This is a modern-English version of Dreams and Days: Poems, originally written by Lathrop, George Parsons.
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DREAMS AND DAYS
BY
GEORGE PARSONS LATHROP
To ROSL
CONTENTS
I
II
III
IV
V
STRIKE HANDS, YOUNG MEN!
Strike hands, young men!
We know not when
Death or disaster comes,
Mightier than battle-drums
To summon us away.
Death bids us say farewell
To all we love, nor stay
For tears;—and who can tell
How soon misfortune's hand
May smite us where we stand,
Dragging us down, aloof,
Under the swift world's hoof?
Shake hands, guys!
We don’t know when
Death or disaster will hit,
Stronger than battle drums
Calling us away.
Death makes us say goodbye
To everyone we care about, without
Waiting for tears;—and who can say
How soon bad luck's grip
Might strike us where we are,
Pulling us down, distant,
Under the swift world's foot?
Strike hands for faith, and power
To gladden the passing hour;
To wield the sword, or raise a song;—
To press the grape; or crush out wrong.
And strengthen right.
Give me the man of sturdy palm
And vigorous brain;
Hearty, companionable, sane,
'Mid all commotions calm,
Yet filled with quick, enthusiastic fire;—
Give me the man
Whose impulses aspire,
And all his features seem to say, "I can!"
Join together for faith and strength
To enjoy the moment;
To wield a sword or sing a song;—
To press grapes or fight against injustice.
And empower what’s right.
Give me a person with strong hands
And a sharp mind;
Friendly, easygoing, clear-headed,
Unmoved by chaos,
Yet passionate and full of energy;—
Give me the person
Whose instincts strive,
And whose face says, "I can!"
Strike hands, young men!
'Tis yours to help rebuild the State,
And keep the Nation great.
With act and speech and pen
'Tis yours to spread
The morning-red
That ushers in a grander day:
To scatter prejudice that blinds,
And hail fresh thoughts in noble minds;
To overthrow bland tyrannies
That cheat the people, and with slow disease
Change the Republic to a mockery.
Your words can teach that liberty
Means more than just to cry "We're free"
While bending to some new-found yoke.
So shall each unjust bond be broke,
Each toiler gain his meet reward,
And life sound forth a truer chord.
Join hands, young men!
It's up to you to help rebuild the State,
And keep the Nation strong.
With action, words, and writing,
You can spread
The dawn's light
That brings in a brighter day:
To eliminate the biases that blind,
And welcome fresh ideas in open minds;
To overthrow empty tyrannies
That deceive the people, and slowly
Turn the Republic into a joke.
Your words can show that true liberty
Is more than just shouting "We're free"
While submitting to some new chains.
Then every unjust bond will break,
Each worker will receive their fair reward,
And life will resonate with a truer harmony.
Ah, if we so have striven,
And mutually the grasp have given
Of brotherhood,
To work each other and the whole race good;
What matter if the dream
Come only partly true,
And all the things accomplished seem
Feeble and few?
At least, when summer's flame burns low
And on our heads the drifting snow
Settles and stays,
We shall rejoice that in our earlier days
We boldly then
Struck hands, young men!
Ah, if we have worked hard,
And shared a handshake
Of brotherhood,
To help each other and all humankind;
What does it matter if the dream
Only comes partly true,
And all the things we’ve achieved seem
Weak and few?
At least, when summer's warmth fades
And the drifting snow
Falls and lingers on our heads,
We’ll be glad that in our younger days
We boldly
Shook hands, young men!
"O JAY!"
O jay—
Blue-jay!
What are you trying to say?
I remember, in the spring
You pretended you could sing;
But your voice is now still queerer,
And as yet you've come no nearer
To a song.
In fact, to sum the matter,
I never heard a flatter
Failure than your doleful clatter.
Don't you think it's wrong?
It was sweet to hear your note,
I'll not deny,
When April set pale clouds afloat
O'er the blue tides of sky,
And 'mid the wind's triumphant drums
You, in your white and azure coat,
A herald proud, came forth to cry,
"The royal summer comes!"
O jay—
Blue jay!
What are you trying to say?
I remember, in the spring
You acted like you could sing;
But your voice is now even stranger,
And you've still not gotten any closer
To a song.
To sum it up,
I’ve never heard a flatter
Failure than your sad noise.
Don’t you think it’s unfair?
It was nice to hear your call,
I won’t deny,
When April brought pale clouds to float
Over the blue sky,
And amidst the wind’s victorious beats
You, in your white and blue coat,
A proud herald, came out to shout,
"The royal summer is here!"
But now that autumn's here,
And the leaves curl up in sheer
Disgust,
And the cold rains fringe the pine,
You really must
Stop that supercilious whine—-
Or you'll be shot, by some mephitic
Angry critic.
But now that autumn's here,
And the leaves curl up in pure
Disgust,
And the cold rain brushes the pine,
You really need to
Cut out that arrogant whine—
Or you'll be taken down by some toxic
Angry critic.
You don't fulfill your early promise:
You're not the smartest
Kind of artist,
Any more than poor Blind Tom is.
Yet somehow, still,
There's meaning in your screaming bill.
What are you trying to say?
You haven't lived up to your early potential:
You're not the brightest
Type of artist,
Just like poor Blind Tom isn’t.
Yet somehow, even so,
There’s meaning in your loud protest.
What are you trying to express?
Sometimes your piping is delicious,
And then again it's simply vicious;
Though on the whole the varying jangle
Weaves round me an entrancing tangle
Of memories grave or joyous:
Things to weep or laugh at;
Love that lived at a hint, or
Days so sweet, they'd cloy us;
Nights I have spent with friends;—
Glistening groves of winter,
And the sound of vanished feet
That walked by the ripening wheat;
With other things.... Not the half that
Your cry familiar blends
Can I name, for it is mostly
Very ghostly;—
Such mixed-up things your voice recalls,
With its peculiar quirks and falls.
Sometimes your music is amazing,
And other times it's just harsh;
Overall, the different sounds
Create an enchanting mix
Of memories, both heavy and joyful:
Things to cry over or laugh about;
Love that sparked from a whisper, or
Days so sweet they’d overwhelm us;
Nights I spent with friends;—
Shimmering winter groves,
And the echoes of footsteps
That walked through the ripening wheat;
With other things.... Not even half that
Your familiar call intertwines
Can I recall, because mostly
It feels very ghostly;—
Such mixed-up things your voice brings back,
With its unique twists and turns.
Possibly, then, your meaning, plain,
Is that your harsh and broken strain
Tallies best with a world of pain.
Possibly, then, your meaning is clear,
Is that your harsh and broken tune
Fits best with a world of pain.
Well, I'll admit
There's merit in a voice that's truthful:
Yours is not honey-sweet nor youthful,
But querulously fit.
And if we cannot sing, we'll say
Something to the purpose, jay!
Well, I'll admit
There's value in a voice that's honest:
Yours isn't sweet as honey or youthful,
But rather complains just right.
And if we can't sing, we'll say
Something meaningful, hey!
THE STAR TO ITS LIGHT
"Go," said the star to its light:
"Follow your fathomless flight!
Into the dreams of space
Carry the joy of my face.
Go," said the star to its light:
"Tell me the tale of your flight."
"Go," said the star to its light:
"Follow your endless journey!
Into the dreams of space
Bring the joy of my face.
Go," said the star to its light:
"Share with me the story of your journey."
As the mandate rang
The heavens through,
Quick the ray sprang:
Unheard it flew,
Sped by the touch of an unseen spur.
It crumbled the dusk of the deep
That folds the worlds in sleep,
And shot through night with noiseless stir.
As the call echoed
Through the sky,
A swift light burst forth:
Silently it soared,
Driven by the push of an invisible force.
It shattered the darkness of the depths
That surrounds the worlds in slumber,
And glided through the night with a quiet movement.
Then came the day;
And all that swift array
Of diamond-sparkles died.
And lo! the far star cried:
"My light has lost its way!"
Ages on ages passed:
The light returned, at last.
Then came the day;
And all that quick shine
Of diamond sparkles faded.
And look! the distant star called out:
"My light has lost its way!"
Ages upon ages went by:
The light finally returned.
"What have you seen,
What have you heard—
O ray serene,
O flame-winged bird
I loosed on endless air?
Why do you look so faint and white?"—
Said the star to its light.
"What have you seen,
What have you heard—
O calm ray,
O flame-winged bird
I sent into the endless sky?
Why do you look so pale and ghostly?"—
Said the star to its light.
"O star," said the tremulous ray,
"Grief and struggle I found.
Horror impeded my way.
Many a star and sun
I passed and touched, on my round.
Many a life undone
I lit with a tender gleam:
I shone in the lover's eyes,
And soothed the maiden's dream.
But alas for the stifling mist of lies!
Alas, for the wrath of the battle-field
Where my glance was mixed with blood!
And woe for the hearts by hate congealed,
And the crime that rolls like a flood!
Too vast is the world for me;
Too vast for the sparkling dew
Of a force like yours to renew.
Hopeless the world's immensity!
The suns go on without end:
The universe holds no friend:
And so I come back to you."
"O star," said the trembling ray,
"I encountered grief and struggle.
Horror blocked my path.
I passed and touched many stars and suns
on my journey.
I brightened many a lost life
with a gentle glow:
I shone in the eyes of lovers,
and calmed the dreams of maidens.
But alas for the suffocating mist of lies!
Alas, for the fury of the battlefield
where my light mixed with blood!
And woe for the hearts hardened by hate,
and the wrongdoing that flows like a flood!
The world is too vast for me;
Too vast for the sparkling dew
of a force like yours to rejuvenate.
The immensity of the world is hopeless!
The suns continue endlessly:
The universe has no friend:
And so I return to you."
"Go," said the star to its light:
"You have not told me aright.
This you have taught: I am one
In a million of million others—
Stars, or planets, or men;—
And all of these are my brothers.
Carry that message, and then
My guerdon of praise you have won!
Say that I serve in my place:
Say I will hide my own face
Ere the sorrows of others I shun.
So, then, my trust you'll requite.
Go!"—said the star to its light.
"Go," said the star to its light:
"You haven't told me the truth.
This is what you've taught me: I am one
Among millions and millions of others—
Stars, planets, or humans;—
And all of them are my brothers.
Carry that message, and then
You'll earn my praise!
Say that I serve my purpose:
Say I will hide my own face
Before I avoid the sorrows of others.
So then, you'll repay my trust.
Go!"—said the star to its light.
"THE SUNSHINE OF THINE EYES"
The sunshine of thine eyes,
(O still, celestial beam!)
Whatever it touches it fills
With the life of its lambent gleam.
The sunshine of your eyes,
(O still, celestial beam!)
Whatever it touches it fills
With the life of its gentle glow.
The sunshine of thine eyes,
O let it fall on me!
Though I be but a mote of the air,
I could turn to gold for thee!
The sunshine of your eyes,
Oh let it fall on me!
Though I am just a speck in the air,
I could turn to gold for you!
JESSAMINE
Here stands the great tree still, with broad bent head;
Its wide arms grown aweary, yet outspread
With their old blessing. But wan memory weaves
Strange garlands, now, amongst the darkening leaves.
And the moon hangs low in the elm.
Here stands the great tree still, with its wide, drooping head;
Its expansive branches tired, yet still stretched out
With their old blessing. But fading memories weave
Strange garlands now, among the darkening leaves.
And the moon hangs low in the elm.
Beneath these glimmering arches Jessamine
Walked with her lover long ago; and in
The leaf-dimmed light he questioned, and she spoke;
Then on them both, supreme, love's radiance broke.
And the moon hangs low in the elm.
Beneath these shining arches, Jessamine
Walked with her lover a long time ago; and in
The soft, dappled light, he asked questions, and she replied;
Then upon them both, love's brilliance shone down.
And the moon hangs low in the elm.
Sweet Jessamine we called her; for she shone
Like blossoms that in sun and shade have grown,
Gathering from each alike a perfect white,
Whose rich bloom breaks opaque through darkest night.
And the moon hangs low in the elm.
Sweet Jessamine we called her; for she shone
Like flowers that thrive in both sun and shade,
Taking from each a flawless white,
Whose vibrant bloom pierces through the darkest night.
And the moon hangs low in the elm.
For this her sweetness Walt, her lover, sought
To win her; wooed her here, his heart o'er fraught
With fragrance of her being; and gained his plea.
So "We will wed," they said, "beneath this tree."
And the moon hangs low in the
elm.
For this reason, her sweetness made Walt, her lover, want to win her over; he pursued her here, his heart full of the essence of her being, and he got what he wanted. So they agreed, "We will marry beneath this tree." And the moon hangs low in the elm.
Yet dreams of conquering greater prize for her
Roused his wild spirit with a glittering spur.
Eager for wealth, far, far from home he sailed;
And life paused;—while she watched joy vanish,
veiled.
And the moon hangs low in the
elm.
Yet dreams of winning bigger rewards for her
Fired up his restless spirit with a shiny incentive.
Hungry for riches, he sailed far, far from home;
And life stood still;—while she watched happiness fade,
hidden.
And the moon hangs low in the
elm.
Ah, better at the elm-tree's sunbrowned feet
If he had been content to let life fleet
Its wonted way!—lord of his little farm,
In zest of joys or cares unmixed with harm.
And the moon hangs low in the
elm.
Ah, better at the sun-baked roots of the elm tree
If he had been happy to let life pass by
Its usual course!—ruler of his small farm,
With the pleasure of joys or troubles free of harm.
And the moon hangs low in the
elm.
For, as against a snarling sea one steers,
He battled vainly with the surging years;
While ever Jessamine must watch and pine,
Her vision bounded by the bleak sea-line.
And the moon hangs low in the
elm.
For, just like one navigates a rough sea,
He struggled unsuccessfully against the passing years;
While Jessamine always had to watch and suffer,
Her view limited by the harsh coastline.
And the moon hangs low in the elm.
Then silence fell; and all the neighbors said
That Walt had married, faithless, or was dead:
Unmoved in constancy, her tryst she kept,
Each night beneath the tree, ere sorrow slept.
And the moon hangs low in the
elm.
Then silence came; and all the neighbors said
That Walt had married, betrayed, or was dead:
Unmoved in her loyalty, she kept her meeting,
Each night under the tree, before sorrow settled.
And the moon hangs low in the
elm.
So, circling years went by, till in her face
Slow melancholy wrought a mingled grace,
Of early joy with suffering's hard alloy—
Refined and rare, no doom could e'er destroy.
And the moon hangs
low in the elm.
So, the years passed by in a circle, until her face
Slowly became marked by a bittersweet grace,
Combining early happiness with the weight of pain—
Refined and unique, no fate could ever take it away.
And the moon hangs
low in the elm.
Sometimes at twilight, when sweet Jessamine
Slow-footed, weary-eyed, passed by to win
The elm, we smiled for pity of her, and mused
On love that so could live, with love refused.
And the moon hangs
low in the elm.
Sometimes at twilight, when sweet Jessamine
moved slowly, tired and heavy-eyed, went by to reach
the elm, we smiled out of pity for her, and thought
about love that could exist, even with love turned away.
And the moon hangs
low in the elm.
And none could hope for her. But she had grown
Too high in love, for hope. She bloomed alone,
Aloft in proud devotion; and secure
Against despair; so sweet her faith, so sure.
And the moon hangs
low in the elm.
And no one could expect anything from her. But she had grown
Too lofty in love to have any hope. She thrived alone,
Elevated in proud devotion; and safe
Against despair; her faith was so sweet, so certain.
And the moon hangs
low in the elm.
Her wandering lover knew not well her soul.
Discouraged, on disaster's changing shoal
Stranding, he waited; starved on selfish pride,
Long years; nor would obey love's homeward tide.
And the moon hangs
low in the elm.
Her wandering lover didn’t really understand her soul.
Discouraged, stuck on the shifting shores of disaster,
He waited, starved by his own selfish pride,
For many years; he wouldn’t give in to love’s pull back home.
And the moon hangs
low in the elm.
But, bitterly repenting of his sin,
Deeper at last he learned to look within
Sweet Jessamine's true heart—when the past, dead,
Mocked him with wasted years forever fled.
And the moon hangs
low in the elm.
But, filled with regret for his sin,
He finally learned to look deeper within
Sweet Jessamine's true heart—when the past, gone,
Taunted him with wasted years that are forever lost.
And the moon hangs low in the elm.
Late, late, oh late, beneath the tree stood two;
In trembling joy, and wondering "Is it true?"—
Two that were each like some strange, misty wraith:
Yet each on each gazed with a living faith.
And the moon hangs
low in the elm.
Late, late, oh so late, beneath the tree stood two;
In excited joy, wondering "Is it real?"—
Two that were each like some strange, misty ghost:
Yet each looked at the other with a strong belief.
And the moon hangs
low in the elm.
Even to the tree-top sang the wedding-bell:
Even to the tree-top tolled the passing knell.
Beneath it Walt and Jessamine were wed,
Beneath it many a year has she lain dead.
And the moon hangs low in the
elm.
Even to the treetop sang the wedding bell:
Even to the treetop tolled the passing bell.
Under it Walt and Jessamine got married,
Under it many years she has been dead.
And the moon hangs low in the elm.
Here stands the great tree, still. But age has crept
Through every coil, while Walt each night has kept
The tryst alone. Hark! with what windy might
The boughs chant o'er her grave their burial-rite!
And the moon hangs low in
the elm.
Here stands the great tree, still. But age has crept
Through every coil, while Walt each night has kept
The meeting alone. Listen! with what windy might
The branches sing over her grave their burial rite!
And the moon hangs low in
the elm.
THE BOBOLINK
How sweetly sang the bobolink,
When thou, my love, wast nigh!
His liquid music from the brink
Of some cloud-fountain seemed to sink,
Far in the blue-domed sky.
How sweetly the bobolink sang,
When you, my love, were near!
His liquid music seemed to flow
From some cloud-fountain below,
Far in the blue sky.
How sadly sings the bobolink!
No more my love is nigh:
Yet rise, my spirit, rise, and drink
Once more from that cloud-fountain's brink,—
Once more before I die!
How sadly the bobolink sings!
My love is no longer near:
Yet rise, my spirit, rise, and drink
Once more from that cloud-fountain's edge,—
Once more before I die!
SAILOR'S SONG, RETURNING
The sea goes up; the sky comes down.
Oh, can you spy the ancient town,—
The granite hills so green and gray,
That rib the land behind the bay?
O ye ho, boys. Spread her wings!
Fair winds, boys: send her home!
O ye ho!
The sea rises; the sky lowers.
Oh, can you see the old town,—
The granite hills so green and gray,
That line the land behind the bay?
Hey there, boys. Spread her wings!
Good winds, boys: bring her home!
Hey there!
Three years? Is it so long that we
Have lived upon the lonely sea?
Oh, often I thought we'd see the town,
When the sea went up, and the sky came down.
O ye ho, boys. Spread her wings!
Three years? Has it really been so long that we
Have lived alone on this empty sea?
Oh, I often imagined we'd reach the town,
When the waves were high and the skies were low.
Hey there, guys. Set her sail!
Even the winter winds would rouse
A memory of my father's house;
For round his windows and his door
They made the same deep, mouthless roar.
O ye ho, boys. Spread her wings!
Even the winter winds would bring up
A memory of my dad's house;
Because around his windows and door
They made the same deep, soundless roar.
Oh yeah, guys. Spread her wings!
And when the summer's breezes beat,
Methought I saw the sunny street
Where stood my Kate. Beneath her hand
She gazed far out, far out from land.
O ye ho, boys. Spread her wings!
And when the summer breezes blew,
I thought I saw the sunny street
Where my Kate was standing. Under her hand,
She gazed far out, far out to sea.
O hey, guys. Spread her wings!
Farthest away, I oftenest dreamed
That I was with her. Then it seemed
A single stride the ocean wide
Had bridged, and brought me to her side.
O ye ho, boys. Spread her wings!
Farthest away, I often dreamed
That I was with her. Then it seemed
That with a single step, the ocean wide
Was crossed, and I was by her side.
Oh hey, guys. Spread her wings!
But though so near we're drawing, now,
'T is farther off—I know not how.
We sail and sail: we see no home.
Would that we into port were come!
O ye ho, boys. Spread her wings!
But even though we're getting close now,
it's still far away—I can't explain how.
We keep sailing and sailing: we see no home.
I wish we had already made it to port!
Hey there, boys. Spread her wings!
At night, the same stars o'er the mast:
The mast sways round—however fast
We fly—still sways and swings around
One scanty circle's starry bound.
O ye ho, boys. Spread her wings!
At night, the same stars over the mast:
The mast sways around—no matter how fast
We fly—still sways and swings around
One narrow circle's starry boundary.
O hey, boys. Spread her wings!
Ah, many a month those stars have shone,
And many a golden morn has flown,
Since that so solemn, happy morn,
When, I away, my babe was born.
O ye ho, boys. Spread her wings!
Ah, many months those stars have shone,
And many golden mornings have passed,
Since that solemn, happy morning,
When, far away, my baby was born.
O hey, guys. Spread her wings!
And, though so near we're drawing, now,
'T is farther off—I know not how:—
I would not aught amiss had come
To babe or mother there, at home!
O ye ho, boys. Spread her wings!
And even though we're getting closer now,
it's still farther away—I can't explain how:—
I hope nothing bad has happened
to the baby or the mother back home!
Oh hey, boys. Open her up!
'T is but a seeming: swiftly rush
The seas, beneath. I hear the crush
Of foamy ridges 'gainst the prow.
Longing outspeeds the breeze, I know.
O ye ho, boys. Spread her wings!
It's just an illusion: the seas below rush swiftly.
I hear the crash
of foamy waves against the bow.
Longing outpaces the breeze, I know.
O hey, boys. Spread her wings!
Patience, my mates! Though not this eve
We cast our anchor, yet believe,
If but the wind holds, short the run:
We'll sail in with to-morrow's sun.
O ye ho, boys. Spread her wings!
Fair winds, boys: send her home!
O ye ho!
Patience, my friends! Although we won’t drop anchor tonight,
Just believe we’ll make it all right.
If the wind stays strong, we won’t be long:
We’ll sail in with tomorrow's dawn.
Hey there, guys. Unfurl the sails!
Good winds, friends: take her home!
Hey there!
FIRST GLANCE
A budding mouth and warm blue eyes;
A laughing face; and laughing hair,—
So ruddy was its rise
From off that forehead fair;
A blossoming mouth and warm blue eyes;
A smiling face; and cheerful hair,—
So flushed was its appearance
From that lovely forehead;
Frank fervor in whate'er she said,
And a shy grace when she was still;
A bright, elastic tread;
Enthusiastic will;
Frank enthusiasm in everything she said,
And a shy elegance when she was quiet;
A lively, springy step;
Passionate determination;
These wrought the magic of a maid
As sweet and sad as the sun in spring;—
Joyous, yet half-afraid
Her joyousness to sing.
These created the enchantment of a maid
As sweet and melancholic as the spring sun;—
Happy, yet somewhat fearful
To express her happiness in song.
BRIDE BROOK
Wide as the sky Time spreads his hand,
And blindly over us there blows
A swarm of years that fill the land,
Then fade, and are as fallen snows.
Wide as the sky, Time stretches out his hand,
And without direction, a swarm of years sweeps
Over us, filling the land,
Then fades away, like fallen snow.
Behold, the flakes rush thick and fast;
Or are they years, that come between,—
When, peering back into the past,
I search the legendary scene?
Look, the flakes come down thick and fast;
Or are they years that come between,—
When, looking back into the past,
I explore the legendary scene?
Nay. Marshaled down the open coast,
Fearless of that low rampart's frown,
The winter's white-winged, footless host
Beleaguers ancient Saybrook town.
No. Marching down the open coast,
Unafraid of that low wall's glare,
The winter's white-winged, footless army
Surrounds the old Saybrook town.
And when the settlers wake they stare
On woods half-buried, white and green,
A smothered world, an empty air:
Never had such deep drifts been seen!
And when the settlers wake, they look
At woods half-buried, white and green,
A muffled world, an empty sky:
Never have such deep drifts been seen!
But "Snow lies light upon my heart!
An thou," said merry Jonathan Rudd,
"Wilt wed me, winter shall depart,
And love like spring for us shall bud."
But "Snow rests lightly on my heart!
And you," said cheerful Jonathan Rudd,
"If you marry me, winter will leave,
And love like spring will blossom for us."
"Nay, how," said Mary, "may that be?
No minister nor magistrate
Is here, to join us solemnly;
And snow-banks bar us, every gate."
"Nay, how," said Mary, "can that be?
No minister or official
is here to join us formally;
And snowdrifts block every gate."
"Winthrop at Pequot Harbor lies,"
He laughed. And with the morrow's sun
He faced the deputy's dark eyes:
"How soon, sir, may the rite be done?"
"Winthrop at Pequot Harbor lies,"
He laughed. And with tomorrow's sun
He faced the deputy's dark eyes:
"How soon, sir, can the ceremony be done?"
"At Saybrook? There the power's not mine,"
Said he. "But at the brook we'll meet,
That ripples down the boundary line;
There you may wed, and Heaven shall see't."
"At Saybrook? The power isn't mine there,"
He said. "But we'll meet at the brook,
That flows along the boundary line;
There you can marry, and Heaven will witness it."
Forth went, next day, the bridal train
Through vistas dreamy with gray light.
The waiting woods, the open plain,
Arrayed in consecrated white,
Forth went, next day, the bridal train
Through dreamy vistas with gray light.
The waiting woods, the open plain,
Arrayed in sacred white,
Received and ushered them, along.
The very beasts before them fled,
Charmed by the spell of inward song
These lovers' hearts around them spread.
Received and welcomed them in,
The very creatures before them ran,
Enchanted by the melody within
That wrapped around these lovers' hearts.
Four men with netted foot-gear shod
Bore the maid's carrying-chair aloft;
She swayed above, as roses nod
On the lithe stem their bloom-weight soft.
Four men wearing netted shoes
Carried the girl's chair high up;
She swayed above, like roses bobbing
On their flexible stems with soft blooms.
At last beside the brook they stood,
With Winthrop and his followers;
The maid in flake-embroidered hood,
The magistrate well cloaked in furs,
At last, they stood by the brook,
With Winthrop and his followers;
The girl in a hood decorated with flakes,
The magistrate, warmly dressed in furs,
That, parting, showed a glimpse beneath
Of ample, throat-encircling ruff
As white as some wind-gathered wreath
Of snow quilled into plait and puff.
That, as they were leaving, showed a glimpse beneath
Of a wide, throat-hugging ruff
As white as a wreath caught by the wind
Made of snow woven into braids and puffs.
A few grave words, a question asked;
Eyelids that with the answer fell
Like falling petals;—form that tasked
Brief time;—and so was wrought the spell!
A few serious words, a question posed;
Eyelids that closed with the answer
Like falling petals;—a shape that required
A short moment;—and thus the spell was cast!
Then "Brooklet," Winthrop smiled and said,
"Frost's finger on thy lip makes dumb
The voice wherewith thou shouldst have sped
These lovers on their way. But, come,
Then "Brooklet," Winthrop smiled and said,
"Frost's finger on your lip makes you mute
The voice you should have used to send
These lovers on their way. But, come,
"Henceforth forever be thou known
By memory of this day's fair bride:
So shall thy slender music's moan
Sweeter into the ocean glide!"
"From now on, may you be remembered
By the memory of today’s beautiful bride:
That way, your gentle music’s sigh
Will glide sweeter into the ocean!"
Then laughed they all, and sudden beams
Of sunshine quivered through the sky.
Below the ice, the unheard stream's
Clear heart thrilled on in ecstasy;
Then they all laughed, and suddenly beams
of sunshine shimmered through the sky.
Below the ice, the silent stream's
clear heart pulsed on in ecstasy;
And lo, a visionary blush
Stole warmly o'er the voiceless wild;
And in her rapt and wintry hush
The lonely face of Nature smiled.
And then, a dreamy warmth
Spread gently across the silent wilderness;
And in her captivated, wintry stillness
The solitary face of Nature smiled.
Ah, Time, what wilt thou? Vanished quite
Is all that tender vision now;
And, like lost snow-flakes in the night,
Mute are the lovers as their vow.
Ah, Time, what do you want? Gone now
Is all that sweet vision;
And, like lost snowflakes in the night,
Silent are the lovers as their promise.
And O thou little, careless brook,
Hast thou thy tender trust forgot?
Her modest memory forsook,
Whose name, known once, thou utterest not?
And oh you little, carefree brook,
Have you forgotten your gentle trust?
Her humble memory left behind,
Whose name, once known, you do not speak?
Spring wakes the rill's blithe minstrelsy;
In willow bough or alder bush
Birds sing, o'er golden filigree
Of pebbles 'neath the flood's clear gush;
Spring awakens the cheerful music of the stream;
In willow branches or alder bushes
Birds sing, over the golden patterns
Of pebbles beneath the clear rushing water;
But none can tell us of that name
More than the "Mary." Men still say
"Bride Brook" in honor of her fame;
But all the rest has passed away.
But no one can tell us more about that name
than just "Mary." People still say
"Bride Brook" to honor her legacy;
but everything else has faded away.
MAY-ROSE
On this day to life she came—
May-Rose, my May-Rose!
With scented breeze, with flowered flame,
She touched the earth and took her name
Of May, Rose.
On this day of life, she arrived—
May-Rose, my May-Rose!
With a fragrant breeze and blooming light,
She graced the earth and claimed her name
Of May, Rose.
Here, to-day, she grows and flowers—
May-Rose, my May-Rose.
All my life with light she dowers,
And colors all the coming hours
With May, Rose!
Here, today, she blooms and flourishes—
May-Rose, my May-Rose.
Throughout my life, she brings me light,
And fills all my future hours
With May, Rose!
THE SINGING WIRE
Ethereal, faint that music rang,
As, with the bosom of the breeze,
It rose and fell and murmuring
sang
Aeolian harmonies!
Ethereal, faint that music rang,
As, with the heart of the breeze,
It rose and fell and softly
sang
Aeolian harmonies!
I turned; again the mournful chords,
In random rhythm lightly flung
From off the wire, came shaped in
words;
And thus meseemed, they
sung:
I turned; again the sad notes,
in a casual rhythm lightly tossed
from the wire, formed into
words; and it seemed to me, they
sang:
"I, messenger of many fates,
Strung to the tones of woe or weal,
Fine nerve that thrills and
palpitates
With all men know or
feel,—
"I, messenger of many destinies,
Strung to the sounds of sorrow or joy,
Fine nerves that thrill and
pulse
With everything people know or
feel,—
"Is it so strange that I should wail?
Leave me my tearless, sad refrain,
When in the pine-top wakes the
gale
That breathes of coming
rain.
"Is it really that odd for me to cry?
Let me keep my tearless, mournful song,
When the wind stirs among the pine trees
That carries the scent of approaching rain."
"There is a spirit in the post;
It, too, was once a murmuring tree;
Its withered, sad, imprisoned
ghost
Echoes my melody.
"There is a spirit in the mail;
It, too, was once a whispering tree;
Its withered, sad, trapped
ghost
echoes my song."
"Come close, and lay your listening ear
Against the bare and branchless wood.
Can you not hear it crooning
clear,
As though it
understood?"
"Come closer and put your ear against the bare, branchless wood.
Can you not hear it softly singing
as if it
understood?"
I listened to the branchless pole
That held aloft the singing wire;
I heard its muffled music roll,
And stirred with sweet
desire:
I listened to the bare pole
That held up the singing wire;
I heard its muted music play,
And felt a wave of sweet
desire:
"O wire more soft than seasoned lute,
Hast thou no sunlit word for me?
Though long to me so coyly mute,
Her heart may speak
through thee!"
"O wire softer than a well-traveled lute,
Have you no bright word for me?
Although you've been so quietly silent to me,
Her heart might speak
through you!"
I listened, but it was in vain.
At first, the wind's old wayward will
Drew forth the tearless, sad
refrain.
That ceased; and all was
still.
I listened, but it was pointless.
At first, the wind's familiar restless spirit
Brought out the tearless, mournful melody.
That stopped; and everything was quiet.
But suddenly some kindling shock
Struck flashing through the wire: a bird,
Poised on it, screamed and flew; the
flock
Rose with him; wheeled
and whirred.
But suddenly, some kind of shock
Hit the wire like a flash: a bird,
Balanced on it, screeched and took off; the
flock
Lifted up with him; spun
and buzzed.
Then to my soul there came this sense:
"Her heart has answered unto thine;
She comes, to-night. Go, speed thee
hence:
Meet her; no more
repine!"
Then I felt this in my soul:
"Her heart has answered yours;
She’s coming tonight. Go, hurry
Meet her; no more
complaining!"
Perhaps the fancy was far-fetched;
And yet, perhaps, it hinted true.
Ere moonrise, Love, a hand was
stretched
In mine, that gave
me—you!
Perhaps the idea was far-fetched;
And yet, maybe it hinted at something real.
Before the moonrise, Love, a hand was
stretched
In mine, that gave
me—you!
And so more dear to me has grown
Than rarest tones swept from the lyre,
The minor movement of that moan
In yonder singing wire.
And so what has become more precious to me
Than the rarest sounds played on the lyre,
The subtle shift of that sigh
In that singing wire over there.
Nor care I for the will of states,
Or aught beside, that smites that string,
Since then so close it knit our
fates,
What time the bird took
wing!
Nor do I care for the will of governments,
Or anything else that strikes that chord,
Since then our fates are so tightly woven,
When the bird took flight!
THE HEART OF A SONG
Dear love, let this my song fly to you:
Perchance forget it came from me.
It shall not vex you, shall not woo you;
But in your breast lie quietly.
Dear love, let this song of mine reach you:
Perchance forget it came from me.
It won't bother you, won't try to win you over;
But will quietly rest in your heart.
Only beware, when once it tarries
I cannot coax it from you, then.
This little song my whole heart carries,
And ne'er will bear it back again.
Only be cautious, when it lingers
I can't coax it away from you, then.
This little song holds my whole heart,
And will never bring it back again.
For if its silent passion grieve you,
My heart would then too heavy grow;—
And it can never, never leave you,
If joy of yours must with it go!
For if its quiet longing makes you sad,
My heart would then become too heavy;—
And it can never, ever leave you,
If your happiness has to go with it!
SOUTH-WIND
Soft-throated South, breathing of summer's ease
(Sweet breath, whereof the violet's life is
made!)
Through lips moist-warm, as thou hadst lately
stayed
'Mong rosebuds, wooing to the cheeks of these
Loth blushes faint and maidenly:—rich breeze,
Still doth thy honeyed blowing bring a shade
Of sad foreboding. In thy hand is laid
The power to build or blight the fruit of trees,
The deep, cool grass, and field of thick-combed grain.
Soft-throated South, breathing in the ease of summer
(Sweet breath, from which the violet's life is
made!)
Through moist, warm lips, as if you had just
lingered
'Amid rosebuds, enticing these
Reluctant, faint, and shy flushes:—rich breeze,
Still does your sweet blowing bring a hint
Of sad foreboding. In your hand lies
The power to nurture or ruin the fruits of trees,
The deep, cool grass, and fields of thick grain.
Even so my Love may bring me joy or woe,
Both measureless, but either counted gain
Since given by her. For pain and pleasure flow
Like tides upon us of the self-same sea.
Tears are the gems of joy and misery.
Even so, my love can bring me happiness or sorrow,
Both boundless, but either is considered a gain
Since it's given by her. For pain and pleasure come
Like tides upon us from the same sea.
Tears are the jewels of joy and misery.
THE LOVER'S YEAR
Thou art my morning, twilight, noon, and eve,
My summer and my winter, spring and fall;
For Nature left on thee a touch of all
The moods that come to gladden or to grieve
The heart of Time, with purpose to relieve
From lagging sameness. So do these forestall
In thee such o'erheaped sweetnesses as pall
Too swiftly, and the taster tasteless leave.
You are my morning, twilight, noon, and evening,
My summer and my winter, spring and fall;
For nature has given you a hint of all
The feelings that can bring joy or sorrow
To the heart of time, meant to lift it
From dull routine. So do these prevent
In you such overwhelming sweetness that it fades
Too quickly, leaving the taster without flavor.
Scenes that I love to me always remain
Beautiful, whether under summer sun
Beheld, or, storm-dark, stricken across with rain.
So, through all humors, thou 'rt the same sweet
one:
Doubt not I love thee well in each, who see
Thy constant change is changeful constancy.
Scenes that I love always stay with me
Beautiful, whether seen under the summer sun
or darkened by a storm and struck with rain.
So, through all moods, you’re still the same sweet one:
Don’t doubt that I love you in every moment, who see
Your constant change is a changeful constancy.
NEW WORLDS
With my beloved I lingered late one night.
At last the hour when I must leave her came:
But, as I turned, a fear I could not name
Possessed me that the long sweet evening might
Prelude some sudden storm, whereby delight
Should perish. What if death, ere dawn, should
claim
One of us? What, though living, not the same
Each should appear to each in morning-light?
With my love, I stayed out late one night.
At last, the time came for me to leave her:
But as I turned, an unnamed fear
took hold of me that the long, sweet evening might
lead to some sudden storm, causing joy
to vanish. What if death, before dawn, should
take one of us? What if, though we live, we appear
different to each other in the morning light?
Changed did I find her, truly, the next day:
Ne'er could I see her as of old again.
That strange mood seemed to draw a cloud away,
And let her beauty pour through every vein
Sunlight and life, part of me. Thus the lover
With each new morn a new world may discover.
I found her changed, really, the next day:
I could never see her the same way again.
That strange mood seemed to lift a shadow away,
And let her beauty flow through every part of me.
Sunlight and life, a part of me. So the lover
With each new morning can discover a new world.
NIGHT IN NEW YORK
Haunted by unknown feet—
Ways of the midnight hour!
Strangely you murmur below me,
Strange is your half-silent power.
Places of life and of death,
Numbered and named as streets,
What, through your channels of stone,
Is the tide that unweariedly beats?
A whisper, a sigh-laden breath,
Is all that I hear of its flowing.
Footsteps of stranger and foe—
Footsteps of friends, could we meet—
Alike to me in my sorrow;
Alike to a life left alone.
Yet swift as my heart they throb,
They fall thick as tears on the stone:
My spirit perchance may borrow
New strength from their eager tone.
Haunted by unknown footsteps—
Ways of the midnight hour!
You murmur strangely below me,
Strange is your half-silent power.
Places of life and death,
Numbered and named like streets,
What, through your stone pathways,
Is the tide that tirelessly beats?
A whisper, a sigh-filled breath,
Is all I hear of its flowing.
Footsteps of strangers and foes—
Footsteps of friends, if we could meet—
All the same to me in my sorrow;
All the same to a life left alone.
Yet quick as my heart they throb,
They fall heavily like tears on the stone:
My spirit might just borrow
New strength from their eager tone.
Still ever that slip and slide
Of the feet that shuffle or glide,
And linger or haste through the populous waste
Of the shadowy, dim-lit square!
And I know not, from the sound,
As I sit and ponder within,
The goal to which those steps are bound,—
On hest of mercy, or hest of sin,
Or joy's short-measured round;
Yet a meaning deep they bear
In their vaguely muffled din.
Still the slip and slide
Of feet that shuffle or glide,
And linger or rush through the crowded wasteland
Of the shadowy, dimly lit square!
And I can’t tell, from the sound,
As I sit and think inside,
The destination those steps are headed to,—
On a command of mercy, or a command of sin,
Or joy’s brief cycle;
Yet they carry a deep meaning
In their vaguely muted noise.
Roar of the multitude,
Chafe of the million-crowd,
To this you are all subdued
In the murmurous, sad night-air!
Yet whether you thunder aloud,
Or hush your tone to a prayer,
You chant amain through the modern maze
The only epic of our days.
Roar of the crowd,
Friction of the million-strong,
To this, you are all brought down
In the murmuring, somber night air!
Yet whether you shout out loud,
Or quiet down to a whisper,
You sing loudly through the modern labyrinth
The only epic of our times.
Still as death are the places of life;
The city seems crumbled and gone,
Sunk 'mid invisible deeps—
The city so lately rife
With the stir of brain and brawn.
Haply it only sleeps;
But what if indeed it were dead,
And another earth should arise
To greet the gray of the dawn?
Faint then our epic would wail
To those who should come in our stead.
But what if that earth were ours?
What if, with holier eyes,
We should meet the new hope, and not fail?
Still as death are the places of life;
The city feels fallen apart and gone,
Sunk in invisible depths—
The city that was once alive
With the energy of minds and muscles.
Maybe it’s just sleeping;
But what if it really is dead,
And another world should emerge
To greet the gray of dawn?
Our epic would faintly wail
To those who come after us.
But what if that world were ours?
What if, with purer eyes,
We meet the new hope and do not fail?
Weary, the night grows pale:
With a blush as of opening flowers
Dimly the east shines red.
Can it be that the morn shall fulfil
My dream, and refashion our clay
As the poet may fashion his rhyme?
Hark to that mingled scream
Rising from workshop and mill—
Hailing some marvelous sight;
Mighty breath of the hours,
Poured through the trumpets of steam;
Awful tornado of time,
Blowing us whither it will!
Weary, the night fades away:
With a blush like blooming flowers
The east glows dimly red.
Could it be that morning will fulfill
My dream and reshape our lives
Just like a poet crafts his rhyme?
Listen to that mixed scream
Rising from the workshop and mill—
Celebrating some amazing sight;
Powerful breath of the hours,
Blown through the trumpets of steam;
Terrifying whirlwind of time,
Carrying us wherever it wants!
God has breathed in the nostrils of night,
And behold, it is day!
God has breathed into the nostrils of night,
And look, it is day!
THE SONG-SPARROW
Glimmers gray the leafless thicket
Close beside my garden gate,
Where, so light, from post to picket
Hops the sparrow, blithe, sedate;
Who, with meekly folded wing,
Comes to sun himself and sing.
Glimmers gray the leafless thicket
Close beside my garden gate,
Where, so light, from post to picket
Hops the sparrow, cheerful, calm;
Who, with gently folded wing,
Comes to bask in the sun and sing.
It was there, perhaps, last year,
That his little house he built;
For he seems to perk and peer,
And to twitter, too, and tilt
The bare branches in between,
With a fond, familiar mien.
It was there, maybe last year,
That he built his little house;
For he seems to perk up and look,
And to chirp, too, and lean
On the bare branches in between,
With a warm, familiar look.
Once, I know, there was a nest,
Held there by the sideward thrust
Of those twigs that touch his breast;
Though 'tis gone now. Some rude gust
Caught it, over-full of
snow,—
Bent the bush,—and stole it
so.
Once, I know, there was a nest,
Held there by the sideways push
Of those twigs that touched his chest;
Though it's gone now. A strong wind
Caught it, overstuffed with snow,—
Bent the bush—and took it away.
Thus our highest holds are lost,
In the ruthless winter's wind,
When, with swift-dismantling frost,
The green woods we dwelt in, thinn'd
Of their leafage, grow too cold
For frail hopes of summer's mold.
Thus our highest grounds are lost,
In the harsh winter's wind,
When, with quickly stripping frost,
The green woods we lived in, thinned
Of their leaves, become too cold
For fragile hopes of summer's shape.
But if we, with spring-days mellow,
Wake to woeful wrecks of change,
And the sparrow's ritornello
Scaling still its old sweet range;
Can we do a better thing
Than, with him, still build and
sing?
But if we, on warm spring days,
Wake up to the sad destruction of change,
And the sparrow's repeated song
Still reaching its old sweet notes;
Can we do anything better
Than, like him, keep building and singing?
Oh, my sparrow, thou dost breed
Thought in me beyond all telling;
Shootest through me sunlight, seed,
And fruitful blessing, with that welling
Ripple of ecstatic rest
Gurgling ever from thy breast!
Oh, my sparrow, you fill me
With thoughts beyond all words;
You shoot through me sunlight, seeds,
And fruitful blessings, with that flowing
Ripple of ecstatic peace
Gurgling ever from your heart!
And thy breezy carol spurs
Vital motion in my blood,
Such as in the sap-wood stirs,
Swells and shapes the pointed bud
Of the lilac; and besets
The hollow thick with violets.
And your cheerful song inspires
Vital energy in my veins,
Just like it does in the sapwood,
Fills and forms the pointed bud
Of the lilac; and surrounds
The area thick with violets.
Yet I know not any charm
That can make the fleeting time
Of thy sylvan, faint alarm
Suit itself to human rhyme:
And my yearning rhythmic word
Does thee grievous wrong, blithe
bird.
Yet I don't know any magic
That can make the fleeting time
Of your forest, soft alarm
Suit itself to human rhyme:
And my longing rhythmic words
Do you serious harm, cheerful bird.
So, however thou hast wrought
This wild joy on heart and brain,
It is better left untaught.
Take thou up the song again:
There is nothing sad afloat
On the tide that swells thy throat!
So, however you've created
This wild joy in heart and mind,
It’s better left unspoken.
Pick up the song again:
There’s nothing sad around
On the tide that flows from you!
I LOVED YOU, ONCE—
And did you think my heart
Could keep its love unchanging,
Fresh as the buds that start
In spring, nor know estranging?
Listen! The buds depart:
I loved you once, but now—
I love you more than ever.
And did you think my heart
Could keep its love the same,
Fresh as the buds that bloom
In spring, without feeling distant?
Listen! The buds fade:
I loved you once, but now—
I love you more than ever.
'T is not the early love;
With day and night it alters,
And onward still must move
Like earth, that never falters
For storm or star above.
I loved you once; but now—
I love you more than ever.
'It’s not the early love;
With day and night it changes,
And still it must go on
Like the earth, that never wavers
For storm or star above.
I loved you once; but now—
I love you more than ever.
With gifts in those glad days
How eagerly I sought you!
Youth, shining hope, and praise:
These were the gifts I brought you.
In this world little stays:
I loved you once, but now—
I love you more than ever.
With gifts in those happy days
How eagerly I pursued you!
Youth, shining hope, and praise:
These were the gifts I brought you.
In this world, little lasts:
I loved you once, but now—
I love you more than ever.
A child with glorious eyes
Here in our arms half sleeping—
So passion wakeful lies;
Then grows to manhood, keeping
Its wistful, young surprise:
I loved you once, but now—
I love you more than ever.
A child with brilliant eyes
Here in our arms, half asleep—
So desire stays awake;
Then matures into manhood, holding
Its hopeful, youthful wonder:
I loved you once, but now—
I love you more than ever.
When age's pinching air
Strips summer's rich possession,
And leaves the branches bare,
My secret in confession
Still thus with you I'll share:
I loved you once, but now—
I love you more than ever.
When the cold air of age
Takes away summer's lush abundance,
And leaves the branches bare,
I still have a secret to share with you:
I loved you once, but now—
I love you more than ever.
II
THE BRIDE OF WAR
I
The trumpet, with a giant sound,
Its harsh war-summons wildly sings;
And, bursting forth like mountain-springs,
Poured from the hillside camping-ground,
Each swift battalion shouting flings
Its force in line; where you may see
The men, broad-shouldered, heavily
Sway to the swing of the march; their heads
Dark like the stones in river-beds.
The trumpet, with a booming sound,
Its fierce call to battle wildly sings;
And, bursting forth like springs from the mountains,
Spilling from the hillside campsite,
Each quick battalion shouts and launches
Its strength in formation; where you can see
The men, broad-shouldered and strong,
Move to the rhythm of the march; their heads
Dark like stones in riverbeds.
Lightly the autumn breezes
Play with the shining dust-cloud
Rising to the sunset rays
From feet of the moving column.
Soft, as you listen, comes
The echo of iterant drums,
Brought by the breezes light
From the files that follow the road.
A moment their guns have glowed
Sun-smitten: then out of sight
They suddenly sink,
Like men who touch a new grave's brink!
Lightly, the autumn breezes
play with the shining dust cloud
rising to the sunset rays
from the feet of the moving column.
Softly, as you listen, comes
the echo of distant drums,
brought by the gentle breezes
from the troops following the road.
For a moment, their guns have glowed
in the sunlight: then out of sight
they suddenly vanish,
like men who approach a new grave's edge!
II
So it was the march began,
The march of Morgan's
riflemen,
Who like iron held the van
In unhappy Arnold's plan
To win Wolfe's daring
fame again.
With them, by her husband's
side,
Jemima Warner, nobly
free,
Moved more fair than when, a
bride,
One year since, she
strove to hide
The blush it was a joy to see.
So that’s how the march began,
The march of Morgan's
riflemen,
Who, like iron, led the way
In Arnold’s unhappy plan
To reclaim Wolfe’s daring
fame.
With them, by her husband’s
side,
Jemima Warner, proudly
free,
Looked even more beautiful than when, a
bride,
A year ago, she
tried to hide
The blush that was a joy to see.
III
O distant, terrible forests of Maine,
With huge trees numberless as the rain
That falls on your lonely lakes!
(It falls and sings through the years, but wakes
No answering echo of joy or pain.)
O distant, daunting forests of Maine,
With countless huge trees like the rain
That falls on your lonely lakes!
(It falls and sings through the years, but stirs
No responding echo of joy or pain.)
Your tangled wilderness was tracked
With struggle and sorrow and vengeful act
'Gainst Puritan, pagan, and priest.
Where wolf and panther and serpent ceased,
Man added the horrors your dark maze lacked.
Your chaotic wilderness was mapped out
With struggle and pain and acts of revenge
Against Puritan, pagan, and priest.
Where wolves, panthers, and snakes stopped,
Humans added the horrors your dark maze needed.
The land was scarred with deeds not good,
Like the fretting of worms on withered wood.
What if its venomous spell
Breathed into Arnold a prompting of Hell,
With slow empoisoning force indued?
The land was marked by bad actions,
Like worms eating away at dead wood.
What if its toxic magic
Awakened something evil in Arnold,
With a gradual, poisonous influence?
IV
As through that dreary realm he went,
Followed a shape of dark portent:—
Pard-like, of furtive eye, with brain
To treason narrowing, Aaron Burr,
Moved loyal-seeming in the train,
Led by the arch-conspirator.
And craven Enos closed the rear,
Whose honor's flame died out in fear.
Not sooner does the dry bough burn
And into fruitless ashes turn,
Than he with whispered, false command
Drew back the hundreds in his hand;
Fled like a shade; and all forsook.
As he moved through that gloomy area,
A shape of dark omen followed him:—
Like a leopard, with a sneaky gaze, and a mind
Tilting toward betrayal, Aaron Burr,
Appeared loyal in the crowd,
Guided by the main conspirator.
And cowardly Enos brought up the end,
Whose sense of honor faded away in fear.
Just like the dry branch that ignites
And turns to useless ashes,
He with whispered, deceitful orders
Held back the hundreds in his grasp;
He fled like a shadow; and everyone deserted.
Wherever Arnold bent his look,
Danger and doubt around him hung;
And pale Disaster, shrouded, flung
Black omens in his track, as though
The fingers of a future woe
Already clutched his life, to wring
Some expiation for the thing
That he was yet to do. A chill
Struck helpless many a steadfast will
Within the ranks; the very air
Rang with a thunder-toned despair:
The hills seemed wandering to and fro,
Like lost guides blinded by the snow.
Wherever Arnold looked,
Danger and doubt surrounded him;
And pale Disaster, cloaked, threw
Dark warnings in his path, as if
The hands of future troubles
Were already gripping his life, ready to squeeze
Some punishment for what
He was yet to do. A chill
Hit many a strong will
Within the ranks; the very air
Echoed with a deep despair:
The hills seemed to sway back and forth,
Like lost guides blinded by the snow.
V
Yet faithful still 'mid woe and doubt
One woman's loyal heart—whose pain
Filled it with pure celestial light—
Shone starry-constant like the North,
Or that still radiance beaming forth
From sacred lights in some lone fane.
But he whose ring Jemima wore,
By want and weariness all unstrung,
Though strong and honest of heart and young,
Shrank at the blast that pierced so frore—
Like a huge, invisible bird of prey
Furious launched from Labrador
And the granite cliffs of Saguenay!
Yet still faithful amid sorrow and uncertainty
One woman's loyal heart—whose pain
Filled it with pure, heavenly light—
Shone like a constant star in the North,
Or that steady glow radiating
From sacred lights in some lonely shrine.
But the man whose ring Jemima wore,
Weighed down by want and fatigue,
Though strong and honest at heart and young,
Shrunk at the blast that cut so cold—
Like a huge, invisible bird of prey
Furiously launched from Labrador
And the granite cliffs of Saguenay!
Along the bleak Dead River's banks
They forced amain their frozen way;
But ever from the thinning ranks
Shapes of ice would reel and fall,
Human shapes, whose dying prayer
Floated, a mute white mist, in air;
The crowding snow their pall.
Along the desolate banks of the Dead River,
They pushed through the freezing path;
But from the dwindling ranks,
Figures of ice would swirl and collapse,
Human figures, whose final pleas
Drifted, a silent white mist, in the air;
The gathering snow their shroud.
Spectre-like Famine drew near;
Her doom-word hummed in his ear:
Ah, weak were woman's hands to reach
And save him from the hellish charms
And wizard motion of those arms!
Yet only noble womanhood
The wife her dauntless part could teach:
She shared with him the last dry food
And thronged with hopefulness her speech,
As when hard by her home the flood
Of rushing Conestoga fills
Its depth afresh from springtide rills!
Spectre-like Famine approached;
Her doom-filled whisper echoed in his ear:
Ah, women's hands were too fragile to reach
And save him from the hellish allure
And enchanting movement of those arms!
Yet only the strength of noble womanhood
The wife could teach her courageous role:
She shared with him the last bit of food
And filled her words with hopefulness,
Just like when nearby her home the flood
Of rushing Conestoga rises
Its depth renewed by spring's raging streams!
All, all in vain!
For far behind the invading rout
These two were left alone;
And in the waste their wildest shout
Seemed but a smothered groan.
Like sheeted wanderers from the grave
They moved, and yet seemed not to stir,
As icy gorge and sere-leaf'd grove
Of withered oak and shrouded fir
Were passed, and onward still they strove;
While the loud wind's artillery clave
The air, and furious sleety rain
Swung like a sword above the plain!
All, all in vain!
For far behind the invading crowd
These two were left alone;
And in the desolation their loudest shout
Sounded like a muffled groan.
Like ghostly figures risen from the grave
They moved, yet seemed not to stir,
As icy ravines and dry-leafed groves
Of withered oak and covered fir
Were passed, and still they pushed ahead;
While the roaring wind's force sliced
The air, and fierce, icy rain
Swung like a sword above the plain!
VI
They crossed the hills; they came to where
Through an arid gloom the river Chaudiere
Fled like a Maenad with outstreaming hair;
And there the soldier sank, and died.
Death-dumb he fell; yet ere life sped,
Child-like on her knee he laid his head.
She strove to pray; but all words fled
Save those their love had sanctified.
They climbed over the hills and arrived at a place where
Through a barren haze the Chaudiere River
Rushed like a frenzied woman with flowing hair;
And there the soldier collapsed and died.
Silently he fell; yet before life slipped away,
He rested his head like a child on her lap.
She tried to pray; but all words disappeared
Except for those their love had made sacred.
And then her voice rose waveringly
To the notes of a mother's lullaby;
But her song was only "Ah, must thou die?"
And to her his eyes death-still replied.
And then her voice rose unsteadily
To the melody of a mother's lullaby;
But her song was just "Ah, do you really have to die?"
And to her, his eyes answered with deathly silence.
VII
Dead leaves and stricken boughs
She heaped o'er the fallen form—
Wolf nor hawk nor lawless storm
Him from his rest should rouse;
But first, with solemn vows,
Took rifle, pouch, and horn,
And the belt that he had worn.
Then, onward pressing fast
Through the forest rude and vast,
Hunger-wasted, fever-parch'd,
Many bitter days she marched
With bleeding feet that spurned the flinty pain;
One thought always throbbing through her brain:
"They shall never say, 'He was afraid,'—
They shall never cry, 'The coward stayed!'"
Dead leaves and broken branches
She piled over the fallen figure—
No wolf, hawk, or wild storm
Would disturb his peace;
But first, with solemn vows,
She took his rifle, pouch, and horn,
And the belt he had worn.
Then, moving quickly onward
Through the rough and vast forest,
Weak from hunger and burning with fever,
She marched for many long days
With bleeding feet that rejected the painful stones;
One thought constantly racing through her mind:
"They will never say, 'He was afraid,'—
They will never shout, 'The coward stayed!'"
VIII
Now the wilderness is passed;
Now the first hut reached, at last.
Now the wilderness is behind us;
Finally, we've reached the first hut.
Ho, dwellers by the frontier trail,
Come forth and greet the bride of war!
From cabin and rough settlement
They come to speed her on her way—
Maidens, whose ruddy cheeks grow pale
With pity never felt before;
Children that cluster at the door;
Mothers, whose toil-worn hands are lent
To help, or bid her longer stay.
But through them all she passes on,
Strangely martial, fair and wan;
Nor waits to listen to their cheers
That sound so faintly in her ears.
For now all scenes around her shift,
Like those before a racer's eyes
When, foremost sped and madly swift,
Quick stretching toward the goal he flies,
Yet feels his strength wane with his breath,
And purpose fail 'mid fears of death,—
Hey, folks by the frontier trail,
Come out and welcome the bride of war!
From cabins and rough settlements
They gather to send her on her way—
Young women, whose flushed faces turn pale
With a pity they've never felt before;
Kids who gather at the door;
Mothers, whose tired hands are raised
To help or ask her to stay longer.
But through them all she moves on,
Strangely fierce, beautiful, and pale;
She doesn’t stop to hear their cheers
That sound so faintly in her ears.
For now all scenes around her blur,
Like those before a racer's eyes
When, leading the pack and running hard,
He quickly stretches toward the finish line,
Yet feels his strength fading with his breath,
And determination falter amid fears of death,—
Till, like the flashing of a lamp,
Starts forth the sight of Arnold's camp,—
The bivouac flame, and sinuous gleam
Of steel,—where, crouched, the army waits,
Ere long, beyond the midnight stream,
To storm Quebec's ice-mounded gates.
Till, like the flash of a lamp,
Reveals the sight of Arnold's camp,—
The campfire's glow and the shifting shine
Of steel,—where the army crouches and waits,
Soon, beyond the midnight stream,
To attack Quebec's ice-covered gates.
IX
Then to the leader she was brought,
And spoke her simply loyal thought.
If, 'mid the shame of after-days,
The man who wronged his country's trust
(Yet now in worth outweighed all praise)
Remembered what this woman wrought,
It should have bowed him to the dust!
"Humbly my soldier-husband tried
To do his part. He served,—and died.
But honor did not die. His name
And honor—bringing both, I came;
And this his rifle, here, to show,
While far away the tired heart sleeps,
To-day his faith with you he keeps!"
Then she was brought to the leader,
And shared her straightforward, loyal thoughts.
If, in the shame of future days,
The man who betrayed his country’s trust
(Yet now his worth surpassed all praise)
Remembered what this woman achieved,
It should have humbled him completely!
"Humbly my soldier-husband tried
To do his part. He served—and died.
But honor didn’t die. His name
And honor—bringing both, I came;
And this is his rifle, here to show,
While far away the weary heart sleeps,
Today his faith remains with you!"
Proudly the war bride, ending so,
Sank breathless in the dumb white snow.
Proudly the war bride, ending so,
Sank breathless in the silent white snow.
A RUNE OF THE RAIN
O many-toned rain!
O myriad sweet voices of the rain!
How welcome is its delicate overture
At evening, when the moist and glowing west
Seals all things with cool promise of night's rest.
O many-toned rain!
O countless sweet sounds of the rain!
How welcoming is its gentle introduction
In the evening, when the damp and warm west
Covers everything with the cool promise of a restful night.
At first it would allure
The earth to kinder mood,
With dainty flattering
Of soft, sweet pattering:
Faintly now you hear the tramp
Of the fine drops, falling damp
On the dry, sun-seasoned ground
And the thirsty leaves, resound.
But anon, imbued
With a sudden, bounding access
Of passion, it relaxes
All timider persuasion.
And, with nor pretext nor occasion,
Its wooing redoubles;
And pounds the ground, and bubbles
In sputtering spray,
Flinging itself in a fury
Of flashing white away;
Till the dusty road,
Dank-perfumed, is o'erflowed;
And the grass, and the wide-hung trees,
The vines, the flowers in their beds,—
The virid corn that to the breeze
Rustles along the garden-rows,—
Visibly lift their heads,
And, as the quick shower wilder grows,
Upleap with answering kisses to the rain.
At first, it would attract
The earth to a gentler mood,
With delicate flattery
Of soft, sweet pattering:
Faintly now you can hear the sound
Of the fine drops, falling damp
On the dry, sun-baked ground
And the thirsty leaves, echoing around.
But soon, infused
With a sudden, bursting rush
Of passion, it relaxes
All softer persuasion.
And, with no excuse or reason,
Its seduction intensifies;
And pounds the ground, and bubbles
In sputtering spray,
Throwing itself into a frenzy
Of flashing white away;
Until the dusty road,
Scented and wet, overflows;
And the grass, and the wide-spreading trees,
The vines, the flowers in their beds,—
The green corn that rustles in the breeze
Along the garden rows,—
Clearly lift their heads,
And, as the quick shower grows wilder,
Jump up with responding kisses to the rain.
Then, the slow and pleasant murmur
Of its subsiding,
As the pulse of the storm beats firmer,
And the steady rain
Drops into a cadenced chiding!
Deep-breathing rain,
The sad and ghostly noise
Wherewith thou dost complain—-
Thy plaintive, spiritual voice,
Heard thus at close of day
Through vaults of twilight gray—
Vexes me with sweet pain;
And still my soul is fain
To know the secret of that yearning
Which in thine utterance I hear returning.
Hush, oh hush!
Break not the dreamy rush
Of the rain:
Touch not the marring doubt
Words bring to the certainty
Of its soft refrain;
But let the flying fringes flout
Their drops against the pane,
And the gurgling throat of the water-spout
Groan in the eaves amain.
Then, the slow and pleasant murmur
Of it settling down,
As the storm’s pulse beats stronger,
And the steady rain
Falls in a rhythm of gentle scolding!
Deep-breathing rain,
The sad and eerie sound
With which you complain—-
Your mournful, spiritual voice,
Heard like this at day’s end
Through gray twilight vaults—
Annoys me with sweet pain;
And still my soul is eager
To know the secret of that longing
Which in your voice I hear returning.
Hush, oh hush!
Don’t break the dreamy rush
Of the rain:
Don’t touch the troubling doubt
That words bring to the certainty
Of its soft refrain;
But let the flying fringes splash
Their drops against the window,
And the gurgling throat of the water-spout
Groan in the eaves loudly.
The earth is wedded to the shower;
Darkness and awe gird round the bridal hour!
The earth is connected to the rain;
Darkness and wonder surround the wedding hour!
II
O many-toned rain!
It hath caught the strain
Of a wilder tune,
Ere the same night's noon,
When dreams and sleep forsake me,
And sudden dread doth wake me,
To hear the booming drums of heaven beat
The long roll to battle; when the knotted cloud,
With an echoing loud,
Bursts asunder
At the sudden resurrection of the thunder;
And the fountains of the air,
Unsealed again, sweep, ruining, everywhere,
To wrap the world in a watery winding-sheet.
O many-toned rain!
It has caught the sound
Of a wilder tune,
Before the same night's noon,
When dreams and sleep leave me,
And sudden fear wakes me,
To hear the booming drums of heaven beat
The long roll to battle; when the knotted cloud,
With a loud echo,
Bursts apart
At the sudden resurrection of the thunder;
And the fountains of the air,
Unsealed again, sweep, destroying, everywhere,
To wrap the world in a watery shroud.
III
O myriad sweet voices of the rain!
When the airy war doth wane,
And the storm to the east hath flown,
Cloaked close in the whirling wind,
There's a voice still left behind
In each heavy-hearted tree,
Charged with tearful memory
Of the vanished rain:
From their leafy lashes wet
Drip the dews of fresh regret
For the lover that's gone!
All else is still;
Yet the stars are listening,
And low o'er the wooded hill
Hangs, upon listless wing
Outspread, a shape of damp, blue cloud,
Watching, like a bird of evil
That knows nor mercy nor reprieval,
The slow and silent death of the pallid moon.
O countless sweet voices of the rain!
When the breezy battle fades,
And the storm has blown to the east,
Hidden close in the swirling wind,
There's a voice still left behind
In each heartbroken tree,
Filled with tearful memories
Of the lost rain:
From their leafy lashes wet
Drip the dews of fresh regret
For the lover who's gone!
Everything else is still;
Yet the stars are listening,
And low over the wooded hill
Hangs, on a lazy wing
Spread out, a shape of damp, blue cloud,
Watching, like a bird of doom
That knows no mercy or reprieve,
The slow and silent death of the pale moon.
IV
But soon, returning duly,
Dawn whitens the wet hilltops bluely.
To her vision pure and cold
The night's wild tale is told
On the glistening leaf, in the mid-road pool,
The garden mold turned dark and cool,
And the meadows' trampled acres.
But hark, how fresh the song of the winged music-makers!
For now the moanings bitter,
Left by the rain, make harmony
With the swallow's matin-twitter,
And the robin's note, like the wind's in a tree.
The infant morning breathes sweet breath,
And with it is blent
The wistful, wild, moist scent
Of the grass in the marsh which the sea nourisheth:
And behold!
The last reluctant drop of the storm,
Wrung from the roof, is smitten warm
And turned to gold;
For in its veins doth run
The very blood of the bold, unsullied sun!
But soon, when it’s time to head back,
Dawn brightens the wet hilltops with a blue hue.
To her pure and cool vision,
The night’s wild story is revealed
On the glistening leaves, in the pool on the road,
The garden soil turned dark and cool,
And the meadows' trampled fields.
But listen, how fresh is the song of the flying artists!
For now the bitter moans,
Left by the rain, create harmony
With the swallow's morning chirping,
And the robin's call, like the wind in a tree.
The newborn morning breathes sweetly,
And with it blends
The longing, wild, moist scent
Of the grass in the marsh nourished by the sea:
And look!
The last hesitant drop of the storm,
Dripped from the roof, is warmed up
And turned to gold;
For in its veins runs
The very blood of the brave, unspoiled sun!
BREAKERS
Far out at sea there has been a storm,
And still, as they roll their liquid acres,
High-heaped the billows lower and glisten.
The air is laden, moist, and warm
With the dying tempest's breath;
And, as I walk the lonely strand
With sea-weed strewn, my forehead fanned
By wet salt-winds, I watch the breakers,
Furious sporting, tossed and tumbling,
Shatter here with a dreadful rumbling—
Watch, and muse, and vainly listen
To the inarticulate mumbling
Of the hoary-headed deep;
For who may tell me what it saith,
Muttering, moaning as in sleep?
Far out at sea, there’s been a storm,
And still, as they roll their liquid waves,
The high waves lower and glisten.
The air is heavy, humid, and warm
With the dying storm’s breath;
And, as I walk the lonely shore
With seaweed scattered around, my forehead cooled
By wet salt winds, I watch the waves,
Wild and playful, tossed and rolling,
Crash here with a booming roar—
I watch, and think, and listen in vain
To the unintelligible mumbling
Of the ancient deep;
For who can tell me what it says,
Murmuring, moaning as if in sleep?
Slowly and heavily
Comes in the sea,
With memories of storm o'erfreighted,
With heaving heart and breath abated,
Pregnant with some mysterious, endless sorrow,
And seamed with many a gaping, sighing furrow.
Slowly and heavily
The sea comes in,
Burdened with memories of storms,
With a pounding heart and shallow breath,
Filled with some mysterious, endless sadness,
And marked with many deep, sighing lines.
Slowly and heavily
Grows the green water-mound;
But drawing ever nigher,
Towering ever higher,
Swollen with an inward rage
Naught but ruin can assuage,
Swift, now, without sound,
Creeps stealthily
Up to the shore—
Creeps, creeps and undulates;
As one dissimulates
Till, swayed by hateful frenzy,
Through passion grown immense, he
Bursts forth hostilely;
And rising, a smooth billow—
Its swelling, sunlit dome
Thinned to a tumid ledge
With keen, curved edge
Like the scornful curl
Of lips that snarl—
O'ertops itself and breaks
Into a raving foam;
So springs upon the shore
With a hungry roar;
Its first fierce anger slakes
On the stony shallow;
And runs up on the land,
Licking the smooth, hard sand,
Relentless, cold, yet wroth;
And dies in savage froth.
Slowly and heavily
The green water mound grows;
But drawing ever closer,
Towering ever higher,
Swollen with an inward rage
Only ruin can calm,
Swiftly, now, without sound,
It creeps quietly
Up to the shore—
Creeping, creeping and undulating;
Like someone pretending
Until, fueled by bitter fury,
Through overwhelming passion, it
Bursts forth angrily;
And rising, a smooth wave—
Its swelling, sunlit peak
Thinned to a bulging ledge
With a sharp, curved edge
Like the scornful curl
Of lips that snarl—
Surpasses itself and breaks
Into a raging foam;
So it leaps onto the shore
With a hungry roar;
Its first fierce anger eases
On the rocky shallows;
And runs up onto the land,
Licking the smooth, hard sand,
Relentless, cold, yet angry;
And dies in savage foam.
Then with its backward swirl
The sands and the stones, how they whirl!
O, fiercely doth it draw
Them to its chasm'd maw,
And against it in vain
They linger and strain;
And as they slip away
Into the seething gray
Fill all the thunderous air
With the horror of their despair,
And their wild terror wreak
In one hoarse, wailing shriek.
Then with its backward swirl
The sands and the stones, how they spin!
Oh, it pulls with such force
Them to its gaping mouth,
And against it in vain
They hang on and struggle;
And as they slip away
Into the boiling gray
Fill all the thunderous air
With the dread of their despair,
And their wild terror unleashes
In one hoarse, wailing scream.
But scarce is this done,
When another one
Falls like the bolt from a bellowing gun,
And sucks away the shore
As that did before:
And another shall smother it o'er.
But barely is this finished,
When another one
Drops like a shot from a roaring gun,
And sweeps away the shore
Just like the last one did before:
And another will cover it up again.
Then there's a lull—a half-hush;
And forward the little waves rush,
Toppling and hurrying,
Each other worrying,
And in their haste
Run to waste.
Then there's a pause—a quiet moment;
And the little waves rush forward,
Tumbling and racing,
Bumping into each other,
And in their hurry
Go to waste.
Yet again is heard the trample
Of the surges high and ample:
Their dreadful meeting—
The wild and sudden breaking—
The dinting, and battering, and beating,
And swift forsaking.
Yet again we hear the crash
Of the waves, powerful and vast:
Their terrifying clash—
The chaotic and sudden break—
The pounding, and smashing, and striking,
And quick retreat.
And ever they burst and boom,
A numberless host;
Like heralds of doom
To the trembling coast;
And ever the tangled spray
Is tossed from the fierce affray,
And, as with spectral arms
That taunt and beckon and mock,
And scatter vague alarms,
Clasps and unclasps the rock;
Listlessly over it wanders;
Moodily, madly maunders,
And hissingly falls
From the glistening walls.
And they keep crashing and booming,
An endless crowd;
Like messengers of disaster
To the shaking shore;
And the tangled spray
Is thrown from the fierce battle,
And, like ghostly arms
That tease and signal and mock,
And spread unclear warnings,
Grabs and releases the rock;
Carelessly over it drifts;
Grumpily, wildly roams,
And hissingly drops
From the shining walls.
So all day along the shore
Shout the breakers, green and hoar,
Weaving out their weird tune;
Till at night the full moon
Weds the dark with that ring
Of gold that you see her fling
On the misty air.
Then homeward slow returning
To slumbers deep I fare,
Filled with an infinite yearning,
With thoughts that rise and fall
To the sound of the sea's hollow call,
Breathed now from white-lit waves that reach
Cold fingers o'er the damp, dark beach,
To scatter a spray on my dreams;
Till the slow and measured rote
Brings a drowsy ease
To my spirit, and seems
To set it soothingly afloat
On broad and buoyant seas
Of endless rest, lulled by the dirge
Of the melancholy surge.
So all day along the shore
The waves crash, green and white,
Weaving their eerie tune;
Until at night the full moon
Joins the darkness with that ring
Of gold that you see her cast
On the misty air.
Then slowly heading home
To deep slumber I go,
Filled with an endless longing,
With thoughts that rise and fall
To the sound of the sea's hollow call,
Breathed now from bright waves that stretch
Cold fingers over the damp, dark beach,
To sprinkle a mist on my dreams;
Until the slow and steady rhythm
Brings a sleepy ease
To my spirit, and seems
To set it gently afloat
On wide and buoyant seas
Of endless rest, lulled by the lament
Of the sorrowful surge.
BLACKMOUTH, OF COLORADO
"Who is Blackmouth?" Well, that's hard to
say.
Mebbe he might ha' told you, 't other day,
If you'd been here. Now,—he's gone away.
Come to think on, 't wouldn't ha' been no use
If you'd called here earlier. His excuse
Always was, whenever folks would ask him
Where he hailed from, an' would tease an' task
him;—
What d' you s'pose? He just said, "I don' know."
"Who is Blackmouth?" Well, that’s tough to say.
Maybe he would have told you the other day,
if you had been here. Now, he’s gone away.
Thinking about it, it wouldn’t have made a difference
if you had come by earlier. His excuse
was always the same when people asked him
where he was from, and would tease and challenge him;—
What do you think? He just said, "I don’t know."
That was truth. He came here long ago;
But, before that, he'd been born somewhere:
The conundrum started first, right there.
Little shaver—afore he knew his name
Or the place from whereabouts he came—
On a wagon-train the Apaches caught him.
Killed the old folks! But this cus'—they brought
him
Safe away from fire an' knife an' arrows.
So'thin' 'bout him must have touched their marrows:
They was merciful;—treated him real good;
Brought him up to man's age well's they could.
Now, d' you b'lieve me, that there likely lad,
For all they used him so, went to the bad:
Leastways left the red men, that he knew,
'N' come to look for folks like me an' you;—
Goldarned white folks that he never saw.
Queerest thing was—though he loved a squaw,
'T was on her account he planned escape;
Shook the Apaches, an' took up red tape
With the U. S. gov'ment arter a while;
Tho' they do say gov'ment may be vile,
Mean an' treacherous an' deceivin'. Well,
I ain't sayin' our gov'ment is a sell.
That was the truth. He came here a long time ago;
But, before that, he was born somewhere:
The mystery started right there.
Little kid—before he even knew his name
Or where he came from—
The Apaches caught him on a wagon train.
They killed his parents! But this kid—they brought
Him away from fire and knives and arrows.
Something about him must have touched their hearts:
They were merciful; treated him really well;
Raised him to adulthood as best as they could.
Now, do you believe me, that likely lad,
For all their kindness, went off the rails:
At least he left the native people, that he knew,
And came looking for folks like me and you;—
Darned white folks that he had never seen.
The strangest thing was—though he loved a woman,
It was for her sake he planned his escape;
Shook off the Apaches, and then dealt with red tape
With the U.S. government after a while;
Though they say the government can be corrupt,
Mean and treacherous and deceiving. Well,
I’m not saying our government is a scam.
Bocanegra—Spanish term—I've
heard
Stands for "Blackmouth." Now this curious bird,
Known as Bocanegra, gave his life
Most for others. First, he saved his wife;
Her I spoke of;—nothin' but a squaw.
You might wonder by what sort of law
He, a white man born, should come to love her.
But 't was somehow so: he did discover
Beauty in her, of the holding kind.
Some men love the light, an' some the shade.
Round that little Indian girl there played
Soft an' shadowy tremblings, like the dark
Under trees; yet now an' then a spark,
Quick 's a firefly, flashing from her eyes,
Made you think of summer-midnight skies.
She was faithful, too, like midnight stars.
As for Blackmouth, if you'd seen the scars
Made by wounds he suffered for her sake,
You'd have called him true, and no mistake.
Bocanegra—Spanish term—I’ve heard
Means "Blackmouth." Now this interesting bird,
Known as Bocanegra, gave his life
Mostly for others. First, he saved his wife;
The one I mentioned;—just a squaw.
You might wonder how a white man,
Born into privilege, could come to love her.
But it was somehow so: he did find
Beauty in her, of a deep and meaningful kind.
Some men love the light, and some the shade.
Around that little Indian girl, there danced
Soft and shadowy vibrations, like the dark
Under trees; yet every now and then a spark,
Quick as a firefly, flashing from her eyes,
Made you think of summer midnight skies.
She was loyal too, like midnight stars.
As for Blackmouth, if you’d seen the scars
From the wounds he suffered for her sake,
You’d have called him true, without a doubt.
Growin' up a man, he scarcely met
Other white folks; an' his heart was set
On this red girl. Yet he said: "We'll wait.
You must never be my wedded mate
Till we reach the white man's country. There,
Everything that's done is fair and square."
Patiently they stayed, thro' trust or doubt,
Till tow'rds Colorado he could scout
Some safe track. He told her: "You go first.
All my joy goes with you:—that's the worst!
But I wait, to guard or hide the trail."
Growing up as a man, he hardly met
Other white people; and his heart was set
On this Native girl. Yet he said: "We’ll wait.
You must never be my wife
Until we reach the white man's land. There,
Everything that happens is fair and honest."
Patiently they waited, whether out of trust or doubt,
Until he could find a safe route towards Colorado.
He told her: "You go first.
All my happiness goes with you—that’s the hardest!
But I’ll wait, to guard or hide the path."
Indians caught him; an' they gave
him—hail;
Cut an' tortured him, till he was bleeding;
Yet they found that still they weren't succeeding.
"Where's that squaw?" they asked. "We'll have her blood!
Either that, or grind you into mud;
Pick your eyes out, too, if you can't see
Where she's gone to. Which, now, shall it be?
Tell us where she's hid."
Indians caught him, and they gave him—hail;
They cut and tortured him until he was bleeding;
Yet they found that they still weren't succeeding.
"Where's that woman?" they asked. "We'll have her blood!
Either that, or we'll grind you into mud;
We'll pick your eyes out, too, if you can't see
Where she's gone to. So, which will it be?
Tell us where she's hidden."
"I'll show the way,"
Blackmouth says; an' leads toward dawn of day,
Till they come straight out beside the brink
Of a precipice that seems to sink
Into everlasting gulfs below.
"Loose me!" Blackmouth tells 'em. "But go slow."
Then they loosed him; and, with one swift leap,
Blackmouth swooped right down into the deep;—
Jumped out into space beyond the edge,
While the Apaches cowered along the ledge.
Seven hundred feet, they say. That's guff!
Seventy foot, I tell you, 's 'bout enough.
Indians called him a dead antelope;
But they couldn't touch the bramble-slope
Where he, bruised and stabbed, crawled under brush.
Their hand was beat hollow: he held a flush.
"I'll lead the way,"
Blackmouth says; and leads toward the break of day,
Until they reach the edge
Of a cliff that looks like it drops
Into endless depths below.
"Let me go!" Blackmouth tells them. "But be careful."
Then they let him go; and, with one quick jump,
Blackmouth swooped right down into the abyss;—
He jumped out into nothingness beyond the edge,
While the Apaches shrank back along the ledge.
Seven hundred feet, they say. That's nonsense!
Seventy feet, I tell you, is about right.
The Indians called him a dead antelope;
But they couldn't get near the bramble slope
Where he, bruised and wounded, crawled under the brush.
They were beaten down: he held his ground.
Day and night he limped or crawled along:
Winds blew hot, yet sang to him a song
(So he told me, once) that gave him hope.
Every time he saw a shadow grope
Down the hillsides, from a flying cloud,
Something touched his heart that made him proud:
Seemed to him he saw her dusky face
Watching over him, from place to place.
Every time the dry leaves rustled near,
Seemed to him she whispered, "Have no fear!"
Day and night he limped or crawled along:
The winds blew hot, yet they sang a song
(So he told me once) that gave him hope.
Every time he saw a shadow move
Down the hills from a passing cloud,
Something touched his heart that made him proud:
It seemed he saw her dark face
Watching over him, wherever he went.
Every time the dry leaves rustled close,
It felt like she whispered, "Don’t be afraid!"
So at last he found her:—they were
married.
But, from those days on, he always carried
Marks of madness; actually—yes!—
Trusted the good faith of these U. S.
So at last he found her:—they were married.
But, from that day on, he always carried
Signs of madness; actually—yes!—
Trusted the good faith of these U. S.
Indian hate an' deviltry he braved;
'N' scores an' scores of white men's lives he saved.
Just for that, his name should be engraved.
But it won't be! U. S. gov'ment dreads
Men who're taller 'n politicians' heads.
Indian hate and devilry he faced;
And countless white men's lives he saved.
For that alone, his name should be honored.
But it won't be! The U.S. government fears
Men who stand taller than politicians.
All the while, his wife—tho' half
despised
By the frontier folks that civilized
An' converted her—served by his side,
Helping faithfully, until she died.
Left alone, he lay awake o' nights,
Thinkin' what they'd both done for the whites.
Then he thought of her, and Indian people;
Tryin' to measure, by the church's steeple,
Just how Christian our great nation's been
Toward those native tribes so full of sin.
When he counted all the wrongs we've done
To the wild men of the setting sun,
Seem'd to him the gov'ment wa'n't quite fair.
When its notes came due, it wa'n't right there.
U. S. gov'ment promised Indians lots,
But at last it closed accounts with shots.
Mouth was black, perhaps;—but he was white.
Calling gov'ment black don't seem polite:
Yet I'll swear, its actions wouldn't show
'Longside Blackmouth's better 'n soot with snow.
All the while, his wife—though half
looked down on
By the frontier folks who civilized
And converted her—stood by his side,
Helping him faithfully, until she died.
Left alone, he lay awake at night,
Thinking about what they both did for the whites.
Then he thought of her, and the Native people;
Trying to gauge, by the church's steeple,
Just how Christian our great nation has been
Toward those native tribes so full of sin.
When he counted all the wrongs we've done
To the wild men of the setting sun,
It seemed to him the government wasn't quite fair.
When its debts came due, it wasn't right there.
U.S. government promised Indians a lot,
But in the end, it settled accounts with gunfire.
Mouth might have been foul, perhaps;—but he was white.
Calling the government corrupt doesn't seem polite:
Yet I swear, its actions wouldn't compare
To Blackmouth's better than soot on snow.
Yes, sir! Blackmouth took the other side:
Honestly for years an' years he tried
Getting justice for the Indians. He,
Risking life an' limb for you an' me;—
He, the man who proved his good intent
By his deeds, an' plainly showed he meant
He would die for us,—turned round an' said:
"White men have been saved. Now, save the red!"
But it didn't pan out. No one would hark.
"Let the prairie-dogs an' Blackmouth bark,"
Said our folks. And—no, he wa'n't resigned,
But concluded he had missed his find.
Yes, sir! Blackmouth took the other side:
For years he fought
to get justice for the Indians. He,
risking life and limb for you and me;—
He, the man who proved his good intentions
by his actions, and clearly showed he meant
he would die for us,—turned around and said:
"White people have been saved. Now, save the red!"
But it didn’t work out. No one would listen.
"Let the prairie-dogs and Blackmouth bark,"
said our folks. And—no, he wasn’t resigned,
but figured he had missed his chance.
"Where is Blackmouth?" That I can't
decide.
Red an' white men, both, he tried to serve;
But I guess, at last, he lost his nerve.
Kind o' tired out. See? He had his pride:
Gave his life for others, far 's he could,
Hoping it would do 'em some small good.
Didn't seem to be much use. An' so—
Well; you see that man, dropped in the snow,
Where the crowd is? Suicide, they say.
Looks as though he had quit work, to stay.
Bullet in the breast.—His body 's there;
But poor Blackmouth's gone—I don't know where!
"Where is Blackmouth?" I can't figure that out.
He tried to help both the red and white people;
But I guess, in the end, he lost his courage.
Kind of worn out, you see? He had his pride:
He gave his life for others as much as he could,
Hoping it would actually help them a bit.
Didn’t seem to matter much. And so—
Well; you see that guy, lying in the snow,
Where the crowd is? They say it was suicide.
Looks like he just gave up and stayed.
Bullet in the chest.—His body is there;
But poor Blackmouth's gone—I have no idea where!
THE CHILD YEAR
I
"Dying of hunger and sorrow:
I die for my youth I fear!"
Murmured the midnight-haunting
Voice of the stricken Year.
"Dying of hunger and sadness:
I fear I'm dying for my youth!"
Whispered the midnight-haunting
Voice of the troubled Year.
There like a child it perished
In the stormy thoroughfare:
The snow with cruel whiteness
Had aged its flowing hair.
There like a child it died
In the stormy street:
The snow with harsh whiteness
Had aged its flowing hair.
Ah, little Year so fruitful,
Ah, child that brought us bliss,
Must we so early lose you—
Our dear hopes end in this?
Ah, little Year so fruitful,
Ah, child that brought us joy,
Must we lose you so soon—
Our dear hopes come to this?
II
"Too young am I, too tender,
To bear earth's avalanche
Of wrong, that grinds down life-hope,
And makes my heart's-blood blanch.
"Too young am I, too tender,
To bear earth's avalanche
Of wrong, that grinds down life-hope,
And makes my heart's-blood blanch."
"Tell him who soon shall follow
Where my tired feet have bled,
He must be older, shrewder,
Hard, cold, and selfish-bred—
"Tell him who will soon come after
Where my weary feet have bled,
He needs to be older, wiser,
Tough, distant, and selfishly bred—
"Or else like me be trampled
Under the harsh world's heel.
'Tis weakness to be youthful;
'Tis death to love and feel."
"Or else like me be stepped on
Under the harsh world's heel.
It's weak to be young;
It's death to love and feel."
III
Then saw I how the New Year
Came like a scheming man,
With icy eyes, his forehead
Wrinkled by care and plan
Then I saw how the New Year
Arrived like a cunning man,
With cold eyes, his forehead
Furrowed by worry and schemes
For trade and rule and profit.
To him the fading child
Looked up and cried, "Oh, brother!"
But died even while it smiled.
For trade, power, and profit.
The fading child
Looked up and said, "Oh, brother!"
But died even while smiling.
Down bent the harsh new-comer
To lift with loving arm
The wanderer mute and fallen;
And lo! his eyes were warm;
Down came the tough newcomer
To lift with a caring arm
The silent and fallen wanderer;
And look! his eyes were warm;
All changed he grew; the wrinkles
Vanished: he, too, looked young—
As if that lost child's spirit
Into his breast had sprung.
All changed as he grew; the wrinkles
disappeared: he, too, looked young—
As if that lost child's spirit
had awakened in his heart.
So are those lives not wasted,
Too frail to bear the fray.
So Years may die, yet leave us
Young hearts in a world grown gray.
So are those lives not wasted,
Too fragile to endure the struggle.
So years may pass, yet leave us
Young hearts in a world that’s grown dull.
CHRISTENING
To-day I saw a little, calm-eyed child,—
Where soft lights rippled and the shadows
tarried
Within a church's shelter arched and aisled,—
Peacefully wondering, to the altar carried;
Today I saw a small, calm-eyed child,—
Where soft lights danced and the shadows
lingered
Within a church's shelter with arches and aisles,—
Peacefully wondering, taken to the altar;
White-robed and sweet, in semblance of a flower;
White as the daisies that adorned the
chancel;
Borne like a gift, the young wife's natural dower,
Offered to God as her most precious hansel.
White-robed and sweet, like a flower;
White as the daisies that decorated the
altar;
Carried like a gift, the young wife's natural blessing,
Offered to God as her most precious token.
Then ceased the music, and the little one
Was silent, with the multitude assembled
Hearkening; and when of Father and of Son
He spoke, the pastor's deep voice broke and
trembled.
Then the music stopped, and the little one
Was quiet, with the crowd gathered
Listening; and when he spoke of the Father and the Son
The pastor's deep voice cracked and shook.
But she, the child, knew not the solemn words,
And suddenly yielded to a troublous wailing,
As helpless as the cry of frightened birds
Whose untried wings for flight are unavailing.
But she, the child, didn’t understand the serious words,
And suddenly broke down into a troubled wailing,
As helpless as the cry of scared birds
Whose inexperienced wings are useless for flying.
How much the same, I thought, with older folk!
The blessing falls: we call it tribulation,
And fancy that we wear a sorrow's yoke,
Even at the moment of our consecration.
How similar it is, I thought, with older people!
A blessing comes: we call it hardship,
And we believe we bear the weight of sorrow,
Even at the moment we are dedicated.
Pure daisy-child! Whatever be the form
Of dream or doctrine,—or of
unbelieving,—
A hand may touch our heads, amid the storm
Of grief and doubt, to bless beyond bereaving;
Pure daisy-child! No matter the form
Of dreams or beliefs—or even disbelief—
A hand can touch our heads, amidst the storm
Of grief and doubt, to bless us beyond loss;
A voice may sound, in measured, holy rite
Of speech we know not, tho' its earnest
meaning
Be clear as dew, and sure as starry light
Gathered from some far-off celestial gleaning.
A voice might resonate in a careful, sacred way
Of speech we're unfamiliar with, although its sincere
meaning
Is as clear as dew, and as certain as starlight
Gathered from some distant cosmic source.
Wise is the ancient sacrament that blends
This weakling cry of children in our
churches
With strength of prayer or anthem that ascends
To Him who hearts of men and children searches;
Wise is the ancient sacrament that blends
This weak cry of children in our churches
With the power of prayer or anthem that rises
To Him who knows the hearts of men and children;
Since we are like the babe, who, soothed again,
Within her mother's cradling arm lay nested,
Bright as a new bud, now, refreshed by rain:
And on her hair, it seemed, heaven's radiance
rested.
Since we are like the baby, who, comforted once more,
Lies nestled in her mother’s cradling arms,
Bright as a new bud, now refreshed by the rain:
And on her hair, it seemed, heaven's light
rested.
THANKSGIVING TURKEY
Valleys lay in sunny vapor,
And a radiance mild was shed
From each tree that like a taper
At a feast stood. Then we said,
"Our feast, too, shall soon be spread,
Of good
Thanksgiving turkey."
Valleys filled with warm mist,
And a soft glow was cast
From every tree that stood like a candle
At a celebration. Then we said,
"Our feast will be ready soon,
With some nice Thanksgiving turkey."
And already still November
Drapes her snowy table here.
Fetch a log, then; coax the ember;
Fill your hearts with old-time cheer;
Heaven be thanked for one more year,
And our
Thanksgiving turkey!
And now it's still November
Covering her snowy table here.
Grab a log, then; encourage the ember;
Fill your hearts with traditional cheer;
Thank goodness for another year,
And our
Thanksgiving turkey!
Welcome, brothers—all our party
Gathered in the homestead old!
Shake the snow off and with hearty
Hand-shakes drive away the cold;
Else your plate you'll hardly hold
Of good
Thanksgiving turkey.
Welcome, everyone—all our friends
Gathered at the old house!
Shake off the snow and with warm
Hand-shakes chase away the cold;
Otherwise, your plate you'll barely hold
Of delicious Thanksgiving turkey.
When the skies are sad and murky,
'Tis a cheerful thing to meet
Round this homely roast of turkey—
Pilgrims, pausing just to greet,
Then, with earnest grace, to eat
A new
Thanksgiving turkey.
When the skies are gloomy and gray,
it's a happy thing to gather
around this cozy roast of turkey—
Pilgrims, stopping just to say hello,
then, with sincere gratitude, to eat
a fresh Thanksgiving turkey.
And the merry feast is freighted
With its meanings true and deep.
Those we've loved and those we've hated,
All, to-day, the rite will keep,
All, to-day, their dishes heap
With plump
Thanksgiving turkey.
And the joyful feast is filled
With its true and deep meanings.
Those we've loved and those we've hated,
Today, all will participate in the ceremony,
Today, all will have their plates
With generous Thanksgiving turkey.
But how many hearts must tingle
Now with mournful memories!
In the festal wine shall mingle
Unseen tears, perhaps from eyes
That look beyond the board where lies
Our plain
Thanksgiving turkey.
But how many hearts must ache
Now with sad memories!
In the festive wine shall mix
Unseen tears, maybe from eyes
That look beyond the table where lies
Our simple Thanksgiving turkey.
See around us, drawing nearer,
Those faint yearning shapes of air—
Friends than whom earth holds none dearer!
No—alas! they are not there:
Have they, then, forgot to share
Our good
Thanksgiving turkey?
See around us, coming closer,
Those faint longing figures in the air—
Friends who are dearer than anyone on earth!
No—sadly! they aren't here:
Have they really forgotten to join
Our nice Thanksgiving turkey?
Some have gone away and tarried
Strangely long by some strange wave;
Some have turned to foes; we carried
Some unto the pine-girt grave:
They 'll come no more so joyous-brave
To take
Thanksgiving turkey.
Some have left and stayed away
Strangely long, drawn by some weird wave;
Some have become enemies; we brought
Some to the pine-surrounded grave:
They won’t return so joyfully
To share Thanksgiving turkey.
Nay, repine not. Let our laughter
Leap like firelight up again.
Soon we touch the wide Hereafter,
Snow-field yet untrod of men:
Shall we meet once more—and
when?—
To eat
Thanksgiving turkey.
No, don’t be sad. Let our laughter
Jump up like the flicker of a fire.
Soon we'll reach the vast Hereafter,
A snowy field yet untouched by people:
Will we meet again—and when?—
To enjoy
Thanksgiving turkey.
BEFORE THE SNOW
Autumn is gone: through the blue woodlands bare
Shatters the rainy wind. A myriad leaves,
Like birds that fly the mournful Northern air.
Flutter away from the old forest's eaves.
Autumn is gone: through the blue woods, stripped bare
The rainy wind breaks. A multitude of leaves,
Like birds flying from the sorrowful Northern air.
Flutter away from the old forest’s edges.
Autumn is gone: as yonder silent rill,
Slow eddying o'er thick leaf-heaps lately
shed,
My spirit, as I walk, moves awed and still,
By thronging fancies wild and wistful led.
Autumn is gone: like that quiet stream,
Gently swirling over the thick piles of leaves
recently fallen,
My spirit, as I walk, feels amazed and calm,
Guided by a crowd of wild and longing thoughts.
Autumn is gone: alas, how long ago
The grapes were plucked, and garnered was the
grain!
How soon death settles on us, and the snow
Wraps with its white alike our graves, our gain!
Autumn has passed: oh, how long ago
The grapes were picked, and the grain was harvested!
How quickly death comes for us, and the snow
Covers with its white both our graves and our rewards!
Yea, autumn's gone! Yet it robs not my mood
Of that which makes moods dear,—some shoot
of spring
Still sweet within me; or thoughts of yonder wood
We walked in,—memory's rare environing.
Yeah, autumn's gone! But it doesn't take away my mood
Of what makes moods precious—some hint
of spring
Still sweet inside me; or memories of that woods
We walked in—memory's rare surroundings.
And, though they die, the seasons only take
A ruined substance. All that's best remains
In the essential vision that can make
One light for life, love, death, their joys,
their pains.
And even though they die, the seasons only take
A faded form. All that matters stays
In the core vision that can create
One light for life, love, death, their joys,
their sorrows.
III
YOUTH TO THE POET
Strange spell of youth for age, and age for youth,
Affinity between two forms of truth!—
As if the dawn and sunset watched each other,
Like and unlike as children of one mother
And wondering at the likeness. Ardent eyes
Of young men see the prophecy arise
Of what their lives shall be when all is told;
And, in the far-off glow of years called old,
Those other eyes look back to catch a trace
Of what was once their own unshadowed grace.
But here in our dear poet both are blended—
Ripe age begun, yet golden youth not ended;—
Even as his song the willowy scent of spring
Doth blend with autumn's tender mellowing,
And mixes praise with satire, tears with fun,
In strains that ever delicately run;
So musical and wise, page after page,
The sage a minstrel grows, the bard a sage.
The dew of youth fills yet his late-sprung flowers,
And day-break glory haunts his evening hours.
Ah, such a life prefigures its own moral:
That first "Last Leaf" is now a leaf of laurel,
Which—smiling not, but trembling at the
touch—
Youth gives back to the hand that gave so much.
Strange enchantment of youth for age, and age for youth,
A connection between two forms of truth!—
As if dawn and sunset observe each other,
Similar yet different as children of one mother
And marveling at the resemblance. Eager eyes
Of young men see the promise of what their lives will be
When everything is revealed;
And, in the distant glow of years deemed old,
Those other eyes look back to find a hint
Of what was once their own unclouded grace.
But here in our beloved poet both are intertwined—
Mature age has begun, yet golden youth is not finished;—
Just as his song blends the fragrant scent of spring
With autumn's gentle mellowing,
Mixing praise with satire, tears with laughter,
In melodies that always flow delicately;
So musical and wise, page after page,
The sage becomes a minstrel, the bard becomes a sage.
The dew of youth still fills his late-blooming flowers,
And the glory of dawn lingers in his evening hours.
Ah, such a life hints at its own lesson:
That first "Last Leaf" is now a leaf of laurel,
Which—smiling not, but trembling at the touch—
Youth gives back to the hand that gave so much.
EVENING OF DECEMBER 3, 1879.
Evening of December 3, 1879.
THE SWORD DHAM
"How shall we honor the man who creates?"
Asked the Bedouin chief, the poet
Antar;—
"Who unto the truth flings open our gates,
Or fashions new thoughts from the light of a
star;
Or forges with craft of his finger and brain
Some marvelous weapon we copy in vain;
Or chants to the winds a wild song that shall
wander forever undying?
"How should we honor the person who creates?"
asked the Bedouin chief, the poet Antar;—
"Who opens our gates to the truth,
or shapes new ideas from the light of a star;
or skillfully crafts with their hands and mind
some amazing tool we try to replicate in vain;
or sings a wild song to the winds that will
wander forever, never dying?"
"See! His reward is in envies and hates;
In lips that deny, or in stabs that may
kill."
"Nay," said the smith; "for there's one here who waits
Humbly to serve you with unmeasured skill,
Sure that no utmost devotion can fail,
Offered to you, nor unfriended assail
The heart of the hero and poet Antar, whose
fame is undying!"
"Look! His reward comes from envy and hatred;
In lips that deny or in stabs that may
kill."
"No," said the smith; "for there's someone here who waits
Humbly to serve you with unmatched skill,
Certain that no total devotion can fail,
Offered to you, nor will it unfriendfully attack
The heart of the hero and poet Antar, whose
fame is eternal!"
"Speak," said the chief. Then the smith: "O Antar,
It is I who would serve you! I know, by the
soul
Of the poet within you, no envy can bar
The stream of your gratitude,—once let it
roll.
Listen. The lightning, your camel that slew,
I caught, and wrought in this sword-blade
for you;—
Sword that no foe shall encounter unhurt, or
depart from undying."
"Speak," said the chief. Then the smith: "Oh Antar,
It's me who wants to serve you! I know, from the
soul
Of the poet inside you, that no jealousy can stop
The flow of your gratitude—just let it
pour out.
Listen. The lightning, your camel that was killed,
I caught and forged into this sword-blade
for you;—
A sword that no enemy will face unharmed, or
leave from without enduring."
Burst from the eyes of Antar a swift
rain,—Gratitude's
glittering drops,—as he threw
One shining arm round the smith, like a chain.
Closer the man to his bosom he drew;
Thankful, caressing, with "Great is my debt."
"Yea," said the smith, and his eyelids were wet:
"I knew the sword Dham would unite me with
you in an honor undying."
Bursting from Antar's eyes was a quick rain—glittering drops of gratitude—as he threw one shining arm around the smith, like a chain. He pulled the man closer to his chest; thankful and affectionate, he said, "I owe you so much." "Yeah," replied the smith, his eyelids glistening with tears. "I knew the sword Dham would connect us in an everlasting honor."
"So?" asked the chief, as his thumb-point at will
Silently over the sword's edge played.
—"Ay!" said the smith, "but there's one thing,
still:
Who is the smiter, shall smite with this
blade?"
Jealous, their eyes met; and fury awoke.
"I am the smiter!" Antar cried. One
stroke
Rolled the smith's head from his neck, and gave
him remembrance undying.
"So?" the chief asked, casually gesturing with his thumb over the edge of the sword. —"Yeah!" the smith replied, "but there's still one thing: Whoever is the one to strike will use this blade?" Their eyes locked in jealousy, and anger flared up. "I am the one to strike!" Antar shouted. With one blow, he severed the smith's head from his body, granting him eternal remembrance.
"Seek now who may, no search will avail:
No man the mate of this weapon shall own!"
Yet, in his triumph, the chieftain made wail:
"Slain is the craftsman, the one friend
alone
Able to honor the man who creates.
I slew him—I, who am poet! O
fates,
Grant that the envious blade slaying artists shall
make them undying!"
"Look now for anyone who can; no search will help:
No one can possess this weapon!"
Yet, in his victory, the leader cried out:
"The craftsman is dead, the only friend
Able to honor the creator.
I killed him—I, who am a poet! Oh
fates,
Let the jealous blade that kills artists
make them immortal!"
"AT THE GOLDEN GATE"
Before the golden gate she stands,
With drooping head, with idle hands
Loose-clasped, and bent beneath the weight
Of unseen woe. Too late, too late!
Those carved and fretted,
Starred, resetted
Panels shall not open ever
To her who seeks the perfect mate.
Before the golden gate she stands,
With her head down, with idle hands
Loosely held, and bent under the weight
Of hidden sorrow. Too late, too late!
Those carved and decorated,
Starred, reset
Panels will never open
To her who is looking for the perfect partner.
Only the tearless enter there:
Only the soul that, like a prayer,
No bolt can stay, no wall may bar,
Shall dream the dreams grief cannot mar.
No door of cedar,
Alas, shall lead her
Unto the stream that shows forever
Love's face like some reflected star!
Only those without tears can enter there:
Only the soul that, like a prayer,
No lock can hold, no wall can block,
Will dream the dreams that grief can't touch.
No cedar door,
Unfortunately, will guide her
To the stream that always reflects
Love's face like a shining star!
They say that golden barrier hides
A realm where deathless spring abides;
Where flowers shall fade not, and there floats
Thro' moon-rays mild or sunlit motes—
'Mid dewy alleys
That gird the palace,
And fountain'd spray's unceasing quiver—
A dulcet rain of song-birds' notes.
They say that the golden barrier hides
A place where eternal spring exists;
Where flowers never fade, and it floats
Through gentle moonlight or sunlit dust—
In dewy paths
That surround the palace,
And the constant shimmer of fountain spray—
A sweet rain of birdsong.
The sultan lord knew not her name;
But to the door that fair shape came:
The hour had struck, the way was right,
Traced by her lamp's pale, flickering light.
But ah, whose error
Has brought this terror?
Whose fault has foiled her fond endeavor?
The gate swings to: her hope takes flight.
The sultan didn't know her name;
But to the door that beautiful figure came:
The hour had come, the path was clear,
Guided by her lamp's soft, flickering glow.
But oh, whose mistake
Has caused this fear?
Whose fault has ruined her sweet attempt?
The gate closes: her hope takes off.
The harp, the song, the nightingales
She hears, beyond. The night-wind wails
Without, to sound of feast within,
While here she stands, shut out by sin.
And be that revel
Of angel or devil,
She longs to sit beside the giver,
That she at last her prize may win.
The harp, the song, the nightingales
She hears, beyond. The night wind wails
Outside, to the sound of a feast inside,
While she stands here, shut out by sin.
And whether that celebration
Is of angels or devils,
She longs to sit beside the host,
So that she can finally claim her prize.
Her lamp has fallen; her eyes are wet;
Frozen she stands, she lingers yet;
But through the garden's gladness steals
A whisper that each heart congeals—
A moan of grieving
Beyond relieving,
Which makes the proudest of them shiver.
And suddenly the sultan kneels!
Her lamp has fallen; her eyes are wet;
Frozen she stands, still lingering;
But through the garden's joy comes
A whisper that chills each heart—
A moan of sorrowing
Beyond comfort,
That makes the proudest of them shudder.
And suddenly the sultan kneels!
The lamp was quenched; he found her dead,
When dawn had turned the threshold red.
Her face was calm and sad as fate:
His sin, not hers, made her too late.
Some
think, unbidden
She
brought him, hidden,
A truer bliss that came back never
To him, unblest, who closed the gate.
The lamp was out; he discovered her lifeless,
When dawn had painted the threshold red.
Her face was calm and sorrowful as fate:
His wrongdoing, not hers, made it too late.
Some
believe, without invitation
She
brought him, concealed,
A deeper happiness that never returned
To him, cursed, who shut the door.
CHARITY
I
Unarmed she goeth; yet her hands
Strike deeper awe than steel-caparison'd bands.
No fatal hurt of foe she fears,—
Veiled, as with mail, in mist of gentle tears.
Unarmed she walks; yet her hands
Create deeper fear than armored troops.
She fears no deadly attack from her enemies,—
Cloaked, as if in armor, in a mist of soft tears.
II
'Gainst her thou canst not bar the door:
Like air she enters, where none dared before.
Even to the rich she can forgive
Their regal selfishness,—and let them live!
Against her, you cannot close the door:
Like air, she enters, where no one dared before.
Even to the wealthy, she can forgive
Their royal selfishness—and let them live!
HELEN AT THE LOOM
Helen, in her silent room,
Weaves upon the upright loom;
Weaves a mantle rich and dark,
Purpled over, deep. But mark
How she scatters o'er the wool
Woven shapes, till it is full
Of men that struggle close, complex;
Short-clipp'd steeds with wrinkled necks
Arching high; spear, shield, and all
The panoply that doth recall
Mighty war; such war as e'en
For Helen's sake is waged, I ween.
Purple is the groundwork: good!
All the field is stained with blood—
Blood poured out for Helen's sake;
(Thread, run on; and shuttle, shake!)
But the shapes of men that pass
Are as ghosts within a glass,
Woven with whiteness of the swan,
Pale, sad memories, gleaming wan
From the garment's purple fold
Where Troy's tale is twined and told.
Well may Helen, as with tender
Touch of rosy fingers slender
She doth knit the story in
Of Troy's sorrow and her sin,
Feel sharp filaments of pain
Reeled off with the well-spun skein,
And faint blood-stains on her hands
From the shifting, sanguine strands.
Helen, in her quiet room,
Works at the upright loom;
Weaves a rich and dark cloak,
Purple over, deep. But notice
How she scatters over the wool
Woven shapes, until it is full
Of men that struggle closely, complex;
Short-haired horses with wrinkled necks
Arching high; spear, shield, and all
The armor that brings to mind
A mighty war; such war that even
For Helen's sake is fought, I think.
Purple is the base: good!
All the battlefield is stained with blood—
Blood spilled for Helen's sake;
(Thread, keep going; and shuttle, shake!)
But the shapes of men that pass
Are like ghosts in a glass,
Woven with the whiteness of the swan,
Pale, sad memories, gleaming faintly
From the garment's purple fold
Where Troy's story is intertwined and told.
Well may Helen, with the gentle
Touch of her slender rosy fingers,
Knit the story of
Troy's sorrow and her sin,
Feel sharp threads of pain
Unwinding with the well-spun yarn,
And faint bloodstains on her hands
From the shifting, bloody strands.
Gently, sweetly she doth sorrow:
What has been must be to-morrow;
Meekly to her fate she bows.
Heavenly beauties still will rouse
Strife and savagery in men:
Shall the lucid heavens, then,
Lose their high serenity,
Sorrowing over what must be?
If she taketh to her shame,
Lo, they give her not the blame,—
Priam's wisest counselors,
Aged men, not loving wars.
When she goes forth, clad in white,
Day-cloud touched by first moonlight,
With her fair hair, amber-hued
As vapor by the moon imbued
With burning brown, that round her clings,
See, she sudden silence brings
On the gloomy whisperers
Who would make the wrong all hers.
So, Helen, in thy silent room,
Labor at the storied loom;
(Thread, run on; and shuttle, shake!)
Let thy aching sorrow make
Something strangely beautiful
Of this fabric; since the wool
Comes so tinted from the Fates,
Dyed with loves, hopes, fears, and hates.
Thou shalt work with subtle force
All thy deep shade of remorse
In the texture of the weft,
That no stain on thee be left;—
Ay, false queen, shalt fashion grief,
Grief and wrong, to soft relief.
Speed the garment! It may chance,
Long hereafter, meet the glance,
Of Oenone; when her lord,
Now thy Paris, shall go tow'rd
Ida, at his last sad end,
Seeking her, his early friend,
Who alone can cure his ill,
Of all who love him, if she will.
It were fitting she should see
In that hour thine artistry,
And her husband's speechless corse
In the garment of remorse!
Gently, sweetly she mourns:
What has happened must happen tomorrow;
Humbly she accepts her fate.
Heavenly beauty still stirs
Conflict and rage in men:
Will the clear skies, then,
Lose their calm serenity,
Grieving over what must be?
If she accepts her shame,
Look, they do not blame her,—
Priam's wisest advisors,
Old men, not fond of wars.
When she steps out, dressed in white,
Day-cloud touched by the first moonlight,
With her fair hair, tinted like amber
As mist touched by the moon,
With a warm brown that clings around her,
See, she brings instant silence
To the gloomy whisperers
Who would make all the blame hers.
So, Helen, in your quiet room,
Work at the storied loom;
(Thread, keep going; and shuttle, move!)
Let your aching sorrow create
Something strangely beautiful
From this fabric; since the wool
Comes so colored from the Fates,
Dyed with loves, hopes, fears, and hates.
You will work with subtle power
All your deep shade of regret
Into the texture of the weave,
That no stain remain on you;—
Yes, false queen, you will shape grief,
Grief and wrong, into soft relief.
Speed up the garment! It may happen,
Long after this, to meet the gaze,
Of Oenone; when her husband,
Now your Paris, heads toward
Ida, at his final sad end,
Seeking her, his early friend,
Who alone can heal his pain,
Of all who love him, if she chooses.
It would be fitting she should see
In that moment your artistry,
And her husband's silent corpse
In the garment of remorse!
But take heed that in thy work
Naught unbeautiful may lurk.
Ah, how little signifies
Unto thee what fortunes rise,
What others fall! Thou still shall rule,
Still shalt twirl the colored spool.
Though thy yearning woman's eyes
Burn with glorious agonies,
Pitying the waste and woe,
And the heroes falling low
In the war around thee, here,
Yet the least, quick-trembling tear
'Twixt thy lids shall dearer be
Than life, to friend or enemy.
But be careful that in your work
Nothing unattractive may appear.
Ah, how little it matters
To you what fortunes rise,
What others lose! You will still rule,
Still spin the colored spool.
Though your longing eyes
Burn with glorious pain,
Feeling sorry for the waste and sorrow,
And the heroes falling down
In the war around you, here,
Yet the slightest, quick-trembling tear
Between your lids will be more precious
Than life, to friend or foe.
There are people on the earth
Doomed with doom of too great worth.
Look on Helen not with hate,
Therefore, but compassionate.
If she suffer not too much,
Seldom does she feel the touch
Of that fresh, auroral joy
Lighter spirits may decoy
To their pure and sunny lives.
Heavy honey 'tis she hives.
To her sweet but burdened soul
All that here she may control—
What of bitter memories,
What of coming fate's surmise,
Paris' passion, distant din
Of the war now drifting in
To her quiet—idle seems;
Idle as the lazy gleams
Of some stilly water's reach,
Seen from where broad vine-leaves pleach
A heavy arch; and, looking through,
Far away the doubtful blue
Glimmers, on a drowsy day,
Crowded with the sun's rich gray;—
As she stands within her room,
Weaving, weaving at the loom.
There are people on the earth
Doomed with a burden that's too heavy to bear.
Don’t look at Helen with hate,
But with compassion instead.
If she doesn't suffer too much,
She rarely feels the touch
Of that fresh, morning joy
That lighter spirits might lure
Into their pure and sunny lives.
She collects a heavy sweetness.
To her sweet but heavy soul
Everything here is within her control—
What of bitter memories,
What of the uncertain future’s hints,
Paris’ passion, the distant sounds
Of the war now creeping in
To her quiet—idle seems;
As idle as the lazy glimmers
Of still water’s edge,
Seen from where wide vine leaves arch
A heavy canopy; and, looking through,
Far away the uncertain blue
Shimmers on a sleepy day,
Filled with the sun’s rich gray;—
As she stands in her room,
Weaving, weaving at the loom.
THE CASKET OF OPALS
I
Deep, smoldering colors of the land and sea
Burn in these stones, that, by some mystery,
Wrap fire in sleep and never are consumed.
Scarlet of daybreak, sunset gleams half spent
In thick white cloud; pale moons that may have lent
Light to love's grieving; rose-illumined snows,
And veins of gold no mine depth ever gloomed;
All these, and green of thin-edged waves, are there.
I think a tide of feeling through them flows
With blush and pallor, as if some being of air,—
Some soul once human,—wandering, in the snare
Of passion had been caught, and henceforth doomed
In misty crystal here to lie entombed.
Deep, smoldering colors of the land and sea
Burn in these stones that, by some mystery,
Hold fire in a deep sleep and are never consumed.
The scarlet of dawn, sunset glowing half spent
In thick white clouds; pale moons that may have given
Light to love's sorrow; rose-tinted snows,
And veins of gold that no mine’s depth ever darkened;
All these, along with the green of thin-edged waves, are present.
I feel a tide of emotion flowing through them
With blush and pale tones, as if some being of air—
Some once-human soul—caught in the trap
Of passion, has been caught, and is henceforth doomed
To lie entombed in misty crystal here.
And so it is, indeed. Here prisoned sleep
The ardors and the moods and all the pain
That once within a man's heart throbbed. He gave
These opals to the woman whom he loved;
And now, like glinting sunbeams through the rain,
The rays of thought that through his spirit moved
Leap out from these mysterious forms again.
And so it is, really. Here, trapped in sleep
Are the passions, feelings, and all the pain
That once throbbed in a man's heart. He gave
These opals to the woman he loved;
And now, like shining sunbeams through the rain,
The thoughts that flowed through his spirit
Shine out from these mysterious shapes once more.
The colors of the jewels laugh and weep
As with his very voice. In them the wave
Of sorrow and joy that, with a changing sweep,
Bore him to misery or else made him blest
Still surges in melodious, wild unrest.
So when each gem in place I touch and take,
It murmurs what he thought or what he spake.
The colors of the jewels laugh and cry
Just like his voice. In them the ebb
Of sadness and happiness that, with a shifting flow,
Carried him to despair or lifted him up,
Still surges in a beautiful, chaotic unrest.
So when I touch and pick up each gem,
It whispers what he thought or what he said.
FIRST OPAL
My heart is like an opal
Made to lie upon your breast
In dreams of ardor, clouded o'er
By endless joy's unrest.
My heart is like an opal
Meant to rest against your chest
In passionate dreams, clouded over
By endless joy's unease.
And forever it shall haunt you
With its mystic, changing ray:
Its light shall live when we lie dead,
With hearts at the heart of day!
And it will haunt you forever
With its mysterious, shifting glow:
Its light will shine when we're gone,
With hearts at the core of day!
SECOND OPAL
If, from a careless hold,
One gem of these should fall,
No power of art or gold
Its wholeness could recall:
The lustrous wonder dies
In gleams of irised rain,
As light fades out from the eyes
When a soul is crushed by pain.
Take heed that from your hold
My love you do not cast:
Dim, shattered, vapor-cold—
That day would be its last.
If, by careless hands,
One of these gems should drop,
No skill or wealth
Could bring it back to whole:
The brilliant beauty fades
In flashes of colorful rain,
As light disappears from the eyes
When a soul is weighed down by pain.
Be careful not to let go
Of my love from your grasp:
Dull, broken, cold as mist—
That day would be its end.
II
THIRD OPAL
He won her love; and so this opal sings
With all its tints in maze, that seem to quake
And leap in light, as if its heart would break:
He won her love; and so this opal sings
With all its colors in a swirl, that seem to tremble
And jump in light, as if its heart would break:
Gleam of the sea,
Translucent air,
Where every leaf alive with glee
Glows in the sun without shadow of grief—
You speak of spring,
When earth takes wing
And sunlight, sunlight is everywhere!
Radiant life,
Face so fair—
Crowned with the gracious glory of wife—
Your glance lights all this happy day,
Your tender glow
And murmurs low
Make miracle, miracle, everywhere.
Gleam of the sea,
Clear air,
Where every leaf is full of joy
Shines in the sun without a trace of sorrow—
You talk about spring,
When the earth comes alive
And sunlight, sunlight is everywhere!
Bright life,
Face so lovely—
Crowned with the beautiful glory of being a wife—
Your gaze lights up this joyful day,
Your gentle warmth
And soft whispers
Create magic, magic, everywhere.
Earth takes wing
With birds—do I care
Whether of sorrow or joy they sing?
No; for they make not my life nor destroy!
My soul awakes
At a smile that breaks
In sun; and sunlight is everywhere!
Earth takes flight
With birds—do I care
Whether they sing of sorrow or happiness?
No; for they neither shape my life nor end it!
My soul awakens
At a smile that appears
In sunlight; and sunshine is everywhere!
III
Then dawned a mood of musing thoughtfulness;
As if he doubted whether he could bless
Her wayward spirit, through each fickle hour,
With love's serenity of flawless power,
Or she remain a vision, as when first
She came to soothe his fancy all athirst.
Then came a wave of deep reflection;
It was as if he questioned whether he could bring
Her restless spirit, through every changing moment,
The calm strength of pure love,
Or if she would stay just a dream, like when she first
Appeared to calm his longing thoughts.
FOURTH OPAL
We were alone: the perfumed night,
Moonlighted, like a flower
Grew round us and exhaled delight
To bless that one sweet hour.
We were alone: the fragrant night,
Bathed in moonlight, like a flower
Surrounded us and shared its joy
To bless that one sweet hour.
You stood where, 'mid the white and gold,
The rose-fire through the gloom
Touched hair and cheek and garment's fold
With soft, ethereal bloom.
You stood where, amidst the white and gold,
The rose-light through the darkness
Lit up your hair and cheek and the fold of your garment
With a gentle, otherworldly glow.
And when the vision seemed to swerve,
'T was but the flickering shine
That gave new grace, a lovelier curve,
To every dream-like line.
And when the vision appeared to shift,
it was just the flickering light
that added new elegance, a prettier curve,
to every dream-like line.
O perfect vision! Form and face
Of womanhood complete!
O rare ideal to embrace
And hold, from head to feet!
O perfect vision! Form and face
Of womanhood complete!
O rare ideal to embrace
And hold, from head to feet!
Could I so hold you ever—could
Your eye still catch the glow
Of mine—it were an endless good:
Together we should grow
Could I keep you with me forever—could
Your gaze still meet the light
Of mine—it would be endlessly good:
Together we would grow
One perfect picture of our love!...
Alas, the embers old
Fell, and the moonlight fell, above—
Dim, shattered, vapor-cold.
One perfect image of our love!...
Unfortunately, the old embers
Fell, and the moonlight fell above—
Faint, broken, mist-cold.
IV
What ill befell these lovers? Shall I say?
What tragedy of petty care and sorrow?
Ye all know, who have lived and loved: if nay,
Then those will know who live and love
tomorrow.
But here at least is what this opal said,
The fifth in number: and the next two bore
My fancy toward that dim world of the dead,
Where waiting spirits muse the past life
o'er:
What misfortune happened to these lovers? Should I say?
What tragedy of small worries and sadness?
You all know, if you've lived and loved: if not,
Then those will understand who live and love
tomorrow.
But here at least is what this opal said,
The fifth in number: and the next two inspired
My thoughts toward that shadowy realm of the dead,
Where waiting spirits reflect on the past life
once more:
FIFTH OPAL
I dreamed my kisses on your hair
Turned into roses. Circling bloom
Crowned the loose-lifted tresses there.
"O Love," I cried, "forever
Dwell wreathed, and perfume-haunted
By my heart's deep honey-breath!"
But even as I bending looked, I saw
The roses were not; and, instead, there lay
Pale, feathered flakes and scentless
Ashes upon your hair!
I dreamed my kisses in your hair
Turned into roses. A blooming circle
Crowned the loose, lifted strands there.
"Oh Love," I cried, "always
Stay wrapped in this, haunted by scents
From the deep sweetness of my heart!"
But just as I leaned in, I saw
The roses were gone; and instead, there lay
Pale, feathery flakes and scentless
Ashes on your hair!
SIXTH OPAL
The love I gave, the love I gave,
Wherewith I sought to win you—
Ah, long and close to you it clave
With life and soul and sinew!
My gentleness with scorn you cursed:
You knew not what I gave.
The strongest man may die of thirst:
My love is in its grave!
The love I gave, the love I gave,
With it, I tried to win you—
Ah, it stuck to you for so long,
With all my heart and strength!
You cursed my kindness with contempt:
You didn't know what I offered.
The toughest guy can die from thirst:
My love is now buried!
SEVENTH OPAL
You say these jewels were accurst—
With evil omen fraught.
You should have known it from the first!
This was the truth they taught:
You say these jewels are cursed—
Full of bad luck.
You should have realized that from the start!
This was the lesson they taught:
No treasured thing in heaven or earth
Holds potency more weird
Than our hearts hold, that throb from birth
With wavering flames insphered.
No cherished thing in heaven or on earth
Has a stranger power
Than our hearts possess, which pulse from birth
With flickering flames contained.
And when from me the gems you took,
On that strange April day,
My nature, too, I gave, that shook
With passion's fateful play.
And when you took the gems from me,
On that weird April day,
I also gave my heart, which shook
With passion's intense display.
The mingled fate my love should give
In these mute emblems shone,
That more intensely burn and live—
While I am turned to stone.
The mixed fate my love should offer
In these silent symbols shone,
That burn and live more intensely—
While I am turned to stone.
V
Listen now to what is said
By the eighth opal, flashing red
And pale, by turns, with every breath—
The voice of the lover after death.
Listen now to what is said
By the eighth opal, flashing red
And pale, changing with every breath—
The voice of the lover after death.
EIGHTH OPAL
I did not know before
That we dead could rise and walk;
That our voices, as of yore,
Would blend in gentle talk.
I didn’t know before
That we who are dead could rise and walk;
That our voices, like before,
Would come together in gentle conversation.
I did not know her eyes
Would so haunt mine after death,
Or that she could hear my sighs,
Low as the harp-string's breath.
I had no idea her eyes
Would haunt me so after she was gone,
Or that she could hear my sighs,
Soft as the breath of a harp string.
But, ah, last night we met!
From our stilly trance we rose,
Thrilled with all the old regret—
The grieving that God knows.
But, oh, last night we met!
From our quiet trance we rose,
Excited by all the old regret—
The sorrow that only God knows.
She asked: "Am I forgiven?"—
"And dost thou forgive?" I said,
Ah! how long for joy we'd striven!
But now our hearts were dead.
She asked, "Am I forgiven?"—
"And do you forgive?" I said,
Ah! how long we had fought for joy!
But now our hearts were empty.
Alas, for the lips I kissed
And the sweet hope, long ago!
On her grave chill hangs the mist;
On mine, white lies the snow.
Alas, for the lips I kissed
And the sweet hope, long ago!
A chill mist hangs over her grave;
On mine, white snow lies still.
VI
Hearkening still, I hear this strain
From the ninth opal's varied vein:
Listening closely, I hear this tune
From the ninth opal's diverse source:
NINTH OPAL
In the mountains of Mexico,
Where the barren volcanoes throw
Their fierce peaks high to the sky,
With the strength of a tawny brute
That sees heaven but to defy,
And the soft, white hand of the snow
Touches and makes them mute,—
In the mountains of Mexico,
Where the dry volcanoes rise
Their rugged peaks up to the sky,
With the power of a wild beast
That gazes at heaven just to challenge,
And the gentle, white hand of the snow
Touches them and makes them quiet,—
Firm in the clasp of the ground
The opal is found.
By the struggle of frost and fire
Created, yet caught in a spell
From which only human desire
Can free it, what passion profound
In its dim, sweet bosom may dwell!
Firm in the grip of the earth
The opal is found.
Through the clash of frost and fire
Made, yet trapped in a spell
From which only human desire
Can release it, what profound passion
In its dim, sweet heart may dwell!
So was it with us, I think,
Whose souls were formed on the brink
Of a crater, where rain and flame
Had mingled and crystallized.
One venturous day Love came;
Found us; and bound with a link
Of gold the jewels he prized.
So it was with us, I think,
Whose souls were shaped at the edge
Of a crater, where rain and fire
Had mixed and solidified.
One daring day Love arrived;
Found us; and tied us together
With a link of gold, the treasures he valued.
The agonies old of the earth,
Its plenitude and its dearth,
The torrents of flame and of tears,
All these in our souls were inborn.
And we must endure through the years
The glory and burden of birth
That filled us with fire of the morn.
The struggles of the world,
Its plenty and its scarcity,
The floods of fire and tears,
All of this was born in our souls.
And we have to endure through the years
The glory and weight of existence
That filled us with the morning's fire.
Let the diamond lie in its mine;
Let ruby and topaz shine;
The beryl sleep, and the emerald keep
Its sunned-leaf green! We know
The joy of sufferings deep
That blend with a love divine,
And the hidden warmth of the snow!
Let the diamond stay in its mine;
Let the ruby and topaz shine;
The beryl rest, and the emerald stay
Its sunlit green! We understand
The joy of deep suffering
That mixes with a love divine,
And the hidden warmth of the snow!
TENTH OPAL
Colors that tremble and perish,
Atoms that follow the law,
You mirror the truth which we cherish,
You mirror the spirit we saw.
Glow of the daybreak tender,
Flushed with an opaline gleam,
And passionate sunset-splendor—
Ye both but embody a dream.
Visions of cloud-hidden glory
Breaking from sources of light
Mimic the mist of life's story.
Mingled of scarlet and white.
Sunset-clouds iridescent,
Opals, and mists of the day,
Are thrilled alike with the crescent
Delight of a deathless ray
Shot through the hesitant trouble
Of particles floating in space,
And touching each wandering bubble
With tints of a rainbowed grace.
So through the veil of emotion
Trembles the light of the truth;
And so may the light of devotion
Glorify life—age and youth.
Sufferings,—pangs that seem cruel,—
These are but atoms adrift:
The light streams through, and a jewel
Is formed for us, Heaven's own gift!
Colors that shake and fade,
Atoms that adhere to the rules,
You reflect the truth that we hold dear,
You reflect the spirit we recognize.
Soft glow of dawn,
Tinted with an iridescent shine,
And the vibrant beauty of sunset—
You both are just embodiments of a dream.
Images of hidden glory,
Emerging from sources of light
Imitate the haze of life’s narrative.
Blended of red and white.
Sunset clouds shimmering,
Opals, and the mist of the day,
Are equally filled with the crescent
Joy of an everlasting ray
Piercing through the reluctant turmoil
Of particles drifting in space,
And touching each wandering bubble
With shades of a rainbowed elegance.
So through the veil of emotion
Quivers the light of the truth;
And so may the light of devotion
Beautify life—both young and old.
Sufferings,—pains that feel harsh,—
These are just atoms that wander:
The light flows through, and a gem
Is created for us, Heaven’s own gift!
LOVE THAT LIVES
Dear face—bright, glinting hair;
Dear life, whose heart is mine—
The thought of you is prayer,
The love of you divine.
Dear face—bright, shining hair;
Dear life, whose heart is mine—
Thinking of you is like a prayer,
Loving you is divine.
In starlight, or in rain;
In the sunset's shrouded glow;
Ever, with joy or pain,
To you my quick thoughts go
In starlight or in rain;
In the sunset's hidden glow;
Always, with joy or pain,
To you my swift thoughts go
Like winds or clouds, that fleet
Across the hungry space
Between, and find you, sweet,
Where life again wins grace.
Like winds or clouds that quickly
Move across the empty space
Between, and find you, lovely,
Where life finds its grace again.
Now, as in that once young
Year that so softly drew
My heart to where it clung,
I long for, gladden in you.
Now, just like in that once youthful
year that gently pulled
my heart to where it held on,
I yearn for, find joy in you.
And when in the silent hours
I whisper your sacred name,
Like an altar-fire it showers
My blood with fragrant flame!
And when in the quiet hours
I softly say your sacred name,
Like a holy fire it showers
My soul with fragrant flame!
Perished is all that grieves;
And lo, our old-new joys
Are gathered as in sheaves,
Held in love's equipoise.
All that causes us pain is gone;
And look, our familiar joys
Are collected like bundles,
Balanced in love's stability.
Ours is the love that lives;
Its springtime blossoms blow
'Mid the fruit that autumn gives,
And its life outlasts the snow.
Ours is a love that thrives;
Its spring flowers bloom
Among the harvest that autumn provides,
And its life endures beyond the snow.
IV
BLUEBIRD'S GREETING
Over the mossy walls,
Above the slumbering fields
Where yet the ground no fruitage yields,
Save as the sunlight falls
In dreams of harvest-yellow,
What voice remembered calls,—
So bubbling fresh, so soft and mellow?
Over the mossy walls,
Above the sleeping fields
Where the ground still doesn’t produce any crops,
Unless the sunlight shines
In dreams of harvest-golden,
What remembered voice calls,—
So cheerful, fresh, and soft?
A darting, azure-feathered arrow
From some lithe sapling's bow-curve, fleet
The bluebird, springing light and narrow,
Sings in flight, with gurglings sweet:
A quick, blue-feathered arrow
From some flexible tree's bow, fast
The bluebird, soaring light and slim,
Sings in the air, with sweet gurgles:
"Out of the South I wing,
Blown on the breath of Spring:
The little faltering song
That in my beak I bring
Some maiden shall catch and sing,
Filling it with the longing
And the blithe, unfettered thronging
Of her spirit's blossoming.
"From the South I fly,
Carried by the breath of Spring:
The small, hesitant song
That I carry in my beak
A young woman will catch and sing,
Filling it with her longing
And the cheerful, unbound gathering
Of her spirit's blooming."
"Warbling along
In the sunny weather,
Float, my notes,
Through the sunny motes,
Falling light as a feather!
Flit, flit, o'er the fertile land
'Mid hovering insects' hums;
Fall into the sower's hand:
Then, when his harvest comes,
The seed and the song shall have flowered together.
"Warbling along
In the sunny weather,
Float, my notes,
Through the sunny motes,
Falling light as a feather!
Flit, flit, over the fertile land
Among buzzing insects' hums;
Fall into the sower's hand:
Then, when his harvest comes,
The seed and the song will have bloomed together."
"From the Coosa and Altamaha,
With a thought of the dim blue Gulf;
From the Roanoke and Kanawha;
From the musical Southern rivers,
O'er the land where the fierce war-wolf
Lies slain and buried in flowers;
I come to your chill, sad hours
And the woods where the sunlight shivers.
I come like an echo: 'Awake!'
I answer the sky and the lake
And the clear, cool color that quivers
In all your azure rills.
I come to your wan, bleak hills
For a greeting that rises dearer,
To homely hearts draws me nearer
Than the warmth of the rice-fields or wealth of the ranches.
"From the Coosa and Altamaha,
With a thought of the deep blue Gulf;
From the Roanoke and Kanawha;
From the lively Southern rivers,
Over the land where the fierce war-wolf
Lies killed and buried in flowers;
I come to your cold, sad hours
And the woods where the sunlight flickers.
I come like an echo: 'Wake up!'
I answer the sky and the lake
And the clear, cool colors that shimmer
In all your blue streams.
I come to your pale, bleak hills
For a greeting that feels more precious,
To humble hearts draws me closer
Than the warmth of the rice-fields or the wealth of the ranches."
"I will charm away your sorrow,
For I sing of the dewy morrow:
My melody sways like the branches
My light feet set astir:
I bring to the old, as I hover,
The days and the joys that were,
And hope to the waiting lover!
Then, take my note and sing,
Filling it with the longing
And the blithe, unfettered thronging
Of your spirit's blossoming!"
"I'll chase away your sadness,
Because I sing of the fresh morning:
My tune sways like the branches
My quick feet set in motion:
I bring to the old, as I float,
The days and the joys that used to be,
And hope to the waiting lover!
So, take my note and sing,
Filling it with your yearning
And the joyful, unconfined gathering
Of your spirit's blooming!"
Not long that music lingers:
Like the breath of forgotten singers
It flies,—or like the March-cloud's shadow
That sweeps with its wing the faded meadow
Not long! And yet thy fleeting,
Thy tender, flute-toned greeting,
O bluebird, wakes an answer that remains
The purest chord in all the year's refrains.
Not long does that music stick around:
Like the breath of forgotten singers
It flies— or like the shadow of a March cloud
That sweeps its wing over the faded meadow
Not long! And yet your fleeting,
Your gentle, flute-like greeting,
O bluebird, brings forth a response that stays
The purest note in all the year’s melodies.
THE VOICE OF THE VOID
I warn, like the one drop of rain
On your face, ere the storm;
Or tremble in whispered refrain
With your blood, beating warm.
I am the presence that ever
Baffles your touch's endeavor,—
Gone like the glimmer of dust
Dispersed by a gust.
I am the absence that taunts you,
The fancy that haunts you;
The ever unsatisfied guess
That, questioning emptiness,
Wins a sigh for reply.
Nay; nothing am I,
But the flight of a breath—
For I am Death!
I warn you, like the one drop of rain
On your face before the storm;
Or shake in a whispered refrain
With your warm, beating blood.
I am the presence that always
Confuses your attempts to touch me,—
Gone like the glimmer of dust
Blown away by a gust.
I am the absence that teases you,
The thought that haunts you;
The never-satisfied question
That, probing emptiness,
Gets a sigh in response.
No; I am nothing,
Just the breath’s departure—
For I am Death!
"O WHOLESOME DEATH"
O wholesome Death, thy sombre funeral-car
Looms ever dimly on the lengthening way
Of life; while, lengthening still, in sad
array,
My deeds in long procession go, that are
As mourners of the man they helped to mar.
I see it all in dreams, such as waylay
The wandering fancy when the solid day
Has fallen in smoldering ruins, and night's star,
Aloft there, with its steady point of light
Mastering the eye, has wrapped the brain in
sleep.
Ah, when I die, and planets hold their flight
Above my grave, still let my spirit keep
Sometimes its vigil of divine remorse,
'Midst pity, praise, or blame heaped o'er my corse!
O wholesome Death, your gloomy funeral car
Always looms faintly on the ever-expanding path
Of life; while, still growing, in sorrowful
Array,
My actions march in a long procession, like
Mourning figures for the man they helped to ruin.
I see it all in dreams that catch
The wandering imagination when the solid day
Has crumbled into ashes, and night's star,
Up there, with its steady point of light
Captivates the eye, wrapping the mind in
Sleep.
Ah, when I die, and planets continue their orbit
Above my grave, may my spirit still
Occasionally keep its vigil of divine regret,
Among the pity, praise, or blame heaped upon my body!
INCANTATION
When the leaves, by thousands thinned,
A thousand times have whirled in the wind,
And the moon, with hollow cheek,
Staring from her hollow height,
Consolation seems to seek
From the dim, reechoing night;
And the fog-streaks dead and white
Lie like ghosts of lost delight
O'er highest earth and lowest sky;
Then, Autumn, work thy witchery!
When the leaves, thinned out by the thousands,
Have swirled a thousand times in the wind,
And the moon, with its hollow cheeks,
Looks down from its empty height,
Seems to search for comfort
From the dim, echoing night;
And the dead, white fog streaks
Lie like ghosts of lost joy
Over the highest ground and the lowest sky;
Then, Autumn, work your magic!
Strew the ground with poppy-seeds,
And let my bed be hung with weeds,
Growing gaunt and rank and tall,
Drooping o'er me like a pall.
Send thy stealthy, white-eyed mist
Across my brow to turn and twist
Fold on fold, and leave me blind
To all save visions in the mind.
Then, in the depth of rain-fed streams
I shall slumber, and in dreams
Slide through some long glen that burns
With a crust of blood-red ferns
And brown-withered wings of brake
Like a burning lava-lake;—
So, urged to fearful, faster flow
By the awful gasp, "Hahk! hahk!" of the crow,
Shall pass by many a haunted rood
Of the nutty, odorous wood;
Or, where the hemlocks lean and loom,
Shall fill my heart with bitter gloom;
Till, lured by light, reflected cloud,
I burst aloft my watery shroud,
And upward through the ether sail
Far above the shrill wind's wail;—
But, falling thence, my soul involve
With the dust dead flowers dissolve;
And, gliding out at last to sea,
Lulled to a long tranquillity,
The perfect poise of seasons keep
With the tides that rest at neap.
So must be fulfilled the rite
That giveth me the dead year's might;
And at dawn I shall arise
A spirit, though with human eyes,
A human form and human face;
And where'er I go or stay,
There the summer's perished grace
Shall be with me, night and day.
Scatter poppy seeds on the ground,
And let my bed be covered with weeds,
Growing thin and wild and tall,
Hanging over me like a shroud.
Send your stealthy, white-eyed mist
Across my forehead to twist and turn
Fold upon fold, leaving me blind
To everything but visions in my mind.
Then, in the depths of rain-fed streams,
I will sleep, and in dreams
Glide through some long valley that glows
With a crust of bloody ferns
And brown, withered wings of bracken
Like a burning lake of lava;—
So, driven to a fearful, faster flow
By the dreadful gasp, "Hahk! hahk!" of the crow,
I will pass by many a haunted patch
Of the nutty, fragrant woods;
Or, where the hemlocks lean and loom,
My heart will fill with bitter gloom;
Until, lured by light, reflected clouds,
I burst free from my watery shroud,
And rise up through the atmosphere
Far above the wind's sharp wail;—
But, falling back, my soul will blend
With the dust where dead flowers descend;
And, gliding out at last to sea,
Soothed into a long tranquility,
Keeping the perfect balance of seasons
With the tides that rest at neap.
This is how the rite must be fulfilled
That grants me the power of the dead year;
And at dawn I will rise
A spirit, though with human eyes,
A human form and human face;
And wherever I go or stay,
There the summer's faded grace
Will be with me, night and day.
FAMINE AND HARVEST
The strong and the tender,
The young and the old,
Unto Death we must render;—
Our silver, our gold.
The strong and the gentle,
The young and the old,
To Death we must surrender;—
Our silver, our gold.
To break their long sleeping
No voice may avail:
They hear not our weeping—
Our famished love's wail.
To break their long sleep
No voice can help:
They don’t hear our crying—
Our hungry love’s cry.
Yea, those whom we cherish
Depart, day by day.
Soon we, too, shall perish
And crumble to clay.
Yeah, those we love
Leave us, day by day.
Soon we, too, will fade away
And turn to dust.
And the vine and the berry
Above us will bloom;
The wind shall make merry
While we lie in gloom.
And the vine and the berry
Above us will bloom;
The wind will cheer us up
While we lie in sadness.
Fear not! Though thou starvest,
Provision is made:
God gathers His harvest
When our hopes fade!
Fear not! Though you are starving,
Provision is made:
God gathers His harvest
When our hopes fade!
THE CHILD'S WISH GRANTED
Do you remember, my sweet, absent son,
How in the soft June days forever done
You loved the heavens so warm and clear and high;
And when I lifted you, soft came your cry,—
"Put me 'way up—'way, 'way up in blue sky"?
Do you remember, my sweet, missing son,
How in the gentle June days long gone
You loved the skies so warm and clear and high;
And when I picked you up, your soft cry came,—
"Put me way up—way, way up in the blue sky"?
I laughed and said I could not;—set you down,
Your gray eyes wonder-filled beneath that crown
Of bright hair gladdening me as you raced by.
Another Father now, more strong than I,
Has borne you voiceless to your dear blue sky.
I laughed and said I couldn't;—set you down,
Your gray eyes full of wonder beneath that crown
Of bright hair that made me happy as you raced by.
Another Father now, stronger than I,
Has taken you silently to your cherished blue sky.
THE FLOWN SOUL
FEBRUARY 6, 1881
Come not again! I dwell with you
Above the realm of frost and dew,
Of pain and fire, and growth to death.
I dwell with you where never breath
Is drawn, but fragrance vital flows
From life to life, even as a rose
Unseen pours sweetness through each vein
And from the air distills again.
You are my rose unseen; we live
Where each to other joy may give
In ways untold, by means unknown
And secret as the magnet-stone.
Come not again! I live with you
Above the realm of frost and dew,
Of pain and fire, and growth to death.
I live with you where no breath
Is taken, but vital fragrance flows
From life to life, just like a rose
Hidden, releasing sweetness through each vein
And from the air distilling again.
You are my hidden rose; we exist
Where each can bring joy to the other
In untold ways, by unknown means
And as secretive as the magnet stone.
For which of us, indeed, is dead?
No more I lean to kiss your head—
The gold-red hair so thick upon it;
Joy feels no more the touch that won it
When o'er my brow your pearl-cool palm
In tenderness so childish, calm,
Crept softly, once. Yet, see, my arm
Is strong, and still my blood runs warm.
I still can work, and think and weep.
But all this show of life I keep
Is but the shadow of your shine,
Flicker of your fire, husk of your vine;
For which of us, really, is dead?
I no longer lean in to kiss your head—
The thick gold-red hair on it;
Joy no longer feels the touch that made it
When your cool palm, like a pearl,
Gently crept over my brow, so calm and pure,
Once. Yet, look, my arm
Is strong, and my blood still runs warm.
I can still work, think, and cry.
But all this life I show
Is just the shadow of your light,
A flicker of your fire, the husk of your vine;
Therefore, you are not dead, nor I
Therefore, you’re not dead, and neither am I.
Who hear your laughter's minstrelsy.
Among the stars your feet are set;
Your little feet are dancing yet
Their rhythmic beat, as when on earth.
So swift, so slight are death and birth!
Who hears the music of your laughter?
Among the stars, your feet are planted;
Your tiny feet are still dancing
To their rhythmic beat, just like on earth.
Death and birth are so quick, so subtle!
Come not again, dear child. If thou
By any chance couldst break that vow
Of silence at thy last hour made;
If to this grim life unafraid
Thou couldst return, and melt the frost
Wherein thy bright limbs' power was lost;
Still would I whisper—since so fair
This silent comradeship we share—
Yes, whisper 'mid the unbidden rain
Of tears: "Come not, come not again!"
Come not again, dear child. If you
By any chance could break that vow
Of silence you made at your last hour;
If you could return to this grim life,
Unafraid, and melt the frost
Where your bright limbs' power was lost;
Still would I whisper—since this silent
Companionship we share is so beautiful—
Yes, whisper amid the unbidden rain
Of tears: "Come not, come not again!"
SUNSET AND SHORE
Birds that like vanishing visions go winging,
White, white in the flame of the sunset's
burning,
Fly with the wild spray the billows are flinging,
Blend, blend with the nightfall, and fade,
unreturning!
Birds that love disappearing dreams take to the skies,
White, white in the glow of the sunset's
fire,
Fly with the wild spray the waves are throwing,
Blend, blend with the nightfall, and fade,
never returning!
Fire of the heaven, whose splendor all-glowing
Soon, soon shall end, and in darkness must
perish;
Sea-bird and flame-wreath and foam lightly
blowing;—
Soon, soon tho' we lose you, your beauty we
cherish.
Fire from the heavens, whose bright glow
Will soon fade away, and into darkness must
vanish;
Sea-bird and flame-wreath and softly
blowing foam;—
Soon, soon though we lose you, your beauty we
will hold dear.
Visions may vanish, the sweetest, the dearest;
Hush'd, hush'd be the voice of love's echo
replying;
Spirits may leave us that clung to us nearest:—
Love, love, only love dwells with us undying!
Visions may fade, the sweetest, the closest;
Quiet, quiet be the voice of love's echo
answering;
Spirits may depart that held on to us tight:—
Love, love, only love remains with us forever!
THE PHOEBE-BIRD
Yes, I was wrong about the phoebe-bird.
Two songs it has, and both of them I've heard:
I did not know those strains of joy and sorrow
Came from one throat, or that each note could borrow
Strength from the other, making one more brave
And one as sad as rain-drops on a grave.
Yes, I was mistaken about the phoebe bird.
It has two songs, and I've heard both of them:
I didn't realize those sounds of joy and sorrow
Came from the same voice, or that each note could draw
Strength from the other, making one more bold
And one as sad as raindrops on a grave.
But thus it is. Two songs have men and maidens:
One is for hey-day, one is sorrow's cadence.
Our voices vary with the changing seasons
Of life's long year, for deep and natural reasons.
Therefore despair not. Think not you have altered,
If, at some time, the gayer note has faltered.
We are as God has made us. Gladness, pain,
Delight and death, and moods of bliss or bane,
With love and hate, or good and evil—all,
At separate times, in separate accents call;
Yet 't is the same heart-throb within the breast
That gives an impulse to our worst and best.
I doubt not when our earthly cries are ended,
The Listener finds them in one music blended.
But that's how it is. There are two songs for men and women:
One is for joyful times, one is for sorrow.
Our voices change with the seasons
Of life's long year, for deep and natural reasons.
So don't despair. Don't think you've changed,
If, at times, the happier tone has wavered.
We are as God made us. Happiness, pain,
Joy and death, and moods of bliss or strife,
With love and hate, or good and evil—each,
At different times, in different tones call;
Yet it's the same heartbeat in our chest
That fuels our worst and best.
I have no doubt when our earthly cries are over,
The Listener combines them into one music.
A STRONG CITY
For them that hope in Thee.... Thou shalt
hide
them in the secret of Thy face, from the disturbance of men.
For those who hope in You... You will hide
them in the shelter of Your presence, away from the trouble of people.
Thou shalt protect them in Thy tabernacle from
the
contradiction of tongues.
You will protect them in Your shelter from the
contradiction of voices.
Blessed be the Lord, for He hath shewn His
wonderful
mercy to me in a fortified city.—Psalm xxx.
Blessed be the Lord, for He has shown His
wonderful mercy to me in a fortified city.—Psalm xxx.
Beauty and splendor were on every hand:
Yet strangely crawled dark shadows down the lanes,
Twisting across the fields, like dragon-shapes
That smote the air with blackness, and devoured
The life of light, and choked the smiling world
Till it grew livid with a sudden age—
The death of hope.
Beauty and splendor surrounded us:
Yet oddly, dark shadows crept down the paths,
Twisting across the fields like dragon shapes
That struck the air with darkness and consumed
The life of light, choking the happy world
Until it turned pale with an unexpected age—
The death of hope.
O squandered happiness;
Vain dust of misery powdering life's fresh flower!
The sky was holy, but the earth was not.
O wasted happiness;
Useless dust of misery covering life's fresh bloom!
The sky was sacred, but the earth was not.
Men ruled, but ruled in vain; since
wretchedness
Of soul and body, for the mass of men,
Made them like dead leaves in an idle drift
Around the plough of progress as it drove
Sharp through the glebe of modern days, to plant
A civilized world. Ay; civilized—but not Christian!
Men were in charge, but they did so in vain; because
the misery
of spirit and body, for most people,
left them like dead leaves blown idly
around the plow of progress as it cut
deep through the soil of modern times, to plant
a civilized world. Yes; civilized—but not Christian!
Civilization is a clarion voice
Crying in the wilderness; a prophet-word
Still unfulfilled. And lo, along the ways
Crowded with nations, there arose a strife;
Disturbance of men; tongues contradicting tongues;
Madness of noise, that scattered multitudes;
A trample of blind feet, beneath whose tread
Truth's bloom shrank withered; while incessant mouths
Howled "Progress! Change!"—as though all moods of
change
Were fiats of truth eternal.
Civilization is a loud voice
Shouting in the wilderness; a prophetic word
Still waiting to be realized. And look, along the paths
Filled with nations, conflict arose;
A disturbance among people; languages clashing;
A chaotic noise that scattered crowds;
A stampede of blind feet, under which
The truth withered away; while endless mouths
Yelled "Progress! Change!"—as if all forms of
change
Were declarations of eternal truth.
'Mid the din
Two pilgrims, faring forward, saw the light
In a strong city, fortified, and moved
Patiently thither. "All your steps are vain,"
Cried scoffers. "There is mercy in the world;
But chiefly mercy of man to man. For we
Are good. We help our fellows, when we can.
Our charity is enormous. Look at these
Long rolls of rich subscriptions. We are good.
'T is true, God's mercy plays a part in things;
But most is left to us; and we judge well.
Stay with us in the field of endless war!
Here only is health. Yon city fortified
You dream of—why, its ramparts are as dust.
It gives no safety. One assaulting sweep
Of our huge cohorts would annul its power—
Crush it in atoms; make it meaningless."
Amid the noise
Two travelers, moving forward, saw the light
In a strong city, protected, and made their way
Patiently there. "All your efforts are pointless,"
Shouted skeptics. "There is kindness in the world;
But mostly kindness from one person to another. Because we
Are good. We help those around us when we can.
Our generosity is immense. Look at these
Long lists of hefty donations. We are good.
It's true, God's kindness plays a role in things;
But most is left to us, and we judge wisely.
Stay with us in the field of endless conflict!
Here only is health. That fortified city
You dream of—its walls are like dust.
It offers no safety. One attacking wave
Of our massive forces would destroy its power—
Shatter it into pieces; make it meaningless."
The pilgrims listened; but onward still they moved.
They passed the gates; they stood upon a hill
Enclosed, but in that strong enclosure free!
Though earth opposed, they held the key to heaven.
On came the turbulent multitude in war,
Dashing against the city's walls; and swept
Through all the streets, and robbed and burned and
killed.
The walls were strong; the gates were always open.
And so the invader rioted, and was proud.
But sudden, in seeming triumph, the enemy host
Was stricken with death; and still the city stayed.
Skyward the souls of its defenders rose,
Returning soon in mist intangible
That flashed with radiance of half-hidden swords;
And those who still assaulted—though they crept
Into the inmost vantage-points, with craft—
Fell, blasted namelessly by this veiled flash,
Even as they shouted out, "The place is ours!"
The pilgrims listened, but they kept moving forward.
They passed through the gates and stood on a hill
That was surrounded, but in that strong enclosure, they felt free!
Even though the earth fought against them, they held the key to heaven.
The restless crowd came in waves, bringing war,
Crashing against the city’s walls; they swept
Through all the streets, robbing, burning, and killing.
The walls were strong, but the gates were always open.
So the invaders wreaked havoc and felt triumphant.
But suddenly, in what seemed like triumph, the enemy force
Was struck down by death; yet the city remained.
The souls of its defenders rose to the sky,
Soon to return in intangible mist
That glimmered with the light of half-hidden swords;
And those who continued to attack—though they sneaked
Into the most hidden spots, using tricks—
Fell, blasted into nothingness by this hidden light,
Even as they shouted, "The place is ours!"
So those two pilgrims dwelt there, fortified
In that strong city men had thought so frail.
They died, and lived again. Fiercest attack
Was as a perfumed breeze to them, which drew
Their souls still closer unto God. And there
Beauty and splendor bloomed untouched. The stars
Spoke to them, bidding them be of good cheer,
Though hostile hordes rushed over them in blood.
And still the prayers of all that people rose
As incense mingled with music of their hearts.
For Christ was with them: angels were their aid.
What though the enemy used their open gates?
The children of the citadel conquered all
Their conquerors, smiting them with the pure light
That shone in that strong city fortified.
So those two pilgrims lived there, strengthened
In that strong city people had thought so weak.
They died and came back to life. The fiercest attack
Was like a gentle breeze to them, which brought
Their souls even closer to God. And there
Beauty and splendor thrived untouched. The stars
Spoke to them, encouraging them to stay positive,
Even though enemy hordes overwhelmed them in blood.
Still, the prayers of all those people rose
Like incense mixed with the music of their hearts.
Because Christ was with them: angels were their helpers.
So what if the enemy used their open gates?
The children of the citadel overcame all
Their conquerors, striking them with the pure light
That shone in that strong, fortified city.
THREE DOVES
Seaward, at morn, my doves flew free;
At eve they circled back to me.
The first was Faith; the second, Hope;
The third—the whitest—Charity.
Seaward, in the morning, my doves flew freely;
In the evening, they circled back to me.
The first was Faith; the second, Hope;
The third—the purest—Charity.
Above the plunging surge's play
Dream-like they hovered, day by day.
At last they turned, and bore to me
Green signs of peace thro' nightfall gray.
Above the crashing waves' dance
They floated like a dream, day after day.
Finally, they turned and brought to me
Green signs of peace through the evening gray.
No shore forlorn, no loveliest land
Their gentle eyes had left unscanned,
'Mid hues of twilight-heliotrope
Or daybreak fires by heaven-breath fanned.
No distant shore, no beautiful land
Their kind eyes had overlooked,
Among the twilight's purple hues
Or the morning's flames stirred by a heavenly breath.
Quick visions of celestial grace,—
Hither they waft, from earth's broad space,
Kind thoughts for all humanity.
They shine with radiance from God's face.
Quick glimpses of heavenly beauty,—
They float here from the vastness of earth,
Kind thoughts for everyone.
They glow with light from God's presence.
Ah, since my heart they choose for home,
Why loose them,—forth again to roam?
Yet look: they rise! with loftier scope
They wheel in flight toward heaven's pure dome.
Ah, since they’ve chosen my heart as their home,
Why let them go—out to wander again?
Yet look: they rise! with greater purpose
They circle in flight toward heaven's clear dome.
Fly, messengers that find no rest
Save in such toil as makes man blest!
Your home is God's immensity:
We hold you but at his behest.
Fly, messengers that find no rest
Except in the work that makes people happy!
Your home is in God's vastness:
We only possess you at his command.
V
ARISE, AMERICAN!
The soul of a nation awaking,—
High visions of daybreak,—I saw;
A people renewed; the forsaking
Of sin, and the worship
of law.
The spirit of a nation awakening,—
Bright visions of dawn,—I witnessed;
A people revitalized; turning away
From sin, and honoring
the law.
Sing, pine-tree; shout, to the hoarser
Response of the jubilant sea!
Rush, river, foam-flecked like a
courser;
Warn all who are honest
and free!
Sing, pine tree; shout, in response to the louder
Joyful voice of the happy sea!
Flow, river, bubbling like a
wild horse;
Alert everyone who is honest
and free!
Our birth-star beckons to trial
The faith of the far-fled years,
Ere scorn was our share, and
denial,
Or laughter for
patriots' tears.
Our guiding star calls us to test
the faith of the long-gone years,
before scorn was what we received, and
denial,
or laughter for the tears of patriots.
And Faith shall come forth the finer,
From trampled thickets of fire,
And the orient open diviner
Before her, the heaven
rise higher.
And Faith will emerge stronger,
From scorched thickets of fire,
And the eastern skies will open wider
Before her, as heaven climbs higher.
O deep, sweet eyes, but severer
Than steel! See you yet, where he comes—
Our hero? Bend your glance nearer;
Speak, Faith! For, as wakening drums,
O deep, sweet eyes, but harsher
Than steel! Do you see him coming—
Our hero? Look closer;
Speak, Faith! For, like awakening drums,
Your voice shall set his blood stirring;
His heart shall grow strong like the main
When the rowelled winds are spurring,
And the broad tides landward strain.
Your voice will get his blood pumping;
His heart will grow strong like the sea
When the gusty winds are pushing,
And the wide tides pull toward the shore.
O hero, art thou among us?
O helper, hidest thou, still?
Why hast thou no anthem sung us,
Why workest thou not our will?
O hero, are you among us?
O helper, are you still hiding?
Why haven't you sung us an anthem,
Why don't you work our will?
For a smirk of the face, or a favor,
Still shelters the cheat where he crawls;
And the truth we began with needs braver
Upholders, and loftier walls.
For a smirk on the face or a favor,
Still hides the cheat where he creeps;
And the truth we started with needs braver
Strong supporters and higher walls.
Too long has the land's soul slumbered
In wearying dreams of gain,
With prosperous falsity cumbered
And dulled with bribes, as a bane.
The land's spirit has been asleep for too long
In exhausting dreams of profit,
Burdened by false success
And numbed by corruption, like a curse.
Yes, cunning is civilized evil,
And crafty the gold-baited snare;
But virtue, in fiery upheaval,
May cast fine device to
the air.
Yes, cunning is civilized evil,
And crafty the gold-baited trap;
But virtue, in fiery upheaval,
May cast brilliant schemes to
the wind.
Bring us the simple and stalwart
Purpose of earlier days.
Come! Far better than all
were't—
Our precepts, our pride,
and our lays—
Bring us the straightforward and strong
purpose of days gone by.
Come! Much better than any
would be—
our principles, our pride,
and our songs—
That the people in spirit should tremble
With heed of the God-given Word;
That we cease from our boast, nor
dissemble,
But follow where truth's
voice is heard.
That the people in spirit should tremble
With respect for the God-given Word;
That we stop our bragging and
pretending,
But follow where the voice of truth is heard.
Come to us, mountain-dweller,
Leader, wherever thou art;
Skilled from thy cradle, a
queller
Of serpents, and sound
to the heart!
Come to us, mountain-dweller,
Leader, wherever you are;
Skilled from your cradle, a
queller
Of serpents, and sound
to the heart!
Modest and mighty and tender;
Man of an iron mold;
Honest, fine-grained, our
defender;—
American-souled!
Modest yet strong and gentle;
Man of unbreakable strength;
Honest, well-crafted, our
protector;—
American at heart!
THE NAME OF WASHINGTON
Sons of the youth and the truth of the nation,
Ye that are met to remember the man
Whose valor gave birth to a people's salvation,
Honor him now; set his name in the van.
A nobleness to try for,
A name to live and die
for—
The name of Washington.
Sons of the youth and the truth of the nation,
You who have come together to remember the man
Whose courage brought about a people's salvation,
Honor him now; place his name at the forefront.
A greatness to strive for,
A name to live and die for—
The name of Washington.
Calmly his face shall look down through the ages—
Sweet yet severe with a spirit of warning;
Charged with the wisdom of saints and of sages;
Quick with the light of a life-giving
morning.
A majesty to try for,
A name to live and die
for—
The name of Washington!
Calmly, his face will look down through the ages—
Sweet yet serious, with a spirit of warning;
Filled with the wisdom of saints and sages;
Radiant with the light of a life-giving
morning.
A majesty to strive for,
A name to live and die
for—
The name of Washington!
Though faction may rack us, or party divide us,
And bitterness break the gold links of our
story,
Our father and leader is ever beside us.
Live, and forgive! But forget not the glory
Of him whose height we try for,
A name to live and die
for—
The name of Washington!
Though factions may tear us apart, or parties divide us,
And bitterness break the strong bonds of our
story,
Our father and leader is always with us.
Live, and forgive! But don’t forget the glory
Of him whose greatness we strive for,
A name to live and die
for—
The name of Washington!
Still in his eyes shall be mirrored our fleeting
Days, with the image of days long ended;
Still shall those eyes give, immortally, greeting
Unto the souls from his spirit descended.
His grandeur we will try for,
His name we 'll live and die
for—
The name of Washington!
Still in his eyes will be reflected our brief
Days, with the memory of days long gone;
Those eyes will continue to greet, forever,
The souls that came from his spirit.
We will strive for his greatness,
We’ll live and die
For the name of Washington!
GRANT'S DIRGE
I
Ah, who shall sound the hero's funeral
march?
And what shall be the music of his dirge?
No single voice may chant the Nation's
grief,
No formal strain can give its woe relief.
The pent-up anguish of the loyal wife,
The sobs of those who, nearest in this life,
Still hold him closely in the life
beyond;—
These first, with threnody of memories fond.
But look! Forth press a myriad mourners thronging,
With hearts that throb in sorrow's
exaltation,
Moved by a strange, impassioned, hopeless longing
To serve him with their love's last
ministration.
Make way! Make way, from wave-bound verge to
verge
Of all our land, that this great multitude
With lamentation proud albeit subdued,
Deep murmuring like the ocean's mighty surge,
May pass beneath the heavens' triumphal arch!
Ah, who will play the hero's funeral march?
And what will be the music for his dirge?
No single voice can express the nation's grief,
No formal tune can ease this pain.
The intense sorrow of the loyal wife,
The sobs of those who were closest in this life,
Still holding him tightly in the afterlife;—
These first, with a song of cherished memories.
But look! A countless crowd of mourners moves,
With hearts pounding in sorrow's high emotions,
Driven by a strange, passionate, hopeless yearning
To honor him with their final acts of love.
Make way! Make way, from coast to coast
Of our entire country, so this great multitude
With proud yet subdued lamentation,
Deeply murmuring like the ocean's powerful waves,
Can pass beneath the heavens' grand arch!
II
What is the sound we hear?
Never the fall of a tear;
For grief repressed
In every breast
More honors the man we revere.
Rising from East and West,
There echoes afar or near—
From the cool, sad North and the burning South—
A sound long since grown dear,
When brave ranks faced the cannon's mouth
And died for a faith austere:
The tread of marching men,
A steady tramp of feet
That never flinched nor faltered when
The drums of duty beat.
With sable hats whose shade
Falls from the cord of gold
On every time-worn face;
With tattered flags, in black enrolled,
Beneath whose folds they warred of old;
Forward, firmly arrayed,
With a sombre, martial grace;
So the Grand Army moves
Commanded by the dead,
Following him whose name it loves,
Whose voice in life its footsteps led.
What is the sound we hear?
Never the fall of a tear;
For grief held back
In every heart
Honors more the man we admire.
Rising from East and West,
There echoes far and near—
From the cool, sad North and the burning South—
A sound that has long been cherished,
When brave ranks faced the cannon’s roar
And died for a deep faith:
The tread of marching men,
A steady rhythm of feet
That never flinched nor hesitated when
The drums of duty called.
With dark hats casting shade
From the cord of gold
On every weathered face;
With tattered flags, in black adorned,
Beneath whose folds they fought long ago;
Forward, firmly aligned,
With a solemn, martial grace;
So the Grand Army moves
Led by the dead,
Following him whose name it cherishes,
Whose voice in life guided its steps.
III
Those that in the combat perished,—
Hostile shapes and forms of friends,—
Those we hated, those we cherished,
Meet the pageant where it ends.
Flash of steel and tears forgiving
Blend in splendor. Hark, the knell!
Comrades ghostly join the living—
Dreaming, chanting: "All is well."
They receive the General sleeping,
Him of spirit pure and large:
Him they draw into their keeping
Evermore, in faithful charge.
Those who died in battle,—
Hostile figures and familiar faces,—
Those we loved, those we hated,
Come together in this final scene.
The flash of steel and tears of forgiveness
Mix in a beautiful display. Listen, the bell tolls!
Ghostly comrades join the living—
Dreaming, singing: "All is well."
They welcome the General resting,
Him with a pure and generous spirit:
They take him into their care
Forever, in faithful guardianship.
IV
Pass on, O steps, with your dead, sad note!
For a people's homage is in the sound;
And the even tread, in measured rote,
As a leader is laid beneath the ground,
Rumors the hum of a pilgrim
train
That shall trample the earth as
tramples the rain,
Seeking the door of the hero's
tomb,
Seeking him where he lies low in the
gloom,
Paying him tribute of worker and
mage,
Through age on age!
Move on, O steps, with your somber, mournful sound!
For a people's respect is in the way it resonates;
And the steady march, in practiced rhythm,
As a leader is buried in the ground,
Echoes the buzz of a traveling group
That will stamp on the earth just like the rain,
Looking for the entrance to the hero's tomb,
Searching for him where he rests in the dark,
Paying tribute as workers and scholars,
Through ages upon ages!
V
Tall pine-tree on McGregor's height,
How didst thou grow to such a lofty bearing,
For song of bird or beat of breeze uncaring,
There where thy shadow touched the dying brow?
Were all thy sinewy fibres shaped aright?
Was there no flaw? With what mysterious daring
Didst thou put forth each murmuring, odorous bough
And trust it to the frail support of air?
We only know that thou art now supreme:
We know not how thou grewest so tall and fair.
So from the unnoticed, humble earth arose
The sturdy man whom we, bewailing, deem
Worthy the wondrous name fame's far voice blows.
And lo! his ancient foes
Rise up to praise the plan
Of modest grandeur, loyal trust,
And generous power from man to man,
That lifted him above the formless dust.
O heart by kindliness betrayed,
O noble spirit snared and strayed—
Unmatched, upright thou standest still
As that firm pine-tree rooted on the hill!
Tall pine tree on McGregor's height,
How did you grow to such a lofty height,
Unbothered by the song of birds or the breeze,
Where your shadow brushed the dying brow?
Were all your strong fibers shaped just right?
Was there no flaw? With what mysterious courage
Did you put out each whispering, fragrant branch
And trust it to the fragile support of air?
We only know that you are now supreme:
We don't know how you grew so tall and beautiful.
So from the unnoticed, humble earth arose
The sturdy man whom we mourn and consider
Worthy of the amazing name fame's distant voice carries.
And look! his ancient foes
Rise up to praise the plan
Of modest greatness, loyal trust,
And generous power from one man to another,
That lifted him above the formless dust.
Oh heart betrayed by kindness,
Oh noble spirit trapped and lost—
You stand unmatched and upright
Like that strong pine tree rooted on the hill!
VI
No paragon was he,
But moulded in the rough
With every fault and scar
Ingrained, and plain for all to see:
Even as the rocks and mountains are,
Common perhaps, yet wrought of such true stuff
That common nature in his essence grew
To something which till then it never knew;
Ay, common as a vast, refreshing wind
That sweeps the continent, or as some star
Which, 'mid a million, shines out well-defined:
With honest soul on duty bent,
A servant-soldier, President;
Meekest when crowned with victory,
And greatest in adversity!
He wasn’t perfect,
But shaped from the rough
With every flaw and scar
Clear for everyone to see:
Just like the rocks and mountains are,
Ordinary perhaps, yet made of such genuine stuff
That his common nature grew
Into something it never knew before;
Yeah, as common as a vast, refreshing breeze
That sweeps across the land, or like a star
That, among a million, stands out clearly:
With an honest spirit dedicated to duty,
A servant-soldier, President;
Humble when crowned with victory,
And greatest in tough times!
VII
A silent man whom, strangely, fate
Made doubly silent ere he died,
His speechless spirit rules us still;
And that deep spell of influence mute,
The majesty of dauntless will
That wielded hosts and saved the State,
Seems through the mist our spirits yet to thrill.
His heart is with us! From the root
Of toil and pain and brave endurance
Has sprung at last the perfect fruit,
The treasure of a rich assurance
That men who nobly work and live
A greater gift than life may give;
Yielding a promise for all time,
Which other men of newer date
Surely redeem in deeds sublime.
Forerunner of a valiant race,
His voiceless spirit still reminds us
Of ever-waiting, silent duty:
The bond of faith wherewith he binds us
Shall hold us ready hour by hour
To serve the sacred, guiding power
Whene'er it calls, where'er it finds us,
With loyalty that, like a folded flower,
Blooms at a touch in proud, full-circled beauty.
A quiet man who, strangely, fate
Made even quieter before he died,
His silent spirit still guides us;
And that deep, silent influence,
The strength of unyielding will
That led armies and saved the State,
Seems to still inspire our spirits through the haze.
His heart is with us! From the roots
Of hard work, pain, and brave endurance
Has finally grown the perfect reward,
The treasure of rich assurance
That those who live and work nobly
Can give a greater gift than life;
Offering a promise for all time,
Which others of a later generation
Will surely fulfill with great deeds.
Pioneer of a courageous lineage,
His silent spirit still reminds us
Of ever-present, quiet duty:
The bond of faith that connects us
Will keep us ready hour by hour
To serve the sacred, guiding force
Whenever it calls, wherever it finds us,
With loyalty that, like a closed flower,
Blooms at a touch in proud, full beauty.
VIII
Like swelling river waves that strain,
Onward the people crowd
In serried, billowing train.
And those so slow to yield,
On many a hard fought field,
Muster together
Like a dark cloud
In summer weather,
Whose threatening thunders suddenly are stilled,—
And all the world is filled
With smiling rest. Victory to him was pain,
Till he had won his enemies by love;
Had leashed the eagle and unloosed the dove;
Setting on war's red roll the argent seal of peace.
So here they form their solid ranks again,
But in no mood of hatred or disdain.
They say: "Thou who art fallen at last,
Beleaguered stealthily, o'ercome by death,
Thy conqueror now shall be magnanimous
Even as thou wast to us.
But not for thee can we blot out the past:
We would not, if we might, forget thy last
Great act of war, that with a gentle hand
Brought back our hearts unto the mighty mother,
For whose defence and honor armed we stand.
We hail thee brother,
And so salute thy name with holy breath!"
Like the swelling waves of a river,
The people press forward
In a dense, rolling line.
And those who were slow to give in,
On many hard-fought fields,
Come together
Like a dark cloud
On a summer day,
Whose threatening thunder suddenly quiets,—
And the whole world is filled
With peaceful smiles. To him, victory was painful,
Until he had won over his enemies with love;
Had tamed the eagle and set the dove free;
Imprinting peace on war's bloody scroll.
So here they form their solid ranks again,
But without hatred or disdain.
They say: "You who have finally fallen,
Subdued stealthily, overcome by death,
Your conqueror will now be generous
Just as you were to us.
But we cannot erase the past for you:
We wouldn't, even if we could, forget your last
Great act of war, which with a gentle hand
Brought our hearts back to the mighty mother,
For whose defense and honor we stand armed.
We greet you as a brother,
And honor your name with reverent words!"
IX
Land of the hurricane!
Land of the avalanche!
Land of tempest and rain;
Of the Southern sun and of frozen peaks;
Stretching from main to main;—
Land of the cypress-glooms;
Land of devouring looms;
Land of the forest and ranch;—
Hush every sound to-day
Save the burden of swarms that assemble
Their reverence dear to pay
Unto him who saved us all!
Ye masses that mourn with bended head,
Beneath whose feet the ground doth tremble
With weight of woe and a sacred dread—
Lift up the pall
That to us shall remain as a warrior's banner!
Gaze once more on the fast closed eyes;
Mark once the mouth that never speaks;
Think of the man and his quiet manner:
Weep if you will; then go your way;
But remember his face as it looks to the skies,
And the dumb appeal wherewith it seeks
To lead us on, as one should say, "Arise—
Go forth to meet your country's noblest day!"
Land of hurricanes!
Land of avalanches!
Land of storms and rain;
Of the Southern sun and frozen peaks;
Stretching from coast to coast;—
Land of cypress shadows;
Land of busy factories;
Land of forests and farms;—
Silence every sound today
Except for the swarms that gather
To pay their heartfelt tribute
To him who saved us all!
You who mourn with bowed heads,
Beneath whose feet the ground shakes
With the weight of sorrow and sacred fear—
Lift up the shroud
That shall remain for us as a warrior's banner!
Look once more at the shut eyes;
Notice the mouth that will never speak;
Think of the man and his calm demeanor:
Cry if you must; then go on your way;
But remember his face as it looks to the skies,
And the silent plea it makes
To lead us on, as if to say, "Rise—
Go forth to meet your country's greatest day!"
X
Ah, who shall sound the hero's funeral march?
And what shall be the music of his dirge?
Let generations sing, as they emerge
And pass beneath the heavens' trumphal arch!
Ah, who will play the hero's funeral march?
And what will the music of his dirge be?
Let generations sing, as they rise
And pass beneath the heavens' triumphant arch!
BATTLE DAYS
I
Veteran memories rally to muster
Here at the call of the old battle days:
Cavalry clatter and cannon's hoarse bluster:
All the wild whirl of the fight's broken
maze:
Clangor of bugle and flashing of sabre,
Smoke-stifled flags and the howl of the
shell,
With earth for a rest place and death for a neighbor,
And dreams of a charge and the deep rebel
yell.
Stern was our task in the field where the reaping
Spared the ripe harvest, but laid our men
low:
Grim was the sorrow that held us from weeping:
Awful the rush of the strife's ebb and
flow.
Swift came the silence—our enemy hiding
Sudden retreat in the cloud-muffled night:
Swift as a hawk-pounce our hill-and-dale riding;
Hundreds on hundreds we caught in their
flight!
Hard and incessant the danger and trial,
Laid on our squadrons, that gladly bore all,
Scorning to meet with delay or denial
The summons that rang in the battle-days' call!
Veteran memories come together
Here at the call of old battle days:
The sound of cavalry and the cannon's harsh roar:
All the wild chaos of the fight's broken maze:
The clang of bugles and the flash of sabers,
Smoke-stifled flags and the scream of the shell,
With the earth as our resting place and death nearby,
And dreams of a charge and the deep rebel yell.
Our task in the field was tough where the reaping
Spared the ripe harvest but laid our men low:
The sorrow we felt kept us from weeping:
Awful was the rush of the strife's ebb and flow.
Silence came swiftly—our enemy hiding
Sudden retreat in the cloud-covered night:
As swift as a hawk's dive we rode through hills and valleys;
Hundreds upon hundreds we caught in their flight!
Hard and nonstop was the danger and trial,
Placed on our squadrons, which gladly bore all,
Scorning to meet with delay or denial
The call that rang in the battle days!
II
Wild days that woke to glory or despair,
And smote the coward soul with sudden shame,
But unto those whose hearts were bold to dare
All things for honor brought eternal
fame:—
Lost days, undying
days!
With undiminished
rays
Here now on us look
down,
Illumining our crown
Of leaves memorial, wet with tender dew
For those who nobly died
In fierce self-sacrifice of service true,
Rapt in pure fire of life-disdaining pride;
Men of this soil, who stood
Firm for their country's good,
From night to night, from sun to sun,
Till o'er the living and the slain
A woful dawn that streamed with rain
Wept for their victory dearly won.
Wild days that began with either glory or despair,
And struck the cowardly heart with sudden shame,
But for those whose hearts were brave enough to dare,
All things for honor brought lasting fame:—
Lost days, unforgettable days!
With unchanging rays
Look down on us now,
Lighting up our crown
Of leaves in memory, wet with gentle dew
For those who died with honor
In fierce self-sacrifice and true service,
Consumed by the pure fire of life-defying pride;
Men of this land, who stood
Strong for their country’s good,
From night to night, from sun to sun,
Until over the living and the fallen
A sorrowful dawn that brought rain
Wept for their hard-earned victory.
III
Days of the future, prophetic days,—
Silence engulfs the roar of war;
Yet, through all coming years, repeat the praise
Of those leal comrades brave, who come no
more!
And when our voices cease,
Long, long renew the chant, the anthem
proud,
Which, echoing clear and loud
Through templed aisles of peace,
Like blended tumults of a joyous chime,
Shall tell their valor to a later time.
Shine on this field; and in the eyes of men
Rekindle, if the need shall come again,
That answering light that springs
In beaconing splendor from the soul, and brings
Promise of faith well kept and deed sublime!
Days of the future, prophetic days,—
Silence covers the sound of war;
Yet, throughout all the coming years, let’s keep praising
Those loyal brave comrades who are gone!
And when our voices fall silent,
Long, long let’s renew that proud chant, the anthem
Which, echoing clear and loud
Through peaceful temple aisles,
Like the joyful noise of ringing bells,
Will tell their bravery to future generations.
Shine on this field; and in people’s eyes,
Rekindle, if the need arises again,
That responding light that shines
In brilliant splendor from the soul, and brings
The promise of faith kept and noble deeds!
KEENAN'S CHARGE
I
The sun had set;
The leaves with dew were wet:
Down fell a bloody dusk
On the woods, that second of May,
Where Stonewall's corps, like a beast of prey,
Tore through, with angry tusk.
The sun had set;
The leaves were wet with dew:
A bloody dusk fell
On the woods, that second of May,
Where Stonewall's corps, like a beast of prey,
Ripped through, with fierce tusks.
"They've trapped us, boys!"—
Rose from our flank a voice.
With a rush of steel and smoke
On came the rebels straight,
Eager as love and wild as hate;
And our line reeled and broke;
"They've trapped us, guys!"—
a voice shouted from our side.
With a rush of steel and smoke
the rebels charged in,
as eager as love and as wild as hate;
and our line staggered and fell apart;
Broke and fled.
No one stayed—but the dead!
With curses, shrieks, and cries,
Horses and wagons and men
Tumbled back through the shuddering glen,
And above us the fading skies.
Broke and ran.
No one remained—but the dead!
With curses, screams, and shouts,
Horses and wagons and men
Tumbled back through the trembling valley,
And above us, the darkening skies.
There's one hope, still—
Those batteries parked on the hill!
"Battery, wheel!" ('mid the roar)
"Pass pieces; fix prolonge to fire
Retiring. Trot!" In the panic dire
A bugle rings "Trot"—and no more.
There's one hope left—
Those batteries stationed on the hill!
"Battery, get ready!" (amid the chaos)
"Pass the ammo; set up the cannon to fire
While retreating. Move out!" In the dire panic
A bugle sounds "Move out"—and that's it.
The horses plunged,
The cannon lurched and lunged,
To join the hopeless rout.
But suddenly rode a form
Calmly in front of the human storm,
With a stern, commanding shout:
The horses bolted,
The cannon surged and heaved,
To join the chaotic retreat.
But suddenly, a figure rode
Steadily in front of the human chaos,
With a stern, commanding shout:
"Align those guns!"
(We knew it was Pleasonton's.)
The cannoneers bent to obey,
And worked with a will at his word:
And the black guns moved as if they had heard.
But ah, the dread delay!
"Get those guns in line!"
(We knew it was Pleasonton's.)
The cannoneers hurried to comply,
And worked hard at his command:
And the black guns shifted as if they understood.
But oh, the terrible wait!
"To wait is crime;
O God, for ten minutes' time!"
The General looked around.
There Keenan sat, like a stone,
With his three hundred horse alone,
Less shaken than the ground.
"To wait is a crime;
Oh God, just for ten more minutes!"
The General glanced around.
There sat Keenan, like a statue,
With his three hundred horses alone,
Less stirred than the earth beneath.
"Major, your men?"
"Are soldiers, General." "Then,
Charge, Major! Do your best:
Hold the enemy back, at all cost,
Till my guns are placed;—else the army is lost.
You die to save the rest!"
"Major, what about your men?"
"They're soldiers, General." "Then,
Charge, Major! Do your best:
Hold the enemy back at all costs,
Until my guns are set up;—otherwise, the army is finished.
You sacrifice yourself to save the others!"
II
By the shrouded gleam of the western skies,
Brave Keenan looked into Pleasonton's eyes
For an instant—clear, and cool, and still;
Then, with a smile, he said: "I will."
By the dim light of the western skies,
Brave Keenan looked into Pleasonton's eyes
For a moment—clear, calm, and still;
Then, with a smile, he said: "I will."
"Cavalry, charge!" Not a man of them shrank.
Their sharp, full cheer, from rank on rank,
Rose joyously, with a willing breath—-
Rose like a greeting hail to death.
"Cavalry, charge!" Not a single one of them hesitated.
Their loud, enthusiastic cheer, from row to row,
Rose joyfully, with eager breaths—
Rose like a warm welcome to death.
Then forward they sprang, and spurred and clashed;
Shouted the officers, crimson-sash'd;
Rode well the men, each brave as his fellow,
In their faded coats of the blue and yellow;
And above in the air, with an instinct true,
Like a bird of war their pennon flew.
Then they leaped forward, kicked their horses into action, and collided;
The officers shouted, wearing their red sashes;
The men rode well, each as brave as the next,
In their worn-out blue and yellow uniforms;
And above in the sky, instinctively,
Their flag flew like a warbird.
With clank of scabbards and thunder of steeds,
And blades that shine like sunlit reeds,
And strong brown faces bravely pale
For fear their proud attempt shall fail,
Three hundred Pennsylvanians close
On twice ten thousand gallant foes.
With the clatter of swords and the roar of horses,
And blades that gleam like sunlit grasses,
And strong brown faces looking fearfully pale
For worry that their bold effort will fail,
Three hundred Pennsylvanians close in
On twenty thousand brave enemies.
Line after line the troopers came
To the edge of the wood that was ring'd with flame;
Rode in and sabred and shot—and fell;
Nor came one back his wounds to tell.
And full in the midst rose Keenan, tall,
In the gloom like a martyr awaiting his fall,
While the circle-stroke of his sabre, swung
'Round his head, like a halo there, luminous hung.
Line after line, the soldiers arrived
At the edge of the woods engulfed in flames;
They charged in, swinging their swords and shooting—and fell;
Not one returned to share the tale of their wounds.
And right in the center stood Keenan, tall,
Looking like a martyr ready for his fate,
While the arc of his sword, swung
Above his head, hung there like a glowing halo.
Line after line, aye, whole platoons,
Struck dead in their saddles, of brave dragoons
By the maddened horses were onward borne
And into the vortex flung, trampled and torn;
As Keenan fought with his men, side by side.
Line after line, yes, entire platoons,
Struck down in their saddles, of brave cavalry
By the raging horses were pushed forward
And into the chaos thrown, trampled and shredded;
As Keenan fought with his men, side by side.
So they rode, till there were no more to ride.
So they rode until there was no one left to ride.
But over them, lying there shattered and mute,
What deep echo rolls?—'T is a death-salute,
From the cannon in place; for heroes, you braved
Your fate not in vain: the army was saved!
But lying there broken and silent,
What deep sounds resonate?—It’s a death salute,
From the cannon in position; for heroes, you faced
Your fate not in vain: the army was saved!
Over them now—year following year—
Over their graves the pine-cones fall,
And the whip-poor-will chants his spectre-call;
But they stir not again: they raise no cheer:
They have ceased. But their glory shall never cease,
Nor their light be quenched in the light of peace.
The rush of their charge is resounding still
That saved the army at Chancellorsville.
Over them now—year after year—
Over their graves, the pine cones fall,
And the whip-poor-will sings his ghostly call;
But they do not stir again: they raise no cheer:
They are gone. But their glory will never end,
Nor will their light fade in the light of peace.
The sound of their charge still echoes
That saved the army at Chancellorsville.
MARTHY VIRGINIA'S HAND
"There, on the left!" said the colonel: the battle
had shuddered and faded away,
Wraith of a fiery enchantment that left only
ashes and blood-sprinkled clay—
"Ride to the left and examine that ridge, where
the enemy's sharpshooters stood.
Lord, how they picked off our men, from the
treacherous vantage-ground of the wood!
But for their bullets, I'll bet, my batteries sent
them something as good.
Go and explore, and report to me then, and tell
me how many we killed.
Never a wink shall I sleep till I know our vengeance
was duly fulfilled."
"There, on the left!" said the colonel: the battle
had shuddered and faded away,
ghost of a fiery enchantment that left only
ashes and blood-stained clay—
"Ride to the left and check that ridge, where
the enemy's sharpshooters were positioned.
Man, how they picked off our guys from the
treacherous high ground of the woods!
But if it weren't for their bullets, I bet my batteries
hit them back just as hard.
Go and check it out, then report back to me, and let
me know how many we took down.
I won't get a wink of sleep until I know our revenge
was properly fulfilled."
Fiercely the orderly rode down the slope of the
corn-field—scarred and forlorn,
Rutted by violent wheels, and scathed by the
shot that had plowed it in scorn;
Fiercely, and burning with wrath for the sight
of his comrades crushed at a blow,
Flung in broken shapes on the ground like
ruined memorials of woe:
These were the men whom at daybreak he knew,
but never again could know.
Thence to the ridge, where roots outthrust, and
twisted branches of trees
Clutched the hill like clawing lions, firm their
prey to seize.
The orderly rode down the slope of the
cornfield—scarred and desolate,
Rutted by rough wheels and marked by the
gunfire that had disrespected it;
Fiercely, burning with anger at the sight
of his comrades crushed in an instant,
Laid out in broken forms on the ground like
destroyed symbols of sorrow:
These were the men he had known at dawn,
but would never know again.
From there to the ridge, where roots jutted out, and
twisted branches of trees
Clutched the hill like grasping lions, ready to
seize their prey.
"What's your report?"—and the grim colonel
smiled when the orderly came back at last.
Strangely the soldier paused: "Well, they were
punished." And strange his face, aghast.
"Yes, our fire told on them; knocked over fifty—
laid out in line of parade.
Brave fellows, colonel, to stay as they did! But
one I 'most wish had n't stayed.
Mortally wounded, he'd torn off his knapsack;
and then at the end he prayed—
Easy to see, by his hands that were clasped;
and the dull, dead fingers yet held
This little letter—his wife's—from the
knapsack.
A pity those woods were shelled!"
"What's your report?"—and the serious colonel
smiled when the orderly finally returned.
Oddly, the soldier hesitated: "Well, they were
punished." And his expression was strange, shocked.
"Yes, our fire hit them hard; took out over fifty—
lined up in a parade formation.
Brave guys, colonel, to stand their ground like that! But
there's one I really wish hadn't stayed.
Mortally wounded, he had ripped off his knapsack;
and then at the end he prayed—
It's easy to see by his clasped hands;
and the dull, lifeless fingers still held
this little letter—his wife's—from the knapsack.
What a shame those woods were shelled!"
Silent the orderly, watching with tears in his eyes
as his officer scanned
Four short pages of writing. "What's this, about
'Marthy Virginia's hand'?"
Swift from his honeymoon he, the dead soldier,
had gone from his bride to the strife;
Never they met again, but she had written him,
telling of that new life,
Born in the daughter, that bound her still closer
and closer to him as his wife.
Laying her baby's hand down on the letter,
around it she traced a rude line;
"If you would kiss the baby," she wrote, "you
must kiss this outline of mine."
Silent the orderly, watching with tears in his eyes
as his officer read
four short pages of writing. "What's this about
'Marthy Virginia's hand'?"
Swiftly from his honeymoon, the dead soldier
had left his bride for the battle;
They never saw each other again, but she had written to him,
telling about her new life,
Born in their daughter, which brought her even closer
to him as his wife.
Laying her baby's hand down on the letter,
she traced a rough outline around it;
"If you want to kiss the baby," she wrote, "you
must kiss this outline of mine."
There was the shape of the hand on the page,
with the small, chubby fingers outspread.
"Marthy Virginia's hand, for her pa,"—so the
words on the little palm said.
Never a wink slept the colonel that night, for
the vengeance so blindly fulfilled;
Never again woke the old battle-glow when the
bullets their death-note shrilled.
Long ago ended the struggle, in union of
brotherhood happily stilled;
Yet from that field of Antietam, in warning and
token of love's command,
See! there is lifted the hand of a baby—Marthy
Virginia's hand!
There was a handprint on the page,
with small, chubby fingers spread out.
"Marthy Virginia's hand, for her dad,"—that’s what the
said on the little palm.
The colonel didn’t sleep a wink that night, consumed by
the blind vengeance that was fulfilled;
The old battle fire never reignited when the
bullets sang their death note.
Long ago, the struggle ended, peacefully united in
brotherhood;
Yet from that battlefield at Antietam, as a warning and
sign of love's demand,
Look! There’s the hand of a baby—Marthy
Virginia's hand!
GETTYSBURG: A BATTLE ODE
I
Victors, living, with laureled brow,
And you that sleep beneath the
sward!
Your song was poured from cannon throats:
It rang in deep-tongued bugle-notes:
Your triumph came; you won your crown,
The grandeur of a world's renown.
But, in our
later lays,
Full
freighted with your praise,
Fair memory harbors those whose lives, laid down
In gallant faith and
generous heat,
Gained only
sharp defeat.
All are at peace, who once so fiercely warred:
Brother and brother, now, we chant a common chord.
Victors, alive, with laurel crowns,
And you who sleep beneath the grass!
Your song was echoed from cannon blasts:
It rang out in deep bugle notes:
You triumphed; you earned your crown,
The glory of worldwide fame.
But, in our
later verses,
Full of your praise,
Sweet memory holds those whose lives, sacrificed
In brave faith and generous spirit,
Only faced sharp defeat.
All are at peace, who once fought so fiercely:
Brothers now, we sing a common tune.
II
For, if we say God
wills,
Shall we then idly deny
Him
Care of each host in the
fight?
His thunder was here in
the hills
When the guns were loud
in July;
And the flash of the
musketry's light
Was sped by a ray from
God's eye.
In its good and its evil
the scheme
Was framed with
omnipotent hand,
Though the battle of men
was a dream
That they could but half
understand.
Can the purpose of God
pass by him?
Nay; it was sure, and
was wrought
Under inscrutable
powers:
Bravely the two armies
fought
And left the land, that was greater than they, still theirs
and ours!
For if we say God wills,
should we just deny
Him
care for each soldier on the battlefield?
His thunder was here in the hills
when the guns roared in July;
and the flash of the musket fire
was lit by a ray from God's eye.
In both its good and its evil,
the plan was shaped by an all-powerful hand,
though the battle of men
was a dream
that they could only partially grasp.
Can God's purpose disregard him?
No; it was certain and was created
by unfathomable forces:
bravely the two armies fought
and left the land, which was greater than they, still theirs
and ours!
III
Lucid, pure, and calm and blameless
Dawned on Gettysburg the day
That should make the spot, once fameless,
Known to nations far away.
Birds were caroling, and farmers
Gladdened o'er their garnered hay,
When the clank of gathering armors
Broke the morning's peaceful sway;
And the living lines of foemen
Drawn o'er pasture, brook, and hill,
Formed in figures weird of omen
That should work with mystic will
Measures of a direful magic—
Shattering, maiming—and should fill
Glades and gorges with a tragic
Madness of desire to kill.
Skirmishers flung lightly forward
Moved like scythemen skilled to sweep
Westward o'er the field and nor'ward,
Death's first harvest there to reap.
You would say the soft, white smoke-puffs
Were but languid clouds asleep,
Here on meadows, there on oak-bluffs,
Fallen foam of Heaven's blue deep.
Yet that blossom-white outbreaking
Smoke wove soon a martyr's shroud.
Reynolds fell, with soul unquaking,
Ardent-eyed and open-browed:
Noble men in humbler raiment
Fell where shot their graves had plowed,
Dying not for paltry payment:
Proud of home, of honor proud.
Clear, pure, and calm and innocent
The day dawned on Gettysburg
That would make the spot, once unknown,
Recognized by nations far away.
Birds were singing, and farmers
Rejoiced over their gathered hay,
When the clanking of gathering armor
Disrupted the morning's peaceful vibe;
And the living lines of enemies
Spread over pasture, stream, and hill,
Formed in strange shapes of warning
That would impact with mysterious force
Measures of a terrible magic—
Shattering, wounding—and would fill
Glades and valleys with a tragic
Madness driven by a desire to kill.
Skirmishers moved forward
Like skilled harvesters ready to sweep
Westward across the field and northward,
To reap Death's first harvest there.
You might think the soft, white smoke puffs
Were just lazy clouds at rest,
Here on meadows, there on oak bluffs,
Fallen foam from Heaven's deep blue.
Yet that blossom-white explosion
Soon wove a martyr's shroud.
Reynolds fell, his spirit steady,
With fiery eyes and an open brow:
Noble men in simpler clothes
Fell where bullets had plowed their graves,
Dying not for trivial gain:
Proud of home, proud of their honor.
IV
Mute Seminary there,
Filled once with resonant hymn and prayer,
How your meek walls and windows shuddered then!
Though Doubleday stemmed the
flood,
McPherson's Wood and Willoughby's Run
Saw ere the set of
sun
The light of the gospel of
blood.
And, on the morrow again,
Loud the unholy psalm of battle
Burst from the tortured Devil's
Den,
In cries of men and musketry rattle
Mixed with the helpless bellow of cattle
Torn by artillery, down in the
glen;
While, hurtling through
the branches
Of the orchard by the
road,
Where Sickles and Birney were walled with
steel,
Shot fiery
avalanches
That shivered hope and made the sturdiest
reel.
Yet peach-bloom bright as April saw
Blushed there anew, in blood that
flowed
O'er faces white with death-dealt awe;
And ruddy flowers of warfare grew,
Though withering winds as of the desert blew,
Far at the right while Ewell and Early,
Plunging at Slocum and Wadsworth and
Greene,
Thundered in onslaught consummate and surly;
Till trembling nightfall crept
between
And whispered of rest from the heat of the whelming
strife.
But unto those forsaken
of life
What has the night to
say?
Silent beneath the moony sky,
Crushed in a costly dew they lie:
Deaf to plaint or paean, they:—
Freed from Earth's dull tyranny.
Mute Seminary there,
Once filled with uplifting hymns and prayers,
How your humble walls and windows trembled then!
Though Doubleday held back the
flood,
McPherson's Wood and Willoughby's Run
Witnessed before sunset
The light of the gospel of blood.
And, the next day again,
The loud, unholy song of battle
Burst from the tormented Devil's Den,
In the cries of men and the rattle of muskets
Mixed with the helpless bellow of cattle
Torn apart by artillery, down in the
glen;
While, hurtling through
The branches
Of the orchard by the road,
Where Sickles and Birney were surrounded by
steel,
Fiery avalanches of shot
Shattered hope and made the sturdiest
reel.
Yet peach blossoms bright as April saw
Blushed there anew, in blood that
Flowed
Over faces pale with deathly awe;
And red flowers of warfare grew,
Even as withering winds like those of the desert blew,
Far on the right while Ewell and Early,
Charged at Slocum and Wadsworth and
Greene,
Thundered in a fierce and decisive assault;
Till trembling night fell between
And whispered of rest from the heat of the overwhelming
conflict.
But to those abandoned
by life,
What does the night have to
say?
Silent beneath the moonlit sky,
Crushed in a heavy dew they lie:
Deaf to any pleas or songs, they:
Freed from Earth’s dull oppression.
V
Wordless the night-wind, funereal plumes of the tree-tops
swaying—
Writhing and nodding anon at the beck of the
unseen breeze!
Yet its voice ever a murmur resumes, as of multitudes
praying:
Liturgies lost in a moan like the mourning of
far-away seas.
May then those spirits, set free, a celestial council
obeying,
Move in this rustling whisper here thro' the
dark, shaken trees?—
Souls that are voices alone to us, now, yet linger,
returning
Thrilled with a sweet reconcilement and fervid
with speechless desire?
Sundered in warfare, immortal they meet now with wonder and
yearning,
Dwelling together united, a rapt, invisible
choir:
Hearken! They wail for the living, whose passion of battle,
yet burning,
Sears and enfolds them in coils, and consumes, like a serpent
of fire!
Wordlessly, the night wind rustles the tree tops, swaying—
Twisting and nodding now and then at the call of the unseen breeze!
Yet its voice always returns as a murmur, like countless people praying:
Litanies lost in a moan, like the mourning of distant seas.
May those spirits, set free and obeying a celestial council,
Move in this rustling whisper through the dark, shaken trees?—
Souls that are just voices to us now, yet linger, returning
Excited with a sweet sense of reconciliation and filled with unspoken desire?
Torn apart in conflict, they now meet with wonder and longing,
Living together united, an entranced, invisible choir:
Listen! They cry out for the living, whose fiery passion of battle,
Burns and surrounds them in coils and consumes them, like a serpent of fire!
VI
Men of New Hampshire, Pennsylvanians,
Maine men, firm as the rock's rough ledge!
Swift Mississippians, lithe Carolinians
Bursting over the battle's edge!
Bold Indiana men; gallant Virginians;
Jersey and Georgia legions clashing;—
Pick of Connecticut; quick Vermonters;
Louisianians, madly dashing;—
And, swooping still to fresh encounters,
New-York myriads, whirlwind-led!—
All your furious forces, meeting,
Torn, entangled, and shifting place,
Blend like wings of eagles beating
Airy abysses, in angry embrace.
Here in the midmost struggle combining—
Flags immingled and weapons crossed—
Still in union your States troop shining:
Never a star from the lustre is lost!
Men from New Hampshire, Pennsylvanians,
Mainers, strong as a rocky cliff!
Quick Mississippians, nimble Carolinians
Charging over the edge of battle!
Brave Indiana men; heroic Virginians;
Jersey and Georgia forces clashing;—
Best of Connecticut; swift Vermonters;
Louisianans, wildly rushing;—
And, swooping in for new confrontations,
New Yorkers by the thousands, leading like a whirlwind!—
All your fierce forces, colliding,
Torn, tangled, and shifting positions,
Blend like eagles’ wings flapping
In the furious embrace of the sky.
Here in the heart of the struggle combining—
Flags intertwined and weapons crossed—
Still united, your States march proudly:
Not a star loses its shine!
VII
Once more the sun deploys his rays:
Third in the trilogy of battle-days
The awful Friday comes:
A day of dread,
That should have moved with slow, averted head
And muffled feet,
Knowing what streams of pure blood shed,
What broken hearts and wounded lives must meet
Its pitiless tread.
At dawn, like monster mastiffs baying,
Federal cannon, with a din affraying,
Roused the old Stonewall brigade,
That, eagerly and undismayed,
Charged amain, to be repelled
After four hours' bitter fighting,
Forth and back, with bayonets biting;
Where in after years, the wood—
Flayed and bullet-riddled—stood
A presence ghostly, grim and stark,
With trees all withered, wasted, gray,
The place of combat night and day
Like marshaled skeletons to mark.
Anon, a lull: the troops are spelled.
No sound of guns or drums
Disturbs the air.
Only the insect-chorus faintly hums,
Chirping around the patient, sleepless dead
Scattered, or fallen in heaps all wildly spread;
Forgotten fragments left in hurried flight;
Forms that, a few hours since, were human
creatures,
Now blasted of their features,
Or stamped with blank despair;
Or with dumb faces smiling as for gladness,
Though stricken by utter blight
Of motionless, inert, and hopeless sadness.
Fear you the naked horrors of a war?
Then cherish peace, and take up arms no more.
For, if you fight, you must
Behold your brothers' dust
Unpityingly ground down
And mixed with blood and powder,
To write the annals of renown
That make a nation prouder!
Once again, the sun spreads its rays:
Third in the trilogy of battle days
The terrible Friday arrives:
A day of fear,
That should have moved with a slow, turned head
And quiet steps,
Aware of the pure rivers of blood shed,
What broken hearts and wounded lives must face
Its merciless march.
At dawn, like fierce dogs barking,
Federal cannons, with a loud noise alarming,
Woke the old Stonewall brigade,
That, eager and unafraid,
Charged forward, only to be pushed back
After four hours of fierce fighting,
Back and forth, with bayonets striking;
Where, years later, the woods—
Torn apart and riddled with bullets—stood
A ghostly, grim, and stark sight,
With trees all twisted, wasted, gray,
The site of combat day and night
Like assembled skeletons marking the way.
Soon, a lull: the troops take a break.
No sound of guns or drums
Disturbs the air.
Only the faint hum of insects fills the space,
Chirping around the patient, sleepless dead
Scattered or fallen in chaotic heaps;
Forgotten fragments left in a hasty retreat;
Bodies that, just hours before, were living
Now stripped of their features,
Or marked with blank despair;
Or with silent faces smiling as if for joy,
Though struck by complete
Motionless, inert, and hopeless sadness.
Do you fear the stark horrors of war?
Then cherish peace, and take up arms no more.
Because, if you fight, you must
Witness your brothers' dust
Unforgivingly crushed
And mixed with blood and gunpowder,
To write the stories of glory
That make a nation prouder!
VIII
All is quiet till one o'clock;
Then the hundred and fifty guns,
Metal loaded with metal in tons,
Massed by Lee, send out their shock.
And, with a movement
magnificent,
Pickett, the golden-haired
leader,
Thousands and thousands flings onward, as if he sent
Merely a meek interceder.
Steadily sure his division advances,
Gay as the light on its weapons that dances.
Agonized screams of the shell
The doom that it carries
foretell:
Rifle-balls whistle, like sea-birds singing;
Limbs are severed, and souls set winging;
Yet Pickett's warriors never
waver.
Show me in all the world anything braver
Than the bold sweep of his fearless
battalions,
Three half-miles over ground
unsheltered
Up to the cannon, where regiments
weltered
Prone in the batteries' blast that raked
Swaths of men and, flame-tongued, drank
Their blood with eager thirst unslaked.
Armistead, Kemper, and Pettigrew
Rush on the Union men, rank against rank,
Planting their battle-flags high on the
crest.
Pause not the soldiers, nor dream they of
rest,
Till they fall with their enemy's guns at the
breast
And the shriek in their ears of the wounded artillery
stallions.
So Pickett charged, a man
indued
With knightly power to lead a multitude
And bring to fame the scarred surviving few.
Everything is quiet until one o'clock;
Then the hundred and fifty cannons,
Metal packed with metal in tons,
Gathered by Lee, unleash their blast.
And with a magnificent movement,
Pickett, the golden-haired leader,
Thousands and thousands surge forward, as if he merely sends
A humble intercessor.
Steadily and confidently, his division advances,
Bright as the light that dances on their weapons.
Agonized screams of the shell
Foretell the doom it carries:
Bullet whistling like sea-birds singing;
Limbs are severed, and souls take wing;
Yet Pickett's warriors never waver.
Show me anything braver in all the world
Than the bold sweep of his fearless battalions,
Three half-miles over exposed ground
Up to the cannons, where regiments
Lay flat under the blast that raked
Swaths of men and, fiery-tongued, drank
Their blood with an unquenchable thirst.
Armistead, Kemper, and Pettigrew
Rush against the Union men, rank against rank,
Planting their battle flags high on the crest.
The soldiers do not pause, nor dream of rest,
Until they fall with their enemy’s guns at their chest
And hear the shrieks of the wounded artillery horses.
So Pickett charged, a man
Gifted with the power to lead a multitude
And bring fame to the scarred surviving few.
IX
In vain the mighty endeavor;
In vain the immortal valor;
In vain the insurgent life outpoured!
Faltered the column, spent with shot and
sword;
Its bright hope blanched with sudden pallor;
While Hancock's trefoil bloomed in triple fame.
He chose the field; he saved the second day;
And, honoring here his glorious name,
Again his phalanx held victorious sway.
Meade's line stood firm, and volley on volley roared
Triumphant Union, soon to be restored,
Strong to defy all foes and fears forever.
The Ridge was wreathed with angry fire
As flames rise round a martyr's stake;
For many a hero on that pyre
Was offered for our dear land's sake,
What time in heaven the gray clouds flew
To mingle with the deathless blue;
While here, below, the blue and gray
Melted minglingly away,
Mirroring heaven, to make another day.
And we, who are Americans, we pray
The splendor of strength that
Gettysburg knew
May light the long generations with glorious ray,
And keep us undyingly true!
In vain the mighty effort;
In vain the immortal bravery;
In vain the uprising life poured out!
The column wavered, exhausted from gunfire and sword;
Its bright hope faded with sudden pallor;
While Hancock's emblem shone in triple fame.
He chose the battlefield; he saved the second day;
And, honoring his glorious name here,
Again his formation held a victorious stance.
Meade's line stood strong, and cannon fire roared
Triumphant Union, soon to be revived,
Ready to challenge all enemies and fears forever.
The Ridge was wrapped in fierce fire
As flames rise around a martyr's stake;
For many a hero on that pyre
Was sacrificed for our beloved land's sake,
When in heaven the gray clouds flew
To mix with the everlasting blue;
While here, below, the blue and gray
Melted together and faded away,
Reflecting heaven, to create another day.
And we, as Americans, we pray
The brilliance of strength that Gettysburg experienced
May illuminate the long generations with glorious light,
And keep us eternally true!
X
Dear are the dead we weep for;
Dear are the strong hearts
broken!
Proudly their memory we keep for
Our help and hope; a token
Of sacred thought too deep for
Words that leave it unspoken.
All that we know of fairest,
All that we have of meetest,
Here we lay down for the rarest
Doers whose souls rose fleetest
And in their homes of air rest,
Ranked with the truest and
sweetest.
Days, with fiery-hearted, bold advances;
Nights in dim and shadowy, swift retreat;
Rains that rush with bright, embattled lances;
Thunder, booming round your stirless
feet;—
Winds that set the orchard with sweet fancies
All abloom, or ripple the ripening wheat;
Moonlight, starlight, on your mute graves falling;
Dew, distilled as tears unbidden
flow;—
Dust of drought in drifts and layers crawling;
Lulling dreams of softly whispering
snow;
Happy birds, from leafy coverts calling;—
These go on, yet none of these you
know:
Hearing not our human
voices
Speaking to you all in
vain,
Nor the psalm of a land
that rejoices,
Ringing from churches and cities and foundries a mighty
refrain!
But we, and the sun and the birds, and the breezes that
blow
When tempests are striving and lightnings of heaven are
spent,
With one
consent
Make unto
them
Who died for us eternal requiem.
Dear are the dead we mourn for;
Dear are the strong hearts
shattered!
Proudly we honor their memory for
Our help and hope; a symbol
Of sacred thoughts too profound for
Words that leave it unexpressed.
All that we know of beauty,
All that we cherish most,
Here we lay down for the rarest
Doers whose souls ascended fastest
And in their airy homes rest,
Ranked with the truest and
sweetest.
Days, with fiery passion, bold strides;
Nights in dim, shadowy, swift retreats;
Rains that rush with bright, battle-ready lances;
Thunder, booming around your still
feet;—
Winds that fill the orchard with sweet dreams
All in bloom, or ripple the ripening wheat;
Moonlight, starlight, on your silent graves falling;
Dew, flowing like unbidden tears;—
Dust of drought in drifts and layers creeping;
Lulling dreams of softly whispering
snow;
Happy birds, calling from leafy hideaways;—
These continue, yet none of these you
know:
Hearing not our human
voices
Speaking to you all in
vain,
Nor the song of a land
that rejoices,
Ringing from churches and cities and foundries a powerful
refrain!
But we, and the sun and the birds, and the breezes that
blow
When storms are raging and the lightnings of heaven are
spent,
With one
accord
Create for
them
Who died for us an eternal requiem.
XI
Lovely to look on, O South,
No longer stately-scornful
But beautiful still in pride,
Our hearts go out to you as toward a bride!
Garmented soft in
white,
Haughty, and yet how love-imbuing and tender!
You stand before us with your gently mournful
Memory-haunted eyes and flower-like mouth,
Where clinging thoughts—as bees
a-cluster
Murmur through the leafy gloom,
Musical in monotone—
Whisper sadly. Yet a lustre
As of glowing gold-gray light
Shines upon the orient bloom,
Sweet with orange-blossoms,
thrown
Round the jasmine-starred, deep night
Crowning with dark hair your brow.
Ruthless, once, we came to slay,
And you met us then with hate.
Rough was the wooing of war: we won you,
Won you at last, though late!
Dear South, to-day,
As our country's altar made us
One forever, so we vow
Unto yours our love to render:
Strength with strength we here endow,
And we make your honor ours.
Happiness and hope shall sun you:
All the wiles that half betrayed us
Vanish from us like spent showers.
Beautiful to behold, O South,
No longer proud and aloof
But still lovely in your pride,
Our hearts reach out to you like to a bride!
Dressed softly in
white,
Proud, yet so full of love and tenderness!
You stand before us with your gently sad
Memory-filled eyes and flower-like lips,
Where lingering thoughts—like bees
in a cluster
Buzz through the leafy shadows,
Musical in their monotone—
Whisper mournfully. Yet a glow
Like warm golden-gray light
Shines on the eastward bloom,
Sweet with orange blossoms,
scattered
Around the jasmine-filled, deep night
Crowning your brow with dark hair.
Once, we came with intent to fight,
And you faced us then with anger.
Harsh was the courtship of war: we claimed you,
Finally claimed you, though it took time!
Dear South, today,
As our country's altar united us
Forever, we vow
To give you our love:
Strength with strength we here bestow,
And we make your honor ours.
Happiness and hope shall shine upon you:
All the tricks that nearly deceived us
Disappear like faded showers.
XII
Two hostile bullets in mid-air
Together shocked,
And swift were locked
Forever in a firm embrace.
Then let us men have so much grace
To take the bullets' place,
And learn that we are held
By laws that weld
Our hearts together!
As once we battled hand to hand,
So hand in hand to-day we stand,
Sworn to each other,
Brother and brother,
In storm and mist, or calm, translucent weather:
And Gettysburg's guns, with their death-giving roar,
Echoed from ocean to ocean, shall pour
Quickening life to the nation's core;
Filling our minds again
With the spirit of those who wrought in the
Field of the Flower of
Men!
Two hostile bullets in mid-air
Together shocked,
And quickly locked
Forever in a strong embrace.
Then let us men have so much grace
To take the bullets' place,
And learn that we are held
By laws that unite
Our hearts together!
As once we fought hand to hand,
So hand in hand today we stand,
Sworn to each other,
Brother and brother,
In storm and mist, or clear, bright weather:
And Gettysburg's guns, with their death-giving roar,
Echoed from ocean to ocean, shall pour
Quickening life to the nation's core;
Filling our minds again
With the spirit of those who worked in the
Field of the Flower of
Men!
NOTES
[1] Bride Brook.—The colony of New London (now part of Connecticut) was founded by John Winthrop, Jr., under the jurisdiction of Massachusetts. One of the boundary lines was a stream flowing into Long Island Sound, between the present city of New London and the Connecticut River. In the snowy winter of 1646, Jonathan Rudd, who dwelt in the settlement of Saybrook Fort, at the mouth of the Connecticut, sent for Winthrop to celebrate a marriage between himself and a certain "Mary" of Saybrook, whose last name has been lost. Winthrop performed the ceremony on the frozen surface of the streamlet, the farthest limit of his magistracy; and thereupon bestowed the name "Bride Brook," which it still bears.
[1] Bride Brook.—The colony of New London (now part of Connecticut) was established by John Winthrop, Jr., under Massachusetts' jurisdiction. One of the boundary lines was a stream that flowed into Long Island Sound, situated between what is now the city of New London and the Connecticut River. During the snowy winter of 1646, Jonathan Rudd, who lived in the settlement of Saybrook Fort at the mouth of the Connecticut, called for Winthrop to officiate his marriage to a woman named "Mary" from Saybrook, whose last name has been lost. Winthrop conducted the ceremony on the frozen surface of the stream, marking the farthest extent of his authority; afterward, he named it "Bride Brook," which it is still called today.
[2] The Bride of War.—Jemima Warner, a Pennsylvania woman, was the wife of one of Morgan's riflemen. She marched with the expedition; and, when her husband perished of cold and exhaustion, she took his rifle and equipments and herself carried them to Quebec, where she delivered them to Arnold as a token of her husband's sacrifice, and proof that he was not a deserter.
[2] The Bride of War.—Jemima Warner, a woman from Pennsylvania, was married to one of Morgan's riflemen. She joined the expedition, and when her husband died from cold and exhaustion, she took his rifle and gear and carried them to Quebec, where she handed them over to Arnold as a symbol of her husband's sacrifice and proof that he wasn't a deserter.
Colonel Enos of Connecticut abandoned the column while it was struggling through the Dead River region, with his whole force, the rear-guard, numbering eight hundred men. But for this defection Arnold might have triumphed in his assault on Quebec. It is a curious circumstance that, with this traitor at the rear, and with Benedict Arnold at its head, the little army also counted in its ranks Aaron Burr, whose treason was to ripen after the war ended.
Colonel Enos from Connecticut left the group while it was struggling through the Dead River area, taking his entire rear guard of eight hundred men with him. If it weren't for this betrayal, Arnold might have succeeded in his attack on Quebec. It's an interesting fact that, with this traitor at the back and Benedict Arnold leading the charge, the small army also included Aaron Burr, whose own betrayal would come to light after the war was over.
[3] The Sword Dham.—Antar, the Bedouin poet-hero, was chief of the tribe of Ghaylib.
[3] The Sword Dham.—Antar, the Bedouin poet-hero, was the leader of the Ghaylib tribe.
[4] The Name of Washington.—Read before the Sons of the Revolution, New-York, February 22, 1887, and adopted as the poem of the Society.
[4] The Name of Washington.—Read before the Sons of the Revolution, New York, February 22, 1887, and adopted as the poem of the Society.
[5] Marthy Virginia's Hand.—This was an actual incident in the experience of the late Colonel (formerly Captain) Albert J. Munroe. of the Third Rhode Island Artillery, a gallant officer, gentle and brave as well in peace as in war.
[5] Marthy Virginia's Hand.—This was a real event in the life of the late Colonel (formerly Captain) Albert J. Munroe, a courageous officer who was kind and brave both in peace and in war.
[6] Gettysburg: A Battle Ode.—Written for the Society of the Army of the Potomac, and read at its re-union with Confederate survivors on the field of Gettysburg, July 3, 1888, the Twenty-Fifth Anniversary of the Battle.
[6] Gettysburg: A Battle Ode.—Written for the Society of the Army of the Potomac and presented at its reunion with Confederate survivors on the Gettysburg battlefield on July 3, 1888, marking the 25th Anniversary of the Battle.
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