This is a modern-English version of The Sturgis wager : A detective story, originally written by Morette, Edgar.
It has been thoroughly updated, including changes to sentence structure, words, spelling,
and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If
you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.
Scroll to the bottom of this page and you will find a free ePUB download link for this book.
THE STURGIS WAGER
A Detective Story
A Detective Novel
BY EDGAR MORETTE
BY EDGAR MORETTE
NEW YORK
FREDERICK A. STOKES COMPANY
PUBLISHERS
NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS
Copyright, 1899
By Frederick A. Stokes Company
Copyright, 1899
By Frederick A. Stokes Company
CONTENTS
I. | THE CABMAN'S FARE |
II. | THE WAGER |
III. | DOCTOR MURDOCK'S PROBLEM |
IV. | THE BANK PRESIDENT |
V. | A FOUNDATION OF FACTS |
VI. | THE ARTIST |
VII. | AGNES MURDOCK |
VIII. | THE PORTRAIT |
IX. | THE KNICKERBOCKER BANK |
X. | PIECING THE EVIDENCE |
XI. | A RECONSTRUCTED DRAMA |
XII. | THE BOOKKEEPER'S CONFESSION |
XIII. | THE LOST TRAIL |
XIV. | THE LETTER |
XV. | TWO LOVERS |
XVI. | THE ROENTGEN RAYS |
XVII. | THE QUARRY |
XVIII. | THE EXTENSION |
XIX. | THE UNDERGROUND PASSAGE |
XX. | THE LEAD-LINED VAT |
XXI. | THE DEATH CHAMBER |
XXII. | FATHER AND DAUGHTER |
XXIII. | THE SPEAKING-TUBE |
XXIV. | CHECKMATE! |
XXV. | THE MURDER SYNDICATE |
The Sturgis Wager.
CHAPTER I.
THE CABMAN'S FARE.
The Taxi Driver's Fare.
It was bitterly cold. The keen December wind swept down the crowded thoroughfare, nipping the noses and ears of the gay pedestrians, comfortably muffled in their warm wraps.
It was freezing. The sharp December wind rushed down the busy street, stinging the noses and ears of the cheerful pedestrians, snugly wrapped up in their warm coats.
Broadway was thronged with the usual holiday shoppers and pleasure-seekers. Cabs with their jaded steeds driven by weatherbeaten jehus, and private carriages behind well-groomed horses handled by liveried coachmen, deftly made their way through the crowds and deposited their fares at the entrances of the brightly lighted theaters or fashionable restaurants. A wizened hag, seated on the curbstone at the corner, seemed to shrink into herself with the cold as she turned the crank of her tiny barrel-organ and ground out a dismal and scarcely audible cacophony; while an anxious-eyed newsboy, not yet in his teens, shivered on the opposite side of the way, as, with tremulous lips, he solicited a purchaser for his unsold stock. One could hardly be expected to open a warm overcoat on such a night, at the risk of taking cold, for the sake of throwing a cent to an old beggar woman, or of buying a newspaper from a ragged urchin. Even the gaily decorated shop windows failed to arrest the idle passers-by; for it required perpetual motion to keep the blood in circulation.
Broadway was packed with the usual holiday shoppers and those looking for fun. Cabs with tired horses driven by weathered drivers, and private carriages pulled by well-groomed horses handled by uniformed coachmen, skillfully navigated through the crowds and dropped off their passengers at the entrances of brightly lit theaters or trendy restaurants. A frail old woman, sitting on the curb at the corner, seemed to shrink against the cold as she turned the crank of her tiny barrel organ, producing a gloomy and barely audible tune; while a nervous young newsboy, not yet a teenager, shivered on the other side of the street, his lips trembling as he tried to sell his unsold papers. No one could be expected to open a warm coat on such a night, risking a chill just to toss a penny to an old beggar woman or buy a newspaper from a ragged kid. Even the brightly decorated shop windows failed to catch the attention of the passersby; it took constant movement to keep the blood circulating.
The giant policeman on the crossing, representing the majesty of the law, swayed the crowd of vehicles and pedestrians with the authoritative gestures of his ponderous hands, and gallantly escorted bands of timid women through the inextricable moving maze.
The big cop at the crosswalk, symbolizing the power of the law, directed the flow of cars and people with commanding gestures of his heavy hands, and bravely guided groups of nervous women through the complicated moving crowds.
And withal, the cable cars, with their discordant clangor, rumbled rapidly to and fro, like noisy shuttles, shooting the woof of the many-hued fabric which is the life of a great city.
And along with that, the cable cars, with their jarring clatter, moved quickly back and forth, like loud shuttles weaving the colorful threads of the vibrant life that makes up a big city.
Presently from one of the side streets there came a cab, which started leisurely to cross Broadway. The big policeman, with his eyes fixed upon an approaching car, held up a warning hand, to which the driver seemed to pay no attention, for the reins remained slack and the listless horse continued to move slowly across the avenue.
Currently, a cab came from one of the side streets and started to cross Broadway at a slow pace. The large policeman, his eyes focused on an oncoming car, raised a warning hand, but the driver seemed to ignore it. The reins stayed loose, and the tired horse kept moving slowly across the avenue.
Several people turned to look with mild curiosity at the bold cabman who dared thus to disregard the authority of blue cloth and brass buttons. Their surprise changed quickly to amazement and dismay when their eyes rested upon him; for his head had fallen forward upon his chest and his limp body swayed upon the box with every motion of the cab. He seemed unconscious of his surroundings, like one drunk or in a stupor.
Several people turned to look with mild curiosity at the daring cab driver who boldly ignored the authority of the uniformed officials. Their surprise quickly shifted to shock and concern when they saw him; his head had slumped forward onto his chest and his slack body swayed with every movement of the cab. He appeared unaware of his surroundings, like someone who was drunk or in a daze.
At his side sat a young man closely muffled in his overcoat, and with a sealskin cap pulled well down over his ears. His face was deathly pale. Those who caught sight of his features saw that his bloodless lips were firmly set, and that his eyes glittered with a feverish light. He carried one hand in the lapel of his coat. With the other he shook the inert form of the unconscious cabman, in a vain effort to arouse him to a sense of the impending danger.
At his side sat a young man bundled up in his overcoat, with a sealskin cap pulled down over his ears. His face was ghostly pale. Those who glimpsed his features noticed that his colorless lips were tightly pressed together and that his eyes sparkled with a feverish intensity. He held one hand in the lapel of his coat. With the other, he shook the limp body of the unconscious cab driver, trying in vain to wake him to the looming danger.
The situation flashed upon the gripman on the car. Instantly he threw his weight upon the brakewheel, at the same time loudly sounding his gong. The policeman, too, understood in a twinkling what was about to happen, and rushed for the horse's head. But it was too late. The cab was fairly across the track when the car, with slackened speed, crashed into it.
The situation hit the driver of the tram suddenly. He quickly leaned hard on the brake lever while ringing his bell loudly. The policeman also realized in an instant what was about to happen and rushed to grab the horse. But it was too late. The taxi was right across the tracks when the tram, which had slowed down, collided with it.
Just before the collision, the young man in the sealskin cap sprang from the box to the street. He landed upon his feet; but, losing his balance, he fell forward upon his left arm, which still remained in the lapel of his coat. He must have hurt himself; for those standing near him heard him groan. But the center of interest was elsewhere, and no one paid much attention to the young man, who, arising quickly, disappeared in the crowd.
Just before the crash, the young guy in the sealskin cap jumped out of the box onto the street. He landed on his feet, but lost his balance and fell forward onto his left arm, which was still stuck in the lapel of his coat. He must have hurt himself because those nearby heard him groan. But everyone's focus was on something else, and no one really noticed the young man, who quickly got up and vanished into the crowd.
The cab, after tottering for an instant on two wheels, fell over upon its side, with a loud noise of splintering wood and breaking glass. The driver rolled off the box in a heap. At the same time, the panic-stricken passengers on the car rushed madly for the doors, fighting like wild beasts in their haste to reach a place of safety.
The cab, after wobbling for a moment on two wheels, tipped over onto its side, making a loud noise as wood splintered and glass shattered. The driver tumbled off the box in a pile. At the same time, the terrified passengers in the car frantically rushed for the doors, battling like wild animals in their hurry to find a safe place.
After the first frenzied moment, it became evident that, although badly shaken up, the passengers had received no injuries, except such bruises as they had inflicted upon each other in their mad struggle to escape. By this time a crowd had collected about the overturned cab, and several more policemen had come to the assistance of the first one, who was now seated serenely upon the head of the cab-horse, a precaution seemingly superfluous, for the poor beast, though uninjured, appeared to be quite satisfied to rest where he lay until he should be forced once more to resume the grind of his unhappy existence.
After the initial chaos, it became clear that, although very shaken, the passengers were unharmed, aside from a few bruises they had caused each other in their frantic attempts to escape. By now, a crowd had gathered around the overturned cab, and several more police officers had arrived to help the first one, who was now calmly sitting on the head of the cab horse. This seemed unnecessary, as the poor animal, though unhurt, looked perfectly content to stay where it was until it had to get back to the grind of its unfortunate life.
The cabman had been rudely shaken by his fall. He had lain as though unconscious for the space of a few seconds; then, with assistance, he had managed to struggle to his feet. He stood now as though dazed by the shock, trying to understand what had happened.
The cab driver had been jolted hard by his fall. He lay there as if unconscious for a few seconds; then, with help, he managed to get back on his feet. Now he stood there, looking dazed from the shock, trying to figure out what had just happened.
"Are you hurt?" inquired one of the policemen.
"Are you okay?" asked one of the cops.
The man, mumbling an unintelligible reply, raised his hand to a scalp wound from which the blood was flowing rather freely.
The man, mumbling a barely understandable response, raised his hand to a head injury from which blood was oozing quite a bit.
At that moment two men forced their way through the crowd which a circle of policemen had some difficulty in keeping at a distance from the wounded cabman. One was a middle-aged individual, who gave his name as Doctor Thurston and offered his services as a physician; the other was a young man with keen gray eyes, who said nothing, but exhibited a reporter's badge.
At that moment, two men pushed their way through the crowd, which a circle of policemen struggled to keep away from the injured cab driver. One was a middle-aged man who identified himself as Doctor Thurston and offered his help as a doctor; the other was a young man with sharp gray eyes who said nothing but showed a reporter's badge.
The physician at once turned his attention to the cabman; felt him, thumped him, pinched him; smelt his breath; and then delivered his verdict:
The doctor immediately focused on the cab driver; he checked him, patted him down, pinched him; smelled his breath; and then gave his assessment:
"No bones broken. The slight scalp wound doesn't amount to anything. The man has been drinking heavily. He is simply drunk."
"No broken bones. The small cut on his scalp doesn’t matter. The man has been drinking a lot. He’s just drunk."
The horse had by this time been unharnessed and the cab had been lifted upon its wheels again.
The horse had by this point been unhooked, and the cab had been set back on its wheels.
The reporter stood by a silent and apparently listless spectator of the scene.
The reporter stood next to a quiet and seemingly indifferent onlooker of the event.
Doctor Thurston turned to him:
Dr. Thurston turned to him:
"Come along, Sturgis; neither you nor I are needed here; and if we do not hurry, Sprague's dinner will have to wait for us. It is a quarter to eight now."
"Come on, Sturgis; neither of us is needed here, and if we don’t hurry, Sprague’s dinner will have to wait for us. It’s a quarter to eight now."
The reporter seemed about to follow his friend, but he stood for an instant irresolute.
The reporter looked like he was about to follow his friend, but he paused for a moment, unsure.
"I say, Doctor," he inquired at last, "are you sure the man is drunk?"
"I say, Doctor," he finally asked, "are you sure the guy is drunk?"
"He has certainly been drinking heavily. Why?"
"He’s definitely been drinking a lot. Why?"
"Because it seems to me——Hello, we cannot go yet; the passenger is more badly hurt than the driver."
"Because it looks like to me——Hey, we can't leave yet; the passenger is hurt worse than the driver."
"The passenger?" queried the physician, turning in surprise to the policeman.
"The passenger?" asked the doctor, turning in surprise to the cop.
"What passenger?" asked the policeman, looking at the cabman. "Have you a passenger inside, young feller?"
"What passenger?" asked the police officer, looking at the cab driver. "Do you have a passenger in there, young man?"
"Naw," replied the cabman, who seemed to be partially sobered by the shock and loss of blood. "Naw, I aint got no fare, barrin' the man wot was on the box."
"Nah," replied the cab driver, who seemed to be slightly sobered by the shock and loss of blood. "Nah, I don't have any fare, except for the guy who was on the box."
The reporter observed the man closely as he spoke; and then, pointing to the step of the cab, which was plainly visible in the glare of a neighboring electric lamp:
The reporter watched the man intently as he spoke; and then, pointing to the step of the cab, which was clearly visible in the light of a nearby electric lamp:
"I mean the passenger whose blood is trickling there," he said quietly.
"I mean the passenger whose blood is dripping there," he said quietly.
Every eye was turned in the direction of his outstretched hand.
Every eye was fixed on his outstretched hand.
A few drops of a thick dark liquid had oozed from under the door, and was dripping upon the iron step. The cab door was closed and the curtain was drawn down over the sash, the glass of which had been shattered by the fall.
A few drops of a thick dark liquid had leaked from under the door and were dripping onto the iron step. The cab door was shut, and the curtain was pulled down over the window, the glass of which had been broken by the fall.
One of the policemen tried to open the door. It stuck in the jamb. Then he exerted upon it the whole of his brute strength; and, of a sudden, it yielded. As it flew open, the body of a man lurched from the inside of the cab, and before any one could catch it, tumbled in a heap upon the pavement.
One of the police officers tried to open the door. It was stuck in the frame. Then he used all his strength on it, and suddenly, it gave way. As it swung open, a man's body stumbled out from the cab and, before anyone could catch him, fell in a heap on the pavement.
A low cry of horror escaped from the crowd.
A low gasp of horror came from the crowd.
The cabman's passenger was a man past middle age, neatly but plainly dressed.
The cab driver's passenger was a man in his fifties, dressed neatly but simply.
As Doctor Thurston and a policeman bent over the prostrate form, the reporter shot a keen glance in the direction of the cabman, who stood staring at the body with a look of ghastly terror in his bulging eyes.
As Doctor Thurston and a policeman leaned over the fallen figure, the reporter took a sharp look at the cab driver, who was staring at the body with a look of horrific fear in his wide eyes.
Presently the physician started to his feet with a low exclamation of surprise.
Currently, the doctor jumped to his feet with a soft exclamation of surprise.
"Is he dead, Doctor?" asked the policeman.
"Is he dead, Doctor?" the policeman asked.
"He has been dead for some time," replied the physician, impressively; "the body is almost cold."
"He passed away a while ago," the doctor replied seriously; "the body is nearly cold."
"Been dead for some time?" echoed the policeman.
"Been dead for a while?" echoed the cop.
"Yes; this man was shot. See there!"
"Yeah, this guy was shot. Look over there!"
As he spoke, he pointed to a red streak which, starting from the left side of the dead man's coat, extended downward and marked the course of the tiny stream in which the life blood had flowed to a little pool on the floor of the cab.
As he talked, he pointed to a red line that began on the left side of the dead man's coat, extending downwards and indicating the path of the small stream where the blood had flowed into a little pool on the floor of the cab.
"Shot!" exclaimed the policeman, who turned immediately to one of his brother officers. "Keep your eye on the cabman, Jim. We'll have to take him in. And look out for the other man, quick!"
"Shot!" shouted the policeman, who quickly turned to one of his fellow officers. "Keep an eye on the cab driver, Jim. We need to take him in. And watch out for the other guy, fast!"
Then, addressing the cabman, upon each of whose shoulders a policeman's hand was immediately placed, he asked roughly:
Then, turning to the cab driver, who had a police officer's hand on each shoulder, he asked roughly:
"Who is this man?"
"Who's this guy?"
The cabman was completely sober now. He stood, pale and trembling, between his two captors, as he replied solemnly:
The cab driver was completely sober now. He stood, pale and shaking, between his two captors as he replied seriously:
"Before God, I don't know, boss. I never saw him before."
"Honestly, I don’t know, boss. I’ve never seen him before."
The policeman looked at the man in blank amazement for an instant. Then he turned away contemptuously:
The cop stared at the guy in disbelief for a moment. Then he turned away with disdain:
"All right, young feller," he said, "you don't have to confess to me. But I guess you'll have a chance to tell that story to a judge and jury."
"All right, kid," he said, "you don't need to confess to me. But I guess you'll get a chance to share that story with a judge and jury."
Then he proceeded to examine the dead man's pockets. They were empty.
Then he went on to check the dead man's pockets. They were empty.
"Looks like robbery," he murmured. "What is it, Jim? Haven't you got the other man?"
"Looks like a robbery," he said quietly. "What's going on, Jim? Don't you have the other guy?"
Jim had not found the other man; for the pale young fellow in the sealskin cap had disappeared.
Jim hadn’t found the other guy; the pale young man in the sealskin cap had vanished.
The reporter was stooping over the body, while Doctor Thurston cut through the clothing and laid bare a small round wound.
The reporter was crouched over the body while Dr. Thurston sliced through the clothing and revealed a small round wound.
"Here is another bullet wound," said Sturgis, turning over the body slightly, and pointing out a second round hole in the back of the dead man.
"Here’s another bullet wound," Sturgis said, gently turning the body and pointing to a second round hole in the back of the deceased man.
He seemed to take great interest in this discovery. He whipped out a steel tape and rapidly but carefully took a number of measurements, as if to locate the positions of the two wounds. Then he stepped into the cab; and, striking match after match, he spent several minutes apparently in eager search for something which he could not find.
He seemed really interested in this discovery. He pulled out a steel tape and quickly yet carefully took several measurements, almost as if he was trying to pinpoint where the two wounds were. Then he stepped into the cab and, lighting match after match, spent several minutes seemingly searching for something he just couldn’t find.
"That is strange," he muttered to himself, as he came out at last.
"That's weird," he murmured to himself as he finally stepped outside.
"What is it?" inquired Thurston, who alone had caught the words.
"What is it?" Thurston asked, the only one who had heard the words.
But the reporter either did not hear or did not care to answer. He at once renewed his search on the brilliantly lighted pavement in the immediate vicinity of the cab; examining every stone, investigating every joint and every rut, prodding with his cane every lump of frozen mud, turning every stray scrap of paper.
But the reporter either didn’t hear or didn’t want to respond. He immediately resumed his search on the brightly lit pavement near the cab, checking every stone, probing every crack and rut, poking with his cane at every clump of frozen mud, and flipping over every random piece of paper.
"Well, Doctor," he said, when at length he rejoined his companion, "if you have done all that you can we may as well go. It is one of the prettiest problems I have met; but there is nothing more for me to learn here for the present. By the way, as I was saying when I interrupted myself a little while ago; are you sure the cabman is drunk? I wish you would take another good look at him. The question may be more important than it seemed at first."
"Well, Doctor," he said, when he finally rejoined his companion, "if you've done everything you can, we might as well head out. This is one of the most interesting problems I've encountered, but I don't have anything more to learn here for now. By the way, as I was saying before I interrupted myself a little while ago, are you sure the cab driver is drunk? I wish you would take another good look at him. This question may be more significant than it initially appeared."
A few minutes later, the physician and the reporter were hurrying along to make up for the time they had lost; the cab and the cabman had disappeared in the custody of the police, and the cabman's grewsome fare was jolting through Twenty-sixth Street, in the direction of a small building which stands near the East River, and in which the stranded waifs of the new-world metropolis can find rest at last, upon a stone slab, in the beginning of their eternal sleep.
A few minutes later, the doctor and the reporter were rushing to catch up on the time they had lost; the cab and the driver had been taken by the police, and the driver’s grim fare was being transported along Twenty-sixth Street, toward a small building near the East River, where the lost souls of the new-world city can finally find rest, on a stone slab, at the start of their eternal sleep.
Broadway had resumed its holiday aspect; the wizened hag at the corner still patiently ground out her plaintive discords; the tearful newsboy, with his slowly diminishing armful of newspapers, continued to shiver in the cold wind, as he offered his stock to the hurrying pedestrians; the big policeman again piloted his fair charges through the mass of moving vehicles, and the clanging cable cars started once more on their rumbling course, as if the snapping of a thread in the fabric of the city's life were a thing of constant occurrence and of no moment.
Broadway had taken on its holiday vibe again; the old woman at the corner was still grinding out her sad tunes; the weepy newsboy, with his dwindling stack of newspapers, kept shivering in the chilly wind as he tried to sell his papers to the rushing pedestrians; the big cop was once again guiding his charges through the swarm of moving cars, and the ringing cable cars started up again on their noisy route, as if the breaking of a thread in the city’s life happened all the time and was no big deal.
A few tiny dark red stains upon the pavement were all that remained to tell the story of the scene which had so recently been enacted in the busy thoroughfare. Presently even these were obliterated by the random stroke of a horse's hoof.
A few small dark red stains on the pavement were all that was left to tell the story of the scene that had just happened in the busy street. Soon, even those were wiped away by the random strike of a horse's hoof.
The ripple had disappeared from the surface. The stream of life was flowing steadily once more through the arteries of the metropolis.
The ripple had vanished from the surface. The flow of life was moving smoothly again through the veins of the city.
CHAPTER II.
THE WAGER.
THE BET.
"What I mean to assert," said Ralph Sturgis, with quiet conviction, "is that every crime is its own historian; that all its minutest details are written in circumstantial evidence as completely as an eye-witness could see them,—aye, more fully and more truly than they could be described by the criminal himself."
"What I mean to say," Ralph Sturgis stated confidently, "is that every crime has its own story; every single detail is recorded in circumstantial evidence as completely as an eyewitness could observe them—yes, even more fully and accurately than the criminal could explain."
The reporter was a man of about thirty, whose regular features bore the unmistakable stamp of intelligence and refinement. In repose, they wore an habitual expression of introspective concentration, which might have led a careless observer to class Ralph Sturgis in the category of aimless dreamers. But a single flash of the piercing gray eyes generally sufficed to dispel any such impression; and told of keen perception and underlying power. The mouth was firm and kind; the bearing that of a gentleman and a man of education.
The reporter was a man around thirty, with features that clearly showed intelligence and sophistication. When he was relaxed, he had a habitually thoughtful look that might have caused a casual observer to see Ralph Sturgis as just another aimless dreamer. However, a quick glance from his sharp gray eyes was usually enough to change that impression, revealing keen insight and hidden strength. His mouth was both firm and kind, and he carried himself with the demeanor of a gentleman and an educated man.
"But," objected the host, "you surely do not mean to express a belief in the infallibility of circumstantial evidence?"
"But," the host replied, "you can't seriously believe that circumstantial evidence is infallible, can you?"
"Why not?"
"Why not?"
"Because you must know as well as any one how misleading uncorroborated circumstantial evidence is. I do not forget what remarkable results you have often accomplished for the Daily Tempest in detecting and following up clues to which the official detectives were blind. But, frankly, were not your conclusions usually the result of lucky guesses, which would have remained comparatively useless as evidence had they not been subsequently proved correct by direct testimony?"
"Because you know as well as anyone how misleading unproven circumstantial evidence can be. I haven’t forgotten the impressive results you’ve often achieved for the Daily Tempest in uncovering and pursuing clues that the official detectives missed. But, to be honest, weren’t your conclusions often just lucky guesses, which would have been pretty useless as evidence if they hadn’t been later confirmed by direct testimony?"
"Let me reply to your question by another, Sprague," answered Sturgis. "When you draw a check, does the paying teller at the bank require the testimony of witnesses to your signature before admitting its genuineness?"
"Let me answer your question with another one, Sprague," Sturgis replied. "When you write a check, does the bank teller need witnesses to confirm your signature before they accept it as genuine?"
"No; of course not."
"No way; absolutely not."
"Precisely. He probably knows the signature of Harvey M. Sprague, the depositor, better than he does the face of Sprague, the artist. And yet the evidence here is purely circumstantial. I know of at least one recent instance in which the officials of a New York bank placed their implicit reliance upon circumstantial evidence of this sort, in spite of the direct testimony of the depositor, who was willing to acknowledge the genuineness of a check to which his name had been forged."
"Exactly. He probably recognizes Harvey M. Sprague's signature, the depositor, better than he does Sprague's face, the artist. And yet, the evidence we have here is only circumstantial. I know of at least one recent case where officials at a New York bank relied entirely on this kind of circumstantial evidence, despite the direct testimony from the depositor, who was willing to confirm the authenticity of a check where his name had been forged."
"I suppose you refer to the Forsyth case," said Sprague; "but you must remember that Colonel Forsyth was actuated by the desire to shield the forger, who was his own scapegrace son."
"I guess you're talking about the Forsyth case," said Sprague; "but you have to remember that Colonel Forsyth was motivated by the need to protect the forger, who was his own wayward son."
"That is just the point," replied Sturgis; "another witness will be biased by his interests or prejudices, blinded by jealousy, love or hatred, or handicapped by overzealousness, stupidity, lack of memory, or what not. Circumstantial evidence is always impartial, truthful, absolute. When the geologist reads the history of the earth, as it is written in its crust; when a Kepler or a Newton formulates the immutable laws of the universe, as they are recorded in the motions of the heavenly bodies, they draw their conclusions from evidence which is entirely circumstantial."
"That’s exactly the issue," Sturgis said. "Another witness might be swayed by their own interests or biases, blinded by jealousy, love, or hatred, or hindered by being overly eager, clueless, forgetful, or whatever else. Circumstantial evidence is always unbiased, truthful, and clear-cut. When a geologist reads the earth's history as it’s written in its crust; when a Kepler or a Newton defines the unchangeable laws of the universe as shown in the movements of celestial bodies, they base their conclusions on evidence that is completely circumstantial."
"Yes; but you forget that science has often been mistaken in its conclusions," interrupted Sprague, "so that it has constantly been necessary to alter theories to fit newly acquired or better understood facts."
"Yes, but you forget that science has often been wrong in its conclusions," interrupted Sprague, "so it's always been necessary to change theories to match new or better understood facts."
"Granted," rejoined Sturgis, "but that is because the interpreters of the evidence are fallible; not because the evidence itself is incomplete. The same cause will always produce the same effect; the same chain of events will invariably terminate in one and the same catastrophe. The apparent deviations from this law are due to unrecognized differences in the producing causes, to additional or missing links in the chain of evidence. Therefore I hold that a criminal, however clever he may be, leaves behind him a complete trace of his every act, from which his crime may be reconstructed with absolute certainty by a competent detective."
"True," Sturgis replied, "but that's because the people interpreting the evidence can make mistakes; it's not because the evidence itself is lacking. The same cause will always lead to the same effect; the same sequence of events will inevitably end in the same disaster. The apparent exceptions to this rule are due to unnoticed differences in the causes at play, or to extra or missing links in the evidence chain. So I believe that a criminal, no matter how smart they are, leaves a complete trail of everything they do, from which a skilled detective can piece together their crime with total certainty."
"In short, 'Murder will out!'" said a man who had been a silent listener to the conversation up to this point. He spoke with a quiet smile, which barely escaped being a polite sneer.
"In short, 'Murder will out!'" said a man who had been silently listening to the conversation until now. He spoke with a subtle smile that almost turned into a polite sneer.
Sturgis's keen eyes met his interlocutor's as he replied gravely:
Sturgis's sharp eyes locked onto his conversation partner's as he responded seriously:
"I should hardly care to make so sweeping an affirmation, Doctor Murdock. I have merely stated that the history of every crime is indelibly written in tangible evidence. The writing is on the wall, but of course a blind man cannot see it, nor can an illiterate man understand it. Every event, however trivial, owes its occurrence to a natural cause, and leaves its indelible impress upon nature. The Indian on the trail reads with an experienced eye the story of his enemy's passage, as it has been recorded in trodden turf and broken twigs; while the bloodhound follows, with unerring judgment, a still surer though less tangible trail. The latter's quarry has left behind, at every step, an invisible, imponderable, and yet unmistakable part of itself. Perhaps my meaning can be made clear by an illustration. When a photographer in his dark room takes an exposed plate from his camera, it is apparently a blank; but in reality there is upon this plate the minutely detailed history of an event, which, in proper hands, can be brought before the least competent of observers as irrefutable evidence. Here, the actinic rays of the sunlight are the authors of the evidence; but every natural force, in one way or another, conspires with the detective to run the criminal to earth."
"I wouldn't want to make such a bold claim, Doctor Murdock. I’m simply saying that the history of every crime is clearly documented in physical evidence. The proof is there, but of course, a blind person can’t see it, nor can someone who can't read understand it. Every event, no matter how small, happens for a natural reason and leaves its mark on the world. The Native American on the path can read with practiced eyes the tale of his enemy's journey, as captured in flattened grass and broken branches; meanwhile, the bloodhound tracks with an infallible sense, following a more elusive but equally certain trail. The quarry has left behind, with every step, an invisible, weightless, yet undeniable part of itself. Perhaps I can clarify with an example. When a photographer in his darkroom removes an exposed plate from his camera, it may look blank; but in reality, it contains the detailed history of an event that can, with the right expertise, be presented to even the least skilled observer as undeniable proof. Here, the sunlight's rays create the evidence; but every natural force, in some way, works with the detective to catch the criminal."
"Unless," suggested Murdock, "the ability happens to be on the side of the quarry; in which case, the conspiracy of Nature's forces turns against the hunter."
"Unless," Murdock suggested, "the ability happens to be with the quarry; in that case, the forces of nature conspire against the hunter."
"Ah!" retorted the reporter, "the game is not an equal one. The dice are loaded. For while on the one hand, the detective, if he falls into an error, has a lifetime in which to correct it, any misstep on the part of the criminal is fatal. And who is infallible?"
"Ah!" replied the reporter, "the game isn't fair. The odds are stacked. While the detective has a whole lifetime to fix any mistakes he makes, any misstep by the criminal is deadly. And who is perfect?"
"Not the detective, at any rate," answered Murdock with suave irony. "It has always seemed to me that the halo which has been conferred upon him, chiefly through the efforts of imaginative writers of sensational fiction, is entirely undeserved. In the first place, most of the crimes of which we hear are committed either by men of a low order of intelligence or else by madmen, in which latter category I include all criminals acting under the impulse of any of the passions—hatred, love, jealousy, anger. And then, while the detective takes good care that his successes shall be proclaimed from the house-tops, he is equally careful to smother all accounts, or to suppress every detail, of his failures, whenever there is any possibility of so doing. You can cite, I know, plenty of cases in which, even after the lapse of years, the crime has been discovered and the criminal has been confronted with his guilt, but——"
"Definitely not the detective," Murdock replied with smooth sarcasm. "I've always thought the praise he gets, mostly thanks to the creative work of sensational fiction writers, is completely unwarranted. First of all, most of the crimes we hear about are committed either by people with low intelligence or by madmen, and by madmen, I mean anyone acting out of strong emotions—like hatred, love, jealousy, or anger. Plus, while the detective makes sure to shout about his successes from the rooftops, he's just as careful to bury any reports or details about his failures whenever he can. I know you can point to many cases where, even after years have passed, the crime has been solved and the criminal has been confronted with their guilt, but——"
"In my opinion," piped the shrill voice of an elderly man of clerical aspect, "conscience is the surest detective, after all."
"In my opinion," chimed the high-pitched voice of an elderly man who looked like a clergyman, "conscience is the best detective, after all."
"Conscience!" retorted Murdock calmly; "the word is a euphemism. Man gives the name of conscience to his fear of discovery and punishment. There is no such thing as conscience in the criminal who has absolute confidence in his power to escape detection."
"Conscience!" Murdock replied calmly; "that word is just a fancy term. People call it conscience because they’re afraid of getting caught and punished. There’s no such thing as conscience in a criminal who believes completely that he can avoid being found out."
"But where is the man who can have that superb confidence in himself?" asked Sprague.
"But where is the guy who can have that amazing confidence in himself?" asked Sprague.
"His name is probably legion," answered Murdock quickly. "He is the author of every crime whose history remains forever unwritten."
"His name is probably countless," Murdock replied quickly. "He’s the mastermind behind every crime whose story is never told."
"And are these really so numerous?"
"And are there really that many?"
"Let us see how the case stands in one single class of crime—say, for instance, murder. Whenever the solution of a sensational murder mystery is effected by the detectives, or by their allies, the gentlemen of the press, like our friend Mr. Sturgis, we, the gullible public, vociferously applaud the achievements of these guardians of the public safety, and forthwith proceed to award them a niche in the temple of Fame. So far, so good. But what of the dark mysteries which remain forever unsolved? What of the numerous crimes of which no one ever even knows?"
"Let’s take a look at one specific type of crime—like murder. Whenever detectives or their allies, like our friend Mr. Sturgis from the press, solve a high-profile murder mystery, we, the easily impressed public, loudly praise these protectors of public safety and quickly give them a place in the hall of fame. So far, so good. But what about the dark mysteries that never get solved? What about the many crimes that no one knows anything about?"
"Oh! come now, Doctor," laughed Sprague, "isn't it rather paradoxical to base your argument on the assumption of crimes of whose very existence you admit you have no knowledge?"
"Oh! come on, Doctor," laughed Sprague, "isn't it a bit contradictory to base your argument on the assumption of crimes that you admit you know nothing about?"
Murdock smiled grimly as he replied:
Murdock smiled grimly as he replied:
"Go to the morgue of any large city, where the unrecognized dead are exposed for identification. Aside from the morbid crowd which is drawn to such a place by uncanny curiosity, you will find that each corpse is anxiously scanned by numbers of people, each of whom is seeking a missing friend or relative. At the most, each body can furnish the key to only one mystery. Then what of the scores, ay, the hundreds of others?"
"Visit the morgue in any big city, where the unidentified dead are laid out for recognition. Besides the morbid crowd that's drawn there by an unsettling curiosity, you'll see each corpse being closely examined by many people, each searching for a missing friend or family member. At most, each body can solve just one mystery. So what about the dozens, even hundreds, of others?"
After a short pause, he continued:
After a brief pause, he went on:
"No; murder will not out——at least not when the criminal is what I might call a professional, a man of genius in his vocation, educated, intelligent, dispassionate, scientific. Fortunately for the reputation of the detective, amateur and professional, the genius in the criminal line is necessarily of a modest and retiring disposition. He cannot call the public attention to his ingenuity and skill; he cannot puff his achievements in the daily press. Not only are his masterpieces unsigned, but they remain forever unheard of. The detective is known only by his successes; the criminal's reputation is based solely upon his failures."
"No; murder won’t stay hidden—at least not when the criminal is what I'd call a professional, a genius in his field, well-educated, smart, calm, and methodical. Luckily for the reputation of both amateur and professional detectives, the genius in crime tends to be modest and reserved. They can’t draw public attention to their cleverness and skill; they can’t boast about their accomplishments in the daily news. Not only are their greatest crimes left unsigned, but they also remain completely unknown. The detective is recognized only by their successes; the criminal's reputation is built solely on their failures."
Doctor Murdock delivered this parting shot with the cool deliberateness which was characteristic of the man. The insolent irony of his words was emphasized by the calmness of his bearing.
Doctor Murdock delivered this parting shot with the cool carefulness that was typical of him. The sarcastic irony of his words was highlighted by the calmness of his demeanor.
"I say, Doctor," laughed Sprague, "you have missed your vocation. You should have adopted the profession of scientific criminal yourself. You seem to possess the theory of the science as it is, and a little experience would no doubt have made you an adept in the practice as well."
"I say, Doctor," laughed Sprague, "you've missed your calling. You really should have gone into scientific crime yourself. You clearly understand the theory behind it, and with a bit of experience, you would definitely excel in the practice too."
A look of mild amusement passed over Murdock's countenance.
A look of slight amusement crossed Murdock's face.
"Perhaps you are right, Mr. Sprague. At any rate, I think I may affirm, without overweening conceit, that if I had followed the course you suggest, I could have prepared for your friend Mr. Sturgis some pretty little problems on which to sharpen his wits. I feel that I could have been an artist as well as a scientist in that line."
"Maybe you're right, Mr. Sprague. Either way, I think I can confidently say that if I had taken the path you suggested, I could have created some interesting little challenges for your friend Mr. Sturgis to test his skills. I believe I could have been both an artist and a scientist in that area."
"You might console yourself by writing an interesting and valuable book, under some such title as 'Hints to the Young Criminal,' or 'Crime as a Fine Art.' At all events, your criminals of genius have a stanch advocate in you. But what on earth have the detectives done to you to call forth this wholesale vituperation?"
"You could make yourself feel better by writing an engaging and useful book, with titles like 'Tips for Young Criminals' or 'Criminality as an Art Form.' Regardless, you’ve got a strong supporter for your genius criminals. But seriously, what have the detectives done to you to deserve this complete bashing?"
"Nothing. But, as a disinterested observer, I like to see fair play. If I am mistaken in my estimate of the modern detective, I am open to conviction. I have five thousand dollars to wager against one hundred that I can pick up any daily paper and from its columns select an unsolved riddle, to which no detective on the face of the earth can give the answer. Have I any taker, gentlemen?"
"Nothing. But, as an unbiased observer, I enjoy seeing fairness. If I'm wrong in my assessment of the modern detective, I'm willing to be convinced. I have five thousand dollars to bet against one hundred that I can grab any daily paper and find an unsolved mystery that no detective on the planet can solve. Any takers, gentlemen?"
As he spoke, his eyes met Sturgis's and suddenly seemed to flash with an earnest defiance, which instantly melted into the calm, cynical smile of the man of the world.
As he spoke, his eyes locked with Sturgis's and suddenly seemed to burst with a serious defiance, which quickly transformed into the cool, cynical smile of a worldly man.
"Done," said Sturgis, quietly.
"All set," said Sturgis, quietly.
"Very well, Mr. Sturgis," observed Doctor Murdock indifferently. "I shall confine myself to the columns of your own newspaper for the selection of the problem upon which you are to work.
"Alright, Mr. Sturgis," Dr. Murdock said casually. "I will limit myself to the sections of your own newspaper for the choice of the problem you will tackle."
"And," he added, with a supercilious smile, "you are at liberty to fix the limit of time in which the wager must be decided."
"And," he added, with a condescending smile, "you can set the deadline for when the bet has to be settled."
"Hear! hear!" exclaimed a young broker. "This is becoming interesting, and promises some sport for those of us who are giddy enough to enjoy staking something on this novel contest. I, for one, am willing to lay reasonable odds on the side of law and order, as represented by the enlightened press, in the person of our clever friend Sturgis. Come, Chadwick, will two to one against the scientific criminal tempt you to champion the cause of that apparently unappreciated individual?"
"Hear! Hear!" shouted a young broker. "This is getting interesting and looks like it could be some fun for those of us who are bold enough to bet on this unusual contest. I, for one, am willing to put down reasonable odds on the side of law and order, represented by the informed press, in the form of our smart friend Sturgis. Come on, Chadwick, would you be tempted to support that seemingly underappreciated individual with two to one odds against the scientific criminal?"
"Very well, Fred," answered the man addressed; "I'll take you for a hundred."
"Sure thing, Fred," replied the man being addressed; "I'll take you for a hundred."
A few similar bets were laughingly arranged, and a copy of the Evening Tempest was sent for.
A few similar bets were set up with laughter, and a copy of the Evening Tempest was requested.
CHAPTER III.
DOCTOR MURDOCK'S PROBLEM.
DR. MURDOCK'S ISSUE.
Sprague's stag dinner was virtually over when a servant brought in a copy of the Evening Tempest. The dessert had been removed, the coffee and liqueurs had been served, and the guests had lighted their cigars. The host passed the newspaper to Doctor Murdock, who proceeded to glance leisurely through its columns.
Sprague's stag dinner was almost finished when a waiter brought in a copy of the Evening Tempest. The dessert had been cleared away, coffee and liqueurs had been served, and the guests had lit their cigars. The host handed the newspaper to Doctor Murdock, who began to peruse its articles at a relaxed pace.
"Ah! this will do," he exclaimed, at last. "Here is something which will, I think, answer our purpose—
"Ah! this will work," he said finally. "Here’s something that I think will meet our needs—
"MYSTERIOUS SHOTS IN WALL STREET.
"Mysterious shots on Wall Street."
WHO FIRED THEM?
WHO LET THEM GO?
STORY OF A STRAY SATCHEL.
STORY OF A LOST BAG.
THE POLICE PUZZLED.
THE POLICE ARE BAFFLED.
"While on his beat, at a quarter past five o'clock this afternoon, Policeman John Flynn, hearing the report of a pistol from the direction of the Knickerbocker bank——"
"While on his patrol, at a quarter past five this afternoon, Policeman John Flynn heard the sound of a gunshot coming from the direction of the Knickerbocker bank——"
"The Knickerbocker bank!" interrupted the young broker. "Mr. Dunlap, that interests you. Do your directors indulge in pistol practice at the board meetings?"
"The Knickerbocker bank!" interrupted the young broker. "Mr. Dunlap, that catches your attention. Do your directors do target practice at the board meetings?"
"What is that about the Knickerbocker bank?" asked the man to whom this speech was addressed. Having been engaged with his neighbor in an earnest discussion on financial questions, he had not been listening to the general conversation.
"What’s going on with the Knickerbocker bank?" asked the man to whom this was directed. He had been focused on a serious discussion about financial issues with his neighbor and hadn't been paying attention to the overall conversation.
Murdock adjusted his eyeglasses, and quietly resumed:
Murdock adjusted his glasses and quietly continued:
"Policeman John Flynn, hearing the report of a pistol from the direction of the Knickerbocker bank, in Wall Street, started at the top of his speed toward that building. When he was within about twenty yards of the bank another shot rang out, and at the same instant a man darted down the steps and ran toward Broadway."
"Officer John Flynn, upon hearing a gunshot coming from the Knickerbocker bank on Wall Street, took off at full speed toward the building. When he was about twenty yards away from the bank, another shot fired, and at that moment, a man rushed down the steps and ran toward Broadway."
Richard Dunlap, president of the Knickerbocker bank, was listening attentively enough now. Behind the calm mask of the financier there was the evident anxiety of the bank president. For the stability of a bank, like the honor of a woman, is at the mercy of every passing rumor.
Richard Dunlap, the president of the Knickerbocker Bank, was paying close attention now. Behind the calm facade of the financier, there was clear anxiety from the bank president. The stability of a bank, much like a woman's honor, is vulnerable to every fleeting rumor.
"He carried in his hand a small satchel, which he dropped as soon as he saw that he was pursued. After an exciting chase, Flynn overtook his man, whom he recognized as Michael Quinlan, alias Shorty Duff, a well-known sneak thief. On the way back to the bank the policeman questioned his prisoner about the pistol shots. Quinlan vehemently denied having fired them; but admitted that he had stolen the satchel. His story is that, as he was passing the bank, the outer door was ajar. Seeing the satchel in the vestibule, he entered, crouching low in order to avoid being seen through the inner door, the upper portion of which is of plate glass. Scarcely had he laid his hand upon the satchel when he was startled by the report of a pistol. For a moment he was dazed and undecided how to act. Then, as no one seemed to take any notice of his presence, he was quietly slipping off, when a second shot was fired. Panic-stricken, he took to his heels, only to be captured by Flynn.
"He was carrying a small bag, which he dropped as soon as he noticed he was being chased. After an intense pursuit, Flynn caught up to him and recognized him as Michael Quinlan, also known as Shorty Duff, a famous pickpocket. On the way back to the bank, the officer questioned his prisoner about the gunshots. Quinlan strongly denied firing them but admitted that he had stolen the bag. He explained that as he was walking by the bank, the front door was slightly open. Seeing the bag in the entryway, he ducked inside to avoid being seen through the inner door, the top part of which is made of glass. Just as he reached for the bag, he was startled by the sound of a gunshot. For a moment, he was confused about what to do. Then, seeing that no one seemed to notice him, he started to sneak away when a second shot rang out. In a panic, he ran off, only to be caught by Flynn."
"On reaching the bank Flynn found the outer door closed but not fastened. The heavy iron gate between it and the inner door was securely locked, however, so that it was impossible to enter. The Knickerbocker bank has a second entrance on Exchange Place. But this, too, is protected by a massive iron gate, which also was found locked. Flynn rapped for assistance, and the call having been answered by Policemen Kirkpatrick and O'Donnell, he left the former to watch the Exchange Place door, and the latter to guard the entrance on Wall Street, while he took his prisoner to the police station.
"Upon arriving at the bank, Flynn discovered the outer door was closed but not locked. However, the heavy iron gate between it and the inner door was securely locked, making it impossible to get in. The Knickerbocker bank has another entrance on Exchange Place, but that one was also protected by a massive iron gate, which was locked as well. Flynn called for help, and when Policemen Kirkpatrick and O'Donnell responded, he assigned the former to watch the Exchange Place door and the latter to guard the entrance on Wall Street, while he took his prisoner to the police station."
"Messengers were at once despatched to the house of Mr. Richard Dunlap, the president of the bank, and to that of Mr. George S. Rutherford, the cashier. The former was not at home, and the family being out of town, there was no one who knew where he was spending the evening."
"Messengers were sent immediately to the home of Mr. Richard Dunlap, the president of the bank, and to Mr. George S. Rutherford, the cashier. Mr. Dunlap was not home, and since the family was out of town, no one knew where he was spending the evening."
Every eye turned toward Richard Dunlap as this paragraph was read. His features remained impassive, under the full control of the veteran financier; but to an observant eye like Sturgis's, the man's real anxiety was betrayed by the unconscious action of his right hand, which lay upon the table and played nervously with a fork.
Every eye turned to Richard Dunlap as this paragraph was read. His expression stayed calm, completely controlled by the experienced financier; but to an observant person like Sturgis, the man's true anxiety was revealed by the unconscious movement of his right hand, which rested on the table and nervously fiddled with a fork.
"Yes," said the banker, carelessly, feeling the curious gaze of the other guests upon him, and answering their unspoken questions, "yes, that is true; I did not tell my housekeeper that I was invited to dine by our friend Sprague this evening. There was, of course, no reason why I should. Well, Doctor Murdock, did they find Rutherford?"
"Yeah," said the banker casually, sensing the curious looks from the other guests and responding to their silent questions, "yeah, that's true; I didn't tell my housekeeper that I was invited to dinner by our friend Sprague tonight. There was really no reason to. So, Doctor Murdock, did they find Rutherford?"
Murdock had looked up while the banker was speaking. He now leisurely found his place and continued the reading of the article in the Tempest:
Murdock had looked up while the banker was speaking. He now casually found his place and continued reading the article in the Tempest:
"The cashier fortunately was at home, and he hurried down town at once with his set of the bank keys. Two detectives from the Central Office accompanied him, and the three men carefully searched the premises. They found nothing out of the way there, except that three gas jets were lighted and turned on full blaze. At first the detectives were inclined to think that bank robbers had gained an entrance to the building; and that one of them, having caught sight of Shorty Duff as he reached in to steal the satchel from the vestibule, had fired upon him. This would explain the pistol shots heard by Flynn. A careful examination of the bank, however, failed to reveal any trace of a bullet.
"The cashier was luckily at home, and he rushed downtown immediately with his set of bank keys. Two detectives from the Central Office went with him, and the three men carefully searched the place. They didn’t find anything unusual except that three gas jets were lit and turned up all the way. At first, the detectives thought that bank robbers had broken into the building, and that one of them, spotting Shorty Duff reaching in to steal the satchel from the vestibule, had shot at him. This would explain the gunshots heard by Flynn. However, a thorough inspection of the bank didn't show any sign of a bullet."
"The valise, when opened, proved to contain only a change of linen for a man and a few toilet articles of but slight intrinsic value. The satchel itself is an ordinary cheap leather handbag, stamped in imitation of alligator skin.
"The bag, when opened, turned out to hold only a change of clothes for a man and a few toiletry items of minimal real value. The satchel itself is a typical inexpensive leather handbag, stamped to look like alligator skin."
"The police are now looking for its owner in the hope that he will be able to throw some light on the mystery of the pistol shots."
"The police are now searching for its owner, hoping he can shed some light on the mystery of the gunshots."
When Doctor Murdock had finished reading, everybody, except Dunlap and Sturgis, looked disappointed. The former settled back in his chair, the muscles of his face relaxed, and the anxious bank president once more became the genial and polished man of the world. The reporter sat gazing thoughtfully at his wineglass.
When Doctor Murdock finished reading, everyone except Dunlap and Sturgis looked let down. Dunlap leaned back in his chair, his facial muscles relaxed, and the nervous bank president returned to being the charming and sophisticated man he usually was. The reporter sat, lost in thought, staring at his wineglass.
"Well, Mr. Sturgis," said Murdock, "what do you think of my little problem?"
"Well, Mr. Sturgis," Murdock said, "what do you think of my small issue?"
"I have already been assigned to work up this case for the Tempest," answered the reporter quietly.
"I've already been assigned to work on this case for the Tempest," the reporter said quietly.
"Indeed? Perhaps you are the author of this very article? No? Then are you willing to make the solution of this little mystery the subject of our wager and the test of your theories?"
"Really? Maybe you wrote this article? No? Then are you ready to make solving this little mystery the focus of our bet and a test of your ideas?"
"Hold on, Doctor," exclaimed Sprague; "you are doing Sturgis an injustice. Why pick out, as a test of his ability, a problem which, to all intents and purposes, has already been solved by the police? Give him some truly knotty question and he will be in his element; and then, at least, some interest will attach to your wager."
"Wait a second, Doctor," Sprague said. "You're giving Sturgis a raw deal. Why choose a problem as a measure of his skills that, for all practical purposes, the police have already figured out? Give him a real tough question and he'll be in his zone; then, at least, there will be some real stakes in your bet."
"Ah! you think the problem has already been solved?"
"Ah! you think the issue has already been resolved?"
"To be sure. The article you have read us started out as if it were going to prove interesting; but, instead of that, it ends in an anti-climax. What is the crime here? The confessed theft, by a petty sneak thief, of a satchel worth, with its contents, perhaps eight or ten dollars. And where is the mystery? The ownership of a few pieces of unmarked linen of so little value that the owner does not care to take the trouble to claim them."
"Sure thing. The article you just read started out like it was going to be interesting, but instead it ends with a letdown. What’s the crime here? A petty thief confessing to stealing a bag worth maybe eight or ten dollars with its contents. And where’s the mystery? Just the ownership of a few plain pieces of linen that are so worthless the owner can’t even be bothered to claim them."
"I cannot agree with you, Mr. Sprague. While the crime in this case may be a petty theft, it contains, to my mind, interesting features, which you appear to lose sight of in your disdainful summary. The problem, it seems to me, involves a suitable explanation of two rather mysterious pistol shots, to say nothing of such minor details as lighted gas jets behind securely locked gates. As Mr. Sturgis has informed us, in his earnest and lucid way, every effect has a cause. I should like to know the cause that lighted the gas in the Knickerbocker bank."
"I can’t agree with you, Mr. Sprague. Although the crime in this case might seem like a petty theft, it has some interesting aspects that you seem to overlook in your dismissive summary. To me, the issue revolves around finding a reasonable explanation for two rather mysterious gunshots, not to mention the small details like the lit gas lights behind locked gates. As Mr. Sturgis has told us, clearly and sincerely, every effect has a cause. I’d like to know what caused the gas lights to turn on in the Knickerbocker bank."
"I shall probably find out that cause the day after to-morrow," said Mr. Dunlap smiling, "and I shall give the fellow a talking to for his carelessness in forgetting to turn out the gas when he locked up."
"I'll probably find out the reason the day after tomorrow," said Mr. Dunlap with a smile, "and I'll have a word with that guy for being careless and forgetting to turn off the gas when he locked up."
"Mr. Dunlap's suggestion," continued Murdock, "is plausible in itself, and we might even assume that the same careless employé, after locking up the bank, forgot to close the outer door on the Wall Street side. But even then, we have not disposed of the ownership of the satchel nor of the two pistol shots. The police theory that these shots were fired by bank robbers seems, I admit, very far-fetched. Professional cracksmen would hardly be likely to fire, unless cornered; and then they would fire to kill, or at least to disable. If their bullets failed to hit the mark, they would at any rate leave some trace."
"Mr. Dunlap's suggestion," Murdock continued, "makes sense on its own, and we could even assume that the same careless employee, after locking up the bank, forgot to close the outer door on the Wall Street side. But even then, we haven't addressed the ownership of the satchel or the two gunshots. The police theory that these shots were fired by bank robbers seems, I have to admit, quite far-fetched. Professional criminals would likely only fire if they felt cornered; and if they did, they would be aiming to kill or at least to injure. If their shots missed, they would still leave some kind of evidence behind."
"I beg to suggest," remarked Dunlap, "that the shots heard by the policeman and his prisoner were not fired from the inside of the bank."
"I'd like to suggest," Dunlap said, "that the shots the policeman and his prisoner heard didn’t come from inside the bank."
"That appears quite likely," admitted Murdock; "but they must at any rate have been fired in close proximity to the bank, since the witnesses agree that they appeared to come from inside. In that case, whence were they fired? By whom? And why? On the whole, my little puzzle does not seem to me so ill chosen. What is your own opinion, Mr. Sturgis?"
"That seems pretty likely," Murdock said. "But they must have been fired really close to the bank, since the witnesses all agree they looked like they came from inside. If that’s the case, where did they come from? Who fired them? And why? Overall, my little puzzle doesn’t seem so bad to me. What do you think, Mr. Sturgis?"
"I quite agree with you that the problem is probably not so simple as it seemed at first blush to Sprague."
"I completely agree with you that the problem is probably not as simple as it initially seemed to Sprague."
"Very well. Then doubtless you are willing to undertake the task of supplying whatever data may be required to complete the chain of evidence against Quinlan?"
"Alright. So, you’re definitely ready to take on the task of providing any information needed to finish building the case against Quinlan?"
"By no means," replied Sturgis decidedly.
"Not at all," Sturgis replied firmly.
"Indeed? Ah! well, of course, if Mr. Sturgis wishes to withdraw his bet——"
"Really? Oh! well, of course, if Mr. Sturgis wants to back out of his bet——"
"I do not wish to withdraw my bet," said Sturgis; "I will agree to solve your problem within thirty days or to forfeit my stakes; but I cannot undertake to prove the truth or falsity of any a priori theory. I have no personal knowledge of the matter as yet, and therefore no theory."
"I don’t want to take back my bet," Sturgis said. "I will agree to solve your problem within thirty days or forfeit my stake; but I can’t promise to prove whether any a priori theory is true or false. I don’t have any personal knowledge on the matter yet, and so I have no theory."
"Quite so," observed Murdock ironically. "I had forgotten your scientific methods. Of course, it may turn out that it was the policeman who stole the satchel from Shorty Duff."
"Exactly," Murdock said with a hint of irony. "I had forgotten about your scientific methods. Of course, it might turn out that it was the cop who stole the satchel from Shorty Duff."
"Perhaps," answered Sturgis, imperturbably.
"Maybe," answered Sturgis, unfazed.
Murdock smiled.
Murdock grinned.
"Well, gentlemen," said he, "I accept Mr. Sturgis's conditions. If you are willing," he continued, turning to the reporter, "our host will hold the stakes and decide the wager."
"Well, gentlemen," he said, "I accept Mr. Sturgis's conditions. If you're okay with it," he added, looking at the reporter, "our host will manage the stakes and decide the bet."
"I, for one, agree with Sprague," said Doctor Thurston. "I am disappointed in the problem. I have seen Sturgis unravel some extremely puzzling tangles in my day; and such a case would not be hard to find. Why, no longer ago than this evening, on our way here, we stumbled upon a most peculiar case——eh?——oh!——er——please pass the cognac, Sprague. I wish I had some like it in my cellar; it is worth its weight in gold."
"I totally agree with Sprague," said Doctor Thurston. "I'm really let down by the problem. I've seen Sturgis untangle some pretty complicated situations in my time; finding a case like this wouldn’t be too tough. Just this evening, on our way here, we came across a really strange case—right?—oh!—uh—could you pass the cognac, Sprague? I wish I had some like this in my cellar; it’s worth its weight in gold."
Doctor Thurston had met Sturgis's steady gaze and had understood that, for some reason or other, the reporter did not wish him to relate their adventure of the afternoon.
Doctor Thurston had met Sturgis's steady gaze and understood that, for some reason, the reporter didn’t want him to share their adventure from the afternoon.
Only one person appeared to notice the abrupt termination of his story. This was Murdock, who had looked up at the speaker with mild curiosity, and who had also intercepted the reporter's warning glance at his friend. He observed Doctor Thurston narrowly for a full minute, appeared to enjoy his clumsy effort to cover his retreat, and then quietly sipped his coffee.
Only one person seemed to notice the sudden end of his story. That was Murdock, who looked up at the speaker with mild curiosity and caught the reporter's warning glance at his friend. He watched Doctor Thurston closely for a full minute, seemed to enjoy his awkward attempt to backtrack, and then quietly sipped his coffee.
CHAPTER IV.
THE BANK PRESIDENT.
The bank's president.
Sprague's dinner party was over, and among the first to take their leave, shortly after midnight, were Dunlap, Sturgis and Doctor Thurston.
Sprague's dinner party had ended, and among the first to leave, shortly after midnight, were Dunlap, Sturgis, and Doctor Thurston.
The reporter did not often spend an evening in worldly dissipation. He was a man of action, a hard worker and an enthusiastic student. Almost all of the time which was not actually spent in the pursuit of his profession, was devoted to study in many widely different fields of art and science. For Sturgis's ideal of his profession was high; he held that almost every form of knowledge was essential to success in his line of work. It was seldom, therefore, that he allowed himself to spend a precious evening in social intercourse, unless as a more or less direct means to some end. He had made an exception in favor of Sprague's dinner, and his meeting with Dunlap, whom he had not previously known, had been entirely accidental.
The reporter rarely spent an evening indulging in worldly pleasures. He was a man of action, a hard worker, and an eager learner. Almost all the time he didn't spend on his job was dedicated to studying various fields of art and science. Sturgis believed that high standards in his profession were crucial; he thought that nearly every type of knowledge was vital for success in his work. Therefore, it was rare for him to let himself enjoy a valuable evening socializing, unless it served a specific purpose. He made an exception for Sprague's dinner, and meeting Dunlap, whom he hadn't met before, was completely coincidental.
Dunlap was, however, a man whom Sturgis needed to see in the course of his study of the Knickerbocker bank mystery, and he had not lost the opportunity which chance had placed in his way. After obtaining an introduction to the bank president, the reporter had sought an occasion to speak with him in private; and, as this did not present itself during the course of the evening, he had timed his departure so that it should coincide with that of Dunlap. Doctor Thurston had followed his friend's lead.
Dunlap was, however, someone Sturgis needed to meet while investigating the Knickerbocker bank mystery, and he didn’t miss the opportunity that fate had given him. After getting an introduction to the bank president, the reporter looked for a chance to talk with him privately; since that chance didn't come up during the evening, he planned his exit to match Dunlap's. Doctor Thurston had followed his friend's example.
"Are you going down to the bank this evening, Mr. Dunlap?" asked Sturgis, as the trio faced the bleak wind.
"Are you heading to the bank this evening, Mr. Dunlap?" Sturgis asked as the three of them braved the cold wind.
"I? No. Why should I?" inquired the banker in apparent surprise.
"I? No. Why would I?" asked the banker, looking surprised.
"I see no particular reason why you should," replied the reporter. "If to-day were a banking day, there would be no time to lose. But since it is New Year's day, there is little, if any, chance of the trail being disturbed; and it will be much easier to find it in broad daylight than by gaslight. Our friends of the Central Office are usually pretty clever in discovering at least the more evident clues in a case of this sort, even when they have not the ability to correctly interpret them. And since they have completely failed in their search to-night, we must anticipate a more than ordinarily difficult puzzle."
"I don't see any reason why you should," the reporter replied. "If today were a banking day, we wouldn't have time to waste. But since it’s New Year’s Day, there’s little chance the trail has been disturbed; it’ll be much easier to find it in broad daylight than under gaslight. Our friends at the Central Office are usually pretty good at spotting at least the obvious clues in a case like this, even if they can’t interpret them accurately. And since they’ve completely failed in their search tonight, we should expect an unusually tough puzzle."
"Why, Mr. Sturgis," said Dunlap somewhat anxiously. "You talk as though you really believed that some mysterious crime has been committed at the bank."
"Why, Mr. Sturgis," Dunlap said a bit nervously. "You talk like you actually think some kind of mysterious crime has happened at the bank."
"I do not know enough about the case as yet to advance any positive belief in the matter," said Sturgis; "but if we assume as correct the circumstances related in the article which Doctor Murdock read to us this evening, they certainly present an extraordinary aspect."
"I don't know enough about the case yet to form any strong belief about it," said Sturgis; "but if we take as true the details shared in the article that Doctor Murdock read to us this evening, they definitely present an unusual situation."
Dunlap reflected for an instant.
Dunlap paused for a moment.
"Still, the fact that our cashier found everything in good order at the bank is in itself completely reassuring," he said musingly.
"Still, the fact that our cashier found everything in good shape at the bank is really reassuring," he said thoughtfully.
"Very likely," assented Sturgis. "It is quite possible that from a banker's point of view the problem is wholly devoid of interest; but from a detective's standpoint it appears to be full of promising features. Therefore, whether or not you intend to look farther into the matter yourself, I beg you will at least authorize me to make a survey of the field by daylight in the morning."
"Very likely," agreed Sturgis. "From a banker's perspective, this problem probably seems completely uninteresting; however, from a detective's standpoint, it looks full of potential. So, whether or not you plan to investigate further yourself, I kindly ask that you at least let me do a survey of the area in the morning while there's light."
Dunlap looked anything but pleased as the reporter spoke these words. He thought before replying.
Dunlap looked anything but happy as the reporter said those words. He paused before answering.
"Frankly, Mr. Sturgis," he said at length with studied courtesy, "I will not conceal the fact that what you ask places me in a rather awkward position. You are a friend of my friend Sprague, and my personal intercourse with you this evening has been pleasant enough to make me hope that, in the future, I may be so fortunate as to include you in my own circle of acquaintances. Therefore, on personal grounds, it would give me great pleasure to grant your request. But, on the other hand, you are a journalist and I am a banker; and it is with banks as with nations—happy that which has no history. Capital is proverbially timid, you know."
"Honestly, Mr. Sturgis," he said after a moment of polite consideration, "I can't hide the fact that what you're asking puts me in a bit of an awkward spot. You're a friend of my friend Sprague, and my conversation with you tonight has been enjoyable enough that I hope to include you in my circle of acquaintances in the future. So, personally, it would make me very happy to grant your request. However, on the other hand, you're a journalist and I'm a banker; and when it comes to banks, like nations, it's best when they have no drama. Money is known to be quite cautious, you know."
"I see," said Sturgis; "you fear that the reputation of the Knickerbocker bank may suffer if the mystery of the pistol shots is solved."
"I get it," said Sturgis; "you're worried that if the mystery behind the gunshots is figured out, it could hurt the reputation of the Knickerbocker bank."
"No, no, my dear sir; not at all, not at all. You quite misunderstand me," replied the banker, with just a shade of warmth. "It is not a question of the bank's credit exactly, since there has been neither robbery nor defalcation; but depositors do not like to see the name of their bank mentioned in the newspapers; they take fright at once. Depositors are most unreasonable beings, Mr. Sturgis; they are liable to become panic-stricken on the most insignificant provocation; and then they run amuck like mad sheep. The Knickerbocker bank does not fear any run that might ever be made upon it. Its credit stands on too secure a foundation for that. But nevertheless a run on a bank is expensive, Mr. Sturgis, very expensive."
"No, no, my dear sir; not at all, not at all. You completely misunderstand me," replied the banker, with a touch of warmth. "It’s not exactly about the bank's credit since there’s been no theft or fraud; it's just that depositors don’t like seeing their bank's name in the news; they get scared immediately. Depositors are incredibly unreasonable, Mr. Sturgis; they can easily become panicked over the smallest things; and then they act like crazed sheep. The Knickerbocker Bank isn’t worried about any run on it. Its credit is built on a solid foundation for that. But still, a bank run can be costly, Mr. Sturgis, very costly."
"The bank's affairs being in so satisfactory a condition," observed the reporter, "it seems to me that whatever harm publicity is likely to do has already been done. The imaginations of your depositors are now at work sapping the foundation of the Knickerbocker bank. If the truth cannot injure its credit, it can only strengthen it; and to withhold the truth under the circumstances, is to invite suspicion."
"The bank's situation is looking really good," the reporter said. "I think any damage that publicity could cause has already happened. Your depositors are now letting their imaginations run wild, undermining the foundation of the Knickerbocker bank. If the truth won’t hurt its reputation, it can only make it stronger; and keeping the truth hidden in this situation only raises suspicion."
Dunlap did not appear to like the turn the conversation was taking. He walked along in silence for a few minutes, irresolute. At length he seemed to make up his mind.
Dunlap didn't seem to like where the conversation was headed. He walked in silence for a few minutes, uncertain. Finally, he seemed to come to a decision.
"Perhaps you are right after all, Mr. Sturgis. At any rate we have nothing to conceal from the public. If you will be at the bank to-morrow morning at nine o'clock, I shall be pleased to meet you there."
"Maybe you’re right after all, Mr. Sturgis. Either way, we have nothing to hide from the public. If you can be at the bank tomorrow morning at nine, I would be happy to meet you there."
Sturgis nodded his acquiescence.
Sturgis nodded in agreement.
"Well, gentlemen, here is my street," continued the banker. "Good evening, good evening."
"Well, gentlemen, this is my street," the banker said. "Good evening, good evening."
And he was off.
And he was gone.
"Whither are you bound now, Thurston?" asked the reporter, as the two friends resumed their walk.
"Where are you headed now, Thurston?" asked the reporter as the two friends continued their walk.
"Home and to bed like a sensible fellow," replied the physician.
"Home and to bed like a sensible guy," replied the doctor.
"Don't you do anything of the sort. Come along with me to my rooms. I must arrange the data so far collected in the two interesting cases that I have taken up to-day; and in the cab mystery, at least, you can probably be of assistance to me, if you will."
"Don’t do anything like that. Come with me to my place. I need to organize the information I’ve gathered so far in the two interesting cases I’ve taken on today; and in the cab mystery, at least, you can probably help me out, if you’re willing."
"Very well, old man; lead on. I am curious to know what theories you have adopted in these two cases."
"Alright, old man; go ahead. I'm interested to hear what theories you've come up with in these two cases."
"Theories!" replied Sturgis; "I never adopt theories. I simply ascertain facts and arrange them in their proper sequence, as far as possible. When this arrangement is successfully accomplished, the history of the crime is practically completed. Detection of crime is an exact science. Here, as in all other sciences, the imagination has an important part to play, but that part consists only in co-ordinating and interpreting facts. The solid foundation of facts must invariably come first."
"Theories!" Sturgis replied. "I never go for theories. I just find out the facts and organize them in the right order, as much as I can. Once I do that successfully, the history of the crime is pretty much complete. Solving crimes is a precise science. Just like in all other sciences, imagination plays a key role, but it’s only about coordinating and interpreting the facts. The solid base of facts always has to come first."
CHAPTER V.
A FOUNDATION OF FACTS.
A BASE OF TRUTHS.
When the two men were comfortably settled in the reporter's study, Sturgis produced pipes, tobacco and writing materials.
When the two men were comfortably settled in the reporter's study, Sturgis pulled out pipes, tobacco, and writing materials.
"There now," said he, as he prepared to write, "I shall begin with what I shall call the Cab Mystery. The data in this case are already plentiful and curious. I shall read as I write, and you can interrupt for suggestions and criticisms, as the points occur to you. In the first place, then, the dead man is about fifty years old, and was employed in some commercial house or financial institution, probably as bookkeeper, at a fairly good salary."
"There now," he said as he got ready to write, "I’ll start with what I'm calling the Cab Mystery. I already have a lot of intriguing information for this case. I’ll read as I write, and feel free to jump in with suggestions and feedback whenever you think of something. First of all, the dead man was around fifty years old and worked at some business or financial institution, probably as a bookkeeper, earning a decent salary."
"Hold on there, Sturgis," laughed Thurston. "I thought you were going to build up a solid foundation of facts before you allowed your imagination to run riot!"
"Hold on there, Sturgis," laughed Thurston. "I thought you were going to establish a solid base of facts before letting your imagination run wild!"
"Well?" inquired the reporter in apparent surprise.
"Well?" asked the reporter, looking surprised.
"Well, the only fact you have mentioned is the approximate age of the dead man. The rest is pure assumption. How can you know anything certain about his occupation and the amount of his salary?"
"Well, the only thing you've mentioned is the rough age of the deceased man. The rest is just speculation. How can you be sure of anything regarding his job and his salary?"
"True; I forgot you had not followed the steps in the process of induction. Here they are: the dead man's sleeves, on the under side below the elbow, were worn shiny. This shows that his occupation is at a desk of some kind."
"True; I forgot you hadn’t followed the steps in the process of induction. Here they are: the dead man’s sleeves, on the underside below the elbow, were worn shiny. This indicates that his job was some kind of desk work."
"Or behind a counter," suggested Thurston quizzically.
"Or behind a counter," Thurston suggested with a questioning look.
"No. Your hypothesis is untenable. A clerk behind a counter does occasionally, it is true, lean upon his forearms. But incessant contact with the counter leaves across the front of his trousers an unmistakable line of wear, at a level varying according to the height of the individual. This line was not present in the case of the man in the cab. On the other hand, his waistcoat is frayed and worn at the level of the fourth button from the top. Therefore I maintain that he was in the habit of working at a desk. Now the trousers, although not new, are not baggy at the knees, though free from the seams which would suggest the effect of pressing or of a trousers stretcher. Conclusion, the desk is a high one; for the man stood at his work. Most men who work standing at high desks are bookkeepers of one kind or another. Therefore, as I said before, this man was probably a bookkeeper. Now, as to his salary; I do not pretend to know the exact amount of it, of course. But when a man, who was evidently not a dude, has his clothes made to order, of imported material, and when his linen, his hat and his shoes are of good quality, it is fair to infer that the man's income was comfortable.
"No. Your hypothesis is not valid. A clerk behind a counter does, occasionally, lean on his forearms. But constant contact with the counter leaves a noticeable line of wear on the front of his trousers, at a height that depends on the individual's stature. This line was not present in the case of the man in the cab. On the other hand, his waistcoat is frayed and worn at the level of the fourth button from the top. So, I maintain that he was used to working at a desk. Now, the trousers, although not new, are not baggy at the knees, and they lack the seams that would indicate they’ve been pressed or stretched. Conclusion: the desk is high, since the man stood while he worked. Most men who work standing at high desks are some form of bookkeepers. Therefore, as I said before, this man was likely a bookkeeper. Now, regarding his salary; I don't claim to know the exact amount, of course. But when a man, who is clearly not a dandy, has his clothes custom-made from imported material, and his linen, hat, and shoes are of good quality, it’s reasonable to infer that the man's income was comfortable."
"I proceed with the arrangement of my data:
"I'm still organizing my data:"
"Secondly: the man in the cab died of a wound caused by a bullet fired at very close quarters. Indeed, the weapon must have been held either against the victim's body, or, at any rate, very near to it; for the coat is badly burned by the powder."
"Secondly: the man in the cab died from a gunshot wound inflicted at very close range. In fact, the weapon must have been pressed against the victim's body or at least very close to it; because the coat is severely scorched from the gunpowder."
"On these points at least," assented Doctor Thurston, "I can agree with you. The bullet probably penetrated the upper lobe of the left lung."
"On these points at least," agreed Doctor Thurston, "I can see where you're coming from. The bullet likely went through the upper lobe of the left lung."
"Yes," added Sturgis, "and it passed out at the back, far below where it went in."
"Yeah," Sturgis added, "and it came out the back, way lower than where it went in."
"What makes you think it passed out? The wound in the back may have been caused by another bullet fired from the rear."
"What makes you think it passed out? The wound in the back could have been caused by another bullet shot from behind."
"That hypothesis might be tenable, were it not for this."
"That hypothesis might hold up, if it weren’t for this."
With these words, the reporter pulled out his watch, opened the case, and with the blade of a penknife took from the surface of the crystal a minute object, which he handed to the physician.
With that, the reporter took out his watch, opened it up, and used a penknife to remove a tiny object from the surface of the glass, which he handed to the doctor.
"Look at it," said he, pushing over a magnifying glass.
"Check this out," he said, sliding a magnifying glass over.
Doctor Thurston examined the tiny object carefully.
Doctor Thurston examined the small object carefully.
"A splinter of bone," he said at last.
"A piece of bone," he finally said.
"Yes. I found it on the surface of the wound in the back. How did it get there?"
"Yeah. I found it on the surface of the wound on the back. How did it get there?"
"You are right," admitted the physician; "it must have come from within, chipped from a rib and carried out by the bullet which entered from the front."
"You’re right," the doctor admitted; "it must have come from inside, chipped off a rib and pushed out by the bullet that entered from the front."
"I think there can be no doubt as to that. Now, the bullet does not seem to have been deflected in its course by its contact with the rib, for, as far as I have been able to judge by probing the two wounds with my pencil, their direction is the same. This is important and brings me to point three, which is illustrated by these diagrams, drawn to scale from the measurements I took this afternoon."
"I don't think there's any doubt about that. Now, the bullet doesn't appear to have changed direction from hitting the rib, because from what I can tell by examining the two wounds with my pencil, their paths are the same. This is significant and leads me to point three, which is shown in these diagrams, drawn to scale from the measurements I took this afternoon."
As he said these words, the reporter handed his friend a sheet of paper upon which he had drawn some geometrical figures.
As he said this, the reporter handed his friend a piece of paper on which he had sketched some geometric shapes.
"The first of these diagrams shows the angle which the course of the bullet made with a horizontal plane; the second represents the inclination from right to left. The former of these angles is nearly sixty, and the latter not far from forty-five degrees. The inclination from right to left shows that the shot was fired from the right side of the dead man. Now then, one of two things: Either it was fired by the man himself, the weapon being held in his right hand; or else it was fired by an assassin who stood close to the victim's right side. The first of these hypotheses, considered by itself, is admissible; but it involves the assumption of an extremely awkward and unusual position of the suicide's hand while firing. On the other hand, the dead man is tall—six feet one inch—and to fire down, at an angle of sixty degrees, upon a man of his height, his assailant would have to be a colossus, or else to stand upon a chair or in some other equally elevated position, unless the victim happened to be seated when the shot was fired."
"The first of these diagrams shows the angle the bullet's path made with a horizontal plane; the second shows the tilt from right to left. The first angle is nearly sixty degrees, and the second is close to forty-five degrees. The right-to-left tilt indicates that the shot was fired from the right side of the dead man. So, there are two possibilities: either the man shot himself while holding the weapon in his right hand, or it was shot by an assassin who was standing close to the victim's right side. The first possibility is plausible, but it assumes an extremely awkward and uncommon position of the suicide's hand while firing. On the other hand, the dead man is tall—six feet one inch—and to shoot down at an angle of sixty degrees at someone of his height, the shooter would have to be very large or standing on a chair or some other elevated place, unless the victim was sitting when the shot was fired."
"Happened to be seated!" exclaimed Thurston astounded, "why, of course he was seated, since he was in the cab."
"Happened to be seated!" exclaimed Thurston in disbelief. "Well, of course he was seated, since he was in the cab."
"That brings up point four, which is not the least puzzling of this interesting case," said Sturgis impressively; "the shooting was not done in the cab."
"That brings up point four, which is no less puzzling in this interesting case," Sturgis said with emphasis; "the shooting didn't happen in the cab."
"Not done in the cab!"
"Not allowed in the cab!"
"No; otherwise the bullet would have remained in the cushions; and it was not there."
"No; otherwise the bullet would have stayed in the cushions, and it wasn’t there."
"It might have fallen out into the street at the time of the collision," suggested Thurston.
"It could have fallen out into the street during the crash," suggested Thurston.
"No; I searched every inch of the space in which it might have fallen. If it had been there I should have found it, for the spot was brilliantly lighted by an electric light, as you remember."
"No; I looked everywhere it could have landed. If it had been there, I would have found it, because the area was brightly lit by an electric light, as you recall."
The physician pondered in silence for a few minutes.
The doctor thought quietly for a few minutes.
"With all due respect for the accuracy of your observations, and for the rigorous logic of your inductions, Sturgis," he asserted at last with decision, "I am positive that the man died seated, for his limbs stiffened in that position."
"With all due respect for the accuracy of your observations and the strong logic of your conclusions, Sturgis," he finally stated firmly, "I am sure that the man died sitting down, because his limbs stiffened in that position."
"Yes," assented Sturgis, "and, for that matter, I grant you that he breathed his last in the cab; for in his death struggles he clutched in his left hand the curtain of the cab window, a piece of which remained in his dying grasp. I merely said that he was not shot in the cab."
"Yes," agreed Sturgis, "and to that point, I concede that he died in the cab; because during his final moments, he held onto the cab window curtain with his left hand, and a piece of it stayed in his grasp as he passed. I only stated that he wasn't shot in the cab."
"Then how did he get there?" asked the physician.
"Then how did he get there?" asked the doctor.
"Your question is premature, my dear fellow," replied Sturgis, smiling; "it must remain unanswered for the present. All we have established as yet is that he did get there. And that being the case, he must have been assisted; for, wounded as he was, he could not, I take it, have climbed into the cab by himself."
"Your question is a bit early, my friend," Sturgis replied with a smile; "it has to stay unanswered for now. All we've confirmed so far is that he did make it there. And since that’s true, he must have had help; because, considering his injuries, I doubt he could have climbed into the cab by himself."
"Certainly not," agreed Thurston.
"Definitely not," agreed Thurston.
"Point five," resumed Sturgis, "the right arm was broken just above the wrist."
"Point five," Sturgis continued, "the right arm was broken just above the wrist."
"Yes," said the physician, "I thought at first that the arm might have been broken in the collision with the cable car; but the discoloration of the flesh proves conclusively that the fracture occurred before death."
"Yes," said the doctor, "I initially thought the arm might have been broken in the crash with the cable car; but the bruising shows clearly that the fracture happened before death."
"Precisely. Now, it is possible that the man broke his arm when he fell, after being shot; but the contused wound looks to me as if it had been made by a severe blow with some blunt instrument."
"Exactly. It's possible that the man broke his arm when he fell after being shot; but the bruise looks to me like it was caused by a hard hit with some blunt object."
"Possibly," admitted Thurston.
"Maybe," admitted Thurston.
"This broken arm, if we can place it in its proper chronological position, may prove to be of some importance in the chain of evidence," mused Sturgis. "If the fracture occurred before the man was shot, that, of course, excludes the possibility of suicide; but, on the other hand, it also brings in an obstacle to the hypothesis of murder."
"This broken arm, if we can figure out when it happened, might be important in the evidence," Sturgis thought. "If the fracture happened before the man was shot, that rules out the possibility of suicide; but on the flip side, it also complicates the idea of murder."
"How so?"
"How come?"
"Because we have settled, you will remember, that the shot was fired from the right of the victim, and close to him. Now, if he did not fire the shot himself, the person who did must have reached over his right arm to do so. In that case, unless the victim was asleep or stupefied, would he not instinctively have raised his arm in self-defence, and thus deflected the weapon upward?"
"Since we've agreed that the shot was fired from the victim's right and close to him, if he didn't fire it himself, then the person who did must have reached over his right arm to do it. In that situation, unless the victim was asleep or out of it, wouldn’t he have instinctively raised his arm in self-defense, and thus redirected the weapon upward?"
"Evidently."
"Obviously."
"Well, it is idle to speculate on this line for the present. Let us come to point six. You remember I called your particular attention to the cabman. Do you still think he was only drunk?"
"Well, it's pointless to speculate on this right now. Let's move on to point six. Do you remember I specifically mentioned the cab driver? Do you still think he was just drunk?"
"No," replied Thurston; "while he had unquestionably been drinking heavily, he also showed symptoms of narcotic poisoning."
"No," Thurston replied; "even though he had definitely been drinking a lot, he also showed signs of narcotic poisoning."
"Then the presumption is that he had been drugged by those who wished to place the wounded man in his cab. I observed him closely and I am satisfied that he knows as little about his dead passenger as we do. He probably knows less about him, at all events, than the young man in the sealskin cap who gave the police the slip during the excitement which followed the overturning of the cab."
"Then the assumption is that he was drugged by those who wanted to put the injured man in his cab. I watched him carefully and I’m convinced he knows just as little about his dead passenger as we do. In fact, he probably knows even less about him than the young guy in the sealskin cap who got away from the police during the chaos that followed the cab's overturning."
Sturgis paused a moment.
Sturgis stopped for a moment.
"This, I think," he continued, "covers all the evidence we have thus far collected in the Cab Mystery. It is quite satisfactory, as far as it goes, for it is circumstantial evidence, and, therefore, absolutely truthful. In the Knickerbocker Bank Mystery, we have as yet no satisfactory data whatever; for everything we have heard concerning it has its origin in the fallible evidence of witnesses, and has, moreover, reached us third or fourth hand. There is, however, one fact that may, or may not, prove to be important. Have you noticed that these two mysteries are contemporaneous, and, therefore, that they may be related?"
"This, I believe," he continued, "covers all the evidence we have gathered so far in the Cab Mystery. It's pretty convincing, at least for now, since it's circumstantial evidence and therefore completely reliable. As for the Knickerbocker Bank Mystery, we don't have any solid information yet; everything we've heard comes from the unreliable accounts of witnesses and has reached us third or fourth hand. There is, however, one fact that might be important. Have you noticed that these two mysteries are happening at the same time, and that they could be connected?"
"Do you think there is any connection between the two?" inquired Thurston, interested.
“Do you think there’s any connection between the two?” Thurston asked, intrigued.
"I do not allow myself to think about it at all as yet," replied Sturgis; "I simply note the fact, that, so far as time is concerned, the Cab Mystery could be the sequel to the Knickerbocker Bank Mystery—that is all. Facts, my dear boy, are like words. A word is only an assemblage of meaningless letters until it becomes pregnant with sense by context. So, a fact, which, standing by itself, has no meaning, may, when correlated with other facts, become fraught with deep significance."
"I haven't let myself think about it at all yet," Sturgis replied. "I just recognize that, in terms of timing, the Cab Mystery could follow the Knickerbocker Bank Mystery—that's all. Facts, my dear boy, are like words. A word is just a collection of meaningless letters until it gains meaning through context. Similarly, a fact that has no meaning on its own can become deeply significant when connected with other facts."
"And now," he continued, after a pause, "I think our work is concluded for the present. I shall be able to lay it aside for the night. Let me offer you a glass of sherry. Pleasant evening we spent at Sprague's to-night. I have a great admiration for him as an artist, and a great fondness for him as a man. Most of his friends are strangers to me, though. You know I have very little time to indulge in social dissipation. By the way, who is that Doctor Murdock with whom I have made this bet?"
"And now," he said after a moment, "I think our work is wrapped up for now. I can put it aside for the night. Let me offer you a glass of sherry. We had a nice evening at Sprague's tonight. I really admire him as an artist and like him a lot as a person. Most of his friends are unknown to me, though. You know I hardly have time for socializing. By the way, who is that Doctor Murdock I made this bet with?"
"Oh! he is a physician, though now retired from practice. He devotes himself entirely to scientific research, especially in the domain of chemistry. He has made some important discoveries in organic chemistry, and they say he has succeeded in proving some of the supposed elementary metals to be compounds. He has quite an enviable reputation in the scientific world. I understand he is a remarkable man."
"Oh! He is a doctor, although he's now retired from practicing medicine. He dedicates himself completely to scientific research, particularly in chemistry. He has made some significant discoveries in organic chemistry, and people say he has managed to prove that some of the so-called basic metals are actually compounds. He has a pretty impressive reputation in the scientific community. I've heard he's an extraordinary person."
"That is evident at a glance. He showed himself this evening to be a clear thinker and a brilliant speaker. I should say he was something of a genius, and I should judge, moreover, that he was a man of magnificent nerve, capable of the most heroic actions, or——"
"That is clear at a glance. He demonstrated this evening that he is a clear thinker and a brilliant speaker. I'd say he was something of a genius, and I’d also judge that he was a man of remarkable courage, capable of the most heroic actions, or——"
Sturgis hesitated.
Sturgis paused.
"Or——?" asked Thurston.
"Or—?" asked Thurston.
"Or of the most infamous cruelty and crime. It all depends upon whether or not his great mental attributes are under the control of a heart; a point upon which I am somewhat in doubt."
"Or of the most notorious cruelty and crime. It all depends on whether his amazing mental abilities are guided by a conscience; a question I have some uncertainty about."
CHAPTER VI.
THE ARTIST.
THE ARTIST.
Sprague was a dilettante in art as he was in life. If he had not been rich, he might perhaps have become a great artist. But, lacking the spur of poverty, he seemed incapable of sustained effort. Occasionally he was seized with a frenzy for labor; and, for weeks at a time, he would shut himself up in his studio, until he had creditably accomplished some bit of work. But the fever was soon spent, and a reaction invariably followed, during which palette and brush were taken up only in desultory fashion. Thus it was that at the age of eight and twenty, Sprague had painted a few pictures which had attracted favorable attention at the annual exhibitions of the Academy of Design, and which the critics had spoken of as "promising"; and thus it was that the promise was as yet unfulfilled, and that Sprague, though a man of undoubted talent, was not likely ever to rank as a genius in his profession.
Sprague was an amateur in art just like he was in life. If he hadn't been wealthy, he might have become a great artist. But, without the motivation of poverty, he seemed unable to put in consistent effort. Occasionally, he would get really passionate about his work and would lock himself in his studio for weeks until he managed to produce something decent. However, that enthusiasm would quickly fade, and he would enter a phase where he only picked up his palette and brush sporadically. By the age of twenty-eight, Sprague had painted a few pieces that received positive attention at the Academy of Design’s annual exhibitions, and the critics referred to them as "promising." Yet, that promise remained unfulfilled, and although Sprague had undeniable talent, he was unlikely to ever be considered a genius in his field.
Sturgis, with his keen insight into human nature, fully realized the potential capacities of the artist, and at times he could not control his impatience at his friend's inert drifting through life. But, with all their differences, these two men held each other in the highest esteem, each admiring in the other those very qualities which were lacking in himself.
Sturgis, with his sharp understanding of human nature, completely recognized the artist's potential. Sometimes, he struggled to contain his frustration over his friend's aimless drifting through life. However, despite their differences, these two men had deep respect for one another, each appreciating the qualities in the other that he personally lacked.
The artist lived in a fashionable quarter of the city, in a bachelor apartment which included a large and commodious studio fitted up according to the latest canons of artistic taste.
The artist lived in a trendy part of the city, in a bachelor apartment that had a spacious and comfortable studio designed with the latest artistic style in mind.
On this particular New Year's morning, after waking and observing, by the filtering of a few bright sunbeams through the closely drawn blinds, that it was broad daylight, he stretched himself with a voluptuous yawn and prepared to relapse into the sensuous enjoyment of that semi-somnolent state which succeeds a night of calm and refreshing sleep.
On this New Year's morning, after waking up and noticing the bright sunlight streaming through the tightly closed blinds, he stretched with a blissful yawn and got ready to sink back into the pleasurable sensation of that dreamy state that follows a night of deep, restful sleep.
Just as he was settling himself comfortably, however, he was startled by a knock at the bedroom door. Most men, under the circumstances, would have betrayed some vexation at being thus unceremoniously disturbed. But there was no suspicion of annoyance in Sprague's cheery voice, as he exclaimed:
Just as he was getting comfortable, he was surprised by a knock at the bedroom door. Most guys, in that situation, would have shown some irritation at being interrupted like that. But there was no hint of annoyance in Sprague's cheerful voice as he exclaimed:
"You cannot come in yet, Mrs. O'Meagher. I am asleep, and I shall be asleep for another hour at the least. Surely you cannot have forgotten that to-day is a holiday. Happy New Year! You have time to go to several masses before——"
"You can't come in yet, Mrs. O'Meagher. I'm asleep, and I plan to sleep for at least another hour. Surely you haven't forgotten that today is a holiday. Happy New Year! You have time to go to several masses before——"
"Get up, old lazybones; and don't keep a man waiting at your door in this inhospitable way, when he is in a hurry," interrupted a voice whose timbre was not that of the housekeeper, Mrs. O'Meagher.
"Get up, you old lazybones; don’t keep a guy waiting at your door like this when he’s in a rush," interrupted a voice that didn’t belong to the housekeeper, Mrs. O'Meagher.
"Oh! is that you, Sturgis?" laughed the artist. "Aren't you ashamed of yourself to come routing honest men out of bed at this unseemly hour? Wait a minute, till I put on my court costume, that I may receive you with the honors and ceremonies due to your rank and station."
"Oh! Is that you, Sturgis?" laughed the artist. "Aren't you ashamed of yourself to wake up honest men at this early hour? Hang on a minute while I put on my formal attire so I can welcome you properly, with the respect and ceremony your status deserves."
A couple of minutes later, the artist, picturesquely attired in a loose oriental dressing gown and fez, opened the door to his friend, Ralph Sturgis.
A few minutes later, the artist, dressed in a colorful loose-fitting robe and a fez, opened the door to his friend, Ralph Sturgis.
"Come in, old man," he said, cordially extending his hand to the reporter; "you are welcome at any hour of the day or night. What is it now? This is not your digestion call, I presume."
"Come in, old man," he said, warmly reaching out his hand to the reporter; "you can drop by anytime, day or night. What's up? I assume this isn't just about your stomach issues."
"No," replied Sturgis, "I merely dropped in to say that I should be unable to take our projected bicycle trip this afternoon, I shall probably be busy with the Knickerbocker bank case all day. By the way, if you would like to come to the bank with me, I shall be glad of your company. I am on my way there now."
"No," Sturgis replied, "I just came by to let you know that I won't be able to go on our planned bike ride this afternoon. I'll probably be tied up with the Knickerbocker bank case all day. By the way, if you want to come to the bank with me, I’d appreciate the company. I'm headed there now."
"I should like nothing better," said Sprague, "but I have made an appointment for this morning with a——er——er——with a sitter."
"I wouldn't want anything more," said Sprague, "but I have an appointment this morning with a——er——er——with a sitter."
"What, on New Year's day, you heathen!"
"What, on New Year's Day, you nonbeliever!"
Sturgis observed the artist closely, and then added quizzically:
Sturgis watched the artist carefully and then said, puzzled:
"Accept my congratulations, old man."
"Congrats, old man."
"Your congratulations?" inquired Sprague, coloring slightly.
"Your congratulations?" Sprague asked, blushing a little.
"Yes; my congratulations and my condolence. My congratulations on the fact that she is young and beautiful, and possessed of all those qualities of mind and heart which——and so on and so forth. My condolence because I fear you are hit, at last."
"Yes; my congrats and my sympathy. My congrats because she is young and beautiful, and has all those qualities of mind and heart which——and so on. My sympathy because I’m afraid you’re affected, at last."
"What do you mean?" stammered the artist sheepishly; "do you know her? What do you know about her?"
"What do you mean?" the artist stammered, feeling embarrassed. "Do you know her? What do you know about her?"
"Nothing whatever," replied Sturgis laughing, "except what you are telling me by your hesitations, your reticence and your confusion."
"Not a thing," Sturgis replied, laughing, "except what I'm picking up from your hesitations, your reluctance, and your confusion."
The artist spoke after a moment of thoughtful silence:
The artist spoke after a pause of deep reflection:
"Your inductions in this case are premature, to say the least. My sitter is a young lady, so much is undeniably true. And there is no doubt in my mind as to her possession of all the qualities you jocularly attribute to her; but my interest in her is only that of the artist in a beautiful and charming woman.
"Your conclusions in this case are definitely jumping the gun. My sitter is a young woman, that much is undeniably true. And I have no doubt that she has all the traits you're jokingly attributing to her; however, my interest in her is purely that of an artist appreciating a beautiful and charming woman."
"At any rate," he added, after a moment's hesitation, "I hope so; for I have heard that she is as good as betrothed to another man."
"Anyway," he said after a brief pause, "I hope so; because I've heard that she's practically engaged to another guy."
The reporter's keen ear detected in his friend's tones a touch of genuine sadness of which the artist himself was probably unconscious. Laying his hand gently upon Sprague's shoulder, he said gravely:
The reporter's sharp ear picked up a hint of real sadness in his friend's voice that the artist likely didn’t even realize he had. Placing his hand gently on Sprague's shoulder, he said seriously:
"I hope so too, old man; for you are one of those foolish men whose lives can be ruined by an unhappy love affair. I suppose it is useless to preach to you;—more's the pity—but, in my humble opinion, no woman's love is worth the sacrifice of a good man's life."
"I hope so too, old man; because you’re one of those foolish guys whose lives can be wrecked by a bad love story. I guess it's pointless to lecture you; that’s a shame—but honestly, no woman’s love is worth sacrificing a good man’s life."
"Yes, I know your opinion on that subject, you old cynic," replied Sprague, "but you need not worry on my account; not yet, at all events. I am still safe; the portrait is almost finished; and I should be a fool to walk into such a scrape with my eyes wide open."
"Yes, I know what you think about that, you old cynic," Sprague replied, "but you don’t need to worry about me; not yet, anyway. I'm still safe; the portrait is nearly done; and I’d be an idiot to get into such a mess knowingly."
"Humph!" ejaculated Sturgis skeptically, "when a man makes a fool of himself for a woman, it matters little whether his eyes be open or shut; the result is the same."
"Humph!" Sturgis exclaimed skeptically, "when a guy makes a fool of himself for a woman, it doesn't really matter if his eyes are open or closed; the outcome is the same."
Sprague laughed somewhat uneasily; and then, as if to change the subject:
Sprague laughed a bit awkwardly; and then, as if to shift the topic:
"Come and see the picture," he said. "I should like your opinion of it."
"Come check out the painting," he said. "I'd love to hear what you think of it."
The reporter consulted his watch.
The reporter checked his watch.
"I shall have to come back some other time for that," he replied; "I must hurry off now to keep my appointment with Mr. Dunlap."
"I'll have to come back for that another time," he replied. "I need to rush off now to make my appointment with Mr. Dunlap."
He started toward the door; but suddenly facing Sprague again, he held out his hand to the artist, who pressed it cordially.
He started to go toward the door, but suddenly turned back to face Sprague again and reached out his hand to the artist, who shook it warmly.
"Good-bye, old man," he said affectionately; "be as sensible as you can, and don't wantonly play with the fire."
"Goodbye, old man," he said warmly; "try to be sensible, and don't recklessly play with fire."
And before Sprague could frame an answer, the reporter was gone.
And before Sprague could come up with a response, the reporter had already left.
The artist remained thoughtfully standing until his friend's footsteps had died away in the distance. Then he turned and walked slowly into the studio. Here, in the middle of the room, stood an easel, upon which was the portrait of a beautiful young girl.
The artist stood lost in thought until he could no longer hear his friend's footsteps in the distance. Then he turned and walked slowly into the studio. In the center of the room, an easel held the portrait of a beautiful young girl.
Sprague gazed at it long and earnestly. Then he heaved an almost inaudible sigh.
Sprague stared at it for a long time, really focused. Then he let out a nearly silent sigh.
"Sturgis is right," he said to himself, turning away at last, "and——and I am a confounded idiot!"
"Sturgis is right," he said to himself, finally turning away, "and—I am such an idiot!"
CHAPTER VII.
AGNES MURDOCK.
AGNES MURDOCK.
In a quarter of the city which is rapidly surrendering to the relentless encroachments of trade, there still stand a few old-fashioned houses, the sole survivors of what was once an aristocratic settlement.
In a part of the city that is quickly giving in to the unstoppable spread of commerce, a few old-fashioned houses still stand, the last remnants of what used to be an affluent neighborhood.
One by one their fellows have been sapped and swept away by the resistless tide of commerce, until these ancient dwellings, stubbornly contesting a position already lost, now rear their sepulchral brown-stone fronts in stiff and solitary grandeur—huge sarcophagi in a busy mart.
One by one, their companions have been drained and taken away by the unstoppable force of business, until these old buildings, stubbornly holding onto a position they've already lost, now stand tall with their gloomy brown-stone facades in rigid and lonely splendor—massive tombs in a bustling marketplace.
One of these houses stands well back from the street line, the traditional backyard of the ordinary New York dwelling having been sacrificed, in this instance, to make room for a tiny garden, which is separated from the street by a tall spiked iron railing, behind which grows an arborvitæ hedge. The former serves as a defence against the marauding of the irrepressible metropolitan gamin; while the latter confers upon the occupants of the garden a semblance of protection from the curious gaze of the passers-by.
One of these houses is set far back from the street, with the usual backyard of a typical New York home given up to create a small garden. This garden is separated from the street by a tall, spiky iron fence, behind which grows a hedge of arborvitae. The fence protects against the relentless antics of the lively city kids, while the hedge provides the garden's occupants a sense of privacy from onlookers passing by.
This property, having been the subject of an interminable lawsuit, had remained for many years unoccupied, and was even beginning to be regarded by some of the neighbors as haunted, when at last it was bought by Doctor Murdock, a wealthy widower with an only daughter. For some months masons and carpenters were at work; and then, one day, the new occupants entered into possession.
This property, which had been stuck in a never-ending lawsuit, had been vacant for many years and was even starting to be seen by some neighbors as haunted when it was finally purchased by Doctor Murdock, a rich widower with a single daughter. For several months, masons and carpenters were busy working on it; then, one day, the new residents moved in.
The Murdocks lived quietly but luxuriously, like people accustomed to wealth. They had their horses and carriages, their house at Lenox and at Newport, and their yacht. Their circle of acquaintances was large, and included not only the fashionable set, but also a scientific, literary and artistic set. For Doctor Murdock was a chemist of national reputation, a member of several scientific bodies, and a man of great intelligence and broad culture.
The Murdocks lived peacefully but lavishly, like individuals used to wealth. They had their horses and carriages, their house in Lenox and in Newport, and their yacht. Their social circle was extensive, including not just the elite crowd, but also a group of scientific, literary, and artistic people. Doctor Murdock was a chemist with a national reputation, a member of several scientific organizations, and a highly intelligent and cultured man.
On this particular New Year's morning, Doctor Murdock was seated in his study, apparently absorbed in reading the daily papers, a pile of which lay upon his table. His occupation might perhaps more accurately be described as skimming the daily papers; for each journal in turn was subjected to a rapid scrutiny, and only a few columns seemed occasionally to interest the reader.
On this New Year's morning, Doctor Murdock was sitting in his study, seemingly focused on reading the daily papers, a stack of which was on his table. He was probably better described as skimming the papers; he quickly glanced through each one, only a few columns really catching his interest.
There was no haste visible in the Doctor's actions, each one of which appeared to be performed with the coolness and deliberation of a man who is not the slave of time; and yet, so systematic were they, that, all lost motion being avoided, every operation was rapidly completed.
There was no rush in the Doctor's actions; each one seemed to be carried out with the calmness and intention of someone who isn't controlled by time. Yet, his approach was so organized that, avoiding any wasted movement, each task was finished quickly.
In a short time the pile of newspapers had been disposed of, and the Doctor, lighting a choice cigar, leaned back in his comfortable armchair and placidly puffed the wreathes of fragrant smoke ceilingward. He was apparently satisfied with the world and with himself, this calm, passionless man. And yet a sharp observer would have noted an almost imperceptible furrow between the eyes, which might perhaps have indicated only the healthy mental activity of an ordinary man; but which, in one given so little to outward manifestation of feeling as Doctor Murdock, might also betoken more or less serious annoyance or displeasure.
In no time, the stack of newspapers was cleared away, and the Doctor, lighting a fine cigar, relaxed in his cozy armchair, peacefully exhaling fragrant smoke toward the ceiling. He seemed content with the world and himself, this calm, emotionless man. However, a keen observer might have noticed a barely visible crease between his eyes, which could have suggested simply the healthy mental activity of an average person; but in someone like Doctor Murdock, who rarely showed his feelings, it might also indicate some level of annoyance or displeasure.
While the chemist sat in this pensive attitude, there was a rustle of skirts outside, and presently there came a gentle knock at the door of the study.
While the chemist sat lost in thought, he heard a rustle of skirts outside, and soon after, there was a soft knock at the door of the study.
"Come in!" said Murdock, removing the cigar from his lips.
"Come in!" Murdock said, taking the cigar out of his mouth.
The door opened, admitting a tall and beautiful young girl, evidently not long out of her teens.
The door opened, letting in a tall and attractive young girl, clearly just out of her teens.
"Do I disturb you, father?" she asked, stepping lightly into the room.
"Am I bothering you, Dad?" she asked, stepping lightly into the room.
"No, Agnes," replied Murdock courteously; "as you see, I am indulging in a period of dolce far niente."
"No, Agnes," Murdock said politely; "as you can see, I'm enjoying a time of dolce far niente."
The young girl laughed a clear, silvery laugh, as her eyes fell upon the pile of newspapers.
The young girl laughed a bright, cheerful laugh when she saw the stack of newspapers.
"If the reading of a dozen newspapers is dolce far niente, I should think you would welcome hard work as a pleasant change."
"If reading a dozen newspapers is sweet idleness, I assume you’d appreciate hard work as a nice change."
"Oh!" replied her father, "the work I have done on those has not amounted to much. I have only been gleaning the news from the morning papers.
"Oh!" her father replied, "the work I've done on those hasn't been significant. I've just been gathering news from the morning papers."
"Yes," he added, answering her surprised look, "it takes a deal of skim milk to yield a little cream."
"Yes," he said, responding to her surprised expression, "it takes a lot of skim milk to make a little cream."
The last paper which Murdock had been examining lay upon the desk before him. From the closely printed columns stood out in bold relief the glaring headlines:
The last paper Murdock had been looking at was on the desk in front of him. The closely printed columns displayed bold headlines that caught the eye:
MURDER IN A CAB.
Murder in a cab.
MYSTERIOUS ASSASSINATION OF AN UNKNOWN MAN, IN BROAD DAYLIGHT.
MYSTERIOUS ASSASSINATION OF AN UNKNOWN MAN, IN BROAD DAYLIGHT.
CABMAN REILLY DENIES ALL KNOWLEDGE OF THE CRIME.
CABMAN REILLY DENIES ANY KNOWLEDGE OF THE CRIME.
Miss Murdock's glance rested carelessly upon these words for an instant. They aroused in her nothing more than the mild curiosity which attaches to events of palpitating human interest, when they have been congealed in the columns of the daily newspaper and served to palates already sated with sensational verbosity.
Miss Murdock's gaze lingered on these words for a moment. They sparked in her only a light curiosity typical of events that stir human interest, once they've been frozen in the pages of the daily newspaper and presented to audiences already full from a barrage of sensational details.
"Mary said you wished to speak to me," said the young girl, after a short pause. "I thought I would step in to see you before going to Mr. Sprague's."
"Mary said you wanted to talk to me," the young girl said after a brief pause. "I thought I'd drop by to see you before heading to Mr. Sprague's."
"To Sprague's?" inquired Murdock, fixing his keen eyes upon the young girl. "Ah, yes; I remember he spoke of the appointment last night. How is the portrait coming on?"
"To Sprague's?" Murdock asked, locking his sharp gaze on the young girl. "Ah, yes; I remember he mentioned the appointment last night. How's the portrait coming along?"
"It is almost finished. Probably only one or two more sittings, at the most, will be necessary."
"It’s almost done. Probably just one or two more sessions, at most, will be needed."
Agnes seemed slightly embarrassed by the fixity of her father's searching glance. She settled herself in an armchair and assumed a look of deferent expectancy.
Agnes looked a bit uncomfortable under her father's intense gaze. She sat down in an armchair and adopted a look of respectful anticipation.
Not a word of affection had passed between father and daughter; not a caress had been interchanged. The relations between this impassive man and his charming daughter were those of well-bred, if somewhat distant, relatives. On the one hand, there was the uniform courtesy of the man of the world toward a woman; on the other, the deference of a young girl of good breeding toward a person much older than herself. But the note of cordial and intimate affection between father and child was absolutely missing.
Not a word of affection had been exchanged between father and daughter; not a single touch had occurred. The relationship between this aloof man and his charming daughter was like that of polite, albeit somewhat distant, relatives. On one side, there was the smooth courtesy of a worldly man toward a woman; on the other, the respectful manner of a well-bred young girl toward someone significantly older than herself. However, the warmth and closeness typically found between a father and child were completely absent.
And yet Agnes Murdock was naturally of an affectionate and expansive nature. During her mother's lifetime the two women had been inseparable companions, united by a strong bond of sympathy.
And yet Agnes Murdock was naturally loving and outgoing. During her mother's life, the two women were inseparable companions, connected by a deep bond of understanding.
Mrs. Murdock had been an invalid for many years before her death, and with Agnes had lived either abroad or in the South during much of the time in order to escape the rigors of the northern climate. Thus the father, engrossed as he was with his occupations and his scientific researches, had seen but little of his daughter during her childhood, and had been looked upon by the child almost as a stranger.
Mrs. Murdock had been unwell for many years before she passed away, and she had spent a lot of time living either overseas or in the South with Agnes to avoid the harshness of the northern climate. As a result, her father, focused on his work and scientific research, had little time for his daughter during her childhood, and she regarded him as almost a stranger.
When at last, after her mother's death, Agnes, heartbroken at the loss of her only friend, returned to the paternal roof, she was a girl of sixteen. In the first loneliness of her bereavement, when, hungering for human sympathy and consolation, she turned to her father, she received patient and courteous attention, with an offer of all the material comforts and luxuries which wealth could procure; but she failed to find the only thing she needed—a responsive human heart.
When Agnes finally returned home after her mother died, feeling devastated by the loss of her only friend, she was just sixteen. In the early days of her grief, when she desperately sought human connection and comfort from her father, he gave her kind and thoughtful attention, offering all the material comforts and luxuries money could buy; however, she couldn't find the one thing she truly needed—a caring human heart.
And yet, behind the cold and selfish exterior of the chemist, the young girl had touched a chord which had never vibrated before in this strange man's being. It is probable that the feeling awakened in him by his lovely daughter was the nearest approach to an absorbing human affection of which his nature was capable. Perhaps if the child had been sufficiently experienced to read her father's heart she might have persisted in her advances, and thus ultimately have conquered the cold reserve she had at first encountered. But she was proud and impulsive, and, bitterly disappointed in her first attempt to win from her father a demonstration of affection, she withdrew into her isolation, and ever after met his calm courtesy with an equally reserved deference. The abnormal situation, which at first was maintained only by an effort on the part of the young girl, lost with time much of its strangeness, and ultimately crystallized under the potent force of habit, so that it was accepted by the two as the natural outcome of their relationship.
And yet, behind the cold and selfish exterior of the chemist, the young girl had struck a chord that had never been touched before in this strange man's life. It's likely that the feelings stirred in him by his lovely daughter were the closest he could get to an intense human affection. Maybe if the child had been experienced enough to understand her father's heart, she might have kept trying and eventually broken through the cold barrier she initially faced. But she was proud and impulsive, and after being bitterly disappointed in her first attempt to get a show of affection from her father, she withdrew into her loneliness and, from then on, met his calm politeness with her own reserved respect. The unusual situation, which at first required effort from the young girl, gradually lost much of its strangeness over time and ultimately settled into routine, so they both accepted it as the natural state of their relationship.
In the first pang of her bereavement and disappointment, Agnes had turned for consolation to her books; and, being left free to dispose of her life as she saw fit, she had planned a course of study, which had in due time received its consecration at one of the leading colleges for women.
In the initial moments of her grief and disappointment, Agnes sought comfort in her books; and with the freedom to shape her life as she wished, she mapped out a course of study that was eventually recognized at one of the top colleges for women.
Upon her return from college she had, as far as she was permitted, taken charge of her father's household, and had presided with charming dignity and grace over the social functions for which Doctor Murdock's house now became famous. Up to the time of his daughter's advent the chemist's relations with the world had been chiefly through the clubs and scientific bodies to which he belonged. He was well received in the homes of the members of New York society; but in the absence of a woman to do the honors of his own home, he was unable to return the hospitality which he enjoyed. Now, however, everything was changed. Agnes was glad to find an outlet for her energies in the task of receiving her father's guests, and, being a girl of remarkable intelligence and tact, she succeeded in creating a salon, in the best sense of the word. Many of the shining lights in the world of art, literature, science and fashion were among the regular devotees at the shrine of this superb young goddess.
Upon returning from college, she took charge of her father's household as much as she was allowed and gracefully presided over the social events that Doctor Murdock's house became known for. Before her arrival, the chemist mainly interacted with the world through clubs and scientific organizations he was part of. He was well-received in the homes of New York's social elite, but without a woman to host in his own home, he couldn’t reciprocate the hospitality he enjoyed. Now, everything had changed. Agnes was happy to channel her energy into welcoming her father's guests, and being a remarkably intelligent and tactful young woman, she managed to create a salon in the best sense of the word. Many of the prominent figures in art, literature, science, and fashion became regular visitors to the presence of this exceptional young woman.
Among the younger men more than one gay moth, dazzled by the light of the girl's beautiful eyes, had been tempted to hover near the flame, only to scorch his wings. Miss Murdock had already refused several of the "best matches" of the city during her two seasons, much to the relief of those young men who had not yet summoned up courage enough to try their fate, and much to the disgust of a few amiable young women and several designing mammas. The latter could not help but deprecate the wicked selfishness of a young girl who hypothecated and thus rendered temporarily unavailable much potential matrimonial stock, which, in the nature of things, would ultimately be thrown back on the market upon the selection by the fair one of that single bond to whose exclusive possession she was limited by the laws of church and state.
Among the younger men, more than one gay guy, dazzled by the glow of the girl's beautiful eyes, had been tempted to get close to the flame, only to get burned. Miss Murdock had already turned down several of the "best matches" in the city during her two seasons, much to the relief of those young men who hadn't mustered the courage to try their luck yet, and much to the annoyance of a few friendly young women and several scheming mothers. The latter couldn't help but criticize the selfishness of a young girl who was holding up and thus making temporarily unavailable a lot of potential marriage candidates, which, in the grand scheme of things, would eventually be put back on the market when she chose that one partner she could exclusively commit to, as dictated by the laws of church and state.
The fact of the matter was, that Agnes Murdock's ideal of life was high. She was determined, if she ever embarked upon a matrimonial venture, to do so only with a reasonably good prospect of finding in the wedded state a satisfactory outlet for the depths of affection which had remained so long unapplied in her tender maiden heart. No one among the young men who had sought her hand had seemed worthy of the great love she was ready to bestow. She was, therefore, still awaiting her fate.
The truth was that Agnes Murdock had high expectations for life. She was determined that if she ever got married, it would only be with a solid chance of finding a fulfilling way to express the deep love that had long been held back in her gentle heart. None of the young men who had asked for her hand felt deserving of the immense love she was prepared to give. So, she was still waiting for her destiny.
"You wished to see me, sir?" the young girl gently insinuated.
"You wanted to see me, sir?" the young girl softly suggested.
"Yes," said Murdock, with great deliberation; "I wished to speak to you about——"
"Yeah," Murdock said thoughtfully; "I wanted to talk to you about——"
He watched her face intently, as if to read the effect which his words would produce. The light in his eyes was almost tender; but Agnes was not skilled in reading their scarcely perceptible shades of expression. She looked up inquiringly, noting only the slight hesitation in her father's speech.
He looked at her face closely, as if trying to gauge the impact of his words. The light in his eyes was almost gentle, but Agnes wasn’t good at interpreting the barely noticeable shifts in his expression. She glanced up with questions, only aware of the slight pause in her father’s speech.
"About a young man——" continued Murdock, with a quizzical smile.
"About a young man—" Murdock continued, wearing a curious smile.
A flush mounted to the girl's cheeks, and she fixed her eyes upon space.
A flush spread across the girl's cheeks, and she stared into space.
"A young man who admires you greatly, and who——"
"A young man who admires you a lot, and who——"
"Has he asked you to tell me this?" inquired Agnes, somewhat impatiently.
"Did he ask you to tell me this?" Agnes asked, a bit impatiently.
"Oh! dear no," laughed the chemist; "he is only too anxious to do so himself. He is a most impetuous fellow. But I thought it best to prepare you——"
"Oh! no way," laughed the chemist; "he's just way too eager to do it himself. He's a really impulsive guy. But I figured it was best to prepare you——"
"May I ask the name of your protégé?" interrupted the young girl.
"Can I ask what your protégé's name is?" interrupted the young girl.
"Did I say he was my protégé?" asked Murdock, gently. "I certainly had no intention of conveying any such impression. His name is Chatham—Thomas Chatham."
"Did I say he was my protégé?" Murdock asked softly. "I definitely didn't mean to give that impression. His name is Chatham—Thomas Chatham."
A look, half of amusement, half of vexation, came into the girl's eyes. It did not escape Murdock's close scrutiny.
A look, part amusement and part annoyance, appeared in the girl's eyes. Murdock didn't miss it during his close observation.
"I judge from your reception of the gentleman's name, that his suit is not likely to meet with much favor in your eyes."
"I can tell from how you reacted to the gentleman's name that his proposal probably won't be very well received by you."
"I am not aware that I have ever given Mr. Chatham any reason to believe that it would," answered Agnes, stiffly.
"I don't think I've ever given Mr. Chatham any reason to believe that it would," Agnes replied, stiffly.
"And yet you must have understood the drift of his attentions during the last few months, since——"
"And yet you must have understood the direction of his attention over the past few months, since——"
"Since it has been perfectly clear to every one else, you mean?
"Since it's been perfectly clear to everyone else, you mean?"
"And yet," the young girl continued, reflectively, "I do not see how, without downright rudeness, I could have done more than I have to show him that his attentions have been distasteful to me."
"And yet," the young girl continued, thinking deeply, "I don’t see how, without being really rude, I could have done more than I have to show him that his attention has bothered me."
"Then I may infer," said Murdock, smiling, "that you would not break your heart if——"
"Then I can guess," said Murdock, smiling, "that you wouldn't be too upset if——"
He seemed to hesitate in the choice of his words.
He appeared to pause before choosing his words.
"If he should conclude to go abroad on a long journey without subjecting you to his impending proposal."
"If he decides to go on a long trip without discussing his upcoming proposal with you."
"On the contrary, father," admitted Agnes, "I should be everlastingly grateful to you if such a consummation could be brought about without unnecessary rudeness or cruelty towards Mr. Chatham."
"On the contrary, Dad," admitted Agnes, "I would always be thankful to you if we could make that happen without being rude or cruel to Mr. Chatham."
"Very well, Agnes, that is all I wanted to see you about."
"Alright, Agnes, that’s everything I wanted to discuss with you."
Agnes looked curiously at her father, as if to read the purpose hidden in the depths of his inscrutable eyes. She saw nothing but a polite dismissal in his calm face; and the interview between father and daughter ended, as it had begun, with formal courtesy on both sides.
Agnes looked curiously at her father, trying to understand the purpose hidden in the depths of his unreadable eyes. She saw nothing but a polite dismissal in his calm expression; and the conversation between father and daughter ended, just like it had started, with formal courtesy on both sides.
CHAPTER VIII.
THE PORTRAIT.
THE PICTURE.
Sprague was seated before his easel arranging his palette for the morning's work. The unfinished portrait of Agnes Murdock looked down upon him with eyes of living beauty. Occasionally the artist would bestow a deft touch upon the glowing canvas and would retire to a distance to note with a critical eye the new effect. Then he would consult his watch in nervous impatience; and, going to the window, he would glance anxiously up and down the street. Once or twice the rumble of wheels caused him to look up in glad expectancy, which gradually gave way to gloomy discontent as the noise died away in the distance.
Sprague was sitting in front of his easel, getting his palette ready for the morning’s work. The unfinished portrait of Agnes Murdock gazed down at him with vibrant beauty. Occasionally, the artist would add a skillful touch to the glowing canvas and step back to critically observe the new effect. Then he would check his watch with nervous impatience and, moving to the window, anxiously look up and down the street. A couple of times, the sound of wheels made him look up in hopeful anticipation, which eventually turned into gloomy frustration as the noise faded away in the distance.
At length hope seemed to depart altogether from the young man's breast. He threw down his brushes, gave up all pretence of work and drifted off into a brown study. His eyes, fixed upon those of the portrait, had a troubled look in them;—so troubled, that it was clearly out of all proportion to the professional disappointment of a painter kept waiting for a fair subject.
At last, hope seemed to completely fade away from the young man's heart. He dropped his brushes, abandoned any pretense of working, and sank into deep thought. His eyes, focused on those of the portrait, held a troubled expression—so troubled that it clearly went beyond just the frustration of a painter stuck waiting for a decent subject.
So absorbed did he become in his gloomy meditations, that, when at last a carriage stopped before the house, the artist did not hear it. But when, presently, a gentle tap sounded upon the door of the studio, he sprang to his feet, as if he had received an electric shock.
So lost was he in his dark thoughts that when a carriage finally pulled up in front of the house, the artist didn’t notice. But when a soft knock came at the studio door, he jumped to his feet as if jolted by an electric shock.
Perhaps he had; for it was followed by a rapid current of delicious thrills tingling through every nerve and effecting in his whole being a sudden and marvelous transformation. At once the furrowed brow was smooth; the drooping lips were wreathed in smiles; the troubled look gave way to one of glad welcome.
Perhaps he had; for it was followed by a fast stream of delicious excitement tingling through every nerve and causing a sudden and amazing transformation in his entire being. Suddenly, the furrowed brow was smooth; the drooping lips were shaped into smiles; the troubled expression was replaced by one of happy welcome.
For she had come at last. There she stood, with laughing brown eyes and glowing cheeks, when Sprague threw open the door. Alas, as usual, she was accompanied by her maid. Never mind; was it not enough to have her there at all, to bask in the sunshine of her smile, to look into the dangerous depths of those soul-stirring eyes, to listen to the rippling of her silvery voice?
For she had finally arrived. There she was, with her laughing brown eyes and glowing cheeks, when Sprague opened the door. Unfortunately, as always, she was with her maid. But it didn’t matter; wasn’t it enough just to have her there, to bask in the warmth of her smile, to look into the captivating depths of those mesmerizing eyes, to listen to the sound of her lovely voice?
"I fear I am a little late, Mr. Sprague; I am so sorry to have kept you waiting. But you see this is how it was——"
"I’m afraid I’m a bit late, Mr. Sprague; I’m really sorry to have kept you waiting. But here’s what happened——"
What mattered it to him now how it was? Was she not there? An eternity of suspense and misery would have been wiped out by that single entrancing fact. Her words beat upon his ear like rapturous melody; he drank them in, hardly conscious of their meaning.
What did it matter to him now how things were? Was she not there? A lifetime of waiting and pain would have vanished because of that one captivating reality. Her words struck his ear like a joyful melody; he absorbed them, barely aware of their meaning.
Agnes Murdock, followed by her maid, proceeded at once to the dressing-room set apart for the use of the artist's models. When she returned, dressed for the sitting, she assumed under Sprague's directions the pose of the portrait, while the artist critically arranged her draperies and adjusted the shades and screens.
Agnes Murdock, followed by her maid, went straight to the dressing room designated for the artist's models. When she came back, ready for the sitting, she took the pose for the portrait as directed by Sprague, while the artist carefully arranged her drapes and adjusted the lights and screens.
The maid had remained in the dressing-room.
The maid had stayed in the dressing room.
"And so these are positively the last final touches, are they, Mr. Sprague?" asked the young girl mischievously, after a few minutes. "You artists seem to be quite as uncertain about your farewell appearances as any famous actress or singer."
"And so these are definitely the last final touches, right, Mr. Sprague?" the young girl asked playfully after a few minutes. "You artists seem just as unsure about your final moments as any famous actress or singer."
The artist looked up quickly as the girl spoke. An expression of pain crossed his features.
The artist looked up quickly when the girl spoke. A look of pain flashed across his face.
"Yes, Miss Murdock," he answered gravely. "I shall not have to trouble you to pose again."
"Yes, Miss Murdock," he replied seriously. "You won't have to pose for me again."
Miss Murdock's attention was attracted by the melancholy note in his voice. She observed him from the corner of her eyes in kindly curiosity.
Miss Murdock noticed the sad tone in his voice. She glanced at him out of the corner of her eye with friendly curiosity.
The artist fell into a moody silence. For a while he worked with feverish activity at the portrait; and then, gradually falling into a fit of melancholy abstraction, he sat, with poised brush, gazing intently at the beautiful girl before him. His task forgotten, he was apparently unconscious that he was taking advantage of his privileged position to stare at his fair subject. Agnes felt his burning glance and was embarrassed by it; but, womanlike, she retained control of herself, outwardly, at all events, as she uttered some commonplace remark, which broke the spell and brought the artist to his senses with a sharp consciousness of his rudeness. He replied to the young girl's question in a low, changed voice, and then relapsed into a gloomy silence. After an awkward interval he asked suddenly:
The artist fell into a brooding silence. For a while, he worked intensely on the portrait; then, gradually sinking into a mood of melancholy, he sat there with his brush poised, staring intently at the beautiful girl in front of him. He seemed to forget his task, completely unaware that he was taking advantage of his position to gaze at his lovely subject. Agnes felt his intense gaze and was embarrassed by it; but, being a woman, she managed to keep her composure, at least on the outside, as she made some ordinary comment that broke the spell and reminded the artist of his rudeness. He answered her question in a low, altered voice, and then fell back into a gloomy silence. After an awkward pause, he suddenly asked:
"Are you so very glad, Miss Murdock, that our sittings are almost over?"
"Are you really happy, Miss Murdock, that our meetings are almost finished?"
"Why, no, Mr. Sprague," replied Agnes; "I did not mean that. Of course I shall be glad when the portrait is finished, because I wish to have it home and to let my friends see it. But I should be indeed ungrateful if I begrudged my poor little time and trouble, when yours have been so lavishly and so ungrudgingly spent."
"Not at all, Mr. Sprague," Agnes replied. "I didn’t mean that. I’ll definitely be happy when the portrait is done because I want to bring it home and show it to my friends. But I would really be ungrateful if I complained about my small amount of time and effort, considering how much you have generously and willingly put into it."
"These sittings have been a source of so much pleasure to me," continued Sprague thoughtfully, "that I have selfishly overlooked the fact that they could only be an annoyance and a bore to you. I fear I have needlessly prolonged them."
"These meetings have brought me so much joy," Sprague said thoughtfully, "that I've selfishly ignored the fact that they might only be annoying and boring for you. I worry I've dragged them on longer than necessary."
"But indeed, Mr. Sprague, I assure you it has been anything but a bore to me to pose. I am sure I shall miss the pleasant morning hours I have spent here."
"But really, Mr. Sprague, I promise you it has been anything but boring for me to pose. I know I will miss the nice mornings I've spent here."
"They have been the happiest hours of my life," said Sprague earnestly in a low voice, "and now they are nearly gone——forever."
"They have been the happiest hours of my life," Sprague said earnestly in a quiet voice, "and now they're almost gone—forever."
Agnes started slightly, blushed, and riveted her gaze upon the dainty white hands which lay clasped together in her lap. Her bosom rose and fell in quickened undulations.
Agnes flinched a little, blushed, and focused her eyes on the delicate white hands that were folded in her lap. Her chest heaved up and down in rapid waves.
"Why forever, Mr. Sprague?" she asked softly; "do you think of leaving New York?"
"Why forever, Mr. Sprague?" she asked gently. "Are you thinking about leaving New York?"
"No," he replied quickly; "it is you who are about to desert this studio, which for a short time has been brightened by your presence——"
"No," he replied quickly; "you’re the one who’s about to leave this studio, which has been brightened by your presence for a little while now——"
"Well," interrupted Agnes, "since you are not going to leave New York, I hope you will continue to call on us."
"Well," Agnes interrupted, "since you're not leaving New York, I hope you'll keep visiting us."
"I suppose I shall continue to call on your reception days, if that is what you mean," said Sprague somewhat disconsolately.
"I guess I'll keep coming over on your reception days, if that's what you mean," said Sprague, looking a bit down.
"Now that," laughed Agnes, "is not in line with the polite things you have been saying."
"Well now," laughed Agnes, "that doesn’t match the nice things you’ve been saying."
"I did not mean to say anything rude, Miss Murdock, but a call on your reception day is a call on your guests. Surrounded as you are on such occasions, one has barely a chance to catch a glimpse of you, much less to speak with you."
"I didn't mean to be rude, Miss Murdock, but a visit on your reception day is really a visit to your guests. With so many people around you on those occasions, it’s hard to even catch a glimpse of you, let alone have a conversation."
"We are always glad to see our friends at other times than on our reception days."
"We’re always happy to see our friends on days other than our reception days."
"Do you really mean it?" asked the artist eagerly. "May I call on you sometimes when the crowd is not there?"
"Do you really mean it?" the artist asked excitedly. "Can I visit you sometimes when the crowd isn't around?"
"We shall be happy to have you call at any time, Mr. Sprague."
"We’d be happy to have you drop by anytime, Mr. Sprague."
Sprague thought he detected a slight emphasis on the pronoun.
Sprague thought he noticed a slight emphasis on the pronoun.
"But it is not we I wish to call on. It is you, Miss Murdock."
"But it's not we that I want to call on. It's you, Miss Murdock."
Once more the young girl's expressive eyes fixed their gaze upon the delicate hands in her lap, and once more there was a scarcely perceptible flutter beneath the lace which lay upon her white throat.
Once again, the young girl's expressive eyes focused on the delicate hands in her lap, and once again, there was a barely noticeable flutter beneath the lace resting on her white throat.
The artist sat with intent eyes fixed upon her.
The artist sat with focused eyes fixed on her.
"Of course I shall be pleased to have you call at any time, Mr. Sprague," she said after a brief instant.
"Of course, I’d be happy to have you drop by anytime, Mr. Sprague," she said after a brief moment.
What more could any sane man expect a modest girl to say? It is not so much the words spoken as the manner of their utterance that conveys meaning. But it is a truism that a lover is not a sane man. Sprague was not yet satisfied. He was about to speak again, when a knock sounded upon the door.
What more could any reasonable guy expect a humble girl to say? It’s not just the words she says, but the way she says them that really matters. But it’s a given that a lover isn’t a reasonable person. Sprague still wasn’t satisfied. He was about to say something again when there was a knock on the door.
It was the hall-boy with a letter.
It was the bellboy with a letter.
"Miss Murdock?" he inquired, glancing in the direction of the young girl.
"Miss Murdock?" he asked, looking towards the young girl.
"For me?" exclaimed Agnes, surprised.
“For me?” Agnes exclaimed, surprised.
"Yes, Miss; a gentleman left it for you."
"Yes, Miss; a guy dropped this off for you."
Agnes took the letter, inspected it curiously for an instant; then, excusing herself, she tore open the envelope and unfolded the note which it contained.
Agnes picked up the letter, looked at it with curiosity for a moment; then, apologizing, she ripped open the envelope and unfolded the note inside.
At once a deep flush suffused her face, and an expression of annoyance passed over her features. She glanced up hastily at Sprague, who was apparently hard at work upon the background of the picture.
At once, a deep blush spread across her face, and an expression of annoyance crossed her features. She quickly glanced up at Sprague, who seemed to be focused on the background of the painting.
The hall-boy was waiting expectantly.
The bellhop was waiting expectantly.
"There is no answer," said Agnes quietly.
"There’s no answer," Agnes said quietly.
And as the stern mandates of fashion either forbid a woman to wear a pocket, or else decree that it shall be located in some practically inaccessible position, the young girl dropped the letter and its envelope into her lap and resumed the pose.
And since the strict rules of fashion either prevent a woman from having a pocket or require it to be placed in a practically unreachable spot, the young girl dropped the letter and its envelope into her lap and went back to posing.
Sprague tried to renew the conversation where it had been interrupted; but his efforts were in vain. Both he and Agnes were preoccupied during the balance of the sitting.
Sprague tried to pick up the conversation where it left off; but his efforts were pointless. Both he and Agnes were distracted for the rest of the session.
When at last the time came for Miss Murdock to leave, Sprague accompanied her to her carriage. After watching it until it disappeared around the corner, he returned moodily to the studio.
When the time finally came for Miss Murdock to leave, Sprague walked her to her carriage. After watching it until it turned the corner and vanished, he returned to the studio feeling down.
As he entered the room, his eyes fixed in a vacant stare upon the floor, he caught sight of something white—a sheet of paper—resting there. Mechanically he pushed it to one side with his foot.
As he walked into the room, his eyes blankly focused on the floor, he noticed something white—a sheet of paper—lying there. He instinctively kicked it to the side with his foot.
The sunshine seemed to have gone with Agnes Murdock. A gloom had fallen upon the place and its occupant. The artist tried to work; but he was restless and depressed. At length he threw down his brushes; and rising from the easel, he put on his hat and coat and started out for a walk, in the hope that exercise would drive away the blue devils whose grip he felt tightening upon his heartstrings.
The sunshine seemed to have left with Agnes Murdock. A cloud of sadness had settled over the place and its occupant. The artist attempted to work, but he felt restless and down. Eventually, he tossed aside his brushes, stood up from the easel, put on his hat and coat, and set out for a walk, hoping that some exercise would chase away the blues that felt like they were tightening around his heart.
Meeting some friends in the course of his aimless wanderings, he was persuaded to spend the rest of the day in their company, and returned to his bachelor quarters late in the evening, tired enough physically to obtain that healthful sleep which is the boon of strong youth.
Meeting up with some friends during his aimless wandering, he was convinced to spend the rest of the day with them, and he returned to his bachelor pad late in the evening, tired enough physically to enjoy that restorative sleep that comes with being young and healthy.
CHAPTER IX.
THE KNICKERBOCKER BANK.
THE KNICKERBOCKER BANK.
Richard Dunlap was a man who had never missed a train nor been late in keeping an appointment. On the morning following Sprague's dinner party, he walked briskly down Broadway from City Hall. It was New Year's day; the great thoroughfare was deserted. As he turned into Wall Street, the hands of the clock in Trinity steeple pointed to three minutes of nine. The financier pulled out his chronometer, found that the clock in the old belfry was right, and quickened his pace.
Richard Dunlap was a man who had never missed a train or been late for an appointment. The morning after Sprague's dinner party, he walked briskly down Broadway from City Hall. It was New Year’s Day; the busy street was empty. As he turned onto Wall Street, the clock in the Trinity steeple showed three minutes to nine. The financier checked his watch, confirmed that the clock in the old belfry was accurate, and picked up his pace.
Wall Street slumbered peacefully and silently, like a battle-field after the roar of the cannon has been hushed, after the victors and the vanquished have disappeared, leaving behind them only the ghosts of the slain. The deathlike stillness was oppressive.
Wall Street lay quietly and calmly, like a battlefield after the sound of cannon fire has faded, after both the winners and the losers have left, leaving only the haunting memories of those who fell. The eerie silence felt heavy.
At last, as Dunlap reached the Knickerbocker bank, the clock in the belfry struck the hour. The reporter was not there. The banker uttered an ejaculation of annoyance. He looked up and down the street. There was no one in sight. He resolved to give Sturgis five minutes grace, and began to pace back and forth before the entrance to the bank. Then a thought struck him. There was another entrance on Exchange Place—that generally used by the employés and officials. Perhaps the reporter was waiting there. Dunlap walked around to Exchange Place and glanced up the street. He saw a man standing in the gutter and bending low over the curb. Dunlap advanced so as to obtain a front view of him and recognized Sturgis. The reporter had not noticed his approach; he held a magnifying glass in his hand and seemed deeply interested in a minute examination of the smooth-worn curb.
At last, as Dunlap reached the Knickerbocker Bank, the clock in the belfry struck the hour. The reporter wasn’t there. The banker let out an annoyed exclamation. He looked up and down the street. There was no one in sight. He decided to give Sturgis five minutes of extra time and started pacing back and forth in front of the bank entrance. Then an idea hit him. There was another entrance on Exchange Place—the one usually used by the employees and officials. Maybe the reporter was waiting there. Dunlap walked over to Exchange Place and glanced up the street. He saw a man bent over the gutter, examining the curb closely. Dunlap moved in for a better look and recognized Sturgis. The reporter hadn’t noticed him coming; he was holding a magnifying glass and seemed really focused on a detailed examination of the smooth-worn curb.
"Good morning, Mr. Sturgis," said the banker, "have you lost something?"
"Good morning, Mr. Sturgis," the banker said, "have you misplaced something?"
The reporter looked up quietly.
The reporter looked up silently.
"No, Mr. Dunlap; I have found something;—something which may possibly prove to be a hyphen."
"No, Mr. Dunlap; I found something—something that might actually be a hyphen."
"A what?" asked the banker, perplexed.
"A what?" asked the banker, confused.
"A hyphen connecting two parts of a very pretty little puzzle."
"A hyphen linking two parts of a really cute little puzzle."
Dunlap stared curiously at the curb.
Dunlap stared at the curb with curiosity.
"I can see nothing there," said he.
"I can't see anything there," he said.
Sturgis handed him the magnifying glass.
Sturgis gave him the magnifying glass.
"Now look again."
"Take another look."
He pointed out a particular portion of the curb. Dunlap looked in the direction indicated.
He pointed out a specific part of the curb. Dunlap looked in the direction he indicated.
"I see what looks like dried mud, dust particles, and a little dark spot or stain."
"I see what seems to be dried mud, dust particles, and a small dark spot or stain."
"Yes," said Sturgis, "that dark spot is the hyphen. There were probably others like it on the sidewalk yesterday afternoon, but they have been obliterated by the pedestrians. Here, however, are some that have remained."
"Yeah," Sturgis said, "that dark spot is the hyphen. There were probably more like it on the sidewalk yesterday afternoon, but they've been worn away by people walking. Here, though, are some that have stuck around."
As he spoke, he led Dunlap to the Exchange Place entrance of the bank, and pointed out a number of similar spots on the stone steps.
As he talked, he took Dunlap to the Exchange Place entrance of the bank and pointed out several similar marks on the stone steps.
"Fortunately," he said, as if speaking to himself, "fortunately the detectives entered through the front door last night; so that they did not interfere with this portion of the trail."
"Luckily," he said, almost to himself, "luckily the detectives came in through the front door last night; so they didn't mess up this part of the trail."
"But what are these spots?" asked the banker.
"But what are these spots?" the banker asked.
"They are blood-stains," replied the reporter. "I have every reason to believe them to be human blood. But that question I can settle positively as soon as we are in the bank, for I have brought a powerful microscope. Let us enter now, if you like; I have seen all there is to be seen outside. By the way, do you know this key?"
"They're bloodstains," the reporter replied. "I have every reason to believe they're human blood. But I can confirm that for sure as soon as we're in the bank, since I've brought a powerful microscope. Let's go in now, if you're ready; I've seen everything there is to see outside. By the way, do you recognize this key?"
He held up a large steel key of complicated structure.
He held up a large steel key with a complex design.
"Why," exclaimed Dunlap surprised, "that looks like the key to the Exchange Place door. Where did you find it?"
"Wow," Dunlap said, surprised, "that looks like the key to the Exchange Place door. Where did you get it?"
"In the gutter, near the sewer opening at the corner."
"In the gutter, close to the sewer opening at the corner."
"But how did it get there?" asked Dunlap anxiously.
"But how did it get there?" Dunlap asked anxiously.
"Perhaps I shall be able to answer that question presently," said Sturgis. "Shall we go in now? No, not that way. Let us enter by the Wall Street side, if you please."
"Maybe I can answer that question soon," Sturgis said. "Shall we go in now? No, not that way. Let's enter from the Wall Street side, if you don’t mind."
A couple of minutes later, the outer door of the Knickerbocker bank was unlocked.
A couple of minutes later, the front door of the Knickerbocker bank was unlocked.
"Excuse me if I pass in first," said Sturgis, entering. "I wish to see something here."
"Sorry if I go in first," said Sturgis, walking in. "I want to check something out here."
He bent low over the tiled entrance, with the magnifying glass in his hand.
He leaned down over the tiled entrance, holding a magnifying glass.
"It is too bad," he muttered to himself presently. "They have trodden all over the trail here. Ah! what is this?"
"It’s too bad," he mumbled to himself then. "They’ve completely worn out the trail here. Oh! What’s this?"
"What?" inquired Dunlap.
"What?" Dunlap asked.
The reporter vouchsafed no reply to this question, but asked another.
The reporter didn’t answer this question but asked another one.
"Is Thursday a general cleaning day at the bank?"
"Is Thursday a day for general cleaning at the bank?"
"Yes," answered the banker. "Every evening, after the closing hour, the floors are swept, of course, and the desks are dusted; but Mondays and Thursdays are reserved for washing the windows, scrubbing the floors, and so forth."
"Yes," replied the banker. "Every evening, after closing time, the floors get swept, and the desks are dusted, of course. But Mondays and Thursdays are set aside for washing the windows, scrubbing the floors, and so on."
"Then it is lucky that yesterday was Thursday," observed Sturgis. "Will you please hand me the key to this gate, and that to the inner door."
"Then it’s lucky that yesterday was Thursday," Sturgis said. "Could you please pass me the key to this gate and the one for the inner door?"
Upon entering the bank, Sturgis requested his companion to seat himself on a particular chair, which he designated. He then began a critical examination of the premises. Inch by inch he scrutinized the walls, the floor, and even the ceiling; sometimes with the naked eye, sometimes through the magnifying glass. He also constantly brought into play a tape measure; and several times he called upon Dunlap for assistance, when the distances to be measured were longer than his reach.
Upon entering the bank, Sturgis asked his companion to sit in a specific chair that he pointed out. He then began a thorough inspection of the place. He examined the walls, the floor, and even the ceiling inch by inch; sometimes with just his eyes, other times using a magnifying glass. He also frequently used a tape measure, and several times he asked Dunlap for help when the distances to measure were longer than he could reach.
The Wall Street entrance of the Knickerbocker bank led directly into the space to which the public was admitted. This space was partitioned off, as usual, from the bookkeepers' and cashier's departments. At the farther end, a door led into a reception room communicating with the president's office. This office itself opened into the cashier's department on one side; and on the other, into a small room occupied by the president's secretary and typewriter, and into the vestibule of the Exchange Place entrance to the bank. On the right of the vestibule was a large room in which the bank employés kept their street clothing, and to which they could retire when they were off duty. A door from the clerks' room led into the cashier's department; while another one opened into the private secretary's room.
The Wall Street entrance of the Knickerbocker bank opened right into the area where the public was welcomed. This area was separated, as is typical, from the bookkeepers' and cashier's departments. At the far end, a door led into a reception room that connected to the president's office. This office opened into the cashier's department on one side, and on the other side, into a small room occupied by the president's secretary and typewriter, and into the vestibule of the Exchange Place entrance to the bank. To the right of the vestibule was a large room where the bank employees kept their street clothes, and they could go there when they were off duty. A door from the clerks' room led into the cashier's department, while another one opened into the private secretary's room.
After he had finished his inspection of the space open to the public, Sturgis, followed by Dunlap, passed into the president's reception room, and thence in turn into the other rooms, and finally into the cashier's and bookkeepers' departments.
After he finished checking out the public area, Sturgis, followed by Dunlap, entered the president's reception room, then moved on to the other rooms, and finally into the cashier's and bookkeepers' departments.
Several times he stopped, retraced his footsteps to some particular point, and then began his search anew. At times he crawled about on his hands and knees; at others, he climbed upon the furniture, the better to examine some spot upon the wall. In the president's office he stopped to pick up a great number of tiny scraps of paper, which lay in and around the waste-basket. These he carefully placed in an envelope which he laid upon the president's table.
Several times he stopped, retraced his steps to a specific spot, and then started his search over again. Sometimes he crawled on his hands and knees; other times, he climbed onto the furniture to get a better look at a spot on the wall. In the president's office, he paused to collect a bunch of tiny scraps of paper that were in and around the wastebasket. He carefully put them in an envelope and set it on the president's table.
On one side of the room there stood a magnificent old-fashioned carved mantel-piece. The artistic beauty of the structure did not seem to strike Sturgis; but he appeared to derive a great deal of satisfaction from an inspection of the large tiled hearth. Presently, removing his coat and his cuffs, he plunged his hand into the grimy chimney and removed a handful of soot, which he examined carefully and then threw away. He repeated the operation again and again; until at last, with evident satisfaction, he picked out a small object, which he deposited in an envelope. Then, after washing his hands in the clerks' room, he passed into the cashier's department. In a corner stood the telephone closet, the door of which was open. The receiver of the instrument was down. The reporter took it up and gazed at it long and earnestly.
On one side of the room, there was a stunning old-fashioned carved mantelpiece. The artistic beauty of it didn’t seem to impress Sturgis, but he found a lot of satisfaction in examining the large tiled hearth. After a while, he removed his coat and cuffs, reached into the grimy chimney, and pulled out a handful of soot, which he studied carefully before tossing away. He kept doing this until, with clear satisfaction, he found a small object and placed it in an envelope. After washing his hands in the clerks' room, he moved into the cashier's department. In a corner was the telephone closet, its door open. The receiver was off the hook. The reporter picked it up and stared at it intently.
Sturgis's examination of the bank must have lasted over two hours. At first Richard Dunlap looked on with a mild curiosity, in which amusement struggled with good-natured skepticism. But, as time wore on, the banker began to show signs of impatience; and when at last Sturgis returned to the private office and carefully deposited upon a sheet of white paper a miscellaneous assortment of tiny scraps and shreds, the banker could scarcely conceal his dissatisfaction.
Sturgis's inspection of the bank must have taken more than two hours. Initially, Richard Dunlap watched with mild curiosity, where amusement battled with good-natured skepticism. However, as time went on, the banker started to show signs of impatience; and when Sturgis finally returned to the private office and carefully placed a mixed collection of tiny scraps and shreds on a sheet of white paper, the banker could barely hide his displeasure.
"Well, Mr. Sturgis," he said, "I hope you have nearly completed your investigation; for my leisure is not so abundant that I can afford to waste it like this."
"Well, Mr. Sturgis," he said, "I hope you’re almost done with your investigation because I don’t have much free time to waste like this."
"I need one more witness at least," replied the reporter, "and I am afraid I shall have to ask you to help me obtain it."
"I need at least one more witness," the reporter replied, "and I'm afraid I'll have to ask for your help to get it."
"But," he quickly added as he noted Dunlap's impatient gesture, "I think I can promise you that the time you are regretting has not been wasted."
"But," he quickly added as he saw Dunlap's impatient gesture, "I think I can promise you that the time you're regretting hasn't been wasted."
The financier did not seem convinced by this assertion; but he nevertheless consented with unwilling grace to assist the reporter to the best of his ability.
The financier didn't seem convinced by this claim; however, he reluctantly agreed to help the reporter as much as he could.
"Well, then," said Sturgis, "tell me, first of all, whether you keep any fire-arms in the bank."
"Well, then," said Sturgis, "first, tell me if you keep any firearms in the bank."
"Yes," replied Dunlap; "the cashier has a small revolver which he keeps in his desk, as a means of defence in case of a sudden attack by a bank thief."
"Yes," Dunlap answered; "the cashier has a small revolver that he keeps in his desk as a way to defend himself in case a bank thief suddenly attacks."
"Have you a key to the desk?"
"Do you have a key to the desk?"
"Yes," replied the banker.
"Yes," said the banker.
"Will you kindly see if the revolver you mention is in its place?"
"Could you please check if the revolver you mentioned is in its proper place?"
"It ought to be," said Dunlap, picking out the key on a bunch which he took from his pocket, and walking towards the cashier's department with Sturgis at his heels.
"It should be," said Dunlap, selecting the key from a bunch he pulled from his pocket and walking toward the cashier's department with Sturgis following behind him.
"Yes, here it is in its accustomed place."
"Yeah, it's right here where it usually is."
He handed the weapon to the reporter, who examined it attentively.
He passed the weapon to the reporter, who carefully examined it.
"Exactly," said Sturgis, with satisfaction; "this is what I was looking for."
"Exactly," Sturgis said with satisfaction, "this is what I was looking for."
"What do you mean?" asked Dunlap.
"What do you mean?" Dunlap asked.
"I mean that this is the revolver which was fired twice last night in the Knickerbocker bank. See for yourself; two of the cartridges are empty, and the weapon has not been cleaned since these shots were fired."
"I mean this is the revolver that was fired twice last night in the Knickerbocker bank. Take a look; two of the cartridges are empty, and the gun hasn't been cleaned since those shots were fired."
"But who can have fired the pistol, and at whom was it fired, and why?"
"But who fired the pistol, who was it aimed at, and why?"
"Hold on! hold on!" exclaimed Sturgis, smiling; "one thing at a time. We shall perhaps come to that soon. For the present, if you will come back to your private office, I shall endeavor to piece together the scraps of evidence which I have been able to collect. There, sit down in your own armchair, if you will, while I fit these bits of paper together; and in less than ten minutes I shall probably be ready to proceed with my story."
"Wait! Wait!" Sturgis said, smiling. "Let’s take it one step at a time. We might get to that soon. For now, if you can come back to your private office, I’ll try to put together the bits of evidence I’ve gathered. Go ahead and sit in your armchair while I organize these papers, and in less than ten minutes, I should be ready to continue my story."
Dunlap was still nervous and impatient; but all trace of amusement and skepticism had vanished from his face, as he took the proffered armchair and watched Sturgis patiently piece together the tiny fragments of paper he had so carefully gathered. When this work was accomplished, the reporter went to the typewriter and wrote a few lines on a sheet of paper. He next proceeded to examine under the microscope the minute fragments and particles which he had collected in his search.
Dunlap was still anxious and restless; however, any hint of amusement or doubt had disappeared from his face as he took the offered armchair and watched Sturgis patiently put together the small pieces of paper he had carefully collected. Once this was done, the reporter moved to the typewriter and typed a few lines on a sheet of paper. He then started to look at the tiny fragments and particles he had gathered during his search under the microscope.
When he had finished this operation, he leaned back in his chair and looked up into space for what seemed to Dunlap an interminable length of time. Then at last he glanced over at the banker, who could hardly contain his growing impatience.
When he finished this task, he leaned back in his chair and stared into space for what felt like an endless amount of time to Dunlap. Finally, he turned to the banker, who was struggling to hide his increasing impatience.
"I am ready to go on now," said Sturgis, reaching for a sheet of paper, upon which he began to draw with ruler and pencil.
"I’m ready to go now," Sturgis said, reaching for a sheet of paper, where he started to draw with a ruler and pencil.
"At last!" sighed the banker.
"Finally!" sighed the banker.
"Yes; but my first, as the charades say, is a question."
"Yes, but my first, as the riddles say, is a question."
"Another!" gasped Dunlap; "when is my turn to come?"
"Another!" Dunlap exclaimed. "When is it my turn?"
"Just a few more," replied Sturgis, "and then your turn will come for good."
"Just a few more," replied Sturgis, "and then it’ll be your turn for real."
"Well, out with your questions then, if you must," said Dunlap, settling himself resignedly in his chair.
"Fine, go ahead and ask your questions if you really have to," Dunlap said, settling back in his chair with a sense of acceptance.
CHAPTER X.
PIECING THE EVIDENCE.
ASSEMBLING THE EVIDENCE.
Sturgis was still busy with his diagram. He spoke without looking up from his work.
Sturgis was still focused on his diagram. He spoke without taking his eyes off his work.
"Who besides yourself has a key to the drawer in which this revolver is kept?"
"Who else besides you has a key to the drawer where this revolver is stored?"
"The cashier has one and the head bookkeeper has another."
"The cashier has one, and the head bookkeeper has another."
"You mean the bookkeeper who sits at the desk at the extreme right in the bookkeepers' department?"
"You mean the bookkeeper who sits at the desk on the far right in the bookkeeping department?"
"Yes," replied Dunlap, "that is Mr. Arbogast's desk. Do you know him?"
"Yeah," Dunlap responded, "that's Mr. Arbogast's desk. Do you know him?"
"No. What did you say the gentleman's name is?" The reporter looked up and prepared to make a note of it.
"No. What did you say the guy's name is?" The reporter looked up and got ready to write it down.
"John W. Arbogast."
"John W. Arbogast."
"A man something over fifty years of age, quite bald, with a fringe of gray hair; wears a heavy moustache and side-whiskers; and had on yesterday afternoon, when you last saw him, a pepper-and-salt business suit," said Sturgis, writing down the name in his note book.
"A man a bit over fifty, completely bald except for a fringe of gray hair; he has a thick mustache and sideburns; and he was wearing a grayish business suit yesterday afternoon, when you last saw him," Sturgis said, jotting down the name in his notebook.
Dunlap stared at the reporter in amazement. Sturgis smiled slightly.
Dunlap looked at the reporter in disbelief. Sturgis gave a small smile.
"I met the gentleman yesterday afternoon," he explained.
"I met the guy yesterday afternoon," he explained.
"Oh! that accounts for it," exclaimed the banker. "I see——but——but then, how comes it that you did not know his name?"
"Oh! that explains it," the banker exclaimed. "I see—but—how is it that you didn’t know his name?"
"He did not tell me his name," said Sturgis gravely, "and I did not know until just now that he was employed in the Knickerbocker bank. How long has he been with you?"
"He didn't tell me his name," Sturgis said seriously, "and I just found out that he works at the Knickerbocker bank. How long has he been with you?"
"Nearly twenty years; but only for the last five years as head bookkeeper."
"Almost twenty years; but only for the last five years as the chief bookkeeper."
"I suppose you have every confidence in his honesty?" asked the reporter, looking critically at the diagram before him.
"I guess you really believe in his honesty?" asked the reporter, examining the diagram in front of him.
"Of course. Such a position is not given to a man unless his record is excellent."
"Of course. A position like that isn’t given to someone unless they have an outstanding track record."
"And yet," observed the reporter reflectively, "opportunity sometimes makes the thief."
"And yet," the reporter noted thoughtfully, "sometimes opportunity creates the thief."
"True; but the duty of a bank president is to reduce such opportunities to a minimum," said Dunlap somewhat pompously.
"That's true; however, it's the bank president's job to minimize such opportunities," Dunlap said a bit pompously.
"Quite so," assented Sturgis, "and this you accomplish by——"
"Absolutely," Sturgis agreed, "and you achieve this by——"
"By having the books examined periodically," answered the banker, rubbing his hands together with calm satisfaction.
"By having the books reviewed regularly," replied the banker, rubbing his hands together with a sense of calm satisfaction.
"I see," said the reporter, who had now finished his sketch. "Do the employés of the bank know when an examination of this kind is to be made?"
"I get it," said the reporter, who had now completed his sketch. "Do the bank employees know when an examination like this is happening?"
"They do not even know that such examinations are made. No one but the accountant and myself are in the secret; for the overhauling of the books is done entirely at night, after the bank is closed."
"They don't even know that these examinations are conducted. Only the accountant and I are in on the secret; the review of the books is done entirely at night, after the bank has closed."
"Have the books been recently examined?" asked Sturgis carelessly.
"Have the books been looked over recently?" Sturgis asked casually.
"Yes; only last week."
"Yeah, just last week."
"Well?"
"What's up?"
"They were found to be all right as usual."
"They were found to be fine as usual."
"May I ask by whom?"
"Who did you hear that from?"
"By Murray and Scott, the expert accountants."
"By Murray and Scott, the professional accountants."
"Was the examination conducted by Mr. Murray or by Mr. Scott?"
"Was the exam conducted by Mr. Murray or Mr. Scott?"
"By neither. For many years the work was done by one or the other of the members of the firm; but since their business has grown to its present proportions, Messrs. Murray and Scott are no longer able to give personal attention to their customers. For the last two years they have sent us a trusted employé, Mr. Chatham——Thomas Chatham."
"Not by either. For many years, the work was handled by one or the other of the firm’s members; however, now that their business has expanded significantly, Messrs. Murray and Scott can no longer personally attend to their customers. For the past two years, they have sent us a trusted employee, Mr. Chatham—Thomas Chatham."
"Yes," said Sturgis, who was apparently wool-gathering.
"Yeah," said Sturgis, who seemed to be daydreaming.
A silence of several minutes followed, during which the reporter thoughtfully inspected his collection of microscopic odds and ends, while Dunlap beat the devil's tattoo upon the desk.
A silence of several minutes followed, during which the reporter thoughtfully examined his collection of tiny odds and ends, while Dunlap tapped his fingers restlessly on the desk.
Presently the reporter spoke again.
The reporter spoke again.
"Do you know a young man, about five feet eight inches tall, with fiery red hair, who affects somewhat loud clothes?"
"Do you know a young guy, around five feet eight inches tall, with bright red hair, who tends to wear pretty loud clothes?"
"Why, that is Thomas Chatham. You know him, then?"
"Why, that's Thomas Chatham. You know him, right?"
"I? No; I never heard of him before."
"I? No; I’ve never heard of him before."
"Then, how on earth do you know——?"
"Then, how do you know?"
"He has been here recently."
"He was here recently."
"Yes; I told you he had been here last week; but——"
"Yeah, I told you he was here last week; but——"
"No; I mean he was here yesterday afternoon," interrupted the reporter.
"No; I mean he was here yesterday afternoon," the reporter interrupted.
"Not to my knowledge," said Dunlap incredulously.
"Not to my knowledge," Dunlap said, incredulously.
"I thought as much," Sturgis replied quietly; "but he was here, for all that."
"I figured as much," Sturgis responded softly; "but he was here, regardless."
The banker looked perplexed.
The banker looked confused.
"Now, another thing," continued Sturgis. "I notice in the bookkeepers' department an announcement to the effect that on January second,—that is to say, to-morrow,—a new system of bookkeeping will be adopted. Would this be such as to bring to light any irregularities that might exist in the books?"
"Now, one more thing," Sturgis continued. "I saw an announcement in the bookkeepers' department saying that on January second—tomorrow—a new bookkeeping system will be put in place. Will this help uncover any irregularities that might be in the accounts?"
"Yes; it involves the transfer of each bookkeeper every month to a different set of books. But I fail to see the drift of your questions."
"Yes, it means moving each bookkeeper to a different set of books every month. But I don’t understand the point of your questions."
"You will see it presently. Have you examined the safes this morning?"
"You'll see it soon. Did you check the safes this morning?"
"Yes; one of the first things I did, after you allowed me to move at all, was to examine the cash safe."
"Yeah; one of the first things I did, after you let me move at all, was check out the cash safe."
"Ah, yes; the cash safe. And you found its contents intact?"
"Ah, yes; the cash safe. So, you found everything inside it intact?"
"Perfectly," said the banker triumphantly.
"Perfectly," said the banker proudly.
"But there is also a safe in the bookkeepers' department."
"But there’s also a safe in the bookkeeping department."
"It contains nothing but the books, which of course would have no value to any one but ourselves."
"It only has the books, which obviously wouldn't mean anything to anyone but us."
"You have not examined this safe?"
"Did you check this safe?"
"Why, no; I——"
"Actually, no; I——"
"If you have no objection, I should like to see the interior of that safe. I suppose, of course, you know the combination of that as well as that of the cash safe?"
"If you don't mind, I'd like to take a look inside that safe. I assume, of course, that you know the combination to that one just like you do for the cash safe?"
"Oh, yes; the combinations are changed every Saturday, and of course I am always informed of the new combination."
"Oh, definitely; the combinations change every Saturday, and of course, I'm always updated on the new combination."
"Then may I examine the bookkeepers' safe?"
"Can I take a look at the bookkeepers' safe?"
"I see no objection to your doing so, if you like."
"I don't have any problem with you doing that if you want to."
Dunlap seemed surprised at the reporter's request; but he rose and proceeded to the bookkeepers' department. Sturgis followed an instant later.
Dunlap looked surprised by the reporter's request, but he stood up and headed to the bookkeepers' department. Sturgis followed just moments later.
When the reporter came within sight of the safe, Dunlap was closely inspecting the lock. Presently he uttered an exclamation of surprise.
When the reporter came into view of the safe, Dunlap was carefully examining the lock. Suddenly, he exclaimed in surprise.
"What is it?" asked Sturgis.
"What's that?" asked Sturgis.
"I don't understand it," said Dunlap. "I cannot open the safe. The lock seems all right; but——"
"I don't get it," said Dunlap. "I can't open the safe. The lock seems fine; but——"
"Perhaps the combination has been changed."
"Maybe the combination has been changed."
"Apparently it has," admitted the banker; "but how came it to be changed on a week day, and without my knowledge?"
"Looks like it has," the banker admitted. "But how did it get changed on a weekday without me knowing?"
"That is rather significant, isn't it?" suggested the reporter.
"That's pretty important, right?" the reporter suggested.
"Significant? What do you mean?" exclaimed Dunlap excitedly.
"Significant? What do you mean?" Dunlap exclaimed, excited.
"I mean that Arbogast was a defaulter. What his system of defrauding the bank was, I do not yet know; but an examination of the books will no doubt reveal this; and I should advise you, Mr. Dunlap, to lose no time in having it made."
"I mean that Arbogast was a fraud. I don't know yet how he was scamming the bank, but checking the books will surely uncover it. I suggest you, Mr. Dunlap, waste no time in getting it done."
"But," argued Dunlap anxiously, "I tell you the books were examined last week."
"But," Dunlap argued nervously, "I’m telling you the books were checked last week."
"Yes; by Arbogast's accomplice."
"Yes; by Arbogast's partner."
"What, Chatham his accomplice?" exclaimed Dunlap faintly.
"What, Chatham his partner?" exclaimed Dunlap weakly.
"Chatham was in the plot beyond a doubt," answered Sturgis. "So long as no one had access to his books except his accomplice Chatham, of course Arbogast felt secure. But when, yesterday, the announcement was made that after the beginning of the new year his books would pass to the custody of another man, he saw that the game was up."
"Chatham was definitely part of the scheme," Sturgis replied. "As long as no one else could access his books except for his partner Chatham, Arbogast felt safe. But when it was announced yesterday that starting in the new year, his books would be handed over to someone else, he realized that his luck had run out."
The men had returned to the president's office.
The men had gone back to the president's office.
"Those are his very words," continued the reporter; "those he telegraphed to Chatham yesterday, as you will see if you hold before that mirror this sheet of blotting paper which I found on Arbogast's desk."
"Those are his exact words," the reporter continued. "Those he sent to Chatham yesterday, as you’ll see if you hold this sheet of blotting paper I found on Arbogast's desk up to that mirror."
Dunlap, with an unsteady hand, took the blotting paper; and, holding it before the glass, studied the reflection intently.
Dunlap, with a shaky hand, picked up the blotting paper and held it in front of the mirror, examining the reflection closely.
"What do you make out?" asked Sturgis.
"What do you think?" asked Sturgis.
"Nothing whatever," replied the banker promptly.
"Not a thing," replied the banker immediately.
"What?" exclaimed the reporter; "do you mean to say that you do not distinguish any marks on the blotting paper?"
"What?" the reporter exclaimed. "Are you telling me that you can't see any marks on the blotting paper?"
"I mean to say that I do not see anything to which I can attach any semblance of a meaning. The blotting paper has been used, and, of course, there are ink marks upon it; but, as far as I can see, these are wholly disconnected. They are entirely void of sense to my eyes, at any rate."
"I mean to say that I don't see anything I can attach any meaning to. The blotting paper has been used, and of course, there are ink marks on it; but as far as I can tell, these are completely unrelated. They don't make any sense to me, anyway."
"Examine the blotter again carefully in this direction," said Sturgis, drawing an imaginary line upon the mirror, "and pay no attention to any other marks which seem to cross these lines. Now do you see anything?"
"Take another look at the blotter closely in this direction," Sturgis said, tracing an imaginary line on the mirror, "and ignore any other marks that seem to intersect these lines. Do you see anything now?"
The banker examined the image in the mirror for some time before replying.
The banker looked at his reflection in the mirror for a while before responding.
"If I allow my imagination to enter into play, I can complete several isolated letters."
"If I let my imagination come into play, I can finish several individual letters."
"Will you dictate these while I note them here. Be careful to distinguish between capital and lower-case letters. Also separate the lines, and state whether letters come close together or are separated by a space."
"Could you please read these out loud while I write them down? Make sure to point out the difference between capital and lowercase letters. Also, leave some space between the lines, and let me know if the letters are close together or if there's a gap between them."
"Very well," agreed Dunlap, who then proceeded to read off the letters he saw in the reflection of the blotter in the mirror.
"Okay," Dunlap agreed, then went on to read the letters he saw reflected on the blotter in the mirror.
When he had finished, Sturgis handed him the paper, upon which were transcribed the letters he had dictated. They presented the appearance shown below:
When he was done, Sturgis gave him the paper that had the letters he dictated written on it. They looked like this:

"Well," said the banker, "if you can make anything out of that gibberish, your imagination is more active than mine."
"Well," said the banker, "if you can make sense of that nonsense, your imagination is more vivid than mine."
"It is not a question of imagination," said Sturgis; "let us proceed systematically. Here is a telegram blank detached from a pad I found on Arbogast's desk. Compare its size with the outline of the marks on the blotter, and you will see, in the first place, that the message would just fit snugly on this sheet. Next, you will probably admit that the first line of marks on the blotter probably contain a date; the second, a name; the third, an address; the last, a signature, and the intermediate lines a message."
"It’s not about imagination," Sturgis said. "Let’s go about this logically. Here’s a blank telegram I took from a pad on Arbogast’s desk. Compare its size to the shape of the marks on the blotter, and you’ll see that the message would fit perfectly on this sheet. Next, you’ll likely agree that the first line of marks on the blotter probably has a date; the second, a name; the third, an address; the last, a signature, and the lines in between contain a message."
"I am quite willing to concede so much; for no business man would be likely to write a telegram differently."
"I'm completely willing to admit that much; because no businessman would probably write a telegram any differently."
"Very well. Now, then, let me hold this blank so that the reflection of its vertical rulings may appear just above the image of the message. These lines, remember, separate the words of the message. Extend them mentally and note how they divide the letters of the blotter. Will you hold these sheets while I transcribe the result?"
"Alright. Now, let me hold this blank paper so that the reflection of its vertical lines shows just above the message image. Remember, these lines separate the words of the message. Picture them extending and see how they split the letters on the blotter. Can you hold these sheets while I write down the result?"
In a few minutes more the reporter had drawn several lines on his copy of the reflection in the mirror.
In just a few minutes, the reporter had drawn several lines on his version of the reflection in the mirror.
"I don't see that you are any better off now than you were before," remarked Dunlap, examining the result.
"I don't think you're any better off now than you were before," Dunlap said, looking over the result.
"Wait a minute. These vertical lines, we say, divide the words of the message. There are five words to the line; only two on the last line before the signature; that is to say, twelve words in the message. Now, consider the first word. Evidently the 'G' begins this word, since it is a capital; and the flourish on the tail of the 'e' tells us plainly enough where the word ends. Note the space between the 'G' and the 'e.' Have you ever taken the trouble to ascertain how constant in any given handwriting is the space occupied by the different letters? Try it some time. Count the characters which you have written in a number of different lines, reckoning spaces and punctuation marks each as one character, and observe how closely the results will tally. Basing my conclusion on this fact, I may safely affirm that the first word of the message is 'Game, 'Gave, 'Give, ' or some other word of four letters beginning with 'G' and ending with 'e.' I shall proceed to fill up the balance of the message as I read it between the letters."
"Wait a minute. These vertical lines, we can say, split the words of the message. There are five words per line; only two on the last line before the signature; in total, that makes twelve words in the message. Now, let’s look at the first word. Clearly, the 'G' starts this word since it’s a capital letter; and the flourish on the tail of the 'e' clearly shows us where the word ends. Notice the space between the 'G' and the 'e.' Have you ever bothered to check how consistent the spacing is for different letters in any handwriting? Try it sometime. Count the characters you've written across different lines, counting spaces and punctuation marks as one character, and see how closely the results match. Based on this observation, I can confidently say that the first word of the message is 'Game,' 'Gave,' 'Give,' or another four-letter word starting with 'G' and ending with 'e.' I will now proceed to fill in the rest of the message as I interpret it from the letters."
Sturgis wrote slowly and carefully for a few minutes.
Sturgis wrote slowly and carefully for a few minutes.
"There; behold the result."
"Here; check out the result."
The message had now assumed this form:
The message had now taken this form:

"Compare this with the reflection of the original and tell me if you do not now detect various isolated marks and incomplete letters, all of which tally with the text I have inserted here."
"Compare this with the reflection of the original and let me know if you can now see various scattered marks and unfinished letters, all of which match the text I’ve included here."
Dunlap made the comparison.
Dunlap drew the comparison.
"I am obliged to admit that your conclusions now appear plausible," he reluctantly admitted.
"I have to admit that your conclusions seem believable now," he said, reluctantly.
Sturgis shrugged his shoulders.
Sturgis shrugged.
"Well, call them plausible and let us proceed. Chatham kept the appointment yesterday; but for some reason Arbogast was delayed in leaving the bank. Perhaps the necessary preparations for his flight took longer than he expected."
"Well, let’s consider them reasonable and move on. Chatham showed up for the appointment yesterday, but for some reason, Arbogast was held up at the bank. Maybe getting ready for his departure took longer than he thought."
"You think he intended to abscond?"
"You think he meant to run away?"
"Why should he have changed the combination of his safe, as he did, if not to give himself as much time as possible to reach a place of comparative safety before the books could be examined?" asked Sturgis. "Chatham, becoming impatient, forgot the dictates of prudence and started for the bank to ascertain the cause of his accomplice's delay. He met Arbogast at the Wall Street door. The two men re-entered, Arbogast setting down his satchel in the vestibule and leaving the outer door ajar, as Quinlan found it a few minutes later, when he stole the satchel. I have every reason to believe that it was at Chatham's request that the men returned. He wished to use the telephone, and he did so."
"Why would he have changed the combination to his safe, if not to give himself as much time as possible to get to a safer place before the books could be checked?" asked Sturgis. "Chatham, growing impatient, forgot to be cautious and headed to the bank to find out why his accomplice was delayed. He ran into Arbogast at the Wall Street door. The two men went back inside, with Arbogast setting down his bag in the entryway and leaving the outer door slightly open, just like Quinlan found it a few minutes later when he took the bag. I have every reason to believe that Chatham asked the men to go back. He wanted to use the phone, and he did."
"Your story is connected, and it is certainly not lacking in details," said Dunlap incredulously; "in fact, the details are far too abundant for the evidence thus far advanced."
"Your story is connected, and it definitely isn't short on details," said Dunlap, astonished; "actually, there are way too many details for the evidence presented so far."
"Every one of the details is based upon facts," replied Sturgis. "What I have accomplished thus far has been simple enough, because luck has favored us. Yesterday being cleaning day at the bank, the floors were scrubbed some time during the afternoon, before Arbogast was ready to leave and before Chatham had arrived. It thus happens that almost every footstep of the two men has remained faintly but distinctly outlined upon the wet floors, which have since dried, preserving the record. The detectives last night obliterated a portion of this record; but they have left traces enough for our purpose. If you care to crawl around on all fours as I did you can readily distinguish these traces for yourself."
"Every detail is grounded in facts," Sturgis replied. "What I've achieved so far has been pretty straightforward, thanks to some good luck. Yesterday was cleaning day at the bank, so the floors were scrubbed in the afternoon, before Arbogast was ready to leave and before Chatham showed up. Because of this, almost every step taken by the two men is faintly but clearly marked on the wet floors, which have since dried and preserved the evidence. The detectives wiped away part of this evidence last night, but they left enough for us to work with. If you want to crawl around on all fours like I did, you can easily spot these traces for yourself."
"No, thank you," answered the banker. "I prefer to take your word for this part of the evidence."
"No, thanks," replied the banker. "I’d rather take your word for this part of the evidence."
"Then I shall resume my story," said Sturgis. "The footprints show that Arbogast stood at his desk while the scrubbing was going on. We may safely say that it was after half-past four o'clock when he started to leave the bank; for otherwise it is presumable that Chatham would have waited for him at the corner of South and Wall Streets, as he was asked to do in the bookkeeper's telegram. He first walked over to the safe and closed it, changing the combination, so that the lock could not be opened until he had had a fair start. Next he went to the clerks' room for his hat and coat and for the satchel in which he had packed just the few necessaries for immediate use in his flight. He started to leave the building through the Exchange Place door; but probably remembered that the Wall Street door was not locked, and went back to lock it. As he was about to close the outer door, Chatham arrived on the scene, and the two men re-entered, as we have already seen. The footprints tell their story fully and absolutely, their chronological order being established by the occasional obliteration of a footprint in one trail by another in a subsequent trail. The two men walked back into the room in which we now are. Their actions after this will be clearer to you if you will follow on this diagram."
"Then I’ll continue my story," Sturgis said. "The footprints indicate that Arbogast was at his desk while the cleaning was happening. We can confidently say that it was after 4:30 PM when he started to leave the bank; otherwise, it’s likely that Chatham would have waited for him at the corner of South and Wall Streets, as he was instructed to do in the bookkeeper's telegram. First, he walked over to the safe and closed it, changing the combination so that the lock couldn't be opened until he had a good head start. Next, he went to the clerks' room for his hat and coat and for the bag in which he had packed just a few essentials for his immediate escape. He initially intended to exit the building through the Exchange Place door, but probably remembered that the Wall Street door was unlocked, so he returned to lock it. Just as he was about to close the outer door, Chatham showed up, and the two men went back inside, as we’ve already seen. The footprints tell their story completely and clearly, their chronological order established by the occasional erasure of one footprint in a trail by another in a later trail. The two men walked back into the room we’re in now. Their actions after this will make more sense if you refer to this diagram."
CHAPTER XI.
A RECONSTRUCTED DRAMA.
A revamped drama.
As he spoke, Sturgis handed Dunlap the sheet of paper upon which he had traced a plan of the Knickerbocker bank.
As he talked, Sturgis gave Dunlap the piece of paper on which he had drawn a plan of the Knickerbocker bank.
"From this point on," he continued, "I have indicated the various trails on the diagram. The dotted lines represent Arbogast's footprints; the continuous lines show Chatham's trail."
"From this point on," he continued, "I've marked the different trails on the diagram. The dotted lines show Arbogast's footprints, while the solid lines indicate Chatham's trail."
"How can you distinguish between the two?" inquired Dunlap.
"How can you tell the difference between the two?" asked Dunlap.
"There is no difficulty about that," replied Sturgis. "The differences are very marked. I know Arbogast's foot because I have seen it; and I know that the other one is Chatham's because you recognized the man from the description I gave of him."
"There’s no problem with that," Sturgis replied. "The differences are very clear. I recognize Arbogast's foot because I've seen it; and I know the other one is Chatham's because you identified the man based on the description I gave you."
"Yes, I know. But how could you describe him so accurately when you have never seen him?"
"Yeah, I get it. But how can you describe him so well if you've never even seen him?"
"I shall come to that presently," said Sturgis, smiling; "you must let me tell my story in my own way, if I am to tell it connectedly."
"I'll get to that in a moment," said Sturgis with a smile; "you have to let me tell my story the way I want to if you want it to make sense."
"Very well," said the banker, resignedly. "Hold on, though," he exclaimed; "you speak of two sets of trails; but what is this third set of lines, marked by alternate dots and dashes?"
"Alright," said the banker, giving in. "Wait a second, though," he exclaimed; "you mention two sets of trails; but what’s this third set of lines, marked by alternating dots and dashes?"
"They represent the traces of a third individual, who will appear upon the scene later on. He has not yet received his cue. But, since you mention him, we may put him down in the cast as 'X,' the unknown quantity of the problem; for I do not yet know his name. Now, then; let me see. Where was I? Your interruption has made me lose the thread. Oh, yes; the men were in this room. Arbogast, nervous and excited, paced back and forth, like a caged animal. Chatham was more collected. It was warm in the bank, as compared with the intense cold outside; he removed his overcoat and threw it over the back of that chair in the corner. This fact is shown by the direction of the footsteps toward the chair, and by a mark directly below the arm of the chair where the garment trailed upon the wet floor. Chatham's carelessness was fraught with serious consequences; for, as luck would have it, there was, in one of the pockets of his coat, an important letter, which slipped out and fell upon the floor superscription uppermost. Here is the envelope itself, which I have pieced together. You will see that it is soiled only upon the back, and here near the chair is the faint oblong mark which it left upon the floor. Chatham went to the telephone in the cashier's office. He probably did not see the letter fall. It caught Arbogast's eye, however; and you may imagine his surprise when he saw that it was addressed to his wife. What had his accomplice to write to his wife? Arbogast evidently was not restrained by any feelings of delicacy in the matter, or else he was already suspicious of Chatham; for he picked up the envelope, tore it open, and read the letter which lies before you, as I have pieced it together. It makes interesting reading. I do not wonder that Arbogast lost his head when he saw it. Read it for yourself."
"They indicate the presence of a third person, who will show up later. He hasn't gotten his signal yet. But since you brought him up, we might as well call him 'X,' the unknown factor in the equation, since I don’t know his name yet. Now, where was I? Your interruption made me lose my train of thought. Oh, right; the men were in this room. Arbogast, anxious and agitated, paced back and forth like a trapped animal. Chatham was more composed. It was warm in the bank compared to the bitter cold outside; he took off his overcoat and tossed it over the back of that chair in the corner. This is indicated by the direction of the footprints leading to the chair, and by a mark right below the arm of the chair where the coat touched the wet floor. Chatham’s carelessness had serious consequences; lucky for us, there was an important letter in one of the pockets of his coat that slipped out and landed on the floor with the address facing up. Here’s the envelope I’ve pieced together. You’ll notice it’s only dirty on the back, and here, near the chair, is the faint rectangular mark it left on the floor. Chatham walked to the phone in the cashier's office. He probably didn’t notice the letter fall. But Arbogast saw it, and you can imagine his shock when he saw it was addressed to his wife. What could his accomplice want to say to his wife? Arbogast clearly didn’t hold back any feelings of decency in this situation, or maybe he was already suspicious of Chatham; he picked up the envelope, tore it open, and read the letter that lies before you, which I’ve pieced together. It makes for fascinating reading. I can see why Arbogast lost his cool when he saw it. Read it for yourself."
"Why," exclaimed Dunlap, after reading the letter, "this announces his intention of committing suicide."
"Why," Dunlap exclaimed after reading the letter, "this reveals his intention to commit suicide."
"Precisely; and yet Arbogast did not commit suicide; probably never had any intention of doing so; and, at any rate, did not write that letter. You will observe that it is not signed; the name is typewritten, like the rest of the letter, which, moreover, was not written here, as the superscription would seem to indicate. I have tried your typewriter, and although it is of the same make as the one upon which this letter was written, there are several characteristic differences in the alignment and in the imperfections of the type.
"Exactly; and yet Arbogast didn't take his own life; he probably never thought about doing that; and, in any case, he didn't write that letter. Notice that it's not signed; the name is typewritten, just like the rest of the letter, which, by the way, wasn’t written here, despite what the address might suggest. I used your typewriter, and although it’s the same brand as the one used for this letter, there are several distinct differences in the alignment and the flaws in the type."
"Besides," continued Sturgis, thoughtfully, "the letter itself bears evidence, on its face, that it could not have been written by Arbogast. Your bookkeeper was of a weak, nervous, excitable temperament, as all his actions plainly show. Before such a man is brought to the point of taking his own life, he must have passed through a more or less protracted period of agonizing nervous tension, of which you and I can hardly form any adequate conception. Under the circumstances, if he loved his wife, conscious that by his guilt he was about to plunge her into the depths of grief and shame, he might have written her an incoherent and hysterical letter, or a tender and repentant letter, but never this frigid matter-of-fact statement of a supreme decision. This letter is the work of a cold and calculating nature, incapable of ordinary human feeling. The man who wrote it would not have written to his wife at all, or would have written only to serve some selfish purpose. From what I know of Arbogast, I do not believe he was capable of composing these lines."
"Besides," Sturgis continued thoughtfully, "the letter itself shows clearly that it couldn't have been written by Arbogast. Your bookkeeper had a weak, nervous, and excitable personality, as all his actions clearly indicate. Before someone like him would reach the point of taking his own life, he would have gone through a prolonged period of intense emotional stress, which you and I can hardly imagine. Given the situation, if he loved his wife and knew that his guilt would plunge her into deep sorrow and shame, he might have written her a disjointed and frantic letter, or a heartfelt and remorseful one, but he would never have written this cold, matter-of-fact statement about a final decision. This letter is clearly the work of someone who is cold and calculating, lacking ordinary human emotions. The person who wrote it wouldn’t have written to his wife at all, or would have done so only for some selfish reason. From what I know of Arbogast, I don’t believe he was capable of writing these lines."
"You think, then, that the letter was written by Chatham," said Dunlap. "But what object could Chatham have for writing such a letter?"
"You think, then, that Chatham wrote the letter," said Dunlap. "But what reason would Chatham have to write such a letter?"
"No," answered Sturgis, "I do not think that Chatham wrote this letter. That is the curious part of it. I cannot believe that if Chatham had been aware of the important nature of its contents, he could have been willing to leave it for an instant within Arbogast's reach."
"No," Sturgis replied, "I really don't think Chatham wrote this letter. That's the strange part. I can't believe that if Chatham had known how important it was, he would have left it within Arbogast's reach, even for a moment."
"But who, then, could have been its author, and why should he have intrusted the letter to Chatham?"
"But who could have written it, and why would he have trusted the letter to Chatham?"
"To your second question, my answer is, probably because he wanted it mailed from the main Post Office at about the time that Arbogast would leave the bank. To the first, I cannot yet give any positive answer, although, as you will presently see, there are some clues pointing to our unknown quantity 'X' as the author of this letter. But let us not anticipate. Suppose we return to our drama. When Arbogast read this letter, he evidently thought, as I do, that somebody was playing him false; that he was to be gotten rid of in some safer way than exile; in short that, as somebody said of one of the Turkish sultans, he was to be 'suicided.' He must have had strong reasons to suspect Chatham of treachery; for he at once impulsively jumped to the conclusion that his only chance of safety lay in striking before he could be struck. At any rate, while the accountant was busy at the telephone, Arbogast stood near this desk, mechanically tearing to pieces this letter, while he planned the accountant's death. He had taken with him your revolver. As the thought of it flashed upon his mind, his resolution was instantly taken. He stealthily crept to the paying teller's wicket. Through it he could see the telephone closet, the door of which stood open. Chatham was in direct range, as Arbogast raised the pistol, and, without a word of warning, fired. The accountant held the receiver of the telephone to his ear. This saved his life; for the bullet entered his left hand and remained embedded in his flesh. I shall show you the blood-stained receiver in proof of this assertion. When the bullet struck him, Chatham fell forward, striking his head against a corner of the telephone box, and inflicting a slight scalp wound. I found a few hairs of an intensely red hue, which are evidently his. I also found shreds of his clothing which caught on a projecting nail as he fell; and I infer from these his taste for loud dress. He recovered himself before Arbogast was ready to fire a second time and ran into the clerks' room, probably hoping to make his way to the street through the Exchange Place door. But at the same time, Arbogast rushed through the reception room and this office, reaching the vestibule in time to head off Chatham, who then turned back and ran through the secretary's room, with Arbogast in pursuit. In the meantime, 'X,' to whom I have already alluded, was waiting in Exchange Place, where Chatham had a cab. Upon hearing the pistol shot, he went to the accountant's assistance. He passed into this office, which he probably reached in time to see Chatham rush in from the secretary's room, closely followed by Arbogast. 'X' seized that chair over there in the corner and sprang between the hunted man and his pursuer as the latter raised his arm to fire. Our anonymous friend is probably a man of great strength; for with one blow of the chair, he broke the bookkeeper's wrist. The hammer fell; but the weapon was deflected, and the bullet, instead of reaching its intended victim, passed through the upper lobe of Arbogast's left lung, and out at the back at an angle of about sixty degrees. The bookkeeper was standing not far from the mantel-piece yonder. Do you see that broad black line on the hearth? That was made by the bullet. Its direction and the angle enabled me at once to see that it must have ricochetted into the fire-place; and there, sure enough, I found it in the soot in the bend of the chimney. Here it is."
"To your second question, I think he wanted it sent from the main Post Office around the time Arbogast would leave the bank. As for your first question, I can't give you a definite answer yet, although, as you’ll soon see, there are some clues suggesting our unknown 'X' is the writer of this letter. But let’s not get ahead of ourselves. Let’s return to the story. When Arbogast read this letter, he clearly thought, as I do, that someone was betraying him; that he was supposed to be eliminated in some quieter way than being sent away; in short, that he was to be 'suicided,' as someone once said about one of the Turkish sultans. He must have had strong reasons to suspect Chatham of being disloyal because he immediately jumped to the conclusion that his only chance for safety was to strike first before he could be attacked. At any rate, while the accountant was busy on the phone, Arbogast stood by this desk, mindlessly tearing the letter to pieces while planning the accountant's death. He had brought your revolver with him. When the thought struck him, he quickly made up his mind. He quietly crept to the paying teller’s window. From there, he could see the telephone closet, which stood open. Chatham was in direct line of fire as Arbogast raised the gun and, without warning, fired. The accountant had the phone receiver to his ear. This saved his life; the bullet hit his left hand and lodged in his flesh. I’ll show you the blood-stained receiver as proof. When the bullet struck, Chatham fell forward, hitting his head on the corner of the telephone box and suffering a minor scalp wound. I found a few strands of bright red hair, which are definitely his. I also found bits of his clothing that snagged on a protruding nail when he fell, which suggests he had a taste for flashy clothes. He regained his balance before Arbogast could shoot again and ran into the clerks’ room, likely hoping to exit through the Exchange Place door. Meanwhile, Arbogast rushed through the reception area and this office, reaching the vestibule just in time to intercept Chatham, who then turned and dashed into the secretary's room, with Arbogast chasing him. In the meantime, 'X,' whom I've already mentioned, was waiting at Exchange Place, where Chatham had a cab. When he heard the gunshot, he rushed to help the accountant. He entered this office, probably just in time to see Chatham burst in from the secretary's room, closely followed by Arbogast. 'X' grabbed that chair in the corner and jumped between the hunted man and his pursuer as Arbogast raised his arm to fire. Our anonymous friend is likely a strong person; with one swing of the chair, he broke the bookkeeper's wrist. The hammer fell, but the gun was knocked off-target, and the bullet, instead of hitting its intended target, went through the upper lobe of Arbogast's left lung and exited at the back at about a sixty-degree angle. The bookkeeper was standing not far from the mantelpiece over there. Do you see that broad black line on the hearth? That was made by the bullet. Its path and angle immediately indicated to me that it must have bounced into the fireplace, and sure enough, I found it in the soot in the bend of the chimney. Here it is."
Dunlap had listened to this narrative with evident interest. But now, recovering from the spell of Sturgis's persuasive conviction, his skepticism regained the ascendancy for a moment.
Dunlap had listened to this story with clear interest. But now, shaking off the influence of Sturgis's convincing argument, his skepticism took over for a moment.
"Mr. Sturgis, you have missed your vocation," he said, laughing good naturedly; "you ought to have been a playwright. You have a most convincing way of presenting both your facts and your theories. While you are speaking, one is ready to admit the plausibility of every statement you make. But now that you have finished, I have become a hard-headed banker once more, and I beg to submit one or two facts—since we are seeking facts—which it seems to me are enough to demolish all your elaborate structure."
"Mr. Sturgis, you've missed your calling," he said with a friendly laugh. "You should have been a playwright. You have an incredibly convincing way of presenting both your facts and your theories. While you’re speaking, it’s easy to accept the credibility of everything you say. But now that you’ve finished, I’m back to being a practical banker, and I’d like to point out one or two facts—since we’re looking for facts—that I believe are enough to take down your entire argument."
"Go on," said Sturgis; "it goes without saying that any theory is worthless unless it takes into account and explains every existing fact. If there are any in this case which have escaped me—a contingency which is quite possible, for I have no pretension to infallibility—I shall be glad to hear about them; and naturally, if my conclusions do not tally with the facts, the conclusions must be altered, since facts are absolute."
"Go ahead," Sturgis said. "It's obvious that any theory is pointless if it doesn't consider and explain all the existing facts. If there are any in this situation that I've missed—something that's definitely possible since I don't claim to be infallible—I’d be happy to hear about them. And of course, if my conclusions don't match the facts, then the conclusions need to change, because facts are absolute."
"Well then," said Dunlap, "assuming, for the sake of the argument, that these various marks which you have called trails were made by the feet of three different people; admitting even that one of these individuals was Arbogast, who often stays here after banking hours, I do not see that you have established by any satisfactory evidence your assumption that the other so-called trails are those of Chatham and a stranger. For aught I know to the contrary, they may have been made by some of the bank employés in the discharge of their regular duties. Chatham's coat may have caught on a nail in the telephone closet last week, while he was here in his legitimate capacity of expert accountant. The change of the combination of the safe may be the result of an error; for we have no direct proof whatever that Arbogast is a defaulter. And then, when it comes to your interesting description of the alleged shooting of Arbogast, it strikes me that you are entirely carried away by your enthusiasm; for, in your minute description of the path of the bullet, at a certain angle, of which you seem to know the measure almost to the fraction of a second, you overlook several important things. Two shots were fired yesterday in or near the Knickerbocker bank. In, say you, because here is a revolver with two empty cartridge shells; here is a black mark, which may have been produced by the ricochet of a bullet, and here is a shapeless piece of lead, which may be that bullet. As, however, one bullet cannot account for two shots, you are forced at once to assume that Chatham has carried away the second one in the palm of his hand. This is ingenious, very ingenious, but——"
"Well then," said Dunlap, "let's say, for the sake of argument, that these various marks you've called trails were made by the feet of three different people; even admitting that one of these individuals was Arbogast, who often stays here after banking hours, I don't see how you've provided any convincing evidence for your claim that the other so-called trails belong to Chatham and an unknown person. For all I know, they might have been made by some of the bank employees going about their regular duties. Chatham's coat could have snagged on a nail in the telephone closet last week while he was here performing his job as an expert accountant. The change of the safe combination might simply be a mistake; we have no solid proof that Arbogast is a thief. And when it comes to your detailed account of the supposed shooting of Arbogast, it seems to me that you’ve gotten a bit carried away with your excitement; because in your detailed explanation of the bullet's trajectory, at a specific angle that you seem to measure almost to the fraction of a second, you overlook several important details. Two shots were fired yesterday in or near the Knickerbocker bank. In, you say, because here’s a revolver with two empty cartridges; there’s a black mark that might have been made by a bullet ricochet, and here’s a misshapen piece of lead, which could be that bullet. However, since one bullet can't account for two shots, you are immediately forced to assume that Chatham somehow carried the second one away in his hand. This is clever, very clever, but——"
"His blood is on the telephone receiver," observed Sturgis quietly.
"His blood is on the phone receiver," Sturgis noted quietly.
"Blood!" exclaimed Dunlap; "why, with the carnage that you have imagined here, there should be oceans of blood. Here is a man, running around with a wounded hand, who leaves a few drops of blood on the telephone receiver, and nowhere else. And here is another man, shot through the lungs,—excuse me, through the upper lobe of the left lung,—who does not bleed at all. And where is he now? Such a wound as you have given him must, I take it, be fatal, or, at any rate, serious. Yet here is a dead or, at least, a dying man, calmly walking off as if—as if the curtain had fallen at the end of your drama, and the corpse had hurried off to his dressing-room."
"Blood!" Dunlap shouted. "With all the violence you've imagined here, there should be tons of blood. Here’s a guy running around with a hurt hand, leaving just a few drops of blood on the phone, and nowhere else. And here’s another guy, shot in the lungs—sorry, the upper lobe of the left lung—who isn’t bleeding at all. And where is he now? A wound like the one you gave him should definitely be fatal or at least serious. Yet here’s a dead or, at least, dying man, casually walking off as if—like the curtain has fallen at the end of your play, and the corpse has rushed off to his dressing room."
"You have forgotten something else," suggested the reporter smiling.
"You've forgotten something else," the reporter suggested with a smile.
Dunlap looked at him questioningly.
Dunlap looked at him curiously.
"Yes; you have forgotten the pistol replaced in the drawer after Arbogast was shot, and the doors of the bank carefully locked."
"Yes, you've forgotten the pistol that was put back in the drawer after Arbogast was shot, and the bank's doors were locked securely."
"True. No, my dear sir; your elaborate theory will not bear an instant's calm examination."
"That's true. No, my dear sir; your detailed theory won't hold up under even a moment's careful examination."
"And yet," rejoined Sturgis, "my conclusions, as far as they go, are absolutely correct. Every objection which you raise is plausible enough when considered by itself; but we have not to deal with a lot of isolated facts, but with a series of connected events, each of which depends upon and supports all the others. Let me finish my story, and I think you will then be prepared to admit that what seems to you now a flight of fancy on my part, is nothing but a sober exposition of plain unvarnished facts."
"And yet," Sturgis replied, "my conclusions, as far as they go, are completely correct. Every objection you bring up makes sense on its own; but we aren’t looking at a bunch of isolated facts, we’re looking at a series of connected events, each one depending on and backing up the others. Let me finish my story, and I think you’ll then be ready to accept that what you see as a wild imagination on my part is really just a straightforward presentation of plain, unembellished facts."
Dunlap, with a deprecating gesture, settled back into his chair once more.
Dunlap, with a dismissive gesture, leaned back into his chair again.
"We left Arbogast shot through the left lung,—fatally wounded, as you have just remarked. He probably fell like a log; while Chatham, weak from shock, leaned against the door jamb yonder. He had probably stanched his wound with his free hand as he ran; I have been unable to find any trace of blood between the telephone and this spot. On the door jamb, however, the blood left a stain which has not been completely wiped out and which enabled me to judge of Chatham's height. 'X' was the only one of the trio who knew what he was about at this time. I have a genuine admiration for 'X'; he must be a man of marvelous nerve. Instead of flying panic-stricken from the scene, as any ordinary criminal would have done, he calmly proceeded to protect his retreat and to systematically cover his trail. His first step was to lock the Wall Street gate and the inside door. Quinlan had doubtless pulled the outer door to as he ran away, so that 'X' probably thought this also locked. He then, with Chatham's assistance, helped Arbogast, who was not yet dead, and who perhaps by this time had regained consciousness, into the cab which was waiting near by in Exchange Place, where I found the blood-stains on the curb, as you will remember. After starting off his two accomplices in the cab, he returned to the bank, put away the pistol in its proper place, which, by the way, he seems to have known, and washed up all or nearly all the blood-stains. There is a sponge and bucket under the sink in the clerks' room, which were used in this operation. After, as he thought, completely obliterating all traces of the tragedy, he quietly walked off by the Exchange Place entrance, locked the door and threw away the key. All this, while policeman Flynn was chasing Quinlan. You will note that 'X,' knowing nothing of the Quinlan episode, was quite justified in believing that the shots had failed to attract any attention outside of the bank. Very likely he was disturbed by the return of the policeman and Quinlan; I cannot otherwise account for his having left the gas burning. Had he had the time, I feel confident that, with his customary thoroughness, he would have turned it out. As to my minute description of Arbogast's wounds, there is nothing remarkable in that. I know that the weapon used by 'X' was yonder chair, because I found particles of the bookkeeper's epidermis upon one of the legs, which was considerably loosened by the blow. But I know exactly what the wounds were, because I have examined them. I told you that I had seen Arbogast yesterday."
"We left Arbogast shot through the left lung—fatally wounded, as you just mentioned. He probably fell like a heavy object while Chatham, weakened from shock, leaned against the door frame over there. He likely bandaged his wound with his free hand as he ran; I haven’t been able to find any blood between the telephone and this spot. However, there’s a blood stain on the door frame that hasn’t been completely wiped away, which helped me estimate Chatham’s height. 'X' was the only one of the three who seemed to know what he was doing at that moment. I genuinely admire 'X'; he must be a man of incredible nerve. Instead of panicking and fleeing the scene like any typical criminal would, he calmly worked to protect his escape and cover his tracks. His first move was to lock the Wall Street gate and the inside door. Quinlan likely pulled the outer door shut as he ran away, so 'X' probably assumed that was locked too. Then, with Chatham’s help, he got Arbogast, who was not yet dead and who might have regained consciousness by then, into the cab waiting nearby on Exchange Place, where I found the blood stains on the curb, as you’ll recall. After sending off his two accomplices in the cab, he returned to the bank, put the gun away in its proper place—which, by the way, he seemed to know—and cleaned up all or almost all of the blood stains. There’s a sponge and bucket under the sink in the clerks' room that were used for this. After he thought he had completely erased all traces of the tragedy, he quietly walked out the Exchange Place entrance, locked the door, and tossed away the key. All of this was happening while Officer Flynn was chasing Quinlan. You’ll notice that 'X,' not knowing anything about the Quinlan incident, had every reason to believe that the shots hadn’t drawn any attention outside of the bank. It's likely he got uneasy with the return of the officer and Quinlan; I can’t think of another reason why he left the gas on. If he had had the time, I’m confident that, as usual, he would have turned it off. As for my detailed description of Arbogast’s wounds, there's nothing unusual about that. I know that the weapon used by 'X' was that chair over there because I found bits of the bookkeeper’s skin on one of the legs, which was pretty loose from the impact. But I know exactly what the wounds were because I examined them. I told you that I saw Arbogast yesterday."
"What!" exclaimed Dunlap, "you mean after he was wounded?"
"What!" Dunlap exclaimed, "you mean after he got hurt?"
"Yes," replied Sturgis; "his body is at the morgue now. You might call there this afternoon to identify it, if you choose; but, everything considered, it might be as well not to make the identification public until we are well on the track of Chatham and our friend 'X.'"
"Yeah," Sturgis said. "His body is at the morgue now. You could call there this afternoon to identify it, if you want; but, all things considered, it might be better not to make the identification public until we’re closer to finding Chatham and our buddy 'X.'"
CHAPTER XII.
THE BOOKKEEPER'S CONFESSION.
THE BOOKKEEPER'S CONFESSION.
Late that same evening, Sturgis returned to his lodgings, after a busy day spent in working upon the Knickerbocker bank case. He was tired and he was perplexed; for, with all his unflagging energy, his quick intelligence and his plodding perseverance, he had come to a standstill in his investigation. The Evening Tempest had appeared with no further mention of the Quinlan case, and with only a perfunctory report of the Cab Mystery, no attempt having been made to connect the two, for Sturgis would not consent to publish his evidence until he was sure of complete success in his undertaking.
Late that same evening, Sturgis returned to his place after a busy day working on the Knickerbocker bank case. He was tired and confused; despite his relentless energy, sharp mind, and steady determination, he had hit a wall in his investigation. The Evening Tempest had come out with no new updates on the Quinlan case and only a brief report on the Cab Mystery, without trying to link the two. Sturgis refused to publish his evidence until he was confident he would achieve complete success in his efforts.
As he approached the house, the reporter saw a light in his window, and inferred that a visitor was awaiting his coming. It was Mr. Dunlap, who, pale and care-worn, was striding nervously back and forth in the room, with his hands behind his back and his head bent forward upon his breast.
As he got closer to the house, the reporter noticed a light in the window and figured that someone was waiting for him. It was Mr. Dunlap, who looked pale and tired, pacing anxiously back and forth in the room with his hands clasped behind his back and his head lowered.
"Ah, there you are at last!" exclaimed the banker eagerly; "I have been waiting for you for over an hour."
"Ah, there you are at last!" the banker said eagerly; "I've been waiting for you for over an hour."
"Has something new turned up?" asked Sturgis.
"Has anything new come up?" asked Sturgis.
"Yes; read that."
"Yes, read that."
At the same time Dunlap handed the reporter a letter.
At the same time, Dunlap gave the reporter a letter.
"Let me tell you about it first. After leaving you this morning, I went to the morgue and saw the body. You were right; it is Arbogast's. I had been only half convinced by your evidence; but I now saw that you were probably right in all your other inductions, and I became anxious to learn something definite concerning the amount of Arbogast's defalcation. As I could not reach the books for some time, I called upon Mrs. Arbogast, thinking I might be able to learn something from her. You had not been to see her, had you?"
"Let me tell you what happened. After I left you this morning, I went to the morgue and saw the body. You were right; it is Arbogast's. I was only partly convinced by your evidence, but I now realized that you were likely correct in all your other conclusions, and I became eager to find out exactly how much Arbogast had embezzled. Since I couldn’t access the books for a while, I decided to visit Mrs. Arbogast, thinking I might get some information from her. You hadn't gone to see her, had you?"
"No," answered Sturgis gravely, "I did not think it likely she knew as much about this matter as we do, and I shrank from the ordeal of revealing to her the fact of her husband's crime and tragic death. I wished, at any rate, to exhaust all other means of obtaining information before resorting to this one."
"No," Sturgis replied seriously, "I didn't think she was as aware of this situation as we are, and I was reluctant to put her through the experience of telling her about her husband's crime and tragic death. I wanted to explore every other option for getting information before turning to this one."
"Of course, of course," said Dunlap somewhat impatiently; "the woman is naturally to be pitied; but I could not allow any sentimental consideration to stand in the way of the discharge of my duty to our depositors."
"Of course, of course," said Dunlap a bit impatiently; "the woman deserves sympathy, but I can't let any sentimental feelings interfere with my responsibility to our depositors."
"What did you learn from her?" asked the reporter.
"What did you learn from her?" the reporter asked.
"When I reached the house the maid told me that Mrs. Arbogast had spent the previous evening at her sister's house in the country and had not yet come back. I was about to leave, intending to return later in the evening, when the lady herself arrived. Upon learning who I was she seemed somewhat surprised but invited me in. As we passed into the parlor the maid handed her mistress a letter, stating that it had come by the morning's mail. Mrs. Arbogast glanced at the envelope but did not open it. At my first cautious questions she seemed to be very much surprised. Arbogast had announced to her by telegram the previous day that he would be obliged to go out of town for a few days on business. He allowed her to infer that he would soon return, and that his business was connected with the affairs of the bank. She could not understand how it happened that I knew nothing of this trip. 'But,' said she, 'I have just received a letter from him, which will, doubtless, explain matters.' She evidently knew nothing of her husband's peculation. Thereupon, she opened the envelope and took out this letter. I observed her closely. At the first words I saw her cheeks blanch and a look of agony pass over her features as she instinctively pressed her hand to her heart. I knew then that the letter contained some important revelation, and I became anxious to obtain possession of it. When she had done I could see that she was laboring under a strong emotion; but she controlled herself, replaced the letter in its envelope, and said merely: 'This does not tell me my husband's whereabouts; but I shall doubtless have further news of him in the course of a few days.' I saw that she was attempting to shield him in the supposition that he was still alive. I therefore broke the news of his death to her as gently as I could. The first shock seemed to utterly unnerve her; but after awhile she became somewhat calmer. 'After all, it is better so,' she said, at last. Then she handed me this letter. There was no further reason for withholding it. Read it now."
"When I got to the house, the maid told me that Mrs. Arbogast had spent the previous evening at her sister's place in the country and hadn't come back yet. I was about to leave, planning to return later in the evening, when Mrs. Arbogast herself arrived. When she found out who I was, she seemed a bit surprised but invited me in. As we walked into the parlor, the maid handed her a letter, saying it had come with the morning mail. Mrs. Arbogast glanced at the envelope but didn’t open it. When I asked my first careful questions, she seemed really surprised. Arbogast had sent her a telegram the day before, saying he had to go out of town for a few days on business. He made her think he would be back soon and that his business was related to the bank. She couldn't understand how I knew nothing about this trip. 'But,' she said, 'I just got a letter from him, which will surely explain things.' It was obvious she had no idea about her husband's wrongdoing. She opened the envelope and took out the letter. I watched her closely. As she read the first lines, I saw her face go pale and a look of agony cross her features as she instinctively pressed her hand to her heart. At that moment, I knew the letter contained something significant, and I became anxious to get it. When she finished, I could see she was struggling with strong emotions; but she composed herself, put the letter back in the envelope, and simply said, 'This doesn’t tell me where my husband is; but I will probably have more news about him in a few days.' I realized she was trying to protect him, assuming he was still alive. So, I gently broke the news of his death to her. The initial shock seemed to completely unnerve her; but after a while, she calmed down a bit. 'After all, it’s better this way,' she finally said. Then she handed me the letter. There was no longer any reason to hold it back. Read it now."
"It is postmarked at the general post-office at five o'clock," said Sturgis; "it was therefore mailed before or during Chatham's visit to the bank. It may have been mailed by Arbogast before the scrubbing was done, or perhaps by the chorewoman when she left the bank."
"It’s postmarked at the main post office at five o'clock," Sturgis said. "So it was mailed either before or during Chatham’s visit to the bank. It could have been sent by Arbogast before the cleaning was done, or maybe by the cleaning lady when she left the bank."
The reporter drew the letter from its envelope and read:
The reporter took the letter out of its envelope and read:
"The Knickerbocker Bank,
"The Knickerbocker Bank,"
"New York, December 31, 1896.
New York, December 31, 1896.
"My Darling Wife,
"My Amazing Wife,"
"When you receive this letter I shall be far away—a disgraced criminal—and you will be worse than a widow.
"When you get this letter, I'll be far away—a disgraced criminal—and you'll be worse than a widow."
"I dare not ask your forgiveness for the trouble I am bringing upon you; for I realize all too clearly the extent of the wrong I have done you. But I feel irresistibly impelled to lay before you in all their nakedness, as I do before my own conscience, the circumstances which have led to my downfall. A knowledge of these may perhaps enable you to understand, in a measure, the temptation to which I have succumbed; although I find it hard myself, now that all is over, to realize how I came to yield to it.
"I can’t bring myself to ask for your forgiveness for the trouble I’m causing you; I know all too well how wrong I’ve been. But I feel an overwhelming need to share with you, honestly and openly, the circumstances that led to my downfall. Understanding these might help you grasp, at least to some extent, the temptation I gave in to; although it’s hard for me to understand, now that it’s all over, how I ended up succumbing to it."
"Perhaps you may remember the celebration of my fiftieth anniversary. We were having a most enjoyable evening in the company of the friends whom you had invited to participate in the festivities, when a caller was announced. I was obliged to leave our guests in order to receive him in the library. This man lost no time in stating the nature of his business with me. His name was Thomas Chatham; he was an expert accountant, who had been employed at the Knickerbocker bank to examine the books, and he coolly informed me that he had just discovered a serious error in my books—one that had enabled a depositor to overdraw his account by a large amount. At first I refused to believe him, although he submitted copies from the books showing exactly how the blunder had been made. When he intimated that it only rested with me whether the error should be reported to the bank, I indignantly refused to listen to him. He remained perfectly unruffled during our interview and left me at last with the statement that he would wait twenty-four hours before handing in his report to the president.
"Maybe you remember my fiftieth anniversary celebration. We were having a great evening with the friends you invited to join the festivities when someone was announced. I had to leave our guests to meet him in the library. This man quickly got to the point about why he was there. His name was Thomas Chatham; he was an expert accountant who had been hired by the Knickerbocker bank to audit the books, and he calmly told me that he had just found a serious mistake in my records—one that allowed a depositor to overdraw his account by a significant amount. At first, I didn’t believe him, even though he showed me copies from the books detailing how the error happened. When he suggested that it was up to me whether to report the mistake to the bank, I indignantly refused to listen. He stayed completely calm during our conversation and finally left me with the remark that he would wait twenty-four hours before submitting his report to the president."
"My first step on reaching the bank the next day was to verify Chatham's statements. Alas! they were only too true. There was the terrible blunder staring me in the face. I could not understand how I had come to make it; but there it was, and nothing could explain it away. I had hoped against hope up to this time; now I saw clearly that I was a ruined man.
"My first step upon reaching the bank the next day was to confirm Chatham's claims. Unfortunately, they were painfully accurate. The terrible mistake was right in front of me. I couldn't comprehend how I had made it; it was just there, and nothing could excuse it. I had held on to hope as long as I could; now I understood fully that I was a ruined man."
"There was only one honorable course open to me—to frankly confess my responsibility for the blunder and take the consequences, whatever they might be. I hesitated, and I was lost.
"There was only one honorable option available to me—to honestly admit my responsibility for the mistake and accept the consequences, no matter what they might be. I hesitated, and I was doomed."
"I hesitated because I felt that my position was at stake. Would not my error appear inexcusable to the officers of the bank, since I could find no palliation for it in my own eyes. I was fifty years old. I shrank from the necessity of beginning again at the foot of the ladder which I had so laboriously climbed after a lifetime of conscientious plodding. It would be no easy matter for me to find another position.
"I hesitated because I felt like my job was on the line. Wouldn't my mistake seem unforgivable to the bank officers, especially since I couldn’t justify it to myself? I was fifty years old. The thought of starting all over again from the bottom rung of the ladder I had worked so hard to climb after a lifetime of dedicated effort was daunting. Finding another job wouldn’t be easy for me."
"The more I thought the matter over, the more I became convinced that there might be another way out of my trouble. Was it not probable that the depositor who had profited by my mistake, had done so innocently? If so, would he not be willing to repay the amount overdrawn? At the worst, if he should refuse to do this, might it not be possible for me to scrape together and borrow enough to make good the deficiency? In this way I could correct the blunder and no one would be the wiser for it. But what of that man Chatham? Would not his report betray me? I recalled his intimation that the nature of his report depended upon myself. What did he mean by that? Probably he would set a price upon his silence. This would add considerably to the amount I should have to raise; but would not this be better, after all, than the loss of my position. At any rate, I should not be any the worse off for listening to his proposal, whatever it might be.
"The more I thought about it, the more I became convinced that there might be another way out of my predicament. Wasn’t it possible that the depositor who benefited from my mistake did so without knowing? If that’s the case, wouldn’t he be willing to pay back the overdraft? At the worst, if he refused, could I manage to come up with enough money to cover the shortfall? This way I could fix the error and keep it under wraps. But what about that guy Chatham? Wouldn’t his report expose me? I remembered his hint that the nature of his report depended on my actions. What did he mean by that? He was probably going to ask for something in exchange for his silence. This would increase the amount I’d need to come up with significantly; but wouldn’t that still be better than losing my job? Anyway, I wouldn’t be any worse off for considering his offer, whatever it might be."
"That afternoon, as soon as the bank had closed, I called at the address Chatham had given me. He evidently expected me. With him was a man whom he introduced as James Withers, the depositor in whose favor my blunder had been made. Had I not been laboring under great excitement, it is likely that my suspicions would have been aroused by the strangeness of Withers' presence in Chatham's room. The two men received me pleasantly, and the alleged Withers, even before I could broach the subject, expressed his regret at hearing of the error which had been committed, and assured me of his willingness to re-imburse the bank; but——ah! there was an ominous 'but.' He was short of ready money just then; everything he had was tied up in a promising enterprise which was bound to bring in a magnificent profit in the course of a few days, if only he could raise a few paltry hundreds to enable him to hold out a little longer. If he failed to scrape together this small amount, all would be lost. Insidiously and relentlessly they drove me toward the trap they had prepared, and I was weak enough to fall into it. Before the interview was over, I had consented to allow Withers to still further overdraw his account, and I had received his solemn promise to refund, before the end of the week, the entire amount he owed the bank. Then Chatham suggested that it would be wiser to let the second overdraft come from another account. Withers agreed with him, and stated that the check could be made out in the name of Henry Seymour, a relative of his, who had recently opened a small account with the Knickerbocker bank. I strongly objected to sharing the secret of my infamy with any others; but I finally allowed myself to be overruled by the plausible scoundrels into whose clutches I had fallen.
"That afternoon, as soon as the bank closed, I went to the address Chatham had given me. He was clearly expecting me. With him was a guy he introduced as James Withers, the depositor affected by my mistake. If I hadn’t been feeling so anxious, I probably would have found it strange that Withers was there in Chatham's room. The two men greeted me warmly, and the supposed Withers, even before I could bring up the issue, expressed his regret about the mistake and assured me he was willing to pay the bank back; but—oh, there was a concerning 'but.' He was low on cash at the moment; all his money was tied up in a promising venture that was sure to yield great profits in just a few days, if only he could raise a few hundred dollars to hang on a bit longer. If he couldn't gather this small amount, everything would be lost. They subtly and relentlessly pushed me into the trap they had set, and I was weak enough to fall for it. By the end of the meeting, I had agreed to let Withers overdraw his account even more, and he gave me his firm promise to pay back the full amount he owed the bank before the week was over. Then Chatham suggested it would be smarter for the second overdraft to come from a different account. Withers agreed and said the check could be made out in the name of Henry Seymour, a relative of his, who had just opened a small account at the Knickerbocker bank. I strongly objected to sharing the secret of my wrongdoing with anyone else, but eventually, I let myself be swayed by the convincing crooks I had fallen into the hands of."
"The next day I took my first step in crime, by making such entries as would insure the honoring of Seymour's check. After that I was completely in the power of these two men. It was not long before I discovered that I had been their dupe. Chatham's accomplice was not the true Withers; for this man, a few days later, made a large deposit, which more than covered his previous overdraft. The false Withers was Henry Seymour himself.
"The next day, I took my first step into crime by making entries that would guarantee Seymour's check would be honored. After that, I was completely under the control of these two men. It didn't take long before I realized I had been fooled. Chatham's accomplice wasn’t the real Withers; a few days later, this man made a large deposit that more than covered his previous overdraft. The fake Withers was Henry Seymour himself."
"As soon as I had committed a felony, it became unnecessary for Seymour to keep up any further pretense of a desire to refund the money I had helped him steal. I was now in the meshes of crime as deeply as my accomplices; and, from that time to this, they have forced me to act as their catspaw. During this period of two years the bank has been robbed in this way of over $250,000.00, every cent of which has gone to Chatham and Seymour.
"As soon as I committed a crime, Seymour didn’t need to pretend anymore that he wanted to pay back the money I helped him steal. I was now in the thick of it just like my partners in crime; since then, they’ve made me do their dirty work. Over these two years, the bank has been robbed of more than $250,000.00, all of which went to Chatham and Seymour."
"You can perhaps imagine what a hell my life has been during that time. With prison and disgrace staring me in the face; and with the absolute conviction that exposure must inevitably come sooner or later, I have suffered the tortures of the damned. At the bank, I have been in a perpetual state of suspense. I have started at every word spoken to me; I have seen suspicion in every glance which has met mine; I have trembled and paled at every approach of one of the officers of the bank. And yet I have not dared to absent myself from my desk for an hour, lest an examination of my books during my absence should reveal my crime. I have been the first to reach the bank in the morning and the last to leave it at night; I have not even taken the few minutes during the day which would have been required to enable me to obtain a hurried meal. On one pretext or another, during the last two years, I have had to forego my annual vacation. I have dragged myself to my post when I was so ill that I could hardly stand, because I could not afford to have any one take charge of my books for even an hour. And all that time, with a full realization of my degradation and infamy, I have been forced to continue my frauds, knowing that each one brought me nearer to the inevitable final exposure; but knowing equally well that a refusal on my part to continue my stealings would result in an instant betrayal by my accomplices.
You can probably imagine how terrible my life has been during that time. With prison and shame looming over me and the certainty that being found out is bound to happen sooner or later, I’ve experienced the worst kind of suffering. At the bank, I’m in a constant state of anxiety. I jump at every word directed at me; I see suspicion in every glance that meets mine; I flinch and go pale at the approach of any bank officer. Yet, I haven’t dared to leave my desk for even an hour, worried that a review of my books in my absence might expose my crime. I’ve been the first to arrive at the bank in the morning and the last to leave at night; I haven’t even taken the few minutes during the day needed to grab a quick meal. For one reason or another, over the past two years, I’ve had to skip my annual vacation. I’ve forced myself to work when I was so ill that I could barely stand, because I couldn’t risk having anyone else handle my books for even an hour. And throughout all this time, fully aware of my disgrace and shame, I’ve had to keep up my frauds, knowing each one brings me closer to the unavoidable exposure; but equally aware that refusing to keep stealing would lead to my immediate betrayal by my partners in crime.
"At last further concealment became impossible. A week ago the yearly examination of the books took place. The expert accountant employed was, as usual, Thomas Chatham, and of course, as usual, his report was entirely satisfactory. It seemed, therefore, as though discovery could be postponed a little longer; when suddenly, this morning, we were informed that a change in the system of bookkeeping would be adopted after the first of January. I saw at once that all was over. The discovery of my crime is now a matter of hours. I must be out of the way before the crash comes or I am doomed. I can already see the felon's stripes upon my back; the clang of the prison gates rings in my ears.
"Eventually, hiding it became impossible. A week ago, the annual audit of the books happened. The usual expert accountant, Thomas Chatham, was hired again, and naturally, his report was completely satisfactory. It seemed like we could delay discovery a little longer; then suddenly, this morning, we learned that there would be a change in the bookkeeping system after January 1st. I realized immediately that it was all over. The discovery of my crime is now just a matter of hours. I have to get out of the way before the fallout arrives, or I'm finished. I can already imagine the prison stripes on my back; the sound of the prison gates echoes in my ears."
"I am too dazed to think; but I feel that my only escape is in death. And yet I cling to life. I know that the happy days of the past are gone forever; and yet I feel a sort of numb relief at the thought that the worst is now certain to come, and to come at once.
"I’m too dazed to think; but I feel like my only escape is in death. And yet I hold on to life. I know that the happy days of the past are gone forever; and still, I feel a kind of numb relief at the thought that the worst is definitely going to come, and it’s going to come soon."
"I have carefully prepared my flight, so that I shall have plenty of time to reach a place of safety. Once there, I shall be free from pursuit; but I shall be an exile, and I shall carry with me to the grave the burden of my sin.
"I have carefully planned my escape, so that I will have enough time to get to a safe place. Once I’m there, I will be free from being chased; but I will be an exile, and I will take the weight of my sin with me to the grave."
"The most bitter pang in my remorse is caused by the thought of the great wrong I have done you, dear wife. You will now be forced to face the world not only unprotected by the one whose duty and whose desire it was to smooth the way for you; but, what is worse, oppressed by the burden of his sin.
"The hardest part of my regret comes from knowing the terrible wrong I’ve done to you, my dear wife. You will now have to confront the world not only without the protection of the person whose responsibility and wish it was to make things easier for you, but, even worse, weighed down by the consequences of his wrongdoing."
"What little money I have left in the savings bank I have transferred to your name. You may use it all with a clear conscience; for every dollar of it was honestly mine. I swear I have never had a single cent of the money I have stolen. It has all been drawn by Henry Seymour, and used I know not how.
"What little money I have left in the savings bank I have transferred to your name. You can use it all without any guilt; every dollar of it was honestly mine. I promise I've never taken a single cent that wasn't mine. It has all been taken out by Henry Seymour, and I have no idea how it was used."
"As soon as I am settled in the place to which I am going, I shall try, as far as lies in my power, to redeem my past by a life of honest labor; and I hope to be able to contribute to your support in the near future.
"As soon as I get settled in the place I'm heading to, I'll do my best to make up for my past with a life of honest work; and I hope to be able to help support you soon."
"Oh! my wife! my darling wife! Would that the past could be blotted out, and that I could once more place my hand in yours, an honest man. Though you may find it hard to forgive me now, perhaps in time you may be able to think gently of him who through all his crime and degradation, has remained
"Oh! my wife! my darling wife! I wish the past could be erased, so I could once again hold your hand, as an honest man. Even though you might find it hard to forgive me right now, maybe in time you’ll be able to remember kindly the man who, despite all his wrongdoing and downfall, has remained"
"Your devoted husband,
"John W. Arbogast.
"Your loving husband,
"John W. Arbogast.
"My safety depends upon your keeping the contents of this letter secret for at least three days. After that time, please send to Mr. Dunlap, president of the Knickerbocker bank, the inclosed papers, which will reveal to him the full extent of my defalcations.
"My safety relies on you keeping the contents of this letter confidential for at least three days. After that period, please send the enclosed papers to Mr. Dunlap, the president of the Knickerbocker Bank, which will disclose to him the complete extent of my embezzlements."
"I do not hesitate to betray Chatham and Seymour; they did not scruple to ruin me. I have sent for Chatham, and I shall give him warning of my intended flight. If he sees fit, he can take such steps as he may choose to escape his own richly deserved punishment."
"I have no qualms about betraying Chatham and Seymour; they didn't think twice about destroying me. I've called for Chatham, and I'm going to warn him about my planned escape. If he wants, he can take whatever actions he thinks necessary to avoid his well-deserved punishment."
While Sturgis was reading Arbogast's letter, Dunlap, restlessly pacing the room, had observed him furtively.
While Sturgis was reading Arbogast's letter, Dunlap, anxiously pacing the room, had been watching him out of the corner of his eye.
"Well?" he now inquired, stopping before the reporter; "what do you think of that?"
"Well?" he asked, stopping in front of the reporter. "What do you think about that?"
"Poor woman!" exclaimed Sturgis feelingly; "it is terrible to think of the suffering brought upon her by her husband's guilt. I ought to be hardened to a situation like this; for it is the inevitable sequel of almost every crime that is ever committed. But I am moved every time by the pathetic expiation of the innocent for the guilty."
"Poor woman!" Sturgis said with compassion; "it's awful to think about the suffering caused by her husband's wrongdoing. I should be desensitized to situations like this since it's the usual outcome of almost every crime that gets committed. But I still feel for the innocent who pay the price for the guilty."
"Yes, yes; I know," said Dunlap indifferently; "that is not what I meant. Did you note the amount which this scoundrel confesses he and his accomplices have stolen from the bank?"
"Yeah, yeah; I get it," Dunlap said casually; "that's not what I was talking about. Did you catch the amount that this criminal admits he and his partners have stolen from the bank?"
"Yes; it is a large sum."
"Yes, that's a lot of money."
"Two hundred and fifty thousand dollars! Why, man, if that is true, it is enough to cripple the bank——No, no; I don't mean that, of course; the bank is rich and could stand the loss of four times that amount. But a quarter of a million is a round sum, for all that. It does not seem possible that, in spite of all our care, they can have succeeded in making away with so much money. But they did. There can be no doubt about that; for in the papers which Arbogast inclosed for me in his letter to his wife he explains just how the thing was done. It is simple enough when you know the trick; but it took fiendish cunning to devise it. I never would have thought that rascally bookkeeper intelligent enough to concoct such a scheme."
"Two hundred and fifty thousand dollars! Seriously, if that's true, it's enough to take down the bank—No, no; I don’t mean that, of course; the bank is wealthy and could handle losing four times that. But a quarter of a million is still a significant amount. It seems impossible that, despite all our efforts, they could have managed to steal so much money. But they did. There’s no doubt about it; because in the documents Arbogast included in his letter to his wife, he explains exactly how it was done. It’s simple enough once you know the trick; but it took some really twisted ingenuity to come up with it. I never would have thought that sneaky bookkeeper was clever enough to come up with such a scheme."
"If the scheme is a work of genius," said Sturgis, "you may rest assured that 'X'—who may very well be Henry Seymour—was the author of it."
"If the plan is a stroke of genius," said Sturgis, "you can be sure that 'X'—who might very well be Henry Seymour—wrote it."
"Well, at any rate," observed Dunlap, "there is one thing that must be done at once; and that is to find both Chatham and Seymour. It is not possible that in two years these men have spent a quarter of a million dollars between them."
"Anyway," Dunlap pointed out, "there's one thing we need to do right away: find both Chatham and Seymour. There's no way these two have burned through a quarter of a million dollars in just two years."
"It is at all events possible that they may not have done so," replied Sturgis, "for my investigations show that both Arbogast and Chatham have been men of regular and exemplary habits in their private lives. They do not appear to have been living much, if at all, beyond their means. There does not seem to have been, in the case of either man, any room for a double existence, which might otherwise have explained the situation. Neither was a spendthrift nor a gambler, and neither was dissipated."
"It’s definitely possible that they didn’t," Sturgis replied. "My research shows that both Arbogast and Chatham had regular and commendable habits in their personal lives. They don’t seem to have been living beyond their means, if at all. There doesn’t appear to be any indication that either man was leading a double life, which could have explained the situation. Neither was a spendthrift or a gambler, and neither was reckless."
"Then you have not the faintest idea of the present whereabouts of Chatham or of his mysterious accomplice?"
"Then you have no idea where Chatham or his mysterious accomplice are right now?"
"Let me tell you exactly what I have done up to the present time; and then you will be able to judge for yourself. And I, too, shall see more clearly where we stand; for the necessity of putting one's thoughts into words is an aid to clear thinking."
"Let me tell you exactly what I've done so far; then you can judge for yourself. And I will also have a clearer understanding of our situation because putting my thoughts into words helps me think more clearly."
CHAPTER XIII.
THE LOST TRAIL.
The Missing Trail.
So saying, Sturgis settled himself in his chair and began his narrative.
So saying, Sturgis got comfortable in his chair and started his story.
"After leaving you this morning, my first step was to gain admission to the Tombs——"
"After I left you this morning, my first step was to get into the Tombs——"
"To the Tombs?" interrupted Dunlap.
"To the Tombs?" Dunlap interjected.
"Yes; the cabman has been remanded to the Tombs to await trial for complicity in the murder of the unknown man whose body was found in his cab."
"Yes, the cab driver has been taken to the Tombs to wait for trial for being involved in the murder of the unidentified man whose body was discovered in his cab."
"Arbogast's?"
"Arbogast's?"
"Yes, Arbogast's. But of course the police do not yet know that."
"Yes, Arbogast's. But of course the police still don't know that."
"Were you allowed to see the cabman?"
"Were you allowed to see the taxi driver?"
"Yes. As reporter of The Tempest, I was able to obtain an interview with him. When first arrested, the man, whose name, by the way, is Reilly, was incapable of making a connected statement; the lawyer assigned to defend him laughed in his face when he heard his story, and advised him to leave the romancing to a trained lawyer as his only chance of escaping the electric chair. Naturally, under the circumstances, the poor fellow hesitated to unbosom himself to a stranger. But I finally managed to gain his confidence by showing him that I believed his story, and that I was trying to find the men whose scapegoat he now is. It seems that yesterday afternoon, at about three o'clock, he was stationed at the cab-stand in front of Madison Square, when he was accosted by a man, answering Chatham's description, who engaged him to drive him to the Fulton Street ferry. On reaching the ferry, the man ordered Reilly to proceed to a low grogshop on South Street. Here he entered, returning in a few minutes to invite the cabman to take a drink with him. The men seated themselves at a table upon which a bottle and two filled glasses were already placed. Chatham handed one of these glasses to Reilly, who drank it and probably many more. At all events, he remembers nothing further until he was rudely shaken by Chatham, who led him out into the street. Here the cold air revived him, and he remembers noticing several things to which he did not pay much attention at the time, but which seem significant now as he recalls them:
"Yes. As a reporter for The Tempest, I managed to get an interview with him. When he was first arrested, the guy, whose name is Reilly, couldn't give a clear account of what happened; the lawyer assigned to represent him laughed when he heard his story and told him to leave the storytelling to a professional if he wanted any chance of avoiding the electric chair. Understandably, given the situation, the poor guy was hesitant to open up to a stranger. But I eventually earned his trust by showing him that I believed his story and that I was trying to track down the real culprits he’s just been blamed for. Apparently, yesterday afternoon around three o'clock, he was waiting at the cab stand in front of Madison Square when a man fitting Chatham's description approached him and asked for a ride to the Fulton Street ferry. Upon reaching the ferry, the man told Reilly to take him to a dive bar on South Street. He went inside and came back a few minutes later, inviting the cab driver to join him for a drink. They sat down at a table that already had a bottle and two filled glasses on it. Chatham handed one of the glasses to Reilly, who drank it and likely many more after that. In any case, he doesn’t remember anything else until he was roughly shaken awake by Chatham, who took him out into the street. The cold air brought him back to his senses, and he noticed several things he hadn’t paid much attention to at the time, but seem significant now as he thinks back on them:
"Firstly,—It was now quite dark.
"First, it was now quite dark."
"Secondly,—The cab, which had been facing south when he entered the barroom, was now facing north.
"Secondly, — The cab, which had been facing south when he entered the bar, was now facing north."
"Thirdly,—Chatham persistently carried his left hand in the bosom of his coat; he was very pale and seemed weak and ill.
"Thirdly,—Chatham consistently kept his left hand tucked in the front of his coat; he looked quite pale and appeared weak and unwell."
"He with difficulty climbed upon the box beside Reilly and ordered him to drive uptown. Presently the cabman became drowsy again. The next thing he remembers is coming to himself after the overturning of the cab by the cable car. That the man was drugged there can be no doubt. It is probable that while he sat apparently drunk in the barroom, Chatham took the cab to the Knickerbocker bank, expecting to smuggle Arbogast into it without Reilly's knowledge;—a deep move, since it would effectually cover up the trail, if they wanted to make away with the bookkeeper, as they evidently did. Seymour may have met him at the bank by appointment; but I am more inclined to believe that he was there unknown to Chatham, and possibly for the purpose of spying upon the latter, to see that his instructions were carried out. He lent his accomplice a hand in the nick of time; and then, like a prudent general, he retired to a safe position, thence to direct further operations. What I cannot yet understand is, why Chatham should have taken the enormous risk he did in conveying Arbogast's body from the bank, since Seymour's intention was plainly to make away with the bookkeeper in any event. I can explain this only on the supposition that Seymour thought he could conceal the body in some way and prevent it from falling into the hands of the police. On the part of any ordinary criminal this would have been rank folly; but the resources of such a man as Seymour are such that I do not feel disposed to criticize his generalship in this particular without first understanding his ultimate object. From what I have seen of his work thus far, I have derived a profound admiration for the man's genius and cunning deviltry. Fortunately, fate was against him this time. Its instrument was the cable car which overturned the cab, thus delivering Arbogast's body into the hands of the police and furnishing the key without which, it is quite likely, Seymour might have remained forever undiscovered."
He struggled to climb onto the seat beside Reilly and told him to drive uptown. Soon, the cab driver started to doze off again. The next thing he remembers is waking up after the cab was overturned by the cable car. There’s no doubt that the man was drugged. It’s likely that while he appeared drunk in the bar, Chatham took the cab to the Knickerbocker bank, intending to sneak Arbogast inside without Reilly knowing; that was a clever move, since it would effectively cover their tracks if they wanted to get rid of the bookkeeper, which they clearly did. Seymour might have met him at the bank by appointment, but I think it's more likely he was there without Chatham’s knowledge, possibly to keep an eye on him and ensure that his instructions were followed. He helped his accomplice just in time; then, like a smart general, he moved back to a safe spot to oversee the next steps. What I still don’t get is why Chatham took such a huge risk in moving Arbogast's body from the bank, since Seymour clearly intended to get rid of the bookkeeper anyway. I can only explain this by assuming that Seymour thought he could hide the body somehow and keep it away from the police. For any regular criminal, that would be incredibly foolish; but since someone like Seymour has such resources, I’m hesitant to criticize his strategy here without first understanding his ultimate goal. From what I've seen of his actions so far, I have developed a deep respect for his genius and cunning. Fortunately, fate was against him this time. The instrument of that fate was the cable car that overturned the cab, which delivered Arbogast's body into the hands of the police and provided the key that might have kept Seymour undiscovered forever.
"You think, then, that you will succeed in unearthing this villain?" asked Dunlap eagerly.
"You think you can actually find this villain?" Dunlap asked eagerly.
"While there's life, there's hope," said Sturgis, with grim determination; "but I must confess that the outlook at present is not exactly brilliant. However, let me finish my report. During the excitement that followed the overturning of the cab, Chatham managed to escape, as you know, and he has thus far succeeded in avoiding arrest, although the police have kept a sharp lookout for him. Every steamship that sails, every train that leaves New York, is watched, but thus far without result. For my part, I am convinced that Chatham has not yet attempted to leave the city."
"While there's life, there's hope," Sturgis said with determined resolve. "But I have to admit that the situation right now doesn't look great. Anyway, let me finish my report. After the chaos that followed the cab overturning, Chatham managed to escape, as you know, and so far he has evaded arrest, even though the police are keeping a close eye on him. Every steamship that departs and every train that leaves New York is being monitored, but so far, it hasn't worked. Personally, I'm convinced that Chatham hasn't tried to leave the city yet."
"Isn't it probable, on the contrary, that he fled from New York immediately after running away from the overturned cab?" asked Dunlap.
"Isn't it likely, on the other hand, that he escaped from New York right after getting away from the overturned cab?" asked Dunlap.
"I do not think so," replied Sturgis; "with his wounded hand he is a marked man; he would be easily recognized in a strange city. His safest hiding-place is here in New York, where he doubtless has friends ready to conceal him. Be that as it may, he remains for the present under cover and the scent is lost. The police are groping in the dark just now, and,——and so am I."
"I don't think so," Sturgis replied. "With his injured hand, he's easy to spot; he'd be quickly recognized in an unfamiliar city. His safest place to hide is here in New York, where he probably has friends who can help him stay hidden. Regardless, he’s staying out of sight for now, and the trail has gone cold. The police are searching blindly at the moment, and so am I."
The banker looked sorely disappointed.
The banker looked very disappointed.
"And so that is all you have been able to discover? Not a trace of the money? It does not seem possible that a quarter of a million dollars can disappear so completely without leaving the slightest trace."
"And so that's all you've been able to find out? Not a single clue about the money? It doesn't seem possible for a quarter of a million dollars to just vanish without leaving any trace at all."
"If we can ever find Seymour," replied Sturgis, "I make no doubt we shall be able to locate the lion's share of the money.
"If we ever find Seymour," Sturgis replied, "I'm sure we'll be able to track down most of the money."
"Yes," he added, thoughtfully, "that is all I have been able to discover up to the present time; or, at least, all that seems to be of any immediate importance. Of course, I called on both Mr. Murray and Mr. Scott; but, beyond the fact that Chatham, like Arbogast, was a model employé, all I got from them was the address of Chatham's boarding-house; there I was informed that the accountant had moved on New Year's eve without leaving his new address. There is one other link in the chain of evidence which I have investigated; but I cannot tell yet whether it will lead to anything or not. It may be immaterial; but who knows? Possibly it may prove to be the key to the entire problem."
"Yeah," he said thoughtfully, "that's all I've been able to find out so far; or at least, all that seems to matter right now. I did visit both Mr. Murray and Mr. Scott, but apart from the fact that Chatham, like Arbogast, was an excellent employee, all they provided was the address of Chatham's boarding house. There, I was told that the accountant had moved out on New Year's Eve without leaving a new address. There's one more piece of evidence I've looked into, but I can't say yet if it will lead to anything. It might not matter, but who knows? It could turn out to be the key to solving the whole issue."
"And what is this promising link?" asked Dunlap eagerly.
"And what is this exciting connection?" asked Dunlap eagerly.
"There is not much to tell on this score," answered Sturgis. "You will recall that according to the evidence which we have thus far collected, Chatham was attacked by Arbogast while he was in the act of using the telephone."
"There’s not much to say about this," Sturgis replied. "You’ll remember that based on the evidence we’ve gathered so far, Chatham was attacked by Arbogast while he was using the phone."
"Yes; I remember how minutely you reconstructed that scene."
"Yeah, I remember how thoroughly you went over that scene."
"Well," continued the reporter, "I saw at once that the telephone might possibly prove to be an important witness for the prosecution, if I could only discover the name of the person with whom Chatham was talking when he was shot. I therefore called at the Central Office to make inquiries. As I was able to specify almost the exact minute at which this call was sent, it was an easy matter to find the young woman who had answered it; but the chances were that she would not remember the number called for. She did, however, for it had been fixed in her memory by some unusual circumstances. It seems that after giving Chatham the connection he wanted, the operator rang him up. While she was listening for a reply, she heard a sharp report, followed by a scream; then a sound of confused voices, and presently another sharp report. After that came complete silence, and she was unable to obtain any reply to her repeated calls."
"Well," the reporter continued, "I immediately realized that the telephone could be a key piece of evidence for the prosecution if I could find out who Chatham was talking to when he was shot. So, I went to the Central Office to make some inquiries. Since I could pinpoint almost the exact minute the call was made, it was easy to track down the young woman who answered it; but I thought there was a good chance she wouldn’t remember the number that was called. However, she did remember, thanks to some unusual circumstances. After connecting Chatham to the person he wanted to talk to, the operator called him back. While she was waiting for a response, she heard a loud bang, followed by a scream; then a bunch of confused voices, and soon another loud bang. After that, it was complete silence, and she couldn’t get any response to her repeated attempts to reach him."
"You have here corroborative evidence of the scene between Chatham and Arbogast," said Dunlap.
"You have here supporting evidence of the encounter between Chatham and Arbogast," said Dunlap.
"Yes; but I did not need that. What I wished to know was the name of the person with whom Chatham wanted to converse."
"Yes, but I didn’t need that. What I wanted to know was the name of the person Chatham wanted to talk to."
"Did you discover it?"
"Did you find it?"
"The number of the telephone he gave is that of the Manhattan Chemical Company."
"The phone number he gave is that of the Manhattan Chemical Company."
"And what is the Manhattan Chemical Company?"
"And what is the Manhattan Chemical Company?"
"That is the question I asked people connected with the commercial agencies. They replied that they knew very little concerning this firm; because, although it has been in existence for a couple of years, it apparently never asks any one for credit, preferring to pay cash for all the goods delivered to it. I called at the office of the Manhattan Chemical Company to investigate on my own account. The office and store occupy the basement of an old ramshackle building, whose upper stories are rented out as business offices. The laboratory and manufacturing department are down stairs in the cellar. The store contains only a few chairs and a long counter behind which rise shelves containing rows of bottles with brilliantly colored labels. A few painted signs upon the walls vaunt the merits of Dr. Henderson's Cough Cure and Dr. Henderson's Liver Specific. I did not expect to find any one in on New Year's day. I was, therefore, surprised to see a solitary clerk sitting with his feet upon a desk and apparently absorbed in the reading of a newspaper,—a pale young man of the washed-out blond type, with watery green-blue eyes and a scant moustache which fails to conceal a weak mouth. He rose to greet me with an air of surprise which does not speak well for the briskness of trade in the establishment. Indeed, if we are to judge by the aspect of things in the office of the Manhattan Chemical Company, business in patent medicines does not appear to be flourishing just at present. By the way, did you ever hear of Dr. Henderson's remedies?"
"That’s the question I asked people connected with the commercial agencies. They said they knew very little about this company; even though it’s been around for a couple of years, it apparently never asks anyone for credit, preferring to pay cash for everything it gets. I decided to check out the Manhattan Chemical Company myself. The office and store are located in the basement of an old rundown building, whose upper floors are rented out as business offices. The lab and manufacturing area are downstairs in the cellar. The store has only a few chairs and a long counter with shelves displaying rows of bottles with bright labels. A few signs on the walls brag about Dr. Henderson's Cough Cure and Dr. Henderson's Liver Specific. I didn’t expect to find anyone there on New Year’s Day, so I was surprised to see a lone clerk sitting with his feet on a desk, seemingly absorbed in a newspaper—a pale young man with washed-out blond hair, watery green-blue eyes, and a thin mustache that does little to hide a weak mouth. He stood to greet me with a look of surprise that doesn’t speak well for how well business is doing at the place. In fact, judging by what I saw in the office of the Manhattan Chemical Company, business in patent medicines doesn’t seem to be thriving at the moment. By the way, have you ever heard of Dr. Henderson's remedies?"
"No; I cannot say that I have," answered Dunlap.
"No, I can't say that I have," answered Dunlap.
"That is the curious part of it," said Sturgis. "I have been unable to discover any advertisement published by this firm; and it is only by profuse advertising that such a concern can live."
"That's the strange part," said Sturgis. "I haven't been able to find any ads published by this company; and it's only through extensive advertising that a business like this can survive."
"Yes, of course," exclaimed Dunlap, somewhat impatiently; "but what has all this to do with Chatham?"
"Yes, of course," Dunlap exclaimed, a bit impatiently. "But what does this have to do with Chatham?"
"I don't know," replied Sturgis; "possibly nothing; perhaps a great deal."
"I don't know," replied Sturgis; "maybe nothing; maybe a lot."
"I asked to see Dr. Henderson," he continued, "at which the sleepy clerk stared at me in open-mouthed amazement. Dr. Henderson was not in; it was quite uncertain when he would be in. Indeed, as far as I was able to judge, Dr. Henderson appears to be a rather mysterious personage. No one knows much about him. Even his clerk admits that he has seen him only once or twice in the eighteen months during which he has had charge of the office. The Doctor attends to the manufacturing part of the business himself; his laboratory, which is down in the cellar, is a most jealously guarded place. No one is ever admitted to it under any pretext. He is evidently afraid that some one may discover the secret of his valuable remedies."
"I asked to see Dr. Henderson," he continued, "and the drowsy clerk looked at me in shock. Dr. Henderson wasn’t in, and it was pretty unclear when he would be back. From what I could tell, Dr. Henderson seems to be a pretty mysterious figure. No one knows much about him. Even his clerk admits that he’s only seen him once or twice in the eighteen months he’s worked in the office. The Doctor handles the manufacturing side of the business himself; his lab, which is located in the basement, is a highly guarded space. No one is allowed in there for any reason. He clearly worries that someone might uncover the secret of his valuable remedies."
"You say that as if your words were meant to convey some unexpressed meaning," said Dunlap, studying the reporter's face.
"You say that like your words are supposed to have some hidden meaning," said Dunlap, examining the reporter's face.
"No," Sturgis answered, thoughtfully, "but I am trying to attach some ulterior significance to the facts. There is certainly something mysterious about Dr. Henderson and the Manhattan Chemical Company; but whether the mystery is legitimate or not, and if not, whether it is in any way connected with the Arbogast case, is more than I am at present able to determine."
"No," Sturgis replied, thoughtfully, "but I'm trying to find some deeper meaning in the facts. There's definitely something mysterious about Dr. Henderson and the Manhattan Chemical Company; but whether that mystery is genuine or not, and if it's not, whether it's connected in any way to the Arbogast case, is something I can't figure out at the moment."
After a short pause he continued:
After a brief pause, he carried on:
"When I found that there was no chance of seeing Dr. Henderson himself, I inquired at a venture for the manager. For an instant a puzzled look lent expression to the otherwise vacuous features of the young man. Then a sudden inspiration seemed to come to him. 'Oh! ah! yes,' he exclaimed, 'you mean Mr. Smith.' 'Yes,' said I, catching at the straw. 'Well, but Mr. Smith is not in either.' I offered to wait for Mr. Smith, and started toward the door of the private office in the rear, because it bore in prominent letters the inscription, 'NO ADMITTANCE.' I had turned the knob before the clerk could stop me; but the door was locked. Mr. Smith, it seems, comes to the office only once a week to receive the clerk's report and to pay him his salary. I tried to make a special appointment to meet Mr. Smith, on the plea of important business. I left a fictitious name and address so that Mr. Smith's answer might be sent to me. That was all I was able to do for the time being; but I thought it worth while to keep an eye open on the Manhattan Chemical Company; so I have engaged private detectives to watch it for me night and day until further notice. And there the matter stands."
"When I realized I wouldn’t get a chance to see Dr. Henderson, I randomly asked for the manager. For a moment, a confused expression appeared on the otherwise blank face of the young man. Then, he suddenly seemed to remember something. 'Oh! ah! yes,' he exclaimed, 'you mean Mr. Smith.' 'Yes,' I replied, grabbing onto the chance. 'Well, Mr. Smith isn’t in either.' I offered to wait for Mr. Smith and headed toward the door of the private office in the back, which had a prominent sign that read, 'NO ADMITTANCE.' I had turned the knob before the clerk could stop me, but the door was locked. Apparently, Mr. Smith only comes to the office once a week to receive the clerk's report and to pay him his salary. I tried to set up a special appointment to meet Mr. Smith, claiming I had important business. I left a fake name and address so Mr. Smith could send his response to me. That was all I could do for now; however, I thought it was worth it to keep a lookout on the Manhattan Chemical Company, so I hired private detectives to watch it for me day and night until further notice. And that’s where things stand."
Dunlap rose wearily from his chair. He looked anxious and care-worn.
Dunlap got up tiredly from his chair. He looked worried and stressed.
"Mr. Sturgis," he said, "if you can find any part of that two hundred and fifty thousand dollars, a good share of whatever you can recover for the bank is yours."
"Mr. Sturgis," he said, "if you can find any part of that two hundred and fifty thousand dollars, a good portion of whatever you recover for the bank is yours."
The reporter flushed and bit his lip; but he answered quietly:
The reporter turned red and bit his lip; but he replied calmly:
"You mistake me for a detective, Mr. Dunlap; I am only a reporter. I shall be paid by the Tempest for any work I may do on this case. You would better offer your reward to the police."
"You’ve got me confused with a detective, Mr. Dunlap; I’m just a reporter. The Tempest will pay me for any work I do on this case. You’d be better off offering your reward to the police."
CHAPTER XIV.
THE LETTER.
The Letter.
There is a magic in the refreshing sleep of youth, calculated to exorcise the megrims. When Sprague, arising after a good night's rest, found the world bathed in the sunshine of a crisp January day, he felt the physical pleasure of living which comes from supple muscles, from the coursing of a generous blood through the veins, from the cravings of a healthy appetite.
There’s something magical about the refreshing sleep of youth, meant to chase away the blues. When Sprague woke up after a good night's rest and saw the world shining in the bright sunlight of a crisp January day, he experienced the physical joy of being alive that comes from flexible muscles, the flow of healthy blood through his veins, and the hunger of a healthy appetite.
He remembered the "blue devils" of the day before, and found it difficult to account for them. He was in love, certainly. But that in itself did not furnish a sufficient reason for despondency. It was rumored that the object of his affections was on the eve of betrothal to another. But what dependence can be placed upon a public rumor? As a matter of fact, Miss Murdock wore no rings; in the absence of the badge of the betrothed woman, was he not justified in believing her fancy free?
He recalled the "blue devils" from the day before and found it hard to explain them. He was definitely in love. But just that alone didn’t really justify his sadness. There were rumors that the person he loved was about to get engaged to someone else. But how much can you trust a rumor? The fact was, Miss Murdock wasn’t wearing any rings; without the sign of an engaged woman, wasn’t he right to believe she was available?
In that case, there was a fair field and no favor. Why should not he have as good a chance of winning the prize as another man? No man, of course, was worthy of Agnes Murdock. That was the fundamental axiom. But in love success does not perch only upon the banner of the worthy. If it did, the human race would soon become extinct.
In that case, there was a level playing field and no favoritism. Why shouldn’t he have just as good a shot at winning the prize as anyone else? No man, of course, deserved Agnes Murdock. That was the basic truth. But in love, success doesn’t only go to those who deserve it. If it did, the human race would quickly die out.
So the young man's thoughts ran on, while hope once more found a resting place in his heart.
So the young man's thoughts continued, while hope once again settled in his heart.
Miss Murdock was not to pose again, but Sprague was eager to work on the portrait. He was about to step into the studio after breakfast, when the housekeeper announced a call from his lawyer, who wished to consult him about some important matters. The entire morning was thus consumed in necessary but tedious business, and it was not until after luncheon that the artist was at last free to set to work.
Miss Murdock wasn’t going to model again, but Sprague was excited to work on the portrait. He was about to head into the studio after breakfast when the housekeeper announced that his lawyer wanted to discuss some important matters. The whole morning went by with necessary but boring business, and it wasn’t until after lunch that the artist was finally free to get to work.
Uncovering the portrait, he stood off to examine it. As he did so, something white upon the floor caught his eye. He stooped to pick it up. It was a letter in a beautifully regular masculine hand. Mechanically he turned it over and unfolded it. His eyes carelessly swept the written page; then in a flash he realized what it was, and he flung it violently from him.
Uncovering the portrait, he stepped back to take a look at it. As he did, something white on the floor caught his attention. He bent down to pick it up. It was a letter written in a neatly done masculine handwriting. Automatically, he flipped it over and unfolded it. His eyes casually scanned the page; then suddenly he understood what it was, and he threw it away from him in a fit of anger.
Only a few words had left their impress upon his retina—a few scattered words and a signature. But these were branded deep upon his brain for all time, in letters of fire which burned their way to his very soul. For he had recognized the letter which had been delivered by the messenger to Miss Murdock the day before, and he had seen enough to know that it was couched in words of passionate love. In that instant was quenched the last ray of hope which had lurked within his heart. Overwhelmed with a sense of utter desolation, he sank back upon a divan; and for a long time remained lost in bitter reflections.
Only a few words had left their mark on his mind—a few scattered words and a signature. But these were etched deeply into his brain forever, in fiery letters that seared into his very soul. He had recognized the letter that the messenger had delivered to Miss Murdock the day before, and he had seen enough to know it was filled with passionate love. In that moment, the last glimmer of hope in his heart was extinguished. Overcome with a sense of complete desolation, he sank back onto a couch and remained lost in bitter thoughts for a long time.
But Sprague, in spite of his dilettanteism, was a man of grit when occasion called for it. Summoning at length his fortitude and his pride, he proceeded to carry out what he conceived to be the duty of a gentleman under the circumstances.
But Sprague, despite his amateurish interests, was a man of determination when it was needed. Eventually gathering his courage and pride, he set out to do what he believed was the duty of a gentleman in that situation.
Picking up the letter again, he placed it unread in an envelope, into which he slipped his card, with a brief explanation of the finding of the paper. Then, after addressing the envelope, he started out to mail it himself.
Picking up the letter again, he placed it unread in an envelope, into which he slipped his card, with a brief explanation of how he found the paper. Then, after addressing the envelope, he set out to mail it himself.
"Thomas Chatham!" he mused, as he went down the stairs; "Thomas Chatham! Why, he is the man who took such pains to inform me that Miss Murdock was betrothed, or on the point of being betrothed,—the flashily dressed young man with red hair who is so regular an attendant at the Murdocks' informal receptions, and who never seems to be invited on state occasions; an insignificant and conceited puppy. Poor girl, what a pity that she should throw herself away upon such a man. But if he marries her, he shall make her happy, or else——"
"Thomas Chatham!" he thought as he walked down the stairs; "Thomas Chatham! He’s the one who went out of his way to tell me that Miss Murdock was engaged, or about to be engaged—the flashy young guy with red hair who always shows up at the Murdocks' casual get-togethers but never gets invited to the big events; such a pompous and petty guy. Poor girl, it’s a shame she would settle for someone like him. But if he does marry her, he’d better make her happy, or else——"
The balance of his thought was not put into words; but his face became set in stern lines and his hands clenched in grim determination.
The balance of his thoughts remained unspoken; however, his face hardened into serious lines, and his hands tightened in resolute determination.
Sprague, with the letter for Miss Murdock in his hand, hurried to the nearest letter-box, raised the lid of the drop, inserted the letter in the slot and then tightened his grasp of it and began to think.
Sprague, with the letter for Miss Murdock in his hand, rushed to the nearest mailbox, lifted the lid of the drop, slipped the letter into the slot, and then tightened his grip on it and started to think.
The letter, if mailed, might perhaps not reach its destination until the following morning. It might be of importance, since it had been sent by messenger and to the studio instead of to Miss Murdock's house. Besides, Miss Murdock would probably be worried when she discovered that she had lost it. It ought therefore to be returned to her at once.
The letter, if sent, might not get to its destination until the next morning. It could be important since it was sent by messenger to the studio instead of Miss Murdock's house. Plus, Miss Murdock would probably be anxious when she realized it was missing. It should be returned to her immediately.
The letter, by this time, had been withdrawn from the slot of the letter-box.
The letter had been taken out of the letterbox by this time.
Yes, it ought to be returned by messenger instead of by mail. By messenger? It was about half a mile to the nearest district-messenger office. The Murdocks' house was not much further. Why not deliver the letter himself?
Yes, it should be delivered by messenger instead of by mail. By messenger? It was about half a mile to the nearest messenger office. The Murdocks' house was not much further. So why not just deliver the letter himself?
Why not, indeed? The human heart has unfathomable depths. Why should a hopeless lover pine for a mere sight of the woman whose presence only adds to his misery? Explain that who can.
Why not, right? The human heart has deep, unexplainable layers. Why should a hopeless lover long for just a glimpse of the woman whose presence only increases his pain? Who can explain that?
Sprague carefully placed the letter in his breast pocket and started off again, this time directing his steps toward the Murdocks' home.
Sprague carefully put the letter in his breast pocket and set off again, this time heading toward the Murdocks' house.
CHAPTER XV.
TWO LOVERS.
TWO LOVERS.
Miss Murdock was seated at the piano in the drawing-room, her shapely fingers wandering dreamily over the keys, when a servant knocked at the door.
Miss Murdock was sitting at the piano in the living room, her graceful fingers drifting dreamily over the keys, when a servant knocked on the door.
"A gintleman to see yer, Miss," said the maid.
"A gentleman is here to see you, Miss," said the maid.
"A caller!" exclaimed Agnes in surprise. "At this time of day? Did he give you his card?"
"A caller!" Agnes exclaimed in surprise. "At this time of day? Did he give you his card?"
"No, miss. Nor his name nayther."
"No, miss. Nor his name either."
"Well then, Mary," said Agnes, with a mixture of amusement and severity, "why do you announce him? I think you would better keep an eye on the hat-rack."
"Well then, Mary," Agnes said, mixing amusement with seriousness, "why are you announcing him? I think it would be better for you to keep an eye on the hat rack."
"He aint no thafe, Miss," said the maid, positively; "he do be dressed up too foine fur that. Besoides, Oi've sane him here before. A hansum young feller wid rid hair——Mister——Mister——Cha——Chapman."
"He isn't a thief, Miss," said the maid confidently; "he's dressed too nicely for that. Besides, I've seen him here before. A handsome young guy with red hair——Mister——Mister——Cha——Chapman."
"Chatham!" suggested Agnes, with sudden seriousness.
"Chatham!" Agnes suggested with a sudden seriousness.
"Yis, Miss; it do be the same."
"Yes, Miss; it is the same."
"I cannot receive him," said Miss Murdock in frigid tones. "I am surprised that John should have admitted him, after the explicit instructions I gave him yesterday. Hereafter I am never at home to Mr. Chatham."
"I can't accept him," said Miss Murdock in cold tones. "I'm surprised John let him in after the clear instructions I gave him yesterday. From now on, I’m never available to Mr. Chatham."
"Your butler is not at fault in this instance," said a voice from the hallway, and before either of the women could recover from her surprise, a flashily dressed young man with intensely red hair entered the room. He carried his left arm in a sling. His face was pale; his eyes glittered with a feverish light; his voice quivered with repressed excitement.
"Your butler isn't to blame in this situation," said a voice from the hallway, and before either of the women could regain their composure, a sharply dressed young man with bright red hair walked into the room. He had his left arm in a sling. His face was pale; his eyes shone with a feverish light; his voice trembled with suppressed excitement.
"I was waiting for your father in his office, when I heard your maid go by, and I asked her to announce me. I hoped for, but I can hardly say I expected, a more hospitable reception."
"I was waiting for your dad in his office when I heard your maid walk by, so I asked her to let him know I was here. I hoped for, but I can’t really say I expected, a warmer welcome."
Miss Murdock, after the first shock of surprise, had drawn up her graceful figure to its full height, and stood looking at the young man with undisguised contempt in her flashing eyes.
Miss Murdock, after the initial shock of surprise, had straightened her elegant figure to its full height and stood looking at the young man with open disdain in her bright eyes.
Chatham paused as if expecting a reply; and then:
Chatham paused like he was waiting for an answer; and then:
"Shall I explain the object of my visit before your servant?" he asked bitterly.
"Should I explain why I'm here in front of your servant?" he asked bitterly.
"You may leave, Mary, until I ring for you," said the young girl, turning to the maid.
"You can go, Mary, until I call for you," said the young girl, turning to the maid.
The woman reluctantly left the room, casting curious glances upon her young mistress and her unwelcome guest as she went.
The woman hesitantly left the room, stealing curious looks at her young mistress and the unwanted guest as she walked out.
Chatham made a motion as if to take a chair; but Agnes remained significantly standing.
Chatham pretended to sit down in a chair, but Agnes stayed standing, clearly making a point.
"Perhaps," she said coldly, "you will be good enough to explain as briefly as possible your object in forcing your presence upon me in this ungentlemanly way?"
"Maybe," she said coldly, "you could explain as briefly as possible why you're insisting on being here with me in such an inconsiderate way?"
"I suppose my conduct does strike you as ungentlemanly," said the young man piteously; "but what could I do? I love you devotedly, madly, and you will not allow me even to tell you so. You instruct your servants to turn me away from the door like a beggar. Is it a crime to love you?"
"I guess my behavior does seem unkind to you," the young man said sadly; "but what am I supposed to do? I love you deeply, completely, and you won’t even let me say it. You have your staff push me away from your door like I’m a beggar. Is it a crime to love you?"
"No, Mr. Chatham," said the girl more gently, "it is not a crime to love a woman; but it is at least a serious blunder to adopt the method you have selected of showing your affection, and it is certainly not generous to force it upon her as you are doing."
"No, Mr. Chatham," the girl replied more softly, "it's not a crime to love a woman; but it’s definitely a big mistake to choose the way you’ve decided to express your feelings, and it’s certainly not fair to impose it on her like you’re doing."
"What else can I do?" he repeated doggedly. "Here am I suddenly obliged to leave New York for a long time,—perhaps for ever,—and unable to get a single word with you. I called yesterday morning and was informed that you were at that artist fellow's studio. Then I wrote you a letter asking for an interview and I left it there for you myself. The only notice you took of it was to give instructions to your butler not to admit me if I called again. I cannot go away like that, without a ray of hope to lighten my exile, and leave you here surrounded by a lot of men who are anxious to marry you."
"What else can I do?" he repeated stubbornly. "Here I am, suddenly forced to leave New York for a long time—maybe forever—and I can't even get a chance to talk to you. I called yesterday morning and was told you were at that artist guy's studio. Then I wrote you a letter asking for a meeting and dropped it off myself. The only response you gave was to tell your butler not to let me in if I showed up again. I can't leave like this, without any hope to ease my exile, knowing you're here surrounded by a bunch of guys who want to marry you."
The tender-hearted girl felt a growing pity for the awkward and vulgar young man in whom she began vaguely to discern a genuine suffering.
The kind-hearted girl felt an increasing sympathy for the clumsy and crude young man, in whom she started to faintly recognize a real pain.
"I am sorry, Mr. Chatham," she said, "more sorry than I can say. But what can I do? I do not care for you in the way you wish, and affection is not to be coerced. I have done the best I could to discourage you, because——"
"I’m really sorry, Mr. Chatham," she said, "more sorry than I can express. But what can I do? I don’t feel the same way about you as you wish, and you can’t force affection. I’ve tried my best to discourage you, because——"
"I know you have," interrupted Chatham; "you have avoided me, and snubbed me, and taken every way you could to show that you do not like me."
"I know you have," Chatham interrupted. "You've been avoiding me, putting me down, and doing everything possible to show that you don't like me."
"It would have been mistaken kindness to do otherwise," said Agnes gently.
"It would have been a misguided kindness to do anything different," said Agnes softly.
"No, it wouldn't," exclaimed the accountant; "I don't ask you to love me; not at once, at any rate. But give me a show; give me time; give me a little hope——"
"No, it wouldn't," the accountant exclaimed. "I'm not asking you to love me; at least, not right away. But give me a chance; give me some time; give me a little hope——"
"I cannot do that," said the girl in a low tone.
"I can't do that," the girl said quietly.
"Why can't you?" urged the young man excitedly. "I have sacrificed everything for you; I have given up all I had; I have lost my position; I have risked my life——"
"Why can't you?" the young man urged eagerly. "I've sacrificed everything for you; I've given up all I had; I've lost my job; I've risked my life——"
"I don't understand you," said Miss Murdock, looking at him in astonishment.
"I don’t get you," said Miss Murdock, staring at him in shock.
"Your father would," he replied huskily; "it was he egged me on to this; he promised me that you would have me——"
"Your dad would," he replied hoarsely; "he pushed me into this; he promised me that you would want me——"
"My father promised——"
"My dad promised——"
"Yes, your father; and by G——"
"Yes, your dad; and by God—"
Chatham, who was growing more and more excited, brought down his clenched fist upon a table near which he stood, and with an evident effort repressed the oath which rose to his lips. Miss Murdock, startled and bewildered, observed him in speechless amazement.
Chatham, who was getting more and more excited, slammed his clenched fist on the table next to him and, with a noticeable effort, held back the curse that was about to slip out. Miss Murdock, taken aback and confused, watched him in speechless astonishment.
After a momentary struggle, the accountant suddenly broke forth in piteous pleading:
After a brief struggle, the accountant suddenly burst out in desperate pleading:
"I don't ask much now. Tell me only one thing and I shall go away content for the present. Say that no other man has any better chance with you than I have. Say that you do not love any one else."
"I don't ask for much now. Just tell me one thing and I’ll leave satisfied for now. Say that no other guy has a better chance with you than I do. Say that you don’t love anyone else."
The young girl tried to avoid his ardent gaze.
The young girl tried to look away from his intense stare.
"Say it!" he commanded in sudden sternness.
"Say it!" he ordered, his tone suddenly serious.
Agnes drew herself up proudly then.
Agnes stood up proudly then.
"I don't know by what right you presume to catechize or to command me," she said coldly, at the same time making a motion as if to touch the button of the electric bell.
"I don't know why you think you have the right to question or order me around," she said coldly, simultaneously reaching as if to press the button for the electric bell.
Chatham saw the motion and sprang before her to intercept it.
Chatham saw the movement and jumped in front of her to block it.
"Ah! that is the way of it, is it?" he exclaimed with passionate jealousy. "You are——in love—with another man!"
"Ah! So that's how it is, huh?" he said with intense jealousy. "You're—in love—with someone else!"
The words seemed to choke him in the utterance. The blood rushed to his head; the veins on his temples stood out in purple vividness, and, as he clutched spasmodically at his collar, a wild light came into his eyes.
The words seemed to choke him as he spoke. Blood rushed to his head; the veins on his temples stood out in bright purple, and as he spasmodically grabbed at his collar, a wild light sparked in his eyes.
Agnes caught their mad glitter and shrank back in sudden terror.
Agnes caught their wild sparkle and recoiled in sudden fear.
"I have been duped!" he shouted frantically. "I have been a catspaw, and now that I have done all that was wanted of me, I am to be turned off like a dog, with a kick. The dirty work is done, is it? We'll see about that; we'll see what your father has to say. But, at any rate, you can be sure of one thing."
"I’ve been played!" he yelled in a panic. "I’ve been used, and now that I’ve done everything expected of me, I’m just going to be cast aside like a dog, with a kick. The dirty work is finished, right? We’ll see about that; we’ll see what your father thinks. But either way, you can be sure of one thing."
His voice sank to a hoarse whisper, and the words fell with impressive distinctness:
His voice dropped to a raspy whisper, and the words came out with striking clarity:
"If I don't marry you, no one ever shall!"
"If I don't marry you, no one ever will!"
As he spoke he leaned forward upon the table which stood near him, and his fingers closed nervously upon the handle of a jeweled paper knife. There was murder in his eye at that moment, and the frightened girl quailed before it.
As he spoke, he leaned forward on the table beside him, his fingers gripping the handle of a jeweled paper knife nervously. There was a murderous look in his eye at that moment, and the terrified girl recoiled before it.
Suddenly her ear caught the sound of footsteps in the hallway. She opened her lips to call for help, but before she could utter a sound the door opened, revealing the anxious face of the housemaid, who had heard enough to realize that it was time to interrupt the tête-à-tête without further ceremony.
Suddenly she heard footsteps in the hallway. She opened her mouth to call for help, but before she could say anything, the door swung open, revealing the worried face of the housemaid, who had heard enough to know it was time to interrupt the conversation without any more fuss.
"Mister Sprague, Miss," she announced, with a comforting nod at her young mistress, whose pale face and frightened eyes had not escaped her attention.
"Mister Sprague, Miss," she said, giving a reassuring nod to her young mistress, whose pale face and scared eyes hadn't gone unnoticed.
Sprague stood on the threshold in evident embarrassment, looking from Agnes to Chatham, and uncertain how to act.
Sprague stood at the door, clearly embarrassed, shifting his gaze between Agnes and Chatham, unsure of what to do.
"I fear I am intruding, Miss Murdock," he said at last; "your maid told me she thought you could receive me. Perhaps I would better call again."
"I’m sorry to interrupt, Miss Murdock," he finally said; "your maid mentioned that you might be able to see me. Maybe I should just come back another time."
"No, no, Mr. Sprague," replied the young girl effusively, coming toward him with outstretched hands; "I am so glad to see you."
"No, no, Mr. Sprague," the young girl said warmly, approaching him with her hands held out; "I'm so glad to see you."
And then, observing his inquiring glance toward Chatham,
And then, noticing his curious look toward Chatham,
"I think," she added coldly, "that this gentleman has said all that he has to say to me."
"I think," she added icily, "that this guy has said everything he needs to say to me."
Chatham's excitement had subsided; in the reaction, he seemed ill and weak as he nervously clenched his tremulous right hand.
Chatham's excitement had faded; in the aftermath, he appeared sick and weak as he nervously clenched his shaky right hand.
"I will wait to see Doctor Murdock," he said doggedly in a low voice.
"I'll wait to see Doctor Murdock," he said insistently in a quiet voice.
"As you please," replied Agnes after a slight hesitation. "Mary, show Mr. Chatham to the Doctor's study."
"As you wish," replied Agnes after a slight pause. "Mary, take Mr. Chatham to the Doctor's study."
As the accountant followed the servant from the room, blank despair was stamped in every feature, and it seemed to Sprague, as the door closed, that he heard something like a convulsive sob.
As the accountant followed the servant out of the room, a look of blank despair was clear on his face, and it seemed to Sprague, as the door shut, that he heard what sounded like a desperate sob.
Unconsciously Agnes had clung to Sprague's hand. Now, as the sense of danger disappeared, she became aware of what she was doing; and, in sudden embarrassment, she withdrew her hand from his reassuring clasp.
Unconsciously, Agnes had held onto Sprague's hand. Now, as the feeling of danger faded, she realized what she was doing and, suddenly embarrassed, pulled her hand away from his comforting grip.
The artist, recalling the object of his visit, at once became grave and formal.
The artist, remembering the reason for his visit, immediately grew serious and formal.
"I am sorry to intrude upon you at this unconventional hour, Miss Murdock, but I found this letter in my studio to-day. It was evidently dropped by you yesterday; and, thinking it might be important, I——"
"I’m sorry to interrupt you at this unusual hour, Miss Murdock, but I found this letter in my studio today. It was clearly dropped by you yesterday, and thinking it might be important, I——"
"A letter? What letter?" asked Agnes, puzzled.
"A letter? What letter?" Agnes asked, confused.
Sprague held out the sealed envelope. The young girl tore it open and cast a hurried glance at its contents. Then suddenly understanding, she tore the paper to shreds, and threw these angrily into the fire which burned brightly in the large open fire-place.
Sprague handed over the sealed envelope. The young girl ripped it open and quickly glanced at what was inside. Then, suddenly realizing, she ripped the paper into pieces and angrily tossed the scraps into the bright fire in the big open fireplace.
"Oh, that!" she exclaimed contemptuously. And then after a pause:
"Oh, that!" she said dismissively. Then, after a pause:
"Do you mean to say you thought——?"
"Are you saying you thought—?"
She stopped short, seized by a sudden shyness.
She abruptly paused, caught off guard by a wave of shyness.
"What else could I think?" said Sprague softly.
"What else could I think?" Sprague said quietly.
He was watching the fragments of paper as they flared upon the hearth. The flame which consumed them seemed to shed a radiant glow upon his heart.
He watched the pieces of paper flare up in the fireplace. The fire that burned them seemed to cast a bright light on his heart.
"Then," he added presently and still more softly, "if there is nothing between you and—and him—perhaps—perhaps I may hope—Miss Murdock—Agnes——"
"Then," he added a moment later, even more quietly, "if there’s nothing between you and—and him—maybe—maybe I can hope—Miss Murdock—Agnes——"
His hand sought hers and found it.
His hand reached for hers and found it.
But the reaction had come at last, and the brave girl who had been able to control herself in the presence of a threatening madman now gave way to a fit of hysterical weeping.
But the reaction had finally happened, and the brave girl who had managed to keep it together in front of a dangerous madman now broke down into a fit of hysterical crying.
Sprague, not being a medical man, could hardly have known what remedies to employ in an emergency of this kind. All he did was to whisper soothing words in the young girl's ear and to kiss the tears from her eyes. But apparently that was enough. Evidently for a layman he must have possessed considerable medical intuition; for, after sobbing a while upon his shoulder, Agnes quieted down gradually and remained contentedly nestling in his arms, while the artist, doubtless fearful of a relapse, continued, for perhaps an unnecessarily long time, to ply the treatment whose effect had produced upon his patient so marked, so rapid, and so satisfactory a result.
Sprague, not being a doctor, could hardly have known which remedies to use in an emergency like this. All he did was whisper comforting words in the young girl's ear and kiss the tears from her eyes. But that seemed to be enough. Apparently, for someone without medical training, he must have had a good instinct for it; because after crying for a while on his shoulder, Agnes gradually calmed down and stayed happily snuggled in his arms, while the artist, likely worried about a relapse, continued to apply the treatment for maybe a longer time than necessary, given how effective it had been in bringing about such a notable, quick, and satisfying result for her.
The attention of the medical profession is respectfully called to a treatment which, though empirical, may possibly possess specific virtues.
The medical community is respectfully asked to consider a treatment that, while based on experience, might have specific benefits.
CHAPTER XVI.
THE ROENTGEN RAYS.
X-Rays.
"I tell you, Sturgis, it is a wonderful discovery. I don't know what applications may ultimately be made of it in other branches of science; but I am convinced that it is bound to cause a revolution in surgical diagnosis," said Doctor Thurston enthusiastically.
"I tell you, Sturgis, it's an amazing discovery. I don't know what other uses it may have in different fields of science, but I'm sure it's going to make a huge impact on surgical diagnosis," Doctor Thurston said excitedly.
"Yes," replied Sturgis, "I have no doubt that Roentgen's rays will be of great assistance to the surgeon in the examination of fractures and in the location of foreign bodies which cannot be reached by the probe."
"Yes," replied Sturgis, "I have no doubt that Roentgen's rays will greatly help surgeons in examining fractures and locating foreign objects that can’t be reached with a probe."
"As a proof of that, I must show you a beautiful photograph which I have just made. After leaving you on New Year's morning, I found a patient asleep in my office. He had been waiting several hours. It was the usual case of a pistol in the hands of a fool friend, who did not know it was loaded; and of course with the usual result—a bullet wound in my patient."
"As proof of that, I have to show you a beautiful photograph I just took. After I left you on New Year's morning, I found a patient asleep in my office. He had been waiting for several hours. It was the typical situation with a loaded gun in the hands of an idiot friend who didn't realize it was loaded; and, of course, the usual outcome—a bullet wound in my patient."
Sturgis was listening in an absent-minded way while his friend spoke.
Sturgis was listening absentmindedly as his friend talked.
"The wound was not severe; no bones broken. The bullet had entered the palm of the left hand and had passed up into the forearm."
"The wound wasn’t serious; no bones were broken. The bullet had gone into the palm of the left hand and had moved up into the forearm."
A sudden light came into the reporter's eyes; but he maintained his listless attitude.
A sudden light flashed in the reporter's eyes; but he kept his indifferent posture.
"Well, sir, probe as I would, I was unable to locate that bullet. At last I concluded to try the Roentgen rays, and here is the result. It is as pretty a shadow photograph as I have yet seen."
"Well, sir, no matter how hard I looked, I couldn't find that bullet. Eventually, I decided to try the X-rays, and here’s the result. It's one of the best shadow images I've seen."
So saying, Doctor Thurston handed the reporter a photograph, which the latter studied carefully in silence.
So saying, Doctor Thurston handed the reporter a photograph, which he studied carefully in silence.
"Notice how clearly you can see the peculiar shape into which the bullet has been flattened," said the physician.
"Notice how clearly you can see the unusual shape that the bullet has been flattened into," said the doctor.
"Yes," replied Sturgis, "I was observing that. Have you a duplicate of this that you can spare?"
"Yeah," Sturgis replied, "I noticed that. Do you have a copy of this that you can part with?"
"Yes; keep that one if you wish."
"Sure; keep that one if you want."
"Thank you; I am very glad to have it. Did you succeed in extracting the bullet?"
"Thanks; I'm really glad to have it. Were you able to get the bullet out?"
"I have not tried yet. I had to develop the photograph first."
"I haven't tried it yet. I needed to develop the photo first."
"Of course. When do you expect the red-haired young man to return?"
"Sure. When do you think the guy with the red hair will be back?"
"He promised to come back yesterday, but he failed to do so," replied Doctor Thurston. Then suddenly:
"He said he'd be back yesterday, but he didn't show up," replied Doctor Thurston. Then suddenly:
"But who said anything about his being young or red-haired?"
"But who said anything about him being young or red-haired?"
"Not you certainly, old man," replied Sturgis, smiling. "Don't worry; you have not voluntarily betrayed any professional secret. But, for all that, your patient is wanted by the police. He was bound to fall into their hands before long. The only effect of this discovery will be to hasten the dénouement. I had traced him to your house, and I knew how he was wounded; so that I recognized him as soon as you mentioned his case."
"Not you, definitely, old man," Sturgis said with a smile. "Don't worry; you haven't intentionally revealed any professional secrets. But still, the police are looking for your patient. He was bound to get caught eventually. This discovery will just speed up the outcome. I had tracked him down to your place, and I knew how he was injured, so I recognized him as soon as you brought up his case."
"Who is he?" asked Thurston. "I am sure I have seen him somewhere before; but I cannot remember where."
"Who is he?" Thurston asked. "I know I've seen him before, but I can't recall where."
Whereupon the reporter related the story of Chatham's connection with the Knickerbocker bank case.
Whereupon the reporter shared the story of Chatham's involvement with the Knickerbocker bank case.
CHAPTER XVII.
THE QUARRY.
THE QUARRY.
Half an hour later, Sturgis was walking briskly down Broadway, with his usual air of absent-minded concentration. Presently he turned into a side street and at once slackened his pace. He now sauntered along like a lounger at a loss how to kill a long idle day. The show window of a bric-à-brac shop arrested his attention. He stopped to examine its contents.
Half an hour later, Sturgis was walking quickly down Broadway, with his typical air of distracted focus. Soon he turned onto a side street and immediately slowed down. He now strolled along like someone wasting time on a long, uneventful day. The display window of a thrift shop caught his eye. He stopped to look at its contents.
A little farther up the street was a liquor saloon, outside of which stood a group of boisterous young rowdies. An older man, evidently in his cups, was seated on an adjoining stoop, where, with maudlin gravity, he seemed to be communing with himself.
A little further up the street was a bar, outside of which stood a group of rowdy young guys. An older man, clearly drunk, was sitting on a nearby stoop, where, with a sentimental seriousness, he seemed to be talking to himself.
On the opposite side of the way stood a low, dilapidated brick house. A painted sign over the windows of the ground floor bore the name, "MANHATTAN CHEMICAL CO."
On the other side of the street stood a rundown, low brick house. A painted sign above the ground floor windows read "MANHATTAN CHEMICAL CO."
The drunken man rose unsteadily to his feet and approached Sturgis with outstretched hand.
The drunk man wobbled to his feet and walked up to Sturgis with his hand extended.
"Say, Jimmy, get on ter his nibs strikin' de bloke fur a nickel ter git med'cine fur his sick mudder," exclaimed one of the young ruffians.
"Hey, Jimmy, go tell him to hit the guy up for a nickel to get medicine for his sick mom," one of the young troublemakers exclaimed.
The wretched-looking individual thus designated seemed hardly able to stand as he steadied himself against an iron railing; but the eyes he turned upon Sturgis were bright with intelligence, and the words he spoke were uttered in a low, firm voice.
The miserable-looking person designated as such barely seemed able to stand as he leaned against an iron railing; however, the eyes he directed at Sturgis were sharp with intelligence, and the words he spoke came out in a quiet, confident tone.
"He's been here—been here twice."
"He's been here—twice."
"Twice?" echoed Sturgis, surprised. "Where is he now?"
"Twice?" Sturgis exclaimed, taken aback. "Where is he now?"
"I don't know——"
"I don't know—"
"You don't know?"
"Don't you know?"
"No, sir; but I guess Conklin does. This is how it is: It was my watch yesterday afternoon when Chatham came the first time. He went into the Manhattan Company's place through the basement at a quarter after five. So I just settled myself out here and waited. Well, I waited and waited, but there wasn't any sign of Chatham, and when Flagler came along to relieve me at ten o'clock Chatham hadn't come out yet. Flagler he spotted the place until six this morning, and then Conklin took his turn again until two o'clock, when I came on for my watch. Just as Conklin was telling me how things stood, who should come down the street but Chatham himself, large as life."
"No, sir; but I think Conklin knows. Here’s what happened: It was my shift yesterday afternoon when Chatham came by for the first time. He entered the Manhattan Company's facility through the basement at a quarter after five. So, I settled in out here and waited. I waited and waited, but there was no sign of Chatham. When Flagler came to relieve me at ten o'clock, Chatham still hadn't come out. Flagler kept an eye on the place until six this morning, and then Conklin took over again until two o'clock, when I came back for my shift. Just as Conklin was filling me in on what had happened, who should stroll down the street but Chatham himself, as bold as ever."
"Down the street?" exclaimed Sturgis.
"Down the street?" Sturgis exclaimed.
"Yes, sir. And up he goes, as if nothing had happened, and into the Manhattan Chemical Company's place again."
"Yes, sir. And up he goes, like nothing happened, and back into the Manhattan Chemical Company's building again."
"He had put up the back-door game on you," said the reporter.
"He had pulled a fast one on you," said the reporter.
"Yes, sir; just what I said to Conklin. So, quick as a wink, I sent him around the block to keep his eye peeled on the next street and I waited here. And here I've been ever since. If Conklin isn't on the block above, it must be because Chatham has made tracks again, and he after him."
"Yeah, that's exactly what I told Conklin. So, as fast as I could, I sent him around the block to keep an eye on the next street, and I've been waiting here ever since. If Conklin isn't up on the next block, it has to be because Chatham took off again, and he's chasing after him."
"I'll go and find out," said Sturgis. "Has any one else called at the Manhattan Chemical Company's office since you have been on watch?"
"I'll go check," said Sturgis. "Has anyone else visited the Manhattan Chemical Company's office while you've been on duty?"
"No, sir; but a couple of hours ago an express wagon came along and delivered a long wooden box; might have been chemicals for the wholesale department, for it was lowered to the cellar by the hoist in the areaway. The blond young man receipted for the box."
"No, sir; but a couple of hours ago, a delivery truck came by and dropped off a long wooden box. It could have been chemicals for the wholesale department since it was taken down to the cellar by the lift in the areaway. The young blonde man signed for the box."
"Very well, Shrady. Hang on a little while longer, and I shall have you relieved just as soon as I possibly can."
"Alright, Shrady. Just hang in there a little longer, and I'll get someone to take over as soon as I can."
So saying, the reporter, who had been pretending to look through his pockets for a coin, ostentatiously slipped a nickel into the outstretched palm before him. The light seemed to die out of the sharp eyes of the detective, and it was the miserable drunkard who staggered back to his place on the stoop next to the saloon, unmindful of the gibes of the young rowdies congregated there.
So saying, the reporter, who had been pretending to search through his pockets for a coin, noticeably slipped a nickel into the open palm in front of him. The light seemed to fade from the sharp eyes of the detective, and it was the pathetic drunk who stumbled back to his spot on the stoop next to the bar, ignoring the taunts from the young troublemakers gathered there.
Sturgis walked up to the next street, where he found a second detective on duty.
Sturgis walked up to the next street, where he found another detective on duty.
"Anything new, Conklin?" he asked.
"What's new, Conklin?" he asked.
"No, sir; he's been lying low; looks like he knew he was spotted this time."
"No, sir; he's been keeping a low profile; seems like he realized he was seen this time."
"Good. Stay here until I can notify the police that we have run down the quarry. It will be necessary to obtain a search warrant for the Manhattan Chemical Company's place. In the meantime, if Chatham should attempt to make tracks, hang on to him like his shadow and send back word here as soon as you can."
"Good. Stay here until I can inform the police that we’ve caught the suspect. We’ll need to get a search warrant for the Manhattan Chemical Company’s location. In the meantime, if Chatham tries to escape, stick to him like his shadow and send word back here as soon as you can."
"All right, sir."
"Okay, sir."
Sturgis, after leaving Conklin, walked along the street which the detective was watching and carefully inspected every house on the block. Almost all were huge office buildings; but here and there an old-fashioned brown-stone front stood out conspicuously against the broad expanse of brick walls and iron columns. Half way down the street one of these old houses stood well back from the street line behind a small garden. The reporter stopped near this and read the numbers on the adjoining buildings.
Sturgis, after leaving Conklin, walked along the street that the detective was watching and carefully inspected every house on the block. Almost all were large office buildings; but here and there, an old-fashioned brownstone front stood out noticeably against the wide expanse of brick walls and iron columns. Halfway down the street, one of these old houses was set back from the street behind a small garden. The reporter stopped near this and read the numbers on the neighboring buildings.
"This is directly back of the Manhattan Chemical Company's office," he mused. "I wonder who lives here. It looks like a respectable place enough. One could obtain a good view of the rear of the Manhattan Chemical Company's office from the back windows. H'm——"
“This is right behind the Manhattan Chemical Company’s office,” he thought. “I wonder who lives here. It seems like a decent enough place. You could get a good view of the back of the Manhattan Chemical Company’s office from the back windows. Hmm—”
He stood thoughtfully considering what pretext he could use to gain admission to the house, when suddenly he became aware of the presence of a man who had approached with noiseless steps.
He stood lost in thought, trying to figure out what excuse he could use to get into the house, when suddenly he noticed a man who had approached silently.
"Ah, is that you, Mr. Sturgis?" said the calm, sardonical voice of Doctor Murdock.
"Is that you, Mr. Sturgis?" said Doctor Murdock in a calm, sarcastic tone.
The reporter started inwardly but gave no outward sign of surprise.
The reporter felt surprised on the inside but showed no outward signs of it.
"Were you about to do me the honor of calling?" continued the chemist.
"Were you going to do me the honor of calling?" continued the chemist.
"Yes," said Sturgis, deliberately; "I was about to seek an interview with you. Can you spare a few minutes?"
"Yeah," Sturgis said intentionally, "I was just about to ask if I could meet with you. Do you have a few minutes?"
"Who is it that asks for the interview?" inquired Murdock, with quiet sarcasm. "Is it Mr. Sturgis, gentleman, Mr. Sturgis, reporter, or——"
"Who is it that wants to speak with me?" Murdock asked, with a hint of sarcasm. "Is it Mr. Sturgis, the gentleman, Mr. Sturgis, the reporter, or——"
Sturgis met a cold gleam from Murdock's inscrutable eyes.
Sturgis faced a cold glint from Murdock's unreadable eyes.
"Or Mr. Sturgis, the famous detective?" continued the chemist with an imperceptible sneer.
"Or Mr. Sturgis, the famous detective?" the chemist continued with a barely noticeable sneer.
"I represent the Tempest," replied the reporter quietly.
"I represent the Tempest," the reporter replied softly.
Murdock glanced carelessly up and down the street. There was no one in sight.
Murdock casually looked up and down the street. There was no one around.
"Oh! very well," he said, taking out his latch-key and leading the way to the house; "come into my study and let me hear what I can do for the Tempest."
"Oh, alright," he said, pulling out his key and walking towards the house. "Come to my study and let me know how I can help with the Tempest."
On entering the house, Murdock motioned Sturgis to the door leading from the hall into the drawing-room.
On entering the house, Murdock signaled Sturgis to the door that led from the hall into the living room.
"If you will step into the parlor for a few minutes, I shall be with you directly," said he.
"If you could come into the living room for a few minutes, I'll be with you shortly," he said.
Sturgis nodded acquiescence, and, while Murdock walked toward his study, which was at the extreme rear of the hall, the reporter opened the drawing-room door. He did not open it very wide, however, neither did he enter; for although the room was rather dark, his quick eye caught a passing glimpse of a feminine head cosily nestled upon a distinctly masculine shoulder, the owner of which had his back turned to him. Bachelor cynic though he was, Sturgis had not the heart to interrupt so interesting a situation; and, as the couple were so absorbed that they had not noticed the intrusion upon their tête-à-tête, he discreetly retreated and softly closed the door.
Sturgis nodded in agreement, and while Murdock walked toward his study at the back of the hall, the reporter opened the drawing-room door. He didn’t open it very wide, nor did he step inside; even though the room was quite dark, his sharp eyes caught a glimpse of a woman's head cozily resting on a clearly masculine shoulder, the owner of which had his back to him. Despite being a cynical bachelor, Sturgis couldn’t bring himself to interrupt such an intriguing moment; and since the couple was so engrossed in their conversation that they hadn’t noticed his presence, he quietly backed away and gently closed the door.
By this time Murdock had passed into his study, so that Sturgis found himself alone in the hall. He was glad of a short respite during which he might collect his thoughts; for, having been taken by surprise, he had not had time to select a plausible topic for the interview which he had solicited from Murdock. Not knowing that the house was that of the chemist, his sole object had been to gain admittance, so that he might be able to observe the Manhattan Chemical Company's offices from the rear, and if possible to ascertain how Chatham had managed to give the detectives the slip the first time he appeared to them.
By this time, Murdock had gone into his study, leaving Sturgis alone in the hall. He was relieved to have a moment to gather his thoughts; since he had been caught off guard, he hadn't had the chance to think of a convincing topic for the meeting he requested with Murdock. Not knowing that the house belonged to the chemist, his only goal was to get inside so he could observe the Manhattan Chemical Company's offices from the back and try to figure out how Chatham had managed to evade the detectives the first time he met them.
Now that he was in the house the reporter was confronted with the necessity of explaining his presence there without betraying his true purpose. This would not have been a difficult matter had the inmates of the house been total strangers; but he felt that it would be by no means so easy to offer an explanation which would be satisfactory to a man of Murdock's keen perception. And Murdock was the last person to whom he would have confided the true reason of his visit; not only because the chemist, as his opponent in the wager concerning the Knickerbocker Bank Mystery, was interested in thwarting rather than in aiding his investigation, but chiefly because he felt a strong instinctive distrust of the man.
Now that he was in the house, the reporter had to figure out how to explain his presence without revealing his true purpose. This wouldn’t have been too hard if the people in the house were complete strangers; however, he knew it would be much tougher to come up with an explanation that would satisfy someone as sharp as Murdock. Murdock was definitely the last person he would trust with the real reason for his visit, not just because the chemist, as his rival in the bet about the Knickerbocker Bank Mystery, was more interested in sabotaging his investigation than helping it, but mainly because he had a strong, instinctive distrust of the man.
As these thoughts were passing through the reporter's mind, he slowly paced the long hall, back and forth, with his hands behind his back. In so doing, he passed a door which was slightly ajar and caught a glimpse of long rows of book-shelves loaded with beautifully bound editions. The place was evidently the library. It occurred to him that a library is a public room and that he would be more comfortable in there than in the hall.
As these thoughts were running through the reporter's mind, he slowly walked back and forth in the long hallway with his hands behind his back. In doing so, he passed a door that was slightly open and caught a glimpse of long rows of bookshelves filled with beautifully bound editions. It was clearly the library. He realized that a library is a public space and that he would feel more comfortable in there than in the hallway.
He pushed open the door and looked in. The room was empty. He entered.
He opened the door and peered inside. The room was empty. He stepped in.
The library occupied a space between the parlor and the rear room into which Murdock had entered, and it was separated from each of these rooms by folding-doors over which hung heavy portières.
The library was located between the living room and the back room where Murdock had walked in, and it was divided from both rooms by folding doors that were draped with heavy curtains.
Sturgis was a lover of books; his interest was at once aroused in the collection before him. It was admirably selected from the standpoint of a philosopher and a man of science. Every department of history, of philosophy and of science had its section, in which the volumes were classified and arranged with intelligent care. But curiously enough, poetry and art were but meagerly represented.
Sturgis loved books; he was immediately intrigued by the collection in front of him. It was excellently chosen from the perspective of a philosopher and a scientist. Every area of history, philosophy, and science had its own section, where the volumes were organized and arranged with thoughtful care. Interestingly, though, poetry and art were only sparsely represented.
One section especially attracted Sturgis's attention. It was devoted entirely to the history of crime in all its phases and in all ages. Criminal statistics, criminal jurisprudence and the psychology of crime, as well as the biographies of all the noted criminals of ancient and modern times, were completely represented. Almost the only works of fiction in the collection were in this section, and included every book imaginable concerning criminals and their deeds. Many rare and curious volumes were there—some of them so rare that they could be found in only a few of the great libraries of the world.
One section especially caught Sturgis's interest. It focused entirely on the history of crime in all its forms and throughout the ages. It included criminal statistics, criminal law, and the psychology of crime, along with biographies of all the famous criminals from ancient and modern times. Almost the only works of fiction in the collection were in this section, featuring every book imaginable about criminals and their actions. Many rare and interesting volumes were present—some so unique that they could only be found in a few of the major libraries around the world.
Here Sturgis was in his element. He had himself collected a valuable library on the subjects kindred to his profession; but here were books many of which none but a Crœsus could ever hope to own. He was soon absorbed in an examination of some rare volumes which he had often longed to possess.
Here Sturgis was in his element. He had built an impressive library on topics related to his profession; but here were books that only someone extremely wealthy could ever hope to own. He quickly became engrossed in examining some rare volumes that he had often wished to own.
While thus engaged, he became aware of the murmur of voices from the rear room. As the words spoken could not be distinguished, he paid no special attention to them; but, instinctively, he noted that one of the voices flowed in the calm, even tones so characteristic of Murdock's speech, while the other, whose timbre and modulations were unknown to him, betrayed the repressed excitement of the speaker.
While he was focused on what he was doing, he noticed the sound of voices coming from the back room. Since he couldn't make out the words, he didn't pay much attention to them. However, he instinctively recognized that one voice had the smooth, steady tone typical of Murdock's way of speaking, while the other voice, which he didn't recognize, showed signs of the speaker's hidden excitement.
It soon became evident that Murdock's interlocutor was fast losing control of himself; for he gradually pitched his voice in a higher key, until occasional words began to reach Sturgis's ears. The reporter was not the man to wantonly play the part of eavesdropper; therefore, although the isolated words which reached him brought no connected sense, he judged that it was time to move out of earshot of the conversation to which he was becoming an involuntary listener. Replacing upon its shelf the book which he had been examining, he started toward the hall door. As he did so, he heard the now thoroughly excited individual exclaim in loud tones:
It quickly became clear that Murdock's conversation partner was losing his cool; his voice crept up in pitch until Sturgis could catch some of the words. The reporter wasn’t the type to eavesdrop, so even though the words he heard didn’t make sense together, he figured it was time to step away from the conversation he was unintentionally overhearing. Putting back the book he had been looking at, he headed towards the hall door. Just as he was making his way there, he heard the now very agitated person shout loudly:
"I don't care a damn for the money. I only went into the scheme because you promised she'd have me; and, by God, if I don't get her, I'll give the whole cursed thing away."
"I don't care at all about the money. I got involved in this plan only because you promised I could have her; and, honestly, if I don't get her, I'll throw the whole damn thing away."
Sturgis, who had reached the hall door, pricked up his detective's ears at these words. But in another second he heard the knobs of the folding-doors rattle, as though some one had placed his hands upon them.
Sturgis, who had made it to the hall door, perked up his detective ears at these words. But in just another moment, he heard the knobs of the folding doors rattle, as if someone had placed their hands on them.
Quick as thought, he opened the door and glided out into the hallway. He had not time to pull the door quite to behind him when the folding-doors opened and he heard Murdock say in his calm, frigid tones:
Quick as a thought, he opened the door and smoothly stepped into the hallway. He barely had time to close the door completely when the folding doors opened, and he heard Murdock say in his calm, icy voice:
"Perhaps you have done that already with your dulcet voice."
"Maybe you've already done that with your sweet voice."
Had Murdock seen him? The reporter asked himself the question. Probably not; for he heard the folding-doors close once more.
Had Murdock seen him? The reporter asked himself this question. Probably not; because he heard the folding doors close again.
CHAPTER XVIII.
THE EXTENSION.
The Extension.
A few minutes later, Sturgis, apparently absorbed in the contemplation of the paintings which hung in the hall, heard the door of Murdock's study open softly. Although the reporter did not turn his head, he at once became conscious that the chemist's piercing eyes were fixed upon him. The observation lasted so long that Sturgis, self-possessed as was his wont, was beginning to feel a trifle nervous, when at last Doctor Murdock broke the silence.
A few minutes later, Sturgis, seemingly lost in thought while looking at the paintings on the wall, heard the door to Murdock's study open quietly. Even though the reporter didn’t turn to look, he quickly realized that the chemist’s sharp gaze was on him. The staring went on for so long that Sturgis, usually calm, started to feel a bit uneasy, when finally Doctor Murdock spoke up.
"I have to apologize for leaving you standing in the hall, Mr. Sturgis. I was under the impression that I had invited you to step into the parlor."
"I’m sorry for making you wait in the hallway, Mr. Sturgis. I thought I had invited you to come into the parlor."
The words, courteous in themselves, conveyed to the hearer an impression of biting sarcasm.
The words, polite on their own, gave the listener a sense of sharp sarcasm.
"I found the parlor already occupied; I hesitated to disturb a tête-à-tête," replied Sturgis quietly.
"I found the living room already taken; I hesitated to interrupt a private conversation," replied Sturgis quietly.
Murdock eyed him narrowly for a moment, and then invited him into the study.
Murdock watched him carefully for a moment, then welcomed him into the study.
The chemist's study was a spacious room, plainly but luxuriously furnished, and containing every convenience and comfort calculated to lighten the labor of a busy man. The table, littered with books and papers, stood near a small safe and almost directly opposite the hall door. Speaking-tubes and electric call buttons were within reach of the occupant of the easy chair, and probably placed him in communication with the various portions of the household; while a telephone on one side and a typewriter on the other showed that the chemist kept in touch also with the outside world.
The chemist's study was a large room, simply yet comfortably furnished, and equipped with every convenience to make the work of a busy person easier. The table, cluttered with books and papers, was situated near a small safe and almost directly across from the hall door. Speaking tubes and electric call buttons were within reach of the person in the comfy chair, likely connecting him to different parts of the house; a telephone on one side and a typewriter on the other indicated that the chemist also stayed connected to the outside world.
Murdock's interlocutor, whoever he had been, had disappeared. But how? The question interested Sturgis, and his mind at once began to seek an answer to it.
Murdock's conversation partner, whoever he was, had vanished. But how? The question intrigued Sturgis, and his mind immediately started searching for an answer.
There were three doors leading from the study. One of these was the one by which Murdock and Sturgis had just entered from the hall. No one could have passed out that way without meeting them.
There were three doors leading from the study. One of these was the one that Murdock and Sturgis had just walked through from the hall. No one could have exited that way without running into them.
Then there were the folding-doors leading into the library; but, as the door leading from the library to the hall had remained slightly ajar, Sturgis felt sure that he would have heard the man had he gone out by that way.
Then there were the folding doors leading into the library; but since the door from the library to the hall had stayed slightly open, Sturgis was confident he would have heard the man if he had left that way.
The third door led to a small extension.
The third door opened into a small extension.
"He must have gone into the extension," thought Sturgis.
"He must have gone into the extension," Sturgis thought.
The only alternative was an exit through the windows. This in itself would not have presented any special difficulty; for the distance to the flagging below was hardly more than twelve or thirteen feet. But the yard, which was of diminutive size on account of the space allotted to the garden on the street, was inclosed by an unusually high fence protected by a row of sharp and closely set spikes. These looked so formidable that the thought of any one attempting to scale the fence instantly suggested visions of impaled wretches writhing in Oriental tortures. The only possible exit from the yard, therefore, seemed to be through the basement; that is to say, past the kitchen and the servants' department.
The only option was to climb out through the windows. This wouldn't have been particularly difficult since the drop to the ground below was barely twelve or thirteen feet. However, the yard was quite small because a good part of the space was taken up by the garden in front. It was surrounded by a surprisingly tall fence topped with a row of sharp, closely placed spikes. They looked so intimidating that just imagining someone trying to climb over the fence brought to mind images of people being impaled in horrific ways. So, the only feasible way out of the yard appeared to be through the basement, which meant going past the kitchen and the staff areas.
All these thoughts flashed through the reporter's brain in a small fraction of the time which is required to record them. They occurred to him unbidden, while his conscious efforts were centered upon discovering how Chatham had managed to escape from the rear of the Manhattan Chemical Company's building.
All these thoughts raced through the reporter's mind in a split second, much faster than it would take to write them down. They popped into his head on their own while he was focused on figuring out how Chatham had managed to slip away from the back of the Manhattan Chemical Company's building.
This Sturgis recognized without much difficulty. It was directly in line with the house in which he now was, and its yard did not differ from the neighboring ones, the fences of which could be scaled without much trouble. Chatham evidently might have passed into any one of several buildings which lacked the protection of the formidable spikes that so effectually guarded the approach to Murdock's house from the rear.
This Sturgis recognized without much difficulty. It was directly in line with the house he was currently in, and its yard looked similar to the neighboring ones, whose fences could be climbed without much trouble. Chatham clearly could have entered any of several buildings that didn't have the strong spikes that effectively protected the back entrance to Murdock's house.
One point, however, was puzzling. Why should Chatham take the trouble and the risk of scaling fences in broad daylight, only to return a few hours later by the street door under the very noses of the detectives from whom he had presumably wished to escape? There seemed to be no plausible answer to this question.
One thing, though, was confusing. Why would Chatham go through the effort and risk of climbing over fences in broad daylight, only to come back a few hours later through the front door right under the noses of the detectives he was presumably trying to avoid? There didn’t seem to be a reasonable answer to this question.
But Sturgis was not given much time in which to consider it; for Murdock, who had waited for him to broach the subject of his interview, now coldly remarked:
But Sturgis wasn't given much time to think it over; Murdock, who had been waiting for him to bring up the topic of their meeting, now coldly said:
"Perhaps, Mr. Sturgis, you will be good enough to inform me to what I owe the honor of this visit?"
"Maybe, Mr. Sturgis, you could tell me what I did to deserve this visit?"
Sturgis took as a pretext the first subject which came into his mind.
Sturgis used the first topic that popped into his head as an excuse.
"Doctor," said he, "I have been told that you were engaged in a series of brilliant chemical researches; that you had proved, or were on the point of proving, that several, at least, of the so-called elementary metals are compounds; thus ushering in the realization of the dream of the alchemists—the transmutation of metals——"
"Doctor," he said, "I've heard that you’ve been working on a series of impressive chemical studies; that you’ve either proven or were about to prove that several of the so-called elementary metals are actually compounds; thus bringing us closer to the realization of the alchemists' dream—the transmutation of metals—"
"You have not come here to interview me on the subject of my chemical researches?" laughed Murdock.
"You didn't come here to ask me about my chemical research, did you?" Murdock laughed.
"Why not?"
"Why not?"
"Because I gave you credit for possessing the scientific spirit. A man spends years in making a series of exhaustive experiments, and refrains from advancing any theory until he has built up an elaborate monument of cold facts; and you ask him to make a premature report to be spread broadcast in a sensational sheet, with all the embellishments which an unbridled reportorial imagination can add to it. No sir, my report, when it is ready, will be made through the proper channels. I am surprised that one who passes for a man of science should be willing to make such a request."
"Because I thought you had the scientific spirit. A person spends years conducting thorough experiments and holds off on sharing any theories until they have constructed a comprehensive foundation of solid facts. Yet you ask him to give a premature report to be published in a sensational newspaper, complete with all the embellishments that an unchecked reporter's imagination can add. No, my report, when it's ready, will go through the appropriate channels. I'm surprised that someone who claims to be a scientist would make such a request."
If Murdock intended to gall the reporter, he succeeded; for, modest as he was, Sturgis prided himself above all things upon the scientific value of his work in all its aspects. He manifested no external sign of annoyance, however, as he answered with a smile:
If Murdock meant to irritate the reporter, he did it; because, as humble as he was, Sturgis took great pride in the scientific value of his work in every way. He didn't show any visible signs of annoyance, though, as he replied with a smile:
"I am not a man of science now, but only a reporter."
"I’m not a scientist anymore; I’m just a reporter."
"In that case," replied Murdock, "let us talk of something else. I should be pleased to discuss my chemical researches with Mr. Sturgis, the scientist; but with Mr. Sturgis, the reporter, I should prefer to talk about something in his line of knowledge; let me see, shall we say the Knickerbocker Bank Mystery, for instance?"
"In that case," Murdock said, "let's talk about something else. I’d love to discuss my chemical research with Mr. Sturgis, the scientist; but with Mr. Sturgis, the reporter, I’d rather talk about something he knows about. How about the Knickerbocker Bank Mystery, for example?"
The reporter's ear detected the venomous sarcasm to which he was now accustomed from this strange man. He raised his eyes to those of the chemist, and for the space of a few seconds the two men looked steadily into each other's souls.
The reporter's ear picked up the biting sarcasm he had grown used to from this unusual man. He lifted his gaze to meet the chemist's eyes, and for a few moments, the two men stared deeply into each other's souls.
Then a sudden light flashed across Sturgis's brain, and he started perceptibly. At the same time, he thought he saw a shadow cross Murdock's impassive features; but in this he might have been mistaken, for when he looked again, the chemist was regarding him with an air of mild curiosity.
Then a sudden realization hit Sturgis, and he jolted slightly. At the same time, he thought he caught a glimpse of a shadow passing over Murdock's emotionless face; but he could have been wrong, because when he looked again, the chemist was watching him with a look of mild curiosity.
"Is anything the matter, Mr. Sturgis?" he asked.
"Is something wrong, Mr. Sturgis?" he asked.
"Only a sudden thought," carelessly replied Sturgis, who, to all appearances, had completely recovered from the momentary shock produced by the suddenness of the suspicion which had crossed his mind. "Your mention of the Knickerbocker Bank Mystery reminded me of something, that is all."
"Just a passing thought," Sturgis replied casually, seeming to have fully gotten over the brief shock caused by the sudden suspicion that crossed his mind. "Your mention of the Knickerbocker Bank Mystery just triggered a memory, that’s all."
"Ever since Sprague's dinner," said Murdock, "I have been devoting all my spare time to the reading of the Tempest, in the hope of finding there a sensational account, with glaring headlines, of the brilliant work of our 'distinguished reporter, Mr. Sturgis.'"
"Ever since Sprague's dinner," Murdock said, "I've been spending all my free time reading the Tempest, hoping to find a sensational story with eye-catching headlines about the impressive work of our 'distinguished reporter, Mr. Sturgis.'"
Sturgis made no reply. His eyes were fixed upon the typewriter which stood near Murdock's desk.
Sturgis didn’t respond. His eyes were locked on the typewriter next to Murdock's desk.
"Up to the present time," continued Murdock, "I have not seen anything to cause me to worry about my stakes."
"Up until now," Murdock continued, "I haven't seen anything that makes me worried about my investments."
"I have still twenty-eight days in which to complete my case," said Sturgis.
"I have twenty-eight days left to finish my case," Sturgis said.
"True," replied Murdock. "Well, I wish you luck. If I can render you any assistance in your investigations, I hope you will call upon me. In the cause of science I would willingly jeopardize my stakes. For instance, if you need to consult any works of reference, my library is at your disposal. I am told that, at least on the subjects in which you are interested, it is quite complete."
"That's true," Murdock replied. "I wish you the best of luck. If I can help you with your investigations, please reach out to me. For the sake of science, I'd gladly put my interests on the line. For example, if you need to look up any resources, my library is open to you. I've been told that it's pretty comprehensive, at least on the topics you're interested in."
He observed the reporter narrowly, as if to mark the effect of his words.
He watched the reporter closely, as if to see how his words impacted him.
"It is," replied Sturgis, after an almost imperceptible hesitation; "I have already admired it."
"It is," Sturgis replied, after a brief pause; "I've already admired it."
"Indeed?" said Murdock, arching his brows in mild surprise.
"Really?" Murdock said, raising his eyebrows in mild surprise.
"Yes; I stepped into the library for a few minutes while I was waiting for you."
"Yeah, I went into the library for a few minutes while I was waiting for you."
"Ah! yes; I see."
"Got it!"
Murdock gave the reporter another searching look. Then he leant back in his easy chair with half-closed eyes and silently puffed away at his cigar for a few minutes.
Murdock gave the reporter another intense look. Then he leaned back in his recliner with half-closed eyes and silently smoked his cigar for a few minutes.
Had Sturgis been able to read the sinister thoughts which were passing through the mind of this impassive man as he sat apparently in lazy enjoyment of his fragrant Havana, it is probable that he might have lost some of the interest which he seemed suddenly to have developed in the typewriter. But he was busy with his own train of thought and therefore was not paying any particular attention to Murdock.
Had Sturgis been able to read the dark thoughts running through the mind of this expressionless man as he sat seemingly relaxed, enjoying his fragrant Havana, he might have lost some of the interest he suddenly seemed to have in the typewriter. But he was caught up in his own thoughts and wasn't paying much attention to Murdock.
Presently the chemist spoke again.
The chemist spoke again.
"On second thoughts, Mr. Sturgis, if you will step into my laboratory, I shall be pleased to show you those of the results of my recent researches which are ready for publication."
"On second thought, Mr. Sturgis, if you could come into my lab, I’d be happy to show you the results of my recent research that are ready for publication."
The reporter was surprised at this sudden change of front, and perhaps a trifle suspicious, for he was beginning to weld together many hitherto isolated facts into a strong chain which was leading him from the Knickerbocker bank and Chatham, through the Manhattan Chemical Company, to the emotionless man in whose presence he now stood. Some important links were missing, however, and Sturgis could not afford to lose any chance of making the chain complete.
The reporter was taken aback by this sudden shift in stance and might have been a bit suspicious, as he was starting to connect many previously unrelated facts into a solid chain that was leading him from the Knickerbocker bank and Chatham, through the Manhattan Chemical Company, to the unfeeling man he now faced. However, some crucial links were still missing, and Sturgis couldn't afford to miss any opportunity to complete the chain.
He therefore accepted Murdock's invitation, in the hope of making some discovery which would throw positive light upon the somewhat hazy situation.
He accepted Murdock's invitation, hoping to uncover something that would clarify the pretty unclear situation.
"Very well," said Murdock; "wait for me just one minute while I open the ventilators of the laboratory. It becomes pretty close in there when the place has been shut up for some time."
"Alright," Murdock said, "just wait a minute while I open the lab vents. It gets pretty stuffy in there after being closed up for a while."
So saying, Murdock turned a crank which projected from the wall. A grating sound was heard, as of the rasping of metal upon metal. Then he returned to his desk, where he busied himself for a few minutes under pretext of looking for some notes of his experiments. When apparently he had found what he was seeking, he went toward the door of the extension. This was of massive hard wood. Before turning the knob, the chemist stooped as though to examine the lower hinge. Sturgis was not consciously following Murdock's movements. His mind was bent upon accomplishing a certain object; and, with that end in view, he was gradually drawing nearer to the typewriter. But so accustomed was he to receiving detailed impressions of all that occurred before his eyes, that the chemist's actions, unimportant as they seemed at the time, were unconsciously recorded upon the reporter's brain.
So saying, Murdock turned a crank that was sticking out from the wall. A grating sound echoed, like metal scraping against metal. Then he went back to his desk, pretending to look for some notes from his experiments. When he seemed to find what he was looking for, he walked toward the door of the extension. It was made of heavy hardwood. Before turning the knob, the chemist bent down as if to check the lower hinge. Sturgis wasn’t really paying attention to Murdock’s actions. His mind was focused on achieving a specific goal, and with that in mind, he was slowly moving closer to the typewriter. But he was so used to taking in detailed impressions of everything happening around him that the chemist’s actions, trivial as they seemed at the moment, were automatically filed away in the reporter’s mind.
Murdock opened the door of the extension and passed out of the room. Sturgis, watching his chance, snatched up a sheet of paper from the table, inserted it in the typewriter, and rattled off something as fast as he could. Looking up when he had finished, he saw that Murdock had returned and was observing him with a sardonic grin.
Murdock opened the door to the extension and stepped out of the room. Sturgis, seizing the moment, grabbed a sheet of paper from the table, loaded it into the typewriter, and typed as quickly as possible. When he looked up after finishing, he noticed that Murdock had come back and was watching him with a sly grin.
"More happy thoughts?" he inquired.
"More positive vibes?" he asked.
"Yes," answered Sturgis, calmly folding the paper and slipping it into the pocket of his coat.
"Yes," Sturgis replied, calmly folding the paper and putting it into the pocket of his coat.
Murdock chuckled to himself, as if enjoying a quiet joke.
Murdock laughed to himself, as if he was enjoying a private joke.
"Well," said he, "if you will do me the honor, we can step down into the laboratory."
"Well," he said, "if you’ll do me the favor, we can head down to the lab."
Sturgis nodded and went toward the door which Murdock held open. As he passed the chemist, the reporter caught his eye, and, in a flash, read there some sinister purpose, which caused him to hesitate, on his guard.
Sturgis nodded and walked toward the door that Murdock held open. As he passed the chemist, the reporter caught his eye and, in an instant, sensed some hidden intent that made him pause, on alert.
At that moment there came a knock upon the hall door.
At that moment, someone knocked on the hall door.
"Pshaw!" exclaimed Murdock, "here comes an interruption, I suppose. Please step down stairs; I shall be with you directly."
"Pshaw!" Murdock exclaimed, "I guess an interruption is coming. Please head downstairs; I'll be with you shortly."
With these words, he quietly but firmly shoved the reporter into the extension, and, with a rapid motion, pushed forward the door.
With these words, he quietly but firmly pushed the reporter into the extension and quickly opened the door.
Sturgis almost lost his balance, but instinctively put out his foot between the door and the jamb. He felt a strong pressure from the outside; but he knew he was master of the situation and patiently bided his time. Presently the pressure ceased, and he was able to open the door.
Sturgis nearly lost his balance but instinctively stuck his foot between the door and the frame. He felt a strong force from outside, but he knew he was in control and patiently waited. Soon, the pressure stopped, and he was able to open the door.
Murdock wore an air of pained surprise.
Murdock wore a look of shocked discomfort.
"What is it?" he inquired.
"What's that?" he asked.
"I have just remembered an important engagement," said Sturgis unruffled. "I fear, after all, that I shall be unable to visit your laboratory at present. I hope, however, that the pleasure is only postponed for a short time."
"I just remembered an important appointment," Sturgis said calmly. "I'm afraid I won't be able to visit your lab right now. I hope, though, that we can do it soon."
"I hope so," replied Murdock, calmly meeting his steady gaze.
"I hope so," Murdock replied, meeting his steady gaze with calmness.
All this had happened in the space of a few seconds. Meanwhile the knocking at the door was renewed.
All of this happened in just a few seconds. Meanwhile, the knocking at the door started again.
"Come in," said Murdock, moving toward his easy chair.
"Come in," Murdock said, making his way to his recliner.
The door opened and a servant appeared.
The door opened and a servant walked in.
"Plaze, sur, Miss Agnes wud loike ter know kin yer resave her sum toime this afthernoon?"
"Please, sir, Miss Agnes would like to know if you can meet with her this afternoon?"
"Yes, Mary; tell Miss Agnes I shall be in all the rest of the afternoon, and that I shall be at her disposal at any time."
"Yes, Mary; let Miss Agnes know I’ll be here for the rest of the afternoon, and that I’m available to her anytime."
Sturgis, picking up his hat and coat, hurried from the house.
Sturgis grabbed his hat and coat and rushed out of the house.
"Why did he want to shut me in the extension?" he asked himself over and over, and he could find no satisfactory answer to the question.
"Why did he want to lock me in the extension?" he kept asking himself, and he couldn't find a satisfying answer to that question.
Then he took from his pocket the lines he had written on Murdock's typewriter, and compared them carefully with those on the sheet which he had laboriously pieced together in the Knickerbocker bank on the previous day.
Then he took the notes he had written on Murdock's typewriter out of his pocket and carefully compared them with the ones he had painstakingly put together at the Knickerbocker bank the day before.
The result of the examination was apparently satisfactory; for, when Sturgis returned the papers to his pocket, his face wore an expression of calm but unmistakable triumph.
The outcome of the exam was clearly satisfactory; because, when Sturgis put the papers back in his pocket, he had a look of calm but obvious triumph on his face.
CHAPTER XIX.
THE UNDERGROUND PASSAGE.
THE UNDERGROUND TUNNEL.
As he reached the corner, Sturgis came upon Sprague, who was waiting for a car.
As he got to the corner, Sturgis found Sprague, who was waiting for a ride.
"Oh! I say, old man," exclaimed the artist, hardly able to conceal his elation, "I am glad to see you. I have news to tell you."
"Oh! I have to say, my friend," the artist exclaimed, barely able to hide his excitement, "I’m really glad to see you. I have some news to share."
"So have I. But I am in a hurry now. Come along with me; we can exchange confidences on the way."
"So have I. But I'm in a hurry now. Come with me; we can share our thoughts on the way."
"Very well; whither are you bound?"
"Okay; where are you going?"
"I am on the track of big game. Can you spare a couple of hours? I think I can promise you an interesting afternoon."
"I’m on the hunt for something big. Can you spare a couple of hours? I think I can guarantee you an interesting afternoon."
"What is it? The Knickerbocker bank case?"
"What is it? The Knickerbocker Bank case?"
"Yes."
Yes.
Sprague readily consented to accompany his friend.
Sprague happily agreed to go with his friend.
"By the way," inquired Sturgis, "have you any weapons?"
"By the way," Sturgis asked, "do you have any weapons?"
"Any quantity of them among the properties of the studio," replied Sprague surprised; "but I do not go about armed in broad daylight."
"Any amount of them among the studio's belongings," replied Sprague, surprised; "but I don't walk around armed in broad daylight."
"You would better have a revolver," said the reporter. "You will probably have no occasion to use it," he added in answer to his friend's glance, "but it is best to be on the safe side."
"You should probably have a revolver," said the reporter. "You likely won't need to use it," he added, responding to his friend's look, "but it's better to be safe."
"Very well; I shall go home for one. Where am I to meet you?"
"Alright; I'll go home for one. Where should I meet you?"
"At police headquarters in about half an hour. Let me see; it is now nearly five o'clock. Say at half-past five. It will be necessary to obtain a couple of warrants and the help of the police before we start."
"At police headquarters in about half an hour. Let me see; it’s almost five o'clock now. Let's say at 5:30. We’ll need to get a couple of warrants and some help from the police before we begin."
After Sprague had left him, Sturgis approached Detective Conklin, who was still at his post.
After Sprague left him, Sturgis walked over to Detective Conklin, who was still at his post.
"Has Chatham shown up while I was in there?" he asked, indicating Murdock's house.
"Has Chatham shown up while I was in there?" he asked, pointing to Murdock's house.
"No, sir."
"No, thanks."
"Did you notice the man with whom I went in?"
"Did you see the guy I went in with?"
"Yes, sir."
"Yes, sir."
"Well, let Chatham go for the present and stick close to that man if he stirs from the house. I shall be back in less than an hour."
"Alright, let Chatham be for now and stay close to that guy if he leaves the house. I'll be back in less than an hour."
"All right, sir."
"Okay, sir."
When Sprague reached police headquarters, he found the reporter ready to start with four detectives. He had not, therefore, any opportunity for conversation with his friend until the party reached its destination. There two of the detectives relieved the men previously on duty, while the others accompanied Sturgis and Sprague to the office of the Manhattan Chemical Company.
When Sprague got to the police station, he saw the reporter ready to go with four detectives. He didn't have a chance to talk to his friend until they got to their destination. There, two of the detectives took over from the previous officers on duty, while the others went with Sturgis and Sprague to the office of the Manhattan Chemical Company.
It was after six o'clock. The place was closed for the night and seemed quite deserted. One of the men rang the bell. The tinkling echoes died away, but no sign of life manifested itself from within. Then he seized the pull and plied it again repeatedly and vigorously.
It was after six o'clock. The place was closed for the night and felt completely empty. One of the guys rang the bell. The ringing faded away, but there was no response from inside. Then he grabbed the pull and yanked it again repeatedly and forcefully.
"That will do," observed Sturgis presently; "the old woman is coming as fast as she can."
"That’s enough," Sturgis said after a moment; "the old woman is coming as quickly as she can."
"What old woman?" asked the detective.
"What old woman?" asked the detective.
"I don't know. Perhaps I ought to have said an old woman. I hear her hobbling on the stairs."
"I don't know. Maybe I should have said an old woman. I can hear her hobbling up the stairs."
The detective placed his ear to the keyhole. After listening attentively, he turned to the reporter with an incredulous smile.
The detective pressed his ear against the keyhole. After listening closely, he turned to the reporter with a disbelieving smile.
"Well, Mr. Sturgis," said he, "if you can hear anything in there, your ears are sharper than mine. That's all I can say."
"Well, Mr. Sturgis," he said, "if you can hear anything in there, your ears are sharper than mine. That's all I can say."
"She is on the second flight," replied the reporter quietly. "Now she is in the second-story hall,—and now you can surely hear her coming down the last flight."
"She's on the second flight," the reporter said softly. "Now she's in the second-floor hallway—and now you can definitely hear her coming down the last flight."
By this time, sure enough, the sound of footsteps began to be audible to the other three men; and presently the door opened and disclosed the scared face of an old Irish woman.
By this time, sure enough, the sound of footsteps started to be heard by the other three men; and soon the door opened to reveal the frightened face of an elderly Irish woman.
"And phwat might yez be wantin', gintlemin, to be after scarin' an ould woman most to death wid yer ringin'?" she asked, somewhat aggressively.
"And what might you be wanting, gentlemen, to scare an old woman almost to death with your ringing?" she asked, somewhat aggressively.
"We want to see Mr. Chatham," replied one of the detectives.
"We want to see Mr. Chatham," said one of the detectives.
"Mister who, is it?"
"Who is Mr. Who?"
"Thomas Chatham. Show me the way to his room. I'll go right up, and my friends will wait for me here."
"Thomas Chatham. Can you show me the way to his room? I’ll go up right now, and my friends will wait for me here."
"Mister Thomuz Chathum, is it?" said the old woman; "well, ye've come to the wrong house to see him, I do be thinkin', fer he don't live here."
"Mister Thomuz Chathum, right?" said the old woman. "Well, you've come to the wrong house to look for him, I think, because he doesn't live here."
"Come, that won't do," said the detective sharply; "we belong to the police, and we saw Chatham enter this house."
"Come on, that won't work," the detective said sharply. "We’re with the police, and we saw Chatham go into this house."
At the mention of the police, the old hag's parchment face became a shade yellower and her eyes glistened.
At the mention of the police, the old woman's wrinkled face turned a little yellower and her eyes sparkled.
"Sure, thin, if he do be hidin' here, it's mesilf as 'ud know it," she said after a short interval; "but yez can foind 'um, if yez loike; yez can foind 'um."
"Sure, if he’s hiding here, I’d be the one to know," she said after a short pause; "but you can find him if you want; you can find him."
Whereupon she turned and hobbled off, leaving the intruders to their own resources.
Whereupon she turned and walked away, leaving the intruders to fend for themselves.
They found themselves in a narrow hallway. On the right was a rickety staircase leading to business offices in the upper part of the building; on the left, a door opening into the office of the Manhattan Chemical Company, and at the end of the hall another door, marked,
They were in a narrow hallway. To the right was a shaky staircase that led to offices on the upper floors; to the left was a door leading into the office of the Manhattan Chemical Company, and at the end of the hall was another door, marked,
PRIVATE OFFICE
NO ADMITTANCE.
PRIVATE OFFICE
NO ENTRY.
One of the detectives tried this door and found it locked. Whereupon he placed his shoulder to it and prepared to force it in.
One of the detectives tried the door and found it locked. So, he pushed his shoulder against it and got ready to break it open.
"Wait a minute," said Sturgis; "let me see if I cannot open it."
"Hold on a second," said Sturgis. "Let me see if I can open it."
The detective stepped aside with a quizzical expression upon his face.
The detective stepped aside with a puzzled look on his face.
"I guess you will find it pretty solid for your weight," said he.
"I guess you'll find it pretty sturdy for your weight," he said.
The reporter took from his pocket a piece of bent wire, and, with a few dexterous turns of the wrist, he shot the bolt of the lock.
The reporter pulled a bent piece of wire from his pocket and, with a few quick twists of his wrist, popped the lock open.
"You would make an expert cracksman," said the detective. "I didn't know you possessed that accomplishment in addition to all your other ones."
"You'd make a skilled thief," said the detective. "I had no idea you had that talent on top of all your other skills."
The four men entered the private office. The room was quite dark, the shutters being closed and the blinds drawn. As their eyes became accustomed to the obscurity they were able to distinguish the outlines of a desk, a table, and a few chairs.
The four men walked into the private office. The room was pretty dark, with the shutters closed and the blinds pulled down. As their eyes adjusted to the darkness, they could make out the shapes of a desk, a table, and a few chairs.
Sturgis went at once to a door in the corner. With the aid of his skeleton key he had soon thrown this open. After peering for an instant into the darkness, he took from his pocket a candle, which he lighted. Then, beckoning to his companions, he started cautiously to descend. The other men followed him and soon found themselves in the cellar, which they proceeded to search.
Sturgis immediately went to a door in the corner. Using his skeleton key, he quickly opened it. After looking into the darkness for a moment, he took a candle from his pocket and lit it. Then, signaling to his companions, he began to descend carefully. The other men followed him and soon found themselves in the cellar, which they started to search.
On the street side there was a recess extending for a few feet under the area in front of the house. The opening above was covered by an iron grating, over which was a wooden cover securely fastened on the inside by a chain and padlock. A number of carboys were carefully piled along the east wall to within a few feet from the rear of the building. Here, in the northeast corner, rose narrow shelving, on which were arranged a collection of bottles containing a varied assortment of chemicals.
On the street side, there was a small alcove extending for a few feet underneath the area in front of the house. The opening above was covered by an iron grate, which had a wooden cover securely fastened on the inside with a chain and padlock. A number of large bottles were carefully stacked along the east wall, just a few feet from the back of the building. In the northeast corner, narrow shelves rose, holding a variety of bottles filled with different chemicals.
The detectives searched the cellar.
The detectives searched the basement.
"Our man is not here, at any rate," said the leader, when at last he had returned to the foot of the stairs; "perhaps he'll try to give us the slip by way of the roof. Come along, Jim; let's go upstairs now. Hello! what are you doing there, Mr. Sturgis? Think you'll find him in one of those bottles?"
"Our guy is not here, anyway," said the leader when he finally got back to the bottom of the stairs. "Maybe he's trying to escape through the roof. Come on, Jim; let's head upstairs now. Hey! What are you doing over there, Mr. Sturgis? Do you think you'll find him in one of those bottles?"
The reporter appeared to be closely inspecting the chemicals on the narrow shelves.
The reporter seemed to be carefully examining the chemicals on the narrow shelves.
"Who knows?" he replied coolly, continuing his examination.
"Who knows?" he replied nonchalantly, going back to his examination.
The detective bit his lip and looked the unpleasant things he thought it best not to say.
The detective bit his lip and faced the uncomfortable thoughts he felt it was better not to share.
"Well, Jim and I will take a look upstairs while you are busy here."
"Well, Jim and I will check out upstairs while you handle things down here."
And the two men went up the dark stairway, Sprague remaining behind with the reporter.
And the two men climbed the dark staircase, while Sprague stayed back with the reporter.
"None so blind as those that won't see," said the latter, sententiously.
"None are as blind as those who refuse to see," said the latter, with a self-important tone.
At the same time he placed his hand upon one of the shelves and gave it a lateral push. It responded slightly, and the entire shelving, with the door which it concealed, opened outward.
At the same time, he put his hand on one of the shelves and gave it a sideways push. It moved a bit, and the whole shelf, along with the door it hid, swung open.
"I thought so," continued the reporter; "this looks as if it might lead somewhere. Will you come, Sprague?"
"I thought so," the reporter said. "This seems like it could lead somewhere. Are you coming, Sprague?"
"How did you find the combination so quickly?" asked the artist, preparing to follow his friend.
"How did you figure out the combination so fast?" asked the artist, getting ready to follow his friend.
"It is not a combination—only a concealed bolt. Our friends of the detective force might have discovered it themselves if they had taken the trouble. The first thing I noticed was that a truck had recently been wheeled through the cellar in the direction of this door, from under the grating on the street side. And this truck was not here; neither was a large case which we know was delivered here to-day. The trail extended clear up to the wall below the shelving; and yet no truck, even unloaded, could pass below that lowest shelf. The conclusion was evident. I sounded the back of the shelving and found that it covered an opening of some kind. After that, all that remained was to notice that one of the shelves was slightly soiled in just one spot, as though by the repeated contact of a hand. From this, I argued that the bolt must be attached to this board. And it was. That is all."
"It’s not a combination lock—just a hidden bolt. Our friends in the detective department might have figured it out themselves if they had bothered to look. The first thing I noticed was that a truck had recently been moved through the cellar toward this door, coming from under the grate on the street side. And this truck was gone; so was a large case that we know was delivered here today. The marks led right up to the wall beneath the shelves; still, no truck, even if empty, could fit under that lowest shelf. The conclusion was clear. I tapped on the back of the shelves and found that they covered some sort of opening. After that, all that was left was to see that one of the shelves was slightly dirty in just one spot, like it had been touched repeatedly by a hand. From this, I figured out that the bolt must be attached to this board. And it was. That’s it."
As he spoke, the reporter entered a dark and narrow passage.
As he spoke, the reporter walked into a dark and narrow hallway.
"Don't shut the door," said he to his companion, who followed him.
"Don't close the door," he said to his friend, who followed him.
At that moment, however, the artist stumbled: and, instinctively holding out his hands to save himself from falling, he released his hold of the door, which closed with a slam.
At that moment, though, the artist tripped: and, instinctively reaching out his hands to catch himself, he let go of the door, which shut with a bang.
"That is unfortunate," said Sturgis; "we may have to lose some time in learning how to work the bolt from this side. Hold on; it will be prudent to keep open a line of retreat, in case of unforeseen emergencies. Hello! we are in luck. Nothing concealed on this side; the bolt in plain sight; works easily. All's well. Then let us go on; unless I am greatly mistaken, we shall find another exit on the other side."
"That's unfortunate," Sturgis said. "We might have to spend some time figuring out how to work the bolt from this side. Hold on; it makes sense to keep a way out open, in case anything unexpected happens. Hey! We're in luck. Nothing hidden on this side; the bolt is clearly visible; it works easily. Everything's fine. So let's move on; unless I'm really mistaken, there should be another exit on the other side."
After following the underground passage for some distance, the men climbed some steps and reached a square chamber, on one side of which rose a stairway leading to a door above. The room was surmounted by a skylight, which was wide open, admitting a draught of cold air from the outside.
After going through the underground tunnel for a while, the men climbed some steps and arrived at a square room, on one side of which was a staircase leading to a door above. The room had a skylight that was wide open, letting in a cold breeze from outside.
Sturgis set down his lighted candle and proceeded to examine his surroundings. In the middle of the room stood a truck, upon which lay a long pine box. A table and a chair constituted the only furniture of the place. At one side, there was a long, low, lead-lined tank, filled to the depth of about two feet with a dark viscous liquid. Near it lay a few empty carboys. In the floor there was what seemed to be a hot-air register, of large size and of peculiar construction. The walls were bare, unbroken, save by the projection of the mouthpiece of a speaking-tube, and by a set of shelves filled with flasks, crucibles, alembics and the other paraphernalia of a chemist's laboratory.
Sturgis set down his lit candle and looked around the room. In the middle of the space was a truck with a long pine box on it. A table and a chair were the only furniture. On one side, there was a long, low, lead-lined tank filled about two feet deep with a dark, thick liquid. A few empty carboys were nearby. In the floor was a large, oddly designed hot-air register. The walls were bare and unbroken, except for the protruding mouthpiece of a speaking tube and a set of shelves filled with flasks, crucibles, alembics, and other equipment from a chemist's lab.
After the reporter had finished reconnoitering, he sat down upon the long box in deep thought. Sprague observed him with silent curiosity for a while; and then, with growing impatience,
After the reporter finished scouting around, he sat down on the long box, lost in thought. Sprague watched him quietly for a bit, and then, feeling increasingly impatient,
"I say, old man," he ventured at last to ask, "did you bring me here, armed to the teeth, to see you go off into a trance?"
"I say, old man," he finally asked, "did you bring me here, fully armed, just to watch you go into a trance?"
Sturgis started like a man suddenly awakened from a deep sleep.
Sturgis shot up like someone who had just been abruptly woken from a deep sleep.
"Eh? What?—Oh, yes—those confidences. Well, you start in with yours. I am trying to find the dénouement of my story. I feel that it is just within my grasp; and yet I cannot seem to see it yet. But I can listen to you while I am thinking. Go on."
"Uh? What?—Oh, right—those secrets. Well, you go ahead with yours. I'm trying to figure out the conclusion of my story. I have a sense that it's just within reach, yet I can't quite see it yet. But I can listen to you while I think. Go ahead."
"I have not any story to tell," said Sprague, somewhat offended at his friend's apparent indifference to what he had to say.
"I don't have any story to share," Sprague said, a bit offended by his friend's seeming lack of interest in what he had to say.
"Oh, yes, you have," retorted Sturgis, with a conciliatory smile; "you said you had news to tell me. Well, tell away. I am listening most respectfully in spite of my apparent absorption."
"Oh, yes, you have," Sturgis replied with a friendly smile; "you mentioned you had news to share with me. So go ahead. I'm all ears, even if I look like I'm totally focused on something else."
"What a strange fellow you are, Sturgis," laughed Sprague good naturedly. "All I wanted to tell you—and you are the first to hear of it,—is the, to me, rather important fact that I am engaged to be married."
"What a strange guy you are, Sturgis," laughed Sprague cheerfully. "All I wanted to tell you—and you’re the first to hear this—is that, to me, it’s pretty important news that I’m engaged to be married."
"You are?" exclaimed Sturgis with genuine pleasure. "I congratulate you, old fellow, from the bottom of my heart."
"You are?" Sturgis exclaimed, genuinely pleased. "I congratulate you, my friend, from the bottom of my heart."
He seized the artist's hand and shook it in his hearty grasp.
He grabbed the artist's hand and shook it with a firm grip.
"To the original of the picture you wanted to show me yesterday?" he asked.
"Are you talking about the original picture you wanted to show me yesterday?" he asked.
"Yes."
Yes.
"Then she was not betrothed to the other fellow, after all?"
"Then she wasn't engaged to that other guy, after all?"
"No; that seems to have been a mistake."
"No; that looks like it was a mistake."
"I am glad of that, very glad," said the reporter. "By the way, you have not yet told me the young lady's name."
"I’m really glad to hear that," said the reporter. "By the way, you still haven’t told me the young lady’s name."
"I thought I had mentioned it yesterday morning. Didn't I? No? My fiancée is Miss Murdock."
"I thought I mentioned it yesterday morning. Didn't I? No? My fiancée is Miss Murdock."
At the sound of this name Sturgis started visibly, and a shadow crossed his features.
At the sound of this name, Sturgis visibly flinched, and a shadow passed over his face.
"Miss Murdock?" he echoed.
"Miss Murdock?" he repeated.
"Yes," said Sprague. "What is it? You do not seem pleased."
"Yeah," said Sprague. "What's up? You don't look happy."
Then, as a sudden thought struck him:
Then, as a sudden idea came to him:
"I hope I am not treading on your toes, old fellow," he said, putting his hand gently upon his friend's shoulder, and trying to read his thought in his clear gray eyes. "But how absurd! Of course you cannot be a rival for Miss Murdock's affections, since you do not even know her——"
"I hope I'm not stepping on your toes, buddy," he said, placing his hand gently on his friend's shoulder and trying to read his thoughts in his clear gray eyes. "But how crazy! Of course, you can't be a rival for Miss Murdock's affections since you don't even know her——"
"No," laughed Sturgis, regaining his composure, "I am not your rival. As to the other point, while I can hardly claim an acquaintance with the young lady, I think I saw her not more than a couple of hours ago."
"No," laughed Sturgis, getting his composure back, "I’m not your rival. As for the other point, while I can’t really say I know the young lady, I think I saw her just a couple of hours ago."
"A couple of hours ago!" exclaimed Sprague; "why, I was with her myself then."
"A couple of hours ago!" Sprague exclaimed. "I was with her at that time."
"I know that now, although I was not aware of it at the time."
"I realize that now, even though I wasn't aware of it back then."
"What, were you at the Murdocks' at the same time as I was?" asked Sprague, surprised.
"What, were you at the Murdocks' at the same time I was?" asked Sprague, surprised.
"I had just come from there when I met you. I was in Murdock's study while you were—er—busy in the parlor."
"I had just come from there when I met you. I was in Murdock's study while you were—uh—busy in the living room."
"In Murdock's study? How long were you there?"
"In Murdock's study? How long were you there?"
"About half an hour, I should judge," replied Sturgis, "and perhaps fifteen minutes more in the hall, while Murdock was engaged."
"About half an hour, I'd say," replied Sturgis, "and maybe another fifteen minutes in the hall while Murdock was busy."
"I suppose Chatham was still with him," mused Sprague.
"I guess Chatham was still with him," thought Sprague.
Sturgis started at the name.
Sturgis was taken aback by the name.
"Chatham!" he ejaculated; "what do you know about Chatham?"
"Chatham!" he exclaimed; "what do you know about Chatham?"
"What, are you interested in Chatham?" asked the artist, curiously. "I know very little about him, only that he is one of my disappointed rivals."
"What, are you interested in Chatham?" the artist asked, intrigued. "I don't know much about him, just that he's one of my disappointed rivals."
And he thereupon related to the reporter what he knew of Chatham's suit.
And he then told the reporter what he knew about Chatham's lawsuit.
Sturgis listened with deep attention to his friend's narrative, and ruminated in silence long after the artist had ceased speaking.
Sturgis listened closely to his friend's story and thought quietly for a long time after the artist had stopped talking.
At last he started up with a sudden exclamation, and walking over to the side of the tank, he looked into the depths of its oily contents, as if fascinated by some horrible thing he saw there.
At last, he suddenly exclaimed and walked over to the edge of the tank. He peered into the depths of its oily contents, as if captivated by something dreadful he noticed there.
Sprague came and stood beside him and gazed curiously into the viscous liquid. There was nothing there that he could see.
Sprague came over and stood next to him, looking curiously at the thick liquid. There was nothing there that he could see.
"What is it?" he asked.
"What’s up?" he asked.
Without replying, Sturgis took from his pocket a bone-handled knife and carefully dipped one end of the handle into the fluid in the leaden tank. At once the liquid began to seethe and boil, giving out dark pungent fumes.
Without saying anything, Sturgis pulled a bone-handled knife from his pocket and carefully dipped one end of the handle into the liquid in the heavy tank. Immediately, the liquid started to bubble and boil, releasing dark, strong fumes.
"I thought so," muttered the reporter, under his breath; "that man is truly a genius—the genius of evil."
"I thought so," the reporter muttered quietly; "that guy is really a genius—the genius of evil."
"Who?" asked Sprague.
"Who?" Sprague asked.
Sturgis made no reply. His eyes were wandering about the room, as if in search of something.
Sturgis didn’t respond. His eyes were moving around the room, as if he were looking for something.
"Hand me a couple of those long glass tubes from that shelf yonder," he said, earnestly.
"Give me a couple of those long glass tubes from that shelf over there," he said, seriously.
The artist complied with the request. Dipping these tubes into the oily liquid, Sturgis, after considerable difficulty, managed to seize with them a small dark object which lay at the bottom of the tank. With infinite precaution, he brought it to the surface. It had the appearance of a flattened leaden bullet.
The artist agreed to the request. After struggling a bit, Sturgis dipped the tubes into the oily liquid and managed to grab a small dark object that was lying at the bottom of the tank. With great care, he brought it to the surface. It looked like a flattened lead bullet.
"What is it?" inquired Sprague.
"What is it?" asked Sprague.
"Sit down," answered Sturgis, in a low, tense voice. "I have just found the last link which completes my chain of evidence; I am now prepared to tell you such a story as you will scarcely credit, even with the absolute proofs before your eyes."
"Sit down," Sturgis replied, his voice low and tense. "I've just found the final piece that completes my chain of evidence; I'm now ready to tell you a story that you will hardly believe, even with the absolute proof right in front of you."
CHAPTER XX.
THE LEAD-LINED VAT.
The lead-lined tank.
Sprague seated himself upon the long pine box; and Sturgis, dropping into the only chair, began his narrative. As he talked, he carelessly whittled the cover of the wooden box with the knife which he still held in his hand. He began with an account of his investigation at the Knickerbocker bank, and explained the result of his observations and inferences down to the time of his visit to Murdock's house, omitting, however, to mention any of the names of the actors in the reconstructed drama.
Sprague sat down on the long pine box, and Sturgis, sinking into the only chair, started his story. As he spoke, he absentmindedly whittled the cover of the wooden box with the knife still in his hand. He began by recounting his investigation at the Knickerbocker bank and explained the results of his observations and conclusions up until his visit to Murdock's house, though he left out the names of the people involved in the recreated drama.
"So you see," he concluded, "we have established the identity of the body in the cab, and of the young man who disappeared after the cab was upset. But one of the most salient features of the case, from the start, was the fact that neither of these two men had derived much, if any, pecuniary profit from his crime. The bookkeeper, as we have seen, was a mere catspaw in the control of the accountant, and his posthumous confession has given us the explanation of the power exerted over him by his accomplice. It was not so easy to establish the motive which controlled the actions of the accountant, who was himself only a tool in the hands of a higher intelligence. The deus ex machinâ of this crime is a man of genius who has hardly appeared upon the scene at all, but whose traces I have found at every turn. He was the brains of the whole scheme; the other men in his hands were mere puppets. Through the accountant, this master spirit managed the bookkeeper; and the accountant himself was controlled by him more directly, but no less surely. If he held the former through his fear of exposure and consequent ruin, he influenced the latter through even more potent motives. He is the father of a beautiful girl, whom he did not scruple to use as a decoy. The price agreed upon for the accountant's assistance was the hand of this daughter, for whom the young man had doubtless conceived a passionate love. Whether or not the leader would have had the power to carry out his part of the contract matters little; for it is highly probable that he never had the slightest intention of so doing. He evidently realized very early in the game that the bookkeeper could not long escape the clutches of the law. But as he had taken every precaution to prevent him from knowing anything of his very existence, the fate of the unfortunate bookkeeper would have mattered little to this heartless villain, had not the probability remained that, when brought to bay, the bookkeeper would denounce the accountant's connection with the crime. This would have been extremely awkward, since the accountant was very likely in possession of some dangerous secrets. The safest way out of the difficulty was to quietly suppress the now useless bookkeeper. This plan was decided upon, and would doubtless have been carried into execution, had not fate otherwise decreed. After the bookkeeper's death, under the circumstances which I have related, it became quite probable that the accountant's connection with the case would be discovered; for luck had been against him from the start, and he became more and more entangled in the chain of circumstantial evidence of whose existence his leader was soon fully aware. In the first place, the accountant was wounded; and thus not only partially disabled, but also,—what is far worse,—conspicuously marked. A man who carries his arm in a sling can hardly fail to attract attention, especially when this distinguishing mark is accompanied by another equally glaring one in the form of a head of brilliant red hair——"
"So you see," he concluded, "we've identified the body in the cab and the young man who vanished after the cab flipped over. But one of the most significant aspects of the case, from the beginning, was that neither of these two men gained much, if anything, financially from their crime. The bookkeeper, as we’ve seen, was just a pawn in the accountant’s scheme, and his posthumous confession has shed light on the control his accomplice had over him. It was much harder to pinpoint the motive driving the accountant, who was really just a tool for someone with a greater intellect. The mastermind of this crime is a brilliant man who barely showed up but whose influence I've found everywhere. He orchestrated the whole plan; the other men involved were just puppets. Through the accountant, this leading figure manipulated the bookkeeper; and the accountant himself was also influenced by him, but in a more direct, yet equally certain way. He held the bookkeeper in line through fear of being exposed and ruined, while he swayed the accountant with even stronger motivations. He’s the father of a beautiful girl, whom he didn’t hesitate to use as bait. The price for the accountant's cooperation was his daughter's hand, for whom the young man undoubtedly had deep feelings. Whether the mastermind intended to follow through on his promise is less important; it's very likely he never planned to. He clearly understood early on that the bookkeeper couldn't evade the law for long. But since he’d taken every measure to keep the bookkeeper unaware of his existence, the unfortunate man’s fate wouldn’t have mattered to this ruthless villain, except for the chance that, when cornered, the bookkeeper would expose the accountant's role in the crime. That would have been very inconvenient since the accountant probably had some dangerous secrets. The safest way out of the predicament was to discreetly eliminate the now unnecessary bookkeeper. This plan was made, and would likely have been carried out, had fate not intervened. After the bookkeeper’s death, under the circumstances I’ve detailed, it became quite likely that the accountant’s involvement would be uncovered; luck had not been on his side from the start, and he found himself increasingly caught in the web of circumstantial evidence that his leader soon became fully aware of. First of all, the accountant was injured; and not only was he partially incapacitated, but he was also—what's worse—easily identifiable. A man with his arm in a sling is bound to attract attention, especially when that notable mark is accompanied by another equally striking feature, like a head of bright red hair——"
"Hold on, Sturgis!" interrupted Sprague, who had been listening with growing interest; "don't you know the accountant's name?"
"Wait, Sturgis!" interrupted Sprague, who had been listening with increasing interest, "don't you know the accountant's name?"
"Yes," replied the reporter; "his name is Thomas Chatham."
"Yeah," replied the reporter, "his name is Thomas Chatham."
"Thomas Chatham!" exclaimed Sprague, as the image of the miserable young man came to his mind.
"Thomas Chatham!" Sprague exclaimed, as the picture of the miserable young man flashed into his mind.
"Yes," replied Sturgis, answering his thought, "the man you met only a few hours ago."
"Yeah," replied Sturgis, addressing his thought, "the guy you met just a few hours ago."
There was a brief silence, broken at last by Sprague, who asked:
There was a short pause until Sprague finally spoke up and asked:
"Has he escaped?"
"Did he escape?"
Sturgis hesitated.
Sturgis paused.
"That depends upon how we look at it," he said gravely at length; "he has paid the penalty of his crimes."
"That depends on how we see it," he said seriously after a moment; "he's paid the price for his crimes."
"What do you mean?"
"What do you mean?"
"He is dead," answered the reporter.
"He's gone," the reporter replied.
"Dead? But I tell you I saw him——"
"Dead? But I swear I saw him——"
"I know; but he has died since."
"I know, but he has passed away since then."
"Suicide?"
"Is it suicide?"
"No;" the reporter's voice sank to a whisper; "murder!"
"No," the reporter's voice dropped to a whisper, "murder!"
"Murder?" repeated the artist, startled. "But how do you know that?"
"Murder?" the artist repeated, shocked. "But how do you know that?"
"This lump of lead tells the story," said Sturgis, holding up the shapeless piece of metal which he had taken out of the vat.
"This lump of lead tells the story," Sturgis said, holding up the shapeless piece of metal he had taken out of the vat.
"What is it? A bullet?"
"What is it? A bullet?"
"Yes; the bullet which Chatham carried in his arm from the time that he was wounded by Arbogast, the bullet which has enabled me to trace him step by step, from his flight from the overturned cab, to Doctor Thurston's, and finally to his death in this very room; the bullet whose peculiar shape is recorded in this shadow picture taken by Thurston by means of the Roentgen rays."
"Yes, the bullet that Chatham had in his arm ever since he was injured by Arbogast, the bullet that has allowed me to follow his movements, from his escape from the crashed cab, to Doctor Thurston's, and ultimately to his death in this very room; the bullet whose unique shape is captured in this shadow image taken by Thurston using X-rays."
So saying, he handed Sprague the photograph. But the artist had ceased to listen.
So saying, he handed Sprague the photograph. But the artist had stopped listening.
"In this very room?" he mused aloud, looking about him with awe.
"In this very room?" he wondered out loud, looking around with amazement.
"Yes. The story is simple enough. The man whose instrument Chatham was, is not one who would care to be lumbered up with tools, which become positively dangerous as soon as they cease to be useful. This man, totally unhampered by pity, gratitude or fear, determined to destroy the accountant, whose discovery might have imperilled his own welfare. What mattered a human life or two, when weighed against the possible loss of his own life or liberty, or of his high social standing and his enormous wealth; for this man is both renowned and rich, and he appears to have brought wholesale murder to a science."
"Yes. The story is pretty straightforward. The man who was Chatham's instrument isn't the type to hang on to tools that become dangerously useless. This man, completely free from pity, gratitude, or fear, decided to eliminate the accountant, whose findings could threaten his own safety. What did a couple of human lives matter when compared to the potential loss of his own life or freedom, or his prestigious social status and immense wealth? This man is both famous and wealthy, and it seems he has turned widespread murder into a science."
"Do you mean to say that wholesale murder can be indulged in with impunity in a city like New York, at the end of the nineteenth century?" asked Sprague aghast.
"Are you saying that mass murder can happen without consequences in a city like New York at the end of the 19th century?" Sprague asked, shocked.
"Yes; when it is done in the systematic and scientific manner that has been employed here. For this murderer is the most remarkable criminal of modern times. He has not been satisfied with killing his victims; he has succeeded in completely wiping them out of existence. Criminals have often attempted to destroy the bodies of their victims, but they have never before succeeded as this man has. He is a chemist of remarkable talent, and he has discovered a compound in which bone as well as human tissue is rapidly and totally dissolved. There it is in yonder tank. See how completely the liquid has destroyed the bone handle of this knife."
"Yes, when it's done in the organized and scientific way that's been used here. This murderer is the most extraordinary criminal of modern times. He hasn't just killed his victims; he's managed to completely erase them from existence. Criminals have often tried to dispose of the bodies of their victims, but no one has ever succeeded like this man has. He’s a highly skilled chemist, and he’s found a compound that can quickly and completely dissolve both bone and human tissue. There it is in that tank over there. Look how entirely the liquid has destroyed the bone handle of this knife."
Sturgis, after showing the damaged knife to his companion, resumed his whittling upon the cover of the box on which the artist was seated.
Sturgis, after showing the damaged knife to his friend, went back to whittling on the lid of the box where the artist was sitting.
"Chatham's body has been dissolved in that tank within a very short time. It has entirely disappeared; this flattened bullet alone is left, lead being one of the few substances which are not soluble in the contents of that tank. Fortunately he overlooked that fact. Genius has its lapses."
"Chatham's body has dissolved in that tank in no time at all. It's completely gone; only this flattened bullet remains, since lead is one of the few materials that don't dissolve in the tank's contents. Luckily, he missed that detail. Even geniuses can have their oversights."
Presently Sprague ventured to say:
Currently, Sprague ventured to say:
"If numerous crimes have been committed here, as you intimate, I do not understand how it is that suspicion has never rested on this house before."
"If so many crimes have happened here, as you suggest, I don’t get why no one has ever suspected this house before."
"The author of these crimes has taken every precaution to render the chance of discovery quite remote. His dwelling-house on one street, and the bogus Chemical Company on the other, are in communication through this underground passage, while apparently having no connection with each other. Moreover, he is too shrewd to make frequent use of this death chamber. That does well enough as a last resort, when he is obliged to commit the murders with his own hands; but I suspect that this man has other agents like Chatham, who do the dirty work for him and then quietly ship the bodies here for annihilation, as it was intended should be done with Arbogast's. Ah! yes; I thought so. You are sitting upon one of these bodies now."
"The person behind these crimes has taken every step to keep the chances of being caught very low. His house on one street and the fake Chemical Company on the other are connected by this underground passage, even though they seem unrelated. Plus, he’s too clever to use this death chamber too often. It works just fine as a last resort when he has to do the killings himself; but I think this guy has other people, like Chatham, who do the dirty work for him and then quietly send the bodies here to be disposed of, just like was supposed to happen with Arbogast’s. Ah! Yes; I thought so. You’re sitting on one of those bodies right now."
Sprague started to his feet; and, following the direction in which Sturgis was pointing with his open knife, he vaguely discerned, through the opening which the reporter had whittled, a small surface of what had once been the features of a human being.
Sprague jumped to his feet; and, following the direction Sturgis was indicating with his open knife, he vaguely made out, through the opening that the reporter had carved, a small area of what used to be the features of a human face.
After gazing for some minutes in horror-stricken silence at the distorted face, the artist asked in a low voice:
After staring in shock at the twisted face for a few minutes, the artist asked quietly:
"How did Chatham meet his death?"
"How did Chatham pass away?"
"I don't know yet," answered Sturgis gravely; "this man is no ordinary criminal. His work is clean and leaves no blood-stains and no disorder to tell of its accomplishment. He takes life with his own hands only when he is forced to do so; but, when he does, his method is masterly. It was easier to make away with Chatham than to pay him the price agreed upon for his complicity in the Knickerbocker bank embezzlement; and so his life was taken. I hope to discover how before I leave here."
"I don't know yet," Sturgis replied seriously. "This guy is no ordinary criminal. His methods are clean and leave no blood or mess to indicate what he's done. He only takes a life when he has to; but when he does, he does it expertly. It was easier to get rid of Chatham than to pay him the agreed-upon amount for his involvement in the Knickerbocker bank embezzlement, so his life was taken. I hope to find out how before I leave here."
Sprague started as the reporter ceased speaking.
Sprague began as the reporter finished speaking.
"The price of his complicity?" he exclaimed, laying his hand upon Sturgis's arm, and looking earnestly into his eyes.
"The cost of his involvement?" he exclaimed, placing his hand on Sturgis's arm and looking intently into his eyes.
"Yes," replied the reporter, steadily meeting his friend's gaze, "his daughter's hand."
"Yeah," replied the reporter, steadily meeting his friend's gaze, "his daughter's hand."
Sprague looked away from the honest eyes of the reporter, as if he dreaded to read in them the answer to his next question.
Sprague turned his gaze from the sincere eyes of the reporter, as if he feared discovering the answer to his next question in them.
"Who is this fiend incarnate, who is willing to traffic in his own flesh and blood, and with whom murder is a science?"
"Who is this wicked being, willing to trade in his own flesh and blood, and for whom murder is an art?"
"The man who is capable of these crimes, and of any others which might serve to remove an obstacle from his way, is——"
"The man who can commit these crimes, and any others that might help him get rid of an obstacle in his path, is——"
The reporter did not finish his sentence. He suddenly grasped his companion by the arm and stood transfixed, his eyes dilated, his neck craned in a listening attitude, every muscle tense like those of a wild animal in ambush, about to spring upon its approaching prey.
The reporter didn't finish his sentence. He suddenly grabbed his companion's arm and froze, his eyes wide, his neck stretched in a listening position, every muscle tense like a wild animal in hiding, ready to pounce on its unsuspecting prey.
Presently a click was heard as though a bolt had been shot from its socket.
Presently, a click sounded as if a bolt had been shot out of its socket.
"Draw your revolver!" Sturgis whispered hoarsely to his companion. "Quick!——Look there!"
"Draw your gun!" Sturgis whispered urgently to his friend. "Hurry!——Look over there!"
At the same time he drew his own weapon and pointed in the direction of the door at the head of the stairs. The door opened, and a man entered, quietly smoking a cigar.
At the same time, he pulled out his own weapon and aimed it toward the door at the top of the stairs. The door swung open, and a man walked in, casually smoking a cigar.
"Doctor Murdock!" exclaimed Sprague with horror.
"Doctor Murdock!" Sprague exclaimed in shock.
Murdock, still holding the door ajar, eyed the two men for an instant, his impassive face betraying not the slightest sign of emotion; Then, taking his cigar from his lips:
Murdock, still holding the door slightly open, glanced at the two men for a moment, his expressionless face showing no hint of emotion. Then, he took the cigar out of his mouth:
"Ah, gentlemen," he drawled in his ironical way, "I am delighted to see you. I trust you will make yourselves perfectly at home for a few minutes. I shall return directly. You can continue to work out your little problem in the meantime, Mr. Sturgis."
"Ah, gentlemen," he said with a hint of irony, "I'm glad to see you. I hope you'll make yourselves completely comfortable for a few minutes. I'll be back shortly. You can keep working on your little problem in the meantime, Mr. Sturgis."
With these words he calmly turned to leave the room.
With that, he calmly turned to walk out of the room.
"Stop!" shouted Sturgis, levelling his revolver at Murdock's head; "stand where you are or I fire!"
"Stop!" shouted Sturgis, aiming his revolver at Murdock's head. "Stay where you are or I'll shoot!"
The reporter's shot rang out almost before he had finished his sentence; but Murdock, unscathed, passed out of the room, closing the door behind him.
The reporter's shot went off almost before he had finished his sentence; but Murdock, unhurt, walked out of the room, closing the door behind him.
Sprague, dazed by the rapidity with which this scene had been acted, stood rooted to the spot, without having made any attempt to use the revolver which he had drawn at Sturgis's bidding.
Sprague, stunned by how quickly this scene had unfolded, stood frozen in place, not even trying to use the revolver he had pulled out at Sturgis's request.
The reporter sprang up the stairs and threw his weight against the door. But it was doubtless intended to withstand great shocks, for it remained unshaken.
The reporter charged up the stairs and slammed his body against the door. But it was clearly built to endure heavy impact, as it stayed completely firm.
"Check!" came the sound of a mocking voice from the other side of the door.
"Check!" came the sound of a taunting voice from the other side of the door.
Then, rushing down the stairs again, Sturgis shouted to his companion:
Then, rushing down the stairs again, Sturgis shouted to his friend:
"Come quick! We must get out of here!"
"Come on! We need to get out of here!"
And he led the way through the subterranean passage toward the cellar of the Manhattan Chemical Company.
And he guided us through the underground passage to the cellar of the Manhattan Chemical Company.
CHAPTER XXI.
THE DEATH CHAMBER.
THE EXECUTION CHAMBER.
Before the men had gone many steps a grating sound reached their ears from the direction of the skylight. They looked up and saw sliding steel shutters slowly and ponderously close, like grim jaws; and suddenly they felt themselves cut off from the outside world.
Before the men had taken many steps, a harsh sound caught their attention from the direction of the skylight. They looked up and saw heavy steel shutters slowly and clumsily closing, like grim jaws; and suddenly they felt completely cut off from the outside world.
Sturgis, taking up his lighted candle, made his way to the door of the subterranean passage and tried in vain to open it; the heavy iron bolt remained immovable in its socket. Inch by inch he scrutinized the door with growing anxiety. At last he abandoned the search, and returned in the direction of the square chamber.
Sturgis, picking up his lit candle, walked over to the door of the underground passage and tried unsuccessfully to open it; the heavy iron bolt wouldn’t budge at all. Anxiously, he examined the door inch by inch. Finally, he gave up the search and headed back toward the square chamber.
"That explains why he wanted to shut me in here when I was in his office," he muttered under his breath.
"That’s why he wanted to lock me in here when I was in his office," he muttered under his breath.
"What is the matter?" asked Sprague.
"What's happening?" asked Sprague.
"We are caught like rats in a trap," replied Sturgis. Then with feeling he added: "I do not know how this will end, old man. I have bungled and I fear the game is lost. If our lives are the forfeit, you will owe your death to my stupidity."
"We're trapped like rats," Sturgis replied. Then, with heartfelt emotion, he added, "I don't know how this will turn out, old man. I've messed up, and I fear the game is lost. If our lives are the price, you'll owe your death to my foolishness."
Sprague looked at his friend, as if surprised to hear him apparently abandon the fight.
Sprague looked at his friend, as if surprised to hear him seemingly give up the fight.
"Don't worry about me," he said kindly; "I came here of my own free will. But," he added, as a vision of Agnes Murdock flashed upon his mind, "I have no intention to die just yet, if I can help it. Are we not both able-bodied men and armed? What can one man do against two?"
"Don't worry about me," he said kindly; "I came here on my own. But," he added, as a vision of Agnes Murdock flashed into his mind, "I have no plans to die just yet, if I can help it. Aren't we both able-bodied men and armed? What can one man do against two?"
"It is not an open fight," said Sturgis, "but I am glad to see your spirit. I do not give up; but I want you to realize that we are in a critical situation, with the odds enormously against us."
"It’s not a fair fight," Sturgis said, "but I’m glad to see your determination. I won’t back down; however, I need you to understand that we’re in a tough spot with the odds heavily stacked against us."
"Why, what can Murdock do?"
"What can Murdock do?"
"Perhaps what he did to Chatham. It will probably not be long before we discover what that was."
"Maybe what he did to Chatham. It probably won’t be long before we find out what that was."
"But there must be some way of opening that door from the inside," said Sprague.
"But there has to be a way to open that door from inside," said Sprague.
"There evidently is none," replied Sturgis; "he probably controls these doors from the outside by electrical connection."
"There clearly isn't one," Sturgis replied. "He probably operates these doors from the outside using an electrical connection."
The men were back in the square chamber. Sturgis's eyes were roving restlessly over the walls, ceiling and floor in search of a loophole of escape.
The men were back in the square room. Sturgis's eyes were scanning the walls, ceiling, and floor anxiously looking for an escape route.
"There is no chance to reach the skylight without a ladder; and even if we could reach it, we should be no further advanced, as it would be impossible to make any impression on the steel shutters. That leaves the register and the speaking-tube. While I examine the register, suppose you try the tube. If it connects with the Manhattan Chemical Company's office, there is a bare chance that we may attract the attention of the detectives whom we left there."
"There’s no way to get to the skylight without a ladder, and even if we could, it wouldn't help us since we wouldn't be able to do anything about the steel shutters. That leaves us with the register and the speaking tube. While I check the register, why don’t you try the tube? If it connects to the Manhattan Chemical Company's office, we might have a slim chance of getting the attention of the detectives we left there."
"As we were saying, Mr. Sturgis——"
"As we were saying, Mr. Sturgis——"
The words came in Murdock's mocking tones.
The words came in Murdock's sarcastic tone.
Sturgis quickly held the lighted candle above his head and peered in the direction whence came the sound. A panel of the door at the head of the stairs had been pushed up, revealing a small opening covered by a strong and closely woven wire netting.
Sturgis quickly held the lit candle above his head and looked in the direction the sound was coming from. A panel of the door at the top of the stairs had been pushed up, revealing a small opening covered by a strong, tightly woven wire mesh.
"As we were saying, 'murder will out!' Nevertheless, it is sometimes easier to weld a chain, even of circumstantial evidence, than it is to predict who will be bound in it."
"As we were saying, 'murder will come to light!' However, it's often easier to forge a chain, even if it's made of circumstantial evidence, than to predict who will end up trapped in it."
Sturgis and Sprague stood in the glimmering light of the candle, silently watching the glowing eyes behind the screen.
Sturgis and Sprague stood in the flickering candlelight, quietly gazing at the glowing eyes behind the screen.
"Mr. Sturgis, you are a clever man," continued Murdock, "an uncommonly clever man. I frankly admit that I had underrated your ability. But then we are all fallible, after all. I made my share of blunders, as you seem to have discovered; but you will doubtless now concede that your own course has not been entirely free from errors. And now that we have reached the conclusion of this interesting game, I have the honor to announce, 'mate in one move!' Perhaps you are surprised that I should take the trouble to explain the situation to you so clearly. I do so in recognition of your superior intelligence. I see in you a peer. If matters could have been so arranged, I should have been proud to work in harmony with such a man as you; and indeed, when, a short time ago, I invited you to my laboratory, it was my intention to offer you a compromise which I hoped I might be able to persuade you to accept. I felt that you would prove an ally who could be trusted. But, alas, that is impossible now, on account of your friend's presence. With all due respect to Mr. Sprague, as an amiable man of the world and a prince of good fellows, it may be said that he is not one of us. Much to my sorrow, therefore, I am left no alternative to the course I am about to adopt. The fault, if anybody's, is your own, after all, Mr. Sprague. There is a homely but expressive adage concerning the danger of 'monkeying' with a buzz saw. Why, my dear friend, did you 'monkey' with Mr. Sturgis's buzz saw, instead of sticking to your palette and maulstick.
"Mr. Sturgis, you're a smart man," Murdock continued, "an exceptionally smart man. I have to admit that I underestimated your abilities. But we all make mistakes sometimes. I've made my fair share of blunders, as you've probably noticed; but I’m sure you can now agree that your own actions haven’t been completely error-free. And now that we've come to the end of this intriguing game, I have the honor of announcing, 'checkmate in one move!' You might be surprised that I’d take the time to lay everything out for you so clearly. I do this because I recognize your superior intelligence. I see you as an equal. If circumstances had allowed it, I would have been proud to collaborate with someone like you; indeed, when I invited you to my lab not long ago, I intended to propose a compromise that I hoped you might accept. I believed you would be a trustworthy ally. Unfortunately, that's no longer possible because of your friend's presence. With all due respect to Mr. Sprague, a charming man and a great guy, it’s fair to say he doesn’t belong in our circle. So, much to my regret, I have no choice but to proceed with the plan I’m about to carry out. If there's any fault here, it lies with you, Mr. Sprague. There's a common but meaningful saying about the risks of 'messing' with a buzz saw. So, my dear friend, why did you 'mess' with Mr. Sturgis's buzz saw instead of sticking to your palette and maulstick?
"But I fear I am growing garrulous, gentlemen. If I had time, I should like to explain to Mr. Sturgis the details of some of the more important, and, in my humble opinion, more brilliant schemes of which I have been the——ah——the promoter; for I dislike to be judged by the bungling operations which have so nearly caused me to lose this latest little game. But this cannot be. I shall have to continue to confide to the pages of my journal, as I have done for years, the interesting events of, if I may say so, a somewhat remarkable career, which I hope will some day, after my death, find their way in print to public favor. My dream has always been that some such man as Mr. Sturgis might ultimately edit these memoirs; but, alas, the fondest of human dreams are seldom destined to be realized.
"But I fear I’m getting a bit talkative, gentlemen. If I had time, I’d love to explain to Mr. Sturgis the details of some of the more important, and in my humble opinion, more brilliant projects I’ve been the—ah—the promoter of; I really don’t want to be judged by the clumsy attempts that almost caused me to lose this latest little game. But that can’t happen. I’ll have to keep confiding in the pages of my journal, as I have for years, about the interesting events of, if I may say so, a somewhat remarkable career, which I hope will one day, after I’m gone, get published and appreciated by the public. I’ve always dreamed that someone like Mr. Sturgis could ultimately edit these memoirs; but, sadly, the most cherished human dreams often don’t come true."
"Now then, gentlemen, before finally parting with you, I wish to honorably carry out the terms of my wager with Mr. Sturgis. I concede the fact that, to all intents and purposes, he has won the bet, and I authorize you, Mr. Sprague, as stakeholder, to pay him the amount I deposited with you. As I have already suggested, he has made some perhaps excusable mistakes; but then, as he himself stated the other night, 'a detective has a lifetime in which to correct a blunder.' A lifetime! It is not in accordance with Mr. Sturgis's usual practice to use so vague a term. A lifetime is not necessarily a very long time, Mr. Sturgis."
"Alright, gentlemen, before I leave you for good, I want to honorably fulfill the terms of my bet with Mr. Sturgis. I admit that, for all intents and purposes, he has won the wager, and I authorize you, Mr. Sprague, as the stakeholder, to pay him the amount I deposited with you. As I've already mentioned, he has made some mistakes that might be seen as understandable; but as he himself said the other night, 'a detective has a lifetime to correct a blunder.' A lifetime! It's not usual for Mr. Sturgis to use such a vague term. A lifetime isn’t necessarily a very long time, Mr. Sturgis."
During this tirade Sturgis and Sprague had remained standing with their eyes fixed upon the gleaming carbuncles which peered at them from behind the grated peephole at the top of the stairs. The artist seemed to realize that the fight was lost. His attitude was that of a brave man accepting, with calm despair, an unpleasant but inevitable doom. The reporter had drawn his revolver at the first sound of Murdock's voice, but had immediately returned it to his pocket upon realizing that the chemist was protected by a bullet-proof grating. Now, pale and collected, he remained inscrutable. It was impossible, even for the sharp eyes of Murdock, to determine whether he was at last resigned to his fate, or whether his active mind was still on the alert for a loophole of escape.
During this rant, Sturgis and Sprague stood with their eyes fixed on the shiny gems that were peering at them from behind the grated peephole at the top of the stairs. The artist seemed to realize that the fight was over. He was like a brave person calmly accepting an unpleasant but inevitable fate. The reporter had pulled out his revolver at the first sound of Murdock's voice but quickly put it back in his pocket when he saw that the chemist was protected by a bullet-proof grate. Now, pale and composed, he remained unreadable. It was impossible for even Murdock's sharp eyes to tell whether he had finally accepted his fate or if his quick mind was still searching for an escape route.
The bit of candle which he held in his hand had burned so low that at last he was unable to hold it without risk of burning his fingers. Whereupon he coolly set it down upon the stone floor, where presently the wick fell over into a pool of molten paraffine, and the flame spluttered noisily, sending fitful gleams through the darkness.
The candle he was holding had burned down so low that he could barely hold it without risking his fingers getting burned. So, he calmly placed it on the stone floor, where the wick tipped into a puddle of melted paraffin, and the flame sizzled loudly, casting flickering glimmers through the dark.
"Well," continued Murdock's voice, "it is at any rate a great satisfaction to play a game with an adversary worthy of one's steel. You have played well, Mr. Sturgis. I think you would have won modestly; and you are losing as I would myself have lost, had our positions been reversed. Good-bye."
"Well," Murdock's voice continued, "it's definitely a great satisfaction to play a game against an opponent who's truly skilled. You played well, Mr. Sturgis. I believe you would have won gracefully; and you are losing just as I would have lost if our roles were reversed. Goodbye."
The gleaming eyes disappeared from the grating, and the sliding panel closed with a metallic click.
The shining eyes vanished from the grate, and the sliding panel shut with a metallic click.
"Now then," said Sturgis to his companion, "the last chance lies in the speaking-tube. But first help me move this box."
"Alright," Sturgis said to his friend, "our last shot is through the speaking tube. But first, help me move this box."
"What do you want to do with the box?" asked Sprague, who, however, did as he was bid.
"What do you want to do with the box?" asked Sprague, who, however, did as he was told.
"It may help us to gain a little time. Put it down here."
"It might help us buy some time. Write it down here."
Sturgis struck a match and pointed out the spot.
Sturgis lit a match and pointed to the spot.
"On the hot-air register?"
"On the hot air vent?"
"On what looks like a hot-air register. Did you ever see a hot-air register with no apparent means of shutting off the heat?"
"On what seems like a hot-air vent. Have you ever seen a hot-air vent that has no obvious way to turn off the heat?"
Sprague, who stood almost over the register, suddenly threw back his head and gasped for breath.
Sprague, who stood right above the register, suddenly threw his head back and gasped for air.
"You have discovered the secret of this death trap," said Sturgis, observing him.
"You've figured out the secret of this death trap," Sturgis said, watching him.
"Gas!" spluttered the artist.
"Gas!" coughed the artist.
"Yes, he is going to asphyxiate us. Now, quick, to the speaking-tube! The box will somewhat retard the rush of gas; but, at the best, it is only a question of minutes before the air becomes so charged as to render respiration impossible."
"Yes, he’s going to suffocate us. Now, hurry, to the speaking tube! The box will slow down the flow of gas a bit; but really, it’s just a matter of minutes before the air gets so contaminated that breathing becomes impossible."
Sprague rushed to the speaking-tube and whistled long and loud, after which he placed his ear to the mouthpiece.
Sprague hurried to the speaking tube and whistled for a long time, then he put his ear to the mouthpiece.
"I hear some one walking," he suddenly exclaimed.
"I hear someone walking," he suddenly exclaimed.
The two men listened in breathless silence for an answering call.
The two men listened in eager silence for a response.
"Well, gentlemen; what can I do for you?"
"Well, gentlemen, how can I help you?"
The words came in Murdock's voice.
The words came in Murdock's voice.
Sprague's eyes met those of the reporter and saw that the last faint glimmer of hope was gone. In that swift and silent interchange of thought there was resignation to the inevitable doom and the final farewell of two brave hearts.
Sprague's eyes locked with those of the reporter, and he realized that the last hint of hope was gone. In that quick, silent exchange of thoughts, there was acceptance of the unavoidable fate and the final goodbye of two courageous hearts.
The spluttering candle gave its last flicker and went out, leaving the prisoners in utter darkness.
The sputtering candle gave its final flicker and went out, leaving the prisoners in complete darkness.
The room was rapidly filling with gas, and they were beginning to feel its effects.
The room was quickly filling with gas, and they were starting to feel its effects.
"We can at least complete our task before we die," said Sturgis with grim determination.
"We can at least finish what we set out to do before we die," Sturgis said with stubborn determination.
"Our task!"
"Our mission!"
"Yes, and insure Murdock's conviction for our murder."
"Yeah, and make sure Murdock gets convicted for our murder."
"What chance is there that any one will ever discover our bodies, since they are destined for Murdock's oblivion tank?"
"What are the chances that anyone will ever find our bodies, since they're headed for Murdock's oblivion tank?"
"Give me your hand," Sturgis replied; "there is a box of matches. I place it here, between us, within easy reach. I want to write a few words to the superintendent of police to explain matters. By that time there will be enough gas in the room to produce a terrific explosion, when we strike a match. We can thus succeed in wrecking this place and calling attention to it. If I should succumb before you do, do not fail to light the match."
"Give me your hand," Sturgis said. "There's a box of matches. I'm placing it here, between us, where we can easily grab it. I want to write a few words to the police superintendent to explain everything. By then, there will be enough gas in the room to create a huge explosion when we strike a match. This way, we can destroy this place and draw attention to it. If I pass out before you do, make sure to light the match."
While he was speaking, the reporter had taken from his pocket a pad and a pencil, and had begun to write as rapidly as he could in the darkness.
While he was talking, the reporter pulled out a notepad and a pencil from his pocket and started writing as quickly as he could in the dark.
Sprague's head was beginning to swim and his ears were ringing, but the thought of Agnes Murdock was uppermost in his mind.
Sprague's head was starting to spin and his ears were ringing, but the thought of Agnes Murdock was the main thing on his mind.
"An explosion!" he exclaimed; "no, no; that must not be. What of Agnes? She may be hurt?"
"An explosion!" he shouted. "No, no; that can't be. What about Agnes? She might be hurt?"
Sturgis continued writing.
Sturgis kept writing.
"It is the only chance there is of bringing Murdock to justice," he said, firmly.
"It’s the only chance we have to bring Murdock to justice," he said firmly.
"But Agnes is innocent of his crimes," urged the artist, in a thick voice. His tongue clove to his palate; he felt his consciousness ebbing. "Why should she suffer? I am going, old man——I cannot hold out any longer——Promise me that you——that you will not——strike——the match——"
"But Agnes is innocent of his crimes," the artist insisted, his voice heavy. His tongue felt stuck to the roof of his mouth; he sensed his awareness slipping away. "Why should she have to suffer? I'm going, old man—I can't take it anymore—Promise me that you—that you won't—light the match—"
He staggered and fell against the reporter, who caught him in his arms. His own senses were reeling.
He stumbled and fell into the reporter, who caught him in his arms. His own senses were spinning.
"Promise——" pleaded the half-unconscious man.
"Promise—" pleaded the semi-conscious man.
"I promise," answered Sturgis, after an instant's hesitation.
"I promise," Sturgis replied, after a moment's pause.
It struck a chill to his heart to see his friend dying in the prime of youth, strength and happiness.
It sent a chill through his heart to see his friend dying at such a young age, full of strength and happiness.
Suddenly a thought flashed upon him.
Suddenly, an idea hit him.
"Brace up, old fellow. All is not yet over. The speaking-tube leads to fresh air. Here, put your lips to it, and breathe through your mouth."
"Hang in there, buddy. It’s not over yet. The speaking tube leads to fresh air. Here, put your lips to it and breathe through your mouth."
The artist heard the words and made an effort to obey these directions. With Sturgis's assistance he managed to place his lips to the mouthpiece of the speaking-tube. A few whiffs of comparatively fresh air sent the sluggish blood coursing through his veins, and gave him a new hold on life. With renewed vigor came the animal instinct to fight to the last for existence.
The artist listened to the instructions and tried hard to follow them. With Sturgis's help, he was able to put his lips to the mouthpiece of the speaking tube. A few breaths of somewhat fresh air invigorated him, making his sluggish blood flow more freely and giving him a fresh grip on life. With this revitalization came the primal urge to fight to the very end for survival.
As the shadows of death which had been closing in upon him receded, he became conscious of Sturgis's voice beating upon his ears in broken and scarcely audible tones.
As the shadows of death that had been closing in on him faded away, he became aware of Sturgis's voice pounding in his ears in fragmented and barely audible tones.
"It is——the last chance——Stick——to the tube——When he comes——surprise him——your revolver——shoot——before——"
"It is—your last chance—Stick— to the tube—When he comes—surprise him—your revolver—shoot—before—"
The reporter was clinging unsteadily to his friend's shoulder. Sprague suddenly realized that Sturgis in his turn was succumbing to the effects of the gas. He sprang back in time to catch the staggering man in his arms.
The reporter was unsteadily leaning on his friend's shoulder. Sprague suddenly realized that Sturgis was also starting to feel the effects of the gas. He quickly stepped back to catch the stumbling man in his arms.
"Selfish brute that I am!" he exclaimed. "Here; it is your turn to breathe!" And he pushed the reporter toward the tube.
"Selfish brute that I am!" he exclaimed. "Here; it's your turn to breathe!" And he pushed the reporter toward the tube.
"No, no," said Sturgis, struggling faintly; "it cannot be both——and you——have——everything——to live for."
"No, no," said Sturgis, struggling weakly; "it can't be both—and you—have—everything—to live for."
But the artist was now the stronger, and he succeeded in forcing his friend to inhale enough fresh air to restore his departing consciousness.
But the artist was now stronger, and he managed to get his friend to take in enough fresh air to bring back his fading consciousness.
At length Sturgis, with returning strength, was about to renew the generous struggle with Sprague, when suddenly the place was ablaze with the glare of an electric light.
At last, Sturgis, feeling stronger, was ready to continue the fierce competition with Sprague when, out of nowhere, the area was lit up by the bright light of an electric lamp.
"He wants to see if his work is done," whispered Sturgis to his companion.
"He wants to see if his work is finished," Sturgis whispered to his companion.
Then, observing that Sprague was again on the verge of asphyxiation, he continued hurriedly:
Then, noticing that Sprague was once again about to suffocate, he quickly went on:
"Fill your lungs with air, quick!——quick, I tell you. Now drop and feign death. Do as I do."
"Take a deep breath, fast!—I mean it, hurry up. Now drop to the ground and pretend to be dead. Follow my lead."
Suiting the action to the word, Sturgis threw himself upon the stone floor, face downward, and lay motionless, his right hand grasping a revolver concealed beneath his body. Sprague, after a short breathing spell at the tube, followed his companion's example.
Suiting the action to the word, Sturgis threw himself onto the stone floor, face down, and lay still, his right hand gripping a revolver hidden beneath him. Sprague, after a brief rest at the tube, followed his friend's lead.
After a short interval there came a metallic click, which Sturgis recognized as the sound made by the opening of the slide in the panel of the door at the head of the stairs.
After a brief moment, there was a metallic click, which Sturgis recognized as the sound of the slide in the door panel at the top of the stairs being opened.
A moment—which seemed an eternity of suspense—followed, during which the prisoners felt, without being able to see, the cold gleam of the steely eyes of Murdock at the grating.
A moment—which felt like an eternity of suspense—followed, during which the prisoners sensed, without being able to see, the cold glint of Murdock's steely eyes at the grating.
Would he enter? Would he suspect the ruse? Would the two men retain their grasp of consciousness and their strength long enough to make a last fight for life?
Would he go in? Would he see through the trick? Would the two men keep their grip on reality and their strength long enough to make one last stand for survival?
These thoughts crowded upon the reporter's brain as he lay simulating death and making a desperate effort to control his reeling senses.
These thoughts flooded the reporter’s mind as he lay pretending to be dead, struggling to regain control of his spinning senses.
If Murdock were coming he would have to shut off the gas and to ventilate the room. What was he waiting for?
If Murdock was coming, he would need to shut off the gas and ventilate the room. What was he waiting for?
"Come in!"
"Come on in!"
The words were Murdock's as he turned away from the grating and closed the sliding panel.
The words were Murdock's as he turned away from the grate and closed the sliding panel.
"An interruption which probably means death to us," whispered Sturgis to his companion; "take another breath of fresh air, old fellow; we must hold out a little longer."
"An interruption that could likely mean death for us," whispered Sturgis to his companion; "take another breath of fresh air, my friend; we just need to hold out a bit longer."
Sprague, however, lay motionless and unresponsive. The reporter shook him violently and turned him over upon his back. The artist's body was limp and inert; his eyes half closed; his face livid.
Sprague, however, lay still and unresponsive. The reporter shook him roughly and flipped him onto his back. The artist's body was limp and lifeless; his eyes half-closed; his face pale.
The reporter himself felt sick and faint. But, with a mighty effort, he succeeded in raising his friend in his arms, and dragging him toward the speaking-tube. There, of a sudden, his strength failed him. His head swam; his muscles relaxed; he felt Sprague's limp form slip from his grasp, tottered, reeled, threw his arms wildly about him for support, and fell, as the last elusive ray of consciousness was slipping away from him.
The reporter felt sick and weak. However, with a huge effort, he managed to lift his friend in his arms and pull him toward the speaking tube. Suddenly, his strength gave out. His head spun; his muscles loosened; he felt Sprague's limp body slip from his grip, staggered, swayed, flailed his arms wildly for support, and collapsed as the last fleeting moment of awareness faded away from him.
CHAPTER XXII.
FATHER AND DAUGHTER.
Dad and daughter.
After Sprague had left her, Agnes, shaken by the conflicting emotions of the day, had gone to her room to rest and to prepare for the interview which she meant to have with her father on the subject of her lover and of Chatham.
After Sprague left, Agnes, overwhelmed by the mixed feelings of the day, went to her room to rest and get ready for the conversation she intended to have with her father about her boyfriend and Chatham.
Having received word that Murdock would remain in his study during the rest of the afternoon, she had taken time to reflect upon what she meant to say, and how she meant to say it. Her visit was not prompted by the desire of a daughter to confide the great happiness of her life to the loving sympathy of an affectionate parent; but Agnes was punctilious in the performance of what she considered to be her duties, great and small, and she counted it among those duties to obtain, or at any rate to seek, the paternal sanction of her choice of a husband.
Having heard that Murdock would be in his study for the rest of the afternoon, she took the time to think about what she wanted to say and how she planned to say it. Her visit wasn’t driven by a daughter's wish to share the great joy of her life with a caring parent; instead, Agnes was meticulous about fulfilling what she saw as her responsibilities, big and small, and she considered it one of those responsibilities to seek or at least obtain her father's approval of her choice of husband.
Her knock at the door of Murdock's study was answered in the chemist's quiet voice:
Her knock on the door of Murdock's study was met with the chemist's soft voice:
"Come in."
"Come on in."
As she opened the door, Murdock advanced to meet her. He seemed to come from the direction of the extension.
As she opened the door, Murdock stepped forward to greet her. He looked like he had come from the direction of the extension.
Miss Murdock sniffed the air.
Miss Murdock smelled the air.
"Isn't there a leak of gas?" she inquired.
"Isn't there a gas leak?" she asked.
"Yes," replied Murdock; "I have just stopped a leak in the laboratory. Won't you take a chair, Agnes?"
"Yeah," Murdock said, "I just fixed a leak in the lab. Why don't you have a seat, Agnes?"
She felt his calm searching glance upon her; and, in spite of her preparation, she grew embarrassed, as was her wont, in her father's presence.
She felt his calm, searching gaze on her; and despite her preparation, she became embarrassed, as she usually did, in her father's presence.
"Did Mr. Chatham wait to see you this afternoon?" she asked, after a momentary silence.
"Did Mr. Chatham wait to see you this afternoon?" she asked after a brief pause.
Murdock observed her narrowly.
Murdock watched her closely.
"Yes; Chatham has been here to-day. I did not know that you had seen him."
"Yes, Chatham was here today. I didn't know you had seen him."
"I could not help seeing him; for he forced his way into the parlor, in spite of all the servants could do to prevent him."
"I couldn't help seeing him because he pushed his way into the living room, despite all the servants trying to stop him."
An almost imperceptible furrow appeared between the chemist's eyes.
An almost invisible wrinkle formed between the chemist's eyes.
"Has he been annoying you with his attentions?"
"Has he been bothering you with his attention?"
The words were spoken in Murdock's usual tones; but Agnes saw something in her father's eyes and in the firm lines of his mouth which sent a cold shiver down her spine, and caused her pity to go out to the unfortunate young man who had offended her.
The words were spoken in Murdock's usual tone, but Agnes noticed something in her father's eyes and the rigid lines of his mouth that sent a chill down her spine and made her feel sorry for the poor young man who had upset her.
"Perhaps he is more to be pitied than blamed," she suggested gently. "My interview with him was certainly not pleasant; but I bear him no malice."
"Maybe he deserves more pity than blame," she said softly. "My conversation with him wasn't exactly enjoyable; but I hold no ill will toward him."
"Tell me about it," said Murdock slowly.
"Go ahead and tell me," Murdock said slowly.
Agnes gave her version of the visit, in which, instinctively, she softened, as much as possible, the passion and brutality displayed by the accountant.
Agnes shared her take on the visit, in which she instinctively toned down, as much as she could, the passion and brutality shown by the accountant.
Murdock listened in silence until she had quite finished. Then Agnes noticed that his right hand was clenched upon the arm of his chair with a force which caused the muscles to stand out in hard knots. She looked up into his face in sudden surprise.
Murdock listened silently until she finished speaking. Then Agnes noticed that his right hand was gripping the arm of his chair so tightly that the muscles were bulging in hard knots. She looked up at his face in sudden surprise.
His features gave no indication of what his feelings might be; and his voice, as usual, was steady and deliberate.
His expression revealed nothing about his feelings, and his voice was, as always, calm and intentional.
"I am sorry all this should have happened, Agnes. As I told you yesterday, I hoped to save you from this man's importunities. It cannot be helped now. But I think I made it clear to the gentleman that his attentions are as distasteful to me as they are to you. As he seems to have told you, he has been obliged to leave the country—I understand that he has done something or other which makes it safer for him to undertake a long journey. At any rate, we are well rid of him for some time to come, and I think you need have no fear of further molestation."
"I'm really sorry all of this happened, Agnes. As I mentioned yesterday, I wanted to protect you from this man's advances. There's nothing we can do about it now. But I think I made it clear to him that his attention is just as unpleasant for me as it is for you. He seems to have told you that he had to leave the country—I hear he did something that makes it safer for him to go on a long trip. In any case, we won’t have to deal with him for a while, and I don’t think you need to worry about any more harassment."
"What did he mean by saying that he had had encouragement from you?" asked the young girl.
"What did he mean when he said he had your support?" asked the young girl.
"I am sure I do not know. That was of course a lie out of whole cloth. He came to me with letters of recommendation from good friends of mine, and I therefore occasionally invited him to the house; but that is all the encouragement he ever got from me. We live in the United States and at the close of the nineteenth century. The selection of a husband is no longer performed by a stern parent, but is left entirely to the young girl herself. That is certainly my way of looking at the matter. When you find the man of your choice, my only function will be to give my advice, if you seek it, and my best assistance in any event."
"I honestly don’t know. That was obviously a complete lie. He came to me with letters of recommendation from good friends, so I occasionally invited him over; but that's all the encouragement he ever received from me. We live in the United States at the end of the nineteenth century. Choosing a husband isn't something a strict parent does anymore; it’s entirely up to the young woman herself. That’s definitely how I see it. When you find the man you want, my only role will be to offer my advice, if you ask for it, and my support no matter what."
The turn of the conversation thus suddenly brought to the surface the topic which occupied the young girl's mind, to the exclusion of all others; and which, for that very reason, had been kept severely in the background up to that point.
The shift in the conversation suddenly revealed the topic that consumed the young girl's thoughts, pushing everything else aside; and that’s precisely why it had been kept hidden until now.
"That reminds me," said Agnes consciously, as a charming flush suffused her beautiful face, "that I have not yet broached the principal object of this interview——"
"That reminds me," Agnes said, with a conscious smile as a charming blush spread across her beautiful face, "that I haven't yet brought up the main purpose of this meeting——"
Murdock observed her closely and waited for her to proceed. But Agnes was once more laboring under a strange embarrassment and could not find words in which to frame the confidence she was so reluctant to offer.
Murdock watched her intently and waited for her to go on. But Agnes was once again struggling with an awkward embarrassment and couldn’t find the words to express the confidence she was so hesitant to share.
Perhaps the chemist divined something of the nature of what she was struggling to find expression for. At any rate, he noticed her embarrassment and endeavored to come to her assistance with a few encouraging words, spoken with unusual gentleness. Agnes, engrossed with her own thoughts, did not notice it; but there was in his manner as near an approach to tender wistfulness as his nature was capable of.
Perhaps the chemist sensed something about what she was trying to express. In any case, he noticed her embarrassment and tried to help her with a few encouraging words, spoken with surprising gentleness. Agnes, lost in her own thoughts, didn't notice it; but there was in his demeanor an almost tender wistfulness that he was capable of.
At last the young girl seemed to gather courage, and she was about to speak, when there was a knock upon the door.
At last, the young girl seemed to find her courage, and she was about to speak when there was a knock at the door.
"Plaze, sur; there do be two gintlemin in the hall."
"Please, sir; there are two gentlemen in the hall."
"Who are they, Mary?"
"Who are they, Mary?"
"Shure, thin, sir, I dunno, barrin' wan uv 'em do be a polacemun."
"Sure thing, sir, I don't know, unless one of them is a policeman."
"Did they ask to see me?"
"Did they ask to see me?"
"They did not, sur; shure they asked if Mr. Chapman was in."
"They didn't, sure; they asked if Mr. Chapman was in."
"Mr. Chatham?"
"Mr. Chatham?"
"Yis, sur. And I told 'em he wuz here this afthernoon, and I wud see wuz he here now, fur I aint seen him go yit."
"Yes, sir. And I told them he was here this afternoon, and I would check to see if he is here now, for I haven't seen him leave yet."
"Well, Mary, you see he has gone, since he is no longer here," said Murdock quietly. "Take the gentlemen into the parlor, and tell them I shall be with them in a minute."
"Well, Mary, you see he's gone, since he's not here anymore," Murdock said quietly. "Take the gentlemen into the parlor and tell them I'll be with them in a minute."
"All right, sur."
"Alright, sir."
After the maid had left the room, the chemist rose from his chair and walked toward the door leading to the library.
After the maid left the room, the chemist got up from his chair and walked toward the door that led to the library.
"If you will excuse me for a few minutes, Agnes, I shall see what these men want. Wait for me here, if you will. I shall be back directly."
"If you don’t mind giving me a few minutes, Agnes, I’ll find out what these guys want. Just wait for me here, okay? I’ll be right back."
So saying, he noiselessly opened the folding-doors and passed into the library, closing the doors carefully behind him.
So saying, he quietly opened the folding doors and entered the library, making sure to close the doors gently behind him.
Freed from the presence of her father, Agnes almost instantly regained her composure. She had not, however, had much time to collect her thoughts, when she was suddenly startled by a loud shrill whistle, which brought her to her feet in alarm.
Freed from her father’s presence, Agnes quickly regained her composure. However, before she had much time to gather her thoughts, she was suddenly startled by a loud, sharp whistle that made her jump to her feet in alarm.
It is a well-known fact that there is, in the ring of a door bell, a complex range of expression, which differentiates to an observant ear the characteristics of the ringer. No one is likely to mistake the postman's ring for that of the beggar; and no young girl is liable to confound her father's ring with that of her lover; but, to a careful observer, the gradations of quality, of intensity, of duration, in a ringing door bell, are almost as great as in the voices of the ringers themselves. Perhaps the range of expression in the whistle of a speaking-tube is less extended; but in the whistle which reached Agnes Murdock's ears there was something that struck a chill of terror to her heart, like a wild despairing cry of anguish, and which caused her to spring without hesitation to the tube, the mouthpiece of which protruded from the wall of Murdock's study.
It’s a well-known fact that the sound of a doorbell can convey a complex range of emotions, allowing an observant listener to distinguish the characteristics of the person ringing it. No one would confuse the postman's ring with that of a beggar, nor would a young woman mistake her father's ring for her lover's. However, to a keen observer, the differences in quality, intensity, and duration of a doorbell's sound can be as varied as the voices of the people ringing it. While the variety of expression in the whistle of a speaking tube might be more limited, the whistle that reached Agnes Murdock's ears carried a chilling sense of terror, akin to a wild, desperate cry of anguish, prompting her to rush without hesitation to the tube, the mouthpiece of which was sticking out from the wall of Murdock's study.
"Well?"
"What's up?"
She asked the question in anxious tones, as if realizing that life and death were in the balance. Then she placed her ear to the mouthpiece.
She asked the question in a worried tone, as if she understood that life and death were at stake. Then she put her ear against the mouthpiece.
At first, she could not make out the words spoken by her invisible interlocutor. Then, gradually, they fell upon her ear with terrible distinctness; and she stood spellbound, as in a horrible nightmare, with sudden terror in her staring eyes, and with the fearful sense of impotence in her trembling limbs.
At first, she couldn't understand what her invisible conversation partner was saying. Then, slowly, the words became frighteningly clear; she stood frozen, like in a terrible nightmare, her eyes wide with sudden fear, and a chilling feeling of helplessness in her shaking limbs.
CHAPTER XXIII.
THE SPEAKING-TUBE.
THE INTERCOM.
Nature has implanted in every one of its living creatures, from the top to the bottom of the scale, the strongest of all instincts—that of self-preservation. As Sturgis fell forward and clutched wildly at the air, his hands struck the stone wall of the square chamber. No conscious impression was made upon his brain by the contact; but, automatically, his fingers tightened as they slipped over the smooth surface. His right hand struck an obstacle and closed upon it, in the convulsive grip of a dying man. Then a sudden gleam of consciousness swept across his sluggish brain.
Nature has embedded in every living creature, from the highest to the lowest, the strongest instinct of all—self-preservation. As Sturgis fell forward and flailed at the air, his hands hit the stone wall of the square chamber. The impact didn’t register in his mind, but instinctively, his fingers tightened as they glided over the smooth surface. His right hand hit an obstacle and grasped it with the desperate grip of a dying man. Then, a sudden spark of awareness rushed through his sluggish mind.
It was the speaking-tube!
It was the intercom!
He clung to it with the remnant of his strength and eagerly placed his lips to the mouthpiece. For a few minutes he drank in with avidity the revivifying draughts of air which gradually brought him back from the brink of death.
He held on to it with the last bit of his strength and eagerly pressed his lips to the mouthpiece. For a few minutes, he breathed in the refreshing breaths of air that slowly pulled him back from the edge of death.
With returning consciousness, the thought of his dying friend recurred to him in all its vividness. He tried to go to his assistance; but he was sick and faint, and his limbs were powerless to respond to his will. Then, at last, he was seized with utter despair and gave up the struggle.
With his awareness coming back, he vividly remembered his dying friend. He tried to help, but he felt sick and weak, and his body wouldn't obey him. Finally, he was overwhelmed by despair and stopped fighting.
He had sunk dejectedly upon the chair when a faint and indistinct murmur, as of distant voices, beat upon his ears, whose natural acuity seemed extraordinarily increased by the long nervous tension under which he had been. The ruling passion is strong in death; without knowing just why he did so, Sturgis found himself again at the speaking-tube, endeavoring to hear the conversation, the sound of which evidently came from Murdock's office.
He had slumped despondently into the chair when a faint and unclear murmur, like distant voices, reached his ears, which seemed incredibly sharp due to the long period of anxiety he had experienced. The driving force is powerful even in death; without really understanding why, Sturgis found himself back at the speaking tube, trying to catch the conversation, the sound of which was clearly coming from Murdock's office.
He could barely distinguish a word here and there; but he recognized the timbre of one of the voices. It was the chemist's, and his interlocutor was a woman—perhaps his daughter. If only he could reach Agnes Murdock with some word or signal.
He could hardly make out a word here and there, but he recognized the tone of one of the voices. It was the chemist's, and his conversation partner was a woman—maybe his daughter. If only he could get a message or signal to Agnes Murdock.
In suspense, he held his ear to the mouthpiece, occasionally taking a breath of fresh air to renew his strength.
In suspense, he pressed his ear to the receiver, occasionally taking a breath of fresh air to regain his strength.
Should he take the chances and shout in the hope of catching the young girl's attention? If he whistled, Murdock would answer himself, and the last chance would be lost. But would she hear a shout? And, if she did, would not her father prevent her from rendering any assistance? Yet what other chance was there? Poor Sprague was dying; perhaps already dead. There was no time to lose.
Should he take the risk and shout to try to get the young girl’s attention? If he whistled, Murdock would respond, and he would miss his last chance. But would she even hear a shout? And if she did, wouldn’t her father stop her from helping? But what other option did he have? Poor Sprague was dying; he might already be dead. There was no time to waste.
He stood for a while irresolute, and had just made up his mind to risk all on a bold move, when suddenly Murdock's voice became more distinct, as if he were passing near the mouthpiece of the speaking-tube at the other end.
He stood there for a moment, unsure, and had just decided to gamble everything on a daring move when suddenly, Murdock's voice became clearer, as if he were close to the mouthpiece of the speaking tube at the other end.
"I shall be back directly."
"I'll be back soon."
He was going, then. Agnes, if it were she, would remain alone for at least an instant; and in that instant lay possible salvation.
He was leaving, then. Agnes, if it was her, would be left alone for at least a moment; and in that moment lay possible salvation.
The reporter strained every nerve to catch some other word. None came. But presently he heard a door close. Murdock had left the room. Now or never was the chance to act. With all his might he blew repeatedly into the tube.
The reporter focused all his energy to catch another word. None came. But soon, he heard a door shut. Murdock had exited the room. It was now or never to act. With all his strength, he blew repeatedly into the tube.
"Well?"
"What's up?"
The question came in the sweet tones of a woman's voice.
The question came in the soft tones of a woman's voice.
"Mr. Sprague is in great danger. You alone can save his life, if you do at once as I say. Go to the door of the extension; press upward on the lower hinge; then turn the knob! Quick, before your father returns!"
"Mr. Sprague is in serious danger. Only you can save his life if you do exactly what I say right now. Go to the door of the extension; push up on the lower hinge; then turn the knob! Hurry, before your dad gets back!"
Sturgis evoked the image of Murdock performing these operations before opening the door of the extension; and, with retrospective intuition, divined their purpose.
Sturgis imagined Murdock carrying out these tasks before opening the door to the extension, and, with a sense of hindsight, figured out their purpose.
There was no answer. Sturgis waited for none. In a bound he was at his friend's side and was struggling to drag him toward the foot of the stairs. As he reached this point, the door opened and revealed Agnes Murdock, pale and frightened, on the landing at the top.
There was no reply. Sturgis didn't wait for one. In a leap, he was at his friend's side, trying to pull him toward the bottom of the stairs. Just as he got there, the door swung open to reveal Agnes Murdock, pale and scared, standing at the top of the landing.
The first rush of gas caused her to start back; but in another instant she had caught sight of her lover's inanimate form and had rushed to his assistance.
The initial burst of gas made her recoil; but in a moment, she saw her lover's lifeless body and hurried to help him.
Slowly and laboriously Sturgis and his fair assistant dragged the unconscious man up the stairs. With every step the task became more difficult, as the effect of the gas told upon the strength of the toilers. It began to look as if it would be impossible to reach the top.
Slowly and painfully, Sturgis and his assistant pulled the unconscious man up the stairs. With each step, the task grew harder as the effects of the gas weakened their strength. It was beginning to seem impossible to make it to the top.
Suddenly a shadow fell across the threshold of the open door. Sturgis looked up in quick apprehension.
Suddenly, a shadow crossed the doorway. Sturgis looked up in quick concern.
It was Murdock.
It was Murdock.
He stood critically observing the scene, with all outward appearance of calmness.
He stood there, watching the scene with a critical eye, looking completely calm on the outside.
Agnes had not seen him. She was making desperate efforts to raise Sprague's limp form; but felt herself succumbing to the effects of the gas.
Agnes hadn't seen him. She was desperately trying to lift Sprague's limp body, but she could feel herself starting to give in to the effects of the gas.
"My darling! my poor darling!" she exclaimed, and suddenly she staggered and lurched forward.
"My darling! My poor darling!" she cried out, then suddenly she stumbled and lurched forward.
Sturgis made an instinctive effort to support her; but before he could reach her Murdock was at her side and had her in his arms. He bore her gently up the stairs and into his study. Then, for an instant, he seemed to hesitate. The reporter expected to see him close the door. Instinctively his hand reached back to his hip pocket for his revolver. But, in another moment, Murdock had returned to where he stood.
Sturgis instinctively tried to help her, but before he could get to her, Murdock was at her side and had her in his arms. He carefully carried her up the stairs and into his study. Then, for a moment, he appeared to hesitate. The reporter thought he would close the door. Instinctively, he reached back to his hip pocket for his gun. But, a moment later, Murdock had returned to where he was standing.
"Come!" he said.
"Come on!" he said.
At the same time he lifted the artist in his arms and carried him up the stairs. Sturgis followed unsteadily and reached the study, only to fall exhausted into a chair.
At the same time, he picked up the artist and carried him up the stairs. Sturgis followed unsteadily and got to the study, only to collapse into a chair, completely worn out.
Having deposited his burden upon the floor, Murdock closed the door of the death chamber; turned a valve which was near his desk; opened the windows wide, and revolved a crank which projected from the wall near the door of the extension.
Having dropped his load onto the floor, Murdock shut the door of the death chamber, turned a valve next to his desk, threw open the windows wide, and turned a crank that stuck out from the wall near the door of the extension.
"He is shutting off the gas and opening the steel shutters of the skylight," thought Sturgis.
"He is turning off the gas and opening the metal shutters of the skylight," Sturgis thought.
Then the chemist produced a flask and poured out a small quantity of brandy, which he forced his daughter to swallow.
Then the chemist took out a flask and poured a little brandy, which he made his daughter drink.
As soon as she was sufficiently revived, she rushed to the side of her lover, whose head she gently raised to her lap. Murdock's eyes were fastened upon her. She met his calm questioning gaze.
As soon as she felt better, she hurried to her lover's side, gently lifting his head into her lap. Murdock's eyes were fixed on her. She met his steady, curious gaze.
"Yes, I love him," she said simply.
"Yeah, I love him," she said straightforwardly.
Then this strange man, without another word, gently pushed his daughter to one side, and, throwing off his coat, stooped over the prostrate form of the man whose life he had tried to take, and industriously worked over him, in an attempt to restore the failing respiration.
Then this strange man, without saying anything else, gently pushed his daughter aside and, throwing off his coat, bent down over the unconscious man whose life he had tried to take, working diligently to revive his weakening breath.
Slowly and steadily he worked for what seemed an eternity to the anxious girl. At length he rose, calm and collected as usual, and drew on his coat again.
Slowly and steadily, he worked for what felt like forever to the anxious girl. Finally, he stood up, calm and composed as always, and put his coat back on.
"He is out of danger now," he said; "you can do the rest yourself."
"He’s out of danger now," he said; "you can handle the rest yourself."
And he handed his daughter the brandy flask.
And he gave his daughter the brandy flask.
A faint tinge of color had returned to the artist's face; his breast heaved gently in an irregular respiration.
A slight hint of color had come back to the artist's face; his chest rose and fell gently with uneven breaths.
Sturgis, still unable to stir from the chair in which he had fallen, was vaguely conscious of Murdock's movements. He saw the chemist open the safe which stood near his table and take from it numerous bundles of bank-notes, which he carefully packed into a valise; he saw him take from the same safe a few richly bound note-books, which he proceeded to do up in a neat bundle, securely tied and sealed.
Sturgis, still unable to get up from the chair he had collapsed in, was vaguely aware of Murdock's movements. He watched as the chemist opened the safe next to his table and took out several bundles of cash, which he carefully packed into a suitcase; he also saw him pull out a few elegantly bound notebooks, which he then neatly arranged into a tight bundle, securely tied and sealed.
This done, the chemist put on his hat and coat, and was preparing to pass out into the hallway, when a knock sounded upon the door.
This done, the chemist put on his hat and coat and was getting ready to step out into the hallway when a knock sounded at the door.
Murdock opened slightly—enough to show himself, without revealing the presence of the other occupants of the room.
Murdock opened the door just a bit—enough to show himself, without letting on that there were other people in the room.
It was one of the housemaids.
It was one of the maids.
"Plaze, sur," said the girl, in a frightened voice, "the polacemun says he can't wait no longer; he must see yer right away."
"Please, sir," said the girl in a scared voice, "the policeman says he can't wait any longer; he needs to see you right away."
"Are they in the parlor?"
"Are they in the living room?"
"Only the polacemun, sur; the other man said he would wait outside."
"Only the polacemun, sir; the other man said he would wait outside."
Murdock took a minute for reflection.
Murdock paused for a moment to think.
"Wait in the hall until I call you," he said, at last. "If the policeman becomes impatient, tell him I shall not be long; that I am engaged on most important business."
"Wait in the hall until I call you," he finally said. "If the policeman gets impatient, tell him I won't be long; I'm involved in some very important business."
No sooner had the girl gone than Murdock, seizing the valise and the package, opened the door of the extension. His eyes rested for a while upon his daughter, who, still absorbed in the tender care of her inanimate lover, was oblivious of all else. There was in them an unusual expression,—almost a tender light; but the impassive face was otherwise emotionless.
No sooner had the girl left than Murdock, grabbing the suitcase and the package, opened the door to the extension. His eyes lingered for a moment on his daughter, who, still completely focused on the delicate care of her unresponsive partner, was unaware of everything around her. There was an unusual look in his eyes—almost a gentle glow; but his expressionless face was otherwise devoid of emotion.
The chemist seemed to hesitate for a brief instant whether to speak; then, passing out into the extension, he softly closed the door behind him.
The chemist paused for a moment, unsure if he should say anything; then, stepping into the hallway, he quietly closed the door behind him.
Sturgis alone, weak and powerless, had seen him go.
Sturgis, feeling weak and powerless, was the only one who watched him leave.
CHAPTER XXIV.
CHECKMATE!
CHECKMATE!
The two detectives, after leaving Sprague and Sturgis in the cellar of the Manhattan Chemical Company, proceeded to search the premises from basement to roof. Then, somewhat discomfited, they returned to the cellar, and were surprised to find that the reporter and his friend had disappeared.
The two detectives, after leaving Sprague and Sturgis in the basement of the Manhattan Chemical Company, began searching the building from the basement to the roof. Then, feeling a bit unsettled, they returned to the basement and were surprised to find that the reporter and his friend were gone.
After questioning the man whom they had left on watch on the outside, and ascertaining that neither Sprague nor Sturgis had yet left the house, the detectives called loudly to the missing men, and receiving no reply, at last became alarmed, and sent word of the mysterious disappearance to headquarters. The chiefs answer came at once:
After asking the guy they had left on watch outside and confirming that neither Sprague nor Sturgis had left the house yet, the detectives called out loudly for the missing men. When they got no response, they started to get worried and reported the mysterious disappearance to headquarters. The chief's reply came immediately:
"Remain on watch where you are. We shall investigate from the other side."
"Stay on guard where you are. We’ll check things out from the other side."
One of the detectives thereupon went up to the roof of the building, whence he could keep watch upon the back yards, while his companion remained in the front hall.
One of the detectives then went up to the roof of the building, where he could keep an eye on the backyards, while his partner stayed in the front hall.
They had been waiting thus for some time, when the latter thought he heard footsteps in the direction of the private office. He was on the alert in an instant.
They had been waiting like this for a while when he thought he heard footsteps coming from the private office. He was alert in an instant.
The door was cautiously opened and a man stepped out into the hallway. He carried a valise and a package. He blinked like a man coming suddenly from the darkness into the daylight.
The door was slowly opened and a man walked out into the hallway. He was holding a suitcase and a package. He blinked like someone who had just stepped out of the darkness into the light.
"Who are you?" asked the detective brusquely.
"Who are you?" the detective asked sharply.
The man looked in the direction of the voice; and, as his eyes became accustomed to the light, returned the detective's surprised stare with a calm and searching look.
The man turned to face the voice, and as his eyes adjusted to the light, he met the detective's surprised gaze with a calm and probing look.
"Checkmate!" he murmured quietly to himself at last.
"Checkmate!" he whispered to himself at last.
Then, without seeming haste, he passed back into the private office, before the astonished detective could make any attempt to stop him.
Then, without appearing rushed, he walked back into the private office before the shocked detective could try to stop him.
Recovering himself quickly, the detective followed the sounds of the retreating footsteps to the cellar stairs. Then, fearful of an ambush, he fired his revolver as a signal to his companion on the roof; and, after striking a match, he cautiously descended, reaching the cellar just in time to see Murdock disappear into the underground passage.
Recovering quickly, the detective followed the sounds of the retreating footsteps to the cellar stairs. Then, worried about an ambush, he fired his gun as a signal to his partner on the roof; and after lighting a match, he carefully descended, arriving in the cellar just in time to see Murdock vanish into the underground passage.
He rushed to the spot; and, unable to find the door, he pounded with all his might upon the shelves, causing the bottles to dance and rattle.
He rushed to the spot, and unable to find the door, he pounded with all his strength on the shelves, making the bottles shake and rattle.
"Come, now," he shouted, "the game's up! You may as well be reasonable. You can't possibly escape, for you're surrounded."
"Come on," he shouted, "the game’s over! You might as well be reasonable. There’s no way to escape because you’re surrounded."
No answer came from within.
No response came from inside.
The man tried his powerful strength upon the door without any perceptible effect.
The man used all his strength on the door, but it didn't budge at all.
When the second detective arrived upon the scene, he found the first one removing the bottles from the shelves by the light of a match held in his left hand.
When the second detective got to the scene, he saw the first one taking the bottles off the shelves using a match flickering in his left hand.
"Get a light and an axe, Jim. There's a secret door here which we'll have to break in; I can't find any way of opening it."
"Get a flashlight and an axe, Jim. There's a hidden door here that we need to break into; I can't find any way to open it."
A few minutes later, the detectives, after dealing upon the shelves some telling blows with an axe, again called upon Murdock to surrender.
A few minutes later, the detectives, after striking the shelves a few hard blows with an axe, called on Murdock to give up again.
Receiving no answer to their summons, the men stood irresolute for a few seconds. Then, with grim determination, they attacked the door; raining the blows upon it fast and furiously, and filling the air with a shower of splinters.
Receiving no answer to their calls, the men stood uncertain for a few seconds. Then, with fierce determination, they charged at the door; striking it rapidly and fiercely, filling the air with flying splinters.
At length a final stroke sent the weakened hinges from their fastenings, and the men rushed through the underground passage into the murderer's laboratory.
At last, a final blow knocked the weakened hinges loose, and the men rushed through the underground passage into the murderer's lab.
A hasty, startled glance told them that Murdock was not there.
A quick, surprised look revealed that Murdock was not there.
They started for the stairs and were met by a policeman who was just entering from Murdock's office.
They headed for the stairs and were greeted by a police officer who was just coming in from Murdock's office.
"Have you got him?" asked the detectives in chorus.
"Do you have him?" asked the detectives in unison.
"No," replied the policeman surprised; "Mr. Sturgis says he went down here about twenty minutes ago."
"No," replied the policeman, surprised. "Mr. Sturgis says he came down here about twenty minutes ago."
"We chased him in from the other end not ten minutes ago."
"We chased him in from the other end just ten minutes ago."
The policeman hurried down the stairs.
The cop rushed down the stairs.
Murdock's valise and package stood conspicuous upon the long pine box. But of Murdock there was no sign.
Murdock's suitcase and package were clearly visible on the long pine box. But there was no sign of Murdock.
"Gone!" exclaimed one of the detectives deeply mortified at the thought that his quarry had slipped through his fingers. "Gone! How? Where? He cannot have escaped. He cannot——What is it, Mr. Sturgis?"
"Gone!" exclaimed one of the detectives, deeply embarrassed at the thought that his suspect had slipped through his fingers. "Gone! How? Where? He can't have escaped. He can't—What is it, Mr. Sturgis?"
He had suddenly caught sight of the reporter, half way up the stairs.
He suddenly saw the reporter halfway up the stairs.
Weak and ill, Sturgis, with blanched face, clung unsteadily, with one hand, to the railing; while, with the other, he pointed toward the lead-lined vat, whose dark viscous contents were bubbling like boiling oil.
Weak and sick, Sturgis, with a pale face, unsteadily held onto the railing with one hand while pointing at the lead-lined vat with the other. Its dark, thick contents were bubbling like hot oil.
A pungent vapor rose in dense clouds from the surface of the liquid. Through it the fascinated gaze of the horrified men vaguely discerned a nameless thing, tossed in weird and grotesque contortions in a seething vortex.
A strong, unpleasant vapor rose in thick clouds from the surface of the liquid. Through it, the horrified men’s captivated gazes vaguely made out a strange thing, twisting in bizarre and grotesque shapes in a bubbling whirlpool.
Murdock had escaped the justice of men.
Murdock had escaped human justice.
CHAPTER XXV.
THE MURDER SYNDICATE.
THE MURDER GANG.
"See here, Sturgis; this won't do. I forbade you to do a stroke of work to-day, or even to leave your bed; and here you are scribbling away just as though nothing had happened. I tell you when a man has had the narrow squeak you have, there has been a tremendous strain upon his heart, and it is positively dangerous——"
"Listen up, Sturgis; this isn't right. I told you to take the day off and stay in bed; yet here you are writing like nothing's wrong. I’m telling you, when someone goes through a close call like you did, it puts a serious strain on their heart, and that’s definitely dangerous—"
"Don't scold, old man; I have never in my life been better than I feel to-day. And besides, this work could not be postponed——"
"Don't be harsh, old man; I've never felt better in my life than I do today. And besides, this work can't be delayed——"
"Oh, pshaw! That is what nine out of every ten patients say to their physician. They are modestly convinced that the world must needs come to a standstill if they cannot accomplish their tiny mite of work. What do you suppose the world would have done had you and Sprague remained in Murdock's death chamber yesterday? I'll tell you. The Tempest would have printed two eulogistic obituary notices; and then the world would have hobbled on, just as though the greatest detective of the age and the modern Raphael had not been snuffed out of existence."
"Oh, come on! That’s what nine out of ten patients say to their doctor. They’re convinced that the world would just stop if they couldn’t do their little bit of work. What do you think would have happened if you and Sprague had stayed in Murdock's death chamber yesterday? I’ll tell you. The Tempest would have run two flowery obituary notices, and then the world would have kept moving on, just as if the greatest detective of the age and the modern Raphael hadn’t been wiped out."
Doctor Thurston, who had assumed his frown of professional severity, proceeded to feel the reporter's pulse.
Doctor Thurston, wearing his serious professional expression, started to check the reporter's pulse.
"Well, you are in luck; better than you deserve. Almost any other man would have been laid up for a week by the experience you have been through. And here you have the face to recover without the assistance of the medical profession, and in spite of your insolent disregard of my express orders to leave work alone for the present. Now, there is Sprague——"
"Well, you’re fortunate; more than you deserve. Almost any other guy would have been out of commission for a week after what you’ve been through. And here you are, managing to recover without any medical help, and despite your disrespectful ignoring of my clear instructions to stay away from work for now. Now, there’s Sprague——"
"Ah, what of Sprague?" asked the reporter, anxiously.
"Hey, what about Sprague?" asked the reporter, nervously.
"Sprague has had a close call. But he is safe now. If tender and intelligent nursing count for anything, he will probably be up in a day or two."
"Sprague had a close call. But he's safe now. If careful and smart nursing means anything, he’ll likely be back on his feet in a day or two."
"Miss Murdock?——"
"Ms. Murdock?——"
"Yes. She has a professional nurse to help her; but she has insisted on taking charge of the case herself. And an excellent nurse she is, too, and a charming girl into the bargain,—and what is more, a noble woman."
"Yes. She has a professional nurse to help her, but she insists on managing the case herself. And she's an excellent nurse, too, and a charming girl as well—and more importantly, a noble woman."
"Does she know of her father's death?"
"Does she know about her father's death?"
"I broke the news to her as gently as possible. She took it much more calmly than I supposed she would. There evidently was but little sympathy between her and her father."
"I shared the news with her as gently as I could. She handled it much more calmly than I thought she would. Clearly, there wasn't much sympathy between her and her father."
"On her side, at any rate."
"On her side, anyway."
"Yes. Her first act on learning of her father's crimes was to send for a lawyer. She refuses to touch a cent of his money, and has instructed her attorney to make such restitutions as may be possible and to turn over the rest to charitable institutions. This leaves her almost penniless; for the property she held in her own right from her mother's estate amounts to very little. Fortunately, Sprague is rich enough for both. What are you doing there, if I may ask?"
"Yes. The moment she found out about her father's crimes, she called a lawyer. She won’t touch any of his money and has told her attorney to make whatever restitution is possible and donate the rest to charities. This leaves her nearly broke since the property she inherited from her mother's estate isn't worth much. Luckily, Sprague is wealthy enough for both of them. What are you doing there, if you don’t mind me asking?"
Doctor Thurston pointed to a bundle which lay upon the table.
Doctor Thurston pointed to a package that was lying on the table.
"That is Murdock's autobiography—a legacy to me. The package was found near his valise in the death chamber. He had addressed it to me at the last minute."
"That's Murdock's autobiography—a gift for me. The package was found next to his suitcase in the death room. He had addressed it to me at the last moment."
"Did it help you in your account of the Knickerbocker bank case for the Tempest?"
"Did it assist you with your report on the Knickerbocker bank case for the Tempest?"
"A little; but naturally, Murdock's account of that crime was not complete. The entire journal, however, is of absorbing interest. It is a pity that it cannot be published."
"A bit; but of course, Murdock's account of that crime wasn't complete. The whole journal, however, is incredibly fascinating. It's too bad it can't be published."
"Why cannot it be published?"
"Why can't it be published?"
"It would be dangerous to the welfare of society. Murdock was an extraordinary genius in his line; there is marvelous originality and ingenuity in his work. His crimes, numbered by the hundred, were all of capital importance in their results; all deep-laid and skilfully executed. It is hardly likely that such another consummate artist in crime will exist once a century. To publish the details of his schemes would be to put a formidable weapon in the hands of the vulgar herd of ordinary criminals, who lack the imagination of this brilliant villain.
"It would be harmful to society's well-being. Murdock was an extraordinary genius in his field; his work displayed incredible originality and creativity. His crimes, which numbered in the hundreds, all had significant impacts; they were all carefully planned and skillfully carried out. It's unlikely that we'll see another master criminal like him for another century. Revealing the details of his schemes would give a powerful tool to the common criminals, who simply don't have the imagination of this brilliant villain."
"I tell you, Thurston," continued Sturgis, with what seemed very like enthusiastic conviction, "this man was the originator of almost every unsolved mystery which has nonplussed the police during the last fifteen years. He had his agents in every important center throughout the country; agents working under potent incentives, and yet working in the dark, for few of them have ever known who held the mysterious power which directed their every move. Murder has been done wholesale: and so quietly and mysteriously has the work been accomplished, that, in all but this last case, the detectives have found no clue whatever which might lead to an explanation of the sudden and unaccountable disappearance of wealthy men, whose bodies, shipped to the Manhattan Chemical Company by Murdock's agents, were quietly and systematically made away with in the chemist's laboratory."
"I’m telling you, Thurston," Sturgis continued, sounding genuinely enthusiastic, "this guy has been behind almost every unsolved mystery that has left the police stumped over the last fifteen years. He had his people in all the key locations around the country; they were motivated by strong incentives but worked in the shadows, as most of them had no idea who was behind the mysterious power guiding their every action. There has been a lot of murder going on, and it's been carried out so quietly and mysteriously that, except for this last case, detectives have found no clues at all that could explain the sudden and baffling disappearances of wealthy individuals, whose bodies were sent to the Manhattan Chemical Company by Murdock's agents and were quietly and systematically disposed of in the chemist's lab."
"He was the fiend incarnate!" exclaimed the physician.
"He was the embodiment of evil!" exclaimed the doctor.
"Well," said Sturgis, after a moment of thoughtful silence, "at any rate, he was not wantonly cruel. He was heartless; he was pitiless; but his cruelty was always a means to an end, however selfish and illegitimate that end might be. His cruelty is that, in a measure, of every human being destroying life that he may live and trampling upon his fellow men that he may be comfortable. Between Murdock and the rest of us there was a difference of degree, certainly, but was there a difference of kind?"
"Well," Sturgis said after a moment of thoughtful silence, "he wasn't unnecessarily cruel. He was heartless; he was ruthless; but his cruelty was always a way to achieve something, no matter how selfish and wrong that goal might be. His cruelty is somewhat like every human being who destroys life to survive and steps on others to be comfortable. There was definitely a difference in degree between Murdock and the rest of us, but was there really a difference in kind?"
"There is one thing which I cannot yet understand," said Thurston, "and that is, why Murdock should have pushed his audacity to the point of defying you to ferret out the mystery of this crime, when he might perhaps have avoided all risk of detection by holding his tongue."
"There’s one thing I still can't wrap my head around," said Thurston, "and that’s why Murdock decided to challenge you to uncover the mystery of this crime when he could have possibly avoided any chance of getting caught just by keeping his mouth shut."
"No man is perfect," answered Sturgis, sententiously, "not even an accomplished villain like Murdock, fortunately for the rest of mankind. Every human being has his weak points. Murdock had two:—his vanity and his love for his daughter. They were the only traits which connected him with the human family. To them he owes his undoing."
"No one is perfect," Sturgis replied with a sense of finality, "not even a skilled villain like Murdock, which is a relief for everyone else. Every person has their flaws. Murdock had two: his vanity and his love for his daughter. Those were the only traits that tied him to humanity. It's because of those that he brought about his own downfall."
Download ePUB
If you like this ebook, consider a donation!