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THE
PROJECTILE-THROWING ENGINES
OF THE ANCIENTS
AND
Turkish and other Eastern bows
OF MEDIEVAL AND LATER TIMES
By the same Author.
By the Same Author.
THE CROSSBOW,
MEDIÆVAL AND MODERN, MILITARY AND SPORTING:
Its Construction, History, and Management.
WITH A TREATISE ON
THE BALISTA AND CATAPULT OF THE ANCIENTS.
With 220 Illustrations. Medium 4to. 63s. net.
THE CROSSBOW,
MEDIEVAL AND MODERN, MILITARY AND SPORTS:
Its Construction, History, and Management.
WITH A TREATISE ON
THE BALISTA AND CATAPULT OF ANCIENT TIMES.
With 220 Illustrations. Medium 4to. 63s. net.
LONGMANS, GREEN, & CO., 39 Paternoster Row, London,
New York, Bombay, and Calcutta.
LONGMANS, GREEN, & CO., 39 Paternoster Row, London,
New York, Bombay, and Calcutta.
A SUMMARY OF
A summary of
THE HISTORY, CONSTRUCTION AND
EFFECTS IN WARFARE
OF THE
PROJECTILE-THROWING
ENGINES
OF THE ANCIENTS
WITH A TREATISE ON THE
STRUCTURE, POWER AND MANAGEMENT
OF
TURKISH AND OTHER ORIENTAL BOWS
OF MEDIÆVAL AND LATER TIMES
THE HISTORY, CONSTRUCTION AND
EFFECTS IN WARFARE
OF THE
Throwing Engines
OF THE ANCIENTS
WITH A TREATISE ON THE
STRUCTURE, POWER AND MANAGEMENT
OF
TURKISH AND OTHER ORIENTAL BOWS
OF MEDIEVAL AND MODERN TIMES
BY
SIR RALPH PAYNE-GALLWEY, BT.
BY
SIR RALPH PAYNE-GALLWEY, B.T.
FORTY ILLUSTRATIONS
40 Illustrations
LONGMANS, GREEN, AND CO.
39 PATERNOSTER ROW, LONDON
NEW YORK, BOMBAY, AND CALCUTTA
1907
All rights reserved
LONGMANS, GREEN, & CO.
39 Paternoster Row, London
New York, Bombay, and Calcutta
1907
All rights reserved
The Ancient's Projectile-Throwing Engines
CONTENTS
PART | PAGE | |
I. | Introductory Notes on Ancient Projectile Engines | 3 |
II. | The Catapult | 11 |
III. | The Ballista | 21 |
IV. | The Trebuchet | 27 |
V. | Historical Notes on Ancient and Medieval Siege Engines and Their Impact on Warfare | 31 |
PREFACE
Since my recent book on mediæval archery and ancient weapons was issued,1 I have obtained a considerable amount of information concerning the projectile engines of the Greeks and Romans. I now print a concise account of the history, construction and effects in warfare of these engines.
Since my recent book on medieval archery and ancient weapons was published,1 I have gathered a significant amount of information about the projectile weapons used by the Greeks and Romans. I am now providing a brief overview of the history, construction, and impact of these weapons in warfare.
In this summary the additional notes I have acquired are included.
In this summary, I've included the extra notes I've gathered.
I also append a treatise fully describing that remarkable weapon the Turkish composite bow, which I only cursorily dealt with in the work referred to.
I also include a detailed explanation of the impressive weapon, the Turkish composite bow, which I only briefly touched on in the earlier work.
R. P. G.
RPG
Thirkleby Park,
Thirsk:
Dec. 1906.
Thirkleby Park, Thirsk: Dec. 1906.
1 The Crossbow, Mediæval and Modern, Military and Sporting: its Construction, History, and Management. With a Treatise on the Balista and Catapult of the Ancients. 220 illustrations. Messrs. Longmans & Co., 39 Paternoster Row, London.
1 The Crossbow, Medieval and Modern, Military and Sporting: its Construction, History, and Management. With a Treatise on the Ballista and Catapult of the Ancients. 220 illustrations. Messrs. Longmans & Co., 39 Paternoster Row, London.
3
3
PART I
INTRODUCTORY NOTES ON ANCIENT PROJECTILE ENGINES
Of ancient Greek authors who have left us accounts of these engines, Heron (284–221 B.C.) and Philo (about 200 B.C.) are the most trustworthy.
Of ancient Greek authors who have given us records of these machines, Heron (284–221 BCE) and Philo (around 200 B.C.) are the most reliable.
Both these mechanicians give plans and dimensions with an accuracy that enables us to reconstruct the machines, if not with exactitude at any rate with sufficient correctness for practical application.
Both of these engineers provide plans and dimensions with an accuracy that allows us to rebuild the machines, if not with precision, then at least with enough correctness for practical use.
Though in the books of Athenæus, Biton, Apollodorus, Diodorus, Procopius, Polybius and Josephus we find incomplete descriptions, these authors, especially Josephus, frequently allude to the effects of the engines in warfare; and scanty as is the knowledge they impart, it is useful and explanatory when read in conjunction with the writings of Heron and Philo.
Though the works of Athenæus, Biton, Apollodorus, Diodorus, Procopius, Polybius, and Josephus provide incomplete descriptions, these authors, particularly Josephus, often refer to the impact of the machines in warfare. While their insights may be limited, they are valuable and clarifying when considered alongside the writings of Heron and Philo.
Among the Roman historians and military engineers, Vitruvius and Ammianus are the best authorities.
Among Roman historians and military engineers, Vitruvius and Ammianus are the best sources.
Vitruvius copied his descriptions from the Greek writers, which shows us that the Romans adopted the engines from the Greeks.
Vitruvius took his descriptions from Greek writers, which shows that the Romans adopted the machinery from the Greeks.
Of all the old authors who have described the engines, we have but copies of the original writings. It is therefore natural that we should come across many phrases and drawings which are evidently incorrect, as a result of repeated transcription, and which we know to be at fault though we cannot actually prove them to be so.
Of all the ancient authors who have written about the machines, we only have copies of the original texts. So it's not surprising that we encounter many phrases and illustrations that are clearly wrong due to repeated copying, and we know they are incorrect even though we can't actually prove it.
With few exceptions, all the authors named simply present us with their own ideas when they are in doubt respecting the mechanical details and performances of the engines they wish to describe.
With a few exceptions, all the authors mentioned just share their own thoughts when they aren't sure about the technical details and performance of the engines they want to describe.
All such spurious information is, of course, more detrimental than helpful to our elucidation of their construction and capabilities.
All this misleading information is, of course, more harmful than helpful to our understanding of their design and abilities.
It frequently happens that in a mediæval picture of one of these machines some important mechanical detail is omitted, or, from the difficulty of portraying it correctly, is purposely concealed by figures of soldiers, an omission that may be supplied by reference to other representations of the same weapon.
It often happens that in a medieval depiction of one of these machines, some important mechanical detail is left out, or, due to the difficulty of accurately portraying it, is intentionally hidden by images of soldiers. This omission can be clarified by looking at other representations of the same weapon.
4
4

Fig. 1.—Besieging a fortified Town with a Battery of Catapults and Balistas.
Fig. 1.—Attacking a fortified town with a battery of catapults and ballistae.
Criticism.—In this picture the balistas are fairly correct, but the catapults are too small.
Criticism.—In this image, the ballistae are pretty accurate, but the catapults are too small.
From Polybius. Edition 1727.
From Polybius. 1727 Edition.
5
5
It is, indeed, impossible to find a complete working plan of any one of these old weapons, a perfect design being only obtainable by consulting many ancient authorities, and, it may be said, piecing together the details of construction they individually give.
It is, in fact, impossible to find a complete working plan for any of these old weapons. A perfect design can only be obtained by consulting many ancient sources and, you could say, piecing together the construction details they each provide.
We have no direct evidence as to when the engines for throwing projectiles were invented.
We have no direct evidence of when the engines used for launching projectiles were invented.
It does not appear that King Shalmaneser II. of Assyria (859–825 B.C.) had any, for none are depicted on the bronze doors of the palace of Balâwat, now in the British Museum, on which his campaigns are represented, though his other weapons of attack and defence are clearly shown.
It doesn't seem like King Shalmaneser II of Assyria (859–825 B.C.) had any, since none are shown on the bronze doors of the palace of Balâwat, which are now in the British Museum, where his campaigns are illustrated, even though his other weapons for attack and defense are clearly depicted.
The earliest allusion is the one in the Bible, where we read of Uzziah, who reigned from B.C. 808–9 to B.C. 756–7. ‘Uzziah made in Jerusalem engines invented by cunning men, to be on the towers and upon the bulwarks, to shoot arrows and great stones withal.’ (2 Chronicles xxvi. 15.)
The earliest reference is found in the Bible, where we read about Uzziah, who reigned from BCE 808–9 to BCE 756–7. 'Uzziah created machines in Jerusalem designed by skilled men, to be placed on the towers and walls, to shoot arrows and large stones.' (2 Chronicles xxvi. 15.)
Diodorus tells us that the engines were first seen about 400 B.C., and that when Dionysius of Syracuse organised his great expedition against the Carthaginians (397 B.C.) there was a genius among the experts collected from all over the world, and that this man designed the engines that cast stones and javelins.
Diodorus tells us that the machines were first seen around 400 BCE, and that when Dionysius of Syracuse put together his major campaign against the Carthaginians (397 B.C.), there was a brilliant expert among those gathered from all over the world, who designed the machines that launched stones and javelins.
From the reign of Dionysius and for many subsequent centuries, or till near the close of the fourteenth, projectile-throwing engines are constantly mentioned by military historians.
From the rule of Dionysius and for many centuries afterward, up until the late fourteenth century, military historians frequently mention projectile-throwing machines.
But it was not till the reign of Philip of Macedon (360–336 B.C.) and that of his son Alexander the Great (336–323 B.C.) that their improvement was carefully attended to and their value in warfare fully recognised.
But it wasn't until the reign of Philip of Macedon (360–336 BCE) and that of his son Alexander the Great (336–323 BCE) that their improvement was closely monitored and their importance in warfare was fully acknowledged.
As before stated, the Romans adopted the engines from the Greeks.
As mentioned earlier, the Romans took the machines from the Greeks.
Vitruvius and other historians tell us this, and even copy their descriptions of them from the Greek authors, though too often with palpable inaccuracy.
Vitruvius and other historians share this information and often copy their descriptions from Greek authors, though frequently with clear inaccuracies.
To ascertain the power and mechanism of these ancient engines a very close study of all the old authors who wrote about them is essential, with a view to extracting here and there useful facts amid what are generally verbose and confused references.
To understand the power and function of these ancient engines, it's important to closely examine the works of the old authors who wrote about them, aiming to pull out useful information from the generally lengthy and confusing references.
There is no doubt that the engines made and used by the Romans after their conquest of Greece (B.C. 146), in the course of two or three centuries became inferior to the original machines previously constructed by the Greek artificers.
There is no doubt that the engines created and used by the Romans after their conquest of Greece (B.C. 146) became less advanced than the original machines built by the Greek craftsmen over the course of two or three centuries.
Their efficiency chiefly suffered because the art of manufacturing their important parts was gradually neglected and allowed to become lost.
Their efficiency mainly declined because the skill of producing their essential parts was slowly ignored and eventually forgotten.
6
6

Fig. 2.—A Siege.
Fig. 2.—A Siege.
Criticism.—The picture is open to the spectator in order that he may see both defenders and besiegers at work.
Criticism.—The image is accessible to the viewer so they can observe both the defenders and the attackers in action.
The besieged have just cast a stone from a catapult. The stone is falling on the movable tower belonging to the attacking side.
The people under siege just launched a stone from a catapult. The stone is headed towards the movable tower of the attacking side.
From Polybius. Edition 1727.
From Polybius. Edition 1727.
7
7
For instance, how to make the skein of sinew that bestowed the very life and existence on every projectile-casting engine of the ancients.
For example, how to create the strand of sinew that gave life and function to every projectile-launching machine of ancient times.
The tendons of which the sinew was composed, the animals from which it was taken, and the manner in which it was prepared, we can never learn now.
The tendons that made up the sinew, the animals it came from, and how it was prepared, we can never know now.
Every kind of sinew, or hair or rope, with which I have experimented, either breaks or loses its elasticity in a comparatively short time, if great pressure is applied. It has then to be renewed at no small outlay of expense and trouble. Rope skeins, with which we are obliged to fit our models, cannot possibly equal in strength and above all in elasticity, skeins of animal sinew or even of hair.
Every type of tendon, hair, or rope that I've tested either breaks or loses its elasticity pretty quickly when under a lot of pressure. This means I have to replace it, which costs time and money. The rope skeins we have to use for our models can't match the strength and especially the elasticity of skeins made from animal tendons or even hair.
The formation of the arm or arms of an engine, whether it is a catapult with its single upright arm or a balista with its pair of lateral ones, is another difficulty which cannot now be overcome, for we have no idea how these arms were made to sustain the great strain they had to endure.
The design of the arm or arms of an engine, whether it’s a catapult with its single upright arm or a ballista with its two side arms, presents another challenge that we still can’t figure out, as we have no clue how these arms were constructed to handle the immense stress they had to bear.
We know that the arm of a large engine was composed of several spars of wood and lengths of thick sinew fitted longitudinally, and then bound round with broad strips of raw hide which would afterwards set nearly as hard and tight as a sheath of metal.
We know that the arm of a large engine was made up of several wooden beams and thick cords placed lengthwise, and then wrapped with wide strips of rawhide that would later harden and tighten almost as much as a metal casing.
We know this, but we do not know the secret of making a light and flexible arm of sufficient strength to bear such a strain as was formerly applied to it in a catapult or a balista.
We know this, but we don't know how to create a light and flexible arm strong enough to handle the strain that was once put on it in a catapult or a ballista.
Certainly, by shaping an arm of great thickness we can produce one that will not fracture, but substance implies weight, and undue weight prevents the arm from acting with the speed requisite to cast its projectile with good effect.
Certainly, by creating an arm that is very thick, we can make one that won’t break, but mass means weight, and too much weight stops the arm from moving quickly enough to throw its projectile effectively.
A heavy and ponderous arm of solid wood cannot, of course, rival in lightness and effectiveness a composite one of wood, sinew and hide.
A heavy and clumsy solid wood arm can’t compete in lightness and efficiency with a composite one made of wood, sinew, and hide.
The former is necessarily inert and slow in its action of slinging a stone, while the latter would, in comparison, be as quick and lively as a steel spring.
The first one is naturally slow and unresponsive when it comes to throwing a stone, while the second, in contrast, would be as fast and energetic as a steel spring.
When the art of producing the perfected machines of the Greeks was lost, they were replaced by less effective contrivances.
When the skill of creating the advanced machines of the Greeks faded away, they were replaced by less effective devices.
If the knowledge of constructing the great catapult of the ancients in its original perfection had been retained, such a clumsy engine as the mediæval trebuchet would never have gained popularity. The trebuchet derived its power from the gravity of an immense weight at one end of its pivoted arm tipping up the other end, to which a sling was attached for throwing a stone.
If the knowledge of building the ancient catapult in its original form had been preserved, the awkward trebuchet wouldn't have become popular in medieval times. The trebuchet got its power from the weight of a huge mass on one end of its pivoted arm, which caused the other end to lift up, where a sling was attached to throw a stone.
As regards range, there could be no comparison between the efficiency of a8 trebuchet, however large, as worked merely by a counterpoise, and that of an engine deriving its power from the elasticity of an immense coil of tightly twisted sinew.
As for range, there’s no comparison between the effectiveness of a8 trebuchet, no matter how big, using just a counterweight, and that of a machine powered by the elasticity of a massive coil of tightly wound sinew.
It is certain that if the latter kind of engine had survived in its perfect state the introduction of cannon would have been considerably delayed, for the effects in warfare of the early cannon were for a long period decidedly inferior to those of the best projectile engines of the ancients.
It’s clear that if the latter type of engine had remained in its ideal form, the arrival of cannon would have been significantly postponed, because the impact of early cannon in warfare was for a long time noticeably worse than that of the best projectile engines from ancient times.
Notwithstanding many difficulties, I have succeeded in reconstructing, though of course on a considerably smaller scale, the chief projectile throwing engines of the ancients, and with a success that enables them to compare favourably, as regards their range, with the Greek and Roman weapons they represent.
Despite many challenges, I have managed to recreate, although on a much smaller scale, the main ancient projectile-launching devices, and I have done so successfully enough that they can be favorably compared in terms of range to the Greek and Roman weapons they emulate.
Still, my engines are by no means perfect in their mechanism, and are, besides, always liable to give way under the strain of working.
Still, my engines aren't perfect in their design, and they're also prone to breaking down under the pressure of functioning.
One reason of this is that all modern engines of the kind require to be worked to their utmost capacity, i.e. to the verge of their breaking point, to obtain from them results that at all equal those of their prototypes.
One reason for this is that all modern engines of this type need to be worked to their maximum capacity, i.e. to the edge of their breaking point, to achieve results that are even close to those of their prototypes.
A marked difference between the ancient engines and their modern imitations, however excellent the latter may be, is, that the former did their work easily, and well within their strength, and thus without any excessive strain which might cause their collapse after a short length of service.2
A significant difference between the ancient engines and their modern versions, no matter how impressive the latter might be, is that the former performed their tasks effortlessly and well within their capacity, avoiding any excessive strain that could lead to their breakdown after a short period of use.2
2 Again, though my largest catapult will throw a stone to a great distance it cannot throw one of nearly the weight it should be able to do, considering the size of its frame, skein of cord and mechanism. In this respect it is decidedly inferior to the ancient engine.
2 Once more, while my biggest catapult can launch a stone far away, it can’t throw one that’s nearly as heavy as it should, given its size, the length of the cord, and the mechanism. In this way, it’s clearly less effective than the ancient version.
The oft-disputed question as to the distance to which catapults and balistas shot their projectiles can be solved with approximate accuracy by comparing their performances—as given by ancient military writers—with the results obtainable from modern reproductions.
The frequently debated question about how far catapults and ballistae could launch their projectiles can be answered with reasonable accuracy by comparing their performances—as described by ancient military writers—with the results obtained from modern reproductions.
While treating of this matter we should carefully consider the position and surroundings of the engines when engaged in a siege, and especially the work for which they were designed.
While discussing this issue, we need to carefully think about the position and environment of the engines during a siege, especially the purpose for which they were built.
As an example, archers, with the advantage of being stationed on high towers and battlements, would be well able to shoot arrows from 270 to 280 yards. For this reason it was necessary for the safe manipulation of the attacking engines that they should be placed at about 300 yards from the outer walls of any fortress they were assailing.
As an example, archers, positioned on tall towers and battlements, could effectively shoot arrows from 270 to 280 yards. Therefore, for the safe operation of the attacking engines, they needed to be placed about 300 yards from the outer walls of any fortress they were attacking.
As a catapult or a balista was required not only to cast its missile among the soldiers on the ramparts of a fortified place, but also to send it clear over the walls amid the houses and people within the defences, it is evident that the9 engines must have had a range of from 400 to 500 yards, or more, to be as serviceable and destructive as they undoubtedly were.
As a catapult or a ballista needed to not only launch its projectile among the soldiers on the walls of a fortified location but also to clear the walls and reach the houses and people inside the defenses, it's clear that these machines must have had a range of 400 to 500 yards, or even more, to be as effective and damaging as they definitely were.
Josephus tells us that at the siege of Jerusalem, A.D. 70 (‘Wars of the Jews,’ Book V. Chapter VI.), stones weighing a talent (57¾ lbs. avoirdupois) were thrown by the catapults to a distance of two or more ‘stades.’
Josephus tells us that during the siege of Jerusalem, CE 70 (‘Wars of the Jews,’ Book V. Chapter VI.), stones weighing a talent (57¾ lbs. avoirdupois) were launched by the catapults over a distance of two or more ‘stades.’
This statement may be taken as trustworthy, for Josephus relates what he personally witnessed and his comments are those of a commander of high rank and intelligence.
This statement can be considered reliable, as Josephus recounts what he personally observed and his remarks come from a commander of high rank and intelligence.

Fig. 3.—A Fortified Town being Bombarded by a Catapult.
Fig. 3.—A Fortified Town Being Attacked by a Catapult.
Criticism.—The stones thrown by the besieged may be seen falling in the trenches of the besiegers. The catapult depicted is drawn on much too small a scale.
Criticism.—The stones thrown by those inside the fortress can be seen landing in the trenches of the attackers. The catapult shown is drawn at too small a scale.
From Polybius. Edition 1727.
From Polybius. 1727 Edition.
Two or more ‘stades,’ or let us say 2 to 2¼ ‘stades,’ represent 400 to 450 yards. Remarkable and conclusive testimony confirming the truth of what we read in Josephus is the fact that my largest catapult—though doubtless much smaller and less powerful than those referred to by the historian—throws a stone ball of 8 lbs. in weight to a range of from 450 to nearly 500 yards.
Two or more ‘stades,’ or let's say 2 to 2¼ ‘stades,’ represent 400 to 450 yards. Remarkable and conclusive evidence supporting what we read in Josephus is the fact that my largest catapult—though certainly much smaller and less powerful than those mentioned by the historian—can throw an 8-pound stone ball to a distance of 450 to nearly 500 yards.
It is easy to realise that the ancients, with their great and perfect engines fitted with skeins of sinew, could cast a far heavier stone than one of 8 lbs., and to a longer distance than 500 yards.
It’s easy to see that the ancients, with their impressive machines powered by strong materials, could hurl a much heavier stone than 8 lbs and much farther than 500 yards.
10
10
Agesistratus,3 a Greek writer who flourished B.C. 200, and who wrote a treatise on making arms for war, estimated that some of the engines shot from 3½ to 4 ‘stades’ (700 to 800 yards).
Agesistratus, 3 a Greek writer who thrived around 200 B.C. and wrote a guide on creating weapons for warfare, estimated that some of the machines could shoot between 3½ to 4 'stades' (700 to 800 yards).
Though such a very long flight as this appears almost incredible, I can adduce no sound reason for doubting its possibility. From recent experiments I am confident I could now build an engine of a size and power to accomplish such a feat if light missiles were used, and if its cost were not a consideration.
Though such a long flight seems almost unbelievable, I have no good reason to doubt that it's possible. From recent experiments, I'm confident I could now create an engine powerful enough to achieve this if lightweight missiles were used and if cost weren't a factor.

Fig. 4.—A Siege Catapult (without a sling).
Fig. 4.—A Siege Catapult (no sling included).
From Polybius. Edition 1727.
From Polybius. 1727 Edition.
11
11
PART II
THE SLINGSHOT

Fig. 5.—A Siege Catapult (without a sling).
Fig. 5.—A Siege Catapult (without a sling).
Criticism.—This engine was moved into position on rollers and then props were placed under its sides to adjust the range of the projectile.
Criticism.—This engine was shifted into place on rollers and then supports were placed under its sides to adjust the range of the projectile.
The end of the arm was secured by the notch of the large iron catch and was released by striking down the handle of the catch with a heavy mallet.
The end of the arm was secured by the notch of the large iron catch and was released by hitting down the handle of the catch with a heavy mallet.
The arm is, however, too long for the height of the cross-bar against which it strikes and would probably break off at its centre.
The arm is, however, too long for the height of the crossbar it hits and would likely break in the middle.
The hollow for the stone is much too large, as a stone big enough to fit it could not be cast by a weapon of the dimensions shown in the picture.
The hole for the stone is way too big, as a stone large enough to fit it couldn't be shot from a weapon of the size shown in the picture.
From an Illustrated Manuscript, Fifteenth Century (No. 7239), Bibl. Nat. Paris.
From an Illustrated Manuscript, Fifteenth Century (No. 7239), Bibl. Nat. Paris.
The mediæval catapult was usually fitted with an arm that had a hollow or cup at its upper end in which was placed the stone it projected, as shown above in fig. 5.4 I find, however, that the original and more perfect form of this engine, as employed by the Greeks and ancient Romans, had a sling, made of rope and leather, attached to its arm.5 (Fig. 6, following page.)
The medieval catapult usually had an arm with a hollow cup at the top where the stone was placed before it was shot, as shown above in fig. 5. 4 However, I find that the original and more effective design of this machine, used by the Greeks and ancient Romans, featured a sling made of rope and leather attached to its arm. 5 (Fig. 6, following page.)
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13
4 See also The Crossbow, etc., Chapters LV., LVI., illustrations 193 to 202.
4 See also The Crossbow, etc., Chapters 55, 56, illustrations 193 to 202.
5 In mediæval times catapults which had not slings cast great stones, but only to a short distance in comparison with the earlier weapons of the same kind that were equipped with slings. I can find no allusions or pictures to show that during this period any engine was used with a sling except the trebuchet, a post-Roman invention. All evidence goes to prove that the secret of making the skein and other important parts of a catapult was in a great measure lost within a couple of centuries after the Romans copied the weapon from their conquered enemies the Greeks, with the result that the trebuchet was introduced for throwing stones.
5 In medieval times, catapults without slings could hurl large stones, but only a short distance compared to earlier versions that had slings. I can't find any references or images to show that any engine was used with a sling during this time, except for the trebuchet, which was a post-Roman invention. All evidence suggests that the knowledge of how to make the skein and other crucial parts of a catapult was largely lost within a couple of centuries after the Romans adopted the weapon from their conquered enemies, the Greeks, leading to the introduction of the trebuchet for launching stones.
The catapult was gradually superseded as the art of its construction was neglected, and its efficiency in sieges was therefrom decreased.
The catapult was slowly replaced as people stopped focusing on building it, which made it less effective in sieges.
The catapults of the fifth and sixth centuries were very inferior to those described by Josephus as being used at the sieges of Jerusalem and Jotapata (A.D. 70, A.D. 67), p. 37.
The catapults of the fifth and sixth centuries were much less advanced than those described by Josephus as being used during the sieges of Jerusalem and Jotapata (CE 70, CE 67), p. 37.

Fig. 6.—Sketch plan of a Catapult for slinging Stones its Arm being partly wound down.
Fig. 6.—Sketch plan of a catapult for throwing stones, with its arm partially wound down.
Approximate scale: ¼ in. = 1 ft.
Approximate scale: ¼ in. = 1 ft.
The addition of a sling to the arm of a catapult increases its power by at least a third. For example, the catapult described in Chapters LV., LVI., of my book,6 will throw a round stone 8 lbs. in weight, from 350 to 360 yards, but the same engine with the advantage of a sling to its arm will cast the 8-lb. stone from 450 to 460 yards, and when its skein is twisted to its limit of tension to nearly 500 yards.
The addition of a sling to a catapult's arm boosts its power by at least a third. For instance, the catapult mentioned in Chapters LV., LVI., of my book, 6, can launch an 8-pound round stone from 350 to 360 yards. However, with a sling added to its arm, the same catapult can throw the 8-pound stone from 450 to 460 yards, and when its skein is twisted to its maximum tension, nearly 500 yards.
6 The Crossbow, etc.
__A_TAG_PLACEHOLDER_0__ The Crossbow, etc.
If the upper end of the arm of a catapult is shaped into a cup to receive the stone, as shown in fig. 5, p. 11, the arm is, of necessity, large and heavy at this part.
If the top part of a catapult's arm is designed like a cup to hold the stone, as shown in fig. 5, p. 11, the arm has to be big and heavy in that area.
If, on the other hand, the arm is equipped with a sling, as shown in fig. 6, opposite page, it can be tapered from its butt-end upwards, and is then much lighter and recoils with far more speed than an arm that has an enlarged extremity for holding its missile.
If, however, the arm has a sling attached, as shown in fig. 6, on the opposite page, it can be narrowed from the base upward, making it much lighter and allowing it to recoil much faster than an arm with a larger end designed to hold its projectile.
When the arm is fitted with a sling, it is practically lengthened by as much as the length of the sling attached to it, and this, too, without any appreciable increase in its weight.
When you use a sling on the arm, it effectively adds length to the arm by the length of the sling that’s attached to it, and this addition doesn’t noticeably increase its weight.
The longer the arm of a catapult, the longer is its sweep through the air, and thus the farther will it cast its projectile, provided it is not of undue weight.
The longer the arm of a catapult, the longer its swing through the air, and therefore the farther it will launch its projectile, as long as it’s not too heavy.
The difference in this respect is as between the range of a short sling and that of a long one, when both are used by a school-boy for slinging pebbles.
The difference here is like comparing the reach of a short sling to that of a long one when both are used by a schoolboy to throw pebbles.
The increase of power conferred by the addition of a sling to the arm of a catapult is surprising.
The added power from attaching a sling to a catapult's arm is surprising.
A small model I constructed for throwing a stone ball, one pound in weight, will attain a distance of 200 yards when used with an arm that has a cup for holding the ball, though when a sling is fitted to the arm the range of the engine is at once increased to 300 yards.
A small model I built for throwing a one-pound stone ball can reach a distance of 200 yards when using an arm that has a cup for holding the ball. However, when a sling is attached to the arm, the range of the device instantly increases to 300 yards.
The only historian who distinctly tells us that the catapult of the Greeks and Romans had a sling to its arm, is Ammianus Marcellinus. This author flourished about 380 A.D., and a closer study of his writings, and of those of his contemporaries, led me to carry out experiments with catapults and balistas which I had not contemplated when my work dealing with the projectile engines of the Ancients was published.
The only historian who clearly states that the catapult used by the Greeks and Romans had a sling on its arm is Ammianus Marcellinus. This author was active around 380 CE, and a deeper examination of his writings and those of his contemporaries prompted me to conduct experiments with catapults and ballistae that I hadn't considered when my work about the projectile devices of the Ancients was published.
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Fig. 7.—Catapult (with a Sling). Side view of frame and mechanism.
Fig. 7.—Catapult (with a Sling). Side view of the frame and mechanism.
Scale: ½ in. = 1 ft.
Scale: ½ in. = 1 ft.
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Ammianus writes of the catapult7:
Ammianus writes about the catapult __A_TAG_PLACEHOLDER_0__:
‘In the middle of the ropes8 rises a wooden arm like a chariot pole ... to the top of the arm hangs a sling ... when battle is commenced a round stone is set in the sling ... four soldiers on each side of the engine wind the arm down till it is almost level with the ground ... when the arm is set free it springs up and hurls forth from its sling the stone, which is certain to crush whatever it strikes. This engine was formerly called the “scorpion,” because it has its sting erect,9 but later ages have given it the name of Onager, or wild ass, for when wild asses are chased they kick the stones behind them.’
‘In the middle of the ropes8 rises a wooden arm like a chariot pole... at the top of the arm hangs a sling... when the battle begins, a round stone is placed in the sling... four soldiers on each side of the engine crank the arm down until it’s almost level with the ground... when the arm is released, it shoots up and launches the stone from its sling, sure to crush whatever it hits. This machine was once called the “scorpion” because it has its sting raised,9 but over time, people have named it Onager, or wild ass, because when wild asses are chased, they kick stones behind them.’
8 i.e. in the middle of the twisted skein formed of ropes of sinew or hair.
8 i.e. in the middle of the twisted mess made of threads of muscle or hair.
9 The upright and tapering arm of a catapult, with the iron pin on its top for the loop of the sling, is here fancifully likened to the erected tail of an angry scorpion with its sting protruding.
9 The straight and narrowing arm of a catapult, with the iron pin on top for the sling loop, is here creatively compared to the raised tail of an angry scorpion with its stinger sticking out.
__A_TAG_PLACEHOLDER_0__.—Catapult (with a sling), refer to the opposite page.
A. The arm at rest, ready to be wound down by the rope attached to it and also to the wooden roller of the windlass. The stone may be seen in the sling.
A. The arm is at rest, ready to be lowered by the rope attached to it and also to the wooden roller of the winch. The stone can be seen in the sling.
The upper end of the pulley rope is hitched by a metal slip-hook (fig. 6, p. 12) to a ring-bolt secured to the arm just below the sling.
The top end of the pulley rope is attached with a metal slip-hook (fig. 6, p. 12) to a ring-bolt fixed to the arm just beneath the sling.
B. The position of the arm when fully wound down by means of the windlass and rope. See also EE, fig. 8, page 16.
B. The position of the arm when fully wound down using the winch and rope. See also EE, fig. 8, page 16.
C. The position of the arm at the moment the stone D leaves the sling, which it does at an angle of about 45 degrees.
C. The position of the arm when the stone D leaves the sling is at an angle of about 45 degrees.
E. By pulling the cord E the arm B is at once released from the slip-hook and, taking an upward sweep of 90 degrees, returns to its original position at A.
E. By pulling the cord E, the arm B is immediately released from the slip-hook and, making an upward sweep of 90 degrees, returns to its original position at A.

[F. Its fixed end which passes through a hole near the top of the arm.
[F. Its fixed end goes through a hole near the top of the arm.]
G. The leather pocket for the stone.
G. The leather pocket for the stone.
H. The loop which is hitched over the iron pin at the top of the arm when the stone is in position in the sling, as shown at A and B, fig. 7.]
H. The loop that is fastened over the iron pin at the top of the arm when the stone is placed in the sling, as shown at A and B, fig. 7.]
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Fig. 8.—Catapult (with a Sling). Surface view of frame and mechanism. Scale: ½ in. = 1 foot. The arm EE is here shown wound down to its full extent. (Compare with B, fig. 7, page 14.)
Fig. 8.—Catapult (with Sling). Top view of the frame and mechanism. Scale: ½ inch = 1 foot. The arm EE is shown fully wound down here. (See B, fig. 7, page 14.)
I. | I. | } | The side-pieces. |
II. | II. | } | |
III. | IV. | The large cross-pieces. | |
V. | The small cross-piece. |
The ends of the cross-piece beams are stepped into the side-pieces.
The ends of the cross beams are notched into the side pieces.
AA. The skein of twisted cord.
AA. The bundle of twisted cord.
BB. The large winding wheels. The skein is stretched between these wheels, its ends passing through the sides of the frame, and then through the wheels and over their cross-bars. (Fig. 12, p. 19.)
BB. The big turning wheels. The skein is pulled tight between these wheels, its ends going through the sides of the frame, then through the wheels and over their crossbars. (Fig. 12, p. 19.)
By turning with a long spanner (fig. 6, p. 12) the squared ends of the spindles DD, the pinion wheels CC rotate the large wheels BB and cause the latter to twist the skein AA, between the halves of which the arm EE is placed.
By using a long wrench (fig. 6, p. 12) to turn the squared ends of the spindles DD, the pinion wheels CC rotate the large wheels BB, which then twist the skein AA, with the arm EE positioned between the two halves.
FF. The wooden roller which winds down the arm EE. (Fig. 6, p. 12.)
FF. The wooden roller that spins down arm EE. (Fig. 6, p. 12.)
The roller is revolved by four men (two on each side of the engine) who fit long spanners on the squared ends of the iron spindle GG.
The roller is turned by four guys (two on each side of the engine) who attach long wrenches to the squared ends of the iron spindle GG.
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This spindle passes through the centre of the roller and through the sides of the frame.
This spindle goes through the middle of the roller and the sides of the frame.
The small cogged wheels, with their checks, which are fitted to the ends of the spindle GG, prevent the roller from reversing as the arm is being wound down. (Fig. 6, p. 12.)
The small gear wheels with their notches, attached to the ends of the spindle GG, stop the roller from reversing while the arm is being wound down. (Fig. 6, p. 12.)
HH. The hollows in the sides of the frame which receive the lower tenons of the two uprights. Between the tops of these uprights the cross-beam is fixed against which the arm of the catapult strikes when it is released. (Fig. 6, p. 12.)
HH. The slots on the sides of the frame that hold the lower ends of the two vertical supports. The cross-beam is attached between the tops of these supports, which the arm of the catapult hits when it’s released. (Fig. 6, p. 12.)
KK. The hollows for the lower tenons of the two sloping supports which prevent the uprights, and the cross-beam between them, from giving way when the arm recoils. (Fig. 6, p. 12.)
KK. The grooves for the lower tenons of the two angled supports that stop the vertical posts and the cross-beam connecting them from collapsing when the arm snaps back. (Fig. 6, p. 12.)

Fig. 9.—One of the Pair of Winches of a Catapult. Scale: 1/16 in. = 1 in.
Fig. 9.—One of the Pair of Winches for a Catapult. Scale: 1/16 in. = 1 in.
I. Surface view of one of the winches and of the thick iron plate in which the socket of the large winding wheel of the winch revolves.
I. Surface view of one of the winches and the thick iron plate where the socket of the large winding wheel of the winch rotates.
II. View of a winch (from above) as fitted into one of the sides of the frame of the catapult. One end of the twisted skein may be seen turned round the cross-bar of the large wheel.
II. View of a winch (from above) as mounted on one side of the catapult frame. One end of the twisted cable can be seen wrapped around the cross-bar of the large wheel.
III. Side view of the large wheel of a winch.
III. Side view of the big wheel of a winch.
IV. The cross-bar of one of the large wheels. These pieces fit like wedges into tapering slots cut down the barrels, or inside surfaces, of their respective wheels.
IV. The cross-bar of one of the large wheels. These pieces fit snugly like wedges into the tapered slots carved into the barrels, or the inner surfaces, of their respective wheels.
V. Perspective view of the wheels of a winch.
V. Perspective view of the wheels of a winch.
The winches are the vital parts of the catapult as they generate its projectile power.
The winches are essential components of the catapult because they provide the force to launch its projectiles.
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They are employed to twist tightly the skein of cord between which the butt-end of the arm of the engine is placed.
They are used to tightly twist the length of cord that the butt-end of the engine's arm is placed between.
The cord composing the skein is stretched to and fro across and through the sides of the catapult, and alternately through the insides of the large wheels and over their cross-bars; as shown in fig. 8, p. 16.
The string that makes up the skein is pulled back and forth across the sides of the catapult, and it goes through the large wheels and over their cross-bars; as shown in fig. 8, p. 16.
__A_TAG_PLACEHOLDER_0__. The Iron Snap Hook.

This simple contrivance not only pulled down the arm of a catapult but was also the means of setting it free. However great the strain on the slip-hook, it will, if properly shaped, easily effect the release of the arm.
This simple device not only lowered the arm of a catapult but also allowed it to be released. No matter how much pressure is on the slip-hook, if it’s shaped correctly, it will easily release the arm.
The trajectory of the missile can be regulated by this form of release, as the longer the distance the arm is pulled down the higher the angle at which the projectile is thrown.
The path of the missile can be controlled by this method of release, as the farther down the arm is pulled, the steeper the angle at which the projectile is launched.
On the other hand, the shorter the distance the arm is drawn back, the lower the trajectory of its missile.
On the other hand, the shorter the distance the arm is pulled back, the lower the path of its projectile.
The slip-hook will release the arm of the engine at any moment, whether it is fully or only partially wound down by the windlass.
The slip-hook will let go of the engine's arm at any time, whether it’s completely or just partly wound down by the windlass.
The slip-hook of the large catapult shown in fig. 6, p. 12, has a handle, i.e. lever, 10 inches long, the point of the hook, which passes through the eye-bolt secured to the arm, being one inch in diameter.
The slip-hook of the large catapult shown in fig. 6, p. 12, has a handle, i.e. lever, 10 inches long, and the hook's tip, which goes through the eye-bolt attached to the arm, is one inch in diameter.

Fig. 11.—A Spring Engine with a Sling attached to its Arm, which cast Two Stones at the Same Time.
Fig. 11.—A spring engine with a sling connected to its arm that launched two stones at the same time.
From ‘Il Codice Atlantico,’ Leonardo da Vinci. 1445–1520.
From ‘Il Codice Atlantico,’ Leonardo da Vinci. 1445–1520.
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Fig. 12.—The Skein of Cord.
Fig. 12.—The Cord Skein.
A. The skein as first wound over the cross-bars of the large wheels (shown in section) of the winches.
A. The thread was first wrapped around the crossbars of the large wheels (shown in section) of the winches.
B. The skein with the butt-end of the arm (shown in section) placed between its halves.
B. The skein with the arm's butt-end (shown in section) positioned between its two halves.
C. The skein as it appears when tightly twisted up by the winches. Compare with AA, fig. 8, p. 16.
C. The skein as it looks when it's tightly wound by the winches. Compare with AA, fig. 8, p. 16.
Cord of Italian hemp, about ¼ in. thick, is excellent for small catapults. For large ones, horsehair rope, ½ in. thick, is the best and most elastic. Whatever is used, the material of the skein must be thoroughly soaked in neats-foot oil for some days previously, or it is sure to fray and cut under the friction of being very tightly twisted. Oil will also preserve the skein from damp and decay for many years.
Cord made of Italian hemp, about ¼ inch thick, is great for small catapults. For larger ones, ½ inch thick horsehair rope is the best and most flexible choice. Whatever you use, the material should be soaked in neats-foot oil for several days beforehand, or it will definitely fray and break due to the tight twisting. The oil will also protect the cord from moisture and decay for many years.
HOW TO WORK THE CATAPULT
There is little to write under this heading; as the plans, details of construction and illustrations will, I trust, elucidate its management.
There isn’t much to say under this heading; I hope the plans, construction details, and illustrations will clarify how it’s managed.
The skein should never remain in a tightly twisted condition, but should be untwisted when the engine is not in use.
The skein should never stay tightly twisted but should be untwisted when the engine isn't in use.
Previous to using the catapult its winches should be turned with the long spanner, fig. 6, p. 12, first the winch on one side of the engine and then the one on the other side of it, and each to exactly the same amount.
Before using the catapult, its winches should be operated with the long spanner, fig. 6, p. 12, starting with the winch on one side of the engine and then the one on the other side, making sure to adjust each one by the same amount.
Small numerals painted on the surfaces of the large wheels near their20 edges, will show how much they have been revolved; in this way their rotation can be easily arranged to correspond.
Small numbers painted on the surfaces of the large wheels near their20 edges will indicate how much they have turned; this way, their rotation can be easily aligned to match.
As the skein of cord is being twisted by the very powerful winches, the arm will gradually press with increasing force against the cross-beam between the uprights. The arm should be so tightly pressed against the fender, or cushion of straw, attached to the centre of this beam, that, whether large or small, it cannot be pulled back the least distance by hand.
As the length of cord is being twisted by the strong winches, the arm will gradually push harder against the cross-beam between the vertical supports. The arm should be pressed so firmly against the fender or straw cushion attached to the middle of this beam that, regardless of its size, it can't be moved back even a little by hand.
If the skein of my largest catapult is fully tightened up by the winches, three strong men are unable to draw the arm back with a rope even an inch from the cross-beam, though the windlass has to pull it down from six to seven feet when the engine is made ready for action.
If the cord of my biggest catapult is fully tightened by the winches, three strong men can't pull the arm back even an inch from the cross-beam with a rope, even though the winch has to pull it down from six to seven feet when the engine is prepped for action.
When the skein is as tight as it should be, attach the slip-hook to the ring-bolt in the arm and place the stone in the sling suspended from the top of the arm.
When the skein is as tight as it should be, attach the slip-hook to the ring-bolt in the arm and place the stone in the sling hanging from the top of the arm.
The arm can now be drawn down by means of long spanners fitted to the windlass. Directly the arm is as low as it should be, or as is desired, it should be instantly released by pulling the cord fastened to the lever of the slip-hook.
The arm can now be lowered using long wrenches attached to the winch. As soon as the arm is at the desired height, it should be quickly released by pulling the cord attached to the lever of the slip-hook.
The least delay in doing this, and the resulting continuation of the immense strain on the arm, may cause it to fracture when it would not otherwise have done so.
The slightest delay in doing this, along with the ongoing pressure on the arm, could lead to a fracture that wouldn’t have happened otherwise.
The plans I have given are those of my largest engine, which, ponderous as it seems—(it weighs two tons)—is, however, less than half the size of the catapult used by the ancients for throwing stones of from forty to fifty pounds in weight.
The plans I've provided are for my biggest engine, which, heavy as it is—(it weighs two tons)—is, nevertheless, less than half the size of the catapult used by ancient people for launching stones weighing between forty to fifty pounds.
As the plans are accurately drawn to scale, the engine can easily be reproduced in a smaller size.
As the plans are drawn to scale, the engine can be easily reproduced in a smaller size.
An interesting model can be constructed that has an arm 3 feet in length, and a skein of cord about 4 inches in diameter. It can be worked by one man and will throw a stone, the size of an orange, to a range of 300 yards.
An intriguing model can be built that features an arm 3 feet long and a bundle of cord about 4 inches in diameter. It can be operated by one person and will launch a stone the size of an orange up to a distance of 300 yards.
The sling, when suspended with the stone in position, should be one third the length of the arm, as shown in fig. 7, p. 14.
The sling, when hanging with the stone in place, should be one third the length of the arm, as shown in fig. 7, p. 14.
If the sling is shortened, the ball will be thrown at a high elevation. If the sling is lengthened, the ball will travel at a lower angle and with much more velocity.
If you shorten the sling, the ball will be thrown at a higher angle. If you lengthen the sling, the ball will travel at a lower angle and with a lot more speed.
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PART III
THE BALLISTA

Fig. 13.—Balista For Discharging Heavy Arrows or Javelins.
Approximate scale: ½ in. = 1 foot.
Fig. 13.—Catapult for Launching Heavy Arrows or Javelins.
Approximate scale: ½ in. = 1 foot.
This engine is here shown ready for discharge with its bow-string drawn to its full extent by the windlass.
This engine is now displayed, prepared for unloading, with its bow-string fully stretched by the windlass.
The heavy iron-tipped arrow rests in the shallow wooden trough or groove which travels along the stock.
The heavy iron-tipped arrow sits in the shallow wooden groove that runs along the stock.
The trough has a strip of wood, in the form of a keel, fixed beneath it. This keel travels to or fro in a dove-tailed slot cut along the upper surface of the stock for the greater part of its length. (F, fig. 14, p. 23.)
The trough has a wooden strip shaped like a keel attached underneath it. This keel moves back and forth in a dove-tailed slot that runs along the upper surface of the stock for most of its length. (F, fig. 14, p. 23.)
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The arrow is laid in the trough before the bow-string is stretched. (A, B, fig. 14, p. 23.)
The arrow is placed in the groove before the bowstring is pulled back. (A, B, fig. 14, p. 23.)
The balista is made ready for use by turning the windlass. The windlass pulls back the sliding trough, and the arrow resting in it, along the stock of the engine, till the bow-string is at its proper tension for discharging the projectile. (Fig. 13, p. 21.)
The ballista is prepared for use by operating the crank. The crank pulls back the sliding trough, along with the arrow resting in it, along the frame of the machine, until the bowstring is at the right tension to launch the projectile. (Fig. 13, p. 21.)
As the trough and the arrow are drawn back together, the arrow can be safely laid in position before the engine is prepared for action.
As the trough and the arrow are pulled back together, the arrow can be safely placed in position before the engine is ready for action.
The catch for holding the bow-string, and the trigger for releasing it, are fixed to the solid after-end of the wooden trough. (Fig. 14, p. 23.)
The hook for holding the bowstring and the trigger for releasing it are attached to the sturdy back end of the wooden trough. (Fig. 14, p. 23.)
By this arrangement the trough can be securely retained, in transit, at any point between the one it started from and the one it attains when drawn back to its full extent by the windlass.
By this setup, the trough can be securely held in place during transport at any point between where it started and where it reaches when it's fully extended by the windlass.
As the lock and trigger of the balista are fixed to the after-end of the sliding trough (fig. 14, p. 23), it will be realised that the arrow could be discharged at any moment required in warfare, whether the bow-string was fully or only partially stretched.
As the lock and trigger of the ballista are attached to the back end of the sliding trough (fig. 14, p. 23), it will be understood that the arrow could be fired at any moment needed in battle, regardless of whether the bowstring was fully or only partially pulled back.
In this respect the balista differed from the crossbow, which it somewhat resembled, as in a crossbow the bow-string cannot be set free by the trigger at an intermediate point, but only when it is drawn to the lock of the weapon.
In this respect, the ballista was different from the crossbow, which it somewhat resembled, because in a crossbow, the bowstring can't be released by the trigger at an intermediate point, but only when it’s pulled back to the lock of the weapon.
It will be seen that the balista derives its power from two arms; each with its separate skein of cord and pair of winches.
It can be seen that the ballista gets its power from two arms, each with its own set of cord and pair of winches.
These parts of the balista are the same in their action and mechanism as those of the catapult.
These parts of the ballista work the same way and have the same mechanism as those of the catapult.
__A_TAG_PLACEHOLDER_0__ (Opposite Page).—The Mechanism of the Arrow-Throwing Ballista.
A. Side view of the stock, with the arrow in the sliding trough before the bow-string is stretched.
A. Side view of the stock, with the arrow in the sliding groove before the bowstring is drawn.
B. Surface view of the stock, with the arrow in the sliding trough before the bow-string is stretched.
B. Surface view of the stock, with the arrow in the sliding groove before the bowstring is pulled tight.
C. Section of the fore-end of the stock, and of the trough which slides in and along it.
C. Section of the front part of the stock and of the channel that moves in and along it.
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Fig. 14.—The Mechanism of the Stock of an Arrow-throwing Balista.
Fig. 14.—The Mechanism of the Stock of an Arrow-throwing Ballista.
D. Surface view of the trough, with the trigger and catch for the bow-string.
D. Top view of the trough, showing the trigger and catch for the bowstring.
E. Side view, showing the keel (F) which slides along the slot cut in the surface of the stock as the trough is drawn back by the windlass.
E. Side view, showing the keel (F) that moves along the slot cut in the surface of the stock as the trough is pulled back by the windlass.
G. Enlarged view of the solid end of the trough. This sketch shows the catch for the bow-string, the trigger which sets it free, the ratchets which engage the cogs on the sides of the stock, and the slot cut in the stock for the dove-tailed keel of the trough to travel in.
G. Enlarged view of the solid end of the trough. This sketch shows the catch for the bow-string, the trigger that releases it, the ratchets that connect with the cogs on the sides of the stock, and the slot cut in the stock for the dove-tailed keel of the trough to move through.
Balistas were constructed of different sizes for the various purposes of siege and field warfare. The smallest of these engines was not much larger than a heavy crossbow, though it more than equalled the latter in power and range.
Balistas were built in various sizes for different purposes in siege and field warfare. The smallest of these machines was only slightly bigger than a heavy crossbow, yet it matched the crossbow in power and range.
The small balistas were chiefly used for shooting through loopholes and from battlemented walls at an enemy assaulting with scaling ladders and movable towers.
The small ballistae were mainly used for shooting through loopholes and from battlemented walls at an enemy attacking with scaling ladders and siege towers.
The largest had arms of 3 ft. to 4 ft. in length, and skeins of twisted sinew of 6 in. to 8 in. in diameter.
The largest had arms measuring 3 to 4 feet long, and bundles of twisted sinew that were 6 to 8 inches in diameter.
Judging from models I have made and carefully experimented with; it is certain that the more powerful balistas of the ancients could cast arrows, or rather feathered javelins, of from 5 to 6 lbs. weight, to a range of from 450 to 500 yards.
Based on the models I've created and thoroughly tested, it's clear that the more powerful ballistae of ancient times could shoot arrows, or more accurately, feathered javelins, weighing between 5 to 6 pounds, to a distance of 450 to 500 yards.
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Fig. 15.—Balista for throwing Stone Balls. Approximate scale: ½ in. = 1 foot.
Fig. 15.—Ballista for launching stone balls. Approximate scale: ½ in. = 1 foot.
This engine is here shown with its bow-string only slightly drawn along its stock by the windlass.
This engine is shown here with its bow-string only slightly pulled along its stock by the winch.
It will be seen that this engine is almost identical in construction with the one last described. (Fig. 13, p. 21.)
It can be seen that this engine is nearly identical in construction to the one just described. (Fig. 13, p. 21.)
The difference is that it propelled a stone ball instead of a large arrow.
The difference is that it launched a stone ball instead of a large arrow.
The ball was driven along a square wooden trough, one-third of the diameter of the ball being enclosed by the sides of the trough so as to keep the missile in a true direction after the bow-string was released.
The ball was propelled down a square wooden channel, with one-third of the ball's diameter contained by the walls of the channel to ensure the projectile stayed on a straight path after the bowstring was let go.
The bow-string was in the form of a broad band, with an enlargement at its centre against which the ball rested.
The bowstring was a wide band with a thicker section in the middle where the ball rested.
The description given of the mechanism and management of the engine for throwing arrows can be applied to the construction and manipulation of this form of balista, which was also made of large and small dimensions.
The explanation about how the engine works and how to operate it for launching arrows can be applied to building and using this type of ballista, which also came in both large and small sizes.
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Small engines, with arms about 2 ft. in length and skeins of cord about 4 in. in diameter, such as those I have built for experiment, will send a stone ball, 1 lb. in weight, from 300 to 350 yards.
Small engines, with arms about 2 feet long and bundles of cord about 4 inches in diameter, like the ones I've built for testing, can launch a 1-pound stone ball from 300 to 350 yards.
There is little doubt that the large stone-throwing balista of the Greeks and Romans was able to project a circular stone, of 6 to 8 lbs. weight, to a distance of from 450 to 500 yards.11
There is little doubt that the large stone-throwing balista of the Greeks and Romans could launch a circular stone weighing 6 to 8 pounds over a distance of 450 to 500 yards.11
11 The balls used by the ancients in their catapults and balistas were often formed of heavy pebbles inclosed in baked clay, the reason being that balls made in this way shattered on falling and hence could not be shot back by the engines of the enemy. The balistas for throwing arrows, and those employed for casting stones, were fitted with axles and wheels when constructed for use in field warfare.
11 The balls used by ancient armies in their catapults and ballistae were often made of heavy pebbles enclosed in baked clay. This design caused the balls to shatter upon impact, preventing them from being fired back by enemy machines. The ballistae designed for shooting arrows and those used for launching stones were equipped with axles and wheels when intended for field combat.

A. Surface view, with the stone in position.
A. Surface view, with the stone in place.
B. Side view, with the stone in position.
B. Side view, with the stone in place.
C. Front view of the stone as it rests in the trough against the enlarged centre of the bow-string.
C. Front view of the stone as it sits in the trough against the widened center of the bowstring.
D. Enlarged view of the solid end of the sliding trough. This sketch shows the ball in position against the bow-string; the catch holding the loop of the bow-string, and the pivoted trigger which, when pulled, releases the catch. One of the pair of ratchets which engage the cogs on the sides of the stock, as the trough is drawn back by the windlass to make ready the engine, is also shown. The trough has a keel to it, and slides to or fro along the stock in the same manner as in the arrow-throwing balista. (Fig. 13, p. 21.)
D. Enlarged view of the solid end of the sliding trough. This sketch shows the ball positioned against the bowstring; the catch holding the loop of the bowstring, and the pivoted trigger that, when pulled, releases the catch. One of the pair of ratchets that engage the cogs on the sides of the stock, as the trough is pulled back by the windlass to prepare the engine, is also shown. The trough has a keel and slides back and forth along the stock just like in the arrow-throwing ballista. (Fig. 13, p. 21.)
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Fig. 17.—A Siege Balista in the form of an immense Stonebow.
Fig. 17.—A Siege Ballista designed like a giant stone bow.
From ‘Il Codice Atlantico,’ Leonardo da Vinci, 1445–1520.
From ‘The Atlantic Codex,’ Leonardo da Vinci, 1445–1520.
Criticism.—A stonebow of vast size. A and B represent two kinds of lock. In A, the catch of the lock over which the loop of the bow-string was hitched, was released by striking down the knob to be seen below the mallet. In B, the catch was set free by means of a lever. C shows the manner of pulling back the bow-string. By turning the spoked wheels, the screw-worm revolved the screwed bar on which the lock A, travelled. The lock, as may be seen, worked to or fro in a slot along the stock of the engine. In the illustration the bow is fully bent and the man indicated is about to discharge the engine. After this was done, the lock was wound back along the screw-bar and the bow-string was hitched over the catch of the lock preparatory to bending the bow again. Besides being a famous painter, Leonardo was distinguished as an inventor and exact writer on mechanics and hydraulics.
Criticism.—A large stonebow. A and B show two types of locks. In A, the catch of the lock that held the loop of the bow-string was released by pressing down the knob visible below the mallet. In B, the catch was released using a lever. C illustrates how to pull back the bow-string. By turning the spoked wheels, the screw-worm rotated the screwed bar on which lock A moved. The lock, as shown, slid back and forth in a slot along the engine's frame. In the illustration, the bow is fully drawn, and the man depicted is about to fire the engine. After firing, the lock was wound back along the screw-bar, and the bow-string was secured over the catch of the lock in preparation for bending the bow again. In addition to being a renowned painter, Leonardo was also recognized as an inventor and a precise writer on mechanics and hydraulics.
‘No artist before his time ever had such comprehensive talents, such profound skill or so discerning a judgment to explore the depths of every art or science to which he applied himself.’—John Gould, Dictionary of Painters, 1839.
‘No artist before his time ever had such a wide range of talents, such deep skill, or such sharp judgment to delve into the depths of every art or science he dedicated himself to.’—John Gould, Dictionary of Painters, 1839.
From the above eulogy we may conclude that the drawings of ancient siege engines by Leonardo da Vinci are fairly correct.
From the eulogy above, we can conclude that Leonardo da Vinci's drawings of ancient siege engines are quite accurate.
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PART IV
THE TREBUCHET
This engine was of much more recent invention than the catapult or the balista of the Greeks and Romans. It is said to have been introduced into siege operations by the French in the twelfth century. On the other hand, the catapult and the balista were in use several centuries before the Christian Era. Egidio Colonna gives a fairly accurate description of the trebuchet, and writes of it, about 1280, as though it were the most effective siege weapon of his time.
This engine was invented much more recently than the catapult or the ballista of the Greeks and Romans. It’s said to have been used in siege warfare by the French in the twelfth century. Meanwhile, the catapult and the ballista had been in use for several centuries before the Christian Era. Egidio Colonna provides a pretty accurate description of the trebuchet and writes about it, around 1280, as if it were the most effective siege weapon of his time.
The projectile force of this weapon was obtained from the gravitation of a heavy weight, and not from twisted cordage as in the catapult and balista.
The launching power of this weapon came from the weight of a heavy object, not from twisted ropes like in the catapult and ballista.
From about the middle of the twelfth century, the trebuchet in great measure superseded the catapult. This preference for the trebuchet was probably due to the fact that it was able to cast stones of about 300 lbs. in weight, or five or six times as heavy as those which the largest catapults could project.12
From around the middle of the 12th century, the trebuchet largely replaced the catapult. This shift in preference for the trebuchet was likely because it could launch stones weighing about 300 lbs., which was five or six times heavier than what the largest catapults could hurl.12
12 The catapult had, besides, become an inferior engine to what it was some centuries before the trebuchet was introduced, the art of its construction having been neglected.
12 The catapult had, in addition, fallen out of favor compared to what it used to be centuries ago before the trebuchet came along, as the skill to build it had been overlooked.
The stones thrown by the siege catapults of the time of Josephus would no doubt destroy towers and battlements, as the result of the constant and concentrated bombardment of many engines. One huge stone of from 200 to 300 lbs., as slung from a trebuchet, would, however, shake the strongest defensive masonry.
The stones hurled by the siege catapults during Josephus's time would definitely take down towers and walls, due to the ongoing and focused attack from multiple machines. A massive stone weighing between 200 to 300 lbs, launched from a trebuchet, would, however, rattle even the strongest defensive structures.
The trebuchet was essentially an engine for destroying the upper part of the walls of a fortress, so that it might be entered by means of scaling ladders or in other ways. The catapult, by reason of its longer range, was of more service in causing havoc to the people and dwellings inside the defences of a town.
The trebuchet was basically a machine designed to break the top part of a fortress wall, allowing entry through scaling ladders or other methods. The catapult, due to its longer range, was more effective at causing chaos among the people and buildings inside a town's defenses.
From experiments with models of good size and from other sources, I find that the largest trebuchets—those with arms of about 50 ft. in length and counterpoises of about 20,000 lbs.—were capable of slinging a stone from 200 to 300 lbs. in weight to a distance of 300 yards, a range of 350 yards being, in my opinion, more than these engines were able to attain.13
From experiments with properly scaled models and other sources, I've found that the biggest trebuchets—those with arms around 50 feet long and counterweights of about 20,000 pounds—could launch a stone weighing between 200 and 300 pounds a distance of 300 yards. I believe that a range of 350 yards is beyond what these machines could actually achieve.13
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13 Egidio Colonna tells us that the trebuchet was sometimes made without a counterpoise, and that in such a case the arm of the engine was worked by a number of men pulling together instead of by a heavy weight. I cannot believe this, as however many men pulled at the arm of a trebuchet they could not apply nearly the force that would be conveyed by the gravitation of a heavy weight.
13 Egidio Colonna tells us that the trebuchet was sometimes built without a counterweight, and in those instances, the arm of the machine was operated by a group of men pulling together rather than by a heavy weight. I can’t believe this, because no matter how many men pulled on the arm of a trebuchet, they wouldn’t be able to generate nearly the same force that would come from the weight of a heavy object.

Fig. 18.—The Trebuchet.
Fig. 18.—The Trebuchet.
The arm is fully wound down and the tackle of the windlass is detached from it. The stone is in the sling and the engine is about to be discharged by pulling the slip-hook off the end of the arm. The slip-hook is similar to the one shown in fig. 10, p. 18.
The arm is completely lowered, and the windlass tackle is disconnected from it. The stone is in the sling, and the engine is ready to be released by pulling the slip-hook off the end of the arm. The slip-hook is similar to the one shown in fig. 10, p. 18.
N.B.—A Roman soldier is anachronistically shown in this picture. The trebuchet was invented after the time of the Romans.
N.B.—A Roman soldier is out of place in this picture. The trebuchet was invented after the Roman era.
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The trebuchet always had a sling in which to place its missile.
The trebuchet always had a sling to hold its projectile.
The sling doubled the power of the engine and caused it to throw its projectile twice as far as it would have been able to do without it.
The sling increased the engine's power and made it launch its projectile twice as far as it could have without it.
It was the length of the arm, when suitably weighted with its counterpoise, which combined with its sling gave power to the trebuchet. Its arm, when released, swung round with a long easy sweep and with nothing approaching the velocity of the much shorter arm of the catapult.
It was the length of the arm, when properly balanced with its counterweight, that paired with its sling gave the trebuchet its power. When released, its arm swung around in a long, smooth motion and with nowhere near the speed of the much shorter arm of the catapult.
The weight of a projectile cast by a trebuchet was governed by the weight of its counterpoise. Provided the engine was of sufficient strength and could be manipulated, there was scarcely any limit to its power. Numerous references are to be found in mediæval authors to the practice of throwing dead horses into a besieged town with a view to causing a pestilence therein, and there can be no doubt that trebuchets alone were employed for this purpose.
The weight of a projectile launched by a trebuchet was determined by the weight of its counterweight. As long as the machine was strong enough and could be operated, there was almost no limit to its power. Many medieval authors mention the practice of hurling dead horses into a besieged town to spread disease, and there's no doubt that trebuchets were specifically used for this purpose.
As a small horse weighs about 10 cwt., we can form some idea of the size of the rocks and balls of stone that trebuchets were capable of slinging.
As a small horse weighs about 10 cwt., we can get an idea of the size of the rocks and stone balls that trebuchets could sling.
When we consider that a trebuchet was able to throw a horse over the walls of a town, we can credit the statement of Stella,14 who writes ‘that the Genoese armament sent against Cyprus in 1376 had among other great engines one which cast stones of 12 cwt.’
When we think about how a trebuchet could throw a horse over a town's walls, we can believe what Stella, 14 wrote: ‘the Genoese force that came against Cyprus in 1376 had, among other large machines, one that hurled stones weighing 12 cwt.’
14 Stella flourished at the end of the fourteenth century and beginning of fifteenth. He wrote The Annals of Genoa from 1298–1409. Muratori includes the writings of Stella in his great work, Rerum Italicarum Scriptores, 25 vols., 1723–38.
14 Stella thrived at the end of the 14th century and the beginning of the 15th. He wrote The Annals of Genoa from 1298–1409. Muratori includes Stella's writings in his major work, Rerum Italicarum Scriptores, 25 volumes, 1723–38.
Villard de Honnecourt15 describes a trebuchet that had a counterpoise of sand the frame of which was 12 ft. long, 8 ft. broad, and 12 ft. deep. That such machines were of vast size will readily be understood. For instance, twenty-four engines taken by Louis IX. at the evacuation of Damietta in 1249, afforded timber for stockading his entire camp.16 A trebuchet used at the capture of Acre by the Infidels in 1291, formed a load for a hundred carts.17 A great engine that cumbered the tower of St. Paul at Orleans and which was dismantled previous to the celebrated defence of the town against the English in 1428–9, furnished twenty-six cartloads of timber.18
Villard de Honnecourt15 describes a trebuchet that had a counterweight of sand, with a frame that measured 12 ft. long, 8 ft. wide, and 12 ft. deep. It's easy to see that these machines were massive. For example, twenty-four engines captured by Louis IX. during the evacuation of Damietta in 1249 provided enough timber to stockade his entire camp.16 A trebuchet used in the capture of Acre by the Infidels in 1291 required a load for a hundred carts.17 A large engine that occupied the tower of St. Paul in Orleans, which was dismantled before the famous defense of the town against the English in 1428–9, supplied twenty-six cartloads of timber.18
15 Villard de Honnecourt, an engineer of the thirteenth century. His album translated and edited by R. Willis, M.A., 1859.
15 Villard de Honnecourt, a thirteenth-century engineer. His album translated and edited by R. Willis, M.A., 1859.
16 Jean, Sire de Joinville. He went with St. Louis to Damietta. His memoirs, written in 1309, published by F. Michel, 1858.
16 Jean, Lord of Joinville. He traveled with St. Louis to Damietta. His memoirs, written in 1309, were published by F. Michel in 1858.
17 Abulfeda, 1273–1331. Arab soldier and historian, wrote Annals of the Moslems. Published by Hafnire, 1789–94. Abulfeda was himself in charge of one of the hundred carts.
17 Abulfeda, 1273–1331. Arab soldier and historian, wrote Annals of the Moslems. Published by Hafnire, 1789–94. Abulfeda was responsible for one of the hundred carts.
All kinds of articles besides horses, men, stones and bombs were at times thrown from trebuchets. Vassāf19 records ‘that when the garrison of Delhi30 refused to open the gates to Ala’uddin Khilji in 1296, he loaded his engines with bags of gold and shot them into the fortress, a measure which put an end to the opposition.’
All sorts of things besides horses, people, stones, and bombs were sometimes launched from trebuchets. Vassāf19 notes that when the garrison of Delhi30 refused to open the gates to Ala’uddin Khilji in 1296, he loaded his machines with bags of gold and fired them into the fortress, a tactic that ended the resistance.
19 Persian historian, wrote at end of thirteenth and beginning of fourteenth century. The preface to his history is dated 1288, and the history itself is carried down to 1312.
19 Persian historian wrote at the end of the 13th century and the beginning of the 14th century. The preface to his history is dated 1288, and the history itself goes up to 1312.

Fig. 19.—Casting a dead Horse into a besieged Town by means of a Trebuchet.
Fig. 19.—Firing a dead horse into a besieged town using a trebuchet.
From ‘Il Codice Atlantico,’ Leonardo da Vinci, 1445–1520.
From ‘The Atlantic Codex,’ Leonardo da Vinci, 1445–1520.
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PART V
Historical Notes on Ancient and Medieval Siege Engines and Their Impact on Warfare
It is evident that a history of ancient siege engines cannot be created de novo. All that can be done is to quote with running criticism what has already been written about them.
It is clear that a history of ancient siege engines can't be created de novo. All that can be done is to discuss and critique what has already been written about them.
The first mention of balistas and catapults is to be found in the Old Testament, two allusions to these weapons being made therein.
The first mention of ballistae and catapults is found in the Old Testament, with two references to these weapons made in it.
The references are:
The references are:
2 Chronicles xxvi. 15, ‘And he20 made in Jerusalem engines, invented by cunning men, to be on the towers and upon the bulwarks, to shoot arrows and great stones withal.’
2 Chronicles xxvi. 15, ‘And he20 built engines in Jerusalem, designed by skilled craftsmen, to be on the towers and fortifications, to shoot arrows and large stones.’
20 Uzziah.
__A_TAG_PLACEHOLDER_0__ Uzziah.
Ezekiel xxvi. 9, ‘And he shall set engines of war against thy walls.’
Ezekiel xxvi. 9, ‘And he will bring war machines against your walls.’
Though the latter extract is not so positive in its wording as the one first given, it undoubtedly refers to engines that cast either stones or arrows against the walls, especially as the prophet previously alludes to other means of assault.
Though the latter excerpt isn't as positive in its wording as the first one given, it definitely refers to machines that launch either stones or arrows at the walls, especially since the prophet previously mentions other methods of attack.
One of the most authentic descriptions of the use of great missive engines is to be found in the account by Plutarch of the siege of Syracuse by the Romans, 214–212 B.C.
One of the most genuine descriptions of the use of large catapults comes from Plutarch's account of the Roman siege of Syracuse, 214–212 BCE
Cæsar in his Commentaries on the Gallic and Civil wars, B.C. 58–50, frequently mentions the engines which accompanied him in his expeditions.
César in his Commentaries on the Gallic and Civil Wars, BCE 58–50, often refers to the machinery that was with him during his campaigns.
The balistas on wheels were harnessed to mules and called carro-balistas.
The mobile ballistae were hitched to mules and referred to as carro-ballistas.
The carro-balista discharged its heavy arrow over the head of the animal to which the shafts of the engine were attached. Among the ancients these carro-balistas acted as field artillery and one is plainly shown in use on Trajan’s Column.
The carro-balista fired its heavy arrow over the animal to which the engine's shafts were connected. In ancient times, these carro-balistas served as field artillery, and one is clearly depicted in use on Trajan's Column.
According to Vegetius, every cohort was equipped with one catapult and every century with one carro-balista; eleven soldiers being required to work the latter engine.
According to Vegetius, each cohort was equipped with one catapult, and each century had one carro-balista, requiring eleven soldiers to operate that device.
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Fig. 20.—The Action of the Trebuchet.
Fig. 20.—The Function of the Trebuchet.
A. The arm pulled down and secured by the slip-hook previous to unhooking the rope of the windlass. B. The arm released from the slip-hook and casting the stone out of its sling. C. The arm at the end of its upward sweep.
A. The arm pulled down and secured by the slip-hook before unhooking the rope of the windlass. B. The arm released from the slip-hook and swinging the stone out of its sling. C. The arm at the end of its upward motion.
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Sixty carro-balistas accompanied, therefore, besides ten catapults, a legion. The catapults were drawn along with the army on great carts yoked to oxen.
Sixty charioteers accompanied, along with ten catapults, a legion. The catapults were transported with the army on large carts pulled by oxen.
In the battles and sieges sculptured on Trajan’s Column there are several figures of balistas and catapults. This splendid monument was erected in Rome, 105–113, to commemorate the victories of Trajan over the Dacians, and constitutes a pictorial record in carved stone containing some 2,500 figures of men and horses.
In the battles and sieges depicted on Trajan’s Column, there are several images of balistas and catapults. This impressive monument was built in Rome, between 105 and 113, to celebrate Trajan's victories over the Dacians, and serves as a visual record in carved stone, featuring around 2,500 figures of men and horses.
It is astonishing what a large number of catapults and balistas were sometimes used in a siege. For instance, at the conquest of Carthage, B.C. 146, 120 great catapults and 200 small ones were taken from the defenders, besides 33 great balistas and 52 small ones (Livy).21
It’s amazing how many catapults and ballistae were sometimes used during a siege. For example, during the conquest of Carthage in 146 B.C., 120 large catapults and 200 smaller ones were captured from the defenders, along with 33 large ballistae and 52 smaller ones (Livy).21
21 Just previous to the famous defence of Carthage, the Carthaginians surrendered to the Romans ‘two hundred thousand suits of armour and a countless number of arrows and javelins, besides catapults for shooting swift bolts and for throwing stones to the number of two thousand.’ From Appian of Alexandria, a Greek writer who flourished 98–161.
21 Just before the well-known defense of Carthage, the Carthaginians gave the Romans "two hundred thousand suits of armor and an endless supply of arrows and javelins, along with two thousand catapults for launching quick bolts and throwing stones." From Appian of Alexandria, a Greek writer who was active from 98 to 161.
Abulfaragio (Arab historian, 1226–1286) records that at the siege of Acre in 1191, 300 catapults and balistas were employed by Richard I. and Philip II.
Abulfaragio (Arab historian, 1226–1286) records that at the siege of Acre in 1191, 300 catapults and ballistae were used by Richard I and Philip II.
Abbo, a monk of Saint Germain des Prés, in his poetic but very detailed account of the siege of Paris by the Northmen in 885, 886, writes ‘that the besieged had a hundred catapults on the walls of the town.’22
Abbo, a monk at Saint Germain des Prés, in his poetic yet very thorough account of the siege of Paris by the Northmen in 885 and 886, writes that the defenders had a hundred catapults on the town’s walls.22
22 These were probably balistas, as Ammianus Marcellinus writes of the catapult, ‘An engine of this kind placed on a stone wall shatters whatever is beneath it, not by its weight but by the violence of its shock when discharged.’
22 These were likely ballistae, as Ammianus Marcellinus describes the catapult, ‘An engine like this set on a stone wall destroys whatever is below it, not due to its weight, but because of the force of its impact when fired.’
Among our earlier English kings Edward I. was the best versed in projectile weapons large and small, including crossbows and longbows.
Among our earlier English kings, Edward I was the most knowledgeable about projectile weapons, both large and small, including crossbows and longbows.
In the Calendar of Documents relating to Scotland, an account is given of his ‘War-wolf,’ a siege engine in the construction of which he was much interested and which was no doubt a trebuchet.
In the Calendar of Documents relating to Scotland, there’s a description of his ‘War-wolf,’ a siege engine he was very interested in, which was probably a trebuchet.
This machine was of immense strength and size, and took fifty carpenters and five foremen a long time to complete. Edward designed it for the siege of Stirling, whither its parts were sent by land and by sea.
This machine was incredibly strong and large, and it took fifty carpenters and five foremen a long time to build. Edward designed it for the siege of Stirling, where its parts were delivered by land and by sea.
Sir Walter de Bedewyne, writing to a friend on July 20, 1304 (see Calendar of State Documents relating to Scotland), says: ‘As for news, Stirling Castle was absolutely surrendered to the King without conditions this Monday, St. Margaret’s Day, but the King wills it that none of his people enter the castle till it is struck with his “War-wolf,” and that those within the castle defend themselves from the said “War-wolf” as best they can.’
Sir Walter de Bedewyne, writing to a friend on July 20, 1304 (see Calendar of State Documents relating to Scotland), says: ‘As for news, Stirling Castle was completely surrendered to the King unconditionally this Monday, St. Margaret’s Day, but the King wants none of his people to enter the castle until it is attacked by his “War-wolf,” and that those inside the castle should defend themselves against the “War-wolf” as best as they can.’
From this it is evident that Edward, having constructed his ‘War-wolf’ to cast heavy stones into the castle of Stirling to induce its garrison to surrender, was much disappointed by their capitulation before he had an opportunity of testing the power of his new weapon.
From this, it’s clear that Edward, who built his ‘War-wolf’ to hurl heavy stones into the castle of Stirling to force its garrison to give up, was very disappointed when they surrendered before he got a chance to test his new weapon.
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One of the last occasions on which the trebuchet was used with success is described by Guillet in his ‘Life of Mahomet II.’23 This author writes: ‘At the siege of Rhodes in 1480, the Turks set up a battery of sixteen great cannon, but the Christians successfully opposed the cannon with a counter-battery of new invention.24
One of the last times the trebuchet was successfully used is detailed by Guillet in his 'Life of Mahomet II.'23 This author writes: ‘During the siege of Rhodes in 1480, the Turks established a battery of sixteen large cannons, but the Christians effectively countered the cannons with a newly invented counter-battery.24
23 Guillet de Saint George, born about 1625, died 1705. His Life of Mahomet II. was published in 1681. He was the author of several other works, including one on riding, warfare and navigation, termed the Gentleman’s Dictionary. The best edition of this book is in English and has many very curious illustrations. It is dated 1705.
23 Guillet de Saint George, born around 1625, died in 1705. His Life of Mahomet II. was published in 1681. He wrote several other works, including one on riding, warfare, and navigation, called the Gentleman’s Dictionary. The best edition of this book is in English and features many interesting illustrations. It is dated 1705.
24 Called a new invention because the old siege engine of which this one (probably a trebuchet) was a reproduction had previously been laid aside for many years.
24 Referred to as a new invention because the old siege engine that this one (likely a trebuchet) was modeled after had been unused for many years.
‘An engineer, aided by the most skilful carpenters in the besieged town, made an engine that cast pieces of stone of a terrible size. The execution wrought by this engine prevented the enemy from pushing forward the work of their approaches, destroyed their breastworks, discovered their mines, and filled with carnage the troops that came within range of it.’
‘An engineer, helped by the most skilled carpenters in the besieged town, created a machine that launched huge stones. The damage caused by this machine stopped the enemy from advancing their operations, took out their fortifications, exposed their tunnels, and caused great loss of life among the troops that got within its range.’
At the siege of Mexico by Cortes in 1521, when the ammunition for the Spanish cannon ran short, a soldier with a knowledge of engineering undertook to make a trebuchet that would cause the town to surrender. A huge engine was constructed, but on its first trial the rock with which it was charged instead of flying into the town ascended straight upwards, and falling back to its starting-point destroyed the mechanism of the machine itself.25
At the siege of Mexico by Cortes in 1521, when the ammunition for the Spanish cannons ran low, a soldier with engineering skills decided to build a trebuchet to force the town to surrender. A large machine was assembled, but during its first test, the rock it launched went straight up instead of flying into the town, and when it fell back down, it destroyed the machine itself.25
25 Conquest of Mexico. W. Prescott, 1843.
__A_TAG_PLACEHOLDER_0__ Conquest of Mexico. W. Prescott, 1843.
Though all the projectile engines worked by cords and weights disappeared from continental warfare when cannon came to the front in a more or less improved form, they—if Vincent le Blanc is to be credited—survived in barbaric nations long after they were discarded in Europe.
Though all the projectile engines that operated with cords and weights vanished from continental warfare when cannons emerged in a more or less advanced form, they—if Vincent le Blanc is to be believed—lasted in uncivilized nations long after they were abandoned in Europe.
This author (in his travels in Abyssinia) writes ‘that in 1576 the Negus attacked Tamar, a strong town defended by high walls, and that the besieged had engines composed of great pieces of wood which were wound up by cords and screwed wheels, and which unwound with a force that would shatter a vessel, this being the cause why the Negus did not assault the town after he had dug a trench round it.’26
This author (during his travels in Abyssinia) writes, "In 1576, the Negus attacked Tamar, a fortified town protected by tall walls. The defenders used massive wooden machines that were wound up with ropes and gears, and when they unwound, they had enough force to destroy a ship. This is why the Negus did not assault the town after digging a trench around it."26
26 Vincent le Blanc, Voyages aux quatre parties du monde, redigé par Bergeron, Paris, 1649. Though the accounts given by this author of his travels are imaginative, I consider his allusion to the siege engine to be trustworthy, as he was not likely to invent so correct a description of one.
26 Vincent le Blanc, Voyages aux quatre parties du monde, redigé par Bergeron, Paris, 1649. While the stories shared by this author about his travels are quite creative, I believe his reference to the siege engine is reliable, as he probably wouldn't create such an accurate description of one.
Plutarch, in his Life of Marcellus the Roman General, gives a graphic account of Archimedes and the engines this famous mathematician employed in the defence of Syracuse.
Plutarch, in his Life of Marcellus the Roman General, provides a vivid description of Archimedes and the devices this renowned mathematician used in the defense of Syracuse.
It appears that Archimedes showed his relative Hiero II., King of Syracuse, some wonderful examples of the way in which immense weights could be moved by a combination of levers.
It seems that Archimedes demonstrated to his relative Hiero II., King of Syracuse, some amazing examples of how massive weights could be moved using a combination of levers.
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Hiero, being greatly impressed by these experiments, entreated Archimedes temporarily to employ his genius in designing articles of practical use, with the result that the scientist constructed for the king all manner of engines suitable for siege warfare.
Hiero, really impressed by these experiments, asked Archimedes to temporarily use his genius to design practical items, resulting in the scientist creating various types of machines suitable for siege warfare for the king.
Though Hiero did not require the machines, his reign being a peaceful one, they proved of great value shortly after his death when Syracuse was besieged by the Romans under Marcellus, 214–212 B.C.
Though Hiero didn't need the machines during his peaceful reign, they became extremely valuable shortly after his death when Syracuse was besieged by the Romans led by Marcellus, 214–212 BCE
On this occasion Archimedes directed the working of the engines he had made some years previously for Hiero.
On this occasion, Archimedes oversaw the operation of the machines he had created a few years earlier for Hiero.
Plutarch writes: ‘And in truth all the rest of the Syracusans were no more than the body in the batteries of Archimedes, whilst he was the informing soul. All other weapons lay idle and unemployed, his were the only offensive and defensive arms of the city.’
Plutarch writes: ‘And in reality, all the other people of Syracuse were just the body in Archimedes' defenses, while he was the active spirit. All other weapons were useless and inactive; his were the only offensive and defensive tools of the city.’
When the Romans appeared before Syracuse, its citizens were filled with terror, for they imagined they could not possibly defend themselves against so numerous and fierce an enemy.
When the Romans showed up in Syracuse, the citizens were filled with fear because they thought they wouldn't be able to defend themselves against such a large and fierce enemy.
But, Plutarch tells us, ‘Archimedes soon began to play his engines upon the Romans and their ships, and shot against them stones of such an enormous size and with so incredible a noise and velocity that nothing could stand before them. The stones overturned and crushed whatever came in their way, and spread terrible disorder through the Roman ranks. As for the machine which Marcellus brought upon several galleys fastened together, called sambuca27 from its resemblance to the musical instrument of that name; whilst it was yet at a considerable distance, Archimedes discharged at it a stone of ten talents’ weight and, after that, a second stone and then a third one, all of which striking it with an amazing noise and force completely shattered it.28
But Plutarch tells us, ‘Archimedes soon started using his machines against the Romans and their ships, launching massive stones with such incredible noise and speed that nothing could withstand them. The stones toppled and crushed everything in their path, causing chaos among the Roman ranks. As for the machine that Marcellus brought on several galleys tied together, called sambuca27 because it looked like the musical instrument of the same name; while it was still at a considerable distance, Archimedes fired a stone weighing ten talents at it, followed by a second stone and then a third, all of which struck it with a tremendous noise and force, completely destroying it.28
27 Sambuca. A stringed instrument with cords of different lengths like a harp. The machine which Marcellus brought to Syracuse was designed to lift his soldiers—in small parties at a time and in quick succession—over the battlements of the town, so that when their numbers inside it were sufficient they might open its gates to the besiegers. The soldiers were intended to be hoisted on a platform, worked up and down by ropes and winches. As the machine was likened to a harp, it is probable it had a huge curved wooden arm fixed in an erect position and of the same shape as the modern crane used for loading vessels. If the arm of the sambuca had been straight like a mast, it could not have swung its load of men over a wall. Its further resemblance to a harp would be suggested by the ropes which were employed for lifting the platform to the summit of the arm, these doubtless being fixed from the top to the foot of the engine.
27 Sambuca. A stringed instrument with strings of different lengths, similar to a harp. The machine that Marcellus brought to Syracuse was designed to lift his soldiers—in small groups and quickly—over the town's walls, so they could open the gates for the besiegers once they had enough people inside. The soldiers were meant to be raised on a platform, moved up and down by ropes and winches. Since the machine was compared to a harp, it probably featured a large curved wooden arm fixed upright, resembling the modern crane used for loading ships. If the arm of the sambuca had been straight like a mast, it wouldn't have been able to swing its load of men over the wall. Its resemblance to a harp is further highlighted by the ropes used to lift the platform to the top of the arm, which were likely secured from the top to the base of the device.
28 It is, I consider, impossible that Archimedes, however marvellous the power of his engines, was able to project a stone of ten Roman talents or nearly 600 lbs. in weight, to a considerable distance! Plutarch probably refers to the talent of Sicily, which weighed about 10 lbs. A stone of ten Sicilian talents, or say 100 lbs., could have been thrown by a catapult of great strength and size.
28 I think it’s impossible that Archimedes, no matter how incredible his machines were, could have launched a stone weighing ten Roman talents or nearly 600 lbs. a long distance! Plutarch probably meant the talent of Sicily, which weighed about 10 lbs. A stone weighing ten Sicilian talents, or about 100 lbs., could have been thrown by a large and powerful catapult.
Though the trebuchet cast stones of from 200 lbs. to 300 lbs. and more, this weapon was not invented till long after the time of Archimedes.
Though the trebuchet could hurl stones weighing between 200 lbs. and 300 lbs. or more, this weapon wasn’t invented until long after Archimedes' time.
‘Marcellus in distress drew off his galleys as fast as possible and sent orders to his land forces to retire likewise. He then called a council of war, in36 which it was resolved to come close up to the walls of the city the next morning before daybreak, for they argued that the engines of Archimedes, being very powerful and designed to act at a long distance, would discharge their projectiles high over their heads. But for this Archimedes had been prepared, for he had engines at his disposal which were constructed to shoot at all ranges. When, therefore, the Romans came close to the walls, undiscovered as they thought, they were assailed with showers of darts, besides huge pieces of rock which fell as it were perpendicularly upon their heads, for the engines played upon them from every quarter.
Marcellus, in distress, quickly withdrew his ships and ordered his ground troops to do the same. He then called a war council, where they decided to move close to the city walls the next morning before dawn. They believed that Archimedes' machines were powerful and designed to hit targets from a distance, so they would shoot their projectiles over their heads. However, Archimedes was ready for this, as he had machines built to shoot at all ranges. So, when the Romans approached the walls, thinking they were undetected, they were met with a barrage of darts and large rocks that fell straight down on them, as the machines targeted them from all sides.
‘This obliged the Romans to retire, and when they were some way from the town Archimedes used his larger machines upon them as they retreated, which made terrible havoc among them as well as greatly damaged their shipping. Marcellus, however, derided his engineers and said, “Why do we not leave off contending with this geometrical Briareus, who sitting at ease and acting as if in jest has shamefully baffled our assaults, and in striking us with such a multitude of bolts at once exceeds even the hundred-handed giant of fable?”
‘This forced the Romans to pull back, and as they moved away from the town, Archimedes used his bigger machines against them during their retreat, causing massive destruction and seriously damaging their ships. However, Marcellus mocked his engineers and said, “Why do we keep fighting this geometric Briareus, who, sitting comfortably and acting as if it's a joke, has humiliated our attacks, and by hitting us with so many projectiles at once, surpasses even the mythical hundred-handed giant?”’
‘At length the Romans were so terrified that, if they saw but a rope or a beam projecting over the walls of Syracuse, they cried out that Archimedes was levelling some machine at them and turned their backs and fled.’
‘Eventually, the Romans became so frightened that whenever they saw a rope or a beam sticking out over the walls of Syracuse, they shouted that Archimedes was aiming some kind of machine at them and turned around to run away.’
As Marcellus was unable to contend with the machines directed by Archimedes and as his ships and army had suffered severely from the effects of these stone- and javelin-casting weapons, he changed his tactics and instead of besieging the town he blockaded it and finally took it by surprise.
As Marcellus couldn't deal with the machines operated by Archimedes, and his ships and army had taken a heavy hit from these stone- and javelin-throwing weapons, he switched up his strategy. Instead of laying siege to the town, he opted for a blockade and ultimately captured it by surprise.
Though, at the time of the siege of Syracuse, Archimedes gained a reputation for divine rather than human knowledge in regard to the methods he employed in the defence of the city, he left no description of his wonderful engines, for he regarded them as mere mechanical appliances which were beneath his serious attention, his life being devoted to solving abstruse questions of mathematics and geometry.
Though, during the siege of Syracuse, Archimedes became known for his divine rather than human knowledge due to the techniques he used to defend the city, he did not leave any description of his amazing machines because he saw them as just mechanical tools unworthy of his serious focus, as his life was dedicated to tackling complex problems in mathematics and geometry.
Archimedes was slain at the capture of Syracuse, B.C. 212, to the great regret of Marcellus.
Archimedes was killed during the capture of Syracuse, B.C. 212, much to Marcellus's dismay.
The following extracts from Josephus, as translated by Whiston, enable us to form an excellent idea of the effects of great catapults in warfare:
The following excerpts from Josephus, as translated by Whiston, give us a great understanding of the impact of large catapults in combat:
(1) Wars of the Jews, Book III., Chapter VII.—The siege of Jotapata, A.D. 67. ‘Vespasian then set the engines for throwing stones and darts round about the city; the number of the engines was in all a hundred and sixty.... At the same time such engines as were intended for that purpose threw their spears buzzing forth, and stones of the weight of a talent were thrown by the engines that were prepared for doing so....
(1) Wars of the Jews, Book III., Chapter VII.—The siege of Jotapata, CE 67. ‘Vespasian then set up the machines for launching stones and darts all around the city; there were a total of one hundred and sixty machines.... Meanwhile, the machines designed for that purpose launched their spears with a whirring sound, and stones weighing a talent were hurled by the machines that were built for that purpose....
‘But still Josephus and those with him, although they fell down dead one37 upon another by the darts and stones which the engines threw upon them, did not desert the wall.... The engines could not be seen at a great distance and so what was thrown by them was hard to be avoided; for the force with which these engines threw stones and darts made them wound several at a time, and the violence of the stones that were cast by the engines was so great that they carried away the pinnacles of the wall and broke off the corners of the towers; for no body of men could be so strong as not to be overthrown to the last rank by the largeness of the stones.... The noise of the instruments themselves was very terrible, the sound of the darts and stones that were thrown by them was so also; of the same sort was that noise that dead bodies made when they were dashed against the wall.’
‘But still Josephus and those with him, even though they fell dead one37 after another from the darts and stones that the machines hurled at them, did not abandon the wall.... The machines were not visible from a great distance, so it was hard to avoid what they launched; the force with which these machines shot stones and darts injured several people at once, and the impact of the stones was so powerful that they shattered the tops of the wall and broke off the corners of the towers; for no group of men could be strong enough to withstand the size of the stones until the last rank..... The noise of the machines was terrifying, and the sound of the darts and stones they launched was equally frightening; similar was the noise made by dead bodies when they crashed against the wall.’
(2) Wars of the Jews, Book V., Chapter VI.—The siege of Jerusalem, A.D. 70. ‘The engines that all the legions had ready prepared for them were admirably contrived; but still more extraordinary ones belonged to the tenth legion: those that threw darts and those that threw stones were more forcible and larger than the rest, by which they not only repelled the excursions of the Jews but drove those away who were upon the walls also. Now the stones that were cast were of the weight of a talent29 and were carried two or more stades.30
(2) Wars of the Jews, Book V., Chapter VI.—The siege of Jerusalem, CE 70. 'The siege engines that all the legions had prepared were incredibly well-designed; however, the ones used by the tenth legion were even more impressive: those that launched darts and those that hurled stones were more powerful and larger than the others, effectively driving off not only the Jewish forces but also those on the walls. The stones that were thrown weighed a talent29 and traveled two or more stades.30
29 57¾ lbs. (avoirdupois).
__A_TAG_PLACEHOLDER_0__ 57.75 lbs. (regular).
‘The blow they gave was no way to be sustained, not only by those who stood first in the way but by those who were beyond them for a great space.
‘The hit they dealt was impossible to endure, not just for those who were directly in the way, but also for those who were far behind them.
‘As for the Jews, they at first watched the coming of the stone, for it was of a white colour and could therefore not only be perceived by the great noise it made, but could be seen also before it came by its brightness; accordingly the watchmen that sat upon the towers gave notice when an engine was let go ... so those that were in its way stood off and threw themselves down upon the ground. But the Romans contrived how to prevent this by blacking the stone; they could then aim with success when the stone was not discerned beforehand, as it had been previously.’
‘As for the Jews, they initially observed the approach of the stone, which was white and could not only be heard because of the loud noise it made but could also be seen in advance due to its brightness. Therefore, the watchmen on the towers alerted others when an engine was released... so those in its path moved aside and dropped to the ground. However, the Romans figured out how to stop this by painting the stone black; they could then aim successfully since the stone wasn't recognized beforehand, as it had been before.’
The accounts given by Josephus are direct and trustworthy evidence, for the reason that this chronicler relates what he personally witnessed during the sieges he describes, in one of which (Jotapata) he acted the part of a brave and resourceful commander.
The accounts provided by Josephus are direct and reliable evidence because this chronicler shares what he personally witnessed during the sieges he describes, in one of which (Jotapata) he played the role of a brave and resourceful commander.
Tacitus in describing a battle fought near Cremona between the armies of Vitellius and Vespasian, A.D. 69, writes: ‘The Vitellians at this time changed the position of their battering-engines, which in the beginning were placed in different parts of the field and could only play at random against the woods and hedges that sheltered the enemy. They were now moved to38 the Postumian way, and thence having an open space before them could discharge their missiles with good effect.’31
Tacitus, while describing a battle that occurred near Cremona between the armies of Vitellius and Vespasian in A.D. 69, writes: ‘At that time, the Vitellians adjusted the positions of their battering rams, which had initially been set up in various parts of the field and could only attack the woods and hedges that protected the enemy at random. They were now relocated to the Postumian way, and from there, with a clear area in front of them, they could launch their projectiles effectively.’31
31 Tacitus continues: ‘The fifteenth legion had an engine of enormous size, which was played off with dreadful execution and discharged massy stones of a weight to crush whole ranks at once. Inevitable ruin must have followed if two soldiers had not signalised themselves by a brave exploit. Covering themselves with shields of the enemy which they found among the slain, they advanced undiscovered to the battering-engine and cut its ropes and springs. In this bold adventure they both perished and with them two names that deserved to be immortal.’
31 Tacitus continues: ‘The fifteenth legion had a massive machine that was used with devastating effect, firing heavy stones capable of obliterating entire lines of troops. Complete destruction would have followed if two soldiers hadn’t distinguished themselves through a courageous act. Using enemy shields they found among the dead for cover, they stealthily approached the battering engine and cut its ropes and springs. In this brave endeavor, both lost their lives, along with two names that deserved to be remembered forever.’
Froissart chronicles that at the siege of Thyn-l’Evêque, 1340, in the Low Countries, ‘John, Duke of Normandy had a great abundance of engines carted from Cambrai and Douai. Among others he had six very large ones which he placed before the fortress, and which day and night cast great stones which battered in the tops and roofs of the towers and of the rooms and halls, so much so that the men who defended the place took refuge in cellars and vaults.’
Froissart records that during the siege of Thyn-l’Evêque in 1340, in the Low Countries, 'John, Duke of Normandy, had a large number of siege engines transported from Cambrai and Douai. Among them were six very large ones that he set up in front of the fortress, which relentlessly hurled massive stones day and night, damaging the tops and roofs of the towers, as well as the rooms and halls. The defenders were driven to seek shelter in cellars and vaults.'
Camden records that the strength of the engines employed for throwing stones was incredibly great and that with the engines called mangonels32 they used to throw millstones. Camden adds that when King John laid siege to Bedford Castle, there were on the east side of the castle two catapults battering the old tower, as also two upon the south side besides another on the north side which beat two breaches in the walls.
Camden notes that the power of the machines used to hurl stones was astonishingly high and that with the machines called mangonels32, they could launch millstones. Camden also mentions that when King John besieged Bedford Castle, there were two catapults attacking the old tower on the east side of the castle, as well as two on the south side and another one on the north side that damaged two breaches in the walls.
32 Catapults were often called mangons or mangonels, but in course of time the name mangonel was applied to any siege engine that projected stones or arrows. In this case the trebuchet is intended, as no catapult could project a millstone.
32 Catapults were frequently referred to as mangons or mangonels, but over time, the term mangonel became associated with any siege weapon that launched stones or arrows. In this instance, the trebuchet is meant, since no catapult could launch a millstone.
The same authority asserts that when Henry III. was besieging Kenilworth Castle, the garrison had engines which cast stones of an extraordinary size, and that near the castle several balls of stone sixteen inches in diameter have been found which are supposed to have been thrown by engines with slings33 in the time of the Barons’ war.
The same authority claims that when Henry III was besieging Kenilworth Castle, the garrison had machines that launched stones of an unusually large size, and that near the castle, several stone balls measuring sixteen inches in diameter have been discovered, believed to have been fired by sling machines during the Barons' War.33
Holinshed writes that ‘when Edward I. attacked Stirling Castle, he caused an engine of wood to be set up to batter the castle which shot stones of two or three hundredweight.’ (See allusion to this, p. 33.)
Holinshed writes that "when Edward I attacked Stirling Castle, he had a wooden device built to smash the castle that fired stones weighing two or three hundred pounds." (See allusion to this, p. 33.)
Père Daniel, in his Histoire de la Milice Françoise, writes: ‘The great object of the French engineers was to make siege engines of sufficient strength to project stones large enough to crush in the roofs of houses and break down the walls.’ This author continues: ‘The French engineers were so successful and cast stones of such enormous size that their missiles even penetrated the vaults and floors of the most solidly built houses.’34
Père Daniel, in his Histoire de la Milice Françoise, writes: ‘The main goal of the French engineers was to create siege engines strong enough to hurl stones large enough to smash the roofs of houses and knock down the walls.’ This author goes on to say: ‘The French engineers were so successful that they cast stones of such massive size that their projectiles even broke through the vaults and floors of the sturdiest houses.’34
The effects of the balista on the defenders of a town were in no degree inferior to those of the catapult. The missile of the balista consisted of a huge metal-tipped wooden bolt which, although of far less weight than the great ball of stone cast by a catapult or the far larger one thrown by a trebuchet, was39 able to penetrate roofs and cause great destruction in ranks of soldiers. Cæsar records that when his lieutenant Caius Trebonius was building a movable tower at the siege of Marseilles, the only method of protecting the workmen from the darts of engines35 was by hanging curtains woven from cable-ropes on the three sides of the tower exposed to the besiegers.36
The effects of the ballista on the defenders of a town were no less significant than those of the catapult. The missile of the ballista was a massive wooden bolt with a metal tip, which, while much lighter than the large stone ball thrown by a catapult or the even larger one hurled by a trebuchet, was able to pierce roofs and cause serious damage to ranks of soldiers. Cæsar notes that when his lieutenant Caius Trebonius was constructing a movable tower during the siege of Marseilles, the only way to protect the workers from the darts of the engines was by hanging curtains made from cable-ropes on the three sides of the tower that faced the attackers.
35 Balistas.
__A_TAG_PLACEHOLDER_0__ Crossbows.
36 ‘For this was the only sort of defence which they had learned, by experience in other places, could not be pierced by darts or engines.’ Cæsar’s Commentaries on the Civil War, Book II., Chapter IX.
36 ‘This was the only type of defense they had learned, through experience in other places, could withstand darts or siege weapons.’ Cæsar’s Commentaries on the Civil War, Book II., Chapter IX.
Procopius relates that during the siege of Rome in 537 by Vitiges King of Italy, he saw a Gothic chieftain in armour suspended to a tree which he had climbed, and to which he had been nailed by a balista bolt which had passed through his body and then penetrated into the tree behind him.
Procopius says that during the siege of Rome in 537 by Vitiges, the King of Italy, he saw a Gothic chieftain in armor hanging from a tree he had climbed. He had been nailed there by a ballista bolt that went through his body and then into the tree behind him.
Again, at the siege of Paris by the Northmen in 885–886, Abbo writes that Ebolus37 discharged from a balista a bolt which transfixed several of the enemy.
Again, during the siege of Paris by the Northmen in 885–886, Abbo writes that Ebolus37 fired a bolt from a ballista that pierced several of the enemy.
With grim humour Ebolus bade their comrades carry the slain to the kitchen, his suggestion being that the men impaled on the shaft of the balista resembled fowls run through with a spit previous to being roasted.
With dark humor, Ebolus told his comrades to take the dead to the kitchen, suggesting that the men skewered on the bolt of the ballista looked like chickens on a spit before being roasted.
Not only were ponderous balls of stone and heavy bolts projected into a town and against its walls and their defenders, but, with a view to causing a pestilence, it was also the custom to throw in dead horses, and even the bodies of soldiers who had been killed in sorties or assaults.
Not only were massive stones and heavy bolts launched into a town and against its walls and defenders, but to spread disease, it was also common to throw in dead horses and even the bodies of soldiers who had been killed in battles or attacks.
For example, Varillas38 writes that ‘at his ineffectual siege of Carolstein in 1422, Coribut caused the bodies of his soldiers whom the besieged had killed to be thrown into the town in addition to 2,000 cartloads of manure. A great number of the defenders fell victims to the fever which resulted from the stench, and the remainder were only saved from death by the skill of a rich apothecary who circulated in Carolstein remedies against the poison which infected the town.’
For example, Varillas38 writes that "during his unsuccessful siege of Carolstein in 1422, Coribut had the bodies of his soldiers, who had been killed by those inside the town, thrown into it along with 2,000 cartloads of manure. A large number of the defenders became ill from the terrible smell, and the rest were only saved from death thanks to the expertise of a wealthy apothecary who provided remedies against the infection that plagued the town."
Froissart tells us that at the siege of Auberoche, an emissary who came to treat for terms was seized and shot back into the town. This author writes:
Froissart tells us that during the siege of Auberoche, a messenger who arrived to discuss terms was captured and shot back into the town. This author writes:
‘To make it more serious, they took the varlet and hung the letters round his neck and instantly placed him in the sling of an engine and then shot him back again into Auberoche. The varlet arrived dead before the knights who were there and who were much astonished and discomfited when they saw him arrive.’
‘To make it more severe, they took the guy and hung the letters around his neck and quickly placed him in the sling of a catapult and then shot him back into Auberoche. The guy arrived dead in front of the knights who were there and were quite astonished and unsettled when they saw him come in.’
Another historian explains that to shoot a man from the sling of an engine he must first be tied up with ropes, so as to form a round bundle like a sack of grain.
Another historian explains that to shoot a man from the sling of a machine, he must first be tied up with ropes to make a round bundle like a sack of grain.
The engine with which such fiendish deeds were achieved was the trebuchet.
The machine used to carry out such wicked acts was the trebuchet.
40
40
A catapult was not powerful enough to project the body of a man. This difficulty was overcome by cutting off the head of any unfortunate emissary for peace, if the terms he brought were scornfully rejected. His letter of supplication from the besieged was then nailed to his skull, and his head was sent flying through space to fall inside the town as a ghastly form of messenger conveying a refusal to parley.
A catapult wasn't strong enough to launch a man's body. This problem was solved by beheading any unfortunate peace envoy if his proposals were harshly turned down. His letter of appeal from the besieged was then nailed to his skull, and his head was shot through the air to land inside the town as a gruesome messenger delivering a refusal to negotiate.
As it was always an object to the besiegers of a town to start a conflagration if they could, Greek fire was used for the purpose. The flame of this fearfully destructive liquid, the composition of which is doubtful, could not be quenched by water. It was placed in round earthenware vessels that broke on falling, and which were shot from catapults; as the roofs of ancient and mediæval dwelling-houses were usually thatched, it of course dealt destruction when it encountered such combustible material.
As it was always a goal for those laying siege to a town to start a fire if possible, Greek fire was used for this purpose. The flame of this incredibly destructive liquid, whose ingredients are unknown, could not be extinguished by water. It was stored in round clay containers that shattered upon impact and were launched from catapults; since the roofs of ancient and medieval homes were usually thatched, it caused devastation when it came into contact with such flammable materials.
The successful attack or defence of a fortified town often depended on which of the armies engaged had the more powerful balistas, catapults or trebuchets, as one engine of superior range could work destruction unimpeded if it happened that a rival of similar power was not available to check its depredations.
The success of attacking or defending a fortified town often relied on which army had the stronger ballistae, catapults, or trebuchets, since a weapon with a greater range could cause serious damage without interference if there was no opponent of similar strength to counter its attacks.
Froissart relates that ‘at the siege of Mortagne in 1340, an engineer within the town constructed an engine to keep down the discharges of one powerful machine in the besieging lines. At the third shot he was so lucky as to break the arm of the attacking engine.’ The account of this incident, as given by Froissart, is so quaint and graphic that I quote it here: ‘The same day they of Valencens raysed on their syde a great engyn and dyd cast in stones so that it troubled sore them within the town. Thus ye firste day passed and the night in assayling and devysing how they might greve them in the fortress.
Froissart recounts that "during the siege of Mortagne in 1340, an engineer inside the town built a device to counter the fire from a powerful machine in the attacking lines. On the third shot, he was fortunate enough to break the arm of the enemy's engine." The way Froissart describes this event is so unique and vivid that I want to share it here: "That same day, those from Valencens set up a large engine on their side and began launching stones, which caused great trouble for those inside the town. So the first day passed, and the night was spent trying to figure out how they could trouble those in the fortress."
‘Within Mortagne there was a connying maister in making of engyns who saw well how the engyn of Valencens did greatly greve them: he raysed an engyn in ye castle, the which was not very great but he trymmed it to a point,39 and he cast therwith but three tymes. The firste stone fell a xii40 fro the engyn without, the second fell on ye engyn, and the thirde stone hit so true that it brake clene asonder the shaft of the engyn without; then the soldyers of Mortagne made a great shout, so that the Hainaulters could get nothing ther41; then the erle42 sayd how he wolde withdrawe.’
‘In Mortagne, there was a clever master in making engines who noticed how much the engine from Valencens was bothering them: he set up an engine in the castle, which wasn’t very big, but he fine-tuned it perfectly, 39 and he fired it just three times. The first stone landed twelve 40 away from the engine outside, the second hit the engine, and the third stone struck so accurately that it completely broke the shaft of the engine outside; then the soldiers of Mortagne let out a huge cheer, so much so that the Hainaulters couldn’t do anything 41; then the earl 42 said he would withdraw.’
39 i.e. with great exactness or ‘to a hair.’
39 i.e. with great precision or ‘to the tiniest detail.’
40 A foot.
__A_TAG_PLACEHOLDER_0__ A foot.
41 Could not throw any more stones.
__A_TAG_PLACEHOLDER_0__ Couldn't throw any more rocks.
42 Count of Hainault. He was besieging Tournay, but left that place and went to besiege Mortagne and ordered the people of Valenciennes to go with him.
42 Count of Hainault. He was laying siege to Tournay, but left that location and went to besiege Mortagne and instructed the people of Valenciennes to accompany him.
(From the translation made at the request of Henry VIII. by John Bourchier, second Lord Berners, published 1523–1525.)
(From the translation made at the request of Henry VIII. by John Bourchier, second Lord Berners, published 1523–1525.)
41
41
These siege engines when only of moderate size were not always successful, as in some cases the walls of a town were so massively built that the projectiles of the enemy made little impression upon them. Froissart tells us that it was then the habit of the defenders of the walls to pull off their caps, or produce cloths, and derisively dust the masonry when it was struck by stones.
These siege engines, even when they were of moderate size, didn’t always get the job done. In some cases, the walls of a town were built so solidly that the enemy's projectiles barely made a dent. Froissart notes that it was common for the defenders on the walls to take off their caps or wave cloths, mockingly dusting off the masonry when it was hit by stones.
Some of the historians, mechanicians and artists from whom information on balistas, catapults and trebuchets may be derived, are as follows. I name them alphabetically irrespective of their periods:
Some of the historians, engineers, and artists who provide information on ballistae, catapults, and trebuchets are listed below. I'm naming them alphabetically regardless of their time periods:
Abbo: A monk of Saint-Germain des Prés, born about the middle of the ninth century, died in 923. He wrote a poem in Latin describing the siege of Paris by the Northmen in 885–886.
Abbo: A monk from Saint-Germain des Prés, born around the middle of the ninth century, died in 923. He wrote a poem in Latin that describes the siege of Paris by the Vikings in 885–886.
Ammianus Marcellinus: Military historian. Died shortly after 390. His work first printed at Rome 1474. The latest edition is that of V. Gardthausen, 1874–1875.
Ammianus Marcellinus: Military historian. Died shortly after 390. His work was first printed in Rome in 1474. The latest edition is by V. Gardthausen, 1874–1875.
Appian: Historian. Lived at Rome during the reigns of Trajan, Hadrian and Antoninus Pius, 98–161. The best edition of his History is that of Schweighaeuser, 1785.
Appian: Historian. Lived in Rome during the reigns of Trajan, Hadrian, and Antoninus Pius, 98–161. The best edition of his History is the one by Schweighaeuser, 1785.
Apollodorus of Damascus: Built Trajan’s Column, 105–113. Architect and engineer. Addressed a series of letters to the Emperor Trajan on siege engines (vide Thévenot).
Apollodorus of Damascus: Built Trajan’s Column, 105–113. Architect and engineer. Wrote a series of letters to Emperor Trajan about siege engines (see Thévenot).
Athenæus: Lived in the time of Archimedes, B.C. 287–212. The author of a treatise on warlike engines (vide Thévenot).
Athenæus: Lived during the time of Archimedes, BCE 287–212. He wrote a work on military machines (see Thévenot).
Biton: Flourished about 250 B.C. Wrote a treatise on siege engines for throwing stones (vide Thévenot).
Biton: Thrived around 250 BCE Authored a work on siege machines designed for launching stones (see Thévenot).
Blondel, François: French engineer and architect; born 1617; died 1686.
François Blondel: French engineer and architect; born in 1617; died in 1686.
Cæsar, Julius (the Dictator): Born B.C. 100; died B.C. 44. Author of the ‘Commentaries’ on the Gallic and Civil wars.
Julius Caesar (the Dictator): Born BCE 100; died BCE 44. He wrote the 'Commentaries' on the Gallic and Civil wars.
Camden, William: Born 1551; died 1623. Antiquary. Published his ‘Britannia’ 1586–1607.
William Camden: Born 1551; died 1623. Historian. Published his ‘Britannia’ from 1586 to 1607.
Colonna, Egidio: Died 1316. Archbishop of Bourges 1294, after having been tutor to Philip the Fair of France. His best known works are ‘Quæstiones Metaphysicales’ and ‘De Regimine Principum’; the latter was written about 1280. Colonna gives a description of the siege engines of his time.
Colonna, Egidio: Died 1316. He became the Archbishop of Bourges in 1294 after serving as a tutor to Philip the Fair of France. His most famous works are ‘Quæstiones Metaphysicales’ and ‘De Regimine Principum’; the latter was written around 1280. Colonna describes the siege engines of his time.
Daniel, Père Gabriel: Historian. Born 1649; died 1728.
Daniel, Father Gabriel: Historian. Born in 1649; died in 1728.
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Diodorus (The Sicilian): Historian. Lived under Julius and Augustus Cæsar (Augustus died A.D. 14). The best modern edition is that edited by L. Dindorf, 1828.
Diodorus (The Sicilian): Historian. He lived during the times of Julius and Augustus Caesar (Augustus passed away CE 14). The best modern edition is the one edited by L. Dindorf, 1828.
Fabretti, Raffael: Antiquary. Born 1618; died 1700.
Raffael Fabretti: Antiquarian. Born 1618; died 1700.
Froissart, Jean: French chronicler. Born about 1337; died 1410. His Chronicles printed about 1500. Translated into English by Lord Berners, and published 1523–1525.
Froissart, John: French historian. Born around 1337; died in 1410. His Chronicles were printed around 1500. Translated into English by Lord Berners, and published between 1523 and 1525.
Grose, Francis: Military historian and antiquary. Born about 1731; died 1791. Published ‘Military Antiquities’ 1786–1788.
Grose, Francis: Military historian and antiquarian. Born around 1731; died in 1791. Published ‘Military Antiquities’ from 1786 to 1788.
Heron of Alexandria: Mechanician. Lived B.C. 284–221. Bernardino Baldi edited his work on arrows and siege engines, 1616 (vide Thévenot).
Heron of Alexandria: Engineer. Lived BCE 284–221. Bernardino Baldi published his work on arrows and siege engines in 1616 (see Thévenot).
Isidorus, Bishop of Seville: Historian. Died 636.
Isidore, Bishop of Seville: Historian. Died 636.
Josephus, Flavius: Jewish historian. Born A.D. 37; died about the year 100. Wrote the ‘History of the Jewish Wars’ and also ‘Jewish Antiquities.’ Josephus, acting as commander of the besieged, bravely defended Jotapata, A.D. 67, against the Roman general Vespasian. He was also present with the Roman army during the siege of Jerusalem by Titus, A.D. 70.
Flavius Josephus: Jewish historian. Born CE 37; died around the year 100. Wrote the 'History of the Jewish Wars' and also 'Jewish Antiquities.' Josephus, serving as commander of the besieged, bravely defended Jotapata, CE 67, against the Roman general Vespasian. He was also present with the Roman army during the siege of Jerusalem by Titus, CE 70.
Leonardo da Vinci: Italian painter. Born 1445; died 1520. In the immense volume of sketches and MSS. by this famous artist, which is preserved at Milan and entitled ‘Il Codice Atlantico,’ there are several drawings of siege engines.
Leonardo da Vinci: Italian painter. Born 1445; died 1520. In the huge collection of sketches and manuscripts by this renowned artist, stored in Milan and called ‘Il Codice Atlantico,’ there are several drawings of siege engines.
Lipsius, Justus: Historian. Born 1547; died 1606.
Lipsius, Justus: Historian. Born in 1547; passed away in 1606.
Mézeray, François E. de: French historian. Born 1610; died 1683. Published ‘Histoire de France,’ 1643–1651.
François E. de Mézeray: French historian. Born in 1610; died in 1683. Published ‘Histoire de France,’ 1643–1651.
Napoleon III.: ‘Etudes sur l’artillerie,’ compiled by order of the Emperor and containing many drawings of the full-sized models of siege engines made by his orders, with interesting and scientific criticism of their power and effect.
Napoleon III.: ‘Studies on Artillery,’ compiled under the Emperor's directive and featuring numerous drawings of the life-sized models of siege engines created by his command, along with engaging and scientific analysis of their strength and impact.
Philo of Byzantium: A writer on and inventor of warlike and other engines. Lived shortly after the time of Archimedes (Archimedes died 212 B.C.): was a contemporary of Ctesibius, who lived in the reign of Ptolemy Physcon, B.C. 170–117 (vide Thévenot).
Philo of Byzantium: A writer and inventor of military and other machines. He lived shortly after Archimedes (who died in 212 BCE) and was a contemporary of Ctesibius, who lived during the reign of Ptolemy Physcon, BCE 170–117 (see Thévenot).
Plutarch: Biographer and historian. Time of birth and death unknown. He was a young man in A.D. 66.
Plutarch: Biographer and historian. The dates of his birth and death are unknown. He was a young man in CE 66.
Polybius: Military historian. Born about B.C. 204. His History commences B.C. 220 and concludes B.C. 146. The most interesting edition is the one translated into French by Vincent Thuillier with a commentary by de Folard, 1727–1730.
Polybius: Military historian. Born around BCE 204. His History starts in BCE 220 and ends in B.C.E. 146. The most notable edition is the one translated into French by Vincent Thuillier, with commentary by de Folard, 1727–1730.
Procopius: Byzantine historian. Born about 500; died 565. The best edition is that of L. Dindorf, 1833–1838.
Procopius: Byzantine historian. Born around 500; died in 565. The best edition is by L. Dindorf, 1833–1838.
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Ramelli, Agostino: Italian engineer. Born about 1531; died 1590. Published a work on projectile and other engines, 1588.
Agostino Ramelli: Italian engineer. Born around 1531; died in 1590. Published a book on projectiles and other machines in 1588.
Tacitus, Cornelius: Roman historian. Born about A.D. 61.
Cornelius Tacitus: Roman historian. Born around A.D. 61.
Thévenot, Melchisedech, 1620–1692: Edited a book called ‘Mathematici Veteres,’ containing several treatises on the siege operations of the ancients, including the construction and management of their projectile engines. In this book are to be found the writings on the subject of military engines that were compiled by Athenæus, Apollodorus, Biton, Heron and Philo. Thévenot was King’s librarian to Louis XIV. After his death the manuscript of ‘Mathematici Veteres,’ or ‘The Ancient Mathematicians,’ was revised and published by La Hire in 1693. The book was again edited by Boivin, an official in the King’s library, who lived 1663–1726. The treatises contained in Thévenot were finally re-edited and published by C. Wescher, Paris, 1869.
Thévenot, Melchisehdec, 1620–1692: He edited a book called ‘Mathematici Veteres,’ which includes several essays on the siege tactics of the ancients, as well as the construction and operation of their projectile machines. This book contains writings on military engines compiled by Athenæus, Apollodorus, Biton, Heron, and Philo. Thévenot served as the King’s librarian for Louis XIV. After his death, the manuscript of ‘Mathematici Veteres,’ or ‘The Ancient Mathematicians,’ was revised and published by La Hire in 1693. The book was later edited by Boivin, an official from the King’s library, who lived from 1663 to 1726. The treatises included in Thévenot’s work were ultimately re-edited and published by C. Wescher in Paris in 1869.
Valturius, Robertus: Military author. Living at the end of the fifteenth century. His book ‘De Re Militari’ first printed at Verona, 1472.
Robert Valturius: Military author. Lived at the end of the fifteenth century. His book ‘De Re Militari’ was first printed in Verona in 1472.
Vegetius, Flavius Renatus: Roman military writer. Flourished in the time of the Emperor Valentinian II., 375–392. The best edition is that of Schwebel, 1767.
Vegetius, Flavius Renatus: Roman military author. Active during the reign of Emperor Valentinian II, 375–392. The best edition is the one by Schwebel, 1767.
Viollet-le-Duc: French military historian. Published his ‘Dictionnaire raisonné de l’Architecture,’ 1861.
Viollet-le-Duc: French military historian. Published his 'Reasoned Dictionary of Architecture,' 1861.
Vitruvius Pollio: Architect and military engineer and inspector of military engines under the Emperor Augustus. Born between B.C. 85 and 75. His tenth book treats of siege engines. Translated into French with commentary by Perrault, 1673. The most interesting editions of Vitruvius are those containing the commentary on siege engines by Philander. The best of these is dated 1649.
Vitruvius: Architect, military engineer, and inspector of military devices under Emperor Augustus. Born between BCE 85 and 75. His tenth book discusses siege engines. Translated into French with commentary by Perrault in 1673. The most notable editions of Vitruvius are those that include the commentary on siege engines by Philander. The best of these is from 1649.

Fig. 21.—The Capture of a Fortress.
Fig. 21.—The Capture of a Fortress.
Criticism.—A fortification being entered by the besiegers, who have made a breach in the outside wall with a battering ram.
Criticism.—A fort is being entered by the attackers, who have broken through the outer wall with a battering ram.
A catapult is in the left corner of the picture, and four men are taking a balista up the approach to the gateway.
A catapult is in the left corner of the picture, and four men are moving a ballista up the path to the gateway.
From Polybius. Edition 1727.
From Polybius. Edition 1727.
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A TREATISE ON
THE CONSTRUCTION, POWER AND MANAGEMENT
OF TURKISH AND OTHER ORIENTAL BOWS
OF MEDIÆVAL AND LATER TIMES
CONTENTS
PART | PAGE | |
I. | The Turkish Bow: Construction and Dimensions | 103 |
II. | The Bowstring | 106 |
III. | The Arrow | 107 |
IV. | The Process of Stringing a Turkish, Persian, or Indian Bow | 109 |
V. | The Horn Groove | 111 |
VI. | The thumb ring | 112 |
VII. | The Reach of the Turkish Bow | 119 |
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PART I
Turkish Bow—Design and Sizes
Length of bow, measured, before it is strung, from end to end along its outer curve with a tape, 3 ft. 9 in. (AAAAA fig. 1, opposite page).
Length of the bow, measured before it is strung, from end to end along its outer curve with a tape, is 3 ft. 9 in. (AAAAA fig. 1, opposite page).
Span of bow, measured between its ends when strung, 3 ft. 2 in. (BB fig. 1.)
Span of the bow, measured between its ends when strung, is 3 ft. 2 in. (BB fig. 1.)
Length of bow-string, 2 ft. 11 in.
Length of bowstring, 2 ft. 11 in.
Greatest width of each arm of bow, 1⅛ in.
Greatest width of each arm of the bow, 1⅛ in.
Thickness of each arm, at a distance of 6 in. from the centre of the handle of the bow, ½ in.43
Thickness of each arm, at a distance of 6 inches from the center of the handle of the bow, ½ inch.43
Circumference of each arm, at a distance of 6 in. from the centre of the handle of the bow, 3 in.
Circumference of each arm, at a distance of 6 in. from the center of the handle of the bow, 3 in.
(The arms of the Persian, Indian, and Chinese composite bows have a width of from 1½ to 2 in.; and though the span of these bows, when strung, is from 4 to 5 ft. and more, they do not shoot a light arrow nearly so far as the shorter, narrower, and in proportion far stronger and more elastic Turkish ones.)
(The arms of the Persian, Indian, and Chinese composite bows have a width of 1½ to 2 in.; and although the span of these bows, when strung, ranges from 4 to 5 ft. or more, they don't shoot a light arrow nearly as far as the shorter, narrower, and proportionally stronger and more elastic Turkish ones.)
The strength of the bow, or the weight that would be required on the centre of the bow-string to pull it down from the bow to the full length of the arrow, is 118 lbs. (This is without taking into account the additional two or three inches the point of the arrow should be drawn within the bow along the horn groove.)
The strength of the bow, or the weight needed at the center of the bowstring to pull it down from the bow to the full length of the arrow, is 118 lbs. (This doesn't include the extra two or three inches the tip of the arrow should be drawn back into the bow along the horn groove.)
Weight of bow, avoirdupois, 12½ oz.
Weight of bow, avoirdupois, 12.5 oz.
Though I have carefully examined over fifty of these small Turkish bows, I have never seen one that exceeded 1¼ in. in width at its widest part, or if measured with a tape along its outer curve, when unstrung (AAAAA, fig. 1), was over 3 ft. 10 in. in length. Bows that are 4 or 5 in. longer than the dimensions here given are invariably of Persian or Indian manufacture, and are very inferior in the elasticity that is requisite for long-distance shooting, though in decoration and construction they often closely resemble Turkish bows.
Though I have carefully examined over fifty of these small Turkish bows, I've never seen one that was wider than 1¼ inches at its broadest point, or, when measured with a tape along its outer curve while unstrung (AAAAA, fig. 1), longer than 3 feet 10 inches. Bows that are 4 or 5 inches longer than the measurements provided here are always made in Persia or India and are significantly inferior in the elasticity needed for long-distance shooting, although in terms of decoration and construction, they often look very similar to Turkish bows.
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The bow is chiefly constructed of very flexible horn and sinew. These materials were softened by heat and water and then longitudinally glued to a slight lath of wood varying from ⅛ to ¼ in. in thickness (except where it formed the handle of the bow), and from ½ to 1 in. in width.
The bow is mainly made of highly flexible horn and sinew. These materials were softened with heat and water, then glued lengthwise to a thin piece of wood that ranges from ⅛ to ¼ inch thick (except where it forms the bow's handle) and from ½ to 1 inch wide.
This strip of wood formed the core or mould of the bow, and extended at each of its ends for 3 in. beyond the strips of horn and sinew that were fixed on its opposite sides, and which slightly overlapped it. (Fig. 2, p. 105.) The projecting ends of the wooden strip were enlarged so as to form the solid extremities of the bow in which the nocks for the bow-string were cut. (CC fig. 3, p. 106.)
This piece of wood was the main part or shape of the bow, extending 3 inches at each end beyond the strips of horn and sinew attached to the opposite sides, which slightly overlapped it. (Fig. 2, p. 105.) The ends of the wooden piece were widened to create the solid tips of the bow where the grooves for the bowstring were cut. (CC fig. 3, p. 106.)
The two curved horn strips, which in part comprised the arms of the bow (on its inside face when it was bent), were cut from the horn of a buffalo or an antelope, and average about ¼ in. in thickness.
The two curved horn strips, which were partly used as the arms of the bow (on its inner side when it was bent), were made from the horn of a buffalo or an antelope, and were about ¼ inch thick.
The thicker ends of these pieces meet at the middle of the handle of the bow and their tapered ends extend to within 3 in. of its wooden points. (EE fig. 3, p. 106.)
The thicker ends of these pieces come together at the middle of the bow's handle, and their tapered ends reach within 3 inches of its wooden points. (EE fig. 3, p. 106.)
The sinew that represents the back of the bow is from the great neck tendon of an ox or stag. This was probably shredded longitudinally, and, after being soaked in elastic glue, compressed into a long flat strip about ¼ in. thick, which was first moulded in a pliable state to the wooden core and then glued to it. It thus formed the back of the bow when it was bent. (DDD fig. 3, p. 106.)
The sinew that makes up the back of the bow comes from the neck tendon of an ox or stag. It was likely shredded lengthwise and soaked in elastic glue, then pressed into a long flat strip about ¼ inch thick. This strip was initially shaped while flexible to fit the wooden core and then glued to it. It effectively became the back of the bow when it was bent. (DDD fig. 3, p. 106.)
The bark of the cherry-tree, or thin leather or skin, was next glued over the sinew to preserve it from injury and damp. The horn parts, or inner face of the bow when it was strung, were not covered with bark or skin, a feature of the Turkish bow that, together with its small size, distinguishes it from the bows of India and other Oriental countries.44
The bark of the cherry tree, or thin leather or skin, was then glued over the sinew to protect it from damage and moisture. The horn sections, or the inner side of the bow when it was strung, were not covered with bark or skin, which is a characteristic of the Turkish bow that, along with its small size, sets it apart from the bows of India and other Eastern countries.44
In the best Turkish bows this outer coating of bark, leather or skin was lacquered a brilliant crimson and elaborately decorated with gold tracery, the date of the bow being always placed at one of its ends and the name of its maker at the other.
In the finest Turkish bows, the outer layer of bark, leather, or skin was coated in a bright crimson lacquer and intricately decorated with gold designs. The date of the bow was always marked at one end, while the name of its maker was placed at the other.
The horn and sinew (the materials which really form the bow and give it its power and elasticity) may be likened to a tube, the small centre of which is filled with wood. (Sections, fig. 2, opposite page.)
The horn and sinew (the materials that truly make up the bow and provide its strength and flexibility) can be compared to a tube, with a small core made of wood. (Sections, fig. 2, opposite page.)
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Fig. 2.—Sections of a Turkish Bow
Fig. 2.—Parts of a Turkish Bow
Half full size.
Half-sized.
I. Section of bow at 6 in. from one of its ends.
I. Section of bow at 6 in. from one of its ends.
II. Section of bow at half-way between the centre of its handle and one of its ends.
II. Section of the bow halfway between the center of its handle and one of its ends.
III. Section of bow at the centre of its handle, which is here thickly covered with sinew.
III. Section of the bow at the center of its handle, which is here heavily covered with sinew.
IV. Longitudinal section of bow at half-way between the centre of its handle and one of its ends.
IV. Longitudinal section of the bow halfway between the center of its handle and one of its ends.
Light shading, AAAA. The compressed sinew forming the back of the bow when it is strung.
Light shading, AAAA. The tight fibers that make up the back of the bow when it's strung.
Dark shading, BBBB. The horn forming the inner surface of the bow when it is strung.
Dark shading, BBBB. The horn that makes up the inner surface of the bow when it’s strung.
Lined centres. The thin lath of wood to which the horn and sinew parts of the bow are moulded and fixed.
Lined centers. The narrow strip of wood to which the horn and sinew components of the bow are shaped and attached.
The thin wooden lath, in places only ⅛ in. thick, bestowed no strength on the bow, as it was merely its heart or core to which the two curved strips of horn and the long band of sinew were glued. (Fig. 3, p. 106.)
The thin wooden lath, at some points just ⅛ in. thick, didn’t add any strength to the bow; it was just the core that the two curved strips of horn and the long band of sinew were glued to. (Fig. 3, p. 106.)
As it would have been very difficult and tedious to shape so fragile a lath in one length to suit the outline of the finished bow, this lath was always made in three pieces, which were fitted together at their joints and then secured with glue. (Fig. 3.)
As it would have been very difficult and tedious to shape such a delicate strip in one piece to match the outline of the finished bow, this strip was always made in three sections, which were joined together at their seams and then secured with glue. (Fig. 3.)
The middle piece formed the core of the handle of the bow and the other pieces the core of its limbs. (Fig. 3.)
The middle part made up the main part of the bow handle, while the other parts made up the main sections of its limbs. (Fig. 3.)
The extremities of the two outer pieces of the core were enlarged to form the strong projecting points of the bow in which the nocks for the bow-string were cut. (CC fig. 3.)
The ends of the two outer parts of the core were widened to create the sturdy projecting points of the bow, where the grooves for the bowstring were carved. (CC fig. 3.)
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AAA. The three pieces of thin wood that formed the core of the bow. Surface view. (The two outer lengths of the core were steamed into a curve as shown in CCC.)
AAA. The three strips of thin wood that made up the center of the bow. Surface view. (The two outer strips of the core were steamed into a curve as shown in CCC.)
BBB. The pieces glued together. Surface view.
BBB. The pieces are glued together. Top view.
CCC. The pieces glued together. Side view.
CCC. The pieces are glued together. Side view.
DDD. The strip of sinew that was glued to the core, and which formed the back or outer surface of the bow when it was reversed and strung.
DDD. The strip of connective tissue that was attached to the core and formed the back or outer surface of the bow when it was flipped and strung.
EE. The two strips of naturally curved horn that were glued to the core, and which formed the belly or inner surface of the bow when it was reversed and strung.
EE. The two pieces of naturally curved horn that were glued to the core, which created the belly or inner surface of the bow when it was turned around and strung.
PART II
The Bowstring
The main part of the bow-string was composed of a skein of about sixty lengths of strong silk and was ingeniously knotted at each of its ends to a separate loop, formed of hard and closely twisted sinew. A loop and its knot is shown in fig. 4, opposite page.
The main part of the bowstring was made of a bundle of around sixty strands of strong silk, skillfully tied at each end to a separate loop made of tough, tightly twisted sinew. A loop and its knot are shown in fig. 4, opposite page.
These loops could not fray or cut, as would occur if they were made of silk, and they fit into the nocks of the bow. The loops rest, when the bow is strung, upon small ivory bridges (fig. 1, p. 102) which are hollowed out to receive them, and which, in this way, retain the bow-string in its place. Though these little bridges are not always present on Turkish bows, they are invariably to be107 found on those of Persian, Indian or Chinese construction, their greater length requiring the assistance of bridges to keep their bow-strings in a correct position.
These loops couldn’t fray or break like they would if they were made of silk, and they fit into the nocks of the bow. When the bow is strung, the loops rest on small ivory bridges (fig. 1, p. 102) that are hollowed out to hold them, keeping the bowstring in place. Although these little bridges aren’t always found on Turkish bows, they are consistently seen on Persian, Indian, or Chinese bows, as their longer length needs bridges to maintain the correct position of the bowstrings.

Fig. 4.—One of the Loops of hard and closely twisted Sinew which are knotted to each end of the middle part or skein of a Turkish bow-string.
Fig. 4.—One of the loops of strong and tightly twisted sinew that are attached to each end of the middle section or skein of a Turkish bowstring.
Scale: Half full size.
Scale: Half the full size.
I. A loop and its knot as first formed on one end of the skein of the bow-string.
I. A loop and its knot first created at one end of the bowstring skein.
II. The loop drawn up, but not tightened.
II. The loop is created, but not pulled tight.
III. The loop drawn up tight and its loose ends secured.
III. The loop pulled tight and its loose ends fastened.
As shown in III, the projecting ends of the length of sinew which forms the loop are cut off to within a third of an inch of the knot. They are singed at their extremities, so as to form small burrs which prevent the short length of strong silk, which lashes them together, from slipping off.
As shown in III, the projecting ends of the length of sinew that makes up the loop are trimmed down to about a third of an inch from the knot. They are burned at the tips to create small burrs that stop the short length of strong silk tying them together from slipping off.
The ends of this last small lashing are placed beneath the wrapping of silk to be seen on the skein near the knot in III.
The ends of this last small tie are tucked under the silk wrapping to be visible on the skein near the knot in III.
In this way the knot of the loop is rigidly secured against any chance of drawing when the bow is in use.
In this way, the loop's knot is tightly secured to prevent it from slipping while the bow is in use.
(The bow-strings of all Oriental bows, with the exception of the Tartar and Chinese, were made as above described.)
(The bowstrings of all Eastern bows, except for the Tartar and Chinese, were made as described above.)
PART III
THE ARROW
Length of arrow, 25½ in. to 25¾ in.
Length of arrow, 25.5 in. to 25.75 in.
Weight of arrow, avoirdupois, 7 drs., or equal to the weight of two shillings and a sixpence.
Weight of arrow, avoirdupois, 7 drachms, or equal to the weight of two shillings and sixpence.
The balance of the arrow is at 12 in. from the end of its nock.
The balance of the arrow is 12 inches from the end of its nock.
Shape of arrow, ‘barrelled,’ and much tapered from its balancing-point to108 its ends: its sharp ivory point being only ⅛ in. in diameter (where it is fitted to the shaft) and ¼ in. in length. The part of the shaft to which the feathers are attached is 3/16 in. in diameter, and the centre of the shaft 5/16 in.
Shape of the arrow is 'barrelled' and significantly tapered from its balance point to108its ends: the sharp ivory tip is only ⅛ inch in diameter (where it's attached to the shaft) and ¼ inch long. The section of the shaft where the feathers are attached has a diameter of 3/16 inch, and the center of the shaft measures 5/16 inch.
Though I have carefully measured and weighed about two hundred eighteenth-century Turkish flight arrows, I have scarce found a half-dozen that were ⅛ in. more or less than from 25½ in. to 25¾ in. in length, or that varied by even as little as ½ dr. from 7 dr. in weight. In regard to their balancing-point these arrows are equally exact, as this part is invariably from 11½ in. to 12½ in. from the nock.
Though I have carefully measured and weighed around two hundred eighteenth-century Turkish flight arrows, I have barely found half a dozen that were more or less than 25½ in. to 25¾ in. in length, or that varied by even as little as ½ dr. from 7 dr. in weight. Their balance point is just as precise, as this part is consistently between 11½ in. and 12½ in. from the nock.
It is evident that the old Turkish flight arrow was accurately made to a standard pattern that experience showed was the most successful one for long-distance shooting.
It’s clear that the traditional Turkish flight arrow was crafted to a specific standard that experience demonstrated was the most effective for long-distance shooting.
The light and elegantly shaped wooden nock of an old Turkish arrow (fig. 5) is quite unlike the clumsy horn nock of the modern European one.
The light and elegantly shaped wooden nock of an old Turkish arrow (fig. 5) is very different from the awkward horn nock of the modern European version.
The latter cannot withstand the recoil of the Turkish bow and soon splits apart, though in the thousands of times I have discharged Turkish arrows I have never known one to split at the nock.
The latter can't handle the recoil of the Turkish bow and quickly falls apart, although in the thousands of times I've fired Turkish arrows, I've never seen one split at the nock.
It will be noticed that the shape of the Turkish nock—with its narrow entrance that springs apart to admit the bow-string and then closes again—enabled an archer, even on horseback, to carry an arrow ready for use on the string of his bow.
It will be noticed that the shape of the Turkish nock—featuring a narrow entrance that opens to let the bowstring through and then closes again—allowed an archer, even while on horseback, to keep an arrow ready to use on the string of his bow.

Fig. 5.—The Construction of the Nock of a Turkish Arrow.
Fig. 5.—How to Create the Nock of a Turkish Arrow.
Scale: Half full size.
Scale: 50% size.
A. The butt end of the arrow, with the projecting wooden halves of the nock shaped and ready to be glued to the shaft.
A. The back end of the arrow, with the sticking out wooden pieces of the nock shaped and ready to be glued to the shaft.
B. The halves of the nock glued to the shaft.
B. The two halves of the nock are glued to the shaft.
C, D. The feathers glued to the shaft.
C, D. The feathers glued to the shaft.
The feathers (3) of a Turkish flight arrow, though stiff, are as thin as paper, and are 2½ in. long and ¼ in. high near the nock. They were often made of parchment.
The feathers (3) of a Turkish flight arrow, although stiff, are as thin as paper, measuring 2½ inches long and ¼ inch high near the nock. They were often made from parchment.
The dark band of shading to be seen round the nock in C and D is a wrapping of fine thread-like sinew. This sinew, after being soaked in hot glue, was wound to a thickness of about 1/32 in. all over the nock and it thus held the halves of the latter securely to the shaft.
The dark band of shading around the nock in C and D is made of fine thread-like sinew. This sinew, after being soaked in hot glue, was wrapped to a thickness of about 1/32 inch all around the nock, securely holding the halves in place on the shaft.
When dry, the wrapping of sinew was cut out where it crossed the opening for the bow-string. It nevertheless gave a great increase of strength to the thin projecting halves of the nock, as it covered them on their outer surfaces109 with a sheathing that was very tough and elastic, and as smooth as glass to the touch. This wrapping was, of course, applied before the feathers were glued on.
When it dried, the sinew wrap was cut away where it overlapped the bow-string opening. Still, it significantly boosted the strength of the thin projecting parts of the nock since it covered their outer surfaces109 with a strong and elastic coat that felt smooth as glass. This wrapping was, of course, added before the feathers were glued on.
So careful were the Turks in the construction of these arrows, that even the halves of their nocks were made from wood with a natural curve to suit the finished outline. It is possible, of course, they would not otherwise have withstood the violent shock of the released bow-string. It may be said that every inch in length of a Turkish bow or arrow was named in a manner that could be recognised or referred to. In a general way the parts of an arrow were known as follows:—
So careful were the Turks in making these arrows that even the halves of their nocks were crafted from wood with a natural curve to match the final shape. It's likely that they wouldn't have withstood the intense shock from the released bowstring otherwise. Every inch of a Turkish bow or arrow had a specific name that could be recognized or referred to. Generally, the parts of an arrow were known as follows:—
The enlarged centre | the stomach. |
From the centre to the point | the trowser. |
From the centre to the nock | the neck. |
PART IV
HOW TO STRING A TURKISH, PERSIAN, OR INDIAN BOW.
In these days no person I have ever heard of can string a strong Turkish bow—diminutive as this weapon is—without much personal assistance, or else by mechanical means, yet formerly the Turkish archer unaided could do so with ease.
In today's world, no one I've heard of can shoot a strong Turkish bow—small as it is—without significant help or mechanical aid; however, in the past, a Turkish archer could do this effortlessly on their own.
With the longer reflex bows, the Chinese for instance, this operation is comparatively easy, as the hand can reach one end of the bow and draw it inwards for the loop of the bow-string to be slipped into the nock.
With longer reflex bows, like the Chinese ones, this process is relatively easy because the hand can reach one end of the bow and pull it inward to slide the loop of the bowstring into the nock.
The Turkish bow, being so short, necessitates a great effort of strength on the part of the archer to bend it between his legs and, at the same time, stoop down to fit the bow-string. From constant practice, the Turk of former days knew exactly how and when to apply the muscular force of leg and arm necessary to string his bow—a performance that no modern archer could accomplish with a bow of any strength.
The Turkish bow, being so short, requires a lot of strength from the archer to bend it between his legs while also stooping down to fit the bowstring. Through constant practice, the traditional Turk knew exactly how and when to use the muscle power of his legs and arms needed to string his bow—a task that no modern archer could manage with a bow of any strength.
Leg and manual force combined is the only possible method of stringing a strong reflex bow, unless mechanical power is utilised: it was the hereditary custom of the Orientals. In the operation, there is always the risk of twisting the limbs of the bow, from a lack of the great strength of wrist required to hold them straight during the stringing. If the limbs of the bow are given110 the slightest lateral twist as they are being bent, the horn parts are certain to splinter, and the bow is then useless and damaged beyond repair.45
Leg and arm strength combined is the only way to string a strong reflex bow, unless you use a machine: this has been the traditional practice of people in the East. During the process, there's always the risk of twisting the bow's limbs because it requires a lot of wrist strength to keep them straight while stringing. If the limbs of the bow get even a slight sideways twist while being bent, the horn components are sure to splinter, making the bow useless and beyond repair.110
45 The only safe method for a modern archer to adopt in order to string a powerful reflex bow is to use strong upright pegs, the size of tent pegs, inserted in smooth ground or in holes in a board, the bow resting during the process flat along the ground or board. Insert one peg against the inner face of the handle of the bow and then pull the ends of the bow back by degrees, placing a peg behind each of its ends as you do so to retain them in their acquired positions. The outer pegs can be shifted towards you as the bow is gradually bent, first at its one end and then at its other one. Finally, when the bow is fully bent, the bow-string can be fitted across it from nock to nock and the pegs removed. To unstring the bow, grasp its extremities and, with the palms of the hands uppermost, bend it slightly across the knee, at the same time shifting with the thumb one of the loops of the bow-string out of its nock.
45 The only safe way for a modern archer to string a powerful reflex bow is to use sturdy upright pegs, similar to tent pegs, placed in smooth ground or holes in a board, with the bow lying flat on the ground or board during the process. First, insert one peg against the inner side of the bow's handle, then gradually pull the bow's ends back, placing a peg behind each end to hold them in place. The outer pegs can be moved closer to you as the bow bends, first at one end and then at the other. When the bow is fully bent, the bowstring can be placed across it from nock to nock, and the pegs can be removed. To unstring the bow, hold the ends and, with your palms facing up, bend it slightly across your knee while using your thumb to shift one of the loops of the bowstring out of its nock.
The difficulty of reversing and stringing a very stiff bow with such a reflex curve that its ends nearly meet before it is bent may be imagined.
The challenge of unstringing and stringing a very stiff bow with such a reflex curve that its ends almost touch before it's bent can be imagined.
De Busbecq tells us that some of the Turkish bows were so strong that if a coin was placed under the bow-string at one end of the bow, as it was being strung, no one but a trained archer could bend the bow sufficiently to set free the coin so that it fell to the ground.
De Busbecq tells us that some Turkish bows were so powerful that if a coin was placed under the bowstring at one end while it was being strung, only a skilled archer could bend the bow enough to release the coin so it would drop to the ground.

Fig. 6 shows an Oriental reflex bow being gradually reversed preparatory to fitting on its bow-string.
Fig. 6 shows an Asian reflex bow being slowly turned around in preparation for putting on its bowstring.

Fig. 7 shows a similar bow when reversed sufficiently to fit its bow-string.
Fig. 7 shows a similar curve when turned back enough to accommodate its bowstring.
Though this illustration is from an ancient Greek vase, it will be noticed that in it the power of the leg and arm is applied in precisely the same way as in the more modern example given.
Though this illustration is from an ancient Greek vase, you'll notice that the strength of the leg and arm is applied in exactly the same way as in the more modern example provided.
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PART V
The Horn Groove
The thin horn groove which the Turk wore on the thumb of his left hand when flight-shooting is shown in fig. 8.
The thin horn groove that the Turk wore on the thumb of his left hand while shooting is shown in fig. 8.

Fig. 8.—The Horn Groove.
Fig. 8.—The Horn Groove.
The bow is shown fully bent and ready for release, the point of the arrow being drawn back for a couple of inches inside the bow.
The bow is fully drawn and ready to be released, with the arrow pulled back a few inches inside the bow.
This ingenious contrivance enabled the archer to draw the point of his arrow from 2 to 3 in. within the inner surface of his bent bow. He was thus able to shoot a short and light arrow, that would fly much farther than the considerably longer and heavier one he would have had to use if he had shot in the ordinary manner without the grooved horn.
This clever device allowed the archer to pull the tip of his arrow back 2 to 3 inches within the inner surface of his bent bow. As a result, he could shoot a short and lightweight arrow that would travel much farther than the noticeably longer and heavier one he would have needed to use if he had shot in the traditional way without the grooved horn.
The groove in the horn guides the arrow in safety past the side of the bow, when the bow-string is released by the archer.
The groove in the horn safely directs the arrow past the side of the bow when the archer releases the bowstring.
The Turk, in fact, shot a short and light arrow from a very powerful bow, which he bent to the same extent as if he used an arrow 3 in. longer, with its proportionately increased size, weight, and frictional surface to retard its flight.
The Turk actually shot a short and lightweight arrow from a very strong bow, which he pulled back just as much as if he were using an arrow 3 inches longer, along with its proportionately increased size, weight, and surface area to slow down its flight.
In the former case it will easily be understood that a much longer range could be achieved than in the latter.
In the first case, it's easy to see that a much longer range could be achieved compared to the second case.
Of this increase in length of flight conferred by the use of the grooved horn, the following experiment is conclusive evidence.
Of this increase in flight length achieved by using the grooved horn, the following experiment provides conclusive evidence.
I lately shot from a Turkish bow twelve arrows, each arrow being three-quarters of an ounce in weight and 28½ in. in length.
I recently shot twelve arrows using a Turkish bow, with each arrow weighing three-quarters of an ounce and measuring 28½ inches in length.
These twelve arrows were individually drawn to the head and the distance they reached averaged 275 yards.
These twelve arrows were each shot at the target, and the average distance they traveled was 275 yards.
I then reduced the same arrows to a length of 25½ in. each, and to a weight of half an ounce each.
I then trimmed the same arrows to a length of 25½ inches each, and to a weight of half an ounce each.
They were now shot from the same bow, over the same range and under the same conditions of weather, but their points were drawn 2½ in. within the bow along a grooved horn. The distance they then travelled averaged 360 yards.
They were now shot from the same bow, over the same range, and under the same weather conditions, but their points were pulled back 2½ inches within the bow along a grooved horn. The distance they then traveled averaged 360 yards.
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46 To discharge the arrow from the left-hand side of the bow, as is the custom in all European archery, the leather ring and the grooved horn will have to be fitted to the first joint of the forefinger.
46 To shoot the arrow from the left side of the bow, as is the custom in all European archery, the leather ring and the grooved horn need to be placed on the first joint of the forefinger.
The bow is here represented as fully bent, the point of the arrow being drawn back along the groove of the horn for a couple of inches within the bow.
The bow is shown as fully drawn, with the arrow's tip pulled back a few inches along the groove of the horn inside the bow.
The horn is attached to the thumb by a small leathern collar.
The horn is connected to the thumb by a small leather strap.
A short plaited cord of soft silk is suspended from the fore-end of the horn and is gripped between the fingers of the archer as he holds the bow.
A short braided cord of soft silk hangs from the front of the horn and is held between the archer's fingers as they grip the bow.
This cord enables the archer to keep the horn in a level position on his hand. It is fixed to a small strip of leather which is glued beneath the horn.
This cord allows the archer to hold the horn level in his hand. It's attached to a small piece of leather that is glued beneath the horn.
The horn is usually of tortoiseshell, very highly polished. It is from 5 to 6 in. long, 1 in. wide, ¼ in. deep inside and 1/16 in. thick.
The horn is typically made of tortoiseshell and is highly polished. It's about 5 to 6 inches long, 1 inch wide, ¼ inch deep inside, and 1/16 inch thick.
It is slightly sloped from its centre of length to each of its ends, so that when the arrow is projected it touches the hard and smooth surface of the horn very lightly, and with, therefore, the least possible friction to retard its flight.
It has a slight slope from the center to each end, so when the arrow is shot, it makes contact with the hard, smooth surface of the horn very lightly, resulting in minimal friction that would slow its flight.
As the horn groove is only one-sixteenth of an inch thick, the arrow, as it is drawn back or shot forward, may be said to fit close against the side of the bow.
As the horn groove is only one-sixteenth of an inch thick, the arrow, when pulled back or shot forward, fits snugly against the side of the bow.
PART VI
The thumb ring.
It might be supposed that the strain of the bow-string on the ivory ring would cause the edges of the latter to injure the flesh and sinews of the thumb; this is not, however, the case in the least.
It might be assumed that the tension of the bowstring on the ivory ring would hurt the skin and tendons of the thumb; however, this is not the case at all.
I find I can bend a strong bow much easier and draw it a great deal farther with the Turkish thumb-ring than I can with the ordinary European finger-grip.
I realize that I can flex a strong bow much more easily and pull it back a lot farther with the Turkish thumb-ring than I can with the regular European finger grip.
The release to the bow-string which is bestowed by the small and smooth point [in Turkish “lip”] of the thumb-ring, is as quick and clean as the snap of a gunlock when a trigger is pulled, and very different in feeling and effect from the comparatively slow and dragging action that occurs when the release takes place in the modern way from the leather-covered tips of three fingers.
The release of the bowstring, done with the small and smooth point of the thumb-ring, is as fast and precise as the snap of a gunlock when you pull the trigger. It feels and affects you very differently than the slower, dragging action that happens when you release in the modern way using the leather-covered tips of three fingers.
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The range of a flight arrow when shot from a bow by means of a thumb-ring is always much beyond that of an arrow shot with the three fingers in the usual manner.
The distance an arrow flies when shot from a bow using a thumb ring is always much farther than an arrow shot with three fingers in the usual way.
With the thumb-ring the feathers of an arrow can be placed close to its nock, as the usual space of about 1½ in. need not be left on the shaft at the butt-end lest the fingers holding the bow-string should crush the feathers of the arrow—a precaution that is necessary in all European archery.
With the thumb ring, the feathers of an arrow can be positioned near its nock, eliminating the typical space of about 1½ inches on the shaft at the back end. This avoids the issue of the fingers gripping the bow string crushing the arrow feathers—a precaution that's important in all European archery.
There is no doubt that the closer to the nock the feathers of an arrow can be fixed, the farther and steadier it will travel.
There’s no doubt that the closer the feathers of an arrow are fixed to the nock, the farther and steadier it will fly.
The handle of an English bow, or of any other bow that is loosed with the fingers, is placed below its centre so that the arrow can be fitted to the middle of the bow-string, a point which is just above the hand of the archer as he grasps the bow.
The handle of an English bow, or any other bow that is released with the fingers, is positioned below its center so that the arrow can be aligned with the middle of the bowstring, which is just above the archer's hand as they hold the bow.
A bow held below its centre can never be pulled really true, the limb below the handle being shorter than the one above it.
A bow held below its center can never be drawn completely straight, as the limb below the grip is shorter than the one above it.

Fig. 9.—
Fig. 9.—
The Turkish Thumb-ring. (Scale, half full size.)
Turkish thumb ring. (Scale, half full size.)
In a Turkish bow the handle is in its exact centre of length, and the projecting point, or lip, of the thumb-ring engages the bow-string close to its centre.
In a Turkish bow, the grip is right in the center of its length, and the protruding part, or lip, of the thumb-ring connects with the bowstring near its center.
For these reasons the bow is equally strained, each of its limbs doing its proper share of work in driving the arrow, an advantage that is very noticeable in flight-shooting, and would probably also be at the target. In the method of loosing used in modern times the bow-string lies across the three middle fingers, its outline, where the arrow is nocked on the string, taking the form of two angles connected by a straight line 2½ to 3 in. in length.
For these reasons, the bow is equally stressed, with each limb doing its fair share of the work to propel the arrow, which is especially clear in flight shooting and likely would be in target shooting as well. In the way of releasing used today, the bowstring rests across the three middle fingers, forming an outline where the arrow is nocked on the string that consists of two angles joined by a straight line about 2.5 to 3 inches long.
With the thumb-ring the bow-string is drawn back to one sharp angle close to the apex of which the nock of the arrow is fitted, so that every part of the string is utilised in driving the arrow. (Fig. 12, p. 114.)
With the thumb ring, the bowstring is pulled back to a sharp angle near the top, where the nock of the arrow fits, ensuring that every part of the string is used to propel the arrow. (Fig. 12, p. 114.)
The ease with which a strong bow can be drawn with the thumb-ring, and the entire absence of any unpleasant strain on the thumb, is remarkable. This proves how effective the Oriental style of loosing a bow-string was, compared with the one now practised by European archers.
The way a strong bow can be drawn easily with a thumb-ring, without any discomfort to the thumb, is impressive. This shows how effective the Oriental technique of releasing a bowstring is compared to the method currently used by European archers.
The ring was usually of ivory, its edges being round and smooth where they came in contact with the skin of the thumb.
The ring was usually made of ivory, with round and smooth edges that touched the skin of the thumb.
A covering of soft leather was sometimes glued all over the sloping outer surface of the projecting lip of the ring.
A layer of soft leather was sometimes glued over the sloping outer surface of the protruding edge of the ring.
The leather assisted the archer to hold the ring firmly with his forefinger, so that it could not slip under the strain of pulling back the bow-string. The114 projecting lip of the ring bestowed the leverage which enabled the archer to draw the bow-string of a powerful bow.
The leather helped the archer hold the ring tightly with his forefinger, so it wouldn't slip while he pulled back the bowstring. The114 protruding edge of the ring provided the leverage that allowed the archer to draw the string of a strong bow.
Thumb-rings of silver or of agate were often permanently worn by Turkish archers of position, both for ornament and for use.
Thumb rings made of silver or agate were often worn permanently by Turkish archers of rank, both for decoration and functionality.
These rings were finely polished and frequently inlaid with gold.
These rings were beautifully polished and often featured gold inlays.



Fig. 12.
Fig. 12.
The Turkish Thumb-ring and its Manipulation.
The Turkish thumb-ring and how to use it.
Fig. 10. The position of the hand when the arrow is first fitted to the bow-string, the latter being hitched behind the lip of the thumb-ring. The nock of the arrow should be close against the lip of the ring, and hence within about an eighth of an inch of the angle formed in the bow-string when it is fully drawn, as shown in fig. 12.
Fig. 10. The position of the hand when the arrow is first placed on the bowstring, with the string hooked behind the edge of the thumb ring. The nock of the arrow should be positioned right against the edge of the ring, and thus within about an eighth of an inch of the angle formed in the bowstring when it is fully drawn, as shown in fig. 12.
Fig. 11. View of the thumb, with the ring, A, in position preparatory to closing the forefinger and thumb.
Fig. 11. View of the thumb, with the ring, A, in position ready to close the forefinger and thumb.
[B. Section of the bow-string as hitched behind the projecting lip of the ring.
[B. Section of the bowstring hitched behind the projecting lip of the ring.
C. The base of the forefinger, or the part of it which presses tightly over the sloping surface of the lip of the ring, in front of the bow-string, when the bow is being bent.]
C. The base of the index finger, or the part that presses firmly against the angled edge of the ring's lip, in front of the bowstring, when the bow is being drawn.
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Fig. 12. The base of the forefinger pressed against the ring, the hand closed, and the bow-string and arrow being drawn back by the thumb-ring.
Fig. 12. The base of the index finger pressed against the ring, the hand closed, and the bowstring and arrow being pulled back by the thumb ring.
It should be noted that no part of the hand is utilised in holding the ring and in drawing the bow-string, except the thumb and the base of the forefinger.
It should be noted that no part of the hand is used to hold the ring and pull back the bowstring, except the thumb and the base of the index finger.
When the pressure of the forefinger is taken off the ring (by separating this finger and the thumb) the bow-string instantly pulls the lip of the ring slightly forward, and at the same moment slips off it with a sharp ‘click.’
When the pressure from the forefinger is removed from the ring (by separating this finger and the thumb), the bowstring immediately pulls the edge of the ring slightly forward, and at the same time, it slips off with a sharp ‘click.’
The archers of other Oriental nations besides the Turks employed thumb-rings of various shapes and dimensions to suit the construction of their bows, bow-strings and arrows. All thumb-rings were, however, more or less similar, and were all used in the manner I have described.
The archers from other Eastern countries, in addition to the Turks, used thumb rings in different shapes and sizes to match their bows, bow strings, and arrows. Nevertheless, all thumb rings were somewhat similar and were used in the way I've mentioned.
It is, indeed, impossible to shoot an arrow by means of a thumb-ring except as I have shown, and as a very short practical trial will prove.
It is, in fact, impossible to shoot an arrow using a thumb ring except in the way I have demonstrated, and a quick practical test will confirm this.
If the ring is applied in any other way it either flies off the hand when the bow-string is released; the thumb is injured; or the bow-string escapes from its hold when only partially drawn.
If the ring is used in any other way, it either slips off the hand when the bowstring is released, the thumb gets hurt, or the bowstring comes free when it's only partially drawn.
In one of the Turkish manuals on Archery translated by Baron Purgstall, many illustrations are given of the construction of the Turkish composite bow, but, unfortunately, minor details are omitted, though doubtless they were common knowledge when the Ottoman author wrote.
In one of the Turkish manuals on Archery translated by Baron Purgstall, there are many illustrations showing how the Turkish composite bow is made, but, unfortunately, some minor details are left out, even though they were likely well-known at the time the Ottoman author wrote it.
Without these details the correct formation of the bow cannot be ascertained. The chief omissions are (1) the composition of the very strong and elastic glue with which the parts of the bow were so securely joined, (2) the treatment of the flexible sinew which formed the back of the bow—whether, for instance, it was glued on in short shredded lengths or was attached in one solid strip.
Without these details, we can't really figure out how the bow was properly made. The main missing pieces are (1) the recipe for the really strong and stretchy glue used to securely attach the parts of the bow, and (2) how the flexible sinew that made up the back of the bow was treated—like, for example, whether it was glued on in short shredded pieces or attached as one solid strip.
All we know is that the sinew was taken from the Ligamentum Colli of an ox or stag, a very powerful and elastic tendon which contracts or expands as the animal raises or lowers its head to feed or drink.
All we know is that the sinew was taken from the Ligamentum Colli of an ox or deer, a very strong and flexible tendon that contracts or expands as the animal raises or lowers its head to eat or drink.
When the sinew which comprises the back, or outside when it is strung, of a Turkish bow—however old it be—is dissolved in hot water, it disintegrates into hundreds of short pieces of from 2 to 3 in. long and about ⅛ in. in diameter, each as ductile as indiarubber and almost unbreakable by hand.
When the sinew that makes up the back, or outside when it's strung, of a Turkish bow—no matter how old it is—dissolves in hot water, it breaks down into hundreds of short pieces that are 2 to 3 inches long and about ⅛ inch in diameter, each as flexible as rubber and nearly unbreakable by hand.
The component parts of a Turkish bow, consisting of a thin strip of horn, one of wood and another of sinew (fig. 3, p. 106), are so pliable when separated that they can almost be coiled round the fingers, though if the same pieces are glued together they form a bow of unrivalled strength and elasticity.
The components of a Turkish bow, made up of a slender strip of horn, a piece of wood, and a piece of sinew (fig. 3, p. 106), are so flexible when separated that they can nearly be wrapped around your fingers. However, when these same pieces are glued together, they create a bow that is incredibly strong and elastic.
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TARTAR, UNSTRUNG.
CHINESE, UNSTRUNG.
CHINESE, STRUNG.
TARTAR, UNSTRUNG.
CHINESE, UNSTRUNG.
CHINESE, STRUNG.
Scale: One inch = one foot.
Scale: One inch = one foot.
Fig. 13.
Fig. 13.
Figs. 13, 14. The Comparative Dimensions of the Reflex Composite Bows of various Nations.—The structure of all these bows is similar in that they are composed of sinew, wood and horn, i.e. sinew on the back of the bow,117 naturally curved horn on its inner face, and a thin core of wood between the horn and sinew.
__A_TAG_PLACEHOLDER_0__, __A_TAG_PLACEHOLDER_1__. A Comparative Analysis of Reflex Composite Bows from Different Countries.—All of these bows share a similar structure; they consist of sinew, wood, and horn, i.e. sinew on the back of the bow, 117 naturally curved horn on the inner side, and a thin wooden core between the horn and sinew.

PERSIAN, UNSTRUNG.
PERSIAN, STRUNG.
INDIAN, UNSTRUNG.
INDIAN, STRUNG.
TURKISH, UNSTRUNG.
TURKISH, STRUNG.
PERSIAN, UNSTRUNG.
PERSIAN, STRUNG.
INDIAN, UNSTRUNG.
INDIAN, STRUNG.
TURKISH, UNSTRUNG.
TURKISH, STRUNG.
Scale: One inch = one foot.
Scale: 1 inch = 1 foot.
Fig. 14.
Fig. 14.
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Though the range of the Turkish bow—whether with a flighting or with a war arrow—far exceeds that of the other bows depicted, yet the Persian and Indian weapons are capable of shooting to a long distance, certainly much farther than any European longbow.
Though the range of the Turkish bow—whether using a flight arrow or a war arrow—far exceeds that of the other bows shown, the Persian and Indian weapons can still shoot a long distance, definitely much farther than any European longbow.
The great Chinese or Tartar bow requires a very long arrow, which from its length is, of necessity, a heavy one with a thick shaft. It cannot be propelled, as a result, farther than from 250 to 260 yards. One distinctive feature of Chinese, Tartar, Persian or Indian bows is the formation of their bow-strings. These are invariably from ¼ to 5/16 in. in thickness, and are always closely wrapped round, from end to end, with soft cord or coloured silk of about the substance of worsted.
The great Chinese or Tartar bow needs a long arrow, which is necessarily heavy and has a thick shaft due to its length. Because of this, it can't be shot farther than 250 to 260 yards. A unique characteristic of Chinese, Tartar, Persian, or Indian bows is how their bowstrings are made. These strings are usually between ¼ to 5/16 inches thick and are always tightly wrapped from end to end with soft cord or colored silk that is similar in texture to worsted.
The Turkish bow-string is ⅛ in. thick, and is merely served round with fine silk for 3 in. at its centre of length, with three or four shorter lashings at intermediate points.
The Turkish bowstring is ⅛ inch thick and just wrapped with fine silk for 3 inches at the center, with three or four shorter wrappings at various points.
THE LENGTHS OF THE ARROWS FORMERLY USED IN WARFARE WITH THE BOWS GIVEN IN FIGS. 13 AND 14.
THE LENGTHS OF THE ARROWS PREVIOUSLY USED IN WARFARE WITH THE BOWS SHOWN IN FIGS. 13 AND 14.
Chinese or Tartar bow | 3 ft. |
Persian | 2 ft. 8 in. |
Indian | 2 ft. 6 in. |
Turkish47 | 2 ft. 4½ in. |
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PART VII
THE RANGE OF THE TURKISH BOW

In 1795 Mahmoud Effendi, Secretary to the Turkish Ambassador in London, shot a 25½-in. flight arrow 480 yards. The bow he used is similar to the one shown in fig. 11, p. 112, and is now preserved in the Hall of the Royal Toxophilite Society, Regent’s Park.
In 1795, Mahmoud Effendi, the Secretary to the Turkish Ambassador in London, shot a 25½-inch flight arrow 480 yards. The bow he used is similar to the one shown in fig. 11, p. 112, and is now kept in the Hall of the Royal Toxophilite Society, Regent’s Park.
Mahmoud Effendi accomplished this feat—which was carefully verified at the time—in the presence of a number of well-known members of the Toxophilite Society of the day, including Mr. T. Waring, the author of a work on Archery.
Mahmoud Effendi achieved this feat—which was thoroughly verified at the time—before several prominent members of the Toxophilite Society, including Mr. T. Waring, the author of a book on archery.
Joseph Strutt, the historian, was also a spectator, and describes the incident in his book entitled ‘The Sports and Pastimes of the People of England.’
Joseph Strutt, the historian, was also an observer, and he recounts the incident in his book titled ‘The Sports and Pastimes of the People of England.’
48 There are many country residences in England at which the author has made very long shots with a bow and arrow, and where trees have been planted to mark the distances. Among others: Glynllivon Park, Carnarvon; Broomhead Hall, Sheffield; Onslow Hall, Shrewsbury; Norton Priory, Runcorn; and Harpton Court, New Radnor, may be named.
48 There are many country homes in England where the author has taken long shots with a bow and arrow, and where trees have been planted to mark the distances. Some of these include Glynllivon Park in Carnarvon, Broomhead Hall in Sheffield, Onslow Hall in Shrewsbury, Norton Priory in Runcorn, and Harpton Court in New Radnor.
It is beyond question that in the seventeenth and eighteenth centuries, with bows precisely similar to the one shown in Fig. 1, but of much greater power, flight arrows were shot from 600 to 800 yards by certain famous Turkish archers.
It’s clear that in the 17th and 18th centuries, bows very similar to the one shown in Fig. 1, but much more powerful, allowed certain renowned Turkish archers to shoot arrows between 600 and 800 yards.
The achievements of these celebrated bowmen were engraved on marble120 columns erected at the ancient archery ground near Constantinople, and these records are still in existence (p. 125).
The accomplishments of these famous archers were carved into marble120 columns set up at the old archery range near Constantinople, and these records still exist (p. 125).
The only trustworthy evidence of unusual ranges attained with the English longbow is as follows:
The only reliable evidence of the unusual distances achieved with the English longbow is as follows:
1798. | Mr. Troward | 340 | yards. |
1856. | Mr. Horace Ford | 308 | „ |
1881. | Mr. C. J. Longman | 286 | „ |
1891. | Mr. L. W. Maxon | 290 | „ |
1897. | Major Joseph Straker | 310 | „ |
It is not probable that the English bowmen of mediæval days were able to shoot the arrows they used in warfare farther than from 230 to 250 yards. Nor is it likely that they could send flight arrows to longer ranges than those given above, as heavy yew bows, strong as they may have been, were unsuitable for the purpose.49 It was from their great elasticity, as much as from their strength, that composite bows derived their wonderful power.
It’s unlikely that the English archers of medieval times could shoot their arrows in battle more than 230 to 250 yards. They probably couldn’t send flight arrows any farther than that either, since even though heavy yew bows were strong, they weren't right for that purpose.49 The amazing power of composite bows came more from their great flexibility than their strength.
49 In King Henry IV., Second Part, Act III., Scene 2, Shakespeare makes Shallow exclaim of Double that the latter could shoot a flight arrow from 280 to 290 yards. In the time of Shakespeare (1564–1616) it was, therefore, considered a notable feat to send an arrow to this distance.
49 In King Henry IV, Part 2, Act III, Scene 2, Shakespeare has Shallow say that Double could shoot an arrow between 280 and 290 yards. During Shakespeare's time (1564–1616), it was regarded as an impressive accomplishment to shoot an arrow that far.
When, too, the composite bow was strung, its bow-string was much more taut than was that of any European bow, as the latter was merely bent out of a straight line, whilst the former was bent from a sharp reflex curve, which it was always striving to resume when in use.
When the composite bow was drawn, its bowstring was much tighter than that of any European bow, since the European bow was just bent from a straight line, while the composite bow had a sharp reflex curve that it always wanted to return to when in use.
Though many nations formerly used composite bows of horn and sinew, no people attained such dexterity in their manipulation, or constructed them of such marvellous power and efficiency, and at the same time so small, elegant and light, as did the Turks.
Though many nations once used composite bows made of horn and sinew, no people mastered their use with such skill, or built them with such amazing power and efficiency, and at the same time so compact, stylish, and lightweight, as the Turks did.
It should not be supposed, however, that because these bows were so diminutive in size, they were mere playthings for shooting a flight arrow to an immense range. They were powerful weapons of warfare, and, as I have proved in practice, those of only moderate power are capable of sending an iron-shod arrow weighing 5s., or one ounce, to a distance of 280 yards. Bows that could shoot a flight arrow 600 yards, and more, would certainly be able to drive an ounce arrow 360 to 400 yards—or much farther than was possible with the old English longbow and its war shaft.
It shouldn't be assumed that just because these bows were small, they were only toys for shooting arrows over long distances. They were serious weapons of war, and as I've demonstrated, even those with moderate power can send a one-ounce, iron-tipped arrow up to 280 yards. Bows that can shoot a flight arrow 600 yards or more can definitely send a one-ounce arrow 360 to 400 yards—or much farther than what could be achieved with the old English longbow and its war shaft.
I have obtained with much difficulty during the last few years about a score of composite bows of Turkish manufacture from various parts of the Ottoman Empire. Not more than three or four of these have, however, proved serviceable, owing to their age, as no bows of the kind have been made for over a hundred years, the art of their construction being long since neglected and lost.
I have managed, with a lot of effort over the last few years, to acquire around twenty composite bows made in Turkey from different areas of the Ottoman Empire. However, only three or four of these have turned out to be usable, due to their age, since no bows like these have been made in over a hundred years, and the skill of crafting them has been neglected and forgotten for a long time.
With the bow depicted in Fig. 1, I shot six arrows in succession to ranges121 exceeding 350 yards, the longest flights being 360, 365 and 367 yards. This public record was established July 7th, 1905, at an archery meeting held at Le Touquet, near Etaples in France. The ground selected for the trial was perfectly level; there was no wind, and the distances were accurately measured by several well-known members of the Royal Toxophilite Society who were present.
With the bow shown in Fig. 1, I shot six arrows in a row to distances121 over 350 yards, with the longest flights measuring 360, 365, and 367 yards. This official record was set on July 7, 1905, at an archery meeting in Le Touquet, near Etaples, France. The chosen ground for the test was completely flat; there was no wind, and the distances were accurately measured by several well-known members of the Royal Toxophilite Society who were in attendance.
With the same bow I have, in private practice, thrice exceeded 415 yards, and on one occasion reached 421 yards.
With the same bow I have, in private practice, I've exceeded 415 yards three times, and once I hit 421 yards.
Though this bow is a powerful one for a modern archer to draw, it is a mere plaything compared with other Turkish bows of the same length, but of far greater strength, which I possess.
Though this bow is strong for a modern archer to draw, it’s just a toy compared to other Turkish bows of the same length, but with much greater strength, that I own.
Some of the latter are so curved in their unstrung state that their ends nearly meet, and are so stiff, when strung, that I cannot draw them to more than half the length of a 25½-in. arrow. Fig. 15 shows a bow of this kind in my collection.
Some of these bows are so curved when they’re not strung that their ends almost touch, and they’re so stiff when strung that I can't draw them to more than half the length of a 25½-inch arrow. Fig. 15 shows a bow like this in my collection.

Such bows as these require a pull of 150 to 160 lbs. to bend them to their full extent, which quite accounts for the marvellous, but well authenticated, distances attained in flight-shooting by the muscular Turkish bowmen of bygone days.
Such bows require a pull of 150 to 160 lbs. to bend them fully, which explains the incredible, but well-documented, distances achieved in flight shooting by the strong Turkish bowmen of the past.
Though 367 yards is a short range in comparison with that which the best Turkish archers were formerly capable of obtaining, it is, so far as known, much in excess of the distance any arrow has been shot from a bow since the oft-quoted feat of Mahmoud Effendi in 1795, p. 119.
Though 367 yards is a short distance compared to what the best Turkish archers used to achieve, it is, as far as we know, much greater than the distance any arrow has been shot from a bow since the frequently mentioned feat of Mahmoud Effendi in 1795, p. 119.
Full corroboration of the wonderful flight-shooting of the Turks may be found in some treatises on Ottoman archery which have been translated into German by Baron Hammer-Purgstall (Vienna, 1851).
Full confirmation of the amazing flight shooting by the Turks can be found in some works on Ottoman archery that have been translated into German by Baron Hammer-Purgstall (Vienna, 1851).
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122
In his directions concerning the selection of suitable bows and arrows for the sport, one of the Turkish authors quoted by Purgstall writes: ‘The thinnest and longest flying arrow has white swan feathers shaped like leaves,50 and this arrow, with a good shot, carries from 1,000 to 1,200 paces.’
In his instructions on choosing the right bows and arrows for the sport, one of the Turkish writers referenced by Purgstall says: ‘The thinnest and longest flying arrow has white swan feathers shaped like leaves,50 and this arrow, when shot well, travels between 1,000 to 1,200 paces.’
50 Anglice, Balloon feathers.
Balloon feathers.
The orthodox length of a pace is thirty inches, and thus even 1,000 paces, or the lesser range mentioned, would exceed 800 English yards.
The standard length of a pace is thirty inches, so even 1,000 paces, or the smaller distance mentioned, would be more than 800 English yards.
Augier Ghislen de Busbecq (1522–1592), a Belgian author and diplomatist, describes the Turkish archery he witnessed when ambassador to the court of Solyman, and the well-nigh incredible distances to which he saw arrows propelled.
Augier Ghislen de Busbecq (1522–1592), a Belgian author and diplomat, describes the Turkish archery he observed while serving as ambassador at the court of Solyman, and the almost unbelievable distances to which he saw arrows shot.
Full information to the same effect, with excellent diagrams, may be found in a Latin MS. on Turkish archery by J. Covel, D.D., Chaplain to the Embassy at Constantinople 1670–1676.51
Full information to the same effect, with excellent diagrams, can be found in a Latin manuscript on Turkish archery by J. Covel, D.D., Chaplain to the Embassy in Constantinople from 1670 to 1676.51
51 MSS., B.M., 22911, folio 386.
__A_TAG_PLACEHOLDER_0__ Manuscript, British Museum, 22911, page 386.
Another treatise (in Turkish) entitled ‘An Account of some famous Archery Matches at Bagdad (1638–1740),’ dedicated to the Governor of that city by the author, M. Rizai,52 may also be consulted, as it gives the exact ranges of the longest-flying arrows.
Another treatise (in Turkish) called ‘An Account of some famous Archery Matches at Bagdad (1638–1740),’ dedicated to the Governor of that city by the author, M. Rizai,52 can also be looked at, as it provides the exact ranges of the longest-flying arrows.
It should be remembered that many years ago flight-shooting was a very popular recreation of the Turks, that every able-bodied man was a practised archer, and that every male child was trained to use a bow from the earliest possible age.
It should be remembered that many years ago, shooting at flying targets was a very popular pastime among the Turks, that every able-bodied man was a skilled archer, and that every boy was taught to use a bow from the earliest age possible.
The origin of Turkish and other highly finished composite bows, and the approximate date when they were first used in sport and warfare, it is now impossible to determine. Bows that are undoubtedly of this kind and which are of excellent shape and design, are depicted on some of the most ancient pottery existent, and are also referred to in some of the oldest writings we possess.
The exact origin of Turkish and other advanced composite bows, as well as when they were first used in sports and warfare, is now impossible to pinpoint. Bows that clearly belong to this category and are well-shaped and designed are shown on some of the oldest pottery that still exists, and they are also mentioned in some of the earliest writings we have.
In further connection with long-distance shooting with the Turkish bow, I append a letter written by one of my ancestors to another. They were both skilled and enthusiastic archers in their day. This letter, and the notes and translations which follow it, describe the extraordinary feats said to have been achieved by the Turks with their bows when shooting to attain a long range with a flight arrow:—
In relation to long-distance shooting with the Turkish bow, I’m including a letter written by one of my ancestors to another. They were both talented and passionate archers in their time. This letter, along with the notes and translations that follow, describes the remarkable accomplishments claimed by the Turks with their bows when shooting to achieve long-range with a flight arrow:—
‘London, 1795.
"London, 1795."
‘Dear Brother,—I have just been to see the secretary of the Turkish Ambassador shooting with Waring53 and other famous English bowmen. There was a great crowd, as you may suppose, to see them. The Turk,54 regardless123 of the many persons standing round him, and to the amazement and terror of the Toxophilites, suddenly began firing his arrows up in all directions, but the astonishment of the company was increased by finding the arrows were not made to fly, but fell harmlessly within a few yards. These arrows the Turk called his “exercising arrows.” This was an idea that was quite new to the bowmen present and they began to have more respect for the Turk and his bow. The Turk’s bow is made of antelopes’ horns and is short, and purposely made short for the convenience of being used in all directions on horseback.
‘Dear Brother,—I just visited the secretary of the Turkish Ambassador while he was shooting with Waring53 and other famous English archers. As you can imagine, there was a huge crowd to watch them. The Turk,54 ignoring the many onlookers around him, suddenly started shooting his arrows in all directions, causing both amazement and fear among the archers. The surprise grew when everyone realized the arrows weren’t designed to fly far—they fell harmlessly within a few yards. The Turk referred to these as his “exercising arrows.” This concept was completely new to the archers present, and they began to view the Turk and his bow with more respect. The Turk’s bow, made from antelope horns, is short, intentionally crafted that way for easier use while riding horseback in any direction.
‘The Toxophilites wished to see the powers of the Turkish bow, and the Turk was asked to shoot one of his flight arrows. He shot four or five, and the best flight was very carefully measured at the time. It was 482 yards. The Toxophilites were astonished, I can tell you.
‘The Toxophilites wanted to see the capabilities of the Turkish bow, so they asked the Turk to shoot one of his long-range arrows. He shot four or five, and the longest distance was carefully measured at the time. It was 482 yards. The Toxophilites were amazed, I can tell you.
‘Waring said the furthest distance attained with an English flight arrow, of which he had ever heard, was 335 yards, and that Lord Aylesford had once shot one, with a slight wind in his favour, 330 yards. Waring told me that he himself, in all his life, had never been able to send a flight arrow above 283 yards.
‘Waring said the farthest distance reached with an English flight arrow that he had ever heard of was 335 yards, and that Lord Aylesford once shot one, with a slight wind at his back, 330 yards. Waring told me that in his entire life, he had never been able to send a flight arrow beyond 283 yards.
‘The Turk was not satisfied with his performance, but declared that he and his bow were stiff and out of condition, and that with some practice he could shoot very much further than he had just done.
‘The Turk wasn't happy with how he performed, but he said that he and his bow were stiff and out of shape, and that with some practice he could shoot much farther than he just did.’
‘He said, however, that he never was a first-class bowman, even when in his best practice, but that the present Grand Seigneur was very fond of the exercise and a very strong man, there being only two men in the whole Turkish army who could shoot an arrow as far as he could.
‘He said, however, that he was never a top-notch archer, even at his best, but that the current Grand Seigneur really enjoyed the activity and was a very strong man, with only two guys in the entire Turkish army able to shoot an arrow as far as he could.
‘The Turk said he had seen the Grand Seigneur send a flight arrow 800 yards.
‘The Turk said he had seen the Grand Seigneur shoot an arrow 800 yards.
‘I asked Waring to what he attributed the Turk’s great superiority over our English bowmen; whether to his bow or not. Waring replied he did not consider it was so much the result of the Turk’s bow, but rather of his strength and skill, combined with the short light arrows he used, and his method of shooting them along the grooved horn attached to his hand.
‘I asked Waring what he thought gave the Turk such an advantage over our English archers; whether it was because of his bow. Waring replied that he didn't think it was just the Turk's bow, but more about his strength and skill, along with the short, lightweight arrows he used and his technique of shooting them along the grooved horn attached to his hand.
‘Neither Waring nor any of the Toxophilites present (and many tried) could bend the bow as the Turk did when he used it.
‘Neither Waring nor any of the Toxophilites present (and many tried) could bend the bow the way the Turk did when he used it.
‘So much for the triumph of the Infidels and the humiliation of Christendom.
‘So much for the victory of the non-believers and the shame of Christianity.
‘Yours aff.,
‘W. Frankland.
‘Yours truly, ‘W. Frankland.
‘To Sir Thos. Frankland, Bt., M.P.
‘Thirkleby Park.’
‘To Sir Thos. Frankland, Bt., M.P.
'Thirkleby Park.'
53 T. Waring, author of a Treatise on Archery, 1st ed. 1814, last ed. 1832. Waring was an accomplished archer and a well-known manufacturer of bows and arrows.
53 T. Waring, author of a Treatise on Archery, 1st ed. 1814, last ed. 1832. Waring was a skilled archer and a prominent maker of bows and arrows.
54 Mahmoud Effendi.
__A_TAG_PLACEHOLDER_0__ Mahmoud Effendi.
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124
I found the following records in a manuscript notebook of 1798, describing feats and incidents of archery collected by the recipient of the letter I have given.
I found these records in a manuscript notebook from 1798, detailing the achievements and events of archery gathered by the person who received the letter I provided.
‘Records of Turkish archery procured in 1797 from Constantinople by Sir Robert Ainslie, at the request of Sir Joseph Banks, and translated by Sir Robert Ainslie’s interpreter.
Records of Turkish archery obtained in 1797 from Constantinople by Sir Robert Ainslie, at the request of Sir Joseph Banks, and translated by Sir Robert Ainslie's interpreter.
‘The Turks still have detachments of archers in their armies so as not to deviate from ancient custom, for in Turkey archery is now merely regarded as an amusing exercise that is to this day practised by all ranks of the people.
‘The Turks still have groups of archers in their armies to stick to ancient tradition, as in Turkey, archery is now seen as just a fun activity that everyone, regardless of rank, practices to this day.
‘The Ottoman emperors, with their court, often enjoy the diversion of archery in public, and there is an extensive piece of ground allotted to that purpose.
‘The Ottoman emperors, along with their court, often enjoy public archery as a pastime, and there is a large area dedicated to that purpose.
‘This place is upon an eminence in the suburbs of the city of Constantinople and commands an extensive view of the town and harbour. It is called Ok Meydan, or the Place of the Arrow. The ground mentioned is covered with marble pillars erected in honour of those archers who have succeeded in shooting arrows to any remarkable distance. Each pillar is inscribed with the name of the person whose dexterity it records, together with some complimentary verses to him, and the exact range which he attained with his flight arrow.
‘This spot is on a hill in the suburbs of Constantinople and offers a wide view of the city and harbor. It's called Ok Meydan, or the Place of the Arrow. The area is adorned with marble pillars honoring the archers who have succeeded in shooting arrows remarkable distances. Each pillar has the name of the archer it's dedicated to, along with some complimentary verses about them, and the exact distance they achieved with their arrow.
‘The Ottoman emperors, from ancient times, have always been supposed to live by their manual labour and in consequence of this supposition they have each learnt some art or profession, most of them having preferred the art of making bows and arrows.
‘The Ottoman emperors, since ancient times, have always been believed to support themselves through manual labor, and because of this belief, each of them has learned some craft or profession, with most of them favoring the skill of making bows and arrows.
‘The present emperor was bound apprentice to the trade of archery, and at the time he was received as a master in this trade he gave very splendid public entertainments at the Ok Meydan, where the State tents were pitched for him and his court.’
‘The current emperor was trained in the craft of archery, and when he was recognized as a master in this field, he hosted elaborate public celebrations at the Ok Meydan, where the State tents were set up for him and his court.’
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125
Translations of the inscriptions on some of the marble columns at the Ok Meydan (Place of the Arrow) which were erected in honour of those who excelled in archery.
Translations of the inscriptions on some of the marble columns at the Ok Meydan (Place of the Arrow) that were put up to honor those who excelled in archery.
1. | Ak Siraly Mustapha Aga shot two arrows both of which travelled to a distance of | 625 | yards. |
2. | Omer Aga shot an arrow to a distance of | 628 | „ |
3. | Seid Muhammed Effendy, son in-law of Sherbetzy Zade | 630 | „ |
4. | Sultan Murad | 685 | „ |
5. | Hagy Muhammed Aga shot an arrow | 729 | „ |
6. | Muhammed Ashur Effendy shot an arrow which fixed in the ground at | 759 | „ |
7. | Ahmed Aga, a gentleman of the Seraglio under Sultan Suleiman the Legislator, shot an arrow | 760 | „ |
8. | Pashaw Oglee Medmed shot an arrow | 762 | „ |
9. | The present Grand Admiral Husseir Pashaw shot an arrow which drove into the ground at | 764 | „ |
10. | Pilad Aga, Treasurer to Hallib Pashaw | 805 | „ |
11. | Hallib Aga | 810 | „ |
12. | The reigning Emperor, Sultan Selim, shot an arrow which drove into the ground at a distance of | 838 | „ |
The Sultan shot a second arrow to near the same distance. |
In the translation of the above from the Turkish language the feet and inches were also given for each shot, but these I have omitted as unnecessary.
In translating the above from Turkish, the feet and inches were included for each shot, but I have left them out as unnecessary.
In the manuscript, the interpreter remarks that the measurements of the distances on the marble columns at Ok Meydan are in pikes, the pike being a Turkish measure of a little over two feet, easily convertible into English yards, feet and inches.
In the manuscript, the interpreter notes that the measurements of the distances on the marble columns at Ok Meydan are in pikes, with a pike being a Turkish unit of a little over two feet, which can be easily converted to English yards, feet, and inches.
It will be observed that the longest flight recorded on the columns selected for quotation is 838 yards, and the shortest, 625 yards. Though these distances are almost too extraordinary to be true, they corroborate the statement made in 1795 by the secretary of the Turkish ambassador, p. 123. If they are correct, they can only be accounted for by the use of a light short arrow, a very powerful bow, great strength and skill, and above all else by the horn appendage which the Turkish archer attached to his left hand, and without which he could not shoot so short an arrow from his bow.
It’s noted that the longest flight recorded in the selected columns is 838 yards, and the shortest is 625 yards. Although these distances seem almost unbelievable, they support the claim made in 1795 by the secretary of the Turkish ambassador, p. 123. If these distances are accurate, they can only be explained by using a light short arrow, a very powerful bow, considerable strength and skill, and especially by the horn attachment that the Turkish archer used on his left hand, without which he wouldn’t be able to shoot such a short arrow from his bow.
Even if we accept the shortest range recorded on the columns as correct—i.e.126 625 yards—it is an extraordinary distance for any arrow to be propelled, and is 285 yards beyond what has ever been achieved, as far as we know, by an English bowman with a longbow, p. 120.
Even if we take the shortest distance listed in the columns as accurate—i.e.126 625 yards—it’s an incredible distance for any arrow to be shot, and it’s 285 yards further than what we know any English longbowman has ever accomplished, p. 120.
It is, however, beyond question that the secretary to the Turkish Ambassador did shoot an arrow 482 yards (the arrow and bow being even now preserved in the Toxophilite Society’s rooms), though he declared at the time of the occurrence that he was not proficient in the art of sending a flight arrow to what he considered a great distance. We may from this safely assume that a range of 143 yards further than the Turkish secretary attained with his bow, or a total flight of 625 yards, was quite possible in the case of a more powerful and skilled Turkish archer than he was.
It is undoubtedly true that the secretary to the Turkish Ambassador shot an arrow 482 yards (the arrow and bow are still kept in the Toxophilite Society’s rooms), even though he stated at the time that he wasn't skilled at shooting an arrow to what he thought was a long distance. From this, we can reasonably assume that a range of 143 yards further than what the Turkish secretary achieved with his bow, or a total distance of 625 yards, was definitely possible for a more powerful and skilled Turkish archer than he was.

Turkish Cavalry Soldiers with their Bows.
Turkish cavalry soldiers with their bows.
From an illuminated Turkish MS. in the Sloane Collection, B.M., dated 1621, No. 5258. These reproductions plainly show how small was the size of the bow formerly used in warfare by Turkish soldiers.
From an illuminated Turkish manuscript in the Sloane Collection, B.M., dated 1621, No. 5258. These reproductions clearly demonstrate the small size of the bows that Turkish soldiers used in warfare.
Spottiswoode & Co. Ltd., Printers, New-street Square, London.
Spottiswoode & Co. Ltd., Printers, New Street Square, London.
TRANSCRIBER’S NOTES
Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed.
Punctuation, hyphenation, and spelling were made consistent when a clear preference was found in the original book; otherwise, they were left unchanged.
Simple typographical errors were corrected; unbalanced quotation marks were remedied when the change was obvious, and otherwise left unbalanced.
Simple typing errors were fixed; uneven quotation marks were corrected when it was clear what was needed, and otherwise left uneven.
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