This is a modern-English version of The stone age in North America, vol. 1 of 2, originally written by Moorehead, Warren K. (Warren King). It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Transcriber's Note:

THE STONE AGE IN
NORTH AMERICA

Colored plate of fine chipped implements. Materials: jasper, carnelian, agate, obsidian, and chalcedony. These were collected in the Willamette Valley, Oregon, and are selected as indicative of aboriginal American art in flint-chipping. B. W. Arnold’s collection, Albany, New York.

Colorful plate of finely crafted tools. Materials: jasper, carnelian, agate, obsidian, and chalcedony. These were gathered in the Willamette Valley, Oregon, and are chosen to represent indigenous American art in flint-knapping. B. W. Arnold’s collection, Albany, New York.

THE STONE AGE IN NORTH AMERICA
AN ARCHAEOLOGICAL ENCYCLOPEDIA OF THE TOOLS, ORNAMENTS, WEAPONS, UTENSILS, ETC., OF THE PREHISTORIC TRIBES OF NORTH AMERICA, WITH OVER THREE HUNDRED FULL-PAGE PLATES AND FOUR HUNDRED FIGURES ILLUSTRATING MORE THAN FOUR THOUSAND DIFFERENT OBJECTS

BY
WARREN K. MOOREHEAD, M.A.
Curator of the Department of American Archaeology, Phillips Academy, member of the Board of Indian Commissioners, etc.
IN TWO VOLUMES
VOL. I
[Logo]
BOSTON AND NEW YORK
HOUGHTON MIFFLIN COMPANY
The Riverside Press, Cambridge
1910
COPYRIGHT, 1910, BY WARREN K. MOOREHEAD
All rights reserved.
Published December 1910
v

PREFACE

Before one enters fully upon a discussion of ancient man’s handiwork, some introductory explanation is necessary. This work is the result of twenty-five years’ study of primitive man’s prehistoric implements, weapons, and utensils found in America. During the past ten years I have presented several attempts at classification of these various objects, two of them being in book form. But my publications were incomplete and unsatisfactory, although in a sense they prepared the way for “The Stone Age.”

Before diving into a discussion about the work of ancient humans, it's important to provide some background. This project comes from twenty-five years of studying ancient tools, weapons, and utensils used by primitive people in America. Over the last ten years, I've made several attempts to classify these different objects, with two of them published as books. However, my past publications were incomplete and didn't fully meet my expectations, although they did lay the groundwork for “The Stone Age.”

A classification of stone, bone, shell, clay, and copper implements in the United States is a difficult and tedious task in itself. There were different cultures, some of which are known, others but slightly known, and it is quite likely that, as time passes, implements will be discovered in such numbers as to justify the establishing of new types. Therefore my work cannot be complete, although I have endeavored to include in it all type-specimens brought to my notice.

A classification of tools made from stone, bone, shell, clay, and copper in the United States is a challenging and time-consuming job. There were various cultures, some well-documented and others only partially understood, and it's likely that as time goes on, new tools will be found that warrant the creation of new categories. So, my work can't be considered complete, even though I've tried to include all the type specimens that have been brought to my attention.

The work has necessitated an extensive correspondence with museums, scientific men, and private collectors throughout the United States, much travel, and the reading of thousands of pages of reports, books, and articles.

The project has required extensive communication with museums, scientists, and private collectors across the United States, a lot of travel, and reading thousands of pages of reports, books, and articles.

It is probable that some of the statements will be challenged, and if in any of the conclusions I am in error, I court correction. All these observations are based on the study of actual specimens or photographs of them, on field-work, on published material, and on museum specimens.

It’s likely that some of the statements will be questioned, and if any of my conclusions are wrong, I welcome correction. All these observations are based on the study of real specimens or photos of them, on fieldwork, on published material, and on museum specimens.

After deliberation I concluded to describe the implements, ornaments, and utensils of North America according to class or type rather than by locality. The several scholars who had aided me in this work and to whom I am under the greatest of obligations are therefore given credit in their several places. This was a better plan, and all of my observations are so grouped.

After careful consideration, I decided to categorize the tools, decorations, and utensils of North America by class or type instead of by location. The various scholars who assisted me in this work, to whom I owe a huge debt of gratitude, are credited in their respective sections. This approach was more effective, and all of my findings are organized accordingly.

I am especially indebted to Mr. Charles E. Brown, Secretary and Curator of the Wisconsin Archæological Society and at present Dean of the State Historical Museum at Madison, Wisconsin; and to Professor Henry Montgomery, Ph.D., Head Curator of the New Museum of the University of Toronto, Ontario. Both of these vigentlemen are co-laborers in the preparation of the pages which follow; both have offered suggestions and been of great assistance; both made thorough studies in their respective regions. Mr. Brown’s papers in the Wisconsin Archeologist and other reports, and his studies in museums in the Northwest, have made him an authority on copper and other forms of ancient objects. Professor Montgomery has carried on investigations, extending through many years, of the archæology of the Dakotas, Utah, and eastern and central Canada.

I am especially grateful to Mr. Charles E. Brown, Secretary and Curator of the Wisconsin Archaeological Society and currently Dean of the State Historical Museum in Madison, Wisconsin; and to Professor Henry Montgomery, Ph.D., Head Curator of the New Museum at the University of Toronto, Ontario. Both of these vigentlemen have collaborated in preparing the following pages; they have both provided suggestions and been incredibly helpful; and they have conducted extensive research in their respective areas. Mr. Brown’s articles in the Wisconsin Archeologist and other reports, along with his studies in museums in the Northwest, have established him as an expert on copper and other types of ancient artifacts. Professor Montgomery has conducted long-term investigations into the archaeology of the Dakotas, Utah, and eastern and central Canada.

Readers will observe that I have embodied Mr. Brown’s papers in various portions of “The Stone Age” according to the types under discussion, but Professor Montgomery’s several papers are presented as geographical treatises in Volume II, just before my own Conclusions.

Readers will notice that I've included Mr. Brown’s papers in different sections of “The Stone Age” based on the topics being discussed, but Professor Montgomery’s various papers are given as geographic studies in Volume II, right before my own Conclusions.

Much credit is due to both of these scholars for their permission to make use of previously published papers, and for hearty coöperation.

Much credit goes to both of these scholars for allowing the use of previously published papers and for their enthusiastic cooperation.

I am under obligations to the Wisconsin Archæological Society for the loan of plates illustrating specimens in its collection, and to Mr. George A. West, the authority on Wisconsin pipes, for the loan of figures illustrating pipes from the Northwest; and, further, to Mr. West for his kindness in reading my chapter on pipes and offering suggestions. The Directors of the Milwaukee Public Museum have my thanks for their generous action in making, especially for “The Stone Age,” a series of plates illustrating type-specimens in copper on exhibition in their collection. Dr. S. A. Barrett, Curator of Anthropology in the Milwaukee Public Museum, also rendered me assistance.

I want to thank the Wisconsin Archaeological Society for lending me plates that show pieces from their collection, and Mr. George A. West, an expert on Wisconsin pipes, for lending figures that illustrate pipes from the Northwest. I'm also grateful to Mr. West for his kindness in reviewing my chapter on pipes and providing suggestions. I appreciate the Directors of the Milwaukee Public Museum for their generous effort in creating a series of plates, specifically for "The Stone Age," that illustrate type specimens in copper from their collection. Dr. S. A. Barrett, the Curator of Anthropology at the Milwaukee Public Museum, also helped me out.

Dr. George L. Collie, Curator of the Logan Museum, Beloit, Wisconsin, kindly made for me a number of plates of interesting copper objects, striated axes, and other artifacts in his museum. He also furnished me with descriptions, and permitted me to republish portions of his paper entitled “Aboriginal Discrimination in the Selection of Material for Tools,” printed in volume VII, number 3, of the Wisconsin Archeologist. These and other gentlemen have been very kind to me and I appreciate their coöperation. That “The Stone Age” may be a success is largely due to the interest taken in it by my numerous correspondents.

Dr. George L. Collie, the Curator of the Logan Museum in Beloit, Wisconsin, generously provided me with several plates of fascinating copper objects, striated axes, and other artifacts from his museum. He also gave me descriptions and allowed me to republish parts of his paper titled “Aboriginal Discrimination in the Selection of Material for Tools,” which appeared in volume VII, number 3, of the Wisconsin Archeologist. He and other gentlemen have been very kind to me, and I appreciate their cooperation. The success of “The Stone Age” is largely thanks to the interest shown by my many correspondents.

The student who wishes to consider all the forms in a given region will find it necessary to refer to the Index. Because of my viimethod of treatment, I was compelled to ignore geographical lines. Otherwise endless repetition would result. The only exception to be noted was made in favor of Professor Montgomery’s paper.

The student who wants to explore all the forms in a specific area will need to consult the Index. Due to my viiapproach, I had to overlook geographical boundaries. Otherwise, there would be endless repetition. The only exception to mention was for Professor Montgomery’s paper.

I am especially indebted for assistance in the preparation of this work to my colleague, Charles Peabody, Ph.D., Honorary Director of the Department of American Archæology, Phillips Academy, Andover, Mass., and also connected with the Peabody Museum of Harvard University. Having access to the great library of Harvard University, he kindly took in charge the Bibliography covering necessary titles for the information of readers and students. While the result does not embody every reference, yet it is the most extensive list ever presented up to the present time. Messrs. Montgomery, Barr, and Brown also added a number of titles. Dr. Peabody’s interest in “The Stone Age” and his unselfish labors and his many suggestions and advice were potent factors in making the work possible.

I am particularly grateful for the help I received in preparing this work from my colleague, Charles Peabody, Ph.D., Honorary Director of the Department of American Archaeology at Phillips Academy in Andover, Mass., and affiliated with the Peabody Museum at Harvard University. With access to Harvard's extensive library, he generously took charge of the bibliography, compiling essential titles for the benefit of readers and students. While the final list doesn't include every reference, it is the most comprehensive list available to date. Messrs. Montgomery, Barr, and Brown also contributed several titles. Dr. Peabody's passion for "The Stone Age," along with his selfless efforts, numerous suggestions, and advice, were crucial in making this work possible.

I am also under particular obligations to about forty-five persons who have been kind enough to assist in the making of illustrations for “The Stone Age.” It is no more than fair to state that without this coöperation it would have been impossible for us to present so many figures and such excellent photogravure plates, and at the same time offer the two volumes at the price named in the original circulars.

I also have special thanks to about forty-five people who were kind enough to help with the illustrations for “The Stone Age.” It’s only fair to say that without their help, we wouldn’t have been able to include so many images and such high-quality photogravure plates, while still offering the two volumes at the price mentioned in the original circulars.

Colonel Bennett H. Young, of Louisville, Kentucky, has made for me about fifty half-tones of type-specimens in bone, shell, clay, and stone which he used in his work “Prehistoric Men of Kentucky,” and also in “Discoveries in Kentucky Caves,” just published. Mr. F. P. Graves, of Doe Run, Missouri, a friend of mine for more than twenty years, made eight photogravure plates of the best specimens in his collection and presented these for use in “The Stone Age.”

Colonel Bennett H. Young from Louisville, Kentucky, has created around fifty half-tones of type specimens in bone, shell, clay, and stone for me, which he used in his work “Prehistoric Men of Kentucky” and also in his recently published book “Discoveries in Kentucky Caves.” My friend for over twenty years, Mr. F. P. Graves from Doe Run, Missouri, made eight photogravure plates of the best specimens in his collection and generously provided them for “The Stone Age.”

Mr. B. W. Arnold, of Albany, New York, sent me by express a portion of his collection, comprising some of the most beautiful projectile points and knives of semi-precious stone that it has ever been my privilege to examine. In order to emphasize the high workmanship and beauty of these points, Mr. Arnold had five colored plates made. Color reproductions and photogravures do justice to the art of stone-age man. I am particularly indebted to both Messrs. Graves and Arnold for their kindness in making possible these fine plates.

Mr. B. W. Arnold from Albany, New York, sent me a portion of his collection via express mail, which includes some of the most stunning projectile points and knives made from semi-precious stones that I've ever had the chance to examine. To highlight the exceptional craftsmanship and beauty of these items, Mr. Arnold had five colored plates created. The color reproductions and photogravures truly showcase the artistry of stone-age people. I am especially grateful to both Messrs. Graves and Arnold for their generosity in facilitating these beautiful plates.

Professor William C. Mills, Curator of the Ohio State Archæological viiiSociety and State University Museum at Columbus, and Mr. Clarence B. Moore of Philadelphia, loaned me plates illustrating specimens found during their explorations.

Professor William C. Mills, Curator of the Ohio State Archaeological viiiSociety and State University Museum in Columbus, and Mr. Clarence B. Moore from Philadelphia, lent me plates showing samples discovered during their explorations.

Professor William H. Holmes and Dr. F. W. Hodge of the Smithsonian Institution, Washington, permitted the free use of contributed articles as well as figures published in the Smithsonian Reports and the American Anthropologist. The generous and hearty coöperation of all these individuals and institutions whose names are herewith appended is no small personal satisfaction to me. In addition to the names presented, there are more than three hundred persons who sent me photographs, drawings, or lengthy descriptions of the types in their several localities.

Professor William H. Holmes and Dr. F. W. Hodge of the Smithsonian Institution in Washington allowed the free use of contributed articles and figures published in the Smithsonian Reports and the American Anthropologist. The generous support from all these individuals and institutions listed here brings me great personal satisfaction. In addition to the names mentioned, over three hundred people sent me photographs, drawings, or detailed descriptions of the types in their respective areas.

ix

LIST OF CONTRIBUTORS TO “THE STONE AGE”

Addis, Albert L., Albion, Indiana.
Albee, C., Red Rock, Montana.
Arnold, B.W., Albany, N. Y.
Bagg, Harry W., New Berlin, N. Y.
Baird, E.E., Poplar Bluff, Mo.
Barr, James A., Stockton, Cal.
Barrett, S.A., Milwaukee, Wis.
Beauchamp, W., Syracuse, N. Y.
Braun, H.M., E. St. Louis, Ill.
Brown, C.E., Madison, Wis.
Buffalo Society of Natural Sciences, Buffalo, N. Y.
Burkett, H.F., Findlay, Ohio.
Caldwell, F. M., Venice, Ill.
Collie, G.L., Beloit, Wis.
Deisher, H.K., Kutztown, Pa.
Franck, H.W., Sandwich, Ill.
Graves, F.P., Doe Run, Mo.
Hamilton, H.P., Two Rivers, Wis.
George Hampton, Bridgeton, N. J.
Hills, L.W., Ft. Wayne, Ind.
Hodge, F.W., Washington, D. C.
Holmes, W.H., Washington, D. C.
Holmes, W.A., Chicago, Ill.
Hull, George Y., St. Joseph, Mo.
Logan Museum, Beloit, Wis.
Mills, W.C., Columbus, Ohio.
Milwaukee Public Museum, Milwaukee, Wis.
Missouri Historical Society, St. Louis, Mo.
Mitchell, S.D., Ripon, Wis.
Professor Henry Montgomery, Toronto, Can.
Moore, C.B., Philadelphia, Pa.
xNew York State Museum, Albany, N. Y.
Luther A. Norland, La Jara, Colo.
Ohio State Archæological and Historical Society, Columbus, Ohio.
Dr. C. L. Owen, Chicago, Ill.
Peabody, Charles, Cambridge, Mass.
Perkins, G.H., Burlington, Vt.
Records of the Past, Washington, D. C.
Reeder, John T., Houghton, Mich.
Steinbrueck, E.R., Mandan, N. Dakota.
Tooker, Paul S., Westfield, N. J.
Stephen Van Rensselaer, Newark, N. J.
Webster, R.T., Rochester, N. Y.
West, G.A., Milwaukee, Wis.
Whelpley, H.M., St. Louis, Mo.
Professor E. H. Williams Jr., Woodstock, Vt.
Wing, E. T. S., Portland, Maine.
Young, Col. B.H., Louisville, Ky.
xi

CONTENTS

I. Why a Classification Based Solely on Archaeological Evidence Is Necessary 1
II. Plans for an Archaeological Classification 10
  Classification of prehistoric artifacts, made by the Committee on Nomenclature 23
  Articles in stone 23
  Articles in clay 26
III. The Classification 31
  Quarrying materials 31
  The beginnings of culture 33
  Quarries 34
IV. Chipped Tools 48
  How manufactured 48
V. Chipped Tools 80
  Types without stems 80
VI. Chipped Tools 99
  Projectile points with stems expanding from base or with sides parallel 99
  Arrows, bows, and quivers 103
VII. Chipped Tools 127
  Stem contracting from base 127
  A master at flint-chipping 135
VIII. Uncommon Shapes in Chipped Objects 154
IX. Farming Tools 175
X. Flint Celtic Tools 186
XI. Web scrapers 198
  Types with one or more scraping edges, without or with notch (including circular) 198
XII. Chipped Tools 210
  Perforators 210
  Cached flint objects 216
XIII. Hammers and hammer stones 222
XIV. Conclusions on Chipped Tools 232
xiiXV. Ground Stone 251
  Polished stone hatchets or celts—the classification of hatchets, adzes, gouges, and axes 251
XVI. Ground Stone 273
  The adze and the gouge 273
XVII. Ground Stone 287
  Grooved stone axes 287
  Fluted stone axes 316
  Conclusions as to celts, adzes, gouges, and axes 322
XVIII. Ground Stone—Complex Forms 329
  The gorget and ornaments as seen by early explorers 329
XIX. Ground Stone—Problematic Forms 362
  The gorgets 362
  Broken and worked gorgets 362
XX. Ground Stone 376
  Winged problematical forms 376
XXI. Ground Stone—Problematic Forms 402
  Pick and crescent, the boat-shaped, bar-forms, etc. 402
  Bars and bar-amulets 402
  Conclusions as to gorgets, winged objects, etc. 410
XXII. Ground Stone—Problematic Forms 418
  The spud-shaped implement 418
  Classification 420
XXIII. Ground Stone—Problematic Forms 431
  Plummet-shaped stones: stone rings 431
XXIV. Ground Stone—Challenging Forms 443
  Bicaves, or discoidal stones, tubes, etc. 443
  Tubular forms 453
THE STONE AGE IN NORTH AMERICA
1

CHAPTER I
WHY A CLASSIFICATION BASED ONLY ON ARCHAEOLOGICAL EVIDENCE IS NECESSARY

In 1907 the Smithsonian Institution published a remarkable work entitled “Handbook of American Indians.”[1] This volume was the result of years of labor on the part of about forty-five contributors. Had the “Handbook of American Indians” treated of Stone-Age man as extensively as it has dealt with modern tribes, historical occurrences, and arts and customs, there would be no occasion for “The Stone Age.” Indeed it would be presumptuous for one to offer the public “The Stone Age,” did the “Handbook of American Indians” take up prehistoric cultures in complete detail.

In 1907, the Smithsonian Institution released an impressive work called “Handbook of American Indians.”[1] This volume came from years of hard work by about forty-five contributors. If the “Handbook of American Indians” had explored Stone Age people as thoroughly as it did modern tribes, historical events, and cultural practices, there would be no need for “The Stone Age.” In fact, it would be quite bold for anyone to present “The Stone Age” to the public if the “Handbook of American Indians” had covered prehistoric cultures in full detail.

It is no more than right that this word of explanation be presented, in order that my purpose in writing “The Stone Age” may be made clear, as well as that the difference between the two works should be emphasized. There is room for both publications, and I particularly recommend the “Handbook of American Indians” to students and librarians, for it serves an admirable purpose in bringing into reasonable compass everything relating to Indian tribes, languages, arts, and customs. But it must also be known that “The Stone Age” is a very different work from the “Handbook of American Indians.”

It’s only fair to provide a word of explanation so my purpose in writing “The Stone Age” is clear, and to highlight the differences between the two works. Both publications have their place, and I especially recommend the “Handbook of American Indians” to students and librarians because it effectively covers all aspects related to Indian tribes, languages, arts, and customs. However, it's important to understand that “The Stone Age” is a very different work from the “Handbook of American Indians.”

2

Fig. 1. A ledge in which are flint nodules. Johnson’s farm, near Herndon, Tennessee.

Fig. 1. A ledge containing flint nodules. Johnson’s farm, near Herndon, Tennessee.

In the “Handbook” the writers have concentrated their attention upon the life of the American Indian as seen through the eyes and conceived by the brains of those familiar with Indian history of the past two centuries. Under various citations are axes, arrows, copper objects, and other artifacts treated. But these must be necessarily brief, excellent though they are. And I speak in no hostile criticism whatsoever in stating that the “Handbook of American Indians” could not take up these subjects in detail. While I highly recommend the “Handbook of American Indians,” I am persuaded that the life of the Indian of to-day is influenced by his contact with the white people; that he has drifted far away from Stone-Age times; that while there were examples of real aboriginal culture to be found in America during the past century, yet the great bulk of the natives of this country passed out of the Stone Age with the advent of the French into Canada, the Spaniards into the South, and the Puritans into New England. It seems to me that the study of all these learned individuals, the results of which are set forth in the Indian “Handbook,” has led many of them to consider prehistoric life in America as nearly the same as the life of our Indians for the past one or two centuries. I cannot believe that the arts of the past are the same to any appreciable extent as those which obtained at the time of the Lewis and Clark expedition, and I am convinced that the tribes living at the time of Lewis and Clark practiced arts which are to-day, if not extinct, at least greatly inferior to those of ancient times. Furthermore, I do not believe that the ceremonies practiced by the tribes of to-day are of special value in measuring or understanding prehistoric life.

In the “Handbook,” the authors focus on the life of the American Indian as viewed by those knowledgeable about Indian history over the last two centuries. They discuss various artifacts like axes, arrows, and copper items, but these descriptions are necessarily brief, no matter how well done. I want to clarify that my comments are not meant to be critical; the “Handbook of American Indians” simply cannot cover these topics in depth. While I highly recommend the “Handbook of American Indians,” I believe that the life of today's Indian is shaped by interactions with white people and that they have moved far beyond Stone Age times. Although some elements of true aboriginal culture were present in America over the past century, the majority of the native population transitioned away from the Stone Age with the arrival of the French in Canada, the Spaniards in the South, and the Puritans in New England. It appears to me that the work of these scholars, showcased in the Indian “Handbook,” has led some to equate prehistoric life in America with the life of our Indians over the last one or two centuries. I find it hard to believe that the arts of the past are similar to those at the time of the Lewis and Clark expedition, and I’m convinced that the tribes existing then practiced arts that are now, if not completely gone, significantly less advanced than ancient ones. Moreover, I don’t think the ceremonies performed by today’s tribes are particularly useful for measuring or understanding prehistoric life.

3

Fig. 2. A block of flint from a quarry in Indian Territory. (S. 1–2.) Phillips Academy collection. See Figs. 3, 7, 11, etc., for further reduction of this form.

Explanation. S. 1–1 means full size; S. 1–3 means one third size; etc.

Fig. 2. A piece of flint from a quarry in Indian Territory. (S. 1–2.) Phillips Academy collection. See Figs. 3, 7, 11, etc., for more examples of this shape.

Explanation. S. 1–1 means full size; S. 1–3 means one-third size; etc.

4All of this does not mean that such studies have no value. On the contrary, they are of the greatest value in ethnology. What I mean is that they are of little value to the archæologist. The archæologist must live in the past, and must deal with stone, shell, bone, and clay objects, the like of which are not in use to-day. He must, through long and painstaking labors both in the field and in the museum, form his deductions. In these he is aided by numerous reports, papers, books, and other published records of explorers, travelers, archæologists, and ethnologists. But he must remember that he is studying the past and not the present—an unwritten past, in fact.

4None of this means that these studies are worthless. On the contrary, they hold great value in ethnology. What I mean is that they aren't very helpful for archaeologists. Archaeologists have to focus on the past and work with stone, shell, bone, and clay objects that aren't used today. Through extensive and careful work in the field and in museums, they must draw their conclusions. They are supported by many reports, papers, books, and other published materials from explorers, travelers, archaeologists, and ethnologists. But they need to remember that they're studying the past, not the present—specifically, a past that’s not documented.

It is well to emphasize the fact that “The Stone Age” is a classification of man’s handiwork. It is not a work relating to cultures, although remarks as to the culture and relation of tribes are suggested frequently by certain types of specimens. And the cultures I describe are ancient cultures, not modern. The linguistic map compiled by Major Powell, and the “Handbook of American Indians” present the habitations of existing tribes and their customs, far better and more comprehensively than could I. The Sioux, the Cherokees, the Iroquois (or any one of a score of tribes), may occupy the same region to-day that other and extinct bands of red men claimed for their own centuries ago, and the artifacts found therein may or may not be comparable with those made and used by the present inhabitants of the section. It is these older things and cultures to which I would confine “The Stone Age.”

It’s important to highlight that “The Stone Age” is a classification of human creations. It doesn’t relate to cultures directly, although comments about culture and the relationships between tribes are often hinted at by certain types of artifacts. The cultures I discuss are ancient, not contemporary. Major Powell's linguistic map and the “Handbook of American Indians” do a much better job than I could at detailing the homes and customs of existing tribes. The Sioux, the Cherokees, the Iroquois, or any number of other tribes might live in the same areas today that past, now-extinct groups of Native Americans occupied centuries ago, and the artifacts found there may or may not be similar to those currently made and used by the people living in that region. It is these older objects and cultures that I want to focus on in “The Stone Age.”

In some respects the points of view of the ethnologist and of the student of folk-lore and linguistics on the one hand, and of the archæologist on the other, are quite divergent. And touching upon this variance of opinion there is something to be said.

In some ways, the perspectives of the ethnologist and the student of folklore and linguistics are quite different from those of the archaeologist. There’s definitely something to discuss regarding this difference of opinion.

It has occurred to me that those museum men who collect and study modern material more than the prehistoric have not a clear perspective of the past in this country. As against this statement these gentlemen might properly reply that those of us who study olden times fall into grievous errors because we do not explain ancient cultures through a study of cultures among living tribes.

It’s crossed my mind that the museum folks who focus on modern items rather than prehistoric ones lack a clear view of the past in this country. In response, these individuals could rightly argue that those of us who explore ancient times make serious mistakes because we fail to understand ancient cultures by examining those of contemporary tribes.

5

Fig. 3. (S. 2–3.) Block of flint; partly worked. W. A. Jacobs collection. Similar to Fig. 5.

Fig. 3. (S. 2–3.) Block of flint; partially shaped. W. A. Jacobs collection. Similar to Fig. 5.

6If any man will read carefully the “Jesuit Relations” and the narrations of our earliest explorers among the Indians, he will see at once that there is a great gulf between the aborigines of long ago and the Indians of the present. The Sun Dance as witnessed by Catlin among the Mandans and the Sun Dance as seen by Dr. George A. Dorsey on the Kiowa Reservation are quite different affairs. The latter showed white man’s influence, the former was more aboriginal. Much of the ancient or prehistoric life we cannot reconstruct, but the day is coming when by minute and unceasing study of these peculiar objects, and by the process of elimination, we shall arrive at certain definite conclusions as to the life of man in the past.

6If anyone reads the “Jesuit Relations” and the accounts of our earliest explorers among the Native Americans closely, they'll quickly notice a significant gap between the Indigenous peoples of the past and those today. The Sun Dance observed by Catlin among the Mandans and the Sun Dance witnessed by Dr. George A. Dorsey on the Kiowa Reservation are quite different events. The latter reflects the influence of white settlers, while the former is more authentically Indigenous. We cannot fully reconstruct much of ancient or prehistoric life, but the day will come when, through detailed and ongoing study of these unique artifacts, and by eliminating inaccuracies, we'll reach some clear conclusions about how people lived in the past.

The aboriginal man was influenced by what he saw and heard in the world of nature surrounding him. His religion, folk-lore, daily life, and his entire being, were affected, modified, or directed by the primitive world,—that world of the forest, the plain, the air, and the waters. To study him aright we must cast aside our modern civilization, and if possible—and that is very difficult—place ourselves in his world. The Indian of to-day is not in that world. He hears his grandparents speak of the “buffalo days,” and that conveys some meaning to his mind. But he cannot go beyond the buffalo days; he knows nothing of the more interesting times preceding. He can tell you about the folk-lore of his tribe, yet he has no tradition of the first Spaniards, whether De Soto or Coronado, or others. Notwithstanding that these Spaniards traversed many Indian lands, and bore in their hands unheard-of weapons which made smoke and noise, and killed at a distance; that they were clad in iron suits, and were riding horses,—one hears little or nothing about it. Such scenes must have impressed Indians who had never beheld the like before, and one would imagine that there would be traditions handed down regarding these miraculous strangers, yet one reads in vain for any folk-lore relating to the coming of the Spaniards. This has always appeared to me as one of the arguments against the trustworthiness of folk-lore in matters of evidence as compared with that of archæology.

The Indigenous man was shaped by what he saw and heard in the natural world around him. His beliefs, stories, daily life, and his entire existence were influenced, changed, or guided by the primitive environment—the world of the forest, the plains, the sky, and the water. To truly understand him, we need to set aside our modern civilization and, if possible—and that’s quite challenging—try to immerse ourselves in his world. Today's Indian is not in that world. He hears his grandparents talk about the “buffalo days,” and that holds some meaning for him. But he can’t go beyond those buffalo days; he knows nothing of the more fascinating times that came before. He can tell you about the stories of his tribe, yet he has no history of the first Spaniards, whether De Soto or Coronado, or others. Despite the fact that these Spaniards traveled through many Indian lands, carrying unknown weapons that made smoke and noise and could kill from a distance, dressed in iron suits and riding horses—very little is said about them. Such scenes must have left a mark on Indians who had never seen anything like it before, and one would think there would be stories handed down about these incredible strangers, yet one searches in vain for any folklore related to the arrival of the Spaniards. This has always seemed to me to be one of the arguments against the reliability of folklore in terms of evidence compared to that of archaeology.

When one considers the subject in its broad aspect, one must admit that our knowledge of prehistoric times has not advanced in the same ratio as has our knowledge of the Indians of the historic period. The tribes themselves show marked contrasts to-day, and in the past the differences in culture may have been even more striking. It is, therefore, quite likely that an implement used for a certain purpose by one tribe may have been made use of by another tribe for a totally different purpose.

When you look at the topic from a wider perspective, you have to acknowledge that our understanding of prehistoric times hasn't progressed as much as our knowledge of the historical Indians. The tribes today have noticeable differences, and in the past, the variations in culture might have been even more pronounced. So, it's very possible that a tool used for one purpose by one tribe was used by another tribe for something completely different.

7

Fig. 4. (S. unknown.) Probable manner of hafting the single-pointed and the two-pointed chisels or picks, used in quarrying flint—in digging the pits. Figs. 4 to 12, and Figs. 36 to 40, are from the 15th Annual Report, Bureau of Ethnology.

Fig. 4. (S. unknown.) Likely way to attach the single-pointed and two-pointed chisels or picks used for quarrying flint—in digging the pits. Figs. 4 to 12, and Figs. 36 to 40, are from the 15th Annual Report, Bureau of Ethnology.

The tendency to explain much of prehistoric times through knowledge of tribes whose customs are more or less saturated with white man’s influence seems to me to be unfortunate. To make this clear, let me present as an illustration the Sun Dance described by George Catlin, and the Sun Dance described by Dr. Dorsey. More than sixty years intervened between the two ceremonies. Catlin had no training in science, and therefore some things must be overlooked in his favor. Yet the dance he describes is purely aboriginal, or nearly so. Dr. Dorsey, on the other hand, had all the advantages of scientific training covering many years, and was able to take advantage of everything that he saw and heard concerning the ceremony, to compare it with other observances and to draw learned conclusions. Yet the Sun Dance as seen by Dorsey is totally different, and is far less interesting and heroic than the same dance observed by Catlin.

The tendency to explain much of prehistoric times through knowledge of tribes that are heavily influenced by white settlers seems unfortunate to me. To illustrate this point, let's consider the Sun Dance described by George Catlin and the Sun Dance described by Dr. Dorsey. More than sixty years passed between the two ceremonies. Catlin had no formal training in science, so some things must be excused in his favor. Still, the dance he describes is largely authentic to its original form. Dr. Dorsey, on the other hand, benefited from many years of scientific training, which allowed him to take everything he saw and heard about the ceremony, compare it with other practices, and draw educated conclusions. However, the Sun Dance as seen by Dorsey is completely different and significantly less interesting and heroic than the same dance observed by Catlin.

8Going back further, we find among the “Jesuit Relations” and narratives of other explorers, descriptions of certain ceremonies which appear to retain their aboriginal character. In other words, they were less European than similar affairs of later dates. Particularly is this true among the Hurons, Iroquois, Ojibwa, etc. The customs seen among the Sioux by Hennepin do not exist to-day.

8Looking back further, we find in the “Jesuit Relations” and accounts from other explorers descriptions of certain ceremonies that seem to keep their original character. In other words, they were less influenced by European customs than similar events from later times. This is especially true among the Hurons, Iroquois, Ojibwa, and others. The customs observed among the Sioux by Hennepin no longer exist today.

It seems to me that in our haste to make records of tribes that are passing away, we have published much material that the future ethnologist will consider less important than similar observations of a century ago. No matter how much tribes are affected by contact with civilization, it is well to preserve their records even although the more able scholars of the future will question some of our observations. But while admitting the above, I wish to go on record as against the present tendency, so general, to explain the arts, customs, daily life, etc., of prehistoric man through our knowledge of a degenerate culture among modern Indians.

It seems to me that in our rush to document tribes that are disappearing, we've published a lot of material that future researchers will likely find less significant than similar observations from a century ago. No matter how much tribes are influenced by contact with modern civilization, it's important to preserve their records, even though more capable scholars in the future may challenge some of our observations. However, while I acknowledge this, I want to make it clear that I oppose the current widespread tendency to explain the arts, customs, daily life, and so on, of prehistoric people through our understanding of a declining culture among contemporary Indigenous peoples.

Much of the material presented in this work cannot be explained through such agencies; for there are hundreds of objects found in graves and tombs, village-sites and cliff-houses, the like of which have been seen in use among Indians by no white man whatsoever.

Much of the material presented in this work cannot be explained through such agencies; because there are hundreds of objects found in graves and tombs, village sites, and cliff houses that have never been seen in use among Native Americans by any white person at all.

Fig. 5. (S. 1–1.) First stage of work, after blocking-out. See Fig. 7 for description.

Fig. 5. (S. 1–1.) Initial phase of the project, after outlining. See Fig. 7 for details.

Therefore, it appears to me that 9a classification based on archæological evidence (as far as possible) is needed, and I have attempted this in “The Stone Age.”

Therefore, it seems to me that 9a classification based on archaeological evidence (as much as possible) is needed, and I have tried to create this in “The Stone Age.”


The critical reader will wonder why I have quoted at length from certain ethnologists on such subjects as textiles, bows and arrows, clothing, pottery, and pipes, and omitted extensive quotations in other sections. This is done purposely. In the field of ethnology much work has been done. The “Handbook of American Indians” covers fully such subjects as the bow, arrow, blanket, clothing, etc. Professor Mason was our highest authority on the basket and textiles generally, as is Professor Holmes on ceramic art. No possible improvement could have been made by me on the published studies of these men. And as “The Stone Age” carries out in detail the plan of the “Handbook,” I have embodied their papers in part or in whole, where such papers dealt with titles which I had not made the subject of a special study.

The critical reader might wonder why I've included lengthy quotes from certain ethnologists on topics like textiles, bows and arrows, clothing, pottery, and pipes, while omitting extensive quotes in other areas. This is intentional. A lot of work has been done in the field of ethnology. The “Handbook of American Indians” thoroughly addresses topics like the bow, arrow, blanket, clothing, and more. Professor Mason was our top authority on baskets and textiles in general, just as Professor Holmes was on ceramic art. I couldn't have improved upon the published studies of these scholars. Since “The Stone Age” elaborates on the plan laid out in the “Handbook,” I've included their papers in part or whole, where their work addressed topics I hadn't specifically studied.

Of problematical forms, the divisions of chipped implements, hematites, agricultural implements, hammers, pestles, mortars, tubes, and other types, there are frequent descriptions. But these are brief, as a rule, and I do not concur in some of the conclusions. Therefore, I have not quoted at any length under such titles. Copper presents an extensive and almost new field, and Mr. Charles E. Brown has, therefore, made it one of the longest sections.

Of problematic forms, the categories of chipped tools, hematites, farming tools, hammers, pestles, mortars, tubes, and other types are often described. However, these descriptions are usually brief, and I don’t agree with some of the conclusions. Because of this, I haven’t included lengthy quotes under those titles. Copper offers a broad and nearly new area of study, and Mr. Charles E. Brown has therefore made it one of the longest sections.

But, while “The Stone Age” does contain many quotations of length, I have made all these a part of one general plan, and this leads up, as readers will observe, to the differentiation of the various culture-groups existing in America in very ancient times. And thus, towards the end of Volume II, one enters an entirely new field. There are opened to archæologists possibilities of future study—very important study, in fact.

But while “The Stone Age” includes plenty of lengthy quotes, I’ve woven them all into one overall framework, which, as readers will notice, highlights the different cultural groups that existed in America during ancient times. By the end of Volume II, readers will find themselves stepping into an entirely new area of exploration. This opens up significant opportunities for archaeologists for future research and study.

10

CHAPTER II
PLANS FOR AN ARCHAEOLOGICAL CLASSIFICATION

There are something like three hundred museums or institutions in the United States that contain archæological collections. These exhibits range from more than a million objects, as in the case of the Smithsonian Institution, or Field Museum of Chicago, or the American Museum of Natural History, to private collections of one to ten thousand specimens each. I have roughly estimated the number of prehistoric artifacts available for study, or those of aboriginal manufacture that show little influence of European culture, at about eight million objects.

There are about three hundred museums or institutions in the United States that have archaeological collections. These exhibits vary from over a million objects, like at the Smithsonian Institution, the Field Museum of Chicago, or the American Museum of Natural History, to private collections with one to ten thousand specimens each. I have roughly estimated the number of prehistoric artifacts available for study, or those made by indigenous people that show little influence from European culture, to be around eight million objects.

Mr. Paul M. Rea, curator of the Charleston (South Carolina) Museum and secretary of the American Museums Association, reports to me by letter that seventy-eight museums have 991,974 specimens by count. This total does not include the larger museums, and forty-seven smaller ones have not reported. Mr. Rea states: “The following museums of importance have either not returned information or have failed to give the extent of their collections in figures: American Museum of Natural History, Smithsonian Institution, National Museum, Peabody Museum (Cambridge), Peabody Museum (New Haven), University of Toronto, Canada.”

Mr. Paul M. Rea, curator of the Charleston (South Carolina) Museum and secretary of the American Museums Association, informs me in a letter that seventy-eight museums have a total of 991,974 specimens. This count doesn't include the larger museums, and forty-seven smaller ones haven't reported their numbers. Mr. Rea mentions, "The following important museums have either not provided information or haven't specified the size of their collections in numbers: American Museum of Natural History, Smithsonian Institution, National Museum, Peabody Museum (Cambridge), Peabody Museum (New Haven), University of Toronto, Canada."

I suppose that these six institutions contain a total of at least four million prehistoric, or early historic Indian objects. Most of these exhibits are of objects in use long before Columbus discovered America, although many are in ethnological collections comprised of things fifty or a hundred years old. How many specimens are in the hands of private collectors of the United States no man may know.

I think these six institutions hold at least four million prehistoric or early historic Indian artifacts. Most of these displays feature items that were used long before Columbus discovered America, although many are part of ethnological collections that include items from the last fifty to a hundred years. No one can say for sure how many specimens are in the possession of private collectors in the United States.

Reference to the Bibliography, presented in the second volume (just before the Index) of this publication, will convince the reader that much of our archæological material has been described by various writers. But there is difference between description and classification. Save Professor W. H. Holmes’s papers upon pottery, Dr. Thomas Wilson’s work on the classification of knives, spear-points, and arrow-heads, Mr. Gerard Fowke’s published papers 11along the same lines, Mr. Charles E. Brown’s papers upon the so-called “spud,” and copper, Mr. J. D. McGuire’s “Pipes and Smoking Customs,” and Cushing’s contributions (see Bibliography), everything is description and not classification. Or, if classifications are attempted, they relate to certain types, and are brief. The “Handbook of American Indians” describes and illustrates artifacts, but does not classify.

Reference to the Bibliography, presented in the second volume (just before the Index) of this publication, will convince the reader that much of our archaeological material has been described by various writers. But there is a difference between description and classification. Aside from Professor W. H. Holmes’s papers on pottery, Dr. Thomas Wilson’s work on classifying knives, spear points, and arrowheads, Mr. Gerard Fowke’s published papers in the same area, Mr. Charles E. Brown’s papers on the so-called “spud” and copper, Mr. J. D. McGuire’s “Pipes and Smoking Customs,” and Cushing’s contributions (see Bibliography), everything else is description and not classification. Or, if attempts at classification are made, they relate to specific types and are brief. The “Handbook of American Indians” describes and illustrates artifacts, but does not classify.

Fig. 6. See Fig. 7 for description.

Fig. 6. Check Fig. 7 for details.

Sixteen years ago, in the Archæologist (May, 1894, page 156), I called attention to the need in this country of an archæological nomenclature and classification. Whether some one had preceded me, or whether I had made similar suggestions earlier, I am unable to state, but am of the opinion that the matter had been suggested in one of my articles previous to the date mentioned. However, be that as it may, no one paid attention to the suggestion, which was afterwards repeated in two or three articles over my signature. About five years ago, after several attempts at such a classification, I had a long conference with Dr. Charles Peabody, and presently he took up the matter with the American Anthropological Association, and a committee was formed consisting of Professor John H. Wright, Mr. J. D. McGuire, Dr. F. W. Hodge, Dr. C. Peabody, and myself, with Dr. Peabody as chairman. We worked long and assiduously upon this classification. Dr. Peabody and myself grouped and regrouped most of the available specimens in the Andover collection before we were satisfied with the results of our labors. Then we submitted our scheme to the other members of the Committee. After more than a year of labor the Committee presented 12a preliminary classification which was accepted by the members of the Anthropological Association at the Baltimore meeting, December, 1908. This classification in its complete form will be found on pages 23 to 30.

Sixteen years ago, in the Archaeologist (May 1894, page 156), I pointed out the need for an archaeological naming system and classification in this country. I can't say if someone had already made this suggestion or if I had mentioned it in an earlier article, but I believe I did bring it up in something I wrote before that date. Regardless, no one paid any attention to the suggestion, which I later repeated in two or three articles under my name. About five years ago, after several attempts at creating such a classification, I had a lengthy discussion with Dr. Charles Peabody, who then took the issue to the American Anthropological Association. A committee was formed that included Professor John H. Wright, Mr. J. D. McGuire, Dr. F. W. Hodge, Dr. C. Peabody, and me, with Dr. Peabody as the chair. We worked hard and diligently on this classification. Dr. Peabody and I grouped and regrouped most of the specimens in the Andover collection until we were satisfied with our work. We then presented our proposal to the other committee members. After more than a year of effort, the committee delivered a preliminary classification that was accepted by the members of the Anthropological Association at the Baltimore meeting in December 1908. This classification in its complete form can be found on pages 23 to 30.

Fig. 7. (S. about 2–3 to full S.) Series of rejects from the South Mountain rhyolite quarry, showing range of shaped forms. Figs. 5, 6, and 7 are illustrative of successive grades of development.

Fig. 7. (S. about 2–3 to full S.) Series of rejects from the South Mountain rhyolite quarry, showing a variety of shaped forms. Figs. 5, 6, and 7 illustrate the different stages of development.

But before explaining and expanding the accepted classification, it is well to state that we have confined our plan to the arts, industries, and so forth, of man, as expressed in his handiwork. If one realizes this, he will at once understand that we have not included the vocations, or cultures, or divisions of labor, or anything of that sort. Such would be, manifestly, out of place in a classification of the products of man’s handiwork.

But before we explain and elaborate on the accepted classification, it's important to note that we’ve focused our plan on the arts, industries, and similar aspects created by humans through their craftsmanship. Understanding this will make it clear that we have not included professions, cultures, divisions of labor, or anything like that. Those would obviously be irrelevant in a classification of the products of human craftsmanship.

13

Fig. 8. (S. 1–1.) These four figures which follow are from W. H. Holmes’s paper in the 15th Annual Report, pp. 5–150, Bureau of Ethnology. They are selected forms illustrating progressive steps in the shaping of leaf-blade implements from argillite, from village- and shop-sites at Point Pleasant, Pennsylvania.

Fig. 8. (S. 1–1.) The four figures that follow are from W. H. Holmes’s paper in the 15th Annual Report, pp. 5–150, Bureau of Ethnology. They showcase selected forms that illustrate the evolution of leaf-blade tools made from argillite, found at village and workshop sites in Point Pleasant, Pennsylvania.

14Were one to consider primitive or prehistoric man from every aspect of his life, a totally different classification would be necessary, one far broader and more comprehensive. Again, we have thought of other classifications which suggested themselves to the investigators. None of these could be accepted entirely, for the simple reason that we do not yet know the purpose of every object made and used by prehistoric man. There are, however, two grand divisions to which no one can object—the Known and the Unknown. All objects naturally fall into these. But they are too sweeping in character and have not been adopted, although—regardless of form or material—all Stone-Age implements are of one or the other of these two grand divisions: those whose purpose is clear to us, and those regarding which we have no positive knowledge. Under these heads one might summarize all the implements or paraphernalia made use of by the man, the woman, the priest, the warrior, the child. Or one might subdivide, and under the heading of woman place objects made use of in the carrying industry, domestic science, agriculture, etc. But in following such a classification one is beset by certain difficulties. We are not certain as to the division of labor between man and woman. The lines are not so sharply drawn among barbarians as with ourselves in some matters; in others they are more sharply drawn. The construction of a wigwam, a cabin, a tepee, or a council-house, might be placed under archæological architecture, primitive though it is. Just where to draw the line between the insignia of the priest and highly ornamental possessions of the wealthy warrior presents a problem not easy of solution.

14 If we were to look at primitive or prehistoric humans from every aspect of their lives, we would need a completely different classification—one that is much broader and more inclusive. We’ve also considered other classifications that came to mind for researchers. None of these can be fully accepted because we still don’t know the purpose of every object created and used by prehistoric people. However, there are two major categories that no one can argue with—the Known and the Unknown. All objects naturally fit into these. But they are too general, and although all Stone-Age tools fall into one of these categories—those we understand the purpose of and those we don’t know anything about—they have not been widely adopted. Under these categories, we could summarize all the tools or items used by men, women, priests, warriors, and children. Alternatively, we could break it down further, placing items related to women under categories like carrying, domestic work, agriculture, and so on. But using this sort of classification comes with some challenges. We aren’t certain about how the division of labor worked between men and women. The roles aren’t as clearly defined among primitive societies as they might be in ours in some areas; in others, they are more distinct. The building of a wigwam, cabin, tepee, or council house could be categorized under archaeological architecture, even if it is primitive. Figuring out where to separate the symbols of the priest from the highly decorative possessions of a wealthy warrior is also a tough problem to solve.

As has been stated on page 12 the life of prehistoric man is such that while one may classify his implements according to type or form and material and supposed use, it is not possible in every instance to affirm positively that this object was made use of by the man and that by the woman, this by the priest and that by the warrior.

As mentioned on page 12, the life of prehistoric humans is such that while we can categorize their tools by type, shape, material, and intended use, it's not always possible to definitively say that this object was used by men and that one by women, this one by priests and that one by warriors.

Fig. 9. Described under Fig. 8.

Fig. 9. See Fig. 8.

15

Fig. 10.

Fig. 10.

Fig. 11.

Fig. 11.

Fig. 12.

All described under Fig. 8.

Fig. 12.

All detailed in Fig. 8.

16Professor Otis T. Mason, of the United States National Museum, gave much thought to ethnological matters, and particularly his studies have been directed toward the arts, industries, and occupations of living tribes. These studies led him to discourse upon the divisions of labor, beginnings of culture, on the carrying industry, agriculture, traps in use among the Indians, and other subjects.

16Professor Otis T. Mason from the United States National Museum spent a lot of time thinking about ethnology, focusing especially on the arts, industries, and jobs of contemporary tribes. His research prompted him to discuss the division of labor, the origins of culture, the transportation industry, agriculture, traps used by Native Americans, and other related topics.

He grouped the various industries in the “Handbook of American Indians,” page 97; and under the citation of implements, tools, utensils, he gave a sketch-classification of the daily pursuits and implements used therein. His paper upon arts and industries I copy in part (omitting references), as it embodies one of several classifications possible of the life of the Indian:—

He organized the different industries in the “Handbook of American Indians,” page 97; and under the section on implements, tools, and utensils, he provided a sketch-classification of the daily activities and tools used in them. I’m sharing part of his paper on arts and industries (without references), as it represents one of several possible classifications of Indian life:—

“The arts and industries of the North American aborigines, including all artificial methods of making things or of doing work, were numerous and diversified, since they were not limited in purpose to the material conditions of life; a technique was developed to gratify the esthetic sense, and art was ancillary to social and ceremonial institutions and was employed in inscribing speech on hide, bark, or stone, in records of tribal lore, and in the service of religion....

"The arts and crafts of Native Americans were varied and abundant, as they weren't just focused on practical needs; they developed techniques to satisfy their aesthetic sense. Art played a key role in social and ceremonial activities, and it was used for recording speech on materials like animal hides, bark, or stone, for preserving tribal stories, and for religious purposes...."

“The arts and industries of the Indians were called forth and developed for utilizing the mineral, vegetal, and animal products of nature, and they were modified by the environmental wants and resources of every place. Gravity, buoyancy, and elasticity were employed mechanically, and the production of fire with the drill and by percussion was also practiced. The preservation of fire and its utilization in many ways were also known. Dogs were made beasts of burden and of traction, but neither beast nor wind nor water turned a wheel north of Mexico in pre-Columbian times. The savages were just on the borders of machinery, having the reciprocating two-hand drill, the bow and strap-drills, and the continuous-motion spindle.

“The arts and industries of the Indigenous peoples were developed to make use of the mineral, plant, and animal resources found in nature, and they were adjusted based on the needs and resources of each area. They used gravity, buoyancy, and elasticity in mechanical ways, and they also practiced creating fire using drills and percussion. They knew how to preserve fire and use it in various ways. Dogs were used as working animals and for pulling loads, but there was no use of beasts, wind, or water to turn a wheel north of Mexico before Columbus arrived. Indigenous people were on the brink of machinery, having tools like the two-hand drill, bow drills, and continuous-motion spindles.”

“Industrial activities were of five kinds: (1) Going to nature for her bounty, the primary or exploiting arts and industries; (2) working-up materials for use, the secondary or intermediary arts and industries, called also shaping arts or manufactures; (3) transporting or traveling devices; (4) the mechanism of exchange; (5) the using-up or enjoyment of finished products, the ultimate arts and industries, or consumption. The products of one art or industry were often the material or apparatus of another, and many tools could be employed in more than one; for example, the flint arrow-head or blade could be used for both killing and skinning a buffalo. 17Some arts or industries were practiced by men, some by women, others by both sexes. They had their seasons and their etiquette, their ceremonies and their tabus.

“Industrial activities fell into five categories: (1) Gathering resources from nature, which included primary or extractive arts and industries; (2) processing materials for use, known as secondary or intermediary arts and industries, also called shaping arts or manufacturing; (3) transportation or travel methods; (4) systems of exchange; and (5) the consumption or enjoyment of finished products, referred to as ultimate arts and industries. The outputs of one art or industry often served as the materials or tools for another, and many tools could be used across multiple industries; for instance, a flint arrowhead or blade could be used for both hunting and skinning a buffalo. 17 Some arts or industries were done by men, some by women, and others by both genders. They had specific seasons, etiquette, ceremonies, and taboos.”

Fig. 13. (S. about 1–3.) Hammer-stones. Phillips Academy collection. These are from Flint Ridge, Ohio, and were made use of in the manufacture of turtlebacks and discs.

Fig. 13. (S. about 1–3.) Hammer-stones. Phillips Academy collection. These are from Flint Ridge, Ohio, and were used to make turtlebacks and discs.

Stone-craft.—This embraces all the operations, tools, and apparatus employed in gathering and quarrying minerals and working them into paints, tools, implements, and utensils, or into ornaments and sculptures, from the rudest to such as exhibit the best expressions in fine art. Another branch is the gathering of stone for building.

Stone-craft.—This includes all the processes, tools, and equipment used in collecting and quarrying minerals and shaping them into paints, tools, utensils, or into decorative items and sculptures, ranging from the most basic to those that showcase the finest expressions in fine art. Another aspect is the collection of stone for construction.

Water industry.—This includes activities and inventions concerned in finding, carrying, storing, and heating water, and in irrigation; also, far more important than any of these, the making of vessels for plying on the water, which was the mother of many arts. The absence of the larger beasts of burden and the accommodating waterways together stimulated the perfecting of various boats to suit particular regions.

Water industry.—This includes activities and inventions related to finding, transporting, storing, and heating water, as well as irrigation. More importantly, it involves creating vessels for navigating on water, which was the foundation of many other arts. The lack of larger pack animals and convenient waterways led to the development of different boats tailored to specific areas.

18Earth-work.—To this belong gathering, carrying, and using the soil for construction purposes, excavating cellars, building sod- and snow-houses, and digging ditches. The Arctic permanent houses were made of earth and sod, the temporary ones of snow cut in blocks, which were laid in spiral courses to form low domes. The Eskimo were especially ingenious in solving the mechanical problems presented by their environment of ice....

18Earth-work.—This includes gathering, moving, and using soil for construction, digging cellars, building sod and snow houses, and creating ditches. The permanent Arctic houses were constructed from earth and sod, while the temporary ones were made from blocks of snow, arranged in spiral patterns to create low domes. The Eskimos were particularly skilled at tackling the mechanical challenges posed by their icy environment....

Fig. 14. Free-hand, or direct percussion. First step in shaping an implement from a boulder. Figs. 23, 28, and 29 to 33 are from the American Anthropologist, vol. IV, 1891—W. H. Holmes’s paper.

Fig. 14. Freehand, or direct percussion. The first step in shaping a tool from a boulder. Figs. 23, 28, and 29 to 33 are from the American Anthropologist, vol. IV, 1891—W. H. Holmes’s paper.

Ceramic art.—This industry includes all operations in plastic materials. The Arctic tribes in the extreme North, which lack proper stone, kneaded with their fingers lumps of clay mixed with blood and hair into rude lamps and cooking-vessels, but in the zone of intense cold, besides the ruder forms there was no pottery....

Ceramic art.—This industry involves all activities related to working with plastic materials. The Arctic tribes in the far North, which lack suitable stone, shaped lumps of clay mixed with blood and hair into basic lamps and cooking pots using their fingers. However, in the extremely cold regions, besides these simpler forms, pottery was virtually nonexistent....

Metal-craft.—This includes mining, grinding of ores and paint, rubbing, cold-hammering, engraving, embossing, and overlaying with plates. The metals were copper, hematite and meteoric iron, lead in the form of galena, and nugget gold and mica. No smelting was done.

Metal-craft.—This includes mining, grinding of ores and paint, rubbing, cold-hammering, engraving, embossing, and overlaying with plates. The metals used were copper, hematite and meteoric iron, lead in the form of galena, and nugget gold and mica. No smelting was done.

19

Fig. 15. Flaking-tool—being a shaft or stick, thirty inches to four feet. These were pointed with bone or buck-horn.

Fig. 15. Flaking tool—it's a shaft or stick, thirty inches to four feet long. These were sharpened with bone or antler.

Fig. 16. Flaking-tool—lower branch utilized to form a crotch in which blow was struck. Upper opposite branch used to secure a heavy stone to give weight and increase the pressure.

(From George Sellars’s article in the
Smithsonian Report, 1885, pt. 1, reprinted
in Chapter IV.)

Fig. 16. Flaking tool—lower branch used to create a fork where the blow was delivered. The upper opposite branch was used to hold a heavy stone, adding weight and increasing pressure.

(From George Sellars’s article in the
Smithsonian Report, 1885, pt. 1, reprinted
in Chapter IV.)

Fig. 17. A plan view of the outer or high side of an ordinary flake.

Fig. 17. A top view of the outer or higher side of a typical flake.

20Wood-craft.—Here belongs the felling of trees with stone axes and fire. The softest woods, such as pine, cedar, poplar, and cypress, were chosen for canoes, house-frames, totem-poles, and other large objects. The stems of smaller trees were used also for many purposes. Driftwood was wrought into bows by the Eskimo. As there were no saws, trunks were split and hewn into single planks on the North Pacific Coast. Immense communal dwellings of cedar were there erected, the timbers being moved by rude mechanical appliances and set in place with ropes and skids. The carving on house-posts, totem-poles, and household furniture was often admirable. In the Southwest underground stems were carved into objects of use and ceremony.

20Wood-craft.—This includes cutting down trees with stone axes and fire. The softest woods, like pine, cedar, poplar, and cypress, were used for canoes, house frames, totem poles, and other large items. The trunks of smaller trees were also utilized for various purposes. The Eskimo shaped driftwood into bows. Since there were no saws, trunks were split and shaped into single planks on the North Pacific Coast. Huge communal cedar dwellings were built there, with the timbers moved using simple mechanical tools and placed with ropes and skids. The carvings on house posts, totem poles, and furniture were often impressive. In the Southwest, underground stems were carved into functional and ceremonial items.”

Root-craft.—Practiced for food, basketry, textiles, dyes, fish-poisoning, medicine, etc. Serving the purposes of wood, the roots of plants developed a number of special arts and industries.

Root-craft.—Used for food, basket-making, textiles, dyes, poisoning fish, medicine, and more. Serving the roles of wood, plant roots led to the development of various unique skills and industries.

Fibre-craft.—Far more important than for textile purposes, the stems, leaves, and inner and outer bark of plants and the tissues of animals having each its special qualities, engendered a whole series of arts. Some of these materials were used for siding and roofing houses; others yielded shredded fibre, yarn, string, and rope; and some were employed in furniture, clothing, food receptacles and utensils. Cotton was extensively cultivated in the Southwest.

Fibre-craft.—Way more significant than just for making textiles, the stems, leaves, and both the inner and outer bark of plants, along with animal tissues, each have unique qualities that led to a whole range of crafts. Some of these materials were used for siding and roofing houses; others were turned into shredded fiber, yarn, string, and rope; and some were used in furniture, clothing, food containers, and utensils. Cotton was widely grown in the Southwest.

Seed-craft.—The harvesting of berries, acorns, and other nuts, and grain and other seeds, developed primitive methods of gathering, carrying, milling, storing, cooking, and serving, with innumerable observances of days and seasons, and multifarious ceremony and lore.

Seed-craft.—The collection of berries, acorns, and other nuts, along with grains and seeds, led to the development of basic techniques for gathering, transporting, grinding, storing, cooking, and serving, accompanied by countless rituals related to days and seasons, as well as diverse ceremonies and traditions.

“Not content with merely taking from the hand of nature, the Indians were primitive agriculturalists. In gathering roots they first unconsciously stirred the soil and stimulated better growth. They planted gourds in favored places, and returned in autumn to harvest the crops. Maize was regularly planted on ground cleared with the help of fire, and was cultivated with sharpened sticks and hoes of bone, shell, and stone. Tobacco was cultivated by many tribes, some of which planted nothing else.

“Not satisfied with just taking from nature, the Indians were early farmers. While gathering roots, they unintentionally disturbed the soil and promoted better growth. They planted gourds in good spots and came back in the fall to harvest. Corn was routinely planted in areas cleared with fire and was tended with sharpened sticks and tools made of bone, shell, and stone. Many tribes grew tobacco, and some focused solely on that crop.”

Animal industries.—Arts and industries depending on the animal kingdom include primarily hunting, fishing, trapping, and domestication. The secondary arts involve cooking and otherwise preparing food; the butchering and skinning of animals, skin-dressing in all its forms; cutting garments, tents, boats, and hundreds 21of smaller articles, and sewing them with sinew and other thread; working claws, horn, bone, teeth, and shell into things of use, ornaments, and money; and work in feathers, quills, and hair....

Animal industries.—Arts and industries that rely on the animal kingdom mainly include hunting, fishing, trapping, and domestication. The secondary arts involve cooking and preparing food; butchering and skinning animals, dressing skins in various ways; cutting garments, tents, boats, and countless smaller items, and sewing them using sinew and other threads; working with claws, horns, bones, teeth, and shells to create useful items, ornaments, and money; and crafting with feathers, quills, and hair.... 21

Fig. 18. A device for holding stones in place while pressure was being applied.

Fig. 18. A tool for keeping stones steady while pressure was applied.

Fig. 19. Making flakes by means of lever pressure. This shows the manner of utilizing a standing tree. (See Sellars’s article in Chapter IV.)

Fig. 19. Creating flakes using lever pressure. This illustrates how to use a standing tree. (See Sellars’s article in Chapter IV.)

“The artizans of both sexes were instinct with the esthetic impulse; in one region they were devoted to quillwork, those of the next area to carving wood and slate; the ones living across the mountains produced whole costumes adorned with bead-work; the tribes of the central area erected elaborate earthworks; workers on the Pacific Coast made matchless basketry; those of the Southwest 22modeled and decorated pottery in an endless variety of shapes and colored designs. The Indians north of Mexico were generally well advanced in the simpler handicrafts, but had nowhere attempted massive stone architecture.”

“The craftsmen, both men and women, were filled with artistic passion; in one area, they focused on quillwork, while in the next, they specialized in carving wood and slate. Those living across the mountains created entire costumes decorated with beadwork. The tribes in the central area built intricate earthworks; workers on the Pacific Coast produced unmatched basketry; and those in the Southwest 22shaped and decorated pottery in countless styles and colors. The Indigenous peoples north of Mexico were generally skilled in basic crafts, but they never attempted large stone architecture.”

The Committee on Archæological Nomenclature presented its completed report at the Baltimore meeting of the American Anthropological Association, 1908. This was published in the American Anthropologist, January-March, 1909, page 114. Pottery was classified first, but as I begin with chipped implements I present the classification of pottery last.

The Committee on Archaeological Nomenclature presented its completed report at the Baltimore meeting of the American Anthropological Association in 1908. This was published in the American Anthropologist, January-March 1909, page 114. Pottery was classified first, but since I'm starting with chipped tools, I'll present the classification of pottery last.

Fig. 20. Showing strong massive shank for securing to a shaft or handle.

Fig. 20. Showing a solid, heavy shank for attaching to a shaft or handle.

Fig. 21. First two objects beveled—the one to the left showing strength of cutting-edge. The one to the right shows a different mode of attachment. (See Sellars’s article, Chapter IV.)

Fig. 21. The first two objects are beveled—the one on the left demonstrates the cutting edge's strength. The one on the right displays a different attachment method. (See Sellars’s article, Chapter IV.)

23

CLASSIFICATION OF PREHISTORIC ARTIFACTS, MADE BY THE COMMITTEE ON NOMENCLATURE

ARTICLES IN STONE

Chipped Stone
I.
Knives and projectile points.
 
Larger—5 cm. (2 inches) or more in length.
 
Smaller—less than 5 cm. (2 inches) in length.
 
Types.
1.
Without stem.
(A)
Without secondary chipping (flakes).
(B)
With secondary chipping.
(a)
Pointed.
(a´)
At one end.
 
Base concave.
 
Base straight.
 
Base convex.
 
Sides convex.
 
One side convex, one side straight.
(b)
Ends convex.
(b´)
At both ends.
(c)
More or less circular.
2.
With stem.
(A)
Stem expanding from base—with or without barbing.
(a)
Base concave.
(b)
Base straight.
(c)
Base convex.
(B)
Stem with sides parallel—with or without barbing.
(a)
Base concave.
(b)
Base straight.
(c)
Base convex.
(C)
Stem contracting from base—with or without barbing.
(a)
Base concave.
(b)
Base straight.
(c)
Base convex.
II.
Scrapers.
 
Types.
1.
With one or more scraping edges.
2.
Without or with notch (including circular.)
24
III.
Perforators.
 
Types differentiated by
1.
Cross-section.
(A)
Round.
(B)
Quadrangular or irregular.
2.
Stem.
(A)
Without stem.
(B)
With stem.
(a)
Stem expanding gradually.
(b)
Stem expanding suddenly.
IV.
Hammer-stones.
 
Types.
1.
Spheroidal.
2.
Discoidal (a) “Pitted.”
(b)
Not “pitted.”
3.
Elongated (a) Grooved.
(b)
Not grooved.
Ground Stone
I.
Problematical forms.
1.
Laminæ (i. e., flat “spuds,” “gorgets,” and pendants.)
 
Types.
(A)
Spade-shaped.
(B)
Ovate.
(a)
Sides concave (not common).
(b)
Sides straight.
(c)
Sides convex.
(C)
Leaf-shaped.
(D)
Spear-shaped.
(E)
Rectangular.
(a)
Sides concave.
(b)
Sides straight.
(c)
Sides convex.
(F)
Shield-shaped.
(G)
Pendants.
(a)
Celt-shaped.
(b)
Rectangular.
(c)
Oval or circular.
2.
Resemblances to known forms.
(A)
Animal-shaped stones.
(B)
Boat-shaped stones.
(C)
Bar-shaped stones.
(a)
Longer, resembling true “bars.”
(b)
Shorter, “ridged” or “expanded gorgets.”
(D)
Spool-shaped stones.
(E)
Pick-shaped stones.
(F)
Plummet-shaped stones.
(G)
Geometrical forms.
(a)
Spheres.
(b)
Hemispheres.
(c)
Crescents.
(d)
Cones.
3.
Perforated stones with wings.
(A)
Wings with constant rate of change of width.
(a)
Wings expanding from perforation.
(b)
Wings with sides parallel.
(c)
Wings contracting from perforation.
(B)
Wings with varying rate of change of width.
II.
Tubes and tube-shaped stones.
III.
Beads.
IV.
Pitted stones other than hammer-stones.
25

Fig. 22. Indians quarrying and hammering quartzite boulders. From 15th Annual Report, Bureau of Ethnology. Designed by Holmes.

Fig. 22. Indigenous people extracting and shaping quartzite boulders. From 15th Annual Report, Bureau of Ethnology. Designed by Holmes.

26

Fig. 23. Direct percussion. Manner of striking where the edge is sharp.

Fig. 23. Direct percussion. A way of hitting where the edge is sharp.

ARTICLES IN CLAY

Simple vessels in clay may be presumed to cover all forms except eccentric or conventionalized (i.e., animal-shaped) forms on the one hand, and discs and pipes on the other.

Simple clay vessels likely represent all shapes except for unusual or stylized (like animal-shaped) forms on one side, and discs and pipes on the other.

27

Fig. 24. (S. about 1–3.) A chipped hoe or digging-tool, and four specimens from the ancient quarries near Herndon, Tennessee. Phillips Academy collection. A complete nodule is shown in the lower right-hand corner. The others are broken nodules, showing the concretionary character of the flint.

Fig. 24. (S. about 1–3.) A chipped hoe or digging tool, along with four samples from the ancient quarries near Herndon, Tennessee. Phillips Academy collection. A whole nodule is shown in the lower right corner. The others are broken nodules, demonstrating the concretionary nature of the flint.

28It is suggested by the Committee that members of the American Anthropological Association having occasion to describe clay vessels, may classify them: first, as to material, as consisting of clay, sand, shell, and their combinations, and as possessing certain general ground-color; second, as to manufacture, as sun-dried or fired, as coiled or modeled—with the variations and steps of each process; third, as to form; fourth, as to decoration, as plain, stamped, incised, or painted. With regard to form, the Committee begs to offer the following definitions and suggestions in classifications.

28 The Committee suggests that members of the American Anthropological Association who need to describe clay vessels can categorize them in several ways: first, by material, including clay, sand, shell, and their mixtures, along with specific general colors; second, by manufacturing method, whether sun-dried or fired, coiled or shaped, detailing the variations and steps of each process; third, by shape; and fourth, by decoration, classifying them as plain, stamped, incised, or painted. Regarding shape, the Committee would like to provide the following definitions and suggestions for classification.

(Note. In all cases measurements are considered as referring to an upward direction.)

(Note. In all cases, measurements are understood to refer to an upward direction.)

A simple vessel must consist of a body, and may have a rim, neck, foot, handle, or any combination.

A basic container needs to have a main part and can include a rim, neck, foot, handle, or any mix of these features.

1. Body: A formation capable of holding within itself a liquid or a solid substance.

1. Body: A structure that can contain a liquid or solid substance.

2. Rim: (A) A part of the vessel forming the termination of the body. (B) A part of the vessel recognizable by a change in the thickness of the material in the terminal sections.

2. Rim: (A) A part of the vessel that forms the end of the body. (B) A part of the vessel that can be identified by a change in the thickness of the material in the end sections.

3. Neck. A part of the vessel recognizable by a more or less sudden decrease in the rate of increase or decrease of the diameter.

3. Neck. A section of the vessel that is identifiable by a noticeable drop or rise in the rate of change of the diameter.

4. Foot. An attachment to the vessel which serves as support to the body when upright.

4. Foot. A part of the vessel that supports the body when standing.

5. Handle: A part of the vessel consisting of some outside attachment, not serving as support.

5. Handle: A part of the container that includes an external attachment, not meant to provide support.

Body: It is suggested that in comparing the forms or cross-sections of vessels particular attention be paid to the proportion of the diameter to the height, to the rate of change of this proportion, to the place of change of direction in this proportion, and to refer to the following definitions of the two dimensions:

Body: It's recommended that when comparing the shapes or cross-sections of vessels, you pay special attention to the ratio of diameter to height, the rate at which this ratio changes, the point at which the direction of this ratio changes, and to consider the following definitions of the two dimensions:

Height: the distance from the base to a horizontal plane passing through the most distant part of the rim.

Height: the distance from the base to a flat surface that goes through the farthest point of the rim.

Diameter: the distance from any one point on the sides to any opposite point on the sides, measured on a plane at right angles to the height.

Diameter: the distance from any point on one side to the opposite point on the other side, measured on a plane that is perpendicular to the height.

Base: the point of contact or a plane of contact of the body with a horizontal surface.

Base: the point where the body makes contact or a flat surface touches a horizontal plane.

Types. Body: These are so varied, depending on relative height and diameter of the cross-section, that an analysis is too cumbersome to be of service to general reference.

Types. Body: These are so varied, depending on their height and the width of the cross-section, that analyzing them is too complicated to be useful for general reference.

Neck: 1.
Expanding.
2.
Cylindrical.
3.
Contracting.
4.
Combinations.

Lip: A part of the neck or body recognizable by a suddenly increasing diameter of neck or body, that continues increasing to the rim.

Lip: A part of the neck or body identified by a sudden increase in diameter that continues to widen up to the edge.

29

Fig. 25. (S. about 1–2.) Cores and flake knives from the ancient quarries, Flint Ridge, Licking County, Ohio. Material: light pink, white and brown chalcedony. Phillips Academy collection.

Fig. 25. (S. about 1–2.) Cores and flake knives from the ancient quarries at Flint Ridge, Licking County, Ohio. Material: light pink, white, and brown chalcedony. Phillips Academy collection.

Foot: 1.30
Continuous.
(A)
Expanding.
(B)
Cylindrical.
(C)
Contracting.
(D)
Combinations.
Feet: 2.
Not continuous.
 
Differentiated by
(A)
Number.
(B)
Angle with the horizontal.
(a)
Expanding upward.
(b)
Perpendicular.
(c)
Contracting upward.
Handles.
Types.
 
Differentiated by
1.
Number.
2.
Position on the vessel.
(A)
Body.
(B)
Neck.
(C)
Foot.
(D)
Combinations.
3.
Form.
(A)
Continuous with body or neck.
(B)
Not continuous with body or neck.
(a)
With constant direction.
(b)
With varying direction.
(c)
With reëntry upon vessel.
(A′)
Round.
(B′)
Flat.
(C′)
Coiled.

Here ends the Committee’s Classification, but there should be added, I feel convinced, articles in bone, shell, copper, hematite, mica, and cannel coal. Copper has been classified by Mr. Charles E. Brown, while I have grouped bone, shell, and hematite.

Here ends the Committee’s Classification, but I strongly believe that there should be additional items in bone, shell, copper, hematite, mica, and cannel coal. Copper has been categorized by Mr. Charles E. Brown, while I have organized bone, shell, and hematite.

31

CHAPTER III
The Classification

QUARRYING MATERIALS

We have seen that Professor Mason dealt with occupations rather than implements,[2] and did not attempt a classification of artifacts.

We have seen that Professor Mason focused on jobs instead of tools,[2] and did not try to categorize artifacts.

The result of the Committee’s investigation was to the effect that we should classify objects as to form and material, not taking into account possible use in our grouping. It was supposed that whoever made use of the classification would present his own interpretation of the meaning of these various forms.

The outcome of the Committee's investigation suggested that we should categorize objects based on their shape and material, without considering their potential use in our classification. It was assumed that anyone using the classification would provide their own interpretation of the significance of these different forms.

The classification was intended merely as a skeleton on which future classifications were to be built. It must be understood that the expansion of this classification and the changes found necessary and presented here in “The Stone Age” are submitted on my own responsibility. The classifications in axes, celts, copper, bone and shell, mortars and pestles, etc., were made by me because the Committee did not present grouping of these forms; all of which is no reflection on the Committee. It is simply that as no classification of these other things existed, it was necessary to make one.

The classification was meant to be just a framework for future classifications. It should be noted that the expansion and changes included here in “The Stone Age” are my own responsibility. I created the classifications for axes, celts, copper, bone and shell items, mortars and pestles, etc., because the Committee didn’t provide any grouping for these types; this isn’t a criticism of the Committee. It’s just that since there wasn't an existing classification for these other items, I had to create one.

In describing ancient art there is another method of classification—according to locality. But in any work as large as “The Stone Age,” the adoption of such classification necessitates more or less repetition, and I think it better to describe under a given chapter all the implements of one kind no matter where found in the United States than to treat of geographical distributions. I consider this method less cumbersome and more satisfactory than the separate treatment of all the localities. So far as possible all illustrations are confined to prehistoric objects.

In discussing ancient art, there's another way to categorize it—by location. However, in a work as extensive as “The Stone Age,” using this classification would require some repetition. I believe it's more effective to cover all the tools of a certain type in one chapter, regardless of where they were found in the United States, rather than focusing on geographical distribution. I find this approach less cumbersome and more satisfying than treating each location separately. Whenever possible, all illustrations are limited to prehistoric items.

No illustrations—save one or two—of axes in handles, wooden objects or ancient bows are offered. Readers are referred to the museums for such exhibits. To show such, would swell the volumes to unwieldy proportions, and “The Stone Age” already contains more figures than were originally intended.

No illustrations—except for one or two—of axes in handles, wooden objects, or ancient bows are included. Readers are directed to the museums for those exhibits. Including them would make the volumes too large, and “The Stone Age” already has more figures than were originally planned.

32The textile fabrics, wooden objects, and other things of perishable materials, except where buried in caves in the dry Southwest, have long ago disappeared, and therefore, to make comparisons, one must inspect the older forms among ethnological objects in the collections at New York, Chicago, Denver, Washington, Milwaukee, Cambridge, Toronto, etc., for illustration. There are many hafted implements of various kinds in existence in museums to-day—particularly in the case of specimens collected one hundred years ago—which present trustworthy evidence as to how similar things may have been mounted in prehistoric times. Again, there are hundreds of modern objects collected in the past century among living tribes that to the student of archæology appear to exhibit white man’s influence and are of little or no value in understanding real Stone-Age times. As an illustration of this, I mention the various forms of catlinite pipes, recent examples of which are quite degenerate as compared with the old forms. The same is true of most of the Pueblo pottery, and the war-clubs of Plains tribes.

32The textile fabrics, wooden items, and other perishable materials, except those hidden in dry caves in the Southwest, have long since vanished. Therefore, to make comparisons, one needs to examine the older types of ethnological objects in collections located in New York, Chicago, Denver, Washington, Milwaukee, Cambridge, Toronto, and so on for reference. Many hafted tools of various kinds are still available in museums today—especially specimens collected a hundred years ago—which provide reliable evidence of how similar items were mounted in prehistoric times. Additionally, there are hundreds of modern objects gathered in the past century from living tribes that, to archaeology students, seem to show the influence of white settlers and offer little value for understanding actual Stone Age times. For example, the different styles of catlinite pipes, with recent examples being quite degraded compared to the older forms. The same applies to most Pueblo pottery and the war clubs of Plains tribes.

Fig. 26. (S. 2–3.) Flint knives, made of red and yellow jasper. William C. Mills, Columbus, Ohio.

Fig. 26. (S. 2–3.) Flint knives made from red and yellow jasper. William C. Mills, Columbus, Ohio.

It seems strange that with the thousands of pages on archæological and ethnological subjects, with which our libraries are filled, no such classification was attempted previously. The time is certainly opportune for such a work and while I am aware that the following pages are more or less incomplete, still I believe that some one should make a beginning, even though the future observers, who will know much more regarding these interesting and mysterious 33artifacts of the past than do we of the present, may question some of the observations herein set forth.

It seems odd that with the thousands of pages on archaeological and ethnological topics filling our libraries, no one has tried to classify them before. The time is definitely right for such a project, and while I know the following pages are somewhat incomplete, I believe someone should start the process. Even though future researchers, who will understand these fascinating and mysterious 33artifacts of the past much better than we do today, might question some of the observations made here.

Fig. 27. (S. 1–2.) Flint cores from which the knives are made. Specimen to the left, red and yellow jasper. Specimen to the right, maroon colored jasper. Flint Ridge material. William C. Mills, Columbus, Ohio. This and some thirty other figures loaned by Mills, appeared in the publications of the Ohio State Archæological and Historical Society, and illustrated his explorations.

Fig. 27. (S. 1–2.) Flint cores used to make the knives. The specimen on the left is red and yellow jasper. The specimen on the right is maroon-colored jasper. Flint Ridge material. William C. Mills, Columbus, Ohio. This and about thirty other figures loaned by Mills appeared in the publications of the Ohio State Archæological and Historical Society and illustrated his explorations.

I suggest that the critical reader bear in mind that a classification of all the implements of the United States brings out certain facts or tendencies, or may indicate conclusions which escape the observer who is interested in the exploration of a given territory rather than in a study of types, or who is not familiar with the implements of most of the United States.

I recommend that the attentive reader keep in mind that classifying all the tools used in the United States reveals certain facts or trends, or may suggest conclusions that might be missed by someone focused on exploring a specific area instead of studying types, or by someone who is not familiar with the tools used across most of the United States.

Therefore, “The Stone Age” is narrowed to a description of the ornaments, utensils, weapons, and artifacts of ancient man in America. Otherwise, one could easily fill ten volumes instead of two, and even then not exhaust the subject.

Therefore, “The Stone Age” refers specifically to the description of the ornaments, tools, weapons, and artifacts of ancient people in America. Otherwise, it would be easy to fill ten volumes instead of two, and even then not cover the topic completely.

No description of mounds, earthworks, cliff-houses, pueblos, or village-sites is possible in “The Stone Age.” Readers are referred to the Bibliography, where titles relative to mound, cliff, fortification, and village-site exploration and description will enable them to consult publications relating to these subjects.

No description of mounds, earthworks, cliff houses, pueblos, or village sites can be found in “The Stone Age.” Readers can check the Bibliography, where titles related to the exploration and description of mounds, cliffs, fortifications, and village sites will allow them to look up publications on these topics.

THE BEGINNINGS OF CULTURE

Some remarks upon the antiquity of man in America will be presented in the concluding chapter of Volume II.

Some comments on the ancient history of humans in America will be discussed in the final chapter of Volume II.

No one will deny that the present high culture enjoyed by most races and tribes of men is the result or culmination of thousands of years of development. Practically the entire world has advanced beyond the Stone Age, and much of it may be said to have gone even beyond the Iron Age, and into that of electricity. No sane man doubts that at some time or other all the divisions of the human race were in the Stone Age. Whether all the various peoples of 34many tongues and different colors are derived from the same stock, it is not my purpose to discuss. It is sufficient to state that while certain races of men developed a high culture, others did not. Whether all these peoples had similar advantages or began more or less in the same fashion, is beyond the scope of this work. Suffice it to say that even so far back as in times undoubtedly prehistoric, in every country the archæologist observes differences in culture. This is true of America as of Egypt, or Europe, or Asia. We have heard much with regard to the late date of the Stone Age in our own country. True, stone implements and arts persisted some time after the discovery by Columbus. Yet the recentness of the Stone Age in the United States is easily explained when one considers that America was unknown until 1492. Because stone implements were in use in remote portions of the United States two centuries ago, it does not follow that man on this continent is of no antiquity as compared with his brother in Europe.

No one can argue that the advanced cultures many races and tribes experience today are the result of thousands of years of development. Almost the entire world has moved past the Stone Age, and much of it has advanced even beyond the Iron Age, into the era of electricity. No rational person doubts that at some point, all groups of humans were in the Stone Age. Whether the various peoples speaking many languages and having different skin colors come from the same ancestry is not what I'm here to discuss. It's enough to say that while some races have developed a high culture, others have not. Whether these groups had similar advantages or started in more or less the same way is beyond the scope of this work. It's enough to note that even in prehistoric times, archaeologists see differences in culture across all countries. This is true for America just as it is for Egypt, Europe, or Asia. We've heard a lot about the late arrival of the Stone Age in our own country. It's true that stone tools and crafts continued even after Columbus's discovery. However, the relatively recent Stone Age in the United States makes sense when you consider that America was unknown until 1492. Just because stone tools were in use in some remote areas of the United States two centuries ago doesn't mean that humans on this continent are not ancient compared to their counterparts in Europe.

In fact man may be, for aught we know, as old in America as in Europe or Asia. There have been hundreds of pages published by Professor Holmes, Dr. Abbott, the Reverend Dr. Wright, Dr. Wilson, Professor Chamberlin, and others as to whether man of the glacial period, or earlier tertiary man, existed in America. The evidence for and against the presence of man twenty or thirty thousand years ago in the United States has been presented in numerous places, and the Bibliography will acquaint readers with what has been said. It is not my purpose to attempt to decide this question—as to the age of man on the American continent.

In fact, people might have been in America just as long as they've been in Europe or Asia. Many pages have been written by Professor Holmes, Dr. Abbott, the Reverend Dr. Wright, Dr. Wilson, Professor Chamberlin, and others discussing whether humans from the glacial period or earlier humans from the tertiary era existed in America. The arguments for and against the presence of humans in the United States twenty or thirty thousand years ago have been presented in various sources, and the Bibliography will inform readers about what has been discussed. My goal isn't to settle this debate about how long humans have been on the American continent.

There are certain cultures that appear older than others, and it is quite likely that they are older. All of these will appear in the forthcoming pages, properly substantiated by such evidence as I am able to present.

There are some cultures that seem older than others, and it's very likely that they actually are. All of these will be discussed in the upcoming pages, backed up by the evidence I can provide.

Let us, then, drop glacial or tertiary man and consider quarry material and methods of working.

Let’s set aside ancient or prehistoric humans and focus on quarry materials and the methods used to work with them.

QUARRIES

During the process of manufacture of implements of flint the first forms would scarcely fit into a classification based on complete forms or types; therefore I have decided to begin a description of chipped objects with a chapter on methods of quarrying and manufacture.

During the process of making flint tools, the earliest shapes hardly fit into a classification based on fully formed types; so I have decided to start describing chipped objects with a chapter on quarrying and manufacturing methods.

The quarries from which we know aboriginal man in the United 35States obtained material for his knives and projectile points number perhaps twenty. There may be small isolated sites, but the following were the chief sources of material:—

The quarries where we know early humans in the United 35States got materials for their knives and projectile points number around twenty. There might be a few small, isolated sites, but the following were the main sources of material:—

Fig. 28. Indirect percussion, as practiced by the Wintuns and also described by B. B. Redding. In addition to this, Figs. 26, 32, 33, and 34 are from the American Anthropologist, vol. II, 1891—W. H. Holmes’s paper.

Fig. 28. Indirect percussion, as used by the Wintuns and also discussed by B. B. Redding. In addition to this, Figs. 26, 32, 33, and 34 are from the American Anthropologist, vol. II, 1891—W. H. Holmes’s paper.

Flint Ridge, Licking County, Ohio.

Flint Ridge, Licking County, OH.

The jasper quarries on the Susquehanna and Delaware.

The jasper quarries on the Susquehanna and Delaware.

Those of Indian Territory, Missouri, and Illinois.

Those from Indian Territory, Missouri, and Illinois.

Near Coshocton, Ohio.

Near Coshocton, OH.

Near Allentown, Pennsylvania.

Near Allentown, PA.

The obsidian cliffs of Yellowstone Park.

The obsidian cliffs of Yellowstone Park.

Piney Branch, in the District of Columbia.

Piney Branch, Washington, D.C.

Southwestern New Mexico.

Southwestern New Mexico.

Little River, Tennessee. (See Fig. 1.)

Little River, Tennessee. (See Fig. 1.)

Wyoming and California quarries.

Wyoming and California quarries.

(See Bibliography for others.)

(See Bibliography for more.)

Fig. 29. Indirect percussion. Two persons being concerned. Practiced by the Apaches, according to George Catlin.

Fig. 29. Indirect percussion. Two people involved. Practiced by the Apaches, according to George Catlin.

Flint, chert, chalcedony, jasper, quartz, argillite, and other materials of flint-like character occurred in regular veins, or in nodules or in ordinary boulders or pebbles in the drift. Aboriginal man, therefore, mined in a quarry or he dug in the drift, or he picked up from the surface, or he worked in a limestone stratum to extract the nodular flint. He sought in any one of these places according to his locality and character of the material and its position. At Flint Ridge, the largest flint quarries in the United States, there is a hill 36or ridge, nearly eight miles in length and varying from a few hundred yards to as much as three miles in width, which is literally filled with depressions varying from small pits to one nearly a hundred feet in diameter and twenty or more feet in depth at the present time. The flint from this quarry is distributed throughout Ohio, Indiana, Kentucky, portions of Pennsylvania, and even west of the Mississippi. The amount of work done at Flint Ridge by the aborigines passes comprehension. When one considers their primitive methods of quarrying, it is surprising that they were able to quarry such hard material as flint. Without the use of fire, which they had to apply very carefully, first placing a coating of clay over the flint, they would have been unable to remove any considerable portion of the material.

Flint, chert, chalcedony, jasper, quartz, argillite, and other flint-like materials were found in regular veins, nodules, and ordinary boulders or pebbles in the drift. Indigenous people mined in quarries, dug in the drift, picked up materials from the surface, or worked in limestone layers to extract nodular flint. They searched in any of these places depending on their location, the type of material, and its position. At Flint Ridge, which has the largest flint quarries in the United States, there is a hill or ridge nearly eight miles long and varying from a few hundred yards to as much as three miles wide, filled with depressions ranging from small pits to one nearly a hundred feet in diameter and over twenty feet deep today. The flint from this quarry spread throughout Ohio, Indiana, Kentucky, parts of Pennsylvania, and even west of the Mississippi. The extent of work done at Flint Ridge by Indigenous people is hard to grasp. Considering their basic methods of quarrying, it’s impressive that they managed to extract such a tough material like flint. Without fire, which they had to use carefully by first covering the flint with a layer of clay, they wouldn't have been able to remove a significant amount of the material.

The Flint Ridge chalcedony is beautifully colored, red, blue, cream color, pink, and pure white. It is easily chipped, and was highly prized by the natives.

The Flint Ridge chalcedony comes in stunning colors like red, blue, cream, pink, and pure white. It's easy to chip and was highly valued by the Native Americans.

I have not space for a long narrative of how the flint was quarried. It is of more importance to tell readers how the implements were manufactured. Mr. Gerard Fowke has made a study of Flint Ridge and published an able paper in the National Museum Reports, 1884–5. He also wrote a chapter for “Primitive Man in Ohio.” His paper was reprinted in Bulletin no. III, Department of Archæology, Phillips Academy, 1906. I quote, as to how the flint was quarried, from his paper:—

I don't have room for a long story about how the flint was mined. It's more important to explain to readers how the tools were made. Mr. Gerard Fowke has researched Flint Ridge and published a solid paper in the National Museum Reports, 1884–5. He also contributed a chapter to “Primitive Man in Ohio.” His paper was reprinted in Bulletin no. III, Department of Archæology, Phillips Academy, 1906. I’ll quote his paper regarding how the flint was quarried:—

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Fig. 30. Flaking by pressure, a bone implement being used; (a) the bone tool, (b) the stone, (c) the flake.

Fig. 30. Flaking by pressure, a bone tool is being used; (a) the bone tool, (b) the stone, (c) the flake.

Fig. 31. Flaking by pressure, a bone point being used, the implement to be shaped resting on a support.

Fig. 31. Pressure flaking, using a bone point, with the tool being shaped resting on a support.

“Digging away the earth with such tools as he could improvise,—pointed sticks hardened by fire, antler, bone, or stone,—he came to the surface of the flint. This resisted all his efforts until he thought of the effects of heat. Placing wood upon it, he set fire to the pile. When the stone had reached a high temperature he threw cold water on it; this caused it to shatter and crack in all directions. Casting aside the fragments, he repeated the operation, until he had finally burned his way to the limestone beneath. Removing all burned portions of the flint, he next procured a quantity of fine clay and spread a thick coating on the top and sides of the stone, to prevent injury to it. Then building a fire at the bottom of the hole, he soon burned away the limestone and the lower part of the flint stratum, leaving the top projecting. This he broke loose with large boulders of quartz or granite; hammers of this sort, weighing from twenty to one hundred and fifty pounds, have been found in the bottoms of pits that have been cleared out. Knocking loose the clay, which had burned almost as hard as the stone, he found himself in possession of a block of clear, pure flint. By means of the same hammers he broke this into pieces of a convenient size for handling. These were carried to a spot near by, which may be termed a “blocking-out” shop. Here they were further broken by smaller hammers, and brought somewhat into the shape of the implements which were to be made from them. The work was never, or very seldom, carried beyond this stage at the spot where it was begun; the subsequent manipulation was at some other place, best designated as a “finishing-shop.” These are characterized by quantities 38of small chips, flakes and spalls, broken implements, and unfinished pieces, which were unavailable by reason of some flaw or defect not discernible until the final work was begun. The finishing touches were always made by means of pressure with a bone, antler, or some other tough substance. Many finishing-shops are located near the quarries, others at a distance, some of them several miles away. The principal one was near the cross-road; here a pile of fine chips, covering one fourth of an acre, and fully six feet in depth at the central portion, existed when the country was first settled by the whites, but from various causes it has been reduced until it now is all of one level. This, while the largest, is only one of several hundred such places.”

“Digging into the ground with whatever tools he could come up with—pointed sticks hardened by fire, antlers, bones, or stones—he reached the surface of the flint. This resisted all his efforts until he had the idea of using heat. He placed wood on it and lit a fire. Once the stone got really hot, he poured cold water on it, causing it to shatter and crack in all directions. After clearing away the fragments, he repeated the process until he finally burned through to the limestone underneath. Removing all the burnt parts of the flint, he then got a bunch of fine clay and spread a thick layer on the top and sides of the stone to protect it. Building a fire at the bottom of the hole, he quickly burned away the limestone and the lower part of the flint layer, leaving the top sticking out. He broke this free using large boulders of quartz or granite; hammers of this kind, weighing between twenty and one hundred and fifty pounds, have been found in the bottoms of cleared-out pits. After knocking away the clay, which had hardened nearly as much as the stone, he ended up with a block of clear, pure flint. Using the same hammers, he broke it into manageable pieces. These were taken to a nearby spot, known as a “blocking-out” shop. Here, they were further broken using smaller hammers and shaped a bit like the tools that would be made from them. The work rarely progressed past this point at the site where it started; the final shaping was done elsewhere, referred to as a “finishing-shop.” These areas were filled with small chips, flakes, broken tools, and unfinished pieces that couldn’t be used due to flaws or defects that weren’t noticeable until the final work began. The finishing touches were always made by applying pressure with a bone, antler, or some other tough material. Many finishing-shops were located near the quarries, while others were some distance away, even several miles. The main one was near the crossroads; here, a pile of fine chips covered a quarter of an acre and was about six feet deep in the middle when the area was first settled by the whites, but for various reasons, it's now been leveled off. While this is the largest, it’s just one of several hundred such sites.”

Similar operations were employed in Indian Territory and elsewhere. In the quarries of Little River, Tennessee, the flint occurred in nodular form in limestone ledges. It was easier for the natives to burn the limestone and remove the nodules than to quarry in the flint layers of Flint Ridge. Fig. 1 shows the nodules outcropping in two layers in the limestone ledge.

Similar methods were used in Indian Territory and other places. In the quarries of Little River, Tennessee, the flint appeared in nodular form within limestone ledges. It was simpler for the natives to burn the limestone and extract the nodules than to mine in the flint layers of Flint Ridge. Fig. 1 shows the nodules exposed in two layers within the limestone ledge.

Mr. D. N. Kern, of Allentown, Pennsylvania, informs me that there are fully two hundred pits of various sizes where the natives quarried material, within some miles of his home.

Mr. D. N. Kern, of Allentown, Pennsylvania, tells me that there are at least two hundred pits of different sizes where the locals quarried materials, just a few miles from his home.

Professor Wm. H. Holmes published in the 15th Annual Report of the Bureau of Ethnology a comprehensive paper entitled “Stone Implements of the Potomac-Chesapeake Tide-Water Province.” This paper embodies the observations for a number of years on the archæology of Virginia, Maryland, and the District of Columbia. The description of the quarries along Piney Branch, a small tributary of the Potomac, in the District of Columbia, in this volume is complete, and I wish to recommend to students and readers who wish to obtain a broad understanding of the subject a perusal of Professor Holmes’s paper. The entire genesis of implement making is ably presented.

Professor Wm. H. Holmes published a detailed paper titled “Stone Implements of the Potomac-Chesapeake Tide-Water Province” in the 15th Annual Report of the Bureau of Ethnology. This paper summarizes years of observations on the archaeology of Virginia, Maryland, and the District of Columbia. The description of the quarries along Piney Branch, a small tributary of the Potomac in the District of Columbia, is thorough in this volume. I recommend that students and readers interested in gaining a deeper understanding of the subject read Professor Holmes’s paper. The entire process of making tools is presented proficiently.

While other quarries have not been so carefully worked, and certainly not described in detail, the method employed by the prehistoric peoples at the Piney Branch quarry, and in the rhyolite sites further back in the hills on either side of the Potomac, may be taken as typical of aboriginal quarrying in the United States. That is, of quarrying in beds where boulders or nodules are embedded in clay or gravel or till. The boulder or nodule materials and the flint strata occurring in different formations were quarried by 39different methods. The Piney Branch quarries are an illustration of the separation of material from the general mass and composite of boulder and clay. It was easy to get at the material, but more difficult to fashion the implements, because quartzite, quartz, and argillite were harder to work than flint. At Flint Ridge, while quarrying was extremely difficult, the material once secured could be very easily fashioned. The planes of cleavage of flint, as all know, were very different from those of the boulders found at Piney Branch.

While other quarries haven't been worked as thoroughly or described in detail, the techniques used by prehistoric people at the Piney Branch quarry, and in the rhyolite sites further back in the hills on either side of the Potomac, represent typical methods of ancient quarrying in the United States. This refers to quarries where boulders or nodules are found in clay, gravel, or till. The materials from boulders or nodules, along with the flint layers found in various formations, were extracted using different techniques. The Piney Branch quarries illustrate how material was separated from the overall mass of boulders and clay. It was easy to access the material, but shaping the tools was more challenging because quartzite, quartz, and argillite were harder to work with than flint. At Flint Ridge, although quarrying was very tough, the material could be shaped easily once it was obtained. The cleavage planes of flint, as everyone knows, were quite different from those of the boulders found at Piney Branch.

Fig. 32. Flaking by pressure. Manner of holding as observed among many tribes by J. W. Powell and others.

Fig. 32. Flaking by pressure. The way of holding as noted by J. W. Powell and others among various tribes.

Fig. 33. Flaking by pressure, bone pincers being used.

Fig. 33. Flaking using pressure, with bone tongs in use.

One illustration, Fig. 40, reproduced from Professor Holmes’s plate, is self-explanatory. Before the stage represented in Fig. 37 is reached one must imagine the ordinary oval or water-worn pebble of either quartzite or argillite. This pebble was pried by means of levers from its ancient bed. Both Professor Holmes and Mr. F. H. Gushing have constructed life-sized models of Indians at work in the Piney Branch quarries digging, hammering, flaking, in order to produce 40blades. (See Fig. 22.) At Piney Branch itself the abundance of material made it a mecca for the prehistoric people of the region. Several trenches dug by workmen under the direction of Professor Holmes penetrated this mass of material to a considerable distance. All of these, while varying in minor details, emphasize the general proposition that the quarry was in use for a considerable length of time.

One example, Fig. 40, taken from Professor Holmes’s plate, explains itself. Before reaching the stage shown in Fig. 37, you need to picture an ordinary oval or water-worn pebble made of either quartzite or argillite. This pebble was pried from its ancient bed using levers. Both Professor Holmes and Mr. F. H. Gushing have created life-sized models of Native Americans working in the Piney Branch quarries, digging, hammering, and flaking to make 40 blades. (See Fig. 22.) The abundance of material at Piney Branch made it a destination for the prehistoric people of the area. Several trenches excavated by workers under Professor Holmes's guidance reached deep into this mass of material. While they differ in minor details, all of these highlight the main idea that the quarry was in use for an extended period.

I present several illustrations showing the method of hammering the rough turtleback and partly finished blades and the completed forms. These are from Professor Holmes’s paper. In addition I show hammer-stones and blades from the collection of Phillips Academy, Andover, representing similar work on other sites.

I provide several examples demonstrating the technique of hammering the rough turtleback and the partially finished blades, along with the finished products. These illustrations come from Professor Holmes's paper. Additionally, I include hammer-stones and blades from the Phillips Academy collection in Andover, showcasing similar work from other locations.

The difference to be noted between Piney Branch material and the material of chert and flint, the working of which is described by Mr. George Sellars, in Chapter IV, page 48, of this book, is considerable, and the probable method of treatment varies in a more marked degree. Apparently there was more pecking, hammering, etc., of these rude forms than in the case of flint and chert. That is, flint and chert lent themselves more readily to the flaker’s art.

The difference between Piney Branch material and the material of chert and flint, which Mr. George Sellars discusses in Chapter IV, page 48, of this book, is significant, and the methods of working with them differ notably. It seems that there was more pecking, hammering, and similar techniques used on these rough materials than with flint and chert. In other words, flint and chert were easier for the flaker to work with.

The quarry at Piney Branch was productive of large numbers of rejects. This is true of other sites as well, but it would seem that where material was scarce, the natives made use of many objects quite as crude as those we have designated as rejects. Only flawless materials seem to have been made into implements at Piney Branch, at Flint Ridge, on the Little River sites in Tennessee, and about the jasper quarries of Pennsylvania. This is natural when one reflects that there was a wealth of material and that the Indian naturally selected the best. But were these objects, blocks of flint, and objects of all kinds deposited in any of the large prehistoric villages, I am confident that much of the material called by Professor Holmes rejects, would have been made use of. I think we have overlooked the significance of this fact in our archæological studies. On the Great Plains, and at certain places in Texas, about the Mandan sites, and elsewhere, there are implements quite as rude and ill-shaped as many of those illustrated in the several reports as rejects, yet which show unmistakable evidence of usage.

The quarry at Piney Branch produced a lot of rejects. This is also true for other locations, but it seems that where materials were limited, the locals utilized many items just as rough as those we identified as rejects. Only perfect materials appear to have been turned into tools at Piney Branch, Flint Ridge, the Little River sites in Tennessee, and around the jasper quarries in Pennsylvania. This makes sense considering there was an abundance of materials, and the Native Americans naturally chose the best. However, if these objects—blocks of flint and various other items—had been found in any of the large prehistoric villages, I’m sure that much of what Professor Holmes labeled as rejects would have been utilized. I believe we have overlooked the importance of this fact in our archaeological studies. On the Great Plains, and in certain areas of Texas, around the Mandan sites, and elsewhere, there are tools just as rough and poorly shaped as many of those shown in various reports as rejects, yet they clearly show signs of usage.

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Fig. 34. (S. about 2–3.) Scrapers and rejects from an ancient workshop near Swarts, on the Rio Mimbres, New Mexico. Material, unknown. There are ancient ruins near by. Phillips Academy collection. (Clement L. Webster.)

Fig. 34. (S. about 2–3.) Scrapers and rejects from an ancient workshop near Swarts, on the Rio Mimbres, New Mexico. Material, unknown. There are ancient ruins nearby. Phillips Academy collection. (Clement L. Webster.)

42Again, the turtlebacks and discs and the other materials may be in part rejects, and yet may represent material blocked out for transportation. I have always been a firm believer in the theory that, as most of the flint was carried on the backs of Indians, or transported in canoes from one point to another, the discs, turtlebacks, and other forms which had been quickly blocked out by a few strokes of the stone hammer, represented material to be transported to distant villages and there refashioned. We may explain the quantity of such material on all these quarry sites by means of a dozen different theories. The workers blocked out more than they could transport; they were interrupted during the course of their labors by the enemy; they were prevented from returning; they found that the home villages were supplied with knives, and arrow-points, and did not return to the quarries for another supply; and so on. That much of the material of quarries is rejects and refuse no one will deny, but that all of it is to be so classed I do not believe.

42Once again, the turtlebacks and discs, along with other materials, might partly be rejects, yet they could represent material set aside for transportation. I’ve always believed that since most of the flint was carried by Indigenous people on their backs or transported in canoes, the discs, turtlebacks, and other shapes that were quickly carved out with a few strikes of a stone hammer represented material meant to be transported to distant villages for reworking. We can explain the large amount of such material at these quarry sites through various theories. The workers produced more than they could carry; they were interrupted by enemies while working; they were unable to return; they discovered that their home villages had enough knives and arrow points and didn’t go back to the quarries for more; and so on. While it’s undeniable that much of the material from quarries is rejects and waste, I don’t believe that all of it falls into that category.

Fig. 35. (S. 1–1.) Flake knife. Frank L. Grove, Delaware, Ohio.

Fig. 35. (S. 1–1.) Flake knife. Frank L. Grove, Delaware, Ohio.

There seems to be no evidence that Flint Ridge, Piney Branch, Little River, the Indian Territory quarries, or other sites were worked in historic times. On the contrary, one may believe that the quarries developed through a long period of time. The very character of them seems to indicate this. If America has been peopled for thousands of years, I can see no reasons against the suggestion that the quarries were discovered three or four thousand years ago, that a few Indians visited them each season, or at intervals, and that quarrying ceased about the year 1600. While this is my opinion merely, yet I have given the subject a great deal of thought. If all the material in a certain region came from a special quarry, no long period of time could be assigned that quarry. But an inspection of village-sites, of local collections, of museum collections, will teach the observer that not only is there present material from the local quarry, but there is also a considerable quantity of chipped implements of flint, or chert, or quartz, or rhyolite, or jasper, or other stones which are not native to the locality. Not one site, but 43many sites furnished material. It is evident from the abundance of chipped material that river boulders, the talus of bluffs, and drift pebbles furnish a great part of the chipped implements of this country. If the Indian found a suitable pebble or block of flint or fragment of stone, he most certainly would fashion that into an implement rather than travel a considerable distance and work laboriously to produce that which was found nearer home. Because of the observations cited above, I cannot believe that the quarries represent the work of aboriginal man during a few generations, but that they indicate, perhaps, three or four thousand years of occupation. Dr. W. C. Barnard, of Seneca, Missouri, has given the subject much study. He contributes his observation as follows:—

There doesn't seem to be any evidence that Flint Ridge, Piney Branch, Little River, the Indian Territory quarries, or other sites were actively used in historic times. In fact, one might argue that these quarries developed over a long period. Their very nature suggests this. If America has been inhabited for thousands of years, I see no reason not to consider the idea that the quarries were discovered three or four thousand years ago, that some Native Americans visited them every season or at intervals, and that quarrying stopped around the year 1600. While this is just my perspective, I have put a lot of thought into the topic. If all the material in a particular area came from one specific quarry, it wouldn't be a stretch to assign that quarry a shorter period of use. However, looking at village sites, local collections, and museum collections will show that not only is there material from the local quarry, but there’s also a significant amount of chipped tools made from flint, chert, quartz, rhyolite, jasper, or other stones that aren't found in the area. It's not just one site, but many that provided materials. The abundance of chipped material clearly indicates that river boulders, the debris from bluffs, and drift pebbles contribute a large portion of the chipped tools in this region. If a Native American found a suitable pebble or chunk of flint or stone, they would most likely shape it into a tool rather than travel a long way and work hard to create something found closer to home. Because of these observations, I can't believe that the quarries reflect only a few generations of Native American use; rather, they likely represent perhaps three or four thousand years of activity. Dr. W. C. Barnard, from Seneca, Missouri, has studied this subject extensively. He shares his observations as follows:—

Fig. 36. (S. 1–3 to 1–6.) Rejects from rhyolite quarried from the mass, in upper row. Rejects from jasper quarried from the mass, in lower row.

Fig. 36. (S. 1–3 to 1–6.) Rejected pieces of rhyolite taken from the bulk, in the upper row. Rejected pieces of jasper taken from the bulk, in the lower row.

“Prehistoric man of this region [the Ozarks] secured his principal supply of flint from boulders and pebbles found in the beds of water-courses as evinced by the character of the material found in hundreds of workshops along the banks of streams. All the more primitive implements are of this boulder and pebble material.

“Prehistoric people in this area [the Ozarks] got most of their flint from boulders and pebbles found in riverbeds, as shown by the types of materials discovered in hundreds of workshops along the stream banks. The more basic tools are made from this boulder and pebble material."

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Fig. 37. (S. 1–3 to 1–6.) This figure is a portion of Professor Holmes’s plate, chap. 1 (15th Annual Report, Bureau of Ethnology), which for convenience I have divided. It carries to complete form the specimens shown in Fig. 36. Numbers 7, 8, and 9 are cache forms worked down from quartzite boulders; 9, 10, and 11 are from quartz pebbles. It will be observed that these six specimens could be used as knives, or when notched or barbed they were available as projectile points.

Fig. 37. (S. 1–3 to 1–6.) This figure is part of Professor Holmes’s plate from chapter 1 (15th Annual Report, Bureau of Ethnology), which I have divided for convenience. It showcases the specimens displayed in Fig. 36. Numbers 7, 8, and 9 are cache forms shaped from quartzite boulders; 9, 10, and 11 are made from quartz pebbles. You’ll notice that these six specimens could be used as knives, or with notches or barbs, they were suitable as projectile points.

“Later the rich deposits of cream white chert located in what is now Ottawa County, Oklahoma, were discovered, yet this, I am sure, after a close study of the two flint quarries, must have been in comparatively recent times, for only a small per cent of implements made of the quarry chert are found in the hundreds of village-sites and workshops of this region, and all these, making due allowance for texture and location, look new compared with the 45deeply patina-covered and frequently decomposed surfaces of the pebble flint implement.”

“Later, the rich deposits of cream-colored chert found in what is now Ottawa County, Oklahoma, were discovered. However, I believe that after closely examining the two flint quarries, this must have happened relatively recently. Only a small percentage of tools made from the quarry chert are found in the hundreds of village sites and workshops in this area. All of these, considering texture and location, look new compared to the deeply patina-covered and often decomposed surfaces of the pebble flint tools.”

Fig. 38. (S. 1–3 to 1–6.) Continuation of Professor Holmes’s plate (Fig. 36). First and second rows, g, h, and i, and g, h, are rhyolite and jasper objects of quarry material. These represent first the blades and forms more convenient for exchange, and in the series j to q the completed projectile points.

Fig. 38. (S. 1–3 to 1–6.) Continuation of Professor Holmes's plate (Fig. 36). The first and second rows, g, h, and i, and g, h, show rhyolite and jasper materials from the quarry. These represent the blades and shapes that were more suitable for trade, and in the series j to q, the finished projectile points.

Figs. 39 and 40 illustrate the process of manufacture. Fig. 39 shows native quartzite boulders which have been reduced from a, to forms e and f. These are not implements, and while Professor Holmes says they were not transported, yet I am of the opinion 46that letters e, f, g, and h, represent types which were in such form as would admit of transportation. That is, they represent stone in such form as to be of value for barter or exchange. If these specimens show flaws, as might letters a, b, and c, then they are properly rejects, or if they have hard protuberances which resisted the skill of the Indian, then they are rejects.

Figs. 39 and 40 show the manufacturing process. Fig. 39 displays native quartzite boulders that have been shaped from a into forms e and f. These are not tools, and while Professor Holmes claims they weren't moved, I believe that letters e, f, g, and h represent shapes that could be transported. In other words, they represent stone in a form valuable for trade or exchange. If these samples have flaws, like in letters a, b, and c, then they are rightly considered rejects, or if they have tough bumps that challenged the Indian's skills, then they are also rejects.

Readers should compare Figs. 39 and 40 with Figs. 31 and 36. A difference is observed between the pebbles and boulders shown in Figs. 39 and 24, and the quarry material shown in Figs. 31 and 36.

Readers should compare Figs. 39 and 40 with Figs. 31 and 36. A difference can be seen between the pebbles and boulders shown in Figs. 39 and 24, and the quarry material shown in Figs. 31 and 36.

Fig. 39. (S. 1–3.) See Fig. 40 for description.

Fig. 39. (S. 1–3.) Check out Fig. 40 for the description.

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Fig. 40. (S. 1–3.) Series of flaked forms illustrating progressive steps in the manufacture of projectile points, etc., from quartzite boulders, obtained from shop- and village-sites about Washington City.

Fig. 40. (S. 1–3.) A series of chipped shapes showing the gradual development in making projectile points and similar tools from quartzite boulders, collected from workshop and settlement sites around Washington City.

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CHAPTER IV
Chipped tools

HOW MANUFACTURED

In all that has been said about the manufacture of chipped implements the past thirty years, I have seen no paper that will compare in technique with that presented by Mr. George E. Sellars of Illinois in the Smithsonian Report, 1885, page 871. I have on several occasions quoted a few pages from Mr. Sellars’s narrative, and intend here, with the omission of some irrelevant paragraphs, to present his entire paper, with the illustrations. At the time he wrote it, he was about eighty years of age.

In all the discussions about making chipped tools over the past thirty years, I haven't come across any paper that matches the technique of the one written by Mr. George E. Sellars from Illinois in the Smithsonian Report, 1885, page 871. I've quoted sections of Mr. Sellars’s narrative several times, and here, with some unrelated paragraphs removed, I plan to present his entire paper along with the illustrations. He was around eighty years old when he wrote it.

When, in 1885, Mr. Sellars called upon Dr. Rau of the Smithsonian Institution and gave an account of his experiments and studies in stone-chipping, he was asked by Dr. Rau to prepare the following paper. This is now out of print, and it certainly merits preservation, as nothing done in recent times by any observer can compare with the knowledge obtained of flint-flaking by this remarkable citizen of the Middle West.

When Mr. Sellars visited Dr. Rau at the Smithsonian Institution in 1885 and shared his experiments and studies in stone-chipping, Dr. Rau asked him to prepare the following paper. This paper is now out of print, and it definitely deserves to be preserved, as nothing done recently by any observer can match the insights gained on flint-flaking by this exceptional individual from the Midwest.

As a boy Mr. Sellars was interested in mechanical arts. He enjoyed the friendship of George Catlin. His mother’s father had come from Maryland, bringing with him a large library of the best literature. Mr. Peale, Sellars’s grandfather, was in correspondence with distinguished men of England, and Sellars had access to letters from Thomas Jefferson and to the letters of Captain John Smith of the Virginia colony, all of which were family heirlooms.

As a kid, Mr. Sellars was into mechanical arts. He had a close friendship with George Catlin. His grandfather on his mom's side had come from Maryland, bringing along a huge library of great literature. Mr. Peale, Sellars’s grandfather, was in touch with notable people in England, and Sellars had access to letters from Thomas Jefferson and Captain John Smith of the Virginia colony, all of which were family treasures.

Mr. Sellars devoted many years to study of stone implements found in the Ohio Valley. Except with reference to a few of his remarks concerning the use of levers in detaching flakes from implements, I am willing to accept all that he says in explanation of how all objects were manufactured. And even with reference to the use of levers, Sellars may be correct, as it would be impossible to make flint spades by means of a small flaking-tool held in the hand, although the first stage of the implement might possibly be produced by the use of the hand-hammer. Be that as it may, I am willing to accept 49Mr. Sellars’s observations, at least until some one proves them to be of no value.

Mr. Sellars spent many years studying stone tools found in the Ohio Valley. Except for a few of his comments about using levers to detach flakes from tools, I’m willing to accept everything he says about how these objects were made. Even regarding the use of levers, Sellars might be right, since it would be impossible to create flint spades using just a small flaking tool held in hand, although the first stage of the tool could possibly be made with a hand hammer. Regardless, I’m willing to accept 49Mr. Sellars’s observations, at least until someone proves them to be worthless.

After an account of how he came to be interested in this subject, he discourses upon Captain John Smith’s letters.

After explaining how he became interested in this topic, he talks about Captain John Smith’s letters.

Fig. 41. (S. about 1–3.) Mandan bone chipping-tools. These were made use of in flaking flint implements, Mandan village-site, North Dakota. Collected for Phillips Academy by E. R. Steinbrueck. The Mandan collection, of which a score of figures are presented, was purchased and presented to Phillips Academy by Edward H. Williams, Jr.

Fig. 41. (S. about 1–3.) Mandan bone chipping tools. These were used for shaping flint tools at the Mandan village site in North Dakota. They were collected for Phillips Academy by E. R. Steinbrueck. The Mandan collection, which includes a number of figures, was purchased and donated to Phillips Academy by Edward H. Williams, Jr.

“He [Smith] said in substance that the Indian carried with him a pouch filled with flakes of precious stones, and within his mantle, in a pocket made for the purpose, a small instrument made of bone or horn, that he valued above all price and would not part with, and with it he deftly shaped arrow-points and spear-heads from or out of the stone flakes. On calling my grandfather’s attention to this, he said that although there was much truth in what at the time was written from the colonies, some things were highly colored and had to be sifted out or taken with caution, and he supposed the cutting of hard stone with bone or horn was one of these, and might be set down as one of Smith’s yarns. I asked myself the question, what object could he have in inventing and telling it? There must be some foundation. At all events, it made an indelible impression on my mind.

“He [Smith] said that the Indian carried a pouch filled with pieces of precious stones, and in his cloak, in a specially made pocket, he had a small tool made of bone or horn that he valued above all else and wouldn’t give up. With this tool, he skillfully shaped arrowheads and spear points from the stone pieces. When I pointed this out to my grandfather, he mentioned that while there was a lot of truth in what was written from the colonies, some details were exaggerated and needed to be taken with caution. He believed that the idea of cutting hard stone with bone or horn might be one of these exaggerations and could be considered one of Smith’s stories. I wondered what reason Smith could have had for inventing and sharing it. There must be some truth to it. In any case, it left a lasting impression on me.”

“Most of the arrow-points found within my reach in Philadelphia, Delaware, and Chester Counties, Pennsylvania, were chipped from massive quartz, from the opaque white to semi-transparent 50and occasionally transparent. Once, in company with my early preceptors, Jacob Pearce and Isaiah Lukens, both well-known scientists, on a mineralogical excursion, we came to a place where (judging from the quantities of flakes and chips) arrow-points had been made. After most diligent search only one perfect point was found, which is still in my possession marked with ink ‘1818.’ There were many broken ones, showing the difficulty in working the material. Mr. Lukens collected a quantity of the best flakes to experiment with, and by the strokes of a light hammer roughed out one or two very rude imitations. No effort was made by pressure, which I cannot now understand, for at that time I was in the habit of breaking off points and trimming mineral specimens (likely to be injured by the jarring of a hammer-stroke) by pressure with the hickory handle of my mineral hammer.

“Most of the arrowheads I found nearby in Philadelphia, Delaware, and Chester Counties, Pennsylvania, were made from large pieces of quartz, ranging from opaque white to semi-transparent and sometimes even transparent. Once, with my early mentors, Jacob Pearce and Isaiah Lukens, both well-known scientists, we went on a mineral trip and found a spot where (based on the amount of flakes and chips) arrowheads had been made. Despite our thorough search, we only discovered one perfect point, which I still have marked with ink ‘1818.’ There were many broken ones, indicating how hard it was to work with the material. Mr. Lukens collected several of the best flakes to experiment with, and by using a light hammer, he managed to roughly shape one or two very crude imitations. No pressure technique was applied, which I find puzzling now, because at that time, I usually broke off points and shaped mineral specimens (which could be damaged by the impact of a hammer stroke) by applying pressure with the hickory handle of my mineral hammer.”

“Major S. H. Long, afterwards colonel, who in the latter part of his life succeeded Colonel John J. Abert as head of the Topographical Department of the United States Army, whenever in Philadelphia, was a frequent visitor at my father’s house; and, when preparing for his expedition to the Rocky Mountains, in which my mother’s youngest brother, Titian R. Peale, went as assistant naturalist, I saw him almost daily. The subject of flaking and forming arrow- and spear-heads was one of frequent discussion. My grandfather, C. W. Peale, was at that time owner of the Philadelphia Museum, which had for that period a large collection of Indian curiosities, among them, many collected by Lewis and Clark on their northwestern expedition,—and to me the most interesting was a box of stone implements in various stages of manufacture, evidently collected with the view of illustrating the process. They were never put on exhibition other than in the original package, the lid of the box only having been removed. Major Long’s attention was called to these, and he expressed his belief that on his expedition he would learn the entire process, and on his return be able to explain everything in the Lewis and Clark collection.

“Major S. H. Long, who later became a colonel and succeeded Colonel John J. Abert as the head of the Topographical Department of the United States Army, often visited my father's house whenever he was in Philadelphia. As he was preparing for his expedition to the Rocky Mountains, where my mother’s youngest brother, Titian R. Peale, served as an assistant naturalist, I saw him nearly every day. We frequently discussed the creation of arrowheads and spearheads. My grandfather, C. W. Peale, owned the Philadelphia Museum at that time, which had a significant collection of Indian artifacts, including many gathered by Lewis and Clark during their northwestern expedition. The most fascinating items for me were a box of stone tools in various stages of production, clearly collected to show the manufacturing process. They were never displayed outside the original package, with only the lid being removed. Major Long took notice of these, and he expressed his belief that during his expedition, he would learn the entire process and would be able to explain everything in the Lewis and Clark collection when he returned.”

51

Fig. 42. 7232 flint discs from a mound of the Hopewell group. Largest cache of implements known to archæologists. (See page 218.)

Fig. 42. 7232 flint discs from a mound of the Hopewell group. The largest collection of tools known to archaeologists. (See page 218.)

52“The expedition returned, and, as far as I know, without any positive information as to the process of making the flakes. Mr. Peale said he had seen squaws chipping flakes into small arrow-points, holding the flake in their left hand, grasped between a piece of bent leather, and chipping off small flakes by pressure, using a small pointed bone in the right hand for that purpose. From this it was evident that John Smith’s story was no myth. In my lifelong intimacy with Colonel Long the subject of the flaking operation has frequently been one of conversation, on my regretting that more attention had not been paid to it on either of his expeditions. Knowing his preëminence as a civil engineer and his high attainments as a mechanic, I thought more reliable information would have been obtained by him and his party, composed as it was of such prominent men of science. He said that flakes prepared for points and other implements seemed to be an object of trade or commerce among the Indian tribes that he came in contact with; that there were but few places where chert or quartzite was found of sufficient hardness and close and even grain to flake well, and at those places there were men very expert at flaking. He had understood that it was mostly done by pressure, and rarely by blows, but he had never witnessed the operation. He expressed his belief that it was an art fast being lost, for he had found among tribes who had never seen a white man since the advent of Lewis and Clark, wrought-iron arrow-points made in England by the Birmingham nailers, sent out as articles of trade by the fur companies, and that they were preferred to the stone points.

52 “The expedition came back, and, as far as I know, without any solid information about how they made the flakes. Mr. Peale mentioned that he had seen women shaping flakes into small arrowheads, holding the flakes in their left hand, secured between a piece of bent leather, and using a small pointed bone in their right hand to chip off tiny flakes by applying pressure. This made it clear that John Smith’s story was not a myth. Throughout my long friendship with Colonel Long, we've often talked about the flaking process, and I've lamented that more attention hadn’t been paid to it during either of his expeditions. Given his outstanding skills as a civil engineer and his expertise as a mechanic, I believed he and his team, which included many prominent scientists, would have gathered more reliable information. He noted that the flakes made for points and other tools seemed to be a commodity among the Native American tribes he interacted with; that there were only a few locations where chert or quartzite was hard enough and had a fine enough grain to flake well, and at those sites, there were skilled flakers. He had learned that the process was mostly done by applying pressure rather than by striking, but he had never actually seen it happen. He believed that this skill was fading away, as he found among tribes who had never encountered a white person since Lewis and Clark, arrowheads made of wrought iron from England, produced by the Birmingham nailers, sent as trade goods by the fur companies, and that these were preferred over the stone points.

“My early acquaintance with Catlin, the artist, was in the shop of Catlin, musical instrument and model maker, of Philadelphia. There I knew him as a very expert and superior workman in wood and ivory. As a portrait painter he was not at that time successful. He painted strong likenesses, but they lacked lifelike coloring. A delegation of Indians on their way to Washington gave him an opportunity to paint the likeness of one of the chiefs. This was exhibited in the Pennsylvania Academy of Fine Arts, and from its novelty attracted much attention; in fact, it was so far a success as to bring him into notice. About this time, I met him very frequently; his conversation always drifted on to the great value and importance of preserving correct likenesses of the Indians, whom he believed to be fast passing away. We all know how well he lived up to this idea, devoting his life to the work of producing the collection of Indian portraits now in the National Museum.

“My early acquaintance with Catlin, the artist, was in the shop of Catlin, a maker of musical instruments and models, in Philadelphia. There, I recognized him as a highly skilled craftsman in wood and ivory. At that time, he wasn't successful as a portrait painter. He created strong likenesses, but they lacked realistic coloring. When a group of Indians traveled to Washington, he had the chance to paint one of the chiefs. This piece was exhibited at the Pennsylvania Academy of Fine Arts and caught a lot of attention due to its uniqueness; in fact, it was successful enough to get him noticed. Around this time, I saw him often; his conversations always turned to the great value and importance of capturing accurate likenesses of the Indians, whom he believed were quickly disappearing. We all know how well he embraced this idea, dedicating his life to creating the collection of Indian portraits now housed in the National Museum.”

“On Mr. Catlin’s return from his long sojourn among the Indians, believing that, as an observing practical mechanic, nothing in the way of art among them would escape him, I took the first opportunity to see him. On my inquiry as to the mode in practice of splitting the stone into flakes for arrow- and spear-points, his reply was by a question characteristic of the man. He asked if I had forgotten 53Dr. Jones’s axiom, ‘The least possible momentum is greater than the greatest possible pressure.’ This was in allusion to a lecture on mechanics we had together heard delivered by Dr. Thomas P. Jones (afterwards Commissioner of Patents). He then added, ‘That is well understood by the flake-makers among the Indians, but it will soon be among the lost arts, just as the nests of Birmingham brass battered-ware kettles, the Yankee tinware, and glass whiskey bottles have already almost totally destroyed their crude art of pottery-making. The rifle is taking the place of the bow and arrow. For boys’ practice and for small game the iron points got from the fur traders are preferred to stone. A common jack-knife is worth to them more than all the flint knives and saws ever made.’

“After Mr. Catlin returned from his long time with the Indians, I thought that as an observant practical mechanic, he wouldn’t miss anything in their art, so I quickly took the chance to meet him. When I asked him how they split stone into flakes for arrow and spear points, he responded with a question that was typical of him. He asked if I had forgotten Dr. Jones’s saying, ‘The least possible momentum is greater than the greatest possible pressure.’ This referred to a lecture on mechanics that we had both attended, given by Dr. Thomas P. Jones (who later became Commissioner of Patents). He then added, ‘The flake-makers among the Indians understand this well, but it’s a skill that will soon be lost, just like the traditional craft of making pottery has been nearly wiped out by Birmingham brass kettles, Yankee tinware, and glass whiskey bottles. Rifles are replacing bows and arrows. For practice and small game, they prefer the iron points from fur traders over stone points. A common jackknife is more valuable to them than all the flint knives and saws ever made.’”

Fig. 43. (S. 1–2.) Curved flake knife. Clement L. Webster collection. Found in New Mexico.

Fig. 43. (S. 1–2.) Curved flake knife. Clement L. Webster collection. Discovered in New Mexico.

“After expressing himself in this manner he went on to explain what he had seen. He considered making flakes much more of an art than the shaping them into arrow- or spear-points, for a thorough knowledge of the nature of the stone to be flaked was essential, as a slight difference in its quality necessitated a totally different mode of treatment. The principal source of supply for what he termed home-made flakes was the coarse gravel bars of the rivers, where large pebbles are found; those most easily worked into flakes for small arrow-points were chalcedony, jasper, and agate. Most of the tribes had men who were expert at flaking, and who could decide at sight the best mode of working. Some of these pebbles would split into tolerably good flakes by quick and sharp blows striking on the same point; others would break by a cross-fracture into two or more pieces; these were preferred, as good flakes could be split from their clean fractured surface by what Mr. Catlin called impulsive pressure, the tool used being a shaft or stick of between two and three inches diameter, varying in length from thirty inches to four feet, according to the manner of using them. These shafts were pointed with bone or buck-horn, inserted in the working end bound with sinews, or rawhide thongs, to prevent splitting. (See Fig. 15.) For some kinds of work the bone or horn tips were scraped to a rather blunt point, others with a slightly rounded end of about one half 54inch in diameter. He described various ways of holding the stone while the pressure was being applied. A water-worn pebble broken transversely was commonly held by being sufficiently embedded in hard earth to prevent its slipping when held by the foot as the pressure was applied. Large blocks of obsidian or any easily flaked stones were held between the feet of the operator while sitting on the ground, the impulsive pressure being given to the tool grasped in both hands, a cross-piece on the upper end resting against his chest, the bone end against the stone in a slight indentation, previously prepared, to give the proper angle and to prevent slipping.

“After sharing his thoughts, he proceeded to explain what he had observed. He believed that making flakes was much more of an art than shaping them into arrow or spear points, as a deep understanding of the type of stone being flaked was crucial; even a slight difference in its quality required a completely different approach. The main source for what he called home-made flakes was the coarse gravel bars along rivers, where larger pebbles could be found. The stones that were easiest to work into flakes for small arrow points were chalcedony, jasper, and agate. Most tribes had skilled men who were adept at flaking and could quickly determine the best method to use. Some of these pebbles would split into reasonably good flakes with quick, precise blows to the same spot; others would fracture across into two or more pieces, which were preferred because good flakes could be created from their clean fractured surface using what Mr. Catlin referred to as impulsive pressure. The tool used for this was a shaft or stick around two to three inches in diameter, varying in length from thirty inches to four feet depending on how it was used. These shafts were pointed with bone or antler, inserted into the working end and bound with sinews or rawhide thongs to prevent splitting. (See Fig. 15.) For some tasks, the bone or horn tips were scraped to a rather blunt point, while others had a slightly rounded end about half an inch in diameter. He described various methods of holding the stone while pressure was applied. A water-worn pebble broken across was typically held embedded in hard earth to prevent slipping when held by the foot while pressure was applied. Large blocks of obsidian or any easily flaked stones were held between the operator’s feet while sitting on the ground, applying impulsive pressure with the tool held in both hands, with a crosspiece resting against his chest and the bone end pressed against a slight indentation pre-prepared in the stone to maintain the proper angle and prevent slipping.”

“In some cases the stone operated on was secured between two pieces or strips of wood like the jaws of a vise, bound together by cords or thongs of rawhide; on these strips the operator would stand as he applied the pressure of his weight by impulse. The best flakes, outside of the home-made, were a subject of commerce, and came from certain localities where the chert of the best quality was quarried in sheets or blocks, as it occurs in almost continuous seams in the intercalated limestones of the Coal Measures. These seams are mostly cracked or broken into blocks, that show the nature of the cross-fracture, which is taken advantage of by the operators, who seem to have reduced the art of flaking to almost an absolute science, with division of labor; one set of men being expert in quarrying and selecting the stone, others in preparing the blocks for the flaker. This was done when the blocks were nearly right-angled at the corners, by striking off the corner where the flaking was to commence, and, with a properly directed blow with a hard pebble stone, knock off of the upper edge a small flake, making a seat for the point of the flaking-tool. Sometimes these blows were carried entirely across the front upper edge of the block, making a groove entirely across the edge, when the first row of flakes have been thrown off. It is the work of this operator to prepare seats for a second row, and so on. What was meant by almost absolute science was a knowledge and skill that would give the proper direction to the pressure to throw off the kind of flake required.... The staffs of these flaking-tools were selected from young hard-wood saplings of vigorous growth. A lower branch was utilized to form the crotch in which the blow was struck. (See Fig. 16.) Another branch on the opposite side was used to secure a heavy stone to give weight and increase the pressure. When the stone to be flaked was firmly held, the point adjusted to give the pressure in the required direction, the staff firmly 55grasped, the upper end against the chest of the operator, he would throw his weight on it in successive thrusts, and if the flake did not fly off, a man standing opposite would simultaneously with the thrust give a sharp blow with a heavy club, it being so shaped that its force is downward close in the crotch. It has been represented to me that a single blow rarely failed to throw off the flake, frequently the entire depth of the block of stone, sometimes as much as ten or twelve inches. The tooth or tusk of the walrus was highly prized for tips of the flakers.

“In some cases, the stone being worked on was secured between two pieces or strips of wood like the jaws of a vice, bound together by cords or rawhide strips; the operator would stand on these strips while applying pressure with his weight. The best flakes, aside from the homemade ones, were a subject of trade and came from specific locations where high-quality chert was quarried in sheets or blocks, often found in nearly continuous seams within the intercalated limestones of the Coal Measures. These seams are mostly cracked or broken into blocks, showing the nature of the cross-fracture, which operators took advantage of, as they seemed to have reduced the art of flaking to almost a precise science, with a division of labor; some men became experts in quarrying and selecting the stone, while others prepared the blocks for flaking. This preparation was done when the blocks had nearly right-angled corners, by chiseling off the corner where the flaking would start, and with a well-directed strike using a hard pebble, knocking off a small flake from the upper edge to create a seat for the flaking tool. Sometimes, these strikes extended entirely across the front upper edge of the block, creating a groove along the edge after the first row of flakes was removed. The operator’s job was to prepare seats for a second row, and so on. By 'almost absolute science,' they meant a level of knowledge and skill that allowed them to direct the pressure to create the specific type of flake required. The handles of these flaking tools were chosen from young hardwood saplings that were vigorous. A lower branch formed the crotch for striking the blow. (See Fig. 16.) Another branch on the opposite side was used to attach a heavy stone to add weight and increase pressure. Once the stone was firmly held and the point adjusted for the needed pressure direction, and the staff firmly grasped with the upper end against the operator's chest, he would apply successive thrusts of his weight; if the flake did not come off, a man standing opposite would simultaneously deliver a sharp blow with a heavy club, designed to focus its force downward near the crotch. I’ve been told that a single blow rarely failed to detach the flake, often removing the entire depth of the block, sometimes as much as ten or twelve inches. The tooth or tusk of the walrus was highly valued for the tips of the flakers.”

Fig. 44. (S. 1–2.) Crude knives. Material: jasper and chert. D. N. Kern collection, Allentown, Pennsylvania.

Fig. 44. (S. 1–2.) Primitive knives. Material: jasper and chert. D. N. Kern collection, Allentown, Pennsylvania.

“What I have thus far written is at second hand, being merely recollections of conversations at various times with the parties I have referred to, and more recently with a man who for over thirty years had been connected with a fur company, and who had lived most of that time among the Indians, and much of it, as a trapper.

"What I've written so far is from secondhand sources, based on memories of conversations I've had at different times with the people I've mentioned, and more recently with a man who has been involved with a fur company for over thirty years, spending most of that time living among the Indians and a lot of it as a trapper."

56“What I now propose is to give some of my experimental practice in flaking and working flint (chert), and (from a purely mechanical standpoint) some conclusions drawn from a pretty extensive examination of the waste and refuse as well as finished and partly finished work left in the aboriginal flint workshops.

56“What I’m suggesting now is to share some of my hands-on experience in chipping and shaping flint (chert), and (from a purely mechanical viewpoint) some conclusions I’ve drawn from a pretty thorough analysis of the waste and leftovers, as well as the finished and partially finished pieces found in the ancient flint workshops.

Fig. 45. (S. about 1–2.) Turtlebacks almost ready for the flaking process. Collection of E. T. Wing, South Portland, Maine.

Fig. 45. (S. about 1–2.) Turtlebacks nearly ready for the flaking process. Collection of E. T. Wing, South Portland, Maine.

“There are many places along the banks of the Ohio River and its tributaries that are not subject to the annual overflow, but are still below the occasional great floods, where the flaking process has been extensively carried on, and where cores and waste chips are abundant. At one of these places, on the Kentucky side of the river, I found a number of chert blocks, as when first brought from the quarry, from which no regular flakes had been split; some had a single corner broken off as a starting-point. On the sharp, right-angled edge of several, I found the indentations left by small flakes, having been knocked off evidently by blows, as described by Catlin, as a preparation for seating the flaking-tool. Most of the localities 57referred to are now under cultivation, but before being cleared of timber and subjected to the plow, no surface relics were found; but on the caving and wearing away of the riverbanks, as the light earth washed away, many spear- and arrow-heads and other stone relics were left on shore. After the land had been cleared and the plow had loosened the soil, one of the great floods that occur at intervals of some fifteen or twenty years would wash away the loose soil, leaving the great flint workshops exposed. It is from the stores of material left, the cores or nuclei thrown aside, caches of finished and unfinished implements and flakes, the tools and wastage, vast accumulations of splints, etc., that we can, on critical examination, draw tolerably correct ideas of the mode of working pursued.

There are many spots along the banks of the Ohio River and its tributaries that don't get hit by the annual floods, but can still be affected by major floods every now and then, where the flaking process has been widely practiced, and where cores and waste chips are abundant. At one of these locations, on the Kentucky side of the river, I found several chert blocks that looked like they had just come from the quarry, with no regular flakes removed; some had just one corner broken off to start. On the sharp, right-angled edges of several, I saw the indentations made by small flakes that had obviously been knocked off by strikes, as described by Catlin, in preparation for using the flaking tool. Most of the sites mentioned are now farmed, but before the land was cleared of trees and plowed, no surface artifacts were found; however, as the riverbanks eroded and washed away, many spear and arrow points and other stone artifacts were left on the shore. After the land was cleared and the plow had broken up the soil, one of the major floods, which happen roughly every fifteen to twenty years, would wash away the loose soil, exposing the large flint workshops. From the material left behind, including the discarded cores or nuclei, caches of finished and unfinished tools and flakes, the tools and waste, and large piles of bits, we can, upon careful examination, get a pretty accurate idea of the methods used in their work.

Fig. 46. (S. 4–5.) Knife made from a large flake from a long block of flint. Material: yellow chert. Dr. A. G. Clyne, Paragould, Arkansas.

Fig. 46. (S. 4–5.) Knife crafted from a large flake taken from a long piece of flint. Material: yellow chert. Dr. A. G. Clyne, Paragould, Arkansas.


“Experience has taught the operator the best shape of edge to apply the pressure to accomplish his object, and it has also taught him how to reach it in the simplest possible way. A spoon-shaped hollow on the top of a flattened log, or even a gutter or groove cut in it, furnishes the means of holding the flake firmly, the raised or high side placed in the hollow, the flat side up; with the ends of the fingers of 58his left hand pressed on it he holds it firmly, while with his right hand a downward pressure is given by the flaking-tool which breaks off chips with a fracture of about forty-five degrees from the flat surface, leaving the edge in the best possible shape for future work, and that is the condition of these cache flakes as they are found.

“Experience has taught the operator the best shape of edge to apply pressure to achieve their goal, and it has also shown them how to do this in the simplest way possible. A spoon-shaped hollow on the top of a flattened log, or even a gutter or groove cut into it, provides a way to hold the flake securely, with the raised or high side placed in the hollow and the flat side up; with the tips of their left fingers pressed on it, they hold it firmly while using their right hand to apply downward pressure with the flaking tool, which breaks off chips at about a forty-five-degree angle from the flat surface, leaving the edge in the best possible shape for future work. This is the condition of these cache flakes as they are found.”

“In old times, before the invention and introduction of planing and shaping machines to work metals, the first and most important lesson taught to the machinist’s apprentice was the use of the hand-hammer and cold-chisel. When an outer shell was to be removed from a metal casting and its surface left in condition to be finished by file or scraper, the smoothness and regularity of that surface was essential, not only for economy in working, but accuracy of the file finish. The apprentice was taught to hold his cold-chisel and so direct the strokes of his hammer that when a chip was started the chisel should hold to it, and not be allowed to cut too deep or slip and fly out, leaving a shape that is difficult to start a fresh cut without leaving ridges or cutting deeper, in either case causing additional labor for the finisher.

“In the past, before planing and shaping machines were invented to work with metals, the first and most important lesson for a machinist's apprentice was how to use a hand hammer and cold chisel. When removing an outer shell from a metal casting and leaving its surface ready for finishing with a file or scraper, the smoothness and consistency of that surface were crucial—not just for efficiency in working but also for the accuracy of the file finish. The apprentice learned to hold his cold chisel and direct the hammer strikes so that when a chip was started, the chisel would stay in place and not cut too deep or slip out, which would create a shape that made it difficult to start a new cut without leaving ridges or cutting deeper, resulting in extra work for the finisher.”

“To a practical mechanic the examination of such a flint workshop as I have described—its waste chips to the partly worked flakes, the roughed-out blocks, and the finished implements—reveals a line of workmanship so clear that it can be followed to the production of the same results.

“To a practical mechanic, looking at a flint workshop like the one I've described—its waste chips, the partly worked flakes, the rough blocks, and the finished tools—shows a line of craftsmanship so distinct that it can be traced to create the same results.”

59

Fig. 47. (S. 1–3.) Group of knives. From the collection of D. H. Kern, Allentown, Pennsylvania. Material: argillite and jasper. As to the use of flint knives, an interesting description is given by Pedro De Castaneda, who accompanied Coronado in 1541 to Quivira (Kansas); he states: “They cut the hide open at the back and pulled it off at the joints, using a flint as large as a finger, tied in a little stick, with as much ease as if working with a good iron tool. They gave it an edge with their own teeth. The quickness with which they do this is something worth seeing and noting.”

Fig. 47. (S. 1–3.) Group of knives. From the collection of D. H. Kern, Allentown, Pennsylvania. Material: argillite and jasper. Regarding the use of flint knives, an interesting account is provided by Pedro De Castaneda, who traveled with Coronado to Quivira (Kansas) in 1541; he mentions: “They cut the hide open at the back and pulled it off at the joints, using a flint the size of a finger, tied to a small stick, as easily as if they were working with a good iron tool. They sharpened it with their own teeth. The speed at which they do this is truly impressive and noteworthy.”

“The handling of the tool and flake to form an arrow-point is as much an act requiring exactness and precision as the handling of the cold-chisel and hammer is to the machinist. The first chip thrown off is analogous to the first starting-work of the cold-chisel; it is the text that must be adhered to the end of the chapter. Holding the flake in such position that, commencing at what is intended for the point of the intended work, the pressure with the flaking-point is brought to bear close to the edge of the forty-five degrees angle and at right angles to it; the result is a flake thrown off inclining towards the stem end of the arrow-point. The seat left by this chip when thrown off is concave on the edge of the flake, the advance corner of which is the seating-point for the tool to throw off the next chip, which does not entirely obliterate the concave of the first, and the following chip leaves a serrated edge, the chips or flakes being generally parallel, which is the object of a good workman to make them. When the flat side by chipping has been reduced to nearly the required form, its edges are in the best possible shape for chipping the opposite or high side, then by alternate working from side to side the point is finished, either leaving it with serrated edges or by after delicate work throwing off the points, leaving a smooth, sharp edge. The indentations at the base either for barbs or for thongs to secure the point to its shaft are made by direct down pressure of a sharp point working alternately from side to side, the arrow-point being held firmly on its flat face. From the narrowness of the cuts in some of the specimens, and the thickness of the stone where they 60terminate, I have inclined to the belief that at the period they were made, the aborigines had something stronger than bone to operate with, as I have never been able to imitate some of their deep, heavy cuts with it; but I have succeeded by using a copper point, which possesses all the properties of the bone, in holding to its work without slipping and has the strength for direct thrust required. A soft iron or a thoroughly annealed steel point answers even a better purpose. As yet no copper has been found on this flaking-ground, though a few copper beads and remnants of what appear to have been ornaments have been taken from the mounds on the ridges of the Saline, which I think is evidence that they had that metal at the earliest time work was done on this flaking-bank.

“The way the tool and flake are handled to create an arrowhead requires just as much precision and accuracy as it does for a machinist using a cold chisel and hammer. The first chip removed is similar to the initial cut made with a cold chisel; it's the foundational step that must be followed throughout the process. By positioning the flake to start at what will be the tip of the arrowhead, you apply pressure with the flaking tool close to the edge of the 45-degree angle and perpendicular to it, resulting in a flake that is removed and slopes toward the stem of the arrowhead. The area left by this chip is concave along the edge of the flake, with the front corner serving as the point for the tool to remove the next chip, which doesn’t completely erase the concave shape of the first. The subsequent chip results in a serrated edge, with the chips generally being parallel, which is what a skilled worker aims to achieve. Once the flat side has been chipped down to nearly the required form, its edges are in the best shape for working on the opposite side, and by alternating work from side to side, the point is completed, either maintaining serrated edges or through careful finishing work, creating a smooth, sharp edge. The indentations at the base for barbs or for securing the point to the shaft are made by applying direct downward pressure with a sharp point, moving alternately from side to side, while the arrowhead is held securely on its flat face. Given the narrow cuts in some of the examples and the thickness of the stone where they end, I believe that at the time they were made, the indigenous people had access to a material stronger than bone for this task, as I have never been able to replicate some of their deep, heavy cuts with it. However, I have achieved similar results using a copper point, which maintains its grip without slipping and has the necessary strength for direct thrusting. A soft iron or fully annealed steel point works even better. As of now, no copper has been discovered at this flaking site, although a few copper beads and remnants of what seem to be ornaments have been found in mounds on the ridges of the Saline, which I believe indicates that they had access to that metal during the earliest times work was done at this flaking site.”

Fig. 48. (S. a little over 1–2.) Knives with curved blades. Materials: black flint, slate, and jasper. Dr. T. B. Stewart, Lockhaven, Pennsylvania.

Fig. 48. (S. a little over 1–2.) Knives with curved blades. Materials: black flint, slate, and jasper. Dr. T. B. Stewart, Lockhaven, Pennsylvania.

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Fig. 49. (S. 2–5.) Three flake knives; four ordinary ovate knives; one peculiar knife. S. D. Mitchell, Ripon, Wisconsin.

Fig. 49. (S. 2–5.) Three flake knives; four standard oval knives; one unique knife. S. D. Mitchell, Ripon, Wisconsin.

“Bryce Wright in his description of the Scandinavian knives or daggers refers to them as being most beautifully dentilled with parallel flaking and serrated edges. He says: ‘These knives or lances are true marvels of prehistoric art, and show an amount of skill and workmanship which cannot be imitated in the present age, the art of fashioning them having been entirely lost.’ Sir John Lubbock, on page 104 of ‘Prehistoric Times,’ says: ‘The crimping along the edge of the handle is very curious.’ As to parallel flakings with serrated edge, I have endeavored to show (from a mechanical standpoint) that the refuse of the great flint quarries points to a mode of working that must leave the dentilled markings parallel, and the edges worked from, serrated. What Lubbock speaks of 62as curious crimping on the edge of the handles is but the natural result of the mode of working. I have examined these Scandinavian dagger-handles, and find the same appearance on the blades of large-size broken piercers, numbers of which I have found among the rubbish, picked up, examined, and thrown away as imperfect specimens. Some of them have a spread, flat end or handle of over one and a half inches, with nearly square blades, evidently having been worked by down pressure from the edges corresponding to the spread end, these forty-five degrees flakes meeting form angles and produce the square. The interlocking of the flakes at their meeting causes the crimped appearance, in some cases not unlike a row of beads, very beautiful, but not made with any such view, but simply the natural result of the mode of working.

“Bryce Wright, in his description of Scandinavian knives or daggers, refers to them as beautifully notched with parallel flaking and serrated edges. He states, ‘These knives or lances are true marvels of prehistoric art, showcasing a level of skill and craftsmanship that can't be replicated today, as the technique to create them has been completely lost.’ Sir John Lubbock, on page 104 of ‘Prehistoric Times,’ mentions, ‘The crimping along the edge of the handle is quite interesting.’ Regarding the parallel flaking with serrated edges, I have tried to demonstrate (from a mechanical perspective) that the debris from the large flint quarries indicates a method of working that would leave the notched markings parallel and the edges serrated. What Lubbock refers to as the curious crimping along the handle edges is merely a natural result of this working method. I have examined these Scandinavian dagger handles and noticed the same features on the blades of large broken piercers, many of which I found among the waste, picked up, examined, and discarded as imperfect specimens. Some have a wide, flat end or handle of over one and a half inches, with nearly square blades, clearly shaped by downward pressure from the edges matching the wide end. These forty-five-degree flakes meet at angles, creating the square shape. The interlocking of the flakes where they meet gives a crimped appearance, in some cases resembling a row of beads—very beautiful, yet it wasn’t designed that way; it’s simply a natural outcome of the working method.”

“Here also are found massive flakes or chips of fine-grained quartzite, that teach another lesson to a seeking practical mechanic, nosing about among the accumulated refuse. These flakes are often rough on one face, showing them to be an outside scale from the stone; occasionally, fragments of large flat implements that have been classed as agricultural (hoes or spades). These fragments have not been broken by want of skill in the workman, but from undiscovered seams in the stone that did not show until the outer surface was thrown off. None of these fragments shows any sign of use; in fact, some of them have not been wrought to an edge. I have several specimens of hoes from the same ridge beyond the settlement where it would naturally be cultivated, that from their highly polished working ends show long use. The lesson is that they are not made from great flakes, but rather represent the core from which flakes have been thrown off. Finished hoes and spades frequently have portions of natural stone partings that have not been worked off, and show them to have been worked from thin slabs. These slabs are a metamorphic thin bedded sandstone, belonging to what our state geologist, Professor A. H. Worthen, calls the Chester group. They occur near the Saline, about eight miles above the flaking-ground, in an upheaval that has brought them to the surface with the upturned edges of the carboniferous limestone through which the salt springs flow. This is probably the source whence this quartzite was obtained, as slabs from one inch to two inches thick are found there; but there are many other locations stretching across Southern Illinois to the Mississippi River where they also occur.

“Here you can also find large flakes or chips of fine-grained quartzite, which offer another lesson to a practical mechanic looking through the collected debris. These flakes are often rough on one side, indicating they are an outer layer from the stone; sometimes, there are pieces of large flat tools that are categorized as agricultural (like hoes or spades). These pieces haven’t broken due to a lack of skill from the worker, but rather because of hidden seams in the stone that didn’t become visible until the outer surface was removed. None of these pieces show any signs of use; in fact, some haven't even been sharpened. I have several examples of hoes from the same ridge beyond the settlement where it would naturally be farmed, and their highly polished working ends indicate they have been used for a long time. The key point is that they are not made from large flakes, but rather come from the core from which flakes have been removed. Finished hoes and spades often have parts of natural stone layers that haven’t been removed and show they were crafted from thin slabs. These slabs are a type of metamorphic, thin-layered sandstone, which our state geologist, Professor A. H. Worthen, refers to as the Chester group. They can be found near the Saline River, about eight miles upstream from the flaking site, in a geological uplift that has brought them to the surface along with the tilted edges of the carboniferous limestone through which the salt springs flow. This is likely the source from which this quartzite was obtained, as slabs ranging from one inch to two inches thick are found there; however, there are many other locations stretching across Southern Illinois to the Mississippi River where they can also be found.”

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Fig. 50. (S. 1–2.) War or triangular points; straight and concave bases. Material: quartz, chert, obsidian, argillite, jasper, and porphyry. Phillips Academy collection. (See page 86.)

Fig. 50. (S. 1–2.) War or triangular points; straight and curved bases. Material: quartz, chert, obsidian, argillite, jasper, and porphyry. Phillips Academy collection. (See page 86.)

“It is the large agricultural implements that I refer to as having been made from quartzite slabs, some of which are as much as sixteen inches long by six inches and seven inches wide at the spadeblade end. There are many smaller specimens of the same form and character that have been regularly flaked from chert, white waxy quartz, yellow and brown jasper, that do not exceed six or seven inches in length, their working ends highly polished by long use in digging. It is the large hoes and spades flaked from quartzite slabs 64that to me are evidence of a much higher degree of intelligence and skill than the most highly-finished spear- and arrow-points evince. Take an edge view of one of these large spades, and observe how accurately straight and free from wind the edge has been carried entirely around the implement, the flattening of one side and rounding the other; then observe that the long, flat, very slightly depressed, flakes have been thrown off at right angles to the edge, even to those curving around its digging or cutting end, which appear to have radiated from a common centre. If these flakes have been thrown off by blows so struck and directed as to preserve the cleanly lined edges, as the operator had carried them in his mind, a skill must have been acquired that we cannot approach.

“It’s the large farming tools that I’m talking about, made from quartzite slabs, with some measuring up to sixteen inches long and six to seven inches wide at the blade end. There are many smaller pieces of the same type that have been regularly shaped from chert, white waxy quartz, yellow and brown jasper, which are no longer than six or seven inches, with their working ends polished smooth from long use in digging. The large hoes and spades made from quartzite slabs 64 show, to me, a much greater level of intelligence and skill than the finely crafted spear and arrow points do. If you look at the edge of one of these large spades, you can see how straight and smooth the edge is all around, with one side flattened and the other rounded; then notice how the long, flat, slightly depressed flakes have been removed at right angles to the edge, even those that curve around the digging or cutting end, appearing to come from a common center. If these flakes were removed by carefully directed blows that maintained the clean lines, as intended by the maker, it shows a level of skill that we can’t match.”

“In all the experiments that I have tried with a hammer, whether of stone, steel, soft iron, or copper, they have failed to produce the desired result; the seat of the flake is more conchoidal, shorter and deeper depressed, whereas the direct percussive pressure throws off the shape of flake that we find has been done in making these spades. If this mode has been resorted to, it necessarily required considerable ingenuity in devices for holding the stone slab firmly, while the pressure was being applied in the right direction. The wooden clamp described by Catlin may have been used. The simplest device that occurs to me that will answer the purpose is a block of wood planted in the ground, with its end grain up, cut on top into steps, the lower step having grooves parallel with the rise of the upper step; in one of these grooves the edge of the implement is placed, its back resting against the edge of the higher step as represented by the dotted lines showing the form of a spade. (See Fig. 18.) When in this position, presenting the proper angle to the operator, a man holds it firmly while another applies the pressure. A lower step and the back edge of the top are hollowed out to receive the work, while its lower end rests in an indentation in the lower step. In this manner a spade can be firmly held while its cutting end is being flaked. I do not present this as a mode that was practiced, but as a device that answers the purpose, and I judge to be within the capacity of the ancient flint-workers, of whom there is nothing left but their chips and finished work.

“In all the experiments I've done with a hammer, whether it’s made of stone, steel, soft iron, or copper, they haven’t produced the desired results; the point of the flake is more conchoidal, shorter, and deeper, while the direct impact causes the flake shape we see in making these spades. If this method was used, it would have required a lot of creativity in finding ways to hold the stone slab securely while applying pressure in the right direction. The wooden clamp mentioned by Catlin might have been used. The simplest device that comes to mind for this is a block of wood set in the ground, with the grain facing up, cut into steps on top, with the lower step having grooves that run parallel to the rise of the upper step; the edge of the tool fits into one of these grooves, its back resting against the edge of the higher step, as shown by the dotted lines in the shape of a spade. (See Fig. 18.) In this position, at the correct angle for the person operating, one person holds it securely while another applies the pressure. The lower step and the back edge of the top are hollowed out to hold the work, while the lower end rests in a notch in the lower step. This way, a spade can be held securely while its cutting edge is being shaped. I'm not suggesting this was actually practiced, but rather that it’s a device that serves the purpose and I believe is something the ancient flint-workers could have accomplished, of whom all that remains are their chips and finished work.”

“Let any one experiment with a bone point in chipping flint; he will soon discover the value of a dry bone, a bone free from grease that will hold to its work without slipping, a bone with sufficient hardness to resist abrasion, a bone of strength to bear the pressure, 65and he will value such a pointed bone, and will understand why, with such a bone, John Smith’s ancient arrow-point maker ‘valued his above price, and would not part with it.’ I have been informed that the modern Indians free their flaking-bones from grease by burying them in moistened clay and wood ashes, not unlike the common practice of our housewives to remove grease-spots from their kitchen floors.

“Anyone who tries using a bone point to chip flint will quickly realize the importance of a dry bone, one that’s free from grease and can grip well without slipping, a bone that’s hard enough to resist wear and tear, a strong bone that can handle pressure, 65 and they will appreciate such a pointed bone. They'll understand why, with a bone like this, John Smith’s ancient arrow-point maker ‘valued his above price, and would not part with it.’ I've heard that modern Native Americans clean their flaking bones of grease by burying them in moist clay and wood ashes, which is similar to how our housewives remove grease stains from their kitchen floors.”

Fig. 51. (S. 2–5.) Triangular, or war points and knives. Implements with straight, concave, and convex bases. S. D. Mitchell, Ripon, Wisconsin.

Fig. 51. (S. 2–5.) Triangular or war points and knives. Tools with straight, concave, and convex bases. S. D. Mitchell, Ripon, Wisconsin.

“The hunter or trapper described to me a mode still in practice among the remote Indians of making flakes by lever pressure combined with percussion, that is more philosophical and a better mechanical arrangement than by the use of the flaking-staff, as described 66by Catlin. Fig. 22 shows the manner of utilizing a standing tree with spreading roots for this purpose; a flattened root makes a firm seat for the stone, a notch cut into the body of a tree the fulcrum for the lever; either a pointed stick is placed on the point of the stone where the flake is to be split from it, its upper end resting against the under side of the lever, or a bone or horn point let into and secured to the lever takes the place of this stick. When the pressure is brought to bear, by the weight of the operation, on the long end of the lever, a second man with a stone, mall, or heavy club strikes a blow on the upper side of the lever, directly over the pointed stick or horn point, and the flake is thrown off.

“The hunter or trapper told me about a method still used by remote Native Americans to create flakes using lever pressure combined with percussion. This method is more logical and has a better mechanical setup than the flaking staff described 66 by Catlin. Fig. 22 illustrates how to use a standing tree with spreading roots for this purpose; a flattened root serves as a stable base for the stone, and a notch cut into the tree acts as the fulcrum for the lever. A pointed stick can be placed on the spot of the stone where the flake is to be removed, with the top end resting against the underside of the lever, or a bone or horn point can be embedded and secured to the lever instead of the stick. When pressure is applied, using the weight from the operation on the long end of the lever, a second person strikes the upper side of the lever with a stone, mallet, or heavy club, right above the pointed stick or horn point, causing the flake to pop off.”

Fig. 52. (S. 1–1.) Knife with curved sides or edges. This form seems more specialized than other types under Class I, sub-type A′. Dr. T. B. Stewart, Lockhaven, Pennsylvania.

Fig. 52. (S. 1–1.) Knife with curved sides or edges. This design appears to be more specialized than other types in Class I, sub-type A′. Dr. T. B. Stewart, Lockhaven, Pennsylvania.

“Lubbock, in ‘Prehistoric Times,’ illustrated the Eskimo scraper as used at the present time in preparing skins. When we consider the close proximity of the flint workshop to the great salt licks on the Saline River, the flowing salt springs, the deeply worn buffalo paths still to be seen after having been subject to the destructive work of cultivation by the plow for more than a generation, where skins by the thousands must have been dressed, it is not surprising that the many chert flakes, that have been split off with too great a curvature of their flat sides in their length to admit of being chipped 67into arrow-points, should have been utilized for scrapers, many of which are the exact facsimile of what Lubbock has illustrated as the Eskimo and others of the European type, of which he says: ‘It is curious, that while these spoon-shaped scrapers are so common in Europe, they are very rare, if indeed they occur at all, in North America south of the Eskimo region.’

“Lubbock, in ‘Prehistoric Times,’ showed the Eskimo scraper as it is used today for preparing skins. When we think about how close the flint workshop is to the large salt licks on the Saline River, the flowing salt springs, and the heavily worn buffalo paths that are still visible after being impacted by farming for over a generation, where thousands of skins must have been prepared, it’s not surprising that the many chert flakes, which have been split off with such a strong curve on their flat sides that they can't be made into arrow points, were used for scrapers. Many of these scrapers are exact copies of what Lubbock illustrated as being used by the Eskimo and others of the European type, of which he notes: ‘It is curious that while these spoon-shaped scrapers are so common in Europe, they are very rare, if they even exist at all, in North America south of the Eskimo region.’ 67

Fig. 53. (S. 1–2.) Translucent scraper made of chalcedony. Length, 9 inches; greatest width, 5 inches. Found near Lake St. John, Quebec. In Toronto University collection, collected by H. Montgomery.

Fig. 53. (S. 1–2.) Clear scraper made of chalcedony. Length, 9 inches; widest point, 5 inches. Found near Lake St. John, Quebec. In the University of Toronto collection, collected by H. Montgomery.

68“I think it most probable, from their close resemblance to refuse flakes and chips, they were overlooked by early collectors. In the great game districts of the West, both in flint workshops and among the waste of Indian settlements, they are much more abundant than arrow-heads, or any other implements, with the exception of the small flint knives.

68“I think it’s very likely that, due to their similar appearance to scraps and chips, early collectors missed them. In the major hunting areas of the West, both in flint workshops and among the remnants of Indian settlements, they are much more common than arrowheads or any other tools, except for the small flint knives.

“It is also in these game districts that what is known as the ‘bevel-edge arrow-points’ are found, that have been a subject of much discussion as to their use. (See Fig. 21.) Foster says of the one he has illustrated: ‘The specimen represented is from Professor Cox’s collection, and the two edges are symmetrically beveled, as if to give it a rotary motion.’ I have met many others that accept this idea, unmindful of the fact that a ship is not steered at its stem, but by the rudder at its stern, and an arrow is not directed or held to its course by its point, but by the feather at the butt end of its shaft; and if a rotary motion was required, it would naturally be given by placing the feathers spirally around the shaft. The broad flat sides of these beveled points would neutralize any effect from the short bevels in passing through the air.

“It is also in these game districts that what are known as the ‘bevel-edge arrow points’ are found, which have been discussed a lot regarding their purpose. (See Fig. 21.) Foster mentions the one he illustrated: ‘The specimen shown is from Professor Cox’s collection, and the two edges are symmetrically beveled, as if to provide it with rotary motion.’ I have encountered many others who agree with this idea, unaware that a ship isn’t steered from the front but by the rudder at the back, and an arrow isn’t directed or guided by its tip, but by the feather at the back end of its shaft; and if rotary motion were necessary, it would naturally come from placing the feathers spirally around the shaft. The broad flat sides of these beveled points would cancel out any effect from the short bevels when moving through the air."

“I have heard it urged that they were reamers, and that the uniform bevel being in one direction, to cut as reamers they would have to be turned to the left, or, as our workmen say, ‘against the sun.’ From this it has been argued that the people who used them belonged to a left-handed race. The direction and uniformity in the bevels is to me evidence of exactly the reverse. Among all the points we find they are the simplest and easiest to form by chipping when laid on their flat. Nothing but the down pressure of the flaker is required to separate a chip from a flat at a forty-five-degree angle. Suppose a flake that had been roughly shaped held flat on a block of wood by the fingers of the left hand, the tool in the right hand chipping from the point to the broad end by direct down pressure; then by turning the flake over and working the other edge in the same manner, we have in a centre cross-section a form resembling a long-stretched rhomboid with sharp cutting serrated edges at the acute angles.

“I’ve heard it suggested that they were reamers, and that since the bevel is uniform and angled in one direction, to be effective as reamers they would need to be turned to the left, or as our workers say, ‘against the sun.’ From this, it has been inferred that the people who used them were left-handed. However, to me, the direction and uniformity of the bevels suggest the opposite. Among all the points we find, they are the simplest and easiest to create by chipping when laid flat. All that's needed is the downward pressure of the flaker to remove a chip from the flat at a forty-five-degree angle. Imagine a flake that has been roughly shaped, held flat on a block of wood by the fingers of the left hand, with the tool in the right hand chipping from the point to the broad end using direct downward pressure; then by flipping the flake over and working the other edge the same way, we end up with a cross-section that resembles a long-stretched rhomboid with sharp, serrated cutting edges at the acute angles.”

“With the wooden bow and arrow arose the necessity for an arrow-point harder than wood. If bone was used, the pebble scraper was essential. The river drift or gravel bars, when subjected to the grinding and crushing action of drift-logs or rolling boulders, would furnish many suggestive forms and shapes that a little ingenuity would apply, and out of which would naturally grow the art of flaking.

“With the wooden bow and arrow came the need for an arrowhead that was tougher than wood. If bone was used, a pebble scraper was necessary. The river drift or gravel bars, when worn down by the grinding and crushing of driftwood or rolling boulders, would provide many intriguing forms and shapes that a bit of creativity could transform, leading naturally to the art of flaking.”

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Fig. 54. (S. 1–1.) Long implement, convex base, sides almost straight. E. E. Baird, Poplar Bluff, Missouri.

Fig. 54. (S. 1–1.) Long tool, curved base, sides nearly straight. E. E. Baird, Poplar Bluff, Missouri.

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Fig. 55. (S. about 1–5.) A group of knives typical of central Ohio. J. A. Rayner collection, Piqua, Ohio.

Fig. 55. (S. about 1–5.) A collection of knives that are characteristic of central Ohio. J. A. Rayner collection, Piqua, Ohio.

“The streets of Paducah, Kentucky, are paved with partly rounded, angular, silicious gravel, mostly of jasper. Seeing heaps of this ready for spreading, I was struck by the many forms, mostly 71highly water-polished, that if found on a flaking-ground would pass for refuse flakes and rubbish left by the workmen.

“The streets of Paducah, Kentucky, are covered with partly rounded, angular, siliceous gravel, mostly made of jasper. When I saw piles of this ready to be spread out, I was amazed by the various shapes, mostly highly polished by water, that if found on a flaking ground would be considered waste flakes and debris left by the workers. 71

“On inquiry I was informed that this coarse gravel was from banks on the Tennessee River above the ordinary overflows. I selected many forms that any archæologist would pronounce to be the work of man.

“Upon asking, I was told that this rough gravel came from banks on the Tennessee River above the usual flood levels. I picked out many shapes that any archaeologist would say were made by humans.”

Fig. 56. (S. 1–2.) Concave base, but shoulders so pronounced as to be almost barbs. E. E. Baird collection, Poplar Bluff, Missouri.

Fig. 56. (S. 1–2.) Concave base, but the shoulders are so prominent they’re nearly like barbs. E. E. Baird collection, Poplar Bluff, Missouri.

“A heavy wagon, loaded with hogsheads of tobacco, drawn by five or six yoke of oxen, passed over the fresh-spread gravel with a sharp, crushing, grinding sound. On examining the wheel tracks I was surprised to find the slight impression the iron tire had made on the surface stones. They had been pressed aside from the wheels, leaving a slight rut, those under the wheels compressed together, but very little broken; not sufficient to account for the sharp, crackling noise made as the wagon wheels passed over them. On examining the effect from the tread of the wheels to the old road-bed, a depth of about six inches, I found most of the larger gravel stones under the top layer split, some into flakes, the fractures in various directions, some crossing others. This spread from the width of the wheel-tires to about three times as wide on the old road-bed. Many of the fresh fractures presented the forms and appearance of genuine cores, and would be mistaken for the work of man. It was a beautiful illustration of the effect of pressure on small points of contact. Our lady friends, often inveterate iced-tea drinkers, when they find a lump of ice too large for their glass, will, with a common toilet-pin between thumb and finger, press its point into the ice, tap its head with the handle of a case-knife, or give it a click with a thimble. The cohesion is destroyed and the ice splits with just such a fracture as is made by impulsive point pressure on the more tenacious and refractory chert.

A heavy wagon loaded with barrels of tobacco, pulled by five or six yoke of oxen, rumbled over the freshly spread gravel with a sharp, crushing sound. When I looked at the wheel tracks, I was surprised to see how little of an impression the iron tire had left on the surface stones. They had been pushed aside by the wheels, creating a slight rut, while those directly under the wheels were compressed together but hardly broken; not enough to explain the loud, crackling noise made as the wagon passed over them. When I examined the area from the tread of the wheels to the old roadbed, about six inches deep, I found that most of the larger gravel stones under the top layer were split, some into flakes, with fractures in various directions, some crossing others. This damage spread from the width of the wheel tires to about three times as wide on the old roadbed. Many of the fresh fractures resembled genuine cores and could easily be mistaken for the work of a human. It was a great example of how pressure affects small points of contact. Our lady friends, often devoted iced tea drinkers, when they find a chunk of ice too large for their glass, will use a common sewing pin between thumb and finger to press the point into the ice, tap its head with the handle of a knife, or give it a click with a thimble. The cohesion is broken, and the ice cracks just like the fracture made by concentrated point pressure on the tougher and more stubborn chert.

“These Paducah observations led to considerable investigation as to the action of lodged drift-logs on gravel bars, and finally to an experiment that I should recommend the Smithsonian Institution to try on more extensive scale than I was able to.

“These Paducah observations led to a lot of research into how stuck driftwood affects gravel bars, ultimately resulting in an experiment that I would suggest the Smithsonian Institution try on a larger scale than I was able to.”

“I filled a metal cylinder with pebbles of various sizes and shapes, brought a pressure by a screw on them through a plunger; immediately 72a crepitating sound was heard, which as the pressure increased became sharper and louder, at times almost explosive, as the interstices became filled with broken fragments, producing side pressure and cross fractures. The sound became more confused and died away. On emptying the cylinder, the result was many representations of the rude implements found in the drift.”

“I filled a metal cylinder with pebbles of different sizes and shapes, applied pressure on them using a screw and plunger; immediately, a crackling sound was heard, which grew sharper and louder as the pressure increased, becoming almost explosive at times, as the gaps got filled with broken pieces, causing side pressure and cross fractures. The sound became more chaotic and eventually faded away. When I emptied the cylinder, the result was numerous replicas of the crude tools found in the gravel.”

So much for Sellars’s observations. I consider them remarkable.

So much for Sellars’s observations. I think they’re impressive.


A series of papers entitled, “Arrows and Arrow-makers,” appeared in the American Anthropologist, vol. IV, 1891. Professor Holmes’s paper (p. 49) particularly refers to the manufacture of arrow-points, although Drs. Wilson, Hoffman, and Hough, Captain Bourke, Professor Mason, and Mr. Flint contributed papers relating to various phases of the arrow and its use.

A series of papers titled “Arrows and Arrow-makers” was published in the American Anthropologist, vol. IV, 1891. Professor Holmes’s paper (p. 49) specifically discusses how arrow points are made, while Drs. Wilson, Hoffman, and Hough, Captain Bourke, Professor Mason, and Mr. Flint also contributed papers about different aspects of arrows and their usage.

Fig. 57. (S. 1–3.) Long, slender lance-heads. Material: fine yellow chert. H. M. Braun’s collection, East St. Louis, Illinois.

Fig. 57. (S. 1–3.) Long, narrow spear points. Material: fine yellow chert. H. M. Braun’s collection, East St. Louis, Illinois.

I quote at some length from Professor Holmes, taking the liberty of changing his numbers to suit the numerical order of figures in this book:—

I’m quoting extensively from Professor Holmes, taking the liberty of adjusting his numbers to match the numerical order of the figures in this book:—

73

Fig. 58. (S. 1–2.) A beautiful knife from a grave near Sebago, Maine. Material: porphyry, finely chipped. A. E. Marks’s collection.

Fig. 58. (S. 1–2.) A stunning knife discovered in a grave near Sebago, Maine. Material: porphyry, expertly crafted. A. E. Marks’s collection.

Fig. 59. (S. 2–3.) A beautiful knife of quartzite from near Albany, Georgia. H. F. McIntosh’s collection.

Fig. 59. (S. 2–3.) A stunning quartzite knife from near Albany, Georgia. H. F. McIntosh’s collection.

74“In most cases the shaping operations carried on in the quarry can be followed out with reasonable certainty. On all sites where the raw material was extensively worked, series of forms can be secured illustrating every stage of the morphology. These series begin with the amorphous mass or natural shape, and pass through a succession of modifications, ending in the rude blade or blank. The making and collecting of flakes and fragments to be carried away in an unshaped condition, although undoubtedly carried on in all quarries and upon sites of other sources of raw material, leave little or no refuse that can be studied to advantage.

74“In most cases, the shaping processes that take place in the quarry can be tracked with reasonable confidence. At all locations where the raw material was heavily worked, we can find a series of forms showing every stage of development. These series start with the unshaped mass or natural form and go through various changes, ending with the rough blade or blank. Although it’s clear that making and collecting flakes and fragments to take away in their unshaped state happened in all quarries and other sources of raw material, this activity leaves behind little to no waste that can be effectively studied.”

“Large masses in quarries or on simple shop-sites were reduced by means of rude hammers with or without halting. Fire was often employed as an auxiliary in this work. Approximate masses were reduced to more definite shapes by a succession of free-hand blows. The first step in the shaping of an implement from a boulder is illustrated in Fig. 14. In this work the free-hand blow is employed for the reason that no other method would be efficacious. Fig. 23 illustrates the position in which the partially shaped mass must be held after its margins have become too sharp to be split by a blow directly upon the edge.

“Large chunks in quarries or basic workshops were broken down using simple hammers, with or without breaks in between. Fire was often used as a helper in this task. Rough shapes were refined into more precise forms through a series of manual strikes. The first step in shaping a tool from a boulder is shown in Fig. 14. This manual striking method is used because no other technique would work effectively. Fig. 23 shows how the partially shaped mass must be held once its edges become too sharp to be effectively split by a blow directly on the edge.”

“When the incipient implement became too attenuated or fragile to withstand the blows necessary to flaking without imminent danger of breaking, other methods had to be employed. The statement has been made by some writers that arrow-points are produced by simple percussion, the hammers being reduced in size to correspond with the increasing fragility of the object worked. This process, however, must be exceptional.

“When the early tool became too thin or weak to handle the striking needed for flaking without the risk of breaking, other methods had to be used. Some writers have claimed that arrowheads are made by straightforward striking, with the hammers getting smaller to match the increasing delicacy of the item being worked on. However, this process must be rare."

“Instances are recorded in which indirect percussion—that is, the use of a mallet and punch—was employed in removing flakes intended to be shaped by pressure. Two varieties of indirect percussion are illustrated in Figs. 28 and 29. The first is practiced by the Wintuns of California and other tribes. The drawing is made from a very careful description by B. B. Redding. The second is derived from the observations of George Catlin. According to Catlin, the point is sometimes carried to a finish by the indirect stroke, two persons being employed in the operation, as shown in Fig. 29. As a rule, however, the method of manipulation was changed at the proper stage from percussion to pressure.

“Records indicate that indirect percussion—meaning the use of a mallet and punch—was used to remove flakes that were meant to be shaped by pressure. Two types of indirect percussion are shown in Figs. 28 and 29. The first method is used by the Wintuns of California and other tribes. The illustration is based on a detailed description by B. B. Redding. The second method comes from the observations of George Catlin. According to Catlin, sometimes the point is finished using the indirect stroke, involving two people in the process, as shown in Fig. 29. Generally, though, the manipulation method changed at the right stage from percussion to pressure.”

75

Fig. 60. (S. 1–2.) A ceremonial flint knife in original handle from the northwest coast. Material: reddish flint. Found by “a whaler” many years ago and now in the Peabody Museum, Salem, Massachusetts.

Fig. 60. (S. 1–2.) A ceremonial flint knife with its original handle from the northwest coast. Material: reddish flint. Discovered by “a whaler” many years ago and currently housed in the Peabody Museum, Salem, Massachusetts.

76“The blanks from the quarries—the roughed-out blades and selected flakes, as well as similar products from all varieties of sites—had acquired such outline, attenuation, sharpness of edge, and bevel when the change from percussion to pressure took place that the gentler method would be operative. It is probable that in many cases the work was transferred from operatives skilled in the blocking-out to others especially skilled in shaping by pressure; but it is also pretty certain that nearly every hunter was able, in case of necessity, to shape his own arrow-points, howsoever roughly, from the raw material.

76 “The raw materials from the quarries—the rough blades and selected flakes, along with similar products from various locations—had developed such shape, thinness, sharp edges, and bevel that the softer method could be used after the switch from percussion to pressure. It's likely that in many instances, the work shifted from those skilled in roughing out to others specifically skilled in shaping with pressure; however, it's also quite certain that almost every hunter could, if needed, make his own arrowheads, no matter how roughly, from the raw material.

“The flaking of stone, and especially that part of it relating to the making of arrow-points, has very generally been regarded as a great mystery and is often spoken of as a lost art; but the art is still practiced by many of our aboriginal tribes, and it appears that almost any one who desires can by a little systematic practice do the work. Of course to acquire great skill much practice is necessary, but the methods are for the most part so well known and so simple that the mantle of mystery no longer enshrouds them.

“The chipping of stone, especially when it comes to making arrowheads, has often been viewed as a big mystery and is frequently referred to as a lost art; however, many of our indigenous tribes still practice this skill, and it seems that almost anyone who wants to can learn it with a bit of consistent practice. Obviously, gaining a high level of skill requires a lot of practice, but the techniques are mostly well-known and quite simple, so the aura of mystery surrounding them has largely disappeared.”

“When pressure is first suggested as an adequate means of flaking hard stones, doubt is usually felt as to its competency, and when it is stated that the tool used is not of metal or of stone, but of bone or ivory, incredulity is usually expressed; but the test is easily made.

“When pressure is first proposed as an effective way to flake hard stones, people often doubt its effectiveness, and when it's mentioned that the tool used isn’t made of metal or stone, but of bone or ivory, disbelief is commonly shown; however, the test can be easily performed.”

“A blank form, or a flake having the approximate shape, is held firmly between the fingers and thumb of the left hand. A firm piece of bone, having a rather thin edge or angle like that of a three-cornered file, is taken in the right hand and set upon the sharp edge of the stone and at right angles to it, so firmly that a slight cut or notch is made in the bone, then with a quick, firm movement of the right hand, met by a similar movement of the left, the bone is made to move across the edge of the stone (Fig. 30), in doing which it takes with it a flake, varying in length, width, and depth with the skill and power of the workman, the nature of the stone, etc. A rapid repetition of this operation, accompanied by a proper resetting of the tool, quickly reduces the piece, if it works readily, to almost any desired outline. The position and manner of holding may be changed, as shown in Fig. 32. In both cases the hand holding the stone must be protected against cutting by the sharp flakes by a piece of buckskin or leather. This is true of some of the other cases illustrated.

A blank form, or a flake with a similar shape, is held firmly between the fingers and thumb of the left hand. A solid piece of bone with a fairly thin edge or angle, resembling a triangular file, is held in the right hand and placed against the sharp edge of the stone at a right angle, pressed down hard enough to create a small cut or notch in the bone. Then, with a quick, firm motion of the right hand, matched by a similar motion of the left, the bone is moved across the edge of the stone (Fig. 30), which causes a flake to come off, varying in length, width, and depth depending on the skill and strength of the worker, the type of stone, and other factors. Repeating this process rapidly while properly repositioning the tool quickly shapes the piece to almost any desired outline, if it cuts easily. The position and way of holding the tools can be changed, as shown in Fig. 32. In both cases, the hand holding the stone needs to be protected from cuts by the sharp flakes using a piece of buckskin or leather. This applies to some of the other examples illustrated.

77

Fig. 61. (S. 1–2.) Irregular knives. Material: sugar quartz. S. D. Mitchell, Ripon, Wisconsin.

Fig. 61. (S. 1–2.) Irregular knives. Material: sugar quartz. S. D. Mitchell, Ripon, Wisconsin.

78“The same result may be obtained in various other ways, but always by means of suddenly applied or spasmodic pressure. Numerous methods of applying this pressure are known. The blank may be held down by the fingers upon the edge of a table or board, as shown in Fig. 31, and the point of the bone or of a bit of metal as well, held in the other hand, may be set so as to catch the edge of the stone to a width corresponding to that caught by the notched bone in the other position, when a quick downward pressure upon the flaking-tool will remove the flake. Again, in larger work, where greater force is required to remove the flakes, a tool long enough to place against the arm or chest of the operator may be used. In this way much additional force is thrown into the spasmodic movement. Another device consists of a notched or forked bone or pincers, which is set upon the sharp edge of the blank and given a sudden twist, thus removing the flake. (Fig. 33.)”

78 “You can achieve the same result in several other ways, but it always involves sudden or abrupt pressure. There are many known methods for applying this pressure. The blank can be held down by your fingers along the edge of a table or board, as shown in Fig. 31, while the point of a bone or a piece of metal held in the other hand is positioned to strike the edge of the stone at a width similar to the one caught by the notched bone in the other position. A quick downward push on the flaking tool will remove the flake. In bigger projects, where more force is needed to take off the flakes, a tool long enough to brace against the operator's arm or chest can be used. This adds more force to the sudden movement. Another method involves using a notched or forked bone or pincers that are placed on the sharp edge of the blank and given a quick twist, thus removing the flake. (Fig. 33.)”


There is a feature in the reduction of boulders to finished implements in which it seems to me that Professor Holmes may be in error. Figs. 2, 3, and 5 to 23, and 28 to 41 show all the more important stages of manufacture. Other figures present sufficient specimens to cover each form of the implement, making every step from the rough boulder to completed objects.

There’s an aspect of turning boulders into finished tools where I think Professor Holmes might be mistaken. Figures 2, 3, and 5 to 23, and 28 to 41 illustrate all the key stages of production. Other figures provide enough examples to represent each type of tool, covering every step from the raw boulder to the completed items.

It is natural that the finished knife or spear-head should be less in length and width than the ordinary boulder. But in following Professor Holmes’s series to its logical conclusion I am impressed with the fact that the finest specimens are much smaller and the blades are very much smaller than the boulder. A certain amount of reduction in size must be admitted. But on the other hand the worker in flint was very skillful. He knew his material, he knew how to work it, and he was saving. He was so skillful that he was able to reduce large, common, rough blades to large finished knives or spear-heads, chipping from the sides and throwing off flakes rather than reducing the length or breadth. While he would to some extent reduce the two diameters, yet I do not believe that small implements are the result of work upon large boulders. If in chipping a large boulder, he discovered flaws, he would either discard the whole object, or strike off that part available for use and make of it a small implement. A large boulder worked into a large blade represented a large implement when finished; and the small finished implements were obtained from small boulders or blades, I firmly believe.

It’s normal for a finished knife or spearhead to be shorter and narrower than a typical boulder. However, as I follow Professor Holmes’s reasoning to its logical conclusion, I realize that the finest examples are much smaller, and the blades are significantly less than the size of a boulder. A certain reduction in size is expected. On the flip side, the flint worker was very skilled. He understood his material, knew how to work with it, and was efficient. He was so adept that he could transform large, rough blades into finished knives or spearheads by chipping from the sides and removing flakes instead of just making them shorter or narrower. While he would somewhat reduce both dimensions, I don’t think that small tools are merely the result of working on large boulders. If he encountered flaws while chipping a large boulder, he would either toss it out completely or remove the usable part to create a small tool. A large boulder shaped into a large blade would yield a large tool when finished, and I’m convinced that small finished tools came from small boulders or blades.

79

Fig. 62. (S. 1–3.) Knives with double edges and curved edges. Phillips Academy collection. Localities, Ohio, West Virginia, Kentucky, Tennessee, Missouri, and Illinois.

Fig. 62. (S. 1–3.) Knives with double edges and curved edges. Phillips Academy collection. Locations: Ohio, West Virginia, Kentucky, Tennessee, Missouri, and Illinois.

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CHAPTER V
Chipped tools

TYPES WITHOUT STEMS

The complete classification of chipped implements was presented on pages 23 to 30 of this work. It is now my purpose to describe and illustrate each form or type mentioned in the classification.

The full classification of chipped tools was shown on pages 23 to 30 of this document. Now, I intend to describe and display each form or type listed in the classification.

Therefore, we begin with types without stem, which are considered to be knives and projectile points. I have referred to figures, in the following table, in order that readers may have no difficulty in distinguishing one type from another.

Therefore, we start with types without a stem, which are seen as knives and projectile points. I’ve referenced figures in the table below so that readers can easily tell one type apart from another.

A.
Without secondary chipping (knife flakes). (See Figs. 26 and 35.)
B.
With secondary chipping (rougher knives). (See Figs. 44 and 46.)
1.
Pointed at one end, base straight. (See Figs. 47, 50, and 58.)
2.
Pointed at one end, base convex. (See Figs. 54 and 69.)
3.
Pointed at one end, base concave. (See Figs. 50 and 56.)
4.
Pointed at one end, sides convex. (See Figs. 55 and 74.)
5.
Pointed at one end, one side convex, one side straight. (See Figs. 52 and 53.)
6.
Pointed at both ends. (See Figs. 67 and 131.)
7.
Decreasing diameter towards end, ends convex. (See Figs. 61 and 72.)
8.
More or less oval, or circular. (See Figs. 72 and 75.)

Before I take up the large class cited above, I wish to state that in a classification of flint implements much depends upon one’s point of view. Some observers may classify according to whether the stem contracts or expands. Others might adopt yet another form of classification. There are some specimens that on classification because of variation in the stem might be included along with more simple forms, yet there are not a few which the Indian apparently specialized, which he purposely made different from the others. These doubtless represent individual fancy and should not be entered as types. Many specimens not included by the committee in its classification seem to me to be types, and I have therefore added such in subdivisions. These, I am firmly convinced, are as representative 81type specimens as are the others that have been entered. Along with these, illustrations of certain beautiful flint implements are submitted herewith.

Before I discuss the large class mentioned earlier, I want to point out that how flint tools are classified often depends on one’s perspective. Some people might classify them based on whether the stem narrows or widens. Others might use a different method of classification altogether. Some items might be categorized along with simpler forms due to variations in the stem, while there are definitely some that the Indigenous people specifically crafted to stand out from the rest. These probably reflect individual preference and shouldn't be classified as types. Many items that the committee didn’t include in its classification seem to me to be types, so I’ve added those in the subdivisions. I’m convinced these are just as representative as the other type specimens that have been included. Along with these, I’m presenting illustrations of some beautiful flint tools. 81

Fig. 63. (S. 1–4.) Knives of various forms and material, from Maine sites. Collection of E. T. Wing, South Portland, Maine.

Fig. 63. (S. 1–4.) Knives of different shapes and materials, from Maine locations. Collection of E. T. Wing, South Portland, Maine.

Most investigators in archæology assume that man’s first stone implements were palæolithic, or rude stone hatchets used without handles, and through a long process of evolution was obtained the leaf-shaped and later the shouldered and stemmed chipped objects, the heads of arrows and spears. I am willing to accept the conclusions of these observers, but while it is true the implements made by man passed through regular process of evolution from the simple form to more complicated and serviceable, yet it is undoubtedly 82true that many tribes living in the past thousand years made use of as crude implements as those of glacial times. In the same tribe were in use flint implements of superior workmanship and high finish and rudely chipped objects as well. The rudeness of an object is no evidence of its antiquity. The locality, rather, is the deciding factor. All depends upon the position in which the implement was found and the surrounding soil or gravel or clay.

Most archaeologists believe that the first stone tools made by humans were paleolithic, or simple stone axes used without handles. Over a long period of evolution, these developed into more advanced shapes like leaf-shaped, shouldered, and stemmed chipped tools, including arrowheads and spearheads. I’m willing to accept these researchers’ conclusions, but while it’s true that human-made tools evolved from simple to more complex and useful forms, it’s also clear that many groups that lived in the past thousand years used tools as basic as those from the Ice Age. Within the same tribe, you could find well-crafted flint tools alongside roughly chipped ones. Just because an object is crude doesn’t mean it’s ancient. The key factor is the location where the tool was discovered and the type of soil, gravel, or clay surrounding it.

Fig. 64. (S. 1–2.) Typical New Jersey knives. Material: black flint and argillite. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 64. (S. 1–2.) Typical New Jersey knives. Material: black flint and argillite. Stephen Van Rensselaer’s collection, Newark, New Jersey.

We have remarked in the foregoing pages on types of implements assumed to be very old. Independent of whether an implement is finished or unfinished, thousands or hundreds of years old, it is susceptible of classification. We find that chipped implements include all objects worked from flint, chert, quartz, argillite, chalcedony, obsidian, agatized wood, carnelian, jasper, rhyolite, etc. The range 83is from a large flint agricultural implement to a minute arrow-point. This division embraces everything from a block of quarry flint to a delicate, perfect flint hairpin. Not excluding broken pottery, chipped objects are more numerous in America than other artifacts. Classifications have been made by Mr. Gerard Fowke and Dr. Thomas Wilson. With some changes the Committee on Nomenclature accepted these classifications. However, I have thought best to add numbers to the list, as I think that certain types have been omitted.

We’ve discussed in the previous pages types of tools that are believed to be very old. Whether a tool is complete or not, or whether it dates back thousands or hundreds of years, it can still be classified. We find that chipped tools include all items made from flint, chert, quartz, argillite, chalcedony, obsidian, agatized wood, carnelian, jasper, rhyolite, and so on. The range goes from a large flint farming tool to a tiny arrowhead. This category includes everything from a block of quarry flint to a fine, delicate flint hairpin. Excluding broken pottery, chipped tools are more common in America than other artifacts. Classifications have been developed by Mr. Gerard Fowke and Dr. Thomas Wilson. With some adjustments, the Committee on Nomenclature accepted these classifications. However, I think it’s best to add numbers to the list since certain types may have been left out.

Fig. 65. (S. 1–2.) Types of Northern knives. Collection of F. M. Caldwell, Wisconsin

Fig. 65. (S. 1–2.) Types of Northern knives. Collection of F. M. Caldwell, Wisconsin

Many insignificant bits of flint scales or chips show worked edges. Hasty examination of a given amount of material from a village-site does not give one adequate conception of the use to which ancient man put the material. The savage was saving, the white man is extravagant.

Many small pieces of flint or chips have worked edges. A quick look at a sample of material from a village site doesn't provide a full understanding of how ancient people used these materials. The primitive man was resourceful, while modern man is wasteful.

84

Fig. 66. (S. about 1–2.) One Tennessee disc, one drill, two scrapers, and one small oval knife. C. Albee’s collection, Redrock, Montana.

Fig. 66. (S. about 1–2.) One Tennessee disc, one drill, two scrapers, and one small oval knife. C. Albee’s collection, Redrock, Montana.

Most persons familiar with the handiwork of prehistoric man agree that when man began to use stone implements he selected such natural or water-worn stones as required little work to make of them effective weapons. Along the shores of a river or lake, about the foot of a cliff, or on stony ground, he was apt to find fragments of rock broken by natural agencies. Some of these had sharp edges, and it is quite likely that his first knives and scrapers were flakes or spalls which served him as crude implements. This theory has been worked out at length in several publications and need not be repeated here. The chipped implements themselves evince all kinds of workmanship; some are well made, others appear to be either childish attempts or the work of artisans unskilled in flint-chipping. Some are finished, others are unfinished. Many an implement is open to question as to whether it is a rude complicated 85form, or an unfinished object, and numbers of these rude forms may be exceedingly old so far as we know; again some of the finer implements are doubtless old.

Most people familiar with prehistoric tools agree that when humans began using stone tools, they chose naturally occurring or water-worn stones that required minimal work to turn into effective weapons. Along riverbanks, lake shores, at the base of cliffs, or on rocky ground, they would typically find broken pieces of rock shaped by natural forces. Some of these rocks had sharp edges, and it’s likely that their first knives and scrapers were simply flakes or chips that served as basic tools. This theory has been discussed in detail in several publications, so I won’t go into that here. The chipped tools themselves show various levels of workmanship; some are well-made, while others look like either naive attempts or the work of craftsmen who were not skilled at flint-knapping. Some are completed, while others remain unfinished. Many tools raise questions about whether they are rough, complicated shapes or incompletely made objects, and some of these rudimentary forms could be very old, as far as we know; on the other hand, some of the more refined tools are definitely ancient.

Fig. 67. (S. 1–2.) Lance-heads: obsidian, from California. H. P. Hamilton collection.

Fig. 67. (S. 1–2.) Lance-heads: obsidian, from California. H. P. Hamilton collection.

In classifying flint implements it is generally conceded that the oval form is the more simple, and Dr. Wilson’s classification begins with these. While the Committee accepted, as stated previously, his scheme, together with that of Mr. Fowke, yet it seems to me that a careful study of the oval forms convinces one that many of them are unfinished, and may have been intended for implements that would on completion be placed in another class. Also, that many of the oval and circular forms are thick and rough and do not appear to be implements. However, in the classification it is best not to consider whether these objects are finished or unfinished or for what purpose they were intended, but in my descriptions I have separated those which appear to be implements from those that do not. I have presented original specimens rather than tracings as did Dr. Wilson.

In classifying flint tools, it's generally agreed that the oval shape is simpler, and Dr. Wilson starts his classification with these. While the Committee accepted his scheme, along with Mr. Fowke's, I believe a close examination of the oval shapes shows that many seem unfinished and might have been meant for tools that would belong to another category once completed. Additionally, many of the oval and circular shapes are thick and rough, which makes them look less like tools. However, for classification purposes, it's best not to worry about whether these objects are finished or their intended use. In my descriptions, I’ve separated those that look like tools from those that don’t. I've included original specimens instead of tracings like Dr. Wilson did.

The ordinary form of knife and the simplest form of projectile point is shown in Fig. 44, collection of Mr. D. N. Kern. These 86specimens were found in Lehigh County, Pennsylvania, and are made of yellow jasper, except the central one, which appears to be Flint Ridge stone. I have selected this group as typical. They represent the first stage of complete work after the turtleback or discs have been scaled to a proper size. Some of these are knives, some may have been arrow-points, all look old, and most of them fall in Class 1 B, although none of the bases are concave.

The basic design of a knife and the simplest type of projectile point is shown in Fig. 44 from Mr. D. N. Kern's collection. These 86pieces were found in Lehigh County, Pennsylvania, and they are made of yellow jasper, except for the central one, which appears to be Flint Ridge stone. I chose this group because it's typical. They represent the first stage of completed work after the turtleback or discs have been shaped to the right size. Some of these are knives, some might have been arrowheads, all look old, and most of them fit into Class 1 B, even though none of the bases are concave.

Fig. 45 represents two rough knives which are just beyond the stage of turtlebacks. Fig. 46 is taken from a large flake of flint detached while chipping spades and other implements of unusual size on the site of the Indian Territory quarries. This flake has been edged and used as a knife.

Fig. 45 shows two crude knives that have moved past the turtleback stage. Fig. 46 is from a large flake of flint that was removed while shaping spades and other unusually large tools at the Indian Territory quarries. This flake has been sharpened and used as a knife.

The next stage in the evolution of the knife is shown in Fig. 47. These objects will fall under type 1 B, some being pointed, some with base convex, base straight, sides convex. The workmanship on these is better than that exhibited in Fig. 44. They were all found near Allentown, Pennsylvania, by Mr. Kern.

The next stage in the evolution of the knife is shown in Fig. 47. These objects fall under type 1 B, with some being pointed, some having a curved base, some with a straight base, and sides that are convex. The craftsmanship on these is better than what is shown in Fig. 44. They were all found near Allentown, Pennsylvania, by Mr. Kern.

While these two illustrations are of Pennsylvania specimens, they are typical of B, 1, forms whether the specimen came from California, Georgia, or Wisconsin. I shall present in this work specimens from every portion of the United States, but, of course, it would be impossible to show all the type specimens of a given locality.

While these two examples are from Pennsylvania, they are representative of B, 1 forms whether the specimen is from California, Georgia, or Wisconsin. In this work, I will showcase specimens from all over the United States, but, of course, it would be impossible to display every type specimen from a specific location.

The pointed flint objects without stem are, for the most part, triangular war points. The story of their use is so old, having been printed in many publications, that it is only necessary to state that these are called war points because there is no means of fastening them securely to the arrow, and they became detached from the arrow when the victim attempted to withdraw the shaft. But of these triangular points there are such numbers and so many diversified forms, I have presented a plate of thirty-one of them in Fig. 50, taken from the collection of Phillips Academy Museum. These points are from the following localities:—

The pointed flint objects without a stem are mostly triangular war points. Their history is very old and has been covered in many publications, so it’s enough to mention that they’re called war points because there’s no reliable way to attach them to arrows, and they come loose when the victim tries to pull the arrow out. There are so many of these triangular points with various shapes that I’ve included a plate of thirty-one of them in Fig. 50, sourced from the collection of Phillips Academy Museum. These points come from the following locations:—

Top row, from left to right; first three, banks of the Ohio River, Brown County, Ohio; next, Indiana; concave base, Oregon; last two to right, Pottsgrove, Pennsylvania.

Top row, from left to right; first three, banks of the Ohio River, Brown County, Ohio; next, Indiana; curved base, Oregon; last two on the right, Pottsgrove, Pennsylvania.

Second row—First two, Oregon; next two, Natchez, Mississippi, Professor E. H. Williams’s collection; next, Santa Anna, Texas; next two, Bethlehem, Pennsylvania.

Second row—First two, Oregon; next two, Natchez, Mississippi, Professor E. H. Williams’s collection; next, Santa Anna, Texas; next two, Bethlehem, Pennsylvania.

Third row—White quartz, Georgia and Virginia.

Third row—White quartz, Georgia and Virginia.

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Fig. 68. (S. 1–2.) Maine knives, and two spear-heads. Material: block flint, porphyry, quartzite. A. E. Marks’s collection, Yarmouth, Maine.

Fig. 68. (S. 1–2.) Maine knives and two spearheads. Material: block flint, porphyry, quartzite. A. E. Marks’s collection, Yarmouth, Maine.

88Fourth row—Two to the left from Massachusetts; central long one, Illinois; four small ones to right, Willamette Valley, Oregon; three small ones over these, from Natchez, Mississippi, Professor E. H. Williams’s collection.

88Fourth row—Two to the left of Massachusetts; the central long one is Illinois; four small ones to the right are Willamette Valley, Oregon; three small ones above these, from Natchez, Mississippi, Professor E. H. Williams’s collection.

Fig. 69. (S. 2–3.) Lance-head. Material: jasper. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 69. (S. 2–3.) Lance-head. Material: jasper. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 70. (S. 1–2.) Lance-head (?). Dudley A. Martin’s collection, Duboistown, Pennsylvania.

Fig. 70. (S. 1–2.) Lance-head (?). Collection of Dudley A. Martin, Duboistown, Pennsylvania.

In Fig. 51 I have shown the projectile points and knives without stems. Some of these are clearly triangular arrow-points, others are knives with flat bases or concave bases. The convex base, except in minute projectile points, is rare. Most knives have straight or concave bases.

In Fig. 51, I've displayed the projectile points and knives without stems. Some of these are clearly triangular arrow points, while others are knives with flat or concave bases. The convex base, except in very small projectile points, is uncommon. Most knives have straight or concave bases.

Some of the implements pointed out have one end straight, and the others are beautiful specimens of aboriginal workmanship. 89Fig. 58 exhibits a knife of porphyry, half-size, found by A.E. Marks, near Sebago, Maine. This knife is one of similar types found in Maine graves, but is a better specimen than the average.

Some of the tools mentioned have one end that is straight, while the others are impressive examples of indigenous craftsmanship. 89Fig. 58 shows a half-sized knife made of porphyry, discovered by A.E. Marks near Sebago, Maine. This knife is similar to others found in Maine graves but is of higher quality than most.

Fig. 71. (S. 1–2 to 1–3.) Lance-heads. Beautiful forms of art in flint. Materials: argillite and jasper. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 71. (S. 1–2 to 1–3.) Lance-heads. Stunning pieces of flint art. Materials: argillite and jasper. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 57 presents long, slender lance-heads, or possibly knives from Mr. Braun’s collection, East St. Louis. The originals of these are about three times the size of the figure. About East St. Louis is the famous Cahokia Mound, with some thirty other mounds. The art in stone of this region is very high, and some of the best implements 90in the country have been found on either side of the Mississippi River, near the present site of St. Louis.

Fig. 57 shows long, slim lance heads or possibly knives from Mr. Braun’s collection in East St. Louis. The actual items are about three times the size of the figure. Near East St. Louis lies the famous Cahokia Mound, along with about thirty other mounds. The stone art from this area is exceptional, and some of the finest tools in the country have been discovered on both sides of the Mississippi River, close to the current location of St. Louis. 90

Specimens pointed at both ends are more common on the Pacific Coast and in the Colorado Valley than elsewhere in the United States. Some of the large problematical forms in flint from Tennessee and Kentucky are of this type.

Specimens that are pointed at both ends are more common on the Pacific Coast and in the Colorado Valley than anywhere else in the United States. Some of the large uncertain forms made of flint from Tennessee and Kentucky fall into this category.

Fig. 67 presents two pointed at either end. Some simpler forms are shown in Fig. 55, and in groups of chipped objects of all kinds are some more or less pointed at either end, notably Figs. 68 and 73.

Fig. 67 shows two items that are pointed at both ends. Some simpler versions are displayed in Fig. 55, and among the various chipped objects are a few that are also pointed at either end, especially Figs. 68 and 73.

Fig. 72. (S. 2–5.) Wisconsin-Michigan types of knives and slightly shouldered objects. S. D. Mitchell collection, Ripon, Wisconsin.

Fig. 72. (S. 2–5.) Wisconsin-Michigan styles of knives and slightly shouldered items. S. D. Mitchell collection, Ripon, Wisconsin.

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Fig. 73. (S. 1–2.) Five knives and two spear-heads. These are typical Wisconsin objects of sugar quartz and argillite. The one to the left has two ends and convex sides. The next, E 268, has a straight back and a convex edge. It is a remarkable knife. The others are all interesting specimens. Beloit College collection, Beloit, Wisconsin.

Fig. 73. (S. 1–2.) Five knives and two spearheads. These are typical objects from Wisconsin made of sugar quartz and argillite. The one on the left has two ends and curved sides. The next one, E 268, has a flat back and a curved edge. It's an impressive knife. The others are all fascinating specimens. Beloit College collection, Beloit, Wisconsin.

92There are many knives irregular in form, and it is quite difficult to select specimens having one side straight and the other convex, as mentioned by the Nomenclature Committee. However, in Figs. 52, 61, and 65 are several knives having one side straight and the other convex; or the sides may be irregular. It is difficult to classify the knives just cited under an arbitrary rule on this account. Attention is particularly called to these figures. Each one of these knives represents individual fancy on the part of the owner, yet they are more serviceable than the ordinary oval knife so common throughout the country. I would add to the Committee’s classification, as deserving of a special place, knives so chipped that they appear to have handles.

92There are many knives that have unusual shapes, and it's quite challenging to find examples with one side straight and the other convex, as noted by the Nomenclature Committee. However, in Figs. 52, 61, and 65, there are several knives with one straight side and one convex side; or the sides might be irregular. This makes it hard to categorize the knives just mentioned under a strict rule. Special attention is drawn to these figures. Each of these knives reflects the personal style of the owner, yet they are more practical than the standard oval knife common across the country. I would suggest to the Committee’s classification that knives which are so chipped that they seem to have handles deserve a special mention.

Fig. 65. From Central Wisconsin I illustrate six knives, two of which have convex ends. The others are not as pronounced, and two of the specimens show the first steps in shouldering or stemming. All that was necessary to shoulder an implement was to chip a little on either side, thus making a shoulder. The two specimens above and below the shouldered object belong to the shoulder class, but as they are so slightly shouldered I have left them in this illustration to emphasize the observation.

Fig. 65. From Central Wisconsin, I present six knives, two of which have curved ends. The others are less prominent, and two of the pieces show the initial stages of shouldering or stemming. To create a shoulder on a tool, all that was needed was to chip a bit on each side, forming a shoulder. The two pieces above and below the shouldered tool belong to the shoulder category, but since they are only slightly shouldered, I included them in this illustration to highlight the observation.

Fig. 48. Typical Pennsylvania knives, from Dr. T. B. Stewart’s collection, and Fig. 55, Mr. Rayner’s Ohio types, give the range in the unstemmed objects that are not projectile points.

Fig. 48. Typical Pennsylvania knives from Dr. T. B. Stewart’s collection, and Fig. 55, Mr. Rayner’s Ohio types, show the variety of unstemmed objects that are not projectile points.

In all the number of flint implements that I have handled I have never seen two that were exactly alike. Some of the triangular points have almost the same form, but there are peculiarities in the chipping or in the material, and the statement holds good that no two flint implements are precisely uniform.

In all the flint tools I've dealt with, I've never seen two that were exactly the same. Some of the triangular points are nearly identical, but there are unique features in the chipping or the material, and it's true that no two flint tools are completely uniform.

Some of the long, slender blades, either lances or knives, such as are shown in Figs. 54, 57, and 71, are of superior workmanship, and may represent objects belonging to the priests or the more prominent leaders among ancient men.

Some of the long, narrow blades, either lances or knives, like those shown in Figs. 54, 57, and 71, are exceptionally crafted and might represent items belonging to the priests or the more important leaders among ancient people.

As shedding some light on the use of such a knife, I was interested to read, when studying the accounts of early Spanish explorers, 1530–1540, to find a description of how such implements as are shown in Figs. 65, 66, and 67 were used in the Southwest. An ethnologist would have made great sacrifices to have been with Cabeza De Vaca. In his narrative he gives a description of a remarkable medicine-man. This man represented the true Stone Age type; although what we have concerning him is but a fragment, it is worthy of preservation in that it sheds light on the use of certain large flint implements, and on practices of ancient medicine-men.

As I looked into the use of such a knife, I was intrigued to read about the accounts of early Spanish explorers from 1530 to 1540. I found a description of how tools like the ones shown in Figs. 65, 66, and 67 were used in the Southwest. An ethnologist would have given anything to be with Cabeza De Vaca. In his narrative, he describes a remarkable medicine man. This man embodies the true Stone Age type; even though we only have a small piece of information about him, it’s valuable because it reveals the use of certain large flint tools and the practices of ancient medicine men.

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Fig. 74. (S. 1–3.) Long, lance-like objects of fine flint. From the collection of B. H. Young, Louisville, Kentucky. The upper row is of specimens found in a cache, Livingston county, Kentucky. The lower ones are from various portions of the same state. Attention is called to the beautiful character and the fine chipping exhibited in these.

Fig. 74. (S. 1–3.) Long, spear-like objects made of fine flint. From the collection of B. H. Young, Louisville, Kentucky. The top row shows specimens found in a cache in Livingston County, Kentucky. The bottom row is from different areas within the same state. Notice the beautiful craftsmanship and fine chipping displayed in these.

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Fig. 75. (S. 1–4.) Flint disc, and knives of various forms. S. D. Mitchell, Ripon, Wisconsin. These twelve objects show the range of knives through that region fairly well.

Fig. 75. (S. 1–4.) Flint disk and knives of different shapes. S. D. Mitchell, Ripon, Wisconsin. These twelve items represent the variety of knives from that area quite effectively.

“They said that a man wandered through the country whom they called Badthing; he was small of body and wore a beard, and they never distinctly saw his features. When he came to the house where they lived, their hair stood up and they trembled. Presently a blazing torch shone at the door, when he entered and seized whom he chose, and giving him three great gashes in the side with a very sharp flint, the width of the hand and two palms in length, he put his hand through them, drawing forth the entrails, from one of which he would cut off a portion more or less, the length of a palm, and throw it on the embers. Then he would give three gashes to an arm, the second cut on the inside of an elbow, and would sever the limb. A little after this, he would begin to unite it, and putting his hands on the wounds, these would instantly become healed. They said that frequently in the dance he appeared among them, sometimes in the dress of a woman, at others in that of a man; that when it pleased him he would take a buhio, or house, and lifting it high, after a little he would come down with it in a heavy fall. They also stated that many times they offered him victuals, but that he never ate; they asked him whence he came and where was his abiding-place, 95and he showed them a fissure in the earth and said that his house was there below. These things they told us of, we much laughed at and ridiculed; and they, seeing our incredulity, brought to us many of those they said he had seized; and we saw the marks of the gashes made in the places according to the manner they had described. We told them he was an evil one, and in the best way we could, gave them to understand, that if they would believe in God our Lord, and become Christians like us, they need have no fear of him, nor would he dare to come and inflict those injuries, and they might be certain he would not venture to appear while we remained in the land. At this they were delighted and lost much of their dread.”

“They said there was a man wandering through the countryside whom they called Badthing; he was small and had a beard, and they never clearly saw his face. When he came to their house, their hair stood on end and they trembled. Soon, a bright torch shone at the door as he entered and grabbed whoever he wanted, giving them three deep gashes in the side with a very sharp flint, about the width of a hand and two hands long. He would reach through the wounds, pulling out the insides, from which he would cut off a piece, about the length of a palm, and throw it on the fire. Then, he would make three cuts on an arm, with the second cut on the inside of the elbow, before cutting off the limb. Shortly after, he would start to put it back together, and by placing his hands over the wounds, they would heal instantly. They said he often joined them in their dances, sometimes dressed as a woman and other times as a man; when he felt like it, he would take a buhio, or house, lift it high, and then drop it down heavily. They also claimed that they often tried to offer him food, but he never ate; they asked him where he came from and where he lived, and he showed them a crack in the ground, saying his house was down there. We laughed at and mocked these stories; and when they noticed our disbelief, they brought forth many people they claimed he had taken, and we saw the marks of the gashes as they had described. We told them he was a wicked being and, as best we could, explained that if they believed in God our Lord and became Christians like us, they wouldn't have to fear him, nor would he dare harm them, and they could be sure he wouldn't show up while we were in the area. This made them happy and eased much of their fear.”

Fig. 76. (S. 1–2.) Oval knife, fine workmanship. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 76. (S. 1–2.) Oval knife, well-crafted. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Along with the types not stemmed are such specimens as are shown at the bottom at the right of Fig. 77; possibly that one was a drill, but I have included the three under the classification we have been following—without stem, base straight, base convex and pointed. Yet these typical Pacific Coast leaf-shaped artifacts are 96different from the forms found East. In specimens with stems especially in the Susquehanna and Delaware Valleys, and the greater part of the Mississippi Valley are occasionally found chipped implements with straight sides and the points sharply contracting. Some of these will be shown under the proper divisions. This angular effect of the object is intentional and merits a class by itself as much as do the objects which are classified according to stem form alone. In Fig. 68 are beautiful specimens from Maine, Mr. Marks’s collection. In these six we have the simple form of knife, well chipped, the pointed knives, the oval and pointed knife, and the two beautiful spear-heads, which, of course, come under a later classification. The spear-head to the left is of that cloudy quartzite approaching agate, which is also found in Arkansas and Wisconsin, and a material of which some of the finest specimens in the United States have been manufactured by our aborigines.

Along with the unstopped types are examples like the ones shown at the bottom right of Fig. 77; perhaps that one was a drill, but I’ve grouped the three under the classification we’ve been using—without a stem, with a straight base, a convex base, and a pointed end. However, these typical Pacific Coast leaf-shaped artifacts are 96 different from the forms found in the East. In specimens with stems, particularly in the Susquehanna and Delaware Valleys, and most of the Mississippi Valley, you can sometimes find chipped tools with straight sides and sharply tapering points. Some of these will be shown in their appropriate categories. This angular shape is intentional and deserves its own classification, just like the objects classified by stem shape alone. In Fig. 68 are beautiful specimens from Maine, in Mr. Marks’s collection. Among these six, we have the simple knife form, well-chipped pointed knives, an oval and pointed knife, and two stunning spearheads, which, of course, will be categorized later. The spearhead on the left is made of that cloudy quartzite that approaches agate, which is also found in Arkansas and Wisconsin, and is a material from which some of the finest specimens in the United States have been crafted by our indigenous people.

Fig. 77. (S. 1–1.) Serrated obsidian points (or knives). Typical of California artifacts. F. M. Gilham’s collection, Highland Springs, California.

Fig. 77. (S. 1–1.) Serrated obsidian points (or knives). Common examples of California artifacts. F. M. Gilham’s collection, Highland Springs, California.

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Fig. 78. Obsidian problematical chipped objects. Sizes and locality stated on the specimens. Dr. H. M. Whelpley’s collection, St. Louis, Missouri.

Fig. 78. Obsidian questionable chipped items. Sizes and location specified on the samples. Dr. H. M. Whelpley’s collection, St. Louis, Missouri.

98Figs. 72 and 75 represent the sub-class C, more or less circular. A splendid example of the knife with square ends is shown at the left in Fig. 73. Also a knife with one edge straight and the other convex is shown in the same figure, and the specimen is labeled E 268. Fig. 72 marks the transition stage from the oval knife to the slightly stemmed or shouldered spear-head. All these are Wisconsin specimens from Mr. S. D. Mitchell’s collection and the collection of Beloit College.

98Figs. 72 and 75 show the sub-class C, which is mostly circular. A great example of the knife with square ends is displayed on the left in Fig. 73. There’s also a knife with one straight edge and the other curved in the same figure, and this specimen is labeled E 268. Fig. 72 illustrates the transition from the oval knife to the slightly stemmed or shouldered spearhead. All of these are Wisconsin specimens from Mr. S. D. Mitchell’s collection and Beloit College’s collection.

Oval knives, or oval chipped objects, may range from minute specimens a half an inch in length to magnificent problematical forms in obsidian shown in Fig. 78. A few such as these have been found in ancient graves or burial-places in California and Oregon. The workmanship on them is not quite as fine as on the “ceremonial swords” from Tennessee shown in Plates 161 and 162, but obsidian was more easily chipped than Tennessee chert. An inspection of the Tennessee objects referred to and these immense obsidian blades, and a comparison between them and the objects found elsewhere in the world, proves that the American aborigine did not have a superior on this globe in art forms of neolithic types.

Oval knives, or oval chipped tools, can vary from tiny pieces just half an inch long to impressive, questionable shapes made of obsidian, as shown in Fig. 78. A few of these have been discovered in ancient graves or burial sites in California and Oregon. The craftsmanship on these is not as refined as that of the “ceremonial swords” from Tennessee depicted in Plates 161 and 162, but obsidian was easier to chip than Tennessee chert. Examining the mentioned Tennessee pieces alongside these large obsidian blades, along with a comparison to artifacts found worldwide, shows that Indigenous Americans were unparalleled in their neolithic art forms.

Fig. 75 illustrates the circular discs, and the almost circular knives, and by way of comparison is added the oval knife.

Fig. 75 shows the circular discs and the nearly circular knives, along with the oval knife for comparison.

Discs may be material in convenient form for exchange or transportation, or to be worked down into implements. Hopewell discs shown in Fig. 42 are of this character.

Discs can be practical materials for trade or transport, or they can be shaped into tools. The Hopewell discs shown in Fig. 42 are examples of this type.

The smaller discs and circular knives may also have been scrapers, thus representing a double purpose. Figs. 59 and 60 show the more beautiful oval knives, one of which is mounted in its original handle. Fig. 60 was brought down from the Northwest coast to the Peabody Museum at Salem, Massachusetts, many years ago.

The smaller discs and circular knives might have also been used as scrapers, serving a dual purpose. Figs. 59 and 60 display the more attractive oval knives, one of which is still in its original handle. Fig. 60 was taken from the Northwest coast to the Peabody Museum in Salem, Massachusetts, many years ago.

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CHAPTER VI
Chipped tools

PROJECTILE POINTS WITH STEMS EXPANDING FROM BASE OR WITH SIDES PARALLEL

This division embraces large numbers of projectile points which served as shaft-heads to spears and lances. The triangular war points mentioned and illustrated in a previous chapter were also made use of as projectile points. But, as a rule, arrow-heads were notched, in order that they might be more securely fastened to the shaft.

This category includes many projectile points that were used as heads for spears and lances. The triangular war points discussed and shown in a previous chapter were also used as projectile points. However, generally, arrowheads were notched so they could be more securely attached to the shaft.

In order that there may be no misunderstanding as to the terms employed in these descriptions, I have illustrated herewith (Fig. 79) one of the best spear-points in the Phillips Academy collection at Andover. The terms accepted as descriptive of the various portions of the arrow-head are taken from Mr. Fowke’s arrow-head nomenclature in the Bureau of American Ethnology Report, 1891–2, page 143. Mr. Fowke’s terms have been generally accepted. I have presented a different specimen from the one he shows and have added the term “serration.”

To avoid any confusion about the terms used in these descriptions, I’ve included an illustration (Fig. 79) of one of the best spear points in the Phillips Academy collection at Andover. The terms used to describe the different parts of the arrowhead come from Mr. Fowke’s arrowhead nomenclature in the Bureau of American Ethnology Report, 1891–2, page 143. Mr. Fowke’s terms have been widely accepted. I've shown a different specimen from the one he displays and added the term "serration."

We have passed from the class of implements supposed to be simple forms to the beginning of more complicated ones. The Committee gave first, stems with straight sides, the bases of which might be straight, concave, or convex. In the South the flint implements which exhibit a narrow base and expanding stem predominate. But specimens in which the sides of the stem are parallel or straight are not uncommon. Perhaps more of the “stem with sides parallel” type are found on the tributaries of the Columbia River and in Texas and California.

We have moved from a category of tools thought to be simple to the start of more complex designs. The Committee first introduced stems with straight sides, with bases that could be straight, concave, or convex. In the South, flint tools featuring a narrow base and an expanding stem are more common. However, examples where the sides of the stem are parallel or straight are also fairly frequent. It seems that more of the "stem with parallel sides" type can be found along the tributaries of the Columbia River as well as in Texas and California.

In my illustrations it is difficult to procure specimens all of one type, and on some plates the predominating shapes are of the type described. Yet here and there will be seen objects which belong in another class. As a matter of course, “The Stone Age” describes few objects that are not imperishable material; wooden shafts and weapons, fabrics, whether skin or basketry, have long since resolved 100themselves into dust. However, a few words of description concerning bows and arrows themselves will not be amiss.

In my illustrations, it's hard to find examples all from one type, and on some pages, the most common shapes are of the described type. However, now and then, you'll see objects from a different category. Naturally, “The Stone Age” describes very few items that aren’t made of durable materials; wooden shafts and weapons, as well as fabrics, whether they are made from animal skin or woven baskets, have long since turned to dust. Still, a few words about bows and arrows themselves will be useful. 100

Fig. 79. (S. 1–1.) Material: white flint, Southern Ohio. A, point; B, edge; C, face; D, bevel; E, blade; F, tang; G, stem; H, base; I, notch; K, neck; M, barb or shoulder; N, serration. Phillips Academy collection.

Fig. 79. (S. 1–1.) Material: white flint, Southern Ohio. A, point; B, edge; C, face; D, bevel; E, blade; F, tang; G, stem; H, base; I, notch; K, neck; M, barb or shoulder; N, serration. Phillips Academy collection.

The bows and arrows of the Indians are numerous in our larger museums. Yet, with here and there an exception, these are of the past sixty years, a few are one hundred and fifty or more years old, though now and then one may observe a bow in a European museum dating back two or three centuries. I have not presented figures of the bows and have given but one of the arrows. Dr. Pepper found a bundle of ancient arrows in Pueblo Bonito, a prehistoric ruin in northern New Mexico. It lay at considerable depth in one of the lower rooms, rubbish-filled at the time of his exploration. There can be no question as to the prehistoric origin of these arrows. They were all tipped with obsidian points, well gummed and sinewed to the shafts.

The bows and arrows of Native Americans are many in our larger museums. However, with a few exceptions, most are from the last sixty years; a handful are over one hundred and fifty years old, although one can occasionally find a bow in a European museum that dates back two or three centuries. I haven't included pictures of the bows and have shown only one of the arrows. Dr. Pepper discovered a bundle of ancient arrows in Pueblo Bonito, a prehistoric site in northern New Mexico. They were found at a significant depth in one of the lower rooms, which was filled with debris at the time of his exploration. There's no doubt about the prehistoric origins of these arrows. They all had obsidian points that were well affixed with glue and sinew to the shafts.

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Fig. 80. (S. 1–5.) Buffalo skull with long, slender arrow penetrating the left frontal bone. Found on the Great Plains in Iowa. Collection of the Historical Department of the State of Iowa.

Fig. 80. (S. 1–5.) Buffalo skull with a long, thin arrow piercing the left frontal bone. Discovered on the Great Plains in Iowa. Collection of the Historical Department of the State of Iowa.

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Fig. 81. (S. 1–2.) Human skull from California, with an arrow-point embedded in the frontal bone causing the death of the subject. H. K. Deisher, Kutztown, Pennsylvania.

Fig. 81. (S. 1–2.) Human skull from California, with an arrowhead embedded in the forehead bone that caused the subject's death. H. K. Deisher, Kutztown, Pennsylvania.

Any reader may be able to obtain a good idea of the types prevailing among tribes the past sixty years if he will inspect the museum collections in his nearest city, for there are now public museums in upwards of seventy cities in the United States.

Any reader can get a clear idea of the types of tribes that have existed over the past sixty years by checking out the museum collections in their nearest city, as there are now public museums in more than seventy cities across the United States.

Professor Mason, Dr. Hough, and other gentlemen made a study 103of bows and arrows in the Smithsonian Institution. After many years of observation, Professor Mason prepared an article for the “Handbook of American Indians” and portions of it are herewith presented.

Professor Mason, Dr. Hough, and other scholars conducted a study of bows and arrows at the Smithsonian Institution. After many years of observation, Professor Mason wrote an article for the "Handbook of American Indians," and parts of it are presented here. 103

ARROWS, BOWS, AND QUIVERS

“The bow and arrow was the most useful and universal weapon and implement of the chase possessed by the Indians north of Mexico for striking or piercing distant objects.

“The bow and arrow was the most practical and widely used weapon and tool for hunting among the Native Americans north of Mexico for hitting or piercing faraway targets.

Fig. 82. (S. 1–1.) Two without barbs and shoulders. The central one but for the notches would be of “expanding from the base” type. Material: dark chert (to right), argillite (left). Dr. T. B. Stewart collection, Lockhaven, Pennsylvania.

Fig. 82. (S. 1–1.) Two without barbs and shoulders. The central one, except for the notches, would be of the “expanding from the base” type. Material: dark chert (on the right), argillite (on the left). Dr. T. B. Stewart collection, Lockhaven, Pennsylvania.

Arrows. A complete Indian arrow is made up of six parts: Head, shaft, foreshaft, shaftment, feathering, and nock. These differ in material, form, measurement, decoration, and assemblage, according to individuals, locality, and tribe.... In the Southwest a sharpened foreshaft of hard wood serves for the head. Arctic and Northwest coast arrows have heads of ivory, bone, wood, or 104copper, as well as of stone; elsewhere they are more generally of stone, chipped or polished. Many of the arrow-heads from those two areas are either two-pronged, three-pronged, or harpoon-shaped. The head is attached to the shaft or foreshaft by lashing with sinew, by riveting, or with gum....

Arrows. A complete Indian arrow consists of six parts: head, shaft, foreshaft, shaftment, feathering, and nock. These vary in materials, shape, size, decoration, and assembly based on individual preferences, location, and tribe.... In the Southwest, a sharpened foreshaft made of hard wood serves as the head. Arctic and Northwest coast arrows feature heads made of ivory, bone, wood, or 104copper, as well as stone; in other regions, they are typically made of stone, either chipped or polished. Many arrowheads from those two areas are either two-pronged, three-pronged, or harpoon-shaped. The head is attached to the shaft or foreshaft by tying with sinew, riveting, or using gum....

Fig. 83. (S. 1–1.) Pennsylvania types. Many expanding from base. Materials: jasper, quartz, black flint. Deisher collection, Kutztown, Pennsylvania.

Fig. 83. (S. 1–1.) Pennsylvania types. Many expanding from the base. Materials: jasper, quartz, black flint. Deisher collection, Kutztown, Pennsylvania.

“Arrow-shafts of the simplest kinds are reeds, canes, or stems of wood. In the Arctic region they are made of driftwood or are bits of bone lashed together, and are rather short, owing to the scarcity of material. The foreshaft is a piece of ivory, bone, or heavy 105wood. Among the Eskimo foreshafts are of bone or ivory on wooden shafts; in California, of hard wood on shafts of pithy or other light wood; from California across the continent to Florida, of hard wood on cane shafts. The shaftments in most arrows are plain; but on the Western coast they are painted with stripes for identification. The Plains Indians and the Jicarillas cut shallow grooves lengthwise down their arrow-shafts, called ‘lightning marks,’ or ‘blood grooves,’ and also are said by Indians to keep the shaft from warping (Fletcher) or to direct the flight. The feathering is an important feature in the Indian arrow, differing in the species of birds, the kind and number of feathers, and in their form, length, and manner of setting....

“Arrow shafts of the simplest kinds are made from reeds, canes, or wooden stems. In the Arctic region, they are made from driftwood or bits of bone tied together, and they tend to be rather short due to the scarcity of materials. The foreshaft is a piece of ivory, bone, or heavy wood. Among the Eskimo, foreshafts are made of bone or ivory on wooden shafts; in California, they use hard wood on shafts made of pithy or other lightweight wood; and from California across to Florida, they are made of hard wood on cane shafts. The shafts of most arrows are plain, but on the West Coast, they are painted with stripes for identification. The Plains Indians and the Jicarillas cut shallow grooves lengthwise down their arrow shafts, called ‘lightning marks’ or ‘blood grooves,’ which are said by the Indians to prevent the shaft from warping (Fletcher) or to help guide the flight. The feathering is an important feature of the Indian arrow, varying by the species of birds, the types and number of feathers, and their shape, length, and way of attachment....

Fig. 84. (S. 2–7.) Obsidian arrow-head lashed with sinews, from Arizona—probably Apache and of the ’50’s; there is blood dried in the grooves. Drawn by J. H. Richardson.

Fig. 84. (S. 2–7.) Obsidian arrowhead tied with sinews, from Arizona—likely Apache and from the 1850s; there is dried blood in the grooves. Drawn by J. H. Richardson.

Bows. The bows of the North Americans are quite as interesting as their arrows. The varied environments quickened the inventive faculty and produced several varieties. They are distinguished by the materials and the parts, which are known as back, belly, wings, grip, nocks, and string. The varieties are as follows: (1) Self-bow, made of one piece; (2) compound bow, of several pieces of wood, bone, or horn lashed together; (3) sinew-backed bow, a bow of driftwood or other brittle wood, reinforced with cord of sinew wrapped many times about it lengthwise, from wing to wing; (4) sinew-lined bow, a self-bow, the back of which is further strengthened with sinew glued on. In some cases bows were decorated in colors. The varieties characterizing the culture areas are distinguished as follows:—

Bows. The bows of North Americans are just as fascinating as their arrows. The different environments sparked creativity and led to the creation of several types. They are identified by their materials and parts, which are called back, belly, wings, grip, nocks, and string. The types are: (1) Self-bow, made from a single piece; (2) compound bow, made from several pieces of wood, bone, or horn tied together; (3) sinew-backed bow, a bow made from driftwood or other fragile wood, reinforced with sinew cord wrapped multiple times along its length, from one end to the other; (4) sinew-lined bow, a self-bow that has additional reinforcement with sinew glued on the back. In some cases, bows were decorated with colors. The types that define the cultural areas are distinguished as follows:—

“(1) Arctic. Compound bows in the East, very clumsy, owing to scarcity of material; the grip may be of wood, the wings of whale’s ribs or bits of wood from whalers. In the West excellent sinew-backed bows were made on bodies of driftwood. Asiatic influence is apparent in them.[3]

“(1) Arctic. Compound bows in the East are quite awkward due to a lack of materials; the grip might be made of wood, while the limbs are crafted from whale ribs or pieces of wood from whalers. In the West, skilled craftsmen produced excellent sinew-backed bows using driftwood. You can see Asiatic influence in their design.[3]

106“(2) Northern Athabascan. Long, straight bows of willow or birch, with wooden wrist-guards projecting from the belly.

106“(2) Northern Athabascan. Long, straight bows made from willow or birch, with wooden wrist guards extending from the center.

“(3) St. Lawrence and Eastern United States. Self-bows of ash, second-growth hickory, osage orange (bois d’arc), oak, or other hard wood.

“(3) St. Lawrence and Eastern United States. Self-bows made of ash, second-growth hickory, osage orange (bois d’arc), oak, or other hardwood.”

“(4) Gulf States. Long bows, rectangular in section, of walnut or other hard wood.

“(4) Gulf States. Long bows, rectangular in shape, made of walnut or other hard woods.”

“(5) Rocky Mountains. (1) Self-bow of osage orange or other hard wood; (2) a compound bow of several strips of buffalo horn lashed together and strengthened.

“(5) Rocky Mountains. (1) Self-bow made of osage orange or another hard wood; (2) a compound bow made of several strips of buffalo horn tied together and reinforced.

“(6) North Pacific coast. Bows with rounded grip and flat wings, usually made of yew or cedar.

“(6) North Pacific coast. Bows with a curved grip and flat limbs, typically made from yew or cedar.

“(7) Fraser-Columbia region. Similar to number 6, but with wings much shorter and the nocks curved sharply outward.

“(7) Fraser-Columbia region. Similar to number 6, but with wings much shorter and the nocks curved sharply outward.”

“(8) Interior basin. A long slender stick of rude form; many are strengthened by means of a sinew lining on the back and cross-wrappings.

“(8) Interior basin. A long, thin stick with a rough shape; many are reinforced with a sinew lining on the back and cross-wrappings.

“(9) California. Like number 7, but neatly lined with sinew and often prettily decorated.

“(9) California. Similar to number 7, but neatly arranged with muscle and often nicely decorated.”

“(10) Southwest. Like number 8, but seldom sinew-lined (Navaho).

“(10) Southwest. Similar to number 8, but rarely has sinew (Navaho).

Fig. 85. (S. 1–2.) All expanding from base. Probably knife-blades for hafting—because of curved edge. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 85. (S. 1–2.) All expanding from the base. Likely knife blades for hafting—due to the curved edge. H. K. Deisher’s collection, Kutztown, Pennsylvania.

“Small painted bows are used much in ceremony, especially by the Pueblos, who deposit them in shrines. In the south part of this area long cottonwood bows with cross-lashing are employed by Yuman and Piman tribes. The Jicarillas make a Cupid’s bow, strengthened with bands of sinew wrapping.”

“Small painted bows are used a lot in ceremonies, especially by the Pueblos, who place them in shrines. In the southern part of this area, long cottonwood bows with cross-lashing are used by Yuman and Piman tribes. The Jicarillas create a Cupid’s bow, reinforced with bands of sinew wrapping.”

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Fig. 86. (S. 1–1.) Specialized quartzite blades, probably in the main projectile points, from Potomac village-sites.

Fig. 86. (S. 1–1.) Specialized quartzite blades, likely mainly projectile points, from the Potomac village sites.

108We have observed that the form of bow and arrow varies among different tribes. Probably similar variations obtained in ancient times. Arrow-heads have been often found embedded in human bones. A prehistoric specimen was unearthed in 1869 from an Indian mound in the vicinity of Fort Wadsworth, Dakota, by Surgeon A. T. Comfort, of the United States Army. It consists of a human lumbar vertebra with a small arrow-point of white quartz embedded and incrusted in it. The vertebra is covered with a new bony formation, showing that the wounded man survived the injury for some months at least.

108We've noticed that the design of bows and arrows differs among various tribes. Similar differences likely existed in ancient times as well. Arrowheads have frequently been discovered lodged in human bones. A prehistoric sample was recovered in 1869 from an Indian mound near Fort Wadsworth, Dakota, by Surgeon A. T. Comfort of the United States Army. It consists of a human lumbar vertebra with a small arrowhead made of white quartz embedded in it. The vertebra shows signs of new bone growth, indicating that the injured person lived for several months after the injury.

Fig. 87. (S. 1–2.) Expanding stem, serrated edges. Georgia forms. H. F. McIntosh’s collection, Albany, Georgia.

Fig. 87. (S. 1–2.) Expanding stem, jagged edges. Georgia varieties. H. F. McIntosh’s collection, Albany, Georgia.

An ancient aboriginal skull from Henderson County, Illinois, contributed to the National Museum by M. Tandy, had a hole in the squamosal bone on the left side, inserted in which, when found and received by the museum, was a stone arrow-point of the perforator or drill type.

An ancient Native American skull from Henderson County, Illinois, donated to the National Museum by M. Tandy, had a hole in the squamosal bone on the left side. When it was discovered and received by the museum, a stone arrowhead of the perforator or drill type was found inserted in the hole.

Fig. 84 is a drawing of an obsidian-pointed Indian arrow found in Arizona after a fight between Apaches and miners. The specimen was picked up some fifty years ago. It is grooved as were most arrows, and particles of dried blood still adhere to the shaft, and may be observed in the grooves. The feathers are cut off in order that it might be withdrawn, without enlarging the wound. Miss M. Gorton owns this interesting specimen.

Fig. 84 is an illustration of an obsidian-tipped Native American arrow discovered in Arizona following a conflict between Apaches and miners. This piece was collected around fifty years ago. It has grooves like most arrows, and bits of dried blood still cling to the shaft, visible in the grooves. The feathers are trimmed so that it could be removed without widening the wound. Miss M. Gorton owns this fascinating artifact.

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Fig. 88. (S. 1–2.) Part of a cache found near Salem, Massachusetts. Material: porphyry. Peabody Museum collection, Salem, Massachusetts.

Fig. 88. (S. 1–2.) Part of a stash discovered near Salem, Massachusetts. Material: porphyry. Peabody Museum collection, Salem, Massachusetts.

It is quite apparent that flint implements in which the stem expands from the base are more common in the West and South than in the North, and yet great numbers of both types (stem expanding and stem contracting) are very numerous. It is quite easy to classify most of them on the form of the stem. But others have almost no stem, the barbs being cut in the shoulders of what were at first leaf-shaped, or oval implements. There are not many stems which are concave in the base. Figs. 86 and 99 illustrate several expanding from base types.

It is clear that flint tools where the stem widens from the base are more common in the West and South than in the North, but there are still a large number of both types (stem expanding and stem contracting). Most of them can be easily classified based on the shape of the stem. However, some have almost no stem, as the barbs are shaped into the shoulders of what initially were leaf-shaped or oval tools. There aren't many stems that are curved inward at the base. Figs. 86 and 99 show several types that expand from the base.

Fig. 86 presents seven specimens from the Chesapeake, Virginia, and Maryland region. One of these has a straight base, six of them stem expanding, and all are typical quartzite specimens of the region.

Fig. 86 shows seven samples from the Chesapeake, Virginia, and Maryland area. One has a straight base, six have expanding stems, and all are typical quartzite samples from the region.

Fig. 112 presents some Southern types from Georgia, North and 110South Carolina, in the Andover collection. The white quartz and three of the rhyolite specimens have stem expanding, but in some of the small barbed objects the stem contracts. Readers are requested to note the range in material in the South, as these twenty-two specimens show eight variations of four dominating materials, quartz, rhyolite, chert, argillite. Fig. 92, from Professor Holmes’s paper on the Potomac-Chesapeake tidal implements, presents three specimens expanding from base and three contracting. It will be observed that these forms were worked out from leaf-shaped objects, approximately indicated by the dotted lines.

Fig. 112 shows some Southern types from Georgia, North and 110South Carolina, in the Andover collection. The white quartz and three of the rhyolite specimens have expanding stems, but in some of the small barbed objects, the stem is narrow. Readers should take note of the variety of materials from the South, as these twenty-two specimens display eight variations of four main materials: quartz, rhyolite, chert, and argillite. Fig. 92, from Professor Holmes’s paper on Potomac-Chesapeake tidal tools, showcases three specimens expanding from the base and three that contract. It's clear that these forms were developed from leaf-shaped objects, roughly shown by the dotted lines.

Fig. 89. (S. 3–4.) Finely chipped object of unusual form from Kentucky. Material: concretionary flint. F. Wetherington’s collection, Paducah, Kentucky.

Fig. 89. (S. 3–4.) Nicely crafted object with a unique shape from Kentucky. Material: concretionary flint. F. Wetherington’s collection, Paducah, Kentucky.

As one studies implements and puts to a severe working test the classification, it becomes clear that while an object may have an expanding stem, yet there are other features which overshadow the mere fact that the stem expands. Fig. 96, from Mr. Mitchell’s collection, shows a specimen in which the point is curved or turned, and the base beveled off sharply to an angle. The same is true of Fig. 93, from Dr. Winship’s collection, Minnesota, only that the base is square and there are no shoulders or barbs. Fig. 89, from Mr. Wetherington’s collection, Kentucky, is another type similar to these I illustrate, and all three are beautifully worked implements of the first grade, and it would be difficult to excel them anywhere in the world.

As one examines tools and puts their classification to a tough test, it becomes obvious that while an object may have a widening stem, there are other features that stand out more than just the fact that the stem expands. Fig. 96, from Mr. Mitchell’s collection, shows a specimen where the point is curved or turned, and the base is sharply beveled to an angle. The same goes for Fig. 93, from Dr. Winship’s collection in Minnesota, except that the base is square and there are no shoulders or barbs. Fig. 89, from Mr. Wetherington’s collection in Kentucky, is another similar type that I illustrate, and all three are beautifully crafted tools of the highest quality, making it hard to find anything better anywhere in the world.

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Fig. 90. (S. 1–2.) New Jersey types found near Orange, New Jersey. The central one is weathered rhyolite. The others are jasper and chert. The two lower ones have prominent stems, and show broad blades. They are very angular. This form is common in Georgia, New Jersey, and Pennsylvania, but rare elsewhere. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 90. (S. 1–2.) New Jersey types found near Orange, New Jersey. The central piece is weathered rhyolite. The others are jasper and chert. The two lower ones have prominent stems and wide blades. They are very angular. This shape is common in Georgia, New Jersey, and Pennsylvania, but rare in other places. Stephen Van Rensselaer’s collection, Newark, New Jersey.

In the entire West are many small delicate points made of semi-precious stones. A plate of these is shown in Fig. 97, from Mr. Hamilton’s collection, Wisconsin. Here we have the triangular points, oval knives, the expanding at base, the slightly barbed, and the deeply barbed. Figs. 98 and 99 present interesting and yet common 112types of specimens from a given locality. These range from the triangular to the expanding base and the contracting base; in Fig. 99 a rare specimen having four notches is shown. Fig. 100 presents typical Connecticut forms. The one to the left is a knife. Fig. 102, from Mr. Arnold’s collection, Albany, New York, presents nine beautiful specimens, in nearly all of which the stem is straight. The barbs are very long and wing-like, as in the case of many obsidian, agate, and carnelian points from the Northwest.

In the entire West, there are many small, delicate points made of semi-precious stones. A plate of these is shown in Fig. 97, from Mr. Hamilton’s collection in Wisconsin. Here we see the triangular points, oval knives, those that expand at the base, the slightly barbed ones, and the deeply barbed ones. Figs. 98 and 99 present interesting yet common types of specimens from a specific area. These range from the triangular to the expanding base and the contracting base; Fig. 99 shows a rare specimen with four notches. Fig. 100 displays typical forms from Connecticut. The one on the left is a knife. Fig. 102, from Mr. Arnold’s collection in Albany, New York, features nine beautiful specimens, most of which have straight stems. The barbs are very long and wing-like, similar to many obsidian, agate, and carnelian points from the Northwest.

Fig. 80, of a buffalo skull found in North Dakota many years ago, and belonging to the Historical Department of the State of Iowa, illustrates the penetrating power of the flint arrow-head. This is a long, slender arrow driven into the skull, so that the point penetrated the brain. Fig. 81, a skull from California, Mr. H. K. Deisher’s collection, Pennsylvania, illustrates a human skull in which an arrow-point was driven into the brain through the frontal bone over the left eye. I have seen in museums human vertebræ and other bones which were pierced by flint arrow-heads. Such may be observed in the Ohio State Archæological, the Peabody, and United States National Museum collections.

Fig. 80 shows a buffalo skull found in North Dakota years ago, which belongs to the Historical Department of the State of Iowa. It demonstrates the penetrating power of the flint arrowhead. This long, slender arrow is lodged in the skull, penetrating the brain. Fig. 81, from Mr. H. K. Deisher’s collection in Pennsylvania, illustrates a human skull with an arrow tip driven into the brain through the frontal bone above the left eye. I've seen human vertebrae and other bones in museums that were pierced by flint arrowheads. These can be found in the collections of the Ohio State Archaeological, the Peabody, and the United States National Museum.

In the American Anthropologist for 1901 Dr. Thomas Wilson wrote an article entitled “Arrow-Wounds.” This is deserving of preservation and will enable students to realize what an important factor the arrow was in ancient times. I omit all of Dr. Wilson’s remarks on discoveries of human remains in foreign countries in which arrow-points were embedded, and quote a portion of that which relates to the United States:—

In the American Anthropologist from 1901, Dr. Thomas Wilson wrote an article called “Arrow-Wounds.” This piece deserves to be preserved and will help students understand how significant arrows were in ancient times. I will skip over Dr. Wilson’s comments on discoveries of human remains in other countries where arrowheads were found and will quote a part that pertains to the United States:—

“The skull of an ancient Indian man of advanced age, originally received by the Smithsonian Institution from Dr. L. G. Yates, of Alameda County, California, and transferred to the Army Medical Museum, exhibits a wound made by a long flint arrow-point which penetrated the left orbit.

“The skull of an ancient Indian man who was quite old, originally sent to the Smithsonian Institution by Dr. L. G. Yates from Alameda County, California, and later transferred to the Army Medical Museum, shows a wound caused by a long flint arrowhead that went through the left eye socket.”

Fig. 91. (S. 1–2.) Fine broad spear-head. Material: brown flint. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 91. (S. 1–2.) Nice wide spearhead. Material: brown flint. Stephen Van Rensselaer’s collection, Newark, New Jersey.

“The arrow-point exhibited belongs to the class usually called perforators, or drills, but in this instance it was used as an arrow-point.

“The arrowhead shown belongs to the category typically referred to as perforators or drills, but in this case, it was used as an arrowhead.”

“Two specimens of prehistoric flint arrow-points or spear-heads 113found inserted in human bones were sent to the National Museum by Dr. John E. Younglove, of Bowling Green, Kentucky. One had pierced the pelvic bone and the other is still inserted in the head of a human femur. The material of both points is the black or brown lustreless pyromachic flint, common to the country in which it was found. The specimens came from a cavern about four miles northeast of Bowling Green, and an equal distance from Old Station.

“Two prehistoric flint arrowheads or spear tips 113found embedded in human bones were sent to the National Museum by Dr. John E. Younglove from Bowling Green, Kentucky. One had pierced the pelvis, and the other is still lodged in the head of a human femur. Both points are made of the black or brown dull pyromachic flint, which is common in the region where they were discovered. The specimens came from a cave about four miles northeast of Bowling Green and the same distance from Old Station.”

Fig. 92. (S. 1–1.) Showing relation of specialized leaf-blade implements of various kinds to the original blade.

Fig. 92. (S. 1–1.) Illustrating the relationship of specialized leaf-blade tools of different types to the original blade.

“Most of the specimens of arrows and arrow-wounds in the Army Medical Museum pertain to modern Indian warfare. The arrow-points 114of iron or steel show, by actual experience and ocular demonstration, the effect of these projectiles upon bones, the endurance of the patient, and the skill of the surgeon; consequently they are of considerable interest. They also show that none of the arrow-points were poisoned.

“Most of the examples of arrows and arrow wounds in the Army Medical Museum relate to modern Indian warfare. The iron or steel arrowheads demonstrate, through actual experience and visual evidence, the impact of these projectiles on bones, the resilience of the patients, and the expertise of the surgeons; therefore, they are quite interesting. They also indicate that none of the arrowheads were poisoned.

Fig. 93. (S. 1–2.) Quartzite knife. P. D. Winship’s collection, Park Rapids, Minnesota.

Fig. 93. (S. 1–2.) Quartzite knife. P. D. Winship’s collection, Park Rapids, Minnesota.

“An attack was made by Indians near Pecos River, Texas, September 1, 1870, in which one man was killed, one escaped, and the patient received an arrow-wound in the head and three gunshot flesh-wounds. Seven days later he was admitted to the hospital at Fort Concho, Texas, having traveled part of the distance on foot. He complained of soreness from the gunshot wounds, but spoke lightly of the ‘scratch’ made by the arrow on the side of his head. The gunshot wounds healed, but cerebral complications developed. An effort was made to reopen the wound in the temple, which proved unsuccessful on account of the resistance of the temporal bones, and doubt as to the cause of the existing symptoms prevented the surgeon from making a free incision. The case terminated fatally September 19, and the autopsy revealed the real injury to have been caused by the entry of the iron arrow-head half an inch from the external incision.

“An attack was launched by Native Americans near the Pecos River in Texas on September 1, 1870. One man was killed, one managed to escape, and the patient suffered an arrow wound to the head along with three flesh wounds from gunshots. Seven days later, he was admitted to the hospital at Fort Concho, Texas, having walked part of the way there. He complained of soreness from the gunshot wounds but downplayed the ‘scratch’ on the side of his head caused by the arrow. The gunshot wounds healed, but complications in the brain developed. An attempt was made to reopen the wound in his temple, but it was unsuccessful due to the hardness of the temporal bones, and uncertainty about the cause of his symptoms stopped the surgeon from making a significant incision. The case ended fatally on September 19, and the autopsy showed that the real injury was caused by the iron arrowhead that had entered half an inch away from the external incision.”

“A Mexican was killed by an arrow in an Indian fight seventy-five miles northwest of Fort Concho, Texas, February 22, 1868. He was treated by W. M. Notson, Assistant Surgeon, United States Army, who reported:—

“A Mexican was killed by an arrow in an Indian fight seventy-five miles northwest of Fort Concho, Texas, February 22, 1868. He was treated by W. M. Notson, Assistant Surgeon, United States Army, who reported:—

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Fig. 94. (S. 1–1.) Seven chipped objects. In the centre is a peculiar object with wide shoulders and angular sides. This form is found in the East, but is not common. Its purpose has never been satisfactorily explained. The object to the right with straight sides and point made angular is also seldom found save east of the Mississippi River. Why it was made in this form is not known. Material: jasper. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 94. (S. 1–1.) Seven chipped objects. In the center is a unique object with wide shoulders and angled sides. This shape is found in the East, but it's not common. Its purpose has never been clearly defined. The object to the right, which has straight sides and a pointed angular tip, is also rarely found outside of the area east of the Mississippi River. The reason for its shape is unknown. Material: jasper. H. K. Deisher’s collection, Kutztown, Pennsylvania.

116“‘When I opened the skull I found an incision extending clear across the opposite hemisphere, touching the dura mater just above the tentorium. The dura mater was stained, but I could find no mark on the skull. When I made the post mortem I found the arrow-head in the brain. When the patient was hit, he seized the arrow-shaft with both hands and pulled it out, then dropped and remained unconscious until he died, about six hours after.’

116“‘When I opened the skull, I found a cut that went all the way across to the other side, touching the dura mater just above the tentorium. The dura mater was stained, but I couldn’t find any mark on the skull. During the post mortem, I discovered the arrowhead in the brain. When the patient was struck, he grabbed the arrow shaft with both hands and pulled it out, then dropped and stayed unconscious until he died, about six hours later.’”

“Private John Krumholz, Company H, 22d Infantry, was wounded at Fort Sally, South Dakota, June 3, 1869, by an arrow, which, entering at the outer canthus of the left eye, penetrated the skull two inches, and is supposed to have passed between the skull and the dura mater. The operation for extraction, which was immediately performed, consisted in sawing nearly through the skull with a Hey’s saw, in close proximity to the arrow. Recovery was rapid, the soldier returning to duty later.

“Private John Krumholz, Company H, 22nd Infantry, was injured at Fort Sally, South Dakota, on June 3, 1869, by an arrow that entered at the outer corner of his left eye and penetrated two inches into his skull, likely passing between the skull and the dura mater. The extraction procedure, which was done immediately, involved sawing almost through the skull with a Hey’s saw, very close to the arrow. Recovery was quick, and the soldier returned to duty afterward.”

“Private Snowden, 14th Infantry, was one of a party surprised by Apaches, March 22, 1866, while en route from Maricopa Wells to Fort Goodwin, Arizona. He was struck in the back of the head by an arrow, which penetrated the skull, and nine days later reached Maricopa Wells, weak and fatigued, but unimpaired in intelligence. He believed the arrow-point to be within the cranium, since, in pulling on the shaft after receiving the injury, nothing but the shaft responded. The usual treatment was being given with success, when in examining the scalp there was discovered a small tumefaction over the parietal side of the left occipito-parietal suture. Pressure caused the issue of a small quantity of serous matter from the cicatrix of the arrow-wound. This was enlarged, and a probe passed into it was made to feel along the fissure in the bone, when it struck something metallic. The cranium was laid bare by a crucial incision, and with considerable difficulty a hoop-iron arrow-head one and three fourths inches long and one half inch in breadth was withdrawn from the brain. About a dram of pus followed it. After the operation the right side of the body was observed to be paralyzed. The patient’s condition fluctuated, but the first week in May his improvement had been such as to cause belief in his ultimate recovery. On the 7th he ate something which disagreed with him, and gradually grew worse until the morning of the 13th, when death ensued. The post mortem showed that the brain tissue to the extent of three fourths of an inch around the track of the arrow-point was softened and disorganized.

“Private Snowden, 14th Infantry, was part of a group ambushed by Apaches on March 22, 1866, while traveling from Maricopa Wells to Fort Goodwin, Arizona. He was hit in the back of the head by an arrow that went into his skull. Nine days later, he arrived at Maricopa Wells, feeling weak and exhausted, but still mentally sharp. He thought the arrowhead was still inside his skull because when he pulled on the shaft after being injured, only the shaft came out. He was getting the usual treatment with success, when they noticed a small swelling on the scalp over the left side of the skull. Pressing on it caused a small amount of fluid to come out from the wound. This was opened up, and when a probe was inserted, it found something metallic along the crack in the bone. The skull was exposed with a surgical cut, and with some difficulty, a hoop-iron arrowhead measuring one and three fourths inches long and half an inch wide was removed from his brain. About a dram of pus came out with it. After the surgery, the right side of his body was found to be paralyzed. His condition varied, but by the first week of May, he showed enough improvement to suggest he might recover. On the 7th, he ate something that upset his stomach and gradually got worse until he died on the morning of the 13th. The post mortem revealed that the brain tissue around the path of the arrowhead was softened and damaged for about three fourths of an inch.

“Private William Drum, 14th Infantry, was wounded in a fight with Apaches, November 11, 1867. One arrow entered over the malar bone of the left side of the face, and passed along the lower 117border of the orbit to within half an inch of the nose. Another arrow entered through the tendons of the latissimus dorsi muscle on the right side, and passed directly backward toward the spine under the deep muscles, penetrating two and one half inches. On the 19th the arrow-point was cut out, the parts healed by first intention, and on December 3 the patient was returned to duty.

“Private William Drum, 14th Infantry, was injured in a fight with Apaches on November 11, 1867. One arrow went in just above the cheekbone on the left side of his face and traveled along the lower edge of the eye socket, coming within half an inch of his nose. Another arrow entered through the tendons of the latissimus dorsi muscle on the right side and moved straight back toward the spine under the deep muscles, penetrating two and a half inches. On the 19th, the arrowhead was removed, the wounds healed nicely, and on December 3, the patient was cleared to return to duty.”

Fig. 95. (S. 1–1.) Obsidian, agatized wood, and carnelian points. These specimens are half-expanding bases, but the barbs and the serrated edges are distinguishing features. C. F. Case’s collection, Sams Valley, Oregon.

Fig. 95. (S. 1–1.) Obsidian, agatized wood, and carnelian points. These specimens have half-expanding bases, but the barbs and jagged edges are distinguishing features. C. F. Case’s collection, Sams Valley, Oregon.

“John Fenske, a civilian, aged nineteen years, came to Fort Ridgely, Minnesota, on the night of August 20, 1862. He had been wounded on the previous day by an Indian arrow, shot from a distance of about twelve feet, which had entered horizontally between the third and fourth ribs on the left side, close to the vertebræ. The arrow—a barbed one with a head about three inches long—was buried an inch below the surface of the skin and had penetrated the 118left lung. On account of the barbs, it became necessary to make a large perpendicular incision in order to remove the arrow-head, which required considerable pulling, the sharp edges having been wedged in between the ribs with such force as to bend them over on each side. After dressing and the usual treatment, a healthy suppuration ensued, and the wound closed by granulation in thirteen days. The surgeon reported that ‘it was evident in this case that the arrow had penetrated the lung,’ which diagnosis was fully corroborated by the objective as well as the subjective symptoms. The patient left the hospital for his home, September 30, 1862, forty-two days after receiving the injury. The surgeon met this patient four years after and found the pleural symptoms considerably ameliorated.

“John Fenske, a civilian, 19 years old, arrived at Fort Ridgely, Minnesota, on the night of August 20, 1862. He had been injured the day before by an Indian arrow, shot from about twelve feet away, which entered horizontally between the third and fourth ribs on the left side, near the vertebrae. The arrow—a barbed type with a head about three inches long—was lodged an inch below the surface of the skin and had penetrated the left lung. Due to the barbs, a large vertical cut was necessary to remove the arrowhead, requiring considerable pulling, as the sharp edges were wedged tightly between the ribs, bending them over on both sides. After dressing and the usual treatment, healthy pus formation followed, and the wound closed by granulation in thirteen days. The surgeon reported that ‘it was clear in this case that the arrow had penetrated the lung,’ a diagnosis fully supported by both objective and subjective symptoms. The patient left the hospital for home on September 30, 1862, forty-two days after the injury. The surgeon saw this patient four years later and found that the pleural symptoms had improved significantly.”

Fig. 96. (S. 1–2.) A beautiful leaf-shaped implement. This was originally a thin, leaf-shaped blade and was notched at one end. The point was somewhat curved, an unusual feature, although occasionally found in specimens in Wisconsin, Minnesota, and Michigan. S. D. Mitchell’s collection, Ripon, Wisconsin.

Fig. 96. (S. 1–2.) A beautiful leaf-shaped tool. This was originally a thin, leaf-shaped blade with a notch at one end. The point was slightly curved, which is an unusual feature, though it can sometimes be seen in specimens from Wisconsin, Minnesota, and Michigan. S. D. Mitchell’s collection, Ripon, Wisconsin.

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Fig. 97. (S. 1–1.) Thirty-four clear California points from the Columbia Valley, Oregon. Materials: chalcedony, agate, and jasper. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 97. (S. 1–1.) Thirty-four clear California points from the Columbia Valley, Oregon. Materials: chalcedony, agate, and jasper. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

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Fig. 98. (S. 1–3.) These seventeen specimens are the common forms of the upper St. Lawrence basin. Many of them are of expanding base type. Locality, Wisconsin. Materials: quartz, sugar quartz, argillite, and flint. F. M. Caldwell’s collection, Venice, Illinois.

Fig. 98. (S. 1–3.) These seventeen examples are the typical forms found in the upper St. Lawrence basin. Many of them have an expanding base design. Location: Wisconsin. Materials used: quartz, sugar quartz, argillite, and flint. F. M. Caldwell’s collection, Venice, Illinois.

Fig. 99. (S. 1–4.) Sixteen various chipped implements of blue hornstone. These are types of the upper St. Lawrence basin. F. M. Caldwell’s collection. Venice, Illinois.

Fig. 99. (S. 1–4.) Sixteen different chipped tools made from blue hornstone. These represent types from the upper St. Lawrence basin. F. M. Caldwell’s collection. Venice, Illinois.

“A remarkable case of arrow-wounds was that of Private Osborn, 2d Nebraska Cavalry, wounded in a skirmish with Indians near Pawnee Reserve, Nebraska, June 23, 1863. Eight arrows entered different parts of his body, and all were extracted except the head of one which had entered at the outer and lower margin of the right scapula and passed upward and inward through the upper lobe of the right lung or trachea. The hemorrhage was so severe that all hope of his recovery was abandoned. The patient, however, rallied, but continued to suffer great pain on swallowing or coughing, and occasionally spat blood. In July, 1866, more than three years afterward, he called upon Dr. J. H. Peabody to be examined for a pension. Upon probing through a small fistulous opening just above the superior end of the sternum, the point of the arrow was found resting against the bone about an inch and a half below, the head lying flat against the trachea and esophagus, with the carotid 121artery, jugular vein, and nerves overlying it. After some difficulty the point of the arrow was raised above the sternum, and it was extracted without the loss of an ounce of blood, the edge grating against the sheath of the innominata artery during the operation. His health underwent a remarkable improvement, and the operator, in January, 1869, reported him perfectly well. His pension was not allowed.

“A remarkable case of arrow wounds was that of Private Osborn, 2nd Nebraska Cavalry, who was injured in a skirmish with Indians near Pawnee Reserve, Nebraska, on June 23, 1863. Eight arrows entered different parts of his body, and all were removed except the head of one, which had lodged in the outer and lower margin of the right shoulder blade and pierced upward and inward through the upper lobe of the right lung or trachea. The bleeding was so severe that all hope for his recovery was given up. However, the patient pulled through but continued to experience significant pain when swallowing or coughing, and occasionally coughed up blood. In July 1866, more than three years later, he visited Dr. J. H. Peabody for a pension examination. Upon probing through a small fistulous opening just above the upper end of the sternum, the arrow tip was found resting against the bone about an inch and a half below, with the head lying flat against the trachea and esophagus, while the carotid artery, jugular vein, and nerves were over it. After some difficulty, the arrow tip was lifted above the sternum and removed without losing a single drop of blood, the edge scraping against the sheath of the innominata artery during the procedure. His health showed remarkable improvement, and by January 1869, the doctor reported him perfectly healthy. His pension, however, was not approved.”

Fig. 100. (S. 1–3.) Compare these specimens carefully with those found elsewhere in the country and note the difference. Materials: black flint and quartzite. Benton Holcomb’s collection, Simsbury, Connecticut.

Fig. 100. (S. 1–3.) Compare these samples closely with those discovered in other parts of the country and observe the differences. Materials: black flint and quartzite. Benton Holcomb’s collection, Simsbury, Connecticut.

“Private Spillman, 7th Cavalry, was wounded June 12, 1867, about a mile from Fort Dodge, Kansas, by a party of Kiowas, who made a dash upon the herd of horses he was guarding. He received three arrow-wounds—one in the right shoulder; one in the right side, striking the rib; and a third through the right lumbar region, penetrating the abdominal cavity eight inches or more. The last-mentioned wound was enlarged, two fingers were inserted on each side of the shaft until the base of the iron head was reached, the fingers serving as a guide and protection when, traction being made, the arrow was withdrawn. The wound proved mortal.”

“Private Spillman, 7th Cavalry, was injured on June 12, 1867, about a mile from Fort Dodge, Kansas, by a group of Kiowas who rushed at the herd of horses he was protecting. He suffered three arrow wounds—one in his right shoulder, one in his right side that hit a rib, and a third in the right side of his lower back, which penetrated the abdominal cavity by eight inches or more. The last wound was made larger, and two fingers were inserted on each side of the arrow shaft until they reached the base of the iron head, with the fingers acting as a guide and protection while the arrow was pulled out with traction. The wound turned out to be fatal.”

And so I might continue giving illustrations of the power and force of Indian arrows. Students are referred to the Bibliography for further titles upon this subject. I would suggest that readers who expect to visit Washington at some time in the near future, call at the Army and Medical Museum and see the interesting exhibits on view illustrating the matters touched upon in the preceding pages.

And so I could keep sharing examples of the power and effectiveness of Indian arrows. Students can check the Bibliography for more titles on this topic. I recommend that readers planning to visit Washington soon stop by the Army and Medical Museum to see the interesting exhibits related to the topics discussed in the previous pages.

122The use of drills as war arrow-points brings up an interesting subject, and would indicate that many of the things that we have named according to our own fancy were doubtless made use of by the Indians for totally different purposes from those to which we have assigned them. Drills—the smaller kind—certainly possess great power of penetration, and when discharged may have entered to a greater depth. The broader points, however, would produce a more tearing wound and cause greater flow of blood. Broad points were more in evidence as hunting-points, for the obvious reason that if the deer or other game lost blood freely, its capture became more certain.

122The use of drills as war arrowheads raises an interesting topic and suggests that many of the things we've named based on our own ideas were likely used by the Native Americans for completely different purposes than we've assigned them. Smaller drills definitely have strong penetration power, and when fired, they might have penetrated even deeper. However, the broader points would create a more damaging wound and result in more blood loss. Broad points were more commonly seen as hunting tips, for the obvious reason that if the deer or other game bled heavily, capturing them became much easier.

Professor Henry, of the Smithsonian, made a collection of buffalo and human bones, in which arrow-heads were embedded. In several of the buffalo ribs and scapulæ were arrow-points which had been shot through the animal, piercing the bone on the inner side. Wilson says that such specimens “illustrate the force with which an arrow can be shot by the bow, and, because of its initial velocity, there is no comminution of the bones. The edges around the wounds are not fractured or fissured on either side; there are no splinters made by the arrow on entering or leaving. This is due to the same principle that a pistol-ball fired at short range passes through a pane of glass without shattering it.”

Professor Henry, from the Smithsonian, collected buffalo and human bones, where arrowheads were found embedded. In several buffalo ribs and shoulder blades, there were arrow points that had been shot through the animal, piercing the bone from the inside. Wilson notes that these specimens "show the power with which an arrow can be fired from a bow, and because of its initial speed, there is no breaking of the bones. The edges around the wounds are not cracked or split on either side; there are no splintered pieces caused by the arrow entering or exiting. This is due to the same principle that a bullet shot at close range goes through a window without breaking it."

A paper by W. Thornton Parker, M.D., describes the arrow and its mode of manufacture, and magnifies the malignity of arrow-wounds. The author explains the apocryphal difference between hunting- and war-arrows, saying:—

A paper by W. Thornton Parker, M.D., discusses the arrow and how it's made, highlighting the seriousness of arrow wounds. The author clarifies the mistaken distinction between hunting arrows and war arrows, saying:—

“The head of the war-arrow is shorter and broader than that of the hunting-arrow, and is attached to the shaft at right angles with the slot which fits the bow-string, the object being to allow the arrow in flight more readily to pass between the human ribs, while the head of the hunting-arrow, which is long and narrow, is attached perpendicularly to the slot, to allow it to pass readily between the ribs of the running buffalo.

“The tip of the war arrow is shorter and wider than that of the hunting arrow, and it’s attached to the shaft at a right angle to the slot that fits the bowstring. The purpose is to let the arrow fly more easily between human ribs, while the tip of the hunting arrow, which is long and narrow, is attached vertically to the slot to help it pass easily between the ribs of a running buffalo.”

“Ashhurst wrote an extensive article on arrow-wounds. He takes a favorable view of the curability of arrow-wounds, which is borne out by the cases cited, and says: ‘Those penetrating the chest and wounding the lung, although serious, are by no means mortal.... If the patient survives the hemorrhage, the prognosis is favorable, for the consecutive inflammation is trifling and requires no treatment beyond placing the patient at rest and affording a supply of pure warm air.’

“Ashhurst wrote a detailed article on arrow wounds. He has a positive perspective on the treatability of these wounds, which is supported by the cases he mentions, and says: ‘Those that penetrate the chest and injure the lung, while serious, are not necessarily fatal.... If the patient survives the bleeding, the outlook is good, as the subsequent inflammation is minor and only needs treatment by keeping the patient at rest and providing a supply of clean, warm air.’”

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Fig. 101. (S. 1–1.) Large spear-point from Coshocton County, Ohio. Material: clear chalcedony. W. C. Mills’s collection.

Fig. 101. (S. 1–1.) Large spear point from Coshocton County, Ohio. Material: clear chalcedony. W. C. Mills’s collection.

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Fig. 103. (S. 1–3.) Large, notched flint spear-head. One of the largest in America. Owned by G. F. Arvedson, Carpentersville, Illinois.

Fig. 103. (S. 1–3.) Big notched flint spearhead. One of the largest in America. Owned by G. F. Arvedson, Carpentersville, Illinois.

“His table of arrow-wounds in the chest shows that out of eighteen cases there were thirteen deaths.”

“His table of arrow wounds to the chest shows that out of eighteen cases, there were thirteen deaths.”

In 1528 the Spanish traveler, Cabeza De Vaca, said that the Indian arrows were discharged with such force that the armor worn by the Spaniards did not always avail. He stated that the Indians in Florida used bows as thick as the lower part of one’s own arm and discharged arrows at a distance of two hundred paces “with so great precision that they missed nothing.”

In 1528, the Spanish explorer Cabeza De Vaca noted that the Indian arrows were shot with such force that the armor worn by the Spaniards didn't always protect them. He mentioned that the Indians in Florida used bows as thick as the lower part of a person's arm and could shoot arrows accurately from a distance of two hundred paces, “hitting their target every time.”

He himself observed an arrow sticking in the base of an elm tree to the depth of a span (four inches).

He saw an arrow stuck into the base of an elm tree, embedded about four inches deep.

Fig. 87 illustrates two specimens from near Albany, Georgia, typical Southern forms, the edges being slightly serrated. Figs. 101, 104, and three in 83, present objects with almost straight stems, 104 presenting Oregon types and 83 Pennsylvania. Fig. 86 marks the beginning of the transition from the straight stem to the stem contracting from the base. Such objects, with abnormally long stems, were undoubtedly originally much longer specimens. The point broke off and the specimen was re-chipped and made serviceable again.

Fig. 87 shows two specimens from near Albany, Georgia, which are typical Southern forms, with slightly serrated edges. Figs. 101, 104, and three in 83 show objects with nearly straight stems, with 104 representing Oregon types and 83 Pennsylvania types. Fig. 86 indicates the start of the transition from straight stems to those that narrow from the base. These objects, with unusually long stems, were likely originally much longer. The tip broke off, and the specimen was re-chipped to make it usable again.

White quartz was largely used in the South and in New England, also yellow quartz in North and South Carolina and Virginia. Quartz was harder to chip than other materials. Therefore, there are fewer highly specialized forms in quartz than in either flint or argillite. Yet examples are not wanting in which even so refractory material as quartz was worked down, chipped, and made into a very beautiful arrow-point or spear-head.

White quartz was commonly used in the South and in New England, along with yellow quartz in North and South Carolina and Virginia. Quartz was harder to chip than other materials. Because of this, there are fewer specialized forms in quartz compared to either flint or argillite. Still, there are examples where even such a tough material as quartz was shaped, chipped, and crafted into very beautiful arrowheads or spear points.

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Fig. 104. (S. 1–1.)

Chipped implements, from the Willamette Valley, Oregon. B. W. Arnold’s collection, Albany, New York. Reproduced in natural colors. Highest grade of workmanship. Materials: agate, carnelian, jasper, chalcedony, etc.

Fig. 104. (S. 1–1.)

Chipped tools from the Willamette Valley, Oregon. B. W. Arnold’s collection, Albany, New York. Reproduced in natural colors. Top-quality craftsmanship. Materials: agate, carnelian, jasper, chalcedony, and more.

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CHAPTER VII
Chipped tools

STEM CONTRACTING FROM BASE

Although there are fine examples of flint-workers’ art in the class, “Stems expanding from base,” yet as a rule it includes more simple forms than stems contracting from base. This is true of most types. Fig. 90 shows simple forms in Class C, p. 23. Fig. 107, from Mr. Braun’s collection, East St. Louis, stands for the long, slender spear-heads occasionally found in the South and the Mississippi Valley region, evincing high art in stone-chipping. The convex stem is shown in Fig. 99. Fig. 119 is from Dr. Jack Shipley of Texas. These present typical Texas specimens with both contracting and expanding stems.

Although there are great examples of flint-workers’ art in the class, “Stems expanding from base,” it generally includes more simple shapes than stems contracting from base. This is true for most types. Fig. 90 shows simple forms in Class C, p. 23. Fig. 107, from Mr. Braun’s collection in East St. Louis, represents the long, slender spearheads that are sometimes found in the South and the Mississippi Valley region, showcasing high skill in stone-chipping. The convex stem is illustrated in Fig. 99. Fig. 119 comes from Dr. Jack Shipley of Texas. These display typical Texas specimens with both contracting and expanding stems.

Fig. 105. (S. 1–2.) Found near Kutztown, Pennsylvania. Material: block chert. D. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 105. (S. 1–2.) Discovered near Kutztown, Pennsylvania. Material: block chert. D. K. Deisher’s collection, Kutztown, Pennsylvania.

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Fig. 106. (S. 1–2.) Long black spear-head. The common form of stem contracting from base. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 106. (S. 1–2.) Long black spearhead. The typical shape of the shaft narrows from the base. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 107. (S. 1–3.) Two beautiful white spear-heads. Found near the Cahokia group of mounds. Material: flint. H. M. Braun’s collection, East St. Louis, Illinois.

Fig. 107. (S. 1–3.) Two beautiful white spearheads. Found near the Cahokia group of mounds. Material: flint. H. M. Braun’s collection, East St. Louis, Illinois.

Fig. 108. (S. 1–2.) Rotary spear-head. S. Van Rensselaer’s collection, Newark, New Jersey.

Fig. 108. (S. 1–2.) Rotary spearhead. S. Van Rensselaer’s collection, Newark, New Jersey.

Fig. 109. (S. 2–3.) Arrow-head, with stem unusually long. Phillips Academy collection.

Fig. 109. (S. 2–3.) Arrowhead with an unusually long stem. Phillips Academy collection.

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Fig. 110. (S. 3–4.) This Figure represents twenty-nine chipped objects from the Willamette Valley, Oregon. Many beautiful specimens have been found in this valley. It has produced possibly as many objects as any given area in the world. Material: the usual semi-precious stones. A careful study of these and other pictures of Willamette Valley types will acquaint readers with the fact that there is an endless variety of form. And yet the treatment is such that the chipped implements from this valley can be recognized and described as differing from others in any part of the world. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 110. (S. 3–4.) This figure shows twenty-nine chipped objects from the Willamette Valley in Oregon. Many beautiful specimens have been discovered in this valley, which has produced as many artifacts as almost any other location in the world. Material: the typical semi-precious stones. A close examination of these and other images of Willamette Valley types will reveal to readers that there is a limitless variety of forms. Yet, the way they are crafted allows the chipped tools from this valley to be identified and described as distinct from those found in any other part of the world. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

130Fig. 121, Wisconsin types, Fig. 110, Willamette Valley, Oregon, and Fig. 112 should be compared by readers. These plates will emphasize the difference in form. Some of these are classified under “Stems contracting from base,” others belong in the division, “Stems expanding from base.” Yet even in the same class there are to be observed certain differences, for the stem is not always the essential feature.

130Fig. 121, Wisconsin types, Fig. 110, Willamette Valley, Oregon, and Fig. 112 should be compared by readers. These images will highlight the differences in shape. Some of these are categorized under “Stems contracting from base,” while others fall under “Stems expanding from base.” Even within the same category, there are noticeable differences, as the stem isn’t always the most important feature.

Fig. 111. (S. 1–2.) Points from Idaho. C. Albee’s collection, Red Rock, Montana. Note the angular sides in the object in the upper row, second from the right.

Fig. 111. (S. 1–2.) Points from Idaho. C. Albee’s collection, Red Rock, Montana. Notice the angular sides on the item in the top row, second from the right.

Fig. 121 represents some of the best specimens from Wisconsin sites. Fig. 126 is from Mr. Reeder’s collection, Michigan, and represents the best type in spear-heads of all kinds from Tennessee and Kentucky and Ohio. The tops of many of these are convex and have been worn smooth either because of the method of fastening, or on account of some particular purpose. This is noticed in a great many of the finer specimens, and leads me to believe it is not hard usage that brings about such a condition, but that specimens were in position for a great length of time, and this polished or smoothed surface is brought about through such means.

Fig. 121 shows some of the best examples from sites in Wisconsin. Fig. 126 comes from Mr. Reeder’s collection in Michigan and illustrates the finest types of spearheads of all kinds from Tennessee, Kentucky, and Ohio. The tops of many of these spearheads are convex and have been worn smooth, either due to the way they were secured or for a specific purpose. This observation is common among many of the finer specimens and leads me to think that it's not rough use causing this wear, but rather that these items were in place for a long time, resulting in the polished or smoothed surface.

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Fig. 112. (S. 1–3.) A group of Southern types, projectile points, Georgia, South Carolina, North Carolina. It will be observed that in form and material these are easily recognized as being different from those from Northern and Western points. Phillips Academy collection.

Fig. 112. (S. 1–3.) A group of Southern types, projectile points, Georgia, South Carolina, North Carolina. You can easily tell that their shape and materials are different from those found in Northern and Western regions. Phillips Academy collection.

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Fig. 113. (S. 1–1.) This is one of the short-stemmed, broad arrows, the result of working a broken specimen. J. P. Smith’s collection, Howard, Rhode Island.

Fig. 113. (S. 1–1.) This is one of the short-stemmed, wide arrows, created from a damaged specimen. J. P. Smith’s collection, Howard, Rhode Island.

Fig. 114. (S. 1–1.) Stem contracting from base; double notches; bases concave. These forms are not rare, but occur most frequently in Ohio, Pennsylvania, West Virginia, and Tennessee. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 114. (S. 1–1.) The stem is narrowing from the base, featuring double notches, and the bases are concave. These shapes aren’t uncommon, but they are most often found in Ohio, Pennsylvania, West Virginia, and Tennessee. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 122, from Dr. Barnard’s collection, Seneca, Missouri, illustrates the best of the small Missouri points. Dr. Barnard’s collection is from the outskirts of the Ozarks, where the art is superior to the cave art of the Ozarks proper. The points found throughout the buffalo country do not vary greatly, although it is possible to distinguish such points as these from those of Texas. Fig. 105 represents Pennsylvania specimens from Mr. Deisher’s collection, and Fig. 132, more of the interesting Mississippi Valley spear-heads from Mr. Reeder’s exhibit. Figs. 125 and 147, Mr. L. Gibson’s collection, Schenectady, New York, give two abnormal points, such as are occasionally found. I do not think that such were arrow- or spear-heads, but must have been knives. It would be impossible to shoot them with much accuracy. They are always interesting, and I shall have more to say regarding them later. Figs. 116 and 117 present two plates from the collection of Phillips Academy, Andover, Massachusetts. These were found generally throughout the Ohio Valley. Careful study of them will acquaint readers with several points. First, they are of the best workmanship. Second, they are almost entirely of flint ridge or Tennessee nodular flint. Third, a large proportion are rotary. Fourth, the barbs are unusually chipped and fine. Fifth, the bases are straight, concave, and convex. Sixth, what is more important than either stems or bases, the striking feature in these is the barbing and notching. The tangs and shoulders are the prominent points in these three plates—not the stems—which are of secondary consideration. For example, in Fig. 116 the shoulders and tangs are everything, and this will be found to be true of many flint implements. Consider Figs. 97, 110, and 133 from the Columbia River Valley. In some of these the stem is of importance, in others the stem is secondary to the barbing. Fig. 114 presents typical Pennsylvania specimens from Mr. Deisher’s collection. The central one has expanded shoulders and represents a type more common in Pennsylvania than elsewhere. Fig. 115 is a plate of spear- and arrow-points from George Charters’s collection, Greene County, Ohio. I wish to call attention to those seven specimens on this plate which are marked “S,” and to refer to them in considerable detail.

Fig. 122, from Dr. Barnard’s collection in Seneca, Missouri, shows the best of the small Missouri points. Dr. Barnard’s collection comes from the outskirts of the Ozarks, where the craft is superior to the cave art found in the true Ozarks. The points discovered throughout the buffalo country don't differ much, although you can tell some of these apart from those in Texas. Fig. 105 displays Pennsylvania specimens from Mr. Deisher’s collection, and Fig. 132 features more interesting spearheads from the Mississippi Valley from Mr. Reeder’s exhibit. Figs. 125 and 147, from Mr. L. Gibson’s collection in Schenectady, New York, showcase two unusual points that are occasionally found. I don’t believe these were arrowheads or spearheads; they must have been knives. It would be tough to shoot them accurately. They are always intriguing, and I’ll discuss them further later on. Figs. 116 and 117 show two plates from the Phillips Academy collection in Andover, Massachusetts. These were generally found throughout the Ohio Valley. A close examination of them will introduce readers to several points. First, they are exceptionally well-made. Second, they are mostly made of flint ridge or Tennessee nodular flint. Third, a significant number are rotary. Fourth, the barbs are unusually chipped and refined. Fifth, the bases are straight, concave, and convex. Sixth, more important than either the stems or bases, the standout feature here is the barbing and notching. The tangs and shoulders are the key elements in these three plates—not the stems—which are of secondary importance. For instance, in Fig. 116, the shoulders and tangs are everything, and many flint tools will show this trend. Look at Figs. 97, 110, and 133 from the Columbia River Valley. In some of these, the stem is important, while in others, the stem is less significant compared to the barbing. Fig. 114 presents typical Pennsylvania specimens from Mr. Deisher’s collection. The central piece has expanded shoulders and represents a type that is more common in Pennsylvania than anywhere else. Fig. 115 is a plate of spear and arrow points from George Charters’s collection in Greene County, Ohio. I want to highlight those seven specimens on this plate marked “S,” and I’ll refer to them in detail.

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Fig. 115. (S. 1–3.) Projectile points. George Charters’s collection.

Fig. 115. (S. 1–3.) Arrowheads. George Charters’s collection.

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Fig. 116. (S. 1–3.) Beveled spear-heads, chipped in the form known as “rotary” points. These are selected from the collection at Andover. They come from various portions of the Mississippi Valley, and are all splendid examples of the skill of the master worker in stone. Note particularly the differences in the notches and tangs. The central one to the right has notches expanded. To make these is extremely difficult, and although white men are able to make flint implements, the working of the expanded notches is a lost art.

Fig. 116. (S. 1–3.) Beveled spearheads, shaped into what we call “rotary” points. These are taken from the collection at Andover. They originate from different areas of the Mississippi Valley and are all excellent examples of the craftsmanship of a master stone worker. Pay special attention to the variations in the notches and tangs. The central one on the right has expanded notches. Creating these is very challenging, and even though white people can make flint tools, the technique for making expanded notches is a lost skill.

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A MASTER AT FLINT-CHIPPING

Fig. 117. Ten splendid specimens from the Mississippi Valley of various kinds of points, all exceedingly well made. The workmanship of these should be compared with those in other figures. Phillips Academy collection.

Fig. 117. Ten impressive specimens from the Mississippi Valley featuring different types of points, all exceptionally crafted. The quality of these should be compared with those in other figures. Phillips Academy collection.

Little attention has been paid by archæologists to ascertain an important feature of prehistoric times. I refer to the presence in most of the tribes of skilled workmen whose specialty seems to have been the manufacture of certain kinds of implements. That some men were more skillful in the making of axes or pipes, and handled bone chipping-tools with more dexterity than others, goes without saying. If one were asked to state what proportion of men were skillful in the art of stone-working, no one could give a definite answer; but the searcher finds in limited areas a particular style of flint-chipping, or a local form of axe or pipe. These appear to have been made in the same manner, perhaps with tools of the 136same pattern. The guiding hand of the master workman is seen. Each one is stamped with individuality, therefore one may conclude that either a certain person made these objects, or perhaps the men of a given family made them.

Little attention has been given by archaeologists to an important aspect of prehistoric times. I’m talking about the presence of skilled craftsmen in most tribes whose specialty appeared to be making certain types of tools. It’s clear that some individuals were more skilled in crafting axes or pipes and used bone tools with greater precision than others. If someone were asked to provide the percentage of men skilled in stoneworking, no one could give a clear answer; however, the researcher discovers, in specific areas, a unique style of flint chipping or a local type of axe or pipe. These artifacts seem to have been made in a consistent way, possibly with tools of a similar design. The touch of the master craftsman is evident. Each piece shows individuality, leading to the conclusion that either a specific person created these items, or perhaps they were made by members of a particular family.

Fig. 118. (S. 1–1.) This is of that peculiar white or cream-colored flint common in Iowa and northeastern Missouri. It is a fine stone. This specimen is of a type occasionally found in Iowa and Missouri. E. E. Baird’s collection, Poplar Bluff, Missouri.

Fig. 118. (S. 1–1.) This is that unique white or cream-colored flint commonly found in Iowa and northeastern Missouri. It’s a high-quality stone. This specimen represents a type that is sometimes discovered in Iowa and Missouri. E. E. Baird’s collection, Poplar Bluff, Missouri.

Supposing that a young man who showed proficiency in flint-chipping should at the age of twenty become so skillful that his works were in demand. It would follow that if he were given the ordinary span of life his period of proficiency would extend for forty years. If he retained his health and faculties, his activity might reach fifty years. It is also quite likely that other men, perhaps not so competent as himself, assisted him in his work and blocked out the forms or reduced them to convenient size for him to finish. Such a labor division as Catlin and Sellars affirm existed, enabled the skillful worker in flint to produce a larger number of implements than if he attempted to work his own material from the initial stage to the completed form. His people residing in the same village would avail themselves of his wares, giving him in return food, or implements, or clothing. His surplus stock in all likelihood was sent to a distance to be exchanged with other tribes.

Imagine a young man who was good at flint-chipping and by the time he turned twenty had become so skilled that people wanted his work. If he lived a normal lifespan, he would be proficient for about forty years. If he stayed healthy and sharp, he might be active for up to fifty years. It’s also likely that other men, maybe not as skilled as him, helped out by shaping or resizing the materials for him to finish. This kind of division of labor, as Catlin and Sellars suggest, allowed the skilled flint worker to produce a larger quantity of tools than if he had to handle everything from start to finish on his own. People in his village would buy his goods, trading him food, tools, or clothing in exchange. Any extra items he had were probably sent far away to be traded with other tribes.

Such a man may have selected flint of a certain color, so that the product of his labor might be instantly recognized.

Such a man might have chosen flint of a specific color so that his work could be easily identified.

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Fig. 119. (S. 1–2.) This cut presents 14 specimens. These illustrate the Texas types. As a rule they are smaller and more slender than those from the east and southeast of Louisiana. Dr. Jack Shipley’s collection, Pilot Point, Texas.

Fig. 119. (S. 1–2.) This image shows 14 specimens. These represent the Texas types. Generally, they are smaller and slimmer than those from the east and southeast of Louisiana. Dr. Jack Shipley’s collection, Pilot Point, Texas.

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Fig. 120. (S. 1–2.) Typical Oregon projectile points. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 120. (S. 1–2.) Typical Oregon arrowheads. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

In order to place the evidence I have collected along these lines before readers, I would cite the finding of twenty-two axes in one room of a ruined pueblo, five miles south of Phoenix, Arizona, in 1897. These are of the variety of stone and the same workmanship. Six particular disc-pipes were found in graves at the mouth of the Wabash by Clifford Anderson, in 1898, when exploring for the founder of the Archæology Department of Phillips Academy. I would mention the effigy pipes found by Squier and Davis at Mound City, a cache of forty leaf-shaped implements, slightly different from the ordinary leaf-shaped knife of similar material and the same workmanship, found in 1896 in a mound near Coshocton, Ohio, the Hopewell discs, and the Hopewell sheet copper.

To present the evidence I've gathered, I'd like to point out the discovery of twenty-two axes in one room of a collapsed pueblo, located five miles south of Phoenix, Arizona, in 1897. These are made of stone and exhibit the same craftsmanship. In 1898, six specific disc-pipes were uncovered in graves at the mouth of the Wabash by Clifford Anderson while he was exploring for the founder of the Archæology Department at Phillips Academy. I'd also like to mention the effigy pipes discovered by Squier and Davis at Mound City, along with a cache of forty leaf-shaped tools, which are slightly different from the typical leaf-shaped knives of similar materials and craftsmanship found in 1896 in a mound near Coshocton, Ohio, as well as the Hopewell discs and the Hopewell sheet copper.

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Fig. 121. (S. 1–3.) White flint knives and arrow-heads. These are from Michigan-Wisconsin sites and illustrate the peculiar forms obtained there. The types are long and slender or short and broad and are easily recognized. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 121. (S. 1–3.) White flint knives and arrowheads. These are from sites in Michigan and Wisconsin and show the unique shapes found there. The types are either long and slender or short and wide and are easy to identify. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

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Fig. 122. (S. 1–2.) These are the finest points in the Ozark region, where most of the types are crude. Materials: chert and quartz. At the bottom in the centre are shown three points almost Oregon-like in character. Attention is called to the serrated point in the middle row. Dr. W. C. Barnard’s collection, Seneca, Missouri.

Fig. 122. (S. 1–2.) These are the best points in the Ozark region, where most of the types are basic. Materials: chert and quartz. At the bottom center, three points are displayed that are nearly Oregon-like in style. Notice the serrated point in the middle row. Dr. W. C. Barnard’s collection, Seneca, Missouri.

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Fig. 123. (S. 1–1.) These points are different from Oregon points so frequently shown. Materials: opalescent and white chalcedony and mauve quartzite. These are Eastern types, but are made of Western material. Luther A. Norland’s collection, La Jara, Colorado.

Fig. 123. (S. 1–1.) These points are different from the Oregon points you often see. Materials: opalescent and white chalcedony and mauve quartzite. These are Eastern types but made from Western materials. Luther A. Norland’s collection, La Jara, Colorado.

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Fig. 124. (S. 1–2.) Common New Jersey forms. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 124. (S. 1–2.) Common forms from New Jersey. Collection of Stephen Van Rensselaer, Newark, New Jersey.

Fig. 125. (S. 2–3.) A Mohawk Valley type. Langdon Gibson’s collection, Schenectady, New York.

Fig. 125. (S. 2–3.) A Mohawk Valley type. Langdon Gibson’s collection, Schenectady, NY.

Fig. 126. (S. 1–7.) Twenty-eight fine spear-heads. These are from the Ohio Valley, and present most of the forms of stemmed and barbed objects. John T. Reeder’s collection, Houghton, Michigan.

Fig. 126. (S. 1–7.) Twenty-eight nice spearheads. These are from the Ohio Valley and showcase most of the types of stemmed and barbed items. John T. Reeder’s collection, Houghton, Michigan.

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Fig. 127. (S. 1–3.) Two symmetrical implements. Material: reddish flint. These were found in central New Jersey, and may have been obtained by barter or exchange. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 127. (S. 1–3.) Two symmetrical tools. Material: reddish flint. These were found in central New Jersey and might have been acquired through trade or exchange. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 128. (S. 1–1.) Small, delicate obsidian points, found in a ruin, Mesa, Arizona. Andover collection.

Fig. 128. (S. 1–1.) Tiny, fragile obsidian points discovered in a ruin in Mesa, Arizona. Andover collection.

My boyhood days were spent in Greene County, Ohio, and from 1876 to 1886, and during short intervals afterwards, I diligently searched the fields and village-sites of the Little Miami River, Cæsar’s Creek, Massey’s Creek, Oldtown Run, and Shawnee Creek. The observations made by a boy are of no scientific value, save in this respect—that these hundreds of excursions, in which my mind was concentrated on flint implements and flint workings exclusively, gave me a knowledge of a distribution of flint implements in Greene County, Ohio, which has been of value to me in after years. And it is fortunate that a gentleman living in my home town, Mr. George Charters, has since collected from farmers and boys Greene County specimens to the number of three or four thousand. As his collection contains no objects of consequence outside of Greene County, one may obtain from that exhibit the proof of my contention that in Greene County, within a radius of ten miles of Xenia, Ohio, in any direction, there were, perhaps, three or four men who were exceedingly skillful in the manufacture of large spear-heads or lance-points of Flint Ridge material. These are somewhat different from other spear-heads and may be easily recognized. They are of white chalcedony, and are mottled and veined with pink or red or grey. They are usually made of the most beautiful stone to be found in the Flint Ridge quarries. They are not only oval, but if turned on edge one will observe that they are exceedingly symmetrical, being a fourth to as much as one third inch in thickness in the centre and yet tapering to an edge almost as thin as a knife-blade entirely around. The notches are evenly and deeply cut, the shoulders and tangs in sharp relief. No large flakes were detached from these implements during the final stages of manufacture; on the contrary, small minute scales or flakes were thrown off, and the finished specimen is as delicately worked as the average obsidian point from the Willamette Valley in Oregon.

My childhood was spent in Greene County, Ohio, from 1876 to 1886, and during short breaks afterward, I actively explored the fields and village sites along the Little Miami River, Cæsar’s Creek, Massey’s Creek, Oldtown Run, and Shawnee Creek. The observations made by a young boy aren’t scientifically significant, except for one thing—those hundreds of outings, where I focused solely on flint tools and their workings, gave me valuable knowledge about the distribution of flint tools in Greene County, Ohio, which has been useful to me in later years. Thankfully, a gentleman from my hometown, Mr. George Charters, has since gathered about three or four thousand Greene County specimens from farmers and kids. His collection mainly includes items from Greene County, which proves my point that within a ten-mile radius of Xenia, Ohio, in any direction, there were probably three or four individuals really skilled in making large spearheads or lance points from Flint Ridge material. These spearheads look somewhat different and can be easily identified. They are made of white chalcedony, with pink, red, or gray mottling and veining. They typically come from the most beautiful stone found in the Flint Ridge quarries. They are not just oval; when viewed edgewise, they are extremely symmetrical, being a quarter to a third of an inch thick at the center, yet tapering to an edge that’s almost as thin as a knife blade all around. The notches are evenly and deeply cut, with the shoulders and tangs sharply defined. No large flakes were removed during the final stages of production; instead, small, fine scales or flakes came off, resulting in a finished piece that is as finely crafted as the typical obsidian point from the Willamette Valley in Oregon.

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Fig. 129. (S. 1–1 and 3–4.) The large white spear-head is a little over nine inches long and was found near Marion, Grant County, Indiana. It is composed of white flint, slightly mottled. The small arrow-head was found near Laramie, Wyoming. The picture shows the exact size. This arrow-head presents wonderful workmanship. The point is almost as fine as a needle and the chipping is regular, clear to the point. It is of a dark amber color and the spots on it are moss-agate. The arrow-head is translucent. Collection of H. F. Burket, Findlay, Ohio.

Fig. 129. (S. 1–1 and 3–4.) The large white spearhead is just over nine inches long and was discovered near Marion, Grant County, Indiana. It's made of slightly mottled white flint. The small arrowhead was found near Laramie, Wyoming. The picture shows the exact size. This arrowhead displays amazing craftsmanship. The tip is almost as sharp as a needle, and the chipping is consistent and clear to the point. It has a dark amber color, and the spots on it are moss agate. The arrowhead is translucent. Collection of H. F. Burket, Findlay, Ohio.

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Fig. 130. (S. 1–2.) Two spear-heads from near Orange, New Jersey. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 130. (S. 1–2.) Two spear heads from near Orange, New Jersey. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Both Catlin and Sellars have said that the knowledge of cleavage in stone is an acquired art. We have in modern times the lapidary who works semi-precious as well as precious stones. He must understand the texture of every stone he works. So with the lapidary who worked carnelian, agate, and chalcedony—which are semi-precious stones.

Both Catlin and Sellars have stated that knowing how to cleave stone is a skill that takes practice. Today, we have lapidaries who work with both semi-precious and precious stones. They need to understand the texture of every stone they handle. This applies to the lapidaries who worked with carnelian, agate, and chalcedony—which are considered semi-precious stones.

No ordinary aboriginal workman made these specimens. They were the work of an artist who was a lapidary. He was an expert in selecting his material and he was an expert in bringing it to completion. In color and shape these specimens reminded me as a boy of a certain sun-fish in the streams in that part of Ohio, and we used to call them “sun-fish spears” to distinguish them from the others.

No regular native worker created these pieces. They were made by an artist who was a lapidary. He was skilled at choosing his materials and at crafting them into finished products. The color and shape of these pieces reminded me, as a kid, of a specific sunfish found in the streams of that part of Ohio, and we used to call them "sunfish spears" to set them apart from the others.

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Fig. 131. (S. 1–2.) Flint arrow-heads, spear-points, and knives from eastern Wisconsin. These interesting specimens represent eight types. All of them are of superior workmanship. The beautiful leaf-shaped object below the top row is especially fine. The irregular form in the centre to the right is very rare. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 131. (S. 1–2.) Flint arrowheads, spear points, and knives from eastern Wisconsin. These fascinating pieces represent eight different types. All of them are expertly crafted. The stunning leaf-shaped item below the top row is particularly remarkable. The irregular shape in the center to the right is quite rare. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

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Fig. 132. (S. 1–6.) 50 flint implements from the collection of John T. Reeder, Houghton, Michigan. These are from various portions of the Ohio Valley and Tennessee. The flint fish-hook is a rare specimen. The two objects in the lower line near the middle are interesting, in that the stems are very long and the points exceedingly short. This may be intentional or not. It may be that the objects were broken and then re-chipped.

Fig. 132. (S. 1–6.) 50 flint tools from the collection of John T. Reeder, Houghton, Michigan. These come from different areas of the Ohio Valley and Tennessee. The flint fish-hook is a rare find. The two items in the lower row toward the center are intriguing because their stems are very long while the points are very short. This could be intentional or accidental. It's possible that the items were broken and then reshaped.

There are examples of the work of these artisans in near-by sections of Ohio, but they are most common in Ross, Warren, Clinton, and Greene counties. I never heard of them in Indiana or Kentucky. From the number of them found I venture the opinion that the art was handed down through several generations, for I do not believe that two or three men could have made them all. Furthermore, there are other specimens of this same peculiar pattern to be found in southern Ohio. These, while creditably done, are not the work of an artist. The famous workmen may have had imitators, or they may have attempted to train others in order that the art might be perpetuated. Be that as it may, the other implements bear the same relationship to these beautiful products as does a copy made by an amateur of a famous painting to the work of the great artist himself. Readers are requested to study carefully the style, form, and chipping of these “S”-marked specimens shown in Fig. 115.

There are examples of the work of these artisans in nearby parts of Ohio, but they are most common in Ross, Warren, Clinton, and Greene counties. I've never heard of them in Indiana or Kentucky. Given the number of them found, I believe the art was passed down through several generations because I don’t think just two or three men could have made them all. Additionally, there are other specimens of this same unique pattern in southern Ohio. While these are well done, they aren't the work of a true artist. The famous craftsmen may have had imitators, or they may have tried to train others so that the art could continue. Regardless, the other tools are like an amateur's copy of a famous painting compared to the work of a great artist. Readers are encouraged to carefully examine the style, form, and chipping of these “S”-marked specimens shown in Fig. 115.

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Fig. 133. (S. 1–2.) Arrow-points from Oregon and Washington. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

Fig. 133. (S. 1–2.) Arrow points from Oregon and Washington. H. P. Hamilton’s collection, Two Rivers, Wisconsin.

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Fig. 134. (S. 1–1.) In this illustration are shown six different types. Note that the Colorado types are large like the Eastern, and yet are made of fine agate, chalcedony, and obsidian. The workmanship in these is better than the average because the material is more easily worked than Eastern flint or quartz. Collection of Luther A. Norland, La Jara, Colorado.

Fig. 134. (S. 1–1.) This illustration shows six different types. Notice that the Colorado types are large like the Eastern ones, yet they are made of fine agate, chalcedony, and obsidian. The craftsmanship in these is better than average because the materials are easier to work with than Eastern flint or quartz. Collection of Luther A. Norland, La Jara, Colorado.

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Fig. 135. (S. 1–1.) Long, serrated obsidian spear-head from California. A rare type as to size and form. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 135. (S. 1–1.) Long, jagged obsidian spearhead from California. A unique type in terms of size and shape. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 136. (S. 1–2.) Serrated types from California. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 136. (S. 1–2.) Serrated types from California. H. K. Deisher's collection, Kutztown, Pennsylvania.

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Fig. 137. (S. 1–2.) This figure shows a series of 39 chipped implements. These were found in various portions of Kentucky, and are in the collection of Bennett H. Young, Louisville, Kentucky. Because of the number shown, readers might infer that they are common. Such is not the case. Colonel Young was many years in collecting these specimens and they are selected after an examination of fifteen or twenty thousand chipped objects, if not more. They represent both the skill of the worker and individual fancy.

Fig. 137. (S. 1–2.) This figure displays a collection of 39 chipped tools. These were discovered in different locations throughout Kentucky and are part of Bennett H. Young's collection in Louisville, Kentucky. The quantity might lead readers to assume these tools are common, but that's not true. Colonel Young spent many years gathering these pieces, choosing them after examining fifteen to twenty thousand chipped items, if not more. They showcase both the skill of the creator and unique personal style.

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Fig. 138. (S. 1–2.) Arrow-heads, spear-heads, and a drill, which were found on the Mandan sites, on the banks of the Missouri River, North Dakota, by Mr. Steinbrueck. Material: dark agate. Phillips Academy collection. Presented by Edward H. Williams.

Fig. 138. (S. 1–2.) Arrowheads, spearheads, and a drill were discovered at the Mandan sites along the Missouri River in North Dakota by Mr. Steinbrueck. Material: dark agate. Phillips Academy collection. Presented by Edward H. Williams.

And there are many places in the United States where types that stand for the lifework of a family or of an individual, or let us say of the grandfather, and then the father, and following him the son, may be found. All of this is not opinion merely. To the man who states that all projectile points are alike,—and, surprising as that 153statement is, I have heard a number make it who should know better,—the spears referred to might seem identical with the yellow chert spears of Illinois. But if one is seriously interested in archæology let him examine an exhibit from a given locality, and I think that he will soon come to the belief that in that locality there lived one or more persons whose specialty was the manufacture of a certain type of implement made in a way that was clearly individual; and the man, or men, who made them were artists beyond question.

There are many places in the United States where you can find types that represent the work of a family or an individual, or let's say, the grandfather, then the father, and then the son. This isn't just an opinion. To someone who claims that all projectile points are the same — and as surprising as that statement is, I've heard several people who should know better say it — the spears mentioned might seem identical to the yellow chert spears of Illinois. But if someone is genuinely interested in archaeology, they should look closely at an exhibit from a specific location, and I believe they will quickly come to realize that at that site lived one or more individuals whose specialty was making a particular type of tool in a way that was distinctly personal; and the person or people who created them were clearly artists.

Fig. 139. (S. 2–3.) This remarkable problematical form in obsidian was found near Highland Springs, California. The serrations are worked in high relief. Professor Putnam saw the original, and pronounced it genuine, and compared a similar type from a grave near one of the great Maya ruins in Yucatan. Collection of E. E. Baird, Poplar Bluff, Missouri.

Fig. 139. (S. 2–3.) This intriguing and uncertain shape made of obsidian was discovered near Highland Springs, California. The serrated edges are carved in high relief. Professor Putnam examined the original and confirmed its authenticity, comparing it to a similar type found in a grave near one of the major Maya ruins in Yucatan. Collection of E. E. Baird, Poplar Bluff, Missouri.

Figs. 110 to 134 show groups from various localities in the United States including specimens under various classifications previously described. Attention is called to the central specimen in the upper row of Fig. 110. It is a long, thin, leaf-like blade, slightly notched at one end. Fig. 95 presents several serrated Oregon points; and Fig. 138 shows nine objects from the Mandan village-sites, North Dakota. The Mandan points are nearly all triangular in form with square bases. That is, before being notched or barbed they were stemmed square, or at one end angular, and seldom with convex sides. Then the notches were cut, giving the appearance of a war-point with notches.

Figs. 110 to 134 display groups from different locations in the United States, featuring specimens categorized under various classifications previously described. The focus is on the central specimen in the top row of Fig. 110. It's a long, thin, leaf-shaped blade with a slight notch at one end. Fig. 95 shows several serrated Oregon points, and Fig. 138 presents nine items from the Mandan village sites in North Dakota. The Mandan points are mostly triangular with square bases. Before being notched or barbed, they had square stems or were angular at one end, and rarely had convex sides. The notches were then cut, creating the look of a war-point with notches.

A few Mandan objects have concave bases, prominent shoulders, or barbs, but the most of them were of the form shown in the lower specimen in Fig. 138.

A few Mandan objects have curved bases, pronounced shoulders, or barbs, but most of them were shaped like the one shown in the lower specimen in Fig. 138.

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CHAPTER VIII
UNUSUAL SHAPES IN CHIPPED OBJECTS

We have presented illustrations and brief descriptions of all forms classified by the Nomenclature Committee. There remain numbers of forms which do not fit in any of the divisions. Fig. 140 shows a long, pointed object, half-size. There are two distinct projections at the top; the base is concave. Such an implement would be classed as stemmed or not stemmed according to one’s point of view. But the exaggerated shoulders are the essential features, not the stem.

We have provided illustrations and short descriptions of all the forms categorized by the Nomenclature Committee. There are still several forms that don't fit into any of the categories. Fig. 140 displays a long, pointed object at half size. There are two noticeable projections at the top, and the base is concave. This tool could be classified as either stemmed or not stemmed, depending on one's perspective. However, the prominent shoulders are the key characteristics, not the stem.

Fig. 140. (S. 1–2.) Material: dark blue flint. W. P. Agee’s collection. Found near Hope, Arkansas.

Fig. 140. (S. 1–2.) Material: dark blue flint. W. P. Agee’s collection. Found near Hope, Arkansas.

Fig. 141. (S. 1–1.) Drill-like object. There are really four barbs, or shoulders. Collection of E. E. Baird, Poplar Bluff, Missouri.

Fig. 141. (S. 1–1.) A drill-like object. It actually has four barbs, or shoulders. Collection of E. E. Baird, Poplar Bluff, Missouri.

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Fig. 142. (S. 1–1.) Collection of Mr. Kendall. This is of expanding stemmed type, yet there is observed on the right side a projection intentionally made. A few such objects have been found, and their purpose must remain problematical.

Fig. 142. (S. 1–1.) Collection of Mr. Kendall. This is an expanding stem type, but there is a noticeable projection made on the right side. A few of these objects have been discovered, and their purpose remains uncertain.

Fig. 143. (S. 1–1.) This figure is probably a knife. It was found by Mr. J. R. Smith in Rhode Island. It has a notch in the top, a large one in the side, and the cutting edge is beveled, or rather made sharply convex. Mr. Smith sent the specimen for examination. It shows evidence of considerable use. Such an object defies classification.

Fig. 143. (S. 1–1.) This figure is likely a knife. It was discovered by Mr. J. R. Smith in Rhode Island. It has a notch at the top, a large one on the side, and the cutting edge is beveled, or more accurately, sharply convex. Mr. Smith submitted the specimen for analysis. It shows signs of significant use. Such an object is hard to categorize.

Fig. 144. (S. 1–2.) Unusual forms from Pennsylvania. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 144. (S. 1–2.) Unique shapes from Pennsylvania. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 145. (S. 1–2.) Very rare form of chipped implement from California. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 145. (S. 1–2.) Very rare type of chipped tool from California. H. K. Deisher’s collection, Kutztown, Pennsylvania.

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Fig. 146. (S. 1–1.) Peculiar object from F. Delaney’s collection. Fig. 140 and also Fig. 146 are similar specimens, one from W. P. Agee’s collection, Arkansas, and the other from the cabinet of F. Delaney, Rhode Island. In both these the barbs are purposely exaggerated and made the predominant feature of the specimen. It is easy to theorize that these were worked over from broken forms, which may or may not be the case. Fig. 140, Mr. Agee’s collection, has unusual, long, rounded shoulders, the edges beveled, and the angles are very marked. Both these specimens are interesting; similar ones are not frequently found. The above specimen is of mottled flint and was found in Pulaski County, Kentucky.

Fig. 146. (S. 1–1.) Unique object from F. Delaney’s collection. Fig. 140 and also Fig. 146 are similar pieces, one from W. P. Agee’s collection in Arkansas, and the other from F. Delaney's cabinet in Rhode Island. In both cases, the barbs are intentionally exaggerated, making them the main focus of the specimen. It's easy to speculate that these were modified from broken forms, although this may or may not be true. Fig. 140 from Mr. Agee’s collection features unusual, long, rounded shoulders, beveled edges, and very distinct angles. Both specimens are intriguing; similar ones aren't commonly found. The specimen mentioned above is made of mottled flint and was found in Pulaski County, Kentucky.

Fig. 147. (S. 1–1.) An object (knife) with sloping shoulder, well-defined blade, or cutting edge. Collection of Langdon Gibson, Schenectady, New York.

Fig. 147. (S. 1–1.) An object (knife) with a sloped shoulder and a clearly defined blade or cutting edge. Collection of Langdon Gibson, Schenectady, New York.

Fig. 148. (S. 1–2.) The curved knife shown above is from one of the altars of the Hopewell group, and is shown half-size. A number of these barbed knives, made of obsidian, were taken from the Hopewell effigy mound. The material is from Yellowstone Park, and must have been brought over twenty-five hundred miles (by canoe).

Fig. 148. (S. 1–2.) The curved knife shown above is from one of the altars of the Hopewell group, displayed at half-size. Several of these barbed knives, made of obsidian, were found in the Hopewell effigy mound. The material comes from Yellowstone Park, and it must have been transported over twenty-five hundred miles (by canoe).

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Fig. 149. (S. 1–1.) This is from Wisconsin. Such specimens are beautiful examples of high art in chipping. G. L. Collie’s collection, Beloit, Wisconsin. A similar specimen to Fig. 149 is in the collection of Mr. L. Simonton of Warren County, Ohio.

Fig. 149. (S. 1–1.) This is from Wisconsin. These specimens are stunning examples of skilled craftsmanship in chipping. G. L. Collie’s collection, Beloit, Wisconsin. A similar specimen to Fig. 149 is in the collection of Mr. L. Simonton from Warren County, Ohio.

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Fig. 150. (S. 1–1.) Black, opaque obsidian with double serration; notched for handle. Very delicate workmanship. Found by James A. Barr at the Stockton Channel mound.

Fig. 150. (S. 1–1.) Black, opaque obsidian with double serration; notched for handle. Very delicate craftsmanship. Discovered by James A. Barr at the Stockton Channel mound.

Fig. 152. (S. 1–1.) Unknown form of chipped object. E. E. Baird collection, Poplar Bluff, Missouri.

Fig. 152. (S. 1–1.) Unknown type of chipped object. E. E. Baird collection, Poplar Bluff, Missouri.

Fig. 151. (S. 1–3.) “Stockton Curves.” Black obsidian, fine workmanship. James A. Barr’s collection.

Fig. 151. (S. 1–3.) “Stockton Curves.” Black obsidian, expertly crafted. James A. Barr’s collection.

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Fig. 153. (S. 1–1.) To the right a scraper or knife of finely grained chocolate quartzite. At the left, the upper specimen is a knife of white chalcedony; the lower specimen, gray jasper, assuredly a handled knife, with tang so small that it must have been used on something easy to cut. Possibly a knife for opening fish, as it was found where trout are plentiful. Point broken, cutting edge unusually sharp. Collection of Luther A. Norland, La Jara, Colorado.

Fig. 153. (S. 1–1.) On the right is a scraper or knife made of fine-grained chocolate quartzite. On the left, the upper specimen is a knife made of white chalcedony; the lower specimen is gray jasper, clearly a handled knife, with a tang so small that it would have been used on something easy to cut. It could have been a knife for opening fish, as it was discovered in an area where trout are abundant. The point is broken, and the cutting edge is unusually sharp. Collection of Luther A. Norland, La Jara, Colorado.

160In the neighborhood of Stockton, California, are many small mounds and prehistoric sites. Professor James A. Barr and the late Rev. H. C. Meredith spent considerable time in examination. As a result numerous peculiar curved and angular obsidian artifacts were discovered. I present a few views of these in Figs. 150 and 151. In “Prehistoric Implements,” page 362, Professor Barr expresses his opinion that the curves were used to scarify the flesh on ceremonial occasions. This was a universal custom among Indians, particularly the tribes west of the Mississippi and along the Pacific Coast.

160In the Stockton, California area, there are many small mounds and ancient sites. Professor James A. Barr and the late Rev. H. C. Meredith spent a lot of time studying them. As a result, they found many unusual curved and angular obsidian tools. I’ve included a few pictures of these in Figs. 150 and 151. In “Prehistoric Implements,” page 362, Professor Barr shares his belief that the curves were used to make scars on the flesh during ceremonies. This was a common practice among Native Americans, especially the tribes west of the Mississippi and along the Pacific Coast.

Fig. 154. (S. 1–2.) This cut presents peculiar serrated unknown forms from the Fraser River, British Columbia. These were found by Harlan I. Smith.

Fig. 154. (S. 1–2.) This image showcases unique, serrated unknown shapes from the Fraser River in British Columbia. These were discovered by Harlan I. Smith.

The peculiar thing is that these curves are confined to the locality of Stockton and do not occur elsewhere. Therefore, my individual theory is that certain skilled workers in obsidian developed or made a specialty of this form. In other words, a peculiar art was developed by a certain clan or group of families, as has been observed in Greene County, Ohio.

The strange thing is that these curves are limited to the area around Stockton and don’t show up anywhere else. So, my personal theory is that some skilled artisans in obsidian focused on or specialized in this type. In other words, a unique craft was developed by a particular clan or group of families, similar to what has been seen in Greene County, Ohio.

Fig. 155. (S. 1–2.) This is a flint chipped in an imitation of a moose antler, and was found by W. H. Davis in Lowell County, Ohio. It is a remarkable specimen.

Fig. 155. (S. 1–2.) This is a flint shaped to look like a moose antler, and was discovered by W. H. Davis in Lowell County, Ohio. It is an impressive specimen.

Regarding the amount of obsidian available for chipping, Professor Barr states: “The great obsidian beds of Lake and Napa counties, which I have examined several times, could furnish all the Indians of the United States with material for generations. The hills are full of great blocks of obsidian, too heavy for a man to handle, and it breaks as straight as a shingle.”

Regarding the amount of obsidian available for chipping, Professor Barr states: “The large obsidian deposits in Lake and Napa counties, which I have examined several times, could provide all the Native Americans in the United States with enough material for generations. The hills are filled with massive blocks of obsidian, too heavy for a person to carry, and it breaks as cleanly as a shingle.”

161

Fig. 156. (S. 1–1.) A fish, a crescent, and possibly a bird, together with highly specialized points in carnelian and moss-agate, found near Arlington, Oregon. The skilled worker was able to make effigies of human beings, as well as of birds and animals, in agate, etc. F. A. Thomas’s collection, California.

Fig. 156. (S. 1–1.) A fish, a crescent, and possibly a bird, along with highly specialized points made of carnelian and moss-agate, discovered near Arlington, Oregon. The skilled artisan could create representations of humans as well as birds and animals in materials like agate, etc. F. A. Thomas’s collection, California.

162I call attention to Fig. 160, from Mr. Reeder’s collection, Michigan. In this plate are seven large flint objects. The spear-head does not differ from other similar kinds of spears, but the flint celt, to the right, is unusually well-shaped and so highly polished that the flake depressions are scarcely visible. To obliterate all traces of chipping must have required a great deal of labor. The round, flat disc at the bottom is very carefully worked, and cannot be classed as unfinished. It is purposely worked in this form. What was the object of the natives in making this, I leave to others.

162 I want to highlight Fig. 160 from Mr. Reeder’s collection in Michigan. This image shows seven large flint objects. The spearhead is similar to other types of spears, but the flint celt on the right is impressively shaped and so polished that the flake marks are barely noticeable. Removing all signs of chipping must have taken a significant amount of effort. The round, flat disc at the bottom is meticulously crafted and can’t be considered unfinished; it’s intentionally shaped this way. I’ll leave the purpose of this object to others to discuss.

Fig. 157. (S. 1–9.) In addition to other specimens, this represents four Indian heads, showing both the features and the method of hair-dressing. These are from the collection of J. T. Reeder, Houghton, Michigan, and were collected by him in Tennessee and Kentucky.

Fig. 157. (S. 1–9.) Besides other examples, this shows four Indian heads, displaying both the facial features and their hairstyles. These are from J. T. Reeder's collection in Houghton, Michigan, and were gathered by him in Tennessee and Kentucky.

The human head shaped out of flint is such as is occasionally found in Tennessee in the stone graves. Some similar heads are shown on a smaller scale, in Fig. 157, of Mr. Reeder’s collection. At the top to the left, in Fig. 160, are two of those problematical forms in flint which have so puzzled archæologists. These, together with the slender dagger-shaped objects of prodigious length, have for many years been listed under that opprobrious name, “ceremonial swords.”

The human head made from flint is something that is sometimes discovered in stone graves in Tennessee. Some similar heads are displayed on a smaller scale in Fig. 157 from Mr. Reeder’s collection. At the top left in Fig. 160, there are two of those puzzling flint forms that have confused archaeologists. These, along with the long, slender dagger-shaped objects, have for many years been labeled with the unfortunate term “ceremonial swords.”

163

Fig. 158. (S. 2–3.) This illustration represents three animals and four birds, all chipped out of flint, and in the possession of H. M. Braun, East St. Louis, Illinois.

Fig. 158. (S. 2–3.) This illustration shows three animals and four birds, all carved from flint, and owned by H. M. Braun, East St. Louis, Illinois.

164The remarkable problematical forms in flint which have been called “stone swords,” shown in Figs. 161 and 162, deserve special mention. These are part of a series of forty-six flint implements which were found in Tennessee. I surrender the pen to Mr. W. J. Seever, former curator of the Missouri Historical Society Museum, who furnished the following description:—

164The interesting and puzzling flint shapes known as “stone swords,” illustrated in Figs. 161 and 162, deserve special attention. They are part of a collection of forty-six flint tools discovered in Tennessee. I now turn it over to Mr. W. J. Seever, former curator of the Missouri Historical Society Museum, who provided the following description:—

“On the banks of the beautiful Duck River, Humphreys County, Tennessee, near Painted Rock, on the farm of Mr. Banks Links, are the remains of an extensive, ancient, stone-grave cemetery, which at one time contained hundreds upon hundreds of stone cists. The land having been in cultivation for many years, wagon-loads of flat rocks used in building the graves have been carted off and the human remains scattered; innumerable objects of prehistoric art have been turned up by the plow and are now among the collections of the Ohio Valley.

“On the banks of the beautiful Duck River in Humphreys County, Tennessee, near Painted Rock, on Mr. Banks Links' farm, are the remnants of a large, ancient stone-grave cemetery that once held hundreds of stone cists. After many years of farming, wagonloads of flat rocks that were used to build the graves have been removed, and the human remains have been disturbed; countless prehistoric art objects have been discovered by the plow and are now part of collections in the Ohio Valley.”

Fig. 159. (S. about 1–4.) Effigies in flint, from the collection of J. T. Reeder, Houghton, Michigan; from stone graves near Waverly, Tennessee.

Fig. 159. (S. about 1–4.) Flint figures from J. T. Reeder's collection in Houghton, Michigan; taken from stone graves near Waverly, Tennessee.

165

Fig. 160. (S. about 1–3.) From John T. Reeder’s collection, Houghton, Michigan. I know of few more remarkable finds in American archæology than this series of flint implements which were collected in Tennessee by Mr. Reeder.

Fig. 160. (S. about 1–3.) From John T. Reeder’s collection, Houghton, Michigan. I know of few more remarkable discoveries in American archaeology than this set of flint tools that Mr. Reeder collected in Tennessee.

166“In December, 1894, an employé of Mr. Links, while plowing in this field, turned up several implements. Their form and size being unusual, time was taken to dig, and the objects as shown in the accompanying illustration were found. According to the words of the finder, they were simply ‘in a bunch’; nothing unusual in the manner of the deposit was noted. The find was talked of and commented upon for several months. The precise spot having been carefully noted, further digging was done in the following March. At a depth of a foot or two below where the flint objects had been deposited, two images or idols were found. Whether the deposits had been associated with human remains, it was impossible to determine. From appearances and accounts of the discovery, the images were placed in the ground side by side, in an upright position, the flints in a compact ‘bunch’ immediately above. On all sides were remains of graves, but so many of these graves having been disturbed and the stones removed in cultivation, that with certainty it cannot be said that the find was a deposit with the dead, although the writer inclines to the opinion that they were and that the stone cist lay immediately above the cache of objects.”

166 “In December 1894, an employee of Mr. Links was plowing in this field when he discovered several tools. Their unusual shape and size prompted him to dig further, and the items shown in the accompanying illustration were uncovered. According to the finder, they were simply 'in a bunch'; nothing unusual was noted about how they were deposited. The discovery was discussed and commented on for several months. The exact location was carefully recorded, and additional digging took place the following March. A foot or two below where the flint objects had been found, two figures or idols were discovered. It was impossible to determine if the deposits were connected to human remains. Based on appearances and reports of the discovery, the figures were placed in the ground side by side, upright, with the flints in a tight 'bunch' directly above them. Surrounding them were signs of graves, but many of these graves had been disturbed and the stones removed due to farming, making it impossible to confirm that the find was a burial deposit, although the writer believes they were, and that the stone cist was right above the cache of objects.”

General Thruston says of such forms:—

General Thruston has said about such forms:—

“The symmetry and beauty of the handle, the exact projections on opposite sides, the tapering forms and the evidently important place these rare objects must have held in the religious and social life of the old Tennesseeans, all invest them with peculiar interest.

“The symmetry and beauty of the handle, the precise projections on opposite sides, the narrowing shapes, and the clearly significant role these rare objects must have played in the religious and social life of the old Tennesseans all give them a unique appeal."

“Here we have, in all probability, the sceptres or royal maces once used by the magnates of the race that built the mounds and fortifications of middle Tennessee. They may have been the insignia of chieftainship or of the priesthood.”

“Here we likely have the scepters or royal maces once used by the leaders of the people who built the mounds and fortifications of middle Tennessee. They might have been symbols of leadership or of the priesthood.”

I feel confident in asserting that nowhere in the world has the equal of these magnificent flint implements been found. The maker of such forms was a Stone-Age artist of remarkable skill.

I firmly believe that there's nothing like these amazing flint tools anywhere in the world. The person who created them was a Stone Age artist with extraordinary talent.

Fig. 137 exhibits 39 remarkable chipped objects from Colonel B. H. Young’s collection, Louisville, Kentucky. There are, perhaps, more specialized flint artifacts found in Kentucky and Tennessee than elsewhere in North America. Some of these can be classified, but most of the 39 objects represent individual fancy. The master workman exerted himself to produce unusual types, and being a master at flint-flaking he rounded out his work skillfully and artistically. Readers are requested to examine Fig. 137 with some care.

Fig. 137 shows 39 impressive chipped items from Colonel B. H. Young’s collection in Louisville, Kentucky. There may be more specialized flint artifacts found in Kentucky and Tennessee than in other parts of North America. Some of these can be categorized, but most of the 39 items are unique creations. The master craftsman made an effort to create distinctive types, and as an expert in flint-flaking, he finished his work skillfully and artistically. Readers are encouraged to take a close look at Fig. 137.

167

Fig. 161. (S. about 1–3.)

Chipped problematical forms, from a grave in Tennessee. Missouri Historical Society collection. (See page 164.)

Fig. 161. (S. about 1–3.)

Chipped unclear shapes, found in a grave in Tennessee. Part of the Missouri Historical Society collection. (See page 164.)

169Figures 161 and 162 illustrate problematical forms in flint from a grave in Tennessee. See pages 164–166. Missouri Historical Society collection, St. Louis, Missouri.

169Figures 161 and 162 show problematic flint shapes found in a grave in Tennessee. See pages 164–166. Missouri Historical Society collection, St. Louis, Missouri.

These specimens are part of a deposit of forty-six and vary from eight to twenty-two inches in length. The longest one in Fig. 161 is twenty inches. All of them exhibit unusual skill in their manufacture.

These specimens are part of a collection of forty-six and range from eight to twenty-two inches in length. The longest one shown in Fig. 161 is twenty inches. All of them display exceptional craftsmanship in their creation.

171

Fig. 162.

The same as Fig. 161.

Fig. 162.

The same as Fig. 161.

173

Fig. 163. (S. about 1–3.)

Chipped axes and hoes. F. P. Graves’s collection, Doe Run, Missouri.

Fig. 163. (S. about 1–3.)

Chipped axes and hoes. F. P. Graves’s collection, Doe Run, Missouri.

175

CHAPTER IX
Farming equipment

According to our classification, we should place under our first division, “Chipped objects, without Stem,” all the spades and agricultural implements except those that are stemmed, or notched. Some of the Pennsylvania roughly chipped hoes might be considered as stemmed. But the chipped hoes of the Mississippi Valley are simply angular spades to which have been added notches by the aborigines. I have, therefore, thought best to describe them all under the general title of agricultural implements.

According to our classification, we should put "Chipped objects, without Stem" in our first category, which includes all the spades and farming tools except those that have stems or notches. Some of the roughly chipped hoes from Pennsylvania might be seen as having stems, but the chipped hoes from the Mississippi Valley are just angular spades with notches added by the Indigenous people. So, I’ve decided to describe them all under the general category of agricultural implements.

Fig. 164. (S. 1–3.) These specimens were found in Illinois and made of Mill Creek, Illinois, material. H. M. Whelpley’s collection, St. Louis, Missouri.

Fig. 164. (S. 1–3.) These specimens were found in Illinois and made of material from Mill Creek, Illinois. H. M. Whelpley’s collection, St. Louis, Missouri.

176It is quite likely that some of them are ceremonial in character rather than mere agricultural tools; for one cannot conceive that the fine work on the lower specimens in Fig. 167 is indicative of use as a common digging-tool.

176It's quite possible that some of them are more ceremonial than just simple agricultural tools; it's hard to believe that the intricate design on the lower specimens in Fig. 167 suggests they were used as ordinary digging tools.

Fig. 165. (S. 1–6.) Typical oval spades. Missouri Historical Society collection.

Fig. 165. (S. 1–6.) Typical oval spades. Collection of the Missouri Historical Society.

A classification of agricultural implements would be, it seems to me:—

A classification of agricultural tools would be, it seems to me:—

(a)
Notched, flint or stone digging-tools. (See Figs. 163, 164.)
(b)
Oval spades. (See Fig. 165.)
(c)
Increasing diameter towards digging-end. (See Fig. 166 and several in 168.)
(d)
Flaring or convex or angular digging-end. (See Figs. 167, 170.)

Objects of the general shape of those shown in Fig. 182 are scattered throughout a considerable portion of the United States. Of course, some of the notched, chipped objects may be axes instead of hoes or agricultural implements, and I have illustrated such in 177Figs. 173 to 177. But there are roughly notched and shouldered objects which may be hoes instead of axes. These are not necessarily all flint, for some are of shell, limestone, and other materials.

Objects similar to those shown in Fig. 182 are spread across a large area of the United States. Of course, some of the notched, chipped items might be axes rather than hoes or farming tools, and I've illustrated these in 177 Figs. 173 to 177. However, there are also roughly notched and shouldered items that might be hoes instead of axes. These aren't exclusively made of flint, as some are crafted from shell, limestone, and other materials.

Fig. 163 is a group of six from Mr. F. P. Graves’s collection, Doe Run, Missouri. Three of them are certainly digging-tools, whereas the other three may be axes.

Fig. 163 shows a group of six items from Mr. F. P. Graves’s collection in Doe Run, Missouri. Three of them are definitely digging tools, while the other three might be axes.

Fig. 166. (S. 1–5.) Collection of Missouri Historical Society, St. Louis, Missouri.

Fig. 166. (S. 1–5.) Collection of the Missouri Historical Society, St. Louis, Missouri.

In Fig. 164 are shown notched or shouldered hoes of more primitive type than the hoes in Fig. 166. Many of these, together with rough spades, are found in Missouri, Arkansas, and Illinois. The beautifully chipped flint spade is the exception. But there are a large number of spades which are graceful in outline and well made, and which are typified in the exhibits from the Missouri Historical Society shown in Fig. 165.

In Fig. 164, you can see notched or shouldered hoes that are more primitive than the hoes in Fig. 166. Many of these, along with rough spades, can be found in Missouri, Arkansas, and Illinois. The beautifully chipped flint spade is an exception. However, there are many spades that are elegantly shaped and well-crafted, as represented in the exhibits from the Missouri Historical Society shown in Fig. 165.

The long spade-like objects are never notched, but they are frequently narrow at the top, or flaring at the base. Note the lower specimen to the right in Fig. 167.

The long spade-shaped objects are never notched, but they are often narrow at the top or flaring at the base. Take a look at the lower specimen to the right in Fig. 167.

The hoes are really small spades. Hoes may be oval or angular.

The hoes are actually small spades. Hoes can be oval or angular.

178A third class, shown at the top in Fig. 167, is a highly specialized form.

178A third class, shown at the top in Fig. 167, is a very specialized form.

Fig. 168 presents several specimens of oval type, chiefly from Missouri, Arkansas, and Illinois, from F. P. Graves’s collection, Doe Run, Missouri. Further study of these will give readers a general idea of the range through which these implements pass. These are all of the more simple forms, save some of the larger ones just above the elongated pestle. The two to the left, in the upper row, are angular and not oval spades.

Fig. 168 shows several examples of oval types, mainly from Missouri, Arkansas, and Illinois, from F. P. Graves’s collection in Doe Run, Missouri. Further examination of these will give readers a general idea of the range of these tools. They are all simpler in design, except for some of the larger ones just above the elongated pestle. The two on the left in the top row are angular and not oval spades.

In Fig. 169 are shown five interesting notched hoes from B. H. Young’s collection. These are not as highly finished as those in Fig. 166, but they exhibit a pointed hoe and hoes with a curved edge and the hoe with the digging-edge almost straight.

In Fig. 169, five intriguing notched hoes from B. H. Young’s collection are displayed. While they aren't as finely crafted as those in Fig. 166, they feature a pointed hoe, some with a curved edge, and one hoe with a digging edge that's nearly straight.

It may be decided, after thorough investigation, that the finer spades were used for a particular purpose or in the cultivation of sacred ground. Mr. Sellars thought that the spades evince more care and skill in their manufacture than the other implements.

It might be determined, after careful investigation, that the finer spades were used for a specific purpose or in the cultivation of sacred land. Mr. Sellars believed that the spades show more care and skill in their making than the other tools.

Formerly, there was some question as to just what purpose these served, but we know now that their distribution was confined to the rich soils of the central Mississippi basin. They do not occur at all frequently in the far South, neither are they found in the Great Plains proper, save perhaps occasionally in eastern Kansas and central Iowa. The polished edges of many of them plainly indicate that they were made use of by the more sedentary tribes to prepare the ground for the planting of corn, beans, squashes, and such other seeds as the Indians possessed. Judging from the prodigious number of these implements in the hands of museums and private collectors, agriculture was carried on by the natives in no small measure. The chipping on most of them is rather rough. It was not necessary for the ancient worker in flint to exert his skill on an implement designed for a rough, although a very useful purpose, yet there are specimens not lacking in the museums to prove that the implement was blocked out after the ordinary fashion, and by means of secondary chipping, small flakes were detached and the surface made as smooth and even as that of a large spear-head.

Previously, there was some debate about what these objects were used for, but we now understand that their distribution was limited to the fertile soils of the central Mississippi basin. They are not commonly found in the far South, nor are they present in the Great Plains, except perhaps occasionally in eastern Kansas and central Iowa. The polished edges of many of them clearly show that they were used by more settled tribes to prepare the land for planting corn, beans, squash, and other seeds that the Indigenous people had. Given the huge number of these tools held by museums and private collectors, it's clear that the natives engaged in agriculture to a significant extent. The chipping on most of them is quite rough. It wasn't necessary for the ancient flint worker to show much skill on tools meant for a rough, but very practical purpose, although there are examples in museums that demonstrate these tools were crafted in the usual way, and through secondary chipping, small flakes were removed, making the surface as smooth and even as that of a large spearhead.

179

Fig. 167. (S. 1–3.) Flint spades and a hoe—all three unusually fine objects. J. T. Reeder’s collection, Houghton, Michigan.

Fig. 167. (S. 1–3.) Flint shovels and a hoe—all three are exceptional items. J. T. Reeder’s collection, Houghton, Michigan.

180As to the polish on these things, there are some who contend that it is due to action of the soil, that a patina or coating of some sort accumulates. In other words, the polish is said to be a result of chemical action. Others have thought it due to long-continued use. Some spades, hoes, and flint celts exhibit this polish, others do not. The polish appears on specimens which look as if they had been long used. Yet all specimens showing much use do not exhibit the polish. But the most significant thing to my mind in favor of the theory that the polish is due to use, lies in the fact that it is not found on long flakes, spalls, or blades from quarries where flint suitable for agricultural implements was taken out and removed. Some of the quarry pits must be very old, yet polish does not appear on specimens found there. Again, if polish is due to some elements in the soil of river terraces, then one would suppose that the whole surfaces of the implements would be polished. But only the ends are polished, and always the end used in digging—that is, the edge of the spade.

180Some people argue that the shine on these tools comes from the soil, accumulating a patina or coating. In other words, they believe the polish is a result of chemical reactions. Others think it comes from prolonged use. Some spades, hoes, and flint tools have this polish, while others do not. The polish appears on items that seem to have been used for a long time. However, not all tools that show significant wear have this polish. To me, the most compelling evidence supporting the idea that the polish comes from use is that it's not found on long flakes, pieces, or blades from quarries where flint for agricultural tools was extracted. Some of these quarry sites must be quite old, yet polish is absent on the items found there. Additionally, if the polish resulted from certain elements in the soil of river terraces, we would expect the entire surface of the tools to be shiny. But only the ends are polished, specifically the end used for digging—that is, the edge of the spade.

May 5, 1910, I lectured in Springfield, Illinois. Spades are numerous in the region lying between Springfield, Illinois, and the Mississippi River. Therefore, I took occasion to inquire particularly into the circumstances observed when spades were found, in order to settle this question as to polish. A number of gentlemen, who have collected several hundred spades, furnished me with much information with reference to conditions under which spades are found. Mr. H. M. Braun of East St. Louis, who lives near the Cahokia group of mounds, has one hundred and eighty-seven spades and more than a hundred hoes and two or three hundred flint celts and rough chipped implements in his collection. Mr. Braun informs me that no one who has found or collected spades could by any possibility believe that the polish is the result of chemical action. His reasons are as follows: First, that the polish is found on spades irrespective of location; that is, a spade may be found in the Mississippi bottoms, where the soil is very rich, or on the upland, or near a quarry. And it may or may not be polished. Second, that spear-heads, arrow-points, and knives of the same material as the spades do not show the polish. Third, that spades, hoes, and projectile points of the same material, from the same field, do not exhibit this polish. It is only the spade which has long been used, the edge of which is polished. If the polish is due to chemical action, the same polish would be found on small as well as large objects, or all the objects of a given locality would present that polish.

On May 5, 1910, I gave a lecture in Springfield, Illinois. Spades are abundant in the area between Springfield, Illinois, and the Mississippi River. So, I took the opportunity to ask about the circumstances when spades were found to address the question of polish. Several gentlemen who have collected hundreds of spades provided me with a lot of information regarding the conditions under which spades are found. Mr. H. M. Braun of East St. Louis, who lives near the Cahokia mounds, has one hundred eighty-seven spades, over a hundred hoes, and around two or three hundred flint celts and rough chipped tools in his collection. Mr. Braun tells me that no one who has found or collected spades could possibly believe that the polish is a result of chemical action. His reasons are as follows: First, the polish is found on spades regardless of location; that is, a spade may be found in the rich soil of the Mississippi bottoms, on the upland, or near a quarry, and it may or may not be polished. Second, spearheads, arrow points, and knives made from the same material as the spades do not show the polish. Third, spades, hoes, and projectile points made from the same material, found in the same area, do not exhibit this polish. Only the spade that has been used for a long time, with its edge polished, shows this characteristic. If the polish were due to chemical action, the same polish would appear on both small and large objects, or all objects in a given area would display that polish.

In view of these facts, it is beyond question that the polish is due to use, and it is quite clear that any one who takes the opposite point of view is not familiar with the locality and conditions under which spades are found.

In light of these facts, it's clear that the shine comes from use, and anyone who disagrees simply doesn’t understand the area and circumstances where spades are found.

181

Fig. 168. (S. about 1–6.)

Oval and other spades, from the collection of F. P. Graves,
Doe Run, Missouri.

Fig. 168. (Approx. 1–6.)

Oval and other spades from the collection of F. P. Graves,
Doe Run, Missouri.

183

Fig. 169. (S. 1–3.) Shouldered hoes. Large hoe measures 9½ inches in length. Material: yellow chert. B. H. Young’s collection, Louisville, Kentucky.

Fig. 169. (S. 1–3.) Shouldered hoes. The larger hoe is 9½ inches long. Material: yellow chert. B. H. Young’s collection, Louisville, Kentucky.

184Mr. Charles E. Brown, Chief of the Wisconsin Historical Society Museum at Madison, reports upon flint spades as follows:—

184Mr. Charles E. Brown, the Head of the Wisconsin Historical Society Museum in Madison, provides the following report on flint spades:—

Fig. 170. (S. 1–4.) This is a surface find, from near Edwardsville, Madison County, Illinois. Material: chert, straw color. Collection of H. M. Braun, East St. Louis, Illinois.

Fig. 170. (S. 1–4.) This is a surface find from near Edwardsville, Madison County, Illinois. Material: chert, straw color. Collection of H. M. Braun, East St. Louis, Illinois.

“A small number of these have been found in Wisconsin, specimens being recovered as far north as Green Lake and Sheboygan counties. Most are oval or elliptical in outline, and are made of the same quality of flint as are the fine agricultural implements of the middle Mississippi Valley. It is likely that they were introduced through aboriginal trade relations with tribes located in that region. One of the largest measures thirteen and three fourths inches in length. A few spades are manufactured of materials procurable in Wisconsin. In the collections of the State Historical Museum is a fine example made of brown quartzite.

“A small number of these have been found in Wisconsin, with specimens recovered as far north as Green Lake and Sheboygan counties. Most are oval or elliptical in shape and are made from the same quality of flint as the fine agricultural tools from the middle Mississippi Valley. It’s likely that they were brought in through trade relations with tribes located in that region. One of the largest measures thirteen and three-fourths inches in length. A few spades are made from materials available in Wisconsin. In the collections of the State Historical Museum, there is a fine example made of brown quartzite.”

“Several notched flint hoes have also been found in southern Wisconsin. They are made of local flint, but are patterned after those of the middle Mississippi Valley.”

“Several notched flint hoes have also been found in southern Wisconsin. They are made of local flint but are designed after those from the middle Mississippi Valley.”

It is curious that no spades have been found in Southern Indiana and Ohio.

It’s interesting that no spades have been found in Southern Indiana and Ohio.

185

Fig. 171. (S. 1–4.) These beautiful spades and the hoe are from the Mississippi “Bottoms,” near the Cahokia mound. Note the concave base in the hoe, and the squared stem. Very few such hoes are found. Material: straw-colored, cherty flint. H. M. Braun’s collection, East St. Louis, Illinois.

Fig. 171. (S. 1–4.) These stunning spades and hoe come from the Mississippi “Bottoms,” close to the Cahokia mound. Pay attention to the curved base of the hoe and the flat handle. There are very few hoes like this. Material: straw-colored, cherty flint. H. M. Braun’s collection, East St. Louis, Illinois.

186

CHAPTER X
Flint Celts and Axes

Closely related to hoes and spades are the flint celts, and occasionally a chipped flint object notched on either side, which may have served as an axe. Flint axes are sometimes found east of the Mississippi, but they are more common in Missouri, Arkansas, and Kansas. The ones from the site of Harahey and Quivira are rude, being flint turtlebacks or rejects notched on either side, but those from Wisconsin and a few from the South are better made and evince some skill in their manufacture.

Closely related to hoes and spades are flint celts, and sometimes there’s a chipped flint object notched on both sides, which might have been used as an axe. Flint axes are sometimes found east of the Mississippi, but they’re more common in Missouri, Arkansas, and Kansas. The ones from the Harahey and Quivira sites are rough, being flint turtlebacks or rejects notched on both sides, but those from Wisconsin and a few from the South are better made and show some skill in their crafting.

Fig. 172. (S. 1–2.) A notched axe from the collection of A. M. Brooking, Trumbull, Nebraska. These notched axes are frequently found west of the Mississippi River in various portions of Kansas, Missouri, Iowa, Nebraska, and Arkansas.

Fig. 172. (S. 1–2.) A notched axe from the collection of A. M. Brooking, Trumbull, Nebraska. These notched axes are commonly found west of the Mississippi River in different parts of Kansas, Missouri, Iowa, Nebraska, and Arkansas.

There are rude, notched chipped implements of the type shown in Fig. 172, which may not be of flint but of other materials. This one is from Mr. A. M. Brooking’s collection, Trumbull County, 187Nebraska. It is very like types from Pennsylvania. A large implement slightly notched in the side, found in La Jara, Colorado, is shown in Fig. 175. This is of clear chalcedony, and a very fine specimen.

There are rough, notched chipped tools like the one shown in Fig. 172, which may not be made of flint but of other materials. This particular piece is from Mr. A. M. Brooking’s collection in Trumbull County, 187 Nebraska. It closely resembles types from Pennsylvania. A large tool that is slightly notched on the side, found in La Jara, Colorado, is shown in Fig. 175. This tool is made of clear chalcedony and is a very fine specimen.

Fig. 173. (S. 1–1.) Notched flint axe, or rough implement from the collection of F. Wetherington, Paducah, Kentucky. This is of chert and may have originally been a turtleback, but was afterwards hafted in a handle.

Fig. 173. (S. 1–1.) Notched flint axe or a basic tool from the collection of F. Wetherington, Paducah, Kentucky. This is made of chert and may have originally been a turtleback, but was later attached to a handle.

Mr. Dudley A. Martin of Pennsylvania has mounted a large, flint implement in a handle which I show in Fig. 176. Two specimens, one from Iowa and one from Kansas, from our Andover collection, are shown in Fig. 174, and one from Kentucky in Fig. 173.

Mr. Dudley A. Martin from Pennsylvania has attached a large flint tool to a handle, which I display in Fig. 176. Two examples, one from Iowa and one from Kansas, from our Andover collection, are shown in Fig. 174, and one from Kentucky is in Fig. 173.

An unusually well-chipped, notched, flint axe is shown in Fig. 177. It was found by Mr. W. H. Davis near the mouth of the Muskingum River in Ohio. The types of flint celts vary.

An unusually well-chipped, notched flint axe is shown in Fig. 177. It was found by Mr. W. H. Davis near the mouth of the Muskingum River in Ohio. The types of flint celts vary.

I show five ordinary ones from Mr. Mitchell’s collection, Ripon, Wisconsin, in Fig. 178, and the ten various forms of celts from the Andover collection in Fig. 180.

I display five typical examples from Mr. Mitchell’s collection in Ripon, Wisconsin, in Fig. 178, and the ten different types of celts from the Andover collection in Fig. 180.

188

Fig. 174. (S. 2–3.) Collection of Phillips Academy, Andover. One from Iowa, the other from Kansas. The edges are worn smooth and they both show considerable use. They are covered with patina and appear very old.

Fig. 174. (S. 2–3.) Collection of Phillips Academy, Andover. One is from Iowa, and the other is from Kansas. The edges are worn smooth, and both show significant use. They are covered in patina and look very old.

189

Fig. 175. (S. 1–1.) Double-bitted war-axe, chipped out, but never polished. Dull chalcedony, tipped at each cutting edge with red. Flecked in the middle with gray spots. Luther A. Norland collection, La Jara, Colorado.

Fig. 175. (S. 1–1.) Double-headed war axe, roughly carved, but not polished. Dull chalcedony, with red at each cutting edge. Speckled in the middle with gray spots. Luther A. Norland collection, La Jara, Colorado.

190

Fig. 176. (S. 2–5.) Supposed method of hafting the notched flint implements. Such objects would make formidable weapons for use in close quarters. Collection of Dudley A. Martin, Duboistown, Pennsylvania.

Fig. 176. (S. 2–5.) Proposed way of attaching notched flint tools. These items would serve as powerful weapons in close combat. Collection of Dudley A. Martin, Duboistown, Pennsylvania.

191There is a lesson to be drawn from the preponderance of these flint celts and axes over those of granite or limestone. Where flint is more common—as in the Ozarks—than other materials, aboriginal man modified his form of hatchet in accordance with the material at hand. It would be too hard for him to groove a flint axe. He, therefore, notched the sides of the rough blade or turtleback, and lashed it in the handle. If the blade got dull he scaled off a few flakes and restored the cutting edge. Flint axes made convenient and formidable implements and weapons. There was an abundance of surface flint in Indian Territory and Kansas, as well as quarry material. And the flint celt became widespread from a point about two hundred miles east of the Mississippi in Tennessee and Kentucky to southern Iowa and southern Indian Territory, three hundred miles west of the Mississippi. Outside of this belt flint celts are rare. Yet in widespread areas where flint abounds, celts and kindred implements of flint are not found. The range of the flint celts is from the rough implements to the highly developed spud-shaped polished flint celts found in Tennessee graves.

191There's a lesson to learn from the dominance of these flint tools and axes compared to those made of granite or limestone. In places where flint is more easily accessible—like the Ozarks—indigenous people adapted their hatchet designs to the materials available. Grooving a flint axe would be too difficult, so instead, they notched the sides of the rough blade or turtleback and secured it to the handle. When the blade became dull, they chipped off a few flakes to restore the cutting edge. Flint axes were practical and powerful tools and weapons. There was plenty of surface flint in Indian Territory and Kansas, along with quarry materials. The flint celt became common from about two hundred miles east of the Mississippi in Tennessee and Kentucky to southern Iowa and southern Indian Territory, three hundred miles west of the Mississippi. Outside of this area, flint celts are uncommon. However, in many regions where flint is abundant, celts and similar flint tools are scarce. The types of flint celts range from rough tools to the finely crafted spud-shaped polished flint celts discovered in Tennessee burial sites.

Fig. 177. (S. 1–2.) More highly specialized notched implement, from the collection of W. H. Davis, Lowell, Ohio. Dark, bluish-gray flint. Found on the banks of the Muskingum River, near Marietta, Ohio, in 1887.

Fig. 177. (S. 1–2.) A more specialized notched tool, from the collection of W. H. Davis, Lowell, Ohio. Dark bluish-gray flint. Discovered along the banks of the Muskingum River, near Marietta, Ohio, in 1887.

These flint celts are usually rough, but frequently present a very high polish, indicating a long and continued use. Particularly is this polish noticed on the edges. The form of them does not vary as much as the forms of the celts in granite, limestone, sandstone, porphyry, or other materials. But flint celts may be divided into two classes, the oval form and the form with the sides somewhat square. I think the latter class represents the art of more skillful workmen. The specimens thus made are more nearly like the European type of square flint celts than are our other prehistoric implements. Flint axes form, of course, a separate division or class from the celts.

These flint celts are generally rough, but often show a very high polish, indicating they were used for a long time. This polish is especially noticeable on the edges. Their shape doesn’t vary as much as that of celts made from granite, limestone, sandstone, porphyry, or other materials. However, flint celts can be divided into two categories: the oval shape and the shape with somewhat square sides. I believe the latter category represents the work of more skilled artisans. The pieces made this way resemble the European type of square flint celts more closely than our other prehistoric tools. Flint axes, of course, form a separate category from the celts.

192

Fig. 178. (S. 1–2.) Five flint celts from the collection of S. D. Mitchell, Ripon, Wisconsin. Such are found in Wisconsin as well as other parts of the country.

Fig. 178. (S. 1–2.) Five flint celts from S. D. Mitchell's collection in Ripon, Wisconsin. These are found in Wisconsin and other regions across the country.

193

Fig. 179. (S. 1–3.) Polished celts of flint. Upper row, adze-shaped; lower row, celt-shaped. From central and southern Kentucky. B. H. Young’s collection, Louisville, Kentucky.

Fig. 179. (S. 1–3.) Smooth flint tools. Top row, adze-shaped; bottom row, celt-shaped. From central and southern Kentucky. B. H. Young’s collection, Louisville, Kentucky.

194

Fig. 180. (S. 1–2.) Ten flint celts of various types, Phillips Academy collection, Andover. These are of chert, jasper, and argillite, and were found in Kentucky, Arkansas, Missouri, and Iowa. They range from square celts to oval, although the cutting edge is usually at one end.

Fig. 180. (S. 1–2.) Ten flint celts of different types, Phillips Academy collection, Andover. These are made of chert, jasper, and argillite, and were discovered in Kentucky, Arkansas, Missouri, and Iowa. They vary from square to oval shapes, although the cutting edge is typically at one end.

195

Fig. 181. (S. 2–3.) Flint celt. Material: light-colored flint. Collection of M. L. Young, Pontiac, Illinois. Found in Massac County, Illinois, on the surface.

Fig. 181. (S. 2–3.) Flint celt. Material: light-colored flint. Collection of M. L. Young, Pontiac, Illinois. Found in Massac County, Illinois, on the surface.

196It is significant that although large quantities of flint were quarried at Flint Ridge, Ohio, yet there are few celts made of Flint Ridge stone, the Ohio Valley natives preferring other materials.

196It's noteworthy that even though a lot of flint was mined at Flint Ridge, Ohio, there are only a few celts made from Flint Ridge stone, as the native people of the Ohio Valley preferred other materials.

Fig. 182. (S. 1–2.) All chipped celts and hoes are by no means of flint. Sandstone, limestone, and trap rock were often employed by the natives of Pennsylvania and other sections. W. E. Bryan of Elmira has sent me photographs of chipped celts found near Elmira. Fig. 182 is a chipped and polished celt, having on its face a bow and unknown signs carved into the stone.

Fig. 182. (S. 1–2.) Not all chipped celts and hoes are made of flint. Natives in Pennsylvania and other areas often used sandstone, limestone, and trap rock. W. E. Bryan from Elmira has shared photographs of chipped celts discovered near Elmira. Fig. 182 shows a chipped and polished celt, featuring a bow and some unknown symbols carved into the stone.

Fig. 183. (S. 1–2.) A better example of chipped celt in stone other than flint is shown in Fig. 183, also from near Elmira. Both front and side views are presented half-size. W. E. Bryan’s collection, Elmira, New York. The Mohawk, Susquehanna, Connecticut, Delaware, and other valleys furnish numerous specimens of chipped hoes and celts, but seldom of high workmanship, as they were rather common agricultural implements or general service tools for use about the camps.

Fig. 183. (S. 1–2.) A better example of a chipped stone celt, other than flint, is shown in Fig. 183, also from near Elmira. Both front and side views are shown at half-size. W. E. Bryan’s collection, Elmira, New York. The Mohawk, Susquehanna, Connecticut, Delaware, and other valleys provide many examples of chipped hoes and celts, but they are rarely of high quality, since they were fairly common agricultural tools or general-purpose tools used around the camps.

The flint celts, nine in number, shown in Fig. 179 are from various portions of Kentucky. I am indebted to Colonel Young for the loan of these and some fifty other illustrations. Attention is called to the high finish on these celts. Compared with other flint celts, 197they tell an interesting story. It is not so much the material or the location in which the implement occurs, as it is the amount of work put upon it and skill evinced by the manufacturer.

The nine flint celts shown in Fig. 179 come from different areas of Kentucky. I'm grateful to Colonel Young for lending me these and about fifty other illustrations. Notice the high quality of these celts. Compared to other flint celts, 197 they tell a fascinating story. It's not just about the material or where the tool was found, but the effort and skill that went into making it.

While speaking of the flint celts in Colonel Young’s collection a few lines previously, I would call attention to Fig. 181, Mr. M. L. Young’s collection, Pontiac, Illinois. This is also a remarkable flint object in that it is neatly grooved, well chipped, with sharp point, and it was doubtless used as a hand-hatchet, mounted as in Fig. 176.

While discussing the flint celts in Colonel Young’s collection a few lines back, I want to highlight Fig. 181 from Mr. M. L. Young’s collection, Pontiac, Illinois. This is also an impressive flint object because it's nicely grooved, well chipped, with a sharp point, and it was likely used as a hand-hatchet, shown as in Fig. 176.

198

CHAPTER XI
Web Scrapers

TYPES WITH ONE OR MORE SCRAPING EDGES WITHOUT OR WITH NOTCH (INCLUDING CIRCULAR)

A good deal has been published regarding scrapers. They served pretty much the same purpose everywhere in the world. While this is true, yet there is a great difference in scrapers, and the simple statement that they are scrapers with or without notches does not suffice. There are ordinary flakes worked to a scraping edge, and scrapers with deep notches and long tangs; there are scrapers with barbs, and without barbs; there are broken arrow-heads worked into scrapers. I have subdivided the scrapers under the Committee’s general class as follows:—

A lot has been written about scrapers. They functioned pretty much the same way everywhere in the world. While that's true, there are significant differences among scrapers, and simply saying they are scrapers with or without notches isn’t enough. There are regular flakes shaped into a scraping edge, and scrapers with deep notches and long tangs; there are scrapers with barbs and those without; there are also broken arrowheads shaped into scrapers. I’ve organized the scrapers into categories under the Committee’s general class as follows:—

A.
Flakes worked to a scraping edge (several in Fig. 192).
B.
Ordinary oval and circular scrapers. (See Fig. 184.)
C.
Spoon-shaped scrapers. (See bottom row, Fig. 190, and bottom row, Fig. 184.)
D.
Scraping edge extending entirely around (bottom row, Fig. 188).
E.
Notched or shouldered scraper. (See Figs. 187, 193.)
F.
Crescent scraper. (Two to the left in Fig. 187, one in Fig. 193.)
G.
Specialized scraper. (See Figs. 188, 190, 191, 193.)

Scrapers are commonplace tools, yet they played an important part in the life of ancient man. They illustrate his economy, for we know that he made over broken spear-heads and arrow-points into scrapers.

Scrapers are common tools today, but they were significant in the lives of ancient humans. They reflect their resourcefulness, as we know they turned broken spearheads and arrow points into scrapers.

I have endeavored to show in these illustrations all types, from the circular disc with the scraping edge to the highly specialized forms. Of course, scrapers and knives merge the one into the other, and where the scraper ends, the knife begins.

I have tried to show in these illustrations all types, from the circular disc with the scraping edge to the highly specialized forms. Of course, scrapers and knives blend into one another, and where the scraper ends, the knife begins.

Series can be arranged in any large collection beginning with the simple knife and working back to the scraper, or vice versa. In the Mandan village-site ash-heaps more than seven hundred scrapers were found by Mr. E. R. Steinbrueck; the large Mandan collection of five thousand specimens, which contains them, was presented to our Museum through the kindness of Professor E. H. Williams, Jr. A plate of these scrapers is shown in Fig. 190.

Series can be organized in any large collection starting with the simple knife and going back to the scraper, or vice versa. In the ash heaps of the Mandan village site, Mr. E. R. Steinbrueck found over seven hundred scrapers; the extensive Mandan collection of five thousand specimens, which includes them, was donated to our Museum thanks to the generosity of Professor E. H. Williams, Jr. A plate of these scrapers is shown in Fig. 190.

199

Fig. 184. (S. 1–2.) Scrapers of classes “A,” “B,” “C,” and “D,” Phillips Academy collection, Andover, Massachusetts. These are from various portions of the Ohio and Mississippi Valleys.

Fig. 184. (S. 1–2.) Scrapers of classes “A,” “B,” “C,” and “D,” Phillips Academy collection, Andover, Massachusetts. These come from different areas of the Ohio and Mississippi Valleys.

200

Fig. 185. (S. 1–2.) Scrapers of Class “E.” These are the more common Wisconsin-Minnesota forms. F. M. Caldwell’s collection, Venice, Illinois.

Fig. 185. (S. 1–2.) Scrapers of Class “E.” These are the more typical forms found in Wisconsin and Minnesota. F. M. Caldwell’s collection, Venice, Illinois.

Fig. 186. (S. 1–1.) Scrapers, New Jersey types. Materials: jasper and quartz. Stephen Van Rensselaer’s collection, Newark, New Jersey.

Fig. 186. (S. 1–1.) Scrapers, types from New Jersey. Materials: jasper and quartz. Collection of Stephen Van Rensselaer, Newark, New Jersey.

201

Fig. 187. (S. 1–2.) Twenty scrapers, all with notches or shoulders, from various portions of the United States. Andover collection. Attention is called to the second one from the left in the lower row, which is sharply concave on one side.

Fig. 187. (S. 1–2.) Twenty scrapers, all featuring notches or shoulders, from different areas of the United States. Andover collection. Notice the second one from the left in the bottom row, which is sharply concave on one side.

202

Fig. 188. (S. 1–1.) Specialized scrapers from the Columbia River Valley. B. W. Arnold’s collection, Albany, New York.

Fig. 188. (S. 1–1.) Specialized scrapers from the Columbia River Valley. B. W. Arnold’s collection, Albany, New York.

203

Fig. 189. (S. 2–3.) In the top row a chipped flake and simple forms of scrapers. No. 20 is a highly specialized form. Dr. Jack Shipley’s collection, Pilot Point, Texas.

Fig. 189. (S. 2–3.) In the top row, there's a chipped flake and basic scraper shapes. No. 20 is a very specialized type. Dr. Jack Shipley’s collection, Pilot Point, Texas.

204

Fig. 190. (S. 2–3.) In the lower row, a spoon-shaped scraper to the left, and four ordinary scrapers; the next row from the bottom, two heavy flint flakes worked to a scraping edge. They are of the same form as the Pennsylvania scrapers shown in Fig. 191.

Fig. 190. (S. 2–3.) In the bottom row, there's a spoon-shaped scraper on the left and four regular scrapers; in the row above, there are two thick flint flakes shaped to a scraping edge. They are the same style as the Pennsylvania scrapers shown in Fig. 191.

205

Fig. 191. (S. 1–1.) Two specialized scrapers from the collection of George A. Huber, East Greenville, Pennsylvania. These are of quartzite and are interesting specimens. The form is not as rare in Pennsylvania and Georgia as one would imagine. Similar forms are shown to the left in the middle row of Fig. 190.

Fig. 191. (S. 1–1.) Two specialized scrapers from George A. Huber's collection in East Greenville, Pennsylvania. These are made of quartzite and are intriguing examples. The shape is not as uncommon in Pennsylvania and Georgia as one might think. Similar shapes can be seen to the left in the middle row of Fig. 190.

In the past, among archæologists, there has been no little discussion with reference to scrapers. They were mounted in short handles of both bone and wood. Numbers of them have been found in the cliff-houses in the Southwest attached to their original handles. It is unfortunate that in the Mississippi Valley, east of the Great Plains, the climate is such that none of the larger bone tools have withstood decay. At Madisonville, the cemeteries and ash-pits have furnished us with some of the larger bone handles, but elsewhere, all have disappeared. Stone scrapers were inserted by the Plains tribes in bone handles, and under the chapter devoted to bone objects several of the handles will be illustrated. One of these was found near the head of the Missouri River about twenty years ago, and apparently had been lying on the surface for a considerable length of time. It is of old type, and I have taken it to represent how the scrapers in ancient times might have been mounted. There are some similar tools in the Smithsonian, American Museum of Natural History, Peabody Museum, and other institutions. Scrapers are few in New England compared to the Mississippi Valley and the North.

In the past, archaeologists have had quite a bit of discussion about scrapers. They were attached to short handles made of both bone and wood. Many of them have been discovered in the cliff houses of the Southwest, still connected to their original handles. Unfortunately, in the Mississippi Valley, east of the Great Plains, the climate has caused most of the larger bone tools to decay. At Madisonville, grave sites and ash pits have provided us with some of the larger bone handles, but in other places, they have all vanished. Stone scrapers were placed into bone handles by the Plains tribes, and several of these handles will be illustrated in the chapter about bone objects. One of these was discovered near the head of the Missouri River about twenty years ago and seemed to have been lying on the surface for quite some time. It is an older style, and I believe it demonstrates how scrapers were likely mounted in ancient times. There are some similar tools in institutions like the Smithsonian, the American Museum of Natural History, the Peabody Museum, and others. Scrapers are quite rare in New England compared to the Mississippi Valley and the North.

206

Fig. 192. (S. 2–3.) Andover collection.

Andover collection.

207In view of the small number of flint implements occurring on the Great Plains, which the Indians called the “buffalo country,” there are more scrapers of yellow chert, poor jasper, and white flint, in proportion to other parts of the country than elsewhere in the United States. By the buffalo country I mean all the territory drained by the following rivers: the Missouri, Red, Brazos, Arkansas, Mississippi, and tributaries. The Indians of this region, particularly of the Dakotas, Nebraska, Kansas, Iowa, and Texas, depended on the buffalo. The buffalo was used by them for manifold purposes: (1) Food; (2) bones for implements and weapons; (3) glue from the hoofs; (4) strings from the sinews; (5) skin for garments; (6) skin for dwellings; (7) skin for boats; (8) hide for packing-cases and bags, shields, etc.; (9) skull for ceremonies; (10) the small bones for rattles; (11) the hair for filling material; (12) droppings for fuel, etc., etc.

207Given the small number of flint tools found on the Great Plains, which the Native Americans referred to as the “buffalo country,” there are actually more scrapers made from yellow chert, low-quality jasper, and white flint here compared to other regions in the country. By buffalo country, I mean all the land drained by the following rivers: the Missouri, Red, Brazos, Arkansas, Mississippi, and their tributaries. The Indigenous people in this area, especially in the Dakotas, Nebraska, Kansas, Iowa, and Texas, relied heavily on the buffalo. They used the buffalo for various purposes: (1) food; (2) bones for tools and weapons; (3) glue from the hoofs; (4) strings from the sinews; (5) skin for clothing; (6) skin for shelters; (7) skin for boats; (8) hide for packing cases and bags, shields, etc.; (9) skulls for ceremonies; (10) small bones for rattles; (11) hair for stuffing; (12) droppings for fuel, and so on.

Fig. 193. (S. 1–1.) Five scrapers from the collection of Stephen Van Rensselaer, Newark, New Jersey. These are of argillite and red chert. The central one is quite unique, having three concavities, all of which show that they have been much used, being polished.

Fig. 193. (S. 1–1.) Five scrapers from the collection of Stephen Van Rensselaer, Newark, New Jersey. These are made of argillite and red chert. The one in the center is particularly unique, featuring three concave areas, all of which are polished from extensive use.

208

Fig. 194. (S. 2–5.) From the collection of the University of Vermont, Burlington. These specimens were collected about the shores of Lake Champlain. Ten of them are scrapers, three of them are reamers or short drills, five of them are scraper-knives and seven are drills. This little collection is typical of Lake Champlain forms, and emphasizes how one type merges into another. Near the centre, the almost angular object with the broken point may illustrate the first form of drill. Just below it and above the two scrapers is a rudely chipped object which may also stand for the beginning of the drill form.

Fig. 194. (S. 2–5.) From the collection of the University of Vermont, Burlington. These items were collected around the shores of Lake Champlain. Ten of them are scrapers, three are reamers or short drills, five are scraper-knives, and seven are drills. This small collection is representative of Lake Champlain styles and highlights how one type transitions into another. Near the center, the almost angular object with the broken tip may represent the earliest form of drill. Just below it and above the two scrapers is a roughly chipped piece that may also signify the beginning of the drill form.

The preparation of hides was perhaps the most important work, and required the attention of all the women in each village and consequently the employment of thousands of scrapers and flint knives. The value of the buffalo to the aborigines cannot be overestimated. The Indian killed and made use of every part of the animal, and the hide-hunters and white men, who made record killings simply to satiate a lust for blood and slaughter, exterminated the buffalo. Chief of these was W. F. Cody, or “Buffalo Bill,” who killed 4280 buffalo in fifteen months, according to Professor W. T. Hornaday in the Smithsonian Report for 1887. The slaughter of the 209buffalo by himself and nameless Bills and Dicks, of frontier fame, was responsible for much of the trouble with our Plains tribes. Canada was cursed with no such class of frontiersmen, and Canada never had one twentieth part of the trouble with her Indians that we have had with ours. The extermination of the buffalo by the white hide-hunters was justly considered a national calamity by the Indians of the West. It menaced their very existence and made paupers of whole tribes.

The preparation of hides was probably the most important job, involving all the women in each village and requiring thousands of scrapers and flint knives. The value of the buffalo to the Native Americans can’t be overstated. They hunted and used every part of the animal, while the hide-hunters and white men, who killed for the sheer thrill of it, drove the buffalo to extinction. The most notorious of these was W. F. Cody, or “Buffalo Bill,” who reportedly killed 4,280 buffalo in fifteen months, according to Professor W. T. Hornaday in the Smithsonian Report for 1887. The slaughter carried out by him and countless other frontiersmen caused much of the conflict with our Plains tribes. Canada didn’t face this issue as they didn’t have the same kind of reckless frontiersmen, and they experienced far less trouble with their Indigenous peoples than we have with ours. The buffalo's extermination by white hide-hunters was seen as a national tragedy by the Native Americans of the West. It threatened their very survival and turned entire tribes into beggars.

210

CHAPTER XII
Chipped tools

PERFORATORS

These most interesting objects are widespread throughout the United States. Wherever chipped implements abound, they are to be found.

These fascinating objects are found all over the United States. Wherever you find chipped tools, they are present.

Their classification is:—

Their classification is:—

1.
Cross-section.
(A)
Round.
(B)
Quadrangular or irregular.
2.
Stem.
(A)
Without stem. (All types shown in Fig. 196.)
(B)
With stem.
(a)
Stem expanding gradually.
(b)
Stem expanding suddenly.
3.
Irregular forms.

Many objects heretofore called drills are in my opinion hairpins and cloak-fasteners, even in early historic times. Blankets or cloaks draped over the shoulders, and joined together on the chest, had on the edge loops of buckskin. A decorated stick or long bone was run through these loops to hold the covering together. In prehistoric times it is not unlikely that long bone pins and flint so-called drills were used for this purpose. Many of the so-called drills are too irregular in the cross-section to have been of much service in the real drilling. And if one inspects specimens in which the drilling was incomplete, one will be surprised at the percentage of cores in the bottom of the holes. This is especially true in the Mississippi Valley and the South, where wild reeds and canes grow.

Many items previously referred to as drills are, in my view, actually hairpins and cloak fasteners, even dating back to early historical periods. Blankets or cloaks worn over the shoulders and secured at the chest featured loops made of buckskin along the edges. A decorated stick or long bone would be threaded through these loops to keep the garment in place. In prehistoric times, it's likely that long bone pins and flint items called drills were used for this purpose. Many of the so-called drills are too irregular in cross-section to have been very effective for actual drilling. If you examine examples where the drilling was not fully completed, you'll be surprised by the number of cores left at the bottoms of the holes. This is especially true in the Mississippi Valley and the South, where wild reeds and canes grow.

I cannot believe that we have satisfactorily explained these drills.

I can’t believe we’ve explained these drills well enough.

The generally accepted theory, indicated by the name we have given them, that they were used in drilling, seems to me to be incorrect. I conclude that more of them served as coat-fasteners, hairpins, and ornaments.

The widely accepted theory, suggested by the name we've assigned to them, that they were used for drilling, seems to me to be wrong. I believe that more of them were used as coat fasteners, hairpins, and ornaments.

211

Fig. 195. (S. 1–1.) Drills from Colorado sites. Materials: jasper and chalcedony. Collection of Luther A. Norland, La Jara, Colorado.

Fig. 195. (S. 1–1.) Drills from Colorado locations. Materials: jasper and chalcedony. Collection of Luther A. Norland, La Jara, Colorado.

212One must not forget that both sexes of Indians wore their hair long and ornamented the locks with copper bands, narrow strips of bead-work, feathers, etc. Narrow beaded bands were popular among certain tribes, not only as hair ornaments, but were worn across the forehead, while ornamented tassels of various kinds hung down on either side, or behind.

212One should remember that both men and women among the Indians wore their hair long and decorated it with copper bands, narrow strips of beadwork, feathers, and more. Narrow beaded bands were popular in some tribes, not just as hair accessories but also worn across the forehead, with decorative tassels of different kinds hanging down on either side or in the back.

It must be remembered that long, slender shell pins, not unlike the long drills, were worn as hairpins. These could not by any possibility have served as drills, as they are too fragile. Shell hairpins were easier to make and, naturally, more common than those of flint or copper. The manufacture of the long, slender, drill-shaped objects was no more difficult than the making of fine flint implements, but it is my opinion that there was greater risk of breakage.

It’s important to remember that long, slender shell pins, similar to long drills, were used as hairpins. There’s absolutely no way they could have been used as drills since they are too delicate. Shell hairpins were easier to create and, of course, more common than those made from flint or copper. Making the long, slender, drill-shaped items wasn’t any harder than making fine flint tools, but I believe there was a higher chance of them breaking.

Another class of perforators which will fall, on form, under the classification presented above, was frequently called “reamers.” Illustrations are presented of these in Figs. 198 and 203. Reamers apparently were used for different purposes from the long drills. No sensible man will conclude that they were both identical in purpose. A reamer would be more effective for punching holes in soft, thin substances and drilling shallow holes in wood. I suppose buckskin was perforated by the means of bone awls, although the smaller reamer might be used for such purposes. The shorter drills seem to me to be more suitable for drilling in stone than the longer ones.

Another type of perforator that fits into the classification mentioned earlier was often referred to as "reamers." You can see illustrations of these in Figs. 198 and 203. Reamers were clearly used for different purposes than the long drills. No sensible person would believe they were identical in function. A reamer would be more effective for creating holes in soft, thin materials and drilling shallow holes in wood. I assume buckskin was pierced using bone awls, though the smaller reamer could also be used for that. The shorter drills seem to be better suited for drilling into stone than the longer ones.

An ironclad classification on size and form is, from a mechanical and technical point of view, impossible in this class of objects. The reamers shown in Fig. 198 have both sharp and dull points and are classed together. One may drill with a dull-pointed stone drill, not with a sharp slender point. It will invariably break. The sharpest reamers were for perforating, for lancing, etc., in soft substances, such as leather and flesh.

An exact classification based on size and shape is, from a mechanical and technical perspective, impossible for this type of objects. The reamers shown in Fig. 198 have both sharp and dull points and are grouped together. You can drill with a dull-pointed stone drill, but not with a sharp, thin point; it will always break. The sharpest reamers were used for making holes, for piercing, etc., in soft materials like leather and flesh.

There are in all museum collections many rough, thick perforators. It would appear that these are more suitable for drilling than other forms. I never believed that the long, slender, beautifully worked perforators were used for perforating. I think that they would break; I have often experimented to a limited extent with these and find that the rougher drills shown in Fig. 194 are much better for drilling purposes than the long slender ones.

There are many rough, thick perforators in all museum collections. It seems like these are better for drilling than other types. I never thought that the long, slender, beautifully crafted perforators were meant for perforating. I believe they would snap; I’ve often experimented, albeit on a small scale, with these and find that the rougher drills shown in Fig. 194 are much more effective for drilling than the long, slender ones.

Drills with stems expanding either gradually or suddenly, placed side by side, would appear to one who was familiar with these things as quite different objects. If the term “stem expanding suddenly” means that these two belong to the same class and are used for an identical purpose, one may with propriety retort that the real purpose is unknown save by inference, that one does not believe that these two specimens were used for precisely the same purpose.

Drills with stems that expand either slowly or suddenly, placed next to each other, would look quite different to someone who is familiar with them. If the phrase “stem expanding suddenly” suggests that these two belong to the same category and serve the same function, one might correctly argue that the true purpose is only known by inference; it’s hard to believe that these two specimens were used for exactly the same purpose.

213

Fig. 196. (S. 2–3.) This cut shows seven drills representing the types in our classification from all parts of the country. They are with stem, without stem, stem expanding gradually, stem expanding suddenly, notches in the side, base straight, concave, and convex. Phillips Academy collection.

Fig. 196. (S. 2–3.) This image displays seven drills that represent the types in our classification from various regions of the country. They include those with a stem, those without a stem, ones with a gradually expanding stem, those with a suddenly expanding stem, notches on the side, a straight base, a concave base, and a convex base. Phillips Academy collection.

214

Fig. 197. (S. 1–1.) Three peculiar obsidian reamers with long stems and short points. Collection of F. M. Gilham, Highland Springs, California. The figure at the bottom is a pointed obsidian knife.

Fig. 197. (S. 1–1.) Three unique obsidian reamers with long handles and short tips. Collection of F. M. Gilham, Highland Springs, California. The figure at the bottom is a pointed obsidian knife.

More skill, time, and care were required in the manufacture of these more beautiful, delicate “drills,” than in the making of common perforators. Again, the ancient Indians were saving and never extravagant. It is to be thought that they would scarcely be so foolish as to employ in a hazardous operation the finest implements in their possession. Yet, if an Indian found it necessary to employ his finest and most precious object in a ceremony or for the purpose of appeasing the gods, or as a gift to the dead, he would not hesitate to do so. He placed all such desires and thoughts first. This is characteristic of Indian nature.

More skill, time, and care were needed to create these beautiful, delicate “drills” than to make regular perforators. Also, the ancient Indians were frugal and never wasteful. It's believed they wouldn't be foolish enough to use their best tools for a risky task. However, if an Indian deemed it necessary to use his finest and most treasured item in a ceremony, to appease the gods, or as a gift for the dead, he wouldn’t think twice. He prioritized such desires and thoughts above all else. This is typical of Indian nature.

215Witness Professor Holmes’s discovery of remarkable flint implements in a spring near Afton, Indian Territory. His contention is that these were gift offerings.[4]

215Check out Professor Holmes’s find of amazing flint tools in a spring close to Afton, Indian Territory. He believes these were offerings as gifts.[4]

Fig. 198. (S. 1–1.) Five jasper and obsidian reamers or small drills. Collection of C. F. Case, Sams Valley, Oregon.

Fig. 198. (S. 1–1.) Five jasper and obsidian reamers or small drills. Collection of C. F. Case, Sams Valley, Oregon.

We seldom find axes, pestles, spades, and grooved stone hammers in mounds or graves. I never knew of more than two instances in the whole United States where pestles were buried in ancient graves, and I never knew of a single find of pitted hammer-stones in a prehistoric mound or grave. This does not mean that the Indian regarded labor as beneath him. It means that he drew a special line of demarcation between those ideals which concerned his “mystery,” and the affairs of everyday life. His religion, or as unthinking people have called it, his superstition, he placed first.

We rarely find axes, pestles, spades, and grooved stone hammers in mounds or graves. I only know of two instances in the entire United States where pestles were buried in ancient graves, and I’ve never come across a single pitted hammer-stone in a prehistoric mound or grave. This doesn’t mean that Native Americans viewed labor as beneath them. It means they drew a clear line between ideals related to their "mystery" and the day-to-day matters of life. They prioritized their religion, or what some unthinking people have called superstition.

He worshiped the Unknown in the air and sky above. Naturally, 216he showed respect to the dead, and perhaps not so much to the person of the dead as to that estate into which the deceased entered. Truly, one might say that “nothing unclean or common” was placed by him with the dead, or offered as a sacrifice to the spirits. For this very reason I maintain that while the Indian would spend hours of rigorous laborious work upon bringing to perfection certain art forms or weapons, he would not employ these in the manufacture of commoner implements, ornaments, or other forms. But on the contrary, prompted by his high regard for stone objects of the character of these long and slender flint ornaments, he made use of more serviceable and common things as tools. Therefore, it was natural for him to select a reed, or a stout hickory stick, or a heavy flint drill instead of an object that will chip or break in the course of five or ten minutes drilling.

He revered the Unknown in the air and sky above. Naturally, 216he showed respect for the dead, and maybe not so much for the deceased person but for the state they entered after death. In fact, one could argue that “nothing unclean or common” was placed with the dead or offered as a sacrifice to the spirits. For this reason, I believe that while the Indian would spend hours on intense work perfecting certain art forms or weapons, he wouldn’t use these for everyday tools, ornaments, or other items. Instead, because he held stone objects like these long and slender flint ornaments in such high regard, he used more practical and common items as tools. So, it made sense for him to choose a reed, a sturdy hickory stick, or a heavy flint drill rather than something that would chip or break within five or ten minutes of drilling.

There is yet another use to which I believe some of the finest perforators was put, which I state as my opinion merely.

There’s another purpose for which I think some of the best perforators were used, and I’m only sharing this as my opinion.

Among the Crows, Mandans, Sioux, and other Indians were common, in the days of Lewis and Clark, necklaces of long bones of three to four and sometimes five inches in length arranged in parallel rows. These were highly prized. One of these breast ornaments was presented to me by Mah-een-gonce, a chief of the Ojibway, at a squaw dance in August, 1909, at White Earth Reservation.

Among the Crows, Mandans, Sioux, and other Native Americans, it was common during the time of Lewis and Clark to wear necklaces made of long bones that were three to five inches long, arranged in parallel rows. These necklaces were highly valued. One of these breast ornaments was given to me by Mah-een-gonce, a chief of the Ojibway, at a women's dance in August 1909 at White Earth Reservation.

While it is my opinion that such objects as are shown in Figs. 199 and 202 were not used as drills, I should like to offer the suggestion that they served other purposes. Perhaps they were made use of as hairpins, possibly they were fastened to strips of buckskin, several of them being worn in parallel rows. Mounted in that manner they would form unique ornaments and appeal to aboriginal fancy.

While I believe that the objects shown in Figs. 199 and 202 were not used as drills, I want to suggest that they served other purposes. Maybe they were used as hairpins, or perhaps they were attached to strips of buckskin, with several worn in parallel rows. Worn that way, they would create unique ornaments and attract the interest of Indigenous people.

CACHED FLINT OBJECTS

These would follow, according to classification, under knives and projectile points without stem—“C,” more or less circular.

These would be categorized as knives and stemless projectile points— “C,” mostly circular.

217

Fig. 199. (S. 1–2.) Fifteen beautiful slender drills of chalcedony, blooded quartz, and agate. Collection of W. P. Agee, Hope, Arkansas. There were over two hundred of these drills found in one grave. They range from two inches to four and a half inches in length. These beautiful specimens doubtless represented an offering of some kind. They are all of the same workmanship and represent as high an art in flint-chipping as is to be found anywhere in the world.

Fig. 199. (S. 1–2.) Fifteen beautiful slender drills made of chalcedony, quartz with blood inclusions, and agate. Collection of W. P. Agee, Hope, Arkansas. More than two hundred of these drills were discovered in a single grave. They vary in length from two inches to four and a half inches. These stunning specimens likely served as some type of offering. They all display the same craftsmanship and exemplify a level of flint-chipping artistry that is unmatched anywhere in the world.

218In many portions of the United States deposits of flint implements have been found. These were called caches from the obvious fact that they were buried temporarily, and that in time the owners would seek them again. Numbers of finds of caches reported during the past thirty years are cited in the Bibliography, under “Caches” and also “Discs.” Although many caches have been reported, there must have been an unknown number discovered by farmers and laborers of which no record was ever kept. One of the most important was a report by Dr. J. F. Snyder, of Virginia, Illinois, and described at length in the Archæologist (October, 1893). The largest deposit was in mound number 22 of the Hopewell group, and from this we took out 7532 flint discs about six inches in diameter and a half inch thick, when we explored the group, in 1891–2. These are now on exhibit in the Field Museum of Natural History, Chicago. (See Fig. 42.) Squier and Davis had taken out about six hundred in 1845, and prior to our official count, we gave to Mr. Hopewell and others about fifty, so that the grand total was nearly eighty-five hundred. In the case of the Hopewell deposit these discs represented a storage of raw material. The discs were not placed in that mound as an offering. There were no burials and no altars.

218 In many parts of the United States, flint tools have been discovered. These were called caches because they were buried temporarily, and at some point, the owners would come back for them. Numerous discoveries of caches reported over the past thirty years are listed in the Bibliography under “Caches” and also “Discs.” While many caches have been documented, there are probably a lot more that were found by farmers and workers that never got recorded. One of the most significant finds was reported by Dr. J. F. Snyder from Virginia, Illinois, and detailed in the Archæologist (October 1893). The largest deposit was in mound number 22 of the Hopewell group, where we uncovered 7,532 flint discs about six inches in diameter and half an inch thick during our exploration of the group in 1891–92. These are now displayed at the Field Museum of Natural History in Chicago. (See Fig. 42.) Squier and Davis had extracted around six hundred in 1845, and before our official count, we gave about fifty to Mr. Hopewell and others, bringing the total to nearly eight thousand five hundred. In the case of the Hopewell deposit, these discs were a stockpile of raw material. The discs were not placed in that mound as an offering. There were no burials or altars.

Fig. 200. (S. 2–3.) Three splendid drills from the Andover collection. From Ohio. Particular attention is directed to the one to the right with the shoulders projecting horizontally. In the central one the shoulders are curved upwards, a more common form than with the shoulders horizontal.

Fig. 200. (S. 2–3.) Three impressive drills from the Andover collection. From Ohio. Special attention is given to the one on the right with horizontally projecting shoulders. In the middle one, the shoulders curve upward, which is a more common shape than the horizontal shoulders.

Many years later I discovered the quarries on Little River, Tennessee, eighteen miles south of Hopkinsville, Kentucky, whence, I am persuaded, this flint was obtained. It was of the nodular variety, gray-blue in character, and could be easily worked. The quarry showed signs of extensive working.

Many years later, I found the quarries on Little River, Tennessee, eighteen miles south of Hopkinsville, Kentucky, where I believe this flint came from. It was the nodular type, gray-blue in color, and could be easily shaped. The quarry showed evidence of heavy usage.

219

Fig. 201. (S. 1–2.) A fine pointed drill-lance (possibly used in scarifying flesh, or opening sores) at the left; next, a rotary point, almost drill-shaped; and a gracefully curved drill. Collection of S. Van Rensselaer, Newark, New Jersey.

Fig. 201. (S. 1–2.) A finely pointed drill-lance (possibly used for scarifying flesh or opening sores) on the left; next, a rotary point that is almost drill-shaped; and a beautifully curved drill. Collection of S. Van Rensselaer, Newark, New Jersey.

Fig. 202. (S. slightly less than 1–2.) Three fine drills from the collection of S. Van Rensselaer, Newark, New Jersey.

Fig. 202. (S. slightly less than 1–2.) Three exquisite drills from the collection of S. Van Rensselaer, Newark, New Jersey.

220After a thorough investigation I concluded that the ancient people had quarried this flint, worked it down to convenient disc form for distribution, and taking it in canoes down the Little River to the Cumberland, down the Cumberland to the Ohio, up the Ohio to the Scioto, and thence to North Fork of Paint Creek, landed it one half mile from the Hopewell village. The distance by water would be seven or eight hundred miles, as near as I can judge. If the material was not brought in this manner, it must have been obtained by trade, and one can scarcely conceive of over eight thousand discs weighing from one fourth to two thirds of a pound each, being carried overland on the backs of Indians from northwest Tennessee to central Ohio.

220After a detailed investigation, I concluded that the ancient people quarried this flint, shaped it into convenient disc forms for distribution, and transported it by canoe down the Little River to the Cumberland, then down the Cumberland to the Ohio, up the Ohio to the Scioto, and from there to the North Fork of Paint Creek, where they landed about half a mile from the Hopewell village. The distance by water would be roughly seven or eight hundred miles, as far as I can estimate. If the material wasn't brought this way, it likely came through trade, and it's hard to imagine over eight thousand discs weighing between a quarter and two thirds of a pound each being carried overland on the backs of Native Americans from northwest Tennessee to central Ohio.

In spite of the great quantity of material stored in the Hopewell mound referred to, yet most of the chipped objects on the village-sites of the Hopewell group and in the mounds were made of Flint Ridge material, instead of the nodular flint of the cache. My theory is that the deposit was made in the last years of the occupancy of the Hopewell group, and for that reason the Indians did not make general use of it.

In spite of the large amount of material stored in the Hopewell mound mentioned, most of the chipped objects found at the village sites of the Hopewell group and in the mounds were made from Flint Ridge material, rather than the nodular flint from the cache. I believe that the deposit was made in the final years of the Hopewell group's occupation, and for that reason, the Native Americans didn't make widespread use of it.

Fig. 203. (S. 1–1.) Peculiar reamer with very broad base. The stem is wanting, the shoulders are squared. This form is rare. E. H. Collins’s collection, Cherokee, Iowa.

Fig. 203. (S. 1–1.) Unusual reamer with a very wide base. The stem is missing, and the shoulders are squared. This shape is uncommon. E. H. Collins’s collection, Cherokee, Iowa.

Fig. 204. (S. 1–1.), one of those specimens difficult of classification, is from Mr. Gibson’s collection, Schenectady. The turned point is sometimes found in knives, seldom in drills. Quite likely this specimen should appear in the knife-class; yet the point (rare in that it is curved) is not unlike the reamers.

Fig. 204. (S. 1–1.), one of those specimens that are hard to classify, is from Mr. Gibson’s collection in Schenectady. The turned point is sometimes seen in knives, but rarely in drills. It’s likely that this specimen fits in the knife category; however, the point (which is rare because it’s curved) resembles reamers.

Deposits, or caches, contained not only discs but elaborate blades and oval forms. The latter are the most common. The delicate leaf-shaped blades found in many of the caches could have been used as knives without further workmanship, or notched and barbed and employed as spear- and lance-heads. More slender spears were produced by chipping from the sides of the leaf-shaped implements and barbing. These caches represented the stock in trade of the aboriginal merchant rather than the possessions of a warrior or priest. If a warrior or chief, or any other man, buried his possessions, 221we should find in that cache objects not entirely of one class.

Deposits, or caches, included not just discs but also intricate blades and oval shapes. The oval shapes are the most common. The delicate leaf-shaped blades found in many caches could have been used as knives without any extra work, or could be notched and barbed to serve as spear- and lance-heads. Thinner spears were made by chipping the sides of the leaf-shaped tools and adding barbs. These caches reflected the trade goods of the original merchants rather than the belongings of a warrior or priest. If a warrior, chief, or any other man buried his belongings, we would expect to find a mix of different types of objects in that cache. 221

The number of these caches, their widespread extent, and the fact that all of them tell the same story, are to my mind clear evidence that when the greatest villages of ancient times from Pittsburg to Mandan, from Lake Itasca to New Orleans, and from Bangor to Los Angeles, were inhabited, there were numerous aboriginal traders and artisans who traveled from point to point disposing of their wares.

The number of these caches, their widespread extent, and the fact that they all tell the same story are, in my opinion, clear evidence that when the largest villages of ancient times, from Pittsburgh to Mandan, from Lake Itasca to New Orleans, and from Bangor to Los Angeles, were inhabited, there were many indigenous traders and craftsmen who traveled from place to place selling their goods.

Curiously enough, caches of other than chipped objects are extremely rare, and I have never heard of a cache of bird-stones, problematical forms, or of “bicaves.” There have been a few caches of axes and hematites. Squier and Davis’s great find of two hundred pipes in an altar of the “Mound-City” group near Chillicothe, Ohio, can hardly be called a cache.

Curiously enough, caches of items other than chipped objects are really rare, and I’ve never heard of a cache of bird stones, questionable forms, or “bicaves.” There have been a few caches of axes and hematites. Squier and Davis’s major discovery of two hundred pipes in an altar of the “Mound-City” group near Chillicothe, Ohio, can hardly be considered a cache.

222

CHAPTER XIII
Hammerstones and Hammers

These were classified by the Committee under chipped implements as “IV, chipped stone,” although most of them are not chipped. But they were much used in shaping chipped objects, and I have left them in the place assigned by the Committee.

These were categorized by the Committee under chipped tools as “IV, chipped stone,” even though most of them aren’t actually chipped. However, they were frequently used for shaping chipped items, so I’ve kept them in the spot designated by the Committee.

1. Spheroidal.    
2. Discoidal (a) “Pitted.” (Figs. 205, 206.)
  (b) Not “pitted.”
3. Elongated (a) Grooved. (Figs. 207, 209, 210.)
  (b) Not grooved.

The types of stone hammers and hammer-stones are fully described by J. D. McGuire in the American Anthropologist, in volumes 4, 5, and 6. Mr. McGuire has devoted more study to the manufacture of hammer-stones and stone hammers than any other person, and has made a number of implements using the stone hammer and fragments of other stones to reduce irregular surfaces. I quote from Mr. McGuire’s article in the Anthropologist for October, 1891:—

The different kinds of stone hammers and hammer-stones are thoroughly detailed by J. D. McGuire in the American Anthropologist, in volumes 4, 5, and 6. Mr. McGuire has dedicated more research to making hammer-stones and stone hammers than anyone else and has created several tools using the stone hammer and pieces of other stones to smooth out uneven surfaces. I will quote from Mr. McGuire’s article in the Anthropologist from October 1891:—

“An examination of these objects will demonstrate that three types probably contain them all.

“Looking closely at these objects will show that they likely fall into three main categories.”

“First. The oblong or flattened ellipsoid having a pit on one or both sides; the pits probably being intended as finger-holds to relieve the index finger from the constant jar occasioned by quickly repeated blows on a hard surface. The periphery of these will often be found quite smooth, at other times rough, according as it has been last used as a hammer or as a rubber, although hammers of hard and tough material, when used on stone of similar character, wear away on the periphery as though rubbed. Often one or both of the flattened sides shows the effect of rubbing, as in Fig. 1.

“First. The oval or flattened egg shape with a dip on one or both sides; the dips are likely designed as finger grips to ease the strain on the index finger caused by repeatedly striking a hard surface. The edges of these can often be quite smooth or sometimes rough, depending on whether they were last used as a hammer or a rubber, though hammers made from hard and durable materials, when used on stone of a similar type, tend to wear down on the edges as if they were being rubbed. Often, one or both of the flattened sides shows signs of wear, as shown in Fig. 1.”

“Second. The spherical implement slightly flattened at the poles showing a battered and commonly a smooth surface. These two types may be considered as common all over the world.

“Second. The spherical object slightly flattened at the poles, showing a worn and usually smooth surface. These two types can be found commonly all over the world."

“The third type would appear to be the grooved hammer, of the use and distribution of which less is known. This type was evidently intended for hafting, which would interfere with its use as a rubber.

“The third type seems to be the grooved hammer, about which less is known regarding its use and distribution. This type was clearly meant for hafting, which would limit its effectiveness as a rubber.”

223

Fig. 205. (S. 1–2.) University of Vermont collection. This illustrates several hammer-stones and rude pestles, for the hammer is closely related to the pestle.

Fig. 205. (S. 1–2.) University of Vermont collection. This shows several hammerstones and basic pestles, since the hammer is closely related to the pestle.

224“All three types vary greatly in dimensions, but as a rule the two first are of a size suitable for hand use, not only for hammering but also for rubbing.

224“All three types vary greatly in size, but generally, the first two are designed for hand use, suitable for both hammering and rubbing.

Fig. 206. (S. 1–4.) Hand-hammers. W. A. Holmes’s collection, Chicago, Illinois. It seems that the hardness of the stone was a prominent factor in the time consumed in making an implement. Mr. McGuire once used a jasper hammer-stone during the total of forty hours’ work, and yet the surface of the stone showed slight wear. His opinion is that the hammer of quartzite—hard quartzite, for there are soft varieties of that stone—is hard enough to fashion a number of implements.

Fig. 206. (S. 1–4.) Hand-hammers. W. A. Holmes’s collection, Chicago, Illinois. It appears that the hardness of the stone played a significant role in the time it took to create a tool. Mr. McGuire used a jasper hammer-stone for a total of forty hours, and the surface of the stone showed very little wear. He believes that a quartzite hammer—specifically, hard quartzite, since there are softer versions—has the durability needed to shape several tools.

“It is intended to discuss here the hammer used in stone pecking as distinguished from the chipping hammer. By the latter a slower and more deliberate blow would be given, and consequently its shape would not be material.

“It is intended to discuss here the hammer used in stone pecking, as different from the chipping hammer. With the chipping hammer, a slower and more deliberate blow is delivered, so its shape is not important."

“That nuts and bones could be cracked and paint and grain could be ground with hammers is admitted, but it is contended that no reasonable amount of such work would cause the implements to present the appearance they do if only so used. Moreover, any unshaped stone would have answered these purposes as well as a finished implement; hence, is it reasonable to suppose that savage man would trouble himself to fashion useless objects?

“That nuts and bones could be cracked and paint and grain could be ground with hammers is acknowledged, but it is argued that no reasonable amount of such work would make the tools look as they do if they were used in that way alone. Additionally, any unshaped stone would have worked just as well as a finished tool; therefore, is it reasonable to think that primitive humans would bother to create useless objects?”

225

Fig. 207. (S. slightly less than 1–2.) Two hammer-stones. Collection of C. Albee, Red Rock, Montana.

Fig. 207. (S. slightly less than 1–2.) Two hammer stones. Collection of C. Albee, Red Rock, Montana.

“Hammers were made of any hard stone that could be obtained. It is common to find them of diorite, quartzite, or other tough material capable of the greatest amount of work with the least wear; they would be gritty, as is almost invariably the case, to grind the pecked surface as work progressed. It can hardly be doubted that men living in an age of stone must have been conversant not only with the best sources of material, but also with its adaptability for particular uses.

“Hammers were made from any hard stone that could be found. It’s common to see them made of diorite, quartzite, or other durable materials that could handle a lot of work with minimal wear; they would be gritty, which is almost always the case, to grind the pecked surface as work continued. There’s no doubt that people living in the Stone Age had to be knowledgeable about not just the best sources of materials, but also how to adapt them for specific uses.”

“Some may doubt whether the stone hammer could do the work suggested [Mr. McGuire illustrated the truth of this contention by making an axe]. It is made of a close-grained black porphyry that in 1878 was pecked out and grooved entirely with a stone hammer by the writer as a first effort, to demonstrate the method of axe-grooving. The work on this stone represents approximately five hours’ labor. When the hardness of material is taken into consideration, it is safe to conclude that it could not have taken more than one half as much time to groove an ordinary axe, since they are of much softer material. From this may roughly be calculated the time that would be required to fashion a stone axe or in fact any other stone implement which was made by pecking and polishing; and it will be seen that, granting a liberal allowance of time, the manufacture 226of stone implements consumed a small portion of the time supposed to be requisite. The statement that the manufacture of an axe or in fact of any other stone implement was a long process has so often been made that it may be regarded as a common belief among archæologists. So great have the difficulties of their manufacture been supposed to be that it has been surmised even that early races had other than stone tools.”

“Some people might question whether the stone hammer could accomplish the work mentioned [Mr. McGuire demonstrated this by making an axe]. It’s made of dense black porphyry that, back in 1878, was shaped and grooved completely with a stone hammer by the author as a first attempt to show how axe-grooving is done. The work on this stone represents about five hours of labor. When you consider the hardness of the material, it's reasonable to conclude that it couldn’t have taken more than half that time to groove a regular axe, since they’re made of much softer material. From this, you can roughly estimate the time it would take to create a stone axe or any other stone tool made by pecking and polishing; and it will be clear that, even allowing plenty of time, making stone tools took a lot less time than people usually think. The idea that making an axe or any other stone tool was a lengthy process has been repeated so much that it’s become a common belief among archaeologists. The challenges of making them were thought to be so significant that some have even speculated that early cultures used tools made from materials other than stone.”

Fig. 208. (S. 3–4.) This may be an unfinished discoidal or “bicave,” or it may be a hammer-stone finer than the average. Hy. B. Bischoff, Collinsville, Illinois.

Fig. 208. (S. 3–4.) This could be an incomplete disc-shaped tool or “bicave,” or it might be a hammerstone that's more refined than usual. Hy. B. Bischoff, Collinsville, Illinois.

The various types of hammer-stones used in chipping flint implements are shown in Chapter II, Figs. 13 and 14, of this book.

The different types of hammer-stones used for chipping flint tools are shown in Chapter II, Figs. 13 and 14, of this book.

In the Anthropologist for April, 1892, Mr. McGuire gave an account of the manufacture of the nephrite axe. I quote from Mr. McGuire’s paper as follows:—

In the Anthropologist for April 1892, Mr. McGuire reported on how nephrite axes are made. I quote from Mr. McGuire’s paper as follows:—

227

Fig. 209. (S. 1–4.) Phillips Academy collection.

Fig. 209. (S. 1–4.) Phillips Academy collection.

Fig. 210. (S. 1–3.) Phillips Academy collection.

The various types of grooved hammers.

Fig. 210. (S. 1–3.) Phillips Academy collection.

The different kinds of grooved hammers.

228“The material of a grooved nephrite axe made by the writer is from New Zealand, and was procured through the kindness of Professor Clarke, of the United States National Museum. This stone is one of the toughest as well as of the hardest known, and when work was first commenced on it was irregular in shape as when broken from the large boulder, with sharp edges that cut the hand as the stone was struck with the hammer. In pecking with the stone hammer, about one hundred and forty blows were given to the minute. The hammers first used were of quartzite from Piney Branch, on the edge of Washington City. About forty pebbles were destroyed before one was found tough enough to stand the necessary pounding. With a single exception, none lasted more than ten minutes. The exception was a close-grained gray quartzite, with which was performed eight or ten hours’ work.

228 “The material for a grooved nephrite axe made by the author comes from New Zealand, sourced through the generosity of Professor Clarke from the United States National Museum. This stone is among the toughest and hardest known, and when work first began on it, it was irregularly shaped as it was broken from a large boulder, with sharp edges that could cut the hand when the stone was struck with a hammer. While pecking with the stone hammer, about one hundred and forty blows were delivered per minute. The initial hammers used were made of quartzite from Piney Branch, at the edge of Washington City. About forty pebbles were destroyed before one tough enough to withstand the necessary pounding was found. With one exception, none lasted more than ten minutes. The exception was a fine-grained gray quartzite, which was used for eight to ten hours of work.

“Gabbro or black granite was then used for a hammer and was found useless; gneiss proved to be no better, and the work appeared hopeless. Finally, through the kindness of Mr. Weed, of the United States Geological Survey, a rough piece of compact yellow jasper from the Yosemite was obtained, with which about forty hours’ work was done. The jasper was worn but slightly, the nephrite losing about the same weight as the jasper. This hammer is yet large enough to manufacture many dozens, if not hundreds, of such implements as the celts and axes usually found in this section of country. With a nephrite hammer of suitable shape, having a narrow periphery, the work of fashioning this axe could probably have been done in one half the time.

“Gabbro or black granite was then used for a hammer but turned out to be useless; gneiss was no better, and the task seemed impossible. Finally, thanks to Mr. Weed from the United States Geological Survey, we got a rough piece of compact yellow jasper from Yosemite, which allowed us to work for about forty hours. The jasper was barely worn down, and the nephrite lost about the same amount of weight as the jasper. This hammer is still large enough to create many dozens, if not hundreds, of tools like celts and axes typically found in this region. With a nephrite hammer of the right shape, having a narrow edge, the work of shaping this axe could likely have been done in half the time.”

“In the process of manufacture, owing to a flaw, a large piece of the blade was broken off and a second flaw, running diagonally through the specimen, threatened to destroy it if the hard pounding was continued. Work on it had therefore to be curtailed. The groove could not be worked deeper because the jasper hammer did not have a narrow edge. The outline having been carried as far as was thought safe, grinding on a block of rotten granite was resorted to; the granite was kept wet and the nephrite, being held in the hand, was rubbed backward and forward for about five hours. Subsequently it was polished with a pebble of compact quartzite, both dry and wet, the process occupying about six hours. The axe was then rubbed with wood and with buckskin to further polish it, but apparently without effect. The pecking occupied 55 hours and 10 minutes, which period, estimating the number of blows per minute as 140, would give over 460,000 blows required for the manufacture of the implement. This stone weighed when first received 7625 troy grains; the present weight is 5143 grains; the loss therefore is 2482 grains. This specimen, however, can hardly be taken as a fair standard of aboriginal work, for in selecting the material a workman would naturally choose a pebble as nearly the desired shape as could be 229procured, and thus avoid a large part of the labor. The savage, if we can believe the accounts given of him by early travelers, was not likely to make unnecessary exertion.

“In the manufacturing process, due to a defect, a large piece of the blade broke off, and another flaw running diagonally through the piece threatened to ruin it if the hard pounding continued. Therefore, work on it had to be limited. The groove couldn’t be made deeper because the jasper hammer didn’t have a narrow edge. After shaping it as far as was thought safe, grinding it on a block of rotten granite was used; the granite was kept wet, and the nephrite, held in hand, was rubbed back and forth for about five hours. It was then polished with a pebble of compact quartzite, both dry and wet, which took about six hours. The axe was then rubbed with wood and buckskin to further polish it, but seemingly without effect. The pecking took 55 hours and 10 minutes, which, estimating at 140 blows per minute, amounts to over 460,000 blows needed for the creation of the tool. This stone weighed 7625 troy grains when first received; its current weight is 5143 grains, showing a loss of 2482 grains. However, this specimen can hardly be considered a fair representation of indigenous work, as a craftsman would naturally choose a pebble as close to the desired shape as possible to avoid a significant amount of labor. The primitive person, according to early travelers' accounts, wasn’t likely to make unnecessary efforts.”

Fig. 211. (S. 1–5.) Material: granite. All are from South Dakota. Collection of Mrs. Ella V. Milliken, Alpena, South Dakota.

Fig. 211. (S. 1–5.) Material: granite. All are from South Dakota. Collection of Mrs. Ella V. Milliken, Alpena, South Dakota.

“In contrast to the obdurate nephrite, a block of kersantite was selected. This kersantite is from New Jersey, and is a much tougher stone than was generally used for the common stone axe or celt found in the eastern portion of the United States. The block was exceedingly rough when first taken in hand, yet it required less than two hours’ labor with an ordinary quartzite hammer to produce a comparatively well-finished axe. A good idea of the time necessary to manufacture such an implement is thus afforded. The polishing was done with sand and water rubbed with a smooth piece of quartzite, the time required being included in the time specified.”

“In contrast to the hard nephrite, a block of kersantite was chosen. This kersantite is from New Jersey and is a much tougher stone than what was typically used for the common stone axe or celt found in the eastern part of the United States. The block was very rough when first handled, but it took less than two hours of work with a regular quartzite hammer to create a relatively well-finished axe. This gives a good idea of the time needed to make such a tool. The polishing was done using sand and water, rubbed with a smooth piece of quartzite, and the time needed for this was included in the total time mentioned.”

In his later paper in the Anthropologist, for July, 1893, Mr. McGuire continues his observations. He considers that all chipped implements show a special fracture, and therefore the weight of the hammer and its material and shape “are all important elements to be considered; the intended implement must be struck with a certain weight and force, and at a particular angle, to accomplish the desired result.” Mr. McGuire, in his papers, follows out more in detail what Mr. Sellars originally observed many years before any of the experiments by men connected with the Smithsonian Institution were made.

In his later paper in the Anthropologist, from July 1893, Mr. McGuire continues his observations. He believes that all chipped tools display a specific type of fracture, and that the weight of the hammer, along with its material and shape, “are all crucial factors to consider; the tool needs to be struck with a certain weight and force, and at a specific angle, to achieve the desired outcome.” In his papers, Mr. McGuire expands on the details of what Mr. Sellars originally observed many years before any experiments were conducted by individuals associated with the Smithsonian Institution.

230Mr. McGuire calls attention to the difference between the heavy hammer and the light hammer-stone:—

230Mr. McGuire highlights the difference between the heavy hammer and the light hammerstone:—

“The battering hammer is commonly a discoidal stone, having a rounded periphery, with a pit on each flat surface intended to hold the thumb and middle finger, whilst the index finger is placed on the periphery. The pits are but slight depressions, but are sufficient to prevent the stone from slipping as the blow is given, and at the same time enable the workman to raise the index finger slightly, and thus save the jar which would otherwise in a few minutes disable the arm. The blows with the battering hammer are given at the rate of two hundred or more a minute, which would be impossible with the ordinary chipping hammer. With this hammer rapidity is essential, and the blow is ordinarily given to a broad surface, and no deliberation is necessary. Battered objects are numerous and vary greatly in size; consequently the hammer is found to vary likewise.”

“The battering hammer is usually a round stone with a curved edge, featuring a small indent on each flat side for the thumb and middle finger, while the index finger rests on the edge. These indents are slight depressions, but they’re enough to stop the stone from slipping during the blow and also allow the worker to lift the index finger slightly, reducing the strain that would otherwise disable the arm after a few minutes. The blows from the battering hammer are delivered at a rate of two hundred or more per minute, which wouldn’t be possible with a regular chipping hammer. With this hammer, speed is key, and the blow is typically given to a wide surface, so there's no need for careful planning. Battered objects are abundant and come in a variety of sizes, which is why the hammer also varies.”

Fig. 212. (S. 2–3.) Collection of W. P. Agee, Hope, Arkansas.

Fig. 212. (S. 2–3.) Collection of W. P. Agee, Hope, Arkansas.

Figs. 209, 210, and 211 present eighteen hammers from various portions of the United States.

Figs. 209, 210, and 211 show eighteen hammers from different areas of the United States.

The pitted stone, the round hammer-stone, and the other rude grooved hammer are tools, as we have seen; but the more carefully worked grooved hammer served a different purpose. On the Plains large hammers were frequently made and used by Indian tribes that subsisted on the buffalo, as it would be impossible to break the larger bones of that animal with ordinary hand-hammers.

The pitted stone, the round hammer-stone, and the other crude grooved hammer are tools, as we've seen; but the more finely crafted grooved hammer had a different use. In the Plains, large hammers were often made and used by Native American tribes that depended on buffalo for survival, as it would be impossible to break the larger bones of those animals with regular hand-hammers.

231Some of the hammers have flat backs, as have axes, and wedges could be inserted for securely fastening them to the handle. As has been previously stated, primitive man was economical, and when he broke an axe he could make the edge round and use it as a hammer. The finer grooved hammers (Fig. 212) were undoubtedly used as weapons and lashed in sticks to serve as clubs or maces, the handles being more or less ornamental. Much is to be learned from a study of the hammer-stone and the grooved hammer, and I agree with Mr. McGuire’s statement, “the hammer is homely at best, yet the hammer tells us more of ancient times than does the celt.”

231Some of the hammers have flat backs, similar to axes, and wedges could be added to securely attach them to the handle. As mentioned earlier, early humans were resourceful, and when they broke an axe, they could round off the edge and use it as a hammer. The more finely grooved hammers (Fig. 212) were clearly used as weapons and attached to sticks to function as clubs or maces, with the handles often being decorative. There's a lot to learn from examining the hammer-stone and the grooved hammer, and I agree with Mr. McGuire’s comment, “the hammer is plain at best, yet the hammer tells us more about ancient times than the celt does.”

Mr. Charles E. Brown, the able archæologist, says of these grooved hammers:—

Mr. Charles E. Brown, the skilled archaeologist, says about these grooved hammers:—

“They closely resemble grooved stone axes in shape, but have blunt edges. Examples are to be seen in all of the larger Wisconsin collections. Several specimens are ornamented with flutings.

“They closely resemble grooved stone axes in shape, but have blunt edges. Examples can be found in all of the larger Wisconsin collections. Several specimens are decorated with flutings."

“Mauls and club-heads were made of pebbles or small boulders and have a groove about their middles. The smaller are said to have been used as club-heads. Some are very rude, and others smoothed or polished. Specimens are found in most parts of the state. They are most numerous in northwestern Wisconsin and along Lake Superior, where they were employed as weapons in the early struggles between the Chippewa and Dakotas. From the Lake Superior aboriginal copper mining-pits hundreds of stone mauls have been recovered.

“Mauls and club heads were made from pebbles or small boulders and have a groove around their middle. The smaller ones are said to have been used as club heads. Some are very crude, while others are smoothed or polished. Examples can be found in most parts of the state. They are most abundant in northwestern Wisconsin and along Lake Superior, where they were used as weapons during the early conflicts between the Chippewa and Dakotas. From the Lake Superior native copper mining pits, hundreds of stone mauls have been found.”

“A rare type of stone club-head has two grooves. A few specimens have a ridge on either side of the groove. Another unusual form has intersecting grooves.

“A rare type of stone clubhead has two grooves. A few samples have a ridge on each side of the groove. Another uncommon form features intersecting grooves."

“Specimens of these hand-hammers or hammer-stones have been found on every Indian village-site in the state. They show every stage of work, from the ordinary pebble with its surface scarcely altered to those dressed into convenient shape and provided with grips or hand-holds.

“Examples of these hand-hammers or hammer-stones have been discovered at every Indian village site in the state. They display every stage of craftsmanship, from the basic pebble with its surface barely changed to those shaped for convenience and equipped with grips or hand-holds.”

“Good series of these spherical stones or stone balls, from the size of a marble to that of an orange, are in all of the larger public and private collections. They are found on Indian village- and camp-sites, and occasionally in mounds.”

"Good series of these spherical stones or stone balls, from the size of a marble to that of an orange, are in all of the larger public and private collections. They are found on Indian village and camp sites, and occasionally in mounds."

232

CHAPTER XIV
CONCLUSIONS ABOUT CHIPPED TOOLS

We have finished describing the chipped implements, and it is proper to offer some conclusions and deductions. If one will walk through the halls of the Peabody Museum at Cambridge, or the Smithsonian Institution at Washington, or the Field Museum of Natural History at Chicago, one will observe that chipped objects are more numerous than any other class of artifacts on exhibition. Personally, I have examined sites in twenty states, and I saw but one section of the country where broken pottery exceeded chipped objects in quantity. That was the Chaco region in northern New Mexico and the San Juan Valley. Elsewhere spalls, flakes, discs, and broken chipped implements exceeded axes, pottery, or any other class of prehistoric artifacts. When we counted the specimens in the Andover Museum, November 10, 1906, we found that out of 55,928 objects, more than thirty-two thousand were of the chipped class. Our collection is general, representing most of the states in this country. The count indicated not only that chipped objects were more numerous than any other division, but that they were more numerous than all others combined.

We have completed our discussion of chipped tools, and it's time to draw some conclusions. If you stroll through the halls of the Peabody Museum in Cambridge, the Smithsonian Institution in Washington, or the Field Museum of Natural History in Chicago, you'll notice that chipped items outnumber any other type of artifact on display. Personally, I've explored locations in twenty states, and I found only one area where broken pottery was more common than chipped items. That area was the Chaco region in northern New Mexico and the San Juan Valley. In all other places, spalls, flakes, discs, and broken chipped tools were more numerous than axes, pottery, or any other category of prehistoric artifacts. When we tallied the specimens in the Andover Museum on November 10, 1906, we discovered that out of 55,928 objects, over thirty-two thousand were of the chipped type. Our collection is diverse, representing most states in the country. The count showed not only that chipped items were more common than any other category, but that they outnumbered all the others combined.

The range in chipped objects is from the minute arrow-heads found on an island at Moccasin Bend, Tennessee (near Chattanooga) to large obsidian blades from California, or large unfinished chert implements on exhibition in the Peabody Museum, Cambridge. I have never measured these immense objects seen at Cambridge, but some of them appear to be fully thirty to thirty-five inches in length and the weight may be from ten to twenty pounds. One may suppose that when these large, roughly chipped, flint, oval-shaped objects were worked down, the completed form would be similar to those long, slender dagger- and sword-like objects on exhibition in the Missouri Historical Society and the Tennessee Historical Society collections.

The chipped objects range from tiny arrowheads found on an island at Moccasin Bend, Tennessee (near Chattanooga) to large obsidian blades from California and large unfinished chert tools displayed at the Peabody Museum in Cambridge. I haven't measured these huge objects seen at Cambridge, but some of them look like they’re about thirty to thirty-five inches long and weigh between ten to twenty pounds. You might assume that when these large, roughly chipped, oval-shaped flint pieces are worked down, the finished form would resemble those long, slender dagger- and sword-like pieces on display at the Missouri Historical Society and the Tennessee Historical Society collections.

What impresses me most is the skill of the ancient worker in flint—his ability to reduce the rough, unfinished objects of such size to the completed form.

What impresses me the most is the skill of the ancient flint worker—his ability to take rough, unfinished pieces of such size and turn them into finished products.

233Contrasted with these are the minute points, varying from one fourth to two thirds inches in length, which are found at Moccasin Bend, Tennessee. Colonel Young has made a large collection of these and there are numbers on exhibition in our Andover Museum. Why the aborigines left such numbers of delicate points, which in workmanship quite equal those of the Willamette Valley, Oregon, must remain a mystery. Possibly these were left on the island as “spirit offerings,” as in the case of the finely chipped objects found by Professor Holmes in the spring at Afton, Indian Territory.

233In contrast, there are the small points, ranging from one fourth to two thirds of an inch in length, which are found at Moccasin Bend, Tennessee. Colonel Young has made a large collection of these, and there are several on display in our Andover Museum. Why the indigenous people left so many delicate points, which are crafted as well as those from the Willamette Valley, Oregon, remains a mystery. It's possible these were left on the island as “spirit offerings,” similar to the finely made objects found by Professor Holmes in the spring at Afton, Indian Territory.

The largest barbed or shouldered chipped specimen I have seen is in the possession of a lady near Bainbridge, Ohio. It is seventeen inches in length, and of pink and white quartz.

The biggest barbed or shouldered chipped artifact I’ve seen belongs to a woman near Bainbridge, Ohio. It measures seventeen inches long and is made of pink and white quartz.

As has been remarked elsewhere in this book, such objects as the Tennessee “swords,” and the other unusual forms in obsidian from California and from the Hopewell altars, defy classification. In form, they may be included along with the rough turtleback, and crude knife, and highly finished knife, under “I. Type 1, without stem,” of the Nomenclature Committee’s classification.

As mentioned earlier in this book, objects like the Tennessee “swords” and other unique obsidian shapes from California and the Hopewell altars are hard to classify. In terms of shape, they can be categorized with the rough turtleback, the crude knife, and the finely made knife under “I. Type 1, without stem,” according to the Nomenclature Committee’s classification.

Readers are requested to glance at all the illustrations presented and observe that the highly specialized barbed and notched implements may be arranged: (a) notches parallel to the base; (b) notches diagonal to the base; (c) notches on either side and in the base. Also that there is a distinct type with sides parallel or convex for half the length of the specimen, and that the point is sharply narrowed down, forming an appreciable angle to the sides of the specimen.

Readers are asked to look at all the illustrations provided and notice that the specialized barbed and notched tools can be arranged in the following ways: (a) notches parallel to the base; (b) notches at a diagonal to the base; (c) notches on either side and at the base. Also, there's a specific type with sides that are either parallel or convex for half the length of the tool, and the point is sharply tapered, creating a noticeable angle with the sides of the tool.

The harder materials, such as quartz, quartzite, and argillite, frequently reach a high state of perfection. But as a rule the less refractory the material, the finer the workmanship. Thus, it is natural that the points found throughout the eastern Alleghenies, in New England, New York, and Pennsylvania are not as highly finished as those of the central Mississippi basin. And again, the flint of the Mississippi basin, while beautifully worked, is not, on the whole, of as high average as that of the Columbia Valley. Yet the small points from Moccasin Bend, Tennessee, the “sun-fish spears” of Greene County, Ohio, the ceremonial “swords” of Tennessee, equal anything found on the Pacific Coast. While this is true, there are many crude implements in the Mississippi Valley for every finely worked object. But because of the predominance of obsidian, agate, carnelian, and agatized wood—all which materials are easily worked and of bright color—the Indians west of the 234Plains were able to chip exquisite projectile points and knives, that in the average are higher in workmanship than elsewhere. Had the Mississippi Valley tribes possessed as fine material as the natives from the Columbia Valley, I think that their specimens would have been just as well made. However, the Pacific Coast furnishes nothing better than those shown in Figs. 213 and 214.

The tougher materials, like quartz, quartzite, and argillite, often achieve a high level of craftsmanship. However, generally speaking, the less durable the material, the finer the workmanship tends to be. Therefore, it makes sense that the points found in the eastern Alleghenies, New England, New York, and Pennsylvania are not as well-finished as those from the central Mississippi basin. On the other hand, while the flint from the Mississippi basin is beautifully crafted, it doesn't average out to be as high quality as that from the Columbia Valley. Still, the small points from Moccasin Bend, Tennessee, the “sunfish spears” of Greene County, Ohio, and the ceremonial “swords” of Tennessee are comparable to anything found on the Pacific Coast. While this holds true, there are many rough tools in the Mississippi Valley for every finely made one. Because of the abundance of obsidian, agate, carnelian, and agatized wood—materials that are easy to work with and brightly colored—the Native Americans west of the 234Plains were able to create exquisite projectile points and knives that, on average, are of higher craftsmanship than those found elsewhere. If the tribes in the Mississippi Valley had access to the same quality materials as those from the Columbia Valley, I believe their work would have been just as exceptional. However, the Pacific Coast does not provide anything better than what is shown in Figs. 213 and 214.

Although chipped implements have been placed in a class by themselves, a few of them could be fitted into other divisions. A small polished stone celt may have been used in hide-dressing even as was a chipped flint scraper. Occasionally, as in the Ozark region, axes or hatchets were made of flint, and notched and hafted somewhat after the fashion of Eastern grooved axes, yet it was not thought best to place chipped axes in the same class with grooved and polished axes.

Although chipped tools have been categorized separately, a few of them could fit into other groups. A small polished stone celt might have been used for hide-dressing just like a chipped flint scraper. Sometimes, as seen in the Ozark region, axes or hatchets were made of flint, notched and attached similarly to Eastern grooved axes, but it wasn’t deemed appropriate to place chipped axes in the same category as grooved and polished axes.

The range in form and material, in size and general character, is remarkable. I have said more than once in this book that chipped implements of a given locality exhibit a certain individuality. I repeat this observation purposely because I have heard it stated, by those who should know better, that chipped implements are more or less alike the world over. It would be as accurate for one to say that because leaves grow on trees and serve the same purpose, therefore, all leaves are of the same form.

The variety in form, material, size, and overall characteristics is impressive. I have mentioned multiple times in this book that chipped tools from a specific area show a distinct individuality. I emphasize this point again because I've heard some people, who really should know better, claim that chipped tools are basically the same everywhere. It would be just as correct to say that since leaves grow on trees and serve the same function, all leaves must be the same shape.

To one who has examined chipped implements in a perfunctory manner they will appear more or less alike, just as to him who is not a botanist, leaves convey no more information than that they are leaves. Yet he who is interested in the technology of flint implements will become proficient after a few years of work, and may distinguish the arrow-points of one section from those of elsewhere. Such a student will observe that there are at least thirty already known and localized types. It is probable that this number will be expanded, as we study localities more carefully.

To someone who has only glanced at chipped tools, they might all seem pretty similar, just like leaves don’t mean much to someone who isn’t a botanist. However, someone who is interested in flint tool technology can become skilled after a few years of study and can tell the arrowheads from one area apart from those from another. This learner will notice that there are already at least thirty identified and specific types. It’s likely that this number will grow as we examine different locations more thoroughly.

In the following pages I refer to materials of which implements are made and to certain illustrations in my text. If readers will examine the figures cited and compare the variations and form between one part of the country and another, the distribution of these types will be made clear.

In the following pages, I discuss the materials used to create implements and certain illustrations in my text. If readers take a look at the figures mentioned and compare the differences in form from one part of the country to another, the distribution of these types will become clear.

235

Fig. 213. (S. 1–3.) From Trigg County, Kentucky, and Stewart County, Tennessee. These adjoining counties are divided by the Cumberland River. B. H. Young’s collection.

Fig. 213. (S. 1–3.) From Trigg County, Kentucky, and Stewart County, Tennessee. These neighboring counties are separated by the Cumberland River. B. H. Young’s collection.

236The New Hampshire form of chipped implements is seen in quartz, quartzite, chert, porphyry, slate, and other materials. In quartz, the difference is not great between New England and the South. But there are forms of slate spears or lance-heads found in New England that do not occur elsewhere, whether the same materials are in use or not. Note Figs. 88 and 100 which present typical New England forms. Passing west from New England there is little change in character until one crosses the Hudson, and then we have the Delaware and New Jersey, long slender forms chiefly in jasper, chert, argillite, and a few in quartz. North, in New York and Canada, in the Iroquois country, there is much black chert, some white quartz and jasper, and a multitude of the triangular or war arrow-heads. Illustrations of New Jersey types are in Figs. 64, 90, and 201. About Lake Champlain there was much travel and trade in ancient times, and not only New England but also the western New York forms are present. Types are shown in Fig. 194.

236The New Hampshire style of chipped tools can be found in quartz, quartzite, chert, porphyry, slate, and other materials. In quartz, there's not much difference between New England and the South. However, there are types of slate spear or lance heads found in New England that don't show up anywhere else, regardless of whether the same materials are used elsewhere or not. Check out Figs. 88 and 100 for typical New England designs. Moving west from New England, there’s little change in style until reaching the Hudson River, after which we see Delaware and New Jersey's long, slender forms, mainly made of jasper, chert, argillite, and a few in quartz. To the north, in New York and Canada, particularly in the Iroquois territory, there's a lot of black chert, some white quartz, and jasper, along with many triangular or war arrowheads. Illustrations of New Jersey types can be found in Figs. 64, 90, and 201. Around Lake Champlain, there was a significant amount of travel and trade in ancient times, bringing not only New England styles but also those from western New York. Types are shown in Fig. 194.

In the American Anthropologist for October-December, 1909 (vol. 2, no. 4, p. 607), Professor G. H. Perkins, of the University of Vermont, describes the Lake Champlain types.

In the American Anthropologist for October-December, 1909 (vol. 2, no. 4, p. 607), Professor G. H. Perkins from the University of Vermont talks about the Lake Champlain types.

Although resembling the chipped points or knives in their general form, certain smooth objects are found which he observes are quite different in material from the average; being ground and not chipped. Professor Perkins states: “These represent a class of implements which are found on both sides of Lake Champlain. They are all made from slate, red, purple, or drab, such as occurs abundantly in this region. The use of these objects is rather problematical. They are almost always well made, the surface is smooth and almost polished, the edges are sharp and do not indicate that the tool had been severely treated. And yet the material is not very hard and is very brittle, and some of the specimens (knives?) are slender. One is nine inches long and an inch and a half at the widest part; it would easily break, and there are other specimens nearly as fragile.... The greater number are three or four inches long and of varying width. All are stemmed, and usually the stem is notched on each side. In the collection at Burlington there are more than thirty of these objects, and a smaller number in the state collection at Montpelier.”

Although they look like chipped points or knives in shape, some smooth objects are found that he notes are quite different in material from the usual ones; they are ground, not chipped. Professor Perkins says: “These represent a type of tool found on both sides of Lake Champlain. They are all made from slate—red, purple, or gray—which is abundant in this area. The purpose of these objects is somewhat unclear. They are almost always well-made, with a smooth and nearly polished surface; the edges are sharp and show no signs of heavy use. Yet, the material isn’t particularly hard and is very brittle, and some of the pieces (knives?) are slender. One measures nine inches long and one and a half inches at its widest point; it could easily break, and there are other pieces that are almost as fragile... Most are three to four inches long with varying widths. All have a stem, and usually, the stem is notched on both sides. In the collection at Burlington, there are more than thirty of these objects, with a smaller number in the state collection at Montpelier.”

Leaving New York, passing south into the great Chesapeake region, the slate points of New England and the jasper of New Jersey have disappeared. Instead we have chert, quartzite, argillite, rhyolite, calcareous quartzite, and the peculiar modeled white and pink quartzite. Specimens from this region are illustrated in Figs. 40, 86, and 92. It is quite easy to recognize them, as reference to the plates will prove.

Leaving New York and heading south into the Chesapeake region, the slate of New England and the jasper of New Jersey are gone. Now we have chert, quartzite, argillite, rhyolite, calcareous quartzite, and the unusual modeled white and pink quartzite. Samples from this area are shown in Figs. 40, 86, and 92. They are easy to identify, as you can see from the plates.

237

Fig. 214. (S. 1–1.) Drill. Spears. Dr. H. M. Whelpley’s collection. Presented as beautiful examples of American art in flint.

Fig. 214. (S. 1–1.) Drill. Spears. Dr. H. M. Whelpley’s collection. Showcased as stunning examples of American art in flint.

238The number of flint implements in the State of Pennsylvania is surprising. The range is greater than that found in any other section of the country. Pennsylvania types are shown in Figs. 82, 83, 94, and 114.

238The number of flint tools in Pennsylvania is astonishing. The variety is greater than in any other part of the country. Pennsylvania types are depicted in Figs. 82, 83, 94, and 114.

Professor E. H. Williams, Jr., has called my attention to the broad distribution of quartzite and argillite and to the fact that many shades in color and variation of texture are to be observed in these two materials.

Professor E. H. Williams, Jr., has pointed out to me the wide range of quartzite and argillite, as well as the many different colors and texture variations found in these two materials.

I regret that it is not possible to present a series of colored plates illustrating the various color shades of the same material. By that means I would emphasize what I wish to convey to readers of “The Stone Age.”

I’m sorry that I can’t provide a series of colored images showing the different color shades of the same material. That way, I could highlight what I want to communicate to readers of “The Stone Age.”

We cross the Alleghenies, passing through West Virginia into Ohio, where quartz has disappeared (save an occasional stray), and we find yellow and brown chert along the Ohio River, where Eastern and Southern tribes often traveled. Rude implements are more numerous along the Ohio River, on both sides, than in the interior in the states bordering that stream. (See Fig. 50.) But the presence of Flint Ridge enabled the natives to employ as fine material for their implements as is to be found in America. The rude types of the East and the South, save as stated above, have disappeared and the beautiful handiwork of the most skillful manipulators of flint and chalcedony are to be found everywhere. (See Figs. 101, 115, 116, 129, and 200.)

We travel through the Alleghenies, passing from West Virginia into Ohio, where quartz is mostly gone (except for an occasional piece) and we discover yellow and brown chert along the Ohio River, which was frequently traveled by Eastern and Southern tribes. There are more crude tools found along the Ohio River, on both sides, than in the interior of the states bordering that river. (See Fig. 50.) However, the presence of Flint Ridge allowed the natives to use some of the finest materials for their tools available in America. The rough types from the East and South, aside from what was mentioned, have mostly vanished, and the exquisite craftsmanship of the most skilled flint and chalcedony workers can be found everywhere. (See Figs. 101, 115, 116, 129, and 200.)

On crossing the Ohio River and passing through Kentucky and Tennessee, one encounters yet another section wherein the implements may be separated from those of elsewhere. Less quarry flint is in use, and more of nodular flint, both brown and gray, black and blue, was made use of by the prehistoric tribes. (See Figs. 74, 137, and 179.) In this region large problematical forms, commonly called “swords” and “daggers,” also flint effigies and remarkable leaf-shaped implements, slightly notched, are to be found. (See Figs. 159, 160, and 161, 162.) A few of the latter have strayed into Ohio, Wisconsin, and Michigan, but they are, as a rule, Tennessee-Kentucky types. Such forms are no more a resemblance to New England types than is the leaf of the pawpaw tree like that of the maple.

On crossing the Ohio River and traveling through Kentucky and Tennessee, you come across a different area where the tools can be distinguished from those found elsewhere. There’s less use of quarry flint, and prehistoric tribes relied more on nodular flint, which comes in brown, gray, black, and blue. (See Figs. 74, 137, and 179.) In this region, you can find large, uncertain shapes typically called “swords” and “daggers,” as well as flint figures and unique leaf-shaped tools with slight notches. (See Figs. 159, 160, and 161, 162.) A few of these have made their way into Ohio, Wisconsin, and Michigan, but generally, they belong to Tennessee-Kentucky types. These shapes are as dissimilar to those from New England as the leaf of a pawpaw tree is to that of a maple.

South of Tennessee the chipped implements of Georgia, Louisiana (see Figs. 59, 87, 112, and 140), Arkansas, and western Mississippi are jasper, yellow chert, quartz, and peculiar milk-colored 239quartzite, often variegated with blood-red veins; also ferruginous chert. Most of these types are small. East, along the Gulf, in Florida and South Carolina, the implements are ruder, of larger size, and usually of a rough chert. The finer spears and knives are made of a beautiful translucent yellow flint. Where this is found I am unable to state. Stone of suitable kind is rare in Florida. The Florida, the lower Mississippi, and Tennessee regions are separate and distinct as to their chipped implements. Of course, there are duplications of types, as in any section of the country, but speaking broadly each section is to be differentiated from the others, and any man who maintains the contrary has not studied the subject in all its details, which, by the way, are multitudinous.

South of Tennessee, the chipped tools from Georgia, Louisiana (see Figs. 59, 87, 112, and 140), Arkansas, and western Mississippi are made from jasper, yellow chert, quartz, and a unique milk-colored quartzite, often mixed with blood-red veins; there's also ferruginous chert. Most of these types are small. To the east, along the Gulf, in Florida and South Carolina, the tools are more primitive, larger, and usually made of rough chert. The nicer spears and knives are crafted from beautiful translucent yellow flint. I can’t say where this is sourced. Suitable stone is rare in Florida. The regions of Florida, lower Mississippi, and Tennessee have distinct types of chipped tools. Of course, there are similarities in types, like in any part of the country, but generally, each region can be differentiated from the others, and anyone who argues otherwise hasn’t thoroughly studied the topic, which, by the way, is incredibly detailed.

In the far North, in Wisconsin, Minnesota, and Michigan (see Figs. 72, 96, and 131), there is a quarry of peculiar granulated quartzite commonly known as “sugar quartz,” of which many implements are made. There is also a beautiful milk-colored variation of quartzite. The implements are of all sizes and types, the spear-heads being broad and of delicate finish.

In the far North, in Wisconsin, Minnesota, and Michigan (see Figs. 72, 96, and 131), there’s a quarry of unique, granulated quartzite commonly called “sugar quartz,” from which many tools are made. There’s also a lovely milk-colored version of quartzite. The tools come in all sizes and types, with the spearheads being wide and finely crafted.

Mr. Charles E. Brown, chief of the Wisconsin Historical Society Museum, says of the types in the Superior-Michigan country:—

Mr. Charles E. Brown, head of the Wisconsin Historical Society Museum, comments on the types found in the Superior-Michigan region:—

“The flint implements of this region embrace nearly all of the numerous forms common to the Ohio Valley and the Upper Mississippi Valley States. In beauty of material and workmanship they are the equal of any produced elsewhere. Many thousands of arrow- and spear-points, knives, perforators, and scrapers have been collected from the fields, workshop- and village-sites of the state. A small number of hammer-stones, saws, spades, hoes, celts, and objects of unknown use have also been obtained. Flint blanks, discs, and unfinished, broken, and rejected articles may be collected from every local workshop-site. Caches or hoards of blanks, or of finished implements, or of a mixture of both, have been unearthed in many localities. These contain from a few to several hundred specimens. They have been recovered from peat-bogs, the margins of springs, the banks of streams and lakes, beneath the roots of trees, beneath rocks, and in other places. Large numbers of flint implements have occasionally been found with burials in mounds or graves.

The flint tools from this area include almost all the various types found in the Ohio Valley and the Upper Mississippi Valley States. They are just as beautiful in material and craftsmanship as those made anywhere else. Many thousands of arrowheads, spear points, knives, perforators, and scrapers have been gathered from fields, workshops, and village sites within the state. A few hammerstones, saws, spades, hoes, celts, and some items of unknown purpose have also been discovered. Flint blanks, discs, and unfinished, broken, or rejected pieces can be found at every local workshop site. Caches or hoards of blanks, finished tools, or a mix of both have been dug up in many areas. These collections can contain anywhere from a few to several hundred items. They have been recovered from peat bogs, near springs, along stream and lake banks, beneath tree roots, under rocks, and other locations. Numerous flint tools have sometimes been found alongside burials in mounds or graves.

“Chert of a suitable quality occurs in many localities in Wisconsin in strata or in nodules and also in the glacial drift. Of this local material the greater number of our flint implements are manufactured. 240Quartzite is quite widely distributed in Wisconsin, and this stone was also much utilized in implement making. It occurs in a variety of beautiful colors, from white to bluish or greenish gray, and from light brown through various shades of brown to a rich orange, and from a flesh color to a bright carmine. Implements made of light brownish quartzite are the most common and most widely distributed. Like other stone implements, Wisconsin quartzites present all grades of workmanship and finish. The majority are of ordinary workmanship, while others are finely or beautifully chipped. What agate and obsidian artifacts are to the West, quartzites are to Wisconsin. Quartzite quarries of small extent have been found at several points in the state. Mr. William H. Ellsworth of Milwaukee is the owner of an especially choice collection of quartzite implements.

Chert of good quality can be found in many places in Wisconsin, both in layers and in nodules, as well as in the glacial drift. Most of our flint tools are made from this local material. 240Quartzite is also commonly found in Wisconsin and was widely used for making tools. It comes in a variety of beautiful colors, ranging from white to bluish or greenish gray, as well as from light brown through different shades of brown to a rich orange, and from a flesh color to bright carmine. The most common tools are made of light brownish quartzite, which is also the most widely distributed. Like other stone tools, Wisconsin quartzites show varying levels of craftsmanship. Most are of average quality, while some are finely or beautifully chipped. Just as agate and obsidian artifacts are significant in the West, quartzites hold the same importance in Wisconsin. Small quartzite quarries have been discovered at various locations throughout the state. Mr. William H. Ellsworth of Milwaukee has an especially impressive collection of quartzite tools.

“In the Fox River Valley are obtained numbers of arrow-points and other implements made of the rhyolite which occurs there. Implements made of quartz are found in the same region and in smaller numbers elsewhere. Implements made of chalcedony, agate, jasper, slate, sandstone, limestone, and other stone are also found in Wisconsin.

“In the Fox River Valley, many arrowheads and other tools made from the local rhyolite are found. Tools made from quartz can also be found in this region, though in smaller quantities elsewhere. Tools made from chalcedony, agate, jasper, slate, sandstone, limestone, and other types of stone are also present in Wisconsin."

“There is evidence to show that a considerable traffic in the finer qualities of flint and other materials desired for the manufacture of arrow- and spear-points, knives, etc., was carried on in prehistoric times with tribes in outlying and distant regions. Excursions may also have been made to points for the purpose of quarrying such stone. Thus blue and brownish hornstone appears to have found its way to Wisconsin over the trails from the quarries or deposits in Ohio and Indiana in the form of blanks, discs, and nodules. Some finished implements were probably also imported. Thousands of implements made of this hornstone are widely distributed throughout Wisconsin. The choice ivory white and pinkish flint appears to have come from Illinois or regions farther to the south. Black flints entered from the same direction. Some of the beautiful tortoiseshell-colored chalcedony so frequently employed here may have been imported from localities in Minnesota or North Dakota. A small number of obsidian implements have been recovered from mounds in southwestern Wisconsin and from fields and sites elsewhere in the state. Mr. Publius V. Lawson has published a list of some of these.

“There is evidence showing that there was significant trade in high-quality flint and other materials used for making arrowheads, spear points, knives, and similar items in prehistoric times with tribes from distant regions. There may have also been trips made specifically for quarrying this type of stone. For instance, blue and brownish hornstone seems to have traveled to Wisconsin via trails from quarries or deposits in Ohio and Indiana, in the form of blanks, discs, and nodules. Some completed tools were likely imported as well. Thousands of tools made from this hornstone are found throughout Wisconsin. The preferred ivory-white and pinkish flint seems to have originated from Illinois or even further south. Black flints also came from that direction. Some of the striking tortoiseshell-colored chalcedony often used here might have been brought in from sites in Minnesota or North Dakota. A few obsidian tools have been found in mounds in southwestern Wisconsin and from fields and sites across the state. Mr. Publius V. Lawson has published a list of some of these.”

“There is much yet to be learned concerning the materials, extent and direction and causes of this early inter-tribal commerce of the 241Upper Mississippi Valley. The present lack of a greater knowledge is largely due to the lack of state organization and intelligent coöperation on the part of archæologists and students in the outlying states of Michigan, Indiana, Illinois, Iowa, and Minnesota.

“There is still a lot to learn about the materials, scope, direction, and causes of the early inter-tribal trade in the 241 Upper Mississippi Valley. The current lack of understanding is mostly due to the absence of organized efforts and effective cooperation among archaeologists and researchers in the surrounding states of Michigan, Indiana, Illinois, Iowa, and Minnesota."

Fig. 214A. (S. 1–1.) Spear-point of agate from a mound in Ramsey County, North Dakota. H. Montgomery’s collection.

Fig. 214A. (S. 1–1.) Spear-point made of agate from a mound in Ramsey County, North Dakota. H. Montgomery’s collection.

“Owing to the time and toil required to carefully examine the great number of both public and private collections now existing and being developed in Wisconsin, studies of the distribution of the numerous local forms of flint implements have but been begun. It is, however, possible to venture a few general statements concerning them. Thus certain forms of arrow- and spear-points are found commonly in most districts of the state, some are of much more common occurrence in certain areas than in others, some appear to be limited in their distribution to only certain restricted areas, and others are of infrequent or rare occurrence everywhere. About Aztalan, in Jefferson County, and in the region of the Madison lakes, there are obtained specimens of a small notched triangular point which is also occasionally provided with a deeply notched base. But very few examples of these delicate and beautiful flint implements appear to have been found elsewhere. In the latter region is found a small barbed point of choice workmanship, with truncated barbs, and frequently with serrated edges. It is wholly unknown or of very rare occurrence in most parts of Wisconsin. Blue hornstone knives of the peculiar diamond shape have been found sparingly by single examples or in caches, in many localities in southern Wisconsin.

“Due to the time and effort needed to thoroughly examine the many public and private collections currently available and being developed in Wisconsin, studies on the distribution of the various local types of flint tools have only just begun. However, we can make a few general observations about them. Certain types of arrow and spear points are commonly found in most areas of the state, while others are much more prevalent in specific regions. Some seem to be limited to particular locations, and others are uncommon or rare throughout. Around Aztalan in Jefferson County, and in the Madison lakes area, specimens of a small notched triangular point are found, which sometimes have a deeply notched base. However, very few examples of these delicate and beautiful flint tools appear to have been found elsewhere. In the latter region, there’s a small barbed point of high-quality craftsmanship, with truncated barbs and often serrated edges. This type is either completely unknown or very rarely found in most parts of Wisconsin. Blue hornstone knives with a unique diamond shape have been found in small numbers, either as singles or in caches, across various locations in southern Wisconsin.”

“A lack of space forbids the description of other forms of unusual interest. In the Logan Museum, Milwaukee Public Museum, State 242Historical Museum, the H. P. Hamilton, J. P. Schumacher, and several other collections are to be seen specimens of a rare and beautiful form of large flint ceremonial knife, which appears not yet to have been described from other states. These implements are somewhat elliptical in form, with a narrow square or slightly rounded base. All are finely chipped of selected material, and are graceful and beautiful implements. They range from nine to thirteen and a half inches in length and from three to three and a half inches in width across the widest portion of their blades. Most of the specimens, whose history it has been possible to fully trace, have accompanied burials in graves, in some instances associated with other implements.”

“A lack of space prevents the description of other interesting forms. In the Logan Museum, Milwaukee Public Museum, State 242Historical Museum, the H. P. Hamilton, J. P. Schumacher, and several other collections, you can see specimens of a rare and beautiful type of large flint ceremonial knife, which doesn’t seem to have been described from other states yet. These tools are somewhat elliptical in shape, with a narrow square or slightly rounded base. All are finely chipped from selected material and are elegant and beautiful items. They range from nine to thirteen and a half inches in length and from three to three and a half inches in width at their widest part. Most of the specimens, whose histories have been fully traced, have been found in graves, sometimes alongside other tools.”

Illinois and Missouri were favorite camping- and hunting-grounds of prehistoric man (see Figs. 54, 57, 181), and chipped implements are as numerous in Illinois as in any state in the Union. The material is yellow chert, white flint, nodular flint; hoes and spades abound. Many flint celts occur and the flint art is high. Illinois and eastern Missouri and northeastern Arkansas types are characterized by light colors, broad thin blades, etc.

Illinois and Missouri were popular camping and hunting spots for prehistoric people (see Figs. 54, 57, 181), and chipped tools are as common in Illinois as in any other state in the country. The materials include yellow chert, white flint, and nodular flint; hoes and spades are plentiful. Many flint axes can be found, and the quality of the flintwork is impressive. The types from Illinois, eastern Missouri, and northeastern Arkansas are marked by light colors, wide thin blades, and other similar features.

Iowa and western Missouri present implements of white flint which when seen cannot be confused with those of other sections of the country, for the form is peculiar (see Figs. 118 and 122). On the Plains, from the Black Hills to the Arkansas River, large rough implements abound (see Figs. 153 and 174) on certain sites, but generally the projectile points are small and slender. The notched objects of flint, probably used as axes, are common in certain sections. Scrapers are to be found everywhere in this region.

Iowa and western Missouri have tools made from white flint that are distinctly different from those found in other parts of the country due to their unique shape (see Figs. 118 and 122). On the Plains, from the Black Hills to the Arkansas River, large, rough tools are commonly found at specific sites (see Figs. 153 and 174), but generally, the projectile points tend to be small and slender. Notched flint objects, likely used as axes, are common in certain areas. Scrapers are also found throughout this region.

The implements of the Rocky Mountains themselves might be separated into three or four localities. There are so few collections from the Rocky Mountains, south of the headwaters of the Columbia and the Missouri, that I have not sufficient data on which to base accurate observations. This will be secured, however, at some future time. Typical Mandan spears and arrows are shown in Fig. 138. Colorado types and those from elsewhere in the mountains are seen in Figs. 123, 134, and 153.

The tools from the Rocky Mountains can be divided into three or four regions. There are very few collections from the Rocky Mountains, south of the sources of the Columbia and Missouri rivers, so I don’t have enough information to make precise observations. However, I’ll gather that information at some point in the future. Typical Mandan spears and arrows are displayed in Fig. 138. Colorado types and others from different parts of the mountains are shown in Figs. 123, 134, and 153.

It appears that many of the scrapers, knives, and projectile points of the Great Plains were made of material brought down from the mountains. Naturally, the natives went to the nearest quarry sites, obsidian ledges, or where chert and agatized wood and other flakable materials were to be found.

It looks like a lot of the scrapers, knives, and projectile points from the Great Plains were made from materials that came down from the mountains. Of course, the locals would head to the closest quarries, obsidian outcrops, or places where they could find chert, agatized wood, and other materials that could be flaked.

243

Fig. 215. (S. 7–8.) Egyptian points from near Cairo, Egypt. Presented for comparison. Note how unlike any American forms. Of these 22, only 6 are similar to the United States types. Material: finely chipped, true brown flint. Age unknown. Collection of L. V. Case, Tarrytown, New York.

Fig. 215. (S. 7–8.) Egyptian points from near Cairo, Egypt. Presented for comparison. Note how different they are from any American forms. Of these 22, only 6 are similar to those found in the United States. Material: finely chipped, true brown flint. Age unknown. Collection of L. V. Case, Tarrytown, New York.

244Central and western Texas furnish slender points of yellow chert and scrapers of the same material. But there are also projectile points of white and red flint quite different from those of Kansas and Nebraska. (See Figs. 119 and 189.) Arizona and New Mexico types are chiefly of obsidian, yet there is chalcedony and agatized wood. (See Fig. 128.) While Arizona and New Mexico chipped objects are of the same general character as those from the Columbia River and its tributaries, yet, usually, they can be distinguished. (See Figs. 97, 104, 110.) But there are obsidian points in both regions identical in character.

244Central and western Texas provide slim yellow chert points and scrapers made from the same material. However, there are also white and red flint projectile points that are quite different from those found in Kansas and Nebraska. (See Figs. 119 and 189.) The types from Arizona and New Mexico are mainly made of obsidian, but there is also chalcedony and agatized wood. (See Fig. 128.) While the chipped items from Arizona and New Mexico share a similar general character with those from the Columbia River and its tributaries, they can usually be told apart. (See Figs. 97, 104, 110.) Nonetheless, there are obsidian points in both regions that are identical in nature.

The Pacific Coast furnishes more large implements than are to be found between California and Tennessee. Illustrations of California types are in Figs. 78, 136, and 151. There are also California forms which are rare in the Columbia Valley. Obsidian was used almost exclusively in California.

The Pacific Coast provides more large tools than those found between California and Tennessee. Examples of California types are in Figs. 78, 136, and 151. There are also California forms that are uncommon in the Columbia Valley. Obsidian was primarily used in California.

The sugar quartz of Wisconsin, and the pink quartz of Arkansas are almost agates. The range in texture of the stone and color of all these implements is considerable. Although mineralogists name many of them as of one kind of stone, yet these implements can be distinguished, because of peculiar color or markings or texture, by the naked eye. There is nothing visionary about such differentiation. It is real and apparent. The people of a given village-site, or of a given territory, obtained their material from a certain ledge or quarry or river drift, and neighboring tribes, two or three hundred miles away, went elsewhere for their material.

The sugar quartz from Wisconsin and the pink quartz from Arkansas are nearly agates. There's a significant variety in the stone's texture and color across all these tools. Although mineralogists categorize many of them as the same type of stone, these tools can be identified by their unique colors, markings, or textures just by looking at them. This differentiation isn’t imagined; it’s real and clear. The people of a specific village site or region sourced their materials from a particular ledge, quarry, or riverbed, while neighboring tribes, located two or three hundred miles away, obtained their materials from different places.

I have referred on previous pages to the long flint objects from the Middle South. Readers will do well to compare them with the best flint abroad or elsewhere. It was necessary for the master workman who made these objects to secure unusually long, clear blocks of flint, in which were no imperfections. Where the material was obtained for these specimens (some of which are twenty to twenty-two inches in length) is a mystery. It was a simple task for the ancient workman to block out the implement, leaving it spade-like in character, fairly thick, and exhibiting a surface from which flakes an inch or more in size had been chipped. The next step required, one may imagine, the combined efforts of two or three skillful workmen.

I’ve mentioned earlier the long flint objects from the Middle South. Readers should compare them to the best flint found elsewhere. The skilled craftsman who created these objects had to find unusually long, clear pieces of flint without any flaws. It remains a mystery where the material for these specimens (some measuring twenty to twenty-two inches in length) was sourced. For the ancient craftsman, shaping the implement was straightforward, resulting in a spade-like tool that was fairly thick and had a surface with flakes an inch or more in size removed from it. The next step probably required the collaborative efforts of two or three skilled artisans.

Possibly they made use of simple levers and heavy bone tools, as Sellars has stated, in order to detach the flakes. Pressure wrongly directed would result in breaking the implement. The final chipping 245must have been the work of one man, and doubtless it was performed by means of a single bone flaking-tool. We can imagine with what care the master workman proceeded. How many of these long thin blades he broke no man may know.

Possibly, they used simple levers and heavy bone tools, as Sellars suggested, to detach the flakes. Incorrect pressure could cause the tool to break. The final chipping 245 must have been done by one person, and it was probably carried out using a single bone flaking tool. We can picture the careful approach of the skilled worker. No one can say how many of these long, thin blades he broke.

Fig. 216. (S. 1–3.) Mr. H. M. Braun’s collection, East St. Louis, Illinois. This is a highly developed chipped object, with an exceedingly keen cutting edge. It would appear to be a special ceremonial axe. It belongs to the class of unknown objects of remarkable form and workmanship.

Fig. 216. (S. 1–3.) Mr. H. M. Braun’s collection, East St. Louis, Illinois. This is a well-crafted chipped artifact with an exceptionally sharp cutting edge. It seems to be a unique ceremonial axe. It falls into the category of mysterious objects with outstanding design and craftsmanship.

Formerly, it was thought that native Americans could not have produced, in flint, the equal of the slender flint daggers found in Scandinavia. We now know—and have the specimens to prove it—that prehistoric man in America was at least the equal, and possibly the superior, in point of skill of Neolithic man in Europe.

It used to be believed that Native Americans couldn't have created flint tools as refined as the slender flint daggers found in Scandinavia. We now know—and have the evidence to back it up—that prehistoric humans in America were at least as skilled, if not more skilled, than Neolithic humans in Europe.

Regarding the value that Indians attached to large flint or obsidian objects, Mr. H. N. Rust of California, for many years interested in archæology, presents a paper in the American Anthropologist, vol. VII, no. 4, p. 688, which sheds some light on the matter. I quote a few paragraphs:—

Regarding the value that Native Americans placed on large flint or obsidian objects, Mr. H. N. Rust of California, who has been interested in archaeology for many years, presents a paper in the American Anthropologist, vol. VII, no. 4, p. 688, which provides some insight on the subject. I'll quote a few paragraphs:—

“During a canoe voyage on the Klamath and Trinity rivers in the northern part of California, in 1898, the author had occasion to visit many Indian villages, and took the opportunity to make special inquiry for obsidian spears, knives, or swords, as they are commonly called. Ten in all were seen and five procured. They measure from seven to fifteen inches in length and from two to four inches in width, and are beautifully chipped to the edge from end to end. In color the obsidian is black, red, or gray.

“During a canoe trip on the Klamath and Trinity rivers in northern California in 1898, the author visited several Native American villages and took the chance to ask specifically about obsidian spears, knives, or swords, as they are commonly referred to. In total, ten were found and five were purchased. They range in length from seven to fifteen inches and in width from two to four inches, and are finely chipped to a sharp edge from one end to the other. The obsidian comes in black, red, or gray colors.”

“In almost every instance the owners were reluctant to show these blades. All were carefully wrapped in redwood bark and carefully hidden away, sometimes under the floor of the lodge, oftener outside beyond the knowledge of any one except the owner. In one instance the owner could not be induced to get his 246blade until nightfall, in order that no one should learn of its hiding-place. This habit of secreting valuable articles for safety no doubt accounts for such objects having been found at times in isolated places remote from dwellings or burial-places....

“In almost every case, the owners were hesitant to show these blades. They were all carefully wrapped in redwood bark and hidden away, sometimes under the floor of the lodge, but more often outside, known only to the owner. In one case, the owner wouldn’t retrieve his 246blade until nightfall to keep its hiding place a secret. This tendency to stash valuable items for safekeeping likely explains why such objects have occasionally been discovered in remote locations away from homes or burial sites....”

“These obsidian blades pass from father to son, with hereditary rank, and are retained with pride as heirlooms; consequently it was only by much persuasion and considerable expenditure that they could be obtained. In several instances the Indians regarded the blades as tribal property, and in one case I found it impossible to persuade the holder to part with the one in his possession at any price.”

“These obsidian blades are passed down from father to son, along with their rank, and are held with pride as family heirlooms; therefore, it took a lot of persuasion and significant money to acquire them. In some cases, the Native Americans viewed the blades as tribal property, and in one instance, I found it impossible to convince the owner to sell the one he had, no matter how much I offered.”

Dr. A. L. Kroeber commented in the same number of the Anthropologist at considerable length on Mr. Rust’s paper. I advise readers to read both articles, and regret that I have not space to reproduce them in full.

Dr. A. L. Kroeber commented extensively in the same issue of the Anthropologist on Mr. Rust’s paper. I encourage readers to check out both articles, and I regret that I don't have the space to include them in full.

It would seem to me, however, that although these Indians still venerate the large brown and red obsidian blades, it is because their traditions tell them that such were considered very valuable as charms, or tribal possessions of their ancestors. It would appear that these objects are not regarded to-day in the same light as formerly, and that the original office or meaning is lost sight of by the modern Indians.

It seems to me that while these Native Americans still respect the large brown and red obsidian blades, it's mainly because their traditions suggest these were once seen as very valuable charms or tribal possessions of their ancestors. It looks like these objects aren't viewed in the same way today as they were in the past, and the original significance or meaning has been forgotten by the modern Native Americans.

Dr. Kroeber concludes his paper with these words:—

Dr. Kroeber wraps up his paper with these words:—

“These obsidian blades of the Indians of northwestern California have been called, and in a measure are, sacred. Nevertheless the term can be applied to them only qualifiedly. They are primarily objects of wealth. Their display in important ceremonies, their preciousness, and the general disposition of these Indians to connect exhibitions of wealth and ceremonies, give to these objects certain associations of a religious nature. They do not, however, appear to be sacred in the same sense in which a small class of other objects, such as certain pipes, fire-sticks, and similar ceremonial paraphernalia, which are used in a purely ritualistic way and whose value lies entirely in this ritualistic and traditionary use, are sacred. Like the white deerskins and woodpecker scalp-ornaments, the obsidian blades are not used directly in connection with any of the sacred formulas around which the deeper religious life of these Indians clusters. There seems also to be very little and probably no sense of their being charms or objects with a fetish or medicine or animistic power. They are thus sacred in a very different sense from the objects belonging to an altar of the Pueblo Indians, or from the objects contained in a sacred bundle of the Plains Indians. Their general position in the ceremonies and social life of the Indians of northwestern California resembles more nearly that of the coppers of the Indians of the North Pacific Coast.”

“These obsidian blades of the Native Americans in northwestern California are considered, to some extent, sacred. However, this term can only be applied to them in a limited way. They are primarily seen as objects of wealth. Their use in significant ceremonies, their value, and the general tendency of these Native Americans to link displays of wealth with ceremonies give these items a certain religious association. However, they don't seem to be sacred in the same way that a small number of other items, like certain pipes, fire-sticks, and similar ceremonial tools, are sacred because they are used strictly for rituals and hold value only in that traditional context. Like white deerskins and woodpecker scalp ornaments, the obsidian blades are not directly involved in any of the sacred rituals central to the spiritual life of these Native Americans. There also appears to be little, if any, belief that they possess charm or animistic power. Therefore, they are considered sacred in a very different way from items found on a Pueblo Indians' altar or those in a sacred bundle of the Plains Indians. Their role in the ceremonies and social life of the Native Americans of northwestern California is more similar to that of the coppers used by the Indigenous peoples of the North Pacific Coast.”

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Fig. 217. (S. 1–1.)

A red and brown obsidian blade, found on the shore of
Goose Lake, California, by the Reverend H. C. Meredith, in
1905. H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 217. (S. 1–1.)

A red and brown obsidian blade, discovered on the shore of Goose Lake, California, by Reverend H. C. Meredith in 1905. H. K. Deisher’s collection, Kutztown, Pennsylvania.

249A study of chipped implements of the varieties presented in the foregoing pages opens up a field of research of great possibilities. A comparison of types, an examination of material—in other words, the same technical work that classical scholars spend in research into certain phases of Greek and Roman archæology—will lead to important results. For instance, chips of a certain stone, which appear to have come from Labrador, are said to be found occasionally in Maine or Massachusetts. If this statement is true, it leads us to question whether the Eskimo and the New England natives bartered, or whether there was a migration in earliest times from Labrador to New England, or vice versa. Or, whether the stone is found in New England as well as in Labrador.

249A study of chipped tools like the ones discussed earlier opens up an exciting area of research with a lot of potential. Analyzing different types and examining materials—in other words, doing the same kind of technical work that classic scholars do when researching aspects of Greek and Roman archaeology—will yield significant findings. For example, chips from a particular stone thought to originate from Labrador are reportedly found occasionally in Maine or Massachusetts. If this claim is accurate, it raises questions about whether the Eskimo and the New England natives traded with each other, whether there was an early migration from Labrador to New England, or vice versa. Or, it could be that the stone is present in both New England and Labrador.

The Ozark Mountain region, a strange country about sixty miles in extent, where Dr. Peabody and myself found evidence of culture different from any other existing in this country, contains two kinds of chipped material: that found on the surface generally, and that which occurs in the caves and caverns occupied by man. The one can be differentiated from the other. Both might be called “flint,” or “chert,” and yet each came from a different site and represents a different culture.

The Ozark Mountain region, an unusual area about sixty miles long, where Dr. Peabody and I discovered signs of a culture that differs from any other in the country, contains two types of chipped material: the kind found on the surface and the kind located in the caves and caverns inhabited by people. These can be distinguished from each other. Both could be referred to as "flint" or "chert," yet each comes from a different place and reflects a unique culture.

Entirely too much has been made of the fact that chipped implements of various kinds have been seen in the possession of modern Indians the past two hundred years. As an illustration of how the modern Indian has drifted away from the past, and in support of my contention that his present condition, while entertaining and interesting, is of little value to archæology, I desire to call attention to one who is more competent to pass upon this subject than many white persons who have written regarding it. Dr. Charles A. Eastman, a full-blooded Sioux Indian, himself a scholar who has given many years to a careful study of the traditions of his own people, informs me that his grandfather repeatedly stated that all the Sioux record-keepers were insistent in their statements that the arrow- and spear-points found by them on the Plains were made and used by earlier tribes, and that they always considered them as “mystery stones” and had no tradition with regard to their use.

Too much has been made of the fact that chipped tools of various kinds have been found in the hands of modern Native Americans over the last two hundred years. To illustrate how the modern Native American has moved away from the past, and to support my argument that their current situation, while fascinating and engaging, is of little importance to archaeology, I want to highlight the perspective of someone more qualified to discuss this than many white writers. Dr. Charles A. Eastman, a full-blooded Sioux Indian and a scholar who has spent many years carefully studying his people's traditions, tells me that his grandfather often remarked that all the Sioux record-keepers firmly stated that the arrowheads and spear points they discovered on the Plains were made and used by earlier tribes. They always regarded these as “mystery stones” and had no traditions regarding their use.

250I predict that the day is coming when our museums will be filled with specimens; when most of the sites shall have been explored. Men will then turn their attention to a detailed study of the chipped objects on exhibition. They will make tables of these, they will measure them, they will subdivide the materials, giving each a different name. At present we call by the general term “chert” a dozen different colors and textures which to the practiced eye represent different sites. The precise meaning of all these forms and the reason for the selection of colors or varieties, will some day, I am persuaded, become clear.

250I believe the day will come when our museums will be packed with specimens and most of the sites will have been explored. People will then focus on a detailed study of the chipped objects on display. They will create tables of these items, measure them, and categorize the materials, giving each a unique name. Right now, we use the broad term “chert” to describe a dozen different colors and textures that, to the trained eye, indicate different sites. The exact meanings of all these forms and the reasons for choosing specific colors or varieties will, I am convinced, eventually become clear.

251

CHAPTER XV
Ground stone

POLISHED STONE HATCHETS OR CELTS—THE CLASSIFICATION OF HATCHETS, ADZES, GOUGES, AND AXES

Under the general term “ground stone” fall all objects not chipped; as well as utensils, weapons, ornaments, and artifacts not of copper, bone, shell, mica, etc. The term “ground stone” would include axes, celts, pestles, mortars, and a score of other types.

Under the broad term “ground stone” are included all objects that aren't chipped, as well as tools, weapons, ornaments, and artifacts that aren’t made of copper, bone, shell, mica, etc. The term “ground stone” covers axes, celts, pestles, mortars, and many other types.

But I confine this and the next three chapters to the celt-hatchet-axe-adze class of artifacts or tools, and have presented my own classification of these.

But I'm limiting this and the next three chapters to the celt-hatchet-axe-adze category of artifacts or tools, and I've shared my own classification of these.

Polished stone hatchets or celts are supposed to have been made and used before man discovered that a grooved stone was more serviceable and could be securely fastened in the handle. These objects have been the subject of much study. My friend of many years standing, a distinguished archæologist, the late Dr. Thomas Wilson of the Smithsonian Institution, made axes and celts a study covering years. Excepting Professors Holmes and Putnam, there is nobody to-day professionally engaged in archæology in possession of Dr. Wilson’s technical knowledge of the use of stone implements in ancient times. Dr. Wilson knew little about modern tribes, and cared less. He was not an ethnologist, as was Professor Mason, but he had labored for many years in the field in France, Italy, and Spain, was familiar with archæological literature and in full sympathy with the point of view of stone-age man.

Polished stone hatchets or celts are thought to have been created and used before people discovered that a grooved stone was more practical and could be securely attached to a handle. These items have been extensively studied. My long-time friend, the late Dr. Thomas Wilson of the Smithsonian Institution, a noted archaeologist, dedicated years to researching axes and celts. Other than Professors Holmes and Putnam, there’s no one today in the field of archaeology who possesses Dr. Wilson’s expertise in the use of stone tools from ancient times. Dr. Wilson knew little about modern tribes and was even less interested in them. He wasn’t an ethnologist like Professor Mason, but he worked for many years in the field in France, Italy, and Spain, was well-versed in archaeological literature, and fully understood the perspective of stone-age people.

Men who live in the present rather than the past cannot appreciate this distinction. It is more than a fine distinction, as it is a broad and true distinction. Dr. Wilson, while trained in archæology abroad, was able to catch the correct point of view in American archæology. While his classifications of the celt, axe, chipped stone, and so forth have been enlarged and improved upon in recent years, yet to him belongs no little credit.

Men who focus on the present instead of the past can't really grasp this distinction. It's more than just a subtle difference; it's a significant and valid one. Dr. Wilson, who studied archaeology overseas, managed to capture the right perspective on American archaeology. While his classifications of the celt, axe, chipped stone, and similar items have been expanded and refined recently, he deserves a lot of credit for laying the groundwork.

Dr. Wilson’s papers on the celt and the axe (see Bibliography), and Mr. Willoughby’s article in the Anthropologist, June, 1907, p. 296, on 252the “Adze and Ungrooved Axe of the New England Indians,” are suggested to students for reading.

Dr. Wilson’s papers on the celt and the axe (see Bibliography), and Mr. Willoughby’s article in the Anthropologist, June 1907, p. 296, on 252 the “Adze and Ungrooved Axe of the New England Indians,” are recommended for students to read.

Dr. Wilson treats almost exclusively of the axe and adze and celt in prehistoric times. Mr. Willoughby illustrates prehistoric forms, but cites all the early writers who have made reference to the celt. However, none of these writers are clear as to whether tools used are celts, adzes, hatchets, either grooved or ungrooved.

Dr. Wilson focuses almost entirely on the axe, adze, and celt from prehistoric times. Mr. Willoughby showcases prehistoric forms but refers to all the early writers who mentioned the celt. However, none of these writers clearly specify whether the tools in question are celts, adzes, or hatchets, whether they are grooved or ungrooved.

My classification of stone hatchets is as follows:—

My classification of stone hatchets is as follows:—

Stone Hatchets
1.
Ungrooved hatchets, or celts.
(a)
Simple, oval pebble with a sharp edge. (Figs. 219–220.)
(b)
Triangular hatchets, narrow poll, broad blade. (Fig. 221.)
(c)
Face almost flat, sides nearly straight. (Fig. 222.)
(d)
One side or surface convex, the reverse flat. (Figs. 225, 238.)
(e)
As (d), except that one flat surface is sharply beveled towards the edge. (Figs. 224, 241.)
(f)
Blade flaring. (Figs. 233, 234.)
2.
Adzes and gouges.
(a)
Slightly hollowed, one side convex. (Fig. 239.)
(b)
Deeply hollowed. (Figs. 242–243.)
(c)
Slightly grooved, or with knobs. (Fig. 247.)
Grooved Axes
(a)
Groove entirely encircling specimen. (Figs. 248, 252.)
(b)
Three fourths grooved; the back flat or hollowed. (Figs. 254, 257.)
(c)
Grooved and the poll pointed or rounded. (Figs. 263, 265.)
(d)
Double-edged, or double-bitted—grooved in the centre. (Figs. 274, 283, 284, 299, 300.)
(e)
Double-grooved. (Figs. 282; one in 286, one in 257.)

The polished stone hatchet or celt is an implement much in use entirely throughout the world, and we may doubt whether primitive man could have existed without it. Celts served a multitude of purposes; the ruder ones may be considered as general utility tools in use about the wigwams and cabins. The more skillful worker in stone made very artistic as well as serviceable celts and hatchets, usually paying particular attention to the edge, which was often keen and sharp. Sufficient time and labor were put on certain of the specimens to bring them to a high state of perfection; to work out fancy or specialized forms.

The polished stone hatchet or celt is a tool used all over the world, and we might question how early humans could have survived without it. Celts had many functions; the simpler ones were general-purpose tools used around homes and shelters. Skilled stone workers created very artistic and functional celts and hatchets, often focusing on the edge, which was typically sharp and precise. Some of the specimens required considerable time and effort to reach a high level of craftsmanship, with intricate or specialized designs.

253

Fig. 218. (S. 1–3.) W. J. Martin collection, Leon, Kansas (p. 260).

Fig. 218. (S. 1–3.) W. J. Martin collection, Leon, Kansas (p. 260).

254Most archæologists suppose that primitive man made his first celts by selecting water-worn pebbles of near the desired shape and grinding them until sharp edges were obtained. Within the gravelly bed of any stream were multitudinous stones, and as primitive man traveled about, his attention was attracted to these, and it was but a natural conclusion that he should make edged tools or weapons of them.

254Most archaeologists believe that early humans created their first stone tools by picking up smooth pebbles that were almost the right shape and then grinding them until they had sharp edges. In the gravelly bottom of any stream, there were countless stones, and as early humans moved around, they noticed these stones. It was only natural for them to conclude that they could use them to make tools or weapons with edges.

Fig. 219. (S. about 1–6.) This represents six celts of hard, reddish slate partly chipped, partly ground, from A. E. Kilbourne’s cabinet, Connecticut. It may be said to mark the beginning of the ground objects, for these celts might be placed under the classification of chipped objects, although I have included them with the ground stone.

Fig. 219. (S. about 1–6.) This shows six celts made of hard, reddish slate that are partly chipped and partly ground, from A. E. Kilbourne’s collection in Connecticut. This can be considered the start of ground artifacts, as these celts could be classified as chipped objects, although I have included them with the ground stone category.

The illustrations of the more simple forms of celts presented in this chapter are of types from several portions of the country. The oval celt was the most common of all, and occurred pretty much everywhere in the United States except on the Pacific Coast and on the Great Plains. It is not frequent in that part of New England lying east of Lake Champlain, yet specimens are not wanting. But it is absent in the Ozark Mountains, and quite rare in Texas. In the Mississippi Valley and the area drained by Southern rivers, in the central East and valleys of the Hudson, the Susquehanna, and Delaware, it occurs in great numbers. As one approaches the East, celts diminish in the Connecticut Valley, and are less frequent in the Merrimac, in the Penobscot, and the Kennebec regions.

The illustrations of the simpler types of celts shown in this chapter come from various parts of the country. The oval celt was the most common and was found almost everywhere in the United States, except on the Pacific Coast and in the Great Plains. It’s not very common in the part of New England east of Lake Champlain, but there are still some examples. However, it is absent in the Ozark Mountains and quite rare in Texas. In the Mississippi Valley and areas fed by Southern rivers, as well as in the central East and the valleys of the Hudson, Susquehanna, and Delaware, they are found in large numbers. As you move towards the East, celts become less common in the Connecticut Valley and are less frequent in the Merrimac, Penobscot, and Kennebec regions.

255

Fig. 220. (S. 1–3.) A group of celts from the Tidewater region, Chesapeake Bay, Virginia and Maryland. Reproduced from the 15th Annual Report of the Bureau of Ethnology. Most of these, especially the three at the lower right-hand corner, are oval forms of polished stone hatchets. Such are the most common, and with these my classification begins. All are typical specimens from the Smithsonian collection. The edges are broad; the upper portions of several show the work of hand-hammers.

Fig. 220. (S. 1–3.) A collection of celts from the Tidewater area, Chesapeake Bay, Virginia and Maryland. Reproduced from the 15th Annual Report of the Bureau of Ethnology. Most of these, especially the three in the lower right corner, are oval-shaped polished stone hatchets. These are the most common, and this is where my classification starts. All are typical examples from the Smithsonian collection. The edges are wide; the upper parts of several show the marks of hand-hammers.

256

Fig. 221. (S. 1–1.) This celt belongs in Class “B.” It is a typical specimen from the collection of J. J. Snyder, Frederick, Maryland. Such a celt would serve as a convenient hand-hatchet or tomahawk. It is sharp, small, and could be conveniently carried on the war-path, as the weight of the object and the handle, together, would not exceed two or two and a half pounds. The small, sharp, triangular hatchets I have always believed were weapons.

Fig. 221. (S. 1–1.) This celt is classified as “B.” It’s a typical example from J. J. Snyder's collection in Frederick, Maryland. This celt would be useful as a hand-held hatchet or tomahawk. It’s sharp, lightweight, and easy to carry while traveling, as its total weight along with the handle wouldn't exceed two to two and a half pounds. I've always thought that the small, sharp, triangular hatchets were used as weapons.

257

Fig. 222. (S. 1–3.) A plate of celts from the University of Vermont collection, Burlington. All of these were found near Lake Champlain. Several peculiarities are to be noted. The light-colored one in the lower row was first chipped and then ground and polished. The celt to the left, in the centre, is slightly indented on either side, and, as will be shown elsewhere in this book, such forms are not rare in New England. Five of these celts have straight sides. It is not necessary that the sides should be equidistant from each other, or that the poll should be exactly as wide as the blade, in order that celts may be classified as having straight sides. By straight sides, I mean sides which may be either sloping or straight, yet not curved. A tapering celt, a celt with a flaring edge and other forms may or may not have straight sides.

Fig. 222. (S. 1–3.) A plate of celts from the University of Vermont collection in Burlington. All of these were found near Lake Champlain. There are several things to note. The light-colored one in the lower row was first chipped, then ground and polished. The celt on the left in the center is slightly indented on both sides, and, as will be discussed later in this book, such shapes are not uncommon in New England. Five of these celts have straight sides. It's not necessary for the sides to be equally distanced from each other or for the poll to be exactly as wide as the blade for celts to be classified as having straight sides. By straight sides, I mean sides that can be either sloping or straight, but not curved. A tapering celt, a celt with a flaring edge, and other shapes may or may not have straight sides.

258

Fig. 224. (S. 1–3.)

Fig. 224. (S. 1–3.)

It will be observed by the illustrations that celts, gouges, and stone hatchets are all closely related. Yet celts may be subdivided into six divisions, all of which are different. In adzes and gouges there are three divisions; in axes, five. But some other observer might place in two or three divisions what I have classed under C; for there are broad adzes, broad celts, alike in character, which may or may not have a knob on the back. There are also adzes slightly grooved, but not broad and thin. Some celts are thick, and others chisel-like, or pick-shaped. Yet in certain New England forms the distinguishing knob appears on the back. An adze may be almost triangular in cross-section. It may have no knobs on the back. Mr. Willoughby’s classification of these is presented in three plates,—the first, celts; the second, adze-blades or gouges; the third, adze-blades with grooves or knobs.

It can be seen from the illustrations that celts, gouges, and stone axes are all closely related. However, celts can be divided into six different categories. Adzes and gouges have three categories each, while axes have five. Another observer might group what I have categorized as C into two or three divisions. There are broad adzes and broad celts that are similar in structure, which may or may not have a knob on the back. There are also slightly grooved adzes that are not broad and thin. Some celts are thick, while others are chisel-like or pick-shaped. In certain New England types, the distinguishing knob appears on the back. An adze might have an almost triangular cross-section and could have no knobs on the back. Mr. Willoughby's classification of these is shown in three plates: the first for celts, the second for adze blades or gouges, and the third for adze blades with grooves or knobs.

259

Fig. 225. (S. 1–2.) Celts and unknown objects from the New York State collection, Albany.

Fig. 225. (S. 1–2.) Celts and unidentified objects from the New York State collection, Albany.

260Fig. 218, from W. J. Martin’s collection, Leon, Kansas, exhibits pieces of sandstone and limestone almost celt-like in form, yet which were used for grinding and polishing. This illustrates how an ordinary stone could be worked into a celt and that almost any series can be arranged beginning with one type and ending with another.

260Fig. 218, from W. J. Martin’s collection, Leon, Kansas, shows pieces of sandstone and limestone that are almost celt-like in shape, but were used for grinding and polishing. This demonstrates how a regular stone could be shaped into a celt and that you can create a sequence starting with one type and ending with another.

It is easy for any archæologist to select a series of celts, beginning with the oval form and ending with the spud-shaped implement. It is not difficult to group the extremes. We hesitate over the specimens which may be said to lie in the borderland of two divisions. One student would place them in this class, and another observer might contend that they belonged in that division.

It’s easy for any archaeologist to pick a range of celts, starting with the oval shape and ending with the spud-like tool. It’s not hard to categorize the extremes. We struggle with the specimens that seem to fall on the border between two categories. One researcher might classify them here, while another might argue that they fit better there.

The average celt is not large, although specimens have been found weighing as much as fifteen or twenty pounds. Celts five and six pounds in weight are not of rare occurrence, although they are by no means common. Abnormally large celts, axes, and other cutting-tools seem to me to indicate the skill of the aboriginal worker in stone, for it is quite clear that it would be impossible to put to any practical use such unwieldy stone implements.

The typical celt isn't very big, but some have been found weighing as much as fifteen or twenty pounds. Celts weighing five or six pounds aren't rare, although they're not exactly common either. Unusually large celts, axes, and other cutting tools suggest to me the talent of the original stone worker, as it's clear that using such heavy stone tools would be quite impractical.

The largest grooved mauls I have ever seen were found about the ancient copper-mines of Lake Superior or in flint quarries.

The biggest grooved mauls I’ve ever seen were discovered around the ancient copper mines of Lake Superior or in flint quarries.

Mr. H. M. Braun owns two beautiful specimens of large celts which are shown in Fig. 228. The sizes have been indicated in white letters on the specimens. A few similar ones have been found in Tennessee, but such are rare. I would call attention to the slightly flaring edges of these specimens and to the fact that they are not highly polished, which might indicate that they are not finished.

Mr. H. M. Braun has two stunning examples of large celts displayed in Fig. 228. The sizes are marked in white letters on the specimens. A few similar pieces have been discovered in Tennessee, but they're quite rare. I want to point out the slightly flaring edges of these specimens and the fact that they aren't highly polished, which may suggest they are unfinished.

There are chisel-shaped celts and celt-like implements sharp at either end, the purpose of which is not clear. A number of these odd forms in celt-like or pointed instruments are found in the Iroquois country. Dr. William Beauchamp, the authority on archæology and ethnology of northern New York, has referred to these peculiar forms and illustrated them in the Bulletin of the New York State Museum, vol. IV, no. 18. It may not be out of place here to remark that the New York State Museum has published many bulletins, eight of which are of special interest to students of archæology and Indian history. These describe not only polished stone articles and the chipped implements, but metallic implements and ornaments, wampum, shell and bone, and also aboriginal use of wood. I recommend all these to readers.

There are chisel-shaped celts and celt-like tools that are sharp at both ends, but their purpose isn’t clear. Several of these strange, pointed instruments have been found in the Iroquois region. Dr. William Beauchamp, an expert on archaeology and ethnology in northern New York, has mentioned these unusual shapes and illustrated them in the Bulletin of the New York State Museum, vol. IV, no. 18. It’s worth noting that the New York State Museum has published many bulletins, eight of which are particularly interesting for those studying archaeology and Native American history. These cover not just polished stone artifacts and chipped tools, but also metal tools and ornaments, wampum, shell and bone items, and the original use of wood. I recommend all of these to readers.

261

Fig. 226. (S. 1–1.)

Beautiful polished stone hatchets, from Andros and New Providence Islands, Bahamas, West Indies; other objects from Tlaxcala, Mexico. The central one is almost jade-like. The specimens are colored accurately. Collection of B. W. Arnold, Albany, New York.

Fig. 226. (S. 1–1.)

Beautifully polished stone hatchets from Andros and New Providence Islands, Bahamas, West Indies; along with other items from Tlaxcala, Mexico. The one in the center is almost jade-like. The specimens are colored accurately. Collection of B. W. Arnold, Albany, New York.

264

Fig. 227. (S. 1–1.)

A celt, a chisel, and four unknown forms in dark, highly polished stone and obsidian. Celts from Andros and New Providence Islands, Bahamas, West Indies; other objects from Tlaxcala, Mexico. The original colors are reproduced. Collection of B. W. Arnold, Albany, New York.

Fig. 227. (S. 1–1.)

A celt, a chisel, and four unidentified shapes made of dark, highly polished stone and obsidian. Celts from Andros and New Providence Islands, Bahamas, West Indies; other items from Tlaxcala, Mexico. The original colors are shown. Collection of B. W. Arnold, Albany, New York.

265

Fig. 228. (S. 1–4.) Unusually large celts from Mr. Braun’s collection, East St. Louis, Illinois. I have referred on a previous page to celts such as these. There are quite a few in our museums, particularly in the Washington, Chicago, Cambridge, and New York collections. It is very seldom that they are highly finished; usually they are a trifle rough, although there are instances in which the specimen is brought to a high finish, as is the case of the smaller polished stone hatchets. Whether these were tribal possessions, or were made to show the skill of the worker in stone, or were brought forth under certain conditions and placed in the medicine lodge, I leave for others to decide.

Fig. 228. (S. 1–4.) Unusually large celts from Mr. Braun’s collection, East St. Louis, Illinois. I mentioned similar celts on a previous page. There are quite a few in our museums, especially in the collections of Washington, Chicago, Cambridge, and New York. They are rarely highly finished; usually, they are a bit rough, although there are cases where the specimen is polished to a high shine, like the smaller stone hatchets. Whether these were tribal possessions, crafted to showcase the worker's skills in stone, or created under specific conditions and placed in the medicine lodge, I leave for others to determine.

In Fig. 225 I have reproduced from Dr. Beauchamp’s Bulletin ten specimens, ranging from a small wedge-shaped celt to three long double-pointed instruments. The one to the right is sharply convex with a flat base. To the extreme left is an elongated oval not very sharp at either end. Next to it is an object with quite pointed ends. While these are placed by me in the celt class, the four larger specimens are scarcely celts.

In Fig. 225, I have copied from Dr. Beauchamp’s Bulletin ten examples, ranging from a small wedge-shaped celt to three long double-pointed tools. The one on the right is sharply curved with a flat base. On the far left is an elongated oval that's not very pointed at either end. Next to it is an item with pointed ends. While I categorize these in the celt class, the four larger examples are barely celts.

266

Fig. 229. (S. 1–3.) To the right is a remarkable celt. It is eighteen inches long, 7 3–4 wide at the cutting edge. Made of dark greenstone; weight, six pounds. To the left is a very slender celt 17 1–2 inches long. Largest circumference, 3 1–2 inches. The two central ones are 10 1–2 and 9 3–4 inches. One is made of greenstone, and the other of syenite. All are from Kentucky. B. H. Young’s collection, Louisville, Kentucky.

Fig. 229. (S. 1–3.) On the right is a notable celt. It measures eighteen inches long and 7 3/4 inches wide at the cutting edge. It's made of dark greenstone and weighs six pounds. On the left is a very thin celt, measuring 17 1/2 inches long with a largest circumference of 3 1/2 inches. The two in the center are 10 1/2 and 9 3/4 inches. One is made of greenstone, and the other is made of syenite. All are from Kentucky. B. H. Young’s collection, Louisville, Kentucky.

267Elsewhere in the United States, particularly in the St. Lawrence Basin—which includes southern and eastern Canada and northern Minnesota, Wisconsin, Michigan, northern Indiana and Ohio, a strip through Pennsylvania and New York and the Lake Champlain region and a little of New Hampshire, Vermont, and Maine, other specimens, but smaller than these, though the same general type, are found. Sometimes they are so blunt that they resemble commercial whetstones.

267In other parts of the United States, especially in the St. Lawrence Basin—which covers southern and eastern Canada along with northern Minnesota, Wisconsin, Michigan, northern Indiana and Ohio, a stretch through Pennsylvania and New York, the Lake Champlain area, and a bit of New Hampshire, Vermont, and Maine—other specimens can be found. These are generally smaller than the ones mentioned but belong to the same basic type. Sometimes, they are so blunt that they look like commercial whetstones.

Fig. 230. (S. 2–5.) This presents two views of a rare form of celt, from the John Merkle collection, Bellevue, Iowa. The specimen exhibits much use. It is just the opposite of the lower specimen shown in Fig. 224, and illustrates that the Indian put the edge on either end of an axe or celt blade to suit his fancy. It is quite likely that Fig. 230 was mounted in a handle and used as a tomahawk. The flaring blade is quite unusual. Drawn by Richard Herrmann. Material: blue-black, close-grained, hard rock, probably diorite.

Fig. 230. (S. 2–5.) This shows two views of a rare type of celt from the John Merkle collection in Bellevue, Iowa. The piece shows significant wear. It is completely different from the lower piece depicted in Fig. 224, demonstrating that the Native American shaped the edge of either end of an axe or celt blade according to their preference. It’s quite possible that Fig. 230 was attached to a handle and used as a tomahawk. The flaring blade is quite distinctive. Drawn by Richard Herrmann. Material: blue-black, fine-grained, hard rock, likely diorite.

In Fig. 224 there are shown eight celts from the collection of Phillips Academy, Andover. They come from various portions of the 268United States. In the upper row at either side are typical oval celts, with this difference, that the one to the right has a broad cutting edge, and the one to the left is quite convex, with poll and edge of equal width. This approaches the chisel type. In the centre of the top row is a roughly pecked, unpolished celt, the poll of which is narrowed for the purpose of fitting it into a handle.

In Fig. 224, you can see eight celts from the collection of Phillips Academy, Andover. They come from different parts of the 268 United States. The upper row on each side features typical oval celts, but with a difference: the one on the right has a wide cutting edge, while the one on the left is quite rounded, with the poll and edge being the same width. This leans towards the chisel type. In the center of the top row is a roughly pecked, unpolished celt, which has a narrowed poll designed to fit into a handle.

Fig. 231. (S. about 1–3.) Reproduced from Baron G. Nordenskiöld’s “Cliff-Dwellers of the Mesa Verde,” pl. 36.

Fig. 231. (S. about 1–3.) Reproduced from Baron G. Nordenskiöld’s “Cliff-Dwellers of the Mesa Verde,” pl. 36.

In the central row are three celts. (Class D.) The surfaces presented in the figure are flat, and beveled off toward the edge; the other surface being convex. In the lower row is a small chisel-like celt with wide poll or top, and narrow cutting edge.

In the center row, there are three celts. (Class D.) The surfaces shown in the image are flat and tapered toward the edge, while the other surface is rounded. In the bottom row, there’s a small chisel-like celt with a wide top and a narrow cutting edge.

Such specimens as are shown in Fig. 225 are not only celts, but stone tools which are pointed at either end. If space permitted, I should be glad to present more of these implements, for they range from long, slender, pointed tools to celts, and include many objects which other observers might place in the problematical class.

Such examples as shown in Fig. 225 are not just celts, but also stone tools that are pointed at both ends. If I had more space, I would be happy to showcase more of these tools, as they vary from long, slender, pointed implements to celts, and include many items that others might categorize as questionable.

Aside from three of them shown in Fig. 225, there are illustrated two in Figs. 237, 238. There is also a large specimen about a foot in length in the Andover collection. Dr. Beauchamp says of Fig. 225:—

Aside from the three shown in Fig. 225, there are two more illustrated in Figs. 237 and 238. There's also a large specimen about a foot long in the Andover collection. Dr. Beauchamp comments on Fig. 225:—

“The figure to the left is reduced in size to about one half, as are 269also the nine other specimens in the illustration. This left-hand figure is of a rare and peculiar celt, several of which have been found. They are very slender, usually nearly cylindric, and more or less pointed at each end. Sometimes the material seems too frail for use. It is angular and four-sided, but the angles are rounded, and the points likewise. It tapers to each end, and shows no signs of use. The material is a polished dark gritty slate, from Seneca River.

“The figure to the left is reduced in size to about half, as are 269 also the nine other specimens in the illustration. This left-hand figure is a rare and unique celt, several of which have been discovered. They are very slender, usually almost cylindrical, and somewhat pointed at both ends. Sometimes the material appears too delicate for use. It is angular and four-sided, but the angles and points are rounded. It tapers at both ends and shows no signs of wear. The material is a polished dark gritty slate from Seneca River.”

Fig. 232. (S. 1–3.) A stone celt mounted in a wooden handle. From the collection of the Peabody Museum, Salem, Massachusetts. This was found on the Northwest Coast, and was in use among natives many years ago, and was brought to the Salem institution by a “whaler,” as were many other specimens in the Salem collections.

Fig. 232. (S. 1–3.) A stone celt attached to a wooden handle. From the collection of the Peabody Museum in Salem, Massachusetts. This was discovered on the Northwest Coast and was used by Indigenous people many years ago. It was brought to the Salem museum by a “whaler,” just like many other items in the Salem collections.

“The figure to the right might be classed as an adze. One surface 270is nearly a plane, and the other curves to each sharp end. It is of sandstone, from Brewerton, N. Y., and a rare form for the size.”

“The figure to the right could be classified as an adze. One surface is almost flat, while the other curves towards each sharp end. It is made of sandstone, from Brewerton, NY, and is a rare shape for its size.”

All through the Cliff-Dweller country the celts almost approach knives in character. In Fig. 231 we observe three fine stone celt-like knives from ruins in southwestern Colorado. They all have broad cutting-blades and narrow polls.

All through the Cliff-Dweller region, the celts nearly resemble knives in design. In Fig. 231, we see three excellent stone celt-like knives from ruins in southwestern Colorado. They all feature broad cutting blades and narrow ends.

So much has been written with reference to the use of celts that I shall not present a lengthy paper upon them. One may dismiss them briefly by stating that the principal uses were: The lighter ones in short handles were used as weapons or tomahawks and as hand-hatchets in killing game; larger ones were used for cutting down trees, splitting soft wood, chopping ice (fish-holes), and general use about the wigwam. The Bibliography cites numerous articles on hatchets and celts, in which the authors tell us in great detail regarding the use of these necessary implements.

So much has been written about the use of celts that I won’t write a lengthy paper on them. In short, the main uses were: the lighter ones with short handles were used as weapons or tomahawks and as hand-hatchets for killing game; the larger ones were used for cutting down trees, splitting soft wood, chopping ice (for fish holes), and general use around the wigwam. The Bibliography lists numerous articles on hatchets and celts, where the authors provide detailed information about these essential tools.

Fig. 233. (S. 1–3.) presents three beautiful flint celts from Mr. Braun’s collection. These were originally chipped and afterwards ground and polished. The edges on them are as keen as the polished flint hatchets found in Europe. Such specimens as these, which are often found in the Tennessee graves or in mounds, are not to be classed as mere tools. They are more of the nature of problematical forms in flint which were discussed under “Conclusions as to Chipped Objects” in Chapter XIV. 1733, polished chalcedony; 1735, polished greenstone; 1725, yellow quartzite.

Fig. 233. (S. 1–3.) shows three stunning flint celts from Mr. Braun’s collection. They were initially chipped and then ground and polished. The edges are as sharp as the polished flint hatchets found in Europe. Specimens like these, often discovered in Tennessee graves or mounds, shouldn't just be classified as tools. They resemble more of a problematic form of flint that was discussed under “Conclusions as to Chipped Objects” in Chapter XIV. 1733, polished chalcedony; 1735, polished greenstone; 1725, yellow quartzite.

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Fig. 234. (S. 2–5.) Two polished celts from the collection of B. H. Young, Louisville, Kentucky. Particular attention is called to the one to the left, which shows that the edge is worked out angularly.

Fig. 234. (S. 2–5.) Two polished celts from B. H. Young's collection, Louisville, Kentucky. We especially want to highlight the one on the left, which demonstrates an angular working of the edge.

Professor George H. Perkins, of the University of Vermont, furnishes me with some notes on the celts of his region:—

Professor George H. Perkins from the University of Vermont has provided me with some notes on the celts in his area:—

“I do not think that the celts of this region exhibit any peculiar characteristics which distinguish them from those of other localities. We have none as large as have been found elsewhere. Rarely is there one over a foot long, and the majority are not more than five to eight inches in length. Some are very small, not more than two or three inches long. Some of these little celts are finely made, 272and of various shapes. While most of these implements are at least fairly well made, there are some that are very coarse and clumsy. These are usually made from quartz pebbles.”

“I don’t think the celts in this area have any unique traits that set them apart from those found in other places. We don’t have any as large as those discovered elsewhere. It’s rare to find one over a foot long, and most are only five to eight inches in length. Some are quite small, just two or three inches long. A few of these tiny celts are crafted very well and come in different shapes. While most of these tools are at least decently made, there are some that are very rough and awkward. These are typically made from quartz pebbles.”

Mr. Charles E. Brown writes of the principal classes of Wisconsin celts as follows:—

Mr. Charles E. Brown writes about the main types of Wisconsin celts as follows:—

“Poll rounded, square, or pointed. General shape conical, oval, or square. Roughly made, smooth, or polished. A few of the larger examples have the blade roughened near the poll by pecking; presumably for the better attachment of the handle. These specimens range in weight from a few ounces to ten or more pounds. Thousands have been found in Wisconsin.

“Poll rounded, square, or pointed. General shape conical, oval, or square. Roughly made, smooth, or polished. A few of the larger examples have the blade roughened near the poll by pecking; presumably for better attachment of the handle. These specimens range in weight from a few ounces to ten or more pounds. Thousands have been found in Wisconsin.”

“Oblong celts occur especially in the Rock River Valley. There are fine series of these in the Milwaukee Public Museum, in the Logan Museum, and in the State Historical Museum. A few are bell-shaped in outline.

“Oblong celts are especially found in the Rock River Valley. There are great collections of these at the Milwaukee Public Museum, the Logan Museum, and the State Historical Museum. A few have a bell-shaped outline.”

“Handled celts. These have the lower portion or the lower half of the blade slightly elevated over the remainder, thus providing a convenient handle. A few examples of these have been found in Wisconsin.

“Handled celts. These have the lower part or the lower half of the blade slightly raised above the rest, creating a convenient handle. A few examples of these have been found in Wisconsin."

“Fluted celts. A few examples of celts so ornamented have been found. The finest specimen is in the State Historical Museum. Another is in the Logan Museum, at Beloit. A specimen has been found in Michigan, and one in Canada.

“Fluted celts. A few examples of celts with this kind of decoration have been found. The best one is in the State Historical Museum. Another is at the Logan Museum in Beloit. A specimen has been discovered in Michigan, and one in Canada."

“Long narrow chisel-shaped celts occur in many Wisconsin collections. They are square, oval, or circular in section. Some are nine or more inches in length.”

“Long, narrow chisel-shaped celts can be found in many Wisconsin collections. They have square, oval, or circular cross-sections. Some are nine inches long or more.”

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CHAPTER XVI
GROUND STONE

THE ADZE AND THE GOUGE

The adze and the gouge are peculiar to New England and northeastern Canada. The adze is also found in British Columbia and in the Northwest.

The adze and gouge are specific to New England and northeastern Canada. The adze is also found in British Columbia and the Northwest.

Fig. 235. (S. 1–6.) To the right is a beautiful celt with straight sides, one surface convex, the other flat—Class D under celts. The next specimen is a celt very slightly grooved, and marks the beginning of the gouge (Class II, A). The next specimen to the left is a broader gouge, while the one to the extreme left is ridged and slightly hollowed on the reverse side. All from Maine, except the one to the left. From A. E. Mark’s collection, Yarmouth, Maine.

Fig. 235. (S. 1–6.) On the right is a beautiful celt with straight sides; one side is curved while the other is flat—Class D under celts. The next item is a slightly grooved celt, indicating the start of the gouge (Class II, A). To the left is a wider gouge, and the one farthest to the left has ridges and is slightly hollowed on the back. All are from Maine, except the one on the left. From A. E. Mark’s collection, Yarmouth, Maine.

The New England specimens seem to be more properly hafted celts than plain celts. Of course there are multitudes of grooved axes found in New England, but as a rule they may be distinguished from the axes west of the Allegheny Mountains. The New England celt is like the Western celt, but there are few New England celts, and the native in New England not only made use of axes, but he put on his celt a knob, or a ridge, or two ridges, or two knobs, thereby distinguishing it from the average celt.

The New England specimens seem to be better hafted celts than plain celts. There are plenty of grooved axes found in New England, but generally, you can tell them apart from the axes west of the Allegheny Mountains. The New England celt is similar to the Western celt, but there are fewer New England celts. The natives in New England not only used axes, but they also added a knob, a ridge, or two ridges, or two knobs to their celts, which sets them apart from the average celt.

In the Ohio Valley there are none of the gouges or ridged celts, and aboriginal man was content with simple forms. Yet he worked his simple forms into high-grade tools, as we shall see. This emphasizes the development of given types in certain localities rather than that man first employed an oval pebble which he edged and then developed the gouge, the specialized celt, or a grooved axe. Were this not true, should we not find gouges and 274ridged celts in the Ohio Valley? Certain art forms were developed in certain localities if not elsewhere. The progress was not along the same lines, or, I am persuaded, of the same time period in all places.

In the Ohio Valley, there are no gouges or ridged celts, and early humans were satisfied with simple shapes. However, they crafted these simple shapes into high-quality tools, as we will see. This highlights the idea that specific types developed in certain areas rather than that people first used an oval stone that they sharpened before creating gouges, specialized celts, or grooved axes. If that were not the case, wouldn’t we expect to find gouges and 274ridged celts in the Ohio Valley? Certain art forms emerged in specific regions, even if they didn't appear elsewhere. The advancements didn't follow the same paths, or, I believe, occur in the same timeframes everywhere.

As to the above specimens, I quote from Henry A. Crosby, who wrote about the triangular stone adze in the Wisconsin Archeologist, vol. II, no. 4, July, 1903:—

As for the specimens mentioned above, I’ll quote Henry A. Crosby, who discussed the triangular stone adze in the Wisconsin Archeologist, vol. II, no. 4, July 1903:—

“Among the several interesting and well established classes of aboriginal pecked stone implements which it may be claimed with more or less truth are especially characteristic of Wisconsin archæological districts, may be mentioned the so-called triangular stone adzes.

“Among the various interesting and well-established types of native pecked stone tools that can be accurately said to be particularly characteristic of Wisconsin archaeological areas, we can mention the so-called triangular stone adzes.”

“So far as the author has been able to ascertain, no description of these implements, of which a considerable number have been collected from local camp- and village-sites and are at present contained in Wisconsin cabinets, has yet appeared in any of the numerous works and periodicals devoted to North American archæology. There is some doubt in the author’s mind whether Mr. Gerard Fowke was acquainted with this type. Certainly his description of adze-form celts can hardly be construed to include it. (‘Stone Art,’ pp. 79–80.) Curiously enough Mr. Warren K. Moorehead has also omitted to mention them in his late work, ‘Prehistoric Implements.’ This being the case, a general description of the type is given herewith.

“As far as the author can tell, no description of these tools, a significant number of which have been collected from local camp and village sites and are currently housed in Wisconsin cabinets, has appeared in any of the various works and publications focused on North American archaeology. The author is somewhat uncertain whether Mr. Gerard Fowke was familiar with this type. His description of adze-form celts definitely does not seem to include it. (‘Stone Art,’ pp. 79–80.) Interestingly, Mr. Warren K. Moorehead also failed to mention them in his recent work, ‘Prehistoric Implements.’ Given this situation, a general description of the type is provided here.”

Fig. 236. (S. about 1–2.) Presents a gouge eleven and a half inches long and two inches wide. It is sharpened at either end, slightly hollowed, and was found not far from Davenport, Iowa. This specimen must be a stray and brought in by means of trade or exchange. Material: dark gray granitic stone. Collection of the State Historical Department of Iowa, Des Moines, Iowa.

Fig. 236. (S. about 1–2.) Shows a gouge that is eleven and a half inches long and two inches wide. It's sharpened at both ends, slightly hollowed out, and was discovered not far from Davenport, Iowa. This piece likely ended up here as part of trade or exchange. Material: dark gray granitic stone. Collection of the State Historical Department of Iowa, Des Moines, Iowa.

“They are of a general elongated elliptical shape, one extremity narrowing to and terminating in a pronounced blunted point and 275the other in a somewhat broadly rounded fairly sharp cutting-edge. The most noticeable feature of these implements is the generally well curving central ridge which traverses the top or back from the narrow pointed extremity to within several inches of the cutting-edge.

“They have an elongated oval shape, with one end tapering off to a blunt point and the other ending in a somewhat rounded yet sharp edge. The most striking feature of these tools is the prominent curve along the central ridge that runs along the top or back, from the pointed end to just a few inches from the cutting edge. 275

“From the termination of the ridge the surface slopes or bevels off quite broadly to the cutting-edge. The pecked surfaces on either side of the ridge are slightly rounded or nearly flat and slope away quite sharply to the edges of the base on either side, thus giving the more or less pronounced triangular transverse section from which the implement takes its name.

“From the end of the ridge, the surface slopes down fairly broadly to the cutting edge. The pitted surfaces on both sides of the ridge are slightly rounded or almost flat and drop off quite steeply to the edges of the base on each side, creating the more or less distinct triangular cross-section that gives the tool its name.”

Fig. 237. (S. 2–7.) This is a drawing of a double-edged celt. A similar one is in the Andover collection, from northern Ohio, and I believe that numbers have been found elsewhere in the country. It is owned by S. R. Turner, Riverside, Rhode Island.

Fig. 237. (S. 2–7.) This is a drawing of a double-edged celt. A similar one is in the Andover collection from northern Ohio, and I think many have been found in other parts of the country. It belongs to S. R. Turner, Riverside, Rhode Island.

“Less labor appears to have been expended upon the flat, sometimes curving or arching, bases of these adzes. The surface is generally rough, with the exception of a slight concavity or polished plane surface extending back from the cutting-edge for a distance of from one and one half to three inches.

“Less work seems to have gone into the flat, sometimes curved or arched, bases of these adzes. The surface is typically rough, except for a slight indentation or polished area that extends back from the cutting edge for a distance of one and a half to three inches.”

“These adzes vary in length from six to eighteen inches. The average length, however, appears to be somewhat less than one foot and the extreme width about two and three fourths inches.

“These adzes range in length from six to eighteen inches. The average length, however, seems to be just under one foot, and the widest part is about two and three-fourths inches.”

“The specimen illustrated (Fig. 238) is the property of Mr. W. H. Ellsworth of Milwaukee.

"The specimen shown (Fig. 238) belongs to Mr. W. H. Ellsworth of Milwaukee."

“Fig. 1 (upper figure) was obtained at Elkhart Lake, in Sheboygan County. It is eleven and one fourth inches in length. The extreme height is two inches and the extreme width of the base one and seven eighths inches. The material is probably diabase. It weighs one and five eighths pounds.

“Fig. 1 (upper figure) was taken at Elkhart Lake, in Sheboygan County. It is eleven and a fourth inches long. The maximum height is two inches and the maximum width of the base is one and seven eighths inches. The material is likely diabase. It weighs one and five eighths pounds.”

“The implement represented in Fig. 2 (lower figure) presents a slight modification of the usual type. The ridge on the back is smooth and broadly flattened, one half inch wide at the middle and broadens out rapidly at either extremity. The cutting-edge is in good condition, the opposite extremity being somewhat blunted and slightly fractured. The sides are roughly smoothed.

“The tool shown in Fig. 2 (lower figure) has a minor modification from the standard type. The ridge on the back is smooth and wide, measuring half an inch at the center and quickly widening at both ends. The cutting edge is in good shape, while the other end is a bit blunt and slightly cracked. The sides are roughly smoothed.”

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Fig. 238. (S. 2–5.) This shows two of the double-edged celts; one with ridges and flattened back, the other convex above and flat underneath.

Fig. 238. (S. 2–5.) This shows two double-edged celts; one has ridges and a flattened back, while the other is convex on top and flat on the bottom.

277“This specimen measures eight and one half inches in length and is one and one half inches high and wide at the middle. It weighs about one and one fourth pounds. The material is diorite. Locality, Kilbourn, Columbia County.”

277 “This specimen is eight and a half inches long and one and a half inches tall and wide at the center. It weighs around one and a fourth pounds. The material is diorite. Location: Kilbourn, Columbia County.”

Fig. 239. (S. 1–3.) Eight gouges from the University of Vermont, Burlington, Vermont.

Fig. 239. (S. 1–3.) Eight gouges from the University of Vermont, Burlington, Vermont.

In the October-December, 1909, American Anthropologist, Professor George H. Perkins, speaking of gouges, says:—

In the October-December 1909 issue of American Anthropologist, Professor George H. Perkins discusses gouges:—

“Although by no means confined to the Champlain Valley, the gouges may be regarded as very characteristic of this region, for unless I am in error, they are found here more abundantly and in greater variety than elsewhere.

“Although not exclusively found in the Champlain Valley, the gouges can be considered very typical of this area, because, unless I'm mistaken, they appear here more frequently and in a wider range than in other places.”

“None of our specimens, not even the best ‘banner-stones,’ are more beautifully finished or of handsomer material than some of 278the best of our gouges. As is true of other objects, there are all grades of rudeness or elegance in these. As a class, however, the gouges are more carefully shaped and more perfectly finished than most other implements. Indeed, some are so finely finished, of such attractive material, and so apparently unused that it is very difficult to conjecture for what purpose they were made. One of these is shown by the longest in Fig. 253. This is as perfect in all respects, except a recent break at the top, as when it left the maker. If this and others like it were of hard stone, it would be more easy to think of some use to which they could have been put. They are of only moderately hard talcose slate, often of a greenish drab color, and could not be used for any hard work without very evident abrasion, and yet most of them do not show anything of the sort. The surface is not only smooth, but well polished and the edge is sharp.

“None of our specimens, not even the best ‘banner-stones,’ are more beautifully finished or made of better material than some of the best of our gouges. As with other objects, there are all levels of roughness or elegance in these. However, as a group, the gouges are shaped more carefully and finished more perfectly than most other tools. In fact, some are so finely crafted, made of such attractive material, and appear so unused that it's very hard to guess what purpose they served. One of these is the longest in Fig. 253. This is perfect in every way, except for a recent break at the top, just like when it left the maker. If this and others like it were made of hard stone, it would be easier to imagine what they could have been used for. They are made of only moderately hard talcose slate, often a greenish drab color, and couldn’t be used for anything that required heavy work without obvious wear, yet most of them don’t show any signs of that. The surface is not just smooth but also well polished, and the edge is sharp."

Fig. 240. (S. 1–4.) Five gouges from the collection of L. G. Ogden, Penn Yan, New York. From Yates and Ontario counties, New York. Material: dark gray sandstone, greenstone.

Fig. 240. (S. 1–4.) Five gouges from the collection of L. G. Ogden, Penn Yan, New York. From Yates and Ontario counties, New York. Material: dark gray sandstone, greenstone.

“While, as has been noticed, great variety occurs in the shape of the gouges in general, these are long, slender, flat, or slightly concave on the upper side and strongly carinate on the other, so that a cross-section has the form of a narrow, sharply pointed arch. The groove may, as in the figure, extend throughout the whole length, or 279only part way. The specimen figured is fourteen inches and a half long and rather more than an inch and a half across the edge. There are other gouges that are several inches longer, but by far the larger number are much shorter. Perhaps six or eight inches may be taken as the average length of the gouges of this region.

“While it has been observed that there is a lot of variation in the shape of the gouges overall, they are generally long, slender, flat, or slightly curved on the top side and sharply angled on the other, giving a cross-section that looks like a narrow, pointed arch. The groove may, as shown in the figure, run the entire length or just partway. The example shown is fourteen and a half inches long and just over an inch and a half wide at the edge. There are other gouges that are several inches longer, but most are much shorter. About six to eight inches seems to be the average length of the gouges in this area. 279

Fig. 241. (S. 1–3.) These are front and side views of beveled celts. The gouge is from Province Ontario, Canada. The side view of the beveled celt illustrates clearly my Class E, under ungrooved hatchets.

Fig. 241. (S. 1–3.) These are front and side views of beveled celts. The gouge is from Ontario, Canada. The side view of the beveled celt clearly shows my Class E, under ungrooved hatchets.

“These finer examples are usually longer. Evidently great care and labor were expended in fashioning such gouges as the long one figured, and they must have been made for some important purpose, but what that purpose was I cannot imagine. Diligent search in various old accounts which early explorers have left us has failed to bring any satisfactory explanation of these singular objects.

“These finer examples are usually longer. Clearly, a lot of care and effort went into creating such gouges as the long one shown, and they must have been made for some significant purpose, but I can't guess what that purpose was. A thorough search in various old records left by early explorers has not provided any satisfactory explanation for these unusual objects.”

“But however these were used, there can be no doubt as to the use of most of the gouges. By far the larger portion are of hard stone, well fitted to endure rough service. As the figures in Fig. 253 show, 280the groove is sometimes short and shallow, sometimes deep and long. In a few it is triangular, as in the middle specimen on the left. This also is an example of a sort of chisel-gouge. In these, of which we have a number of specimens, one end is hollowed and curved to form a regular gouge edge, while the other is straight and beveled to form a chisel. More rarely, both ends are hollowed, and of course in these the groove runs from end to end. As to the use for which the gouges were usually intended, there have been numerous suggestions, but none is entirely satisfactory.

“But however these were used, there's no doubt about the function of most of the gouges. The majority are made of hard stone, well-suited for tough tasks. As shown in Fig. 253, 280the groove can be short and shallow or deep and long. In a few cases, it’s triangular, like the middle example on the left. This is also an instance of a type of chisel-gouge. In these, of which we have several examples, one end is hollowed and curved to create a proper gouge edge, while the other end is straight and beveled to function as a chisel. More rarely, both ends are hollowed, creating a groove that runs from end to end. As for the usual intended use of the gouges, there have been many suggestions, but none are completely convincing.”

“In one of his accounts Champlain speaks of seeing Indians on the coast of Maine making canoes, dug-outs, etc., by charring a properly prepared log and scraping out the burned portions, then charring again, and thus by alternate charring and scraping, they accomplished the desired end. Water poured over portions of the wood that were to be retained confined the burning, which was done with hot stones, to the part to be hollowed.[5]

“In one of his accounts, Champlain describes seeing Native Americans on the coast of Maine crafting canoes and dugouts by charring a properly prepared log and scraping out the burned areas. They repeated this process of charring and scraping to achieve their desired outcome. Water poured over the parts of the wood that they wanted to keep prevented the burning, which was done using hot stones, to stay limited to the areas that needed to be hollowed.[5]

“No theory of the use of these gouges so well explains the excellent condition in which most of them are found as does the one that they were used chiefly in excavating or cutting where wood had been more or less charred. Among considerably more than a hundred of these specimens that have been found in this region, by far the greater number do not show much, if any, effect of use.”

“No theory about how these gouges were used explains their excellent condition better than the idea that they were mainly used for digging or cutting into wood that was somewhat charred. Among the more than a hundred specimens discovered in this area, the vast majority show little to no signs of use.”

Willoughby reports that in the Maine graves he found two, four, or even six adze-blades with certain interments. As some were large, others small, he concludes, “... two or more of different sizes and both of types with varying degrees of edge curvature were often the property of a single individual.”

Willoughby reports that in the Maine graves he found two, four, or even six adze blades with certain burials. Since some were large and others small, he concludes, “... two or more of different sizes and both of types with varying degrees of edge curvature were often the property of a single individual.”

It is an utter impossibility to present, in this volume, all the illustrations and information on adzes and gouges in my possession. It will be observed by readers, I have more than once in “The Stone Age” lamented that there is not sufficient space in these pages to describe all the types of certain artifacts.

It’s completely impossible to include all the illustrations and information about adzes and gouges that I have in this volume. As readers will notice, I’ve mentioned more than once in “The Stone Age” that there isn’t enough space in these pages to cover all the different types of certain artifacts.

There are some unusual specimens which defy classification. One of them is presented in Fig. 244.

There are some unusual examples that don't fit any category. One of them is shown in Fig. 244.

Four strange objects are presented in Fig. 245. These do not belong in the adze or celt class. Yet they are all edged or pointed. As my problematical class occupies a great deal of space, I have inserted this figure here.

Four unusual objects are shown in Fig. 245. These don’t fit into the adze or celt categories. However, they are all either edged or pointed. Since my questionable category takes up a lot of space, I’ve included this figure here.

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Fig. 242. (S. 1–3.) Five beautiful gouges from the collection of A. E. Marks, Yarmouth, Maine. These present the best types of long slender gouges in Maine. The Connecticut, Vermont, and Massachusetts forms are not different.

Fig. 242. (S. 1–3.) Five beautiful gouges from the collection of A. E. Marks, Yarmouth, Maine. These showcase the finest examples of long, slender gouges in Maine. The versions from Connecticut, Vermont, and Massachusetts are similar.

282

Fig. 243. (S. 1–3.) Gouges from A. E. Marks’s collection, Yarmouth, Maine. Some of these were found in graves. All are from Maine, except one of the central figures.

Fig. 243. (S. 1–3.) Gouges from A. E. Marks’s collection, Yarmouth, Maine. Some of these were discovered in graves. All are from Maine, except for one of the central figures.

283Colonel Young sent me the originals of these specimens for examination in 1900. They are of dark, reddish-brown stone. It appears like very fine sandstone or graphite slate. Regarding these specimens, Colonel Young says:—

283Colonel Young sent me the original specimens to examine in 1900. They are made of a dark, reddish-brown stone that looks like very fine sandstone or graphite slate. About these specimens, Colonel Young says:—

“I do not know for what purpose these were used. I sent them to the Smithsonian Institution for them to determine the nature and character of the stone, but they could give me no satisfactory statement of what they were or where they came from. These three articles were found in a niche of a rock in Pine Mountain, Bell County, Kentucky. At the same time several arrow-heads were found. I have been able to obtain but one of the arrow-heads. The stone is unusual and the finish is also very fine. They were found by a coal-miner, who gave them to a physician, from whom I got them at Jellico, Kentucky. I know nothing of their history except the statements of the men as given to me, but they are handsome specimens and I value them highly.”

“I don’t know what these were used for. I sent them to the Smithsonian Institution to find out what kind of stone it is, but they couldn’t give me a clear answer about what they are or where they came from. These three items were found in a crevice of a rock in Pine Mountain, Bell County, Kentucky. At the same time, several arrowheads were discovered. I’ve only been able to get one of the arrowheads. The stone is unusual, and the finish is very fine. They were found by a coal miner, who gave them to a doctor, from whom I acquired them in Jellico, Kentucky. I don’t know anything about their history other than what the men told me, but they are beautiful pieces, and I value them highly.”

Fig. 244. (S. 1–1.) This is one of those unusual celt-like, problematical forms, having a depression in the centre. This was found by Clarence B. Moore, in a mound at Keno Plantation, Morehouse Parish, Louisiana, and I am indebted to him for the loan of the illustration.

Fig. 244. (S. 1–1.) This is one of those rare, celt-like, uncertain forms, featuring a dip in the center. This was discovered by Clarence B. Moore in a mound at Keno Plantation, Morehouse Parish, Louisiana, and I am grateful to him for allowing me to use the illustration.

A review of the illustrations in two preceding chapters convinces one that nearly all the celts, adzes, and gouges may be grouped 284satisfactorily. But here and there we find specimens illustrated on the previous pages which indicate specialization, or particular effort on the part of the maker. These, of course, are open to questions as to where one should include them. That they meant a great deal to the mind of the Stone-Age man, no one can deny.

A look at the illustrations in the two previous chapters shows that most of the celts, adzes, and gouges can be classified fairly well. However, there are some examples shown on the earlier pages that suggest a level of specialization or unique effort from the maker. Naturally, this raises questions about how to categorize them. It's undeniable that these items held significant meaning for people in the Stone Age.

Fig. 245. (S. 1–3.)

Fig. 245. (S. 1–3.)

There were two or three methods of mounting celts in handles. The ordinary hatchet-blade was set so that the edge was parallel to the handle. This is the natural way of mounting a tool used in cutting or striking. The small celts, serving as scrapers, and also adzes, were set at right angles to the handles.

There were two or three ways to attach celts to handles. The regular hatchet blade was positioned so that the edge was parallel to the handle. This is the typical way to mount a tool that's used for cutting or striking. The smaller celts, used as scrapers and also as adzes, were attached at right angles to the handles.

The latter style of mounting was customary among the tribes of the Rocky Mountains, and on the Great Plains. I present several original bone handles from the Mandan sites in the chapter on bone implements, in Volume II. Again, gouges and long cutting-blades were mounted in wooden handles of various lengths, the blades being set at an angle which varied according to necessity. As to how adzes and gouges were mounted, Mr. Willoughby is clear in his excellent article on “The Adze and the Ungrooved Axe of the New England Indians,” cited on a previous page.

The latter style of mounting was common among the tribes of the Rocky Mountains and on the Great Plains. I present several original bone handles from the Mandan sites in the chapter on bone implements in Volume II. Additionally, gouges and long cutting blades were fitted with wooden handles of various lengths, with the blades set at an angle that varied as needed. Regarding how adzes and gouges were mounted, Mr. Willoughby provides clear details in his excellent article on “The Adze and the Ungrooved Axe of the New England Indians,” referenced on a previous page.

285

Fig. 246. (S. 2–3.) This is from the collection of S. E. Turner, Riverside, Rhode Island, and is one of those polished hafted hatchets which defies classification. It is angular, highly polished, keen of edge, and symmetrical. The illustration describes it better than can any words of mine.

Fig. 246. (S. 2–3.) This is from the collection of S. E. Turner, Riverside, Rhode Island, and it’s one of those sleek hafted hatchets that’s hard to categorize. It’s angular, highly polished, sharp-edged, and symmetrical. The illustration explains it better than I ever could.

Fig. 247. (S. 1–2.) From the collection of Charles A. Perkins, Wakefield, Massachusetts. It was found near Wakefield. There are seven small elevations on the back of this gouge.

Fig. 247. (S. 1–2.) From the collection of Charles A. Perkins, Wakefield, Massachusetts. It was discovered near Wakefield. There are seven small bumps on the back of this gouge.

286A study of specimens in handles in the various museums from caves, caverns, cliff-houses, and the Northwest country, convinces one that these were usually fastened with sinews, and often gummed in order to make them more secure. The narrow part of the implement was usually uppermost. The reason for this is obvious, for when the native used the tool, the harder he worked the more firmly it became fastened in the handle. Specimens with broad tops and narrow cutting edges were doubtless used in the hand and not mounted in a handle.

286A study of samples in handle collections from various museums, including caves, caverns, cliff dwellings, and the Northwest region, shows that these were typically secured with sinews and often glued to make them more stable. The narrower part of the tool was usually positioned on top. This makes sense because when the native used the tool, the harder they worked, the more securely it became attached to the handle. Tools with wide tops and narrow cutting edges were likely designed to be used by hand rather than mounted in a handle.

Mr. Brown reports that a small number of gouges and adzes have been found in Wisconsin.

Mr. Brown reports that a few gouges and adzes have been discovered in Wisconsin.

287

CHAPTER XVII
Ground stone

GROOVED STONE AXES

It will be seen by reference to page 252 that these are placed under five classifications.

It can be seen by looking at page 252 that these are divided into five categories.

The grooved axe is as widely distributed throughout the United States as the celt, and the form varies quite as much. Axes of the following localities may be differentiated: New England, the South, the Cliff-Dweller country, the Ohio Valley, the Wisconsin-Michigan region, Pennsylvania. In all of these sections there are certain types of axes not found elsewhere.

The grooved axe is just as common across the United States as the celt, and its shape varies just as much. You can identify axes from the following areas: New England, the South, the Cliff-Dweller region, the Ohio Valley, the Wisconsin-Michigan area, and Pennsylvania. In each of these regions, there are specific types of axes that aren't found anywhere else.

The first incentive to the native in making a grooved axe was to obtain an implement of practical service, and which could be securely fastened in the handle. That was his primary object. Otherwise he would not have used grooved axes at all, but confined himself to celts, chisels, and gouges.

The main reason for the native making a grooved axe was to create a useful tool that could be securely attached to a handle. That was his primary goal. Otherwise, he wouldn't have bothered with grooved axes at all and would have stuck to celts, chisels, and gouges.

Axes are of all sorts. There is the very rough chipped axe of slate, or chert, or limestone which it is almost impossible to decide whether it was a digging-tool, or something to be used in quarrying, or a defensive tool, or for domestic purposes. Certainly, the very rough axe with dull edges could not be made use of in felling trees, in making canoes, or anything of that sort. The small light axes with sharp edges, such as are common in various portions of the United States, were doubtless used as hand-hatchets and carried on hunting or war expeditions, just as were the polished stone hatchets referred to on a previous page. As to the various forms of axes, I do not believe that form in a stone axe carries the significance that form does in problematical stones, pipes, or chipped implements. Axes are seldom, if ever, found in mounds or graves. Celts do occasionally occur in burial-places. But axes, more than celts, were utility tools, and do not, to my mind, carry any significance as objects made use of in ceremonies. Naturally, the larger axes required special care in lashing them to handles of hickory, or oak, or other pliable woods. It is quite likely that small straight limbs were cut off near a knot, 288an aperture hollowed-out in the knot, and the celt or other object inserted. We know that the New England tribes made bowls of the knots taken from trunks of maples, and that these bowls were firm and lasted for a considerable length of time. It was a slow and laborious process, the hollowing-out of these knots, but we are advised by early writers that the Indian accomplished it. Clubs of hard wood, with a knot at the end, are favored weapons among the aborigines all over the world, and it is quite likely that in America ancient man made use of them and inserted small celts.

Axes come in many types. There's the rough chipped axe made of slate, chert, or limestone, which is hard to determine whether it was used for digging, quarrying, defense, or domestic tasks. Clearly, that rough axe with dull edges couldn't chop down trees, make canoes, or anything like that. The small, light axes with sharp edges found in various parts of the United States were probably used as hand hatchets, taken along on hunting or war missions, just like the polished stone hatchets mentioned earlier. Regarding the different shapes of axes, I don't think the shape of a stone axe holds the same importance as it does for unclear stones, pipes, or chipped tools. Axes are rarely, if ever, found in mounds or graves. Celts sometimes appear in burial sites. However, axes, more than celts, were practical tools and don't seem to hold any ceremonial significance. Naturally, larger axes needed careful securing to handles made of hickory, oak, or other flexible woods. It's likely that small straight branches were cut off near a knot, an opening carved out in the knot, and the celt or another object inserted. We know that the tribes in New England made bowls from the knots found on maple trunks, and these bowls were sturdy and lasted a long time. Hollowing out these knots was a slow and tedious job, but early writers tell us that Native Americans were able to do it. Clubs made of hard wood with a knot at one end are popular weapons among indigenous people worldwide, and it's quite possible that ancient people in America used them and inserted small celts.

Fig. 248. (S. 1–1.) The ordinary grooved hand-hatchet shown here is from the collection of J. J. Snyder, Frederick, Maryland. The edge is moderately sharpened; the upper part shows the work of the stone hammer. I present the specimen full size. There are thousands of this form in the United States, and they are typical general utility tools, and also served as weapons. The size is convenient, the specimen is light.

Fig. 248. (S. 1–1.) The standard grooved hand hatchet displayed here is from the collection of J. J. Snyder, Frederick, Maryland. The edge is moderately sharp; the upper part shows marks from the stone hammer. I am presenting this specimen at full size. There are thousands of these types in the United States, and they are typical all-purpose tools that also functioned as weapons. The size is practical, and the specimen is lightweight.

In discussing celts, gouges, and adzes, I said almost nothing about the material out of which these were manufactured. Fortunately, our friends the geologists and mineralogists have devoted some time to this subject.

In talking about celts, gouges, and adzes, I hardly mentioned what they were made from. Luckily, our friends the geologists and mineralogists have spent some time studying this topic.

289Professor George L. Collie, Dean of Beloit College and Curator of the Logan Museum, prepared a paper which is published in the Wisconsin Archeologist, June-September, 1908. The title of this is “Aboriginal Discrimination in the Selection of Materials for Tools.” I reproduce sections of it here, as it describes the various stones selected by aboriginal man.

289Professor George L. Collie, Dean of Beloit College and Curator of the Logan Museum, wrote a paper that was published in the Wisconsin Archeologist, June-September, 1908. Its title is “Aboriginal Discrimination in the Selection of Materials for Tools.” I'm including parts of it here since it discusses the different stones chosen by Indigenous people.

Fig. 249. (S. 1–6.) In this figure I have shown five of the Connecticut axes from A. E. Kilbourne’s collection. So far as type is concerned these might have been found in Pennsylvania, Connecticut, or eastern Canada, for they are typically New England. The ones at the right and the left show scarcely any traces of chipping, but the centre ones have been chipped and later ground and polished. These are of Class “A,” the groove entirely encircling the specimen, yet the groove on the surfaces is very slight, but pronounced and deep at the edges.

Fig. 249. (S. 1–6.) In this figure, I’ve displayed five of the Connecticut axes from A. E. Kilbourne’s collection. In terms of type, these could have been found in Pennsylvania, Connecticut, or eastern Canada since they are typical of New England. The ones on the right and left show very few signs of chipping, whereas the ones in the center have been chipped and then ground and polished. These are classified as Class “A,” with the groove fully encircling the specimen; however, the groove on the surfaces is very shallow, but noticeable and deep at the edges.

I would call attention to Professor Collie’s able paper, because he comments not only on these implements from the point of view of a geologist, but also adds no little to our sum of archæological knowledge:—

I want to highlight Professor Collie’s excellent paper because he not only discusses these tools from a geologist's perspective but also contributes significantly to our overall understanding of archaeology:—

“Under this head it is my desire to discuss some evidences that the American aborigine exercised deliberate choice when he picked out materials for the manufacture of artifacts.

“Under this topic, I want to discuss some evidence that the American native thoughtfully chose materials when creating artifacts."

“Stone had to be shaped by some one or more of five processes as is well known. These manual arts, as stated by Holmes, are as follows: (1) Fracturing by splitting, breaking, flaking; (2) bruising by battering, pecking, bushing; (3) abrading by grinding, rubbing, polishing; (4) incising by cutting, piercing, drilling; (5) modeling by stamping or hammering. These shaping arts called for different 290types of material in several instances and this necessitated choice on the worker’s part at the outset. He not only needed to know what kind of an artifact he was to make, but which of the several processes he was to employ before he finally settled upon the material he would use. Man learned by slow degrees and by experience the nature of rock properties. He learned to distinguish between different types of rocks much as a modern geologist does in the field by taking account of two features, namely: (1) The mineralogical composition; (2) the texture of the rock. I do not mean to imply that early man was absolutely guided by the quality of the rock; other factors entered into the choice, but rock character was always a prominent factor.

“Stone had to be shaped through one or more of five processes, as is well known. These manual arts, as stated by Holmes, are as follows: (1) Fracturing by splitting, breaking, flaking; (2) bruising by battering, pecking, bushing; (3) abrading by grinding, rubbing, polishing; (4) incising by cutting, piercing, drilling; (5) modeling by stamping or hammering. These shaping arts required different types of materials in several cases, which meant the worker had to make choices from the start. He not only needed to know what kind of artifact he was going to create, but also which of the various processes he was going to use before he finally decided on the material he would utilize. Humans learned gradually and through experience about the properties of rock. They became able to identify different types of rocks much like a modern geologist does in the field by considering two features: (1) The mineral composition; (2) the texture of the rock. I don't mean to say that early humans were completely guided by the quality of the rock; other factors also influenced their choices, but rock characteristics were always a key factor.

Fig. 250. (S. 1–6.) Illustrates 14 axes from the collection of J. A. Rayner, Piqua, Ohio. These were all found in the Miami Valley about Piqua. Five of them are of Class “A,” the others, Class “B.” They are typical Ohio axes, for the most part large and heavy. Such, it is not supposed, were carried any distance, but were used about the camp or in the woods.

Fig. 250. (S. 1–6.) Shows 14 axes from J. A. Rayner's collection in Piqua, Ohio. All of these were discovered in the Miami Valley near Piqua. Five of them belong to Class “A,” and the rest are Class “B.” They are typical Ohio axes, mostly large and heavy. It’s believed that they weren’t carried very far but were used around the camp or in the woods.

291

Fig. 251. (S. about 1–3.) It seems to me that not a few axes were made from chipped or broken fragments of rock. Doubtless some were the result of working down rejects or angular fragments. But most of them are water-worn pebbles, slightly flat, and generally oval. The axe owned by S. D. Mitchell, of Ripon, Wisconsin, and shown in this figure, is a splendid example of the pebble grooved, pecked, and ground to an edge. This implement is just as serviceable as the highly polished axe. Moreover, the form is slightly adze-like. The longer it was in use, the more even and polished would become the surfaces.

Throughout New England and Pennsylvania there are many
axes which might be placed in the class of chipped objects; for a
chipped object may be an axe as well as something else. And for
that matter there are shell and bone arrow-heads, yet they are not
placed in the class, “chipped objects.”

Fig. 251. (S. about 1–3.) I believe that quite a few axes were made from chipped or broken pieces of rock. Some were definitely created from reshaping rejects or angular fragments. However, most of them are water-worn pebbles that are slightly flat and generally oval. The axe owned by S. D. Mitchell from Ripon, Wisconsin, shown in this figure, is a great example of a pebble that has been grooved, pecked, and ground to an edge. This tool is just as useful as a highly polished axe. Additionally, its shape is somewhat like that of an adze. The longer it was used, the smoother and more polished the surfaces would become.

Throughout New England and Pennsylvania, there are many
axes that could be classified as chipped objects; because a
chipped object can be an axe as well as something else. And speaking of that, there are also shell and bone arrowheads, but they aren’t classified as “chipped objects.”

292

Fig. 252. (S. 1–3.); showing two broad, short axes from near Salem, Massachusetts. The material is porphyry and diorite. Both of these were originally much longer, became broken, and were worked down. Peabody Museum, Salem, collection.

Fig. 252. (S. 1–3.); showing two wide, short axes from near Salem, Massachusetts. The material is porphyry and diorite. Both were originally much longer, got broken, and were shaped down. Peabody Museum, Salem, collection.

Fig. 253. (S. 1–6.) Two ordinary short axes and three long narrow axes approaching the grooved gouge in form. At the top is a narrow double-edged celt-like object. Collection of A. E. Kilbourne, East Hartford, Connecticut.

Fig. 253. (S. 1–6.) Two regular short axes and three long, narrow axes that resemble the grooved gouge in shape. At the top is a slim, double-edged celt-like item. Collection of A. E. Kilbourne, East Hartford, Connecticut.

293

Fig. 254. (S. 1–4.) Illustrating six axes from the collection of W. A. Holmes of Chicago. Five are of the flat back and one with the groove entirely surrounding the specimen. The ridges on either side of the grooves are of varying prominence. These six axes are from Indiana, Illinois, and Kentucky.

Fig. 254. (S. 1–4.) Showing six axes from W. A. Holmes' collection in Chicago. Five have a flat back, and one features a groove that goes all the way around the specimen. The ridges on both sides of the grooves vary in prominence. These six axes come from Indiana, Illinois, and Kentucky.

294

Fig. 255. (S. 1–3.) Two large axes from the collection of H. M. Braun, East St. Louis, Illinois. The specimen to the left is of Classes “B” and “C,” being both grooved and pointed. Similar large axes have been found in Ohio, and one or two weighing as much as twenty pounds are in the Smithsonian collection, and one of about sixteen pounds in the collection of the Ohio State University.

Fig. 255. (S. 1–3.) Two large axes from H. M. Braun's collection in East St. Louis, Illinois. The specimen on the left belongs to Classes “B” and “C,” as it is both grooved and pointed. Similar large axes have been discovered in Ohio, including one or two weighing up to twenty pounds in the Smithsonian collection, and one weighing about sixteen pounds in the Ohio State University collection.

“All artifacts are the resultant of an interaction between several factors,—character of the rock, need of the worker, form of the blank selected, skill of the worker. If the tool-maker was in a hurry for a utensil he would be likely to choose material easier to work than ordinarily would be the case,—material that he could shape hurriedly. If he were not skilful he would spend time to look for a blank that was a close approximation to the desired tool, that he might be spared the necessity of shaping it with his unskilled fingers. This would often mean the selection of poorer material than might have been the case under different circumstances. Primitive man, as a recent writer has pointed out, had to exercise more real mental acumen and sagacity, had to be more agile and alert and bring into action more varied qualities of mind and body in order to live, than the great mass of our present population. He used his mind and his judgment in the selection of materials, he weighed all of the pros and cons in the choice of materials for artifacts, just as he did in all the concerns of life. A prevailing notion that he picked up any old stray piece of rock that came conveniently to his hand is a mistake; his choices were results of purpose and intellectual effort. To illustrate my position, allow me to select one type of tool, the grooved axe, and discuss the choice of materials for that particular utensil. It must be borne in mind that early man in Wisconsin rarely used quarried material for axes, he sought rather for water-worn or ice-worn cobbles, and made the axe from these partially shaped and polished forms. It must also be remembered that there are three general classes of rocks, viz.: the igneous, clastic, and the metamorphic. The igneous rocks are of two general types, the coarser-grained intrusives, such as the granites, and the finer textured extrusives like basalts and their close relatives the diabases, though the latter is often quite coarsely crystalline.

“All artifacts result from the interaction of several factors: the type of rock, the needs of the worker, the shape of the chosen blank, and the skill of the worker. If the tool-maker needed a utensil quickly, they would likely pick a material that's easier to work with than usual—something they could shape in a hurry. If they were not very skilled, they would spend time looking for a blank that closely resembled the desired tool to avoid needing to shape it with their unskilled hands. This often meant choosing lower-quality material than might have been selected under different circumstances. As a recent writer has pointed out, primitive people had to use more mental sharpness and resourcefulness; they needed to be more agile and attentive and had to tap into a wider range of physical and mental qualities to survive than most of our current population. They used their minds and judgment to select materials, weighing all the pros and cons when choosing materials for artifacts, just as they did in every aspect of life. The common belief that they just picked up any random piece of rock within reach is incorrect; their choices were intentional and required intellectual effort. To illustrate my point, let's focus on one specific tool, the grooved axe, and discuss the selection of materials for that particular utensil. It's important to note that early humans in Wisconsin rarely used quarried material for axes; instead, they looked for water-worn or ice-worn cobbles and crafted the axe from these partially shaped and polished stones. We should also remember that there are three general categories of rocks: igneous, clastic, and metamorphic. The igneous rocks come in two main types: coarser-grained intrusives, like granite, and finer-textured extrusives like basalt and its closely related form, diabase, although diabase can often be coarsely crystalline.”

295

Fig. 256. (S. 1–4.) This illustrates nine grooved objects from the collection of W. A. Holmes of Chicago. The one to the right, lower row, grooved in the centre and either edge sharpened, is of Class “D.” The upper row, second from the right, double-grooved, Class “E.” In the lower row is a large grooved hammer. The two axes in the upper row to the left are highly polished and show evidence of much use.

Fig. 256. (S. 1–4.) This shows nine grooved objects from W. A. Holmes' collection in Chicago. The one on the right in the lower row, which has a groove in the center and sharpened edges, is classified as “D.” The second object from the right in the upper row, which has two grooves, is classified as “E.” In the lower row, there’s a large grooved hammer. The two axes on the left in the upper row are highly polished and exhibit signs of heavy use.

296“In selecting material for axes the aborigine employed both types of igneous rocks.

296“When choosing materials for axes, the Aboriginal people used both types of volcanic rocks.

“Clastic rocks are of two general types, those deposited in solution from water and those deposited from mechanical suspension. Flint, chert, etc., are examples of the former; sandstone, limestone, etc., are instances of the latter. The aborigine rarely used this type of rock for axes. The metamorphic rocks are made from the two preceding types by heat and pressure. They have certain structural features, as a rule, such as cleavage and fissility. There is a banded arrangement of the material not due to deposition but to dynamic action; hence arises the familiar banded structure of such metamorphic rocks as gneiss and schist. This type of rock was used by early man for axes to some extent. Nine tenths of the axes in a given collection are made of igneous rocks, and the great bulk of the igneous rocks used are the fine textured rocks, especially basalt and diabase. No rock is better suited for pecking and polishing than the finer grained igneous rocks, nor on the whole are any more resistant to fracture, none are tougher. These are qualities of prime importance in axes. The very fact that so large a percentage of axes are made of the best obtainable material is significant of the fact that early man deliberately sought for certain qualities and looked until he found them.

Clastic rocks come in two main types: those that form in solution from water and those that form from mechanical suspension. Flint, chert, and similar materials are examples of the first type, while sandstone and limestone represent the second. Indigenous people rarely used this type of rock for making axes. Metamorphic rocks are created from the previous two types through heat and pressure. They typically have structural features like cleavage and fissility. The banded arrangement of the material results from dynamic processes rather than deposition, leading to the recognizable banded structure found in metamorphic rocks like gneiss and schist. Early humans used this type of rock for axes to some degree. Ninety percent of axes in any given collection are made from igneous rocks, primarily fine-textured ones, especially basalt and diabase. No rock is better for pecking and polishing than the finer-grained igneous rocks, and overall, they are also more resistant to breakage and tougher. These qualities are crucial for axes. The fact that such a high percentage of axes are made from the best available material indicates that early humans intentionally sought out specific qualities and continued searching until they found them.

“It shows how truly he was a judge of rock composition and texture, of the suitableness of any given rock for a given purpose. Let us consider in more detail some of the features which he sought, or those which he rejected. In selecting a rock for axe purposes, other things being equal, he would take first of all a quartzless type. If it were a question between granite, which contains quartz, and syenite, which has little, he would almost invariably select the latter. You very rarely see an axe made of quartz-bearing rock in this region. The axe-maker was aware apparently of the hardness of the mineral, of the difficulty with which it was worked, and he naturally avoided rocks that contained it in abundance when seeking axe material. He recognized the mineral, because in rocks which have such similarities as syenite and granite he chose the former, that is, he did not depend upon color or texture alone to guide him, but he must have looked for that glassy mineral that we call quartz.

“It shows how well he understood rock composition and texture, and how suitable any given rock was for its intended use. Let’s take a closer look at some of the features he looked for, or those he passed over. When choosing a rock for making axes, assuming everything else was equal, he would always prefer a type without quartz. If it came down to choosing between granite, which has quartz, and syenite, which has very little, he would almost always go for the latter. You hardly ever see an axe made from quartz-rich rock in this area. The axe-maker seemed to be aware of the hardness of the mineral and the challenges of working with it, so he naturally steered clear of rocks that had a lot of it when selecting materials for axes. He recognized the mineral because, in comparing similar rocks like syenite and granite, he chose the former; he didn’t rely solely on color or texture for guidance, but must have been looking for that glassy mineral we call quartz.”

297

Fig. 257. (S. about 1–4.)

Grooved stone axes of various types. Localities: Missouri, Illinois,
Kentucky. F. P. Graves’s collection, Doe Run, Missouri.

Fig. 257. (S. about 1–4.)

Grooved stone axes of different types. Locations: Missouri, Illinois,
Kentucky. F. P. Graves’s collection, Doe Run, Missouri.

299

Fig. 258. (S. 1–2.), from the Phillips Academy collection, indicates the infinite variety of axes. These may be classed under “A,” “B,” and “C,” and yet each possesses an individuality of its own. Particular attention is called to the two lower specimens, which are beautiful examples of axes in stone.

Fig. 258. (S. 1–2.), from the Phillips Academy collection, shows the endless variety of axes. These can be categorized as “A,” “B,” and “C,” yet each one has its own unique character. Special attention is drawn to the two lower specimens, which are stunning examples of stone axes.

300

Fig. 259. (S. 1–3.) Grooved axe, long slender type. C. D. Romig’s collection—Audenried, Pennsylvania. In this specimen the groove is slightly diagonal, a peculiarity noted in a number of instances in Pennsylvania and Wisconsin axes.

Fig. 259. (S. 1–3.) Grooved axe, long slender type. C. D. Romig’s collection—Audenried, Pennsylvania. In this specimen, the groove is slightly diagonal, which is a trend observed in several axes from Pennsylvania and Wisconsin.

“Though he used quartz abundantly for other purposes we do not find him selecting the massive forms of that mineral for axes except occasionally. Then again the axe-maker selects rocks that are relatively free from mica. Rocks rich in that mineral are used for pendants and ceremonials, but not for axes or other tools that have to undergo hard usage. Micaceous rocks flake readily, and they also show a marked tendency to disintegration through hydration. Here again the aborigine recognized a mineral which contributed undesirable qualities to a rock and he rejected it. Again he refrained from using coarse-grained types of rocks, as a rule. He chose rather those of fine and even texture. The only common exception in Wisconsin is the employment of feldspar porphyry where the porphyritic crystals are sometimes of fair size. The crystals in coarse-grained rocks have coarse structural planes. They tend to fracture along such planes readily, and fragments will break out from the parent mass and mar if not ruin the tool. Experience taught early man the inefficiency of such materials and his judgment, of which we are speaking, kept him from wasting his time in experimenting with them.

“Although he frequently used quartz for various purposes, he only occasionally chose large pieces of that mineral for axes. Instead, the axe-maker preferred rocks that were relatively free of mica. Rocks high in mica were used for pendants and ceremonial items, but not for axes or other tools that needed to endure heavy use. Micaceous rocks are prone to flaking and also tend to break down easily when exposed to moisture. Once again, the indigenous people recognized a mineral that added undesirable qualities to a rock, so they avoided it. Generally, they also steered clear of coarse-grained types of rocks, opting for those with a fine and even texture instead. The one common exception in Wisconsin is the use of feldspar porphyry, where the porphyritic crystals can be of decent size. The crystals in coarse-grained rocks have large structural planes, which makes them likely to fracture along those planes, causing pieces to break off from the main mass and damage or even ruin the tool. Experience taught early man that such materials were not efficient, and his judgment, which we are discussing, helped him avoid wasting time experimenting with them."

301

Fig. 260. (S. 1–4.) An illustration which presents two axes from the collection of A. E. Marks, Yarmouth, Maine. The one to the left has the same sloping groove noted in Fig. 259. This form of groove is intentional.

Fig. 260. (S. 1–4.) An illustration showing two axes from the collection of A. E. Marks, Yarmouth, Maine. The one on the left features the same sloping groove mentioned in Fig. 259. This type of groove is intentional.

“Again the aborigine avoided the use of rocks that contain gneissic and schistose structures. Rocks that contain well developed planes of any sort are obviously unfit for axes, as they tend to split along these structural planes and become unfitted for use; hence, metamorphic rocks are not useful for axes and are not commonly employed save the greenstone, a metamorphosed igneous rock which was used quite extensively by axe-makers along the shore of Lake Michigan, especially in the neighborhood of Manitowoc and Sheboygan. Greenstone possesses a fine texture. It is hard and tough and forms an ideal material in many respects, but it has this one drawback, it does contain a great many structural planes, and the axe sooner or later comes to grief. How rarely a greenstone axe is well finished, the aborigine knew all too well that in some unexpected hour it would break. If ninety per cent of our Wisconsin axes are made of igneous rocks, about eight per cent perhaps are made of metamorphic rocks, while the remaining two per cent are formed from sedimentary rocks of various types, chiefly sandstone and limestone. The latter were not used if any better material were at hand, and axes made of this material are generally found in the southwest portion of the state in the Driftless region, where better material was and is scarce, and where it was often necessary to use the local limestone or sandstone. Clastic rocks lack the cohesion and hardness that is desirable in axes; they break easily, become dull very readily and need constant attention. Aborigines did not restrict themselves to this somewhat limited choice of materials from volition. Wherever opportunity afforded he selected unusual types of rock and thus showed his desire for variety and wide range of materials. This is shown by his employment of jadeite, hematite, actinolite, etc., wherever they were obtainable. It is noticeable that in this country, the axe-maker sought a type of material that could be pecked and polished. He did not use flaking material very abundantly, but just the reverse seems to be true in Europe. This may be due partly to the fact that a better grade of flint is found in Europe than here, and it is obtainable much more readily in the soft chalk than in limestone, or it may be due to an entirely different trend in culture. In contrast to the selection of materials for axes, we find that the large hammers or bone crushers, etc., were made of a greater diversity of materials, in which quartz-bearing rocks are not infrequent. The aim seemed to be to select a cobble as near to the desired shape as 302possible without much reference to material. Comparatively little work needed to be done upon these types beyond pecking a groove. On the other hand, in pestles and mortars, we find that tough, fine-grained, quartzless rocks of igneous origin are employed, as a rule, though the use of fine limestones is not unusual. Here again there seems to be an avoidance of quartz-bearing rocks, possibly because they disliked the coarse grit which would inevitably arise when such rocks were employed.

“Once again, the Indigenous people avoided using rocks with gneissic and schistose structures. Rocks with well-defined planes of any kind are clearly unsuitable for making axes, as they tend to split along these structural planes and become unusable; therefore, metamorphic rocks are generally not suitable for axes and are rarely used except for greenstone, a metamorphosed igneous rock that axe-makers along the shores of Lake Michigan utilized extensively, particularly near Manitowoc and Sheboygan. Greenstone has a fine texture. It is hard and durable, making it ideal for many purposes, but it does have one drawback: it contains numerous structural planes, and eventually the axe will break. The Indigenous people were well aware that a greenstone axe was rarely well-crafted and could unexpectedly break at any moment. If about ninety percent of our Wisconsin axes are made from igneous rocks, roughly eight percent are made from metamorphic rocks, while the remaining two percent are crafted from various types of sedimentary rocks, mainly sandstone and limestone. These were not used if better materials were available, and axes made from these rocks are typically found in the southwestern part of the state in the Driftless region, where better materials were scarce, necessitating the use of local limestone or sandstone. Clastic rocks lack the toughness and hardness needed for axes; they break easily, dull quickly, and require constant maintenance. The Indigenous people did not limit themselves to this somewhat restricted selection of materials out of choice. Whenever possible, they chose unusual types of rock, demonstrating their desire for variety and a wide range of materials. This is evident in their use of jadeite, hematite, actinolite, and others whenever they were available. Interestingly, in this country, the axe-maker looked for materials that could be pecked and polished. They didn’t use flaking materials very much, whereas the opposite seems true in Europe. This could be partly because a better quality of flint is found in Europe, which is much more accessible in soft chalk than in limestone, or it may reflect a different cultural trend altogether. In contrast to the selection of materials for axes, larger tools like hammers or bone crushers were made from a wider variety of materials, including quartz-bearing rocks. The goal appeared to be selecting a cobble as close to the desired shape as possible without focusing too much on the material. Very little work was needed on these types beyond creating a groove. On the other hand, pestles and mortars typically employed tough, fine-grained, quartz-free rocks of igneous origin, although fine limestones were also commonly used. Again, there seems to be a preference for avoiding quartz-bearing rocks, possibly due to their dislike for the coarse grit that would inevitably occur when such rocks were used.”

Fig. 261. (S. 1–3.) These three axes are in the Museum of the Historical Department of Iowa. They are highly polished, with sharp edges, and the two to the right shaped somewhat like tomahawks. Inspection of these figures will acquaint readers with the fact that Iowa axes, in some instances, may be distinguished from those of other sections of the country.

Fig. 261. (S. 1–3.) These three axes are in the Museum of the Historical Department of Iowa. They are highly polished, with sharp edges, and the two on the right are shaped somewhat like tomahawks. Looking at these figures will help readers notice that Iowa axes can sometimes be identified differently from those in other parts of the country.

“What has been said regarding the axe illustrative of aboriginal judgment and knowledge might be repeated for each type of artifact. In each case we should find that the worker had particular reasons why he selected material for a certain artifact, and that these reasons were founded in an understanding of the mineralogical and structural differences in rocks. If we study ornaments and ceremonial stones, we shall see that ordinarily he selected a soft ornamental rock, especially the banded slates, but if he chose to use igneous rocks he rarely employed the types used for axes, but ordinarily the handsome porphyries which made showy and attractive objects. If he wished material for net-weights or sinkers for lines or weights for spears, he took the easily worked and abundant sandstones and limestones, which he rejected for other and harder usage.”

“What’s been said about the axe as an example of ancient judgment and knowledge can also apply to every type of artifact. In each instance, we can see that the creator had specific reasons for choosing materials for a particular artifact, and these reasons were based on an understanding of the different mineralogical and structural properties of rocks. If we examine ornaments and ceremonial stones, we’ll find that typically, he chose a softer ornamental rock, especially the banded slates. However, if he decided to use igneous rocks, he rarely picked the same types used for axes; instead, he usually selected the beautiful porphyries that made for eye-catching and appealing objects. For materials like net weights, sinkers for fishing lines, or spear weights, he opted for the easily workable and plentiful sandstones and limestones, which he avoided for other, more durable uses.”

On writing Professor Harlan I. Smith of the American Museum of Natural History, New York, regarding axes of the Columbia Valley, British Columbia, Alaska, and the Northwest, generally, Professor Smith replied and quoted from the data collected by the Jesup North Pacific Expedition, part vi of vol. vi of the Memoirs.

On writing to Professor Harlan I. Smith at the American Museum of Natural History in New York about axes from the Columbia Valley, British Columbia, Alaska, and the Northwest in general, Professor Smith replied and quoted from the data gathered by the Jesup North Pacific Expedition, part vi of vol. vi of the Memoirs.

303

Fig. 262. (S. 1–1.)

Fig. 262. (S. 1–1.)

304Mr. Daniel Ashworth spent several years in the far Northwest, near Yale, British Columbia. While there he made a collection of stone implements and among them a grooved axe. Professor Smith writes:

304Mr. Daniel Ashworth spent several years in the far Northwest, near Yale, British Columbia. While there, he collected various stone tools, including a grooved axe. Professor Smith writes:

Fig. 263. (S. 1–4.) This shows two axes of Class “C,” the one to the right being adze-like in character, although I have included it with the axes, it being grooved. These were found near Ipswich, Massachusetts. The specimen to the left has straight sides, a keen edge, and is splendidly worked out. Peabody Museum, Salem.

Fig. 263. (S. 1–4.) This shows two Class “C” axes, with the one on the right resembling an adze, even though I've categorized it with the axes since it has a groove. They were discovered near Ipswich, Massachusetts. The specimen on the left has straight sides, a sharp edge, and is exceptionally well-crafted. Peabody Museum, Salem.

Fig. 263. A. (S. 1–5.)

Fig. 263. A. (S. 1–5.)

305

Fig. 264. (S. 2–3.) Grooved stone axe, from near Portsmouth, Ohio. W. K. Moorehead collection, Ohio State University Museum.

Fig. 264. (S. 2–3.) Grooved stone axe, found near Portsmouth, Ohio. W. K. Moorehead collection, Ohio State University Museum.

Fig. 265. (S. 2–3.) Grooved stone axe, from Miami Valley, Ohio. W. K. Moorehead collection, Ohio State University Museum.

Fig. 265. (S. 2–3.) Grooved stone axe, from Miami Valley, Ohio. W. K. Moorehead collection, Ohio State University Museum.

“A grooved axe was purchased from an Indian at or near Yale, who showed him how the people formerly hafted such objects in a split stick, fastening the axe in place with withes. The poll is hemispherical; the cutting edge has been sharpened about equally from both sides, and the surfaces are quite convex; the edge is convex in outline, and has been battered until it has become quite flat. The groove extends around the sides and rear edge, and occupies about half the distance between the middle of the specimen and the top. The ungrooved side edge of the blade is flatter than the other, and meets the sides at a slight angle. One side and the side edge are crossed by a pecked surface, as if a second groove had been attempted. These two grooves, as well as the general shape of the axe, remind one of the grooved axes found in the Southwest. Grooved axes are rarely found in the region including Washington and the southern interior of British Columbia, and the one just described is the most authentic specimen from the whole area of which I have any knowledge. There is one other known to me. It is an axe made of stone and grooved entirely around. It is in the Museum of the Oregon Historical Society at Portland (no. 237, list 30), and is labeled as coming from the Cascades. It is hafted in the split end of a stick, and held in place by thongs. It appears to have been grooved recently, and the handle bears cuts resembling those made by a modern axe. The edge of this specimen bears longitudinal lines similar to those found on some skin-scrapers and on the sharp end of many of the agricultural implements chipped from stone and found in the Middle Mississippi Valley. They also somewhat resemble the results of the action of the natural sand-blast such as affected many specimens in the Columbia Valley. The material is a black or blackish-gray stone, possibly diorite. There is a longitudinal groove pecked in one side of this specimen. This specimen may have been taken west among the belongings of some pioneer, or it may have been hafted from a description similar to that given by Mr. Ashworth. The method of hafting is similar to that employed for skin-scrapers.[6] The only other grooved axe from the Pacific Coast of 306America which has come to my attention is from Central California.[7] Dr. J. W. Hudson informs me that several grooved axes have been found in northeastern California, but that they are supposed to have been brought there in prehistoric times from farther east.”

A grooved axe was bought from an Indian near Yale, who showed him how people used to attach these tools to a split stick, securing the axe with straps. The top is hemispherical; the cutting edge is evenly sharpened on both sides and has a convex shape; the edge is curved and has been battered down to become quite flat. The groove runs around the sides and back edge, covering about half the distance from the center of the axe to the top. The ungrooved side of the blade is flatter than the other one and meets the sides at a slight angle. One side and the side edge have a pecked surface, as if a second groove was attempted. These two grooves, along with the overall shape of the axe, are reminiscent of the grooved axes found in the Southwest. Grooved axes are uncommon in the region that includes Washington and southern British Columbia, and the one just described is the most authentic example from the entire area that I know of. I know of one other. It's a stone axe that is completely grooved around. It's in the Museum of the Oregon Historical Society in Portland (no. 237, list 30) and is labeled as coming from the Cascades. It's attached to the split end of a stick and secured with thongs. It looks like it was recently grooved, and the handle has cuts that look like those made by a modern axe. The edge of this specimen has long lines similar to those found on some skin scrapers and on the sharp ends of many agricultural tools chipped from stone, discovered in the Middle Mississippi Valley. They also somewhat resemble marks left by natural sand-blasting, which has affected many specimens in the Columbia Valley. The material is a black or dark gray stone, possibly diorite. There is a long groove pecked into one side of this specimen. It might have been taken west with the belongings of a pioneer, or it may have been made based on a description similar to what Mr. Ashworth provided. The method of attachment is similar to that used for skin scrapers.[6] The only other grooved axe from the Pacific Coast of 306 America that I know of is from Central California.[7] Dr. J. W. Hudson tells me that several grooved axes have been found in northeastern California, but they are thought to have been brought there in prehistoric times from further east.

Fig. 266. (S. 1–2.) An interesting, double-bladed axe, from Missouri. One may observe that the ridges are prominent. Dr. H. M. Whelpley’s collection.

Fig. 266. (S. 1–2.) An interesting double-bladed axe from Missouri. You can see that the ridges are prominent. Dr. H. M. Whelpley’s collection.

Mr. Charles E. Brown, who contributed so much to the Stone Age, writes several pages on the axes of his region. While he speaks for Wisconsin, much of his description will apply to Michigan, central and eastern Minnesota types:—

Mr. Charles E. Brown, who contributed so much to the Stone Age, writes several pages about the axes from his area. While he represents Wisconsin, much of his description will also apply to the types found in Michigan, as well as central and eastern Minnesota:—

“Of grooved stone axes, the following classes occur.

“Of grooved stone axes, the following types are found.

“1. Notched axes. Not numerous. Most are rough; a few are well made, being ground smooth or polished.

“1. Notched axes. Not very common. Most are rough; a few are well made, being ground smooth or polished.

“2. Axes completely encircled by a groove. Thousands have been found. Especially numerous in the southern half of the state. Rough, ground, or polished. Weight from one half pound to eighteen or more pounds.

“2. Axes completely surrounded by a groove. Thousands have been discovered. Particularly abundant in the southern part of the state. Rough, ground, or polished. Weighing from half a pound to eighteen or more pounds.”

“2a. Similar but with prominent ridges above and below the handle groove. Poll rounded or conical. Usually very well made.

“2a. Similar but with noticeable ridges above and below the handle groove. The poll is rounded or conical. Usually very well crafted.”

“3. Groove extending around three sides, back flattened or rounded. Groove straight or diagonal. Thousands have been found. Most numerous in the southern half of the state.

“3. Groove extending around three sides, back flattened or rounded. Groove straight or diagonal. Thousands have been found. Most numerous in the southern half of the state.

“3a. Similar but with prominent ridges above and below the handle groove, or only below. Back flat, rounded or concave. Poll rounded or conical. Usually well made and ground or polished. Not as numerous as No. 3.

“3a. Similar but with noticeable ridges above and below the handle groove, or just below. The back can be flat, rounded, or concave. The poll is rounded or cone-shaped. Usually well-made and either ground or polished. Not as common as No. 3."

“3b. Similar to No. 3 but with very long blade. Known as long-bitted (adze-form) axes. Poll rounded or conical, groove straight or diagonal, back rounded, flat or concave, cutting edge narrow. Some have prominent projecting ridges above and below, or only below the handle groove. Length, nine to twelve or more inches.

“3b. Similar to No. 3 but with a very long blade. Known as long-bitted (adze-form) axes. The poll is rounded or conical, the groove is straight or diagonal, the back is rounded, and it can be flat or concave, with a narrow cutting edge. Some have noticeable projecting ridges both above and below, or just below the handle groove. Length ranges from nine to twelve inches or more.”

307“These axes are peculiar to Wisconsin, but are of rare occurrence even here. They occur in the Lake Michigan shore tiers of counties. All are very well made and are ground smooth or polished. They resemble somewhat the long-bitted axes of Arizona and New Mexico. Some specimens have the poll ornamented with transverse, spiral, or concentric flutings. Some have the blade ornamented on one or both sides with longitudinal flutings.

307 “These axes are unique to Wisconsin, but they're pretty rare even here. They can be found in the counties along the Lake Michigan shore. All of them are very well crafted and are ground smooth or polished. They look a bit like the long-bitted axes from Arizona and New Mexico. Some examples have the poll decorated with transverse, spiral, or concentric flutings. Some have the blade decorated on one or both sides with longitudinal flutings."

“3c. Oval axes. Groove does not extend quite to the back. Back rounded. A few have prominent grooves above and below the handle groove. Rare. Most are well made and ground or polished.

“3c. Oval axes. The groove doesn’t quite reach the back. The back is rounded. A few have noticeable grooves above and below the handle groove. They’re rare. Most are well made and either ground or polished.”

Fig. 267. (S. 2–5.) All axes, in company with other implements, pass through the usual stages of manufacture, and we may assume that the oval pebble is first grooved at the top and pecked on the edge, as in this Figure. The above specimen was found five feet deep in a sand-bank on the Merrimack River at Lawrence, Massachusetts. Phillips Academy collection. Because it was buried at such a depth in fine, yellow sand, the original markings, or pits, caused by the hand-hammers, appear in all their freshness. Were this specimen brought into my office and offered for sale, I would conclude that it had been made recently and that some one was endeavoring to deceive me. But it was found under conditions which preclude the possibility of recent origin.

Fig. 267. (S. 2–5.) All axes, along with other tools, go through the typical manufacturing stages, and we can assume that the oval pebble is first grooved at the top and pecked on the edge, as shown in this figure. The specimen above was discovered five feet deep in a sandbank along the Merrimack River in Lawrence, Massachusetts. It belongs to the Phillips Academy collection. Because it was buried at that depth in fine, yellow sand, the original markings or pits created by the hand-hammers look perfectly preserved. If this specimen were brought to my office and offered for sale, I would assume it was made recently and that someone was trying to trick me. However, it was found under conditions that rule out the possibility of it being newly created.

“4. Double-grooved axes. With two grooves. Rare. Similar to double-grooved axes found in other states.

“4. Double-grooved axes. With two grooves. Rare. Similar to double-grooved axes found in other states.”

“5. Centrally grooved axes. Groove at or near the middle of the implement, and completely encircling it. Rare.

“5. Centrally grooved axes. A groove located at or close to the middle of the tool, completely surrounding it. Rare.”

“6. Double-bitted axes. Centrally grooved. Both extremities have a cutting edge. Of rare occurrence.

“6. Double-bitted axes. Grooved in the center. Both ends have a cutting edge. Quite rare.”

“7. Fluted axes. (See Wisconsin Archeologist, vol. I, no. I.) The 308polls or blades are ornamented with shallow grooves or ridges. Such ornamentation is not confined to any single class of Wisconsin axes. They occur on both roughly made, and smooth or polished axes. These axes are peculiar to Wisconsin. About two hundred and fifty specimens have been found. The finest series of examples are in the Logan Museum, Beloit; the State Historical Museum, Madison; the Milwaukee Public Museum, and the H. P. Hamilton Collection at Two Rivers. No two specimens are exactly alike in their ornamentation.

“7. Fluted axes. (See Wisconsin Archeologist, vol. I, no. I.) The 308polls or blades have shallow grooves or ridges as decoration. This type of ornamentation isn't limited to just one category of Wisconsin axes. It can be found on both roughly made and smooth or polished axes. These axes are unique to Wisconsin. About two hundred and fifty specimens have been discovered. The best collection of examples is at the Logan Museum in Beloit; the State Historical Museum in Madison; the Milwaukee Public Museum; and the H. P. Hamilton Collection in Two Rivers. No two specimens have the same ornamentation.”

Fig. 268. (S. 1–1.) This is an axe made from a large pitted hammer-stone. Collection of G. F. Powers, Wilmington, Illinois. The edge is not very sharp. The figure explains itself,—that the aborigine desired to make an axe out of his hammer-stone, and did so. Previously I never saw a specimen like this one.

Fig. 268. (S. 1–1.) This is an axe made from a large, pitted hammerstone. Collection of G. F. Powers, Wilmington, Illinois. The edge isn't very sharp. The figure explains itself—this indigenous person wanted to create an axe from their hammerstone, and they succeeded. I had never seen a specimen like this one before.

309

Fig. 269. (S. 1–3.) Presents two Connecticut axes from the collection of Benton Holcomb, Simsbury. These, being found near together, of the same form and material, emphasize what I have frequently stated in this book, that the implements of one section may be differentiated from those of another. The unfinished bird-stone in the centre will be described in its proper place.

Fig. 269. (S. 1–3.) Shows two Connecticut axes from Benton Holcomb's collection in Simsbury. Since these were found close together and are of the same shape and material, they highlight what I've often mentioned in this book: tools from one area can be distinct from those in another. The incomplete bird-stone in the center will be discussed later.

310

Fig. 270. (S. 1–3.) In the axe-adze class are presented three beautiful specimens from the collection of A. E. Marks. The one to the left is double-grooved. The upper specimen has a short blade, the poll of the axe being as long as the blade. All of these specimens are worn smooth by contact with the handles and wrappings.

Fig. 270. (S. 1–3.) In the axe-adze category, there are three stunning examples from A. E. Marks' collection. The one on the left has double grooves. The upper example features a short blade, with the back of the axe being the same length as the blade. All these examples are nicely worn smooth from contact with the handles and wrappings.

311

Fig. 271. (S. 5–12.) J. H. Richardson collection. Found on Neutaconkanut Hill, Johnston, Rhode Island.

Fig. 271. (S. 5–12.) J. H. Richardson collection. Discovered on Neutaconkanut Hill, Johnston, Rhode Island.

Fig. 272. (S. 1–2.) Collection of W. H. Foster, Andover, Massachusetts.

Fig. 272. (S. 1–2.) Collection of W. H. Foster, Andover, Massachusetts.

Fig. 273. (S. 1–1.) The smallest axe in the United States. H. K. Deisher collection, Kutztown, Pennsylvania. For what purpose this toy was made, I do not know. It was found near East St. Louis, Illinois, some years ago.

Fig. 273. (S. 1–1.) The smallest axe in the United States. H. K. Deisher collection, Kutztown, Pennsylvania. I'm not sure why this toy was made. It was discovered near East St. Louis, Illinois, a few years back.

Fig. 274. (S. 1–3.) Rev. James Savage collection. Material: argillite. Lenawee County, Michigan.

Fig. 274. (S. 1–3.) Rev. James Savage collection. Material: claystone. Lenawee County, Michigan.

312“8. Ridged axes. Prominent longitudinal ridge in the centre on both sides of the blade. Very well made and smooth or polished. Very rare. Several specimens are known. Probably peculiar to Wisconsin.”

312“8. Ridged axes. Noticeable longitudinal ridge in the center on both sides of the blade. Very well crafted and smooth or polished. Quite rare. Several examples are known. Likely specific to Wisconsin.”

Other Classes

“Barbed axes. Occur in Michigan. None have been found in Wisconsin. Rough, or smooth, or highly polished. (See Fig. 275 for illustration of specimens in Father James Savage’s collection.)

“Barbed axes. Found in Michigan. None have been discovered in Wisconsin. Rough, smooth, or highly polished. (See Fig. 275 for an illustration of specimens in Father James Savage’s collection.)”

Fig. 275. (S. 1–3.) Rev. James Savage’s collection. Barbed axes. Just why such a form was made, no one is able to determine. These must remain as mysterious. To the left, argillite, Jackson County, Michigan; to the right, limestone, Washtenaw County, Michigan.

Fig. 275. (S. 1–3.) Rev. James Savage’s collection. Barbed axes. No one really knows why these were made. They will always be a mystery. On the left, argillite from Jackson County, Michigan; on the right, limestone from Washtenaw County, Michigan.

“Indented axes. Occur in central and northern Illinois. They have a central circular depression on one side of the blade. Several examples are known. All are well made, smooth or polished.

“Indented axes. They are found in central and northern Illinois. These axes have a central circular dip on one side of the blade. Several examples are known, and all are well crafted, either smooth or polished."

“Groove extending over poll and into the handle groove. Occur in Missouri. Rare. Several examples known. Well made, small size, smooth or polished.”

“Groove extends over the poll and into the handle groove. Found in Missouri. Rare. Several examples are known. Well made, small size, smooth or polished.”

Down in the Cliff-Dweller country—and by this I mean the region drained by the Colorado and its tributaries—are discovered axes different from those found elsewhere in the United States. There are two in Fig. 262 from the collection of Luther A. Norland, La Jara, Colorado. I have shown these full size. They are made of agate-like stone, from which the Cliff-Dwellers worked some of their best axes, although such rocks are extremely hard. These specimens lashed in short handles would make formidable weapons, and the material is so hard that wood could be cut as easily, almost, as with an iron axe.

Down in the Cliff-Dweller region—and I mean the area drained by the Colorado River and its tributaries—there are axes that are different from those found elsewhere in the United States. Two of them are shown in Fig. 262 from the collection of Luther A. Norland, La Jara, Colorado. I've displayed them at full size. They are made of agate-like stone, which the Cliff-Dwellers crafted into some of their best axes, despite how incredibly hard such rocks are. These specimens, attached to short handles, would make powerful weapons, and the material is so tough that wood could be cut almost as easily as with an iron axe.

313

Fig. 276. (S. 1–4.) Fluted stone axe types. Drawn by Charles E. Brown.

Fig. 276. (S. 1–4.) Fluted stone axe types. Illustrated by Charles E. Brown.

314

Fig. 277. (S. 1–4.) Collection of Logan Museum, Beloit, Wisconsin. All these fluted axes were found in Wisconsin.

Fig. 277. (S. 1–4.) Collection of Logan Museum, Beloit, Wisconsin. All these fluted axes were discovered in Wisconsin.

315

Fig. 278. (S. nearly 1–1.) Fluted axe. Joseph Ringeisen collection, Milwaukee, Wisconsin. Found on a farm at the southwest end of Wind Lake, Racine County, Wisconsin.

Fig. 278. (S. nearly 1–1.) Fluted axe. Joseph Ringeisen collection, Milwaukee, Wisconsin. Discovered on a farm at the southwest end of Wind Lake, Racine County, Wisconsin.

316No large axes are found in the Cliff-Dweller country and this type does not occur in the Pueblo country lying in the Salt River and Gila valleys, where axes similar to the central one shown in the top row, Fig. 254, are common. That axe is typical of the adobe ruins of the Salado and Gila valleys.

316There are no large axes found in the Cliff-Dweller area, and this type isn't present in the Pueblo region located in the Salt River and Gila valleys, where axes similar to the central one shown in the top row, Fig. 254, are common. That axe is typical of the adobe ruins in the Salado and Gila valleys.

The two axes in Fig. 262 were found near each other on Agua Caliente, a tributary of the La Jara River. The one to the left is jadeite, in two shades of green, flecked with reddish brown. It shows three notches and two grooves. The one to the right is actinolite, the color is waxy burnt umber, flecked on the reverse side with green and white.

The two axes in Fig. 262 were found close together on Agua Caliente, a tributary of the La Jara River. The one on the left is jadeite, featuring two shades of green with reddish-brown flecks. It has three notches and two grooves. The one on the right is actinolite, which is a waxy burnt umber color, with green and white flecks on the back side.

In Iowa there was an axe discovered, some years ago, which weighed thirty-two pounds. This is shown in Fig. 263 A, one fifth size. It is in possession of the Historical Department of Iowa and one of the most remarkable specimens in the United States. I am indebted to Messrs. Aldrich and Van Hyning for a cast of this axe. The material is hard gray granite. It was beautifully worked and polished, and said to be the largest axe in America.

In Iowa, an axe weighing thirty-two pounds was found several years ago. This is illustrated in Fig. 263 A, at one-fifth scale. It is now held by the Historical Department of Iowa and is considered one of the most remarkable specimens in the United States. I want to thank Messrs. Aldrich and Van Hyning for providing a cast of this axe. The material is hard gray granite, and it was expertly crafted and polished, said to be the largest axe in America.

FLUTED STONE AXES

Of effigy mounds, native copper implements, and fluted stone axes the State of Wisconsin may be said to possess a monopoly. These are features peculiar to her interesting archæology. The following information concerning the fluted axes is furnished by Mr. Charles E. Brown, chief of the State Historical Museum of Wisconsin, who has personally examined a large number of specimens:

Of effigy mounds, native copper tools, and fluted stone axes, the State of Wisconsin has a monopoly. These are unique to its fascinating archaeology. The information below about the fluted axes is provided by Mr. Charles E. Brown, head of the State Historical Museum of Wisconsin, who has personally examined a large number of specimens:

317

Fig. 279. (S. nearly 1–1.) Fluted axe. Edge view of Fig. 278. Joseph Ringeisen collection, Milwaukee, Wisconsin.

Fig. 279. (S. nearly 1–1.) Fluted axe. Edge view of Fig. 278. Joseph Ringeisen collection, Milwaukee, Wisconsin.

318

Fig. 280. (S. a trifle over 1–2.) Double-grooved axe to the left. Two peculiar axes at the right. Wisconsin types.

Fig. 280. (S. a bit more than 1–2.) Double-grooved axe on the left. Two unusual axes on the right. Wisconsin types.

319“The so-called fluted or ornamented stone axes are distinguished from those of all other sections of the United States by the shallow or well defined ornamental grooves which have been pecked or ground into the surfaces of their blades and polls. In the accompanying plates figures of a number of examples of these curious and interesting axes are shown. Several distinct styles of ornamentation are illustrated. Such ornamentation is not confined to any special form or forms of Wisconsin axes. Neither is it confined to only well made or finely finished axes. Many of the specimens which have received decorative treatment of this nature are themselves but rudely fashioned, or of very ordinary form; some have received rough use at the hands of their aboriginal owners, as is evidenced by their fractured polls and blades. A small number are gracefully shaped axes, with surfaces ground smooth or highly polished. These may be truthfully said to represent the highest attainment of the ancient axe-maker’s art. The greater number of these axes have the surface of the blade ornamented with from one to five or more parallel longitudinal grooves which extend from just below the handle groove to within a short distance of the cutting edge. The grooves are separated from one another by plane surfaces, or well-marked ridges.

319 “The so-called fluted or ornamented stone axes stand out from those in other parts of the United States due to the shallow or clearly defined decorative grooves that have been pecked or ground into the surfaces of their blades and polls. In the accompanying plates, you can see figures of several examples of these unique and interesting axes. Various distinct styles of decoration are shown. This ornamentation isn't limited to any specific shape or type of Wisconsin axes, nor is it exclusive to well-made or finely crafted axes. Many of the pieces that have received this kind of decorative treatment are actually quite rudely shaped or of very ordinary design; some have been roughly used by their original owners, as shown by their broken polls and blades. A small number are elegantly shaped axes with surfaces that are ground smooth or highly polished. These can truly be said to represent the highest achievement of ancient axe-making skills. The majority of these axes feature blades adorned with one to five or more parallel longitudinal grooves that extend from just below the handle groove to a short distance from the cutting edge. The grooves are separated by flat surfaces or clearly defined ridges.”

Fig. 281. (S. 1–2.) Fluted axe. R. Kuehne’s collection, Sheboygan, Wisconsin. A remarkable specimen.

Fig. 281. (S. 1–2.) Fluted axe. R. Kuehne’s collection, Sheboygan, Wisconsin. An impressive piece.

“A few specimens have transverse or diagonal grooves (see Fig. 276). Occasionally but one surface of the blade is fluted, the other being devoid of ornamentation. In many instances there is a difference in either the number of the grooves, or in the manner of the arrangement of the grooves on the two faces of the blade. Thus the grooves on one side may be longitudinal and on the other side transverse. One well-known specimen has the grooves arranged in the form of a chevron (see no. 1, Fig. 276) and several have circular figures pecked into the surfaces of their blades. The specimen in the lower right-hand corner of Fig. 277 is unique in having both longitudinal and transverse grooves on one face of its blade.

“A few examples have crosswise or diagonal grooves (see Fig. 276). Sometimes only one side of the blade is fluted, while the other side is plain. Often, there’s a difference in either the number of grooves or how the grooves are arranged on the two sides of the blade. So, the grooves on one side may be vertical, while the other side has horizontal grooves. One well-known example has the grooves arranged in a chevron pattern (see no. 1, Fig. 276), and several have circular designs carved into the surfaces of their blades. The example in the lower right corner of Fig. 277 is special because it has both vertical and horizontal grooves on one side of its blade.”

320

Fig. 282. (S. 1–2.) C. A. Perkins’s collection, Wakefield, Massachusetts. A fine example of the double-grooved axe.

Fig. 282. (S. 1–2.) C. A. Perkins’s collection, Wakefield, Massachusetts. A great example of the double-grooved axe.

321

Fig. 283. (S. 1–1.) Phillips Academy collection. Two small objects in celt-axe class and a beautiful double-edged axe from a ruin near Phoenix, Arizona.

Fig. 283. (S. 1–1.) Phillips Academy collection. Two small items in the celt-axe category and a stunning double-edged axe from a site near Phoenix, Arizona.

322“A small number of axes have both ornamented blades and polls. In some specimens the poll only is ornamented. The method of its ornamentation may consist of a number of grooves radiating from the crown downwards toward the handle groove, as seen in no. 4, Fig. 276, or of a spiral groove, or a circle, or number of concentric circles, as are shown in the other types illustrated. There are other styles of treatment.

322“A few axes feature decorative blades and poll heads. In some examples, only the poll head is decorated. The decorative method can include several grooves that radiate from the top down toward the handle groove, like in no. 4, Fig. 276, or it might have a spiral groove, a circle, or multiple concentric circles, as seen in the other types shown. There are additional styles as well.”

“The finest examples of the fluted stone axes are undoubtedly those of the long-bitted form (see Figs. 277, 281). One of these has eighteen longitudinal grooves cut into the two faces and front of its blade. In their style and finish these graceful, slender axes are unsurpassed. A small number of fluted celts and fluted grooved hammers have also been found. Several of these are in the State Museum.

“The best examples of fluted stone axes are definitely the long-bitted ones (see Figs. 277, 281). One of these has eighteen grooves carved along the two sides and front of the blade. In terms of style and craftsmanship, these elegant, thin axes are unmatched. A few fluted celts and fluted grooved hammers have also been discovered. Some of these can be found in the State Museum.”

“We now have record of the recovery of about two hundred and fifty fluted stone axes and other implements in Wisconsin, a considerable increase since 1901 when the existence of only slightly over one hundred was known. Almost all come from the southern half of the state and the greater number from eastern Wisconsin. None are known to have been secured from mounds or graves.

“We now have records of the recovery of about two hundred and fifty fluted stone axes and other tools in Wisconsin, which is a significant increase since 1901 when only slightly over one hundred were known. Almost all of them come from the southern half of the state, with the majority found in eastern Wisconsin. None are reported to have been taken from mounds or graves.”

“Fine series of these axes are now to be seen in the collections of the Logan Museum, at Beloit, in the Milwaukee Public Museum, and in the State Historical Museum at Madison. Several private collectors also possess fine examples. There are a few specimens from Wisconsin in Eastern museums.

“Great examples of these axes can now be found in the collections of the Logan Museum in Beloit, the Milwaukee Public Museum, and the State Historical Museum in Madison. Several private collectors also own impressive pieces. There are a few specimens from Wisconsin in museums on the East Coast.”

“Outside the State of Wisconsin only a few fluted implements have been found. Mr. Harlan I. Smith has described a fluted celt from the Saginaw Valley in Michigan, and Dr. David Boyle another from Ontario. We should expect to find a few stray examples in the adjoining states of Illinois, Iowa, and Minnesota, but none have yet been reported.

“Outside the state of Wisconsin, only a few fluted tools have been discovered. Mr. Harlan I. Smith described a fluted celt from the Saginaw Valley in Michigan, and Dr. David Boyle noted another one from Ontario. We should anticipate finding a few scattered examples in the neighboring states of Illinois, Iowa, and Minnesota, but so far, none have been reported.”

“The significance of the fluted ornamentation of these axes is unknown.”

“The importance of the fluted decoration on these axes is unknown.”

CONCLUSIONS AS TO CELTS, ADZES, GOUGES AND AXES

The distribution of axes in the United States is not equal to that of chipped implements. Axes occur in certain sections of the country where other types of prehistoric objects are wanting, are most numerous where the problematical forms occur frequently, and are more or less individualistic, and one can frequently differentiate the Eastern from the Southern or the Northern from the Western type. 323There are practically no stone axes in Florida, and few along the seaboard from Florida to Texas. Almost none are found in Texas, and northward from Texas until southern Iowa is reached axes are almost wanting. On the Great Plains of Kansas and Nebraska, where chipped implements are to be found, axes are rare. In the cave region of the Ozarks, which, by the way, is an anomaly in archæology, there are no stone axes, only two having been found in the entire region; whereas, according to percentages elsewhere, there should be several hundred, if not nearly one thousand. On some village-sites in this country numbers of axes have been found; whereas, on other village-sites there are no axes. This is significant, and along with other similar facts of interest should be noted.

The distribution of axes in the United States isn’t the same as that of chipped tools. Axes are found in specific regions of the country where other types of prehistoric items are absent, they are most common where questionable forms appear frequently, and they tend to be somewhat unique. You can often tell apart the Eastern types from the Southern, or the Northern from the Western. 323 There are virtually no stone axes in Florida, and very few along the coast from Florida to Texas. Almost none are found in Texas, and from there north until you reach southern Iowa, axes are nearly nonexistent. In the Great Plains of Kansas and Nebraska, where chipped tools are present, axes are rare. In the cave region of the Ozarks, which is an anomaly in archaeology, only two stone axes have been found in the entire area, while statistically there should be several hundred, if not nearly a thousand. At some village sites across the country, many axes have been discovered; however, at other village sites, there are none. This is significant and should be noted along with other similar interesting facts.

In addition to the places already cited where axes are rare, it is strange that a dearth of them exists on the head waters of the Columbia, Missouri, and Colorado. They are very rare on the Pacific Coast, and axes from California, Oregon, and Washington should be considered as strays.

In addition to the areas already mentioned where axes are uncommon, it's odd that there's a shortage of them at the headwaters of the Columbia, Missouri, and Colorado rivers. They're quite rare on the Pacific Coast, and axes from California, Oregon, and Washington should be viewed as outliers.

Fig. 284. (S. 2–3.) H. M. Braun’s collection.

Fig. 284. (S. 2–3.) H. M. Braun’s collection.

Thus our distribution of axes narrows to the whole Mississippi Valley, the Delaware and Susquehanna, the eastern South, New England, eastern and central Canada, and the Cliff-Dweller country. We have already seen where adzes and gouges occur. The chisel-like form of celt is limited to 324the central Mississippi Valley and the Ohio Valley, with a few in the Hudson, Susquehanna, and St. Lawrence regions.

Thus, our distribution of axes narrows down to the entire Mississippi Valley, the Delaware and Susquehanna Rivers, the eastern South, New England, eastern and central Canada, and the Cliff-Dweller region. We’ve already noted where adzes and gouges are found. The chisel-like shape of the celt is restricted to the central Mississippi Valley and the Ohio Valley, with a few found in the Hudson, Susquehanna, and St. Lawrence areas. 324

Many of these types are more or less alike, and yet one may suggest that they represent different tribes if not different cultures.

Many of these types are similar, yet one could argue that they represent different groups, if not different cultures.

A statement was made that axes occur most numerously where the problematical forms are to be found. This statement is true and significant.

A statement was made that axes are most common where the problematic forms can be found. This statement is true and important.

Again, axes do not occur where there is an abundance of material suitable for the making of axes, such as in the Ozarks, California, and throughout the Rocky Mountains. I have commented elsewhere on the lack of axes in graves and mounds, although they are frequently found in cliff-houses. But this does not necessarily mean that the Cliff-Dwellers place them with their dead. They are found in cliff-houses along with other objects for the simple reason that the Cliff-Dwellers lived in these places.

Again, axes aren't found in areas with plenty of materials suitable for making them, like the Ozarks, California, and throughout the Rocky Mountains. I’ve mentioned before the absence of axes in graves and mounds, even though they often show up in cliff houses. However, this doesn’t necessarily imply that the Cliff-Dwellers buried them with their dead. They’re discovered in cliff houses along with other items simply because the Cliff-Dwellers lived in these locations.

Fig. 285. (S. 1–2.) B. H. Young’s collection. To the left is an engraved axe. There is a skull worked in relief on one side of the poll. On the reverse, arm and leg bones seem to be indicated. The other specimen is a fine stone tomahawk. Both of granite; locality, the Cumberland Valley.

Fig. 285. (S. 1–2.) B. H. Young’s collection. On the left is an engraved axe. There’s a skull carved in relief on one side of the head. On the back, it looks like arm and leg bones are shown. The other piece is a beautiful stone tomahawk. Both are made of granite; location, the Cumberland Valley.

It would be possible for one to devote an entire volume to axes, 325their forms, material of which they are made, and uses. It seems to me that when we scrutinize axes with that detail and care observed by botanists, biologists, and other scientists in their studies of various forms in life, that we shall be able to solve some of the mysteries regarding the purposes of the more highly specialized forms. There is a great deal to be learned, as I have previously remarked, by such study.

It would be possible to dedicate an entire book to axes, 325their shapes, materials, and uses. I believe that when we examine axes with the same detail and care that botanists, biologists, and other scientists use in their studies of different life forms, we will be able to uncover some of the mysteries about the purposes of the more specialized shapes. There is a lot to learn, as I mentioned before, through this kind of study.

Fig. 286. (S. 1–3.) At either side are slate tomahawks from Trigg County, Kentucky; one of which was found in a grave at the mouth of Little River. The central object was found in Wayne County, near the Cumberland River. It is remarkable as having three distinct grooves. It is made of slate and was found in a mound. B. H. Young’s collection.

Fig. 286. (S. 1–3.) On either side are slate tomahawks from Trigg County, Kentucky; one of them was discovered in a grave at the mouth of Little River. The central object was found in Wayne County, near the Cumberland River. It stands out because it has three distinct grooves. It’s made of slate and was found in a mound. B. H. Young’s collection.

I do not wish to weary readers with these technical remarks, but in real archæology they are of the greatest importance. It is only by tedious comparisons that we shall arrive at a true understanding of stone-age times. We must cast aside the present, and our mental attitude must be in sympathy with stone-age man. The student who hastily passes over exhibits of axes or celts or flint implements as “more or less alike” will never understand real American archæology, any more than the student in Latin would become proficient were he to conclude that two words were derived from the same root because they happen to look somewhat alike in his text-book.

I don't want to bore readers with these technical details, but they are incredibly important in real archaeology. It's only through detailed comparisons that we can truly understand the stone age. We need to set aside our current views and empathize with stone-age people. A student who quickly thinks that axes, celts, or flint tools are "more or less the same" will never grasp genuine American archaeology, just as a Latin student wouldn't become proficient if they assumed two words came from the same root just because they look somewhat similar in their textbook.

326

Fig. 287. (S. 2–5.) Ceremonial axe from northeastern Kentucky. Material: hard reddish-brown sandstone. Length, 10 inches. B. H. Young’s collection.

Fig. 287. (S. 2–5.) Ceremonial axe from northeastern Kentucky. Material: hard reddish-brown sandstone. Length: 10 inches. B. H. Young’s collection.

It must be observed that in many axes the groove appears to be the essential and characteristic thing, whereas it is not. A groove may be made by elevating, or bringing into prominence the ridges. Examine the numerous axes illustrated in this chapter, or inspect the axes in some large museum, as evidence of the statement. The groove, in many, will be found to be no deeper than the surface of the axe, yet because the ridges are worked into high relief, it appears to be deeper than it is.

It should be noted that in many axes, the groove seems to be the main and defining feature, but that's not the case. A groove can be created by raising or highlighting the ridges. Look at the various axes shown in this chapter, or check out the axes in a large museum as proof of this point. In many cases, the groove will be found to be no deeper than the surface of the axe, but because the ridges are crafted with significant relief, it looks deeper than it actually is.

327

Fig. 288. (S. about 3–5.) This figure is from “Certain Aboriginal Remains, Black Warrior River, etc.,” and was loaned by Mr. Moore. Length, 11.6 inches. Monolithic hatchet from Moundville, Alabama.

Fig. 288. (S. about 3–5.) This figure comes from “Certain Aboriginal Remains, Black Warrior River, etc.,” and was borrowed from Mr. Moore. Length, 11.6 inches. Single-piece hatchet from Moundville, Alabama.

328Fig. 288 is a beautiful stone tomahawk, both handle and base being of stone cut from a solid piece. This is justly considered one of the rarest stone artifacts in the United States. It is shown about three fifths size. Mr. Clarence B. Moore says of it:—

328Fig. 288 is a stunning stone tomahawk, with both the handle and base carved from a single piece of stone. It is rightfully regarded as one of the rarest stone artifacts in the United States. It is displayed at about three-fifths of its actual size. Mr. Clarence B. Moore remarks about it:—

“Some years ago, a colored man, ploughing near one of the larger mounds at Moundville, found a superb hatchet and handle carved from a solid mass, probably amphibolite, and highly polished. This hatchet was procured by Mr. C. S. Prince, from whom it was obtained by the Academy of Natural Sciences.

“Some years ago, a Black man, plowing near one of the larger mounds at Moundville, found an amazing hatchet with a handle carved from a solid piece, probably amphibolite, and highly polished. Mr. C. S. Prince acquired this hatchet, and it was later obtained by the Academy of Natural Sciences.”

“The hatchet, 11.6 inches in length, with a neatly made ring at the end of the handle (not clearly shown in the reproduction), resembles, to a certain extent, the one found by Dr. Joseph Jones, near Nashville, Tennessee, and described and figured by him. C. C. Jones describes and figures this same hatchet, and speaks of the finding of another exactly similar in South Carolina.

“The hatchet, 11.6 inches long, has a neatly made ring at the end of the handle (which isn’t clearly shown in the reproduction) and somewhat resembles the one found by Dr. Joseph Jones near Nashville, Tennessee, which he described and illustrated. C. C. Jones also describes and illustrates this same hatchet and mentions the discovery of another exactly like it in South Carolina.”

“Thruston also describes and illustrates the Jones hatchet, and refers to the South Carolina specimen, and to still another, somewhat ruder in form, as coming from Arkansas.

“Thruston also describes and shows the Jones hatchet, and mentions the South Carolina specimen, as well as another, somewhat more crude in design, from Arkansas.”

“It is interesting in this connection to note the presence of ‘celts’ with stone handles in Santo Domingo, though these hatchets are much inferior to the specimen from Moundville.

“It’s interesting to note the presence of ‘celts’ with stone handles in Santo Domingo, although these hatchets are far inferior to the specimen from Moundville.”

“The Monolithic hatchet from Moundville seems to be much more beautiful than the one discovered by Doctor Jones, for it leaves nothing to be desired as to finish, and the graceful backward curve of the part of the handle above the blade seems more artistic than the form of the corresponding portion of the Jones hatchet, which is straight.”

“The Monolithic hatchet from Moundville looks a lot more beautiful than the one found by Doctor Jones. Its finish is impeccable, and the elegant backward curve of the part of the handle above the blade is more artistic compared to the straight shape of the same part on the Jones hatchet.”

329

CHAPTER XVIII
Ground stone—problematic forms

THE GORGET AND ORNAMENTS AS SEEN BY EARLY EXPLORERS

On pages 24–26 will be found the Nomenclature Committee’s classification of these, which it is not necessary to repeat here. While I follow that grouping, yet I expand it somewhat. I do not begin with the spade-shaped form, but with the oval, whether pendant or ornament.

On pages 24–26, you can find the Nomenclature Committee's classification of these items, which I don't need to repeat here. While I follow that grouping, I do expand it a bit. I don't start with the spade-shaped form, but with the oval, whether it's pendant or ornament.

Fig. 289. (S. 1–1.) Perforated pebbles from near Menard mound, Arkansas County, Arkansas. The simplest form of ornament. Collection of C. B. Moore, Philadelphia, Pennsylvania.

Fig. 289. (S. 1–1.) Holey stones from near Menard mound, Arkansas County, Arkansas. The most basic type of decoration. Collection of C. B. Moore, Philadelphia, Pennsylvania.

Fig. 290. (S. 1–1.) An object of jade, which was found on a village-site, on the banks of the Miami River, Miami County, Ohio. It is in the collection of J. A. Rayner.

Fig. 290. (S. 1–1.) A jade object, discovered at a village site along the Miami River in Miami County, Ohio. It is part of J. A. Rayner's collection.

Fig. 292, showing two hundred and twenty-one forms in this class, is followed by a list of figures illustrating each type. It was not required, therefore, that figures be appended to the Committee’s list—these outlines being sufficiently close to that arrangement to stand in its stead.

Fig. 292, showing two hundred and twenty-one forms in this class, is followed by a list of figures illustrating each type. So, it wasn't necessary to add figures to the Committee’s list—these outlines are close enough to that arrangement to take its place.

If one will reflect on the beginnings of human culture, it may seem to one that the earliest man picked up a flat bit of bright stone without irregular edges—perhaps it was oval—and drilled a little hole in the top, and wore it about his neck as an ornament. It is not to be supposed that man began with the specialized forms, or a ridged ornament, which must have been of later development. Whether by later, one 330means a few generations or a thousand years, is immaterial, for, as we have observed in other places in this book, some tribes progressed rapidly, while others did not. Among the latter, the period of development in ornamental stones would be practically nil, for there are no problematical forms among such Indians as the Seris, whom McGee found in the stone age as late as 1901.[8]

If you think about the beginnings of human culture, it might seem that the earliest humans picked up a smooth, shiny stone without jagged edges—maybe it was oval—and drilled a little hole in the top to wear it as an ornament. It shouldn't be assumed that people started with specialized designs or textured ornaments, which must have come later. Whether "later" means a few generations or a thousand years doesn’t really matter, since, as we've seen in other parts of this book, some groups advanced quickly while others did not. For those that didn’t progress much, the development of decorative stones would be almost nonexistent, as there are no ambiguous forms among tribes like the Seris, whom McGee identified in the stone age as late as 1901.[8]

Fig. 291. (S. 1–2.) Peabody Museum, Harvard University, collection. Further development of the single-perforation stone ornament. The circular disc is seldom found, and was probably an ear-ring.

Fig. 291. (S. 1–2.) Peabody Museum, Harvard University, collection. The single-perforation stone ornament has evolved further. The circular disc is rarely seen and was likely an earring.

Fig. 292

Fig. 292

331Now, while such Indians as the Seris have not progressed, we must not imagine that the rate of progress among other tribes was always very low. It may have been rapid or it may have been retarded; no man can affirm with reference to this. But it is to be supposed that the progress was considerable, for the Indian is superior to most other tribes of barbarians.

331Now, while tribes like the Seris haven't made much progress, we shouldn't assume that other tribes haven't advanced at all. Their rate of progress could have been fast or slow; no one can say for sure. However, it’s reasonable to think that progress was significant, as Indians are generally more advanced than most other barbarian tribes.

Fig. 293. (S. varying.) Andover collection. Three ovate pendants drilled at either end. The one to the right is decorated with eight incised lines on the right end, and seven at the left. The specimen to the left is full size, the centre one, a pendant of veined quartz, is two thirds size, while the smaller one is one third size.

Fig. 293. (S. varying.) Andover collection. Three oval pendants drilled at both ends. The one on the right has eight incised lines on the right end and seven on the left. The specimen on the left is full size, the center one, a pendant made of veined quartz, is two-thirds size, while the smaller one is one-third size.

It is not necessary to point out that the Indian brain is finer than the Australian or African brain. The Indian is bright, he is alert, he is quick to avail himself of natural advantages. I have always been of the opinion that, had the Indian discovered the properties of 332iron, and constructed more permanent dwellings, he would have developed a high culture peculiarly his own, on this continent.

It isn't necessary to say that the Indian mind is more refined than the Australian or African mind. Indians are intelligent, attentive, and quick to make the most of natural resources. I've always believed that if Indians had discovered the properties of 332 iron and built more permanent homes, they would have created a unique and advanced culture on this continent.

Fig. 294. (S. 1–1.) Ohio State Archæological and Historical Society collection. An ornament made of strips of ocean shell about one inch wide at the centre and gradually tapering to about three fourths of an inch at the end. Ornaments of this kind varied in length from six inches to four inches. The ends were cut square, into which a small hole was bored, about the centre of the ornament, to a depth of one fourth of an inch. A second hole was bored from the concave side to connect with the first hole, thus forming a means of attachment that could not be seen from the convex side. The strips were cut from the body of the shell and conform to the general curve of the shell.

Fig. 294. (S. 1–1.) Ohio State Archaeological and Historical Society collection. This ornament is made of strips of ocean shell, approximately one inch wide in the center and tapering down to about three-quarters of an inch at the ends. Ornaments like this varied in length from six inches to four inches. The ends were squared off, and a small hole was drilled about the center of the ornament to a depth of one-quarter of an inch. A second hole was drilled from the concave side to connect with the first hole, creating an attachment method that isn't visible from the convex side. The strips were cut from the shell and follow the natural curve of the shell.

We may imagine that the first aborigine to discover the possibilities of the stone ornament, selected an unusually soft claystone, punched a hole through it with a thorn, and the material being very soft, the rim between the perforation and the upper part gave way and the stone was lost. Meantime, other natives, seeing and admiring this new ornament, followed his example. Presently, it was ascertained that slate and sandstone, while harder to drill, retained their shape and were more serviceable than softer clay-stones. Somebody discovered that it was well to make two perforations in the oval stone. Again, that by grinding the edge of the stone one could change the form, and thus the objects shown in Fig. 291 came into use. A stone of near the desired shape was worked accordingly, and flat discs remained as more or less circular or rectangular ornaments. Thus, slate and shale, rectangular in the natural state, were made into rectangular or square ornaments and tablets.

We can imagine that the first indigenous person to discover the possibilities of stone jewelry chose a particularly soft claystone, punched a hole through it with a thorn, and since the material was very soft, the rim between the hole and the upper part broke and the stone was lost. Meanwhile, other locals, seeing and admiring this new decoration, copied him. Eventually, it was figured out that slate and sandstone, while more challenging to drill, held their shape better and were more useful than softer claystones. Someone found out that making two holes in the oval stone was a good idea. Additionally, by grinding the edge of the stone, they could change its shape, leading to the objects shown in Fig. 291 coming into use. A stone of roughly the desired shape was shaped accordingly, and flat discs emerged as more or less circular or rectangular ornaments. In this way, slate and shale, which were naturally rectangular, were transformed into rectangular or square ornaments and tablets.

333

Fig. 295. (S. about 1–2.) Five specimens, two of which are ovate, two pointed, and the upper one to the left is spade-shaped. But the upper one was broken and afterwards ground down, so that its present form is no indication that the original form is spade-shaped. Collection of Peabody Museum, Cambridge, Mass.

Fig. 295. (S. about 1–2.) Five specimens, two of which are oval, two are pointed, and the one on the upper left is shovel-shaped. However, the upper one was broken and later ground down, so its current shape doesn’t reflect that the original shape was shovel-shaped. Collection of Peabody Museum, Cambridge, Mass.

On the folder herewith presented as Fig. 292, I have drawn all the forms of polished stones of the problematical and ornamental class. That is, all of them that have been brought to my attention. There will be few specimens illustrated in this section that are not included in the figure mentioned. My aim in presenting so many of these is to include all the types. Some odd-shaped problematical 334forms may be considered as the result of individual fancy on the part of prehistoric man, and not true types.

On the folder shown as Fig. 292, I've illustrated all the types of polished stones classified as problematical and ornamental. Specifically, all of them that I’ve been made aware of. There will be few examples shown in this section that are not included in the mentioned figure. My goal in presenting so many of these is to cover all the types. Some uniquely shaped problematical forms may be viewed as the result of personal creativity by prehistoric humans, rather than genuine types.

The outlines shown in Fig. 292 are illustrated, further on in the chapter, by specimens either full size, half-size, or less. To the left are the letters indicating the various rows, while the numbers refer to type specimens. Readers should bear in mind that the numbers represent illustrations and not pages.

The outlines shown in Fig. 292 are explained later in the chapter with examples that are either full size, half-size, or smaller. To the left are the letters indicating the different rows, while the numbers refer to type specimens. Readers should remember that the numbers represent illustrations, not page numbers.

Left side of diagram Right side of diagram
A. Two specimens in 305. A. 311.
B. 298, 296. B. 296.
C. 295, 381. C. 381.
D. 371, 373. D. 376.
E. 299, 300. E. 301, lower specimen.
F. 301, several in 348. F. 330, central specimen.
G. 338, lower specimen 355. G. 338, lower specimen.
H. 305, 308. H. 344, specimens 1 and 3.
I. 355, 357–8. I. 351, lower specimen (centre).
J. 353. J. 353, right specimen.
K. 332, nos. 7 and 9 of 344. K. 344, no. 10.
L. 314, top row at the right; L. 344, specimens 1 and 3.
  349, bottom specimen to left.  
M. 386. M. 362.
N. 315. N. 366.
O. 386. O. 363.

These two hundred and twenty-one outlines are of different objects in various museum collections, not quite one third being on exhibition in Andover and the others in the Peabody Museum, Harvard University; Ohio State Archæological and Historical Society, Columbus; the Field Museum, Chicago; Smithsonian at Washington; the Dominion Museum at Toronto; the Art Museum at Cincinnati, etc. I have omitted the locality of these, but reference to the illustrations presented in this chapter of specimens from all over the country, will give one an idea of the range.

These two hundred and twenty-one outlines represent different objects from various museum collections, with just under a third on display in Andover and the rest located in the Peabody Museum at Harvard University, the Ohio State Archaeological and Historical Society in Columbus, the Field Museum in Chicago, the Smithsonian in Washington, the Dominion Museum in Toronto, the Art Museum in Cincinnati, and more. I've left out the specific locations, but the illustrations included in this chapter of specimens from across the country will provide an idea of the diversity.

Each row is lettered. At the top, A, are the simple forms, pecked and ground and perhaps polished, but not perforated. A begins with the oval and ends in the tablet form with four concave sides. B also begins with the oval, is perforated, and ends in the pendant form. Under the 10th specimen, counting from the left end of row B, I have drawn a small arrow indicating that this form may be traced through another series. This is lettered row C. The sixth 335specimen, counting from the right towards the left in row B, is a spade-shaped gorget. This may have suggested the true spade form. I have drawn an arrow from this specimen and inserted a number of spud-shaped objects which are lettered D.

Each row is labeled with letters. At the top, A, are the basic shapes that are pecked, ground, and maybe polished, but not pierced. A starts with the oval shape and ends with a tablet form that has four concave sides. B also starts with the oval shape, is pierced, and ends with a pendant form. Below the 10th item, counting from the left end of row B, I've drawn a small arrow indicating that this shape can be traced through another series. This is labeled row C. The sixth 335item, counting from the right towards the left in row B, is a spade-shaped gorget. This might have inspired the actual spade shape. I've drawn an arrow from this item and added several spud-shaped objects that are labeled D.

Row E begins with the simple oval, again, but is doubly perforated. This row ends in the flat tablet, concave sides with two perforations on either side of the centre. The seventh specimen, counting from right to left in this row, has underneath it two arrows, which indicate two other series. The first, row F, ending in the ridged form; second, row H, exhibiting progression in the concavity in the sides until it terminates in the double crescent, or problematical form with curved arms. Opposite the short series F is another series under the same letter, beginning with the second specimen from right to left in row E. This form of tablet may be carried through the series to a highly specialized form with angular depressions on either side of the centre.

Row E starts with the simple oval again, but this time it's double perforated. This row concludes with a flat tablet that has concave sides and two holes on either side of the center. The seventh piece, counting from right to left in this row, has two arrows underneath, indicating two other series. The first, Row F, ends with a ridged shape; the second, Row H, shows a progression in the concavity of the sides until it ends in a double crescent or a complex shape with curved arms. Across from the short series F is another series under the same letter, starting with the second piece from right to left in Row E. This tablet form can extend through the series to a highly specialized version with angular depressions on either side of the center.

Fig. 296. (S. 1–2.) The purpose of these spade-shaped forms is not clear. Probably they are developments of the simple, straight-side ornament. Andover collection.

Fig. 296. (S. 1–2.) It's unclear what these spade-shaped forms are for. They are likely evolutions of the basic, straight-side decoration. Andover collection.

Fig. 297. (S. 1–1.) This long, rectangular slate ornament becoming broken was ground down and reperforated and used for suspension. This specimen was originally something like six inches in length and was perforated about two inches from either end. Aside from the perforations it was worn or tied at right angles to the position in which it would hang in its present form. The two perforations would cause it to hang downwards. Andover collection.

Fig. 297. (S. 1–1.) This long, rectangular slate ornament, which broke, was ground down, re-drilled, and used for hanging. This piece was originally about six inches long and had holes about two inches from each end. Besides the holes, it was designed to be worn or tied at right angles to the way it hangs now. The two holes would allow it to hang downwards. Andover collection.

336

Fig. 298. (S. 1–2.) Pendants and shield forms (top). In the centre is a small pendant perforated for suspension. The three specimens at the bottom of the figure represent the squared pendant and oval pendant. The latter has been grooved for suspension. It was probably a different form originally, judging from the perforations, and was later changed to the pendant form. Andover collection.

Fig. 298. (S. 1–2.) Pendant and shield shapes (top). In the center is a small pendant with a hole for hanging. The three items at the bottom of the figure show the squared pendant and the oval pendant. The oval one has a groove for suspension. It likely started as a different shape, based on the holes, and was later modified to the pendant shape. Andover collection.

All the specimens thus far in the plate, except the spud-shaped form and the ridged objects, are flat gorgets and pendants which the Committee classify under the general term “laminae”; that is those having flat surfaces, or surfaces nearly flat. In row G, to the left, is arranged the development of yet another form with wings. The first specimen is the pick-shaped object of slate or granite, drilled through. This may gradually expand or change its form, but usually the centre is wide and the wings not very prominent.

All the specimens so far on the plate, except for the spud-shaped form and the ridged items, are flat gorgets and pendants that the Committee categorizes under the general term “laminae”; meaning those with flat surfaces, or surfaces that are almost flat. In row G, on the left, is the development of another form with wings. The first specimen is the pick-shaped object made of slate or granite, drilled through. This may gradually expand or change shape, but typically the center is wide and the wings are not very pronounced.

337

Fig. 299. (S. 1–1 to 1–2.) Andover collection. The ordinary flat tablet with concave sides and rounded ends. I have found several of these on the chests and arms of skeletons. The lower specimen presents a peculiarity noted in a number of similar objects in the Peabody Museum, Cambridge. There is a polished groove between the two perforations. There are four or five specimens, all from the same locality in Maine, on exhibition in the Peabody Museum which present this peculiarity. The groove is worn smooth and apparently the polish is the result of the rubbing back and forth of the thongs with which this specimen was fastened. To what it was fastened I am unable to state. The upper specimen exhibits three perforations.

Fig. 299. (S. 1–1 to 1–2.) Andover collection. The usual flat tablet with curved sides and rounded ends. I've come across several of these on the chests and arms of skeletons. The lower example shows a unique feature seen in several similar items at the Peabody Museum in Cambridge. There’s a polished groove between the two holes. There are four or five specimens, all from the same area in Maine, displayed in the Peabody Museum that have this unique feature. The groove is worn smooth, and it seems the polish comes from the thongs used to secure this specimen being rubbed back and forth. I can’t determine what it was secured to. The upper specimen has three holes.

338

Fig. 300. (S. 1–5.) This figure illustrates twenty-nine slate pendants and tablets of several types ranging from the oval to the ridged form. These are from Indiana and Ohio and are all beautiful specimens, well made. The one at the bottom, in the centre, is rather an unusual form. Collection of Albert L. Addis, Albion, Indiana.

Fig. 300. (S. 1–5.) This figure shows twenty-nine slate pendants and tablets of various types, ranging from oval to ridged shapes. They come from Indiana and Ohio and are all beautiful, well-crafted pieces. The one at the bottom, in the center, has a rather unique shape. Collection of Albert L. Addis, Albion, Indiana.

339

Fig. 301. (S. 2–5.) Denotes the passing of the oval ornament into the rectangular class and the tablet form. The long one to the left is rather unusual. Sometimes these long ornaments have concave sides, or may be straight pendants of unusual size. Collection of C. L. Baatz, Massillon, Ohio.

Fig. 301. (S. 2–5.) Indicates the transition of the oval ornament into the rectangular style and tablet shape. The long one on the left is quite rare. Occasionally, these long ornaments have concave sides, or they may be straight pendants of uncommon size. Collection of C. L. Baatz, Massillon, Ohio.

340

Fig. 302. (S. 1–1.) A long pointed red sandstone ornament with notches (presumably records) on either edge and originally perforated near each end. Becoming broken, it was perforated on either side at the top either for repair or for suspension. Andover collection.

Fig. 302. (S. 1–1.) A long, pointed red sandstone ornament with notches (likely markings) on both edges and originally drilled near each end. When it broke, it was drilled on both sides at the top for either repair or hanging. Andover collection.

Fig. 303. (S. 1–1.) A splendid illustration of the ovate form, pointed at either end, highly polished. Such a specimen as this must have been very highly prized by ancient man. Collection of Dudley A. Martin, Duboistown, Pennsylvania.

Fig. 303. (S. 1–1.) A beautiful example of an oval shape, tapering at both ends, and highly shiny. An artifact like this would have been greatly valued by people in ancient times. Collection of Dudley A. Martin, Duboistown, Pennsylvania.

341In row I we begin with the oval pebble, not the flat pebble of the gorget class. This specimen is practically the same as the first in row G, with this difference that it is placed horizontally instead of vertically. But after the first two forms, the type varies, being long or short, but always with rounded ends until it terminates in the beautiful crescents shown in the centre of the page. Readers are referred to various illustrations throughout this chapter on problematical forms which show specimens of this type nearly full size.

341In row I, we start with the oval pebble, not the flat pebble from the gorget class. This specimen is almost identical to the first one in row G, except it's positioned horizontally instead of vertically. After the first two shapes, the type changes, appearing either long or short, but always with rounded ends until it finishes with the beautiful crescents shown in the center of the page. Readers can refer to various illustrations throughout this chapter on uncertain forms that show nearly full-sized specimens of this type.

Fig. 304. (S. 1–1.) An unusual form of ornament. Small perforation at the top, grooves or indentations, forming a neck. Large perforations below, which are worn smooth. A few such ornaments have been found in this country, but they are exceedingly rare. Material, dark red jasper. Collection of F. B. Valentine, Ridgeley, West Virginia.

Fig. 304. (S. 1–1.) A unique type of ornament. There's a small hole at the top, with grooves or indentations creating a neck. Below, there are large holes that are worn smooth. Only a few of these ornaments have been discovered in this country, but they are extremely rare. Made of dark red jasper. Collection of F. B. Valentine, Ridgeley, West Virginia.

At the right, in row I, are the slightly curved crescents or pick-like forms. More pronounced curves in these, as shown in row J, enable one to make a series ending in the L-shaped forms. In row K, the oval slate pebble is drilled through its long diameter, or through the short diameter, according to the fancy of the native, and the grain or strata of the stone. Some of the specimens exhibit slightly flaring sides and these become more pronounced until the “butterfly” form of problematical stones is apparent. The eighth specimen from the left toward the right in row K indicates how this stone may take another form. Row M to the left indicates small pendants, probably used for nose, rings, and ear-rings. These are not very common. M, to the right, is the series beginning with two forms of ridged unperforated gorgets which are coffin-shaped, and ending in the ridged gorget, opposite which (to the right) are drawn two arrows. On the right of the plate, in row N, is the ridged gorget terminating in the boat-shaped object; and below, the ridged form ending in two objects having elevated, horn-like protuberances in the centre. Row O, to the left, is the ordinary oval, not flat but thick and round, which may be slightly grooved at one end. This series progresses through forms with wide shoulders and narrow necks and long, pointed bodies. Of the purpose of these we possess no knowledge. Numbers of them are found in the United States; but none of the specimens shown at the right in row O (left side of sheet) have to my knowledge been found in mounds or graves.

At the right, in row I, are the slightly curved crescent or pick-like shapes. More pronounced curves in these, as shown in row J, allow for a series that ends in L-shaped forms. In row K, the oval slate pebble is drilled through its long diameter or through the short diameter, depending on the preference of the local craftsman and the grain or layers of the stone. Some of the examples show slightly flaring sides, which become more pronounced until the "butterfly" form of uncertain stones is visible. The eighth specimen from the left in row K shows how this stone can take on another shape. Row M to the left shows small pendants, likely used for nose rings and earrings. These are quite rare. M, to the right, features a series starting with two types of ridged, unperforated gorgets that are coffin-shaped, ending with a ridged gorget, opposite which (on the right) are two arrows. On the right side of the plate, in row N, is the ridged gorget that ends in a boat-shaped object; below it, the ridged form culminates in two items with raised, horn-like protrusions in the center. Row O, to the left, displays the typical oval shape, not flat but thick and round, which may have a slight groove at one end. This series moves through shapes with wide shoulders, narrow necks, and long, pointed bodies. We have no knowledge of their purpose. Many of them are found in the United States, but none of the specimens displayed on the right in row O (left side of the sheet) have, to my knowledge, been discovered in mounds or graves.

342

Fig. 305. (S. 1–5.) A good series of the flat, rectangular gorgets (also a few ovate ones) of all kinds. The three central objects and the lower central one do not belong in this classification. Students should examine all these twenty-seven objects carefully. Materials: slate, granite, sandstone, diorite. Collection of J. A. Rayner, Piqua, Ohio.

Fig. 305. (S. 1–5.) A solid collection of flat, rectangular gorgets (with a few oval ones) of various types. The three central items and the lower center one don't fit into this group. Students should take a close look at all twenty-seven objects. Materials: slate, granite, sandstone, diorite. Collection of J. A. Rayner, Piqua, Ohio.

343The materials out of which these two hundred and twenty-one specimens are made are various shales, granite, sandstone, banded slate, mica schist, and porphyry.

343The materials that make up these two hundred and twenty-one specimens include different types of shales, granite, sandstone, banded slate, mica schist, and porphyry.

The arranging of all these types is not arbitrary. Another observer might group them in a different manner. I do not maintain that they should be grouped this way. But we have so many of them in our American museums that an attempt at grouping and classifying them should be made.

The way these types are arranged isn’t random. Another person might organize them differently. I’m not claiming this is the only way to group them. However, we have so many of them in our American museums that we should try to group and classify them.

About twelve years ago, just before Mr. Peabody endowed the Department of Archæology at Phillips Academy, I began the study of the problematical or unknown forms. I found that these objects were mentioned more or less briefly in nearly a hundred reports, books, and scientific papers. In the “Handbook of American Indians,” they are discussed under various heads and small illustrations are presented.

About twelve years ago, just before Mr. Peabody funded the Department of Archaeology at Phillips Academy, I started studying the questionable or unknown forms. I discovered that these objects were referenced to some extent in nearly a hundred reports, books, and scientific papers. In the “Handbook of American Indians,” they are discussed under different categories and small illustrations are included.

Fig. 306. (S. 1–2.) The straight bar-pendant; then one with slightly concave sides. At the top, a broken rectangular form with concave sides. Andover collection.

Fig. 306. (S. 1–2.) The straight bar pendant; then one with slightly curved sides. At the top, a broken rectangular shape with curved sides. Andover collection.

344

Fig. 307. The upper ones, full size. The two to the left, 1–3 size. The two to the right, 3–5 size. Andover collection. These broken and re-worked forms are described elsewhere in this chapter.

Fig. 307. The upper ones are full size. The two on the left are size 1–3. The two on the right are size 3–5. Andover collection. These broken and reshaped forms are discussed elsewhere in this chapter.

345

Fig. 308. (S. 4–5.) Found in a mound at Moundville, Alabama, on the Black Warrior River, by Clarence B. Moore. Material: dark mica schist. There are tablets found in the South and Southwest which are different from the forms occurring in the Ohio Valley. This tablet lay near a skeleton. Mr. Moore states that it was covered with decayed wood and that there were traces of pigment. Tablets somewhat similar to this are found in the Pueblo ruins in southern Arizona. But in these the centre is depressed, and it appears as if they were used as palettes on which was placed paint, according to the theory of Frank Hamilton Gushing. Such tablets do not properly belong in a class of objects for suspension, but I have included two or three of them here.

Fig. 308. (S. 4–5.) Discovered in a mound at Moundville, Alabama, along the Black Warrior River, by Clarence B. Moore. Material: dark mica schist. There are tablets found in the South and Southwest that differ from those in the Ohio Valley. This tablet was found near a skeleton. Mr. Moore notes that it was covered with decayed wood and showed signs of pigment. Tablets similar to this one are found in the Pueblo ruins of southern Arizona, but these have a depressed center, suggesting they were used as palettes for paint, according to Frank Hamilton Gushing's theory. Although such tablets don't really fit into the category of items meant for hanging, I’ve included a couple of them here.

346In presenting deductions in this volume on problematical forms I shall not be so presumptuous as to claim to have arrived at a solution of the origin and uses of this class of objects. It is quite certain that a great deal that I have to say will be improved upon by archæologists of a generation hence. But I want to offer some suggestions as to this strange class of implements. Since nobody appears fully to understand them, there can be no harm in pointing out certain features common to this or that type of problematical forms. The deductions are based on a study of these objects and the conditions under which they are found, and I beg the critical archæologist, who may not concur in my deductions, to offer suggestions and determinations of his own as to their classification and use.

346In this volume, while discussing uncertain forms, I won’t be so bold as to say that I’ve solved the mystery of their origin and purpose. It’s true that much of what I present will likely be refined by archaeologists in the future. However, I want to share some thoughts on this puzzling category of tools. Since no one seems to fully grasp them, there’s no harm in highlighting certain characteristics shared by different types of these unclear forms. My conclusions are based on an analysis of these objects and the contexts in which they are discovered, and I invite any archaeologist—whether they agree with me or not—to share their own insights and classifications regarding their use.

Fig. 309. (S. 1–1.) Material: dark, hard slate. A typical perforated ornament on which some marks or lines have been cut. Collection of Dauphin County Historical Society, Pennsylvania.

Fig. 309. (S. 1–1.) Material: dark, hard slate. A typical perforated ornament with some marks or lines cut into it. Collection of Dauphin County Historical Society, Pennsylvania.

Before placing these objects into their various classes, we should consider the essential points at issue. These objects are called problematical forms, or ceremonials, or charms, or banner-stones, or any one of fifty other names. Such names both indicate ignorance of the purpose prehistoric man had in mind, and also emphasize the need of a complete archæological nomenclature which will enable us to do away with such unscientific and amateurish terms. The difficulty in the way of superseding these is, that after thirty or more years of use some of these terms have become fixed. The general designation—problematical forms—was first applied to them by Professor W. H. Holmes.

Before we categorize these objects into their different classes, we should think about the key points at hand. These objects are known as problematical forms, ceremonials, charms, banner-stones, or any number of other names. Such names reflect both a lack of understanding of what prehistoric people intended and highlight the need for a complete archaeological terminology that can eliminate these unscientific and amateurish terms. The challenge in replacing these terms is that, after thirty years or more of use, some of them have become established. The general term—problematical forms—was first introduced by Professor W. H. Holmes.

First, most of them are made of unusual materials; that is, the ancient Indian selected a bright, clear stone, a stone with well-defined bands, or a fine-grained, dark brown sandstone, or a bright granite. He did not use ordinary limestone, and he employed gray slate or black slate without bands when he could obtain nothing else. He preferred brighter colors. The very material and its treatment 347indicate that these objects in their purpose stand apart from the ordinary run of common artifacts.

First, most of them are made of unusual materials; that is, the ancient Indian chose a bright, clear stone, a stone with distinct bands, or a fine-grained, dark brown sandstone, or a vibrant granite. He didn’t use regular limestone, and he only used gray slate or black slate without bands when he had no other option. He preferred brighter colors. The very material and its treatment 347show that these objects serve a different purpose from ordinary common artifacts.

Second, he brought these objects to a state of high finish, all of which involved a deal of labor.

Second, he polished these items to a high standard, which required a lot of effort.

Fig. 310. (S. 1–1.) Carved animal figures on both sides of a flat piece of catlinite. North Dakota. Collection of Henry Montgomery, Toronto, Canada.

Fig. 310. (S. 1–1.) Carved animal figures on both sides of a flat piece of catlinite. North Dakota. Collection of Henry Montgomery, Toronto, Canada.

Third, he was very particular how he made them, and I shall show pictures illustrating the progress of the double-winged problematical form from the block of slate to the chipped specimen.

Third, he was very careful about how he made them, and I will show pictures illustrating the development of the double-winged, uncertain design from the block of slate to the finished piece.

Fourth, he cast away broken axes or celts, and we seldom find a broken spear that is re-chipped, unless for use as a scraper. But it is significant that he made use of at least half of the broken problematical forms. This may seem trivial, but it is important; for we must inquire into every detail with reference to these objects because it is only by such study that we shall learn anything about them.

Fourth, he discarded broken axes or tools, and we rarely come across a broken spear that has been re-sharpened, unless it's being used as a scraper. However, it's noteworthy that he used at least half of the broken and questionable items. This might seem unimportant, but it really matters; we need to examine every detail regarding these objects because it's only through this kind of study that we'll learn anything about them.

Fifth, he made his perforations at right angles to the grain or bands of the stone, which should be noted. The exceptions are rare. If he drilled with the grain, the stone would chip, and before he finished the object, it might break.

Fifth, he made his holes at right angles to the grain or bands of the stone, which is important to note. Exceptions are rare. If he drilled with the grain, the stone would chip, and by the time he finished the object, it might break.

Sixth, he drilled the specimen before it was completed, knowing that the drilling was a dangerous process at best. And if he did not prize the specimen very highly, he would not have cared when he drilled it.

Sixth, he drilled the specimen before it was finished, aware that drilling was a risky process at best. And if he didn’t value the specimen highly, he wouldn’t have cared when he drilled it.

Seventh, he placed these objects with his dead. He buried them in altars, or under other conditions which stamped them as peculiar and valuable.

Seventh, he put these items with his deceased. He buried them in altars or in other ways that marked them as unique and precious.

After ascertaining that slate pebbles were rare, he looked about 348for material and discovered veins of slate which outcropped in certain portions of the United States. He quarried slate even as he quarried flint, though on a less extensive scale. He blocked out this slate after the fashion of “turtle backs,” in order that he might conveniently transport it and work it into desired forms at his leisure. There is a village-site on Martin’s Creek, Pennsylvania, where numbers of these problematical forms have been found. There are thirty or more of them in our museum from this site alone.

After discovering that slate pebbles were hard to find, he looked around 348 for materials and found veins of slate that appeared in certain areas of the United States. He quarried slate just like he quarried flint, though on a smaller scale. He shaped this slate into “turtle backs” so he could easily transport it and work on it in his free time. There’s a village site on Martin’s Creek, Pennsylvania, where many of these puzzling forms have been found. We have more than thirty of them in our museum from this site alone.

Fig. 311. (S. 1–1.) J. A. Rayner’s collection. Material: fine sandstone, dark brown color. An unusual flat tablet, in that there are four concave sides. Yet this specimen must not be considered of the winged type. It is a flat tablet with the sides cut out into this fanciful form. It seems to me that the intention of the workman was to cut lines or designs upon the surfaces as he did in Figs. 309 and 312.

Fig. 311. (S. 1–1.) J. A. Rayner’s collection. Material: fine sandstone, dark brown color. This is an unusual flat tablet with four concave sides. However, this specimen shouldn't be classified as the winged type. It is a flat tablet with the sides shaped into this creative form. It looks to me like the worker intended to carve lines or designs on the surfaces, similar to what he did in Figs. 309 and 312.

349A study of the distribution and character of problematical forms acquaints one with the significant fact that the quarried slate or shale was worked into forms more or less specialized. The specimens from Martin’s Creek are of the winged or crescent or expanded winged type; and they can be recognized as from that site. The flat ornaments seem to have been manufactured out of ordinary water-worn fragments, or thin slabs of shale.

349A study of the distribution and characteristics of uncertain forms reveals an important fact: the quarried slate or shale was shaped into more or less specialized designs. The pieces from Martin’s Creek are of the winged or crescent or expanded winged type, and they can be identified as originating from that location. The flat ornaments appear to have been made from regular water-worn pieces or thin slabs of shale.

Fig. 312. (S. 1–1.) Brown fine-grained sandstone. J. A. Rayner’s collection, Piqua, Ohio. Found in a mound one half mile north of Piqua. The original was sent me for examination. It bears a close resemblance to the “Cincinnati tablet” in treatment and form. The designs are not hieroglyphic, but are of that peculiar serpentine character noted on so many of the engraved shells, pottery, etc. Only half of it was found, and as the break appears to be old, the specimen is of unquestioned genuineness.

Fig. 312. (S. 1–1.) Brown fine-grained sandstone. J. A. Rayner’s collection, Piqua, Ohio. Discovered in a mound half a mile north of Piqua. The original piece was sent to me for examination. It closely resembles the “Cincinnati tablet” in both treatment and shape. The designs aren’t hieroglyphic, but have that unique serpentine style seen on many engraved shells, pottery, etc. Only half of it was found, and since the break seems to be ancient, the specimen is definitely authentic.

Up to the present, with few exceptions, I have considered the manufacture and use of these objects in prehistoric times. Now, 350I wish to present a number of pages with reference to the ornaments in use among Indians between the years 1600 and 1800.

Up to now, with a few exceptions, I have focused on the creation and use of these items in prehistoric times. Now, 350 I want to share several pages regarding the ornaments used by Indigenous people between the years 1600 and 1800.

I said in the introduction of “The Stone Age” that wherever I found a valuable paper dealing with certain subjects along the lines followed in this book, such paper would in whole, or in part, be quoted.

I mentioned in the introduction of “The Stone Age” that whenever I come across a helpful paper on topics related to this book, I will quote it in full or in part.

Fig. 313. (S. 1–2.) Engraved tablets of fine sandstone. Collection of J. A. Rayner, Piqua, Ohio. These may or may not be genuine. At any rate, they are two very interesting tablets, but they have to me a suggestion of the school slate, as if the person who made them was familiar with our modern slates. However, I do not wish to do the specimens an injustice, although they bear written characters, and of course these are always viewed with suspicion, since so few have been found in this country. Whether the tablets are the work of prehistoric man, I leave for others to decide. Mr. Rayner, who owns these tablets, states that they were both found in a mound near Piqua, Ohio. He sent me at the time a blue-print picture of the mound and gave a complete account of the exploration.

Fig. 313. (S. 1–2.) Engraved tablets made of fine sandstone. Collection of J. A. Rayner, Piqua, Ohio. These may or may not be authentic. Regardless, they are two very interesting tablets, but they remind me of a school slate, as if the person who made them was familiar with our modern slates. However, I don't want to underestimate these specimens, even though they have written characters, which are always met with skepticism since so few have been found in this country. Whether these tablets are the work of prehistoric people is something I'll leave for others to determine. Mr. Rayner, the owner of these tablets, says they were both discovered in a mound near Piqua, Ohio. At that time, he sent me a blueprint photo of the mound and provided a complete account of the exploration.

351

Fig. 314. (S. 1–4.) Gorgets and problematical forms from the collection of W. A. Holmes, Chicago, Illinois. The tube to the left in the lower row is somewhat longer than the average specimen. The one to the right, lower row, being grooved and perforated at one end, is quite rare. The double-pointed object in the centre has its counterpart in the Andover collection, and at Washington and elsewhere.

Fig. 314. (S. 1–4.) Gorgets and uncertain shapes from W. A. Holmes' collection in Chicago, Illinois. The tube on the left in the bottom row is a bit longer than the typical specimen. The one on the right in the bottom row, which is grooved and has a hole at one end, is quite uncommon. The double-pointed object in the center has a similar piece in the Andover collection, as well as in Washington and other places.

352Professor Lucien Carr, for many years librarian at Harvard University, published a number of important papers. In 1897, the American Antiquarian Society printed one of Professor Carr’s memoirs entitled, “Dress and Ornaments of Certain American Indians.” This paper, and others along similar lines, brings within convenient compass the essential things said by early travelers concerning our natives. As a librarian—for Mr. Carr, although a historian, was not an archæologist—he dealt with the early historic period. His paper is, therefore, of peculiar value in connection with our study of ornaments, problematical forms, etc. It must be remembered that there is little in the literature of early America as to the use of stone in problematical form. Since Professor Carr, who examined the material thoroughly, found so few references, his paper is in support of my contention that the early historians and travelers among Indians found few, if any, of the problematical forms in use. On the contrary there were great quantities of ornamental objects in evidence, and these are mentioned by the eighty writers quoted by Professor Carr in his footnotes:—

352Professor Lucien Carr, who served as a librarian at Harvard University for many years, published several significant papers. In 1897, the American Antiquarian Society released one of Professor Carr’s memoirs titled, “Dress and Ornaments of Certain American Indians.” This paper, along with others in a similar vein, conveniently summarizes the key insights shared by early travelers about our native populations. As a librarian—since Mr. Carr, despite being a historian, was not an archaeologist—he focused on the early historic period. His paper is therefore particularly valuable for our study of ornaments and questionable forms. It’s important to note that there is little in the early American literature regarding the use of stone in questionable forms. Since Professor Carr, who carefully examined the material, found very few references, his paper supports my argument that early historians and travelers among the Indians encountered few, if any, of the questionable forms in use. On the contrary, there were numerous ornamental objects documented, and these are cited by the eighty writers referenced by Professor Carr in his footnotes:—

Fig. 315. (S. 1–3.) Unfinished objects, ridged, with expanded sides. This form occurs both in the flat tablet and in the true ridged type. Material: slate and shale. Collection of B. Beasley, Montgomery, Alabama.

Fig. 315. (S. 1–3.) Unfinished items, with ridges and flared sides. This shape can be found in both the flat tablet and the true ridged style. Material: slate and shale. Collection of B. Beasley, Montgomery, Alabama.

“Of the use of labrets and of the custom among the men of piercing the nipples and inserting a reed or cane in the hole, I do not propose to speak, as the evidence on the point is not altogether satisfactory. Cabeza de Vaca,[9] it is true, asserts that both customs existed among 353the Indians of Florida; and Adair[10] and Father Paul Ragueneau[11] speak of piercing the lip, but in such an indefinite manner that it does not carry much weight. At all events their statements are not corroborated, as they would have been if the custom had been general, and hence I do not insist upon their acceptance.

“I'm not going to discuss the use of labrets or the practice among men of piercing their nipples and putting a reed or cane in the hole, as the evidence on this is not completely conclusive. Cabeza de Vaca,[9] does claim that both customs were common among the 353Indians of Florida; and Adair[10] and Father Paul Ragueneau[11] mention lip piercing, but they do so in such vague terms that it doesn't hold much weight. In any case, their statements aren't backed up, as they would have been if the practice had been widespread, so I don't insist on accepting them.”

Fig. 316. (S. 1–2.) Face and rear of the gorget with expanded sides. The face is flat, the reverse is convex. These are usually perforated from the face downward, the holes being small on the reverse. They were not drilled with a reed or hollow drill, as the holes are cone-shaped. This type and the flat, tablet-like form occur more in the mounds than other forms, and seem to have been favorite ornaments among mound-building tribes. Phillips Academy collection.

Fig. 316. (S. 1–2.) Front and back of the gorget with wide sides. The front is flat, while the back is curved. These typically have holes from the front going down, with the holes being small on the back. They weren’t made with a reed or hollow drill, as the holes are cone-shaped. This design and the flat, tablet-like shape are found more often in the mounds than other types, and they appear to have been popular decorations among mound-building tribes. Phillips Academy collection.

“But whilst the existence among our Indians of these two methods of bodily mutilation, or, if the term be preferred, of ornamentation, may well be doubted, the same cannot be said of the customs of piercing the nose and ears. These were widespread, and were usually common to all the members of the tribe, women as well as men; though there were tribes, like the Iroquois, in which the women did not pierce the nose, and ‘it was only among certain others, that they pierced the ears.’[12] Although evidently intended for ornamental purposes, yet there were people among whom the custom had something of a religious significance, resembling in this respect the practice of infant baptism 354among ourselves. Thus, for example, we are told by Perrot[13] that the operation was performed when the child was five or six months old by a medicine-man (‘jongleur’), who made an invocation to the sun, or some chosen spirit, beseeching him to have pity on the child and preserve its life. He then pierced the ears with a bone, and the nose with a needle; and filled the wounds in the former with small rolls of bark, and that in the latter with the quill end of a feather. These were suffered to remain until the wounds healed, when they were removed, and in their places were substituted tufts of the down of birds. The ceremony was always accompanied by a feast, and handsome presents were made to the Shaman and his assistants.

“But while the presence of these two methods of bodily alteration—or, if you prefer, ornamentation—among our Native Americans may be questionable, that can’t be said for the customs of piercing the nose and ears. These practices were widespread and typically shared by all tribe members, both women and men; although there were tribes, like the Iroquois, where women did not pierce their noses, and only some others where they pierced their ears.[12] While clearly meant for decorative purposes, in some cultures, this custom had a religious significance, similar to the practice of infant baptism in our own traditions. For example, Perrot[13] tells us that the procedure was performed when the child was five or six months old by a medicine man (‘jongleur’), who would invoke the sun or a chosen spirit, begging for their mercy and protection over the child’s life. He then pierced the ears with a bone and the nose with a needle, filling the ear wounds with small rolls of bark and the nose with the quill end of a feather. These materials were left in place until the wounds healed, at which point they were removed and replaced with tufts of bird down. The ceremony was always accompanied by a feast, and generous gifts were given to the Shaman and his assistants.”

Fig. 317. (S. about 1–2.) The specimen to the left, the winged type, is a typical Pennsylvania-New Jersey type. It is quite different from those of farther west and the upper Mississippi Valley. The one to the right is not essentially different from kindred specimens north or west of the Pennsylvania region. From the collection of C. E. Cromley, Williamsport, Pennsylvania.

Fig. 317. (S. about 1–2.) The specimen on the left, which has wings, is a typical type found in Pennsylvania and New Jersey. It looks quite different from those found further west and in the upper Mississippi Valley. The one on the right isn't fundamentally different from similar specimens found to the north or west of the Pennsylvania area. From the collection of C. E. Cromley, Williamsport, Pennsylvania.

“The holes in the ears of the men and women were of different sizes, and served to distinguish the sexes;[14] those in the ears of the women being small, whilst the men sometimes cut a slit almost entirely around the rim of the ear, which ‘they distend and stretch as much as possible,’ so much so, in fact, that the loop hangs almost to the shoulder.[15] Not unfrequently the outer edge of skin is torn apart; and then the Indian is plunged into the depths of humiliation until, by paring the broken ends, they can be made to grow together.[16] Heckwelder[17] reports an instance of an Indian, who was with difficulty prevented from killing 355himself on account of an accident of this character; and he adds that it was owing to the frequency of such accidents that the custom of stretching the holes in the ears to this enormous extent was falling into desuetude.

The holes in the ears of men and women were different sizes, which helped to distinguish the sexes;[14] the holes in women's ears were small, while men sometimes made a slit almost all the way around the ear's rim, which they stretch as much as possible. In fact, the loop can hang down almost to the shoulder.[15] Often, the outer edge of the skin gets torn; when that happens, the individual experiences deep humiliation until the broken edges can be trimmed and allowed to heal together.[16] Heckwelder[17] reports that one Indian was nearly prevented from committing suicide due to such an accident, and he notes that because of the frequency of these incidents, the practice of stretching ear holes to such an extreme was becoming less common.

“Of the articles worn in the ears and nose, our accounts are full and explicit. To a certain extent they were the same—might in fact have been used indiscriminately; and yet such an arrangement must have been one-sided, for whilst the nose ornaments could be used in the ears, there were so many worn in the ears that could not be adapted to the nose, that it seems advisable to consider them separately. Beginning then with nose-rings, as this entire class is usually called, we find that, relatively speaking, they were few in number, and that the material of which they were generally made was shell. The savages, for instance, whom Sagard[18] saw in Canada, had a blue bead (patinotre) of good size which hung down from above, on the upper lip. On the Atlantic Coast a ‘large pearl, or a piece of silver, gold, or wampum’[19] was used; and in ‘the interior parts’ of the country, sea-shells were much worn and were ‘reckoned very ornamental.’[20] In the Gulf States, ‘such coarse diamonds as their own hilly country produced were, in old times, fastened with a deer’s sinew to their hair, nose, ears and maccasenes.’ They also, so it is said, formerly used nose-rings and jewels; but, ‘at present they hang a piece of battered silver or pewter, or a large bead to the nostril, like the European method of treating swine to prevent them from rooting.’[21]

“Regarding the jewelry worn in the ears and nose, our accounts are detailed and clear. They were somewhat interchangeable; however, this arrangement seems one-sided since while nose ornaments could be worn in the ears, many ear ornaments couldn't be adjusted for the nose. Therefore, it’s best to discuss them separately. Starting with nose rings, as this entire category is commonly referred to, we find they were relatively few in number, and were generally made from shell. For example, the indigenous people that Sagard[18] observed in Canada wore a sizable blue bead (patinotre) that hung from above the upper lip. On the Atlantic Coast, they used ‘a large pearl, or a piece of silver, gold, or wampum’[19], and in ‘the interior areas’ of the country, sea shells were commonly worn and considered ‘very ornamental.’[20] In the Gulf States, ‘the rough diamonds from their hilly terrain were, in the past, tied with deer sinew to their hair, nose, ears, and maccasenes.’ It is also said that they previously wore nose rings and jewels; however, ‘now they attach a piece of battered silver or pewter, or a large bead to the nostril, similar to the way Europeans treat pigs to stop them from rooting.’[21]

“On the other hand, their supply of rings, pendants, and articles of different kinds worn in the ears, was practically unlimited. Shells in the shape of beads of different sizes, pendants, and small cylinders like the stem of a Holland pipe, were in use among the Indians of Canada, as were small pieces of a red stone worked into the shape of an arrow-head.[22] The New England and Western Indians indulged in pendants in ‘the formes of birds, beasts, and fishes, carved out of bone, shells, and stone’[23] and farther to the south ‘they 356decorate the lappets of their ears with pearls, rings, sparkling stones, feathers, flowers, corals, or silver crosses.’[24] In Carolina they ‘wear great Bobs in their Ears and sometimes in the Holes thereof they put Eagles and other Birds Feathers for a Trophy.’[25] Copper, in the shape of beads, pendants, or wire, was in use from Canada to Florida, as were tufts of down as large as the fist, oiled and painted red.[26] Fish-bladders, which are said to have looked like pearl, were worn in the South,[27] as was a pin made of the interior of a shell, called Burgo, as large as the little finger and quite as long, with a head to prevent it from slipping through the hole in which it was inserted.[28] Finally, according to Strachey,[29] and his account, we may remark, in passing, is a good summary of the whole subject, ‘their ears they bore with wyde holes, commonly two or three, and in the same they doe hang chaines of stayned pearls, braceletts of white bone or shreds of copper, beaten thinne and bright, and wound up hollowe, and with a great pride, certaine fowles leggs, eagles, hawkes, turkeys, etc., etc., with beast’s claws, beares, arrahacounes, squirrels, etc.’

“On the other hand, their supply of rings, pendants, and various decorative items for the ears was practically unlimited. Shells shaped like beads of different sizes, pendants, and small cylinders like the stems of Dutch pipes were used by the Indians of Canada, along with small pieces of red stone carved into arrowheads.[22] The New England and Western Indians wore pendants in the shapes of birds, animals, and fish, carved from bone, shells, and stone[23], and further south, ‘they decorate the edges of their ears with pearls, rings, sparkling stones, feathers, flowers, corals, or silver crosses.’[24] In Carolina, they ‘wear large earrings, and sometimes they put eagle and other bird feathers in the holes as trophies.’[25] Copper, in the form of beads, pendants, or wire, was used from Canada to Florida, along with tufts of down as big as a fist, oiled and painted red.[26] Fish bladders, which are said to have resembled pearls, were worn in the South,[27] as was a pin made from the interior of a shell, called Burgo, about the size of a little finger and just as long, with a head to keep it from slipping through the hole where it was inserted.[28] Finally, according to Strachey,[29] and his account, which we can note is a good summary of the whole subject, ‘they had wide holes in their ears, usually two or three, and in those, they hung chains of stained pearls, bracelets of white bone or thin and bright copper strips, hollowed out, and with great pride, certain bird legs, like those of eagles, hawks, turkeys, etc., along with animal claws from bears, raccoons, squirrels, etc.’”

“Closely connected with this style of personal ornamentation, and of interest on account of the wide field it afforded for the display of individual taste,[30] were the methods of dressing the hair. To specify a tithe of the fashions that prevailed in this particular among the different tribes, or among the members of the same tribe, would take more time than we can well afford.”

“Closely linked to this style of personal decoration, and interesting because of the range it provided for showcasing individual taste,[30] were the ways of styling hair. Just to list a fraction of the trends that existed among different tribes, or within the same tribe, would take more time than we can spare.”

Professor Carr proceeds to discuss at some length the various methods of hair-dressing, of hair-ornamentation, etc. I omit much of his discourse.

Professor Carr goes on to talk extensively about the different ways to style hair, decorate hair, and so on. I’m leaving out a lot of his discussion.

He states that medicine-men in Virginia “‘shave all their heads 357saving their creste which they weare in manner of a cokscombe,’ and ‘fasten a small black birde above one of their eares as a badge of their office.’”[31]

He says that medicine men in Virginia “‘shave all their heads 357except for their crest which they wear like a rooster’s comb,’ and ‘attach a small black bird above one of their ears as a badge of their office.’”[31]

Fig. 318. (S. about 1–4.) Types of problematical forms from H. M. Braun’s collection, East St. Louis, Illinois. Most of the specimens found near Edwardsville (as were these), not far from the famous Cahokia group of mounds, seem to be typical of that region. The specimen to the left, no. 1595, is more of the Wisconsin than of the Mississippi Valley type. The two to the right are similar to Georgia and Tennessee forms. All of these are unfinished, except perhaps the one to the right. Materials: steatite and rose quartz.

Fig. 318. (S. about 1–4.) Types of uncertain forms from H. M. Braun’s collection, East St. Louis, Illinois. Most of the specimens found near Edwardsville (like these) are typical of that region, which is close to the famous Cahokia group of mounds. The specimen on the left, no. 1595, resembles more of a Wisconsin type than one from the Mississippi Valley. The two on the right are similar to forms found in Georgia and Tennessee. All of these are unfinished, except maybe the one on the right. Materials: steatite and rose quartz.

“On solemn occasions, as on gala-days, the Iroquois wore above the ear a tuft of the feathers, or the wing, or the whole skin, of some rare bird;[32] and the Virginia Indians tied up the lock of hair which they leave full length on the left side of the head, with an ‘arteficyall and well labored knott, stuck with many colored gew-gawes, as the cast head or brow-antle of a deare, the hand of their enemie dryed, croisettes of bright and shyning copper, like the newe moone. Many wore the whole skyne of a hauke stuffed, with the wings abroad ... and to the feathers they will fasten a little rattle, about the bignes of the chape of a rapier, which they take from the tayle of a snake, and some tymes divers kinds of shells, hanging loose by small purflects or threeds, that, being shaken as they move, they might make a certaine murmuring or whisteling noise by gathering wynd, in 358which they seeme to take great jollity, and hold yt a kind of bravery.’[33]

“On special occasions, like festive days, the Iroquois wore a tuft of feathers, a wing, or the entire skin of some rare bird above their ears; [32] and the Virginia Indians styled the lock of hair they left at full length on the left side of their head with a carefully crafted knot, decorated with many colorful trinkets, like the head or antler of a deer, the hand of an enemy that they had dried, and shiny copper crosses, resembling the new moon. Many wore the entire skin of a hawk stuffed, with its wings spread out... and attached to the feathers was a little rattle, about the size of a rapier's hilt, made from a snake's tail, and sometimes various kinds of shells, hanging loosely by small threads or cords, which, when shaken as they moved, made a certain murmuring or whistling noise by catching the wind. They seemed to take great joy in this and considered it a form of bravery.” 358

Fig. 319. (S. 1–4.) Four unfinished winged objects from Beloit College collection, Wisconsin. Material: mottled granite and porphyry. To work hard materials into these forms must have required both skill and patience on the part of the natives.

Fig. 319. (S. 1–4.) Four unfinished winged objects from the Beloit College collection, Wisconsin. Material: mottled granite and porphyry. Crafting these forms from tough materials must have taken a lot of skill and patience from the natives.

“In addition to the articles noted above and worn as ornaments, honors, etc., there were others that were used as bracelets, necklaces, gorgets, etc. As a rule they were of bone, pearl, shell, and copper, though the claws and talons of beasts and birds of prey[34] were also used. Except occasionally in size, they did not differ materially from the beads, pendants, etc., that were worn on the head and in the ears. Taking up these articles in their order, we find that in the Gulf States the Indians made bracelets of bone. For this purpose they chose the rib of a deer, which was soaked in boiling water and thus rendered soft and pliable. It was then worked into the desired shape, and is said to have been as white and smooth as polished ivory.[35] In Virginia ‘polished,’ or as they are sometimes called ‘smooth bones,’ were used in connection with ‘pearles and little beedes of copper,’ as necklaces and ear-rings;[36] and in New England, as we have seen, bones carved in the shape of birds, beasts and fishes were worn as pendants in the ears; and in Waymouth’s voyage we are told that they were also used as bracelets.

“In addition to the items mentioned earlier and worn as decorations, honors, etc., there were others used as bracelets, necklaces, gorgets, etc. Generally, these were made from bone, pearl, shell, and copper, although the claws and talons of animals and birds of prey[34] were also used. Apart from occasional size differences, they were not materially different from the beads, pendants, etc., that were worn on the head and in the ears. Looking at these items in order, we find that in the Gulf States, the Indigenous peoples made bracelets from bone. They typically selected the rib of a deer, which was soaked in boiling water to make it soft and flexible. It was then shaped into the desired form and is said to have been as white and smooth as polished ivory.[35] In Virginia, ‘polished’ or sometimes referred to as ‘smooth bones’ were used along with ‘pearls and little beads of copper’ to make necklaces and earrings;[36] and in New England, as we have seen, bones carved into the shapes of birds, beasts, and fish were worn as pendants in the ears; and during Waymouth’s voyage, it is noted that they were also used as bracelets.”

359

Fig. 320. (S. 1–2.) The first stage in the making of the problematical form. These are of slate and are from Ohio, Indiana, and Pennsylvania. The upper specimen is a block of slate which has been worked into shape by means of a heavy hand-hammer. The first stage is not unlike that observed in the manufacture of flint implements. The central and lower ones represent the second stage in the process of pecking, while the one to the right is still further reduced, and the elevation, strengthening the perforation, is worked into relief. Andover collection.

Fig. 320. (S. 1–2.) The initial stage in creating the uncertain form. These pieces are made of slate and come from Ohio, Indiana, and Pennsylvania. The top specimen is a slab of slate that has been shaped using a heavy hand-hammer. The first stage resembles the method used in making flint tools. The middle and lower pieces showcase the second stage in the pecking process, while the one on the right is even more refined, with the raised area enhancing the perforation being chiseled into relief. Andover collection.

360“Of pearls, there seems to have been an abundance,[37] though they were unequally distributed. Owing perhaps to this fact, and to the extravagant accounts of some of the old writers, it has been thought that they were, not unfrequently, confounded with shell beads; and, yet, the statements as to their use are too frequent and too detailed in character, to leave any doubt about the matter, even without the confirmatory evidence of the mounds. Upon this point the chroniclers of De Soto’s expedition are in full accord; and whilst we may well doubt whether the Spaniards took ‘three hundred and ninety-two pounds of pearls, and little babies and birds made of them’ from the graves near Cutifachiqui,[38] yet when we are told that pearls ‘of the bigness of good pease’ were found in Virginia, and that one man ‘gathered together from among the savage people about five thousand’ of them,[39] we cannot but admit that there is a foundation of fact in the story of the old writer, extravagant as it seems to be.”

360“There seemed to be plenty of pearls,[37] but they were not evenly distributed. Because of this and the exaggerated claims from some ancient writers, it was believed that pearls were often confused with shell beads. However, the accounts of their use are too numerous and detailed to doubt, even without the supporting evidence from the mounds. The chroniclers of De Soto’s expedition all agree on this point; while we might question whether the Spaniards really took ‘three hundred and ninety-two pounds of pearls, and little babies and birds made of them’ from the graves near Cutifachiqui,[38] we cannot ignore that when we hear that pearls ‘the size of good peas’ were found in Virginia, and that one man ‘collected about five thousand’ from the native people,[39] there must be some truth to the old writer's story, no matter how outrageous it sounds.”

Professor Carr, in the same paper I have quoted, speaks regarding both copper and shell in use in early historic times as ornaments.

Professor Carr, in the same paper I quoted, talks about how copper and shell were used as ornaments in early historic times.

I shall quote what he has to say on those subjects in their proper places in subsequent chapters. His article on “Dress and Ornaments,” ends with these words:—

I will quote his thoughts on those topics in the appropriate sections of the following chapters. His article on “Dress and Ornaments” concludes with these words:—

“With this suggestion, as to the additional use of what was evidently a leading article in the Indian’s toilet, our investigation must come to a close. In it we have endeavored not only to picture the dress and ornaments of our savages, but we have been obliged to examine the materials of which their dresses and ornaments were made, and to describe the arts by which these materials were fitted for their several uses. It has been a laborious task, but fortunately 361the sources of information were abundant; and whilst it is probable that our treatment of the subject has not been as complete as might have been desired, yet it is believed, that enough has been given to justify us in accepting, as our own, the statement that ‘from what has been said as to their method of adorning themselves, it might be inferred that the savages, instead of adding to their personal beauty (for they are, nearly all, well made), were really trying to render themselves unnatural and hideous.’ This is true; and yet when they are in full dress, the fantastical arrangement of their ornaments not only has nothing in it that is offensive, but it really possesses a certain charm which is pleasing in itself and makes them appear to great advantage.”[40]

“With this suggestion about the additional use of what was clearly a key item in the Indian’s appearance, our investigation must come to an end. In it, we’ve tried not only to depict the clothing and adornments of our indigenous people, but we've also had to look into the materials their clothes and ornaments were made of and describe the methods used to prepare these materials for their various purposes. It’s been a demanding task, but luckily the sources of information were plentiful; and while it’s likely that our exploration of the topic hasn’t been as thorough as could be hoped, we believe that we’ve provided enough to justify claiming that ‘from what has been discussed regarding their way of decorating themselves, one might assume that the savages, instead of enhancing their natural beauty (as they are mostly well-formed), were actually trying to make themselves look unnatural and ugly.’ This is true; and yet, when they are fully adorned, the imaginative arrangement of their decorations not only lacks anything offensive, but it actually has a certain charm that is pleasing in itself and makes them look very impressive.”[40]

362

CHAPTER XIX
Ground Stone—Problematic Forms

THE GORGETS

Since we have examined these gorgets and ornaments from a historical point of view, let us now return to our archæological position and study them through the natural history method.

Since we've looked at these gorgets and ornaments from a historical perspective, let's now go back to our archaeological approach and analyze them using the natural history method.

In 1906 Dr. Charles Peabody and myself published Bulletin II, “The So-Called ‘Gorgets.’” This pamphlet was the outcome of a great deal of study, correspondence, and travel. In that report we published a very technical description of gorgets, but omitted winged objects and the crescents and everything except flat and ridged objects with perforations at the centre or near the ends. None of our objects were perforated through their long diameter. The work on the gorgets is too technical to be reproduced here. We measured all of the gorgets in the Andover and Harvard and other collections, over six hundred, and gave the diameters in millimetres. This total embraces a number of specimens seen at Washington and elsewhere, as at Andover and Cambridge there were four hundred and eight specimens by count. These specimens were examined by means of a triple lens in every possible way. They were measured by the metric system, and the size of each one set down, the diameter of the perforation being given. In “The Stone Age,” I shall adopt the conclusions reached by Dr. Peabody and myself with some additions.

In 1906, Dr. Charles Peabody and I published Bulletin II, “The So-Called ‘Gorgets.’” This pamphlet was the result of extensive study, correspondence, and travel. In that report, we provided a very detailed description of gorgets, but excluded winged objects, crescents, and everything except flat and ridged items with holes in the center or near the ends. None of our items had perforations through their long diameter. The analysis of the gorgets is too technical to be included here. We measured all the gorgets in the Andover, Harvard, and other collections—over six hundred in total—and recorded their diameters in millimeters. This total includes several specimens examined in Washington and other locations; at Andover and Cambridge, there were four hundred and eight specimens counted. These specimens were analyzed using a triple lens in every possible way. They were measured using the metric system, and the size of each was noted, including the diameter of the perforation. In “The Stone Age,” I will adopt the conclusions reached by Dr. Peabody and me, with some additional insights.

Broken and worked Gorgets

When one studies this class, one learns more than if one confined his observations to the perfect forms alone. I have presented several illustrations of broken gorgets, and it is well to comment upon them and the meaning they unquestionably convey.

When you study this class, you learn more than if you only focused on the perfect forms. I've shown several examples of broken gorgets, and it's important to discuss them and the meaning they clearly convey.

Fig. 307 shows a group of these “doctored” gorgets. Each one tells an interesting story.

Fig. 307 shows a collection of these "doctored" gorgets. Each one shares an intriguing story.

363

Fig. 321. (S. 1–1.) A beautiful specimen of unfinished problematical form. Material: dark blue slate. Phillips Academy collection. Secured by A. B. Winans, Battle Creek, Michigan. The ancient workman had not completed his pecking process, but had begun to cut and scrape the surfaces to some extent on either wing. He had left an elevation in the centre to strengthen that part through which the perforation must pass. The flint or sandstone cuttings on the surfaces of the specimen are well brought out in the half-tone.

Fig. 321. (S. 1–1.) A stunning example of an unfinished, uncertain form. Material: dark blue slate. Phillips Academy collection. Acquired by A. B. Winans, Battle Creek, Michigan. The ancient craftsman did not finish the pecking process but started to cut and scrape the surfaces somewhat on both sides. He left a raised section in the center to reinforce that part where the hole would be made. The flint or sandstone cut marks on the surfaces of the specimen are clearly visible in the half-tone.

364In the centre, to the left, is a broken winged object—broken whether by accident or design one may not say. But having been broken, it was drilled through the centre by means of a reed drill, near the lateral perforation, and worn as an ornament. There are other specimens in the collection at Phillips Academy that have been broken and made use of as ornaments. It is probable that in not a few instances these specimens have been found by subsequent individuals, long afterwards, and made use of for a purpose entirely foreign to the original maker.

364In the center, to the left, there's a broken winged object—it's unclear whether it was broken accidentally or intentionally. After being broken, it was drilled through the center using a reed drill, close to the side hole, and then worn as an ornament. There are other pieces in the Phillips Academy collection that have also been broken and repurposed as ornaments. It's likely that in many cases, these items were discovered by later individuals who used them for a purpose completely different from what the original creator intended.

Fig. 322. (S. about 1–2.) This presents a stone in unfinished winged form, showing pecking. Material: close-grained sandstone. From the collection of E. Ralston Goldsborough, Frederick, Maryland.

Fig. 322. (S. about 1–2.) This shows a stone in an incomplete winged shape, displaying pecking. Material: fine-grained sandstone. From the collection of E. Ralston Goldsborough, Frederick, Maryland.

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Fig. 323. (S. about 1–2.) Three winged objects. Andover collection. The upper specimen, to the left, shows that the pecking process has come to an end. An irregular bump, or projection, is left on either side to strengthen, and to allow sufficient diameter for the perforation. The maker had begun to cut a groove, in order to separate the wings. In the specimen to the right, upper row, the wings are almost cut out and the object nearly ready for the polishing stage. Both these specimens exhibit on their surfaces the marks of flint cutting-tools and are scratched and scarred. The lower specimen is a complete “butterfly” winged object and is presented for comparison. The two upper specimens are very important from an archæological point of view. F. M. Hughes of Plympton, Ohio, found the one to the right, and Albert L. Addis, Albion, Indiana, the one to the left.

Fig. 323. (S. about 1–2.) Three winged objects. Andover collection. The upper specimen, on the left, shows that the pecking process is complete. An irregular bump, or projection, remains on either side to strengthen it and provide enough diameter for the perforation. The creator started to cut a groove to separate the wings. In the specimen on the right, in the upper row, the wings are almost fully cut out, and the object is nearly ready for polishing. Both of these specimens show signs of flint cutting tools on their surfaces and are scratched and scarred. The lower specimen is a complete “butterfly” winged object provided for comparison. The two upper specimens are very significant from an archaeological perspective. F. M. Hughes from Plympton, Ohio, found the one on the right, and Albert L. Addis from Albion, Indiana, found the one on the left.

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Fig. 324. (S. 1–3.) Four winged, unfinished, problematical forms from various parts of the country. Material: highly banded slate. Phillips Academy collection. Two of these were collected by Albert L. Addis, of Albion, Indiana. The upper one at the right is interesting in that it has been perforated, as if worn for suspension in the unfinished stage. Such use is frequently noted in these objects and is to me an indication of great age, that they were done by a certain individual, lost, afterwards found by another individual, an unknown length of time intervening, and perforated. This, being of the winged type, seems too heavy to be worn suspended as an ornament, yet the perforation seems to indicate that purpose. The perforation is different from that ordinarily seen in winged objects, being at right angles to the faces instead of parallel to them.

Fig. 324. (S. 1–3.) Four winged, unfinished, uncertain forms from different parts of the country. Material: highly banded slate. Phillips Academy collection. Two of these were collected by Albert L. Addis, from Albion, Indiana. The upper one on the right is interesting because it has been pierced, as if it was meant to be worn during its unfinished stage. Such usage is often noted in these objects and suggests to me that they are quite old—that they were made by one person, lost, then later found by another person after an unknown time, and then pierced. This piece, being of the winged type, seems too heavy to be worn as an ornament, but the piercing suggests that intention. The piercing itself is different from what is usually seen in winged objects, being at right angles to the faces instead of parallel to them.

367In the lower right-hand corner of Fig. 307 is a perforated steatite object from Ohio. It has been broken and afterwards worn as an ornament. The former perforations show on either end. Steatite being foreign to Ohio may account for the fact that so rude an implement had been again made use of as an ornament. It was originally rather long, possibly over five inches.

367In the lower right-hand corner of Fig. 307 is a perforated steatite object from Ohio. It has been broken and later used as an ornament. The original holes are visible at both ends. Since steatite isn't found in Ohio, this might explain why such a crude tool was repurposed as jewelry. It was originally fairly long, possibly over five inches.

Fig. 325. (S. 1–3.) A large double-winged problematical form, roughly broken out, dark gray slate. The unusual size of this object makes it very interesting. It is about two thirds of an inch in thickness. It was found by a farmer near the home of Mr. Addis, Albion, Indiana, to whom the museum of Andover is indebted for a number of fine specimens of the problematical class.

Fig. 325. (S. 1–3.) A large double-winged ambiguous form, roughly shaped, dark gray slate. The unusual size of this object makes it quite interesting. It's about two-thirds of an inch thick. It was discovered by a farmer near the home of Mr. Addis in Albion, Indiana, to whom the Andover museum owes thanks for several fine specimens from the ambiguous category.

In the Andover collection are many interesting broken gorgets. In some instances the maker has attempted to repair them, but it is also quite evident that in others some one drilled additional perforations in order that the gorgets might be again worn as ornaments. 368In the lower left-hand corner of Fig. 307 is another broken winged object. Had the native wished it to hang with the heavier part downwards he would have drilled in the small or narrow end rather than along the broad end. Moreover, the drilling is where the break occurred. In one instance, Fig. 302, the specimen is so perforated that it was possible to tie the ends together. This indicates that these things were greatly prized.

In the Andover collection, there are many interesting broken gorgets. In some cases, the maker has tried to fix them, but it's also obvious that in other instances, someone drilled extra holes so the gorgets could be worn again as ornaments. 368 In the lower left-hand corner of Fig. 307 is another broken winged object. If the native wanted it to hang with the heavier part facing down, they would have drilled the small or narrow end instead of the broad end. Plus, the drilling is where the break happened. In one case, Fig. 302, the specimen has so many holes that it could be tied together. This shows that these items were highly valued.

Fig. 326. (S. about 3–5.) Large, unfinished, winged object of fine-grained, highly banded slate. This shows the specimen at a stage when the pecking and grinding are completed and the object is partly polished. After further rubbing, the specimen would be perforated through the centre, and the edges further ground down. Collection of J. E. McLain, Bluffton, Indiana.

Fig. 326. (S. about 3–5.) Large, unfinished, winged object made of fine-grained, highly banded slate. This shows the specimen at a stage when the pecking and grinding are finished and the object is partially polished. After more rubbing, the specimen would be drilled through the center, and the edges would be further smoothed. Collection of J. E. McLain, Bluffton, Indiana.

Because of its unusual high polish and slightly oval surface, one cannot well illustrate a tablet-like gorget which was found by Clarence B. Moore in Washington County, Florida, in 1902. This is a remarkable specimen, and although it is set down as having one surface flat and the other convex, it would be more accurate to say that the flat or upper surface is slightly hollow. The entire specimen 369is highly polished, so much so that it has a glossy appearance. The specimen is broken. After breaking it has been used, possibly by later Indians, for smoothing the sinews or similar purposes, as there are grooves worn across its larger diameter. These grooves almost obliterate the perforation. It is possible, but not probable, that the specimen was a pipe of the monitor type. There is a raised circular line still traceable, and this was originally one inch in diameter. As this is in the centre of the object at the broken end, where the specimen is one half inch thick, it is possible that this may have been the base of the bowl.

Because of its unusually high polish and slightly oval shape, it's hard to describe a tablet-like gorget that was discovered by Clarence B. Moore in Washington County, Florida, in 1902. This is an impressive specimen, and while it's noted that one surface is flat and the other is curved, it would be more accurate to say that the flat or upper surface is slightly concave. The entire specimen 369 is highly polished, giving it a glossy look. The specimen is broken. After it broke, it seems to have been used, possibly by later Indigenous people, for tasks like smoothing sinews, as there are grooves worn across its wider diameter. These grooves nearly hide the perforation. It’s possible, but unlikely, that the specimen was a monitor-type pipe. There is a raised circular line still visible, which was originally one inch in diameter. Since this is at the center of the object at the broken end, where the specimen is half an inch thick, it may have been the base of the bowl.

Fig. 327. (S. 1–2.) Unfinished problematical forms. From Georgia and Alabama. Material: quartzite and sandstone. Phillips Academy collection, Andover.

Fig. 327. (S. 1–2.) Unfinished problematical forms. From Georgia and Alabama. Material: quartzite and sandstone. Phillips Academy collection, Andover.

In the centre, to the right in Fig. 307, is half of a winged and perforated or butterfly-shaped stone. Becoming broken, the maker ground it until traces of the centre perforation had disappeared. Then he perforated the stone on either side after the manner of the bird or saddle stone. One should note that the stone is more polished on either side of the perforation.

In the center, to the right in Fig. 307, is half of a winged, perforated stone that resembles a butterfly. After it became broken, the creator ground it down until the central perforation was no longer visible. Then, he made a hole on each side, similar to how it's done on bird-shaped or saddle-shaped stones. It's worth mentioning that the stone is more polished on both sides of the perforation.

370Another winged perforated “butterfly” stone was broken long ago, and the Indian who found it drilled it at the top and wore it as an ornament. All the edges and perforations carry patina and evince great age. This is a very old specimen, and we may construct theories that the second owner made of it an object entirely different from that intended through the workmanship of the first.

370Another winged, perforated “butterfly” stone was broken a long time ago, and the Native American who found it drilled a hole at the top and wore it as jewelry. All the edges and holes show wear and reveal great age. This is a very old piece, and we can theorize that the second owner transformed it into something completely different from what the first maker intended.

Fig. 328. (S. 1–2.) Four problematical forms and one slate spear-head, from the collection of H. F. Burket, Findlay, Ohio. These specimens were found in Hancock County, Ohio.

Fig. 328. (S. 1–2.) Four questionable forms and one slate spearhead, from the collection of H. F. Burket, Findlay, Ohio. These specimens were discovered in Hancock County, Ohio.

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Fig. 329. (S. 2–3.) Three specimens from Stephen Van Rensselaer’s collection, Newark, New Jersey. These were found near Orange, New Jersey, and are typical New Jersey specimens. The lower one has been broken and is covered with patina, and appears to be a very old specimen. These two lower ones are dark gray slate.

Fig. 329. (S. 2–3.) Three specimens from Stephen Van Rensselaer’s collection, Newark, New Jersey. These were discovered near Orange, New Jersey, and are typical specimens from that area. The lower one is broken and has a patina, indicating it’s quite old. The two lower specimens are dark gray slate.

372The Andover collection contains a broken gorget of curious, mottled stone. It was found in the Connecticut Valley. There were two perforations, one on either side of the centre. The one that remains shows unmistakable wearing in the perforation. The specimen is not a work of art, but it is one of the most important in this entire series, if not in the whole museum, because it clearly and positively indicates that two strings were put through the opening, and the wearing is on such side of the perforation as could come from two strings and not from one. The wearing is at the right of the perforation on one side, and at the left of it on the other. Further, the specimen was worn across the body or at least tied across something rather than in a vertical position; the thong or cord slipped and caused the wearing. To the suggestion that the specimen should show wearing on four sides of the perforation rather than on two, it may be remarked that the string while flat and tight against one surface was tied to something on the other side that elevated or brought it out more from the perforation. Possibly this may seem ambiguous, but if one experiments with strings, as has been done, he will observe that it is impossible for one string to cause the wearings indicated. One string drawn back and forth will cause a polish on the edges of the perforation at the same places on either side.

372The Andover collection includes a broken gorget made of an interesting, mottled stone. It was discovered in the Connecticut Valley. There are two holes, one on each side of the center. The remaining hole shows clear signs of wear. This piece isn't a work of art, but it’s one of the most significant in the entire collection, if not in the whole museum, because it clearly demonstrates that two strings were threaded through the opening, with the wear patterns indicating that it was caused by two strings rather than one. The wear is on the right side of the hole on one side and on the left side on the other. Additionally, the specimen was likely worn across the body or tied to something rather than hanging vertically; the cord or thong slipped, leading to the wear. In response to the idea that the specimen should show wear on all four sides of the hole instead of just two, it’s worth noting that while one string lay flat and tight against one side, it was tied to something on the opposite side that raised it away from the hole. This might seem unclear, but experimenting with strings, as has been done, shows that it’s impossible for one string to create the wear patterns observed. A single string pulled back and forth will polish the edges of the hole at the same points on both sides.

The more one studies these objects the firmer becomes the conviction that the term gorget, as applied to some of them as a class, is misleading or even more than misleading. That most of them are gorgets one may not deny. That a lesser number are not gorgets we are free to affirm; that the bulk of them one cannot positively assign to this purpose or that purpose is quite probable.

The more you study these objects, the stronger the belief that calling some of them gorgets as a category is inaccurate or even more than just inaccurate. While it's undeniable that most of them are gorgets, we can confidently say that a smaller number are not. It's also quite likely that we can’t definitively assign the majority of them to one purpose or another.

The study indicated in the description of these various specimens is based on the collections in the Peabody Museum, the Phillips Academy Museum, and previous studies on the same types in the joint museums of the State University and Historical Society of Columbus, together with extensive reading. As to the examination of the individual specimens, a number show wearing in such a manner as to preclude the idea of suspension as gorgets, as this term is understood. Now the term gorget indicates an ornament of one type or another suspended about the neck or upon the chest. The wearing in such place as has been noted could only have resulted from the tying of these specimens, or the fastening of them with two, three, or even four strings, each stretched to a tension so as to hold the object firmly. The wearing would naturally occur at points very different from those which would be in evidence if the object was simply suspended by means of one string. Again, the form, in instances, precludes the idea of the gorget.

The study highlighted in the description of these different specimens is based on collections from the Peabody Museum, the Phillips Academy Museum, and earlier research on similar items at the joint museums of the State University and Historical Society of Columbus, along with extensive reading. Regarding the examination of individual specimens, several show wear that contradicts the idea of being used as gorgets, as this term is commonly understood. Gorgets refer to ornaments worn around the neck or on the chest. The type of wear observed could only have come from these specimens being tied or secured with two, three, or even four strings, each pulled tight enough to keep the object in place. The wear patterns would naturally appear at points very different from those expected if the object were simply suspended by one string. Additionally, some forms clearly rule out the idea of it being a gorget.

Certain forms, from their positions on skeletons in burial-places 373or by means of reliable evidence on the part of travelers, one can safely call ornamental gorgets.

Certain forms, based on their placements on skeletons in burial sites or through credible evidence from travelers, can reliably be referred to as ornamental gorgets. 373

I found more of them on prehistoric sites than on Shawano or Delaware sites in the Ohio Valley. From the surface of South Fort at Fort Ancient, Warren County, Ohio, I collected one rectangular gorget with straight sides and two perforations; one oval, with two perforations, one concave—two perforations; one rectangular pendant, straight sides, one perforation.

I found more of them at prehistoric sites than at Shawano or Delaware sites in the Ohio Valley. From the surface of South Fort at Fort Ancient, Warren County, Ohio, I collected one rectangular gorget with straight sides and two holes; one oval with two holes; one concave with two holes; and one rectangular pendant with straight sides and one hole.

In graves within the South Fort, I found two pendant-shaped gorgets among decayed human bones. There was one perforation near the end of each gorget.

In graves at the South Fort, I found two pendant-shaped gorgets among decayed human bones. Each gorget had one hole near the end.

In the Coiner mound, three miles east of Frankfort, Ohio, a diamond-shaped gorget was found under the head of a skeleton.

In the Coiner mound, three miles east of Frankfort, Ohio, a diamond-shaped gorget was discovered underneath the skull of a skeleton.

Three miles down the Scioto River from Chillicothe, in the Redman mound, were found two gorgets. One with expanded centre, two perforations, with skeleton. One broad, with concave sides, two perforations, and under head of skeleton. Both these were of slate.

Three miles down the Scioto River from Chillicothe, in the Redman mound, two gorgets were found. One had an expanded center and two holes, associated with a skeleton. The other was broad with concave sides, also had two holes, and was found under the head of the skeleton. Both of these were made of slate.

With skeleton no. 278, in the Hopewell group (explored, 1891), lay a gorget of cannel coal.

With skeleton no. 278, in the Hopewell group (explored, 1891), was a gorget made of cannel coal.

The Storey mound, west of Chillicothe, sheds some light upon the gorget class. On the right wrist of a skeleton was found a fine expanded centre gorget of ribbon slate, with two perforations. On the left wrist, one of the same kind, but not perforated. Also at the left wrist, a concave one with unusually sharp edges.

The Storey mound, located west of Chillicothe, provides some insight into the gorget class. On the right wrist of a skeleton, a beautifully made expanded center gorget of ribbon slate was found, complete with two holes. On the left wrist, there was a similar piece, but without any holes. Additionally, on the left wrist, there was a concave gorget with unusually sharp edges.

In the Roberts mound, Perry County, Ohio, was found a gorget injured by fire. It was thick, expanded centre, with two perforations, and lay amid the remains of a cremated skeleton.

In the Roberts mound, Perry County, Ohio, a gorget was found that had been damaged by fire. It was thick, with a wide center and two holes, and it was placed among the remains of a cremated skeleton.

At the Corwin mound, one and one half miles north of Waverly, Ohio, a curious thick stratum of a soft, black substance lay upon the base-line. In this were several objects of the “problematical” class. One, of galena, had two perforations, and was almost boat-shaped.

At the Corwin mound, one and a half miles north of Waverly, Ohio, there was an odd thick layer of a soft, black material on the base line. Within this layer were several items that were “problematical.” One object, made of galena, had two holes and was almost shaped like a boat.

At Beavertown, Ohio, in a mound, the same survey discovered another slate gorget with straight sides and two perforations.

At Beavertown, Ohio, a mound revealed another slate gorget with straight sides and two holes.

In all these burials with skeletons, the forms found were chiefly the pendant, the expanded centre, the ridged and the octagonal outline and tablets.

In all these burials with skeletons, the shapes found were mainly the pendant, the expanded center, the ridged, and the octagonal outline and tablets.

Reference has been made to certain ornaments made of broken ceremonials or broken gorgets. It seems that they may mean more than what is implied in the simple statement that a broken ornament 374was re-made into a serviceable ornament. That the following is probable, it is not claimed, but the assertion is ventured that it is possible. Since on becoming broken they are afterwards made into entirely different objects in shape, is it not possible that in their original form they were made and used by a much earlier tribe? Were they not found upon the surface by later natives, and fashioned by them into such ornaments as are common upon sites occupied in comparatively recent times? If this is not so, why do all the broken stones, when refashioned, take the form of ornaments different from those found generally throughout the country? It may be offered as a suggestion that the original form was a design common to the tribe that made them. Becoming broken they were cast aside. Subsequent individuals or tribes made quite differently shaped gorgets, and accordingly changed the broken gorget of their predecessors to the pattern that best suited them.

Reference has been made to certain ornaments created from broken ceremonial items or damaged gorgets. It appears that they might represent more than what is conveyed in the straightforward idea that a broken ornament was remade into a usable item. While it’s not claimed that the following is likely, it is suggested that it’s possible. Since when they break, they are then turned into completely different shapes, could it not be that in their original forms, they were crafted and used by a much older tribe? Were they not found on the surface by later peoples, who then shaped them into the kinds of ornaments that are typical of areas occupied in more recent times? If this isn’t the case, why do all the broken stones, when reshaped, become ornaments different from those generally found throughout the region? It might be proposed that the original design was a style common to the tribe that created them. Once broken, they were discarded. Later individuals or tribes then crafted their own differently shaped gorgets and transformed the broken gorgets of their predecessors into designs that suited them best.

Regarding Wisconsin gorgets, Mr. Charles E. Brown writes for “The Stone Age”:—

Regarding Wisconsin gorgets, Mr. Charles E. Brown writes for "The Stone Age":—

“Wisconsin has produced a large number of gorgets. A few are from mounds or graves. They range in their distribution from the Wisconsin-Illinois line to as far north as Barren and Langlade counties, and embrace a variety of well known as well as some curious forms. A small number are ornamented with incised markings upon one or both faces. Some bear a succession of small incisions upon their edges at the extremities or sides, or in both places.

“Wisconsin has produced a significant number of gorgets. A few come from mounds or graves. They can be found from the Wisconsin-Illinois border all the way up to Barren and Langlade counties, showcasing a variety of familiar as well as some intriguing shapes. A small number are decorated with incised markings on one or both sides. Some have a series of small cuts along their edges at the ends or sides, or in both areas.”

“Our gorgets are made of slate, steatite, catlinite, sandstone, limestone, syenite, mica schist, and of other materials. Most specimens have a single perforation near one extremity or at the middle. A smaller number have two perforations, these being placed at the middle, or one near either end. Gorgets with three or more perforations are of rare occurrence. Unperforated specimens and specimens in which the drilling has only been begun are occasionally found. Broken and re-drilled examples occur. The accompanying outlines are of some of the common and of the infrequent forms.

“Our gorgets are made from slate, steatite, catlinite, sandstone, limestone, syenite, mica schist, and other materials. Most examples have a single hole near one end or in the middle. A smaller number have two holes, either placed in the middle or one near each end. Gorgets with three or more holes are quite rare. Occasionally, you can find unperforated examples or ones where the drilling has just started. There are also broken and re-drilled examples. The outlines provided are of some common and some less common forms.”

“Referring to Fig. 292, rows A and B are common and widely distributed forms. We have them from every county in the southern half and from a few of the southern counties of northern Wisconsin.

“Referring to Fig. 292, rows A and B are common and widely distributed forms. We have them from every county in the southern half and from a few of the southern counties of northern Wisconsin.

“Row E contains quite common forms. Many with a rude incised ornamentation. Fine specimens have been recovered in Ozaukee, Kenosha, Washington, Walworth, Jefferson, Rock, Dane, Dodge, Green Lake, and Waupaca counties.

“Row E has some pretty common types. Many feature a rough, carved decoration. Great examples have been found in Ozaukee, Kenosha, Washington, Walworth, Jefferson, Rock, Dane, Dodge, Green Lake, and Waupaca counties.

375“Rectangular and oval gorgets (centre of row E) are also of quite common occurrence. Examples have been recovered in Milwaukee, Waukesha, Rock, Dodge, Sauk, Manitowoc, Winnebago, Juneau, Portage, Waupaca, Outagamie, and other counties.

375“Rectangular and oval gorgets (center of row E) are also fairly common. Examples have been found in Milwaukee, Waukesha, Rock, Dodge, Sauk, Manitowoc, Winnebago, Juneau, Portage, Waupaca, Outagamie, and other counties.

“Specimens like those in row M have been found in La Fayette, Jefferson, Waukesha, Winnebago, and several other counties.

“Specimens like those in row M have been found in La Fayette, Jefferson, Waukesha, Winnebago, and several other counties.

“A small number of small perforated stone ornaments, known to local collectors as ‘pendants,’ have also been found on Wisconsin camp- or village-sites. These are often circular, oval, or triangular in shape. A few are in the shape of small animals. These are made of catlinite.”

“A small number of small perforated stone ornaments, known to local collectors as ‘pendants,’ have also been found on Wisconsin camp or village sites. These are often circular, oval, or triangular in shape. A few are shaped like small animals. They are made of catlinite.”

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CHAPTER XX
Ground stone

WINGED PROBLEMATICAL FORMS

This remarkable class of unknown objects will be studied first in the unfinished form. Previous to this page, in Figs. 320 to 328; and subsequently in Figs. 331 and 356, I have presented nearly all the steps or stages of process of manufacture in problematical forms. It would appear to readers that the accumulation of these types is an easy matter; it is not, but requires much time and patience and an endless correspondence. I was more than ten years in accumulating a hundred unfinished problematical forms. These all vary according to locality and material. There are local cultures, developed in this form of object as in flint or other types.

This amazing class of unknown objects will be examined first in its unfinished state. Before this page, in Figs. 320 to 328; and later in Figs. 331 and 356, I have shown almost all the steps or stages of the manufacturing process in uncertain forms. It might seem to readers that gathering these types is easy; it’s not, and it takes a lot of time, patience, and countless communications. I spent over ten years collecting a hundred unfinished uncertain forms. These all differ based on location and materials. There are local cultures that developed in this type of object, just like in flint or other kinds.

There are some sites in this country where shale or slate occur; notably at Martin’s Creek, Pennsylvania, where we obtained many unfinished butterfly and winged stones of Pennsylvania form. These materials are not as hard as granite, but they are not always soft. So far as I can ascertain, aboriginal man visited such places and secured masses of material. He reduced this by pecking or pointing with stone hammers or round blocks of flint (for a flint pebble makes a better hammer than other stones).

There are some places in this country where shale or slate can be found; especially at Martin’s Creek, Pennsylvania, where we collected many unfinished butterfly and winged stones in the Pennsylvania style. These materials aren't as hard as granite, but they're not always soft either. From what I can tell, ancient people visited these locations and gathered large pieces of material. They worked on them by pecking or shaping with stone hammers or round flint blocks (since a flint pebble works better as a hammer than other stones).

I have, under each of these figures mentioned, stated at some length what stages of workmanship the objects represent. Reference to these in conjunction with reading the following paragraphs will acquaint readers with the essential facts.

I have, under each of these mentioned figures, explained in detail the stages of craftsmanship that the objects represent. Referring to these along with reading the following paragraphs will help readers understand the key facts.

After pecking with stone hammers the surfaces and sides of the slate or shale until he had reduced it to desired shape, the worker then began to grind the stone. The scratches on several of these specimens indicate that they were ground vigorously with other gritty stones, or rubbed back and forth on the edges of larger stones. There is no other way to account for the scratches on the surfaces.

After using stone hammers to chisel away at the surfaces and sides of the slate or shale until it was shaped the way he wanted, the worker then started grinding the stone. The scratches on some of these pieces suggest that they were ground heavily against other rough stones or rubbed back and forth on the edges of larger stones. There’s no other explanation for the scratches on the surfaces.

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Fig. 330. (S. 1–2.) From the collection of Stephen Van Rensselaer. Found near Orange, New Jersey. These are typical New Jersey types of ornaments or problematical forms, and very interesting specimens. The materials are red and gray slate.

Fig. 330. (S. 1–2.) From the collection of Stephen Van Rensselaer. Found near Orange, New Jersey. These are typical New Jersey types of ornaments or questionable forms, and very interesting specimens. The materials are red and gray slate.

378The average tablet, a flat gorget, must have been made from a piece of slate or water-worn shale. It is not to be supposed that the native would put himself to the trouble and inconvenience of reducing a block of slate larger than the required size. Large fragments of slate, shale, granite, and blooded quartz he did make into winged objects. Manifestly, he could not make a winged object out of a thin, flat stone (such as our Committee have classified under “laminae”). The flat tablets, gorgets and pendants are more numerous than the winged objects, for the reason that they are easy to make. Inspection of the specimens illustrated in this chapter will prove the point I make that many of these objects required little work, save in shaping the edges. Man cut or ground the edges until they were concave or convex or angular to suit his fancy.

378The average tablet, a flat gorget, was probably made from a piece of slate or water-worn shale. It’s safe to say that the native wouldn’t go through the hassle of reducing a large block of slate down to the necessary size. He did create winged objects from larger pieces of slate, shale, granite, and quartz. Clearly, he couldn’t make a winged object from a thin, flat stone (which our Committee has categorized as “laminae”). The flat tablets, gorgets, and pendants are more numerous than the winged objects because they are easier to make. A look at the specimens shown in this chapter will demonstrate that many of these items required minimal work, aside from shaping the edges. The craftsman cut or ground the edges until they were concave, convex, or angular to match his preference.

Fig. 331. (S. 1–1.) Andover collection. These are presented to show the use of the reed drill. Unfortunately, the camera does not show the perforations and the central cores as it should. What appears to be a rim in each specimen is the dark circular depression about the core left by the reed drill.

Fig. 331. (S. 1–1.) Andover collection. These items are shown to illustrate the use of the reed drill. Unfortunately, the camera fails to capture the perforations and the central cores as intended. What looks like a rim in each sample is actually the dark circular depression around the core left by the reed drill.

Most of these tablets were ground out, or the stone was nice and smooth, so no grinding was necessary save on the edges. The tablet was then ready for perforation, and he perforated it and rubbed and polished it until the scratches had disappeared. In the case of the 379winged stones much more care was necessary. The crescents and the ridged stones being thicker were not as easily broken, and we find fewer broken specimens among them than of the winged class. There were more broken “butterfly” or winged stones than of any other class. Because of the thin wings it was necessary for him to work very carefully, and probably to place one half of the specimen on a raised surface covered with buckskin or hide and to rub that until he was ready to turn the specimen and work on the other wing. At best the process was a long and laborious one, as the many unfinished objects of this character attest.

Most of these tablets were smoothed out, or the stone was nice and smooth, so no grinding was needed except on the edges. The tablet was then ready for perforation, and he perforated it and rubbed and polished it until the scratches disappeared. In the case of the 379winged stones, much more care was required. The thicker crescents and ridged stones were not as easily broken, and we find fewer broken specimens among them than in the winged category. There were more broken “butterfly” or winged stones than any other type. Because of the thin wings, he had to work very carefully, probably placing one half of the specimen on a raised surface covered with buckskin or hide and rubbing that until he was ready to turn the specimen and work on the other wing. Overall, the process was long and labor-intensive, as seen by the many unfinished objects of this kind.

Fig. 332. (S. 1–1.) Andover collection. Short winged object, showing that perforation was made by means of a reed drill, the core remaining in the hole. Reed drills were made use of in many of the larger and problematical forms. Another example of reed drilling is shown in Fig. 331.

Fig. 332. (S. 1–1.) Andover collection. Short-winged object, indicating that the hole was created using a reed drill, with the core still inside the hole. Reed drills were used for many of the larger and more complex forms. Another example of reed drilling is shown in Fig. 331.

A study of the unfinished winged objects in the Andover collection furnishes one with a great deal of information. When I said that we had a hundred unfinished winged problematical forms, I meant of those with exaggerated wings, those in which the wings are the prominent feature. Of all classes, unfinished objects of all the types shown in the outlines (Fig. 292), we have over one thousand.

A study of the incomplete winged objects in the Andover collection provides a lot of information. When I mentioned that we had a hundred unfinished winged forms that are problematic, I was referring to those with exaggerated wings, where the wings are the main feature. Overall, for all classes of unfinished objects in the types shown in the outlines (Fig. 292), we have over one thousand.

The larger objects in this series indicate that, after being quarried, or, if not quarried, after the blocks were chipped or hammered, the process of pecking followed next. Then grinding, scratching, or cutting. Last of all came rubbing with softer materials and polishing. Another thing that we proved was that most of these winged objects were drilled with a reed drill. Illustrations of the core remaining in the centre of the perforation are shown in Figs. 331 and 380332. It is also apparent that the specimens were not drilled until they were nearly completed. A specimen is worked down until quite thin before the drilling is undertaken. Apparently, the pecking has been ended, most of the grinding done, and the fine grinding and polishing remain to be completed after the specimen is drilled.

The larger objects in this series show that, after being quarried, or if not quarried, after the blocks were chipped or hammered, the next step was pecking. This was followed by grinding, scratching, or cutting. Finally, the last stage involved rubbing with softer materials and polishing. Another thing we found was that most of these winged objects were drilled using a reed drill. Illustrations of the core left in the center of the hole are shown in Figs. 331 and 380332. It's also clear that the specimens weren't drilled until they were almost finished. A specimen is shaped down until it's quite thin before drilling begins. It seems that the pecking has been completed, most of the grinding done, and the fine grinding and polishing are left to finish after the specimen is drilled.

Mr. Paul S. Tooker of Westfield, New Jersey, sent me a hundred and fifty New Jersey specimens for study and description in “The Stone Age.” Of these, sixteen represent the problematical-ceremonial class. Unfortunately, they came too late to be illustrated in “The Stone Age.”

Mr. Paul S. Tooker of Westfield, New Jersey, sent me 150 New Jersey specimens for study and description in “The Stone Age.” Of these, 16 represent the uncertain ceremonial class. Unfortunately, they arrived too late to be included in “The Stone Age.”

I was pleased to observe in the collection a gorget of pink, hard sandstone, curiously mottled, being on one side pink, and on the other variegated with yellow and green bands. Apparently this stone was considered unusual by the Indians. They had drawn five wigwams near one end, and a snowshoe and other objects at the other end and in the centre. There are four notches on each side, made V-shaped, and six in each end.

I was happy to see in the collection a pink sandstone gorget, interestingly mottled, with one side being pink and the other side featuring yellow and green bands. It seems that the Indians found this stone to be unusual. They had drawn five wigwams at one end, along with a snowshoe and other items at the other end and in the center. There are four V-shaped notches on each side and six at each end.

In New Jersey the winged stones are more frequently of shale, quartzite, and granite than of banded slate. This is true of Delaware and lower New York. The stones are thin in the centre (see Figs. 329 and 330) and the wings usually curve downwards instead of being at right angles, or expanding from the perforations. These New Jersey types to me suggest a bird in motion, and may stand for the “thunder bird,” so common in American mythology.

In New Jersey, winged stones are more often made of shale, quartzite, and granite rather than banded slate. This applies to Delaware and lower New York as well. The stones are thin in the center (see Figs. 329 and 330), and the wings usually curve downwards instead of being at right angles or spreading out from the holes. To me, these New Jersey types resemble a bird in flight and may represent the “thunder bird,” which is prevalent in American mythology.

Mr. Tooker possesses a broken butterfly form of mica schist. This has been perforated through the centre at right angles to the original long perforation, and was worn as an ornament until the rough, broken edges became polished through use. The New Jersey specimens look old and do not appear to show white man’s influence in any way.

Mr. Tooker has a broken butterfly piece of mica schist. It has been drilled through the center at a right angle to the original long hole and was worn as a decoration until the rough, broken edges became polished from use. The New Jersey specimens look ancient and don’t seem to show any influence from white people.

In the collection was a bit of broken winged object (like that shown in Fig. 338) of the blooded quartz stone from Arkansas. This specimen was probably secured by the New Jersey natives through exchange.

In the collection was a small broken winged object (similar to what's shown in Fig. 338) made of the blood-red quartz stone from Arkansas. This specimen was likely obtained by the New Jersey natives through trading.

Dr. Beauchamp’s remarks on certain specimens in Fig. 337 should be quoted, and I insert them, save the change from his numbers, which do not correspond with mine:—

Dr. Beauchamp’s comments on specific specimens in Fig. 337 should be included, so I'm adding them here, except for the adjustment of his numbers, which don't match mine:—

381

Fig. 333. (S. 1–4.) Northern Illinois and northern Indiana types, from W. A. Holmes’s collection, Chicago. The winged type and also several that defy classification are present; notably, those on the upper row, the heart-shaped objects at either end, and the central unknown form with three perforations. The heart-form is occasionally found in the United States, but is rare. Just what significance it carries, I am unable to state.

Fig. 333. (S. 1–4.) Types from northern Illinois and northern Indiana, from W. A. Holmes’s collection in Chicago. The winged type and several unclassified types are included; in particular, those on the top row, the heart-shaped objects at both ends, and the central unknown form with three holes. The heart shape is sometimes found in the United States, but it's uncommon. I'm not sure what significance it has.

382

Fig. 334. (S. about 1–3.) A group of problematical forms, from the collection of Leslie W. Hills, Fort Wayne, Indiana. Most of these are in banded slate, although two are in granite. They will fall under three or four subdivisions of the classification.

Fig. 334. (S. about 1–3.) A collection of uncertain forms, from Leslie W. Hills' collection in Fort Wayne, Indiana. Most of these are made of banded slate, but two are made of granite. They can be categorized into three or four different classifications.

383

Fig. 335. (S. 1–1.) Problematical forms found in Cumberland County, New Jersey. The smaller one appears to be finished and is highly polished. The larger one is unfinished. The hole is drilled about halfway through, leaving a projection which indicates that the boring was done with a hollow instrument, probably a reed. These specimens are in the collection of George Hampton, Bridgeton, New Jersey.

Fig. 335. (S. 1–1.) Questionable shapes found in Cumberland County, New Jersey. The smaller one looks like it’s complete and has a smooth, shiny surface. The larger one isn’t finished. The hole is drilled about halfway through, leaving a protrusion that suggests the boring was done with a hollow tool, likely a reed. These items are part of George Hampton’s collection in Bridgeton, New Jersey.

384

Fig. 336. (S. 1–1.) Side view of the large form in Fig. 352. George Hampton’s collection.

Fig. 336. (S. 1–1.) Side view of the large form in Fig. 352. George Hampton’s collection.

385

Fig. 337. (S. 2–3.) These are reproduced from plates illustrating Dr. Wm. M. Beauchamp’s “Polished Stone Articles used by the New York Aborigines,” New York State Museum Bulletin, vol. 4, no. 18. They have been drawn, which shows the bands in the stone better than do half-tones. These types are found in New York State and Canada, Ohio, and Indiana. As one passes into Michigan or south of Kentucky, the forms and materials change. Attention is called to the central object, perforated on either side. This was originally a winged object, but becoming broken was perforated after the manner of a tablet and used in a way different from that the original form would indicate. It must be observed, in studying these problematical forms, that the perforations or drilling are even in all winged types and the large objects, but in the flat tablets the holes were rimmed out, and are wide on the face, and small on the reverse side.

Fig. 337. (S. 2–3.) These are reproduced from plates showcasing Dr. Wm. M. Beauchamp’s “Polished Stone Articles used by the New York Aborigines,” New York State Museum Bulletin, vol. 4, no. 18. They have been illustrated, which highlights the bands in the stone better than half-tones do. These types can be found in New York State, Canada, Ohio, and Indiana. As one moves into Michigan or south into Kentucky, the shapes and materials change. Notice the central object, which is perforated on both sides. This was originally a winged item, but after it broke, it was drilled to function like a tablet and was used differently than its original design would suggest. It’s important to recognize that when studying these uncertain shapes, the perforations or drilling are consistent in all winged types and the larger items, but in the flat tablets, the holes are rimmed out, wider on the front side, and smaller on the back side.

386“Next from the right is a beautiful article and comes from Fabius or Pompey, much resembling one in the State Museum from that vicinity. It is made of a beautiful olive-green striped slate, and in form is like a slender pickaxe, having a central ridge along both sides, from end to end. Each end has a slight projection. In the centre, on one side, is a partially effaced ornament. It is seven inches wide by one and one fourth deep, and the orifice is nine sixteenths of an inch in diameter. No finer example of this form is on record.

386“Next to the right is a stunning piece that comes from Fabius or Pompey, resembling one in the State Museum from that area. It's made of beautiful olive-green striped slate and has the shape of a slender pickaxe, featuring a central ridge along both sides from end to end. Each end slightly protrudes. In the center on one side, there's a partially worn ornament. It's seven inches wide, one and a quarter inches deep, and the opening is nine sixteenths of an inch in diameter. There is no finer example of this form on record.”

“To the left is a pick-shaped article of black slate, unique in some respects. The centre is enlarged by a distinct concave sweep on either side, terminating in a central flattened surface. Near this is a lateral perforation on either hand, drilled precisely as in the gorgets. No other has been reported with holes like these, and if the stone had been placed on a staff, they might have served to attach pendant ornaments. The sides are covered with transverse lines, suggesting tallies. The blades are thin, and the total length is six inches, with a depth of one and one fourth inches. It was found on a camp-site on the Seneca River in 1875. The ends are abrupt, and may be either broken or unfinished.

“To the left is a pick-shaped piece of black slate, unique in several ways. The center is expanded by a distinct concave curve on either side, ending in a flat surface in the middle. Nearby, there are two side perforations, drilled exactly like those in gorgets. No other examples with similar holes have been reported, and if the stone were attached to a staff, these might have been used to hang pendant ornaments. The sides have crosshatch lines, which seem to indicate tallies. The blades are thin, with a total length of six inches and a depth of one and a quarter inches. It was discovered at a campsite on the Seneca River in 1875. The ends are abrupt and may either be broken or unfinished.”

“In the lower left-hand corner is a thick, crescent-formed banner-stone from Skaneateles Lake, made of green striped slate, and one inch deep by three and three eighths wide. The ends are rounded, and the orifice is a little over half an inch in diameter, contracting slightly in the interior of the stone. There are no village-sites near, and but few small camps.”

“In the lower left-hand corner is a thick, crescent-shaped banner stone from Skaneateles Lake, made of green striped slate, measuring one inch deep by three and three eighths wide. The ends are rounded, and the opening is just over half an inch in diameter, narrowing slightly inside the stone. There are no nearby village sites, and only a few small camps.”

Occasionally, there are fine winged objects found in New England, and I present one in the lower specimen in the photogravure plate, Fig. 338. This was found in Massachusetts and is of mottled granite. But most of the New England forms are such as are shown in Fig. 339, from the collection of Mr. Deisher, and Fig. 342, from the collection of Professor G. H. Perkins, Burlington, Vermont, and the unfinished one, Fig. 322. It will be observed that these are quite different from the winged types of Illinois, Kentucky, and Ohio which we have illustrated. In the photogravure plate, Fig. 338, is a small ceremonial to the right, of hard, mottled granite from Illinois. A blooded quartz object from Arkansas is shown to the left, while at the top is a beautiful “butterfly form” from southern Ohio.

Occasionally, there are some finely crafted winged objects found in New England, and I’m presenting one in the lower specimen in the photogravure plate, Fig. 338. This was found in Massachusetts and is made from mottled granite. However, most of the New England forms are represented in Fig. 339, from Mr. Deisher's collection, and Fig. 342, from Professor G. H. Perkins’ collection in Burlington, Vermont, along with the unfinished one, Fig. 322. You'll notice that these are quite different from the winged types from Illinois, Kentucky, and Ohio that we've illustrated. In the photogravure plate, Fig. 338, there’s a small ceremonial piece on the right, made of hard, mottled granite from Illinois. A quartz object from Arkansas is shown on the left, while at the top is a beautiful “butterfly form” from southern Ohio.

Of the form and distribution of Wisconsin problematical stones, Mr. Charles E. Brown writes:—

Of the shape and arrangement of Wisconsin's questionable stones, Mr. Charles E. Brown writes:—

387

Fig. 338. (S. 1–2.)

Problematical forms in stone. Localities: Ohio, Massachusetts, Arkansas. Phillips Academy, Andover, Massachusetts, collection.

Fig. 338. (S. 1–2.)

Uncertain shapes in stone. Locations: Ohio, Massachusetts, Arkansas. Collection at Phillips Academy, Andover, Massachusetts.

389“Wisconsin has produced a large number of specimens of banner-stones, many of which are of exceptional beauty of material and workmanship. Unfinished specimens are occasionally found. Portions of broken specimens (the wings) were sometimes perforated for use as gorgets or pendants. In the manufacture of local banner-stones slate, syenite, granite, rhyolite, quartz, and other rocks were employed. The range of form is quite wide and includes many of the types described from Ohio and other states. A few forms and varieties from other regions, not yet described, occur here. The following notes are based upon our present knowledge of their forms and distribution:—

389“Wisconsin has produced a significant number of banner stones, many of which are exceptionally beautiful in terms of material and craftsmanship. Unfinished pieces are sometimes discovered. Parts of broken pieces (the wings) were occasionally drilled for use as gorgets or pendants. In creating local banner stones, materials like slate, syenite, granite, rhyolite, quartz, and other rocks were used. The variety of shapes is quite broad and includes many types found in Ohio and other states. A few shapes and variations from different areas, which haven't been described yet, are also present here. The following notes reflect our current understanding of their shapes and distribution:—

1.
Tablet or rectangular form. Fairly common and widely distributed in southern Wisconsin. Specimens have been recovered in Kenosha, Dane, Monroe, La Crosse, Fond du Lac, Winnebago, Waupaca, and Outagamie counties.
2.
Square form. Specimens of this form are equally as common as the preceding. Examples have been collected in Washington, Waukesha, Dodge, Jefferson, Dane, Sauk, Grant, Sheboygan, and Winnebago counties.
3.
Reel-shaped form. The only known specimens have come from Green Lake and Outagamie counties.

Fig. 339. (S. 1–5.) Problematical form. Material: greenish slate. Collection of H. K. Deisher, Kutztown, Pennsylvania.

Fig. 339. (S. 1–5.) Uncertain shape. Material: greenish slate. Collection of H. K. Deisher, Kutztown, Pennsylvania.

Fig. 340. (S. about 3–10.) Problematical form of cannel coal. This was found in Mercer County, Ohio, in a gravel-pit. It was on the breast of a skeleton. Phillips Academy collection.

Fig. 340. (S. about 3–10.) Uncertain shape of cannel coal. This was discovered in Mercer County, Ohio, in a gravel pit. It was resting on the chest of a skeleton. Phillips Academy collection.

4.
Boat-shaped form. A single specimen of this shape comes from Jefferson County; (it resembles no. 3 in Fig. 361.)
5.
A fine example of this rare form, from Dane County, is in the State Historical Museum, at Madison. It measures 390seven and one quarter inches in length. Other examples are from Racine, Kenosha, and Washington counties.

Fig. 341. (S. 1–2.) Unfinished winged object. From the collection of Stephen Van Rensselaer, Newark, New Jersey. New Jersey type of winged stone is interesting in that the wings are graceful and sloping, usually narrow, and often angular. Compare Figs. 317, 341, and 342. It will be observed that although there is varying weight and width in the wings, yet the three specimens present certain characteristics in common.

Fig. 341. (S. 1–2.) Unfinished winged object. From the collection of Stephen Van Rensselaer, Newark, New Jersey. The New Jersey type of winged stone is interesting because the wings are elegant and sloped, typically narrow, and often angular. Compare Figs. 317, 341, and 342. It can be seen that, despite differences in the weight and width of the wings, the three specimens share certain common features.

6.
Butterfly form. This is one of our most common forms of Wisconsin banner-stones. It is represented by fine examples in many public and private collections. Unfinished specimens occur in several cabinets. The following counties have produced specimens: Milwaukee, Ozaukee, Racine, Washington, Dodge, Jefferson, Rock, Dane, La Crosse, Manitowoc, Green Lake, Winnebago, and Waupaca.

Fig. 342. (S. 1–2.) Winged problematical stone. Vermont. University of Vermont collection.

Fig. 342. (S. 1–2.) Winged uncertain stone. Vermont. University of Vermont collection.

7.
An allied form, with rounded wings. Only two examples, one from Washington and the other from Ozaukee County, are known. The latter is made of ferruginous quartz, and is in the Joseph Ringeisen, Jr., collection at Milwaukee.
8.
Oval form. This form is of quite as common occurrence as the 391butterfly form. Nearly all of the specimens are made of plain or banded slate. Specimens have come from Kenosha, Racine, Waukesha, Dodge, Dane, Sheboygan, Fond du Lac, Kewaunee, Brown, Door, Marquette, Winnebago, Waupaca, and Wood counties. Wood, Waupaca, and Door counties mark the northern limit of its distribution. This form also occurs in the adjoining states of Michigan, Illinois, and Iowa.

Fig. 343. (S. 1–1.) Winged form of mottled granite. Wisconsin Historical Society; kindness of the Wisconsin Archeologist. One can distinguish this form at once as typical of the Wisconsin-Michigan region.

Fig. 343. (S. 1–1.) Winged shape of speckled granite. Wisconsin Historical Society; courtesy of the Wisconsin Archeologist. This form is immediately recognizable as typical of the Wisconsin-Michigan area.

9.
A related form, of which specimens have been obtained in Racine, Dane, and Sheboygan counties. It also occurs in Iowa.
10.
Double-crescentic form. An example of this graceful form in the State Historical Museum comes from Dane County. Fragmentary specimens are known from Kenosha and Waupaca counties. All are fashioned from slate. This form also occurs in Illinois and Michigan.
11.
Crescent form. Specimens have been recovered in Racine, Fond du Lac, and Green Lake counties. Michigan, Iowa, and Indiana have produced specimens.
12.
Knobbed crescent form. A fine example, in the C. T. Olen collection, comes from Omro, Winnebago County. It is made of banded slate. A fragmentary specimen is reported to have been found at Winneconne in the same county. Illinois and Ontario have produced specimens of this form.
13.
Pick-shaped form. Specimens have been found in Racine, Washington, Green Lake, and Brown counties. This form also occurs in Michigan.
14.
L-shaped form. Specimens of this interesting form have been obtained in Dodge, Dane, Waukesha, Ozaukee, Columbia, Sheboygan, Fond du Lac, Marquette, and Manitowoc counties. All are made of slate.
392Description of Fig. 344.
     
1 2 3
     
  5  
4   6
  7  
     
8 9 10
     
11 12 13
     
1.
Banded slate, Kentucky.
2.
Mottled granite, Trigg County.
3.
Banded slate, Meade County.
4.
Soft green slate, Madison County.
5.
Compact blackstone, Livingston County.
6.
Steatite, Madison County.
7.
Greenstone, Franklin County.
8.
Hard red material, Livingston County.
9.
Blooded quartz, Hancock County.
10.
Slate, black, Trigg County.
11.
Blooded quartz, Oldham County.
12.
Green banded slate, Madison County.
13.
Quartz, Trigg County.

These specimens, found in Kentucky, are beautiful, highly finished, and represent the acme of stone-age art in the problematical class. The double-winged crescents at the top on either side are to be noted. Also the fine crescent, no. 5. No. 9, of blooded quartz, is a type somewhat common in the South, but very seldom found in the Ohio Valley and never in the East, or west of a line drawn between Omaha, Nebraska, and Dallas, Texas.

These specimens, discovered in Kentucky, are stunning, expertly crafted, and represent the peak of stone-age art in this uncertain category. The double-winged crescents at the top on each side are notable. Also, take a look at the fine crescent, no. 5. No. 9, made of high-quality quartz, is somewhat common in the South, but very rarely found in the Ohio Valley and never east of a line drawn between Omaha, Nebraska, and Dallas, Texas.

No. 13 is of that same beautiful blooded quartz, which material was selected by the natives because of its fine texture and brilliant colors. This plate emphasizes that while winged objects, as a general proposition, may be somewhat alike, yet in the detailed form and material they are different, and those of one section can be distinguished from those of another.

No. 13 is made of that same beautiful quartz, which the locals chose for its fine texture and vibrant colors. This plate highlights that while winged objects may generally look similar, they vary in their detailed shapes and materials, allowing us to tell those from one area apart from those of another.

393

Fig. 344. (S. 1–4.) Problematical forms. B. H. Young’s collection, Louisville, Kentucky.

Fig. 344. (S. 1–4.) Uncertain shapes. B. H. Young’s collection, Louisville, Kentucky.

394

Fig. 345. (S. 1–1.) Ceremonial axe of stone. Found at Thornhill Lake, Volusia County, Florida. From “Certain Sand Mounds, St. Johns River, pt. II.” This is one of the angular Southern forms, with expanded wings. It is not of the butterfly type. It reminds one very strongly of a Wisconsin-Michigan form which is typified in Fig. 343. There are few of the winged stones found in Georgia, Florida, or Alabama.

Fig. 345. (S. 1–1.) Ceremonial stone axe. Discovered at Thornhill Lake, Volusia County, Florida. From “Certain Sand Mounds, St. Johns River, pt. II.” This is one of the angular Southern styles, featuring expanded wings. It doesn't have the butterfly shape. It closely resembles a form found in Wisconsin and Michigan, which is shown in Fig. 343. There are few winged stones found in Georgia, Florida, or Alabama.

Figs. 343, 349, 357 illustrate the Wisconsin types. Other specimens from Ohio, Indiana, etc., illustrate the more widespread Wisconsin types.

Figs. 343, 349, 357 show the Wisconsin types. Other examples from Ohio, Indiana, and so on, demonstrate the more common Wisconsin types.

It often happens that a later tribe makes use of an object of ancient form and special purpose, for some service totally foreign to the mind of the original owner.

It often happens that a later tribe uses an object of ancient design and specific purpose for a completely different function than what the original owner intended.

This fact is illustrated in specimen number 38,205, from our Andover exhibit, shown in Fig. 352, which has a remarkable and interesting history. It was found in Indiana on the banks of the Wabash River, on the site of a Miami Indian village. The Miamis 395lived on that site about seventy years ago, and the specimen was found shortly after they departed for their reservation west of the Mississippi. As will be seen, the object is an unfinished ceremonial, or possibly an ornament. Material, banded slate. The maker had done little more than block it out roughly. The specimen is clearly prehistoric and is covered with patina. It has every appearance of age. It was picked up from its ancient site by some Miami Indian who was in search of a suitable instrument for tapping sugar-trees. As the specimen was of the right weight, and shaped something like a hammer-head, he lashed it in a stick and used it as an instrument with which to drive pegs or chips into the sugar-maples. The original handle has been preserved, although it is now frail and much decayed.

This fact is shown in specimen number 38,205 from our Andover exhibit, as seen in Fig. 352, which has a fascinating and significant history. It was discovered in Indiana along the banks of the Wabash River, at the site of a Miami Indian village. The Miamis lived there about seventy years ago, and the specimen was found shortly after they moved to their reservation west of the Mississippi. As you can see, the object is an unfinished ceremonial piece, or possibly an ornament. It is made of banded slate. The creator had only roughly shaped it out. The specimen is clearly prehistoric and has a patina covering it. It looks quite old. It was collected from its ancient site by a Miami Indian who was looking for a suitable tool for tapping sugar-trees. Since the specimen was the right weight and somewhat shaped like a hammer head, he attached it to a stick and used it to drive pegs or chips into the sugar maples. The original handle has been preserved, although it’s now fragile and quite decayed.

Fig. 346. (S. 1–3.) Four winged objects and one pick-shaped from the collection of A. L. Addis, Albion, Indiana. Attention is called to the central object, a crescent with the broad ends. This type is interesting, and different from others. Several have been found, but no one can explain the purpose of these peculiar projections on the tips of the wings.

Fig. 346. (S. 1–3.) Four winged objects and one pick-shaped from the collection of A. L. Addis, Albion, Indiana. The focus is on the central object, a crescent with wide ends. This type is intriguing and distinct from others. Several have been discovered, but no one can clarify the purpose of these unique projections at the tips of the wings.

Moreover, the specimen carries a moral. We cannot explain the purpose of the “ceremonial” or unknown or “problematical” class through information or data obtained from modern Indians, and so 396far as prehistoric times are concerned, modern folk-lore sheds little light on them. In this case the Indian made use of an unfinished ceremonial as a rude hand-hammer. No glimmer of what that specimen stood for in the mind of prehistoric man entered his head. He saw a convenient tool and he made use of it accordingly. How long ago that ceremonial was manufactured, it is impossible to determine. One fact stands forth indisputably, and that is that the modern Miami had not the faintest conception of the original or true import of the object he used as a hammer.

Moreover, the artifact has a message. We can't explain the significance of the "ceremonial," unknown, or "problematic" category using information or data from modern Native Americans, and when it comes to prehistoric times, current folklore offers little insight. In this case, the Indian used an unfinished ceremonial object as a basic hammer. He didn't consider what that artifact meant to prehistoric people; he just saw a useful tool and used it as such. It's impossible to determine when that ceremonial item was made. One thing is clear: the modern Miami had no idea about the original or true meaning of the object he was using as a hammer.

Fig. 347. (S. 1–1.) Very highly polished slate winged object. Collection of Leslie W. Hills, Fort Wayne, Indiana. This was originally of butterfly form, such as is shown at the top in Fig. 350, and my theory is that it was broken and the wings ground down until this form resulted.

Fig. 347. (S. 1–1.) A highly polished slate object shaped like a wing. From the collection of Leslie W. Hills in Fort Wayne, Indiana. It was originally shaped like a butterfly, as shown at the top in Fig. 350, and I believe it was broken and the wings were worn down until it reached this shape.

397

Fig. 348. (S. 1–6.) This is a group of interesting problematical forms showing type specimens from Indiana. The double crescent in the centre is one of the finest of its class I have ever seen. On either side are two ridged gorgets, the elevation being horn-like in character. Some tubular pipes from California are shown at the top. Some of the ornaments are quite unusual. The light-colored one to the left of the lower part of the double crescent is made of galena. The bar-amulet, just below the central tubular pipe, is a fine specimen. Collection of Leslie W. Hills, Fort Wayne, Indiana.

Fig. 348. (S. 1–6.) This is a group of intriguing and uncertain forms featuring type specimens from Indiana. The double crescent in the center is one of the finest examples of its kind I have ever seen. On either side are two ridged gorgets, which have a horn-like elevation. Some tubular pipes from California are displayed at the top. Several of the ornaments are quite unique. The light-colored piece to the left of the lower part of the double crescent is made of galena. The bar-amulet, located just below the central tubular pipe, is an excellent specimen. Collection of Leslie W. Hills, Fort Wayne, Indiana.

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Fig. 349. (S. 2–3.) Problematical forms from the collection of Beloit College, Wisconsin. The two objects in the centre are not unlike Ohio Valley forms, but the upper one to the left and the one in the lower right-hand corner are typical of Wisconsin. These two are made of mottled granite and beautifully worked.

Fig. 349. (S. 2–3.) Uncertain forms from the collection of Beloit College, Wisconsin. The two objects in the center resemble Ohio Valley designs, but the upper one on the left and the one in the lower right corner are characteristic of Wisconsin. These two are made of mottled granite and are expertly crafted.

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Fig. 350. (S. about 1–2.) Types of finished problematical forms. Ohio Valley. Of these four winged stones, I would call attention to the one in the lower right-hand corner. It is very unusual to find an object with wings so short that it appears more like a reel on which to wind cord than a true problematical stone. It is believed that it originally had longer wings, but these becoming broken, were ground down until nothing remained but what appears in the present specimen. The object is fully finished, and highly polished. Phillips Academy collection, Andover, Massachusetts.

Fig. 350. (S. about 1–2.) Types of finished problematical forms. Ohio Valley. Among these four winged stones, I want to highlight the one in the lower right-hand corner. It’s quite rare to find an object with wings so short that it looks more like a reel for winding cord than a genuine problematical stone. It's thought that it originally had longer wings, but as they broke, they were ground down until all that remains is what you see in the current specimen. The object is completely finished and highly polished. Phillips Academy collection, Andover, Massachusetts.

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Fig. 351. (S. 1–3.) A group of winged objects from the collection of Leslie W. Hills, Fort Wayne, Indiana. Material: banded slate and black slate. One or two are not entirely completed. An imitation of horns in stone is shown in the lower specimen. These antler-shaped stones are not uncommon, although one as pronounced as this type is rare. It is possible that they were part of a head-dress, as the perforation would indicate it was worn with the points extending upwards.

Fig. 351. (S. 1–3.) A set of winged items from the collection of Leslie W. Hills, Fort Wayne, Indiana. Material: banded slate and black slate. One or two are not fully finished. An imitation of horns in stone is depicted in the lower piece. These antler-shaped stones are not unusual, though one as distinctive as this type is rare. They might have been part of a headpiece, as the holes suggest that they were worn with the points facing upwards.

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Fig. 352. (S. 2–5.) Found in Indiana. Material: banded slate. Handle, hickory. Phillips Academy collection.

Fig. 352. (S. 2–5.) Discovered in Indiana. Material: banded slate. Handle made of hickory. Phillips Academy collection.

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CHAPTER XXI
Ground Stone—Challenging Forms

PICK AND CRESCENT, THE BOAT-SHAPED, BAR-FORMS, ETC.—CONCLUSIONS

There are many winged perforated stones different from the forms commonly called banner-stones. In some specimens one of the wings is omitted, the other being cut angularly, forming the L-shaped objects shown in Figs. 353 and 354. The L-shaped objects are closely related to the crescents. I have seen few unfinished objects of the L-shaped class. A series of six unfinished specimens, pick or crescent type, are shown in Fig. 356. A comparison of Figs. 355, 356, and 357 will indicate that the range is from pick-shaped (shown in the centre of Fig. 355) to slightly curved pick crescents, terminating in examples like the beautiful large crescent shown in Fig. 358. This specimen is, by the way, one of the best in any collection in this country. Little or nothing is known regarding these pick- and crescent-shaped forms and absolutely nothing regarding the L-shaped. So far as theory is concerned, I am of the opinion that two of them were worn by men during ceremonial dances, or something of that sort. Then they were fastened to the head and stood up on either side in imitation of horns. I have no evidence of that belief; it is simply my opinion.

There are many winged perforated stones that differ from the shapes typically called banner stones. In some examples, one of the wings is missing, with the other cut at an angle, creating the L-shaped objects seen in Figs. 353 and 354. The L-shaped objects are closely linked to the crescents. I've encountered only a few unfinished L-shaped pieces. A series of six unfinished specimens, either pick or crescent types, are displayed in Fig. 356. Comparing Figs. 355, 356, and 357 shows a range from pick-shaped (in the center of Fig. 355) to slightly curved pick crescents, culminating in examples like the stunning large crescent shown in Fig. 358. This particular piece is among the finest in any collection in this country. There is little to no information known about these pick- and crescent-shaped forms, and absolutely nothing about the L-shaped ones. As for theory, I believe that two of them were worn by men during ceremonial dances or something similar. They may have been attached to the head and stood up on either side to mimic horns. I don’t have any evidence for that belief; it’s just my opinion.

BARS AND BAR-AMULETS

The “Handbook” says a little about these. Mr. A. E. Douglas, of the American Museum, in a pamphlet published some years ago, offered remarks concerning them. I present Figs. 364 to 368 illustrating these. All kinds are shown from the straight bar to the ridged bar, to the highly complicated form shown in Fig. 367. Whether these were worn on the forearm, or tied to the head, or worn across the chest, I am unable to state. All these various uses have been assigned them by other observers.

The “Handbook” provides some information about these. Mr. A. E. Douglas from the American Museum shared his thoughts on them in a pamphlet published a few years ago. I’m including Figs. 364 to 368 to illustrate these items. All types are shown, from the straight bar to the ridged bar, to the very complex design seen in Fig. 367. I can’t say for certain if these were worn on the forearm, tied to the head, or worn across the chest. Different observers have suggested all these various uses.

It will be seen that there are not only straight bars, but bars with the ends slightly enlarged, as specimen number 22 in Fig. 364, and also bars, convex above, and flat underneath. One with a ridge along the back is shown in the lower figure in 365.

It will be noted that there are not just straight bars, but also bars with slightly thicker ends, like specimen number 22 in Fig. 364, and bars that are curved on top and flat underneath. One with a ridge along the back is shown in the lower figure in 365.

403The ridged gorgets gradually develop, according to my arrangement, until they terminate in bars, or the series may be traced the other way. Five of these are shown in Fig. 366. However, there is this difference, the bars are perforated or grooved at each end and the ridged gorgets are perforated on either side of the centre.

403The ridged gorgets gradually evolve according to my layout, until they end in bars, or the series can be traced in the opposite direction. Five of these are shown in Fig. 366. However, there is one difference: the bars have holes or grooves at each end, while the ridged gorgets are perforated on both sides of the center.

Fig. 353. (S. 2–3.) All of banded slate. Andover collection. These are the L-shaped or horn-shaped problematical forms, regarding which absolutely nothing is known. Reference to our series of outlines presented in Fig. 292 will indicate that there is gradual progression in this series. The slate bars are slightly curved, forming the dark, L-shaped type shown in the centre of the lower row. I know nothing about these objects.

Fig. 353. (S. 2–3.) All made of banded slate. Andover collection. These are the L-shaped or horn-shaped forms of uncertain origin, about which nothing is known. If you refer to our series of outlines in Fig. 292, you'll see that there’s a gradual progression in this series. The slate bars are slightly curved, creating the dark, L-shaped type shown in the center of the lower row. I have no information about these objects.

The remarkable specimen from Iowa presented in Fig. 367 is the most highly developed bar-amulet that I have seen in any collection.

The amazing specimen from Iowa shown in Fig. 367 is the most advanced bar-amulet I've encountered in any collection.

Fig. 360 in the upper right-hand corner is an engraved spool-shaped object of sandstone. Numbers of these have been found in the United States. They are of various sizes and diameters for the most part engraved in various lines, circles, etc. The best of the shorter articles dealing with these was published in The Antiquarian (Columbus, 1897) page 172, and was written by Mr. A. F. Berlin.

Fig. 360 in the upper right-hand corner is an engraved spool-shaped object made of sandstone. Many of these have been found in the United States. They come in different sizes and diameters, mostly engraved with various lines, circles, and more. The best of the shorter articles about these was published in The Antiquarian (Columbus, 1897) page 172, and was written by Mr. A. F. Berlin.

Dr. Thomas Wilson in The Swastika, page 975, speaks of these 404spool-shaped ornaments and draws comparisons between those found in America and foreign countries. Wilson thought that they were bobbins on which thread was wound. They appear to have been highly appreciated by the aborigines, for they are always carefully made and decorated with Maltese and St. Andrews crosses, zig-zag lines, sun symbols, etc.

Dr. Thomas Wilson in The Swastika, page 975, talks about these 404spool-shaped ornaments and compares those found in America to those from other countries. Wilson believed they were bobbins for winding thread. It seems the indigenous people valued them highly, as they were always thoughtfully crafted and adorned with Maltese and St. Andrews crosses, zig-zag lines, sun symbols, and more.

Fig. 354. (S. 1–1.) Collection of W. F. Matchett, Pierceton, Indiana.

Fig. 354. (S. 1–1.) Collection of W. F. Matchett, Pierceton, Indiana.

The “Handbook of American Indians,” page 157, contains brief descriptions of boat-stones, written by Gerard Fowke and Professor Holmes. I quote their remarks:—

The “Handbook of American Indians,” page 157, features short descriptions of boat-stones, authored by Gerard Fowke and Professor Holmes. I’ll share their remarks:—

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Fig. 355 is a group of six objects from the Andover collection. (Size 1–2.) These illustrate the type of problematical form, a straight body sloping toward the ends, and running the perforations invariably at right angles to the grain. The two on either side are ordinary crescent-shape. The one at the bottom is a winged type, but is not cut down on either side to bring the wings into review.

Fig. 355 shows a set of six items from the Andover collection. (Size 1–2.) These demonstrate a type of puzzling form, featuring a straight body that tapers at the ends, with the perforations consistently positioned at right angles to the grain. The two on the outer sides have a typical crescent shape. The one at the bottom is a winged type, but it isn't trimmed on either side to reveal the wings.

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Fig. 356. (S. 1–2.) The evolution of the crescent from the rough block of red slate at the top, which has been pecked into shape, down to the completed crescent at the bottom. Phillips Academy collection, Andover. This series, arranged from the Andover collection, is made up of specimens from Pennsylvania, Ohio, West Virginia, and Indiana.

Fig. 356. (S. 1–2.) The transformation of the crescent from the rough block of red slate at the top, which has been shaped through pecking, to the finished crescent at the bottom. Phillips Academy collection, Andover. This series, organized from the Andover collection, contains specimens from Pennsylvania, Ohio, West Virginia, and Indiana.

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Fig. 357. (S. 1–2.) From the collection of Rev. James Savage, Detroit, Michigan. Three pick-shaped objects, half-size, which are described elsewhere in the text.

Fig. 357. (S. 1–2.) From the collection of Rev. James Savage, Detroit, Michigan. Three pick-shaped objects, half-size, which are described elsewhere in the text.

Fig. 358. (S. 1–2.) is a highly specialized crescent with flaring ends. It is beautifully worked, highly finished, and was found by Willard H. Davis, near the mouth of the Muskingum River in southern Ohio.

Fig. 358. (S. 1–2.) is a uniquely shaped crescent with wide ends. It is skillfully crafted, finely finished, and was discovered by Willard H. Davis, close to the mouth of the Muskingum River in southern Ohio.

408“Prehistoric objects of polished stone having somewhat the shape of a canoe, the use of which is unknown. Some have straight parallel sides and square ends; in others the sides converge to a blunt point. A vertical section cut lengthwise of either is approximately triangular, the long face is more or less hollow, and there is usually a perforation near each end; some have a groove on the outer or convex side, apparently to receive a cord passed through the holes. Sometimes there is a keel-like projection in which this groove is cut. It is surmised that they were employed as charms or talismans and carried about the person. They are found sparingly in most of the states east of the Mississippi River, as well as in Canada. Those in the Northern States are made principally of slate, in the South and West steatite is most common, but other varieties of stone were used. In form some of these objects approach the plummets and are perforated at one end for suspension; others approximate the cones and hemispheres. Analogous objects are found on the Pacific Coast, some of which are manifestly modeled after the native canoe, while others resemble the boat-stones of the East, although often perforated at one end for suspension.”

408 “Prehistoric polished stone objects that resemble canoes, but their purpose is unknown. Some have straight, parallel sides with square ends, while others have sides that taper to a blunt point. A vertical cut lengthwise on either shape looks roughly triangular; the longer face is more or less hollow, and there's usually a hole near each end. Some feature a groove on the outside or rounded side, likely for a cord to be threaded through the holes. Occasionally, there's a keel-like projection where this groove is found. It's believed these items were used as charms or talismans and were carried by individuals. They are found in limited quantities in most states east of the Mississippi River, as well as in Canada. In the Northern States, they are mostly made of slate, while in the South and West, steatite is more common, though other types of stone were also utilized. Some of these objects resemble plummets and have a hole at one end for hanging; others look like cones and hemispheres. Similar objects can be found on the Pacific Coast, some of which clearly imitate the native canoe, while others are reminiscent of the boat-stones from the East, often with a hole at one end for hanging.”

Fig. 359. (S. 1–1.) Phillips Academy collection. This figure shows an engraved spool in the upper right-hand corner, an L-shaped object below, and a peculiar slate ornament in which an angular opening has been cut. Whether the spool-shaped object should be classed with plummets or in the problematical series, I do not know.

Fig. 359. (S. 1–1.) Phillips Academy collection. This figure shows an engraved spool in the upper right corner, an L-shaped object below it, and a unique slate ornament with an angular opening cut into it. I'm not sure if the spool-shaped object should be categorized with plummets or placed in the uncertain category.

Dr. Thomas Wilson had a theory that these boat-stones were made to ward off evil and that in the hollow of the boat-stone was tied a wooden effigy of a human being; that boat-stone and effigy were put away for a certain length of time, and thus the evil was avoided or the influence of the effigy rendered of no effect.

Dr. Thomas Wilson theorized that these boat-stones were created to fend off evil, and that inside the hollow of the boat-stone was a wooden figure of a person; both the boat-stone and the figure were stored away for a specific period, thus preventing evil or making the figure ineffective.

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Fig. 360. (S. 1–2.) Andover collection. An interesting spool-shaped object in the centre, a highly ornamental plummet at the left, all of sandstone; rare slate bead at the right.

Fig. 360. (S. 1–2.) Andover collection. An intriguing spool-shaped item in the center, a decorative plummet on the left, all made of sandstone; a rare slate bead on the right.

Fig. 361. (S. 1–1.) From the collection of A. Setterlun, The Dalles, Oregon.

Fig. 361. (S. 1–1.) From the collection of A. Setterlun, The Dalles, Oregon.

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CONCLUSIONS AS TO GORGETS, WINGED OBJECTS, ETC.

In the preceding pages I have had so much to say about supposed use of problematical forms, that there is little need for lengthy conclusions. Moreover, in general Conclusions in “The Stone Age,” I shall consider the meaning of these and other things in more detail.

In the previous pages, I've discussed the supposed use of questionable forms so much that there's hardly a need for lengthy conclusions. Additionally, in the general Conclusions of “The Stone Age,” I'll explore the significance of these and other matters in more detail.

Fig. 362. (S. 1–3.) Four beautiful boat-stones from the collection of B. H. Young, Louisville, Kentucky. All are highly executed and polished, from various portions of Kentucky. Materials: Greenstone and banded slate.

Fig. 362. (S. 1–3.) Four beautiful boat stones from the collection of B. H. Young, Louisville, Kentucky. All are expertly crafted and polished, from different regions of Kentucky. Materials: Greenstone and banded slate.

Many of the tablets or winged objects have been called “shuttles,” and were supposed to have been used in the weaving of cloth and nets. Other less sensible uses have been applied to these things.

Many of the tablets or winged objects are referred to as “shuttles” and were thought to be used in weaving cloth and nets. Other less practical uses have been attributed to these items.

It has always seemed to me ridiculous to claim that the prehistoric peoples made use of objects, on which a great deal of time and hard labor were spent, for ordinary purposes. Last summer when among the Ojibwa, I made particular inquiries of them regarding the use of various implements; particularly the small triangular boards, 411cut in the form of stone tablets, with which I saw old women weaving nets. They informed me that they used similar small, flat pieces of wood with concave ends in olden times.

It has always seemed absurd to me to say that prehistoric people used objects, which took a lot of time and effort to create, for everyday purposes. Last summer, when I was with the Ojibwa, I specifically asked them about the use of various tools, especially the small triangular boards, 411 shaped like stone tablets, that I saw older women using to weave nets. They told me that in the past, they used similar small, flat pieces of wood with curved ends.

Fig. 363. (S. 1–2.) Five ridged gorgets from the Andover collection. Attention is called to the one with the horn-like elevation.

Fig. 363. (S. 1–2.) Five ridged neckpieces from the Andover collection. Note the one with the horn-like bump.

An Indian could make a wooden shuttle in far less time than required to make one of stone, and if he dropped the wooden shuttle it would not break. If he dropped a winged stone and it struck any hard substance, it would be pretty apt to break or at least to be nicked.

An Indian could create a wooden shuttle much faster than it would take to make one out of stone, and if he dropped the wooden shuttle, it wouldn't break. However, if he dropped a winged stone and it hit a hard surface, it would likely break or at least get a chip.

Regarding the winged and other forms it is significant that no great number of these objects are found in the mounds, rather do they occur in the surface, pretty much anywhere in the Mississippi Valley and the St. Lawrence basin. In the great mounds of the Ohio Valley and also in the South, copper objects and pipes are common, the winged specimens in slate are very rare. My own opinion is that these things are older than the mounds. The gorgets with raised surfaces, such as Fig. 363, occur more frequently in the mounds of the Scioto Valley, than other types, excepting pendants, which are 412common everywhere. The same is true of the large squared or rectangular tablets; the double-winged stones are almost entirely wanting in the mounds and graves.

Regarding the winged and other forms, it’s notable that not many of these objects are found in the mounds; instead, they can be found on the surface, pretty much anywhere in the Mississippi Valley and the St. Lawrence basin. In the large mounds of the Ohio Valley and the South, copper objects and pipes are commonly present, while the winged specimens made of slate are very rare. I believe these items are older than the mounds. The gorgets with raised surfaces, like Fig. 363, are found more often in the mounds of the Scioto Valley than other types, except for pendants, which are common everywhere. The same goes for the large squared or rectangular tablets; the double-winged stones are almost entirely absent in the mounds and graves.

The beauty and symmetry of these specimens have always appealed to students of prehistoric art.

The beauty and symmetry of these examples have always attracted students of prehistoric art.

It is interesting to note—and one is persuaded that it has a direct bearing upon the usages to which the aborigines put these objects—that few of the forms are found accompanying the burials, and that these few are confined to the pendant shape, the tablet, and the “boat-shaped”—not hollowed-out. That is, that the “canoe-form” is so seldom found in interments as to be considered an exception, and that even when found it is not hollowed-out.

It’s worth noting—and it seems to be relevant to how the indigenous people used these objects—that very few shapes are found in burials, and those that are typically include the pendant shape, the tablet, and the “boat-shaped”—but not hollowed out. In other words, the “canoe-form” is so rarely found in graves that it can be seen as an exception, and even when it does appear, it’s not hollowed out.

Fig. 364. (S. 1–2.) Slender bar-amulets. Collection of Albert L. Addis, Albion, Indiana. These three were found near Albion and are more slender than most bars.

Fig. 364. (S. 1–2.) Slim bar amulets. Collection of Albert L. Addis, Albion, Indiana. These three were discovered near Albion and are slimmer than most bars.

Certain forms are common in stated localities. When one has time to list all of the “gorget” class now on exhibition in the museums, it will be possible to deduce further conclusions. Until then, what facts have already been ascertained must suffice.

Certain forms are common in specific areas. When there’s time to list all of the “gorget” types currently on display in the museums, it will be possible to draw more conclusions. Until then, the facts that have already been discovered will have to suffice.

Cushing thought that many of these slate and granite gorgets were bases on which bird-stones and similar effigies were mounted. Formerly I was inclined to accept Cushing’s views, but as careful 413study of the soft slate surfaces fails to reveal scratches, I am not now prepared to accept his suggestion. Rather let it be said that, if one is to theorize at all, the more complicated of these gorgets belong to the shamanistic individuals who were numerous in primitive tribes; that these, adorned with a variety of feathers and gewgaws, were brought before the lodge or into the central dance-ground and placed before the shaman, or that they were carried by him, or worn upon his person.

Cushing believed that many of these slate and granite gorgets served as bases for bird-stones and similar figures. I used to agree with Cushing’s ideas, but after closely examining the soft slate surfaces and finding no scratches, I’m not inclined to accept his suggestion anymore. Instead, I would argue that, if we’re to theorize at all, the more intricate of these gorgets are associated with the shamanistic individuals who were common in primitive tribes; that these, decorated with various feathers and trinkets, were presented in front of the lodge or in the main dance area and placed before the shaman, or that they were carried by him or worn on his person.

Fig. 365. (S. 1–2.) Bar-amulets; Phillips Academy collection, Andover. These range from base with slightly turned ends to long straight objects pointed at either end. They are of black slate, perforated in the bottom like a bird-stone.

Fig. 365. (S. 1–2.) Bar-amulets; Phillips Academy collection, Andover. They vary from bases with slightly curved ends to long, straight items that are pointed at both ends. Made of black slate, they have holes at the bottom like a bird-stone.

The fact that so few of these are found in burial-places leads me to believe that the problematical class was made and used largely in times previous to the interment of bodies in mounds, graves, or cliff-houses. That is, they were all very old and did not belong to mound-building tribes or to those who were buried in graves. Of course, some of them did, but I am speaking of the average, for a small per cent of them were found in burial-places. Professor Edward H. Williams, Jr., of Woodstock, Vermont, examined with great care for me the surfaces of a number of these problematical forms, testing 414them from a point of view of chemistry and mineralogy, to ascertain what elements in the stones weathered out and what elements remained. In the Conclusions, Volume II, I present his observations, referring to them by our museum numbers, instead of by the figure numbers used in “The Stone Age.” His observations are of great importance in indicating that many of these stones are old. How old, I do not attempt to say in years, but that the most of them were made and used long before the Christian era, I firmly believe.

The fact that so few of these are found in burial sites makes me think that this questionable group was largely created and used before the practice of burying bodies in mounds, graves, or cliff dwellings became common. In other words, they are all very old and don't belong to the tribes that built mounds or buried people in graves. Of course, some did, but I'm talking about the average, as only a small percentage of them were found in burial sites. Professor Edward H. Williams, Jr., from Woodstock, Vermont, carefully examined the surfaces of several of these questionable forms for me, testing them from a chemistry and mineralogy perspective to find out which elements in the stones had weathered away and which ones remained. In the Conclusions, Volume II, I share his findings, referring to them by our museum numbers instead of the figure numbers used in “The Stone Age.” His observations are crucial as they suggest that many of these stones are old. How old, I can't specify in years, but I'm convinced that most of them were made and used long before the Christian era.

Fig. 366. (S. 1–3.) Bar-amulet and four ridged objects, somewhat different from bar-amulets, but of such forms as could be ranged in a series, beginning with bar-amulet and ending in a ridged type, or vice versa.

Fig. 366. (S. 1–3.) Bar amulet and four ridged objects that are slightly different from bar amulets, but in forms that could be arranged in a sequence, starting with the bar amulet and finishing with a ridged type, or vice versa.

There is another point with reference to the problematical class that I wish to place before readers. If there is anything that denotes peculiar development here in America on the part of stone-age man—a development dissimilar to that found anywhere else in the world, it is evinced in these strange, problematical forms. Here and there one will find a stone pendant or simple ornament similar to stone pendants elsewhere in the world. But as a class these things stand aloof as distinctly American. Compare them with stone objects from any other country in the world, and you will catch my meaning. They are unique, they are individualistic. I defy any one to pick a series in Egypt, Europe, Babylonia, or elsewhere that will type for type compare with them. They constitute a problem in American archæology. We have seen that on the forearm or chest, or the hand, or the neck, of skeleton remains some of these are found. But most of the forms have not been found buried with the dead. The few vague references to “charm-stones,” and “bull-roarers” are feeble attempts at explanation. Certainly, we do not know, in the broad sense, what they meant to stone-age man. To dismiss them with a wave of the hand as witchcraft stones is likewise a confession to ignorance and of inability to solve the problem. I find no specific reference among the works of early writers to their use. Their distribution is not confined to the territory of the Iroquois, the Creeks, the Delawares, the Eries, or the Ojibwa. While they are most numerous in the areas occupied by such tribes, that does not mean that they were used by those same Indians.

There’s another point about the mysterious class that I want to bring to readers’ attention. If there’s anything that shows a unique development here in America by stone-age people—a development unlike anything else found worldwide—it’s these strange, enigmatic forms. Occasionally, you’ll find a stone pendant or a simple ornament that resembles stone pendants from other places around the globe. But as a group, these items stand apart as distinctly American. Compare them with stone artifacts from any other country, and you’ll understand what I mean. They are one-of-a-kind and individualistic. I challenge anyone to find a similar series in Egypt, Europe, Babylonia, or anywhere else that compares type for type. They present a puzzle in American archaeology. We have observed that some of these items are found on the forearm, chest, hand, or neck of skeleton remains. However, most of these forms have not been discovered buried with the dead. The few vague mentions of “charm-stones” and “bull-roarers” are weak attempts at explanation. Clearly, we do not broadly understand what they meant to stone-age people. Dismissing them as witchcraft stones is also an admission of ignorance and an inability to address the issue. I can’t find any specific references in the works of early writers regarding their use. Their distribution is not limited to the areas of the Iroquois, the Creeks, the Delawares, the Eries, or the Ojibwa. While they are most abundant in regions inhabited by these tribes, that doesn’t mean they were used by those same Native Americans.

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Fig. 368. (S. 1–2.) Two of a series of peculiar pointed type regarding which I am totally in the dark. Material: black slate and granite. Phillips Academy collection, Andover. The one to the right has a groove about the top. There are many of these in all museum collections, and I am sorry I cannot illustrate a large number of them. They range from the ordinary ridged form, unperforated, to long, slender, almost pick-shaped objects. They constitute a study in themselves. There have been many theories as to drilled and winged objects, but these pendant-shaped, “coffin”-shaped, and kindred stones not only defy classification, but there is absolutely no use to be assigned them. There are no perforations, seldom are they grooved, and there is no way whereby one might judge for what purpose they were made use of. Truly the word “problematical” belongs to them more than to any other type of stone objects.

Fig. 368. (S. 1–2.) Two from a series of strange pointed types, about which I have no idea. Material: black slate and granite. Phillips Academy collection, Andover. The one on the right has a groove around the top. Many of these can be found in museum collections, and I regret that I can't illustrate a larger number of them. They vary from the usual ridged form, which is unperforated, to long, thin, almost pick-shaped items. They are a subject of study on their own. There have been numerous theories about drilled and winged objects, but these pendant-shaped, “coffin”-shaped, and similar stones not only resist classification, but there's absolutely no purpose we can assign to them. There are no holes, they are rarely grooved, and there's no way to determine what they were used for. Truly, the term “problematical” applies to them more than to any other type of stone artifacts.

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Fig. 367. (S. 1–2.) Peculiar bar-amulet, of which three views are represented; top, side, and bottom. John Merkel collection, Bellevue, Iowa. Material: mottled granite.

Fig. 367. (S. 1–2.) Unique bar amulet, shown in three views: top, side, and bottom. John Merkel collection, Bellevue, Iowa. Material: speckled granite.

I closed my part of the Bulletin no. 2, on gorgets, Phillips Academy publication, with the same quotations with which I close this chapter on “Problematical Forms.” I see no reason to change it, although it applied to gorgets exclusively:—

I wrapped up my section of Bulletin no. 2 on gorgets, a Phillips Academy publication, with the same quotes I'm using to conclude this chapter on “Problematical Forms.” I don't see any reason to change it, even though it was specifically about gorgets:—

“If one were to find Zuñi paraphernalia independent of any association of Zuñi people, and if the discoverer had no knowledge of the Zuñis, he could not conceive of the peculiar, not to say 417incredible, usages to which Zuñi charms are put. The Zuñis gave up most of their time to ceremonies. Other native tribes may have done the same.

“If someone were to come across Zuñi items without any connection to the Zuñi people, and if that person had no knowledge of the Zuñis, they wouldn't be able to understand the unique, if not unbelievable, ways in which Zuñi charms are used. The Zuñis devoted most of their time to ceremonies. Other native tribes might have done the same.”

“In the earlier Jesuit ‘Relations’ the natives are said to have devoted many days to ceremonies, incantations, etc.,—‘Works of the Devil.’ But there is no clear and tangible reference, in all of the voluminous writings of early explorers, to the more complicated gorgets, to the forms more elaborate than the merely pendant shape. The suggestion forces itself that these objects were made and used before the Discovery by Columbus.”

“In the earlier Jesuit ‘Relations,’ it’s mentioned that the natives spent many days on ceremonies, incantations, etc.—‘Works of the Devil.’ However, there isn’t any clear and concrete reference in all the extensive writings of early explorers to the more complex gorgets or to designs that are more elaborate than just a simple pendant shape. It seems likely that these objects were created and used prior to Columbus’s Discovery.”

418

CHAPTER XXII
GROUND STONE—PROBLEMATIC FORMS

THE SPUD-SHAPED IMPLEMENT

Contrary to many of the preceding classes of ancient artifacts, we have two excellent modern authorities on the stone spud-shaped implement. To begin with, permit me to register a protest against the word “spud”—which is suggestive of a heavy iron implement in the hands of a laborer. It is to be supposed that the word “spud” is retained because no one has proposed a good substitute.

Contrary to many of the earlier types of ancient artifacts, we now have two reliable modern experts on the stone tool shaped like a spud. First, I want to express my objection to the term “spud”—it brings to mind a heavy iron tool used by a worker. It seems that the term “spud” continues to be used simply because no one has offered a better alternative.

In the Wisconsin Archeologist[41] Mr. Charles E. Brown published a paper describing the spud. This could in no wise be improved upon, and with the omission of some local specimens he has cited, I quote most of his article. His figure numbers have been changed to suit my figures, and a few paragraphs at the end are not included:

In the Wisconsin Archeologist[41] Mr. Charles E. Brown published a paper describing the spud. This could not be improved upon, and except for a few local examples he mentioned, I’m quoting most of his article. His figure numbers have been updated to match my figures, and a few paragraphs at the end are not included:

“The class, or more properly, classes of stone implements of which a consideration is attempted in the following pages, have been variously referred to in our archæological literature as spuds, hoe, spade and paddle-shaped implements and spade ceremonials and by other names equally indefinite and undesirable, and the only explanation which can be offered for the adoption of the present title is, that though not entirely satisfactory, it has nevertheless the advantage of being the one by which these varied, peculiar, and interesting objects are now most familiarly known to the archæologists and collectors of our own state and of the country at large.

“The class, or more accurately, classes of stone tools discussed in the following pages have been variously referred to in our archaeological literature as spuds, hoes, spade and paddle-shaped tools, and spade ceremonials, along with other equally vague and unhelpful names. The only reason for choosing the current title is that, although it's not completely satisfactory, it has the advantage of being the term most commonly used by archaeologists and collectors in our state and across the country to refer to these unique, distinctive, and interesting objects.”

“It is apparent that the term ‘spud,’ as at present employed, is being used to define and include within its scope at least two classes of stone implements, which, though they resemble each other in a general way, were, if we may judge by the difference in condition, workmanship, and general adaptability, intended for and undoubtedly served quite distinct purposes.

“It’s clear that the term ‘spud,’ as it’s currently used, is meant to define and encompass at least two types of stone tools. While they look similar in general, based on their differences in condition, craftsmanship, and overall suitability, it’s likely they were designed for and undoubtedly fulfilled very different purposes.”

“Save that presented by Fowke, which embraces only such forms as are represented in the United States National Museum and does not include the Western form, no regular classification of these implements 419appears to have been attempted. In a like manner, nearly all of the published descriptions of various authors relate only to Southern and Southeastern forms and but little or no effort appears to have been made to assemble the data or compare them with others.

“Except for the one presented by Fowke, which includes only the forms found in the United States National Museum and excludes the Western form, it seems that no standard classification of these tools has been attempted. Similarly, almost all the published descriptions by various authors focus only on Southern and Southeastern forms, and there seems to be little or no effort made to gather the data or compare it with others. 419

“Such being the case, a re-classification or re-consideration of all of the known types, is both timely and necessary.

“Given the circumstances, it’s both timely and necessary to reclassify or reconsider all known types.”

Fig. 369. (S. 1–2.) Two beautiful black slate ornaments from Fulton County, Kentucky. The one to the left is almost spudlike in character, but is too slender to be considered a true spud. Ornaments of this form are very rare and doubtless represent individual fancy, as do many of these things. Collection of B. H. Young, Louisville, Kentucky.

Fig. 369. (S. 1–2.) Two striking black slate ornaments from Fulton County, Kentucky. The one on the left has a somewhat potato-like shape, but it’s too thin to be a true potato. Ornaments like this are quite rare and likely reflect personal taste, similar to many of these items. Collection of B. H. Young, Louisville, Kentucky.

“In the following convenient classification which is based upon 420a rather exhaustive study of the available specimens and literature, the writer has attempted to explain to his brother students what are the differences both in form and probable mode of application of the several classes of these implements. This he has supplemented with extracts from the published descriptions, notes, suggestions, and theories advanced by leading archæologists and with such additional data as he has himself been able to collect.

“In the following convenient classification, which is based on a comprehensive study of the available specimens and literature, the author has tried to explain to his fellow students the differences in both form and likely use of the various types of these tools. He has added extracts from published descriptions, notes, suggestions, and theories put forth by prominent archaeologists, along with any additional information he has been able to gather himself.”

“Those who have undertaken similar studies will appreciate the difficulties with which he has had to contend. It is therefore unnecessary to recall them here. The rather broad divisions proposed may hardly be found to include all of the known forms, yet the classification is probably as good as any that can be devised in the present and as yet limited state of our knowledge. The author desires to acknowledge his indebtedness to Dr. J. F. Snyder, Mr. Harlan I. Smith, Prof. T. H. Lewis, Prof. W. K. Moorehead, Hon. J. V. Brower, Rev. James Savage, Rev. E. C. Mitchell, and others for suggestions and data received and to his brother students in various parts of Wisconsin for the loan of material from their collections.

“Those who have done similar studies will understand the challenges he faced. It's not necessary to go over them here. The broad categories suggested may not cover all known forms, but the classification is likely as good as any that can be made given our current, still limited understanding. The author wants to express gratitude to Dr. J. F. Snyder, Mr. Harlan I. Smith, Prof. T. H. Lewis, Prof. W. K. Moorehead, Hon. J. V. Brower, Rev. James Savage, Rev. E. C. Mitchell, and others for the suggestions and information provided, as well as to his fellow students in different parts of Wisconsin for lending materials from their collections.”

Classification

“In the first of these classes may be included implements answering the following description:—

“In the first of these classes, we can include tools that fit the following description:—

“Class A, see Fig. 376. Blade broad, of a semi-circular, semi-elliptical, or somewhat hexagonal or triangular shape, flat or slightly convex, thickest near the handle and ground down to a dull rounded or fairly thin edge in front; shoulders square or sloping, in some cases rounded or barbed; handle generally long, tapering to a blunt point, and usually circular or elliptical in section. Some examples have the edge of the blade near the shoulder ornamented with incisions or deep notches and others also have incisions at the extremity of the handle. These implements are as a class graceful and beautiful objects and represent a high type of aboriginal stone art. They are usually wrought of hard primitive rock and are generally highly polished. Nearly all are of large size, the largest known example measuring 22 3–4 inches in length. Of their distribution Mr. Clarence B. Moore says: ‘Unlike so many of our aboriginal relics, this implement is of a type unknown in Europe. It is comparatively rare, though of wide distribution in the United States.’

“Class A, see Fig. 376. The blade is broad, with a semi-circular, semi-elliptical, or somewhat hexagonal or triangular shape, flat or slightly curved, thickest near the handle and tapered down to a dull rounded or fairly thin edge at the front; the shoulders are square or sloping, and in some cases rounded or barbed; the handle is generally long, narrowing to a blunt point, and is usually circular or elliptical in cross-section. Some examples have decorative incisions or deep notches along the edge of the blade near the shoulder, and others also have incisions at the end of the handle. These tools are, as a group, graceful and beautiful objects that represent a high level of native stone craftsmanship. They are typically made from hard primitive rock and are generally highly polished. Almost all are large, with the biggest known example measuring 22 3/4 inches in length. Regarding their distribution, Mr. Clarence B. Moore says: ‘Unlike so many of our aboriginal relics, this implement is of a type unknown in Europe. It is relatively rare, though widely distributed in the United States.’”

421

Fig. 370. (S. about 1–2.) Collection of L. B. Ogden, Penn Yan, New York. At the bottom is a long slender ornament with slightly spade-like ends. At the left is the hoe-shaped implement which may be said to belong to the spud class.

Fig. 370. (S. about 1–2.) Collection of L. B. Ogden, Penn Yan, New York. At the bottom is a long, thin ornament with slightly spade-shaped ends. On the left is the hoe-shaped tool that can be classified as part of the spud category.

“As the greater number of the known examples have been obtained in the Southern and Southeastern United States, that is generally considered to be the natural habitat of this class of stone artifacts. Specimens have been procured in districts as far north as Canada, but there is every reason to believe that these have been brought from some distant Southern or Southeastern locality in the course of aboriginal trade or war relations. It is this class of spade, or paddle-shaped spud, which we find most frequently described and figured in our archæological literature, and which in their endeavors to understand its precise office has cost so much trouble to our leading archæologists. Some idea of the several theories and suggestions thus advanced may be gleaned from the following extracts:—

“As most of the known examples have been found in the Southern and Southeastern United States, this region is generally regarded as the natural habitat for this type of stone artifacts. Specimens have been collected in areas as far north as Canada, but it's very likely that these were brought from some distant Southern or Southeastern area through ancient trade or conflict. This type of spade, or paddle-shaped tool, is what we often see described and illustrated in our archaeological literature, and figuring out its exact purpose has posed significant challenges for our leading archaeologists. Some idea of the different theories and suggestions that have been put forward can be gathered from the following excerpts:—”

“Dr. Charles Rau, in a chapter devoted to a consideration of ‘Scraper and Spade-like Implements,’ figures one and describes another of these implements. He speaks of their resemblance to diminutive spades, but does not assert that they were so employed. 422One of these in the collection of Dr. Joseph Jones, now in the University of Louisiana at New Orleans, was taken from a grave mound at Old Town, Tennessee. It is made of greenstone and is 17 1–2 inches in length. The other specimen is from South Carolina.

“Dr. Charles Rau, in a chapter focused on ‘Scraper and Spade-like Implements,’ illustrates one and describes another of these tools. He mentions their similarity to small spades but doesn’t claim that they were actually used that way. 422 One of these, which is part of Dr. Joseph Jones's collection now at the University of Louisiana in New Orleans, was excavated from a burial mound in Old Town, Tennessee. It’s made of greenstone and measures 17 1/2 inches long. The other specimen comes from South Carolina.”

“Colonel C. C. Jones also describes and figures the Jones spud, and adds: ‘We suppose this to have been an agricultural tool.’

“Colonel C. C. Jones also describes and illustrates the Jones spud, and adds: ‘We think this was an agricultural tool.’”

“Gerard Fowke describes and figures a specimen fashioned of chloritic slate, from Prairie County, Arkansas. His remarks are intended to apply to both this and the perforated class of spuds. He says: ‘They are, usually, of a comparatively soft material, carefully worked and polished, and bear no marks of rough usage. On the other hand, they are too large for ornament. Perhaps their office may have been in some ceremony or game.’ He states that old residents of the Shenandoah Valley claimed that the last century Indians of that locality used implements of similar pattern for removing the bark from trees.

“Gerard Fowke describes and illustrates a specimen made from chloritic slate, found in Prairie County, Arkansas. His comments are meant to apply to both this specimen and the perforated type of spuds. He notes: ‘They are usually made of a relatively soft material, carefully worked and polished, and show no signs of heavy use. On the other hand, they are too large to be purely decorative. Perhaps they were used in some sort of ceremony or game.’ He mentions that longtime residents of the Shenandoah Valley claimed that the local Indians in the last century used similar tools to remove bark from trees.”

“General Gates P. Thruston figures three of these implements, including a very handsome specimen in his own collection which was found in the stone grave settlement near Nashville, Tennessee. He says of them: ‘As no other more practical use has been suggested as to them, we call them ceremonial spades or maces.’ He also describes two others, ‘one 15 3–4 inches long and the other a delicate little type 5 1–2 inches in length,’ and concludes his description with the following statement: ‘These implements are too dull for cutting purposes and must have been too valuable for use as ordinary agricultural or mechanical tools.’

“General Gates P. Thruston identifies three of these tools, including a very attractive specimen in his own collection that was discovered in the stone grave settlement near Nashville, Tennessee. He remarks: ‘Since no other practical uses have been suggested for them, we refer to them as ceremonial spades or maces.’ He also describes two others, ‘one measuring 15 3/4 inches long and the other a delicate type measuring 5 1/2 inches in length,’ and wraps up his description with the following statement: ‘These tools are too dull for cutting purposes and likely too valuable to be used as regular agricultural or mechanical tools.’”

“Mr. Clarence B. Moore figures several fine specimens in the magnificent reports of his explorations. One of these, 14 inches in length, is made of sassurite and was taken from the Shields mound in Duval County, Florida. Another of polished claystone and 11 inches in length was procured from Mt. Royal (mound) in Putnam County, Florida. The same author credits Thomas Wilson, Esq., for a report of two of these implements, one of blue trap rock, highly polished, found near Columbia, South Carolina, and the other from Kentucky.

“Mr. Clarence B. Moore mentions several impressive specimens in his detailed reports of his explorations. One of these, measuring 14 inches long, is made of sassurite and was taken from the Shields mound in Duval County, Florida. Another, made of polished claystone and 11 inches long, was obtained from Mt. Royal (mound) in Putnam County, Florida. The same author acknowledges Thomas Wilson, Esq., for a report on two of these tools, one made of highly polished blue trap rock found near Columbia, South Carolina, and the other from Kentucky."

“He quotes Dr. Joseph Jones, who says: ‘Several conjectures have been formed as to the use of these singular implements. Some have supposed them to have been used in agriculture, the flat head being employed as a spade and the round handle for making small holes in the earth for the deposit of Indian corn; others believe 423that they were used to strip bark from trees; others again, that they were used in dressing hides, in excavating caves, or in felling trees after the wood has been charred by fire. It is possible that they may have been used for all these purposes and also as warlike weapons, since it would be easy to cleave or fracture the human skull with a single blow from one of these stone implements.’

“He quotes Dr. Joseph Jones, who says: ‘Several theories have been proposed about the purpose of these unique tools. Some have suggested they were used in farming, with the flat head acting as a spade and the round handle for making small holes in the ground for planting corn; others think they were used for stripping bark from trees; still others believe they were used for preparing hides, digging caves, or cutting down trees after the wood had been charred by fire. It's possible that they were used for all these purposes and also as weapons, since it would be simple to split or crush a skull with one of these stone tools.’”

Fig. 371. (S. 1–3.) Two beautiful hoe- or spud-shaped objects from B. H. Young’s collection. The one to the left is made of greenstone, that to the right of cannel coal. Cumberland Valley, Kentucky.

Fig. 371. (S. 1–3.) Two stunning hoe- or spud-shaped items from B. H. Young’s collection. The one on the left is made of greenstone, while the one on the right is made of cannel coal. Cumberland Valley, Kentucky.

“Mr. Moore concludes his remarks as follows: ‘Mr. Thruston reports a number of these implements from various parts of Tennessee, and rightly, we think, classes them as ceremonial. We consider them of too infrequent occurrence to suggest their employment for any practical use. We have been able to learn of none showing breakage or signs of use and some are too small in size to render them useful as weapons. Moreover the tally-marks on certain specimens connect them with the ceremonial class.’

“Mr. Moore wraps up his comments like this: ‘Mr. Thruston has reported several of these tools from different areas of Tennessee, and we believe it's correct to classify them as ceremonial. We think they appear too rarely to imply that they were used for any practical purpose. We haven't found any that show wear or signs of use, and some are simply too small to be effective as weapons. Additionally, the tally marks on some specimens link them to the ceremonial category.’”

“In closing this chapter the author desires to present the following conclusions and remarks which, though at variance with much that has been written concerning the purpose of this class of implements, are, he believes, worthy of consideration:—

“In closing this chapter, the author wants to share the following conclusions and comments that, while differing from much that has been said about the purpose of this type of tool, he believes are worth considering:—

424

Fig. 372. (S. about 1–6.) Wisconsin Archæological Society collection.

Fig. 372. (S. about 1–6.) Wisconsin Archaeological Society collection.

425“He is convinced that further researches in the field and examination of the thousands of public and private collections of our country will show that these implements are of more frequent occurrence than we entertain any idea of at present. The very considerable amount of additional data which he has been able to collect in his own and adjoining states would indicate as much.

425“He believes that more research in the field and the examination of the thousands of public and private collections in our country will reveal that these tools are more common than we currently think. The significant amount of additional data he has collected in his own state and neighboring states suggests the same.”

“Contrary to what has been supposed some broken and mutilated specimens have been found.

“Contrary to what was believed, some broken and damaged specimens have been found.”

“Such specimens as have come to his notice and which he has been able to examine were generally so substantially fashioned and their blades so edged as to suggest their employment for a practical purpose, though possibly not for all or any of those which have been suggested.

“Such examples that have caught his attention and that he has been able to examine were generally crafted so well and their blades so sharpened that they seemed designed for a practical use, although possibly not for all or any of the purposes that have been suggested.”

Fig. 373. (S. 1–2.) Black stone spud ceremonial. From Kyle mound, near Columbus, Georgia. Collection of H. M. Whelpley, St. Louis, Missouri.

Fig. 373. (S. 1–2.) Black stone spud used in ceremonies. From Kyle mound, near Columbus, Georgia. Collection of H. M. Whelpley, St. Louis, Missouri.

426

Fig. 374. (S. 2–3.) Collection of C. B. Moore. Ceremonial axe of stone. Mound C, Black Warrior River, Alabama. Plutonic rock.

Fig. 374. (S. 2–3.) Collection of C. B. Moore. Stone ceremonial axe. Mound C, Black Warrior River, Alabama. Plutonic rock.

“The presence of notches or incisions upon the blades and handles of some examples does not imply a relationship with objects of the so-called ‘ceremonial class,’ any more than do the flutings upon the polls and blades of a fairly numerous class of Wisconsin grooved stone axes, which, notwithstanding their often artistic ornamentation, are of equal value for service and present the same evidence of hard usage that other stone axes have received.

“The presence of notches or cuts on the blades and handles of some examples doesn’t suggest a link to items considered part of the ‘ceremonial class,’ any more than the grooves on the polls and blades of a fairly common type of Wisconsin grooved stone axes do. Despite often having artistic designs, these axes are just as useful and show the same signs of wear and tear as other stone axes.”

“Class B. See Fig. 372. Blade generally short, crescent-shaped or oval, convex or flat, reduced to a sharp cutting edge, shoulder when present also partially edged; handle generally of short or medium size, of nearly uniform width, circular, elliptical, less frequently square or somewhat rectangular in section.

“Class B. See Fig. 372. Blade is usually short, crescent-shaped or oval, either curved or flat, sharpened to a cutting edge; the shoulder, when it exists, is also partly sharpened; handle is typically short or medium-sized, nearly uniform in width, and can be circular, elliptical, or, less commonly, square or somewhat rectangular in shape.”

“Diorite, diabase, and granite appear to have been most employed in the making of these implements. Specimens made of slate, sandstone, and other materials are known.

“Diorite, diabase, and granite seem to have been the most commonly used materials for making these tools. There are also known specimens made of slate, sandstone, and other materials.”

“They are usually quite smooth and polished. The sides of the handle are frequently pecked or left unpolished as if to afford a better grip for the hand. The notches and incisions which characterize many specimens of the former class are absent in this. There is a well-marked tendency in some of the smaller types toward celt forms.

“They're generally pretty smooth and polished. The sides of the handle are often rough or left unpolished to provide a better grip for your hand. The notches and cuts that are typical in many examples of the first type are missing here. There's a clear trend in some of the smaller types toward celt shapes.”

“The blades of a majority of these implements exhibit nicks and fractures and other unmistakable signs of use. Broken specimens are common and there can be no doubt of their having been employed by the aborigines for one or more useful purposes.

“The blades of most of these tools show nicks and fractures and other clear signs of use. Broken pieces are common, and there's no doubt that they were used by the natives for one or more practical purposes."

427“Dr. J. F. Snyder, who is well acquainted with these implements, says of them: ‘These indigenous specimens were evidently tools in common use. It is readily to be seen that they were serviceable appliances for stripping the bark from trees, for skinning large animals, for dressing hides, and a variety of domestic purposes.’

427“Dr. J. F. Snyder, who is familiar with these tools, says: ‘These local examples were clearly everyday tools. It's easy to see that they were useful for stripping bark from trees, skinning large animals, processing hides, and various household tasks.’”

“Honorable J. V. Brower of St. Paul, who has spent fifty years in studying the habits and customs of the Northwestern Indian tribes at their camping-grounds, and whose work in the archæological field is well known, says:—

“Honorable J. V. Brower of St. Paul, who has dedicated fifty years to studying the habits and customs of the Northwestern Indian tribes at their camping grounds, and whose work in archaeology is well known, says:—

“‘They were most likely used in the process of making canoes from burned-out logs.’ He has not found them in Kansas, where ‘boat tools were very scarce, simply because they used bull-boats instead of log canoes.’

“‘They were probably used to make canoes from burned-out logs.’ He hasn’t found them in Kansas, where ‘boat tools were really rare, simply because they used bull-boats instead of log canoes.’”

Fig. 375. (S. 1–4.) Collection of J. R. Lovejoy, Schenectady, New York. Small groove near small end. Sixteen notches are upon the more perfect surface. Dark greenish stone, smooth as satin.

Fig. 375. (S. 1–4.) Collection of J. R. Lovejoy, Schenectady, New York. There’s a small groove near the smaller end. Sixteen notches are on the more intact surface. Dark greenish stone, smooth like satin.

“This, then, is the form of stone implement which has come to be designated by the name of ‘spud’ by Western archæologists and of which curiously enough little or nothing has been written.

“This, then, is the type of stone tool that Western archaeologists have come to call a ‘spud,’ and interestingly, very little has been written about it.”

“The majority of the implements illustrated and described in this article as Wisconsin types, belong to this class. Dr. Snyder and others have informed me of the occurrence of these implements in Illinois, Honorable J. V. Brower, Professor T. H. Lewis, Reverend E. C. Mitchell, and others, of their being found in various localities in Minnesota and North and South Dakota. The writer has seen specimens from Ohio, Michigan, and Iowa. It is quite probable that further research will show them to be quite common in nearly all of these states.

“The majority of the tools depicted and described in this article as Wisconsin types belong to this group. Dr. Snyder and others have told me that these tools have been found in Illinois. Honorable J. V. Brower, Professor T. H. Lewis, Reverend E. C. Mitchell, and others have reported their discovery in various places in Minnesota and North and South Dakota. I have seen specimens from Ohio, Michigan, and Iowa. It’s very likely that further research will reveal them to be fairly common in almost all of these states.”

“In the Terry collection, in the American Museum of Natural History, there is an example (T. 2011) of this type. It is of limestone and comes from Charleston, Missouri. Mr. H. P. Hamilton has a specimen which was found near El Paso, Texas.

“In the Terry collection, in the American Museum of Natural History, there is an example (T. 2011) of this type. It is made of limestone and comes from Charleston, Missouri. Mr. H. P. Hamilton has a specimen that was found near El Paso, Texas.”

428“Class C. Broad flattish implements, generally of comparatively small size. (See Figs. 371 and 373.)

428“Class C. Wide, flat tools, usually smaller in size. (See Figs. 371 and 373.)

“Blade broad, nearly circular, elliptical or semi-elliptical in shape, edge fairly thick and smooth, or thin and sharp, shoulders rounded or sharply pointed; handle narrower than the blade, flat or convex, sides straight or curved, parallel or slightly tapering to the top.

“Blade wide, almost circular, elliptical, or semi-elliptical in shape, edge either fairly thick and smooth or thin and sharp, shoulders rounded or sharply pointed; handle narrower than the blade, flat or curved, sides straight or curved, parallel or slightly narrowing towards the top.

“Some specimens have the handle perforated, as if it were intended to attach them to the person by means of a thong passed through the hole. It is quite probable that some of these, and of the finer unperforated forms as well, are, as has already been suggested, deserving of being classed with the stone ornaments known as gorgets. Their generally small size, soft material, shape, finish, and the condition of their edges, would appear to make such a separation desirable and proper.

“Some specimens have holes in the handles, seemingly meant to attach them to a person using a thong. It's quite likely that some of these, along with the finer unperforated ones, should be classified with the stone ornaments known as gorgets, as has been previously suggested. Their generally small size, soft material, shape, finish, and the state of their edges seem to justify making that distinction.”

“In the making of others, greenstone and other hard rocks have been employed. Many of these are roughly made and have quite sharp cutting edges. There is a tendency on the part of some of these toward a scraper form, and it is quite likely that they were utilized for such or a similar domestic purpose.

“In making tools, greenstone and other hard rocks have been used. Many of these are made roughly and have quite sharp cutting edges. Some of these have a tendency to be shaped like scrapers, and it's very likely that they were used for that or a similar household purpose."

“There appears to be but little reason for associating any of these implements with the large paddle-form (Class A), as some writers have done. Some examples might be included with the former class (B) as medium types.

“There seems to be very little reason for linking any of these tools with the large paddle shape (Class A), as some authors have suggested. Some examples could fit into the earlier class (B) as intermediate types.”

“Implements of this class are said to be of fairly common occurrence in the South and specimens are to be seen in various public and private collections, and have been described by various authors from Kentucky, Tennessee, Arkansas, Virginia, North and South Carolina, Georgia, and Florida. The writer has sketches of several specimens which were found in Ohio.

“Tools like these are fairly common in the South, and you can find examples in different public and private collections. They've also been documented by various authors from Kentucky, Tennessee, Arkansas, Virginia, North and South Carolina, Georgia, and Florida. I have sketches of several specimens that were found in Ohio.”

“Mr. W. H. Ellsworth formerly possessed two specimens of this class, one made of slate and the other of red sandstone, which were found near Stafford, Tolland County, Connecticut.”

“Mr. W. H. Ellsworth used to own two examples of this type, one made of slate and the other of red sandstone, which were discovered near Stafford, Tolland County, Connecticut.”

Mr. Clarence B. Moore, who has conducted extensive explorations in Florida, Georgia, Alabama, Mississippi, etc., is an authority on archæology in the South. After Mr. Brown’s paper appeared, Mr. Moore wrote an article for the American Anthropologist (July-September, 1903, p. 498), in which is contained much additional and valuable information. I quote certain portions of it:—

Mr. Clarence B. Moore, who has done extensive explorations in Florida, Georgia, Alabama, Mississippi, and other places, is an expert on archaeology in the South. After Mr. Brown's paper was published, Mr. Moore wrote an article for the American Anthropologist (July-September, 1903, p. 498), which includes a lot of additional and valuable information. I’ll quote some parts of it:—

429

Fig. 376. (S. 1–3.) Seven spud-shaped objects of slate and greenstone. These range from 3 1–8 to 17 1–4 inches. All are from sites along the Cumberland and Tennessee rivers in southwestern Kentucky. Collection of Bennett H. Young, Louisville, Kentucky.

Fig. 376. (S. 1–3.) Seven spud-shaped objects made of slate and greenstone. They measure between 3 1–8 and 17 1–4 inches. All are from locations along the Cumberland and Tennessee rivers in southwestern Kentucky. Collection of Bennett H. Young, Louisville, Kentucky.

430“As I have found, in place, in Florida, in Georgia, and in Alabama, a considerable number of what have been called ‘hoe-shaped implements’ (Mr. Brown’s ‘Class C,’ among spuds, though he differentiates their uses from those of the other two classes), I have thought a description of these ‘implements’ found by me might be of interest.

430“As I have discovered, in Florida, Georgia, and Alabama, a significant number of what are referred to as ‘hoe-shaped tools’ (Mr. Brown’s ‘Class C,’ among spuds, although he distinguishes their uses from those of the other two classes), I thought it might be interesting to describe these ‘tools’ that I found.

“Three of these ‘implements,’ all beautifully made of hard stone, all with perforations, came from a mound on the ‘Charlotte Thompson place,’ near Montgomery, Alabama. One of these specimens clearly bears the marks left by a handle. The shank has projected beyond the handle on one side; on the other side the line of the handle passes across the top of the perforation. Another ‘implement’ has similar traces of a handle which are less distinctly marked.

“Three of these ‘tools,’ all beautifully crafted from hard stone and featuring holes, were found in a mound on the ‘Charlotte Thompson place’ near Montgomery, Alabama. One of these pieces clearly shows the marks left by a handle. The shaft extends beyond the handle on one side; on the opposite side, the line of the handle crosses over the top of the hole. Another ‘tool’ shows similar signs of a handle, though the markings are less distinct.”


“An interesting feature is that marks made by a drill, probably a reed, since the nucleus of a core is apparent, are plainly visible on the implement. Seemingly the endeavor to perforate the shank was abandoned after several attempts. The line left by one side of the handle is just above where the perforation was to have been.”

“An interesting detail is that marks made by a drill, likely a reed, are clearly visible on the tool since the core's nucleus is apparent. It seems like the attempt to drill into the shank was given up after several tries. The line left by one side of the handle is just above where the hole was supposed to be.”


From the twelve specimens found by Mr. C. B. Moore in his explorations he draws conclusions as follows:—

From the twelve samples discovered by Mr. C. B. Moore during his explorations, he makes the following conclusions:—

“From the soft character of the stones from which some of these ‘implements’ are made, it would not seem that they were intended for active use.

“Given the gentle nature of the stones used to make some of these ‘tools,’ it doesn't seem like they were meant for active use.

“As some are not pierced, and as others have the hole too low on the shank to allow graceful suspension, it does not seem likely that these objects were used as ornaments or that the hole was intended for attachment to the person.

“As some are not pierced, and as others have the hole positioned too low on the shank to allow for elegant hanging, it seems unlikely that these objects were designed as ornaments or that the hole was meant for attaching them to a person."

“Inasmuch as on some of these, marks left by a handle are plainly discernible, probably all were used with handles, some of which left no trace. On certain ‘celts’ also one plainly sees where handles have been, but more frequently no marks are apparent.

“In some of these, the marks left by a handle can clearly be seen, so it's likely that all were used with handles, though some left no trace. On certain 'celts,' you can also see where handles used to be, but more often, there are no visible marks.”

“Presumably, then, the ‘hoe-shaped implement’ was an axe and, as it was not intended for active use, it was a ceremonial axe, as I have maintained in previous writings; and the hole, when it existed, was to lash the blade more firmly to the handle. Perhaps, where the hole is not present, the blade was used without one, since the hole is not indispensable; or just as likely an unfinished object was buried with the dead. The discovery of cases of this kind abound in mound work.”

“Presumably, then, the ‘hoe-shaped tool’ was an axe and, since it wasn’t meant for regular use, it was a ceremonial axe, as I’ve argued in my earlier writings; and the hole, when it was present, was to secure the blade more firmly to the handle. Perhaps, where the hole is missing, the blade was used without it, since the hole isn’t essential; or just as likely, an unfinished item was buried with the deceased. The discovery of examples like this is common in mound work.”

431

CHAPTER XXIII
GROUND STONE—PROBLEMATIC FORMS

PLUMMET-SHAPED STONES: STONE RINGS

For the instruction of readers, we are fortunate in having to recommend a monograph entitled “The So-Called Plummets,” which was written by Dr. Charles Peabody.[42] This contains an exhaustive description of such forms of objects as are illustrated in Figs. 377–383. Dr. Peabody examined all that the writers have said with reference to these interesting, problematical forms. The many theories offered were presented by him in the form of a table which is herewith reproduced.

For the benefit of readers, we're pleased to recommend a monograph titled "The So-Called Plummets," authored by Dr. Charles Peabody.[42] This work provides a detailed description of the objects shown in Figs. 377–383. Dr. Peabody reviewed everything the authors have discussed about these intriguing, questionable forms. The various theories proposed are summarized by him in a table that is included here.

I. In connection with fishing. 1. Drag-line sinkers.
2. Fishing-line sinkers (above hook).
3. Fishing-line sinkers (below hook).
4. Net-sinkers.
5. Bait and hook combined.
II. In connection with the chase or warfare. 6. As slingstones.
7. As black-jacks.
8. As bolas.
III. In connection with textiles. 9. Twine or sinew twisters.
10. Spinning-weights.
11. Netting-weights.
12. Weaving-weights.
IV. In connection with hitting or grinding. 13. Hand-pestles.
14. Hanging-pestles.
15. Paint-stones.
16. Rubbing-stones.
17. Hammers.
V. As ornaments. 18. Ear ornaments.
19. Simple pendants.
VI. With superstitious significance. 20. Amulets and
21. Charm-stones.
22. Lucky stones.
VII. As drum-rattles.  
VIII. As true plummets.  
IX. As game stones.  
X. In connection with phallic worship.  
432

Fig. 377. (S. 1–3.) Four porphyry plummets from the Peabody Museum collection, Salem, Massachusetts. A number of these were found together, not far from Ipswich. The Salem collection contains numerous examples of fine plummet-shaped stones. They range from those having a narrow neck to those with broad necks. In some, there is a sudden swelling between the neck and body of the plummet. Usually, the bases are round, but occasionally there is a variation in the lines of contour. All four types are shown in this figure.

Fig. 377. (S. 1–3.) Four porphyry plummets from the Peabody Museum collection in Salem, Massachusetts. Several of these were discovered together, not far from Ipswich. The Salem collection features many examples of beautifully shaped plummet stones. They vary from those with a narrow neck to those with wider necks. In some, there is a noticeable bulge between the neck and the main body of the plummet. Typically, the bases are round, but sometimes there are variations in the contour lines. All four types are displayed in this figure.

All of the above uses were assigned by various writers. Now and then bright-colored stones, slender and oval in form, have been made use of by tribes in the far North and on islands of the sea as fish lure, just as we make use of bright spoons in trolling. But the average fresh-water fish would not be attracted by such clumsy lures. I have seen objects similar to those shown in Fig. 293 in the Peabody Museum, Cambridge, and in the Smithsonian Institution, which were made use of for such purposes. But these are very different, in form, as readers will observe by reference, from plummets. Among observers, it is generally accepted, that in the Delaware and Susquehanna valleys where many common, flat pebbles are found, the notches on these indicate that they were made use of as net-sinkers. I have seen old Ojibwa Indians on White Earth reservation using such sinkers as net-weights. Although several writers, including Mr. Meredith, claim that plummets were made use of in line-fishing, I cannot bring myself to accept the statement.

All of the uses mentioned above were noted by different writers. Occasionally, brightly colored stones, slender and oval in shape, have been used by tribes in the far North and on islands as fish lures, similar to how we use shiny spoons when trolling. However, most freshwater fish wouldn't be attracted to such bulky lures. I've seen objects like those shown in Fig. 293 at the Peabody Museum in Cambridge and the Smithsonian Institution, which were used for these purposes. But these are very different in shape, as readers will see by referring to them, compared to plummets. Among observers, it's generally accepted that in the Delaware and Susquehanna valleys, where many flat pebbles can be found, the notches on these stones indicate that they were used as net-sinkers. I've watched older Ojibwa Indians on the White Earth reservation using such sinkers as net weights. Although several writers, including Mr. Meredith, claim that plummets were used in line fishing, I can't bring myself to accept that statement.

433

Fig. 378. (S. 1–2.) Plummets from Phillips Academy collection, Andover, Massachusetts. These are from New England, Ohio, and West Virginia. The form varies from long cylindrical-shaped objects to simple oval plummets. Occasionally specimens are gracefully beveled to a point, as in the second specimen from the bottom. There is an infinite variety, as will be observed by studying these forms. Materials: sandstone, granite, and shale.

Fig. 378. (S. 1–2.) Plummets from the Phillips Academy collection, Andover, Massachusetts. These come from New England, Ohio, and West Virginia. Their shapes range from long cylindrical forms to simple oval plummets. Sometimes, specimens are elegantly tapered to a point, like the second one from the bottom. There is endless variety, as you can see by examining these shapes. Materials: sandstone, granite, and shale.

434It seems to me that the uses assigned under V and VI are more probable. I am of the opinion that we can set aside the proposal under IV, that plummets served as hand-pestles, they being too small for that purpose. All the paint-pestles I have ever observed were miniature hand-pestles, or “mullers,” and not grooved.

434It seems to me that the functions assigned under V and VI are more likely. I believe we can dismiss the suggestion under IV that plummets were used as hand-pestles, as they are too small for that purpose. All the paint-pestles I have seen were tiny hand-pestles, or “mullers,” and not grooved.

Fig. 379. (S. 1–4.) This figure shows a series of plummet-shaped stones from California. These are in the Peabody Museum, Harvard University. Quite a number of these are not grooved. More highly specialized plummets from California are shown in Fig. 383. Nobody has ever satisfactorily explained the anchor-shaped stones from along the Pacific Coast, some of which are illustrated in this figure.

Fig. 379. (S. 1–4.) This figure displays a collection of plummet-shaped stones from California. They are housed in the Peabody Museum at Harvard University. Many of these stones do not have grooves. More specialized plummets from California are depicted in Fig. 383. No one has ever clearly explained the anchor-shaped stones found along the Pacific Coast, some of which are shown in this figure.

There is presented by Dr. Peabody on page 25 of his paper, the opinion that these might be worn about the neck by a man when fishing or hunting, rather than that they were in actual use as a part of fishing or hunting paraphernalia. Here we have what seems to me to be the solution of the mystery. The charm-stone brought luck to the man in his pursuits of game on land and fish in the sea. But it was entirely too valuable a stone to attach to the cord and risk losing during the fishing operations. Pursuing our study of aboriginal traits, we may, at last, come to an understanding of the workings of the Indian mind, and we may learn that the man placed 435greater faith in the potency of his medicine, or of his charms, than he did in his actual implements made use of in capturing game or defeating the enemy. Such things as these plummets and other problematical forms served as charms, amulets, and medicine-stones. But ruder things were made use of in the actual workings necessary to achieve the desired results.

Dr. Peabody presents on page 25 of his paper the idea that these might be worn around the neck by a man when fishing or hunting, rather than being actually used as part of fishing or hunting gear. This seems to me to be the solution to the mystery. The charm-stone brought luck to the man in his pursuits of land game and sea fish. However, it was far too valuable a stone to be attached to the cord and risk losing it during fishing activities. As we continue our study of indigenous traits, we may finally come to understand the workings of the Indian mind, and we may learn that the man placed more faith in the power of his medicine or charms than in the actual tools he used to capture game or fight enemies. Items like these plummets and other questionable forms served as charms, amulets, and medicine stones. In contrast, more basic items were used in the actual activities needed to achieve the desired results.

We have already seen (page 26) under which classification the Committee places plummets. Plummets do not cover a wide range, and yet the plummet form is doubtless an early development.

We have already seen (page 26) the classification under which the Committee categorizes plummets. Plummets don't cover a wide area, but the plummet form is definitely an early development.

Fig. 380. (S. 1–2.) Ornament and plummet. W. H. Foster collection, Andover.

Fig. 380. (S. 1–2.) Decorative piece and weight. W. H. Foster collection, Andover.

It was natural for man to select a bit of shell, oval in form, and perforate it, and make of it a pendant just as he did in bright-colored flat stones. It is quite likely that he next grooved a soft stone and wore it as a plummet-shaped ornament. Becoming proficient in the working of stone, he was able to groove harder materials and make of them the plummets we find so frequently in some portions of America. I have not attempted to subdivide plummets, although they may be long and slender, short and thick, oval, flat on one side; or the body large, and the neck somewhat lengthened. Plummets may also be grooved at either end, and instead of being grooved may be perforated, as is seen in California types.

It was natural for humans to choose a small, oval shell and drill a hole in it to create a pendant, just like they did with brightly colored flat stones. It's likely that they then carved a soft stone into a weight-shaped ornament. As they became skilled in working with stone, they could groove harder materials and create the weights we often find in certain areas of America. I haven't tried to categorize these weights, although they can be long and slender, short and thick, oval, flat on one side, or have a large body with a somewhat elongated neck. These weights can also be grooved at either end, and instead of being grooved, some may be drilled, as seen in types from California.

It is well for readers and students alike to consult the large folder of outlines (Fig. 292) which presents plummets as well as other forms.

It’s useful for readers and students to check out the large folder of outlines (Fig. 292) that shows plummets and other shapes.

The plummet may not only be plain, but also almost effigy-like in character. Some of the sandstone plummets of the South, and of southern Ohio as well, are decorated with incised lines as indicated in Fig. 360, in which one is shown.

The plummet may not just be simple, but also almost statue-like in nature. Some of the sandstone plummets from the South, including southern Ohio, have engraved lines as shown in Fig. 360, where one is displayed.

The New England plummets are of varying lengths, and the body may be oval or almost globular. Occasionally, it is drawn to a point at the base, as is observed in the central one, Fig. 377. There are also, in this region, effigy-like plummets, and Fig. 414 shows one of these.

The New England plummets come in different lengths, and their shape can be oval or nearly round. Sometimes, they taper to a point at the bottom, like the one in the center, Fig. 377. Additionally, this area has plummets that resemble figures, and Fig. 414 displays one of these.

436

Fig. 381. (S. 1–3.) Plummet-shaped stones from various sites in Kentucky. Bennett H. Young’s collection, Louisville, Kentucky.

Fig. 381. (S. 1–3.) Plummet-shaped stones from different locations in Kentucky. Collection of Bennett H. Young, Louisville, Kentucky.

Fig. 380, Mr. William H. Foster’s collection, Andover, presents an interesting stone plummet, one third size, and also a flat, grooved slate object, in which distinct notches have been cut. Fig. 378, seven plummets of varying dimensions and form, from northeastern Ohio, and West Virginia, in the Andover collection. Fig. 382, a beautiful black granite plummet from Dr. Charles F. Noe’s collection. This represents the height of stone-age art in plummet-making. Fig. 383, ninety-five plummets from the collection of the late Mr. J. B. Lewis, Petaluma, California. Some of those hung on the lower row are perforated, some are grooved and also perforated. Those on the six upper rows are not only oval, but also slender, and yet

Fig. 380, from Mr. William H. Foster’s collection in Andover, features an interesting one-third size stone plummet and a flat, grooved slate object with clearly cut notches. Fig. 378 shows seven plummets of different sizes and shapes from northeastern Ohio and West Virginia, also in the Andover collection. Fig. 382 highlights a stunning black granite plummet from Dr. Charles F. Noe’s collection, showcasing the peak of stone-age craftsmanship in plummet-making. Fig. 383 includes ninety-five plummets from the collection of the late Mr. J. B. Lewis in Petaluma, California. Some of those in the lower row are perforated, while some are both grooved and perforated. The six upper rows contain plummets that are not only oval but also slender, and yet...

437

Fig. 382. (S. 1–1.) From Section 21, Monroe Township, Johnson County, Iowa. C. F. Noe’s collection, Amana, Iowa.

Fig. 382. (S. 1–1.) From Section 21, Monroe Township, Johnson County, Iowa. C. F. Noe’s collection, Amana, Iowa.

Regarding these numerous plummets and kindred shaped stones so common on the Pacific Coast, not a little has been written, as reference to the Bibliography will prove. Rev. H. C. Meredith[43] once wrote for me a page concerning these strange objects. As it is concise and to the point and as good as anything I have seen in print, I reproduce it here:

Regarding these many drops and similarly shaped stones commonly found on the Pacific Coast, quite a bit has been written, as you can see in the Bibliography. Rev. H. C. Meredith[43] once wrote a page for me about these unusual objects. Since it is brief and direct and as good as anything I have seen in print, I'm including it here:

“The evidence seems to point to a variety of uses and not to one only. The view most commonly held now, I believe, is that these objects are ‘medicine-stones’ or ‘charms,’ supposed to bring good luck and success to their owners. Mr. J. G. Henderson, in an article published in the American Naturalist, in 1872, appears to be the first to suggest this use of the stones. Mr. H. W. Henshaw followed, in the American Journal of Archæology, with an elaboration of this theory. Others have followed with additional evidence in support of it. When a final conclusion is reached, however, I think it will be to the effect that while these stones were used as ‘charms,’ such use was not original and primary, but secondary, perhaps only occasional and incidental.

“The evidence seems to indicate multiple uses rather than just one. The prevailing view today, I believe, is that these objects are 'medicine-stones' or 'charms' intended to bring good luck and success to their owners. Mr. J. G. Henderson, in an article published in the American Naturalist in 1872, appears to be the first to suggest this use for the stones. Mr. H. W. Henshaw expanded on this theory in the American Journal of Archæology. Others have contributed additional evidence to support it. However, when a final conclusion is made, I think it will indicate that while these stones were used as 'charms,' that use was not original or primary, but rather secondary, possibly only occasional and incidental.”

438

Fig. 383. (S. about 1–6.) California plummets and small mortars. J. B. Lewis collection, Petaluma, Cal.

Fig. 383. (S. about 1–6.) California plums and small mortars. J. B. Lewis collection, Petaluma, Cal.

439“Personally, I have no doubt that these stones were objects of utility designed for several practical services in the economy of the Californian aborigines. In the course of time, by a process of evolution readily suggesting itself, a few of them, like the arrow and the pestle, passed from the sphere of utility into that of veneration and ceremony. Any one knowing the Indian character intimately will appreciate the ease with which such a change could be wrought. I but lately witnessed an illustration parallel. I was in attendance upon a ceremonial gathering that continued through five days and nights. The native game called ‘hand-game’ or ‘guessing-game’ was played. Before the game began, I bargained with a young Indian for his set of game-bones, to be delivered at the close of the game. The bones had never been used. The play continued for two days, and the team represented by this Indian won everything the opposition could put up. The time of adjournment had not been reached, but wishing to close my bargain, I offered the man the sum agreed upon. This he refused, and with many and earnest words explained that the bones were ‘good medicine’ and ‘lucky’; that he had never done so well before. If he sold them he could never get such lucky ones again, etc. After much talk he proposed to let me have them for twice the sum agreed upon. I declined, though I really intended to take them. I imagined I would lose nothing by delay. In the meantime a company of Pah-Utes came in and joined the losers. A stake was raised and a new game started, the Pah-Utes using their own songs and changing them often for ‘luck.’ But after six hours they were wholly defeated, losing everything to the same set of bones. After a while I hunted up my Indian and reopened negotiations for the bones. After beating about the bush I offered him his price. To my chagrin he refused the sum and would not listen to any offer. I was given to understand that no Indian could sell such lucky bones. I then called other Indians to my aid, men who had refused me nothing I was willing to pay for, but they gravely repeated the saying that the bones were ‘lucky’ and ‘good medicine’; that they could never be replaced, and it was useless to talk about buying them. Now any one can see how a few more successes with these bones would place them in the sphere of veneration. Any one having them in his possession would be considered an invincible player. Ultimately they would pass from the sphere of utility into that of superstition and become ‘charms.’

439 “Honestly, I have no doubt that these stones were useful items meant for several practical purposes in the daily lives of the Californian natives. Over time, through a natural process, some of them, like the arrow and the pestle, moved from being everyday tools to objects of reverence and ritual. Anyone who really understands the Indian character will see how easily such a transformation could happen. Recently, I witnessed a similar situation. I attended a ceremonial gathering that lasted for five days and nights. They played a native game called ‘hand-game’ or ‘guessing-game.’ Before the game started, I negotiated with a young Indian to buy his set of game bones, to be handed over at the end of the game. The bones had never been used. The game went on for two days, and the team he was on won everything the opposing team could offer. Even though the game hadn’t finished, I wanted to finalize our deal, so I offered him the agreed amount. He turned me down and passionately explained that the bones were ‘good medicine’ and ‘lucky’; that he had never done so well before. If he sold them, he believed he could never find such lucky ones again. After a lot of discussion, he suggested I could have them for twice the initial price. I declined, even though I intended to take them. I thought I wouldn’t lose anything by waiting. In the meantime, a group of Pah-Utes joined in and teamed up with the losing side. They raised a new stake, using their own songs, changing them often for ‘luck.’ But after six hours, they were completely defeated, losing everything to those same bones. Eventually, I found my Indian again and started negotiations for the bones. After some back-and-forth, I offered him the original price. To my disappointment, he refused and wouldn’t entertain any offer. I learned that no Indian could sell such lucky bones. I then brought in other Indians I knew who had never refused my offers, but they solemnly repeated that the bones were ‘lucky’ and ‘good medicine’; that they couldn’t be replaced, making it pointless to discuss buying them. Anyone can see how a few more wins with these bones could elevate them to a status of reverence. Whoever has them would be seen as unbeatable. Eventually, they would transition from being useful items into superstition and become ‘charms.’”

Fig. 384. (S. 1–2.) Stone Rings. Collection of W. H. Thacker, Arlington, Washington.

Fig. 384. (S. 1–2.) Stone Rings. Collection of W. H. Thacker, Arlington, Washington.

440“So with the perforated stones I am considering. Suppose they were used as net sinkers, or line sinkers, as there is reason to believe they were, and remarkable catches of fish with that net or line would make for the stones the reputation of being ‘lucky.’ Continued successes would transfer them to the realm of veneration—they would become ‘charms.’ They need no longer be fastened to net or line. It would be enough to hang them over the water or from the canoe. Suppose they were used to twist bow-strings; and some were no doubt so used. Unusual success with that bow would sooner or later change the twister into a ‘charm,’ and so on.

440 “So I'm thinking about the perforated stones. Let's say they were used as net sinkers or line sinkers, which there’s good reason to believe they were, and if they helped catch a lot of fish with that net or line, people would start thinking of those stones as ‘lucky.’ Ongoing success would elevate them to something revered—they would become ‘charms.’ They wouldn't even need to be attached to the net or line anymore. Just hanging them over the water or from the canoe would be enough. Imagine they were also used to twist bowstrings; some definitely were. If someone had unusual success with that bow, eventually the twister would be seen as a ‘charm,’ and so on."

Fig. 385. (S. 1–3 to 2–3.) Collection of B. H. Young, Louisville, Kentucky.

Fig. 385. (S. 1–3 to 2–3.) Collection of B. H. Young, Louisville, Kentucky.

“When a stone would be regarded as lucky, it would begin to receive at the hands of the owner the finishing and polishing touches which at last produced the rare specimen of elegant finish, sometimes, but not often, found.”

“When a stone is considered lucky, it starts to get the finishing and polishing touches from its owner that eventually creates a rare specimen of elegant finish, which is sometimes, but not often, found.”

The stone rings and circular stones (not discoidals) in which the centres have been cut out and other curious forms, similar to those shown in Figs. 384 and 385, have never been sufficiently studied. There are a great many of these found in the United States, but not many in one locality. There are little ornamented stone rings found in the mounds of the Scioto Valley, Ohio. Also, from Tennessee graves. There are large, clumsy rings from Arizona, New Mexico, and California. There are rings which are apparently finger-rings, not only in stone but also in shell and copper. I regret that I have not sufficient space to consider these more in detail.

The stone rings and circular stones (not discoidals) with cut-out centers and other unusual shapes, similar to those shown in Figs. 384 and 385, haven’t been studied enough. Many of these are found in the United States, but not in large numbers in one area. Small, decorated stone rings can be found in the mounds of the Scioto Valley, Ohio, as well as from graves in Tennessee. There are also large, bulky rings from Arizona, New Mexico, and California. Some rings appear to be finger-rings, made not only of stone but also of shell and copper. I wish I had more space to discuss these in detail.

441

Fig. 386. (S. 1–1.) Andover collection. To the left is a broken problematical form made into an ornament, but it is to the two other specimens that I would direct attention. This circular form of ornament is rare. It is my theory that having made this type the native enlarged the hole until but a rim remained. Thus developed the finger-ring and the bracelet. Materials: sandstone and black slate. Localities: Indiana, Kentucky, and Ohio.

Fig. 386. (S. 1–1.) Andover collection. On the left is a broken, unidentified piece turned into an ornament, but I want to highlight the two other examples. This circular ornament is uncommon. I believe that after creating this type, the native people enlarged the hole until only a rim was left. This led to the development of the finger-ring and the bracelet. Materials: sandstone and black slate. Localities: Indiana, Kentucky, and Ohio.

442The rings may be divided into two classes: those for ornamentation and those for use in certain pursuits. Regarding the large rings found in California and Arizona, several theories have been advanced, chief among which are that they were weights for making more serviceable digging implements; that they were put on clubs and used as defensive weapons.

442The rings can be split into two categories: decorative ones and those used for specific activities. As for the large rings discovered in California and Arizona, there are several theories, with the main ones suggesting they were weights to make digging tools more effective, or that they were attached to clubs and used as weapons for defense.

Regarding the ornamental rings such as are shown in Fig. 385 from Kentucky, these were finger-rings. Sometimes large ones are worn as bracelets, but most bracelets were made of copper or shell.

Regarding the decorative rings shown in Fig. 385 from Kentucky, these were finger rings. Sometimes larger ones are worn as bracelets, but most bracelets were made of copper or shell.

The rings with concave sides such as Fig. 384 were probably made use of in ceremonies concerning the nature of which we are ignorant.

The rings with curved sides like Fig. 384 were likely used in ceremonies about which we have no knowledge.

443

CHAPTER XXIV
GROUND STONE—PROBLEMATIC FORMS

BICAVES, OR DISCOIDAL STONES, TUBES, ETC.

Some years ago, Dr. J. F. Snyder coined the term “bicave,” or “twice hollowed,” as applying to these. He contended that the term “discoidal” was meaningless. I have always adopted his new word, and those who have not liked it have not offered convincing reasons for disregarding the term. It is possible for Latin scholars to coin many concise words to describe certain objects, and these words would convey precise meaning. This is done in palæontology, geology, and all other branches of science, and there is no reason why it should not be followed in archæology. The arguments to the contrary savor of pedantry.

A few years back, Dr. J. F. Snyder introduced the term “bicave,” meaning “twice hollowed,” to describe these. He argued that the term “discoidal” was meaningless. I’ve always used his new term, and those who dislike it haven’t provided convincing reasons to dismiss it. Latin scholars can create many concise words to describe specific objects, and these words would have clear meanings. This practice occurs in paleontology, geology, and all other fields of science, so there’s no reason it shouldn't apply in archaeology as well. Arguments against this idea come off as pretentious.

Dr. Snyder’s term does not fit any other stone object, although Mr. McGuire, Professor Holmes, and others have all discussed these bicaves under the term “discoidals.”

Dr. Snyder's term doesn't apply to any other stone object, although Mr. McGuire, Professor Holmes, and others have all referred to these bicaves as "discoidals."

There are many flat, thin discs of both stone and clay found throughout the United States. These could not be called bicaves, because they are not twice hollowed. But they mark the beginning of that form.

There are many flat, thin discs made of both stone and clay found all over the United States. They can’t be called bicaves since they aren’t hollowed out on both sides. However, they represent the start of that design.

Of these discs, especially numerous in Tennessee, Kentucky, and Ohio and along the Ohio River, there are three kinds: simple discs, discs with slightly depressed centres, and ornamented discs. The bicaves themselves are alike in outline, having depressed centres. But there are great differences in the depressions.

Of these discs, which are especially common in Tennessee, Kentucky, and Ohio, as well as along the Ohio River, there are three types: simple discs, discs with slightly depressed centers, and decorated discs. The bicaves themselves have a similar shape, featuring depressed centers. However, there are significant differences in the depths of the depressions.

In the centre of Fig. 388 is a large disc of black slate around which is a well-defined rim. This form is rare. To the right of this specimen is a large quartzite bicave with a more extended rim. In Fig. 389 are four typical quartz and quartzite bicaves of general type.

In the center of Fig. 388 is a large black slate disc with a clearly defined rim around it. This shape is uncommon. To the right of this specimen is a large quartzite bicave with a broader rim. In Fig. 389 are four typical quartz and quartzite bicaves of the general type.

Certain specimens in Figs. 389 and 391 have a second small but prominent depression exactly in the centre. Usually about this depression is a little rim.

Certain specimens in Figs. 389 and 391 have a second small but noticeable depression right in the center. Typically, there’s a slight rim around this depression.

Fig. 392 is a photogravure plate from the collection of Mr. F. P. Graves of Doe Run, Missouri.

Fig. 392 is a photogravure plate from the collection of Mr. F. P. Graves of Doe Run, Missouri.

444Here we have all of the discs and bicaves present. In the lower row is a large polished disc with flat base, which is not concave on either side. To the left of it, one in which the concavity is slightly marked. The others range from this type to those that are perforated through the centre. In Fig. 390, Colonel Young’s collection, there is a bicave of unusual form, being high instead of broad, with slight concavities, yet having the central depression clearly indicated. These have been called “chunky” stones by those who have written regarding the famous Southern game played by various Indians in the South and which has been described so frequently that I dismiss it with the statement that round discs similar to those illustrated in this chapter were rolled along the ground and a spear or lance shot after them, and the stone when it fell over on the side was supposed to be transfixed by one of these projectiles. Or, the nearness of a projectile to the hole in the stone counted in various ways. There is an early historical reference to this game cited in the Conclusions, Volume II.

444Here we have all of the discs and bicaves present. In the lower row is a large polished disc with a flat base, which is not concave on either side. To the left of it is one with a slight concavity. The others range from this type to those that are perforated through the center. In Fig. 390, Colonel Young’s collection, there is a bicave of unusual form, being taller instead of wider, with slight concavities, yet having the central depression clearly shown. These have been called “chunky” stones by those who have written about the famous Southern game played by various Indian tribes in the South, which has been described so often that I’ll just say that round discs like the ones illustrated in this chapter were rolled on the ground while a spear or lance was thrown after them. If the stone fell over on its side, it was considered to be hit by one of these projectiles. Alternatively, the closeness of a projectile to the hole in the stone counted in different ways. There is an early historical reference to this game mentioned in the Conclusions, Volume II.

Fig. 387. (S. 1–4.) This series of fourteen circular stones, with depressed centres, and most of them perforated, is from the Andover collection. They represent the smaller bicave or discoidal stones. All of them are fine and interesting specimens. Materials: sandstone, clay, and granite. Localities: Kentucky, Tennessee, Indiana, and Ohio.

Fig. 387. (S. 1–4.) This group of fourteen circular stones, each with a sunken center and most having holes, comes from the Andover collection. They are examples of the smaller bicave or discoidal stones. All of them are high-quality and fascinating specimens. Materials: sandstone, clay, and granite. Locations: Kentucky, Tennessee, Indiana, and Ohio.

445

Fig. 388. (S. 1–4.) Discoidal stones from Kentucky; valley of the Cumberland River. The central one is of slate. B. H. Young’s collection, Louisville, Kentucky.

Fig. 388. (S. 1–4.) Round stones from Kentucky; Cumberland River valley. The center one is made of slate. B. H. Young’s collection, Louisville, Kentucky.

446Discoidals may be common, circular discs with flat polished sides, or circular with concave sides and perforated through the centre, or with the centre rimmed out, as certain specimens in Fig. 387. In this figure all are bicaves save three. That all of these small ones were used in playing chunky games I do not believe. They may have served as gaming-stones in other events. Some of the ruder ones, of the small stones I mean, may have been spindle-whorls.

446Discoidals can be simple, round discs with flat polished surfaces, or they can be circular with concave sides and have a hole in the center, or they might have a recessed center, like some examples shown in Fig. 387. In this figure, all but three are hollow on both sides. I don’t think all these smaller ones were used for playing chunky games. They might have been used as gaming stones in other games. Some of the rougher ones, meaning the small stones, may have been spindle-whorls.

Fig. 389. (S. 1–3.) Phillips Academy collection. Locality: Tennessee. Material: quartz and quartzite.

Fig. 389. (S. 1–3.) Phillips Academy collection. Location: Tennessee. Material: quartz and quartzite.

Fig. 389 shows four beautiful specimens from Tennessee, Andover collection. These are not merely depressed in the centre, but have a high, fluted rim, the centre being cut out, and the surfaces on the inside of the rim either sloping toward a second depression in the centre, or made flat. All are highly polished, and of Tennessee marble or quartz. The colors vary from rich brown to spotted, with yellow predominating. Fig. 388, from Colonel Young’s magnificent collection, illustrates nine bicaves of various sizes and materials—the 447black slate one in the centre, flanked by those of beautifully mottled quartz on either side, and one of pure white quartz to the right of the centre.

Fig. 389 shows four stunning specimens from the Andover collection in Tennessee. They aren't just depressed in the center; they have a high, fluted rim with the center cut out, and the surfaces on the inside of the rim either slope toward a second depression in the center or are flat. All are highly polished and made of Tennessee marble or quartz. The colors range from rich brown to spotted, with yellow being the most common. Fig. 388, from Colonel Young’s impressive collection, features nine bicaves of different sizes and materials—the black slate one in the center, flanked by beautifully mottled quartz on either side, and a piece of pure white quartz to the right of the center.

Fig. 391 is a remarkable object with a slightly depressed top, and with the central depression plainly marked. Around this central depression is a rim.

Fig. 391 is an impressive object with a slightly sunken top, featuring a clearly defined central depression. Surrounding this central dip is a rim.

In the “Handbook of American Indians,” page 391, Mr. Fowke has described the bicaves, and his description I here quote, as it is the best published up to this time:—

In the “Handbook of American Indians,” page 391, Mr. Fowke has described the bicaves, and I’m quoting his description here because it’s the best published so far:—

Fig. 390. (S. 1–2.) Barrel-shaped bicave. Hard, light-colored material. B. H. Young’s collection, Louisville, Kentucky.

Fig. 390. (S. 1–2.) Barrel-shaped bicave. Hard, light-colored material. B. H. Young’s collection, Louisville, Kentucky.

448

Fig. 391. (S. 1–2.) Quartzite bicave found on sandy bank of Hightower River, Cherokee County, Georgia. Weight, 37 ounces. Translucent between the depressions. Pink by reflected light and pink by transmitted light. It has a perfect secondary depression, and is highly polished and perfect. H. M. Whelpley’s collection, St. Louis, Missouri.

Fig. 391. (S. 1–2.) Quartzite bicave discovered on the sandy bank of Hightower River, Cherokee County, Georgia. Weight: 37 ounces. Translucent between the grooves. Appears pink in reflected light and also pink in transmitted light. It features a flawless secondary depression and is highly polished and perfect. H. M. Whelpley’s collection, St. Louis, Missouri.

449

Fig. 392. (S. 1–4.)

Various types of bicaves, etc. Localities: Missouri, Illinois, Tennessee. F. P. Graves’s collection. Doe Run, Missouri.

Fig. 392. (S. 1–4.)

Different types of bicaves, etc. Locations: Missouri, Illinois, Tennessee. F. P. Graves's collection. Doe Run, Missouri.

451“Prehistoric objects of unknown use whose most typical form is that of a double-convex or double-concave lens. The perimeter is a circle and the sides range from considerably convex through plane to deeply concave. The diameter varies from 1 in. to 8 in., the thickness from one fourth of an inch to 6 inches, very rarely passing these limits; the two dimensions have no definite relation to each other. Some specimens are convex on one face and plane on the other; but when one face is concave the other is also. Of the latter form many have a secondary depression at the centre; others have a perforation which is sometimes enlarged until the disc becomes a ring. They are made principally of very hard rock, as quartz, flint, jasper, novaculite, quartzite, porphyry, syenite, and the like, though stone as soft as marble, sandstone, barite, and even steatite was sometimes chosen. No type of relics is more difficult to classify than these discs. The name first given them, and by which they are still commonly known, is ‘chunky stones,’ from the native name of the game played with analogous discs by Southern Indians. But the description of the game, considered in connection with the great variation in size and material of the specimens, shows that only a small percentage of them could have been thus utilized. Culin believes that a limited number may be definitely regarded as ‘chunky stones.’ He recognizes three types: (1) perforated (least common); (2) symmetrical, unperforated; (3) asymmetrical, unperforated. A similar diversity is observed in the stones used in the analogous Hawaiian game of maika.[44] From the smooth, symmetrical, highly polished ‘chunky’ stone they merge by insensible gradations into mullers, pestles, mortars, pitted stones, polishing- and grinding-stones, hammers, sinkers, club-heads, and ornaments, for all of which purposes except the last they may have been used in some of their stages, so that no dividing-line is possible. They present various styles and degrees of finish. Many retain their natural surface on both sides with the edge worked off by grinding or pecking, the latter marks possibly resulting from use as hammers. The sides may be ground down while the edge remains untouched; or, when made from a thick pebble, the sides may be pecked and the edge ground. Some specimens which are entirely unworked require very close examination to distinguish them from others whose whole surface has been artificially produced. It is possible, however, to arrange a large number of specimens from one locality in a regular series from a roughly chipped disc to a finished product of the highest polish and symmetry. The finest specimens, in greatest numbers, come from the states south of the Ohio River, and from Arkansas eastward to the Atlantic. The territory within a radius of one hundred miles around Chattanooga, Tennessee, and for about the same distance around Memphis, is especially rich in them. From southeastern Ohio to central Missouri considerable numbers have been found, though few of them are as well wrought as those from the South. Rather rough ones occur along the Delaware River. Beyond the limits indicated, the type practically disappears. Discoidal stones corresponding closely with Eastern types, save that the faces are rarely concave, are found in the Pueblo country and in the Pacific States.”

451“Prehistoric objects of uncertain purpose that typically take the shape of a double-convex or double-concave lens. The edges are circular, and the surfaces can be quite convex, flat, or deeply concave. Their diameters range from 1 inch to 8 inches, and thickness varies from a quarter of an inch to 6 inches, rarely exceeding those measurements; the two dimensions don’t have a specific relationship to each other. Some examples are convex on one side and flat on the other; however, when one side is concave, the opposite side is also concave. Many of the latter type have a secondary dip at the center; others feature a hole that can sometimes be enlarged, turning the disc into a ring. These objects are mainly made from very hard materials like quartz, flint, jasper, novaculite, quartzite, porphyry, syenite, and similar stones, although softer materials like marble, sandstone, barite, and even soapstone were sometimes used. No type of artifact is harder to categorize than these discs. The original name they were given, and which they are still commonly called, is ‘chunky stones,’ derived from the native term for a game played with similar discs by Southern Indians. However, the description of the game, in light of the significant variations in size and material of the specimens, suggests that only a small portion of them could have been used in that way. Culin believes that only a few can be definitively classified as ‘chunky stones.’ He identifies three types: (1) perforated (least common); (2) symmetrical, unperforated; (3) asymmetrical, unperforated. A similar variety can be seen in the stones used in the related Hawaiian game of maika.[44] The transition from smooth, symmetrical, highly polished ‘chunky’ stones to other tools happens gradually, leading to mullers, pestles, mortars, pitted stones, polishing and grinding stones, hammers, sinkers, club-heads, and ornaments. For all purposes except the last, they may have been used at various stages, making it impossible to draw a clear line between them. They exhibit various styles and finishing techniques. Many maintain their natural surface on both sides, with the edges processed through grinding or pecking, possibly indicating use as hammers. The sides may be ground down while the edges remain unaltered; or, when made from thick pebbles, the sides might be pecked while the edges are ground. Some completely unworked specimens need careful inspection to separate them from those with manufactured surfaces. Nevertheless, it is possible to arrange a considerable number of specimens from one area in a continuous series, ranging from a roughly chipped disc to a fully polished and symmetrical finished product. The finest examples, and in the greatest numbers, are found in states south of the Ohio River, and from Arkansas extending eastward to the Atlantic. The area within a hundred-mile radius around Chattanooga, Tennessee, and for about the same distance around Memphis is particularly rich in these artifacts. From southeastern Ohio to central Missouri, many can be found, though few are as well made as those from the South. Some rough examples appear along the Delaware River. Outside the specified areas, this type is virtually absent. Discoidal stones that closely resemble Eastern types, although the surfaces are rarely concave, can be found in the Pueblo region and the Pacific States.”

452The remarkable stone disc, engraved and presented in Fig. 393, was found near a mound eight miles from Arkansas Post, Arkansas. Mr. H. L. Stoddard secured this specimen and permitted me to make illustrations from the photographs. There were also found two effigy pipes which are shown in Fig. 491.

452The impressive stone disc, engraved and shown in Fig. 393, was discovered near a mound eight miles from Arkansas Post, Arkansas. Mr. H. L. Stoddard acquired this specimen and allowed me to create illustrations from the photographs. Additionally, two effigy pipes were found, which are displayed in Fig. 491.

These stone discs were found in considerable numbers by Mr. Clarence B. Moore at Moundville, Black Warrior River, Alabama. He figures several of them in “Certain Aboriginal Remains on the Black Warrior River” (Philadelphia, 1905).

These stone discs were found in large quantities by Mr. Clarence B. Moore at Moundville, Black Warrior River, Alabama. He illustrates several of them in “Certain Aboriginal Remains on the Black Warrior River” (Philadelphia, 1905).

The culture at Moundville was high as is evinced by the character of the objects found by Mr. Moore. These discs were more or less thickly smeared with paint, cream color or red.

The culture at Moundville was advanced, as shown by the quality of the objects discovered by Mr. Moore. These discs were coated with paint, either cream color or red.

Mr. Moore states: “The universal presence of paint upon these discs and slabs seems to offer a clue to the purpose for which they were used, and, until a better suggestion is offered, we shall consider them palettes for the mixing of paint.”

Mr. Moore states: “The widespread presence of paint on these discs and slabs appears to provide a hint about their purpose, and until a better idea comes along, we will think of them as palettes for mixing paint.”

Fig. 393. (S. 1–3.) Engraved discs from Arkansas Post, Arkansas. H. L. Stoddard’s collection.

Fig. 393. (S. 1–3.) Engraved discs from Arkansas Post, Arkansas. H. L. Stoddard’s collection.

453As ordinary slabs serve just as well as stones on which to mix paint, it is my opinion that these highly ornamented stones, if used for this purpose, were employed by the shamans in painting the warriors for certain ceremonies.

453Since regular slabs work just as well as stones for mixing paint, I believe these elaborately decorated stones were used by shamans to paint warriors for specific ceremonies.

But the discs owned by Mr. Stoddard have not smooth centres as have Mr. Moore’s discs, and are apparently for other purposes than the mixing of paint.

But the discs owned by Mr. Stoddard don’t have smooth centers like Mr. Moore’s discs do, and they seem to be for different purposes than mixing paint.

TUBULAR FORMS

Not only are there tubular pipes, but there are also tubular forms which apparently are not pipes. I show numbers of these in Figs. 394 and 398. Fig. 394 illustrates a number of steatite beads from the collection of H. K. Deisher, Kutztown, Pennsylvania.

Not only are there tubular pipes, but there are also tubular forms that clearly aren't pipes. I show several of these in Figs. 394 and 398. Fig. 394 shows a collection of steatite beads from H. K. Deisher's collection in Kutztown, Pennsylvania.

Cylindrical forms may be said to begin with the beads and end with the long tubular objects, which are really pipes.

Cylindrical shapes can be described as starting with beads and finishing with long tube-like objects, which are essentially pipes.

Fig. 393 A (S. 1–3.) Engraved discs from Arkansas Post, Arkansas. H. L. Stoddard’s collection.

Fig. 393 A (S. 1–3.) Engraved discs from Arkansas Post, Arkansas. H. L. Stoddard’s collection.

454

Fig. 394. (S. 1–1.) H. K. Deisher’s collection, Kutztown, Pennsylvania.

Fig. 394. (S. 1–1.) H. K. Deisher’s collection, Kutztown, Pennsylvania.

455Various uses have been assigned these and I have commented in so many of my writings on tubes, that one would tell an old story to repeat all that has been said. It suffices to say, that passing from the bead class to larger objects, the size of marbles, these may have been worn as stone beads. But these stone objects are usually made of banded slate. They may be oval in outline, such as Fig. 395, or long and slender, as Fig. 396. Again, some are grooved, others flattened, others rounded, and yet some are square.

455 Many different uses have been attributed to these, and I've talked about tubes in so many of my writings that it would feel repetitive to go over everything again. It’s enough to say that moving from small beads to larger items, like marbles, these might have been worn as stone beads. However, these stone pieces are typically made of banded slate. They can be oval in shape, like Fig. 395, or long and slender, like Fig. 396. Some are grooved, others are flattened, some are rounded, and a few are square.

Fig. 395. (S. 1–3.) Collection of H. K. Deisher, Kutztown, Pennsylvania. Material: red granite.

Fig. 395. (S. 1–3.) Collection of H. K. Deisher, Kutztown, Pennsylvania. Material: red granite.

In Fig. 396 are seven from the Andover collection. In the lower left-hand corner is the short, small tube or large bead, with a curious depression, the purpose of which is unknown. In Mr. Deisher’s specimen, Fig. 395, the depression is longer and the groove extends from end to end.

In Fig. 396, there are seven items from the Andover collection. In the lower left corner, there's a short, small tube or large bead with an interesting depression whose purpose is unclear. In Mr. Deisher’s specimen, Fig. 395, the depression is longer, and the groove runs from one end to the other.

In the upper left-hand corner of Fig. 396 is a tube with a broad, shallow groove, and concave sides.

In the upper left corner of Fig. 396 is a tube with a wide, shallow groove and curved sides.

Sometimes there are specimens found here and there in the country which seem to be more pipe-like than tube-like in character. I present one of these in Fig. 397, from the collection of Mr. G. P. Chandler, Knoxville, Tennessee.

Sometimes there are samples found in various places in the country that appear to be more pipe-like than tube-like in shape. I present one of these in Fig. 397, from the collection of Mr. G. P. Chandler, Knoxville, Tennessee.

This specimen is of fine sandstone. The drilling makes it appear as an hour-glass. It was impossible to photograph the openings in this specimen, there being no contrast, and therefore it is drawn. One of the openings is about one fourth of an inch larger than the other. There is a band about the centre of the stone. Mr. Chandler kindly presented the specimen to me for our Andover collection.

This specimen is made of fine sandstone. The drilling gives it an hourglass shape. It was impossible to photograph the openings in this specimen because there was no contrast, so it is drawn instead. One of the openings is about a quarter of an inch larger than the other. There's a band around the center of the stone. Mr. Chandler generously gave me the specimen for our Andover collection.

In Fig. 398, I present three large tube-like stones—perhaps pipes. This form, called by some of the early writers, “telescope,” is fairly common throughout the South. What they were used for, no one knows. I think the general explanation that they were shamans’ charms used in incantations, whereby the evil spirit was drawn from the bodies of the sick, is as good as any. We know that bone and wooden tubes were used for such purposes in historic times and these may have been also made use of in prehistoric times.

In Fig. 398, I show three large, tube-like stones—possibly pipes. This shape, referred to by some early writers as "telescope," is quite common in the South. No one knows exactly what they were used for. I believe the common explanation that they were charms for shamans used in incantations to draw evil spirits out of sick people's bodies is as valid as any. We know that bone and wooden tubes were used for these purposes in historic times, and these may have also been utilized in prehistoric times.

456

Fig. 396. (S. 2–3.) Phillips Academy collection.

Fig. 396. (S. 2–3.) Phillips Academy collection.

Fig. 397. (S. 2–3.) Phillips Academy collection. Drawn by George P. Chandler, Knoxville, Tennessee.

Fig. 397. (S. 2–3.) Phillips Academy collection. Created by George P. Chandler, Knoxville, Tennessee.

457

Fig. 398. (S. 1–2.) Stone tubes. The two upper specimens are of steatite, and the lower one is of hard clay stone. B. H. Young’s collection, Louisville, Kentucky.

Fig. 398. (S. 1–2.) Stone tubes. The two upper examples are made of steatite, and the lower one is made of hard clay stone. B. H. Young’s collection, Louisville, Kentucky.


1. 459Bureau of American Ethnology, Bulletin no. 30, pt. 1, Washington, D. C.

1. 459Bureau of American Ethnology, Bulletin no. 30, pt. 1, Washington, D. C.

2. Pages 16 to 22.

__A_TAG_PLACEHOLDER_0__. Pages 16-22.

3. See Boas, in 6th Report, Bureau of American Ethnology, pp. 399–669 (1884); Murdoch, in 9th Report, Bureau of American Ethnology, pp. 133–617 (1887); and Report of the National Museum for 1884, pp. 307–316.

3. See Boas, in 6th Report, Bureau of American Ethnology, pp. 399–669 (1884); Murdoch, in 9th Report, Bureau of American Ethnology, pp. 133–617 (1887); and Report of the National Museum for 1884, pp. 307–316.

4. American Anthropologist, vol. IV, no. 1, p. 108.

4. American Anthropologist, vol. IV, no. 1, p. 108.

5. For further account of these implements, see the article by the writer in American Naturalist, vol. XV, p. 425.

5. For more details about these tools, check out the article by the author in American Naturalist, vol. XV, p. 425.

6. See vol. I, Fig. 64 (p. 185), and plate XIV, Fig. 1.

6. See vol. I, Fig. 64 (p. 185), and plate XIV, Fig. 1.

7. Roland B. Dixon, The Northern Maidu (Bulletin of the American Museum of Natural History, 1905, vol. XVII, Fig. 5, p. 135).

7. Roland B. Dixon, The Northern Maidu (Bulletin of the American Museum of Natural History, 1905, vol. XVII, Fig. 5, p. 135).

8. See 17th Annual Report, Bureau of American Ethnology.

8. See 17th Annual Report, Bureau of American Ethnology.

9. Relation, pp. 75, 78; New York, 1871.

9. Relation, pp. 75, 78; New York, 1871.

10. “Some of the South American natives cut the lobes of their ears, and for a considerable time fastened small weights to them, in order to lengthen them; that others cut holes in their upper and under lips; through the cartilage of the nose, their chins and jaws, and either hung or thrust through them, such things as they most fancied, which also agrees with the ancient customs of our Northern Indians.” History of the American Indians, p. 213; London, 1775.

10. “Some South American natives cut their earlobes and for a long time attached small weights to them to make them longer; others made holes in their upper and lower lips, through the cartilage of their noses, chins, and jaws, and either hung or pushed through whatever objects they liked best, which aligns with the old traditions of our Northern Native Americans.” History of the American Indians, p. 213; London, 1775.

11. “En d’autres endroits de l’Amérique, quelques Nations se percent le nez, entre les deux narines, d’où ils font dépendre quelques joli vetez; ... et d’autres sur leurs lèvres pendantes et renversées, et tout cela pour contenter leurs yeux, et pour trouver le point de la beauté.” Jesuit Relation, 1658, p. 30.

11. “In other parts of America, some nations pierce their noses between the two nostrils, from which they hang pretty ornaments; ... and others on their drooping and turned-up lips, all to please their eyes and to define their idea of beauty.” Jesuit Relation, 1658, p. 30.

12. “Leurs narines ne sont jamais percées, et il n’y a que parmi quelques Nations, qu’elles se percent les oreilles.” Charlevoix, VI, p. 43. As to the existence of these customs, cf. Lafitau, III, p. 53; Sagard, p. 135; Carver, p. 227; Loskiel, p. 49; Marquette, p. 48; Iberville, p. 72; in Hist. Coll. Louisiana, 1875; Adair, p. 171.

12. “Their nostrils are never pierced, and only among a few nations do they pierce their ears.” Charlevoix, VI, p. 43. Regarding the existence of these customs, see Lafitau, III, p. 53; Sagard, p. 135; Carver, p. 227; Loskiel, p. 49; Marquette, p. 48; Iberville, p. 72; in Hist. Coll. Louisiana, 1875; Adair, p. 171.

13. Mémoire sur les Mœurs, Coustumes et Religion des Sauvages de l’Amérique Septentrionale, p. 30; Leipzig et Paris, 1864.

13. Memoir on the Customs, Traditions, and Religion of the Indigenous Peoples of North America, p. 30; Leipzig and Paris, 1864.

14. Lafitau, III, p. 53; Adair, p. 171.

14. Lafitau, III, p. 53; Adair, p. 171.

15. Compare Jesuit Relations, 1658, p. 30; Adair, p. 171; Carver, p. 277; Loskiel, Indians of North America, p. 49; Lafitau, III, p. 49; Bartram, p. 499.

15. Compare Jesuit Relations, 1658, p. 30; Adair, p. 171; Carver, p. 277; Loskiel, Indians of North America, p. 49; Lafitau, III, p. 49; Bartram, p. 499.

16. Adair, North American Indians, p. 171; London, 1775.

16. Adair, North American Indians, p. 171; London, 1775.

17. Heckwelder, Indian Nations, p. 207; Philadelphia, 1876.

17. Heckwelder, Indian Nations, p. 207; Philadelphia, 1876.

18. Voyage des Hurons, I, p. 135; Paris, 1865. Radisson, Voyages, in Prince Society Publications, pp. 146, 226.

18. Voyage des Hurons, I, p. 135; Paris, 1865. Radisson, Voyages, in Prince Society Publications, pp. 146, 226.

19. Loskiel, p. 49; London, 1794.

19. Loskiel, p. 49; London, 1794.

20. Carver, Travels, p. 227; London, 1778.

20. Carver, Travels, p. 227; London, 1778.

21. Adair, p. 171. Among the articles traded to the Indians at different times, mention is made of nose crosses.

21. Adair, p. 171. Among the items exchanged with the Native Americans at various times, nose crosses are mentioned.

22. Lafitau, III, pp. 49, 53; Charlevoix, VI, p. 43; Sagard, p. 133.

22. Lafitau, III, pp. 49, 53; Charlevoix, VI, p. 43; Sagard, p. 133.

23. Wood, New England’s Prospect, p. 74, Prince Society Publications; Plaine Dealing, or Newes from New England, in Collections of the Massachusetts Historical Society, p. 103; Father Rasle, in Kip, Jesuit Missions, p. 38.

23. Wood, New England’s Prospect, p. 74, Prince Society Publications; Plaine Dealing, or News from New England, in Collections of the Massachusetts Historical Society, p. 103; Father Rasle, in Kip, Jesuit Missions, p. 38.

24. Loskiel, Indians of North America, pp. 49, 52; Beverly, Virginie, plate II; First Voyage to America, in Hakluyt, II, p. 286; Edinburgh, 1889.

24. Loskiel, Indians of North America, pp. 49, 52; Beverly, Virginie, plate II; First Voyage to America, in Hakluyt, II, p. 286; Edinburgh, 1889.

25. Lawson, Carolina, p. 193.

__A_TAG_PLACEHOLDER_0__. Lawson, Carolina, p. 193.

26. Lafitau, III, pp. 49, 50; Brereton, p. 90, in vol. VIII of Third Series, Massachusetts Historical Society Collections; Adair, p. 171; Radisson, Voyages, loc. cit., p. 146; Verrazzano, loc. cit., p. 401; First Voyage to America, in Hakluyt, II, p. 286; Edinburgh, 1889.

26. Lafitau, III, pp. 49, 50; Brereton, p. 90, in vol. VIII of Third Series, Massachusetts Historical Society Collections; Adair, p. 171; Radisson, Voyages, loc. cit., p. 146; Verrazzano, loc. cit., p. 401; First Voyage to America, in Hakluyt, II, p. 286; Edinburgh, 1889.

27. De Bry, Brevis Narratio, quoted in Antiquities of the Southern Indians, p. 521; New York, 1873.

27. De Bry, Short Story, cited in Antiquities of the Southern Indians, p. 521; New York, 1873.

28. Du Pratz, Louisiane, II, p. 195.

__A_TAG_PLACEHOLDER_0__. Du Pratz, Louisiana, II, p. 195.

29. Historie of Travaile into Virginia, pp. 57, 67. Compare Captain Smith, Virginia, p. 130; Hariot, plates III, IV, VII; London, 1893; Brevis Narratio, in De Bry, plate XIV; Geo. Percy, in Purchas’ Pilgrims, IV, p. 1687.

29. History of Travel to Virginia, pp. 57, 67. Compare Captain Smith, Virginia, p. 130; Hariot, plates III, IV, VII; London, 1893; Brief Narrative, in De Bry, plate XIV; Geo. Percy, in Purchas’ Pilgrims, IV, p. 1687.

30. Jesuit Relations, 1633, p. 35; Megapolensis, loc. cit., p. 154; Cartier, in Early English Voyages to America, II, p. 43; Laudonnière, in same, p. 413; Champlain, I, p. 380; Lafitau, I, p. 201.

30. Jesuit Relations, 1633, p. 35; Megapolensis, loc. cit., p. 154; Cartier, in Early English Voyages to America, II, p. 43; Laudonnière, in same, p. 413; Champlain, I, p. 380; Lafitau, I, p. 201.

31. Frazer, Totemism, p. 26; Edinburgh, 1887. “They differ from each other in the mode of dressing their heads, each following the custom of the nation or band to which they belong, and adhering to the form made use of by their ancestors from time immemorial.” Carver, Travels, p. 229. Cf. Miss Fletcher, Journal of American Folk-Lore, vol. I, no. 11, pp. 116, et seq., for modes of cutting hair among Omahas; and Hariot, plate XI, for statement as to medicine-man. See Captain Smith, p. 139, for an account of the snake-skin head-dress of the chief Priest.

31. Frazer, Totemism, p. 26; Edinburgh, 1887. “They vary in how they style their hair, with each following the traditions of their nation or group, and sticking to the hairstyles used by their ancestors for ages.” Carver, Travels, p. 229. Cf. Miss Fletcher, Journal of American Folk-Lore, vol. I, no. 11, pp. 116, et seq., for hairstyles among the Omahas; and Hariot, plate XI, for information about the medicine man. See Captain Smith, p. 139, for a description of the snake-skin headdress of the chief priest.

32. Lafitau, III, p. 50. Cf. Adair, p. 8, for same custom among Southern tribes.

32. Lafitau, III, p. 50. See Adair, p. 8, for the same custom among Southern tribes.

33. Strachey, loc. cit., p. 67. Cf. First Voyage, in Hakluyt, II, pp. 286 et seq., for account of copper pendants, sometimes five or six in either ear, and red pieces of copper on the head.

33. Strachey, loc. cit., p. 67. See First Voyage, in Hakluyt, II, pp. 286 et seq., for a description of copper pendants, sometimes worn five or six in each ear, and red pieces of copper placed on the head.

34. Charlevoix, VI, p. 42.

__A_TAG_PLACEHOLDER_0__. Charlevoix, VI, p. 42.

35. Du Pratz, II, p. 197.

__A_TAG_PLACEHOLDER_0__. Du Pratz, II, p. 197.

36. Hariot, plates IV, VI, and VII.

__A_TAG_PLACEHOLDER_0__. Hariot, plates IV, VI, and VII.

37. “A quantity of pearls amounting to six or seven arrobes.” Biedma, in Historical Collections of Louisiana, part II, p. 101. “In her eares bracelets of pearls hanging down to her middle.” Voyages of English Nation to America, in Hakluyt, II, p. 286. In same, p. 304, it is said, “not only his own skinnes that hee weareth, and the better sort of his gentlemen and followers are full set with the sayd Pearle, but also his beds, and houses are garnished with them, and that hee hath such quantitie of them, that it is a wonder to see.” “Bracelets of real pearls; but they pierce them when hot and thus spoil them.” Membré, loc. cit., p. 183. Cf. Shea, Early Voyages, p. 86, and in same, p. 140, Father Gravier says, “the chief’s wife had some small pearls ... but about seven or eight which are as large as small peas.” Cf. Captain Smith, loc. cit., pp. 138, 144, 191, etc.; Strachey, pp. 54, 132; Tonti, loc. cit., p. 62.

37. “A quantity of pearls amounting to six or seven arrobes.” Biedma, in Historical Collections of Louisiana, part II, p. 101. “In her ears, bracelets of pearls hanging down to her waist.” Voyages of the English Nation to America, in Hakluyt, II, p. 286. It also states, p. 304, “not only are his own skins that he wears, and the better sorts of his gentlemen and followers adorned with the said pearls, but also his beds and houses are decorated with them, and he has such a quantity of them that it is astonishing to see.” “Bracelets of real pearls; but they pierce them when hot and thus ruin them.” Membré, loc. cit., p. 183. Cf. Shea, Early Voyages, p. 86, and in the same, p. 140, Father Gravier says, “the chief’s wife had some small pearls ... but around seven or eight that are as large as small peas.” Cf. Captain Smith, loc. cit., pp. 138, 144, 191, etc.; Strachey, pp. 54, 132; Tonti, loc. cit., p. 62.

38. Knight of Elvas, loc. cit., p. 144. Cf. Garcilaso de la Vega, I, pp. 424, 434; and in vol. II, pp. 5 et seq., there is an account of the way in which the Indians extracted pearls from shells; Paris, 1670.

38. Knight of Elvas, loc. cit., p. 144. See Garcilaso de la Vega, I, pp. 424, 434; and in vol. II, pp. 5 et seq., there is a description of how the Indigenous people extracted pearls from shells; Paris, 1670.

39. First Voyage, in Hakluyt, II, pp. 286, 334; Edinburgh, 1889.

39. First Voyage, in Hakluyt, II, pp. 286, 334; Edinburgh, 1889.

40. “De tout ce que je vient de dire de la manière de s’orner, on conclura aisément, que les Sauvages, au lieu d’ajouter à leur beauté naturelle, (car ils sont presque tous bien faits,) travaillent à se rendre laids & à se défigurer. Cela est vrai aussi; cependant quand ils sont bien parez à leur mode, l’assemblage bizarre de tous leurs ornemens, non seulement n’a rien qui choque, mais il a un je ne sçai quoi qui plaît, & leur donne de la bonne grace.” Lafitau, Mœurs des Sauvages Amériquains, tome III, p. 57; Paris, 1724.

40. Based on everything I've just said about decoration, it's easy to conclude that the Savages, rather than enhancing their natural beauty (since most of them are quite fit), actually make themselves look ugly and disfigure themselves. While this is true, when they are dressed in their own style, the unusual mix of all their ornaments is not only pleasing but also has a certain appeal and gives them an undeniable charm. Lafitau, Mœurs des Sauvages Amériquains, tome III, p. 57; Paris, 1724.

41. October, 1902, p. 15.

__A_TAG_PLACEHOLDER_0__. October 1902, p. 15.

42. University of Pennsylvania, Bulletin Series, 1901.

42. University of Pennsylvania, Bulletin Series, 1901.

43. Prehistoric Implements, p. 280.

__A_TAG_PLACEHOLDER_0__. Prehistoric Tools, p. 280.

44. 24th Report of the Bureau of American Ethnology, 1906.

44. 24th Report of the Bureau of American Ethnology, 1906.

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TRANSCRIBER’S NOTES
Page Changed from Changed to
197 point, and it was doubtless used as a hand-hatchet, mounted as is Fig. 176. point, and it was doubtless used as a hand-hatchet, mounted as in Fig. 176.
  • Typos fixed; non-standard spelling and dialect retained.
  • Used numbers for footnotes, placing them all at the end of the last chapter.

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