This is a modern-English version of The hounds of Tindalos, originally written by Long, Frank Belknap. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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The HOUNDS of TINDALOS

By Frank Belknap Long, Jr.

By Frank Belknap Long, Jr.

[Transcriber's Note: This etext was produced from
Weird Tales March 1929.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

[Transcriber's Note: This etext was produced from
Weird Tales March 1929.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]


"I'm glad you came," said Chalmers. He was sitting by the window and his face was very pale. Two tall candles guttered at his elbow and cast a sickly amber light over his long nose and slightly receding chin. Chalmers would have nothing modern about his apartment. He had the soul of a mediæval ascetic, and he preferred illuminated manuscripts to automobiles and leering stone gargoyles to radios and adding-machines.

"I'm glad you came," Chalmers said. He was sitting by the window, and his face was very pale. Two tall candles flickered at his side, casting a sickly amber light over his long nose and slightly receding chin. Chalmers wanted nothing modern in his apartment. He had the spirit of a medieval ascetic and preferred illuminated manuscripts to cars, and leering stone gargoyles to radios and calculators.

As I crossed the room to the settee he had cleared for me I glanced at his desk and was surprized to discover that he had been studying the mathematical formulæ of a celebrated contemporary physicist, and that he had covered many sheets of thin yellow paper with curious geometric designs.

As I walked across the room to the couch he had cleared for me, I glanced at his desk and was surprised to see that he had been studying the math formulas of a famous modern physicist, and that he had filled several sheets of thin yellow paper with odd geometric designs.

"Einstein and John Dee are strange bedfellows," I said as my gaze wandered from his mathematical charts to the sixty or seventy quaint books that comprised his strange little library. Plotinus and Emanuel Moscopulus, St. Thomas Aquinas and Frenicle de Bessy stood elbow to elbow in the somber ebony bookcase, and chairs, table and desk were littered with pamphlets about mediæval sorcery and witchcraft and black magic, and all of the valiant glamorous things that the modern world has repudiated.

"Einstein and John Dee are an unusual pair," I said as my eyes drifted from his math charts to the sixty or seventy odd books that made up his quirky little library. Plotinus and Emanuel Moscopulus, St. Thomas Aquinas and Frenicle de Bessy stood side by side in the dark ebony bookcase, and chairs, table, and desk were cluttered with pamphlets about medieval sorcery, witchcraft, black magic, and all the brave, glamorous things that the modern world has rejected.

Chalmers smiled engagingly, and passed me a Russian cigarette on a curiously carved tray. "We are just discovering now," he said, "that the old alchemists and sorcerers were two-thirds right, and that your modern biologist and materialist is nine-tenths wrong."

Chalmers smiled warmly and handed me a Russian cigarette on a uniquely carved tray. "We're just figuring out now," he said, "that the old alchemists and sorcerers were two-thirds right, and that your modern biologist and materialist is nine-tenths wrong."

"You have always scoffed at modern science," I said, a little impatiently.

"You've always mocked modern science," I said, a bit impatiently.

"Only at scientific dogmatism," he replied. "I have always been a rebel, a champion of originality and lost causes; that is why I have chosen to repudiate the conclusions of contemporary biologists."

"Only at scientific dogmatism," he said. "I've always been a rebel, a supporter of originality and lost causes; that's why I've chosen to reject the conclusions of modern biologists."

"And Einstein?" I asked.

"And Einstein?" I asked.

"A priest of transcendental mathematics!" he murmured reverently. "A profound mystic and explorer of the great suspected."

"A priest of advanced mathematics!" he whispered in awe. "A deep mystic and seeker of the vast unknown."

"Then you do not entirely despise science."

"Then you don't completely hate science."

"Of course not," he affirmed. "I merely distrust the scientific positivism of the past fifty years, the positivism of Haeckel and Darwin and of Mr. Bertrand Russell. I believe that biology has failed pitifully to explain the mystery of man's origin and destiny."

"Of course not," he said. "I just don't trust the scientific positivism of the last fifty years, the positivism of Haeckel, Darwin, and Mr. Bertrand Russell. I think biology has done a poor job of explaining the mystery of where humans come from and where they're going."

"Give them time," I retorted.

"Give them time," I replied.

Chalmers' eyes glowed. "My friend," he murmured, "your pun is sublime. Give them time. That is precisely what I would do. But your modern biologist scoffs at time. He has the key but he refuses to use it. What do we know of time, really? Einstein believes that it is relative, that it can be interpreted in terms of space, of curved space. But must we stop there? When mathematics fails us can we not advance by—insight?"

Chalmers' eyes sparkled. "My friend," he said softly, "your pun is brilliant. Give them time. That's exactly what I would do. But your modern biologist laughs at time. He has the key but won't use it. What do we really know about time? Einstein thinks it's relative, that it can be understood in terms of space, of curved space. But must we stop there? When math lets us down, can't we move forward with—insight?"

"You are treading on dangerous ground," I replied. "That is a pit-fall that your true investigator avoids. That is why modern science has advanced so slowly. It accepts nothing that it can not demonstrate. But you——"

"You’re stepping into risky territory," I replied. "That’s a mistake a real investigator steers clear of. That’s why modern science has progressed so slowly. It doesn’t accept anything it can’t prove. But you——"

"I would take hashish, opium, all manner of drugs. I would emulate the sages of the East. And then perhaps I would apprehend——"

"I would smoke hashish, use opium, and try all kinds of drugs. I would imitate the wise ones from the East. And then maybe I would understand——"

"What?"

"What is it?"

"The fourth dimension."

"The fourth dimension."

"Theosophical rubbish!"

"Theosophical nonsense!"

"Perhaps. But I believe that drugs expand human consciousness. William James agreed with me. And I have discovered a new one."

"Maybe. But I think that drugs broaden human awareness. William James was on the same page. And I've found a new one."

"A new drug?"

"Is there a new drug?"

"It was used centuries ago by Chinese alchemists, but it is virtually unknown in the West. Its occult properties are amazing. With its aid and the aid of my mathematical knowledge I believe that I can go back through time."

"It was used centuries ago by Chinese alchemists, but it's almost unknown in the West. Its mysterious properties are incredible. With its help and my mathematical knowledge, I believe I can travel back in time."

"I do not understand."

"I don't understand."

"Time is merely our imperfect perception of a new dimension of space. Time and motion are both illusions. Everything that has existed from the beginning of the world exists now. Events that occurred centuries ago on this planet continue to exist in another dimension of space. Events that will occur centuries from now exist already. We can not perceive their existence because we can not enter the dimension of space that contains them. Human beings as we know them are merely fractions, infinitesimally small fractions of one enormous whole. Every human being is linked with all the life that has preceded him on this planet. All of his ancestors are parts of him. Only time separates him from his forebears, and time is an illusion and does not exist."

"Time is just our imperfect understanding of a new dimension of space. Time and movement are both illusions. Everything that has existed since the beginning of the world exists now. Events that happened centuries ago on this planet continue to exist in another dimension of space. Events that will happen centuries from now exist already. We can’t perceive their existence because we can’t enter the dimension of space that contains them. Human beings as we know them are just small parts, infinitesimally small parts of one enormous whole. Every person is connected to all the life that has come before them on this planet. All of their ancestors are parts of them. Only time separates them from their forebears, and time is an illusion and doesn’t exist."

"I think I understand," I murmured.

"I think I get it," I murmured.

"It will be sufficient for my purpose if you can form a vague idea of what I wish to achieve. I wish to strip from my eyes the veils of illusion that time has thrown over them, and see the beginning and the end."

"It will be enough for me if you can get a rough idea of what I want to accomplish. I want to remove the layers of illusion that time has placed over my eyes and see the beginning and the end."

"And you think this new drug will help you?"

"And you think this new medication will help you?"

"I am sure that it will. And I want you to help me. I intend to take the drug immediately. I can not wait. I must see." His eyes glittered strangely. "I am going back, back through time."

"I’m sure it will. And I need you to help me. I plan to take the drug right away. I can’t wait. I have to see." His eyes sparkled oddly. "I’m going back, back through time."

He rose and strode to the mantel. When he faced me again he was holding a small square box in the palm of his hand. "I have here five pellets of the drug Liao. It was used by the Chinese philosopher Lao Tze, and while under its influence he visioned Tao. Tao is the most mysterious force in the world; it surrounds and pervades all things; it contains the visible universe and everything that we call reality. He who apprehends the mysteries of Tao sees clearly all that was and will be."

He stood up and walked over to the mantel. When he turned to face me again, he was holding a small square box in the palm of his hand. "I have five pellets of the drug Liao here. It was used by the Chinese philosopher Lao Tze, and while under its influence, he envisioned Tao. Tao is the most mysterious force in the world; it surrounds and permeates everything; it encompasses the visible universe and everything we refer to as reality. Whoever understands the mysteries of Tao sees clearly all that was and will be."

"Rubbish!" I retorted.

"Total nonsense!" I retorted.

"Tao resembles a great animal, recumbent, motionless, containing in its enormous body all the worlds of our universe, the past, the present and the future. We see portions of this great monster through a slit, which we call time. With the aid of this drug I shall enlarge the slit. I shall behold the great figure of life, the great recumbent beast in its entirety."

"Tao is like a massive animal, lying down and still, holding within its huge body all the worlds of our universe, including the past, present, and future. We glimpse parts of this giant creature through a narrow opening we call time. With the help of this substance, I will widen that opening. I will see the full shape of life, the entire great beast that lies there."

"And what do you wish me to do?"

"And what do you want me to do?"

"Watch, my friend. Watch and take notes. And if I go back too far you must recall me to reality. You can recall me by shaking me violently. If I appear to be suffering acute physical pain you must recall me at once."

"Watch, my friend. Pay attention and take notes. If I drift too far back, you need to bring me back to reality. You can do that by shaking me hard. If I seem to be in severe physical pain, you have to bring me back immediately."

"Chalmers," I said, "I wish you wouldn't make this experiment. You are taking dreadful risks. I don't believe that there is any fourth dimension and I emphatically do not believe in Tao. And I don't approve of your experimenting with unknown drugs."

"Chalmers," I said, "I really wish you wouldn’t go ahead with this experiment. You’re taking huge risks. I don’t believe in any fourth dimension, and I strongly don’t believe in Tao. Plus, I don’t think it’s right for you to be experimenting with unknown drugs."

"I know the properties of this drug," he replied. "I know precisely how it affects the human animal and I know its dangers. The risk does not reside in the drug itself. My only fear is that I may become lost in time. You see, I shall assist the drug. Before I swallow this pellet I shall give my undivided attention to the geometric and algebraic symbols that I have traced on this paper." He raised the mathematical chart that rested on his knee. "I shall prepare my mind for an excursion into time. I shall approach the fourth dimension with my conscious mind before I take the drug which will enable me to exercise occult powers of perception. Before I enter the dream world of the Eastern mystics I shall acquire all of the mathematical help that modern science can offer. This mathematical knowledge, this conscious approach to an actual apprehension of the fourth dimension of time will supplement the work of the drug. The drug will open up stupendous new vistas—the mathematical preparation will enable me to grasp them intellectually. I have often grasped the fourth dimension in dreams, emotionally, intuitively, but I have never been able to recall, in waking life, the occult splendors that were momentarily revealed to me.

"I know the effects of this drug," he replied. "I understand exactly how it impacts the human experience and I’m aware of its dangers. The risk isn’t in the drug itself. My only concern is that I might lose track of time. You see, I will enhance the effects of the drug. Before I take this pill, I will focus entirely on the geometric and algebraic symbols I've drawn on this paper." He held up the mathematical chart resting on his knee. "I will prepare my mind for a journey through time. I will approach the fourth dimension with my conscious awareness before I take the drug that will let me tap into deeper powers of perception. Before I enter the dream-like state of Eastern mystics, I will gather all the mathematical knowledge that modern science can provide. This mathematical understanding and intentional approach towards truly grasping the fourth dimension of time will complement the effects of the drug. The drug will unveil incredible new perspectives—the mathematical preparation will help me understand them intellectually. I’ve often sensed the fourth dimension in dreams, emotionally and intuitively, but I’ve never been able to remember, in my waking life, the profound wonders that were briefly shown to me.

"But with your aid, I believe that I can recall them. You will take down everything that I say while I am under the influence of the drug. No matter how strange or incoherent my speech may become you will omit nothing. When I awake I may be able to supply the key to whatever is mysterious or incredible. I am not sure that I shall succeed, but if I do succeed"—his eyes were strangely luminous—"time will exist for me no longer!"

"But with your help, I think I can remember them. You'll write down everything I say while I'm under the influence of the drug. No matter how strange or nonsensical my words become, you won't leave anything out. When I wake up, I might be able to provide the answer to whatever is mysterious or unbelievable. I'm not sure I will succeed, but if I do succeed"—his eyes were oddly bright—"time will no longer matter to me!"

He sat down abruptly. "I shall make the experiment at once. Please stand over there by the window and watch. Have you a fountain pen?"

He sat down suddenly. "I'll try it right away. Please stand over there by the window and watch. Do you have a fountain pen?"

I nodded gloomily and removed a pale green Waterman from my upper vest pocket.

I nodded sadly and took out a light green Waterman from my upper vest pocket.

"And a pad, Frank?"

"And a pad, Frank?"

I groaned and produced a memorandum book. "I emphatically disapprove of this experiment," I muttered. "You're taking a frightful risk."

I sighed and pulled out a notebook. "I really disapprove of this experiment," I said under my breath. "You're taking a huge risk."

"Don't be an asinine old woman!" he admonished. "Nothing that you can say will induce me to stop now. I entreat you to remain silent while I study these charts."

"Don't be a ridiculous old woman!" he warned. "Nothing you say will make me stop now. I'm begging you to stay quiet while I look at these charts."

He raised the charts and studied them intently. I watched the clock on the mantel as it ticked out the seconds, and a curious dread clutched at my heart so that I choked.

He held up the charts and examined them closely. I looked at the clock on the mantel as it counted down the seconds, and a strange fear gripped my heart, making me feel like I couldn't breathe.

Suddenly the clock stopped ticking, and exactly at that moment Chalmers swallowed the drug.

Suddenly, the clock stopped ticking, and right at that moment, Chalmers swallowed the drug.


I rose quickly and moved toward him, but his eyes implored me not to interfere. "The clock has stopped," he murmured. "The forces that control it approve of my experiment. Time stopped, and I swallowed the drug. I pray God that I shall not lose my way."

I got up quickly and went over to him, but his eyes begged me not to get involved. "The clock has stopped," he said quietly. "The forces that control it are okay with my experiment. Time stopped, and I took the drug. I pray to God that I won’t lose my way."

He closed his eyes and leaned back on the sofa. All of the blood had left his face and he was breathing heavily. It was clear that the drug was acting with extraordinary rapidity.

He closed his eyes and leaned back on the couch. All the color had drained from his face, and he was breathing heavily. It was obvious that the drug was taking effect with incredible speed.

"It is beginning to get dark," he murmured. "Write that. It is beginning to get dark and the familiar objects in the room are fading out. I can discern them vaguely through my eyelids but they are fading swiftly."

"It’s starting to get dark," he whispered. "Write that down. It’s starting to get dark and the familiar things in the room are fading away. I can make them out faintly through my eyelids, but they're disappearing quickly."

I shook my pen to make the ink come and wrote rapidly in shorthand as he continued to dictate.

I shook my pen to get the ink flowing and quickly wrote in shorthand as he kept dictating.

"I am leaving the room. The walls are vanishing and I can no longer see any of the familiar objects. Your face, though, is still visible to me. I hope that you are writing. I think that I am about to make a great leap—a leap through space. Or perhaps it is through time that I shall make the leap. I can not tell. Everything is dark, indistinct."

"I’m leaving the room. The walls are disappearing, and I can't see any of the familiar things anymore. Your face, though, is still clear to me. I hope you’re writing. I think I'm about to take a big leap—maybe a leap through space. Or maybe it’s a leap through time that I’m about to make. I can't figure it out. Everything is dark and blurry."

He sat for a while silent, with his head sunk upon his breast. Then suddenly he stiffened and his eyelids fluttered open. "God in heaven!" he cried. "I see!"

He sat quietly for a while, with his head down on his chest. Then suddenly he tensed up and his eyelids fluttered open. "God in heaven!" he shouted. "I see!"

He was straining forward in his chair, staring at the opposite wall. But I knew that he was looking beyond the wall and that the objects in the room no longer existed for him. "Chalmers," I cried, "Chalmers, shall I wake you?"

He was leaning forward in his chair, staring at the wall across from him. But I knew he was looking past the wall and that the things in the room didn’t matter to him anymore. "Chalmers," I called out, "Chalmers, should I wake you?"

"Do not!" he shrieked. "I see everything. All of the billions of lives that preceded me on this planet are before me at this moment. I see men of all ages, all races, all colors. They are fighting, killing, building, dancing, singing. They are sitting about rude fires on lonely gray deserts, and flying through the air in monoplanes. They are riding the seas in bark canoes and enormous steamships; they are painting bison and mammoths on the walls of dismal caves and covering huge canvases with queer futuristic designs. I watch the migrations from Atlantis. I watch the migrations from Lemuria. I see the elder races—a strange horde of black dwarfs overwhelming Asia and the Neandertalers with lowered heads and bent knees ranging obscenely across Europe. I watch the Achæans streaming into the Greek islands, and the crude beginnings of Hellenic culture. I am in Athens and Pericles is young. I am standing on the soil of Italy. I assist in the rape of the Sabines; I march with the Imperial Legions. I tremble with awe and wonder as the enormous standards go by and the ground shakes with the tread of the victorious hastati. A thousand naked slaves grovel before me as I pass in a litter of gold and ivory drawn by night-black oxen from Thebes, and the flower-girls scream 'Ave Cæsar' as I nod and smile. I am myself a slave on a Moorish galley. I watch the erection of a great cathedral. Stone by stone it rises, and through months and years I stand and watch each stone as it falls into place. I am burned on a cross head downward in the thyme-scented gardens of Nero, and I watch with amusement and scorn the torturers at work in the chambers of the Inquisition.

"Don't!" he screamed. "I see everything. All the billions of lives that came before me on this planet are right in front of me at this moment. I see men of all ages, races, and colors. They are fighting, killing, building, dancing, and singing. They are gathered around rough fires in lonely gray deserts, and flying through the sky in monoplanes. They are traveling the seas in canoe boats and huge steamships; they are painting bison and mammoths on the walls of dark caves and filling large canvases with strange futuristic designs. I watch the migrations from Atlantis. I watch the migrations from Lemuria. I see the ancient races—a strange group of black dwarfs overpowering Asia, and the Neanderthals with their heads down and knees bent shamelessly moving across Europe. I see the Achæans flooding into the Greek islands, and the crude beginnings of Hellenic culture. I am in Athens, and Pericles is young. I am standing on Italian soil. I take part in the abduction of the Sabines; I march with the Imperial Legions. I shake with awe and wonder as the huge standards pass by and the ground trembles from the march of the victorious hastati. A thousand naked slaves grovel before me as I go by in a litter of gold and ivory pulled by night-black oxen from Thebes, and the flower girls shout 'Ave Cæsar' as I nod and smile. I am also a slave on a Moorish galley. I watch the construction of a grand cathedral. Stone by stone it rises, and for months and years, I stand and watch each stone fall into place. I am burned on a cross upside down in the thyme-scented gardens of Nero, and I watch with amusement and disdain as the torturers work in the chambers of the Inquisition."

"I walk in the holiest sanctuaries; I enter the temples of Venus. I kneel in adoration before the Magna Mater, and I throw coins on the bare knees of the sacred courtezans who sit with veiled faces in the groves of Babylon. I creep into an Elizabethan theater and with the stinking rabble about me I applaud The Merchant of Venice. I walk with Dante through the narrow streets of Florence. I meet the young Beatrice and the hem of her garment brushes my sandals as I stare enraptured. I am a priest of Isis, and my magic astounds the nations. Simon Magus kneels before me, imploring my assistance, and Pharaoh trembles when I approach. In India I talk with the Masters and run screaming from their presence, for their revelations are as salt on wounds that bleed.

"I walk in the holiest places; I enter the temples of Venus. I kneel in worship before the Great Mother, and I toss coins on the bare knees of the sacred courtesans who sit with veiled faces in the groves of Babylon. I slip into an Elizabethan theater and, surrounded by the stinky crowd, I applaud The Merchant of Venice. I stroll with Dante through the narrow streets of Florence. I meet young Beatrice, and the hem of her dress brushes my sandals as I gaze in awe. I am a priest of Isis, and my magic amazes the nations. Simon Magus kneels before me, begging for my help, and Pharaoh trembles when I come near. In India, I speak with the Masters and run away screaming from their presence, for their revelations are like salt on bleeding wounds."

"I perceive everything simultaneously. I perceive everything from all sides; I am a part of all the teeming billions about me. I exist in all men and all men exist in me. I perceive the whole of human history in a single instant, the past and the present.

"I see everything at once. I see everything from every angle; I'm connected to all the billions around me. I exist in everyone, and everyone exists in me. I perceive the entirety of human history in a single moment, both the past and the present."

"By simply straining I can see farther and farther back. Now I am going back through strange curves and angles. Angles and curves multiply about me. I perceive great segments of time through curves. There is curved time, and angular time. The beings that exist in angular time can not enter curved time. It is very strange.

"By just focusing, I can see further and further back. Now I'm moving through odd curves and angles. Angles and curves keep multiplying around me. I can sense huge segments of time through curves. There’s curved time and angular time. The beings that exist in angular time cannot enter curved time. It’s really strange."

"I am going back and back. Man has disappeared from the earth. Gigantic reptiles crouch beneath enormous palms and swim through the loathly black waters of dismal lakes. Now the reptiles have disappeared. No animals remain upon the land, but beneath the waters, plainly visible to me, dark forms move slowly over the rotting vegetation.

"I keep going further back. Humanity has vanished from the earth. Massive reptiles lurk under giant palm trees and glide through the murky black waters of gloomy lakes. Now the reptiles are gone too. There are no animals left on land, but beneath the water, I can see dark shapes slowly moving over the decaying plants."

"The forms are becoming simpler and simpler. Now they are single cells. All about me there are angles—strange angles that have no counterparts on the earth. I am desperately afraid.

"The forms are getting simpler and simpler. Now they are just single cells. All around me, there are angles—strange angles that have no equivalents on earth. I am incredibly afraid."

"There is an abyss of being which man has never fathomed."

"There is a depth of existence that humanity has never fully understood."

I stared. Chalmers had risen to his feet and he was gesticulating helplessly with his arms. "I am passing through unearthly angles; I am approaching—oh, the burning horror of it!"

I stared. Chalmers had stood up and was waving his arms around in frustration. "I'm going through unearthly angles; I'm getting close to—oh, the intense fear of it!"

"Chalmers!" I cried. "Do you wish me to interfere?"

"Chalmers!" I shouted. "Do you want me to step in?"

He brought his right hand quickly before his face, as though to shut out a vision unspeakable. "Not yet!" he cried; "I will go on. I will see—what—lies—beyond——"

He quickly brought his right hand up to his face, as if to block out an unspeakable vision. "Not yet!" he shouted; "I will continue. I will see—what—lies—beyond——"

A cold sweat streamed from his forehead and his shoulders jerked spasmodically. "Beyond life there are"—his face grew ashen with terror—"things that I can not distinguish. They move slowly through angles. They have no bodies, and they move slowly through outrageous angles."

A cold sweat dripped from his forehead, and his shoulders twitched uncontrollably. "Beyond life there are"—his face turned pale with fear—"things that I can't make out. They move slowly through strange angles. They don't have bodies, and they move slowly through bizarre angles."

It was then that I became aware of the odor in the room. It was a pungent, indescribable odor, so nauseous that I could scarcely endure it. I stepped quickly to the window and threw it open. When I returned to Chalmers and looked into his eyes I nearly fainted.

It was then that I noticed the smell in the room. It was a strong, unpleasant odor, so disgusting that I could barely tolerate it. I rushed to the window and opened it wide. When I turned back to Chalmers and looked into his eyes, I almost passed out.

"I think they have scented me!" he shrieked. "They are slowly turning toward me."

"I think they've caught my scent!" he yelled. "They're slowly turning towards me."

He was trembling horribly. For a moment he clawed at the air with his hands. Then his legs gave way beneath him and he fell forward on his face, slobbering and moaning.

He was trembling violently. For a moment, he grasped at the air with his hands. Then his legs gave out beneath him, and he collapsed forward onto his face, drooling and groaning.

I watched him in silence as he dragged himself across the floor. He was no longer a man. His teeth were bared and saliva dripped from the corners of his mouth.

I watched him silently as he crawled across the floor. He was no longer a man. His teeth were showing and drool dripped from the corners of his mouth.

"Chalmers," I cried. "Chalmers, stop it! Stop it, do you hear?"

"Chalmers," I shouted. "Chalmers, cut it out! Stop it, do you hear me?"

As if in reply to my appeal he commenced to utter hoarse convulsive sounds which resembled nothing so much as the barking of a dog, and began a sort of hideous writhing in a circle about the room. I bent and seized him by the shoulders. Violently, desperately, I shook him. He turned his head and snapped at my wrist. I was sick with horror, but I dared not release him for fear that he would destroy himself in a paroxysm of rage.

As if to answer my plea, he started making harsh, convulsive sounds that sounded very much like a dog barking and began moving around the room in a horrifying, writhing circle. I leaned down and grabbed him by the shoulders. I shook him violently and desperately. He turned his head and snapped at my wrist. I was filled with dread, but I couldn’t let go for fear that he would hurt himself in a fit of rage.

"Chalmers," I muttered, "you must stop that. There is nothing in this room that can harm you. Do you understand?"

"Chalmers," I whispered, "you need to cut that out. There's nothing in this room that can hurt you. Do you get it?"

I continued to shake and admonish him, and gradually the madness died out of his face. Shivering convulsively, he crumpled into a grotesque heap on the Chinese rug.

I kept shaking and scolding him, and slowly the craziness faded from his face. Shivering uncontrollably, he collapsed into a twisted heap on the Chinese rug.


I carried him to the sofa and deposited him upon it. His features were twisted in pain, and I knew that he was still struggling dumbly to escape from abominable memories.

I took him to the sofa and laid him down on it. His face was contorted in pain, and I could tell he was still silently fighting to break free from horrible memories.

"Whisky," he muttered. "You'll find a flask in the cabinet by the window—upper left-hand drawer."

"Whiskey," he mumbled. "You’ll find a flask in the cabinet by the window—top left drawer."

When I handed him the flask his fingers tightened about it until the knuckles showed blue. "They nearly got me," he gasped. He drained the stimulant in immoderate gulps, and gradually the color crept back into his face.

When I handed him the flask, his fingers tightened around it until his knuckles turned blue. "They almost got me," he gasped. He gulped down the stimulant quickly, and slowly the color returned to his face.

"That drug was the very devil!" I murmured.

"That drug was pure evil!" I murmured.

"It wasn't the drug," he moaned.

"It wasn't the drug," he said with a groan.

His eyes no longer glared insanely, but he still wore the look of a lost soul.

His eyes no longer burned with madness, but he still had the expression of a lost soul.

"They scented me in time," he moaned. "I went too far."

"They caught my scent too late," he complained. "I pushed it too far."

"What were they like?" I said, to humor him.

"What were they like?" I asked, just to go along with him.

He leaned forward and gripped my arm. He was shivering horribly. "No word in our language can describe them!" He spoke in a hoarse whisper. "They are symbolized vaguely in the myth of the Fall, and in an obscene form which is occasionally found engraven on ancient tablets. The Greeks had a name for them, which veiled their essential foulness. The tree, the snake and the apple—these are the vague symbols of a most awful mystery."

He leaned forward and grabbed my arm. He was shaking really badly. "No word in our language can describe them!" He spoke in a raspy whisper. "They’re vaguely alluded to in the myth of the Fall, and in a disturbing form that’s sometimes found engraved on ancient tablets. The Greeks had a name for them that masked their true vileness. The tree, the snake, and the apple—these are the vague symbols of a terrifying mystery."

His voice had risen to a scream. "Frank, Frank, a terrible and unspeakable deed was done in the beginning. Before time, the deed, and from the deed——"

His voice had risen to a scream. "Frank, Frank, a terrible and unspeakable act was done in the beginning. Before time, the act, and from the act——"

He had risen and was hysterically pacing the room. "The seeds of the deed move through angles in dim recesses of time. They are hungry and athirst!"

He had stood up and was frantically pacing the room. "The seeds of the act travel through corners in the shadows of time. They are hungry and thirsty!"

"Chalmers," I pleaded to quiet him. "We are living in the third decade of the Twentieth Century."

"Chalmers," I urged to calm him down. "We're living in the third decade of the 20th century."

"They are lean and athirst!" he shrieked. "The Hounds of Tindalos!"

"They're lean and thirsty!" he shouted. "The Hounds of Tindalos!"

"Chalmers, shall I phone for a physician?"

"Chalmers, should I call a doctor?"

"A physician can not help me now. They are horrors of the soul, and yet"—he hid his face in his hands and groaned—"they are real, Frank. I saw them for a ghastly moment. For a moment I stood on the other side. I stood on the pale gray shores beyond time and space. In an awful light that was not light, in a silence that shrieked, I saw them.

"A doctor can't help me now. They're terrifying experiences for the soul, and yet"—he buried his face in his hands and groaned—"they're real, Frank. I saw them for a horrifying moment. For a moment I was on the other side. I was on the pale gray shores beyond time and space. In a dreadful light that wasn’t really light, in a silence that screamed, I saw them.

"All the evil in the universe was concentrated in their lean, hungry bodies. Or had they bodies? I saw them only for a moment; I can not be certain. But I heard them breathe. Indescribably for a moment I felt their breath upon my face. They turned toward me and I fled screaming. In a single moment I fled screaming through time. I fled down quintillions of years.

"All the evil in the universe was gathered in their thin, hungry bodies. Or did they have bodies? I only saw them for a split second; I can't be sure. But I heard them breathe. For an indescribable moment, I felt their breath on my face. They turned toward me and I ran away screaming. In an instant, I ran screaming through time. I ran through quintillions of years."

"But they scented me. Men awake in them cosmic hungers. We have escaped, momentarily, from the foulness that rings them round. They thirst for that in us which is clean, which emerged from the deed without stain. There is a part of us which did not partake in the deed, and that they hate. But do not imagine that they are literally, prosaically evil. They are beyond good and evil as we know it. They are that which in the beginning fell away from cleanliness. Through the deed they became bodies of death, receptacles of all foulness. But they are not evil in our sense because in the spheres through which they move there is no thought, no morals, no right or wrong as we understand it. There is merely the pure and the foul. The foul expresses itself through angles; the pure through curves. Man, the pure part of him, is descended from a curve. Do not laugh. I mean that literally."

"But they detected me. Men awaken in them cosmic desires. We have escaped, for now, from the filth that surrounds them. They crave what is pure in us, what emerged from the action without any taint. There’s a part of us that didn’t participate in the act, and that’s what they despise. But don’t think they are simply, straightforwardly evil. They exist beyond good and evil as we understand it. They are what fell away from purity in the beginning. Through the act, they became beings of death, vessels of all corruption. But they aren’t evil in our sense because in the realms they inhabit, there’s no thought, no morals, no right or wrong as we perceive it. There’s only the pure and the foul. The foul manifests through angles; the pure manifests through curves. Humanity, in its pure form, descends from a curve. Don’t laugh. I mean that literally."

I rose and searched for my hat. "I'm dreadfully sorry for you, Chalmers," I said, as I walked toward the door. "But I don't intend to stay and listen to such gibberish. I'll send my physician to see you. He's an elderly, kindly chap and he won't be offended if you tell him to go to the devil. But I hope you'll respect his advice. A week's rest in a good sanitarium should benefit you immeasurably."

I got up and looked for my hat. "I'm really sorry for you, Chalmers," I said as I headed for the door. "But I’m not going to stick around to listen to this nonsense. I’ll have my doctor come check on you. He’s an older, nice guy and he won’t take it personally if you tell him to get lost. But I hope you take his advice seriously. A week of rest in a decent wellness center should do wonders for you."

I heard him laughing as I descended the stairs, but his laughter was so utterly mirthless that it moved me to tears.

I heard him laughing as I came down the stairs, but his laughter was so completely empty that it brought me to tears.


2

2

When Chalmers phoned the following morning my first impulse was to hang up the receiver immediately. His request was so unusual and his voice was so wildly hysterical that I feared any further association with him would result in the impairment of my own sanity. But I could not doubt the genuineness of his misery, and when he broke down completely and I heard him sobbing over the wire I decided to comply with his request.

When Chalmers called the next morning, my first instinct was to hang up right away. His request was so strange, and his voice was so frantically emotional that I worried any further involvement with him would drive me crazy. But I couldn’t ignore how real his pain was, and when he completely lost it and I heard him crying on the line, I decided to go along with what he asked.

"Very well," I said. "I will come over immediately and bring the plaster."

"Alright," I said. "I'll come over right away and bring the plaster."

En route to Chalmers' home I stopped at a hardware store and purchased twenty pounds of plaster of Paris. When I entered my friend's room he was crouching by the window watching the opposite wall out of eyes that were feverish with fright. When he saw me he rose and seized the parcel containing the plaster with an avidity that amazed and horrified me. He had extruded all of the furniture and the room presented a desolate appearance.

On my way to Chalmers' house, I stopped at a hardware store and bought twenty pounds of plaster of Paris. When I walked into my friend's room, he was crouched by the window, staring at the opposite wall with eyes that were wild with fear. When he noticed me, he stood up and grabbed the package of plaster with a greediness that shocked and horrified me. He had pushed out all the furniture, making the room look empty and bleak.

"It is just conceivable that we can thwart them!" he exclaimed. "But we must work rapidly. Frank, there is a stepladder in the hall. Bring it here immediately. And then fetch a pail of water."

"It’s possible that we can stop them!" he shouted. "But we have to move quickly. Frank, there’s a stepladder in the hallway. Bring it here right away. And then get a bucket of water."

"What for?" I murmured.

"Why?" I murmured.

He turned sharply and there was a flush on his face. "To mix the plaster, you fool!" he cried. "To mix the plaster that will save our bodies and souls from a contamination unmentionable. To mix the plaster that will save the world from—Frank, they must be kept out!"

He turned quickly, and his face was flushed. "To mix the plaster, you idiot!" he shouted. "To mix the plaster that will save our bodies and souls from an unspeakable contamination. To mix the plaster that will save the world from—Frank, they must be kept out!"

"Who?" I murmured.

"Who?" I whispered.

"The Hounds of Tindalos!" he muttered. "They can only reach us through angles. We must eliminate all angles from this room. I shall plaster up all of the corners, all of the crevices. We must make this room resemble the interior of a sphere."

"The Hounds of Tindalos!" he whispered. "They can only get to us through angles. We need to remove all angles from this room. I’ll seal up all the corners and all the cracks. We have to make this room look like the inside of a sphere."

I knew that it would have been useless to argue with him. I fetched the stepladder, Chalmers mixed the plaster, and for three hours we labored. We filled in the four corners of the wall and the intersections of the floor and wall and the wall and ceiling, and we rounded the sharp angles of the window-seat.

I knew it would have been pointless to argue with him. I got the stepladder, Chalmers mixed the plaster, and we worked for three hours. We filled in the four corners of the wall and the joints where the floor meets the wall and where the wall meets the ceiling, and we smoothed out the sharp angles of the window seat.

"I shall remain in this room until they return in time," he affirmed when our task was completed. "When they discover that the scent leads through curves they will return. They will return ravenous and snarling and unsatisfied to the foulness that was in the beginning, before time, beyond space."

"I'll stay in this room until they get back on time," he said after we finished our task. "When they realize the trail goes through twists and turns, they'll come back. They'll come back hungry, growling, and dissatisfied with the filth that was there at the start, before time, beyond space."

He nodded graciously and lit a cigarette. "It was good of you to help," he said.

He nodded politely and lit a cigarette. "Thanks for your help," he said.

"Will you not see a physician, Chalmers?" I pleaded.

"Won't you see a doctor, Chalmers?" I begged.

"Perhaps—tomorrow," he murmured. "But now I must watch and wait."

"Maybe—tomorrow," he whispered. "But right now I have to watch and wait."

"Wait for what?" I urged.

"Wait for what?" I insisted.

Chalmers smiled wanly. "I know that you think me insane," he said. "You have a shrewd but prosaic mind, and you can not conceive of an entity that does not depend for its existence on force and matter. But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space? When one knows, as I do, that time and space are identical and that they are both deceptive because they are merely imperfect manifestations of a higher reality, one no longer seeks in the visible world for an explanation of the mystery and terror of being."

Chalmers smiled faintly. "I know you think I'm crazy," he said. "You have a sharp but straightforward mind, and you can't imagine an entity that doesn't rely on force and matter for its existence. But have you ever considered, my friend, that force and matter are just the limits to perception set by time and space? When you understand, as I do, that time and space are the same and that they are both misleading because they're just imperfect reflections of a higher reality, you stop looking in the visible world for an explanation of the mystery and fear of existence."

I rose and walked toward the door.

I got up and walked to the door.

"Forgive me," he cried. "I did not mean to offend you. You have a superlative intellect, but I—I have a superhuman one. It is only natural that I should be aware of your limitations."

"Forgive me," he said. "I didn't mean to upset you. You have an exceptional mind, but I—I have a superhuman one. It's only natural for me to be aware of your limitations."

"Phone if you need me," I said, and descended the stairs two steps at a time. "I'll send my physician over at once," I muttered, to myself. "He's a hopeless maniac, and heaven knows what will happen if someone doesn't take charge of him immediately."

"Call me if you need anything," I said, rushing down the stairs two steps at a time. "I'll send my doctor over right away," I mumbled to myself. "He's a complete lunatic, and who knows what could happen if someone doesn't take control of him right now."


3

3

The following is a condensation of two announcements which appeared in the Partridgeville Gazette for July 3, 1928:

The following is a summary of two announcements that were published in the Partridgeville Gazette on July 3, 1928:

Earthquake Shakes Financial District

Earthquake Rocks Financial District

At 2 o'clock this morning an earth tremor of unusual severity broke several plate-glass windows in Central Square and completely disorganized the electric and street railway systems. The tremor was felt in the outlying districts and the steeple of the First Baptist Church on Angell Hill (designed by Christopher Wren in 1717) was entirely demolished. Firemen are now attempting to put out a blaze which threatens to destroy the Partridgeville Glue Works. An investigation is promised by the mayor and an immediate attempt will be made to fix responsibility for this disastrous occurrence.

At 2 a.m. this morning, a strong earthquake shattered several plate-glass windows in Central Square and completely disrupted the electric and streetcar systems. The tremor was felt in nearby areas, and the steeple of the First Baptist Church on Angell Hill (designed by Christopher Wren in 1717) was completely destroyed. Firefighters are currently trying to extinguish a fire that threatens to wipe out the Partridgeville Glue Works. The mayor has promised an investigation, and there will be a swift effort to determine who is responsible for this disaster.


OCCULT WRITER MURDERED BY UNKNOWN GUEST

OCCULT WRITER KILLED BY UNKNOWN GUEST

Horrible Crime in Central Square

Terrible crime in Central Square

Mystery Surrounds Death of Halpin Chalmers

Mystery Surrounds the Death of Halpin Chalmers

At 9 a.m. today the body of Halpin Chalmers, author and journalist, was found in an empty room above the jewelry store of Smithwick and Isaacs, 24 Central Square. The coroner's investigation revealed that the room had been rented furnished to Mr. Chalmers on May 1, and that he had himself disposed of the furniture a fortnight ago. Chalmers was the author of several recondite books on occult themes, and a member of the Bibliographic Guild. He formerly resided in Brooklyn, New York.

At 9 a.m. today, the body of Halpin Chalmers, author and journalist, was discovered in an empty room above the jewelry store of Smithwick and Isaacs, 24 Central Square. The coroner's investigation showed that the room had been rented furnished to Mr. Chalmers on May 1, and that he had gotten rid of the furniture two weeks ago. Chalmers wrote several obscure books on occult topics and was a member of the Bibliographic Guild. He previously lived in Brooklyn, New York.

At 7 a.m. Mr. L. E. Hancock, who occupies the apartment opposite Chalmers' room in the Smithwick and Isaacs establishment, smelt a peculiar odor when he opened his door to take in his cat and the morning edition of the Partridgeville Gazette. The odor he describes as extremely acrid and nauseous, and he affirms that it was so strong in the vicinity of Chalmers' room that he was obliged to hold his nose when he approached that section of the hall.

At 7 a.m., Mr. L. E. Hancock, who lives in the apartment across from Chalmers' room in the Smithwick and Isaacs establishment, noticed a strange smell when he opened his door to let in his cat and grab the morning edition of the Partridgeville Gazette. He described the odor as extremely sharp and sickening, and he insisted it was so overpowering near Chalmers' room that he had to cover his nose when he got close to that part of the hallway.

He was about to return to his own apartment when it occurred to him that Chalmers might have accidentally forgotten to turn off the gas in his kitchenette. Becoming considerably alarmed at the thought, he decided to investigate, and when repeated tappings on Chalmers' door brought no response he notified the superintendent. The latter opened the door by means of a pass key, and the two men quickly made their way into Chalmers' room. The room was utterly destitute of furniture, and Hancock asserts that when he first glanced at the floor his heart went cold within him, and that the superintendent, without saying a word, walked to the open window and stared at the building opposite for fully five minutes.

He was about to head back to his own apartment when he remembered that Chalmers might have accidentally left the gas on in his kitchenette. Worried by this thought, he decided to check it out, and when several knocks on Chalmers' door didn't get a response, he alerted the superintendent. The superintendent used a pass key to open the door, and the two men quickly entered Chalmers' room. The room was completely empty of furniture, and Hancock claims that when he first looked at the floor, he felt a chill run through him, and that the superintendent, without saying a word, walked to the open window and stared at the building across the street for a full five minutes.

Chalmers lay stretched upon his back in the center of the room. He was starkly nude, and his chest and arms were covered with a peculiar bluish pus or ichor. His head lay grotesquely upon his chest. It had been completely severed from his body, and the features were twisted and torn and horribly mangled. Nowhere was there a trace of blood.

Chalmers lay flat on his back in the middle of the room. He was completely naked, and his chest and arms were covered in a strange bluish pus or fluid. His head was awkwardly resting on his chest. It had been completely cut off from his body, and the features were contorted, ripped apart, and horribly damaged. There was no sign of blood anywhere.


"He was starkly nude, and twisted and torn."

"He was completely naked, and twisted and torn."


The room presented a most astonishing appearance. The intersections of the walls, ceiling and floor had been thickly smeared with plaster of Paris, but at intervals fragments had cracked and fallen off, and someone had grouped these upon the floor about the murdered man so as to form a perfect triangle.

The room had a truly shocking look. The corners where the walls, ceiling, and floor met were heavily coated with plaster, but in some places, chunks had cracked and fallen off. Someone had arranged these pieces on the floor around the dead man to create a perfect triangle.

Beside the body were several sheets of charred yellow paper. These bore fantastic geometric designs and symbols and several hastily scrawled sentences. The sentences were almost illegible and so absurd in context that they furnished no possible clue to the perpetrator of the crime. "I am waiting and watching," Chalmers wrote. "I sit by the window and watch walls and ceiling. I do not believe they can reach me, but I must beware of the Doels. Perhaps they can help them break through. The satyrs will help, and they can advance through the scarlet circles. The Greeks knew a way of preventing that. It is a great pity that we have forgotten so much."

Beside the body were several sheets of burned yellow paper. They had strange geometric designs and symbols along with a few hurriedly written sentences. The sentences were nearly unreadable and so ridiculous in context that they offered no real clue to who committed the crime. "I am waiting and watching," Chalmers wrote. "I sit by the window and watch the walls and ceiling. I don’t think they can reach me, but I must be cautious of the Doels. Maybe they can help them break through. The satyrs will assist, and they can move through the red circles. The Greeks knew a way to stop that. It’s a real shame we’ve forgotten so much."

On another sheet of paper, the most badly charred of the seven or eight fragments found by Detective Sergeant Douglas (of the Partridgeville Reserve), was scrawled the following:

On another piece of paper, the most heavily burned of the seven or eight fragments discovered by Detective Sergeant Douglas (of the Partridgeville Reserve), was written the following:

"Good God, the plaster is falling! A terrific shock has loosened the plaster and it is falling. An earthquake perhaps! I never could have anticipated this. It is growing dark in the room. I must phone Frank. But can he get here in time? I will try. I will recite the Einstein formula. I will—God, they are breaking through! They are breaking through! Smoke is pouring from the corners of the wall. Their tongues—ahhhhh——"

"Good God, the plaster is coming down! A huge shock has loosened it, and it’s falling. Maybe it's an earthquake! I never saw this coming. The room is getting dark. I have to call Frank. But can he get here in time? I’ll try. I’ll recite the Einstein formula. I will—oh my God, they’re breaking through! They’re breaking through! Smoke is streaming from the corners of the wall. Their tongues—ahhhhh——"

In the opinion of Detective Sergeant Douglas, Chalmers was poisoned by some obscure chemical. He has sent specimens of the strange blue slime found on Chalmers' body to the Partridgeville Chemical Laboratories; and he expects the report will shed new light on one of the most mysterious crimes of recent years. That Chalmers entertained a guest on the evening preceding the earthquake is certain, for his neighbor distinctly heard a low murmur of conversation in the former's room as he passed it on his way to the stairs. Suspicion points strongly to this unknown visitor and the police are diligently endeavoring to discover his identity.

In Detective Sergeant Douglas's view, Chalmers was poisoned with some kind of unknown chemical. He's sent samples of the strange blue slime found on Chalmers' body to the Partridgeville Chemical Laboratories, and he expects the report will provide new insights into one of the most baffling crimes in recent years. It's clear that Chalmers had a guest on the night before the earthquake, as his neighbor distinctly heard a quiet conversation coming from Chalmers' room while walking by on his way to the stairs. Suspicion is strongly directed at this unknown visitor, and the police are actively working to uncover his identity.


4

4

Report of James Morton, chemist and bacteriologist:

Report of James Morton, chemist and bacteriologist:

My dear Mr. Douglas:

Dear Mr. Douglas:

The fluid sent to me for analysis is the most peculiar that I have ever examined. It resembles living protoplasm, but it lacks the peculiar substances known as enzymes. Enzymes catalyze the chemical reactions occurring in living cells, and when the cell dies they cause it to disintegrate by hydrolyzation. Without enzymes protoplasm should possess enduring vitality, i.e., immortality. Enzymes are the negative components, so to speak, of unicellular organism, which is the basis of all life. That living matter can exist without enzymes biologists emphatically deny. And yet the substance that you have sent me is alive and it lacks these "indispensable" bodies. Good God, sir, do you realize what astounding new vistas this opens up?

The fluid sent to me for analysis is the most unusual I have ever examined. It looks like living protoplasm, but it’s missing what we typically call enzymes. Enzymes are responsible for the chemical reactions in living cells, and when a cell dies, they cause it to break down through hydrolysis. Without enzymes, protoplasm should have lasting vitality, or in other words, immortality. Enzymes are, in a way, the negative components of unicellular organisms, which form the foundation of all life. Biologists strongly argue that living matter cannot exist without enzymes. And yet, the substance you sent me is alive and lacks these "essential" components. Good God, sir, do you realize what incredible new possibilities this opens up?


5

5

Excerpt from The Secret Watchers by the late Halpin Chalmers:

Excerpt from The Secret Watchers by the late Halpin Chalmers:

What if, parallel to the life we know, there is another life that does not die, which lacks the elements that destroy our life? Perhaps in another dimension there is a different force from that which generates our life. Perhaps this force emits energy, or something similar to energy, which passes from the unknown dimension where it is and creates a new form of cell life in our dimension. No one knows that such new cell life does exist in our dimension. Ah, but I have seen its manifestations. I have talked with them. In my room at night I have talked with the Doels. And in dreams I have seen their maker. I have stood on the dim shore beyond time and matter and seen it. It moves through strange curves and outrageous angles. Some day I shall travel in time and meet it face to face.

What if, alongside the life we know, there’s another life that doesn’t die, one that doesn’t have the things that destroy our life? Maybe in another dimension, there’s a different force than the one that creates our life. Perhaps this force puts out energy, or something like energy, that comes from the unknown dimension where it exists and forms new cell life in our dimension. No one knows that this new cell life exists here. Ah, but I have seen its signs. I have talked with them. In my room at night, I have conversed with the Doels. And in dreams, I have seen their creator. I have stood on the dim shore beyond time and matter and witnessed it. It moves in strange curves and outrageous angles. One day, I will travel through time and meet it face to face.


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