocks. Since the question seemed significant enough to discuss, I asked my boatman about it. He replied that we were fine to stay seated for now, but soon we would need to lie down to avoid danger. We had come this far, and there was no backing down. It was my turn first; my boatman moved forward, rowing carefully and making it clear that, despite his experience, he didn’t consider it risk-free. From where I was sitting, all I could see was the sky; then I felt myself rise on a wave, and the boat slid down rapidly. For a moment, all I could see was a rock that seemed to press against my chest. Suddenly, I found myself in a grotto so beautiful that I gasped in surprise, and I jumped up to take it all in, almost tipping the boat over.
In reality, before me, around me, above me, under me, and behind me were marvels of which no description can give an idea, and before which, the brush itself, the grand preserver of human memories, is powerless. You must imagine an immense cavern entirely of azure, just as if God had amused himself by making a pavilion with fragments of the firmament; water so limpid, so transparent, and so pure that you seemed floating upon dense air; from the ceiling stalactites hanging like inverted pyramids; in the background a golden sand mingled with submarine vegetation; along the walls which were bathed by the water there were trees of coral with irregular and dazzling branches; at[Pg 3] the sea-entrance, a tiny point—a star—let in the half-light that illumines this fairy palace; finally, at the opposite end, a kind of stage arranged like the throne of a splendid goddess who has chosen one of the wonders of the world for her baths.
In reality, all around me, above me, below me, and behind me were wonders that no words can describe, before which even the best artist, the great keeper of human memories, is helpless. Imagine a vast cavern entirely in shades of blue, as if God had played around, creating a pavilion with pieces of the sky; water so clear, so transparent, and so pure that it felt like you were floating in thick air; from the ceiling hung stalactites like upside-down pyramids; in the background, golden sand mixed with underwater plants; along the walls soaked by the water, there were coral trees with irregular and dazzling branches; at the sea entrance, a tiny speck—a star—let in the soft light that illuminates this magical palace; finally, at the far end, there was a kind of stage set up like the throne for a magnificent goddess who has picked one of the wonders of the world for her baths.
At this moment the entire grotto assumed a deeper hue, darkening as the earth does when a cloud passes across the sun at brightest noontide. It was caused by Jadin, who entered in his turn and whose boat closed the mouth of the cavern. Soon he was thrown near me by the force of the wave that had lifted him up; the grotto recovered its beautiful shade of azure; and his boat stopped tremblingly near mine, for this sea, so agitated and obstreperous outside, breathes here as serenely and gently as a lake.
At that moment, the entire grotto took on a deeper color, darkening like the earth does when a cloud moves across the sun on a bright afternoon. It was because of Jadin, who came in next and whose boat blocked the entrance of the cave. Soon, a wave lifted him and tossed him close to me; the grotto regained its beautiful blue shade, and his boat came to a shaky stop near mine, for this sea, which is so wild and noisy outside, feels here as calm and gentle as a lake.
In all probability the Blue Grotto was unknown to the ancients. No poet speaks of it, and certainly, with their marvellous imagination, the Greeks would not have neglected making of it the palace of some sea-goddess with a musical name and leaving some story to us. Suetonius, who describes for us with so much detail the Thermes and baths of Tiberius, would certainly have devoted a few words to this natural pool which the old emperor would doubtless have chosen as the theatre for some of his monstrous pleasures. No, the ocean must have been much higher at that epoch than it is at present, and this marvellous sea-cave was known only to Amphitrite and her court of Sirens, Naïads, and Tritons.
In all likelihood, the Blue Grotto was unknown to the ancients. No poet mentions it, and surely, with their incredible imagination, the Greeks wouldn’t have missed the chance to make it the home of some sea goddess with a lyrical name, leaving behind a story for us. Suetonius, who describes in detail the baths and thermal springs of Tiberius, would definitely have said a few words about this natural pool, which the old emperor would probably have chosen as the setting for some of his outrageous pleasures. No, the ocean must have been much higher back then than it is now, and this stunning sea cave was known only to Amphitrite and her entourage of Sirens, Naiads, and Tritons.
But sometimes Amphitrite is angered with the indiscreet travellers who follow her into this retreat, just as Diana[Pg 4] was when surprised by Actæon. At such times the sea rises suddenly and closes the entrance so effectually that those who have entered cannot leave. In this case, they must wait until the wind, which has veered from east to west, changes to south or north; and it has even happened that visitors, who have come to spend twenty minutes in the Blue Grotto, have had to remain two, three, and, even four, days. Therefore, the boatmen always carry with them a certain portion of a kind of biscuit to nourish the prisoners in the event of such an accident. With regard to water, enough filters through two or three places in the grotto to prevent any fear of thirst. I bestowed a few reproaches upon my boatman for having waited so long to apprise me of so disquieting a fact; but he replied with a charming naïveté:
But sometimes Amphitrite gets upset with the curious travelers who follow her into this retreat, just like Diana[Pg 4] was when she was caught off guard by Actæon. During those moments, the sea suddenly rises and closes the entrance so completely that those who have entered can’t leave. In this situation, they have to wait until the wind, which has shifted from east to west, changes to south or north; and it has even happened that visitors, who planned to spend just twenty minutes in the Blue Grotto, ended up staying two, three, or even four days. That's why the boatmen always bring along a supply of a type of biscuit to feed the “prisoners” in case of such an incident. As for water, enough seeps through two or three spots in the grotto to avoid any worry about thirst. I gave my boatman a few reproaches for taking so long to inform me of such a concerning fact; but he answered with charming naïveté:
“Dame! excellence! If we told this to the visitors at first, only half would come, and that would make the boatmen angry.”
“Come on! Amazing! If we mentioned this to the visitors at first, only half would show up, and that would upset the boatmen.”
I admit that after this accidental information, I was seized with a certain uneasiness, on account of which I found the Blue Grotto infinitely less delightful than it had appeared to me at first. Unfortunately, my boatman had told me these details just at the moment when I was undressing to bathe in this water, which is so beautiful and transparent that to attract the fisherman it would not need the song of Goethe’s poetical Undine. We were unwilling to waste any time in preparations, and, wishing to enjoy ourselves as much as possible, we both dived.
I have to admit that after hearing this unexpected info, I felt a bit uneasy, which made the Blue Grotto seem way less enjoyable than it had at first. Unfortunately, my boatman shared this info right when I was getting ready to swim in the water, which is so beautiful and clear that it wouldn't need the song of Goethe's poetic Undine to attract the fisherman. We didn’t want to waste any time getting ready, so wanting to make the most of it, we both dove in.

BLUE GROTTO, CAPRI.
Blue Grotto, Capri.
It is only when you are five or six feet below the surface[Pg 5] of the water that you can appreciate its incredible purity. Notwithstanding the liquid that envelops the diver, no detail escapes him; he sees everything,—the tiniest shell at the base of the smallest stalactite of the arch, just as clearly as if through the air; only each object assumes a deeper hue.
It’s only when you’re five or six feet underwater[Pg 5] that you can truly appreciate its amazing clarity. Despite being surrounded by water, the diver misses nothing; he sees everything—the smallest shell at the base of the tiniest stalactite in the arch, just as clearly as if he were looking through the air; each object simply takes on a richer color.
At the end of a quarter of an hour, we clambered back into our boats and dressed ourselves without having apparently attracted one of the invisible nymphs of this watery palace, who would not have hesitated, if the contrary had been the case, to have kept us here twenty-four hours at least. The fact was humiliating; but neither of us pretended to be a Telemachus, and so we took our departure. We again crouched in the bottom of our respective canoes, and we went out of the Blue Grotto with the same precautions and the same good luck with which we had entered it: only it was six minutes before we could open our eyes; the ardent glare of the sun blinded us. We had not gone more than a hundred feet away from the spot we had visited before it seemed to have melted into a dream.
At the end of fifteen minutes, we climbed back into our boats and got dressed without apparently attracting any of the unseen nymphs in this watery palace, who would have easily kept us here for at least twenty-four hours if given the chance. It was a bit embarrassing, but neither of us were pretending to be a Telemachus, so we decided to leave. We once again crouched in the bottoms of our canoes and exited the Blue Grotto with the same care and luck we had when we entered: it just took us six minutes before we could open our eyes; the intense sunlight blinded us. We had barely gone a hundred feet from the spot we visited before it seemed to fade into a dream.
We landed again at the port of Capri. While we were settling our account with our boatmen, Pietro pointed out a man lying down in the sunshine with his face in the sand. This was the fisherman who nine or ten years ago discovered the Blue Grotto while looking for frutti di mare along the rocks. He went immediately to the authorities of the island to make his discovery known, and asked the privilege of being the only one allowed to conduct visitors to the new world he had found, and to have revenue from[Pg 6] those visitors. The authorities, who saw in this discovery a means of attracting strangers to their island, agreed to the second proposition, and since that time this new Christopher Columbus has lived upon his income and does not trouble to conduct the visitors himself; this explains why he can sleep as we see him. He is the most envied individual in the island.
We landed again at the port of Capri. While we were settling our account with our boatmen, Pietro pointed out a man lying in the sun with his face in the sand. This was the fisherman who nine or ten years ago discovered the Blue Grotto while searching for frutti di mare along the rocks. He immediately went to the island authorities to share his discovery and requested the privilege of being the only one allowed to take visitors to the new place he had found, as well as to receive income from those visitors. The authorities, seeing this discovery as a way to attract tourists to their island, agreed to the second proposal. Since then, this new Christopher Columbus has lived off his earnings and doesn't bother to guide the visitors himself; this explains why he can sleep as we see him. He is the most envied person on the island.
As we had seen all that Capri offered us in the way of wonders, we stepped into our launch and regained the Speronare, which, profiting by several puffs of the land breeze, set sail and gently glided off in the direction of Palermo.
As we had seen everything that Capri had to offer in terms of wonders, we got back into our boat and returned to the Speronare, which, taking advantage of a few puffs of the land breeze, set sail and smoothly glided off towards Palermo.
[Pg 7]
[Pg 7]
Le Speronare: Impressions de Voyage (Paris, 1836).
Le Speronare: Impressions de Voyage (Paris, 1836).
MONT BLANC AND CHAMOUNI
(SWITZERLAND)
SWITZERLAND
PERCY BYSSHE SHELLEY
PERCY BYSSHE SHELLEY
From Servoz three leagues remain to Chamouni—Mont Blanc was before us—the Alps, with their innumerable glaciers on high all around, closing in the complicated windings of the single vale—forests inexpressibly beautiful, but majestic in their beauty—intermingled beech and pine, and oak, overshadowed our road, or receded, whilst lawns of such verdure as I have never seen before occupied these openings, and gradually became darker in their recesses. Mont Blanc was before us, but it was covered with cloud; its base furrowed with dreadful gaps, was seen above. Pinnacles of snow intolerably bright, part of the chain connected with Mont Blanc, shone through the clouds at intervals on high. I never knew—I never imagined what mountains were before. The immensity of these aërial summits excited, when they suddenly burst upon the sight, a sentiment of extatic wonder, not unallied to madness. And remember this was all one scene, it all pressed home to our regard and our imagination. Though it embraced a vast extent of space, the snowy pyramids which shot into the bright blue sky seemed to overhang our path; the ravine, clothed with gigantic pines, and black with its depth below, so deep that the very[Pg 8] roaring of the untameable Arve, which rolled through it, could not be heard above—all was as much our own, as if we had been the creators of such impressions in the minds of others as now occupied our own. Nature was the poet, whose harmony held our spirits more breathless than that of the divinest.
From Servoz, it's three leagues to Chamonix—Mont Blanc loomed ahead of us—the Alps, with their countless glaciers high above, surrounded the complex windings of the single valley—forests that were incredibly beautiful, yet majestic in their beauty—intermingled beech and pine, and oak cast shade over our road or pulled back, while lawns with a vibrancy I had never seen before filled these openings, gradually growing darker in their depths. Mont Blanc was in front of us, but it was shrouded in clouds; its base, marked by frightening gaps, was visible above. Pinnacles of bright snow, part of the chain that included Mont Blanc, peeked through the clouds at intervals above. I had never known—I had never imagined what mountains could be before. The vastness of these towering summits sparked a sense of ecstatic wonder in me when they suddenly came into view, not without a touch of madness. And remember, this was all one scene, all pressing in on our sight and imagination. Although it covered a wide expanse, the snowy peaks that shot into the bright blue sky seemed to hover over our path; the ravine, draped with giant pines and steep with its depth below, was so deep that the very roaring of the wild Arve, which coursed through it, couldn't be heard above it—all felt as much our own as if we had created such impressions in the minds of others that now filled our own. Nature was the poet, whose harmony held our spirits more breathless than the most divine.
As we entered the valley of Chamouni (which in fact may be considered as a continuation of those which we have followed from Bonneville and Cluses) clouds hung upon the mountains at the distance perhaps of 6,000 feet from the earth, but so as effectually to conceal not only Mont Blanc, but the other aiguilles, as they call them here, attached and subordinate to them. We were travelling along the valley, when suddenly we heard a sound as of the burst of smothered thunder rolling above; yet there was something earthly in the sound, that told us it could not be thunder. Our guide hastily pointed out to us a part of the mountain opposite, from whence the sound came. It was an avalanche. We saw the smoke of its path among the rocks, and continued to hear at intervals the bursting of its fall. It fell on the bed of a torrent, which it displaced, and presently we saw its tawny-coloured waters also spread themselves over the ravine, which was their couch.
As we entered the valley of Chamouni (which can really be seen as an extension of the ones we followed from Bonneville and Cluses), clouds clung to the mountains about 6,000 feet above the ground, completely hiding not just Mont Blanc, but also the other aiguilles associated with it. We were traveling through the valley when suddenly we heard a sound like the rumble of distant thunder, but there was something earthly in the noise that made us realize it couldn’t be thunder. Our guide quickly pointed out a section of the mountain across from us where the sound originated. It was an avalanche. We saw the dust of its path among the rocks and continued to hear the crash of its descent at intervals. It landed in the bed of a torrent, displacing the water, and soon we noticed its muddy waters spreading across the ravine that served as its bed.
We did not, as we intended, visit the Glacier de Boisson to-day, although it descends within a few minutes’ walk of the road, wishing to survey it at least when unfatigued. We saw this glacier which comes close to the fertile plain, as we passed, its surface was broken into a thousand unaccountable[Pg 9] figures: conical and pyramidical crystallizations, more than fifty feet in height, rise from its surface, and precipices of ice, of dazzling splendour, overhang the woods and meadows of the vale. This glacier winds upwards from the valley, until it joins the masses of frost from which it was produced above, winding through its own ravine like a bright belt flung over the black region of pines. There is more in all these scenes than mere magnitude of proportion: there is a majesty of outline; there is an awful grace in the very colours which invest these wonderful shapes—a charm which is peculiar to them, quite distinct even from the reality of their unutterable greatness.
We didn’t visit the Glacier de Boisson today as we planned, even though it’s just a few minutes’ walk from the road, because we wanted to check it out when we weren't tired. We saw the glacier as we passed by; its surface was broken into a thousand strange shapes: conical and pyramidal structures, over fifty feet tall, rise from its surface, and stunning ice cliffs loom over the woods and meadows of the valley. This glacier climbs up from the valley until it connects with the ice masses above it, winding through its own ravine like a bright belt thrown over the dark region of pines. There’s more to all these scenes than just their size: there’s a majesty in their shapes; there’s an incredible beauty in the colors that cover these amazing forms—a charm that’s unique to them, entirely different from the reality of their indescribable greatness.[Pg 9]
Yesterday morning we went to the source of the Arveiron. It is about a league from this village; the river rolls forth impetuously from an arch of ice, and spreads itself in many streams over a vast space of the valley, ravaged and laid bare by its inundations. The glacier by which its waters are nourished, overhangs this cavern and the plain, and the forests of pine which surround it, with terrible precipices of solid ice. On the other side rises the immense glacier of Montanvert, fifty miles in extent, occupying a chasm among mountains of inconceivable height, and of forms so pointed and abrupt, that they seem to pierce the sky. From this glacier we saw as we sat on a rock, close to one of the streams of the Arveiron, masses of ice detach themselves from on high, and rush with a loud dull noise into the vale. The violence of their fall turned them into powder, which flowed over the rocks in imitation of waterfalls, whose ravines they usurped and filled.
Yesterday morning, we visited the source of the Arveiron. It’s about a league from this village; the river rushes out powerfully from an ice arch and spreads into multiple streams across a vast area of the valley, devastated and laid bare by its floods. The glacier that feeds its waters hangs over this cavern and the plain, with terrifying cliffs of solid ice surrounding the pine forests. On the other side rises the massive Montanvert glacier, stretching fifty miles, occupying a chasm among mountains of unimaginable height, with pointed and steep shapes that seem to pierce the sky. From this glacier, while sitting on a rock near one of the Arveiron streams, we watched ice masses break away from above and crash down with a loud, dull sound into the valley. The force of their fall turned them into powder, which flowed over the rocks, resembling waterfalls, filling the ravines they took over.
[Pg 10]
[Pg 10]
In the evening I went with Ducrée, my guide, the only tolerable person I have seen in this country, to visit the glacier of Boisson. This glacier, like that of Montanvert, comes close to the vale, overhanging the green meadows and the dark woods with the dazzling whiteness of its precipices and pinnacles, which are like spires of radiant crystal covered with a network of frosted silver. These glaciers flow perpetually into the valley, ravaging in their slow but irresistible progress the pastures and the forests which surround them, performing a work of desolation in ages, which a river of lava might accomplish in an hour, but far more irretrievably; for where the ice has once descended, the hardiest plant refuses to grow; if even, as in some extraordinary instances, it should recede after its progress has once commenced. The glaciers perpetually move onward, at the rate of a foot each day, with a motion that commences at the spot where, on the boundaries of perpetual congelation, they are produced by the freezing of the waters which arise from the partial melting of the eternal snows. They drag with them from the regions whence they derive their origin, all the ruins of the mountain, enormous rocks, and immense accumulations of sand and stones. These are driven onwards by the irresistible stream of solid ice; and when they arrive at a declivity of the mountain, sufficiently rapid, roll down, scattering ruin. I saw one of these rocks which had descended in the spring (winter here is the season of silence and safety) which measured forty feet in every direction.
In the evening, I went with Ducrée, my guide and the only decent person I’ve met in this country, to visit the Boisson glacier. This glacier, like Montanvert, stretches close to the valley, looming over the green meadows and dark woods with the dazzling whiteness of its cliffs and peaks, which resemble spires of radiant crystal covered in a layer of frosted silver. These glaciers constantly flow into the valley, slowly but inevitably destroying the pastures and forests around them, creating a desolation in ages that a river of lava could accomplish in an hour, but in a way that's much harder to reverse; for where the ice has once advanced, even the hardiest plants refuse to grow, even if, in rare cases, it recedes after its advance has begun. The glaciers keep moving forward, at about a foot each day, starting from the point where, on the edge of permanent freezing, they’re formed by the freezing of water that comes from the partial melting of the eternal snows. They carry with them from their origin all the debris of the mountain, huge rocks, and vast amounts of sand and stones. These are pushed along by the unstoppable flow of solid ice, and when they reach a steep enough slope, they tumble down, causing destruction. I saw one of these rocks that had fallen in the spring (winter here is a time of silence and safety), which measured forty feet in every direction.
The verge of a glacier, like that of Boisson, presents the[Pg 11] most vivid image of desolation that it is possible to conceive. No one dares to approach it; for the enormous pinnacles of ice which perpetually fall, are perpetually reproduced. The pines of the forest, which bound it at one extremity, are overthrown and shattered to a wide extent at its base. There is something inexpressibly dreadful in the aspect of the few branchless trunks, which, nearest to the ice rifts, still stand in the uprooted soil. The meadows perish, overwhelmed with sand and stones. Within this last year, these glaciers have advanced three hundred feet into the valley. Saussure, the naturalist, says, that they have their periods of increase and decay: the people of the country hold an opinion entirely different; but as I judge, more probable. It is agreed by all, that the snow on the summit of Mont Blanc and the neighbouring mountains perpetually augments, and that ice, in the form of glaciers, subsists without melting in the valley of Chamouni during its transient and variable summer. If the snow which produces this glacier must augment, and the heat of the valley is no obstacle to the perpetual existence of such masses of ice as have already descended into it, the consequence is obvious; the glaciers must augment and will subsist, at least until they have overflowed this vale.
The edge of a glacier, like the one at Boisson, provides the most intense image of desolation imaginable. No one dares to approach it; the massive ice peaks that constantly break off are always replaced. The pine trees at one end are toppled and shattered extensively at its base. There’s something terrifying about the few branchless trunks that still stand in the uprooted soil near the ice cracks. The meadows are dying, buried under sand and stones. In just the last year, these glaciers have moved three hundred feet into the valley. Saussure, the naturalist, mentions that they go through cycles of growth and shrinkage; however, the locals have a completely different belief, which I think is more plausible. It’s universally acknowledged that the snow on the summit of Mont Blanc and surrounding mountains continually accumulates, and that glaciers in the valley of Chamouni don’t melt during its brief and fluctuating summer. If the snow that feeds this glacier is bound to increase, and the valley's heat doesn’t prevent such large masses of ice from remaining, the conclusion is clear; the glaciers will grow and will sustain themselves, at least until they overflow this valley.
I will not pursue Buffon’s sublime but gloomy theory—that this globe which we inhabit will at some future period be changed into a mass of frost by the encroachment of the polar ice, and of that produced on the most elevated points of the earth. Do you, who assert the supremacy of Ahriman, imagine him throned among these desolating snows,[Pg 12] among these palaces of death and frost, so sculptured in this their terrible magnificence by the adamantine hand of necessity, and that he casts around him, as the first essays of his final usurpation, avalanches, torrents, rocks, and thunders, and above all these deadly glaciers, at once the proof and symbols of his reign;—add to this, the degradation of the human species—who in these regions are half-deformed or idiotic, and most of whom are deprived of anything that can excite interest or admiration. This is a part of the subject more mournful and less sublime; but such as neither the poet nor the philosopher should disdain to regard.
I won't delve into Buffon’s lofty yet dismal theory—that the world we live in will eventually turn into a frozen wasteland due to the advance of polar ice and that which forms on the highest peaks of the Earth. Do you, who claim Ahriman's dominance, picture him sitting among these devastating snows,[Pg 12] in these deathly and icy palaces, magnificently shaped by the unyielding force of necessity, casting around him, as the initial signs of his ultimate takeover, avalanches, floods, rocks, and thunder, and above all, these lethal glaciers, which are both evidence and symbols of his reign?—And add to this the decline of humanity—those in these areas who are half-formed or mentally impaired, most of whom lack anything that could stir interest or admiration. This aspect of the topic is more sorrowful and less grand; however, it deserves the attention of both poets and philosophers.
This morning we departed on the promise of a fine day, to visit the glacier of Montanvert. In that part where it fills a slanting valley, it is called the Sea of Ice. This valley is 950 toises, or 7,600 feet above the level of the sea. We had not proceeded far before the rain began to fall, but we persisted until we had accomplished more than half of our journey, when we returned, wet through.
This morning we left with the hope of a beautiful day to visit the Montanvert glacier. In the area where it fills a sloping valley, it's known as the Sea of Ice. This valley is 950 toises, or 7,600 feet above sea level. We hadn't gone far before the rain started falling, but we kept going until we had completed more than half of our journey, at which point we turned back, completely soaked.
Chamouni, July 25th.
Chamonix, July 25th.
We have returned from visiting the glacier of Montanvert, or as it is called, the Sea of Ice, a scene in truth of dizzying wonder. The path that winds to it along the side of a mountain, now clothed with pines, now intersected with snowy hollows, is wide and steep. The cabin of Montanvert is three leagues from Chamouni, half of which distance is performed on mules, not so sure footed, but that on the first day the one I rode fell in what the guides call a[Pg 13] mauvais pas, so that I narrowly escaped being precipitated down the mountain. We passed over a hollow covered with snow, down which vast stones are accustomed to roll. One had fallen the preceding day, a little time after we had returned: our guides desired us to pass quickly, for it is said that sometimes the least sound will accelerate their descent. We arrived at Montanvert, however, safe.
We just got back from visiting the Montanvert glacier, also known as the Sea of Ice, which is truly an awe-inspiring sight. The path that leads to it along the mountain is wide and steep, sometimes lined with pine trees and sometimes featuring snowy dips. The cabin at Montanvert is about three leagues from Chamouni, half of which we traveled on mules. Mine was not the best at keeping its footing; on the first day, it stumbled in what the guides call a [Pg 13] mauvais pas, and I narrowly avoided falling down the mountain. We crossed a snowy hollow where huge rocks tend to roll down. One had fallen the day before, not long after we returned: our guides urged us to hurry past, as it’s said that even the smallest sound can send them crashing down. Fortunately, we arrived at Montanvert safe and sound.

CHAMOUNI, MER DE GLACE.
CHAMONIX, MER DE GLACE.
On all sides precipitous mountains, the abodes of unrelenting frost, surround this vale: their sides are banked up with ice and snow, broken, heaped high, and exhibiting terrific chasms. The summits are sharp and naked pinnacles, whose overhanging steepness will not even permit snow to rest upon them. Lines of dazzling ice occupy here and there their perpendicular rifts, and shine through the driving vapours with inexpressible brilliance: they pierce the clouds like things not belonging to this earth. The vale itself is filled with a mass of undulating ice, and has an ascent sufficiently gradual even to the remotest abysses of these horrible deserts. It is only half a league (about two miles) in breadth, and seems much less. It exhibits an appearance as if frost had suddenly bound up the waves and whirlpools of a mighty torrent. We walked some distance upon its surface. The waves are elevated about twelve or fifteen feet from the surface of the mass, which is intersected by long gaps of unfathomable depth, the ice of whose sides is more beautifully azure than the sky. In these regions everything changes, and is in motion. This vast mass of ice has one general progress, which ceases neither day nor night; it breaks and bursts forever: some undulations sink while[Pg 14] others rise; it is never the same. The echo of rocks, or of the ice and snow which fall from their overhanging precipices, or roll from their aërial summits, scarcely ceases for one moment. One would think that Mont Blanc, like the god of the Stoics, was a vast animal, and that the frozen blood forever circulated through his stony veins.
Surrounded on all sides by steep mountains, home to relentless frost, this valley is encircled by walls of ice and snow, shattered and piled high, showcasing terrifying chasms. The peaks are sharp, bare towers, so steep that snow can’t settle on them. Patches of bright ice occasionally catch the eye in their vertical splits, gleaming through the swirling mist with an indescribable brilliance: they thrust through the clouds like they don’t belong to this world. The valley itself is filled with a mass of rolling ice, with a gentle slope that reaches even to the farthest depths of these dreadful deserts. It’s only about half a league (roughly two miles) wide, and seems even smaller. It looks as if frost has suddenly frozen the waves and whirlpools of an enormous torrent. We strolled across its surface for some distance. The ice waves rise about twelve to fifteen feet above the surface, intersected by long gaps of unfathomable depth, with sides of ice more beautifully blue than the sky. In this place, everything is in flux and movement. This vast body of ice has one continuous flow that doesn’t stop day or night; it breaks and bursts endlessly: some waves sink while others rise; it’s never the same. The sound of rocks or ice and snow falling from the overhanging cliffs, or rolling from the lofty peaks, hardly stops for a moment. One might think that Mont Blanc, like a Stoic god, is a massive creature, and that frozen blood flows endlessly through its stony veins.
[Pg 15]
[Pg 15]
Prose works (London, 1880).
Prose Works (London, 1880).
THE DEAD SEA
(PALESTINE)
(PALESTINE)
PIERRE LOTI
PIERRE LOTI
A sound of church bells follows us for a long time in the lonely country as we ride away on horseback in the early morning towards Jericho, towards the Jordan and the Dead Sea. The Holy City speedily disappears from our eyes, hidden behind the Mount of Olives. There are fields of green barley here and there, but principally regions of stones and asphodels. Nowhere are there any trees. Red anemones and violet irises enamel the greyness of the rough country, all rock and desert. By a series of gorges, valleys, and precipices we follow a gradually descending route. Jerusalem is at an altitude of eight hundred metres and this Dead Sea to which we are going is four hundred metres below the level of other seas.
The sound of church bells trails us for a long time in the quiet countryside as we ride away on horseback in the early morning toward Jericho, toward the Jordan and the Dead Sea. The Holy City quickly fades from view, hidden behind the Mount of Olives. There are patches of green barley here and there, but mostly it's just rocky areas and asphodels. There are no trees in sight. Red anemones and violet irises brighten the grayness of the rough terrain, which is all rock and desert. We navigate a series of gorges, valleys, and cliffs as we follow a gradually descending path. Jerusalem sits at an altitude of eight hundred meters, and the Dead Sea we're heading to is four hundred meters below sea level.
If it were not for this way for vehicles upon which our horses walk so easily, one would be tempted to call it every now and then Idumæa, or Arabia.
If it weren't for this road that our horses walk on so easily, you might occasionally want to call it Idumea or Arabia.
This road to Jericho is, moreover, full of people to-day: Bedouins upon camels; Arabian shepherds driving hundreds of black goats; bands of Cook’s tourists on horseback, or in mule-chairs; Russian pilgrims, who are returning on foot from the Jordan, piously carrying gourds filled with water from the sacred river; numerous troops of Greek[Pg 16] pilgrims from the island of Cyprus, upon asses; incongruous caravans and strange groups which we overtake or meet.
This road to Jericho is, by the way, crowded with people today: Bedouins on camels; Arabian shepherds herding hundreds of black goats; groups of Cook’s tourists on horseback or in mule chairs; Russian pilgrims returning on foot from the Jordan, respectfully carrying gourds filled with water from the holy river; and many groups of Greek[Pg 16] pilgrims from the island of Cyprus on donkeys; unusual caravans and eclectic gatherings that we pass or encounter.
It is soon midday. The high mountains of the country of Moab which lie beyond the Dead Sea, and which we have seen ever since we reached Hebron like a diaphanous wall in the east seem to be as distant as ever, although for three hours we have been advancing towards them,—apparently fleeing before us like the visions of a mirage. But they have grown misty and gloomy; all that was trailing in the sky like light veils in the morning has gathered and condensed upon their peaks, while a purer and more magnificent blue now extends above our heads.
It’s almost noon. The tall mountains of Moab, located beyond the Dead Sea, have been visible since we arrived in Hebron, like a faint wall to the east. They still seem as far away as they did three hours ago, as if they’re escaping from us like a mirage. But now they look hazy and dark; everything that floated in the sky like light veils in the morning has come together and thickened on their peaks, while a clearer and more beautiful blue stretches above us.
Half-way from Jericho, we make the great halt in a caravansary, where there are Bedouins, Syrians, and Greeks; then we again mount our horses beneath a burning sun.
Halfway to Jericho, we take a long break at an inn, where there are Bedouins, Syrians, and Greeks; then we get back on our horses under a scorching sun.
Every now and then, in the yawning gulfs far below us the torrent of the Cedron is visible like a thread of foaming silver; its course here is not troubled as beneath the walls of Jerusalem, and it rushes along rapidly towards the Dead Sea, half-hidden in the deepest hollows of the abysses.
Every now and then, in the vast chasms below us, the rushing Cedron looks like a thread of foaming silver; here, its path is not obstructed like it is beneath the walls of Jerusalem, and it flows swiftly toward the Dead Sea, partly concealed in the deepest depths of the abysses.
The mountain slopes continue to run down towards this strange and unique region, situated below the level of the sea, where sleep the waters which produce death. It seems that one is made conscious of something abnormal in this continuous descent by some unknown sense of oddity and even giddiness suggested by these slopes. Growing more and more grand and rugged, the country now presents almost the appearance of a true desert. But the[Pg 17] impression of immeasurable solitude is not experienced here. And then there is always that road traced by human hands and these continual meetings with horsemen and various passengers.
The mountain slopes keep descending into this strange and unique area, located below sea level, where the waters bring death. It feels like you become aware of something unusual in this constant downward slope, through some strange sense of oddity and even dizziness suggested by these hills. The landscape is growing increasingly grand and rugged, almost resembling a true desert. But the[Pg 17] feeling of immense solitude isn't felt here. There's still that road made by human hands and the constant encounters with horse riders and various travelers.
The air is already dryer and warmer than at Jerusalem, and the light becomes more and more magnifying,—as is always the case when one approaches places devoid of vegetation.
The air is already drier and warmer than in Jerusalem, and the light keeps getting more intense—as it always does when you get closer to areas without any plants.
The mountains are ever more and more denuded and more cracked by the dryness, opening everywhere with crevasses like great abysses. The heat increases in proportion as we descend to the shore of the Dead Sea which in summer is one of the hottest places in the world. A mournful sun darts its rays around us upon the rocks, masses of stone, and pale limestone where the lizards run about by the thousand; whilst over beyond us, serving as a background for everything, stands ever the chain of Moab, like a Dantesque wall. And to-day storm-clouds darken and deform it, hiding its peaks, or carrying them up too high into the sky and forming other imaginary peaks, thus producing the terror of chaos.
The mountains are increasingly bare and cracked from the dryness, opening up everywhere with deep crevices like huge gaps. The heat rises as we get closer to the shore of the Dead Sea, which in summer is one of the hottest spots on the planet. A gloomy sun casts its rays around us onto the rocks, piles of stones, and pale limestone where thousands of lizards scuttle about; meanwhile, in the background, the Moab mountain range looms like a nightmarish wall. Today, storm clouds darken and distort it, hiding its peaks or stretching them high into the sky, creating other imaginary peaks and generating a sense of chaos.
In a certain deep valley, through which our way lies for a moment, shut in without any view between vertical walls, some hundreds of camels are at pasture, hanging like great fantastic goats to the flanks of the mountains,—the highest perched one of all the troop silhouetted against the sky.
In a particular deep valley, where we pass for a moment, surrounded by vertical walls without any view, hundreds of camels are grazing, clinging to the sides of the mountains like large, strange goats—the highest one of the group outlined against the sky.
Then we issue from this defile and the mountains of Moab reäppear, higher then ever now and more obscured by clouds. Upon this sombre background the near prospective[Pg 18] of this desolate country stands out very clearly; the summits are whitish and all around us blocks, absolutely white, are delineated by the broiling sun with an extreme hardness of outline.
Then we emerge from this narrow passage and the mountains of Moab come into view again, taller than ever and more covered by clouds. Against this dark backdrop, the nearby landscape of this desolate area stands out sharply; the peaks are whitish and all around us, completely white blocks are sharply defined by the blazing sun.
Towards three o’clock, from the elevated regions where we still are, we see before us the country that is lower than the sea, and, as if our eyes had preserved the remembrance of ordinary levels, this really seems not an ordinary plain, but something too low and a great depression of the earth, the bottom of a vast gulf into which the road is about to fall.
Towards three o'clock, from the high areas where we still are, we see in front of us the land that is lower than the sea, and, as if our eyes still remember typical elevations, this really doesn't look like a regular flat area but rather something too low and a huge dip in the earth, like the bottom of a vast pit into which the road is about to drop.
This sunken region has the features of the desert, with gleaming grey wastes like fields of lava, or beds of salt; in its midst an unexpectedly green patch, which is the oasis of Jericho,—and towards the south, a motionless expanse with the polish of a mirror and the sad hue of slate, which begins and loses itself in the distance with a limitless horizon: the Dead Sea, enwrapped in darkness to-day by all the clouds of the distance, by all that is heavy and opaque yonder weighing upon the border of Moab.
This sunken area has characteristics of the desert, with shiny gray wastelands that resemble fields of lava or salt flats; in the center, there’s an unexpectedly green spot, which is the oasis of Jericho. To the south, there’s a still expanse that shines like a mirror and has a gloomy slate color, stretching out into the distance with an endless horizon: the Dead Sea, today shrouded in darkness by all the distant clouds, by everything heavy and opaque pressing down on the edge of Moab.
The few little white houses of Jericho are gradually outlined in the green of the oasis in proportion as we descend from our stony summits, inundated with the sun. One would hardly call it a village. It seems that there is not the least vestige of the three large and celebrated cities that formerly successively occupied this site and that in different ages were called Jericho. These utter destructions and annihilations of the cities of Canaan and Idumæa seem to be for the confounding of human reason. Truly a very[Pg 19] powerful breath of malediction and death must have passed over it all.
The few small white houses of Jericho slowly come into view against the green oasis as we descend from our rocky peaks, bathed in sunlight. It’s hard to call it a village. There seems to be no trace left of the three large and famous cities that once stood here at different times, all called Jericho. The complete destruction of the cities in Canaan and Idumea seems to baffle human understanding. Truly, a very[Pg 19] powerful curse and sense of doom must have swept over it all.
When we are finally down in the plain, an insufferable heat surprises us; one would say that we had traversed an immense distance southward,—and yet, in reality, we have only descended a few hundred metres towards the bowels of the earth: it is to their depressed level that the environs of the Dead Sea owe their exceptional climate.
When we finally reach the plain, we're hit with unbearable heat; it feels like we've traveled a long way south, but really, we've only dropped a few hundred meters toward the earth's core. It's this lower elevation that gives the area around the Dead Sea its unique climate.
Jericho is composed to-day of a little Turkish citadel, three or four new houses built for pilgrims and tourists, half a hundred Arab habitations of mud with roofing of thorny branches and a few Bedouin tents. Round about them are gardens in which grow an occasional palm; a wood of green shrubs traversed by clear brooks; some paths overrun by grass, where horsemen in burnous caracole upon their horses with long manes and tails. And that is all. Immediately beyond the wood the uninhabitable desert begins; and the Dead Sea lies there very near, spreading its mysterious winding-sheet above the engulfed kingdoms of Sodom and Gomorrah. This Sea has a very individual aspect, and this evening it is very funereal; it truly gives the impression of death, with its heavy, leaden, and motionless waters between the deserts of its two shores where great confused mountains mingle with the storm-clouds hanging in the sky.
Jericho today consists of a small Turkish fortress, three or four newly built houses for pilgrims and tourists, about fifty mud homes with roofs made of thorny branches, and a few Bedouin tents. Surrounding them are gardens with an occasional palm tree, a thicket of green shrubs crossed by clear streams, and paths overgrown with grass, where horsemen in cloaks ride their horses with long manes and tails. And that’s it. Just beyond the wood, the inhospitable desert begins, and the Dead Sea lies very close by, stretching out its mysterious shroud over the submerged kingdoms of Sodom and Gomorrah. This sea has a distinct appearance, and this evening it seems very somber; it truly conveys a sense of death, with its heavy, lifeless waters sitting still between the deserts on either side, where great, chaotic mountains blend with the storm clouds overhead.
Sunday, April 8th.
Sunday, April 8.
From Jericho, where we passed the night, the Dead Sea seems very near; one would think in 3 few minutes it would[Pg 20] be easy to reach its tranquil sheet,—which this morning is of a blue barely tinted with slate, under a sky rid of all of yesterday’s clouds. Yet, to reach it, almost two hours on horseback are still required, under a heavy sun, across the little desert which, minus the immensity, resembles the large one in which we have just spent so many days; towards this Sea, which seems to flee in proportion as we approach, we descend by means of a series of exhausted strata and desolate plateaux, all glittering with sand and salt. Here we find a few of the odoriferous plants of Arabia Petræa, and even the semblance of a mirage, the uncertainty as to distances and the continual tremulousness of the horizon. We also find here a band of Bedouins resembling very closely our friends of the desert in their shirts with long pointed sleeves floating like wings, and their little brown veils tied to the forehead with black cords, the two ends of which stand up on the temples like the ears of an animal. Moreover, these shores of the Dead Sea, especially on the southern side, are frequented by pillagers almost as much as Idumæa.
From Jericho, where we spent the night, the Dead Sea looks very close; it seems like we could get there in just a few minutes. This morning, its surface is a blue lightly touched with gray, under a sky cleared of all yesterday's clouds. However, to actually get there, we still need to ride for almost two hours in the scorching sun, across a small desert that, aside from its size, is similar to the vast one where we just spent so many days. As we approach the Sea, it seems to pull away from us while we descend through layers of worn-out ground and barren plateaus, all shimmering with sand and salt. Here, we come across a few fragrant plants from Arabia Petræa and even catch a glimpse of a mirage, with the uncertainty of distances and the constant wavering of the horizon. We also encounter a group of Bedouins who closely resemble our desert friends, wearing long-sleeved shirts that float like wings and little brown veils tied around their foreheads with black cords, the ends sticking up at their temples like animal ears. Additionally, the shores of the Dead Sea, especially on the southern side, are almost as often visited by bandits as those in Idumæa.
We know that geologists trace the existence of the Dead Sea back to the first ages of the world; they do not contest, however, that at the period of the destruction of the accursed cities it must have suddenly overflowed, after some new eruption, to cover the site of the Moabite pentapolis. And it was at that time that was engulfed all this “Vale of Siddim,” where were assembled, against Chedorlaomer, the kings of Sodom, of Gomorrah, of Admah, of Zeboiim, and of Zoar (Genesis xiv. 2, 3); all that “plain of Siddim” which[Pg 21] “was well watered everywhere,” like a garden of delight (Genesis xiii. 10). Since these remote times, this Sea has receded a little, without, however, its form being sensibly changed. And, beneath the shroud of its heavy waters, unfathomable to the diver by their very density, sleep strange ruins, débris, which, without doubt, will never be explored; Sodom and Gomorrah are there, buried in their dark depths.
We know that geologists trace the existence of the Dead Sea back to the earliest ages of the world; they agree, however, that during the time of the destruction of the doomed cities, it must have suddenly overflowed, after some new eruption, to cover the site of the Moabite pentapolis. And it was at that moment that all of the “Vale of Siddim” was swallowed up, where the kings of Sodom, Gomorrah, Admah, Zeboiim, and Zoar gathered against Chedorlaomer (Genesis xiv. 2, 3); all that “plain of Siddim” which[Pg 21] “was well watered everywhere,” like a garden of delight (Genesis xiii. 10). Since those ancient times, this Sea has receded a bit, although its shape hasn’t significantly changed. And beneath the weight of its deep waters, which are too dense for divers to explore, lie strange ruins and debris that will likely never be uncovered; Sodom and Gomorrah are down there, buried in its dark depths.

THE DEAD SEA.
THE DEAD SEA.
At present, the Dead Sea, terminated at the north by the sands we cross, extends to a length of about eighty kilometres, between two ranges of parallel mountains: to the east, those of Moab, eternally oozing bitumen, which stand this morning in their sombre violet; to the west, those of Judea, of another nature, entirely of whitish limestone, at this moment dazzling with sunlight. On both shores the desolation is equally absolute; the same silence hovers over the same appearances of death. These are indeed the immutable and somewhat terrifying aspects of the desert,—and one can understand the very intense impression produced upon travellers who do not know the Arabia Magna; but, for us, there is here only a too greatly diminished image of the mournful phantasmagoria of that region. Besides, one does not lose altogether the view of the citadel of Jericho; from our horses we may still perceive it behind us, like a vague little white point, but still a protector. In the extreme distance of the desert sands, under the trembling network of mirage, appears also an ancient fortress, which is a monastery for Greek hermits. And, finally, another white blot, just perceptible above us, in a[Pg 22] recess of the mountains of Judah, stands that mausoleum which passes for the tomb of Moses—for which a great Mohammedan pilgrimage is soon about to start.
Currently, the Dead Sea, bordered to the north by the sands we crossed, stretches about eighty kilometers between two parallel mountain ranges: to the east, the Moab mountains, perpetually seeping bitumen, which appear this morning in a deep violet; to the west, the Judean mountains, made entirely of whitish limestone, currently glowing in the sunlight. Both shores exhibit absolute desolation; the same silence looms over the same lifeless scenes. These are indeed the unchanging and somewhat eerie characteristics of the desert, and one can understand the strong impression it makes on travelers unfamiliar with Arabia Magna; however, for us, this is merely a significantly reduced echo of the mournful landscape of that area. Additionally, we can still catch sight of the citadel of Jericho; from our horses, it looks like a faint little white spot behind us, yet remains a guardian. In the far distance of the desert sands, beneath the flickering mirage, an ancient fortress emerges, serving as a monastery for Greek hermits. Finally, another barely discernible white shape above us, nestled within a recess of the Judean mountains, is the mausoleum believed to be Moses’ tomb—soon to become a destination for a significant Muslim pilgrimage.
However, upon the sinister strand where we arrive, death reveals itself, truly sovereign and imposing. First, like a line of defence which it is necessary to surmount, comes a belt of drift-wood, branches and trees stripped of all bark, almost petrified in the chemical bath, and whitened like bones,—one would call them an accumulation of great vertebræ. Then there are some rounded pebbles as on the shore of every sea; but not a single shell, not a piece of seaweed, not even a little greenish slime, nothing organic, not even of the lower order; and nowhere else has this ever been seen, a sea whose bed is as sterile as a crucible of alchemy; this is something abnormal and disconcerting. Some dead fish lie here and there, hardened like wood, mummified in the naptha and the salts: fish of the Jordan which the current brought here and which the accursed waters suffocated instantly.
However, when we reach the eerie strand, death makes its presence known, truly dominant and impressive. First, like a barrier we must overcome, there's a stretch of driftwood, branches, and trees stripped of their bark, almost petrified in a chemical bath, and bleached like bones — they could be mistaken for a collection of massive vertebrae. Then, there are some rounded pebbles like those found on every beach, but not a single shell, no seaweed, not even a bit of greenish slime, nothing organic, not even simple life forms; nowhere else has there ever been a sea whose bottom is as barren as an alchemist's crucible; this is something strange and unsettling. A few dead fish lie scattered about, hardened like wood, mummified in the naphtha and salts: fish from the Jordan that the current swept here only to be instantly suffocated by the cursed waters.
And before us, this sea flees, between its banks of desert mountains, to the troubled horizon with an appearance of never ending. Its whitish, oily waters bear blots of bitumen, spread in large iridescent rings. Moreover, they burn, if you drink them, like a corrosive liquor; if you enter them up to your knees you have difficulty in walking, they are so heavy; you cannot dive in them nor even swim in the ordinary position, but you can float upon the surface like a cork buoy.
And in front of us, this sea retreats between the desert mountains, stretching endlessly towards the troubled horizon. Its whitish, oily waters are stained with patches of bitumen, spreading out in large, iridescent rings. Additionally, they burn like a corrosive liquid if you drink them; if you wade in up to your knees, it’s hard to walk because they’re so thick. You can’t dive into them or even swim normally, but you can float on the surface like a cork.
Once the Emperor Titus, as an experiment, had several[Pg 23] slaves bound together with iron chains and cast in, and they did not drown.
Once, Emperor Titus decided to test something by having several[Pg 23] slaves bound together with iron chains and thrown in, and they did not drown.
On the eastern shore, in the little sandy desert where we have just been marching for two hours, a line of a beautiful emerald serpentines; a few flocks and a few Arabian shepherds that are half bandits pass in the far distance.
On the eastern shore, in the small sandy desert we've been walking through for two hours, a line of beautiful emerald green snakes stretches out; a few groups of sheep and some Arabian shepherds, who are partly bandits, can be seen in the distance.
Towards the middle of the day we reënter Jericho, whence we shall not depart until to-morrow morning, and there remain the tranquil hours of the evening for us to go over the still oasis.
Towards the middle of the day, we reenter Jericho, where we won't leave until tomorrow morning, and we'll spend the peaceful evening hours going over the serene oasis.
When we are seated before the porch of the little inn of Jericho in the warm twilight, we see a wildly galloping horse, bringing a monk in a black robe with long hair floating in the wind. He is one of the hermits of the Mount of the Forty Days, who is trying to be the first to arrive and offer us some little objects in the wood of Jericho and shell rosaries from the Jordan.—At nightfall others come, dressed in the same black robe, and with the same thin hair around their bandit’s countenance, and enter the inn to entice us with little carvings and similar chaplets.
When we sit on the porch of the small inn in Jericho during the warm twilight, we see a horse galloping wildly, bringing a monk in a black robe with long hair blowing in the wind. He is one of the hermits from the Mount of the Forty Days, trying to be the first to arrive and offer us small items made of wood from Jericho and shell rosaries from the Jordan. As night falls, others arrive, dressed in the same black robes and with the same thin hair framing their bandit-like faces, entering the inn to tempt us with little carvings and similar rosaries.
The night is sultry here, and a little heavy, quite different to the cold nights of Jerusalem, and just as the stars begin to shine a concert of frogs begins simultaneously from every side, under the dark entanglement of the balms of Gilead,—so continuous and, moreover, so discreet is it, that it seems but another expression of the tranquil silence. You hear also the barking of the sheep-dogs, below, on the side of the Arabian encampments; then, very far away, the drum and the little Bedouin flute furnish the rhythm[Pg 24] for some wild fête;—and, at intervals, but very distinctly, comes the lugubrious falsetto of a hyena or jackal.
The night is warm here and a bit heavy, totally different from the cold nights in Jerusalem. Just as the stars start to shine, a chorus of frogs begins all around, beneath the dark tangle of the Gilead balsams—so continuous and discreet that it feels like just another part of the peaceful silence. You can also hear the barking of sheepdogs down by the Arabian camps, and far away, the beat of a drum and the soft notes of a Bedouin flute set the rhythm for some wild celebration; and every now and then, you can clearly hear the mournful call of a hyena or jackal. [Pg 24]
Now, here is the unexpected refrain of the coffee-houses of Berlin, which suddenly bursts forth, in ironical dissonance, in the midst of these light and immutable sounds of ancient evenings in Judea: the German tourists who have been here since sunset, encamped under the tents of agencies; a band of “Cook’s tourists” come to see and profane, as far as they can, this little desert.
Now, here is the surprising refrain from the coffee houses of Berlin, which suddenly appears, in ironic contradiction, amidst the light and unchanging sounds of ancient evenings in Judea: the German tourists who have been here since sunset, gathered under the tents of agencies; a group of “Cook’s tourists” who have come to see and disrupt, as much as they can, this little desert.
It is after midnight, when everything is hushed and the silence belongs to the nightingales which fill the oasis with an exquisite and clear music of crystal.
It’s after midnight, when everything is quiet and the silence is filled with the nightingales that fill the oasis with beautiful and clear music like crystal.
[Pg 25]
[Pg 25]
Jerusalem (Paris, 1895).
Jerusalem (Paris, 1895).
MOUNT VESUVIUS
(ITALY)
(ITALY)
CHARLES DICKENS
CHARLES DICKENS
A noble mountain pass, with the ruins of a fort on a strong eminence, traditionally called the Fort of Fra Diavolo; the old town of Itrí, like a device in pastry, built up, almost perpendicularly, on a hill, and approached by long steep flights of steps; beautiful Mola di Gaëta, whose wines, like those of Albano, have degenerated since the days of Horace, or his taste for wine was bad: which is not likely of one who enjoyed it so much, and extolled it so well; another night upon the road at St. Agatha; a rest next day at Capua, which is picturesque, but hardly so seductive to a traveller now as the soldiers of Prætorian Rome were wont to find the ancient city of that name; a flat road among vines festooned and looped from tree to tree; and Mount Vesuvius close at hand at last!—its cone and summit whitened with snow; and its smoke hanging over it, in the heavy atmosphere of the day, like a dense cloud. So we go, rattling down-hill, into Naples.
A beautiful mountain pass, with the ruins of a stronghold on a prominent hill, traditionally known as the Fort of Fra Diavolo; the old town of Itrí, like a pastry design, built almost straight up on a hill and accessible by long steep staircases; lovely Mola di Gaëta, whose wines, like those from Albano, have declined since Horace's time, or maybe his taste in wine wasn't great: which seems unlikely for someone who enjoyed it so much and praised it so well; another night on the road at St. Agatha; a rest the next day at Capua, which is picturesque, but not as tempting to a traveler now as the soldiers of the Prætorian Rome found the ancient city of that name; a flat road winding through vines draped from tree to tree; and finally, Mount Vesuvius is close at hand!—its cone and peak covered with snow; and its smoke lingering above it in the heavy atmosphere of the day, like a dense cloud. So we go, rattling downhill into Naples.
Capri—once made odious by the deified beast Tiberius—Ischia, Procida, and the thousand distant beauties of the Bay, lie in the blue sea yonder, changing in the mist and sunshine twenty times a day: now close at hand, now far off, now unseen. The fairest country in the world is[Pg 26] spread about us. Whether we turn towards the Miseno shore of the splendid watery amphitheatre, and go by the Grotto of Posilipo to the Grotto del Cane, and away to Baiæ: or take the other way, towards Vesuvius and Sorrento, it is one succession of delights. In the last-named direction, where, over doors and archways, there are countless little images of San Gennaro, with his Canute’s hand stretched out to check the fury of the Burning Mountain, we are carried pleasantly, by a railroad on the beautiful Sea Beach, past the town of Torre del Greco, built upon the ashes of the former town, destroyed by an eruption of Vesuvius, within a hundred years, and past the flat-roofed houses, granaries, and macaroni manufactories; to Castel-a-Mare, with its ruined castle, now inhabited by fishermen, standing in the sea upon a heap of rocks. Here, the railroad terminates; but, hence we may ride on, by an unbroken succession of enchanting bays, and beautiful scenery, sloping from the highest summit of St. Angelo, the highest neighbouring mountain, down to the water’s edge—among vineyards, olive-trees, gardens of oranges and lemons, orchards, heaped-up rocks, green gorges in the hills—and by the bases of snow-covered heights, and through small towns with handsome, dark-haired women at the doors—and pass delicious summer villas—to Sorrento, where the poet Tasso drew his inspiration from the beauty surrounding him. Returning, we may climb the heights above Castel-a-Mare, and, looking down among the boughs and leaves, see the crisp water glistening in the sun, and clusters of white houses in distant Naples, dwindling, in the great extent of[Pg 27] prospect, down to dice. The coming back to the city, by the beach again, at sunset: with the glowing sea on one side, and the darkening mountain, with its smoke and flame, upon the other, is a sublime conclusion to the glory of the day.
Capri—once reviled because of the godlike tyrant Tiberius—Ischia, Procida, and the multitude of stunning views of the Bay lie in the blue sea over there, shifting in the mist and sunlight twenty times a day: sometimes close, sometimes far, sometimes completely hidden. The most beautiful countryside in the world is[Pg 26] all around us. Whether we head towards the Miseno shore of the magnificent watery amphitheater, passing the Grotto of Posilipo to the Grotto del Cane, and onward to Baiæ: or take the other route towards Vesuvius and Sorrento, it’s a continual stream of delights. In the latter direction, where countless little images of San Gennaro hang over doors and archways, with his hand reaching out to calm the rage of the Burning Mountain, we are smoothly carried along by a train on the beautiful beach, past the town of Torre del Greco, built on the ruins of the earlier town destroyed by a Vesuvius eruption less than a century ago, and past flat-roofed houses, grain stores, and pasta factories; to Castel-a-Mare, with its crumbling castle, now home to fishermen, standing in the sea on a pile of rocks. Here, the train journey ends; but from here we can continue, through an unbroken series of charming bays and stunning scenery, sloping from the tallest summit of St. Angelo, the highest nearby mountain, down to the water’s edge—through vineyards, olive trees, gardens bursting with oranges and lemons, orchards, stacked rocks, and green gorges in the hills—and by the bases of snow-capped heights, and through small towns filled with beautiful, dark-haired women at their doors—and pass lovely summer villas—to Sorrento, where the poet Tasso found inspiration in the surrounding beauty. On the way back, we can ascend the hills above Castel-a-Mare, and, looking down through the branches and leaves, see the shimmering water sparkling in the sun, and clusters of white houses in distant Naples, shrinking to the scale of[Pg 27] dice in the vast view. Returning to the city along the beach at sunset, with the glowing sea on one side and the darkening mountain, with its smoke and flame, on the other, is a breathtaking end to the beauty of the day.
Stand at the bottom of the great market-place of Pompeii, and look up the silent streets, through the ruined temples of Jupiter and Isis, over the broken houses with their inmost sanctuaries open to the day, away to Mount Vesuvius, bright and snowy in the peaceful distance; and lose all count of time, and heed of other things, in the strange and melancholy sensation of seeing the Destroyed and the Destroyer making this quiet picture in the sun. Then, ramble on, and see, at every turn, the little familiar tokens of human habitation and every-day pursuits; the chafing of the bucket rope in the stone rim of the exhausted well; the track of carriage wheels in the pavement of the street; the marks of drinking vessels on the stone counter of the wine-shop; the amphoræ in private cellars, stored away so many hundred years ago, and undisturbed to this hour—all rendering the solitude and deadly lonesomeness of the place ten thousand times more solemn, than if the volcano, in its fury, had swept the city from the earth, and sunk it in the bottom of the sea.
Stand at the bottom of the great marketplace of Pompeii and look up the silent streets, through the ruined temples of Jupiter and Isis, over the broken houses with their innermost sanctuaries exposed to the day, away to Mount Vesuvius, bright and snowy in the peaceful distance; and lose all sense of time and awareness of other things in the strange and melancholy feeling of witnessing the Destroyed and the Destroyer creating this quiet scene in the sun. Then, wander on, and see, at every turn, the little familiar signs of human habitation and everyday activities; the grinding of the bucket rope in the stone rim of the empty well; the tracks of carriage wheels on the pavement of the street; the marks of drinking vessels on the stone counter of the wine shop; the amphorae in private cellars, kept away for so many hundreds of years, and untouched to this day—all making the solitude and deadly loneliness of the place feel ten thousand times more solemn than if the volcano, in its rage, had wiped the city from the earth and sunk it to the bottom of the sea.
After it was shaken by the earthquake which preceded the eruption, workmen were employed in shaping out, in stone, new ornaments for temples and other buildings that had suffered. Here lies their work, outside the city gate, as if they would return to-morrow.
After the earthquake that happened before the eruption, workers were hired to carve new decorations from stone for the temples and other buildings that were damaged. Here lies their work, outside the city gate, as if they would return tomorrow.
[Pg 28]
[Pg 28]
In the cellar of Diomede’s house, where certain skeletons were found huddled together, close to the door, the impression of their bodies on the ashes hardened with the ashes, and became stamped and fixed there, after they had shrunk, inside, to scanty bones. So, in the theatre of Herculaneum, a comic mask, floating on the stream when it was hot and liquid, stamped its mimic features in it as it hardened into stone, and now it turns upon the stranger the fantastic look it turned upon the audiences in that same theatre two thousand years ago.
In the basement of Diomede’s house, where certain skeletons were found huddled together near the door, the impression of their bodies in the ashes hardened and became permanently stamped there after they had shrunk down to mere bones. Similarly, in the theater of Herculaneum, a comic mask, floating in the hot, liquid material, left its playful features imprinted as it solidified into stone, and now it shows the same whimsical expression to strangers that it displayed to audiences in that theater two thousand years ago.
Next to the wonder of going up and down the streets, and in and out of the houses, and traversing the secret chambers of the temples of a religion that has vanished from the earth, and finding so many fresh traces of remote antiquity: as if the course of Time had been stopped after this desolation, and there had been no nights and days, months, years, and centuries since: nothing is more impressive and terrible than the many evidences of the searching nature of the ashes as bespeaking their irresistible power, and the impossibility of escaping them. In the wine-cellars, they forced their way into the earthen vessels: displacing the wine, and choking them, to the brim, with dust. In the tombs, they forced the ashes of the dead from the funeral urns, and rained new ruin even into them. The mouths, and eyes, and skulls of all the skeletons were stuffed with this terrible hail. In Herculaneum, where the flood was of a different and a heavier kind, it rolled in, like a sea. Imagine a deluge of water turned to marble, at its height—and that is what is called “the lava” here.
Next to the amazing experience of wandering up and down the streets, going in and out of the homes, and exploring the hidden rooms of a long-lost religion, and discovering so many fresh signs of ancient history: it’s as if Time had stopped after this devastation, with no nights and days, months, years, or centuries passing since then. Nothing is more striking and horrifying than the many signs of the relentless nature of the ashes, showing their unstoppable power and the impossibility of escaping them. In the wine cellars, they infiltrated the clay containers, displacing the wine and filling them to the brim with dust. In the tombs, they forced the ashes of the dead out of the urns, causing even more destruction. The mouths, eyes, and skulls of all the skeletons were filled with this terrifying hail. In Herculaneum, where the flood was different and heavier, it rolled in like a sea. Imagine a flood of water turned to marble at its peak—and that’s what’s called “the lava” here.

MOUNT VESUVIUS.
Mount Vesuvius.
[Pg 29]
[Pg 29]
Some workmen were digging the gloomy well on the brink of which we now stand, looking down, when they came on some of the stone benches of the theatre—those steps (for such they seem) at the bottom of the excavation—and found the buried city of Herculaneum. Presently going down, with lighted torches, we are perplexed by great walls of monstrous thickness, rising up between the benches, shutting out the stage, obtruding their shapeless forms in absurd places, confusing the whole plan, and making it a disordered dream. We cannot, at first, believe, or picture to ourselves, that this came rolling in, and drowned the city; and that all that is not here has been cut away, by the axe, like solid stone. But this perceived and understood, the horror and oppression of its presence are indescribable.
Some workers were digging the dark well at the edge where we now stand, looking down, when they found some of the stone benches of the theater—those steps (as they appear) at the bottom of the excavation—and uncovered the buried city of Herculaneum. As we descend with lit torches, we’re baffled by enormous walls of incredible thickness, rising up between the benches, blocking the stage, intruding their shapeless forms in ridiculous places, confusing the entire layout, and making it feel like a chaotic dream. At first, we can't believe or envision that this came crashing in and buried the city; that everything that’s not here has been cut away, like solid stone. But once we grasp this, the horror and weight of its presence are beyond words.
Many of the paintings on the walls in the roofless chambers of both cities, or carefully removed to the museum at Naples, are as fresh and plain as if they had been executed yesterday. Here are subjects of still life, as provisions, dead game, bottles, glasses, and the like; familiar classical stories, or mythological fables, always forcibly and plainly told; conceits of cupids, quarrelling, sporting, working at trades; theatrical rehearsals; poets reading their productions to their friends; inscriptions chalked upon the walls; political squibs, advertisements, rough drawings by school-boys; everything to people and restore the ancient cities in the fancy of their wondering visitor. Furniture, too, you see, of every kind—lamps, tables, couches; vessels for eating, drinking, and cooking; workmen’s tools, surgical[Pg 30] instruments, tickets for the theatre, pieces of money, personal ornaments, bunches of keys found clinched in the grasp of skeletons, helmets of guards and warriors; little household bells, yet musical with their old domestic tones.
Many of the paintings on the walls in the open chambers of both cities, or carefully taken to the museum in Naples, look as fresh and clear as if they were created yesterday. Here are still life subjects like food, dead animals, bottles, glasses, and similar items; popular classical stories or mythological tales, always told in a strong and straightforward manner; images of cupids arguing, playing, and working at jobs; scenes from theatrical rehearsals; poets sharing their works with friends; writings scratched on the walls; political jokes, advertisements, rough sketches by school kids; everything to help people picture and revive the ancient cities in the imagination of their amazed visitors. You also see all kinds of furniture—lamps, tables, couches; dishes for eating, drinking, and cooking; tools of workers, surgical instruments, theatre tickets, coins, personal jewelry, bunches of keys found clenched in the hands of skeletons, helmets of guards and soldiers; little household bells, still ringing with their old familiar sounds.
The least among these objects, lends its aid to swell the interests of Vesuvius, and invest it with a perfect fascination. The looking, from either ruined city, into the neighbouring grounds overgrown with beautiful vines and luxuriant trees; and remembering that house upon house, temple on temple, building after building, and street after street, are still lying underneath the roots of all the quiet cultivation, waiting to be turned up to the light of day; is something so wonderful, so full of mystery, so captivating to the imagination, that one would think it would be paramount, and yield to nothing else. To nothing but Vesuvius; but the mountain is the genius of the scene. From every indication of the ruin it has worked, we look, again, with an absorbing interest to where its smoke is rising up into the sky. It is beyond us, as we thread the ruined streets: above us, as we stand upon the ruined walls; we follow it through every vista of broken columns, as we wander through the empty court-yards of the houses; and through the garlandings and interlacings of every wanton vine. Turning away to Pæstum yonder, to see the awful structures built, the least aged of them hundreds of years before the birth of Christ, and standing yet, erect in lonely majesty, upon the wild malaria-blighted plain—we watch Vesuvius as it disappears from the prospect, and[Pg 31] watch for it again, on our return, with the same thrill of interest: as the doom and destiny of all this beautiful country, biding its terrible time.
The smallest of these objects helps enhance the allure of Vesuvius, giving it a captivating charm. Looking from either ruined city into the neighboring lands filled with beautiful vines and lush trees, and remembering that house upon house, temple upon temple, building after building, and street after street are still lying beneath the roots of all the peaceful cultivation, waiting to be uncovered, is something so amazing, so full of mystery, and so engaging for the imagination that one would think it would be the most important thing, overshadowing everything else. Except for Vesuvius; the mountain defines the scene. From every sign of the destruction it caused, we look back with intense interest at the smoke rising into the sky. It's beyond us as we walk through the ruined streets; it's above us as we stand on the crumbled walls; we trace it through every opening of broken columns as we explore the empty courtyards of the houses; and through the twisting and tangling of every wild vine. Turning to Pæstum over there, to see the awe-inspiring structures built hundreds of years before Christ, still standing tall in lonely majesty on the wild, malaria-stricken plain—we watch as Vesuvius fades from view and keep an eye out for it on our return, feeling that same rush of interest: the looming fate of this beautiful land, waiting for its moment.
It is very warm in the sun, on this early spring day, when we return from Pæstum, but very cold in the shade: insomuch, that although we may lunch pleasantly, at noon, in the open air, by the gate of Pompeii, the neighbouring rivulet supplies thick ice for our wine. But, the sun is shining brightly; there is not a cloud or speck of vapour in the whole blue sky, looking down upon the Bay of Naples; and the moon will be at the full to-night. No matter that the snow and ice lie thick upon the summit of Vesuvius, or that we have been on foot all day at Pompeii, or that croakers maintain that strangers should not be on the mountain by night, in such an unusual season. Let us take advantage of the fine weather; make the best of our way to Resina, the little village at the foot of the mountain; prepare ourselves, as well as we can on so short a notice, at the guide’s house; ascend at once, and have sunset half-way up, moonlight at the top, and midnight to come down in!
It’s really warm in the sun on this early spring day as we return from Pæstum, but it’s quite chilly in the shade. Even though we can enjoy a pleasant lunch in the open air by the gate of Pompeii, the nearby stream provides thick ice for our wine. But the sun is shining brightly; there isn’t a cloud or a hint of vapor in the whole blue sky looking down on the Bay of Naples, and the moon will be full tonight. It doesn't matter that there's snow and ice thick on the summit of Vesuvius, or that we've been walking around Pompeii all day, or that pessimists say strangers shouldn’t be on the mountain at night during such an unusual season. Let’s take advantage of the beautiful weather; let’s make our way to Resina, the small village at the base of the mountain; prepare ourselves as best we can on such short notice at the guide’s house; climb right away, and enjoy the sunset halfway up, moonlight at the top, and midnight while coming back down!
At four o’clock in the afternoon there is a terrible uproar in the little stable-yard of Signore Salvatore, the recognized head-guide, with the gold band around his cap; and thirty under-guides, who are all scuffling and screaming at once, are preparing half-a-dozen saddled ponies, three litters, and some stout staves for the journey. Every one of the thirty quarrels with the other twenty-nine, and frightens the six ponies; and as much of the village as can possibly squeeze[Pg 32] itself into the little stable-yard participates in the tumult, and gets trodden on by the cattle.
At four o’clock in the afternoon, there's a huge commotion in the small stable yard of Signore Salvatore, the head guide known for the gold band on his cap. Thirty assistant guides are all yelling and jostling as they get half-a-dozen saddled ponies, three litters, and some sturdy staffs ready for the trip. Each of the thirty is arguing with the other twenty-nine, which scares the six ponies. The entire village that can fit into the little stable yard joins in the chaos and gets stepped on by the animals.
After much violent skirmishing, and more noise than would suffice for the storming of Naples, the procession starts. The head-guide, who is liberally paid for all the attendants, rides a little in advance of the party; the other thirty guides proceed on foot. Eight go forward with the litters that are to be used by and by; and the remaining two-and-twenty beg.
After a lot of chaotic fighting and more noise than what you'd need to invade Naples, the procession begins. The lead guide, who gets well compensated for all the staff, rides ahead of the group; the other thirty guides walk. Eight of them move ahead with the litters that will be used later, while the other twenty-two ask for donations.
We ascend, gradually, by stony lanes like rough broad flights of stairs, for some time. At length, we leave these, and the vineyards on either side of them, and emerge upon a bleak, bare region, where the lava lies confusedly in enormous rusty masses: as if the earth had been plowed up by burning thunder-bolts. And now we halt to see the sun set. The change that falls upon the dreary region, and on the whole mountain, as its red light fades, and the night comes on—and the unutterable solemnity and dreariness that reign around, who that has witnessed it can ever forget!
We climb slowly along stony paths that feel like wide, uneven stairs for a while. Eventually, we leave these behind, along with the vineyards on both sides, and reach a desolate, barren area where the lava lies jumbled in huge, rusty chunks, as if the earth has been torn apart by fiery bolts. Now we stop to watch the sunset. The transformation that sweeps over the bleak landscape and the entire mountain as the red light fades and night falls—along with the profound solemnity and emptiness that surrounds us—who could ever forget it after seeing it?
It is dark when, after winding for some time over the broken ground, we arrive at the foot of the cone: which is extremely steep, and seems to rise, almost perpendicularly, from the spot where we dismount. The only light is reflected from the snow, deep, hard, and white, with which the cone is covered. It is now intensely cold, and the air is piercing. The thirty-one have brought no torches, knowing that the moon will rise before we reach the top. Two of the litters are devoted to the two ladies; the third, to a rather heavy gentleman from Naples, whose hospitality[Pg 33] and good nature have attached him to the expedition, and determined him to assist in doing the honours of the mountain. The rather heavy gentleman is carried by fifteen men; each of the ladies by half-a-dozen. We who walk make the best use of our staves; and so the whole party begin to labour upward over the snow—as if they were toiling to the summit of an antediluvian Twelfth-cake.
It’s dark when, after winding for a while over the rough ground, we arrive at the base of the cone, which is really steep and looks like it’s rising almost straight up from where we get off. The only light comes from the hard, deep white snow covering the cone. It’s freezing now, and the air is biting. The thirty-one people didn’t bring any torches since they know the moon will rise before we get to the top. Two of the litters are reserved for the two ladies; the third is for a rather heavy man from Naples, whose kindness and hospitality have made him part of the expedition and motivated him to help host our trek up the mountain. The heavy gentleman is carried by fifteen men; each of the ladies is carried by six. We who are walking make the best use of our walking sticks, and so the whole group starts to struggle upward through the snow—as if they were climbing to the top of an ancient layered cake.
We are a long time toiling up; and the head-guide looks oddly about him when one of the company—not an Italian, though an habitué of the mountain for many years: whom we will call, for our present purpose, Mr. Pickle of Portici—suggests that, as it is freezing hard, and the usual footing of ashes is covered by the snow and ice, it will surely be difficult to descend. But the sight of the litters above, tilting up and down, and jerking from this side to that, as the bearers continually slip and tumble, diverts our attention; more especially as the whole length of the rather heavy gentleman is, at that moment, presented to us alarmingly foreshortened, with his head downward.
We’ve been climbing for a long time, and our guide looks around nervously when one of the group—not an Italian, but someone who’s been coming to the mountain for years, whom we’ll call Mr. Pickle from Portici—points out that since it’s freezing cold and the usual ash-covered path is hidden under snow and ice, it’s going to be tough to go back down. But we get distracted by the litters above, swaying back and forth and tipping as the bearers keep slipping and falling. It’s especially funny because we can see the rather heavy man in one of the litters at a very awkward angle, with his head hanging down.
The rising of the moon soon afterward, revives the flagging spirits of the bearers. Stimulating each other with their usual watchword, “Courage, friend! It is to eat macaroni!” they press on, gallantly, for the summit.
The moon rises soon after, lifting the spirits of the carriers. Encouraging each other with their usual rallying cry, “Courage, buddy! It’s time to eat macaroni!” they push on bravely toward the top.
From tingeing the top of the snow above us with a band of light, and pouring it in a stream through the valley below, while we have been ascending in the dark, the moon soon lights the whole white mountain-side, and the broad sea down below, and tiny Naples in the distance, and every village in the country round. The whole prospect is in[Pg 34] this lovely state, when we come upon the platform on the mountain-top—the region of Fire—an exhausted crater formed of great masses of gigantic cinders, like blocks of stone from some tremendous waterfall, burned up; from every chink and crevice of which hot, sulphurous smoke is pouring out: while, from another conical-shaped hill, the present crater, rising abruptly from this platform at the end, great sheets of fire are streaming forth: reddening the night with flame, blackening it with smoke, and spotting it with red-hot stones and cinders, that fly up into the air like feathers, and fall down like lead. What words can paint the gloom and grandeur of this scene!
From tinting the top of the snow above us with a band of light and pouring it down in a stream through the valley below, while we’ve been climbing in the dark, the moon soon brightens the entire white mountain side, the vast sea below, tiny Naples in the distance, and every village in the countryside around. The whole view is in[Pg 34] this beautiful state when we reach the platform on the mountaintop—the region of Fire—an exhausted crater formed of massive cinders, like chunks of stone from some enormous waterfall, burnt up; from every crack and crevice of which hot, sulfurous smoke is escaping. Meanwhile, from another conical-shaped hill, the current crater, rising steeply from this platform at the end, is releasing great sheets of fire: lighting up the night with flames, darkening it with smoke, and speckling it with red-hot stones and cinders that shoot up into the air like feathers, then fall down like lead. What words can capture the darkness and grandeur of this scene!
The broken ground; the smoke; the sense of suffocation from the sulphur; the fear of falling down through the crevices in the yawning ground; the stopping, every now and then, for somebody who is missing in the dark (for the dense smoke now obscures the moon); the intolerable noise of the thirty; and the hoarse roaring of the mountain; make it a scene of such confusion, at the same time, that we reel again. But, dragging the ladies through it, and across another exhausted crater to the foot of the present Volcano, we approach close to it on the windy side, and then sit down among the hot ashes at its foot, and look up in silence; faintly estimating the action that is going on within, from its being full a hundred feet higher, at this minute, than it was six weeks ago.
The cracked ground, the smoke, the feeling of suffocation from the sulfur, the fear of falling through the gaps in the gaping earth, the pauses every now and then for someone who’s gone missing in the dark (since the thick smoke now hides the moon), the unbearable noise of the thirty, and the loud roar of the mountain create such a chaotic scene that we stagger again. But, pulling the ladies through it and across another exhausted crater to the base of the current Volcano, we get close to it on the windy side, then sit down among the hot ashes at its foot and look up in silence, faintly estimating the activity happening inside, noting that it’s now a hundred feet higher than it was six weeks ago.
There is something in the fire and roar that generates an irresistible desire to get nearer to it. We cannot rest long, without starting off, two of us, on our hands and knees,[Pg 35] accompanied by the head-guide, to climb to the brim of the flaming crater, and try to look in. Meanwhile, the thirty yell, as with one voice, that it is a dangerous proceeding, and call to us to come back; frightening the rest of the party out of their wits.
There’s something about the fire and its roar that creates an intense urge to get closer. We can't stay put for long before two of us, on hands and knees,[Pg 35] along with the head guide, decide to climb to the edge of the blazing crater and try to peer inside. Meanwhile, the thirty yell in unison that it’s a risky move and urge us to come back; this scares the rest of the group half to death.
What with their noise, and what with the trembling of the thin crust of ground, that seems about to open underneath our feet, and plunge us into the burning gulf below (which is the real danger, if there be any); and what with the flashing of the fire in our faces, and the shower of red-hot ashes that is raining down, and the choking smoke and sulphur; we may well feel giddy and irrational, like drunken men. But, we contrive to climb up to the brim, and look down, for a moment, into the Hell of boiling fire below. Then, we all three come rolling down; blackened, and singed, and scorched, and hot, and giddy: and each with his dress alight in half-a-dozen places.
With all the noise and the ground shaking beneath our feet, it feels like it could crack open and drop us into the fiery abyss below (which is the real threat, if there is one); plus, there's the bright flames in our faces, the shower of red-hot ash falling down, and the suffocating smoke and sulfur; it’s easy to feel dizzy and out of control, like we’re drunk. But, we manage to climb up to the edge and peer down for a moment into the hellish boiling fire below. Then, we all tumble back down; covered in soot, singed, burned, and hot, feeling dizzy, with each of our clothes on fire in several spots.
You have read, a thousand times, that the usual way of descending is by sliding down the ashes: which, forming a gradually increasing ledge below the feet, prevent too rapid a descent. But, when we have crossed the two exhausted craters on our way back, and are come to this precipitous place, there is (as Mr. Pickle has foretold) no vestige of ashes to be seen; the whole being a smooth sheet of ice.
You’ve read many times that the typical way to go down is by sliding down the ashes, which create a gradually rising ledge beneath your feet, stopping you from dropping too fast. But when we’ve crossed the two drained craters on our way back and reached this steep spot, there’s (as Mr. Pickle predicted) no sign of ashes anywhere; it’s just a smooth sheet of ice.
In this dilemma, ten or a dozen of the guides cautiously join hands, and make a chain of men; of whom the foremost beat, as well as they can, a rough track with their sticks, down which we prepare to follow. The way being fearfully steep, and none of the party: even of the thirty:[Pg 36] being able to keep their feet for six paces together, the ladies are taken out of their litters, and placed, each between two careful persons; while others of the thirty hold by their skirts, to prevent their falling forward—a necessary precaution, tending to the immediate and hopeless dilapidation of their apparel. The rather heavy gentleman is adjured to leave his litter too, and be escorted in a similar manner; but he resolves to be brought down as he was brought up, on the principle that his fifteen bearers are not likely to tumble all at once, and that he is safer so than trusting to his own legs.
In this situation, ten or so of the guides carefully join hands to form a chain. The ones at the front try their best to create a rough path with their sticks as we prepare to follow. The path is dangerously steep, and none of the group, even of the thirty:[Pg 36], can keep their balance for more than a few steps. The ladies are taken out of their litters and placed between two careful individuals, while others from the thirty hold onto their skirts to prevent them from falling forward—a necessary measure to avoid ruining their clothes. The rather heavy gentleman is encouraged to leave his litter as well and be escorted in a similar way, but he insists on being carried down just like he was carried up, believing that his fifteen bearers are less likely to trip all at once and that it’s safer than relying on his own legs.
In this order, we begin the descent: sometimes on foot, sometimes shuffling on the ice: always proceeding much more quietly and slowly than on our upward way: and constantly alarmed by the falling among us of somebody from behind, who endangers the footing of the whole party, and clings pertinaciously to anybody’s ankles. It is impossible for the litter to be in advance, too, as the track has to be made; and its appearance behind us, overhead—with some one or other of the bearers always down, and the rather heavy gentleman with his legs in the air—is very threatening and frightful. We have gone on thus; a very little way, painfully and anxiously, but quite merrily, and regarding it as a great success—and have all fallen several times, and have all been stopped, somehow or other, as we were sliding away—when Mr. Pickle, of Portici, in the act of remarking on these uncommon circumstances as quite beyond his experience, stumbles, falls, disengages himself with quick presence of mind, from those about him, plunges[Pg 37] away head foremost, and rolls, over and over, down the whole surface of the cone!
In this order, we start our descent: sometimes walking, sometimes sliding on the ice: always moving much more quietly and slowly than on our way up: and constantly worried about someone falling behind us, putting the whole group at risk, and grabbing onto anyone’s ankles for support. It’s impossible for the litter to be ahead because we have to make the path first; and seeing it behind us, overhead—with one of the bearers always down, and the rather heavy guy with his legs in the air—is really daunting and frightening. We’ve been going on like this; a short distance, painfully and anxiously, but quite cheerfully, considering it a big achievement—and we’ve all fallen several times, and we’ve all been somehow stopped as we slid away—when Mr. Pickle, from Portici, while commenting on these unusual circumstances as completely new to him, trips, falls, quickly pulls himself away from those around him, dives headfirst, and rolls down the entire slope of the cone!
Sickening as it is to look, and be so powerless to help him, I see him there, in the moonlight—I have had such a dream often—skimming over the white ice like a cannonball. Almost at the same moment, there is a cry from behind; and a man who has carried a light basket of spare cloaks on his head, comes rolling past at the same frightful speed, closely followed by a boy. At this climax of the chapter of accidents, the remaining eight-and-twenty vociferate to that degree, that a pack of wolves would be music to them!
As sickening as it is to watch and feel completely helpless to assist him, I see him there in the moonlight—I’ve had this dream often—gliding over the white ice like a cannonball. Almost immediately, there’s a shout from behind; a man balancing a light basket of extra cloaks on his head goes flying past at the same terrifying speed, closely chased by a boy. At this peak of chaos, the remaining twenty-eight are yelling so loudly that a pack of wolves would sound like music to them!
Giddy and bloody, and a mere bundle of rags, is Pickle of Portici when we reach the place where we dismounted, and where the horses are waiting; but, thank God, sound in limb! And never are we likely to be more glad to see a man alive, and on his feet, than to see him now—making light of it too, though sorely bruised and in great pain. The boy is brought into the Hermitage on the Mountain, while we are at supper, with his head tied up; and the man is heard of some hours afterwards. He, too, is bruised and stunned, but has broken no bones; the snow having, fortunately, covered all the larger blocks of rock and stone, and rendered them harmless.
Giddy and battered, and a mere bundle of rags, is Pickle of Portici when we get to the spot where we got off, and where the horses are waiting; but, thank God, he's in one piece! And we’ve never been happier to see a man alive and on his feet than we are now—playing it down, even though he’s badly bruised and in a lot of pain. The boy is brought into the Hermitage on the Mountain while we’re having dinner, with his head wrapped up; and we hear about the man a few hours later. He’s also bruised and dazed but hasn’t broken any bones; the snow has thankfully covered all the bigger rocks and stones, making them safe.
After a cheerful meal, and a good rest before a blazing fire, we again take horse, and continue our descent to Salvatore’s house—very slowly, by reason of our bruised friend being hardly able to keep the saddle, or endure the pain of motion. Though it is so late at night, or early[Pg 38] in the morning, all the people of the village are waiting about the little stable-yard when we arrive, and looking up the road by which we are expected. Our appearance is hailed with a great clamour of tongues, and a general sensation, for which, in our modesty, we are somewhat at a loss to account, until turning into the yard, we find that one of a party of French gentlemen, who were on the mountain at the same time, is lying on some straw in the stable with a broken limb; looking like Death and suffering great torture; and that we were confidently supposed to have encountered some worse accident.
After a cheerful meal and a good rest by a warm fire, we mount our horses again and continue our descent to Salvatore’s house—very slowly, since our injured friend can barely stay in the saddle or handle the pain of movement. Even though it’s late at night or early in the morning, all the villagers are gathered in the small stable yard when we arrive, anxiously watching the road we are expected from. Our arrival is met with a loud uproar, and there’s a general excitement that leaves us a bit baffled until we turn into the yard and see that one of a group of French gentlemen, who were on the mountain at the same time, is lying on some straw in the stable with a broken leg; he looks like he’s about to meet Death and is in immense pain, and everyone assumed we must have faced an even worse accident.
So “well returned and Heaven be praised!” as the cheerful Vetturino, who has borne us company all the way from Pisa says with all his heart! And away with his ready horses into sleeping Naples!
So “well returned and thank goodness!” as the cheerful Vetturino, who has traveled with us all the way from Pisa says with all his heart! And off he goes with his eager horses into the resting Naples!
It wakes again to Policinelli and pickpockets, buffo singers and beggars, rags, puppets, flowers, brightness, dirt, and universal degradation; airing its Harlequin suit in the sunshine, next day and every day; singing, starving, dancing, gaming on the seashore; and leaving all labour to the burning mountain, which is ever at its work.
It wakes up again to Policinelli and pickpockets, silly singers and beggars, rags, puppets, flowers, brightness, dirt, and total decay; showing off its Harlequin outfit in the sunlight, the next day and every day; singing, starving, dancing, playing on the beach; and leaving all the hard work to the burning mountain, which is always doing its job.
[Pg 39]
[Pg 39]
Pictures from Italy (London, 1845).
Photos from Italy (London, 1845).
THE FALLS OF THE RHINE
(GERMANY)
(Germany)
VICTOR HUGO
VICTOR HUGO
My friend, what shall I say to you? I have just come from seeing that strange thing. I am only a few steps from it. I hear the noise of it. I am writing to you without knowing what falls from my thoughts. Ideas and images accumulate there pell-mell, hastening, jostling and bruising each other, and disappearing in vapour, in foam, in uproar, and in clouds.
My friend, what can I say to you? I just came from witnessing that bizarre thing. I’m only a few steps away from it. I can hear the noise it makes. I’m writing to you without really knowing what’s coming from my thoughts. Ideas and images are piling up there chaotically, rushing, pushing, and colliding with each other, then vanishing into mist, foam, chaos, and clouds.
Within me there is an immense ebullition. It seems to me that I have the Falls of the Rhine in my brain.
Within me, there’s an explosive energy. It feels like I have the Rhine Falls in my head.
I write at random, just as it comes. You must understand if you can.
I write spontaneously, just as it flows. You need to grasp it if you can.
You arrive at Laufen. It is a castle of the Thirteenth Century, a very beautiful pile and of a very good style. At the door there are two gilded wyverns with open mouths. They are roaring. You would say that they are making the mysterious noise you hear.
You arrive at Laufen. It’s a stunning castle from the Thirteenth Century, built in a beautiful style. At the entrance, there are two golden wyverns with their mouths wide open. They’re roaring. You’d think they’re the ones making the mysterious sound you hear.
You enter.
You walk in.
You are in the courtyard of a castle. It is no longer a castle, it is a farm. Hens, geese, turkeys, dirt; a cart in a corner; and a vat of lime. A door opens. The cascade appears.
You are in the courtyard of a castle. It’s no longer a castle; it’s a farm. Hens, geese, turkeys, dirt; a cart in the corner; and a vat of lime. A door opens. The waterfall appears.
Marvellous spectacle!
Awesome sight!
Frightful tumult! That is the first effect. Then you[Pg 40] look about you. The cataract cuts out the gulfs which it fills with large white sheets. As in a conflagration, there are some little peaceful spots in the midst of this object of terror; groves blended with foam; charming brooks in the mosses; fountains for the Arcadian Shepherds of Poussin, shadowed by little boughs gently agitated.—And then these details vanish, and the impression of the whole returns to you. Eternal tempest! Snow, vital and furious. The water is of a strange transparency. Some black rocks produce sinister aspects under the water. They appear to touch the surface and are ten feet down. Below the two principal leaps of the falls two great sheaves of foam spread themselves upon the river and disperse in green clouds. On the other side of the Rhine, I perceive a tranquil group of little houses, where the housekeepers come and go.
Frightening chaos! That’s the first thing you notice. Then you[Pg 40] look around. The waterfall creates deep pools filled with large white sheets of foam. Just like in a fire, there are a few peaceful spots amidst this terrifying scene: groves mixed with foam, charming streams in the moss, fountains for the Arcadian Shepherds of Poussin, shaded by little branches swaying gently. — And then all these details disappear, and the overall impression hits you again. An endless storm! Snow, alive and raging. The water has an unusual clarity. Some dark rocks create ominous shapes under the water. They seem to almost touch the surface while being ten feet deep. Below the two main drops of the falls, two large clouds of foam spread out on the river and dissolve into green mist. On the other side of the Rhine, I see a peaceful cluster of small houses, where the homemakers come and go.
As I am observing, my guide tells me: “Lake Constance froze in the winter of 1829 and 1830. It had not frozen for a hundred and four years. People crossed it in carriages. Poor people were frozen to death in Schaffhausen.”
As I watch, my guide says to me, “Lake Constance froze over in the winter of 1829 and 1830. It hadn't frozen in a hundred and four years. People crossed it in carriages. Some poor people died from the cold in Schaffhausen.”
I descended a little lower towards the abyss. The sky was grey and veiled. The cascade roared like a tiger. Frightful noise, terrible rapidity! Dust of water, smoke and rain at the same time. Through this mist you see the cataract in its full development. Five large rocks cut it into five sheets of water of diverse aspects and different sizes. You believe you see the five worn piers of a bridge of Titans. In the winter the ice forms blue arches upon these black abutments.
I went a bit lower towards the abyss. The sky was overcast and cloudy. The waterfall roared like a tiger. Terrifying noise, incredible speed! There was a mix of water, mist, and rain all at once. Through this haze, you can see the waterfall in all its glory. Five large rocks divide it into five sheets of water with different looks and sizes. You might think you’re seeing the five worn pillars of a bridge for Titans. In winter, the ice creates blue arches on these dark supports.

THE FALLS OF THE RHINE.
THE RHINE FALLS.
[Pg 41]
[Pg 41]
The nearest of these rocks is of a strange form; it seems as if the water issued full of rage from the hideous and impassive head of an Hindu idol with an elephant’s head. Some trees and brambles, which intermingle at its summit, give it bristling and horrible hair.
The closest of these rocks has a weird shape; it looks like the water is pouring out in anger from the ugly, emotionless face of a Hindu idol with an elephant head. Some trees and thorny bushes that blend together at its top make it look like it has wild, frightening hair.
At the most awe-inspiring point of the Falls, a great rock disappears and reäppears under the foam like the skull of an engulfed giant, beaten for six thousand years by this dreadful shower-bath.
At the most breathtaking point of the Falls, a huge rock vanishes and reappears beneath the foam like the skull of a drowned giant, battered for six thousand years by this relentless waterfall.
The guide continues his monologue: “The Falls of the Rhine are one league from Schaffhausen. The whole mass of the river falls there at a height of seventy feet.”—
The guide keeps talking: “The Rhine Falls are one league from Schaffhausen. The entire volume of the river drops there from a height of seventy feet.”—
The rugged path which descends from the castle of Laufen to the abyss crosses a garden. At the moment when I passed, deafened by the formidable cataract, a child, accustomed to living with this marvel of the world, was playing among the flowers.
The rough path that goes down from the Laufen castle to the canyon cuts through a garden. Just as I passed by, overwhelmed by the thunderous waterfall, a child, who was used to living with this wonder of the world, was playing among the flowers.
This path has several barriers, where you pay a trifle from time to time. The poor cataract should not work for nothing. See the trouble it gives! It is very necessary that with all the foam that it throws upon the trees, the rocks, the river, and the clouds, that it should throw a few sous into the pocket of some one. That is the least it can do.
This path has several obstacles, where you pay a small fee now and then. The poor waterfall shouldn’t work for free. Just look at the trouble it causes! It's essential that with all the foam it splashes on the trees, the rocks, the river, and the clouds, it should drop a few coins into someone’s pocket. That’s the least it can do.
I came along this path until I reached a kind of balcony skilfully poised in reality right over the abyss.
I walked along this path until I reached a sort of balcony expertly balanced in reality right above the abyss.
There, everything moves you at once. You are dazzled, made dizzy, confused, terrified, and charmed. You lean on a wooden rail that trembles. Some yellow trees,—it is[Pg 42] autumn,—and some red quick-trees surround a little pavilion in the style of the Café Turc, from which one observes the horror of the thing. The women cover themselves with an oil-skin (each one costs a franc). You are suddenly enveloped in a terrible, thundering and heavy shower.
There, everything hits you all at once. You feel dazzled, dizzy, confused, scared, and captivated. You lean on a wooden railing that shakes. Some yellow trees—it's[Pg 42] autumn—and some red quick-trees surround a small pavilion styled like the Café Turc, from where you can see the chaos. The women wrap themselves in oilskin (each one costs a franc). Suddenly, you find yourself caught in a terrible, pounding, and heavy downpour.
Some pretty little yellow snails crawl voluptuously over this dew on the rail of the balcony. The rock that slopes beyond the balcony weeps drop by drop into the cascade. Upon this rock, which is in the centre of the cataract, a troubadour-knight of painted wood stands leaning upon a red shield with a white cross. Some man certainly risked his life to plant this doubtful ornament in the midst of Jehovah’s grand and eternal poetry.
Some cute little yellow snails crawl seductively over the dew on the balcony railing. The rock that slopes beyond the balcony drips drop by drop into the waterfall. On this rock, which is in the middle of the cascade, a wooden troubadour-knight leans against a red shield with a white cross. Someone definitely risked their life to place this questionable decoration in the middle of God's magnificent and timeless poetry.
The two giants, who lift up their heads, I should say the two largest rocks, seem to speak. The thunder is their voice. Above an alarming mound of foam you see a peaceful little house with its little orchard. You would say that this terrible hydra is condemned to carry eternally upon his back that sweet and happy cabin.
The two giants, who raise their heads, I mean the two biggest rocks, seem to communicate. The thunder is their voice. Above a frightening mound of foam, you see a cozy little house with its small orchard. It looks like this terrible beast is doomed to carry that sweet and happy cabin on its back forever.
I went to the extremity of the balcony; I leaned against the rock. The sight became still more terrible. It was a frightful descent of water. The hideous and splendid abyss angrily throws a shower of pearls in the face of those who dare to regard it so near. That is admirable. The four great heaps of the cataract fall, mount, and fall again without ceasing. You would believe that you were beholding the four lightning-wheels of the storm-chariot.
I reached the edge of the balcony and leaned against the rock. The view was even more terrifying. It was a terrifying cascade of water. The ugly yet beautiful abyss angrily sprays a shower of pearls at anyone bold enough to look at it up close. That’s amazing. The four massive torrents of the waterfall continually fall, rise, and fall again without stopping. You’d think you were watching the four lightning wheels of a storm chariot.
The wooden bridge was laid under water. The boards[Pg 43] were slippery. Some dead leaves quivered under my feet. In a cleft of the rock, I noticed a little tuft of dried grass. Dry under the cataract of Schaffhausen! in this deluge, it missed every drop of water! There are some hearts that may be likened to this tuft of grass. In the midst of a vortex of human prosperity, they wither of themselves. Alas! this drop of water which they have missed and which springs not forth from the earth but falls from heaven, is Love!
The wooden bridge was underwater. The boards[Pg 43] were slippery. Some dead leaves trembled under my feet. In a crack in the rock, I spotted a small tuft of dried grass. Dry under the Schaffhausen waterfall! In this downpour, it avoided every drop of water! Some hearts can be compared to this tuft of grass. In the middle of a whirlwind of human success, they wither on their own. Unfortunately, that drop of water they miss, which doesn’t spring from the earth but falls from the sky, is Love!
How long did I remain there, absorbed in that grand spectacle? I could not possibly tell you. During that contemplation the hours passed in my spirit like the waves in the abyss, without leaving a trace or memory.
How long did I stay there, lost in that amazing sight? I couldn't tell you at all. While I was absorbed in thought, the hours flowed by in my mind like waves in the deep, leaving no mark or memory.
However, some one came to inform me that the day was declining. I climbed up to the castle and from there I descended to the sandy shore whence you cross the Rhine to gain the right bank. This shore is below the Falls, and you cross the river at a few fathoms from the cataract. To accomplish this, you risk yourself in a little boat, charming, light, exquisite, adjusted like the canoe of a savage, constructed of wood as supple as the skin of a shark, solid, elastic, fibrous, grazing the rocks every instant and hardly escaping—being managed like all the small boats of the Rhine and the Meuse with a hook and an oar in the form of a shovel. Nothing is stranger than to feel in this little boat the deep and thunderous shocks of the water.
However, someone came to tell me that the day was coming to an end. I climbed up to the castle and from there made my way down to the sandy shore from which you cross the Rhine to reach the right bank. This shore is located downstream from the Falls, and you cross the river just a short distance from the cascade. To do this, you put yourself at risk in a charming, lightweight boat, beautifully crafted, designed like a native canoe, made of a wood that’s as flexible as a shark's skin, solid, elastic, and fibrous, skimming the rocks every moment and barely escaping—handled like all the small boats on the Rhine and Meuse with a hook and a shovel-like oar. There's nothing stranger than feeling the deep and thunderous impacts of the water in this little boat.
As the bark moved away from the bank, I looked above my head at the battlements covered with tiles and the sharp gable ends of the château that dominates the precipice.[Pg 44] Some fishermen’s nets were drying up on the stones on the bank of the river. Do they fish in this vortex? Yes, without doubt. As the fish cannot leap over the cataract, many salmon are caught here. Moreover, where is the whirlpool in which man will not fish?
As the boat pulled away from the shore, I looked up at the tiled battlements and the pointed gables of the castle that towered over the cliff.[Pg 44] Some fishermen's nets were drying on the stones by the riverbank. Do they really fish in this whirlpool? Definitely. Since the fish can’t jump over the waterfall, many salmon are caught here. Besides, where is there a whirlpool where people won’t try to fish?
Now I will recapitulate my intense and almost poignant sensations. First impression: you do not know what to say, you are crushed as by all great poems. Then the whole unravels itself. The beauties disengage themselves from the cloud. Altogether it is grand, sombre, terrible, hideous, magnificent, unutterable.
Now I'll summarize my intense and almost moving feelings. First impression: you’re at a loss for words, overwhelmed like you are by all great poems. Then everything starts to make sense. The beauties reveal themselves from the haze. Overall, it's grand, dark, terrifying, ugly, magnificent, and beyond words.
On the other side of the Rhine, the Falls are made to turn mill-wheels.
On the other side of the Rhine, the Falls are used to turn water wheels.
Upon one bank, the castle; upon the other, the village, which is called Neuhausen.
Upon one side, the castle; on the other, the village, which is called Neuhausen.
Unfortunately the sky was overcast. I cannot, therefore, say that I saw the Falls of Laufen in all their splendour. Nothing is richer nor more marvellous than that shower of pearls of which I have already told you. This should be, however, even more wonderful when the sun changes these pearls to diamonds and when the rainbow plunges its emerald neck into the foam like a divine bird that comes to drink in the abyss.
Unfortunately, the sky was cloudy. So, I can't say that I saw the Falls of Laufen in all their glory. Nothing is richer or more amazing than that shower of pearls I mentioned before. However, this should be even more incredible when the sun turns those pearls into diamonds and when the rainbow dips its emerald neck into the foam like a divine bird coming to drink from the abyss.
From the other side of the Rhine, whence I am now[Pg 45] writing, the cataract appears in its entirety, divided into five very distinct parts, each of which has its physiognomy quite apart from the others, and forming a kind of crescendo. The first is an overflowing from a mill; the second, almost symmetrically composed by the work of the wave and time, is a fountain of Versailles; the third, a cascade; the fourth, an avalanche; and the fifth, chaos.
From the other side of the Rhine, where I am now[Pg 45] writing, the waterfall looks magnificent, split into five very distinct parts, each with its own unique character, creating a sort of crescendo. The first is water spilling from a mill; the second, almost symmetrically shaped by the action of the waves and time, resembles a fountain at Versailles; the third is a cascade; the fourth is an avalanche; and the fifth is pure chaos.
A last word and I will close this letter. Several paces from the Falls, you explore a calcareous rock, which is very beautiful. In the midst of one of the quarries that are there a galley-slave, in stripes of grey and black, with pick-axe in his hand and a double chain on his feet, looked at the cataract. Chance seems to delight itself sometimes in placing in antitheses, sometimes sad and sometimes terrible, the work of nature and the work of society.
A final thought before I end this letter. A short distance from the Falls, you can check out a beautiful limestone rock. In one of the nearby quarries, a prisoner in grey and black stripes, holding a pickaxe and chained at his feet, gazed at the waterfall. It seems like chance enjoys contrasting, at times sorrowful and at other times horrific, the creations of nature and those of society.
[Pg 46]
[Pg 46]
Le Rhin (Paris, 1846).
Le Rhin (Paris, 1846).
IN ARCTIC SEAS
LORD DUFFERIN
LORD DUFFERIN
Ever since leaving England, as each four-and-twenty hours we climbed up nearer to the pole, the belt of dusk dividing day from day had been growing narrower and narrower, until having nearly reached the Arctic circle, this,—the last night we were to traverse,—had dwindled to a thread of shadow. Only another half-dozen leagues more, and we would stand on the threshold of a four months’ day! For the few preceding hours, clouds had completely covered the heavens, except where a clear interval of sky, that lay along the northern horizon, promised a glowing stage for the sun’s last obsequies. But like the heroes of old he had veiled his face to die, and it was not until he dropped down to the sea that the whole hemisphere overflowed with glory and the gilded pageant concerted for his funeral gathered in slow procession round his grave; reminding one of those tardy honours paid to some great prince of song, who—left during life to languish in a garret—is buried by nobles in Westminster Abbey. A few minutes more the last fiery segment had disappeared beneath the purple horizon, and all was over.
Ever since we left England, as each day passed, we climbed closer to the pole, and the belt of twilight separating day from day kept getting narrower, until we were nearly at the Arctic Circle. This last night we were going to experience had shrunk to just a thin strip of shadow. Just a few more leagues, and we would be at the start of four months of daylight! For the last few hours, clouds had completely covered the sky, except for a clear patch along the northern horizon that promised a brilliant stage for the sun’s final moments. But like the heroes of old, he had covered his face for his farewell, and it wasn’t until he sank beneath the sea that the entire hemisphere lit up with glory, and the golden spectacle prepared for his farewell slowly gathered around his resting place—reminding one of the delayed tributes paid to some great musical talent who—after struggling in obscurity—was honored with a burial by nobility in Westminster Abbey. A few minutes later, the last fiery sliver had vanished beneath the purple horizon, and all was over.
“The king is dead—the king is dead—the king is dead! Long live the king!” And up from the sea that had just[Pg 47] entombed his sire, rose the young monarch of a new day; while the courtier clouds, in their ruby robes, turned faces still aglow with the favours of their dead lord, to borrow brighter blazonry from the smile of a new master.
“The king is dead—the king is dead—the king is dead! Long live the king!” And from the sea that had just[Pg 47] buried his father, emerged the young ruler of a new era; while the noble clouds, dressed in their ruby robes, turned their faces, still shining from the blessings of their late lord, to seek a brighter shine from the smile of a new master.
A fairer or a stranger spectacle than the last Arctic sunset cannot be well conceived. Evening and morning—like kinsmen whose hearts some baseless feud has kept asunder—clasping hands across the shadow of the vanished night.
A fairer or stranger sight than the last Arctic sunset is hard to imagine. Evening and morning—like relatives who have been kept apart by some unfounded argument—join hands across the shadow of the vanished night.
You must forgive me if sometimes I become a little magniloquent; for really, amid the grandeur of that fresh primæval world, it was almost impossible to prevent one’s imagination from absorbing a dash of the local colouring. We seemed to have suddenly waked up among the colossal scenery of Keats’s Hyperion. The pulses of young Titans beat within our veins. Time itself,—no longer frittered down into paltry divisions,—had assumed a more majestic aspect. We had the appetite of giants,—was it unnatural we should also adopt “the large utterance of the early gods”?
You have to forgive me if I sometimes get a bit grandiose; because really, in the amazing expanse of that untouched ancient world, it was nearly impossible not to let my imagination soak up a bit of the local vibe. It felt like we had suddenly awakened in the massive landscape of Keats’s Hyperion. The energy of young giants surged through our veins. Time itself, no longer wasted on trivial divisions, had taken on a more majestic quality. We had the hunger of giants—was it strange that we should also embrace “the large utterance of the early gods”?
About 3 A. M. it cleared up a little. By breakfast-time the sun reäppeared, and we could see five or six miles ahead of the vessel. It was shortly after this, that as I was standing in the main rigging peering out over the smooth blue surface of the sea, a white twinkling point of light suddenly caught my eye about a couple of miles off on the port bow, which a telescope soon resolved into a solitary isle of ice, dancing and dipping in the sunlight. As you may suppose, the news brought everybody upon deck; and[Pg 48] when almost immediately afterwards a string of other pieces—glittering like a diamond necklace—hove in sight, the excitement was extreme.
About 3 A.M., it cleared up a bit. By breakfast time, the sun came back, and we could see five or six miles ahead of the ship. Soon after that, while I was standing in the main rigging looking out over the smooth blue surface of the sea, I spotted a bright, twinkling point of light a couple of miles off on the port bow. A telescope quickly revealed it to be a solitary ice island, dancing and shimmering in the sunlight. As you can imagine, this news got everyone out on deck; and[Pg 48] when a line of other pieces—sparkling like a diamond necklace—came into view shortly after, the excitement was through the roof.
Here, at all events, was honest blue salt water frozen solid, and when—as we proceeded—the scattered fragments thickened, and passed like silver argosies on either hand, until at last we found ourselves enveloped in an innumerable fleet of bergs,—it seemed as if we could never be weary of admiring a sight so strange and beautiful. It was rather in form and colour than in size that these ice islets were remarkable; anything approaching to a real iceberg we neither saw, nor are we likely to see. In fact, the lofty ice mountains that wander like vagrant islands along the coast of America, seldom or never come to the eastward or northward of Cape Farewell. They consist of land ice, and are all generated among the bays and straits within Baffin’s Bay, and first enter the Atlantic a good deal to the southward of Iceland; whereas the Polar ice, among which we have been knocking about, is field ice, and—except when packed one ledge above another, by great pressure—is comparatively flat. I do not think I saw any pieces that were piled up higher than thirty or thirty-five feet above the sea-level, although at a little distance through the mist they may have loomed much loftier.
Here, at the very least, was genuine blue saltwater frozen solid, and as we moved along, the scattered pieces thickened and floated by like silver ships on either side, until we found ourselves surrounded by an countless fleet of icebergs. It felt like we could never get tired of admiring such a strange and beautiful sight. These ice formations were notable more for their shape and color than their size; we didn't see anything resembling a real iceberg, nor are we likely to. In fact, the towering ice mountains that drift like wandering islands along the coast of America rarely, if ever, reach eastward or northward of Cape Farewell. They are made of land ice and are all formed in the bays and straits of Baffin’s Bay, first entering the Atlantic quite a bit south of Iceland; meanwhile, the polar ice we've been navigating through is field ice, which, unless stacked on top of each other due to significant pressure, remains relatively flat. I don’t think I saw any chunks that were taller than thirty or thirty-five feet above sea level, although they might have appeared much bigger from a distance through the mist.
In quaintness of form, and in brilliancy of colours, these wonderful masses surpassed everything I had imagined; and we found endless amusement in watching their fantastic procession.
In the uniqueness of their shapes and the vibrancy of their colors, these amazing formations exceeded all my expectations; and we found endless entertainment in observing their whimsical parade.
At one time it was a knight on horseback, clad in sapphire[Pg 49] mail, a white plume above his casque. Or a cathedral window with shafts of chrysophras, new powdered by a snowstorm. Or a smooth sheer cliff of lapis lazuli; or a Banyan tree, with roots descending from its branches, and a foliage as delicate as the efflorescence of molten metal; or a fairy dragon, that breasted the water in scales of emerald; or anything else that your fancy chose to conjure up. After a little time, the mist again descended on the scene, and dulled each glittering form to a shapeless mass of white; while in spite of all our endeavours to keep upon our northerly course, we were constantly compelled to turn and wind about in every direction—sometimes standing on for several hours at a stretch to the southward and eastward.
At one point, it was a knight on horseback, wearing sapphire armor, with a white plume on his helmet. Or a cathedral window with beams of chrysopras, newly powdered by a snowstorm. Or a smooth, sheer cliff of lapis lazuli; or a Banyan tree, with roots hanging from its branches, and leaves as delicate as the bloom of molten metal; or a fairy dragon, swimming through the water with emerald scales; or anything else your imagination could create. After a while, the mist descended again, dulling each shining form into a shapeless mass of white; and despite all our efforts to maintain a northerly course, we were continually forced to turn and twist in every direction—sometimes moving southward and eastward for several hours at a time.
But why should I weary you with the detail of our various manœuvres during the ensuing days? they were too tedious and disheartening at the time for me to look back at them with any pleasure. Suffice it to say, that by dint of sailing north whenever the ice would permit us, and sailing west when we could not sail north,—we found ourselves on the 2d of August, in the latitude of the southern extremity of Spitzbergen, though divided from the land by about fifty miles of ice. All this while the weather had been pretty good, foggy and cold enough, but with a fine stiff breeze that rattled us along at a good rate whenever we did get a chance of making any Northing. But lately it had come on to blow very hard, the cold became quite piercing, and what was worse—in every direction round the whole circuit of the horizon, except along its southern segment,—a[Pg 50] blaze of iceblink illuminated the sky. A more discouraging spectacle could not have met our eyes. The iceblink is a luminous appearance, reflected on the heavens from the fields of ice that still lie sunk beneath the horizon; it was therefore on this occasion an unmistakable indication of the encumbered state of the sea in front of us.
But why should I tire you with the details of our various maneuvers over the following days? They were too tedious and disheartening for me to reflect on with any enjoyment. It's enough to say that by consistently heading north whenever the ice allowed us, and going west when we couldn’t go north, we found ourselves on August 2nd, in the latitude near the southern tip of Spitzbergen, though about fifty miles away from land, blocked by ice. During this time, the weather had been fairly decent—foggy and cold enough, but with a nice strong breeze that pushed us along quickly whenever we got a chance to make some northward progress. However, it recently started to blow very hard, the cold became quite biting, and worse still—in every direction around the entire horizon, except for the southern segment—a[Pg 50] bright glow of iceblink lit up the sky. It was a more discouraging sight than we could have imagined. Iceblink is a luminous effect seen in the sky, reflecting off the ice fields that are still below the horizon; therefore, on this occasion, it was a clear sign of the obstructed state of the sea ahead of us.
I had turned in for a few hours of rest, and release from the monotonous sense of disappointment, and was already lost in a dream of deep bewildering bays of ice, and gulfs whose shifting shores offered to the eye every possible combination of uncomfortable scenery, without possible issue,—when “a voice in my dreaming ear” shouted “Land!” and I awoke to its reality. I need not tell you in what double quick time I tumbled up the companion,—or with what greediness I feasted my eyes on that longed-for view,—the only sight—as I then thought—we were ever destined to enjoy of the mountains of Spitzbergen!
I had settled in for a few hours of rest, escaping the constant feeling of disappointment, and was already lost in a dream of confusing icy bays and shores that shifted to show every uncomfortable landscape imaginable, with no way out—when “a voice in my dreaming ear” yelled “Land!” and I woke up to it being real. I don’t need to explain how quickly I rushed up the stairs—or how eagerly I took in that long-awaited view—the only sight—as I thought at the time—we were ever destined to see of the mountains of Spitzbergen!
The whole heaven was overcast with a dark mantle of tempestuous clouds, that stretched down in umbrella-like points towards the horizon, leaving a clear space between their edge and the sea, illuminated by the sinister brilliancy of the iceblink. In an easterly direction, this belt of unclouded atmosphere was etherealized to an indescribable transparency, and up into it there gradually grew—above the dingy line of starboard ice—a forest of thin lilac peaks, so faint, so pale, that had it not been for the gem-like distinctness of their outline, one could have deemed them as unsubstantial as the spires of fairyland. The beautiful vision proved only too transient; in one short half hour mist and[Pg 51] cloud had blotted it all out, while a fresh barrier of ice compelled us to turn our backs on the very land we were striving to reach.
The entire sky was covered with a dark layer of stormy clouds that reached down like umbrella tips towards the horizon, leaving a clear space between their edge and the sea, lit up by the eerie glow of the iceblink. To the east, this band of clear atmosphere turned into an indescribable transparency, and gradually rising above the dull line of starboard ice was a forest of delicate lilac peaks, so faint and pale that if it weren’t for the clear definition of their outlines, one might think they were as unreal as the towers of a fairyland. The beautiful sight turned out to be all too brief; within just half an hour, mist and[Pg 51] clouds had obscured it completely, while a new barrier of ice forced us to turn away from the very land we were trying to reach.
It was one o’clock in the morning of the 6th of August, 1856, that after having been eleven days at sea, we came to an anchor in the silent haven of English Bay, Spitzbergen.
It was 1:00 AM on August 6, 1856, when, after being at sea for eleven days, we dropped anchor in the quiet harbor of English Bay, Spitzbergen.
And now, how shall I give you an idea of the wonderful panorama in the midst of which we found ourselves? I think, perhaps, its most striking feature was the stillness—and deadness—and impossibility of this new world; ice, and rock, and water surrounded us; not a sound of any kind interrupted the silence; the sea did not break upon the shore; no bird or any living thing was visible; the midnight sun—by this time muffled in a transparent mist—shed an awful, mysterious lustre on glacier and mountain; no atom of vegetation gave token of the earth’s vitality; an universal numbness and dumbness seemed to pervade the solitude. I suppose in scarcely any other part of the world is this appearance of deadness so strikingly exhibited.
And now, how can I describe the amazing view that surrounded us? I think the most noticeable aspect was the stillness—and lifelessness—and the surreal quality of this new world; ice, rock, and water enveloped us; not a single sound broke the silence; the sea didn’t crash against the shore; no birds or any signs of life were in sight; the midnight sun—by this point shrouded in a thin mist—cast a haunting, mysterious glow on the glacier and mountains; there wasn’t a hint of vegetation to show any sign of life on the earth; an overwhelming numbness and silence seemed to fill the emptiness. I doubt any other place in the world displays this feeling of lifelessness so vividly.
On the stillest summer day in England, there is always perceptible an undertone of life thrilling through the atmosphere; and though no breeze should stir a single leaf, yet—in default of motion—there is always a sense of growth; but here not so much as a blade of grass was to be seen, on the sides of the bald, excoriated hills. Primeval rocks—and eternal ice—constitute the landscape.
On the quietest summer day in England, you can always feel an underlying energy in the air; and even if not a single leaf moves, there’s still a sense of growth. However, here, not even a blade of grass was visible on the bare, worn-out hills. The landscape is made up of ancient rocks and permanent ice.
Letters from High Latitudes (London, 1859).
Letters from High Latitudes (London, 1859).
[Pg 52]
[Pg 52]
IN ANTARCTIC SEAS
W. G. BURN MURDOCH
W. G. Burn Murdoch
Days such as this are few in a lifetime, so full of interest has it been, and so fatiguing. Since early morning, rather since yesterday, for there was no night and no morning, we have been constantly marvelling at most astonishing and beautiful spectacles. We have been bathed in red blood, and for hours and hours we have rowed in the boats and plunged over miles of soft snow dragging seal-skins, and I have been drawing hard in the times between the boat excursions; but the air is exhilarating, and we feel equal to almost any amount of work. Sun and snow-showers alternate—fine hard snow it is, that makes our faces burn as if before a fire. It is very cold sketching, and incidents and effects follow each other so rapidly that there is time to make little more than mental notes.
Days like this are rare in a lifetime, so full of interest and exhausting. Since early morning, or really since yesterday because there was no night or morning, we’ve been constantly amazed by incredibly beautiful sights. We’ve been surrounded by red, and for hours, we’ve been paddling in boats and trudging over miles of soft snow while dragging seal skins. In the breaks between boat trips, I’ve been sketching like crazy; but the air is refreshing, and we feel capable of tackling just about any amount of work. Sun and snow showers alternate—it's a fine, hard snow that makes our faces feel like they’re warming up in front of a fire. Sketching is very cold, and events and effects happen so quickly that there’s barely time for anything more than mental notes.
Christmas Eve.
Christmas Eve.
Those who have felt the peace of a summer night in Norway or Iceland, where the day sleeps with wide-open eyes, can fancy the quiet beauty of such a night among the white floes of the Antarctic.
Those who have experienced the tranquility of a summer night in Norway or Iceland, where the day lingers with wide-open eyes, can imagine the serene beauty of a night among the white icebergs of Antarctica.
To-day has passed, glistering in silky white, decked with sparkling jewels of blue and green, and we thought surely we had seen the last of Nature’s white harmonies;[Pg 53] then evening came, pensive and soothing and grey, and all the white world changed into soft violet, pale yellow, and rose.
Today has gone by, shining in silky white, adorned with sparkling jewels of blue and green, and we thought we had surely seen the last of Nature's white beauty;[Pg 53] then evening arrived, thoughtful and calming and gray, and the entire white world transformed into soft violet, light yellow, and rose.

ICE FLOE, ANTARCTIC.
Ice floe, Antarctica.
A dreamy stillness fills the air. To the south the sun has dipped behind a bank of pale grey cloud, and the sky above is touched with primrose light. Far to the north the dark, smooth sea is bounded by two low bergs, that stretch across the horizon. The nearest is cold violet white, and the sunlight strikes the furthest, making it shine like a wall of gold. The sky above them is of a leaden peacock blue, with rosy cloudlets hanging against it—such colouring as I have never before seen or heard described. To the westward, across the gulf, we can just distinguish the blue-black crags jutting from the snowy lomonds. Little clouds touched with gold and rose lie nestling in the black corries, and gather round the snowy peaks. To the south, in the centre of the floe, some bergs lie, cold and grey in the shadow of the bank of cloud. They look like Greek temples imprisoned forever in a field of snow. A faint cold air comes stealing to us over the floe; it ripples the yellow sky reflection at the ice-edge for a moment, and falls away. In the distance a seal is barking—a low muffled sound that travels far over the calm water, and occasionally a slight splash breaks the silence, as a piece of snow separates from the field and joins its companion pieces that are floating quietly past our stern to the north,—a mysterious, silent procession of soft, white spirits, each perfectly reflected in the lavender sea.
A dreamy stillness fills the air. To the south, the sun has set behind a bank of pale gray clouds, and the sky above is tinged with a soft yellow light. Far to the north, the dark, smooth sea is framed by two low icebergs that stretch across the horizon. The closest one is a cold violet-white, and the sunlight strikes the farthest, making it shine like a wall of gold. The sky above them is a heavy peacock blue, with rosy clouds floating against it—colors that I have never before seen or heard described. To the west, across the gulf, we can just make out the blue-black cliffs rising from the snowy mountains. Small clouds touched with gold and pink nestle in the dark valleys and gather around the snowy peaks. To the south, in the center of the ice floe, some icebergs lie cold and gray in the shadow of the cloud bank. They look like Greek temples trapped forever in a field of snow. A faint cold breeze drifts towards us over the floe, rippling the yellow sky reflection at the edge of the ice for a moment before fading away. In the distance, a seal barks—a low, muffled sound that carries far over the calm water, and occasionally a light splash breaks the silence as a chunk of snow breaks off from the field and joins its floating companions that are quietly drifting north—an enigmatic, silent procession of soft, white spirits, each perfectly mirrored in the lavender sea.
Nature sleeps—breathlessly—silent; perhaps she dreams[Pg 54] of the spirit-world, that seems to draw so close to her on such a night.
Nature sleeps—breathlessly—silent; maybe she dreams[Pg 54] of the spirit world, which seems to come so close to her on a night like this.
By midnight the tired crew were all below and sound asleep in their stuffy bunks. But the doctor and I found it impossible to leave the quiet decks and the mysterious daylight, so we prowled about and brewed coffee in the deserted galley. Then we watched the sun pass behind the grey bergs in the south for a few seconds, and appear again, refreshed, with a cool silvery light. A few flakes of snow floated in the clear, cold air, and two snowy petrels, white as the snow itself, flitted along the ice-edge.
By midnight, the exhausted crew were all below deck, fast asleep in their cramped bunks. But the doctor and I couldn't bring ourselves to leave the tranquil decks and the intriguing daylight, so we wandered around and made coffee in the empty galley. Then we watched the sun dip behind the grey icebergs to the south for a moment before it reemerged, revitalized, casting a cool silvery light. A few snowflakes danced in the clear, chilly air, and two snowy petrels, as white as the snow itself, glided along the edge of the ice.
A cold, dreamy, white Christmas morning,—beautiful beyond expression.
A cold, dreamy, white Christmas morning—beautiful beyond words.
From Edinburgh to the Antarctic—An Artist’s Notes and Sketches during the Dundee Antarctic Expedition of 1892-3 (London, 1894).
From Edinburgh to the Antarctic—An Artist’s Notes and Sketches during the Dundee Antarctic Expedition of 1892-3 (London, 1894).
[Pg 55]
[Pg 55]
THE DESERT OF SAHARA
(AFRICA)
(Africa)
EUGENE FROMENTIN
Eugène Fromentin
The Saharans adore their country,[1] and, for my part, I should come very near justifying a sentiment so impassioned, especially when it is mingled with the attachment to one’s native soil.... It is a land without grace or softness, but it is severe, which is not an evil though its first effect is to make one serious—an effect that many people confound with weariness. A great land of hills expiring in a still greater flat land bathed in eternal light; empty and desolate enough, to give the idea of that surprising thing called the desert; with a sky almost always[Pg 56] the same, silence, and on all sides a tranquil horizon. In the centre a kind of lost city, surrounded by solitude; then a little verdure, sandy islets, and, lastly, a few reefs of whitish calcareous stone or black schists on the margin of an expanse that resembles the sea;—in all this, but little variety, few accidents, few novelties, unless it be the sun that rises over the desert and sinks behind the hills, ever calm, rayless but devouring; or perhaps the banks of sand that have changed their place and form under the last wind from the South. Brief dawns, longer noons that are heavier than elsewhere, and scarcely any twilight; sometimes a sudden expansion of light and warmth with burning winds that momentarily give the landscape a menacing physiognomy and that may then produce crushing sensations; but more usually a radiant immobility, the somewhat mournful fixity of fine weather, in short, a kind of impassibility that seems to have fallen from the sky upon lifeless things and from them to have passed into human faces.
The Saharans love their country, [1], and I have to admit that I can almost understand such passionate feelings, especially when they’re mixed with a love for one’s homeland. It’s a land that lacks grace or softness, but its severity isn’t a bad thing, even though it often makes people serious—a feeling that many mistake for exhaustion. It’s a vast region of hills that fade into an even larger flat area bathed in unending light; empty and desolate enough to evoke the idea of what we call the desert; with a sky that’s almost always the same, silence, and a horizon that is calm in every direction. In the center, there’s a sort of lost city, surrounded by solitude; then a bit of greenery, sandy patches, and finally, some white limestone reefs or black schists along the edges of a stretch of land that looks like the sea—there's little variety in all this, few features, and almost no changes, except for the sun that rises over the desert and sets behind the hills, always steady, without rays but consuming; or perhaps the sandbanks that have shifted in shape and position with the last wind from the South. Quick dawns, longer afternoons that feel heavier than elsewhere, and hardly any twilight; sometimes there’s a sudden burst of light and heat with scorching winds that briefly give the landscape a threatening look and might then create overwhelming feelings; but more often, there’s a bright stillness, the somewhat sorrowful permanence of good weather—a sort of impassivity that seems to have fallen from the sky onto lifeless objects and spread to human faces.
The first impression received from this ardent and inanimate picture, composed of sun, expanse, and solitude, is acute and cannot be compared with any other. However, little by little, the eye grows accustomed to the grandeur of the lines, the emptiness of the space, and the nakedness of the earth, and if one is still astonished at anything, it is at still remaining sensible to such slightly changing effects and at being so deeply stirred by what are in reality the most simple sights.
The first impression from this passionate and lifeless scene, made up of sun, vastness, and isolation, is striking and unlike anything else. However, over time, the eye gets used to the majesty of the shapes, the emptiness of the space, and the barrenness of the land. If one is still amazed by anything, it’s how they can remain sensitive to such subtly changing effects and be so profoundly moved by what are essentially the simplest sights.
Here the sky is clear, arid, and unchanging; it comes in contact with fawn-coloured or white ground, and maintains[Pg 57] a frank blue in its utmost extent; and when it puts on gold opposite the setting sun its base is violet and almost leaden-hued. I have not seen any beautiful mirages. Except during the sirocco, the horizon is always distinctly visible and detached from the sky; there is only a final streak of ash-blue which is vigorously defined in the morning, but in the middle of the day is somewhat confounded with the sky and seems to tremble in the fluidity of the atmosphere. Directly to the South, a great way off towards M’zab, an irregular line formed by groves of tamarinds is visible. A faint mirage, that is produced every day in this part of the desert, makes these groves appear nearer and larger; but the illusion is not very striking and one needs to be told in order to notice it.
Here, the sky is clear, dry, and constant; it meets the brown or white ground and maintains a bright blue throughout. When the sun sets, it transforms into gold with a violet and almost lead-gray base. I haven’t seen any beautiful mirages. Except during the sirocco wind, the horizon is always clearly visible and separate from the sky; there’s just a thin line of ash-blue that is sharp in the morning but gets a bit mixed with the sky at midday and seems to shimmer in the heat of the air. Far to the South, towards M’zab, you can see an uneven line made by tamarind trees. A slight mirage, which happens daily in this part of the desert, makes these trees look closer and bigger; however, the illusion isn’t very striking, and you need to be told to notice it.
Shortly after sunrise the whole country is rosy, a vivid rose, with depths of peach colour; the town is spotted with points of shadow, and some little white argils, scattered along the edge of the palms, gleam gaily enough in this mournful landscape which for a short moment of freshness seems to smile at the rising sun. In the air are vague sounds and a suggestion of singing that makes us understand that every country in the world has its joyous awakening.
Shortly after sunrise, the whole country is bathed in rosy hues, a vibrant pink with hints of peach; the town is dotted with shadows, and some little white stones scattered along the edges of the palm trees shine brightly in this somber landscape that, for a fleeting moment of freshness, seems to smile at the rising sun. In the air are vague sounds and a hint of singing that reminds us that every place in the world has its joyful awakening.
Then, almost at the same moment every day, from the south we hear the approach of innumerable twitterings of birds. They are the gangas coming from the desert to drink at the springs.... It is then half-past six. One hour later and the same cries suddenly arise in the north; the same flocks pass over my head one by one, in[Pg 58] the same numbers and order, and regain their desert plains. One might say that the morning is ended; and the sole smiling hour of the day has passed between the going and returning of the gangas. The landscape that was rose has already become dun; the town has far fewer little shadows; it greys as the sun gets higher; in proportion as it shines brighter the desert seems to darken; the hills alone remain rosy. If there was any wind it dies away; warm exhalations begin to spread in the air as if they were from the sands. Two hours later all movement ceases at once, and noontide commences.
Then, almost at the same time every day, we hear the countless twittering of birds coming from the south. They are the gangas arriving from the desert to drink at the springs.... It’s then half-past six. An hour later, the same sounds suddenly rise in the north; the same flocks fly overhead one by one, in[Pg 58] the same numbers and order, and head back to their desert plains. One could say that morning is over; and the only cheerful hour of the day has passed between the departure and return of the gangas. The landscape that was rosy has already turned dull; the town has many fewer little shadows; it grays as the sun rises higher; as it shines brighter, the desert seems to darken; the hills alone remain pink. If there was any wind, it fades away; warm breezes begin to spread in the air as if they were coming from the sands. Two hours later, all movement stops suddenly, and noon begins.
The sun mounts and is finally directly over my head. I have only the narrow shelter of my parasol and there I gather myself together; my feet rest in the sand or on glittering stones; my pad curls up beside me under the sun; my box of colours crackles like burning wood. Not a sound is heard now. There are four hours of incredible calm and stupor. The town sleeps below me then dumb and looking like a mass of violet with its empty terraces upon which the sun illumines a multitude of screens full of little rose apricots, exposed there to dry;—here and there a black hole marks a window, or an interior door, and fine lines of dark violet show that there are only one or two strips of shadow in the whole town. A fillet of stronger light that edges the contour of the terraces helps us to distinguish these mud edifices from one another, piled as they are rather than built upon their three hills.
The sun rises and is finally directly overhead. I have only the narrow shelter of my parasol, and there I gather myself; my feet rest in the sand or on sparkling stones; my pad curls up beside me under the sun; my box of colors crackles like burning wood. Not a sound is heard now. There are four hours of incredible calm and stupor. The town sleeps below me, looking dumb and like a mass of violet with its empty terraces, where the sun illuminates a multitude of screens filled with little pink apricots, set out to dry;—here and there, a black hole marks a window or an interior door, and fine lines of dark violet show that there are only one or two strips of shadow in the whole town. A band of stronger light along the edge of the terraces helps us distinguish these mud buildings from one another, piled as they are rather than built on their three hills.
On all sides of the town extends the oasis, also dumb and slumbrous under the heavy heat of the day. It looks[Pg 59] quite small and presses close against the two flanks of the town with an air of wanting to defend it at need rather than to entice it. I can see the whole of it: it resembles two squares of leaves enveloped by a long wall like a park, roughly drawn upon the sterile plain. Although divided by compartments into a multitude of little orchards, also all enclosed within walls, seen from this height it looks like a green tablecloth; no tree is distinguishable, two stages of forest only can be remarked: the first, round-headed clumps; the second, clusters of palms. At intervals some meagre patches of barley, only the stubble of which now remains, form shorn spaces of brilliant yellow amid the foliage; elsewhere in rare glades a dry, powdery, and ash-coloured ground shows. Finally, on the south side, a few mounds of sand, heaped by the wind, have passed over the surrounding wall; it is the desert trying to invade the gardens. The trees do not move; in the forest thickets we divine certain sombre gaps in which birds may be supposed to be hidden, sleeping until their second awakening in the evening.
Surrounding the town is an oasis, quiet and drowsy under the intense heat of the day. It appears pretty small and fits snugly against the two sides of the town, giving off a sense of wanting to protect it rather than to attract it. I can see the whole thing: it looks like two patches of greenery enclosed by a long wall, similar to a park, roughly sketched out on the barren plain. Although it's divided into many small orchards, all also surrounded by walls, from this height it resembles a green tablecloth; no individual trees can be seen, just two layers of forest: the first with rounded clumps and the second with clusters of palms. Occasionally, some sparse patches of barley, with only stubble left, create bright yellow spots among the greenery; elsewhere, in rare clearings, the dry, powdery, ash-colored ground is visible. Finally, on the south side, a few sand mounds, blown by the wind, have spilled over the surrounding wall; it’s the desert trying to creep into the gardens. The trees remain still; in the forest thickets, we sense certain dark spaces where birds might be hiding, resting until they wake up again in the evening.
This is also the hour when the desert is transformed into an obscure plain. The sun, suspended over its centre, inscribes upon it a circle of light the equal rays of which fall full upon it in all ways and everywhere at the same time. There is no longer any clearness or shadow; the perspective indicated by the fleeting colours almost ceases to measure distances; everything is covered with a brown tone, continuous without streaks or mixture; there are fifteen or twenty leagues of country as uniform and flat as a flooring.[Pg 60] It seems that the most minute salient object should be visible upon it, and yet the eye discerns nothing there; one could not even say now where there is sand, earth, or stony places, and the immobility of this solid sea then becomes more striking than ever. On seeing it start at our feet and then stretch away and sink towards the South, the East, and the West without any traced route or inflexion, we ask ourselves what may be this silent land clothed in a doubtful tone that seems the colour of the void; whence no one comes, whither no one goes, and which ends in so straight and clear a strip against the sky;—we do not know; we feel that it does not end there and that it is, so to speak, only the entrance to the high sea.
This is also the time when the desert turns into a featureless plain. The sun, positioned right above, casts a circle of light that evenly spreads in all directions at once. There’s no clarity or shadow; the shifting colors almost stop providing any sense of distance; everything is covered in a uniform brown tone, unbroken and blended; there are fifteen or twenty leagues of land that are as flat and smooth as a floor.[Pg 60] It seems that even the smallest objects should be visible on it, yet the eye can’t make out anything; one couldn’t even tell where the sand, dirt, or stones are, and the stillness of this solid sea is more striking than ever. As we see it stretch out from our feet and extend south, east, and west without any defined path or curve, we wonder what this quiet land is—cloaked in a murky shade that resembles emptiness; from which no one arrives, to which no one departs, and which ends so straight and clearly against the sky;—we don’t know; we sense that it doesn’t really stop there and that it is, so to speak, only the entrance to the vast sea.
Then add to all these reveries the fame of the names we have seen upon the map, of places that we know to be there, in such or such direction, at five, ten, twenty, fifty days’ march, some known, others only indicated and yet others more and more obscure.... Then the negro country, the edge of which we only know; two or three names of towns with a capital for a kingdom; lakes, forests, a great sea on the left, perhaps great rivers, extraordinary inclemencies under the equator, strange products, monstrous animals, hairy sheep, elephants, and what then? Nothing more distinct; unknown distances, an uncertainty, an enigma. Before me I have the beginning of this enigma and the spectacle is strange beneath this clear noonday sun. Here is where I should like to see the Egyptian Sphinx.
Then add to all these daydreams the fame of the names we've seen on the map, of places we know are out there, in one direction or another, five, ten, twenty, or fifty days' journey away—some known, others just marked, and even more that are increasingly obscure. Then there’s the African territories, the borders of which we only know; a couple of town names that represent a kingdom; lakes, forests, a vast sea on the left, possibly major rivers, extreme weather near the equator, unusual products, monstrous animals, woolly sheep, elephants, and what else? Nothing clearer; unknown distances, uncertainty, a mystery. In front of me lies the start of this mystery, and the scene is strange under this bright midday sun. This is where I would love to see the Egyptian Sphinx.

THE DESERT OF SAHARA.
THE SAHARA DESERT.
It is vain to gaze around, far or near; no moving thing can be distinguished. Sometimes by chance, a little convoy[Pg 61] of laden camels appears, like a row of blackish points, slowly mounting the sandy slopes; we only perceive them when they reach the foot of the hills. They are travellers; who are they? whence come they? Without our perceiving them, they have crossed the whole horizon beneath our eyes. Or perhaps it is a spout of sand which suddenly detaches itself from the surface like a fine smoke, rises into a spiral, traverses a certain space bending under the wind and then evaporates after a few seconds.
It’s pointless to look around, near or far; nothing in motion can be seen. Sometimes, by chance, a small group of loaded camels shows up, appearing like a line of dark dots, slowly climbing the sandy slopes; we only notice them when they reach the bottom of the hills. They are travelers; who are they? Where do they come from? Without us realizing it, they have crossed the entire horizon right in front of us. Or maybe it’s a swirl of sand that suddenly breaks away from the surface like fine smoke, rises in a spiral, travels a bit while bending under the wind, and then disappears after just a few seconds.
The day passes slowly; it ends as it began with half rednesses, an amber sky, depths assuming colour, long oblique flames which will empurple the mountains, the sands and the eastern rocks in their turn; shadows take possession of that side of the land that has been fatigued by the heat during the first half of the day; everything seems to be somewhat comforted. The sparrows and turtle-doves begin to sing among the palms; there is a movement as of resurrection in the town; people show themselves on the terraces and come to shake the sieves; the voices of animals are heard in the squares, horses neighing as they are taken to water and camels bellowing; the desert looks like a plate of gold; the sun sinks over the violet mountains and the night makes ready to fall.
The day drags on; it ends just like it began with a soft red glow, an amber sky, colors deepening, and long slanted flames that will turn the mountains, sand, and eastern rocks purple in turn. Shadows creep over the land that has been worn out by the heat during the first part of the day; everything seems to relax a bit. The sparrows and doves start to sing among the palm trees; there's a feeling of revival in the town; people come out onto their terraces and shake out the sieves; the sounds of animals fill the squares, with horses neighing as they head for water and camels grunting. The desert shines like a plate of gold; the sun sets over the violet mountains, and night is getting ready to fall.
Un Été dans le Sahara (Paris, 1857).
Un Été dans le Sahara (Paris, 1857).
FOOTNOTE:
[1] The word Sahara does not necessarily convey the idea of a desert immensity. Inhabited at certain points, it is called Fiafi; habitable at certain others, it takes the name of Kifar, a word whose signification is the same as that of the common word Khela, abandoned; habitable and inhabited at yet other points, it is called Falat.
[1] The word Sahara doesn’t always imply vast desert. In some areas where people live, it’s referred to as Fiafi; in other places that are livable, it’s known as Kifar, which means the same as the common term Khela, abandoned; and in other areas that are both livable and inhabited, it’s called Falat.
These three words represent each of the characteristics of the Sahara.
These three words capture the key characteristics of the Sahara.
Fiafi is the oasis where life retires, about the fountains and wells, under the palms and fruit trees, sheltered from the sun and choub (simoon).
Fiafi is the oasis where life takes a break, by the fountains and wells, under the palm and fruit trees, protected from the sun and choub (simoon).
Kifar is the sandy and void plain, which, however, when fertilized for a moment by the winter rains, is covered with grass (a’ cheb) in the spring; and the nomadic tribes that ordinarily camp around the oases go thither to pasture their flocks.
Kifar is the sandy and empty plain that, if it gets some winter rain, becomes green with grass (a’ cheb) in the spring; and the nomadic tribes that usually set up camp around the oases go there to graze their flocks.
Falat, finally, is the sterile and bare immensity, the sea of sand, whose eternal billows, to-day agitated by the choub, to-morrow will lie in motionless heaps;—the sea that is slowly ploughed by those fleets called caravans.—General Daumas, Le Sahara Algérien.
Falat is ultimately the vast, barren emptiness, the endless sea of sand, whose never-ending waves, today stirred up by the choub, will tomorrow settle into still piles;—the sea that is gradually furrowed by those fleets known as caravans.—General Daumas, Le Sahara Algérien.
[Pg 62]
[Pg 62]
FINGAL’S CAVE
(SCOTLAND)
(SCOTLAND)
SIR WALTER SCOTT
Sir Walter Scott
July 19, 1810.
July 19, 1810.
Yesterday we visited Staffa and Iona: the former is one of the most extraordinary places I ever beheld. It exceeded, in my mind, every description I had heard of it; or rather, the appearance of the cavern, composed entirely of basaltic pillars as high as the roof of a cathedral,[2] and the running deep into the rock, eternally swept by a deep and swelling sea, and paved as it were with ruddy[Pg 63] marble, baffles all description. You can walk along the broken pillars, with some difficulty, and in some places with a little danger, as far as the farthest extremity. Boats also can come in below when the sea is placid,—which is seldom the case. I had become a sort of favourite with the Hebridean boatmen, I suppose from my anxiety about their old customs, and they were much pleased to see me get over the obstacles which stopped some of the party. So they took the whim of solemnly christening a great stone at the mouth of the cavern, Clachan-an Bairdh, or the Poet’s Stone. It was consecrated with a pibroch, which the echoes rendered tremendous, and a glass of whisky, not poured forth in the ancient mode of libation, but turned over the throats of the assistants. The head boatman, whose father had been himself a bard, made me a speech on the occasion; but as it was in Gaelic, I could only receive it as a silly beauty does a fine-spun compliment—bow, and say nothing.
Yesterday we visited Staffa and Iona: the former is one of the most amazing places I've ever seen. It surpassed every description I had heard about it; or rather, the sight of the cave, made entirely of basalt pillars as high as a cathedral roof, [2] running deep into the rock, eternally washed by a powerful and swelling sea, and seemingly paved with red marble, defies all description. You can walk along the broken pillars, although it's a bit tricky and sometimes dangerous, all the way to the farthest edge. Boats can also come in below when the sea is calm—which isn’t very often. I had become somewhat of a favorite with the Hebridean boatmen, probably because of my interest in their old customs, and they were pleased to see me navigate the obstacles that held back some of the group. So, they took it upon themselves to solemnly name a large stone at the mouth of the cave Clachan-an Bairdh, or the Poet’s Stone. It was honored with a pibroch, which the echoes amplified dramatically, and a glass of whisky, not poured out in the traditional way, but spilled over the throats of the participants. The head boatman, whose father had been a bard himself, made a speech for the occasion; but since it was in Gaelic, I could only receive it like a flattered person does a beautifully crafted compliment—bow and say nothing.
When this fun was over (in which, strange as it may seem, the men were quite serious), we went to Iona, where there are some ancient and curious monuments. From this remote island the light of Christianity shone forth on Scotland and Ireland. The ruins are of a rude architecture, but curious to the antiquary. Our return was less comfortable; we had to row twenty miles against an Atlantic tide and some wind, besides the pleasure of seeing occasional squalls gathering to windward. The ladies were sick, especially poor Hannah Mackenzie, and none of the gentlemen escaped except Staffa and myself. The men, however,[Pg 64] cheered by the pipes, and by their own interesting boat-songs, which were uncommonly wild and beautiful, one man leading and the others answering in chorus, kept pulling away without apparently the least sense of fatigue, and we reached Ulva at ten at night, tolerably wet, and well disposed for bed.
When the fun was over (and oddly enough, the men were quite serious), we headed to Iona, where there are some ancient and interesting monuments. From this remote island, the light of Christianity spread to Scotland and Ireland. The ruins have a rough architecture, but they're intriguing to historians. Our return trip was less comfortable; we had to row twenty miles against an Atlantic tide and some wind, plus the added excitement of seeing occasional squalls forming ahead. The ladies were feeling sick, especially poor Hannah Mackenzie, and none of the men escaped except for Staffa and me. However, the men, cheered on by the bagpipes and their own captivating boat songs, which were unusually wild and beautiful, sang along with one man leading and the others responding in chorus, kept rowing without seeming to feel tired at all, and we reached Ulva at ten at night, pretty wet and ready for bed.
The haze and dullness of the atmosphere seem to render it dubious if we can proceed, as we intended, to Staffa to-day—for mist among these islands is rather unpleasant. Erskine reads prayers on deck to all hands, and introduces a very apt allusion to our being now in sight of the first Christian Church from which Revelation was diffused over Scotland and all its islands. There is a very good form of prayer for the Lighthouse Service composed by the Rev. Mr. Brunton. A pleasure vessel lies under our lee from Belfast, with an Irish party related to Macneil of Colonsay. The haze is fast degenerating into downright rain, and that right heavy—verifying the words of Collins—
The haze and dullness in the air make it uncertain whether we can go to Staffa today, as planned, since mist among these islands is quite unpleasant. Erskine leads prayers on deck for everyone and makes a relevant reference to how we can now see the first Christian Church from which the teachings spread across Scotland and its islands. There's also a well-written prayer for the Lighthouse Service created by Rev. Mr. Brunton. A pleasure boat is anchored near us from Belfast, carrying an Irish group related to Macneil of Colonsay. The haze is quickly turning into heavy rain, proving Collins's words true—
After dinner, the weather being somewhat cleared, sailed for Staffa, and took boat. The surf running heavy up between the island and the adjacent rock, called Booshala, we landed at a creek near the Cormorant’s cave. The mist now returned so thick as to hide all view of Iona, which was our landmark; and although Duff, Stevenson, and I, had been formerly on the isle, we could not agree upon the[Pg 65] proper road to the cave. I engaged myself, with Duff and Erskine, in a clamber of great toil and danger, and which at length brought me to the Cannon-ball, as they call a round granite stone moved by the sea up and down in a groove of rock, which it has worn for itself, with a noise resembling thunder. Here I gave up my research, and returned to my companions, who had not been more fortunate. As night was now falling, we resolved to go aboard and postpone the adventure of the enchanted cavern until next day. The yacht came to an anchor with the purpose of remaining off the island all night, but the hardness of the ground, and the weather becoming squally, obliged us to return to our safer mooring at Y-Columb-Kill.
After dinner, with the weather clearing up a bit, we set sail for Staffa and took a boat. The waves were rough between the island and a nearby rock called Booshala, so we landed at a creek close to the Cormorant’s cave. The mist rolled back in thick, completely obscuring our view of Iona, which we were using as our reference point. Even though Duff, Stevenson, and I had been to the island before, we couldn't agree on the right path to the cave. I decided to join Duff and Erskine in a challenging climb that was quite strenuous and risky, which eventually led me to the Cannon-ball, a round granite stone that the sea rolls up and down in a groove it has carved for itself, making a noise that sounds like thunder. At this point, I decided to give up my search and go back to my friends, who had also had no luck. Since night was falling, we decided to head back to the yacht and put off the adventure of the enchanted cavern until the next day. The yacht dropped anchor intending to stay off the island all night, but due to the hard ground and the weather turning rough, we had to return to a safer mooring at Y-Columb-Kill.

FINGAL’S CAVE.
Fingal's Cave.
29th August, 1814.
August 29, 1814.
Night squally and rainy—morning ditto—we weigh, however, and return towards Staffa, and, very happily, the day clears as we approach the isle. As we ascertained the situation of the cave, I shall only make this memorandum, that when the weather will serve, the best landing is to the lee of Booshala, a little conical islet or rock, composed of basaltic columns placed in an oblique or sloping position. In this way, you land at once on the flat causeway, formed by the heads of truncated pillars, which leads to the cave. But if the state of tide renders it impossible to land under Booshala, then take one of the adjacent creeks; in which case, keeping to the left hand along the top of the ledge of rocks which girdles in the isle, you find a dangerous and precipitous descent to the causeway aforesaid, from the[Pg 66] table. Here we were under the necessity of towing our Commodore, Hamilton, whose gallant heart never fails him, whatever the tenderness of his toes may do. He was successfully lowered by a rope down the precipice, and proceeding along the flat terrace or causeway already mentioned, we reached the celebrated cave. I am not sure whether I was not more affected by this second, than by the first view of it. The stupendous columnar side walls—the depth and strength of the ocean with which the cavern is filled—the variety of tints formed by stalactites dropping and petrifying between the pillars, and resembling a sort of chasing of yellow or cream-coloured marble filling the interstices of the roof—the corresponding variety below, where the ocean rolls over a red, and in some places a violet-coloured rock, the basis of the basaltic pillars—the dreadful noise of those august billows so well corresponding with the grandeur of the scene—are all circumstances elsewhere unparalleled. We have now seen in our voyage the three grandest caverns in Scotland,—Smowe, Macallister’s Cave, and Staffa; so that, like the Troglodytes of yore, we may be supposed to know something of the matter. It is, however, impossible to compare scenes of natures so different, nor, were I compelled to assign a preference to any of the three, could I do it but with reference to their distinct characters, which might affect different individuals in different degrees. The characteristic of the Smowe cave may in this case be called the terrific, for the difficulties which oppose the stranger are of a nature so uncommonly wild, as, for the first time at least, to convey an impression of[Pg 67] terror—with which the scenes to which he is introduced fully correspond. On the other hand the dazzling whiteness of the incrustations in Macallister’s Cave, the elegance of the entablature, the beauty of its limpid pool, and the graceful dignity of its arch, render its leading features those of severe and chastened beauty. Staffa, the third of these subterranean wonders, may challenge sublimity as its principal characteristic. Without the savage gloom of the Smowe cave, and investigated with more apparent ease, though, perhaps, with equal real danger, the stately regularity of its columns forms a contrast to the grotesque imagery of Macallister’s Cave, combining at once the sentiments of grandeur and beauty. The former is, however, predominant, as it must necessarily be in any scene of the kind.
Night was stormy and rainy—morning was the same—but we set sail and headed back toward Staffa, and fortunately, as we approached the island, the weather cleared up. As we figured out the location of the cave, I'll just note that when the weather allows, the best landing spot is to the leeward of Booshala, a small conical islet or rock made up of basalt columns angled in a sloping position. This way, you land directly on the flat causeway formed by the tops of truncated pillars that leads to the cave. However, if the tide makes it impossible to land at Booshala, then take one of the nearby creeks; in that case, by staying to the left along the edge of the rocks that surround the island, you'll find a dangerous and steep descent to the aforementioned causeway, from the[Pg 66] table. Here we had to tow our Commodore, Hamilton, whose brave heart never wavers, no matter how tender his toes might be. He was successfully lowered by a rope down the cliff, and moving along the flat terrace or causeway already mentioned, we reached the famous cave. I’m not sure if I was more impressed by this second view than the first. The enormous columnar side walls—the depth and power of the ocean filling the cavern—the variety of colors from stalactites dripping and forming between the pillars, resembling a type of yellow or cream-colored marble filling the gaps in the roof—the corresponding colors below, where the ocean rolls over red, and in some spots violet-colored rock, the base of the basaltic pillars—the overwhelming noise of those majestic waves matching the grandeur of the scene—are all circumstances unmatched anywhere else. We have now seen the three most impressive caverns in Scotland—Smowe, Macallister’s Cave, and Staffa; so that, like the Troglodytes of old, we might be considered knowledgeable about the subject. However, it’s impossible to compare such different natural scenes, and if I had to choose a favorite among the three, I could only do so in relation to their distinct characteristics, which could affect different individuals in various ways. The defining feature of the Smowe cave can be considered terrifying, as the challenges faced by the visitor are exceptionally wild, creating an impression of[Pg 67] fear, which fully matches the scenes presented. On the other hand, the brilliant whiteness of the formations in Macallister’s Cave, the elegance of the entablature, the beauty of its clear pool, and the graceful dignity of its arch give it a leading quality of stark and refined beauty. Staffa, the third of these underground wonders, may claim grandeur as its main characteristic. Without the savage gloom of the Smowe cave and explored with more apparent ease, though perhaps with equal real danger, the stately arrangement of its columns contrasts with the whimsical imagery of Macallister’s Cave, merging feelings of both grandeur and beauty. The former is, however, predominant, as it must be in any scene of this kind.
We had scarce left Staffa when the wind and rain returned.
We had barely left Staffa when the wind and rain came back.
Lockhart, Life of Sir Walter Scott (Edinburgh, 1878).
Lockhart, Life of Sir Walter Scott (Edinburgh, 1878).
FOOTNOTES:
Lord of the Isles. Canto IV. St. 10.
Lord of the Isles. Canto IV. St. 10.
[Pg 68]
[Pg 68]
FINGAL’S CAVE
(SCOTLAND)
(SCOTLAND)
JOHN KEATS
JOHN KEATS
I am puzzled how to give you an Idea of Staffa. It can only be represented by a first-rate drawing. One may compare the surface of the Island to a roof—this roof is supported by grand pillars of basalt standing together as thick as honeycombs. The finest thing is Fingal’s Cave—it is entirely a hollowing out of Basalt Pillars. Suppose now the Giants who rebelled against Jove had taken a whole Mass of black Columns and bound them together like bunches of matches—and then with immense axes had made a cavern in the body of these columns—— Of course the roof and floor must be composed of broken ends of the Columns—such is Fingal’s Cave, except that the Sea has done the work of excavations, and is continually dashing there—so that we walk along the sides of the cave on the pillars which are left as if for convenient stairs. The roof is arched somewhat gothic-wise, and the length of some of the entire side-pillars is fifty feet. About the island you might seat an army of Men each on a pillar. The length of the cave is 120 feet, and from its extremity the view into the sea, through the large Arch at the entrance—the colour of the columns is a sort of black with a lurking gloom of purple therein. For solemnity and grandeur it[Pg 69] far surpasses the finest Cathedral. At the extremity of the Cave there is a small perforation into another cave, at which the waters meeting and buffeting each other there is sometimes produced a report as of a cannon heard as far as Iona, which must be twelve Miles. As we approached in the boat, there was such a fine swell of the sea that the pillars appeared rising immediately out of the crystal. But it is impossible to describe it—
I’m unsure how to give you an idea of Staffa. It can only be accurately captured through an amazing drawing. You could think of the island's surface as a roof — one that’s held up by massive basalt pillars standing close together like honeycombs. The most impressive feature is Fingal’s Cave — it’s a complete hollowing out of basalt pillars. Imagine if the Giants who revolted against Jove had taken a bunch of black columns and tied them together like bundles of matches — then with huge axes carved a cave inside those columns. Naturally, the roof and floor would be made of the broken ends of the columns — that's Fingal’s Cave, except that the sea has done the digging and keeps crashing in, so we can walk along the sides of the cave on the pillars left behind, almost like steps. The ceiling is somewhat gothic in shape, and some of the side pillars stretch 50 feet tall. You could fit an army on the pillars around the island. The cave is 120 feet long, and from the back, you can see out to the sea through the big arch at the entrance — the color of the columns is a deep black with hints of purple. For awe and majesty, it far exceeds the greatest cathedral. At the far end of the cave, there’s a small opening to another cave, where the waters meet and clash, sometimes creating a sound like a cannon that's heard all the way to Iona, about twelve miles away. As we approached in the boat, the swell of the sea made it look like the pillars were rising straight out of the clear water. But it’s impossible to put it into words—
I am sorry I am so indolent as to write such stuff as this. It can’t be helped. The western coast of Scotland is a most strange place—it is composed of rocks, mountains, mountainous and rocky islands intersected by lochs—you can go but a short distance anywhere from salt water in the highlands.
I apologize for being so lazy as to write something like this. It can't be helped. The western coast of Scotland is a really unusual place—it's made up of rocks, mountains, and rocky islands cut through by lochs—you can't travel far from salt water in the highlands.
Letters of John Keats (London and New York, 1891).
Letters of John Keats (London and New York, 1891).
[Pg 71]
[Pg 71]
IN THE HIMALAYAS
(INDIA)
(INDIA)
G. W. STEEVENS
G. W. Steevens
In Calcutta they grumbled that the hot weather was beginning already. Mornings were steamy, days sticky, and the municipal impurities rose rankly. The carter squatted over his bullocks with his shining body stark naked but for a loin-cloth.
In Calcutta, people complained that the hot weather was starting up again. Mornings were humid, days felt sweaty, and the city’s pollution was overwhelming. The cart driver sat on the ground with his oxen, his bare body exposed except for a loincloth.
At Siliguri, the bottom of the ascent to Darjiling, the rough grass and the tea-gardens were sheeted at sunrise in a silver frost. What few natives appeared happed their heads in shawls as if they had toothache.
At Siliguri, the starting point of the climb to Darjiling, the rough grass and tea gardens were covered in a silver frost at sunrise. The few locals who were out wrapped their heads in shawls as if they had a toothache.
It takes you an afternoon and a night to get as far as Siliguri. What you principally notice on the way is the dullness of the flat, moist richness of Bengal, and the extraordinary fullness of the first-class carriages. Even at this winter season the residents of Calcutta snatch at the chance of being cold for twenty-four hours. When you get out of your carriage at the junction station, you see on the other side of the platform a dumpy little toy train—a train at the wrong end of a telescope with its wheels cut from beneath it. Engines and trucks and carriages seem to be crawling like snakes on their bellies. Six miniature easy-chairs, three facing three, on an open truck with an awning, make a first-class carriage.
It takes you an afternoon and a night to reach Siliguri. What you mainly notice along the way is the dullness of the flat, damp richness of Bengal, and the overwhelming crowding in the first-class carriages. Even in this winter season, the people of Calcutta eagerly seize the chance to feel the cold for twenty-four hours. When you step out of your carriage at the junction station, you see on the other side of the platform a chubby little toy train—a train that looks like it’s been viewed through a telescope with its wheels taken off. Engines, trucks, and carriages seem to be slithering like snakes on their bellies. Six tiny easy chairs, three facing three, on an open truck with an awning, make up a first-class carriage.
[Pg 72]
[Pg 72]
This is the Darjiling-Himalaya Railway—two-foot gauge, climbing four feet to the hundred for fifty miles up the foothills of the greatest mountains in the world. It is extraordinary as the only line in India that has been built with Indian capital. But you will find that the least of its wonders. A flat-faced hillman bangs with a hammer twice three times on a spare bit of railway metal hung up by way of a gong, the whistle screams, and you pant away on surely the most entrancing railway journey in the world. Nothing very much to make your heart jump in the first seven miles. You bowl along the surface of a slightly ascending cart-load, and your view is mostly bamboo and tea. Graceful enough, and cool to the eye—the bamboos, hedges or clumps of slender stem with plumes of pale leaf swinging and nodding above them; the tea, trim ranks and files of short, well-furnished bushes with lustrous, dark-green leaves, not unlike evergreens or myrtle in a nursery at home,—but you soon feel that you have known bamboo and tea all your life. Then suddenly you begin to climb, and all at once you are in a new world—a world of plants.
This is the Darjeeling-Himalaya Railway—two-foot gauge, climbing four feet for every hundred over fifty miles up the foothills of the tallest mountains in the world. It's remarkable as the only railway in India built with Indian capital. But that's just the beginning of its wonders. A flat-faced local worker bangs a hammer two or three times on a spare piece of railway metal hanging up as a gong, the whistle blasts, and you’re off on what is surely the most captivating train journey in the world. The first seven miles aren’t particularly thrilling. You roll along a gently rising track, surrounded mainly by bamboo and tea. It's pleasant enough—bamboos, hedges, or stands of slender stems with feathery leaves swaying above; the tea bushes, neatly arranged, are short and bushy with shiny, dark green leaves, somewhat reminiscent of evergreens or myrtle from a nursery back home—but you quickly realize that you’ve seen bamboo and tea before. Then, suddenly, you start to climb, and just like that, you're transported to a whole new world—a world of plants.

THE HIMALAYAS.
THE HIMALAYAS.
A new world is easy to say, but this is new indeed and a very world—such a primeval vegetable world as you have read of in books and eked out with dreams. It has everything you know in your world, only everything expressed in vegetation. It is a world in its variety alone. Trees of every kind rise up round you at every angle—unfamiliar, most of them, and exaggerations of forms you know, as if they were seen through a microscope. You might come on such broad fleshy leaves by way of Jack’s giant bean-stalk.[Pg 73] Other growths take the form of bushes as high as our trees; but beside them are skinny, stunted starvelings, such as the most niggardly country might show. Then there are grasses—tufted, ruddy bamboo grass, and huge yellow straws with giant bents leaning insolently over to flick your face as you go by. Smaller still grow the ferns, lurking shyly in the crevices of the banks. And over everything, most luxuriant of everything, crawl hundred-armed creepers, knitting and knotting the whole jungle into one mellay of struggling life.
A new world is easy to talk about, but this is truly new and a very unique one—like the ancient plant world you've read about in books and imagined in dreams. It has everything you recognize from your world, but it’s all in the form of plants. The variety alone makes it a world of its own. Trees of every kind surround you from every direction—most of them unfamiliar, like exaggerated versions of what you know, as if seen through a microscope. You might stumble upon broad, fleshy leaves reminiscent of Jack’s giant beanstalk.[Pg 73] Other plants take the shape of bushes as tall as our trees; but alongside them are skinny, stunted versions, like what the most barren land might produce. Then there are grasses—tufted, reddish bamboo grass, and huge yellow straws with giant bends that lean over to swat your face as you walk by. Smaller still are the ferns, hiding shyly in the nooks of the banks. And over everything, the most abundant of all, are sprawling, multiple-armed creepers, weaving and entangling the entire jungle into one chaotic blend of struggling life.
The varieties—the trees and shrubs and grasses and ferns and creepers—you would see in any tropical garden; but you could not see them at home. You could not see them in their unpruned native intercourse one with the other. The rise and fall of the ground, the whims of light and air, coax them into shapes that answer to the most fantastic imagination. Now you are going through the solemn aisles of a great cathedral—grey trunks for columns, with arches and vaulted roofs of green, with dark, retreating chapels and altar-trappings of mingled flowers. Now it is a king’s banqueting-hall, tapestried with white-flowering creeper and crimson and purple bougainvillea; overhead the scarlet-mahogany blossoms of a sparse-leaved tulip-tree might be butterflies frescoed on a ceiling.
The different types of trees, shrubs, grasses, ferns, and climbers you’d find in any tropical garden aren’t something you’d see at home. You wouldn’t see them interacting in their wild, untrimmed state. The ups and downs of the landscape, along with the changing light and air, shape them into forms that give life to the wildest imagination. Now, you’re walking through the solemn aisles of a massive cathedral—grey trunks towering like columns, with arches and vaulted green ceilings, and dark, receding chapels adorned with a mix of flowers. Now it transforms into a king’s banquet hall, draped with white-flowering vines and vibrant red and purple bougainvillea; overhead, the scarlet mahogany flowers of a sparse-leaved tulip tree look like butterflies painted on the ceiling.
Fancy can compel the wilderness into moments of order, but wild it remains. The growths are not generally buildings, but animate beings in a real world. You see no perfectly shaped tree, as in a park or garden; one is warped, another stunted, another bare below—each formed, like[Pg 74] men, by the pressure of a thousand fellows. Here is a corpse spreading white, stark arms abroad. Here are half-a-dozen young creatures rolling over each other like puppies at play. And there is a creeper flinging tumultuous, enraptured arms round a stately tree; presently it is gripping it in thick bands like Laocöon’s serpent, then choking it mercilessly to death, then dead itself, its bleached, bare streamers dangling limply in the wind. It is life, indeed, this forest—plants fighting, victorious and vanquished; loving and getting children; springing and waxing and decaying and dying—our own world of men translated into plants.
Imagination can bring some order to the chaos of nature, but it remains wild. The growths are not usually buildings, but living beings in a real world. You won't find a perfectly shaped tree like in a park or garden; one is crooked, another is stunted, another is bare at the bottom—each shaped, like[Pg 74] people, by the influence of countless others. Here’s a corpse stretching white, stark arms wide. Here are a few young creatures tumbling over each other like playful puppies. And there’s a vine wildly wrapping its ecstatic arms around a majestic tree; soon it’s gripping it tightly like Laocöon’s serpent, then suffocating it mercilessly, then dying itself, its bleached, bare tendrils hanging limply in the wind. This forest is truly alive—plants battling, some triumphant and others defeated; reproducing and raising young; growing, thriving, decaying, and dying—our own world of humans mirrored in plants.
While I am spinning similitudes, the Darjiling-Himalaya Railway is panting always upwards, boring through the thick world of trees like a mole. Now it sways round a curve so short that you can almost look back into the next carriage, and you understand why the wheels are so low. Now it stops dead, and almost before it stops starts backwards up a zigzag, then forwards up another, and on again. In a moment it is skating on the brink of a slide of shale that trembles to come down and overwhelm it; next it is rumbling across a bridge above the point it passed ten minutes ago, and also that which it will reach ten minutes hence. Twisting, backing, circling, dodging, but always rising, it untreads the skein whose end is in the clouds and the snows.
While I’m drawing comparisons, the Darjeeling-Himalaya Railway is constantly chugging upward, burrowing through the dense forest like a mole. Now it sways around a tight curve, so close you can nearly see into the next carriage, and you realize why the wheels are positioned so low. It suddenly halts, and almost before it stops, it starts moving backward up a zigzag, then forward up another, and continues on. In a moment, it’s gliding on the edge of a crumbling shale slide that seems ready to collapse and bury it; then it rumbles across a bridge above the spot it passed just ten minutes ago, and also over the one it will reach in ten minutes. Twisting, backing, circling, dodging, but always climbing, it unravels the thread that leads up to the clouds and the snow.
Presently the little engine draws quite clear of the jungle. You skirt opener slopes, and the blue plain below is no longer a fleeting vista, but a broad prospect. You see how the forest spills itself on to the fields and spreads into a dark[Pg 75] puddle over their lightness. You see a great river overlaying the dimness with a ribbon of steel. The ferns grow thicker about you; gigantic fronds bow at you from gullies overhead, and you see the tree-fern—a great crown of drooping green on a trunk of a man’s height—standing superbly alone, knowing its supreme gracefulness. Next, as you rise and rise, the air gets sharp; through a gauzy veil of mist appear again huge forests, but dark and gloomy with brown moss dripping dankly from every branch. Rising, rising, and you have now come to Ghoom, the highest point. Amid the cold fog appears the witch of Ghoom—a hundred years old, with a pointed chin and mop of grizzled hair all witch-fashion, but beaming genially and requesting backsheesh.
Right now, the little engine pulls away from the jungle. You go along the open slopes, and the blue plain below isn't just a quick glimpse anymore; it's a wide view. You see how the forest spills into the fields and spreads out like a dark puddle over their brightness. There's a big river cutting through the darkness with a shiny silver ribbon. The ferns around you are getting thicker; huge fronds bow down from the gullies above, and you spot a tree-fern—a tall trunk crowned with drooping green—standing proudly by itself, fully aware of its beauty. As you keep climbing higher, the air turns crisp; through a thin mist, massive forests reappear, dark and gloomy with brown moss hanging heavily from every branch. Rising and rising, you've now reached Ghoom, the highest point. In the cold fog stands the witch of Ghoom—a hundred years old, with a pointed chin and a wild mop of gray hair, yet smiling warmly and asking for tips.
Then round a corner—and here is Darjiling. A scattered settlement on a lofty ridge, facing a great cup enclosed by other ridges—mountains elsewhere, here hills. Long spurs run down into the hollow, half black with forest, half pale and veined with many paths. At the bottom is a little chequer of fresh green millet; the rim at the top seems to line the sky.
Then turn a corner—and here’s Darjiling. A spread-out settlement on a high ridge, looking out over a large bowl surrounded by other ridges—mountains in other places, but here just hills. Long spurs extend down into the valley, half covered in dark forest, half light and marked by various paths. At the bottom is a small patch of bright green millet; the edge at the top appears to touch the sky.
And the Himalayas and the eternal snows? The devil a Himalaya in sight. Thick vapours dip down and over the very rim of the cup; beyond Darjiling is a tumult of peaked creamy cloud. You need not be told it,—clouds that hide mountains always ape their shapes,—the majestic Himalayas are behind that screen, and you will not see them to-day, nor perhaps to-morrow, nor yet for a fortnight of to-morrows.
And the Himalayas and the everlasting snow? There’s not a Himalayan peak in sight. Thick mist spills down and over the very edge of the cup; beyond Darjiling is a chaos of peaked, creamy clouds. You don’t need to be told—it’s obvious that clouds hiding mountains mimic their shapes—the majestic Himalayas are behind that curtain, and you won’t see them today, or maybe tomorrow, and probably not for the next two weeks.
[Pg 76]
[Pg 76]
You must console yourself with Darjiling and the hillmen. And Darjiling is pleasant to the eye as you look down on it, a huddle of grey corrugated-iron roofs, one stepping over the other, hugging the hillside with one or two red ones to break the monotone. There is no continuous line of them: each stands by itself in a ring of deep green first. The place is cool and grateful after an Indian town—clean and roomy, a place of homes and not of pens.
You have to find comfort in Darjiling and the hill people. And Darjiling looks nice from above, with a cluster of grey corrugated iron roofs stacked on top of each other, clinging to the hillside, broken up by one or two red roofs for a bit of color. There’s no straight line of them; each one sits alone in a circle of lush green first. The area feels cool and refreshing compared to an Indian town—clean and spacious, a real home, not just cramped quarters.
In the middle of it is the bazaar, and my day, by luck, was market-day. Here, again, you could never fancy yourself in India. A few Hindus there are, but beside the dumpy hillmen their thin limbs, tiny features, and melting eyes seem hardly human. More like the men you know is the Tibetan, with a long profile and long, sharp nose, though his hat has the turned-up brim of the Chinese, though he wears a long bottle-green dressing-gown open to the girdle, and his pigtail knocks at the back of his knees. But the prevailing type, though as Mongolian, is far more genial than the Tibetan. Squat little men, for the most part, fill the bazaar, with broad faces that give room for the features, with button noses, and slits for eyes. They wear boots and putties, or gaiters made of many-coloured carpet-bagging; and their women are like them—with shawls over their heads, and broad sashes swathing them from bosom to below the waist, with babies slung behind their backs, not astride on the hip as are the spawn of India. Their eyes are black as sloes—puckered, too, but seeming puckered with laughter; and their clear yellow skins are actually rosy on the cheeks, like a ripe apricot. Square-faced, long-pigtailed,[Pg 77] plump, cheery, open of gaze, and easy of carriage, rolling cigarettes, and offering them to soothe babies—they might not be beautiful in Europe; here they are ravishing.
In the center of it all is the bazaar, and luckily for me, it was market day. Here, once again, you could never imagine being in India. There are a few Hindus, but next to the stocky hillmen, their slim bodies, small features, and soulful eyes hardly seem human. The Tibetan looks a bit more familiar, with a long face and sharp nose, but he sports a Chinese-style hat with a turned-up brim, a long bottle-green robe open at the waist, and a pigtail that grazes the back of his knees. However, the dominant type here, despite being Mongolian, is much friendlier than the Tibetan. Most of the bazaar is filled with short, squat men who have broad faces that accommodate their features, button noses, and slitted eyes. They wear boots and puttees or gaiters made from colorful carpet fabric, and their women resemble them—wearing shawls over their heads and wide sashes wrapped around them from the chest to below the waist, with babies strapped to their backs instead of perched on their hips like in India. Their eyes are as black as sloe berries—wrinkled, but looking like they’re crinkled from laughter; and their clear yellow skin is actually rosy on the cheeks, resembling a ripe apricot. With square faces, long pigtails, and a cheerful demeanor, they carry themselves easily, rolling cigarettes and offering them to calm babies—they might not be seen as beautiful in Europe; here, they are mesmerizing.
But you come to Darjiling to see the snows. So on a night of agonizing cold—feet and hands a block of ice the moment you cease to move them—must follow a rise before it is light. Maybe the clouds will be kinder this morning. No; the same stingy, clammy mist,—only there, breaking through it, high up in the sky—yes, there are a few faint streaks of white. Just a few marks of snow scored on the softer white of the cloud, chill with the utterly disconsolate cold of ice through a window of fog. Still, there are certainly Himalayas there.
But you come to Darjiling to see the snow. So on a night of biting cold—your feet and hands turn into blocks of ice the moment you stop moving them—you have to rise before dawn. Maybe the clouds will be nicer this morning. No; it’s the same stingy, damp mist—only up there, breaking through it, high in the sky—yes, there are a few faint streaks of white. Just a few marks of snow against the softer white of the clouds, chilled by the completely dismal cold of ice seen through a foggy window. Still, the Himalayas are definitely there.
Up and up I toiled; the sun was plainly rising behind the ridge of Darjiling. In the cup below the sunlight was drawing down the hillsides and peeling off the twilight. Then, at a sudden turn of the winding ascent, I saw the summit of Kinchinjunga. Just the summit, poised in the blue, shining and rejoicing in the sunrise. And as I climbed and climbed, other peaks rose into sight below and beside him, all dazzling white, mounting and mounting the higher I mounted, every instant more huge and towering and stately, boring into the sky.
Up and up I worked; the sun was clearly rising behind the ridge of Darjeeling. In the valley below, the sunlight was creeping down the hillsides and lifting away the twilight. Then, at a sharp turn in the winding path, I saw the peak of Kanchenjunga. Just the peak, standing tall in the blue sky, shining and celebrating the sunrise. And as I kept climbing, other peaks came into view below and beside it, all brilliantly white, rising higher and higher as I ascended, each moment more immense, towering, and majestic, reaching into the sky.
Up—till I came to the summit, and the sun appeared—a golden ball swimming in a sea of silver. He was sending the clouds away curling before him; they drifted across the mountains, but he pursued and smote and dissolved them. And ever the mountains rose and rose, huger and huger; as they swelled up they heaved the clouds away in[Pg 78] rolls off their shoulders. Now their waists were free, and all but their feet. Only a chasm of fog still hid their lower slopes. Fifty miles away, they looked as if I could toss a stone across to them; only you could never hope to hit their heads, they towered so gigantically. Now the clouds, clearing to right and left, laid bare a battlemented range of snow-white wall barring the whole horizon. Behind these appeared other peaks; it was not a range, but a country of mountains, not now a wall, but a four-square castle carved by giants out of eternal ice. It was the end of the world—a sheer rampart, which forbade the fancy of anything beyond.
Up until I reached the summit and the sun came out—a golden ball floating in a sea of silver. It was pushing the clouds away, which curled and drifted across the mountains, but it chased after them, striking and dissolving them. The mountains continued to rise, getting bigger and bigger; as they swelled, they pushed the clouds off their shoulders. Now their midsections were clear, with only their bases still hidden. Just a gap of fog was left covering their lower slopes. Fifty miles away, they seemed so close you could toss a stone to them; but you could never hope to reach their peaks, as they soared so high. Now, with the clouds clearing to the right and left, a battlement of snow-white walls appeared, blocking the entire horizon. Behind these emerged other peaks; it wasn’t just a range but a whole landscape of mountains, no longer a wall but a fortress carved by giants out of eternal ice. It was the end of the world—a sheer cliff that made you imagine nothing could exist beyond.
And in the centre, by peak and col and precipice, the prodigy reared itself up to Kinchinjunga. Bare rock below, then blinding snow seamed with ridges of chimneys, and then, above, the mighty summit—a tremendous three-cornered slab of grey granite between two resplendent faces of snow. Other mountains tiptoe at the sky snatch at it with a peak like a needle. Kinchinjunga heaves himself up into it, broadly, massively, and makes his summit a diadem. He towers without effort, knowing his majesty. Sublime and inviolable, he lifts his grey nakedness and his mail of burnished snow, and turns his forehead serenely to sun and storm. Only their touch, of all things created, has perturbed his solitude since the birth of time.
And in the center, among peaks, valleys, and cliffs, the marvel rose up to Kanchanjunga. Below are bare rocks, then blinding snow cut with ridges like chimneys, and above, the mighty summit—a massive three-cornered slab of gray granite framed by two shimmering faces of snow. Other mountains reach for the sky, trying to touch it with a needle-like peak. Kanchanjunga rises into it, broad and solid, making his summit a crown. He towers effortlessly, aware of his own grandeur. Majestic and untouchable, he lifts his gray bare form and his armor of polished snow, turning his brow calmly to sun and storm. Only their touch, of all things created, has disturbed his solitude since time began.
In India (New York, 1899).
In India (NY, 1899).
[Pg 79]
[Pg 79]
NIAGARA FALLS
(NORTH AMERICA)
(North America)
ANTHONY TROLLOPE
ANTHONY TROLLOPE
It has been said that it matters much from what point the Falls are first seen, but to this I demur. It matters, I think, very little, or not at all. Let the visitor first see it all, and learn the whereabouts of every point, so as to understand his own position and that of the waters; and then having done that in the way of business let him proceed to enjoyment. I doubt whether it be not the best to do this with all sight-seeing. I am quite sure that it is the way in which acquaintance may be best and most pleasantly made with a new picture. The Falls are, as I have said, made by a sudden breach in the level of the river. All cataracts are, I presume, made by such breaches; but generally the waters do not fall precipitously as they do at Niagara, and never elsewhere, as far as the world yet knows, has a breach so sudden been made in such a body of water. Up above the Falls, for more than a mile, the waters leap and burst over rapids, as though conscious of the destiny that awaits them. Here the river is very broad, and comparatively shallow, but from shore to shore it frets itself into little torrents, and begins to assume the majesty of its power. Looking at it even here, one feels sure that no strongest swimmer could have a chance of saving himself, if fate had cast him in even among those[Pg 80] petty whirlpools. The waters, though so broken in their descent, are deliciously green. This colour as seen early in the morning, or just as the sun has set, is so bright as to give to the place of its chiefest charms.
It’s often said that the view of the Falls depends a lot on where you first see them, but I disagree. I think it matters very little, or not at all. Let visitors take it all in first and get to know where every viewpoint is, so they can understand their own position and that of the waters; then, once that’s done, they can move on to enjoying it. I wonder if this isn’t the best approach to all sightseeing. I’m sure it’s the best way to connect with a new view. The Falls, as I mentioned, happen because of a sudden drop in the river's level. I assume all waterfalls are formed this way, but usually, the water doesn’t fall so dramatically as it does at Niagara. As far as anyone knows, there has never been such a sudden drop in such a massive body of water. Upstream from the Falls, for over a mile, the waters leap and crash over rapids, almost as if they know what’s coming. Here, the river is very wide and relatively shallow, but from one bank to the other, it churns into small torrents, starting to show its power. Even from this vantage point, you can be sure that no strong swimmer could save themselves if caught in those tiny whirlpools. The waters, despite their chaotic fall, are a beautiful shade of green. This color, seen early in the morning or just at sunset, is so vivid that it enhances the area’s most stunning features.
This will be best seen from the further end of the island—Goat Island, as it is called, which, as the reader will understand, divides the river immediately above the Falls. Indeed the island is a part of that precipitously broken ledge over which the river tumbles; and no doubt in process of time will be worn away and covered with water. The time, however, will be very long. In the meanwhile it is perhaps a mile round, and is covered thickly with timber. At the upper end of the island the waters are divided, and coming down in two courses, each over its own rapids, form two separate falls. The bridge by which the island is entered is a hundred yards or more above the smaller fall. The waters here have been turned by the island, and make their leap into the body of the river below at a right angle with it,—about two hundred yards below the greater fall. Taken alone this smaller cataract would, I imagine, be the heaviest fall of water known, but taken in conjunction with the other it is terribly shorn of its majesty. The waters here are not green as they are at the larger cataract, and though the ledge has been hollowed and bowed by them so as to form a curve, that curve does not deepen itself into a vast abyss as it does at the horseshoe up above. This smaller fall is again divided, and the visitor passing down a flight of steps and over a frail wooden bridge finds himself on a smaller island in the midst of it.
This looks best from the far side of the island—Goat Island, as it's called—which, as you'll see, splits the river just above the Falls. In fact, the island is part of the steep ledge over which the river cascades, and eventually, it will likely be eroded and submerged. However, that will take a very long time. For now, it’s about a mile around and densely forested. At the top of the island, the waters split and flow down in two channels, each over its own rapids, creating two distinct falls. The bridge leading onto the island is more than a hundred yards upstream from the smaller fall. Here, the waters have been redirected by the island and plunge into the main river below at a right angle, about two hundred yards below the larger fall. By itself, this smaller waterfall would be the largest known, but when viewed alongside the other, it lacks a lot of its grandeur. The waters here aren't green like at the larger fall, and although the ledge has been shaped by them into a curve, that curve doesn’t drop into a massive chasm like it does at the horseshoe above. This smaller fall splits again, and visitors can go down a flight of steps and across a flimsy wooden bridge to find themselves on a smaller island in the middle of it.

NIAGARA FALLS.
NIAGARA FALLS.
[Pg 81]
[Pg 81]
But we will go at once on to the glory, and the thunder, and the majesty, and the wrath of that upper hell of waters. We are still, let the reader remember, on Goat Island, still in the States, and on what is called the American side of the main body of the river. Advancing beyond the path leading down to the lesser fall, we come to that point of the island at which the waters of the main river begin to descend. From hence across to the Canadian side the cataract continues itself in one unabated line. But the line is very far from being direct or straight. After stretching for some little way from the shore, to a point in the river which is reached by a wooden bridge at the end of which stands a tower upon the rock,—after stretching to this, the line of the ledge bends inwards against the flood,—in, and in, and in, till one is led to think that the depth of that horseshoe is immeasurable. It has been cut with no stinting hand. A monstrous cantle has been worn back out of the centre of the rock, so that the fury of the waters converges, and the spectator as he gazes into the hollow with wishful eyes fancies that he can hardly trace out the centre of the abyss.
But let’s move on to the glory, the thunder, the majesty, and the fury of that upper hell of waters. Remember, we are still on Goat Island, still in the United States, and on what is known as the American side of the main part of the river. Going beyond the path that leads down to the smaller fall, we reach the point of the island where the waters of the main river start to plunge down. From here to the Canadian side, the waterfall continues in an unbroken line. However, that line is far from direct or straight. After extending for a bit from the shore to a point in the river accessible by a wooden bridge, which leads to a tower on the rock, the edge curves inward against the flow—curving in, in, and in—until you feel like the depth of that horseshoe is endless. It has been carved out with no restraint. A massive piece has been eroded from the center of the rock, causing the fury of the waters to converge, and as the observer looks into the hollow with longing eyes, they imagine that it’s nearly impossible to see the center of the abyss.
Go down to the end of that wooden bridge, seat yourself on the rail, and there sit till all the outer world is lost to you. There is no grander spot about Niagara than this. The waters are absolutely around you. If you have that power of eye-control, which is so necessary to the full enjoyment of scenery, you will certainly see nothing but the water. You will certainly hear nothing else; and the sound, I beg you to remember, is not an ear-cracking,[Pg 82] agonizing crash and clang of noises; but is melodious and soft withal, though loud as thunder. It fills your ears, and as it were envelops them, but at the same time you can speak to your neighbour without an effort. But at this place, and in these moments, the less of speaking I should say the better. There is no grander spot than this. Here, seated on the rail of the bridge, you will not see the whole depth of the fall. In looking at the grandest works of nature, and of art too, I fancy, it is never well to see all. There should be something left to the imagination, and much should be half-concealed in mystery. The greatest charm of a mountain range is the wild feeling that there must be strange desolate worlds in those far-off valleys beyond. And so here, at Niagara, that converging rush of waters may fall down, down at once into a hell of rivers for what the eye can see. It is glorious to watch them in their first curve over the rocks. They come green as a bank of emeralds; but with a fitful flying colour, as though conscious that in one moment more they would be dashed into spray and rise into air, pale as driven snow. The vapour rises high into the air, and is gathered there, visible always as a permanent white cloud over the cataract; but the bulk of the spray which fills the lower hollow of that horseshoe is like a tumult of snow. This you will not fully see from your seat on the rail. The head of it rises ever and anon out of the caldron below, but the caldron itself will be invisible. It is ever so far down,—far as your own imagination can sink it. But your eyes will rest full upon the curve of the waters.[Pg 83] The shape you will be looking at is that of a horseshoe, but of a horseshoe miraculously deep from toe to heel;—and this depth becomes greater as you sit there. That which at first was only great and beautiful, becomes gigantic and sublime till the mind is at loss to find an epithet for its own use. To realize Niagara you must sit there till you see nothing else than that which you have come to see. You will hear nothing else, and think of nothing else. At length you will be at one with the tumbling river before you. You will find yourself among the waters as though you belonged to them. The cool liquid green will run through your veins, and the voice of the cataract will be the expression of your own heart. You will fall as the bright waters fall, rushing down into your new world with no hesitation and with no dismay; and you will rise again as the spray rises, bright, beautiful, and pure. Then you will flow away in your course to the uncompassed, distant, and eternal ocean.
Go to the end of that wooden bridge, sit on the railing, and stay there until the outside world fades away. There's no better spot at Niagara than this. The water surrounds you completely. If you have the ability to focus your eyes, which is so important for truly enjoying nature, you'll see nothing but the water. You’ll hear nothing else either; and remember, the sound isn’t a jarring crash or painful noise; it’s soothing and soft, yet as loud as thunder. It fills your ears and wraps around you, but you can still have a conversation with someone nearby without any trouble. However, in this moment, I’d say it’s better to keep conversations to a minimum. There’s no better place than this. Sitting on the railing of the bridge, you won't see the entire depth of the falls. When looking at nature's greatest wonders, and art as well, I think it’s never good to see everything. There should be some mystery left to the imagination. The most fascinating part of a mountain range is that it hints at strange, lonely worlds in those distant valleys. And here at Niagara, the water cascades down into a mysterious abyss that the eye can only guess at. It’s stunning to watch the water as it first curves over the rocks. It comes in a brilliant green, like a bank of emeralds, but with a fleeting color, as if aware that in just a moment, it will be shattered into spray and become as pale as driven snow. The mist rises high into the sky, always visible as a permanent white cloud above the falls; but the bulk of the spray filling the lower part of that horseshoe shape looks like a chaotic flurry of snow. You won't fully see this from your spot on the railing. The top of it occasionally rises from the churning water below, but the cauldron itself will be out of sight; it’s too far down—far as your imagination can envision. But your eyes will focus on the curve of the water. The shape you’ll see is that of a horseshoe, but one that appears incredibly deep from end to end; and this depth seems to grow as you sit there. What first appeared to be simply beautiful becomes gigantic and awe-inspiring until your mind struggles to find the right words. To truly understand Niagara, you must stay until you see and hear nothing else. Eventually, you’ll connect with the rushing river before you. You’ll feel like you belong among the waters. The cool liquid green will flow through your veins, and the sound of the falls will echo your own heartbeat. You’ll fall like the bright waters do, rushing into this new world without hesitation or fear; and you’ll rise again like the spray, bright, beautiful, and pure. Then you’ll drift away in your journey to the vast, distant, and eternal ocean.
And now we will cross the water, and with this object will return by the bridge out of Goat Island on the mainland of the American side. But as we do so let me say that one of the great charms of Niagara consists in this,—that over and above that one great object of wonder and beauty, there is so much little loveliness;—loveliness especially of water, I mean. There are little rivulets running here and there over little falls, with pendent boughs above them, and stones shining under their shallow depths. As the visitor stands and looks through the trees the rapids glitter before him, and then hide themselves behind islands. They glitter and sparkle in far distances under the bright[Pg 84] foliage till the remembrance is lost, and one knows not which way they run.
And now we’ll cross the water, and with this in mind, we’ll return by the bridge from Goat Island to the mainland on the American side. But as we do this, let me mention that one of the great attractions of Niagara is that, beyond its main wonders and beauty, there’s so much smaller charm—especially when it comes to water. There are little streams running here and there over small waterfalls, with hanging branches above them and stones shining beneath their shallow depths. As the visitor stands and looks through the trees, the rapids sparkle in front of him, then disappear behind islands. They shine and glimmer in the distance under the bright[Pg 84] foliage until the memory fades, and one loses track of which way they flow.
Close to the cataract, exactly at the spot from whence in former days the Table Rock used to project from the land over the boiling caldron below, there is now a shaft down which you will descend to the level of the river, and pass between the rock and the torrent. This Table Rock broke away from the cliff and fell, as up the whole course of the river the seceding rocks have split and fallen from time to time through countless years, and will continue to do till the bed of the upper lake is reached. You will descend this shaft, taking to yourself or not taking to yourself a suit of oil-clothes as you may think best.
Close to the waterfall, right at the spot where the Table Rock used to stick out over the raging water below, there is now a shaft that you can go down to reach the river level, passing between the rock and the rushing water. This Table Rock broke away from the cliff and fell, just like many other rocks along the river have crumbled and fallen over countless years, and it will keep happening until the upper lake bed is reached. You can go down this shaft, whether you choose to wear a suit of oilskin or not, depending on what you think is best.
In the spot to which I allude the visitor stands on a broad safe path, made of shingles, between the rock over which the water rushes. He will go in so far that the spray rising back from the bed of the torrent does not incommode him. With this exception, the further he can go in the better; but circumstances will clearly show him the spot to which he should advance. Unless the water be driven in by a strong wind, five yards make the difference between a comparatively dry coat and an absolutely wet one. And then let him stand with his back to the entrance, thus hiding the last glimmer of the expiring day. So standing he will look up among the falling waters, or down into the deep misty pit, from which they reascend in almost as palpable a bulk. The rock will be at his right hand, high and hard, and dark and straight, like the wall of some huge cavern, such as children enter in their dreams. For the[Pg 85] first five minutes he will be looking but at the waters of a cataract,—at the waters, indeed, of such a cataract as we know no other, and at their interior curves which elsewhere we cannot see. But by and by all this will change. He will no longer be on a shingly path beneath a waterfall; but that feeling of a cavern wall will grow upon him, of a cavern deep, below roaring seas, in which the waves are there, though they do not enter in upon him; or rather not the waves, but the very bowels of the ocean. He will feel as though the floods surrounded him, coming and going with their wild sounds, and he will hardly recognize that though among them he is not in them. And they, as they fall with a continual roar, not hurting the ear, but musical withal, will seem to move as the vast ocean waters may perhaps move in their internal currents. He will lose the sense of one continued descent, and think that they are passing round him in their appointed courses. The broken spray that rises from the depth below, rises so strongly, so palpably, so rapidly, that the motion in every direction will seem equal. And, as he looks on, strange colours will show themselves through the mist; the shades of grey will become green or blue, with ever and anon a flash of white; and then, when some gust of wind blows in with greater violence, the sea-girt cavern will become all dark and black. Oh, my friend, let there be no one there to speak to thee then; no, not even a brother. As you stand there speak only to the waters.
In the spot I'm talking about, the visitor stands on a wide, safe path made of shingles, right between the rocks where the water flows. He can go in far enough that the spray coming from the riverbed doesn't bother him. Other than that, the further he goes, the better, but circumstances will clearly show him how far to advance. Unless the water is pushed in by a strong wind, five yards can make the difference between a relatively dry coat and a completely drenched one. Then, he should stand with his back to the entrance, blocking the last light of the fading day. From this position, he’ll gaze up at the falling water or down into the deep, misty pit from which it rises almost as much. The rock will be on his right side, tall and solid, dark and straight like the wall of a massive cave that kids enter in their dreams. For the[Pg 85] first five minutes, he’ll just be looking at the water of a waterfall—truly, it’s a waterfall like no other, revealing its internal curves that we can’t see anywhere else. But soon enough, everything will change. He won’t be on a shingly path under a waterfall anymore; instead, he’ll feel as though he’s in a cavern, deep below roaring seas, where the waves are present even if they’re not crashing around him; or rather, it’s not just the waves, but the very depths of the ocean. He’ll feel as if the floods are surrounding him, moving to and fro with their wild sounds, and he’ll barely recognize that while he’s among them, he’s not truly in them. The constant roar of the water will be loud but musical, resembling how the vast ocean waves might move in their deep currents. He’ll lose the sense of a single, continuous descent and imagine the waters are circling around him in their planned paths. The broken spray rising from the depths below is so strong, tangible, and rapid that the motion in every direction seems equal. And as he watches, strange colors will emerge through the mist; the shades of gray will shift to green or blue, with occasional flashes of white; then, when a stronger gust of wind blows in, the sea-surrounded cavern will turn all dark. Oh, my friend, let there be no one there to speak to you then; not even a brother. As you stand there, speak only to the waters.
North America (London, 1862).
North America (London, 1862).
[Pg 86]
[Pg 86]
NIAGARA FALLS
(NORTH AMERICA)
(North America)
CHARLES DICKENS
CHARLES DICKENS
We called at the town of Erie, at eight o’clock that night, and lay there an hour. Between five and six next morning, we arrived at Buffalo, where we breakfasted; and being too near the Great Falls to wait patiently anywhere else, we set off by the train, the same morning at nine o’clock, to Niagara.
We stopped in the town of Erie at eight o’clock that night and stayed there for an hour. Between five and six the next morning, we got to Buffalo, where we had breakfast; and since we were too close to the Great Falls to wait patiently anywhere else, we took the train that same morning at nine o’clock to Niagara.
It was a miserable day; chilly and raw; a damp mist falling; and the trees in that northern region quite bare and wintry. Whenever the train halted, I listened for the roar; and was constantly straining my eyes in the direction where I knew the Falls must be, from seeing the river rolling on towards them; every moment expecting to behold the spray. Within a few moments of our stopping, not before, I saw two great white clouds rising up slowly and majestically from the depths of the earth. That was all. At length we alighted; and then for the first time, I heard the mighty rush of water, and felt the ground tremble underneath my feet.
It was a miserable day—cold and damp, with a heavy mist falling and the trees in that northern area completely bare and wintery. Every time the train stopped, I listened for the roar and kept straining my eyes in the direction where I knew the Falls had to be, watching the river flow towards them, expecting to see the spray any moment. Just moments after we stopped, I finally saw two huge white clouds rising up slowly and majestically from the ground. That was it. Finally, we got off, and for the first time, I heard the powerful rush of water and felt the ground tremble beneath my feet.
The bank is very steep, and was slippery with rain, and half-melted ice. I hardly know how I got down, but I was soon at the bottom, and climbing, with two English officers who were crossing and had joined me, over some broken[Pg 87] rocks, deafened by the noise, half-blinded by the spray, and wet to the skin. We were at the foot of the American Fall. I could see an immense torrent of water tearing headlong down from some great height, but had no idea of shape, or situation, or anything but vague immensity.
The bank was really steep and slippery from the rain and partly melted ice. I'm not sure how I made it down, but I quickly found myself at the bottom, climbing over some broken[Pg 87] rocks with two English officers who had joined me. We were deafened by the noise, half-blinded by the spray, and soaked to the skin. We stood at the base of the American Falls. I could see a massive torrent of water rushing down from a great height, but I couldn’t make out its shape, position, or anything other than a sense of vastness.
When we were seated in the little ferry-boat, and were crossing the swollen river immediately before both cataracts, I began to feel what it was—but I was in a manner stunned, and unable to comprehend the vastness of the scene. It was not until I came on Table Rock, and looked—Great Heaven, on what a fall of bright green water!—that it came upon me in its full might and majesty.
When we sat in the small ferry and crossed the swollen river just before the waterfalls, I started to realize what it was—but I felt a bit dazed and couldn’t grasp the enormity of the scene. It wasn’t until I stood on Table Rock and looked—oh my God, what a drop of bright green water!—that I fully understood its power and grandeur.
Then, when I felt how near to my Creator I was standing, the first effect, and the enduring one—instant and lasting—of the tremendous spectacle, was Peace. Peace of Mind, tranquillity, calm recollections of the Dead, great thoughts of Eternal Rest and Happiness: nothing of gloom or terror. Niagara was at once stamped upon my heart, an Image of Beauty; to remain there, changeless and indelible, until its pulses cease to beat, for ever.
Then, when I felt how close I was to my Creator, the first effect, and the lasting one—immediate and enduring—of the incredible spectacle was Peace. Peace of Mind, tranquility, calm memories of the Dead, profound thoughts of Eternal Rest and Happiness: nothing of gloom or fear. Niagara was instantly imprinted on my heart, an Image of Beauty; to stay there, unchanged and unforgettable, until I no longer breathe, forever.
Oh, how the strife and trouble of daily life receded from my view, and lessened in the distance, during the ten memorable days we passed on that Enchanted Ground! What voices spoke from out the thundering water; what faces, faded from the earth, looked out upon me from its gleaming depths; what Heavenly promise glistened in those angels’ tears, the drops of many hues, that showered around, and twined themselves about the gorgeous arches which the changing rainbows made!
Oh, how the struggles and troubles of everyday life faded from my sight and lessened with distance during the ten unforgettable days we spent on that Enchanted Ground! What voices emerged from the roaring water; what faces, long gone from this world, gazed at me from its shimmering depths; what Heavenly promise sparkled in those angels' tears, the drops of many colors, that rained down and wrapped around the beautiful arches created by the shifting rainbows!
[Pg 88]
[Pg 88]
I never stirred in all that time from the Canadian side, whither I had gone at first. I never crossed the river again; for I knew there were people on the other shore, and in such a place it is natural to shun strange company. To wander to and fro all day, and see the cataracts from all points of view; to stand upon the edge of the great Horse-Shoe Fall, marking the hurried water gathering strength as it approached the verge, yet seeming too, to pause before it shot into the gulf below; to gaze from the river’s level up at the torrent as it came streaming down; to climb the neighbouring heights and watch it through the trees, and see the wreathing water in the rapids hurrying on to take its fearful plunge; to linger in the shadow of the solemn rocks three miles below; watching the river as, stirred by no visible cause, it heaved and eddied and awoke the echoes, being troubled yet, far down beneath its surface, by its giant leap; to have Niagara before me, lighted by the sun and by the moon, red in the day’s decline, and grey as evening slowly fell upon it; to look upon it every day, and wake up in the night and hear its ceaseless voice: this was enough.
I never moved from the Canadian side, where I had initially gone. I never crossed the river again because I knew there were people on the other side, and in a place like this, it's natural to avoid strange company. I spent my days wandering around, taking in the falls from every angle; standing at the edge of the great Horseshoe Falls, watching the rushing water build momentum as it got closer to the edge, yet it also seemed to pause before it plunged into the abyss below; gazing up from the river’s surface at the torrent cascading down; climbing the nearby heights to watch it through the trees and see the twisting water in the rapids racing toward its terrifying drop; lingering in the shadow of the solemn rocks three miles downstream, watching the river as, stirred by no visible force, it heaved and swirled, waking the echoes while being troubled far below the surface by its great leap; having Niagara in front of me, illuminated by the sun and the moon, glowing red at dusk and turning gray as evening slowly descended; seeing it every day and waking up at night to hear its endless roar: this was enough.

NIAGARA FALLS IN WINTER.
NIAGARA FALLS IN WINTER.
I think in every quiet season now, still do those waters roll and leap, and roar and tumble, all day long; still are the rainbows spanning them, a hundred feet below. Still, when the sun is on them, do they shine and glow like molten gold. Still, when the day is gloomy, do they fall like snow, or seem to crumble away like the front of a great chalk cliff, or roll down the rock like dense white smoke. But always does the mighty stream appear to die[Pg 89] as it comes down, and always from its unfathomable grave arises that tremendous ghost of spray and mist which is never laid: which has haunted this place with the same dread solemnity since Darkness brooded on the deep, and that first flood before the Deluge—Light—came rushing on Creation at the word of God.
I believe that in every quiet moment now, those waters still roll and leap, roar and tumble all day long; rainbows still span them, a hundred feet below. When the sun shines on them, they glow like molten gold. When the day is gloomy, they fall like snow, crumble away like the front of a great chalk cliff, or roll down the rock like dense white smoke. But the mighty stream always seems to die as it comes down, and from its unfathomable grave arises that enormous ghost of spray and mist which never settles: it has haunted this place with the same intense solemnity since Darkness covered the deep, and that first flood before the Deluge—Light—came rushing on Creation at the command of God.[Pg 89]
American Notes for General Circulation (London, 1842).
American Notes for General Circulation (London, 1842).
[Pg 90]
[Pg 90]
FUJI-SAN
(JAPAN)
(JAPAN)
SIR EDWIN ARNOLD
SIR EDWIN ARNOLD
I have just made in the company of Captain John Ingles, R. N., Naval Adviser to the Imperial Government of this country, and a young Japanese gentleman—Mr. Asso—a very fortunate and delightful ascent of Fuji-San, the famous mountain—you would not wonder, residing here, that everybody in Japan talks about Fuji, and thinks about her; paints her on fans, and limns her with gold on lacquer; carves her on temple-gates and house-fronts, and draws her for curtains of shops and signboards of inns, rest-houses and public institutions. Living in Tokio or Yokohama, or anywhere along this Tokaidô—the Southern road of Japan—you would soon perceive how the great volcano dominates every landscape, asserts perpetually her sovereignty over all other hills and mountains, and becomes in reality as well as imagination, an indispensable element in the national scenery. Far away at sea, when approaching Japan, if the weather be clear, long before the faintest blue line of coast is discernible from the deck, there is seen hanging in the air a dim white symmetrical cone, too constant for a cloud, which is Fuji-San. After you have landed and taken up your residence in Yokohama, Tokio, or any point of the southeastern littoral, you will be always[Pg 91] seeing Fuji-Yama from some garden-nook, some tea-house gallery, some grove of cryptomerias, or thicket of bamboo, or even from the railway-carriage window. In the spring and autumn, as frequently as not, she will, indeed, be shrouded in the dense masses of white or grey cumulus which her crest collects, and seems to create in the mists of the Pacific. But during summer, when the snows are all melted from the vast cone, and again in winter, when she is covered with snow half-way down her colossal sides, but the air is clear, the superb mountain stands forth, dawn after dawn, and evening after evening—like no other eminence in the world for beauty, majesty, and perfectness of outline. There are loftier peaks, of course, for Fuji-San is not much higher than Mont Blanc, but there is none—not even Etna—which rises so proudly alone, isolated, distinct, from the very brink of the sea—with nothing to hide or diminish the dignity of the splendid and immense curves sweeping up from where the broad foot rests, planted on the Suruga Gulf, to where the imperial head soars, lifted high above the clouds into the blue of the firmament. By many and many a picture or photograph you must know well those almost perfectly matched flanks, that massive base, the towering lines of that mighty cone, slightly truncated and dentated at the summit. But no picture gives, and no artist could ever reproduce, the variety and charm of the aspect which Fuji-San puts on from day to day and hour to hour under the differing influences of air and weather. Sometimes it is as a white cloud that you see her, among the white clouds, changeless among the[Pg 92] changeful shapes from which she emerges. Sometimes there will break forth, high above all clouds, a patch of deep grey against the blue, the broad head of Fuji. Sometimes you will only know where she sits by the immense collection of cirrus and cirro-cumulus there alone gathered in the sky; and sometimes—principally at dawn and nightfall—she will suddenly manifest herself, from her foot, jewelled with rich harvests, to her brow, bare and lonely as a desert—all violet against the gold of the setting sun, or else all gold and green against the rose and silver of the daybreak....
I just had a really amazing and enjoyable climb up Fuji-San, the famous mountain, alongside Captain John Ingles, R.N., who is a Naval Adviser to the Imperial Government, and a young Japanese man named Mr. Asso. If you live here, you wouldn’t be surprised that everyone in Japan talks about Fuji and thinks about her; they paint her on fans, decorate her with gold on lacquer, carve her on temple gates and house fronts, and draw her for shop curtains and the signs of inns, rest houses, and public institutions. Living in Tokyo or Yokohama, or anywhere along this Tokaido—the Southern road of Japan—you’ll quickly notice how the great volcano dominates every landscape, constantly asserting her presence over all other hills and mountains, becoming an essential part of the national scenery. From far out at sea, when approaching Japan, if the weather is clear, long before you can see even the faintest outline of the coast, there’s a dim white symmetrical cone hanging in the air, too consistent to be a cloud—that’s Fuji-San. Once you land and settle in Yokohama, Tokyo, or any place along the southeastern coast, you’ll frequently catch sight of Fuji-Yama from some garden nook, a tea house gallery, a grove of cryptomerias, or a thicket of bamboo, or even from the railway carriage window. In spring and autumn, more often than not, she’ll be covered in dense white or grey cumulus clouds that gather around her peak, seemingly created by the mists of the Pacific. But during summer, when all the snow has melted from the large cone, and again in winter, when she's covered in snow halfway down her massive sides but the air is clear, the stunning mountain stands out every dawn and evening—like no other peak in the world for beauty, majesty, and perfect outline. There are taller peaks, of course, since Fuji-San isn’t much higher than Mont Blanc, but none— not even Etna—rises so proudly alone, isolated and distinct, right from the edge of the sea—with nothing to hide or lessen the grandeur of its magnificent and vast curves sweeping up from where its broad base rests, planted on the Suruga Gulf, to where its majestic peak soars high above the clouds into the blue sky. You probably know well from countless pictures or photographs those almost perfectly shaped slopes, that massive base, and the towering lines of that mighty cone, slightly flattened and indented at the top. But no picture captures, and no artist could ever recreate, the variety and charm of the appearance that Fuji-San shows from day to day and hour to hour under changing air and weather influences. Sometimes you’ll see her as a white cloud among the white clouds, unchanging among the ever-changing shapes from which she emerges. Other times, a patch of deep grey against the blue sky will reveal the broad peak of Fuji high above all the clouds. Occasionally, you’ll only recognize her presence by the large gathering of cirrus and cirro-cumulus clouds alone in the sky; and sometimes—mainly at dawn and dusk—she will suddenly show herself from her base, adorned with rich harvests, to her summit, bare and solitary like a desert—all violet against the gold of the setting sun, or all gold and green against the rose and silver of the dawn....
As late as the Fourteenth Century Fuji was constantly smoking, and fire is spoken of with the eruptions, the last of which took place in December, 1707, and continued for nearly forty days. The Ho-Yei-san, or hump in the south face, was probably then formed. In this, her final outbreak, Fuji covered Tokio itself, sixty miles away, with six inches of ash, and sent rivers of lava far and wide. Since then she has slept, and only one little spot underneath the Kwan-nom-Gatake, on the lip of the crater, where steam exhales, and the red pumice-cracks are hot, shows that the heart of this huge volcano yet glows, and that she is capable of destroying again her own beauty and the forests and rich regions of fertility which clothe her knees and feet.
As recently as the 14th century, Fuji was constantly smoking, and there were reports of eruptions, the last of which happened in December 1707 and lasted for almost forty days. The Ho-Yei-san, or the bump on the south face, was likely formed during that time. In this final eruption, Fuji blanketed Tokyo, sixty miles away, with six inches of ash and sent rivers of lava flowing far and wide. Since then, she has been quiet, and only one small area under the Kwan-nom-Gatake, on the edge of the crater, where steam escapes and the red pumice cracks are hot, indicates that the core of this massive volcano still glows and that she could once again unleash destruction upon her own beauty and the fertile forests and lands that surround her feet.

FUJI SAN.
Mount Fuji.
It is a circuit of 120 miles to go all round the base of Fuji-San. If you could cut a tunnel through her from Yoshiwara to Kawaguchi, it would be forty miles long. Generally speaking, the lower portion of the mountain is[Pg 93] cultivated to a height of 1,500 feet, and it is a whole province which thus climbs round her. From the border of the farms there begins a rough and wild, but flowery moorland, which stretches round the hill to an elevation of 4,000 feet, where there the thick forest-belt commences. This girdles the volcano up to 7,000 feet on the Subashiri side and 8,000 on the Murayama fall, but is lower to the eastward. Above the forest extends a narrow zone of thicket and bush, chiefly dwarfed larch, juniper and a vaccinium; after which comes the bare, burnt, and terribly majestic peak itself, where the only living thing is a little yellow lichen which grows in the fissures of the lava blocks, for no eagle or hawk ventures so high, and the boldest or most bewildered butterfly will not be seen above the bushes half-way down.
It’s a 120-mile loop around the base of Mount Fuji. If you could dig a tunnel from Yoshiwara to Kawaguchi, it would be 40 miles long. Generally speaking, the lower part of the mountain is[Pg 93] farmed up to a height of 1,500 feet, and an entire province fills that area around it. Beyond the farm borders starts a rugged and wild, yet flowery moorland that extends around the hill to an elevation of 4,000 feet, where a dense forest begins. This forest wraps around the volcano up to 7,000 feet on the Subashiri side and 8,000 feet on the Murayama side, but it’s lower toward the east. Above the forest lies a narrow zone of thicket and bush, primarily made up of small larch, juniper, and vaccinium; after that, you reach the bare, scorched, and impressively majestic peak itself, where the only living thing is a small yellow lichen that grows in the cracks of the lava blocks, as no eagle or hawk flies that high, and even the bravest or most confused butterfly won’t be found above the bushes halfway down.
The best—indeed, the only—time for the ascent of the mountain is between July 15th and September 5th. During this brief season the snow will be melted from the cone, the huts upon the path will be opened for pilgrims, and there will be only the danger of getting caught by a typhoon, or reaching the summit to find it swathed day after day in clouds, and no view obtainable. Our party of three started for the ascent on August 25th, taking that one of the many roads by which Fuji is approached that goes by Subashiri. Such an expedition may be divided into a series of stages. You have first to approach the foot of the mountain by train or otherwise, then to ride through the long slope of cultivated region. Then, abandoning horses or vehicles, to traverse on foot the sharper slopes of the forest belt. At[Pg 94] the confines of this you will reach the first station, called Sho or Go; for Japanese fancy has likened the mountain to a heap of dry rice and the stations are named by rice-measure. From the first station to the ninth, whatever road you take, all will be hard, hot, continuous climbing. You must go by narrow, bad paths, such as a goat might make, in loose volcanic dust, gritty pumice, or over the sharp edges of lava dykes, which cut boots and sandals to shreds....
The best—and really the only—time to climb the mountain is between July 15th and September 5th. During this short season, the snow will have melted from the peak, the huts along the trail will be open for hikers, and the only risks are getting caught in a typhoon or reaching the summit only to find it covered in clouds day after day, with no view to be had. Our group of three set off for the climb on August 25th, taking one of the many routes to Fuji that goes via Subashiri. This kind of trip can be broken down into several stages. First, you need to get to the base of the mountain by train or another means, then ride through the long stretch of farmland. After that, you leave the horses or vehicles behind and hike up the steeper forested areas. At[Pg 94] the edge of this area, you'll reach the first station, called Sho or Go; the Japanese have compared the mountain to a pile of dry rice, and the stations are named using rice measurements. From the first station to the ninth, no matter which path you take, it will be challenging, hot, and a constant climb. You’ll have to navigate narrow, rough paths that a goat might use, covered in loose volcanic dust, gritty pumice, or over the sharp edges of lava ridges that tear boots and sandals apart....
At daybreak the horses are brought, and the six coolies, two by two, bind upon their backs the futons and the food. We start, a long procession, through a broad avenue in the forest, riding for five miles, under a lovely dawn, the sun shining gloriously on the forehead of Fuji, who seems further off and more immensely lofty the nearer we approach. The woodland is full of wild strawberries and flowers; including tiger-lilies, clematis, Canterbury bells, and the blue hotari-no hana, or fire-fly blossom. At 6:30 A. M., we reach Uma-Gayeshi, or “turn-the-horses-back”; and hence to the mountain top there is nothing for it but to walk every step of the long, steep, and difficult path. Two of the men with the lightest loads led the way along the narrow path, in a wood so thick that we shall not see Fuji again till we have passed through it. It takes us every now and then through the gates and precincts of little Shinto temples, where the priests offer us tea or mountain water. In one of them, at Ko-mitake, we are invited to ring the brass gong in order that the Deity may make our limbs strong for the task before us. And this is solemnly done[Pg 95] by all hands, the ninsoku slapping their brown thighs piously after sounding the bell....
At daybreak, the horses are brought in, and the six porters, two by two, strap the futons and food onto their backs. We begin our long procession through a wide avenue in the forest, riding for five miles under a beautiful dawn, with the sun shining brilliantly on the peak of Fuji, which looks even more distant and towering as we get closer. The woods are filled with wild strawberries and flowers, including tiger lilies, clematis, Canterbury bells, and the blue hotari-no hana, or fire-fly blossom. At 6:30 A.M., we arrive at Uma-Gayeshi, or “turn-the-horses-back”; from here to the mountain top, we can only walk every step of the long, steep, and challenging path. Two of the men with the lightest loads lead the way along the narrow trail, in such thick woods that we won’t see Fuji again until we emerge from it. Along the way, we occasionally pass through the gates and grounds of small Shinto temples, where the priests offer us tea or mountain water. In one of them, at Ko-mitake, we are invited to ring the brass gong so that the Deity may make our limbs strong for the challenges ahead. This is solemnly done by everyone, with the ninsoku patting their brown thighs respectfully after sounding the bell....[Pg 95]
The shortest time in which the ascent has been made is six hours and a half. We, taking it more easily, made no attempt to beat the record, and stopped frequently to botanize, geologize, etc. The rarefaction of the air gave our Japanese companion, Takaji San, a slight headache, which soon passed as the circulation became accustomed to the atmosphere; but Captain Ingles and I, being I suppose, both in excellent health and strength, experienced no inconvenience worth mentioning.
The shortest time to reach the summit has been six and a half hours. We took it more slowly, making no effort to break the record, and often paused to study the plants, rocks, and so on. The thinner air gave our Japanese friend, Takaji San, a bit of a headache, but it quickly went away as his body adjusted to the altitude. Captain Ingles and I, being in great health and shape, didn't experience any significant issues.
At half-past four next morning, while I was dreaming under my thick coverings, a hand touched me and a voice said softly, “Danna Sama, hi no de!” “Master, here is the sun!” The shoji at my feet were thrown open. I looked out, almost as you might from the moon, over a prodigious abyss of space, beyond which the eastern rim of all the world seemed to be on fire with flaming light. A belt of splendid rose and gold illumined all the horizon, darting long spears of glory into the dark sky overhead, gilding the tops of a thousand hills, scattered over the purple plains below, and casting on the unbroken background of clouds beyond an enormous shadow of Fuji. The spectacle was of unparalleled splendour, recalling Lord Tennyson’s line—
At 4:30 the next morning, while I was dreaming under my warm blankets, a hand touched me and a voice said softly, “Danna Sama, hi no de!” “Master, here comes the sun!” The shoji at my feet were thrown open. I looked out, almost like you might from the moon, over a vast expanse of space, beyond which the eastern edge of the world seemed to be on fire with bright light. A stunning band of rose and gold lit up the whole horizon, shooting long beams of glory into the dark sky above, shining on the tops of a thousand hills scattered across the purple plains below, and casting a huge shadow of Fuji against the unbroken background of clouds beyond. The view was of unmatched beauty, reminding me of Lord Tennyson’s line—
Moment by moment it grew more wonderful in loveliness of colour and brilliant birth of day; and then, suddenly, just[Pg 96] when the sun rolled into sight—an orb of gleaming gold, flooding the world beneath with almost insufferable radiance—a vast mass of dense white clouds swept before the north wind over the view, completely blotting out the sun, the belt of rose and gold, the lighted mountains and plains, and the lower regions of Fuji-San. It was day again, but misty, white, and doubtful; and when we started to climb the last two stages of the cone the flags of the stations were invisible, and we could not know whether we should find the summit clear, or wrapped in enveloping clouds.
Moment by moment, it became more beautiful with vibrant colors and the brilliant start of day; then, suddenly, just[Pg 96] as the sun appeared—an orb of shining gold, flooding the world below with near-blinding brightness—a huge mass of thick white clouds rushed in from the north, completely covering the sun, the strip of pink and gold, the illuminated mountains and plains, and the lower parts of Fuji-San. It was day again, but hazy, white, and uncertain; and as we began to climb the final two stages of the cone, the flags from the stations were out of sight, leaving us unsure whether the summit would be clear or shrouded in clouds.
All was to be fortunate, however, on this happy day; and after a hard clambering of the remaining 2,000 feet we planted our staffs victoriously on the level ground of the crater’s lip and gazed north, south, east, and west through clear and cloudless atmosphere over a prodigious prospect, whose diameter could not be less than 300 miles. It was one of the few days when O-ana-mochi, the Lord of the Great Hole, was wholly propitious! Behind the long row of little black huts standing on the edge of the mountain, gaped that awful, deadly Cup of the Volcano—an immense pit half a mile wide and six or seven hundred feet deep, its sides black, yellow, red, white, and grey, with the varying hues of the lava and scoriæ. In one spot where a perpetual shadow lay, from the ridge-peaks of Ken-ga-mine and the Shaka-no-wari-ishi, or “Cleft Rock of Buddha,” gleamed a large patch of unmelted snow, and there was dust-covered snow at the bottom of the crater. We skirted part of the crater, passed by the dangerous path which is styled “Oya-shirazu, Ko-shirazu,” “The place where you[Pg 97] must forget parents and children, to take care of yourself;” saw the issue of the Kim-mei-sai or “Golden famous water,” and of the Gim-mei-sai, or “Silver famous water”; and came back to breakfast at our hut silent with the delight and glory, the beauty and terror of the scene. Enormous flocks of fleecy clouds and cloudlets wandered in the lower air, many thousand feet beneath, but nowhere concealed the lakes, peaks, rivers, towns, villages, valleys, sea-coasts, islands, and distant provinces spreading out all round. Imagine the prospect obtainable at 13,000 feet of elevation through the silvery air of Japan on a summer’s morning with not a cloud, except shifting, thin, and transitory ones, to veil the view!...
Everything was going to be great on this happy day; after a tough climb of the last 2,000 feet, we triumphantly planted our staffs on the flat ground of the crater’s rim and looked north, south, east, and west through a clear, cloudless sky over an incredible view that stretched at least 300 miles. It was one of those rare days when O-ana-mochi, the Lord of the Great Hole, was completely favorable! Behind the long row of little black huts on the mountain’s edge gaped that terrifying, deadly Cup of the Volcano—an enormous pit half a mile wide and six or seven hundred feet deep, with sides that were black, yellow, red, white, and grey from the different colors of lava and scoria. In one spot, where a constant shadow fell from the Ken-ga-mine ridges and the Shaka-no-wari-ishi, or “Cleft Rock of Buddha,” a large patch of unmelted snow shone, and there was dust-covered snow at the bottom of the crater. We walked along the edge of the crater, passed the dangerous path known as “Oya-shirazu, Ko-shirazu,” which means “The place where you must forget parents and children to take care of yourself;” saw the flow of the Kim-mei-sai or “Golden famous water,” and the Gim-mei-sai, or “Silver famous water;” and returned to our hut for breakfast, filled with delight and awe, beauty and fear from the scene. Huge flocks of fluffy clouds drifted in the lower sky, thousands of feet below, but they didn’t hide the lakes, peaks, rivers, towns, villages, valleys, coastlines, islands, and distant regions spreading out all around us. Just imagine the view from 13,000 feet in the clear, silvery air of Japan on a summer morning, with only thin, fleeting clouds passing by to obscure the landscape!
At the temple with the bell we were duly stamped—shirts, sticks, and clothing—with the sacred mark of the mountain, and having made the hearts of our faithful and patient ninsoku glad with extra pay, turned our backs on the great extinct volcano, whose crest, glowing again in the morning sunlight, had no longer any secrets for Captain Ingles, or Takaji San, or myself.
At the temple with the bell, we were officially stamped—shirts, sticks, and clothing—with the sacred mark of the mountain. After making our loyal and patient ninsoku happy with extra pay, we turned away from the great extinct volcano, whose peak, shining again in the morning sunlight, held no more secrets for Captain Ingles, Takaji San, or me.
Seas and Lands (New York, 1891).
Seas and Lands (NY, 1891).
[Pg 98]
[Pg 98]
THE CEDARS OF LEBANON
(SYRIA)
(SYRIA)
ALPHONSE DE LAMARTINE
ALPHONSE DE LAMARTINE
The Sheik of Eden, the last inhabited village towards the summit of Lebanon, was the maternal uncle of M. Mazoyer, my interpreter. Informed by his nephew of our arrival in Tripoli, the venerable sheik descended the mountain with his eldest son and a portion of his retinue; he came to visit me at the convent of the Franciscans, and offered me hospitality at his home in Eden. From Eden to the Cedars of Solomon it is only a three hours’ march; and if the snows that cover the mountains will permit us, we can visit these ancient trees that have spread their glory over all Lebanon and that are contemporaries of the great king; we accepted, and the start was arranged for the following day.
The Sheik of Eden, the last inhabited village near the top of Lebanon, was the maternal uncle of M. Mazoyer, my interpreter. After being informed by his nephew about our arrival in Tripoli, the respected sheik descended the mountain with his eldest son and part of his entourage; he came to visit me at the Franciscan convent and invited me to stay at his home in Eden. It's only a three-hour hike from Eden to the Cedars of Solomon, and if the snow covering the mountains allows us, we can see these ancient trees that have spread their glory across all of Lebanon and that were around during the time of the great king; we agreed, and the departure was set for the next day.
At five o’clock in the morning we were on horseback. The caravan, more numerous than usual, was preceded by the Sheik of Eden, an admirable old man whose elegance of manner, noble and easy politeness, and magnificent costume were far from suggesting an Arab chieftain; one would have called him a patriarch marching at the head of his tribe; he rode upon a mare of the desert whose golden-bay skin and floating mane would have made a worthy mount for a hero of Jerusalem; his son and his principal[Pg 99] attendants caracoled upon magnificent stallions, a few paces before him; we came next, and then the long file of our moukres and our Saïs....
At five o'clock in the morning, we were on horseback. The caravan, larger than usual, was led by the Sheik of Eden, an impressive old man whose graceful demeanor, refined politeness, and stunning outfit did not resemble that of an Arab chieftain; one might have thought of him as a patriarch leading his tribe. He rode a desert mare with golden-bay skin and a flowing mane, fit for a hero of Jerusalem. His son and main attendants rode magnificent stallions just a few paces ahead of him; we followed next, and then came the long line of our moukres and our Saïs....
The sheik has sent three Arabs over the route to the Cedars to learn if the snow will permit us to approach those trees; the Arabs returning say that access is impracticable; there are fourteen feet of snow in a narrow valley which must be crossed before reaching the trees;—wishing to get as near as possible, I entreat the sheik to give me his son and several horsemen; I leave my wife and my caravan at Eden; I mount the strongest of my horses, Scham, and we are en route at break of day;—a march of three hours over the crests of the mountains, or in the fields softened with melting snow. I arrive at the edge of the valley of the Saints, a deep gorge where the glance sweeps from the rocky height to a valley more confined, more sombre and more solemn even than that of Hamana; at the top of this valley, at the place where, after continually rising, it reaches the snows, a superb sheet of water falls, a hundred feet high and two or three toises wide; the entire valley resounds with this waterfall and the leaping torrents that it feeds; on every side the rocky flanks of the mountain stream with foam; we see almost beyond our vision, in the depths of the valley, two large villages the houses of which can scarcely be distinguished from the rocks rolled down by the torrent; the tops of the poplars and the mulberries from here look like tufts of reed or grass; we descend to the village of Beschieraï by paths cut in the rock, and so abrupt that one can hardly imagine that men will[Pg 100] risk themselves upon them; people do perish sometimes; a stone thrown from the crest where we stand would fall upon the roofs of these villages where we shall arrive after an hour’s descent; above the cascade and the snows, enormous fields of ice extend, undulating like vapours in tints greenish and blue by turns; in about a quarter of an hour towards the left in a half circular valley formed by the last mounts of Lebanon, we see a large, black blot upon the snow,—the famous group of cedars; they crown the brow of the mountain like a diadem; they mark the branching off of numerous and large valleys that descend from there; the sea and the sky are their horizon.
The sheik has sent three Arabs along the route to the Cedars to check if the snow will allow us to get close to those trees. The Arabs who returned said it was impossible to access them; there are fourteen feet of snow in a narrow valley we need to cross before reaching the trees. Wanting to get as close as possible, I ask the sheik to send me his son and a few horsemen. I leave my wife and my caravan at Eden, mount the strongest of my horses, Scham, and we set off at dawn. After three hours traveling over the mountain peaks and through fields softened by melting snow, I reach the edge of the valley of the Saints, a deep gorge where the view stretches from the rocky heights to a more confined, darker, and more solemn valley than that of Hamana. At the top of this valley, where it continually rises to the snow, a magnificent waterfall cascades down a hundred feet and is two or three toises wide. The entire valley echoes with the sound of the waterfall and the rushing torrents it creates; the rocky sides of the mountain are covered in foam. In the depths of the valley, we can barely make out two large villages, their houses blending into the rocks washed down by the torrent; from here, the tops of the poplars and mulberry trees look like clumps of reeds or grass. We descend to the village of Beschieraï along paths carved into the rock that are so steep it’s hard to imagine anyone daring to traverse them; people do sometimes fall. A stone thrown from where we stand would land on the roofs of these villages, and we will reach them after an hour's descent. Above the waterfall and the snow, vast fields of ice stretch out, undulating like vapor in shades of green and blue. In about fifteen minutes to the left, in a half-circular valley formed by the last mountains of Lebanon, we spot a large, dark patch against the snow—the famous group of cedars; they sit atop the mountain like a crown, marking the beginnings of many vast valleys that descend from there, with the sea and sky as their backdrop.
We put our horses to a gallop over the snow to get as near as possible to the forest; but on arriving five or six hundred steps from the trees, we plunge our horses up to their shoulders; we realize that the report of the Arabs is correct, and we must renounce the hope of touching these relics of the centuries and of nature; we alight and sit upon a rock to contemplate them.
We urged our horses into a fast run over the snow to get as close as we could to the forest. However, when we got about five or six hundred steps from the trees, our horses sank deep into the snow. We understood that the Arabs were right, and we had to give up the dream of reaching these ancient relics of nature. We got off our horses and sat on a rock to take in the view.

THE CEDARS OF LEBANON.
The Cedars of Lebanon.
These trees are the most celebrated natural monuments in the whole universe. Religion, poetry, and history have equally consecrated them. Holy Writ celebrates them in several places. They are one of the favourite images which the prophets employ. Solomon wished to consecrate them—doubtless on account of the renown of magnificence and sanctity that these prodigies of vegetation enjoyed at this epoch—to the ornamentation of the temple that he was the first to elevate to the one God. These were certainly the trees; for Ezekiel speaks of the cedars of Eden as the most[Pg 101] beautiful of Lebanon. The Arabs of all sects have a traditional veneration for them. They attribute to these trees, not only a vegetative force that gives them eternal life, but even a soul that makes them give signs of wisdom, of foresight, similar to those of instinct in animals and intelligence in men. They know the seasons in advance; they move their enormous branches like human limbs, they spread or contract their boughs, they raise their branches towards the sky or incline them to the earth, according as the snow is preparing to fall or to melt. They are divine beings under the form of trees. They grow on this single spot of the mounts of Lebanon; they take root far beyond the region where all prolific vegetation dies. All this strikes the imagination of the Oriental people with astonishment, and I do not know that science is not even more astonished. Alas! however, Basan languishes and Carmel and the flower of Lebanon fade.—These trees diminish every century. Travellers formerly counted thirty or forty, later seventeen, and still later, about a dozen.—There are now only seven of those whose massive forms can presume to be contemporaneous with Biblical times. Around these old memorials of past ages, which know the history of the ground better than history herself, and which could tell us, if they could speak, of many empires, religions, and vanished human races, there remains still a little forest of cedars more yellow it appears to me than a group of four or five hundred trees or shrubs. Each year in the month of June the population of Beschieraï, Eden, and Kanobin, and all the villages of the neighbouring valleys, ascend to the cedars[Pg 102] and celebrate mass at their feet. How many prayers have resounded beneath their branches! And what more beautiful temple, what nearer altar than the sky! What more majestic and holier daïs than the highest plateau of Lebanon, the trunks of the cedars and the sacred boughs that have shaded and that will still shade so many human generations pronouncing differently the name of God, but who recognize him everywhere in his works and adore him in his manifestations of nature! And I, I also prayed in the presence of those trees. The harmonious wind that resounded through their sonorous branches played in my hair and froze upon my eyelids those tears of sorrow and adoration.
These trees are the most famous natural monuments in the entire universe. They have been honored by religion, poetry, and history. Holy Scriptures celebrate them in multiple instances. They are a favorite imagery used by prophets. Solomon wanted to dedicate them—surely because of their well-known grandeur and sanctity during this time—to adorn the temple he built for the one God. These were definitely the trees; Ezekiel referred to the cedars of Eden as the most beautiful of Lebanon. Arabs from all sects have a deep respect for them. They believe these trees possess not only a life force that grants them eternal existence but also a soul that gives them signs of wisdom and foresight, similar to animal instincts and human intelligence. They seem to know the changing seasons; they move their massive branches like human arms, spreading or contracting their limbs, lifting them towards the sky or tilting them towards the ground, depending on whether snow is about to fall or melt. They are divine beings in the shape of trees. They grow in this one location on the mountains of Lebanon, rooting far beyond where any other fruitful vegetation can thrive. This captivates the imagination of the people of the East, and I suspect that science finds it equally astonishing. Unfortunately, though, Bashan languishes, and Carmel and the flowers of Lebanon wither away.—These trees diminish with each passing century. Travelers once counted thirty or forty, later just seventeen, and eventually only about a dozen.—Now there are only seven that can claim to be contemporaneous with Biblical times. Surrounding these ancient witnesses of the past, who know the land’s history better than history itself, and could narrate tales of many empires, religions, and lost human races if they could speak, remains a small forest of cedars, appearing more yellow to me than a group of four or five hundred trees or shrubs. Each year in June, the people of Beschieraï, Eden, Kanobin, and all the villages in the nearby valleys travel up to the cedars and hold mass at their feet. How many prayers have echoed beneath their branches! And what more beautiful temple, what nearer altar than the sky! What more majestic and holier platform than the highest plateau of Lebanon, the trunks of the cedars, and the sacred branches that have shaded and will continue to shade so many generations of humans who may pronounce the name of God differently, but recognize Him everywhere in His creations and worship Him in the wonders of nature! And I, too, prayed in the presence of those trees. The gentle wind that flowed through their resonant branches played with my hair and froze those tears of sorrow and adoration on my eyelids.
Voyage en Orient (Paris, 1843).
Journey to the East (Paris, 1843).
[Pg 103]
[Pg 103]
THE GIANT’S CAUSEWAY
(IRELAND)
(IRELAND)
WILLIAM MAKEPEACE THACKERAY
William Makepeace Thackeray
The road to the Causeway is bleak, wild, and hilly.
The road to the Causeway is rough, untamed, and steep.
The cabins along the road are scarcely better than those of Kerry, the inmates as ragged, and more fierce and dark-looking. I never was so pestered by juvenile beggars as in the dismal village of Ballintoy. A crowd of them rushed after the car, calling for money in a fierce manner, as if it was their right; dogs as fierce as the children came yelling after the vehicle; and the faces which scowled out of the black cabins were not a whit more good-humoured. We passed by one or two more clumps of cabins, with their turf and corn-stacks lying together at the foot of the hills; placed there for the convenience of the children, doubtless, who can thus accompany the car either way, and shriek out their “Bonny gantleman, gi’e us a ha’p’ny.” A couple of churches, one with a pair of its pinnacles blown off, stood in the dismal open country, and a gentleman’s house here and there: there were no trees about them, but a brown grass round about—hills rising and falling in front, and the sea beyond. The occasional view of the coast was noble; wild Bengore towering eastwards as we went along; Raghery Island before us, in the steep rocks and caves of which Bruce took shelter when driven from yonder Scottish coast, that one sees stretching blue in the northeast.
The cabins along the road are barely better than those in Kerry, with the residents looking just as ragged, but more intense and dark. I’ve never been bothered by so many child beggars as in the gloomy village of Ballintoy. A crowd of them ran after the car, demanding money fiercely, as if it were their right; dogs as aggressive as the kids barked after the vehicle; and the faces peering out from the black cabins weren’t any friendlier. We passed a few more clusters of cabins, with their stacks of turf and corn lying together at the base of the hills; they were probably placed there for the convenience of the children, who could then keep up with the car and shout their "Bonny gentleman, give us a penny." A couple of churches, one with its steeple missing, stood in the bleak open countryside, along with a few gentlemen’s houses: there were no trees around, just brown grass—and hills rising and falling in front, with the sea beyond. The occasional view of the coast was stunning; wild Bengore loomed to the east as we traveled; Raghery Island was ahead of us, with its steep rocks and caves where Bruce found refuge when he was driven from that Scottish coast, stretching blue in the northeast.
[Pg 104]
[Pg 104]
I think this wild gloomy tract through which one passes is a good prelude for what is to be the great sight of the day, and got my mind to a proper state of awe by the time we were near the journey’s end. Turning away shorewards by the fine house of Sir Francis Macnaghten, I went towards a lone handsome inn, that stands close to the Causeway. The landlord at Ballycastle had lent me Hamilton’s book to read on the road; but I had not time then to read more than half-a-dozen pages of it. They described how the author, a clergyman distinguished as a man of science, had been thrust out of a friend’s house by the frightened servants one wild night, and butchered by some Whiteboys who were waiting outside and called for his blood. I had been told at Belfast that there was a corpse in the inn: was it there now? It had driven off, the car-boy said, “in a handsome hearse and four to Dublin the whole way.” It was gone, but I thought the house looked as if the ghost was there. See, yonder are the black rocks stretching to Portrush: how leaden and grey the sea looks! how grey and leaden the sky! You hear the waters rushing evermore, as they have done since the beginning of the world. The car drives us with a dismal grinding noise of the wheels to the big lone house: there’s no smoke in the chimneys; the doors are locked. Three savage-looking men rush after the car: are they the men who took out Mr. Hamilton—took him out and butchered him in the moonlight? Is everybody, I wonder, dead in that big house? Will they let us in before those men are up? Out comes a pretty smiling girl, with a curtsey, just as the savages are[Pg 105] at the car, and you are ushered into a very comfortable room; and the men turn out to be guides. Well, thank Heaven it’s no worse! I had fifteen pounds still left; and, when desperate, have no doubt should fight like a lion.
I think this wild, gloomy area you pass through makes for a great introduction to the main attraction of the day and puts me in the right mindset of awe by the time we get close to the end of our journey. Turning back towards the coast by the nice house of Sir Francis Macnaghten, I headed for a lonely, handsome inn that’s right by the Causeway. The landlord at Ballycastle had lent me Hamilton’s book to read on the way; but I only had time to get through about half a dozen pages. It talked about how the author, a clergyman known for his scientific knowledge, had been chased out of a friend’s house by terrified servants one stormy night and then murdered by some Whiteboys waiting outside who were calling for his blood. I had heard in Belfast that there was a corpse at the inn: was it still there? The car-boy said it had left "in a fine hearse and four to Dublin the whole way." It was gone, but I felt like the place looked haunted. Look over there at the black rocks stretching towards Portrush: the sea looks so dull and gray! And the sky too! You can hear the water rushing endlessly, just like it has since the start of time. The car drives us with a grim grinding noise of the wheels to the large, lonely house: there’s no smoke coming from the chimneys; the doors are locked. Three fierce-looking men rush after the car: are they the ones who took Mr. Hamilton—took him out and killed him under the moonlight? I wonder if everyone in that big house is dead? Will they let us in before those men arrive? Just then, a pretty smiling girl comes out, curtsying as the savage-looking men reach the car, and she leads us into a really cozy room; it turns out the men are guides. Well, thank goodness it’s nothing worse! I still had fifteen pounds left; and in desperate times, I have no doubt I would fight like a lion.

THE GIANT’S LOOM, GIANT’S CAUSEWAY.
The Giant’s Causeway.
The traveller no sooner issues from the inn by a back door, which he is informed will lead him straight to the Causeway, than the guides pounce upon him, with a dozen rough boatmen who are likewise lying in wait; and a crew of shrill beggar-boys, with boxes of spars, ready to tear him and each other to pieces seemingly, yell and bawl incessantly round him. “I’m the guide Miss Henry recommends,” shouts one. “I’m Mr. Macdonald’s guide,” pushes in another. “This way,” roars a third, and drags his prey down a precipice; the rest of them clambering and quarrelling after. I had no friends; I was perfectly helpless. I wanted to walk down to the shore by myself, but they would not let me, and I had nothing for it but to yield myself into the hands of the guide who had seized me, who hurried me down the steep to a little wild bay, flanked on each side by rugged cliffs and rocks, against which the waters came tumbling, frothing, and roaring furiously. Upon some of these black rocks two or three boats were lying: four men seized a boat, pushed it shouting into the water, and ravished me into it. We had slid between two rocks, where the channel came gurgling in: we were up one swelling wave that came in a huge advancing body ten feet above us, and were plunging madly down another (the descent causes a sensation in the lower regions of the stomach which it is not at all necessary here[Pg 106] to describe), before I had leisure to ask myself why the deuce I was in that boat, with four rowers hurrooing and bounding madly from one liquid mountain to another—four rowers whom I was bound to pay. I say, the query came qualmishly across me why the devil I was there, and why not walking calmly on the shore.
The traveler barely steps out of the inn through a back door, which he's told will take him straight to the Causeway, when the guides descend on him, accompanied by a dozen rough boatmen who are also waiting around; a group of noisy beggar boys, with boxes of stuff, seem ready to tear each other apart, yelling and shouting nonstop around him. “I’m the guide Miss Henry recommends,” yells one. “I’m Mr. Macdonald’s guide,” another chimes in. “This way,” roars a third, dragging him down a cliff, while the others clamber and shout after them. I had no allies; I was completely helpless. I wanted to walk down to the shore by myself, but they wouldn't let me, so I had no choice but to give in to the guide who grabbed me, who rushed me down the steep path to a little wild bay, surrounded on both sides by rugged cliffs and rocks, against which the waters crashed and roared violently. On some of these dark rocks, two or three boats were resting: four men grabbed a boat, pushed it into the water while shouting, and pulled me into it. We slipped between two rocks, where the current flowed in: we rose up on a massive wave that surged toward us, towering ten feet above, and then plunged down another (the drop creates a sensation in the pit of the stomach that doesn't need to be described here[Pg 106]), before I had a moment to wonder why the heck I was in that boat, with four rowers bouncing wildly from one wave to another—four rowers I was obligated to pay. I mean, the thought crossed my mind, uncomfortably, why I was there, instead of just walking calmly along the shore.
The guide began pouring his professional jargon into my ears. “Every one of them bays,” says he, “has a name (take my place, and the spray won’t come over you): that is Port Noffer, and the next, Port na Gange; them rocks is the Stookawns (for every rock has its name as well as every bay); and yonder—give way, my boys,—hurray, we’re over it now: has it wet you much, sir?—that’s a little cave: it goes five hundred feet under ground, and the boats goes into it easy of a calm day.”
The guide started filling my ears with his professional jargon. “Every one of those bays,” he said, “has a name (if you take my spot, you won’t get splashed): that’s Port Noffer, and the next one is Port na Gange; those rocks are the Stookawns (because every rock has a name just like every bay); and over there—watch out, guys—whoa, we made it past it now: did that get you wet, sir?—that’s a little cave: it goes five hundred feet underground, and boats can easily go into it on a calm day.”
“Is it a fine day or a rough one now?” said I; the internal disturbance going on with more severity than ever.
“Is it a nice day or a bad one now?” I asked, feeling the inner turmoil raging harder than ever.
“It’s betwixt and between; or, I may say, neither one nor the other. Sit up, sir. Look at the entrance of the cave. Don’t be afraid, sir; never has an accident happened in any one of these boats, and the most delicate ladies has rode in them on rougher days than this. Now, boys, pull to the big cave. That, sir, is six hundred and sixty yards in length, though some say it goes for miles inland, where the people sleeping in their houses hear the waters roaring under them.”
“It’s in between; or, I could say, neither one nor the other. Sit up, sir. Look at the entrance of the cave. Don’t be afraid, sir; nothing has ever happened in any of these boats, and even the most delicate ladies have ridden in them on rougher days than this. Now, boys, row to the big cave. That, sir, is six hundred and sixty yards long, though some say it goes for miles inland, where the people sleeping in their houses can hear the water roaring underneath them.”
The water was tossing and tumbling into the mouth of the little cave. I looked,—for the guide would not let me alone till I did,—and saw what might be expected: a black[Pg 107] hole of some forty feet high, into which it was no more possible to see than into a millstone. “For Heaven’s sake, sir,” says I, “if you’ve no particular wish to see the mouth of the big cave, put about and let us see the Causeway and get ashore.” This was done, the guide meanwhile telling some story of a ship of the Spanish Armada having fired her guns at two peaks of rock, then visible, which the crew mistook for chimney-pots—what benighted fools these Spanish Armadilloes must have been; it is easier to see a rock than a chimney-pot; it is easy to know that chimney-pots do not grow on rocks.—“But where, if you please, is the Causeway?”
The water was crashing and swirling into the entrance of the little cave. I looked—because the guide wouldn’t leave me alone until I did—and saw what I expected: a dark[Pg 107] hole about forty feet high, into which it was impossible to see, much like looking into a millstone. “For heaven’s sake, sir,” I said, “if you don't really want to see the entrance of the big cave, let’s turn around and check out the Causeway and get back to shore.” This was done, while the guide told some story about a ship from the Spanish Armada firing its cannons at two visible rock peaks, which the crew mistook for chimney pots—what clueless fools those Spanish Armadillos must have been; it’s easier to spot a rock than a chimney pot; you know chimney pots don’t grow on rocks. —“But where, if you don’t mind me asking, is the Causeway?”
“That’s the Causeway before you,” says the guide.
"That's the Causeway in front of you," says the guide.
“Which?”
“Which one?”
“That pier which you see jutting out into the bay right ahead.”
“That pier you see extending out into the bay straight ahead.”
“Mon dieu! and have I travelled a hundred and fifty miles to see that?”
“My God! and have I traveled a hundred and fifty miles to see that?”
I declare, upon my conscience, the barge moored at Hungerford Market is a more majestic object, and seems to occupy as much space. As for telling a man that the Causeway is merely a part of the sight; that he is there for the purpose of examining the surrounding scenery; that if he looks to the westward he will see Portrush and Donegal Head before him; that the cliffs immediately in his front are green in some places, black in others, interspersed with blotches of brown and streaks of verdure;—what is all this to a lonely individual lying sick in a boat, between two immense waves that only give him momentary glimpses of the[Pg 108] land in question, to show that it is frightfully near, and yet you are an hour from it? They won’t let you go away—that cursed guide will tell out his stock of legends and stories. The boatmen insist upon your looking at boxes of “specimens,” which you must buy of them; they laugh as you grow paler and paler; they offer you more and more “specimens”; even the dirty lad who pulls number three, and is not allowed by his comrades to speak, puts in his oar, and hands you over a piece of Irish diamond (it looks like half-sucked alicompayne), and scorns you. “Hurry, lads, now for it, give way!” how the oars do hurtle in the rowlocks, as the boat goes up an aqueous mountain, and then down into one of those cursed maritime valleys where there is no rest as on shore!
I swear, on my conscience, the barge docked at Hungerford Market is a more impressive sight and seems to take up just as much space. Telling a guy that the Causeway is just part of the view, that he’s meant to check out the scenery around him, that if he looks west he’ll see Portrush and Donegal Head ahead of him, that the cliffs right in front of him are green in some spots, black in others, mixed with patches of brown and streaks of green grass—what does that all mean to a lonely person lying sick in a boat, caught between two enormous waves that only allow him brief looks at the[Pg 108] land that’s maddeningly close, and yet you’re still an hour away? They won’t let you leave—that cursed guide will go on about his stock of legends and tales. The boatmen insist on showing you boxes of “specimens” that you have to buy from them; they laugh as you get paler and paler; they keep offering you more and more “specimens”; even the dirty kid who rows number three, and isn’t allowed to talk by his friends, chips in, handing you a piece of Irish diamond (it looks like a half-chewed piece of candy) and looks down on you. “Come on, guys, let’s go, row!” the oars clash in the locks as the boat climbs up a watery mountain and then drops down into one of those cursed sea valleys where you can’t find any rest like you do on land!
At last, after they had pulled me enough about, and sold me all the boxes of specimens, I was permitted to land at the spot whence we set out, and whence, though we had been rowing for an hour, we had never been above five hundred yards distant. Let all cockneys take warning from this; let the solitary one caught issuing from the back door of the hotel, shout at once to the boatmen to be gone—that he will have none of them. Let him, at any rate, go first down to the water to determine whether it be smooth enough to allow him to take any decent pleasure by riding on its surface. For after all, it must be remembered that it is pleasure we come for—that we are not obliged to take those boats.—Well, well! I paid ten shillings for mine, and ten minutes after would cheerfully have paid five pounds to be allowed to quit it; it was no hard bargain after all.[Pg 109] As for the boxes of spar and specimens, I at once, being on terra firma, broke my promise, and said I would see them all—first. It is wrong to swear, I know; but sometimes it relieves one so much!
At last, after they had tugged me around enough and sold me all the boxes of samples, I was finally allowed to land at the place we set off from, which, despite rowing for an hour, we had never been more than five hundred yards away from. Let all city dwellers take note of this; if a lone person is caught coming out of the back door of the hotel, they should shout to the boatmen to leave—that they want nothing to do with them. At the very least, they should check the water first to see if it’s calm enough for a decent ride on its surface. After all, we came for enjoyment—not that we’re required to take those boats. Well, well! I paid ten shillings for mine, and just ten minutes later I would happily have paid five pounds to get off it; it wasn’t a bad deal after all.[Pg 109] As for the boxes of spar and samples, as soon as I was on solid ground, I broke my promise and said I would look at them all—first. I know it’s wrong to swear, but sometimes it really helps!

THE KEYSTONE, GIANT’S CAUSEWAY.
The Keystone, Giant's Causeway.
The first act on shore was to make a sacrifice to Sanctissima Tellus; offering up to her a neat and becoming Taglioni coat, bought for a guinea in Covent Garden only three months back. I sprawled on my back on the smoothest of rocks that is, and tore the elbows to pieces: the guide picked me up; the boatman did not stir, for they had their will of me; the guide alone picked me up, I say, and bade me follow him. We went across a boggy ground in one of the little bays, round which rise the green walls of the cliff, terminated on either side by a black crag, and the line of the shore washed by the poluphloisboiotic, nay the poluphloisboiotatotic sea. Two beggars stepped over the bog after us howling for money, and each holding up a cursed box of specimens. No oaths, threats, entreaties, would drive these vermin away; for some time the whole scene had been spoiled by the incessant and abominable jargon of them, the boatmen, and the guides. I was obliged to give them money to be left in quiet, and if, as no doubt will be the case, the Giant’s Causeway shall be a still greater resort of travellers than ever, the county must put policemen on the rocks to keep the beggars away, or fling them in the water when they appear.
The first thing we did on shore was make a sacrifice to Sanctissima Tellus; we offered her a stylish Taglioni coat that I bought for a guinea at Covent Garden just three months ago. I laid back on the smoothest rock and ended up tearing the elbows of the coat to shreds. The guide picked me up; the boatman didn’t move because they had their way with me; it was only the guide who helped me up and told me to follow him. We walked across a muddy area in one of the little bays, surrounded by the green cliffs, with a black crag on either side, and the shoreline washed by the lively, bustling sea. Two beggars followed us across the mud, begging for money, each holding a cursed specimen box. No amount of cursing, threatening, or pleading could make them go away; the whole scene was marred by their constant, dreadful chatter mixed with that of the boatmen and guides. I had to give them money just to be left in peace, and if, as I’m sure will happen, the Giant’s Causeway becomes an even bigger tourist spot than before, the county will need to put policemen on the rocks to keep the beggars away or toss them in the water when they show up.
And now, by force of money, having got rid of the sea and land beggars, you are at liberty to examine at your leisure the wonders of the place. There is not the least[Pg 110] need for a guide to attend the stranger, unless the latter have a mind to listen to a parcel of legends, which may be well from the mouth of a wild simple peasant who believes in his tales, but are odious from a dullard who narrates them at the rate of sixpence a lie. Fee him and the other beggars, and at last you are left tranquil to look at the strange scene with your own eyes, and enjoy your own thoughts at leisure.
And now, thanks to your wealth, having gotten rid of the beggars on land and at sea, you can take your time exploring the wonders of the place. There's absolutely no need for a guide unless you want to hear a collection of stories, which might be nice coming from a simple, naive peasant who believes in them, but are annoying when told by a dullard who charges you a penny for each lie. Pay him and the other beggars, and finally, you can relax and take in the unique scenery with your own eyes, enjoying your thoughts at your own pace.
That is, if the thoughts awakened by such a scene may be called enjoyment; but for me, I confess, they are too near akin to fear to be pleasant; and I don’t know that I would desire to change that sensation of awe and terror which the hour’s walk occasioned, for a greater familiarity with this wild, sad, lonely place. The solitude is awful. I can’t understand how those chattering guides dare to lift up their voices here, and cry for money.
That is, if we can call the feelings stirred by such a scene enjoyment; but honestly, for me, they feel too much like fear to be enjoyable. I’m not sure I would want to trade that sense of awe and terror I felt during the walk for a more comfortable familiarity with this wild, sad, lonely place. The solitude is intense. I just can't comprehend how those chattering guides have the nerve to raise their voices here and ask for money.
It looks like the beginning of the world, somehow: the sea looks older than in other places, the hills and rocks strange, and formed differently from other rocks and hills—as those vast dubious monsters were formed who possessed the earth before man. The hilltops are shattered into a thousand cragged fantastical shapes; the water comes swelling into scores of little strange creeks, or goes off with a leap, roaring into those mysterious caves yonder, which penetrate who knows how far into our common world. The savage rock-sides are painted of a hundred colours. Does the sun ever shine here? When the world was moulded and fashioned out of formless chaos, this must have been the bit over—a remnant of chaos! Think[Pg 111] of that!—it is a tailor’s simile. Well, I am a cockney: I wish I were in Pall Mall! Yonder is a kelp-burner: a lurid smoke from his burning kelp rises up to the leaden sky, and he looks as naked and fierce as Cain. Bubbling up out of the rocks at the very brim of the sea rises a little crystal spring: how comes it there? and there is an old grey hag beside, who has been there for hundreds and hundreds of years, and there sits and sells whisky at the extremity of creation! How do you dare to sell whisky there, old woman? Did you serve old Saturn with a glass when he lay along the Causeway here? In reply, she says, she has no change for a shilling: she never has; but her whisky is good.
It feels like the start of the world somehow: the sea looks older than anywhere else, the hills and rocks are strangely shaped, different from other rocks and hills—as if those massive, mysterious monsters shaped the earth long before humans arrived. The hilltops are shattered into a thousand jagged, fantastical shapes; the water fills various odd little creeks or rushes off with a leap, roaring into those mysterious caves over there, which go deep into who knows where in our shared world. The rugged rock faces are painted in a hundred colors. Does the sun ever shine here? When the world was sculpted and formed from formless chaos, this must have been the leftover—a remnant of chaos! Just think of that!—it's a tailor’s metaphor. Well, I’m a city dweller: I wish I were in Pall Mall! Over there is a kelp-burner: a sickly smoke from his burning kelp rises to the gray sky, and he looks as bare and fierce as Cain. Bubbling up from the rocks right at the edge of the sea is a little crystal spring: how did it end up there? And there’s an old gray woman beside it, who has been there for hundreds and hundreds of years, selling whisky at the edge of the world! How do you dare to sell whisky there, old woman? Did you serve old Saturn a drink when he lay along the Causeway here? In response, she says she has no change for a shilling: she never does; but her whisky is good.
This is not a description of the Giant’s Causeway (as some clever critic will remark), but of a Londoner there, who is by no means so interesting an object as the natural curiosity in question. That single hint is sufficient; I have not a word more to say. “If,” says he, “you cannot describe the scene lying before us—if you cannot state from your personal observation that the number of basaltic pillars composing the Causeway has been computed at about forty thousand, which vary in diameter, their surface presenting the appearance of a tesselated pavement of polygonal stones—that each pillar is formed of several distinct joints, the convex end of the one being accurately fitted in the concave of the next, and the length of the joints varying from five feet to four inches—that although the pillars are polygonal, there is but one of three sides in the whole forty thousand (think of that!), but three of nine[Pg 112] sides, and that it may be safely computed that ninety-nine out of one hundred pillars have either five, six, or seven sides; if you cannot state something useful, you had much better, sir, retire and get your dinner.”
This isn't a description of the Giant’s Causeway (as some smart critic might point out), but about a Londoner who isn’t nearly as interesting as the natural wonder itself. That little hint is enough; I have nothing more to add. “If,” he says, “you can’t describe the scene in front of us—if you can’t say from what you've personally seen that the number of basalt columns making up the Causeway is estimated at around forty thousand, varying in diameter, with their surfaces looking like a tiled floor of polygonal stones—that each column is made up of several distinct joints, with the rounded end of one fitting perfectly into the hollow of the next, and the lengths of the joints ranging from five feet to four inches—that although the columns are polygonal, there’s only one with three sides among the whole forty thousand (just think about that!), but three with nine sides, and that it can be safely estimated that ninety-nine out of every hundred columns have either five, six, or seven sides; if you can’t share anything useful, you’d be better off, sir, going to get your dinner.”
Never was summons more gladly obeyed. The dinner must be ready by this time; so, remain you, and look on at the awful scene, and copy it down in words if you can. If at the end of the trial you are dissatisfied with your skill as a painter, and find that the biggest of your words cannot render the hues and vastness of that tremendous swelling sea—of those lean solitary crags standing rigid along the shore, where they have been watching the ocean ever since it was made—of those grey towers of Dunluce standing upon a leaden rock, and looking as if some old old princess, of old old fairy times, were dragon-guarded within—of yon flat stretches of sand where the Scotch and Irish mermaids hold conference—come away, too, and prate no more about the scene! There is that in nature, dear Jenkins, which passes even our powers. We can feel the beauty of a magnificent landscape, perhaps: but we can describe a leg of mutton and turnips better. Come, then, this scene is for our betters to depict. If Mr. Tennyson were to come hither for a month, and brood over the place, he might, in some of those lofty heroic lines which the author of the Morte d’Arthur knows how to pile up, convey to the reader a sense of this gigantic desolate scene. What! you, too, are a poet? Well, then Jenkins, stay! but believe me, you had best take my advice, and come off.
Never was a summons more willingly followed. The dinner should be ready by now; so, stay and observe this dramatic scene, and try to describe it in words if you can. If at the end of the trial you’re unhappy with your skill as a painter and realize that your biggest words can’t capture the colors and vastness of that massive, swelling sea—those tall, solitary cliffs standing firm along the shore, watching over the ocean since its creation—those gray towers of Dunluce perched on a dull rock, looking as if an ancient princess from fairy tales is guarded by dragons within—those flat stretches of sand where the Scottish and Irish mermaids gather—then come away and stop talking about the scene! There’s something in nature, dear Jenkins, that goes beyond our abilities. We can appreciate the beauty of a breathtaking landscape, perhaps, but we can describe a leg of mutton and turnips better. So, let’s leave this scene to those who are more capable of depicting it. If Mr. Tennyson were to come here for a month and reflect on the place, he might, in some of those grand heroic lines that the author of the Morte d’Arthur knows how to create, give the reader a sense of this immense, desolate scene. What? You’re a poet too? Well then, Jenkins, stay! But trust me, you’d be better off taking my advice and leaving.
[Pg 113]
[Pg 113]
The Irish Sketch-Book (London, 1843).
The Irish Sketch-Book (London, 1843).
THE GREAT GLACIER OF THE SELKIRKS
(CANADA)
(CANADA)
DOUGLAS SLADEN
DOUGLAS SLADEN
If Banff represents the Rocky Mountains made easy, the Glacier House represents the Selkirks made easy—a much more notable performance, for these mountains had long been regarded as impassable by engineering. The Glacier House is a few miles beyond Rogers’ Pass, in the midst of the line’s greatest marvels of nature and engineering. Just before comes the monarch of snow sheds; just above the monarch of glaciers; just below the monarch of viaducts. The Great Glacier of the Selkirks comes to a conclusion within a couple of miles above it. The moraines and splintered forests at its foot tell a frightful tale of destruction, and the glacier advances every year; but only a few inches, so the hotel is safe for the present.
If Banff represents the Rocky Mountains made easy, the Glacier House signifies the Selkirks made easy—a much more impressive feat, as these mountains were long seen as impossible to cross through engineering. The Glacier House is located a few miles past Rogers' Pass, right in the midst of the line's most incredible natural and engineering wonders. Just before it stands the king of snow sheds; just above it is the king of glaciers; just below it is the king of viaducts. The Great Glacier of the Selkirks ends a couple of miles above it. The moraines and broken forests at its base tell a terrible story of destruction, and the glacier moves forward every year; but only by a few inches, so the hotel is safe for now.
The hotel is a pretty little châlet, mostly dining-room, with a trim, level lawn in front containing a fine fountain. Eighteen miles broad is the great Glacier of the Selkirks, one foot of which is planted so threateningly above the hotel and the railway station, that it looks as if it meant to stamp them out of existence with the stealth of a thief in the night.
The hotel is a charming little chalet, primarily a dining area, with a neat, flat lawn in front featuring a beautiful fountain. Eighteen miles wide is the massive Glacier of the Selkirks, one edge of which looms ominously above the hotel and the train station, making it seem like it intends to crush them into oblivion with the stealth of a thief in the night.
A marvellous and delightful walk it is from the hotel to the Glacier—at first through dry woods of fir and spruce,[Pg 114] and balsam and tamarack, carpeted, wherever the sun breaks through, with purple blueberries, wild raspberries, pigeon and salmon berries. Here you might meet a grizzly bear any minute. You pause, if you are only a man and a woman, on the lovers’ seat under the thousand-ton boulder hurled down by the Glacier in the childhood of the earth. Then you pass the fierce glacial torrent of grey-green water, so cold or charged with impurities that fish refuse to live in it, swelling, as all snow-fed rivers do, as the heat of a summer’s day waxes. Some of its pools are huge and deep; some of its falls and rapids as fierce as the cataract at Lorette, rounded boulders and splintered trunks everywhere attesting its fury. The path crosses and recrosses the river over bridges of tree-trunks, with smaller trunks loosely pinned across them, like the little straw mats in which cream cheeses are wrapped. As the path mounts, the scenery becomes more open, and you are greeted, according to the season, with Canada’s gorgeous lily or Canada’s prodigality of wild fruits; for you are in the track of the glacier and the avalanche, and in the death of the forest is the birth of blossoms and berries. All around you now is a scene of awful grandeur—boulders as big as settlers’ huts, and giant tree trunks, many of them blackened with fire, tossed together like the rubbish on a dust-heap, and, brooding over all, the great Glacier like a dragon crouching for the spring. One can hardly believe it is the Glacier; the transitions are so abrupt. A turn of a path brings you almost in contact with a piece of ice larger than any lake in the British Islands. From under its skirts[Pg 115] trickle tiny rills; a few feet below, the rills league themselves into a river. Even a first-class glacier is a disappointing affair if you go too close. Its blueness disappears, also its luminosity, except in crevasses deep enough to show you the pure heart of the ice. The surface is a dirty-looking mixture of ice and snow. There were two lovely horizontal crevasses, one so spacious and shining that it is called the Fairy Cavern. The pleasure of standing in them is spoilt, because they look all the time as if they were going to close on you. At another foot of the Glacier there are immense moraines, looking like the earthworks of Dover Castle. I examined them one October day when I went with a guide to the top of the Glacier, eight thousand feet above sea-level, to see the splendid Glacier-girdled head of Mount Fox on the other side of the abyss.
It's a stunning and enjoyable walk from the hotel to the Glacier—first through dry forests of fir and spruce, along with balsam and tamarack, dotted with purple blueberries, wild raspberries, and pigeon and salmon berries wherever the sun breaks through. You might spot a grizzly bear at any moment. If you're just a couple, you’ll stop for a moment on the lovers’ seat beneath the huge boulder thrown down by the Glacier in the earth's early days. Then you’ll cross the fierce glacial torrent of grey-green water, so cold and murky that fish won’t live in it, swelling, as all snow-fed rivers do, with the heat of a summer day. Some pools are massive and deep; some falls and rapids are as intense as the cataract at Lorette, with rounded boulders and splintered trunks everywhere showing its power. The path goes back and forth across the river over bridges made of tree trunks, with smaller trunks loosely pinned across them, like the little straw mats used to wrap cream cheese. As the path climbs, the scenery opens up, and you’ll be greeted, depending on the season, with Canada’s beautiful lilies or an abundance of wild fruits; you’re following the path of the glacier and the avalanche, where the forest’s death gives rise to blossoms and berries. All around you is a scene of overwhelming beauty—boulders as large as settler huts, and giant tree trunks, many burnt black, tossed together like scraps on a dump, with the massive Glacier looming above like a dragon poised to spring. It’s hard to believe it's the Glacier; the changes are so sudden. A turn in the path brings you almost right next to a piece of ice larger than any lake in the British Isles. From its edges trickle tiny streams; a few feet below, those streams unite into a river. Even a top-tier glacier can be underwhelming if you get too close. Its blueness fades, and so does its brightness, except in deep crevasses that reveal the clean heart of the ice. The surface looks like a dirty mix of ice and snow. There were two beautiful horizontal crevasses, one so large and bright it’s called the Fairy Cavern. The joy of standing in them is ruined because they always seem like they’re about to close in on you. At another part of the Glacier, there are huge moraines that resemble the earthworks of Dover Castle. I explored them one October day when I went with a guide to the top of the Glacier, eight thousand feet above sea level, to see the magnificent Glacier-surrounded peak of Mount Fox on the other side of the chasm.
I never intend to do any more mountain climbing through deep, fresh snow. For the last hour or two of the ascent the snow was as deep as one’s thighs at every step, and though the guide was towing me by a rope tied round my waist, it was intolerably wearisome. To begin with, he had to sound with his staff at every step and see that we were on terra firma, and not on the soufflet of a crevasse; and though there had been such a snowfall the night before, the sun was as hot as summer overhead. The sight was worth doing once, with the miles and miles of the sea of ice all round one, and the long white slopes of virgin snow.
I never plan to go mountain climbing through deep, fresh snow again. For the last hour or two of the climb, the snow was as deep as my thighs with every step, and even though the guide was pulling me with a rope tied around my waist, it was unbelievably tiring. To start, he had to check with his staff at every step to ensure we were on solid ground and not on the edge of a crevasse. Despite the heavy snowfall the night before, the sun was blazing down like it was summer. The view was worth it once, with endless miles of ice all around and the long white slopes of untouched snow.
If it had not been for the aggressive visage of Mount Fox, it would have answered to the description of the interior[Pg 116] of Greenland given me by Dr. Nansen, where the world consists of yourselves, the sun, and the snow. We started at eight o’clock in the morning, but in some way or other I was not quite as rapid as the guide had calculated, for a couple of hours before nightfall he began to get excited, if not alarmed. We were at the time clear of the deep snow, and muddling about in a mixture of drifts and moraines; but after dark he was not sure of his way until we struck the path at the foot of the Glacier....
If it hadn't been for the imposing sight of Mount Fox, it would have matched the description of the interior of Greenland that Dr. Nansen gave me, where it’s just you, the sun, and the snow. We set off at eight in the morning, but somehow I wasn't moving as quickly as the guide had expected. A couple of hours before nightfall, he started to get anxious, if not a bit worried. At that time, we were out of the deep snow and stumbling around in a mix of drifts and moraines. But after dark, he wasn't sure of his route until we found the path at the base of the Glacier....[Pg 116]
The Glacier House has not only its noble and easily accessible glacier; it is in the very heart of the finest mountain scenery in the Selkirks, which is so different to the scenery of the Rockies. The Canadian Rockies are blunt-topped fisty mountains, with knuckles of bare rock sticking out everywhere. The Selkirks are graceful pyramids and sharp sierras, up to their shoulders in magnificent forests of lofty pines. The trees on the Rockies are much smaller and poorer. Right above the hotel, to the left of the overhanging Glacier, is the bare steeple of Sir Donald, one of the monarchs of the range; Ross Peak and Cheops frown on the descent of the line to the Pacific; and the line of the Atlantic is guarded by the hundred pinnacles of the rifted mountain, formerly known as the Hermit, and now, with singular infelicity, re-christened, in an eponymous fit, Mount Tupper.
The Glacier House offers not just its impressive and easily reachable glacier; it's located right in the heart of some of the best mountain scenery in the Selkirks, which is quite different from the landscapes of the Rockies. The Canadian Rockies have blunt-topped, rugged mountains with chunks of bare rock jutting out everywhere. In contrast, the Selkirks are elegant pyramids and sharp ridges, surrounded by stunning forests filled with tall pines. The trees in the Rockies are much smaller and less vibrant. Just above the hotel, to the left of the overhanging Glacier, stands the bare peak of Sir Donald, one of the kings of the range. Ross Peak and Cheops loom over the path down to the Pacific, while the route to the Atlantic is watched over by the hundred peaks of the jagged mountain, formerly known as the Hermit and now, rather awkwardly named, Mount Tupper.

THE GREAT GLACIER OF THE SELKIRKS.
THE GREAT GLACIER OF THE SELKIRKS.
Sir Charles Tupper is one of Canada’s greatest men, but his name is more suitable for a great man than a great mountain, especially since there is a very perfect effect of a hermit and his dog formed by boulders near the top of[Pg 117] the mountain. The men in the railway camp have got over this difficulty with the doggerel:
Sir Charles Tupper is one of Canada’s greatest figures, but his name fits a great man better than a great mountain, especially since there's a perfect image of a hermit and his dog created by boulders near the top of[Pg 117] the mountain. The guys in the railway camp have dealt with this issue using some silly verses:
We made two long stays at the Glacier House, and I never enjoyed anything more in my life than the effect of the snug little châlet, with its velvety lawn, in the stronghold of the giant mountains, brought into touch with the great world twice a day by the trains east and west, which echoed their approach and departure miles on miles through the ranges.
We spent two long visits at the Glacier House, and I never enjoyed anything more in my life than the cozy little chalet, with its lush green lawn, nestled among the towering mountains, connected to the outside world twice daily by the trains going east and west, which echoed their arrivals and departures for miles through the ranges.
On the Cars and Off (London, 1895).
On the Cars and Off (London, 1895).
[Pg 118]
[Pg 118]
MAUNA LOA
(HAWAII)
Hawaii
LADY BRASSEY
LADY BRASSEY
At 6:30 A. M., we made the island of Hawaii, rather too much to leeward, as we had been carried by the strong current at least eighteen miles out of our course. We were therefore obliged to beat up to windward, in the course of which operation we passed a large bark running before the wind—the first ship we had seen since leaving Tahiti—and also a fine whale, blowing close to us. We could not see the high land in the centre of the island, owing to the mist in which it was enveloped, and there was great excitement and much speculation on board as to the principal points which were visible. At noon the observations taken proved that Tom was right in his opinion as to our exact position. The wind dropped as we approached the coast, where we could see the heavy surf dashing against the black lava cliffs, rushing up the little creeks, and throwing its spray in huge fountain-like jets high above the tall cocoanut-trees far inland.
At 6:30 A.M., we reached the island of Hawaii, but we were too far off to the side, as the strong current had pushed us at least eighteen miles off our intended path. So, we had to sail against the wind, during which we passed a large ship moving with the wind—the first one we had spotted since leaving Tahiti—and also a beautiful whale blowing nearby. We couldn’t see the high land in the middle of the island due to the mist surrounding it, and there was a lot of excitement and speculation on board about the main visible landmarks. At noon, the observations confirmed that Tom was correct about our exact location. The wind died down as we got closer to the coast, where we could see the powerful surf crashing against the black lava cliffs, rushing into the small creeks, and shooting its spray into high fountain-like jets well above the tall coconut trees further inland.
We sailed along close to the shore, and by two o’clock were near the entrance to the Bay of Hilo. In answer to our signal for a pilot, a boat came off with a man who said he knew the entrance to the harbour, but informed us that the proper pilot had gone to Honolulu on a pleasure trip.
We sailed closely along the shore and by two o’clock, we were near the entrance to Hilo Bay. In response to our request for a pilot, a boat arrived with a man who claimed he knew how to navigate the harbor entrance but told us that the official pilot had gone to Honolulu for a leisure trip.
[Pg 119]
[Pg 119]
It was a clear afternoon. The mountains, Mauna Kea and Mauna Loa, could be plainly seen from top to bottom, their giant crests rising nearly 14,000 feet above our heads, their tree and fern clad slopes seamed with deep gulches or ravines, down each of which a fertilizing river ran into the sea. Inside the reef, the white coral shore, on which the waves seemed too lazy to break, is fringed with a belt of cocoanut palms, amongst which, as well as on the hillsides, the little white houses are prettily dotted. All are surrounded by gardens, so full of flowers that the bright patches of colour were plainly visible even from the deck of the yacht. The harbour is large, and is exposed only to one bad wind, which is most prevalent during the winter months....
It was a clear afternoon. The mountains, Mauna Kea and Mauna Loa, were clearly visible from top to bottom, their massive peaks rising nearly 14,000 feet above us, with their slopes covered in trees and ferns, marked by deep gullies or ravines, each filled with a river that flowed into the sea. Inside the reef, the white coral shore, where the waves seemed too lazy to crash, is lined with a row of coconut palms, among which, as well as on the hillsides, little white houses are prettily scattered. All are surrounded by gardens so filled with flowers that the bright patches of color were easily seen even from the yacht deck. The harbor is large and only exposed to one problematic wind, which mostly occurs during the winter months....
It was half-past nine before we were all mounted and fairly off. The first part of our way lay along the flat ground, gay with bright scarlet Guernsey lilies, and shaded by cocoanut-trees, between the town and the sea. Then we struck off to the right, and soon left the town behind us, emerging into the open country. At a distance from the sea, Hilo looks as green as the Emerald Isle itself; but on a closer inspection the grass turns out to be coarse and dry, and many of the trees look scrubby and half dead. Except in the “gulches” and the deep holes, between the hills, the island is covered with lava, in many places of so recent a deposit that it has not yet had time to decompose, and there is consequently only a thin layer of soil on its surface. The soil being, however, very rich, vegetation flourishes luxuriantly for a time; but as soon as the roots[Pg 120] have penetrated a certain depth, and have come into contact with the lava, the trees wither up and perish, like the seed that fell on stony ground.
It was half-past nine before we were all saddled up and on our way. The first part of our journey was along the flat land, bright with vibrant scarlet Guernsey lilies and shaded by coconut trees, between the town and the sea. Then we turned right and soon left the town behind, entering the countryside. From a distance, Hilo looks as green as the Emerald Isle itself, but up close, the grass is coarse and dry, and many of the trees seem scraggly and half-dead. Except in the “gulches” and deep hollows between the hills, the island is covered with lava, in many places so recently deposited that it hasn’t had time to break down, leaving only a thin layer of soil on the surface. However, since the soil is very rich, vegetation grows abundantly for a while; but as soon as the roots[Pg 120] have reached a certain depth and touched the lava, the trees wither and die, like the seed that fell on rocky ground.
The ohia trees form a handsome feature in the landscape, with their thick stems, glossy foliage, and light crimson flowers. The fruit is a small, pink, waxy-looking apple, slightly acid, pleasant to the taste when you are thirsty. The candle-nut trees attain to a large size, and their light green foliage and white flowers have a very graceful appearance. Most of the foliage, however, is spoiled by a deposit of a black dust, not unlike what one sees on the leaves of a London garden. I do not know whether this is caused by the fumes of the not far-distant volcano, or whether it is some kind of mold or fungus.
The ohia trees are a beautiful part of the landscape, with their thick trunks, shiny leaves, and light crimson flowers. The fruit is a small, pink, waxy apple that is a bit tart and refreshing when you're thirsty. The candle-nut trees grow quite large, and their light green leaves and white flowers look very elegant. However, much of the foliage is marred by a layer of black dust, similar to what you see on the leaves of a garden in London. I'm not sure if this is due to the fumes from the nearby volcano or if it's some type of mold or fungus.
After riding about ten miles in the blazing sun we reached a forest, where the vegetation was quite tropical, though not so varied in its beauties as that of Brazil, or of the still more lovely South Sea Islands. There were ferns of various descriptions in the forest, and many fine trees, entwined, supported, or suffocated by numerous climbing plants, amongst which were blue and lilac convolvulus, and magnificent passion-flowers. The protection from the sun afforded by this dense mass of foliage was extremely grateful; but the air of the forest was close and stifling, and at the end of five miles we were glad to emerge once more into the open. The rest of the way lay over the hard lava, through a desert of scrubby vegetation, occasionally relieved by clumps of trees in hollows. More than once we had a fine view of the sea, stretching away into the far distance,[Pg 121] though it was sometimes mistaken for the bright blue sky, until the surf could be seen breaking upon the black rocks, amid the encircling groves of cocoanut-trees.
After riding about ten miles in the blazing sun, we reached a forest where the vegetation felt tropical, but it wasn’t as diverse in beauty as Brazil or the even more stunning South Sea Islands. The forest was filled with various ferns and many impressive trees, intertwined, supported, or suffocated by numerous climbing plants, including blue and lilac morning glories and stunning passion flowers. The thick canopy provided nice relief from the sun, but the air in the forest was humid and stifling, and after five miles, we were happy to step back into the open. The rest of the journey was over hard lava through a barren area with scraggly plants, occasionally brightened by clusters of trees in low areas. More than once, we enjoyed a great view of the sea stretching far into the distance,[Pg 121] sometimes confusing it with the bright blue sky until we could see the surf breaking against the black rocks surrounded by groves of coconut trees.
The sun shone fiercely at intervals, and the rain came down several times in torrents. The pace was slow, the road was dull and dreary, and many were the inquiries made for the “Half-way House,” long before we reached it.
The sun shone brightly at times, and the rain fell heavily several times. The pace was slow, the road was boring and gloomy, and there were many questions about the “Half-way House” long before we got there.
Directly we had finished our meal—about three o’clock—the guide came and tried to persuade us that, as the baggage mules had not yet arrived, it would be too late for us to go on to-day, and that we had better spend the night where we were, and start early in the morning. We did not, however, approve of this arrangement, so the horses were saddled, and leaving word that the baggage-mules were to follow us on as soon as possible, we mounted, and set off for the “Volcano House.” We had not gone far before we were again overtaken by a shower, which once more drenched us to the skin.
As soon as we finished our meal—around three o’clock—the guide came over and tried to convince us that, since the baggage mules hadn't arrived yet, it would be too late for us to continue today, and that we should spend the night where we were and leave early in the morning. However, we didn't agree with this plan, so the horses were saddled, and after leaving word for the baggage mules to follow us as soon as they could, we got on our horses and headed for the “Volcano House.” We hadn't gone far before we were caught in another shower, which once again soaked us to the skin.
The scene was certainly one of extreme beauty. The moon was hidden by a cloud, and the prospect lighted only by the red glare of the volcano, which hovered before and above us like the Israelites’ pillar of fire, giving us hope of a splendid spectacle when we should at last reach the long wished-for crater. Presently the moon shone forth again, and gleamed and glistened on the raindrops and silver grasses till they looked like fireflies and glowworms. When we emerged from the wood, we found ourselves at the very edge of the old crater, the bed of which, three or[Pg 122] four hundred feet beneath us, was surrounded by steep and in many places overhanging sides. It looked like an enormous caldron, four or five miles in width, full of a mass of coloured pitch. In the centre was the still glowing stream of dark red lava, flowing slowly towards us, and in every direction were red-hot patches, and flames and smoke issuing from the ground. A bit of the “black country” at night, with all the coal-heaps on fire, would give you some idea of the scene. Yet the first sensation is rather one of disappointment, as one expects greater activity on the part of the volcano; but the new crater was still to be seen, containing the lake of fire, with steep walls rising up in the midst of the sea of lava....
The scene was truly breathtaking. The moon was hidden behind a cloud, and the only light came from the red glow of the volcano, which hovered in front of us like the Israelites' pillar of fire, giving us hope for an incredible view when we finally reached the long-desired crater. Soon enough, the moon appeared again, shining and sparkling on the raindrops and silver grasses until they looked like fireflies and glowworms. When we stepped out of the woods, we found ourselves right at the edge of the old crater, its floor about three or four hundred feet below us, surrounded by steep, often overhanging walls. It resembled a massive cauldron, four or five miles wide, filled with a mass of colored pitch. In the center was a still glowing stream of dark red lava, slowly flowing toward us, with red-hot patches, flames, and smoke erupting from the ground all around. A bit of the “black country” at night, with all the coal heaps on fire, would give you an idea of what the scene looked like. Yet, the first feeling is somewhat disappointing since one expects more volcano activity; but the new crater was still visible, holding the lake of fire, with steep walls rising up in the middle of the sea of lava....
The grandeur of the view in the direction of the volcano increased as the evening wore on. The fiery cloud above the present crater augmented in size and depth of colour; the extinct crater glowed red in thirty or forty different places; and clouds of white vapour issued from every crack and crevice in the ground, adding to the sulphurous smell with which the atmosphere was laden. Our room faced the volcano: there were no blinds, and I drew back the curtains and lay watching the splendid scene until I fell asleep.
The magnificence of the view towards the volcano grew as the evening progressed. The fiery cloud above the active crater expanded in size and vibrant hues; the dormant crater shimmered red in thirty or forty spots; and clouds of white steam poured from every crack and crevice in the ground, contributing to the sulfurous scent that filled the air. Our room overlooked the volcano: there were no blinds, so I pulled back the curtains and lay there watching the stunning scene until I fell asleep.
Sunday, December 24th (Christmas Eve).
Sunday, December 24 (Christmas Eve).
I was up at four o’clock, to gaze once more on the wondrous spectacle that lay before me. The molten lava still flowed in many places, the red cloud over the fiery lake was bright as ever, and the stream was slowly ascending in every[Pg 123] direction, over hill and valley, till, as the sun rose, it became difficult to distinguish clearly the sulphurous vapours from the morning mists. We walked down to the Sulphur Banks, about a quarter of a mile from the “Volcano House,” and burned our gloves and boots in our endeavours to procure crystals, the beauty of which generally disappeared after a very short exposure to the air. We succeeded, however, in finding a few good specimens, and, by wrapping them at once in paper and cotton-wool and putting them into a bottle, hope to bring them home uninjured.
I got up at four o’clock to take another look at the amazing sight in front of me. The molten lava was still flowing in several areas, the red cloud over the fiery lake was as bright as ever, and the steam was slowly rising in every[Pg 123] direction, over hills and valleys, until, as the sun rose, it became hard to clearly tell the sulphurous vapors from the morning mist. We walked down to the Sulphur Banks, about a quarter of a mile from the “Volcano House,” and burned our gloves and boots in our attempts to collect crystals, which usually lose their beauty after just a short time exposed to the air. However, we did manage to find a few good specimens, and by wrapping them immediately in paper and cotton wool and putting them into a bottle, we hope to bring them back home safely.
On our return we found a gentleman who had just arrived from Kan, and who proposed to join us in our expedition to the crater, and at three o’clock in the afternoon we set out, a party of eight, with two guides, and three porters to carry our wraps and provisions, and to bring back specimens. Before leaving the inn the landlord came to us and begged us in an earnest and confidential manner to be very careful to do exactly what our guides told us, and especially to follow in their footsteps exactly when returning in the dark. He added: “There never has been an accident happen to anybody from my house, and I should feel real mean if one did: but there have been a power of narrow escapes.”
On our way back, we met a man who had just come from Kan and wanted to join us on our trip to the crater. At 3 PM, we set off as a group of eight, accompanied by two guides and three porters to carry our bags and supplies, as well as collect samples on the way back. Before we left the inn, the landlord approached us and earnestly asked us to be very careful to do exactly as our guides instructed, especially to follow in their footsteps closely when returning in the dark. He added, “There has never been an accident involving anyone from my place, and I would feel really terrible if there was one, but there have been plenty of close calls.”
First of all we descended the precipice, 300 feet in depth, forming the wall of the old crater, but now thickly covered with vegetation. It is so steep in many places that flights of zigzag wooden steps have been inserted in the face of the cliff in some places, in order to render the descent practicable. At the bottom we stepped straight on[Pg 124] to the surface of cold boiled lava, which we had seen from above last night. Even here, in every crevice where a few grains of soil had collected, delicate little ferns might be seen struggling for life, and thrusting out their green fronds towards the light. It was the most extraordinary walk imaginable over that vast plain of lava, twisted and distorted into every conceivable shape and form, according to the temperature it had originally attained, and the rapidity with which it had cooled, its surface, like half-molten glass, cracking and breaking beneath our feet. Sometimes we came to a patch that looked like the contents of a pot, suddenly petrified in the act of boiling; sometimes the black iridescent lava had assumed the form of waves, or more frequently of huge masses of rope, twisted and coiled together; sometimes it was piled up like a collection of organ-pipes, or had gathered into mounds and cones of various dimensions. As we proceeded the lava became hotter and hotter, and from every crack arose gaseous fumes, affecting our noses and throats in a painful manner; till at last, when we had to pass to leeward of the molten stream flowing from the lake, the vapours almost choked us, and it was with difficulty we continued to advance. The lava was more glassy and transparent-looking, as if it had been fused at a higher temperature than usual; and the crystals of sulphur, alum, and other minerals, with which it abounded, reflected the light in bright prismatic colours. In places it was quite transparent, and we could see beneath it the long streaks of a stringy kind of lava, like brown spun glass, called “Pélé’s hair.”
First, we went down the steep cliff, about 300 feet deep, which forms the wall of the old crater, now thickly covered with vegetation. In many spots, it’s so steep that zigzag wooden steps have been added to make the descent easier. At the bottom, we walked right onto the surface of cold, solidified lava, which we had seen from above last night. Even here, in every crack where a few bits of soil had gathered, delicate little ferns were struggling for survival, pushing their green fronds toward the light. It was the most amazing walk you could imagine over that vast lava plain, twisted and distorted into every shape imaginable, depending on the temperature it originally had and how quickly it cooled, its surface cracking and breaking beneath our feet like half-molten glass. Sometimes we came across patches that looked like the contents of a pot, suddenly frozen in the act of boiling; at times, the black, shiny lava formed waves or, more often, huge masses twisted like ropes; other times it was piled up like a collection of organ pipes or formed mounds and cones of various sizes. As we moved on, the lava grew hotter and hotter, and from every crack, noxious fumes rose, making our noses and throats hurt; finally, when we had to walk downwind of the molten stream flowing from the lake, the fumes nearly suffocated us, and it became very hard to keep going. The lava looked more glassy and transparent, as if it had melted at a higher temperature than usual, and the crystals of sulfur, alum, and other minerals reflecting bright, prismatic colors. In some areas, it was completely transparent, and we could see beneath it the long streaks of a stringy kind of lava, resembling brown spun glass, called “Pélé’s hair.”

LAVA CASCADE FLOW.
Lava flow cascade.
[Pg 125]
[Pg 125]
At last we reached the foot of the present crater, and commenced the ascent of the outer wall. Many times the thin crust gave way beneath our guide, and he had to retire quickly from the hot, blinding, choking fumes that immediately burst forth. But we succeeded in reaching the top; and then what a sight presented itself to our astonished eyes! I could neither speak nor move at first, but could only stand and gaze at the terrible grandeur of the scene.
At last, we got to the base of the current crater and started climbing the outer wall. Several times, the fragile surface gave way under our guide, forcing him to quickly back away from the hot, blinding, choking fumes that erupted right away. But we managed to reach the top; and what a sight unfolded before our amazed eyes! At first, I was so stunned that I could neither speak nor move, only stand there and stare at the overwhelming beauty of the scene.
We were standing on the extreme edge of the precipice, overhanging a lake of molten fire, a hundred feet below us, and nearly a mile across. Dashing against the cliffs on the opposite side, with a noise like the roar of a stormy ocean, waves of blood-red, fiery, liquid lava hurled their billows upon an iron-bound headland, and then rushed up the face of the cliffs to toss their gory spray high in the air. The restless, heaving lake boiled and bubbled, never remaining the same for two minutes together. Its normal colour seemed to be a dull, dark red, covered with a thin grey scum, which every moment and in every part swelled and cracked, and emitted fountains, cascades, and whirlpools of yellow and red fire, while sometimes one big golden river, sometimes four or five flowed across it. There was an island on one side of the lake, which the fiery waves seemed to attack unceasingly with relentless fury, as if bent on hurling it from its base. On the other side was a large cavern, into which the burning mass rushed with a loud roar, breaking down in its impetuous headlong career the gigantic stalactites that overhung the mouth of the cave, and flinging up the liquid material for the formation of fresh ones.
We were standing right on the edge of a cliff, hanging over a lake of molten fire a hundred feet below us, almost a mile wide. Waves of blood-red, fiery lava crashed against the cliffs across from us, making a noise like a stormy ocean, throwing their waves against a rocky headland and then surging up the cliffs, splashing their fiery spray high into the air. The restless lake boiled and bubbled, never staying the same for even two minutes. Its usual color was a dull, dark red, topped with a thin gray scum that swelled and cracked every moment, shooting up fountains, cascades, and whirlpools of yellow and red flames, with sometimes one big stream of gold and other times four or five flowing across it. There was an island on one side of the lake that the fiery waves seemed to relentlessly attack as if they wanted to throw it off its base. On the other side was a large cave where the burning lava rushed in with a loud roar, knocking down the massive stalactites hanging over the cave's entrance and sending up liquid material to form new ones.
[Pg 126]
[Pg 126]
It was all terribly grand, magnificently sublime; but no words could adequately describe such a scene. The precipice on which we were standing overhung the crater so much that it was impossible to see what was going on immediately beneath; but from the columns of smoke and vapour that arose, the flames and sparks that constantly drove us back from the edge, it was easy to imagine that there must have been two or three grand fiery fountains below. As the sun set, and the darkness enveloped the scene, it became more awful than ever. We retired a little way from the brink, to breathe some fresh air, and to try and eat the food we had brought with us; but this was an impossibility. Every instant a fresh explosion or glare made us jump up to survey the stupendous scene. The violent struggles of the lava to escape from its fiery bed, and the loud and awful noises by which they were at times accompanied, suggested the idea that some imprisoned monsters were trying to release themselves from their bondage with shrieks and groans, and cries of agony and despair, at the futility of their efforts.
It was all incredibly grand and breathtakingly beautiful; but no words could truly capture such a scene. The cliff we were standing on jutted out over the crater so much that we couldn't see what was happening right below us; but from the columns of smoke and vapor rising up, along with the flames and sparks constantly pushing us back from the edge, it was easy to imagine there were two or three magnificent fiery fountains below. As the sun set and darkness enveloped the area, it became even more terrifying. We moved away from the edge a bit to catch some fresh air and try to eat the food we had brought, but that turned out to be impossible. Every moment, a new explosion or flash would make us jump up to take in the incredible sight. The violent struggle of the lava trying to escape from its fiery resting place, along with the loud and terrifying sounds accompanying it, made it seem like some trapped monsters were trying to break free from their confinement, with screams and groans expressing the agony and despair of their futile efforts.
Sometimes there were at least seven spots on the borders of the lake where the molten lava dashed up furiously against the rocks—seven fire-fountains playing simultaneously. With the increasing darkness the colours emitted by the glowing mass became more and more wonderful, varying from the deepest jet-black to the palest grey, from darkest maroon through cherry and scarlet to the most delicate pink, violet, and blue; from the richest brown, through orange and yellow, to the lightest straw-colour. And there was yet another[Pg 127] shade, only describable by the term “molten-lava colour.” Even the smokes and vapours were rendered beautiful by their borrowed lights and tints, and the black peaks, pinnacles, and crags, which surrounded the amphitheatre, formed a splendid and appropriate background. Sometimes great pieces broke off and tumbled with a crash into the burning lake, only to be remelted and thrown up anew. I had for some time been feeling very hot and uncomfortable, and on looking round the cause was at once apparent. Not two inches beneath the surface, the grey lava on which we were standing and sitting was red-hot. A stick thrust through it caught fire, a piece of paper was immediately destroyed, and the gentlemen found the heat from the crevices so great that they could not approach near enough to light their pipes.
Sometimes there were at least seven spots around the edges of the lake where the molten lava surged fiercely against the rocks—seven fountains of fire erupting at the same time. As darkness fell, the colors emitted by the glowing mass became more and more stunning, shifting from deep jet-black to light gray, from dark maroon through cherry and scarlet to the most delicate pink, violet, and blue; from rich brown, through orange and yellow, to the lightest straw color. There was also another shade that could only be described as “molten-lava color.” Even the smoke and vapor looked beautiful with their borrowed lights and hues, and the black peaks, pinnacles, and crags surrounding the amphitheater created a magnificent and fitting backdrop. Occasionally, large chunks would break off and crash into the burning lake, only to melt again and be ejected anew. I had been feeling very hot and uncomfortable for a while, and when I looked around, the cause became instantly clear. Not even two inches below the surface, the gray lava we were standing and sitting on was red-hot. A stick thrust into it caught fire, a piece of paper was instantly burned, and the gentlemen found the heat from the crevices so intense that they couldn't get close enough to light their pipes.
One more last look, and then we turned our faces away from the scene that had enthralled us for so many hours. The whole of the lava we had crossed, in the extinct crater, was now aglow in many patches, and in all directions flames were bursting forth, fresh lava was flowing, and smoke and steam were issuing from the surface. It was a toilsome journey back again, walking as we did in single file, and obeying the strict injunctions of our head guide to follow him closely, and to tread exactly in his footsteps. On the whole it was easier by night than by day to distinguish the route to be taken, as we could now see the dangers that before we could only feel; and many were the fiery crevices we stepped over or jumped across. Once I slipped, and my foot sank through the thin crust. Sparks[Pg 128] issued from the ground, and the stick on which I leaned caught fire before I could fairly recover myself.
One last look, and then we turned away from the scene that had captivated us for so many hours. The entire area of lava we had crossed in the extinct crater was now glowing in patches, with flames bursting forth in every direction, fresh lava flowing, and smoke and steam rising from the surface. The journey back was tough, walking in single file and strictly following our head guide's instructions to stay close and step exactly in his footprints. Overall, it was easier to find our way at night than during the day, as we could now see the dangers we could only sense before; many fiery crevices we had to step over or jump across. Once, I slipped, and my foot broke through the thin crust. Sparks[Pg 128] flew from the ground, and the stick I was leaning on caught fire before I could fully regain my balance.
Monday, December 25th, (Christmas Day).
Monday, December 25 (Christmas Day).
Turning in last night was the work of a very few minutes, and this morning I awoke perfectly refreshed and ready to appreciate anew the wonders of the prospect that met my eyes. The pillar of fire was still distinctly visible, when I looked out from my window, though it was not so bright as when I had last seen it: but even as I looked it began to fade, and gradually disappeared. At the same moment a river of glowing lava issued from the side of the bank which we had climbed with so much difficulty yesterday, and slowly but surely overflowed the ground we had walked over. I woke Tom, and you may imagine the feelings with which we gazed upon this startling phenomenon, which, had it occurred a few hours earlier, might have caused the destruction of the whole party.
Going to bed last night took just a few minutes, and this morning I woke up completely refreshed, ready to take in the amazing view outside my window. The pillar of fire was still clearly visible, though not as bright as I remembered it: just as I was looking at it, it started to fade and gradually disappeared. At the same time, a river of glowing lava flowed from the side of the bank we had struggled to climb yesterday, slowly but surely covering the ground we had walked on. I woke Tom, and you can imagine how we felt as we watched this shocking phenomenon, which, if it had happened a few hours earlier, could have destroyed our entire group.
A Voyage in the Sunbeam (London, 1878).
A Voyage in the Sunbeam (London, 1878).
[Pg 129]
[Pg 129]
TROLLHÄTTA
HANS CHRISTIAN ANDERSEN
Hans Christian Andersen
Whom did we meet at Trollhätta? It is a strange story. We will relate it.
Who did we meet at Trollhätte? It's a strange story. We'll share it.
We landed at the first sluice and immediately stood in a kind of English garden; the broad pathways are covered with gravel and rise in low terraces between the green sunlit greensward. It is charming and delightful here, but by no means imposing; if one desires to be excited in this manner, he must go a little higher up to the old sluices, that have burst, deep and narrow, through the hard rock. Nature is magnificent here, and the water roars and foams in its deep bed far below. Up here one looks over valley and river; the bank of the river on the other side rises in green undulating hills, with clusters of leafy trees and wooden houses painted red; rocks and pine forests hem in the landscape. Through the sluices steamboats and sailing vessels are ascending; the water itself is the attendant spirit that must bear them up above the rock. And from the forest it issues, buzzing, roaring, and blustering. The din of the Trollhätta Falls mingles with the noise of the sawmills and the smithies.
We landed at the first sluice and immediately found ourselves in a sort of English garden; the wide paths are covered with gravel and rise in gentle terraces between the lush green grass. It's charming and lovely here, but definitely not overwhelming; if someone wants a more exciting experience, they need to head up higher to the old sluices, which have worn deep and narrow paths through the hard rock. Nature is stunning here, and the water roars and froths in its deep channel far below. From up here, you can look out over the valley and the river; the bank on the other side rises into green rolling hills, dotted with leafy trees and red-painted wooden houses; rocks and pine forests frame the scene. Through the sluices, steamboats and sailing vessels are making their way upstream; the water itself acts like a spirit that helps lift them over the rocks. And from the forest, it flows out, buzzing, roaring, and rushing. The sound of the Trollhätta Falls blends with the noise of the sawmills and the forges.
“In three hours we shall be through the sluices,” said the Captain, “and then you shall visit the Falls. We shall meet again at the inn above.”
“In three hours, we'll be through the sluices,” said the Captain, “and then you can check out the Falls. We'll meet again at the inn up above.”
[Pg 130]
[Pg 130]
We went along the path that led through the forest and thickets; a whole flock of bare-headed boys surrounded us, all wishing to be our guides; each one outscreamed the other, and each gave contradictory explanations of how high was the water and how high it did not or could rise; and here was also a great difference of opinion among the learned. Soon we came to a halt on a large heather-covered rock, a dizzying eminence. Before us, but deep below, the foaming, roaring water—the Hell Fall, and over this, cascade after cascade, the rich, swelling, rushing river, the outlet of the largest lake in Sweden. What a sight, what a foaming above and below! It is like the waves of the sea, or like effervescing champagne, or like boiling milk; the water rushes around two rocky islands above so that the spray rises like mist from a meadow, while below, it is more compressed, and, hurrying away, returns in circles; then it rolls down in a long wave-like fall, the Hell Fall. What a roaring storm in the deep—what a spectacle! Man is dumb. And so were also the screaming little guides; they were silent, and when they renewed their explanations and stories, they did not get far before an old gentleman, whom none of us had noticed, although he was here among us, made himself heard above the noise with his peculiarly shrill voice; he spoke of the place and its former days as if they had been of yesterday.
We walked along the path through the forest and brush; a whole group of bare-headed boys surrounded us, all eager to be our guides. Each one yelled louder than the other, giving conflicting explanations of how high the water was and how high it could rise. There was also a big difference of opinion among the experts. Soon, we stopped on a large rock covered in heather, a dizzying height. Below us, we saw the foaming, roaring water—the Hell Fall. Above it, cascades poured down from the rushing river, the outlet of the largest lake in Sweden. What a sight, with foaming water above and below! It looked like ocean waves, or effervescent champagne, or boiling milk; the water swirled around two rocky islands above, sending up spray that rose like mist from a meadow, while below, it was more compressed, rushing away in circles. Then it rolled down in a long, wave-like fall, the Hell Fall. What a roaring storm in the depths—what a spectacle! People were speechless. So were the screaming little guides; they fell silent, and when they tried to resume their explanations and stories, they didn’t get far before an old gentleman, whom none of us had noticed before, spoke up above the noise with his unusual high-pitched voice. He talked about the place and its past as if it had just happened yesterday.
“Here on the rocky isles,” said he, “here in olden times the warriors, as they are called, decided their disputes. The warrior, Stärkodder, dwelt in this region, and took a fancy to the pretty maid Ogn; but she fancied[Pg 131] Hergrimer the more, and in consequence he was challenged by Stärkodder to a duel here by the Falls and met his death; but Ogn sprang towards them, and, seizing her lover’s bloody sword, thrust it into her heart. Stärkodder did not get her. So a hundred years passed and another hundred; the forest became heavy and thick, wolves and bears prowled here summer and winter, and wicked robbers hid their booty here and no one could find them; yonder, by the Fall before Top Island, on the Norwegian side, was their cave; now it has fallen in—the cliff there overhangs it!”
“Here on the rocky islands,” he said, “in ancient times, the warriors decided their disputes. The warrior, Stärkodder, lived in this area and became infatuated with the pretty maiden Ogn; however, she was more attracted to Hergrimer. As a result, Stärkodder challenged him to a duel here by the Falls, where he met his death. Ogn rushed towards them, seized her lover’s bloody sword, and drove it into her heart. Stärkodder never got her. A hundred years passed, then another hundred; the forest grew dense and thick, wolves and bears roamed here year-round, and ruthless bandits hid their loot here, undetectable; over there, by the Fall before Top Island, on the Norwegian side, was their cave; now it has collapsed—the cliff there overhangs it!”
“Yes, the Tailors’ Cliff!” screamed all the boys. “It fell in the year 1755!”
“Yes, the Tailors’ Cliff!” shouted all the boys. “It collapsed in 1755!”
“Fell!” cried the old man as if astonished that any one could know of it but himself. “Everything will fall: the tailor also fell. The robbers placed him upon the cliff and told him that if he would be liberated for his ransom he must sew a suit of clothes there; he tried to do it, but as he drew out his thread at the first stitch, he became dizzy and fell into the roaring water, and thus the rock got the name of The Tailors’ Cliff. One day the robbers caught a young girl, and she betrayed them; she kindled a fire in the cavern, the smoke was seen, the cavern was discovered, and the robbers imprisoned and executed; that outside there is called The Thieves’ Fall, and below, under the water, is another cave; the river rushes in there and issues out foaming; you can see it well up here and hear it too, but it can be heard better under the stony roof of the mountain sprite.”
“Fell!” shouted the old man as if he couldn’t believe anyone else knew about it. “Everything will fall: the tailor fell too. The robbers put him on the cliff and told him that to be freed for his ransom, he had to sew a suit of clothes there; he tried to do it, but as soon as he pulled out his thread for the first stitch, he got dizzy and fell into the raging water, which is how the rock got the name The Tailors’ Cliff. One day the robbers captured a young girl, and she betrayed them; she started a fire in the cave, the smoke was spotted, the cave was found, and the robbers were arrested and executed; that area outside is called The Thieves’ Fall, and below, under the water, there’s another cave; the river rushes in there and flows out foaming; you can see it well from up here and hear it too, but it’s clearer under the stony roof of the mountain sprite.”
And we went on and on along the waterfall towards Top[Pg 132] Island, always on smooth paths covered with saw-dust to Polhelm’s-Sluice; a cleft has been made in the rock for the first intended sluice-work, which was not finished, but on account of which has been shaped the most imposing of all the Trollhätta Falls; the hurrying water falls perpendicularly into the dark depth. The side of the rock here is connected with Top Island by means of a light iron bridge, which seems to be thrown over the abyss; we venture on this swaying bridge above the rushing, whirling water, and soon stand on the little rocky island between firs and pines that dart out of the crevices; before us rushes a sea of waves, broken as they rebound against the rock on which we stand, spraying us with their fine eternal mist; on each side the torrent flows as if shot from a gigantic cannon, waterfall upon waterfall; we look above them all and are lulled by the harmonic tone that has existed for thousands of years.
And we kept walking along the waterfall towards Top[Pg 132] Island, always on smooth paths covered with sawdust to Polhelm’s-Sluice; a gap has been made in the rock for the originally planned sluice work, which was never completed, but it shaped the most impressive of all the Trollhätta Falls; the rushing water plunges straight down into the dark depths. The side of the rock here connects to Top Island by a light iron bridge that seems to span the chasm; we venture onto this swaying bridge above the rushing, swirling water and soon stand on the small rocky island surrounded by firs and pines that push through the cracks; before us, a sea of waves rushes, crashing against the rock we stand on, spraying us with its fine, eternal mist; on either side, the torrent flows as if shot from a giant cannon, waterfall after waterfall; we look above them all and are lulled by the harmonic sound that has been present for thousands of years.
“No one can ever get to that island over there,” said one of our party, pointing to the large island above the highest fall.
“No one can ever reach that island over there,” said one of our group, pointing to the big island above the highest waterfall.
“I know one who got there!” exclaimed the old man, and nodded with a peculiar smile.
“I know someone who made it there!” the old man exclaimed, nodding with a strange smile.
“Yes, my grandfather got there!” said one of the boys, “but for a hundred years scarcely any one else has reached it. The cross that stands there was set up by my grandfather. It had been a severe winter, the whole of Lake Venern was frozen, the ice dammed up the outlet, and for many hours the bottom was dry. Grandfather has told us about it: he and two others went over, set up the cross, and returned. Just then there was a thundering and cracking noise just like cannon, the ice broke up and the stream[Pg 133] overflowed meadows and forest. It is true, every word I say!”
“Yes, my grandfather made it there!” one of the boys exclaimed, “but for a hundred years, hardly anyone else has been able to reach it. The cross that’s there was put up by my grandfather. It had been a harsh winter, and the entire Lake Venern was frozen, with the ice blocking the outlet, leaving the bottom dry for many hours. Grandpa has told us about it: he and two others crossed over, put up the cross, and then came back. Just then, there was a loud rumbling and cracking sound like cannon fire, the ice broke apart, and the stream[Pg 133] flooded the meadows and the forest. It’s true, every word I’m saying!”

TROLLHÄTTA.
Trollhättan.
One of the travellers cited Tegner:
One of the travelers quoted Tegner:
“Poor mountain sprite,” he added, “thy power and glory are failing! Man flies beyond thee—Thou must learn of him!”
“Poor mountain spirit,” he added, “your power and glory are fading! Humanity surpasses you—You need to learn from them!”
The garrulous old man made a grimace, and muttered something to himself—but we were now by the bridge before the inn, the steamboat glided through the open way, every one hurried on board and immediately it shot above the Fall just as if no Fall existed.
The chatty old man made a face and mumbled something to himself—but we were now by the bridge in front of the inn, the steamboat smoothly passed through the opening, everyone rushed on board, and it quickly shot past the Falls as if they weren't even there.
It was evening; I stood on the heights of Trollhätta’s old sluices, and saw the ships with outspread sails glide away over the meadows like large white spectres. The sluice-gates opened with a heavy, crashing sound like that related of the copper gates of the Vehmgericht; the evening was so still; in the deep silence the tone of the Trollhätta Fall was like a chorus of a hundred water-mills, ever one and the same tone and sometimes the ringing of a deep and mighty note that seemed to pass through the very earth—and yet through all this the eternal silence of Nature was felt;—suddenly a great bird with heavily flapping wings flew out of the trees in the deep woods towards the waterfall. Was it the mountain sprite? We must believe so.
It was evening; I stood on the heights of Trollhätta’s old sluices and watched the ships with their sails spread glide over the meadows like large white ghosts. The sluice gates opened with a heavy, crashing sound, reminiscent of the copper gates of the Vehmgericht; the evening was so still. In the deep silence, the sound of the Trollhätta Fall was like the chorus of a hundred water mills, always the same tone and sometimes ringing with a deep, powerful note that seemed to resonate through the very earth—and yet, through all this, you could feel the eternal silence of Nature; suddenly, a large bird with heavy flapping wings flew out of the trees in the dense woods towards the waterfall. Was it the mountain sprite? We must believe so.
Pictures of Sweden (Leipzig, 1851).
Photos of Sweden (Leipzig, 1851).
[Pg 134]
[Pg 134]
THE GRAND CANYON OF THE COLORADO
(UNITED STATES)
UNITED STATES
C. F. GORDON-CUMMING
C. F. Gordon-Cumming
Probably the greatest chasm in the known world is the grand canyon of the Colorado river (the Rio Colorado Grande), which is a gorge upward of two hundred miles in length, and of tremendous depth. Throughout this distance its vertical crags measure from one to upwards of six thousand feet in depth! Think of it! The highest mountain in Scotland measures 4,418 feet. The height of Niagara is 145 feet. And here is a narrow, tortuous pass where the river has eaten its way to a depth of 6,200 feet between vertical granite crags!
Probably the biggest gap in the known world is the Grand Canyon of the Colorado River (Rio Colorado Grande), which is a gorge over two hundred miles long and incredibly deep. Along this distance, its vertical cliffs range from one to over six thousand feet deep! Just think about that! The highest mountain in Scotland is 4,418 feet tall. Niagara Falls is 145 feet high. And here we have a narrow, winding passage where the river has carved its way down to a depth of 6,200 feet between vertical granite cliffs!
Throughout this canyon there is no cascade; and though the river descends 16,000 feet within a very short distance, forming rushing rapids, it is nevertheless possible to descend it by a raft—and this has actually been done, in defiance of the most appalling dangers and hardships. It is such a perilous adventure as to be deemed worthy of note even in this country, where every prospector carries his life in his hand, and to whom danger is the seasoning of daily life, which, without it, would appear positively monotonous.
Throughout this canyon, there isn't a waterfall; and even though the river drops 16,000 feet over a short distance, creating fast-moving rapids, it's still possible to go down it on a raft—and people have actually done this, despite facing terrifying dangers and hardships. It's such a risky adventure that it's considered noteworthy even in this country, where every prospector risks their life daily, and for whom danger is the spice of everyday life, which would feel incredibly dull without it.
I suppose no river in the world passes through scenery so extraordinary as does the Colorado river, in its journey of 2,000 miles from its birthplace in the Rocky mountains,[Pg 135] till, traversing the burning plains of New Mexico, it ends its course in the Gulf of California. Its early career is uneventful. In its youth it bears a maiden name, and, as the Green river, wends it way joyously through the upper forests. Then it reaches that ghastly country known as the mauvaises terres of Utah and Arizona—a vast region—extending also into Nevada and Wyoming, which, by the ceaseless action of water, has been carried into an intricate labyrinth of deep gloomy caverns.
I guess no river in the world flows through scenery as amazing as the Colorado River does on its 2,000-mile journey from the Rocky Mountains,[Pg 135] all the way to its end in the Gulf of California after passing through the scorching plains of New Mexico. Its early journey is pretty uneventful. In its youth, it goes by its original name, the Green River, happily making its way through the upper forests. Then it enters the eerie landscape known as the mauvaises terres of Utah and Arizona—a huge area that stretches into Nevada and Wyoming, shaped by the relentless action of water into a complex maze of dark, deep caverns.
For a distance of one thousand miles the river winds its tortuous course through these stupendous granite gorges, receiving the waters of many tributary streams, each rushing along similar deeply hewn channels.
For a distance of one thousand miles, the river twists and turns through these massive granite gorges, taking in the waters of numerous tributary streams, each flowing rapidly along similarly carved-out channels.
In all the range of fiction no adventures can be devised more terrible than those which have actually befallen gold-seekers and hunters who, from any cause, have strayed into this dreary and awesome region. It was first discovered by two bold explorers, by name Strobe and White, who, being attacked by Indians, took refuge in the canyons. Preferring to face unknown dangers to certain death at the hands of the enemy, they managed to collect enough timber to construct a rude raft, and determined to attempt the descent.
In all the realm of fiction, no adventures can be imagined that are more terrifying than those that have genuinely happened to gold-seekers and hunters who, for any reason, have wandered into this bleak and intimidating area. It was first discovered by two daring explorers named Strobe and White, who, when attacked by Native Americans, sought shelter in the canyons. Choosing to confront unknown risks rather than face certain death at the hands of their attackers, they gathered enough wood to build a makeshift raft and decided to try their luck descending the river.
Once embarked on that awful journey, there was no returning—they must endure to the bitter end.
Once they started that terrible journey, there was no turning back—they had to see it through to the bitter end.
On the fourth day the raft was upset. Strobe was drowned, and the little store of provisions and ammunition was lost. White contrived to right the raft, and for ten days the rushing waters bore him down the frightful chasm,[Pg 136] seeing only the perpendicular cliffs on either side, and the strip of sky far overheard—never knowing, from hour to hour, but that at the next winding of the canyon the stream might overleap some mighty precipice, and so end his long anguish. During those awful ten days of famine, a few leaves and seed-pods, clutched from the bushes on the rocks, were his only food.
On the fourth day, the raft capsized. Strobe drowned, and their small supply of food and ammunition was lost. White managed to right the raft, and for ten days the rushing waters carried him through the terrifying canyon, [Pg 136] only seeing the steep cliffs on either side and the strip of sky high above—never knowing from hour to hour if the next twist in the canyon might send the stream crashing over some huge drop, potentially ending his long suffering. During those dreadful ten days of hunger, a few leaves and seed pods he grabbed from the bushes on the rocks were his only food.
At length he reached a wretched settlement of half-bred Mexicans, who, deeming his escape miraculous, fed him; and eventually he reached the homes of white men, who looked on him (as well they might) as on one returned from the grave. The life thus wonderfully saved, was, however, sacrificed a few months later, when he fell into the hands of his old Indian foes.
At last, he arrived at a miserable settlement of mixed-race Mexicans, who, thinking his escape was miraculous, fed him; and eventually, he made it to the homes of white people, who viewed him (as they should) as someone returned from the dead. However, this life that had been saved in such an extraordinary way was ultimately lost a few months later when he fell into the hands of his former Indian enemies.
The story of White’s adventure was confirmed by various trappers and prospectors, who, from time to time, ventured some little way into this mysterious rock-labyrinth; and it was determined to attempt a government survey of the region. Accordingly, in 1869, a party, commanded by Major J. W. Powell, started on this most interesting but dangerous expedition. Warned by the fate of a party who attempted to explore the country in 1855, and who, with the exception of two men (Ashley and another), all perished miserably, the government party started with all possible precautions.
The story of White's adventure was backed up by various trappers and prospectors who occasionally ventured a little way into this mysterious rock maze. As a result, a government survey of the area was planned. In 1869, a group led by Major J. W. Powell set out on this fascinating but risky expedition. Remembering the fate of a group that tried to explore the area back in 1855, where only two men (Ashley and another) survived while the rest tragically died, the government team took all possible precautions before starting their journey.

THE GRAND CAÑON OF THE COLORADO.
THE GRAND CANYON OF THE COLORADO.
Four light Chicago-built boats were provisioned for six months, and, with infinite difficulty, were transported 1,500 miles across the desert. On reaching their starting-point, they were lowered into the awful ravines, from which it[Pg 137] was, to say the least, problematic whether all would emerge alive. The dangers, great enough in reality, had been magnified by rumour. It was reported, with every semblance of probability, that the river formed terrible whirlpools—that it flowed underground for hundreds of miles, and emerged only to fall in mighty cataracts and appalling rapids. Even the friendly Indians entreated the explorers not to attempt so rash an enterprise, assuring them that none who embarked on that stream would escape alive.
Four lightweight boats built in Chicago were stocked with supplies for six months and, with immense difficulty, were transported 1,500 miles across the desert. Once they reached their starting point, they were lowered into the terrifying ravines, from which it[Pg 137] was, at best, uncertain whether anyone would come out alive. The dangers, already significant, were exaggerated by rumors. It was reported, with every sign of credibility, that the river created horrible whirlpools, flowed underground for hundreds of miles, and only surfaced to drop into massive waterfalls and frightening rapids. Even the well-meaning Indians urged the explorers not to take on such a reckless venture, insisting that no one who ventured into that river would survive.
But in the face of all such counsel, the expedition started, and for upwards of three months the party travelled, one may almost say in the bowels of the earth—at least in her deepest furrows—through canyons where the cliffs rise, sheer from the water, to a height of three-quarters of a mile!
But despite all that advice, the expedition set out, and for more than three months the team journeyed, one could almost say inside the earth—at least in its deepest valleys—through canyons where the cliffs rise straight up from the water to a height of nearly three-quarters of a mile!
They found, as was only natural, that imagination had exaggerated the horrors of the situation, and that it was possible to follow the rock-girt course of the Colorado through all its wanderings—not without danger, of course. In many places the boat had to be carried. One was totally wrecked and its cargo lost, and the others came to partial grief, entailing the loss of valuable instruments, and almost more precious lives. Though no subterranean passage was discovered, nor any actual waterfall, there were, nevertheless, such dangerous rapids as to necessitate frequent troublesome portage; and altogether, the expedition had its full share of adventure.
They realized, as anyone would, that their imagination had really blown the situation's horrors out of proportion, and that it was possible to navigate the rocky path of the Colorado through all its twists and turns—not without risks, of course. In many spots, they had to carry the boat. One boat was completely wrecked, losing its cargo, while the others suffered some damage, resulting in the loss of valuable equipment and, nearly more importantly, lives. Although no underground passage or actual waterfall was found, there were still some dangerous rapids that required frequent, annoying portages; overall, the expedition had its fair share of adventures.
The ground was found to vary considerably. In some places the rock is so vivid in colour—red and orange—that[Pg 138] the canyons were distinguished as the Red Canyon and the Flaming Gorge. Some are mere fissures of tremendous depth; while in other places, where the water has carved its way more freely, they are broad, here and there expanding into a fertile oasis, where green turf and lovely groves are enclosed by stupendous crags—miniature Yosemites—which to these travellers appeared to be indeed visions of Paradise.
The ground was found to change a lot. In some areas, the rock is so bright in color—red and orange—that[Pg 138] the canyons were named the Red Canyon and the Flaming Gorge. Some are just narrow cracks of amazing depth; while in other spots, where the water has cut through more easily, they are wide, sometimes widening into a lush oasis, where green grass and beautiful groves are surrounded by massive cliffs—miniature Yosemites—which to these travelers seemed like true visions of Paradise.
Granite Crags (Edinburgh and London, 1884).
Granite Crags (Edinburgh & London, 1884).
[Pg 139]
[Pg 139]
THE ROCK OF GIBRALTAR
(SPAIN)
SPAIN
AUGUSTUS J. C. HARE
AUGUSTUS J.C. HARE
It was a lovely day, and a calm sea, which was a great subject of rejoicing, for even as it was the rickety Spanish vessel rolled disagreeably. Owing to the miserable slowness of everything, we were eleven hours on board. There was little interest till we reached the yellow headland of Trafalgar. Then the rugged outlines of the African coast rose before us, and we entered the straits, between Tarifa sleeping amid its orange groves on the Spanish coast, and the fine African peak above Ceuta. Soon, on the left, the great rock of Gibraltar rose from the sea like an island, though not the most precipitous side, which turns inwards towards the Mediterranean. But it was already gun-fire, and too late to join another steamer and land at the town, so we waited for a shoal of small boats which put out from Algeciras, and surrounded our steamer to carry us on shore.
It was a beautiful day, and the sea was calm, which was a reason to celebrate, even though the old Spanish ship was rocking uncomfortably. Because everything was moving so slowly, we spent eleven hours on board. There wasn't much to see until we reached the yellow headland of Trafalgar. Then the jagged outlines of the African coast came into view, and we entered the straits, with Tarifa resting among its orange groves on the Spanish side and the impressive African peak above Ceuta. Soon, on the left, the massive rock of Gibraltar loomed out of the sea like an island, though not from its steepest side, which faces the Mediterranean. But it was already getting dark, and it was too late to switch to another steamer and land in the town, so we waited for a group of small boats that left from Algeciras and surrounded our steamer to take us ashore.
Here we found in the Fonda Inglesa (kept by an English landlady), one of the most primitive but charming little hotels we ever entered. The view from our rooms alone decided us to stay there some days. Hence, framed by the balcony, Gibraltar rose before us in all the glory of its rugged sharp-edged cliffs, grey in the morning, pink in[Pg 140] the evening light, with the town at its foot, whence, at night, thousands of lights were reflected on the still water. In the foreground were groups of fishing-boats at anchor, and, here and there, a lateen sail flitted, like a white albatross, across the bay. On the little pier beneath us was endless life and movement, knots of fishermen, in their blue shirts and scarlet caps and sashes, mingling with solemn-looking Moors in turbans, yellow slippers, and flowing burnouses, who were watching the arrival or embarcation of their wares; and an endless variety of travellers from all parts of Europe, waiting for different steamers, or come over to see the place. Here an invalid might stay, imbibing health from the fine air and sunshine, and never be weary of the ever changing diorama. In every direction delightful walks wind along the cliffs through groves of aloes and prickly-pear, or descend into little sandy coves full of beautiful shells. Behind the town, a fine old aqueduct strides across the valley, and beyond it the wild moors begin at once sweeping backwards to a rugged chain of mountains. Into the gorges of these mountains we rode one day, and most delightful they are, clothed in parts with magnificent old cork-trees, while in the depths of a ravine, overhung with oleander and rhododendron, is a beautiful waterfall.
Here we found the Fonda Inglesa (run by an English landlady), one of the most charming yet basic little hotels we've ever been to. The view from our room alone convinced us to stay there for a few days. From the balcony, we looked out at Gibraltar rising majestically with its rugged cliffs, grey in the morning and pink in the evening light, with the town below, where thousands of lights reflected off the calm water at night. In the foreground, groups of fishing boats were anchored, and occasionally, a lateen sail glided across the bay like a white albatross. On the little pier below us, there was constant life and activity, with clusters of fishermen in their blue shirts and red caps, mingling with serious-looking Moors in turbans, yellow slippers, and flowing robes, watching the arrival or departure of their goods; and a mix of travelers from all over Europe waiting for different steamers or visiting the area. Here, someone recovering from an illness could rest, soaking up the healthy air and sunshine, while never tiring of the ever-changing scenery. In every direction, lovely paths meander along the cliffs through groves of aloes and prickly pear, or lead down to little sandy coves filled with beautiful shells. Behind the town, a grand old aqueduct stretches across the valley, and beyond it, the wild moors begin, sweeping back into a rugged mountain range. One day, we rode into the gorges of these mountains, which were utterly delightful, adorned in parts with magnificent ancient cork trees, while in the depths of a ravine, surrounded by oleander and rhododendron, there was a stunning waterfall.

THE ROCK OF GIBRALTAR.
The Rock of Gibraltar.
It was with real regret that we left Algeciras and made the short voyage across the bay to Gibraltar, where we instantly found ourselves in a place as unlike Spain as it is possible to imagine. Upon the wharf you are assailed by a clamour of English-speaking porters and boatmen.[Pg 141] Passing the gates, you come upon a barrack-yard swarming with tall British soldiers, looking wonderfully bright and handsome, after the insignificant figures and soiled, shabby uniforms of the Spanish army. Hence the Waterport Street opens, the principal thoroughfare of the town, though from its insignificant shops, with English names, and its low public-houses, you have to look up at the strip of bright blue sky above, to be reminded that you are not in an English seaport.
We truly regretted leaving Algeciras and making the short trip across the bay to Gibraltar, where we immediately found ourselves in a place that felt nothing like Spain. On the wharf, you're surrounded by a noisy crowd of English-speaking porters and boatmen.[Pg 141] As you pass through the gates, you enter a barrack yard bustling with tall British soldiers, looking remarkably sharp and handsome compared to the nondescript figures and dirty, worn-out uniforms of the Spanish army. From there, Waterport Street opens up, the main street of the town, but with its unremarkable shops that have English names and its low-key pubs, you have to look up at the strip of bright blue sky above to remember that you’re not in an English seaport.
Just outside the principal town, between it and the suburb of Europe, is the truly beautiful Alameda, an immense artificial garden, where endless gravel paths wind through labyrinths of geraniums and coronella and banks of flame-coloured ixia, which are all in their full blaze of beauty under the March sun, though the heat causes them to wither and droop before May. During our stay at Gibraltar, it has never ceased to surprise us that this Alameda, the shadiest and pleasantest place open to the public upon the Rock, should be almost deserted; but so it is. Even when the band playing affords an additional attraction, there are not a dozen persons to listen to it; whereas at Rome on such occasions, the Pincio, exceedingly inferior as a public garden, would be crowded to suffocation, and always presents a lively and animated scene.
Just outside the main town, between it and the suburb of Europe, is the truly beautiful Alameda, a large artificial garden with endless gravel paths weaving through clusters of geraniums and coronella and banks of bright-colored ixia, all in full bloom under the March sun, even though the heat makes them wither and droop before May. During our time in Gibraltar, we’ve constantly been surprised that this Alameda, the shadiest and most enjoyable public space on the Rock, is almost deserted; but it is. Even when there’s a band playing, which adds an extra attraction, there aren’t even a dozen people to listen; whereas in Rome, at similar times, the Pincio, which is much less impressive as a public garden, would be packed to the brim and always offers a lively and animated atmosphere.
One succession of gardens occupies the western base of the Rock, and most luxuriant and gigantic are the flowers that bloom in them. Castor-oil plants, daturas, and daphnes, here attain the dignity of timber, while geraniums[Pg 142] and heliotropes many years old, so large as to destroy all the sense of floral proportions which has hitherto existed in your mind. It is a curious characteristic, and typical of Gibraltar, that the mouth of a cannon is frequently found protruding from a thicket of flowers.
One series of gardens stretches across the western base of the Rock, and the flowers that bloom in them are incredibly lush and enormous. Castor-oil plants, daturas, and daphnes grow to tree-like sizes here, while geraniums[Pg 142] and heliotropes that are many years old become so large that they completely challenge your previous understanding of floral proportions. It's an interesting feature, and very representative of Gibraltar, that you often see the muzzle of a cannon sticking out from a cluster of flowers.
The eastern side of the Rock, in great part a perpendicular precipice, is elsewhere left uncultivated, and is wild and striking in the highest degree. Here, beyond the quaint Jewish cemetery of closely set gravestones, bearing Hebrew inscriptions on the open hillside, a rugged path winds through rocks and tangled masses of flowers and palmists, to a curious stalactitic cavern called Martin’s Cave. On this side of the cliff a remnant of the famous “apes of Tarshish” is suffered to remain wild and unmolested, though their numbers, always very small, have lately been reduced by the very ignorant folly of a young officer, who shot one and wounded nine others, for which he has been very properly impounded.
The eastern side of the Rock, mostly a steep cliff, is largely left untouched and is incredibly wild and striking. Here, beyond the unique Jewish cemetery with closely packed gravestones featuring Hebrew inscriptions on the open hillside, a rugged path winds through rocks and tangled masses of flowers and palm trees, leading to an interesting stalactite cave known as Martin’s Cave. On this side of the cliff, a small number of the famous “apes of Tarshish” are allowed to remain wild and unharmed, although their population, which has always been quite small, has recently decreased due to the foolish actions of a young officer who shot one and injured nine others, for which he has faced appropriate consequences.
On the northern side of the Rock are the famous galleries tunnelled in the face of the precipice, with cannon pointing towards Spain from their embrasures. Through these, or, better, by delightful paths, fringed with palmettos and asphodel, you may reach El Hacho, the signal station, whence the view is truly magnificent over the sea, and the mountain chains of two continents, and down into the blue abysses beneath the tremendous precipice upon which it is placed.
On the northern side of the Rock are the famous galleries carved into the cliff, with cannons aimed at Spain from their openings. From here, or even better, by lovely paths lined with palm trees and asphodel, you can get to El Hacho, the signal station, where the view is truly stunning over the sea, the mountain ranges of two continents, and down into the deep blue depths beneath the huge cliff it's on.

THE ROCK OF GIBRALTAR.
The Rock of Gibraltar.
The greatest drawback to the charms of Gibraltar has seemed to be the difficulty of leaving it. It is a beautiful[Pg 143] prison. We came fully intending to ride over the mountain passes by Ronda, but on arriving we heard that the whole of that district was in the hands of the brigands under the famous chief Don Diego, and the Governor positively refused to permit us to go that way. Our lamentations at this have since been cut short by the news of a double murder at the hands of the brigands on the way we wished to have taken, and at the very time we should have taken it. So we must go to Malaga by sea, and wait for the happy combination of a good steamer and calm weather falling on the same day.
The biggest downside to the allure of Gibraltar seems to be how hard it is to leave. It’s a stunning[Pg 143] prison. We arrived with the full intention of riding over the mountain passes by Ronda, but as soon as we got here, we found out that the whole area was controlled by brigands led by the notorious chief Don Diego, and the Governor absolutely refused to let us go that way. Our complaints about this were quickly silenced by the news of a double murder committed by the brigands on the route we wanted to take, right at the time we would have been traveling. So now we have to go to Malaga by sea and hope for the right combination of a good steamer and calm weather on the same day.
Late in the afternoon of the 15th of March we embarked on board the Lisbon in the dockyard of Gibraltar. It had been a lovely day, and the grand Rock had looked its best, its every cleft filled with flowers and foliage. The sun set before we had rounded Europe Point, and the precipitous cliffs of the eastern bay rose utterly black against the yellow sky.
Late in the afternoon on March 15th, we boarded the Lisbon at the Gibraltar dockyard. It had been a beautiful day, and the Rock looked stunning, with every crevice filled with flowers and greenery. The sun set before we rounded Europe Point, and the steep cliffs of the eastern bay loomed completely dark against the yellow sky.
Wanderings in Spain (London, 1873).
Explorations in Spain (London, 1873).
[Pg 144]
[Pg 144]
THINGVALLA
(ICELAND)
(ICELAND)
LORD DUFFERIN
Lord Dufferin
At last I have seen the famous Geysers, of which every one has heard so much; but I have also seen Thingvalla, of which no one has heard anything. The Geysers are certainly wonderful marvels of nature, but more wonderful, more marvellous is Thingvalla; and if the one repay you for crossing the Spanish Sea, it would be worth while to go round the world to reach the other.
At last, I’ve seen the famous geysers that everyone talks about, but I’ve also seen Thingvalla, which hardly anyone knows about. The geysers are definitely amazing wonders of nature, but even more incredible is Thingvalla. If the geysers are worth the trip across the Spanish Sea, it would be worth traveling around the world to get to Thingvalla.
Of the boiling fountains I think I can give you a good idea, but whether I can contrive to draw for you anything like a comprehensible picture of the shape and nature of the Almanna Gja, the Hrafna Gja, and the lava vale, called Thingvalla, that lies between them, I am doubtful. Before coming to Iceland I had read every account that had been written of Thingvalla by any former traveller, and when I saw it, it appeared to me a place of which I had never heard; so I suppose I shall come to grief in as melancholy a manner as my predecessors, whose ineffectual pages whiten the entrance to the valley they have failed to describe.
Of the boiling springs, I think I can give you a clear idea, but I'm not sure if I'll be able to create anything like a clear picture of the Almanna Gja, the Hrafna Gja, and the lava valley known as Thingvalla that lies between them. Before coming to Iceland, I read every account written about Thingvalla by past travelers, and when I finally saw it, it felt like a place I had never known; so I guess I’ll end up struggling just like those who came before me, with their unsuccessful writings piled up at the entrance to the valley they couldn’t accurately describe.
After an hour’s gradual ascent through a picturesque ravine, we emerged upon an immense desolate plateau of lava, that stretched away for miles and miles like a great[Pg 145] stony sea. A more barren desert you cannot conceive. Innumerable boulders, relics of the glacial period, encumbered the track. We could only go at a foot-pace. Not a blade of grass, not a strip of green, enlivened the prospect, and the only sound we heard was the croak of the curlew and the wail of the plover. Hour after hour we plodded on, but the grey waste seemed interminable, boundless: and the only consolation Sigurdr would vouchsafe was that our journey’s end lay on this side of some purple mountains that peeped like the tents of a demon leaguer above the stony horizon.
After an hour of slowly climbing through a beautiful ravine, we reached a vast, barren plateau of lava that stretched out for miles like a huge[Pg 145] rocky sea. You couldn't imagine a more desolate desert. Countless boulders, leftover from the Ice Age, blocked the path. We could only move at a crawl. There wasn’t a single blade of grass or any green to brighten the view, and the only sounds we heard were the croak of the curlew and the wail of the plover. Hour after hour, we trudged on, but the grey wasteland felt endless and infinite. The only reassurance Sigurdr offered was that our journey would end on this side of some purple mountains that peeked over the rocky horizon like the tents of a demon army.
As it was already eight o’clock, and we had been told the entire distance from Reykjavik to Thingvalla was only five-and-thirty miles, I could not comprehend how so great a space should still separate us from our destination. Concluding more time had been lost in shooting, lunching, etc., by the way than we supposed, I put my pony into a canter, and determined to make short work of the dozen miles which seemed still to lie between us and the hills, on this side of which I understood from Sigurdr our encampment for the night was to be pitched.
As it was already eight o'clock, and we had been told the whole distance from Reykjavik to Thingvalla was only thirty-five miles, I couldn't understand how such a big gap still separated us from our destination. Thinking that we must have wasted more time shooting, having lunch, and so on than we thought, I urged my pony into a canter and decided to quickly cover the dozen miles that still seemed to be between us and the hills, on the other side of which I learned from Sigurdr our campsite for the night was supposed to be set up.
Judge then of my astonishment when, a few minutes afterwards, I was arrested in full career by a tremendous precipice, or rather chasm, which suddenly gaped beneath my feet, and completely separated the barren plateau we had been so painfully traversing from a lovely, gay, sunlit flat, ten miles broad, that lay,—sunk at a level lower by a hundred feet,—between us and the opposite mountains. I was never so completely taken by surprise; Sigurdr’s[Pg 146] purposely vague description of our halting-place was accounted for.
Judge then of my shock when, just a few minutes later, I was halted mid-stride by a massive cliff, or rather a chasm, that suddenly opened up beneath me, completely separating the barren plateau we had been struggling to cross from a beautiful, vibrant, sunlit plain, ten miles wide, that lay—sunk a hundred feet lower—between us and the distant mountains. I had never been so utterly caught off guard; Sigurdr’s[Pg 146] intentionally vague description of our stopping point made sense.
We had reached the famous Almanna Gja. Like a black rampart in the distance, the corresponding chasm of the Hrafna Gja cut across the lower sloop of the distant hills, and between them now slept in sunshine and beauty the broad verdant plain[4] of Thingvalla.
We had arrived at the famous Almanna Gja. Like a dark wall in the distance, the corresponding canyon of the Hrafna Gja sliced through the lower slope of the far-off hills, and nestled between them was the wide, lush plain of Thingvalla, bathed in sunshine and beauty.
Ages ago,—who shall say how long,—some vast commotion shook the foundations of the island, and bubbling up from sources far away amid the inland hills, a fiery deluge must have rushed down between their ridges, until, escaping from the narrow gorges, it found space to spread itself into one broad sheet of molten stone over an entire district of country, reducing its varied surface to one vast blackened level.
Ages ago—who knows how long—some massive upheaval shook the foundations of the island, and a flow of molten lava must have surged down from distant sources among the inland hills, racing between their ridges until, breaking free from the narrow gorges, it spread out into a wide blanket of molten stone over an entire area, flattening its diverse landscape into one vast, charred plain.
One of two things then occurred: either the vitrified mass contracting as it cooled,—the centre area of fifty square miles burst asunder at either side from the adjoining plateau, and sinking down to its present level, left the two paralleled Gjas, or chasms, which form its lateral boundaries, to mark the limits of the disruption; or else, while the pith or marrow of the lava was still in a fluid state, its upper surface became solid, and formed a roof beneath which the molten stream flowed on to lower levels, leaving a vast cavern into which the upper crust subsequently plumped down.
One of two things then happened: either the vitrified mass shrank as it cooled—the central area of fifty square miles split apart on either side from the nearby plateau, sinking down to its current level and leaving two parallel Gjas, or chasms, as the boundaries of the disruption; or, while the core of the lava was still molten, its top surface solidified, creating a roof beneath which the molten stream flowed to lower levels, resulting in a massive cavern that the upper layer later collapsed into.
But to return where I left myself, on the edge of the[Pg 147] cliff, gazing down with astonished eyes over a panorama of land and water imbedded at my feet. I could scarcely speak for pleasure and surprise; Fitz was equally taken aback, and as for Wilson, he looked as if he thought we had arrived at the end of the world. After having allowed us sufficient time to admire the prospect, Sigurdr turned to the left, along the edge of the precipice, until we reached a narrow pathway accidentally formed down a longitudinal niche in the splintered face of the cliff, which led across the bottom, and up the opposite side of the Gja, into the plain of Thingvalla.
But to go back to where I left off, standing on the edge of the[Pg 147] cliff, staring down with wide eyes at the stunning view of land and water spread out below me. I could barely speak from excitement and amazement; Fitz was just as shocked, and Wilson looked like he thought we had reached the end of the world. After giving us enough time to take in the scenery, Sigurdr turned left, following the edge of the cliff, until we found a narrow path that had formed down a long groove in the jagged cliff face, leading down to the bottom and up the other side of the Gja, into the flatlands of Thingvalla.
Independently of its natural curiosities, Thingvalla was most interesting to me on account of the historical associations connected with it. Here, long ago, at a period when feudal despotism was the only government known throughout Europe, free parliaments used to sit in peace, and regulate the affairs of the young Republic; and to this hour the precincts of its Commons House of Parliament are as distinct and unchanged as on the day when the high-hearted fathers of the emigration first consecrated them to the service of a free nation. By a freak of nature, as the subsiding plain cracked and shivered into twenty thousand fissures, an irregular oval area, of about two hundred feet by fifty, was left almost entirely surrounded by a crevice so deep and broad as to be utterly impassable;—at one extremity alone a scanty causeway connected it with the adjoining level, and allowed of access to its interior. It is true, just at one point the encircling chasm grows so narrow as to be within the possibility of a jump; and an ancient worthy,[Pg 148] named Flosi, pursued by his enemies, did actually take it at a fly: but as leaping an inch short would have entailed certain drowning in the bright green waters that sleep forty feet below, you can conceive there was never much danger of this entrance becoming a thoroughfare. I confess that for one moment, while contemplating the scene of Flosi’s exploit, I felt, like a true Briton,—an idiotic desire to be able to say that I had done the same;—that I survive to write this letter is a proof of my having come subsequently to my senses.
Regardless of its natural wonders, Thingvalla intrigued me mainly because of its historical significance. Long ago, when feudal tyranny was the only form of government known across Europe, free parliaments would meet peacefully here to manage the affairs of the young Republic. Today, the grounds of its Commons House of Parliament remain as distinct and unchanged as they were when the courageous founders of the emigration first dedicated them to the service of a free nation. By a quirk of nature, as the settling plain cracked and split into countless crevices, an irregular oval area of about two hundred feet by fifty was left almost entirely surrounded by a chasm so deep and wide that it was completely impassable; only at one end was there a narrow path connecting it to the adjacent land, providing access to its interior. It’s true that at one point, the surrounding chasm narrows enough to make a jump possible; an ancient man named Flosi, chased by his enemies, actually leaped across it. However, given that coming up an inch short would mean certain drowning in the bright green waters that lie forty feet below, you can imagine there was little chance of this spot becoming a regular crossing point. I have to admit, for just a moment, while I was picturing Flosi’s daring act, I felt, like a true Briton, a ridiculous urge to claim I had done the same; that I am here to write this letter is proof that I later came to my senses.
This spot, then, erected by nature almost into a fortress, the founders of the Icelandic constitution chose for the meetings of their Thing, or Parliament; armed guards defended the entrance, while the grave bonders deliberated in security within: to this day, at the upper end of the place of meeting, may be seen the three hummocks, where sat in state the chiefs and judges of the land.
This place, built by nature nearly like a fortress, was chosen by the founders of the Icelandic constitution for the meetings of their Thing, or Parliament; armed guards protected the entrance, while the serious landowners debated safely inside: even today, at the top of the meeting area, you can see the three mounds where the leaders and judges of the land held their positions of authority.
But those grand old times have long since passed away. Along the banks of the Oxeraa no longer glisten the tents and booths of the assembled lieges; no longer stalwart berserks guard the narrow entrance to the Althing; ravens alone sit on the sacred Logberg; and the floor of the old Icelandic House of Commons is ignominiously cropped by the sheep of the parson. For three hundred years did the gallant little Republic maintain its independence—three hundred years of unequalled literary and political vigour. At last its day of doom drew near. Like the Scotch nobles in the time of Elizabeth, their own chieftains intrigued against the liberties of the Icelandic people; and in 1261 the island became an appendage of the Norwegian crown.[Pg 149] Yet even then the deed embodying the concession of their independence was drawn up in such haughty terms as to resemble rather the offer of an equal alliance than the renunciation of imperial rights.
But those grand old times have long since passed. Along the banks of the Oxeraa, the tents and booths of the gathered people no longer shine; there are no strong warriors guarding the narrow entrance to the Althing; only ravens sit on the sacred Logberg; and the floor of the old Icelandic House of Commons is shamefully grazed by the parson's sheep. For three hundred years, the brave little Republic maintained its independence—three hundred years of unmatched literary and political energy. Finally, the day of its downfall approached. Like the Scottish nobles during Elizabeth's reign, their own leaders schemed against the freedoms of the Icelandic people; and in 1261, the island became a part of the Norwegian crown.[Pg 149] Yet even then, the document outlining the surrender of their independence was written in such arrogant terms that it resembled an offer of equal partnership rather than a loss of imperial rights.

THINGVALLA.
Thingvalla.
As I gazed around on the silent, deserted plain, and paced to and fro along the untrodden grass that now clothed the Althing, I could scarcely believe it had ever been the battle-field where such keen and energetic wits encountered,—that the fire-scathed rocks I saw before me were the very same that had once inspired one of the most successful rhetorical appeals ever hazarded in a public assembly.
As I looked around at the quiet, empty plain and walked back and forth on the unmarked grass that now covered the Althing, I could hardly believe it had ever been the battlefield where such sharp and lively minds met—that the fire-scarred rocks I saw in front of me were the same ones that had once inspired one of the most successful speeches ever made in a public gathering.
From the Althing we strolled over to the Almanna Gja, visiting the Pool of Execution on our way. As I have already mentioned, a river from the plateau above leaps over the precipice into the bottom of the Gja, and flows for a certain distance between its walls. At the foot of the fall, the waters linger for a moment, in a dark, deep, brimming pool, hemmed in by a circle of ruined rocks; to this pool, in ancient times, all women convicted of capital crimes were immediately taken, and drowned. Witchcraft seems to have been the principal weakness of ladies in those days, throughout the Scandinavian countries. For a long period, no disgrace was attached to its profession. Odin himself, we are expressly told, was a great adept, and always found himself very much exhausted at the end of his performance; which leads me to think that, perhaps, he dabbled in electro-biology.
From the Althing, we walked over to the Almanna Gja, stopping by the Pool of Execution on the way. As I mentioned before, a river from the plateau above cascades over the cliff into the bottom of the Gja and flows for a while between its walls. At the base of the waterfall, the water pauses for a moment in a dark, deep, overflowing pool, surrounded by a circle of crumbling rocks; to this pool, in ancient times, all women found guilty of serious crimes were immediately taken and drowned. Witchcraft seems to have been the main issue for women back then, across the Scandinavian countries. For a long time, there was no shame in practicing it. Odin himself, we are specifically told, was a skilled practitioner and always felt quite exhausted after his efforts, which makes me think that, perhaps, he was involved in some kind of electro-biology.
Turning aside from what, I dare say, was the scene of[Pg 150] many an unrecorded tragedy, we descended the gorge of the Almanna Gja, towards the lake; and I took advantage of the opportunity again to examine its marvellous construction. The perpendicular walls of rock rose on either hand from the flat greensward that carpeted its bottom, pretty much as the waters of the Red Sea must have risen on each side of the fugitive Israelites. A blaze of light smote the face of one cliff, while the other lay in the deepest shadow; and on the rugged surface of each might still be traced corresponding articulations, that once had dovetailed into each other, ere the igneous mass was rent asunder. So unchanged, so recent seemed the vestiges of this convulsion, that I felt as if I had been admitted to witness one of nature’s grandest and most violent operations, almost in the very act of its execution. A walk of about twenty minutes brought us to the borders of the lake—a glorious expanse of water, fifteen miles long, by eight miles broad, occupying a basin formed by the same hills, which must also, I imagine, have arrested the further progress of the lava torrent. A lovelier scene I have seldom witnessed. In the foreground lay huge masses of rock and lava, tossed about like the ruins of a world, and washed by waters as bright and green as polished malachite. Beyond, a bevy of distant mountains, robed by the transparent atmosphere in tints unknown to Europe, peeped over each other’s shoulders into the silver mirror at their feet, while here and there from among their purple ridges columns of white vapour rose like altar smoke towards the tranquil heaven.
Turning away from what I can only imagine was the site of[Pg 150] many untold tragedies, we made our way down the gorge of the Almanna Gja toward the lake. I took the chance to look again at its incredible structure. The sheer rock walls rose up on either side from the flat grassy floor below, much like how the waters of the Red Sea must have stood beside the fleeing Israelites. One cliff was bathed in bright light, while the other lay in deep shadow; and on the rugged surface of each, you could still see corresponding shapes that had once fit together before the volcanic mass was torn apart. The remnants of this upheaval looked so recent and unchanged that I felt as if I had been granted a rare view of one of nature’s most impressive and violent processes, almost as it was happening. A walk of about twenty minutes brought us to the edge of the lake—a stunning expanse of water, fifteen miles long and eight miles wide, sitting in a basin formed by the same hills, which must have halted the further flow of the lava. I have rarely seen a more beautiful scene. In the foreground lay huge boulders of rock and lava, scattered like the remnants of a shattered world, washed by waters as bright and green as polished malachite. Beyond that, a group of distant mountains, dressed in a clear atmosphere with colors not found in Europe, leaned over each other to peek into the silver lake below, while here and there among their purple ridges, columns of white vapor rose like altar smoke toward the calm sky.
The next morning we started for the Geysers; this time[Pg 151] dividing the baggage-train, and sending on the cook in light marching order, with the materials for dinner. The weather still remained unclouded, and each mile we advanced disclosed some new wonder in the unearthly landscape. A three hours’ ride brought us to the Rabna Gja, the eastern boundary of Thingvalla, and, winding up its rugged face, we took our last look over the lovely plain beneath us, and then manfully set across the same kind of arid lava plateau as that which we had already traversed before arriving at the Almanna Gja.
The next morning we set out for the Geysers; this time[Pg 151] we split the baggage train and sent the cook ahead with the supplies for dinner, traveling light. The weather stayed clear, and every mile revealed a new wonder in the otherworldly landscape. After three hours of riding, we reached the Rabna Gja, the eastern edge of Thingvalla. Climbing its rocky slope, we took a final look over the beautiful plain below us and then bravely crossed the same kind of barren lava plateau that we had already navigated before reaching the Almanna Gja.
Letters from High Latitude, being some account of a voyage in the schooner yacht Foam in 1856 (London, 1859).
Letters from High Latitude, being some account of a voyage in the schooner yacht Foam in 1856 (London, 1859).
FOOTNOTE:
[Pg 152]
[Pg 152]
LAND’S END AND LOGAN ROCK
(ENGLAND)
(England)
JOHN AYRTON PARIS
John Ayrton Paris
Sir H. Davy.
Sir H. Davy.
In an excursion to the Land’s End the traveller will meet with several intermediate objects well worthy his attention, more worthy, perhaps, than the celebrated promontory itself, as being monuments of the highest antiquity in the kingdom. They consist of Druidical circles, cairns, or circular heaps of stones, cromlechs, crosses, military entrenchments, and the obscure remains of castles.
In a trip to the Land’s End, travelers will encounter several noteworthy sites that might be even more interesting than the famous promontory itself, as they are monuments of the highest antiquity in the kingdom. These include Druid circles, cairns or stone heaps, cromlechs, crosses, military fortifications, and the obscure remains of castles.
Having arrived at the celebrated promontory, we descend a rapid slope, which brings us to a bold group of rocks, composing the western extremity of our island. Some years ago a military officer who visited this spot, was rash enough to descend on horseback; the horse soon became unruly, plunged, reared, and, fearful to relate, fell backwards over the precipice, and rolling from rock to rock was[Pg 153] dashed to atoms before it reached the sea. The rider was for some time unable to disengage himself, but at length by a desperate effort he threw himself off, and was happily caught by some fragments of rock, at the very brink of the precipice, where he remained in a state of insensibility until assistance could be afforded him! The awful spot is marked by the figure of a horseshoe, traced on the turf with a deep incision, which is cleared out from time to time, in order to preserve it as a monument of rashness which could alone be equalled by the good fortune with which it was attended.
Having reached the famous cliff, we go down a steep slope that leads us to a striking group of rocks, forming the western edge of our island. A few years ago, a military officer who visited this place was reckless enough to ride down on horseback; the horse quickly became uncontrollable, bucked, reared up, and, terrifyingly, fell backward over the edge, tumbling from rock to rock and being shattered to pieces before it hit the sea. The rider was stuck for a while but eventually managed to throw himself off, landing on some rocky fragments at the very edge of the cliff, where he remained unconscious until help arrived! This terrifying spot is marked by a horseshoe shape carved into the grass, which is cleared out occasionally to preserve it as a reminder of recklessness, matched only by the luck that saved him.
Why any promontory in an island should be exclusively denominated the Land’s End, it is difficult to understand; yet so powerful is the charm of a name, that many persons have visited it on no other account; the intelligent tourist, however, will receive a much more substantial gratification from his visit; the great geological interest of the spot will afford him an ample source of entertainment and instruction, while the magnificence of its convulsed scenery, the ceaseless roar, and deep intonation of the ocean, and the wild shrieks of the cormorant, all combine to awaken the blended sensations of awe and admiration.
Why any promontory on an island should be called Land's End is hard to grasp; yet the power of a name is so strong that many people visit it just for that reason. However, the savvy traveler will find much more rewarding experiences during their visit. The significant geological interest of the area offers plenty of entertainment and learning opportunities, while the stunning, tumultuous scenery, the constant roar and deep sound of the ocean, and the wild calls of the cormorant all come together to stir feelings of awe and admiration.
The cliff which bounds this extremity is rather abrupt than elevated, not being more than sixty feet above the level of the sea. It is composed entirely of granite, the forms of which present a very extraordinary appearance, assuming in some places the resemblance of shafts that had been regularly cut with the chisel; in others, regular equidistant fissures divide the rock into horizontal masses, and[Pg 154] give it the character of basaltic columns; in other places, again, the impetuous waves of the ocean have opened, for their retreat, gigantic arches, through which the angry billows roll and bellow with tremendous fury.
The cliff at this end is more steep than high, standing around sixty feet above sea level. It’s made entirely of granite, which has a really unusual look, sometimes resembling shafts that seem like they were precisely carved; in other spots, regular, evenly spaced cracks divide the rock into horizontal chunks, giving it the appearance of basalt columns. In other areas, the powerful ocean waves have carved out massive arches for their retreat, through which the furious waves crash and roar with incredible force.
Several of these rocks from their grotesque forms have acquired whimsical appellations, as that of the Armed Knight, the Irish Lady, etc. An inclining rock on the side of a craggy headland, south of the Land’s End, has obtained the name of Dr. Johnson’s Head, and visitors after having heard the appellation seldom fail to acknowledge that it bears some resemblance to the physiognomy of that extraordinary man.
Several of these rocks, with their strange shapes, have gotten quirky names, like the Armed Knight and the Irish Lady. A sloping rock on the side of a jagged cliff, south of Land’s End, is called Dr. Johnson’s Head, and visitors, after hearing the name, often agree that it looks a bit like the face of that remarkable man.
On the north, this rocky scene is terminated by a promontory 229 feet above the level of the sea, called Cape Cornwall, between which and the Land’s End, the coast retires, and forms Whitesand Bay; a name which it derives from the peculiar whiteness of the sand, and amongst which the naturalist will find several rare microscopic shells. There are, besides, some historical recollections which invest this spot with interest. It was in this bay that Stephen landed on his first arrival in England; as did King John, on his return from Ireland; and Perkin Warbeck, in the prosecution of those claims to the Crown to which some late writers have been disposed to consider that he was entitled, as the real son of Edward the Fourth. In the rocks near the southern termination of Whitesand Bay may be seen the junction of the granite and slate; large veins of the former may also be observed to traverse the latter in all directions.
On the north, this rocky landscape is bordered by a cliff 229 feet above sea level, known as Cape Cornwall, which leads into Whitesand Bay. The bay gets its name from the distinctive white sand, where naturalists can discover several rare microscopic shells. Additionally, there are historical memories that make this location interesting. It was in this bay that Stephen first landed upon arriving in England; King John also landed here upon returning from Ireland; and Perkin Warbeck arrived in pursuit of his claims to the Crown, which some recent writers have suggested he had a rightful claim to as the legitimate son of Edward the Fourth. The rocks near the southern end of Whitesand Bay reveal the meeting point of granite and slate, with large veins of granite visible running through the slate in various directions.
[Pg 155]
[Pg 155]
We now return to the Land’s End,—from which we should proceed to visit a promontory called “Castle Treryn,” where is situated the celebrated “Logan Stone.” If we pursue our route along the cliffs, it will be found to be several miles southeast of the Land’s End, although by taking the direct and usual road across the country, it is not more than two miles distant; but the geologist must walk, or ride along the coast on horseback, and we can assure him that he will be amply recompensed for his trouble.
We now return to Land’s End, from where we should head to a promontory known as “Castle Treryn,” home to the famous “Logan Stone.” If we follow the cliffs, it’s about several miles southeast of Land’s End, but if you take the direct route across the land, it's only about two miles away. However, the geologist will need to walk or ride along the coast on horseback, and we can guarantee that he will be well rewarded for his efforts.
From the Cape on which the signal station is situated, the rock scenery is particularly magnificent, exhibiting an admirable specimen of the manner, and forms, into which granite disintegrates. About forty yards from this Cape is the promontory called Tol-Pedn-Penwith, which in the Cornish language signifies the holed headland in Penwith. The name is derived from a singular chasm, known by the appellation of the Funnel Rock; it is a vast perpendicular excavation in the granite, resembling in figure an inverted cone, and has been evidently produced by the gradual decomposition of one of those vertical veins with which this part of the coast is so frequently intersected. By a circuitous route you may descend to the bottom of the cavern, into which the sea flows at high water. Here the Cornish chough (Corvus Graculus) has built its nest for several years, a bird which is very common about the rocky parts of this coast, and may be distinguished by its red legs and bill, and the violaceous blackness of its feathers. This promontory forms the western extremity of the Mount’s Bay. The antiquary will discover in this spot, the vestiges of one of[Pg 156] the ancient “Cliff Castles,” which were little else than stone walls, stretching across necks of land from cliff to cliff. The only geological phenomenon worthy of particular notice is a large and beautiful contemporaneous vein of red granite containing schorl; is one foot in width, and may be seen for about forty feet in length.
From the Cape where the signal station is located, the rocky scenery is particularly stunning, showcasing an impressive example of how granite breaks down into different forms. About forty yards from this Cape is the promontory called Tol-Pedn-Penwith, which in Cornish means the holed headland in Penwith. The name comes from a unique chasm known as the Funnel Rock; it’s a large vertical cavity in the granite that looks like an upside-down cone. This formation has clearly resulted from the gradual breakdown of one of the vertical veins frequently found along this part of the coast. You can take a winding path down to the bottom of the cavern, where the sea flows in at high tide. Here, the Cornish chough (Corvus Graculus) has made its nest for several years. This bird, common along the rocky areas of the coast, can be recognized by its red legs and bill as well as the purplish-black color of its feathers. This promontory marks the western end of Mount's Bay. History enthusiasts will find the remains of one of[Pg 156] the ancient “Cliff Castles” here, which were essentially just stone walls stretching across land from cliff to cliff. The only geological feature that stands out is a large and beautiful contemporaneous vein of red granite containing schorl; it’s one foot wide and can be seen for about forty feet in length.
Continuing our route around the coast we at length arrive at Castle Treryn. Its name is derived from the supposition of its having been the site of an ancient British fortress, of which there are still some obscure traces, although the wild and rugged appearance of the rocks indicate nothing like art.
Continuing our journey along the coast, we finally arrive at Castle Treryn. Its name comes from the belief that it was once the site of an ancient British fortress, of which there are still a few faint traces, although the wild and rugged look of the rocks shows no signs of human craftsmanship.

ROCKING STONES, LAND’S END, CORNWALL.
Rocking Stones, Land's End, Cornwall.
The foundation of the whole is a stupendous group of granite rocks, which rise in pyramidal clusters to a prodigious altitude, and overhang the sea. On one of those pyramids is situated the celebrated “Logan Stone,” which is an immense block of granite weighing about sixty tons. The surface in contact with the under rock is of very small extent, and the whole mass is so nicely balanced, that, notwithstanding its magnitude, the strength of a single man applied to its under edge is sufficient to change its centre of gravity, and though at first in a degree scarcely perceptible, yet the repetition of such impulses, at each return of the stone, produces at length a very sensible oscillation! As soon as the astonishment which this phenomenon excites has in some measure subsided, the stranger anxiously inquires how, and whence the stone originated—was it elevated by human means, or was it produced by the agency of natural causes? Those who[Pg 157] are in the habit of viewing mountain masses with geological eyes, will readily discover that the only chisel ever employed has been the tooth of time—the only artist engaged, the elements. Granite usually disintegrates into rhomboidal and tabular masses, which by the farther operation of air and moisture gradually lose their solid angles, and approach the spheroidal form. De Luc observed, in the giant mountains of Silesia, spheroids of this description so piled upon each other as to resemble Dutch cheeses; and appearances, no less illustrative of the phenomenon, may be seen from the signal station to which we have just alluded. The fact of the upper part of the cliff being more exposed to atmospheric agency, than the parts beneath, will sufficiently explain why these rounded masses so frequently rest on blocks which still preserve the tabular form; and since such spheroidal blocks must obviously rest in that position in which their lesser axes are perpendicular to the horizon, it is equally evident that whenever an adequate force is applied they must vibrate on their point of support.
The foundation of the whole area is a massive group of granite rocks that rise in pyramid-like clusters to a staggering height, overhanging the sea. On one of these pyramids sits the famous “Logan Stone,” an enormous block of granite weighing around sixty tons. The surface in contact with the rock below is quite small, and the entire mass is so perfectly balanced that, despite its size, the strength of just one person pushing on its lower edge is enough to shift its center of gravity. Although initially only a slight movement, repeated applications of force eventually cause noticeable oscillation. Once the astonishment at this phenomenon fades a bit, the newcomer eagerly asks how the stone got there—was it placed there by humans, or did nature do this? Those who regularly look at mountain formations with a geological perspective will quickly realize that the only tool ever used to shape this stone has been the tooth of time, with the elements acting as the artist. Granite typically breaks down into rhomboidal and flat masses, which, through the continued effects of air and moisture, gradually lose their sharp angles and take on a more rounded shape. De Luc noted similar rounded shapes in the towering mountains of Silesia, stacked in a way that resembled Dutch cheeses; similar formations can also be seen from the signal station we just mentioned. The fact that the upper parts of the cliff are more exposed to the weather than the lower parts explains why these rounded masses often rest on blocks that still maintain a flat shape. Since these rounded blocks must rest in a position where their shorter axes are vertical, it’s also clear that when sufficient force is applied, they will vibrate on their point of support.
Although we are thus led to deny the Druidical origin of this stone, for which so many zealous antiquaries have contended, still we by no means intend to deny that the Druids employed it as an engine of superstition; it is indeed very probable that, having observed so uncommon a property, they dexterously contrived to make it answer the purposes of an ordeal, and by regarding it as the touchstone of truth, acquitted or condemned the accused by its motions. Mason poetically alludes to this supposed property in the following lines:
Although we are led to reject the idea that this stone has a Druidic origin, which many devoted historians have argued, we certainly don’t mean to suggest that the Druids didn’t use it as a tool of superstition. It's quite likely that, having noticed such an unusual property, they cleverly figured out how to use it for trials, viewing it as the touchstone of truth, and deciding the fate of the accused based on its movements. Mason poetically references this supposed property in the following lines:
[Pg 158]
[Pg 158]
The rocks are covered with a species of Byssus long and rough to the touch, forming a kind of hoary beard; in many places they are deeply furrowed, carrying with them a singular air of antiquity, which combines with the whole of the romantic scenery to awaken in the minds of the poet and enthusiast the recollection of the Druidical ages. The botanist will observe the common Thrift—(Statice Armeria) imparting a glowing tinge to the scanty vegetation of the spot, and, by growing within the crevices of the rocks, affording a very picturesque contrast to their massive fabric. Here, too, the Daucus Maritimus, or wild carrot; Sedum Telephium, Saxifraga Stellaris, and Asplenium Marinum, may be found in abundance.
The rocks are covered with a species of Byssus that is long and rough to the touch, forming a sort of gray beard. In many places, they are deeply grooved, giving off a unique sense of age that, combined with the entire romantic scenery, stirs up memories of the Druidical times in the minds of poets and enthusiasts. The botanist will notice the common Thrift—(Statice Armeria) adding a vibrant splash of color to the sparse vegetation in the area, and by growing in the cracks of the rocks, it creates a striking contrast to their solid structure. Here, too, you can find plenty of Daucus Maritimus, or wild carrot; Sedum Telephium, Saxifraga Stellaris, and Asplenium Marinum.
The granite in this spot is extremely beautiful on account of its porphyritic appearance; the crystals of feldspar are numerous and distinct; in some places the rock is traversed by veins of red feldspar, and of black tourmaline, or schorl, of which the crystalline forms of the prisms, on account of their close aggregation, are very indistinct. Here may also be observed a contemporaneous vein of schorl rock in the granite, nearly two feet wide, highly inclined and very short, and not having any distinct walls.[Pg 159] On the western side of the Logan Rock is a cavern, formed by the decomposition of a vein of granite, the feldspar of which assumes a brilliant flesh-red and lilac colour; and, where it is polished by the sea, exceeding even in beauty the Serpentine caverns at the Lizard.
The granite in this area is really stunning because of its porphyritic look; the crystals of feldspar are numerous and clear. In some places, the rock is crossed by veins of red feldspar and black tourmaline, or schorl, where the crystalline shapes of the prisms, due to their close grouping, are quite faint. You can also see a contemporaneous vein of schorl rock in the granite, almost two feet wide, highly tilted, very short, and without any clear walls.[Pg 159] On the western side of the Logan Rock, there's a cave formed by the breakdown of a vein of granite, where the feldspar takes on a bright flesh-red and lilac color; and where it’s polished by the sea, it is even more beautiful than the Serpentine caverns at the Lizard.
A Guide to the Mount’s Bay and the Land’s End (London, 2d Ed., 1824).
A Guide to the Mount’s Bay and the Land’s End (London, 2nd Ed., 1824).
[Pg 160]
[Pg 160]
MOUNT HEKLA[5]
(ICELAND)
(ICELAND)
SIR RICHARD F. BURTON
SIR RICHARD F. BURTON
The Hekla of our ingenuous childhood, when we believed in the “Seven Wonders of the World,” was a mighty cone, a “pillar of heaven,” upon whose dreadful summit white, black, and sanguine red lay in streaks and patches, with volumes of sooty smoke and lurid flames, and a pitchy sky. The whole was somewhat like the impossible illustrations of Vesuvian eruptions, in body-colours, plus the ice proper to Iceland. The Hekla of reality, No. 5 in the island scale, is a commonplace heap, half the height of Hermon, and a mere pigmy compared with the Andine peaks, rising detached from the plains, about three and a half miles in circumference, backed by the snows of Tindafjall and Torfajökull, and supporting a sky-line that varies greatly with the angle under which it is seen. Travellers usually make it a three-horned Parnassus, with the central knob highest—which is not really the case. From the south-west, it shows now four, then five, distinct[Pg 161] points; the north-western lip of the northern crater, which hides the true apex; the south-western lip of the same; the north-eastern lip of the southern crater, which appears the culminating point, and the two eastern edges of the southern bowls. A pair of white patches represents the “eternal snows.” On the right of the picture is the steep, but utterly unimportant Thrihyrningr, crowned with its benchmark; to the left, the Skardsfjall, variegated green and black; and in the centre, the Bjólfell, a western buttress of the main building, which becomes alternately a saddleback, a dorsum, and an elephant’s head, trunk, and shoulders.
The Hekla of our innocent childhood, when we believed in the "Seven Wonders of the World," was a towering cone, a "pillar of heaven," with streaks and patches of white, black, and blood red on its terrifying summit, accompanied by billowing black smoke and fiery flames against a dark sky. It looked somewhat like the unrealistic illustrations of volcanic eruptions in vibrant colors, mixed with the ice typical of Iceland. The real Hekla, number 5 on the island's scale, is just a plain mound, half the height of Hermon, a tiny peak compared to the towering Andes, rising alone from the plains, about three and a half miles in circumference, set against the snowy backdrops of Tindafjall and Torfajökull, and presenting a skyline that shifts dramatically depending on the angle it's viewed from. Travelers often describe it as a three-horned Parnassus, with the central peak being the tallest—but that's not accurate. From the southwest, it appears to have four or five distinct points; the northwestern edge of the northern crater hides the actual peak, the southwestern edge of the same crater, the northeastern edge of the southern crater looks like the highest point, and the two eastern edges of the southern bowls complete the view. A couple of white patches signify the "eternal snows." On the right side of the image is the steep but totally unremarkable Thrihyrningr, topped with its benchmark; on the left, Skardsfjall, with its mottled green and black; and in the center is Bjólfell, a western outcrop of the main mountain, which alternates between looking like a saddle, a ridge, and the head, trunk, and shoulders of an elephant.
We came upon the valley of the Western Rángá[6] at a rough point, a gash in the hard yellow turf-clad clay, dotted with rough lava blocks, and with masses of conglomerate, hollowed, turned, and polished by water: the shape was a succession of S, and the left side was the more tormented. Above the ford a dwarf cascade had been formed by the lava of ’45, which caused the waters to boil, and below the ford jumped a second, where the stream forks. We then entered an Iceland “forest,” at least four feet high; the “chapparal” was composed of red willow (Salix purpurea), of Grá-vidir, woolly-leaved willow (Sulix lapponum), the “tree under which the devil flayed the goats”—a diabolical difficulty, when the bush is a foot high—and the awful and venerable birch, “la demoiselle des fôrets,” which has so often “blushed with patrician blood.” About mid-afternoon[Pg 162] we reached Næfrholt (birch-bark hill), the “fashionable” place for the ascent, and we at once inquired for the guide. Upon the carpe diem principle, he had gone to Reykjavik with the view of drinking his late gains; but we had time to organize another, and even alpenstocks with rings and spikes are to be found at the farm-house. Everything was painfully tourist.
We arrived at the valley of the Western Rángá[6] at a rugged spot, a cut in the hard yellow grass-covered clay, scattered with rough lava rocks and masses of conglomerate, shaped, hollowed, and smoothed by water: it was like a series of S curves, with the left side looking more battered. Above the crossing, a small waterfall had formed from the lava of '45, causing the water to churn, and below the crossing was a second one, where the stream split. We then entered an Icelandic "forest," at least four feet tall; the "chaparral" was made up of red willow (Salix purpurea), Grá-vidir, woolly-leaved willow (Salix lapponum), the “tree under which the devil skinned the goats”—a daunting challenge when the bush is only a foot tall—and the impressive and ancient birch, “la demoiselle des forêts,” which has often “blushed with noble blood.” Around mid-afternoon[Pg 162], we reached Næfrholt (birch-bark hill), the “popular” spot for climbing, and immediately asked for the guide. Following the carpe diem approach, he had gone to Reykjavik to enjoy his recent earnings; however, we still had time to find another guide, and it turned out that even climbing sticks with rings and spikes could be found at the farmhouse. Everything felt painfully touristy.
In the evening we scaled the stiff slope of earth and Palagonite which lies behind, or east of Næfrholt; this crupper of Bjólfell, the Elephant Mountain, gives perhaps harder work than any part of Hekla on the normal line of ascent. From the summit we looked down upon a dwarf basin, with a lakelet of fresh water, which had a slightly (carbonic) acid taste, and which must have contained lime, as we found two kinds of shells, both uncommonly thin and fragile. Three species of weeds floated off the clean sandstrips. Walking northward to a deserted byre, we found the drain gushing under ground from sand and rock, forming a distinct river-valley, and eventually feeding the Western Rángá. This “Vatn” is not in the map; though far from certain that it is not mentioned by Mackenzie, we named it the “Unknown Lake.” Before night fell we received a message that three English girls and their party proposed to join us. This was a “scare,” but happily the Miss Hopes proved plucky as they were young and pretty, and we rejoiced in offering this pleasant affront of the feminine foot to that grim old solitaire, Father Hekla.
In the evening, we climbed the steep slope of earth and Palagonite behind or east of Næfrholt. This ridge of Bjólfell, known as the Elephant Mountain, probably requires more effort than any part of Hekla on the usual route. From the top, we looked down at a small basin with a pond of fresh water that had a slightly acidic taste and likely contained lime, as we found two kinds of unusually thin and fragile shells. Three types of weeds floated on the clean sand strips. Walking north to an abandoned barn, we discovered a drain gushing underground from sand and rock, creating a distinct river valley that eventually feeds the Western Rángá. This “Vatn” isn’t on the map; while we're not sure it’s mentioned by Mackenzie, we named it the “Unknown Lake.” Before night fell, we received a message that three English girls and their group planned to join us. This was a "scare," but luckily the Miss Hopes turned out to be brave, just like they were young and pretty, and we were thrilled to present this charming surprise of feminine presence to that grim old solitaire, Father Hekla.
Before the sleep necessary to prepare for the next day’s work, I will offer a few words concerning the “Etna of[Pg 163] the North,” sparing the reader, however, the mortification of a regular history. It was apparently harmless, possibly dormant, till A. D. 1104, when Sæmund, the “Paris clerk,” then forty-eight years old, threw in a casket, and awoke the sleeping lion. Since that time fourteen regular eruptions, without including partial outbreaks are recorded, giving an average of about two per century. The last was in 1845. The air at Reykjavik was flavoured, it is said, like a gun that wants washing; and the sounds of a distant battle were conducted by the lava and basaltic ground. The ashes extended to Scotland. When some writers tell us that on this occasion Hekla lost 500 feet in height, “so much of the summit having been blown away by the explosions,” they forget or ignore the fact that the new crater opened laterally and low down.
Before the sleep needed to get ready for the next day’s work, I want to say a few words about the “Etna of the North,” but I won’t put the reader through a full history. It seemed harmless, possibly dormant, until A. D. 1104, when Sæmund, the “Paris clerk,” who was then forty-eight, tossed in a casket and woke the sleeping giant. Since then, there have been fourteen major eruptions, not counting minor outbreaks, averaging about two per century. The last one was in 1845. They say the air in Reykjavik smelled like a dirty gun, and the sounds of a distant battle were carried by the lava and basalt ground. The ashes reached all the way to Scotland. When some writers claim that during this event Hekla lost 500 feet in height because “so much of the summit was blown away by the explosions,” they overlook the fact that the new crater opened on the side and lower down.
Like Etna, Vesuvius, and especially Stromboli, Hekla became mythical in Middle-Age Europe, and gained wide repute as one of the gates of “Hel-viti.” Witches’ Sabbaths were held there. The spirits of the wicked, driven by those grotesque demons of Father Pinamonti which would make the fortune of a zoological society, were seen trooping into the infernal crater; and such facts as these do not readily slip off the mind of man. The Danes still say “Begone to Heckenfjæld!” the North Germans, “Go to Hackelberg!” and the Scotch consign you to “John Hacklebirnie’s house.” Even Goldsmith (Animated Nature, i. 48) had heard of the local creed, “The inhabitants of Iceland believe the bellowings of Hekla are nothing else but the cries of the damned, and that its eruptions[Pg 164] are contrived to increase their tortures.” Uno Van Troil (Letter I.) who in 1770, together with those “inclyti Brittannici,” Baron Bank and Dr. Solander, “gained the pleasure of being the first who ever reached the summit of this celebrated volcano,” attributes the mountain’s virginity to the superstitions of the people. He writes soberly about its marvels; and he explains its high fame by its position, skirting the watery way to and from Greenland and North America. His companions show less modesty of imagination. We may concede that an unknown ascent “required great circumspection”; and that in a high wind ascensionists were obliged to lie down. But how explain the “dread of being blown into the most dreadful precipices,” when the latter do not exist? Moreover, we learn that to “accomplish this undertaking” they had to travel from 300 to 360 miles over uninterrupted bursts of lava, which is more than the maximum length of the island, from northeast to southwest. As will be seen, modern travellers have followed suit passing well.
Like Etna, Vesuvius, and especially Stromboli, Hekla became legendary in medieval Europe and gained a reputation as one of the gates to “Hel-viti.” Witches' gatherings were held there. The spirits of the damned, driven by those grotesque demons of Father Pinamonti, which would make for an interesting exhibit at a zoo, were seen flocking into the infernal crater; and such stories are hard to forget. The Danes still say “Begone to Heckenfjæld!” the North Germans say “Go to Hackelberg!” and the Scots send you off to “John Hacklebirnie’s house.” Even Goldsmith (Animated Nature, i. 48) mentioned the local belief: “The inhabitants of Iceland believe the bellowings of Hekla are nothing else but the cries of the damned, and that its eruptions[Pg 164] are meant to increase their suffering.” Uno Van Troil (Letter I.), who in 1770, along with those “distinguished Britons,” Baron Bank and Dr. Solander, “had the pleasure of being the first to reach the summit of this famous volcano,” attributes the mountain’s untouched state to the superstitions of the locals. He writes thoughtfully about its wonders and explains its high reputation by its location, bordering the ocean route to and from Greenland and North America. His companions show less restraint in their imagination. We can agree that an unknown climb “required great caution”; and that in high winds, climbers had to lie down. But how do you explain the “fear of being blown into the most terrible cliffs,” when those cliffs don’t even exist? Additionally, we learn that to “accomplish this undertaking” they had to travel between 300 to 360 miles over unbroken stretches of lava, which is more than the maximum length of the island from northeast to southwest. As will be shown, modern travelers have also made the journey successfully.
The next morning (July 13) broke fair and calm, reminding me
The next morning (July 13) was clear and peaceful, reminding me
“Del bel paese la dove il sì suona.”
“From the beautiful country where the 'yes' echoes.”
The Miss Hopes were punctual to a minute—an excellent thing in travelling womanhood. We rode up half-way somewhat surprised to find so few parasitic craters; the only signs of independent eruption on the western flank were the Raudkólar (red hills), as the people call their lava hornitos and spiracles, which are little bigger than the bottle-house cones of Leith.
The Miss Hopes were on time to the minute—an excellent trait in women travelers. We rode up halfway, somewhat surprised to see so few parasitic craters; the only signs of independent eruptions on the western side were the Raudkólar (red hills), as the locals call their lava formations and vents, which are only slightly larger than the bottle-shaped cones of Leith.
[Pg 165]
[Pg 165]
At an impassable divide we left our poor nags to pass the dreary time, without water or forage, and we followed the improvised guide, who caused not a little amusement. His general port was that of a bear that has lost its ragged staff.—I took away his alpenstock for one of the girls—and he was plantigrade rather than cremnobatic; he had stripped to his underalls, which were very short, whilst his stockings were very long and the heraldic gloves converted his hands to paws. The two little snow fonds (“steep glassy slopes of hard snow”), were the easiest of walking. We had nerved ourselves to “Break neck or limbs, be maimed or boiled alive,” but we looked in vain for the “concealed abysses,” for the “crevasses to be crossed,” and for places where a “slip would be to roll to destruction.” We did not sight the “lava wall,” a capital protection against giddiness. The snow was anything but slippery; the surface was scattered with dust, and it bristled with a forest of dwarf earth-pillars, where blown volcanic sand preserved the ice. After a slow hour and a half, we reached the crater of ’45, which opened at 9 A. M. on September 2, and discharged lava till the end of November. It might be passed unobserved by the inexperienced man. The only remnant is the upper lip prolonged to the right; the dimensions may have been 120 by 150 yards, and the cleft shows a projecting ice-ledge ready to fall. The feature is well-marked by the new lava-field of which it is the source: the bristly “stone-river” is already degrading to superficial dust. A little beyond this bowl the ground smokes, discharging snow-steam made visible by the cold air. Hence[Pg 166] doubtless those sententious travellers “experienced at one and the same time, a high degree of heat and cold.”
At an impossible divide, we left our poor horses to pass the dreary time, without water or food, and we followed the makeshift guide, who provided quite a bit of amusement. His overall look was like a bear that had lost its ragged staff. I took his walking stick for one of the girls—he walked flat-footed rather than on his toes; he had stripped down to very short underpants, while his long socks and the fancy gloves made his hands look like paws. The two little snow slopes were the easiest to walk on. We had prepared ourselves to “break our necks or limbs, be maimed or boiled alive,” but we looked in vain for the “hidden abysses,” for the “crevasses to cross,” and for places where a “slip would lead to disaster.” We didn’t spot the “lava wall,” which would have been a great protection against dizziness. The snow was anything but slippery; the surface was covered with dust and had a bunch of tiny earth pillars, where blown volcanic sand preserved the ice. After a slow hour and a half, we reached the crater from ’45, which opened at 9 A. M. on September 2, and discharged lava until the end of November. It could easily be missed by an inexperienced person. The only remnant is the upper lip extending to the right; its dimensions were about 120 by 150 yards, and the crack shows a protruding ice ledge ready to fall. This feature is clearly marked by the new lava field, which it originates from: the bristly "stone river" is already breaking down into superficial dust. A bit beyond this bowl, the ground smokes, releasing steam visible in the cold air. Hence[Pg 166] the obvious irony for those seasoned travelers who “experienced at the same time, a high degree of heat and cold.”
Fifteen minutes more led us to the First or Southern Crater, whose Ol-bogi (elbow or rim) is one of the horns conspicuous from below. It is a regular formation about 100 yards at the bottom each way, with the right (east) side red and cindery, and the left yellow and sulphury; mosses and a few flowerets grow on the lips; in the sole rise jets of steam and a rock-rib bisects it diagonally from northeast to southwest. We thought it the highest point of the volcano, but the aneroid corrected our mistake.
Fifteen more minutes brought us to the First or Southern Crater, whose Ol-bogi (the elbow or rim) is one of the prominent features visible from below. It's a well-defined formation about 100 yards across at the bottom, with the right (east) side being red and cindery, and the left side being yellow and sulfurous. Mosses and a few flowers grow along the edges; in the bottom, jets of steam rise, and a rocky ridge cuts through it diagonally from northeast to southwest. We thought this was the highest point of the volcano, but the aneroid corrected our mistake.
From the First Crater we walked over the left or western dorsum, over which one could drive a coach, and we congratulated one another upon the exploit. Former travellers “balancing themselves like rope-dancers, succeeded in passing along the ridge of slags which was so narrow that there was scarcely room for their feet,” the breadth being “not more than two feet, having a precipice on each side several hundred feet in depth.” Charity suggests that the feature has altered, but there was no eruption between 1766 and 1845; moreover, the lip would have diminished, not increased. And one of the most modern visitors repeats the “very narrow ridge,” with the classical but incorrect adjuncts of “Scylla here, Charybdis there.” Scylla (say the crater slope) is disposed at an angle of 30°, and Mr. Chapman coolly walked down this “vast” little hollow. I descended Charybdis (the outer counterscarp) far enough to make sure that it is equally easy.
From the First Crater, we walked along the left or western ridge, wide enough for a coach, and we congratulated each other on our accomplishment. Previous travelers “balancing themselves like tightrope walkers, managed to navigate the ridge of debris that was so narrow there was barely enough room for their feet,” with a width of “no more than two feet, having a sheer drop on each side several hundred feet deep.” Some suggest that the landscape has changed, but there were no eruptions between 1766 and 1845; besides, the edge would have eroded, not expanded. Additionally, one of the most recent visitors describes the “very narrow ridge,” with the classical but inaccurate references to “Scylla here, Charybdis there.” Scylla (referring to the crater slope) is sloped at an angle of 30°, and Mr. Chapman casually walked down this “vast” little hollow. I descended Charybdis (the outer counterscarp) far enough to confirm that it is just as easy.
Passing the “carriage road” (our own name), we crossed[Pg 167] a névé without any necessity for digging foot-holes. It lies where sulphur is notably absent. The hot patches which account for the freedom from snow, even so high above the congelation-line, are scattered about the summit: in other parts the thermometer, placed in an eighteen-inch hole, made earth colder than air. After a short climb we reached the apex; the ruddy-walled northeastern lip of the Red Crater (No. 2): its lower or western rim forms two of the five summits seen from the prairie, and hides the highest point. We thus ascertained that Hekla is a linear volcano of two mouths, or three including that of ’45, and that it wants a true apical crater. But how reconcile the accounts of travellers? Pliny Miles found one cone and three craters; Madam Ida Pfeiffer, like Metcalfe, three cones and no crater.
Passing the “carriage road” (that's what we called it), we crossed[Pg 167] a névé without needing to dig in for footholds. It’s located where there's a noticeable absence of sulphur. The warm spots that explain the lack of snow, even at such a high altitude, are scattered around the peak: in other areas, a thermometer placed in an eighteen-inch hole showed the ground was colder than the air. After a brief climb, we reached the top; the red-walled northeastern edge of the Red Crater (No. 2): its lower or western rim forms two of the five peaks visible from the plains and conceals the highest point. This confirmed that Hekla is a linear volcano with two vents, or three if you count the one from ’45, and that it lacks a true summit crater. But how do we make sense of the travelers' accounts? Pliny Miles discovered one cone and three craters; Madam Ida Pfeiffer, like Metcalfe, noted three cones and no crater.
On the summit the guides sang a song of triumph, whilst we drank to the health of our charming companions and, despite the cold wind which eventually drove us down, carefully studied the extensive view. The glorious day was out of character with a scene niente che Montagne, as the unhappy Venetians described the Morea; rain and sleet and blinding snow would better have suited the picture, but happily they were conspicuous by their absence. Inland, beyond a steep snow-bed unpleasantly crevassed, lay a grim photograph all black and white; Lángjökull looking down upon us with a grand and freezing stare; the Hrafntinnu Valley marked by a dwarf cone, and beyond where streams head, the gloomy regions stretching to the Sprengisandur, dreary wastes of utter sterility, howling deserts of dark ashes,[Pg 168] wholly lacking water and vegetable life, and wanting the gleam and the glow which light up the Arabian wild. Skaptár and Oræfa were hidden from sight. Seawards, ranging from west to south, the view, by contrast, was a picture of amenity and civilization. Beyond castellated Hljódfell and conical Skjaldbreid appeared the familiar forms of Esja, and the long lava projection of the Gold Breast country, melting into the western main. Nearer stretched the fair lowlands, once a broad deep bay, now traversed by the network of Ölfusá, Thjórsá, and the Markarfljót; while the sixfold bunch of the Westman Islands, mere stone lumps upon a blue ground, seemingly floating far below the raised horizon, lay crowned by summer sea. Eastward we distinctly traced the Fiskivötn. Run the eye along the southern shore, and again the scene shifts. Below the red hornitos of the slope rises the classical Three-horned, not lofty, but remarkable for its trident top; Tindfjall (tooth-fell) with its two horns or pyramids of ice, casting blue shadows upon the untrodden snow; and the whole mighty mass known as the Eastern Jökull Eyjafjall (island-fell), so called from the black button of rock which crowns the long white dorsum; Kátlá (Költu-gjá), Merkrjökull, and Godalands, all connected by ridges, and apparently neither lofty nor impracticable.
On the summit, the guides sang a triumphant song while we raised a toast to the health of our charming companions. Despite the cold wind that eventually drove us down, we carefully took in the expansive view. The glorious day was unlike what the unhappy Venetians called the Morea, "niente che Montagne"; rain, sleet, and blinding snow would have suited the scene better, but thankfully, they were noticeably absent. Inland, beyond a steep, unpleasantly crevassed snow-bed, lay a stark black-and-white landscape. Lángjökull loomed over us with its grand and icy stare, while the Hrafntinnu Valley was marked by a small cone. Beyond where the streams originate stretched the gloomy expanses leading to the Sprengisandur—dreary wastelands of complete sterility, howling deserts of dark ash, lacking water and vegetation, and missing the brightness that lights up the Arabian wilderness. Skaptár and Oræfa were out of sight. In contrast, looking seawards from west to south, the view was one of charm and civilization. Beyond the castle-like Hljódfell and the conical Skjaldbreid appeared the familiar outlines of Esja and the long lava formation of the Gold Breast country, fading into the western sea. Closer in were the beautiful lowlands, once a broad deep bay, now crisscrossed by the network of Ölfusá, Thjórsá, and Markarfljót. The sixfold cluster of the Westman Islands, mere stone chunks on a blue background, seemed to float far below the raised horizon, crowned by the summer sea. To the east, we could clearly trace the Fiskivötn. Scanning the southern shore, the scene shifted again. Below the red hornitos of the slope rose the classic Three-horned peak, not tall but noteworthy for its trident-shaped top; Tindfjall (tooth-fell) with its two ice horns or pyramids casting blue shadows on the untouched snow; and the whole impressive mass known as the Eastern Jökull Eyjafjall (island-fell), named for the black rock peak that crowns its long white back; Kátlá (Költu-gjá), Merkrjökull, and Godalands, all connected by ridges and seemingly neither tall nor difficult to traverse.
Ultima Thule; or a Summer in Iceland (London and Edinburgh, 1875).
Ultima Thule; or a Summer in Iceland (London and Edinburgh, 1875).
FOOTNOTES:
[5] Heklu-fjall derives from Hekla (akin to Hökull, a priest’s cope), meaning a cowled or hooded frock, knitted of various colours, and applied to the “Vesuvius of the North” from its cap and body vest of snow. Icelanders usually translate it a chasuble, because its rounded black shoulders bear stripes of white, supposed to resemble the cross carried to Calvary.
[5] Heklu-fjall comes from Hekla (similar to Hökull, a priest's robe), meaning a hooded or cowled garment, knitted in different colors, and referred to as the "Vesuvius of the North" because of its snow-covered peak and slopes. Icelanders typically translate it as a chasuble, since its rounded black shoulders have white stripes that are said to resemble the cross taken to Calvary.
[6] Rángá (“wrong,” or crooked stream) is a name that frequently occurs, and generally denotes either that the trend is opposed to the general water-shed, or that an angle has been formed in the bed by earthquakes or eruptions.
[6] Rángá (“wrong,” or crooked stream) is a term that often comes up and typically indicates either that the flow is going against the usual water-shed or that an angle has developed in the riverbed due to earthquakes or volcanic activity.
[Pg 169]
[Pg 169]
VICTORIA FALLS
(AFRICA)
(Africa)
DAVID LIVINGSTONE
DAVID LIVINGSTONE
We proceeded next morning, 9th August, 1860, to see the Victoria Falls. Mosi-oa-tunya is the Makololo name, and means smoke sounding; Seongo or Chongwé, meaning the Rainbow, or the place of the Rainbow, was the more ancient term they bore. We embarked in canoes, belonging to Tuba Mokoro, “smasher of canoes,” an ominous name; but he alone, it seems, knew the medicine which insures one against shipwreck in the rapids above the Falls. For some miles the river was smooth and tranquil, and we glided pleasantly over water clear as crystal, and past lovely islands densely covered with a tropical vegetation. Noticeable among the many trees were the lofty Hyphæne and Borassus palms; the graceful wild date-palm, with its fruit in golden clusters, and the umbrageous mokononga, of cypress form, with its dark-green leaves and scarlet fruit. Many flowers peeped out near the water’s edge, some entirely new to us, and others, as the convolvulus, old acquaintances.
We set out the next morning, August 9, 1860, to visit the Victoria Falls. Mosi-oa-tunya is the Makololo name, meaning "the smoke that thunders"; Seongo or Chongwé, meaning "the Rainbow" or "the place of the Rainbow," was the older term they used. We got into canoes owned by Tuba Mokoro, which means “smasher of canoes,” a rather ominous name; but it seemed he was the only one who knew the trick to keep us safe from capsizing in the rapids above the Falls. For several miles, the river was calm and peaceful, and we smoothly passed over crystal-clear water and beautiful islands lush with tropical plants. Among the many trees were the tall Hyphæne and Borassus palms, the elegant wild date-palm with its golden fruit clusters, and the shady mokononga, shaped like a cypress, with its dark-green leaves and bright red fruit. Many flowers peeked out near the water's edge, some completely new to us, and others, like the convolvulus, old friends.
But our attention was quickly called from the charming islands to the dangerous rapids, down which Tuba might unintentionally shoot us. To confess the truth, the very ugly aspect of these roaring rapids could scarcely fail to[Pg 170] cause some uneasiness in the minds of new-comers. It is only when the river is very low, as it was now, that any one durst venture to the island to which we were bound. If one went during the period of flood, and fortunately hit the island, he would be obliged to remain there till the water subsided again, if he lived so long. Both hippopotamus and elephants have been known to be swept over the Falls, and of course smashed to pulp.
But our attention quickly shifted from the beautiful islands to the dangerous rapids, where Tuba might unknowingly send us hurtling down. To be honest, the very unappealing sight of these roaring rapids was enough to unsettle newcomers. It’s only when the river is really low, like it was now, that anyone dares to go to the island we were headed for. If someone went during flood season and happened to reach the island, they would have to stay there until the water went down again, if they survived that long. Both hippos and elephants have been known to get swept over the Falls and, of course, end up completely destroyed.
Before entering the race of waters, we were requested not to speak, as our talking might diminish the virtue of the medicine; and no one with such boiling, eddying rapids before his eyes, would think of disobeying the orders of a “canoe-smasher.” It soon became evident that there was sound sense in this request of Tuba’s, although the reason assigned was not unlike that of the canoe-man from Sesheke, who begged one of our party not to whistle because whistling made the wind come. It was the duty of the man at the bow to look out ahead for the proper course, and when he saw a rock or snag to call out to the steersman. Tuba doubtless thought that talking on board might divert the attention of his steersman, at a time when the neglect of an order, or a slight mistake, would be sure to spill us all into the chafing river. There were places where the utmost exertions of both men had to be put forth in order to force the canoe to the only safe part of the rapid, and to prevent it from sweeping down broadside on, where in a twinkling we should have found ourselves floundering among the plotuses and cormorants, which were engaged in diving for their breakfast of small fish. At times it seemed as if[Pg 171] nothing could save us from dashing in our headlong race against the rocks which, now that the river was low, jutted out of the water; but just at the very nick of time, Tuba passed the word to the steersman, and then with ready pole turned the canoe a little aside and we glided swiftly past the threatened danger. Never was canoe more admirably managed: once only did the medicine seem to have lost something of its efficacy. We were driving swiftly down, a black rock, over which the white foam flew, lay directly in our path, the pole was planted against it as readily as ever, but it slipped just as Tuba put forth his strength to turn the bow off. We struck hard, and were half-full of water in a moment; Tuba recovered himself as speedily, shoved off the bow, and shot the canoe into a still shallow place, to bale out the water. Here we were given to understand that it was not the medicine which was at fault; that had lost none of its virtue; the accident was owing entirely to Tuba having started without his breakfast. Need it be said we never left Tuba go without that meal again?
Before we entered the rapids, we were asked to stay quiet, as talking might weaken the power of the medicine; and no one would dare ignore the orders of a “canoe-smasher” with such turbulent waters in front of them. It quickly became clear that there was good reason behind Tuba’s request, even if it was similar to what the canoe-man from Sesheke said when he asked one of us not to whistle because whistling would summon the wind. The person at the front was responsible for spotting the safest route, and if he saw a rock or obstacle, he would call out to the steersman. Tuba likely believed that talking on the canoe could distract the steersman at a time when missing an order or making a small mistake could send us all tumbling into the rushing river. There were spots where both men had to put in maximum effort to steer the canoe to the only safe area of the rapid and avoid being swept sideways, where we'd quickly find ourselves struggling among the water lilies and cormorants diving for their breakfast of small fish. At times, it felt like nothing could prevent us from crashing into the rocks, which were exposed now that the river was low; but just in the nick of time, Tuba signaled to the steersman, and with a swift push of the pole, diverted the canoe enough to glide past the looming danger. The canoe was managed flawlessly: only once did it seem like the medicine had lost some of its effectiveness. We were racing down when a black rock, with white foam flying over it, blocked our way. The pole was positioned against it as it always was, but it slipped just as Tuba exerted his strength to turn the bow away. We hit hard and within moments, the canoe was half-full of water; Tuba quickly regained his balance, pushed the bow off, and maneuvered the canoe into a calm shallow area to bail out the water. Here, we understood that the medicine wasn’t at fault; it had retained all its power; the mishap was entirely because Tuba had gone without his breakfast. Do I need to say we never let Tuba skip that meal again?
We landed at the head of Garden Island, which is situated near the middle of the river and on the lip of the Falls. On reaching that lip, and peering over the giddy height, the wondrous and unique character of the magnificent cascade at once burst upon us.
We arrived at the top of Garden Island, located near the center of the river and at the edge of the Falls. As we reached that edge and looked over the dizzying height, the amazing and one-of-a-kind nature of the stunning waterfall immediately revealed itself to us.
It is a rather hopeless task to endeavour to convey an idea of it in words, since, as was remarked on the spot, an accomplished painter, even by a number of views, could but impart a faint impression of the glorious scene. The probable mode of its formation may perhaps help to the[Pg 172] conception of its peculiar shape. Niagara has been formed by a wearing back of the rock over which the river falls; but during the long course of ages, it has gradually receded, and left a broad, deep, and pretty straight trough in front. It goes on wearing back daily, and may yet discharge the lakes from which its river—the St. Lawrence—flows. But the Victoria Falls have been formed by a crack right across the river, in the hard, black, basaltic rock which there formed the bed of the Zambesi. The lips of the crack are still quite sharp, save about three feet of the edge over which the river rolls. The walls go sheer down from the lips without any projecting crag, or symptoms of stratification or dislocation. When the mighty rift occurred, no change of level took place in the two parts of the bed of the river thus rent asunder, consequently, in coming down the river to Garden Island, the water suddenly disappears, and we see the opposite side of the cleft, with grass and trees growing where once the river ran, on the same level as that part of its bed on which we sail. The first crack, is, in length, a few yards more than the breadth of the Zambesi, which by measurement we found to be a little over 1,860 yards, but this number we resolved to retain as indicating the year in which the Fall was for the first time carefully examined. The main stream here runs nearly north and south, and the cleft across it is nearly east and west. The depth of the rift was measured by lowering a line, to the end of which a few bullets and a foot of white cotton cloth were tied. One of us lay with his head over a projecting crag, and watched the descending calico, till, after his companions[Pg 173] had paid out 310 feet, the weight rested on a sloping projection, probably fifty feet from the water below, the actual bottom being still further down. The white cloth now appeared the size of a crown-piece. On measuring the width of this deep cleft by sextant, it was found at Garden Island, its narrowest part, to be eighty yards, and at its broadest somewhat more. Into this chasm, of twice the depth of Niagara-fall, the river, a full mile wide, rolls with a deafening roar; and this is Mosi-oa-tunya, or the Victoria Falls.
It's pretty much a hopeless task to try to describe it in words because, as someone pointed out at the time, even a talented painter could only give a faint impression of the magnificent scene. Understanding how it formed might help visualize its unique shape. Niagara Falls was created by the erosion of the rock over which the river cascades; over countless years, it gradually moved back, leaving a wide, deep, and fairly straight trough in front. It's continually eroding, and it might eventually drain the lakes that feed into its river—the St. Lawrence. On the other hand, the Victoria Falls were formed by a crack that runs straight across the river in the hard, black basalt rock that forms the bed of the Zambezi. The edges of the crack are still quite sharp, except for about three feet of the lip over which the river flows. The walls drop straight down from the edges without any jutting rocks or signs of layers or distortions. When the massive crack occurred, there was no change in elevation between the two sections of the riverbed that were split apart; as a result, when flowing down the river to Garden Island, the water suddenly disappears, revealing the other side of the split, where grass and trees now grow on the same level as the part of the riverbed we are boating on. The initial crack is slightly longer than the width of the Zambezi, which we measured to be just over 1,860 yards, a number we decided to remember as it indicates the year when the Falls were first closely examined. The main river runs almost north to south, while the split across it runs nearly east to west. We measured the depth of the rift by lowering a line with a few weights and a foot of white cloth tied to it. One of us leaned over a ledge and watched the cloth descend until, after his companions had let out 310 feet, the weight came to rest on a sloping ledge, probably about fifty feet from the water below, with the actual bottom even further down. The white cloth now looked the size of a coin. When we measured the width of this deep crack using a sextant, we found that at Garden Island, its narrowest point, it was eighty yards wide, and somewhat more at its widest. Into this chasm, which is twice as deep as Niagara Falls, the river, a full mile wide, crashes with a deafening roar; this is Mosi-oa-tunya, or the Victoria Falls.

FALLS OF THE ZAMBESI.
Zambezi Falls.
Looking from Garden Island, down to the bottom of the abyss, nearly half a mile of water, which has fallen over that portion of the Falls to our right, or west of our point of view, is seen collected in a narrow channel twenty or thirty yards wide, and flowing at exactly right angles to its previous course, to our left; while the other half, or that which fell over the eastern portion of the Falls, is seen in the left of the narrow channel below, coming towards our right. Both waters unite midway, in a fearful boiling waterfall, and find an outlet by a crack situated at right angles to the fissure of the Falls. This outlet is about 1,170 yards from the western end of the chasm, and some 600 from its eastern end; the whirlpool is at its commencement. The Zambesi, now apparently not more than twenty or thirty yards wide, rushes and surges south, through the narrow escape-channel for 130 yards; then enters a second chasm somewhat deeper, and nearly parallel with the first. Abandoning the bottom of the eastern half of this second chasm to the growth of large trees, it[Pg 174] turns sharply off to the west, and forms a promontory, with the escape-channel at its point, of 1,170 yards long, and 416 yards broad at the base. After reaching this base, the river runs abruptly round the head of another promontory, and flows away to the east, in a third chasm; then glides round a third promontory, much narrower than the rest, and away back to the west, in a fourth chasm; and we could see in the distance that it appeared to round still another promontory, and bend once more in another chasm toward the east. In this gigantic, zigzag, yet narrow trough, the rocks are all so sharply cut and angular, that the idea at once arises that the hard basaltic trap must have been riven into its present shape by a force acting from beneath, and that this probably took place when the ancient inland seas were cut off by similar fissures nearer the ocean.
Looking from Garden Island down to the bottom of the abyss, nearly half a mile of water, which has fallen over the section of the Falls to our right, or the west from our viewpoint, is seen collected in a narrow channel about twenty or thirty yards wide, flowing exactly at right angles to its previous path to our left; while the other half, or the water that cascaded over the eastern part of the Falls, is seen on the left of the narrow channel below, coming toward our right. Both streams merge halfway in a powerful, boiling waterfall and find an exit through a crack situated at right angles to the fissure of the Falls. This exit is about 1,170 yards from the western end of the chasm and about 600 yards from its eastern end; the whirlpool is at its beginning. The Zambesi, now appearing to be no more than twenty or thirty yards wide, rushes and surges to the south through the narrow escape channel for 130 yards; then it enters a second chasm that is somewhat deeper and nearly parallel to the first. Leaving the bottom of the eastern half of this second chasm for the growth of large trees, it turns sharply off to the west, forming a promontory with the escape channel at its point, measuring 1,170 yards long and 416 yards wide at the base. After reaching this base, the river abruptly turns around the head of another promontory and flows east into a third chasm; then it glides around a third promontory, which is much narrower than the others, and back to the west in a fourth chasm; and we could see in the distance that it seemed to round yet another promontory and turn once more in another chasm toward the east. In this gigantic, zigzag, yet narrow trough, the rocks are all so sharply cut and angular that the idea immediately arises that the hard basaltic trap must have been split into its current shape by a force acting from beneath, likely occurring when the ancient inland seas were blocked off by similar fissures closer to the ocean.
The land beyond, or on the south of the Falls, retains, as already remarked, the same level as before the rent was made. It is as if the trough below Niagara were bent right and left, several times before it reached the railway bridge. The land in the supposed bends being of the same height as that above the Fall, would give standing-places, or points of view, of the same nature as that from the railway bridge, but the nearest would be only eighty yards, instead of two miles (the distance to the bridge) from the face of the cascade. The tops of the promontories are in general flat, smooth, and studded with trees. The first, with its base on the east, is at one place so narrow, that it would be dangerous to walk to its extremity. On the second, however, we[Pg 175] found a broad rhinoceros path and a hut; but, unless the builder were a hermit, with a pet rhinoceros, we cannot conceive what beast or man ever went there for. On reaching the apex of this second eastern promontory we saw the great river, of a deep sea-green colour, now sorely compressed, gliding away, at least 400 feet below us.
The land to the south of the Falls still sits at the same level as it did before the cut was made. It’s as if the trough below Niagara was bent right and left several times before it reached the railway bridge. The land in these supposed bends is the same height as that above the Fall, creating viewpoints similar to the one from the railway bridge, but the closest would be only eighty yards away instead of two miles (the distance to the bridge) from the cascade. The tops of the cliffs are generally flat, smooth, and dotted with trees. The first one, with its base on the east, is so narrow in one spot that walking to its edge would be risky. However, on the second cliff, we found a wide rhinoceros path and a hut; but unless the builder was a hermit with a pet rhinoceros, we can't imagine what creature or person would have gone there. When we reached the top of this second eastern cliff, we saw the great river, a deep sea-green color, now severely compressed, flowing away at least 400 feet below us.
Garden Island, when the river is low, commands the best view of the Great Fall chasm, as also of the promontory opposite, with its grove of large evergreen trees, and brilliant rainbows of three-quarters of a circle, two, three, and sometimes even four in number, resting on the face of the vast perpendicular rock, down which tiny streams are always running to be swept again back by the upward rushing vapour. But as, at Niagara, one has to go over to the Canadian shore to see the chief wonder—the Great Horseshoe Fall—so here we have to cross over to Moselekatsé’s side to the promontory of evergreens, for the best view of the principal Falls of Mosi-oa-tunya. Beginning, therefore, at the base of this promontory, and facing the Cataract, at the west end of the chasm, there is, first, a fall of thirty-six yards in breadth, and of course, as they all are, upwards of 310 feet in depth. Then Boaruka, a small island, intervenes, and next comes a great fall, with a breadth of 573 yards; a projecting rock separates this from a second grand fall of 325 yards broad; in all, upwards of 900 yards of perennial Falls. Further east stands Garden Island; then, as the river was at its lowest, came a good deal of the bare rock of its bed, with a score of narrow falls, which, at the time of flood, constitute one enormous[Pg 176] cascade of nearly another half-mile. Near the east end of the chasm are two larger falls, but they are nothing at low water compared to those between the islands.
Garden Island, when the river is low, offers the best view of the Great Fall chasm, as well as the opposite promontory with its grove of large evergreen trees and stunning rainbows that stretch for three-quarters of a circle, sometimes two, three, or even four at once, resting on the face of the vast vertical rock, down which tiny streams are always flowing, only to be swept back by the rising mist. But just like at Niagara, where you need to go to the Canadian side to see the main attraction—the Great Horseshoe Fall—here, you have to cross over to Moselekatsé’s side to the evergreen promontory for the best view of the main Falls of Mosi-oa-tunya. Starting from the base of this promontory and looking towards the Cataract at the west end of the chasm, there is first a fall that is thirty-six yards wide, and like all the others, it’s over 310 feet deep. Then Boaruka, a small island, comes into view, followed by a massive fall that measures 573 yards in width; a projecting rock separates this from a second grand fall that is 325 yards wide, making it a total of over 900 yards of continuous Falls. Further east lies Garden Island; with the river at its lowest, a lot of the bare rock of its bed is exposed, showing several narrow falls that, during flooding, form one enormous cascade spanning nearly another half-mile. Near the east end of the chasm, there are two larger falls, but at low water, they pale in comparison to those between the islands.
The whole body of water rolls clear over, quite unbroken; but, after a descent of ten or more feet, the entire mass suddenly becomes a huge sheet of driven snow. Pieces of water leap off it in the form of comets with tails streaming behind, till the whole snowy sheet becomes myriads of rushing, leaping, aqueous comets. This peculiarity was not observed by Charles Livingstone at Niagara, and here it happens, possibly from the dryness of the atmosphere, or whatever the cause may be which makes every drop of Zambesi water appear to possess a sort of individuality. It runs off the ends of the paddles, and glides in beads along the smooth surface, like drops of quicksilver on a table. Here we see them in a conglomeration, each with a train of pure white vapour, racing down till lost in clouds of spray. A stone dropped in became less and less to the eye, and at last disappeared in the dense mist below.
The entire body of water flows over smoothly and without disturbance; however, after dropping ten feet or more, it suddenly transforms into a massive sheet of swirling snow. Jets of water burst forth like comets, leaving trails behind them, until the whole snowy sheet turns into countless rushing, leaping water comets. This phenomenon wasn't noticed by Charles Livingstone at Niagara, and it occurs here, possibly due to the dry atmosphere or some other reason that gives each drop of Zambesi water a certain individuality. It spills off the tips of the paddles and glides in beads along the smooth surface, like droplets of mercury on a table. Here we observe them together, each trailing pure white vapor, racing down until they vanish into clouds of mist. A stone tossed in gradually becomes fainter to the eye until it ultimately disappears into the thick fog below.
Charles Livingstone had seen Niagara, and gave Mosi-oa-tunya the palm, though now at the end of a drought, and the river at its very lowest. Many feel a disappointment on first seeing the great American Falls, but Mosi-oa-tunya is so strange, it must ever cause wonder. In the amount of water, Niagara probably excels, though not during the months when the Zambesi is in flood. The vast body of water, separating in the comet-like forms described, necessarily encloses in its descent a large volume of air, which, forced into the cleft, to an unknown depth,[Pg 177] rebounds, and rushes up loaded with vapour to form the three or even six columns, as if of steam, visible at the Batoka village Moachemba, twenty-one miles distant. On attaining a height of 200, or at most 300 feet from the level of the river above the cascade, this vapour becomes condensed into a perpetual shower of fine rain. Much of the spray, rising to the west of Garden Island, falls on the grove of evergreen trees opposite; and from their leaves, heavy drops are for ever falling, to form sundry little rills, which, in running down the steep face of rock, are blown off and turned back, or licked off their perpendicular bed, up into the column from which they have just descended.
Charles Livingstone had seen Niagara and considered Mosi-oa-tunya superior, even though it was at the end of a drought and the river was at its lowest point. Many people feel disappointed when they first see the great American Falls, but Mosi-oa-tunya is so unique that it always inspires awe. In terms of water volume, Niagara probably has the edge, except during the months when the Zambesi is flooding. The vast body of water, separating into comet-like shapes, inevitably traps a large volume of air as it descends. This air, forced into the crack and to unknown depths, rebounds and rushes upward, laden with vapor, creating three or even six steam-like columns that are visible from the Batoka village of Moachemba, twenty-one miles away. When this vapor reaches a height of about 200 or, at most, 300 feet above the river level, it condenses into a constant shower of fine rain. Much of the spray rising west of Garden Island falls on the grove of evergreen trees nearby, and from their leaves, heavy drops constantly fall, creating little streams that, as they run down the steep rock face, are blown away or pulled back up into the column from which they just fell.
The morning sun gilds these columns of watery smoke with all the glowing colours of double or treble rainbows. The evening sun, from a hot yellow sky imparts a sulphureous hue, and gives one the impression that the yawning gulf might resemble the mouth of the bottomless pit. No bird sings and sings on the branches of the grove of perpetual showers, or ever builds his nest there. We saw hornbills and flocks of little black weavers flying across from the mainland to the islands, and from the islands to the points of the promontories and back again, but they uniformly shunned the region of perpetual rain, occupied by the evergreen grove. The sunshine, elsewhere in this land so overpowering, never penetrates the deep gloom of that shade. In the presence of the strange Mosi-oa-tunya, we can sympathize with those who, when the world was young, peopled earth, air, and river, with beings not of mortal form. Sacred to what deity would be this awful[Pg 178] chasm and that dark grove, over which hovers an ever-abiding “pillar of cloud”?
The morning sun paints these columns of misty smoke with all the vibrant colors of double or triple rainbows. The evening sun, from a hot yellow sky, casts a sulfurous hue, making one think that the yawning abyss might look like the mouth of a bottomless pit. No bird sings or nests in the grove of endless showers. We saw hornbills and flocks of little black weavers flying between the mainland and the islands, and from the islands to the tips of the promontories and back again, but they consistently avoided the area of constant rain dominated by the evergreen grove. The sunshine, so intense elsewhere in this land, never breaks through the deep gloom of that shade. In the presence of the remarkable Mosi-oa-tunya, we can relate to those who, when the world was young, filled the earth, sky, and river with beings beyond mortal form. Sacred to which deity would this terrifying chasm and that dark grove be, over which hovers a constant “pillar of cloud”?
The ancient Batoka chieftains used Kazeruka, now Garden Island, and Boaruka, the island further west, also on the lip of the Falls, as sacred spots for worshipping the Deity. It is no wonder that under the cloudy columns, and near the brilliant rainbows, with the ceaseless roar of the cataract, with the perpetual flow, as if pouring forth from the hand of the Almighty, their souls should be filled with reverential awe.
The ancient Batoka chieftains used Kazeruka, now Garden Island, and Boaruka, the island further west, also on the edge of the Falls, as sacred places for worshipping the Deity. It's no surprise that under the cloudy pillars, close to the vibrant rainbows, with the constant roar of the waterfall, and the never-ending flow, as if streaming from the hand of the Almighty, their spirits would be filled with deep respect and awe.
The Zambesi and its Tributaries 1858-1864 (London, 1865).
The Zambezi and Its Tributaries 1858-1864 (London, 1865).
[Pg 179]
[Pg 179]
THE DRAGON-TREE OF OROTAVA[7]
(CANARY ISLANDS)
(Canary Islands)
ALEXANDER VON HUMBOLDT
Alexander von Humboldt
Orotava, the ancient Taoro of the Guanches, is situated on a very steep declivity. The streets seem deserted; the houses are solidly built, and of gloomy appearance. We passed along a lofty aqueduct, lined with a great number of fine ferns; and visited several gardens, in which the fruit trees of the north of Europe are mingled with orange trees, pomegranates, and date trees. We were assured, that these last were as little productive here as on the coast of Cumana. Although we had been made acquainted, from the narratives of many travellers, with the dragon-tree in M. Franqui’s garden, we were not the less struck with its enormous size. We were told, that the trunk of this tree, which is mentioned in several very ancient documents as marking the boundaries of a field, was as gigantic in the Fifteenth Century as it is in the present time. Its height appeared to us to be about fifty or sixty feet; its circumference near the roots is forty-five feet. We could not measure higher, but Sir George Staunton found that, ten feet from the ground, the diameter of the trunk is still twelve English feet; which corresponds perfectly with the statement of Borda, who found its mean circumference thirty-three feet, eight inches, French measure. The trunk[Pg 180] is divided into a great number of branches, which rise in the form of a candelabrum, and are terminated by tufts of leaves, like the yucca which adorns the valley of Mexico. This division gives it a very different appearance from that of the palm-tree.
Orotava, the ancient Taoro of the Guanches, is located on a very steep slope. The streets seem empty; the houses are solidly built and have a gloomy look. We walked along a tall aqueduct, surrounded by many beautiful ferns, and visited several gardens where fruit trees from northern Europe are mixed with orange trees, pomegranates, and date trees. We were told that these date trees are not very productive here, just like on the coast of Cumana. Even though we had heard about the dragon tree in M. Franqui’s garden from many travelers, we were still amazed by its enormous size. We learned that the trunk of this tree, mentioned in several ancient documents as marking the borders of a field, was just as gigantic in the Fifteenth Century as it is now. Its height seemed to be about fifty or sixty feet, with a circumference near the roots of forty-five feet. We couldn't measure higher, but Sir George Staunton found that, ten feet from the ground, the trunk's diameter is still twelve English feet, which matches exactly with Borda's finding of an average circumference of thirty-three feet, eight inches in French measurement. The trunk[Pg 180] splits into many branches that rise in a candelabrum shape, ending in clusters of leaves like the yucca that decorates the valley of Mexico. This branching gives it a very different look compared to that of a palm tree.
Among organic creations, this tree is undoubtedly, together with the Adansonia or baobab of Senegal, one of the oldest inhabitants of our globe. The baobabs are of still greater dimensions than the dragon-tree of Orotava. There are some which near the root measure thirty-four feet in diameter, though their total height is only from fifty to sixty feet. But we should observe, that the Adansonia, like the ochroma, and all the plants of the family of bombax, grow much more rapidly than the dracæna, the vegetation of which is very slow. That in M. Franqui’s garden still bears every year both flowers and fruit. Its aspect forcibly exemplifies “that eternal youth of nature,” which is an inexhaustible source of motion and of life.
Among natural creations, this tree is undoubtedly one of the oldest on our planet, alongside the Adansonia or baobab of Senegal. Baobabs are even larger than the dragon tree of Orotava. Some of them have a root diameter of thirty-four feet, though their total height ranges from fifty to sixty feet. However, we should note that the Adansonia, like the ochroma and all the plants in the bombax family, grow much faster than the dracaena, which grows very slowly. The one in M. Franqui's garden still produces flowers and fruit every year. Its appearance strongly represents “that eternal youth of nature,” which is an endless source of movement and life.
The dracæna, which is seen only in cultivated spots in the Canary Islands, at Madeira, and Porto Santo, presents a curious phenomenon with respect to the emigration of plants. It has never been found in a wild state on the continent of Africa. The East Indies is its real country. How has this tree been transplanted to Teneriffe, where it is by no means common? Does its existence prove, that, at some very distant period, the Guanches had connexions with other nations originally from Asia?[8]
The dracæna, which only grows in cultivated areas in the Canary Islands, Madeira, and Porto Santo, shows a fascinating phenomenon regarding how plants spread. It has never been found growing wild on the African continent. Its true origin is the East Indies. How did this tree make its way to Tenerife, where it is quite rare? Does its presence suggest that, at some distant time, the Guanches had connections with other nations that originally came from Asia?[8]

THE DRAGON TREE.
The Dragon Tree.
[Pg 181]
[Pg 181]
The age of trees is marked by their size, and the union of age with the manifestation of constantly renewed vigour is a charm peculiar to the vegetable kingdom. The gigantic Dragon-tree of Orotava (as sacred in the eyes of the inhabitants of the Canaries as the olive-tree in the Citadel of Athens, or the Elm of Ephesus), the diameter of which I found, when I visited those islands, to be more than sixteen feet, had the same colossal size when the French adventurers, the Béthencourts, conquered these gardens of the Hesperides in the beginning of the Fifteenth Century; yet it still flourishes, as if in perpetual youth, bearing flowers and fruit. A tropical forest of Hymenæas and Cæsalpinieæ may perhaps present to us a monument of more than a thousand years’ standing.
The age of trees is defined by their size, and the combination of age with a constant display of renewed vitality is a unique charm of the plant kingdom. The massive Dragon-tree of Orotava (as revered by the people of the Canaries as the olive tree is at the Citadel of Athens or the Elm of Ephesus), which I measured to be over sixteen feet in diameter during my visit to those islands, was just as enormous when the French explorers, the Béthencourts, took over these gardens of the Hesperides in the early Fifteenth Century; yet it still thrives, as if forever young, producing flowers and fruit. A tropical forest of Hymenæas and Cæsalpinieæ might even showcase a monument that has stood for over a thousand years.
This colossal dragon-tree, Dracæna draco, stands in one of the most delightful spots in the world. In June, 1799, when we ascended the Peak of Teneriffe, we measured the circumference of the tree and found it nearly forty-eight English feet. Our measurement was taken several feet above the root. Lower down, and nearer to the ground, Le Dru made it nearly seventy-nine English feet. The height of the tree is not much above sixty-nine English feet. According to tradition, this tree was venerated by [Pg 182]the Guanches (as was the ash-tree of Ephesus by the Greeks, or as the Lydian plane-tree which Xerxes decked with ornaments, and the sacred Banyan-tree of Ceylon), and at the time of the first expedition of the Béthencourts in 1402, it was already as thick and as hollow as it now is. Remembering that the Dracæna grows extremely slowly, we are led to infer the high antiquity of the tree of Orotava. Bertholet in his description of Teneriffe, says: “En comparant les jeunes Dragonniers, voisins de l’arbre gigantesque, les calcus qu’on fait sur l’ âge de ce dernier effraient l’imagination.” (Nova Acta Acad. Leop. Carol. Naturæ Curiosorum 1827, vol. xiii., p. 781.) The dragon-tree has been cultivated in the Canaries, and in Madeira and Porto Santo, from the earliest times; and an accurate observer, Leopold von Buch, has even found it wild in Teneriffe, near Igueste....
This giant dragon-tree, Dracæna draco, is located in one of the most beautiful places on earth. In June 1799, when we climbed the Peak of Teneriffe, we measured the tree's circumference and found it to be nearly forty-eight English feet. We took our measurement several feet above the root. Lower down, closer to the ground, Le Dru measured it at nearly seventy-nine English feet. The tree's height is just over sixty-nine English feet. According to legend, this tree was revered by the Guanches (similar to how the Greeks revered the ash-tree of Ephesus, or the Lydian plane-tree that Xerxes adorned, and the sacred Banyan-tree of Ceylon), and by the time of the first Béthencourt expedition in 1402, it was already as thick and hollow as it is today. Considering that the Dracæna grows very slowly, we can infer that the tree in Orotava is extremely old. Bertholet, in his description of Teneriffe, states: “En comparant les jeunes Dragonniers, voisins de l’arbre gigantesque, les calcus qu’on fait sur l’ âge de ce dernier effraient l’imagination.” (Nova Acta Acad. Leop. Carol. Naturæ Curiosorum 1827, vol. xiii., p. 781.) The dragon-tree has been cultivated in the Canaries, Madeira, and Porto Santo since ancient times; and a keen observer, Leopold von Buch, has even found it growing wild in Teneriffe, near Igueste....
The measurement of the dragon-tree of the Villa Franqui was made on Borda’s first voyage with Pingré, in 1771; not in his second voyage, in 1776, with Varela. It is affirmed that in the earlier times of the Norman and Spanish conquests, in the Fifteenth Century, Mass was said at a small altar erected in the hollow trunk of the tree. Unfortunately, the dragon-tree of Orotava lost one side of its top in the storm of the 21st of July, 1819.
The measurement of the dragon tree at Villa Franqui was taken during Borda’s first voyage with Pingré in 1771, not during his second voyage in 1776 with Varela. It's said that during the early days of the Norman and Spanish conquests in the 15th century, Mass was held at a small altar set up in the hollow trunk of the tree. Unfortunately, the dragon tree of Orotava lost one side of its top in the storm on July 21, 1819.
Personal Narrative of Travels to the Equinoctial Regions of America during the years 1799-1804 (London, 1825); and Aspects of Nature (Philadelphia, 1849).
Personal Narrative of Travels to the Equinoctial Regions of America during the years 1799-1804 (London, 1825); and Aspects of Nature (Philadelphia, 1849).
FOOTNOTES:
[8] The form of the dragon-tree is exhibited in several species of the genus Dracæna, at the Cape of Good Hope, in China, and in New Zealand. But in New Zealand it is superseded by the form of the yucca; for the Dracæna borealis of Aiton is a Convallaria, of which it has all the appearance. The astringent juice, known in commerce by the name of dragon’s blood, is, according to the inquiries we made on the spot, the produce of several American plants. At Laguna, toothpicks steeped in the juice of the dragon-tree are made in the nunneries, and are much extolled as highly useful for keeping the gums in a healthy state.
[8] The dragon tree's shape can be seen in several species of the genus Dracaena, found in the Cape of Good Hope, China, and New Zealand. However, in New Zealand, it’s replaced by the yucca’s form; the Dracæna borealis of Aiton is actually a Convallaria, which it closely resembles. The astringent juice, commonly known as dragon’s blood, according to our local inquiries, comes from various American plants. In Laguna, toothpicks soaked in the juice of the dragon tree are made in the nunneries and are highly praised for their effectiveness in keeping gums healthy.
[Pg 183]
[Pg 183]
MOUNT SHASTA
(UNITED STATES)
(USA)
J. W. BODDAM-WHETHAM
J. W. Boddam-Whetham
Mount Shasta is the most striking feature of Northern California. Its height is about 14,500 feet above the sea—very nearly the height of Mount Blanc. Mount Blanc is broken into a succession of peaks, but Shasta is one stupendous peak, set upon a broad base that sweeps out far and wide. From the base the volcanic cone rises up in one vast stretch of snow and lava. It is very precipitous to the north and south, but east and west there are two slopes right up to the crater. It is a matter of doubt whether Shasta is dead or only sleeping. Vesuvius slept calmly for centuries, and then spread death and desolation for miles around. The base of the mountain is magnificently watered and wooded, and forms a splendid hunting-ground. The woods are full of deer and bears; and now and then a mountain-goat, an animal very like the chamois of the Alps, is seen in the higher part of the mountains.
Mount Shasta is the most impressive feature of Northern California. It's about 14,500 feet tall—almost the same height as Mont Blanc. While Mont Blanc has a series of peaks, Shasta stands as one massive peak on a wide base that extends out significantly. From the base, the volcanic cone rises in one huge expanse of snow and lava. It's quite steep on the north and south sides, but there are two gentler slopes on the east and west that lead right up to the crater. There's uncertainty about whether Shasta is extinct or just dormant. Vesuvius lay quiet for centuries before erupting and causing destruction for miles. The mountain’s base is beautifully watered and forested, making it a great hunting area. The woods are filled with deer and bears, and occasionally, you might spot a mountain goat, which is similar to the chamois found in the Alps, in the higher regions of the mountain.
Well-provided with blankets and provisions, we started with a guide, and a man to look after the horses, at a very early hour, and rode through a beautiful forest of pines, silver firs, and cedars. Along the banks of the streams were aspens, willows, and the trees known by the name of[Pg 184] the “Balm of Gilead,” whose vivid green leaves were already changing to a rich orange or an apple-red—forming a beautiful contrast of colours with the glazed green of the cedars and the green-tinted white of the silver firs.
Well-stocked with blankets and supplies, we set off with a guide and a guy to take care of the horses early in the morning. We rode through a stunning forest filled with pines, silver firs, and cedars. By the stream banks, we saw aspens, willows, and trees called the “Balm of Gilead,” whose bright green leaves were already transitioning to a deep orange or apple-red—creating a beautiful contrast with the glossy green of the cedars and the green-tinged white of the silver firs.
After an easy ascent to a height of about 8,000 feet, we reached the limits of vegetation. Thence our upward path lay over snow, ice, and lava—lonely, isolated barrenness on every side, relieved only by an occasional solitary dwarf-pine, struggling to retain life amidst fierce storms and heavy-weighing snow. Many of them were quite dead, but embalmed by frost and snow in a never-decaying death.
After an easy climb to around 8,000 feet, we hit the tree line. From there, our path went up over snow, ice, and lava—lonely and desolate all around, with only the occasional solitary dwarf pine fighting to survive amid fierce storms and heavy snow. Many of them were completely dead, but preserved by frost and snow in a state of never-ending stillness.
With a few loads of this fuel we soon made a splendid fire, the warmth of which was most welcome in the cold rarefied atmosphere. Scarcely had we finished a capital supper ere night descended, and great clouds and fitful fogs began to drift past. These in their turn broke, and the moon threw a weird light over the forest below; whilst above rose piles upon piles of pinkish lava and snow-fields, reaching far up into the sky, whose magnificent blue grew more sparkling and clear every moment.
With a few loads of this fuel, we quickly built a great fire, and the warmth was a relief in the cold, thin air. Just as we finished a nice supper, night fell, and thick clouds and shifting fogs started to roll by. These clouds eventually cleared, and the moon cast an eerie light over the forest below, while above us rose heaps of pinkish lava and snowfields, stretching high up into the sky, which became increasingly bright and clear by the moment.
Wrapping ourselves in our bundles of blankets, we crept as close as possible to the huge fire, and before long my companions were fast asleep and snoring. I could not sleep a wink, and mentally registered a vow never again to camp out without a pillow. No one can tell till he has tried it, the difference there is between going to sleep with a pillow under the head and a stone or a pair of boots or saddle as its resting-place.
Cocooning ourselves in our blankets, we huddled as close to the big fire as we could, and soon my friends were sound asleep and snoring. I couldn’t sleep at all and mentally promised myself I’d never camp out again without a pillow. No one really understands the difference between falling asleep with a pillow under your head and using a rock, a pair of boots, or a saddle as a makeshift resting place until they’ve experienced it.

MOUNT SHASTA.
Mount Shasta.
The deep silence, unbroken save by a most unromantic[Pg 185] snore, was painfully oppressive, and I longed to hear even a growl from a bear or a deep whine from a California lion.[9] I listened intently, for it seemed as if the slightest sound, even a hundred miles away, ought to be heard, so still and frosty was the air.
The deep silence, only interrupted by a really unromantic[Pg 185] snore, felt painfully heavy, and I craved to hear even a bear growl or a low whine from a California mountain lion.[9] I listened closely, as if I should be able to hear the faintest sound, even from a hundred miles away, because the air was so still and cold.
But none fell on my ear, not even a murmur to soothe one to sleep, and I began to think bears and lions were snores and delusions, when, just as I was dozing off, I felt my arm violently pulled, and a voice called out that it was time for us to make a start. Hot coffee soon had a cheering effect, and long before daylight we left our warm camping-ground, and began the higher ascent on foot. Broken stone and slabs of lava afforded pretty good foothold, far preferable to the fields of frozen snow, which we carefully avoided. After a couple of hours’ hard walking we seemed to be just as far from the summit as when we started; but the views gradually became grander. From a rocky promontory we looked back over a sea of glittering clouds, the only land visible being the peaks of the Coast range, near the Pacific; all else was cloud, to which the moonlight lent an almost dazzling whiteness:
But nothing reached my ears, not even a whisper to help me fall asleep, and I started to think that bears and lions were just snores and fantasies when, just as I was about to drift off, my arm was yanked suddenly, and a voice shouted that it was time for us to get going. Hot coffee quickly lifted my spirits, and long before dawn, we packed up our warm campsite and started the steep climb on foot. Broken stones and lava slabs provided decent footing, much better than the icy snowfields we carefully avoided. After a couple of hours of strenuous walking, we seemed no closer to the summit than when we began, but the views gradually grew more impressive. From a rocky outcrop, we looked back over a sea of shimmering clouds, with the only land visible being the peaks of the Coast range near the Pacific; everything else was cloud, glowing almost brilliantly in the moonlight.
When the sun rose and the mists cleared off, the scene was indescribably grand, and the gradual unfolding of the vast panorama unapproachable in its splendour.
When the sun rose and the mist cleared away, the view was stunning, and the slow revealing of the vast landscape was unmatched in its beauty.
[Pg 186]
[Pg 186]
After some hours of weary climbing over crumbling scoria and splintered rock, we reached the crater. In the ascent to the summit overlooking the crater, we had to cross an ice-field. It had that blue tinge found in the ice of which glaciers are composed, and its slipperiness made it almost impossible to walk over it, the ice lying often in ridges resembling the waves of the sea.
After several hours of exhausting climbing over crumbling volcanic rock and broken stones, we finally reached the crater. As we made our way to the summit overlooking the crater, we had to cross an ice field. It had that blue tint typical of glacier ice, and its slick surface made it nearly impossible to walk on, with the ice often forming ridges that looked like ocean waves.
The main crater covers several acres. It is hemmed in by rims of rock, and is filled with volcanic débris, covered with snow and ice. Numbers of little boiling springs were bubbling up through the bed of sulphur, and were suggestive of the subterranean fires which once threw their molten lava over the surrounding country. The view from the summit was most extensive, and fortunately there was none of the usual smoke from the forest-fires, so prevalent in autumn in Northern California and Oregon, to impede the range of vision.
The main crater spans several acres, surrounded by rocky rims and filled with volcanic debris, all covered in snow and ice. Numerous small boiling springs bubbled up through the sulfur bed, hinting at the underground fires that once spewed molten lava across the area. The view from the top was wide-ranging, and luckily, there was no typical smoke from forest fires, which are common in the fall in Northern California and Oregon, to block the view.
Looking northward, far over into Oregon, we could see her lakes, valleys, and mountains. Southward, we could trace the Sacramento and Pitt rivers. The great boundary-wall of the Sierra Nevada lay to the east, and farther onward, the deserts and sparkling lakes of Utah could be distinguished. To the west the sinuous outline of the Coast range was visible, and beyond, the broad Pacific shelved away to the horizon. Fertile valleys, rugged mountains, wood and water, all lent their aid to enhance the beauty of this unsurpassable scene.
Looking north, far into Oregon, we could see its lakes, valleys, and mountains. To the south, we could spot the Sacramento and Pitt rivers. The massive Sierra Nevada range formed a boundary to the east, and further on, we could see the deserts and shimmering lakes of Utah. To the west, the winding outline of the Coast Range was visible, and beyond that, the vast Pacific Ocean stretched out to the horizon. Fertile valleys, rugged mountains, forests, and water all combined to enhance the beauty of this breathtaking scene.
The descent to our camping-ground was accomplished in a comparatively short time. On the way, we stopped[Pg 187] to witness a most glorious sunset. Round the horizon ran a thin mist with a brilliant depth of colouring. To the east a blue gauze seemed to cover each valley as it sank into night, and the intervening ridges rose with increasing distinctness. The lower country was flooded with an exquisitely delicate light, and a few fleecy clouds tinted with gold, pale salmon, and sapphire, passed over the empurpled hills of the Coast range. The great shadow of Mount Shasta spread itself, cone-like, across the valley; the blue mists were quenched; the distant mountains glowed like fairy hills for a few moments; and the sun, poising itself like a great globe of fire in the darkening heavens, descended slowly below the golden ridge to illumine another hemisphere.
The descent to our campsite was completed in a relatively short time. On the way, we stopped[Pg 187] to take in a stunning sunset. A thin mist ran along the horizon, filled with vibrant colors. To the east, a blue haze seemed to cover each valley as it transitioned into night, while the ridges became clearer. The lower landscape was bathed in a beautifully soft light, and a few fluffy clouds, tinged with gold, pale pink, and blue, drifted over the purple hills of the Coast Range. The large shadow of Mount Shasta spread out like a cone across the valley; the blue mists faded away; the distant mountains sparkled like enchanted hills for a brief moment; and the sun, hanging like a massive fireball in the darkening sky, slowly sank below the golden ridge to light up another part of the world.
During our descent we passed through some patches of red snow, which leaves a crimson track behind those who cross over it. This curious phenomenon is always avoided by the Shasta Indians, when acting as guides or porters, as they say it brings death if you tread on it willingly and after due warning. We found a warm fire to welcome us on our arrival at the camp, and the exertions of the day made us very willing to turn in among the blankets where we slept soundly till long after daybreak. The following day, when we arrived at our original starting-point, my companions resumed their journey to San Francisco, and I went on to Sissons, a station on the stage-road, whence I was to start on a shooting expedition amongst the Castle Rocks.
During our descent, we passed through patches of red snow, which leave a crimson trail behind those who walk across it. The Shasta Indians always avoid this strange phenomenon when they're acting as guides or porters because they believe it brings death if you step on it knowingly after being warned. When we arrived at the camp, a warm fire welcomed us, and after a tiring day, we were eager to curl up in the blankets and slept soundly until long after sunrise. The next day, when we reached our original starting point, my companions continued their journey to San Francisco, while I headed to Sissons, a stop on the stage-road, from where I was set to begin a shooting trip among the Castle Rocks.
Sissons, so-called after the name of the proprietor, is a[Pg 188] very delightful place to spend a few days at. The view of Mount Shasta, which is directly opposite the house, is magnificent; and Sisson himself is a capital sportsman guide, and succeeds in making his guests very comfortable. Looking at Mount Shasta is occupation enough for some time. The play of colour on the mountain is extraordinary. The lava, which is of a rosy hue, often penetrates through the snow, and when the sun shines upon it the effect is most beautiful. The pure white fields of snow are diversified by great blue glaciers, and when the sunbeams fall with refracted glory on the veins of ice they exhibit wonderful tints of opal, green, and pink. The effects produced by the mingling colours of lava, snow, and ice, and the contrasting shadows of a deep violet hue are so varied, and the radiation of colour at sunrise and sunset so vivid, that it is difficult to keep the eyes turned from the mountain—for nothing seems worthy of consideration in comparison with Shasta.
Sissons, named after the owner, is a[Pg 188] wonderful place to spend a few days. The view of Mount Shasta right in front of the house is stunning, and Sisson himself is an excellent guide who ensures his guests feel very comfortable. Just looking at Mount Shasta can keep you occupied for a long time. The colors on the mountain are amazing. The rosy lava often shows through the snow, and when the sun hits it, the effect is beautiful. The bright white snowfields are marked by large blue glaciers, and when sunlight hits the ice, it reflects incredible shades of opal, green, and pink. The way the colors of lava, snow, and ice mix, along with the deep violet shadows, is so diverse, and the colors at sunrise and sunset are so bright that it’s hard to look away from the mountain—nothing else seems as interesting compared to Shasta.
Western Wanderings: a Record of Travel in the Evening Land (London, 1874).
Western Wanderings: a Record of Travel in the Evening Land (London, 1874).
FOOTNOTE:
[9] These so-called lions are a sort of panther, and abound in most parts of California and Oregon. They are very cowardly, and seldom attack a man, unless they can spring on him from a tree, and not often then.
[9] These so-called lions are a type of panther and are found in many areas of California and Oregon. They are quite timid and rarely attack a person unless they can leap down on them from a tree, and even then, it's not very common.
[Pg 189]
[Pg 189]
THE LAGOONS OF VENICE
(ITALY)
(ITALY)
JOHN RUSKIN
John Ruskin
In the olden days of travelling, now to return no more, in which distance could not be vanquished without toil, but in which that toil was rewarded, partly by the power of deliberate survey of the countries through which the journey lay, and partly by the happiness of the evening hours, when from the top of the last hill he had surmounted, the traveller beheld the quiet village where he was to rest, scattered among the meadows beside its valley stream; or, from the long hoped for turn in the dusty perspective of the causeway, saw, for the first time, the towers of some famed city, faint in the rays of sunset—hours of peaceful and thoughtful pleasure, for which the rush of the arrival in the railway station is perhaps not always, or to all men, an equivalent,—in those days, I say, when there was something more to be anticipated and remembered in the first aspect of each successive halting-place, than a new arrangement of glass roofing and iron girder, there were few moments of which the recollection was more fondly cherished by the travelled, than that which, as I endeavoured to describe in the close of the last chapter, brought him within sight of Venice as his gondola shot into the open lagoon from the canal of Mestre. Not[Pg 190] but that the aspect of the city itself was generally the source of some slight disappointment, for seen in this direction, its buildings are far less characteristic than those of other great towns of Italy; but this inferiority was partly disguised by distance, and more than atoned for by the strange rising of its walls and towers out of the midst, as it seemed, of the deep sea, for it was impossible that the mind or the eye could at once comprehend the shallowness of the vast sheet of water which stretched away in leagues of rippling lustre to the north and south, or trace the narrow line of islets bounding it to the east. The salt breeze, the moaning sea-birds, the masses of black weed separating and disappearing gradually, in knots of heaving shoal, under the advance of the steady tide, all proclaimed it to be indeed the ocean on whose bosom the great city rested so calmly; not such blue, soft, lake-like ocean as bathes the Neapolitan promontories, or sleeps beneath the marble rocks of Genoa, but a sea with the bleak power of our own northern waves, yet subdued into a strange spacious rest, and changed from its angry pallor into a field of burnished gold, as the sun declined behind the belfry tower of the lonely island church, fitly named “St. George of the Seaweed.” As the boat drew nearer to the city, the coast which the traveller had just left sank behind him into one long, low, sad-coloured line, tufted irregularly with brushwood and willows; but, at what seemed its northern extremity, the hills of Arqua rose in a dark cluster of purple pyramids, balanced on the bright mirage of the lagoon; two or three smooth surges of inferior hill extended themselves about[Pg 191] their roots, and beyond these, beginning with the craggy peaks above Vicenza, the chain of the Alps girded the whole horizon to the north—a wall of jagged blue, here and there showing through its clefts a wilderness of misty precipices, fading far back into the recesses of Cadore, and itself rising and breaking away eastward, where the sun struck opposite upon its snow, into mighty fragments of peaked light, standing up behind the barred clouds of evening, one after another, countless, the crown of the Adrian Sea, until the eye turned back from pursuing them, to rest upon the nearer burning of the campaniles of Murano, and on the great city, where it magnified itself along the waves, as the quick, silent pacing of the gondola drew nearer and nearer. And at last, when its walls were reached, and the outmost of its untrodden streets was entered, not through towered gate or guarded rampart, but as a deep inlet between two rocks of coral in the Indian sea; when first upon the traveller’s sight opened the long ranges of columned palaces,—each with its black boat moored at the portal,—each with its image cast down, beneath its feet, upon that green pavement which every breeze broke into new fantasies of rich tessellation; when first, at the extremity of the bright vista, the shadowy Rialto threw its colossal curve slowly forth from behind the palace of the Camerlenghi; that strange curve, so delicate, so adamantine, strong as a mountain cavern, graceful as a bow just bent; when first, before its moonlike circumference was all risen, the gondolier’s cry, “Ah! Stalì,” struck sharp upon the ear, and the prow turned aside under the mighty cornices[Pg 192] that half met over the narrow canal, where the splash of the water followed close and loud, ringing along the marble by the boat’s side; and when at last that boat darted forth upon the breadth of silver sea, across which the front of the Ducal palace, flushed with its sanguine veins, looks to the snowy dome of Our Lady of Salvation, it was no marvel that the mind should be so deeply entranced by the visionary charm of a scene so beautiful and so strange, as to forget the darker truths of its history and its being. Well might it seem that such a city had owed her existence rather to the rod of the enchanter, than the fear of the fugitive; that the waters which encircled her had been chosen for the mirror of her state, rather than the shelter of her nakedness; and that all which in nature was wild or merciless;—Time and Decay, as well as the waves and tempests,—had been won to adorn her instead of to destroy, and might still spare, for ages to come, that beauty which seemed to have fixed for its throne the sands of the hour-glass as well as of the sea.
In the old days of travel, now a thing of the past, when you couldn’t cover distance without effort, but that effort was rewarding in two ways: first, by allowing a careful view of the countries along the journey, and second, by the joy of the evening hours. From the top of the last hill, the traveler would see the peaceful village where he would rest, scattered among the meadows beside its valley stream; or, from the long-awaited bend in the dusty road, catch a glimpse of the towers of a famous city, hazy in the sunset. These were moments of quiet and thoughtful pleasure, quite different from the rush of arriving at a train station, which doesn’t always hold the same appeal for everyone. In those times, when there was more anticipation and memory tied to the first sight of each new stop than just a fresh arrangement of glass roofs and iron beams, few moments were more cherished by travelers than that described at the end of the last chapter—seeing Venice as his gondola emerged into the open lagoon from the canal of Mestre. Not that the view of the city was usually stunning; from this angle, its buildings looked far less distinctive than those of other great Italian cities. However, this shortcoming was somewhat masked by distance and more than compensated by the sight of its walls and towers seemingly rising out of the deep sea. The vast expanse of water stretched out in shimmering waves to the north and south, making it hard for the eye or mind to grasp its shallowness or to trace the thin line of islets on the eastern edge. The salty breeze, the cries of seabirds, and the clumps of black seaweed gradually separating and disappearing with the advance of the tide all confirmed that this was indeed the ocean upon which the great city rested so peacefully; not the azure, placid waters that wash the coasts of Naples or lie still beneath the marble cliffs of Genoa, but a sea with the harsh power of our northern waves, yet tamed into an oddly spacious calm and transformed from its angry grey to a field of shimmering gold as the sun set behind the belfry of the lonely island church aptly named “St. George of the Seaweed.” As the boat approached the city, the coast he had just left faded behind him into a long, low, muted line, unevenly dotted with shrubs and willows. At what seemed like its northern edge, the hills of Arqua rose in a dark cluster of purple peaks, balanced on the bright mirage of the lagoon; a few gentle slopes spread out around their base, and beyond these, starting with the jagged peaks above Vicenza, the Alps framed the entire northern horizon—an imposing wall of sharp blue, through which misty cliffs occasionally peeked, fading into the back recesses of Cadore, and curling and breaking off to the east, where the sun hit the snow, shattering it into brilliant shards of light emerging behind the evening clouds in endless numbers, the crown of the Adriatic Sea, until the eye turned back from following them to rest on the nearer glimmer of the campaniles of Murano and on the great city, magnified along the waves as the gondola glided closer. Finally, when the walls were reached and the first untrodden street was entered—not through a towering gate or guarded ramparts, but like a deep inlet between two coral rocks in the Indian sea—when the traveler first saw the long rows of columned palaces, each with its dark boat tied at the entrance, each casting its reflection down onto that green pavement, which every breeze stirred into fresh designs of rich patterns; when, at the far end of the bright view, the shadowy Rialto slowly revealed its colossal arch from behind the Camerlenghi palace; that unusual arch, both delicate and strong like a granite cavern, graceful like a bow just drawn; when, before its moonlike curve was completely visible, the gondolier’s shout, “Ah! Stalì,” struck sharply on the ears, and the boat angled under the grand cornices looming over the narrow canal, where the sound of splashing water echoed loudly along the marble beside the boat; and when finally that boat shot out into the broad silver sea, where the façade of the Ducal palace, shining with its rosy veins, faced the snowy dome of Our Lady of Salvation, it was no wonder that the mind became completely captivated by the enchanting vision of such a beautiful and strange scene, leading one to forget the darker truths of its history and reality. It might well appear that such a city was more likely created by an enchanter’s wand than out of fear from those in flight; that the waters surrounding her were chosen to reflect her glory rather than to hide her vulnerability; and that all which in nature was wild or ruthless—Time and Decay, as well as the waves and storms—had been transformed to enhance rather than destroy her, and could still preserve, for ages to come, the beauty that seemed destined to rest on both the sands of the hourglass and the sea.

THE CITY OF THE LAGOONS.
The City of the Lagoons.
From the mouths of the Adige to those of the Piave there stretches, at a variable distance of from three to five miles from the actual shore, a bank of sand, divided into long islands by narrow channels of sea. The space between this bank and the true shore consists of the sedimentary deposits from these and other rivers, a great plain of calcareous mud, covered, in the neighbourhood of Venice, by the sea at high water, to the depth in most places of a foot or a foot and a half, and nearly everywhere exposed at low tide, but divided by an intricate network of narrow and winding channels,[Pg 193] from which the sea never retires. In some places, according to the run of the currents, the land has risen into marshy islets, consolidated, some by art, and some by time, into ground firm enough to be built upon, or fruitful enough to be cultivated; in others, on the contrary, it has not reached the sea level; so that, at the average low water, shallow lakelets glitter among its irregularly exposed fields of seaweed. In the midst of the largest of these, increased in importance by the confluence of several large river channels towards one of the openings in the sea bank, the city of Venice itself is built, on a crowded cluster of islands; the various plots of higher ground which appear to the north and south of this central cluster, have at different periods been also thickly inhabited, and now bear, according to their size, the remains of cities, villages, or isolated convents and churches, scattered among spaces of open ground, partly waste and encumbered by ruins, partly under cultivation for the supply of the metropolis.
From the mouths of the Adige River to those of the Piave River, there's a stretch of sandbanks, located about three to five miles from the actual shore, divided into long islands by narrow sea channels. The area between this sandbank and the real shore is made up of sediment from these and other rivers, forming a vast plain of calcareous mud. Near Venice, this plain is covered by the sea during high tide, usually to a depth of about one to one and a half feet, and is mostly exposed at low tide, but is split by a complex network of narrow and winding channels, from which the sea never retreats. In some areas, depending on the currents, the land has formed marshy islands, some created by human effort and others shaped by time, sturdy enough for building or fertile enough for farming. In other spots, it hasn't reached sea level; so, at average low tide, shallow lakelets shimmer among the uneven patches of seaweed. Right in the middle of the largest of these areas, made more significant by the merging of several large river channels leading to an opening in the sandbank, lies the city of Venice itself, built on a dense cluster of islands. The various pieces of higher land that appear to the north and south of this central cluster have also been densely populated at different times and now showcase remnants of cities, villages, or isolated convents and churches scattered among open areas, some neglected and piled with ruins, while others are being farmed to supply the metropolis.[Pg 193]
The average rise and fall of the tide is about three feet (varying considerably with the season); but this fall, on so flat a shore, is enough to cause continual movement in the waters, and in the main canals to produce a reflux which frequently runs like a mill stream. At high water no land is visible for many miles to the north or south of Venice, except in the form of small islands crowned with towers or gleaming with villages; there is a channel, some three miles wide, between the city and the mainland, and some mile and a half wide between it and the sandy breakwater called the Lido, which divides the lagoon from the Adriatic,[Pg 194] but which is so low as hardly to disturb the impression of the city’s having been built in the midst of the ocean, although the secret of its true position is partly, yet not painfully, betrayed by the clusters of piles set to mark the deep water channels, which undulate far away in spotty chains like the studded backs of huge sea-snakes, and by the quick glittering of the crisped and crowded waves that flicker and dance before the strong winds upon the unlifted level of the shallow sea. But the scene is widely different at low tide. A fall of eighteen or twenty inches is enough to show ground over the greater part of the lagoon; and at the complete ebb, the city is seen standing in the midst of a dark plain of seaweed, of gloomy green, except only where the larger branches of the Brenta and its associated streams converge towards the port of the Lido. Through this salt and sombre plain the gondola and the fishing-boat advance by tortuous channels, seldom more than four or five feet deep, and often so choked with slime that the heavier keels furrow the bottom till their crossing tracks are seen through the clear sea water like the ruts upon a wintry road, and the oar leaves the gashes upon the ground at every stroke, or is entangled among the thick weed that fringes the banks with the weight of its sullen waves, leaning to and fro upon the uncertain sway of the exhausted tide. The scene is often profoundly oppressive, even at this day, when every plot of higher ground bears some fragment of fair building: but, in order to know what it was once, let the traveller follow in his boat at evening the windings of some unfrequented channel far into the midst of the melancholy plain; let him[Pg 195] remove in his imagination, the brightness of the great city that still extends itself in the distance, and the walls and towers from the islands that are near; and so wait, until the bright investiture and sweet warmth of the sunset are withdrawn from the waters, and the black desert of their shore lies in its nakedness beneath the night, pathless, comfortless, infirm, lost in dark languor and fearful silence, except where the salt rivulets plash into the tideless pools, or the sea-birds flit from their margins with a questioning cry; and he will be enabled to enter in some sort into the horror of heart with which this solitude was anciently chosen by man for his habitation. They little thought, who first drove the stakes into the sand, and strewed the ocean reeds for their rest, that their children were to be the princes of the ocean, and their palaces its pride; and yet, in the great natural laws that rule that sorrowful wilderness, let it be remembered what strange preparation had been made for the things which no human imagination could have foretold, and how the whole existence and fortune of the Venetian nation were anticipated or compelled, by the setting of those bars and doors to the rivers and the sea. Had deeper currents divided their islands, hostile navies would again and again have reduced the rising city into servitude; had stronger surges beaten their shores, all the riches and refinement of the Venetian architecture must have been exchanged for the walls and bulwarks of an ordinary seaport. Had there been no tide, as in other parts of the Mediterranean, the narrow canals of the city would have become noisome, and the marsh in which it was built pestiferous. Had the tide been[Pg 196] only a foot or eighteen inches higher in its rise, the water access to the doors of the palaces would have been impossible: even as it is, there is sometimes a little difficulty, at the ebb, in landing without setting foot upon the lower and slippery steps; and the highest tides sometimes enter the courtyards, and overflow the entrance halls. Eighteen inches more of difference between the level of the flood and ebb would have rendered the doorsteps of every palace, at low water, a treacherous mass of weeds and limpets, and the entire system of water-carriage for the higher classes, in their easy and daily intercourse, must have been done away with. The streets of the city would have been widened, its network of canals filled up, and all the peculiar character of the place and the people destroyed.
The average rise and fall of the tide is about three feet (which can vary a lot with the season); but this drop, on such a flat shore, is enough to keep the waters moving constantly, and in the main canals, it creates a backflow that often runs like a mill stream. At high tide, no land is visible for many miles to the north or south of Venice, except for small islands topped with towers or sparkling with villages; there's a channel about three miles wide between the city and the mainland, and a channel about a mile and a half wide between the city and the sandy breakwater known as the Lido, which separates the lagoon from the Adriatic, but is so low that it hardly disrupts the sense that the city has been built in the middle of the ocean. However, the secret of its true position is partly revealed, though not overly so, by the clusters of piles set to mark the deep water channels, which undulate far away in spotted chains like the backs of huge sea snakes and by the quick glint of the crisp and crowded waves that flicker and dance in the strong winds on the unlifted surface of the shallow sea. But the scene changes dramatically at low tide. A drop of eighteen or twenty inches is enough to expose ground over most of the lagoon; and when the tide is completely out, the city stands in the middle of a dark expanse of seaweed, of gloomy green, except where the larger branches of the Brenta and its connected streams flow toward the port of the Lido. Through this salty and somber expanse, the gondola and fishing boat move through winding channels, rarely more than four or five feet deep, and often so clogged with mud that heavier keels create furrows in the bottom, which are visible through the clear seawater like ruts on a wintry road, while the oar leaves marks on the ground with each stroke or becomes tangled in the thick weeds that line the banks, burdened by their heavy waves, swaying to and fro on the uneven pull of the receding tide. The scene can feel deeply oppressive, even today, when every raised piece of land has some trace of beautiful buildings: but to understand what it was once like, let the traveler follow in his boat during the evening the twists of some rarely traveled channel deep into the melancholic plain; let him remove in his mind the brightness of the great city still visible in the distance, and the walls and towers from the nearby islands; and wait until the bright light and warm glow of sunset are taken away from the waters, leaving the black emptiness of the shore laid bare beneath the night, without paths, comfortless, fragile, lost in dark stillness and eerie silence, except where the salty streams splash into the still pools, or the seabirds fly from the edges with questioning cries; and he will begin to feel the deep horror that once drove people to choose this solitude as their home. The first ones to drive stakes into the sand and cover the ocean reeds for their rest could hardly have imagined their descendants would become the rulers of the ocean, and their palaces its pride; yet, in the grand natural laws that govern this sorrowful wilderness, it's worth remembering the unusual preparations made for the things no human mind could have predicted, and how the entire existence and fate of the Venetian nation were shaped or compelled by the setting of those barriers and gates to the rivers and the sea. If deeper currents had separated their islands, hostile navies would have repeatedly subjected the rising city to servitude; if stronger waves had crashed against their shores, all the wealth and elegance of Venetian architecture would have been traded for the walls and fortifications of an ordinary seaport. If there had been no tide, like in other parts of the Mediterranean, the city's narrow canals would have become foul, and the marsh on which it was built a breeding ground for disease. If the tide had been only a foot or eighteen inches higher, getting water access to the palace doors would have been impossible: even as it is, there's sometimes a bit of difficulty at low tide in landing without stepping on the lower, slippery steps; and the highest tides occasionally flood the courtyards and overflow the entrance halls. An additional eighteen inches difference between the level of high and low tide would have turned the doorsteps of every palace, at low water, into a dangerous mix of weeds and barnacles, and the entire system of water transport for the upper classes, in their easy daily interactions, would have had to be abandoned. The city's streets would have been widened, its network of canals filled in, and all the unique character of the place and its people lost.
The reader may perhaps have felt some pain in the contrast between this faithful view of the site of the Venetian Throne, and the romantic conception of it which we ordinarily form; but this pain, if he have felt it, ought to be more than counterbalanced by the value of the instance thus afforded to us at once of the inscrutableness and the wisdom of the ways of God. If, two thousand years ago, we had been permitted to watch the slow setting of the shrine of those turbid rivers into the polluted sea, and the gaining upon its deep and fresh waters of the lifeless, impassable, unvoyageable plain, how little could we have understood the purpose with which those islands were shaped out of the void, and the torpid waters enclosed with their desolate walls of sand! How little could we have known, any more than of what now seems to us most[Pg 197] distressful, dark, and objectless, the glorious aim which was then in the mind of Him in whose hands are all the corners of the earth! how little imagined that in the laws which were stretching forth the gloomy margins of those fruitless banks, and feeding the bitter grass among their shallows, there was indeed a preparation, and the only preparation possible, for the founding of a city which was to be set like a golden clasp on the girdle of the earth, to write her history on the white scrolls of the sea-surges, and to word it in their thunder, and to gather and give forth, in world-wide pulsation, the glory of the West and of the East, from the burning heart of her Fortitude and Splendour!
The reader might have felt some discomfort in the contrast between this accurate portrayal of the site of the Venetian Throne and the romantic image we usually create in our minds. However, any discomfort felt should be outweighed by the insights we gain into both the mystery and the wisdom of God’s ways. If we could have observed two thousand years ago the gradual sinking of the shrine of those murky rivers into the polluted sea and the encroachment of the lifeless, unpassable plain upon its deep and clear waters, we would have understood very little of the purpose behind the islands formed from the void, and the stagnant waters surrounded by their barren walls of sand. We would have known just as little about what now seems to us most distressing, dark, and meaningless, compared to the glorious aim that was in the mind of Him who holds all the corners of the earth! We could hardly have imagined that in the laws shaping the bleak edges of those barren banks, and nurturing the bitter grass among their shallows, there was indeed a preparation, and the only preparation possible, for the establishment of a city destined to be like a golden clasp on the earth’s girdle, to inscribe her history on the white pages of the sea’s waves, to articulate it in their thunder, and to gather and emit, in a world-wide rhythm, the glory of the West and the East, from the burning heart of her Strength and Glory!
The Stones of Venice (Sunnyside, Orpington, Kent, 1886).
The Stones of Venice (Sunnyside, Orpington, Kent, 1886).
[Pg 198]
[Pg 198]
THE CATARACTS OF THE NILE
(AFRICA)
(AFRICA)
AMELIA B. EDWARDS
AMELIA B. EDWARDS
At Assûan one bids good-bye to Egypt and enters Nubia through the gates of the Cataract—which is, in truth, no cataract, but a succession of rapids extending over two-thirds of the distance between Elephantine and Philæ. The Nile—diverted from its original course by some unrecorded catastrophe, the nature of which has given rise to much scientific conjecture—here spreads itself over a rocky basin bounded by sand slopes on the one side, and by granite cliffs on the other. Studded with numerous islets, divided into numberless channels, foaming over sunken rocks, eddying among water-worn boulders, now shallow, now deep, now loitering, now hurrying, here sleeping in the ribbed hollow of a tiny sand-drift, there circling above the vortex of a hidden whirlpool, the river, whether looked upon from the deck of the dahabeeyah, or the heights above the shore, is seen everywhere to be fighting its way through a labyrinth, the paths of which have never yet been mapped or sounded.
At Aswan, you say goodbye to Egypt and enter Nubia through the gates of the Cataract—which isn't really a cataract at all, but a series of rapids that stretch over two-thirds of the distance between Elephantine and Philae. The Nile—redirected from its original path by some unknown disaster, the nature of which has sparked a lot of scientific theories—here spreads across a rocky basin bordered by sandy slopes on one side and granite cliffs on the other. Filled with countless islets, cut into numerous channels, bubbling over submerged rocks, swirling among water-worn boulders, sometimes shallow, sometimes deep, sometimes slow, sometimes fast, here resting in the ribbed hollow of a small sand dune, there circling above the whirlpool of a hidden vortex, the river, whether viewed from the deck of the dahabeeyah or from the heights above the shore, appears everywhere to be carving its way through a maze that has never been fully charted or explored.
These paths are everywhere difficult and everywhere dangerous; and to that labyrinth the Shellalee, or Cataract Arab, alone possesses the key. At the time of the inundation, when all but the highest rocks are under water,[Pg 199] and navigation is as easy here as elsewhere, the Shellalee’s occupation is gone. But as the floods subside and travellers begin to reappear, his work commences. To haul dahabeeyahs up those treacherous rapids by sheer stress of rope and muscle; to steer skillfully down again through channels bristling with rocks and boiling with foam, becomes now, for some five months of the year, his principal industry. It is hard work; but he gets well paid for it, and his profits are always on the increase. From forty to fifty dahabeeyahs are annually taken up between November and March; and every year brings a larger influx of travellers. Meanwhile, accidents rarely happen; prices tend continually upward; and the Cataract Arabs make a little fortune by their singular monopoly.
These routes are always tricky and dangerous, and only the Shellalee, or Cataract Arab, holds the key to this maze. During the flood season, when almost all but the tallest rocks are submerged,[Pg 199] and navigation is just as easy here as in other places, the Shellalee's work is gone. However, as the waters recede and travelers start to return, his work begins. His main job becomes hauling dahabeeyahs up those risky rapids using nothing but ropes and muscle; then skillfully navigating back down through channels filled with rocks and raging foam, a task he does for about five months each year. It’s tough work, but he earns good money for it, and his profits keep rising. Between November and March, he takes around forty to fifty dahabeeyahs each year, and the number of travelers keeps growing every year. Fortunately, accidents are rare; prices continue to climb; and the Cataract Arabs build a small fortune from their unique monopoly.
The scenery of the First Cataract is like nothing else in the world—except the scenery of the Second. It is altogether new and strange and beautiful. It is incomprehensible that travellers should have written of it in general with so little admiration. They seem to have been impressed by the wildness of the waters, by the quaint forms of the rocks, by the desolation and grandeur of the landscape as a whole; but scarcely at all by its beauty—which is paramount.
The view at the First Cataract is unlike anything else on Earth—except for the view at the Second. It's completely new, strange, and beautiful. It's hard to understand how travelers have written about it so generally without much admiration. They seem to have noticed the wildness of the waters, the unusual shapes of the rocks, and the desolate yet grand landscape overall; but hardly at all its beauty—which is the most important aspect.
The Nile here widens to a lake. Of the islands, which it would hardly be an exaggeration to describe as some hundreds in number, no two are alike. Some are piled up like the rocks at the Land’s End in Cornwall, block upon block, column upon column, tower upon tower, as if reared by the hand of man. Some are green with grass; some[Pg 200] golden with slopes of drifted sand; some are planted with rows of blossoming lupins, purple and white. Others are again mere cairns of loose blocks, with here and there a perilously balanced top-boulder. On one, a singular upright monolith, like a menhir, stands conspicuous, as if placed there to commemorate a date, or to point the way to Philæ. Another mass rises out of the water squared and buttressed, in the likeness of a fort. A third, humped and shining like the wet body of some amphibious beast, lifts what seems to be a horned head above the surface of the rapids. All these blocks and boulders and fantastic rocks are granite; some red, some purple, some black. Their forms are rounded by the friction of ages. Those nearest the brink reflect the sky like mirrors of burnished steel. Royal ovals and hieroglyphed inscriptions, fresh as of yesterday’s cutting, stand out here and there from those glittering surfaces with startling distinctness. A few of the larger islands are crowned with clumps of palms; and one, the loveliest of any, is completely embowered in gum-trees and acacias, dôm and date-palms, and feathery tamarisks, all festooned together under a hanging canopy of yellow-blossomed creepers.
The Nile widens here into a lake. Among the islands, which could easily be said to number in the hundreds, no two are alike. Some are stacked like the rocks at Land’s End in Cornwall, block after block, column after column, tower after tower, as if built by human hands. Some are covered in grass; others are golden with sandy slopes; some are lined with rows of blooming lupins, in shades of purple and white. Others are just piles of loose rocks, with a few precariously balanced boulders on top. One island features a tall upright monolith, like a menhir, standing out clearly, as if it were placed there to mark a significant date or guide the way to Philæ. Another mass juts out of the water, shaped like a fort with squared edges and buttresses. A third one, rounded and shiny like a wet amphibian, raises what appears to be a horned head above the rapids. All these blocks, boulders, and unusual rocks are made of granite; some are red, some purple, and some black. Their shapes have been worn smooth over ages. The ones nearest the edge reflect the sky like polished steel mirrors. Royal ovals and hieroglyphs, so fresh they look like they were carved yesterday, stand out with striking clarity from those shiny surfaces. A few of the larger islands are topped with clusters of palm trees, and one, the most beautiful of them all, is entirely surrounded by gum trees, acacias, dôm palms, date palms, and delicate tamarisks, all woven together under a canopy of yellow-flowered vines.

FIRST CATARACT OF THE NILE.
FIRST CATARACT OF THE NILE.
On a brilliant Sunday morning, with a favourable wind, we entered on this fairy archipelago. Sailing steadily against the current, we glided away from Assûan, left Elephantine behind, and found ourselves at once in the midst of the islands. From this moment every turn of the tiller disclosed a fresh point of view, and we sat on deck, spectators of a moving panorama. The diversity of subjects[Pg 201] was endless. The combinations of form and colour, of light and shadow, of foreground and distance, were continually changing. A boat or a few figures alone were wanting to complete the picturesqueness of the scene, but in all those channels and among all those islands, we saw no sign of any living creature.
On a bright Sunday morning, with a good wind, we entered this magical archipelago. Sailing smoothly against the current, we left Assûan behind, passed Elephantine, and suddenly found ourselves surrounded by the islands. From that moment on, every turn of the tiller revealed a new perspective, and we sat on deck, watching a moving panorama. The variety of subjects[Pg 201] was endless. The combinations of shapes and colors, light and shadow, foreground and background, were constantly shifting. A boat or a few figures would have completed the picturesque scene, but in all those channels and among all those islands, we saw no sign of any living creature.
The Second or Great Cataract, begins a little way above Wady Halfeh and extends over a distance of many miles. It consists, like the First Cataract, of a succession of rocks and rapids, and is skirted for the first five miles or so by the sand-cliff ridge, which, as I have said, forms a background to the ruins just opposite Wady Halfeh. This ridge terminates abruptly in the famous precipice known as the Rock of Abusîr. Only adventurous travellers bound for Dongola or Khartûm go beyond this point; and they, for the most part, take the shorter route across the desert from Korosko.
The Second or Great Cataract starts just above Wady Halfeh and stretches for many miles. Like the First Cataract, it features a series of rocks and rapids, and for the first five miles or so, it's bordered by a sand-cliff ridge, which, as I've mentioned, provides a backdrop to the ruins right across from Wady Halfeh. This ridge ends suddenly at the famous cliff known as the Rock of Abusîr. Only adventurous travelers heading for Dongola or Khartûm go past this point, and most of them take the quicker route through the desert from Korosko.
It is hard, now that we are actually here, to realize that this is the end of our journey. The Cataract—an immense multitude of black and shining islets, among which the river, divided into hundreds of separate channels, spreads far and wide for a distance, it is said of more than sixteen miles,—foams at our feet. Foams, and frets, and falls; gushing smooth and strong where its course is free; murmuring hoarsely where it is interrupted; now hurrying; now loitering; here eddying in oily circles; there lying in still pools unbroken by a ripple; everywhere full of life, full of voices; everywhere shining to the sun. Northwards, when it winds away towards Abou Simbel, we see[Pg 202] all the fantastic mountains of yesterday on the horizon. To the east, still bounded by out-liers of the same disconnected chain, lies a rolling waste of dark and stony wilderness, trenched with innumerable valleys through which flow streams of sand. On the western side, the continuity of the view is interrupted by the ridge which ends with Abusîr. Southward the Libyan desert reaches away in one vast undulating plain; tawny, arid, monotonous; all sun; all sand; lit here and there with arrowy flashes of the Nile. Farthest of all, pale but distinct, on the outermost rim of the world, rise two mountain summits, one long, one dome-like. Our Nubians tell us that they are the mountains of Dongola. Comparing our position with that of the Third Cataract as it appears upon the map, we come to the conclusion that these ghost-like silhouettes are the summits of Mount Fogo and Mount Arambo—two apparently parallel mountains situate on opposite sides of the river about ten miles below Hannek, and consequently about one hundred and forty-five miles, as the bird flies, from the spot on which we are standing.
It's hard to believe that we've reached the end of our journey now that we're actually here. The Cataract—a massive collection of dark and shiny islets, with the river splitting into hundreds of separate channels, spreads out for more than sixteen miles, or so they say—foams at our feet. It foams, churns, and cascades; rushing smoothly and powerfully where it's free; grumbling loudly when it's blocked; sometimes speeding along; sometimes lingering; swirling in oily circles in some places; and lying still in calm pools untouched by a ripple; it's alive and full of sounds everywhere; shining brightly in the sun. To the north, as it curves towards Abou Simbel, we see all the fantastic mountains from yesterday on the horizon. To the east, still bordered by the same disjointed mountain range, lies a vast, dark, rocky wilderness, cut through by countless valleys where streams of sand flow. On the western side, the view is interrupted by the ridge that ends at Abusîr. To the south, the Libyan desert stretches out in a huge, rolling plain; dusty, dry, and monotonous; all sunshine; all sand; occasionally lit up by flashes of the Nile. Farther away, faint but visible, on the outer edge of the world, rise two mountain peaks, one long and one dome-shaped. Our Nubian guides tell us these are the mountains of Dongola. Comparing our position to the map of the Third Cataract, we conclude that these ghostly silhouettes are the peaks of Mount Fogo and Mount Arambo—two seemingly parallel mountains on opposite sides of the river about ten miles below Hannek, which means they’re roughly one hundred and forty-five miles away in a straight line from where we’re standing.
In this extraordinary panorama, so wild, so weird, so desolate, there is nothing really beautiful, except the colour. But the colour is transcendent. Never, even in Egypt, have I seen anything so tender, so transparent, so harmonious. I shut my eyes, and it all comes before me. I see the amber of the sands; the pink and pearly mountains; the Cataract rocks all black and purple and polished; the dull grey palms that cluster here and there upon the larger islands; the vivid verdure of the tamarisks and pomegranates;[Pg 203] the Nile, a greenish brown flecked with yeasty foam; over all, the blue and burning sky, permeated with light, and palpitating with sunshine.
In this amazing view, so wild, so strange, so empty, there's nothing really beautiful except the color. But the color is outstanding. Never, even in Egypt, have I seen anything so gentle, so clear, so balanced. I close my eyes, and it all comes back to me. I see the amber sands; the pink and pearly mountains; the Cataract rocks, all black, purple, and shiny; the dull gray palms scattered here and there on the bigger islands; the bright greenery of the tamarisks and pomegranates; [Pg 203] the Nile, a greenish-brown with frothy white spots; above it all, the blue, blazing sky, filled with light and buzzing with sunshine.
I made no sketch. I felt that it would be ludicrous to attempt it. And I feel now that any endeavour to put the scene into words is a mere presumptuous effort to describe the indescribable. Words are useful instruments; but, like the etching needle and the burin, they stop short at form. They cannot translate colour.
I didn’t make any sketch. It felt ridiculous to try. And I believe now that any attempt to describe the scene is just an arrogant effort to convey the unexplainable. Words are helpful tools; but, like the etching needle and the burin, they fall short when it comes to form. They can't capture color.
If a traveller pressed for time asked me whether he should or should not go as far as the Second Cataract, I think I should recommend him to turn back from Abou Simbel. The trip must cost four days; and if the wind should happen to be unfavourable either way, it may cost six or seven. The forty miles of river that have to be twice traversed are the dullest on the Nile; the Cataract is but an enlarged and barren edition of the Cataract between Assûan and Philæ; and the great view, as I have said, has not that kind of beauty which attracts the general tourist.
If a traveler short on time asked me whether they should go all the way to the Second Cataract, I would probably suggest they turn back at Abou Simbel. The trip takes at least four days; and if the wind is against you, it could take six or seven. The forty miles of river you'll have to travel back and forth are the most boring stretch on the Nile; the Cataract is just a bigger and more barren version of the one between Assûan and Philæ; and the great view, as I mentioned, doesn’t have the kind of beauty that appeals to most tourists.
It has an interest, however, beyond and apart from that of beauty. It rouses one’s imagination to a sense of the greatness of the Nile. We look across a world of desert, and see the river still coming from afar. We have reached a point at which all that is habitable and familiar comes abruptly to an end. Not a village, not a bean-field, not a shâdûf, not a sakkieh, is to be seen in the plain below. There is no sail on these dangerous waters. There is no moving creature on these pathless sands. But for the telegraphic wires stalking ghost-like, across the desert, it would seem[Pg 204] as if we had touched the limit of civilization, and were standing on the threshold of a land unexplored.
It has an interest, though, that goes beyond just beauty. It sparks one’s imagination with the greatness of the Nile. We gaze across a vast desert and see the river still flowing from a distance. We’ve arrived at a point where everything familiar and livable suddenly stops. There isn’t a village, a bean field, a shaduf, or a sakkieh in sight on the plain below. No sails are on these treacherous waters, and no living creature can be seen on these endless sands. If it weren't for the telegraphic wires stretching ghost-like across the desert, it would seem[Pg 204] like we had reached the edge of civilization, standing at the doorway to an unexplored land.
Yet for all this, we feel as if we were at only the beginning of the mighty river. We have journeyed well-nigh a thousand miles against the stream; but what is that to the distance which still lies between us and the Great Lakes? And how far beyond the Great Lakes must we seek for the source that is even yet undiscovered?
Yet despite all this, we feel like we're still at the very start of the mighty river. We've traveled almost a thousand miles upstream, but what does that matter compared to the distance that still separates us from the Great Lakes? And how much farther beyond the Great Lakes do we need to go to find the source that remains undiscovered?
A Thousand Miles Up the Nile (London, 1890).
A Thousand Miles Up the Nile (London, 1890).
[Pg 205]
[Pg 205]
IN THE ALPS
(SWITZERLAND)
(SWITZERLAND)
THÉOPHILE GAUTIER
THÉOPHILE GAUTIER
The foot of the high mountains that form the chain of Mount Blanc, clothed with forests and pastures, revealed hues of delightful intensity and vigour. Imagine an immense piece of green velvet crumpled into large folds like the curtain of a theatre with the deep black of its hollows and the golden glitterings of its lights; this is a very faint image for the grandeur of the object, but I know of none that could better describe the effect.
The base of the towering mountains that make up the Mont Blanc range, covered in forests and meadows, displayed vibrant and lively colors. Picture a vast expanse of green velvet wrinkled into large folds like a theater curtain, with deep black shadows and sparkling golden highlights; this is a weak representation of the majesty of the scene, but I can't think of anything that captures the feeling better.
Scheele’s green, mineral green, all those greens that result from the combinations of Prussian blue and yellow ochre, or Naples yellow, the mixture of indigo and Indian yellow, Veronese green and vert prasin could not reproduce that quality of green that we might properly call mountain green and which passes from velvety black into the tenderest shades of green. In this play of shades, the firs form the shadows; the deciduous trees and the spaces of meadow or moss, the lights. The undulations and the cleft ravines of the mountain break these great masses of green, this vigorous foreground, this energetic répoussoir, rendering the light tones of the zones, (bare of verdure and crowned by the high lights of the snows,) more vaporous and throwing them back. In the various more open places, the grass grows[Pg 206] green in the sun; and trees resembling little black patches sown upon this light ground give it the appearance of tufted material. But when we speak of trees and firs, woods and forests, do not picture to yourselves anything but vast blots of dark moss upon the slopes of the mountains: the highest trunks there assume the proportion of a blade of grass.
Scheele’s green, mineral green, all those greens that come from mixing Prussian blue and yellow ochre, or Naples yellow, the combination of indigo and Indian yellow, Veronese green and vert prasin couldn’t capture that special quality of green we can truly call mountain green, which moves from rich black to the softest shades of green. In this range of colors, the fir trees create the shadows; the deciduous trees and the meadows or mossy areas provide the light. The hills and deep ravines of the mountain break up these huge expanses of green, this strong foreground, this energetic répoussoir, making the lighter areas (bare of verdure and topped with the bright highlights of the snow) appear more ethereal and pushing them back. In the more open spots, the grass grows[Pg 206] green in the sunlight; and trees that look like little black patches scattered across this light ground create the effect of tufted fabric. But when we mention trees and firs, woods and forests, don’t imagine anything other than vast dark mossy patches on the mountainsides: the tallest trunks there look as small as blades of grass.
The road turns towards the left, and, gliding between stones and blocks that have fallen down or drifted into the valley by means of the winter torrents and avalanches, soon enters a forest of birch-trees, firs, and larches whose openings allow you to see on the other side the Aiguilles Rouges and le Brevent, which face Montanvert. The ascent was gentle enough and the mules climbed it with easy gait; in comparison with the road which we scaled the night before to go to the Pierre pointue, the route was a true alley of the Bois de Boulogne. The zigzags of the road turned at angles sufficiently long not to fatigue either the rider or his mount. The sunlight played in the foliage of the forest that we traversed and made a shadow shot through with rays float over us. Upon the rocks at the foot of the trees, mosses of emerald green gleamed and lovely little wild flowers brightly bloomed, while in the spaces through the branches a bluish mist betrayed the depth of the abyss, for the little caravan, going along single file and constantly ascending, had now reached the Caillet fountain, which is regarded as half-way up the mountain. This fountain, of excellent water, runs into a wooden trough. The mules halt there to drink. A cabin is built near the fountain and they offer you a glass of water made[Pg 207] opalescent with a few drops of kirsch, cognac, beer, and other refreshments. We regaled our guides with a glass of brandy, which, notwithstanding their sobriety, they seemed to prefer to that diamond liquid that sprang from the rock.
The road curves to the left and, smoothly passing through stones and blocks that have fallen or washed down into the valley from winter floods and avalanches, quickly enters a forest of birch trees, firs, and larches, where openings let you see the Aiguilles Rouges and le Brevent, facing Montanvert. The climb was gentle enough, and the mules went up easily; compared to the road we tackled the night before to reach the Pierre pointue, this route felt like a true path through the Bois de Boulogne. The road's zigzags were long enough that neither the rider nor the mule got tired. Sunlight danced through the forest's leaves, casting shadows streaked with light over us. On the rocks at the base of the trees, vibrant emerald-green moss glistened, and lovely little wildflowers bloomed brightly, while bluish mist peeking through the branches revealed the depth of the gorge. The small caravan, moving in single file and steadily climbing, had now reached the Caillet fountain, considered halfway up the mountain. This fountain, which has excellent water, flows into a wooden trough where the mules stop to drink. A cabin stands near the fountain and offers a glass of water mixed with a few drops of kirsch, cognac, beer, and other refreshments. We treated our guides to a glass of brandy, which, despite their usual sobriety, they seemed to prefer over the sparkling water from the rock.
From this point, the road began to grow steeper; the ascents multiplied without, however, offering any difficulties to mules or pedestrians. The air became more keen. The forest grew lighter, the trees stood at greater intervals from each other and stopped as if out of breath. They seemed to say to us, “Now, go up alone, we cannot go any further.” The rounded plateau that we mount by keeping to the right is not desolate and denuded as one would believe; a grass, sturdy enough and enamelled with Alpine flowers, forms its carpet, and when you have gone beyond it, you perceive the châlet or inn of Montanvert below the Aiguille de Charmoz.
From this point, the road started to get steeper; the climbs increased but didn't pose any challenges for the mules or walkers. The air became sharper. The forest became sparser, with the trees spaced further apart, almost as if they were gasping for breath. They seemed to say to us, “Now, keep climbing on your own; we can't go any farther.” The rounded plateau that we reach by staying to the right isn't as barren and stripped as one might think; a resilient grass, dotted with Alpine flowers, covers it like a carpet, and when you move past it, you can see the châlet or inn of Montanvert below the Aiguille de Charmoz.
From this plateau you have a superb view, an astonishing, apocalyptic view, beyond all dreams. At your feet, between two banks of gigantic peaks, flows motionless, as if congealed during the tumult of a tempest, that broad river of crystal which is called the Mer de Glace, and which lower towards the plain is called the Glacier des Bois. The Mer de Glace comes from a high altitude; it receives many glaciers as a river its tributaries. We will speak of it presently, but for the moment let us occupy ourselves with the spectacle that unfolds beneath our eyes.
From this viewpoint, you have an incredible, almost surreal panorama, beyond anything you'd ever imagine. Below you, nestled between two towering peaks, lies a broad, still river of crystal known as the Mer de Glace, which further down is called the Glacier des Bois. The Mer de Glace originates from a high elevation and collects numerous glaciers like a river gathers tributaries. We'll discuss it shortly, but for now, let's focus on the breathtaking scene before us.
Opposite the inn of Montanvert, the glacier is half a league from one bank to the other, perhaps even more, for[Pg 208] it is difficult to gauge distance in the mountains with exactness; it is about the width of the Thames, the Neva or the Guadalquiver towards their mouth. But the slope is much more abrupt than was ever that of any river. It descends by large waves rounded at their tops, like billows that never break into foam and whose hollows take a bluish colour. When the ground that serves as a bed for this torrent of ice becomes too abrupt, the mass is dislocated and breaks up into slabs that rest one upon the other and which resemble those little columns of white marble in the Turkish cemeteries that are forced to lean to right or left by their own weight; crevasses more or less wide and deep manifest themselves, opening the immense block and revealing the virgin ice in all its purity. The walls of these crevasses assume magical colours, tints of an azure grotto. An ideal blue that is neither the blue of the sky nor the blue of the water, but the blue of ice, an unnamed tone that is never found on the artist’s palette illumines these splendid clefts and turns sometimes to a green of aqua marine or mother of pearl by gradations of astonishing delicacy. On the other bank, clearly detached by its sharp escarpment like the spire of a gigantic cathedral, the high Aiguille du Dru rises with so proud, so elegant, and so bold a spring. Ascending the glacier, the Aiguille Verte stands out in front of it, being even higher though the perspective makes it appear lower. From the foot of the Aiguille du Dru, like a rivulet towards a river, descends the Mont Blanc glacier. A little further to the right, the Aiguille du Moine and that of Léchaud show themselves, obelisks of[Pg 209] granite which the sunlight tints with reflections of rose and the snow makes gleam with several touches of silver. It is difficult to express in words the unexpected outlines, the strange flashes, the tops cut and indented in the form of saw-teeth, gable-ends and crosses that are affected by these inaccessible peaks with almost vertical walls,—often even sloping outwards and overhanging. Running your eye along the same bank of the glacier and descending towards the valley, you see the Aiguille du Bochard, le Chapeau, which is nothing more or less than a rounded mountain, grassy and enamelled with flowers, not so high as Montanvert, and the forests which have given to this portion of the Mer de Glace the name of Glacier des Bois, bordering it with a line of sombre verdure.
Across from the Montanvert inn, the glacier stretches about half a league from one side to the other, maybe even more, because it’s hard to measure distance accurately in the mountains; it’s roughly the width of the Thames, the Neva, or the Guadalquivir near their mouths. But the slope is much steeper than any river. It descends in large, rounded waves, like billows that never turn to foam, with the hollows taking on a bluish hue. When the ground that supports this torrent of ice becomes too steep, the mass shifts and breaks into slabs that stack on top of each other, resembling those small white marble columns found in Turkish cemeteries, leaning either way from their own weight; wide and deep crevasses appear, splitting the massive block and exposing the untouched ice in all its purity. The walls of these crevasses display magical colors, shades of a blue grotto. An ideal blue that isn’t the blue of the sky or water, but the blue of ice—a unique shade never seen on an artist’s palette—illuminates these stunning openings, occasionally shifting to an aqua or mother-of-pearl green with astonishing subtlety. On the opposite side, clearly defined by its steep cliff like the spire of a gigantic cathedral, the tall Aiguille du Dru rises with a proud, elegant, and bold ascent. As you move up the glacier, the Aiguille Verte stands in front of it, even higher, though the perspective makes it seem lower. From the base of the Aiguille du Dru, the Mont Blanc glacier descends like a stream feeding a river. A little farther to the right, the Aiguille du Moine and the Léchaud reveal themselves, granite obelisks tinted by sunlight with shades of pink and sparkling with silver touches. It’s hard to describe the unexpected shapes, the unusual flashes, and the tops cut into saw-toothed, gabled, and cross-like forms that characterize these inaccessible peaks with almost vertical walls—often even sloping outward and overhanging. Looking along the same side of the glacier and down towards the valley, you see the Aiguille du Bochard, le Chapeau, which is simply a rounded mountain, grassy and sprinkled with flowers, not as high as Montanvert, alongside the forests that have given this part of the Mer de Glace the name Glacier des Bois, bordered by a line of dark greenery.

MONT BLANC.
MONT BLANC.
There are in the Mer de Glace two veins that divide it throughout its length like the currents of two rivers that never mingle: a black vein and a white vein. The black one flows by the side of the bank where the Aiguille du Dru rears itself, and the white one bathes the foot of Montanvert; but words when we speak of colour only half describe shades, and it must not be imagined that this demarcation is as clearly defined as we have indicated. It is, however, very sensible.
There are in the Mer de Glace two veins that run along its entire length like the currents of two rivers that never mix: a black vein and a white vein. The black vein flows along the bank where the Aiguille du Dru stands tall, and the white vein washes the base of Montanvert; however, when we talk about color, words only partially capture the shades, and we shouldn't think that this separation is as clear-cut as we've described. Still, it is quite noticeable.
On looking towards the upper portion of the glacier, at the spot where it precipitates itself into the rock passage which conducts it to the valley like a furiously boiling cascade with wild spurts which some magic power has turned into ice at its strongest leap, you discover, arranged like an amphitheatre, the Montagne des Périades, the Petites Jorasses,[Pg 210] the Grandes Jorasses, and the Aiguille du Géant, covered with eternal snow, the white diadem of the Alps which the suns of summer are powerless to melt and which scintillate with a pure and cold brilliancy in the clear blue of the sky.
When you look up at the upper part of the glacier, where it tumbles into the rocky passage that leads to the valley like a raging waterfall with wild bursts that some magical force has turned into ice at its highest leap, you see, arranged like an amphitheater, the Montagne des Périades, the Petites Jorasses,[Pg 210] the Grandes Jorasses, and the Aiguille du Géant, all covered in permanent snow, the white crown of the Alps that the summer sun cannot melt, sparkling with a clear and cold brilliance in the deep blue sky.
At the foot of the Périades, the glacier, as may be seen from Montanvert, divides into two branches, one of which ascends towards the east and takes the name of the Glacier de Léchaud, while the other takes its course behind the Aiguilles de Chamouni towards Mont Blanc du Tacul, and is called the Glacier du Géant. A third branch, named the Glacier du Talifre, spreads out over the slopes of the Aiguille Verte.
At the base of the Périades, the glacier, visible from Montanvert, splits into two branches. One branch heads east and is called the Glacier de Léchaud, while the other flows behind the Aiguilles de Chamouni toward Mont Blanc du Tacul, and is known as the Glacier du Géant. There's a third branch, named the Glacier du Talifre, that spreads across the slopes of the Aiguille Verte.
It is in the middle of the Talifre where lies that oasis of the glaciers that is called the Jardin, a kind of basket of Alpine flowers, which find there a pinch of vegetable earth, a few rays of sunshine, and a girdle of stones that isolate them from the neighbouring ice; but to climb to the Jardin is a long, fatiguing and even dangerous excursion, necessitating a night’s sleep at the châlet of Montanvert.
It is in the middle of the Talifre where there's an oasis of glaciers known as the Jardin, a sort of basket of Alpine flowers that find a bit of soil, some sunshine, and a ring of stones that separates them from the nearby ice. However, reaching the Jardin is a long, exhausting, and even risky journey, requiring an overnight stay at the châlet of Montanvert.
We resumed our journey not without having gathered several bunches of rhododendrons of the freshest green and brightest rose, that opened in the liberty and solitude of the mountains by means of the pure Alpine breeze. You descend by the same route more rapidly than you ascended.
We continued our journey after collecting several bunches of vibrant green and bright pink rhododendrons that bloomed freely in the solitude of the mountains thanks to the fresh Alpine breeze. You come down the same path much faster than you went up.

AIGUILLE DU DRU, ALPS.
Aiguille du Dru, Alps.
The mules stepped gaily by the side of their leaders, who carried the sticks, canes and umbrellas, which had now become useless. We traversed the forest of pines pierced here and there by the torrents of stones of the avalanches; we gained the plain and were soon at Chamouni to go to[Pg 211] the source of the Arveiron, which is found at the base of the Glacier des Bois, the name that is assumed by the Mer de Glace on arriving in the valley.
The mules walked happily alongside their guides, who carried sticks, canes, and umbrellas that were now pointless. We made our way through the pine forest, dotted with rocky paths from the avalanches; we reached the plain and were soon in Chamouni to visit[Pg 211] the source of the Arveiron, located at the base of the Glacier des Bois, which is the name used for the Mer de Glace upon entering the valley.
This is an excursion that you can make in a carriage. You follow the bottom of the valley, cross the Arve at the hamlet of Praz, and after having passed the Hameau des Bois, where you must alight, you arrive, winding among masses of rocks in disorder and pools of water across which logs are placed, at the wall of the glacier, which reveals itself by its slit and tortured edges, full of cavities and gashes where the blue-green hatchings colour the transparent whiteness of the mass.
This is a trip you can take in a carriage. You follow the valley floor, cross the Arve at the village of Praz, and after passing the Hameau des Bois, where you need to get off, you arrive, winding through a jumble of rocks and pools of water with logs laid across them, at the glacier's wall, which shows itself with its jagged and twisted edges, filled with cavities and cuts where blue-green patterns color the clear whiteness of the ice.
The white teeth of the glacier stand out clearly against the sombre green of the forests of Bochard and Montanvert and are majestically dominated by the Aiguille du Dru, which shoots its granite obelisk three thousand nine hundred and six metres into the depths of the sky, and the foreground is formed by the most prodigious confusion of stones, rocks and blocks that a painter could wish for giving value to those vapourous depths. The Arveiron foams and roars across this chaos and, after half an hour of frantic disordered course, loses itself in the Arve.
The bright white teeth of the glacier stand out sharply against the dark green of the Bochard and Montanvert forests, magnificently dominated by the Aiguille du Dru, which thrusts its granite obelisk 3,906 metres into the sky. The foreground features an incredible jumble of stones, rocks, and blocks that any painter would love, adding depth to the misty scene. The Arveiron cascades and crashes through this chaos, and after half an hour of wild, erratic movement, it merges into the Arve.
Les Vacances de Lundi (Paris, 1881).
Monday Vacations (Paris, 1881).
[Pg 212]
[Pg 212]
THE VALE OF KASHMIR
(INDIA)
(INDIA)
ANDREW WILSON
ANDREW WILSON
Almost every one longs, and many hope, to see the beautiful Vale of Kashmir. Probably no region of the earth is so well known to the eye of imagination, or so readily suggests the idea of a terrestrial Paradise. So far from having been disappointed with the reality, or having experienced any cause for wishing that I had left Kashmir unvisited, I can most sincerely say that the beautiful reality excels the somewhat vague poetic vision which has been associated with the name. But Kashmir is rather a difficult country to get at, especially when you come down upon it from behind by way of Zanskar and Súrú. According to tradition, it was formerly the Garden of Eden; and one is very well disposed to accept that theory when trying to get into it from the north or northwest.
Almost everyone longs to see the stunning Vale of Kashmir, and many hope to experience it. There's probably no place on Earth that's as vivid in the imagination or so easily evokes the idea of a paradise on Earth. Far from being disappointed by the real thing or regretting my visit, I can honestly say that the beautiful reality surpasses the somewhat vague poetic image often linked to the name. However, getting to Kashmir can be quite challenging, especially when approaching from behind via Zanskar and Súrú. According to tradition, it was once the Garden of Eden, and one can definitely believe that theory when trying to enter from the north or northwest.
After months of the sterile, almost treeless Tibetan provinces, the contrast was very striking, and I could not but revel in the beauty and glory of the vegetation; but even to one who had come up upon it from below, the scene would have been very striking. There was a large and lively encampment at the foot of the pass, with tents prepared for the Yarkand envoy, and a number of Kashmir officers and soldiers; but I pushed on beyond that, and[Pg 213] camped in solitude close to the Sind river, just beneath the Panjtarne valley, which leads up towards the caves of Ambernath, a celebrated place for Hindú pilgrimage. This place is called Báltal, but it has no human habitations. Smooth green meadows, carpet-like and embroidered with flowers, extended to the silvery stream, above which there was the most varied luxuriance of foliage, the lower mountains being most richly clothed with woods of many and beautiful colours. It was late autumn, and the trees were in their greatest variety of colour; but hardly a leaf seemed to have fallen. The dark green of the pines contrasted beautifully with the delicate orange of the birches, because there were intermingling tints of brown and saffron. Great masses of foliage were succeeded by solitary pines, which had found a footing high up the precipitous crags.
After months in the barren, almost treeless Tibetan regions, the difference was incredibly striking, and I couldn’t help but enjoy the beauty and splendor of the plant life. Even for someone who had approached it from lower altitudes, the view would have been impressive. There was a large and vibrant camp at the foot of the pass, with tents set up for the Yarkand envoy, along with several officers and soldiers from Kashmir. However, I continued on past that and[Pg 213] set up camp in solitude near the Sind river, just below the Panjtarne valley, which leads up toward the caves of Ambernath, a well-known destination for Hindu pilgrims. This spot is called Báltal, but there are no human settlements here. Smooth green meadows, soft and dotted with flowers, stretched down to the silvery stream, above which was a stunning variety of foliage. The lower mountains were richly covered in trees of many beautiful colors. It was late autumn, and the trees showcased their greatest array of colors; hardly a leaf seemed to have fallen. The deep green of the pines contrasted beautifully with the gentle orange of the birches, which were intertwined with shades of brown and saffron. Large clusters of foliage gave way to solitary pines, which managed to grow high up the steep cliffs.
And all this was combined with peaks and slopes of pure white snow. Aiguilles of dark rock rose out of beds of snow, but their faces were powdered with the same element. Glaciers and long beds of snow ran down the valleys, and the upper vegetation had snow for its bed. The effect of sunset upon this scene was wonderful; for the colours it displayed were both heightened and more harmoniously blended. The golden light of eve brought out the warm tints of the forest; but the glow of the reddish-brown precipices, and the rosy light upon the snowy slopes and peaks, were too soon succeeded by the cold grey of evening. At first, however, the wondrous scene was still visible in a quarter-moon’s silvery light, in which the Panjtarne valley was in truth—
And all this was mixed with peaks and slopes of pure white snow. Aiguilles of dark rock rose from beds of snow, but their surfaces were dusted with the same material. Glaciers and long stretches of snow flowed down the valleys, and the upper vegetation rested on a bed of snow. The effect of sunset on this scene was amazing; the colors it revealed were both intensified and blended more harmoniously. The golden evening light brought out the warm shades of the forest, but the glow of the reddish-brown cliffs and the pink light on the snowy slopes and peaks quickly gave way to the cold grey of dusk. At first, though, the breathtaking scene was still visible in the silvery light of a quarter moon, in which the Panjtarne valley was truly—
[Pg 214]
[Pg 214]
The demon lovers to be met with in that wild valley are bears, which are in abundance, and a more delightful place for a hunter to spend a month in could hardly be invented; but he would have to depend on his rifle for supplies, or have them sent up from many miles down the Sind valley.
The demon lovers you’ll find in that wild valley are bears, which are plentiful, and it’s hard to imagine a better spot for a hunter to spend a month; however, he would need to rely on his rifle for food or have supplies sent in from far down the Sind valley.
The remainder of my journey down the latter valley to the great valley or small plain of Kashmir was delightful. A good deal of rain fell, but that made one appreciate the great trees all the more, for the rain was not continuous, and was mingled with sunshine. At times, during the season when I saw it, this “inland depth” is “roaring like the sea;”
The rest of my journey down the lower valley to the vast or small plain of Kashmir was enjoyable. It rained quite a bit, but that only made me appreciate the big trees even more since the rain wasn't constant and was mixed with sunshine. Sometimes, during the time I saw it, this "inland depth" is "roaring like the sea;"
but soon after it is bathed in perfect peace and mellow sunlight. The air was soft and balmy; but, at this transfer from September to October, it was agreeably cool even to a traveller from the abodes and sources of snow. As we descended, the pine-forests were confined to the mountain-slopes; but the lofty deodar began to appear in the valley, as afterwards the sycamore, the elm, and the horse-chestnut. Round the picturesque villages, and even forming considerable woods, there were fruit-trees—as the walnut, the chestnut, the peach, the apricot, the apple, and the[Pg 215] pear. Large quantities of timber (said to be cut recklessly) was in course of being floated down the river; and where the path led across it there were curious wooden bridges for which it was not necessary to dismount. This Sind valley is about sixty miles long, and varies in breadth from a few hundred yards to about a mile, except at its base, where it opens out considerably. It is considered to afford the best idea of the mingled beauty and grandeur of Kashmir scenery; and when I passed through its appearance was greatly enhanced by the snow, which not only covered the mountain-tops, but also came down into the forests which clothed the mountain-sides. The path through it, being part of the great road from Kashmir to Central Asia, is kept in tolerable repair, and it is very rarely that the rider requires to dismount. Anything beyond a walking-pace, however, is for the most part out of the question. Montgomerie divides the journey from Srinagar to Báltal (where I camped below the Zoji La) into six marches, making in all sixty-seven miles; and though two of these marches may be done in one day, yet if you are to travel easily and enjoy the scenery, one a day is sufficient. The easiest double march is from Sonamarg to Gond, and I did it in a day with apparent ease on a very poor pony; but the consequence is that I beat my brains in order to recall what sort of a place Gond was, no distinct recollection of it having been left on my mind, except of a grove of large trees and a roaring fire in front of my tent at night. Sonamarg struck me as a very pleasant place; and I had there, in the person of a youthful captain from Abbotabad,[Pg 216] the pleasure of meeting the first European I had seen since leaving Lahaul. We dined together, and I found he had come up from Srinagar to see Sonamarg, and he spoke with great enthusiasm of a view he had had, from another part of Kashmir, of the 26,000 feet mountain Nanga Parbat. Marg means “meadow,” and seems to be applied especially to elevated meadows; sona stands for “golden”: and this place is a favourite resort in the hot malarious months of July and August, both for Europeans in Kashmir and for natives of rank.
but soon after it is bathed in perfect peace and soft sunlight. The air was gentle and warm; but, as we moved from September to October, it was pleasantly cool even for someone coming from snowy places. As we went down, the pine forests were limited to the mountain slopes; but the tall deodar trees began to show up in the valley, followed by the sycamore, elm, and horse-chestnut. Around the charming villages, and even forming large woods, there were fruit trees—like walnut, chestnut, peach, apricot, apple, and pear. A lot of timber (said to be cut recklessly) was being floated down the river; and where the path crossed it, there were interesting wooden bridges where you didn’t need to get off your horse. This Sind valley is about sixty miles long and varies in width from a few hundred yards to about a mile, except at its base, where it widens significantly. It is thought to offer the best view of the beautiful and grand scenery of Kashmir; and when I passed through, its appearance was greatly enhanced by the snow, which not only covered the mountaintops but also came down into the forests on the mountainsides. The path through it, being part of the main route from Kashmir to Central Asia, is kept in fairly good condition, and it’s very rare for a rider to need to dismount. However, going faster than a walking pace is mostly out of the question. Montgomerie splits the journey from Srinagar to Báltal (where I camped below the Zoji La) into six sections, totaling sixty-seven miles; and although two of these sections can be done in one day, if you want to travel comfortably and enjoy the scenery, one a day is enough. The easiest double section is from Sonamarg to Gond, and I did it in a day with apparent ease on a very poor pony; but as a result, I struggled to remember what Gond was like, having no clear memory except for a grove of large trees and a roaring fire in front of my tent at night. Sonamarg seemed like a very nice place; and there, in the company of a young captain from Abbotabad, I had the pleasure of meeting the first European I had seen since leaving Lahaul. We had dinner together, and I learned he had come up from Srinagar to visit Sonamarg, and he spoke with great excitement about a view he had seen from another part of Kashmir of the 26,000-foot mountain Nanga Parbat. Marg means “meadow,” and seems to be particularly used for high meadows; sona stands for “golden”: and this place is a favorite spot during the hot, malarial months of July and August, both for Europeans in Kashmir and for high-ranking locals.
At Ganderbahl I was fairly in the great valley of Kashmir, and encamped under some enormous chúnár or sycamore trees; the girth of one was so great that its trunk kept my little mountain-tent quite sheltered from the furious blasts. Truly—
At Ganderbahl, I was right in the heart of the great valley of Kashmir, camping under some massive chúnár or sycamore trees; the trunk of one was so wide that it kept my small mountain tent completely sheltered from the fierce winds. Truly—
but that gigantic chúnár kept off both wind and rain wonderfully. Next day a small but convenient and quaint Kashmir boat took me up to Srinagar; and it was delightful to glide up the backwaters of the Jhelam, which afforded a highway to the capital. It was the commencement and the promise of repose, which I very sadly needed, and in a beautiful land.
but that huge chúnár blocked both the wind and rain remarkably. The next day, a small but handy and charming Kashmir boat took me up to Srinagar; it was a joy to glide through the backwaters of the Jhelam, which provided a route to the capital. It was the beginning and the promise of rest, which I desperately needed, in such a beautiful place.

THE VALE OF KASHMIR.
Kashmir Valley.
I afterwards went up to Islamabad, Martand, Achibal, Vernag, the Rozlú valley, and finally went out of Kashmir by way of the Manas and Wúlar Lakes, and the lower valley of the Jhelam, so that I saw the most[Pg 217] interesting places in the country, and all the varieties of scenery which it affords. That country has been so often visited and described, that, with one or two exceptions, I shall only touch generally upon its characteristics. It doubtless owes some of its charm to the character of the regions in its neighbourhood. As compared with the burning plains of India, the sterile steppes of Tibet, and the savage mountains of the Himalaya and of Afghanistan, it presents an astonishing and beautiful contrast. After such scenes even a much more commonplace country might have afforded a good deal of the enthusiasm which Kashmir has excited in Eastern poetry, and even in common rumour; but beyond that it has characteristics which give it a distinct place among the most pleasing regions of the earth. I said to the Maharajah, or ruling Prince of Kashmir, that the most beautiful countries I had seen were England, Italy, Japan, and Kashmir; and though he did not seem to like the remark much, probably from a fear that the beauty of the land he governed might make it too much an object of desire, yet there was no exaggeration in it. Here, at a height of nearly 6,000 feet, in a temperate climate, with abundance of moisture, and yet protected by lofty mountains from the fierce continuous rains of the Indian southwest monsoon, we have the most splendid amphitheatre in the world. A flat oval valley about sixty miles long, and from forty in breadth, is surrounded by magnificent mountains, which, during the greater part of the year, are covered more than half-way down with snow, and present vast upland beds of pure[Pg 218] white snow. This valley has fine lakes, is intersected with water-courses, and its land is covered with brilliant vegetation, including gigantic trees of the richest foliage. And out of this great central valley there rise innumerable, long, picturesque mountain-valleys, such as that of the Sind river, which I have just described; while above these there are great pine-forests, green slopes of grass, glaciers, and snow. Nothing could express the general effect better than Moore’s famous lines on sainted Lebanon—
I later traveled to Islamabad, Martand, Achibal, Vernag, the Rozlú valley, and finally exited Kashmir through the Manas and Wúlar Lakes, and the lower valley of the Jhelam. Throughout my journey, I experienced the most interesting places in the country and all the different types of scenery it has to offer. This region has been visited and described countless times, so with a few exceptions, I’ll only briefly highlight its characteristics. Much of its charm comes from the nature of the surrounding areas. Compared to the scorching plains of India, the barren steppes of Tibet, and the rugged mountains of the Himalayas and Afghanistan, it offers a stunning and beautiful contrast. After such sights, even a more ordinary country could spark some of the excitement that Kashmir has inspired in Eastern poetry and in everyday conversation. However, it also has unique features that set it apart among the most beautiful places on Earth. I told the Maharajah, or ruling Prince of Kashmir, that the most beautiful countries I had seen were England, Italy, Japan, and Kashmir. Although he didn’t seem pleased by the comment, possibly worried that the beauty of his land might make it overly desirable, there was no exaggeration in my words. Here, at an altitude of nearly 6,000 feet, in a temperate climate with plenty of moisture, and shielded by high mountains from the relentless rains of the Indian southwest monsoon, we find the most magnificent amphitheater in the world. A flat, oval valley about sixty miles long and forty miles wide is surrounded by stunning mountains, which for most of the year are covered more than halfway down with snow, revealing vast expanses of pure white. This valley boasts beautiful lakes, winding waterways, and is filled with vibrant vegetation, including towering trees with lush foliage. Out of this grand central valley, numerous long, scenic mountain valleys emerge, like the Sind River valley I just described; above them are vast pine forests, green grassy slopes, glaciers, and snow. Nothing captures the overall effect better than Moore’s famous lines about sainted Lebanon—
The great encircling walls of rock and snow contrast grandly with the soft beauty of the scene beneath. The snows have a wonderful effect as we look up to them through the leafy branches of the immense chúnár, elm, and poplar trees. They flash gloriously in the morning sunlight above the pink mist of the valley-plain; they have a rosy glow in the evening sunlight; and when the sunlight has departed, but ere darkness shrouds them, they gleam, afar off, with a cold and spectral light, as if they belonged to a region where man had never trod. The deep black gorges in the mountains have a mysterious look. The sun lights up some softer grassy ravine or green slope, and then displays splintered rocks rising in the wildest confusion. Often long lines of white clouds lie along the line of mountain-summits, while at other times every white peak and precipice-wall is distinctly marked against the deep-blue[Pg 219] sky. The valley-plain is especially striking in clear mornings and evenings, where it lies partly in golden sunlight, partly in the shadow of its great hills.
The massive walls of rock and snow stand in stark contrast to the gentle beauty of the landscape below. The snow has a stunning effect as we gaze at it through the leafy branches of the huge chúnár, elm, and poplar trees. It shines brilliantly in the morning sunlight above the pink mist of the valley; it has a rosy hue in the evening light; and when the sun has set, just before darkness envelops it, it glows eerily from afar, as if it belongs to a place untouched by humans. The deep black gorges in the mountains have an enigmatic appearance. The sun illuminates some softer grassy valleys or green slopes and then reveals jagged rocks rising in wild disarray. Often, long stretches of white clouds rest along the mountain peaks, while at other times, each white summit and sheer cliff is sharply outlined against the deep blue[Pg 219] sky. The valley is particularly striking on clear mornings and evenings, as it sits partly in golden sunlight and partly in the shadows of the towering hills.
The green mosaic of the level land is intersected by many streams, canals or lakes, or beautiful reaches of river which look like small lakes. The lakes have floating islands composed of vegetation. Besides the immense chúnárs and elms, and the long lines of stately poplars, great part of the plain is a garden filled with fruits and flowers, and there is almost constant verdure.
The green mosaic of the flat land is crossed by many streams, canals, or lakes, along with lovely sections of river that resemble small lakes. The lakes have floating islands made up of plants. In addition to the huge chúnárs and elms, and the long rows of elegant poplars, much of the plain is a garden full of fruits and flowers, and there's nearly always greenery.
Travel, Adventure and Sport from Blackwood’s Magazine (Edinburgh and London), Vol. vi.
Travel, Adventure, and Sport from Blackwood’s Magazine (Edinburgh and London), Vol. vi.
[Pg 220]
[Pg 220]
THE LAKE OF PITCH
(TRINIDAD)
(TRINIDAD)
CHARLES KINGSLEY
CHARLES KINGSLEY
This Pitch Lake should be counted among the wonders of the world; for it is, certainly, tolerably big. It covers ninety-nine acres, and contains millions of tons of so-called pitch.
This Pitch Lake should be considered one of the wonders of the world; it is, without a doubt, quite large. It spans ninety-nine acres and holds millions of tons of what’s called pitch.
Its first discoverers were not bound to see that a pitch lake of ninety-nine acres was no more wonderful than any of the little pitch wells—“spues” or “galls,” as we should call them in Hampshire—a yard across; or any one of the tiny veins and lumps of pitch which abound in the surrounding forests; and no less wonderful than if it had covered ninety-nine thousand acres instead of ninety-nine.
Its first discoverers weren't obligated to realize that a pitch lake of ninety-nine acres was no more remarkable than any of the small pitch wells—"spues" or "galls," as we would say in Hampshire—that are a yard across; or any of the tiny veins and lumps of pitch found in the surrounding forests; and just as extraordinary as if it had covered ninety-nine thousand acres instead of ninety-nine.
As we neared the shore, we perceived that the beach was black with pitch; and the breeze being off the land, the asphalt smell (not unpleasant) came off to welcome us. We rowed in, and saw in front of a little row of wooden houses, a tall mulatto, in blue policeman’s dress, gesticulating and shouting to us. He was the ward policeman, and I found him (as I did all the coloured police) able and courteous, shrewd and trusty. These police are excellent specimens of what can be made of the Negro, or Half-Negro, if he be but first drilled, and then given a responsibility which calls out his self-respect. He was warning our[Pg 221] crew not to run aground on one or other of the pitch reefs, which here take the place of rocks. A large one, a hundred yards off on the left, has been almost all dug away, and carried to New York or to Paris to make asphalt pavement.
As we got closer to the shore, we noticed that the beach was covered in pitch; and with the wind blowing in from the land, a not-unpleasant asphalt smell greeted us. We rowed in and saw a row of wooden houses in front of us, with a tall mixed-race man in a blue police uniform waving and shouting at us. He was the local officer, and I found him (like all the officers of color) capable and polite, sharp and reliable. These officers are great examples of what can be achieved with Black or mixed-race individuals if they are properly trained and given responsibilities that encourage their self-respect. He was cautioning our crew not to run aground on the pitch reefs, which serve as substitutes for rocks here. A large one, about a hundred yards off to the left, has been mostly removed and taken to New York or Paris to be made into asphalt pavement.
The boat was run ashore, under his directions, on a spit of sand between the pitch; and when she ceased bumping up and down in the muddy surf, we scrambled out into a world exactly the hue of its inhabitants—of every shade, from jet-black to copper-brown. The pebbles on the shore were pitch. A tide-pool close by was enclosed in pitch: a four-eyes was swimming about in it, staring up at us; and when we hunted him, tried to escape, not by diving, but by jumping on shore on the pitch, and scrambling off between our legs. While the policeman, after profoundest courtesies, was gone to get a mule-cart to take us up to the lake, and planks to bridge its water-channels, we took a look round at this oddest of the corners of the earth.
The boat was guided ashore, as he instructed, onto a stretch of sand between the waves; and when it stopped bouncing in the muddy surf, we jumped out into a world that matched its inhabitants—every shade, from deep black to copper-brown. The pebbles on the shore were black. A nearby tide pool was filled with black; a four-eyed fish was swimming around in it, looking up at us; and when we tried to catch it, it didn’t dive but jumped onto the shore onto the black and scrambled between our legs to get away. While the policeman, after the deepest of bows, went to get a mule cart to take us up to the lake and some planks to bridge the water channels, we looked around at this strange corner of the earth.
In front of us was the unit of civilization—the police-station, wooden on wooden stilts (as all well-built houses are here), to ensure a draught of air beneath them. We were, of course, asked to come and sit down, but preferred looking around, under our umbrellas; for the heat was intense. The soil is half pitch, half brown earth, among which the pitch sweals in and out, as tallow sweals from a candle. It is always in slow motion under the heat of the tropic sun: and no wonder if some of the cottages have sunk right and left in such a treacherous foundation. A stone or brick house could not stand here: but wood and[Pg 222] palm-thatch are both light and tough enough to be safe, let the ground give way as it will.
In front of us was the center of civilization—the police station, built on wooden stilts (like all well-constructed houses around here) to allow air flow underneath. We were invited to sit down, but we preferred to look around, under our umbrellas, because the heat was intense. The ground is a mix of tar-like pitch and brown earth, with the pitch swirling in and out like melted wax from a candle. It always moves slowly under the heat of the tropical sun, and it's no surprise that some of the cottages have settled unevenly on such an unreliable foundation. A stone or brick house couldn’t survive here, but wood and palm thatch are both light and sturdy enough to remain safe, no matter how much the ground shifts.[Pg 222]
The soil, however, is very rich. The pitch certainly does not injure vegetation, though plants will not grow actually in it. The first plants which caught our eyes were pine-apples; for which La Brea is famous. The heat of the soil, as well as of the air, brings them to special perfection. They grow about anywhere, unprotected by hedge or fence; for the Negroes here seem honest enough, at least towards each other. And at the corner of the house was a bush worth looking at, for we had heard of it for many a year. It bore prickly, heart-shaped pods an inch long, filled with seeds coated with a rich waxy pulp.
The soil, however, is really rich. The pitch definitely doesn’t harm plants, although they won’t actually grow in it. The first plants that caught our attention were pineapples, for which La Brea is famous. The warmth of the soil, as well as the air, helps them reach exceptional quality. They grow pretty much anywhere, without any hedge or fence around them; the locals here seem trustworthy, at least towards one another. And at the corner of the house was a bush that we had heard about for many years. It had prickly, heart-shaped pods about an inch long, filled with seeds covered in a rich, waxy pulp.
This was a famous plant—Bixa, Orellana, Roucou; and that pulp was the well-known Arnotta dye of commerce. In England and Holland, it is used merely, I believe, to colour cheeses; but in the Spanish Main, to colour human beings. As we went onward up the gentle slope (the rise is one hundred and thirty-eight feet in rather more than a mile), the ground became more and more full of pitch, and the vegetation poorer and more rushy, till it resembled on the whole, that of an English fen. An Ipomœa or two, and a scarlet-flowered dwarf Heliconia kept up the tropic type as does a stiff brittle fern about two feet high.
This was a well-known plant—Bixa, Orellana, Roucou; and that pulp was the famous Arnotta dye sold in stores. In England and Holland, it’s mostly used to color cheeses; but in the Spanish Main, it's used to color people's skin. As we continued up the gentle slope (the rise is one hundred thirty-eight feet over a little more than a mile), the ground became increasingly full of pitch, and the vegetation grew poorer and more rush-like, resembling an English fen overall. A couple of Ipomœas and a scarlet-flowered dwarf Heliconia maintained the tropical feel, just like a stiff, brittle fern that stands about two feet tall.
The plateau of pitch now widened out, and the whole ground looked like an asphalt pavement, half overgrown with marsh-loving weeds, whose roots feed in the sloppy water which overlies the pitch. But, as yet, there was no sign of the lake. The incline, though gentle, shuts off the[Pg 223] view of what is beyond. This last lip of the lake has surely overflowed, and is overflowing still, though very slowly. Its furrows all curve downward; and, it is, in fact, as one of our party said, “a black glacier.” The pitch, expanding under the burning sun of day, must needs expand most towards the line of least resistance, that is, down hill; and when it contracts again under the coolness of night, it contracts surely from the same cause, more downhill than it does uphill; so that each particle never returns to the spot whence it started, but rather drags the particles above it downward towards itself. At least, so it seemed to us.
The pitch plateau now spread out, and the whole ground looked like a tarred road, partly covered with water-loving weeds, whose roots thrive in the muddy water sitting on top of the pitch. However, there was still no sign of the lake. The gentle slope blocks the[Pg 223] view of what lies beyond. This last edge of the lake has surely overflowed and continues to overflow, although very slowly. Its grooves all curve downward; indeed, as one of our group noted, “a black glacier.” The pitch, expanding under the blazing sun during the day, naturally expands most in the direction of least resistance, which is downhill; and when it cools at night, it contracts more downhill than uphill for the same reason, so that each particle never returns to its original spot but instead pulls the particles above it downward toward itself. At least, that’s how it seemed to us.
At last we surmounted the last rise, and before us lay the famous lake—not at the bottom of a depression, as we expected, but at the top of a rise, whence the ground slopes away from it on two sides, and rises from it very slightly on the two others. The black pool glared and glittered in the sun. A group of islands, some twenty yards wide, were scattered about the middle of it. Beyond it rose a noble forest of Moriche fan-palms; and to the right of them high wood with giant Mombins and undergrowth of Cocorite—a paradise on the other side of the Stygian pool.
At last, we made it over the final hill, and in front of us was the famous lake—not at the bottom of a dip like we thought, but at the top of a rise, where the ground slopes down on two sides and slopes up very slightly on the other two. The dark water shone and sparkled in the sun. A collection of islands, about twenty yards wide, were scattered throughout the middle of it. Beyond the lake was a majestic forest of Moriche fan-palms; to their right, there was dense woods filled with giant Mombins and Cocorite undergrowth—a paradise on the other side of the dark pool.
We walked, with some misgivings, on to the asphalt, and found it perfectly hard. In a few yards we were stopped by a channel of clear water, with tiny fish and water-beetles in it; and, looking round, saw that the whole lake was intersected with channels, so unlike anything which can be seen elsewhere, that it is not easy to describe them.
We walked cautiously onto the asphalt and found it solid. After a few yards, we were stopped by a stream of clear water, filled with tiny fish and water beetles; and, looking around, we noticed that the entire lake was crisscrossed with channels, so unique that it's hard to describe them.
[Pg 224]
[Pg 224]
Conceive a crowd of mushrooms, of all shapes from ten to fifty feet across, close together side by side, their tops being kept at exactly the same level, their rounded rims squeezed tight against each other; then conceive water poured on them so as to fill the parting seams, and in the wet season, during which we visited it, to overflow the tops somewhat. Thus would each mushroom represent, tolerably well, one of the innumerable flat asphalt bosses, which seem to have sprung up each from a separate centre.
Imagine a crowd of mushrooms, ranging in size from ten to fifty feet wide, packed tightly together with their tops at the same height, their rounded edges pressed against each other. Now picture water poured over them, filling the gaps between, and during the rainy season when we visited, overflowing just a bit on top. This is a pretty good representation of the countless flat asphalt bumps that appear to have popped up, each from its own center.
In five minutes we had seen, handled, and smelt enough to satisfy us with this very odd and very nasty vagary of tropic nature; and as we did not wish to become faint or ill, between the sulphuretted hydrogen and the blaze of the sun reflected off-the hot black pitch, we hurried on over the water-furrows, and through the sedge-beds to the further shore—to find ourselves in a single step out of an Inferno into a Paradise.
In just five minutes, we had seen, touched, and smelled enough to feel satisfied with this bizarre and unpleasant quirk of tropical nature; and since we didn’t want to faint or feel sick from the hydrogen sulfide and the sunlight bouncing off the hot black pitch, we quickly made our way over the water furrows and through the reed beds to the other shore—only to find ourselves stepping out of an Inferno and into a Paradise.
We looked back at the foul place, and agreed that it is well for the human mind that the Pitch Lake was still unknown when Dante wrote that hideous poem of his—the opprobrium (as I hold) of the Middle Age. For if such were the dreams of its noblest and purest genius, what must have been the dreams of the ignoble and impure multitude? But had he seen this lake, how easy, how tempting too, it would have been to him to embody in imagery the surmise of a certain “Father,” and heighten the torments of the lost being, sinking slowly into that black Bolge beneath the baking rays of the tropic sun, by the sight of the saved, walking where we walked, beneath cool fragrant shade,[Pg 225] among the pillars of a temple to which the Parthenon is mean and small.
We looked back at the horrible place and agreed that it’s a good thing the Pitch Lake was still unknown when Dante wrote that dreadful poem of his—the shame (as I see it) of the Middle Ages. Because if those were the dreams of its greatest and purest genius, what must have been the dreams of the unworthy and impure masses? But had he seen this lake, how easy and tempting it would have been for him to capture in imagery the idea of a certain “Father,” and intensify the suffering of the damned, slowly sinking into that black pit under the harsh rays of the tropical sun, by showing the saved ones, walking where we walked, beneath cool fragrant shade,[Pg 225] among the pillars of a temple that makes the Parthenon look insignificant.
Sixty feet and more aloft, the short, smooth columns of the Moriches towered around us, till, as we looked through the “pillared shade,” the eye was lost in the green abysses of the forest. Overhead, their great fan-leaves form a grooved roof, compared with which that of St. Mary Radcliff, or even of King’s College, is as clumsy as all man’s works are beside the works of God; and beyond the Moriche wood, ostrich plumes packed close round madder-brown stems, formed a wall to our temple, which bore such tracery, carving, and painting, as would have stricken dumb with awe and delight him who ornamented the Loggie of the Vatican.
Sixty feet and more above us, the short, smooth trunks of the Moriches towered around, until, as we gazed through the “pillared shade,” our sight got lost in the deep green of the forest. Overhead, their large fan-shaped leaves created a grooved canopy, which made the roofs of St. Mary Radcliff or even King’s College look clumsy compared to God’s creations; and beyond the Moriche wood, tightly packed ostrich plumes around rich brown stems formed a wall for our sanctuary, adorned with such intricate patterns, carvings, and paintings that it would leave anyone who decorated the Loggie of the Vatican speechless with awe and delight.
What might not have been made, with something of justice and mercy, common sense and humanity, of these gentle Arawaks and Guaraons. What was made of them, almost ere Columbus was dead, may be judged from this one story, taken from Las Casas.
What might not have been created, with a sense of justice and mercy, common sense, and humanity, of these gentle Arawaks and Guaraons. What was done to them, almost before Columbus died, can be understood from this one story, taken from Las Casas.
“There was a certain man named Juan Bono, who was employed by the members of the Andencia of St. Domingo to go and obtain Indians. He and his men to the number of fifty or sixty, landed on the Island of Trinidad. Now the Indians of Trinidad were a mild, loving, credulous race, the enemies of the Caribs, who ate human flesh. On Juan Bono’s landing, the Indians armed with bows and arrows, went to meet the Spaniards, and to ask them who they were, and what they wanted. Juan Bono replied that his men were good and peaceful people, who had come to live with[Pg 226] the Indians; upon which, as the commencement of good fellowship, the natives offered to build houses for the Spaniards. The Spanish captain expressed a wish to have one large house built. The accommodating Indians set about building it. It was to be in the form of a bell and to be large enough for a hundred persons to live in. On any great occasion it would hold many more.... Upon a certain day Juan Bono collected the Indians together—men, women, and children—in the building ‘to see,’ as he told them, ‘what was to be done.’... A horrible massacre ensued....”
“There was a man named Juan Bono, who was hired by the members of the Andencia of St. Domingo to go and gather Indians. He and about fifty or sixty men landed on the Island of Trinidad. The Indians of Trinidad were a gentle, loving, and gullible people, who were enemies of the Caribs, known for cannibalism. When Juan Bono landed, the Indians, armed with bows and arrows, approached the Spaniards to ask them who they were and what they wanted. Juan Bono replied that his men were good and peaceful people who had come to live among the Indians; as a sign of friendship, the natives offered to build houses for the Spaniards. The Spanish captain requested one large house to be built. The accommodating Indians began constructing it. It was designed to be bell-shaped and large enough to accommodate a hundred people. During significant events, it could hold many more... One day, Juan Bono gathered the Indians—men, women, and children—inside the building ‘to see,’ as he told them, ‘what was to be done.’... A horrible massacre followed....”
Such was the fate of the poor gentle folk who for unknown ages had swung their hammocks to the stems of these Moriches, spinning the skin of the young leaves into twine, and making sago from the pith, and then wine from the sap and fruit, while they warned their children not to touch the nests of the humming-birds, which even till lately swarmed around the lake. For—so the Indian story ran—once on a time a tribe of Chaymas built their palm-leaf ajoupas upon the very spot, where the lake now lies, and lived a merry life. The sea swarmed with shell-fish and turtle, and the land with pine-apples; the springs were haunted by countless flocks of flamingoes and horned screamers, pajuis and blue ramiers; and, above all, by humming-birds. But the foolish Chaymas were blind to the mystery and beauty of the humming-birds, and would not understand how they were no other than the souls of dead Indians, translated into living jewels; and so they killed them in wantonness, and angered “The Good[Pg 227] Spirit.” But one morning, when the Guaraons came by, the Chayma village had sunk deep into the earth, and in its place had risen this Lake of Pitch. So runs the tale, told forty years since to Mr. Joseph, author of a clever little history of Trinidad, by an old half-caste Indian, Señor Trinidada by name, who was said then to be nigh one hundred years of age. Surely the people among whom such a myth could spring up, were worthy of a nobler fate.
Such was the fate of the unfortunate gentle folk who for countless ages had hung their hammocks from the trunks of these Moriches, turning the skin of the young leaves into twine, making sago from the pith, and then creating wine from the sap and fruit, while warning their children not to touch the nests of the hummingbirds, which until recently swarmed around the lake. For—so the Indian story goes—once upon a time, a tribe of Chaymas built their palm-leaf huts right where the lake now is and lived a joyful life. The sea was filled with shellfish and turtles, and the land was full of pineapples; the springs were home to countless flocks of flamingos and horned screamers, pajuis and blue ramiers; and above all, hummingbirds. But the foolish Chaymas were blind to the mystery and beauty of the hummingbirds and failed to understand that they were the souls of dead Indians transformed into living jewels; so they killed them out of carelessness, angering “The Good[Pg 227] Spirit.” However, one morning, when the Guaraons passed by, the Chayma village had sunk deep into the earth, and in its place had risen this Lake of Pitch. This tale was recounted forty years ago to Mr. Joseph, the author of a clever little history of Trinidad, by an elderly half-caste Indian named Señor Trinidada, who was said to be nearly a hundred years old at the time. Surely the people who could give rise to such a myth deserved a nobler fate.
[Pg 228]
[Pg 228]
At Last (London and New York, 1871).
At Last (London and New York, 1871).
THE LACHINE RAPIDS
(CANADA)
(Canada)
DOUGLAS SLADEN
DOUGLAS SLADEN
From St. Anne’s to Lachine is not such a very far cry, and it was at Lachine that the great La Salle had his first seigniory. This Norman founder of Illinois, who reared on the precipices of Fort St. Louis the white flag and his great white cross nearly a couple of centuries before the beginnings of the Metropolis of the West, made his beginnings at his little seigniory round Fort Remy, on the Island of Montreal.
From St. Anne’s to Lachine isn’t that far, and it was in Lachine that the great La Salle had his first land grant. This Norman founder of Illinois, who raised the white flag and his big white cross on the cliffs of Fort St. Louis almost two hundred years before the West's Metropolis started, got his start at his small land grant around Fort Remy, on the Island of Montreal.
The son of a wealthy and powerful burgher of Rouen, he had been brought up to become a Jesuit. La Salle was well fitted for an ecclesiastic, a prince of the Church, a Richelieu, but not for a Jesuit, whose effacement of self is the keystone of the order. To be one step, one stone in the mighty pyramid of the Order of Jesus was not for him, a man of mighty individuality like Columbus or Cromwell, and accordingly his piety, asceticism, vast ambition, and superhuman courage were lost to the Church and gained to the State. So says Parkman....
The son of a wealthy and influential merchant from Rouen, he had been raised to become a Jesuit. La Salle was well-suited to be an ecclesiastic, a leader in the Church, a Richelieu, but not for a Jesuit, whose selflessness is the foundation of the order. Being just one step, one part of the immense structure of the Order of Jesus was not for him, a person of remarkable individuality like Columbus or Cromwell. As a result, his devotion, asceticism, immense ambition, and extraordinary courage were lost to the Church and instead contributed to the State. So says Parkman....

THE LACHINE RAPIDS.
THE LACHINE RAPIDS.
His seigniory and fort—probably the Fort Remy of which a contemporary plan has come down to us—were just where the St. Lawrence begins to widen into Lake St. Louis, abreast of the famous Rapids of Lachine, shot by so[Pg 229] many tourists with blanched cheeks every summer. I say tourists, for, as I have said before, there is nothing your true Canadian loves so much as the off-chance of being drowned in a cataract or “splifficated” on a toboggan slide. It is part of the national education, like the Bora Bora, or teeth-drawing, of the Australian aborigines. The very name Lachine breathes a memory of La Salle, for it was so christened in scorn by his detractors—the way by which La Salle thinks he is going to get to China. A palisade containing, at any rate, the house of La Salle, a stone mill still standing, and a stone barrack and ammunition house, now falling into most picturesque and pitfallish decay—such is Fort Remy, founded nearly two centuries and a quarter ago, when England was just beginning to feel the invigorating effects of a return to the blessings of Stuart rule. This was in 1667, but La Salle was not destined to remain here long. In two years’ time he had learned seven or eight Indian languages, and felt himself ready for the ambition of his life: to find his way to the Vermilion Sea—the Gulf of California—for a short cut to the wealth of China and Japan,—an ambition which resolved itself into founding a province or Colonial Empire for France at the mouth of the Mississippi, when he discovered later on that the Mississippi flowed into the Gulf of Mexico and not into the Gulf of California.
His manor and fort—likely the Fort Remy that we have a contemporary map of—were right where the St. Lawrence starts to expand into Lake St. Louis, opposite the famous Lachine Rapids, which get a lot of visitors with pale faces every summer. I say visitors, because, as I mentioned earlier, nothing a true Canadian loves more than the chance of nearly drowning in a waterfall or getting "smashed" on a toboggan run. It's part of the national experience, like the Bora Bora or tooth-pulling of Australian aborigines. The very name Lachine brings to mind La Salle, as it was given in mockery by his critics—the path La Salle thought would lead him to China. A palisade enclosing, at the very least, La Salle's house, a stone mill that still stands, and a stone barrack and ammunition house, now falling into charming and dangerous disrepair—such is Fort Remy, established nearly 225 years ago when England was just beginning to enjoy the refreshing effects of returning to Stuart rule. This was in 1667, but La Salle wasn’t meant to stay here for long. Within two years, he had learned seven or eight Indian languages and felt ready for the ambition of his life: to find his way to the Vermilion Sea—the Gulf of California—for a shortcut to the riches of China and Japan—an ambition that eventually turned into establishing a province or Colonial Empire for France at the mouth of the Mississippi, once he later discovered that the Mississippi actually flowed into the Gulf of Mexico and not into the Gulf of California.
We cannot follow him in his long connection with the Illinois Indians and Fort St. Louis. We must leave him gazing from the walls of his seigniory across the broad bosom of Lake St. Louis at the forests of Beauharnais and[Pg 230] Chateauguay (destined afterwards to be Canada’s Thermopylæ) and the sunset, behind which must be a new passage to the South Seas and the treasures of Cathay and Cipango—the dream which had fired the brain of every discoverer from Columbus and Vasco Nuñez downwards.
We can't follow him through his long history with the Illinois Indians and Fort St. Louis. We have to leave him staring from the walls of his estate across the wide expanse of Lake St. Louis at the forests of Beauharnais and[Pg 230] Chateauguay (which would later become Canada’s Thermopylæ) and the sunset, behind which there must be a new route to the South Seas and the treasures of Cathay and Cipango—the dream that had inspired every explorer from Columbus and Vasco Nuñez onwards.
Nowadays Lachine suggests principally the canal by which the rapids are avoided, the rapids themselves, and the superb Canadian Pacific Railway Bridge, which is a link in the realization of La Salle’s vast idea. Hard by, too, the St. Lawrence opens out into the expanse of Lake St. Louis, dear to Montreallers in the glowing Canadian summer. Seen from the bank, the rapids are most disappointing to people who expect them to look like Niagara. Seen from the deck of the steamer which runs in connection with the morning and evening train from Montreal, they make the blood of the novice creep, though the safety of the trip is evinced by the fact that it is no longer considered necessary to take a pilot from the neighbouring Indian village of Caughnawaga. It is said that, if the steamer is abandoned to the current, it is impossible for her to strike, the scour being so strong; certainly, her engines are slowed; she reels about like a drunken man; right and left you see fierce green breakers with hissing white fillets threatening to swamp you at every minute. Every second thud of these waves upon the sides convinces you that the ship is aground and about to be dashed to pieces. There seems absolutely no chance of getting safely out of the boiling waters, which often rush together like a couple of fountains. Yet, after a few trips, you know that the Captain[Pg 231] is quite justified in sitting in his easy chair and smoking a cigarette all through it. It is admirably described in brief by Dawson: “As the steamer enters the long and turbulent rapids of the Sault St. Louis, the river is contracted and obstructed by islands; and trap dykes, crossing the softer limestone rocks, make, by their uneven wear, a very broken bottom. The fall of the river is also considerable, and the channel tortuous, all which circumstances combined cause this rapid to be more feared than any of the others.
Nowadays, Lachine primarily highlights the canal that bypasses the rapids, the rapids themselves, and the impressive Canadian Pacific Railway Bridge, which connects to La Salle’s grand vision. Nearby, the St. Lawrence expands into the vastness of Lake St. Louis, beloved by Montrealers during the bright Canadian summer. From the shore, the rapids can be quite underwhelming for those expecting them to resemble Niagara Falls. However, from the deck of the steamer that operates alongside the morning and evening train from Montreal, they can send a chill down the spine of first-time passengers, though the safety of the journey is shown by the fact that it's no longer necessary to take on a pilot from the nearby Indian village of Caughnawaga. It’s said that if the steamer is left to the current, it won’t hit anything due to the strong current; certainly, its engines are slowed, causing it to sway like a drunk person. On either side, you see fierce green waves with hissing white tops threatening to capsizes you at any moment. Each crash of these waves against the hull gives the impression that the ship is grounded and about to break apart. There seems to be no way to escape the churning waters, which often surge together like two fountains. Yet, after a few trips, you realize that the Captain[Pg 231] is perfectly right to relax in his easy chair while smoking a cigarette the entire time. It is succinctly described by Dawson: “As the steamer enters the long and turbulent rapids of the Sault St. Louis, the river narrows and is blocked by islands; and trap dykes, crossing over the softer limestone rocks, create a very uneven bottom due to their wear. The river's descent is significant, and the channel is winding, all of which makes this rapid more daunting than the others.”
“As the steamer enters the rapids the engines are slowed, retaining a sufficient speed to give steerage way, and, rushing along with the added speed of the swift current, the boat soon begins to labour among the breakers and eddies. The passengers grow excited at the apparently narrow escapes, as the steamer seems almost to touch rock after rock, and dips her prow into the eddies, while the turbulent waters throw their spray over the deck.”
“As the steamer approaches the rapids, the engines are slowed down, keeping just enough speed to steer properly. With the added rush of the fast current, the boat soon starts to struggle through the waves and whirlpools. The passengers become excited by the seemingly close calls, as the steamer appears to brush against rock after rock, dipping its bow into the swirling waters while the choppy waves splash over the deck.”
[Pg 232]
[Pg 232]
On the Cars and Off (London, New York and Melbourne, 1895).
On the Cars and Off (London, New York, and Melbourne, 1895).
LAKE ROTORUA
(NEW ZEALAND)
(NZ)
H. R. HAWEIS
H.R. Haweis
The thermæ, or hot baths, of the near future are without doubt the marvellous volcanic springs of Rotorua and the Lake Taupo district, in the North Island. They can now be reached from London, via Francisco, in thirty-three days. They concentrate in a small area all the varied qualities of the European springs, and other curative properties of an extraordinary character, which are not possessed in the same degree by any other known waters. Before Mr. Froude’s Oceana, and the subsequent destruction of the famous pink terraces, little attention had been called to one of the most romantic and amazing spectacles in the world. The old terraces are indeed gone. The idyllic villages, the blossoming slopes are a waste of volcanic ashes and scoriæ through which the dauntless vegetation is only now beginning to struggle. The blue waters are displaced and muddy, but the disaster of one shock could not rob the land of its extraordinary mystery and beauty. For a distance of three hundred miles, south of Lake Taupo and running north, a volcanic crust, sometimes thin enough to be trodden through, separates the foot from a seething mass of sulphur, gas, and boiling water, which around Rotorua and Waikari finds strange and ample vents, in hot streams, clouds of vapour, warm lakes, geysers, occasionally developing[Pg 233] into appalling volcanic outbursts, which certainly invest this region with a weird terror, but also with an inconceivable charm, as white vapour breaks amidst flowering bushes, in the midst of true valleys of paradise; the streams ripple hot and crystalline over parti-coloured rocks or through emerald-hued mossy dells; the warm lakes sleep embedded in soft, weedy banks, reflecting huge boulders, half clothed in tropical foliage; coral-like deposits here and there of various tints reproduce the famous terraces in miniature; and geysers, in odd moments, spout huge volumes of boiling water with an unearthly roar eighty feet into the air. At Waikari, near Lake Taupo, specimens of all these wonders are concentrated in a few square miles—the bubbling white mud pools, like foaming plaster of Paris, the petrifying springs, into which a boy fell some time ago, and getting a good silicate coat over him was taken out months afterwards “as good as ever,” so my guide explained.
The hot springs of the future are undoubtedly the incredible volcanic springs of Rotorua and the Lake Taupo area in the North Island. You can now reach them from London, via San Francisco, in thirty-three days. They pack a variety of qualities found in European springs, along with some remarkably unique healing properties that no other known waters have in the same way. Before Mr. Froude's *Oceana* and the subsequent destruction of the famous pink terraces, not much attention was paid to one of the most romantic and astonishing sights in the world. The old terraces are indeed gone. The picturesque villages and blooming hillsides have turned into a wasteland of volcanic ash and scoria, through which resilient vegetation is just starting to push through. The blue waters have turned muddy, but even after such a disaster, the land still holds its incredible mystery and beauty. For about three hundred miles, south of Lake Taupo and heading north, a volcanic layer—sometimes thin enough to walk on—separates the surface from a boiling mass of sulfur, gas, and hot water, which around Rotorua and Waikari finds unusual and abundant outlets in hot streams, clouds of vapor, warm lakes, and geysers that occasionally erupt into terrifying volcanic explosions. This certainly gives the region a strange sense of fear, but also an unimaginable charm, as white vapor rises among flowering bushes in what truly are valleys of paradise; the streams ripple hot and clear over colorful rocks or through emerald-hued, mossy dells; the warm lakes rest in soft, weedy banks, reflecting massive boulders half-covered in tropical plants; coral-like formations of various colors create miniature replicas of the famous terraces; and geysers occasionally spray huge jets of boiling water with an otherworldly roar eighty feet into the air. At Waikari, near Lake Taupo, you can find examples of all these wonders packed into just a few square miles—the bubbling white mud pools that look like foaming plaster, the petrifying springs where a boy fell in once and emerged months later “as good as ever,” thanks to a layer of silicate coating he got, according to my guide.

LAKE ROTORUA.
LAKE ROTORUA.
“What,” I said, “did he not feel even a little poorly?”
“What,” I said, “did he not feel even a bit sick?”
“What’s that?” said the guide, and the joke dawning on him burst into a tardy roar.
“What’s that?” said the guide, and as the joke hit him, he erupted into a late laugh.
And time would fail me to tell of the dragon’s mouth, and open rock vomiting sulphur and steam; the lightning pool, in whose depths for ever flash queer opaline subaqueous flashes; the champagne pool, the Prince of Wales’s Feathers, a geyser which can be made to play half an hour after a few clods of mud have blocked up a little hot stream; the steam hammer, the fairy bath, the donkey engine, etc.
And I wouldn’t have enough time to describe the dragon's mouth, the open rock spewing sulfur and steam; the lightning pool, with its strange opalescent flashes shimmering in the depths; the champagne pool, the Prince of Wales's Feathers, a geyser that can shoot up water for half an hour after a few clumps of mud clog a small hot stream; the steam hammer, the fairy bath, the donkey engine, and so on.
[Pg 234]
[Pg 234]
At Rotorua we bought blocks of soap and threw them in to make a certain big geyser spout. The Maoris have still the monopoly there; you pay toll, cross a rickety bridge with a Maori girl as guide, and then visit the pools, terraces, and boiling fountains. They are not nearly so picturesque as at Waikari, which is a wilderness of blossoming glens, streams, and wooded vales. But you see the Maori in his native village.
At Rotorua, we bought bars of soap and threw them in to make a huge geyser erupt. The Maoris still have the exclusive rights there; you pay a fee, cross a shaky bridge with a Maori girl as your guide, and then explore the pools, terraces, and boiling springs. They're not nearly as picturesque as at Waikari, which is a wild area full of blooming valleys, streams, and wooded hollows. But you do get to see the Maori in their native village.
The volcanic crust is warm to the feet; the Maori huts of “toitoi” reeds and boards are all about; outside are warm pools; naked boys and girls are swimming in them; as we approach they emerge half out of the water; we throw them threepenny bits. The girls seem most eager and dive best—one cunning little girl about twelve or thirteen, I believe, caught her coin each time under water long before it sank, but throwing up her legs half out of water dived deep, pretending to fetch it up from the bottom. Sometimes there was a scramble under water for the coin; the girls generally got it; the boys seemed half lazy. We passed on.
The volcanic ground feels warm underfoot; the Maori huts made of "toitoi" reeds and boards are all around; there are warm pools outside; naked boys and girls are swimming in them; as we get closer, they come up half out of the water; we toss them threepenny bits. The girls seem the most eager and dive the best—one clever little girl, around twelve or thirteen, consistently caught her coin underwater long before it sank, but she kicked her legs up half out of the water and dove deep, pretending to retrieve it from the bottom. Sometimes there was a scramble underwater for the coin; the girls usually got it; the boys seemed a bit lazy. We moved on.
“Here is the brain pot,” said our Maori belle; a hollowed stone. It was heated naturally—the brains cooked very well there in the old days—not very old days either.
“Here’s the brain pot,” said our Māori beauty; a hollowed-out stone. It was heated naturally—the brains cooked really well there in the old days—not that long ago either.
“Here is the bread oven.” She drew off the cloth, and sure enough in a hole in the hot ground there were three new loaves getting nicely browned. “Here are potatoes,” and she pointed to a little boiling pool, and the potatoes were nearly done; and “here is meat,”—a tin let into the earth, that was all, contained a joint baking; and farther on[Pg 235] was a very good stew—at least, it being one o’clock, it smelt well enough. And so there is no fuel and no fire wanted in this and dozens of other Maori pahs or hamlets. In the cold nights the Maoris come out of their tents naked, and sit or even sleep in the hot shallow lakelets and pools hard by. Anything more uncanny than this walk through the Rotorua Geyser village can hardly be conceived. The best springs are rented from the Maoris by the Government, or local hotel-keepers. These are now increasingly fashionable bathing resorts. The finest bath specific for rheumatism is the Rachel bath, investing the body with a soft, satiny texture, and a pearly complexion; the iron, sulphur, and especially the oil bath, from which when you emerge you have but to shake yourself dry. But the Priest’s bath, so called from the discoverer, Father Mahoney—who cured himself of obstinate rheumatism—is perhaps of all the most miraculous in its effects, and there are no two opinions about it. Here take place the most incredible cures of sciatica, gout, lumbago, and all sorts of rheumatic affections. It is simply a question of fact.
“Here’s the bread oven.” She pulled back the cloth, and sure enough, in a hole in the hot ground, there were three new loaves getting nicely browned. “Here are potatoes,” she said, pointing to a little boiling pool, where the potatoes were almost done; and “here is meat,”—a tin set into the earth, which contained a joint cooking; and farther on[Pg 235] was a very good stew—at least, since it was one o'clock, it smelled good enough. So, there’s no fuel and no fire needed in this and dozens of other Maori pahs or villages. On cold nights, the Maoris come out of their tents naked and sit or even sleep in the hot shallow lakelets and pools nearby. It’s hard to imagine anything stranger than this walk through the Rotorua Geyser village. The best springs are rented from the Maoris by the government or local hotel owners. These places are now growing increasingly popular as bathing resorts. The best bath for rheumatism is the Rachel bath, which gives your body a soft, satiny feel and a pearly complexion; the iron, sulphur, and especially the oil bath, from which you can just shake yourself dry after emerging. But the Priest’s bath, named after the discoverer, Father Mahoney—who cured himself of persistent rheumatism—is perhaps the most miraculous of all in its effects, and everyone agrees about it. Here, some of the most unbelievable cures for sciatica, gout, lumbago, and all types of rheumatic issues take place. It’s simply a matter of fact.
The Countess of Glasgow herself told me about the cure of a certain colonel relative or aide-de-camp of the Governor, the Earl of Glasgow. The Colonel had for years been a perfect martyr to rheumatism and gout. He went to Rotorua with his swollen legs and feet, and came away wearing tight boots, and “as good as ever,” as my guide would have said. But indeed I heard of scores of similar cases. Let all victims who can afford it lay it well to[Pg 236] heart. A pleasure trip, of only thirty-two days, changing saloon rail carriage but three times, and steamer cabins but twice, will insure them an almost infallible cure, even when chronically diseased and no longer young. This is no “jeujah” affair. I have seen and spoken to the fortunate beneficiares—you meet them all over New Zealand. Of course, the fame of the baths is spreading: the region is only just made accessible by the opening of the railway from Auckland to Rotorua—a ten hours’ run. The Waikari and Taupo baths are very similar, and the situation is infinitely more romantic, but the Government, on account of the railway, are pushing the Rotorua baths.
The Countess of Glasgow told me about the recovery of a colonel who was either a relative or aide-de-camp of the Governor, the Earl of Glasgow. The Colonel had suffered for years from severe rheumatism and gout. He traveled to Rotorua with swollen legs and feet but left wearing tight boots and feeling "as good as ever," as my guide would say. I actually heard about many similar cases. Anyone who can afford it should pay attention to this. A pleasure trip lasting just thirty-two days, with only three changes of train carriage and two changes of steamer cabins, can provide almost guaranteed healing, even for those who are chronically ill and no longer young. This isn’t some silly gimmick. I have met and talked to many of the lucky recipients—you find them all over New Zealand. Naturally, the popularity of the baths is growing: the area has just become accessible with the opening of the railway from Auckland to Rotorua, which is a ten-hour journey. The Waikari and Taupo baths are quite similar, and the location is much more picturesque, but because of the new railway, the government is promoting the Rotorua baths.
I stole out about half-past ten at night; it was clear and frosty. I made my way to a warm lake at the bottom of the hotel grounds, a little shed and a tallow candle being the only accommodation provided. Anything more weird than that starlight bath I never experienced. I stepped in the deep night from the frosty bank into a temperature of about 80°.
I sneaked out around 10:30 PM; it was clear and chilly. I headed to a warm lake at the bottom of the hotel grounds, with just a small shed and a tallow candle for company. I've never experienced anything stranger than that starlit bath. I stepped off the frosty bank into water that was about 80°.
It was a large shallow lake. I peered into the dark, but I could not see its extent by the dim starlight; no, not even the opposite banks. I swam about until I came to the margin—a mossy, soft margin. Dark branches of trees dipped in the water, and I could feel the fallen leaves floating about. I followed the margin round till the light in my wood cabin dwindled to a mere spark in the distance, then I swam out into the middle of the lake. When I was upright the warm water reached my chin; beneath my feet seemed to be fine sand and gravel. Then leaning my head[Pg 237] back I looked up at the Milky Way, and all the expanse of the starlit heavens. There was not a sound; the great suns and planets hung like golden balls above me in the clear air. The star dust of planetary systems—whole universes—stretched away bewilderingly into the unutterable void of boundless immensity, mapping out here and there the trackless thoroughfares of God in the midnight skies. “Dont la poussière,” as Lamartine finely writes in oft-plagiarised words, “sont les Étoiles qui remontent et tombent devant Lui.”
It was a large, shallow lake. I looked into the darkness, but I couldn’t see how far it extended in the dim starlight; no, not even the opposite shores. I swam around until I reached the edge—a mossy, soft edge. Dark branches of trees dipped into the water, and I could feel the fallen leaves floating around. I followed the shoreline until the light from my cabin faded to a small spark in the distance, then I swam out into the middle of the lake. When I stood upright, the warm water reached my chin; beneath my feet felt like fine sand and gravel. Then, leaning my head back, I looked up at the Milky Way and the vast expanse of the starry sky. There was complete silence; the great suns and planets hung like golden orbs above me in the clear air. The stardust of planetary systems—entire universes—stretched away bewilderingly into the unimaginable void of boundless immensity, marking out here and there the uncharted paths of God in the midnight skies. “Dont la poussière,” as Lamartine beautifully writes in often-repeated words, “sont les Étoiles qui remontent et tombent devant Lui.”
How long I remained there absorbed in this super-mundane contemplation I cannot say. I felt myself embraced simultaneously by three elements—the warm water, the darkness, and the starlit air. They wove a threefold spell about my senses, whilst my intellect seemed detached, free. Emancipated from earthly trammels, I seemed mounting up and up towards the stars. Suddenly I found myself growing faint, luxuriously faint. My head sank back, my eyes closed, there was a humming as of some distant waterfall in my ears. I seemed falling asleep, pillowed on the warm water, but common sense rescued me just in time. I was alone in an unknown hot lake in New Zealand at night, out of reach of human call. I roused myself with a great effort of will. I had only just time to make for the bank when I grew quite dizzy. The keen frosty air brought me unpleasantly to my senses. My tallow dip was guttering in its socket, and hastily resuming my garments, in a somewhat shivering condition, I retraced the rocky path, then groped my way over the little[Pg 238] bridge under which rushed the hot stream that fed the lakelet, and guided only by the dim starlight I regained my hotel.
How long I stayed there lost in this extraordinary daydream, I can't say. I felt surrounded by three elements—the warm water, the darkness, and the starlit air. They wrapped my senses in a triple embrace, while my mind felt separate, free. Free from earthly constraints, I felt like I was rising higher and higher towards the stars. Suddenly, I started to feel faint, wonderfully faint. My head fell back, my eyes closed, and I heard a humming like a distant waterfall in my ears. It felt like I was drifting off to sleep, resting on the warm water, but common sense pulled me back just in time. I realized I was alone in an unfamiliar hot lake in New Zealand at night, far from any human call. I forced myself to wake up with great effort. I barely had time to head for the shore when I felt completely dizzy. The sharp, cold air brought me back to reality uncomfortably. My candle was sputtering in its holder, and hastily getting dressed, feeling a bit cold, I retraced my way along the rocky path, then carefully crossed the small [Pg 238] bridge under which the hot stream that fed the lake rushed by, and guided only by the faint starlight, I made it back to my hotel.
I had often looked up at the midnight skies before—at Charles’s Wain and the Pleiades on the Atlantic, at the Southern Cross on the Pacific, and the resplendent Milky Way in the Tropics, at Mars and his so-called canals, at “the opal widths of the moon” from the snowy top of Mount Cenis, but never, no, never had I studied astronomy under such extraordinary circumstances and with such peculiar and enchanted environments as on this night at the Waikari hot springs.
I had often gazed up at the midnight sky before—at the Big Dipper and the Pleiades over the Atlantic, at the Southern Cross over the Pacific, and the stunning Milky Way in the Tropics, at Mars and his so-called canals, at “the opal expanse of the moon” from the snowy peak of Mount Cenis, but never, no, never had I explored astronomy under such extraordinary circumstances and in such unique and magical surroundings as on this night at the Waikari hot springs.
[Pg 239]
[Pg 239]
Travel and Talk (London and New York, 1896).
Travel and Talk (London and New York, 1896).
THE BIG TREES OF CALIFORNIA
(UNITED STATES)
(US)
C. F. GORDON-CUMMING
C. F. Gordon-Cumming
At last we entered the true forest-belt, and anything more beautiful you cannot conceive. We forgot our bumps and bruises in sheer delight. Oh the loveliness of those pines and cedars, living or dead! For the dead trees are draped with the most exquisite golden-green lichen, which hangs in festoons many yards in length, and is unlike any other moss or lichen I ever saw. I can compare it to nothing but gleams of sunshine in the dark forest. Then, too, how beautiful are the long arcades of stately columns, red, yellow, or brown, 200 feet in height, and straight as an arrow, losing themselves in their own crown of misty green foliage; and some standing solitary, dead and sunbleached, telling of careless fires, which burnt away their hearts, but could not make them fall!
At last, we entered the real forest, and you can't imagine anything more beautiful. We forgot our bumps and bruises in pure joy. Oh, the beauty of those pines and cedars, whether they’re alive or dead! The dead trees are covered with the most exquisite golden-green lichen, which hangs in long strands for many yards, and looks unlike any other moss or lichen I've ever seen. I can only compare it to rays of sunshine in the dark forest. And how beautiful are the tall arches of impressive columns, red, yellow, or brown, standing 200 feet high, straight as an arrow, disappearing into their own crown of misty green leaves; some are standing alone, dead and sun-bleached, telling tales of careless fires that burned their insides but couldn't make them fall!
There are so many different pines and firs, and cedars, that as yet I can scarcely tell one from another. The whole air is scented with the breath of the forests—the aromatic fragrance of resin and of dried cones and pine-needles baked by the hot sun (how it reminds me of Scotch firs!); and the atmosphere is clear and crystalline—a medium which softens nothing, and reveals the farthest distance in sharpest detail. Here and there we crossed deep gulches, where streams (swollen to torrents by the[Pg 240] melting snow on the upper hills) rushed down over great boulders and prostrate trees and the victims of the winter gales.
There are so many different pines, firs, and cedars that I can barely tell them apart. The entire area is filled with the scent of the forests—the aromatic smell of resin, dried cones, and pine needles warmed by the hot sun (it reminds me of Scotch pines!); and the atmosphere is clear and crisp—a medium that reveals everything in the far distance with stunning clarity. Here and there, we crossed deep ravines, where streams (swelled into torrents by the [Pg 240] melting snow on the higher hills) rushed down over huge boulders and fallen trees, along with the remnants of the winter storms.
Then we came to quiet glades in the forest, where the soft lawn-like turf was all jewelled with flowers; and the sunlight trickled through the dripping boughs of the feathery Douglas pines, and the jolly little chip-munks played hide-and-seek among the great cedars, and chased one another to the very tops of the tall pitch-pines, which stand like clusters of dark spires, more than 200 feet in height. It was altogether lovely; but I think no one was sorry when we reached a turn in the road, where we descended from the high forest-belt, and crossing a picturesque stream—“Big Creek”—by name—we found ourselves in this comfortable ranch, which takes its name from one of the pioneers of the valley.
Then we arrived at peaceful clearings in the forest, where the soft, grassy ground was sprinkled with flowers; and sunlight filtered through the dripping branches of the feathery Douglas firs, while the cheerful little chipmunks played hide-and-seek among the towering cedars and chased each other up to the tops of the tall pitch pines, which rise like clusters of dark spires, over 200 feet high. It was all truly beautiful; but I think no one was upset when we reached a bend in the road, where we descended from the high forest area, and after crossing a scenic stream—called “Big Creek”—we found ourselves at this cozy ranch, named after one of the valley's pioneers.
We have spent a long day of delight in the most magnificent forest that it is possible to imagine; and I have realized an altogether new sensation, for I have seen the Big Trees of California, and have walked round about them, and inside their cavernous hollows, and have done homage as beseems a most reverent tree-worshipper. They are wonderful—they are stupendous! But as to beauty—no. They shall never tempt me to swerve from my allegiance to my true tree-love—the glorious Deodara forest of the Himalayas.
We’ve had an amazing day in the most beautiful forest you can imagine. I’ve experienced something completely new; I’ve seen the Giant Trees of California, walked around them, even explored their vast hollows, and paid my respects like a true tree enthusiast. They’re incredible—truly impressive! But when it comes to beauty—no. They will never make me stray from my loyalty to my true tree-love—the stunning Deodara forest of the Himalayas.

THE BIG TREES OF CALIFORNIA.
California's Giant Trees.
If size alone were to be considered, undoubtedly the Sequoia stands preëminent, for-to-day we have seen several trees at least three times as large as the biggest Deodara in[Pg 241] the cedar shades of Kunai; but for symmetry, and grace, and exquisitely harmonious lines, the “God-given” cedar of Himala stands alone, with its wide spreading, twisted arms, and velvety layers of foliage studded with pale-green cones,—its great red stem supporting a pyramid of green, far more majestic than the diminutive crown of the Big Trees. So at first it was hard to realize that the California cedars are altogether justified in concentrating all their growing power in one steady upward direction, so intent on reaching heaven that they could not afford to throw out one kindly bough to right or left. They remind me of certain rigidly good Pharisees, devoid of all loving sympathies with their fellows, with no outstretched arms of kindly charity—only intent on regulating their own lives by strictest unvarying rule.
If size were the only factor, the Sequoia would definitely take the top spot, since today we've seen several trees that are at least three times larger than the biggest Deodara in the cedar shades of Kunai; but when it comes to symmetry, grace, and beautifully harmonious lines, the “God-given” cedar of Himala stands out. Its wide-spreading, twisting branches and lush layers of foliage dotted with pale-green cones, supported by a massive red trunk, create a pyramid of green that is far more majestic than the small crown of the Big Trees. At first, it was difficult to understand that the California cedars are fully justified in channeling all their growth into one steady upward direction, so focused on reaching heaven that they couldn’t afford to extend even a single branch to the side. They remind me of certain rigidly virtuous Pharisees, lacking any real sympathy for others, with no open arms of kindness—only concerned with strictly adhering to their own lives by an unchanging set of rules.
Great Towers of Babel they seem to me, straining upward towards the heaven which they will never reach.
Great Towers of Babel they seem to me, stretching upward toward the heaven they will never reach.
There is nothing lovable about a Sequoia. It is so gigantic that I feel overawed by it, but all the time I am conscious that I am comparing it with the odd Dutch trees in a Noah’s Ark, with a small tuft of foliage on the top of a large red stem, all out of proportion. And another unpleasant simile forces itself on my mind—namely, a tall penguin, or one of the wingless birds of New Zealand, with feeble little flaps in place of wings, altogether disproportioned to their bodies.
There’s nothing charming about a Sequoia. It’s so massive that it leaves me in awe, but I can't help comparing it to the quirky Dutch trees in a Noah’s Ark, with a small clump of leaves perched on top of a big red trunk, looking completely out of proportion. Another uncomfortable comparison pops into my head—a tall penguin, or one of those flightless birds from New Zealand, with tiny little flaps instead of wings, totally mismatched to their bodies.
But this is merely an aside—lest you should suppose that each new land I visit wins my affections from earlier loves. The Deodara forests must ever keep their place in my innermost[Pg 242] heart: no sunlight can ever be so lovely as that which plays among their boughs—no sky so blue—no ice-peaks so glittering as those which there cleave the heaven; and I am sure that these poor wretched-looking Digger Indians can never have the same interest for me as the wild Himalayan highlanders—the Paharis—who assemble at the little temples of carved cedar-wood in the Great Forest Sanctuary, to offer their strange sacrifices, and dance in mystic sunwise procession.
But this is just a side note—so you don’t think that every new place I visit takes my love away from the ones I’ve cherished before. The Deodara forests will always hold a special place in my heart; no sunlight can ever compare to the way it dances among their branches—no sky is as blue—no ice-capped peaks are as shimmering as those that soar into the heavens there. I’m certain these poor, unfortunate-looking Digger Indians will never capture my interest the way the wild Himalayan highlanders—the Paharis—do, who gather at the small temples made of carved cedar in the Great Forest Sanctuary, to make their unusual sacrifices and dance in a mystical sunwise procession.
Having said this much, I may now sing the praises of a newly found delight, for in truth these forests of the Sierras have a charm of their own, which cannot be surpassed, in the amazing variety of beautiful pines, firs, and cedars of which they are composed. The white fir, the Douglas spruce, sugar-pine, and pitch-pine are the most abundant, and are scattered singly or in singularly picturesque groups over all the mountains hereabouts.
Having said all that, I can now talk about a new delight I've discovered, because honestly, the forests of the Sierras have their own unique charm that is unmatched, thanks to the incredible variety of beautiful pines, firs, and cedars that make them up. The white fir, Douglas spruce, sugar pine, and pitch pine are the most common and can be found either alone or in strikingly picturesque groups throughout these mountains.
But the Big Trees are only found in certain favoured spots—sheltered places watered by snow-fed streams, at an average of from 5,000 to 7,000 feet above the sea. Eight distinct groves have been discovered, all growing in rich, deep, vegetable mould, on a foundation of powdered granite. Broad gaps lie between the principal groves, and it is observed that these invariably lie in the track of the great ice-rivers, where the accumulation of powdered rock and gravel formed the earliest commencement of the soil, which by slow degrees became rich, and deep, and fertile. There is even reason to believe that these groves are pre-Adamite. A very average tree (only twenty-three feet in diameter)[Pg 243] having been felled, its annual rings were counted by three different persons, whose calculations varied from 2,125 to 2,137; and this tree was by no means very aged-looking—probably not half the age of some of its big relations, one of which (on King’s river) is forty-four feet in diameter.
But the Big Trees are only found in certain favored spots—sheltered areas fed by snowmelt streams, at an elevation of about 5,000 to 7,000 feet above sea level. Eight distinct groves have been identified, all growing in rich, deep soil made of decayed plant material, on a base of powdered granite. There are broad gaps between the main groves, and it's noted that these consistently lie in the paths of the massive glaciers, where the buildup of powdered rock and gravel formed the initial layers of soil that gradually became rich, deep, and fertile. There's even reason to believe that these groves existed before humans. A typical tree (only twenty-three feet in diameter)[Pg 243] was cut down, and its annual rings were counted by three different people, whose estimates ranged from 2,125 to 2,137; and this tree certainly didn’t look very old—likely not even half the age of some of its larger relatives, one of which (on King’s River) is forty-four feet in diameter.
Then, again, some of the largest of these trees are lying prostrate on the ground; and in the ditches formed by their crash, trees have grown up of such a size, and in such a position, as to prove that the fallen giants have lain there for centuries—a thousand years or more; and although partially embedded in the earth, and surrounded by damp forest, their almost imperishable timber is as sound as if newly felled. So it appears that a Sequoia may lie on damp earth for untold ages without showing any symptom of decay. Yet in the southern groves huge prostrate trees are found quite rotten, apparently proving that they must have lain there for an incalculable period.
Then again, some of the largest trees are lying flat on the ground; and in the ditches created by their fall, new trees have grown to such a size and position that it shows the fallen giants have been there for centuries—over a thousand years or more. Even though they are partially buried in the earth and surrounded by wet forest, their almost indestructible timber is as solid as if it had just been cut down. It seems that a Sequoia can rest on damp ground for endless ages without showing any signs of decay. However, in the southern groves, massive fallen trees are found completely rotten, suggesting they must have been there for an enormous amount of time.
Of the eight groves aforesaid, the most northerly is Calaveras, and the most southerly is on the south fork of the Tule river. The others are the Stanislaus, the Merced and Crane Flat, the Mariposa, the Fresno, the King’s and Kaweah rivers, and the north fork of the Tule river. It is worthy of note that the more northerly groves are found at the lowest level, Calaveras being only 4,759 feet above the sea, while the Tule and Kaweah belts range over the Sierras at about 7,000 feet.
Of the eight groves mentioned, the northernmost is Calaveras, and the southernmost is located on the south fork of the Tule River. The others include the Stanislaus, the Merced and Crane Flat, the Mariposa, the Fresno, the King’s and Kaweah rivers, and the north fork of the Tule River. It’s noteworthy that the northern groves are at the lowest elevation, with Calaveras being just 4,759 feet above sea level, while the Tule and Kaweah areas are around 7,000 feet in the Sierras.
The number of Sequoias in the northern groves is reckoned to be as follows: Calaveras, ninety trees upwards of fifteen feet in diameter; Stanislaus, or South Calaveras[Pg 244] grove, distant six miles from North Calaveras, contains 1,380 trees over one foot in diameter (many of them being over thirty feet in diameter). Mariposa has its 600 Sequoias; and the beautiful Fresno grove, some miles from Mariposa, has 1,200. Merced has fifty, and Tuolumne thirty. The southern belts have not yet been fully explored, but are apparently the most extensive.
The number of Sequoias in the northern groves is estimated as follows: Calaveras has over ninety trees that are more than fifteen feet in diameter; Stanislaus, or South Calaveras[Pg 244] grove, which is six miles from North Calaveras, has 1,380 trees over one foot in diameter (many of which are over thirty feet in diameter). Mariposa has 600 Sequoias, and the beautiful Fresno grove, a few miles from Mariposa, contains 1,200. Merced has fifty, and Tuolumne has thirty. The southern areas haven't been fully explored yet, but they seem to be the most extensive.
The Mariposa grove, where we have been to-day, is the only one which has been reserved by Government as a park for the nation. It lies five miles from here. I should rather say there are two groves. The lower grove lies in a sheltered valley between two mountain-spurs; the upper grove, as its name implies, occupies a higher level, 6,500 feet above the sea.
The Mariposa Grove, where we've been today, is the only one that has been set aside by the government as a national park. It's five miles from here. I should mention that there are actually two groves. The lower grove is located in a sheltered valley between two mountain spurs; the upper grove, as the name suggests, is at a higher elevation, 6,500 feet above sea level.
We breakfasted very early, and by 6 A. M. were in the saddle. Capital, sure-footed ponies were provided for all who chose to ride. Some of the gentlemen preferred walking. From this house we had to ascend about 2,500 feet.
We had breakfast very early, and by 6 A.M. we were in the saddle. Great, sure-footed ponies were available for everyone who wanted to ride. Some of the gentlemen preferred to walk. From this house, we had to climb about 2,500 feet.
As we gradually worked uphill through the coniferous belts, the trees seemed gradually to increase in size, so that the eye got accustomed by degrees; and when at length we actually reached the Big-Tree grove we scarcely realized that we were in the presence of the race of giants. Only when we occasionally halted at the base of a colossal pillar, somewhere about eighty feet in circumference, and about 250 in height, and compared it with its neighbours, and, above all, with ourselves—poor, insignificant pigmies—could we bring home to our minds a sense of its gigantic proportions.
As we slowly made our way uphill through the pine forests, the trees seemed to grow larger, and our eyes adjusted gradually. When we finally arrived at the Big-Tree grove, we barely understood we were standing among giants. It was only when we paused at the base of a massive tree, about eighty feet around and around 250 feet tall, and compared it to the others, especially to ourselves—tiny, insignificant beings—that we truly grasped its enormous size.
[Pg 245]
[Pg 245]
With all the reverence due to antiquity, we gazed on these Methuselahs of the forest, to whom a few centuries more or less in the record of their long lives are a trifle scarcely worth mentioning. But our admiration was more freely bestowed on the rising generation, the beautiful young trees, only about five or six hundred years of age, and averaging thirty feet in circumference; while still younger trees, the mere children of about a hundred years old, still retain the graceful habits of early youth, and are very elegant in their growth—though, of course, none but mere babies bear the slightest resemblance to the tree as we know it on English lawns.
With all the respect that history deserves, we looked at these ancient giants of the forest, for whom a few centuries more or less in the timeline of their long lives barely matters. However, we admired the younger generation even more, the beautiful young trees that are only about five or six hundred years old, averaging thirty feet around. The even younger trees, just about a hundred years old, still show the graceful traits of youth and grow elegantly—although, of course, only the very young trees resemble the ones we see on English lawns.
It really is heartbreaking to see the havoc that has been done by careless fires. Very few of the older trees have escaped scathless. Most of this damage has been done by Indians, who burn the scrub to scare the game, and the fire spreads to the trees, and there smoulders unheeded for weeks, till happily some chance extinguishes it. Many lords of the forest have thus been burnt out, and have at last fallen, and lie on the ground partly embedded, forming great tunnels, hollow from end to end, so that in several cases two horsemen can ride abreast inside the tree from (what was once) its base to its summit.
It’s truly heartbreaking to see the destruction caused by careless fires. Very few of the old trees have escaped without damage. Most of this harm has been caused by Native Americans, who set fire to the underbrush to drive out game, and the flames spread to the trees, smoldering unnoticed for weeks until, fortunately, something puts it out. Many towering trees have been burned down and now lie on the ground, partially buried, creating huge hollow tunnels from one end to the other, so that in some cases, two riders can ride side by side inside the tree from what used to be its base to its top.
We halted at the base of the Grizzly Giant, which well deserves its name; for it measures ninety-three feet in circumference, and looks so battered and weather-worn that it probably is about the most venerable tree in the forest. It is one of the most picturesque Sequoias I have seen, just because it has broken through all the rules of symmetry, so[Pg 246] rigidly observed by its well conditioned, well-grown brethren; and instead of being a vast cinnamon-coloured column, with small boughs near the summit, it has taken a line of its own, and thrown out several great branches, each about six feet in diameter—in other words, about as large as a fine old English beech-tree!
We stopped at the base of the Grizzly Giant, which truly earns its name; it measures ninety-three feet around and looks so battered and weathered that it’s probably one of the oldest trees in the forest. It’s one of the most striking Sequoias I’ve seen because it has broken all the rules of symmetry that its more perfectly shaped, well-grown counterparts strictly follow; instead of being a large cinnamon-colored column with small branches near the top, it has carved out its own path and produced several huge branches, each about six feet wide—in other words, about the size of a great old English beech tree![Pg 246]
This poor old tree has a great hollow burnt in it (I think the Indians must have used it as a kitchen), and our half dozen ponies and mules were stabled in the hollow—a most picturesque group. It seems strange to see trees thus scorched and charred, with their insides clean burnt out, yet, on looking far, far overhead, to perceive them crowned with fresh blue-green, as if nothing ailed them, so great is their vitality. Benjamin Taylor says of such a one, “It did not know that it ought to be dead. The tides of life flowed so mightily up that majestic column!”
This old tree has a large hollow burned into it (I think the Indigenous people must have used it as a kitchen), and our half dozen ponies and mules were sheltered in the hollow—a really picturesque scene. It's weird to see trees burned and charred like this, with their insides completely burned out, yet when you look far up overhead, you can see them topped with fresh blue-green leaves, as if nothing's wrong with them, showcasing their incredible vitality. Benjamin Taylor says of such a tree, “It didn’t know it was supposed to be dead. The tides of life flowed so strongly up that majestic trunk!”
The Indians say that all other trees grow, but that the Big Trees are the special creation of the Great Spirit. So here too, you see, we have, not tree-worship, but something of the reverence accorded to the cedar in all lands. The Hebrew poet sang of “the trees of the Lord, even the cedars of Lebanon which He hath planted.” And the Hill tribes of Northern India build a rudely carved temple beneath each specially magnificent clump of Deodar, to mark that they are “God’s trees”; while in the sacred Sanskrit poems they are called Deva dara or Deva daru, meaning the gift, the spouse, the word of God, but in any case, denoting the sanctity of the tree.
The Native Americans believe that while all other trees grow, the Big Trees are a special creation of the Great Spirit. So here, you can see that we don't practice tree-worship, but we do have a kind of reverence for the cedar that is found in many cultures. The Hebrew poet wrote about “the trees of the Lord, even the cedars of Lebanon which He has planted.” The Hill tribes of Northern India construct a roughly carved temple beneath each particularly impressive group of Deodar trees to signify that they are “God’s trees.” In the sacred Sanskrit texts, they are referred to as Deva dara or Deva daru, meaning the gift, the spouse, the word of God, but in any case, it signifies the sacredness of the tree.
Whether these Californian Indians had any similar title[Pg 247] for their Big Trees, I have failed to learn; but the name by which they are known to the civilized world is that of Sequoyah, a half-caste Cherokee Indian, who distinguished himself by inventing an alphabet and a written language for his tribe. It was a most ingenious alphabet, consisting of eighty-six characters, each representing a syllable, and was so well adapted to its purpose that it was extensively used by the Indians before the white man had ever heard of it. Afterwards it was adopted by the missionaries, who started a printing-press, with types of this character, and issued a newspaper for the Cherokee tribe, by whom this singular alphabet is still used.
Whether these Californian Indians had a similar name[Pg 247] for their Big Trees, I haven’t been able to find out; but the name they are known by in the civilized world is Sequoyah, a mixed-race Cherokee Indian, who made a name for himself by inventing an alphabet and a written language for his tribe. It was a very clever alphabet, consisting of eighty-six characters, each representing a syllable, and it was so well designed for its purpose that it was widely used by the Indians long before the white man ever heard of it. Later, it was adopted by missionaries, who set up a printing press with types in this alphabet, and published a newspaper for the Cherokee tribe, who still use this unique alphabet today.
When the learned botanist, Endlicher, had to find a suitable name for the lovely redwood cedars, he did honour to Sequoyah, by linking his memory forever with that of the evergreen forests of the Coast Range. And when afterwards these Big Trees of the same race were discovered on the Sierras, they of course were included under the same family name.
When the knowledgeable botanist, Endlicher, needed to come up with a suitable name for the beautiful redwood cedars, he paid tribute to Sequoyah by connecting his legacy with the evergreen forests of the Coast Range. Later, when these Big Trees of the same species were found in the Sierras, they were naturally classified under the same family name.
[Pg 248]
[Pg 248]
Granite Crags (Edinburgh and London, 1884).
Granite Crags (Edinburgh & London, 1884).
GERSOPPA FALLS
(INDIA)
(india)
W. M. YOOL
W. M. YOOL
These, the most famous falls in India, are situated on the Siruvatti (or Sharavati) river, which at that part of its course forms the boundary between the north-west corner of the native state of Mysore and the Bombay Presidency. The source of the river is in Mysore, half-way up Koda Chadri, a hill about five thousand feet high, near the famous old town of Nuggur, once the seat of the Rajahs of Mysore, where are still to be seen the ruins of an old fort and palace, and the walls of the town, eight miles in circumference.
These are the most famous waterfalls in India, located on the Siruvatti (or Sharavati) river, which forms the boundary between the northwest corner of the Mysore state and the Bombay Presidency. The river originates in Mysore, halfway up Koda Chadri, a hill around five thousand feet tall, close to the historic town of Nuggur, which was once the home of the Rajahs of Mysore. In Nuggur, you can still see the ruins of an old fort and palace, along with the town walls that stretch eight miles around.
The natives have a legend that the god Rama shot an arrow from his bow on to Koda Chadri, and that the river sprang from the spot where the arrow fell, and hence the name Siruvatti or “arrow-born.” From its source the river flows north for nearly thirty miles through the heart of the Western Ghauts, and then turns west and flows down through the jungles of North Canara to the Indian Ocean—another thirty miles. Shortly after taking the bend westwards there comes the fall, which, on account of its height, is worthy of being reckoned amongst the great waterfalls of the world. Here, at one leap, the river falls eight hundred and thirty feet; and as, at the brink, it is about four hundred[Pg 249] yards wide, there are few, if any, falls in the world to match it.
The locals have a legend that the god Rama shot an arrow from his bow onto Koda Chadri, and that the river originated from the spot where the arrow landed, which is why it's called Siruvatti or “arrow-born.” From its source, the river flows north for almost thirty miles through the heart of the Western Ghats, then turns west and continues through the jungles of North Canara to the Indian Ocean—another thirty miles. Shortly after it bends west, there’s a waterfall that, due to its height, is considered one of the great waterfalls in the world. Here, the river drops eight hundred and thirty feet in one leap, and at the edge, it is about four hundred[Pg 249] yards wide, making it one of the most impressive waterfalls in the world.

GERSOPPA FALLS.
Gersoppa Falls.
During the dry weather the river comes over in four separate falls, but in the height of the monsoon these become one, and as at that time the water is nearly thirty feet deep, the sight must be truly one of the world’s wonders. It has been calculated that in flood-time more horse-power is developed by the Gersoppa Falls than by Niagara. This of course is from the much greater height of Gersoppa, eight hundred and thirty feet against about one hundred and sixty feet of Niagara, although the Niagara Falls are much wider and vaster in volume. The Kaieteur Falls of the Essequibo in British Guiana are seven hundred and forty-one feet sheer and eighty-eight more of sloping cataract, but the river there is only one hundred yards wide. At the Victoria Falls, the Zambesi, one thousand yards wide, falls into an abyss four hundred feet deep.
During dry weather, the river cascades over four separate falls, but during the peak of the monsoon, they merge into one massive waterfall. At that time, the water can reach nearly thirty feet deep, making the sight truly one of the wonders of the world. It's been estimated that during floods, the Gersoppa Falls generate more horsepower than Niagara Falls. This is mainly due to the much greater height of Gersoppa, which is eight hundred and thirty feet compared to about one hundred and sixty feet for Niagara, even though the Niagara Falls are much wider and have a larger volume of water. The Kaieteur Falls on the Essequibo in British Guiana drop seven hundred and forty-one feet straight down with an additional eighty-eight feet of sloping waterfall, but the river there is only one hundred yards wide. At the Victoria Falls on the Zambezi, which is one thousand yards wide, the water plunges into a chasm four hundred feet deep.
My friend and I visited the falls in the end of September, about a month after the close of the monsoon, when there were four falls with plenty of water in them. The dry weather is the best for the sight-seer, as, during the monsoon, the rain is so heavy and continuous that there would not be much pleasure in going there, although doubtless the sight would be grander and more awe-inspiring. The drainage area above the falls is seven hundred and fifty square miles, and the average yearly rainfall over this tract is two hundred and twenty inches, nearly the whole of which falls in the three monsoon months, June, July, August; so it can be imagined what an enormous body of[Pg 250] water comes down the river in these months. There is a bungalow for the use of visitors on the Bombay side of the river, about a hundred yards away from the falls, built on the very brink of the precipice overhanging the gorge through which the river flows after taking the leap. So close to the edge is it that one could jump from the veranda sheer into the bed of the river nearly a thousand feet below.
My friend and I visited the falls at the end of September, about a month after the monsoon season ended, when there were four waterfalls with a lot of water in them. The dry weather is the best for sightseeing because during the monsoon, the rain is so heavy and continuous that it wouldn't be very enjoyable to go there, though the view would definitely be more impressive and awe-inspiring. The drainage area above the falls is seven hundred and fifty square miles, and the average yearly rainfall in this area is two hundred and twenty inches, nearly all of which falls during the three monsoon months: June, July, and August. So, you can imagine the massive amount of[Pg 250] water that flows down the river during those months. There's a bungalow for visitors on the Bombay side of the river, about a hundred yards from the falls, built right on the edge of the cliff overlooking the gorge through which the river flows after the drop. It's so close to the edge that one could jump from the veranda straight into the river bed nearly a thousand feet below.
The four falls are called The Rajah, The Roarer, The Rocket, and La Dame Blanche. The Rajah and Roarer fall into a horseshoe-shaped cavern, while the Rocket and La Dame Blanche come over where the precipice is at right angles to the flow of the river, and are very beautiful falls. The Rajah comes over with a rush, shoots clear out from the rock, and falls one unbroken column of water the whole eight hundred and thirty feet. The Roarer comes rushing at an angle of sixty degrees down a huge furrow in the rock for one hundred and fifty feet, making a tremendous noise, then shoots right out into the middle of the horseshoe, and mingles its waters with those of the Rajah about half-way down. The Rocket falls about two hundred feet in sheer descent on to a huge knob of rock, where it is dashed into spray, which falls in beautiful smoky rings, supposed to resemble the rings formed by the bursting of rockets. La Dame Blanche, which my friend and I thought the most beautiful, resembles a snow-white muslin veil falling in graceful folds, and clothing the black precipice from head to foot.
The four waterfalls are called The Rajah, The Roarer, The Rocket, and La Dame Blanche. The Rajah and Roarer cascade into a horseshoe-shaped cavern, while the Rocket and La Dame Blanche drop where the cliff is perpendicular to the river flow, creating stunning falls. The Rajah rushes over the edge, shooting straight out from the rock and plunging in an unbroken stream for a full eight hundred and thirty feet. The Roarer comes crashing down at a sixty-degree angle through a deep groove in the rock for one hundred and fifty feet, making a deafening sound, then leaps out into the center of the horseshoe and merges its waters with those of the Rajah about halfway down. The Rocket drops about two hundred feet straight down onto a large rock outcrop, where it splashes into mist, creating beautiful smoky rings that resemble the trails made by fireworks. La Dame Blanche, which my friend and I found the most beautiful, looks like a white muslin veil cascading in elegant folds, draping the dark cliff from top to bottom.
From the bungalow a fine view is got of the Rocket and La Dame Blanche, and when the setting sun lights up these[Pg 251] falls and forms numerous rainbows in the spray, it makes an indescribably beautiful scene. Here one is alone with Nature, not a house or patch of cultivation anywhere. In front is the river, and all around are mountains and primeval forests, while the ceaseless roar of the waterfall adds a grandeur and a solemnity not easily described.
From the bungalow, there’s a great view of the Rocket and La Dame Blanche, and when the setting sun shines on these[Pg 251] falls, creating countless rainbows in the mist, it makes for an indescribably beautiful scene. Here, you’re alone with Nature—no houses or farmland in sight. In front is the river, surrounded by mountains and ancient forests, while the constant roar of the waterfall brings a sense of grandeur and solemnity that’s hard to put into words.
Near where the Rajah goes over is a projecting rock called the Rajah’s Rock, so named because one of the Rajahs of Nuggur tried to build a small pagoda on it, but before being finished, it was washed away. The cutting in the rock for the foundation is still visible. To any one who has a good head, a fine view of the horseshoe cavern can be had from this rock. The plan is to lie down on your stomach, crawl to the edge, and look over, when you can see straight down into the pool where the waters are boiling and seething nearly a thousand feet below. I took a few large stones to the edge and dropped them over, but they were lost to view long before they reached the bottom. It was quite an appreciable time after my losing sight of them before I observed the faint splash they made near the edge of the pool.
Near where the Rajah flows over is a jutting rock called the Rajah’s Rock, named because one of the Rajahs of Nuggur tried to build a small pagoda on it, but it got washed away before it was finished. The indentation in the rock for the foundation is still visible. For anyone with a good head for heights, there's a great view of the horseshoe cavern from this rock. The approach is to lie on your stomach, crawl to the edge, and look over, letting you see straight down into the pool where the water is boiling and churning nearly a thousand feet below. I took a few large stones to the edge and dropped them, but they disappeared from sight long before they hit the bottom. It was quite a while after I lost sight of them before I noticed the faint splash they made near the edge of the pool.
In order to get to the foot of the falls it is necessary to cross the river to the Mysore side, as there is no possibility of getting down to the Bombay side. About half a mile above the falls there is a canoe, dug out of the trunk of a tree, which belongs to the native who looks after the bungalow, and ferries people across. A path has been made to enable visitors to get to the foot of the falls, and many fine views of all four are got while descending. The first half[Pg 252] of the way down is fairly easy, but after that the track is a succession of steps down great boulders and across slabs of rock, rendered as slippery as ice by the constant spray. Ere my friend and I reached the bottom we were soaking wet, and realized when too late that we should have left the greater part of our clothes behind us. By going to the bottom a much better idea of the immense height of the falls is got, and the climb up again helps still more to make one realize it. From the bungalow the largest rocks in the bed of the river looked like sheep; but we found them to be huge boulders, ten and twelve feet high and about twenty feet across.
To reach the base of the falls, you have to cross the river to the Mysore side, because there’s no way to get down on the Bombay side. About half a mile upstream from the falls, there's a canoe made from a tree trunk, owned by the local person who takes care of the bungalow and provides rides across. A path has been created to allow visitors to reach the bottom of the falls, offering many great views of all four while going down. The first half[Pg 252] of the trail is relatively easy, but after that, the path consists of a series of steps down large boulders and across slabs of rock, made incredibly slippery by the constant spray. By the time my friend and I reached the bottom, we were soaked and realized a bit too late that we should have left most of our clothes behind. Visiting the bottom gives you a much better sense of the falls' immense height, and the climb back up further emphasizes it. From the bungalow, the biggest rocks in the riverbed appeared like sheep; but we discovered they were actually massive boulders, ten to twelve feet high and about twenty feet wide.
The falls seem to have become known to Europeans about 1840, but were very seldom visited in those days. Even now the number of visitors is small, as the nearest railway is eighty miles off, and there is no way of procuring supplies with the exception of a little milk and a chicken to be had from the above-mentioned native.
The falls were first discovered by Europeans around 1840, but back then, they didn’t attract many visitors. Even today, the number of people who visit is low since the closest train station is eighty miles away, and there’s no way to get supplies except for a bit of milk and a chicken from the local resident mentioned earlier.
For a good many years there was great uncertainty about the height of the falls, but the question was finally set at rest by two naval lieutenants who plumbed them in 1857. The modus operandi was as follows: Their ship being off the coast near the mouth of the river, they got a cable transported to the falls, and stretched it across the horseshoe—a distance of seventy-four yards. Having seen that the cable was properly secured at both ends, they got a cage fixed on, and one of them got into it and was hauled out until he was in the centre. From the cage he let down a sounding line with a buoy attached to the end of it, and[Pg 253] found the depth to the surface of the water to be eight hundred and thirty feet. After satisfactorily accomplishing this feat, they proceeded to the foot of the falls, and constructed a raft so as to plumb the pools, which they did, and found the greatest depth to be one hundred and thirty-two feet. This was done near the end of the dry weather, when there was very little water in the river, and they were able to temporarily divert the Rajah and Roarer into the Rocket, without doing which it would have been impossible to plumb the horseshoe pool—the deepest one—satisfactorily.
For many years, there was a lot of uncertainty about the height of the falls, but the issue was finally resolved by two naval lieutenants who measured them in 1857. The modus operandi was as follows: Their ship was off the coast near the mouth of the river, and they had a cable brought to the falls, stretching it across the horseshoe—a distance of seventy-four yards. After making sure the cable was securely fastened at both ends, one of them got into a cage attached to it, which was pulled out until he was in the center. From the cage, he lowered a sounding line with a buoy attached to the end and[Pg 253] found the water depth to be eight hundred and thirty feet. After successfully completing this task, they went to the foot of the falls and built a raft to measure the pools. They found the greatest depth to be one hundred and thirty-two feet. This was done towards the end of the dry season when there was very little water in the river, allowing them to temporarily divert the Rajah and Roarer into the Rocket. Without this diversion, it would have been impossible to accurately measure the horseshoe pool—the deepest one.
About a mile from the bungalow is a hill called Nishani Goodda or Cairn Hill, from the top of which a magnificent view of the surrounding country is got. To the east lie the table-lands of the Deccan and Mysore, the flat expanse broken here and there by an occasional hill. North and south stretches the chain of the Ghauts, rising peak after peak as far as the eye can see (Koda Chadri, where the Siruvatti rises, being very conspicuous); while to the west one looks down on the lowlands of jungle-covered Canara, with glimpses of the river here and there, and beyond them gleams the Indian Ocean.
About a mile from the bungalow is a hill called Nishani Goodda or Cairn Hill, which offers a stunning view of the surrounding area. To the east are the plateaus of the Deccan and Mysore, a flat landscape punctuated by occasional hills. The chain of the Ghauts stretches to the north and south, rising peak after peak as far as the eye can see (Koda Chadri, where the Siruvatti flows, stands out prominently); to the west, you can look down on the lowlands of jungle-covered Canara, with glimpses of the river here and there, and beyond that, the Indian Ocean sparkles.
The bungalow book in which visitors inscribe their names is very interesting reading. The records go back to 1840, and many travellers have written a record of what they did when there; while a few, inspired by the scene, have expressed their feelings in poetry, some of it well worth copying and preserving by any one who has seen the falls.
The guestbook where visitors write their names is really interesting to read. The entries date back to 1840, and many travelers have shared their experiences from their time here; while a few, moved by the scenery, have expressed their feelings in poetry, some of which is definitely worth preserving by anyone who has seen the falls.
[Pg 254]
[Pg 254]
Chambers’ Journal (London, 1896).
Chambers’ Journal (London, 1896).
ETNA
(SICILY)
(SICILY)
ALEXANDRE DUMAS
ALEXANDRE DUMAS
The word Etna, according to the savants, is a Phœnician word meaning the mouth of the furnace. The Phœnician language, as you see, was of the order of that one spoken of by Covielle to the Bourgeois Gentilhomme, which expressed many things in a few words. Many poets of antiquity pretend that it was the spot where Deucalion and Pyrrha took refuge during the flood. Upon this score, Signor Gemellaro, who was born at Nicolosì, may certainly claim the honour of having descended in a direct line from one of the first stones which they threw behind them. That would leave, as you see, the Montmorencys, the Rohans, and the Noailles, far behind.
The word Etna, according to the experts, is a Phoenician word meaning the mouth of the furnace. The Phoenician language, as you can see, was similar to the one referred to by Covielle in the Bourgeois Gentilhomme, which conveyed a lot with just a few words. Many ancient poets claim that it was the place where Deucalion and Pyrrha took refuge during the flood. On this note, Signor Gemellaro, who was born in Nicolosì, can definitely assert that he is a direct descendant of one of the first stones they tossed behind them. This would leave, as you can see, the Montmorencys, the Rohans, and the Noailles far behind.
Homer speaks of Etna, but he does not designate it a volcano. Pindar calls it one of the pillars of the sky. Thucydides mentions three great explosions, from the epoch of the arrival of the Grecian colonies up to his own lifetime. Finally, there were two eruptions in the time of Denys; then they followed so rapidly that only the most violent ones have been counted.[10]
Homer mentions Etna, but he doesn’t call it a volcano. Pindar refers to it as one of the pillars of the sky. Thucydides notes three major eruptions, from the time the Greek colonies arrived until his own lifetime. Finally, there were two eruptions during the time of Denys; after that, the eruptions happened so quickly that only the most significant ones have been recorded.[10]
[Pg 255]
[Pg 255]
Of all these eruptions, one of the most terrible was that of 1669. As the eruption of 1669 started from Monte Rosso, and as Monte Rosso is only half a mile to the left of Nicolosì, we took our way, Jadin and I, to visit the crater, after having promised Signor Gemellaro to come to dinner with him.
Of all these eruptions, one of the most devastating was the one in 1669. Since the 1669 eruption began at Monte Rosso, and Monte Rosso is just half a mile to the left of Nicolosì, Jadin and I decided to head to the crater, after promising Signor Gemellaro that we would join him for dinner.
It must be understood beforehand that Etna regards itself too far above ordinary volcanos to proceed in their fashion: Vesuvius, Stromboli, and even Hekla pour the lava over their craters, just as wine spills over a too-full glass; Etna does not give itself this trouble. Its crater is only a crater for show, which is content to play cup and ball with incandescent rocks large as ordinary houses, which one follows in their aërial ascension as one would follow a bomb issuing from a mortar; but, during this time the force of the eruption is really felt elsewhere. In reality, when Etna is at work, it throws up very simply upon its shoulders, at one place or another, a kind of boil about the size of Montmartre; then this boil breaks, and out of it streams a river of lava which follows the slope, descends, burning, or overturning everything that it finds before it, and ends by extinguishing itself in the sea. This method of procedure is the cause of Etna’s being covered with a number of little craters which are formed like immense[Pg 256] hay-mows; each of these secondary volcanos has its date and its own name, and all have occasioned in their time, more or less noise and more or less ravage.
It should be noted from the start that Etna sees itself as far superior to ordinary volcanoes and doesn’t erupt like them. Vesuvius, Stromboli, and even Hekla spill lava from their craters, like wine overflowing from an overfilled glass; Etna doesn’t bother with that. Its crater serves only as a display, happily tossing incandescent rocks the size of regular houses into the air, which you can track as you would a bomb fired from a mortar; meanwhile, the real power of the eruption is felt elsewhere. Essentially, when Etna erupts, it creates a kind of bulge about the size of Montmartre at varying points on its slope. When this bulge bursts, a river of lava flows down, burning or toppling everything in its path until it finally reaches the sea. This process results in Etna being dotted with numerous small craters shaped like giant haystacks; each of these smaller volcanoes has its own date and name and has caused varying amounts of noise and destruction over time.
We got astride of our mounts and started on our way upon a night that seemed to us of terrible darkness as we issued from a well-lighted room; but, by degrees, we began to distinguish the landscape, thanks to the light of the myriads of stars that sprinkled the sky. It seemed from the way in which our mules sank beneath us that we were crossing sand. Soon we entered the second region, or the forest region, that is if the few scattered, poor, and crooked trees merit the name of forest. We marched about two hours, confidently following the road our guide took us, or rather our mules, a road which, moreover, to judge by the eternal declivities and ascents, seemed terribly uneven. Already, we realized the wisdom of Signor Gemellaro’s provisions against the cold, and we wrapped ourselves in our hooded great-coats a full hour before we arrived at a kind of roofless hovel where our mules stopped of themselves. We were at the Casa del Bosco or della Neve, that is to say, the Forest or the Snow, names which it merits in either summer or winter. Our guide told us this was our halting-place. Upon his invitation, we alighted and entered. We were half-way on the road to the Casa Inglese.
We mounted our horses and set off on a night that felt incredibly dark after leaving a well-lit room; however, as time passed, we began to see the landscape, thanks to the countless stars twinkling in the sky. It felt like our mules were trudging through sand. Soon, we entered the second area, or the forest area, if the few scattered, scraggly trees could be called a forest. We traveled for about two hours, confidently following the path our guide took, or rather what our mules chose, a path that, judging by the constant ups and downs, seemed really uneven. Already, we appreciated the wisdom of Signor Gemellaro’s preparations against the cold, and we wrapped ourselves in our hooded coats a full hour before we reached a kind of roofless hut where our mules automatically stopped. We arrived at the Casa del Bosco or della Neve, which means the Forest or the Snow, names that are fitting in summer or winter. Our guide told us this was where we would stop. Following his invitation, we got off and went inside. We were halfway to the Casa Inglese.

ETNA.
ETNA.
During our halt the sky was enriched by a crescent, which, although slender, gave us a little light. We continued to march a quarter of an hour longer between trees which became scarcer every twenty feet and finally disappeared[Pg 257] altogether. We were about to enter the third region of Etna, and we knew from the steps of the mules when they were passing over lava, crossing ashes, or when they trampled a kind of moss, the only vegetation that creeps up to this point. As for our eyes, they were of very little use, the sheen appearing to us more or less coloured, and that was all, for we could not distinguish a single detail in the midst of this darkness.
During our stop, the sky was brightened by a thin crescent moon, which, despite being small, provided us with some light. We kept walking for another fifteen minutes among trees that became less frequent every twenty feet until they eventually disappeared[Pg 257] completely. We were about to enter the third area of Etna, and we could tell from the mules' movements when they were walking on lava, crossing ashes, or when they stepped on a type of moss, the only plant life that grows up to this point. As for our sight, it was pretty useless; everything appeared more or less colored, and that was it, as we couldn't make out a single detail in the surrounding darkness.
However, in proportion as we ascended, the cold became more intense, and, notwithstanding our cloaks, we were freezing. This change of temperature had checked conversation, and each of us, occupied in trying to keep himself warm, advanced in silence. I led the way, and if I could not see the ground on which we advanced, I could distinguish perfectly on our right the gigantic escarpments and the immense peaks, that reared themselves like giants, and whose black silhouettes stood out boldly upon the deep blue of the sky. The further we advanced, the stranger and more fantastic shapes did these apparitions assume; we well understood that Nature had not originally made these mountains as they are and that it was a long contest that had ravaged them. We were upon the battle-field of the Titans; we clambered over Pelion piled upon Ossa.
However, as we climbed higher, the cold became more intense, and despite our cloaks, we were freezing. This drop in temperature silenced our conversation, and each of us focused on staying warm, moving forward in silence. I led the way, and even though I couldn't see the ground beneath us, I could clearly make out the massive cliffs and towering peaks to our right, rising like giants, their dark silhouettes stark against the deep blue sky. The further we went, the stranger and more fantastical these shapes appeared; we understood that Nature hadn't created these mountains as they are, and that a long struggle had battered them. We were on the battlefield of the Titans, climbing over Pelion stacked upon Ossa.
All this was terrible, sombre, and majestic; I saw and I felt thoroughly the poetry of this nocturnal trip, and meanwhile I was so cold that I had not the courage to exchange a word with Jadin to ask him if all these visions were not the result of the weakness that I experienced, and if I were[Pg 258] not dreaming. From time to time strange and unfamiliar noises, that did not resemble in the slightest degree any noises that one is accustomed to hear, started from the bowels of the earth, and seemed to moan and wail like a living being. These noises had something so unexpectedly lugubrious and solemn about them that they made your blood run cold.... We walked about three-quarters of an hour upon the steep and rough road, then we found ourselves upon a slightly inclined slope where every now and then we crossed large patches of snow and in which I was plunged up to my knees, and these finally became continuous. At length the dark vault of the sky began to pale and a feeble twilight illumined the ground upon which we walked, bringing with it air even more icy than we had heretofore breathed. In this wan and uncertain light we perceived before us something resembling a house; we approached it, Jadin trotting upon his mule, and I coming as fast as possible. The guide pushed open the door and we found ourselves in the Casa Inglese, built at the foot of the cone, for the great relief of travellers.
All of this was terrifying, gloomy, and magnificent; I fully experienced the poetry of this nighttime journey, and at the same time, I was so cold that I didn’t have the courage to ask Jadin if all these visions were just a result of my weakness, or if I was[Pg 258] dreaming. Occasionally, strange and unfamiliar sounds erupted from deep within the earth, resembling nothing we were used to hearing, and they seemed to moan and wail like a living being. These sounds were so unexpectedly dreary and solemn that they sent chills down your spine.... We walked for about three-quarters of an hour along the steep and rough path, then we reached a slightly sloped area where we occasionally crossed large patches of snow that I sunk into up to my knees, and soon those patches became continuous. Finally, the dark sky began to lighten, and a faint twilight illuminated the ground beneath us, bringing an even colder air than we had breathed before. In this dim and uncertain light, we spotted something that looked like a house; we approached it, Jadin trotting on his mule, and I hurrying as fast as I could. The guide opened the door, and we found ourselves in the Casa Inglese, built at the foot of the cone, providing great relief for travelers.
It was half-past three o’clock in the morning; our guide reminded us that we had still three-quarters of an hour’s climb at least, and, if we wished to reach the top of the cone before sunrise, we had not a moment to lose.
It was 3:30 in the morning; our guide reminded us that we still had at least 45 minutes of climbing to do, and if we wanted to reach the top of the cone before sunrise, we couldn't waste any time.
We left the Casa Inglese. We began to distinguish objects: all around us extended a vast field of snow, in the centre of which, making an angle of about forty-five degrees, the cone of Etna rose. Above us all was in darkness; towards the east only a light tint of opal coloured the[Pg 259] sky on which the mountains of Calabria were vigorously outlined.
We left the Casa Inglese. We started to make out objects: all around us was a huge field of snow, and in the center, angled at about forty-five degrees, the cone of Etna rose up. Above us, everything was dark; to the east, only a light hint of opal colored the[Pg 259] sky, which boldly outlined the mountains of Calabria.
At a hundred feet from the Casa Inglese we encountered the first waves of the lava plateau whose black hue did not accord with the snow, in the midst of which it rose like a sombre island. We had to mount these solid waves, jumping from one to another, as I had done at Chamouni and the Mer de Glace, with this difference, that the sharp edges tore the leather of our shoes and cut our feet. This passage, which lasted a quarter of an hour, was one of the most trying of the route.
At a hundred feet from the Casa Inglese, we came across the first waves of the lava plateau, which was black and didn't match the surrounding snow, standing out like a dark island. We had to climb over these solid waves, jumping from one to another, just like I had done at Chamouni and the Mer de Glace, except this time the sharp edges tore our shoe leather and cut our feet. This section, which took about fifteen minutes, was one of the most challenging parts of the journey.
We were now about a third of the way up, and we had only taken about half an hour to ascend four hundred feet; the east brightened more and more; the fear of not arriving at the summit of the cone in time to see the sunrise lent us courage, and we started again with new enthusiasm, without pausing to look at the immense horizon which widened beneath our feet at each step; but the further we advanced, the more the difficulties increased; at each step the slope became more abrupt, the earth more friable, and the air rarer. Soon, on our right, we began to hear subterranean roarings that attracted our attention; our guide walked in front of us and led us to a fissure from which came a great noise and a thick sulphurous smoke blown out by an interior current of air. Approaching the edges of this cleft, we saw at an unfathomable depth a bottom of incandescent and red liquid; and when we stamped our feet, the ground resounded in the distance like a drum. Happily it was perfectly calm, for if the wind had blown this smoke over[Pg 260] to our side, we should have been asphyxiated, for it is charged with a terrible fumes of sulphur.
We were about a third of the way up, and it only took us about half an hour to climb four hundred feet; the east grew brighter and brighter; the fear of not reaching the summit of the cone in time to see the sunrise gave us courage, and we set off again with renewed enthusiasm, without stopping to admire the vast horizon that expanded below us with each step; but as we moved further, the challenges increased; with each step, the slope became steeper, the ground more unstable, and the air thinner. Soon, on our right, we began to hear roars from below that caught our attention; our guide walked ahead of us and led us to a crack from which came a loud noise and thick, sulfurous smoke blown out by an underground draft. When we approached the edge of this fissure, we saw, at an unfathomable depth, a pool of glowing red liquid; and when we stomped our feet, the ground echoed in the distance like a drum. Thankfully, it was completely calm, because if the wind had blown the smoke over[Pg 260] to our side, we would have been asphyxiated, as it contained terrible sulfur fumes.
We found ourselves opposite the crater,—an immense well, eight miles in circumference and 900 feet deep; the walls of this excavation were covered with scarified matter of sulphur and alum from top to bottom; in the bottom as far as we could see at the distance from where we stood, there was some matter in eruption, and from the abyss there ascended a tenuous and tortuous smoke, resembling a gigantic serpent standing on his tail. The edges of the crater were cut out irregularly at a greater or less height. We were at one of the highest points.
We stood at the edge of the crater—an enormous pit, eight miles around and 900 feet deep. The walls of this hole were lined with sulfur and alum deposits from top to bottom. From where we were, we could see some activity at the bottom, and a thin, twisting plume of smoke rose from the depths, looking like a giant snake standing on its tail. The rim of the crater was uneven, varying in height. We were at one of the highest spots.
Our guide permitted us to look at this sight for a moment, holding us back, however, every now and then by our clothing when we approached too near the precipice, for the rock is so friable that it could easily give way beneath our feet, and we should repeat the joke of Empedocles; then he asked us to remove ourselves about twenty feet from the crater to avoid all accidents, and to look around us.
Our guide let us take a look at this view for a moment, but he held us back now and then by our clothes whenever we got too close to the edge, since the rock is so crumbly that it could easily collapse beneath us, making us repeat Empedocles’ joke. Then he asked us to step back about twenty feet from the crater to prevent any accidents and to take in our surroundings.
The east, whose opal tints we had noticed when leaving the Casa Inglese, had changed to tender rose, and was now inundated with the flames of the sun whose disc we began to perceive above the mountains of Calabria. Upon the sides of these mountains of a dark and uniform blue, the towns and villages stood out like little white points. The strait of Messina seemed a simple river, while to the right and left we saw the sea like an immense mirror. To the left, this mirror was spotted with several black dots: these black[Pg 261] dots were the islands of the Lipariote archipelago. From time to time one of these islands glimmered like an intermittent light-house; this was Stromboli, throwing out flames. In the west, everything was in darkness. The shadow of Etna cast itself over all Sicily.
The east, which we had noticed glowing with opal colors when we left the Casa Inglese, had turned a soft pink and was now lit up by the blazing sun, whose disc we could start to see rising above the mountains of Calabria. On the dark, uniform blue sides of these mountains, the towns and villages appeared like small white dots. The strait of Messina looked like a simple river, while on either side, the sea resembled a massive mirror. To the left, this mirror was dotted with several black spots: these black[Pg 261] spots were the islands of the Lipari archipelago. Occasionally, one of these islands sparkled like a flickering lighthouse; that was Stromboli, erupting with flames. In the west, everything was shrouded in darkness. The shadow of Etna loomed over all of Sicily.
For three-quarters of an hour the spectacle did nothing but gain in magnificence. I have seen the sun rise on Rigi and the Faulhorn, those two Titans of Switzerland: nothing is comparable to the view on Etna’s summit; Calabria from Pizzo to Cape dell Armi, the pass from Scylla to Reggio, the Tyrrhenian Sea, the Ionian Sea and the Æolian Islands that seem within reach of your hand; to the right, Malta floating on the horizon like a light mist; around us the whole of Sicily, seen from a bird’s-eye view with its shores denticulated with capes, promontories, harbours, creeks and roads; its fifteen cities and three hundred villages; its mountains which seem like hills; its valleys which we know are furrowed with ploughs; its rivers which seem threads of silver, as in autumn they fall from the sky to the grasses of the meadows; and, finally, the immense roaring crater, full of flames and smoke, overhead Heaven and at its feet Hell: such a spectacle, made us forget fatigue, danger, and suffering. I admired it all without reservation, with my eyes and my soul. Never had God seemed so near and, consequently, so great.
For about three-quarters of an hour, the scene only grew more magnificent. I've seen the sunrise on Rigi and the Faulhorn, those two giants of Switzerland: nothing compares to the view from the top of Etna; Calabria from Pizzo to Cape dell'Armi, the route from Scylla to Reggio, the Tyrrhenian Sea, the Ionian Sea, and the Aeolian Islands that feel almost within reach; to the right, Malta floats on the horizon like a light mist; all around us, the entire island of Sicily unfolds, viewed from above with its coastline marked by capes, promontories, harbors, coves, and roads; its fifteen cities and three hundred villages; its mountains that feel like hills; its valleys that we know are lined with plows; its rivers that look like threads of silver, cascading from the sky onto the grasses of the meadows; and finally, the enormous roaring crater, filled with flames and smoke, with Heaven above and Hell below: such a sight made us forget fatigue, danger, and suffering. I admired it all wholeheartedly, with my eyes and my soul. Never had God felt so close and, as a result, so great.
We remained there an hour, dominating all the old world of Homer, Virgil, Ovid, and Theocritus, without the idea of touching a pencil occurring to Jadin or myself, until it seemed to us that this picture had entered deeply[Pg 262] into our hearts and remained graven there without the aid of ink or sketch. Then we threw a last glance over this horizon of three hundred leagues, a sight seen once in a lifetime, and we began our descent.
We stayed there for an hour, overwhelmed by the legacy of Homer, Virgil, Ovid, and Theocritus, without even thinking about picking up a pencil, both Jadin and I. It felt like this view had imprinted itself deeply in our hearts without needing any ink or sketches. After that, we took one last look at the horizon stretching for three hundred leagues, a sight you see only once in a lifetime, and we started our descent.
Le Speronare: Impressions de Voyage (Paris, 1836.)
Le Speronare: Travel Impressions (Paris, 1836)
FOOTNOTE:
[10] The principal eruptions of Etna took place in the year 662, B. C., and in A. D. 225, 420, 812, 1169, 1285, 1329, 1333, 1408, 1444, 1446, 1447, 1536, 1603, 1607, 1610, 1614, 1619, 1634, 1669, 1682, 1688, 1689, 1702, 1766, and 1781.
[10] The main eruptions of Etna happened in the year 662 B.C., and in A.D. 225, 420, 812, 1169, 1285, 1329, 1333, 1408, 1444, 1446, 1447, 1536, 1603, 1607, 1610, 1614, 1619, 1634, 1669, 1682, 1688, 1689, 1702, 1766, and 1781.
[Pg 263]
[Pg 263]
PIKE’S PEAK AND THE GARDEN OF THE GODS
(UNITED STATES)
UNITED STATES
IZA DUFFUS HARDY
IZA DUFFUS HARDY
Colorado Springs—so called because the springs are at Manitou, five miles off, is a prairie town on a plateau six thousand feet high, above which Pike’s Peak stands sentinel, lifting his snow-capped head fourteen thousand feet into the clear depths of azure light, in which no fleck of cloud floats from morn to night and night to morn again. It is April, and not a drop of rain has fallen since the previous August. Mid-April, and not a leaf upon a tree. Not a flower or a bird seems to flourish here. No spring-blossom scents the keen fresh life-giving air; no warbler soars high up into the stainless sapphire sky. The leafless cottonwood trees stand out white in the flood of sunlight like trees of silver, their delicate bare branches forming a shining tangle of silvery network against that intense blue background.
Colorado Springs—named after the springs in Manitou, which is five miles away—is a prairie town on a plateau that rises six thousand feet. Above it stands Pike’s Peak, watching over the area with its snow-covered peak reaching fourteen thousand feet into the clear blue sky, devoid of clouds from morning to night and back again. It’s April, and not a drop of rain has fallen since last August. It’s mid-April, and there’s not a single leaf on a tree. No flowers or birds appear to thrive here. There are no spring blossoms to scent the crisp, life-giving air; no songbirds rising high into the pure sapphire sky. The leafless cottonwood trees shine white in the bright sunlight, resembling trees of silver, their delicate bare branches creating a shimmering tangle against that vibrant blue backdrop.
The place all looks bleak and barren to us; the wild grandeur of the mountains is unrelieved by the rich shadows of the pine forests or the sunny green glints of meadows that soften Alpine scenery. No flower gardens, no smiling valleys, no velvet turf, no fragrant orchards, no luxuriant hedge rows; only the lonely mountain range, the crowning height of Pike’s Peak stern and solitary in his icy exaltation,[Pg 264] and the dead level of the prairie, stretching away eastward for hundreds and hundreds of miles, declining always at a gradual and imperceptible angle till it slopes down to the very banks of the great Mississippi, over a thousand miles away.
The place looks dreary and empty to us; the wild magnificence of the mountains isn't softened by the rich shadows of pine forests or the sunny green patches of meadows that usually enhance Alpine scenery. There are no flower gardens, no cheerful valleys, no lush grass, no sweet-smelling orchards, and no thick hedgerows; just the lonely mountain range, the towering peak of Pike’s Peak, standing cold and alone in its icy grandeur,[Pg 264] and the flat expanse of the prairie, stretching eastward for hundreds of miles, sloping down gradually and almost imperceptibly until it descends to the banks of the great Mississippi, over a thousand miles away.
But, although the spot does not seem altogether a Paradise to us, it is a veritable Eden for consumptive invalids. Here they come to find again the lost angel of Health, and seldom seek again, unless they come too late. People live here who can live nowhere else. They long to return to their far-off homes; but home to them means death. They must live in this Colorado air, or die. There is a snake in the grass of this Eden, where they have drunk the elixir of a new life, and its name is Nostalgia. They long—some of them—for the snowy winters and flowery summers of their eastern homes. Others settle happily and contentedly in the endless sunshine of winterless, summerless Colorado.
But even though this place doesn’t seem like Paradise to us, it’s truly a haven for people with tuberculosis. They come here to regain their lost health, and they rarely leave unless it’s too late. People live here who can't live anywhere else. They yearn to go back to their distant homes, but going home means facing death for them. They have to breathe in this Colorado air or they won’t survive. There’s a downside to this Eden, where they’ve tasted the elixir of a new life, and it's called Nostalgia. Some of them long for the snowy winters and flowery summers of their eastern homes. Others settle down happily in the everlasting sunshine of this place that lacks both winter and summer.

THE GARDEN OF THE GODS.
GARDEN OF THE GODS.
We rattled along cheerily in our light spring-waggon over the smooth, fine roads, viewing the landscape from beneath the parasols which only partially shielded us from the blazing sun. Although the gentleman from Tennessee preserved a truly western taciturnity, our driver beguiled the way with instructive and amusing converse. He pointed out to us, flourishing by the wayside, the soap-weed, whose root is a perfect substitute for soap, and taught us to distinguish between the blue joint-grass—yellow as hay in winter, but now taking on its hue of summer green—and the greyish neutral-tinted buffalo-grass, which is most succulent and[Pg 265] nutritious, although its looks belie it, for a less tempting-looking herb I never had the pleasure of seeing. He also pointed out the dead body of a cow lying on a desolate plain, and informed us it would dry up to a mummy in no time; it was the effect of the air; dead cattle speedily mummified, and were no nuisance. Another dried-up bovine skeleton bore witness to the truth of his assertion.
We cheerfully bounced along in our light spring wagon over the smooth, well-kept roads, taking in the scenery from underneath the parasols that only partially protected us from the blazing sun. Even though the guy from Tennessee was pretty quiet, our driver kept us entertained with interesting and funny stories. He pointed out the soapweed along the roadside, whose root is a perfect substitute for soap, and showed us how to tell apart the blue joint grass—yellow like hay in the winter, but now showing its summer green—from the dull gray buffalo grass, which looks unappealing but is surprisingly nutritious. He also pointed out the dead cow lying on a barren plain, saying it would turn into a mummy quickly because of the air; dead cattle dried up fast and weren’t a problem. Another dried-up cow skeleton confirmed his point.[Pg 265]
We observed that the soil looked barren as desert sand; but he replied that it only required irrigation to be extremely fertile, showed us the irrigating ditches cut across the meadows, and described to us some of the marvellous productions of Colorado—a single cabbage-head weighing forty pounds, etc. He told us of the wondrous glories of the Arkansas cañon and the Mount of the Holy Cross—which, alas! we were not to see, the roads thither being as yet rough travelling for ladies. He sang the praises of the matchless climate, and the joys of the free, healthful life, far from the enervating and deteriorating influences of great cities. Indeed, it appeared from his conversation that nowhere on the face of the habitable globe could there be found any spot even remotely emulating the charms of Colorado—an opinion shared by every Coloradian with whom we held any intercourse.
We noticed that the soil looked as barren as desert sand, but he replied that it only needed irrigation to become extremely fertile. He showed us the irrigation ditches cutting across the meadows and described some of the amazing products of Colorado—a single cabbage head weighing forty pounds, for example. He talked about the stunning beauty of the Arkansas Canyon and the Mount of the Holy Cross—which, unfortunately, we wouldn’t get to see, as the roads there were still too rough for ladies. He praised the incredible climate and the joys of a free, healthy life, far from the draining and degrading influences of big cities. In fact, it seemed from his conversation that there was nowhere on Earth that could compare to the charms of Colorado—an opinion shared by every Coloradan we spoke with.
Our way then led up the Ute Pass, once, in days not so far back frequented by the Ute Indians. Now, not an Indian is to be seen for miles; they have all been swept back on to a reservation, and the story of the Ute outbreak there of the past autumn is yet fresh in the minds of all. The Ute Pass is a winding, uphill road along the side of a[Pg 266] deep cañon, the rocks here and there overhanging it threateningly, and affording a welcome shade from the piercing sun-rays, which follow us even here. The steep walls of the cañon are partly clothed and crowned with pine-trees, and along its depths a rapid, sparkling stream bubbles and leaps over the rocks and boulders.
Our path then took us up Ute Pass, which, not long ago, was often traveled by the Ute Indians. Now, there isn't an Indian in sight for miles; they've all been pushed back onto a reservation, and the events of the Ute uprising last autumn are still fresh in everyone's minds. Ute Pass is a winding, uphill road along the side of a[Pg 266] deep canyon, with rocks occasionally looming over it threateningly, providing a much-needed shade from the harsh sun, which follows us even here. The steep walls of the canyon are partly covered and topped with pine trees, and a fast, sparkling stream rushes and splashes over the rocks and boulders below.
Up the pass a waggon-train is toiling on its way to the great new mining centre—the giant baby city—Leadville, the youngest and most wonderful child of the prolific west! In this train we get entangled, and move slowly along with it—waggons and cattle before us, waggons and cattle behind us—tourists, teamsters, miners, drivers, drovers, dogs, all huddled together in seemingly inextricable confusion.
Up the pass, a wagon train is slowly making its way to the new mining hub—the giant baby city—Leadville, the youngest and most amazing child of the resourceful west! We get caught up in this train and move slowly along with it—wagons and cattle in front of us, wagons and cattle behind us—tourists, drivers, miners, handlers, dogs, all packed together in what seems like a hopeless jumble.
At the top of the pass, we tourists turn: and, while the waggon-train plods on its slow way, we make the best of our way back down the hill, and take the road to the Garden of the Gods.
At the top of the pass, we tourists pause: and, while the wagon train moves along at its slow pace, we head back down the hill and take the road to the Garden of the Gods.
Why the Garden of the Gods? I do not myself perceive the appropriateness of the appellation. There is not a flower in sight; only a few stunted shrubs, and forlorn-looking, thin trees. It is a natural enclosure, of fifty or more acres, such as in Colorado is called a “park,” scattered with rocks of a rich red hue, and the wildest and most grotesque shapes imaginable.
Why the Garden of the Gods? I don't see the fittingness of that name. There's not a flower in sight; just a few scraggly shrubs and sad-looking, thin trees. It's a natural area of fifty acres or more, which in Colorado is known as a “park,” filled with rocks of a deep red color, in the wildest and most bizarre shapes you can imagine.
The giants might have made it their playground, and left their playthings around them. Here, tossed and flung about as if by a careless hand, lie the huge round boulders with which they played at ball. Here they amused themselves[Pg 267] by balancing an immense mass of stone on a point so cunningly that it has stood there for centuries looking as if a touch would overturn it. There they have hewn a high rock into the rough semblance of a veiled woman—here they have sculptured a man in a hat—there piled up a rude fortress, and there built a church.
The giants may have turned this place into their playground, leaving their toys scattered around. Here, the massive round boulders, tossed about as if carelessly thrown, remain as if they were used for a game. Here they amused themselves[Pg 267] by balancing an enormous stone on a point so skillfully that it has stood for centuries, seemingly ready to topple with the slightest touch. There, they've carved a tall rock into something that resembles a veiled woman—here, they sculpted a man in a hat—over there, they piled up a rough fortress, and there they built a church.
But the giants have deserted their playground ages ago, and trees have grown up between the fantastic formations they left. It is a strange weird scene, and suggested to us forcibly that if we would “view it aright” we should
But the giants left their playground a long time ago, and trees have grown up among the amazing shapes they left behind. It's a strange and surreal scene, and strongly suggested to us that if we wanted to "see it the right way," we should
How spectral those strange shapes would look in the gloom! What ghostly life would seem to breathe in them when the white moonbeams bathed their eerie outlines in her light! There is a something lost in the Garden of the Gods to us who only saw it with a flood of sunshine glowing on its ruddy rocks. Most of these have been christened according to their form—the Nun, the Scotchman, the Camel, and so on.
How eerie those strange shapes would look in the darkness! What ghostly life would seem to come from them when the white moonlight illuminated their haunting outlines! There's something missing in the Garden of the Gods for us who only saw it with sunlight shining on its red rocks. Most of these have been named according to their shape—the Nun, the Scotchman, the Camel, and so on.
Two huge walls of red and white stone, rising perpendicularly a sheer three hundred feet, form the gate of the Garden. Through this colossal and for-ever-open gate we looked back with a sigh of farewell—our glimpse of the scene seemed so brief!—and we half-fancied that the veiled Nun bowed her dark head in the sunshine in parting salute as we were whirled out of sight.
Two massive walls of red and white stone, soaring straight up three hundred feet, create the entrance to the Garden. Through this enormous and always-open gate, we glanced back with a sense of loss—our view of the scene felt so fleeting!—and we almost imagined that the veiled Nun dipped her dark head in sunlight as a farewell gesture while we were swept out of view.
Between Two Oceans, or Sketches of American Travel (London, 1884).
Between Two Oceans, or Sketches of American Travel (London, 1884).
[Pg 268]
[Pg 268]
THE GREAT GEYSIR OF ICELAND
SIR RICHARD F. BURTON
SIR RICHARD F. BURTON
On the eastern slope of the Frachytic pile and extending round the north of the rock-wall are the Hvers and Geysirs. Nothing can be meaner than their appearance, especially to the tourist who travels as usual from Reykjavik; nothing more ridiculous than the contrast of this pin’s point, this atom of pyritic formation, with the gigantic theory which it was held to prove, earth’s central fire, the now obsolete dream of classical philosophers and “celebrated academicians”; nothing more curious than the contrast between Nature and Art, between what we see in life and what we find in travellers’ illustrations. Sir John Stanley, perpetuated by Henderson, first gave consistence to the popular idea of “that most wonderful fountain, the Great Geysir;” such is the character given to it by the late Sir Henry Holland, a traveller who belonged to the “wunderbar” epoch of English travel, still prevalent in Germany. From them we derive the vast background of black mountain, the single white shaft of fifty feet high, domed like the popular pine-tree of Vesuvian smoke, the bouquet of water, the Prince of Wales feathers, double-plumed and triple-plumed, charged with stones; and the minor jets and side squirts of the foreground, where pigmies[Pg 269] stand and extend the arm of illustration and the hand of marvel.
On the eastern slope of the Frachytic mound, wrapping around the northern side of the rock wall, are the Hvers and Geysirs. Their appearance is unimpressive, especially to tourists who typically come from Reykjavik; nothing is more absurd than the contrast between this tiny speck, this small piece of pyritic formation, and the gigantic theories it was meant to support, Earth's central fire, a now outdated notion from classical philosophers and "famous scholars"; nothing is more interesting than the difference between Nature and Art, between what we experience in life and what we see in travel illustrations. Sir John Stanley, immortalized by Henderson, was the first to give substance to the popular idea of "that most amazing fountain, the Great Geysir;" this is the impression given by the late Sir Henry Holland, a traveler who was part of the fascination era of English travel, still common in Germany. From them, we get the vast backdrop of dark mountains, the single white column rising fifty feet high, shaped like the familiar pine tree of Vesuvian smoke, the spray of water, the Prince of Wales feathers, double and triple plumed, mixed with stones; and the smaller jets and side sprays in the foreground, where tiny figures[Pg 269] stand, illustrating and marveling.
On this little patch, however, we may still study the seven forms of Geysir life. First, is the baby still sleeping in the bosom of Mother Earth, the airy wreath escaping from the hot clay ground; then comes the infant breathing strongly, and at times puking in the nurse’s lap; third, is the child simmering with impatience; and fourth, is the youth whose occupation is to boil over. The full-grown man is represented by the “Great Gusher” in the plenitude of its lusty power; old age, by the tranquil, sleepy “laug”; and second childhood and death, mostly from diphtheria or quinsy, in the empty red pits strewed about the dwarf plain. “Patheticum est!” as the old scholiast exclaimed.
On this little patch, we can still observe the seven stages of Geysir life. First, there’s the baby still sleeping in the embrace of Mother Earth, with steam rising from the hot clay ground; then comes the infant breathing strongly and occasionally spitting up in the nurse’s lap; third is the child bubbling with impatience; and fourth is the youth whose job is to erupt. The adult is represented by the “Great Gusher” in all its vigorous power; old age is depicted by the calm, sleepy “laug”; and the final stage, representing second childhood and death, is mostly from diphtheria or quinsy, found in the empty red pits scattered across the flat landscape. “Patheticum est!” as the old scholar exclaimed.
It is hardly fair to enter deeply in the history of the Great Geysir, but a few words may be found useful. The silence of Ari Fródi (A. D., 1075), and of the Landnámabók, so copious in its details, suggests that it did not exist in the Eleventh Century; and the notice of Saxo Grammaticus in the preface to his History of Denmark proves that it had become known before the end of the Thirteenth. Hence it is generally assumed that the volcanic movements of A. D., 1294, which caused the disappearance of many hot springs, produced those now existing. Forbes clearly proved the growth of the tube by deposition of silex on the lips; a process which will end by sealing the spring: he placed its birth about 1060 years ago, which seems to be thoroughly reasonable; and thus[Pg 270] for its manhood we have a period of about six centuries.
It’s not entirely fair to go too deep into the history of the Great Geysir, but a few points may be useful. The silence of Ari Fródi (A.D., 1075), along with the Landnámabók, which is very detailed, indicates that it didn’t exist in the 11th century. Additionally, the mention by Saxo Grammaticus in the preface to his History of Denmark shows that it became known before the end of the 13th century. Therefore, it's generally believed that the volcanic activity of A. D., 1294, which led to the disappearance of many hot springs, created the ones we see today. Forbes clearly demonstrated that the tube grew through the deposition of silex on the lips; this process will eventually seal the spring. He estimated its birth to be around 1060 years ago, which seems quite reasonable; thus, for its maturity, we consider it has been around for about six centuries. [Pg 270]
In 1770 the Geyser spouted eleven times a day; in 1814 it erupted every six hours; and in 1872 once between two and a week. Shepherd vainly wasted six days; a French party seven; and there are legends of a wasted fortnight.
In 1770, the Geyser erupted eleven times a day; in 1814, it went off every six hours; and in 1872, it erupted once every two to seven days. Shepherd wasted a frustrating six days; a French group spent seven; and there are tales of a whole two weeks wasted.
Remains now only to walk over the ground, which divides itself into four separate patches: the extinct, to the north-west, below and extending round the north of the Laugarfjall buttress; the Great Geysir; the Strokkr and the Thikku-hverar to the south.
Remains now only to walk over the ground, which divides itself into four separate patches: the extinct, to the north-west, below and extending around the north of the Laugarfjall buttress; the Great Geysir; the Strokkr and the Thikku-hverar to the south.
In the first tract earth is uniformly red, oxidized by air, not as in poetical Syria by the blood of Adonis. The hot, coarse bolus, or trachytic clay, soft and unctuous, astringent, and adhering to the tongue is deposited in horizontal layers, snowy-white, yellow-white, ruddy, light-blue, blue-grey, mauve, purple, violet, and pale-green are the Protean tints; often mixed and mottled, the effect of alum, sulphuric acid, and the decomposition of bisulphide of iron. The saucer of the Great Geysir is lined with Geysirite (silica hydraté), beads or tubercles of grey-white silica; all the others want these fungi or coral-like ornaments. The dead and dying springs show only age-rusty moulds and broken-down piles, once chimneys and ovens, resembling those of Reykir, now degraded and deformed to countless heaps of light and dark grey. Like most of the modern features, they drained to the cold rivulet on the east, and eventually to the south. The most interesting feature is the Blesi (pronounced Blese), which lies 160 feet[Pg 271] north of the Great Geysir. This hot-water pond, a Grotto Azurra, where cooking is mostly done, lies on a mound, and runs in various directions. To the north it forms a dwarf river-valley flowing west of the Great Geysir; eastward it feeds a hole of bubbling water which trickles in a streak of white sinter to the eastern rivulet and a drip-hole, apparently communicating underground with an ugly little boiler of grey-brown, scum-streaked, bubbling mud, foul-looking as a drain. The “beautiful quiescent spring” measures forty feet by fifteen,[11] and is of reniform or insect shape, the waist being represented by a natural arch of stone spanning the hot blue depths below the stony ledges which edge them with scallops and corrugations. Hence the name; this bridge is the “blaze” streaking a pony’s face. Blesi was not sealed by deposition of silex; it suddenly ceased to erupt in A. D., 1784, the year after the Skaptár convulsion, a fact which suggests the origin of the Geysirs. It is Mackenzie’s “cave of blue water”; and travellers who have not enjoyed the lapis lazuli of the Capri grotto, indulge in raptures about its colouration. North-west of the Blesi, and distant 200 feet, is another ruin, situated on a much higher plane and showing the remains of a large silicious mould: it steams, but the breath of life comes feebly and irregularly. This is probably the “Roaring Geysir” or the “Old Geysir,” which maps and plans place eighty yards from the Great Geysir.
In the first tract, the earth is all red, oxidized by the air, not like the poetic Syria with the blood of Adonis. The hot, coarse clay, soft and slick, astringent, and sticking to the tongue, is layered horizontally. The colors are snowy-white, yellow-white, reddish, light-blue, blue-grey, mauve, purple, violet, and pale-green—these shifting shades often mixed and mottled, influenced by alum, sulfuric acid, and the breakdown of iron bisulfide. The basin of the Great Geysir is lined with Geysirite (hydrated silica), featuring beads or tubercles of gray-white silica; the others lack this coral-like decoration. The dead and dying springs only show rusty molds and crumbled remnants, once chimneys and ovens, resembling those at Reykir, now turned into countless heaps of light and dark gray. Like most modern features, they drain into the cold stream to the east and eventually to the south. The most intriguing feature is the Blesi (pronounced Blese), which is 160 feet[Pg 271] north of the Great Geysir. This hot-water pond, a Grotto Azurra where most cooking happens, is on a mound and flows in several directions. To the north, it creates a small river valley flowing west of the Great Geysir; eastward it feeds into a spot of bubbling water that trickles in a streak of white sinter to the eastern stream and a drip-hole that seems to connect underground to a grimy little boiler of gray-brown, scum-covered, bubbling mud, looking as foul as a drain. The “beautiful quiescent spring” measures forty feet by fifteen, [11] and has a kidney or insect shape, with a natural stone arch representing the waist that spans the hot blue depths below the rocky edges that are scalloped and wrinkled. Hence the name; this bridge is the “blaze” marking a pony’s face. Blesi was not sealed by a deposition of silica; it abruptly stopped erupting in A.D. 1784, the year after the Skaptár eruption, which hints at the source of the Geysirs. It’s Mackenzie’s “cave of blue water”; and travelers who haven't experienced the lapis lazuli of the Capri grotto rave about its colors. Two hundred feet northwest of Blesi lies another remnant, on a much higher level, showing the remains of a large silica mold: it steams, but its breath of life is weak and irregular. This is likely the “Roaring Geysir” or the “Old Geysir,” which maps and plans locate eighty yards from the Great Geysir.
[Pg 272]
[Pg 272]
The Great Geysir was unpropitious to us, yet we worked hard to see one of its expiring efforts. An Englishman had set up a pyramid at the edge of the saucer, and we threw in several hundredweights, hoping that the silex, acted upon by the excessive heat, might take the effect of turf; the only effects were a borborygmus which sounded somewhat like B’rr’rr’t, and a shiver as if the Foul Fiend had stirred the depths. The last eruption was described to us as only a large segment of the tube, not exceeding six feet in diameter. About midnight the veteran suffered slightly from singultus. On Monday the experts mispredicted that he would exhibit between 8 and 9 A. M., and at 1 A. M. on Tuesday there was a trace of second-childhood life. After the usual eructation, a general bubble, half veiled in white vapour, rose like a gigantic glass-shade from the still surface, and the troubled water trickled down the basin sides in miniature boiling cascades. There it flowed eastwards by a single waste-channel which presently forms a delta of two arms, the base being the cold, rapid, and brawling rivulet; the northern fork has a dwarf “force,” used as a douche, and the southern exceeds it in length, measuring some 350 paces.
The Great Geysir was not favorable to us, but we put in a lot of effort to witness one of its last eruptions. An Englishman had built a pyramid at the edge of the basin, and we added several hundredweights, hoping that the silex, heated up, might act like turf; all we got was a rumbling noise that sounded a bit like B’rr’rr’t, and a shiver as if a malevolent spirit had stirred the depths. The last eruption was described to us as just a large segment of the tube, not more than six feet in diameter. Around midnight, the veteran had a bit of a hiccup. On Monday, the experts incorrectly predicted he would erupt between 8 and 9 A.M., and at 1 A.M. on Tuesday, there was a hint of renewed activity. After the usual burp, a large bubble, half obscured by white vapor, rose like a giant glass dome from the calm surface, and the agitated water trickled down the sides of the basin in tiny boiling cascades. It flowed eastward through a single outlet that soon splits into two branches, with the main one being the cold, fast-moving, and noisy stream; the northern fork has a small “force,” used as a douche, and the southern fork is longer, measuring about 350 paces.
We were more fortunate with the irascible Strokkr, whose name has been generally misinterpreted. Dillon calls it the piston, or “churning-staff”; and Barrow the “shaker”: it is simply the “hand-churn” whose upright shaft is worked up and down—the churn-like column of water suggested the resemblance. This feature, perhaps[Pg 273] the “New Geysir” of Sir John Stanley and Henderson, formerly erupted naturally, and had all the amiable eccentricity of youth: now it must be teased or coaxed. Stanley gave it 130 feet of jet, or 36 higher than the Great Geysir; Henderson 50 to 80; Symington, 100 to 150 feet; Bryson, “upwards of a hundred”; and Baring-Gould, “rather higher than the Geysir.” We found it lying 275 feet (Mackenzie 131 yards) south of the big brother, of which it is a mean replica. The outer diameter of the saucer is only seven feet, the inner about eighteen; and it is too well drained by its silex-floored channel ever to remain full.
We were luckier with the grumpy Strokkr, whose name has often been misunderstood. Dillon calls it the piston, or “churning-staff”; Barrow refers to it as the “shaker”: it’s really just the “hand-churn” with a shaft that moves up and down—the churn-like column of water gave this resemblance. This feature, possibly[Pg 273] the “New Geysir” of Sir John Stanley and Henderson, used to erupt naturally and had all the charming quirks of youth: now it needs to be teased or coaxed. Stanley recorded a jet that reached 130 feet, which is 36 feet higher than the Great Geysir; Henderson measured it at 50 to 80 feet; Symington reported 100 to 150 feet; Bryson noted “upwards of a hundred”; and Baring-Gould said it was “rather higher than the Geysir.” We found it located 275 feet (Mackenzie 131 yards) south of its bigger counterpart, of which it is a modest replica. The outer diameter of the saucer is only seven feet, while the inner diameter is about eighteen; and it is too well drained by its silex-floored channel to ever stay full.
The most interesting part to us was the fourth or southern tract. It is known as the Thikku-hverar, thick caldrous (hot springs), perhaps in the sense opposed to thin or clear water. Amongst its “eruptiones flatuum,” the traveller feels that he is walking
The most interesting part to us was the fourth or southern area. It’s known as the Thikku-hverar, which means thick hot springs, possibly in contrast to thin or clear water. Among its “gas eruptions,” the traveler feels that he is walking
There are at least fifty items in operation over this big lime-kiln; some without drains, others shedding either by sinter-crusted channels eastward or westward through turf and humus to the swampy stream. It shows an immense variety, from the infantine puff to the cold turf-puddle; from Jack-in-the-box to the cave of blue-green water; surrounded by ledges of silex and opaline sinter (hydrate of silica), more or less broad: the infernal concert of flip-flopping, spluttering, welling, fizzing, grunting,[Pg 274] rumbling, and growling never ceases. The prevalent tints are green and white, but livelier hues are not wanting. One “gusherling” discharges red water; and there is a spring which spouts, like an escape pipe, brown, high and strong. The “Little Geysir,” which Mackenzie places 106 yards south of the Strokkr, and which has been very churlish of late years, was once seen to throw up ten to twelve feet of clean water, like the jet of a fire-play. The “Little Strokkr of older travellers, a wonderfully amusing formation, which darts its waters in numerous diagonal columns every quarter of an hour,” is a stufa or steam-jet in the centre of the group, but it has long ceased its “funning.”
There are at least fifty features at this large lime kiln; some without drainage, while others expel water eastward or westward through turf and soil into the swampy stream. It displays an incredible variety, from tiny puffs to cold turf puddles; from Jack-in-the-box formations to caves filled with blue-green water; surrounded by ledges of flint and opaline sinter (hydrate of silica), varying in width. The chaotic sounds of splashing, bubbling, surging, hissing, grunting, rumbling, and growling never stop. The dominant colors are green and white, but there are also more vibrant shades. One "gusherling" releases red water; and there's a spring that shoots out brown water high and strong, like an escape pipe. The "Little Geysir," located 106 yards south of the Strokkr and known for being unpredictable in recent years, was once seen shooting up clean water ten to twelve feet, like a fountain. The "Little Strokkr," noted by earlier travelers as an incredibly entertaining feature that sprays water in multiple diagonal columns every fifteen minutes, is a steam vent in the center of the group, but it has long since stopped its "funning." [Pg 274]
Ultima Thule; or, a Summer in Iceland (London and Edinburgh, 1875).
Ultima Thule; or, a Summer in Iceland (London and Edinburgh, 1875).
FOOTNOTE:
[11] More exactly the two divisions are each about twenty feet long; the smaller is twelve and the greater is eighteen feet broad; the extreme depth is thirty feet.
[11] More specifically, the two sections are each about twenty feet long; the smaller one is twelve feet wide, and the larger one is eighteen feet wide; the maximum depth is thirty feet.
[Pg 275]
[Pg 275]
THE RAPIDS OF THE DANUBE
(TURKEY)
(TURKEY)
WILLIAM BEATTIE
WILLIAM BEATTIE
A short way below Grein commences the rapid called “Greiner-schwall,” where the river, suddenly contracting its channel, and walled in by rugged precipices, assumes a new aspect of foam and agitation; while the roar of its downward course breaks deeper and harsher on the ear. This rugged defile is the immediate inlet to the Strudel and Wirbel—the Scylla and Charybdis of the Danube. This is by far the most interesting and remarkable region of the Danube. It is the fertile theme of many legends and traditions; and in pages of history and romance affords ample scope for marvellous incidents and striking details. Not a villager but can relate a hundred instances of disasters incurred, and dangers overcome, in this perilous navigation—of lives sacrificed and cargoes sunk while endeavouring to weather the three grand enemies of the passage—whirlpools, rocks, and robbers. But, independently of these local traditions, and the difficulties and dangers of the strait—the natural scenery which here arrests the eye is highly picturesque, and even sublime. It is the admiration of all voyagers on the Upper Danube, and keeps a firm hold of the memory long after other scenes and impressions have worn off. Between[Pg 276] Ulm and the confines of the Ottoman Empire, there is only one other scene calculated to make anything like so forcible an impression on the tourist; and that is near the cataracts of the Iron Gate—a name familiar to every German reader.
A little way below Grein starts the rapid known as "Greiner-schwall," where the river suddenly narrows and is flanked by steep cliffs, taking on a new appearance of foam and turbulence; the roar of its rushing waters sounds louder and more intense. This rough gorge is the direct entrance to the Strudel and Wirbel—the Scylla and Charybdis of the Danube. This is without a doubt the most fascinating and remarkable part of the Danube. It is the rich backdrop for many legends and traditions, and in the pages of history and romance, it offers plenty of opportunities for amazing tales and striking details. Every villager has countless stories of disasters faced and dangers overcome in this treacherous navigation—of lives lost and cargoes sunk while trying to navigate the three main threats of the passage—whirlpools, rocks, and thieves. But apart from these local stories and the challenges of the strait, the natural scenery that captures the eye here is incredibly picturesque, even sublime. It captivates all travelers on the Upper Danube and remains etched in their memories long after other sights and experiences have faded away. Between [Pg 276] Ulm and the borders of the Ottoman Empire, there is only one other scene that can leave such a strong impression on tourists, and that is near the waterfalls of the Iron Gate—a name well-known to every German reader.
After descending the Greiner-schwall, or rapids of the Grein above mentioned, the river rolls on for a considerable space, in a deep and almost tranquil volume, which, by contrast with the approaching turmoil, gives increased effect to its wild, stormy, and romantic features. At first, a hollow, subdued roar, like that of distant thunder strikes the ear and rouses the traveller’s attention. This increases every second, and the stir and activity which now prevail among the hands on board shows that additional force, vigilance, and caution are to be employed in the use of helm and oars. The water is now changed in its colour—chafed into foam, and agitated like a seething cauldron. In front, and in the centre of the channel, rises an abrupt, isolated, and colossal rock, fringed with wood, and crested with a mouldering tower, on the summit of which is planted a lofty cross, to which, in the moment of danger, the ancient boatmen were wont to address their prayers for deliverance. The first sight of this used to create no little excitement and apprehension on board; the master ordered strict silence to be observed—the steersman grasped the helm with a firm hand,—the passengers moved aside—so as to leave free space for the boatmen, while the women and children were hurried into the cabin, there to await, with feelings of no little anxiety, the result of the enterprise.[Pg 277] Every boatman, with his head uncovered, muttered a prayer to his favourite saint; and away dashed the barge through the tumbling breakers, that seemed as if hurrying it on to inevitable destruction. All these preparations, joined by the wildness of the adjacent scenery, the terrific aspect of the rocks, and the tempestuous state of the water, were sufficient to produce a powerful sensation on the minds even of those who had been all their lives familiar with dangers; while the shadowy phantoms with which superstition had peopled it, threw a deeper gloom over the whole scene.
After going down the Grein rapids mentioned earlier, the river flows for quite a stretch in a deep and almost calm manner, which, in contrast to the approaching turbulence, enhances its wild, stormy, and romantic character. At first, a hollow, muted roar, like distant thunder, catches the ear and grabs the traveler’s attention. This noise grows stronger with each passing second, and the activity on the boat shows that more effort, awareness, and caution are needed with the helm and oars. The water has changed color—whipped into foam and churning like a boiling pot. In the center of the channel rises a steep, isolated, and massive rock, adorned with trees and topped with a crumbling tower, where a tall cross stands. In moments of danger, the old boatmen used to direct their prayers for rescue to this cross. The first sight of this landmark often sparked excitement and worry among those on board; the captain would call for strict silence—the steersman would grip the helm firmly—the passengers would move aside to clear the way for the boatmen, while the women and children were quickly ushered into the cabin to await the outcome of the venture with considerable anxiety. Each boatman, with his head bare, would mumble a prayer to his favorite saint; then, the barge would surge ahead through the crashing waves, which seemed intent on pushing it toward certain doom. All these preparations, combined with the wild scenery, the terrifying rock faces, and the raging waters, were enough to create a strong impact even on those who had spent their whole lives facing danger; meanwhile, the shadowy figures of superstition cast an even darker hue over the entire scene.[Pg 277]
Now, however, these ceremonies are only cold and formal; for the danger being removed, the invocation of guardian saints has become less fervent, and the cross on the Wörther Isle, we fear, is often passed with little more than the common sign of obeisance.
Now, however, these ceremonies feel just cold and formal; with the danger gone, the invocation of guardian saints has become less passionate, and we fear that the cross on Wörther Isle is often overlooked with little more than a casual sign of respect.
Within the last fifty years the rocks in the bed of the river have been blasted, and the former obstruction so greatly diminished, that in the present day, the Strudel and Wirbel present no other dangers than what may be caused by the ignorance or negligence of boatmen; so that the tourist may contemplate the scene without alarm, and enjoy, in all its native grandeur, the picture here offered to his eye and imagination—
Within the last fifty years, the rocks at the bottom of the river have been blasted, and the previous obstruction has been reduced so much that today, the Strudel and Wirbel pose no dangers other than those that might arise from the ignorance or carelessness of boaters. This allows tourists to take in the view without worry and appreciate the scene in all its natural beauty, as presented to their eyes and imagination—
The tourist who has happily escaped the perils of the[Pg 278] Strudel rapids, has still to encounter, in his descent, the whirlpool of the Wirbel, which is distant from the former little more than five hundred fathoms. Between the two perils of this passage in the Danube there is a remarkable similarity—magna componere parvis—with that of the Faro of Messina; where the hereditary terrors of Scylla and Charybdis still intimidate the pilot, as he struggles to maintain a clear course through the strait:
The tourist who has happily escaped the dangers of the [Pg 278] Strudel rapids still has to face, during his descent, the whirlpool of the Wirbel, which is only about five hundred fathoms away. Between these two dangers on the Danube, there is a notable similarity—magna componere parvis—to the Faro of Messina, where the age-old fears of Scylla and Charybdis still haunt the pilot as he tries to keep a steady course through the strait.
The cause of the whirlpool is evident at first sight. In the centre of the stream is an island called the Hansstein, about a hundred and fifty yards long, by fifty in breadth, consisting of primitive rock, and dividing the river—which at this point descends with tremendous force—into the two separate channels of the Hössgang and the Strudel already mentioned. In its progress to this point, it meets with that portion of the river which runs smoothly along the northern shore, and breaking it into a thousand eddies, forms the Wirbel. This has the appearance of a series of foaming circles, each deepening as it approaches the centre, and caused by the two opposite streams rushing violently against each other. That such is the real cause of the Wirbel is sufficiently proved by the fact, that, in the great autumnal inundation of 1787, when the flood ran so high as to cover the Hansstein, the Wirbel, to the astonishment[Pg 279] of the oldest boatmen and natives of the country, had entirely disappeared. For the obstacle being thus counteracted by the depth of the flood, and the stream being now unbroken by the rock, rushed down in one continuous volume, without exhibiting any of those gyratory motions which characterize the Wirbel.
The cause of the whirlpool is clear at first glance. In the center of the stream is an island called the Hansstein, about one hundred fifty yards long and fifty yards wide, made of solid rock, and dividing the river—which at this point flows with incredible force—into the two separate channels known as the Hössgang and the Strudel. As it flows to this point, it encounters that part of the river that runs smoothly along the northern shore, and breaking it into a thousand eddies, creates the Wirbel. This looks like a series of foaming circles, each becoming deeper as it nears the center, caused by the two opposing streams colliding violently. That this is the real cause of the Wirbel is clearly shown by the fact that during the major autumn flood of 1787, when the water level rose high enough to cover the Hansstein, the Wirbel, much to the astonishment[Pg 279] of the oldest boatmen and locals, completely vanished. With the obstacle removed by the higher floodwaters, the stream flowed down in one continuous volume, without displaying any of the swirling motions that define the Wirbel.
The sombre and mysterious aspects of the place, its wild scenery, and the frequent accidents which occurred in the passage, invested it with awe and terror; but above all, the superstitions of the time, a belief in the marvellous, and the credulity of the boatmen, made the navigation of the Strudel and the Wirbel a theme of the wildest romance. At night, sounds that were heard far above the roar of the Danube, issued from every ruin. Magical lights flashed through their loop-holes and casements—festivals were held in the long-deserted halls—maskers glided from room to room—the waltzers maddened to the strains of an infernal orchestra—armed sentinels paraded the battlements, while at intervals the clash of arms, the neighing of steeds, and the shrieks of unearthly combatants smote fitfully on the boatman’s ear. But the tower in which these scenes were most fearfully enacted was that on the Longstone, commonly called the “Devil’s Tower,” as it well deserved to be—for here, in close communion with his master, resided the “Black Monk,” whose office it was to exhibit false lights and landmarks along the gulf, so as to decoy the vessels into the whirlpool, or dash them against the rocks.
The dark and mysterious features of the place, its wild scenery, and the many accidents that happened in the passage filled it with fear and awe; but more than anything, the superstitions of the time, a belief in the extraordinary, and the gullibility of the boatmen turned navigating the Strudel and the Wirbel into a story full of wild adventure. At night, sounds heard above the roar of the Danube echoed from every ruin. Magical lights flashed through the gaps in the walls—festivals took place in the long-abandoned halls—masked figures glided from room to room—dancers moved wildly to the music of a haunting orchestra—armed guards patrolled the battlements, while sporadically, the clash of swords, the neighing of horses, and the screams of otherworldly fighters hit the boatman’s ears. But the tower where these terrifying scenes unfolded the most was the one on the Longstone, commonly known as the “Devil’s Tower,” a name it certainly deserved—because here, in close connection with his master, lived the “Black Monk,” whose job was to create false lights and landmarks along the gulf to lure ships into the whirlpool or smash them against the rocks.
Returning to Orsova, we re-embarked in boats provided by the Navigation Company, and proceeded to encounter[Pg 280] the perils of the Eisen Thor—the Iron Gate of the Danube—which is so apt to be associated in the stranger’s imagination with something of real personal risk and adventure. The “Iron Gate” we conjecture, is some narrow, dark and gloomy defile, through which the water, hemmed in by stupendous cliffs, and “iron-bound,” as we say, foams and bellows, and dashes over a channel of rocks, every one of which, when it cannot drag you into its own whirlpool, is sure to drive you upon some of its neighbours, which, with another rude shove, that makes your bark stagger and reel, sends you smack upon a third! “But the ‘gate’?” “Why the gate is nothing more or less than other gates, the ‘outlet’; and I dare say we shall be very glad when we are ‘let out quietly.’” “Very narrow at that point, s’pose?” “Very. You have seen an iron gate?” “To be sure I have.” “Well, I’m glad of that, because you can more readily imagine what the Iron Gate of the Danube is.” “Yes, and I am all impatience to see it; but what if it should be locked when we arrive?” “Why, in that case, we should feel a little awkward.” “Should we have to wait long?” “Only till we got the key, although we might have to send to Constantinople for it.” “Constantinople! well, here’s a pretty situation! I wish I had gone by the ‘cart.’” “You certainly had your choice, and might have done so—the Company provide both waggon and water conveyance to Gladova; but I dare say we shall find the gate open.” “I hope we shall; and as for the rocks and all that, why we got over the Wirbel and Strudel and Izlay and twenty others, and s’pose we get over[Pg 281] this too. It’s only the gate that puzzles me—the Handbook says not a word about that—quite unpardonable such an omission! Write to the publisher.”
Returning to Orsova, we boarded boats arranged by the Navigation Company and prepared to face the challenges of the Eisen Thor—the Iron Gate of the Danube—which is often thought of by newcomers as a place of genuine risk and adventure. The "Iron Gate" is imagined as a narrow, dark, and gloomy passage where the water, trapped between massive cliffs, rushes and crashes over rocky obstacles. Each rock threatens to pull you into its whirlpool, and if you manage to avoid that, another one will push you onto a third! “But the ‘gate’?” “Well, the gate is just like any other gates, the 'outlet'; I’m sure we’ll be quite happy when we get 'let out quietly.'” “It's really narrow at that spot, right?” “Very. You’ve seen an iron gate?” “Of course I have.” “Good, because that helps you better imagine what the Iron Gate of the Danube is like.” “Yes, and I can't wait to see it; but what if it’s locked when we get there?” “In that case, we might feel a bit awkward.” “How long would we have to wait?” “Just until we get the key, though we might need to send to Constantinople for it.” “Constantinople! Now that's a situation! I wish I had taken the ‘cart.’” “You definitely had your choice and could have done that—the Company offers both wagon and boat rides to Gladova; but I bet the gate will be open.” “I hope so; and as for the rocks and all that, we managed the Wirbel and Strudel and Izlay and twenty others, so we’ll get through this too. It’s just the gate that confuses me—the Handbook doesn't mention it at all—such a terrible oversight! Write to the publisher.”

THE IRON GATES OF THE DANUBE.
THE IRON GATES OF THE DANUBE.
By this time we were ready to shoot the rapids; and certainly, at first appearance, the enterprise was by no means inviting. The water, however, was in good volume at the time; and although chafed and fretted by a thousand cross, curling eddies, which tossed their crests angrily against our bark, we kept our course with tolerable steadiness to the left, and without apparent danger, unless it might have arisen from sheer ignorance or want of precaution. More towards the centre of the channel there would certainly have been some risk; for there the river is tortured and split into numberless small threads of foam, by the rocky spikes which line the channel, and literally tear the water into shreds, as it sweeps rapidly over them—and these, more than the declivity itself, are what present a more formidable appearance in the descent. But when the river is full, they are not much observed, although well-known by their effects in the cross-eddies, through which, from the channel for boats being always intricate and irregular, it demands more caution and experience to steer. The entire length of these rapids is rather more than seventeen hundred yards, with a perpendicular fall of nearly one yard in every three hundred, and a velocity of from three to five yards in every second. Boats, nevertheless, are seen from time to time, slowly ascending, close under the left bank of the river, dragged by teams of oxen. “But the Iron Gate?” said an anxious voice, again addressing[Pg 282] his fellow-tourist. “I see nothing like a gate—but of course we have to pass the gorge first?” “We have passed both,” said his friend, “and here is Gladova.” “Passed both! ‘Tell that to the marines!’ I know a gorge when I see it, and a gate when I see it; but as yet we’ve passed neither.” “Why, there they are,” reiterated the other, pointing to the stern; “those white, frothing eddies you see dancing in the distance—those are the ‘Iron-Gate!’ and very luckily we found the ‘key.’”[12] The inquirer now joined heartily in the laugh, and taking another view of the “Gate” we glided smoothly down to the little straggling, thatch-clad village of Gladova.
By this time, we were ready to tackle the rapids; and at first glance, the venture didn’t look very appealing. However, the water was flowing strongly, and even though it was disturbed by countless swirling eddies that angrily splashed against our boat, we managed to stay on course fairly steadily to the left, without facing any obvious danger, unless it was due to our ignorance or lack of caution. Closer to the center of the channel, there would definitely have been some risk; because there, the river is twisted and divided into numerous small threads of foam by the rocky spikes lining the channel, literally shredding the water as it flows quickly over them—and these obstacles, more than the drop itself, present a more intimidating challenge during the descent. But when the river is full, they're not that noticeable, though their effects can be clearly seen in the cross-eddies, making it require more caution and skill to navigate through the always complex and irregular channel for boats. The entire length of the rapids is just over seventeen hundred yards, with a vertical drop of nearly one yard for every three hundred, and a speed of three to five yards per second. Still, boats can occasionally be seen slowly moving upstream, close to the left riverbank, pulled by teams of oxen. “But what about the Iron Gate?” an anxious voice asked, turning to his fellow traveler. “I don't see any gate—but we have to get through the gorge first, right?” “We've already passed both,” his friend replied, “and here’s Gladova.” “Passed both! ‘Tell that to the marines!’ I know a gorge when I see it, and a gate when I see it; but so far we haven’t gone through either.” “Well, there they are,” the other insisted, pointing backward; “those white, frothy eddies dancing in the distance—those are the ‘Iron Gate!’ and luckily we found the ‘key.’” The inquirer then joined in the laughter and, taking another look at the “Gate,” we smoothly glided down to the small, scattered, thatch-roofed village of Gladova.
The Danube (London, 1844).
The Danube (London, 1844).
FOOTNOTE:
[12] At the Iron Gate the Danube quits the Austrian Dominions and enters those of Turkey. The country on the south continues for some time mountainous, then hilly, and by degrees sinks into a plain: on the north is the great level of Wallachia. In its course towards the Black Sea, the Danube divides, frequently forming numerous islands, especially below Silistria. Its width where undivided now averages from fifteen hundred to two thousand yards, its depth above twenty feet. Before reaching its mouth, several large rivers flow into it, as the Alt, Sereth, and Pruth. On its junction with the last-mentioned river it divides into several branches, which do not again unite, and it at last terminates its long course by issuing through seven several mouths into the Black Sea.
[12] At the Iron Gate, the Danube leaves Austria and enters Turkey. The land to the south is mountainous for a while, then it becomes hilly and gradually flattens into a plain; to the north is the vast flat region of Wallachia. As it flows toward the Black Sea, the Danube splits into many islands, especially below Silistria. Its width, when undivided, averages between fifteen hundred and two thousand yards, with a depth of more than twenty feet. Before it reaches the sea, several large rivers, like the Alt, Sereth, and Pruth, flow into it. At its junction with the Pruth, it branches off into several streams that don’t come back together, eventually ending its long journey as it flows out through seven different mouths into the Black Sea.
[Pg 283]
[Pg 283]
THE MAMMOTH CAVE
(UNITED STATES)
(USA)
BAYARD TAYLOR
BAYARD TAYLOR
There was no outbreathing from the regions below as we stood at the entrance to the cave, the upper atmosphere having precisely the same temperature. We advanced in single file down the Main Avenue, which, from the increased number of lamps, showed with greater distinctness than on our first trip. Without pausing at any of the objects of interest on the road, we marched to the Giant’s Coffin, crawled through the hole behind it, passed the Deserted Chambers, and reached the Bottomless Pit, the limit of our journey in this direction the previous day.
There was no movement from below as we stood at the cave entrance, and the air around us felt just as warm. We moved in a single line down the Main Avenue, which, thanks to the extra lamps, was clearer than during our first visit. Without stopping to check out anything interesting along the way, we headed straight to the Giant’s Coffin, squeezed through the hole behind it, passed the Deserted Chambers, and arrived at the Bottomless Pit, which was the furthest point we had reached the day before.
Beyond the Pit we entered upon new ground. After passing from under its Moorish dome the ceiling became low and the path sinuous and rough. I could only walk by stooping considerably, and it is necessary to keep a sharp look-out to avoid striking your head against the transverse jambs of rock. This passage is aptly called the Valley of Humiliation. It branches off to the right into another passage called Pensico Avenue, which contains some curious stalactitic formations, similar to the Gothic Gallery. We did not explore it, but turned to the left and entered an extremely narrow, winding passage, which meanders through the solid rock. It is called Fat Man’s Misery, and any one[Pg 284] whose body is more than eighteen inches in breadth will have trouble to get through. The largest man who ever passed it weighed two hundred and sixty pounds, and any gentleman weighing more than that must leave the best part of the cave unexplored. None of us came within the scope of prohibition (Nature, it seems, is opposed to corpulence), and after five minutes’ twisting we emerged into a spacious hall called the Great Relief. Its continuation forms an avenue which leads to Bandits’ Hall—a wild, rugged vault, the bottom of which is heaped with huge rocks that have fallen from above. All this part of the cave is rich in striking and picturesque effects, and presents a more rude and irregular character than anything we had yet seen.
Beyond the Pit, we stepped onto new ground. After leaving the Moorish dome behind, the ceiling got lower and the path twisted and rocky. I had to stoop quite a bit to walk, and it was important to watch out for hitting my head on the rocks above. This area is fittingly called the Valley of Humiliation. It branches off to the right into another path known as Pensico Avenue, which features some interesting stalactite formations, similar to the Gothic Gallery. We didn’t explore it but turned left and entered a very narrow, winding passage that snake through solid rock. It’s called Fat Man’s Misery, and anyone[Pg 284] whose body is wider than eighteen inches will struggle to get through. The largest person who ever made it through weighed two hundred sixty pounds, and anyone heavier will miss out on the best part of the cave. None of us were at risk of that (apparently, nature isn’t a fan of being overweight), and after five minutes of twisting, we came into a large hall known as the Great Relief. This continues into an avenue that leads to Bandits’ Hall—a wild, rugged chamber with a floor scattered with massive rocks that have fallen from above. This section of the cave is full of striking and picturesque sights and has a rougher, more irregular feel than anything we had encountered so far.
At the end of Bandits’ Hall is the Meat-Room, where a fine collection of limestone hams and shoulders are suspended from the ceiling, as in a smoke-house, the resemblance, which is really curious, is entirely owing to the action of the water. The air now grew perceptibly damp, and a few more steps brought us to the entrance of River Hall. Here the ceiling not only becomes loftier, but the floor gradually slopes away before you, and you look down into the vast depths and uncertain darkness, and question yourself if the Grecian fable be not indeed true. While I paused on the brink of these fresh mysteries the others of the party had gone ahead under the charge of Mat; Stephen, who remained with me, proposed that we should descend to the banks of the Styx and see them crossing the river upon the Natural Bridge. We stood on the brink of the black,[Pg 285] silent water; the arch of the portal was scarcely visible in the obscurity far above us. Now, as far below, I saw the twinkle of a distant lamp, then another and another. “Is it possible,” I asked, “that they have descended so much further?” “You forget,” said Stephen, “that you are looking into the river and see their reflected images. Stoop a little and you will find that they are high above the water.” I stooped and looked under an arch, and saw the slow procession of golden points of light passing over the gulf under the eaves of a great cliff; but another procession quite as distinct passed on below until the last lamp disappeared and all was darkness again.
At the end of Bandits’ Hall is the Meat-Room, where a nice collection of limestone hams and shoulders hangs from the ceiling, like in a smokehouse. The strange resemblance is entirely due to the water. The air grew noticeably damp, and a few more steps brought us to the entrance of River Hall. Here, the ceiling rises higher, and the floor slopes down in front of you, leading to vast depths and uncertain darkness, making you wonder if the Grecian fable is actually true. While I paused at the edge of these new mysteries, the rest of the group moved ahead with Mat; Stephen, who stayed with me, suggested that we go down to the banks of the Styx and watch them cross the river on the Natural Bridge. We stood on the edge of the dark, silent water; the arch of the portal was barely visible in the dimness above us. Far below, I noticed the flicker of a distant lamp, then another and another. “Is it possible,” I asked, “that they've gone so much further down?” “You forget,” said Stephen, “that you’re looking into the river and seeing their reflections. Bend down a bit and you’ll see they’re actually high above the water.” I bent down and looked under an arch, seeing a slow procession of golden points of light moving over the chasm beneath the edge of a huge cliff; but another procession, just as clear, continued below until the last lamp vanished, leaving only darkness again.
Five minutes more and the roughest and most slippery scrambling brought us to the banks of the Lethe River, where we found the rest of the party.
Five more minutes of tough and slippery climbing brought us to the banks of the Lethe River, where we found the rest of the group.
The river had risen since the previous day, and was at the most inconvenient stage possible. A part of the River Walk was overflowed, yet not deep enough to float the boats. Mat waded out and turned the craft, which was moored to a projecting rock, as near to us as the water would allow, after which he and Stephen carried us one by one upon their shoulders and deposited us in it. It was a rude, square scow, well plastered with river mud. Boards were laid across for the ladies, the rest of us took our seats on the muddy gunwales, the guides plied their paddles, and we were afloat on Lethe.
The river had risen since yesterday and was at the most inconvenient level. A part of the River Walk was flooded, but it wasn’t deep enough to float the boats. Mat waded out and turned the craft, which was tied to a jutting rock, as close to us as the water would allow. After that, he and Stephen carried us one by one on their shoulders and placed us in it. It was a rough, square boat, covered in river mud. Boards were laid across for the ladies, while the rest of us sat on the muddy gunwales. The guides paddled, and we were afloat on Lethe.
After a ferriage of about one hundred yards, we landed on a bank of soft mud besides a small arm of the river, which had overflowed the usual path. We sank to our[Pg 286] ankles in the moist, tenacious soil, floundering laboriously along until we were brought to a halt by Echo River, the third and last stream. This again is divided into three or four arms, which, meandering away under low arches, finally unite.
After a ferry ride of about one hundred yards, we landed on a soft mud bank next to a small part of the river, which had flooded the usual path. We sank to our ankles in the damp, sticky soil, struggling along until we were stopped by Echo River, the third and last stream. This river splits into three or four branches, which wind away under low arches before finally coming together.
As we stood on the wet rocks, peering down into the black translucence of the silent, mysterious water, sounds—first distant, then near, then distant again—stole to us from under the groined vaults of rock. First, the dip of many oars; then a dull, muffled peal, rumbling away like the echoes of thunder; then a voice marvellously sweet, but presently joined by others sweeter still, taking up the dying notes ere they faded into silence, and prolonging them through remoter chambers. The full, mellow strains rose until they seemed sung at our very ears, then relapsed like ebbing waves, to wander off into solitary halls, then approached again, and receded, like lost spirits seeking here and there for an outlet from the world of darkness. Or was it a chorus of angels come on some errand of pity and mercy to visit the Stygian shores? As the heavenly harmonies thickened, we saw a gleam on the water, and presently a clear light, floating above its mirrored counterfeit, swept into sight. It was no angel, but Stephen, whose single voice had been multiplied into that enchanting chorus.
As we stood on the wet rocks, looking down into the dark, mysterious water, we heard sounds—first distant, then close, then distant again—coming from beneath the arching rock formations. First, we caught the sound of many oars dipping in the water; then a dull, muffled sound rolled away like echoing thunder; followed by a voice that was incredibly sweet, soon joined by even sweeter voices, picking up the fading notes before they vanished into silence and carrying them through remote spaces. The rich, warm melodies rose until they felt like they were sung right in our ears, then faded like retreating waves, drifting off into empty halls, only to come back and recede again, like lost spirits searching for a way out of the dark world. Or was it a choir of angels sent on a mission of compassion to visit the dark shores? As the heavenly harmonies grew stronger, we noticed a shimmer on the water, and soon a bright light, floating above its mirrored surface, came into view. It wasn't an angel, but Stephen, whose single voice had transformed into that magical chorus.
The whole party embarked in two small boats, and after a last voyage of about two hundred yards, were landed beyond the waters, and free to explore the wonderful avenues of that new world of which Stephen is the Columbus. The River Hall here terminates, and the passages are[Pg 287] broken and irregular for a short distance. A few minutes of rough travel brought us to a large circular hall with a vaulted ceiling, from the centre of which poured a cascade of crystal water, striking upon the slant side of a large reclining boulder, and finally disappearing through a funnel-shaped pit in the floor. It sparkled like a shower of pearls in the light of our lamps, as we clustered around the brink of the pit to drink from the stores gathered in those natural bowls which seem to have been hollowed out for the uses of the invisible gnomes.
The whole group set off in two small boats, and after one last journey of about two hundred yards, they were landed past the waters, ready to explore the amazing avenues of this new world where Stephen is the explorer. The River Hall ends here, and the paths are[Pg 287] broken and uneven for a short distance. After a few minutes of rough travel, we arrived at a large circular hall with a vaulted ceiling, from the center of which a cascade of crystal water poured down, hitting the slanted side of a large reclining boulder, and eventually disappearing through a funnel-shaped pit in the floor. It sparkled like a shower of pearls in the light of our lamps as we gathered around the edge of the pit to drink from the reservoirs formed in those natural bowls that seemed carved out for the use of unseen gnomes.
Beyond Cascade Hall commences Silliman’s Avenue, a passage about twenty feet wide, forty or fifty in height, and a mile and a half in length.
Beyond Cascade Hall begins Silliman’s Avenue, a passage that's about twenty feet wide, forty or fifty feet tall, and a mile and a half long.
Our lamps were replenished and we entered El Ghor, which is by far the most picturesque avenue in the cave. It is a narrow, lofty passage meandering through the heart of a mass of horizontal strata of limestone, the broken edges of which assume the most remarkable forms. Now there are rows of broad, flat shelves overhanging your head; now you sweep around the stern of some mighty vessel with its rudder set hard to starboard; now you enter a little vestibule with friezes and mouldings of almost Doric symmetry and simplicity; and now you wind away into a Cretan labyrinth most uncouth and fantastic, whereof the Minotaur would be a proper inhabitant. It is a continual succession of surprises, and, to the appreciative visitor, of raptures. The pass is somewhat more than a mile and a half in length, and terminates in a curious knot or entanglement of passages leading to two or more tiers of avenues.
Our lamps were refilled, and we entered El Ghor, which is definitely the most picturesque path in the cave. It’s a narrow, high passage winding through layers of horizontal limestone, where the jagged edges take on some really amazing shapes. Sometimes, there are wide, flat shelves hanging overhead; other times, you curve around the back of a massive ship with its rudder pointed hard to the right; then you step into a small entrance with friezes and moldings that show a nearly Doric style and simplicity; and just like that, you find yourself in a bizarre and fantastic Cretan labyrinth that would be a perfect home for the Minotaur. It’s a constant stream of surprises and, for those who appreciate it, pure delight. The passage is just over a mile and a half long and ends in a strange knot of passages leading to two or more tiers of paths.
[Pg 288]
[Pg 288]
We were now, according to Stephen’s promises, on the threshold of wonders. Before proceeding further we stopped to drink from a fine sulphur spring which fills a natural basin in the bottom of a niche made on purpose to contain it. We then climbed a perpendicular ladder, passing through a hole in the ceiling barely large enough to admit our bodies, and found ourselves at the entrance of a narrow, lofty passage leading upwards. When all had made the ascent the guides exultingly lifted their lamps and directed our eyes to the rocks overhanging the aperture; there was the first wonder, truly! Clusters of grapes gleaming with blue and violet tints through the water which trickled over them, hung from the cliffs, while a stout vine, springing from the base and climbing nearly to the top, seemed to support them. Hundreds on hundreds of bunches clustering so thickly as to conceal the leaves, hang forever ripe and forever unplucked in that marvellous vintage of the subterranean world. For whose hand shall squeeze the black, infernal wine from grapes that grow beyond Lethe?
We were now, thanks to Stephen's promises, on the brink of amazing things. Before we moved on, we paused to drink from a beautiful sulfur spring that filled a natural basin in a niche made just for it. Then we climbed a steep ladder, squeezing through a hole in the ceiling that was barely big enough for us, and found ourselves at the entrance of a narrow, tall passage leading upward. Once everyone had made it up, the guides triumphantly lifted their lamps and pointed our eyes to the rocks above the opening; there was the first wonder, indeed! Clusters of grapes shimmering with blue and violet hues through the water trickling down over them dangled from the cliffs, while a strong vine, starting from the base and climbing nearly to the top, seemed to hold them up. Hundreds upon hundreds of bunches hung so closely together that the leaves were hidden, forever ripe and forever untouched in that incredible harvest of the underground world. Who will be able to squeeze the dark, hellish wine from grapes that grow beyond Lethe?
Mounting for a short distance, this new avenue suddenly turned to the left, widened, and became level; the ceiling is low, but beautifully vaulted, and Washington’s Hall, which we soon reached, is circular, and upwards of a hundred feet in diameter. This is the usual dining-room of parties who go beyond the rivers. Nearly five hours had now elapsed since we entered the cave, and five hours spent in that bracing, stimulating atmosphere might well justify the longing glances which we cast upon the baskets carried[Pg 289] by the guides. Mr. Miller had foreseen our appetites, and there were stores of venison, biscuit, ham, and pastry, more than sufficient for all. We made our midday, or rather midnight meal sitting, like the nymph who wrought Excalibur
Rising for a short distance, this new path suddenly turned left, widened, and became flat; the ceiling is low but beautifully arched, and Washington’s Hall, which we reached shortly after, is circular and over a hundred feet in diameter. This is the usual dining room for groups who venture beyond the rivers. Nearly five hours had passed since we entered the cave, and those five hours spent in that refreshing, energizing atmosphere definitely explained the eager looks we gave the baskets carried[Pg 289] by the guides. Mr. Miller had anticipated our hunger, and there were supplies of venison, biscuits, ham, and pastries, more than enough for everyone. We had our lunch, or rather our midnight meal, sitting like the nymph who forged Excalibur.
buried far below the green Kentucky forests, far below the forgotten sunshine. For in the cave you forget that there is an outer world somewhere above you. The hours have no meaning: Time ceases to be; no thought of labour, no sense of responsibility, no twinge of conscience intrudes to suggest the existence you have left. You walk in some limbo beyond the confines of actual life, yet no nearer the world of spirits. For my part, I could not shake off the impression that I was wandering on the outside of Uranus or Neptune, or some planet still more deeply buried in the frontier darkness of our solar system.
buried deep beneath the green Kentucky forests, far below the forgotten sunshine. Because in the cave, you forget there’s a whole world above you. The hours lose their meaning: Time stops existing; there's no thought of work, no sense of obligation, no pang of guilt to remind you of the life you’ve left behind. You wander in a kind of limbo beyond the boundaries of real life, but still not closer to the spirit world. For my part, I couldn't shake off the feeling that I was drifting on the outside of Uranus or Neptune, or some planet even more buried in the dark edges of our solar system.
Washington Hall marks the commencement of Elindo Avenue, a straight hall about sixty feet wide, twenty in height, and two miles long. It is completely encrusted from end to end with crystallizations of gypsum, white as snow. This is the crowning marvel of the cave, the pride and the boast of the guides. Their satisfaction is no less than yours, as they lead you through the diamond grottoes, the gardens of sparry efflorescence, and the gleaming vaults of this magical avenue. We first entered the “Snow-ball Room,” where the gnome-children in their sports have peppered the grey walls and ceiling with thousands of snow-white[Pg 290] projecting discs, so perfect in their fragile beauty, that they seem ready to melt away under the blaze of your lamp. Then commences Cleveland’s Cabinet, a gallery of crystals, the richness and variety of which bewilder you. It is a subterranean conservatory, filled with the flowers of all the zones; for there are few blossoms expanding on the upper earth but are mimicked in these gardens of Darkness. I cannot lead you from niche to niche, and from room to room, examining in detail the enchanted growths; they are all so rich and so wonderful that the memory does not attempt to retain them. Sometimes the hard limestone rock is changed into a pasture of white roses; sometimes it is starred with opening daisies; the sunflowers spread their flat discs and rayed leaves; the feathery chalices of the cactus hang from the clefts; the night-blooming cereus opens securely her snowy cup, for the morning never comes to close it; the tulip is here a virgin, and knows not that her sisters above are clothed in the scarlet of shame.
Washington Hall marks the beginning of Elindo Avenue, a straight corridor about sixty feet wide, twenty feet high, and two miles long. It is completely covered from end to end with crystallizations of gypsum, white as snow. This is the main highlight of the cave, the pride and boast of the guides. Their satisfaction matches yours as they lead you through the diamond grottoes, the gardens of sparkling formations, and the shining arches of this magical avenue. We first entered the “Snow-ball Room,” where the gnome children at play have covered the gray walls and ceiling with thousands of snow-white[Pg 290] projecting discs, so perfect in their delicate beauty that they seem ready to melt away under the glare of your lamp. Next comes Cleveland’s Cabinet, a gallery of crystals, the richness and diversity of which overwhelm you. It is an underground conservatory, filled with flowers from all over the world; for there are few blossoms thriving above ground that aren’t replicated in these gardens of Darkness. I can’t guide you from niche to niche, and from room to room, examining these enchanting growths in detail; they are all so rich and wonderful that the memory doesn’t even try to hold onto them. Sometimes the hard limestone rock transforms into a field of white roses; sometimes it is dotted with blooming daisies; sunflowers spread their flat discs and rayed leaves; the feathery cups of the cactus hang from the crevices; the night-blooming cereus opens its snowy cup, never to be closed by morning; the tulip here is a virgin, unaware that her sisters above are dressed in the scarlet of shame.
In many places the ceiling is covered with a mammary crystallization, as if a myriad bubbles were rising beneath its glittering surface. Even on this jewelled soil which sparkles all around you, grow the lilies and roses, singly overhead, but clustering together towards the base of the vault, where they give place to long, snowy, pendulous cactus-flowers, which droop like a fringe around diamonded niches. Here you see the passion-flower, with its curiously curved pistils; there an iris with its lanceolate leaves; and again, bunches of celery with stalks white and tender enough for a fairy’s dinner. There are occasional patches[Pg 291] of gypsum, tinged of a deep amber colour by the presence of iron. Through the whole length of the avenue there is no cessation of the wondrous work. The pale rock-blooms burst forth everywhere, crowding on each other until the brittle sprays cannot bear their weight, and they fall to the floor. The slow, silent efflorescence still goes on, as it has done for ages in that buried tropic.
In many places, the ceiling is covered with a crystalline formation, as if countless bubbles are rising beneath its sparkling surface. Even on this jewel-like ground that sparkles around you, lilies and roses grow, some standing alone overhead, but clustering together towards the base of the arch, where they give way to long, snowy, drooping cactus flowers that hang like a fringe around diamond-studded niches. Here you see the passion flower, with its uniquely curved pistils; there’s an iris with its lance-shaped leaves; and again, clumps of celery with stalks so white and tender they seem fit for a fairy's dinner. There are occasional patches[Pg 291] of gypsum, colored a deep amber by the presence of iron. Along the entire length of the avenue, the amazing formation doesn’t stop. The pale rock blooms burst forth everywhere, crowding against one another until the delicate sprays can’t support their weight and fall to the ground. The slow, silent blooming continues, just like it has for ages in that hidden tropical place.
What mostly struck me in my underground travels was the evidence of design which I found everywhere. Why should the forms of the earth’s outer crust, her flowers and fruits, the very heaven itself which spans her, be so wonderfully reproduced? What laws shape the blossoms and the foliage of that vast crystalline garden? There seemed to be something more than the accidental combinations of a blind chance in what I saw—some evidence of an informing and directing Will. In the secret caverns, the agencies which produced their wonders have been at work for thousands of years, perhaps thousands of ages, fashioning the sparry splendours in the womb of darkness with as exquisite a grace, as true an instinct of beauty as in the palm or the lily, which are moulded by the hands of the sun. What power is it which lies behind the mere chemistry of Nature, impregnating her atoms with such subtle laws of symmetry? What but Divine Will, which first gave her being, and which is never weary of multiplying for man the lessons of His infinite wisdom?
What really struck me during my travels underground was the evidence of design I saw everywhere. Why are the shapes of the earth’s outer crust, her flowers and fruits, and the very sky above so beautifully crafted? What laws shape the blossoms and leaves of that vast crystalline garden? It felt like there was something more than just random accidents happening—some proof of a guiding Will. In the secret caverns, the forces that created their wonders have been at work for thousands of years, maybe even eons, shaping the sparkling beauty in the darkness with as much grace and true instinct for beauty as seen in the palm or the lily, molded by the sun’s touch. What power lies behind the simple chemistry of Nature, infusing her atoms with such intricate laws of symmetry? What else but Divine Will, which brought her into existence and never tires of providing humanity with lessons of His infinite wisdom?
At the end of Elindo Avenue the floor sinks, then ascends, and is at last blocked up by a huge pile of large, loose rocks. When we had reached the foot, the roof of[Pg 292] the avenue suddenly lifted and expanded, and the summit of the Rocky Mountains, as they are called, leaned against a void waste of darkness. We climbed to the summit, about a hundred feet above, whence we looked down into an awful gulf, spanned far above our heads by a hollow dome of rock. The form of this gigantic hall was nearly elliptical. It was probably 150 feet in height, by 500 in length, the ends terminating near the roof in the cavernous mouths of other avenues. The guides partly descended the hill and there kindled a brilliant Bengal light, which disclosed more clearly the form of the hall, but I thought it more impressive as its stupendous proportions were first dimly revealed by the light of our lamps. Stephen, who discovered this place, gave it the name of the Dismal Hollow.
At the end of Elindo Avenue, the ground dips down, then rises again, finally blocked by a massive pile of large, loose rocks. When we reached the bottom, the roof of[Pg 292] the avenue suddenly opened up and expanded, revealing the tops of the Rocky Mountains, which leaned against a vast expanse of darkness. We climbed up to the summit, about a hundred feet high, where we looked down into a terrifying abyss, covered above us by a hollow rock dome. The shape of this enormous hall was almost elliptical, about 150 feet high and 500 feet long, with the ends leading to the roof through the cavernous openings of other avenues. The guides partially descended the slope and lit a bright Bengal light, which revealed more clearly the hall's shape, but I found it more impressive when its massive proportions were first faintly illuminated by our lamps. Stephen, who discovered this place, named it the Dismal Hollow.
Scrambling along the ridge of the Rocky Mountains, we gained the entrance to the cavern opening on the left, which we followed for about two hundred yards, when it terminated in a lofty circular dome, called Crogan’s Hall. The floor on one side dropped suddenly into a deep pit, around which were several cushions of stalagmite, answering to short stalactites, hanging from the ceiling far above. At the extremity of the hall was a sort of recess, formed by stalactitic pillars. The wall behind it was a mass of veined alabaster. “Here,” said Stephen, “is your Ultima Thule. This is the end of the Mammoth Cave, nine miles from daylight.” But I doubt whether there is really an end of the cave any more than an end of the earth. Notwithstanding the ground we had traversed, we had left[Pg 293] many vast avenues unexplored, and a careful search would no doubt lead to further discoveries.
Scrambling along the ridge of the Rocky Mountains, we reached the entrance to the cave opening on the left, which we followed for about two hundred yards until it led to a tall circular dome known as Crogan’s Hall. On one side, the floor dropped suddenly into a deep pit, surrounded by several stalagmite formations that matched the short stalactites hanging from the ceiling far above. At the far end of the hall was a sort of recess formed by stalactite pillars. The wall behind it was a mass of veined alabaster. “Here,” said Stephen, “is your Ultima Thule. This is the end of the Mammoth Cave, nine miles from daylight.” But I doubt there's really an end to the cave any more than there is an end to the earth. Despite the ground we had covered, we had left[Pg 293] many vast passages unexplored, and a careful search would likely lead to more discoveries.
We retraced our steps slowly along Elindo Avenue, stopping every few minutes to take a last look at the bowers of fairy blossoms. After reaching Washington’s Hall we noticed that the air was no longer still, but was flowing fresh and cool in our faces. Stephen observed it also, and said: “There has been a heavy rain outside.” Entering the pass of El Ghor again at Martha’s Vineyard, we walked rapidly forward, without making a halt, to its termination at Silliman’s Avenue. The distance is reckoned by the guides at a little more than a mile and a half, and we were just forty minutes in walking it. We several times felt fatigue, especially when passing the rougher parts of the cave, but the sensation always passed away in some unaccountable manner, leaving us fresh and buoyant. The crossing of the rivers was accomplished with some labour, but without accident. I accompanied Stephen on his return through the second arch of Echo River. As I sat alone in the silent, transparent darkness of the mysterious stream, I could hear the tones of my boatman’s voice gliding down the caverns like a wave, flowing more and more faintly until its vibrations were too weak to move the ear. Thus, as he sang, there were frequently three or four notes, each distinctly audible, floating away at different degrees of remoteness. At the last arch there was only a space of eighteen inches between the water and the rock. We lay down on our backs in the muddy bottom of the boat, and squeezed through to the[Pg 294] middle branch of Echo River, where we found the rest of the party, who had gone round through Purgatory.
We slowly made our way back along Elindo Avenue, stopping every few minutes to take one last look at the beautiful blossoms. Once we reached Washington’s Hall, we noticed that the air was no longer still; it felt fresh and cool against our faces. Stephen noticed it too and said, “It must have rained heavily outside.” Entering the pass of El Ghor again at Martha’s Vineyard, we walked quickly without stopping until we reached Silliman’s Avenue. The guides say this distance is a little over a mile and a half, and we managed to walk it in just forty minutes. We felt tired a few times, especially in the rougher parts of the cave, but that sensation always faded mysteriously, leaving us feeling refreshed and lively. Crossing the rivers took some effort, but we had no accidents. I went back with Stephen through the second arch of Echo River. As I sat alone in the quiet, clear darkness of the mysterious stream, I could hear my boatman’s voice echoing through the caverns like a wave, fading more and more until it became too weak to hear. While he sang, we often heard three or four distinct notes floating away at different distances. At the last arch, there was only eighteen inches between the water and the rock. We lay on our backs in the muddy bottom of the boat and squeezed through to the[Pg 294] middle branch of Echo River, where we found the rest of our group, who had taken the route through Purgatory.
After again threading Fat Man’s Misery, passing the Bottomless Pit and the Deserted Chambers, we at last emerged into the Main Avenue at the Giant’s Coffin. It was six o’clock, and we had been ten hours in the cave.
After navigating through Fat Man's Misery again, passing the Bottomless Pit and the Deserted Chambers, we finally made it to the Main Avenue at the Giant's Coffin. It was six o'clock, and we had spent ten hours in the cave.
When we heard the tinkling drops of the little cascade over the entrance, I looked up and saw a patch of deep, tender blue set in the darkness. In the midst of it twinkled a white star—whiter and more dazzling than any star I ever saw before. I paused and drank at the trough under the waterfall, for, like the Fountain of Trevi at Rome, it may be that those who drink there shall return again. When we ascended to the level of the upper world we found that a fierce tornado had passed along during the day; trees had been torn up by the roots and hurled down in all directions; stunning thunders had jarred the air, and the wet earth was fairly paved with leaves cut off by the heavy hail—yet we, buried in the heart of the hills, had heard no sound, nor felt the slightest tremour in the air.
When we heard the tinkling drops of the small waterfall at the entrance, I looked up and saw a patch of deep, soft blue in the darkness. In the center of it twinkled a white star—brighter and more dazzling than any star I had ever seen before. I stopped and drank from the trough under the waterfall because, like the Fountain of Trevi in Rome, it might be true that those who drink there will return again. When we climbed up to the upper world, we discovered that a fierce tornado had swept through during the day; trees had been uprooted and thrown down in all directions; loud thunder had shaken the air, and the wet ground was almost covered with leaves knocked off by the heavy hail—yet we, tucked away in the heart of the hills, had heard no sound nor felt the slightest movement in the air.
The stars were all in their places as I walked back to the hotel. I had been twelve hours under ground, in which I had walked about twenty-four miles. I had lost a day—a day with its joyous morning, its fervid noon, its tempest, and its angry sunset of crimson and gold; but I had gained an age in a strange and hitherto unknown world—an age of wonderful experience, and an exhaustless store of sublime and lovely memories.
The stars were shining as I walked back to the hotel. I had spent twelve hours underground, during which I had walked about twenty-four miles. I had lost a day—a day with its bright morning, its intense noon, its storm, and its fiery sunset of red and gold; but I had gained a lifetime in a strange and previously unknown world—a lifetime of amazing experiences and an endless collection of beautiful memories.
[Pg 295]
[Pg 295]
At Home and Abroad (New York, 1864).
At Home and Abroad (New York, 1864).
STROMBOLI
(SICILY)
(SICILY)
ALEXANDRE DUMAS
ALEXANDRE DUMAS
As we advanced, Stromboli became more and more distinct every moment, and through the clear evening air we could perceive every detail; this mountain is formed exactly like a hay-mow, its summit being surmounted by a peak; it is from this summit that the smoke escapes, and, at intervals of a quarter of an hour, a flame; during the daytime this flame does not apparently exist, being lost in the light of the sun; but when evening comes, and the Orient begins to darken, this flame becomes visible and you can see it dart forth from the midst of the smoke which it colours, and fall again in jets of lava.
As we drew closer, Stromboli became clearer with each moment, and through the crisp evening air, we could make out every detail; this mountain looks just like a hayloft, with a peak on top. It's from this peak that smoke escapes, and every fifteen minutes, a flame shoots out. During the day, this flame seems to vanish, hidden by the sun's brightness; but as evening falls and the East starts to darken, the flame becomes visible, darting out from the smoke it colors, and raining down in streams of lava.
Towards seven o’clock we reached Stromboli; unfortunately the port is in the east, and we came from the west; so that we had to coast along the whole length of the island where the lava descended down a sharp slope into the sea. For a breadth of twenty paces at its summit and a hundred and fifty at its base, the mountain at this point is covered with cinders and all vegetation is burned.
Towards seven o’clock, we arrived at Stromboli; unfortunately, the port is on the east side, and we approached from the west. This meant we had to sail along the entire length of the island, where the lava flows down a steep slope into the sea. At this point, the mountain is covered with cinders, with a width of twenty paces at its summit and one hundred and fifty at its base, and all the vegetation is scorched.
The captain was correct in his predictions: we arrived half an hour after the port had been closed; all we could say to make them open to us was lost eloquence.
The captain was right about his predictions: we got there half an hour after the port had closed; all we could do to convince them to open for us was wasted breath.
[Pg 296]
[Pg 296]
However, the entire population of Stromboli had run to the shore. Our Speronare was a frequent visitor to this harbour and our sailors were well known in the island.... It was in Stromboli that Æolus held bound the luctantes ventos tempestatesque sonoras. Without doubt, at the time of the song of Æneas, and when Stromboli was called Strongyle, the island was not known for what it really is, and hid within its depths the boiling masses and periodical ejaculations which make this volcano the most obliging one in the world. In sooth, you know what to expect from Stromboli: it is not like Vesuvius or Etna, which make the traveller wait sometimes three, five or even ten years for a poor little eruption. I have been told that this is doubtless owing to the position they hold in the hierarchy of fire-vomiting mountains, a hierarchy that permits them to be aristocratic at their own pleasure: this is true enough; and we must not take it amiss if Stromboli allows her social position to be assailed an instant, and to have understood that it is only a little toy volcano to which one would not pay the slightest attention if it made itself so ridiculous as to put on airs.
However, the entire population of Stromboli had rushed to the shore. Our Speronare was a regular visitor to this harbor, and our sailors were well-known on the island.... It was in Stromboli that Æolus kept the luctantes ventos tempestatesque sonoras bound. Undoubtedly, during the time of Æneas's song, and when Stromboli was called Strongyle, the island wasn't recognized for what it truly is and concealed within its depths the boiling masses and periodic eruptions that make this volcano the most accommodating in the world. Indeed, you know what to expect from Stromboli: it’s unlike Vesuvius or Etna, which can make travelers wait sometimes three, five, or even ten years for a minor eruption. I've been told that this is surely due to their status in the hierarchy of fire-spewing mountains, a hierarchy that allows them to act aristocratic whenever they choose: this is certainly true; and we shouldn’t be surprised if Stromboli lets its social position be challenged for a moment and recognizes that it is just a little toy volcano that wouldn’t draw any attention if it made the mistake of acting pretentious.
Moreover, it did not keep us waiting. After scarcely five minutes’ expectation, a heavy rumbling was heard, a detonation resembling twenty cannon fired in succession, and a long jet of flame leaped into the air and fell again in a shower of lava; a part of this shower fell again into the crater of the volcano, while the other, rolling down the slope hurried like a brooklet of flame to extinguish itself, hissing, into the sea. Ten minutes later the same phenomenon[Pg 297] was repeated, and at every succeeding ten minutes throughout the night.
Moreover, it didn’t keep us waiting. After just five minutes of anticipation, we heard a heavy rumble, a blast like twenty cannons firing one after another, and a massive jet of flame shot into the air, falling back down in a shower of lava. Some of this shower fell back into the volcano's crater, while the rest rushed down the slope, quickly extinguishing itself with a hissing sound as it hit the sea. Ten minutes later, the same phenomenon[Pg 297] occurred again, happening every ten minutes throughout the night.
I admit that this was one of the most curious nights I ever spent in my life; neither Jadin nor I could tear ourselves away from this terrible and magnificent spectacle. There were such detonations that the very atmosphere seemed excited, and you imagined the whole island trembling like a frightened child; it was only Milord that these fire-works put into a state of exaltation impossible to describe; he wanted to jump into the water every moment to devour the burning lava which sometimes fell ten feet from us, like a meteor precipitating itself into the sea.
I have to say, this was one of the most fascinating nights I've ever experienced; neither Jadin nor I could pull ourselves away from this amazing and terrifying scene. The explosions were so powerful that the air itself felt charged, and you could envision the entire island shaking like a scared child; only Milord was driven into an indescribable state of excitement by the fireworks; he was ready to leap into the water at any moment to consume the burning lava that sometimes fell just ten feet away from us, like a meteor dropping into the sea.
As for our boatswain, he was so accustomed to this spectacle, that, after asking if we needed anything and upon our reply in the negative, he retired between decks and neither the lightnings that illuminated the air nor the thunders that shook it had power to disturb his slumbers.
As for our boatswain, he was so used to this scene that, after asking if we needed anything and getting a no in response, he went below deck and neither the lightning that lit up the sky nor the thunder that shook it could disturb his sleep.
We stayed here until two o’clock; finally, overcome with fatigue and sleep, we decided to retire to our cabin. As for Milord, nothing would persuade him to do as we did and he stayed all night on deck, growling and barking at the volcano.
We stayed here until two o'clock; eventually, exhausted and sleepy, we decided to head back to our cabin. As for Milord, nothing could convince him to do the same, and he stayed up all night on deck, growling and barking at the volcano.
We woke in the morning at the first movement of the Speronare. With the return of daylight the mountain lost all its fantastic appearance.
We woke up in the morning at the first movement of the Speronare. With daylight returning, the mountain lost its magical appearance.
We constantly heard the detonations; but the flame had become invisible; and that burning lava stream of the night was confused in the day with the reddish ashes over which it rolls.
We kept hearing the explosions; however, the flames had vanished; and that glowing lava stream from the night blended during the day with the reddish ash that it flows over.
[Pg 298]
[Pg 298]
Ten minutes more and we were again in port. This time we had no difficulty in entering. Pietro and Giovanni got off with us; they wished to accompany us on our ascent.
Ten more minutes and we were back in port. This time we had no trouble getting in. Pietro and Giovanni got off with us; they wanted to join us on our climb.
We entered, not an inn (there are none in Stromboli), but a house whose proprietors were related to our captain. As it would not have been prudent to have started on our way fasting, Giovanni asked permission of our hosts to make breakfast for us while Pietro went to hunt for guides,—a permission not only accorded to us with much grace but our host also went out and came back in a few moments with the most beautiful grapes and figs that he could find.
We entered not an inn (there aren’t any in Stromboli), but a house owned by relatives of our captain. Since it wouldn’t have been smart to begin our journey on an empty stomach, Giovanni asked our hosts if they could make us breakfast while Pietro went to look for guides. They not only graciously agreed but our host also stepped out and quickly returned with the most beautiful grapes and figs he could find.
After we had finished our breakfast, Pietro arrived with two Stromboliotes who consented, in consideration of half a piastre each, to serve as guides. It was already nearly eight o’clock: to avoid a climb in the greatest heat of the day, we started off immediately.
After we finished our breakfast, Pietro showed up with two Stromboliotes who agreed, for half a piastre each, to be our guides. It was almost eight o’clock: to steer clear of climbing in the heat of the day, we set off right away.
The top of Stromboli is only twelve or fifteen hundred feet above the level of the sea; but its slope is so sharp that you cannot climb in a direct manner, but must zigzag eternally. At first, on leaving the village, the road was easy enough; it rose in the midst of those vines laden with grapes that make the commerce of the island and from which the fruit hangs in such great quantity that any one may help himself to all he wants without asking the permission of the owner; however, upon leaving the region of the vineyards, we found no more roads, and we had to walk at random, looking for the best ground and the easiest[Pg 299] slopes. Despite all these precautions, there came a moment when we were obliged to scramble on all fours: there was nothing to do but climb up; but this place once passed, I vow that on turning around and seeing it, jutting almost perpendicularly over the sea, I asked in terror how we could ever descend; our guides then said that we would come down by another road: that pacified me a little. Those who like myself are unhappy enough to have vertigo when they see a chasm below their feet will understand my question and still more the importance I attached to it.
The top of Stromboli is only twelve or fifteen hundred feet above sea level, but its slope is so steep that you can’t climb straight up; you have to zigzag constantly. At first, when we left the village, the path was pretty easy; it went through the vineyards heavy with grapes that drive the island’s economy, and there were so many grapes hanging that anyone could take as much as they wanted without asking the owner. However, once we left the vineyard area, there were no more paths, and we had to wander around, searching for the best ground and the gentlest slopes. Despite our efforts, there came a point when we had to crawl on all fours: there was no choice but to climb up. But once we got past that spot, I swear that when I turned around and saw it hanging almost straight over the sea, I panicked and asked how we would ever get back down. Our guides reassured me that we would take a different route down, which calmed me a bit. Anyone like me who gets dizzy when looking down at a drop below their feet will understand my question and the importance I placed on it.
This break-neck spot passed, the ascent became easier for a quarter of an hour; but soon we came to a place which at the first glance seemed impassable; it was a perfectly sharp-pointed angle that formed the opening of the first volcano, and part of which was cut out perpendicularly upon the crater while the other fell with so sharp a slope to the sea that it seemed to me if I should fall perpendicularly on the other side I could not help rolling from top to bottom. Even Jadin, who ordinarily climbs like a chamois without ever troubling about the difficulties of the ground, stopped short when we came to this passage, asking if there was not some way to avoid it. As you may imagine, this was impossible.
This risky spot passed, the climb got easier for about fifteen minutes; but soon we reached a spot that looked impossible to cross at first glance; it was a perfectly sharp angle marking the entrance of the first volcano, with part of it cut straight down on the crater while the other side dropped so steeply to the sea that I felt if I fell over the edge, I’d tumble all the way down. Even Jadin, who usually climbs like a mountain goat without worrying about the terrain, stopped when we reached this passage, asking if there was any way to bypass it. As you can imagine, that wasn't possible.
The crater of Stromboli is formed like a vast funnel, from the bottom and the centre of which is an opening through which a man can enter a little way, and which communicates with the internal furnace of the mountain; it is through this opening, resembling the mouth of a canon, that the shower of projectiles darts forth, which, falling[Pg 300] again into the crater, sweeps with it down the inclined slope of stones the cinders and lava that, rolling to the bottom, block up that funnel. Then the volcano seems to gather its forces together for several minutes, compressed as it is by the stoppage of its valve; but after a moment its smoke trembles like a breath; you hear a deep roaring run through the hollow sides of the mountain; then the cannonade bursts forth again, throwing up two hundred feet above the summit new stones and new lava, which, falling back and closing the orifice of the passage anew, prepare for a new outburst.
The crater of Stromboli is shaped like a huge funnel, with an opening at the bottom and center that a person can enter a little way into, connecting to the mountain's internal furnace. It is through this opening, which looks like the mouth of a canyon, that a shower of projectiles shoots out, falling back into the crater and sweeping down the sloped stones along with the cinders and lava that roll to the bottom and block the funnel. The volcano then appears to gather its strength for several minutes, held back by the closure of its valve; but after a moment, its smoke trembles like a breath. You can hear a deep roaring echo through the hollow sides of the mountain; then the cannonade erupts again, launching new stones and lava two hundred feet above the summit, which fall back and seal the passage once more, setting the stage for another explosion.
Seen from where we were, that is from top to bottom, this spectacle was superb and terrifying; at each internal convulsion that the mountain essayed, you felt it tremble beneath you, and it seemed as if it would burst asunder; then came the explosion, similar to a gigantic tree of flame and smoke that shook its leaves of lava.
Seen from where we were, from top to bottom, this sight was both amazing and frightening; with every internal shake the mountain made, you could feel it trembling beneath you, and it seemed like it was about to break apart; then came the explosion, like a massive tree of fire and smoke that shook its lava leaves.
Finally, we reached the extremity of this new lake of Sodom, and we found ourselves in an oasis of vines, pomegranates and olives. We had not the courage to go any farther. We lay down in the grass, and our guides brought us an armful of grapes and a hatful of figs.
Finally, we reached the edge of this new lake of Sodom, and we found ourselves in an oasis filled with vines, pomegranates, and olives. We didn't have the courage to go any further. We lay down in the grass, and our guides brought us a bunch of grapes and a hat full of figs.
It was marvellous to us; but there was not the smallest drop of water for our poor Milord to drink, and we perceived him devouring the skin of the figs and grapes. We gave him part of our repast, and for the first, and probably for the last, time in his life he dined off figs and grapes.
It was amazing to us; but there wasn't a single drop of water for our poor Milord to drink, and we saw him eating the skin of the figs and grapes. We shared some of our meal with him, and for the first, and probably the last, time in his life, he had a meal of figs and grapes.
I have often a desire to put myself in the place of Milord and write his memoirs as Hoffmann wrote those of his cat,[Pg 301] Murr. I am convinced that he must have had, seen from the canine point of view, (I beg the Académie’s pardon for the expression) extremely new impressions of the people and countries that he has visited.
I often feel the urge to step into Milord's shoes and write his memoirs like Hoffmann did for his cat, Murr.[Pg 301] I’m convinced that from a dog's perspective (I apologize to the Académie for the phrasing), he must have had some very fresh impressions of the people and places he’s encountered.
A quarter of an hour after this halt we were in the village, writing upon our tablets this judicious observation—that the volcanoes follow but do not resemble each other: we were nearly frozen when ascending Etna, and we were nearly roasted when descending Stromboli.
A fifteen-minute break after this stop, we arrived in the village, noting down this insightful observation—that the volcanoes follow each other but are not the same: we were almost frozen while climbing Etna, and we were nearly roasted while coming down Stromboli.
Jadin and I each extended a hand towards the mountain and swore that notwithstanding Vesuvius, Stromboli was the last volcano whose acquaintance we would make.
Jadin and I both reached out our hands toward the mountain and promised that even with Vesuvius, Stromboli would be the last volcano we would visit.
[Pg 302]
[Pg 302]
Le Capitaine Aréna: Impressions de Voyage (Paris, 1836).
Captain Aréna: Travel Impressions (Paris, 1836).
THE HIGH WOODS
(SOUTH AMERICA)
(SOUTH AMERICA)
CHARLES KINGSLEY
CHARLES KINGSLEY
In the primeval forest, looking upon that which my teachers and masters, Humboldt, Spix, Martius, Schomburgk, Waterton, Bates, Wallace, Gosse, and the rest, had looked already, with far wiser eyes than mine, comprehending somewhat at least of its wonders, while I could only stare in ignorance. There was actually, then, such a sight to be seen on earth; and it was not less, but far more wonderful than they had said.
In the ancient forest, I gazed at what my teachers and mentors—Humboldt, Spix, Martius, Schomburgk, Waterton, Bates, Wallace, Gosse, and others—had already observed with much deeper understanding than I had, grasping at least some of its marvels while I could only look on in confusion. There was truly a sight to behold on earth, and it was not less, but far more amazing than they had described.
My first feeling on entering the high woods was helplessness, confusion, awe, all but terror. One is afraid at first to venture in fifty yards. Without a compass or the landmark of some opening to or from which he can look, a man must be lost in the first ten minutes, such a sameness is there in the infinite variety. That sameness and variety make it impossible to give any general sketch of a forest. Once inside, “you cannot see the woods for the trees.” You can only wander on as far as you dare, letting each object impress itself on your mind as it may, and carrying away a confused recollection of innumerable perpendicular lines, all straining upwards, in fierce competition, towards the light-food far above; and next on a green cloud, or rather mist, which hovers round your head, and rises, thickening[Pg 303] and thickening to an unknown height. The upward lines are of every possible thickness, and of almost every possible hue; what leaves they bear, being for most part on the tips of the twigs, give a scattered, mist-like appearance to the under-foliage. For the first moment, therefore, the forest seems more open than an English wood. But try to walk through it, and ten steps undeceive you. Around your knees are probably Mamures, with creeping stems and fan-shaped leaves, something like those of a young cocoanut palm. You try to brush among them, and are caught up instantly by a string or wire belonging to some other plant. You look up and round: and then you find that the air is full of wires—that you are hung up in a network of fine branches belonging to half-a-dozen different sorts of young trees, and intertwined with as many different species of slender creepers. You thought at your first glance among the tree-stems that you were looking through open air; you find that you are looking through a labyrinth of wire-rigging, and must use the cutlass right and left at every five steps. You push on into a bed of strong sedge-like Sclerias, with cutting edges to their leaves. It is well for you if they are only three, and not six feet high. In the midst of them you run against a horizontal stick, triangular, rounded, smooth, green. You take a glance along it right and left, and see no end to it either way, but gradually discover that it is the leaf-stalk of a young Cocorite palm. The leaf is five-and-twenty feet long, and springs from a huge ostrich plume, which is sprawling out of the ground and up above your head a few yards off. You cut the leaf-stalk[Pg 304] through right and left, and walk on, to be stopped suddenly (for you get so confused by the multitude of objects that you never see anything till you run against it) by a grey lichen-covered bar, as thick as your ankle. You follow it up with your eye, and find it entwine itself with three or four other bars, and roll over with them in great knots and festoons and loops twenty feet high, and then go up with them into the green cloud over your head, and vanish, as if a giant had thrown a ship’s cable into the tree-tops. One of them, so grand that its form strikes even the Negro and the Indian, is a Liantasse. You see that at once by the form of its cable—six or eight inches across in one direction, and three or four in another, furbelowed all down the middle into regular knots, and looking like a chain cable between two flexible iron bars. At another of the loops, about as thick as your arm, your companion, if you have a forester with you, will spring joyfully. With a few blows of his cutlass he will sever it as high up as he can reach, and again below, some three feet down; and, while you are wondering at this seemingly wanton destruction, he lifts the bar on high, throws his head back, and pours down his thirsty throat a pint or more of pure cold water. This hidden treasure is, strange as it may seem, the ascending sap, or rather the ascending pure rain-water which has been taken up by the roots, and is hurrying aloft, to be elaborated into sap, and leaf, and flower, and fruit, and fresh tissue for the very stem up which it originally climbed; and therefore it is that the woodman cuts the Watervine through first at the top of the piece which he wants, and not at the[Pg 305] bottom; for so rapid is the ascent of the sap that if he cut the stem below, the water would have all fled upwards before he could cut it off above. Meanwhile, the old story of Jack and the Bean-stalk comes into your mind. In such a forest was the old dame’s hut; and up such a bean-stalk Jack climbed, to find a giant and a castle high above. Why not? What may not be up there? You look up into the green cloud, and long for a moment to be a monkey. There may be monkeys up there over your head, burly red Howler, or tiny peevish Sapajou, peering down at you; but you cannot peer up at them. The monkeys, and the parrots, and the humming-birds, and the flowers, and all the beauty, are upstairs—up above the green cloud. You are in “the empty nave of the cathedral,” and “the service is being celebrated aloft in the blazing roof.”
My first feeling when I entered the dense woods was helplessness, confusion, awe, and almost terror. You hesitate to venture more than fifty yards in. Without a compass or a clear landmark to guide you, you can easily get lost within the first ten minutes, since the trees create such a uniform variety. That sameness and variety make it hard to describe a forest in general terms. Once you're inside, “you cannot see the woods for the trees.” You can only move as far as you're comfortable, letting each tree make an impression on you, and leaving with a muddled memory of countless vertical lines, all stretching upward, fiercely competing for the light above; and then you notice a green mist that surrounds your head, rising and thickening to an unknown height. The upward lines vary in thickness and color; the leaves, mostly at the tips of the twigs, give the undergrowth a scattered, mist-like look. At first, the forest seems more open than an English wood. But try to walk through it, and just ten steps will change your mind. Surrounding your knees are likely Mamures, with creeping stems and fan-shaped leaves resembling those of a young coconut palm. You attempt to brush past them but immediately get snagged by a vine or string from another plant. As you look around, you realize the air is filled with wires—you’re caught in a web of fine branches from several different types of young trees, woven together with various slender creepers. At first glance among the tree trunks, you thought you were looking through open air; now, you see you're navigating a tangled web and must use your cutlass to clear a path every few steps. You push further into a patch of tough, grass-like Sclerias with razor-sharp edges. It's fortunate if they are only three feet tall, not six. In the middle of them, you bump into a horizontal stick, triangular, rounded, smooth, and green. You glance along it and see no end, but gradually realize it's the leaf stalk of a young Cocorite palm. The leaf stretches twenty-five feet long and sprouts from a massive ostrich plume, emerging from the ground a few yards above your head. You slice the leaf stalk above and below and move on, only to be abruptly stopped (since the multitude of objects confuses you, and you never see anything until you collide with it) by a grey lichen-covered bar as thick as your ankle. You follow it with your eyes, discovering it twists with three or four other bars, forming great knots, loops, and festoons twenty feet high, before rising into the green cloud above and disappearing as if a giant tossed a ship’s cable into the treetops. One of the bars, so impressive that even the locals are struck by it, is a Liantasse. You recognize it by its shape—a cable six to eight inches wide in one direction and three to four in another, adorned with regular knots, resembling a chain cable between two flexible iron bars. At one of the loops, about as thick as your arm, your companion—if you have a forester with you—will leap with joy. With a few swings of his cutlass, he will cut it at the highest point he can reach, then again three feet down; while you're marveling at this seemingly needless destruction, he lifts the bar triumphantly, tilts his head back, and drinks a pint or more of pure cold water. This hidden treasure is—as strange as it may sound—the rising sap, or rather the pure rainwater that the roots have absorbed, rushing upward to be transformed into sap, leaves, flowers, fruit, and fresh tissue for the very stem it originally rose through; that’s why the woodsman cuts the Watervine first at the top of the section he needs, not at the bottom—because the sap ascends so quickly that if he cuts the stem below, all the water would have already risen before he could cut it off above. Meanwhile, the old tale of Jack and the Beanstalk comes to mind. In such a forest, there was the old woman's hut; and it was up such a beanstalk that Jack climbed to find a giant and a castle high above. Why not? What else could be up there? You glance up into the green mist and for a moment wish to be a monkey. There might be monkeys up there above you, burly red Howlers or tiny, mischievous Sapajous, peering down; but you can't look up at them. The monkeys, the parrots, the hummingbirds, the flowers, and all the beauty are up above—in the canopy. You are in “the empty nave of the cathedral,” and “the service is being celebrated aloft in the blazing roof.”

THE HIGH WOODS.
THE GREAT WOODS.
We will hope that as you look up, you have not been careless enough to walk on; for if you have you will be tripped up at once: nor to put your hand out incautiously to rest it against a tree, or what not, for fear of sharp thorns, ants, and wasps’ nests. If you are all safe, your next steps, probably, as you struggle through the bush between the tree-trunks of every possible size, will bring you face to face with huge upright walls of seeming boards, whose rounded edges slope upward till, as your eye follows them, you will find them enter an enormous stem, perhaps round, like one of the Norman pillars of Durham nave, and just as huge; perhaps fluted, like one of William of Wykeham’s columns at Winchester. There is the stem: but where is the tree? Above the green cloud. You[Pg 306] struggle up to it, between two of the broad walls, but find it not so easy to reach. Between you and it, are a half-a-dozen tough strings which you had not noticed at first—the eye cannot focus itself rapidly enough in this confusion of distances—which have to be cut through ere you can pass. Some of them are rooted in the ground, straight and tense; some of them dangle and wave in the wind at every height. What are they? Air-roots of wild Pines, or of Matapalos, or of Figs, or of Seguines, or of some other parasite? Probably: but you cannot see. All you can see is, as you put your chin close against the trunk of the tree and look up, as if you were looking up against the side of a great ship set on end, that some sixty or eighty feet up in the green cloud, arms as big as English forest trees branch off; and that out of their forks a whole green garden of vegetation has tumbled down twenty or thirty feet, and half climbed up again. You scramble round the tree to find whence this aërial garden has sprung: you cannot tell. The tree-trunk is smooth and free from climbers; and that mass of verdure may belong possibly to the very cables which you meet ascending into the green cloud twenty or thirty yards back, or to that impenetrable tangle, a dozen yards on, which has climbed a small tree, and then a taller one again, and then a taller still, till it has climbed out of sight and possibly into the lower branches of the big tree. And what are their species? What are their families? Who knows? Not even the most experienced woodman or botanist can tell you the names of plants of which he only sees the stems. The leaves, the flowers, the fruit, can[Pg 307] only be examined by felling the tree; and not even always then, for sometimes the tree when cut refuses to fall, linked as it is by chains of liane to all the trees around. Even that wonderful water-vine which we cut through just now may be one of three or even four different plants.
We hope that as you look up, you haven't been careless enough to walk on; because if you have, you'll be tripped up right away. Also, be careful not to reach out to rest your hand against a tree or anything else, due to the risk of sharp thorns, ants, and wasps' nests. If you're safe, your next steps will likely lead you through the bush between tree trunks of various sizes, and you'll suddenly find yourself facing huge vertical walls that look like boards, with rounded edges sloping upwards. As your eyes follow them, you'll see they lead into an enormous trunk, possibly round like one of the Norman pillars in Durham Cathedral, and just as massive; or maybe fluted like one of William of Wykeham's columns in Winchester. That’s the trunk, but where's the tree? Above the green canopy. You struggle to reach it, squeezed between two of the wide walls, but find it’s not easy. In your path are half a dozen tough strings you didn't notice at first—the eye can't adjust quickly enough amid this confusion of distances—that you need to cut through before you can get by. Some of these are rooted in the ground, straight and tight; others dangle and sway in the wind at different heights. What are they? Air-roots of wild pines, or matapalos, figs, seguines, or some other parasite? Probably, but you can't tell. All you see is, when you lean your chin against the tree trunk and look up, as if gazing at the side of a massive ship set on end, that about sixty or eighty feet up in the green canopy, limbs as thick as English forest trees branch out; and that from their forks, a whole green garden of vegetation has spilled down twenty or thirty feet, then partially climbed back up. You scramble around the tree to find out where this aerial garden came from, but can't determine its origin. The tree trunk is smooth and free of climbers, and that mass of greenery might belong to the very vines you see ascending into the green canopy twenty or thirty yards back, or to that impenetrable tangle, a dozen yards ahead, which has climbed a small tree, then a taller one, and then an even taller one, until it's out of sight and possibly into the lower branches of the big tree. And what species are they? What families? Who knows? Not even the most skilled woodsman or botanist can tell you the names of plants of which they only see the stems. The leaves, flowers, and fruit can only be examined by cutting down the tree; and even then, not always, because sometimes the tree, when cut, refuses to fall, stuck as it is by liana chains to all the surrounding trees. Even that amazing water-vine we just cut through might be one of three or even four different plants.
Soon, you will be struck by the variety of the vegetation; and will recollect what you have often heard, that social plants are rare in the tropic forests. Certainly they are in the Trinidad; where the only instances of social trees are the Moras (which I have never seen growing wild) and the Moriche palms. In Europe, a forest is usually made up of one dominant plant of firs or of pines, of oaks or of beeches, of birch or of heather. Here no two plants seem alike. There are more species on an acre here than in all the New Forest, Savernake, or Sherwood. Stems rough, smooth, prickly, round, fluted, stilted, upright, sloping, branched, arched, jointed, opposite-leaved, alternate-leaved, leafless, or covered with leaves of every conceivable pattern, are jumbled together, till the eye and brain are tired of continually asking “What next?” The stems are of every colour—copper, pink, grey, green, brown, black as if burnt, marbled with lichens, many of them silvery white, gleaming afar in the bush, furred with mosses and delicate creeping film-ferns, or laced with air-roots of some parasite aloft. Up this stem scrambles a climbing Seguine with entire leaves; up the next another quite different, with deeply-cut leaves; up the next the Ceriman spreads its huge leaves, latticed and forked again and again. So fast do they grow, that they have not time[Pg 308] to fill up the spaces between their nerves, and are consequently full of oval holes; and so fast does its spadix of flowers expand, that (as do some other Aroids) an actual genial heat, and fire of passion, which may be tested by the thermometer, or even by the hand, is given off during fructification. Beware of breaking it, or the Seguines. They will probably give off an evil smell, and as probably a blistering milk. Look on at the next stem. Up it, and down again, a climbing fern which is often seen in hothouses has tangled its finely-cut fronds. Up the next, a quite different fern is crawling, by pressing tightly to the rough bark its creeping root-stalks, furred like a hare’s leg. Up the next, the prim little Griffe-chatte plant has walked, by numberless clusters of small cats’-claws, which lay hold of the bark. And what is this delicious scent about the air? Vanille? Of course it is; and up that stem zigzags the green fleshy chain of the Vanille Orchis. The scented pod is far above, out of your reach; but not out of the reach of the next parrot, or monkey, or Negro hunter, who winds the treasure. And the stems themselves: to what trees do they belong? It would be absurd for one to try to tell you who cannot tell one-twentieth of them himself. Suffice it to say, that over your head are perhaps a dozen kinds of admirable timber, which might be turned to a hundred uses in Europe, were it possible to get them thither: your guide (who here will be a second hospitable and cultivated Scot) will point with pride to one column after another, straight as those of a cathedral, and sixty to eighty feet without branch or knob. That, he will[Pg 309] say, is Fiddlewood; that a Carapo, that a Cedar, that a Roble (oak); that, larger than all you have seen yet, a Locust; that, a Poui; that, a Guatecare; that an Olivier, woods which, he will tell you, are all but incorruptible, defying weather and insects. He will show you, as curiosities, the smaller but intensely hard Letter wood, Lignum vitæ, and Purple heart. He will pass by as useless weeds, Ceibas and Sandbox-trees, whose bulk appalls you. He will look up, with something like a malediction, at the Matapalos, which, every fifty yards, have seized on mighty trees, and are enjoying, I presume, every different stage of the strangling art, from the baby Matapalo, who, like one which you saw in the Botanic Garden, has let down his first air-root along his victim’s stem, to the old sinner whose dark crown of leaves is supported, eighty feet in air, on innumerable branching columns of every size, cross-clasped to each other by transverse bars. The giant tree on which his seed first fell has rotted away utterly, and he stands in its place, prospering in his wickedness, like certain folk whom David knew too well. Your guide walks on with a sneer. But he stops with a smile of satisfaction as he sees lying on the ground dark green glossy leaves, which are fading into a bright crimson; for overhead somewhere there must be a Balata, the king of the forest; and there, close by, is his stem—a madder-brown column, whose head may be a hundred and fifty feet or more aloft. The forester pats the side of his favourite tree, as a breeder might that of his favourite race-horse. He goes on to evince his affection, in the fashion of West Indians, by[Pg 310] giving it a chop with his cutlass; but not in wantonness. He wishes to show you the hidden virtues, of this (in his eyes) noblest of trees—how there issues out swiftly from the wound a flow of thick white milk, which will congeal, in an hour’s time, into a gum intermediate in its properties between caoutchouc and gutta-percha. He talks of a time when the English gutta-percha market shall be supplied from the Balatas of the northern hills, which cannot be shipped away as timber. He tells you how the tree is a tree of a generous, virtuous and elaborate race—“a tree of God, which is full of sap,” as one said of old of such—and what could he say better, less or more? For it is a Sapota, cousin to the Sapodilla, and other excellent fruit-trees, itself most excellent even in its fruit-bearing power; for every five years it is covered with such a crop of delicious plums, that the lazy Negro thinks it worth his while to spend days of hard work, besides incurring the penalty of the law (for the trees are Government property), in cutting it down for the sake of its fruit. But this tree your guide will cut himself. There is no gully between it and the Government station; and he can carry it away; and it is worth his while to do so; for it will square, he thinks, into a log more than three feet in diameter, and eighty, ninety—he hopes almost a hundred—feet in length of hard, heavy wood, incorruptible, save in salt water; better than oak, as good as teak, and only surpassed in this island by the Poui. He will make a stage round it, some eight feet high, and cut it above the spurs. It will take his convict gang (for convicts are turned to some real use in Trinidad) several[Pg 311] days to get it down, and many more days to square it with the axe. A trace must be made to it through the wood, clearing away vegetation for which a European millionaire, could he keep it in his park, would gladly pay a hundred pounds a yard. The cleared stems, especially those of the palms, must be cut into rollers; and the dragging of the huge log over them will be a work of weeks, especially in the wet season. But it can be done, and it shall be; so he leaves a significant mark on his new-found treasure, and leads you on through the bush, hewing his way with light strokes right and left, so carelessly that you are inclined to beg him to hold his hand, and not destroy in a moment things so beautiful, so curious, things which would be invaluable in an English hothouse.
Soon, you'll be amazed by the variety of plants around you and remember what you’ve often heard: social plants are rare in tropical forests. They certainly are in Trinidad, where the only examples of social trees are the Moras (which I’ve never seen growing wild) and the Moriche palms. In Europe, a forest usually consists of one dominant type of tree, like firs, pines, oaks, or beeches. Here, no two plants look the same. There are more species in an acre here than in all of the New Forest, Savernake, or Sherwood. Stems can be rough, smooth, prickly, round, fluted, stilted, upright, sloping, branched, arched, jointed, with leaves that are opposite, alternate, leafless, or covered in every imaginable leaf pattern—all jumbled together, until your eyes and brain tire of continuously asking, "What’s next?" The stems come in every color—copper, pink, gray, green, brown, black like they've been burned, marbled with lichens, many glittering silver-white, visible from afar in the underbrush, covered in mosses and delicate creeping ferns, or tangled with air roots from some high-up parasite. A climbing Seguine plant with entire leaves scrambles up one stem; the next has a different plant with deeply cut leaves; and the next again, the Ceriman spreads huge, latticed, repeatedly forked leaves. They grow so quickly that they don’t have time to fill in the spaces between their veins, resulting in oval holes; and the spadix of flowers expands so rapidly that (like some other Aroids) it emits a noticeable heat and passionate warmth during fruiting, which can be felt with a thermometer or even by hand. Avoid breaking it or the Seguines; they’ll likely release a bad smell and blistering sap. Look at the next stem. Up and down it, a climbing fern often found in greenhouses has tangled its finely cut fronds. Climbing the next one is a different fern that presses tightly against the rough bark with its furry root stalks, resembling a hare’s leg. Up the next, you see the neat Griffe-chatte plant climbing, with its many clusters of small claws gripping the bark. And what’s that delightful scent in the air? Vanilla? Of course! Zigzagging up that stem is the fleshy green chain of the Vanilla Orchid. The fragrant pod is high above, out of your reach but not out of reach for the next parrot, monkey, or local hunter who knows where to find the treasure. And the stems themselves—what trees do they belong to? It would be ridiculous to try to name them when even one-fifth of them is unknown to anyone. Let’s just say that overhead are perhaps a dozen types of amazing timber that could be used for a hundred purposes in Europe, if only they could be transported there. Your guide (who will be a second kind and knowledgeable Scot) proudly points out one column after another, straight as those in a cathedral, and sixty to eighty feet tall without a single branch or knot. “That,” he’ll say, “is Fiddlewood; that’s a Carapo; that’s a Cedar; that’s a Roble (oak); and that, larger than all you’ve seen so far, is a Locust; that’s a Poui; that’s a Guatecare; that’s an Olivier—woods that, he’ll tell you, are nearly incorruptible, resisting weather and insects.” He’ll show you as curiosities the smaller but extremely hard Letter wood, Lignum vitae, and Purple heart. He’ll dismiss, as useless weeds, Ceibas and Sandbox trees whose size is overwhelming. He’ll look up with something like a curse at the Matapalos, which every fifty yards have latched onto mighty trees, and are enjoying, as far as I assume, every stage of the strangling process—from the baby Matapalo, like one you saw in the Botanic Garden with its first air root hanging down along its victim’s stem, to the old one whose dark crown of leaves is supported eighty feet in the air, on countless branching columns of all sizes, interlinked by transverse bars. The colossal tree where its seed first fell has completely rotted away, and now it stands in its place, thriving in its wickedness, like certain people known to David. Your guide walks on with a grin but stops with a satisfied smile when he sees dark green glossy leaves fading into bright crimson on the ground; overhead, there must be a Balata, the king of the forest; and close by is its stem—a madder-brown column that could reach a hundred fifty feet or more up high. The forester pats the side of his favorite tree like a breeder would to his prized racehorse. He expresses his affection, as West Indians do, by making a chop with his cutlass, but it's not out of malice. He wants to show you the hidden benefits of this (in his eyes) noblest of trees—how quickly a thick white sap flows from the wound, which congeals in an hour into a gum with qualities between caoutchouc and gutta-percha. He talks about a time when the English gutta-percha market will be supplied by Balatas from the northern hills, which cannot be shipped like timber. He explains that the tree is from a generous, noble lineage—“a tree of God, which is full of sap,” as someone said of old—and what could he say better or worse? For it is a Sapota, related to the Sapodilla and other excellent fruit trees, itself remarkable in its fruit-bearing ability; every five years it produces such a crop of delicious plums that the lazy local residents find it worthwhile to spend days harvesting them, even risking legal penalties (since the trees are government property) to cut them down for their fruit. But this tree, your guide will personally cut. There’s no gap between it and the government station, and he can take it, and it’s definitely worth his effort because he believes it could be squared into a log over three feet in diameter, and eighty, ninety—he hopes nearly a hundred—feet long, of hard, heavy wood that won’t rot unless in salt water; better than oak, as good as teak, and only surpassed on this island by the Poui. He’ll build a platform around it, about eight feet high, and cut it above the spurs. It will take his convict crew (as convicts are put to productive work in Trinidad) several days to bring it down, and many more days to shape it with axes. A path must be cleared to it through the woods, removing vegetation that a European millionaire would gladly pay a hundred pounds for per yard if he could keep it in his park. The cleared stems, especially those of the palms, must be turned into rollers; and dragging the enormous log over them will take weeks, particularly in the rainy season. But it can be done, and it will be; so he leaves a telling mark on his newly discovered treasure, and leads you through the undergrowth, clearing a path with quick, light strokes of his cutlass right and left, so casually that you’re tempted to ask him to take it easy and not destroy such beautiful, unique specimens—things that would be invaluable in an English greenhouse.
And where are the famous Orchids? They perch on every bough and stem; but they are not, with three or four exceptions, in flower in the winter; and if they were, I know nothing about them—at least, I know enough to know how little I know. Whosoever has read Darwin’s Fertilization of Orchids, and finds in his own reason that the book is true, had best say nothing about the beautiful monsters till he has seen with his own eyes more than his master.
And where are the famous orchids? They sit on every branch and stem; but they are not, with three or four exceptions, blooming in the winter; and if they were, I really don't know anything about them—at least, I know enough to realize how little I know. Anyone who has read Darwin’s Fertilization of Orchids and believes that the book is true based on their own reasoning should probably keep quiet about the beautiful anomalies until they have seen more with their own eyes than their mentor.
And yet even the three or four that are in flower are worth going many a mile to see. In the hothouse, they seem almost artificial from their strangeness: but to see them “natural,” on natural boughs, gives a sense of their reality, which no unnatural situation can give. Even to look up at them perched on bough and stem, as one rides[Pg 312] by; and to guess what exquisite and fantastic form may issue, in a few months or weeks, out of those fleshy, often unsightly leaves, is a strange pleasure; a spur to the fancy which is surely wholesome, if we will but believe that all these things were invented by A Fancy, which desires to call out in us, by contemplating them, such small fancy as we possess; and to make us poets, each according to this power, by showing a world in which, if rightly looked at, all is poetry.
And yet, even the three or four that are in bloom are worth traveling far to see. In the greenhouse, they look almost fake because of their unusualness; but seeing them “in the wild,” on natural branches, gives a sense of their reality that no artificial setting can provide. Just looking up at them resting on branches and stems as you ride by, and wondering what beautiful and fantastical shape might emerge in a few weeks or months from those fleshy, often unattractive leaves, is a strange joy; a boost to the imagination that is surely beneficial if we believe that all these things were created by a Fancy that wants to inspire in us, through contemplating them, the little imagination we have; and to turn us into poets, each according to our ability, by revealing a world where, if seen correctly, everything is poetry.
Another fact will soon force itself on your attention, unless you wish to tumble down and get wet up to your knees. The soil is furrowed everywhere by holes; by graves, some two or three feet wide and deep, and of uncertain length and shape, often wandering about for thirty or forty feet, and running confusedly into each other. They are not the work of man, nor of an animal; for no earth seems to have been thrown out of them. In the bottom of the dry graves you sometimes see a decaying root: but most of them just now are full of water, and of tiny fish also, who burrow in the mud and sleep during the dry season, to come out and swim during the wet. These graves are some of them, plainly quite new. Some, again, are very old; for trees of all sizes are growing in them and over them.
Another fact will soon grab your attention, unless you want to fall in and get wet up to your knees. The ground is covered with holes; graves, some two or three feet wide and deep, with uncertain lengths and shapes, often stretching for thirty or forty feet and running into each other in a tangled mess. They aren't made by humans or animals, since no dirt seems to have been dug out of them. At the bottom of the dry graves, you might see a decaying root: but most of them right now are full of water and tiny fish, which burrow in the mud and sleep during the dry season, coming out to swim when it’s wet. Some of these graves are clearly quite new. Others are very old; trees of all sizes are growing in them and over them.
What makes them? A question not easily answered. But the shrewdest foresters say that they have the roots of trees now dead. Either the tree has fallen and torn its roots out of the ground, or the roots and stumps have rotted in their place, and the soil above them has fallen in.
What creates them? That's a question that's tough to answer. But the smartest foresters say that they have the roots of trees that are now dead. Either the tree has fallen and pulled its roots out of the ground, or the roots and stumps have decayed where they are, and the soil above them has collapsed.
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[Pg 313]
But they must decay very quickly, these roots, to leave their quite fresh graves thus empty; and—now one thinks of it—how few fallen trees, or even dead sticks, there are about. An English wood, if left to itself, would be cumbered with fallen timber; and one has heard of forests in North America, through which it is all but impossible to make way, so high are piled up, among the still-growing trees, dead logs in every stage of decay. Such a sight may be seen in Europe, among the high Silver-fir forests of the Pyrenees. How is it not so here? How indeed? And how comes it—if you will, look again—that there are few or no fallen trees, and actually no leaf-mould? In an English wood there would be a foot—perhaps two feet—of black soil, renewed every autumn leaf fall. Two feet? One has heard often enough of bison-hunting in Himalayan forests among Deodaras one hundred and fifty feet high, and scarlet Rhododendrons thirty feet high, growing in fifteen or twenty feet of leaf-and-timber mould. And here in a forest equally ancient, every plant is growing out of the bare yellow loam, as it might in a well-hoed garden bed. Is it not strange?
But these roots must rot away really quickly to leave their fresh graves empty like this; and—now that I think about it—how few fallen trees, or even dead branches, there are around. An English wood, if left alone, would be covered with fallen timber; and I've heard about forests in North America where it's nearly impossible to get through because dead logs in various stages of decay are stacked so high among the still-growing trees. You can see something like that in Europe, among the tall Silver-fir forests of the Pyrenees. Why isn’t it like that here? Seriously, how is that possible? And why is it—if you take a moment to look again—that there are barely any fallen trees and no leaf-mold at all? In an English wood, there would be a foot—maybe even two feet—of rich black soil, replenished every autumn when the leaves fall. Two feet? I’ve often heard of bison-hunting in Himalayan forests among Deodaras that reach one hundred and fifty feet high, and scarlet Rhododendrons thirty feet tall, growing in fifteen or twenty feet of leaf-and-timber mold. Yet here, in a forest just as ancient, every plant grows out of bare yellow loam, like it would in a well-tended garden bed. Isn’t that strange?
Most strange; till you remember where you are—in one of nature’s hottest and dampest laboratories. Nearly eighty inches of yearly rain and more than eighty degrees of perpetual heat make swift work with vegetable fibre, which, in our cold and sluggard clime, would curdle into leaf-mould, perhaps into peat. Far to the north, in poor old Ireland, and far to the south, in Patagonia, begin the zones of peat, where dead vegetable fibre, its treasures of light and heat[Pg 314] locked up, lies all but useless age after age. But this is the zone of illimitable sun-force, which destroys as swiftly as it generates, and generates again as swiftly as it destroys. Here, when the forest giant falls, as some tell me that they have heard him fall, on silent nights, when the cracking of the roots below the lianes aloft rattles like musketry through the woods, till the great trunk comes down, with a boom as of a heavy gun, re-echoing on from mountain-side to mountain-side; then—
Most strange; until you remember where you are—in one of nature’s hottest and most humid laboratories. Nearly eighty inches of rain every year and temperatures over eighty degrees year-round rapidly break down plant fiber, which, in our colder and slower climate, would just turn into leaf mold, maybe even peat. Far to the north, in poor old Ireland, and far to the south, in Patagonia, you reach the peat zones, where dead plant fiber, with its stores of light and heat locked away, sits almost useless for generations. But this is the area of limitless solar energy, which destroys as quickly as it creates, and creates again just as fast as it destroys. Here, when the giant tree falls, as some people say they've heard it fall on quiet nights, the cracking of the roots beneath the vines rattles like gunfire through the woods until the massive trunk crashes down with a sound like a heavy cannon, echoing from one mountainside to another; then—
Under the genial rain and genial heat the timber tree itself, all its tangled ruin of lianes and parasites, and the boughs and leaves snapped off not only by the blow, but by the very wind, of the falling tree—all melt away swiftly and peacefully in a few months—say almost a few days—into the water, and carbonic acid, and sunlight, out of which they were created at first, to be absorbed instantly by the green leaves around, and, transmuted into fresh forms of beauty, leave not a wrack behind. Explained thus—and this I believe to be the true explanation—the absence of leaf-mould is one of the grandest, as it is one of the most startling, phenomena, of the forest.
Under the gentle rain and warm heat, the timber tree itself, along with its tangled mess of vines and parasites, and the branches and leaves broken not just by the impact but also by the very wind of the falling tree—all quickly and peacefully dissolve within a few months—almost just a few days—into water, carbon dioxide, and sunlight, which were the building blocks they originally came from, to be instantly taken in by the green leaves nearby, and transformed into new forms of beauty, leaving no trace behind. Explained in this way—and I believe this is the true explanation—the lack of leaf mold is one of the most remarkable, as well as one of the most surprising, phenomena of the forest.
Look here at a fresh wonder. Away in front of us a smooth grey pillar glistens on high. You can see neither the top nor the bottom of it. But its colour, and its perfectly cylindrical shape, tell you what it is—a glorious[Pg 315] Palmiste; one of those queens of the forest which you saw standing in the fields; with its capital buried in the green cloud and its base buried in that bank of green velvet plumes, which you must skirt carefully round, for they are prickly dwarf palm, called Black Roseau. Close to it rises another pillar, as straight and smooth, but one-fourth of the diameter—a giant’s walking cane. Its head, too, is in the green cloud. But near are two or three younger ones only forty or fifty feet high, and you see their delicate feather heads, and are told that they are Manacques; the slender nymphs which attend upon the forest queen, as beautiful, though not as grand, as she.
Look at this amazing sight. Out in front of us, a smooth grey pillar shines high above. You can't see the top or the bottom of it. But its color and perfectly cylindrical shape tell you what it is—a stunning[Pg 315] Palmiste; one of those queens of the forest you saw standing in the fields, with its crown lost in the green mist and its base hidden in that bank of green velvet fronds, which you need to navigate around carefully because they are prickly dwarf palms known as Black Roseau. Next to it stands another pillar, just as tall and smooth, but one-fourth the width—like a giant’s walking stick. Its top is also in the green mist. But nearby are two or three younger ones, only about forty or fifty feet tall, and you can see their delicate feather tops, and you learn that they are Manacques; the slender nymphs that serve the forest queen, just as beautiful, though not as grand, as she.
The land slopes down fast now. You are tramping through stiff mud, and those Roseaux are a sign of water. There is a stream or gulley near: and now for the first time you can see clear sunshine through the stems; and see, too, something of the bank of foliage on the other side of the brook. You can catch sight, it may be, of the head of a tree aloft, blazing with golden trumpet flowers, which is a Poui; and of another low-one covered with hoar-frost, perhaps a Croton; and of another, a giant covered with purple tassels. That is an Angelim. Another giant overtops even him. His dark glossy leaves toss off sheets of silver light as they flicker in the breeze; for it blows hard aloft outside while you are in the stifling calm. That is a Balata. And what is that on high? Twenty or thirty square yards of rich crimson a hundred feet above the ground. The flowers may belong to the tree itself. It may be Mountain-mangrove, which I have never seen in[Pg 316] flower: but take the glasses and decide. No. The flowers belong to a liane. The “wonderful” Prince of Wales’ feather has taken possession of the head of a huge Mombin, and tiled it all over with crimson combs which crawl out to the ends of the branches, and dangle twenty or thirty feet down, waving and leaping in the breeze. And all over blazes the cloudless blue.
The land slopes down quickly now. You are trudging through thick mud, and those reeds are a sign of water. There’s a stream or gully nearby: and now, for the first time, you can see clear sunlight shining through the stems; and you can also glimpse some of the dense foliage on the other side of the brook. You might spot the top of a tree above, bursting with golden trumpet flowers, which is a Poui; and another shorter one covered with frost, maybe a Croton; and another giant draped in purple tassels. That’s an Angelim. Another giant even taller looms over him. His dark, glossy leaves throw off glimmers of silver light as they flutter in the breeze; for it’s blowing hard up high while you’re in the still heat. That’s a Balata. And what’s that up high? Twenty or thirty square yards of rich crimson a hundred feet in the air. The flowers might belong to the tree itself. It could be Mountain-mangrove, which I’ve never seen in bloom: but grab the binoculars and check. No. The flowers belong to a vine. The “magnificent” Prince of Wales’ feather has taken over the top of a huge Mombin, covering it with crimson tufts that stretch out to the tips of the branches and dangle twenty or thirty feet down, swaying and dancing in the breeze. And all around sparkles the cloudless blue.
You gaze astounded. Ten steps downward, and the vision is gone. The green cloud has closed again over your head, and you are stumbling in the darkness of the bush, half blinded by the sudden change from the blaze to the shade. Beware. “Take care of the Croc-chien!” shouts your companion: and you are aware of, not a foot from your face, a long, green, curved whip, armed with pairs of barbs some four inches apart; and you are aware also, at the same moment, that another has seized you by the arm, another by the knees, and that you must back out, unless you are willing to part with your clothes, and your flesh afterwards. You back out, and find that you have walked into the tips—luckily only into the tips—of the fern-like fronds of a trailing and climbing palm such as you see in the Botanic Gardens. That came from the East, and furnishes the rattan-canes. This furnishes the gri-gri-canes, and is rather worse to meet, if possible, than the rattan. Your companion, while he helps you to pick the barbs out, calls the palm laughingly by another name, “Suelta-mi-Ingles”; and tells you the old story of the Spanish soldier at San Josef. You are near the water now; for here is a thicket of Balisiers. Push through, under their great plantain-like[Pg 317] leaves. Slip down the muddy bank to that patch of gravel. See first, though, that it is not tenanted already by a deadly Mapepire, or rattlesnake, which has not the grace, as his cousin in North America has, to use his rattle.
You stand there in shock. Just ten steps down, and the vision disappears. The green mist has closed back over your head, and you’re stumbling in the dark bushes, half blind from the sudden shift from bright light to shade. Watch out. “Watch out for the Croc-dog!” your friend yells, and you see, just inches from your face, a long, green, curved whip with barbs about four inches apart; and you also realize, at the same moment, that another has grabbed you by the arm, another by the knees, and you have to back out unless you want to lose your clothes, and your flesh after that. You back out and discover that you’ve walked into the tips—thankfully just the tips—of the fern-like fronds of a trailing climbing palm like the ones in the Botanic Gardens. It came from the East and provides the rattan canes. This one produces the gri-gri canes and is even more dangerous to encounter than the rattan. Your friend, while helping you pick out the barbs, jokingly refers to the palm as “Suelta-mi-Ingles” and tells you the old story of the Spanish soldier at San Josef. You’re close to the water now; there’s a thicket of Balisiers. Push through under their large plantain-like leaves. Slip down the muddy bank to that patch of gravel. But first, make sure it’s not already occupied by a deadly Mapepire, or rattlesnake, which, unlike its cousin in North America, doesn’t have the courtesy to use its rattle.
The brooklet, muddy with last night’s rain, is dammed and bridged by winding roots, in the shape like the jointed wooden snakes which we used to play with as children. They belong probably to a fig, whose trunk is somewhere up in the green cloud. Sit down on one, and look, around and aloft. From the soil to the sky, which peeps through here and there, the air is packed with green leaves of every imaginable hue and shape. Round our feet are Arums, with snow-white spadixes and hoods, one instance among many here of brilliant colour developing itself in deep shade. But is the darkness of the forest actually as great as it seems? Or are our eyes, accustomed to the blaze outside, unable to expand rapidly enough, and so liable to mistake for darkness air really full of light reflected downwards, again and again, at every angle, from the glossy surfaces of a million of leaves? At least we may be excused; for a bat has made the same mistake, and flits past us at noonday. And there is another—No; as it turns, a blaze of metallic azure off the upper side of the wings proves this one to be no bat, but a Morpho—a moth as big as a bat. And what was that second larger flash of golden green, which dashed at the moth, and back to yonder branch not ten feet off? A Jacamar—kingfisher, as they miscall her here, sitting fearless of man, with the moth in her long beak. Her throat is snowy white, her under-parts[Pg 318] rich red brown. Her breast, and all her upper plumage and long tail, glitter with golden green. There is light enough in this darkness, it seems. But now look again at the plants. Among the white-flowered Arums are other Arums, stalked and spotted, of which beware; for they are the poisonous Seguine-diable, the dumb-cane, of which evil tales were told in the days of slavery. A few drops of its milk, put into the mouth of a refractory slave, or again into the food of a cruel master, could cause swelling, choking, and burning agony for many hours.
The little stream, muddy from last night’s rain, is held back and crossed by twisting roots, resembling the jointed wooden snakes we used to play with as kids. They probably belong to a fig tree, whose trunk is hidden somewhere in the green canopy above. Sit down on one and look around and up. From the ground to the sky, which peeks through in spots, the air is filled with green leaves of every imaginable color and shape. At our feet are Arums, with snow-white spadixes and hoods, a shining example among many here of bright colors emerging in deep shade. But is the darkness of the forest really as intense as it appears? Or are our eyes, used to the bright light outside, just unable to adjust quickly enough, mistaking air full of light—bouncing off the glossy surfaces of a million leaves—for darkness? We can at least be forgiven this confusion; even a bat makes the same error, flitting past us at noon. And there goes another—No; as it turns, a flash of metallic blue from its upper wings reveals this one isn’t a bat at all, but a Morpho—a moth as large as a bat. And what was that second bigger flash of golden green that darted at the moth and then back to that branch not ten feet away? A Jacamar—known here as a kingfisher—sitting unafraid of humans, with the moth in her long beak. Her throat is snowy white, and her underparts are a rich reddish-brown. Her breast and all her upper plumage, along with her long tail, shine with golden-green hues. There’s plenty of light in this darkness, it seems. But now turn your gaze back to the plants. Among the white-flowered Arums are other Arums, stalked and spotted, which you should watch out for; they are the poisonous Seguine-diable, the dumb-cane, notorious for the evil tales that circulated during the days of slavery. Just a few drops of its sap, placed in the mouth of a defiant slave or even in the food of a cruel master, could cause swelling, choking, and burning pain for many hours.
Over our heads bend the great arrow leaves and purple leaf-stalks of the Tanias; and mingled with them, leaves often larger still: oval, glossy, bright, ribbed, reflecting from their underside a silver light. They belong to Arumas; and from their ribs are woven the Indian baskets and packs. Above these, again, the Balisiers bend their long leaves, eight or ten feet long apiece; and under the shade of the leaves their gay flower-spikes, like double rows of orange and black-birds’ beaks upside down. Above them, and among them, rise stiff upright shrubs, with pairs of pointed leaves, a foot long some of them, pale green above, and yellow or fawn-coloured beneath. You may see, by the three longitudinal nerves in each leaf, that they are Melastomas of different kinds—a sure token that you are in the Tropics—a probable token that you are in Tropical America.
Over our heads, the large arrow-shaped leaves and purple stems of the Tanias bend down, mixed with even bigger leaves: oval, shiny, bright, and ribbed, reflecting a silver light from underneath. These belong to Arumas, and their ribs are used to weave Indian baskets and packs. Above them, the Balisiers hang their long leaves, each eight to ten feet long; beneath the shade of these leaves, their colorful flower spikes look like upside-down double rows of orange and black birds' beaks. Among them, stiff, upright shrubs rise, sporting pairs of pointed leaves that are a foot long, pale green on top and yellow or tan underneath. You can tell by the three long veins in each leaf that they are different kinds of Melastomas—a sure sign that you are in the Tropics and likely in Tropical America.
And over them, and among them, what a strange variety of foliage. Look at the contrast between the Balisiers and that branch which has thrust itself among them, which you[Pg 319] take for a dark copper-coloured fern, so finely divided are its glossy leaves. It is really a Mimosa-Bois Mulâtre as they call it here. What a contrast again, the huge feathery fronds of the Cocorite palms which stretch right away hither over our heads, twenty and thirty feet in length. And what is that spot of crimson flame hanging in the darkest spot of all from an under-bough of that low weeping tree? A flower-head of the Rosa del Monte. And what that bright straw-coloured fox’s brush above it, with a brown hood like that of an Arum, brush and hood nigh three feet long each? Look—for you require to look more than once, sometimes more than twice—here, up the stem of that Cocorite, or as much of it as you can see in the thicket. It is all jagged with the brown butts of its old fallen leaves; and among the butts perch broad-leaved ferns, and fleshy Orchids, and above them, just below the plume of mighty fronds, the yellow fox’s brush, which is its spathe of flower.
And above them, and among them, there's such a strange variety of foliage. Check out the contrast between the Balisiers and that branch that's pushed its way in among them, which you might mistake for a dark copper-colored fern because its glossy leaves are so finely divided. It's actually a Mimosa-Bois Mulâtre, as they call it here. And again, look at the huge feathery fronds of the Cocorite palms that stretch overhead, measuring twenty to thirty feet long. What’s that spot of crimson flame hanging in the darkest part from a lower branch of that low, weeping tree? A flower-head of the Rosa del Monte. And what about that bright straw-colored fox’s brush above it, with a brown hood like that of an Arum, each brush and hood nearly three feet long? Look—because you'll need to look more than once, sometimes even more than twice—here, up the stem of that Cocorite, or as much of it as you can see through the thicket. It's all jagged with the brown bases of its old fallen leaves, and among them perch broad-leaved ferns and fleshy Orchids. Just above them, right below the plume of mighty fronds, you'll see the yellow fox’s brush, which is its flowering spathe.
What next? Above the Cocorites dangle, amid a dozen different kinds of leaves, festoons of a liane, or of two, for one has purple flowers, the other yellow—Bignonias, Bauhinias—what not? And through them a Carat palm has thrust its thin bending stem, and spread out its flat head of fan-shaped leaves twenty feet long each: while over it, I verily believe, hangs eighty feet aloft the head of the very tree upon whose roots we are sitting. For amid the green cloud you may see sprigs of leaf somewhat like that of a weeping willow; and there, probably, is the trunk to which they belong, or rather what will be a trunk at last. At[Pg 320] present it is like a number of round edged boards of every size, set on end, and slowly coalescing at their edges. There is a slit down the middle of the trunk, twenty or thirty feet long. You may see the green light of the forest shining through it. Yes, that is probably the fig; or, if not, then something else. For who am I, that I should know the hundredth part of the forms on which we look?
What’s next? Above the Cocorites hang, among a variety of leaves, clusters of a vine or two, one with purple flowers and the other with yellow—Bignonias, Bauhinias—what else? And through them, a Carat palm has pushed its slender, bending stem up and spread out its flat, fan-shaped leaves, each about twenty feet long. Meanwhile, I honestly believe the top of the very tree we’re sitting on is hanging eighty feet above us. Among the green mass, you can see sprigs of leaves that resemble those of a weeping willow, and there, likely, is the trunk they belong to—or what will eventually become a trunk. Right now it looks like a bunch of rounded boards of various sizes standing upright, slowly merging at their edges. There’s a split down the center of the trunk, about twenty or thirty feet long. You can see the green light of the forest shining through it. Yes, that’s probably the fig; or if not, then something else. Because who am I to know even a small fraction of the forms we see?
And above all you catch a glimpse of that crimson mass of Norantea which we admired just now; and, black as yew against the blue sky and white cloud, the plumes of one Palmiste, who has climbed towards the light, it may be for centuries, through the green cloud; and now, weary and yet triumphant, rests her dark head among the bright foliage of a Ceiba, and feeds unhindered on the sun.
And above all, you see that red mass of Norantea that we just admired; and, dark as a yew tree against the blue sky and white clouds, the plumes of one Palmiste, who has been climbing toward the light, maybe for centuries, through the green canopy; and now, tired yet victorious, rests her dark head among the bright leaves of a Ceiba and enjoys the sunlight without restraint.
There, take your tired eyes down again; and turn them right, or left, or where you will, to see the same scene, and yet never the same. New forms, new combinations; wealth of creative Genius—let us use the wise old word in its true sense—incomprehensible by the human intellect or the human eye, even as He is who makes it all, Whose garment, or rather Whose speech, it is. The eye is not filled with seeing, or the ear with hearing; and never would be, did you roam these forests for a hundred years. How many years would you need merely to examine and discriminate the different species? And when you had done that, how many more to learn their action and reaction on each other? How many more to learn their virtues, properties, uses? How many more to answer that perhaps ever unanswerable question—How they exist and[Pg 321] grow at all? By what miracle they are compacted out of light, air, and water, each after its kind. How, again, those kinds began to be, and what they were like at first? Whether those crowded, struggling, competing shapes are stable or variable? Whether or not they are varying still? Whether even now, as we sit here, the great God may not be creating, slowly but surely, new forms of beauty round us. Why not? If He chose to do it, could He not do it? And even had you answered that question, which would require whole centuries of observation as patient and accurate as that which Mr. Darwin employed on Orchids and climbing plants, how much nearer would you be to the deepest question of all—Do these things exist, or only appear? Are they solid realities, or a mere phantasmagoria, orderly indeed, and law-ruled, but a phantasmagoria still; a picture-book by which God speaks to rational essences, created in His own likeness? And even had you solved that old problem, and decided for Berkeley or against him, you would still have to learn from these forests a knowledge which enters into man not through the head, but through the heart; which (let some modern philosophers say what they will) defies all analysis, and can be no more defined or explained by words than a mother’s love. I mean, the causes and effects of their beauty; that “Æsthetic of plants,” of which Schleiden has spoken so well in that charming book of his The Plant, which all should read who wish to know somewhat of “The Open Secret.”
Take your tired eyes down again; and turn them right, or left, or wherever you want, to see the same scene, yet never exactly the same. New shapes, new combinations; a wealth of creative genius—let's use that wise old word in its true sense—beyond human understanding or perception, just like the one who creates it all, whose garment, or rather whose voice, it is. The eye isn't satisfied with what it sees, nor the ear with what it hears; and it never would be, even if you roamed these forests for a hundred years. How many years would it take just to identify and distinguish the different species? And once you've done that, how many more would you need to understand their interactions and effects on each other? How many more to discover their qualities, properties, and uses? How many more to tackle that perhaps forever unanswerable question—how they exist and grow at all? By what miracle are they made from light, air, and water, each one unique? How did those varieties come into being, and what were they like at the start? Are those crowded, competing forms stable or changing? Are they still evolving even now, as we sit here? Why not? If He decided to do it, couldn't He? And even if you answered that question, which would require centuries of patient and precise observation like what Mr. Darwin did with orchids and climbing plants, how much closer would you be to the deepest question of all—do these things exist, or do they only appear to? Are they solid realities, or just an elaborate illusion, organized and governed by laws, yet still an illusion; a picture book through which God communicates with rational beings made in His own image? And even if you solved that age-old problem, and took a side in the debate with Berkeley, you'd still need to learn from these forests a knowledge that enters a person not through reason, but through the heart; which (no matter what some modern philosophers claim) resists all analysis, and can be no more defined or explained by words than a mother’s love. I mean, the causes and effects of their beauty; that “aesthetics of plants,” which Schleiden discusses so well in his delightful book The Plant, which everyone should read who wants to understand a bit of “The Open Secret.”
But when they read it, let them read with open hearts. For that same “Open Secret” is, I suspect, one of those[Pg 322] which God may hide from the wise and prudent, and yet reveal to babes.
But when they read it, let them read with open hearts. For that same “Open Secret” is, I suspect, one of those[Pg 322] that God may hide from the wise and careful, and yet reveal to the innocent.
At least, so it seemed to me, the first day that I went, awe-struck, into the High Woods; and so it seemed to me, the last day that I came, even more awe-struck, out of them.
At least, that’s how it felt to me, on the first day I went, filled with wonder, into the High Woods; and that’s how it felt to me, on the last day I came out of them, even more filled with wonder.
At Last: a Christmas in the West Indies (London and New York, 1871).
At Last: a Christmas in the West Indies (London and New York, 1871).
[Pg 323]
[Pg 323]
THE YO-SEMITÉ VALLEY
(UNITED STATES)
(USA)
C. F. GORDON-CUMMING
C. F. Gordon-Cumming
The valley can be approached from several different points. That by which we entered is, I think, known as Inspiration Point. When we started from Clarke’s Ranch, we were then at about the same level as we are at this moment—namely, 4,000 feet above the sea. The road gradually wound upwards through beautiful forest and by upland valleys, where the snow still lay pure and white: and here and there, where it had melted and exposed patches of dry earth, the red flame-like blossoms of the snow-plant gleamed vividly.
The valley can be accessed from several different points. The one we entered is, I believe, called Inspiration Point. When we left Clarke’s Ranch, we were at about the same elevation as we are now—specifically, 4,000 feet above sea level. The road gradually wound upward through beautiful forests and open valleys, where the snow still lay pure and white; and here and there, where it had melted and revealed patches of dry ground, the vibrant red flowers of the snow plant stood out brightly.
It was slow work toiling up those steep ascents, and it must have taken us much longer than our landlord had expected, for he had despatched us without a morsel of luncheon; and ere we reached the half-way house, where we were to change horses, we were all ravenous. A dozen hungry people, with appetites sharpened by the keen, exhilarating mountain air! No provisions of any sort were to be had; but the compassionate horse-keeper, hearing our pitiful complaints, produced a loaf and a pot of blackberry jelly, and we all sat down on a bank, and ate our “piece” (as the bairns in Scotland would say) with infinite relish, and drank from a clear stream close by. So we were satisfied[Pg 324] with bread here in the wilderness. I confess to many qualms as to how that good fellow fared himself, as loaves cannot grow abundantly in those parts.
It was tough work climbing those steep hills, and it probably took us way longer than our landlord thought, since he sent us off without any lunch; by the time we reached the halfway point, where we were supposed to change horses, we were all starving. A dozen hungry people, with appetites boosted by the fresh, invigorating mountain air! There were no snacks to be found; but the kind horse-keeper, hearing our sad complaints, pulled out a loaf and a jar of blackberry jelly, and we all sat on a bank, eating our "piece" (as the kids in Scotland would say) with great enjoyment, drinking from a clear stream nearby. So we managed to be content with bread here in the wild. I do have some worries about how that good guy managed for himself, as bread can't be easily found in those areas.[Pg 324]
Once more we started on our toilsome way across mountain meadows and forest ridges, till at last we had gained a height of about 7,000 feet above the sea. Then suddenly we caught sight of the valley lying about 3,000 feet below us, an abrupt chasm in the great rolling expanse of billowy granite ridges—or I should rather describe it as a vast sunken pit, with perpendicular walls, and carpeted with a level meadow, through which flows a river gleaming like quicksilver.
Once again, we set out on our challenging journey across mountain meadows and forest ridges, until we finally reached an elevation of about 7,000 feet above sea level. Then, out of nowhere, we saw the valley about 3,000 feet below us, an abrupt drop in the great rolling expanse of smooth granite ridges—or I should say a vast sunken pit, with steep walls, and covered with a flat meadow, through which flows a river shining like quicksilver.
Here and there a vertical cloud of spray on the face of the huge crags told where some snow-fed stream from the upper levels had found its way to the brink of the chasm—a perpendicular fall of from 2,000 to 3,000 feet.
Here and there, a vertical cloud of spray on the face of the massive cliffs indicated where some snow-fed stream from the higher areas had cascaded to the edge of the chasm—a sheer drop of 2,000 to 3,000 feet.
The fall nearest to where we stood, yet a distance of seven miles, was pointed out as the Bridal Veil. It seemed a floating film of finest mist, on which played the loveliest rainbow lights. For the sun was already lowering behind us, though the light shown clear and bright on the cold white granite crags, and on the glittering snow-peaks of the high Sierras.
The closest waterfall to where we were standing, about seven miles away, was called Bridal Veil. It looked like a delicate veil of mist, shimmering with beautiful rainbow colors. The sun was setting behind us, but the light still shone brightly on the cold, white granite cliffs and the sparkling snow-capped peaks of the high Sierras.
Each mighty precipice, and rock-needle, and strange granite dome was pointed out to us by name as we halted on the summit of the pass ere commencing the steep descent. The Bridal Veil falls over a granite crag near the entrance of the valley, which, on the opposite side, is guarded by a stupendous square-cut granite mass, projecting[Pg 325] so far as seemingly to block the way. These form the gateway of this wonderful granite prison. Perhaps the great massive cliff rather suggests the idea of a huge keep wherein the genii of the valley braved the siege of the Ice-giants.
Each towering cliff, sharp rock spire, and unusual granite dome was pointed out to us by name as we paused at the top of the pass before starting the steep descent. The Bridal Veil cascades over a granite ledge near the entrance of the valley, which, on the opposite side, is protected by an enormous square-cut granite formation, jutting out so much that it seems to block the way. These features create the entrance to this amazing granite enclosure. The massive cliff somewhat evokes the image of a gigantic fortress where the spirits of the valley withstood the siege of the Ice-giants.
The Indians revere it as the great chief of the valley, but white men only know it as El Capitan. If it must have a new title, I think it should at least rank as a field-marshal in the rock-world, for assuredly no other crag exists that can compare with it. Just try to realize its dimensions: a massive face of smooth cream-coloured granite, half a mile long, half a mile wide, three-fifths of a mile high. Its actual height is 3,300 feet—(I think that 5,280 feet go to a mile). Think of our beautiful Castle Rock in Edinburgh, with its 434 feet; or Dover Castle, 469 feet; or even Arthur’s Seat, 822 feet,—what pigmies they would seem could some wizard transport them to the base of this grand crag, on whose surface not a blade of grass, not a fern or a lichen, finds holding ground, or presumes to tinge the bare, clean-cut precipice, which, strange to tell, is clearly visible from the great San Joaquin Valley, a distance of sixty miles!
The Indigenous people honor it as the great chief of the valley, but white people only refer to it as El Capitan. If it needs a new name, I think it should at least be considered a field marshal in the world of rocks, because definitely no other cliff is comparable to it. Just try to imagine its size: a gigantic face of smooth cream-colored granite, half a mile long, half a mile wide, and three-fifths of a mile high. Its actual height is 3,300 feet—(I think 5,280 feet make a mile). Consider our beautiful Castle Rock in Edinburgh, which is 434 feet; or Dover Castle, 469 feet; or even Arthur’s Seat, at 822 feet—how small they would appear if some wizard brought them to the base of this magnificent cliff, where not a blade of grass, a fern, or a lichen can cling to the bare, sharp face, which, strangely enough, can be seen clearly from the vast San Joaquin Valley, a distance of sixty miles!
Imagine a crag just the height of Snowdon, with a lovely snow-stream falling perpendicularly from its summit to its base, and a second and larger fall in the deep gorge where it meets the rock-wall of the valley. The first is nameless, and will vanish with the snows; but the second never dries up, even in summer. It is known to the Indians as Lung-oo-too-koo-ya, which describes its graceful length; but[Pg 326] white men call it The Virgin’s Tears or The Ribbon Fall—a blending of millinery and romance doubtless devised by the same genius who changed the Indian name of Pohono to The Bridal Veil.
Imagine a cliff as tall as Snowdon, with a beautiful stream of snowmelt cascading straight down from its peak to the bottom, and a larger waterfall in the deep gorge where it meets the rocky wall of the valley. The first one has no name and will disappear with the snow; but the second never runs dry, even in summer. The Indigenous people call it Lung-oo-too-koo-ya, referring to its elegant length; but[Pg 326] white settlers call it The Virgin’s Tears or The Ribbon Fall—a mix of fashion and romance, no doubt created by the same mind that renamed the Indian name of Pohono to The Bridal Veil.
We passed close to the latter as we entered the valley—in fact, forded the stream just below the fall—and agreed that if Pohono be in truth, as the Indian legend tells, the spirit of an evil wind, it surely must be repentant glorified spirit, for nothing so beautiful could be evil. It is a sight to gladden the angels—a most ethereal fall, light as steam, swaying with every breath.
We went by it as we entered the valley—actually, we crossed the stream just below the waterfall—and agreed that if Pohono is, as the Native American legend says, the spirit of a bad wind, it must be a regretful, glorified spirit, because nothing so beautiful could be evil. It’s a sight that would make the angels happy—a truly otherworldly waterfall, light as steam, moving with every breeze.
It falls from an overhanging rock, and often the current produced by its own rushing seems to pass beneath the rock, and so checks the whole column, and carries it upward in a wreath of whitest vapour, blending with the true clouds.
It drops from a ledge, and often the current created by its rush appears to flow underneath the rock, slowing the entire stream and lifting it in a swirl of white mist, merging with the real clouds.
When the rainbow plays on it, it too seems to be wafted up, and floats in a jewelled spray, wherein sapphires and diamonds and opals, topaz and emeralds, all mingle their dazzling tints. At other times it rushes down in a shower of fairy-like rockets in what appears to be a perpendicular column 1,000 feet high, and loses itself in a cloud of mist among the tall dark pines which clothe the base of the crag.
When the rainbow shines on it, it also appears to be lifted up, floating in a sparkling spray where sapphires, diamonds, opals, topaz, and emeralds blend their bright colors. Other times, it rushes down like a shower of magical fireworks in what looks like a vertical column 1,000 feet high, disappearing into a cloud of mist among the tall dark pines that cover the base of the cliff.
A very accurate gentleman has just assured me that it is not literally perpendicular, as, after a leap of 630 feet, it strikes the rock, and then makes a fresh start in a series of almost vertical cascades, which form a dozen streamlets ere they reach the meadows. He adds that the fall is about fifty feet wide at the summit.
A very precise gentleman has just told me that it isn’t exactly straight down, as after a drop of 630 feet, it hits the rock and then resumes in a series of nearly vertical waterfalls, which create about a dozen small streams before they reach the meadows. He also mentioned that the waterfall is about fifty feet wide at the top.
[Pg 327]
[Pg 327]
The rock-mass over which it falls forms the other great granite portal of the valley, not quite so imposing as its massive neighbour, but far more shapely. In fact, it bears so strong a resemblance to a Gothic building that it is called the Cathedral Rock. It is a cathedral for the giants, being 2,660 feet in height; and two graceful rock-pinnacles attached to the main rock, and known as the Cathedral Spires, are each 500 feet in height.
The rock mass that it cascades over creates the other impressive granite entrance to the valley. While it isn’t as massive as its neighbor, it is much more elegant. In fact, it looks so much like a Gothic building that it’s named Cathedral Rock. It serves as a cathedral for giants, standing 2,660 feet tall, and has two graceful rock spires connected to the main rock, each rising 500 feet high, known as the Cathedral Spires.
Beyond these, towers a truly imposing rock-needle, which has been well named The Sentinel. It is an obelisk 1,000 feet in height, rising from the great rock-wall, which forms a pedestal of 2,000 more.
Beyond these, there stands a truly impressive rock spire, aptly named The Sentinel. It is an obelisk 1,000 feet tall, rising from the massive rock wall that serves as a pedestal of an additional 2,000 feet.
As if to balance these three rock-needles on the right-hand side, there are, on the left, three rounded mountains which the Indians call Pompompasus—that is, the Leaping-Frog Rocks. They rise in steps, forming a triple mountain 3,630 feet high. Tall frogs these, even for California. Imaginative people say the resemblance is unmistakable, and that all the frogs are poised as if in readiness for a spring, with their heads all turned the same way. For my own part, I have a happy knack of not seeing these accidental likenesses, and especially those faces and pictures (generally grotesque) which some most aggravating people are always discovering among the lines and weather-stains on the solemn crags, and which they insist on pointing out to their unfortunate companions. Our coachman seemed to consider this a necessary part of his office, so I assume there must be some people who like it.
As if to balance the three jagged rock formations on the right side, there are three rounded mountains on the left, which the Indians call Pompompasus—that is, the Leaping-Frog Rocks. They rise in steps, forming a triple mountain that stands 3,630 feet tall. These frogs are pretty impressive, even for California. Creative folks say the resemblance is clear, and that all the frogs are poised as if ready to jump, with their heads all facing the same direction. Personally, I have a knack for not noticing these accidental similarities, especially those faces and images (usually weird) that some annoying people are always spotting among the lines and weather-stains on the serious crags, which they insist on pointing out to their unfortunate companions. Our coach driver seemed to think this was an important part of his job, so I guess there must be some people who enjoy it.
Farther up the valley, two gigantic Domes of white[Pg 328] granite are built upon the foundation of the great encompassing wall. One stands on each side of the valley. The North Dome is perfect, like the roof of some vast mosque; but the South, or Half Dome, is an extraordinary freak of nature, very puzzling to geologists, as literally half of a stupendous mass of granite has disappeared, leaving no trace of its existence, save a sheer precipitous rock-face, considerably over 4,000 feet in height, from which the corresponding half has evidently broken off, and slipped down into some fearful chasm, which apparently it has been the means of filling up.
Farther up the valley, two massive white granite domes are built on the foundation of the great surrounding wall. One stands on each side of the valley. The North Dome is flawless, like the roof of a huge mosque; but the South, or Half Dome, is an incredible natural formation, very puzzling to geologists, as literally half of a massive granite structure has vanished, leaving no trace except for a sheer rock face, well over 4,000 feet high, from which the other half has clearly broken off and slid down into some deep chasm, which it seems to have helped fill in.
Above the Domes, and closing in the upper end of the valley, is a beautiful snow mountain, called Cloud’s Rest, which, seen from afar, is the most attractive point of all, and one which I must certainly visit some day. But meanwhile there are nearer points of infinite interest, the foremost being the waterfall from which the valley takes its name, and which burst suddenly upon our amazed vision when we reached the base of the Sentinel Rock.
Above the domes, at the upper end of the valley, is a stunning snow-capped mountain called Cloud’s Rest. From a distance, it's the most appealing sight of all, and I definitely plan to visit it someday. But for now, there are closer spots that are incredibly interesting, with the main one being the waterfall that gives the valley its name. It surprised us with its beauty when we finally reached the base of Sentinel Rock.
It is so indescribably lovely that I altogether despair of conveying any notion of it in words, so shall not try to do so yet a while.
It’s so incredibly beautiful that I completely give up on trying to describe it in words, so I won't attempt to do so for now.

THE YOSEMITÉ VALLEY.
Yosemite Valley.
But from what I have told you, you must perceive that each step in this strange valley affords a study for weeks, whether to an artist, a geologist, or any other lover of beautiful and wonderful scenes; and more than ever, I congratulate myself on having arrived here while all the oaks, alders, willows, and other deciduous trees, are bare and leafless, so that no curtain of dense foliage conceals[Pg 329] the countless beauties of the valley. Already I have seen innumerable most beautiful views, scarcely veiled by the filmy network of twigs, but which evidently will be altogether concealed a month hence, when these have donned their summer dress. To me these leafless trees rank with fires and snows. I have not seen one since I left England, so I look at them with renewed interest, and delight in the beauty of their anatomy, as you and I have done many a time in the larch woods and the “birken braes” of the Findhorn (where the yellow twigs of the larch, and the grey aspen, and claret-coloured sprays of birch, blend with russet oak and green Scotch firs, and produce a winter colouring well-nigh as varied as that of summer).
But from what I've shared with you, you can see that every step in this unique valley offers a study that could take weeks, whether you're an artist, a geologist, or just someone who loves beautiful and amazing landscapes. I’m even more grateful to have arrived here while all the oaks, alders, willows, and other deciduous trees are bare and leafless, so there’s no thick foliage hiding the countless wonders of the valley. I've already seen numerous stunning views, barely covered by the delicate network of twigs, but they'll be completely hidden in a month when the trees are in full leaf. To me, these leafless trees are as captivating as fires and snow. I haven't seen any since I left England, so I admire them with fresh eyes and appreciate the beauty of their structure, just like we often did in the larch woods and the "birken braes" of the Findhorn, where the yellow larch twigs, grey aspens, and burgundy birch sprays mix with russet oaks and green Scotch firs, creating a winter palette almost as varied as in summer.
Here there is an enchanting reminder of home in the tall poplar-trees—the Balm of Gilead—which are just bursting into leaf, and fill the air with heavenly perfume. They grow in clumps all along the course of the Merced, the beautiful “river of Mercy,” which flows through this green level valley so peacefully, as if it was thankful for this quiet interval in the course of its restless life.
Here, there's a lovely reminder of home in the tall poplar trees—the Balm of Gilead—just starting to bud and filling the air with a delightful fragrance. They grow in clusters along the Merced, the beautiful “river of Mercy,” which flows gently through this lush valley, as if it's grateful for this calm break in its busy journey.
There is no snow in the valley, but it still lies thickly on the hills all round. Very soon it will melt, and then the falls will all be in their glory, and the meadows will be flooded and the streams impassable. I am glad we have arrived in time to wander about dry-footed, and to learn the geography of the country in its normal state.
There’s no snow in the valley, but it’s still thick on the surrounding hills. It will melt soon, and then the waterfalls will be spectacular, the meadows will flood, and the streams will be impossible to cross. I’m glad we got here in time to explore without getting our feet wet and to understand the landscape in its usual condition.
The valley is an almost dead level, about eight miles long, and varies in width from half a mile to two miles. It is like a beautiful park of greenest sward, through which[Pg 330] winds the clear, calm river—a capital trout-stream, of about eighty feet in width. In every direction are scattered picturesque groups of magnificent trees, noble old oaks, and pines of 250 feet in height! The river is spanned by two wooden bridges; and three neat hotels are well placed about the middle of the valley, half a mile apart—happily not fine, incongruous buildings, but wooden bungalows, well suited to the requirements of such pilgrims as ourselves....
The valley is nearly flat, stretching about eight miles long, and its width varies from half a mile to two miles. It's like a stunning park with lush green grass, through which[Pg 330] flows a clear, calm river—an excellent trout stream around eighty feet wide. Scattered in every direction are charming clusters of impressive trees, including majestic old oaks and towering pines that reach 250 feet! The river is crossed by two wooden bridges, and three charming hotels are conveniently located about halfway down the valley, half a mile apart—thankfully not overly fancy, mismatched structures, but wooden bungalows that perfectly suit the needs of travelers like us....
May-day, 1877.
May Day, 1877.
May-day! What a vision of langsyne! Of the May-dew we used to gather from off the cowslips by the sweet burnside, in those dear old days
May-day! What a vision from the past! Of the May dew we used to collect from the cowslips by the sweet stream, in those cherished old days.
I dare say you forgot all about May-day this morning, in the prosaic details of town life. But here we ran no such risk, for we had determined to watch the Beltane sunrise, reflected in the glassiest of mountain-tarns, known as the Mirror Lake; and as it lies about three miles from here, in one of the upper forks of the valley, we had to astir betimes.
I bet you completely forgot about May Day this morning with all the usual stuff going on in town. But we didn’t have that problem, because we decided to watch the Beltane sunrise reflected in the clearest mountain lake, called the Mirror Lake. Since it’s about three miles from here, in one of the upper forks of the valley, we had to get up early.
So, when the stars began to pale in the eastern sky, we were astir, and with the earliest ray of dawn set off like true pilgrims bound to drink of some holy spring on May morning. For the first two miles our path lay across quiet meadows, which as yet are only sprinkled with blossom.[Pg 331] We found no cowslips, but washed our faces in Californian May-dew, which we brushed from the fresh young grass and ferns. Soon, they tell me, there will be violets, cowslips, and primroses. We passed by the orchard of the first settler in the valley; his peach and cherry trees were laden with pink and white blossoms, his strawberry-beds likewise promising an abundant crop.
So, when the stars started to fade in the eastern sky, we were up and about, and with the first light of dawn, we set off like true pilgrims heading to drink from some holy spring on a May morning. For the first two miles, our path took us through quiet meadows that were just beginning to show a few flowers.[Pg 331] We didn’t find any cowslips, but we washed our faces in California May-dew, which we brushed off the fresh young grass and ferns. Soon, they say, there will be violets, cowslips, and primroses. We walked past the orchard of the first settler in the valley; his peach and cherry trees were full of pink and white blossoms, and his strawberry beds were set to produce a great harvest.
It was a morning of calm beauty, and the massive grey crags all around the valley lay “like sleeping kings” robed in purple gloom, while the pale yellow light crept behind them, the tall pines forming a belt of deeper hue round their base.
It was a morning of peaceful beauty, and the huge gray cliffs surrounding the valley lay “like sleeping kings” dressed in a purple haze, while the soft yellow light emerged behind them, the tall pines creating a darker ring around their base.
About two miles above the Great Yo-semité Falls, the valley divides into three branches—canyons, I should say, or, more correctly cañons. The central one is the main branch, through which the Merced itself descends from the high Sierras, passing through the Little Yo-semité Valley, and thence rushing down deep gorges, and leaping two precipices of 700 and 400 feet (which form the Nevada and the Vernal Falls), and so entering the Great Valley, where for eight miles it finds rest.
About two miles above the Great Yosemite Falls, the valley splits into three branches—canyons, to be more precise. The middle one is the main branch, where the Merced River flows down from the high Sierras, passing through the Little Yosemite Valley, then rushing down deep gorges and leaping over two drops of 700 and 400 feet (which create the Nevada and Vernal Falls), before entering the Great Valley, where it flows peacefully for eight miles.
The canyon which diverges to the right is that down which rushes the South Fork of the Merced, which bears the musical though modern name of Illillouette. It rises at the base of Mount Starr King, and enters the valley by the graceful falls which bear this pretty name.
The canyon that branches off to the right is the one where the South Fork of the Merced flows, which has the pleasant, though contemporary, name of Illillouette. It starts at the base of Mount Starr King and enters the valley through the beautiful falls that carry this lovely name.
At the point where we left the main valley to turn into the Tenaya Fork, the rock-wall forms a sharp angle, ending in a huge columnar mass of very white granite 2,400[Pg 332] feet in height. The Indians call it Hunto, which means one who keeps watch; but the white men call it Washington Column.
At the spot where we left the main valley to head into the Tenaya Fork, the rock wall creates a sharp angle, leading to a massive column of very white granite that stands 2,400[Pg 332] feet tall. The Native Americans refer to it as Hunto, meaning one who keeps watch; however, the white men call it Washington Column.
Beside it, the rock-wall has taken the form of gigantic arches. The lower rock seems to have weakened and crumbled or split off in huge flakes, while the upper portions remain, overhanging considerably, and forming regularly arched cliffs 2,000 feet in height. I cannot think how it has happened that in so republican a community these mighty rocks should be known as the Royal Arches, unless from some covert belief that they are undermined, and liable to topple over. Their original name is To-coy-œ, which describes the arched hood of an Indian baby’s cradle—a famous nursery for giants.
Beside it, the rock wall has formed massive arches. The lower rock seems to have eroded and broken off in large flakes, while the upper sections remain, jutting out significantly and creating regularly arched cliffs 2,000 feet high. I can’t understand how it is that in such a democratic community these impressive rocks are called the Royal Arches, unless there’s some hidden belief that they are unstable and could collapse. Their original name is To-coy-œ, which refers to the arched hood of an Indian baby’s cradle—a well-known nursery for giants.
The perpendicular rock-face beneath the arches is a sheer, smooth surface, yet seamed with deep cracks as though it would fall, were it not for the mighty buttresses of solid rock which project for some distance, casting deep shadows across the cliff. As a test of size, I noticed a tiny pine growing from a crevice in the rock-face, and on comparing it with another in a more accessible position, I found that it was really a very large, well-grown tree.
The steep rock face underneath the arches is a flat, smooth surface, but it's marked with deep cracks as if it might collapse if not for the strong rock buttresses that stick out for some distance, casting dark shadows over the cliff. To give you a sense of scale, I spotted a tiny pine tree growing out of a crack in the rock face, and when I compared it to another tree in an easier-to-reach spot, I realized it was actually a pretty large, healthy tree.
Just at this season, when the snows on the Sierras are beginning to melt, a thousand crystal streams find temporary channels along the high levels till they reach the smooth verge of the crags, and thence leap in white foam, forming temporary falls of exceeding beauty. Three such graceful falls at present overleap the mighty arches, and, in their turn, produce pools and exquisitely clear streams, which[Pg 333] thread their devious way through woods and meadows, seeking the river of Mercy.
Just at this time of year, when the snow on the Sierras is starting to melt, countless crystal-clear streams carve out temporary paths along the high ground until they reach the smooth edges of the cliffs, then cascade down in white foam, creating stunning temporary waterfalls. Right now, three beautiful waterfalls leap over the massive arches, forming pools and incredibly clear streams, which[Pg 333] wind their way through forests and meadows, heading towards the river of Mercy.
So the air is musical with the lullaby of hidden waters, and the murmur of the unseen river rippling over its pebbly bed.
So the air is filled with the soothing sounds of hidden water, and the gentle whisper of the unseen river flowing over its rocky bottom.
Turning to the right, we next ascended Tenaya valley, which is beautifully wooded, chiefly with pine and oak, and strewn with the loveliest mossy boulders. Unfortunately, the number of rattlesnakes is rather a drawback to perfect enjoyment here. I have so long been accustomed to our perfect immunity from all manner of noxious creatures in the blessed South Sea Isles, that I find it difficult at first to recall my wonted caution, and to “gang warily.” However, to-day we saw no evil creatures—only a multitude of the jolliest little chip-munks, which are small grey squirrels of extreme activity. They are very tame, and dance about the trees close to us, jerking their brush, and giving the funniest little skips, and sometimes fairly chattering to us!
Turning to the right, we then climbed Tenaya Valley, which is beautifully wooded, mainly with pine and oak, and scattered with the most gorgeous mossy boulders. Unfortunately, the presence of rattlesnakes is a bit of a downside to fully enjoying the area. I’ve gotten so used to being free from all kinds of harmful creatures in the paradise of the South Sea Islands that I find it hard at first to remember to be cautious and to “walk carefully.” However, today we didn’t see any dangerous creatures—only a bunch of the cutest little chipmunks, which are small gray squirrels that are incredibly lively. They are very tame and dart around the trees near us, flicking their tails, doing the funniest little jumps, and sometimes chattering at us!
Beyond this wood we found the Mirror Lake. It is a small pool, but exquisitely cradled in the very midst of stern granite giants, which stand all around as sentinels, guarding its placid sleep. Willows, already covered with downy tufts, and now just bursting into slender leaflets, fringe its shores, and tall cedars and pines overshadow its waters, and are therein reflected in the stillness of early dawn, when even the granite crags far overhead also find themselves mirrored in the calm lakelet. But with the dawn comes a whispering breeze; and just as the sun’s first gleam kisses the waters, the illusion vanishes, and there remains only a somewhat muddy and troubled pool.
Beyond this wood, we discovered Mirror Lake. It’s a small pool, beautifully nestled among towering granite giants that stand around like sentinels, protecting its peaceful surface. Willows, already covered with soft tufts and just starting to sprout thin leaves, line its shores, while tall cedars and pines cast shadows over its waters, which reflect their forms in the stillness of early morning. Even the granite cliffs above find themselves mirrored in the calm little lake. But with dawn comes a gentle breeze; and just as the sun’s first light kisses the water, the illusion disappears, leaving just a somewhat muddy and disturbed pool.
[Pg 334]
[Pg 334]
It lies just at the base of that extraordinary Half-Dome of which I told you yesterday—a gigantic crest of granite, which rises above the lake almost precipitously to a height of 4,737 feet. Only think of it!—nearly a mile! Of this the upper 2,000 feet is a sheer face of granite crag, absolutely vertical, except that the extreme summit actually projects somewhat; otherwise it is as clean cut as if the mighty Dome had been cloven with a sword. A few dark streaks near the summit (due, I believe, to a microscopic fungus or lichen) alone relieve the unbroken expanse of glistening, creamy white.
It sits right at the base of that amazing Half-Dome I told you about yesterday—a massive granite peak that rises almost straight up from the lake to a height of 4,737 feet. Can you believe it? That’s nearly a mile! Of this, the top 2,000 feet is a sheer vertical granite face, completely upright, except that the very top actually juts out a bit; otherwise, it’s as sharply cut as if the giant Dome had been sliced with a sword. A few dark streaks near the top (which I think are due to a tiny fungus or lichen) are the only things that break the uninterrupted stretch of shining, creamy white.
The lower half slopes at a very slight incline, and is likewise a solid mass of granite—not made up of broken fragments, of which there are a wonderfully small proportion anywhere in the valley. So the inference is, that in the tremendous convulsion this mighty chasm was created, the great South Dome was split from the base to the summit, and that half of it slid down into the yawning gulf: thus the gently rounded base, between the precipice and the lake, was doubtless originally the summit of the missing half mountain.
The lower half slopes at a very slight angle and is also a solid mass of granite—not composed of broken fragments, which are surprisingly rare in the valley. So, the conclusion is that during the immense upheaval that created this massive chasm, the great South Dome was split from the base to the top, and half of it slid down into the gaping abyss: thus, the gently rounded base between the cliff and the lake was likely originally the peak of the missing half of the mountain.
I believe that geologists are now satisfied that this strange valley, with its clean-cut, vertical walls, was produced by what is called in geology “a fault,”—namely, that some of the earth’s ribs having given away internally, a portion of the outer crust has subsided, leaving an unoccupied space. That such was the case in Yo-semité, is proved by much scientific reasoning. It is shown that the two sides of the valley in no way correspond, so the idea of a mere gigantic[Pg 335] fissure cannot be entertained. Besides, as the valley is as wide at the base as at the summit, the vertical walls must have moved apart bodily,—a theory which would involve a movement of the whole chain of the Sierras for a distance of a half a mile.
I believe that geologists are now convinced that this unusual valley, with its sharply defined, vertical walls, was formed by what geologists refer to as “a fault.” This means that some of the earth’s internal structure collapsed, causing a section of the outer crust to sink and leave an empty space. The evidence for this in Yosemite is supported by substantial scientific reasoning. It has been demonstrated that the two sides of the valley do not match up in any way, so the idea of it simply being a massive[Pg 335] crack isn’t plausible. Additionally, since the valley is as wide at the bottom as it is at the top, the vertical walls must have physically moved apart, a theory that would suggest the entire Sierra chain shifted over a distance of half a mile.
There is not trace of any glacier having passed through the valley, so that the Ice-giants have had no share in making it. Neither can it have been excavated by the long-continued action of rushing torrents, such as have carved great canyons in many parts of the Sierra Nevada. These never have vertical walls; and besides, the smoothest faces of granite in Yo-semité are turned towards the lower end of the valley, proving at once that they were never produced by forces moving downward.
There’s no sign that any glacier passed through the valley, so the Ice Giants didn’t play a role in shaping it. It couldn’t have been carved out by the ongoing action of rushing rivers either, like those that have formed deep canyons in many areas of the Sierra Nevada. Those rivers never create vertical walls, and furthermore, the smoothest granite surfaces in Yosemite face the lower end of the valley, clearly showing that they weren’t created by forces moving downward.
So it is simply supposed that a strip of the Sierras caved in, and that in time the melting snows and streams formed a great deep lake, which filled up the whole space now occupied by the valley. In the course of ages the débris of the hills continually falling into the lake, must have filled up the chasm to a level with the canyon, which is the present outlet from the valley; and as the glaciers on the upper Sierras disappeared, and the water-supply grew less, the lake must have gradually dried up (and that in comparatively recent times), and its bed of white granite sand, mingled with vegetable mould, was transformed into a green meadow, through which the quiet river now glides peacefully.
It's assumed that a section of the Sierras collapsed, and over time, the melting snow and streams created a large, deep lake that filled the entire area now known as the valley. Over ages, the debris from the hills continually falling into the lake must have raised the chasm to the level of the canyon, which is the current outlet from the valley. As the glaciers in the upper Sierras melted and the water supply decreased, the lake gradually dried up (and this happened relatively recently), and its bed of white granite sand, mixed with soil, turned into a green meadow, through which the calm river now flows peacefully.
This evening the sun set in a flood of crimson and gold—such a glorious glow as would have dazzled an eagle. It[Pg 336] paled to a soft primrose, then ethereal green. Later, the pearly-grey clouds were rose-flushed by an afterglow more vivid than the sunset itself—a rich full carmine, which quickly faded away to the cold, intense blue of a Californian night. It was inexpressibly lovely.
This evening, the sun set in a burst of red and gold—such a brilliant glow it could have blinded an eagle. It[Pg 336] faded to a gentle yellow, then a light green. Later, the soft grey clouds were touched with pink by an afterglow even brighter than the sunset itself—a deep, rich red that quickly disappeared into the cool, bright blue of a Californian night. It was incredibly beautiful.
Then the fitful wind rose in gusts—a melancholy, moaning wail, vibrating among rocks, forests, and waters, with a low, surging sound—a wild mountain melody.
Then the restless wind picked up in bursts—a sad, groaning sound, echoing among the rocks, forests, and water, with a soft, rolling sound—a wild mountain tune.
No wonder the Indians reverence the beautiful Yo-semité Falls. Even the white settlers in the valley cannot resist their influence, but speak of them with an admiration that amounts to love. Some of them have spent the winter here, and seem almost to have enjoyed it.
No wonder the Native Americans hold the stunning Yo-semité Falls in high regard. Even the white settlers in the valley can't resist their charm and talk about them with a admiration that feels like love. Some of them have spent the winter here and seem to have actually enjoyed it.
They say that if I could see the falls in their winter robes, all fringed with icicles, I should gain a glimpse of fairyland. At the base of the great fall the fairies build a real ice-palace, something more than a hundred feet high. It is formed by the ever falling, freezing spray; and the bright sun gleams on this glittering palace of crystal, and the falling water, striking upon it, shoots off in showers like myriad opals and diamonds.
They say that if I could see the falls dressed in their winter shades, all trimmed with icicles, I'd catch a glimpse of a magical world. At the bottom of the great fall, the fairies create a genuine ice palace, over a hundred feet tall. It's made from the constantly falling, freezing spray; and the bright sun shines on this dazzling palace of crystal, while the falling water hits it, scattering off in sprays like countless opals and diamonds.
Now scarcely an icicle remains, and the falls are in their glory. I had never dreamt of anything so lovely.... Here we stand in the glorious sunlight, among pine-trees a couple of hundred feet in height; and they are pigmies like ourselves in presence of even the lowest step of the stately fall, which leaps and dashes from so vast a height that it loses all semblance of water. It is a splendid bouquet of glistening[Pg 337] rockets, which, instead of rushing heavenward, shoot down as if from the blue canopy, which seems to touch the brink nearly 2,700 feet above us.
Now hardly an icicle is left, and the waterfalls are in full glory. I never imagined anything so beautiful.... Here we stand in the bright sunlight, among pine trees a couple of hundred feet tall; and they are tiny compared to even the lowest tier of the majestic falls, which leaps and cascades down from such a great height that it looks like it’s losing all form as water. It’s a stunning display of shimmering rockets, which, instead of soaring up into the sky, shoot down as if from the blue canopy that seems to be nearly 2,700 feet above us.
Like myriad falling stars they flash, each keeping its separate course for several hundred feet, till at length it blends with ten thousand more, in the grand avalanche of frothy, fleecy foam, which for ever and for ever falls, boiling and raging like a whirlpool, among the huge black boulders in the deep cauldron below, and throwing back clouds of mist and vapour.
Like countless shooting stars, they sparkle, each following its own path for several hundred feet, until they merge with thousands more in the massive cascade of frothy, fluffy foam, which endlessly falls, boiling and churning like a whirlpool among the huge black rocks in the deep basin below, while sending up clouds of mist and vapor.
The most exquisite moment occurs when you reach some spot where the sun’s rays, streaming past you, transform the light vapour into brilliant rainbow-prisms, which gird the falls with vivid iris-bars. As the water-rockets flash through these radiant belts, they seem to carry the colour onwards as they fall; and sometimes it wavers and trembles in the breeze, so that the rainbow knows not where to rest, but forms a moving column of radiant tri-colour.
The most beautiful moment happens when you find a place where the sun’s rays shine past you, turning the light mist into bright rainbow prisms that wrap around the falls with vivid rainbow bands. As the water splashes through these brilliant arcs, it seems to send the colors forward as it cascades; sometimes they flutter and shake in the breeze, causing the rainbow to shift and dance, creating a moving column of vibrant three colors.
So large a body of water rushing through the air, naturally produces a strong current, which, passing between the face of the rock and the fall, carries the latter well forward, so that it becomes the sport of every breeze that dances through the valley; hence this great column is forever vibrating from side to side, and often it forms a semi-circular curve.
So much water rushing through the air inevitably creates a strong current that flows between the rock face and the waterfall, pushing the latter forward. As a result, it gets played with by every breeze that moves through the valley; this massive column is always swaying from side to side, often taking on a semi-circular curve.
The width of the stream at the summit is about twenty to thirty feet, but at the base of the upper fall it has expanded to a width of fully 300 feet; and, as the wind carries it to one side or the other, it plays over a space of fully[Pg 338] 1,000 feet in width, of a precipitous rock-face 1,600 feet in depth. That is the height of the upper fall.
The stream's width at the top is around twenty to thirty feet, but at the base of the upper fall, it has expanded to about 300 feet. As the wind pushes it to one side or the other, it stretches across a space that's about[Pg 338] 1,000 feet wide, against a steep rock face that drops 1,600 feet. That's the height of the upper fall.
As seen from below the Yo-semité, though divided into three distinct falls, is apparently all on one plane. It is only when you reach some point from which you see it sideways, that you realize that the great upper fall lies fully a quarter of a mile farther back than the middle and lower falls, and that it rushes down this space in boiling cascades, till it reaches a perpendicular rock, over which it leaps about 600 feet, and then gives a third and final plunge of about 500, making up a total of little under 2,700 feet.
As seen from below, Yosemite Falls, though split into three distinct sections, looks like it's all on one level. It's only when you view it from the side that you understand the massive upper fall is actually a quarter of a mile further back than the middle and lower falls. It rushes down in boiling cascades until it hits a vertical rock, leaping about 600 feet over it, and then it takes a final plunge of about 500 feet, totaling just under 2,700 feet.
When we came to the head of the valley, whence diverge the three rocky canyons, we bade adieu to the green meadows, and passing up a most exquisite gorge, crossed the Illillouette by a wooden bridge, and followed the main fork of the Merced, up the central canyon. I do not anywhere know a lovelier mile of river scenery than on this tumultuous rushing stream, leaping from rock to rock, sweeping around mossy boulders and falling in crystalline cascades—the whole fringed with glittering icicles, and overshadowed by tall pine-trees, whose feathery branches fringe the steep cliffs and wave in the breeze.
When we reached the head of the valley, where the three rocky canyons split off, we said goodbye to the green meadows. We then made our way up a beautiful gorge, crossed the Illillouette on a wooden bridge, and followed the main fork of the Merced through the central canyon. I don't know of a more beautiful stretch of river scenery than this intense, rushing stream, jumping from rock to rock, winding around moss-covered boulders, and cascading down in crystal-clear waterfalls—the entire scene lined with sparkling icicles and shaded by tall pine trees, whose feathery branches hang over the steep cliffs and sway in the breeze.
Presently a louder roar of falling water told us that we were nearing the Vernal Falls, and through a frame of dark pines we caught a glimpse of the white spirit-like spray-cloud. Tying up my pony, we crept to the foot of the falls, whence a steep flight of wooden steps has been constructed, by which a pedestrian can ascend about 400 feet to the summit, and thence resume his way, thus saving a[Pg 339] very long round. But of course four-footed creatures must be content to go by the mountain; and so the pony settled our route, greatly to our advantage, for the view thence, looking down the canyon and across to Glacier Point, proved to be about the finest thing we had seen, as an effect of mountain gloom.
Currently, a louder roar of falling water signaled that we were getting close to the Vernal Falls, and through a frame of dark pines, we caught a glimpse of the white, spirit-like spray cloud. After tying up my pony, we made our way to the base of the falls, where a steep set of wooden steps has been built, allowing someone on foot to climb about 400 feet to the top and then continue on, saving a[Pg 339] lot of time. But of course, four-legged animals have to stick to the mountain route; luckily, our pony picked the best path, which worked out well for us because the view from there, looking down the canyon and across to Glacier Point, turned out to be one of the most beautiful sights we had seen, showcasing the mood of the mountains.
Just above the Vernal Falls comes a reach of the river known as The Diamond Race,—a stream so rapid and so glittering, that it seems like a shower of sparkling crystals, each drop a separate gem. I have never seen a race which, for speed and dazzling light, could compare with these musical, glancing waters.
Just above the Vernal Falls is a section of the river called The Diamond Race—a stream so fast and so shiny that it looks like a shower of sparkling crystals, with each drop being its own gem. I've never seen anything else that compares to these fast-moving, shimmering waters in terms of speed and brilliance.
For half a mile above it, the river is a tumultuous raging flood, rushing at headlong speed down a boulder-strewn channel. At the most beautiful point it is crossed by a light wooden bridge; and on the green mountain-meadow just beyond, stands the wooden house, to which a kindly landlord gave us a cheery, hearty welcome.
For half a mile upstream, the river is a wild, raging torrent, racing at full speed through a rocky bed. At its most picturesque spot, there's a light wooden bridge crossing it; and just beyond, on the green mountain meadow, stands a wooden house where a friendly landlord welcomed us with warmth and cheer.
Here the lullaby for the weary is the ceaseless roar of the mighty Nevada Falls, which come thundering down the cliffs in a sheer leap of 700 feet, losing themselves in a deep rock-pool, fringed with tall pines, which loom ghostly and solemn through the ever-floating tremulous mists of fine spray.
Here, the soothing song for the tired is the constant thunder of the powerful Nevada Falls, which crash down the cliffs in a sheer drop of 700 feet, disappearing into a deep pool surrounded by tall pines that rise eerily and solemnly through the always-present, shimmering mists of fine spray.
It is a fall so beautiful as fairly to divide one’s allegiance to Yo-semité, especially as we first beheld it at about three in the afternoon, when the western rays of the lowering sun lighted up the dark firs with a golden glow, and dim rainbows played on the spray-clouds. It was as if fairy[Pg 340] weavers had woven borders of purple and blue, green and gold, orange and delicate rose-colour, on a tissue of silvery gauze; and each dewy drop that rested on the fir-needles caught the glorious light, and became a separate prism, as though the trees were sprinkled with liquid radiant gems.
It was a fall so beautiful that it really made you question your loyalty to Yosemite, especially when we first saw it around three in the afternoon. The western rays of the setting sun lit up the dark fir trees with a golden glow, and soft rainbows danced on the mist. It felt like fairy weavers had stitched together borders of purple and blue, green and gold, orange and soft pink on a fabric of silvery gauze. Each dewy drop resting on the fir needles caught the amazing light, turning into its own little prism, as if the trees were dusted with glowing, radiant gems.[Pg 340]
Anything more wonderful than the beauty of the Diamond Race in the evening light, I never dreamt of. It is like a river in a fairy tale, all turned to spray—jewelled, glittering spray—rubies, diamonds, and emeralds, all dancing and glancing in the sunlight.
Anything more amazing than the beauty of the Diamond Race in the evening light, I never imagined. It’s like a river from a fairy tale, transformed into spray—jewelled, sparkling spray—rubies, diamonds, and emeralds, all dancing and shimmering in the sunlight.
Just below this comes a little reach of the smoothest, clearest water, which seems to calm and collect itself ere gliding over the edge of a great square-hewn mass of granite 400 feet deep, forming the Vernal Falls. Along the summit of this rock there runs a very remarkable natural ledge about four feet in height, so exactly like the stone parapet of a cyclopean rampart that it is scarcely possible to believe it is not artificial. Here you can lean safely within a few feet of the fall, looking straight down the perpendicular crag. But for this ledge, it would be dangerous even to set foot on that smooth, polished rock, which is as slippery as ice.
Just below this, there's a stretch of the smoothest, clearest water that seems to calm itself before flowing over the edge of a massive granite wall 400 feet high, creating the Vernal Falls. Along the top of this rock, there's a striking natural ledge about four feet high, so much like the stone parapet of an ancient fortress that it’s hard to believe it’s not man-made. Here, you can safely lean just a few feet from the falls, looking straight down the sheer cliff. Without this ledge, it would be risky even to step onto that smooth, polished rock, which feels as slippery as ice.
Early rising here is really no exertion, and it brings its own reward, for there is an indescribable charm in the early gloaming as it steals over the Sierras—a freshness and an exquisite purity of atmosphere which thrills through one’s being like a breath of the life celestial.
Early rising here is really no effort, and it has its own rewards, because there’s an indescribable charm in the early twilight as it spreads over the Sierras—a freshness and a pure quality to the air that invigorates your whole being like a breath of heavenly life.
If you would enjoy it to perfection, you must steal out alone ere the glory of the starlight has paled,—as I did this[Pg 341] morning, following a devious pathway between thickets of azalea, whose heavenly fragrance perfumed the valley. Then, ascending a steep track through the pine-forest, I reached a bald grey crag, commanding a glorious view of the valley, and of some of the high peaks beyond. And thence I watched the coming of the dawn.
If you want to experience it perfectly, you need to sneak out alone before the starlight fades, just like I did this[Pg 341] morning. I took a winding path through azalea thickets, where their heavenly scent filled the valley. Then, climbing a steep trail through the pine forest, I arrived at a bare gray cliff with an amazing view of the valley and some tall peaks beyond. From there, I watched the dawn break.
A pale daffodil light crept upward, and the stars faded from heaven. Then the great ghostly granite domes changed from deep purple to a cold dead white, and the far-distant snow-capped peaks stood out in a glittering light, while silvery-grey mists floated upward from the canyons, as if awakening from their sleep. Here, just as in our own Highlands, a faint chill breath of some cold current invariably heralds the daybreak, and the tremulous leaves quiver, and whisper a greeting to the dawn.
A pale daffodil light spread upward, and the stars disappeared from the sky. Then the enormous ghostly granite domes shifted from deep purple to a cold, lifeless white, and the distant snow-capped peaks stood out in a sparkling light, while silvery-grey mists rose from the canyons, as if waking from their slumber. Here, just like in our own Highlands, a faint chill from some cold breeze always signals the break of day, and the trembling leaves shake and whisper a welcome to the dawn.
Suddenly a faint flush of rosy light just tinged the highest snow-peaks, and, gradually stealing downward, overspread range beyond range; another moment, and the granite domes and the great Rock Sentinel alike blazed in the fiery glow, which deepened in colour till all the higher crags seemed aflame, while the valley still lay shrouded in purple gloom, and a great and solemn stillness brooded over all.
Suddenly, a soft blush of pink light touched the highest snow-covered peaks and gradually spread downwards, covering range after range; in a moment, the granite domes and the towering Rock Sentinel were lit up in a brilliant glow, which grew more intense until all the higher cliffs looked like they were on fire, while the valley remained wrapped in dark purple shadows, and a deep, solemn quiet hung over everything.
Granite Crags (Edinburgh and London, 1884).
Granite Crags (Edinburgh & London, 1884).
[Pg 342]
[Pg 342]
THE GOLDEN HORN
(TURKEY)
(TURKEY)
ALPHONSE DE LAMARTINE
ALPHONSE DE LAMARTINE
The land breeze begins to rise, and we make use of it to approach nearer and nearer to the Dardanelles. Already several large ships, which like us are trying to make this difficult entrance, come near us; their large grey sails, like the wings of night-birds, glide silently between our brig and Tenedos; I go down below and fall asleep.
The land breeze starts to pick up, and we take advantage of it to get closer and closer to the Dardanelles. Several large ships, also trying to navigate this tricky entrance, come alongside us; their big gray sails, like the wings of night birds, glide quietly between our ship and Tenedos. I head below deck and fall asleep.
Break of day: I hear the rapid sailing of vessels and the little morning waves that sound around the sides of the brig like the song of birds; I open the port-hole, and I see on a chain of low and rounded hills the castles of the Dardanelles with their white walls, their towers, and their immense mouths for the cannon; the canal is scarcely more than a league in width at this place; it winds, like a beautiful river, between the exactly similar coasts of Asia and Europe. The castles shut in this sea just like the two wings of a door; but in the present condition of Turkey and Europe, it would be easy to force a passage by sea, or to make a landing and take the forts from the rear; the passage of the Dardanelles is not impregnable unless guarded by the Russians.
Break of day: I hear the swift sailing of ships and the gentle morning waves lapping against the sides of the brig like birds singing; I open the porthole, and I see the castles of the Dardanelles perched on a chain of low, rounded hills with their white walls, towers, and huge cannon openings; the canal is barely a league wide here; it curves like a beautiful river between the nearly identical shores of Asia and Europe. The castles enclose this sea like the two wings of a door; however, given the current situation in Turkey and Europe, it would be easy to force a passage by sea or land and attack the forts from the rear; the Dardanelles passage isn't impregnable unless the Russians are guarding it.
The rapid current carries us on like an arrow before Gallipoli and the villages bordering the canal; we see the[Pg 343] isles in the Sea of Marmora frowning before us; we follow the coast of Europe for two days and two nights, thwarted by the north winds. In the morning we perceive perfectly the isles of the princes, in the Sea of Marmora, and the Gulf of Nicæa, and on our left the castle of the Seven Towers, and the aërial tops of the innumerable minarets of Stamboul, in front of the seven hills of Constantinople. At each tack, we discover something new. At the first view of Constantinople, I experienced a painful emotion of surprise and disillusion. “What! is this,” I asked myself, “the sea, the shore, and the marvellous city for which the masters of the world abandoned Rome and the coast of Naples? Is this that capital of the universe, seated upon Europe and Asia; for which all the conquering nations disputed by turns as the sign of the supremacy of the world? Is this the city that painters and poets imagine queen of cities seated upon her hills and her twin seas; enclosed by her gulfs, her towers, her mountains, and containing all the treasures of nature and the luxury of the Orient?” It is here that one makes comparison with the Bay of Naples bearing its white city upon its hollowed bosom like a vast amphitheatre; with Vesuvius losing its golden brow in the clouds of smoke and purple lights, the forest of Castellamare plunging its black foliage into the blue sea, and the islands of Procida and Ischia with their volcanic peaks yellow with vine-branches and white with villas, shutting in the immense bay like gigantic moles thrown up by God himself at the entrance of this port? I see nothing here to compare to that spectacle with[Pg 344] which my eyes are always enchanted; I am sailing, it is true, upon a beautiful and lovely sea, but from the low coasts, rounded and monotonous hills rear themselves; it is true that the snows of Olympus of Thrace whiten the horizon, but they are only a white cloud in the sky and do not make the landscape solemn enough. At the back of the gulf I see nothing but the same rounded hills of the same height without rocks, without coves, without indentations, and Constantinople, which the pilot points out with his finger, is nothing but a white and circumscribed city upon a large knoll on the European coast. Is it worth while having come so far to be disenchanted? I did not wish to look at it any longer; however, the ceaseless tackings of the ship brought us sensibly nearer; we coasted along the castle of the Seven Towers, an immense mediæval grey block, severe in construction, which faces the sea at the angle of the Greek walls of the ancient Byzantium, and we came to anchor beneath the houses of Stamboul in the Sea of Marmora, in the midst of a host of ships and boats delayed like ourselves from port by the violence of the north winds. It was five o’clock, the sky was serene and the sun brilliant; I began to recover from my disdain of Constantinople; the walls that enclosed this portion of the city picturesquely built of the débris of ancient walls and surmounted by gardens, kiosks and little houses of wood painted red, formed the foreground of the picture; above, the terraces of numerous houses rose in pyramid-like tiers, story upon story, cut across with the tops of orange-trees and the sharp, black spires of cypress; higher[Pg 345] still, seven or eight large mosques crowned the hill, and, flanked by their open-work minarets and their mauresque colonnades, lifted into the sky their gilded domes, flaming with the palpitating sunlight; the walls, painted with tender blue, the leaden covers of the cupolas that encircled them, gave them the appearance and the transparent glaze of monuments of porcelain. The immemorial cypresses lend to these domes their motionless and sombre peaks; and the various tints of the painted houses of the city make the vast hill gay with all the colours of a flower-garden. No noise issues from the streets; no lattice of the innumerable windows opens; no movement disturbs the habitation of such a great multitude of men: everything seems to be sleeping under the broiling sunlight; the gulf, furrowed in every direction with sails of all forms and sizes, alone gives signs of life. Every moment we see vessels in full sail clear the Golden Horn (the opening of the Bosphorus), the true harbour of Constantinople, passing by us flying towards the Dardanelles; but we can not perceive the entrance of the Bosphorus, nor even understand its position. We dine on the deck opposite this magical spectacle; Turkish caïques come to question us and to bring us provisions and food; the boatmen tell us that there is no longer any plague; I send my letters to the city; at seven o’clock, M. Truqui, the consul-general of Sardaigne, accompanied by officers of his legation, comes to pay us a visit and offer us the hospitality of his house in Pera; there is not the slightest hope of finding a lodging in the recently burned city; the obliging cordiality, and the attraction that M. Truqui inspires at the[Pg 346] first moment, induces us to accept. The contrary wind still blows, and the brigs cannot raise anchor this evening: we sleep on board.
The fast current pushes us along like an arrow past Gallipoli and the villages along the canal; we see the[Pg 343] islands in the Sea of Marmora scowling at us; we follow the European coast for two days and nights, held back by the north winds. In the morning, we can clearly see the Princes' Islands in the Sea of Marmora, the Gulf of Nicæa, and on our left, the castle of the Seven Towers, with the soaring minarets of Stamboul in front of the seven hills of Constantinople. With every tack, we discover something new. At my first sight of Constantinople, I felt a painful mix of surprise and disappointment. “What! Is this,” I wondered, “the sea, the shore, and the incredible city that the rulers of the world abandoned Rome and the coast of Naples for? Is this really the capital of the universe, straddling Europe and Asia, for which conquering nations have fought to claim as the sign of global supremacy? Is this the city that artists and poets envision as the queen of cities, perched on her hills and twin seas, surrounded by her gulfs, towers, and mountains, filled with nature's treasures and the luxury of the East?” Here, you can't help but compare it to the Bay of Naples, with its white city cradled like a vast amphitheater; with Vesuvius hiding its golden crown in the clouds of smoke and purple lights, the forest of Castellamare plunging its dark foliage into the blue sea, and the islands of Procida and Ischia boasting volcanic peaks draped in vineyards and dotted with white villas, guarding the expansive bay like massive breakwaters crafted by God himself at this port's entrance. I see nothing here that matches that spectacle that always enchants my eyes; I am sailing, it’s true, on a beautiful sea, but low, rounded, and monotonous hills rise around me; the snow-capped peaks of Olympus in Thrace whiten the horizon, yet they merely appear as a white cloud in the sky, lacking the grand solemnity of the landscape. Behind the gulf, I see nothing but similar rounded hills, all of the same height, without rocks, coves, or indentations, and Constantinople, which the pilot points out with his finger, is nothing more than a white, compact city on a large knoll on the European coast. Is it worth this long journey to feel so disillusioned? I didn't want to look at it any longer; however, the ship's constant tacking brought us perceptibly closer; we passed the castle of the Seven Towers, a massive gray medieval structure, stark in design, facing the sea at the angle of the Greek walls of ancient Byzantium, and we anchored beneath the houses of Stamboul in the Sea of Marmora, surrounded by numerous ships and boats stuck like us in port by the fierce north winds. It was five o’clock, the sky was clear and the sun bright; I started to recover from my disdain for Constantinople; the walls surrounding this part of the city, built from the débris of ancient structures and topped with gardens, kiosks, and small red-painted wooden houses, formed the foreground of this scene; above, the terraces of countless homes rose in pyramid-like layers, story after story, interspersed with orange trees and the sharp, dark peaks of cypress trees; higher[Pg 345] still, seven or eight large mosques topped the hill, flanked by their ornate minarets and their Moorish arcades, lifting their gilded domes into the sky, glowing with the vibrant sunlight; the walls, painted in soft blue, and the leaden covers of the domes that encircled them, gave the structures the look and delicate shine of porcelain monuments. The ancient cypresses impart a sense of stillness and shadow to these domes; and the various hues of the painted houses throughout the city enliven the vast hill with all the colors of a flower garden. There’s no noise from the streets; no windows from the countless homes are open; no movement disturbs the lives of such a large population: everything seems to be asleep under the scorching sun; only the gulf, crisscrossed in every direction with sails of various shapes and sizes, shows signs of life. Every moment, we see fully rigged vessels emerge from the Golden Horn (the entrance to the Bosphorus), the true harbor of Constantinople, passing by us as they rush toward the Dardanelles; yet we can’t see the entrance of the Bosphorus, nor understand its location. We have dinner on the deck facing this enchanting view; Turkish caïques come to inquire about us and offer food and supplies; the boatmen tell us that there’s no longer any plague; I send my letters to the city; at seven o'clock, M. Truqui, the consul-general of Sardinia, accompanied by officers from his delegation, comes to visit us and offers us the hospitality of his home in Pera; there’s no hope of finding lodging in the recently burned city; his warm kindness and the appeal he presents upon first meeting prompt us to accept. The opposing winds still blow, and the brigs can't set sail this evening: we sleep on board.

THE GOLDEN HORN.
The Golden Horn.
At five o’clock I am standing on the deck; the captain lowers a boat; I descend with him, and we set sail towards the mouth of the Bosphorus, coasting along the walls of Constantinople, which the sea washes. After half an hour’s navigation through a multitude of ships at anchor, we reach the walls of the Seraglio, which stand next to those of the city, and form, at the extremity of the hill that bears Stamboul, the angle that separates the Sea of Marmora from the canal of the Bosphorus and the Golden Horn, or the grand inner roadstead of Constantinople. It is here that God and man, nature and art, have placed, or created, in concert the most marvellous view that human eyes may contemplate upon the earth. I gave an involuntary cry, and I forgot for ever the Bay of Naples and all its enchantments; to compare anything to this magnificent and gracious combination would be to insult creation.
At five o’clock, I'm standing on the deck; the captain lowers a boat; I go down with him, and we set off toward the mouth of the Bosphorus, along the city walls of Constantinople, touched by the sea. After half an hour navigating through a sea of anchored ships, we arrive at the walls of the Seraglio, which are next to the city walls, and create, at the end of the hill that holds Stamboul, the angle that separates the Sea of Marmora from the Bosphorus canal and the Golden Horn, or the grand inner harbor of Constantinople. It’s here that God and man, nature and art, have combined to create the most amazing view that human eyes can behold on this planet. I let out an involuntary gasp, and I forever forgot the Bay of Naples and all its beauty; to compare anything to this stunning and gracious scene would be an insult to creation.
The walls supporting the circular terraces of the immense gardens of the great Seraglio were a few feet from us to our left, separated from the sea by a narrow sidewalk of stone flags washed by the ceaseless billows, where the perpetual current of the Bosphorus formed little murmuring waves, as blue as those of the Rhône at Geneva; these terraces that rise in gentle inclines up to the Sultan’s palace, where you perceive the gilded domes across the gigantic tops of the plantain-trees and the cypresses, are themselves planted with enormous cypresses and plantains whose[Pg 347] trunks dominate the walls and whose boughs, spreading beyond the garden, hang over the sea in cascades of foliage shadowing the caïques; the rowers stop from time to time beneath their shade; every now and then these groups of trees are interrupted by palaces, pavilions, kiosks, doors sculptured and gilded opening upon the sea, or batteries of cannon of copper and bronze in ancient and peculiar shapes.
The walls supporting the circular terraces of the huge gardens of the great Seraglio were just a few feet to our left, separated from the sea by a narrow stone sidewalk, constantly washed by the relentless waves, where the steady current of the Bosphorus created little murmuring waves, as blue as those of the Rhône at Geneva. These terraces gently rise up to the Sultan’s palace, where you can see the gilded domes peeking above the tall plantain trees and cypresses. They are filled with giant cypresses and plantains whose trunks tower over the walls, and whose branches, spreading beyond the garden, cascade down over the sea, creating shade for the caïques. The rowers occasionally pause in the shade; now and then, these clusters of trees are broken up by palaces, pavilions, kiosks, ornately carved and gilded doors opening onto the sea, or cannons made of copper and bronze in ancient and unique designs.
Several pulls of the oar brought us to the precise point of the Golden Horn where you enjoy at once a view of the Bosphorus, the Sea of Marmora, and, finally, of the entire harbour, or, rather, the inland sea of Constantinople; there we forgot Marmora, the coast of Asia, and the Bosphorus, taking in with one glance the basin of the Golden Horn and the seven cities seated upon the seven hills of Constantinople, all converging towards the arm of the sea that forms the unique and incomparable city, that is at the same time city, country, sea, harbour, bank of flowers, gardens, wooded mountains, deep valleys, an ocean of houses, a swarm of ships and streets, tranquil lakes, and enchanted solitudes,—a view that no brush can render except by details, and where each stroke of the oar gives the eye and soul contradictory aspects and impressions.
Several pulls of the oar brought us to the exact spot on the Golden Horn where you can see the Bosphorus, the Sea of Marmara, and, finally, the entire harbor, or rather, the inner sea of Constantinople; there we forgot about Marmara, the coast of Asia, and the Bosphorus, taking in with one glance the basin of the Golden Horn and the seven cities sitting on the seven hills of Constantinople, all leading toward the arm of the sea that creates the unique and unparalleled city, which is at once a city, country, sea, harbor, blooming banks, gardens, wooded mountains, deep valleys, an ocean of houses, a swarm of ships and streets, calm lakes, and enchanted solitude—a view that no painter can capture except in parts, and where each stroke of the oar offers the eye and soul contradictory aspects and feelings.
We set sail towards the hills of Galata and Pera; the Seraglio receded from us and grew larger in receding in proportion as the eye embraced more and more the vast outlines of its walls and the multitude of its roofs, its trees, its kiosks and its palaces. Of itself it is sufficient to constitute a large city. The harbour hollows itself out[Pg 348] more and more before us; it winds like a canal between the flanks of the curved mountains, and increases as we advance. The harbour does not resemble a harbour in the least; it is rather a large river like the Thames, enclosing the two coasts of the hills laden with towns, and covered from one bank to the other with an interminable flotilla of ships variously grouped the entire length of the houses. We pass by this innumerable multitude of boats, some riding at anchor and some about to set sail, sailing before the wind towards the Bosphorus, towards the Black Sea, or towards the Sea of Marmora; boats of all shapes and sizes and flags, from the Arabian barque, whose prow springs and rises like the beak of antique galleys, to the vessel of three decks with its glittering walls of bronze. Some flocks of Turkish caïques, managed by one or two rowers in silken sleeves, little boats that serve as carriages in the maritime streets of this amphibious town, circulate between the large masses, cross and knock against each other without overturning, and jostle one another like a crowd in public places; and clouds of gulls, like beautiful white pigeons, rise from the sea at their approach, to travel further away and be rocked upon the waves. I did not try to count the vessels, the ships, the brigs, the boats of all kinds and the barks that slept or travelled in the harbour of Constantinople, from the mouth of the Bosphorus and the point of the Seraglio to Eyoub and the delicious valleys of sweet waters. The Thames at London offers nothing in comparison. It will suffice to say that independently of the Turkish flotilla and the European men-of-war[Pg 349] at anchor in the centre of the canal, the two sides of the Golden Horn are covered two or three vessels deep for about a mile in length. We could only see the ocean by looking between the file of prows and our glance lost itself at the back of the gulf which contracted and ran into the shore amid a veritable forest of masts.
We set off towards the hills of Galata and Pera; the Seraglio faded from view, appearing larger as it receded, revealing more of its extensive walls and the many roofs, trees, kiosks, and palaces that make up its silhouette. It alone is enough to form a large city. The harbor stretches out before us, winding like a canal between the curved mountains, growing wider as we move forward. The harbor doesn't really look like a harbor at all; it resembles a wide river like the Thames, flanked by hills covered in towns, and packed from one bank to the other with a never-ending flotilla of ships, clustered along the entire length of the shoreline. We pass countless boats, some anchored and others preparing to set sail, heading into the wind towards the Bosphorus, the Black Sea, or the Sea of Marmara; boats of every shape and size with various flags, from Arabian barges with prows that curve up like the beaks of ancient galleys to three-decked vessels with shining bronze sides. There are flocks of Turkish caïques, rowed by one or two people in silk sleeves, small boats that act as taxis in the watery streets of this amphibious city, weaving between larger ships, colliding without capsizing, and bumping against one another like a crowd in a busy square; flocks of gulls, resembling beautiful white pigeons, rise from the water as they come near, flying off to drift on the waves. I didn’t attempt to count all the vessels, ships, brigs, and boats resting or moving in the harbor of Constantinople, from the mouth of the Bosphorus and the point of the Seraglio to Eyoub and the lovely valleys of sweet waters. The Thames in London has nothing on this. It’s enough to say that in addition to the Turkish flotilla and the European warships anchored in the center of the canal, both sides of the Golden Horn are lined with two or three vessels deep for about a mile. We could only glimpse the ocean by looking between the rows of prows, and our gaze vanished into the depth of the bay, narrowing as it approached the shore amid a true forest of masts.
I have just been strolling along the Asian shore on my return this evening to Constantinople, and I find it a thousand times more beautiful than the European shore. The Asian shore owes almost nothing to man; everything here has been accomplished by nature. Here there is no Buyukdere, no Therapia, no palace of ambassadors, and no town of Armenians or Franks; there are only mountains, gorges that separate them, little valleys carpeted with meadows that seem to dig themselves out of the rocks, rivulets that wind about them, cascades that whiten them with their foam, forests that hang to their flanks, glide into their ravines, and descend to the very edges of the innumerable coast gulfs; a variety of forms and tints, and of leafy verdure, which the brush of a landscape-painter could not even hope to suggest. Some isolated houses of sailors or Turkish gardeners are scattered at great distances on the shore, or thrown on the foreground of a wooded hill, or grouped upon the point of rocks where the current carries you, and breaks into waves as blue as the night sky; some white sails of fishermen, who creep along the deep coves, which you see glide from one plane-tree to another, like linen that the washerwomen fold; innumerable flights of[Pg 350] white birds that dry themselves on the edge of the meadows; eagles that hover among the heights of the mountains near the sea; mysterious creeks entirely shut in between rocks and trunks of gigantic trees, whose boughs, overcharged with leaves, bend over the waves and form upon the sea cradles wherein the caïques creep. One or two villages hidden in the shadow of these creeks with their gardens behind them on those green slopes, and their group of trees at the foot of the rocks, with their barks rocked by the gentle waves before their doors, their clouds of doves on the roofs, their women and children at the windows, their old men seated beneath the plane-trees at the foot of the minaret; labourers returning from the fields in their caïques; others who have filled their barks with green faggots, myrtle, or flowering heath to dry it for fuel in the winter; hidden behind these heaps of slanting verdure that border and descend into the water, you perceive neither the bark nor the rower, and you believe that a portion of the bank detached from the earth by the current is floating at haphazard on the sea with its green foliage and its perfumed flowers. The shore presents this same appearance as far as the castle of Mahomet II., which from this coast also seems to shut in the Bosphorus like a Swiss lake; there, it changes its character; the hills, less rugged, sink their flanks and more gently hollow into narrow valleys; the Asiatic villages extend more richly and nearer together; the Sweet Waters of Asia, a charming little plain shadowed by trees and sown with kiosks and Moorish fountains opens out to the vision.
I just took a walk along the Asian shore on my way back to Constantinople this evening, and I find it a thousand times more beautiful than the European side. The Asian shore owes almost nothing to people; everything here has been created by nature. There's no Buyukdere, no Therapia, no palace of ambassadors, and no town of Armenians or Franks; just mountains, gorges separating them, small valleys filled with meadows that seem to emerge from the rocks, streams winding through them, waterfalls that foam on their edges, forests hanging on their slopes, sliding into their ravines, and reaching the very edges of countless coastal inlets; a variety of shapes and colors, and lush greenery that no landscape painter could ever fully capture. Some scattered houses belonging to fishermen or Turkish gardeners are found far apart along the shore, or perched in front of a wooded hill, or clustered on rocky points where the current rolls in and breaks into waves as blue as the night sky; white sails of fishermen drift along the deep coves, moving from one plane tree to another like linen being folded by laundry women; countless flocks of white birds drying themselves at the meadow's edge; eagles soaring among the mountain heights near the sea; and mysterious inlets completely enclosed by rocks and towering trees, whose heavy branches, laden with leaves, bend over the waves and create cradles on the sea for the caïques. One or two villages are hidden in the shade of these inlets, with their gardens behind them on those green slopes, and a cluster of trees at the foot of the cliffs, their barks rocked gently by the waves in front of their doors, clouds of doves on the rooftops, women and children at the windows, and old men sitting under the plane trees at the foot of the minaret; laborers returning from the fields in their caïques; others who have filled their boats with green twigs, myrtle, or flowering heath to dry for winter fuel; hidden behind these heaps of slanted greenery that edge and descend into the water, you can’t see the boat or the rower, and you think a piece of the bank has broken off and is floating aimlessly on the sea with its green foliage and fragrant flowers. The shoreline has this same look all the way to the castle of Mahomet II, which also seems to close off the Bosphorus like a Swiss lake; there, the landscape changes character; the hills become less rugged, their slopes gently hollow into narrow valleys; the Asian villages appear richer and closer together; the Sweet Waters of Asia, a lovely little plain shaded by trees and dotted with kiosks and Moorish fountains, comes into view.
[Pg 351]
[Pg 351]
Beyond the palace of Beglierby, the Asian coast again becomes wooded and solitary as far as Scutari, which is as brilliant as a garden of roses, at the extremity of a cape at the entrance of the Sea of Marmora. Opposite, the verdant point of the Seraglio presents itself to the eye; and between the European coast, crowned with its three painted towns, and the coast of Stamboul, all glittering with its cupolas and minarets, opens the immense port of Constantinople, where the ships anchored at the two banks leave only one large water-way for the caïques. I glide through this labyrinth of buildings, as in a Venetian gondola under the shadow of palaces, and I land at the échelle des Morts, under an avenue of cypresses.
Beyond the palace of Beglierby, the Asian coast becomes wooded and quiet again all the way to Scutari, which shines like a rose garden at the tip of a cape at the entrance of the Sea of Marmora. Across from it, the green point of the Seraglio comes into view; and between the European coast, adorned with its three colorful towns, and the coast of Stamboul, sparkling with its domes and minarets, lies the vast port of Constantinople, where the ships anchored on both sides leave a single wide waterway for the caïques. I navigate through this maze of buildings, like a Venetian gondola gliding under the shade of palaces, and I dock at the échelle des Morts, beneath an avenue of cypress trees.
Voyage en Orient (Paris, 1843).
Journey to the East (Paris, 1843).
[Pg 352]
[Pg 352]
THE YELLOWSTONE[13]
(UNITED STATES)
(U.S.A.)
RUDYARD KIPLING
Rudyard Kipling
Twice have I written this letter from end to end. Twice have I torn it up, fearing lest those across the water should say that I had gone mad on a sudden. Now we will begin for the third time quite solemnly and soberly. I have been through the Yellowstone National Park in a buggy, in the company of an adventurous old lady from Chicago and her husband, who disapproved of scenery as being “ongodly.” I fancy it scared them.
Twice I’ve written this letter from start to finish. Twice I’ve ripped it up, worried that those overseas would think I suddenly went crazy. Now, we’ll start for the third time, very seriously and calmly. I traveled through Yellowstone National Park in a buggy, along with an adventurous older woman from Chicago and her husband, who thought scenery was “ungodly.” I think it scared them.

COATING SPRINGS, YELLOWSTONE.
Coating Springs, Yellowstone.
We began, as you know, with the Mammoth Hot Springs. They are only a gigantic edition of those pink and white terraces not long ago destroyed by earthquake in New Zealand. At one end of the little valley in which the hotel stands the lime-laden springs that break from the pine-covered hillsides have formed a frozen cataract of white, lemon, and palest pink formations, through and over and in which water of the warmest bubbles and drips and trickles from pale-green lagoon to exquisitely fretted basin.[Pg 353] The ground rings hollow as a kerosene-tin, and some day the Mammoth Hotel, guests and all, will sink into the caverns below and be turned into a stalactite. When I set foot on the first of the terraces, a tourist-trampled ramp of scabby grey stuff, I met a steam of iron-red hot water, which ducked into a hole like a rabbit. Followed a gentle chuckle of laughter, and then a deep, exhausted sigh from nowhere in particular. Fifty feet above my head a jet of steam rose up and died out in the blue. It was worse than the boiling mountain at Myanoshita. The dirty white deposit gave place to lime whiter than snow; and I found a basin which some learned hotel-keeper has christened Cleopatra’s pitcher, or Mark Antony’s whisky-jug, or something equally poetical. It was made of frosted silver; it was filled with water as clear as the sky. I do not know the depth of that wonder. The eye looked down beyond grottoes and caves of beryl into an abyss that communicated directly with the central fires of earth. And the pool was in pain, so that it could not refrain from talking about it; muttering and chattering and moaning. From the lips of the lime-ledges, forty feet under water, spurts of silver bubbles would fly up and break the peace of the crystal atop. Then the whole pool would shake and grow dim, and there were noises. I removed myself only to find other pools all equally unhappy, rifts in the ground, full of running red-hot water, slippery sheets of deposit overlaid with greenish grey hot water, and here and there pit-holes dry as a rifled tomb in India, dusty and waterless. Elsewhere the infernal waters had first boiled dead and then[Pg 354] embalmed the palms and underwood, or the forest trees had taken heart and smothered up a blind formation with greenery, so that it was only by scraping the earth you could tell what fires had raged beneath. Yet the pines will win the battle in years to come, because Nature, who first forges all her work in her great smithies, has nearly finished this job, and is ready to temper it in the soft brown earth. The fires are dying down; the hotel is built where terraces have overflowed into flat wastes of deposit; the pines have taken possession of the high ground whence the terraces first started. Only the actual curve of the cataract stands clear, and it is guarded by soldiers who patrol it with loaded six-shooters, in order that the tourist may not bring up fence-rails and sink them in a pool, or chip the fretted tracery of the formations with a geological hammer, or, walking where the crust is too thin, foolishly cook himself....
We started, as you know, at Mammoth Hot Springs. They are just a massive version of those pink and white terraces that were recently destroyed by an earthquake in New Zealand. At one end of the small valley where the hotel is located, the mineral-rich springs emerging from the pine-covered hills have created a frozen waterfall of white, yellow, and light pink formations, through and over which warm water bubbles, drips, and trickles from a pale-green lagoon to an intricately carved basin.[Pg 353] The ground sounds hollow like a tin can, and someday the Mammoth Hotel, guests included, will sink into the caverns below and become part of a stalactite. When I stepped onto the first of the terraces, a tourist-worn path of rough grey material, I encountered a stream of iron-red hot water that darted into a hole like a rabbit. I heard a light laugh followed by a deep, tired sigh from nowhere in particular. Fifty feet above me, a jet of steam rose and vanished into the blue sky. It was more intense than the boiling mountain at Myanoshita. The dirty white deposits gave way to lime whiter than snow, and I discovered a basin that some knowledgeable hotel owner has named Cleopatra’s pitcher, or Mark Antony’s whiskey jug, or something just as poetic. It was made of frosted silver and filled with water as clear as the sky. I don’t know how deep that wonder goes. My eyes looked down past grottoes and caves of blue-green stone into a chasm that linked directly to the earth's core. And the pool was in turmoil, restless enough to give voice to its discomfort; it muttered, chattered, and groaned. From the lime ledges, forty feet underwater, jets of silver bubbles shot up and disrupted the peace of the crystal surface. Then the entire pool would shake and darken, and there were noises. I moved on, only to find other equally discontented pools, gaps in the ground filled with streaming hot water, slippery mineral sheets overlaid with greenish-grey hot water, and here and there dry pit-holes like looted tombs in India, dusty and without water. Elsewhere, the hellish waters had first boiled alive and then[Pg 354] preserved the palms and shrubs, or the forest trees had thrived and covered a hidden formation with greenery, so that only by scraping the earth could you realize what fires had burned beneath. Yet the pines will eventually win the battle, because Nature, who first shapes all her creations in her great workshops, has nearly completed this job and is ready to cool it in the soft brown earth. The fires are dying down; the hotel is built where the terraces have overflowed into flat areas of mineral deposits; the pines now dominate the elevated terrain from where the terraces initially formed. Only the actual curve of the waterfall remains distinct, and it is protected by guards who patrol it with loaded revolvers, ensuring that tourists don’t bring fencing materials and sink them in a pool, or chip away at the delicate carvings of the formations with a geological hammer, or foolishly burn themselves by walking where the crust is too thin....
Next dawning, entering a buggy of fragile construction, with the old people from Chicago, I embarked on my perilous career. We ran straight up a mountain till we could see sixty miles away, the white houses of Cook City on another mountain, and the whiplash-like trail leading thereto. The live air made me drunk. If Tom, the driver, had proposed to send the mares in a bee-line to the city, I should have assented, and so would the old lady, who chewed gum and talked about her symptoms. The tub-ended rock-dog, which is but the translated prairie-dog, broke across the road under our horses’ feet, the rabbit and the chipmunk danced with fright; we heard the roar of the[Pg 355] river, and the road went round a corner. On one side piled rock and shale, that enjoined silence for fear of a general slide-down; on the other a sheer drop, and a fool of a noisy river below. Then, apparently in the middle of the road, lest any should find driving too easy, a post of rock. Nothing beyond that save the flank of a cliff. Then my stomach departed from me, as it does when you swing, for we left the dirt, which was at least some guarantee of safety, and sailed out round the curve, and up a steep incline, on a plank-road built out from the cliff. The planks were nailed at the outer edge, and did not shift or creak very much—but enough, quite enough. That was the Golden Gate. I got my stomach back again when we trotted out on to a vast upland adorned with a lake and hills. Have you ever seen an untouched land—the face of virgin Nature? It is rather a curious sight, because the hills are choked with timber that has never known an axe, and the storm has rent a way through this timber, so that a hundred thousand trees lie matted together in swathes; and since each tree lies where it falls, you may behold trunk and branch returning to the earth whence they sprang—exactly as the body of man returns—each limb making its own little grave, the grass climbing above the bark, till at last there remains only the outline of a tree upon the rank undergrowth.
The next morning, I got into a fragile buggy with some older folks from Chicago and started my risky adventure. We drove straight up a mountain until we could see sixty miles away, the white houses of Cook City on another mountain, connected by a twisting trail. The fresh air made me feel exhilarated. If Tom, the driver, had suggested heading straight to the city, I would have agreed, and so would the old lady who was chewing gum and talking about her ailments. A prairie dog, known here as the tub-ended rock-dog, darted across the road in front of our horses, making the rabbit and chipmunk jump in fright; we heard the roar of the river as the road turned. On one side, there were piles of rock and shale, which demanded silence to avoid triggering a landslide; on the other, a sheer drop with a noisy river below. Just to make driving more challenging, a rock post sat right in the middle of the road. Beyond that was just the side of a cliff. Then I felt a lurch in my stomach, like when you're swinging, because we left the dirt road, which at least felt somewhat safe, and instead went around a curve and up a steep incline on a wooden road built out from the cliff. The planks were nailed down at the outer edge and didn’t shift or creak too much—but just enough. That was the Golden Gate. I regained my composure when we trotted out onto a wide upland featuring a lake and hills. Have you ever seen untouched land—the face of virgin Nature? It’s quite a sight, as the hills are choked with timber that has never been cut, and storms have carved pathways through the trees, leaving hundreds of thousands of fallen trees tangled together; each tree lies where it fell, allowing you to see the trunk and branches returning to the earth, just like a human body does—each limb creating its own small grave, with grass growing over the bark, until all that’s left is the silhouette of a tree amidst the thick underbrush.
Then we drove under a cliff of obsidian, which is black glass, some two hundred feet high; and the road at its foot was made of black glass that crackled. This was no great matter, because half an hour before Tom had pulled up in[Pg 356] the woods that we might sufficiently admire a mountain who stood all by himself, shaking with laughter or rage....
Then we drove under a cliff of obsidian, which is black glass, about two hundred feet high; and the road at its base was made of black glass that crackled. This wasn't a big deal, because half an hour earlier, Tom had stopped in[Pg 356] the woods so we could fully appreciate a mountain standing alone, shaking with laughter or anger....
Then by companies after tiffin we walked chattering to the uplands of Hell. They call it the Norris Geyser Basin on Earth. It was as though the tide of dissolution had gone out, but would presently return, across innumerable acres of dazzling white geyser formation. There were no terraces here, but all other horrors. Not ten yards from the road a blast of steam shot up roaring every few seconds, a mud volcano spat filth to Heaven, streams of hot water rumbled under foot, plunged through the dead pines in steaming cataracts and died on a waste of white where green-grey, black-yellow, and link pools roared, shouted, bubbled, or hissed as their wicked fancies prompted. By the look of the eye the place should have been frozen over. By the feel of the feet it was warm. I ventured out among the pools, carefully following tracks, but one unwary foot began to sink, a squirt of water followed, and having no desire to descend quick into Tophet I returned to the shore where the mud and the sulphur and the nameless fat ooze-vegetation of Lethe lay. But the very road rang as though built over a gulf; and besides how was I to tell when the raving blast of steam would find its vent insufficient and blow the whole affair into Nirvana? There was a potent stench of stale eggs everywhere, and crystals of sulphur crumbled under the foot, and the glare of the sun on the white stuff was blinding....
Then, after lunch, we walked and chatted our way to the uplands of Hell. They call it the Norris Geyser Basin on Earth. It felt like the tide of decay had receded but would soon return, stretching across countless acres of stunning white geyser formations. There were no terraces here, but plenty of other horrors. Not ten yards from the road, a blast of steam shot up, roaring every few seconds; a mud volcano spat filth toward the sky; streams of hot water rumbled beneath our feet, plunging through the dead pines in steaming cascades before disappearing into a wasteland of white where green-grey, black-yellow, and pink pools roared, shouted, bubbled, or hissed as their wild whims dictated. By appearance, the place should have been frozen solid. By sensation, it was warm. I ventured out among the pools, carefully following tracks, but one careless step made my foot sink; a burst of water followed, and having no desire to drop quickly into hell, I returned to the edge where the mud, sulfur, and unnamed fat ooze-vegetation of Lethe lay. Yet the very road seemed to resonate as if built over a chasm; besides, how was I to know when the raging blast of steam would find its outlet inadequate and blow the whole thing into oblivion? There was a strong smell of rotten eggs everywhere, and crystals of sulfur crumbled underfoot, with the glare of the sun on the white stuff blinding me....
We curved the hill and entered a forest of spruce, the path serpentining between the tree-boles, the wheels running[Pg 357] silent on immemorial mould. There was nothing alive in the forest save ourselves. Only a river was speaking angrily somewhere to the right. For miles we drove till Tom bade us alight and look at certain falls. Wherefore we stepped out of that forest and nearly fell down a cliff which guarded a tumbled river and returned demanding fresh miracles. If the water had run uphill, we should perhaps have taken more notice of it; but ’twas only a waterfall, and I really forget whether the water was warm or cold. There is a stream here called Firehole River. It is fed by the overflow from the various geysers and basins,—a warm and deadly river wherein no fish breed. I think we crossed it a few dozen times in the course of the day.
We curved around the hill and entered a spruce forest, the path winding between the trees, the wheels moving[Pg 357] quietly on ancient soil. There was nothing alive in the forest except us. Only a river was angrily gurgling somewhere to the right. We drove for miles until Tom told us to get out and check out some waterfalls. So we stepped out of the forest and almost fell over a cliff that overlooked a rushing river, coming back asking for more wonders. If the water had flowed uphill, we might have paid more attention to it; but it was just a waterfall, and I honestly don’t remember if the water was warm or cold. There’s a stream here called Firehole River. It gets its water from the overflow of various geysers and basins—it's a warm and lethal river where no fish can breed. I think we crossed it a few dozen times throughout the day.
Then the sun began to sink, and there was a taste of frost about, and we went swiftly from the forest into the open, dashed across a branch of the Firehole River and found a wood shanty, even rougher than the last, at which, after a forty mile drive, we were to dine and sleep. Half a mile from this place stood, on the banks of the Firehole River a “beaver-lodge,” and there were rumours of bears and other cheerful monsters in the woods on the hill at the back of the building....
Then the sun started to set, and there was a hint of frost in the air, so we quickly left the forest and moved into the open, rushed across a part of the Firehole River, and found a wooden cabin, even rougher than the last one, where we would have dinner and spend the night after a forty-mile drive. Half a mile from this spot was a "beaver lodge" on the banks of the Firehole River, and there were stories about bears and other friendly creatures roaming the woods on the hill behind the cabin....
Once upon a time there was a carter who brought his team and a friend into the Yellowstone Park without due thought. Presently they came upon a few of the natural beauties of the place, and that carter turned his friend’s team, howling: “Get back o’ this, Tim. All Hell’s alight under our noses.” And they call the place Hell’s Half-acre to this day. We, too, the old lady from Chicago, her[Pg 358] husband, Tom, and the good little mares came to Hell’s Half-acre, which is about sixty acres, and when Tom said: “Would you like to drive over it?” we said: “Certainly no, and if you do, we shall report you to the authorities.” There was a plain, blistered and puled and abominable, and it was given over to the sportings and spoutings of devils who threw mud and steam and dirt at each other with whoops and halloos and bellowing curses. The place smelt of the refuse of the Pit, and that odour mixed with the clean, wholesome aroma of the pines in our nostrils throughout the day. Be it known that the Park is laid out, like Ollendorf, in exercises of progressive difficulty. Hell’s Half-acre was a prelude to ten or twelve miles of geyser formation. We passed hot streams boiling in the forest; saw whiffs of steam beyond these, and yet other whiffs breaking through the misty green hills in the far distance; we trampled on sulphur, and sniffed things much worse than any sulphur which is known to the upper world; and so came upon a park-like place where Tom suggested we should get out and play with the geysers.
Once upon a time, there was a cart driver who brought his team and a friend into Yellowstone Park without much thought. Soon, they stumbled upon some of the natural wonders of the area, and the cart driver shouted to his friend, “Get back, Tim. It’s a nightmare right under our noses.” They still call the place Hell’s Half-acre today. We, along with the old lady from Chicago, her husband Tom, and the good little horses, arrived at Hell’s Half-acre, which is about sixty acres. When Tom asked, “Would you like to drive over it?” we said, “Absolutely not, and if you do, we’ll report you to the authorities.” It was a plain, blistered, horrible area filled with the antics of devils throwing mud and steam at each other with shouts, hollering, and cursing. The place smelled like the waste of the Pit, and that odor mixed with the fresh, clean scent of the pines in our nostrils all day long. Just so you know, the Park is set up in a way that gradually increases in difficulty. Hell’s Half-acre was a preview of ten to twelve miles of geyser formations. We passed by hot streams boiling in the forest, spotted puffs of steam beyond them, and saw even more steam breaking through the misty green hills in the distance; we walked over sulfur and smelled things much worse than any sulfur known to the outside world; and finally, we arrived at a park-like area where Tom suggested we should get out and play with the geysers.
Imagine mighty green fields splattered with lime beds: all the flowers of the summer growing up to the very edge of the lime. That was the first glimpse of the geyser basins. The buggy had pulled up close to a rough, broken, blistered cone of stuff between ten and twenty feet high. There was trouble in that place—moaning, splashing, gurgling, and the clank of machinery. A spurt of boiling water jumped into the air and a wash of water followed. I removed swiftly. The old lady from Chicago shrieked.[Pg 359] “What a wicked waste!” said her husband. I think they call it the Riverside Geyser. Its spout was torn and ragged like the mouth of a gun when a shell has burst there. It grumbled madly for a moment or two and then was still. I crept over the steaming lime—it was the burning marl on which Satan lay—and looked fearfully down its mouth. You should never look a gift geyser in the mouth. I beheld a horrible slippery, slimy funnel with water rising and falling ten feet at a time. Then the water rose to lip level with a rush and an infernal bubbling troubled this Devil’s Bethesda before the sullen heave of the crest of a wave lapped over the edge and made me run. Mark the nature of the human soul! I had begun with awe, not to say terror. I stepped back from the flanks of the Riverside Geyser saying: “Pooh! Is that all it can do?” Yet for aught I knew the whole thing might have blown up at a minute’s notice; she, he, or it, being an arrangement of uncertain temper.
Imagine vast green fields dotted with lime deposits, with all the summer flowers growing right up to the edges of the lime. That was the first sight of the geyser basins. The carriage had pulled up close to a jagged, blistered cone about ten to twenty feet high. There was something unsettling happening there—moaning, splashing, gurgling, and the sound of machinery. A burst of boiling water shot into the air, followed by a splash. I moved back quickly. The elderly woman from Chicago screamed. [Pg 359] “What a terrible waste!” said her husband. I think they call it the Riverside Geyser. Its spout was torn and ragged like the mouth of a cannon after it’s fired. It grumbled angrily for a moment and then went quiet. I cautiously stepped over the steaming lime—it was the burning marl where the devil rests—and looked nervously down its opening. You should never look a gift geyser in the mouth. I saw a horrible, slippery, slimy funnel with water rising and falling ten feet at a time. Then the water surged up to the rim with a rush, and an infernal bubbling disturbed this Devil’s Bethesda before the heavy crest of a wave spilled over the edge and made me run. Consider the nature of the human soul! I had started with awe, even fear. I backed away from the Riverside Geyser, saying: “Pooh! Is that all it can do?” Yet for all I knew, the whole thing could have exploded at any moment; it was a thing of unpredictable temperament.
We drifted on up that miraculous valley. On either side of us were hills from a thousand to fifteen feet high and wooded from heel to crest. As far as the eye could range forward were columns of steam in the air, misshapen lumps of lime, most like preadamite monsters, still pools of turquoise blue, stretches of blue cornflowers, a river that coiled on itself twenty times, boulders of strange colours, and ridges of glaring, staring white.
We floated up that amazing valley. On both sides were hills rising from ten to fifteen feet, covered in trees from bottom to top. As far as we could see ahead, there were columns of steam in the air, oddly shaped lumps of lime that resembled ancient monsters, still pools of turquoise blue, patches of blue cornflowers, a river that twisted back on itself twenty times, boulders in strange colors, and ridges of bright, glaring white.
The old lady from Chicago poked with her parasol at the pools as though they had been alive. On one particularly innocent-looking little puddle she turned her back for[Pg 360] a moment, and there rose behind her a twenty-foot column of water and steam. Then she shrieked and protested that “she never thought it would ha’ done it,” and the old man chewed his tobacco steadily, and mourned for steam power wasted. I embraced the whitened stump of a middle-sized pine that had grown all too close to a hot pool’s lip, and the whole thing turned over under my hand as a tree would do in a nightmare. From right and left came the trumpetings of elephants at play. I stepped into a pool of old dried blood rimmed with the nodding cornflowers; the blood changed to ink even as I trod; and ink and blood were washed away in a spurt of boiling sulphurous water spat out from the lee of a bank of flowers. This sounds mad, doesn’t it?...
The old lady from Chicago poked at the pools with her parasol as if they were alive. For a moment, she turned her back on one particularly innocent-looking puddle, and a twenty-foot column of water and steam shot up behind her. Then she screamed and protested that “she never thought it would do that,” while the old man chewed his tobacco steadily, lamenting the wasted steam power. I grabbed hold of the white stump of a medium-sized pine that had grown way too close to the edge of a hot pool, and the whole thing flipped over in my hand like a tree in a nightmare. From both sides came the sounds of elephants playing. I stepped into a pool of old dried blood surrounded by nodding cornflowers; the blood turned into ink as I walked; and both ink and blood were washed away in a burst of boiling, sulfurous water splashed out from behind a bank of flowers. This sounds crazy, doesn’t it?...
We rounded a low spur of hills, and came out upon a field of aching snowy lime, rolled in sheets, twisted into knots, riven with rents and diamonds and stars, stretching for more than half a mile in every direction. In this place of despair lay most of the big geysers who know when there is trouble in Krakatoa, who tell the pines when there is a cyclone on the Atlantic seaboard, and who—are exhibited to visitors under pretty and fanciful names. The first mound that I encountered belonged to a goblin splashing in his tub. I heard him kick, pull a shower-bath on his shoulders, gasp, crack his joints, and rub himself down with a towel; then he let the water out of the bath, as a thoughtful man should, and it all sank down out of sight till another goblin arrived. Yet they called this place the Lioness and the Cubs. It lies not very far from the Lion,[Pg 361] which is a sullen, roaring beast, and they say that when it is very active the other geysers presently follow suit. After the Krakatoa eruption all the geysers went mad together, spouting, spurting, and bellowing till men feared that they would rip up the whole field. Mysterious sympathies exist among them, and when the Giantess speaks (of her more anon) they all hold their peace.
We rounded a low ridge of hills and came out onto a field of aching snowy lime, rolled in sheets, twisted into knots, cracked with openings and sparkles, stretching for more than half a mile in every direction. In this place of despair lay most of the big geysers that know when there's trouble in Krakatoa, who inform the pines when there's a cyclone on the Atlantic coast, and who are showcased to visitors under cute and whimsical names. The first mound I encountered belonged to a goblin splashing in his tub. I heard him kick, pull a shower over his shoulders, gasp, crack his joints, and dry himself off with a towel; then he let the water out of the bath, as any considerate person should, and it all sank out of sight until another goblin arrived. Yet they called this place the Lioness and the Cubs. It’s not too far from the Lion,[Pg 361] which is a sullen, roaring beast, and they say that when it’s very active, the other geysers soon follow suit. After the Krakatoa eruption, all the geysers went wild together, spouting, spurting, and bellowing until people feared they would tear up the whole field. Mysterious connections exist among them, and when the Giantess speaks (more on her later), they all fall silent.
I was watching a solitary spring, when, far across the fields, stood up a plume of spun glass, iridescent and superb against the sky. “That,” said the trooper, “is Old Faithful. He goes off every sixty-five minutes to the minute, plays for five minutes, and sends up a column of water a hundred and fifty feet high. By the time you have looked at all the other geysers he will be ready to play.”
I was watching a lonely spring when, way across the fields, I saw a plume of spun glass, shining brilliantly against the sky. "That's Old Faithful," the trooper said. "It erupts every sixty-five minutes on the dot, lasts for five minutes, and shoots up a column of water one hundred and fifty feet high. By the time you've checked out all the other geysers, it’ll be ready to go again."
So we looked and we wondered at the Beehive, whose mouth is built up exactly like a hive; at the Turban (which is not in the least like a turban); and at many, many other geysers, hot holes, and springs. Some of them rumbled, some hissed, some went off spasmodically, and others lay still in sheets of sapphire and beryl.
So we gazed in awe at the Beehive, which looks just like a hive; at the Turban (which doesn’t resemble a turban at all); and at countless other geysers, hot pools, and springs. Some of them rumbled, some hissed, some erupted unpredictably, and others remained calm in sheets of sapphire and beryl.
Would you believe that even these terrible creatures have to be guarded by troopers to prevent the irreverent American from chipping the cones to pieces, or worse still, making the geysers sick? If you take of soft-soap a small barrelful and drop it down a geyser’s mouth, that geyser will presently be forced to lay all before you and for days afterwards will be of an irritated and inconsistent stomach. When they told me the tale I was filled with sympathy. Now I wish that I had stolen soap and tried the experiment[Pg 362] on some lonely little beast of a geyser in the woods. It sounds so probable—and so human.
Would you believe that even these awful creatures need to be protected by troopers to stop disrespectful Americans from breaking the cones into pieces, or even worse, making the geysers sick? If you take a small barrel of soft soap and drop it down a geyser's opening, that geyser will soon be forced to show everything it has, and for days afterwards, it will have an upset and unpredictable stomach. When I heard that story, I felt a wave of sympathy. Now I kind of wish I had stolen some soap and tried that experiment on some lonely little geyser deep in the woods. It sounds so likely—and so relatable.[Pg 362]
Yet he would be a bold man who would administer emetics to the Giantess. She is flat-lipped, having no mouth, she looks like a pool, fifty feet long and thirty wide, and there is no ornamentation about her. At irregular intervals she speaks, and sends up a column of water over two hundred feet high to begin with; then she is angry for a day and a half—sometimes for two days. Owing to her peculiarity of going mad in the night not many people have seen the Giantess at her finest; but the clamour of her unrest, men say, shakes the wooden hotel, and echoes like thunder among the hills. When I saw her; trouble was brewing. The pool bubbled seriously, and at five-minute intervals, sank a foot or two, then rose, washed over the rim, and huge steam bubbles broke on the top. Just before an eruption the water entirely disappears from view. Whenever you see the water die down in a geyser-mouth get away as fast as you can. I saw a tiny little geyser suck in its breath in this way, and instinct made me retire while it hooted after me. Leaving the Giantess to swear, and spit, and thresh about, we went over to Old Faithful, who by reason of his faithfulness has benches close to him whence you may comfortably watch. At the appointed hour we heard the water flying up and down the mouth with the sob of waves in a cave. Then came the preliminary gouts, then a roar and a rush, and that glittering column of diamonds rose, quivered, stood still for a minute; then it broke, and the rest was a confused snarl of water not[Pg 363] thirty feet high. All the young ladies—not more than twenty—in the tourist band remarked that it was “elegant,” and betook themselves to writing their names in the bottoms of shallow pools. Nature fixes the insult indelibly, and the after-years will learn that “Hattie,” “Sadie,” “Mamie,” “Sophie,” and so forth, have taken out their hair-pins, and scrawled in the face of Old Faithful....
Yet he would be a brave person who would give the Giantess medicine to make her vomit. She has no mouth and looks like a flat pool that is fifty feet long and thirty feet wide, with no decorations at all. She speaks at random intervals and shoots up a column of water over two hundred feet high to start. Then she gets angry for a day and a half—sometimes for two days. Because she tends to go mad at night, not many people have seen the Giantess at her best; but the noise of her unrest, people say, shakes the wooden hotel and echoes like thunder in the hills. When I saw her, trouble was brewing. The pool bubbled ominously, sinking a foot or two every five minutes, then rising, overflowing the edge, and giant steam bubbles bursting at the surface. Just before an eruption, the water completely disappears from view. Whenever you see the water drop in a geyser, get away as quickly as you can. I witnessed a tiny geyser inhale in this way, and instinctively I moved back while it hooted after me. Leaving the Giantess to swear, spit, and thrash about, we headed over to Old Faithful, who, due to his reliability, has benches nearby for comfortable viewing. At the designated time, we heard the water splashing around the opening with a sob like waves in a cave. Then came the initial splashes, followed by a roar and a rush, and that sparkling column of diamonds rose, quivered, stood still for a moment; then it broke, and the rest was a chaotic mess of water not more than thirty feet high. All the young women—not more than twenty—in the tourist group said it was “elegant,” and began writing their names in the bottoms of shallow pools. Nature will make sure that the insult is permanent, and in future years, people will know that “Hattie,” “Sadie,” “Mamie,” “Sophie,” and others have taken out their hairpins and scrawled on Old Faithful's surface....
Next morning Tom drove us on, promising new wonders. He pulled up after a few miles at a clump of brushwood where an army was drowning. I could hear the sick gasps and thumps of the men going under, but when I broke through the brushwood the hosts had fled, and there were only pools of pink, black, and white lime, thick as turbid honey. They shot up a pat of mud every minute or two, choking in the effort. It was an uncanny sight. Do you wonder that in the old days the Indians were careful to avoid the Yellowstone? Geysers are permissible, but mud is terrifying. The old lady from Chicago took a piece of it, and in half an hour it died into lime-dust and blew away between her fingers. All maya—illusion,—you see! Then we clinked over sulphur in crystals; there was a waterfall of boiling water; and a road across a level park hotly contested by the beavers....
Next morning, Tom drove us on, promising new wonders. He stopped after a few miles at a patch of brush where an army was drowning. I could hear the painful gasps and thumps of the men going under, but when I pushed through the brush, the crowds had disappeared, and there were only pools of pink, black, and white lime, thick like muddy honey. It shot up a blob of mud every minute or so, straining to do so. It was an eerie sight. Do you wonder why the Indians were careful to steer clear of Yellowstone in the past? Geysers are okay, but mud is terrifying. The old lady from Chicago took a piece of it, and within half an hour, it crumbled into lime dust and blew away between her fingers. All maya—illusion—you see! Then we clinked over sulphur in crystals; there was a waterfall of boiling water; and a road through a flat park hotly fought over by the beavers....
As we climbed the long path the road grew viler and viler till it became without disguise, the bed of a torrent; and just when things were at their rockiest we emerged into a little sapphire lake—but never sapphire was so blue—called Mary’s lake; and that between eight and nine thousand feet above the sea. Then came grass downs, all on a[Pg 364] vehement slope, so that the buggy following the new-made road ran on to the two off-wheels mostly, till we dipped head-first into a ford, climbed up a cliff, raced along a down, dipped again and pulled up dishevelled at “Larry’s” for lunch and an hour’s rest....
As we climbed the long path, the road became worse and worse until it turned into the bed of a stream; and just when things were at their rockiest, we came across a little sapphire lake—but never has sapphire been so blue—called Mary’s Lake; and that’s between eight and nine thousand feet above sea level. Then we reached grassy hills, all on a steep slope, so the buggy following the newly made road mostly ran on two off-wheels until we plunged head-first into a creek, climbed up a cliff, raced along a slope, dipped again, and finally arrived, a bit disheveled, at “Larry’s” for lunch and an hour's rest....
The sun was sinking when we heard the roar of falling waters and came to a broad river along whose banks we ran. And then—oh, then! I might at a pinch describe the infernal regions, but not the other place. Be it known to you that the Yellowstone River has occasion to run through a gorge about eight miles long. To get to the bottom of the gorge it makes two leaps, one of about 120 and the other of 300 feet. I investigated the upper or lesser fall, which is close to the hotel. Up to that time nothing particular happens to the Yellowstone, its banks being only rocky, rather steep, and plentifully adorned with pines. At the falls it comes round a corner, green, solid, ribbed with a little foam, and not more than thirty yards wide. Then it goes over still green and rather more solid than before. After a minute or two you, sitting on a rock directly above the drop, begin to understand that something has occurred; that the river has jumped a huge distance between the solid cliff walls and what looks like the gentle froth of ripples lapping the sides of the gorge below is really the outcome of great waves. And the river yells aloud; but the cliffs do not allow the yells to escape.
The sun was setting when we heard the roar of falling water and arrived at a wide river along whose banks we ran. And then—oh, then! I could almost describe the depths of hell, but not the other place. You should know that the Yellowstone River has to pass through a gorge about eight miles long. To reach the bottom of the gorge, it makes two drops, one about 120 feet and the other 300 feet high. I checked out the upper or smaller fall, which is close to the hotel. Up until that point, nothing special happens to the Yellowstone; its banks are just rocky, pretty steep, and filled with pine trees. At the falls, it rounds a corner, green and solid, with a bit of foam, and not more than thirty yards wide. Then it goes over, still green and a bit more solid than before. After a minute or two, while sitting on a rock directly above the drop, you start to realize that something significant has happened; the river has leaped a tremendous distance between the solid cliff walls, and what looks like the gentle foam of ripples against the sides of the gorge below is actually the result of huge waves. And the river roars loudly; but the cliffs keep the roars contained.
That inspection began with curiosity and finished in terror, for it seemed that the whole world was sliding in chrysolite from under my feet. I followed with the others[Pg 365] round the corner to arrive at the brink of the cañon; we had to climb up a nearly perpendicular ascent to begin with, for the ground rises more than the river drops. Stately pine woods fringe either lip of the gorge, which is—the Gorge of the Yellowstone.
That inspection started with curiosity and ended in fear, as it felt like the entire world was slipping away from beneath me. I followed the others[Pg 365] around the corner to reach the edge of the canyon; we had to climb up a steep incline to start with, because the ground rises more than the river falls. Tall pine forests line both sides of the gorge, which is—the Gorge of the Yellowstone.
All I can say is that without warning or preparation I looked into a gulf 1,700 feet deep with eagles and fish-hawks circling far below. And the sides of that gulf were one wild welter of colour—crimson, emerald, cobalt, ochre, amber, honey splashed with port-wine, snow-white, vermilion, lemon, and silver-grey, in wide washes. The sides did not fall sheer, but were graven by time and water and air into monstrous heads of kings, dead chiefs, men and women of the old time. So far below that no sound of its strife could reach us, the Yellowstone River ran—a finger-wide strip of jade-green. The sunlight took these wondrous walls and gave fresh hues to those that nature had already laid there. Once I saw the dawn break over a lake in Rajputana and the sun set over Oodey Sagar amid a circle of Holman Hunt hills. This time I was watching both performances going on below me—upside down you understand—and the colours were real! The cañon was burning like Troy town; but it would not burn forever, and, thank goodness, neither pen nor brush could ever portray its splendours adequately. The Academy would reject the picture for a chromo-lithograph. The public would scoff at the letter-press for Daily Telegraphese. “I will leave this thing alone,” said I; “’tis my peculiar property. Nobody else shall share it with me.” Evening crept[Pg 366] through the pines that shadowed us, but the full glory of the day flamed in that cañon as we went out very cautiously to a jutting piece of rock—blood-red or pink it was—that overhung the deepest deeps of all. Now I know what it is to sit enthroned amid the clouds of sunset. Giddiness took away all sensation of touch or form; but the sense of blinding colour remained. When I reached the mainland again I had sworn that I had been floating.
All I can say is that without any warning or preparation, I looked into a canyon 1,700 feet deep with eagles and fish-hawks circling far below. The walls of that canyon were a wild mix of colors—crimson, emerald, cobalt, ochre, amber, honey splashed with port-wine, snow-white, vermilion, lemon, and silver-grey, in broad splashes. The sides didn’t drop straight down but were carved by time, water, and air into monstrous heads of kings, dead chiefs, and men and women from ancient times. So far below that no sound of its chaos could reach us, the Yellowstone River flowed—a thin strip of jade-green. The sunlight touched these amazing walls and added new colors to what nature had already painted there. Once, I watched the dawn break over a lake in Rajputana and the sunset over Oodey Sagar surrounded by the Holman Hunt hills. This time I was witnessing both events happening below me—upside down, you see—and the colors were real! The canyon was glowing like Troy; but it wouldn’t glow forever, and, thank goodness, neither a pen nor a brush could ever capture its beauty properly. The Academy would likely dismiss the painting as just a chromo-lithograph. The public would ridicule the written description as Daily Telegraphese. “I’ll leave this moment alone,” I said; “it’s mine alone. Nobody else shall share it with me.” Evening crept through the pines that shaded us, but the full glory of the day blazed in that canyon as we carefully stepped out onto a protruding rock—either blood-red or pink—that hung over the deepest parts. Now I know what it feels like to sit above the clouds at sunset. Dizziness took away all feeling of touch or form; but the sense of dazzling color remained. When I got back to the mainland, I felt like I had been floating.
From Sea to Sea: Letters of Travel (New York, 1899).
From Sea to Sea: Letters of Travel (New York, 1899).
FOOTNOTE:
Transcriber’s Notes
Several minor punctuation errors have been fixed.
Several minor punctuation mistakes have been corrected.
Page 144: moved the second Gibraltar illustration to the appropriate chapter.
Page 144: moved the second Gibraltar illustration to the correct chapter.
Page 148: “Oxeraa” left in place; modern spelling is Öxará.
Page 148: “Oxeraa” left unchanged; modern spelling is Öxará.
Pages 160 and 168: Both Tindafjall and Tindfjall have been retained as printed in the original publication.
Pages 160 and 168: Both Tindafjall and Tindfjall have been kept as they were in the original publication.
Page 216: The open quotation mark before “There was a roaring ... has been left unmatched as published.
Page 216: The opening quotation mark before “There was a roaring ... has been left unmatched as published.
Page 255: “Etna may be is” retained per original publication.
Page 255: “Etna may be is” retained per original publication.
Page 269: changed “Gramnaticus” to “Grammaticus”.
Page 269: changed “Gramnaticus” to “Grammaticus”.
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