This is a modern-English version of Lord Peter views the body, originally written by Sayers, Dorothy L. (Dorothy Leigh).
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LORD PETER VIEWS THE BODY
By DOROTHY L. SAYERS
By DOROTHY L. SAYERS
LONDON
VICTOR GOLLANCZ LIMITED
14 Henrietta Street Covent Garden
LONDON
VICTOR GOLLANCZ LIMITED
14 Henrietta Street Covent Garden
First published November 1928
Second impression December 1928
Third impression (first cheap edition) October 1929
Fourth impression February 1930
Fifth impression April 1933
Sixth impression November 1933
Seventh impression September 1934
Eighth impression September 1935
Ninth impression January 1936
Tenth impression September 1936
Eleventh impression July 1937
Twelfth impression August 1938
Thirteenth impression (two shilling edition) July 1939
Fourteenth impression March 1940
Fifteenth impression November 1940
Sixteenth impression July 1941
Seventeenth impression (reset) January 1948
Eighteenth impression April 1949
First published November 1928
Second impression December 1928
Third impression (first affordable edition) October 1929
Fourth impression February 1930
Fifth impression April 1933
Sixth impression November 1933
Seventh impression September 1934
Eighth impression September 1935
Ninth impression January 1936
Tenth impression September 1936
Eleventh impression July 1937
Twelfth impression August 1938
Thirteenth impression (two shilling edition) July 1939
Fourteenth impression March 1940
Fifteenth impression November 1940
Sixteenth impression July 1941
Seventeenth impression (reset) January 1948
Eighteenth impression April 1949
PRINTED AND BOUND IN GREAT BRITAIN BY
WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES
PRINTED AND BOUND IN GREAT BRITAIN BY
WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES
THE STORIES
THE ABOMINABLE HISTORY OF THE MAN WITH COPPER FINGERS
The Egotists' Club is one of the most genial places in London. It is a place to which you may go when you want to tell that odd dream you had last night, or to announce what a good dentist you have discovered. You can write letters there if you like, and have the temperament of a Jane Austen, for there is no silence room, and it would be a breach of club manners to appear busy or absorbed when another member addresses you. You must not mention golf or fish, however, and, if the Hon. Freddy Arbuthnot's motion is carried at the next committee meeting (and opinion so far appears very favourable), you will not be allowed to mention wireless either. As Lord Peter Wimsey said when the matter was mooted the other day in the smoking-room, those are things you can talk about anywhere. Otherwise the club is not specially exclusive. Nobody is ineligible per se, except strong, silent men. Nominees are, however, required to pass certain tests, whose nature is sufficiently indicated by the fact that a certain distinguished explorer came to grief through accepting, and smoking, a powerful Trichinopoly cigar as an accompaniment to a '63 port. On the other hand, dear old Sir Roger Bunt (the coster millionaire who won the £20,000 ballot offered by the Sunday Shriek, and used it to found his immense catering business in the Midlands) was highly commended and unanimously elected after declaring frankly that beer and a pipe were all he really cared for in that way. As Lord Peter said again: "Nobody minds coarseness but one must draw the line at cruelty."
The Egotists' Club is one of the friendliest spots in London. It's a place where you can share that strange dream you had last night or brag about the great dentist you just found. You can write letters if you want and channel your inner Jane Austen, because there's no quiet room, and it would be considered rude to act busy or distracted when another member talks to you. However, you shouldn’t bring up golf or fishing, and if Hon. Freddy Arbuthnot's proposal passes at the next committee meeting (which seems likely so far), you won’t be allowed to mention radio either. As Lord Peter Wimsey pointed out when the topic came up the other day in the smoking room, those are things you can discuss anywhere else. Otherwise, the club isn't particularly exclusive. No one is excluded per se, except for strong, quiet types. However, nominees must pass certain tests, which is clear from the fact that a certain famous explorer ran into trouble after accepting and smoking a potent Trichinopoly cigar while sipping a '63 port. On the flip side, the beloved Sir Roger Bunt (the fruit seller millionaire who won the £20,000 lottery offered by the Sunday Shriek and used it to start his huge catering business in the Midlands) was highly praised and unanimously elected after openly stating that beer and a pipe were all he really cared about. As Lord Peter said again: "Nobody minds roughness, but we have to draw the line at cruelty."
On this particular evening, Masterman (the cubist poet) had brought a guest with him, a man named Varden. Varden had started life as a professional athlete, but a strained heart had obliged him to cut short a brilliant career, and turn his handsome face and remarkably beautiful body to account in the service of the cinema screen. He had come to London from Los Angeles to stimulate publicity for his great new film, Marathon, and turned out to be quite a pleasant, unspoiled person—greatly to the relief of the club, since Masterman's guests were apt to be something of a toss-up.
On this particular evening, Masterman (the cubist poet) had brought a guest with him, a guy named Varden. Varden had started his life as a professional athlete, but a heart condition forced him to end a promising career and use his good looks and impressive physique in the film industry. He had come to London from Los Angeles to promote his new film, Marathon, and turned out to be quite a nice, down-to-earth person—much to the club's relief since Masterman's guests tended to be a bit unpredictable.
There were only eight men, including Varden, in the brown room that evening. This, with its panelled walls, shaded lamps, and heavy blue curtains was perhaps the cosiest and pleasantest of the small smoking-rooms, of which the club possessed half a dozen or so. The conversation had begun quite casually by Armstrong's relating a curious little incident which he had witnessed that afternoon at the Temple Station, and Bayes had gone on to say that that was nothing to the really very odd thing which had happened to him, personally, in a thick fog one night in the Euston Road.
There were only eight guys, including Varden, in the brown room that evening. With its paneled walls, dim lamps, and heavy blue curtains, it was probably the coziest and most pleasant of the small smoking rooms that the club had about six of. The conversation had started off casually when Armstrong shared a strange little incident he had seen that afternoon at the Temple Station, and Bayes chimed in to say that wasn't anything compared to the really weird thing that had happened to him one night in a thick fog on the Euston Road.
Masterman said that the more secluded London squares teemed with subjects for a writer, and instanced his own singular encounter with a weeping woman and a dead monkey, and then Judson took up the tale and narrated how, in a lonely suburb, late at night, he had come upon the dead body of a woman stretched on the pavement with a knife in her side and a policeman standing motionless near by. He had asked if he could do anything, but the policeman had only said, "I wouldn't interfere if I was you, sir; she deserved what she got." Judson said he had not been able to get the incident out of his mind, and then Pettifer told them of a queer case in his own medical practice, when a totally unknown man had led him to a house in Bloomsbury where there was a woman suffering from strychnine poisoning. This man had helped him in the most intelligent manner all night, and, when the patient was out of danger, had walked straight out of the house and never reappeared; the odd thing being that, when he (Pettifer) questioned the woman, she answered in great surprise that she had never seen the man in her life and had taken him to be Pettifer's assistant.
Masterman mentioned that the quieter squares of London were full of ideas for a writer, and he shared his unusual experience with a crying woman and a dead monkey. Then Judson took over the story and recounted how, in a lonely suburb late at night, he stumbled upon the body of a woman lying on the pavement with a knife in her side and a police officer standing still nearby. He asked if he could help, but the officer simply replied, "I wouldn't interfere if I were you, sir; she got what she deserved." Judson said he couldn't shake off the incident from his mind, and then Pettifer shared a strange case from his own medical practice when an unknown man brought him to a house in Bloomsbury where a woman was suffering from strychnine poisoning. This man assisted him intelligently throughout the night, and once the patient was safe, he just walked out of the house and never returned; what was odd was that when Pettifer questioned the woman, she was surprised and said she had never seen the man before and thought he was Pettifer's assistant.
"That reminds me," said Varden, "of something still stranger that happened to me once in New York—I've never been able to make out whether it was a madman or a practical joke, or whether I really had a very narrow shave."
"That reminds me," Varden said, "of something even weirder that happened to me once in New York—I've never been able to figure out if it was a madman, a practical joke, or if I really had a very close call."
This sounded promising, and the guest was urged to go on with his story.
This sounded promising, and the guest was encouraged to continue with his story.
"Well, it really started ages ago," said the actor, "seven years it must have been—just before America came into the war. I was twenty-five at the time, and had been in the film business a little over two years. There was a man called Eric P. Loder, pretty well known in New York at that period, who would have been a very fine sculptor if he hadn't had more money than was good for him, or so I understood from the people who go in for that kind of thing. He used to exhibit a good deal and had a lot of one-man shows of his stuff to which the highbrow people went—he did a good many bronzes, I believe. Perhaps you know about him, Masterman?"
"Well, it really started a long time ago," said the actor, "about seven years back—right before America entered the war. I was twenty-five then and had been in the film business for just over two years. There was a guy named Eric P. Loder, pretty well known in New York at that time, who would have made a fantastic sculptor if he hadn’t had more money than was good for him, or so I heard from people into that sort of thing. He used to exhibit a lot and had many solo shows that the intellectual crowd attended—he made quite a few bronzes, I believe. Maybe you’ve heard of him, Masterman?"
"I've never seen any of his things," said the poet, "but I remember some photographs in The Art of To-Morrow. Clever, but rather overripe. Didn't he go in for a lot of that chryselephantine stuff? Just to show he could afford to pay for the materials, I suppose."
"I've never seen any of his work," said the poet, "but I recall some pictures in The Art of To-Morrow. Smart, but kind of overdone. Didn't he use a lot of that chryselephantine stuff? Just to show he could splurge on the materials, I guess."
"Yes, that sounds very like him."
"Yeah, that definitely sounds like him."
"Of course—and he did a very slick and very ugly realistic group called Lucina, and had the impudence to have it cast in solid gold and stood in his front hall."
"Of course—and he created a really slick yet very unattractive realistic sculpture called Lucina, and had the audacity to have it made in solid gold and placed in his front hall."
"Oh, that thing! Yes—simply beastly I thought it, but then I never could see anything artistic in the idea. Realism, I suppose you'd call it. I like a picture or a statue to make you feel good, or what's it there for? Still, there was something very attractive about Loder."
"Oh, that thing! Yes—absolutely horrible, I thought, but then I never could see anything artistic about it. Realism, I guess you’d call it. I prefer a picture or a statue to make you feel good, or what's the point? Still, there was something really appealing about Loder."
"How did you come across him?"
"How did you discover him?"
"Oh, yes. Well, he saw me in that little picture of mine, Apollo comes to New York—perhaps you remember it. It was my first star part. About a statue that's brought to life—one of the old gods, you know—and how he gets on in a modern city. Dear old Reubenssohn produced it. Now, there was a man who could put a thing through with consummate artistry. You couldn't find an atom of offence from beginning to end, it was all so tasteful, though in the first part one didn't have anything to wear except a sort of scarf—taken from the classical statue, you know."
"Oh, definitely. Well, he saw me in that little play of mine, Apollo Comes to New York—maybe you remember it. It was my first starring role. It’s about a statue that comes to life—one of the old gods, you know—and how he adapts to life in a modern city. Dear old Reubenssohn produced it. Now, that was a guy who could pull off a production with true artistry. You couldn't find a single offensive thing from start to finish; it was all so classy, even though in the first act, I was only wearing a sort of scarf—taken from the classical statue, you know."
"The Belvedere?"
"The Belvedere?"
"I dare say. Well. Loder wrote to me, and said as a sculptor he was interested in me, because I was a good shape and so on, and would I come and pay him a visit in New York when I was free. So I found out about Loder, and decided it would be good publicity, and when my contract was up, and I had a bit of time to fill in, I went up east and called on him. He was very decent to me, and asked me to stay a few weeks with him while I was looking around.
"I must say. Well, Loder wrote to me and mentioned that as a sculptor, he was interested in me because of my good physique and so on, and asked if I would come and visit him in New York when I had some free time. So I looked into Loder and thought it would be good publicity, and when my contract was finished and I had some time to spare, I headed east and visited him. He was really nice to me and invited me to stay for a few weeks while I explored the area."
"He had a magnificent great house about five miles out of the city, crammed full of pictures and antiques and so on. He was somewhere between thirty-five and forty, I should think, dark and smooth, and very quick and lively in his movements. He talked very well; seemed to have been everywhere and have seen everything and not to have any too good an opinion of anybody. You could sit and listen to him for hours; he'd got anecdotes about everybody, from the Pope to old Phineas E. Groot of the Chicago Ring. The only kind of story I didn't care about hearing from him was the improper sort. Not that I don't enjoy an after-dinner story—no, sir, I wouldn't like you to think I was a prig—but he'd tell it with his eye upon you as if he suspected you of having something to do with it. I've known women do that, and I've seen men do it to women and seen the women squirm, but he was the only man that's ever given me that feeling. Still, apart from that, Loder was the most fascinating fellow I've ever known. And, as I say, his house surely was beautiful, and he kept a first-class table.
He had an impressive big house about five miles outside the city, filled with art and antiques and so on. I’d guess he was somewhere between thirty-five and forty, dark and smooth, and very quick and lively in his movements. He spoke really well; he seemed to have traveled everywhere and seen everything, with a not-so-great opinion of anyone. You could sit and listen to him for hours; he had stories about everyone, from the Pope to old Phineas E. Groot of the Chicago Ring. The only kind of story I didn’t want to hear from him was the inappropriate kind. Not that I don't enjoy an after-dinner story—no, sir, I wouldn’t want you to think I was uptight—but he would tell it while looking at you as if he thought you might be involved. I’ve seen women do that, and I’ve watched men do it to women and seen the women squirm, but he was the only guy who ever made me feel that way. Still, aside from that, Loder was the most interesting guy I’ve ever met. And, like I said, his house was definitely beautiful, and he served an excellent meal.
"He liked to have everything of the best. There was his mistress, Maria Morano. I don't think I've ever seen anything to touch her, and when you work for the screen you're apt to have a pretty exacting standard of female beauty. She was one of those big, slow, beautifully moving creatures, very placid, with a slow, wide smile. We don't grow them in the States. She'd come from the South—had been a cabaret dancer he said, and she didn't contradict him. He was very proud of her, and she seemed to be devoted to him in her own fashion. He'd show her off in the studio with nothing on but a fig-leaf or so—stand her up beside one of the figures he was always doing of her, and compare them point by point. There was literally only one half inch of her, it seemed, that wasn't absolutely perfect from the sculptor's point of view—the second toe of her left foot was shorter than the big toe. He used to correct it, of course, in the statues. She'd listen to it all with a good-natured smile, sort of vaguely flattered, you know. Though I think the poor girl sometimes got tired of being gloated over that way. She'd sometimes hunt me out and confide to me that what she had always hoped for was to run a restaurant of her own, with a cabaret show and a great many cooks with white aprons, and lots of polished electric cookers. 'And then I would marry,' she'd say, 'and have four sons and one daughter,' and she told me all the names she had chosen for the family. I thought it was rather pathetic. Loder came in at the end of one of these conversations. He had a sort of a grin on, so I dare say he'd overheard. I don't suppose he attached much importance to it, which shows that he never really understood the girl. I don't think he ever imagined any woman would chuck up the sort of life he'd accustomed her to, and if he was a bit possessive in his manner, at least he never gave her a rival. For all his talk and his ugly statues, she'd got him, and she knew it.
He liked to have everything top-notch. There was his girlfriend, Maria Morano. I don't think I've ever seen anyone who compares to her, and when you work in the film industry, you tend to have a pretty high standard for female beauty. She was one of those tall, graceful, beautifully moving women—very calm, with a slow, wide smile. You don’t find women like her in the States. She came from the South—had been a cabaret dancer, he said, and she didn’t argue. He was really proud of her, and she seemed to care for him in her own way. He’d show her off in the studio wearing nothing but a fig leaf or so—standing her next to one of the statues he was always making of her, comparing them detail by detail. There was literally only one half inch of her that wasn’t absolutely perfect from a sculptor's perspective—the second toe of her left foot was shorter than the big toe. He would fix that in the statues, of course. She’d listen to it all with a friendly smile, kind of vaguely flattered. But I think the poor girl sometimes got tired of being put on display like that. She’d sometimes find me and confide that what she really wanted was to run her own restaurant, with a cabaret show and lots of cooks in white aprons, and plenty of shiny electric cookers. "And then I would get married," she’d say, "and have four sons and one daughter," and she’d tell me all the names she’d picked out for the family. I thought it was kind of sad. Loder walked in at the end of one of those chats. He had a bit of a grin, so I guess he’d overheard. I don’t think he thought it was a big deal, which shows he never really understood her. I don’t think he ever imagined any woman would give up the kind of life he had gotten her used to, and even if he was a bit possessive, at least he never gave her a rival. For all his talk and his ugly statues, she had him, and she knew it.
"I stayed there getting on for a month altogether, having a thundering good time. On two occasions Loder had an art spasm, and shut himself up in his studio to work and wouldn't let anybody in for several days on end. He was rather given to that sort of stunt, and when it was over we would have a party, and all Loder's friends and hangers-on would come to have a look at the work of art. He was doing a figure of some nymph or goddess, I fancy, to be cast in silver, and Maria used to go along and sit for him. Apart from those times, he went about everywhere, and we saw all there was to be seen.
"I stayed there for almost a month in total, having a fantastic time. On two occasions, Loder got really into his art and secluded himself in his studio to work, not letting anyone in for several days. He often pulled that kind of stunt, and when he was done, we would throw a party, inviting all of Loder's friends and hangers-on to check out the artwork. He was working on a figure of some nymph or goddess, I think, to be cast in silver, and Maria would go over and pose for him. Other than those times, he was always out and about, and we saw everything there was to see."
"I was fairly annoyed, I admit, when it came to an end. War was declared, and I'd made up my mind to join up when that happened. My heart put me out of the running for trench service, but I counted on getting some sort of a job, with perseverance, so I packed up and went off.
"I have to admit I was pretty annoyed when it ended. War was declared, and I had decided to join when that happened. My heart kept me from joining the trenches, but I was hoping to land some kind of job if I kept at it, so I packed my things and left."
"I wouldn't have believed Loder would have been so genuinely sorry to say good-bye to me. He said over and over again that we'd meet again soon. However, I did get a job with the hospital people, and was sent over to Europe, and it wasn't till 1920 that I saw Loder again.
"I never thought Loder would be so truly upset to say goodbye to me. He kept saying that we’d meet again soon. However, I got a job with the hospital team and was sent to Europe, and it wasn’t until 1920 that I saw Loder again."
"He'd written to me before, but I'd had two big pictures to make in '19, and it couldn't be done. However, in '20 I found myself back in New York, doing publicity for The Passion Streak, and got a note from Loder begging me to stay with him, and saying he wanted me to sit for him. Well, that was advertisement that he'd pay for himself, you know, so I agreed. I had accepted an engagement to go out with Mystofilms Ltd. in Jake of Dead Man's Bush—the dwarfmen picture, you know, taken on the spot among the Australian bushmen. I wired them that I would join them at Sydney the third week in April, and took my bags out to Loder's.
"He'd written to me before, but I had two major projects to finish in '19, so it couldn't happen. However, in '20 I found myself back in New York, doing publicity for The Passion Streak, and received a note from Loder asking me to stay with him and saying he wanted me to sit for him. Well, that was an offer he was willing to pay for, so I agreed. I had already accepted a job with Mystofilms Ltd. for Jake of Dead Man's Bush—the dwarfmen film, you know, filmed on location among the Australian bushmen. I messaged them that I would join in Sydney the third week of April and took my bags over to Loder's."
"Loder greeted me very cordially, though I thought he looked older than when I last saw him. He had certainly grown more nervous in his manner. He was—how shall I describe it?—more intense—more real, in a way. He brought out his pet cynicisms as if he thoroughly meant them, and more and more with that air of getting at you personally. I used to think his disbelief in everything was a kind of artistic pose, but I began to feel I had done him an injustice. He was really unhappy, I could see that quite well, and soon I discovered the reason. As we were driving out in the car I asked after Maria.
Loder greeted me warmly, but I noticed he looked older than the last time I saw him. He seemed to have become more nervous in his demeanor. He was—how do I put it?—more intense—more genuine in a way. He shared his usual cynical remarks as if he truly believed them, increasingly with that feeling of targeting me personally. I used to think his skepticism about everything was just an artistic act, but I started to believe I had misjudged him. He was genuinely unhappy; I could see that clearly, and soon I found out why. While we were driving in the car, I asked about Maria.
"'She has left me,' he said.
"'She has left me,' he said."
"Well, now, you know, that really surprised me. Honestly, I hadn't thought the girl had that much initiative. 'Why,' I said, 'has she gone and set up in that restaurant of her own she wanted so much?'
"Well, you know, that really caught me off guard. Honestly, I didn't think the girl had that much drive. 'Why,' I said, 'has she gone and opened that restaurant of her own that she wanted so badly?'"
"'Oh! she talked to you about restaurants, did she?' said Loder. 'I suppose you are one of the men that women tell things to. No. She made a fool of herself. She's gone.'
"'Oh! She talked to you about restaurants, did she?' Loder said. 'I guess you’re one of those guys women confide in. No. She really embarrassed herself. She's out of here.'"
"I didn't quite know what to say. He was so obviously hurt in his vanity, you know, as well as in his feelings. I muttered the usual things, and added that it must be a great loss to his work as well as in other ways. He said it was.
"I didn't really know what to say. He was clearly hurt in his pride, as well as in his feelings. I mumbled the usual things and added that it must be a big loss for his work and in other ways too. He said it was."
"I asked him when it had happened and whether he'd finished the nymph he was working on before I left. He said, 'Oh, yes, he'd finished that and done another—something pretty original, which I should like.'
"I asked him when it happened and if he had finished the nymph he was working on before I left. He said, 'Oh, yes, I finished that and did another one—something pretty original that I think you’ll like.'"
"Well, we got to the house and dined, and Loder told me he was going to Europe shortly, a few days after I left myself, in fact. The nymph stood in the dining-room, in a special niche let into the wall. It really was a beautiful thing, not so showy as most of Loder's work, and a wonderful likeness of Maria. Loder put me opposite it, so that I could see it during dinner, and, really, I could hardly take my eyes off it. He seemed very proud of it, and kept on telling me over and over again how glad he was that I liked it. It struck me that he was falling into a trick of repeating himself.
"Well, we arrived at the house and had dinner, and Loder told me he was heading to Europe soon, just a few days after I was leaving. The statue stood in the dining room, in a special alcove built into the wall. It was truly stunning, not as flashy as most of Loder's work, and an amazing likeness of Maria. Loder sat me across from it so I could see it during dinner, and honestly, I could hardly take my eyes off it. He seemed really proud of it and kept telling me how happy he was that I liked it. I noticed he was starting to repeat himself a lot."
"We went into the smoking-room after dinner. He'd had it rearranged, and the first thing that caught one's eye was a big settee drawn before the fire. It stood about a couple of feet from the ground, and consisted of a base made like a Roman couch, with cushions and a highish back, all made of oak with a silver inlay, and on top of this, forming the actual seat one sat on, if you follow me, there was a great silver figure of a nude woman, fully life-size, lying with her head back and her arms extended along the sides of the couch. A few big loose cushions made it possible to use the thing as an actual settee, though I must say it never was really comfortable to sit on respectably. As a stage prop. for registering dissipation it would have been excellent, but to see Loder sprawling over it by his own fireside gave me a kind of shock. He seemed very much attached to it, though.
We went into the smoking room after dinner. He’d had it rearranged, and the first thing that caught your eye was a big sofa in front of the fire. It was about two feet off the ground and had a base like a Roman couch, with cushions and a tall back, all made of oak with silver inlay. On top of this, forming the actual seat, there was a large silver figure of a nude woman, life-size, lying back with her arms extended along the sides of the couch. A few big loose cushions made it usable as an actual sofa, though I must say it was never really comfortable to sit on properly. As a prop for showing off decadence, it would have been perfect, but seeing Loder lounging on it by his own fireplace gave me a bit of a jolt. He seemed very attached to it, though.
"'I told you,' he said, 'that it was something original.'
"'I told you,' he said, 'that it was something unique.'"
"Then I looked more closely at it, and saw that the figure actually was Maria's, though the face was rather sketchily done, if you understand what I mean. I suppose he thought a bolder treatment more suited to a piece of furniture.
"Then I looked more closely at it and saw that the figure was actually Maria's, although the face was drawn rather loosely, if you know what I mean. I guess he thought a bolder style would be better for a piece of furniture."
"But I did begin to think Loder a trifle degenerate when I saw that couch. And in the fortnight that followed I grew more and more uncomfortable with him. That personal manner of his grew more marked every day, and sometimes, while I was giving him sittings, he would sit there and tell one of the most beastly things, with his eyes fixed on one in the nastiest way, just to see how one would take it. Upon my word, though he certainly did me uncommonly well, I began to feel I'd be more at ease among the bushmen.
"But I started to think Loder was a bit off when I saw that couch. Over the next two weeks, I became more and more uncomfortable around him. His personal demeanor became more pronounced each day, and sometimes, while I was posing for him, he would sit there and share some really disgusting stories, staring at me in the creepiest way, just to see how I would react. Honestly, even though he certainly did a great job with my portraits, I began to feel I'd be more comfortable with the bushmen."
"Well, now I come to the odd thing."
"Well, now I get to the strange part."
Everybody sat up and listened a little more eagerly.
Everybody sat up and listened a bit more attentively.
"It was the evening before I had to leave New York," went on Varden. "I was sitting——"
"It was the evening before I had to leave New York," Varden continued. "I was sitting——"
Here somebody opened the door of the brown room, to be greeted by a warning sign from Bayes. The intruder sank obscurely into a large chair and mixed himself a whisky with extreme care not to disturb the speaker.
Here someone opened the door to the brown room, only to be met by a warning sign from Bayes. The intruder quietly settled into a large chair and carefully poured himself a whisky, making sure not to disrupt the speaker.
"I was sitting in the smoking-room," continued Varden, "waiting for Loder to come in. I had the house to myself, for Loder had given the servants leave to go to some show or lecture or other, and he himself was getting his things together for his European trip and had had to keep an appointment with his man of business. I must have been very nearly asleep, because it was dusk when I came to with a start and saw a young man quite close to me.
"I was sitting in the smoking room," Varden continued, "waiting for Loder to show up. The house was empty since Loder had let the servants go out to some show or lecture, and he was busy packing for his trip to Europe while also keeping an appointment with his business guy. I must have almost fallen asleep because it was getting dark when I suddenly woke up and noticed a young man right next to me."
"He wasn't at all like a housebreaker, and still less like a ghost. He was, I might almost say, exceptionally ordinary-looking. He was dressed in a grey English suit, with a fawn overcoat on his arm, and his soft hat and stick in his hand. He had sleek, pale hair, and one of those rather stupid faces, with a long nose and a monocle. I stared at him, for I knew the front door was locked, but before I could get my wits together he spoke. He had a curious, hesitating, husky voice and a strong English accent. He said, surprisingly:
"He didn't seem like a burglar at all, and definitely not like a ghost. He was, I'd almost say, strikingly average-looking. He wore a grey English suit, with a tan overcoat draped over his arm, and held a soft hat and cane in his hand. His hair was slick and light in color, and he had one of those somewhat dull faces, with a long nose and a monocle. I stared at him, because I knew the front door was locked, but before I could gather my thoughts, he spoke. He had a strange, hesitant, raspy voice and a strong English accent. He said, surprisingly:
"'Are you Mr. Varden?'
"Are you Mr. Varden?"
"'You have the advantage of me,' I said.
'You have the upper hand,' I said.
"He said, 'Please excuse my butting in; I know it looks like bad manners, but you'd better clear out of this place very quickly, don't you know.'
"He said, 'Sorry for interrupting; I know it seems rude, but you really need to get out of here fast, you know.'"
"'What the hell do you mean?' I said.
'What the heck do you mean?' I said.
"He said, 'I don't mean it in any impertinent way, but you must realise that Loder's never forgiven you, and I'm afraid he means to make you into a hat-stand or an electric-light fitting, or something of that sort.'
"He said, 'I don't mean it to sound rude, but you have to understand that Loder has never forgiven you, and I’m afraid he plans to turn you into a hat rack or an electric light fixture, or something like that.'"
"My God! I can tell you I felt queer. It was such a quiet voice, and his manners were perfect, and yet the words were quite meaningless! I remembered that madmen are supposed to be extra strong, and edged towards the bell—and then it came over me with rather a chill that I was alone in the house.
"My God! I can honestly say I felt strange. His voice was so calm, and his manners were flawless, but his words were completely empty! I recalled that people say madmen are supposed to be really strong, and I moved closer to the bell—and then it hit me with a bit of a chill that I was all alone in the house."
"'How did you get here?' I asked, putting a bold face on it.
"'How did you get here?' I asked, trying to sound confident."
"'I'm afraid I picked the lock,' he said, as casually as though he were apologising for not having a card about him. 'I couldn't be sure Loder hadn't come back. But I do really think you had better get out as quickly as possible.'
"'I'm sorry I picked the lock,' he said, as casually as if he were just apologizing for not having a card with him. 'I wasn't sure Loder hadn't come back. But I really think you should get out as quickly as possible.'"
"'See here,' I said, 'who are you and what the hell are you driving at? What do you mean about Loder never forgiving me? Forgiving me what?'
"'Look,' I said, 'who are you and what are you talking about? What do you mean Loder will never forgive me? Forgive me for what?'"
"'Why,' he said, 'about—you will pardon me prancing in on your private affairs, won't you—about Maria Morano.'
"'Why,' he said, 'about—you will forgive me for barging into your private matters, won't you—about Maria Morano.'
"'What about her, in the devil's name?' I cried. 'What do you know about her, anyway? She went off while I was at the war. What's it to do with me?'
"'What about her, for heaven's sake?' I shouted. 'What do you even know about her? She left while I was at war. What does that have to do with me?'"
"'Oh!' said the very odd young man, 'I beg your pardon. Perhaps I have been relying too much on Loder's judgment. Damned foolish; but the possibility of his being mistaken did not occur to me. He fancies you were Maria Morano's lover when you were here last time.'
"'Oh!' said the very strange young man, 'I’m sorry. Maybe I’ve been depending too much on Loder's judgment. That was really silly; I never considered the chance that he could be wrong. He thinks you were Maria Morano’s lover when you were here last time.'"
"'Maria's lover?' I said. 'Preposterous! She went off with her man, whoever he was. He must know she didn't go with me.'
"'Maria's lover?' I said. 'That's ridiculous! She left with her guy, whoever he was. He has to know she wasn’t with me.'"
"'Maria never left the house,' said the young man, 'and if you don't get out of it this moment, I won't answer for your ever leaving, either.'
"'Maria never left the house,' said the young man, 'and if you don't get out of it right now, I can't promise you'll ever leave, either.'"
"'In God's name,' I cried, exasperated, 'what do you mean?'
"'In God's name,' I shouted, frustrated, 'what do you mean?'"
"The man turned and threw the blue cushions off the foot of the silver couch.
"The man turned and tossed the blue cushions off the end of the silver couch."
"'Have you ever examined the toes of this?' he asked.
"'Have you ever looked at the toes of this?' he asked."
"'Not particularly,' I said, more and more astonished. 'Why should I?'
"'Not really,' I said, growing more and more surprised. 'Why would I?'"
"'Did you ever know Loder make any figure of her but this with that short toe on the left foot?' he went on.
"'Have you ever seen Loder create any other version of her except for this one with the short toe on the left foot?' he continued."
"Well, I did take a look at it then, and saw it was as he said—the left foot had a short second toe.
"Well, I did check it out then, and I saw it was as he said—the left foot had a short second toe."
"'So it is,' I said, 'but, after all, why not?'
"'So it is,' I said, 'but, after all, why not?'"
"'Why not, indeed?' said the young man. 'Wouldn't you like to see why, of all the figures Loder made of Maria Morano, this is the only one that has the feet of the living woman?'
"'Why not, right?' said the young man. 'Wouldn't you want to know why, out of all the figures Loder made of Maria Morano, this is the only one that has the feet of the living woman?'"
"He picked up the poker.
"He grabbed the poker."
"'Look!' he said.
"Check it out!" he said.
"With a lot more strength than I should have expected from him, he brought the head of the poker down with a heavy crack on the silver couch. It struck one of the arms of the figure neatly at the elbow-joint, smashing a jagged hole in the silver. He wrenched at the arm and brought it away. It was hollow, and, as I am alive, I tell you there was a long, dry arm-bone inside it!"
"With a lot more strength than I expected from him, he slammed the poker down hard on the silver couch. It hit one of the figure's arms right at the elbow, creating a jagged hole in the silver. He yanked at the arm and pulled it off. It was hollow, and I swear, there was a long, dry arm bone inside it!"
Varden paused, and put away a good mouthful of whisky.
Varden paused and took a good drink of whisky.
"Well?" cried several breathless voices.
"Well?" shouted several breathless voices.
"Well," said Varden, "I'm not ashamed to say I went out of that house like an old buck-rabbit that hears the man with the gun. There was a car standing just outside, and the driver opened the door. I tumbled in, and then it came over me that the whole thing might be a trap, and I tumbled out again and ran till I reached the trolley-cars. But I found my bags at the station next day, duly registered for Vancouver.
"Well," said Varden, "I'm not ashamed to admit that I left that house like a scared rabbit hearing a gunshot. There was a car parked right outside, and the driver opened the door. I jumped in, but then I realized the whole thing could be a setup, so I jumped back out and ran until I got to the trolley cars. But I found my bags at the station the next day, properly checked in for Vancouver."
"When I pulled myself together I did rather wonder what Loder was thinking about my disappearance, but I could no more have gone back into that horrible house than I could have taken poison. I left for Vancouver next morning, and from that day to this I never saw either of those men again. I've still not the faintest idea who the fair man was, or what became of him, but I heard in a round-about way that Loder was dead—in some kind of an accident, I fancy."
"When I got myself together, I couldn't help but wonder what Loder thought about my disappearance, but I couldn't bring myself to go back into that awful house any more than I could take poison. I left for Vancouver the next morning, and since then, I haven't seen either of those men again. I still have no clue who the fair man was or what happened to him, but I heard somewhat indirectly that Loder was dead—probably in some kind of accident, I guess."
There was a pause. Then:
There was a pause. Then:
"It's a damned good story, Mr. Varden," said Armstrong—he was a dabbler in various kinds of handiwork, and was, indeed, chiefly responsible for Mr. Arbuthnot's motion to ban wireless—"but are you suggesting there was a complete skeleton inside that silver casting? Do you mean Loder put it into the core of the mould when the casting was done? It would be awfully difficult and dangerous—the slightest accident would have put him at the mercy of his workmen. And that statue must have been considerably over life-size to allow of the skeleton being well covered."
"It's an excellent story, Mr. Varden," said Armstrong—he was someone who dabbled in various types of craftsmanship and was actually the main person behind Mr. Arbuthnot's proposal to ban wireless—"but are you suggesting there was a whole skeleton inside that silver casting? Are you saying Loder placed it into the core of the mold when the casting was done? That would be extremely difficult and risky—the slightest mistake could leave him vulnerable to his workers. And that statue would have had to be much larger than life-size to make sure the skeleton was well hidden."
"Mr. Varden has unintentionally misled you, Armstrong," said a quiet, husky voice suddenly from the shadow behind Varden's chair. "The figure was not silver, but electro-plated on a copper base deposited direct on the body. The lady was Sheffield-plated, in fact. I fancy the soft parts of her must have been digested away with pepsin, or some preparation of the kind, after the process was complete, but I can't be positive about that."
"Mr. Varden has accidentally misled you, Armstrong," said a low, husky voice suddenly from the shadow behind Varden's chair. "The figure wasn't silver; it was electro-plated on a copper base applied directly to the body. The lady was actually Sheffield-plated. I think the softer parts must have been broken down using pepsin or a similar preparation after the process was done, but I can't be sure about that."
"Hullo, Wimsey," said Armstrong, "was that you came in just now? And why this confident pronouncement?"
"Hellо, Wimsey," said Armstrong, "was that you who just walked in? And why the bold statement?"
The effect of Wimsey's voice on Varden had been extraordinary. He had leapt to his feet, and turned the lamp so as to light up Wimsey's face.
The effect of Wimsey's voice on Varden had been amazing. He had jumped to his feet and adjusted the lamp to illuminate Wimsey's face.
"Good evening, Mr. Varden," said Lord Peter. "I'm delighted to meet you again and to apologise for my unceremonious behaviour on the occasion of our last encounter."
"Good evening, Mr. Varden," said Lord Peter. "I'm glad to see you again and to apologize for my rude behavior the last time we met."
Varden took the proffered hand, but was speechless.
Varden took the offered hand but couldn't find the words.
"D'you mean to say, you mad mystery-monger, that you were Varden's Great Unknown?" demanded Bayes. "Ah, well," he added rudely, "we might have guessed it from his vivid description."
"Are you saying, you crazy mystery-lover, that you were Varden's Great Unknown?" Bayes demanded. "Well," he added rudely, "we could have figured it out from his colorful description."
"Well, since you're here," said Smith-Hartington, the Morning Yell man, "I think you ought to come across with the rest of the story."
"Well, since you're here," said Smith-Hartington, the Morning Yell guy, "I think you should share the rest of the story."
"Was it just a joke?" asked Judson.
"Was it just a joke?" Judson asked.
"Of course not," interrupted Pettifer, before Lord Peter had time to reply. "Why should it be? Wimsey's seen enough queer things not to have to waste his time inventing them."
"Of course not," interrupted Pettifer, before Lord Peter had a chance to respond. "Why would it be? Wimsey has seen enough strange things to waste his time making them up."
"That's true enough," said Bayes. "Comes of having deductive powers and all that sort of thing, and always sticking one's nose into things that are better not investigated."
"That's definitely true," said Bayes. "It comes from having analytical skills and all that, along with always getting involved in things that are better left alone."
"That's all very well, Bayes," said his lordship, "but if I hadn't just mentioned the matter to Mr. Varden that evening, where would he be?"
"That's all good and well, Bayes," said his lordship, "but if I hadn't just brought it up with Mr. Varden that evening, where would he be?"
"Ah, where? That's exactly what we want to know," demanded Smith-Hartington. "Come on, Wimsey, no shirking; we must have the tale."
"Ah, where? That's exactly what we want to know," demanded Smith-Hartington. "Come on, Wimsey, no avoiding it; we need to hear the story."
"And the whole tale," added Pettifer.
"And that's the whole story," Pettifer added.
"And nothing but the tale," said Armstrong, dexterously whisking away the whisky-bottle and the cigars from under Lord Peter's nose. "Get on with it, old son. Not a smoke do you smoke and not a sup do you sip till Burd Ellen is set free."
"And just the story," said Armstrong, skillfully clearing away the whisky bottle and cigars from in front of Lord Peter. "Let’s move on, my friend. You won’t have a smoke or a sip until Burd Ellen is freed."
"Brute!" said his lordship plaintively. "As a matter of fact," he went on, with a change of tone, "it's not really a story I want to get about. It might land me in a very unpleasant sort of position—manslaughter probably, and murder possibly."
"Brute!" his lordship said sadly. "Actually," he continued, changing his tone, "it's not really a story I want to spread around. It could put me in a really uncomfortable situation—probably manslaughter, and possibly murder."
"Gosh!" said Bayes.
"Oh wow!" said Bayes.
"That's all right," said Armstrong, "nobody's going to talk. We can't afford to lose you from the club, you know. Smith-Hartington will have to control his passion for copy, that's all."
"That's fine," said Armstrong, "no one’s going to say anything. We can’t afford to lose you from the club, you know. Smith-Hartington will just have to rein in his obsession with the copy, that’s all."
Pledges of discretion having been given all round, Lord Peter settled himself back and began his tale.
Pledges of discretion having been given all around, Lord Peter settled back and started his story.
"The curious case of Eric P. Loder affords one more instance of the strange manner in which some power beyond our puny human wills arranges the affairs of men. Call it Providence—call it Destiny——"
"The curious case of Eric P. Loder gives us another example of the weird way that some power beyond our limited human control shapes the lives of people. Call it Providence—call it Destiny—"
"We'll call it off," said Bayes; "you can leave out that part."
"We'll cancel it," said Bayes; "you can skip that part."
Lord Peter groaned and began again.
Lord Peter groaned and started over.
"Well, the first thing that made me feel a bit inquisitive about Loder was a casual remark by a man at the Emigration Office in New York where I happened to go about that silly affair of Mrs. Bilt's. He said, 'What on earth is Eric Loder going to do in Australia? I should have thought Europe was more in his line.'
"Well, the first thing that made me curious about Loder was a casual comment from a guy at the Emigration Office in New York, where I happened to be regarding that silly situation with Mrs. Bilt. He said, 'What on earth is Eric Loder going to do in Australia? I would have thought Europe was more his style.'"
"'Australia?' I said, 'you're wandering, dear old thing. He told me the other day he was off to Italy in three weeks' time.'
"'Australia?' I said, 'you're off track, my dear. He mentioned to me the other day that he’s heading to Italy in three weeks.'"
"'Italy, nothing,' he said, 'he was all over our place to-day, asking about how you got to Sydney and what were the necessary formalities, and so on.'
"'Italy, nothing,' he said, 'he was around our place today, asking about how you got to Sydney and what the necessary formalities were, and so on.'"
"'Oh,' I said, 'I suppose he's going by the Pacific route, and calling at Sydney on his way.' But I wondered why he hadn't said so when I'd met him the day before. He had distinctly talked about sailing for Europe and doing Paris before he went on to Rome.
"'Oh,' I said, 'I guess he's taking the Pacific route and stopping in Sydney on the way.' But I was curious why he hadn't mentioned that when I saw him the day before. He had clearly talked about heading to Europe and visiting Paris before moving on to Rome.
"I felt so darned inquisitive that I went and called on Loder two nights later.
"I felt so curious that I went over to Loder's place two nights later."
"He seemed quite pleased to see me, and was full of his forthcoming trip. I asked him again about his route, and he told me quite distinctly he was going via Paris.
"He seemed really happy to see me and couldn't stop talking about his upcoming trip. I asked him again about his route, and he clearly told me he was going through Paris."
"Well, that was that, and it wasn't really any of my business, and we chatted about other things. He told me that Mr. Varden was coming to stay with him before he went, and that he hoped to get him to pose for a figure before he left. He said he'd never seen a man so perfectly formed. 'I meant to get him to do it before,' he said, 'but war broke out, and he went and joined the army before I had time to start.'
"Well, that was that, and it really wasn't any of my business, so we talked about other things. He told me that Mr. Varden was coming to stay with him before he left, and that he hoped to get him to pose for a figure before he went. He mentioned he'd never seen a man so perfectly shaped. 'I meant to have him do it before,' he said, 'but the war broke out, and he went and joined the army before I had a chance to start.'"
"He was lolling on that beastly couch of his at the time, and, happening to look round at him, I caught such a nasty sort of glitter in his eye that it gave me quite a turn. He was stroking the figure over the neck and grinning at it.
"He was lounging on that awful couch of his at the time, and, happening to glance over at him, I saw such a creepy sort of gleam in his eye that it really startled me. He was petting the figure on the neck and grinning at it."
"'None of your efforts in Sheffield-plate, I hope,' said I.
"'I hope you're not putting in any effort on Sheffield-plate,' I said."
"'Well,' he said, 'I thought of making a kind of companion to this, The Sleeping Athlete, you know, or something of that sort.'
"'Well,' he said, 'I thought about creating a sort of companion to this, The Sleeping Athlete, you know, or something like that.'"
"'You'd much better cast it,' I said. 'Why did you put the stuff on so thick? It destroys the fine detail.'
"'You should definitely cast it,' I said. 'Why did you apply it so thick? It ruins the fine details.'"
"That annoyed him. He never liked to hear any objection made to that work of art.
"That annoyed him. He never liked hearing any criticism about that piece of art."
"'This was experimental,' he said. 'I mean the next to be a real masterpiece. You'll see.'
"'This was an experiment,' he said. 'I mean the next one will be a true masterpiece. You'll see.'"
"We'd got to about that point when the butler came in to ask should he make up a bed for me, as it was such a bad night. We hadn't noticed the weather particularly, though it had looked a bit threatening when I started from New York. However, we now looked out, and saw that it was coming down in sheets and torrents. It wouldn't have mattered, only that I'd only brought a little open racing car and no overcoat, and certainly the prospect of five miles in that downpour wasn't altogether attractive. Loder urged me to stay, and I said I would.
We had just reached that point when the butler walked in to ask if he should set up a bed for me since it was such a bad night. We hadn’t really paid much attention to the weather, although it had looked a bit ominous when I left New York. However, we now looked outside and saw that it was pouring down in sheets and torrents. It wouldn’t have mattered, except that I had only brought a small open racing car and no overcoat, and the idea of five miles in that downpour wasn't exactly appealing. Loder encouraged me to stay, and I agreed.
"I was feeling a bit fagged, so I went to bed right off. Loder said he wanted to do a bit of work in the studio first, and I saw him depart along the corridor.
"I was feeling a bit tired, so I went to bed right away. Loder said he wanted to do some work in the studio first, and I saw him head down the corridor."
"You won't allow me to mention Providence, so I'll only say it was a very remarkable thing that I should have woken up at two in the morning to find myself lying in a pool of water. The man had stuck a hot-water bottle into the bed, because it hadn't been used just lately, and the beastly thing had gone and unstoppered itself. I lay awake for ten minutes in the deeps of damp misery before I had sufficient strength of mind to investigate. Then I found it was hopeless—sheets, blankets, mattress, all soaked. I looked at the arm-chair, and then I had a brilliant idea. I remembered there was a lovely great divan in the studio, with a big skin rug and a pile of cushions. Why not finish the night there? I took the little electric torch which always goes about with me, and started off.
"You won't let me mention Providence, so I'll just say it was a really strange thing to wake up at two in the morning and find myself lying in a pool of water. The guy had put a hot-water bottle in the bed because it hadn't been used for a while, and the awful thing had leaked everywhere. I lay awake for ten minutes in deep misery before I gathered the strength to check it out. Then I discovered it was a lost cause—sheets, blankets, mattress, all soaked. I looked at the armchair, and then I had a great idea. I remembered there was a lovely big divan in the studio, along with a big rug and a bunch of cushions. Why not finish the night there? I grabbed the little electric torch I always carry with me and set off."
"The studio was empty, so I supposed Loder had finished and trotted off to roost. The divan was there, all right, with a screen drawn partly across it, so I rolled myself up under the rug and prepared to snooze off.
"The studio was empty, so I figured Loder had wrapped things up and gone off to rest. The couch was there, for sure, with a screen pulled partly across it, so I curled up under the blanket and got ready to doze off."
"I was just getting beautifully sleepy again when I heard footsteps, not in the passage, but apparently on the other side of the room. I was surprised, because I didn't know there was any way out in that direction. I lay low, and presently I saw a streak of light appear from the cupboard where Loder kept his tools and things. The streak widened, and Loder emerged, carrying an electric torch. He closed the cupboard door very gently after him, and padded across the studio. He stopped before the easel and uncovered it; I could see him through a crack in the screen. He stood for some minutes gazing at a sketch on the easel, and then gave one of the nastiest gurgly laughs I've ever had the pleasure of hearing. If I'd ever seriously thought of announcing my unauthorised presence, I abandoned all idea of it then. Presently he covered the easel again, and went out by the door at which I had come in.
I was just starting to drift off to sleep again when I heard footsteps, not in the hallway, but seemingly from the other side of the room. I was taken aback because I didn't realize there was an exit in that direction. I stayed quiet, and soon I saw a beam of light come from the cupboard where Loder kept his tools and stuff. The beam widened, and Loder stepped out, holding a flashlight. He quietly closed the cupboard door behind him and walked softly across the studio. He paused in front of the easel and uncovered it; I could see him through a gap in the screen. He stood there for a few minutes, staring at a sketch on the easel, and then let out one of the worst gurgly laughs I've ever had the misfortune to hear. If I had ever thought about revealing my unauthorized presence, I completely ditched that idea then. After a bit, he covered the easel again and exited through the door I had come in.
"I waited till I was sure he had gone, and then got up—uncommonly quietly, I may say. I tiptoed over to the easel to see what the fascinating work of art was. I saw at once it was the design for the figure of The Sleeping Athlete, and as I looked at it I felt a sort of horrid conviction stealing over me. It was an idea which seemed to begin in my stomach, and work its way up to the roots of my hair.
"I waited until I was sure he had left, and then I got up—unusually quietly, I might add. I tiptoed over to the easel to check out the intriguing piece of art. I immediately recognized that it was the design for the figure of The Sleeping Athlete, and as I looked at it, a disturbing realization crept over me. It was an idea that seemed to start in my gut and move its way up to the roots of my hair."
"My family say I'm too inquisitive. I can only say that wild horses wouldn't have kept me from investigating that cupboard. With the feeling that something absolutely vile might hop out at me—I was a bit wrought up, and it was a rotten time of night—I put a heroic hand on the door knob.
"My family says I'm too curious. I can only say that nothing could have kept me from checking that cupboard. With the feeling that something truly disgusting might jump out at me—I was a bit worked up, and it was a terrible time of night—I bravely reached for the doorknob."
"To my astonishment, the thing wasn't even locked. It opened at once, to show a range of perfectly innocent and orderly shelves, which couldn't possibly have held Loder.
"To my surprise, the thing wasn't even locked. It opened right away, revealing a series of perfectly innocent and neat shelves, which couldn’t possibly have held Loder."
"My blood was up, you know, by this time, so I hunted round for the spring-lock which I knew must exist, and found it without much difficulty. The back of the cupboard swung noiselessly inwards, and I found myself at the top of a narrow flight of stairs.
"My adrenaline was running high by this point, so I searched for the spring-lock that I knew had to be there and found it pretty easily. The back of the cupboard opened silently, and I found myself at the top of a narrow set of stairs."
"I had the sense to stop and see that the door could be opened from the inside before I went any farther, and I also selected a good stout pestle which I found on the shelves as a weapon in case of accident. Then I closed the door and tripped with elf-like lightness down that jolly old staircase.
"I had the sense to pause and realize that the door could be opened from the inside before I went any further, and I also grabbed a sturdy pestle that I found on the shelves as a weapon just in case. Then I closed the door and moved down that cheerful old staircase with a lightness like an elf."
"There was another door at the bottom, but it didn't take me long to fathom the secret of that. Feeling frightfully excited, I threw it boldly open, with the pestle ready for action.
"There was another door at the bottom, but it didn't take me long to figure out the secret of that. Feeling really excited, I threw it wide open, ready for action with the pestle."
"However, the room seemed to be empty. My torch caught the gleam of something liquid, and then I found the wall-switch.
"However, the room appeared to be empty. My flashlight picked up the shine of something liquid, and then I found the wall switch."
"I saw a biggish square room, fitted up as a workshop. On the right-hand wall was a big switchboard, with a bench beneath it. From the middle of the ceiling hung a great flood-light, illuminating a glass vat, fully seven feet long by about three wide. I turned on the flood-light, and looked down into the vat. It was filled with a dark brown liquid which I recognised as the usual compound of cyanide and copper-sulphate which they use for copper-plating.
"I saw a fairly large square room set up as a workshop. On the right wall was a big switchboard, with a bench underneath it. A large floodlight hung from the middle of the ceiling, lighting up a glass vat that was about seven feet long and three feet wide. I turned on the floodlight and looked down into the vat. It was filled with a dark brown liquid that I recognized as the usual mixture of cyanide and copper sulfate used for copper plating."
"The rods hung over it with their hooks all empty, but there was a packing-case half-opened at one side of the room, and, pulling the covering aside, I could see rows of copper anodes—enough of them to put a plating over a quarter of an inch thick on a life-size figure. There was a smaller case, still nailed up, which from its weight and appearance I guessed to contain the silver for the rest of the process. There was something else I was looking for, and I soon found it—a considerable quantity of prepared graphite and a big jar of varnish.
"The rods were hanging there with their hooks all empty, but there was a packing case half-open on one side of the room. When I pulled the covering aside, I saw rows of copper anodes—enough to create a plating over a quarter of an inch thick on a life-size figure. There was a smaller case that was still nailed shut, and from its weight and look, I guessed it contained the silver needed for the rest of the process. There was something else I was searching for, and I quickly found it—a good amount of prepared graphite and a large jar of varnish."
"Of course, there was no evidence, really, of anything being on the cross. There was no reason why Loder shouldn't make a plaster cast and Sheffield-plate it if he had a fancy for that kind of thing. But then I found something that couldn't have come there legitimately.
"Of course, there wasn't really any evidence of anything being on the cross. There was no reason Loder couldn't make a plaster cast and Sheffield-plate it if he was into that sort of thing. But then I found something that couldn't have come there legitimately."
"On the bench was an oval slab of copper about an inch and a half long—Loder's night's work, I guessed. It was an electrotype of the American Consular seal, the thing they stamp on your passport photograph to keep you from hiking it off and substituting the picture of your friend Mr. Jiggs, who would like to get out of the country because he is so popular with Scotland Yard.
"On the bench was an oval piece of copper about an inch and a half long—Loder's work from the night before, I figured. It was an electrotype of the American Consular seal, the mark they put on your passport photo to prevent you from swapping it out for a picture of your buddy Mr. Jiggs, who wants to leave the country because he’s so well-known by Scotland Yard."
"I sat down on Loder's stool, and worked out that pretty little plot in all its details. I could see it all turned on three things. First of all, I must find out if Varden was proposing to make tracks shortly for Australia, because, if he wasn't, it threw all my beautiful theories out. And, secondly, it would help matters greatly if he happened to have dark hair like Loder's, as he has, you see—near enough, anyway, to fit the description on a passport. I'd only seen him in that Apollo Belvedere thing, with a fair wig on. But I knew if I hung about I should see him presently when he came to stay with Loder. And, thirdly, of course, I had to discover if Loder was likely to have any grounds for a grudge against Varden.
I sat down on Loder's stool and worked out that pretty little plot in all its details. I could see it all depended on three things. First of all, I needed to find out if Varden was planning to head to Australia soon because if he wasn’t, all my great theories would be shot. Second, it would be really helpful if he happened to have dark hair like Loder's, which he does—close enough, anyway, to match the description on a passport. I'd only seen him in that Apollo Belvedere thing, wearing a fair wig. But I knew if I stuck around, I’d see him soon when he came to stay with Loder. And third, of course, I had to figure out if Loder had any reason to hold a grudge against Varden.
"Well, I figured out I'd stayed down in that room about as long as was healthy. Loder might come back at any moment, and I didn't forget that a vatful of copper sulphate and cyanide of potassium would be a highly handy means of getting rid of a too-inquisitive guest. And I can't say I had any great fancy for figuring as part of Loder's domestic furniture. I've always hated things made in the shape of things—volumes of Dickens that turn out to be a biscuit-tin, and dodges like that; and, though I take no overwhelming interest in my own funeral, I should like it to be in good taste. I went so far as to wipe away any finger-marks I might have left behind me, and then I went back to the studio and rearranged that divan. I didn't feel Loder would care to think I'd been down there.
"Well, I realized I’d been in that room long enough. Loder could come back at any moment, and I remembered that a vat full of copper sulfate and potassium cyanide would be a perfect way to deal with an overly curious guest. I really didn’t want to end up as part of Loder's furniture. I've always disliked things that are disguised as something else—like volumes of Dickens that turn out to be biscuit tins, and tricks like that; and while I don't have a strong interest in my own funeral, I’d prefer it to be tasteful. I even went as far as wiping away any fingerprints I might have left, and then I went back to the studio and rearranged that divan. I didn’t think Loder would want to know I had been down there."
"There was just one other thing I felt inquisitive about. I tiptoed back through the hall and into the smoking-room. The silver couch glimmered in the light of the torch. I felt I disliked it fifty times more than ever before. However, I pulled myself together and took a careful look at the feet of the figure. I'd heard all about that second toe of Maria Morano's.
There was one other thing I was curious about. I tiptoed back through the hall and into the smoking room. The silver couch shone in the torchlight. I realized I disliked it even more than before. However, I collected myself and took a close look at the feet of the figure. I'd heard all about that second toe of Maria Morano's.
"I passed the rest of the night in the arm-chair after all.
I spent the rest of the night in the armchair after all.
"What with Mrs. Bilt's job and one thing and another, and the enquiries I had to make, I had to put off my interference in Loder's little game till rather late. I found out that Varden had been staying with Loder a few months before the beautiful Maria Morano had vanished. I'm afraid I was rather stupid about that, Mr. Varden. I thought perhaps there had been something."
"With Mrs. Bilt's job and various other things I needed to handle, I had to delay getting involved in Loder's little scheme until quite a bit later. I discovered that Varden had been staying with Loder a few months before the stunning Maria Morano disappeared. I’m afraid I was a bit clueless about that, Mr. Varden. I thought maybe there was something going on."
"Don't apologise," said Varden, with a little laugh. "Cinema actors are notoriously immoral."
"Don't apologize," Varden said with a light laugh. "Movie stars are known to be pretty immoral."
"Why rub it in?" said Wimsey, a trifle hurt. "I apologise. Anyway, it came to the same thing as far as Loder was concerned. Then there was one bit of evidence I had to get to be absolutely certain. Electro-plating—especially such a ticklish job as the one I had in mind—wasn't a job that could be finished in a night; on the other hand, it seemed necessary that Mr. Varden should be seen alive in New York up to the day he was scheduled to depart. It was also clear that Loder meant to be able to prove that a Mr. Varden had left New York all right, according to plan, and had actually arrived in Sydney. Accordingly, a false Mr. Varden was to depart with Varden's papers and Varden's passport, furnished with a new photograph duly stamped with the Consular stamp, and to disappear quietly at Sydney and be retransformed into Mr. Eric Loder, travelling with a perfectly regular passport of his own. Well, then, in that case, obviously a cablegram would have to be sent off to Mystofilms Ltd., warning them to expect Varden by a later boat than he had arranged. I handed over this part of the job to my man, Bunter, who is uncommonly capable. The devoted fellow shadowed Loder faithfully for getting on for three weeks, and at length, the very day before Mr. Varden was due to depart, the cablegram was sent from an office in Broadway, where, by a happy providence (once more) they supply extremely hard pencils."
"Why bring it up again?" said Wimsey, a bit hurt. "I'm sorry. Anyway, it was the same situation for Loder. There was one piece of evidence I needed to confirm beyond doubt. Electroplating—especially such a tricky job as the one I was thinking of—couldn't be done overnight; however, it was essential that Mr. Varden was seen alive in New York right up until the day he was supposed to leave. It was also obvious that Loder intended to prove that a Mr. Varden left New York as planned and actually arrived in Sydney. So, a fake Mr. Varden was going to depart with Varden's papers and passport, complete with a new photo that had the Consular stamp, and then quietly disappear in Sydney to be transformed back into Mr. Eric Loder, traveling with a completely valid passport of his own. Well, obviously, a cablegram would need to be sent to Mystofilms Ltd., warning them to expect Varden on a later boat than he arranged. I handed this part of the task over to my assistant, Bunter, who is incredibly capable. That dedicated guy followed Loder closely for almost three weeks, and finally, on the very day before Mr. Varden was due to leave, the cablegram was sent from an office on Broadway, where, by a lucky coincidence (once again), they provided exceptionally tough pencils."
"By Jove!" cried Varden, "I remember now being told something about a cablegram when I got out, but I never connected it with Loder. I thought it was just some stupidity of the Western Electric people."
"Wow!" Varden exclaimed, "I just remembered someone mentioning a cablegram when I got out, but I never associated it with Loder. I figured it was just some nonsense from the Western Electric people."
"Quite so. Well, as soon as I'd got that, I popped along to Loder's with a picklock in one pocket and an automatic in the other. The good Bunter went with me, and, if I didn't return by a certain time, had orders to telephone for the police. So you see everything was pretty well covered. Bunter was the chauffeur who was waiting for you, Mr. Varden, but you turned suspicious—I don't blame you altogether—so all we could do was to forward your luggage along to the train.
"Exactly. As soon as I got that sorted, I headed over to Loder's with a lock pick in one pocket and a gun in the other. Good old Bunter came with me, and if I didn't come back by a certain time, he was instructed to call the police. So everything was pretty much under control. Bunter was the driver who was waiting for you, Mr. Varden, but you got suspicious—I can’t blame you entirely—so all we could do was send your luggage on to the train."
"On the way out we met the Loder servants en route for New York in a car, which showed us that we were on the right track, and also that I was going to have a fairly simple job of it.
"On the way out, we ran into the Loder servants on their way to New York in a car, which confirmed that we were heading in the right direction and also that I was going to have a pretty straightforward task."
"You've heard all about my interview with Mr. Varden. I really don't think I could improve upon his account. When I'd seen him and his traps safely off the premises, I made for the studio. It was empty, so I opened the secret door, and, as I expected, saw a line of light under the workshop door at the far end of the passage."
"You've heard all about my interview with Mr. Varden. I genuinely don’t think I could add anything to his story. After I made sure he and his traps were safely out of the way, I headed to the studio. It was empty, so I opened the secret door, and, as I expected, I saw a line of light under the workshop door at the far end of the hallway."
"So Loder was there all the time?"
"So Loder was there the whole time?"
"Of course he was. I took my little pop-gun tight in my fist and opened the door very gently. Loder was standing between the tank and the switchboard, very busy indeed—so busy he didn't hear me come in. His hands were black with graphite, a big heap of which was spread on a sheet on the floor, and he was engaged with a long, springy coil of copper wire, running to the output of the transformer. The big packing-case had been opened, and all the hooks were occupied.
"Of course he was. I gripped my little pop-gun tightly in my fist and opened the door very carefully. Loder was standing between the tank and the switchboard, completely absorbed in his work—so much so that he didn’t hear me enter. His hands were covered in graphite, a big pile of which was spread out on a sheet on the floor, and he was working with a long, bendy coil of copper wire that connected to the output of the transformer. The big packing case had been opened, and all the hooks were in use."
"'Loder!' I said.
"'Loder!' I said."
"He turned on me with a face like nothing human. 'Wimsey!' he shouted, 'what the hell are you doing here?'
"He confronted me with a face that was completely unrecognizable. 'Wimsey!' he yelled, 'what the hell are you doing here?'"
"'I have come,' I said, 'to tell you that I know how the apple gets into the dumpling.' And I showed him the automatic.
"I've come," I said, "to let you know that I figure out how the apple ends up in the dumpling." And I showed him the automatic.
"He gave a great yell and dashed at the switchboard, turning out the light, so that I could not see to aim. I heard him leap at me—and then there came in the darkness a crash and a splash—and a shriek such as I never heard—not in five years of war—and never want to hear again.
"He let out a loud yell and rushed at the switchboard, turning off the light, so I couldn’t see to aim. I heard him jump at me—and then in the darkness, there was a crash and a splash—and a scream like I’ve never heard before—not in five years of war—and I never want to hear it again."
"I groped forward for the switchboard. Of course, I turned on everything before I could lay my hand on the light, but I got it at last—a great white glare from the flood-light over the vat.
I reached forward for the switchboard. Naturally, I turned on everything before I could find the light, but I finally got it—a bright white glare from the floodlight over the vat.
"He lay there, still twitching faintly. Cyanide, you see, is about the swiftest and painfullest thing out. Before I could move to do anything, I knew he was dead—poisoned and drowned and dead. The coil of wire that had tripped him had gone into the vat with him. Without thinking, I touched it, and got a shock that pretty well staggered me. Then I realised that I must have turned on the current when I was hunting for the light. I looked into the vat again. As he fell, his dying hands had clutched at the wire. The coils were tight round his fingers, and the current was methodically depositing a film of copper all over his hands, which were blackened with the graphite.
He lay there, still twitching a bit. Cyanide, you see, is one of the quickest and most painful poisons out there. Before I could do anything, I knew he was dead—poisoned and drowned and gone. The wire that had tripped him had fallen into the vat with him. Without thinking, I touched it and got a shock that nearly knocked me over. Then I realized that I must have turned on the power when I was searching for the light. I looked into the vat again. As he fell, his dying hands had grasped the wire. The coils were wrapped tightly around his fingers, and the current was methodically coating his hands in a layer of copper, which were blackened with graphite.
"I had just sense enough to realise that Loder was dead, and that it might be a nasty sort of look-out for me if the thing came out, for I'd certainly gone along to threaten him with a pistol.
"I had just enough sense to realize that Loder was dead, and that it could be a really bad situation for me if this got out, since I'd definitely gone to threaten him with a gun."
"I searched about till I found some solder and an iron. Then I went upstairs and called in Bunter, who had done his ten miles in record time. We went into the smoking-room and soldered the arm of that cursed figure into place again, as well as we could, and then we took everything back into the workshop. We cleaned off every finger-print and removed every trace of our presence. We left the light and the switchboard as they were, and returned to New York by an extremely round-about route. The only thing we brought away with us was the facsimile of the Consular seal, and that we threw into the river.
"I searched around until I found some solder and a soldering iron. Then I went upstairs and called in Bunter, who had completed his ten miles in record time. We went into the smoking room and reattached the arm of that cursed figure as best as we could, and then we carried everything back into the workshop. We wiped off every fingerprint and removed any trace of our presence. We left the light and the switchboard as they were and took an extremely roundabout route back to New York. The only thing we took with us was the copy of the Consular seal, which we threw into the river."
"Loder was found by the butler next morning. We read in the papers how he had fallen into the vat when engaged on some experiments in electro-plating. The ghastly fact was commented upon that the dead man's hands were thickly coppered over. They couldn't get it off without irreverent violence, so he was buried like that.
Loder was discovered by the butler the next morning. The newspapers reported that he had fallen into the vat while working on some electroplating experiments. They remarked on the disturbing detail that the dead man's hands were heavily coated in copper. They couldn't remove it without causing damage, so he was buried that way.
"That's all. Please, Armstrong, may I have my whisky-and-soda now?"
"That's it. Come on, Armstrong, can I get my whisky and soda now?"
"What happened to the couch?" enquired Smith-Hartington presently.
"What happened to the couch?" Smith-Hartington asked.
"I bought it in at the sale of Loder's things," said Wimsey, "and got hold of a dear old Catholic priest I knew, to whom I told the whole story under strict vow of secrecy. He was a very sensible and feeling old bird; so one moonlight night Bunter and I carried the thing out in the car to his own little church, some miles out of the city, and gave it Christian burial in a corner of the graveyard. It seemed the best thing to do."
"I bought it at the sale of Loder's belongings," said Wimsey, "and got in touch with a dear old Catholic priest I knew, to whom I shared the whole story under a strict vow of secrecy. He was a very sensible and caring old guy; so one moonlit night, Bunter and I drove the thing out in the car to his little church, a few miles outside the city, and gave it a proper Christian burial in a corner of the graveyard. It felt like the right thing to do."
THE ENTERTAINING EPISODE OF THE ARTICLE IN QUESTION
The unprofessional detective career of Lord Peter Wimsey was regulated (though the word has no particular propriety in this connection) by a persistent and undignified inquisitiveness. The habit of asking silly questions—natural, though irritating, in the immature male—remained with him long after his immaculate man, Bunter, had become attached to his service to shave the bristles from his chin and see to the due purchase and housing of Napoleon brandies and Villar y Villar cigars. At the age of thirty-two his sister Mary christened him Elephant's Child. It was his idiotic enquiries (before his brother, the Duke of Denver, who grew scarlet with mortification) as to what the Woolsack was really stuffed with that led the then Lord Chancellor idly to investigate the article in question, and to discover, tucked deep within its recesses, that famous diamond necklace of the Marchioness of Writtle, which had disappeared on the day Parliament was opened and been safely secreted by one of the cleaners. It was by a continual and personal badgering of the Chief Engineer at 2LO on the question of "Why is Oscillation and How is it Done?" that his lordship incidentally unmasked the great Ploffsky gang of Anarchist conspirators, who were accustomed to converse in code by a methodical system of howls, superimposed (to the great annoyance of listeners in British and European stations) upon the London wave-length and duly relayed by 5XX over a radius of some five or six hundred miles. He annoyed persons of more leisure than decorum by suddenly taking into his head to descend to the Underground by way of the stairs, though the only exciting things he ever actually found there were the bloodstained boots of the Sloane Square murderer; on the other hand, when the drains were taken up at Glegg's Folly, it was by hanging about and hindering the plumbers at their job that he accidentally made the discovery which hanged that detestable poisoner, William Girdlestone Chitty.
The amateur detective work of Lord Peter Wimsey was driven by his relentless and somewhat embarrassing curiosity. His tendency to ask silly questions—something that’s natural, though annoying, in a young man—stayed with him long after his impeccably groomed manservant, Bunter, began taking care of his shaving and making sure to buy and store Napoleon brandies and Villar y Villar cigars. At the age of thirty-two, his sister Mary nicknamed him Elephant's Child. It was his ridiculous questions (in front of his brother, the Duke of Denver, who turned red with embarrassment) about what the Woolsack was really stuffed with that prompted the then Lord Chancellor to casually investigate the matter and discover, hidden deep inside, the famous diamond necklace of the Marchioness of Writtle, which had gone missing the day Parliament opened and had been safely stashed away by one of the cleaners. By persistently pestering the Chief Engineer at 2LO with questions like "What is Oscillation and How is it Done?" he inadvertently exposed the notorious Ploffsky gang of Anarchist conspirators, who communicated in code using a systematic series of howls, which greatly annoyed listeners across British and European stations, as they were broadcast over the London wavelength by 5XX, reaching a range of about five or six hundred miles. He disturbed those with more leisure than manners by suddenly deciding to descend to the Underground via the stairs, although the only exciting things he actually found there were the bloodstained boots of the Sloane Square murderer; on the flip side, when the drains were dug up at Glegg's Folly, it was by hanging around and getting in the way of the plumbers that he stumbled upon the evidence that led to the hanging of that despicable poisoner, William Girdlestone Chitty.
Accordingly, it was with no surprise at all that the reliable Bunter, one April morning, received the announcement of an abrupt change of plan.
Accordingly, it was no surprise at all that the dependable Bunter, one April morning, got the news about a sudden change of plans.
They had arrived at the Gare St. Lazare in good time to register the luggage. Their three months' trip to Italy had been purely for enjoyment, and had been followed by a pleasant fortnight in Paris. They were now intending to pay a short visit to the Duc de Sainte-Croix in Rouen on their way back to England. Lord Peter paced the Salle des Pas Perdus for some time, buying an illustrated paper or two and eyeing the crowd. He bent an appreciative eye on a slim, shingled creature with the face of a Paris gamin, but was forced to admit to himself that her ankles were a trifle on the thick side; he assisted an elderly lady who was explaining to the bookstall clerk that she wanted a map of Paris and not a carte postale, consumed a quick cognac at one of the little green tables at the far end, and then decided he had better go down and see how Bunter was getting on.
They arrived at the Gare St. Lazare with plenty of time to check in their luggage. Their three-month trip to Italy had been all about pleasure, followed by a nice two weeks in Paris. Now, they planned to make a short visit to the Duc de Sainte-Croix in Rouen on their way back to England. Lord Peter wandered around the Salle des Pas Perdus for a while, buying a couple of magazines and watching the crowd. He noticed a slender young woman with the look of a Paris street kid but had to admit to himself that her ankles were slightly on the thick side. He helped an elderly lady who was telling the bookstall clerk that she wanted a map of Paris, not a postcard, grabbed a quick cognac at one of the little green tables at the far end, and then figured he should go down and check on how Bunter was doing.
In half an hour Bunter and his porter had worked themselves up to the second place in the enormous queue—for, as usual, one of the weighing-machines was out of order. In front of them stood an agitated little group—the young woman Lord Peter had noticed in the Salle des Pas Perdus, a sallow-faced man of about thirty, their porter, and the registration official, who was peering eagerly through his little guichet.
In half an hour, Bunter and his porter had made their way to the second spot in the huge line—since, as usual, one of the weighing machines was broken. In front of them was a nervous little group—the young woman Lord Peter had seen in the Salle des Pas Perdus, a pale-faced man about thirty, their porter, and the registration official, who was eagerly looking through his little guichet.
"Mais je te répète que je ne les ai pas," said the sallow man heatedly. "Voyons, voyons. C'est bien toi qui les as pris, n'est-ce-pas? Eh bien, alors, comment veux-tu que je les aie, moi?"
"But I’m telling you again that I don’t have them," said the pale man passionately. "Come on, come on. You’re the one who took them, right? So, how do you expect me to have them?"
"Mais non, mais non, je te les ai bien donnés là-haut, avant d'aller chercher les journaux."
"Yeah, but no, I gave them to you up there before I went to get the newspapers."
"Je t'assure que non. Enfin, c'est évident! J'ai cherché partout, que diable! Tu ne m'as rien donné, du tout, du tout."
"Trust me, that's not the case. Well, it's obvious! I've searched everywhere, damn it! You haven't given me anything, not at all."
"Mais puisque je t'ai dit d'aller faire enrégistrer les bagages! Ne faut-il pas que je t'aie bien remis les billets? Me prends-tu pour un imbécile? Va! On n'est pas dépourvu de sens! Mais regarde l'heure! Le train part à 11 h. 20 m. Cherche un peu, au moins."
"Well, I told you to go check in the luggage! Didn’t I give you the tickets? Do you think I'm an idiot? Come on! We're not clueless! But look at the time! The train leaves at 11:20. At least try to find it."
"Mais puisque j'ai cherché partout—le gilet, rien! Le jacquet rien, rien! Le pardessus—rien! rien! rien! C'est toi——"
"Well, since I've looked everywhere—the vest, nothing! The jacket, nothing, nothing! The overcoat—nothing! nothing! nothing! It's you——"
Here the porter, urged by the frantic cries and stamping of the queue, and the repeated insults of Lord Peter's porter, flung himself into the discussion.
Here the porter, driven by the desperate shouts and stomping of the line, along with the constant taunts from Lord Peter's porter, jumped into the conversation.
"P't-être qu' m'sieur a bouté les billets dans son pantalon," he suggested.
"P maybe the guy stuffed the tickets in his pants," he suggested.
"Triple idiot!" snapped the traveller, "je vous le demande—est-ce qu'on a jamais entendu parler de mettre des billets dans son pantalon? Jamais——"
"Triple idiot!" snapped the traveler, "I ask you—has anyone ever heard of putting money in your pants? Never——"
The French porter is a Republican, and, moreover, extremely ill-paid. The large tolerance of his English colleague is not for him.
The French porter is a Republican and, on top of that, really poorly paid. The English porter’s big tolerance doesn’t apply to him.
"Ah!" said he, dropping two heavy bags and looking round for moral support. "Vous dîtes? En voila du joli! Allons, mon p'tit, ce n'est pas parce qu'on porte un faux col qu'on a le droit d'insulter les gens."
"Ah!" he said, dropping two heavy bags and looking around for moral support. "What are you saying? That's rich! Come on, little one, just because you’re wearing a fancy collar doesn’t mean you can insult people."
The discussion might have become a full-blown row, had not the young man suddenly discovered the missing tickets—incidentally, they were in his trousers-pocket after all—and continued the registration of his luggage, to the undisguised satisfaction of the crowd.
The argument could have turned into a huge fight if the young man hadn't suddenly found the missing tickets—ironically, they were in his pants pocket after all—and continued checking in his luggage, much to the obvious delight of the crowd.
"Bunter," said his lordship, who had turned his back on the group and was lighting a cigarette, "I am going to change the tickets. We shall go straight on to London. Have you got that snapshot affair of yours with you?"
"Bunter," said his lordship, turning his back on the group and lighting a cigarette, "I'm going to change the tickets. We're going straight to London. Do you have that snapshot thing of yours with you?"
"Yes, my lord."
"Yes, my lord."
"The one you can work from your pocket without anyone noticing?"
"The one you can use from your pocket without anyone seeing?"
"Yes, my lord."
"Yes, my lord."
"Get me a picture of those two."
"Get me a photo of those two."
"Yes, my lord."
"Yes, my lord."
"I will see to the luggage. Wire to the Duc that I am unexpectedly called home."
"I'll take care of the luggage. Message the Duke that I'm unexpectedly called back home."
"Very good, my lord."
"Very good, my lord."
Lord Peter did not allude to the matter again till Bunter was putting his trousers in the press in their cabin on board the Normannia. Beyond ascertaining that the young man and woman who had aroused his curiosity were on the boat as second-class passengers, he had sedulously avoided contact with them.
Lord Peter didn't bring it up again until Bunter was packing his trousers in the wardrobe in their cabin on the Normannia. Aside from finding out that the young man and woman who piqued his interest were on the boat as second-class passengers, he had carefully stayed away from them.
"Did you get that photograph?"
"Did you receive that photo?"
"I hope so, my lord. As your lordship knows, the aim from the breast-pocket tends to be unreliable. I have made three attempts, and trust that one at least may prove to be not unsuccessful."
"I hope so, my lord. As you know, aiming from the breast pocket tends to be unreliable. I've made three attempts and hope that at least one of them is successful."
"How soon can you develop them?"
"How quickly can you create them?"
"At once, if your lordship pleases. I have all the materials in my suit case."
"Right away, if it pleases you, my lord. I have all the materials in my suitcase."
"What fun!" said Lord Peter, eagerly tying himself into a pair of mauve silk pyjamas. "May I hold the bottles and things?"
"What fun!" said Lord Peter, eagerly putting on a pair of mauve silk pajamas. "Can I hold the bottles and stuff?"
Mr. Bunter poured 3 ounces of water into an 8-ounce measure, and handed his master a glass rod and a minute packet.
Mr. Bunter poured 3 ounces of water into an 8-ounce measuring cup and handed his boss a glass rod and a tiny packet.
"If your lordship would be so good as to stir the contents of the white packet slowly into the water," he said, bolting the door, "and, when dissolved, add the contents of the blue packet."
"If you wouldn’t mind stirring the contents of the white packet slowly into the water," he said, locking the door, "and once it’s dissolved, add the contents of the blue packet."
"Just like a Seidlitz powder," said his lordship happily. "Does it fizz?"
"Just like a Seidlitz powder," his lordship said with a smile. "Does it fizz?"
"Not much, my lord," replied the expert, shaking a quantity of hypo crystals into the hand-basin.
"Not much, my lord," replied the expert, shaking a handful of hypo crystals into the sink.
"That's a pity," said Lord Peter. "I say, Bunter, it's no end of a bore to dissolve."
"That's too bad," said Lord Peter. "Hey, Bunter, it's such a drag to be left hanging."
"Yes, my lord," returned Bunter sedately. "I have always found that part of the process exceptionally tedious, my lord."
"Sure, my lord," Bunter replied calmly. "I've always found that part of the process really boring, my lord."
Lord Peter jabbed viciously with the glass rod.
Lord Peter poked harshly with the glass rod.
"Just you wait," he said, in a vindictive tone, "till we get to Waterloo."
"Just you wait," he said, with a spiteful tone, "until we get to Waterloo."
Three days later Lord Peter Wimsey sat in his book-lined sitting-room at 110A Piccadilly. The tall bunches of daffodils on the table smiled in the spring sunshine, and nodded to the breeze which danced in from the open window. The door opened, and his lordship glanced up from a handsome edition of the Contes de la Fontaine, whose handsome hand-coloured Fragonard plates he was examining with the aid of a lens.
Three days later, Lord Peter Wimsey was sitting in his book-filled living room at 110A Piccadilly. The tall bunches of daffodils on the table brightened up the space in the spring sunshine and swayed with the breeze coming in through the open window. The door opened, and his lordship looked up from a beautiful edition of the Contes de la Fontaine, whose lovely hand-colored Fragonard illustrations he was inspecting with a magnifying glass.
"Morning, Bunter. Anything doing?"
"Morning, Bunter. What's going on?"
"I have ascertained, my lord, that the young person in question has entered the service of the elder Duchess of Medway. Her name is Célestine Berger."
"I've confirmed, my lord, that the young woman in question has started working for the elder Duchess of Medway. Her name is Célestine Berger."
"You are less accurate than usual, Bunter. Nobody off the stage is called Célestine. You should say 'under the name of Célestine Berger.' And the man?"
"You’re not as accurate as usual, Bunter. No one off the stage is called Célestine. You should say 'under the name of Célestine Berger.' And what about the man?"
"He is domiciled at this address in Guilford Street, Bloomsbury, my lord."
"He lives at this address on Guilford Street, Bloomsbury, my lord."
"Excellent, my Bunter. Now give me Who's Who. Was it a very tiresome job?"
"Great, my Bunter. Now hand me Who's Who. Was it a really exhausting task?"
"Not exceptionally so, my lord."
"Not really, my lord."
"One of these days I suppose I shall give you something to do which you will jib at," said his lordship, "and you will leave me and I shall cut my throat. Thanks. Run away and play. I shall lunch at the club."
"One of these days, I guess I’ll give you something to do that you’ll refuse," said his lordship, "and you’ll leave me, and I’ll end it all. Thanks. Run along and play. I’ll have lunch at the club."
The book which Bunter had handed his employer indeed bore the words Who's Who engrossed upon its cover, but it was to be found in no public library and in no bookseller's shop. It was a bulky manuscript, closely filled, in part with the small print-like handwriting of Mr. Bunter, in part with Lord Peter's neat and altogether illegible hand. It contained biographies of the most unexpected people, and the most unexpected facts about the most obvious people. Lord Peter turned to a very long entry under the name of the Dowager Duchess of Medway. It appeared to make satisfactory reading, for after a time he smiled, closed the book, and went to the telephone.
The book Bunter gave to his boss did indeed have the words Who's Who written on the cover, but it couldn't be found in any public library or bookstore. It was a thick manuscript, filled with the tiny, meticulous handwriting of Mr. Bunter and Lord Peter's neat but completely illegible script. It contained biographies of the most surprising people and unexpected facts about the most well-known individuals. Lord Peter flipped to a very lengthy entry on the Dowager Duchess of Medway. It seemed to be quite interesting because after a while, he smiled, shut the book, and picked up the phone.
"Yes—this is the Duchess of Medway. Who is it?"
"Yes—this is the Duchess of Medway. Who’s there?"
The deep, harsh old voice pleased Lord Peter. He could see the imperious face and upright figure of what had been the most famous beauty in the London of the 'sixties.
The deep, harsh old voice pleased Lord Peter. He could see the commanding face and upright figure of what had been the most famous beauty in London during the '60s.
"It's Peter Wimsey, duchess."
"It's Peter Wimsey, Your Grace."
"Indeed, and how do you do, young man? Back from your Continental jaunting?"
"Indeed, how are you, young man? Back from your travels in Europe?"
"Just home—and longing to lay my devotion at the feet of the most fascinating lady in England."
"Just got home—and eager to show my devotion to the most intriguing woman in England."
"God bless my soul, child, what do you want?" demanded the duchess. "Boys like you don't flatter an old woman for nothing."
"God bless my soul, kid, what do you want?" the duchess asked. "Boys like you don’t give compliments to an older woman for no reason."
"I want to tell you my sins, duchess."
"I want to share my sins with you, duchess."
"You should have lived in the great days," said the voice appreciatively. "Your talents are wasted on the young fry."
"You should have lived in the great days," the voice said with appreciation. "Your talents are wasted on the younger generation."
"That is why I want to talk to you, duchess."
"That's why I want to talk to you, duchess."
"Well, my dear, if you've committed any sins worth hearing I shall enjoy your visit."
"Well, my dear, if you’ve done anything sinful that’s interesting, I’ll look forward to your visit."
"You are as exquisite in kindness as in charm. I am coming this afternoon."
"You are just as lovely in your kindness as you are in your charm. I'll be there this afternoon."
"I will be at home to you and to no one else. There."
"I'll be home for you and no one else. There."
"Dear lady, I kiss your hands," said Lord Peter, and he heard a deep chuckle as the duchess rang off.
"Dear lady, I kiss your hands," said Lord Peter, and he heard a deep chuckle as the duchess hung up.
"You may say what you like, duchess," said Lord Peter from his reverential position on the fender-stool, "but you are the youngest grandmother in London, not excepting my own mother."
"You can say whatever you want, duchess," said Lord Peter from his respectful spot on the fender-stool, "but you are the youngest grandmother in London, not counting my own mother."
"Dear Honoria is the merest child," said the duchess. "I have twenty years more experience of life, and have arrived at the age when we boast of them. I have every intention of being a great-grandmother before I die. Sylvia is being married in a fortnight's time, to that stupid son of Attenbury's."
"Dear Honoria is just a little girl," said the duchess. "I have twenty more years of life experience, and I've reached the age where we take pride in that. I fully intend to be a great-grandmother before I pass away. Sylvia is getting married in two weeks to that foolish son of Attenbury's."
"Abcock?"
"Abcock?"
"Yes. He keeps the worst hunters I ever saw, and doesn't know still champagne from sauterne. But Sylvia is stupid, too, poor child, so I dare say they will get on charmingly. In my day one had to have either brains or beauty to get on—preferably both. Nowadays nothing seems to be required but a total lack of figure. But all the sense went out of society with the House of Lords' veto. I except you, Peter. You have talents. It is a pity you do not employ them in politics."
"Yes. He has the worst hunters I've ever seen and still doesn’t know the difference between champagne and sauterne. But Sylvia is foolish too, poor girl, so I guess they'll get along just fine. Back in my day, you had to have either brains or beauty to succeed—ideally both. These days, it seems like all you need is a complete absence of charm. But all the intelligence left society when the House of Lords lost its power. I exclude you, Peter. You have talents. It’s a shame you don’t use them in politics."
"Dear lady, God forbid."
"Dear lady, I hope not."
"Perhaps you are right, as things are. There were giants in my day. Dear Dizzy. I remember so well, when his wife died, how hard we all tried to get him—Medway had died the year before—but he was wrapped up in that stupid Bradford woman, who had never even read a line of one of his books, and couldn't have understood 'em if she had. And now we have Abcock standing for Midhurst, and married to Sylvia!"
"Maybe you’re right about how things are now. There were some greats in my time. Dear Dizzy. I remember clearly when his wife passed away, how hard we all tried to reach out to him—Medway had died the year before—but he was caught up with that ridiculous Bradford woman, who had never even read one of his books and wouldn’t have understood them if she had. And now we have Abcock running for Midhurst and married to Sylvia!"
"You haven't invited me to the wedding, duchess dear. I'm so hurt," sighed his lordship.
"You didn't invite me to the wedding, dear duchess. I'm really hurt," sighed his lordship.
"Bless you, child, I didn't send out the invitations, but I suppose your brother and that tiresome wife of his will be there. You must come, of course, if you want to. I had no idea you had a passion for weddings."
"Bless you, child, I didn't send out the invitations, but I guess your brother and that annoying wife of his will be there. You should definitely come, of course, if you want to. I had no idea you were into weddings."
"Hadn't you?" said Peter. "I have a passion for this one. I want to see Lady Sylvia wearing white satin and the family lace and diamonds, and to sentimentalise over the days when my fox-terrier bit the stuffing out of her doll."
"Hadn't you?" Peter said. "I really love this one. I want to see Lady Sylvia in white satin, with the family lace and diamonds, and reminisce about the days when my fox-terrier chewed the stuffing out of her doll."
"Very well, my dear, you shall. Come early and give me your support. As for the diamonds, if it weren't a family tradition, Sylvia shouldn't wear them. She has the impudence to complain of them."
"Alright, my dear, you can. Come early and support me. As for the diamonds, if it weren't a family tradition, Sylvia shouldn't wear them. She's got the nerve to complain about them."
"I thought they were some of the finest in existence."
"I thought they were some of the best in the world."
"So they are. But she says the settings are ugly and old-fashioned, and she doesn't like diamonds, and they won't go with her dress. Such nonsense. Whoever heard of a girl not liking diamonds? She wants to be something romantic and moonshiny in pearls. I have no patience with her."
"So they are. But she says the settings are ugly and outdated, and she doesn't like diamonds, and they won’t match her dress. Such nonsense. Who’s ever heard of a girl not liking diamonds? She wants something romantic and dreamy in pearls. I have no patience for her."
"I'll promise to admire them," said Peter—"use the privilege of early acquaintance and tell her she's an ass and so on. I'd love to have a view of them. When do they come out of cold storage?"
"I'll promise to admire them," Peter said. "I'll take advantage of our early friendship and tell her she's being ridiculous and so on. I'd really like to see them. When do they come out of storage?"
"Mr. Whitehead will bring them up from the Bank the night before," said the duchess, "and they'll go into the safe in my room. Come round at twelve o'clock and you shall have a private view of them."
"Mr. Whitehead will bring them from the bank the night before," said the duchess, "and they'll be put in the safe in my room. Come around at twelve o'clock, and you'll get a private view of them."
"That would be delightful. Mind they don't disappear in the night, won't you?"
"That would be great. Just make sure they don't vanish overnight, okay?"
"Oh, my dear, the house is going to be over-run with policemen. Such a nuisance. I suppose it can't be helped."
"Oh, my dear, the house is going to be overrun with police officers. What a nuisance. I guess it can't be helped."
"Oh, I think it's a good thing," said Peter. "I have rather an unwholesome weakness for policemen."
"Oh, I think it's a good thing," said Peter. "I have a bit of an unhealthy obsession with policemen."
On the morning of the wedding-day, Lord Peter emerged from Bunter's hands a marvel of sleek brilliance. His primrose-coloured hair was so exquisite a work of art that to eclipse it with his glossy hat was like shutting up the sun in a shrine of polished jet; his spats, light trousers, and exquisitely polished shoes formed a tone-symphony in monochrome. It was only by the most impassioned pleading that he persuaded his tyrant to allow him to place two small photographs and a thin, foreign letter in his breast-pocket. Mr. Bunter, likewise immaculately attired, stepped into the taxi after him. At noon precisely they were deposited beneath the striped awning which adorned the door of the Duchess of Medway's house in Park Lane. Bunter promptly disappeared in the direction of the back entrance, while his lordship mounted the steps and asked to see the dowager.
On the morning of the wedding, Lord Peter emerged from Bunter's care looking incredibly sharp. His primrose-yellow hair was such a masterpiece that covering it with his shiny hat was like hiding the sun in a shrine of polished jet; his spats, light trousers, and perfectly polished shoes created a harmonious monochrome look. It took some serious coaxing for him to convince his demanding assistant to let him keep two small photos and a thin, foreign letter in his breast pocket. Mr. Bunter, also looking impeccable, stepped into the taxi after him. At exactly noon, they arrived under the striped awning at the Duchess of Medway's house in Park Lane. Bunter quickly vanished towards the back entrance, while his lordship went up the steps and asked to see the dowager.
The majority of the guests had not yet arrived, but the house was full of agitated people, flitting hither and thither, with flowers and prayer-books, while a clatter of dishes and cutlery from the dining-room proclaimed the laying of a sumptuous breakfast. Lord Peter was shown into the morning-room while the footman went to announce him, and here he found a very close friend and devoted colleague, Detective-Inspector Parker, mounting guard in plain clothes over a costly collection of white elephants. Lord Peter greeted him with an affectionate hand-grip.
The majority of the guests hadn’t arrived yet, but the house was filled with anxious people darting around, carrying flowers and prayer books, while the sound of dishes and cutlery from the dining room announced the setting up of an elaborate breakfast. Lord Peter was shown into the morning room while the footman went to announce him, and there he found a very close friend and dedicated colleague, Detective-Inspector Parker, keeping watch in plain clothes over an expensive collection of white elephants. Lord Peter greeted him with a warm handshake.
"All serene so far?" he enquired.
"Everything calm so far?" he asked.
"Perfectly O.K."
"Perfectly fine."
"You got my note?"
"Did you get my note?"
"Sure thing. I've got three of our men shadowing your friend in Guilford Street. The girl is very much in evidence here. Does the old lady's wig and that sort of thing. Bit of a coming-on disposition, isn't she?"
"Sure thing. I have three of our guys keeping an eye on your friend in Guilford Street. The girl is really noticeable here. Wears the old lady’s wig and stuff like that. She’s got a bit of a flirty attitude, doesn’t she?"
"You surprise me," said Lord Peter. "No"—as his friend grinned sardonically—"you really do. Not seriously? That would throw all my calculations out."
"You surprise me," said Lord Peter. "No"—as his friend grinned sarcastically—"you really do. Seriously? That would mess up all my plans."
"Oh, no! Saucy with her eyes and her tongue, that's all."
"Oh, no! She's cheeky with her eyes and her words, that's all."
"Do her job well?"
"Is she doing her job well?"
"I've heard no complaints. What put you on to this?"
"I haven't heard any complaints. What made you think of this?"
"Pure accident. Of course I may be quite mistaken."
"Just a coincidence. I could definitely be wrong."
"Did you receive any information from Paris?"
"Did you get any information from Paris?"
"I wish you wouldn't use that phrase," said Lord Peter peevishly. "It's so of the Yard—yardy. One of these days it'll give you away."
"I wish you wouldn't use that phrase," Lord Peter said irritably. "It's so police—like. One of these days it'll give you away."
"Sorry," said Parker. "Second nature, I suppose."
"Sorry," Parker said. "It's just second nature, I guess."
"Those are the things to beware of," returned his lordship, with an earnestness that seemed a little out of place. "One can keep guard on everything but just those second-nature tricks." He moved across to the window, which overlooked the tradesmen's entrance. "Hullo!" he said, "here's our bird."
"Those are the things to watch out for," his lordship replied, with a seriousness that felt a bit unusual. "You can keep an eye on everything except for those instinctive tricks." He walked over to the window, which faced the tradesmen's entrance. "Hey!" he said, "here's our target."
Parker joined him, and saw the neat, shingled head of the French girl from the Gare St. Lazare, topped by a neat black bandeau and bow. A man with a basket full of white narcissi had rung the bell, and appeared to be trying to make a sale. Parker gently opened the window, and they heard Célestine say with a marked French accent, "No, nossing to-day, sank you." The man insisted in the monotonous whine of his type, thrusting a big bunch of the white flowers upon her, but she pushed them back into the basket with an angry exclamation and flirted away, tossing her head and slapping the door smartly to. The man moved off muttering. As he did so a thin, unhealthy-looking lounger in a check cap detached himself from a lamp-post opposite and mouched along the street after him, at the same time casting a glance up at the window. Mr. Parker looked at Lord Peter, nodded, and made a slight sign with his hand. At once the man in the check cap removed his cigarette from his mouth, extinguished it, and, tucking the stub behind his ear, moved off without a second glance.
Parker joined him and saw the neat, shingled hairstyle of the French girl from the Gare St. Lazare, topped with a tidy black headband and bow. A man with a basket full of white narcissi had rung the bell and seemed to be trying to make a sale. Parker gently opened the window, and they heard Célestine say with a strong French accent, "No, nothing today, thank you." The man insisted in his usual monotonous tone, pushing a big bunch of the white flowers toward her, but she pushed them back into the basket with an angry remark and flounced away, tossing her head and slamming the door shut. The man walked off muttering. As he did, a thin, unhealthy-looking guy in a check cap stepped away from a lamp-post across the street and sauntered after him, glancing up at the window. Mr. Parker looked at Lord Peter, nodded, and made a slight gesture with his hand. Instantly, the guy in the check cap took the cigarette out of his mouth, extinguished it, tucked the butt behind his ear, and walked away without a second glance.
"Very interesting," said Lord Peter, when both were out of sight. "Hark!"
"Very interesting," said Lord Peter, once they were both out of sight. "Listen!"
There was a sound of running feet overhead—a cry—and a general commotion. The two men dashed to the door as the bride, rushing frantically downstairs with her bevy of bridesmaids after her, proclaimed in a hysterical shriek: "The diamonds! They're stolen! They're gone!"
There was a sound of running feet above—followed by a scream—and a general uproar. The two men rushed to the door just as the bride, frantically coming down the stairs with her group of bridesmaids behind her, shouted in a panic, "The diamonds! They've been stolen! They're gone!"
Instantly the house was in an uproar. The servants and the caterers' men crowded into the hall; the bride's father burst out from his room in a magnificent white waistcoat and no coat; the Duchess of Medway descended upon Mr. Parker, demanding that something should be done; while the butler, who never to the day of his death got over the disgrace, ran out of the pantry with a corkscrew in one hand and a priceless bottle of crusted port in the other, which he shook with all the vehemence of a town-crier ringing a bell. The only dignified entry was made by the dowager duchess, who came down like a ship in sail, dragging Célestine with her, and admonishing her not to be so silly.
Instantly, the house erupted in chaos. The servants and the caterers packed into the hall; the bride's father burst out of his room wearing a stunning white waistcoat and no jacket; the Duchess of Medway confronted Mr. Parker, insisting that action needed to be taken; while the butler, who never recovered from the embarrassment until his last days, rushed out of the pantry with a corkscrew in one hand and a priceless bottle of aged port in the other, shaking it with the urgency of a town crier ringing a bell. The only composed arrival came from the dowager duchess, who descended like a sailing ship, dragging Célestine along with her and scolding her for being so foolish.
"Be quiet, girl," said the dowager. "Anyone would think you were going to be murdered."
"Be quiet, girl," said the dowager. "You'd think someone was about to kill you."
"Allow me, your grace," said Mr. Bunter, appearing suddenly from nowhere in his usual unperturbed manner, and taking the agitated Célestine firmly by the arm. "Young woman, calm yourself."
"Let me help you, your grace," said Mr. Bunter, suddenly appearing out of nowhere in his usual calm demeanor and firmly taking the distressed Célestine by the arm. "Young woman, please calm down."
"But what is to be done?" cried the bride's mother. "How did it happen?"
"But what are we going to do?" exclaimed the bride's mother. "How did this happen?"
It was at this moment that Detective-Inspector Parker took the floor. It was the most impressive and dramatic moment in his whole career. His magnificent calm rebuked the clamorous nobility surrounding him.
It was at this moment that Detective-Inspector Parker took the stage. It was the most impressive and dramatic moment of his entire career. His remarkable composure silenced the noisy nobility around him.
"Your grace," he said, "there is no cause for alarm. Our measures have been taken. We have the criminals and the gems, thanks to Lord Peter Wimsey, from whom we received inf——"
"Your grace," he said, "there's no need to worry. We've handled everything. We have the criminals and the gems, thanks to Lord Peter Wimsey, from whom we received inf——"
"Charles!" said Lord Peter in an awful voice.
"Charles!" Lord Peter said in a terrible voice.
"Warning of the attempt. One of our men is just bringing in the male criminal at the front door, taken red-handed with your grace's diamonds in his possession." (All gazed round, and perceived indeed the check-capped lounger and a uniformed constable entering with the flower-seller between them.) "The female criminal, who picked the lock of your grace's safe, is—here! No, you don't," he added, as Célestine, amid a torrent of apache language which nobody, fortunately, had French enough to understand, attempted to whip out a revolver from the bosom of her demure black dress. "Célestine Berger," he continued, pocketing the weapon, "I arrest you in the name of the law, and I warn you that anything you say will be taken down and used as evidence against you."
"Warning about the attempt. One of our guys is just bringing in the male criminal at the front door, caught red-handed with your grace's diamonds on him." (Everyone looked around and indeed saw the guy in the checkered cap and a uniformed officer entering with the flower seller between them.) "The female criminal, who picked the lock of your grace's safe, is—here! No, you don't," he added, as Célestine, in the middle of a stream of street slang that luckily no one had enough French to understand, tried to pull a revolver from the neckline of her modest black dress. "Célestine Berger," he continued, putting the weapon away, "I arrest you in the name of the law, and I warn you that anything you say can and will be used against you in court."
"Heaven help us," said Lord Peter; "the roof would fly off the court. And you've got the name wrong, Charles. Ladies and gentlemen, allow me to introduce to you Jacques Lerouge, known as Sans-culotte—the youngest and cleverest thief, safe-breaker, and female impersonator that ever occupied a dossier in the Palais de Justice."
"Heaven help us," said Lord Peter; "the roof would fly off the court. And you’ve got the name wrong, Charles. Ladies and gentlemen, let me introduce you to Jacques Lerouge, better known as Sans-culotte—the youngest and smartest thief, safe-cracker, and female impersonator to ever have a file in the Palais de Justice."
There was a gasp. Jacques Sans-culotte gave vent to a low oath and cocked a gamin grimace at Peter.
There was a gasp. Jacques Sans-culotte let out a low curse and made a cheeky face at Peter.
"C'est parfait," said he; "toutes mes félicitations, milord, what you call a fair cop, hein? And now I know him," he added, grinning at Bunter, "the so-patient Englishman who stand behind us in the queue at St. Lazare. But tell me, please, how you know me, that I may correct it, next time."
"That's perfect," he said; "congratulations, my lord, what you call a fair catch, right? And now I recognize him," he added, grinning at Bunter, "the ever-patient Englishman who stood behind us in the line at St. Lazare. But please, tell me how you know me, so I can fix it, next time."
"I have mentioned to you before, Charles," said Lord Peter, "the unwisdom of falling into habits of speech. They give you away. Now, in France, every male child is brought up to use masculine adjectives about himself. He says: Que je suis beau! But a little girl has it rammed home to her that she is female; she must say: Que je suis belle! It must make it beastly hard to be a female impersonator. When I am at a station and I hear an excited young woman say to her companion, 'Me prends-tu pour un imbécile'—the masculine article arouses curiosity. And that's that!" he concluded briskly. "The rest was merely a matter of getting Bunter to take a photograph and communicating with our friends of the Sureté and Scotland Yard."
"I've told you before, Charles," said Lord Peter, "how unwise it is to get into fixed speech patterns. They reveal too much about you. In France, every boy is raised to use masculine adjectives about himself. He says: Que je suis beau! But a little girl is trained to know she’s female; she must say: Que je suis belle! It must make it incredibly tough to impersonate a woman. When I’m at a station and hear an excited young woman say to her friend, 'Me prends-tu pour un imbécile'—the masculine article catches my attention. And that’s that!" he wrapped up quickly. "The rest was just a matter of having Bunter take a photo and getting in touch with our friends at the Sureté and Scotland Yard."
Jacques Sans-culotte bowed again.
Jacques Sans-culotte bowed once more.
"Once more I congratulate milord. He is the only Englishman I have ever met who is capable of appreciating our beautiful language. I will pay great attention in future to the article in question."
"Once again, I congratulate you, my lord. You are the only Englishman I've ever met who can appreciate our beautiful language. I will make sure to pay close attention to the article in question from now on."
With an awful look, the Dowager Duchess of Medway advanced upon Lord Peter.
With a displeased expression, the Dowager Duchess of Medway approached Lord Peter.
"Peter," she said, "do you mean to say you knew about this, and that for the last three weeks you have allowed me to be dressed and undressed and put to bed by a young man?"
"Peter," she said, "are you really saying you knew about this, and that for the last three weeks you let me be dressed and undressed and put to bed by a young man?"
His lordship had the grace to blush.
His lordship had the courtesy to blush.
"Duchess," he said humbly, "on my honour I didn't know absolutely for certain till this morning. And the police were so anxious to have these people caught red-handed. What can I do to show my penitence? Shall I cut the privileged beast in pieces?"
"Duchess," he said humbly, "I swear I didn't know for sure until this morning. And the police were so eager to catch these people in the act. What can I do to show I'm sorry? Should I cut that privileged jerk into pieces?"
The grim old mouth relaxed a little.
The serious old mouth softened a bit.
"After all," said the dowager duchess, with the delightful consciousness that she was going to shock her daughter-in-law, "there are very few women of my age who could make the same boast. It seems that we die as we have lived, my dear."
"After all," said the dowager duchess, with the delightful awareness that she was about to shock her daughter-in-law, "there are very few women my age who can make the same claim. It seems we die as we have lived, my dear."
For indeed the Dowager Duchess of Medway had been notable in her day.
For sure, the Dowager Duchess of Medway had been remarkable in her time.
THE FASCINATING PROBLEM OF UNCLE MELEAGER'S WILL
"You look a little worried, Bunter," said his lordship kindly to his manservant. "Is there anything I can do?"
"You look a bit worried, Bunter," his lordship said kindly to his servant. "Is there anything I can help with?"
The valet's face brightened as he released his employer's grey trousers from the press.
The valet's face lit up as he took his employer's gray pants out of the press.
"Perhaps your lordship could be so good as to think," he said hopefully, "of a word in seven letters with S in the middle, meaning two."
"Maybe you could think of a seven-letter word with S in the middle that means two," he said hopefully.
"Also," suggested Lord Peter thoughtlessly.
"Also," suggested Lord Peter casually.
"I beg your lordship's pardon. T-w-o. And seven letters."
"I’m really sorry, my lord. T-w-o. And seven letters."
"Nonsense!" said Lord Peter. "How about that bath?"
"Nonsense!" said Lord Peter. "What about that bath?"
"It should be just about ready, my lord."
"It should be almost ready, my lord."
Lord Peter Wimsey swung his mauve silk legs lightly over the edge of the bed and stretched appreciatively. It was a beautiful June that year. Through the open door he saw the delicate coils of steam wreathing across a shaft of yellow sunlight. Every step he took into the bathroom was a conscious act of enjoyment. In a husky light tenor he carolled a few bars of "Maman, dites-moi." Then a thought struck him, and he turned back.
Lord Peter Wimsey casually swung his light mauve silk legs over the edge of the bed and stretched with appreciation. It was a gorgeous June that year. Through the open door, he could see the delicate curls of steam rising through a beam of yellow sunlight. Every step he took into the bathroom felt like a deliberate act of enjoyment. In a deep, smooth voice, he sang a few lines of "Maman, dites-moi." Then a thought occurred to him, and he turned back.
"Bunter!"
"Bunter!"
"My lord?"
"Excuse me, my lord?"
"No bacon this morning. Quite the wrong smell."
"No bacon this morning. Totally the wrong smell."
"I was thinking of buttered eggs, my lord."
"I was thinking about buttered eggs, my lord."
"Excellent. Like primroses. The Beaconsfield touch," said his lordship approvingly.
"Excellent. Like primroses. The Beaconsfield touch," his lordship said with approval.
His song died into a rapturous crooning as he settled into the verbena-scented water. His eyes roamed vaguely over the pale blue-and-white tiles of the bathroom walls.
His song faded into a joyful hum as he sank into the verbena-scented water. His eyes wandered aimlessly over the pale blue-and-white tiles of the bathroom walls.
Mr. Bunter had retired to the kitchen to put the coffee on the stove when the bell rang. Surprised, he hastened back to the bedroom. It was empty. With increased surprise, he realised that it must have been the bathroom bell. The words "heart-attack" formed swiftly in his mind, to be displaced by the still more alarming thought, "No soap." He opened the door almost nervously.
Mr. Bunter had gone into the kitchen to make coffee when the bell rang. Surprised, he quickly returned to the bedroom. It was empty. With growing confusion, he realized it must have been the bathroom bell. The words "heart attack" quickly flashed in his mind, only to be replaced by the even more worrying thought, "No soap." He opened the door almost hesitantly.
"Did you ring, my lord?" he demanded of Lord Peter's head, alone visible.
"Did you call, my lord?" he asked Lord Peter's head, which was the only part visible.
"Yes," said his lordship abruptly; "Ambsace."
"Yeah," said his lordship suddenly; "Ambsace."
"I beg your lordship's pardon?"
"Excuse me, my lord?"
"Ambsace. Word of seven letters. Meaning two. With S in the middle. Two aces. Ambsace."
"Ambsace. A seven-letter word. It means two. With an S in the middle. Two aces. Ambsace."
Bunter's expression became beatified.
Bunter's expression turned blissful.
"Undoubtedly correct," he said, pulling a small sheet of paper from his pocket, and entering the word upon it in pencil. "I am extremely obliged to your lordship. In that case the 'indifferent cook in six letters ending with red' must be Alfred."
"Absolutely right," he said, taking a small piece of paper from his pocket and writing the word on it in pencil. "I'm very grateful to you, my lord. In that case, the 'mediocre cook in six letters ending with red' must be Alfred."
Lord Peter waved a dismissive hand.
Lord Peter waved his hand dismissively.
On re-entering his bedroom, Lord Peter was astonished to see his sister Mary seated in his own particular chair and consuming his buttered eggs. He greeted her with a friendly acerbity, demanding why she should look him up at that unearthly hour.
On going back into his bedroom, Lord Peter was surprised to find his sister Mary sitting in his favorite chair and eating his buttered eggs. He greeted her with a friendly sarcasm, asking why she was visiting him at such an odd hour.
"I'm riding with Freddy Arbuthnot," said her ladyship, "as you might see by my legs, if you were really as big a Sherlock as you make out."
"I'm riding with Freddy Arbuthnot," her ladyship said, "as you could tell by my legs, if you were really as much of a Sherlock as you think you are."
"Riding," replied her brother; "I had already deduced, though I admit that Freddy's name was not writ large, to my before-breakfast eye, upon the knees of your breeches. But why this visit?"
"Riding," her brother replied; "I had already figured that out, although I admit that Freddy's name wasn't clearly visible to me on the knees of your breeches before breakfast. But why this visit?"
"Well, because you were on the way," said Lady Mary, "and I'm booked up all day, and I want you to come and dine at the Soviet Club with me to-night."
"Well, since you were on your way," said Lady Mary, "and I'm tied up all day, I really want you to join me for dinner at the Soviet Club tonight."
"Good God, Mary, why? You know I hate the place. Cooking's beastly, the men don't shave, and the conversation gets my goat. Besides, last time I went there, your friend Goyles plugged me in the shoulder. I thought you'd chucked the Soviet Club."
"Good God, Mary, why? You know I can't stand that place. The cooking is awful, the guys don’t shave, and the conversation drives me crazy. Plus, the last time I was there, your friend Goyles jabbed me in the shoulder. I thought you had ditched the Soviet Club."
"It isn't me. It's Hannah Marryat."
"It’s not me. It’s Hannah Marryat."
"What, the intense young woman with the badly bobbed hair and the brogues?"
"What, the passionate young woman with the badly cut bob and the brogues?"
"Well, she's never been able to afford a good hairdresser. That's just what I want your help about."
"Well, she’s never been able to afford a good hairstylist. That’s exactly what I need your help with."
"My dear child, I can't cut her hair for her. Bunter might. He can do most things."
"My dear child, I can't cut her hair for her. Bunter might. He can do most things."
"Silly. No. But she's got—that is, she used to have—an uncle, the very rich, curmudgeony sort, you know, who never gave anyone a penny. Well, he's dead, and they can't find his will."
"Silly. No. But she’s got—that is, she used to have—an uncle, the very rich, grumpy type, you know, who never gave anyone a dime. Well, he’s dead, and they can’t find his will."
"Perhaps he didn't make one."
"Maybe he didn't make one."
"Oh, yes, he did. He wrote and told her so. But the nasty old thing hid it, and it can't be found."
"Oh, yes, he did. He wrote and told her that. But the nasty old thing hid it, and now it can't be found."
"Is the will in her favour?"
"Is the will in her favor?"
"Yes."
Yes.
"Who's the next-of-kin?"
"Who's the next of kin?"
"She and her mother are the only members of the family left."
"She and her mom are the only family members left."
"Well, then, she's only got to sit tight and she'll get the goods."
"Well, then, she just needs to hang in there and she'll get what she wants."
"No—because the horrid old man left two wills, and, if she can't find the latest one, they'll prove the first one. He explained that to her carefully."
"No—because the terrible old man left two wills, and if she can't find the latest one, they'll go with the first one. He explained that to her carefully."
"Oh, I see. H'm. By the way, I thought the young woman was a Socialist."
"Oh, I see. Hmm. By the way, I thought the young woman was a Socialist."
"Oh, she is. Terrifically so. One really can't help admiring her. She has done some wonderful work——"
"Oh, she is. Absolutely. You really can't help but admire her. She's done some amazing work——"
"Yes, I dare say. But in that case I don't see why she need be so keen on getting uncle's dollars."
"Yes, I have to say. But if that’s the case, I don’t understand why she is so focused on getting uncle’s money."
Mary began to chuckle.
Mary started to laugh.
"Ah! but that's where Uncle Meleager——"
"Ah! but that's where Uncle Meleager——"
"Uncle what?"
"Uncle, what?"
"Meleager. That's his name. Meleager Finch."
"Meleager. That's his name. Meleager Finch."
"Oh!"
"Oh!"
"Yes—well, that's where he's been so clever. Unless she finds the new will, the old will comes into force and hands over every penny of the money to the funds of the Primrose League."
"Yes—well, that's where he’s been so smart. Unless she finds the new will, the old will takes effect and transfers every penny of the money to the funds of the Primrose League."
Lord Peter gave a little yelp of joy.
Lord Peter let out a small yelp of joy.
"Good for Uncle Meleager! But, look here, Polly, I'm a Tory, if anything. I'm certainly not a Red. Why should I help to snatch the good gold from the Primrose Leaguers and hand it over to the Third International? Uncle Meleager's a sport. I take to Uncle Meleager."
"Good for Uncle Meleager! But listen, Polly, I'm a Tory, if anything. I'm definitely not a Red. Why should I help take the good money from the Primrose Leaguers and give it to the Third International? Uncle Meleager's a good guy. I like Uncle Meleager."
"Oh, but Peter, I really don't think she'll do that with it. Not at present, anyway. They're awfully poor, and her mother ought to have some frightfully difficult operation or something, and go and live abroad, so it really is ever so important they should get the money. And perhaps Hannah wouldn't be quite so Red if she'd ever had a bean of her own. Besides, you could make it a condition of helping her that she should go and get properly shingled at Bresil's."
"Oh, but Peter, I really don't think she'll do that with it. Not right now, anyway. They're really struggling financially, and her mom needs to have some really tough surgery or something, and then move abroad, so it’s really important they get the money. And maybe Hannah wouldn’t be so left-leaning if she had ever had a penny of her own. Plus, you could make it a condition of helping her that she goes to get a proper haircut at Bresil's."
"You are a very cynically-minded person," said his lordship. "However, it would be fun to have a go at Uncle M. Was he obliging enough to give any clues for finding the will?"
"You have a very cynical mind," his lordship said. "But it would be interesting to try with Uncle M. Did he happen to give any hints about where to find the will?"
"He wrote a funny sort of letter, which we can't make head or tail of. Come to the club to-night and she'll show it to you."
"He wrote a weird kind of letter that we can't make sense of. Come to the club tonight and she'll show it to you."
"Right-ho! Seven o'clock do? And we could go on and see a show afterwards. Do you mind clearing out now? I'm going to get dressed."
"Alright! Is seven o'clock good? We could go see a show afterward. Do you mind leaving now? I'm going to get dressed."
Amid a deafening babble of voices in a low-pitched cellar, the Soviet Club meets and dines. Ethics and sociology, the latest vortices of the Whirligig school of verse, combine with the smoke of countless cigarettes to produce an inspissated atmosphere, through which flat, angular mural paintings dimly lower upon the revellers. There is painfully little room for the elbows, or indeed for any part of one's body. Lord Peter—his feet curled under his chair to avoid the stray kicks of the heavy brogues opposite him—was acutely conscious of an unbecoming attitude and an overheated feeling about the head. He found it difficult to get any response from Hannah Marryat. Under her heavy, ill-cut fringe her dark eyes gloomed sombrely at him. At the same time he received a strong impression of something enormously vital. He had a sudden fancy that if she were set free from self-defensiveness and the importance of being earnest, she would exhibit unexpected powers of enjoyment. He was interested, but oppressed. Mary, to his great relief, suggested that they should have their coffee upstairs.
Amid the loud chatter of voices in a low-ceilinged cellar, the Soviet Club gathers and eats. Discussions about ethics and sociology, the latest trends from the Whirligig school of poetry, mix with the smoke from countless cigarettes, creating a thick atmosphere where flat, angular mural paintings loom over the partygoers. There’s painfully little space for elbows, or really for any part of one’s body. Lord Peter—his feet tucked under his chair to avoid stray kicks from the heavy shoes across from him—was sharply aware of an awkward posture and a stuffy feeling in his head. He struggled to get any reaction from Hannah Marryat. Beneath her heavy, poorly-cut bangs, her dark eyes looked at him gloomily. Yet, he also sensed something incredibly vibrant about her. He suddenly thought that if she could let go of her self-protection and the pressure to be serious, she would show unexpected joy. He felt intrigued but weighed down. Mary, to his great relief, suggested they move upstairs for coffee.
They found a quiet corner with comfortable chairs.
They found a quiet spot with comfy chairs.
"Well, now," said Mary encouragingly.
"Alright then," said Mary encouragingly.
"Of course you understand," said Miss Marryat mournfully, "that if it were not for the monstrous injustice of Uncle Meleager's other will, and mother being so ill, I shouldn't take any steps. But when there is £250,000, and the prospect of doing real good with it——"
"Of course you understand," Miss Marryat said sadly, "that if it weren't for the outrageous unfairness of Uncle Meleager's other will, and my mother being so sick, I wouldn't be taking any action. But when there's £250,000 at stake, along with the chance to actually make a difference with it——"
"Naturally," said Lord Peter, "it isn't the money you care about, as the dear old bromide says, it's the principle of the thing. Right you are! Now supposin' we have a look at Uncle Meleager's letter."
"Of course," said Lord Peter, "it's not the money that matters to you, as the old saying goes, it's the principle of the thing. You're absolutely right! Now let's take a look at Uncle Meleager's letter."
Miss Marryat rummaged in a very large hand-bag and passed the paper over.
Miss Marryat searched through a really big handbag and handed over the paper.
This was Uncle Meleager's letter, dated from Siena twelve months previously.
This was Uncle Meleager's letter, dated from Siena a year ago.
"My dear Hannah,—When I die—which I propose to do at my own convenience and not at that of my family—you will at last discover my monetary worth. It is, of course, considerably less than you had hoped, and quite fails, I assure you, adequately to represent my actual worth in the eyes of the discerning. I made my will yesterday, leaving the entire sum, such as it is, to the Primrose League—a body quite as fatuous as any other in our preposterous state, but which has the advantage of being peculiarly obnoxious to yourself. This will will be found in the safe in the library.
"My dear Hannah,—When I die—which I plan to do at my own convenience and not at my family's—you will finally see my financial worth. It’s, of course, much less than you hoped for, and I assure you, it doesn't truly reflect my real value in the eyes of those who can actually see. I wrote my will yesterday, leaving the entire amount, whatever it is, to the Primrose League—a group just as foolish as any other in our ridiculous society, but with the added bonus of being particularly irritating to you. This will can be found in the safe in the library."
"I am not, however, unmindful of the fact that your mother is my sister, and you and she my only surviving relatives. I shall accordingly amuse myself by drawing up to-day a second will, superseding the other and leaving the money to you.
"I’m not unaware that your mother is my sister, and that you and she are my only living relatives. So, I’m going to entertain myself today by creating a new will, replacing the old one and leaving the money to you."
"I have always held that woman is a frivolous animal. A woman who pretends to be serious is wasting her time and spoiling her appearance. I consider that you have wasted your time to a really shocking extent. Accordingly, I intend to conceal this will, and that in such a manner that you will certainly never find it unless by the exercise of a sustained frivolity.
"I've always believed that women are quite frivolous. A woman who acts serious is just wasting her time and ruining her looks. I think you've really wasted your time to an alarming degree. So, I plan to hide this will in a way that you'll definitely never find it unless you keep being frivolous."
"I hope you will contrive to be frivolous enough to become the heiress of your affectionate
"I hope you can be playful enough to become the heiress of your loving"
"Uncle Meleager."
"Uncle Meleager."
"Couldn't we use that letter as proof of the testator's intention, and fight the will?" asked Mary anxiously.
"Can’t we use that letter as evidence of the testator's intention and contest the will?" Mary asked nervously.
"'Fraid not," said Lord Peter. "You see, there's no evidence here that the will was ever actually drawn up. Though I suppose we could find the witnesses."
"'Fraid not," said Lord Peter. "You see, there's no proof here that the will was ever actually created. Though I guess we could track down the witnesses."
"We've tried," said Miss Marryat, "but, as you see, Uncle Meleager was travelling abroad at the time, and he probably got some obscure people in some obscure Italian town to witness it for him. We advertised, but got no answer."
"We've tried," said Miss Marryat, "but, as you can see, Uncle Meleager was traveling abroad at that time, and he probably had some unknown people in some little Italian town witness it for him. We advertised, but didn't get any replies."
"H'm. Uncle Meleager doesn't seem to have left things to chance. And, anyhow, wills are queer things, and so are the probate and divorce wallahs. Obviously the thing to do is to find the other will. Did the clues he speaks of turn up among his papers?"
"Hmm. Uncle Meleager doesn't seem to have left anything to chance. And, anyway, wills are strange things, just like the probate and divorce folks. Clearly, the best move is to find the other will. Did the clues he mentioned show up in his papers?"
"We hunted through everything. And, of course, we had the whole house searched from top to bottom for the will. But it was quite useless."
"We searched everywhere. And, of course, we had the entire house examined from top to bottom for the will. But it was completely useless."
"You've not destroyed anything, of course. Who were the executors of the Primrose League will?"
"You haven't destroyed anything, of course. Who were the executors of the Primrose League's will?"
"Mother and Mr. Sands, Uncle Meleager's solicitor. The will left mother a silver tea-pot for her trouble."
"Mom and Mr. Sands, Uncle Meleager's lawyer. The will left Mom a silver teapot for her trouble."
"I like Uncle Meleager more and more. Anyhow, he did the sporting thing. I'm beginnin' to enjoy this case like anything. Where did Uncle Meleager hang out?"
"I like Uncle Meleager more and more. Anyway, he did the right thing. I'm starting to really enjoy this case. Where does Uncle Meleager usually hang out?"
"It's an old house down at Dorking. It's rather quaint. Somebody had a fancy to build a little Roman villa sort of thing there, with a verandah behind, with columns and a pond in the front hall, and statues. It's very decent there just now, though it's awfully cold in the winter, with all those stone floors and stone stairs and the skylight over the hall! Mother said perhaps you would be very kind and come down and have a look at it."
"It's an old house in Dorking. It's quite charming. Someone had the idea to build a little Roman villa there, complete with a verandah at the back, columns, a pond in the front hall, and statues. It's really nice there right now, although it gets super cold in the winter, with all those stone floors and stairs and the skylight over the hall! Mom suggested you might be kind enough to come down and take a look at it."
"I'd simply love to. Can we start to-morrow? I promise you we'll be frivolous enough to please even Uncle Meleager, if you'll do your bit, Miss Marryat. Won't we, Mary?"
"I'd really love to. Can we start tomorrow? I promise we'll have enough fun to even please Uncle Meleager, if you do your part, Miss Marryat. Right, Mary?"
"Rather! And, I say, hadn't we better be moving if we're going to the Pallambra?"
"Absolutely! And I think we should get going if we're headed to the Pallambra?"
"I never go to music halls," said Miss Marryat ungraciously.
"I never go to music halls," said Miss Marryat rudely.
"Oh, but you must come to-night," said his lordship persuasively. "It's so frivolous. Just think how it would please Uncle Meleager."
"Oh, but you have to come tonight," his lordship said charmingly. "It's so silly. Just think about how much it would make Uncle Meleager happy."
Accordingly, the next day found the party, including the indispensable Mr. Bunter, assembled at Uncle Meleager's house. Pending the settlement of the will question, there had seemed every reason why Mr. Finch's executrix and next-of-kin should live in the house, thus providing every facility for what Lord Peter called the "Treasure hunt." After being introduced to Mrs. Marryat, who was an invalid and remained in her room, Lady Mary and her brother were shown over the house by Miss Marryat, who explained to them how carefully the search had been conducted. Every paper had been examined, every book in the library scrutinised page by page, the walls and chimneys tapped for hiding-places, the boards taken up, and so forth, but with no result.
The next day, the group, including the essential Mr. Bunter, gathered at Uncle Meleager's house. While they were figuring out the will, it made sense for Mr. Finch's executrix and next-of-kin to stay in the house, providing easy access for what Lord Peter called the "Treasure hunt." After meeting Mrs. Marryat, who was ill and stayed in her room, Lady Mary and her brother were shown around the house by Miss Marryat, who explained how thoroughly the search had been carried out. Every document had been checked, every book in the library examined page by page, the walls and chimneys tapped for hidden spots, the floorboards lifted, and so on, but nothing was found.
"Y'know," said his lordship, "I'm sure you've been going the wrong way to work. My idea is, old Uncle Meleager was a man of his word. If he said frivolous, he meant really frivolous. Something beastly silly. I wonder what it was."
"Hey," said his lordship, "I’m sure you’ve been heading to work the wrong way. My thought is, old Uncle Meleager was a man of his word. If he said frivolous, he truly meant frivolous. Something really ridiculous. I wonder what it was."
He was still wondering when he went up to dress. Bunter was putting studs in his shirt. Lord Peter gazed thoughtfully at him, and then enquired:
He was still thinking as he went up to get dressed. Bunter was putting studs in his shirt. Lord Peter looked at him thoughtfully and then asked:
"Are any of Mr. Finch's old staff still here?"
"Are any of Mr. Finch's former staff still around?"
"Yes, my lord. The cook and the housekeeper. Wonderful old gentleman they say he was, too. Eighty-three, but as up to date as you please. Had his wireless in his bedroom, and enjoyed the Savoy bands every night of his life. Followed his politics, and was always ready with the details of the latest big law-cases. If a young lady came to see him, he'd like to see she had her hair shingled and the latest style in fashions. They say he took up cross-words as soon as they came in, and was remarkably quick at solving them, my lord, and inventing them. Took a £10 prize in the Daily Yell for one, and was wonderfully pleased to get it, they say, my lord, rich as he was."
"Yes, my lord. The cook and the housekeeper. They say he was a wonderful old gentleman. Eighty-three, but as modern as you can get. He had a radio in his bedroom and enjoyed listening to the Savoy bands every night of his life. He followed politics and was always up-to-date with details about the latest big court cases. If a young lady came to visit, he liked to see that she had her hair in a stylish bob and wore the latest fashions. They say he started doing crosswords as soon as they became popular and was really quick at solving them, my lord, as well as coming up with his own. He won a £10 prize in the Daily Yell for one and was really pleased to receive it, they say, my lord, rich as he was."
"Indeed."
"Seriously."
"Yes, my lord. He was a great man for acrostics before that, I understood them to say, but, when cross-words came in, he threw away his acrostics and said he liked the new game better. Wonderfully adaptable, if I may say so, he seems to have been for an old gentleman."
"Yes, my lord. He was really into acrostics before that, or so I heard, but when crosswords became popular, he ditched his acrostics and claimed he liked the new game more. Quite adaptable, if I can say so, especially for an older gentleman."
"Was he, by Jove?" said his lordship absently, and then, with sudden energy:
"Was he, really?" his lordship said absentmindedly, and then, with a sudden burst of energy:
"Bunter, I'd like to double your salary, but I suppose you'd take it as an insult."
"Bunter, I want to double your salary, but I guess you'd see that as an insult."
The conversation bore fruit at dinner.
The conversation paid off at dinner.
"What," enquired his lordship, "happened to Uncle Meleager's cross-words?"
"What," asked his lordship, "happened to Uncle Meleager's crosswords?"
"Cross-words?" said Hannah Marryat, knitting her heavy brows. "Oh, those puzzle things! Poor old man, he went mad over them. He had every newspaper sent him, and in his last illness he'd be trying to fill the wretched things in. It was worse than his acrostics and his jig-saw puzzles. Poor old creature, he must have been senile, I'm afraid. Of course, we looked through them, but there wasn't anything there. We put them all in the attic."
"Crosswords?" said Hannah Marryat, frowning. "Oh, those puzzle things! That poor old man really obsessed over them. He had every newspaper sent to him, and even in his final illness, he was trying to fill those miserable things in. It was worse than his acrostics and jigsaw puzzles. Poor guy, he must have been losing it, I'm afraid. Of course, we looked through them, but there wasn’t anything worthwhile. We just put them all in the attic."
"The attic for me," said Lord Peter.
"The attic for me," said Lord Peter.
"And for me," said Mary. "I don't believe there was anything senile about Uncle Meleager."
"And for me," said Mary. "I don't think there was anything senile about Uncle Meleager."
The evening was warm, and they had dined in the little viridarium at the back of the house, with its tall vases and hanging baskets of flowers and little marble statues.
The evening was warm, and they had dinner in the small garden at the back of the house, with its tall vases, hanging flower baskets, and small marble statues.
"Is there an attic here?" said Peter. "It seems such a—well, such an un-attic thing to have in a house like this."
"Is there an attic here?" Peter asked. "It feels like such a—well, such a non-attic thing to have in a house like this."
"It's just a horrid, poky little hole over the porch," said Miss Marryat, rising and leading the way. "Don't tumble into the pond, will you? It's a great nuisance having it there, especially at night. I always tell them to leave a light on."
"It's just a terrible, cramped little space over the porch," said Miss Marryat, getting up and showing the way. "Please don’t fall into the pond, okay? It’s a real hassle having it there, especially at night. I always tell them to leave a light on."
Lord Peter glanced into the miniature impluvium, with its tiling of red, white and black marble.
Lord Peter looked into the small impluvium, which had tiling made of red, white, and black marble.
"That's not a very classic design," he observed.
"That's not a very classic design," he noted.
"No. Uncle Meleager used to complain about it and say he must have it altered. There was a proper one once, I believe, but it got damaged, and the man before Uncle Meleager had it replaced by some local idiot. He built three bay windows out of the dining-room at the same time, which made it very much lighter and pleasanter, of course, but it looks awful. Now, this tiling is all right; uncle put that in himself."
"No. Uncle Meleager used to complain about it and said he needed to get it fixed. There was a proper one once, I think, but it got damaged, and the guy before Uncle Meleager replaced it with some local fool. He added three bay windows to the dining room at the same time, which made it a lot brighter and more pleasant, but it looks terrible. Now, this tiling is fine; uncle put that in himself."
She pointed to a mosaic dog at the threshold, with the motto, "Cave canem," and Lord Peter recognised it as a copy of a Pompeian original.
She pointed to a mosaic dog at the entrance, with the motto, "Cave canem," and Lord Peter recognized it as a copy of a Pompeian original.
A narrow stair brought them to the "attic," where the Wimseys flung themselves with enthusiasm upon a huge heap of dusty old newspapers and manuscripts. The latter seemed the likelier field, so they started with them. They consisted of a quantity of cross-words in manuscript—presumably the children of Uncle Meleager's own brain. The square, the list of definitions, and the solution were in every case neatly pinned together. Some (early efforts, no doubt) were childishly simple, but others were difficult, with allusive or punning clues; some of the ordinary newspaper type, others in the form of rhymed distichs. They scrutinised the solutions closely, and searched the definitions for acrostics or hidden words, unsuccessfully for a long time.
A narrow staircase led them to the "attic," where the Wimseys eagerly dived into a massive pile of dusty old newspapers and manuscripts. The manuscripts seemed more promising, so they began with those. They included a bunch of crosswords, likely created by Uncle Meleager himself. The square, the list of definitions, and the solution were all neatly pinned together. Some (probably early attempts) were very simple, but others were challenging, featuring obscure or punny clues; some were the typical newspaper style, while others were in the form of rhymed couplets. They examined the solutions closely and searched the definitions for acrostics or hidden words, but they had no luck for a long time.
"This one's a funny one," said Mary, "nothing seems to fit. Oh! it's two pinned together. No, it isn't—yes, it is—it's only been pinned up wrong. Peter, have you seen the puzzle belonging to these clues anywhere?"
"This one's a funny one," Mary said, "nothing seems to fit. Oh! it's two pinned together. No, it isn't—yes, it is—it's just been pinned wrong. Peter, have you seen the puzzle that goes with these clues anywhere?"
"What one's that?"
"What's that?"
"Well, it's numbered rather funnily, with Roman and Arabic numerals, and it starts off with a thing that hasn't got any numbers at all:
"Well, it's numbered in a pretty strange way, using both Roman and Arabic numerals, and it begins with something that doesn't have any numbers at all:"
"Frivolous old wretch!" said Miss Marryat.
"Frivolous old fool!" said Miss Marryat.
"Friv—here, gimme that!" cried Lord Peter. "Look here, I say, Miss Marryat, you oughtn't to have overlooked this."
"Friv—give me that!" shouted Lord Peter. "Look here, Miss Marryat, you shouldn’t have missed this."
"I thought it just belonged to that other square."
"I thought it just belonged to that other square."
"Not it. It's different. I believe it's our thing. Listen:
"Not it. It's different. I think it's our thing. Listen:"
That's one for you, Miss Marryat. Mary, hunt about. We must find the square that belongs to this."
That's one for you, Miss Marryat. Mary, look around. We have to find the square that goes with this.
But, though they turned everything upside-down, they could find no square with Roman and Arabic numerals.
But even though they flipped everything around, they couldn’t find any square with Roman and Arabic numbers.
"Hang it all!" said Peter, "it must be made to fit one of these others. Look! I know what he's done. He's just taken a fifteen-letter square, and numbered it with Roman figures one way and Arabic the other. I bet it fits into that one it was pinned up with."
"Hang on!" Peter said, "it has to fit with one of these other ones. Look! I know what he did. He just took a fifteen-letter square and numbered it with Roman numerals one way and Arabic numbers the other. I bet it fits into the one it was pinned up with."
But the one it was pinned up with turned out to have only thirteen squares.
But the one it was pinned up with turned out to have only thirteen squares.
"Dash it all," said his lordship, "we'll have to carry the whole lot down, and work away at it till we find the one it does fit."
"Dammit," said his lordship, "we'll have to take the whole lot down and keep at it until we find the one it does fit."
He snatched up a great bundle of newspapers, and led the way out. The others followed, each with an armful. The search had taken some time, and the atrium was in semi-darkness.
He grabbed a huge stack of newspapers and headed out. The others followed, each carrying an armful. The search had taken a while, and the atrium was dimly lit.
"Where shall I take them?" asked Lord Peter, calling back over his shoulder.
"Where should I take them?" asked Lord Peter, glancing back over his shoulder.
"Hi!" cried Mary; and, "Look where you're going!" cried her friend.
"Hi!" shouted Mary; and, "Watch where you're going!" yelled her friend.
They were too late. A splash and a flounder proclaimed that Lord Peter had walked, like Johnny Head-in-Air over the edge of the impluvium, papers and all.
They were too late. A splash and a struggle announced that Lord Peter had walked, like Johnny Head-in-Air, right over the edge of the impluvium, papers and all.
"You ass!" said Mary.
"You jerk!" said Mary.
His lordship scrambled out, spluttering, and Hannah Marryat suddenly burst out into the first laugh Peter had ever heard her give.
His lordship hurried out, sputtering, and Hannah Marryat suddenly broke into the first laugh Peter had ever heard her make.
she proclaimed.
she declared.
"Well, I couldn't take my clothes off with you here, could I?" grumbled Lord Peter. "We'll have to fish out the papers. I'm afraid they've got a bit damp."
"Well, I can't take my clothes off with you here, can I?" grumbled Lord Peter. "We'll need to dig out the papers. I'm afraid they've gotten a little damp."
Miss Marryat turned on the lights, and they started to clear the basin.
Miss Marryat turned on the lights, and they began to clear the basin.
"Truth, poor girl——" began Lord Peter, and suddenly, with a little shriek, began to dance on the marble edge of the impluvium.
"Honestly, poor girl——" started Lord Peter, and suddenly, with a small shriek, began to dance on the marble edge of the impluvium.
"One, two, three, four, five, six——"
"One, two, three, four, five, six——"
"Quite, quite demented," said Mary. "How shall I break it to mother?"
"Completely crazy," said Mary. "How am I going to tell Mom?"
"Thirteen, fourteen, fifteen!" cried his lordship, and sat down, suddenly and damply, exhausted by his own excitement.
"Thirteen, fourteen, fifteen!" shouted his lordship, then sat down abruptly and heavily, worn out from his own excitement.
"Feeling better?" asked his sister acidly.
"Feeling better?" his sister asked sharply.
"I'm well. I'm all right. Everything's all right. I love Uncle Meleager. Fifteen squares each way. Look at it. Look at it. The truth's in the water. Didn't he say so. Oh, frabjous day! Calloo! callay! I chortle. Mary, what became of those definitions?"
"I'm good. I'm fine. Everything's fine. I love Uncle Meleager. Fifteen squares each way. Check it out. Check it out. The truth's in the water. Didn't he say that? Oh, what a fantastic day! Calloo! callay! I'm laughing. Mary, what happened to those definitions?"
"They're in your pocket, all damp," said Mary.
"They're in your pocket, all wet," Mary said.
Lord Peter snatched them out hurriedly.
Lord Peter quickly snatched them.
"It's all right, they haven't run," he said. "Oh, darling Uncle Meleager. Can you drain the impluvium, Miss Marryat, and find a bit of charcoal. Then I'll get some dry clothes on and we'll get down to it. Don't you see? There's your missing cross-word square—on the floor of the impluvium!"
"It's fine, they haven't escaped," he said. "Oh, dear Uncle Meleager. Can you empty the impluvium, Miss Marryat, and find a piece of charcoal? Then I'll put on some dry clothes and we can get started. Don't you see? There's your missing crossword square—on the floor of the impluvium!"
It took, however, some time to get the basin emptied, and it was not till next morning that the party, armed with sticks of charcoal, squatted down in the empty impluvium to fill in Uncle Meleager's cross-word on the marble tiles. Their first difficulty was to decide whether the red squares counted as stops or had to be filled in, but, after a few definitions had been solved, the construction of the puzzle grew apace. The investigators grew steadily hotter and more thickly covered with charcoal, while the attentive Mr. Bunter hurried to and fro between the atrium and the library, and the dictionaries piled upon the edge of the impluvium.
It took a while to empty the basin, and it wasn't until the next morning that the group, armed with sticks of charcoal, settled in the empty impluvium to work on Uncle Meleager's crossword on the marble tiles. Their first challenge was to decide whether the red squares counted as spaces or needed to be filled in, but after solving a few definitions, the puzzle started to come together. The investigators became increasingly hot and covered in charcoal, while the attentive Mr. Bunter hurried back and forth between the atrium and the library, where dictionaries were piled on the edge of the impluvium.

Here was Uncle Meleager's cross-word square:
Here was Uncle Meleager's crossword puzzle:
Across.
Across.
"That's a hint to us," said Lord Peter.
"That's a clue for us," said Lord Peter.
"That's an easy one," said Miss Marryat.
"That’s an easy one," said Miss Marryat.
Down.
Down.
"Bunter," said Lord Peter, "bring me a whisky-and-soda!"
"Bunter," Lord Peter said, "get me a whisky and soda!"
"That's a comfort," said Lady Mary. "It shows we're on the right lines."
"That's reassuring," said Lady Mary. "It means we're headed in the right direction."
"That makes that point about the squares clear," said Mary.
"That clarifies the point about the squares," Mary said.
"I think it's even more significant," said her brother.
"I think it's even more important," her brother said.
The most remarkable part of the search—or so Lord Peter thought—was its effect on Miss Marryat. At first she hovered disconsolately on the margin, aching with wounded dignity, yet ashamed to dissociate herself from people who were toiling so hard and so cheerfully in her cause.
The most remarkable part of the search—or so Lord Peter thought—was its effect on Miss Marryat. At first she lingered sadly on the sidelines, feeling hurt and proud, yet too embarrassed to separate herself from the people who were working so hard and so happily for her cause.
"I think that's so-and-so," Mary would say hopefully.
"I think that's someone," Mary would say optimistically.
And her brother would reply enthusiastically, "Holed it in one, old lady. Good for you! We've got it this time, Miss Marryat"—and explain it.
And her brother would reply excitedly, "Nailed it in one, old lady. Great job! We've got this one, Miss Marryat"—and explain it.
And Hannah Marryat would say with a snort:
And Hannah Marryat would say with a snort:
"That's just the childish kind of joke Uncle Meleager would make."
"That's just the kind of childish joke Uncle Meleager would make."
Gradually, however, the fascination of seeing the squares fit together caught her, and, when the first word appeared which showed that the searchers were definitely on the right track, she lay down flat on the floor and peered over Lord Peter's shoulder as he grovelled below, writing letters in charcoal, rubbing them out with his handkerchief and mopping his heated face, till the Moor of Venice had nothing on him in the matter of blackness. Once, half scornfully, half timidly, she made a suggestion; twice, she made a suggestion; the third time she had an inspiration. The next minute she was down in the mêlée, crawling over the tiles flushed and excited, wiping important letters out with her knees as fast as Peter could write them in, poring over the pages of Roget, her eyes gleaming under her tumbled black fringe.
Gradually, though, the excitement of seeing the pieces come together captivated her, and when the first word popped up that confirmed they were definitely on the right track, she lay flat on the floor and leaned over Lord Peter's shoulder as he worked below, writing letters in charcoal, erasing them with his handkerchief, and mopping his sweaty face, until the Moor of Venice had nothing on him in terms of smudginess. Once, half mockingly, half shyly, she made a suggestion; twice, she offered another idea; by the third time, she had a brilliant thought. The next moment, she dove into the chaos, crawling over the tiles, flushed and excited, erasing crucial letters with her knees as quickly as Peter could write them, studying the pages of Roget, her eyes sparkling under her messy black bangs.
Hurried meals of cold meat and tea sustained the exhausted party, and towards sunset Peter, with a shout of triumph, added the last letter to the square.
Hurried meals of cold meat and tea kept the tired group going, and as the sun was setting, Peter, with a shout of triumph, added the final letter to the square.
They crawled out and looked at it.
They crawled out and looked at it.
"All the words can't be clues," said Mary. "I think it must be just those four."
"Not all the words can be clues," Mary said. "I think it has to be just those four."
"Yes, undoubtedly. It's quite clear. We've only got to look it up. Where's a Bible?"
"Yes, definitely. It's obvious. We just need to look it up. Where's a Bible?"
Miss Marryat hunted it out from the pile of reference books. "But that isn't the name of a Bible book," she said. "It's those things they have at evening service."
Miss Marryat dug it out from the stack of reference books. "But that's not the name of a Bible book," she said. "It's those things they have at evening service."
"That's all you know," said Lord Peter. "I was brought up religious, I was. It's Vulgate, that's what that is. You're quite right, of course, but, as Uncle Meleager says, we must 'look a little farther back than that.' Here you are. Now, then."
"That's all you know," said Lord Peter. "I was raised religious, I really was. It's Vulgate, that's what it is. You're totally right, of course, but, as Uncle Meleager says, we need to 'look a little farther back than that.' Here you go. Now, then."
"But it doesn't say what chapter."
"But it doesn't mention which chapter."
"So it doesn't. I mean, nor it does."
"So it doesn't. I mean, neither does it."
"And, anyhow, all the chapters are too short."
"And anyway, all the chapters are way too short."
"Damn! Oh! Here, suppose we just count right on from the beginning—one, two, three——"
"Damn! Oh! Alright, let’s just start counting from the beginning—one, two, three——"
"Seventeen in chapter one, eighteen, nineteen—this must be it."
"Seventeen in chapter one, eighteen, nineteen—this has to be it."
Two fair heads and one dark one peered excitedly at the small print, Bunter hovering decorously on the outskirts.
Two fair-haired heads and one dark-haired head peeked eagerly at the small print, with Bunter politely lingering at the edge.
"O my dove, that art in the clefts of the rock, in the covert of the steep place."
"O my dove, that you are in the cracks of the rock, in the shelter of the steep place."
"Oh, dear!" said Mary, disappointed, "that does sound rather hopeless. Are you sure you've counted right? It might mean anything."
"Oh no!" said Mary, feeling let down, "that really does sound pretty hopeless. Are you sure you counted correctly? It could mean anything."
Lord Peter scratched his head.
Lord Peter scratched his head.
"This is a bit of a blow," he said. "I don't like Uncle Meleager half as much as I did. Old beast!"
"This is a bit of a letdown," he said. "I don't like Uncle Meleager anywhere near as much as I used to. What a jerk!"
"After all our work!" moaned Mary.
"After all our hard work!" complained Mary.
"It must be right," cried Miss Marryat. "Perhaps there's some kind of an anagram in it. We can't give up now!"
"It has to be right," shouted Miss Marryat. "Maybe there's some sort of an anagram in it. We can't quit now!"
"Bravo!" said Lord Peter. "That's the spirit. 'Fraid we're in for another outburst of frivolity, Miss Marryat."
"Awesome!" said Lord Peter. "That's the attitude. I'm afraid we're up for another round of fun, Miss Marryat."
"Well, it's been great fun," said Hannah Marryat.
"Well, it's been a lot of fun," said Hannah Marryat.
"If you will excuse me," began the deferential voice of Bunter.
"If you’ll excuse me," started Bunter’s polite voice.
"I'd forgotten you, Bunter," said his lordship. "Of course you can put us right—you always can. Where have we gone wrong?"
"I completely forgot about you, Bunter," said his lordship. "You can always help us out—you always do. Where did we mess up?"
"I was about to observe, my lord, that the words you mention do not appear to agree with my recollection of the passage in question. In my mother's Bible, my lord, it ran, I fancy, somewhat differently."
"I was just about to point out, my lord, that the words you mentioned don’t seem to match how I remember the passage in question. In my mother’s Bible, my lord, it read, I believe, somewhat differently."
Lord Peter closed the volume and looked at the back of it.
Lord Peter closed the book and examined its back.
"Naturally," he said, "you are right again, of course. This is a Revised Version. It's your fault, Miss Marryat. You would have a Revised Version. But can we imagine Uncle Meleager with one? No. Bring me Uncle Meleager's Bible."
"Of course," he said, "you're right again. This is a Revised Version. It's your fault, Miss Marryat. You would have a Revised Version. But can we picture Uncle Meleager with one? No. Bring me Uncle Meleager's Bible."
"Come and look in the library," cried Miss Marryat, snatching him by the hand and running. "Don't be so dreadfully calm."
"Come check out the library," Miss Marryat exclaimed, grabbing his hand and pulling him along. "Don't be so unreasonably chill."
On the centre of the library table lay a huge and venerable Bible—reverend in age and tooled leather binding. Lord Peter's hands caressed it, for a noble old book was like a song to his soul. Sobered by its beauty, they turned the yellow pages over:
On the center of the library table sat a large, old Bible—esteemed for its age and embossed leather cover. Lord Peter's hands gently touched it, as a treasured book was music to his soul. Moved by its beauty, he turned the yellowed pages:
"In the clefts of the rocks, in the secret places of the stairs."
"In the cracks of the rocks, in the hidden spots of the stairs."
"Miss Marryat," said his lordship, "if your Uncle's will is not concealed in the staircase, then—well, all I can say is, he's played a rotten trick on us," he concluded lamely.
"Miss Marryat," his lordship said, "if your uncle's will isn’t hidden in the staircase, then—well, all I can say is, he’s pulled a really bad trick on us," he finished weakly.
"Shall we try the main staircase, or the little one up to the porch?"
"Should we take the main staircase or the small one up to the porch?"
"Oh, the main one, I think. I hope it won't mean pulling it down. No. Somebody would have noticed if Uncle Meleager had done anything drastic in that way. It's probably quite a simple hiding-place. Wait a minute. Let's ask the housekeeper."
"Oh, I think it's the main one. I hope it doesn't mean taking it down. No. Someone would have noticed if Uncle Meleager had done anything drastic like that. It's probably just a simple hiding spot. Hang on. Let's ask the housekeeper."
Mrs. Meakers was called, and perfectly remembered that about nine months previously Mr. Finch had pointed out to her a "kind of a crack like" on the under surface of the staircase, and had had a man in to fill it up. Certainly, she could point out the exact place. There was the mark of the plaster filling quite clear.
Mrs. Meakers was called, and she clearly remembered that about nine months ago, Mr. Finch had pointed out to her a "kind of crack" on the underside of the staircase and had brought someone in to fix it. She could definitely show the exact spot. The mark of the plaster filling was still visible.
"Hurray!" cried Lord Peter. "Bunter—a chisel or something. Uncle Meleager, Uncle Meleager, we've got you! Miss Marryat, I think yours should be the hand to strike the blow. It's your staircase, you know—at least, if we find the will, so if any destruction has to be done it's up to you."
"Hurray!" shouted Lord Peter. "Bunter—grab a chisel or something. Uncle Meleager, Uncle Meleager, we’ve got you! Miss Marryat, I think it should be your hand that delivers the final blow. It’s your staircase, after all—at least if we find the will, so any needed destruction is your responsibility."
Breathless they stood round, while with a few blows the new plaster flaked off, disclosing a wide chink in the stonework. Hannah Marryat flung down hammer and chisel and groped in the gap.
Breathless, they stood around as a few strikes caused the new plaster to flake off, revealing a large crack in the stonework. Hannah Marryat dropped the hammer and chisel and reached into the gap.
"There's something," she gasped. "Lift me up; I can't reach. Oh, it is! it is! it is it!" And she withdrew her hand, grasping a long, sealed envelope, bearing the superscription:
"There's something," she exclaimed. "Pick me up; I can't reach it. Oh, it is! It really is it!" And she pulled her hand back, holding a long, sealed envelope with the label:
Positively the LAST Will and Testament of Meleager Finch.
The FINAL Will and Testament of Meleager Finch.
Miss Marryat gave a yodel of joy and flung her arms round Lord Peter's neck.
Miss Marryat let out a joyful yodel and threw her arms around Lord Peter's neck.
Mary executed a joy-dance. "I'll tell the world," she proclaimed.
Mary did a happy dance. "I'll tell everyone," she declared.
"Come and tell mother!" cried Miss Marryat.
"Come and tell Mom!" shouted Miss Marryat.
Mr. Bunter interposed,
Mr. Bunter interrupted,
"Your lordship will excuse me," he said firmly, "but your lordship's face is all over charcoal."
"Excuse me, my lord," he said firmly, "but your face is covered in charcoal."
"Black but comely," said Lord Peter, "but I submit to your reproof. How clever we've all been. How topping everything is. How rich you are going to be. How late it is and how hungry I am. Yes, Bunter, I will wash my face. Is there anything else I can do for anybody while I feel in the mood?"
"Beautiful but dark," said Lord Peter, "but I accept your criticism. How clever we’ve all been. Everything is fantastic. You’re going to be so rich. It's late, and I’m really hungry. Yes, Bunter, I’ll wash my face. Is there anything else I can do for anyone while I’m in the mood?"
"If your lordship would be so kind," said Mr. Bunter, producing a small paper from his pocket, "I should be grateful if you could favour me with a South African quadruped in six letters, beginning with Q."
"If you wouldn't mind, my lord," said Mr. Bunter, pulling a small piece of paper from his pocket, "I'd really appreciate it if you could give me a South African animal in six letters that starts with Q."
Note.—The solution of the cross-word will be found at the end of the book.
Note.—You can find the solution to the crossword at the end of the book.
THE FANTASTIC HORROR OF THE CAT IN THE BAG
The Great North Road wound away like a flat, steel-grey ribbon. Up it, with the sun and wind behind them, two black specks moved swiftly. To the yokel in charge of the hay-wagon they were only two of "they dratted motor-cyclists," as they barked and zoomed past him in rapid succession. A little farther on, a family man, driving delicately with a two-seater side-car, grinned as the sharp rattle of the o.h.v. Norton was succeeded by the feline shriek of an angry Scott Flying-Squirrel. He, too, in bachelor days, had taken a side in that perennial feud. He sighed regretfully as he watched the racing machines dwindle away northwards.
The Great North Road stretched out like a flat, steel-grey ribbon. With the sun and wind at their backs, two black dots sped along it. To the local farmer watching from his hay-wagon, they were just "those annoying motorcyclists," as they roared and zipped past him one after another. A bit further along, a family man, carefully driving a two-seater with a side-car, smiled as the sharp rattle of the overhead valve Norton was followed by the angry screech of a Scott Flying-Squirrel. He, too, had taken a side in that ongoing rivalry back in his single days. He sighed with regret as he saw the racing bikes fade away to the north.
At that abominable and unexpected S-bend across the bridge above Hatfield, the Norton man, in the pride of his heart, turned to wave a defiant hand at his pursuer. In that second, the enormous bulk of a loaded charabanc loomed down upon him from the bridgehead. He wrenched himself away from it in a fierce wobble, and the Scott, cornering melodramatically, with left and right foot-rests alternately skimming the tarmac, gained a few triumphant yards. The Norton leapt forward with wide-open throttle. A party of children, seized with sudden panic, rushed helter-skelter across the road. The Scott lurched through them in drunken swerves. The road was clear, and the chase settled down once more.
At that terrible and unexpected curve near the bridge over Hatfield, the Norton rider, feeling proud, turned to give a defiant wave to his pursuer. In that moment, a huge, loaded tour bus came barreling down towards him from the top of the bridge. He quickly swerved away from it in a wild wobble, while the Scott, dramatically cornering, had its left and right foot pegs skimming along the pavement, gaining a few triumphant yards. The Norton surged forward, full throttle. A group of kids, suddenly panicked, dashed wildly across the road. The Scott zigzagged through them unsteadily. The road was clear again, and the chase resumed.
It is not known why motorists, who sing the joys of the open road, spend so much petrol every week-end grinding their way to Southend and Brighton and Margate, in the stench of each other's exhausts, one hand on the horn and one foot on the brake, their eyes starting from their orbits in the nerve-racking search for cops, corners, blind turnings, and cross-road suicides. They ride in a baffled fury, hating each other. They arrive with shattered nerves and fight for parking places. They return, blinded by the headlights of fresh arrivals, whom they hate even worse than they hate each other. And all the time the Great North Road winds away like a long, flat, steel-grey ribbon—a surface like a race-track, without traps, without hedges, without side-roads, and without traffic. True, it leads to nowhere in particular; but, after all, one pub is very much like another.
It’s unclear why drivers, who love the thrill of the open road, burn so much gas every weekend getting stuck in traffic to Southend, Brighton, and Margate, surrounded by each other's exhaust fumes, one hand on the horn and one foot on the brake, eyes bulging in a stressful search for cops, sharp turns, blind corners, and reckless drivers at intersections. They ride in a confused rage, loathing one another. They arrive stressed out and fight for parking spots. On the way back, they’re blinded by the headlights of new arrivals, whom they despise even more than they do each other. Meanwhile, the Great North Road stretches out like a long, flat, steel-grey ribbon—a surface like a racetrack, with no traps, no hedges, no side roads, and no traffic. Sure, it doesn’t lead anywhere special, but really, one pub is pretty much like another.
The tarmac reeled away, mile after mile. The sharp turn to the right at Baldock, the involute intricacies of Biggleswade, with its multiplication of sign-posts, gave temporary check, but brought the pursuer no nearer. Through Tempsford at full speed, with bellowing horn and exhaust, then, screaming like a hurricane past the R.A.C. post where the road forks in from Bedford. The Norton rider again glanced back; the Scott rider again sounded his horn ferociously. Flat as a chessboard, dyke and field revolved about the horizon.
The road stretched on endlessly, mile after mile. The sharp turn to the right at Baldock and the complex routes through Biggleswade, with its numerous signs, slowed him down briefly, but the pursuer was still far behind. He raced through Tempsford at full throttle, with a blaring horn and roaring exhaust, then zoomed past the R.A.C. post, where the road branches off from Bedford, making a loud noise like a hurricane. The Norton rider checked his mirrors again; the Scott rider honked his horn aggressively once more. The landscape was as flat as a chessboard, with dykes and fields spinning around the horizon.
The constable at Eaton Socon was by no means an anti-motor fiend. In fact, he had just alighted from his push-bike to pass the time of day with the A.A. man on point duty at the cross-roads. But he was just and God-fearing. The sight of two maniacs careering at seventy miles an hour into his protectorate was more than he could be expected to countenance—the more, that the local magistrate happened to be passing at that very moment in a pony-trap. He advanced to the middle of the road, spreading his arms in a majestic manner. The Norton rider looked, saw the road beyond complicated by the pony-trap and a traction-engine, and resigned himself to the inevitable. He flung the throttle-lever back, stamped on his squealing brakes, and skidded to a standstill. The Scott, having had notice, came up mincingly, with a voice like a pleased kitten.
The constable at Eaton Socon was definitely not against motor vehicles. In fact, he had just gotten off his bike to chat with the A.A. officer on duty at the crossroads. But he was fair and God-fearing. Seeing two reckless drivers speeding at seventy miles an hour into his jurisdiction was something he simply couldn’t allow—especially since the local magistrate was passing by at that very moment in a pony cart. He stepped into the middle of the road, spreading his arms dramatically. The Norton rider looked ahead, saw the road ahead complicated by the pony cart and a traction engine, and accepted the situation. He pulled back the throttle, slammed on his squealing brakes, and skidded to a stop. The Scott, having been warned, approached cautiously, with a voice like a content kitten.
"Now, then," said the constable, in a tone of reproof, "ain't you got no more sense than to come drivin' into the town at a 'undred mile an hour. This ain't Brooklands, you know. I never see anything like it. 'Ave to take your names and numbers, if you please. You'll bear witness, Mr. Nadgett, as they was doin' over eighty."
"Now, listen," said the officer, scolding, "don’t you know better than to come speeding into town at a hundred miles an hour? This isn’t Brooklands, you know. I’ve never seen anything like it. I’ll need to take your names and numbers, if you don’t mind. You’ll back me up on this, Mr. Nadgett, since they were going over eighty."
The A.A. man, after a swift glance over the two sets of handle-bars to assure himself that the black sheep were not of his flock, said, with an air of impartial accuracy, "About sixty-six and a half, I should say, if you was to ask me in court."
The A.A. guy, after quickly checking both sets of handlebars to make sure the troublemakers weren't from his group, said, with a tone of objective accuracy, "I'd say around sixty-six and a half, if you were to ask me in court."
"Look here, you blighter," said the Scott man indignantly to the Norton man, "why the hell couldn't you stop when you heard me hoot? I've been chasing you with your beastly bag nearly thirty miles. Why can't you look after your own rotten luggage?"
"Hey, you jerk," the Scottish guy said angrily to the Norton guy, "why couldn't you stop when you heard me honking? I've been chasing you with your awful bag for almost thirty miles. Why can't you take care of your own terrible luggage?"
He indicated a small, stout bag, tied with string to his own carrier.
He pointed to a small, sturdy bag that was tied with string to his own bag.
"That?" said the Norton man, with scorn. "What do you mean? It's not mine. Never saw it in my life."
"That?" said the Norton guy, sounding dismissive. "What are you talking about? It’s not mine. I've never seen it before."
This bare-faced denial threatened to render the Scott rider speechless.
This outright denial left the Scott rider at a loss for words.
"Of all the——" he gasped. "Why, you crimson idiot, I saw it fall off, just the other side of Hatfield. I yelled and blew like fury. I suppose that overhead gear of yours makes so much noise you can't hear anything else. I take the trouble to pick the thing up, and go after you, and all you do is to race off like a lunatic and run me into a cop. Fat lot of thanks one gets for trying to be decent to fools on the road."
"Of all the——" he gasped. "Why, you stupid idiot, I saw it fall off just the other side of Hatfield. I yelled and blew my horn like crazy. I guess that overhead gear of yours makes so much noise you can't hear anything else. I took the time to pick the thing up and go after you, and all you do is race off like a maniac and run me into a cop. What thanks do I get for trying to be nice to idiots on the road?"
"That ain't neither here nor there," said the policeman. "Your licence, please, sir."
"That's irrelevant," said the policeman. "Your license, please, sir."
"Here you are," said the Scott man, ferociously flapping out his pocket-book. "My name's Walters, and it's the last time I'll try to do anybody a good turn, you can lay your shirt."
"Here you go," said the Scott guy, angrily pulling out his wallet. "I'm Walters, and this is the last time I ever try to help anyone, mark my words."
"Walters," said the constable, entering the particulars laboriously in his notebook, "and Simpkins. You'll 'ave your summonses in doo course. It'll be for about a week 'ence, on Monday or thereabouts, I shouldn't wonder."
"Walters," said the constable, writing down the details carefully in his notebook, "and Simpkins. You'll get your summonses in due time. It'll be for about a week from now, on Monday or so, I wouldn't be surprised."
"Another forty bob gone west," growled Mr. Simpkins, toying with his throttle. "Oh, well, can't be helped, I suppose."
"Another forty bucks down the drain," grumbled Mr. Simpkins, fiddling with his throttle. "Oh well, I guess it can't be helped."
"Forty bob?" snorted the constable. "What do you think? Furious driving to the common danger, that's wot it is. You'll be lucky to get off with five quid apiece."
"Forty quid?" snorted the officer. "What do you think? Reckless driving that endangers everyone, that's what it is. You'll be lucky to get away with fifty pounds each."
"Oh, blast!" said the other, stamping furiously on the kick-starter. The engine roared into life, but Mr. Walters dexterously swung his machine across the Norton's path.
"Oh, damn!" said the other, angrily stomping on the kick-starter. The engine roared to life, but Mr. Walters skillfully steered his bike in front of the Norton's path.
"Oh, no, you don't," he said viciously. "You jolly well take your bleeding bag, and no nonsense. I tell you, I saw it fall off."
"Oh, no, you don't," he said angrily. "You better take your damn bag, no excuses. I'm telling you, I saw it fall off."
"Now, no language," began the constable, when he suddenly became aware that the A.A. man was staring in a very odd manner at the bag and making signs to him.
"Now, no language," started the constable, when he suddenly noticed that the A.A. guy was staring at the bag in a really strange way and signaling to him.
"'Ullo," he demanded, "wot's the matter with the—bleedin' bag, did you say? 'Ere, I'd like to 'ave a look at that 'ere bag, sir, if you don't mind."
"'Hello," he said, "what's wrong with the—bleeding bag, did you say? Here, I'd like to take a look at that bag, sir, if you don’t mind."
"It's nothing to do with me," said Mr. Walters, handing it over. "I saw it fall off and——" His voice died away in his throat, and his eyes became fixed upon one corner of the bag, where something damp and horrible was seeping darkly through.
"It's got nothing to do with me," Mr. Walters said, passing it over. "I saw it fall off and—" His voice trailed off, and his eyes locked onto a corner of the bag, where something wet and disgusting was seeping through.
"Did you notice this 'ere corner when you picked it up?" asked the constable. He prodded it gingerly and looked at his fingers.
"Did you see this corner when you picked it up?" asked the constable. He poked it carefully and looked at his fingers.
"I don't know—no—not particularly," stammered Walters. "I didn't notice anything. I—I expect it burst when it hit the road."
"I don't know—no—not really," stammered Walters. "I didn't see anything. I—I guess it popped when it hit the road."
The constable probed the split seam in silence, and then turned hurriedly round to wave away a couple of young women who had stopped to stare. The A.A. man peered curiously, and then started back with a sensation of sickness.
The constable quietly examined the torn seam, then quickly turned around to shoo away a couple of young women who had paused to watch. The A.A. man looked on with interest, then recoiled in disgust.
"Ow, Gawd!" he gasped. "It's curly—it's a woman's."
"Ow, God!" he gasped. "It's curly—it's a woman's."
"It's not me," screamed Simpkins. "I swear to heaven it's not mine. This man's trying to put it across me."
"It's not me," shouted Simpkins. "I swear it's not mine. This guy's trying to frame me."
"Me?" gasped Walters. "Me? Why, you filthy, murdering brute, I tell you I saw it fall off your carrier. No wonder you blinded off when you saw me coming. Arrest him, constable. Take him away to prison——"
"Me?" gasped Walters. "Me? Why, you disgusting, murderous jerk, I saw it drop off your truck. No wonder you freaked out when you saw me coming. Arrest him, officer. Take him away to jail——"
"Hullo, officer!" said a voice behind them. "What's all the excitement? You haven't seen a motor-cyclist go by with a little bag on his carrier, I suppose?"
"Hey, officer!" said a voice behind them. "What's all the commotion? You haven't seen a motorcyclist ride by with a small bag on his bike, have you?"
A big open car with an unnaturally long bonnet had slipped up to them, silent as an owl. The whole agitated party with one accord turned upon the driver.
A large open car with an unusually long hood had quietly pulled up to them, as silent as an owl. The entire anxious group turned to face the driver in unison.
"Would this be it, sir?"
"Is this it, sir?"
The motorist pushed off his goggles, disclosing a long, narrow nose and a pair of rather cynical-looking grey eyes.
The driver pulled off his goggles, revealing a long, narrow nose and a pair of somewhat cynical-looking gray eyes.
"It looks rather——" he began; and then, catching sight of the horrid relic protruding from one corner, "In God's name," he enquired, "what's that?"
"It looks kind of——" he started to say; and then, noticing the gruesome object sticking out from one corner, "For God's sake," he asked, "what's that?"
"That's what we'd like to know, sir," said the constable grimly.
"That's what we want to know, sir," said the constable seriously.
"H'm," said the motorist, "I seem to have chosen an uncommonly suitable moment for enquirin' after my bag. Tactless. To say now that it is not my bag is simple, though in no way convincing. As a matter of fact, it is not mine, and I may say that, if it had been, I should not have been at any pains to pursue it."
"Hmm," said the driver, "I guess I picked a really awkward time to ask about my bag. That was a bad move. Just saying that it isn't my bag is easy, but it doesn't sound convincing at all. The truth is, it isn't mine, and honestly, if it had been, I wouldn't have bothered chasing after it."
The constable scratched his head.
The officer scratched his head.
"Both these gentlemen——" he began.
"Both these guys——" he began.
The two cyclists burst into simultaneous and heated disclaimers. By this time a small crowd had collected, which the A.A. scout helpfully tried to shoo away.
The two cyclists quickly started arguing at the same time. By this point, a small crowd had gathered, which the A.A. scout tried to disperse.
"You'll all 'ave to come with me to the station," said the harassed constable. "Can't stand 'ere 'oldin' up the traffic. No tricks, now. You wheel them bikes, and I'll come in the car with you, sir."
"You all have to come with me to the station," said the stressed constable. "I can't stand here holding up the traffic. No funny business now. You push those bikes, and I'll ride in the car with you, sir."
"But supposing I was to let her rip and kidnap you," said the motorist, with a grin. "Where'd you be? Here," he added, turning to the A.A. man, "can you handle this outfit?"
"But what if I just went ahead and kidnapped you?" said the motorist, grinning. "Where would you be? Here," he then asked the A.A. man, "can you manage this situation?"
"You bet," said the scout, his eye running lovingly over the long sweep of the exhaust and the rakish lines of the car.
"You bet," said the scout, his eye scanning admiringly over the long curve of the exhaust and the sleek lines of the car.
"Right. Hop in. Now, officer, you can toddle along with the other suspects and keep an eye on them. Wonderful head I've got for detail. By the way, that foot-brake's on the fierce side. Don't bully it, or you'll surprise yourself."
"Okay. Get in. Now, officer, you can walk along with the other suspects and keep an eye on them. I've got a keen eye for detail. By the way, that foot brake is pretty aggressive. Don't slam it, or you'll catch yourself off guard."
The lock of the bag was forced at the police-station in the midst of an excitement unparalleled in the calm annals of Eaton Socon, and the dreadful contents laid reverently upon a table. Beyond a quantity of cheese-cloth in which they had been wrapped, there was nothing to supply any clue to the mystery.
The lock on the bag was broken at the police station during an excitement unlike anything seen in the quiet history of Eaton Socon, and the horrifying contents were carefully placed on a table. Apart from some cheesecloth they had been wrapped in, there was nothing to provide any clues to the mystery.
"Now," said the superintendent, "what do you gentlemen know about this?"
"Now," said the superintendent, "what do you guys know about this?"
"Nothing whatever," said Mr. Simpkins, with a ghastly countenance, "except that this man tried to palm it off on me."
"Nothing at all," said Mr. Simpkins, his face looking pale, "except that this guy tried to trick me with it."
"I saw it fall off this man's carrier just the other side of Hatfield," repeated Mr. Walters firmly, "and I rode after him for thirty miles trying to stop him. That's all I know about it, and I wish to God I'd never touched the beastly thing."
"I saw it fall off this guy's truck just past Hatfield," Mr. Walters insisted, "and I chased after him for thirty miles trying to stop him. That's all I know about it, and I wish to God I'd never touched the horrible thing."
"Nor do I know anything about it personally," said the car-owner, "but I fancy I know what it is."
"Nor do I know anything about it personally," said the car owner, "but I think I have an idea of what it is."
"What's that?" asked the superintendent sharply.
"What's that?" asked the superintendent sharply.
"I rather imagine it's the head of the Finsbury Park murder—though, mind you, that's only a guess."
"I think it's probably the head of the Finsbury Park murder—just so you know, that's just a guess."
"That's just what I've been thinking myself," agreed the superintendent, glancing at a daily paper which lay on his desk, its headlines lurid with the details of that very horrid crime, "and, if so, you are to be congratulated, constable, on a very important capture."
"That's exactly what I've been thinking," the superintendent said, looking at a newspaper on his desk, its headlines sensational with the details of that terrible crime, "and if that's the case, you should be congratulated, constable, on a significant arrest."
"Thank you, sir," said the gratified officer, saluting.
"Thank you, sir," said the pleased officer, saluting.
"Now I'd better take all your statements," said the superintendent. "No, no; I'll hear the constable first. Yes, Briggs?"
"Now I'd better take all your statements," said the superintendent. "No, no; I'll listen to the constable first. Yes, Briggs?"
The constable, the A.A. man, and the two motor-cyclists having given their versions of the story, the superintendent turned to the motorist.
The constable, the A.A. guy, and the two motorcyclists having shared their accounts of the story, the superintendent turned to the driver.
"And what have you got to say about it?" he enquired. "First of all, your name and address."
"And what do you have to say about it?" he asked. "First of all, your name and address."
The other produced a card, which the superintendent copied out and returned to him respectfully.
The other person handed over a card, which the superintendent copied down and returned to him with respect.
"A bag of mine, containing some valuable jewellery, was stolen from my car yesterday, in Piccadilly," began the motorist. "It is very much like this, but has a cipher lock. I made enquiries through Scotland Yard, and was informed to-day that a bag of precisely similar appearance had been cloak-roomed yesterday afternoon at Paddington, main line. I hurried round there, and was told by the clerk that just before the police warning came through the bag had been claimed by a man in motor-cycling kit. A porter said he saw the man leave the station, and a loiterer observed him riding off on a motor-bicycle. That was about an hour before. It seemed pretty hopeless, as, of course, nobody had noticed even the make of the bike, let alone the number. Fortunately, however, there was a smart little girl. The smart little girl had been dawdling round outside the station, and had heard a motor-cyclist ask a taxi-driver the quickest route to Finchley. I left the police hunting for the taxi-driver, and started off, and in Finchley I found an intelligent boy-scout. He had seen a motor-cyclist with a bag on the carrier, and had waved and shouted to him that the strap was loose. The cyclist had got off and tightened the strap, and gone straight on up the road towards Chipping Barnet. The boy hadn't been near enough to identify the machine—the only thing he knew for certain was that it wasn't a Douglas, his brother having one of that sort. At Barnet I got an odd little story of a man in a motor-coat who had staggered into a pub with a ghastly white face and drunk two double brandies and gone out and ridden off furiously. Number?—of course not. The barmaid told me. She didn't notice the number. After that it was a tale of furious driving all along the road. After Hatfield, I got the story of a road-race. And here we are."
"A bag of mine, containing some valuable jewelry, was stolen from my car yesterday in Piccadilly," the driver said. "It's very similar to this one, but it has a cipher lock. I contacted Scotland Yard, and today I was informed that a bag looking exactly like mine was left in a cloakroom yesterday afternoon at Paddington Station. I rushed over there, and the clerk told me that just before the police alert came through, a man in motorcycle gear claimed the bag. A porter said he saw the man leave the station, and a passerby noticed him riding off on a motorcycle. That was about an hour ago. It seemed pretty hopeless since no one paid attention to the bike's model, let alone the license plate. Fortunately, there was a sharp little girl. She had been hanging around outside the station and heard a motorcyclist ask a taxi driver for the fastest route to Finchley. I left the police looking for the taxi driver and set out myself. In Finchley, I found a clever boy scout. He had seen a motorcyclist with a bag on his bike and had waved and shouted to him that the strap was loose. The cyclist got off, tightened the strap, and continued up the road towards Chipping Barnet. The boy wasn’t close enough to identify the bike—the only thing he knew for sure was that it wasn’t a Douglas, since his brother has one of those. In Barnet, I got a strange little story about a man in a motor coat who staggered into a pub with a pale face, drank two double brandies, and then rode off furiously. Number?—of course not. The barmaid told me she didn’t notice the number. After that, it was a story of reckless driving all along the road. After Hatfield, I heard about a road race. And here we are."
"It seems to me, my lord," said the superintendent, "that the furious driving can't have been all on one side."
"It seems to me, my lord," said the superintendent, "that the reckless driving can't have been one-sided."
"I admit it," said the other, "though I do plead in extenuation that I spared the women and children and hit up the miles in the wide, open spaces. The point at the moment is——"
"I admit it," said the other, "though I argue in my defense that I spared the women and children and focused on the open spaces. The point right now is——"
"Well, my lord," said the superintendent, "I've got your story, and, if it's all right, it can be verified by enquiry at Paddington and Finchley and so on. Now, as for these two gentlemen——"
"Well, my lord," said the superintendent, "I've got your story, and if it's all good, it can be verified by checking with Paddington and Finchley and so on. Now, as for these two gentlemen——"
"It's perfectly obvious," broke in Mr. Walters, "the bag dropped off this man's carrier, and, when he saw me coming after him with it, he thought it was a good opportunity to saddle me with the cursed thing. Nothing could be clearer."
"It's totally obvious," interrupted Mr. Walters, "the bag fell off this guy's carrier, and when he saw me coming after him with it, he thought it was a good chance to dump the damn thing on me. Nothing could be clearer."
"It's a lie," said Mr. Simpkins. "Here's this fellow has got hold of the bag—I don't say how, but I can guess—and he has the bright idea of shoving the blame on me. It's easy enough to say a thing's fallen off a man's carrier. Where's the proof? Where's the strap? If his story's true, you'd find the broken strap on my 'bus. The bag was on his machine—tied on, tight."
"It's a lie," Mr. Simpkins said. "This guy has the bag—I won’t say how, but I can guess—and he thinks it's smart to put the blame on me. It's easy to say something fell off a guy's carrier. Where’s the proof? Where's the strap? If his story is true, you’d find the broken strap on my bus. The bag was on his machine—tied on tightly."
"Yes, with string," retorted the other. "If I'd gone and murdered someone and run off with their head, do you think I'd be such an ass as to tie it on with a bit of twopenny twine? The strap's worked loose and fallen off on the road somewhere; that's what's happened to that."
"Yes, with string," the other replied. "If I had gone and murdered someone and taken their head, do you really think I'd be stupid enough to tie it on with a cheap piece of twine? The strap came loose and fell off somewhere along the road; that’s what happened to it."
"Well, look here," said the man addressed as "my lord," "I've got an idea for what it's worth. Suppose, superintendent, you turn out as many of your men as you think adequate to keep an eye on three desperate criminals, and we all tool down to Hatfield together. I can take two in my 'bus at a pinch, and no doubt you have a police car. If this thing did fall off the carrier, somebody beside Mr. Walters may have seen it fall."
"Well, check this out," said the man called "my lord." "I've got an idea, for what it's worth. How about this, superintendent: you send out as many of your guys as you think are needed to keep an eye on three dangerous criminals, and we all head down to Hatfield together. I can fit two in my van if necessary, and I’m sure you have a police car. If this thing did fall off the carrier, someone besides Mr. Walters might have seen it happen."
"They didn't," said Mr. Simpkins.
"They didn't," Mr. Simpkins said.
"There wasn't a soul," said Mr. Walters, "but how do you know there wasn't, eh? I thought you didn't know anything about it."
"There wasn't a soul," said Mr. Walters, "but how do you know there wasn't, huh? I thought you didn't know anything about it."
"I mean, it didn't fall off, so nobody could have seen it," gasped the other.
"I mean, it didn't fall off, so nobody could have seen it," gasped the other.
"Well, my lord," said the superintendent, "I'm inclined to accept your suggestion, as it gives us a chance of enquiring into your story at the same time. Mind you, I'm not saying I doubt it, you being who you are. I've read about some of your detective work, my lord, and very smart I considered it. But, still, it wouldn't be my duty not to get corroborative evidence if possible."
"Well, my lord," said the superintendent, "I'm open to your suggestion since it gives us a chance to look into your story at the same time. Just to be clear, I'm not saying I doubt it, given your reputation. I've read about some of your detective work, my lord, and I thought it was very impressive. However, it is still my responsibility to gather any supporting evidence if I can."
"Good egg! Quite right," said his lordship. "Forward the light brigade. We can do it easily in—that is to say, at the legal rate of progress it needn't take us much over an hour and a half."
"Good egg! Absolutely," said his lordship. "Let’s move the light brigade forward. We can do it easily in—that is to say, at the legal speed, it shouldn't take us much longer than an hour and a half."
About three-quarters of an hour later, the racing car and the police car loped quietly side by side into Hatfield. Henceforward, the four-seater, in which Walters and Simpkins sat glaring at each other, took the lead, and presently Walters waved his hand and both cars came to a stop.
About forty-five minutes later, the racing car and the police car cruised quietly side by side into Hatfield. From that point on, the four-seater, where Walters and Simpkins sat glaring at each other, took the lead, and soon Walters waved his hand and both cars came to a stop.
"It was just about here, as near as I can remember, that it fell off," he said. "Of course, there's no trace of it now."
"It was right around here, as far as I can recall, that it fell off," he said. "Of course, there's no sign of it now."
"You're quite sure as there wasn't a strap fell off with it?" suggested the superintendent, "because, you see, there must 'a' been something holding it on."
"Are you absolutely sure that a strap didn’t come off with it?" asked the superintendent, "because, you know, there must have been something keeping it attached."
"Of course there wasn't a strap," said Simpkins, white with passion. "You haven't any business to ask him leading questions like that."
"Of course there wasn't a strap," Simpkins said, pale with emotion. "You shouldn’t be asking him leading questions like that."
"Wait a minute," said Walters slowly. "No, there was no strap. But I've got a sort of a recollection of seeing something on the road about a quarter of a mile farther up."
"Hold on a second," said Walters slowly. "No, there wasn’t a strap. But I do have a vague memory of seeing something on the road about a quarter of a mile ahead."
"It's a lie!" screamed Simpkins. "He's inventing it."
"It's a lie!" yelled Simpkins. "He's making it up."
"Just about where we passed that man with the side-car a minute or two ago," said his lordship. "I told you we ought to have stopped and asked if we could help him, superintendent. Courtesy of the road, you know, and all that."
"Right around the spot where we passed that guy with the sidecar a minute or two ago," his lordship said. "I mentioned we should have stopped and asked if we could help him, superintendent. Just common courtesy on the road, you know, and all that."
"He couldn't have told us anything," said the superintendent. "He'd probably only just stopped."
"He couldn't have told us anything," said the superintendent. "He probably just got here."
"I'm not so sure," said the other. "Didn't you notice what he was doing? Oh, dear, dear, where were your eyes? Hullo! here he comes."
"I'm not so sure," said the other. "Didn't you see what he was doing? Oh, come on, where were you looking? Hey! Here he comes."
He sprang out into the road and waved to the rider, who, seeing four policemen, thought it better to pull up.
He jumped out into the road and waved to the rider, who, seeing four police officers, decided it was best to stop.
"Excuse me," said his lordship. "Thought we'd just like to stop you and ask if you were all right, and all that sort of thing, you know. Wanted to stop in passing, throttle jammed open, couldn't shut the confounded thing. Little trouble, what?"
"Excuse me," said his lordship. "We just wanted to check in and see if you were okay and all that sort of thing, you know? We wanted to stop by briefly, but the throttle is stuck open, and I can't seem to close the darn thing. Just a little trouble, right?"
"Oh, yes, perfectly all right, thanks, except that I would be glad if you could spare a gallon of petrol. Tank came adrift. Beastly nuisance. Had a bit of a struggle. Happily, Providence placed a broken strap in my way and I've fixed it. Split a bit, though, where that bolt came off. Lucky not to have an explosion, but there's a special cherub for motor-cyclists."
"Oh, yes, everything's fine, thanks, but I would appreciate it if you could spare a gallon of gas. The tank came loose. Such a hassle. I had a bit of a fight with it. Thankfully, fate gave me a broken strap, and I've managed to fix it. It did split a little where that bolt came off. I was lucky to avoid an explosion, but there's a special guardian for motorcyclists."
"Strap, eh?" said the superintendent. "Afraid I'll have to trouble you to let me have a look at that."
"Strap, huh?" said the superintendent. "I'm going to need you to show me that."
"What?" said the other. "And just as I've got the damned thing fixed? What the——? All right, dear, all right"—to his passenger. "Is it something serious, officer?"
"What?" said the other. "And just as I finally got the damn thing fixed? What the—? Okay, dear, okay"—to his passenger. "Is it something serious, officer?"
"Afraid so, sir. Sorry to trouble you."
"Unfortunately, yes, sir. Sorry to bother you."
"Hi!" yelled one of the policemen, neatly fielding Mr. Simpkins as he was taking a dive over the back of the car. "No use doin' that. You're for it, my lad."
"Hey!" shouted one of the cops, expertly catching Mr. Simpkins as he tried to jump over the back of the car. "No point in doing that. You’re in trouble now, kid."
"No doubt about it," said the superintendent triumphantly, snatching at the strap which the side-car rider held out to him. "Here's his name on it, 'J. Simpkins,' written on in ink as large as life. Very much obliged to you, sir, I'm sure. You've helped us effect a very important capture."
"No doubt about it," the superintendent said triumphantly, grabbing the strap that the side-car rider was holding out to him. "Here's his name on it, 'J. Simpkins,' written in ink as clear as day. Thank you very much, sir. You've helped us make a very important capture."
"No! Who is it?" cried the girl in the side-car. "How frightfully thrilling! Is it a murder?"
"No! Who is it?" shouted the girl in the sidecar. "This is so exciting! Is it a murder?"
"Look in your paper to-morrow, miss," said the superintendent, "and you may see something. Here, Briggs, better put the handcuffs on him."
"Check your newspaper tomorrow, miss," said the superintendent. "And you might see something. Here, Briggs, you should cuff him."
"And how about my tank?" said the man mournfully. "It's all right for you to be excited, Babs, but you'll have to get out and help push."
"And what about my tank?" the man said sadly. "It's great that you're excited, Babs, but you'll need to get out and help push."
"Oh, no," said his lordship. "Here's a strap. A much nicer strap. A really superior strap. And petrol. And a pocket-flask. Everything a young man ought to know. And, when you're in town, mind you both look me up. Lord Peter Wimsey, 110A Piccadilly. Delighted to see you any time. Chin, chin!"
"Oh, no," his lordship said. "Check out this strap. A way better strap. A truly outstanding strap. And gas. Also a pocket flask. Everything a young man should know. And when you're in town, make sure to look me up. Lord Peter Wimsey, 110A Piccadilly. Always happy to see you. Cheers!"
"Cheerio!" said the other, wiping his lips and much mollified. "Only too charmed to be of use. Remember it in my favour, officer, next time you catch me speeding."
"Cheers!" said the other, wiping his lips and feeling much better. "I'm more than happy to help. Just keep that in mind for me, officer, the next time you catch me speeding."
"Very fortunate we spotted him," said the superintendent complacently, as they continued their way into Hatfield. "Quite providential, as you might say."
"Really lucky we found him," said the superintendent with satisfaction, as they made their way into Hatfield. "Just as you could say, it was quite a coincidence."
"I'll come across with it," said the wretched Simpkins, sitting hand-cuffed in the Hatfield police-station. "I swear to God I know nothing whatever about it—about the murder, I mean. There's a man I know who has a jewellery business in Birmingham. I don't know him very well. In fact, I only met him at Southend last Easter, and we got pally. His name's Owen—Thomas Owen. He wrote me yesterday and said he'd accidentally left a bag in the cloakroom at Paddington and asked if I'd take it out—he enclosed the ticket—and bring it up next time I came that way. I'm in transport service, you see—you've got my card—and I'm always up and down the country. As it happened, I was just going up in that direction with this Norton, so I fetched the thing out at lunch-time and started off with it. I didn't notice the date on the cloakroom ticket. I know there wasn't anything to pay on it, so it can't have been there long. Well, it all went just as you said up to Finchley, and there that boy told me my strap was loose and I went to tighten it up. And then I noticed that the corner of the bag was split, and it was damp—and—well, I saw what you saw. That sort of turned me over, and I lost my head. The only thing I could think of was to get rid of it, quick. I remembered there were a lot of lonely stretches on the Great North Road, so I cut the strap nearly through—that was when I stopped for that drink at Barnet—and then, when I thought there wasn't anybody in sight, I just reached back and gave it a tug, and it went—strap and all; I hadn't put it through the slots. It fell off, just like a great weight dropping off my mind. I suppose Walters must just have come round into sight as it fell. I had to slow down a mile or two farther on for some sheep going into a field, and then I heard him hooting at me—and—oh, my God!"
"I'll be straightforward about it," said the miserable Simpkins, sitting handcuffed in the Hatfield police station. "I swear I don’t know anything at all about it—about the murder, I mean. There's a guy I know who runs a jewelry business in Birmingham. I’m not really familiar with him; I only met him at Southend last Easter, and we hit it off. His name's Owen—Thomas Owen. He messaged me yesterday saying he accidentally left a bag in the cloakroom at Paddington and asked if I could pick it up—he included the ticket—and bring it to him the next time I was in that area. I'm in the transport service, you see—you’ve got my card—and I’m always traveling around the country. As it happened, I was heading up that way with this Norton, so I picked up the bag at lunchtime and started off with it. I didn’t notice the date on the cloakroom ticket. I know there wasn’t anything to pay for it, so it couldn’t have been there long. Well, everything went just as you said up to Finchley, and there that boy told me my strap was loose, so I went to tighten it up. Then I noticed the corner of the bag was split, and it was damp—and—well, I saw what you saw. That really shook me up, and I lost my cool. The only thing I could think of was to get rid of it quickly. I remembered there were a lot of isolated stretches on the Great North Road, so I nearly cut the strap through—that was when I stopped for that drink at Barnet—and then, when I thought no one was around, I just reached back and gave it a tug, and it came off—strap and all; I hadn’t put it through the slots. It fell off, just like a huge weight being lifted off my mind. I guess Walters must have just come into view as it fell. I had to slow down a mile or two later for some sheep going into a field, and then I heard him honking at me—and—oh, my God!"
He groaned, and buried his head in his hands.
He groaned and buried his head in his hands.
"I see," said the Eaton Socon superintendent. "Well, that's your statement. Now, about this Thomas Owen——"
"I understand," said the Eaton Socon superintendent. "Okay, that's your statement. Now, regarding this Thomas Owen——"
"Oh," cried Lord Peter Wimsey, "never mind Thomas Owen. He's not the man you want. You can't suppose that a bloke who'd committed a murder would want a fellow tailin' after him to Birmingham with the head. It stands to reason that was intended to stay in Paddington cloakroom till the ingenious perpetrator had skipped, or till it was unrecognisable, or both. Which, by the way, is where we'll find those family heirlooms of mine, which your engaging friend Mr. Owen lifted out of my car. Now, Mr. Simpkins, just pull yourself together and tell us who was standing next to you at the cloakroom when you took out that bag. Try hard to remember, because this jolly little island is no place for him, and he'll be taking the next boat while we stand talking."
"Oh," exclaimed Lord Peter Wimsey, "forget about Thomas Owen. He’s not the one you need. You can’t honestly believe that a guy who committed murder would want someone following him to Birmingham with the head. It’s obvious that was meant to stay in the Paddington cloakroom until the clever criminal had made his escape, or until it was unrecognizable, or both. By the way, that's where we'll find those family heirlooms of mine that your charming friend Mr. Owen took from my car. Now, Mr. Simpkins, just get a grip and tell us who was standing next to you in the cloakroom when you took out that bag. Really try to remember, because this lovely little island isn’t the right place for him, and he’ll be catching the next boat while we’re still talking."
"I can't remember," moaned Simpkins. "I didn't notice. My head's all in a whirl."
"I can't remember," Simpkins groaned. "I didn't pay attention. My head's all messed up."
"Never mind. Go back. Think quietly. Make a picture of yourself getting off your machine—leaning it up against something——"
"Forget it. Go back. Think carefully. Picture yourself getting off your bike—propping it up against something——"
"No, I put it on the stand."
"No, I placed it on the stand."
"Good! That's the way. Now, think—you're taking the cloakroom ticket out of your pocket and going up—trying to attract the man's attention."
"Great! That’s the way to do it. Now, imagine—you’re pulling the cloakroom ticket out of your pocket and heading up—trying to catch the man’s attention."
"I couldn't at first. There was an old lady trying to cloakroom a canary, and a very bustling man in a hurry with some golf-clubs. He was quite rude to a quiet little man with a—by Jove! yes, a hand-bag like that one. Yes, that's it. The timid man had had it on the counter quite a long time, and the big man pushed him aside. I don't know what happened, quite, because mine was handed out to me just then. The big man pushed his luggage in front of both of us and I had to reach over it—and I suppose—yes, I must have taken the wrong one. Good God! Do you mean to say that that timid little insignificant-looking man was a murderer?"
"I couldn't at first. There was an old lady trying to check in a canary, and a really busy man in a hurry with some golf clubs. He was quite rude to a quiet little man with a—oh my! Yes, a handbag just like that one. Yes, that's it. The timid man had it on the counter for quite a while, and the big man pushed him aside. I'm not sure exactly what happened because my item was handed to me just then. The big man shoved his bags in front of both of us, and I had to reach over it—and I guess—yeah, I must have grabbed the wrong one. Good God! Are you saying that timid little insignificant-looking man was a murderer?"
"Lots of 'em like that," put in the Hatfield superintendent. "But what was he like—come!"
"Plenty of them are like that," said the Hatfield superintendent. "But what was he like—come on!"
"He was only about five foot five, and he wore a soft hat and a long, dust-coloured coat. He was very ordinary, with rather weak, prominent eyes, I think, but I'm not sure I should know him again. Oh, wait a minute! I do remember one thing. He had an odd scar—crescent-shaped—under his left eye."
"He was only around five foot five, wearing a soft hat and a long, dusty-colored coat. He looked very ordinary, with somewhat weak, protruding eyes, I think, but I’m not sure I’d recognize him again. Oh, wait a minute! There is one thing I remember. He had a strange scar—crescent-shaped—under his left eye."
"That settles it," said Lord Peter. "I thought as much. Did you recognise the—the face when we took it out, superintendent? No? I did. It was Dahlia Dallmeyer, the actress, who is supposed to have sailed for America last week. And the short man with the crescent-shaped scar is her husband, Philip Storey. Sordid tale and all that. She ruined him, treated him like dirt, and was unfaithful to him, but it looks as though he had had the last word in the argument. And now, I imagine, the Law will have the last word with him. Get busy on the wires, superintendent, and you might ring up the Paddington people and tell 'em to let me have my bag, before Mr. Thomas Owen tumbles to it that there's been a slight mistake."
"That settles it," said Lord Peter. "I figured as much. Did you recognize the face when we took it out, superintendent? No? I did. It was Dahlia Dallmeyer, the actress, who was supposed to have left for America last week. And the short guy with the crescent-shaped scar is her husband, Philip Storey. It's a grim story. She messed him up, treated him horribly, and was unfaithful, but it seems like he had the final say in the argument. And now, I guess, the law will have the final say with him. Get on the phone, superintendent, and you might want to call the Paddington folks and ask them to return my bag before Mr. Thomas Owen realizes that there’s been a slight mix-up."
"Well, anyhow," said Mr. Walters, extending a magnanimous hand to the abashed Mr. Simpkins, "it was a top-hole race—well worth a summons. We must have a return match one of these days."
"Well, anyway," said Mr. Walters, extending a generous hand to the embarrassed Mr. Simpkins, "it was an excellent race—definitely worth the trouble. We should have a rematch one of these days."
Early the following morning a little, insignificant-looking man stepped aboard the trans-Atlantic liner Volucria. At the head of the gangway two men blundered into him. The younger of the two, who carried a small bag, was turning to apologise, when a light of recognition flashed across his face.
Early the next morning, a small, unremarkable man boarded the trans-Atlantic liner Volucria. At the top of the gangway, two men bumped into him. The younger of the two, who was holding a small bag, turned to apologize when a look of recognition suddenly crossed his face.
"Why, if it isn't Mr. Storey!" he exclaimed loudly. "Where are you off to? I haven't seen you for an age."
"Well, if it isn't Mr. Storey!" he shouted. "Where are you headed? I haven't seen you in forever."
"I'm afraid," said Philip Storey, "I haven't the pleasure——"
"I'm afraid," said Philip Storey, "I haven't had the pleasure——"
"Cut it out," said the other, laughing. "I'd know that scar of yours anywhere. Going out to the States?"
"Come on, stop it," said the other, laughing. "I’d recognize that scar of yours anywhere. Are you heading out to the States?"
"Well, yes," said the other, seeing that his acquaintance's boisterous manner was attracting attention. "I beg your pardon. It's Lord Peter Wimsey, isn't it? Yes. I'm joining the wife out there."
"Well, yes," said the other, noticing that his friend's loud behavior was drawing attention. "I’m sorry. You’re Lord Peter Wimsey, right? Yes. I'm meeting up with my wife out there."
"And how is she?" enquired Wimsey, steering the way into the bar and sitting down at a table. "Left last week didn't she? I saw it in the papers."
"And how is she?" Wimsey asked, walking into the bar and sitting down at a table. "She left last week, right? I saw it in the papers."
"Yes. She's just cabled me to join her. We're—er—taking a holiday in—er—the lakes. Very pleasant there in summer."
"Yes. She just messaged me to join her. We're—um—taking a vacation in—um—the lakes. It's really nice there in the summer."
"Cabled you, did she? And so here we are on the same boat. Odd how things turn out, what? I only got my sailing orders at the last minute. Chasing criminals—my hobby, you know."
"Cabled you, did she? And so here we are on the same boat. Funny how things work out, right? I only got my sailing orders at the last minute. Chasing criminals—my hobby, you know."
"Oh, really?" Mr. Storey licked his lips.
"Oh, really?" Mr. Storey wet his lips.
"Yes. This is Detective-Inspector Parker of Scotland Yard—great pal of mine. Yes. Very unpleasant matter, annoying and all that. Bag that ought to have been reposin' peacefully at Paddington Station turns up at Eaton Socon. No business there, what?"
"Yes. This is Detective Inspector Parker from Scotland Yard—he's a good friend of mine. Yes. It's a very unfortunate situation, quite frustrating. A bag that should have been resting peacefully at Paddington Station has shown up at Eaton Socon. It doesn't belong there, does it?"
He smacked the bag on the table so violently that the lock sprang open.
He hit the bag on the table so hard that the lock popped open.
Storey leapt to his feet with a shriek, flinging his arms across the opening of the bag as though to hide its contents.
Storey jumped up with a scream, throwing his arms over the opening of the bag as if to conceal its contents.
"How did you get that?" he screamed. "Eaton Socon? It—I never——"
"How did you get that?" he yelled. "Eaton Socon? I—I never——"
"It's mine," said Wimsey quietly, as the wretched man sank back, realising that he had betrayed himself. "Some jewellery of my mother's. What did you think it was?"
"It's mine," Wimsey said quietly as the wretched man sank back, realizing that he had betrayed himself. "Some jewelry of my mother's. What did you think it was?"
Detective Parker touched his charge gently on the shoulder.
Detective Parker gently touched his charge on the shoulder.
"You needn't answer that," he said. "I arrest you, Philip Storey, for the murder of your wife. Anything that you say may be used against you."
"You don’t have to answer that," he said. "I’m arresting you, Philip Storey, for the murder of your wife. Anything you say can be used against you."
THE UNPRINCIPLED AFFAIR OF THE PRACTICAL JOKER
The Zambesi, they said, was expected to dock at six in the morning. Mrs. Ruyslaender booked a bedroom at the Magnifical, with despair in her heart. A bare nine hours and she would be greeting her husband. After that would begin the sickening period of waiting—it might be days, it might be weeks, possibly even months—for the inevitable discovery.
The Zambesi, they said, was supposed to arrive at six in the morning. Mrs. Ruyslaender reserved a room at the Magnifical, feeling hopeless. In just nine hours, she would see her husband. After that, the agonizing wait would begin—it could last days, weeks, or even months—until the unavoidable reveal.
The reception-clerk twirled the register towards her. Mechanically, as she signed it, she glanced at the preceding entry:
The front desk clerk rotated the register towards her. Automatically, as she signed it, she glanced at the previous entry:
"Lord Peter Wimsey and valet—London—Suite 24."
"Lord Peter Wimsey and his valet—London—Suite 24."
Mrs. Ruyslaender's heart seemed to stop for a second. Was it possible that, even now, God had left a loophole? She expected little from Him—all her life He had shown Himself a sufficiently stern creditor. It was fantastic to base the frailest hope on this signature of a man she had never even seen.
Mrs. Ruyslaender's heart seemed to stop for a second. Was it possible that, even now, God had left a loophole? She expected little from Him—all her life He had shown Himself to be a harsh creditor. It was unbelievable to rely on the slightest hope based on the signature of a man she had never even met.
Yet the name remained in her mind while she dined in her own room. She dismissed her maid presently, and sat for a long time looking at her own haggard reflection in the mirror. Twice she rose and went to the door—then turned back, calling herself a fool. The third time she turned the handle quickly and hurried down the corridor, without giving herself time to think.
Yet the name stayed in her mind while she ate in her own room. She soon sent her maid away and sat for a long time staring at her worn-out reflection in the mirror. Twice she got up and walked to the door—then turned back, calling herself an idiot. The third time she quickly turned the handle and rushed down the hallway, not allowing herself time to think.
A large golden arrow at the corner directed her to Suite 24. It was 11 o'clock, and nobody was within view. Mrs. Ruyslaender gave a sharp knock on Lord Peter Wimsey's door and stood back, waiting, with the sort of desperate relief one experiences after hearing a dangerous letter thump the bottom of the pillar-box. Whatever the adventure, she was committed to it.
A big golden arrow at the corner pointed her to Suite 24. It was 11 o'clock, and there was no one in sight. Mrs. Ruyslaender knocked sharply on Lord Peter Wimsey's door and stepped back, waiting with the kind of desperate relief you feel after dropping a risky letter into the mailbox. No matter what the adventure was, she was all in.
The manservant was of the imperturbable sort. He neither invited nor rejected, but stood respectfully upon the threshold.
The butler was the calm type. He neither welcomed nor turned away anyone, but stood politely in the doorway.
"Lord Peter Wimsey?" murmured Mrs. Ruyslaender.
"Lord Peter Wimsey?" whispered Mrs. Ruyslaender.
"Yes, madam."
"Yes, ma'am."
"Could I speak to him for a moment?"
"Can I talk to him for a minute?"
"His Lordship has just retired, madam. If you will step in, I will enquire."
"Lord has just stepped out, ma'am. If you come in, I’ll ask."
Mrs. Ruyslaender followed him into one of those palatial sitting-rooms which the Magnifical provides for the wealthy pilgrim.
Mrs. Ruyslaender followed him into one of those extravagant sitting rooms that the Magnifical offers for the rich visitor.
"Will you take a seat, madam?"
"Would you like to take a seat, ma'am?"
The man stepped noiselessly to the bedroom door and passed in, shutting it behind him. The lock, however, failed to catch, and Mrs. Ruyslaender caught the conversation.
The man quietly approached the bedroom door and went in, closing it behind him. However, the lock didn't catch, and Mrs. Ruyslaender overheard the conversation.
"Pardon me, my lord, a lady has called. She mentioned no appointment, so I considered it better to acquaint your lordship."
"Excuse me, my lord, a lady has arrived. She didn't mention an appointment, so I thought it would be best to inform you."
"Excellent discretion," said a voice. It had a slow, sarcastic intonation, which brought a painful flush to Mrs. Ruyslaender's cheek. "I never make appointments. Do I know the lady?"
"Great discretion," said a voice. It had a slow, sarcastic tone that made Mrs. Ruyslaender's cheek flush painfully. "I never make appointments. Do I know the woman?"
"No, my lord. But—hem—I know her by sight, my lord. It is Mrs. Ruyslaender."
"No, my lord. But—um—I recognize her, my lord. It's Mrs. Ruyslaender."
"Oh, the diamond-merchant's wife. Well, find out tactfully what it's all about, and, unless it's urgent, ask her to call to-morrow."
"Oh, the diamond dealer's wife. Well, find out gently what’s going on, and unless it's urgent, ask her to call tomorrow."
The valet's next remark was inaudible, but the reply was:
The valet's next comment couldn't be heard, but the response was:
"Don't be coarse, Bunter."
"Don't be rude, Bunter."
The valet returned.
The valet is back.
"His lordship desires me to ask you, madam, in what way he can be of service to you?"
"His lordship wants me to ask you, madam, how he can help you?"
"Will you say to him that I have heard of him in connection with the Attenbury diamond case, and am anxious to ask his advice."
"Could you tell him that I've heard about him regarding the Attenbury diamond case, and I'm eager to ask for his advice?"
"Certainly, madam. May I suggest that, as his lordship is greatly fatigued, he would be better able to assist you after he has slept."
"Of course, ma'am. I think that since he’s extremely tired, he’ll be more helpful to you after he takes a nap."
"If to-morrow would have done, I would not have thought of disturbing him to-night. Tell him, I am aware of the trouble I am giving——"
"If tomorrow would have worked, I wouldn’t have bothered him tonight. Tell him I know I’m causing some trouble—"
"Excuse me one moment, madam."
"Excuse me for a moment, ma'am."
This time the door shut properly. After a short interval Bunter returned to say, "His lordship will be with you immediately, madam," and to place a decanter of wine and a box of Sobranies beside her.
This time the door closed properly. After a brief moment, Bunter came back to say, "His lordship will be with you shortly, madam," and set a decanter of wine and a box of Sobranies beside her.
Mrs. Ruyslaender lit a cigarette, but had barely sampled its flavour when she was aware of a soft step beside her. Looking round, she perceived a young man, attired in a mauve dressing-gown of great splendour, from beneath the hem of which peeped coyly a pair of primrose silk pyjamas.
Mrs. Ruyslaender lit a cigarette, but had barely tasted its flavor when she noticed a soft step beside her. Looking around, she saw a young man dressed in a luxurious mauve robe, from beneath the hem of which peeked a pair of pale yellow silk pajamas.
"You must think it very strange of me, thrusting myself on you at this hour," she said, with a nervous laugh.
"You probably think it’s really weird of me to come by at this hour," she said, laughing nervously.
Lord Peter put his head on one side.
Lord Peter tilted his head.
"Don't know the answer to that," he said. "If I say, 'Not at all,' it sounds abandoned. If I say, 'Yes, very,' it's rude. Supposin' we give it a miss, what? and you tell me what I can do for you."
"Not sure about that," he said. "If I say, 'Not at all,' it sounds like I don't care. If I say, 'Yes, definitely,' that's rude. How about we skip this and you tell me what I can do for you?"
Mrs. Ruyslaender hesitated. Lord Peter was not what she had expected. She noted the sleek, straw-coloured hair, brushed flat back from a rather sloping forehead, the ugly, lean, arched nose, and the faintly foolish smile, and her heart sank within her.
Mrs. Ruyslaender hesitated. Lord Peter was not who she had anticipated. She noticed his smooth, straw-colored hair, slicked back from a somewhat sloping forehead, his unattractive, lean, arched nose, and the slightly foolish smile, and her heart sank.
"I—I'm afraid it's ridiculous of me to suppose you can help me," she began.
"I—I'm afraid it's silly of me to think you can help me," she started.
"Always my unfortunate appearance," moaned Lord Peter, with such alarming acumen as to double her discomfort. "Would it invite confidence more, d'you suppose, if I dyed my hair black an' grew a Newgate fringe? It's very tryin', you can't think, always to look as if one's name was Algy."
"Always my unfortunate looks," complained Lord Peter, with such sharp insight that it made her even more uncomfortable. "Do you think it would inspire more trust if I dyed my hair black and got a fringe like someone from Newgate? It's very frustrating, you can't imagine, to always look like my name is Algy."
"I only meant," said Mrs. Ruyslaender, "that I don't think anybody could possibly help. But I saw your name in the hotel book, and it seemed just a chance."
"I just meant," said Mrs. Ruyslaender, "that I don't think anyone could possibly help. But I saw your name in the hotel registry, and it seemed like a coincidence."
Lord Peter filled the glasses and sat down.
Lord Peter poured the drinks and took a seat.
"Carry on," he said cheerfully; "it sounds interestin'."
"Go ahead," he said cheerfully; "it sounds interesting."
Mrs. Ruyslaender took the plunge.
Mrs. Ruyslaender took the leap.
"My husband," she explained, "is Henry Ruyslaender, the diamond merchant. We came over from Kimberley ten years ago, and settled in England. He spends several months in Africa every year on business, and I am expecting him back on the Zambesi to-morrow morning. Now, this is the trouble. Last year he gave me a magnificent diamond necklace of a hundred and fifteen stones——"
"My husband," she explained, "is Henry Ruyslaender, the diamond dealer. We moved here from Kimberley ten years ago and settled in England. He spends several months in Africa every year for work, and I'm expecting him back on the Zambesi tomorrow morning. Now, here’s the issue. Last year he gave me a stunning diamond necklace with a hundred and fifteen stones——"
"The Light of Africa—I know," said Wimsey.
"The Light of Africa—I know," said Wimsey.
She looked a little surprised, but assented. "The necklace has been stolen from me, and I can't hope to conceal the loss from him. No duplicate would deceive him for an instant."
She seemed a bit surprised but agreed. "The necklace has been stolen from me, and I can't hide the loss from him. No replica would fool him for a second."
She paused, and Lord Peter prompted gently:
She paused, and Lord Peter gently encouraged her:
"You have come to me, I presume, because it is not to be a police matter. Will you tell me quite frankly why?"
"You’ve come to me, I assume, because you don’t want this to be a police issue. Can you tell me honestly why?"
"The police would be useless. I know who took it."
"The police won't help. I know who took it."
"Yes?"
"Hey?"
"There is a man we both know slightly—a man called Paul Melville."
"There’s a guy we both know a bit—his name is Paul Melville."
Lord Peter's eyes narrowed. "M'm, yes, I fancy I've seen him about the clubs. New Army, but transferred himself into the Regulars. Dark. Showy. Bit of an ampelopsis, what?"
Lord Peter's eyes narrowed. "Hmm, yeah, I think I've seen him around the clubs. New Army, but switched over to the Regulars. Dark. Flashy. A bit of a show-off, right?"
"Ampelopsis?"
"Ampelopsis?"
"Surburban plant that climbs by suction. You know—first year, tender little shoots—second year, fine show—next year, all over the shop. Now tell me I am rude."
"Surburban plant that climbs by suction. You know—first year, delicate little shoots—second year, great display—next year, everywhere. Now tell me I’m being rude."
Mrs. Ruyslaender giggled. "Now you mention it, he is exactly like an ampelopsis. What a relief to be able to think of him as that.... Well, he is some sort of distant relation of my husband's. He called one evening when I was alone. We talked about jewels, and I brought down my jewel-box and showed him the Light of Africa. He knows a good deal about stones. I was in and out of the room two or three times, but didn't think to lock up the box. After he left, I was putting the things away, and I opened the jeweller's case the diamonds were in—and they had gone!"
Mrs. Ruyslaender chuckled. "Now that you mention it, he is exactly like an ampelopsis. What a relief to think of him that way... Well, he’s some sort of distant relative of my husband. He called one evening when I was home alone. We talked about jewelry, and I brought down my jewel box to show him the Light of Africa. He knows quite a bit about stones. I went in and out of the room a couple of times, but I didn’t think to lock the box. After he left, I was putting everything away and when I opened the jeweler's case where the diamonds were kept—and they were gone!"
"H'm—pretty bare-faced. Look here, Mrs. Ruyslaender, you agree he's an ampelopsis, but you won't call in the police. Honestly, now—forgive me; you're askin' my advice, you know—is he worth botherin' about?"
"Hmm—pretty bold. Listen, Mrs. Ruyslaender, you agree he's a total nuisance, but you won't call the police. Honestly, now—forgive me; you’re asking for my opinion, you know— is he really worth the hassle?"
"It's not that," said the woman, in a low tone. "Oh, no! But he took something else as well. He took—a portrait—a small painting set with diamonds."
"It's not that," the woman said in a quiet voice. "Oh, no! But he also took something else. He took—a portrait—a small painting inlaid with diamonds."
"Oh!"
"Oh!"
"Yes. It was in a secret drawer in the jewel-box. I can't imagine how he knew it was there, but the box was an old casket, belonging to my husband's family, and I fancy he must have known about the drawer and—well, thought that investigation might prove profitable. Anyway, the evening the diamonds went the portrait went too, and he knows I daren't try to get the necklace back because they'd both be found together."
"Yes. It was in a hidden compartment of the jewelry box. I have no idea how he knew it was there, but the box was an antique belonging to my husband's family, and I guess he must have known about the compartment and—well, figured that checking it out might be worthwhile. Anyway, the night the diamonds disappeared, the portrait went missing too, and he knows I wouldn't dare try to retrieve the necklace because both would be discovered together."
"Was there something more than just the portrait, then? A portrait in itself isn't necessarily hopeless of explanation. It was given you to take care of, say."
"Was there something beyond just the portrait, then? A portrait itself isn’t beyond explanation. It was given to you to take care of, for example."
"The names were on it—and—and an inscription which nothing, nothing could ever explain away. A—a passage from Petronius."
"The names were on it—and—and an inscription that nothing, nothing could ever explain away. A—a passage from Petronius."
"Oh, dear!" said Lord Peter, "dear me, yes. Rather a lively author."
"Oh, wow!" said Lord Peter, "oh my, yes. Quite an energetic writer."
"I was married very young," said Mrs. Ruyslaender, "and my husband and I have never got on well. Then one year, when he was in Africa, it all happened. We were wonderful—and shameless. It came to an end. I was bitter. I wish I had not been. He left me, you see, and I couldn't forgive it. I prayed day and night for revenge. Only now—I don't want it to be through me!"
"I got married when I was really young," said Mrs. Ruyslaender, "and my husband and I never clicked. Then one year, when he was in Africa, everything changed. We were amazing—and reckless. It eventually ended. I felt really hurt. I wish I hadn't. He left me, you know, and I couldn't get over it. I prayed constantly for revenge. But now—I don’t want it to happen because of me!"
"Wait a moment," said Wimsey, "you mean that, if the diamonds are found and the portrait is found too, all this story is bound to come out."
"Hold on a second," said Wimsey, "you mean that if they find the diamonds and the portrait too, all of this is definitely going to come to light."
"My husband would get a divorce. He would never forgive me—or him. It is not so much that I mind paying the price myself, but——"
"My husband would divorce me. He would never forgive me—or him. It's not that I mind paying the price myself, but——"
She clenched her hands.
She gripped her hands.
"I have cursed him again and again, and the clever girl who married him. She played her cards so well. This would ruin them both."
"I've cursed him over and over, along with the clever girl who married him. She played her cards perfectly. This would destroy them both."
"But if you were the instrument of vengeance," said Wimsey gently, "you would hate yourself. And it would be terrible to you because he would hate you. A woman like you couldn't stoop to get your own back. I see that. If God makes a thunderbolt, how awful and satisfying—if you help to make a beastly row, what a rotten business it would be."
"But if you were the one seeking revenge," Wimsey said softly, "you would end up hating yourself. It would be awful for you because he would hate you too. A woman like you couldn't bring herself to take revenge. I understand that. If God creates a thunderbolt, how terrible yet fulfilling that would be—if you contributed to a nasty scene, what a miserable situation it would be."
"You seem to understand," said Mrs. Ruyslaender. "How unusual."
"You seem to get it," said Mrs. Ruyslaender. "How unusual."
"I understand perfectly. Though let me tell you," said Wimsey, with a wry little twist of the lips, "that it's sheer foolishness for a woman to have a sense of honour in such matters. It only gives her excruciating pain, and nobody expects it, anyway. Look here, don't let's get all worked up. You certainly shan't have your vengeance thrust upon you by an ampelopsis. Why should you? Nasty fellow. We'll have him up—root, branch, and little suckers. Don't worry. Let's see. My business here will only take a day. Then I've got to get to know Melville—say a week. Then I've got to get the doings—say another week, provided he hasn't sold them yet, which isn't likely. Can you hold your husband off 'em for a fortnight, d'you think?"
"I get it completely. But let me tell you," said Wimsey, with a slight smirk, "that it's just plain stupid for a woman to have a sense of honor in these matters. It only brings her immense pain, and honestly, no one expects it anyway. Look, let's not get all worked up. You definitely won't have your revenge forced on you by an ampelopsis. Why should you? That unpleasant guy. We'll deal with him—completely. Don't worry. Let's see. My work here will only take a day. Then I need to get to know Melville—let's say a week. After that, I need to find out what's going on—another week, provided he hasn't sold them yet, which seems unlikely. Can you keep your husband away from them for two weeks, do you think?"
"Oh, yes. I'll say they're in the country, or being cleaned, or something. But do you really think you can——?"
"Oh, definitely. I’ll say they’re out in the country, or getting cleaned, or something. But do you really think you can——?"
"I'll have a jolly good try, anyhow, Mrs. Ruyslaender. Is the fellow hard up, to start stealing diamonds?"
"I'll give it my best shot, anyway, Mrs. Ruyslaender. Is the guy really in such a bad spot that he's resorting to stealing diamonds?"
"I fancy he has got into debt over horses lately. And possibly poker."
"I think he's gotten into debt because of horses recently. Maybe poker too."
"Oh! Poker player, is he? That makes an excellent excuse for gettin' to know him. Well, cheer up—we'll get the goods, even if we have to buy 'em. But we won't, if we can help it. Bunter!"
"Oh! A poker player, huh? That’s a great reason to get to know him. Well, don’t worry—we’ll get what we need, even if we have to pay for it. But we’ll avoid that if we can. Bunter!"
"My lord?" The valet appeared from the inner room.
"My lord?" The valet stepped in from the inner room.
"Just go an' give the 'All Clear,' will you?"
"Just go and give the 'All Clear,' okay?"
Mr. Bunter accordingly stepped into the passage, and, having seen an old gentleman safely away to the bathroom and a young lady in a pink kimono pop her head out of an adjacent door and hurriedly pop it back on beholding him, blew his nose with a loud, trumpeting sound.
Mr. Bunter then walked into the hallway and, after watching an elderly gentleman head off to the bathroom and seeing a young woman in a pink kimono peek her head out of a nearby door only to quickly pull it back when she saw him, blew his nose loudly.
"Good night," said Mrs. Ruyslaender, "and thank you."
"Good night," Mrs. Ruyslaender said, "and thank you."
She slipped back to her room unobserved.
She quietly returned to her room without being seen.
"Whatever has induced you, my dear boy," said Colonel Marchbanks, "to take up with that very objectionable fellow Melville?"
"Whatever made you, my dear boy," said Colonel Marchbanks, "spend time with that extremely unpleasant guy Melville?"
"Diamonds," said Lord Peter. "Do you find him so, really?"
"Diamonds," Lord Peter said. "Do you actually think that?"
"Perfectly dreadful man," said the Hon. Frederick Arbuthnot. "Hearts. What did you want to go and get him a room here for? This used to be a quite decent club."
"Absolutely horrible guy," said the Hon. Frederick Arbuthnot. "Hearts. What made you decide to get him a room here? This place used to be a really nice club."
"Two clubs?" said Sir Impey Biggs, who had been ordering a whisky, and had only caught the last word.
"Two clubs?" asked Sir Impey Biggs, who had been ordering a whisky and had only caught the last word.
"No, no, one heart."
"No, just one heart."
"I beg your pardon. Well, partner, how about spades? Perfectly good suit."
"I’m sorry. So, what do you think about spades, partner? It's a great suit."
"Pass," said the Colonel. "I don't know what the Army's coming to nowadays."
"Pass," said the Colonel. "I don't know what's happened to the Army these days."
"No trumps," said Wimsey. "It's all right, children. Trust your Uncle Pete. Come on, Freddy, how many of those hearts are you going to shout for?"
"No trumps," said Wimsey. "It's all good, kids. Trust your Uncle Pete. Come on, Freddy, how many of those hearts are you going to call out for?"
"None, the Colonel havin' let me down so 'orrid," said the Hon. Freddy.
"None, the Colonel having let me down so terribly," said the Hon. Freddy.
"Cautious blighter. All content? Righty-ho! Bring out your dead, partner. Oh, very pretty indeed. We'll make it a slam this time. I'm rather glad to hear that expression of opinion from you, Colonel, because I particularly want you and Biggy to hang on this evening and take a hand with Melville and me."
"Cautious troublemaker. All set? Okay! Bring out your dead, partner. Oh, that's really nice. We'll definitely make it a hit this time. I'm really glad to hear your thoughts on this, Colonel, because I especially want you and Biggy to stick around tonight and join Melville and me."
"What happens to me?" enquired the Hon. Freddy.
"What happens to me?" asked the Hon. Freddy.
"You have an engagement and go home early, dear old thing. I've specially invited friend Melville to meet the redoubtable Colonel Marchbanks and our greatest criminal lawyer. Which hand am I supposed to be playin' this from? Oh, yes. Come on, Colonel—you've got to hike that old king out some time, why not now?"
"You have an engagement and should head home early, dear old thing. I've specifically invited our friend Melville to meet the impressive Colonel Marchbanks and our top criminal lawyer. Which hand am I supposed to be playing this from? Oh, right. Come on, Colonel—you need to bring out that old king sometime, so why not do it now?"
"It's a plot," said Mr. Arbuthnot, with an exaggerated expression of mystery. "Carry on, don't mind me."
"It's a scheme," said Mr. Arbuthnot, with an exaggerated air of mystery. "Go on, don't worry about me."
"I take it you have your own reasons for cultivating the man," said Sir Impey.
"I assume you have your own reasons for developing the man," said Sir Impey.
"The rest are mine, I fancy. Well, yes, I have. You and the Colonel would really do me a favour by letting Melville cut in to-night."
"The rest are mine, I think. Well, yes, I have. You and the Colonel would really help me out by letting Melville take a turn tonight."
"If you wish it," growled the Colonel, "but I hope the impudent young beggar won't presume on the acquaintance."
"If you want," the Colonel snarled, "but I really hope that cheeky young beggar won't take our friendship for granted."
"I'll see to that," said his lordship. "Your cards, Freddy. Who had the ace of hearts? Oh! I had it myself, of course. Our honours.... Hullo! Evenin', Melville."
"I'll take care of that," said his lordship. "Your cards, Freddy. Who had the ace of hearts? Oh! I had it myself, of course. Our honors.... Hey! Evening, Melville."
The ampelopsis was rather a good-looking creature in his own way. Tall and bronzed, with a fine row of very persuasive teeth. He greeted Wimsey and Arbuthnot heartily, the Colonel with a shade too much familiarity, and expressed himself delighted to be introduced to Sir Impey Biggs.
The ampelopsis was quite an attractive creature in his own way. Tall and tan, with a nice set of very charming teeth. He greeted Wimsey and Arbuthnot warmly, the Colonel with a bit too much familiarity, and said he was thrilled to be introduced to Sir Impey Biggs.
"You're just in time to hold Freddy's hand," said Wimsey; "he's got a date. Not his little paddy-paw, I don't mean—but the dam' rotten hand he generally gets dealt him. Joke."
"You're just in time to hold Freddy's hand," said Wimsey; "he's got a date. Not his little paddy-paw, I don't mean—but the damn rotten hand he usually gets dealt. Joke."
"Oh, well," said the obedient Freddy, rising, "I s'pose I'd better make a noise like a hoop and roll away. Night, night, everybody."
"Oh, well," said the obedient Freddy, getting up, "I guess I should make a noise like a hoop and roll away. Night, night, everyone."
Melville took his place, and the game continued with varying fortunes for two hours, at the end of which time Colonel Marchbanks, who had suffered much under his partner's eloquent theory of the game, was beginning to wilt visibly.
Melville took his seat, and the game went on with ups and downs for two hours, at the end of which Colonel Marchbanks, who had endured a lot from his partner's persuasive ideas about the game, was starting to noticeably fade.
Wimsey yawned.
Wimsey yawned.
"Gettin' a bit bored, Colonel? Wish they'd invent somethin' to liven this game up a bit."
"Getting a little bored, Colonel? Wish they would invent something to make this game more exciting."
"Oh, Bridge is a one-horse show, anyway," said Melville. "Why not have a little flutter at poker, Colonel? Do you all the good in the world. What d'you say, Biggs?"
"Oh, Bridge is a one-horse show anyway," said Melville. "Why not have a little game of poker, Colonel? It does you all the good in the world. What do you say, Biggs?"
Sir Impey turned on Wimsey a thoughtful eye, accustomed to the sizing-up of witnesses. Then he replied:
Sir Impey looked at Wimsey with a thoughtful gaze, familiar with assessing witnesses. Then he responded:
"I'm quite willing, if the others are."
"I'm totally on board if the others are."
"Damn good idea," said Lord Peter. "Come now, Colonel, be a sport. You'll find the chips in that drawer, I think. I always lose money at poker, but what's the odds so long as you're happy. Let's have a new pack."
"Great idea," said Lord Peter. "Come on, Colonel, be a good sport. You’ll find the chips in that drawer, I believe. I always lose money at poker, but what does it matter as long as you’re happy? Let’s get a new deck."
"Any limit?"
"Any limits?"
"What do you say, Colonel?"
"What do you say, Colonel?"
The Colonel proposed a twenty-shilling limit. Melville, with a grimace, amended this to one-tenth of the pool. The amendment was carried and the cards cut, the deal falling to the Colonel.
The Colonel suggested a limit of twenty shillings. Melville, grimacing, changed this to one-tenth of the pool. The change was approved and the cards were cut, with the Colonel getting the deal.
Contrary to his own prophecy, Wimsey began by winning considerably, and grew so garrulously imbecile in the process that even the experienced Melville began to wonder whether this indescribable fatuity was the cloak of ignorance or the mask of the hardened poker-player. Soon, however, he was reassured. The luck came over to his side, and he found himself winning hands down, steadily from Sir Impey and the Colonel, who played cautiously and took little risk—heavily from Wimsey, who appeared reckless and slightly drunk, and was staking foolishly on quite impossible cards.
Contrary to his own prediction, Wimsey started off winning a lot, and he became so annoyingly stupid in the process that even the seasoned Melville began to question whether this ridiculous behavior was just ignorance or a clever act from a hardened poker player. Soon, though, he felt better about it. The luck shifted in his favor, and he found himself easily winning, consistently from Sir Impey and the Colonel, who played carefully and took few risks— a lot from Wimsey, who seemed careless and a bit drunk, betting recklessly on totally unlikely cards.
"I never knew such luck as yours, Melville," said Sir Impey, when that young man had scooped in the proceeds from a handsome straight-flush.
"I've never seen luck like yours, Melville," said Sir Impey, as that young man collected the winnings from a nice straight flush.
"My turn to-night, yours to-morrow," said Melville, pushing the cards across to Biggs, whose deal it was.
"My turn tonight, yours tomorrow," said Melville, pushing the cards over to Biggs, whose turn it was to deal.
Colonel Marchbanks required one card. Wimsey laughed vacantly and demanded an entirely fresh hand; Biggs asked for three; and Melville, after a pause for consideration, took one.
Colonel Marchbanks needed one card. Wimsey laughed mindlessly and asked for a completely new hand; Biggs requested three; and Melville, after thinking it over, took one.
It seemed as though everybody had something respectable this time—though Wimsey was not to be depended upon, frequently going the limit upon a pair of jacks in order, as he expressed it, to keep the pot a-boiling. He became peculiarly obstinate now, throwing his chips in with a flushed face, in spite of Melville's confident air.
It felt like everyone had something worth showing this time—although Wimsey couldn’t be trusted, often pushing his luck with a pair of jacks just to keep the game exciting, as he put it. He got especially stubborn then, tossing his chips in with a flushed face, despite Melville’s self-assured demeanor.
The Colonel got out, and after a short time Biggs followed his example. Melville held on till the pool mounted to something under a hundred pounds, when Wimsey suddenly turned restive and demanded to see him.
The Colonel got out, and after a little while, Biggs did the same. Melville kept holding on until the pool reached just under a hundred pounds, when Wimsey suddenly became impatient and asked to see him.
"Four kings," said Melville.
"Four kings," Melville said.
"Blast you!" said Lord Peter, laying down four queens. "No holdin' this feller to-night, is there? Here, take the ruddy cards, Melville, and give somebody else a look in, will you."
"Curse you!" said Lord Peter, laying down four queens. "No stopping this guy tonight, huh? Here, take the damn cards, Melville, and let someone else have a turn, will you?"
He shuffled them as he spoke, and handed them over. Melville dealt, satisfied the demands of the other three players, and was in the act of taking three new cards for himself, when Wimsey gave a sudden exclamation, and shot a swift hand across the table.
He shuffled them as he talked and handed them over. Melville dealt, meeting the needs of the other three players, and was in the middle of drawing three new cards for himself when Wimsey suddenly exclaimed and quickly reached across the table.
"Hullo! Melville," he said, in a chill tone which bore no resemblance to his ordinary speech, "what exactly does this mean?"
"Hellooo! Melville," he said, in a cold tone that sounded nothing like his usual way of speaking, "what exactly does this mean?"
He lifted Melville's left arm clear of the table and, with a sharp gesture, shook it. From the sleeve something fluttered to the table and glided away to the floor. Colonel Marchbanks picked it up, and in a dreadful silence laid the joker on the table.
He lifted Melville's left arm off the table and, with a quick motion, shook it. From the sleeve, something fluttered to the table and drifted down to the floor. Colonel Marchbanks picked it up and, in a heavy silence, placed the joker on the table.
"Good God!" said Sir Impey.
"OMG!" said Sir Impey.
"You young blackguard!" gasped the Colonel, recovering speech.
"You young rascal!" gasped the Colonel, regaining his voice.
"What the hell do you mean by this?" gasped Melville, with a face like chalk. "How dare you! This is a trick—a plant——" A horrible fury gripped him. "You dare to say that I have been cheating. You liar! You filthy sharper. You put it there. I tell you, gentlemen," he cried, looking desperately round the table, "he must have put it there."
"What do you mean by this?" Melville gasped, his face pale. "How dare you! This is a trick—a setup——" A terrible rage took hold of him. "You have the nerve to accuse me of cheating. You liar! You dirty crook. You put it there. I’m telling you, gentlemen," he shouted, desperately glancing around the table, "he must have put it there."
"Come, come," said Colonel Marchbanks, "no good carryin' on that way, Melville. Dear me, no good at all. Only makes matters worse. We all saw it, you know. Dear, dear, I don't know what the Army's coming to."
"Come on, Melville," said Colonel Marchbanks, "there's no point in acting like that. Honestly, it doesn’t help at all. It just makes things worse. We all saw it, you know. Goodness, I don't know what’s happening to the Army."
"Do you mean you believe it?" shrieked Melville. "For God's sake, Wimsey, is this a joke or what? Biggs—you've got a head on your shoulders—are you going to believe this half-drunk fool and this doddering old idiot who ought to be in his grave?"
"Do you really believe that?" shouted Melville. "For heaven's sake, Wimsey, is this a joke or what? Biggs—you’re smart—are you really going to believe this tipsy fool and this senile old man who should be in the ground?"
"That language won't do you any good, Melville," said Sir Impey. "I'm afraid we all saw it clearly enough."
"That language isn't going to help you, Melville," said Sir Impey. "I'm afraid we all understood it pretty well."
"I've been suspectin' this some time, y'know," said Wimsey. "That's why I asked you two to stay to-night. We don't want to make a public row, but——"
"I've been suspecting this for a while, you know," said Wimsey. "That's why I asked you two to stay tonight. We don't want to create a scene in public, but——"
"Gentlemen," said Melville more soberly, "I swear to you that I am absolutely innocent of this ghastly thing. Can't you believe me?"
"Gentlemen," Melville said more seriously, "I swear to you that I am completely innocent of this horrible thing. Can't you believe me?"
"I can believe the evidence of my own eyes, sir," said the Colonel, with some heat.
"I can trust what I see with my own eyes, sir," said the Colonel, a bit heatedly.
"For the good of the club," said Wimsey, "this couldn't go on, but—also for the good of the club—I think we should all prefer the matter to be quietly arranged. In the face of what Sir Impey and the Colonel can witness, Melville, I'm afraid your protestations are not likely to be credited."
"For the sake of the club," Wimsey said, "this can't continue, but—also for the sake of the club—I think we should all prefer for this to be handled quietly. Given what Sir Impey and the Colonel can testify to, Melville, I'm afraid your complaints are unlikely to be believed."
Melville looked from the soldier's face to that of the great criminal lawyer.
Melville shifted his gaze from the soldier's face to that of the renowned criminal lawyer.
"I don't know what your game is," he said sullenly to Wimsey, "but I can see you've laid a trap and pulled it off all right."
"I don't know what you're up to," he said gloomily to Wimsey, "but I can see you've set a trap and managed to pull it off."
"I think, gentlemen," said Wimsey, "that, if I might have a word in private with Melville in his own room, I could get the thing settled satisfactorily, without undue fuss."
"I think, gentlemen," said Wimsey, "that if I could have a private word with Melville in his own office, I could get this sorted out satisfactorily, without too much fuss."
"He'll have to resign his commission," growled the Colonel.
"He'll have to give up his position," the Colonel growled.
"I'll put it to him in that light," said Peter. "May we go to your room for a minute, Melville?"
"I'll frame it that way," Peter said. "Can we go to your room for a minute, Melville?"
With a lowering brow, the young soldier led the way. Once alone with Wimsey, he turned furiously on him.
With a furrowed brow, the young soldier took the lead. Once they were alone, he spun around angrily and confronted Wimsey.
"What do you want? What do you mean by making this monstrous charge? I'll take action for libel!"
"What do you want? What do you mean by making this outrageous accusation? I'm going to take legal action for defamation!"
"Do," said Wimsey coolly, "if you think anybody is likely to believe your story."
"Go ahead," Wimsey said coolly, "if you think anyone is going to believe your story."
He lit a cigarette, and smiled lazily at the angry young man.
He lit a cigarette and smiled lazily at the upset young man.
"Well, what's the meaning of it, anyway?"
"Well, what's the point of it all, anyway?"
"The meaning," said Wimsey, "is simply that you, an officer and a member of this club, have been caught red-handed cheating at cards while playing for money, the witnesses being Sir Impey Biggs, Colonel Marchbanks, and myself. Now, I suggest to you, Captain Melville, that your best plan is to let me take charge of Mrs. Ruyslaender's diamond necklace and portrait, and then just to trickle away quiet-like from these halls of dazzlin' light—without any questions asked."
"The meaning is clear," said Wimsey, "you, an officer and a member of this club, have been caught red-handed cheating at cards while playing for money. The witnesses are Sir Impey Biggs, Colonel Marchbanks, and me. Now, I suggest, Captain Melville, that your best move is to let me take control of Mrs. Ruyslaender's diamond necklace and portrait, and then quietly slip away from this dazzling place—no questions asked."
Melville leapt to his feet.
Melville jumped to his feet.
"My God!" he cried. "I can see it now. It's blackmail."
"Oh my God!" he exclaimed. "I get it now. It's blackmail."
"You may certainly call it blackmail, and theft too," said Lord Peter, with a shrug. "But why use ugly names? I hold five aces, you see. Better chuck in your hand."
"You could definitely call it blackmail, and theft as well," said Lord Peter, shrugging. "But why use harsh terms? I've got five aces, you know. It’s better if you fold."
"Suppose I say I never heard of the diamonds?"
"Let's say I told you I've never heard of the diamonds?"
"It's a bit late now, isn't it?" said Wimsey affably. "But, in that case, I'm beastly sorry and all that, of course, but we shall have to make to-night's business public."
"It's a bit late now, isn't it?" Wimsey said casually. "But if that’s the case, I’m really sorry about all this, but we’ll have to make tonight's situation public."
"Damn you!" muttered Melville, "you sneering devil."
"Damn you!" Melville muttered, "you sneering devil."
He showed all his white teeth, half springing, with crouched shoulders. Wimsey waited quietly, his hands in his pockets.
He flashed a big smile, half bouncing on his toes with his shoulders hunched. Wimsey stood quietly, with his hands in his pockets.
The rush did not come. With a furious gesture, Melville pulled out his keys and unlocked his dressing-case.
The rush didn’t happen. In a fit of frustration, Melville yanked out his keys and unlocked his suitcase.
"Take them," he growled, flinging a small parcel on the table; "you've got me. Take 'em and go to hell."
"Take them," he said sharply, throwing a small package onto the table; "you've got me. Just take them and get lost."
"Eventually—why not now?" murmured his lordship. "Thanks frightfully. Man of peace myself, you know—hate unpleasantness and all that." He scrutinised his booty carefully, running the stones expertly between his fingers. Over the portrait he pursed up his lips. "Yes," he murmured, "that would have made a row." He replaced the wrapping and slipped the parcel into his pocket.
"Eventually—why not now?" he whispered. "Thanks a lot. I'm a peaceful guy, you know—I can’t stand unpleasantness and all that." He examined his loot carefully, running the stones skillfully between his fingers. Looking over the portrait, he pouted. "Yeah," he said quietly, "that would have caused a scene." He wrapped it back up and slipped the parcel into his pocket.
"Well, good night, Melville—and thanks for a pleasant game."
"Well, good night, Melville—and thanks for a fun game."
"I say, Biggs," said Wimsey, when he had returned to the card-room. "You've had a lot of experience. What tactics d'you think one's justified in usin' with a blackmailer?"
"I say, Biggs," Wimsey said when he got back to the card room. "You've got a lot of experience. What tactics do you think are okay to use with a blackmailer?"
"Ah!" said the K.C. "There you've put your finger on Society's sore place, where the Law is helpless. Speaking as a man, I'd say nothing could be too bad for the brute. It's a crime crueller and infinitely worse in its results than murder. As a lawyer, I can only say that I have consistently refused to defend a blackmailer or to prosecute any poor devil who does away with his tormentor."
"Ah!" said the K.C. "You've hit the nail on the head about Society's biggest weakness, where the Law falls short. Honestly, I believe nothing could be too harsh for that person. It's a crime that's more cruel and has far worse consequences than murder. As a lawyer, I can only say that I've repeatedly refused to defend a blackmailer or to prosecute anyone who gets rid of their tormentor."
"H'm," replied Wimsey. "What do you say, Colonel?"
"Hmm," replied Wimsey. "What do you think, Colonel?"
"A man like that's a filthy pest," said the little warrior stoutly. "Shootin's too good for him. I knew a man—close personal friend, in fact—hounded to death—blew his brains out—one of the best. Don't like to talk about it."
"A guy like that is a total nuisance," said the little warrior confidently. "Shooting him is too good for him. I knew someone—pretty close friend, actually—who was hounded to death—ended up taking his own life—one of the best. I don’t like to talk about it."
"I want to show you something," said Wimsey.
"I want to show you something," Wimsey said.
He picked up the pack which still lay scattered on the table, and shuffled it together.
He grabbed the pack that was still spread out on the table and organized it.
"Catch hold of these, Colonel, and lay 'em out face downwards. That's right. First of all you cut 'em at the twentieth card—you'll see the seven of diamonds at the bottom. Correct? Now I'll call 'em. Ten of hearts, ace of spades, three of clubs, five of clubs, king of diamonds, nine, jack, two of hearts. Right? I could pick 'em all out, you see, except the ace of hearts, and that's here."
"Grab these, Colonel, and put them down face down. That's it. First, you cut them at the twentieth card—you'll find the seven of diamonds at the bottom. Got it? Now I'll name them. Ten of hearts, ace of spades, three of clubs, five of clubs, king of diamonds, nine, jack, two of hearts. Right? I could identify all of them, except the ace of hearts, and that's right here."
He leaned forward and produced it dexterously from Sir Impey's breast-pocket.
He leaned forward and skillfully took it out of Sir Impey's breast pocket.
"I learnt it from a man who shared my dug-out near Ypres," he said. "You needn't mention to-night's business, you two. There are crimes which the Law cannot reach."
"I learned it from a guy who shared my bunker near Ypres," he said. "You two don't need to talk about what happened tonight. There are crimes that the Law can't touch."
THE UNDIGNIFIED MELODRAMA OF THE BONE OF CONTENTION
"I am afraid you have brought shocking weather with you, Lord Peter," said Mrs. Frobisher-Pym, with playful reproof. "If it goes on like this they will have a bad day for the funeral."
"I’m afraid you’ve brought some terrible weather with you, Lord Peter," said Mrs. Frobisher-Pym, playfully scolding him. "If it keeps up like this, they’re going to have a rough day for the funeral."
Lord Peter Wimsey glanced out of the morning-room window to the soaked green lawn and the shrubbery, where the rain streamed down remorselessly over the laurel leaves, stiff and shiny like mackintoshes.
Lord Peter Wimsey looked out of the morning room window at the drenched green lawn and the bushes, where the rain poured down relentlessly over the laurel leaves, stiff and shiny like raincoats.
"Nasty exposed business, standing round at funerals," he agreed.
"Nasty exposed business, hanging around at funerals," he agreed.
"Yes, I always think it's such a shame for the old people. In a tiny village like this it's about the only pleasure they get during the winter. It makes something for them to talk about for weeks."
"Yeah, I always feel bad for the older folks. In a small village like this, it's pretty much the only fun they have during the winter. It gives them something to chat about for weeks."
"Is it anybody's funeral in particular?"
"Is it someone's funeral in particular?"
"My dear Wimsey," said his host, "it is plain that you, coming from your little village of London, are quite out of the swim. There has never been a funeral like it in Little Doddering before. It's an event."
"My dear Wimsey," said his host, "it’s clear that you, coming from your small town of London, are totally out of touch. There has never been a funeral like this in Little Doddering before. It’s a big deal."
"Really?"
"Seriously?"
"Oh dear, yes. You may possibly remember old Burdock?"
"Oh dear, yes. You might remember old Burdock?"
"Burdock? Let me see. Isn't he a sort of local squire, or something?"
"Burdock? Let me check. Isn't he some kind of local landowner or something?"
"He was," corrected Mr. Frobisher-Pym. "He's dead—died in New York about three weeks ago, and they're sending him over to be buried. The Burdocks have lived in the big house for hundreds of years, and they're all buried in the churchyard, except, of course, the one who was killed in the War. Burdock's secretary cabled the news of his death across, and said the body was following as soon as the embalmers had finished with it. The boat gets in to Southampton this morning, I believe. At any rate, the body will arrive here by the 6.30 from Town."
"He was," corrected Mr. Frobisher-Pym. "He's dead—he passed away in New York about three weeks ago, and they're bringing him back to be buried. The Burdocks have lived in the big house for hundreds of years, and they're all buried in the churchyard, except for the one who was killed in the War. Burdock's secretary cabled the news of his death over and said the body was on its way as soon as the embalmers finished with it. The boat arrives in Southampton this morning, I believe. Anyway, the body will get here by the 6:30 from Town."
"Are you going down to meet it, Tom?"
"Are you going down to meet it, Tom?"
"No, my dear. I don't think that is called for. There will be a grand turn-out of the village, of course. Joliffe's people are having the time of their lives; they borrowed an extra pair of horses from young Mortimer for the occasion. I only hope they don't kick over the traces and upset the hearse. Mortimer's horseflesh is generally on the spirited side."
"No, my dear. I don’t think that’s necessary. There will definitely be a big turnout from the village. Joliffe’s folks are having a blast; they borrowed an extra pair of horses from young Mortimer for the event. I just hope they don’t get out of control and tip over the hearse. Mortimer’s horses are usually pretty lively."
"But, Tom, we must show some respect to the Burdocks."
"But, Tom, we need to show some respect to the Burdocks."
"We're attending the funeral to-morrow, and that's quite enough. We must do that, I suppose, out of consideration for the family, though, as far as the old man himself goes, respect is the very last thing anybody would think of paying him."
"We're going to the funeral tomorrow, and that's more than enough. We should do that, I guess, out of respect for the family, even though, when it comes to the old man himself, respect is the last thing anyone would think of giving him."
"Oh, Tom, he's dead."
"Oh, Tom, he's gone."
"And quite time too. No, Agatha, it's no use pretending that old Burdock was anything but a spiteful, bad-tempered, dirty-living old blackguard that the world's well rid of. The last scandal he stirred up made the place too hot to hold him. He had to leave the country and go to the States, and, even so, if he hadn't had the money to pay the people off, he'd probably have been put in gaol. That's why I'm so annoyed with Hancock. I don't mind his calling himself a priest, though clergyman was always good enough for dear old Weeks—who, after all, was a canon—and I don't mind his vestments. He can wrap himself up in a Union Jack if he likes—it doesn't worry me. But when it comes to having old Burdock put on trestles in the south aisle, with candles round him, and Hubbard from the 'Red Cow' and Duggins's boy praying over him half the night, I think it's time to draw the line. The people don't like it, you know—as least, the older generation don't. It's all right for the young ones, I dare say; they must have their amusement; but it gives offence to a lot of the farmers. After all, they knew Burdock a bit too well. Simpson—he's people's warden, you know—came up quite in distress to speak to me about it last night. You couldn't have a sounder man than Simpson. I said I would speak to Hancock. I did speak to him this morning, as a matter of fact, but you might as well talk to the west door of the church."
"And about time too. No, Agatha, there's no point pretending that old Burdock was anything other than a spiteful, grumpy, dirty-living old jerk that the world is better off without. The last scandal he caused made it too uncomfortable for him to stay. He had to leave the country and go to the States, and honestly, if he hadn't had the money to pay people off, he probably would have ended up in jail. That's why I'm so frustrated with Hancock. I don’t mind him calling himself a priest, even though clergyman was always good enough for dear old Weeks—who, after all, was a canon—and I don’t care about his vestments. He can wrap himself up in a Union Jack if he wants—it doesn’t bother me. But when it comes to putting old Burdock on display in the south aisle with candles around him, and Hubbard from the 'Red Cow' and Duggins's boy praying over him half the night, I think it’s time to draw the line. The people don’t like it, you know—at least, the older generation doesn’t. It’s fine for the young ones, I suppose; they need their fun; but it offends a lot of the farmers. After all, they knew Burdock a bit too well. Simpson—he's the people's warden, you know—came up quite upset to talk to me about it last night. You couldn't find a better man than Simpson. I said I would talk to Hancock. I did speak to him this morning, actually, but you might as well have been talking to the west door of the church."
"Mr. Hancock is one of those young men who fancy they know everything," said his wife. "A sensible man would have listened to you, Tom. You're a magistrate and have lived here all your life, and it stands to reason you know considerably more about the parish than he does."
"Mr. Hancock is one of those young guys who thinks he knows it all," his wife said. "A smart man would have listened to you, Tom. You're a magistrate and have lived here your whole life, so it makes sense that you know a lot more about the parish than he does."
"He took up the ridiculous position," said Mr. Frobisher-Pym, "that the more sinful the old man had been the more he needed praying for. I said, 'I think it would need more praying than you or I could do to help old Burdock out of the place he's in now.' Ha, ha! So he said, 'I agree with you, Mr. Frobisher-Pym; that is why I am having eight watchers to pray all through the night for him.' I admit he had me there."
"He took on the ridiculous stance," said Mr. Frobisher-Pym, "that the more sinful the old man had been, the more he needed prayers. I replied, 'I think it would take more prayers than you or I could manage to help old Burdock out of the situation he's in now.' Ha, ha! So he said, 'I agree with you, Mr. Frobisher-Pym; that's why I'm having eight people praying for him all night long.' I admit he had a point there."
"Eight people?" exclaimed Mrs. Frobisher-Pym.
"Eight people?" Mrs. Frobisher-Pym exclaimed.
"Not all at once, I understand; in relays, two at a time. 'Well,' I said, 'I think you ought to consider that you will be giving a handle to the Nonconformists.' Of course, he couldn't deny that."
"Not all at once, I get it; in groups, two at a time. 'Well,' I said, 'I think you should think about the fact that you’ll be giving the Nonconformists something to grab onto.' Of course, he couldn’t argue with that."
Wimsey helped himself to marmalade. Nonconformists, it seemed, were always searching for handles. Though what kind—whether door-handles, tea-pot handles, pump-handles, or starting-handles—was never explained, nor what the handles were to be used for when found. However, having been brought up in the odour of the Establishment, he was familiar with this odd dissenting peculiarity, and merely said:
Wimsey helped himself to some marmalade. It seemed that nonconformists were always looking for handles. But what kind—whether door handles, teapot handles, pump handles, or starting handles—was never explained, nor what the handles were meant to be used for once they were found. However, having been raised in the atmosphere of the Establishment, he was familiar with this strange dissenting habit and simply said:
"Pity to be extreme in a small parish like this. Disturbs the ideas of the simple fathers of the hamlet and the village blacksmith, with his daughter singin' in the choir and the Old Hundredth and all the rest of it. Don't Burdock's family have anything to say to it? There are some sons, aren't there?"
"Pity to be so extreme in a small place like this. It confuses the simple-minded fathers of the town and the village blacksmith, with his daughter singing in the choir and the Old Hundredth and all that. Doesn’t Burdock’s family have anything to say about it? There are some sons, right?"
"Only the two, now. Aldine was the one that was killed, of course, and Martin is somewhere abroad. He went off after that row with his father, and I don't think he has been back in England since."
"Just the two of us now. Aldine was the one who was killed, obviously, and Martin is somewhere overseas. He left after that fight with his dad, and I don't think he's been back in England since."
"What was the row about?"
"What was the argument about?"
"Oh, that was a disgraceful business. Martin got a girl into trouble—a film actress or a typist or somebody of that sort—and insisted on marrying her."
"Oh, that was a shameful situation. Martin got a girl in trouble—a film actress or a secretary or someone like that—and insisted on marrying her."
"Oh?"
"Oh?"
"Yes, so dreadful of him," said the lady, taking up the tale, "when he was practically engaged to the Delaprime girl—the one with glasses, you know. It made a terrible scandal. Some horribly vulgar people came down and pushed their way into the house and insisted on seeing old Mr. Burdock. I will say for him he stood up to them—he wasn't the sort of person you could intimidate. He told them the girl had only herself to blame, and they could sue Martin if they liked—he wouldn't be blackmailed on his son's account. The butler was listening at the door, naturally, and told the whole village about it. And then Martin Burdock came home and had a quarrel with his father you could have heard for miles. He said that the whole thing was a lie, and that he meant to marry the girl, anyway. I cannot understand how anybody could marry into a blackmailing family like that."
"Yeah, that was really awful of him," said the woman, continuing the story, "when he was basically engaged to the Delaprime girl—the one with glasses, you know. It caused a huge scandal. Some really rude people came down and barged into the house, insisting on seeing old Mr. Burdock. I have to give him credit; he stood his ground—he wasn’t the kind of guy you could scare. He told them the girl had only herself to blame, and they could sue Martin if they wanted—he wouldn’t be blackmailed because of his son. The butler was eavesdropping at the door, of course, and spilled the whole story to the village. Then Martin Burdock came home and had a fight with his dad that you could hear for miles. He said the whole thing was a lie and that he planned to marry the girl anyway. I just can't get how anyone would want to marry into a family like that."
"My dear," said Mr. Frobisher-Pym gently, "I don't think you're being quite fair to Martin, or his wife's parents, either. From what Martin told me, they were quite decent people, only not his class, of course, and they came in a well-meaning way to find out what Martin's 'intentions' were. You would want to do the same yourself, if it were a daughter of ours. Old Burdock, naturally, thought they meant blackmail. He was the kind of man who thinks everything can be paid for; and he considered a son of his had a perfect right to seduce a young woman who worked for a living. I don't say Martin was altogether in the right——"
"My dear," Mr. Frobisher-Pym said gently, "I don't think you're being completely fair to Martin or his wife's parents. From what Martin told me, they were decent people, just not from his social class, and they came with good intentions to find out what Martin's 'plans' were. You’d want to do the same if it were one of our daughters. Old Burdock, of course, thought they were trying to blackmail him. He was the type who believed everything had a price, and he thought his son had every right to seduce a young woman who had to work for a living. I'm not saying Martin was entirely in the right—"
"Martin is a chip off the old block, I'm afraid," retorted the lady. "He married the girl, anyway, and why should he do that, unless he had to?"
"Martin is just like his father, I'm afraid," the lady shot back. "He married the girl anyway, and why would he do that unless he had to?"
"Well, they've never had any children, you know," said Mr. Frobisher-Pym.
"Well, they’ve never had any kids, you know," said Mr. Frobisher-Pym.
"That's as may be. I've no doubt the girl was in league with her parents. And you know the Martin Burdocks have lived in Paris ever since."
"That may be true. I have no doubt the girl was working with her parents. And you know the Martin Burdocks have been living in Paris ever since."
"That's true," admitted her husband. "It was an unfortunate affair altogether. They've had some difficulty in tracing Martin's address, too, but no doubt he'll be coming back shortly. He is engaged in producing some film play, they tell me, so possibly he can't get away in time for the funeral."
"That's true," her husband admitted. "It was a really unfortunate situation. They've also had some trouble finding Martin's address, but I'm sure he'll be back soon. I heard he’s busy working on some film project, so he might not be able to make it to the funeral in time."
"If he had any natural feeling, he would not let a film play stand in his way," said Mrs. Frobisher-Pym.
"If he had any real feelings, he wouldn't let a movie get in his way," said Mrs. Frobisher-Pym.
"My dear, there are such things as contracts, with very heavy monetary penalties for breaking them. And I don't suppose Martin could afford to lose a big sum of money. It's not likely that his father will have left him anything."
"My dear, there are contracts that come with serious financial penalties if they're broken. I doubt Martin can afford to lose a large amount of money. It’s unlikely his father left him anything."
"Martin is the younger son, then?" asked Wimsey, politely showing more interest than he felt in the rather well-worn plot of this village melodrama.
"Martin is the younger son, then?" asked Wimsey, politely feigning more interest than he actually felt in the somewhat overused storyline of this village drama.
"No, he is the eldest of the lot. The house is entailed, of course, and so is the estate, such as it is. But there's no money in the land. Old Burdock made his fortune in rubber shares during the boom, and the money will go as he leaves it—wherever that may be, for they haven't found any will yet. He's probably left it all to Haviland."
"No, he’s the oldest of the bunch. The house is tied up, of course, and so is the estate, whatever that may be. But there’s no money in the land. Old Burdock made his fortune in rubber stocks during the boom, and the money will remain as he left it—wherever that may end up, since they haven't found any will yet. He probably left it all to Haviland."
"The younger son?"
"The younger son?"
"Yes. He's something in the City—a director of a company—connected with silk stockings, I believe. Nobody has seen very much of him. He came down as soon as he heard of his father's death. He's staying with the Hancocks. The big house has been shut up since old Burdock went to the States four years ago. I suppose Haviland thought it wasn't worth while opening it up till they knew what Martin was going to do about it. That's why the body is being taken to the church."
"Yes. He's a big deal in the city—a company director—related to silk stockings, I think. Not many people have seen him around. He came down right after he heard about his father's death. He's staying with the Hancocks. The big house has been closed ever since old Burdock went to the States four years ago. I guess Haviland thought it wasn’t worth opening it up until they knew what Martin was planning to do about it. That’s why the body is being taken to the church."
"Much less trouble, certainly," said Wimsey.
"Definitely less hassle," said Wimsey.
"Oh, yes—though, mind you, I think Haviland ought to take a more neighbourly view of it. Considering the position the Burdocks have always held in the place, the people had a right to expect a proper reception after the funeral. It's usual. But these business people think less of tradition than we do down here. And, naturally, since the Hancocks are putting Haviland up, he can't raise much objection to the candles and the prayers and things."
"Oh, yes—though, honestly, I think Haviland should have a more neighborly attitude about it. Given the position the Burdocks have always held in the community, people had a right to expect a decent reception after the funeral. It's the usual thing. But these business folks care less about tradition than we do around here. And, of course, since the Hancocks are hosting Haviland, he can't really object to the candles and prayers and all that."
"Perhaps not," said Mrs. Frobisher-Pym, "but it would have been more suitable if Haviland had come to us, rather than to the Hancocks, whom he doesn't even know."
"Maybe not," said Mrs. Frobisher-Pym, "but it would have been better if Haviland had come to us instead of the Hancocks, whom he doesn't even know."
"My dear, you forget the very unpleasant dispute I had with Haviland Burdock about shooting over my land. After the correspondence that passed between us, last time he was down here, I could scarcely offer him hospitality. His father took a perfectly proper view of it, I will say that for him, but Haviland was exceedingly discourteous to me, and things were said which I could not possibly overlook. However, we mustn't bore you, Lord Peter, with our local small-talk. If you've finished your breakfast, what do you say to a walk round the place? It's a pity it's raining so hard—and you don't see the garden at its best this time of the year, of course—but I've got some cocker span'els you might like to have a look at."
"My dear, you’ve forgotten the really unpleasant argument I had with Haviland Burdock about hunting on my land. After our last exchange when he was here, I could hardly offer him any hospitality. His father had a perfectly reasonable perspective on it, I must give him that, but Haviland was extremely rude to me, and things were said that I just couldn’t ignore. However, we shouldn’t bore you, Lord Peter, with our local gossip. If you’ve finished your breakfast, how about a walk around the place? It’s a shame it’s raining so hard—and you can’t see the garden at its best this time of year, of course—but I have some cocker spaniels you might want to check out."
Lord Peter expressed eager anxiety to see the spaniels, and in a few minutes' time found himself squelching down the gravel path which led to the kennels.
Lord Peter was eager to see the spaniels and in just a few minutes found himself squelching down the gravel path that led to the kennels.
"Nothing like a healthy country life," said Mr. Frobisher-Pym. "I always think London is so depressing in the winter. Nothing to do with one's self. All right to run up for a day or two and see a theatre now and again, but how you people stick it week in and week out beats me. I must speak to Plunkett about this archway," he added. "It's getting out of trim."
"There's nothing like a healthy country life," said Mr. Frobisher-Pym. "I always find London so depressing in the winter. There's nothing to do for yourself. It's fine to go up for a day or two and catch a show here and there, but I don’t know how you all manage to handle it week after week. I need to talk to Plunkett about this archway," he added. "It's getting out of shape."
He broke off a dangling branch of ivy as he spoke. The plant shuddered revengefully, tipping a small shower of water down Wimsey's neck.
He snapped off a hanging branch of ivy as he talked. The plant shook resentfully, sending a little splash of water down Wimsey's neck.
The cocker spaniel and her family occupied a comfortable and airy stall in the stable buildings. A youngish man in breeches and leggings emerged to greet the visitors, and produced the little bundles of puppy-hood for their inspection. Wimsey sat down on an upturned bucket and examined them gravely one by one. The bitch, after cautiously reviewing his boots and grumbling a little, decided that he was trustworthy and slobbered genially over his knees.
The cocker spaniel and her family were settled in a cozy, spacious stall in the stable buildings. A young man dressed in breeches and leggings came out to welcome the visitors and brought out the little puppies for them to see. Wimsey sat on an upside-down bucket and seriously looked them over one by one. The mother dog, after carefully checking out his boots and grumbling a bit, concluded that he was trustworthy and happily drooled over his knees.
"Let me see," said Mr. Frobisher-Pym, "how old are they?"
"Let me see," said Mr. Frobisher-Pym, "how old are they?"
"Thirteen days, sir."
"Thirteen days, sir."
"Is she feeding them all right?"
"Is she feeding them right?"
"Fine, sir. She's having some of the malt food. Seems to suit her very well, sir."
"Sure, sir. She's having some of the malt food. It seems to be working well for her, sir."
"Ah, yes. Plunkett was a little doubtful about it, but I heard it spoken very well of. Plunkett doesn't care for experiments, and, in a general way, I agree with him. Where is Plunkett, by the way?"
"Ah, yes. Plunkett was a bit unsure about it, but I heard people say good things. Plunkett isn't a fan of experiments, and generally, I agree with him. Speaking of which, where is Plunkett?"
"He's not very well this morning, sir."
"He's not feeling well this morning, sir."
"Sorry to hear that, Merridew. The rheumatics again?"
"Sorry to hear that, Merridew. Is it the arthritis acting up again?"
"No, sir. From what Mrs. Plunkett tells me, he's had a bit of a shock."
"No, sir. According to Mrs. Plunkett, he’s been a bit shaken up."
"A shock? What sort of a shock? Nothing wrong with Alf or Elsie, I hope?"
"A shock? What kind of shock? I hope there’s nothing wrong with Alf or Elsie?"
"No, sir. The fact is—I understand he's seen something, sir."
"No, sir. The truth is—I know he's witnessed something, sir."
"What do you mean, seen something?"
"What do you mean, you saw something?"
"Well, sir—something in the nature of a warning, from what he says."
"Well, sir—it's somewhat of a warning, based on what he says."
"A warning? Good heavens, Merridew, he mustn't get those sort of ideas in his head. I'm surprised at Plunkett; I always thought he was a very level-headed man. What sort of warning did he say it was?"
"A warning? Good grief, Merridew, he shouldn't be getting those kinds of ideas in his head. I'm really surprised at Plunkett; I always thought he was really sensible. What kind of warning did he say it was?"
"I couldn't say, sir."
"I can't say, sir."
"Surely he mentioned what he thought he'd seen."
"Surely he said what he thought he saw."
Merridew's face took on a slightly obstinate look.
Merridew's face looked a bit stubborn.
"I can't say, I'm sure, sir."
"I can't say for sure, sir."
"This will never do. I must go and see Plunkett. Is he at the cottage?"
"This won't work. I need to go see Plunkett. Is he at the cottage?"
"Yes, sir."
"Yes, sir."
"We'll go down there at once. You don't mind, do you, Wimsey? I can't allow Plunkett to make himself ill. If he's had a shock he'd better see a doctor. Well, carry on, Merridew, and be sure you keep her warm and comfortable. The damp is apt to come up through these brick floors. I'm thinking of having the whole place re-set with concrete, but it takes money, of course. I can't imagine," he went on, as he led the way past the greenhouse towards a trim cottage set in its own square of kitchen-garden, "what can have happened to have upset Plunkett. I hope it's nothing serious. He's getting elderly, of course, but he ought to be above believing in warnings. You wouldn't believe the extraordinary ideas these people get hold of. Fact is, I expect he's been round at the 'Weary Traveller,' and caught sight of somebody's washing hung out on the way home."
"We'll head down there right away. You don't mind, do you, Wimsey? I can't let Plunkett make himself sick. If he's had a shock, he should see a doctor. Alright, keep going, Merridew, and make sure you keep her warm and comfortable. The damp tends to seep up through these brick floors. I'm considering having the whole place redone with concrete, but that costs money, of course. I can't imagine," he continued, leading the way past the greenhouse toward a neat cottage set in its own little kitchen garden, "what could have happened to upset Plunkett. I hope it's nothing serious. He's getting older, of course, but he should be past believing in warnings. You wouldn't believe the strange ideas these people come up with. Honestly, I expect he's been over at the 'Weary Traveller' and caught sight of someone's laundry on the way home."
"Not washing," corrected Wimsey mechanically. He had a deductive turn of mind which exposed the folly of the suggestion even while irritably admitting that the matter was of no importance. "It poured with rain last night, and, besides, it's Thursday. But Tuesday and Wednesday were fine, so the drying would have all been done then. No washing."
"Not washing," Wimsey corrected automatically. He had a logical way of thinking that revealed the silliness of the suggestion while feeling irritated that it really didn't matter. "It rained heavily last night, and it's Thursday. But Tuesday and Wednesday were nice, so everything would have dried then. No washing."
"Well, well—something else then—a post, or old Mrs. Giddens's white donkey. Plunkett does occasionally take a drop too much, I'm sorry to say, but he's a very good kennel-man, so one overlooks it. They're superstitious round about these parts, and they can tell some queer tales if once you get into their confidence. You'd be surprised how far off the main track we are as regards civilisation. Why, not here, but at Abbotts Bolton, fifteen miles off, it's as much as one's life's worth to shoot a hare. Witches, you know, and that sort of thing."
"Well, well—something else then—a post, or old Mrs. Giddens's white donkey. Plunkett does sometimes drink a bit too much, I'm sorry to say, but he's a really good kennel man, so you sort of overlook it. They're superstitious around here, and they have some strange stories if you gain their trust. You'd be surprised how far we are from what you'd call civilization. I mean, not here, but at Abbotts Bolton, fifteen miles away, it's practically risking your life to shoot a hare. Witches, you know, and that kind of thing."
"I shouldn't be a bit surprised. They'll still tell you about werewolves in some parts of Germany."
"I shouldn't be surprised at all. They'll still talk about werewolves in some areas of Germany."
"Yes, I dare say. Well, here we are." Mr. Frobisher-Pym rapped loudly with his walking-stick on the door of the cottage and turned the handle without waiting for permission.
"Yes, I would say so. Well, here we are." Mr. Frobisher-Pym knocked loudly with his walking stick on the door of the cottage and turned the handle without waiting for permission.
"You there, Mrs. Plunkett? May we come in? Ah! good morning. Hope we're not disturbing you, but Merridew told me Plunkett was not so well. This is Lord Peter Wimsey—a very old friend of mine; that is to say, I'm a very old friend of his; ha, ha!"
"You there, Mrs. Plunkett? Can we come in? Ah! Good morning. I hope we're not interrupting you, but Merridew mentioned that Plunkett hasn’t been feeling well. This is Lord Peter Wimsey—a very old friend of mine; well, I mean, I'm a very old friend of his; ha, ha!"
"Good morning, sir; good morning, your lordship. I'm sure Plunkett will be very pleased to see you. Please step in. Plunkett, here's Mr. Pym to see you."
"Good morning, sir; good morning, your lordship. I'm sure Plunkett will be very happy to see you. Please come in. Plunkett, this is Mr. Pym here to see you."
The elderly man who sat crouching over the fire turned a mournful face towards them, and half rose, touching his forehead.
The old man hunched over the fire looked up at them with a sad expression and partially stood up, touching his forehead.
"Well, now, Plunkett, what's the trouble?" enquired Mr. Frobisher-Pym, with the hearty bedside manner adopted by country gentlefolk visiting their dependants. "Sorry not to see you out and about. Touch of the old complaint, eh?"
"Well, Plunkett, what's going on?" asked Mr. Frobisher-Pym, with the friendly bedside manner typical of rural gentlemen checking in on their people. "Sorry to hear you’re not up and about. A bit of that old issue, huh?"
"No, sir; no, sir. Thank you, sir. I'm well enough in myself. But I've had a warning, and I'm not long for this world."
"No, sir; no, sir. Thank you, sir. I'm fine on my own. But I've had a warning, and I don't have much time left in this world."
"Not long for this world? Oh, nonsense, Plunkett. You mustn't talk like that. A touch of indigestion, that's what you've got, I expect. Gives one the blues, I know. I'm sure I often feel like nothing on earth when I've got one of my bilious attacks. Try a dose of castor-oil, or a good old-fashioned blue pill and black draught. Nothing like it. Then you won't talk about warnings and dying."
"Not long for this world? Come on, Plunkett. You shouldn’t say things like that. I bet you just have a bit of indigestion. It can really get you down, I understand. I often feel terrible when I have one of my bad stomach days. Just try some castor oil or a good old-fashioned blue pill and black draught. Nothing works like that. Then you won’t be talking about warnings and dying."
"No medicine won't do no good to my complaint, sir. Nobody as see what I've seed ever got the better of it. But as you and the gentleman are here, sir, I'm wondering if you'll do me a favour."
"No medicine will do any good for my issue, sir. No one who has seen what I've seen has ever gotten over it. But since you and the gentleman are here, sir, I’m hoping you’ll do me a favor."
"Of course, Plunkett, anything you like. What is it?"
"Sure, Plunkett, whatever you want. What is it?"
"Why, just to draw up my will, sir. Old Parson, he used to do it. But I don't fancy this new young man, with his candles and bits of things. It don't seem as if he'd make it good and legal, sir, and I wouldn't like it if there was any dispute after I was gone. So as there ain't much time left me, I'd be grateful if you'd put it down clear for me in pen and ink that I wants my little bit all to go to Sarah here, and after her to Alf and Elsie, divided up equal."
"Well, I just need to write up my will, sir. The old parson used to do it. But I don’t trust this new young guy, with his candles and odd bits. It doesn’t feel like he’d handle it properly, sir, and I wouldn’t want any arguments after I’m gone. So, since I don’t have much time left, I’d appreciate it if you could clearly write down in pen and ink that I want my little bit to go all to Sarah here, and after her to Alf and Elsie, divided equally."
"Of course I'll do that for you, Plunkett, any time you like. But it's all nonsense to be talking about wills. Bless my soul, I shouldn't be surprised if you were to see us all underground."
"Of course I'll do that for you, Plunkett, whenever you want. But it's just silly to be talking about wills. Honestly, I wouldn't be shocked if you ended up seeing us all six feet under."
"No, sir. I've been a hale and hearty man, I'm not denying. But I've been called, sir, and I've got to go. It must come to all of us, I know that. But it's a fearful thing to see the death-coach come for one, and know that the dead are in it, that cannot rest in the grave."
"No, sir. I've been a strong and healthy man, I won't deny it. But I've been summoned, sir, and I have to go. It comes for all of us, I know that. But it's a terrifying thing to see the death coach come for you and know that the dead are in it, unable to find peace in the grave."
"Come now, Plunkett, you don't mean to tell me you believe in that old foolishness about the death-coach. I thought you were an educated man. What would Alf say if he heard you talking such nonsense?"
"Come on, Plunkett, you can't seriously believe in that old nonsense about the death-coach. I thought you were educated. What would Alf think if he heard you saying such silly things?"
"Ah, sir, young people don't know everything, and there's many more things in God's creation than what you'll find in the printed books."
"Ah, sir, young people don't know everything, and there are many more things in God's creation than what you'll find in the printed books."
"Oh, well," said Mr. Frobisher-Pym, finding this opening irresistible, "we know there are more things in heaven and earth, Horatio, than are dreamt of in your philosophy. Quite so. But that doesn't apply nowadays," he added contradictorily. "There are no ghosts in the twentieth century. Just you think the matter out quietly, and you'll find you've made a mistake. There's probably some quite simple explanation. Dear me! I remember Mrs. Frobisher-Pym waking up one night and having a terrible fright, because she thought somebody'd been and hanged himself on our bedroom door. Such a silly idea, because I was safe in bed beside her—snoring, she said, ha, ha!—and, if anybody was feeling like hanging himself, he wouldn't come into our bedroom to do it. Well, she clutched my arm in a great state of mind, and when I went to see what had alarmed her, what do you think it was? My trousers, which I'd hung up by the braces, with the socks still in the legs! My word! and didn't I get a wigging for not having put my things away tidy!"
"Oh, well," said Mr. Frobisher-Pym, finding this opening irresistible, "we know there are more things in heaven and earth, Horatio, than are dreamt of in your philosophy. Exactly. But that doesn't apply nowadays," he added contradictorily. "There are no ghosts in the twentieth century. Just think it through calmly, and you'll realize you've made a mistake. There's probably a simple explanation. Goodness! I remember Mrs. Frobisher-Pym waking up one night and getting really scared because she thought someone had hanged himself on our bedroom door. Such a silly idea, because I was safe in bed next to her—snoring, she said, ha, ha!—and if anyone was feeling like hanging himself, he definitely wouldn't come into our bedroom to do it. Well, she grabbed my arm all worked up, and when I went to see what had scared her, you won't believe it—it was my trousers, which I’d hung up by the braces, with the socks still in the legs! My word! and didn't I get a telling-off for not putting my things away neatly!"
Mr. Frobisher-Pym laughed, and Mrs. Plunkett said dutifully, "There now!" Her husband shook his head.
Mr. Frobisher-Pym laughed, and Mrs. Plunkett replied dutifully, "There you go!" Her husband shook his head.
"That may be, sir, but I see the death-coach last night with my own eyes. Just striking midnight it was, by the church clock, and I see it come up the lane by the old priory wall."
"That might be true, sir, but I saw the death coach last night with my own eyes. It was just striking midnight according to the church clock, and I saw it come up the lane by the old priory wall."
"And what were you doing out of bed at midnight, eh?"
"And what were you doing out of bed at midnight, huh?"
"Well, sir, I'd been round to my sister's, that's got her boy home on leaf off of his ship."
"Well, sir, I had just been over to my sister's, who has her son home on leave from his ship."
"And you'd been drinking his health, I dare say, Plunkett." Mr. Frobisher-Pym wagged an admonitory forefinger.
"And you’ve been toasting his health, I bet, Plunkett." Mr. Frobisher-Pym shook his finger in warning.
"No, sir, I don't deny I'd had a glass or two of ale, but not to fuddle me. My wife can tell you I was sober enough when I got home."
"No, sir, I won't deny that I had a couple of glasses of beer, but not enough to confuse me. My wife will confirm I was sober when I got home."
"That's right, sir. Plunkett hadn't taken too much last night, that I'll swear to."
"That's right, sir. Plunkett didn’t drink too much last night, I swear."
"Well, what was it you saw, Plunkett?"
"Well, what did you see, Plunkett?"
"I see the death-coach, same as I'm telling you, sir. It come up the lane, all ghostly white, sir, and never making no more sound than the dead—which it were, sir."
"I see the death coach, just like I'm telling you, sir. It came up the lane, all ghostly white, sir, and made no more sound than the dead—which it was, sir."
"A wagon or something going through to Lymptree or Herriotting."
"A wagon or something heading to Lymptree or Herriotting."
"No, sir—tweren't a wagon. I counted the horses—four white horses, and they went by with never a sound of hoof or bridle. And that weren't——"
"No, sir—it wasn’t a wagon. I counted the horses—four white horses, and they passed by without a sound of hoof or bridle. And that wasn’t—"
"Four horses! Come, Plunkett, you must have been seeing double. There's nobody about here would be driving four horses, unless it was Mr. Mortimer from Abbotts Bolton, and he wouldn't be taking his horseflesh out at midnight."
"Four horses! Come on, Plunkett, you must be seeing things. There’s no one around here who would be driving four horses, unless it was Mr. Mortimer from Abbotts Bolton, and he wouldn’t be out with his horses at midnight."
"Four horses they was, sir. I see them plain. And it weren't Mr. Mortimer, neither, for he drives a drag, and this were a big, heavy coach, with no lights on it, but shinin' all of itself, with a colour like moonshine."
"Four horses there were, sir. I saw them clearly. And it wasn't Mr. Mortimer, either, because he drives a drag, and this was a big, heavy coach with no lights on it, but shining all by itself, with a color like moonlight."
"Oh, nonsense, man! You couldn't see the moon last night. It was pitch-dark."
"Oh, come on! You couldn't see the moon last night. It was completely dark."
"No, sir, but the coach shone all moony-like, all the same."
"No, sir, but the coach still looked all dreamy and glowing."
"And no lights? I wonder what the police would say to that."
"And no lights? I wonder what the police would think about that."
"No mortal police could stop that coach," said Plunkett contemptuously, "nor no mortal man could abide the sight on it. I tell you, sir, that ain't the worst of it. The horses——"
"No human police could stop that coach," Plunkett said with contempt, "and no ordinary man could bear to look at it. I tell you, sir, that’s not the worst of it. The horses——"
"Was it going slowly?"
"Was it slow?"
"No, sir. It were going at a gallop, only the hoofs didn't touch the ground. There weren't no sound, and I see the black road and the white hoofs half a foot off of it. And the horses had no heads."
"No, sir. It was going at a gallop, but the hooves didn't touch the ground. There was no sound, and I saw the black road and the white hooves half a foot above it. And the horses had no heads."
"No heads?"
"No heads?"
"No, sir."
"No, thanks."
Mr. Frobisher-Pym laughed.
Mr. Frobisher-Pym chuckled.
"Come, come, Plunkett, you don't expect us to swallow that. No heads? How could even a ghost drive horses with no heads? How about the reins, eh?"
"Come on, Plunkett, you can't expect us to believe that. No heads? How could a ghost even drive horses that don’t have heads? What about the reins, huh?"
"You may laugh, sir, but we know that with God all things are possible. Four white horses they was. I see them clearly, but there was neither head nor neck beyond the collar, sir. I see the reins, shining like silver, and they ran up to the rings of the hames, and they didn't go no further. If I was to drop down dead this minute, sir, that's what I see."
"You might find it funny, sir, but we know that with God, anything is possible. There were four white horses. I can see them clearly, but there was no head or neck beyond the collar, sir. I see the reins, shining like silver, and they went up to the rings of the hames, and they didn't go any further. If I were to drop dead right this minute, sir, that's what I see."
"Was there a driver to this wonderful turn-out?"
"Was there a reason for this amazing turnout?"
"Yes, sir, there was a driver."
"Yep, there was a driver."
"Headless too, I suppose?"
"Headless as well, I guess?"
"Yes, sir, headless too. At least, I couldn't see nothing of him beyond his coat, which had them old-fashioned capes at the shoulders."
"Yeah, sir, headless too. At least, I couldn't see anything of him beyond his coat, which had those old-fashioned capes on the shoulders."
"Well, I must say, Plunkett, you're very circumstantial. How far off was this—er—apparition when you saw it?"
"Well, I have to say, Plunkett, you're being very detailed. How far away was this—uh—ghost when you saw it?"
"I was passing by the War Memorial, sir, when I see it come up the lane. It wouldn't be above twenty or thirty yards from where I stood. It went by at a gallop, and turned off to the left round the churchyard wall."
"I was walking by the War Memorial, sir, when I saw it come up the lane. It was only about twenty or thirty yards from where I was standing. It went past at a gallop and turned left around the churchyard wall."
"Well, well, it sounds odd, certainly, but it was a dark night, and at that distance your eyes may have deceived you. Now, if you'll take my advice you'll think no more about it."
"Well, it sounds strange, definitely, but it was a dark night, and at that distance, your eyes might have been playing tricks on you. So, if you take my advice, you should stop worrying about it."
"Ah, sir, it's all very well saying that, but everybody knows the man who sees the death-coach of the Burdocks is doomed to die within the week. There's no use rebelling against it, sir; it is so. And if you'll be so good as to oblige me over that matter of a will, I'd die happier for knowing as Sarah and the children was sure of their bit of money."
"Ah, sir, it's easy to say that, but everyone knows that anyone who sees the death coach of the Burdocks is going to die within a week. There's no point in fighting it, sir; that's just the way it is. And if you could please help me with that will, I'd feel better knowing that Sarah and the kids were sure of their share of the money."
Mr. Frobisher-Pym obliged over the will, though much against the grain, exhorting and scolding as he wrote. Wimsey added his own signature as one of the witnesses, and contributed his own bit of comfort.
Mr. Frobisher-Pym reluctantly took care of the will, grumbling and lecturing as he went. Wimsey signed as one of the witnesses and offered a little bit of reassurance.
"I shouldn't worry too much about the coach, if I were you," he said. "Depend upon it, if it's the Burdock coach it'll just have come for the soul of the old squire. It couldn't be expected to go to New York for him, don't you see? It's just gettin' ready for the funeral to-morrow."
"I wouldn't stress too much about the coach, if I were you," he said. "Trust me, if it's the Burdock coach, it’s just come for the old squire's soul. You can’t expect it to go to New York for him, can you? It's just getting ready for the funeral tomorrow."
"That's likely enough," agreed Plunkett. "Often and often it's been seen in these parts when one of the Burdocks was taken. But it's terrible unlucky to see it."
"That seems about right," Plunkett agreed. "Time and again, it's been noticed around here when one of the Burdocks went missing. But it's really bad luck to witness it."
The thought of the funeral seemed, however, to cheer him a little. The visitors again begged him not to think about it, and took their departure.
The idea of the funeral, however, seemed to lift his spirits a bit. The visitors once again urged him not to dwell on it and then left.
"Isn't it wonderful," said Mr. Frobisher-Pym, "what imagination will do with these people? And they're obstinate. You could argue with them till you were black in the face."
"Isn't it amazing," said Mr. Frobisher-Pym, "what imagination can do with these people? And they're so stubborn. You could argue with them until you were exhausted."
"Yes. I say, let's go down to the church and have a look at the place. I'd like to know how much he could really have seen from where he was standing."
"Yeah. I say, let's head down to the church and check out the place. I want to know how much he could have actually seen from where he was standing."

The parish church of Little Doddering stands, like so many country churches, at some distance from the houses. The main road from Herriotting, Abbotts Bolton, and Frimpton runs past the west gate of the churchyard—a wide God's acre, crowded with ancient stones. On the south side is a narrow and gloomy lane, heavily overhung with old elm-trees, dividing the church from the still more ancient ruins of Doddering Priory. On the main road, a little beyond the point where Old Priory Lane enters, stands the War Memorial, and from here the road runs straight on into Little Doddering. Round the remaining two sides of the churchyard winds another lane, known to the village simply as the Back Lane. This branches out from the Herriotting road about a hundred yards north of the church, connects with the far end of Priory Lane, and thence proceeds deviously to Shootering Underwood, Hamsey, Thripsey, and Wyck.
The parish church of Little Doddering sits, like many countryside churches, a bit away from the houses. The main road from Herriotting, Abbotts Bolton, and Frimpton runs right past the west gate of the churchyard—a spacious graveyard filled with ancient stones. On the south side, there's a narrow and dark lane, heavily shaded by old elm trees, separating the church from the even older ruins of Doddering Priory. On the main road, just past where Old Priory Lane comes in, is the War Memorial, and from here, the road continues straight into Little Doddering. Around the other two sides of the churchyard is another lane, known in the village simply as the Back Lane. This lane branches off from the Herriotting road about a hundred yards north of the church, connects with the far end of Priory Lane, and then winds off to Shootering Underwood, Hamsey, Thripsey, and Wyck.
"Whatever it was Plunkett thinks he saw," said Mr. Frobisher-Pym, "it must have come from Shootering. The Back Lane only leads round by some fields and a cottage or two, and it stands to reason anybody coming from Frimpton would have taken the main road, going and coming. The lane is in a very bad state with all this rain. I'm afraid even your detective ability, my dear Wimsey, would not avail to find wheel-marks on this modern tarmac."
"Whatever Plunkett thinks he saw," Mr. Frobisher-Pym said, "it must have come from Shootering. The Back Lane just goes around some fields and a couple of cottages, and it makes sense that anyone coming from Frimpton would have taken the main road, both going and coming. The lane is in terrible condition with all this rain. I'm afraid even your detective skills, my dear Wimsey, wouldn't be able to find any tire tracks on this modern asphalt."
"Hardly," said Wimsey, "especially in the case of a ghostly chariot which gets along without touching the ground. But your reasoning seems perfectly sound, sir."
"Not really," said Wimsey, "especially when it comes to a ghostly chariot that moves without ever touching the ground. But your logic seems completely solid, sir."
"It was probably a couple of belated wagons going to market," pursued Mr. Frobisher-Pym, "and the rest of it is superstition and, I am afraid, the local beer. Plunkett couldn't have seen all those details about drivers and hames and so on at this distance. And, if it was making no noise, how did he come to notice it at all, since he'd got past the turn and was walking in the other direction? Depend upon it, he heard the wheels and imagined the rest."
"It was probably just a few late wagons heading to the market," Mr. Frobisher-Pym continued, "and the rest is just superstition and, unfortunately, the local beer. Plunkett couldn’t have seen all those details about the drivers and harnesses from this distance. And if it wasn't making any noise, how did he even notice it at all, since he'd already passed the turn and was walking the other way? Trust me, he heard the wheels and just made up the rest."
"Probably," said Wimsey.
"Maybe," said Wimsey.
"Of course," went on his host, "if the wagons really were going about without lights, it ought to be looked into. It is a very dangerous thing, with all these motor vehicles about, and I've had to speak severely about it before now. I fined a man only the other day for the very same thing. Do you care to see the church while we're here?"
"Of course," continued his host, "if the wagons are really going around without lights, we need to check into that. It's very dangerous with all these motor vehicles around, and I've had to seriously address it before. I just fined a guy the other day for the same issue. Do you want to see the church while we're here?"
Knowing that in country places it is always considered proper to see the church, Lord Peter expressed his eagerness to do so.
Knowing that in rural areas it's always seen as appropriate to visit the church, Lord Peter expressed his enthusiasm to do so.
"It's always open nowadays," said the magistrate, leading the way to the west entrance. "The vicar has an idea that churches should be always open for private prayer. He comes from a town living, of course. Round about here the people are always out on the land, and you can't expect them to come into church in their working clothes and muddy boots. They wouldn't think it respectful, and they've other things to do. Besides, I said to him, consider the opportunity it gives for undesirable conduct. But he's a young man, and he'll have to learn by experience."
"It's always open these days," said the magistrate, leading the way to the west entrance. "The vicar believes that churches should always be open for private prayer. He comes from a town, of course. Around here, people are usually out working on the land, and you can’t expect them to come into church in their work clothes and muddy boots. They wouldn’t think it’s respectful, and they have other things to do. Plus, I told him to consider the chance it gives for unwanted behavior. But he's a young guy, and he'll have to learn through experience."
He pushed the door open. A curious, stuffy waft of stale incense, damp, and stoves rushed out at them as they entered—a kind of concentrated extract of Church of England. The two altars, bright with flowers and gilding, and showing as garish splashes among the heavy shadows and oppressive architecture of the little Norman building, sounded the same note of contradiction; it was the warm and human that seemed exotic and unfamiliar; the cold and unwelcoming that seemed native to the place and people.
He opened the door. A curious, stuffy rush of stale incense, dampness, and warmth hit them as they walked in—a concentrated essence of the Church of England. The two altars, bright with flowers and gold, stood out as loud contrasts against the heavy shadows and oppressive architecture of the small Norman building, creating the same sense of contradiction; it was the warm and human elements that felt exotic and strange, while the cold and uninviting aspects seemed familiar to the place and its people.
"This Lady-chapel, as Hancock calls it, in the south aisle, is new, of course," said Mr. Frobisher-Pym. "It aroused a good deal of opposition, but the Bishop is lenient with the High Church party—too lenient, some people think—but, after all, what does it matter? I'm sure I can say my prayers just as well with two communion-tables as with one. And, I will say for Hancock, he is very good with the young men and the girls. In these days of motor-cycles, it's something to get them interested in religion at all. Those trestles in the chapel are for old Burdock's coffin, I suppose. Ah! Here is the vicar."
"This Lady chapel, as Hancock calls it, in the south aisle, is new, of course," Mr. Frobisher-Pym said. "It faced a lot of opposition, but the Bishop is generous with the High Church group—too generous, some people think—but, in the end, what does it matter? I'm sure I can say my prayers just as well with two communion tables as with one. And I have to give Hancock credit; he’s great with the young men and women. In these days of motorcycles, it's something to get them interested in religion at all. Those stands in the chapel are for old Burdock's coffin, I assume. Ah! Here comes the vicar."
A thin man in a cassock emerged from a door beside the high altar and came down towards them, carrying a tall, oaken candlestick in his hand. He greeted them with a slightly professional smile of welcome. Wimsey diagnosed him promptly as earnest, nervous, and not highly intellectual.
A thin man in a robe came out of a door next to the high altar and walked towards them, holding a tall, wooden candlestick in his hand. He welcomed them with a somewhat professional smile. Wimsey quickly figured out that he was serious, anxious, and not very bright.
"The candlesticks have only just come," he observed after the usual introductions had been made. "I was afraid they would not be here in time. However, all is now well."
"The candlesticks just arrived," he noted after the usual introductions were made. "I was worried they wouldn't make it on time. But everything's fine now."
He set the candlestick beside the coffin-trestles, and proceeded to decorate its brass spike with a long candle of unbleached wax, which he took from a parcel in a neighbouring pew.
He placed the candlestick next to the coffin stand and went ahead to dress its brass spike with a long candle made of unbleached wax, which he got from a package in a nearby pew.
Mr. Frobisher-Pym said nothing. Wimsey felt it incumbent on him to express his interest, and did so.
Mr. Frobisher-Pym said nothing. Wimsey felt it was his duty to show his interest, and he did.
"It is very gratifying," said Mr. Hancock, thus encouraged, "to see the people beginning to take a real interest in their church. I have really had very little difficulty in finding watchers for to-night. We are having eight watchers, two by two, from 10 o'clock this evening—till which time I shall be myself on duty—till six in the morning, when I come in to say Mass. The men will carry on till 2 o'clock, then my wife and daughter will relieve them, and Mr. Hubbard and young Rawlinson have kindly consented to take the hours from four till six."
"It’s really encouraging," Mr. Hancock said, feeling motivated, "to see people starting to take a genuine interest in their church. I barely had any trouble finding people to watch tonight. We’ll have eight watchers, two at a time, from 10 o'clock this evening—until then, I’ll be on duty myself—until six in the morning when I’ll come in to say Mass. The men will take their shifts until 2 o'clock, then my wife and daughter will step in, and Mr. Hubbard and young Rawlinson have kindly agreed to cover the hours from four to six."
"What Rawlinson is that?" demanded Mr. Frobisher-Pym.
"What Rawlinson is that?" asked Mr. Frobisher-Pym.
"Mr. Graham's clerk from Herriotting. It is true he is not a member of the parish, but he was born here, and was good enough to wish to take his turn in watching. He is coming over on his motor-cycle. After all, Mr. Graham has had charge of Burdock's family affairs for very many years, and no doubt they wished to show their respect in some way."
"Mr. Graham's clerk from Herriotting. It's true he's not a member of the parish, but he was born here and was kind enough to offer to help with the watch. He's riding over on his motorcycle. After all, Mr. Graham has managed Burdock's family matters for quite a long time, and I'm sure they wanted to show their respect in some way."
"Well, I only hope he'll be awake enough to do his work in the morning, after gadding about all night," said Mr. Frobisher-Pym gruffly. "As for Hubbard, that's his own look-out, though I must say it seems an odd occupation for a publican. Still, if he's pleased, and you're pleased, there's no more to be said about it."
"Well, I just hope he’ll be awake enough to get his work done in the morning after staying out all night," Mr. Frobisher-Pym said gruffly. "As for Hubbard, that’s his own business, but I have to say it seems like a strange job for a pub owner. Still, if he’s happy and you’re happy, there’s nothing more to discuss."
"You've got a very beautiful old church here, Mr. Hancock," said Wimsey, seeing that controversy seemed imminent.
"You have a really beautiful old church here, Mr. Hancock," Wimsey said, noticing that a debate seemed likely.
"Very beautiful indeed," said the vicar. "Have you noticed that apse? It is rare for a village church to possess such a perfect Norman apse. Perhaps you would like to come and look at it." He genuflected as they passed a hanging lamp which burned before a niche. "You see, we are permitted Reservation. The Bishop——" He prattled cheerfully as they wandered up the chancel, digressing from time to time to draw attention to the handsome miserere seats ("Of course, this was the original Priory Church"), and a beautifully carved piscina and aumbry ("It is rare to find them so well preserved"). Wimsey assisted him to carry down the remaining candlesticks from the vestry, and, when these had been put in position, joined Mr. Frobisher-Pym at the door.
"Very beautiful indeed," said the vicar. "Have you seen that apse? It’s unusual for a village church to have such a perfect Norman apse. Maybe you’d like to come and take a look at it." He bowed slightly as they passed a hanging lamp that burned in front of a niche. "You see, we’re allowed Reservation. The Bishop—" He chatted happily as they walked up the chancel, occasionally stopping to point out the lovely miserere seats ("Of course, this was the original Priory Church"), and a beautifully crafted piscina and aumbry ("It’s rare to find them so well preserved"). Wimsey helped him carry down the remaining candlesticks from the vestry, and once those were set up, he joined Mr. Frobisher-Pym at the door.
"I think you said you were dining with the Lumsdens to-night," said the magistrate, as they sat smoking after lunch. "How are you going? Will you have the car?"
"I believe you mentioned that you're having dinner with the Lumsdens tonight," said the magistrate as they sat smoking after lunch. "How are you getting there? Will you take the car?"
"I'd rather you'd lend me one of the saddle-horses," said Wimsey. "I get few opportunities of riding in town."
"I’d prefer if you could lend me one of the saddle horses," said Wimsey. "I don’t get many chances to ride in the city."
"Certainly, my dear boy, certainly. Only I'm afraid you'll have rather a wet ride. Take Polly Flinders; it will do her good to get some exercise. You are quite sure you would prefer it? Have you got your kit with you?"
"Of course, my dear boy, of course. Just be aware that it might be a bit of a wet ride. Take Polly Flinders; she could use some exercise. Are you really sure you prefer it? Do you have your gear with you?"
"Yes—I brought an old pair of bags down with me, and, with this raincoat, I shan't come to any harm. They won't expect me to dress. How far is it to Frimpton, by the way?"
"Yeah—I brought an old pair of bags with me, and with this raincoat, I’ll be fine. They won’t expect me to get dressed. By the way, how far is it to Frimpton?"
"Nine miles by the main road, and tarmac all the way, I'm afraid, but there's a good wide piece of grass each side. And, of course, you can cut off a mile or so by going across the common. What time will you want to start?"
"Nine miles on the main road, and it's paved all the way, unfortunately, but there's a nice wide stretch of grass on either side. And, of course, you can save about a mile by cutting across the common. What time do you want to leave?"
"Oh, about seven o'clock, I should think. And, I say, sir—will Mrs. Frobisher-Pym think it very rude if I'm rather late back? Old Lumsden and I went through the war together, and if we get yarning over old times we may go on into the small hours. I don't want to feel I'm treating your house like a hotel, but——"
"Oh, I’d say around seven o'clock. And, um, do you think Mrs. Frobisher-Pym will find it really rude if I end up coming back a bit late? Old Lumsden and I went through the war together, and if we start reminiscing about old times, we might end up talking until the early hours. I don’t want to feel like I’m treating your home like a hotel, but——"
"Of course not, of course not! That's absolutely all right. My wife won't mind in the very least. We want you to enjoy your visit and do exactly what you like. I'll give you the key, and I'll remember not to put the chain up. Perhaps you wouldn't mind doing that yourself when you come in?"
"Of course not, of course not! That’s totally fine. My wife won’t mind at all. We want you to enjoy your visit and do whatever you like. I’ll give you the key, and I’ll make sure not to put the chain on. Would you mind doing that yourself when you come in?"
"Rather not. And how about the mare?"
"Prefer not to. What about the mare?"
"I'll tell Merridew to look out for you; he sleeps over the stables. I only wish it were going to be a better night for you. I'm afraid the glass is going back. Yes. Dear, dear! It's a bad look-out for to-morrow. By the way, you'll probably pass the funeral procession at the church. It should be along by about then, if the train is punctual."
"I'll let Merridew know to keep an eye out for you; he stays over at the stables. I just wish the night was going to be nicer for you. I'm worried the weather is changing. Yes. Oh dear! Tomorrow doesn't look good. By the way, you might run into the funeral procession at the church. It should be coming through around that time, if the train runs on schedule."
The train, presumably, was punctual, for as Lord Peter cantered up to the west gate of the church he saw a hearse of great funereal pomp drawn up before it, surrounded by a little crowd of people. Two mourning coaches were in attendance; the driver of the second seemed to be having some difficulty with the horses, and Wimsey rightly inferred that this was the pair which had been borrowed from Mr. Mortimer. Restraining Polly Flinders as best he might, he sidled into a respectful position on the edge of the crowd, and watched the coffin taken from the hearse and carried through the gate, where it was met by Mr. Hancock, in full pontificals, attended by a thurifer and two torch-bearers. The effect was a little marred by the rain, which had extinguished the candles, but the village seemed to look upon it as an excellent show nevertheless. A massive man, dressed with great correctness in a black frock coat and tall hat, and accompanied by a woman in handsome mourning and furs, was sympathetically commented on. This was Haviland Burdock of silk-stocking fame, the younger son of the deceased. A vast number of white wreaths were then handed out, and greeted with murmurs of admiration and approval. The choir struck up a hymn, rather raggedly, and the procession filed away into the church. Polly Flinders shook her head vigorously, and Wimsey, taking this as a signal to be gone, replaced his hat and ambled gently away towards Frimpton.
The train was likely on time, because as Lord Peter rode up to the west gate of the church, he saw an elaborate hearse parked outside, surrounded by a small crowd. Two mourning coaches were on hand; the driver of the second seemed to be struggling with the horses, and Wimsey correctly guessed that this pair had been borrowed from Mr. Mortimer. Doing his best to keep Polly Flinders in check, he edged into a respectful spot at the edge of the crowd and watched as the coffin was taken from the hearse and carried through the gate, where it was greeted by Mr. Hancock, dressed in full ceremony, accompanied by a thurifer and two torch-bearers. The rain dampened the effect a bit by putting out the candles, but the village still seemed to enjoy the spectacle. A large man, dressed impeccably in a black frock coat and top hat, was sympathetically noted, along with a woman in elegant mourning attire and furs. This was Haviland Burdock, known for his silk stockings, the younger son of the deceased. A large number of white wreaths were then handed out, receiving murmurs of admiration and approval. The choir started to sing a hymn, somewhat roughly, as the procession moved into the church. Polly Flinders shook her head vigorously, and Wimsey took this as a cue to leave, replaced his hat, and ambled away toward Frimpton.
He followed the main road for about four miles, winding up through finely wooded country to the edge of Frimpton Common. Here the road made a wide sweep, skirting the common and curving gently down into Frimpton village. Wimsey hesitated for a moment, considering that it was growing dark and that both the way and the animal he rode were strange to him. There seemed, however, to be a well-defined bridle-path across the common, and eventually he decided to take it. Polly Flinders seemed to know it well enough, and cantered along without hesitation. A ride of about a mile and a half brought them without adventure into the main road again. Here a fork in the road presented itself confusingly; an electric torch, however, and a sign-post solved the problem; after which ten minutes' ride brought the traveller to his goal.
He followed the main road for about four miles, winding through beautifully wooded countryside to the edge of Frimpton Common. Here, the road made a wide curve, skirting the common and gently sloping down into Frimpton village. Wimsey paused for a moment, realizing it was getting dark and that both the path and the horse he was riding were unfamiliar to him. However, there appeared to be a clear bridle-path across the common, and eventually, he decided to take it. Polly Flinders seemed to know it well enough and cantered along confidently. A ride of about a mile and a half brought them back to the main road without any trouble. At this point, a confusing fork in the road appeared; however, an electric torch and a signpost cleared things up. After that, a ten-minute ride brought the traveler to his destination.
Major Lumsden was a large, cheerful man—none the less cheerful for having lost a leg in the War. He had a large, cheerful wife, a large, cheerful house, and a large, cheerful family. Wimsey soon found himself seated before a fire as large and cheerful as the rest of the establishment, exchanging gossip with his hosts over a whisky-and-soda. He described the Burdock funeral with irreverent gusto, and went on to tell the story of the phantom coach. Major Lumsden laughed.
Major Lumsden was a big, happy guy—just as happy despite having lost a leg in the War. He had a big, happy wife, a big, happy house, and a big, happy family. Wimsey quickly found himself sitting in front of a fire that was as big and happy as the rest of the place, chatting with his hosts over a whisky and soda. He shared the Burdock funeral story with irreverent enthusiasm and continued with the tale of the phantom coach. Major Lumsden laughed.
"It's a quaint part of the country," he said. "The policeman is just as bad as the rest of them. Do you remember, dear, the time I had to go out and lay a ghost, down at Pogson's farm?"
"It's a charming part of the country," he said. "The cop is just as bad as the rest of them. Do you remember, dear, the time I had to go out and deal with a ghost at Pogson's farm?"
"I do, indeed," said his wife emphatically. "The maids had a wonderful time. Trivett—that's our local constable—came rushing in here and fainted in the kitchen, and they all sat round howling and sustaining him with our best brandy, while Dan went down and investigated."
"I do, absolutely," his wife said firmly. "The maids had a great time. Trivett—that's our local cop—rushed in here and fainted in the kitchen, and they all gathered around, crying and supporting him with our best brandy, while Dan went downstairs to check it out."
"Did you find the ghost?"
"Did you find the ghost?"
"Well, not the ghost, exactly, but we found a pair of boots and half a pork-pie in the empty house, so we put it all down to a tramp. Still, I must say odd things do happen about here. There were those fires on the common last year. They were never explained."
"Well, not exactly a ghost, but we found a pair of boots and half a pork pie in the empty house, so we just figured it was a vagrant. Still, I have to admit, strange things do happen around here. Remember those fires on the common last year? They were never explained."
"Gipsies, Dan."
"Gypsies, Dan."
"Maybe; but nobody ever saw them, and the fires would start in the most unexpected way, sometimes in the pouring rain; and, before you could get near one, it would be out, and only a sodden wet black mark left behind it. And there's another bit of the common that animals don't like—near what they call the Dead Man's Post. My dogs won't go near it. Funny brutes. I've never seen anything there, but even in broad daylight they don't seem to fancy it. The common's not got a good reputation. It used to be a great place for highwaymen."
"Maybe, but nobody ever saw them, and the fires would start in the most unexpected ways, sometimes even in pouring rain. By the time you got close, they’d be out, leaving only a wet black mark behind. And there’s another part of the common that animals avoid—near what they call the Dead Man’s Post. My dogs won’t go near it. Strange creatures. I’ve never seen anything there, but even in broad daylight, they don’t seem to like it. The common doesn’t have a great reputation. It used to be a hotspot for highwaymen."
"Is the Burdock coach anything to do with highwaymen?"
"Does the Burdock coach have anything to do with highwaymen?"
"No. I fancy it was some rakehelly dead-and-gone Burdock. Belonged to the Hell-fire Club or something. The usual sort of story. All the people round here believe in it, of course. It's rather a good thing. Keeps the servants indoors at night. Well, let's go and have some grub, shall we?"
"No. I think it was some wild, long-gone Burdock. It belonged to the Hell-fire Club or something. The usual kind of story. Everyone around here believes it, of course. It’s probably a good thing. Keeps the staff inside at night. Anyway, let’s go grab something to eat, shall we?"
"Do you remember," said Major Lumsden, "that damned old mill, and the three elms by the pig-sty?"
"Do you remember," said Major Lumsden, "that old mill, and the three elms by the pigsty?"
"Good Lord, yes! You very obligingly blew them out of the landscape for us, I remember. They made us a damned sight too conspicuous."
"Good Lord, yes! You kindly wiped them off the map for us, I remember. They made us way too noticeable."
"We rather missed them when they were gone."
"We really missed them when they were gone."
"Thank heaven you didn't miss them when they were there. I'll tell you what you did miss, though."
"Thank goodness you didn't miss them when they were around. I'll tell you what you did miss, though."
"What's that?"
"What's that?"
"The old sow."
"The old pig."
"By Jove, yes. Do you remember old Piper fetching her in?"
"Absolutely. Do you remember how old Piper brought her in?"
"I'll say I do. That reminds me. You knew Bunthorne...."
"I'll say I do. That brings back memories. You knew Bunthorne...."
"I'll say good night," said Mrs. Lumsden, "and leave you people to it."
"I'll say good night," Mrs. Lumsden said, "and leave you all to it."
"Do you remember," said Lord Peter Wimsey, "that awkward moment when Popham went off his rocker?"
"Do you remember," said Lord Peter Wimsey, "that cringeworthy moment when Popham went crazy?"
"No. I'd been sent back with a batch of prisoners. I heard about it though. I never knew what became of him."
"No. I was sent back with a group of prisoners. I heard about it, though. I never found out what happened to him."
"I got him sent home. He's married now and living in Lincolnshire."
"I had him sent home. He’s married now and lives in Lincolnshire."
"Is he? Well, he couldn't help himself, I suppose. He was only a kid. What's happened to Philpotts?"
"Is he? Well, I guess he couldn't help it. He was just a kid. What happened to Philpotts?"
"Oh, Philpotts...."
"Oh, Philpotts..."
"Where's your glass, old man?"
"Where's your drink, old man?"
"Oh, rot, old man. The night is still young...."
"Oh, come on, old man. The night is still young...."
"Really? Well, but look here, why not stay the night? My wife will be delighted. I can fix you up in no time."
"Really? Well, look, why not stay the night? My wife will be thrilled. I can set you up in no time."
"No, thanks most awfully. I must be rolling off home. I said I'd be back; and I'm booked to put the chain on the door."
"No, thanks a lot. I really have to head home. I promised I'd be back, and I need to lock the door."
"As you like, of course, but it's still raining. Not a good night for a ride on an open horse."
"As you wish, but it's still raining. Not a great night for a ride on an open horse."
"I'll bring a saloon next time. We shan't hurt. Rain's good for the complexion—makes the roses grow. Don't wake your man up. I can saddle her myself."
"I'll bring a car next time. We won't get hurt. Rain is good for the skin—it helps the roses grow. Don't wake your guy up. I can saddle her myself."
"My dear man, it's no trouble."
"No worries, my friend."
"No, really, old man."
"No, seriously, old man."
"Well, I'll come along and lend you a hand."
"Sure, I'll come over and help you out."
A gust of rain and wind blew in through the hall door as they struggled out into the night. It was past one in the morning and pitch-dark. Major Lumsden again pressed Wimsey to stay.
A gust of rain and wind swept in through the hall door as they fought their way into the night. It was after one in the morning and pitch-black. Major Lumsden urged Wimsey once more to stay.
"No, thanks, really. The old lady's feelings might be hurt. It's not so bad, really—wet, but not cold. Come up, Polly, stand over, old lady."
"No, thanks, really. The old lady might get hurt feelings. It's not that bad, honestly—wet, but not cold. Come on up, Polly, stand over there, old lady."
He put the saddle on and girthed it, while Lumsden held the lantern. The mare, fed and rested, came delicately dancing out of the warm loose-box, head well stretched forward, and nostrils snuffing at the rain.
He put the saddle on and tightened it while Lumsden held the lantern. The mare, fed and rested, gracefully trotted out of the warm stable, her head high and nostrils sniffing the rain.
"Well, so long, old lad. Come and look us up again. It's been great."
"Well, take care, old friend. Come visit us again sometime. It's been awesome."
"Rather! By Jove, yes. Best respects to madame. Is the gate open?"
"Absolutely! By God, yes. Please give my best to the lady. Is the gate open?"
"Yes."
"Yep."
"Well, cheerio!"
"Well, see you!"
"Cheerio!"
"See you!"
Polly Flinders, with her nose turned homewards, settled down to make short work of the nine miles of high-road. Once outside the gates, the night seemed lighter, though the rain poured heavily. Somewhere buried behind the thronging clouds there was a moon, which now and again showed as a pale stain on the sky, a paler reflection on the black road. Wimsey, with a mind full of memories and a skin full of whisky, hummed to himself as he rode.
Polly Flinders, with her eyes set on home, got ready to tackle the nine miles of highway. Once she passed through the gates, the night felt brighter, even though it was raining hard. Somewhere hidden behind the thick clouds was a moon, which occasionally peeked through as a faint glow in the sky and a lighter patch on the dark road. Wimsey, with his head full of memories and a buzz from the whisky, hummed to himself as he rode.
As he passed the fork, he hesitated for a moment. Should he take the path over the common or stick to the road? On consideration, he decided to give the common a miss—not because of its sinister reputation, but because of ruts and rabbit-holes. He shook the reins, bestowed a word of encouragement on his mount, and continued by the road, having the common on his right hand, and, on the left, fields bounded by high hedges, which gave some shelter from the driving rain.
As he reached the fork in the road, he paused for a moment. Should he take the path across the common or stay on the road? After thinking it over, he chose to avoid the common—not due to its bad reputation, but because of the ruts and rabbit holes. He shook the reins, gave a word of encouragement to his horse, and continued along the road, with the common to his right and fields lined with tall hedges on his left, which provided some shelter from the pouring rain.
He had topped the rise, and passed the spot where the bridle-path again joined the high-road, when a slight start and stumble drew his attention unpleasantly to Polly Flinders.
He had reached the top of the hill and passed the spot where the bridle-path rejoined the main road when a small jolt and stumble caught his attention, making him uncomfortably aware of Polly Flinders.
"Hold up, mare," he said disapprovingly.
"Hold on, girl," he said with disapproval.
Polly shook her head, moved forward, tried to pick up her easy pace again. "Hullo!" said Wimsey, alarmed. He pulled her to a standstill.
Polly shook her head, moved forward, and attempted to get back into her comfortable pace. "Hey!" said Wimsey, concerned. He brought her to a stop.
"Lame in the near fore," he said, dismounting. "If you've been and gone and strained anything, my girl, four miles from home, father will be pleased." It occurred to him for the first time how curiously lonely the road was. He had not seen a single car. They might have been in the wilds of Africa.
"Lame in the front left leg," he said as he got off his horse. "If you've hurt yourself, my girl, four miles from home, Dad will be thrilled." It struck him for the first time how strangely lonely the road was. He hadn't seen a single car. They could have been in the wilderness of Africa.
He ran an exploratory hand down the near foreleg. The mare stood quietly enough, without shrinking or wincing. Wimsey was puzzled.
He ran a curious hand down the front leg. The mare stood calmly, not flinching or pulling away. Wimsey was confused.
"If these had been the good old days," he said, "I'd have thought she'd picked up a stone. But what——"
"If these were the good old days," he said, "I would have thought she grabbed a stone. But what——"
He lifted the mare's foot, and explored it carefully with fingers and pocket-torch. His diagnosis had been right, after all. A steel nut, evidently dropped from a passing car, had wedged itself firmly between the shoe and the frog. He grunted and felt for his knife. Happily, it was one of that excellent old-fashioned kind which includes, besides blades and corkscrews, an ingenious apparatus for removing foreign bodies from horses' feet.
He lifted the mare's foot and examined it carefully with his fingers and a pocket flashlight. His diagnosis was correct, after all. A steel nut, clearly dropped from a passing car, had wedged itself firmly between the shoe and the frog. He grunted and searched for his knife. Fortunately, it was one of those great old-fashioned types that includes not just blades and corkscrews, but also a clever tool for removing foreign objects from horses' hooves.
The mare nuzzled him gently as he stooped over his task. It was a little awkward getting to work; he had to wedge the torch under his arm, so as to leave one hand free for the tool and the other to hold the hoof. He was swearing gently at these difficulties when, happening to glance down the road ahead, he fancied he caught the gleam of something moving. It was not easy to see, for at this point the tall trees stood up on both sides of the road, which dipped abruptly from the edge of the common. It was not a car; the light was too faint. A wagon, probably, with a dim lantern. Yet it seemed to move fast. He puzzled for a moment, then bent to work again.
The mare nuzzled him gently as he bent over his task. It was a little awkward to get started; he had to tuck the torch under his arm to keep one hand free for the tool and the other to hold the hoof. He muttered softly to himself about these difficulties when, glancing down the road ahead, he thought he saw something glimmering in motion. It was hard to see, as the tall trees lined both sides of the road, which dropped sharply from the edge of the common. It wasn’t a car; the light was too dim. Probably a wagon with a faint lantern. Yet it seemed to be moving quickly. He was puzzled for a moment before going back to work.
The nut resisted his efforts, and the mare, touched in a tender spot, pulled away, trying to get her foot down. He soothed her with his voice and patted her neck. The torch slipped from his arm. He cursed it impatiently, set down the hoof, and picked up the torch from the edge of the grass, into which it had rolled. As he straightened himself again, he looked along the road and saw.
The nut resisted his efforts, and the mare, feeling a sensitive spot, pulled away, trying to get her foot down. He calmed her with his voice and patted her neck. The torch slipped from his arm. He cursed it in frustration, set the hoof down, and picked up the torch from the edge of the grass where it had rolled. As he stood up again, he looked down the road and saw.
Up from under the dripping dark of the trees it came, shining with a thin, moony radiance. There was no clatter of hoofs, no rumble of wheels, no ringing of bit or bridle. He saw the white, sleek, shining shoulders with the collar that lay on each, like a faint fiery ring, enclosing nothing. He saw the gleaming reins, their cut ends slipping back and forward unsupported through the ring of the hames. The feet, that never touched earth, ran swiftly—four times four noiseless hoofs, bearing the pale bodies by like smoke. The driver leaned forward, brandishing his whip. He was faceless and headless, but his whole attitude bespoke desperate haste. The coach was barely visible through the driving rain, but Wimsey saw the dimly spinning wheels and a faint whiteness, still and stiff, at the window. It went past at a gallop—headless driver and headless horses and silent coach. Its passing left a stir, a sound that was less a sound than a vibration—and the wind roared suddenly after it, with a great sheet of water blown up out of the south.
From beneath the dripping darkness of the trees, it appeared, glowing with a soft, moonlit glow. There were no clattering hooves, no rumble of wheels, no sound of bit or bridle. He noticed the white, sleek, shining bodies equipped with collars that rested on each like faint, fiery rings, enclosing nothing. He saw the shining reins, their cut ends slipping back and forth unsupported through the ring of the hames. The feet, never touching the ground, moved swiftly—four times four silent hooves, carrying the pale forms by like smoke. The driver leaned forward, waving his whip. He was faceless and headless, but his entire posture showed urgent haste. The coach was barely visible through the torrential rain, but Wimsey could make out the dimly spinning wheels and a faint whiteness, still and stiff, at the window. It rushed by at a gallop—headless driver, headless horses, and silent coach. Its passing created a stir, a sound that was more of a vibration than anything else—and the wind suddenly roared after it, with a great sheet of water blown up from the south.
"Good God!" said Wimsey. And then: "How many whiskies did we have?"
"Good God!" said Wimsey. Then he asked, "How many whiskeys did we have?"
He turned and looked back along the road, straining his eyes. Then suddenly he remembered the mare, and, without troubling further about the torch, picked up her foot and went to work by touch. The nut gave no more trouble, but dropped out into his hand almost immediately. Polly Flinders sighed gratefully and blew into his ear.
He turned and looked back down the road, squinting. Then he suddenly remembered the mare and, without worrying about the torch anymore, lifted her hoof and started working by feel. The nut came out easily, dropping into his hand almost right away. Polly Flinders sighed with relief and blew into his ear.
Wimsey led her forward a few steps. She put her feet down firmly and strongly. The nut, removed without delay, had left no tenderness. Wimsey mounted, let her go—then pulled her head round suddenly.
Wimsey guided her forward a few steps. She firmly planted her feet. The nut, taken off quickly, had caused no tenderness. Wimsey got on, let her go—then suddenly yanked her head around.
"I'm going to see," he said resolutely. "Come up, mare! We won't let any headless horses get the better of us. Perfectly indecent, goin' about without heads. Get on, old lady. Over the common with you. We'll catch 'em at the cross-roads."
"I'm going to see," he said firmly. "Come on, horse! We're not going to let any headless horses outsmart us. It's completely outrageous, roaming around without heads. Get moving, old girl. Let's head over the common. We'll catch them at the crossroads."
Without the slightest consideration for his host or his host's property, he put the mare to the bridle-path again, and urged her into a gallop.
Without any thought for his host or his host's property, he put the mare back on the bridle-path and pushed her into a gallop.
At first he thought he could make out a pale, fluttering whiteness, moving away ahead of him on the road. Presently, as high-road and bridle-path diverged, he lost it altogether. But he knew there was no side-road. Bar any accident to his mount, he was bound to catch it before it came to the fork. Polly Flinders, answering easily to the touch of his heel, skimmed over the rough track with the indifference born of familiarity. In less than ten minutes her feet rang out again on the tarmac. He pulled her up, faced round in the direction of Little Doddering, and stared down the road. He could see nothing yet. Either he was well ahead of the coach, or it had already passed at unbelievable speed, or else——
At first, he thought he spotted a pale, fluttering light moving ahead of him on the road. Eventually, as the main road and the bridle path split, he lost sight of it completely. But he knew there was no side road. Unless something happened to his horse, he was sure he would catch up to it before reaching the fork. Polly Flinders, responding easily to the pressure of his heel, glided over the rough path with the ease that came from being used to it. In less than ten minutes, her hooves were hitting the pavement again. He slowed her down, turned to face the direction of Little Doddering, and peered down the road. He couldn’t see anything yet. Either he was far ahead of the coach, or it had already zoomed past at an incredible speed, or else——
He waited. Nothing. The violent rain had ceased, and the moon was struggling out again. The road appeared completely deserted. He glanced over his shoulder. A small beam of light near the ground moved, turned, flashed green, and red, and white again, and came towards him. Presently he made out that it was a policeman wheeling a bicycle.
He waited. Nothing. The heavy rain had stopped, and the moon was starting to come out again. The road looked entirely empty. He looked over his shoulder. A small beam of light close to the ground moved, turned, flashed green, then red, and then white again, coming toward him. Soon he realized it was a police officer riding a bike.
"A bad night, sir," said the man civilly, but with a faint note of enquiry in his voice.
"A rough night, sir," the man said politely, but there was a slight hint of curiosity in his voice.
"Rotten," said Wimsey.
"Rotten," Wimsey said.
"Just had to mend a puncture, to make it all the pleasanter," added the policeman.
"Just had to fix a flat tire to make it all the more pleasant," added the cop.
Wimsey expressed sympathy. "Have you been here long?" he added.
Wimsey showed empathy. "Have you been here for a while?" he added.
"Best part o' twenty minutes."
"Best part of twenty minutes."
"Did you see anything pass along this way from Little Doddering?"
"Did you see anything come through here from Little Doddering?"
"Ain't been nothing along while I've been here. What sort of thing did you mean, sir?"
"Ain't been nothing for a while since I've been here. What do you mean by that, sir?"
"I thought I saw——" Wimsey hesitated. He did not care about the idea of making a fool of himself. "A carriage with four horses," he said hesitatingly. "It passed me on this road not a quarter of an hour ago—down at the other end of the common. I—I came back to see. It seemed unusual——" He became aware that his story sounded very lame.
"I thought I saw——" Wimsey paused. He wasn't worried about looking foolish. "A carriage with four horses," he said slowly. "It passed me on this road less than fifteen minutes ago—down at the other end of the common. I—I came back to check. It seemed unusual——" He realized that his story sounded pretty weak.
The policeman spoke rather sharply and rapidly.
The cop spoke pretty sharply and quickly.
"There ain't been nothing past here."
"There hasn't been anything past here."
"You're sure?"
"Are you sure?"
"Yes, sir; and, if you don't mind me sayin' so, you'd best be getting home. It's a lonesome bit o' road."
"Yes, sir; and, if you don't mind me saying so, you'd better head home. It's a lonely stretch of road."
"Yes, isn't it?" said Wimsey. "Well, good night, sergeant."
"Yes, isn’t it?" Wimsey replied. "Alright, good night, sergeant."
He turned the mare's head back along the Little Doddering road, going very quietly. He saw nothing, heard nothing, and passed nothing. The night was brighter now, and, as he rode back, he verified the entire absence of side-roads. Whatever the thing was which he had seen, it had vanished somewhere along the edge of the common; it had not gone by the main road, nor by any other.
He turned the mare's head back along the Little Doddering road, moving really quietly. He saw nothing, heard nothing, and passed nothing. The night was brighter now, and as he rode back, he confirmed there were no side roads. Whatever he had seen had disappeared somewhere along the edge of the common; it hadn't taken the main road or any other way.
Wimsey came down rather late for breakfast in the morning, to find his hosts in a state of some excitement.
Wimsey came down a bit late for breakfast that morning to find his hosts in a state of excitement.
"The most extraordinary thing has happened," said Mrs. Frobisher-Pym.
"The most amazing thing just happened," said Mrs. Frobisher-Pym.
"Outrageous!" added her husband. "I warned Hancock—he can't say I didn't warn him. Still, however much one may disapprove of his goings-on, there is no excuse whatever for such abominable conduct. Once let me get hold of the beggars, whoever they are——"
"Unbelievable!" her husband exclaimed. "I told Hancock—he can't say I didn't warn him. Still, no matter how much we might disapprove of his behavior, there's absolutely no excuse for such terrible conduct. Just let me get my hands on those guys, whoever they are——"
"What's up?" said Wimsey, helping himself to broiled kidneys at the sideboard.
"What's up?" Wimsey said, serving himself some broiled kidneys from the sideboard.
"A most scandalous thing," said Mrs. Frobisher-Pym. "The vicar came up to Tom at once—I hope we didn't disturb you, by the way, with all the excitement. It appears that when Mr. Hancock got to the church this morning at 6 o'clock to take the early service——"
"A really shocking thing," said Mrs. Frobisher-Pym. "The vicar went straight up to Tom—I hope we didn’t bother you, by the way, with all the excitement. It looks like when Mr. Hancock arrived at the church this morning at 6 o'clock to lead the early service——"
"No, no, my dear, you've got it wrong. Let me tell it. When Joe Grinch—that's the sexton, you know, and he has to get there first to ring the bell—when he arrived, he found the south door wide open and nobody in the chapel, where they should have been, beside the coffin. He was very much perplexed, of course, but he supposed that Hubbard and young Rawlinson had got sick of it and gone off home. So he went on to the vestry to get the vestments and things ready, and to his amazement he heard women's voices, calling out to him from inside. He was so astonished, didn't know where he was, but he went on and unlocked the door——"
"No, no, my dear, you’ve misunderstood. Let me explain. When Joe Grinch—that’s the sexton, you know, and he has to get there first to ring the bell—when he showed up, he found the south door wide open and no one in the chapel, where they should have been, next to the coffin. He was quite confused, of course, but he figured that Hubbard and young Rawlinson had gotten tired of it and left for home. So he went to the vestry to get the vestments and other things ready, and to his surprise, he heard women’s voices calling out to him from inside. He was so shocked, didn’t know what to think, but he moved on and unlocked the door——"
"With his own key?" put in Wimsey.
"With his own key?" Wimsey interjected.
"The key was in the door. As a rule it's kept hanging up on a nail under a curtain near the organ, but it was in the lock—where it ought not to have been. And inside the vestry he found Mrs. Hancock and her daughter, nearly dead with fright and annoyance."
"The key was in the door. Normally, it's hung up on a nail under a curtain near the organ, but it was in the lock—where it shouldn't have been. Inside the vestry, he found Mrs. Hancock and her daughter, almost paralyzed with fear and frustration."
"Great Scott!"
"Wow!"
"Yes, indeed. They had a most extraordinary story to tell. They'd taken over at 2 o'clock from the other pair of watchers, and had knelt down by the coffin in the Lady-chapel, according to plan, to say the proper sort of prayers, whatever they are. They'd been there, to the best of their calculation, about ten minutes, when they heard a noise up by the High Altar, as though somebody was creeping stealthily about. Miss Hancock is a very plucky girl, and she got up and walked up the aisle in the dark, with Mrs. Hancock following on behind because, as she said, she didn't want to be left alone. When they'd got as far as the rood-screen, Miss Hancock called out aloud, 'Who's there?' At that they heard a sort of rustling sound, and a noise like something being knocked over. Miss Hancock most courageously snatched up one of the churchwarden's staffs, which was clipped on to the choir-stalls, and ran forward, thinking, she says, that somebody was trying to steal the ornaments off the altar. There's a very fine fifteenth-century cross——"
"Yes, definitely. They had a really incredible story to share. They took over at 2 o'clock from the other two watchers and knelt down by the coffin in the Lady Chapel, as planned, to say the right kind of prayers, whatever those are. They had been there, as far as they calculated, for about ten minutes when they heard a noise near the High Altar, like someone was creeping around quietly. Miss Hancock is a very brave girl, so she got up and walked down the aisle in the dark, with Mrs. Hancock following behind because, as she said, she didn't want to be left alone. When they reached the rood screen, Miss Hancock shouted, 'Who's there?' At that, they heard a rustling noise and something crashing to the ground. Miss Hancock boldly grabbed one of the churchwarden's staffs clipped to the choir stalls and ran forward, thinking, as she put it, that someone was trying to steal the decorations off the altar. There's a really impressive fifteenth-century cross—"
"Never mind the cross, Tom. That hasn't been taken, at any rate."
"Don't worry about the cross, Tom. That hasn't been taken, at least."
"No, it hasn't, but she thought it might be. Anyhow, just as she got up to the sanctuary steps, with Mrs. Hancock coming close after her and begging her to be careful, somebody seemed to rush out of the choir-stalls, and caught her by the arms and frog's-marched her—that's her expression—into the vestry. And before she could get breath even to shriek, Mrs. Hancock was pushed in beside her, and the door locked on them."
"No, it hasn't, but she thought it could be. Anyway, just as she was climbing the sanctuary steps, with Mrs. Hancock right behind her urging her to be careful, someone seemed to burst out of the choir stalls, grabbed her by the arms, and frog-marched her—that's her term—into the vestry. And before she could even catch her breath to scream, Mrs. Hancock was shoved in next to her, and the door was locked behind them."
"By Jove! You do have exciting times in your village."
"Wow! You really have some exciting times in your village."
"Well," said Mr. Frobisher-Pym, "of course they were dreadfully frightened, because they didn't know but what these wretches would come back and murder them, and, in any case, they thought the church was being robbed. But the vestry windows are very narrow and barred, and they couldn't do anything except wait. They tried to listen, but they couldn't hear much. Their only hope was that the four-o'clock watchers might come early and catch the thieves at work. But they waited and they waited, and they heard four strike, and five, and nobody came."
"Well," Mr. Frobisher-Pym said, "they were obviously terrified because they didn't know if those criminals would return and kill them, and anyway, they believed the church was being robbed. But the vestry windows are really narrow and barred, so they couldn't do anything except wait. They tried to listen, but they could barely hear anything. Their only hope was that the four-o'clock watchers might arrive early and catch the thieves in the act. But they kept waiting, and they heard the clock strike four, then five, and no one showed up."
"What had happened to what's-his-name and Rawlinson then?"
"What happened to what's-his-name and Rawlinson then?"
"They couldn't make out, and nor could Grinch. However, they had a good look round the church, and nothing seemed to be taken or disturbed in any way. Just then the vicar came along, and they told him all about it. He was very much shocked, naturally, and his first thought—when he found the ornaments were safe and the poor-box all right—was that some Kensitite people had been stealing the wafers from the what d'you call it."
"They couldn't figure it out, and neither could Grinch. However, they took a good look around the church, and nothing seemed to be stolen or disturbed in any way. Just then, the vicar showed up, and they told him everything that happened. He was understandably shocked, and his first thought—when he saw that the ornaments were safe and the poor box was fine—was that some people from Kensit had been stealing the wafers from the, what do you call it."
"The tabernacle," suggested Wimsey.
"The tabernacle," Wimsey suggested.
"Yes, that's his name for it. That worried him very much, and he unlocked it and had a look, but the wafers were all there all right, and, as there's only one key, and that was on his own watch-chain, it wasn't a case of anyone substituting unconsecrated wafers for consecrated ones, or any practical joke of that kind. So he sent Mrs. and Miss Hancock home, and had a look round the church outside, and the first thing he saw, lying in the bushes near the south door, was young Rawlinson's motor-cycle."
"Yeah, that's what he called it. That really worried him, so he unlocked it and checked inside. The wafers were all there for sure, and since there’s only one key and that was on his own watch chain, it wasn’t a situation where someone swapped out the consecrated wafers for regular ones or played any kind of practical joke. So he sent Mrs. and Miss Hancock home and took a look around the church outside. The first thing he noticed, lying in the bushes near the south door, was young Rawlinson's motorcycle."
"Oho!"
"Oops!"
"So his next idea was to hunt for Rawlinson and Hubbard. However, he didn't have to look far. He'd got round the church as far as the furnace-house on the north side, when he heard a terrific hullabaloo going on, and people shouting and thumping on the door. So he called Grinch, and they looked in through the little window, and there, if you please, were Hubbard and young Rawlinson, bawling and going on and using the most shocking language. It seems they were set on in exactly the same way, only before they got inside the church. Rawlinson had been passing the evening with Hubbard, I understand, and they had a bit of a sleep downstairs in the back bar, to avoid disturbing the house early—or so they say, though I dare say if the truth was known they were having drinks; and if that's Hancock's idea of a suitable preparation for going to church and saying prayers, all I can say is, it isn't mine. Anyway, they started off just before four, Hubbard going down on the carrier of Rawlinson's bicycle. They had to get off at the south gate, which was pushed to, and while Rawlinson was wheeling the machine up the path two or three men—they couldn't see exactly—jumped out from the trees. There was a bit of a scuffle, but what with the bicycle, and its being so unexpected, they couldn't put up a very good fight, and the men dropped blankets over their heads, or something. I don't know all the details. At any rate, they were bundled into the furnace-house and left there. They may be there still, for all I know, if they haven't found the key. There should be a spare key, but I don't know what's become of it. They sent up for it this morning, but I haven't seen it about for a long time."
"So his next idea was to look for Rawlinson and Hubbard. However, he didn't have to search very far. He got around to the church’s furnace-house on the north side when he heard a huge commotion and people shouting and banging on the door. So he called Grinch, and they peeked through the little window, and there were Hubbard and young Rawlinson, yelling and carrying on and using the most terrible language. It seems they had been attacked in just the same way, only it happened before they got inside the church. Rawlinson had been hanging out with Hubbard, I hear, and they had a bit of a nap downstairs in the back bar, to avoid waking everyone up too early—or so they say, though I suspect they were drinking; and if that's Hancock's idea of how to prepare for going to church and praying, all I can say is, it’s definitely not mine. Anyway, they left just before four, with Hubbard riding on the back of Rawlinson's bicycle. They had to get off at the south gate, which was closed, and while Rawlinson was pushing the bike up the path, two or three guys—who they couldn’t quite make out—jumped out from the trees. There was a bit of a fight, but with the bike and the surprise, they didn't stand much of a chance, and the men threw blankets over their heads or something. I don’t know all the details. Anyway, they were thrown into the furnace-house and left there. They might still be there for all I know, if they haven't found the key. There should be a spare key, but I’m not sure where it is. They asked for it this morning, but I haven’t seen it around for a long time."
"It wasn't left in the lock this time, then?"
"It wasn't left in the lock this time, right?"
"No, it wasn't. They've had to send for the locksmith. I'm going down now to see what's to be done about it. Like to come, if you're ready?"
"No, it wasn't. They had to call the locksmith. I'm heading down now to figure out what to do about it. Want to come along, if you're ready?"
Wimsey said he would. Anything in the nature of a problem always fascinated him.
Wimsey said he would. He was always intrigued by anything that resembled a problem.
"You were back pretty late, by the way," said Mr. Frobisher-Pym jovially, as they left the house. "Yarning over old times, I suppose."
"You got back pretty late, by the way," said Mr. Frobisher-Pym cheerfully as they left the house. "Catching up on old times, I guess."
"We were, indeed," said Wimsey.
"We totally were," said Wimsey.
"Hope the old girl carried you all right. Lonely bit of road, isn't it? I don't suppose you saw anybody worse than yourself, as the saying goes?"
"Hope the old car got you here okay. It's a lonely stretch of road, isn't it? I guess you didn't see anyone who was worse off than you, as the saying goes?"
"Only a policeman," said Wimsey untruthfully. He had not yet quite decided about the phantom coach. No doubt Plunkett would be relieved to know that he was not the only person to whom the "warning" had come. But, then, had it really been the phantom coach, or merely a delusion, begotten by whisky upon reminiscence? Wimsey, in the cold light of day, was none too certain.
"Just a cop," Wimsey said, not completely honestly. He still hadn’t fully figured out what to think about the ghostly coach. Plunkett would probably feel better knowing he wasn't the only one who had received the "warning." But then again, was it really the ghostly coach, or just a trick of the mind, brought on by alcohol and memories? Wimsey, under the harsh light of day, wasn’t too sure.
On arriving at the church, the magistrate and his guest found quite a little crowd collected, conspicuous among whom were the vicar, in cassock and biretta, gesticulating freely, and the local policeman, his tunic buttoned awry and his dignity much impaired by the small fry of the village, who clustered round his legs. He had just finished taking down the statements of the two men who had been released from the stoke-hole. The younger of these, a fresh-faced, impudent-looking fellow of twenty-five or so, was in the act of starting up his motor-cycle. He greeted Mr. Frobisher-Pym pleasantly. "Afraid they've made us look a bit small, sir. You'll excuse me, won't you? I'll have to be getting back to Herriotting. Mr. Graham won't be any too pleased if I'm late for the office. I think some of the bright lads have been having a joke with us." He grinned as he pushed the throttle-lever over and departed in a smother of unnecessary smoke that made Mr. Frobisher-Pym sneeze. His fellow-victim, a large, fat man, who looked the sporting publican that he was, grinned shamefacedly at the magistrate.
When they arrived at the church, the magistrate and his guest found a small crowd gathered. Among them were the vicar, dressed in his cassock and biretta, gesturing animatedly, and the local policeman, whose tunic was improperly buttoned and whose dignity was somewhat diminished by the group of village kids hanging around his legs. He had just finished taking statements from the two men who had been released from the stoke-hole. The younger one, a fresh-faced and cheeky guy about twenty-five, was getting ready to start up his motorcycle. He greeted Mr. Frobisher-Pym warmly. "Sorry if we've made you look a bit foolish, sir. You don't mind, do you? I need to get back to Herriotting. Mr. Graham won’t be too happy if I'm late for work. I think some of the clever guys have been messing with us." He grinned as he twisted the throttle and took off in a cloud of unnecessary smoke that made Mr. Frobisher-Pym sneeze. His fellow victim, a large, overweight man who looked every bit the sporting pub owner he was, sheepishly smiled at the magistrate.
"Well, Hubbard," said the latter, "I hope you've enjoyed your experience. I must say I'm surprised at a man of your size letting himself be shut up in a coal-hole like a naughty urchin."
"Well, Hubbard," said the latter, "I hope you’ve enjoyed your experience. I have to say I'm surprised that someone your size would let himself get trapped in a coal-hole like a misbehaving child."
"Yes, sir, I was surprised myself at the time," retorted the publican, good-humouredly enough. "When that there blanket came down on my head, I was the most surprised man in this here country. I gave 'em a hack or two on the shins, though, to remember me by," he added, with a reminiscent chuckle.
"Yeah, I was just as surprised as you when it happened," the pub owner replied with a friendly grin. "When that blanket dropped on my head, I was the most shocked guy in the entire country. I did give them a kick or two on the shins, though, so they’d have something to remember me by," he added with a chuckle as he thought back on it.
"How many of them were there?" asked Wimsey.
"How many were there?" asked Wimsey.
"Three or four, I should say, sir. But not 'avin' seen 'em, I can only tell from 'earin' 'em talk. There was two laid 'old of me, I'm pretty sure, and young Rawlinson thinks there was only one 'ad 'old of 'im, but 'e was a wonderful strong 'un."
"Three or four, I suppose, sir. But since I haven't seen them, I can only go by what I heard them say. I'm pretty sure two of them grabbed me, and young Rawlinson thinks only one of them grabbed him, but he was really strong."
"We must leave no stone unturned to find out who these people were," said the vicar excitedly. "Ah, Mr. Frobisher-Pym, come and see what they have done in the church. It is as I thought—an anti-Catholic protest. We must be most thankful that they have done no more than they have."
"We need to do everything we can to figure out who these people were," said the vicar, excitedly. "Ah, Mr. Frobisher-Pym, come and see what they’ve done in the church. Just as I suspected—it's an anti-Catholic protest. We should be really grateful that they didn't do any more damage."
He led the way in. Someone had lit two or three hanging lamps in the gloomy little chancel. By their light Wimsey was able to see that the neck of the eagle lectern was decorated with an enormous red-white-and-blue bow, and bore a large placard—obviously pinched from the local newspaper offices—"Vatican Bans Immodest Dress." In each of the choir-stalls a teddy-bear sat, lumpishly amiable, apparently absorbed in reading the choir-books upside-down, while on the ledge before them copies of the Pink 'Un were obstrusively displayed. In the pulpit, a waggish hand had set up a pantomime ass's head, elegantly arrayed in a nightgown, and crowned with a handsome nimbus, cut from gold paper.
He led the way inside. Someone had turned on a couple of hanging lamps in the gloomy little chancel. With their light, Wimsey noticed that the neck of the eagle lectern was decorated with a huge red, white, and blue bow, and it had a large sign—clearly taken from the local newspaper offices—"Vatican Bans Inappropriate Attire." In each of the choir stalls, a teddy bear sat, looking oddly friendly, seemingly focused on reading the choir books upside down, while copies of the Pink 'Un were prominently displayed on the ledge in front of them. In the pulpit, a playful hand had set up a pantomime donkey's head, stylishly dressed in a nightgown and topped with a fancy halo cut from gold paper.
"Disgraceful, isn't it?" said the vicar.
"Isn't it shameful?" said the vicar.
"Well, Hancock," replied Mr. Frobisher-Pym, "I must say I think you have brought it upon yourself—though I quite agree, of course, that this sort of thing cannot possibly be allowed, and the offenders must be discovered and severely punished. But you must see that many of your practices appear to these people to be papistical nonsense at best, and while that is no excuse...."
"Well, Hancock," Mr. Frobisher-Pym replied, "I have to say I think you brought this on yourself—though I completely agree that this kind of behavior can't be tolerated, and those responsible need to be found and properly punished. But you have to realize that many of your methods come off to these people as nothing but papal nonsense at best, and while that’s no excuse...."
His reprimanding voice barked on.
His reprimanding voice continued.
"... what I really can only look upon as this sacrilegious business with old Burdock—a man whose life...."
"... what I can only see as this disrespectful situation with old Burdock—a man whose life...."
The policeman had by this time shoved away the attendant villagers and was standing beside Lord Peter at the entrance of the rood-screen.
The policeman had by this point pushed aside the nearby villagers and was standing next to Lord Peter at the entrance of the rood-screen.
"Was that you was out on the road this morning, sir? Ah! I thought I reckernised your voice. Did you get home all right, sir? Didn't meet nothing?"
"Was that you out on the road this morning, sir? Ah! I thought I recognized your voice. Did you make it home okay, sir? Didn't run into anything?"
There seemed to be a shade more than idle questioning in the tone of his voice. Wimsey turned quickly.
There seemed to be more than just casual curiosity in the way he spoke. Wimsey turned quickly.
"No, I met nothing—more. Who is it drives a coach with four white horses about this village of a night, sergeant?"
"No, I didn't see anything else. Who's the one driving a coach with four white horses around this village at night, sergeant?"
"Not sergeant, sir—I ain't due for promotion yet awhile. Well, sir, as to white horses, I don't altogether like to say. Mr. Mortimer over at Abbotts Bolton has some nice greys, and he's the biggest horse-breeder about these parts—but, well, there, sir, he wouldn't be driving out in all that rain, sir, would he?"
"Not sergeant, sir—I'm not up for a promotion just yet. Well, sir, when it comes to white horses, I don't really want to say. Mr. Mortimer over at Abbotts Bolton has some nice gray ones, and he's the biggest horse breeder around here—but, well, there you go, sir, he wouldn't be out driving in all this rain, would he?"
"It doesn't seem a sensible thing to do, certainly."
"It definitely doesn't seem like a smart thing to do."
"No, sir. And"—the constable leaned close to Wimsey and spoke into his ear—"and Mr. Mortimer is a man that's got a head on his shoulders—and, what's more, so have his horses."
"No, sir. And"—the constable leaned in close to Wimsey and whispered in his ear—"and Mr. Mortimer is a guy who really knows what he's doing—and, what's more, so do his horses."
"Why," said Wimsey, a little startled by the aptness of this remark, "did you ever know a horse that hadn't?"
"Why," said Wimsey, a bit surprised by how fitting this comment was, "have you ever met a horse that hasn't?"
"No, sir," said the policeman, with emphasis, "I never knew no livin' horse that hadn't. But that's neether here nor there, as the sayin' goes. But as to this church business, that's just a bit of a lark got up among the boys, that's what that is. They don't mean no harm, you know, sir; they likes to be up to their tricks. It's all very well for the vicar to talk, sir, but this ain't no Kensitites nor anythink of that, as you can see with half an eye. Just a bit of fun, that's all it is."
"No, sir," said the policeman, emphasizing his point, "I've never known a living horse that hasn't. But that's neither here nor there, as the saying goes. As for this church situation, it's just a little prank the boys came up with, that's all. They don't mean any harm, you know, sir; they just like to stir things up. It's easy for the vicar to talk, sir, but this isn't anything like the Kensitites or anything like that, as you can tell with half an eye. It's just for fun, that's all it is."
"I'd come to the same conclusion myself," said Wimsey, interested, "but I'd rather like to know what makes you think so."
"I've come to the same conclusion myself," said Wimsey, intrigued, "but I’d really like to know what makes you think that."
"Lord bless you, sir, ain't it plain as the nose on your face? If it had a-bin these Kensitites, wouldn't they have gone for the crosses and the images and the lights and—that there?" He extended a horny finger in the direction of the tabernacle. "No, sir, these lads what did this ain't laid a finger on the things what you might call sacred images—and they ain't done no harm neether to the communion-table. So I says as it ain't a case of controuversy, but more a bit of fun, like. And they've treated Mr. Burdock's corpse respectful, sir, you see, too. That shows they wasn't meaning anything wrong at heart, don't you see?"
"God bless you, sir, isn’t it obvious? If it had been those Kensitites, wouldn’t they have gone after the crosses, the images, and the lights? That thing over there?" He pointed with a rough finger towards the tabernacle. "No, sir, these guys who did this haven’t touched anything you’d call sacred images—and they haven’t harmed the communion table either. So I say it’s not a matter of controversy, but more like a bit of fun. And they’ve treated Mr. Burdock’s body with respect, sir, you see? That shows they didn’t mean any harm at heart, don’t you think?"
"I agree absolutely," said Wimsey. "In fact, they've taken particular care not to touch anything that a churchman holds really sacred. How long have you been on this job, officer?"
"I totally agree," said Wimsey. "Actually, they've been very careful not to disturb anything that a member of the clergy truly values. How long have you been working on this case, officer?"
"Three years, sir, come February."
"Three years, sir, this February."
"Ever had any idea of going to town or taking up the detective side of the business?"
"Have you ever thought about going to town or getting into the detective side of things?"
"Well, sir—I have—but it isn't just ask and have, as you might say."
"Well, sir—I have—but it's not just a matter of asking and getting, like you might say."
Wimsey took a card from his note-case.
Wimsey pulled out a card from his wallet.
"If you ever think seriously about it," he said, "give this card to Chief Inspector Parker, and have a chat with him. Tell him I think you haven't got opportunities enough down here. He's a great friend of mine, and he'll give you a good chance, I know."
"If you ever think about it seriously," he said, "hand this card to Chief Inspector Parker and talk to him. Let him know I think you don’t have enough opportunities down here. He's a good friend of mine, and I know he'll give you a solid chance."
"I've heard of you, my lord," said the constable, gratified, "and I'm sure it's very kind of your lordship. Well, I suppose I'd best be getting along now. You leave it to me, Mr. Frobisher-Pym, sir; we'll soon get at the bottom of this here."
"I've heard of you, my lord," said the constable, pleased. "I really appreciate your kindness. Well, I guess I should head out now. You can count on me, Mr. Frobisher-Pym, sir; we'll figure this out in no time."
"I hope you do," said the magistrate. "Meanwhile, Mr. Hancock, I trust you will realise the inadvisability of leaving the church doors open at night. Well, come along, Wimsey; we'll leave them to get the church straight for the funeral. What have you found there?"
"I hope you do," said the magistrate. "In the meantime, Mr. Hancock, I trust you'll understand that it's not a good idea to leave the church doors open at night. Well, let's go, Wimsey; we’ll leave them to prepare the church for the funeral. What did you find there?"
"Nothing," said Wimsey, who had been peering at the floor of the Lady-chapel. "I was afraid you'd got the worm in here, but I see it's only sawdust." He dusted his fingers as he spoke, and followed Mr. Frobisher-Pym out of the building.
"Nothing," said Wimsey, who had been looking closely at the floor of the Lady-chapel. "I was worried you had some sort of pest in here, but it looks like it's just sawdust." He wiped his fingers as he spoke and followed Mr. Frobisher-Pym out of the building.
When you are staying in a village, you are expected to take part in the interests and amusements of the community. Accordingly, Lord Peter duly attended the funeral of Squire Burdock, and beheld the coffin safely committed to the ground, in a drizzle, certainly, but not without the attendance of a large and reverent congregation. After this ceremony, he was formally introduced to Mr. and Mrs. Haviland Burdock, and was able to confirm his previous impression that the lady was well, not to say too well, dressed, as might be expected from one whose wardrobe was based upon silk stockings. She was a handsome woman, in a large, bold style, and the hand that clasped Wimsey's was quite painfully encrusted with diamonds. Haviland was disposed to be friendly—and, indeed, silk manufacturers have no reason to be otherwise to rich men of noble birth. He seemed to be aware of Wimsey's reputation as an antiquarian and book-collector, and extended a hearty invitation to him to come and see the old house.
When you're staying in a village, you're expected to participate in the community's activities and entertainment. So, Lord Peter attended Squire Burdock's funeral and watched the coffin being lowered into the ground, in light rain, but with a sizable and respectful crowd present. After the service, he was officially introduced to Mr. and Mrs. Haviland Burdock and confirmed his earlier impression that the lady was dressed quite well, perhaps too well, considering her wardrobe included silk stockings. She was a striking woman, with a bold presence, and the hand that shook Wimsey's was heavily adorned with diamonds. Haviland seemed friendly—after all, silk manufacturers have every reason to be nice to wealthy nobles. He appeared to know about Wimsey's reputation as a collector of antiques and books and warmly invited him to visit the old house.
"My brother Martin is still abroad," he said, "but I'm sure he would be delighted to have you come and look at the place. I'm told there are some very fine old books in the library. We shall be staying here till Monday—if Mrs. Hancock will be good enough to have us. Suppose you come along to-morrow afternoon."
"My brother Martin is still overseas," he said, "but I’m sure he’d be happy to have you come and check out the place. I’ve heard there are some really nice old books in the library. We’ll be here until Monday—if Mrs. Hancock is kind enough to host us. Why don’t you come over tomorrow afternoon?"
Wimsey said he would be delighted.
Wimsey said he would be happy to.
Mrs. Hancock interposed and said, wouldn't Lord Peter come to tea at the vicarage first.
Mrs. Hancock interrupted and asked if Lord Peter would come to tea at the vicarage first.
Wimsey said it was very good of her.
Wimsey said it was really nice of her.
"Then that's settled," said Mrs. Burdock. "You and Mr. Pym come to tea, and then we'll all go over the house together. I've hardly seen it myself yet."
"Then it's settled," said Mrs. Burdock. "You and Mr. Pym come over for tea, and then we'll all head to the house together. I’ve barely seen it myself yet."
"It's very well worth seeing," said Mr. Frobisher-Pym. "Fine old place, but takes some money to keep up. Has nothing been seen of the will yet, Mr. Burdock?"
"It's definitely worth a visit," said Mr. Frobisher-Pym. "It's a beautiful old place, but it costs a lot to maintain. Have we heard anything about the will yet, Mr. Burdock?"
"Nothing whatever," said Haviland. "It's curious, because Mr. Graham—the solicitor, you know, Lord Peter—certainly drew one up, just after poor Martin's unfortunate difference with our father. He remembers it perfectly."
"Not a thing," said Haviland. "It's strange, because Mr. Graham—the lawyer, you know, Lord Peter—definitely prepared one right after poor Martin's unfortunate argument with our father. He remembers it clearly."
"Can't he remember what's in it?"
"Can't he remember what's in it?"
"He could, of course, but he doesn't think it etiquette to say. He's one of the crusted old type. Poor Martin always called him an old scoundrel—but then, of course, he never approved of Martin, so Martin was not altogether unprejudiced. Besides, as Mr. Graham says, all that was some years ago, and it's quite possible that the governor destroyed the will later, or made a new one in America."
"He could, of course, but he doesn't think it's polite to say. He's one of those old-fashioned types. Poor Martin always referred to him as an old rascal—but then again, he never really liked Martin, so his opinion isn’t entirely fair. Plus, as Mr. Graham points out, that was a while ago, and it's quite possible that the governor destroyed the will later or made a new one in America."
"'Poor Martin' doesn't seem to have been popular hereabouts," said Wimsey to Mr. Frobisher-Pym, as they parted from the Burdocks and turned homewards.
"'Poor Martin' doesn't seem to have been popular around here," said Wimsey to Mr. Frobisher-Pym as they left the Burdocks and headed home.
"N-no," said the magistrate. "Not with Graham, anyway. Personally, I rather liked the lad, though he was a bit harum-scarum. I dare say he's sobered up with time—and marriage. It's odd that they can't find the will. But, if it was made at the time of the rumpus, it's bound to be in Haviland's favour."
"N-no," said the magistrate. "Not with Graham, anyway. Personally, I liked the guy, even though he was a bit reckless. I bet he has matured with time—and marriage. It's strange that they can't find the will. But if it was made during the chaos, it's likely in Haviland's favor."
"I think Haviland thinks so," said Wimsey. "His manner seemed to convey a chastened satisfaction. I expect the discreet Graham made it fairly clear that the advantage was not with the unspeakable Martin."
"I think Haviland feels that way," said Wimsey. "His attitude seemed to show a subdued satisfaction. I figure the discreet Graham made it pretty clear that the advantage wasn't with the unspeakable Martin."
The following morning turned out fine, and Wimsey, who was supposed to be enjoying a rest-and-fresh-air cure in Little Doddering, petitioned for a further loan of Polly Flinders. His host consented with pleasure, and only regretted that he could not accompany his guest, being booked to attend a Board of Guardians' meeting in connection with the workhouse.
The next morning was nice, and Wimsey, who was meant to be taking a break in Little Doddering, asked to borrow Polly Flinders again. His host happily agreed but wished he could join Wimsey, as he had to go to a Board of Guardians' meeting about the workhouse.
"But you could go up and get a good blow on the common," he suggested. "Why not go round by Petering Friars, turn off across the common till you get to Dead Man's Post, and come back by the Frimpton road? It makes a very pleasant round—about nineteen miles. You'll be back in nice time for lunch if you take it easy."
"But you could go up and get a good walk on the common," he suggested. "Why not go around by Petering Friars, cut across the common until you reach Dead Man's Post, and then come back through the Frimpton road? It's a really nice loop—about nineteen miles. You'll be back in plenty of time for lunch if you take it easy."
Wimsey fell in with the plan—the more readily that it exactly coincided with his own inward purpose. He had a reason for wishing to ride over the Frimpton road by daylight.
Wimsey went along with the plan—especially since it aligned perfectly with his own hidden intentions. He had a reason for wanting to travel the Frimpton road during the day.
"You'll be careful about Dead Man's Post," said Mrs. Frobisher-Pym a little anxiously. "The horses have a way of shying at it. I don't know why. People say, of course——"
"You need to be careful about Dead Man's Post," Mrs. Frobisher-Pym said a bit anxiously. "The horses tend to spook at it. I don’t know why. People say, of course——"
"All nonsense," said her husband. "The villagers dislike the place and that makes the horses nervous. It's remarkable how a rider's feelings communicate themselves to his mount. I've never had any trouble at Dead Man's Post."
"All nonsense," her husband said. "The villagers don't like the place, and that makes the horses anxious. It's amazing how a rider's emotions affect their horse. I've never had any issues at Dead Man's Post."
It was a quiet and pretty road, even on a November day, that led to Petering Friars. Jogging down the winding Essex lanes in the wintry sunshine, Wimsey felt soothed and happy. A good burst across the common raised his spirits to exhilaration pitch. He had entirely forgotten Dead Man's Post and its uncanny reputation, when a violent start and swerve, so sudden that it nearly unseated him, recalled him to what he was doing. With some difficulty, he controlled Polly Flinders, and brought her to a standstill.
It was a peaceful and charming road, even on a November day, that led to Petering Friars. Jogging down the twisting Essex lanes in the winter sunshine, Wimsey felt calm and content. A good sprint across the common boosted his spirits to an exhilarating level. He had completely forgotten about Dead Man's Post and its strange reputation when a sudden jolt and turn, so abrupt that it almost knocked him off balance, reminded him of what he was doing. With some effort, he regained control of Polly Flinders and brought her to a stop.
He was at the highest point of the common, following a bridle-path which was bordered on each side by gorse and dead bracken. A little way ahead of him another bridle-path seemed to run into it, and at the junction of the two was something which he had vaguely imagined to be a decayed sign-post. Certainly it was short and thick for a sign-post, and had no arms. It appeared, however, to bear some sort of inscription on the face that was turned towards him.
He was at the highest point of the common, following a bridle path lined with gorse and dead bracken on both sides. A bit ahead of him, another bridle path seemed to merge with it, and at the intersection of the two was what he had vaguely thought might be a worn-out signpost. It was definitely short and thick for a signpost and had no arms. However, it seemed to have some kind of writing on the side that faced him.
He soothed the mare, and urged her gently towards the post. She took a few hesitating steps, and plunged sideways, snorting and shivering.
He calmed the mare and gently guided her toward the post. She took a few uncertain steps and darted sideways, snorting and trembling.
"Queer!" said Wimsey. "If this is my state of mind communicating itself to my mount, I'd better see a doctor. My nerves must be in a rotten state. Come up, old lady! What's the matter with you?"
"Strange!" said Wimsey. "If this is my mindset affecting my horse, I should really see a doctor. My nerves must be in terrible shape. Come on, old girl! What's wrong with you?"
Polly Flinders, apologetic but determined, refused to budge. He urged her gently with his heel. She sidled away, with ears laid back, and he saw the white of a protesting eye. He slipped from the saddle, and, putting his hand through the bridle, endeavoured to lead her forward. After a little persuasion, the mare followed him, with stretched neck and treading as though on egg-shells. After a dozen hesitating paces, she stopped again, trembling in all her limbs. He put his hand on her neck and found it wet with sweat.
Polly Flinders, sorry but resolute, refused to move. He gently nudged her with his heel. She backed away, ears flattened, revealing the white of a protesting eye. He got off the saddle and, slipping his hand through the bridle, tried to lead her forward. After some coaxing, the mare followed him, stretching her neck and walking as if on eggshells. After a dozen hesitant steps, she stopped again, trembling all over. He placed his hand on her neck and felt it damp with sweat.
"Damn it all!" said Wimsey. "Look here, I'm jolly well going to read what's on that post. If you won't come, will you stand still?"
"Damn it all!" said Wimsey. "Listen, I'm definitely going to read what's on that post. If you won't come, will you at least stand still?"
He dropped the bridle. The mare stood quietly, with hanging head. He left her and went forward, glancing back from time to time to see that she showed no disposition to bolt. She stood quietly enough, however, only shifting her feet uneasily.
He let go of the bridle. The mare stood still, her head hanging low. He moved ahead, looking back occasionally to make sure she wasn't about to run off. She stayed calm enough, just shifting her feet nervously.
Wimsey walked up to the post. It was a stout pillar of ancient oak, newly painted white. The inscription, too, had been recently blacked in. It read:
Wimsey approached the post. It was a sturdy pillar made of old oak, freshly painted white. The inscription had also been recently blacked in. It read:
ON THIS SPOT
George Winter
WAS FOULLY MURTHERED
IN DEFENSE OF
HIS MASTER'S GOODS
BY BLACK RALPH
OF HERRIOTTING
WHO WAS AFTERWARD
HANGED IN CHAINS
ON THE PLACE OF HIS CRIME
9 NOVEMBER 1674
ON THIS SPOT
George Winter
WAS BRUTALLY MURDERED
WHILE PROTECTING
HIS MASTER'S PROPERTY
BY BLACK RALPH
OF HERRIOTTING
WHO WAS LATER
HANGED IN CHAINS
AT THE SCENE OF HIS CRIME
9 NOVEMBER 1674
FEAR JUSTICE
Fear justice.
"And very nice, too," said Wimsey. "Dead Man's Post without a doubt. Polly Flinders seems to share the local feeling about the place. Well, Polly, if them's your sentiments, I won't do violence to them. But may I ask why, if you're so sensitive about a mere post, you should swallow a death-coach and four headless horses with such hardened equanimity?"
"And very nice, too," said Wimsey. "Dead Man's Post, no doubt about it. Polly Flinders seems to feel the same way about the place. Well, Polly, if that’s how you feel, I won’t challenge it. But can I ask why, if you’re so bothered by a simple post, you can accept a death coach and four headless horses so easily?"
The mare took the shoulder of his jacket gently between her lips and mumbled at it.
The mare softly grabbed the shoulder of his jacket with her lips and murmured at it.
"Just so," said Wimsey. "I perfectly understand. You would if you could, but you really can't. But those horses, Polly—did they bring with them no brimstone blast from the nethermost pit? Can it be that they really exuded nothing but an honest and familiar smell of stables?"
"Exactly," said Wimsey. "I completely get it. You would if you could, but you honestly can't. But those horses, Polly—did they not bring with them any sulfurous blast from the lowest pit? Could it be that they really only had the simple and familiar smell of stables?"
He mounted, and, turning Polly's head to the right, guided her in a circle, so as to give Dead Man's Post a wide berth before striking the path again.
He got on the horse, and, turning Polly's head to the right, guided her in a circle to avoid Dead Man's Post before getting back on the path.
"The supernatural explanation is, I think, excluded. Not on a priori grounds, which would be unsound, but on the evidence of Polly's senses. There remain the alternatives of whisky and jiggery-pokery. Further investigation seems called for."
"I believe we can rule out a supernatural explanation. Not because it’s logically flawed, but based on what Polly experienced. That leaves us with the possibilities of whisky or some trickery. We need to investigate further."
He continued to muse as the mare moved quietly forward.
He kept thinking as the mare walked quietly ahead.
"Supposing I wanted, for some reason, to scare the neighbourhood with the apparition of a coach and headless horses, I should choose a dark, rainy night. Good! It was that kind of night. Now, if I took black horses and painted their bodies white—poor devils! what a state they'd be in. No. How do they do these Maskelyne-and-Devant stunts where they cut off people's heads? White horses, of course—and black felt clothing over their heads. Right! And luminous paint on the harness, with a touch here and there on their bodies, to make good contrast and ensure that the whole show wasn't invisible. No difficulty about that. But they must go silently. Well, why not? Four stout black cloth bags filled with bran, drawn well up and tied round the fetlocks would make any horse go quietly enough, especially if there was a bit of a wind going. Rags round the bridle-rings to prevent clinking, and round the ends of the traces to keep 'em from squeaking. Give 'em a coachman in a white coat and a black mask, hitch 'em to a rubber-tyred fly, picked out with phosphorus and well-oiled at the joints—and I swear I'd make something quite ghostly enough to startle a rather well-irrigated gentleman on a lonely road at half-past two in the morning."
"Let’s say I wanted to freak out the neighborhood with a ghostly coach and headless horses for some reason. I’d pick a dark, rainy night. Perfect! It was just that kind of night. Now, if I took black horses and painted their bodies white—poor things! They’d be a mess. No. How do they pull off those Maskelyne-and-Devant tricks where they make it look like people have no heads? White horses, of course—and black felt coverings over their heads. Right! And glow-in-the-dark paint on the harness, with some accents on their bodies for contrast to make sure the whole setup wasn’t invisible. That’s not hard. But they need to be quiet. Well, why not? Four sturdy black cloth bags filled with bran, pulled tight and tied around their ankles would keep any horse quiet enough, especially if it’s a bit windy. Rags around the bridle-rings to stop any clinking, and around the ends of the traces to keep them from squeaking. Put a coachman in a white coat and a black mask, hook them up to a rubber-tyred cab, decorated with phosphorus and well-oiled at the joints—and I swear I’d create something spooky enough to startle a rather well-lubricated gentleman on a lonely road at two-thirty in the morning."
He was pleased with this thought, and tapped his boot cheerfully with his whip.
He was happy with this thought and tapped his boot cheerfully with his whip.
"But damn it all! They never passed me again. Where did they go to? A coach-and-horses can't vanish into thin air, you know. There must be a side-road after all—or else, Polly Flinders, you've been pulling my leg all the time."
"But damn it all! They never passed me again. Where did they go? A coach and horses can't just disappear into thin air, you know. There has to be a side road after all—or else, Polly Flinders, you've been messing with me this whole time."
The bridle-path eventually debouched upon the highway at the now familiar fork where Wimsey had met the policeman. As he slowly ambled homewards, his lordship scanned the left-hand hedgerow, looking for the lane which surely must exist. But nothing rewarded his search. Enclosed fields with padlocked gates presented the only breaks in the hedge, till he again found himself looking down the avenue of trees up which the death-coach had come galloping two nights before.
The bridle path eventually opened up to the highway at the now familiar fork where Wimsey had met the police officer. As he slowly walked home, he scanned the left-hand hedgerow, hoping to find the lane that must be there. But nothing came of his search. Enclosed fields with padlocked gates were the only gaps in the hedge, until he found himself looking down the avenue of trees where the death coach had galloped two nights earlier.
"Damn!" said Wimsey.
"Damn!" Wimsey exclaimed.
It occurred to him for the first time that the coach might perhaps have turned round and gone back through Little Doddering. Certainly it had been seen by Little Doddering Church on Wednesday. But on that occasion, also, it had galloped off in the direction of Frimpton. In fact, thinking it over, Wimsey concluded that it had approached from Frimpton, gone round the church—widdershins, naturally—by the Back Lane, and returned by the high-road whence it came. But in that case——
It hit him for the first time that the coach might have turned around and gone back through Little Doddering. It definitely had been spotted by Little Doddering Church on Wednesday. But at that time, it had also taken off in the direction of Frimpton. Actually, after thinking about it, Wimsey realized that it had come from Frimpton, gone around the church—counterclockwise, of course—by the Back Lane, and returned by the same main road. But if that’s the case——
"Turn again, Whittington," said Wimsey, and Polly Flinders rotated obediently in the road. "Through one of those fields it went, or I'm a Dutchman."
"Turn around again, Whittington," said Wimsey, and Polly Flinders turned obediently in the road. "It went through one of those fields, or I'm a Dutchman."
He pulled Polly into a slow walk, and passed along the strip of grass at the right-hand side, staring at the ground as though he were an Aberdonian who had lost a sixpence.
He took Polly for a slow walk and strolled along the strip of grass on the right side, staring at the ground as if he were a local from Aberdeen searching for a lost sixpence.
The first gate led into a ploughed field, harrowed smooth and sown with autumn wheat. It was clear that no wheeled thing had been across it for many weeks. The second gate looked more promising. It gave upon fallow ground, and the entrance was seamed with innumerable wheel-ruts. On further examination, however, it was clear that this was the one and only gate. It seemed unlikely that the mysterious coach should have been taken into a field from which there was no way out. Wimsey decided to seek farther.
The first gate opened into a plowed field, tilled flat and planted with autumn wheat. It was obvious that no vehicle had crossed it in weeks. The second gate seemed more promising. It led to uncultivated land, and the entrance was marked with countless wheel tracks. However, upon closer inspection, it became clear that this was the only gate. It was hard to believe that the mysterious coach could have entered a field with no exit. Wimsey decided to look elsewhere.
The third gate was in bad repair. It sagged heavily from its hinges; the hasp was gone, and gate and post had been secured with elaborate twists of wire. Wimsey dismounted and examined these, convincing himself that their rusty surface had not been recently disturbed.
The third gate was in poor condition. It drooped heavily from its hinges; the latch was missing, and the gate and post had been fastened with complicated twists of wire. Wimsey got off his horse and looked at them, assuring himself that their rusty surface hadn't been recently tampered with.
There remained only two more gates before he came to the cross-roads. One led into plough again, where the dark ridge-and-furrow showed no sign of disturbance, but at sight of the last gate Wimsey's heart gave a leap.
There were just two more gates before he reached the crossroads. One led back to the fields, where the dark ridges and furrows were undisturbed, but when he saw the last gate, Wimsey's heart skipped a beat.
There was plough-land here also, but round the edge of the field ran a wide, beaten path, rutted and water-logged. The gate was not locked, but opened simply with a spring catch. Wimsey examined the approach. Among the wide ruts made by farm-wagons was the track of four narrow wheels—the unmistakable prints of rubber tyres. He pushed the gate open and passed through.
There was farmland here too, but around the edge of the field was a wide, worn path, full of ruts and waterlogged. The gate wasn’t locked but just opened with a spring catch. Wimsey looked at the approach. Among the wide ruts made by farm wagons was the mark of four narrow wheels—the clear prints of rubber tires. He pushed the gate open and went through.
The path skirted two sides of the plough; then came another gate and another field, containing a long barrow of mangold wurzels and a couple of barns. At the sound of Polly's hoofs, a man emerged from the nearest barn, with a paint-brush in his hand, and stood watching Wimsey's approach.
The path ran along both sides of the field; then there was another gate and another field, which had a long mound of mangold wurzels and a couple of barns. When Polly's hooves made noise, a man came out of the closest barn, holding a paintbrush, and stood watching Wimsey approach.
"'Morning!" said the latter genially.
"Good morning!" said the latter genially.
"'Morning, sir."
"Good morning, sir."
"Fine day after the rain."
"Nice day after the rain."
"Yes, it is, sir."
"Yes, it is, sir."
"I hope I'm not trespassing?"
"Hope I'm not trespassing?"
"Where was you wanting to go, sir?"
"Where did you want to go, sir?"
"I thought, as a matter of fact—hullo!"
"I thought, actually—hey!"
"Anything wrong, sir?"
"Is something wrong, sir?"
Wimsey shifted in the saddle.
Wimsey moved in the saddle.
"I fancy this girth's slipped a bit. It's a new one." (This was a fact.) "Better have a look."
"I think this girth has loosened a bit. It's a new one." (That was a fact.) "Better take a look."
The man advanced to investigate, but Wimsey had dismounted and was tugging at the strap, with his head under the mare's belly.
The man moved forward to check it out, but Wimsey had gotten off his horse and was pulling at the strap, with his head beneath the mare's belly.
"Yes, it wants taking up a trifle. Oh! Thanks most awfully. Is this a short cut to Abbotts Bolton, by the way?"
"Yeah, it’s worth picking up a little. Oh! Thanks a lot. Is this a shortcut to Abbotts Bolton, by the way?"
"Not to the village, sir, though you can get through this way. It comes out by Mr. Mortimer's stables."
"Not to the village, sir, though you can get through this way. It leads out by Mr. Mortimer's stables."
"Ah, yes. This his land?"
"Ah, yes. Is this his land?"
"No, sir, it's Mr. Topham's land, but Mr. Mortimer rents this field and the next for fodder."
"No, sir, this is Mr. Topham's land, but Mr. Mortimer rents this field and the one next to it for feed."
"Oh, yes." Wimsey peered across the hedge. "Lucerne, I suppose. Or clover."
"Oh, yes." Wimsey looked over the hedge. "Lucerne, I guess. Or clover."
"Clover, sir. And the mangolds is for the cattle."
"Clover, sir. And the mangolds are for the cattle."
"Oh—Mr. Mortimer keeps cattle as well as horses?"
"Oh, Mr. Mortimer has cows as well as horses?"
"Yes, sir."
"Yes, sir."
"Very jolly. Have a gasper?" Wimsey had sidled across to the barn in his interest, and was gazing absently into its dark interior. It contained a number of farm implements and a black fly of antique construction, which seemed to be undergoing renovation with black varnish. Wimsey pulled some vestas from his pocket. The box was apparently damp, for, after one or two vain attempts he abandoned it, and struck a match on the wall of the barn. The flame, lighting up the ancient fly, showed it to be incongruously fitted with rubber tyres.
"Very cheerful. Want a smoke?" Wimsey had moved over to the barn out of curiosity and was staring absentmindedly into its dark space. Inside were various farm tools and an old black fly, which looked like it was being restored with black paint. Wimsey took out some matches from his pocket. The matchbox seemed to be wet, so after a couple of unsuccessful tries, he gave up and struck a match against the barn wall. The flame illuminated the old fly, revealing that it was oddly fitted with rubber tires.
"Very fine stud, Mr. Mortimer's, I understand," said Wimsey carelessly.
"Really great stud, Mr. Mortimer's, I hear," said Wimsey casually.
"Yes, sir, very fine indeed."
"Yes, sir, very nice indeed."
"I suppose he hasn't any greys, by any chance. My mother—queenly woman, Victorian ideas, and all that—is rather keen on greys. Sports a carriage and pay-ah, don't you know."
"I guess he doesn’t have any greys, does he? My mom—she's a regal woman with Victorian views and all that—is pretty into greys. She has a carriage and everything, you know."
"Yes, sir? Well, Mr. Mortimer would be able to suit the lady, I think, sir. He has several greys."
"Yes, sir? Well, I believe Mr. Mortimer would be a good match for the lady. He has several gray horses."
"No? has he though? I must really go over and see him. Is it far?"
"No? Has he really? I should definitely go check on him. Is it far?"
"Matter of five or six mile by the fields, sir."
"About five or six miles through the fields, sir."
Wimsey looked at his watch.
Wimsey checked his watch.
"Oh, dear! I'm really afraid it's too far for this morning. I absolutely promised to get back to lunch. I must come over another day. Thanks so much. Is that girth right now? Oh, really, I'm immensely obliged. Get yourself a drink, won't you—and tell Mr. Mortimer not to sell his greys till I've seen them. Well, good morning, and many thanks."
"Oh, no! I'm really worried it's too far for this morning. I definitely promised to be back for lunch. I have to come by another day. Thanks so much. Is that girth ready now? Oh, honestly, I’m really grateful. Go ahead and grab a drink, will you—and tell Mr. Mortimer not to sell his greys until I’ve had a look at them. Well, good morning, and thanks again."
He set Polly Flinders on the homeward path and trotted gently away. Not till he was out of sight of the barn did he pull up and, stooping from the saddle, thoughtfully examine his boots. They were liberally plastered with bran.
He sent Polly Flinders on her way home and trotted off slowly. It wasn't until he was out of sight of the barn that he stopped and, leaning down from the saddle, carefully checked his boots. They were covered in bran.
"I must have picked it up in the barn," said Wimsey. "Curious, if true. Why should Mr. Mortimer be lashing the stuffing out of his greys in an old fly at dead of night—and with muffled hoofs and no heads to boot? It's not a kind thing to do. It frightened Plunkett very much. It made me think I was drunk—a thought I hate to think. Ought I to tell the police? Are Mr. Mortimer's jokes any business of mine? What do you think, Polly?"
"I must have picked it up in the barn," Wimsey said. "That's strange, if it's true. Why would Mr. Mortimer be beating the life out of his horses in an old carriage in the dead of night—with muffled hooves and no heads to speak of? It's not right. It really scared Plunkett. It made me feel like I was drunk—which I really dislike. Should I tell the police? Are Mr. Mortimer's jokes any of my concern? What do you think, Polly?"
The mare, hearing her name, energetically shook her head.
The mare, hearing her name, eagerly shook her head.
"You think not? Perhaps you are right. Let us say that Mr. Mortimer did it for a wager. Who am I to interfere with his amusements? All the same," added his lordship, "I'm glad to know it wasn't Lumsden's whisky."
"You think that's not the case? Maybe you're right. Let's say Mr. Mortimer did it for a bet. Who am I to stop him from having fun? Still," his lordship added, "I’m relieved to know it wasn’t Lumsden’s whisky."
"This is the library," said Haviland, ushering in his guests. "A fine room—and a fine collection of books, I'm told, though literature isn't much in my line. It wasn't much in the governor's line, either, I'm afraid. The place wants doing up, as you see. I don't know whether Martin will take it in hand. It's a job that'll cost money, of course."
"This is the library," Haviland said as he welcomed his guests. "It's a great room—and I hear the collection of books is impressive, though literature isn't really my thing. It wasn't much of a passion for the governor either, unfortunately. As you can see, the place needs some work. I’m not sure if Martin will tackle it. It’s a project that will definitely cost money, of course."
Wimsey shivered a little as he gazed round—more from sympathy than from cold, though a white November fog lay curled against the tall windows and filtered damply through the frames.
Wimsey shivered a bit as he looked around—more out of sympathy than because of the cold, even though a white November fog was curled against the tall windows and damply filtered through the frames.
A long, mouldering room, in the frigid neo-classical style, the library was melancholy enough in the sunless grey afternoon, even without the signs of neglect which wrung the book-collector's heart. The walls, panelled to half their height with book-cases, ran up in plaster to the moulded ceiling. Damp had blotched them into grotesque shapes, and here and there were ugly cracks and squamous patches, from which the plaster had fallen in yellowish flakes. A wet chill seemed to ooze from the books, from the calf bindings peeling and perishing, from the stains of greenish mildew which spread horridly from volume to volume. The curious musty odour of decayed leather and damp paper added to the general cheerlessness of the atmosphere.
A long, decaying room in a cold neo-classical style, the library felt gloomy enough on the sunless gray afternoon, even without the signs of neglect that broke the heart of the book collector. The walls, panelled halfway up with bookcases, rose to a plaster-moulded ceiling. Dampness had disfigured them into strange shapes, and here and there were unsightly cracks and scaly patches where the plaster had fallen away in yellowish flakes. A damp chill seemed to seep from the books, from the calfskin bindings that were peeling and deteriorating, and from the disgusting stains of greenish mildew that horrifically spread from book to book. The strange musty smell of rotting leather and damp paper added to the overall dreariness of the atmosphere.
"Oh, dear, dear!" said Wimsey, peering dismally into this sepulchre of forgotten learning. With his shoulders hunched like the neck-feathers of a chilly bird, with his long nose and half-shut eyes, he resembled a dilapidated heron, brooding over the stagnation of a wintry pool.
"Oh, dear, dear!" Wimsey said, gloomily looking into this graveyard of forgotten knowledge. With his shoulders hunched like a cold bird's feathers, his long nose and half-closed eyes, he looked like a worn-out heron, brooding over the stillness of a winter pond.
"What a freezing-cold place!" exclaimed Mrs. Hancock. "You really ought to scold Mrs. Lovall, Mr. Burdock. When she was put in here as caretaker, I said to my husband—didn't I, Philip?—that your father had chosen the laziest woman in Little Doddering. She ought to have kept up big fires here, at least twice a week! It's really shameful, the way she has let things go."
"What a freezing cold place!" exclaimed Mrs. Hancock. "You really should scold Mrs. Lovall, Mr. Burdock. When she was assigned here as caretaker, I told my husband—didn't I, Philip?—that your father picked the laziest woman in Little Doddering. She should have been keeping big fires going here, at least twice a week! It's honestly shameful how she has let things deteriorate."
"Yes, isn't it?" agreed Haviland.
"Yes, isn't it?" Haviland agreed.
Wimsey said nothing. He was nosing along the shelves, every now and then taking a volume down and glancing at it.
Wimsey didn’t say anything. He was browsing the shelves, occasionally pulling a book down and taking a look at it.
"It was always rather a depressing room," went on Haviland. "I remember, when I was a kid, it used to overawe me rather. Martin and I used to browse about among the books, you know, but I think we were always afraid that something or somebody would stalk out upon us from the dark corners. What's that you've got there, Lord Peter? Oh, Foxe's Book of Martyrs. Dear me! How those pictures did terrify me in the old days! And there was a Pilgrim's Progress, with a most alarming picture of Apollyon straddling over the whole breadth of the way, which gave me many nightmares. Let me see. It used to live over in this bay, I think. Yes, here it is. How it does bring it all back, to be sure! Is it valuable, by the way?"
"It was always kind of a gloomy room," Haviland continued. "I remember when I was a kid, it used to intimidate me a bit. Martin and I would wander around among the books, but I think we were always scared that something or someone would jump out at us from the dark corners. What's that you've got there, Lord Peter? Oh, Foxe's Book of Martyrs. Wow! Those pictures used to freak me out back in the day! And there was a Pilgrim's Progress, with a really scary image of Apollyon stretching across the entire path, which gave me a ton of nightmares. Let me see. I think it used to be in this bay. Yes, here it is. It really brings it all back, for sure! Is it worth anything, by the way?"
"No, not really. But this first edition of Burton is worth money; badly spotted, though—you'd better send it to be cleaned. And this is an extremely fine Boccaccio; take care of it."
"No, not really. But this first edition of Burton is valuable; it's a bit stained, though—you should send it to be cleaned. And this is a really nice Boccaccio; make sure to take care of it."
"John Boccace—The Dance of Machabree. It's a good title, anyhow. Is that the same Boccaccio that wrote the naughty stories?"
"John Boccace—The Dance of Machabree. It's a good title, anyway. Is that the same Boccaccio who wrote the scandalous stories?"
"Yes," said Wimsey, a little shortly. He resented this attitude towards Boccaccio.
"Yeah," said Wimsey, a bit tersely. He didn’t like this attitude toward Boccaccio.
"Never read them," said Haviland, with a wink at his wife, "but I've seen 'em in the windows of those surgical shops—so I suppose they're naughty, eh? The vicar's looking shocked."
"Never read them," Haviland said, winking at his wife, "but I've seen them in the windows of those surgical shops—so I guess they're inappropriate, right? The vicar looks shocked."
"Oh, not at all," said Mr. Hancock, with a conscientious assumption of broad-mindedness. "Et ego in Arcadia—that is to say, one doesn't enter the Church without undergoing a classical education, and making the acquaintance of much more worldly authors even than Boccaccio. Those wood-cuts are very fine, to my uninstructed eye."
"Oh, not at all," said Mr. Hancock, trying to sound open-minded. "Et ego in Arcadia—which means, you can't enter the Church without having a classical education and getting to know even more worldly authors than Boccaccio. Those woodcuts look great, at least to my uneducated eye."
"Very fine indeed," said Wimsey.
"Really great," said Wimsey.
"There's another old book I remember, with jolly pictures," said Haviland. "A chronicle of some sort—what's 'is name—place in Germany—you know—where that hangman came from. They published his diary the other day. I read it, but it wasn't really exciting; not half as gruesome as old Harrison Ainsworth. What's the name of the place?"
"There's another old book I remember, with cheerful pictures," Haviland said. "A kind of chronicle—what’s it called—some place in Germany—you know—the place where that hangman came from. They published his diary the other day. I read it, but it wasn’t really thrilling; not nearly as gruesome as old Harrison Ainsworth. What’s the name of the place?"
"Nüremberg?" suggested Wimsey.
"Nuremberg?" suggested Wimsey.
"That's it, of course—the Nüremberg Chronicle. I wonder if that's still in its old place. It was over here by the window, if I remember rightly."
"That's it, of course—the Nürnberg Chronicle. I wonder if it's still in its old spot. It was over here by the window, if I remember correctly."
He led the way to the end of one of the bays, which ran up close against a window. Here the damp seemed to have done its worst. A pane of glass was broken, and rain had blown in.
He walked ahead to the end of one of the bays, which was right by a window. The dampness here looked like it had taken its toll. A piece of glass was broken, and rain had blown inside.
"Now where has it gone to? A big book, it was, with a stamped leather binding. I'd like to see the old Chronicle again. I haven't set eyes on it for donkey's years."
"Now where did it go? It was a big book with a stamped leather cover. I’d like to see the old Chronicle again. I haven’t laid eyes on it in ages."
His glance roamed vaguely over the shelves. Wimsey, with the book-lover's instinct, was the first to spot the Chronicle, wedged at the extreme end of the shelf, against the outer wall. He hitched his finger into the top edge of the spine, but finding that the rotting leather was ready to crumble at a touch, he dislodged a neighbouring book and drew the Chronicle gently out, using his whole hand.
His gaze wandered aimlessly across the shelves. Wimsey, with the instinct of a true book lover, was the first to notice the Chronicle, stuck at the far end of the shelf, against the outer wall. He hooked his finger into the top edge of the spine, but realizing that the decaying leather was about to fall apart with the slightest touch, he removed a nearby book and carefully pulled the Chronicle out with his whole hand.
"Here he is—in pretty bad condition, I'm afraid. Hullo!"
"Here he is—in pretty rough shape, unfortunately. Hey!"
As he drew the book away from the wall, a piece of folded parchment came away with it and fell at his feet. He stooped and picked it up.
As he pulled the book away from the wall, a folded piece of parchment came with it and dropped at his feet. He bent down and picked it up.
"I say, Burdock—isn't this what you've been looking for?"
"I say, Burdock—isn't this what you’ve been searching for?"
Haviland Burdock, who had been rooting about on one of the lower shelves, straightened himself quickly, his face red from stooping.
Haviland Burdock, who had been searching around on one of the lower shelves, stood up fast, his face flushed from bending over.
"By Jove!" he said, turning first redder and then pale with excitement. "Look at this, Winnie. It's the governor's will. What an extraordinary thing! Whoever would have thought of looking for it here, of all places?"
"Wow!" he said, first turning red and then pale with excitement. "Check this out, Winnie. It’s the governor's will. What an amazing thing! Who would have thought to look for it here, of all places?"
"Is it really the will?" cried Mrs. Hancock.
"Is it really the will?" shouted Mrs. Hancock.
"No doubt about it, I should say," observed Wimsey coolly. "Last Will and Testament of Simon Burdock." He stood, turning the grimy document over and over in his hands, looking from the endorsement to the plain side of the folded parchment.
"No doubt about it, I should say," Wimsey remarked calmly. "Last Will and Testament of Simon Burdock." He stood there, flipping the dirty document back and forth in his hands, glancing from the endorsement to the plain side of the folded parchment.
"Well, well!" said Mr. Hancock. "How strange! It seems almost providential that you should have taken that book down."
"Wow!" said Mr. Hancock. "How weird! It feels like fate that you chose to take that book down."
"What does the will say?" demanded Mrs. Burdock, in some excitement.
"What does the will say?" asked Mrs. Burdock, feeling a bit excited.
"I beg your pardon," said Wimsey, handing it over to her. "Yes, as you say, Mr. Hancock, it does almost seem as if I was meant to find it." He glanced down again at the Chronicle, mournfully tracing with his finger the outline of a damp stain which had rotted the cover and spread to the inner pages, almost obliterating the colophon.
"I’m sorry," said Wimsey, handing it to her. "Yes, as you said, Mr. Hancock, it does almost seem like I was meant to find it." He looked down again at the Chronicle, sadly tracing with his finger the outline of a damp stain that had damaged the cover and spread to the inner pages, nearly wiping out the colophon.
Haviland Burdock meanwhile had spread the will out on the nearest table. His wife leaned over his shoulder. The Hancocks, barely controlling their curiosity, stood near, awaiting the result. Wimsey, with an elaborate pretence of non-interference in this family matter, examined the wall against which the Chronicle had stood, feeling its moist surface and examining the damp-stains. They had assumed the appearance of a grinning face. He compared them with the corresponding mark on the book, and shook his head desolately over the damage.
Haviland Burdock had spread the will out on the nearest table. His wife leaned over his shoulder. The Hancocks, barely hiding their curiosity, stood nearby, waiting for the outcome. Wimsey, pretending not to interfere in this family matter, examined the wall where the Chronicle had been placed, feeling its damp surface and looking at the moisture stains. They resembled a grinning face. He compared them to the matching mark on the book and shook his head sadly at the damage.
Mr. Frobisher-Pym, who had wandered away some time before and was absorbed in an ancient book of Farriery, now approached, and enquired what the excitement was about.
Mr. Frobisher-Pym, who had wandered off a while ago and was engrossed in an old book on horseshoeing, now came over and asked what all the fuss was about.
"Listen to this!" cried Haviland. His voice was quiet, but a suppressed triumph throbbed in it and glittered from his eyes.
"Check this out!" Haviland exclaimed. His voice was calm, but a hidden victory pulsed in it and sparkled in his eyes.
"'I bequeath everything of which I die possessed'—there's a lot of enumeration of properties here, which doesn't matter—'to my eldest son, Martin'——"
"'I leave everything I own when I die'—there's a lot of listing of assets here, which isn't important—'to my eldest son, Martin'—"
Mr. Frobisher-Pym whistled.
Mr. Frobisher-Pym whistled.
"Listen! 'To my eldest son Martin, for so long as my body shall remain above ground. But so soon as I am buried, I direct that the whole of this property shall revert to my younger son Haviland absolutely'——"
"Listen! 'To my eldest son Martin, for as long as I’m alive. But as soon as I’m buried, I want all of this property to go to my younger son Haviland completely.'"
"Good God!" said Mr. Frobisher-Pym.
"Good God!" Mr. Frobisher-Pym exclaimed.
"There's a lot more," said Haviland, "but that's the gist of it."
"There's a lot more," Haviland said, "but that's the main point."
"Let me see," said the magistrate.
"Let me see," said the judge.
He took the will from Haviland, and read it through with a frowning face.
He took the will from Haviland and read it with a frown.
"That's right," he said. "No possible doubt about it. Martin has had his property and lost it again. How very curious. Up till yesterday everything belonged to him, though nobody knew it. Now it is all yours, Burdock. This certainly is the strangest will I ever saw. Just fancy that. Martin the heir, up to the time of the funeral. And now—well, Burdock, I must congratulate you."
"That's right," he said. "No doubt about it. Martin had his property and lost it again. How strange. Until yesterday, it all belonged to him, even though no one knew it. Now it’s all yours, Burdock. This is definitely the weirdest will I've ever seen. Just think about that. Martin was the heir until the funeral. And now—well, Burdock, I have to congratulate you."
"Thank you," said Haviland. "It is very unexpected." He laughed unsteadily.
"Thanks," Haviland said. "That really took me by surprise." He laughed nervously.
"But what a queer idea!" cried Mrs. Burdock. "Suppose Martin had been at home. It almost seems a mercy that he wasn't, doesn't it? I mean, it would all have been so awkward. What would have happened if he had tried to stop the funeral, for instance?"
"But what a strange idea!" exclaimed Mrs. Burdock. "Imagine if Martin had been home. It almost feels like a blessing that he wasn’t, right? I mean, it would have been so uncomfortable. What do you think would have happened if he had tried to stop the funeral, for example?"
"Yes," said Mrs. Hancock. "Could he have done anything? Who decides about funerals?"
"Yes," Mrs. Hancock said. "Could he have done anything? Who makes the decisions about funerals?"
"The executors, as a rule," said Mr. Frobisher-Pym.
"The executors, generally speaking," said Mr. Frobisher-Pym.
"Who are the executors in this case?" enquired Wimsey.
"Who are the executors in this case?" asked Wimsey.
"I don't know. Let me see." Mr. Frobisher-Pym examined the document again. "Ah, yes! Here we are. 'I appoint my two sons, Martin and Haviland, joint executors of this my will.' What an extraordinary arrangement."
"I don't know. Let me check." Mr. Frobisher-Pym looked over the document again. "Oh, right! Here it is. 'I appoint my two sons, Martin and Haviland, as joint executors of this will.' What a strange setup."
"I call it a wicked, un-Christian arrangement," cried Mrs. Hancock. "It might have caused dreadful mischief if the will hadn't been—quite providentially—lost!"
"I call it a terrible, un-Christian setup," shouted Mrs. Hancock. "It could have caused awful chaos if the will hadn't been—rather luckily—lost!"
"Hush, my dear!" said her husband.
"Hush, my love!" said her husband.
"I'm afraid," said Haviland grimly, "that that was my father's idea. It's no use my pretending he wasn't spiteful; he was, and I believe he hated both Martin and me like poison."
"I'm afraid," Haviland said grimly, "that was my father's idea. There's no point in pretending he wasn't bitter; he was, and I really think he hated both Martin and me with a passion."
"Don't say that," pleaded the vicar.
"Don't say that," the vicar begged.
"I do say it. He made our lives a burden to us, and he obviously wanted to go on making them a burden after he was dead. If he'd seen us cutting each other's throats, he'd only have been too pleased. Come, vicar, it's no use pretending. He hated our mother and was jealous of us. Everybody knows that. It probably pleased his unpleasant sense of humour to think of us squabbling over his body. Fortunately, he over-reached himself when he hid the will here. He's buried now, and the problem settles itself."
"I really mean it. He made our lives difficult, and he clearly wanted to keep making them hard even after he was gone. If he had seen us fighting with each other, he would have been thrilled. Come on, vicar, there's no point in pretending. He hated our mother and was jealous of us. Everyone knows that. It probably amused his nasty sense of humor to imagine us arguing over his body. Luckily, he messed up when he hid the will here. He's in the ground now, and the issue takes care of itself."
"Are you quite sure of that?" said Wimsey.
"Are you really sure about that?" Wimsey said.
"Why, of course," said the magistrate. "The property goes to Mr. Haviland Burdock as soon as his father's body is underground. Well, his father was buried yesterday."
"Of course," said the magistrate. "The property goes to Mr. Haviland Burdock as soon as his father's body is buried. Well, his father was buried yesterday."
"But are you sure of that?" repeated Wimsey. He looked from one to the other quizzically, his long lips curling into something like a grin.
"But are you sure about that?" Wimsey asked again. He glanced from one person to the other with a raised eyebrow, his long lips curling into what seemed like a grin.
"Sure of that?" exclaimed the vicar. "My dear Lord Peter, you were present at the funeral. You saw him buried yourself."
"Are you really sure about that?" the vicar exclaimed. "My dear Lord Peter, you were at the funeral. You witnessed the burial yourself."
"I saw his coffin buried," said Wimsey mildly. "That the body was in it is merely an unverified inference."
"I saw his coffin buried," Wimsey said calmly. "Whether the body was actually in it is just an unconfirmed assumption."
"I think," said Mr. Frobisher-Pym, "this is rather an unseemly kind of jest. There is no reason to imagine that the body was not in the coffin."
"I think," said Mr. Frobisher-Pym, "that this is quite an inappropriate joke. There's no reason to believe that the body wasn't in the coffin."
"I saw it in the coffin," said Haviland, "and so did my wife."
"I saw it in the coffin," Haviland said, "and my wife saw it too."
"And so did I," said the vicar. "I was present when it was transferred from the temporary shell in which it crossed over from the States to a permanent lead-and-oak coffin provided by Joliffe. And, if further witnesses are necessary, you can easily get Joliffe himself and his men, who put the body in and screwed it down."
"And so did I," said the vicar. "I was there when it was moved from the temporary container it crossed over in from the States to a permanent lead-and-oak coffin provided by Joliffe. And if you need more witnesses, you can easily get Joliffe himself and his crew, who put the body in and secured it."
"Just so," said Wimsey. "I'm not denying that the body was in the coffin when the coffin was placed in the chapel. I only doubt whether it was there when it was put in the ground."
"Exactly," said Wimsey. "I'm not saying the body wasn't in the coffin when it was placed in the chapel. I just question whether it was there when it was buried."
"That is a most unheard-of suggestion to make, Lord Peter," said Mr. Frobisher-Pym, with severity. "May I ask if you have anything to go upon? And, if the body is not in the grave, perhaps you wouldn't mind telling us where you imagine it to be?"
"That's an incredibly shocking suggestion, Lord Peter," said Mr. Frobisher-Pym, sternly. "Can I ask if you have any evidence to support that? And if the body isn't in the grave, could you please share where you think it might be?"
"Not at all," said Wimsey. He perched himself on the edge of the table and sat, swinging his legs and looking down at his own hands, as he ticked his points off on his fingers.
"Not at all," said Wimsey. He sat on the edge of the table, swinging his legs and looking down at his hands as he counted off his points on his fingers.
"I think," he said, "that this story begins with young Rawlinson. He is a clerk in the office of Mr. Graham, who drew up this will, and I fancy he knows something about its conditions. So, of course, does Mr. Graham, but I don't somehow suspect him of being mixed up in this. From what I can hear, he is not a man to take sides—or not Mr. Martin's side, at any rate.
"I think," he said, "this story starts with young Rawlinson. He works as a clerk in Mr. Graham's office, who wrote up this will, and I have a feeling he knows something about its conditions. Of course, Mr. Graham knows too, but I just don’t suspect him of being involved in this. From what I can gather, he isn’t the type to take sides—or at least not Mr. Martin's side."
"When the news of Mr. Burdock's death was cabled over from the States, I think young Rawlinson remembered the terms of the will, and considered that Mr. Martin—being abroad and all that—would be rather at a disadvantage. Rawlinson must be rather attached to your brother, by the way——"
"When the news of Mr. Burdock's death was sent over from the States, I think young Rawlinson remembered the details of the will and felt that Mr. Martin—since he was abroad and all—would be at a disadvantage. By the way, Rawlinson must be somewhat fond of your brother—"
"Martin always had a way of picking up good-for-nothing youths and wasting his time with them," agreed Haviland sulkily.
"Martin always had a knack for picking up lazy young guys and wasting his time on them," Haviland agreed with a sulky tone.
The vicar seemed to feel that this statement needed some amendment, and murmured that he had always heard how good Martin was with the village lads.
The vicar seemed to think that this statement needed some adjustment, and quietly noted that he had always heard how great Martin was with the village boys.
"Quite so," said Wimsey. "Well, I think young Rawlinson wanted to give Martin an equal chance of securing the legacy, don't you see. He didn't like to say anything about the will—which might or might not turn up—and possibly he thought that even if it did turn up there might be difficulties. Well, anyway, he decided that the best thing to do was to steal the body and keep it above-ground till Martin came home to see to things himself."
"Exactly," said Wimsey. "I think young Rawlinson wanted to give Martin a fair shot at getting the inheritance, don't you? He didn’t want to bring up the will—which might or might not appear—and maybe he figured that even if it did show up, there could be complications. So, anyway, he thought the best course of action was to take the body and keep it above ground until Martin got back to handle things himself."
"This is an extraordinary accusation," began Mr. Frobisher-Pym.
"This is an unbelievable accusation," started Mr. Frobisher-Pym.
"I dare say I'm mistaken," said Wimsey, "but it's just my idea. It makes a damn good story, anyhow—you see! Well, then, young Rawlinson saw that this was too big a job to carry out alone, so he looked round for somebody to help him. And he pitched on Mr. Mortimer."
"I might be wrong," said Wimsey, "but that's just my opinion. It makes a really great story, anyway—you see! So, young Rawlinson realized that this was too big of a task to tackle by himself, so he looked for someone to help him. And he decided on Mr. Mortimer."
"Mortimer?"
"Mortimer?"
"I don't know Mr. Mortimer personally, but he seems to be a sportin' sort of customer from what I can hear, with certain facilities which everybody hasn't got. Young Rawlinson and Mortimer put their heads together and worked out a plan of action. Of course, Mr. Hancock, you helped them enormously with this lying-in-state idea of yours. Without that, I don't know if they could have worked it."
"I don’t know Mr. Mortimer personally, but he seems to be a sporty kind of guy from what I hear, with certain advantages that not everyone has. Young Rawlinson and Mortimer collaborated and came up with a plan. Of course, Mr. Hancock, you really helped them out a lot with your idea about the lying-in-state. Without that, I’m not sure they could have pulled it off."
Mr. Hancock made an embarrassed clucking sound.
Mr. Hancock made an awkward clucking sound.
"The idea was this. Mortimer was to provide an antique fly and four white horses, made up with luminous paint and black cloth to represent the Burdock death-coach. The advantage of that idea was that nobody would feel inclined to inspect the turn-out too closely if they saw it hangin' round the churchyard at unearthly hours. Meanwhile, young Rawlinson had to get himself accepted as a watcher for the chapel, and to find a sporting companion to watch with him and take a hand in the game. He fixed things up with the publican-fellow, and spun a tale for Mr. Hancock, so as to get the vigil from four to six. Didn't it strike you as odd, Mr. Hancock, that he should be so keen to come all the way from Herriotting?"
"The plan was this: Mortimer would supply an old-fashioned fly and four white horses, decorated with glowing paint and black cloth to mimic the Burdock death-coach. The benefit of this idea was that no one would feel like investigating too closely if they saw it lingering around the churchyard at strange hours. In the meantime, young Rawlinson needed to get accepted as a watcher for the chapel and find a partner to watch with him and participate in the game. He arranged everything with the pub owner and spun a story for Mr. Hancock to secure the vigil from four to six. Didn't it seem strange to you, Mr. Hancock, that he was so eager to come all the way from Herriotting?"
"I am accustomed to find keenness in my congregation," said Mr. Hancock stiffly.
"I’m used to seeing enthusiasm in my congregation," Mr. Hancock said stiffly.
"Yes, but Rawlinson didn't belong to your congregation. Anyway it was all worked out, and there was a dress-rehearsal on the Wednesday night, which frightened your man Plunkett into fits, sir."
"Yes, but Rawlinson wasn't part of your group. Anyway, everything was set, and there was a dress rehearsal on Wednesday night that scared your guy Plunkett to death, sir."
"If I thought this was true——" said Mr. Frobisher-Pym.
"If I thought this was true—" said Mr. Frobisher-Pym.
"On Thursday night," pursued Wimsey, "the conspirators were ready, hidden in the chancel at two in the morning. They waited till Mrs. and Miss Hancock had taken their places, and then made a row to attract their attention. When the ladies courageously advanced to find out what was up, they popped out and bundled 'em into the vestry."
"On Thursday night," continued Wimsey, "the conspirators were set, hiding in the chancel at two in the morning. They waited until Mrs. and Miss Hancock were seated, then they created a disturbance to grab their attention. When the ladies bravely approached to see what was happening, they jumped out and dragged them into the vestry."
"Good gracious!" said Mrs. Hancock.
"Wow!" said Mrs. Hancock.
"That was when the death-coach affair was timed to drive up to the south door. It came round the Back Lane, I fancy, though I can't be sure. Then Mortimer and the other two took the embalmed body out of the coffin and filled its place up with bags of sawdust. I know it was sawdust, because I found the remains of it on the Lady-chapel floor in the morning. They put the body in the fly, and Mortimer drove off with it. They passed me on the Herriotting Road at half-past two, so they can't have wasted much time over the job. Mortimer may have been alone, or possibly he had someone with him to see to the body while he himself did the headless coachman business in a black mask. I'm not certain about that. They drove through the last gate before you come to the fork at Frimpton, and went across the fields to Mortimer's barn. They left the fly there—I know that, because I saw it, and I saw the bran they used to muffle the horses' hoofs, too. I expect they took it on from there in a car, and fetched the horses up next day—but that's a detail. I don't know, either, where they took the body to, but I expect, if you went and asked Mortimer about it, he would be able to assure you that it was still above ground."
"That was when the death-coach was scheduled to pull up to the south door. It came down the Back Lane, I think, though I'm not totally sure. Then Mortimer and the other two took the embalmed body out of the coffin and filled the space with bags of sawdust. I know it was sawdust because I found some on the Lady-chapel floor in the morning. They put the body in the carriage, and Mortimer drove off with it. They passed me on the Herriotting Road at half-past two, so they can't have taken much time with the job. Mortimer might have been alone, or he could have had someone with him to look after the body while he handled the headless coachman duty in a black mask. I'm not certain about that. They drove through the last gate before you get to the fork at Frimpton and went across the fields to Mortimer's barn. They left the carriage there—I know because I saw it, and I also saw the straw they used to muffle the horses' hooves, too. I expect they took it from there in a car and brought the horses back the next day—but that's just a detail. I also don't know where they took the body, but I bet if you asked Mortimer about it, he'd be able to tell you that it was still above ground."
Wimsey paused. Mr. Frobisher-Pym and the Hancocks were looking only puzzled and angry, but Haviland's face was green. Mrs. Haviland showed a red, painted spot on each cheek, and her mouth was haggard. Wimsey picked up the Nüremberg Chronicle and caressed its covers thoughtfully as he went on.
Wimsey paused. Mr. Frobisher-Pym and the Hancocks looked confused and angry, but Haviland's face was pale. Mrs. Haviland had a red, painted spot on each cheek, and her mouth looked worn out. Wimsey picked up the Nüremberg Chronicle and thoughtfully stroked its covers as he continued.
"Meanwhile, of course, young Rawlinson and his companion were doing the camouflage in the church, to give the idea of a Protestant outrage. Having fixed everything up neat and pretty, all they had to do was to lock themselves up in the furnace-house and chuck the key through the window. You'll probably find it there, Mr. Hancock, if you care to look. Didn't you think that story of an assault by two or three men was a bit thin? Hubbard is a hefty great fellow, and Rawlinson's a sturdy lad—and yet, on their own showing, they were bundled into a coal-hole like helpless infants, without a scratch on either of 'em. Look for the men in buckram, my dear sir, look for the men in buckram!"
"Meanwhile, young Rawlinson and his friend were busy setting up a scene in the church to make it look like a Protestant crime. Once they had everything arranged neatly, all they needed to do was lock themselves in the furnace room and toss the key out the window. You’ll probably find it there, Mr. Hancock, if you want to check. Didn’t you think that story about an attack by two or three guys sounded a bit far-fetched? Hubbard is a big guy, and Rawlinson is pretty sturdy too—and yet, according to their own account, they were shoved into a coal hole like helpless kids, without a single scratch on either of them. Look for the men in costumes, my dear sir, look for the men in costumes!"
"Look here, Wimsey, are you sure you're not romancing?" said Mr. Frobisher-Pym. "One would need some very clear proof before——"
"Listen, Wimsey, are you sure you're not just playing around?" said Mr. Frobisher-Pym. "You'd need some pretty solid evidence before——"
"Certainly," said Wimsey. "Get a Home Office order. Open the grave. You'll soon see whether it's true or whether it's just my diseased imagination."
"Sure," said Wimsey. "Get a Home Office order. Open the grave. You’ll find out soon enough whether it’s true or just my warped imagination."
"I think this whole conversation is disgusting," cried Mrs. Burdock. "Don't listen to it, Haviland. Anything more heartless on the day after father's funeral than sitting here and inventing such a revolting story I simply can't imagine. It is not worth paying a moment's attention to. You will certainly not permit your father's body to be disturbed. It's horrible. It's a desecration."
"I think this whole conversation is disgusting," Mrs. Burdock exclaimed. "Don't pay attention to it, Haviland. I can't even imagine anything more heartless than sitting here and making up such a revolting story the day after your father's funeral. It's not worth your time. You definitely won’t allow anyone to disturb your father's body. It's awful. It's a desecration."
"It is very unpleasant indeed," said Mr. Frobisher-Pym gravely, "but if Lord Peter is seriously putting forward this astonishing theory, which I can scarcely credit——"
"It is really quite unpleasant," Mr. Frobisher-Pym said seriously, "but if Lord Peter is genuinely presenting this incredible theory, which I can hardly believe——"
Wimsey shrugged his shoulders.
Wimsey shrugged.
"—then I feel bound to remind you, Mr. Burdock, that your brother, when he returns, may insist on having the matter investigated."
"—then I feel it’s important to remind you, Mr. Burdock, that your brother, when he comes back, might demand that the issue be looked into."
"But he can't, can he?" said Mrs. Burdock.
"But he can't, can he?" Mrs. Burdock said.
"Of course he can, Winnie," snapped her husband savagely. "He's an executor. He has as much right to have the governor dug up as I have to forbid it. Don't be a fool."
"Of course he can, Winnie," her husband replied sharply. "He's an executor. He has just as much right to have the governor exhumed as I do to prevent it. Don't be stupid."
"If Martin had any decency, he would forbid it, too," said Mrs. Burdock.
"If Martin had any decency, he would stop it, too," said Mrs. Burdock.
"Oh, well!" said Mrs. Hancock, "shocking as it may seem, there's the money to be considered. Mr. Martin might think it a duty to his wife, and his family, if he should ever have any——"
"Oh, well!" said Mrs. Hancock, "as shocking as it might sound, we have to think about the money. Mr. Martin might feel it's his responsibility to his wife, and to his family, if he ever has one——"
"The whole thing is preposterous," said Haviland decidedly. "I don't believe a word of it. If I did, naturally I should be the first person to take action in the matter—not only in justice to Martin, but on my own account. But if you ask me to believe that a responsible man like Mortimer would purloin a corpse and desecrate a church—the thing only has to be put into plain words to show how absurd and unthinkable it is. I suppose Lord Peter Wimsey, who consorts, as I understand, with criminals and police officers, finds the idea conceivable. I can only say that I do not. I am sorry that his mind should have become so blunted to all decent feeling. That's all. Good afternoon."
"This is ridiculous," Haviland said firmly. "I don't believe a single word of it. If I did, I’d naturally be the first to act—not just for Martin's sake, but for my own as well. But if you expect me to believe that a sensible guy like Mortimer would steal a corpse and disrespect a church—the whole idea just needs to be stated plainly to show how absurd and unthinkable it is. I guess Lord Peter Wimsey, who apparently hangs out with criminals and cops, might find that idea believable. All I can say is that I don't. It's unfortunate that he's become so numb to any sense of decency. That's it. Have a good afternoon."
Mr. Frobisher-Pym jumped up.
Mr. Frobisher-Pym stood up.
"Come, come, Burdock, don't take that attitude. I am sure Lord Peter intended no discourtesy. I must say I think he's all wrong, but, 'pon my soul, things have been so disturbed in the village these last few days, I'm not surprised anybody should think there was something behind it. Now, let's forget about it—and hadn't we better be moving out of this terribly cold room? It's nearly dinner-time. Bless me, what will Agatha think of us?"
"Come on, Burdock, don’t be like that. I’m sure Lord Peter meant no disrespect. I have to say I think he’s completely mistaken, but honestly, things have been so chaotic in the village these last few days, I’m not surprised anyone would think there’s more to it. Now, let’s put this behind us—and shouldn’t we get out of this freezing room? It’s almost dinner time. Goodness, what will Agatha think of us?"
Wimsey held out his hand to Burdock, who took it reluctantly.
Wimsey extended his hand to Burdock, who took it with hesitation.
"I'm sorry," said Wimsey. "I suffer from hypertrophy of the imagination, y'know. Over-stimulation of the thyroid probably. Don't mind me. I apologise, and all that."
"I'm sorry," said Wimsey. "I have an overactive imagination, you know. It's probably due to an overactive thyroid. Don't worry about me. I apologize and all that."
"I don't think, Lord Peter," said Mrs. Burdock acidly, "you ought to exercise your imagination at the expense of good taste."
"I don't think, Lord Peter," Mrs. Burdock said sharply, "you should use your imagination if it means sacrificing good taste."
Wimsey followed her from the room in some confusion. Indeed, he was so disturbed that he carried away the Nüremberg Chronicle beneath his arm, which was an odd thing for him to do under the circumstances.
Wimsey followed her out of the room feeling a bit confused. In fact, he was so unsettled that he took the Nüremberg Chronicle with him under his arm, which was a strange thing for him to do given the situation.
"I am gravely distressed," said Mr. Hancock.
"I am very upset," said Mr. Hancock.
He had come over, after Sunday evening service, to call upon the Frobisher-Pyms. He sat upright on his chair, his thin face flushed with anxiety.
He came over after Sunday evening service to visit the Frobisher-Pyms. He sat up straight in his chair, his thin face flushed with anxiety.
"I could never have believed such a thing of Hubbard. It has been a grievous shock to me. It is not only the great wickedness of stealing a dead body from the very precincts of the church, though that is grave enough. It is the sad hypocrisy of his behaviour—the mockery of sacred things—the making use of the holy services of his religion to further worldly ends. He actually attended the funeral, Mr. Frobisher-Pym, and exhibited every sign of grief and respect. Even now he hardly seems to realise the sinfulness of his conduct. I feel it very much, as a priest and as a pastor—very much indeed."
"I could never have imagined such a thing from Hubbard. It's been a devastating shock to me. It’s not just the serious wrongdoing of stealing a dead body from right outside the church, although that’s bad enough. It’s the sad hypocrisy of his actions—the disrespect for sacred things—the use of the holy services of his religion to achieve worldly goals. He even went to the funeral, Mr. Frobisher-Pym, and showed every sign of grief and respect. Even now, he hardly seems to grasp the wrongness of his behavior. I feel it deeply, both as a priest and as a pastor—very deeply indeed."
"Oh, well, Hancock," said Mr. Frobisher-Pym, "you must make allowances, you know. Hubbard's not a bad fellow, but you can't expect refinement of feeling from a man of his class. The point is, what are we to do about it? Mr. Burdock must be told, of course. It's a most awkward situation. Dear me! Hubbard confessed the whole conspiracy, you say? How did he come to do that?"
"Oh, come on, Hancock," said Mr. Frobisher-Pym, "you have to be understanding, you know. Hubbard's not a bad guy, but you can’t expect him to have refined feelings coming from his background. The question is, what should we do about it? Mr. Burdock has to be informed, obviously. This is a really uncomfortable situation. Goodness! Hubbard admitted to the whole plot, you say? How did that happen?"
"I taxed him with it," said the parson. "When I came to think over Lord Peter Wimsey's remarks, I was troubled in my mind. It seemed to me—I cannot say why—that there might be some truth in the story, wild as it appeared. I was so worried about it that I swept the floor of the Lady-chapel myself last night, and I found quite a quantity of sawdust among the sweepings. That led me to search for the key of the furnace-house, and I discovered it in some bushes at a little distance—in fact, within a stone's throw—of the furnace-house window. I sought guidance in prayer—and from my wife, whose judgment I greatly respect—and I made up my mind to speak to Hubbard after Mass. It was a great relief to me that he did not present himself at Early Celebration. Feeling as I did, I should have had scruples."
"I confronted him about it," said the pastor. "When I thought over Lord Peter Wimsey's comments, I became concerned. It seemed to me—though I can't explain why—that there might be some truth to the story, as crazy as it seemed. I was so anxious about it that I cleaned the floor of the Lady-chapel myself last night, and I found quite a bit of sawdust among the debris. That made me look for the key to the furnace-house, and I found it in some bushes just a short distance away—in fact, within a stone's throw—from the furnace-house window. I sought guidance through prayer—and from my wife, whose judgment I really value—and I decided to talk to Hubbard after Mass. I was relieved that he didn’t show up for Early Celebration. Given how I felt, I would have had moral reservations."
"Just so, just so," said the magistrate, a little impatiently. "Well, you taxed him with it, and he confessed?"
"Exactly, exactly," said the magistrate, slightly impatient. "So, you accused him of it, and he confessed?"
"He did. I am sorry to say he showed no remorse at all. He even laughed. It was a most painful interview."
"He did. I'm sorry to say he showed no remorse whatsoever. He even laughed. It was a really painful interview."
"I am sure it must have been," said Mrs. Frobisher-Pym sympathetically.
"I’m sure it must have been," Mrs. Frobisher-Pym said with sympathy.
"We must go and see Mr. Burdock," said the magistrate, rising. "Whatever old Burdock may or may not have intended by that iniquitous will of his, it's quite evident that Hubbard and Mortimer and Rawlinson were entirely in the wrong. Upon my word, I've no idea whether it's an indictable offence to steal a body. I must look it up. But I should say it was. If there is any property in a corpse, it must belong to the family or the executors. And in any case, it's sacrilege, to say nothing of the scandal in the parish. I must say, Hancock, it won't do us any good in the eyes of the Nonconformists. However, no doubt you realise that. Well, it's an unpleasant job, and the sooner we tackle it the better. I'll run over to the vicarage with you and help you to break it to the Burdocks. How about you, Wimsey? You were right, after all, and I think Burdock owes you an apology."
"We need to go see Mr. Burdock," said the magistrate, standing up. "Regardless of what old Burdock intended with that terrible will of his, it's clear that Hubbard, Mortimer, and Rawlinson were completely in the wrong. Honestly, I have no idea if stealing a body counts as a crime. I should check on that. But I would assume it does. If there is any ownership over a corpse, it should belong to the family or the executors. And anyway, it's sacrilege, not to mention the scandal it causes in the parish. I must say, Hancock, this won't help our image with the Nonconformists. But I'm sure you realize that. Anyway, it's an unpleasant task, and we should deal with it as soon as possible. I'll go with you to the vicarage and help you break the news to the Burdocks. What about you, Wimsey? You were right all along, and I think Burdock owes you an apology."
"Oh, I'll keep out of it," said Wimsey. "I shan't be exactly persona grata, don't you know. It's going to mean a deuce of a big financial loss to the Haviland Burdocks."
"Oh, I'll stay out of it," said Wimsey. "I won’t be exactly persona grata, you know. It’s going to result in a huge financial loss for the Haviland Burdocks."
"So it is. Most unpleasant. Well, perhaps you're right. Come along, vicar."
"So it is. Really uncomfortable. Well, maybe you’re right. Let’s go, vicar."
Wimsey and his hostess sat discussing the matter by the fire for half an hour or so, when Mr. Frobisher-Pym suddenly put his head in and said:
Wimsey and his hostess sat talking about the issue by the fire for about half an hour, when Mr. Frobisher-Pym suddenly popped his head in and said:
"I say, Wimsey—we're all going over to Mortimer's. I wish you'd come and drive the car. Merridew always has the day off on Sunday, and I don't care about driving at night, particularly in this fog."
"I mean, Wimsey—we're all heading over to Mortimer's. I wish you'd come and drive the car. Merridew always takes Sundays off, and I'm not keen on driving at night, especially in this fog."
"Right you are," said Wimsey. He ran upstairs, and came down in a few moments wearing a heavy leather flying-coat, and with a parcel under his arm. He greeted the Burdocks briefly, climbed into the driving-seat, and was soon steering cautiously through the mist along the Herriotting Road.
"You're absolutely right," said Wimsey. He dashed upstairs and quickly returned wearing a heavy leather flying coat, with a package under his arm. He briefly acknowledged the Burdocks, got into the driver's seat, and soon began navigating carefully through the fog along the Herriotting Road.
He smiled a little grimly to himself as they came up under the trees to the spot where the phantom coach had passed him. As they passed the gate through which the ingenious apparition had vanished, he indulged himself by pointing it out, and was rewarded by hearing a snarl from Haviland. At the well-remembered fork, he took the right-hand turning into Frimpton and drove steadily for six miles or so, till a warning shout from Mr. Frobisher-Pym summoned him to look out for the turning up to Mortimer's.
He smiled wryly to himself as they reached the trees near where the ghostly coach had passed him. As they went through the gate where the clever apparition had disappeared, he pointed it out, only to be met with a snarl from Haviland. At the familiar fork, he took the right turn toward Frimpton and drove steadily for about six miles until a shout from Mr. Frobisher-Pym called his attention to watch for the turn to Mortimer's.
Mr. Mortimer's house, with its extensive stabling and farm buildings, stood about two miles back from the main road. In the darkness Wimsey could see little of it; but he noticed that the ground-floor windows were all lit up, and, when the door opened to the magistrate's imperative ring, a loud burst of laughter from the interior gave evidence that Mr. Mortimer was not taking his misdoings too seriously.
Mr. Mortimer's house, with its large stables and farm buildings, was about two miles off the main road. In the dark, Wimsey could hardly see anything, but he noticed that all the windows on the ground floor were lit up. When the door opened in response to the magistrate's urgent ring, a loud burst of laughter from inside showed that Mr. Mortimer wasn’t taking his troubles too seriously.
"Is Mr. Mortimer at home?" demanded Mr. Frobisher-Pym, in the tone of a man not to be trifled with.
"Is Mr. Mortimer at home?" asked Mr. Frobisher-Pym, in a tone that suggested he wasn't to be messed with.
"Yes, sir. Will you come in, please?"
"Sure, come in, please."
They stepped into a large, old-fashioned hall, brilliantly lit, and made cosy with a heavy oak screen across the door. As Wimsey advanced, blinking, from the darkness, he saw a large, thick-set man, with a ruddy face, advancing with hand outstretched in welcome.
They walked into a spacious, old-fashioned hall that was brightly lit and made cozy by a heavy oak screen at the doorway. As Wimsey moved forward, squinting from the dim light, he noticed a large, stocky man with a rosy face coming toward him with his hand extended in greeting.
"Frobisher-Pym! By Jove! how decent of you to come over! We've got some old friends of yours here. Oh!" (in a slightly altered tone) "Burdock! Well, well——"
"Frobisher-Pym! Wow! How nice of you to come by! We've got some of your old friends here. Oh!" (in a slightly different tone) "Burdock! Well, well——"
"Damn you!" said Haviland Burdock, thrusting furiously past the magistrate, who was trying to hold him back. "Damn you, you swine! Chuck this bloody farce. What have you done with the body?"
"Damn you!" Haviland Burdock shouted, pushing angrily past the magistrate, who was trying to stop him. "Damn you, you pig! End this ridiculous joke. What have you done with the body?"
"The body, eh?" said Mr. Mortimer, retreating in some confusion.
"The body, huh?" said Mr. Mortimer, stepping back, a bit flustered.
"Yes, curse you! Your friend Hubbard's split. It's no good denying it. What the devil do you mean by it? You've got the body here somewhere. Where is it? Hand it over!"
"Yeah, damn you! Your friend Hubbard's gone. There's no point in denying it. What the hell do you mean by that? You’ve got the body here somewhere. Where is it? Just give it to me!"
He strode threateningly round the screen into the lamplight. A tall, thin man rose up unexpectedly from the depths of an arm-chair and confronted him.
He walked menacingly around the screen and into the light of the lamp. A tall, thin man suddenly stood up from the depths of an armchair and faced him.
"Hold hard, old man!"
"Wait up, old man!"
"Good God!" said Haviland, stepping heavily back on Wimsey's toes. "Martin!"
"Good God!" Haviland exclaimed, stepping back hard onto Wimsey's toes. "Martin!"
"Sure," said the other. "Here I am. Come back like a bad half-penny. How are you?"
"Sure," said the other. "Here I am. Always coming back like a bad penny. How are you?"
"So you're at the bottom of this!" stormed Haviland. "I might have known it. You damned, dirty hound! I suppose you think it's decent to drag your father out of his coffin and tote him about the country like a circus. It's degrading. It's disgusting. It's abominable. You must be perfectly dead to all decent feeling. You don't deny it, I suppose?"
"So you're behind all this!" Haviland shouted. "I should have guessed. You rotten, filthy dog! I suppose you think it's okay to drag your father out of his grave and haul him around the country like a sideshow attraction. It's humiliating. It's revolting. It's awful. You must be completely numb to any decent feelings. You’re not denying it, are you?"
"I say, Burdock!" expostulated Mortimer.
"I say, Burdock!" exclaimed Mortimer.
"Shut up, curse you!" said Haviland. "I'll deal with you in a minute. Now, look here, Martin, I'm not going to stand any more of this disgraceful behaviour. You'll give up that body, and——"
"Shut up, damn you!" Haviland said. "I'll take care of you in a minute. Now, listen, Martin, I’m not going to tolerate any more of this shameful behavior. You’re going to give up that body, and——"
"Just a moment, just a moment," said Martin. He stood, smiling a little, his hands thrust into the pockets of his dinner-jacket. "This éclaircissement seems to be rather public. Who are all these people? Oh, it's the vicar, I see. I'm afraid we owe you a little explanation, vicar. And, er——"
"Just a second, just a second," said Martin. He stood there, smiling slightly, his hands shoved into the pockets of his dinner jacket. "This éclaircissement seems to be pretty public. Who are all these people? Oh, it's the vicar, I see. I'm afraid we owe you a bit of an explanation, vicar. And, um——"
"This is Lord Peter Wimsey," put in Mr. Frobisher-Pym, "who discovered your—I'm afraid, Burdock, I must agree with your brother in calling it your disgraceful plot."
"This is Lord Peter Wimsey," Mr. Frobisher-Pym interjected, "who found out about your—I'm sorry, Burdock, but I have to agree with your brother in calling it your shameful scheme."
"Oh, Lord!" said Martin. "I say, Mortimer, you didn't know you were up against Lord Peter Wimsey, did you? No wonder the cat got out of the bag. The man's known to be a perfect Sherlock. However, I seem to have got home at the crucial moment, so there's no harm done. Diana, this is Lord Peter Wimsey—my wife."
"Oh, Lord!" said Martin. "I bet you didn’t realize you were dealing with Lord Peter Wimsey, did you, Mortimer? No wonder the truth slipped out. The guy is known to be a total detective. Anyway, I think I arrived just in time, so everything's okay. Diana, this is Lord Peter Wimsey—my wife."
A young and pretty woman in a black evening dress greeted Wimsey with a shy smile, and turned deprecatingly to her brother-in-law.
A young and attractive woman in a black evening dress smiled shyly at Wimsey and turned modestly to her brother-in-law.
"Haviland, we want to explain——"
"Haviland, we want to explain—"
He paid no attention to her.
He brushed her off.
"Now then, Martin, the game's up."
"Alright, Martin, the game is over."
"I think it is, Haviland. But why make all this racket?"
"I think it is, Haviland. But why are we making all this noise?"
"Racket! I like that. You take your own father's body out of its coffin——"
"Racket! I like that. You take your own father's body out of his coffin——"
"No, no, Haviland. I knew nothing about it. I swear that. I only got the news of his death a few days ago. We were right out in the wilds, filming a show in the Pyrenees, and I came straight back as soon as I could get away. Mortimer here, with Rawlinson and Hubbard, staged the whole show by themselves. I never heard a word about it till yesterday morning in Paris, when I found his letter waiting at my old digs. Honestly, Haviland, I had nothing to do with it. Why should I? I didn't need to."
"No, no, Haviland. I didn’t know anything about it. I swear. I only found out about his death a few days ago. We were way out in the wilderness, filming a show in the Pyrenees, and I came back as soon as I could. Mortimer, along with Rawlinson and Hubbard, handled the whole thing by themselves. I didn’t hear a word about it until yesterday morning in Paris when I found his letter waiting for me at my old place. Honestly, Haviland, I had nothing to do with it. Why would I? I didn’t need to."
"What do you mean?"
"What are you talking about?"
"Well, if I'd been here, I should only have had to speak to stop the funeral altogether. Why on earth should I have gone to the trouble of stealing the body? Quite apart from the irreverence and all that. As it is, when Mortimer told me about it, I must say I was a bit revolted at the idea, though I appreciated the kindness and the trouble they'd been to on my account. I think Mr. Hancock has most cause for wrath, really. But Mortimer has been as careful as possible, sir—really he has. He has placed the old governor quite reverently and decently in what used to be the chapel, and put flowers round him and so on. You will be quite satisfied, I'm sure."
"Well, if I'd been here, all I would have needed to do was speak up to stop the funeral completely. Why on earth would I go through the trouble of stealing the body? It’s not just about the disrespect and all that. When Mortimer told me about it, I have to admit I was a bit shocked by the idea, even though I appreciated the kindness and effort they put in for my sake. I think Mr. Hancock has the most reason to be upset, honestly. But Mortimer has been as careful as he can be, sir—he really has. He has placed the old governor quite respectfully and decently in what used to be the chapel and arranged flowers around him and everything. I'm sure you'll be quite satisfied."
"Yes, yes," said Mortimer. "No disrespect intended, don't you know. Come and see him."
"Yeah, sure," said Mortimer. "No offense meant, you know. Come and check him out."
"This is dreadful," said the vicar helplessly.
"This is terrible," said the vicar, feeling powerless.
"They had to do the best they could, don't you see, in my absence," said Martin. "As soon as I can, I'll make proper arrangements for a suitable tomb—above ground, of course. Or possibly cremation would fit the case."
"They had to do the best they could, you know, while I wasn't around," said Martin. "As soon as I can, I'll make proper plans for a suitable tomb—above ground, obviously. Or maybe cremation would be more appropriate."
"What!" gasped Haviland. "Do you mean to say you imagine I'm going to let my father stay unburied, simply because of your disgusting greed about money?"
"What!" Haviland exclaimed. "Are you really suggesting that I would let my father go unburied just because of your disgusting greed for money?"
"My dear chap, do you think I'm going to let you put him underground, simply to enable you to grab my property?"
"My dear friend, do you really think I’m going to let you bury him just so you can take my stuff?"
"I'm the executor of his will, and I say he shall be buried, whether you like it or not!"
"I'm the executor of his will, and I say he will be buried, whether you like it or not!"
"And I'm an executor too—and I say he shan't be buried. He can be kept absolutely decently above ground, and he shall be."
"And I'm an executor too—and I say he won't be buried. He can be kept perfectly respectably above ground, and he will."
"But hear me," said the vicar, distracted between these two disagreeable and angry young men.
"But listen to me," said the vicar, caught in the middle of these two unpleasant and angry young men.
"I'll see what Graham says about you," bawled Haviland.
"I'll ask Graham what he thinks about you," shouted Haviland.
"Oh, yes—the honest lawyer, Graham," sneered Martin. "He knew what was in the will, didn't he? I suppose he didn't mention it to you, by any chance?"
"Oh, yes—the honest lawyer, Graham," Martin sneered. "He knew what was in the will, didn’t he? I guess he didn’t bring it up to you, did he?"
"He did not," retorted Haviland. "He knew too well the sort of skunk you were to say anything about it. Not content with disgracing us with your miserable, blackmailing marriage——"
"He didn’t," Haviland shot back. "He knew too well what a lowlife you are to say anything about it. Not happy with dragging us down with your pathetic, blackmailing marriage——"
"Mr. Burdock, Mr. Burdock——"
"Mr. Burdock, Mr. Burdock—"
"Take care, Haviland!"
"Take care, Haviland!"
"You have no more decency——"
"You have no decency left——"
"Stop it!"
"Knock it off!"
"Than to steal your father's body and my money so that you and your damned wife can carry on your loose-living, beastly ways with a parcel of film-actors and chorus-girls——"
"Better than stealing your father's body and my money just so you and your worthless wife can continue your wild, immoral lifestyle with a bunch of actors and showgirls——"
"Now then, Haviland. Keep your tongue off my wife and my friends. How about your own? Somebody told me Winnie'd been going the pace pretty well—next door to bankruptcy, aren't you, with the gees and the tables and God knows what! No wonder you want to do your brother out of his money. I never thought much of you, Haviland, but by God——"
"Listen up, Haviland. Keep your mouth off my wife and my friends. What about your own? I heard Winnie’s been living it up a bit too much—aren’t you on the edge of bankruptcy with all the horses and the gambling and who knows what else? It’s no surprise you want to take your brother's money. I never thought much of you, Haviland, but seriously——"
"One moment!"
"Hold on a sec!"
Mr. Frobisher-Pym at last succeeded in asserting himself, partly through the habit of authority, and partly because the brothers had shouted themselves breathless.
Mr. Frobisher-Pym finally managed to assert himself, partly due to his authoritative demeanor, and partly because the brothers had shouted themselves hoarse.
"One moment, Martin. I will call you so, because I have known you a long time, and your father too. I understand your anger at the things Haviland has said. They were unpardonable, as I am sure he will realise when he comes to his right mind. But you must remember that he has been greatly shocked and upset—as we all have been—by this very very painful business. And it is not fair to say that Haviland has tried to 'do you out' of anything. He knew nothing about this iniquitous will, and he naturally saw to it that the funeral arrangements were carried out in the usual way. You must settle the future amicably between you, just as you would have done had the will not been accidentally mislaid. Now, Martin—and Haviland too—think it over. My dear boys, this scene is simply appalling. It really must not happen. Surely the estate can be divided up in a friendly manner between you. It is horrible that an old man's body should be a bone of contention between his own sons, just over a matter of money."
"Just a moment, Martin. I'm calling you that because I've known you for a long time, and your father too. I get why you're upset with what Haviland said. It was inexcusable, and I’m sure he’ll understand that once he calms down. But remember, he’s been deeply shocked and disturbed—just like all of us—by this very painful situation. It's unfair to say that Haviland has tried to take anything away from you. He had no idea about this terrible will, and naturally, he made sure the funeral arrangements went ahead as usual. You guys need to settle the future amicably, just like you would have if the will hadn't been accidentally lost. Now, Martin—and Haviland too—think this over. My dear boys, this scene is just awful. It can’t go on like this. Surely the estate can be split up in a friendly way between you. It’s terrible that an old man's body should become a point of contention between his own sons over money."
"I'm sorry," said Martin. "I forgot myself. You're quite right, sir. Look here, Haviland, forget it. I'll let you have half the money——"
"I'm sorry," said Martin. "I lost track of things. You're absolutely right, sir. Listen, Haviland, just let it go. I'll give you half the money——"
"Half the money! But it's all mine. You'll let me have half? How damned generous! My own money!"
"Half the money! But it's all mine. You’ll let me have half? How incredibly generous! My own money!"
"No, old man. It's mine at the moment. The governor's not buried yet, you know. That's right, isn't it, Mr. Frobisher-Pym?"
"No, old man. It's mine right now. The governor hasn't been buried yet, you know. That's correct, isn't it, Mr. Frobisher-Pym?"
"Yes; the money is yours, legally, at this moment. You must see that, Haviland. But your brother offers you half, and——"
"Yes, the money is yours, legally, right now. You need to understand that, Haviland. But your brother is giving you half, and——"
"Half! I'm damned if I'll take half. The man's tried to swindle me out of it. I'll send for the police, and have him put in gaol for robbing the Church. You see if I don't. Give me the telephone."
"Half! There's no way I'm taking half. That guy tried to cheat me out of it. I'll call the police and get him arrested for stealing from the Church. Just watch me. Hand me the phone."
"Excuse me," said Wimsey. "I don't want to butt in on your family affairs any more than I have already, but I really don't advise you to send for the police."
"Excuse me," Wimsey said. "I don't want to interfere in your family matters any more than I already have, but I really wouldn’t recommend calling the police."
"You don't, eh? What the hell's it got to do with you?"
"You don't, huh? What the heck does it have to do with you?"
"Well," said Wimsey deprecatingly, "if this will business comes into court, I shall probably have to give evidence, because I was the bird who found the thing, don't you see?"
"Well," Wimsey said modestly, "if this whole business goes to court, I’ll probably have to give evidence since I was the one who found it, you know?"
"Well, then?"
"Alright, what’s next?"
"Well, then. They might ask how long the will was supposed to have been where I found it."
"Well, then. They might ask how long the will was supposed to have been where I found it."
Haviland appeared to swallow something which obstructed his speech.
Haviland seemed to choke on something that interrupted his speech.
"What about it, curse you!"
"What about it, damn you!"
"Yes. Well, you see, it's rather odd when you come to think of it. I mean, your late father must have hidden that will in the bookcase before he went abroad. That was—how long ago? Three years? Five years?"
"Yes. Well, it's kind of strange when you think about it. I mean, your late father must have tucked that will away in the bookcase before he left for abroad. That was—how long ago? Three years? Five years?"
"About four years."
"About four years ago."
"Quite. And since then your bright caretaker has let the damp get into the library, hasn't she? No fires, and the window getting broken, and so on. Ruinous to the books. Very distressin' to anybody like myself, you know. Yes. Well, supposin' they asked that question about the will—and you said it had been there in the damp for four years. Wouldn't they think it a bit funny if I told 'em that there was a big damp stain like a grinning face on the end of the bookshelf, and a big, damp, grinning face on the jolly old Nüremberg Chronicle to correspond with it, and no stain on the will which had been sittin' for four years between the two?"
"Exactly. And since then, your bright caretaker has let moisture into the library, hasn't she? No fires, and the window's broken, and so on. It's damaging the books. Very upsetting to someone like me, you know. Yes. Well, suppose they asked about the will—and you mentioned it had been sitting in the damp for four years. Wouldn't they find it a bit strange if I told them there's a big damp stain shaped like a grinning face at the end of the bookshelf, and a big, damp, grinning face on the old Nüremberg Chronicle that matches it, with no stain on the will, which has been sitting for four years between the two?"
Mrs. Haviland screamed suddenly. "Haviland! You fool! You utter fool!"
Mrs. Haviland suddenly screamed, "Haviland! You idiot! You absolute idiot!"
"Shut up!"
"Be quiet!"
Haviland snapped round at his wife with a cry of rage, and she collapsed into a chair, with her hand snatched to her mouth.
Haviland spun around to his wife with a shout of anger, and she sank into a chair, covering her mouth with her hand.
"Thank you, Winnie," said Martin. "No, Haviland—don't trouble to explain. Winnie's given the show away. So you knew—you knew about the will, and you deliberately hid it away and let the funeral go on. I'm immensely obliged to you—nearly as obliged as I am to the discreet Graham. Is it fraud or conspiracy or what, to conceal wills? Mr. Frobisher-Pym will know."
"Thanks, Winnie," Martin said. "No, Haviland—don’t bother explaining. Winnie has spilled the beans. So you knew—you knew about the will, and you chose to hide it and let the funeral happen. I appreciate you—almost as much as I appreciate the discreet Graham. Is it fraud, conspiracy, or what, to hide wills? Mr. Frobisher-Pym will know."
"Dear, dear!" said the magistrate. "Are you certain of your facts, Wimsey?"
"Dear me!" said the magistrate. "Are you sure about your facts, Wimsey?"
"Positive," said Wimsey, producing the Nüremberg Chronicle from under his arm. "Here's the stain—you can see it yourself. Forgive me for having borrowed your property, Mr. Burdock. I was rather afraid Mr. Haviland might think this little discrepancy over in the still watches of the night, and decide to sell the Chronicle, or give it away, or even think it looked better without its back pages and cover. Allow me to return it to you, Mr. Martin—intact. You will perhaps excuse my saying that I don't very much admire any of the rôles in this melodrama. It throws, as Mr. Pecksniff would say, a sad light on human nature. But I resent extremely the way in which I was wangled up to that bookshelf and made to be the bright little independent witness who found the will. I may be an ass, Mr. Haviland Burdock, but I'm not a bloody ass. Good night. I will wait in the car till you are all ready."
"Positive," Wimsey said, pulling out the Nüremberg Chronicle from under his arm. "Here's the stain—you can see it for yourself. Sorry for borrowing your property, Mr. Burdock. I was a bit concerned that Mr. Haviland might dwell on this little discrepancy during the quiet hours of the night and decide to sell the Chronicle, or give it away, or even think it looked better without its back pages and cover. Let me return it to you, Mr. Martin—intact. You might excuse me for saying that I’m not particularly impressed with any of the roles in this melodrama. It casts, as Mr. Pecksniff would put it, a sad light on human nature. But I really resent the way I was maneuvered up to that bookshelf and made to be the bright little independent witness who found the will. I may be foolish, Mr. Haviland Burdock, but I'm not an absolute fool. Good night. I’ll wait in the car until you’re all ready."
Wimsey stalked out with some dignity.
Wimsey walked out with a sense of dignity.
Presently he was followed by the vicar and by Mr. Frobisher-Pym.
Presently, he was being followed by the vicar and Mr. Frobisher-Pym.
"Mortimer's taking Haviland and his wife to the station," said the magistrate. "They're going back to town at once. You can send their traps off in the morning, Hancock. We'd better make ourselves scarce."
"Mortimer is taking Haviland and his wife to the station," said the magistrate. "They're heading back to town right away. You can send their luggage off in the morning, Hancock. We should probably make ourselves scarce."
Wimsey pressed the self-starter.
Wimsey pressed the push button.
As he did so, a man ran hastily down the steps and came up to him. It was Martin.
As he did this, a man rushed down the steps and approached him. It was Martin.
"I say," he muttered. "You've done me a good turn—more than I deserve, I'm afraid. You must think I'm a damned swine. But I'll see the old man decently put away, and I'll share with Haviland. You mustn't judge him too hardly, either. That wife of his is an awful woman. Run him over head and ears in debt. Bust up his business. I'll see it's all squared up. See? Don't want you to think us too awful."
"I say," he mumbled. "You've done me a huge favor—more than I deserve, I'm afraid. You must think I'm a real jerk. But I'll make sure the old man gets a proper send-off, and I'll share with Haviland. You shouldn’t judge him too harshly, either. His wife is a terrible woman. She’s gotten him buried in debt. Ruined his business. I'll make sure it all gets sorted out. Got it? I don't want you to think we're too awful."
"Oh, right-ho!" said Wimsey.
"Oh, right!" said Wimsey.
He slipped in the clutch, and faded away into the wet, white fog.
He let the clutch out and disappeared into the thick, white fog.
THE VINDICTIVE STORY OF THE FOOTSTEPS THAT RAN
Mr. Bunter withdrew his head from beneath the focusing cloth.
Mr. Bunter pulled his head out from under the focusing cloth.
"I fancy that will be quite adequate, sir," he said deferentially, "unless there are any further patients, if I may call them so, which you would wish put on record."
"I think that will be fine, sir," he said respectfully, "unless there are any more patients, if I may call them that, that you would like to have documented."
"Not to-day," replied the doctor. He took the last stricken rat gently from the table, and replaced it in its cage with an air of satisfaction. "Perhaps on Wednesday, if Lord Peter can kindly spare your services once again——"
"Not today," replied the doctor. He gently took the last injured rat from the table and put it back in its cage with a sense of satisfaction. "Maybe on Wednesday, if Lord Peter can kindly spare your help once more——"
"What's that?" murmured his lordship, withdrawing his long nose from the investigation of a number of unattractive-looking glass jars. "Nice old dog," he added vaguely. "Wags his tail when you mention his name, what? Are these monkey-glands, Hartman, or a south-west elevation of Cleopatra's duodenum?"
"What's that?" his lordship whispered, pulling his long nose away from examining some unattractive glass jars. "Nice old dog," he added absentmindedly. "Wags his tail when you say his name, right? Are these monkey glands, Hartman, or a south-west elevation of Cleopatra's duodenum?"
"You don't know anything, do you?" said the young physician, laughing. "No use playing your bally-fool-with-an-eyeglass tricks on me, Wimsey. I'm up to them. I was saying to Bunter that I'd be no end grateful if you'd let him turn up again three days hence to register the progress of the specimens—always supposing they do progress, that is."
"You don't know anything, do you?" said the young doctor, laughing. "There's no point in trying your silly eyeglass tricks on me, Wimsey. I'm onto you. I was telling Bunter that I'd really appreciate it if you could let him come back in three days to check on the specimens—assuming they actually do make progress, that is."
"Why ask, dear old thing?" said his lordship. "Always a pleasure to assist a fellow-sleuth, don't you know. Trackin' down murderers—all in the same way of business and all that. All finished? Good egg! By the way, if you don't have that cage mended you'll lose one of your patients—Number 5. The last wire but one is workin' loose—assisted by the intelligent occupant. Jolly little beasts, ain't they? No need of dentists—wish I was a rat—wire much better for the nerves than that fizzlin' drill."
"Why bother asking, my dear?" said his lordship. "It’s always a pleasure to help out a fellow investigator, you know. Tracking down murderers—just part of the job. All done? Good for you! By the way, if you don’t get that cage fixed, you’ll lose one of your patients—Number 5. The second-to-last wire is coming loose—thanks to the clever occupant. Cute little creatures, aren't they? No need for dentists—I wish I were a rat—wire is much better for the nerves than that buzzing drill."
Dr. Hartman uttered a little exclamation.
Dr. Hartman let out a small exclamation.
"How in the world did you notice that, Wimsey? I didn't think you'd even looked at the cage."
"How in the world did you see that, Wimsey? I didn’t think you’d even looked at the cage."
"Built noticin'—improved by practice," said Lord Peter quietly. "Anythin' wrong leaves a kind of impression on the eye; brain trots along afterwards with the warnin'. I saw that when we came in. Only just grasped it. Can't say my mind was glued on the matter. Shows the victim's improvin', anyhow. All serene, Bunter?"
"Built noticing—improved by practice," said Lord Peter quietly. "Anything wrong leaves a sort of impression on the eye; the brain follows up with the warning afterward. I noticed that when we came in. Just barely caught it. Can’t say I was focused on it. Shows the victim's improving, anyway. All good, Bunter?"
"Everything perfectly satisfactory, I trust, my lord," replied the manservant. He had packed up his camera and plates, and was quietly restoring order in the little laboratory, whose fittings—compact as those of an ocean liner—had been disarranged for the experiment.
"Everything perfectly satisfactory, I trust, my lord," replied the manservant. He had packed up his camera and plates and was quietly tidying up the little laboratory, whose setup—compact like that of an ocean liner—had been disrupted for the experiment.
"Well," said the doctor, "I am enormously obliged to you, Lord Peter, and to Bunter too. I am hoping for a great result from these experiments, and you cannot imagine how valuable an assistance it will be to me to have a really good series of photographs. I can't afford this sort of thing—yet," he added, his rather haggard young face wistful as he looked at the great camera, "and I can't do the work at the hospital. There's no time; I've got to be here. A struggling G.P. can't afford to let his practice go, even in Bloomsbury. There are times when even a half-crown visit makes all the difference between making both ends meet and having an ugly hiatus."
"Well," said the doctor, "I really appreciate your help, Lord Peter, and Bunter too. I’m hoping for great results from these experiments, and you can’t imagine how helpful it’ll be to have a solid series of photographs. I can’t afford this kind of thing—yet," he added, his slightly worn young face looking longingly at the big camera, "and I can’t do the work at the hospital. There’s no time; I have to be here. A struggling general practitioner can’t afford to let his practice slip, even in Bloomsbury. There are moments when even a two-shilling visit makes all the difference between getting by and facing a serious gap."
"As Mr. Micawber said," replied Wimsey, "'Income twenty pounds, expenditure nineteen, nineteen, six—result: happiness; expenditure twenty pounds, ought, six—result: misery.' Don't prostrate yourself in gratitude, old bean; nothin' Bunter loves like messin' round with pyro and hyposulphite. Keeps his hand in. All kinds of practice welcome. Finger-prints and process plates spell seventh what-you-may-call-it of bliss, but focal-plane work on scurvy-ridden rodents (good phrase!) acceptable if no crime forthcoming. Crimes have been rather short lately. Been eatin' our heads off, haven't we, Bunter? Don't know what's come over London. I've taken to prying into my neighbour's affairs to keep from goin' stale. Frightened the postman into a fit the other day by askin' him how his young lady at Croydon was. He's a married man, livin' in Great Ormond Street."
"As Mr. Micawber said," replied Wimsey, "'Income twenty pounds, expenditure nineteen pounds, nineteen shillings—result: happiness; expenditure twenty pounds, ought, six—result: misery.' Don't bow down in gratitude, old chap; there's nothing Bunter loves more than playing around with chemicals and processes. Keeps his skills sharp. He's open to all kinds of practice. Fingerprints and process plates spell out the seventh whatever-it-is of happiness, but focal-plane work on sickly rodents (great phrase!) is fine if no crime pops up. Crimes have been a bit sparse lately. We've been eating way too much, haven't we, Bunter? I don't know what's going on with London. I've started snooping into my neighbor's business to stay engaged. I scared the postman the other day by asking him how his girlfriend in Croydon was. He's a married guy, living in Great Ormond Street."
"How did you know?"
"How did you find out?"
"Well, I didn't really. But he lives just opposite to a friend of mine—Inspector Parker; and his wife—not Parker's; he's unmarried; the postman's, I mean—asked Parker the other day whether the flyin' shows at Croydon went on all night. Parker, bein' flummoxed, said 'No,' without thinkin'. Bit of a give-away, what? Thought I'd give the poor devil a word in season, don't you know. Uncommonly thoughtless of Parker."
"Well, I didn’t really. But he lives right across from a friend of mine—Inspector Parker; and his wife—not Parker's; he’s single; the postman’s, I mean—asked Parker the other day if the flying shows at Croydon went on all night. Parker, being caught off guard, said 'No,' without thinking. A bit of a slip, huh? I thought I’d give the poor guy a heads up, you know. Quite thoughtless of Parker."
The doctor laughed. "You'll stay to lunch, won't you?" he said. "Only cold meat and salad, I'm afraid. My woman won't come Sundays. Have to answer my own door. Deuced unprofessional, I'm afraid, but it can't be helped."
The doctor laughed. "You’ll stay for lunch, right?" he said. "It’s just cold meat and salad, I’m afraid. My partner doesn’t come on Sundays. I have to answer the door myself. It’s pretty unprofessional, I know, but there’s nothing I can do about it."
"Pleasure," said Wimsey, as they emerged from the laboratory and entered the dark little flat by the back door. "Did you build this place on?"
"Pleasure," said Wimsey, as they stepped out of the lab and entered the small, dim flat through the back door. "Did you add on to this place?"
"No," said Hartman; "the last tenant did that. He was an artist. That's why I took the place. It comes in very useful, ramshackle as it is, though this glass roof is a bit sweltering on a hot day like this. Still, I had to have something on the ground-floor, cheap, and it'll do till times get better."
"No," Hartman said. "The last tenant did that. He was an artist. That's why I chose this place. It serves me well, even if it's a bit falling apart, though this glass roof gets a little unbearable on a hot day like today. Still, I needed something cheap on the ground floor, and this will work until things improve."
"Till your vitamin experiments make you famous, eh?" said Peter cheerfully. "You're goin' to be the comin' man, you know. Feel it in my bones. Uncommonly neat little kitchen you've got, anyhow."
"Until your vitamin experiments make you famous, right?" said Peter cheerfully. "You're going to be the next big thing, you know. I can feel it in my bones. You’ve got an impressively tidy little kitchen, by the way."
"It does," said the doctor. "The lab. makes it a bit gloomy, but the woman's only here in the daytime."
"It does," said the doctor. "The lab makes it a bit gloomy, but the woman is only here during the daytime."
He led the way into a narrow little dining-room, where the table was laid for a cold lunch. The one window at the end farthest from the kitchen looked out into Great James Street. The room was little more than a passage, and full of doors—the kitchen door, a door in the adjacent wall leading into the entrance-hall, and a third on the opposite side, through which his visitor caught a glimpse of a moderate-sized consulting-room.
He guided the way into a small dining room, where the table was set for a cold lunch. The single window at the far end, away from the kitchen, overlooked Great James Street. The room was hardly bigger than a hallway and filled with doors—the kitchen door, a door in the adjacent wall leading to the entrance hall, and a third door on the opposite side, through which his visitor caught a glimpse of a reasonably sized consulting room.
Lord Peter Wimsey and his host sat down to table, and the doctor expressed a hope that Mr. Bunter would sit down with them. That correct person, however, deprecated any such suggestion.
Lord Peter Wimsey and his host sat down at the table, and the doctor expressed a hope that Mr. Bunter would join them. That proper person, however, declined any such suggestion.
"If I might venture to indicate my own preference, sir," he said, "it would be to wait upon you and his lordship in the usual manner."
"If I may share my preference, sir," he said, "I would prefer to wait on you and his lordship in the usual way."
"It's no use," said Wimsey. "Bunter likes me to know my place. Terrorisin' sort of man, Bunter. Can't call my soul my own. Carry on, Bunter; we wouldn't presume for the world."
"It's pointless," said Wimsey. "Bunter wants me to know my role. He's the kind of guy who puts the fear in you. I can’t even think for myself. Go ahead, Bunter; we wouldn’t dream of overstepping."
Mr. Bunter handed the salad, and poured out the water with a grave decency appropriate to a crusted old tawny port.
Mr. Bunter served the salad and poured the water with a serious dignity that suited a well-aged tawny port.
It was a Sunday afternoon in that halcyon summer of 1921. The sordid little street was almost empty. The ice-cream man alone seemed thriving and active. He leaned luxuriously on the green post at the corner, in the intervals of driving a busy trade. Bloomsbury's swarm of able-bodied and able-voiced infants was still presumably within-doors, eating steamy Sunday dinners inappropriate to the tropical weather. The only disturbing sounds came from the flat above, where heavy footsteps passed rapidly to and fro.
It was a Sunday afternoon in that peaceful summer of 1921. The rundown little street was nearly empty. The ice cream truck guy was the only one who seemed busy and lively. He lounged comfortably against the green post at the corner, taking breaks between his booming sales. The crowd of energetic kids from Bloomsbury was likely still inside, having hot Sunday dinners that didn't quite fit the warm weather. The only annoying sounds came from the apartment above, where heavy footsteps moved quickly back and forth.
"Who's the merry-and-bright bloke above?" enquired Lord Peter presently. "Not an early riser, I take it. Not that anybody is on a Sunday mornin'. Why an inscrutable Providence ever inflicted such a ghastly day on people livin' in town I can't imagine. I ought to be in the country, but I've got to meet a friend at Victoria this afternoon. Such a day to choose.... Who's the lady? Wife or accomplished friend? Gather she takes a properly submissive view of woman's duties in the home, either way. That's the bedroom overhead, I take it."
"Who's the cheerful guy up there?" Lord Peter asked after a moment. "I assume he doesn't wake up early. Not that anyone does on a Sunday morning. I can't understand why a mysterious Providence would impose such a dreadful day on people living in the city. I should be out in the countryside, but I have to meet a friend at Victoria this afternoon. What a day to pick... Who's the lady? His wife or a skilled friend? I guess she has a very traditional view of a woman's responsibilities at home, either way. That must be the bedroom above, I assume."
Hartman looked at Lord Peter in some surprise.
Hartman looked at Lord Peter with a bit of surprise.
"'Scuse my beastly inquisitiveness, old thing," said Wimsey. "Bad habit. Not my business."
"'Sorry for my nosiness, old friend," said Wimsey. "It's a bad habit. Not my place to ask."
"How did you——"
"How did you—"
"Guesswork," said Lord Peter, with disarming frankness. "I heard the squawk of an iron bedstead on the ceiling and a heavy fellow get out with a bump, but it may quite well be a couch or something. Anyway, he's been potterin' about in his stocking feet over these few feet of floor for the last half-hour, while the woman has been clatterin' to and fro, in and out of the kitchen and away into the sittin'-room, with her high heels on, ever since we've been here. Hence deduction as to domestic habits of the first-floor tenants."
"Just guessing," Lord Peter said, sounding surprisingly honest. "I heard the squeak of an iron bed on the ceiling and a heavy guy get up with a thud, but it could just as easily be a couch or something. Anyway, he’s been wandering around in his socks over these few feet of floor for the last half hour, while the woman has been bustling around, in and out of the kitchen and into the living room, clacking her high heels the whole time we've been here. So, we can figure out a bit about the everyday habits of the first-floor tenants."
"I thought," said the doctor, with an aggrieved expression, "you'd been listening to my valuable exposition of the beneficial effects of Vitamin B, and Lind's treatment of scurvy with fresh lemons in 1755."
"I thought," said the doctor, looking frustrated, "you were paying attention to my important explanation about the benefits of Vitamin B and Lind's treatment of scurvy with fresh lemons back in 1755."
"I was listenin'" agreed Lord Peter hastily, "but I heard the footsteps as well. Fellow's toddled into the kitchen—only wanted the matches, though; he's gone off into the sittin'-room and left her to carry on the good work. What was I sayin'? Oh, yes! You see, as I was sayin' before, one hears a thing or sees it without knowin' or thinkin' about it. Then afterwards one starts meditatin', and it all comes back, and one sorts out one's impressions. Like those plates of Bunter's. Picture's all there, l—la—what's the word I want, Bunter?"
"I was listening," Lord Peter quickly agreed, "but I heard the footsteps too. The guy wandered into the kitchen—just wanted the matches, though; he's gone off into the sitting room and left her to keep things going. What was I saying? Oh, right! You see, as I was saying before, you hear or see something without really thinking about it. Then later, you start reflecting, and it all comes back, and you sort through your impressions. Like those plates of Bunter's. The picture's all there, um—what's the word I'm looking for, Bunter?"
"Latent, my lord."
"Hidden, my lord."
"That's it. My right-hand man, Bunter; couldn't do a thing without him. The picture's latent till you put the developer on. Same with the brain. No mystery. Little grey books all my respected grandmother! Little grey matter's all you want to remember things with. As a matter of curiosity, was I right about those people above?"
"That's it. My right-hand man, Bunter; I couldn't do anything without him. The picture stays hidden until you add the developer. It's the same with the brain. No mystery there. Just a little gray notebook from my respected grandmother! All you need is a little gray matter to remember things. Out of curiosity, was I right about those people upstairs?"
"Perfectly. The man's a gas-company's inspector. A bit surly, but devoted (after his own fashion) to his wife. I mean, he doesn't mind hulking in bed on a Sunday morning and letting her do the chores, but he spends all the money he can spare on giving her pretty hats and fur coats and what not. They've only been married about six months. I was called in to her when she had a touch of 'flu in the spring, and he was almost off his head with anxiety. She's a lovely little woman, I must say—Italian. He picked her up in some eating-place in Soho, I believe. Glorious dark hair and eyes; Venus sort of figure; proper contours in all the right places; good skin—all that sort of thing. She was a bit of a draw to that restaurant while she was there, I fancy. Lively. She had an old admirer round here one day—awkward little Italian fellow, with a knife—active as a monkey. Might have been unpleasant, but I happened to be on the spot, and her husband came along. People are always laying one another out in these streets. Good for business, of course, but one gets tired of tying up broken heads and slits in the jugular. Still, I suppose the girl can't help being attractive, though I don't say she's what you might call stand-offish in her manner. She's sincerely fond of Brotherton, I think, though—that's his name."
"Perfectly. The guy is a gas company inspector. A bit grumpy, but devoted (in his own way) to his wife. I mean, he doesn’t mind lounging in bed on a Sunday morning while she takes care of the chores, but he spends every spare penny on buying her pretty hats and fur coats and whatnot. They've only been married for about six months. I was called in to see her when she had a bit of the flu in the spring, and he was almost beside himself with worry. She's a lovely woman, I must say—Italian. He picked her up in some restaurant in Soho, I believe. Gorgeous dark hair and eyes; a Venus-like figure; proper curves in all the right places; good skin—all that sort of thing. I imagine she was quite a draw for that restaurant while she was there. She’s lively. She had an old admirer visit one day—an awkward little Italian guy, with a knife—quick as a monkey. It could have been unpleasant, but I happened to be there, and her husband showed up. People are always getting into fights in these streets. Good for business, of course, but you get tired of patching up broken heads and cuts in the neck. Still, I suppose the girl can’t help being attractive, though I wouldn’t say she’s exactly standoffish. She seems genuinely fond of Brotherton, I think—that's his name."
Wimsey nodded inattentively. "I suppose life is a bit monotonous here," he said.
Wimsey nodded absentmindedly. "I guess life is a little dull here," he said.
"Professionally, yes. Births and drunks and wife-beatings are pretty common. And all the usual ailments, of course. Just at present I'm living on infant diarrhœa chiefly—bound to, this hot weather, you know. With the autumn, 'flu and bronchitis set in. I may get an occasional pneumonia. Legs, of course, and varicose veins——God!" cried the doctor explosively, "if only I could get away, and do my experiments!"
"Professionally, yes. Births, drunks, and domestic violence are pretty common. And all the usual ailments, of course. Right now I'm mainly dealing with infant diarrhea—there's a lot of it in this hot weather, you know. When autumn comes, we'll see 'flu and bronchitis. I might even get the occasional case of pneumonia. And then there are legs and varicose veins—God!" the doctor exclaimed passionately, "if only I could get away and do my experiments!"
"Ah!" said Peter, "where's that eccentric old millionaire with a mysterious disease, who always figures in the novels? A lightning diagnosis—a miraculous cure—'God bless you, doctor; here are five thousand pounds'—Harley Street——"
"Ah!" said Peter, "where’s that quirky old millionaire with a mysterious illness, who always shows up in novels? A quick diagnosis—a miraculous cure—'Thank you, doctor; here’s five thousand pounds'—Harley Street——"
"That sort doesn't live in Bloomsbury," said the doctor.
"People like that don’t live in Bloomsbury," said the doctor.
"It must be fascinatin', diagnosin' things," said Peter thoughtfully. "How d'you do it? I mean, is there a regular set of symptoms for each disease, like callin' a club to show you want your partner to go no trumps? You don't just say: 'This fellow's got a pimple on his nose, therefore he has fatty degeneration of the heart——'"
"It must be fascinating to diagnose things," Peter said thoughtfully. "How do you do it? I mean, is there a standard set of symptoms for each disease, like calling a club to indicate you want your partner to go no trumps? You don’t just say, 'This guy's got a pimple on his nose, so he must have fatty degeneration of the heart—'"
"I hope not," said the doctor drily.
"I hope not," the doctor said flatly.
"Or is it more like gettin' a clue to a crime?" went on Peter. "You see somethin'—a room, or a body, say, all knocked about anyhow, and there's a damn sight of symptoms of somethin' wrong, and you've got just to pick out the ones which tell the story?"
"Or is it more like getting a clue to a crime?" Peter continued. "You see something—a room, or a body, for instance, all messed up, and there are a ton of signs that something's not right, and you just have to figure out which ones tell the story?"
"That's more like it," said Dr. Hartman. "Some symptoms are significant in themselves—like the condition of the gums in scurvy, let us say—others in conjunction with——"
"That's more like it," said Dr. Hartman. "Some symptoms are significant on their own—like the state of the gums in scurvy, for instance—while others are important when combined with——"
He broke off, and both sprang to their feet as a shrill scream sounded suddenly from the flat above, followed by a heavy thud. A man's voice cried out lamentably; feet ran violently to and fro; then, as the doctor and his guests stood frozen in consternation, came the man himself—falling down the stairs in his haste, hammering at Hartman's door.
He stopped speaking, and both jumped to their feet as a loud scream suddenly rang out from the apartment above, followed by a heavy thud. A man's voice cried out in distress; footsteps rushed back and forth; then, as the doctor and his guests stood frozen in shock, the man himself came tumbling down the stairs in his hurry, banging on Hartman's door.
"Help! Help! Let me in! My wife! He's murdered her!"
"Help! Help! Let me in! My wife! He killed her!"
They ran hastily to the door and let him in. He was a big, fair man, in his shirt-sleeves and stockings. His hair stood up, and his face was set in bewildered misery.
They rushed to the door and let him in. He was a tall, light-haired man, in his shirtsleeves and stockings. His hair was messy, and his face showed a look of confused distress.
"She is dead—dead. He was her lover," he groaned. "Come and look—take her away——Doctor! I have lost my wife! My Maddalena——" He paused, looked wildly for a moment, and then said hoarsely, "Someone's been in—somehow—stabbed her—murdered her. I'll have the law on him, doctor. Come quickly—she was cooking the chicken for my dinner. Ah-h-h!"
"She's dead—gone. He was her lover," he moaned. "Come and see—get her out of here—Doctor! I've lost my wife! My Maddalena—" He paused, searched frantically for a moment, and then said in a raspy voice, "Someone's been in here—somehow—stabbed her—murdered her. I'll get the law after him, doctor. Hurry—she was making chicken for my dinner. Ah-h-h!"
He gave a long, hysterical shriek, which ended in a hiccupping laugh. The doctor took him roughly by the arm and shook him. "Pull yourself together, Mr. Brotherton," he said sharply. "Perhaps she is only hurt. Stand out of the way!"
He let out a long, frantic scream that turned into a hiccuping laugh. The doctor grabbed him firmly by the arm and shook him. "Get a grip, Mr. Brotherton," he said sharply. "Maybe she's just injured. Step aside!"
"Only hurt?" said the man, sitting heavily down on the nearest chair. "No—no—she is dead—little Maddalena——Oh, my God!"
"Only hurt?" the man asked, sinking heavily into the nearest chair. "No—no—she’s dead—little Maddalena——Oh, my God!"
Dr. Hartman snatched a roll of bandages and a few surgical appliances from the consulting-room, and he ran upstairs, followed closely by Lord Peter. Bunter remained for a few moments to combat hysterics with cold water. Then he stepped across to the dining-room window and shouted.
Dr. Hartman grabbed a roll of bandages and a few surgical tools from the consulting room and rushed upstairs, with Lord Peter right behind him. Bunter stayed back for a moment to calm himself down with cold water. Then he walked over to the dining room window and yelled.
"Well, wot is it?" cried a voice from the street.
"Well, what is it?" shouted a voice from the street.
"Would you be so kind as to step in here a minute, officer?" said Mr. Bunter. "There's been murder done."
"Could you please come in here for a moment, officer?" Mr. Bunter said. "There's been a murder."
When Brotherton and Bunter arrived upstairs with the constable, they found Dr. Hartman and Lord Peter in the little kitchen. The doctor was kneeling beside the woman's body. At their entrance he looked up, and shook his head.
When Brotherton and Bunter came upstairs with the cop, they found Dr. Hartman and Lord Peter in the small kitchen. The doctor was kneeling next to the woman's body. When they walked in, he looked up and shook his head.
"Death instantaneous," he said. "Clean through the heart. Poor child. She cannot have suffered at all. Oh, constable, it is very fortunate you are here. Murder appears to have been done—though I'm afraid the man has escaped. Probably Mr. Brotherton can give us some help. He was in the flat at the time."
"Death was instant," he said. "Straight through the heart. Poor child. She must not have suffered at all. Oh, officer, it's very lucky you’re here. It looks like a murder has taken place—though I’m afraid the guy got away. Mr. Brotherton might be able to help us. He was in the apartment at the time."
The man had sunk down on a chair, and was gazing at the body with a face from which all meaning seemed to have been struck out. The policeman produced a notebook.
The man had slumped down in a chair, staring at the body with a blank expression, as if all meaning had been drained from his face. The policeman took out a notebook.
"Now, sir," he said, "don't let's waste any time. Sooner we can get to work the more likely we are to catch our man. Now, you was 'ere at the time, was you?"
"Now, sir," he said, "let's not waste any time. The sooner we can get to work, the more likely we are to catch our guy. So, you were here at the time, right?"
Brotherton stared a moment, then, making a violent effort, he answered steadily:
Brotherton stared for a moment, then, with a strong effort, he replied steadily:
"I was in the sitting-room, smoking and reading the paper. My—she—was getting the dinner ready in here. I heard her give a scream, and I rushed in and found her lying on the floor. She didn't have time to say anything. When I found she was dead, I rushed to the window, and saw the fellow scrambling away over the glass roof there. I yelled at him, but he disappeared. Then I ran down——"
"I was in the living room, smoking and reading the newspaper. My—she—was preparing dinner in here. I heard her scream, so I rushed in and found her lying on the floor. She didn't have time to say anything. When I realized she was dead, I sprinted to the window and saw the guy scrambling over the glass roof there. I yelled at him, but he vanished. Then I ran down——"
"'Arf a mo'," said the policeman. "Now, see 'ere, sir, didn't you think to go after 'im at once?"
"'Hang on a second,'" said the policeman. "'Now, listen, sir, didn't you think to go after him right away?'"
"My first thought was for her," said the man. "I thought maybe she wasn't dead. I tried to bring her round——" His speech ended in a groan.
"My first thought was for her," said the man. "I thought maybe she wasn't dead. I tried to wake her up——" His speech ended in a groan.
"You say he came in through the window," said the policeman.
"You say he came in through the window," the policeman said.
"I beg your pardon, officer," interrupted Lord Peter, who had been apparently making a mental inventory of the contents of the kitchen. "Mr. Brotherton suggested that the man went out through the window. It's better to be accurate."
"I’m sorry, officer," interrupted Lord Peter, who had seemingly been mentally listing what was in the kitchen. "Mr. Brotherton mentioned that the man went out through the window. It's important to be accurate."
"It's the same thing," said the doctor. "It's the only way he could have come in. These flats are all alike. The staircase door leads into the sitting-room, and Mr. Brotherton was there, so the man couldn't have come that way."
"That's exactly it," said the doctor. "It's the only way he could have gotten in. These apartments are all the same. The staircase door opens into the living room, and Mr. Brotherton was there, so the guy couldn't have entered that way."
"And," said Peter, "he didn't get in through the bedroom window, or we should have seen him. We were in the room below. Unless, indeed, he let himself down from the roof. Was the door between the bedroom and the sitting-room open?" he asked suddenly, turning to Brotherton.
"And," Peter said, "he didn't come in through the bedroom window, or we would have seen him. We were in the room below. Unless, of course, he climbed down from the roof. Was the door between the bedroom and the living room open?" he asked suddenly, turning to Brotherton.
The man hesitated a moment. "Yes," he said finally. "Yes, I'm sure it was."
The man paused for a moment. "Yeah," he finally said. "Yeah, I'm sure it was."
"Could you have seen the man if he had come through the bedroom window?"
"Could you have seen the guy if he had come through the bedroom window?"
"I couldn't have helped seeing him."
"I couldn't help but see him."
"Come, come, sir," said the policeman, with some irritation, "better let me ask the questions. Stands to reason the fellow wouldn't get in through the bedroom window in full view of the street."
"Come on, sir," said the policeman, a bit irritated, "it’s better if I ask the questions. It makes sense that the guy wouldn’t climb in through the bedroom window with the street right in front of it."
"How clever of you to think of that," said Wimsey. "Of course not. Never occurred to me. Then it must have been this window, as you say."
"How smart of you to think of that," said Wimsey. "Of course not. It never crossed my mind. So it must have been this window, as you mentioned."
"And, what's more, here's his marks on the window-sill," said the constable triumphantly, pointing to some blurred traces among the London soot. "That's right. Down he goes by that drain-pipe, over the glass roof down there—what's that the roof of?"
"And, what's more, here are his marks on the window-sill," said the officer proudly, pointing to some smudged traces among the London soot. "That’s right. He climbs down that drain pipe, over the glass roof down there—what's that roof for?"
"My laboratory," said the doctor. "Heavens! to think that while we were there at dinner this murdering villain——"
"My lab," said the doctor. "Wow! To think that while we were having dinner, this murdering villain——"
"Quite so, sir," agreed the constable. "Well, he'd get away over the wall into the court be'ind. 'E'll 'ave been seen there, no fear; you needn't anticipate much trouble in layin' 'ands on 'im, sir. I'll go round there in 'arf a tick. Now then, sir"—turning to Brotherton—"'ave you any idea wot this party might have looked like?"
"Absolutely, sir," the constable replied. "He would have escaped over the wall into the courtyard behind. He must have been seen there, no doubt; you shouldn't expect much trouble in capturing him, sir. I'll head over there in just a moment. Now then, sir"—turning to Brotherton—"do you have any idea what this person might have looked like?"
Brotherton lifted a wild face, and the doctor interposed.
Brotherton raised his wild face, and the doctor stepped in.
"I think you ought to know, constable," he said, "that there was—well, not a murderous attack, but what might have been one, made on this woman before—about eight weeks ago—by a man named Marincetti—an Italian waiter—with a knife."
"I think you should know, officer," he said, "that there was—well, not a murder attempt, but what could have been one—that happened to this woman about eight weeks ago—by a guy named Marincetti—an Italian waiter—with a knife."
"Ah!" The policeman licked his pencil eagerly. "Do you know this party as 'as been mentioned?" he enquired of Brotherton.
"Ah!" The policeman eagerly licked his pencil. "Do you know this party that's been mentioned?" he asked Brotherton.
"That's the man," said Brotherton, with concentrated fury. "Coming here after my wife—God curse him! I wish to God I had him dead here beside her!"
"That's the guy," said Brotherton, with intense anger. "Showing up here for my wife—damn him! I wish to God I had him dead right here next to her!"
"Quite so," said the policeman. "Now, sir"—to the doctor—"'ave you got the weapon wot the crime was committed with?"
"Exactly," said the policeman. "Now, sir"—to the doctor—"do you have the weapon that was used to commit the crime?"
"No," said Hartman, "there was no weapon in the body when I arrived."
"No," Hartman said, "there was no weapon on the body when I got here."
"Did you take it out?" pursued the constable, to Brotherton.
"Did you take it out?" the constable asked Brotherton.
"No," said Brotherton, "he took it with him."
"No," Brotherton said, "he took it with him."
"Took it with 'im," the constable entered the fact in his notes. "Phew! Wonderful 'ot it is in 'ere, ain't it, sir?" he added, mopping his brow.
"Took it with him," the constable noted in his log. "Phew! It's really hot in here, isn't it, sir?" he added, wiping his forehead.
"It's the gas-oven, I think," said Peter mildly. "Uncommon hot thing, a gas-oven, in the middle of July. D'you mind if I turn it out? There's the chicken inside, but I don't suppose you want——"
"It's the gas oven, I think," Peter said casually. "It’s pretty hot for a gas oven in the middle of July. Do you mind if I turn it off? There’s chicken inside, but I don’t suppose you want—"
Brotherton groaned, and the constable said: "Quite right, sir. A man wouldn't 'ardly fancy 'is dinner after a thing like this. Thank you, sir. Well now, doctor, wot kind of weapon do you take this to 'ave been?"
Brotherton groaned, and the constable said: "You're absolutely right, sir. A man wouldn't really want to eat after something like this. Thank you, sir. So, doctor, what kind of weapon do you think this was?"
"It was a long, narrow weapon—something like an Italian stiletto, I imagine," said the doctor, "about six inches long. It was thrust in with great force under the fifth rib, and I should say it had pierced the heart centrally. As you see, there has been practically no bleeding. Such a wound would cause instant death. Was she lying just as she is now when you first saw her, Mr. Brotherton?"
"It was a long, narrow weapon—kind of like an Italian stiletto, I guess," said the doctor, "about six inches long. It was thrust in with a lot of force under the fifth rib, and I’d say it pierced the heart directly. As you can see, there was almost no bleeding. Such a wound would cause instant death. Was she lying just as she is now when you first saw her, Mr. Brotherton?"
"On her back, just as she is," replied the husband.
"On her back, just like that," replied the husband.
"Well, that seems clear enough," said the policeman. "This 'ere Marinetti, or wotever 'is name is, 'as a grudge against the poor young lady——"
"Well, that seems pretty clear," said the policeman. "This guy Marinetti, or whatever his name is, has a grudge against the poor young lady——"
"I believe he was an admirer," put in the doctor.
"I think he was a fan," the doctor added.
"Quite so," agreed the constable. "Of course, these foreigners are like that—even the decentest of 'em. Stabbin' and such-like seems to come nateral to them, as you might say. Well, this 'ere Marinetti climbs in 'ere, sees the poor young lady standin' 'ere by the table all alone, gettin' the dinner ready; 'e comes in be'ind, catches 'er round the waist, stabs 'er—easy job, you see; no corsets nor nothink—she shrieks out, 'e pulls 'is stiletty out of 'er an' makes tracks. Well, now we've got to find 'im, and by your leave, sir, I'll be gettin' along. We'll 'ave 'im by the 'eels before long, sir, don't you worry. I'll 'ave to put a man in charge 'ere, sir, to keep folks out, but that needn't worry you. Good mornin', gentlemen."
"Absolutely," agreed the officer. "Of course, these foreigners are like that—even the best of them. Stabbing and similar things seem to come naturally to them, you could say. So, this Marinetti comes in, sees the poor young lady standing by the table all alone, getting dinner ready; he sneaks up behind her, grabs her around the waist, stabs her—easy job, you see; no corsets or anything—she screams, he pulls his knife out of her and takes off. So now we need to find him, and if you’ll excuse me, sir, I'll be on my way. We’ll have him in custody soon, sir, don’t you worry. I'll need to assign someone to keep people out of here, but that shouldn’t be a concern for you. Good morning, gentlemen."
"May we move the poor girl now?" asked the doctor.
"Can we move the poor girl now?" the doctor asked.
"Certainly. Like me to 'elp you, sir?"
"Sure. Do you want me to help you, sir?"
"No. Don't lose any time. We can manage." Dr. Hartman turned to Peter as the constable clattered downstairs. "Will you help me, Lord Peter?"
"No. Don't waste any time. We can handle this." Dr. Hartman turned to Peter as the constable rushed downstairs. "Will you help me, Lord Peter?"
"Bunter's better at that sort of thing," said Wimsey, with a hard mouth.
"Bunter's better at that kind of thing," said Wimsey, with a stern expression.
The doctor looked at him in some surprise, but said nothing, and he and Bunter carried the still form away. Brotherton did not follow them. He sat in a grief-stricken heap, with his head buried in his hands. Lord Peter walked about the little kitchen, turning over the various knives and kitchen utensils, peering into the sink bucket, and apparently taking an inventory of the bread, butter, condiments, vegetables, and so forth which lay about in preparation for the Sunday meal. There were potatoes in the sink, half peeled, a pathetic witness to the quiet domestic life which had been so horribly interrupted. The colander was filled with green peas. Lord Peter turned these things over with an inquisitive finger, gazed into the smooth surface of a bowl of dripping as though it were a divining-crystal, ran his hands several times right through a bowl of flour—then drew his pipe from his pocket and filled it slowly.
The doctor looked at him in surprise but didn’t say anything, and he and Bunter carried the still body away. Brotherton didn’t follow them. He sat in a grief-stricken heap, with his head buried in his hands. Lord Peter walked around the small kitchen, picking up various knives and kitchen utensils, peering into the sink bucket, and seemingly taking stock of the bread, butter, condiments, vegetables, and other items laid out for the Sunday meal. There were potatoes in the sink, half peeled, a sad reminder of the quiet domestic life that had been so horribly disrupted. The colander was filled with green peas. Lord Peter poked at these things with curious fingers, stared into the smooth surface of a bowl of dripping as if it were a crystal ball, ran his hands through a bowl of flour several times, and then took out his pipe and filled it slowly.
The doctor returned, and put his hand on Brotherton's shoulder.
The doctor came back and placed his hand on Brotherton's shoulder.
"Come," he said gently, "we have laid her in the other bedroom. She looks very peaceful. You must remember that, except for that moment of terror when she saw the knife, she suffered nothing. It is terrible for you, but you must try not to give way. The police——"
"Come," he said softly, "we've laid her in the other bedroom. She looks very peaceful. You need to remember that, except for that moment of fear when she saw the knife, she felt no pain. This is awful for you, but you have to try not to break down. The police——"
"The police can't bring her back to life," said the man savagely. "She's dead. Leave me alone, curse you! Leave me alone, I say!"
"The police can't bring her back to life," the man said angrily. "She's dead. Just leave me alone, damn you! I said, leave me alone!"
He stood up, with a violent gesture.
He stood up with a sudden, forceful movement.
"You must not sit here," said Hartman firmly. "I will give you something to take, and you must try to keep calm. Then we will leave you, but if you don't control yourself——"
"You can't sit here," Hartman said firmly. "I'll give you something to take, and you need to try to stay calm. Then we'll leave you, but if you don't get a hold of yourself——"
After some further persuasion, Brotherton allowed himself to be led away.
After a bit more convincing, Brotherton let himself be taken away.
"Bunter," said Lord Peter, as the kitchen door closed behind them, "do you know why I am doubtful about the success of those rat experiments?"
"Bunter," Lord Peter said as the kitchen door shut behind them, "do you know why I'm not sure those rat experiments will work?"
"Meaning Mr. Hartman's, my lord?"
"What does Mr. Hartman mean, my lord?"
"Yes. Dr. Hartman has a theory. In any investigations, my Bunter, it is most damnably dangerous to have a theory."
"Yes. Dr. Hartman has a theory. In any investigation, my Bunter, it is extremely dangerous to have a theory."
"I have heard you say so, my lord."
"I've heard you say that, my lord."
"Confound you—you know it as well as I do! What is wrong with the doctor's theories, Bunter?"
"Damn you—you know it just as well as I do! What’s wrong with the doctor’s theories, Bunter?"
"You wish me to reply, my lord, that he only sees the facts which fit in with the theory."
"You want me to respond, my lord, that he only perceives the facts that align with the theory."
"Thought-reader!" exclaimed Lord Peter bitterly.
"Mind-reader!" exclaimed Lord Peter bitterly.
"And that he supplies them to the police, my lord."
"And he provides them to the police, my lord."
"Hush!" said Peter, as the doctor returned.
"Hush!" Peter said as the doctor came back.
"I have got him to lie down," said Dr. Hartman, "and I think the best thing we can do is to leave him to himself."
"I've got him to lie down," Dr. Hartman said, "and I think the best thing we can do is let him be."
"D'you know," said Wimsey, "I don't cotton to that idea, somehow."
"Do you know," said Wimsey, "I’m not really on board with that idea, for some reason."
"Why? Do you think he's likely to destroy himself?"
"Why? Do you think he might end up ruining himself?"
"That's as good a reason to give as any other, I suppose," said Wimsey, "when you haven't got any reason which can be put into words. But my advice is, don't leave him for a moment."
"That's as good a reason as any, I guess," said Wimsey, "when you don't have a reason that can be put into words. But my advice is, don't leave him for a second."
"But why? Frequently, with a deep grief like this, the presence of other people is merely an irritant. He begged me to leave him."
"But why? Often, with a sorrow this deep, the presence of other people is just annoying. He asked me to leave him alone."
"Then for God's sake go back to him," said Peter.
"Then for goodness' sake, go back to him," Peter said.
"Really, Lord Peter," said the doctor, "I think I ought to know what is best for my patient."
"Honestly, Lord Peter," the doctor said, "I believe I should know what's best for my patient."
"Doctor," said Wimsey, "this is not a question of your patient. A crime has been committed."
"Doctor," Wimsey said, "this isn't just about your patient. A crime has been committed."
"But there is no mystery."
"But there’s no mystery."
"There are twenty mysteries. For one thing, when was the window-cleaner here last?"
"There are twenty mysteries. First of all, when was the window cleaner here last?"
"The window-cleaner?"
"The window washer?"
"Who shall fathom the ebony-black enigma of the window-cleaner?" pursued Peter lightly, putting a match to his pipe. "You are quietly in your bath, in a state of more or less innocent nature, when an intrusive head appears at the window, like the ghost of Hamilton Tighe, and a gruff voice, suspended between earth and heaven, says 'Good morning, sir.' Where do window-cleaners go between visits? Do they hibernate, like busy bees? Do they——?"
"Who can understand the mysterious window-cleaner?" Peter said playfully, lighting his pipe. "You’re relaxing in your bath, feeling somewhat innocent, when an unexpected head shows up at the window, like a ghost from Hamilton Tighe, and a rough voice, coming from somewhere between here and the afterlife, says 'Good morning, sir.' Where do window-cleaners go when they’re not around? Do they hibernate like busy bees? Do they—?"
"Really, Lord Peter," said the doctor, "don't you think you're going a bit beyond the limit?"
"Honestly, Lord Peter," the doctor said, "don’t you think you’re going a bit overboard?"
"Sorry you feel like that," said Peter, "but I really want to know about the window-cleaner. Look how clear these panes are."
"Sorry you're feeling that way," said Peter, "but I really want to know about the window cleaner. Check out how clear these panes are."
"He came yesterday, if you want to know," said Dr. Hartman, rather stiffly.
"He came yesterday, if you want to know," Dr. Hartman said, somewhat stiffly.
"You are sure?"
"Are you sure?"
"He did mine at the same time."
"He did mine at the same time."
"I thought as much," said Lord Peter. "In the words of the song:
"I figured that," said Lord Peter. "In the words of the song:
In that case," he added, "it is absolutely imperative that Brotherton should not be left alone for a moment. Bunter! Confound it all, where's that fellow got to?"
"In that case," he added, "it's absolutely essential that Brotherton shouldn't be left alone for even a second. Bunter! Damn it all, where has that guy gone?"
The door into the bedroom opened.
The bedroom door opened.
"My lord?" Mr. Bunter unobtrusively appeared, as he had unobtrusively stolen out to keep an unobtrusive eye upon the patient.
"My lord?" Mr. Bunter quietly appeared, as he had quietly slipped out to keep a low profile watch on the patient.
"Good," said Wimsey. "Stay where you are." His lackadaisical manner had gone, and he looked at the doctor as four years previously he might have looked at a refractory subaltern.
"Good," said Wimsey. "Stay where you are." His laid-back attitude had vanished, and he looked at the doctor as he might have looked at a difficult subordinate four years earlier.
"Dr. Hartman," he said, "something is wrong. Cast your mind back. We were talking about symptoms. Then came the scream. Then came the sound of feet running. Which direction did they run in?"
"Dr. Hartman," he said, "something's not right. Think back. We were discussing symptoms. Then we heard the scream. Then we heard footsteps running. Which way did they go?"
"I'm sure I don't know."
"I really have no idea."
"Don't you? Symptomatic, though, doctor. They have been troubling me all the time, subconsciously. Now I know why. They ran from the kitchen."
"Don't you? It's a sign, though, doctor. They've been bothering me constantly, without me realizing it. Now I understand why. They ran from the kitchen."
"Well?"
"What's up?"
"Well! And now the window-cleaner——"
"Alright! And now the window cleaner——"
"What about him?"
"What about them?"
"Could you swear that it wasn't the window-cleaner who made those marks on the sill?"
"Can you really say it wasn't the window cleaner who left those marks on the sill?"
"And the man Brotherton saw——?"
"And the guy Brotherton saw——?"
"Have we examined your laboratory roof for his footsteps?"
"Have we checked your lab roof for his footprints?"
"But the weapon? Wimsey, this is madness! Someone took the weapon."
"But the weapon? Wimsey, this is crazy! Someone took the weapon."
"I know. But did you think the edge of the wound was clean enough to have been made by a smooth stiletto? It looked ragged to me."
"I know. But did you really think the edge of the wound was clean enough to have been made by a smooth stiletto? It looked rough to me."
"Wimsey, what are you driving at?"
"Wimsey, what are you getting at?"
"There's a clue here in the flat—and I'm damned if I can remember it. I've seen it—I know I've seen it. It'll come to me presently. Meanwhile, don't let Brotherton——"
"There's a clue here in the apartment—and I can’t for the life of me remember it. I’ve seen it—I know I have. It’ll come to me soon. In the meantime, don’t let Brotherton——"
"What?"
"What did you say?"
"Do whatever it is he's going to do."
"Do whatever he plans to do."
"But what is it?"
"But what’s that?"
"If I could tell you that I could show you the clue. Why couldn't he make up his mind whether the bedroom door was open or shut? Very good story, but not quite thought out. Anyhow—I say, doctor, make some excuse, and strip him, and bring me his clothes. And send Bunter to me."
"If I could say I could show you the clue. Why couldn't he decide if the bedroom door was open or closed? It's a good story, but not fully thought through. Anyway—I mean, doctor, make an excuse, strip him down, and bring me his clothes. And send Bunter to me."
The doctor stared at him, puzzled. Then he made a gesture of acquiescence and passed into the bedroom. Lord Peter followed him, casting a ruminating glance at Brotherton as he went. Once in the sitting-room, Lord Peter sat down on a red velvet arm-chair, fixed his eyes on a gilt-framed oleograph, and became wrapped in contemplation.
The doctor looked at him, confused. Then he nodded and walked into the bedroom. Lord Peter followed him, giving Brotherton a thoughtful look as he passed. Once in the sitting room, Lord Peter sat down in a red velvet armchair, stared at a gold-framed picture, and got lost in thought.
Presently Bunter came in, with his arms full of clothing. Wimsey took it, and began to search it, methodically enough, but listlessly. Suddenly he dropped the garments, and turned to the manservant.
Presently, Bunter walked in carrying a pile of clothes. Wimsey took them and started to search through them, somewhat methodically but without much enthusiasm. Suddenly, he dropped the clothes and turned to the servant.
"No," he said, "this is a precaution, Bunter mine, but I'm on the wrong track. It wasn't here I saw—whatever I did see. It was in the kitchen. Now, what was it?"
"No," he said, "this is just a precaution, Bunter, but I'm off course. It wasn't here that I saw—whatever I saw. It was in the kitchen. Now, what was it?"
"I could not say, my lord, but I entertain a conviction that I was also, in a manner of speaking, conscious—not consciously conscious, my lord, if you understand me, but still conscious of an incongruity."
"I can't say for sure, my lord, but I have a feeling that I was, in a way, aware—not fully aware, my lord, if you catch my drift, but still aware of something that didn't quite fit."
"Hurray!" said Wimsey suddenly. "Cheer-oh! for the sub-conscious what's-his-name! Now let's remember the kitchen. I cleared out of it because I was gettin' obfuscated. Now then. Begin at the door. Fryin'-pans and saucepans on the wall. Gas-stove—oven goin'—chicken inside. Rack of wooden spoons on the wall, gas-lighter, pan-lifter. Stop me when I'm gettin' hot. Mantelpiece. Spice-boxes and stuff. Anything wrong with them? No. Dresser. Plates. Knives and forks—all clean; flour dredger—milk-jug—sieve on the wall—nutmeg-grater. Three-tier steamer. Looked inside—no grisly secrets in the steamer."
"Hurray!" Wimsey suddenly exclaimed. "Cheers to the subconscious whatever-it-is! Now, let’s recall the kitchen. I left because I was getting confused. Alright. Start at the door. Frying pans and saucepans on the wall. Gas stove—oven is on—chicken inside. A rack of wooden spoons on the wall, gas lighter, pan lifter. Stop me if I get too carried away. Mantelpiece. Spice boxes and other things. Anything wrong with those? No. Dresser. Plates. Knives and forks—all clean; flour dredger—milk jug—sieve on the wall—nutmeg grater. Three-tier steamer. Looked inside—no grim secrets in the steamer."
"Did you look in all the dresser drawers, my lord?"
"Did you check all the dresser drawers, my lord?"
"No. That could be done. But the point is, I did notice somethin'. What did I notice? That's the point. Never mind. On with the dance—let joy be unconfined! Knife-board. Knife-powder. Kitchen table. Did you speak?"
"No. That could be managed. But the thing is, I did notice something. What did I notice? That's the issue. Forget it. Let’s keep dancing—let the joy flow! Knife-board. Knife-powder. Kitchen table. Did you say something?"
"No," said Bunter, who had moved from his attitude of wooden deference.
"No," said Bunter, who had shifted from his previously stiff and submissive demeanor.
"Table stirs a chord. Very good. On table. Choppin'-board. Remains of ham and herb stuffin'. Packet of suet. Another sieve. Several plates. Butter in a glass dish. Bowl of drippin'——"
"Table resonates. Very nice. On the table. Chopping board. Leftovers of ham and herb stuffing. Pack of suet. Another strainer. Several plates. Butter in a glass dish. Bowl of drippings—"
"Ah!"
"Wow!"
"Drippin'——! Yes, there was——"
"Drippin'! Yes, there was!"
"Something unsatisfactory, my lord——"
"Something's not right, my lord——"
"About the drippin'! Oh, my head! What's that they say in Dear Brutus, Bunter? 'Hold on to the workbox.' That's right. Hold on to the drippin'. Beastly slimy stuff to hold on to——Wait!"
"About the dripping! Oh, my head! What do they say in Dear Brutus, Bunter? 'Hold on to the workbox.' That's right. Hold on to the dripping. Disgusting slimy stuff to hold on to——Wait!"
There was a pause.
There was a break.
"When I was a kid," said Wimsey, "I used to love to go down into the kitchen and talk to old cookie. Good old soul she was, too. I can see her now, gettin' chicken ready, with me danglin' my legs on the table. She used to pluck an' draw 'em herself. I revelled in it. Little beasts boys are, ain't they, Bunter? Pluck it, draw it, wash it, stuff it, tuck its little tail through its little what-you-may-call-it, truss it, grease the dish——Bunter?"
"When I was a kid," said Wimsey, "I loved going down to the kitchen and chatting with the old cook. She was a great person. I can picture her now, getting the chicken ready, with my legs dangling off the table. She used to pluck and clean them herself. I really enjoyed it. Boys are such little troublemakers, aren't they, Bunter? Pluck it, clean it, wash it, stuff it, tuck its little tail through its little what-you-may-call-it, tie it up, grease the pan——Bunter?"
"My lord!"
"Wow, my lord!"
"Hold on to the dripping!"
"Hold on to the drip!"
"The bowl, my lord——"
"The bowl, my lord—"
"The bowl—visualise it—what was wrong!"
"Picture the bowl—what's wrong?"
"It was full, my lord!"
"It was packed, my lord!"
"Got it—got it—got it! The bowl was full—smooth surface. Golly! I knew there was something queer about it. Now why shouldn't it be full? Hold on to the——"
"Got it—got it—got it! The bowl was full—smooth surface. Wow! I knew there was something strange about it. Now, why shouldn't it be full? Hold on to the——"
"The bird was in the oven."
"The bird was in the oven."
"Without dripping!"
"No spills!"
"Very careless cookery, my lord."
"Very careless cooking, my lord."
"The bird—in the oven—no dripping, Bunter! Suppose it was never put in till after she was dead? Thrust in hurriedly by someone who had something to hide—horrible!"
"The bird—in the oven—no drippings, Bunter! What if it wasn’t put in until after she died? Quickly shoved in by someone who had something to hide—yikes!"
"But with what object, my lord?"
"But for what reason, my lord?"
"Yes, why? That's the point. One more mental association with the bird. It's just coming. Wait a moment. Pluck, draw, wash, stuff, tuck up, truss——By God!"
"Yes, why? That's the point. One more mental connection with the bird. It's just coming. Hold on a second. Pluck, draw, wash, stuff, tuck up, truss—By God!"
"My lord?"
"Sir?"
"Come on, Bunter. Thank Heaven we turned off the gas!"
"Come on, Bunter. Thank God we turned off the gas!"
He dashed through the bedroom, disregarding the doctor and the patient, who sat up with a smothered shriek. He flung open the oven door and snatched out the baking-tin. The skin of the bird had just begun to discolour. With a little gasp of triumph, Wimsey caught the iron ring that protruded from the wing, and jerked out—the six-inch spiral skewer.
He rushed through the bedroom, ignoring the doctor and the patient, who sat up with a muffled scream. He flung open the oven door and grabbed the baking tin. The skin of the bird had just started to change color. With a small gasp of triumph, Wimsey caught the iron ring that stuck out from the wing and yanked out—the six-inch spiral skewer.
The doctor was struggling with the excited Brotherton in the doorway. Wimsey caught the man as he broke away, and shook him into the corner with a jiu-jitsu twist.
The doctor was grappling with the excited Brotherton in the doorway. Wimsey caught the guy as he broke free and tossed him into the corner with a jiu-jitsu move.
"Here is the weapon," he said.
"Here is the weapon," he said.
"Prove it, blast you!" said Brotherton savagely.
"Prove it, damn you!" Brotherton said fiercely.
"I will," said Wimsey. "Bunter, call in the policeman whom you will find at the door. Doctor, we shall need your microscope."
"I will," said Wimsey. "Bunter, bring in the police officer waiting at the door. Doctor, we'll need your microscope."
In the laboratory the doctor bent over the microscope. A thin layer of blood from the skewer had been spread upon the slide.
In the lab, the doctor leaned over the microscope. A thin layer of blood from the skewer had been spread on the slide.
"Well?" said Wimsey impatiently.
"Well?" Wimsey said impatiently.
"It's all right," said Hartman. "The roasting didn't get anywhere near the middle. My God, Wimsey, yes, you're right—round corpuscles, diameter 1/3621—mammalian blood—probably human——"
"It's okay," said Hartman. "The roasting didn't even come close to the middle. My God, Wimsey, yes, you're right—round cells, diameter 1/3621—mammal blood—likely human——"
"Her blood," said Wimsey.
"Her blood," Wimsey said.
"It was very clever, Bunter," said Lord Peter, as the taxi trundled along on the way to his flat in Piccadilly. "If that fowl had gone on roasting a bit longer the blood-corpuscles might easily have been destroyed beyond all hope of recognition. It all goes to show that the unpremeditated crime is usually the safest."
"It was really clever, Bunter," said Lord Peter, as the taxi rolled along on the way to his flat in Piccadilly. "If that chicken had been roasting a bit longer, the blood cells might have easily been destroyed beyond recognition. It all proves that a crime of impulse is usually the safest."
"And what does your lordship take the man's motive to have been?"
"And what do you think the man's motive was, my lord?"
"In my youth," said Wimsey meditatively, "they used to make me read the Bible. Trouble was, the only books I ever took to naturally were the ones they weren't over and above keen on. But I got to know the Song of Songs pretty well by heart. Look it up, Bunter; at your age it won't hurt you; it talks sense about jealousy."
"In my youth," Wimsey said thoughtfully, "they made me read the Bible. The problem was, the only books I ever really connected with were the ones they weren't too excited about. But I ended up memorizing the Song of Songs pretty well. Look it up, Bunter; at your age, it won't hurt you; it actually has some good insights about jealousy."
"I have perused the work in question, your lordship," replied Mr. Bunter, with a sallow blush. "It says, if I remember rightly: 'Jealousy is cruel as the grave'."
"I have read the work in question, my lord," Mr. Bunter replied, blushing slightly. "It says, if I recall correctly: 'Jealousy is cruel as the grave'."
THE BIBULOUS BUSINESS OF A MATTER OF TASTE
"Halte-là!... Attention!... F——e!"
"Stop there!... Watch out!... F——e!"
The young man in the grey suit pushed his way through the protesting porters and leapt nimbly for the footboard of the guard's van as the Paris-Evreux express steamed out of the Invalides. The guard, with an eye to a tip, fielded him adroitly from among the detaining hands.
The young man in the gray suit made his way through the protesting porters and jumped nimbly onto the footboard of the guard's van just as the Paris-Evreux express pulled away from the Invalides. The guard, hoping for a tip, skillfully helped him get past the restraining hands.
"It is happy for monsieur that he is so agile," he remarked. "Monsieur is in a hurry?"
"It’s great for you, sir, that you’re so quick," he said. "Are you in a hurry?"
"Somewhat. Thank you. I can get through by the corridor?"
"Sort of. Thanks. Can I get through the corridor?"
"But certainly. The premières are two coaches away, beyond the luggage-van."
"But of course. The premières are two coaches down, past the luggage van."
The young man rewarded his rescuer, and made his way forward, mopping his face. As he passed the piled-up luggage, something caught his eye, and he stopped to investigate. It was a suit-case, nearly new, of expensive-looking leather, labelled conspicuously:
The young man thanked his rescuer and continued on his way, wiping his face. As he walked past the stacked luggage, something caught his attention, and he paused to take a look. It was a suitcase, almost new, made of fancy-looking leather, clearly labelled:
LORD PETER WIMSEY,
Hôtel Saumon d'Or,
Verneuil-sur-Eure
LORD PETER WIMSEY,
Hôtel Saumon d'Or,
Verneuil-sur-Eure
and bore witness to its itinerary thus:
and observed its journey like this:
LONDON—PARIS
(Waterloo) (Gare St. Lazare)
via Southampton-Havre
LONDON—PARIS
(Waterloo) (Gare St. Lazare)
via Southampton-Havre
PARIS—VERNEUIL
(Ch. de Fer de l'Ouest)
PARIS—VERNEUIL
(Western Railway)
The young man whistled, and sat down on a trunk to think it out.
The young man whistled and sat down on a log to figure things out.
Somewhere there had been a leakage, and they were on his trail. Nor did they care who knew it. There were hundreds of people in London and Paris who would know the name of Wimsey, not counting the police of both countries. In addition to belonging to one of the oldest ducal families in England, Lord Peter had made himself conspicuous by his meddling with crime detection. A label like this was a gratuitous advertisement.
There had been a leak somewhere, and they were onto him. They didn’t care who found out. There were hundreds of people in London and Paris who would recognize the name Wimsey, not to mention the police in both countries. Besides being part of one of the oldest ducal families in England, Lord Peter had made himself well-known by getting involved in crime solving. A label like that was just free advertising.
But the amazing thing was that the pursuers were not troubling to hide themselves from the pursued. That argued very great confidence. That he should have got into the guard's van was, of course, an accident, but, even so, he might have seen it on the platform, or anywhere.
But the incredible thing was that the pursuers weren’t even trying to hide from the person they were chasing. That showed a lot of confidence. It was obviously an accident that he ended up in the guard's van, but still, he could have spotted it on the platform or anywhere else.
An accident? It occurred to him—not for the first time, but definitely now, and without doubt—that it was indeed an accident for them that he was here. The series of maddening delays that had held him up between London and the Invalides presented itself to him with an air of pre-arrangement. The preposterous accusation, for instance, of the woman who had accosted him in Piccadilly, and the slow process of extricating himself at Marlborough Street. It was easy to hold a man up on some trumped-up charge till an important plan had matured. Then there was the lavatory door at Waterloo, which had so ludicrously locked itself upon him. Being athletic, he had climbed over the partition, to find the attendant mysteriously absent. And, in Paris, was it by chance that he had had a deaf taxi-driver, who mistook the direction "Quai d'Orléans" for "Gare de Lyon," and drove a mile and a half in the wrong direction before the shouts of his fare attracted his attention? They were clever, the pursuers, and circumspect. They had accurate information; they would delay him, but without taking any overt step; they knew that, if only they could keep time on their side, they needed no other ally.
An accident? It struck him—not for the first time, but definitely now, and without a doubt—that it was indeed an accident for them that he was here. The series of frustrating delays that had held him up between London and the Invalides felt somehow planned. The ridiculous accusation from the woman who had approached him in Piccadilly, and the slow process of getting free at Marlborough Street. It was easy to hold a guy up on some made-up charge until a crucial plan had come together. Then there was the bathroom door at Waterloo, which had so absurdly locked itself on him. Being fit, he had climbed over the partition, only to find the attendant mysteriously gone. And in Paris, was it just a coincidence that he had a deaf taxi driver, who confused "Quai d'Orléans" with "Gare de Lyon," and drove a mile and a half in the wrong direction before the passenger's shouts got his attention? Their pursuers were clever and cautious. They had accurate information; they would delay him without making any obvious moves; they knew that as long as they could control time, they didn’t need any other help.
Did they know he was on the train? If not, he still kept the advantage, for they would travel in a false security, thinking him to be left, raging and helpless, in the Invalides. He decided to make a cautious reconnaissance.
Did they know he was on the train? If not, he still had the upper hand, as they would be traveling in false security, believing he was still back, angry and powerless, in the Invalides. He decided to do a careful reconnaissance.
The first step was to change his grey suit for another of inconspicuous navy-blue cloth, which he had in his small black bag. This he did in the privacy of the toilet, substituting for his grey soft hat a large travelling-cap, which pulled well down over his eyes.
The first step was to switch his grey suit for a more discreet navy-blue one that he had in his small black bag. He changed in the privacy of the bathroom, swapping his grey soft hat for a large traveling cap that he pulled down low over his eyes.
There was little difficulty in locating the man he was in search of. He found him seated in the inner corner of a first-class compartment, facing the engine, so that the watcher could approach unseen from behind. On the rack was a handsome dressing-case, with the initials P. D. B. W. The young man was familiar with Wimsey's narrow, beaky face, flat yellow hair, and insolent dropped eyelids. He smiled a little grimly.
There was hardly any trouble finding the man he was looking for. He found him sitting in the back corner of a first-class compartment, facing the engine, so the observer could approach unnoticed from behind. On the rack was an elegant dressing case, with the initials P. D. B. W. The young man recognized Wimsey's narrow, pointed face, flat blonde hair, and arrogantly lowered eyelids. He smiled slightly, but with a hint of grimness.
"He is confident," he thought, "and has regrettably made the mistake of underrating the enemy. Good! This is where I retire into a seconde and keep my eyes open. The next act of this melodrama will take place, I fancy, at Dreux."
"He seems so sure of himself," he thought, "and he's unfortunately underestimated his opponent. Good! This is where I step back and stay alert. I have a feeling the next scene in this drama will unfold at Dreux."
It is a rule on the Chemin de Fer de l'Ouest that all Paris-Evreux trains, whether of Grande Vitesse or what Lord Peter Wimsey preferred to call Grande Paresse, shall halt for an interminable period at Dreux. The young man (now in navy-blue) watched his quarry safely into the refreshment-room, and slipped unobtrusively out of the station. In a quarter of an hour he was back—this time in a heavy motoring-coat, helmet, and goggles, at the wheel of a powerful hired Peugeot. Coming quietly on to the platform, he took up his station behind the wall of the lampisterie, whence he could keep an eye on the train and the buffet door. After fifteen minutes his patience was rewarded by the sight of his man again boarding the express, dressing-case in hand. The porters slammed the doors, crying: "Next stop Verneuil!" The engine panted and groaned; the long train of grey-green carriages clanked slowly away. The motorist drew a breath of satisfaction, and, hurrying past the barrier, started up the car. He knew that he had a good eighty miles an hour under his bonnet, and there is no speed-limit in France.
It’s a rule on the Chemin de Fer de l'Ouest that all Paris-Evreux trains, whether they’re high-speed or what Lord Peter Wimsey liked to call slow-moving, must stop for an endless time at Dreux. The young man (now in navy-blue) watched his target safely into the refreshment room and quietly slipped out of the station. In about fifteen minutes, he was back—this time wearing a heavy motoring coat, helmet, and goggles, and at the wheel of a powerful rented Peugeot. Moving quietly onto the platform, he set up behind the wall of the lampisterie, where he could keep an eye on the train and the buffet door. After fifteen minutes, his patience paid off as he saw his man once again boarding the express, a dressing case in hand. The porters slammed the doors and called out, "Next stop Verneuil!" The engine puffed and groaned; the long train of grey-green carriages slowly pulled away. The motorist breathed a sigh of satisfaction and hurried past the barrier to start the car. He knew he had a solid eighty miles an hour ready to go, and there’s no speed limit in France.
Mon Souci, the seat of that eccentric and eremitical genius the Comte de Rueil, is situated three kilometres from Verneuil. It is a sorrowful and decayed château, desolate at the termination of its neglected avenue of pines. The mournful state of a nobility without an allegiance surrounds it. The stone nymphs droop greenly over their dry and mouldering fountains. An occasional peasant creaks with a single wagon-load of wood along the ill-forested glades. It has the atmosphere of sunset at all hours of the day. The woodwork is dry and gaping for lack of paint. Through the jalousies one sees the prim salon, with its beautiful and faded furniture. Even the last of its ill-dressed, ill-favoured women has withered away from Mon Souci, with her inbred, exaggerated features and her long white gloves. But at the rear of the château a chimney smokes incessantly. It is the furnace of the laboratory, the only living and modern thing among the old and dying; the only place tended and loved, petted and spoiled, heir to the long solicitude which counts of a more light-hearted day had given to stable and kennel, portrait-gallery and ballroom. And below, in the cool cellar, lie row upon row the dusty bottles, each an enchanted glass coffin in which the Sleeping Beauty of the vine grows ever more ravishing in sleep.
Mon Souci, the home of the quirky and reclusive Comte de Rueil, is located three kilometers from Verneuil. It’s a sad and rundown château, lonely at the end of its overgrown pine path. The mournful atmosphere of a nobility without loyalty surrounds it. The stone nymphs droop sadly over their dry and decaying fountains. Occasionally, a peasant creaks by with a single wagon-load of wood along the poorly maintained paths. It has the feel of sunset at all hours. The woodwork is dry and cracked from lack of paint. Through the shutters, you can see the prim salon, with its beautiful but faded furniture. Even the last of its poorly dressed, unattractive residents has faded away from Mon Souci, with her inherited, exaggerated features and her long white gloves. But at the back of the château, a chimney smokes constantly. It’s the furnace of the laboratory, the only lively and modern aspect among the old and decaying; the only place cared for and cherished, pampered and indulged, the heir to the long affection that the more carefree counts once gave to stables and kennels, portrait galleries and ballrooms. And below, in the cool cellar, lie row upon row of dusty bottles, each an enchanted glass coffin in which the Sleeping Beauty of the vine continues to grow ever more beautiful in her slumber.
As the Peugeot came to a standstill in the courtyard, the driver observed with considerable surprise that he was not the count's only visitor. An immense super-Renault, like a merveilleuse of the Directoire, all bonnet and no body, had been drawn so ostentatiously across the entrance as to embarrass the approach of any new-comer. Its glittering panels were embellished with a coat of arms, and the count's elderly servant was at that moment staggering beneath the weight of two large and elaborate suit-cases, bearing in silver letters that could be read a mile away the legend: "Lord Peter Wimsey."
As the Peugeot came to a stop in the courtyard, the driver was quite surprised to see that he wasn’t the only visitor for the count. An enormous super-Renault, reminiscent of a merveilleuse from the Directoire era, all hood and no body, was parked so conspicuously at the entrance that it made it difficult for anyone else to approach. Its shiny panels displayed a coat of arms, and the count’s older servant was currently struggling under the weight of two large, fancy suitcases, which had the name "Lord Peter Wimsey" inscribed in silver letters that could be seen from afar.
The Peugeot driver gazed with astonishment at this display, and grinned sardonically. "Lord Peter seems rather ubiquitous in this country," he observed to himself. Then, taking pen and paper from his bag, he busied himself with a little letter-writing. By the time that the suit-cases had been carried in, and the Renault had purred its smooth way to the outbuildings, the document was complete and enclosed in an envelope addressed to the Comte de Rueil. "The hoist with his own petard touch," said the young man, and, stepping up to the door, presented the envelope to the manservant.
The Peugeot driver stared in disbelief at the scene and smiled sarcastically. "Lord Peter seems to be everywhere in this country," he thought to himself. Then, pulling out a pen and paper from his bag, he got to work on a little letter. By the time the suitcases were brought in and the Renault smoothly made its way to the outbuildings, the letter was finished and sealed in an envelope addressed to the Comte de Rueil. "The hoist with his own petard touch," said the young man, and, stepping up to the door, handed the envelope to the servant.
"I am the bearer of a letter of introduction to monsieur le comte," he said. "Will you have the obligingness to present it to him? My name is Bredon—Death Bredon."
"I have a letter of introduction for Monsieur le Comte," he said. "Would you be kind enough to present it to him? My name is Bredon—Death Bredon."
The man bowed, and begged him to enter.
The man bowed and asked him to come in.
"If monsieur will have the goodness to seat himself in the hall for a few moments. Monsieur le comte is engaged with another gentleman, but I will lose no time in making monsieur's arrival known."
"If you would be so kind to take a seat in the hall for a moment. The Count is currently with another gentleman, but I will let him know you're here right away."
The young man sat down and waited. The windows of the hall looked out upon the entrance, and it was not long before the château's sleep was disturbed by the hooting of yet another motor-horn. A station taxi-cab came noisily up the avenue. The man from the first-class carriage and the luggage labelled P. D. B. W. were deposited upon the doorstep. Lord Peter Wimsey dismissed the driver and rang the bell.
The young man sat down and waited. The hall's windows faced the entrance, and it wasn't long before the château's quiet was broken by the blaring of another car horn. A taxi from the station pulled up the avenue with a lot of noise. The man from the first-class carriage and the luggage marked P. D. B. W. were dropped off on the doorstep. Lord Peter Wimsey paid the driver and rang the doorbell.
"Now," said Mr. Bredon, "the fun is going to begin." He effaced himself as far as possible in the shadow of a tall armoire normande.
"Now," said Mr. Bredon, "the fun is about to start." He blended into the shadows of a tall armoire normande.
"Good evening," said the new-comer to the manservant, in admirable French, "I am Lord Peter Wimsey. I arrive upon the invitation of Monsieur le comte de Rueil. Monsieur le comte is at liberty?"
"Good evening," said the newcomer to the butler, in fluent French, "I am Lord Peter Wimsey. I've come on the invitation of Monsieur le comte de Rueil. Is Monsieur le comte available?"
"Milord Peter Wimsey? Pardon, monsieur, but I do not understand. Milord de Wimsey is already arrived and is with monsieur le comte at this moment."
"Lord Peter Wimsey? Excuse me, sir, but I don’t quite understand. Lord Wimsey has already arrived and is with the Count at this moment."
"You surprise me," said the other, with complete imperturbability, "for certainly no one but myself has any right to that name. It seems as though some person more ingenious than honest has had the bright idea of impersonating me."
"You surprise me," said the other, completely unfazed, "because certainly no one but me has any right to that name. It feels like someone more clever than honest has come up with the brilliant idea of pretending to be me."
The servant was clearly at a loss.
The servant was clearly confused.
"Perhaps," he suggested, "monsieur can show his papiers d'identité."
"Maybe," he suggested, "you could show your ID."
"Although it is somewhat unusual to produce one's credentials on the doorstep when paying a private visit," replied his lordship, with unaltered good humour, "I have not the slightest objection. Here is my passport, here is a permis de séjour granted to me in Paris, here my visiting-card, and here a quantity of correspondence addressed to me at the Hôtel Meurice, Paris, at my flat in Piccadilly, London, at the Marlborough Club, London, and at my brother's house at King's Denver. Is that sufficiently in order?"
"Even though it's a bit unusual to show your credentials right at the door during a private visit," replied his lordship, still in good spirits, "I have no problem with that. Here’s my passport, here’s a permis de séjour I got in Paris, here’s my business card, and here’s a bunch of letters addressed to me at the Hôtel Meurice in Paris, at my flat in Piccadilly, London, at the Marlborough Club in London, and at my brother’s place in King’s Denver. Is that good enough?"
The servant perused the documents carefully, appearing particularly impressed by the permis de séjour.
The servant looked through the documents carefully, seeming especially impressed by the permis de séjour.
"It appears there is some mistake," he murmured dubiously; "if monsieur will follow me, I will acquaint monsieur le comte."
"It seems there's been a misunderstanding," he said doubtfully; "if you’ll follow me, I’ll let the count know."
They disappeared through the folding doors at the back of the hall, and Bredon was left alone.
They went through the folding doors at the back of the hall, leaving Bredon by himself.
"Quite a little boom in Richmonds to-day," he observed, "each of us more unscrupulous than the last. The occasion obviously calls for a refined subtlety of method."
"There's quite a little boom in Richmond today," he remarked, "each of us more ruthless than the last. This situation clearly requires a refined approach."
After what he judged to be a hectic ten minutes in the count's library, the servant reappeared, searching for him.
After what he thought was a hectic ten minutes in the count's library, the servant came back, looking for him.
"Monsieur le comte's compliments, and would monsieur step this way?"
"Monsieur le comte sends his regards, and would you please come this way?"
Bredon entered the room with a jaunty step. He had created for himself the mastery of this situation. The count, a thin, elderly man, his fingers deeply stained with chemicals, sat, with a perturbed expression, at his desk. In two arm-chairs sat the two Wimseys. Bredon noted that, while the Wimsey he had seen in the train (whom he mentally named Peter I) retained his unruffled smile, Peter II (he of the Renault) had the flushed and indignant air of an Englishman affronted. The two men were superficially alike—both fair, lean, and long-nosed, with the nondescript, inelastic face which predominates in any assembly of well bred Anglo-Saxons.
Bredon walked into the room with a confident stride. He had taken control of the situation. The count, a thin, older man with fingers stained from chemicals, sat at his desk looking uneasy. In two armchairs sat the two Wimseys. Bredon observed that while the Wimsey he had encountered on the train (whom he mentally labeled Peter I) kept his calm smile, Peter II (the one with the Renault) looked flushed and offended, like an Englishman who had been insulted. The two men were somewhat similar—both fair, lean, and long-nosed, with the generic, unyielding faces typical of any gathering of well-bred Anglo-Saxons.
"Mr. Bredon," said the count, "I am charmed to have the pleasure of making your acquaintance, and regret that I must at once call upon you for a service as singular as it is important. You have presented to me a letter of introduction from your cousin, Lord Peter Wimsey. Will you now be good enough to inform me which of these gentlemen he is?"
"Mr. Bredon," said the count, "I'm delighted to meet you, but I must immediately ask for your help with something as unique as it is important. You gave me a letter of introduction from your cousin, Lord Peter Wimsey. Could you please tell me which of these gentlemen he is?"
Bredon let his glance pass slowly from the one claimant to the other, meditating what answer would best serve his own ends. One, at any rate, of the men in this room was a formidable intellect, trained in the detection of imposture.
Bredon slowly looked from one claimant to the other, thinking about what response would benefit him the most. At least one of the men in this room had a sharp mind, skilled at spotting deception.
"Well?" said Peter II. "Are you going to acknowledge me, Bredon?"
"Well?" Peter II said. "Are you going to acknowledge me, Bredon?"
Peter I extracted a cigarette from a silver case. "Your confederate does not seem very well up in his part," he remarked, with a quiet smile at Peter II.
Peter I took a cigarette out of a silver case. "Your partner doesn't seem very familiar with his role," he said, giving a subtle smile to Peter II.
"Monsieur le comte," said Bredon, "I regret extremely that I cannot assist you in the matter. My acquaintance with my cousin, like your own, has been made and maintained entirely through correspondence on a subject of common interest. My profession," he added, "has made me unpopular with my family."
"Monsieur le comte," Bredon said, "I'm really sorry that I can't help you with this. My relationship with my cousin, just like yours, has been built entirely through letters about a shared interest. My job," he added, "has made me unpopular with my family."
There was a very slight sigh of relief somewhere. The false Wimsey—whichever he was—had gained a respite. Bredon smiled.
There was a faint sigh of relief somewhere. The fake Wimsey—whoever he was—had gotten a break. Bredon smiled.
"An excellent move, Mr. Bredon," said Peter I, "but it will hardly explain——Allow me." He took the letter from the count's hesitating hand. "It will hardly explain the fact that the ink of this letter of recommendation, dated three weeks ago, is even now scarcely dry—though I congratulate you on the very plausible imitation of my handwriting."
"Great move, Mr. Bredon," said Peter I, "but it won't really explain——Let me. He took the letter from the count's uncertain hand. "It won’t really explain why the ink on this recommendation letter, dated three weeks ago, is still barely dry—although I commend you on the pretty convincing imitation of my signature."
"If you can forge my handwriting," said Peter II, "so can this Mr. Bredon." He read the letter aloud over his double's shoulder.
"If you can copy my handwriting," said Peter II, "so can this Mr. Bredon." He read the letter out loud over his double's shoulder.
"'Monsieur le comte—I have the honour to present to you my friend and cousin, Mr. Death Bredon, who, I understand, is to be travelling in your part of France next month. He is very anxious to view your interesting library. Although a journalist by profession, he really knows something about books.' I am delighted to learn for the first time that I have such a cousin. An interviewer's trick, I fancy, monsieur le comte. Fleet Street appears well informed about our family names. Possibly it is equally well informed about the object of my visit to Mon Souci?"
"‘Monsieur le comte—I’m pleased to introduce my friend and cousin, Mr. Death Bredon, who, I hear, will be traveling in your area of France next month. He’s very eager to see your fascinating library. Although he works as a journalist, he actually knows a thing or two about books.’ I’m thrilled to discover for the first time that I have such a cousin. I suspect this is an interviewer’s tactic, monsieur le comte. Fleet Street seems to have a lot of information about our family names. Perhaps it's also aware of the reason for my visit to Mon Souci?"
"If," said Bredon boldly, "you refer to the acquisition of the de Rueil formula for poison gas for the British Government, I can answer for my own knowledge, though possibly the rest of Fleet Street is less completely enlightened." He weighed his words carefully now, warned by his slip. The sharp eyes and detective ability of Peter I alarmed him far more than the caustic tongue of Peter II.
"If," Bredon said confidently, "you're talking about getting the de Rueil formula for poison gas for the British Government, I can speak to that from my own understanding, though the rest of Fleet Street might not be as well-informed." He chose his words carefully now, mindful of his previous mistake. The keen eyes and investigative skills of Peter I worried him much more than the biting remarks of Peter II.
The count uttered an exclamation of dismay.
The count let out an exclamation of dismay.
"Gentlemen," he said, "one thing is obvious—that there has been somewhere a disastrous leakage of information. Which of you is the Lord Peter Wimsey to whom I should entrust the formula I do not know. Both of you are supplied with papers of identity; both appear completely instructed in this matter; both of your handwritings correspond with the letters I have previously received from Lord Peter, and both of you have offered me the sum agreed upon in Bank of England notes. In addition, this third gentleman arrives endowed with an equal facility in handwritings, an introductory letter surrounded by most suspicious circumstances, and a degree of acquaintance with this whole matter which alarms me. I can see but one solution. All of you must remain here at the château while I send to England for some elucidation of this mystery. To the genuine Lord Peter I offer my apologies, and assure him that I will endeavour to make his stay as agreeable as possible. Will this satisfy you? It will? I am delighted to hear it. My servants will show you to your bedrooms, and dinner will be at half-past seven."
" gentlemen," he said, "one thing is clear—there’s been a serious leak of information somewhere. I don’t know which of you is the real Lord Peter Wimsey to whom I should give the formula. Both of you have identification papers; both seem completely briefed on this issue; both of your handwriting matches the letters I’ve received from Lord Peter before, and both of you have offered me the agreed amount in Bank of England notes. Additionally, this third gentleman shows equal skill in handwriting, has a suspicious introductory letter, and seems alarmingly knowledgeable about this whole situation. I can see only one solution. All of you must stay here at the château while I send for some clarification from England about this mystery. To the genuine Lord Peter, I apologize and assure him that I will do my best to make his stay comfortable. Will this be acceptable to you? It will? I'm glad to hear that. My staff will show you to your rooms, and dinner will be at half-past seven."
"It is delightful to think," said Mr. Bredon, as he fingered his glass and passed it before his nostrils with the air of a connoisseur, "that whichever of these gentlemen has the right to the name which he assumes is assured to-night of a truly Olympian satisfaction." His impudence had returned to him, and he challenged the company with an air. "Your cellars, monsieur le comte, are as well known among men endowed with a palate as your talents among men of science. No eloquence could say more."
"It’s great to think," said Mr. Bredon, as he played with his glass and held it up to his nose like a connoisseur, "that tonight, whichever of these gentlemen has the right to the name he goes by will definitely experience a truly epic satisfaction." His boldness had come back, and he faced the group with confidence. "Your cellars, monsieur le comte, are as famous among those with a good palate as your talents are among scientists. No amount of eloquence could express more."
The two Lord Peters murmured assent.
The two Lord Peters nodded in agreement.
"I am the more pleased by your commendation," said the count, "that it suggests to me a little test which, with your kind co-operation, will, I think, assist us very much in determining which of you gentlemen is Lord Peter Wimsey and which his talented impersonator. Is it not matter of common notoriety that Lord Peter has a palate for wine almost unequalled in Europe?"
"I appreciate your compliment even more," said the count, "because it gives me an idea for a little test that, with your help, I believe will really help us figure out which of you gentlemen is Lord Peter Wimsey and which is his skilled impersonator. Isn't it common knowledge that Lord Peter has a palate for wine that's almost unmatched in Europe?"
"You flatter me, monsieur le comte," said Peter II modestly.
"You’re flattering me, Count," said Peter II modestly.
"I wouldn't like to say unequalled," said Peter I, chiming in like a well-trained duet; "let's call it fair to middling. Less liable to misconstruction and all that."
"I wouldn't say it's unmatched," Peter I added, joining in like a well-rehearsed duet; "let's call it decent. It's less likely to be misunderstood and all that."
"Your lordship does yourself an injustice," said Bredon, addressing both men with impartial deference. "The bet which you won from Mr. Frederick Arbuthnot at the Egotists' Club, when he challenged you to name the vintage years of seventeen wines blindfold, received its due prominence in the Evening Wire."
"You're doing yourself a disservice," said Bredon, speaking to both men with equal respect. "The bet you won from Mr. Frederick Arbuthnot at the Egotists' Club, when he dared you to identify the vintage years of seventeen wines while blindfolded, got the attention it deserved in the Evening Wire."
"I was in extra form that night," said Peter I.
"I was really on my game that night," said Peter I.
"A fluke," laughed Peter II.
"A fluke," laughed Peter II.
"The test I propose, gentlemen, is on similar lines," pursued the count, "though somewhat less strenuous. There are six courses ordered for dinner to-night. With each we will drink a different wine, which my butler shall bring in with the label concealed. You shall each in turn give me your opinion upon the vintage. By this means we shall perhaps arrive at something, since the most brilliant forger—of whom I gather I have at least two at my table to-night—can scarcely forge a palate for wine. If too hazardous a mixture of wines should produce a temporary incommodity in the morning, you will, I feel sure, suffer it gladly for this once in the cause of truth."
"The test I suggest, gentlemen, is along similar lines," continued the count, "though a bit less intense. There are six courses planned for dinner tonight. With each course, we'll drink a different wine, which my butler will bring in with the label hidden. You will each take turns giving me your thoughts on the vintage. This way, we might uncover something interesting, since even the most skilled forger—of whom I suspect I have at least two at my table tonight—can hardly fake a palate for wine. If a risky combination of wines leads to some discomfort in the morning, I trust you'll bear it gladly this one time for the sake of truth."
The two Wimseys bowed.
The two Wimseys bowed.
"In vino veritas," said Mr. Bredon, with a laugh. He at least was well seasoned, and foresaw opportunities for himself.
"In vino veritas," Mr. Bredon laughed. He was definitely experienced and saw opportunities ahead for himself.
"Accident, and my butler, having placed you at my right hand, monsieur," went on the count, addressing Peter I, "I will ask you to begin by pronouncing, as accurately as may be, upon the wine which you have just drunk."
"By chance, and my butler, having seated you at my right side, sir," continued the count, addressing Peter I, "I would like you to start by sharing your thoughts, as accurately as possible, on the wine you just tasted."
"That is scarcely a searching ordeal," said the other, with a smile. "I can say definitely that it is a very pleasant and well-matured Chablis Moutonne; and, since ten years is an excellent age for a Chablis—a real Chablis—I should vote for 1916, which was perhaps the best of the war vintages in that district."
"That's hardly a challenging task," said the other, smiling. "I can confidently say it's a very nice and well-aged Chablis Moutonne; and since ten years is a great age for a Chablis—a true Chablis—I would choose 1916, which was possibly the best vintage from that area during the war."
"Have you anything to add to that opinion, monsieur?" enquired the count, deferentially, of Peter II.
"Do you have anything to add to that opinion, sir?" asked the count respectfully of Peter II.
"I wouldn't like to be dogmatic to a year or so," said that gentleman critically, "but if I must commit myself, don't you know, I should say 1915—decidedly 1915."
"I wouldn’t want to be too definitive for about a year," that gentleman said critically, "but if I have to choose, I’d say 1915—definitely 1915."
The count bowed, and turned to Bredon.
The count bowed and turned to Bredon.
"Perhaps you, too, monsieur, would be interested to give an opinion," he suggested, with the exquisite courtesy always shown to the plain man in the society of experts.
"Maybe you, too, sir, would like to share your opinion," he suggested, with the exceptional politeness always given to the ordinary person among a group of experts.
"I'd rather not set a standard which I might not be able to live up to," replied Bredon, a little maliciously. "I know that it is 1915, for I happened to see the label."
"I'd rather not set a standard that I can't meet," Bredon replied, a bit mischievously. "I know it's 1915 because I happened to see the label."
Peter II looked a little disconcerted.
Peter II looked a bit unsettled.
"We will arrange matters better in future," said the count. "Pardon me." He stepped apart for a few moments' conference with the butler, who presently advanced to remove the oysters and bring in the soup.
"We'll handle things better in the future," said the count. "Excuse me." He stepped aside for a brief discussion with the butler, who soon came forward to clear away the oysters and serve the soup.
The next candidate for attention arrived swathed to the lip in damask.
The next candidate for attention arrived wrapped up to the lip in damask.
"It is your turn to speak first, monsieur," said the count to Peter II. "Permit me to offer you an olive to cleanse the palate. No haste, I beg. Even for the most excellent political ends, good wine must not be used with disrespect."
"It’s your turn to go first, sir," the count said to Peter II. "Allow me to offer you an olive to refresh your palate. Please, take your time. Even for the best political purposes, good wine deserves respect."
The rebuke was not unnecessary, for, after a preliminary sip, Peter II had taken a deep draught of the heady white richness. Under Peter I's quizzical eye he wilted quite visibly.
The criticism wasn't unwarranted because, after a quick sip, Peter II had gulped down the rich white drink. Under Peter I's curious gaze, he noticeably shrank.
"It is—it is Sauterne," he began, and stopped. Then, gathering encouragement from Bredon's smile, he said, with more aplomb, "Château Yquem, 1911—ah! the queen of white wines, sir, as what's-his-name says." He drained his glass defiantly.
"It is—it is Sauterne," he started, then hesitated. After feeling encouraged by Bredon's smile, he said more confidently, "Château Yquem, 1911—ah! the queen of white wines, sir, as what's-his-name puts it." He emptied his glass with a flourish.
The count's face was a study as he slowly detached his fascinated gaze from Peter II to fix it on Peter I.
The count's expression was intriguing as he slowly shifted his captivated gaze from Peter II to focus on Peter I.
"If I had to be impersonated by somebody," murmured the latter gently, "it would have been more flattering to have had it undertaken by a person to whom all white wines were not alike. Well, now, sir, this admirable vintage is, of course, a Montrachet of—let me see"—he rolled the wine delicately upon his tongue—"of 1911. And a very attractive wine it is, though, with all due deference to yourself, monsieur le comte, I feel that it is perhaps slightly too sweet to occupy its present place in the menu. True, with this excellent consommé marmite, a sweetish wine is not altogether out of place, but, in my own humble opinion, it would have shown to better advantage with the confitures."
"If someone had to impersonate me," the latter said softly, "it would have been more flattering if it had been done by someone who knew that not all white wines are the same. Well, now, sir, this excellent vintage is, of course, a Montrachet from—let me think"—he rolled the wine gently on his tongue—"from 1911. And it really is a lovely wine, although, with all due respect to you, monsieur le comte, I feel it might be a bit too sweet for its current spot on the menu. True, with this excellent consommé marmite, a sweeter wine isn’t completely out of place, but, in my humble opinion, it would have paired better with the confitures."
"There, now," said Bredon innocently, "it just shows how one may be misled. Had not I had the advantage of Lord Peter's expert opinion—for certainly nobody who could mistake Montrachet for Sauterne has any claim to the name of Wimsey—I should have pronounced this to be, not the Montrachet-Aîné, but the Chevalier-Montrachet of the same year, which is a trifle sweeter. But no doubt, as your lordship says, drinking it with the soup has caused it to appear sweeter to me than it actually is."
"There, see?" said Bredon innocently. "This just shows how easily one can be misled. If I hadn’t had the benefit of Lord Peter’s expert opinion—because honestly, anyone who confuses Montrachet with Sauternes can’t really call themselves a Wimsey—I would have said this was not the Montrachet-Aîné, but the Chevalier-Montrachet from the same year, which is a bit sweeter. But as your lordship points out, having it with the soup probably made it seem sweeter to me than it really is."
The count looked sharply at him, but made no comment.
The count shot him a quick look but said nothing.
"Have another olive," said Peter I kindly. "You can't judge wine if your mind is on other flavours."
"Have another olive," Peter said kindly. "You can't judge wine if you're thinking about other flavors."
"Thanks frightfully," said Bredon. "And that reminds me——" He launched into a rather pointless story about olives, which lasted out the soup and bridged the interval to the entrance of an exquisitely cooked sole.
"Thanks so much," said Bredon. "And that reminds me——" He started telling a somewhat pointless story about olives, which took up the time during the soup and filled the gap until the beautifully cooked sole arrived.
The count's eye followed the pale amber wine rather thoughtfully as it trilled into the glasses. Bredon raised his in the approved manner to his nostrils, and his face flushed a little. With the first sip he turned excitedly to his host.
The count watched the pale amber wine carefully as it flowed into the glasses. Bredon lifted his glass in the proper way to his nose, and his face turned slightly red. After taking his first sip, he eagerly turned to his host.
"Good God, sir——" he began.
"OMG, sir——" he began.
The lifted hand cautioned him to silence.
The raised hand signaled him to be quiet.
Peter I sipped, inhaled, sipped again, and his brows clouded. Peter II had by this time apparently abandoned his pretensions. He drank thirstily, with a beaming smile and a lessening hold upon reality.
Peter I took a sip, breathed in, sipped again, and his expression darkened. By this time, Peter II seemed to have given up on his pretensions. He drank eagerly, with a wide smile and a fading grip on reality.
"Eh bien, monsieur?" enquired the count gently.
"Well, sir?" the count asked gently.
"This," said Peter I, "is certainly hock, and the noblest hock I have ever tasted, but I must admit that for the moment I cannot precisely place it."
"This," said Peter I, "is definitely hock, and the finest hock I've ever tasted, but I have to admit that right now I can't quite identify where it's from."
"No?" said Bredon. His voice was like bean-honey now, sweet and harsh together. "Nor the other gentleman? And yet I fancy I could place it within a couple of miles, though it is a wine I had hardly looked to find in a French cellar at this time. It is hock, as your lordship says, and at that it is Johannisberger. Not the plebeian cousin, but the echter Schloss Johannisberger from the castle vineyard itself. Your lordship must have missed it (to your great loss) during the war years. My father laid some down the year before he died, but it appears that the ducal cellars at Denver were less well furnished."
"Not at all?" said Bredon. His voice was like sweet and bitter honey. "And not the other gentleman either? I think I could pinpoint it within a couple of miles, even though it's a wine I never expected to find in a French cellar at this time. It's hock, as your lordship mentioned, and it's Johannisberger. Not the ordinary variety, but the authentic Schloss Johannisberger straight from the castle vineyard. Your lordship must have missed it (to your great loss) during the war years. My father stored some the year before he passed away, but it seems the ducal cellars in Denver were not as well-stocked."
"I must set about remedying the omission," said the remaining Peter, with determination.
"I need to fix the oversight," said the last Peter, with determination.
The poulet was served to the accompaniment of an argument over the Lafitte, his lordship placing it at 1878, Bredon maintaining it to be a relic of the glorious 'seventy-fives, slightly over-matured, but both agreeing as to its great age and noble pedigree.
The poulet was served alongside a debate about the Lafitte, with his lordship asserting it was from 1878, while Bredon argued it was a remnant of the glorious 'seventy-fives, a bit over-aged, but both agreed on its impressive age and distinguished lineage.
As to the Clos-Vougeôt, on the other hand, there was complete agreement; after a tentative suggestion of 1915, it was pronounced finally by Peter I to belong to the equally admirable though slightly lighter 1911 crop. The pré-salé was removed amid general applause, and the dessert was brought in.
As for the Clos-Vougeôt, everyone agreed on that; after a preliminary suggestion in 1915, Peter I officially declared it belonged to the equally great, though slightly lighter, 1911 vintage. The pré-salé was taken away to loud applause, and dessert was served.
"Is it necessary," asked Peter I, with a slight smile in the direction of Peter II—now happily murmuring, "Damn good wine, damn good dinner, damn good show"—"is it necessary to prolong this farce any further?"
"Is it necessary," Peter I asked, with a slight smile at Peter II—who was now happily murmuring, "Great wine, great dinner, great show"—"is it necessary to drag this farce on any longer?"
"Your lordship will not, surely, refuse to proceed with the discussion?" cried the count.
"Surely, you won't refuse to continue the discussion, my lord?" the count exclaimed.
"The point is sufficiently made, I fancy."
"I think the point is clear enough."
"But no one will surely ever refuse to discuss wine," said Bredon, "least of all your lordship, who is so great an authority."
"But nobody would ever say no to talking about wine," Bredon said, "especially not you, my lord, who is such an expert."
"Not on this," said the other. "Frankly, it is a wine I do not care about. It is sweet and coarse, qualities that would damn any wine in the eyes—the mouth, rather—of a connoisseur. Did your excellent father have this laid down also, Mr. Bredon?"
"Not on this," replied the other. "Honestly, it's a wine I don't care for. It's sweet and rough—qualities that would ruin any wine in the opinion—the taste, rather—of a connoisseur. Did your esteemed father have this stored away too, Mr. Bredon?"
Bredon shook his head.
Bredon shook his head.
"No," he said, "no. Genuine Imperial Tokay is beyond the opportunities of Grub Street, I fear. Though I agree with you that it is horribly overrated—with all due deference to yourself, monsieur le comte."
"No," he said, "no. Authentic Imperial Tokay is out of reach for Grub Street, I'm afraid. Although I agree with you that it's ridiculously overrated—with all due respect to you, sir."
"In that case," said the count, "we will pass at once to the liqueur. I admit that I had thought of puzzling these gentlemen with the local product, but, since one competitor seems to have scratched, it shall be brandy—the only fitting close to a good wine-list."
"In that case," said the count, "let's move straight to the liqueur. I admit I thought about confusing these gentlemen with the local product, but since one competitor seems to have dropped out, it will be brandy—the only appropriate choice to end a good wine list."
In a slightly embarrassing silence the huge, round-bellied balloon glasses were set upon the table, and the few precious drops poured gently into each and set lightly swinging to release the bouquet.
In a slightly awkward silence, the large, round-bellied balloon glasses were placed on the table, and the few precious drops were poured gently into each one, making them sway lightly to release the fragrance.
"This," said Peter I, charmed again into amiability, "is, indeed, a wonderful old French brandy. Half a century old, I suppose."
"This," said Peter I, now feeling friendly again, "is truly a fantastic old French brandy. I guess it's about fifty years old."
"Your lordship's praise lacks warmth," replied Bredon. "This is the brandy—the brandy of brandies—the superb—the incomparable—the true Napoleon. It should be honoured like the emperor it is."
"Your lordship's praise feels a bit cold," Bredon replied. "This is the brandy—the best of the best—the amazing—the unmatched—the real Napoleon. It deserves to be celebrated like the emperor it represents."
He rose to his feet, his napkin in his hand.
He got up, holding his napkin.
"Sir," said the count, turning to him, "I have on my right a most admirable judge of wine, but you are unique." He motioned to Pierre, who solemnly brought forward the empty bottles, unswathed now, from the humble Chablis to the stately Napoleon, with the imperial seal blown in the glass. "Every time you have been correct as to growth and year. There cannot be six men in the world with such a palate as yours, and I thought that but one of them was an Englishman. Will you not favour us, this time, with your real name?"
"Sir," said the count, turning to him, "I have a truly amazing wine expert on my right, but you are one of a kind." He gestured to Pierre, who solemnly presented the empty bottles, now unwrapped, ranging from the simple Chablis to the majestic Napoleon, complete with the imperial seal in the glass. "Every time, you've been spot on about the vineyard and the year. There can't be more than six people in the world with a palate like yours, and I thought only one of them was English. Will you please share your real name with us this time?"
"It doesn't matter what his name is," said Peter I. He rose. "Put up your hands, all of you. Count, the formula!"
"It doesn't matter what his name is," Peter I said. He stood up. "Put your hands up, everyone. Count, the formula!"
Bredon's hands came up with a jerk, still clutching the napkin. The white folds spurted flame as his shot struck the other's revolver cleanly between trigger and barrel, exploding the charge, to the extreme detriment of the glass chandelier. Peter I stood shaking his paralysed hand and cursing.
Bredon's hands shot up suddenly, still holding the napkin. The white folds flared up as his shot hit the other person's revolver right between the trigger and the barrel, blowing up the charge, which severely damaged the glass chandelier. Peter I stood there, shaking his immobilized hand and cursing.
Bredon kept him covered while he cocked a wary eye at Peter II, who, his rosy visions scattered by the report, seemed struggling back to aggressiveness.
Bredon kept him protected while he watched Peter II with suspicion, who, shaken from his optimistic thoughts by the noise, appeared to be trying to regain his assertiveness.
"Since the entertainment appears to be taking a lively turn," observed Bredon, "perhaps you would be so good, count, as to search these gentlemen for further firearms. Thank you. Now, why should we not all sit down again and pass the bottle round?"
"Since the entertainment seems to be getting more exciting," Bredon noted, "could you please, Count, check these gentlemen for any more firearms? Thank you. Now, why don't we all sit down again and share a drink?"
"You—you are——" growled Peter I.
"You—you are——" growled Peter.
"Oh, my name is Bredon all right," said the young man cheerfully. "I loathe aliases. Like another fellow's clothes, you know—never seem quite to fit. Peter Death Bredon Wimsey—a bit lengthy and all that, but handy when taken in instalments. I've got a passport and all those things, too, but I didn't offer them, as their reputation here seems a little blown upon, so to speak. As regards the formula, I think I'd better give you my personal cheque for it—all sorts of people seem able to go about flourishing Bank of England notes. Personally, I think all this secret diplomacy work is a mistake, but that's the War Office's pigeon. I suppose we all brought similar credentials. Yes, I thought so. Some bright person seems to have sold himself very successfully in two places at once. But you two must have been having a lively time, each thinking the other was me."
"Oh, my name is Bredon, for sure," the young man said cheerfully. "I can't stand aliases. They’re like someone else’s clothes, you know—they just never seem to fit right. Peter Death Bredon Wimsey—a bit long and all, but useful when broken down. I have a passport and all that, too, but I didn’t bring it up since their reputation here seems a bit tarnished, so to speak. As for the formula, I think it’s better if I just give you my personal check for it—all kinds of people seem to be walking around waving Bank of England notes. Personally, I believe this secret diplomacy stuff is a mistake, but that’s the War Office's problem. I guess we all showed up with similar credentials. Yes, I figured as much. Some clever person seems to have successfully sold himself in two places at once. But you two must have been having quite a time, each thinking the other was me."
"My lord," said the count heavily, "these two men are, or were, Englishmen, I suppose. I do not care to know what Governments have purchased their treachery. But where they stand, I, alas! stand too. To our venal and corrupt Republic I, as a Royalist, acknowledge no allegiance. But it is in my heart that I have agreed to sell my country to England because of my poverty. Go back to your War Office and say I will not give you the formula. If war should come between our countries—which may God avert!—I will be found on the side of France. That, my lord, is my last word."
"My lord," the count said heavily, "these two men are, or were, Englishmen, I assume. I don’t want to know what governments have bought their betrayal. But wherever they stand, unfortunately, I stand too. I, as a Royalist, owe no loyalty to our corrupt and corruptible Republic. But in my heart, I’ve agreed to sell my country to England because of my poverty. Go back to your War Office and tell them I won’t give you the formula. If war comes between our countries—which I hope to God doesn’t happen!—I’ll be on France’s side. That, my lord, is my final word."
Wimsey bowed.
Wimsey bowed.
"Sir," said he, "it appears that my mission has, after all, failed. I am glad of it. This trafficking in destruction is a dirty kind of business after all. Let us shut the door upon these two, who are neither flesh nor fowl, and finish the brandy in the library."
"Sir," he said, "it looks like my mission has, after all, failed. I’m actually glad about that. This dealing in destruction is a pretty dirty business. Let’s close the door on these two, who are neither here nor there, and finish the brandy in the library."
THE LEARNED ADVENTURE OF THE DRAGON'S HEAD
"Uncle Peter!"
"Uncle Pete!"
"Half a jiff, Gherkins. No, I don't think I'll take the Catullus, Mr. Ffolliott. After all, thirteen guineas is a bit steep without either the title or the last folio, what? But you might send me round the Vitruvius and the Satyricon when they come in; I'd like to have a look at them, anyhow. Well, old man, what is it?"
"Just a moment, Gherkins. No, I don’t think I’ll take the Catullus, Mr. Ffolliott. Thirteen guineas is quite expensive, especially without the title or the last folio, right? But you can send me the Vitruvius and the Satyricon when they arrive; I’d like to check them out, anyway. So, old man, what’s up?"
"Do come and look at these pictures, Uncle Peter. I'm sure it's an awfully old book."
"Come and check out these pictures, Uncle Peter. I'm sure it's a really old book."
Lord Peter Wimsey sighed as he picked his way out of Mr. Ffolliott's dark back shop, strewn with the flotsam and jetsam of many libraries. An unexpected outbreak of measles at Mr. Bultridge's excellent preparatory school, coinciding with the absence of the Duke and Duchess of Denver on the Continent, had saddled his lordship with his ten-year-old nephew, Viscount St. George, more commonly known as Young Jerry, Jerrykins, or Pickled Gherkins. Lord Peter was not one of those born uncles who delight old nurses by their fascinating "way with" children. He succeeded, however, in earning tolerance on honourable terms by treating the young with the same scrupulous politeness which he extended to their elders. He therefore prepared to receive Gherkins's discovery with respect, though a child's taste was not to be trusted, and the book might quite well be some horror of woolly mezzotints or an inferior modern reprint adorned with leprous electros. Nothing much better was really to be expected from the "cheap shelf" exposed to the dust of the street.
Lord Peter Wimsey sighed as he navigated his way out of Mr. Ffolliott's dim back shop, cluttered with the remnants of many libraries. An unexpected outbreak of measles at Mr. Bultridge's excellent prep school, combined with the absence of the Duke and Duchess of Denver traveling abroad, had left him responsible for his ten-year-old nephew, Viscount St. George, more commonly known as Young Jerry, Jerrykins, or Pickled Gherkins. Lord Peter was not one of those natural uncles who charm old nurses with their wonderful "way with" kids. However, he managed to earn a little tolerance by treating the young ones with the same careful politeness he showed their elders. He was ready to receive Gherkins's discovery with respect, even though a child's taste wasn't exactly reliable, and the book could easily turn out to be some dreadful collection of fuzzy mezzotints or a subpar modern reprint featuring awful plate prints. Nothing much better was really expected from the "cheap shelf" exposed to the street dust.
"Uncle! there's such a funny man here, with a great long nose and ears and a tail and dogs' heads all over his body. Monstrum hoc Cracoviæ—that's a monster, isn't it? I should jolly well think it was. What's Cracoviæ, Uncle Peter?"
"Uncle! There's such a funny guy here, with a really long nose, big ears, a tail, and dogs' heads all over his body. Monstrum hoc Cracoviæ—that's a monster, right? I totally think it is. What's Cracoviæ, Uncle Peter?"
"Oh," said Lord Peter, greatly relieved, "the Cracow monster?" A portrait of that distressing infant certainly argued a respectable antiquity. "Let's have a look. Quite right, it's a very old book—Munster's Cosmographia Universalis. I'm glad you know good stuff when you see it, Gherkins. What's the Cosmographia doing out here, Mr. Ffolliott, at five bob?"
"Oh," said Lord Peter, feeling much better, "the Cracow monster?" A picture of that upsetting baby definitely suggested a long history. "Let's take a look. You're right, it's a really old book—Munster's Cosmographia Universalis. I'm glad you recognize quality when you see it, Gherkins. What’s the Cosmographia doing out here, Mr. Ffolliott, at five bob?"
"Well, my lord," said the bookseller, who had followed his customers to the door, "it's in a very bad state, you see; covers loose and nearly all the double-page maps missing. It came in a few weeks ago—dumped in with a collection we bought from a gentleman in Norfolk—you'll find his name in it—Dr. Conyers of Yelsall Manor. Of course, we might keep it and try to make up a complete copy when we get another example. But it's rather out of our line, as you know, classical authors being our speciality. So we just put it out to go for what it would fetch in the status quo, as you might say."
"Well, my lord," said the bookseller, who had followed his customers to the door, "it's in really poor condition, you see; the covers are loose and almost all the double-page maps are missing. It came in a few weeks ago—dumped in with a collection we purchased from a gentleman in Norfolk—you'll find his name in it—Dr. Conyers of Yelsall Manor. Of course, we could keep it and try to put together a complete copy when we get another one. But it's not really our area, since, as you know, classical authors are our specialty. So we just decided to sell it as is, seeing what it would fetch in the status quo, as you might say."
"Oh, look!" broke in Gherkins. "Here's a picture of a man being chopped up in little bits. What does it say about it?"
"Oh, look!" interrupted Gherkins. "Here's a picture of a guy getting chopped into little pieces. What does it say about it?"
"I thought you could read Latin."
"I thought you could read Latin."
"Well, but it's all full of sort of pothooks. What do they mean?"
"Well, but it’s all full of kind of weird symbols. What do they mean?"
"They're just contractions," said Lord Peter patiently. "'Solent quoque hujus insulæ cultores'—It is the custom of the dwellers in this island, when they see their parents stricken in years and of no further use, to take them down into the market-place and sell them to the cannibals, who kill them and eat them for food. This they do also with younger persons when they fall into any desperate sickness."
"They're just contractions," Lord Peter said patiently. "'Solent quoque hujus insulæ cultores'—It's the custom of the people on this island that when they see their parents getting old and no longer useful, they take them to the marketplace and sell them to the cannibals, who kill them and eat them. They also do this with younger people if they get seriously sick."
"Ha, ha!" said Mr. Ffolliott. "Rather sharp practice on the poor cannibals. They never got anything but tough old joints or diseased meat, eh?"
"Ha, ha!" said Mr. Ffolliott. "That's pretty harsh on the poor cannibals. They only got tough old bones or bad meat, right?"
"The inhabitants seem to have had thoroughly advanced notions of business," agreed his lordship.
"The people here definitely had quite advanced ideas about business," his lordship agreed.
The viscount was enthralled.
The viscount was captivated.
"I do like this book," he said; "could I buy it out of my pocket-money, please?"
"I really like this book," he said; "can I buy it with my allowance, please?"
"Another problem for uncles," thought Lord Peter, rapidly ransacking his recollections of the Cosmographia to determine whether any of its illustrations were indelicate; for he knew the duchess to be strait-laced. On consideration, he could only remember one that was dubious, and there was a sporting chance that the duchess might fail to light upon it.
"Another problem for uncles," thought Lord Peter, quickly searching his memory of the Cosmographia to see if any of its illustrations were inappropriate, since he knew the duchess to be very proper. Upon reflection, he could only recall one that was questionable, and there was a fair chance that the duchess might not notice it.
"Well," he said judicially, "in your place, Gherkins, I should be inclined to buy it. It's in a bad state, as Mr. Ffolliott has honourably told you—otherwise, of course, it would be exceedingly valuable; but, apart from the lost pages, it's a very nice clean copy, and certainly worth five shillings to you, if you think of starting a collection."
"Well," he said thoughtfully, "if I were you, Gherkins, I’d probably buy it. It’s not in great shape, as Mr. Ffolliott has honestly pointed out—otherwise, it would be quite valuable; but, aside from the missing pages, it’s a really nice clean copy and definitely worth five shillings to you if you’re thinking about starting a collection."
Till that moment, the viscount had obviously been more impressed by the cannibals than by the state of the margins, but the idea of figuring next term at Mr. Bultridge's as a collector of rare editions had undeniable charm.
Until that moment, the viscount had clearly been more fascinated by the cannibals than by the condition of the margins, but the thought of returning next term to Mr. Bultridge's as a collector of rare editions was undeniably appealing.
"None of the other fellows collect books," he said; "they collect stamps, mostly. I think stamps are rather ordinary, don't you, Uncle Peter? I was rather thinking of giving up stamps. Mr. Porter, who takes us for history, has got a lot of books like yours, and he is a splendid man at footer."
"None of the other guys collect books," he said. "They mostly collect stamps. I think stamps are pretty common, don’t you, Uncle Peter? I was actually thinking of giving up on stamps. Mr. Porter, who teaches us history, has a lot of books like yours, and he’s great at football."
Rightly interpreting this reference to Mr. Porter, Lord Peter gave it as his opinion that book-collecting could be a perfectly manly pursuit. Girls, he said, practically never took it up, because it meant so much learning about dates and type-faces and other technicalities which called for a masculine brain.
Correctly interpreting this mention of Mr. Porter, Lord Peter expressed his belief that book collecting could be a very masculine hobby. He remarked that girls rarely engaged in it, as it required a lot of knowledge about dates, typefaces, and other details that demanded a male mind.
"Besides," he added, "it's a very interesting book in itself, you know. Well worth dipping into."
"Besides," he added, "it's a really interesting book on its own, you know. Definitely worth checking out."
"I'll take it, please," said the viscount, blushing a little at transacting so important and expensive a piece of business; for the duchess did not encourage lavish spending by little boys, and was strict in the matter of allowances.
"I'll take it, please," said the viscount, blushing a bit at handling such an important and pricey transaction; the duchess didn’t support extravagant spending by young boys and was strict about allowances.
Mr. Ffolliott bowed, and took the Cosmographia away to wrap it up.
Mr. Ffolliott bowed and took the Cosmographia to package it up.
"Are you all right for cash?" enquired Lord Peter discreetly. "Or can I be of temporary assistance?"
"Are you okay for money?" asked Lord Peter quietly. "Or can I help out temporarily?"
"No, thank you, uncle; I've got Aunt Mary's half-crown and four shillings of my pocket-money, because, you see, with the measles happening, we didn't have our dormitory spread, and I was saving up for that."
"No, thanks, Uncle; I've got Aunt Mary's half-crown and four shillings from my pocket money because, you see, with the measles going around, we didn't have our dormitory spread, and I was saving up for that."
The business being settled in this gentlemanly manner, and the budding bibliophile taking personal and immediate charge of the stout, square volume, a taxi was chartered which, in due course of traffic delays, brought the Cosmographia to 110A Piccadilly.
The deal wrapped up in a polite way, and the aspiring book lover took personal and immediate responsibility for the thick, square book. A taxi was hired, which, after a few traffic delays, delivered the Cosmographia to 110A Piccadilly.
"And who, Bunter, is Mr. Wilberforce Pope?"
"And who is Mr. Wilberforce Pope, Bunter?"
"I do not think we know the gentleman, my lord. He is asking to see your lordship for a few minutes on business."
"I don’t think we know the guy, my lord. He wants to see you for a few minutes about something important."
"He probably wants me to find a lost dog for his maiden aunt. What it is to have acquired a reputation as a sleuth! Show him in. Gherkins, if this good gentleman's business turns out to be private, you'd better retire into the dining-room."
"He probably wants me to find a lost dog for his maiden aunt. What a reputation I've gained as a detective! Show him in. Gherkins, if this gentleman's business turns out to be personal, you should go into the dining room."
"Yes, Uncle Peter," said the viscount dutifully. He was extended on his stomach on the library hearthrug, laboriously picking his way through the more exciting-looking bits of the Cosmographia, with the aid of Messrs. Lewis & Short, whose monumental compilation he had hitherto looked upon as a barbarous invention for the annoyance of upper forms.
"Yeah, Uncle Peter," the viscount replied dutifully. He was lying on his stomach on the library rug, carefully working his way through the more interesting parts of the Cosmographia, with the help of Messrs. Lewis & Short, whose massive dictionary he had previously considered a frustrating invention meant to annoy older students.
Mr. Wilberforce Pope turned out to be a rather plump, fair gentleman in the late thirties, with a prematurely bald forehead, horn-rimmed spectacles, and an engaging manner.
Mr. Wilberforce Pope turned out to be a fairly plump, light-skinned man in his late thirties, with a slowly receding hairline, horn-rimmed glasses, and a friendly demeanor.
"You will excuse my intrusion, won't you?" he began. "I'm sure you must think me a terrible nuisance. But I wormed your name and address out of Mr. Ffolliott. Not his fault, really. You won't blame him, will you? I positively badgered the poor man. Sat down on his doorstep and refused to go, though the boy was putting up the shutters. I'm afraid you will think me very silly when you know what it's all about. But you really mustn't hold poor Mr. Ffolliott responsible, now, will you?"
"You'll forgive my interruption, right?" he started. "I’m sure you think I'm a huge bother. But I managed to get your name and address from Mr. Ffolliott. It’s not really his fault. You won’t hold that against him, will you? I seriously pestered the poor guy. I even sat on his doorstep and wouldn’t leave, even though the kid was closing up for the night. I’m afraid you’ll think I’m really silly once you find out what this is all about. But please don’t blame poor Mr. Ffolliott, will you?"
"Not at all," said his lordship. "I mean, I'm charmed and all that sort of thing. Something I can do for you about books? You're a collector, perhaps? Will you have a drink or anything?"
"Not at all," his lordship said. "I mean, I'm really pleased and all that. Is there something I can help you with regarding books? Are you a collector, maybe? Would you like a drink or something?"
"Well, no," said Mr. Pope, with a faint giggle. "No, not exactly a collector. Thank you very much, just a spot—no, no, literally a spot. Thank you; no"—he glanced round the bookshelves, with their rows of rich old leather bindings—"certainly not a collector. But I happen to be er, interested—sentimentally interested—in a purchase you made yesterday. Really, such a very small matter. You will think it foolish. But I am told you are the present owner of a copy of Munster's Cosmographia, which used to belong to my uncle, Dr. Conyers."
"Well, no," Mr. Pope said with a slight chuckle. "No, I'm not really a collector. Thank you very much, just a little—no, literally just a little. Thanks; no"—he looked around at the bookshelves filled with their rows of rich, old leather bindings—"definitely not a collector. But I happen to be, um, sentimentally interested in a purchase you made yesterday. Really, it’s such a small matter. You might think it’s silly. But I’ve heard you currently own a copy of Munster's Cosmographia, which used to belong to my uncle, Dr. Conyers."
Gherkins looked up suddenly, seeing that the conversation had a personal interest for him.
Gherkins suddenly looked up, realizing that the conversation had a personal meaning for him.
"Well, that's not quite correct," said Wimsey. "I was there at the time, but the actual purchaser is my nephew. Gerald, Mr. Pope is interested in your Cosmographia. My nephew, Lord St. George."
"Well, that's not exactly right," said Wimsey. "I was there when it happened, but the real buyer is my nephew. Gerald, Mr. Pope is interested in your Cosmographia. My nephew, Lord St. George."
"How do you do, young man," said Mr. Pope affably. "I see that the collecting spirit runs in the family. A great Latin scholar, too, I expect, eh? Ready to decline jusjurandum with the best of us? Ha, ha! And what are you going to do when you grow up? Be Lord Chancellor, eh? Now, I bet you think you'd rather be an engine-driver, what, what?"
"How's it going, young man," Mr. Pope said warmly. "I can see that the collecting gene runs in the family. I assume you’re a great Latin scholar too, right? Ready to decline jusjurandum with the best of us? Ha, ha! So, what do you want to be when you grow up? The Lord Chancellor, huh? I bet you think you’d rather be an engine driver, am I right?"
"No, thank you," said the viscount, with aloofness.
"No, thank you," the viscount replied, sounding distant.
"What, not an engine-driver? Well, now, I want you to be a real business man this time. Put through a book deal, you know. Your uncle will see I offer you a fair price, what? Ha, ha! Now, you see, that picture-book of yours has a great value for me that it wouldn't have for anybody else. When I was a little boy of your age it was one of my very greatest joys. I used to have it to look at on Sundays. Ah, dear! the happy hours I used to spend with those quaint old engravings, and the funny old maps with the ships and salamanders and 'Hic dracones'—you know what that means, I dare say. What does it mean?"
"What, you're not a train driver? Well, I want you to be a real businessman this time. Let’s secure a book deal, okay? Your uncle will make sure I offer you a fair price, right? Ha, ha! Now, you see, that picture book of yours is really valuable to me in a way it wouldn’t be for anyone else. When I was a little kid your age, it was one of my greatest joys. I used to look at it on Sundays. Oh, the happy hours I spent with those quirky old engravings and the funny old maps with ships and salamanders and 'Hic dracones'—you know what that means, I’m sure. What does it mean?"
"Here are dragons," said the viscount, unwillingly but still politely.
"Here are dragons," said the viscount, reluctantly but still politely.
"Quite right. I knew you were a scholar."
"Totally. I knew you were an academic."
"It's a very attractive book," said Lord Peter. "My nephew was quite entranced by the famous Cracow monster."
"It's a really appealing book," said Lord Peter. "My nephew was totally captivated by the famous Cracow monster."
"Ah yes—a glorious monster, isn't it?" agreed Mr. Pope, with enthusiasm. "Many's the time I've fancied myself as Sir Lancelot or somebody on a white war horse, charging that monster, lance in rest, with the captive princess cheering me on. Ah! childhood! You're living the happiest days of your life, young man. You won't believe me, but you are."
"Ah yes—a magnificent beast, isn't it?" Mr. Pope replied, excitedly. "There have been so many times I've imagined myself as Sir Lancelot or someone on a white war horse, galloping toward that beast, lance ready, with the captured princess cheering me on. Ah! Childhood! You're living the happiest days of your life, young man. You might not believe me, but you are."
"Now what is it exactly you want my nephew to do?" enquired Lord Peter a little sharply.
"Now what exactly do you want my nephew to do?" asked Lord Peter a bit sharply.
"Quite right, quite right. Well now, you know, my uncle, Dr. Conyers, sold his library a few months ago. I was abroad at the time, and it was only yesterday, when I went down to Yelsall on a visit, that I learnt the dear old book had gone with the rest. I can't tell you how distressed I was. I know it's not valuable—a great many pages missing and all that—but I can't bear to think of its being gone. So, purely from sentimental reasons, as I said, I hurried off to Ffolliott's to see if I could get it back. I was quite upset to find I was too late, and gave poor Mr. Ffolliott no peace till he told me the name of the purchaser. Now, you see, Lord St. George, I'm here to make you an offer for the book. Come, now, double what you gave for it. That's a good offer, isn't it, Lord Peter? Ha, ha! And you will be doing me a very great kindness as well."
"Absolutely, absolutely. So, my uncle, Dr. Conyers, sold his library a few months back. I was overseas at the time, and it was only yesterday when I visited Yelsall that I found out the beloved old book was sold with everything else. I can't express how upset I was. I know it isn't worth much—lots of pages missing and all that—but I can't stand the thought of it being gone. So, purely for sentimental reasons, as I mentioned, I rushed over to Ffolliott's to see if I could get it back. I was really disappointed to find out I was too late, and I bothered poor Mr. Ffolliott nonstop until he finally told me who bought it. Now, you see, Lord St. George, I'm here to make you an offer for the book. Come on, I'll give you double what you paid for it. That's a fair offer, right, Lord Peter? Ha, ha! Plus, you’d be doing me a huge favor."
Viscount St. George looked rather distressed, and turned appealingly to his uncle.
Viscount St. George looked quite upset and turned to his uncle for help.
"Well, Gerald," said Lord Peter, "it's your affair, you know. What do you say?"
"Well, Gerald," Lord Peter said, "it's your call, you know. What do you think?"
The viscount stood first on one leg and then on the other. The career of a book-collector evidently had its problems, like other careers.
The viscount stood on one leg and then the other. Clearly, being a book collector had its challenges, just like any other profession.
"If you please, Uncle Peter," he said, with embarrassment, "may I whisper?"
"If you don't mind, Uncle Peter," he said, feeling embarrassed, "can I whisper?"
"It's not usually considered the thing to whisper, Gherkins, but you could ask Mr. Pope for time to consider his offer. Or you could say you would prefer to consult me first. That would be quite in order."
"It's typically not seen as the right thing to whisper, Gherkins, but you could ask Mr. Pope for some time to think about his offer. Or you could say you'd rather consult me first. That would be totally appropriate."
"Then, if you don't mind, Mr. Pope, I should like to consult my uncle first."
"Then, if you don’t mind, Mr. Pope, I would like to check with my uncle first."
"Certainly, certainly; ha, ha!" said Mr. Pope. "Very prudent to consult a collector of greater experience, what? Ah! the younger generation, eh, Lord Peter? Regular little business men already."
"Sure, sure; ha, ha!" said Mr. Pope. "It's very smart to check in with someone more experienced, right? Ah! The younger generation, eh, Lord Peter? They're like little business people already."
"Excuse us, then, for one moment," said Lord Peter, and drew his nephew into the dining-room.
"Please excuse us for a moment," Lord Peter said, pulling his nephew into the dining room.
"I say, Uncle Peter," said the collector breathlessly, when the door was shut, "need I give him my book? I don't think he's a very nice man. I hate people who ask you to decline nouns for them."
"I say, Uncle Peter," the collector said breathlessly when the door was closed, "do I need to give him my book? I don’t think he’s a very nice guy. I hate people who ask you to decline nouns for them."
"Certainly you needn't, Gherkins, if you don't want to. The book is yours, and you've a right to it."
"Of course you don’t have to, Gherkins, if you don’t want to. The book is yours, and you have a right to it."
"What would you do, uncle?"
"What would you do, Uncle?"
Before replying, Lord Peter, in the most surprising manner, tiptoed gently to the door which communicated with the library and flung it suddenly open, in time to catch Mr. Pope kneeling on the hearthrug intently turning over the pages of the coveted volume, which lay as the owner had left it. He started to his feet in a flurried manner as the door opened.
Before replying, Lord Peter surprisingly tiptoed to the door that connected to the library and suddenly flung it open, just in time to see Mr. Pope kneeling on the hearthrug, eagerly flipping through the pages of the prized book, which was just as the owner had left it. He jumped to his feet in a flustered way as the door swung open.
"Do help yourself, Mr. Pope, won't you?" cried Lord Peter hospitably, and closed the door again.
"Please help yourself, Mr. Pope, won't you?" exclaimed Lord Peter warmly, and closed the door again.
"What is it, Uncle Peter?"
"What's wrong, Uncle Peter?"
"If you want my advice, Gherkins, I should be rather careful how you had any dealings with Mr. Pope. I don't think he's telling the truth. He called those wood-cuts engravings—though, of course, that may be just his ignorance. But I can't believe that he spent all his childhood's Sunday afternoons studying those maps and picking out the dragons in them, because, as you may have noticed for yourself, old Munster put very few dragons into his maps. They're mostly just plain maps—a bit queer to our ideas of geography, but perfectly straight-forward. That was why I brought in the Cracow monster, and, you see, he thought it was some sort of dragon."
"If you want my advice, Gherkins, you should be careful about dealing with Mr. Pope. I don’t think he’s being honest. He called those woodcuts engravings—though that might just be his ignorance. But I can’t believe he spent all his childhood Sunday afternoons studying those maps and looking for dragons in them, because, as you might have noticed, old Munster included very few dragons in his maps. They’re mostly just plain maps—a bit unusual compared to our ideas of geography, but completely straightforward. That’s why I brought up the Cracow monster, and, as you can see, he thought it was some kind of dragon."
"Oh, I say, uncle! So you said that on purpose!"
"Oh, I can't believe it, Uncle! You said that on purpose!"
"If Mr. Pope wants the Cosmographia, it's for some reason he doesn't want to tell us about. And, that being so, I wouldn't be in too big a hurry to sell, if the book were mine. See?"
"If Mr. Pope wants the Cosmographia, it's for a reason he doesn't want to share with us. So, if it were my book, I wouldn't rush to sell it. Got it?"
"Do you mean there's something frightfully valuable about the book, which we don't know?"
"Are you saying there's something extremely valuable about the book that we don't know?"
"Possibly."
"Maybe."
"How exciting! It's just like a story in the Boys' Friend Library. What am I to say to him, uncle?"
"How exciting! It's just like a story in the Boys' Friend Library. What should I say to him, uncle?"
"Well, in your place I wouldn't be dramatic or anything. I'd just say you've considered the matter, and you've taken a fancy to the book and have decided not to sell. You thank him for his offer, of course."
"Well, if I were you, I wouldn't be dramatic or anything. I'd just say you've thought it over, and you really like the book, so you've decided not to sell it. You definitely thank him for his offer, though."
"Yes—er, won't you say it for me, uncle?"
"Yeah—um, could you say it for me, uncle?"
"I think it would look better if you did it yourself."
"I think it would look better if you did it yourself."
"Yes, perhaps it would. Will he be very cross?"
"Yeah, maybe it would. Is he going to be really angry?"
"Possibly," said Lord Peter, "but, if he is, he won't let on. Ready?"
"Maybe," said Lord Peter, "but if he is, he won't show it. Ready?"
The consulting committee accordingly returned to the library. Mr. Pope had prudently retired from the hearthrug and was examining a distant bookcase.
The consulting committee then went back to the library. Mr. Pope had wisely stepped away from the hearthrug and was looking at a bookcase in the distance.
"Thank you very much for your offer, Mr. Pope," said the viscount, striding stoutly up to him, "but I have considered it, and I have taken a—a—a fancy for the book and decided not to sell."
"Thank you so much for your offer, Mr. Pope," said the viscount, walking confidently up to him, "but I’ve thought it over, and I’ve developed a—a—a liking for the book and decided not to sell."
"Sorry and all that," put in Lord Peter, "but my nephew's adamant about it. No, it isn't the price; he wants the book. Wish I could oblige you, but it isn't in my hands. Won't you take something else before you go? Really? Ring the bell, Gherkins. My man will see you to the lift. Good evening."
"Sorry about that," added Lord Peter, "but my nephew is really set on it. No, it’s not the price; he just wants the book. I wish I could help you, but it’s out of my control. How about taking something else before you leave? Really? Ring the bell, Gherkins. My assistant will take you to the elevator. Good evening."
When the visitor had gone, Lord Peter returned and thoughtfully picked up the book.
When the visitor left, Lord Peter returned and thoughtfully picked up the book.
"We were awful idiots to leave him with it, Gherkins, even for a moment. Luckily, there's no harm done."
"We were really stupid to leave him with it, Gherkins, even for a second. Fortunately, nothing bad happened."
"You don't think he found out anything while we were away, do you, uncle?" gasped Gherkins, open-eyed.
"You don't think he figured out anything while we were gone, do you, uncle?" gasped Gherkins, wide-eyed.
"I'm sure he didn't."
"I'm sure he didn't."
"Why?"
"Why?"
"He offered me fifty pounds for it on the way to the door. Gave the game away. H'm! Bunter."
"He offered me fifty pounds for it as he was heading for the door. Totally gave it away. H'm! Bunter."
"My lord?"
"Excuse me, my lord?"
"Put this book in the safe and bring me back the keys. And you'd better set all the burglar alarms when you lock up."
"Put this book in the safe and bring me back the keys. And make sure to set all the burglar alarms when you lock up."
"Oo—er!" said Viscount St. George.
"Whoa!" said Viscount St. George.
On the third morning after the visit of Mr. Wilberforce Pope, the viscount was seated at a very late breakfast in his uncle's flat, after the most glorious and soul-satisfying night that ever boy experienced. He was almost too excited to eat the kidneys and bacon placed before him by Bunter, whose usual impeccable manner was not in the least impaired by a rapidly swelling and blackening eye.
On the third morning after Mr. Wilberforce Pope's visit, the viscount was sitting down to a very late breakfast in his uncle's apartment, after the most amazing and fulfilling night any boy could have had. He was almost too excited to eat the kidneys and bacon that Bunter had set in front of him, whose usually perfect demeanor was not affected at all by his quickly swelling and bruising eye.
It was about two in the morning that Gherkins—who had not slept very well, owing to too lavish and grown-up a dinner and theatre the evening before—became aware of a stealthy sound somewhere in the direction of the fire-escape. He had got out of bed and crept very softly into Lord Peter's room and woken him up. He had said: "Uncle Peter, I'm sure there's burglars on the fire-escape." And Uncle Peter, instead of saying, "Nonsense, Gherkins, hurry up and get back to bed," had sat up and listened and said: "By Jove, Gherkins, I believe you're right." And had sent Gherkins to call Bunter. And on his return, Gherkins, who had always regarded his uncle as a very top-hatted sort of person, actually saw him take from his handkerchief-drawer an undeniable automatic pistol.
It was around two in the morning when Gherkins—who hadn’t slept well due to an indulgent and grown-up dinner and a night at the theater the evening before—heard a quiet sound coming from the direction of the fire escape. He got out of bed and quietly tiptoed into Lord Peter's room to wake him up. He said, "Uncle Peter, I think there are burglars on the fire escape." Instead of saying, "That’s nonsense, Gherkins, just get back to bed," Uncle Peter sat up, listened, and said, "Goodness, Gherkins, I believe you’re right." He then sent Gherkins to get Bunter. When Gherkins came back, he, who had always seen his uncle as a very formal, top-hatted kind of person, actually watched him pull a noticeable automatic pistol from his handkerchief drawer.
It was at this point that Lord Peter was apotheosed from the state of Quite Decent Uncle to that of Glorified Uncle. He said:
It was at this point that Lord Peter was elevated from the status of Quite Decent Uncle to that of Glorified Uncle. He said:
"Look here, Gherkins, we don't know how many of these blighters there'll be, so you must be jolly smart and do anything I say sharp, on the word of command—even if I have to say 'Scoot.' Promise?"
"Listen up, Gherkins, we don't know how many of these pests there will be, so you need to be really quick and do exactly what I say right away, on command—even if I just say 'Go.' Promise?"
Gherkins promised, with his heart thumping, and they sat waiting in the dark, till suddenly a little electric bell rang sharply just over the head of Lord Peter's bed and a green light shone out.
Gherkins promised, with his heart racing, and they sat waiting in the dark until suddenly a small electric bell rang loudly just above Lord Peter's bed and a green light lit up.
"The library window," said his lordship, promptly silencing the bell by turning a switch. "If they heard, they may think better of it. We'll give them a few minutes."
"The library window," his lordship said, quickly silencing the bell by flipping a switch. "If they heard, they might reconsider. We'll give them a few minutes."
They gave them five minutes, and then crept very quietly down the passage.
They gave them five minutes, and then quietly crept down the hallway.
"Go round by the dining-room, Bunter," said his lordship; "they may bolt that way."
"Go around through the dining room, Bunter," said his lordship; "they might escape that way."
With infinite precaution, he unlocked and opened the library door, and Gherkins noticed how silently the locks moved.
With extreme caution, he unlocked and opened the library door, and Gherkins observed how quietly the locks operated.
A circle of light from an electric torch was moving slowly along the bookshelves. The burglars had obviously heard nothing of the counter-attack. Indeed, they seemed to have troubles enough of their own to keep their attention occupied. As his eyes grew accustomed to the dim light, Gherkins made out that one man was standing holding the torch, while the other took down and examined the books. It was fascinating to watch his apparently disembodied hands move along the shelves in the torch-light.
A beam of light from an electric flashlight was moving slowly along the bookshelves. The burglars clearly hadn’t noticed the counter-attack. In fact, they seemed to have enough problems of their own to keep them busy. As his eyes adjusted to the dim light, Gherkins could see that one man was holding the flashlight while the other was taking down and checking the books. It was intriguing to watch his seemingly detached hands move along the shelves in the beam of light.
The men muttered discontentedly. Obviously the job was proving a harder one than they had bargained for. The habit of ancient authors of abbreviating the titles on the backs of their volumes, or leaving them completely untitled, made things extremely awkward. From time to time the man with the torch extended his hand into the light. It held a piece of paper, which they anxiously compared with the title-page of a book. Then the volume was replaced and the tedious search went on.
The men grumbled in dissatisfaction. Clearly, the task was turning out to be tougher than they had expected. The tendency of old authors to shorten the titles on the spines of their books, or leave them totally untitled, made everything really frustrating. Every so often, the guy with the torch would stretch out his hand into the light. He held a piece of paper, which they nervously matched up with the title page of a book. After that, the book was put back, and the boring search continued.
Suddenly some slight noise—Gherkins was sure he did not make it; it may have been Bunter in the dining-room—seemed to catch the ear of the kneeling man.
Suddenly, a faint noise—Gherkins was certain he didn't make it; it might have been Bunter in the dining room—seemed to catch the attention of the man who was kneeling.
"Wot's that?" he gasped, and his startled face swung round into view.
"What's that?" he gasped, and his surprised face turned to look.
"Hands up!" said Lord Peter, and switched the light on.
"Hands up!" Lord Peter said as he turned on the light.
The second man made one leap for the dining-room door, where a smash and an oath proclaimed that he had encountered Bunter. The kneeling man shot his hands up like a marionette.
The second man jumped for the dining-room door, where a crash and a curse announced that he had run into Bunter. The man on his knees shot his hands up like a puppet.
"Gherkins," said Lord Peter, "do you think you can go across to that gentleman by the bookcase and relieve him of the article which is so inelegantly distending the right-hand pocket of his coat? Wait a minute. Don't on any account get between him and my pistol, and mind you take the thing out very carefully. There's no hurry. That's splendid. Just point it at the floor while you bring it across, would you? Thanks. Bunter has managed for himself, I see. Now run into my bedroom, and in the bottom of my wardrobe you will find a bundle of stout cord. Oh! I beg your pardon; yes, put your hands down by all means. It must be very tiring exercise."
“Gherkins,” said Lord Peter, “do you think you can go over to that guy by the bookcase and take the item that’s bulging awkwardly in the right pocket of his coat? Hold on. Whatever you do, don't get between him and my gun, and be sure to take the thing out very carefully. There's no rush. That’s perfect. Just point it at the floor while you bring it over, okay? Thanks. I see Bunter has managed well for himself. Now run into my bedroom, and at the bottom of my wardrobe, you’ll find a bundle of sturdy cord. Oh! I’m sorry; yes, put your hands down, by all means. That must be really tiring."
The arms of the intruders being secured behind their backs with a neatness which Gherkins felt to be worthy of the best traditions of Sexton Blake, Lord Peter motioned his captives to sit down and despatched Bunter for whisky-and-soda.
The intruders had their arms securely tied behind their backs in a way that Gherkins thought was reminiscent of the finest traditions of Sexton Blake. Lord Peter signaled for his captives to sit down and sent Bunter to get whisky and soda.
"Before we send for the police," said Lord Peter, "you would do me a great personal favour by telling me what you were looking for, and who sent you. Ah! thanks, Bunter. As our guests are not at liberty to use their hands, perhaps you would be kind enough to assist them to a drink. Now then, say when."
"Before we call the police," said Lord Peter, "I would really appreciate it if you could tell me what you were searching for, and who sent you. Ah! Thanks, Bunter. Since our guests aren't able to use their hands, could you please help them to a drink? Now then, just say when."
"Well, you're a gentleman, guv'nor," said the First Burglar, wiping his mouth politely on his shoulder, the back of his hand not being available. "If we'd a known wot a job this wos goin' ter be, blow me if we'd a touched it. The bloke said, ses 'e, 'It's takin' candy from a baby,' 'e ses. 'The gentleman's a reg'lar softie,' 'e ses, 'one o' these 'ere sersiety toffs wiv a maggot fer old books,' that's wot 'e ses, 'an' ef yer can find this 'ere old book fer me,' 'e ses, 'there's a pony fer yer.' Well! Sech a job! 'E didn't mention as 'ow there'd be five 'undred fousand bleedin' ole books all as alike as a regiment o' bleedin' dragoons. Nor as 'ow yer kept a nice little machine-gun like that 'andy by the bedside, nor yet as 'ow yer was so bleedin' good at tyin' knots in a bit o' string. No—'e didn't think ter mention them things."
"Well, you're a real gentleman, sir," said the First Burglar, politely wiping his mouth on his shoulder since his hand was occupied. "If we had known what a job this was going to be, I swear we wouldn't have taken it. The guy said, he goes, 'It's like taking candy from a baby,' he says. 'The gentleman's a total softie,' he says, 'one of those society types with a thing for old books,' that's what he says, 'and if you can find this old book for me,' he says, 'there's a nice reward in it for you.' Well! What a job! He didn't mention there'd be five hundred thousand old books all looking the same as a line of dragoons. Nor did he say you'd have a nice little machine gun like that handy by the bed, nor that you were so incredibly skilled at tying knots in a piece of string. No—he didn't think to mention those things."
"Deuced unsporting of him," said his lordship. "Do you happen to know the gentleman's name?"
"That was really unsporting of him," said his lordship. "Do you happen to know the guy's name?"
"No—that was another o' them things wot 'e didn't mention. 'E's a stout, fair party, wiv 'orn rims to 'is goggles and a bald 'ead. One o' these 'ere philanthropists, I reckon. A friend o' mine, wot got inter trouble onct, got work froo 'im, and the gentleman comes round and ses to 'im, 'e ses, 'Could yer find me a couple o' lads ter do a little job?' 'e ses, an' my friend, finkin' no 'arm, you see, guv'nor, but wot it might be a bit of a joke like, 'e gets 'old of my pal an' me, an' we meets the gentleman in a pub dahn Whitechapel way. W'ich we was ter meet 'im there again Friday night, us 'avin' allowed that time fer ter git 'old of the book."
"No—that was another one of those things he didn’t mention. He’s a solid guy, with horn-rimmed glasses and a bald head. One of those philanthropists, I guess. A friend of mine, who got into trouble once, found work through him, and the gentleman came around and said to him, 'Could you find me a couple of guys to do a little job?' and my friend, thinking it was just a bit of a joke, got hold of my pal and me, and we met the gentleman in a pub down Whitechapel way. We were supposed to meet him there again Friday night, giving us that time to get hold of the book."
"The book being, if I may hazard a guess, the Cosmographia Universalis?"
"The book is, if I'm guessing correctly, the Cosmographia Universalis?"
"Sumfink like that, guv'nor. I got its jaw-breakin' name wrote down on a bit o' paper, wot my pal 'ad in 'is 'and. Wot did yer do wiv that 'ere bit o' paper, Bill?"
"Something like that, boss. I wrote down its complicated name on a piece of paper that my friend had in his hand. What did you do with that piece of paper, Bill?"
"Well, look here," said Lord Peter, "I'm afraid I must send for the police, but I think it likely, if you give us your assistance to get hold of your gentleman, whose name I strongly suspect to be Wilberforce Pope, that you will get off pretty easily. Telephone the police, Bunter, and then go and put something on that eye of yours. Gherkins, we'll give these gentlemen another drink, and then I think perhaps you'd better hop back to bed; the fun's over. No? Well, put a good thick coat on, there's a good fellow, because what your mother will say to me if you catch a cold I don't like to think."
"Well, look here," said Lord Peter, "I'm afraid I need to call the police, but I think if you help us track down your friend, who I strongly suspect is named Wilberforce Pope, you'll get off pretty easily. Call the police, Bunter, and then go put something on that eye of yours. Gherkins, let’s get these gentlemen another drink, and then I think you should probably head back to bed; the fun’s over. No? Well, put on a good thick coat, there’s a good fellow, because I really don’t want to think about what your mother will say if you catch a cold."
So the police had come and taken the burglars away, and now Detective-Inspector Parker, of Scotland Yard, a great personal friend of Lord Peter's, sat toying with a cup of coffee and listening to the story.
So the police had arrived and taken the burglars away, and now Detective-Inspector Parker from Scotland Yard, a close friend of Lord Peter's, sat fiddling with a cup of coffee and listening to the story.
"But what's the matter with the jolly old book, anyhow, to make it so popular?" he demanded.
"But what's up with the cheerful old book, anyway, that makes it so popular?" he asked.
"I don't know," replied Wimsey; "but after Mr. Pope's little visit the other day I got kind of intrigued about it and had a look through it. I've got a hunch it may turn out rather valuable, after all. Unsuspected beauties and all that sort of thing. If only Mr. Pope had been a trifle more accurate in his facts, he might have got away with something to which I feel pretty sure he isn't entitled. Anyway, when I'd seen—what I saw, I wrote off to Dr. Conyers of Yelsall Manor, the late owner——"
"I don't know," replied Wimsey, "but after Mr. Pope's visit the other day, I got a bit curious about it and took a look through it. I have a feeling it might turn out to be quite valuable, after all. You know, hidden treasures and all that. If only Mr. Pope had been a little more accurate with his information, he might have gotten away with something I’m pretty sure he doesn't deserve. Anyway, after I saw what I saw, I wrote to Dr. Conyers of Yelsall Manor, the former owner——"
"Conyers, the cancer man?"
"Conyers, the cancer guy?"
"Yes. He's done some pretty important research in his time, I fancy. Getting on now, though; about seventy-eight, I fancy. I hope he's more honest than his nephew, with one foot in the grave like that. Anyway, I wrote (with Gherkins's permission, naturally) to say we had the book and had been specially interested by something we found there, and would he be so obliging as to tell us something of its history. I also——"
"Yes. He’s done some pretty significant research over the years, I think. He's getting up there now, about seventy-eight, I believe. I hope he’s more trustworthy than his nephew, considering he’s on his last legs. Anyway, I wrote (with Gherkins's permission, of course) to let him know we had the book and were particularly interested in something we discovered there, and would he be so kind as to share some of its history. I also——"
"But what did you find in it?"
"But what did you discover in it?"
"I don't think we'll tell him yet, Gherkins, shall we? I like to keep policemen guessing. As I was saying, when you so rudely interrupted me, I also asked him whether he knew anything about his good nephew's offer to buy it back. His answer has just arrived. He says he knows of nothing specially interesting about the book. It has been in the library untold years, and the tearing out of the maps must have been done a long time ago by some family vandal. He can't think why his nephew should be so keen on it, as he certainly never pored over it as a boy. In fact, the old man declares the engaging Wilberforce has never even set foot in Yelsall Manor to his knowledge. So much for the fire-breathing monsters and the pleasant Sunday afternoons."
"I don't think we should tell him yet, Gherkins, what do you say? I like to keep police officers guessing. Anyway, as I was saying before you interrupted me, I also asked him if he knew anything about his nephew's offer to buy it back. I just got his response. He says there's nothing particularly interesting about the book. It's been in the library for ages, and the maps must have been ripped out long ago by some family vandal. He can't understand why his nephew is so eager to get it, since he definitely didn't read it as a kid. In fact, the old man claims the charming Wilberforce has never even been to Yelsall Manor to his knowledge. So much for the scary monsters and the nice Sunday afternoons."
"Naughty Wilberforce!"
"Mischievous Wilberforce!"
"M'm. Yes. So, after last night's little dust-up, I wired the old boy we were tooling down to Yelsall to have a heart-to-heart talk with him about his picture-book and his nephew."
"M'm. Yes. So, after last night's little confrontation, I messaged the old guy that we were heading down to Yelsall to have a serious talk with him about his picture book and his nephew."
"Are you taking the book down with you?" asked Parker. "I can give you a police escort for it if you like."
"Are you taking the book with you?" Parker asked. "I can arrange a police escort for it if you want."
"That's not a bad idea," said Wimsey. "We don't know where the insinuating Mr. Pope may be hanging out, and I wouldn't put it past him to make another attempt."
"That's a good idea," said Wimsey. "We have no clue where the sneaky Mr. Pope might be, and I wouldn't be surprised if he tries something again."
"Better be on the safe side," said Parker. "I can't come myself, but I'll send down a couple of men with you."
"Better to be safe," said Parker. "I can't go myself, but I'll send a couple of guys with you."
"Good egg," said Lord Peter. "Call up your myrmidons. We'll get a car round at once. You're coming, Gherkins, I suppose? God knows what your mother would say. Don't ever be an uncle, Charles; it's frightfully difficult to be fair to all parties."
"Good guy," said Lord Peter. "Get your team together. We'll arrange a car right away. You're coming, Gherkins, I assume? Who knows what your mom would think. Don't ever be an uncle, Charles; it's really tough to be fair to everyone."
Yelsall Manor was one of those large, decaying country mansions which speak eloquently of times more spacious than our own. The original late Tudor construction had been masked by the addition of a wide frontage in the Italian manner, with a kind of classical portico surmounted by a pediment and approached by a semi-circular flight of steps. The grounds had originally been laid out in that formal manner in which grove nods to grove and each half duly reflects the other. A late owner, however, had burst out into the more eccentric sort of landscape gardening which is associated with the name of Capability Brown. A Chinese pagoda, somewhat resembling Sir William Chambers's erection in Kew Gardens, but smaller, rose out of a grove of laurustinus towards the eastern extremity of the house, while at the rear appeared a large artificial lake, dotted with numerous islands, on which odd little temples, grottos, tea-houses, and bridges peeped out from among clumps of shrubs, once ornamental, but now sadly overgrown. A boat-house, with wide eaves like the designs on a willow-pattern plate, stood at one corner, its landing-stage fallen into decay and wreathed with melancholy weeds.
Yelsall Manor was one of those big, dilapidated country mansions that tell stories of a time more grand than ours. The original late Tudor structure had been covered by a broad, Italian-style facade, complete with a classical portico topped by a pediment and accessible via a semi-circular flight of steps. The grounds were initially designed in a formal style where each grove mirrored the other. However, a later owner had embraced a more eccentric type of landscaping associated with Capability Brown. A Chinese pagoda, similar to Sir William Chambers's structure in Kew Gardens but smaller, emerged from a grove of laurustinus near the eastern side of the house, while at the back lay a large artificial lake, peppered with numerous islands, on which quirky little temples, grottos, tea houses, and bridges peeked out from clusters of shrubs that had once been well-kept but were now sadly overgrown. A boathouse, featuring wide eaves reminiscent of designs on a willow-pattern plate, stood at one corner, its landing stage fallen into disrepair and entwined with sorrowful weeds.
"My disreputable old ancestor, Cuthbert Conyers, settled down here when he retired from the sea in 1732," said Dr. Conyers, smiling faintly. "His elder brother died childless, so the black sheep returned to the fold with the determination to become respectable and found a family. I fear he did not succeed altogether. There were very queer tales as to where his money came from. He is said to have been a pirate, and to have sailed with the notorious Captain Blackbeard. In the village, to this day, he is remembered and spoken of as Cut-throat Conyers. It used to make the old man very angry, and there is an unpleasant story of his slicing the ears off a groom who had been heard to call him 'Old Cut-throat.' He was not an uncultivated person, though. It was he who did the landscape-gardening round at the back, and he built the pagoda for his telescope. He was reputed to study the Black Art, and there were certainly a number of astrological works in the library with his name on the fly-leaf, but probably the telescope was only a remembrance of his seafaring days.
"My disreputable ancestor, Cuthbert Conyers, settled here when he retired from the sea in 1732," Dr. Conyers said with a slight smile. "His older brother died without children, so the black sheep returned home with the goal of becoming respectable and starting a family. I fear he didn’t quite succeed. There were some strange stories about where his money came from. He’s rumored to have been a pirate and to have sailed with the infamous Captain Blackbeard. Even today, in the village, he’s remembered and referred to as Cut-throat Conyers. This used to anger the old man a lot, and there’s an unpleasant tale about him slicing off the ears of a groom who was heard calling him 'Old Cut-throat.' However, he wasn’t unrefined. He did the landscaping in the back and built the pagoda for his telescope. He was said to study the Black Art, and there were definitely several astrological books in the library with his name written on the fly-leaf, but the telescope was probably just a memento from his days at sea."
"Anyhow, towards the end of his life he became more and more odd and morose. He quarrelled with his family, and turned his younger son out of doors with his wife and children. An unpleasant old fellow.
"Anyway, toward the end of his life, he became increasingly strange and gloomy. He fought with his family and kicked his younger son out of the house along with his wife and kids. An unpleasant old man."
"On his deathbed he was attended by the parson—a good, earnest, God-fearing sort of man, who must have put up with a deal of insult in carrying out what he firmly believed to be the sacred duty of reconciling the old man to this shamefully treated son. Eventually, 'Old Cut-throat' relented so far as to make a will, leaving to the younger son 'My treasure which I have buried in Munster.' The parson represented to him that it was useless to bequeath a treasure unless he also bequeathed the information where to find it, but the horrid old pirate only chuckled spitefully, and said that, as he had been at the pains to collect the treasure, his son might well be at the pains of looking for it. Further than that he would not go, and so he died, and I dare say went to a very bad place.
"On his deathbed, he was attended by the parson—a good, sincere, God-fearing man, who must have endured a lot of disrespect while trying to fulfill what he strongly believed was his sacred duty to reconcile the old man with his mistreated son. Eventually, 'Old Cut-throat' softened enough to write a will, leaving his younger son 'My treasure which I have buried in Munster.' The parson pointed out that it was pointless to leave a treasure without also telling him where to find it, but the nasty old pirate just chuckled spitefully and said that since he had taken the trouble to collect the treasure, his son could take the trouble to search for it. Beyond that, he wouldn’t say anything more, and so he died, and I suppose he went to a very bad place."
"Since then the family has died out, and I am the sole representative of the Conyers, and heir to the treasure, whatever and wherever it is, for it was never discovered. I do not suppose it was very honestly come by, but, since it would be useless now to try and find the original owners, I imagine I have a better right to it than anybody living.
"Since then, the family has died out, and I am the only remaining member of the Conyers family and the heir to the treasure, whatever and wherever it is, since it was never found. I don't think it was obtained honestly, but since it would be pointless to try to locate the original owners now, I believe I have a better claim to it than anyone alive."
"You may think it very unseemly, Lord Peter, that an old, lonely man like myself should be greedy for a hoard of pirate's gold. But my whole life has been devoted to studying the disease of cancer, and I believe myself to be very close to a solution of one part at least of the terrible problem. Research costs money, and my limited means are very nearly exhausted. The property is mortgaged up to the hilt, and I do most urgently desire to complete my experiments before I die, and to leave a sufficient sum to found a clinic where the work can be carried on.
"You might think it’s quite inappropriate, Lord Peter, for an old, lonely guy like me to be greedy for a stash of pirate gold. But I’ve dedicated my whole life to studying cancer, and I really believe I’m close to finding a solution for at least part of this terrible problem. Research costs money, and I’m nearly out of funds. The property is mortgaged to the max, and I urgently want to finish my experiments before I die and leave enough money to start a clinic where this work can continue."
"During the last year I have made very great efforts to solve the mystery of 'Old Cut-throat's' treasure. I have been able to leave much of my experimental work in the most capable hands of my assistant, Dr. Forbes, while I pursued my researches with the very slender clue I had to go upon. It was the more expensive and difficult that Cuthbert had left no indication in his will whether Münster in Germany or Munster in Ireland was the hiding-place of the treasure. My journeys and my search in both places cost money and brought me no further on my quest. I returned, disheartened, in August, and found myself obliged to sell my library, in order to defray my expenses and obtain a little money with which to struggle on with my sadly delayed experiments."
"Over the past year, I have made significant efforts to uncover the mystery of 'Old Cut-throat's' treasure. I've been able to leave much of my experimental work in the capable hands of my assistant, Dr. Forbes, while I followed the very slim clue I had. It was particularly challenging since Cuthbert didn't clarify in his will whether Münster in Germany or Munster in Ireland was the hiding place of the treasure. My trips and searches in both locations cost a lot and didn’t get me any closer to my goal. I returned disheartened in August and found I had to sell my library to cover my expenses and get a little money to continue my unfortunately delayed experiments."
"Ah!" said Lord Peter. "I begin to see light."
"Ah!" said Lord Peter. "I’m starting to see what’s going on."
The old physician looked at him enquiringly. They had finished tea, and were seated around the great fireplace in the study. Lord Peter's interested questions about the beautiful, dilapidated old house and estate had led the conversation naturally to Dr. Conyers's family, shelving for the time the problem of the Cosmographia, which lay on a table beside them.
The old doctor looked at him curiously. They had just finished tea and were sitting around the large fireplace in the study. Lord Peter's curious questions about the beautiful, rundown old house and property had naturally shifted the conversation to Dr. Conyers's family, putting aside for now the issue of the Cosmographia, which was on a table next to them.
"Everything you say fits into the puzzle," went on Wimsey, "and I think there's not the smallest doubt what Mr. Wilberforce Pope was after, though how he knew that you had the Cosmographia here I couldn't say."
"Everything you say fits into the puzzle," Wimsey continued, "and I don't think there's any doubt about what Mr. Wilberforce Pope was looking for, though I can't figure out how he knew you had the Cosmographia here."
"When I disposed of the library, I sent him a catalogue," said Dr. Conyers. "As a relative, I thought he ought to have the right to buy anything he fancied. I can't think why he didn't secure the book then, instead of behaving in this most shocking fashion."
"When I got rid of the library, I sent him a catalog," Dr. Conyers said. "As a relative, I thought he should have the chance to buy anything he liked. I can't understand why he didn't grab the book at that time instead of acting in this really terrible way."
Lord Peter hooted with laughter.
Peter laughed heartily.
"Why, because he never tumbled to it till afterwards," he said. "And oh, dear, how wild he must have been! I forgive him everything. Although," he added, "I don't want to raise your hopes too high, sir, for, even when we've solved old Cuthbert's riddle, I don't know that we're very much nearer to the treasure."
"Well, it's because he didn’t realize it until later," he said. "And oh, how crazy he must have been! I forgive him for everything. Although," he added, "I don’t want to get your hopes up too much, sir, because even once we figure out old Cuthbert's riddle, I’m not sure we’ll be any closer to the treasure."
"To the treasure?"
"To the treasure?"
"Well, now, sir. I want you first to look at this page, where there's a name scrawled in the margin. Our ancestors had an untidy way of signing their possessions higgledy-piggledy in margins instead of in a decent, Christian way in the fly-leaf. This is a handwriting of somewhere about Charles I's reign: 'Jac: Coniers.' I take it that goes to prove that the book was in the possession of your family at any rate as early as the first half of the seventeenth century, and has remained there ever since. Right. Now we turn to page 1099, where we find a description of the discoveries of Christopher Columbus. It's headed, you see, by a kind of map, with some of Mr. Pope's monsters swimming about in it, and apparently representing the Canaries, or, as they used to be called, the Fortunate Isles. It doesn't look much more accurate than old maps usually are, but I take it the big island on the right is meant for Lanzarote, and the two nearest to it may be Teneriffe and Gran Canaria."
"Well, now, sir. First, I want you to look at this page, where there's a name scrawled in the margin. Our ancestors had a messy way of signing their possessions haphazardly in the margins instead of neatly and properly in the flyleaf. This handwriting dates back to around the reign of Charles I: 'Jac: Coniers.' I believe this shows that the book has been in your family's possession since at least the first half of the seventeenth century and has stayed there ever since. Alright. Now, let’s turn to page 1099, where we find a description of Christopher Columbus's discoveries. It’s topped with a sort of map, featuring some of Mr. Pope's mythical creatures swimming around in it, and it seems to represent the Canaries, or as they used to be called, the Fortunate Isles. It doesn't look much more accurate than old maps generally are, but I take it that the large island on the right is meant to be Lanzarote, and the two closest to it could be Teneriffe and Gran Canaria."
"But what's that writing in the middle?"
"But what's that writing in the center?"
"That's just the point. The writing is later than 'Jac: Coniers's' signature; I should put it about 1700—but, of course, it may have been written a good deal later still. I mean, a man who was elderly in 1730 would still use the style of writing he adopted as a young man, especially if, like your ancestor the pirate, he had spent the early part of his life in outdoor pursuits and hadn't done much writing."
"That's exactly the issue. The writing is later than 'Jac: Coniers's' signature; I'd estimate it around 1700—but, of course, it could have been written quite a bit later. A man who was older in 1730 would still write in the style he picked up when he was younger, especially if, like your ancestor the pirate, he spent the early part of his life outdoors and didn't do much writing."
"Do you mean to say, Uncle Peter," broke in the viscount excitedly, "that that's 'Old Cut-throat's' writing?"
"Are you saying, Uncle Peter," interrupted the viscount eagerly, "that that's 'Old Cut-throat's' handwriting?"
"I'd be ready to lay a sporting bet it is. Look here, sir, you've been scouring round Münster in Germany and Munster in Ireland—but how about good old Sebastian Munster here in the library at home?"
"I'd be willing to place a bet on it. Look, sir, you’ve been searching around Münster in Germany and Munster in Ireland—but what about good old Sebastian Munster right here in the library at home?"
"God bless my soul! Is it possible?"
"Wow, is that actually possible?"
"It's pretty nearly certain, sir. Here's what he says, written, you see, round the head of that sort of sea-dragon:
"It's pretty much certain, sir. Here's what he says, written, you see, around the head of that kind of sea-dragon:

THE DRAGON'S HEAD
THE DRAGON'S HEAD
Liber V.
1099
DE NOVIS INSVLIS,
quomodo, quando, & per quem
Liber V.
1099
ON NEW ISLANDS,
how, when, & by whom
illæ inuentæ sint.
illæ inuentæ sint.
Christophorus Columbus natione Genuensis, cùm diu in aula regis Hispanorum deuersarus fuisset, animum induxit, ut hactenus inacceslias orbis partes peragraret. Pet à rege, utuoto suo non deesset, futurum sibi & toti Hisp
Christophorus Columbus, a native of Genoa, spent a long time at the court of the Spanish king and became determined to explore the unknown parts of the world. He asked the king for support, so that he wouldn’t lack resources for himself and all of Spain.
"Rather doggy Latin—sea-dog Latin, you might say, in fact."
"Pretty much a rough version of Latin—like pirate Latin, you could say, actually."
"I'm afraid," said Dr. Conyers, "I must be very stupid, but I can't see where that leads us."
"I'm sorry," Dr. Conyers said, "but I must be pretty dumb because I can't figure out where that takes us."
"No; 'Old Cut-throat' was rather clever. No doubt he thought that, if anybody read it, they'd think it was just an allusion to where it says, further down, that 'the islands were called Fortunatæ because of the wonderful temperature of the air and the clemency of the skies.' But the cunning old astrologer up in his pagoda had a meaning of his own. Here's a little book published in 1678—Middleton's Practical Astrology—just the sort of popular handbook an amateur like 'Old Cut-throat' would use. Here you are: 'If in your figure you find Jupiter or Venus or Dragon's head, you may be confident there is Treasure in the place supposed.... If you find Sol to be the significator of the hidden Treasure, you may conclude there is Gold, or some jewels.' You know, sir, I think we may conclude it."
"No; 'Old Cut-throat' was pretty clever. He probably thought that if anyone read it, they'd just interpret it as a reference to where it mentions later that 'the islands were called Fortunatæ because of the wonderful temperature of the air and the mildness of the skies.' But the crafty old astrologer up in his pagoda had his own interpretation. Check out this little book published in 1678—Middleton's Practical Astrology—just the kind of popular guide an amateur like 'Old Cut-throat' would use. Here it is: 'If in your chart you find Jupiter or Venus or Dragon's head, you can be sure there is treasure in the indicated location.... If you find Sol as the significator of the hidden treasure, you can conclude there is gold or some jewels.' You know, sir, I think we can conclude that."
"Dear me!" said Dr. Conyers. "I believe, indeed, you must be right. And I am ashamed to think that if anybody had suggested to me that it could ever be profitable to me to learn the terms of astrology, I should have replied in my vanity that my time was too valuable to waste on such foolishness. I am deeply indebted to you."
"Goodness!” said Dr. Conyers. “I truly believe you must be correct. I’m embarrassed to admit that if anyone had told me it could ever benefit me to learn about astrology, I would have arrogantly said my time was too precious to waste on such nonsense. I owe you a big thanks."
"Yes," said Gherkins, "but where is the treasure, uncle?"
"Yes," said Gherkins, "but where is the treasure, Uncle?"
"That's just it," said Lord Peter. "The map is very vague; there is no latitude or longitude given; and the directions, such as they are, seem not even to refer to any spot on the islands, but to some place in the middle of the sea. Besides, it is nearly two hundred years since the treasure was hidden, and it may already have been found by somebody or other."
"That's exactly the problem," said Lord Peter. "The map is really unclear; it doesn't provide any latitude or longitude; and the directions, such as they are, don't seem to point to any location on the islands, but rather to some spot in the middle of the ocean. Plus, it's been nearly two hundred years since the treasure was hidden, so it could have already been discovered by someone."
Dr. Conyers stood up.
Dr. Conyers got up.
"I am an old man," he said, "but I still have some strength. If I can by any means get together the money for an expedition, I will not rest till I have made every possible effort to find the treasure and to endow my clinic."
"I’m an old man," he said, "but I still have some strength. If I can figure out how to raise the money for an expedition, I won’t stop until I’ve done everything I can to find the treasure and fund my clinic."
"Then, sir, I hope you'll let me give a hand to the good work," said Lord Peter.
"Then, sir, I hope you'll let me help with the good work," said Lord Peter.
Dr. Conyers had invited his guests to stay the night, and, after the excited viscount had been packed off to bed, Wimsey and the old man sat late, consulting maps and diligently reading Munster's chapter "De Novis Insulis," in the hope of discovering some further clue. At length, however, they separated, and Lord Peter went upstairs, the book under his arm. He was restless, however, and, instead of going to bed, sat for a long time at his window, which looked out upon the lake. The moon, a few days past the full, was riding high among small, windy clouds, and picked out the sharp eaves of the Chinese tea-houses and the straggling tops of the unpruned shrubs. 'Old Cut-throat' and his landscape-gardening! Wimsey could have fancied that the old pirate was sitting now beside his telescope in the preposterous pagoda, chuckling over his riddling testament and counting the craters of the moon. "If Luna, there is silver." The water of the lake was silver enough; there was a great smooth path across it, broken by the sinister wedge of the boat-house, the black shadows of the islands, and, almost in the middle of the lake, a decayed fountain, a writhing Celestial dragon-shape, spiny-backed and ridiculous.
Dr. Conyers had invited his guests to stay the night, and after the excited viscount had been sent off to bed, Wimsey and the old man sat late, looking over maps and diligently reading Munster's chapter "De Novis Insulis," hoping to uncover some additional clue. Eventually, they parted ways, and Lord Peter went upstairs with the book under his arm. However, he felt restless and instead of going to bed, he sat for a long time at his window, which overlooked the lake. The moon, a few days past full, was riding high among small, windy clouds, illuminating the sharp eaves of the Chinese tea houses and the ragged tops of the unpruned shrubs. 'Old Cut-throat' and his landscape gardening! Wimsey could almost imagine the old pirate sitting beside his telescope in the ridiculous pagoda, chuckling over his puzzling testament and counting the craters of the moon. "If Luna, there is silver." The lake's water was silver enough; there was a wide, smooth path across it, interrupted by the ominous wedge of the boathouse, the dark shadows of the islands, and almost in the center of the lake, a dilapidated fountain, a twisting Celestial dragon shape, spiny-backed and absurd.
Wimsey rubbed his eyes. There was something strangely familiar about the lake; from moment to moment it assumed the queer unreality of a place which one recognises without having ever known it. It was like one's first sight of the Leaning Tower of Pisa—too like its picture to be quite believable. Surely, thought Wimsey, he knew that elongated island on the right, shaped rather like a winged monster, with its two little clumps of buildings. And the island to the left of it, like the British Isles, but warped out of shape. And the third island, between the others, and nearer. The three formed a triangle, with the Chinese fountain in the centre, the moon shining steadily upon its dragon head. "Hic in capite draconis ardet perpetuo——"
Wimsey rubbed his eyes. There was something strangely familiar about the lake; at times it felt like a surreal place he recognized without ever having seen it before. It was like the first time you see the Leaning Tower of Pisa—too similar to its pictures to be fully believable. Surely, Wimsey thought, he knew that long island on the right, shaped a bit like a winged monster, with its two small clusters of buildings. And the island to its left, resembling the British Isles but warped out of shape. And the third island, between the others and closer. The three made a triangle, with the Chinese fountain in the center, the moon shining steadily on its dragon head. "Hic in capite draconis ardet perpetuo——"
Lord Peter sprang up with a loud exclamation, and flung open the door into the dressing-room. A small figure wrapped in an eiderdown hurriedly uncoiled itself from the window-seat.
Lord Peter jumped up with a loud shout and threw open the door to the dressing room. A small figure wrapped in a down comforter quickly uncoiled itself from the window seat.
"I'm sorry, Uncle Peter," said Gherkins. "I was so dreadfully wide awake, it wasn't any good staying in bed."
"I'm sorry, Uncle Peter," said Gherkins. "I was so extremely wide awake, staying in bed was no use."
"Come here," said Lord Peter, "and tell me if I'm mad or dreaming. Look out of the window and compare it with the map—Old Cut-throat's 'New Islands.' He made 'em, Gherkins; he put 'em here. Aren't they laid out just like the Canaries? Those three islands in a triangle, and the fourth down here in the corner? And the boat-house where the big ship is in the picture? And the dragon fountain where the dragon's head is? Well, my son, that's where your hidden treasure's gone to. Get your things on, Gherkins, and damn the time when all good little boys should be in bed! We're going for a row on the lake, if there's a tub in that boat-house that'll float."
"Come here," said Lord Peter, "and tell me if I’m crazy or dreaming. Look out the window and compare it to the map—Old Cut-throat’s 'New Islands.' He created them, Gherkins; he placed them here. Aren’t they arranged just like the Canaries? Those three islands forming a triangle, and the fourth one down here in the corner? And the boathouse where the big ship is in the picture? And the dragon fountain where the dragon’s head is? Well, my son, that’s where your hidden treasure has gone. Get your things on, Gherkins, and forget about the time when all good little boys should be in bed! We’re going for a row on the lake, if there’s a boat in that boathouse that will float."
"Oh, Uncle Peter! This is a real adventure!"
"Oh, Uncle Peter! This is a real adventure!"
"All right," said Wimsey. "Fifteen men on the dead man's chest, and all that! Yo-ho-ho, and a bottle of Johnny Walker! Pirate expedition fitted out in dead of night to seek hidden treasure and explore the Fortunate Isles! Come on, crew!"
"Alright," said Wimsey. "Fifteen men on the dead guy's chest, and all that! Yo-ho-ho, and a bottle of Johnny Walker! A pirate adventure set up in the dead of night to find hidden treasure and explore the Fortunate Isles! Let's go, crew!"
Lord Peter hitched the leaky dinghy to the dragon's knobbly tail and climbed out carefully, for the base of the fountain was green and weedy.
Lord Peter secured the leaky dinghy to the dragon's knobby tail and carefully climbed out, as the bottom of the fountain was covered in green weeds.
"I'm afraid it's your job to sit there and bail, Gherkins," he said. "All the best captains bag the really interesting jobs for themselves. We'd better start with the head. If the old blighter said head, he probably meant it." He passed an arm affectionately round the creature's neck for support, while he methodically pressed and pulled the various knobs and bumps of its anatomy. "It seems beastly solid, but I'm sure there's a spring somewhere. You won't forget to bail, will you? I'd simply hate to turn round and find the boat gone. Pirate chief marooned on island and all that. Well, it isn't its back hair, anyhow. We'll try its eyes. I say, Gherkins, I'm sure I felt something move, only it's frightfully stiff. We might have thought to bring some oil. Never mind; it's dogged as does it. It's coming. It's coming. Booh! Pah!"
"I'm afraid it's your job to sit there and bail, Gherkins," he said. "All the best captains keep the really interesting jobs for themselves. We'd better start with the head. If the old guy said head, he probably meant it." He put an arm affectionately around the creature's neck for support while he methodically pressed and pulled at the various knobs and bumps of its body. "It feels really solid, but I'm sure there's a spring somewhere. You won't forget to bail, will you? I’d really hate to turn around and find the boat gone. Pirate chief marooned on an island and all that. Well, it isn't its back hair, anyway. Let's try its eyes. I say, Gherkins, I'm pretty sure I felt something move, but it's really stiff. We might have thought to bring some oil. Never mind; it’s dogged as does it. It's coming. It's coming. Boo! Pah!"
A fierce effort thrust the rusted knob inwards, releasing a huge spout of water into his face from the dragon's gaping throat. The fountain, dry for many years, soared rejoicingly heavenwards, drenching the treasure-hunters, and making rainbows in the moonlight.
A strong push sent the rusty knob inward, spraying a huge stream of water into his face from the dragon's wide-open mouth. The fountain, dry for many years, shot up joyfully into the sky, soaking the treasure hunters and creating rainbows in the moonlight.
"I suppose this is 'Old Cut-throat's' idea of humour," grumbled Wimsey, retreating cautiously round the dragon's neck. "And now I can't turn it off again. Well, dash it all, let's try the other eye."
"I guess this is 'Old Cut-throat's' sense of humor," complained Wimsey, carefully moving around the dragon's neck. "And now I can't switch it off again. Well, darn it, let's try the other eye."
He pressed for a few moments in vain. Then, with a grinding clang, the bronze wings of the monster clapped down to its sides, revealing a deep square hole, and the fountain ceased to play.
He pressed for a few moments without success. Then, with a loud clang, the bronze wings of the monster folded down to its sides, revealing a deep square hole, and the fountain stopped running.
"Gherkins!" said Lord Peter, "we've done it. (But don't neglect bailing on that account!) There's a box here. And it's beastly heavy. No; all right, I can manage. Gimme the boat-hook. Now I do hope the old sinner really did have a treasure. What a bore if it's only one of his little jokes. Never mind—hold the boat steady. There. Always remember, Gherkins, that you can make quite an effective crane with a boat-hook and a stout pair of braces. Got it? That's right. Now for home and beauty.... Hullo! what's all that?"
"Gherkins!" said Lord Peter, "we did it. (But don't forget to bail!) There's a box here, and it's really heavy. No, it's fine; I can handle it. Hand me the boat-hook. I really hope that old rascal actually had a treasure. It would be such a pain if it’s just one of his silly pranks. Anyway—keep the boat steady. There. Always remember, Gherkins, that you can create a pretty effective crane with a boat-hook and a strong pair of suspenders. Got it? That's right. Now let’s head home and celebrate... Huh! What's going on over there?"
As he paddled the boat round, it was evident that something was happening down by the boat-house. Lights were moving about, and a sound of voices came across the lake.
As he paddled the boat around, it was clear that something was going on down by the boathouse. Lights were moving around, and the sound of voices drifted across the lake.
"They think we're burglars, Gherkins. Always misunderstood. Give way, my hearties—
"They think we're thieves, Gherkins. Always misunderstood. Step aside, my friends—
"Is that you, my lord?" said a man's voice as they drew in to the boat-house.
"Is that you, my lord?" a man's voice said as they pulled into the boathouse.
"Why, it's our faithful sleuths!" cried his lordship. "What's the excitement?"
"Hey, it's our trusty detectives!" exclaimed his lordship. "What's going on?"
"We found this fellow sneaking round the boat-house," said the man from Scotland Yard. "He says he's the old gentleman's nephew. Do you know him, my lord?"
"We caught this guy sneaking around the boat house," said the man from Scotland Yard. "He claims he's the old gentleman's nephew. Do you recognize him, my lord?"
"I rather fancy I do," said Wimsey. "Mr. Pope, I think. Good evening. Were you looking for anything? Not a treasure, by any chance? Because we've just found one. Oh! don't say that. Maxima reverentia, you know. Lord St. George is of tender years. And, by the way, thank you so much for sending your delightful friends to call on me last night. Oh, yes, Thompson, I'll charge him all right. You there, doctor? Splendid. Now, if anybody's got a spanner or anything handy, we'll have a look at Great-grandpapa Cuthbert. And if he turns out to be old iron, Mr. Pope, you'll have had an uncommonly good joke for your money."
"I think I do," said Wimsey. "Mr. Pope, I believe. Good evening. Were you looking for something? Not a treasure, by any chance? Because we just found one. Oh! Don't say that. Maxima reverentia, you know. Lord St. George is quite young. And, by the way, thank you so much for sending your lovely friends to visit me last night. Oh, yes, Thompson, I'll definitely charge him. You there, doctor? Great. Now, if anyone has a wrench or something handy, we’ll take a look at Great-grandpa Cuthbert. And if he turns out to be scrap metal, Mr. Pope, you’ll have gotten a really good joke for your trouble."
An iron bar was produced from the boat-house and thrust under the hasp of the chest. It creaked and burst. Dr. Conyers knelt down tremulously and threw open the lid.
An iron bar was taken from the boathouse and shoved under the lock of the chest. It creaked and popped open. Dr. Conyers knelt down nervously and lifted the lid.
There was a little pause.
There was a slight pause.
"The drinks are on you, Mr. Pope," said Lord Peter. "I think, doctor, it ought to be a jolly good hospital when it's finished."
"The drinks are on you, Mr. Pope," said Lord Peter. "I think, doctor, it should be a really great hospital when it's done."
THE PISCATORIAL FARCE OF THE STOLEN STOMACH
"What in the world," said Lord Peter Wimsey, "is that?"
"What on earth," said Lord Peter Wimsey, "is that?"
Thomas Macpherson disengaged the tall jar from its final swathings of paper and straw and set it tenderly upright beside the coffee-pot.
Thomas Macpherson carefully removed the tall jar from its last wrappings of paper and straw and gently placed it upright next to the coffee pot.
"That," he said, "is Great-Uncle Joseph's legacy."
"That," he said, "is Great-Uncle Joseph's legacy."
"And who is Great-Uncle Joseph?"
"And who is Uncle Joe?"
"He was my mother's uncle. Name of Ferguson. Eccentric old boy. I was rather a favourite of his."
"He was my mom's uncle. His name was Ferguson. A bit of an eccentric old guy. I was kind of a favorite of his."
"It looks like it. Was that all he left you?"
"It seems that way. Is that everything he left you?"
"Imph'm. He said a good digestion was the most precious thing a man could have."
"Mm-hmm. He said that a good digestion is the most valuable thing a person can have."
"Well, he was right there. Is this his? Was it a good one?"
"Well, he was right there. Is this his? Was it a good one?"
"Good enough. He lived to be ninety-five, and never had a day's illness."
"That's good enough. He lived to be ninety-five and never had a day of illness."
Wimsey looked at the jar with increased respect.
Wimsey stared at the jar with greater admiration.
"What did he die of?"
"What was his cause of death?"
"Chucked himself out of a sixth-story window. He had a stroke, and the doctors told him—or he guessed for himself—that it was the beginning of the end. He left a letter. Said he had never been ill in his life and wasn't going to begin now. They brought it in temporary insanity, of course, but I think he was thoroughly sensible."
"Jumped out of a sixth-story window. He had a stroke, and the doctors told him—or he figured out himself—that it was the beginning of the end. He left a letter. He said he had never been sick in his life and wasn’t going to start now. They ruled it as temporary insanity, of course, but I think he was completely sane."
"I should say so. What was he when he was functioning?"
"I definitely agree. What was he like when he was actually doing his job?"
"He used to be in business—something to do with ship-building, I believe, but he retired long ago. He was what the papers call a recluse. Lived all by himself in a little top flat in Glasgow, and saw nobody. Used to go off by himself for days at a time, nobody knew where or why. I used to look him up about once a year and take him a bottle of whisky."
"He used to be in business—something related to shipbuilding, I think, but he retired a long time ago. He was what the papers call a recluse. He lived alone in a small top-floor apartment in Glasgow and didn't see anyone. He would disappear for days at a time, and no one knew where he went or why. I used to visit him about once a year and bring him a bottle of whisky."
"Had he any money?"
"Did he have any money?"
"Nobody knew. He ought to have had—he was a rich man when he retired. But, when we came to look into it, it turned out he only had a balance of about five hundred pounds in the Glasgow Bank. Apparently he drew out almost everything he had about twenty years ago. There were one or two big bank failures round about that time, and they thought he must have got the wind up. But what he did with it, goodness only knows."
"Nobody knew. He should have had more—he was a wealthy man when he retired. But when we looked into it, we found out he only had about five hundred pounds left in the Glasgow Bank. It seems he withdrew almost all of it around twenty years ago. There were a couple of major bank failures around that time, and people assumed he must have panicked. But what he did with the money, who knows."
"Kept it in an old stocking, I expect."
"Kept it in an old sock, I guess."
"I should think Cousin Robert devoutly hopes so."
"I bet Cousin Robert really hopes so."
"Cousin Robert?"
"Is this Cousin Robert?"
"He's the residuary legatee. Distant connection of mine, and the only remaining Ferguson. He was awfully wild when he found he'd only got five hundred. He's rather a bright lad, is Robert, and a few thousands would have come in handy."
"He's the leftover beneficiary. A distant relative of mine, and the only remaining Ferguson. He was pretty upset when he realized he'd only inherited five hundred. Robert's a fairly clever guy, and a few thousand would have really helped."
"I see. Well, how about a bit of brekker? You might stick Great-Uncle Joseph out of the way somewhere. I don't care about the looks of him."
"I get it. How about some breakfast? You could put Great-Uncle Joseph out of sight somewhere. I don’t mind what he looks like."
"I thought you were rather partial to anatomical specimens."
"I thought you were quite fond of anatomical specimens."
"So I am, but not on the breakfast-table. 'A place for everything and everything in its place,' as my grandmother used to say. Besides, it would give Maggie a shock if she saw it."
"So I am, just not at the breakfast table. 'A place for everything and everything in its place,' as my grandmother used to say. Besides, it would really surprise Maggie if she saw it."
Macpherson laughed, and transferred the jar to a cupboard.
Macpherson laughed and put the jar in a cabinet.
"Maggie's shock-proof. I brought a few odd bones and things with me, by way of a holiday task. I'm getting near my final, you know. She'll just think this is another of them. Ring the bell, old man, would you? We'll see what the trout's like."
"Maggie's tough. I brought along some random bones and stuff as a little holiday project. I'm getting close to the end, you know. She'll probably think this is just another one of those. Can you ring the bell, old man? Let's see what the fish is like."
The door opened to admit the housekeeper, with a dish of grilled trout and a plate of fried scones.
The door opened to let in the housekeeper, carrying a plate of grilled trout and a dish of fried scones.
"These look good, Maggie," said Wimsey, drawing his chair up and sniffing appreciatively.
"These look great, Maggie," said Wimsey, pulling his chair closer and sniffing with appreciation.
"Aye, sir, they're gude, but they're awfu' wee fish."
"Aye, sir, they're good, but they're really small fish."
"Don't grumble at them," said Macpherson. "They're the sole result of a day's purgatory up on Loch Whyneon. What with the sun fit to roast you and an east wind, I'm pretty well flayed alive. I very nearly didn't shave at all this morning." He passed a reminiscent hand over his red and excoriated face. "Ugh! It's a stiff pull up that hill, and the boat was going wallop, wallop all the time, like being in the Bay of Biscay."
"Don't complain about them," Macpherson said. "They're the only result of a day’s nightmare up on Loch Whyneon. With the sun ready to roast you and an east wind, I feel like I'm getting skinned alive. I almost didn’t shave at all this morning." He ran a hand over his red and sore face. "Ugh! It's a tough climb up that hill, and the boat was slamming around the whole time, like being in the Bay of Biscay."
"Damnable, I should think. But there's a change coming. The glass is going back. We'll be having some rain before we're many days older."
"Damn, I would think so. But there’s a change coming. The barometer is dropping. We’ll be seeing some rain before too long."
"Time, too," said Macpherson. "The burns are nearly dry, and there's not much water in the Fleet." He glanced out of the window to where the little river ran tinkling and skinkling over the stones at the bottom of the garden. "If only we get a few days' rain now, there'll be some grand fishing."
"Time, too," said Macpherson. "The streams are almost dry, and there isn't much water in the Fleet." He looked out the window at the small river that was gently running over the stones at the bottom of the garden. "If we could just have a few days of rain now, there will be some amazing fishing."
"It would come just as I've got to go, naturally," remarked Wimsey.
"It would happen right when I'm about to leave, of course," Wimsey said.
"Yes; can't you stay a bit longer? I want to have a try for some sea-trout."
"Yes; can't you stay a little longer? I want to try for some sea-trout."
"Sorry, old man, can't be done. I must be in Town on Wednesday. Never mind. I've had a fine time in the fresh air and got in some good rounds of golf."
"Sorry, man, can't be done. I have to be in town on Wednesday. No worries. I've really enjoyed the fresh air and played some good rounds of golf."
"You must come up another time. I'm here for a month—getting my strength up for the exams and all that. If you can't get away before I go, we'll put it off till August and have a shot at the grouse. The cottage is always at your service, you know, Wimsey."
"You should come over another time. I’ll be here for a month—working on building my strength for the exams and all that. If you can't make it before I leave, we’ll postpone it until August and try for the grouse. The cottage is always available to you, you know, Wimsey."
"Many thanks. I may get my business over quicker than I think, and, if I do, I'll turn up here again. When did you say your great-uncle died?"
"Thanks a lot. I might finish my business faster than I expected, and if I do, I'll come back here again. When did you say your great-uncle passed away?"
Macpherson stared at him.
Macpherson looked at him.
"Some time in April, as far as I can remember. Why?"
"Some time in April, if I recall correctly. Why?"
"Oh, nothing—I just wondered. You were a favourite of his, didn't you say?"
"Oh, it’s nothing—I was just curious. You mentioned you were one of his favorites, right?"
"In a sense. I think the old boy liked my remembering him from time to time. Old people are pleased by little attentions, you know."
"In a way, I think the old guy appreciated that I remembered him from time to time. Older people enjoy small gestures of kindness, you know."
"M'm. Well, it's a queer world. What did you say his name was?"
"Mmm. Well, it's a strange world. What did you say his name was?"
"Ferguson—Joseph Alexander Ferguson, to be exact. You seem extraordinarily interested in Great-Uncle Joseph."
"Ferguson—Joseph Alexander Ferguson, to be precise. You appear to be quite curious about Great-Uncle Joseph."
"I thought, while I was about it, I might look up a man I know in the ship-building line, and see if he knows anything about where the money went to."
"I figured that while I was at it, I could reach out to a guy I know in shipbuilding and see if he has any idea about where the money went."
"If you can do that, Cousin Robert will give you a medal. But, if you really want to exercise your detective powers on the problem, you'd better have a hunt through the flat in Glasgow."
"If you can do that, Cousin Robert will award you a medal. But if you really want to put your detective skills to the test, you should search the apartment in Glasgow."
"Yes—what is the address, by the way?"
"Yeah—what's the address, by the way?"
Macpherson told him the address.
Macpherson gave him the address.
"I'll make a note of it, and, if anything occurs to me, I'll communicate with Cousin Robert. Where does he hang out?"
"I'll jot that down, and if anything comes to mind, I'll reach out to Cousin Robert. Where does he usually chill?"
"Oh, he's in London, in a solicitor's office. Crosbie & Plump, somewhere in Bloomsbury. Robert was studying for the Scottish Bar, you know, but he made rather a mess of things, so they pushed him off among the Sassenachs. His father died a couple of years ago—he was a Writer to the Signet in Edinburgh—and I fancy Robert has rather gone to the bow-wows since then. Got among a cheerful crowd down there, don't you know, and wasted his substance somewhat."
"Oh, he's in London, working at a law firm. Crosbie & Plump, somewhere in Bloomsbury. Robert was studying for the Scottish Bar, you know, but things didn’t go well for him, so they sent him off among the English. His father passed away a couple of years ago—he was a Writer to the Signet in Edinburgh—and I think Robert has really gone downhill since then. He's hanging out with a lively crowd down there and has ruined his finances a bit."
"Terrible! Scotsmen shouldn't be allowed to leave home. What are you going to do with Great-Uncle?"
"That's awful! Scotsmen shouldn't be allowed to leave home. What are you going to do about Great-Uncle?"
"Oh, I don't know. Keep him for a bit, I think. I liked the old fellow, and I don't want to throw him away. He'll look rather well in my consulting-room, don't you think, when I'm qualified and set up my brass plate. I'll say he was presented by a grateful patient on whom I performed a marvellous operation."
"Oh, I’m not sure. Let’s hang on to him for a while, I guess. I liked the old guy, and I don’t want to just discard him. He’ll actually look pretty good in my office, don’t you think, once I’m qualified and put up my nameplate? I’ll say he was a gift from a grateful patient whose life I changed with an amazing operation."
"That's a good idea. Stomach-grafting. Miracle of surgery never before attempted. He'll bring sufferers to your door in flocks."
"That’s a great idea. Stomach grafting. A surgical miracle never done before. He’ll bring people in pain to your doorstep in droves."
"Good old Great-Uncle—he may be worth a fortune to me after all."
"Good old Great-Uncle—he might actually be worth a fortune to me."
"So he may. I don't suppose you've got such a thing as a photograph of him, have you?"
"So he might. I don't suppose you have a photo of him, do you?"
"A photograph?" Macpherson stared again. "Great-Uncle seems to be becoming a passion with you. I don't suppose the old man had a photograph taken these thirty years. There was one done then—when he retired from business. I expect Robert's got that."
"A photograph?" Macpherson stared again. "Great-Uncle seems to be becoming a passion for you. I don't think the old man had a photo taken in the last thirty years. There was one done back then—when he retired from business. I bet Robert has that."
"Och aye," said Wimsey, in the language of the country.
"Och aye," said Wimsey, in the local dialect.
Wimsey left Scotland that evening, and drove down through the night towards London, thinking hard as he went. He handled the wheel mechanically, swerving now and again to avoid the green eyes of rabbits as they bolted from the roadside to squat fascinated in the glare of his head-lamps. He was accustomed to say that his brain worked better when his immediate attention was occupied by the incidents of the road.
Wimsey left Scotland that evening and drove through the night towards London, deep in thought as he went. He steered the wheel almost automatically, swerving now and then to avoid the green eyes of rabbits that darted from the roadside to sit captivated in the light of his headlights. He often claimed that his mind functioned better when his immediate focus was on the events of the road.
Monday morning found him in town with his business finished and his thinking done. A consultation with his ship-building friend had put him in possession of some facts about Great-Uncle Joseph's money, together with a copy of Great-Uncle Joseph's photograph, supplied by the London representative of the Glasgow firm to which he had belonged. It appeared that old Ferguson had been a man of mark in his day. The portrait showed a fine, dour old face, long-lipped and high in the cheek-bones—one of those faces which alter little in a lifetime. Wimsey looked at the photograph with satisfaction as he slipped it into his pocket and made a bee-line for Somerset House.
Monday morning found him in town with his errands done and his thinking complete. A chat with his shipbuilding friend had given him some details about Great-Uncle Joseph's money, along with a copy of Great-Uncle Joseph's photograph, provided by the London rep of the Glasgow firm he had been a part of. It turned out that old Ferguson had been a notable figure in his time. The image showed a strong, serious old face, long-lipped and with high cheekbones—one of those faces that doesn’t change much over the years. Wimsey looked at the photograph with satisfaction as he tucked it into his pocket and headed straight for Somerset House.
Here he wandered timidly about the wills department, till a uniformed official took pity on him and enquired what he wanted.
Here he walked around nervously in the wills department until a uniformed official took pity on him and asked what he needed.
"Oh, thank you," said Wimsey effusively, "thank you so much. Always feel nervous in these places. All these big desks and things, don't you know, so awe-inspiring and business-like. Yes, I just wanted to have a squint at a will. I'm told you can see anybody's will for a shilling. Is that really so?"
"Oh, thank you," Wimsey said warmly. "I really appreciate it. I always feel nervous in places like this. All these big desks and everything, you know, they're so impressive and serious. Yes, I just wanted to take a look at a will. I heard you can see anyone's will for a shilling. Is that true?"
"Yes, sir, certainly. Anybody's will in particular, sir?"
"Yes, sir, of course. Is there a specific person's will you're asking about, sir?"
"Oh, yes, of course—how silly of me. Yes. Curious, isn't it, that when you're dead any stranger can come and snoop round your private affairs—see how much you cut up for and who your lady friends were, and all that. Yes. Not at all nice. Horrid lack of privacy, what?"
"Oh, yes, of course—how foolish of me. Yes. It's interesting, isn't it, that when you die, any stranger can come and invade your personal life—see how much you inherited and who your female friends were, and all that. Yes. It's really not nice. Such a terrible lack of privacy, right?"
The attendant laughed.
The attendant chuckled.
"I expect it's all one when you're dead, sir."
"I guess it doesn’t matter when you’re dead, sir."
"That's awfully true. Yes, naturally, you're dead by then and it doesn't matter. May be a bit trying for your relations, of course, to learn what a bad boy you've been. Great fun annoyin' one's relations. Always do it myself. Now, what were we sayin'? Ah! yes—the will. (I'm always so absent-minded.) Whose will, you said? Well, it's an old Scots gentleman called Joseph Alexander Ferguson that died at Glasgow—you know Glasgow, where the accent's so strong that even Scotsmen faint when they hear it—in April, this last April as ever was. If it's not troubling you too much, may I have a bob's-worth of Joseph Alexander Ferguson?"
"That's absolutely true. Yes, of course, you'll be dead by then, so it won’t matter. It might be a bit tough for your family to find out what a troublemaker you’ve been. I always enjoy annoying my relatives. Now, what were we talking about? Ah! yes—the will. (I’m always so forgetful.) Whose will, you asked? It belongs to an old Scottish gentleman named Joseph Alexander Ferguson who passed away in Glasgow—you know Glasgow, where the accent is so thick that even Scotsmen get dizzy hearing it—last April. If it’s not too much trouble, could I have a quick word about Joseph Alexander Ferguson?"
The attendant assured him that he might, adding the caution that he must memorise the contents of the will and not on any account take notes. Thus warned, Wimsey was conducted into a retired corner, where in a short time the will was placed before him.
The attendant assured him that he could, adding a warning that he had to memorize the contents of the will and absolutely could not take notes. With that caution, Wimsey was led to a quiet corner, where the will was soon presented to him.
It was a commendably brief document, written in holograph, and was dated the previous January. After the usual preamble and the bequest of a few small sums and articles of personal ornament to friends, it proceeded somewhat as follows:
It was a impressively short document, handwritten, and dated the previous January. After the usual introductory remarks and the giving of a few small amounts of money and personal items to friends, it continued somewhat like this:
"And I direct that, after my death, the alimentary organs be removed entire with their contents from my body, commencing with the œsophagus and ending with the anal canal, and that they be properly secured at both ends with a suitable ligature, and be enclosed in a proper preservative medium in a glass vessel and given to my great-nephew Thomas Macpherson of the Stone Cottage, Gatehouse-of-the-Fleet, in Kirkcudbrightshire, now studying medicine in Aberdeen. And I bequeath him these my alimentary organs with their contents for his study and edification, they having served me for ninety-five years without failure or defect, because I wish him to understand that no riches in the world are comparable to the riches of a good digestion. And I desire of him that he will, in the exercise of his medical profession, use his best endeavours to preserve to his patients the blessing of good digestion unimpaired, not needlessly filling their stomachs with drugs out of concern for his own pocket, but exhorting them to a sober and temperate life agreeably to the design of Almighty Providence."
"And I direct that, after my death, the digestive organs be removed entirely with their contents from my body, starting with the esophagus and ending with the anal canal, and that they be properly secured at both ends with a suitable tie, enclosed in an appropriate preservative substance in a glass container, and given to my great-nephew Thomas Macpherson of the Stone Cottage, Gatehouse-of-the-Fleet, in Kirkcudbrightshire, who is currently studying medicine in Aberdeen. And I bequeath to him these digestive organs with their contents for his study and education, as they have served me for ninety-five years without fail, because I want him to understand that no wealth in the world is comparable to the wealth of good digestion. And I ask that, in his medical practice, he makes every effort to preserve the blessing of good digestion for his patients, not unnecessarily filling their stomachs with drugs for his own financial gain, but encouraging them to live a sober and temperate life in accordance with the plan of Almighty Providence."
After this remarkable passage, the document went on to make Robert Ferguson residuary legatee without particular specification of any property, and to appoint a firm of lawyers in Glasgow executors of the will.
After this remarkable passage, the document went on to name Robert Ferguson as the general heir without specifying any particular property, and to appoint a law firm in Glasgow as the executors of the will.
Wimsey considered the bequest for some time. From the phraseology he concluded that old Mr. Ferguson had drawn up his own will without legal aid, and he was glad of it, for its wording thus afforded a valuable clue to the testator's mood and intention. He mentally noted three points: the "alimentary organs with their contents" were mentioned twice over, with a certain emphasis; they were to be ligatured top and bottom; and the legacy was accompanied by the expression of a wish that the legatee should not allow his financial necessities to interfere with the conscientious exercise of his professional duties. Wimsey chuckled. He felt he rather liked Great-Uncle Joseph.
Wimsey thought about the bequest for a while. From the wording, he figured that old Mr. Ferguson had written his own will without a lawyer, and he was pleased about it because the way it was written gave a valuable insight into the testator's feelings and intentions. He mentally noted three things: the "alimentary organs with their contents" were mentioned twice with some emphasis; they were to be tied off at both ends; and the legacy came with a request that the beneficiary should not let his financial needs get in the way of performing his professional duties. Wimsey chuckled. He found he quite liked Great-Uncle Joseph.
He got up, collected his hat, gloves, and stick, and advanced with the will in his hand to return it to the attendant. The latter was engaged in conversation with a young man, who seemed to be expostulating about something.
He got up, grabbed his hat, gloves, and cane, and walked over with the will in his hand to give it back to the attendant. The attendant was chatting with a young man, who appeared to be arguing about something.
"I'm sorry, sir," said the attendant, "but I don't suppose the other gentleman will be very long. Ah!" He turned and saw Wimsey. "Here is the gentleman."
"I'm sorry, sir," said the attendant, "but I don't think the other gentleman will be much longer. Ah!" He turned and saw Wimsey. "Here is the gentleman."
The young man, whose reddish hair, long nose, and slightly sodden eyes gave him the appearance of a dissipated fox, greeted Wimsey with a disagreeable stare.
The young man, with his reddish hair, long nose, and slightly watery eyes, looked like a worn-out fox as he greeted Wimsey with an unpleasant glare.
"What's up? Want me?" asked his lordship airily.
"What's up? You want me?" asked his lordship casually.
"Yes, sir. Very curious thing, sir; here's a gentleman enquiring for that very same document as you've been studying, sir. I've been in this department fifteen years, and I don't know as I ever remember such a thing happening before."
"Yes, sir. It's quite strange, sir; there's a guy asking for that exact document you've been looking at, sir. I've been in this department for fifteen years, and I can't recall something like this happening before."
"No," said Wimsey, "I don't suppose there's much of a run on any of your lines as a rule."
"No," said Wimsey, "I don’t think there’s usually a big demand for any of your lines."
"It's a very curious thing indeed," said the stranger, with marked displeasure in his voice.
"It's a really strange thing," said the stranger, clearly annoyed.
"Member of the family?" suggested Wimsey.
"Family member?" asked Wimsey.
"I am a member of the family," said the foxy-faced man. "May I ask whether you have any connection with us?"
"I am a member of the family," said the sly-looking man. "Can I ask if you have any connection to us?"
"By all means," replied Wimsey graciously.
"Sure," replied Wimsey graciously.
"I don't believe it. I don't know you."
"I can't believe it. I don't know you."
"No, no—I meant you might ask, by all means."
"No, no—I meant you could definitely ask, go ahead."
The young man positively showed his teeth.
The guy definitely smiled.
"Do you mind telling me who you are, anyhow, and why you're so damned inquisitive about my great-uncle's will?"
"Do you mind telling me who you are and why you're so damn curious about my great-uncle's will?"
Wimsey extracted a card from his case and presented it with a smile. Mr. Robert Ferguson changed colour.
Wimsey took a card from his case and handed it over with a smile. Mr. Robert Ferguson turned pale.
"If you would like a reference as to my respectability," went on Wimsey affably, "Mr. Thomas Macpherson will, I am sure, be happy to tell you about me. I am inquisitive," said his lordship—"a student of humanity. Your cousin mentioned to me the curious clause relating to your esteemed great-uncle's—er—stomach and appurtenances. Curious clauses are a passion with me. I came to look it up and add it to my collection of curious wills. I am engaged in writing a book on the subject—Clauses and Consequences. My publishers tell me it should enjoy a ready sale. I regret that my random jottings should have encroached upon your doubtless far more serious studies. I wish you a very good morning."
"If you need a reference for my respectability," Wimsey continued amiably, "Mr. Thomas Macpherson will surely be happy to tell you about me. I'm quite curious," said his lordship—"a student of humanity. Your cousin mentioned to me the odd clause regarding your esteemed great-uncle's—um—stomach and related matters. I have a passion for unusual clauses. I came to look it up and add it to my collection of strange wills. I'm actually writing a book on the topic—Clauses and Consequences. My publishers say it should sell well. I apologize that my random notes have interrupted your undoubtedly more serious studies. I wish you a very good morning."
As he beamed his way out, Wimsey, who had quick ears, heard the attendant informing the indignant Mr. Ferguson that he was "a very funny gentleman—not quite all there, sir." It seemed that his criminological fame had not penetrated to the quiet recesses of Somerset House. "But," said Wimsey to himself, "I am sadly afraid that Cousin Robert has been given food for thought."
As he walked out with a smile, Wimsey, who had sharp ears, caught the attendant telling the annoyed Mr. Ferguson that he was "a very funny guy—not quite all there, sir." It seemed that his reputation in criminology hadn't reached the quiet corners of Somerset House. "But," Wimsey thought to himself, "I’m afraid Cousin Robert has plenty to think about now."
Under the spur of this alarming idea, Wimsey wasted no time, but took a taxi down to Hatton Garden, to call upon a friend of his. This gentleman, rather curly in the nose and fleshy about the eyelids, nevertheless came under Mr. Chesterton's definition of a nice Jew, for his name was neither Montagu nor McDonald, but Nathan Abrahams, and he greeted Lord Peter with a hospitality amounting to enthusiasm.
Driven by this disturbing thought, Wimsey acted quickly and hopped into a taxi headed to Hatton Garden to meet a friend. This man, who had a slightly crooked nose and puffy eyelids, fit Mr. Chesterton's description of a nice Jew, as his name wasn't Montagu or McDonald but Nathan Abrahams. He welcomed Lord Peter with a warm enthusiasm.
"So pleased to see you. Sit down and have a drink. You have come at last to select the diamonds for the future Lady Peter, eh?"
"So great to see you. Have a seat and grab a drink. You've finally come to pick out the diamonds for the future Lady Peter, right?"
"Not yet," said Wimsey.
"Not yet," Wimsey said.
"No? That's too bad. You should make haste and settle down. It is time you became a family man. Years ago we arranged I should have the privilege of decking the bride for the happy day. That is a promise, you know. I think of it when the fine stones pass through my hands. I say, 'That would be the very thing for my friend Lord Peter.' But I hear nothing, and I sell them to stupid Americans who think only of the price and not of the beauty."
"No? That's too bad. You should hurry up and settle down. It's time for you to become a family man. Years ago, we agreed that I would have the honor of decorating the bride for her big day. That's a promise, you know. I think about it when I’m handling the beautiful gems. I say, 'That would be perfect for my friend Lord Peter.' But I hear nothing, and I end up selling them to clueless Americans who only care about the price and not the beauty."
"Time enough to think of the diamonds when I've found the lady."
"There's plenty of time to think about the diamonds once I've found the woman."
Mr. Abrahams threw up his hands.
Mr. Abrahams threw his hands up.
"Oh, yes! And then everything will be done in a hurry! 'Quick, Mr. Abrahams! I have fallen in love yesterday and I am being married to-morrow.' But it may take months—years—to find and match perfect stones. It can't be done between to-day and to-morrow. Your bride will be married in something ready-made from the jeweller's."
"Oh, definitely! And everything will be done in a rush! 'Hurry up, Mr. Abrahams! I fell in love yesterday, and I’m getting married tomorrow.' But it could take months—years—to find and match the perfect stones. It can't be done from today to tomorrow. Your bride will end up wearing something off the shelf from the jeweler."
"If three days are enough to choose a wife," said Wimsey, laughing, "one day should surely be enough for a necklace."
"If three days are enough to pick a wife," said Wimsey, laughing, "then one day should definitely be enough for a necklace."
"That is the way with Christians," replied the diamond-merchant resignedly. "You are so casual. You do not think of the future. Three days to choose a wife! No wonder the divorce-courts are busy. My son Moses is being married next week. It has been arranged in the family these ten years. Rachel Goldstein, it is. A good girl, and her father is in a very good position. We are all very pleased, I can tell you. Moses is a good son, a very good son, and I am taking him into partnership."
"That's how it is with Christians," the diamond merchant said, resigned. "You’re so relaxed about everything. You don’t think about the future. Three days to pick a wife! No wonder the divorce courts are overwhelmed. My son Moses is getting married next week. It’s been arranged in the family for ten years. It’s Rachel Goldstein. A nice girl, and her father has a really good job. We're all very happy, I can tell you. Moses is a good son, a really good son, and I’m bringing him into the business."
"I congratulate you," said Wimsey heartily. "I hope they will be very happy."
"I congratulate you," Wimsey said warmly. "I hope they’ll be really happy."
"Thank you, Lord Peter. They will be happy, I am sure. Rachel is a sweet girl and very fond of children. And she is pretty, too. Prettiness is not everything, but it is an advantage for a young man in these days. It is easier for him to behave well to a pretty wife."
"Thank you, Lord Peter. I’m sure they will be happy. Rachel is a sweet girl and really loves children. Plus, she's beautiful. Looks aren’t everything, but they definitely help a young man these days. It’s easier for him to treat a pretty wife well."
"True," said Wimsey. "I will bear it in mind when my time comes. To the health of the happy pair, and may you soon be an ancestor. Talking of ancestors, I've got an old bird here that you may be able to tell me something about."
"True," said Wimsey. "I'll keep that in mind when my time comes. To the health of the happy couple, and may you soon be an ancestor. Speaking of ancestors, I've got an old bird here that you might be able to tell me something about."
"Ah, yes! Always delighted to help you in any way, Lord Peter."
"Of course! I'm always happy to help you in any way, Lord Peter."
"This photograph was taken some thirty years ago, but you may possibly recognise it."
"This photo was taken about thirty years ago, but you might actually recognize it."
Mr. Abrahams put on a pair of horn-rimmed spectacles, and examined the portrait of Great-Uncle Joseph with serious attention.
Mr. Abrahams put on a pair of horn-rimmed glasses and examined the portrait of Great-Uncle Joseph with focused attention.
"Oh, yes, I know him quite well. What do you want to know about him, eh?" He shot a swift and cautious glance at Wimsey.
"Oh, yes, I know him pretty well. What do you want to know about him, huh?" He quickly and carefully glanced at Wimsey.
"Nothing to his disadvantage. He's dead, anyhow. I thought it just possible he had been buying precious stones lately."
"Nothing against him. He's dead anyway. I thought it was possible he had been buying expensive gems recently."
"It is not exactly business to give information about a customer," said Mr. Abrahams.
"It’s not really professional to share details about a customer," said Mr. Abrahams.
"I'll tell you what I want it for," said Wimsey. He lightly sketched the career of Great-Uncle Joseph, and went on: "You see, I looked at it this way. When a man gets a distrust of banks, what does he do with his money? He puts it into property of some kind. It may be land, it may be houses—but that means rent, and more money to put into banks. He is more likely to keep it in gold or notes, or to put it into precious stones. Gold and notes are comparatively bulky; stones are small. Circumstances in this case led me to think he might have chosen stones. Unless we can discover what he did with the money, there will be a great loss to his heirs."
"I'll explain what I need it for," said Wimsey. He briefly outlined the life of Great-Uncle Joseph and continued: "You see, I thought about it this way. When a person loses faith in banks, what do they do with their money? They invest it in some sort of property. It could be land or houses—but that just means collecting rent and having more money to put in banks. They're more likely to keep it in gold or cash, or invest in valuable stones. Gold and cash can be bulky; stones are compact. The situation made me think he might have opted for stones. Unless we figure out what he did with the money, his heirs will suffer a significant loss."
"I see. Well, if it is as you say, there is no harm in telling you. I know you to be an honourable man, and I will break my rule for you. This gentleman, Mr. Wallace——"
"I understand. Well, if that's how it is, there's no harm in sharing this with you. I know you're an honorable man, so I'll make an exception for you. This gentleman, Mr. Wallace——"
"Wallace, did he call himself?"
"Did Wallace call himself?"
"That was not his name? They are funny, these secretive old gentlemen. But that is nothing unusual. Often, when they buy stones, they are afraid of being robbed, so they give another name. Yes, yes. Well, this Mr. Wallace used to come to see me from time to time, and I had instructions to find diamonds for him. He was looking for twelve big stones, all matching perfectly and of superb quality. It took a long time to find them, you know."
"That wasn't his name? Those secretive old guys are amusing. But that's nothing out of the ordinary. Often, when they buy gems, they're worried about getting robbed, so they use a different name. Yes, yes. Anyway, this Mr. Wallace would come to see me occasionally, and I was instructed to find diamonds for him. He was searching for twelve large stones, all perfectly matched and of exceptional quality. It took a long time to find them, you know."
"Of course."
"Definitely."
"Yes. I supplied him with seven altogether, over a period of twenty years or so. And other dealers supplied him also. He is well known in this street. I found the last one for him—let me see—in last December, I think. A beautiful stone—beautiful! He paid seven thousand pounds for it."
"Yeah. I gave him seven in total, over about twenty years. Other dealers also supplied him. He's pretty well known in this street. I found the last one for him—let me think—last December, I believe. It was a gorgeous stone—absolutely beautiful! He paid seven thousand pounds for it."
"Some stone. If they were all as good as that, the collection must be worth something."
"Some stone. If they were all that good, the collection has to be worth something."
"Worth anything. It is difficult to tell how much. As you know, the twelve stones, all matched together, would be worth far more than the sum of the twelve separate prices paid for the individual diamonds."
"Worth anything. It's hard to say how much. As you know, the twelve stones, when combined, would be worth much more than the total of the twelve individual prices paid for each diamond."
"Naturally they would. Do you mind telling me how he was accustomed to pay for them?"
"Of course they would. Can you tell me how he usually paid for them?"
"In Bank of England notes—always—cash on the nail. He insisted on discount for cash," added Mr. Abrahams, with a chuckle.
"In Bank of England notes—always—cash on the spot. He insisted on a discount for cash," added Mr. Abrahams, chuckling.
"He was a Scotsman," replied Wimsey. "Well, that's clear enough. He had a safe-deposit somewhere, no doubt. And, having collected the stones, he made his will. That's clear as daylight, too."
"He was a Scotsman," Wimsey replied. "Well, that explains a lot. He definitely had a safe deposit box somewhere. And after gathering the stones, he wrote his will. That's obvious, too."
"But what has become of the stones?" enquired Mr. Abrahams, with professional anxiety.
"But what happened to the stones?" Mr. Abrahams asked, sounding professionally concerned.
"I think I know that too," said Wimsey. "I'm enormously obliged to you, and so, I fancy, will his heir be."
"I think I know that as well," said Wimsey. "I'm really grateful to you, and I guess his heir will be too."
"If they should come into the market again——" suggested Mr. Abrahams.
"If they come back to the market again——" suggested Mr. Abrahams.
"I'll see you have the handling of them," said Wimsey promptly.
"I'll make sure you take care of them," said Wimsey immediately.
"That is kind of you," said Mr. Abrahams. "Business is business. Always delighted to oblige you. Beautiful stones—beautiful. If you thought of being the purchaser, I would charge you a special commission, as my friend."
"That's really nice of you," said Mr. Abrahams. "Business is business. I'm always happy to help you out. Gorgeous stones—absolutely stunning. If you were thinking of making a purchase, I'd give you a special rate, since we're friends."
"Thank you," said Wimsey, "but as yet I have no occasion for diamonds, you know."
"Thanks," Wimsey said, "but I don’t really need any diamonds right now, you know."
"Pity, pity," said Mr. Abrahams. "Well, very glad to have been of service to you. You are not interested in rubies? No? Because I have something very pretty here."
"Too bad," said Mr. Abrahams. "Well, I'm really glad I could help you. You're not interested in rubies? No? Because I have something really nice right here."
He thrust his hand casually into a pocket, and brought out a little pool of crimson fire like a miniature sunset.
He casually stuck his hand in a pocket and pulled out a small pool of crimson flame that looked like a tiny sunset.
"Look nice in a ring, now, wouldn't it?" said Mr. Abrahams. "An engagement ring, eh?"
"Looks good in a ring, doesn’t it?" said Mr. Abrahams. "An engagement ring, huh?"
Wimsey laughed, and made his escape.
Wimsey laughed and made his getaway.
He was strongly tempted to return to Scotland and attend personally to the matter of Great-Uncle Joseph, but the thought of an important book sale next day deterred him. There was a manuscript of Catullus which he was passionately anxious to secure, and he never entrusted his interests to dealers. He contented himself with sending a wire to Thomas Macpherson:
He felt very tempted to go back to Scotland and handle the situation with Great-Uncle Joseph himself, but the idea of a big book sale the next day stopped him. There was a manuscript of Catullus that he really wanted to get, and he never relied on dealers to take care of his interests. He settled for sending a telegram to Thomas Macpherson:
"Advise opening up Great-uncle Joseph immediately."
"Recommend that we open up Great-uncle Joseph right away."
The girl at the post-office repeated the message aloud and rather doubtfully. "Quite right," said Wimsey, and dismissed the affair from his mind.
The girl at the post office read the message out loud, sounding a bit unsure. "That's correct," Wimsey said, and then moved on from the matter.
He had great fun at the sale next day. He found a ring of dealers in possession, happily engaged in conducting a knock-out. Having lain low for an hour in a retired position behind a large piece of statuary, he emerged, just as the hammer was falling upon the Catullus for a price representing the tenth part of its value, with an overbid so large, prompt, and sonorous that the ring gasped with a sense of outrage. Skrymes—a dealer who had sworn an eternal enmity to Wimsey, on account of a previous little encounter over a Justinian—pulled himself together and offered a fifty-pound advance. Wimsey promptly doubled his bid. Skrymes overbid him fifty again. Wimsey instantly jumped another hundred, in the tone of a man prepared to go on till Doomsday. Skrymes scowled and was silent. Somebody raised it fifty more; Wimsey made it guineas and the hammer fell. Encouraged by this success, Wimsey, feeling that his hand was in, romped happily into the bidding for the next lot, a Hypnerotomachia which he already possessed, and for which he felt no desire whatever. Skrymes, annoyed by his defeat, set his teeth, determining that, if Wimsey was in the bidding mood, he should pay through the nose for his rashness. Wimsey, entering into the spirit of the thing, skied the bidding with enthusiasm. The dealers, knowing his reputation as a collector, and fancying that there must be some special excellence about the book that they had failed to observe, joined in whole-heartedly, and the fun became fast and furious. Eventually they all dropped out again, leaving Skrymes and Wimsey in together. At which point Wimsey, observing a note of hesitation in the dealer's voice, neatly extricated himself and left Mr. Skrymes with the baby. After this disaster, the ring became sulky and demoralised and refused to bid at all, and a timid little outsider, suddenly flinging himself into the arena, became the owner of a fine fourteenth-century missal at bargain price. Crimson with excitement and surprise, he paid for his purchase and ran out of the room like a rabbit, hugging the missal as though he expected to have it snatched from him. Wimsey thereupon set himself seriously to acquire a few fine early printed books, and, having accomplished this, retired, covered with laurels and hatred.
He had a great time at the sale the next day. He found a group of dealers engaged in a bidding war. After lying low for an hour behind a large statue, he emerged just as the auctioneer was about to finalize the sale of the Catullus for a price that was only a tenth of its actual value. He made an overbid so substantial, quick, and loud that the group gasped in shock. Skrymes—a dealer who had sworn to be Wimsey's rival after a previous encounter over a Justinian—gathered himself and offered a fifty-pound increase. Wimsey immediately doubled his bid. Skrymes then raised it by another fifty. Wimsey jumped by another hundred, sounding like someone ready to continue indefinitely. Skrymes glared and fell silent. Someone else raised it by fifty more; Wimsey countered with guineas, and the auctioneer brought the hammer down. Feeling encouraged by this win and confident in his luck, Wimsey eagerly jumped into the bidding for the next item, a *Hypnerotomachia* that he already owned and had no real interest in. Skrymes, frustrated by his loss, gritted his teeth, deciding that if Wimsey was in a bidding mood, he should pay dearly for his foolishness. Wimsey, fully embracing the competitiveness, raised the bidding with enthusiasm. The dealers, aware of his reputation as a collector and assuming there must be something special about the book that they hadn’t noticed, eagerly joined in, and the atmosphere became intense and lively. Eventually, everyone else dropped out, leaving only Skrymes and Wimsey. At that moment, noticing hesitation in Skrymes' voice, Wimsey cleverly withdrew and left Skrymes holding the bag. After this setback, the group became sulky and demoralized, refusing to bid at all, allowing a timid outsider to jump in and buy a fine fourteenth-century missal at a bargain price. Blushing with excitement and surprise, he paid for his new purchase and dashed out of the room like a rabbit, clutching the missal as if he expected someone to snatch it away. In response, Wimsey focused on acquiring a few fine early printed books, and after achieving that, he left, celebrated but not unfazed by the disdain he attracted.
After this delightful and satisfying day, he felt vaguely hurt at receiving no ecstatic telegram from Macpherson. He refused to imagine that his deductions had been wrong, and supposed rather that the rapture of Macpherson was too great to be confined to telegraphic expression and would come next day by post. However, at eleven next morning the telegram arrived. It said:
After this enjoyable and fulfilling day, he felt a bit hurt that he hadn't received any excited telegram from Macpherson. He didn't want to think that he had misjudged the situation, and instead thought that Macpherson's excitement was too intense to be limited to a telegram and would arrive the next day by mail. However, at eleven the next morning, the telegram came. It said:
"Just got your wire what does it mean great-uncle stolen last night burglar escaped please write fully."
"Just got your wire. What does it mean? Great-uncle was stolen last night. The burglar escaped. Please write fully."
Wimsey committed himself to a brief comment in language usually confined to the soldiery. Robert had undoubtedly got Great-Uncle Joseph, and, even if they could trace the burglary to him, the legacy was by this time gone for ever. He had never felt so furiously helpless. He even cursed the Catullus, which had kept him from going north and dealing with the matter personally.
Wimsey made a quick remark using language typically reserved for soldiers. Robert had definitely gotten to Great-Uncle Joseph, and even if they could link the burglary to him, the inheritance was long gone by now. He had never felt so utterly powerless. He even cursed the Catullus for keeping him from heading north to handle the situation himself.
While he was meditating what to do, a second telegram was brought in. It ran:
While he was thinking about what to do, a second telegram was delivered. It read:
"Great-uncle's bottle found broken in fleet dropped by burglar in flight contents gone what next."
"Great-uncle's bottle was found broken in the fleet, dropped by a burglar during their escape, and the contents are gone. What's next?"
Wimsey pondered this.
Wimsey thought about this.
"Of course," he said, "if the thief simply emptied the bottle and put Great-Uncle in his pocket, we're done. Or if he's simply emptied Great-Uncle and put the contents in his pocket, we're done. But 'dropped in flight' sounds rather as though Great-Uncle had gone overboard lock, stock, and barrel. Why can't the fool of a Scotsman put a few more details into his wires? It'd only cost him a penny or two. I suppose I'd better go up myself. Meanwhile a little healthy occupation won't hurt him."
"Of course," he said, "if the thief just emptied the bottle and pocketed Great-Uncle, we're finished. Or if he just took out Great-Uncle and put the contents in his pocket, we're done for. But 'dropped in flight' makes it sound like Great-Uncle went overboard completely. Why can't that idiot Scotsman include a few more details in his messages? It would only cost him a penny or two. I guess I should go up myself. In the meantime, a bit of productive work won’t hurt him."
He took a telegraph form from the desk and despatched a further message:
He grabbed a telegraph form from the desk and sent another message:
"Was great-uncle in bottle when dropped if so drag river if not pursue burglar probably Robert Ferguson spare no pains starting for Scotland to-night hope arrive early to-morrow urgent important put your back into it will explain."
"Was great-uncle in a bottle when dropped? If so, drag the river. If not, chase the burglar, probably Robert Ferguson. Spare no effort. I'm leaving for Scotland tonight and hope to arrive early tomorrow. It’s urgent and important—give it your all, and I'll explain."
The night express decanted Lord Peter Wimsey at Dumfries early the following morning, and a hired car deposited him at the Stone Cottage in time for breakfast. The door was opened to him by Maggie, who greeted him with hearty cordiality:
The night train dropped off Lord Peter Wimsey in Dumfries early the next morning, and a rented car took him to the Stone Cottage just in time for breakfast. Maggie opened the door for him and greeted him with warm friendliness:
"Come awa' in, sir. All's ready for ye, and Mr. Macpherson will be back in a few minutes, I'm thinkin'. Ye'll be tired with your long journey, and hungry, maybe? Aye. Will ye tak' a bit parritch to your eggs and bacon? There's nae troot the day, though yesterday was a gran' day for the fush. Mr. Macpherson has been up and doun, up and doun the river wi' my Jock, lookin' for ane of his specimens, as he ca's them, that was dropped by the thief that cam' in. I dinna ken what the thing may be—my Jock says it's like a calf's pluck to look at, by what Mr. Macpherson tells him."
"Come on in, sir. Everything's ready for you, and Mr. Macpherson should be back in a few minutes, I think. You must be tired from your long journey and maybe hungry? Yes. Would you like some porridge with your eggs and bacon? There's no trout today, though yesterday was a great day for fishing. Mr. Macpherson has been up and down the river with my Jock, looking for one of his specimens, as he calls them, that was dropped by the thief who came in. I don’t know what the thing might be—my Jock says it looks like a calf's pluck, from what Mr. Macpherson told him."
"Dear me!" said Wimsey. "And how did the burglary happen, Maggie?"
"Wow!" said Wimsey. "So, how did the burglary happen, Maggie?"
"Indeed, sir, it was a vera' remarkable circumstance. Mr. Macpherson was awa' all day Monday and Tuesday, up at the big loch by the viaduct, fishin'. There was a big rain Saturday and Sunday, ye may remember, and Mr. Macpherson says, 'There'll be grand fishin' the morn, Jock,' says he. 'We'll go up to the viaduct if it stops rainin' and we'll spend the nicht at the keeper's lodge.' So on Monday it stoppit rainin' and was a grand warm, soft day, so aff they went together. There was a telegram come for him Tuesday mornin', and I set it up on the mantelpiece, where he'd see it when he cam' in, but it's been in my mind since that maybe that telegram had something to do wi' the burglary."
"Indeed, sir, it was a truly remarkable situation. Mr. Macpherson was away all day Monday and Tuesday, up at the big loch by the viaduct, fishing. There was heavy rain on Saturday and Sunday, you may remember, and Mr. Macpherson said, 'There'll be great fishing tomorrow, Jock,' he said. 'We'll go up to the viaduct if it stops raining, and we'll spend the night at the keeper's lodge.' So on Monday, the rain stopped, and it was a lovely warm, mild day, so off they went together. A telegram arrived for him on Tuesday morning, and I set it on the mantelpiece where he would see it when he came in, but I've been wondering since then if that telegram had something to do with the burglary."
"I wouldn't say but you might be right, Maggie," replied Wimsey gravely.
"I wouldn't argue, but you could be right, Maggie," Wimsey replied seriously.
"Aye, sir, that wadna surprise me." Maggie set down a generous dish of eggs and bacon before the guest and took up her tale again.
"Yeah, sir, that wouldn't surprise me." Maggie placed a big plate of eggs and bacon in front of the guest and continued her story.
"Well, I was sittin' in my kitchen the Tuesday nicht, waitin' for Mr. Macpherson and Jock to come hame, and sair I pitied them, the puir souls, for the rain was peltin' down again, and the nicht was sae dark I was afraid they micht ha' tummelt into a bog-pool. Weel, I was listenin' for the sound o' the door-sneck when I heard something movin' in the front room. The door wasna lockit, ye ken, because Mr. Macpherson was expectit back. So I up from my chair and I thocht they had mebbe came in and I not heard them. I waited a meenute to set the kettle on the fire, and then I heard a crackin' sound. So I cam' out and I called, 'Is't you, Mr. Macpherson?' And there was nae answer, only anither big crackin' noise, so I ran forrit, and a man cam' quickly oot o' the front room, brushin' past me an' puttin' me aside wi' his hand, so, and oot o' the front door like a flash o' lightnin'. So, wi' that, I let oot a skelloch, an' Jock's voice answered me fra' the gairden gate. 'Och!' I says, 'Jock! here's a burrglar been i' the hoose!' An' I heerd him runnin' across the gairden, doun tae the river, tramplin' doun a' the young kail and the stra'berry beds, the blackguard!"
"Well, I was sitting in my kitchen that Tuesday night, waiting for Mr. Macpherson and Jock to come home, and I really felt sorry for them, the poor souls, because the rain was pouring down again, and the night was so dark I was worried they might have tripped into a bog. So, I was listening for the sound of the door latch when I heard something moving in the front room. The door wasn't locked, you know, because Mr. Macpherson was expected back. I got up from my chair, thinking they might have come in without me hearing them. I waited a minute to put the kettle on the stove, and then I heard a cracking sound. So, I came out and called, 'Is that you, Mr. Macpherson?' And there was no answer, only another loud cracking noise, so I ran forward, and a man came quickly out of the front room, brushing past me and pushing me aside with his hand, then out of the front door like a flash of lightning. So, with that, I let out a scream, and Jock's voice answered me from the garden gate. 'Oh!' I said, 'Jock! There's been a burglar in the house!' And I heard him running across the garden, down to the river, trampling all the young kale and the strawberry beds, the scoundrel!"
Wimsey expressed his sympathy.
Wimsey expressed his condolences.
"Aye, that was a bad business. An' the next thing, there was Mr. Macpherson and Jock helter-skelter after him. If Davie Murray's cattle had brokken in, they couldna ha' done mair deevastation. An' then there was a big splashin' an' crashin', an', after a bit, back comes Mr. Macpherson an' he says, 'He's jumpit intil the Fleet,' he says, 'an' he's awa'. What has he taken?' he says. 'I dinna ken,' says I, 'for it all happened sae quickly I couldna see onything.' 'Come awa' ben,' says he, 'an' we'll see what's missin'.' So we lookit high and low, an' all we could find was the cupboard door in the front room broken open, and naething taken but this bottle wi' the specimen."
"Yeah, that was a bad situation. And next thing, there was Mr. Macpherson and Jock running after him in a panic. If Davie Murray's cattle had broken in, they couldn't have caused more destruction. Then there was a big splash and crash, and after a while, Mr. Macpherson came back and said, 'He jumped into the Fleet,' he said, 'and he's gone. What did he take?' he asked. 'I don’t know,' I said, 'because it all happened so fast I couldn’t see anything.' 'Come inside,' he said, 'and we'll see what's missing.' So we looked everywhere, and all we could find was the cupboard door in the front room broken open, and nothing taken except this bottle with the specimen."
"Aha!" said Wimsey.
"Aha!" Wimsey exclaimed.
"Ah! an' they baith went oot tegither wi' lichts, but naething could they see of the thief. Sae Mr. Macpherson comes back, and 'I'm gaun to ma bed,' says he, 'for I'm that tired I can dae nae mair the nicht,' says he. 'Oh!' I said, 'I daurna gae tae bed; I'm frichtened.' An' Jock said, 'Hoots, wumman, dinna fash yersel'. There'll be nae mair burglars the nicht, wi' the fricht we've gied 'em.' So we lockit up a' the doors an' windies an' gaed to oor beds, but I couldna sleep a wink."
"Ah! They both went out together with lights, but they couldn't see anything of the thief. So Mr. Macpherson came back and said, 'I'm going to bed, because I'm so tired I can't do anything more tonight.' I said, 'Oh! I can't go to bed; I'm scared.' And Jock said, 'Come on, woman, don't worry. There won't be any more burglars tonight, with the scare we've given them.' So we locked all the doors and windows and went to our beds, but I couldn't sleep a wink."
"Very natural," said Wimsey.
"Super natural," said Wimsey.
"It wasna till the next mornin'," said Maggie, "that Mr. Macpherson opened yon telegram. Eh! but he was in a taking. An' then the telegrams startit. Back an' forrit, back an' forrit atween the hoose an' the post-office. An' then they fund the bits o' the bottle that the specimen was in, stuck between twa stanes i' the river. And aff goes Mr. Macpherson an' Jock wi' their waders on an' a couple o' gaffs, huntin' in a' the pools an' under the stanes to find the specimen. An' they're still at it."
"It wasn't until the next morning," said Maggie, "that Mr. Macpherson opened that telegram. Wow! He was really upset. Then the telegrams started coming in, back and forth, back and forth between the house and the post office. Then they found the pieces of the bottle that the specimen was in, stuck between two stones in the river. And off go Mr. Macpherson and Jock with their waders on and a couple of gaffs, searching in all the pools and under the stones to find the specimen. And they're still at it."
At this point three heavy thumps sounded on the ceiling.
At that moment, three loud thuds echoed on the ceiling.
"Gude save us!" ejaculated Maggie, "I was forgettin' the puir gentleman."
"Gosh, I almost forgot about the poor gentleman!" exclaimed Maggie.
"What gentleman?" enquired Wimsey.
"What guy?" asked Wimsey.
"Him that was feshed oot o' the Fleet," replied Maggie. "Excuse me juist a moment, sir."
"Him who was fished out of the Fleet," replied Maggie. "Excuse me just a moment, sir."
She fled swiftly upstairs. Wimsey poured himself out a third cup of coffee and lit a pipe.
She quickly ran upstairs. Wimsey poured himself a third cup of coffee and lit a pipe.
Presently a thought occurred to him. He finished the coffee—not being a man to deprive himself of his pleasures—and walked quietly upstairs in Maggie's wake. Facing him stood a bedroom door, half open—the room which he had occupied during his stay at the cottage. He pushed it open. In the bed lay a red-headed gentleman, whose long, foxy countenance was in no way beautified by a white bandage, tilted rakishly across the left temple. A breakfast-tray stood on a table by the bed. Wimsey stepped forward with extended hand.
A thought suddenly struck him. He finished his coffee—not one to deny himself pleasures—and quietly walked upstairs following Maggie. He came to a half-open bedroom door—the one he had used while staying at the cottage. He pushed it open. In the bed lay a red-headed man, whose long, fox-like face was not made any better by a white bandage, which was tilted casually across his left temple. A breakfast tray was on a table beside the bed. Wimsey stepped forward with his hand extended.
"Good morning, Mr. Ferguson," said he. "This is an unexpected pleasure."
"Good morning, Mr. Ferguson," he said. "This is a nice surprise."
"Good morning," said Mr. Ferguson snappishly.
"Good morning," Mr. Ferguson said curtly.
"I had no idea, when we last met," pursued Wimsey, advancing to the bed and sitting down upon it, "that you were thinking of visiting my friend Macpherson."
"I had no idea, when we last met," Wimsey continued, moving to the bed and sitting down on it, "that you were planning to visit my friend Macpherson."
"Get off my leg," growled the invalid. "I've broken my kneecap."
"Get off my leg," the injured person grumbled. "I’ve broken my kneecap."
"What a nuisance! Frightfully painful, isn't it? And they say it takes years to get right—if it ever does get right. Is it what they call a Potts fracture? I don't know who Potts was, but it sounds impressive. How did you get it? Fishing?"
"What a hassle! It’s so painful, isn’t it? They say it takes years to heal—if it ever does. Is it what they call a Potts fracture? I have no idea who Potts was, but it sounds fancy. How did you get it? Fishing?"
"Yes. A slip in that damned river."
"Yeah. A slip in that damn river."
"Beastly. Sort of thing that might happen to anybody. A keen fisher, Mr. Ferguson?"
"Pretty rough. The kind of thing that could happen to anyone. You a keen fisherman, Mr. Ferguson?"
"So-so."
"Meh."
"So am I, when I get the opportunity. What kind of fly do you fancy for this part of the country? I rather like a Greenaway's Gadget myself. Ever tried it?"
"So do I, whenever I get the chance. What kind of fly do you prefer for this area? I really like a Greenaway's Gadget myself. Have you ever tried it?"
"No," said Mr. Ferguson briefly.
"No," Mr. Ferguson said tersely.
"Some people find a Pink Sisket better, so they tell me. Do you use one? Have you got your fly-book here?"
"Some people think a Pink Sisket is better, so I've heard. Do you use one? Do you have your fly book with you?"
"Yes—no," said Mr. Ferguson. "I dropped it."
"Yes—no," Mr. Ferguson said. "I dropped it."
"Pity. But do give me your opinion of the Pink Sisket."
"Pity. But please share your thoughts on the Pink Sisket."
"Not so bad," said Mr. Ferguson. "I've sometimes caught trout with it."
"Not too bad," Mr. Ferguson said. "I've caught trout with it a few times."
"You surprise me," said Wimsey, not unnaturally, since he had invented the Pink Sisket on the spur of the moment, and had hardly expected his improvisation to pass muster. "Well, I suppose this unlucky accident has put a stop to your sport for the season. Damned bad luck. Otherwise, you might have helped us to have a go at the Patriarch."
"You surprise me," said Wimsey, which wasn't surprising since he had just made up the Pink Sisket on the spot and hadn’t expected his quick creation to be accepted. "Well, I guess this unfortunate accident has ended your season. Really bad luck. Otherwise, you could have helped us go after the Patriarch."
"What's that? A trout?"
"What's that? A trout?"
"Yes—a frightfully wily old fish. Lurks about in the Fleet. You never know where to find him. Any moment he may turn up in some pool or other. I'm going out with Mac to try for him to-day. He's a jewel of a fellow. We've nicknamed him Great-Uncle Joseph. Hi! don't joggle about like that—you'll hurt that knee of yours. Is there anything I can get for you?"
"Yeah—a really clever old fish. He hides out in the Fleet. You never know where he’s going to show up. He could pop up in any pool at any moment. I'm going out with Mac to try to catch him today. He's a great guy. We've nicknamed him Great-Uncle Joseph. Hey! Stop bouncing around like that—you'll hurt your knee. Is there anything I can grab for you?"
He grinned amiably, and turned to answer a shout from the stairs.
He smiled warmly and turned to respond to a shout from the stairs.
"Hullo! Wimsey! is that you?"
"Hey! Wimsey! Is that you?"
"It is. How's sport?"
"It is. How's sports?"
Macpherson came up the stairs four steps at a time, and met Wimsey on the landing as he emerged from the bedroom.
Macpherson ran up the stairs four steps at a time and bumped into Wimsey on the landing as he came out of the bedroom.
"I say, d'you know who that is? It's Robert."
"I mean, do you know who that is? It's Robert."
"I know. I saw him in town. Never mind him. Have you found Great-Uncle?"
"I know. I saw him in town. Forget about him. Have you found Great-Uncle?"
"No, we haven't. What's all this mystery about? And what's Robert doing here? What did you mean by saying he was the burglar? And why is Great-Uncle Joseph so important?"
"No, we haven't. What's with all this mystery? And why is Robert here? What did you mean when you said he was the burglar? And why is Great-Uncle Joseph so significant?"
"One thing at a time. Let's find the old boy first. What have you been doing?"
"One thing at a time. Let's find the old guy first. What have you been up to?"
"Well, when I got your extraordinary messages I thought, of course, you were off your rocker." (Wimsey groaned with impatience.) "But then I considered what a funny thing it was that somebody should have thought Great-Uncle worth stealing, and thought there might be some sense in what you said, after all." ("Dashed good of you," said Wimsey.) "So I went out and poked about a bit, you know. Not that I think there's the faintest chance of finding anything, with the river coming down like this. Well, I hadn't got very far—by the way, I took Jock with me. I'm sure he thinks I'm mad, too. Not that he says anything; these people here never commit themselves——"
"Well, when I got your incredible messages, I thought you were definitely insane." (Wimsey sighed in frustration.) "But then I realized how strange it was that someone would think Great-Uncle was worth stealing, and I started to see some logic in what you said, after all." ("Really great of you," said Wimsey.) "So I went out and looked around a bit, you know. Not that I think there's any chance of finding anything, with the river flowing like this. Anyway, I hadn't gotten very far—by the way, I brought Jock with me. I'm sure he thinks I'm crazy too. Not that he says anything; these people here never really express their opinions——"
"Confound Jock! Get on with it."
"Forget Jock! Just get on with it."
"Oh—well, before we'd got very far, we saw a fellow wading about in the river with a rod and a creel. I didn't pay much attention, because, you see, I was wondering what you——Yes. Well! Jock noticed him and said to me, 'Yon's a queer kind of fisherman, I'm thinkin'.' So I had a look, and there he was, staggering about among the stones with his fly floating away down the stream in front of him; and he was peering into all the pools he came to, and poking about with a gaff. So I hailed him, and he turned round, and then he put the gaff away in a bit of a hurry and started to reel in his line. He made an awful mess of it," added Macpherson appreciatively.
"Oh—well, before we got very far, we saw a guy wading in the river with a fishing rod and a creel. I didn’t pay much attention because, you know, I was wondering what you—Yes. Well! Jock noticed him and said to me, 'That’s a strange kind of fisherman, I think.' So I took a look, and there he was, staggering around among the stones with his fly drifting down the stream in front of him; he was peering into all the pools he came across and poking around with a gaff. So I called out to him, and he turned around, then quickly put the gaff away and started to reel in his line. He made a total mess of it," added Macpherson with appreciation.
"I can believe it," said Wimsey. "A man who admits to catching trout with a Pink Sisket would make a mess of anything."
"I can believe it," said Wimsey. "A guy who says he catches trout with a Pink Sisket would screw up anything."
"A pink what?"
"A pink what now?"
"Never mind. I only meant that Robert was no fisher. Get on."
"Forget it. I just meant that Robert wasn't much of a fisherman. Keep going."
"Well, he got the line hooked round something, and he was pulling and hauling, you know, and splashing about, and then it came out all of a sudden, and he waved it all over the place and got my hat. That made me pretty wild, and I made after him, and he looked round again, and I yelled out, 'Good God, it's Robert!' And he dropped his rod and took to his heels. And of course he slipped on the stones and came down an awful crack. We rushed forward and scooped him up and brought him home. He's got a nasty bang on the head and a fractured patella. Very interesting. I should have liked to have a shot at setting it myself, but it wouldn't do, you know, so I sent for Strachan. He's a good man."
"Well, he got the line caught on something, and he was pulling and hauling, you know, and splashing around, when it suddenly came loose, and he waved it everywhere and hit my hat. That really made me mad, so I ran after him, and he looked back again, and I yelled, 'Oh my God, it's Robert!' He dropped his rod and took off running. Of course, he slipped on the rocks and fell hard. We rushed over and helped him up and brought him home. He's got a bad bump on his head and a broken kneecap. Quite interesting. I would have liked to try setting it myself, but that wouldn't be a good idea, so I called for Strachan. He's a great guy."
"You've had extraordinary luck about this business so far," said Wimsey. "Now the only thing left is to find Great-Uncle. How far down have you got?"
"You've been really lucky with this situation so far," said Wimsey. "Now the only thing left is to find Great-Uncle. How far have you gotten?"
"Not very far. You see, what with getting Robert home and setting his knee and so on, we couldn't do much yesterday."
"Not too far. You see, with getting Robert home and taking care of his knee and everything, we couldn't do much yesterday."
"Damn Robert! Great-Uncle may be away out to sea by this time. Let's get down to it."
"Damn Robert! Great-Uncle might be out at sea by now. Let’s get to it."
He took up a gaff from the umbrella-stand ("Robert's," interjected Macpherson), and led the way out. The little river was foaming down in a brown spate, rattling stones and small boulders along in its passage. Every hole, every eddy might be a lurking-place for Great-Uncle Joseph. Wimsey peered irresolutely here and there—then turned suddenly to Jock.
He grabbed a gaff from the umbrella stand ("Robert's," Macpherson chimed in) and led the way out. The small river was rushing down in a brown surge, carrying stones and small boulders along with it. Every hole, every whirlpool could be a hiding spot for Great-Uncle Joseph. Wimsey looked around uncertainly—then suddenly turned to Jock.
"Where's the nearest spit of land where things usually get washed up?" he demanded.
"Where's the closest piece of land where stuff usually washes up?" he asked.
"Eh, well! there's the Battery Pool, about a mile doon the river. Ye'll whiles find things washed up there. Aye. Imph'm. There's a pool and a bit sand, where the river mak's a bend. Ye'll mebbe find it there, I'm thinkin'. Mebbe no. I couldna say."
"Well, there's the Battery Pool, about a mile down the river. You might find some things washed up there. Yeah. Hmm. There's a pool and some sand where the river makes a bend. You might find it there, I think. Maybe not. I can't say for sure."
"Let's have a look, anyway."
"Let's take a look, anyway."
Macpherson, to whom the prospect of searching the stream in detail appeared rather a dreary one, brightened a little at this.
Macpherson, who found the idea of closely searching the stream to be pretty dull, felt a bit happier about it now.
"That's a good idea. If we take the car down to just above Gatehouse, we've only got two fields to cross."
"That's a great idea. If we drive the car up to just above Gatehouse, we only have to cross two fields."
The car was still at the door; the hired driver was enjoying the hospitality of the cottage. They pried him loose from Maggie's scones and slipped down the road to Gatehouse.
The car was still at the door; the hired driver was enjoying the hospitality of the cottage. They managed to pull him away from Maggie's scones and made their way down the road to Gatehouse.
"Those gulls seem rather active about something," said Wimsey, as they crossed the second field. The white wings swooped backwards and forwards in narrowing circles over the yellow shoal. Raucous cries rose on the wind. Wimsey pointed silently with his hand. A long, unseemly object, like a drab purse, lay on the shore. The gulls, indignant, rose higher, squawking at the intruders. Wimsey ran forward, stooped, rose again with the long bag dangling from his fingers.
"Those gulls look really stirred up about something," said Wimsey as they walked across the second field. The white wings swooped back and forth in tighter circles over the yellow patch. Loud cries echoed in the wind. Wimsey pointed silently with his hand. A long, ugly object, like a dull bag, lay on the shore. The gulls, annoyed, flew higher, squawking at the intruders. Wimsey ran forward, bent down, and stood up again with the long bag hanging from his fingers.
"Great-Uncle Joseph, I presume," he said, and raised his hat with old-fashioned courtesy.
"Great-Uncle Joseph, I assume," he said, tipping his hat with polite respect.
"The gulls have had a wee peck at it here and there," said Jock. "It'll be tough for them. Aye. They havena done so vera much with it."
"The gulls have pecked at it a bit here and there," said Jock. "It'll be tough for them. Yeah. They haven't done much with it."
"Aren't you going to open it?" said Macpherson impatiently.
"Aren't you going to open it?" Macpherson said, feeling impatient.
"Not here," said Wimsey. "We might lose something." He dropped it into Jock's creel. "We'll take it home first and show it to Robert."
"Not here," Wimsey said. "We could lose something." He dropped it into Jock's basket. "We'll take it home first and show it to Robert."
Robert greeted them with ill-disguised irritation.
Robert greeted them with barely concealed annoyance.
"We've been fishing," said Wimsey cheerfully. "Look at our bonny wee fush." He weighed the catch in his hand. "What's inside this wee fush, Mr. Ferguson?"
"We've been fishing," Wimsey said cheerfully. "Check out our cute little fish." He weighed the catch in his hand. "What's inside this little fish, Mr. Ferguson?"
"I haven't the faintest idea," said Robert.
"I have no idea," said Robert.
"Then why did you go fishing for it?" asked Wimsey pleasantly. "Have you got a surgical knife there, Mac?"
"Then why did you go looking for it?" asked Wimsey cheerfully. "Do you have a surgical knife, Mac?"
"Yes—here. Hurry up."
"Yes—I'm here. Hurry up."
"I'll leave it to you. Be careful. I should begin with the stomach."
"I'll let you handle it. Just be careful. I guess I should start with the stomach."
Macpherson laid Great-Uncle Joseph on the table, and slit him open with a practised hand.
Macpherson laid Great-Uncle Joseph on the table and sliced him open with a practiced hand.
"Gude be gracious to us!" cried Maggie, peering over his shoulder. "What'll that be?"
"Gosh, please be kind to us!" cried Maggie, looking over his shoulder. "What does that mean?"
Wimsey inserted a delicate finger and thumb into the cavities of Uncle Joseph. "One—two—three——" The stones glittered like fire as he laid them on the table. "Seven—eight—nine. That seems to be all. Try a little farther down, Mac."
Wimsey slipped a delicate finger and thumb into Uncle Joseph's cavities. "One—two—three——" The stones sparkled like fire as he set them on the table. "Seven—eight—nine. That seems to be it. Try a little further down, Mac."
Speechless with astonishment, Mr. Macpherson dissected his legacy.
Speechless with shock, Mr. Macpherson analyzed his legacy.
"Ten—eleven," said Wimsey. "I'm afraid the sea-gulls have got number twelve. I'm sorry, Mac."
"Ten—eleven," Wimsey said. "I’m afraid the seagulls have taken number twelve. I’m sorry, Mac."
"But how did they get there?" demanded Robert foolishly.
"But how did they get there?" Robert asked stupidly.
"Simple as shelling peas. Great-Uncle Joseph makes his will, swallows his diamonds——"
"Easy as pie. Great-Uncle Joseph makes his will, swallows his diamonds——"
"He must ha' been a grand man for a pill," said Maggie, with respect.
"He must have been a great guy for a pill," said Maggie, with respect.
"—and jumps out of the window. It was as clear as crystal to anybody who read the will. He told you, Mac, that the stomach was given you to study."
"—and jumps out of the window. It was obvious to anyone who read the will. He told you, Mac, that you were supposed to study the stomach."
Robert Ferguson gave a deep groan.
Robert Ferguson let out a deep groan.
"I knew there was something in it," he said. "That's why I went to look up the will. And when I saw you there, I knew I was right. (Curse this leg of mine!) But I never imagined for a moment——"
"I knew there was something going on," he said. "That's why I went to check the will. And when I saw you there, I knew I was right. (Damn this leg of mine!) But I never imagined for a second——"
His eyes appraised the diamonds greedily.
His eyes greedily admired the diamonds.
"And what will the value of these same stones be?" enquired Jock.
"And what will these stones be worth?" Jock asked.
"About seven thousand pounds apiece, taken separately. More than that, taken together."
"About seven thousand pounds each, if taken separately. More than that, if taken together."
"The old man was mad," said Robert angrily. "I shall dispute the will."
"The old man was crazy," Robert said angrily. "I'm going to challenge the will."
"I think not," said Wimsey. "There's such an offence as entering and stealing, you know."
"I don't think so," said Wimsey. "There's such a thing as breaking in and stealing, you know."
"My God!" said Macpherson, handling the diamonds like a man in a dream. "My God!"
"My God!" Macpherson exclaimed, handling the diamonds like someone in a dream. "My God!"
"Seven thousan' pund," said Jock. "Did I unnerstan' ye richtly to say that one o' they gulls is gaun aboot noo wi' seven thousan' punds' worth o' diamonds in his wame? Ech! it's just awfu' to think of. Guid day to you, sirs. I'll be gaun round to Jimmy McTaggart to ask will he lend me the loan o' a gun."
"Seven thousand pounds," Jock said. "Did I understand you correctly that one of those gulls is wandering around now with seven thousand pounds' worth of diamonds in its belly? Ugh! It's just awful to think about. Good day to you, sirs. I'm going to head over to Jimmy McTaggart to see if he'll lend me a gun."
THE UNSOLVED PUZZLE OF THE MAN WITH NO FACE
"And what would you say, sir," said the stout man, "to this here business of the bloke what's been found down on the beach at East Felpham?"
"And what would you say, sir," said the heavyset man, "about the guy who's been found down on the beach at East Felpham?"
The rush of travellers after the Bank Holiday had caused an overflow of third-class passengers into the firsts, and the stout man was anxious to seem at ease in his surroundings. The youngish gentleman whom he addressed had obviously paid full fare for a seclusion which he was fated to forgo. He took the matter amiably enough, however, and replied in a courteous tone:
The rush of travelers after the Bank Holiday led to a overflow of third-class passengers into the first-class area, and the heavyset man wanted to appear relaxed in his surroundings. The younger man he spoke to had clearly paid full price for the privacy he was now missing out on. Nevertheless, he handled the situation quite well and responded politely:
"I'm afraid I haven't read more than the headlines. Murdered, I suppose, wasn't he?"
"I'm afraid I haven't read beyond the headlines. He was murdered, right?"
"It's murder, right enough," said the stout man, with relish. "Cut about he was, something shocking."
"It's definitely murder," said the stout man eagerly. "He was cut up pretty badly, something awful."
"More like as if a wild beast had done it," chimed in the thin, elderly man opposite. "No face at all he hadn't got, by what my paper says. It'll be one of these maniacs, I shouldn't be surprised, what goes about killing children."
"More like a wild animal did it," added the thin, older man across from him. "According to my newspaper, he didn’t have a face at all. I wouldn’t be surprised if it’s one of those maniacs who goes around killing kids."
"I wish you wouldn't talk about such things," said his wife, with a shudder. "I lays awake at nights thinking what might 'appen to Lizzie's girls, till my head feels regular in a fever, and I has such a sinking in my inside I has to get up and eat biscuits. They didn't ought to put such dreadful things in the papers."
"I wish you wouldn't talk about stuff like that," his wife said, shivering. "I lie awake at night thinking about what could happen to Lizzie's girls, until my head feels like it's on fire, and I get this sinking feeling in my stomach that I have to get up and eat biscuits. They really shouldn't put such horrible things in the newspapers."
"It's better they should, ma'am," said the stout man, "then we're warned, so to speak, and can take our measures accordingly. Now, from what I can make out, this unfortunate gentleman had gone bathing all by himself in a lonely spot. Now, quite apart from cramps, as is a thing that might 'appen to the best of us, that's a very foolish thing to do."
"It's better if they do, ma'am," said the heavyset man, "that way we’re warned, so to speak, and can take our precautions accordingly. Now, from what I can tell, this poor guy went swimming all alone in a secluded area. Besides the risk of cramps, which can happen to anyone, that's a really risky thing to do."
"Just what I'm always telling my husband," said the young wife. The young husband frowned and fidgeted. "Well, dear, it really isn't safe, and you with your heart not strong——" Her hand sought his under the newspaper. He drew away, self-consciously, saying, "That'll do, Kitty."
"Just what I always tell my husband," said the young wife. The young husband frowned and shifted uncomfortably. "Well, honey, it really isn't safe, and with your heart not being strong—" Her hand reached for his under the newspaper. He pulled away, feeling awkward, and said, "That’s enough, Kitty."
"The way I look at it is this," pursued the stout man. "Here we've been and had a war, what has left 'undreds o' men in what you might call a state of unstable ekilibrium. They've seen all their friends blown up or shot to pieces. They've been through five years of 'orrors and bloodshed, and it's given 'em what you might call a twist in the mind towards 'orrors. They may seem to forget it and go along as peaceable as anybody to all outward appearance, but it's all artificial, if you get my meaning. Then, one day something 'appens to upset them—they 'as words with the wife, or the weather's extra hot, as it is to-day—and something goes pop inside their brains and makes raving monsters of them. It's all in the books. I do a good bit of reading myself of an evening, being a bachelor without encumbrances."
"The way I see it is this," said the stout man. "We’ve just had a war that has left hundreds of men in what you could call a state of unstable equilibrium. They’ve watched all their friends get blown up or shot to pieces. They’ve been through five years of horrors and bloodshed, and it’s given them what you might call a twist in the mind towards violence. They may seem to forget it and act as peacefully as anyone on the outside, but it’s all fake, if you catch my drift. Then, one day something happens to upset them—they have an argument with their wife, or the weather’s unusually hot, like it is today—and something snaps inside their brains and turns them into raging monsters. It’s all documented. I read quite a bit myself in the evenings, being a bachelor without any obligations."
"That's all very true," said a prim little man, looking up from his magazine, "very true indeed—too true. But do you think it applies in the present case? I've studied the literature of crime a good deal—I may say I make it my hobby—and it's my opinion there's more in this than meets the eye. If you will compare this murder with some of the most mysterious crimes of late years—crimes which, mind you, have never been solved, and, in my opinion, never will be—what do you find?" He paused and looked round. "You will find many features in common with this case. But especially you will find that the face—and the face only, mark you—has been disfigured, as though to prevent recognition. As though to blot out the victim's personality from the world. And you will find that, in spite of the most thorough investigation, the criminal is never discovered. Now what does all that point to? To organisation. Organisation. To an immensely powerful influence at work behind the scenes. In this very magazine that I'm reading now"—he tapped the page impressively—"there's an account—not a faked-up story, but an account extracted from the annals of the police—of the organisation of one of these secret societies, which mark down men against whom they bear a grudge, and destroy them. And, when they do this, they disfigure their faces with the mark of the Secret Society, and they cover up the track of the assassin so completely—having money and resources at their disposal—that nobody is ever able to get at them."
"That's all very true," said a meticulous little man, glancing up from his magazine, "very true indeed—too true. But do you think it applies in this situation? I've studied crime literature quite a bit—I can say it’s my hobby—and I believe there’s more to this than meets the eye. If you compare this murder to some of the most mysterious crimes in recent years—crimes that, mind you, have never been solved, and in my opinion, never will be—what do you find?" He paused and looked around. "You will find many similarities with this case. But especially, you’ll notice that the face—and only the face, mind you—has been disfigured, as if to prevent recognition. As if to erase the victim's identity from the world. And you will find that despite the most thorough investigation, the criminal is never caught. Now what does all that suggest? It suggests organization. Organization. An incredibly powerful influence working behind the scenes. In this very magazine I'm reading right now"—he tapped the page emphatically—"there’s an article—not a made-up story, but an account taken from police records—about the organization of one of these secret societies, which target individuals they hold a grudge against and eliminate them. And when they do this, they disfigure their faces with the mark of the Secret Society, and they cover up the assassin's trail so thoroughly—having the money and resources at their disposal—that no one can ever reach them."
"I've read of such things, of course," admitted the stout man, "but I thought as they mostly belonged to the medeevial days. They had a thing like that in Italy once. What did they call it now? A Gomorrah, was it? Are there any Gomorrahs nowadays?"
"I’ve heard of things like that, of course," the stout man admitted, "but I thought they mostly belonged to medieval times. They had something like that in Italy once. What did they call it again? A Gomorrah, was it? Are there any Gomorrahs these days?"
"You spoke a true word, sir, when you said Italy," replied the prim man. "The Italian mind is made for intrigue. There's the Fascisti. That's come to the surface now, of course, but it started by being a secret society. And, if you were to look below the surface, you would be amazed at the way in which that country is honeycombed with hidden organisations of all sorts. Don't you agree with me, sir?" he added, addressing the first-class passenger.
"You hit the nail on the head, sir, when you mentioned Italy," responded the formal man. "The Italian mindset is built for intrigue. There’s the Fascisti. That’s visible now, of course, but it originally began as a secret society. And if you dig a little deeper, you would be surprised by how that country is filled with various hidden organizations. Don’t you agree with me, sir?" he added, addressing the first-class passenger.
"Ah!" said the stout man, "no doubt this gentleman has been in Italy and knows all about it. Should you say this murder was the work of a Gomorrah, sir?"
"Ah!" said the heavyset man, "there's no question this guy has been to Italy and knows all about it. Would you say this murder was the work of a Gomorrah, sir?"
"I hope not, I'm sure," said the first-class passenger. "I mean, it rather destroys the interest, don't you think? I like a nice, quiet, domestic murder myself, with the millionaire found dead in the library. The minute I open a detective story and find a Camorra in it, my interest seems to dry up and turn to dust and ashes—a sort of Sodom and Camorra, as you might say."
"I hope not, I really do," said the first-class passenger. "I mean, it kind of ruins the fun, don't you think? I personally prefer a nice, quiet, domestic murder, like a millionaire found dead in the library. The moment I start a detective story and see a Camorra in it, my interest just fades away—like a Sodom and Camorra, you could say."
"I agree with you there," said the young husband, "from what you might call the artistic standpoint. But in this particular case I think there may be something to be said for this gentleman's point of view."
"I see your point," said the young husband, "from what you might call an artistic perspective. But in this specific case, I think there’s something to consider about this gentleman’s viewpoint."
"Well," admitted the first-class passenger, "not having read the details——"
"Well," admitted the first-class passenger, "since I haven't read the details——"
"The details are clear enough," said the prim man. "This poor creature was found lying dead on the beach at East Felpham early this morning, with his face cut about in the most dreadful manner. He had nothing on him but his bathing-dress——"
"The details are clear enough," said the formal man. "This poor soul was found lying dead on the beach at East Felpham early this morning, with his face mutilated in the most horrible way. He had nothing on him except his bathing suit——"
"Stop a minute. Who was he, to begin with?"
"Hold on a second. Who was he, anyway?"
"They haven't identified him yet. His clothes had been taken——"
"They haven't identified him yet. His clothes were taken——"
"That looks more like robbery, doesn't it?" suggested Kitty.
"That seems more like robbery, doesn’t it?" suggested Kitty.
"If it was just robbery," retorted the prim man, "why should his face have been cut up in that way? No—the clothes were taken away, as I said, to prevent identification. That's what these societies always try to do."
"If it were just a robbery," replied the uptight man, "why would his face have been mutilated like that? No—the clothes were taken to avoid identification. That's what these groups always aim to do."
"Was he stabbed?" demanded the first-class passenger.
"Did he get stabbed?" asked the first-class passenger.
"No," said the stout man. "He wasn't. He was strangled."
"No," said the heavyset man. "He wasn't. He was strangled."
"Not a characteristically Italian method of killing," observed the first-class passenger.
"That's not a typical Italian way of killing," noted the first-class passenger.
"No more it is," said the stout man. The prim man seemed a little disconcerted.
"Not anymore," said the heavyset man. The uptight man looked slightly unsettled.
"And if he went down there to bathe," said the thin, elderly man, "how did he get there? Surely somebody must have missed him before now, if he was staying at Felpham. It's a busy spot for visitors in the holiday season."
"And if he went down there to bathe," said the thin, elderly man, "how did he get there? Surely someone must have noticed him by now if he was staying at Felpham. It's a busy place for visitors during the holiday season."
"No," said the stout man, "not East Felpham. You're thinking of West Felpham, where the yacht-club is. East Felpham is one of the loneliest spots on the coast. There's no house near except a little pub all by itself at the end of a long road, and after that you have to go through three fields to get to the sea. There's no real road, only a cart-track, but you can take a car through. I've been there."
"No," the heavyset man said, "not East Felpham. You're thinking of West Felpham, where the yacht club is. East Felpham is one of the most isolated places on the coast. There's no house nearby except for a little pub all by itself at the end of a long road, and after that, you have to cross three fields to reach the sea. There's no real road, just a cart track, but you can drive a car through. I've been there."
"He came in a car," said the prim man. "They found the track of the wheels. But it had been driven away again."
"He arrived in a car," said the formal man. "They discovered the tire tracks. But it had been driven off again."
"It looks as though the two men had come there together," suggested Kitty.
"It seems like the two men arrived here together," suggested Kitty.
"I think they did," said the prim man. "The victim was probably gagged and bound and taken along in the car to the place, and then he was taken out and strangled and——"
"I think they did," said the formal man. "The victim was probably gagged and tied up and taken in the car to the location, and then he was taken out and strangled and——"
"But why should they have troubled to put on his bathing-dress?" said the first-class passenger.
"But why did they go to the trouble of putting on his bathing suit?" said the first-class passenger.
"Because," said the prim man, "as I said, they didn't want to leave any clothes to reveal his identity."
"Because," said the neat man, "like I mentioned, they didn't want to leave any clothes behind that could reveal his identity."
"Quite; but why not leave him naked? A bathing-dress seems to indicate an almost excessive regard for decorum, under the circumstances."
"Sure, but why not just leave him naked? A bathing suit seems to show an almost excessive concern for modesty, given the situation."
"Yes, yes," said the stout man impatiently, "but you 'aven't read the paper carefully. The two men couldn't have come there in company, and for why? There was only one set of footprints found, and they belonged to the murdered man."
"Yeah, yeah," said the chubby guy impatiently, "but you didn't read the paper closely. The two men couldn't have arrived together, and why is that? There was only one set of footprints found, and they were from the murdered man."
He looked round triumphantly.
He looked around triumphantly.
"Only one set of footprints, eh?" said the first-class passenger quickly. "This looks interesting. Are you sure?"
"Only one set of footprints, huh?" said the first-class passenger quickly. "This is interesting. Are you sure?"
"It says so in the paper. A single set of footprints, it says, made by bare feet, which by a careful comparison 'ave been shown to be those of the murdered man, lead from the position occupied by the car to the place where the body was found. What do you make of that?"
"It says so in the report. A single set of footprints, made by bare feet, has been carefully examined and shown to belong to the murdered man, leading from where the car was to the spot where the body was discovered. What do you think about that?"
"Why," said the first-class passenger, "that tells one quite a lot, don't you know. It gives one a sort of a bird's eye view of the place, and it tells one the time of the murder, besides castin' quite a good bit of light on the character and circumstances of the murderer—or murderers."
"Why," said the first-class passenger, "that reveals a lot, you know. It gives you a sort of bird's-eye view of the place and tells you the time of the murder, plus it sheds some light on the character and circumstances of the murderer—or murderers."
"How do you make that out, sir?" demanded the elderly man.
"How do you figure that out, sir?" asked the elderly man.
"Well, to begin with—though I've never been near the place, there is obviously a sandy beach from which one can bathe."
"Well, to start with—although I've never been there, it's clear that there's a sandy beach where you can swim."
"That's right," said the stout man.
"That's right," the hefty man said.
"There is also, I fancy, in the neighbourhood, a spur of rock running out into the sea, quite possibly with a handy diving-pool. It must run out pretty far; at any rate, one can bathe there before it is high water on the beach."
"There’s also, I think, a rocky outcrop nearby that extends into the sea, likely with a convenient diving spot. It has to extend quite far; in any case, you can swim there before high tide at the beach."
"I don't know how you know that, sir, but it's a fact. There's rocks and a bathing-pool, exactly as you describe, about a hundred yards farther along. Many's the time I've had a dip off the end of them."
"I don't know how you know that, sir, but it's true. There are rocks and a swimming pool, just like you described, about a hundred yards further down. I've gone for a swim off the end of them many times."
"And the rocks run right back inland, where they are covered with short grass."
"And the rocks extend inland, where they are covered with short grass."
"That's right."
"Exactly."
"The murder took place shortly before high tide, I fancy, and the body lay just about at high-tide mark."
"The murder happened just before high tide, I think, and the body was lying right at the high-tide line."
"Why so?"
"Why's that?"
"Well, you say there were footsteps leading right up to the body. That means that the water hadn't been up beyond the body. But there were no other marks. Therefore the murderer's footprints must have been washed away by the tide. The only explanation is that the two men were standing together just below the tide-mark. The murderer came up out of the sea. He attacked the other man—maybe he forced him back a little on his own tracks—and there he killed him. Then the water came up and washed out any marks the murderer may have left. One can imagine him squatting there, wondering if the sea was going to come up high enough."
"Well, you said there were footsteps leading right up to the body. That means the water hadn’t risen above the body. But there were no other marks. So, the murderer’s footprints must have been washed away by the tide. The only explanation is that the two men were standing together just below the tide mark. The murderer came out of the sea. He attacked the other man—maybe he pushed him back a little on his own tracks—and then he killed him. After that, the water came up and washed away any marks the murderer might have left. One can picture him crouching there, wondering if the sea would rise high enough."
"Ow!" said Kitty, "you make me creep all over."
"Ow!" Kitty said, "You're giving me the chills."
"Now, as to these marks on the face," pursued the first-class passenger. "The murderer, according to the idea I get of the thing, was already in the sea when the victim came along. You see the idea?"
"Now, about those marks on the face," the first-class passenger continued. "From what I understand, the murderer was already in the water when the victim came by. Do you see what I mean?"
"I get you," said the stout man. "You think as he went in off them rocks what we was speaking of, and came up through the water, and that's why there weren't no footprints."
"I get you," said the heavyset man. "You think that when he went in off those rocks we were talking about and came up through the water, that's why there weren't any footprints."
"Exactly. And since the water is deep round those rocks, as you say, he was presumably in a bathing-dress too."
"Exactly. And since the water is deep around those rocks, like you said, he was probably in a swimsuit too."
"Looks like it."
"Seems like it."
"Quite so. Well, now—what was the face-slashing done with? People don't usually take knives out with them when they go for a morning dip."
"Exactly. So, what was used to slash the face? People typically don't bring knives with them when they go for a morning swim."
"That's a puzzle," said the stout man.
"That's a puzzle," said the chubby man.
"Not altogether. Let's say, either the murderer had a knife with him or he had not. If he had——"
"Not completely. Let's say, either the murderer had a knife with him or he didn't. If he did——"
"If he had," put in the prim man eagerly, "he must have laid wait for the deceased on purpose. And, to my mind, that bears out my idea of a deep and cunning plot."
"If he had," the stiff man interjected eagerly, "he must have deliberately been waiting for the deceased. To me, that supports my belief in a complex and clever scheme."
"Yes. But, if he was waiting there with the knife, why didn't he stab the man and have done with it? Why strangle him, when he had a perfectly good weapon there to hand? No—I think he came unprovided, and, when he saw his enemy there, he made for him with his hands in the characteristic British way."
"Yes. But if he was waiting there with the knife, why didn't he just stab the guy and get it over with? Why strangle him when he had a perfectly good weapon right there? No—I think he came unprepared, and when he saw his enemy there, he went for him with his hands in the typical British style."
"But the slashing?"
"But the cuts?"
"Well, I think that when he had got his man down, dead before him, he was filled with a pretty grim sort of fury and wanted to do more damage. He caught up something that was lying near him on the sand—it might be a bit of old iron, or even one of those sharp shells you sometimes see about, or a bit of glass—and he went for him with that in a desperate rage of jealousy or hatred."
"Well, I think that when he had his man down, dead in front of him, he was consumed by a pretty dark kind of anger and wanted to do even more damage. He grabbed something nearby on the sand—it could have been a piece of old metal, one of those sharp shells you sometimes spot, or a shard of glass—and he lunged at him in a fit of desperate jealousy or hatred."
"Dreadful, dreadful!" said the elderly woman.
"Dreadful, dreadful!" said the old woman.
"Of course, one can only guess in the dark, not having seen the wounds. It's quite possible that the murderer dropped his knife in the struggle and had to do the actual killing with his hands, picking the knife up afterwards. If the wounds were clean knife-wounds, that is probably what happened, and the murder was premeditated. But if they were rough, jagged gashes, made by an impromptu weapon, then I should say it was a chance encounter, and that the murderer was either mad or——"
"Obviously, you can only speculate in the dark without seeing the wounds. It's entirely possible that the murderer dropped his knife during the struggle and ended up killing with his hands, picking the knife back up afterward. If the wounds were clean cuts, that's probably what happened, indicating the murder was planned. But if they were rough, jagged gashes made by something unexpected, then I would say it was a chance encounter, and the murderer was either insane or——"
"Or?"
"Or what?"
"Or had suddenly come upon somebody whom he hated very much."
"Or had suddenly run into someone he really hated."
"What do you think happened afterwards?"
"What do you think happened next?"
"That's pretty clear. The murderer, having waited, as I said, to see that all his footprints were cleaned up by the tide, waded or swam back to the rock where he had left his clothes, taking the weapon with him. The sea would wash away any blood from his bathing-dress or body. He then climbed out upon the rocks, walked, with bare feet, so as to leave no tracks on any seaweed or anything, to the short grass of the shore, dressed, went along to the murdered man's car, and drove it away."
"That's pretty clear. The murderer, after making sure all his footprints were washed away by the tide, waded or swam back to the rock where he left his clothes, taking the weapon with him. The sea would wash away any blood from his bathing suit or body. He then climbed out onto the rocks, walked barefoot to avoid leaving any tracks on the seaweed or anything, reached the short grass of the shore, got dressed, headed to the murdered man's car, and drove it away."
"Why did he do that?"
"Why did he do that?"
"Yes, why? He may have wanted to get somewhere in a hurry. Or he may have been afraid that if the murdered man were identified too soon it would cast suspicion on him. Or it may have been a mixture of motives. The point is, where did he come from? How did he come to be bathing at that remote spot, early in the morning? He didn't get there by car, or there would be a second car to be accounted for. He may have been camping near the spot; but it would have taken him a long time to strike camp and pack all his belongings into the car, and he might have been seen. I am rather inclined to think he had bicycled there, and that he hoisted the bicycle into the back of the car and took it away with him."
"Yes, why? He might have needed to get somewhere quickly. Or he could have been worried that if the murdered man was identified too soon, it would point suspicion towards him. Or it might have been a combination of reasons. The real question is, where did he come from? How did he end up bathing at that secluded spot so early in the morning? He didn’t arrive by car, otherwise, there would be a second car to account for. He might have been camping close by, but it would have taken him a long time to pack up and load all his stuff into the car, and someone could have seen him. I tend to think he biked there and then loaded the bicycle into the trunk of the car and drove away with it."
"But, in that case, why take the car?"
"But in that case, why use the car?"
"Because he had been down at East Felpham longer than he expected, and he was afraid of being late. Either he had to get back to breakfast at some house, where his absence would be noticed, or else he lived some distance off, and had only just time enough for the journey home. I think, though, he had to be back to breakfast."
"Since he had been at East Felpham longer than he thought, he was worried about being late. He either needed to return to breakfast at someone's house, where they'd notice he was missing, or he lived a good distance away and barely had enough time to get home. But I think he really needed to be back for breakfast."
"Why?"
"Why?"
"Because, if it was merely a question of making up time on the road, all he had to do was to put himself and his bicycle on the train for part of the way. No; I fancy he was staying in a smallish hotel somewhere. Not a large hotel, because there nobody would notice whether he came in or not. And not, I think, in lodgings, or somebody would have mentioned before now that they had had a lodger who went bathing at East Felpham. Either he lives in the neighbourhood, in which case he should be easy to trace, or was staying with friends who have an interest in concealing his movements. Or else—which I think is more likely—he was in a smallish hotel, where he would be missed from the breakfast-table, but where his favourite bathing-place was not matter of common knowledge."
"Because if it was just about making up time on the road, all he had to do was take himself and his bicycle on the train for part of the journey. No; I bet he was staying in a small hotel somewhere. Not a large hotel, because there nobody would notice whether he came in or not. And I doubt he was in a rental, or someone would have mentioned by now that they had a renter who went swimming at East Felpham. Either he lives nearby, which should make him easy to find, or he’s staying with friends who want to keep his movements a secret. Or, more likely, he was in a small hotel where he would be missed at breakfast, but his favorite swimming spot wasn’t well-known."
"That seems feasible," said the stout man.
"That sounds doable," said the stout man.
"In any case," went on the first-class passenger, "he must have been staying within easy bicycling distance of East Felpham, so it shouldn't be too hard to trace him. And then there is the car."
"In any case," continued the first-class passenger, "he must have been staying close enough to East Felpham for a bike ride, so it shouldn't be too difficult to find him. And then there's the car."
"Yes. Where is the car, on your theory?" demanded the prim man, who obviously still had hankerings after the Camorra theory.
"Yes. Where's the car in your theory?" asked the prim man, who clearly still had a thing for the Camorra theory.
"In a garage, waiting to be called for," said the first-class passenger promptly.
"In a garage, waiting to be called for," said the first-class passenger quickly.
"Where?" persisted the prim man.
"Where?" asked the prim man.
"Oh! somewhere on the other side of wherever it was the murderer was staying. If you have a particular reason for not wanting it to be known that you were in a certain place at a specified time, it's not a bad idea to come back from the opposite direction. I rather think I should look for the car at West Felpham, and the hotel in the nearest town on the main road beyond where the two roads to East and West Felpham join. When you've found the car, you've found the name of the victim, naturally. As for the murderer, you will have to look for an active man, a good swimmer and ardent bicyclist—probably not very well off, since he cannot afford to have a car—who has been taking a holiday in the neighbourhood of the Felphams, and who has a good reason for disliking the victim, whoever he may be."
"Oh! somewhere on the other side of wherever the murderer was staying. If you have a specific reason for not wanting people to know you were in a certain place at a particular time, it’s a smart move to come back from the opposite direction. I think I should look for the car at West Felpham and the hotel in the nearest town on the main road where the two roads to East and West Felpham meet. Once you've found the car, you’ve naturally identified the victim. As for the murderer, you’ll need to search for an active guy, a strong swimmer and enthusiastic biker—probably not very well off, since he can’t afford a car—who has been vacationing around the Felphams and has a good motive for hating the victim, whoever that may be."
"Well, I never," said the elderly woman admiringly. "How beautiful you do put it all together. Like Sherlock Holmes, I do declare."
"Well, I never," said the elderly woman, admiringly. "You really know how to put everything together beautifully. Just like Sherlock Holmes, I must say."
"It's a very pretty theory," said the prim man, "but, all the same, you'll find it's a secret society. Mark my words. Dear me! We're just running in. Only twenty minutes late. I call that very good for holiday-time. Will you excuse me? My bag is just under your feet."
"It's a really nice theory," said the uptight man, "but you'll see it's a secret society. Trust me on that. Goodness! We're just coming in. Only twenty minutes late. I think that's pretty good for holiday time. Would you mind if I grab my bag? It's right under your feet."
There was an eighth person in the compartment, who had remained throughout the conversation apparently buried in a newspaper. As the passengers decanted themselves upon the platform, this man touched the first-class passenger upon the arm.
There was an eighth person in the compartment who had been engrossed in a newspaper the whole time during the conversation. As the passengers got off onto the platform, this man tapped the first-class passenger on the arm.
"Excuse me, sir," he said. "That was a very interesting suggestion of yours. My name is Winterbottom, and I am investigating this case. Do you mind giving me your name? I might wish to communicate with you later on."
"Excuse me, sir," he said. "That was a really interesting suggestion. My name is Winterbottom, and I'm looking into this case. Would you mind giving me your name? I may want to reach out to you later."
"Certainly," said the first-class passenger. "Always delighted to have a finger in any pie, don't you know. Here is my card. Look me up any time you like."
"Of course," said the first-class passenger. "I'm always happy to be involved, you know. Here's my card. Feel free to reach out anytime."
Detective-Inspector Winterbottom took the card and read the name:
Detective Inspector Winterbottom took the card and read the name:
Lord Peter Wimsey,
110A Piccadilly.
Lord Peter Wimsey,
110A Piccadilly.
The Evening Views vendor outside Piccadilly Tube Station arranged his placard with some care. It looked very well, he thought.
The Evening Views vendor outside Piccadilly Tube Station set up his sign carefully. He thought it looked great.
MAN WITH
NO FACE
IDENTIFIED
Faceless Man Identified
It was, in his opinion, considerably more striking than that displayed by a rival organ, which announced, unimaginatively:
It was, in his view, much more impressive than what a competing publication announced, without any creativity:
BEACH MURDER
VICTIM
IDENTIFIED
BEACH MURDER
VICTIM
IDENTIFIED
A youngish gentleman in a grey suit who emerged at that moment from the Criterion Bar appeared to think so too, for he exchanged a copper for the Evening Views, and at once plunged into its perusal with such concentrated interest that he bumped into a hurried man outside the station and had to apologise.
A young man in a gray suit who came out of the Criterion Bar at that moment seemed to think so too, as he swapped a coin for the Evening Views and immediately started reading it with such intense focus that he ran into a rushed man outside the station and had to say sorry.
The Evening Views, grateful to murderer and victim alike for providing so useful a sensation in the dead days after the Bank Holiday, had torn Messrs. Negretti & Zambra's rocketing thermometrical statistics from the "banner" position which they had occupied in the lunch edition, and substituted:
The Evening Views, thankful to both the murderer and the victim for delivering such an intriguing story during the dull days after the Bank Holiday, had removed Messrs. Negretti & Zambra's skyrocketing thermometer stats from their top spot in the lunch edition and replaced it with:
"Faceless Victim of Beach Outrage Identified
Faceless Victim of Beach Incident Identified
MURDER OF PROMINENT
PUBLICITY ARTIST
Murder of notable publicity artist
POLICE CLUES
Law Enforcement Leads
"The body of a middle-aged man who was discovered, attired only in a bathing-costume and with his face horribly disfigured by some jagged instrument, on the beach at East Felpham last Monday morning, has been identified as that of Mr. Coreggio Plant, studio manager of Messrs. Crichton Ltd., the well-known publicity experts of Holborn.
"The body of a middle-aged man found last Monday morning on the beach at East Felpham, dressed only in a bathing suit and with his face badly disfigured by some sharp instrument, has been identified as Mr. Coreggio Plant, the studio manager of Messrs. Crichton Ltd., the well-known publicity experts from Holborn."
"Mr. Plant, who was forty-five years of age and a bachelor, was spending his annual holiday in making a motoring tour along the West Coast. He had no companion with him and had left no address for the forwarding of letters, so that, without the smart work of Detective-Inspector Winterbottom of the Westshire police, his disappearance might not in the ordinary way have been noticed until he became due to return to his place of business in three weeks' time. The murderer had no doubt counted on this, and had removed the motor-car, containing the belongings of his victim, in the hope of covering up all traces of this dastardly outrage so as to gain time for escape.
"Mr. Plant, who was forty-five and single, was spending his annual vacation on a road trip along the West Coast. He was alone and hadn't left any address for forwarding letters, so, without the efficient efforts of Detective-Inspector Winterbottom from the Westshire police, no one would have likely noticed his disappearance until he was expected to return to work in three weeks. The killer probably relied on this and had taken the car, along with Plant's belongings, hoping to erase all evidence of his crime to buy time for his escape."
"A rigorous search for the missing car, however, eventuated in its discovery in a garage at West Felpham, where it had been left for decarbonisation and repairs to the magneto. Mr. Spiller, the garage proprietor, himself saw the man who left the car, and has furnished a description of him to the police. He is said to be a small, dark man of foreign appearance. The police hold a clue to his identity, and an arrest is confidently expected in the near future.
A thorough search for the missing car eventually led to its discovery in a garage in West Felpham, where it had been left for decarbonization and repairs to the magneto. Mr. Spiller, the garage owner, saw the man who dropped off the car and provided a description to the police. He is described as a small, dark man with a foreign appearance. The police have a lead on his identity and expect to make an arrest soon.
"Mr. Plant was for fifteen years in the employment of Messrs. Crichton, being appointed Studio Manager in the latter years of the war. He was greatly liked by all his colleagues, and his skill in the lay-out and designing of advertisements did much to justify the truth of Messrs. Crichton's well-known slogan: 'Crichton's for Admirable Advertising.'
Mr. Plant worked for Messrs. Crichton for fifteen years, eventually becoming Studio Manager in the later years of the war. He was well-liked by all his colleagues, and his talent in layout and ad design greatly supported Messrs. Crichton's famous slogan: 'Crichton's for Admirable Advertising.'
"The funeral of the victim will take place to-morrow at Golders Green Cemetery.
The victim's funeral will be tomorrow at Golders Green Cemetery.
"(Pictures on Back Page.)"
"(Photos on Back Page.)"
Lord Peter Wimsey turned to the back page. The portrait of the victim did not detain him long; it was one of those characterless studio photographs which establish nothing except that the sitter has a tolerable set of features. He noted that Mr. Plant had been thin rather than fat, commercial in appearance rather than artistic, and that the photographer had chosen to show him serious rather than smiling. A picture of East Felpham beach, marked with a cross where the body was found, seemed to arouse in him rather more than a casual interest. He studied it intently for some time, making little surprised noises. There was no obvious reason why he should have been surprised, for the photograph bore out in every detail the deductions he had made in the train. There was the curved line of sand, with a long spur of rock stretching out behind it into deep water, and running back till it mingled with the short, dry turf. Nevertheless, he looked at it for several minutes with close attention, before folding the newspaper and hailing a taxi; and when he was in the taxi he unfolded the paper and looked at it again.
Lord Peter Wimsey turned to the last page. The portrait of the victim didn’t hold his attention for long; it was one of those bland studio photos that only show the person had a decent set of features. He noted that Mr. Plant was thin rather than fat, more commercial in appearance than artistic, and that the photographer opted for a serious expression instead of a smile. A picture of East Felpham beach, marked with a cross where the body was found, seemed to spark a bit more than a casual interest in him. He examined it closely for a while, making little surprised sounds. There wasn’t a clear reason for his surprise since the photo confirmed every detail he had figured out on the train. There was the curved line of sand, with a long rock formation stretching behind it into deep water, blending back into the short, dry grass. Still, he studied it intently for several minutes before folding the newspaper and hailing a taxi; and once he was in the taxi, he unfolded the paper and looked at it again.
"Your lordship having been kind enough," said Inspector Winterbottom, emptying his glass rather too rapidly for true connoisseurship, "to suggest I should look you up in Town, I made bold to give you a call in passing. Thank you, I won't say no. Well, as you've seen in the papers by now, we found that car all right."
"Your lordship was kind enough," said Inspector Winterbottom, downing his drink a bit too quickly for a true connoisseur, "to suggest I should look you up in Town, so I took the liberty of stopping by while I was passing through. Thanks, I won't turn it down. Well, as you've seen in the papers by now, we found that car just fine."
Wimsey expressed his gratification at this result.
Wimsey expressed his happiness at this outcome.
"And very much obliged I was to your lordship for the hint," went on the Inspector generously, "not but what I wouldn't say but I should have come to the same conclusion myself, given a little more time. And, what's more, we're on the track of the man."
"And I really appreciate your lordship for the suggestion," the Inspector continued warmly, "although I wouldn't deny that I would have reached the same conclusion myself with a bit more time. And, what's more, we're closing in on the man."
"I see he's supposed to be foreign-looking. Don't say he's going to turn out to be a Camorrist after all!"
"I see he's supposed to look foreign. Don’t tell me he’s actually going to turn out to be a mobster after all!"
"No, my lord." The Inspector winked. "Our friend in the corner had got his magazine stories a bit on the brain, if you ask me. And you were a bit out too, my lord, with your bicyclist idea."
"No, my lord." The Inspector winked. "Our friend in the corner has gotten his magazine stories a little mixed up, if you ask me. And you were a bit off too, my lord, with your cyclist idea."
"Was I? That's a blow."
"Really? That's a bummer."
"Well, my lord, these here theories sound all right, but half the time they're too fine-spun altogether. Go for the facts—that's our motto in the Force—facts and motive, and you won't go far wrong."
"Well, my lord, these theories sound good, but half the time they're too complicated. Focus on the facts—that's our motto in the Force—facts and motive, and you won't go wrong."
"Oh! you've discovered the motive, then?"
"Oh! You figured out the reason, huh?"
The Inspector winked again.
The Inspector winked again.
"There's not many motives for doing a man in," said he. "Women or money—or women and money—it mostly comes down to one or the other. This fellow Plant went in for being a bit of a lad, you see. He kept a little cottage down Felpham way, with a nice little skirt to furnish it and keep the love-nest warm for him—see?"
"Not many reasons for killing someone," he said. "It's usually about women or money—or sometimes both. This guy Plant was a bit of a player, you know? He had a cozy little cottage down in Felpham, complete with a nice girlfriend to make it all homey for him—get it?"
"Oh! I thought he was doing a motor-tour."
"Oh! I thought he was going on a road trip."
"Motor-tour your foot!" said the Inspector, with more energy than politeness. "That's what the old [epithet] told 'em at the office. Handy reason, don't you see, for leaving no address behind him. No, no. There was a lady in it all right. I've seen her. A very taking piece too, if you like 'em skinny, which I don't. I prefer 'em better upholstered myself."
"Motor-tour your foot!" said the Inspector, with more energy than politeness. "That's what the old [epithet] told them at the office. Handy reason, don’t you see, for not leaving any address behind. No, no. There was definitely a lady involved. I've seen her. A pretty attractive one too, if you like them skinny, which I don’t. I prefer them a bit more filled out myself."
"That chair is really more comfortable with a cushion," put in Wimsey, with anxious solicitude. "Allow me."
"That chair is way more comfortable with a cushion," Wimsey said, sounding concerned. "Let me help."
"Thanks, my lord, thanks. I'm doing very well. It seems that this woman—by the way, we're speaking in confidence, you understand. I don't want this to go further till I've got my man under lock and key."
"Thanks, my lord, thanks. I'm doing great. It seems that this woman—by the way, this is just between us, you understand. I don't want this to get out until I've got my man locked up."
Wimsey promised discretion.
Wimsey promised confidentiality.
"That's all right, my lord, that's all right. I know I can rely on you. Well, the long and the short is, this young woman had another fancy man—a sort of an Italiano, whom she'd chucked for Plant, and this same dago got wind of the business and came down to East Felpham on the Sunday night, looking for her. He's one of these professional partners in a Palais de Danse up Cricklewood way, and that's where the girl comes from, too. I suppose she thought Plant was a cut above him. Anyway, down he comes, and busts in upon them Sunday night when they were having a bit of supper—and that's when the row started."
"That's fine, my lord, that's fine. I know I can count on you. So, to sum it up, this young woman had another guy—some sort of Italian, whom she dumped for Plant, and this same guy caught wind of what happened and came down to East Felpham on Sunday night, looking for her. He works as a professional dancer at a dance hall up in Cricklewood, and that's where the girl is from, too. I guess she thought Plant was a step up from him. Anyway, he shows up and barges in on them Sunday night while they were having a little dinner—and that's when the fight started."
"Didn't you know about this cottage and the goings-on there?"
"Didn't you know about this cottage and what happens there?"
"Well, you know, there's such a lot of these week-enders nowadays. We can't keep tabs on all of them, so long as they behave themselves and don't make a disturbance. The woman's been there—so they tell me—since last June, with him coming down Saturday to Monday; but it's a lonely spot, and the constable didn't take much notice. He came in the evenings, so there wasn't anybody much to recognise him, except the old girl who did the slops and things, and she's half-blind. And of course, when they found him, he hadn't any face to recognise. It'd be thought he'd just gone off in the ordinary way. I dare say the dago fellow reckoned on that. As I was saying, there was a big row, and the dago was kicked out. He must have lain wait for Plant down by the bathing-place, and done him in."
"Well, you know, there are so many weekenders these days. We can’t keep track of all of them, as long as they behave and don’t cause any trouble. The woman has been there—so I’ve heard—since last June, with him coming from Saturday to Monday; but it’s a secluded area, and the constable didn’t pay much attention. He came in the evenings, so there wasn’t really anyone to recognize him, except the old woman who did the cleaning, and she’s half-blind. And of course, when they found him, he had no face to identify. People would think he just left like normal. I bet the guy figured that would work. As I was saying, there was a big argument, and the guy was thrown out. He must have been waiting for Plant down by the swimming area and took him out."
"By strangling?"
"By choking?"
"Well, he was strangled."
"Well, he was strangled."
"Was his face cut up with a knife, then?"
"Was his face sliced with a knife, then?"
"Well, no—I don't think it was a knife. More like a broken bottle, I should say, if you ask me. There's plenty of them come in with the tide."
"Well, no—I don't think it was a knife. More like a broken bottle, I should say, if you ask me. There are plenty of them that wash in with the tide."
"But then we're brought back to our old problem. If this Italian was lying in wait to murder Plant, why didn't he take a weapon with him, instead of trusting to the chance of his hands and a broken bottle?"
"But then we're back to our old issue. If this Italian was planning to kill Plant, why didn’t he bring a weapon with him, instead of relying on his hands and a broken bottle?"
The Inspector shook his head.
The Inspector shook his head.
"Flighty," he said. "All these foreigners are flighty. No headpiece. But there's our man and there's our motive, plain as a pikestaff. You don't want more."
"Flighty," he said. "All these foreigners are so unpredictable. No common sense. But there's our guy and there's our reason, clear as day. You don't need more."
"And where is the Italian fellow now?"
"And where is the Italian guy now?"
"Run away. That's pretty good proof of guilt in itself. But we'll have him before long. That's what I've come to Town about. He can't get out of the country. I've had an all-stations call sent out to stop him. The dance-hall people were able to supply us with a photo and a good description. I'm expecting a report in now any minute. In fact, I'd best be getting along. Thank you very much for your hospitality, my lord."
"Run away. That's pretty solid evidence of guilt right there. But we'll have him soon. That's why I came to town. He can't leave the country. I've sent out an all-stations alert to stop him. The dance hall staff were able to give us a photo and a good description. I’m expecting a report any minute. Actually, I should get going. Thanks a lot for your hospitality, my lord."
"The pleasure is mine," said Wimsey, ringing the bell to have the visitor shown out. "I have enjoyed our little chat immensely."
"The pleasure is mine," said Wimsey, ringing the bell to have the visitor shown out. "I've really enjoyed our little chat."
Sauntering into the Falstaff at twelve o'clock the following morning, Wimsey, as he had expected, found Salcombe Hardy supporting his rather plump contours against the bar. The reporter greeted his arrival with a heartiness amounting almost to enthusiasm, and called for two large Scotches immediately. When the usual skirmish as to who should pay had been honourably settled by the prompt disposal of the drinks and the standing of two more, Wimsey pulled from his pocket the copy of last night's Evening Views.
Sauntering into the Falstaff at twelve o'clock the next morning, Wimsey, as he had expected, found Salcombe Hardy leaning his rather plump frame against the bar. The reporter welcomed him with a friendliness that was almost enthusiastic and immediately ordered two large Scotches. Once the usual debate over who should pay was honorably resolved by quickly downing the drinks and ordering two more, Wimsey pulled the copy of last night's Evening Views from his pocket.
"I wish you'd ask the people over at your place to get hold of a decent print of this for me," he said, indicating the picture of East Felpham beach.
"I wish you'd ask the folks at your place to get a good print of this for me," he said, pointing to the picture of East Felpham beach.
Salcome Hardy gazed limpid enquiry at him from eyes like drowned violets.
Salcome Hardy looked at him with clear curiosity from eyes that resembled drowned violets.
"See here, you old sleuth," he said, "does this mean you've got a theory about the thing? I'm wanting a story badly. Must keep up the excitement, you know. The police don't seem to have got any further since last night."
"Hey, you old detective," he said, "does this mean you have a theory about it? I really need a story. We have to keep the excitement going, you know. The police don't seem to have made any progress since last night."
"No; I'm interested in this from another point of view altogether. I did have a theory—of sorts—but it seems it's all wrong. Bally old Homer nodding, I suppose. But I'd like a copy of the thing."
"No; I'm looking at this from a completely different perspective. I did have a theory—kind of—but it seems I was totally off. Just like old Homer dozing off, I guess. But I'd like to get a copy of it."
"I'll get Warren to get you one when we come back. I'm just taking him down with me to Crichton's. We're going to have a look at a picture. I say, I wish you'd come too. Tell me what to say about the damned thing."
"I'll have Warren grab one for you when we get back. I'm just taking him down to Crichton's with me. We're going to check out a picture. I wish you'd come too. Help me figure out what to say about the darn thing."
"Good God! I don't know anything about commercial art."
"Wow! I really don't know anything about commercial art."
"'Tisn't commercial art. It's supposed to be a portrait of this blighter Plant. Done by one of the chaps in his studio or something. Kid who told me about it says it's clever. I don't know. Don't suppose she knows, either. You go in for being artistic, don't you?"
"It’s not commercial art. It’s meant to be a portrait of this guy Plant. Made by one of the guys in his studio or something. The kid who told me about it says it’s clever. I don’t know. I don’t think she knows either. You’re into being artistic, right?"
"I wish you wouldn't use such filthy expressions, Sally. Artistic! Who is this girl?"
"I wish you wouldn't use such vulgar language, Sally. Artistic! Who is this girl?"
"Typist in the copy department."
"Copy department typist."
"Oh, Sally!"
"Oh, Sally!"
"Nothing of that sort. I've never met her. Name's Gladys Twitterton. I'm sure that's beastly enough to put anybody off. Rang us up last night and told us there was a bloke there who'd done old Plant in oils and was it any use to us? Drummer thought it might be worth looking into. Make a change from that everlasting syndicated photograph."
"Not at all. I've never met her. Her name is Gladys Twitterton. I'm sure that's off-putting enough to discourage anyone. She called us last night and said there was a guy who had painted old Plant in oils and wanted to know if it was of any use to us. The drummer thought it might be worth checking out. It could be a nice change from that never-ending syndicated photo."
"I see. If you haven't got an exclusive story, an exclusive picture's better than nothing. The girl seems to have her wits about her. Friend of the artist's?"
"I understand. If you don't have a unique story, a unique picture is better than nothing. The girl seems to be quite sharp. Is she a friend of the artist's?"
"No—said he'd probably be frightfully annoyed at her having told me. But I can wangle that. Only I wish you'd come and have a look at it. Tell me whether I ought to say it's an unknown masterpiece or merely a striking likeness."
"No—he said he'd probably be really annoyed that she told me. But I can handle that. I just wish you'd come and check it out. Tell me if I should say it's an unknown masterpiece or just a striking resemblance."
"How the devil can I say if it's a striking likeness of a bloke I've never seen?"
"How am I supposed to say if it's a striking resemblance to a guy I've never seen?"
"I'll say it's that, in any case. But I want to know if it's well painted."
"I'll say that's what it is, anyway. But I want to know if it's well painted."
"Curse it, Sally, what's it matter whether it is or not? I've got other things to do. Who's the artist, by the way? Anybody one's ever heard of?"
"Curse it, Sally, what does it matter whether it is or not? I have other things to do. Who’s the artist, by the way? Is it someone anyone has ever heard of?"
"Dunno. I've got the name here somewhere." Sally rooted in his hip-pocket and produced a mass of dirty correspondence, its angles blunted by constant attrition. "Some comic name like Buggle or Snagtooth—wait a bit—here it is. Crowder. Thomas Crowder. I knew it was something out of the way."
"Dunno. I have the name somewhere." Sally dug into his hip pocket and pulled out a bunch of crumpled papers, their edges worn down from being handled so much. "Some silly name like Buggle or Snagtooth—hang on—here it is. Crowder. Thomas Crowder. I knew it was something unusual."
"Singularly like Buggle or Snagtooth. All right, Sally, I'll make a martyr of myself. Lead me to it."
"Just like Buggle or Snagtooth. Fine, Sally, I'll sacrifice myself. Take me there."
"We'll have another quick one. Here's Warren. This is Lord Peter Wimsey. This is on me."
"We'll have another quick one. Here's Warren. This is Lord Peter Wimsey. This one's on me."
"On me," corrected the photographer, a jaded young man with a disillusioned manner. "Three large White Labels, please. Well, here's all the best. Are you fit, Sally? Because we'd better make tracks. I've got to be up at Golders Green by two for the funeral."
"On me," corrected the photographer, a weary young man with a disenchanted attitude. "Three large White Labels, please. Anyway, here's to all the best. Are you ready, Sally? Because we should get moving. I need to be at Golders Green by two for the funeral."
Mr. Crowder of Crichton's appeared to have had the news broken to him already by Miss Twitterton, for he received the embassy in a spirit of gloomy acquiescence.
Mr. Crowder of Crichton's seemed to have already heard the news from Miss Twitterton, as he received the message with a resigned grimness.
"The directors won't like it," he said, "but they've had to put up with such a lot that I suppose one irregularity more or less won't give 'em apoplexy." He had a small, anxious, yellow face like a monkey. Wimsey put him down as being in his late thirties. He noticed his fine, capable hands, one of which was disfigured by a strip of sticking-plaster.
"The directors won't be happy about it," he said, "but they've dealt with so much that I guess one more irregularity won't send them over the edge." He had a small, anxious, yellow face like a monkey. Wimsey figured he was in his late thirties. He noticed his skilled, capable hands, one of which was covered with a strip of band-aid.
"Damaged yourself?" said Wimsey pleasantly, as they made their way upstairs to the studio. "Mustn't make a practice of that, what? An artist's hands are his livelihood—except, of course, for Armless Wonders and people of that kind! Awkward job, painting with your toes."
"Did you hurt yourself?" Wimsey asked cheerfully as they headed upstairs to the studio. "You shouldn’t make a habit of that, right? An artist's hands are their livelihood—unless, of course, you're one of those Armless Wonders or someone like that! Painting with your toes must be a tough gig."
"Oh, it's nothing much," said Crowder, "but it's best to keep the paint out of surface scratches. There's such a thing as lead-poisoning. Well, here's this dud portrait, such as it is. I don't mind telling you that it didn't please the sitter. In fact, he wouldn't have it at any price."
"Oh, it’s not a big deal," said Crowder, "but it’s important to keep the paint away from surface scratches. Lead poisoning is a real concern. Anyway, here’s this terrible portrait, for what it’s worth. I don’t mind saying that the sitter wasn’t happy with it. In fact, he wouldn’t take it no matter the cost."
"Not flattering enough?" asked Hardy.
"Not flattering enough?" asked Hardy.
"As you say." The painter pulled out a four by three canvas from its hiding-place behind a stack of poster cartoons, and heaved it up on to the easel.
"As you say." The painter took a four by three canvas from behind a stack of poster cartoons and lifted it onto the easel.
"Oh!" said Hardy, a little surprised. Not that there was any reason for surprise as far as the painting itself was concerned. It was a straight-forward handling enough; the skill and originality of the brush-work being of the kind that interests the painter without shocking the ignorant.
"Oh!" said Hardy, a bit surprised. Not that there was any reason to be surprised about the painting itself. It was a pretty straightforward piece; the skill and originality of the brushwork were the kind that intrigues the artist without shocking those who aren't in the know.
"Oh!" said Hardy. "Was he really like that?"
"Oh!" said Hardy. "Was he actually like that?"
He moved closer to the canvas, peering into it as he might have peered into the face of the living man, hoping to get something out of him. Under this microscopic scrutiny, the portrait, as is the way of portraits, dislimned, and became no more than a conglomeration of painted spots and streaks. He made the discovery that, to the painter's eye, the human face is full of green and purple patches.
He stepped closer to the canvas, examining it like he would the face of a real person, hoping to draw something from it. Under this close inspection, the portrait, like so many others, lost its clarity and turned into just a jumble of painted spots and streaks. He realized that, to a painter, the human face is filled with green and purple blotches.
He moved back again, and altered the form of his question:
He stepped back again and changed the way he asked his question:
"So that's what he was like, was he?"
"So that's how he was, huh?"
He pulled out the photograph of Plant from his pocket, and compared it with the portrait. The portrait seemed to sneer at his surprise.
He took out the photograph of Plant from his pocket and compared it to the portrait. The portrait seemed to mock his surprise.
"Of course, they touch these things up at these fashionable photographers," he said. "Anyway, that's not my business. This thing will make a jolly good eye-catcher, don't you think so, Wimsey? Wonder if they'd give us a two-column spread on the front page? Well, Warren, you'd better get down to it."
"Sure, they edit these photos at those trendy photographers," he said. "But that's not my concern. This will definitely grab attention, don’t you think, Wimsey? I wonder if they'd give us a two-column spread on the front page? Alright, Warren, you should get started."
The photographer, bleakly unmoved by artistic or journalistic considerations, took silent charge of the canvas, mentally resolving it into a question of pan-chromatic plates and coloured screens. Crowder gave him a hand in shifting the easel into a better light. Two or three people from other departments, passing through the studio on their lawful occasions, stopped, and lingered in the neighbourhood of the disturbance, as though it were a street accident. A melancholy, grey-haired man, temporary head of the studio, vice Coreggio Plant, deceased, took Crowder aside, with a muttered apology, to give him some instructions about adapting a whole quad to an eleven-inch treble. Hardy turned to Lord Peter.
The photographer, completely indifferent to artistic or journalistic concerns, took control of the canvas, thinking about pan-chromatic plates and colored screens. Crowder helped him move the easel into better light. A couple of people from other departments, passing through the studio on their usual business, stopped and lingered near the commotion as if it were a street accident. A sad, grey-haired man, the temporary head of the studio after the passing of Coreggio Plant, pulled Crowder aside with a quiet apology to give him some instructions on adapting a whole quad to an eleven-inch treble. Hardy turned to Lord Peter.
"It's damned ugly," he said. "Is it good?"
"It's really ugly," he said. "Is it good?"
"Brilliant," said Wimsey. "You can go all out. Say what you like about it."
"Awesome," said Wimsey. "Feel free to go all out. Say whatever you want about it."
"Oh, splendid! Could we discover one of our neglected British masters?"
"Oh, fantastic! Could we find one of our overlooked British masters?"
"Yes; why not? You'll probably make the man the fashion and ruin him as an artist, but that's his pigeon."
"Sure, why not? You'll probably turn him into a trend and mess up his artistry, but that's his problem."
"But, I say—do you think it's a good likeness? He's made him look a most sinister sort of fellow. After all, Plant thought it was so bad he wouldn't have it."
"But, I’m asking—do you think it looks like him? He made him look really shady. After all, Plant thought it was so bad he didn’t want to keep it."
"The more fool he. Ever heard of the portrait of a certain statesman that was so revealing of his inner emptiness that he hurriedly bought it up and hid it to prevent people like you from getting hold of it?"
"The bigger fool he is. Ever heard of the portrait of a certain politician that was so revealing of his inner emptiness that he quickly bought it and hid it to stop people like you from getting a hold of it?"
Crowder came back.
Crowder is back.
"I say," said Wimsey, "whom does that picture belong to? You? Or the heirs of the deceased, or what?"
"I say," Wimsey said, "who does that picture belong to? You? Or the heirs of the deceased, or what?"
"I suppose it's back on my hands," said the painter. "Plant—well, he more or less commissioned it, you see, but——"
"I guess it's back in my hands," said the painter. "Plant—he kind of commissioned it, you see, but——"
"How more or less?"
"More or less how?"
"Well, he kept on hinting, don't you know, that he would like me to do him, and, as he was my boss, I thought I'd better. No price actually mentioned. When he saw it, he didn't like it, and told me to alter it."
"Well, he kept hinting, you know, that he wanted me to do something for him, and since he was my boss, I figured I should. No price was actually mentioned. When he saw it, he didn't like it and told me to change it."
"But you didn't."
"But you didn't."
"Oh—well, I put it aside and said I'd see what I could do with it. I thought he'd perhaps forget about it."
"Oh—well, I set it aside and said I'd see what I could do with it. I thought he might forget about it."
"I see. Then presumably it's yours to dispose of."
"I understand. So I guess it's yours to do with as you wish."
"I should think so. Why?"
"I guess so. Why?"
"You have a very individual technique, haven't you?" pursued Wimsey. "Do you exhibit much?"
"You have a really unique technique, don’t you?" asked Wimsey. "Do you show your work often?"
"Here and there. I've never had a show in London."
"Here and there. I've never had a gig in London."
"I fancy I once saw a couple of small sea-scapes of yours somewhere. Manchester, was it? or Liverpool? I wasn't sure of your name, but I recognised the technique immediately."
"I think I once saw a couple of your small seascapes somewhere. Was it Manchester or Liverpool? I wasn't sure of your name, but I recognized the technique right away."
"I dare say. I did send a few things to Manchester about two years ago."
"I must say, I did send a few things to Manchester about two years ago."
"Yes—I felt sure I couldn't be mistaken. I want to buy the portrait. Here's my card, by the way. I'm not a journalist; I collect things."
"Yes—I was certain I wasn't wrong. I want to buy the portrait. Here’s my card, by the way. I’m not a journalist; I collect things."
Crowder looked from the card to Wimsey and from Wimsey to the card, a little reluctantly.
Crowder glanced from the card to Wimsey and back to the card, slightly hesitant.
"If you want to exhibit it, of course," said Lord Peter, "I should be delighted to leave it with you as long as you liked."
"If you want to show it, of course," said Lord Peter, "I’d be happy to leave it with you for as long as you’d like."
"Oh, it's not that," said Crowder. "The fact is, I'm not altogether keen on the thing. I should like to—that is to say, it's not really finished."
"Oh, it's not that," said Crowder. "The truth is, I'm not really into it. I'd like to—actually, it's just not fully done."
"My dear man, it's a bally masterpiece."
"My dear man, it's a brilliant masterpiece."
"Oh, the painting's all right. But it's not altogether satisfactory as a likeness."
"Oh, the painting looks fine. But it's not really a great likeness."
"What the devil does the likeness matter? I don't know what the late Plant looked like and I don't care. As I look at the thing it's a damn fine bit of brush-work, and if you tinker about with it you'll spoil it. You know that as well as I do. What's biting you? It isn't the price, is it? You know I shan't boggle about that. I can afford my modest pleasures, even in these thin and piping times. You don't want me to have it? Come now—what's the real reason?"
"What does it matter what the guy looked like? I don’t know what the late Plant looked like and I don’t care. As I see it, it’s a really great piece of brushwork, and if you mess with it, you’ll ruin it. You know that as well as I do. What’s bothering you? It isn’t the price, is it? You know I won’t hesitate about that. I can afford my little pleasures, even in these tough times. You don’t want me to have it? Come on—what’s the real reason?"
"There's no reason at all why you shouldn't have it if you really want it, I suppose," said the painter, still a little sullenly. "If it's really the painting that interests you."
"There's no reason why you shouldn't have it if you truly want it, I guess," said the painter, still a bit moody. "If it's really the painting that catches your interest."
"What do you suppose it is? The notoriety? I can have all I want of that commodity, you know, for the asking—or even without asking. Well, anyhow, think it over, and when you've decided, send me a line and name your price."
"What do you think it is? The fame? I can get all I want of that, you know, just for the asking—or even without asking. Anyway, think about it, and when you've made up your mind, shoot me a message and tell me your price."
Crowder nodded without speaking, and the photographer having by this time finished his job, the party took their leave.
Crowder nodded silently, and since the photographer had finished his work by then, the group said their goodbyes.
As they left the building, they became involved in the stream of Crichton's staff going out to lunch. A girl, who seemed to have been loitering in a semi-intentional way in the lower hall, caught them as the lift descended.
As they exited the building, they found themselves in the flow of Crichton's staff heading out for lunch. A girl, who appeared to be hanging around the lower hall somewhat deliberately, noticed them as the elevator came down.
"Are you the Evening Views people? Did you get your picture all right?"
"Are you the Evening Views folks? Did you get your photo okay?"
"Miss Twitterton?" said Hardy interrogatively. "Yes, rather—thank you so much for giving us the tip. You'll see it on the front page this evening."
"Miss Twitterton?" Hardy asked. "Yes, definitely—thank you so much for the heads-up. You'll see it on the front page this evening."
"Oh! that's splendid! I'm frightfully thrilled. It has made an excitement here—all this business. Do they know anything yet about who murdered Mr. Plant? Or am I being horribly indiscreet?"
"Oh! that's great! I'm really excited. This whole situation has stirred things up here. Do they know anything yet about who killed Mr. Plant? Or am I being really rude?"
"We're expecting news of an arrest any minute now," said Hardy. "As a matter of fact, I shall have to buzz back to the office as fast as I can, to sit with one ear glued to the telephone. You will excuse me, won't you? And, look here—will you let me come round another day, when things aren't so busy, and take you out to lunch?"
"We're expecting news about an arrest any minute now," said Hardy. "Actually, I need to get back to the office as quickly as I can to keep one ear on the phone. You don't mind, do you? And, hey—can I come by another day when things aren't so hectic and take you out to lunch?"
"Of course. I should love to." Miss Twitterton giggled. "I do so want to hear about all the murder cases."
"Of course. I would love to." Miss Twitterton giggled. "I really want to hear about all the murder cases."
"Then here's the man to tell you about them, Miss Twitterton," said Hardy, with mischief in his eye. "Allow me to introduce Lord Peter Wimsey."
"Then here's the guy to tell you about them, Miss Twitterton," said Hardy, with a glint of mischief in his eye. "Let me introduce Lord Peter Wimsey."
Miss Twitterton offered her hand in an ecstasy of excitement which almost robbed her of speech.
Miss Twitterton stretched out her hand, overwhelmed with excitement that nearly left her speechless.
"How do you do?" said Wimsey. "As this blighter is in such a hurry to get back to his gossip-shop, what do you say to having a spot of lunch with me?"
"How's it going?" said Wimsey. "Since this guy is in such a rush to get back to his gossip spot, how about grabbing some lunch with me?"
"Well, really——" began Miss Twitterton.
"Well, actually——" began Miss Twitterton.
"He's all right," said Hardy; "he won't lure you into any gilded dens of infamy. If you look at him, you will see he has a kind, innocent face."
"He's fine," said Hardy; "he won't lead you into any fancy hideouts of shame. If you look at him, you'll notice he has a kind, innocent face."
"I'm sure I never thought of such a thing," said Miss Twitterton. "But you know—really—I've only got my old things on. It's no good wearing anything decent in this dusty old place."
"I'm sure I never thought of that," said Miss Twitterton. "But you know—honestly—I’m just wearing my old stuff. There's no point in putting on anything nice in this dusty old place."
"Oh, nonsense!" said Wimsey. "You couldn't possibly look nicer. It isn't the frock that matters—it's the person who wears it. That's all right, then. See you later, Sally! Taxi! Where shall we go? What time do you have to be back, by the way?"
"Oh, come on!" said Wimsey. "You can't possibly look better. It's not about the dress—it's about the person wearing it. That’s settled then. Catch you later, Sally! Taxi! Where should we go? What time do you need to be back, by the way?"
"Two o'clock," said Miss Twitterton regretfully.
"Two o'clock," Miss Twitterton said with disappointment.
"Then we'll make the Savoy do," said Wimsey; "it's reasonably handy."
"Then we'll use the Savoy," said Wimsey; "it's pretty convenient."
Miss Twitterton hopped into the waiting taxi with a little squeak of agitation.
Miss Twitterton jumped into the waiting taxi with a slight squeak of nervousness.
"Did you see Mr. Crichton?" she said. "He went by just as we were talking. However, I dare say he doesn't really know me by sight. I hope not—or he'll think I'm getting too grand to need a salary." She rooted in her hand-bag. "I'm sure my face is getting all shiny with excitement. What a silly taxi. It hasn't got a mirror—and I've bust mine."
"Did you see Mr. Crichton?" she asked. "He walked by just as we were talking. But I don't think he really knows what I look like. I hope not—or he'll think I'm getting too fancy to need a salary." She rummaged through her handbag. "I bet my face is all shiny from excitement. What a silly taxi. It doesn’t have a mirror—and I broke mine."
Wimsey solemnly produced a small looking-glass from his pocket.
Wimsey seriously took out a small mirror from his pocket.
"How wonderfully competent of you!" exclaimed Miss Twitterton. "I'm afraid, Lord Peter, you are used to taking girls about."
"How incredibly capable you are!" exclaimed Miss Twitterton. "I'm afraid, Lord Peter, you’re accustomed to taking girls around."
"Moderately so," said Wimsey. He did not think it necessary to mention that the last time he had used that mirror it had been to examine the back teeth of a murdered man.
"Moderately so," said Wimsey. He didn’t think it was necessary to mention that the last time he had used that mirror, it was to check the back teeth of a murdered man.
"Of course," said Miss Twitterton, "they had to say he was popular with his colleagues. Haven't you noticed that murdered people are always well dressed and popular?"
"Of course," said Miss Twitterton, "they had to say he was popular with his coworkers. Haven't you noticed that murder victims are always well-dressed and well-liked?"
"They have to be," said Wimsey. "It makes it more mysterious and pathetic. Just as girls who disappear are always bright and home-loving and have no men friends."
"They have to be," said Wimsey. "It makes everything more mysterious and sad. Just like how girls who go missing are always cheerful, family-oriented, and don’t have any guy friends."
"Silly, isn't it?" said Miss Twitterton, with her mouth full of roast duck and green peas. "I should think everybody was only too glad to get rid of Plant—nasty, rude creature. So mean, too, always taking credit for other people's work. All those poor things in the studio, with all the spirit squashed out of them. I always say, Lord Peter, you can tell if a head of a department's fitted for his job by noticing the atmosphere of the place as you go into it. Take the copy-room, now. We're all as cheerful and friendly as you like, though I must say the language that goes on there is something awful, but these writing fellows are like that, and they don't mean anything by it. But then, Mr. Ormerod is a real gentleman—that's our copy-chief, you know—and he makes them all take an interest in the work, for all they grumble about the cheese-bills and the department-store bilge they have to turn out. But it's quite different in the studio. A sort of dead-and-alive feeling about it, if you understand what I mean. We girls notice things like that more than some of the high-up people think. Of course, I'm very sensitive to these feelings—almost psychic, I've been told."
“Isn’t it ridiculous?” Miss Twitterton said, her mouth full of roast duck and green peas. “I would think everyone would be more than happy to be rid of Plant—such a nasty, rude person. So selfish too, always taking credit for other people's work. Those poor souls in the studio, completely drained of their enthusiasm. I always say, Lord Peter, you can tell if a department head is suited for their role by the vibe of the place when you walk in. Take the copy room, for example. We’re all as cheerful and friendly as can be, although I have to admit the language there is pretty rough, but those writers are just like that, and they don’t mean any harm. But then, Mr. Ormerod is a true gentleman—that’s our copy chief, you know—and he gets everyone to engage with the work, even though they complain about the cheese bills and the junk they have to churn out from the department store. But in the studio, it’s a completely different story. There’s this sort of lifeless feeling to it, if you catch my drift. We girls are more aware of things like that than some of the higher-ups realize. Of course, I’m really attuned to those feelings—almost psychic, I’ve been told.”
Lord Peter said there was nobody like a woman for sizing up character at a glance. Women, he thought, were remarkably intuitive.
Lord Peter said there’s no one quite like a woman for assessing character at a glance. He believed women were incredibly intuitive.
"That's a fact," said Miss Twitterton. "I've often said, if I could have a few frank words with Mr. Crichton, I could tell him a thing or two. There are wheels within wheels beneath the surface of a place like this that these brass-hats have no idea of."
"That's for sure," said Miss Twitterton. "I've often thought that if I could have an honest chat with Mr. Crichton, I could share a thing or two with him. There are complex dynamics going on beneath the surface of a place like this that these big shots have no clue about."
Lord Peter said he felt sure of it.
Lord Peter said he was certain of it.
"The way Mr. Plant treated people he thought were beneath him," went on Miss Twitterton, "I'm sure it was enough to make your blood boil. I'm sure, if Mr. Ormerod sent me with a message to him, I was glad to get out of the room again. Humiliating, it was, the way he'd speak to you. I don't care if he's dead or not; being dead doesn't make a person's past behaviour any better, Lord Peter. It wasn't so much the rude things he said. There's Mr. Birkett, for example; he's rude enough, but nobody minds him. He's just like a big, blundering puppy—rather a lamb, really. It was Mr. Plant's nasty sneering way we all hated so. And he was always running people down."
"The way Mr. Plant treated people he thought were beneath him," continued Miss Twitterton, "was enough to make anyone furious. I know that whenever Mr. Ormerod sent me with a message to him, I was relieved to leave the room. It was humiliating the way he spoke to you. I don’t care if he’s dead or not; being dead doesn’t improve a person’s past behavior, Lord Peter. It wasn’t just the rude things he said. Take Mr. Birkett, for instance; he’s rude enough, but nobody really minds him. He’s more like a big, clumsy puppy—kind of like a lamb, actually. It was Mr. Plant’s nasty, sneering attitude that we all couldn’t stand. And he was always putting people down."
"How about this portrait?" asked Wimsey. "Was it like him at all?"
"How about this portrait?" Wimsey asked. "Does it look anything like him?"
"It was a lot too like him," said Miss Twitterton emphatically. "That's why he hated it so. He didn't like Crowder, either. But, of course, he knew he could paint, and he made him do it, because he thought he'd be getting a valuable thing cheap. And Crowder couldn't very well refuse, or Plant would have got him sacked."
"It was way too similar to him," Miss Twitterton said firmly. "That's why he hated it so much. He didn't like Crowder, either. But, of course, he knew he could paint, and he forced him to do it because he thought he was getting something valuable for a low price. And Crowder couldn't really say no, or Plant would have gotten him fired."
"I shouldn't have thought that would have mattered much to a man of Crowder's ability."
"I shouldn't have thought that would matter much to a man like Crowder."
"Poor Mr. Crowder! I don't think he's ever had much luck. Good artists don't always seem able to sell their pictures. And I know he wanted to get married—otherwise he'd never have taken up this commercial work. He's told me a good bit about himself. I don't know why—but I'm one of the people men seem to tell things to."
"Poor Mr. Crowder! I don't think he's ever had much luck. Good artists don’t always seem to sell their work. And I know he wanted to get married—otherwise, he would have never taken on this commercial work. He’s shared quite a bit about himself with me. I don’t know why—but I’m one of those people men seem to open up to."
Lord Peter filled Miss Twitterton's glass.
Lord Peter filled Miss Twitterton's glass.
"Oh, please! No, really! Not a drop more! I'm talking a lot too much as it is. I don't know what Mr. Ormerod will say when I go in to take his letters. I shall be writing down all kinds of funny things. Ooh! I really must be getting back. Just look at the time!"
"Oh, come on! No, seriously! Not another drop! I'm already talking way too much as it is. I have no idea what Mr. Ormerod will say when I go in to collect his letters. I'll end up writing down all sorts of silly things. Ooh! I really need to head back. Just look at the time!"
"It's not really late. Have a black coffee—just as a corrective." Wimsey smiled. "You haven't been talking at all too much. I've enjoyed your picture of office life enormously. You have a very vivid way of putting things, you know. I see now why Mr. Plant was not altogether a popular character."
"It's not that late. Have a black coffee—just as a little pick-me-up." Wimsey smiled. "You really haven't said too much. I've really enjoyed your description of office life. You have a very vivid way of expressing things, you know. I now understand why Mr. Plant wasn't exactly a popular guy."
"Not in the office, anyway—whatever he may have been elsewhere," said Miss Twitterton darkly.
"Not in the office, anyway—whatever he might have been like somewhere else," said Miss Twitterton darkly.
"Oh?"
"Oh?"
"Oh! he was a one," said Miss Twitterton. "He certainly was a one. Some friends of mine met him one evening up in the West End, and they came back with some nice stories. It was quite a joke in the office—old Plant and his rosebuds, you know. Mr. Cowley—he's the Cowley, you know, who rides in the motor-cycle races—he always said he knew what to think of Mr. Plant and his motor-tours. That time Mr. Plant pretended he'd gone touring in Wales, Mr. Cowley was asking him about the roads, and he didn't know a thing about them. Because Mr. Cowley really had been touring there, and he knew quite well Mr. Plant hadn't been where he said he had; and, as a matter of fact, Mr. Cowley knew he'd been staying the whole time in a hotel at Aberystwyth, in very attractive company."
"Oh! he was something else," said Miss Twitterton. "He definitely was something else. A few friends of mine ran into him one evening in the West End, and they came back with some great stories. It became quite the joke in the office—old Plant and his admirers, you know. Mr. Cowley—he's *the* Cowley, the one who races motorcycles—you know him—he always said he knew exactly what to think of Mr. Plant and his road trips. That time Mr. Plant pretended he’d gone touring in Wales, Mr. Cowley was asking him about the roads, and he didn’t know a thing about them. Because Mr. Cowley had actually been touring there, and he knew for sure Mr. Plant hadn’t been where he claimed; in fact, Mr. Cowley knew he’d been staying the whole time in a hotel in Aberystwyth, with some very charming company."
Miss Twitterton finished her coffee and slapped the cup down defiantly.
Miss Twitterton finished her coffee and set the cup down forcefully.
"And now I really must run away, or I shall be most dreadfully late. And thank you ever so much."
"And now I really have to run away, or I'll be super late. Thanks so much!"
"Hullo!" said Inspector Winterbottom, "you've bought that portrait, then?"
"Hello!" said Inspector Winterbottom, "you bought that portrait, right?"
"Yes," said Wimsey. "It's a fine bit of work." He gazed thoughtfully at the canvas. "Sit down, inspector; I want to tell you a story."
"Yeah," said Wimsey. "It's a great piece of work." He looked thoughtfully at the canvas. "Have a seat, inspector; I want to tell you a story."
"And I want to tell you a story," replied the inspector.
"And I want to tell you a story," said the inspector.
"Let's have yours first," said Wimsey, with an air of flattering eagerness.
"Let’s see yours first," said Wimsey, with a pleasantly eager attitude.
"No, no, my lord. You take precedence. Go ahead."
"No, no, my lord. You go first. Please, go ahead."
He snuggled down with a chuckle into his arm-chair.
He settled down with a laugh into his armchair.
"Well!" said Wimsey. "Mine's a sort of a fairy-story. And, mind you, I haven't verified it."
"Well!" said Wimsey. "Mine's kind of a fairy tale. And, just so you know, I haven't checked it out."
"Go ahead, my lord, go ahead."
"Go ahead, my lord, go ahead."
"Once upon a time——" said Wimsey, sighing.
"Once upon a time——" Wimsey said with a sigh.
"That's the good old-fashioned way to begin a fairy-story," said Inspector Winterbottom.
"That's the classic way to start a fairy tale," said Inspector Winterbottom.
"Once upon a time," repeated Wimsey, "there was a painter. He was a good painter, but the bad fairy of Financial Success had not been asked to his christening—what?"
"Once upon a time," Wimsey repeated, "there was a painter. He was a talented painter, but the bad fairy of Financial Success had not been invited to his christening—right?"
"That's often the way with painters," agreed the inspector.
"That's usually how it is with painters," the inspector agreed.
"So he had to take up a job as a commercial artist, because nobody would buy his pictures and, like so many people in fairy-tales, he wanted to marry a goose-girl."
"So he had to get a job as a commercial artist because no one would buy his paintings, and like so many characters in fairy tales, he wanted to marry a goose girl."
"There's many people want to do the same," said the inspector.
"Many people want to do the same thing," said the inspector.
"The head of his department," went on Wimsey, "was a man with a mean, sneering soul. He wasn't even really good at his job, but he had been pushed into authority during the war, when better men went to the Front. Mind you, I'm rather sorry for the man. He suffered from an inferiority complex"—the inspector snorted—"and he thought the only way to keep his end up was to keep other people's end down. So he became a little tin tyrant and a bully. He took all the credit for the work of the men under his charge, and he sneered and harassed them till they got inferiority complexes even worse than his own."
"The head of his department," Wimsey continued, "was a guy with a petty, sneering personality. He wasn't even that great at his job, but got pushed into a leadership role during the war when better men went to the front lines. Honestly, I feel a bit sorry for him. He dealt with an inferiority complex"—the inspector scoffed—"and he thought the only way to prove himself was to drag others down. So he became a little tyrant and a bully. He took all the credit for the work of his team and mocked and harassed them until they developed inferiority complexes even worse than his own."
"I've known that sort," said the inspector, "and the marvel to me is how they get away with it."
"I've seen that type before," said the inspector, "and what amazes me is how they manage to get away with it."
"Just so," said Wimsey. "Well, I dare say this man would have gone on getting away with it all right, if he hadn't thought of getting this painter to paint his portrait."
"Exactly," said Wimsey. "I bet this guy would have kept getting away with it if he hadn't decided to have this painter do his portrait."
"Damn silly thing to do," said the inspector. "It was only making the painter-fellow conceited with himself."
"Dumb thing to do," said the inspector. "It was just making the painter guy full of himself."
"True. But, you see, this tin tyrant person had a fascinating female in tow, and he wanted the portrait for the lady. He thought that, by making the painter do it, he would get a good portrait at starvation price. But unhappily he'd forgotten that, however much an artist will put up with in the ordinary way, he is bound to be sincere with his art. That's the one thing a genuine artist won't muck about with."
"True. But, you see, this tin tyrant had an interesting woman by his side, and he wanted the portrait for her. He thought that by making the painter do it, he could get a great portrait for a cheap price. But unfortunately, he forgot that no matter how much an artist might tolerate in normal circumstances, they have to be honest with their art. That's the one thing a real artist won't compromise on."
"I dare say," said the inspector. "I don't know much about artists."
"I must say," said the inspector. "I don’t know much about artists."
"Well, you can take it from me. So the painter painted the portrait as he saw it, and he put the man's whole creeping, sneering, paltry soul on the canvas for everybody to see."
"Well, you can trust me on this. The painter captured the portrait exactly as he perceived it, revealing the man's entire sneaky, contemptuous, insignificant soul on the canvas for everyone to see."
Inspector Winterbottom stared at the portrait, and the portrait sneered back at him.
Inspector Winterbottom looked at the portrait, and the portrait sneered back at him.
"It's not what you'd call a flattering picture, certainly," he admitted.
"It's not exactly a flattering picture," he admitted.
"Now, when a painter paints a portrait of anybody," went on Wimsey, "that person's face is never the same to him again. It's like—what shall I say? Well, it's like the way a gunner, say, looks at a landscape where he happens to be posted. He doesn't see it as a landscape. He doesn't see it as a thing of magic beauty, full of sweeping lines and lovely colour. He sees it as so much cover, so many landmarks to aim by, so many gun-emplacements. And when the war is over and he goes back to it, he will still see it as cover and landmarks and gun-emplacements. It isn't a landscape any more. It's a war map."
"Now, when a painter creates a portrait of someone," continued Wimsey, "that person's face is never the same to him afterward. It's like—what can I say? Well, it's like how a soldier, for example, views a landscape where he's stationed. He doesn't see it as just a landscape. He doesn't perceive it as a beautiful scene, full of flowing lines and vibrant colors. He sees it in terms of cover, landmarks to aim at, and positions for artillery. And when the war is over and he returns, he'll still look at it as cover and landmarks and positions for artillery. It’s not a landscape anymore. It’s a battle map."
"I know that," said Inspector Winterbottom. "I was a gunner myself."
"I know that," said Inspector Winterbottom. "I used to be a gunner myself."
"A painter gets just the same feeling of deadly familiarity with every line of a face he's once painted," pursued Wimsey. "And, if it's a face he hates, he hates it with a new and more irritable hatred. It's like a defective barrel-organ, everlastingly grinding out the same old maddening tune, and making the same damned awful wrong note every time the barrel goes round."
"A painter feels the same annoying familiarity with every line of a face he’s painted before," Wimsey continued. "And if it’s a face he dislikes, he hates it with a fresh and even more irritating loathing. It’s like a broken barrel organ, constantly playing the same old frustrating tune and hitting the same terrible wrong note every time the barrel turns."
"Lord! how you can talk!" ejaculated the inspector.
"Wow! You really know how to talk!" exclaimed the inspector.
"That was the way the painter felt about this man's hateful face. All day and every day he had to see it. He couldn't get away because he was tied to his job, you see."
"That's how the painter felt about this guy's awful face. Every single day, he had to look at it. He couldn't escape because he was stuck with his job, you know."
"He ought to have cut loose," said the inspector. "It's no good going on like that, trying to work with uncongenial people."
"He should have let go," said the inspector. "It's pointless to continue like that, trying to work with people you don't get along with."
"Well, anyway, he said to himself, he could escape for a bit during his holidays. There was a beautiful little quiet spot he knew on the West Coast, where nobody ever came. He'd been there before and painted it. Oh! by the way, that reminds me—I've got another picture to show you."
"Well, anyway, he thought to himself, he could get away for a bit during his holidays. There was a lovely little quiet place he knew on the West Coast, where nobody ever went. He had been there before and painted it. Oh! by the way, that reminds me—I have another picture to show you."
He went to a bureau and extracted a small panel in oils from a drawer.
He went to a desk and pulled out a small oil painting from a drawer.
"I saw that two years ago at a show in Manchester, and I happened to remember the name of the dealer who bought it."
"I saw that two years ago at a show in Manchester, and I happened to remember the name of the dealer who bought it."
Inspector Winterbottom gaped at the panel.
Inspector Winterbottom stared at the panel in shock.
"But that's East Felpham!" he exclaimed.
"But that's East Felpham!" he said excitedly.
"Yes. It's only signed T.C., but the technique is rather unmistakable, don't you think?"
"Yeah. It’s only signed T.C., but the style is pretty unmistakable, don’t you think?"
The inspector knew little about technique, but initials he understood. He looked from the portrait to the panel and back at Lord Peter.
The inspector didn't know much about technique, but he understood initials. He glanced from the portrait to the panel and back at Lord Peter.
"The painter——"
"The artist——"
"Crowder?"
"Crowder?"
"If it's all the same to you, I'd rather go on calling him the painter. He packed up his traps on his push-bike carrier, and took his tormented nerves down to this beloved and secret spot for a quiet week-end. He stayed at a quiet little hotel in the neighbourhood, and each morning he cycled off to this lovely little beach to bathe. He never told anybody at the hotel where he went, because it was his place, and he didn't want other people to find it out."
"If you don’t mind, I’d prefer to keep calling him the painter. He loaded up his gear on his bike and took his frazzled nerves to this cherished and hidden spot for a quiet weekend. He stayed at a low-key little hotel nearby, and each morning he rode his bike to this beautiful beach to swim. He never told anyone at the hotel where he went because it was his place, and he didn’t want others to discover it."
Inspector Winterbottom set the panel down on the table, and helped himself to whisky.
Inspector Winterbottom placed the panel on the table and poured himself a whisky.
"One morning—it happened to be the Monday morning"—Wimsey's voice became slower and more reluctant—"he went down as usual. The tide was not yet fully in, but he ran out over the rocks to where he knew there was a deep bathing-pool. He plunged in and swam about, and let the small noise of his jangling troubles be swallowed up in the innumerable laughter of the sea."
"One morning—it happened to be a Monday morning"—Wimsey's voice grew slower and more hesitant—"he went down as usual. The tide wasn’t fully in yet, but he ran out over the rocks to where he knew there was a deep swimming hole. He jumped in and swam around, letting the little noise of his worries be drowned out by the endless laughter of the sea."
"Eh?"
"What's up?"
"[Greek: kumatôn anêrithmon gelasma]—quotation from the classics. Some people say it means the dimpled surface of the waves in the sunlight—but how could Prometheus, bound upon his rock, have seen it? Surely it was the chuckle of the incoming tide among the stones that came up to his ears on the lonely peak where the vulture fretted at his heart. I remember arguing about it with old Philpotts in class, and getting rapped over the knuckles for contradicting him. I didn't know at the time that he was engaged in producing a translation on his own account, or doubtless I should have contradicted him more rudely and been told to take my trousers down. Dear old Philpotts!"
"[Greek: kumatôn anêrithmon gelasma]—a quote from the classics. Some people say it refers to the dimpled surface of the waves in the sunlight—but how could Prometheus, chained to his rock, have seen that? Surely it was the sound of the incoming tide among the stones that reached his ears on the lonely peak where the vulture tormented his heart. I remember debating it with old Philpotts in class and getting slapped on the hand for disagreeing with him. I didn't know back then he was working on his own translation, or I definitely would have challenged him more boldly and would have been told to drop my pants. Dear old Philpotts!"
"I don't know anything about that," said the inspector.
"I don't know anything about that," said the inspector.
"I beg your pardon. Shocking way I have of wandering. The painter—well! he swam round the end of the rocks, for the tide was nearly in by that time; and, as he came up from the sea, he saw a man standing on the beach—that beloved beach, remember, which he thought was his own sacred haven of peace. He came wading towards it, cursing the Bank Holiday rabble who must needs swarm about everywhere with their cigarette-packets and their kodaks and their gramophones—and then he saw that it was a face he knew. He knew every hated line in it, on that clear sunny morning. And, early as it was, the heat was coming up over the sea like a haze."
"I’m sorry. I have a shocking way of wandering. The painter—well! he swam around the rocks since the tide was almost in by then; and as he came out of the water, he saw a man standing on the beach—that beloved beach, remember, which he thought was his own sacred haven of peace. He waded toward it, cursing the holiday crowd who just had to swarm everywhere with their cigarette packs and their cameras and their record players—and then he saw that it was a face he recognized. He knew every hated line in it on that clear sunny morning. And, as early as it was, the heat was rising over the sea like a haze."
"It was a hot week-end," said the Inspector.
"It was a hot weekend," said the Inspector.
"And then the man hailed him, in his smug, mincing voice. 'Hullo!' he said, 'you here? How did you find my little bathing-place?' And that was too much for the painter. He felt as if his last sanctuary had been invaded. He leapt at the lean throat—it's rather a stringy one, you may notice, with a prominent Adam's apple—an irritating throat. The water chuckled round their feet as they swayed to and fro. He felt his thumbs sink into the flesh he had painted. He saw, and laughed to see, the hateful familiarity of the features change and swell into an unrecognisable purple. He watched the sunken eyes bulge out and the thin mouth distort itself as the blackened tongue thrust through it—I am not unnerving you, I hope?"
"And then the man called out to him in his annoying, affected voice. 'Hey there! What are you doing here? How did you find my little swimming spot?' That was too much for the painter. It felt like his last safe place had been violated. He lunged at the man's thin throat—it’s quite stringy, as you might notice, with a prominent Adam’s apple—an infuriating throat. The water splashed around their feet as they rocked back and forth. He felt his thumbs dig into the flesh he had painted. He saw, and found it amusing to see, the hateful familiarity of the features morphing and swelling into an unrecognizable purple. He watched the sunken eyes bulge and the thin mouth twist as the blackened tongue protruded from it—I hope I’m not unsettling you?"
The inspector laughed.
The inspector chuckled.
"Not a bit. It's wonderful, the way you describe things. You ought to write a book."
"Not at all. It's amazing how you describe things. You should write a book."
replied his lordship negligently, and went on without further comment.
replied his lordship casually and continued on without any more remarks.
"The painter throttled him. He flung him back on the sand. He looked at him, and his heart crowed within him. He stretched out his hand, and found a broken bottle, with a good jagged edge. He went to work with a will, stamping and tearing away every trace of the face he knew and loathed. He blotted it out and destroyed it utterly.
"The painter choked him. He threw him back onto the sand. He looked at him, and his heart swelled with triumph. He reached out his hand and found a broken bottle with a sharp edge. He got to work with determination, scraping and tearing away every trace of the face he recognized and hated. He erased it completely and destroyed it entirely."
"He sat beside the thing he had made. He began to be frightened. They had staggered back beyond the edge of the water, and there were the marks of his feet on the sand. He had blood on his face and on his bathing-suit, and he had cut his hand with the bottle. But the blessed sea was still coming in. He watched it pass over the bloodstains and the footprints and wipe the story of his madness away. He remembered that this man had gone from his place, leaving no address behind him. He went back, step by step, into the water, and, as it came up to his breast, he saw the red stains smoke away like a faint mist in the brown-blueness of the tide. He went—wading and swimming and plunging his face and arms deep in the water, looking back from time to time to see what he had left behind him. I think that when he got back to the point and drew himself out, clean and cool, upon the rocks, he remembered that he ought to have taken the body back with him and let the tide carry it away, but it was too late. He was clean, and he could not bear to go back for the thing. Besides, he was late, and they would wonder at the hotel if he was not back in time for breakfast. He ran lightly over the bare rocks and the grass that showed no footprint. He dressed himself, taking care to leave no trace of his presence. He took the car, which would have told a story. He put his bicycle in the back seat, under the rugs, and he went—but you know as well as I do where he went."
He sat next to the thing he had created. He started to feel scared. They had staggered back away from the water’s edge, and he could see the marks of his feet in the sand. He had blood on his face and on his swimsuit, and he had cut his hand on the bottle. But the beautiful sea kept coming in. He watched it wash over the bloodstains and footprints, erasing the evidence of his insanity. He remembered that this man had left his place without giving any contact information. He stepped back into the water, and as it reached his chest, he saw the red stains fade away like a light mist in the brown-blue tide. He waded, swam, and plunged his face and arms deep into the water, occasionally looking back to see what he had left behind. I think when he reached the point and pulled himself out, feeling clean and cool on the rocks, he remembered that he should have taken the body back with him and let the tide carry it away, but it was too late. He was clean, and he couldn’t bring himself to go back for it. Besides, he was late, and they would wonder at the hotel if he didn’t return in time for breakfast. He lightly ran over the bare rocks and the grass that held no footprints. He got dressed, making sure to leave no trace of his presence. He took the car that could have revealed a story. He put his bicycle in the back seat under the rugs, and he left—but you know as well as I do where he went.
Lord Peter got up with an impatient movement, and went over to the picture, rubbing his thumb meditatively over the texture of the painting.
Lord Peter stood up with an impatient gesture and walked over to the picture, thoughtfully rubbing his thumb across the texture of the painting.
"You may say, if he hated the face so much, why didn't he destroy the picture? He couldn't. It was the best thing he'd ever done. He took a hundred guineas for it. It was cheap at a hundred guineas. But then—I think he was afraid to refuse me. My name is rather well known. It was a sort of blackmail, I suppose. But I wanted that picture."
"You might wonder, if he hated the painting so much, why didn’t he just destroy it? He couldn’t. It was the best thing he had ever created. He got a hundred guineas for it. It was worth every bit of a hundred guineas. But then—I think he was scared to say no to me. My name carries some weight. It was kind of a form of blackmail, I guess. But I really wanted that painting."
Inspector Winterbottom laughed again.
Inspector Winterbottom chuckled again.
"Did you take any steps, my lord, to find out if Crowder has really been staying at East Felpham?"
"Have you done anything, my lord, to check if Crowder has actually been staying at East Felpham?"
"No." Wimsey swung round abruptly. "I have taken no steps at all. That's your business. I have told you the story, and, on my soul, I'd rather have stood by and said nothing."
"No." Wimsey turned around abruptly. "I haven't taken any steps at all. That's your responsibility. I've told you the story, and honestly, I'd rather have just stood back and said nothing."
"You needn't worry." The inspector laughed for the third time. "It's a good story, my lord, and you told it well. But you're right when you say it's a fairy-story. We've found this Italian fellow—Franceso, he called himself, and he's the man all right."
"You don’t need to worry." The inspector laughed for the third time. "It's a good story, my lord, and you told it well. But you're right when you say it’s a fairy tale. We’ve found this Italian guy—Francesco, he called himself, and he’s definitely the man."
"How do you know? Has he confessed?"
"How do you know? Has he admitted it?"
"Practically. He's dead. Killed himself. He left a letter to the woman, begging her forgiveness, and saying that when he saw her with Plant he felt murder come into his heart. 'I have revenged myself,' he says, 'on him who dared to love you.' I suppose he got the wind up when he saw we were after him—I wish these newspapers wouldn't be always putting these criminals on their guard—so he did away with himself to cheat the gallows. I may say it's been a disappointment to me."
"Basically, he's dead. He killed himself. He left a letter for the woman, asking for her forgiveness and saying that when he saw her with Plant, he felt a murderous rage. 'I have gotten my revenge,' he says, 'on the one who dared to love you.' I guess he got scared when he realized we were onto him—I wish these newspapers wouldn't always warn these criminals—so he took his own life to avoid the gallows. I have to say it's been really disappointing for me."
"It must have been," said Wimsey. "Very unsatisfactory, of course. But I'm glad my story turned out to be only a fairy-tale after all. You're not going?"
"It must have been," said Wimsey. "Very unsatisfactory, of course. But I'm glad my story ended up being just a fairy tale after all. You're not going?"
"Got to get back to my duty," said the inspector, heaving himself to his feet. "Very pleased to have met you, my lord. And I mean what I say—you ought to take to literature."
"Got to get back to my duty," said the inspector, getting to his feet. "It was great to meet you, my lord. And I really mean it—you should consider writing."
Wimsey remained after he had gone, still looking at the portrait.
Wimsey stayed behind after he left, continuing to gaze at the portrait.
"'What is Truth?' said jesting Pilate. No wonder, since it is so completely unbelievable.... I could prove it ... if I liked ... but the man had a villainous face, and there are few good painters in the world."
"'What is Truth?' said joking Pilate. No surprise, since it’s so completely unbelievable.... I could prove it ... if I wanted to ... but the guy had a wicked face, and there aren't many good artists in the world."
THE ADVENTUROUS EXPLOIT OF THE CAVE OF ALI BABA
In the front room of a grim and narrow house in Lambeth a man sat eating kippers and glancing through the Morning Post. He was smallish and spare, with brown hair rather too regularly waved and a strong, brown beard, cut to a point. His double-breasted suit of navy-blue and his socks, tie, and handkerchief, all scrupulously matched, were a trifle more point-device than the best taste approves, and his boots were slightly too bright a brown. He did not look a gentleman, not even a gentleman's gentleman, yet there was something about his appearance which suggested that he was accustomed to the manner of life in good families. The breakfast-table, which he had set with his own hands, was arrayed with the attention to detail which is exacted of good-class servants. His action, as he walked over to a little side-table and carved himself a plate of ham, was the action of a superior butler; yet he was not old enough to be a retired butler; a footman, perhaps, who had come into a legacy.
In the front room of a gloomy, narrow house in Lambeth, a man sat eating kippers and flipping through the Morning Post. He was of average height and slim, with brown hair styled a bit too perfectly and a strong, brown beard shaped to a point. His navy-blue double-breasted suit, along with his socks, tie, and handkerchief, all meticulously coordinated, were slightly more showy than what good taste would recommend, and his shoes were a shade too bright a brown. He didn’t quite look like a gentleman or even a gentleman's servant, but there was something about him that suggested he was familiar with living among well-off families. The breakfast table, which he had set up himself, displayed the kind of attention to detail expected from high-quality servants. His movements, as he walked over to a small side table to carve himself a plate of ham, resembled those of a skilled butler; yet he was too young to be a retired butler—more likely a footman who had come into an inheritance.
He finished the ham with good appetite, and, as he sipped his coffee, read through attentively a paragraph which he had already noticed and put aside for consideration.
He finished the ham with a great appetite, and while sipping his coffee, he carefully read through a paragraph that he had already noticed and set aside for later thought.
"Lord Peter Wimsey's Will
BEQUEST TO VALET
£10,000 TO CHARITIES
"Lord Peter Wimsey's Will
BEQUEST TO VALET
£10,000 TO CHARITIES"
"The will of Lord Peter Wimsey, who was killed last December while shooting big game in Tanganyika, was proved yesterday at £500,000. A sum of £10,000 was left to various charities, including [here followed a list of bequests]. To his valet, Mervyn Bunter, was left an annuity of £500 and the lease of the testator's flat in Piccadilly. [Then followed a number of personal bequests.] The remainder of the estate, including the valuable collection of books and pictures at 110A Piccadilly, was left to the testator's mother, the Dowager Duchess of Denver.
The will of Lord Peter Wimsey, who died last December while hunting big game in Tanganyika, was validated yesterday at £500,000. He left £10,000 to various charities, including [here followed a list of bequests]. His valet, Mervyn Bunter, received an annuity of £500 and the lease of the late lord's flat in Piccadilly. [Then followed a number of personal bequests.] The rest of the estate, which includes the valuable collection of books and pictures at 110A Piccadilly, was given to the testator's mother, the Dowager Duchess of Denver.
"Lord Peter Wimsey was thirty-seven at the time of his death. He was the younger brother of the present Duke of Denver, who is the wealthiest peer in the United Kingdom. Lord Peter was distinguished as a criminologist and took an active part in the solution of several famous mysteries. He was a well-known book-collector and man-about-town."
"Lord Peter Wimsey was thirty-seven when he passed away. He was the younger brother of the current Duke of Denver, the richest noble in the United Kingdom. Lord Peter was recognized as a criminologist and played an active role in solving several high-profile mysteries. He was also a well-known book collector and a socialite."
The man gave a sigh of relief.
The man let out a sigh of relief.
"No doubt about that," he said aloud. "People don't give their money away if they're going to come back again. The blighter's dead and buried right enough. I'm free."
"No doubt about it," he said out loud. "People don’t just give away their money if they're planning to return. That guy's definitely dead and gone. I’m free."
He finished his coffee, cleared the table, and washed up the crockery, took his bowler hat from the hall-stand, and went out.
He finished his coffee, cleaned the table, and washed the dishes, grabbed his bowler hat from the hall stand, and went outside.
A bus took him to Bermondsey. He alighted, and plunged into a network of gloomy streets, arriving after a quarter of an hour's walk at a seedy-looking public-house in a low quarter. He entered and called for a double whisky.
A bus took him to Bermondsey. He got off and walked into a maze of dark streets, arriving after a fifteen-minute walk at a rundown pub in a sketchy area. He walked in and ordered a double whisky.
The house had only just opened, but a number of customers, who had apparently been waiting on the doorstep for this desirable event, were already clustered about the bar. The man who might have been a footman reached for his glass, and in doing so jostled the elbow of a flash person in a check suit and regrettable tie.
The house had just opened, but several customers, who had clearly been waiting on the doorstep for this exciting moment, were already gathered around the bar. The guy who might have been a footman reached for his drink, and while doing so, bumped the elbow of a flashy person in a checkered suit and a questionable tie.
"Here!" expostulated the flash person, "what d'yer mean by it? We don't want your sort here. Get out!"
"Hey!" shouted the flashy person, "What do you mean by that? We don't want your kind here. Leave!"
He emphasised his remarks with a few highly coloured words, and a violent push in the chest.
He emphasized his comments with a few strong words and a hard shove to the chest.
"Bar's free to everybody, isn't it?" said the other, returning the shove with interest.
"Isn't the bar free for everyone?" said the other, shoving back with equal force.
"Now then!" said the barmaid, "none o' that. The gentleman didn't do it intentional, Mr. Jukes."
"Alright then!" said the barmaid, "cut that out. The guy didn't do it on purpose, Mr. Jukes."
"Didn't he?" said Mr. Jukes. "Well, I did."
"Didn't he?" said Mr. Jukes. "Well, I did."
"And you ought to be ashamed of yourself," retorted the young lady, with a toss of the head. "I'll have no quarrelling in my bar—not this time in the morning."
"And you should be ashamed of yourself," the young lady shot back, tossing her head. "I won’t tolerate any arguing in my bar—not this early in the morning."
"It was quite an accident," said the man from Lambeth. "I'm not one to make a disturbance, having always been used to the best houses. But if any gentleman wants to make trouble——"
"It was just an accident," said the man from Lambeth. "I’m not someone who causes a scene, having always been accustomed to the finest homes. But if any gentleman wants to stir up trouble——"
"All right, all right," said Mr. Jukes, more pacifically. "I'm not keen to give you a new face. Not but what any alteration wouldn't be for the better. Mind your manners another time, that's all. What'll you have?"
"Okay, okay," said Mr. Jukes, calming down. "I’m not looking to change your face. But honestly, any change would probably be an improvement. Just watch your manners next time, that’s all. What do you want?"
"No, no," protested the other, "this one must be on me. Sorry I pushed you. I didn't mean it. But I didn't like to be taken up so short."
"No, no," the other person said, "this one has to be my treat. Sorry for being pushy. I didn't mean it. I just didn't like being cut off like that."
"Say no more about it," said Mr. Jukes generously. "I'm standing this. Another double whisky, miss, and one of the usual. Come over here where there isn't so much of a crowd, or you'll be getting yourself into trouble again."
"Don't say anything more about it," Mr. Jukes said generously. "I've got this covered. Another double whisky, please, and one of the usual. Come over here where it's not so crowded, or you'll get yourself into trouble again."
He led the way to a small table in the corner of the room.
He walked ahead to a small table in the corner of the room.
"That's all right," said Mr. Jukes. "Very nicely done. I don't think there's any danger here, but you can't be too careful. Now, what about it, Rogers? Have you made up your mind to come in with us?"
"That's okay," Mr. Jukes said. "Well done. I don't think there's any risk here, but you can never be too cautious. So, what about you, Rogers? Have you decided to join us?"
"Yes," said Rogers, with a glance over his shoulder, "yes, I have. That is, mind you, if everything seems all right. I'm not looking for trouble, and I don't want to get let in for any dangerous games. I don't mind giving you information, but it's understood as I take no active part in whatever goes on. Is that straight?"
"Yeah," Rogers said, glancing over his shoulder, "yeah, I have. That is, if everything looks good. I'm not looking for trouble, and I don’t want to get involved in any risky situations. I don’t mind sharing information, but just so we're clear, I won’t be taking an active role in whatever happens. Is that clear?"
"You wouldn't be allowed to take an active part if you wanted to," said Mr. Jukes. "Why, you poor fish, Number One wouldn't have anybody but experts on his jobs. All you have to do is to let us know where the stuff is and how to get it. The Society does the rest. It's some organisation, I can tell you. You won't even know who's doing it, or how it's done. You won't know anybody, and nobody will know you—except Number One, of course. He knows everybody."
"You wouldn't be allowed to take an active role even if you wanted to," said Mr. Jukes. "Honestly, you poor thing, Number One only hires experts for his tasks. All you need to do is tell us where the stuff is and how to get it. The Society takes care of everything else. It's quite an organization, let me tell you. You won't even know who's doing it or how it's being done. You won't know anyone, and no one will know you—except Number One, of course. He knows everyone."
"And you," said Rogers.
"And you," Rogers said.
"And me, of course. But I shall be transferred to another district. We shan't meet again after to-day, except at the general meetings, and then we shall all be masked."
"And me, of course. But I'll be moved to another district. We won't see each other again after today, except at the general meetings, and then we'll all be wearing masks."
"Go on!" said Rogers incredulously.
"Go on!" Rogers said in disbelief.
"Fact. You'll be taken to Number One—he'll see you, but you won't see him. Then, if he thinks you're any good, you'll be put on the roll, and after that you'll be told where to make your reports to. There is a divisional meeting called once a fortnight, and every three months there's a general meeting and share-out. Each member is called up by number and has his whack handed over to him. That's all."
"Fact. You'll be sent to Number One—he'll see you, but you won't see him. If he thinks you're good enough, you'll be added to the list, and then you'll be informed where to report. There’s a divisional meeting held every two weeks, and every three months there’s a general meeting and distribution. Each member is called up by number and gets their share handed over. That’s it."
"Well, but suppose two members are put on the same job together?"
"Well, what if two people are assigned to the same task together?"
"If it's a daylight job, they'll be so disguised their mothers wouldn't know 'em. But it's mostly night work."
"If it's a day job, they'll be so disguised their moms wouldn't recognize them. But it's mostly night work."
"I see. But, look here—what's to prevent somebody following me home and giving me away to the police?"
"I get it. But, think about this—what's stopping someone from following me home and telling the police?"
"Nothing, of course. Only I wouldn't advise him to try it, that's all. The last man who had that bright idea was fished out of the river down Rotherhithe way, before he had time to get his precious report in. Number One knows everybody, you see."
"Nothing, obviously. I just wouldn't recommend he attempt it, that's all. The last guy who had that clever idea ended up getting pulled out of the river near Rotherhithe before he could submit his important report. You see, Number One knows everyone."
"Oh!—and who is this Number One?"
"Oh!—and who is this Number One?"
"There's lots of people would give a good bit to know that."
"There's a lot of people who would pay a good amount to know that."
"Does nobody know?"
"Does anyone know?"
"Nobody. He's a fair marvel, is Number One. He's a gentleman, I can tell you that, and a pretty high-up one, from his ways. And he's got eyes all round his head. And he's got an arm as long as from here to Australia. But nobody knows anything about him, unless it's Number Two, and I'm not even sure about her."
"Nobody. Number One is quite a wonder. He's a gentleman, I can assure you, and a pretty important one, based on his behavior. And he has eyes all around his head. And his arm is as long as from here to Australia. But nobody knows anything about him, except maybe Number Two, and I'm not even sure about her."
"There are women in it, then?"
"There are women in it, right?"
"You can bet your boots there are. You can't do a job without 'em nowadays. But that needn't worry you. The women are safe enough. They don't want to come to a sticky end, no more than you and me.
"You can bet there are. You can't do a job without them these days. But you don't need to worry about that. The women are safe enough. They don't want to end up in a bad situation any more than you and I do."
"But, look here, Jukes—how about the money? It's a big risk to take. Is it worth it?"
"But, hey Jukes—what about the money? This is a huge risk. Is it really worth it?"
"Worth it?" Jukes leant across the little marble-topped table and whispered.
"Worth it?" Jukes leaned across the small marble table and whispered.
"Coo!" gasped Rogers. "And how much of that would I get, now?"
"Coo!" Rogers exclaimed. "So how much of that would I get, then?"
"You'd share and share alike with the rest, whether you'd been in that particular job or not. There's fifty members, and you'd get one-fiftieth, same as Number One and same as me."
"You would share equally with everyone else, regardless of whether you had that specific job or not. There are fifty members, and you’d receive one-fiftieth, just like Number One and just like me."
"Really? No kidding?"
"Seriously? No way?"
"See that wet, see that dry!" Jukes laughed. "Say, can you beat it? There's never been anything like it. It's the biggest thing ever been known. He's a great man, is Number One."
"Look at that wet, look at that dry!" Jukes chuckled. "Hey, can you believe it? There's never been anything like it. It's the biggest thing that's ever been known. Number One is a remarkable guy."
"And do you pull off many jobs?"
"And do you manage to pull off a lot of jobs?"
"Many? Listen. You remember the Carruthers necklace, and the Gorleston Bank robbery? And the Faversham burglary? And the big Rubens that disappeared from the National Gallery? And the Frensham pearls? All done by the Society. And never one of them cleared up."
"Many? Listen. Do you remember the Carruthers necklace, the Gorleston Bank robbery, the Faversham burglary, the big Rubens that vanished from the National Gallery, and the Frensham pearls? All done by the Society. And not one of them was solved."
Rogers licked his lips.
Rogers smacked his lips.
"But now, look here," he said cautiously. "Supposing I was a spy, as you might say, and supposing I was to go straight off and tell the police about what you've been saying?"
"But now, listen," he said carefully. "What if I were a spy, as you might call it, and what if I went right to the police and told them about what you’ve been saying?"
"Ah!" said Jukes, "suppose you did, eh? Well, supposing something nasty didn't happen to you on the way there—which I wouldn't answer for, mind——"
"Ah!" said Jukes, "let's say you did, huh? Well, assuming nothing bad happened to you on the way there—which I can't guarantee, just so you know—"
"Do you mean to say you've got me watched?"
"Are you saying you've been watching me?"
"You can bet your sweet life we have. Yes. Well, supposing nothing happened on the way there, and you was to bring the slops to this pub, looking for yours truly——"
"You can absolutely bet we have. Yes. Well, assuming nothing happens on the way there, and you bring the slops to this pub, looking for me——"
"Yes?"
"Yeah?"
"You wouldn't find me, that's all. I should have gone to Number Five."
"You wouldn't be able to find me, that's it. I should have gone to Number Five."
"Who's Number Five?"
"Who’s Number Five?"
"Ah! I don't know. But he's the man that makes you a new face while you wait. Plastic surgery, they call it. And new finger-prints. New everything. We go in for up-to-date methods in our show."
"Ah! I don’t know. But he’s the guy who gives you a new look while you wait. They call it plastic surgery. And new fingerprints. New everything. We use modern techniques in our show."
Rogers whistled.
Rogers whistled.
"Well, how about it?" asked Jukes, eyeing his acquaintance over the rim of his tumbler.
"Well, what do you think?" Jukes asked, looking at his friend over the edge of his glass.
"Look here—you've told me a lot of things. Shall I be safe if I say 'no'?"
"Look, you've shared a lot with me. Am I safe if I say 'no'?"
"Oh, yes—if you behave yourself and don't make trouble for us."
"Oh, definitely—if you keep to yourself and don't cause any problems for us."
"H'm, I see. And if I say 'yes'?"
"Hmm, I get it. And what if I say 'yes'?"
"Then you'll be a rich man in less than no time, with money in your pocket to live like a gentleman. And nothing to do for it, except to tell us what you know about the houses you've been to when you were in service. It's money for jam if you act straight by the Society."
"Then you'll be a wealthy man in no time, with cash in your pocket to live like a gentleman. And all you have to do for it is tell us what you know about the houses you've worked at during your time in service. It's an easy way to make money if you're honest with the Society."
Rogers was silent, thinking it over.
Rogers was silent, thinking it over.
"I'll do it!" he said at last.
"I'll do it!" he finally said.
"Good for you. Miss! The same again, please. Here's to it, Rogers! I knew you were one of the right sort the minute I set eyes on you. Here's to money for jam, and take care of Number One! Talking of Number One, you'd better come round and see him to-night. No time like the present."
"Good for you, Miss! The same again, please. Cheers to that, Rogers! I knew you were one of the good ones as soon as I saw you. Here's to easy money, and look out for yourself! Speaking of yourself, you should come by and see him tonight. There's no time like the present."
"Right you are. Where'll I come to? Here?"
"You're right. Where am I going to end up? Here?"
"Nix. No more of this little pub for us. It's a pity, because it's nice and comfortable, but it can't be helped. Now, what you've got to do is this. At ten o'clock to-night exactly, you walk north across Lambeth Bridge." (Rogers winced at this intimation that his abode was known), "and you'll see a yellow taxi standing there, with the driver doing something to his engine. You'll say to him, 'Is your bus fit to go?' and he'll say, 'Depends where you want to go to.' And you'll say, 'Take me to Number One, London.' There's a shop called that, by the way, but he won't take you there. You won't know where he is taking you, because the taxi-windows will be covered up, but you mustn't mind that. It's the rule for the first visit. Afterwards, when you're regularly one of us, you'll be told the name of the place. And when you get there, do as you're told and speak the truth, because, if you don't, Number One will deal with you. See?"
"Nix. No more of this little pub for us. It’s a shame because it’s nice and cozy, but it can’t be helped. Now, here’s what you need to do. At exactly ten o’clock tonight, walk north across Lambeth Bridge." (Rogers winced at the suggestion that his home was known), "and you’ll see a yellow taxi waiting there, with the driver doing something to his engine. You’ll ask him, 'Is your cab good to go?' and he’ll reply, 'Depends on where you want to go.' Then you’ll say, 'Take me to Number One, London.' There’s a shop by that name, by the way, but he won’t take you there. You won’t know where he’s taking you because the taxi windows will be covered, but don’t worry about that. It’s the rule for the first visit. After that, when you’re part of the group, you’ll find out the name of the place. And when you arrive, just do as you’re told and speak the truth, because if you don’t, Number One will deal with you. Got it?"
"I see."
"Got it."
"Are you game? You're not afraid?"
"Are you in? You're not scared?"
"Of course I'm not afraid."
"Of course I'm not scared."
"Good man! Well, we'd better be moving now. And I'll say good-bye, because we shan't see each other again. Good-bye—and good luck!"
"Alright, man! We should get going now. I’ll say goodbye since we won’t see each other again. Goodbye—and good luck!"
"Good-bye."
"Goodbye."
They passed through the swing-doors, and out into the mean and dirty street.
They went through the swing doors and stepped out into the grimy and shabby street.
The two years subsequent to the enrolment of the ex-footman Rogers in a crook society were marked by a number of startling and successful raids on the houses of distinguished people. There was the theft of the great diamond tiara from the Dowager Duchess of Denver; the burglary at the flat formerly occupied by the late Lord Peter Wimsey, resulting in the disappearance of £7,000 worth of silver and gold plate; the burglary at the country mansion of Theodore Winthrop, the millionaire—which, incidentally, exposed that thriving gentleman as a confirmed Society blackmailer and caused a reverberating scandal in Mayfair; and the snatching of the famous eight-string necklace of pearls from the Marchioness of Dinglewood during the singing of the Jewel Song in Faust at Covent Garden. It is true that the pearls turned out to be imitation, the original string having been pawned by the noble lady under circumstances highly painful to the Marquis, but the coup was nevertheless a sensational one.
The two years after the ex-footman Rogers joined a criminal group were filled with a series of shocking and successful break-ins at the homes of prominent individuals. There was the theft of the stunning diamond tiara from the Dowager Duchess of Denver; the burglary at the apartment previously lived in by the late Lord Peter Wimsey, where £7,000 worth of silver and gold tableware vanished; the break-in at the country house of millionaire Theodore Winthrop—which, by the way, revealed him as a notorious blackmailer and created a huge scandal in Mayfair; and the stealing of the famous eight-string pearl necklace from the Marchioness of Dinglewood during the singing of the Jewel Song in Faust at Covent Garden. It’s true that the pearls ended up being fake, as the real necklace had been pawned by the noble lady under circumstances that were very distressing for the Marquis, but the heist was still quite sensational.
On a Saturday afternoon in January, Rogers was sitting in his room in Lambeth, when a slight noise at the front door caught his ear. He sprang up almost before it had ceased, dashed through the small hall-way, and flung the door open. The street was deserted. Nevertheless, as he turned back to the sitting-room, he saw an envelope lying on the hat-stand. It was addressed briefly to "Number Twenty-one." Accustomed by this time to the somewhat dramatic methods used by the Society to deliver its correspondence, he merely shrugged his shoulders, and opened the note.
On a Saturday afternoon in January, Rogers was sitting in his room in Lambeth when a slight noise at the front door caught his attention. He jumped up almost before it stopped, raced through the small hallway, and threw the door open. The street was empty. However, as he turned back to the living room, he noticed an envelope resting on the hat stand. It was simply addressed to "Number Twenty-one." By this point, he was used to the somewhat dramatic ways the Society used to deliver its messages, so he just shrugged and opened the note.
It was written in cipher, and, when transcribed, ran thus:
It was written in code, and when transcribed, it read as follows:
"Number Twenty-one,—An Extraordinary General Meeting will be held to-night at the house of Number One at 11.30. You will be absent at your peril. The word is Finality."
"Number Twenty-one,—An Extraordinary General Meeting will take place tonight at the house of Number One at 11:30. Missing it will be at your own risk. The keyword is Closure."
Rogers stood for a little time considering this. Then he made his way to a room at the back of the house, in which there was a tall safe, built into the wall. He manipulated the combination and walked into the safe, which ran back for some distance, forming, indeed, a small strong-room. He pulled out a drawer marked "Correspondence," and added the paper he had just received to the contents.
Rogers paused for a moment to think about this. Then he went to a room at the back of the house that had a tall safe built into the wall. He entered the combination and opened the safe, which went deep into the wall, essentially creating a small secure room. He pulled out a drawer labeled "Correspondence" and added the paper he had just received to its contents.
After a few moments he emerged, re-set the lock to a new combination, and returned to the sitting-room.
After a few moments, he came out, reset the lock to a new combination, and went back to the living room.
"Finality," he said. "Yes—I think so." He stretched out his hand to the telephone—then appeared to alter his mind.
"Finality," he said. "Yeah—I think so." He reached for the phone—then seemed to change his mind.
He went upstairs to an attic, and thence climbed into a loft close under the roof. Crawling among the rafters, he made his way into the farthest corner; then carefully pressed a knot on the timber-work. A concealed trap-door swung open. He crept through it, and found himself in the corresponding loft of the next house. A soft cooing noise greeted him as he entered. Under the skylight stood three cages, each containing a carrier pigeon.
He went upstairs to an attic, and then climbed into a loft right under the roof. Crawling among the beams, he made his way to the farthest corner; then carefully pressed a knot in the woodwork. A hidden trapdoor swung open. He crawled through it and found himself in the corresponding loft of the next house. A soft cooing sound welcomed him as he entered. Under the skylight were three cages, each holding a carrier pigeon.
He glanced cautiously out of the skylight, which looked out upon a high blank wall at the back of some factory or other. There was nobody in the dim little courtyard, and no window within sight. He drew his head in again, and, taking a small fragment of thin paper from his pocket-book, wrote a few letters and numbers upon it. Going to the nearest cage, he took out the pigeon and attached the message to its wing. Then he carefully set the bird on the window-ledge. It hesitated a moment, shifted its pink feet a few times, lifted its wings, and was gone. He saw it tower up into the already darkening sky over the factory roof and vanish into the distance.
He looked cautiously out of the skylight, which overlooked a tall, blank wall at the back of a factory. There was no one in the dim little courtyard, and no windows in sight. He pulled his head back inside and took a small piece of thin paper from his wallet, writing a few letters and numbers on it. He went to the nearest cage, took out the pigeon, and attached the message to its wing. Then he carefully set the bird on the window ledge. It hesitated for a moment, shifted its pink feet a few times, flapped its wings, and flew away. He watched as it soared up into the increasingly dark sky above the factory roof and disappeared into the distance.
He glanced at his watch and returned downstairs. An hour later he released the second pigeon, and in another hour the third. Then he sat down to wait.
He checked his watch and went back downstairs. An hour later, he let the second pigeon go, and an hour after that, he released the third. Then he sat down to wait.
At half-past nine he went up to the attic again. It was dark, but a few frosty stars were shining, and a cold air blew through the open window. Something pale gleamed faintly on the floor. He picked it up—it was warm and feathery. The answer had come.
At 9:30, he headed back up to the attic. It was dark, but a few frosty stars were shining, and a cold breeze came in through the open window. Something pale glimmered softly on the floor. He picked it up—it was warm and feathery. The answer had arrived.
He ruffled the soft plumes and found the paper. Before reading it, he fed the pigeon and put it into one of the cages. As he was about to fasten the door, he checked himself.
He ruffled the soft feathers and found the paper. Before reading it, he fed the pigeon and put it in one of the cages. Just as he was about to close the door, he hesitated.
"If anything happens to me," he said, "there's no need for you to starve to death, my child."
"If anything happens to me," he said, "you don’t have to worry about starving, my child."
He pushed the window a little wider open and went downstairs again. The paper in his hand bore only the two letters, "O.K." It seemed to have been written hurriedly, for there was a long smear of ink in the upper left-hand corner. He noted this with a smile, put the paper in the fire, and, going out into the kitchen, prepared and ate a hearty meal of eggs and corned beef from a new tin. He ate it without bread, though there was a loaf on the shelf near at hand, and washed it down with water from the tap, which he let run for some time before venturing to drink it. Even then he carefully wiped the tap, both inside and outside, before drinking.
He pushed the window open a bit wider and went downstairs again. The paper in his hand had just the two letters, "O.K." It looked like it was written quickly, as there was a long smudge of ink in the upper left corner. He noticed this with a smile, tossed the paper in the fire, and then headed into the kitchen, where he prepared and ate a hearty meal of eggs and corned beef from a new can. He ate it without bread, even though there was a loaf on the shelf nearby, and washed it down with tap water, which he let run for a while before daring to drink it. Even then, he carefully wiped the tap both inside and out before drinking.
When he had finished, he took a revolver from a locked drawer, inspecting the mechanism with attention to see that it was in working order, and loaded it with new cartridges from an unbroken packet. Then he sat down to wait again.
When he was done, he took a revolver from a locked drawer, carefully checking the mechanism to ensure it was working properly, and loaded it with fresh cartridges from an unopened pack. Then he sat down to wait again.
At a quarter before eleven, he rose and went out into the street. He walked briskly, keeping well away from the wall, till he came out into a well-lighted thoroughfare. Here he took a bus, securing the corner seat next the conductor, from which he could see everybody who got on and off. A succession of buses eventually brought him to a respectable residential quarter of Hampstead. Here he alighted and, still keeping well away from the walls, made his way up to the Heath.
At a quarter to eleven, he got up and went out into the street. He walked quickly, making sure to stay away from the wall, until he reached a well-lit main road. There, he caught a bus, grabbing the corner seat next to the conductor, so he could see everyone getting on and off. A series of buses eventually took him to a nice neighborhood in Hampstead. He got off and, still avoiding the walls, headed up to the Heath.
The night was moonless, but not altogether black, and, as he crossed a deserted part of the Heath, he observed one or two other dark forms closing in upon him from various directions. He paused in the shelter of a large tree, and adjusted to his face a black velvet mask, which covered him from brow to chin. At its base the number 21 was clearly embroidered in white thread.
The night had no moon, but it wasn't completely dark, and as he walked through a deserted part of the Heath, he noticed one or two other dark figures approaching him from different sides. He stopped under a large tree and put on a black velvet mask that covered his face from his forehead to his chin. The number 21 was clearly stitched in white thread at the bottom of the mask.
At length a slight dip in the ground disclosed one of those agreeable villas which stand, somewhat isolated, among the rural surroundings of the Heath. One of the windows was lighted. As he made his way to the door, other dark figures, masked like himself, pressed forward and surrounded him. He counted six of them.
At last, a slight dip in the ground revealed one of those charming villas that stand somewhat isolated among the rural landscape of the Heath. One of the windows was lit. As he approached the door, other shadowy figures, masked like him, moved in and surrounded him. He counted six of them.
The foremost man knocked on the door of the solitary house. After a moment, it was opened slightly. The man advanced his head to the opening; there was a murmur, and the door opened wide. The man stepped in, and the door was shut.
The leading man knocked on the door of the lonely house. After a moment, it opened a little. He leaned his head closer to the opening; there was a low sound, and the door swung wide. The man stepped inside, and the door closed behind him.
When three of the men had entered, Rogers found himself to be the next in turn. He knocked, three times loudly, then twice faintly. The door opened to the extent of two or three inches, and an ear was presented to the chink. Rogers whispered "Finality." The ear was withdrawn, the door opened, and he passed in.
When three of the men went inside, Rogers realized he was next. He knocked three times hard, then twice softly. The door opened a couple of inches, and someone put their ear to the gap. Rogers whispered "Finality." The ear disappeared, the door opened wider, and he went in.
Without any further word of greeting, Number Twenty-one passed into a small room on the left, which was furnished like an office, with a desk, a safe, and a couple of chairs. At the desk sat a massive man in evening dress, with a ledger before him. The new arrival shut the door carefully after him; it clicked to, on a spring-lock. Advancing to the desk, he announced, "Number Twenty-one, sir," and stood respectfully waiting. The big man looked up, showing the number 1 startlingly white on his velvet mask. His eyes, of a curious hard blue, scanned Rogers attentively. At a sign from him, Rogers removed his mask. Having verified his identity with care, the President said, "Very well, Number Twenty-one," and made an entry in the ledger. The voice was hard and metallic, like his eyes. The close scrutiny from behind the immovable black mask seemed to make Rogers uneasy; he shifted his feet, and his eyes fell. Number One made a sign of dismissal, and Rogers, with a faint sigh as though of relief, replaced his mask and left the room. As he came out, the next comer passed in in his place.
Without any further greeting, Number Twenty-one walked into a small room on the left that looked like an office, complete with a desk, a safe, and a couple of chairs. A large man in evening wear sat at the desk, with a ledger in front of him. The newcomer carefully closed the door behind him; it clicked shut with a spring lock. Approaching the desk, he said, "Number Twenty-one, sir," and stood there respectfully, waiting. The big man looked up, revealing the number 1 strikingly white on his velvet mask. His eyes, a strange hard blue, scanned Rogers closely. At a gesture from him, Rogers took off his mask. After verifying his identity thoroughly, the President said, "Very well, Number Twenty-one," and made an entry in the ledger. His voice was harsh and metallic, much like his eyes. The intense scrutiny from behind the unyielding black mask seemed to make Rogers uneasy; he shifted his feet and looked down. Number One signaled for him to leave, and Rogers, letting out a soft sigh of relief, put his mask back on and exited the room. As he stepped out, the next person entered to take his place.
The room in which the Society met was a large one, made by knocking the two largest of the first-floor rooms into one. It was furnished in the standardised taste of twentieth-century suburbia and brilliantly lighted. A gramophone in one corner blared out a jazz tune, to which about ten couples of masked men and women were dancing, some in evening dress and others in tweeds and jumpers.
The room where the Society gathered was spacious, created by combining the two biggest rooms on the first floor. It was decorated in the typical style of 20th-century suburbia and was brightly lit. A gramophone in one corner blared a jazz tune, as about ten couples of masked men and women danced, some in formal wear and others in tweeds and sweaters.
In one corner of the room was an American bar. Rogers went up and asked the masked man in charge for a double whisky. He consumed it slowly, leaning on the bar. The room filled. Presently somebody moved across to the gramophone and stopped it. He looked round. Number One had appeared on the threshold. A tall woman in black stood beside him. The mask, embroidered with a white 2, covered hair and face completely; only her fine bearing and her white arms and bosom and the dark eyes shining through the eye-slits proclaimed her a woman of power and physical attraction.
In one corner of the room was an American bar. Rogers walked over and asked the masked man in charge for a double whisky. He sipped it slowly, leaning against the bar. The room started to fill up. Soon, someone walked over to the gramophone and turned it off. He glanced around. Number One had appeared in the doorway. A tall woman in black stood next to him. The mask, decorated with a white 2, completely covered her hair and face; only her elegant posture and her white arms and chest, along with the dark eyes shining through the eye-slits, revealed her as a woman of power and physical allure.
"Ladies and gentlemen." Number One was standing at the upper end of the room. The woman sat beside him; her eyes were cast down and betrayed nothing, but her hands were clenched on the arms of the chair and her whole figure seemed tensely aware.
"Ladies and gentlemen." Number One stood at the front of the room. The woman sat next to him; her eyes were downcast and revealed nothing, but her hands were gripping the arms of the chair tightly, and her entire posture seemed on edge.
"Ladies and gentlemen. Our numbers are two short to-night." The masks moved; eyes were turned, seeking and counting. "I need not inform you of the disastrous failure of our plan for securing the plans of the Court-Windlesham helicopter. Our courageous and devoted comrades, Number Fifteen and Number Forty-eight, were betrayed and taken by the police."
"Ladies and gentlemen. We're two members short tonight." The masks shifted; eyes scanned the room, searching and counting. "I don’t need to remind you of the disastrous failure of our attempt to secure the plans for the Court-Windlesham helicopter. Our brave and dedicated comrades, Number Fifteen and Number Forty-eight, were betrayed and captured by the police."
An uneasy murmur rose among the company.
An uncomfortable murmur spread through the group.
"It may have occurred to some of you that even the well-known steadfastness of these comrades might give way under examination. There is no cause for alarm. The usual orders have been issued, and I have this evening received the report that their tongues have been effectually silenced. You will, I am sure, be glad to know that these two brave men have been spared the ordeal of so great a temptation to dishonour, and that they will not be called upon to face a public trial and the rigours of a long imprisonment."
"It might have crossed your mind that even the strong resolve of these comrades could falter under scrutiny. There’s no need to worry. The usual orders have been given, and I received a report this evening that they have been effectively silenced. You’ll be pleased to know that these two brave men have been spared the challenge of such a temptation to dishonor, and they won’t have to endure a public trial or the hardships of a long prison term."
A hiss of intaken breath moved across the assembled members like the wind over a barley-field.
A sharp intake of breath swept through the gathered crowd like the wind across a barley field.
"Their dependants will be discreetly compensated in the usual manner. I call upon Numbers Twelve and Thirty-four to undertake this agreeable task. They will attend me in my office for their instructions after the meeting. Will the Numbers I have named kindly signify that they are able and willing to perform this duty?"
"Their dependents will be discreetly compensated in the usual way. I ask Numbers Twelve and Thirty-four to take on this agreeable task. They will meet me in my office for their instructions after the meeting. Will the Numbers I mentioned please indicate that they are able and willing to perform this duty?"
Two hands were raised in salute. The President continued, looking at his watch:
Two hands were raised in salute. The President kept talking, glancing at his watch:
"Ladies and gentlemen, please take your partners for the next dance."
"Hey everyone, please grab your partners for the next dance."
The gramophone struck up again. Rogers turned to a girl near him in a red dress. She nodded, and they slipped into the movement of a fox-trot. The couples gyrated solemnly and in silence. Their shadows were flung against the blinds as they turned and stepped to and fro.
The gramophone started playing again. Rogers looked at a girl next to him in a red dress. She nodded, and they began to dance the fox-trot. The couples moved rhythmically and in silence. Their shadows were cast on the blinds as they turned and swayed back and forth.
"What has happened?" breathed the girl in a whisper, scarcely moving her lips. "I'm frightened, aren't you? I feel as if something awful was going to happen."
"What just happened?" the girl whispered, barely moving her lips. "I'm scared, aren't you? I feel like something terrible is about to occur."
"It does take one a bit short, the President's way of doing things," agreed Rogers, "but it's safer like that."
"It can be a bit surprising, the President's way of doing things," Rogers agreed, "but it’s safer that way."
"Those poor men——"
"Those poor guys——"
A dancer, turning and following on their heels, touched Rogers on the shoulder.
A dancer, spinning and pivoting on their heels, tapped Rogers on the shoulder.
"No talking, please," he said. His eyes gleamed sternly; he twirled his partner into the middle of the crowd and was gone. The girl shuddered.
"No talking, please," he said. His eyes shone with seriousness; he spun his partner into the center of the crowd and disappeared. The girl trembled.
The gramophone stopped. There was a burst of clapping. The dancers again clustered before the President's seat.
The gramophone stopped. There was a round of applause. The dancers gathered again in front of the President's seat.
"Ladies and gentlemen. You may wonder why this extraordinary meeting has been called. The reason is a serious one. The failure of our recent attempt was no accident. The police were not on the premises that night by chance. We have a traitor among us."
"Ladies and gentlemen. You might be curious about why this important meeting has been called. The reason is serious. Our recent failure was not just a coincidence. The police weren't at the location that night by accident. We have a traitor in our midst."
Partners who had been standing close together fell distrustfully apart. Each member seemed to shrink, as a snail shrinks from the touch of a finger.
Partners who had been standing close together moved away from each other, filled with distrust. Each person seemed to shrink, like a snail recoiling from a touch.
"You will remember the disappointing outcome of the Dinglewood affair," went on the President, in his harsh voice. "You may recall other smaller matters which have not turned out satisfactorily. All these troubles have been traced to their origin. I am happy to say that our minds can now be easy. The offender has been discovered and will be removed. There will be no more mistakes. The misguided member who introduced the traitor to our Society will be placed in a position where his lack of caution will have no further ill-effects. There is no cause for alarm."
"You remember how disappointing the Dinglewood situation was," the President continued, his tone sharp. "You might also recall other smaller issues that didn’t go well. We’ve traced all these problems back to their source. I’m pleased to say that we can now relax. The person responsible has been found and will be dealt with. There won’t be any more errors. The misguided member who brought the traitor into our Society will be put in a role where his carelessness won’t cause any more problems. There’s no need to worry."
Every eye roved about the company, searching for the traitor and his unfortunate sponsor. Somewhere beneath the black masks a face must have turned white; somewhere under the stifling velvet there must have been a brow sweating, not with the heat of the dance. But the masks hid everything.
Every eye scanned the crowd, looking for the traitor and their unfortunate supporter. Somewhere beneath the black masks, a face must have gone pale; somewhere under the suffocating velvet, a forehead must have been sweating, not from the heat of the dance. But the masks concealed everything.
"Ladies and gentlemen, please take your partners for the next dance."
"Everyone, please find your partners for the next dance."
The gramophone struck into an old and half-forgotten tune: "There ain't nobody loves me." The girl in red was claimed by a tall mask in evening dress. A hand laid on Roger's arm made him start. A small, plump woman in a green jumper slipped a cold hand into his. The dance went on.
The gramophone played an old and half-forgotten tune: "Nobody loves me." The girl in red was taken by a tall guy in an evening suit. A hand on Roger's arm startled him. A small, plump woman in a green sweater slipped her cold hand into his. The dance continued.
When it stopped, amid the usual applause, everyone stood, detached, stiffened in expectation. The President's voice was raised again.
When it ended, during the usual applause, everyone stood, distant, stiff with anticipation. The President's voice rose again.
"Ladies and gentlemen, please behave naturally. This is a dance, not a public meeting."
"Hey everyone, just relax and be yourselves. This is a dance, not a public meeting."
Rogers led his partner to a chair and fetched her an ice. As he stooped over her, he noticed the hurried rise and fall of her bosom.
Rogers helped his partner to a chair and brought her some ice. As he leaned over her, he noticed the quick rise and fall of her chest.
"Ladies and gentlemen." The endless interval was over. "You will no doubt wish to be immediately relieved from suspense. I will name the persons involved. Number Thirty-seven!"
“Ladies and gentlemen.” The long wait was finally over. “You are probably eager to be free from suspense. I’ll announce the names of those involved. Number Thirty-seven!”
A man sprang up with a fearful, strangled cry.
A man jumped up with a terrified, choked scream.
"Silence!"
"Quiet!"
The wretch choked and gasped.
The person choked and gasped.
"I never—I swear I never—I'm innocent."
"I swear I never did it—I'm innocent."
"Silence. You have failed in discretion. You will be dealt with. If you have anything to say in defence of your folly, I will hear it later. Sit down."
"Silence. You didn't keep this to yourself. You'll face the consequences. If you want to defend your mistake, I’ll listen to you later. Sit down."
Number Thirty-seven sank down upon a chair. He pushed his handkerchief under the mask to wipe his face. Two tall men closed in upon him. The rest fell back, feeling the recoil of humanity from one stricken by mortal disease.
Number Thirty-seven sank down onto a chair. He tucked his handkerchief under the mask to wipe his face. Two tall men stepped closer to him. The others pulled back, sensing the instinctive avoidance from someone afflicted by a deadly illness.
The gramophone struck up.
The record player started.
"Ladies and gentlemen, I will now name the traitor. Number Twenty-one, stand forward."
"Ladies and gentlemen, I will now name the traitor. Number Twenty-one, please come forward."
Rogers stepped forward. The concentrated fear and loathing of forty-eight pairs of eyes burned upon him. The miserable Jukes set up a fresh wail.
Rogers stepped forward. The intense fear and hatred from forty-eight pairs of eyes bore down on him. The miserable Jukes let out another wail.
"Oh, my God! Oh, my God!"
"Oh my God! Oh my God!"
"Silence! Number Twenty-one, take off your mask."
"Quiet! Number Twenty-one, remove your mask."
The traitor pulled the thick covering from his face. The intense hatred of the eyes devoured him.
The traitor yanked off the heavy covering from his face. The furious hatred in his eyes consumed him.
"Number Thirty-seven, this man was introduced here by you, under the name of Joseph Rogers, formerly second footman in the service of the Duke of Denver, dismissed for pilfering. Did you take steps to verify that statement?"
"Number Thirty-seven, this man was introduced here by you as Joseph Rogers, who used to be the second footman for the Duke of Denver and was let go for stealing. Did you check to confirm that claim?"
"I did—I did! As God's my witness, it was all straight. I had him identified by two of the servants. I made enquiries. The tale was straight—I'll swear it was."
"I did—I really did! As God is my witness, everything was clear. I had him identified by two of the staff. I asked around. The story was straightforward—I’ll swear it was."
The President consulted a paper before him, then he looked at his watch again.
The President looked over a document in front of him, then checked his watch again.
"Ladies and gentlemen, please take your partners...."
"Ladies and gentlemen, please take your partners...."
Number Twenty-one, his arms twisted behind him and bound, and his wrists hand-cuffed, stood motionless, while the dance of doom circled about him. The clapping, as it ended, sounded like the clapping of the men and women who sat, thirsty-lipped, beneath the guillotine.
Number Twenty-one stood still, his arms twisted behind him and tied up, with handcuffs on his wrists, while the dance of doom surrounded him. As the clapping came to an end, it echoed like the applause of the men and women sitting, with parched lips, beneath the guillotine.
"Number Twenty-one, your name has been given as Joseph Rogers, footman, dismissed for theft. Is that your real name?"
"Number Twenty-one, you’re listed as Joseph Rogers, a footman who was let go for stealing. Is that your actual name?"
"No."
"Nope."
"What is your name?"
"What's your name?"
"Peter Death Bredon Wimsey."
"Peter Death Bredon Wimsey."
"We thought you were dead."
"We thought you were gone."
"Naturally. You were intended to think so."
"Of course. You were meant to think that way."
"What has become of the genuine Joseph Rogers?"
"What happened to the real Joseph Rogers?"
"He died abroad. I took his place. I may say that no real blame attaches to your people for not having realised who I was. I not only took Roger's place; I was Rogers. Even when I was alone, I walked like Rogers, I sat like Rogers, I read Rogers's books, and wore Rogers's clothes. In the end, I almost thought Rogers's thoughts. The only way to keep up a successful impersonation is never to relax."
"He died overseas. I stepped into his shoes. I can say that your people aren't really to blame for not recognizing who I was. I not only took on Roger's role; I became Roger. Even when I was by myself, I walked like Roger, sat like Roger, read Roger's books, and wore Roger's clothes. Eventually, I almost thought Roger's thoughts. The only way to maintain a convincing impersonation is to never let your guard down."
"I see. The robbery of your own flat was arranged?"
"I see. Did you plan the robbery of your own apartment?"
"Obviously."
"Clearly."
"The robbery of the Dowager Duchess, your mother, was connived at by you?"
"The robbery of the Dowager Duchess, your mother, was planned by you?"
"It was. It was a very ugly tiara—no real loss to anybody with decent taste. May I smoke, by the way?"
"It was. It was a really ugly tiara—no real loss to anyone with good taste. Can I smoke, by the way?"
"You may not. Ladies and gentlemen...."
"You might not. Ladies and gentlemen...."
The dance was like the mechanical jigging of puppets. Limbs jerked, feet faltered. The prisoner watched with an air of critical detachment.
The dance was like the robotic movements of puppets. Limbs twitched, feet stumbled. The prisoner observed with a sense of critical detachment.
"Numbers Fifteen, Twenty-two and Forty-nine. You have watched the prisoner. Has he made any attempts to communicate with anybody?"
"Numbers Fifteen, Twenty-two, and Forty-nine. You've been observing the prisoner. Has he tried to communicate with anyone?"
"None." Number Twenty-two was the spokesman. "His letters and parcels have been opened, his telephone tapped, and his movements followed. His water-pipes have been under observation for Morse signals."
"None." Number Twenty-two spoke up. "His letters and packages have been opened, his phone has been tapped, and his movements have been tracked. His water pipes have been monitored for Morse signals."
"You are sure of what you say?"
"You’re confident about what you’re saying?"
"Absolutely."
"Definitely."
"Prisoner, have you been alone in this adventure? Speak the truth, or things will be made somewhat more unpleasant for you than they might otherwise be."
"Prisoner, have you undertaken this adventure alone? Be honest, or things will become a bit more uncomfortable for you than they need to be."
"I have been alone. I have taken no unnecessary risks."
"I've been by myself. I haven't taken any unnecessary risks."
"It may be so. It will, however, be as well that steps should be taken to silence the man at Scotland Yard—what is his name?—Parker. Also the prisoner's manservant, Mervyn Bunter, and possibly also his mother and sister. The brother is a stupid oaf, and not, I think, likely to have been taken into the prisoner's confidence. A precautionary watch will, I think, meet the necessities of his case."
"It might be the case. However, it would be wise to find a way to silence the guy at Scotland Yard—what's his name?—Parker. Also the prisoner's valet, Mervyn Bunter, and maybe even his mother and sister. The brother is a fool, and I don’t think he was trusted by the prisoner. A precautionary watch should be enough for his situation."
The prisoner appeared, for the first time, to be moved.
The prisoner seemed, for the first time, to be affected.
"Sir, I assure you that my mother and sister know nothing which could possibly bring danger on the Society."
"Sir, I promise you that my mom and sister know nothing that could possibly put the Society in danger."
"You should have thought of their situation earlier. Ladies and gentlemen, please take——"
"You should have considered their situation earlier. Ladies and gentlemen, please take——"
"No—no!" Flesh and blood could endure the mockery no longer. "No! Finish with him. Get it over. Break up the meeting. It's dangerous. The police——"
"No—no!" Flesh and blood could endure the mockery no longer. "No! Finish with him. Get it over. Break up the meeting. It's dangerous. The police——"
"Silence!"
"Be quiet!"
The President glanced round at the crowd. It had a dangerous look about it. He gave way.
The President looked around at the crowd. It had a menacing vibe. He backed down.
"Very well. Take the prisoner away and silence him. He will receive Number 4 treatment. And be sure you explain it to him carefully first."
"Alright. Take the prisoner away and make him quiet. He'll get the Number 4 treatment. And make sure to explain it to him clearly beforehand."
"Ah!"
"Wow!"
The eyes expressed a wolfish satisfaction. Strong hands gripped Wimsey's arms.
The eyes showed a predatory satisfaction. Strong hands held Wimsey's arms tightly.
"One moment—for God's sake let me die decently."
"Just one moment—please, for God's sake, let me die with some dignity."
"You should have thought this over earlier. Take him away. Ladies and gentlemen, be satisfied—he will not die quickly."
"You should have considered this sooner. Take him away. Ladies and gentlemen, be assured—he won't die quickly."
"Stop! Wait!" cried Wimsey desperately. "I have something to say. I don't ask for life—only for a quick death. I—I have something to sell."
"Stop! Wait!" Wimsey shouted desperately. "I have something to say. I'm not asking for life—just a quick death. I—I have something to sell."
"To sell?"
"Are you selling?"
"Yes."
"Sure."
"We make no bargains with traitors."
"We don’t make deals with traitors."
"No—but listen! Do you think I have not thought of this? I am not so mad. I have left a letter."
"No—but listen! Do you think I haven't thought about this? I'm not that crazy. I left a letter."
"Ah! now it is coming. A letter. To whom?"
"Ah! here it comes. A letter. To who?"
"To the police. If I do not return to-morrow——"
"To the police. If I don't come back tomorrow——"
"Well?"
"What's up?"
"The letter will be opened."
"The letter will open."
"Sir," broke in Number Fifteen. "This is bluff. The prisoner has not sent any letter. He has been strictly watched for many months."
"Sir," interrupted Number Fifteen. "This is all a bluff. The prisoner hasn't sent any letter. He's been closely watched for months."
"Ah! but listen. I left the letter before I came to Lambeth."
"Ah! But listen. I left the letter before I got to Lambeth."
"Then it can contain no information of value."
"Then it can't contain any valuable information."
"Oh, but it does."
"Oh, but it totally does."
"What?"
"What?"
"The combination of my safe."
"My safe's combination."
"Indeed? Has this man's safe been searched?"
"Really? Has this guy's safe been searched?"
"Yes, sir."
"Yes, sir."
"What did it contain?"
"What was in it?"
"No information of importance, sir. An outline of our organisation—the name of this house—nothing that cannot be altered and covered before morning."
"No important information, sir. A summary of our organization—the name of this house—nothing that can’t be changed and concealed before morning."
Wimsey smiled.
Wimsey grinned.
"Did you investigate the inner compartment of the safe?"
"Did you check out the inner compartment of the safe?"
There was a pause.
There was a break.
"You hear what he says," snapped the President sharply. "Did you find this inner compartment?"
"You hear what he's saying," the President snapped sharply. "Did you find this inner compartment?"
"There was no inner compartment, sir. He is trying to bluff."
"There was no hidden compartment, sir. He's just trying to play a trick."
"I hate to contradict you," said Wimsey, with an effort at his ordinary pleasant tone, "but I really think you must have overlooked the inner compartment."
"I hate to disagree with you," said Wimsey, trying to sound like his usual pleasant self, "but I honestly think you might have missed the inner compartment."
"Well," said the President, "and what do you say is in this inner compartment, if it does exist?"
"Well," the President said, "what do you think is in this inner compartment, if it actually exists?"
"The names of every member of this Society, with their addresses, photographs, and finger-prints."
"The names of every member of this Society, along with their addresses, photos, and fingerprints."
"What?"
"What did you say?"
The eyes round him now were ugly with fear. Wimsey kept his face steadily turned towards the President.
The eyes around him now were filled with fear. Wimsey kept his face steadily turned toward the President.
"How do you say you have contrived to get this information?"
"How did you manage to get this information?"
"Well, I have been doing a little detective work on my own, you know."
"Well, I've been doing some detective work on my own, you know."
"But you have been watched."
"But you've been watched."
"True. The finger-prints of my watchers adorn the first page of the collection."
"True. The fingerprints of my observers are on the first page of the collection."
"This statement can be proved?"
"Can this statement be proven?"
"Certainly. I will prove it. The name of Number Fifty, for example——"
"Sure. I'll show you. The name of Number Fifty, for instance——"
"Stop!"
"Stop!"
A fierce muttering arose. The President silenced it with a gesture.
A loud murmur started. The President quieted it with a wave of his hand.
"If you mention names here, you will certainly have no hope of mercy. There is a fifth treatment—kept specially for people who mention names. Bring the prisoner to my office. Keep the dance going."
"If you mention names here, you definitely won’t have any chance of mercy. There's a fifth treatment, specifically for those who mention names. Bring the prisoner to my office. Keep the dance going."
The President took an automatic from his hip-pocket and faced his tightly fettered prisoner across the desk.
The President pulled out a gun from his hip pocket and faced his tightly bound prisoner across the desk.
"Now speak!" he said.
"Speak now!" he said.
"I should put that thing away, if I were you," said Wimsey contemptuously. "It would be a much pleasanter form of death than treatment Number 5, and I might be tempted to ask for it."
"I'd put that thing away if I were you," Wimsey said with disdain. "It would be a much nicer way to go than treatment Number 5, and I might be tempted to ask for it."
"Ingenious," said the President, "but a little too ingenious. Now, be quick; tell me what you know."
"Ingenious," said the President, "but maybe a bit too clever. Now, hurry up; tell me what you know."
"Will you spare me if I tell you?"
"Will you let me go if I tell you?"
"I make no promises. Be quick."
"I won't make any promises. Hurry up."
Wimsey shrugged his bound and aching shoulders.
Wimsey shrugged his tied-up and sore shoulders.
"Certainly. I will tell you what I know. Stop me when you have heard enough."
"Sure. I'll share what I know. Just stop me when you've heard enough."
He leaned forward and spoke low. Overhead the noise of the gramophone and the shuffling of feet bore witness that the dance was going on. Stray passers-by crossing the Heath noted that the people in the lonely house were making a night of it again.
He leaned in and spoke quietly. Above them, the sound of the gramophone and the shuffle of feet confirmed that the dance was continuing. Random passersby crossing the Heath noticed that the people in the isolated house were having another lively night.
"Well," said Wimsey, "am I to go on?"
"Well," Wimsey said, "should I keep going?"
From beneath the mask the President's voice sounded as though he were grimly smiling.
From behind the mask, the President's voice sounded like he was grimly smiling.
"My lord," he said, "your story fills me with regret that you are not, in fact, a member of our Society. Wit, courage, and industry are valuable to an association like ours. I fear I cannot persuade you? No—I supposed not."
"My lord," he said, "your story makes me regret that you are not actually a member of our Society. Wit, courage, and hard work are so important to a group like ours. I doubt I can convince you? No—I didn't think so."
He touched a bell on his desk.
He pressed a button on his desk.
"Ask the members kindly to proceed to the supper-room," he said to the mask who entered.
"Please ask the members to head over to the dining room," he said to the masked figure who entered.
The "supper-room" was on the ground-floor, shuttered and curtained. Down its centre ran a long, bare table, with chairs set about it.
The "supper room" was on the ground floor, covered with shutters and curtains. A long, bare table ran down the center, with chairs placed around it.
"A Barmecide feast, I see," said Wimsey pleasantly. It was the first time he had seen this room. At the far end, a trap-door in the floor gaped ominously.
"A Barmecide feast, I see," Wimsey said with a smile. It was the first time he had been in this room. At the far end, a trap door in the floor yawned menacingly.
The President took the head of the table.
The President sat at the head of the table.
"Ladies and gentlemen," he began, as usual—and the foolish courtesy had never sounded so sinister—"I will not conceal from you the seriousness of the situation. The prisoner has recited to me more than twenty names and addresses which were thought to be unknown, except to their owners and to me. There has been great carelessness"—his voice rang harshly—"which will have to be looked into. Finger-prints have been obtained—he has shown me the photographs of some of them. How our investigators came to overlook the inner door of this safe is a matter which calls for enquiry."
“Ladies and gentlemen,” he started, as usual—and that silly politeness had never felt so menacing—“I won’t hide from you how serious this situation is. The prisoner has given me more than twenty names and addresses that were believed to be known only to their owners and to me. There has been significant carelessness”—his voice sounded harsh—“that needs to be addressed. Fingerprints have been collected—he has shown me the photos of some of them. How our investigators missed the inner door of this safe is something that needs to be investigated.”
"Don't blame them," put in Wimsey. "It was meant to be overlooked, you know. I made it like that on purpose."
"Don't blame them," Wimsey said. "It was meant to be overlooked, you know. I did it like that on purpose."
The President went on, without seeming to notice the interruption.
The President continued on, without seeming to notice the interruption.
"The prisoner informs me that the book with the names and addresses is to be found in this inner compartment, together with certain letters and papers stolen from the houses of members, and numerous objects bearing authentic finger-prints. I believe him to be telling the truth. He offers the combination of the safe in exchange for a quick death. I think the offer should be accepted. What is your opinion, ladies and gentlemen?"
"The prisoner tells me that the book with the names and addresses is in this inner compartment, along with some letters and papers taken from the homes of members, and many items with real fingerprints on them. I believe he’s being honest. He offers the safe combination in exchange for a quick death. I think we should take the deal. What do you think, ladies and gentlemen?"
"The combination is known already," said Number Twenty-two.
"The combination is already known," said Number Twenty-two.
"Imbecile! This man has told us, and has proved to me, that he is Lord Peter Wimsey. Do you think he will have forgotten to alter the combination? And then there is the secret of the inner door. If he disappears to-night and the police enter his house——"
"Idiot! This guy has told us, and has shown me, that he is Lord Peter Wimsey. Do you really think he would forget to change the combination? And then there's the secret of the inner door. If he disappears tonight and the police go into his house——"
"I say," said a woman's rich voice, "that the promise should be given and the information used—and quickly. Time is getting short."
"I think," said a woman's rich voice, "that we should make the promise and use the information—and fast. Time is running out."
A murmur of agreement went round the table.
A ripple of agreement spread around the table.
"You hear," said the President, addressing Wimsey. "The Society offers you the privilege of a quick death in return for the combination of the safe and the secret of the inner door."
"You hear," said the President, speaking to Wimsey. "The Society is giving you the option of a quick death in exchange for the combination to the safe and the secret of the inner door."
"I have your word for it?"
"I have your word on that?"
"You have."
"You've got."
"Thank you. And my mother and sister?"
"Thanks. And how are my mom and sister?"
"If you in your turn will give us your word—you are a man of honour—that these women know nothing that could harm us, they shall be spared."
"If you, in turn, give us your word—you are a man of honor—that these women don’t know anything that could harm us, they will be spared."
"Thank you, sir. You may rest assured, upon my honour, that they know nothing. I should not think of burdening any woman with such dangerous secrets—particularly those who are dear to me."
"Thank you, sir. You can be sure, on my honor, that they know nothing. I wouldn’t dream of putting any woman in danger with such secrets—especially those who are close to me."
"Very well. It is agreed—yes?"
"Okay. It's agreed—right?"
The murmur of assent was given, though with less readiness than before.
The murmur of agreement was given, but with less willingness than before.
"Then I am willing to give you the information you want. The word of the combination is UNRELIABILITY."
"Then I'm happy to share the information you need. The word for the combination is UNRELIABLE."
"And the inner door?"
"And the internal door?"
"In anticipation of the visit of the police, the inner door—which might have presented difficulties—is open."
"In anticipation of the police visit, the inner door—which could have been problematic—is open."
"Good! You understand that if the police interfere with our messenger——"
"Good! You get that if the police mess with our messenger——"
"That would not help me, would it?"
"That wouldn’t help me, would it?"
"It is a risk," said the President thoughtfully, "but a risk which I think we must take. Carry the prisoner down to the cellar. He can amuse himself by contemplating apparatus Number 5. In the meantime, Numbers Twelve and Forty-six——"
"It’s a risk," the President said thoughtfully, "but a risk we have to take. Take the prisoner down to the cellar. He can occupy himself by looking at apparatus Number 5. In the meantime, Numbers Twelve and Forty-six——"
"No, no!"
"No way!"
A sullen mutter of dissent arose and swelled threateningly.
A gloomy murmur of disagreement started and grew ominously.
"No," said a tall man with a voice like treacle. "No—why should any members be put in possession of this evidence? We have found one traitor among us to-night and more than one fool. How are we to know that Numbers Twelve and Forty-six are not fools and traitors also?"
"No," said a tall man with a voice like syrup. "No—why should any members get access to this evidence? We've found one traitor among us tonight and more than one idiot. How can we be sure that Numbers Twelve and Forty-six aren't idiots and traitors too?"
The two men turned savagely upon the speaker, but a girl's voice struck into the discussion, high and agitated.
The two men reacted angrily to the speaker, but a girl's voice interrupted the conversation, high and distressed.
"Hear, hear! That's right, I say. How about us? We ain't going to have our names read by somebody we don't know nothing about. I've had enough of this. They might sell the 'ole lot of us to the narks."
"Hear, hear! That's right, I say. What about us? We're not going to have our names read by someone we don’t know anything about. I've had enough of this. They could sell all of us to the cops."
"I agree," said another member. "Nobody ought to be trusted, nobody at all."
"I agree," said another member. "No one should be trusted, no one at all."
The President shrugged his shoulders.
The President shrugged.
"Then what, ladies and gentlemen, do you suggest?"
"Then what do you suggest, everyone?"
There was a pause. Then the same girl shrilled out again:
There was a pause. Then the same girl shouted again:
"I say Mr. President oughter go himself. He's the only one as knows all the names. It won't be no cop to him. Why should we take all the risk and trouble and him sit at home and collar the money? Let him go himself, that's what I say."
"I say the President should go himself. He's the only one who knows all the names. It won’t be cool for him. Why should we take all the risk and trouble while he stays at home and takes all the money? Let him go, that’s what I say."
A long rustle of approbation went round the table.
A long murmur of approval went around the table.
"I second that motion," said a stout man who wore a bunch of gold seals at his fob. Wimsey smiled as he looked at the seals; it was that trifling vanity which had led him directly to the name and address of the stout man, and he felt a certain affection for the trinkets on that account.
"I agree with that suggestion," said a heavyset man who had a collection of gold seals attached to his pocket. Wimsey smiled as he glanced at the seals; it was that little bit of vanity that had brought him straight to the name and address of the heavyset man, and he felt a certain fondness for the trinkets because of it.
The President looked round.
The President looked around.
"It is the wish of the meeting, then, that I should go?" he said, in an ominous voice.
"It’s the group’s wish that I should go, then?" he said, in a foreboding tone.
Forty-five hands were raised in approbation. Only the woman known as Number Two remained motionless and silent, her strong white hands clenched on the arm of the chair.
Forty-five hands were raised in approval. Only the woman known as Number Two stayed still and silent, her strong white hands clenched on the arm of the chair.
The President rolled his eyes slowly round the threatening ring till they rested upon her.
The President slowly scanned the intimidating circle until his gaze landed on her.
"Am I to take it that this vote is unanimous?" he enquired.
"Should I assume that this vote is unanimous?" he asked.
The woman raised her head.
The woman looked up.
"Don't go," she gasped faintly.
"Don't go," she breathed softly.
"You hear," said the President, in a faintly derisive tone. "This lady says, don't go."
"You hear," said the President, a bit mockingly. "This lady says, don't go."
"I submit that what Number Two says is neither here nor there," said the man with the treacly voice. "Our own ladies might not like us to be going, if they were in madam's privileged position." His voice was an insult.
"I argue that what Number Two says doesn't really matter," said the man with the syrupy voice. "Our own partners probably wouldn't want us to go if they were in her privileged position." His voice was an insult.
"Hear, hear!" cried another man. "This is a democratic society, this is. We don't want no privileged classes."
"Hear, hear!" shouted another man. "This is a democratic society. We don't want any privileged classes."
"Very well," said the President. "You hear, Number Two. The feeling of the meeting is against you. Have you any reasons to put forward in favour of your opinion?"
"Alright," said the President. "You hear that, Number Two? The overall sentiment of the meeting is against you. Do you have any reasons to support your opinion?"
"A hundred. The President is the head and soul of our Society. If anything should happen to him—where should we be? You"—she swept the company magnificently with her eyes—"you have all blundered. We have your carelessness to thank for all this. Do you think we should be safe for five minutes if the President were not here to repair your follies?"
"A hundred. The President is the leader and heart of our Society. If anything were to happen to him—where would we be? You"—she looked around the room dramatically—"you have all messed up. We have your carelessness to thank for all of this. Do you really think we would be safe for even five minutes without the President here to fix your mistakes?"
"Something in that," said a man who had not hitherto spoken.
"There's something in that," said a man who hadn't spoken before.
"Pardon my suggesting," said Wimsey maliciously, "that, as the lady appears to be in a position peculiarly favourable for the reception of the President's confidences, the contents of my modest volume will probably be no news to her. Why should not Number Two go herself?"
"Pardon my suggestion," said Wimsey mockingly, "that, since the lady seems to be in a particularly good spot to hear the President’s secrets, my little book will likely be old news to her. Why shouldn't Number Two go herself?"
"Because I say she must not," said the President sternly, checking the quick reply that rose to his companion's lips. "If it is the will of the meeting, I will go. Give me the key of the house."
"Because I say she can't," said the President firmly, cutting off the quick response that was about to come from his companion. "If that's what the meeting decides, I'll leave. Hand me the key to the house."
One of the men extracted it from Wimsey's jacket-pocket and handed it over.
One of the men took it out of Wimsey's jacket pocket and handed it over.
"Is the house watched?" he demanded of Wimsey.
"Is the house being watched?" he asked Wimsey.
"No."
"Nope."
"That is the truth?"
"Is that the truth?"
"It is the truth."
"It's the truth."
The President turned at the door.
The President turned to face the door.
"If I have not returned in two hours' time," he said, "act for the best to save yourselves, and do what you like with the prisoner. Number Two will give orders in my absence."
"If I haven't come back in two hours," he said, "do what you think is best to save yourselves, and handle the prisoner however you want. Number Two will give instructions while I'm gone."
He left the room. Number Two rose from her seat with a gesture of command.
He left the room. Number Two stood up from her seat with an air of authority.
"Ladies and gentlemen. Supper is now considered over. Start the dancing again."
"Everyone, dinner is now finished. Let’s get the dancing started again."
Down in the cellar the time passed slowly, in the contemplation of apparatus Number 5. The miserable Jukes, alternately wailing and raving, at length shrieked himself into exhaustion. The four members guarding the prisoners whispered together from time to time.
Down in the cellar, time moved slowly as they stared at apparatus Number 5. The poor Jukes, alternating between crying and shouting, eventually exhausted himself with his screams. The four members watching over the prisoners whispered among themselves from time to time.
"An hour and a half since the President left," said one.
"An hour and a half since the President left," said one.
Wimsey glanced up. Then he returned to his examination of the room. There were many curious things in it, which he wanted to memorise.
Wimsey looked up. Then he went back to examining the room. There were a lot of interesting things in it that he wanted to remember.
Presently the trap-door was flung open. "Bring him up!" cried a voice. Wimsey rose immediately, and his face was rather pale.
Presently, the trapdoor was thrown open. "Bring him up!" shouted a voice. Wimsey stood up right away, and his face looked a bit pale.
The members of the gang were again seated round the table. Number Two occupied the President's chair, and her eyes fastened on Wimsey's face with a tigerish fury, but when she spoke it was with a self-control which roused his admiration.
The gang members were once again gathered around the table. Number Two sat in the President's chair, her eyes locked on Wimsey's face with a fierce intensity, but when she spoke, her calm demeanor impressed him.
"The President has been two hours gone," she said. "What has happened to him? Traitor twice over—what has happened to him?"
"The President has been gone for two hours," she said. "What happened to him? Traitor twice over—what happened to him?"
"How should I know?" said Wimsey. "Perhaps he has looked after Number One and gone while the going was good!"
"How should I know?" Wimsey said. "Maybe he took care of Number One and left while he still could!"
She sprang up with a little cry of rage, and came close to him.
She jumped up with a small shout of anger and moved closer to him.
"Beast! liar!" she said, and struck him on the mouth. "You know he would never do that. He is faithful to his friends. What have you done with him? Speak—or I will make you speak. You two, there—bring the irons. He shall speak!"
"Beast! Liar!" she yelled, hitting him in the mouth. "You know he would never do that. He’s loyal to his friends. What have you done with him? Talk—or I’ll make you talk. You two over there—bring the shackles. He will talk!"
"I can only form a guess, madame," replied Wimsey, "and I shall not guess any the better for being stimulated with hot irons, like Pantaloon at the circus. Calm yourself, and I will tell you what I think. I think—indeed, I greatly fear—that Monsieur le Président in his hurry to examine the interesting exhibits in my safe may, quite inadvertently, no doubt, have let the door of the inner compartment close behind him. In which case——"
"I can only make an educated guess, ma'am," Wimsey replied, "and I won’t guess any better by being prodded with hot irons, like Pantaloon at the circus. Please calm down, and I’ll share my thoughts. I believe—actually, I’m quite worried—that Monsieur le Président, in his eagerness to check out the intriguing items in my safe, may have, quite unintentionally, let the door of the inner compartment close behind him. If that’s the case——"
He raised his eyebrows, his shoulders being too sore for shrugging, and gazed at her with a limpid and innocent regret.
He raised his eyebrows, his shoulders too sore to shrug, and looked at her with clear, innocent regret.
"What do you mean?"
"What do you mean?"
Wimsey glanced round the circle.
Wimsey looked around the circle.
"I think," he said, "I had better begin from the beginning by explaining to you the mechanism of my safe. It is rather a nice safe," he added plaintively. "I invented the idea myself—not the principle of its working, of course; that is a matter for scientists—but just the idea of the thing.
"I think," he said, "I should start from the beginning by explaining how my safe works. It's actually a pretty nice safe," he added with a hint of regret. "I came up with the idea myself—not the principle of how it operates, of course; that's for scientists—but just the idea of it."
"The combination I gave you is perfectly correct as far as it goes. It is a three-alphabet thirteen-letter lock by Bunn & Fishett—a very good one of its kind. It opens the outer door, leading into the ordinary strong-room, where I keep my cash and my Froth Blower's cuff-links and all that. But there is an inner compartment with two doors, which open in quite a different manner. The outermost of these two inner doors is merely a thin steel skin, painted to look like the back of the safe and fitting closely, so as not to betray any join. It lies in the same plane as the wall of the room, you understand, so that if you were to measure the outside and the inside of the safe you would discover no discrepancy. It opens outwards with an ordinary key, and, as I truly assured the President, it was left open when I quitted my flat."
"The combination I gave you is completely correct for what it is. It's a three-letter, thirteen-character lock by Bunn & Fishett—a really good one for its type. It unlocks the outer door, which leads into the regular strong-room, where I store my cash, my Froth Blower's cuff-links, and all that. But there's an inner compartment with two doors that open in a completely different way. The outermost of these two inner doors is just a thin steel layer, painted to look like the back of the safe and fitting snugly, so it doesn't reveal any seams. It lies on the same plane as the wall of the room, you see, so if you measured the outside and the inside of the safe, you wouldn't find any difference. It swings open with a regular key, and, as I honestly assured the President, it was left open when I left my apartment."
"Do you think," said the woman sneeringly, "that the President is so simple as to be caught in a so obvious trap? He will have wedged open that inner door undoubtedly."
"Do you really think," the woman said with a sneer, "that the President is naive enough to fall for such an obvious trap? He’s definitely found a way to keep that inner door open."
"Undoubtedly, madame. But the sole purpose of that outer inner door, if I may so express myself, is to appear to be the only inner door. But hidden behind the hinge of that door is another door, a sliding panel, set so closely in the thickness of the wall that you would hardly see it unless you knew it was there. This door was also left open. Our revered Number One had nothing to do but to walk straight through into the inner compartment of the safe, which, by the way, is built into the chimney of the old basement kitchen, which runs up the house at that point. I hope I make myself clear?"
"Absolutely, ma'am. But the purpose of that outer inner door, if I can put it that way, is to look like the only inner door. However, tucked behind the hinge of that door is another door, a sliding panel, set so snugly in the wall that you'd barely notice it unless you knew it was there. This door was also left open. Our esteemed Number One just had to walk straight through into the inner compartment of the safe, which, by the way, is installed in the chimney of the old basement kitchen that goes up the house at that point. I hope that makes sense?"
"Yes, yes—get on. Make your story short."
"Yeah, yeah—let's go. Keep your story brief."
Wimsey bowed, and, speaking with even greater deliberation than ever, resumed:
Wimsey bowed and, speaking with even more care than before, continued:
"Now, this interesting list of the Society's activities, which I have had the honour of compiling, is written in a very large book—bigger, even, than Monsieur le Président's ledger which he uses downstairs. (I trust, by the way, madame, that you have borne in mind the necessity of putting that ledger in a safe place. Apart from the risk of investigation by some officious policeman, it would be inadvisable that any junior member of the Society should get hold of it. The feeling of the meeting would, I fancy, be opposed to such an occurrence.)"
"Now, this interesting list of the Society's activities, which I've had the honor of putting together, is written in a very large book—bigger, even, than the President's ledger that he uses downstairs. (I trust, by the way, madam, that you’ve kept in mind the importance of putting that ledger in a safe place. Aside from the risk of being investigated by some nosy policeman, it wouldn’t be a good idea for any junior member of the Society to get their hands on it. I think the sentiment of the meeting would be against such an event.)"
"It is secure," she answered hastily. "Mon dieu! get on with your story."
"It’s safe," she replied quickly. "Oh my gosh! just continue with your story."
"Thank you—you have relieved my mind. Very good. This big book lies on a steel shelf at the back of the inner compartment. Just a moment. I have not described this inner compartment to you. It is six feet high, three feet wide, and three feet deep. One can stand up in it quite comfortably, unless one is very tall. It suits me nicely—as you may see, I am not more than five feet eight and a half. The President has the advantage of me in height; he might be a little cramped, but there would be room for him to squat if he grew tired of standing. By the way, I don't know if you know it, but you have tied me up rather tightly."
"Thank you—you’ve put my mind at ease. Great. This big book is on a steel shelf at the back of the inner compartment. Just a second. I haven’t described this inner compartment to you. It’s six feet high, three feet wide, and three feet deep. You can stand up in it comfortably, unless you’re really tall. It works well for me—as you can see, I’m not more than five feet eight and a half. The President has me beat in height; he might feel a bit cramped, but there’d be enough space for him to squat if he got tired of standing. By the way, I’m not sure if you realize it, but you’ve tied me up pretty tightly."
"I would have you tied till your bones were locked together. Beat him, you! He is trying to gain time."
"I would have you tied up until your bones were stuck together. Beat him, you! He's trying to buy time."
"If you beat me," said Wimsey, "I'm damned if I'll speak at all. Control yourself, madame; it does not do to move hastily when your king is in check."
"If you beat me," said Wimsey, "then I won’t say a word. Calm down, madam; it’s not wise to act quickly when your king is in check."
"Get on!' she cried again, stamping with rage.
"Get moving!" she shouted again, stomping with anger.
"Where was I? Ah! the inner compartment. As I say, it is a little snug—the more so that it is not ventilated in any way. Did I mention that the book lay on a steel shelf?"
"Where was I? Ah! the inner compartment. As I said, it's a bit cramped—especially since there’s no ventilation at all. Did I mention that the book was on a steel shelf?"
"You did."
"You did."
"Yes. The steel shelf is balanced on a very delicate concealed spring. When the weight of the book—a heavy one, as I said—is lifted, the shelf rises almost imperceptibly. In rising it makes an electrical contact. Imagine to yourself, madame; our revered President steps in—propping the false door open behind him—he sees the book—quickly he snatches it up. To make sure that it is the right one, he opens it—he studies the pages. He looks about for the other objects I have mentioned, which bear the marks of finger-prints. And silently, but very, very quickly—you can imagine it, can you not?—the secret panel, released by the rising of the shelf, leaps across like a panther behind him. Rather a trite simile, but apt, don't you think?"
"Yes. The steel shelf is balanced on a very delicate hidden spring. When the weight of the book—a heavy one, as I mentioned—is lifted, the shelf rises almost imperceptibly. As it rises, it makes an electrical contact. Picture this, madam; our esteemed President steps in—holding the false door open behind him—he sees the book—quickly he grabs it. To make sure it's the right one, he opens it—he examines the pages. He looks around for the other objects I've mentioned, which have fingerprints on them. And silently, but very, very quickly—you can imagine it, right?—the secret panel, triggered by the rising shelf, leaps across like a panther behind him. A bit of a cliché, but fitting, don’t you think?"
"My God! oh, my God!" Her hand went up as though to tear the choking mask from her face. "You—you devil—devil! What is the word that opens the inner door? Quick! I will have it torn out of you—the word!"
"My God! Oh, my God!" Her hand shot up as if to rip the suffocating mask off her face. "You—you devil! What’s the word that opens the inner door? Hurry! I will get it out of you—the word!"
"It is not a hard word to remember, madame—though it has been forgotten before now. Do you recollect, when you were a child, being told the tale of 'Ali Baba and the Forty Thieves'? When I had that door made, my mind reverted, with rather a pretty touch of sentimentality, in my opinion, to the happy hours of my childhood. The words that open the door are—'Open Sesame'."
"It’s not a difficult phrase to remember, ma’am—even though it has been forgotten before. Do you remember, when you were a kid, hearing the story of 'Ali Baba and the Forty Thieves'? When I had that door made, I couldn’t help but think back, with a bit of fondness, to the joyful moments of my childhood. The words that open the door are—'Open Sesame'."
"Ah! How long can a man live in this devil's trap of yours?"
"Ah! How long can someone live in this hellish trap of yours?"
"Oh," said Wimsey cheerfully, "I should think he might hold out a few hours if he kept cool and didn't use up the available oxygen by shouting and hammering. If we went there at once, I dare say we should find him fairly all right."
"Oh," Wimsey said cheerfully, "I think he could last a few hours if he stays calm and doesn’t waste the oxygen by shouting and banging. If we head there right now, I bet we’ll find him in pretty good shape."
"I shall go myself. Take this man and—do your worst with him. Don't finish him till I come back. I want to see him die!"
"I'll go myself. Take this guy and—do whatever you want with him. Don't finish him off until I get back. I want to see him die!"
"One moment," said Wimsey, unmoved by this amiable wish. "I think you had better take me with you."
"One moment," said Wimsey, unfazed by this friendly suggestion. "I think it would be better if you took me along."
"Why—why?"
"Why—why?"
"Because, you see, I'm the only person who can open the door."
"Because, you see, I'm the only one who can open the door."
"But you have given me the word. Was that a lie?"
"But you gave me your word. Was that a lie?"
"No—the word's all right. But, you see, it's one of these new-style electric doors. In fact, it's really the very latest thing in doors. I'm rather proud of it. It opens to the words 'Open Sesame' all right—but to my voice only."
"No—the word's fine. But, you see, it's one of those new electric doors. In fact, it's really the latest thing in doors. I'm kind of proud of it. It opens with 'Open Sesame'—but only to my voice."
"Your voice? I will choke your voice with my own hands. What do you mean—your voice only?"
"Your voice? I’ll suffocate your voice with my own hands. What do you mean—just your voice?"
"Just what I say. Don't clutch my throat like that, or you may alter my voice so that the door won't recognise it. That's better. It's apt to be rather pernickety about voices. It got stuck up for a week once, when I had a cold and could only implore it in a hoarse whisper. Even in the ordinary way, I sometimes have to try several times before I hit on the exact right intonation."
"Just what I mean. Don't squeeze my throat like that, or you might change my voice so that the door won't recognize it. That's better. It tends to be pretty picky about voices. It got fussy for a week once when I had a cold and could only plead with it in a hoarse whisper. Even normally, I sometimes have to try several times before I get the exact right tone."
She turned and appealed to a short, thick-set man standing beside her.
She turned and asked a short, stocky man standing next to her.
"Is this true? Is it possible?"
"Is this real? Can it actually happen?"
"Perfectly, ma'am, I'm afraid," said the man civilly. From his voice Wimsey took him to be a superior workman of some kind—probably an engineer.
"Perfectly, ma'am, I'm afraid," said the man politely. From his voice, Wimsey figured he was a skilled worker of some sort—likely an engineer.
"Is it an electrical device? Do you understand it?"
"Is it an electrical gadget? Do you get it?"
"Yes, ma'am. It will have a microphone arrangement somewhere, which converts the sound into a series of vibrations controlling an electric needle. When the needle has traced the correct pattern, the circuit is completed and the door opens. The same thing can be done by light vibrations equally easily."
"Yes, ma'am. It will have a microphone set up somewhere that converts sound into a series of vibrations that control an electric needle. When the needle has traced the right pattern, the circuit is closed and the door opens. The same thing can be accomplished with light vibrations just as easily."
"Couldn't you open it with tools?"
"Couldn't you use tools to open it?"
"In time, yes, ma'am. But only by smashing the mechanism, which is probably well protected."
"In time, sure, ma'am. But only by breaking the mechanism, which is probably well guarded."
"You may take that for granted," interjected Wimsey reassuringly.
"You can take that for granted," Wimsey said with reassurance.
She put her hands to her head.
She placed her hands on her head.
"I'm afraid we're done in," said the engineer, with a kind of respect in his tone for a good job of work.
"I'm afraid we're finished here," said the engineer, with a sense of respect in his voice for a job well done.
"No—wait! Somebody must know—the workmen who made this thing?"
"No—hold on! Someone has to know—the workers who built this thing?"
"In Germany," said Wimsey briefly.
"In Germany," Wimsey said briefly.
"Or—yes, yes, I have it—a gramophone. This—this—he—shall be made to say the word for us. Quick—how can it be done?"
"Or—yes, yes, I got it—a gramophone. This—this—he—will be made to say the word for us. Quick—how can we do it?"
"Not possible, ma'am. Where should we get the apparatus at half-past three on a Sunday morning? The poor gentleman would be dead long before——"
"Not possible, ma'am. Where are we supposed to get the equipment at 3:30 in the morning on a Sunday? The poor man would be dead long before——"
There was a silence, during which the sounds of the wakening day came through the shuttered windows. A motor-horn sounded distantly.
There was a pause, during which the sounds of the waking day filtered through the closed windows. A car horn honked in the distance.
"I give in," she said. "We must let him go. Take the ropes off him. You will free him, won't you?" she went on, turning piteously to Wimsey. "Devil as you are, you are not such a devil as that! You will go straight back and save him!"
"I give in," she said. "We have to let him go. Take the ropes off him. You'll set him free, won't you?" she continued, looking at Wimsey with desperation. "As much of a devil as you are, you're not that much of a devil! You will go back and save him!"
"Let him go, nothing!" broke in one of the men. "He doesn't go to peach to the police, my lady, don't you think it. The President's done in, that's all, and we'd all better make tracks while we can. It's all up, boys. Chuck this fellow down the cellar and fasten him in, so he can't make a row and wake the place up. I'm going to destroy the ledgers. You can see it done if you don't trust me. And you, Thirty, you know where the switch is. Give us a quarter of an hour to clear, and then you can blow the place to glory."
"Let him go, no way!" one of the guys interrupted. "He’s not going to rat to the cops, my lady, don’t you worry about that. The President’s finished, that’s it, and we’d all better get out of here while we can. It’s all over, guys. Toss this guy down to the cellar and lock him up, so he can't cause a scene and wake everyone up. I’m going to destroy the ledgers. You can watch me do it if you don’t trust me. And you, Thirty, you know where the switch is. Give us fifteen minutes to clear out, and then you can blow this place to pieces."
"No! You can't go—you can't leave him to die—your President—your leader—my—I won't let it happen. Set this devil free. Help me, one of you, with the ropes——"
"No! You can't go—you can't leave him to die—your President—your leader—my—I won't let it happen. Set this devil free. Help me, one of you, with the ropes——"
"None of that, now," said the man who had spoken before. He caught her by the wrists, and she twisted, shrieking, in his arms, biting and struggling to get free.
"Cut that out," said the man who had spoken earlier. He grabbed her by the wrists, and she twisted, screaming, in his arms, biting and fighting to break free.
"Think, think," said the man with the treacly voice. "It's getting on to morning. It'll be light in an hour or two. The police may be here any minute."
"Think, think," said the man with the syrupy voice. "It's getting close to morning. It'll be light in an hour or two. The police could be here any minute."
"The police!" She seemed to control herself by a violent effort. "Yes, yes, you are right. We must not imperil the safety of all for the sake of one man. He himself would not wish it. That is so. We will put this carrion in the cellar where it cannot harm us, and depart, every one to his own place, while there is time."
"The cops!" She appeared to steady herself with a strong effort. "Yes, you’re right. We can’t risk everyone’s safety for one person. He himself wouldn’t want that. It’s true. We’ll put this body in the basement where it can’t hurt us, and then everyone can head home while there’s still time."
"And the other prisoner?"
"And the other inmate?"
"He? Poor fool—he can do no harm. He knows nothing. Let him go," she answered contemptuously.
"He? What a clueless idiot—he can't do any damage. He doesn't know anything. Just let him go," she replied with disdain.
In a few minutes' time Wimsey found himself bundled unceremoniously into the depths of the cellar. He was a little puzzled. That they should refuse to let him go, even at the price of Number One's life, he could understand. He had taken the risk with his eyes open. But that they should leave him as a witness against them seemed incredible.
In just a few minutes, Wimsey found himself unceremoniously shoved into the depths of the cellar. He was a bit confused. He could understand why they wouldn't let him go, even if it meant risking Number One's life. He had taken that risk knowingly. But it seemed unbelievable that they would leave him as a witness against them.
The men who had taken him down strapped his ankles together and departed, switching the lights out as they went.
The men who had brought him down tied his ankles together and left, turning the lights off as they exited.
"Hi! Kamerad!" said Wimsey. "It's a bit lonely sitting here. You might leave the light on."
"Hi! Buddy!" said Wimsey. "It's a bit lonely sitting here. You could leave the light on."
"It's all right, my friend," was the reply. "You will not be in the dark long. They have set the time-fuse."
"It's okay, my friend," was the reply. "You won’t be in the dark for long. They’ve set the timer."
The other man laughed with rich enjoyment, and they went out together. So that was it. He was to be blown up with the house. In that case the President would certainly be dead before he was extricated. This worried Wimsey; he would rather have been able to bring the big crook to justice. After all, Scotland Yard had been waiting six years to break up this gang.
The other man laughed heartily, and they left together. So that was the plan. He was going to be blown up with the house. In that case, the President would definitely be dead before he could be rescued. This troubled Wimsey; he would have preferred to see the big criminal brought to justice. After all, Scotland Yard had been trying for six years to take down this gang.
He waited, straining his ears. It seemed to him that he heard footsteps over his head. The gang had all crept out by this time....
He waited, straining to hear. It seemed to him that he heard footsteps above him. The gang had all sneaked out by this point...
There was certainly a creak. The trap-door had opened; he felt, rather than heard, somebody creeping into the cellar.
There was definitely a creak. The trapdoor had opened; he sensed, rather than heard, someone sneaking into the cellar.
"Hush!" said a voice in his ear. Soft hands passed over his face, and went fumbling about his body. There came the cold touch of steel on his wrists. The ropes slackened and dropped off. A key clicked in the handcuffs. The strap about his ankles was unbuckled.
"Hush!" a voice whispered in his ear. Gentle hands brushed over his face and started searching his body. He felt the cold touch of steel on his wrists. The ropes loosened and fell away. A key clicked in the handcuffs. The strap around his ankles was unfastened.
"Quick! quick! they have set the time-switch. The house is mined. Follow me as fast as you can. I stole back—I said I had left my jewellery. It was true. I left it on purpose. He must be saved—only you can do it. Make haste!"
"Quick! Quick! They’ve activated the timer. The house is rigged. Follow me as fast as you can. I went back—I said I had forgotten my jewelry. That was true. I left it on purpose. He must be saved—only you can do it. Hurry!"
Wimsey, staggering with pain, as the blood rushed back into his bound and numbed arms, crawled after her into the room above. A moment, and she had flung back the shutters and thrown the window open.
Wimsey, overwhelmed with pain as the blood flowed back into his tied-up and numb arms, crawled after her into the room above. In a moment, she had thrown back the shutters and opened the window.
"Now go! Release him! You promise?"
"Now go! Let him go! You promise?"
"I promise. And I warn you, madame, that this house is surrounded. When my safe-door closed it gave a signal which sent my servant to Scotland Yard. Your friends are all taken——"
"I promise. And I warn you, ma'am, that this house is surrounded. When my safe door closed, it sent a signal that alerted my servant to go to Scotland Yard. Your friends have all been captured——"
"Ah! But you go—never mind me—quick! The time is almost up."
"Hey! Just go—don't worry about me—hurry! We're running out of time."
"Come away from this!"
"Step away from this!"
He caught her by the arm, and they went running and stumbling across the little garden. An electric torch shone suddenly in the bushes.
He grabbed her by the arm, and they ran and stumbled through the small garden. A flashlight suddenly lit up the bushes.
"That you, Parker?" cried Wimsey. "Get your fellows away. Quick! the house is going up in a minute."
"Is that you, Parker?" shouted Wimsey. "Get your team out of here. Hurry! The house is going to explode any second."
The garden seemed suddenly full of shouting, hurrying men. Wimsey, floundering in the darkness, was brought up violently against the wall. He made a leap at the coping, caught it, and hoisted himself up. His hands groped for the woman; he swung her up beside him. They jumped; everyone was jumping; the woman caught her foot and fell with a gasping cry. Wimsey tried to stop himself, tripped over a stone, and came down headlong. Then, with a flash and a roar, the night went up in fire.
The garden suddenly filled with shouting, rushing men. Wimsey, stumbling in the dark, slammed against the wall. He leaped at the edge, caught it, and pulled himself up. His hands searched for the woman; he swung her up next to him. They jumped; everyone was jumping; the woman caught her foot and fell with a gasp. Wimsey tried to hold himself back, tripped over a rock, and fell forward. Then, with a burst and a boom, the night erupted in flames.
Wimsey picked himself painfully out from among the débris of the garden wall. A faint moaning near him proclaimed that his companion was still alive. A lantern was turned suddenly upon them.
Wimsey painfully pulled himself up from the wreckage of the garden wall. A faint moan nearby indicated that his companion was still alive. Suddenly, a lantern was shone on them.
"Here you are!" said a cheerful voice. "Are you all right, old thing? Good lord! what a hairy monster!"
"Here you are!" said a cheerful voice. "Are you okay, my old friend? Good grief! What a hairy beast!"
"All right," said Wimsey. "Only a bit winded. Is the lady safe? H'm—arm broken, apparently—otherwise sound. What's happened?"
"Okay," said Wimsey. "Just a little out of breath. Is the lady okay? Hmm—looks like her arm is broken—otherwise she's fine. What happened?"
"About half a dozen of 'em got blown up; the rest we've bagged." Wimsey became aware of a circle of dark forms in the wintry dawn. "Good Lord, what a day! What a come-back for a public character! You old stinker—to let us go on for two years thinking you were dead! I bought a bit of black for an arm-band. I did, really. Did anybody know, besides Bunter?"
"About six of them got blown up; the rest we've captured." Wimsey noticed a ring of dark figures in the chilly dawn. "Wow, what a day! What a comeback for someone in the spotlight! You sly fox—for making us think you were dead for two years! I even bought a black arm band. I really did. Did anyone else know, besides Bunter?"
"Only my mother and sister. I put it in a secret trust—you know, the thing you send to executors and people. We shall have an awful time with the lawyers, I'm afraid, proving I'm me. Hullo! Is that friend Sugg?"
"Just my mom and sister. I set it up in a secret trust—you know, the kind you send to executors and stuff. I'm worried we'll have a tough time with the lawyers proving I’m really me. Hey! Is that friend Sugg?"
"Yes, my lord," said Inspector Sugg, grinning and nearly weeping with excitement. "Damned glad to see your lordship again. Fine piece of work, your lordship. They're all wanting to shake hands with you, sir."
"Yes, my lord," Inspector Sugg said, grinning and almost crying with excitement. "So glad to see you again, my lord. Great job, my lord. Everyone wants to shake your hand, sir."
"Oh, Lord! I wish I could get washed and shaved first. Awfully glad to see you all again, after two years' exile in Lambeth. Been a good little show, hasn't it?"
"Oh, Lord! I wish I could get cleaned up and shaved first. I'm really glad to see all of you again after two years away in Lambeth. It's been a pretty good show, hasn't it?"
"Is he safe?"
"Is he okay?"
Wimsey started at the agonised cry.
Wimsey jumped at the anguished shout.
"Good Lord!" he cried. "I forgot the gentleman in the safe. Here, fetch a car, quickly. I've got the great big top Moriarty of the whole bunch quietly asphyxiating at home. Here—hop in, and put the lady in too. I promised we'd get back and save him—though" (he finished the sentence in Parker's ear) "there may be murder charges too, and I wouldn't give much for his chance at the Old Bailey. Whack her up. He can't last much longer shut up there. He's the bloke you've been wanting, the man at the back of the Morrison case and the Hope-Wilmington case, and hundreds of others."
"Good Lord!" he exclaimed. "I totally forgot about the guy in the safe. Hurry, get a car, fast. I've got the top dog Moriarty of the whole group quietly choking at home. Come on—jump in and bring the lady too. I promised we'd get back and rescue him—though" (he added quietly to Parker) "there might be murder charges involved, and I wouldn’t bet much on his chances at the Old Bailey. Get moving. He can’t last much longer trapped in there. He’s the guy you've been looking for, the one behind the Morrison case and the Hope-Wilmington case, and loads of others."
The cold morning had turned the streets grey when they drew up before the door of the house in Lambeth. Wimsey took the woman by the arm and helped her out. The mask was off now, and showed her face, haggard and desperate, and white with fear and pain.
The cold morning had turned the streets gray when they arrived at the door of the house in Lambeth. Wimsey took the woman by the arm and helped her out. The mask was off now, revealing her face, worn and desperate, pale with fear and pain.
"Russian, eh?" whispered Parker in Wimsey's ear.
"Russian, huh?" whispered Parker in Wimsey's ear.
"Something of the sort. Damn! the front door's blown shut, and the blighter's got the key with him in the safe. Hop through the window, will you?"
"Something like that. Damn! The front door's slammed shut, and the jerk's got the key locked up in the safe. Can you hop through the window?"
Parker bundled obligingly in, and in a few seconds threw open the door to them. The house seemed very still. Wimsey led the way to the back room, where the strong-room stood. The outer door and the second door stood propped open with chairs. The inner door faced them like a blank green wall.
Parker stepped in willingly and, in a few seconds, opened the door for them. The house felt very quiet. Wimsey went ahead to the back room, where the strong-room was located. The outer door and the second door were propped open with chairs. The inner door appeared before them like a blank green wall.
"Only hope he hasn't upset the adjustment with thumping at it," muttered Wimsey. The anxious hand on his arm clutched feverishly. He pulled himself together, forcing his tone to one of cheerful commonplace.
"Let’s hope he hasn’t messed up the adjustment by banging on it," muttered Wimsey. The nervous hand on his arm gripped tightly. He gathered himself, forcing his tone to sound casually upbeat.
"Come on, old thing," he said, addressing himself conversationally to the door. "Show us your paces. Open Sesame, confound you. Open Sesame!"
"Come on, old thing," he said, talking casually to the door. "Show us what you’ve got. Open Sesame, you little rascal. Open Sesame!"
The green door slid suddenly away into the wall. The woman sprang forward and caught in her arms the humped and senseless thing that rolled out from the safe. Its clothes were torn to ribbons, and its battered hands dripped blood.
The green door suddenly slid open into the wall. The woman rushed forward and caught in her arms the humped and lifeless figure that rolled out from the safe. Its clothes were torn to shreds, and its bruised hands dripped blood.
"It's all right," said Wimsey, "it's all right! He'll live—to stand his trial."
"It's okay," said Wimsey, "it's okay! He'll survive— to face his trial."
NOTES TO THE SOLUTION
I.1. VIRGO: The sign of the zodiac between LEO (strength) and LIBRA (justice). Allusion to parable of The Ten Virgins.
I.1. VIRGO: The zodiac sign positioned between LEO (strength) and LIBRA (justice). Reference to the parable of The Ten Virgins.
I.3. R.S.: Royal Society, whose "fellows" are addicted to studies usually considered dry-as-dust.
I.3. R.S.: Royal Society, whose "fellows" are obsessed with research typically seen as boring and tedious.
IV.3. TESTAMENT (or will); search is to be directed to the Old Testament. Ref. to parable of New Cloth and Old Garment.
IV.3. WILL; the focus should be on the Old Testament. Reference to the parable of New Cloth and Old Garment.
XIV.3. HI:
XIV.3. HI:
I.5. TRANS.: Abbreviation of Translation; ref. to building of Babel.
I.5. TRANS.: Short for Translation; refers to the Tower of Babel.
XI.5. SCENT:
XI.5. FRAGRANCE:
VI.7. ICTUS: Blow; add V (five) and you get VICTUS (vanquished); the ictus is the stress in a foot of verse; if the stress be misplaced the line goes lamely.
VI.7. ICTUS: Strike; add V (five) and you get VICTUS (defeated); the ictus is the emphasis in a line of poetry; if the emphasis is misplaced, the line sounds weak.
I.8. SPINOZA: He wrote on the properties of optical glasses; also on metaphysics.
I.8. SPINOZA: He wrote about the properties of optical glasses and also on metaphysics.
IV.13. THIRTY-ONE: Seven (months) out of the twelve of the sun's course through the heavens have thirty-one days.
IV.13. THIRTY-ONE: Seven months out of the twelve in the sun's yearly path through the sky have thirty-one days.
XIV.13. ET: Conjunction. In astrology an aspect of the heavenly bodies. That Cicero was the master of this word indicates that it is a Latin one.
XIV.13. ET: Conjunction. In astrology, this refers to a relationship between celestial bodies. The fact that Cicero was skilled in this term shows that it is derived from Latin.
X.14. BEZOAR: The bezoar stone was supposed to be a prophylactic against poison.
X.14. BEZOAR: The bezoar stone was believed to act as a preventive against poison.
11.I. PLAUD: If you would laud, then plaud (var. of applaud); Plaud-it also means "cheer."
11.I. PLAUD: If you want to praise, then clap (a variation of applaud); Plaud-it also means "cheer."
10.II. ALIENA: As You Like It. II. 1. 130.
10.II. ALIENA: As You Like It. II. 1. 130.
1.III. R.D.: "Refer to Drawer."
1.III. R.D.: "Check Drawer."
4.III. CANTICLES: The Magnificat and Nunc Dimittis are known as the Canticles, but the Book of Canticles (the Vulgate name for the Song of Songs, in which the solution is found) occurs earlier in the Bible.
4.III. CANTICLES: The Magnificat and Nunc Dimittis are called the Canticles, but the Book of Canticles (the Vulgate name for the Song of Songs, where the answer is found) appears earlier in the Bible.
2.VI. EST: ὀν και μη ὀν = est and non est—the problem of being and not-being. Ref. Marlowe: Doctor Faustus I. 1.
2.VI. EST: ὀν και μη ὀν = est and non est—the issue of existence and non-existence. Ref. Marlowe: Doctor Faustus I. 1.
12.X. TOB.: Add IT to get Tobit; the tale of Tobit and the Fish is in the Apocrypha (the book of hidden things).
12.X. TOB.: Add IT to get Tobit; the story of Tobit and the Fish is in the Apocrypha (the book of hidden things).
1.XI. MANES: "Un lion est une mâchoire et non pas une crinière": Emile Faguet: Lit. du XVIIe siècle. Manes: benevolent spirits of the dead.
1.XI. MANES: "A lion is a jaw, not a mane": Emile Faguet: Lit. du XVIIe siècle. Manes: benevolent spirits of the dead.
1.XV. SAINT: Evidence of miraculous power is required for canonisation.
1.XV. SAINT: Proof of miraculous power is needed for canonization.
THE SOLUTION OF THE CROSS-WORD PUZZLE IN "UNCLE MELEAGER'S WILL."

BOOKS BY DOROTHY L. SAYERS:
THE NINE TAILORS
The Nine Tailors
HANGMAN'S HOLIDAY
Hangman's Holiday
WHOSE BODY?
WHOSE BODY IS IT?
HAVE HIS CARCASE
HAVE HIS BODY
THE FIVE RED HERRINGS
The Five Red Herrings
STRONG POISON
POWERFUL TOXIN
LORD PETER VIEWS THE BODY
LORD PETER EXAMINES THE BODY
THE UNPLEASANTNESS AT THE BELLONA CLUB
THE UNPLEASANTNESS AT THE BELLONA CLUB
THE DOCUMENTS IN THE CASE (In collaboration with Robert Eustace)
THE DOCUMENTS IN THE CASE (In collaboration with Robert Eustace)
UNNATURAL DEATH
UNNATURAL DEATH
CLOUDS OF WITNESS
Clouds of Witness
GAUDY NIGHT
Gaudy Night
BUSMAN'S HONEYMOON
Busman's Honeymoon
IN THE TEETH OF THE EVIDENCE
IN THE TEETH OF THE EVIDENCE
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