This is a modern-English version of Trivia, originally written by Smith, Logan Pearsall. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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TRIVIA



By Logan Pearsall Smith



1917










CONTENTS

TABLE OF CONTENTS
















Bibliographical Note

Some of these pieces were privately printed at the Chiswick Press in 1902. Others have appeared in the "New Statesman" and "The New Republic," and are here reprinted with the Editors' permission.

Some of these pieces were privately printed at the Chiswick Press in 1902. Others have appeared in the "New Statesman" and "The New Republic," and are here reprinted with the Editors' permission.










Preface

"You must beware of thinking too much about Style," said my kindly adviser, "or you will become like those fastidious people who polish and polish until there is nothing left."

"You need to be careful not to overthink Style," my well-meaning adviser said, "or you'll end up like those picky people who keep polishing until there's nothing left."

"Then there really are such people?" I asked, lost in the thought of how much I should like to meet them. But the well-informed lady could give me no precise information about them.

"Then there really are people like that?" I asked, caught up in how much I wanted to meet them. But the knowledgeable woman couldn't provide me with any specific details about them.

I often hear of them in this tantalizing manner, and perhaps one day I shall get to know them. They sound delightful.

I often hear about them in this tempting way, and maybe one day I’ll get to know them. They seem great.










The Author

These pieces of moral prose have been written, dear Reader, by a large Carnivorous Mammal, belonging to that suborder of the Animal Kingdom which includes also the Orang-outang, the tusked Gorilla, the Baboon with his bright blue and scarlet bottom, and the long-eared Chimpanzee.

These moral writings have been composed, dear Reader, by a large Carnivorous Mammal, part of that suborder of the Animal Kingdom that also includes the Orangutan, the tusked Gorilla, the Baboon with his bright blue and scarlet rear, and the long-eared Chimpanzee.










TRIVIA










BOOK I

How blest my lot, in these sweet fields assign'd Where Peace and Leisure soothe the tuneful mind.

How blessed I am, in these lovely fields assigned Where peace and relaxation calm the melodic mind.

SCOTT, of Amwell, Moral Eclogues (1773)

SCOTT, of Amwell, *Moral Eclogues* (1773)










Happiness

Cricketers on village greens, haymakers in the evening sunshine, small boats that sail before the wind—all these create in me the illusion of Happiness, as if a land of cloudless pleasure, a piece of the old Golden World, were hidden, not (as poets have imagined), in far seas or beyond inaccessible mountains, but here close at hand, if one could find it, in some undiscovered valley. Certain grassy lanes seem to lead between the meadows thither; the wild pigeons talk of it behind the woods.

Cricketers on village greens, farmers in the evening sun, small boats sailing with the wind—all these things give me the feeling of Happiness, as if a land of endless joy, a piece of the old Golden World, is hidden not (as poets have imagined) in distant seas or beyond unreachable mountains, but right here, if only we could find it, in some undiscovered valley. Certain grassy paths seem to lead through the meadows towards it; the wild pigeons whisper about it behind the woods.










To-Day

I woke this morning out of dreams into what we call Reality, into the daylight, the furniture of my familiar bedroom—in fact into the well-known, often-discussed, but, to my mind, as yet unexplained Universe.

I woke up this morning from dreams into what we call Reality, into the daylight, the furniture of my familiar bedroom—in fact into the well-known, often-talked-about, but, to me, still unexplained Universe.

Then I, who came out of Eternity and seem to be on my way thither, got up and spent the day as I usually spend it. I read, I pottered, I talked, and took exercise; and I sat punctually down to eat the cooked meals that appeared at stated intervals.

Then I, who came out of Eternity and seem to be on my way there, got up and spent the day like I usually do. I read, messed around, talked, and exercised; and I sat right down to eat the cooked meals that showed up at regular times.










The Afternoon Post

The village Post Office, with its clock and letter-box, its postmistress lost in tales of love-lorn Dukes and coroneted woe, and the sallow-faced grocer watching from his window opposite, is the scene of a daily crisis in my life, when every afternoon I walk there through the country lanes and ask that well-read young lady for my letters. I always expect good news and cheques; and then, of course, there is the magical Fortune which is coming, and word of it may reach me any day. What it is, this strange Felicity, or whence it shall come, I have no notion; but I hurry down in the morning to find the news on the breakfast table, open telegrams in delighted panic, and say to myself "Here it is!" when at night I hear wheels approaching along the road. So, happy in the hope of Happiness, and not greatly concerned with any other interest or ambition, I live on in my quiet, ordered house; and so I shall live perhaps until the end. Is it, indeed, merely the last great summons and revelation for which I am waiting? I do not know.

The village Post Office, with its clock and mailbox, its postmistress lost in stories of heartbroken Dukes and noble struggles, and the pale-faced grocer watching from his window across the street, is where my daily drama unfolds. Every afternoon, I stroll there through the country lanes and ask that knowledgeable young woman for my letters. I always hope for good news and checks; and then, of course, there’s the promise of some magical fortune that could arrive any day. I have no idea what this strange happiness is or where it will come from, but I rush down in the morning to find updates on the breakfast table, open telegrams in a state of excited panic, and tell myself “Here it is!” when I hear wheels coming down the road at night. So, filled with the hope of joy and not really focused on anything else, I continue my life in my quiet, orderly home; and I might keep living like this until the end. Am I just waiting for that final call and revelation? I don’t know.










The Busy Bees

Sitting for hours idle in the shade of an apple tree, near the garden-hives, and under the aerial thoroughfares of those honey-merchants—sometimes when the noonday heat is loud with their minute industry, or when they fall in crowds out of the late sun to their night-long labours-I have sought instruction from the Bees, and tried to appropriate to myself the old industrious lesson.

Sitting for hours in the shade of an apple tree, near the garden hives, and under the busy paths of those honey-collectors—sometimes when the midday heat buzzes with their tiny activity, or when they swarm out of the late sun to their nighttime work—I have looked for lessons from the bees and tried to take in their age-old industrious teachings.

And yet, hang it all, who by rights should be the teachers and who the learners? For those peevish, over-toiled, utilitarian insects, was there no lesson to be derived from the spectacle of Me? Gazing out at me with myriad eyes from their joyless factories, might they not learn at last—might I not finally teach them—a wiser and more generous-hearted way to improve the shining hour?

And yet, seriously, who really should be the teachers and who should be the learners? For those grumpy, overworked, practical insects, wasn't there a lesson to be learned from watching me? Looking out at me with countless eyes from their joyless factories, couldn’t they finally learn—couldn’t I finally teach them—a smarter and kinder way to make the most of their time?










The Wheat

The Vicar, whom I met once or twice in my walks about the fields, told me that he was glad that I was taking an interest in farming. Only my feeling about wheat, he said, puzzled him.

The Vicar, whom I bumped into a couple of times while walking through the fields, told me he was happy that I was taking an interest in farming. He just mentioned that my feelings about wheat confused him.

Now the feeling in regard to wheat which I had not been able to make clear to the Vicar was simply one of amazement. Walking one day into a field that I had watched yellowing beyond the trees, I found myself dazzled by the glow and great expanse of gold. I bathed myself in the intense yellow under the intense blue sky; how dim it made the oak trees and copses and all the rest of the English landscape seem! I had not remembered the glory of the Wheat; nor imagined in my reading that in a country so far from the Sun there could be anything so rich, so prodigal, so reckless, as this opulence of ruddy gold, bursting out from the cracked earth as from some fiery vein below. I remembered how for thousands of years Wheat had been the staple of wealth, the hoarded wealth of famous cities and empires; I thought of the processes of corn-growing, the white oxen ploughing, the great barns, the winnowing fans, the mills with the splash of their wheels, or arms slow-turning in the wind; of cornfields at harvest-time, with shocks and sheaves in the glow of sunset, or under the sickle moon; what beauty it brought into the northern landscape, the antique, passionate, Biblical beauty of the South!

Now the feeling I couldn’t express to the Vicar about wheat was simply one of awe. One day, as I walked into a field I had seen turning golden beyond the trees, I was struck by the brilliant glow and vast expanse of gold. I immersed myself in the intense yellow beneath the deep blue sky; it made the oak trees, copses, and the rest of the English landscape seem so dull! I had forgotten the splendor of wheat; I never imagined that in a country so distant from the Sun, there could be something so rich, so abundant, so extravagant, as this explosion of fiery gold, rising from the cracked earth like some molten vein below. I recalled how, for thousands of years, wheat had been the foundation of wealth, the accumulated riches of legendary cities and empires. I thought about the processes of growing corn, the white oxen plowing, the big barns, the winnowing fans, the mills with their splashing wheels or arms slowly turning in the breeze; I envisioned cornfields at harvest time, with shocks and sheaves glowing in the sunset or under the crescent moon; what beauty it added to the northern landscape, the ancient, passionate, Biblical beauty of the South!










The Coming of Fate

When I seek out the sources of my thoughts, I find they had their beginning in fragile Chance; were born of little moments that shine for me curiously in the past. Slight the impulse that made me take this turning at the crossroads, trivial and fortuitous the meeting, and light as gossamer the thread that first knit me to my friend. These are full of wonder; more mysterious are the moments that must have brushed me with their wings and passed me by: when Fate beckoned and I did not see it, when new Life trembled for a second on the threshold; but the word was not spoken, the hand was not held out, and the Might-have-been shivered and vanished, dim as a into the waste realms of non-existence.

When I look back at the origins of my thoughts, I realize they began from fragile Chance; they were born from small moments that shine oddly in my past. The impulse that made me take this turn at the crossroads was slight, the meeting was trivial and accidental, and the connection that first linked me to my friend was as light as a feather. These moments are full of wonder; even more mysterious are those times that must have brushed past me without me noticing: when Fate called out and I didn’t see it, when new Life lingered for a moment on the edge; but the words weren’t spoken, the hand wasn’t reached out, and the Might-have-been quivered and disappeared, faint as a whisper into the void of non-existence.

So I never lose a sense of the whimsical and perilous charm of daily life, with its meetings and words and accidents. Why, to-day, perhaps, or next week, I may hear a voice, and, packing up my Gladstone bag, follow it to the ends of the world.

So I never lose the sense of the quirky and risky charm of everyday life, with its gatherings and conversations and mishaps. Who knows, maybe today or next week, I'll hear a voice and, grabbing my suitcase, chase it to the ends of the earth.










My Speech

"Ladies and Gentlemen," I began—The Vicar was in the chair; Mrs. La Mountain and her daughters sat facing us; and in the little schoolroom, with its maps and large Scripture prints, its blackboard with the day's sums still visible on it, were assembled the labourers of the village, the old family coachman and his wife, the one-eyed postman, and the gardeners and boys from the Hall. Having culled from the newspapers a few phrases, I had composed a speech which I delivered with a spirit and eloquence surprising even to myself, and which was now enthusiastically received. The Vicar cried "Hear, Hear!", the Vicar's wife pounded her umbrella with such emphasis, and the villagers cheered so heartily, that my heart was warmed. I began to feel the meaning of my own words; I beamed on the audience, felt that they were all brothers, all wished well to the Republic; and it seemed to me an occasion to express my real ideas and hopes for the Commonwealth.

“Ladies and Gentlemen,” I started—The Vicar was in charge; Mrs. La Mountain and her daughters faced us; and in the small classroom, filled with maps and large Scripture prints, with the blackboard still showing the day’s math problems, were the village workers, the old family coachman and his wife, the one-eyed postman, and the gardeners and boys from the Hall. After gathering a few phrases from the newspapers, I had put together a speech that I delivered with a passion and eloquence that even surprised me, and it was now met with enthusiasm. The Vicar shouted "Hear, Hear!", the Vicar's wife pounded her umbrella with enthusiasm, and the villagers cheered so loudly that my heart felt warm. I began to really understand my own words; I smiled at the audience, felt that they were all united, all wanting the best for the Republic; and it seemed like the perfect moment to share my true ideas and hopes for the Commonwealth.

Brushing therefore to one side, and indeed quite forgetting my safe principles, I began to refashion and new-model the State. Most existing institutions were soon abolished; and then, on their ruins, I proceeded to build up the bright walls and palaces of the City within me—the City I had read of in Plato. With enthusiasm, and, I flatter myself, with eloquence, I described it all—the Warriors, that race of golden youth bred from the State-ordered embraces of the brave and fair; those philosophic Guardians, who, being ever accustomed to the highest and most extensive views, and thence contracting an habitual greatness, possessed the truest fortitude, looking down indeed with a kind of disregard on human life and death. And then, declaring that the pattern of this City was laid up in Heaven, I sat down, amid the cheers of the uncomprehending little audience.

Brushing aside everything and completely forgetting my safe principles, I started reimagining and redesigning the State. Most existing institutions were quickly dismantled; then, on their ruins, I began to construct the vibrant walls and palaces of the City within me—the City I had read about in Plato. With enthusiasm, and, I like to think, with eloquence, I described it all—the Warriors, that golden generation born from the State-sanctioned unions of the brave and beautiful; those philosophical Guardians, who, being used to the highest and broadest perspectives, developed a natural greatness and possessed true courage, looking down with a sort of indifference on human life and death. And then, declaring that the blueprint for this City was kept in Heaven, I sat down, amidst the cheers of the utterly confused small audience.

And afterward, in my rides about the country, when I saw on walls and the doors of barns, among advertisements of sales, or regulations about birds' eggs or the movements of swine, little weather-beaten, old-looking notices on which it was stated that I would "address the meeting," I remembered how the walls and towers of the City I had built up in that little schoolroom had shone with no heavenly light in the eyes of the Vicar's party.

And later, during my drives through the countryside, when I spotted on walls and barn doors, among ads for sales or rules about bird eggs and the movement of pigs, faded, old notices stating that I would "address the meeting," I recalled how the walls and towers of the City I had created in that little classroom hadn't shone with any heavenly light in the eyes of the Vicar's group.










Stonehenge

They sit there forever on the dim horizon of my mind, that Stonehenge circle of elderly disapproving Faces—Faces of the Uncles and Schoolmasters and Tutors who frowned on my youth.

They linger endlessly on the faint horizon of my mind, that Stonehenge circle of older, disapproving faces—faces of uncles, teachers, and tutors who disapproved of my younger years.

In the bright centre and sunlight I leap, I caper, I dance my dance; but when I look up, I see they are not deceived. For nothing ever placates them, nothing ever moves to a look of approval that ring of bleak and contemptuous Faces.

In the bright center and sunlight, I jump, I skip, I dance my dance; but when I look up, I see they're not fooled. Because nothing ever satisfies them, nothing ever brings a look of approval from that circle of cold and scornful faces.










The Stars

Battling my way homeward one dark night against the wind and rain, a sudden gust, stronger than the others, drove me back into the shelter of a tree. But soon the Western sky broke open; the illumination of the Stars poured down from behind the dispersing clouds.

Battling my way home one dark night against the wind and rain, a sudden gust, stronger than the others, pushed me back into the shelter of a tree. But soon the Western sky cleared up; the light of the Stars poured down from behind the parting clouds.

I was astonished at their brightness, to see how they filled the night with their soft lustre. So I went my way accompanied by them; Arcturus followed me, and becoming entangled in a leafy tree, shone by glimpses, and then emerged triumphant, Lord of the Western sky. Moving along the road in the silence of my own footsteps, my thoughts were among the Constellations. I was one of the Princes of the starry Universe; in me also there was something that was not insignificant and mean and of no account.

I was amazed by their brightness, seeing how they lit up the night with their soft glow. So I continued on my path with them by my side; Arcturus followed me, getting caught in a leafy tree, shining in flashes, then breaking free, a master of the western sky. As I walked along the road, listening to the quiet of my footsteps, my mind wandered among the Constellations. I felt like one of the Princes of the starry Universe; there was also something within me that was not trivial or unimportant.










Silvia Doria

Beyond the blue hills, within riding distance, there is a country of parks and beeches, with views of the far-off sea. I remember in one of my rides coming on the place which was the scene of the pretty, old-fashioned story of Silvia Doria. Through the gates, with fine gate-posts, on which heraldic beasts, fierce and fastidious, were upholding coroneted shields, I could see, at the end of the avenue, the façade of the House, with its stone pilasters, and its balustrade on the steep roof.

Beyond the blue hills, just a short ride away, there's a land of parks and beech trees, with views of the distant sea. I remember on one of my rides coming across the spot that was the setting for the charming, old-fashioned tale of Silvia Doria. Through the gates, with their impressive gate-posts, where heraldic creatures, fierce and particular, were holding up coronated shields, I could see, at the end of the avenue, the front of the House, with its stone pillars and its railing on the steep roof.

More than one hundred years ago, in that Park, with its Italianized house, and level gardens adorned with statues and garden temples, there lived, they say, an old Lord with his two handsome sons. The old Lord had never ceased mourning for his Lady, though she had died a good many years before; there were no neighbours he visited, and few strangers came inside the great Park walls. One day in Spring, however, just when the apple trees had burst into blossom, the gilded gates were thrown open, and a London chariot with prancing horses drove up the Avenue. And in the chariot, smiling and gay, and indeed very beautiful in her dress of yellow silk, and her great Spanish hat with drooping feathers, sat Silvia Doria, come on a visit to her cousin, the old Lord.

Over a hundred years ago, in that Park with its Italian-style house and flat gardens decorated with statues and garden temples, there lived, or so they say, an old Lord and his two handsome sons. The old Lord never stopped grieving for his Lady, even though she had passed away many years earlier; he had no neighbors he visited, and few strangers entered the grand Park gates. One day in Spring, just as the apple trees were blooming, the gilded gates swung open, and a London carriage with prancing horses drove up the Avenue. Inside the carriage, smiling and cheerful, and truly beautiful in her yellow silk dress and large Spanish hat with drooping feathers, sat Silvia Doria, coming to visit her cousin, the old Lord.

It was her father who had sent her—that he might be more free, some said, to pursue his own wicked courses—while others declared that he intended her to marry the old Lord's eldest son.

It was her dad who had sent her—some said so he could have more freedom to follow his own selfish ways—while others claimed that he wanted her to marry the old Lord's eldest son.

In any case, Silvia Doria came like the Spring, like the sunlight, into the lonely place. Even the old Lord felt himself curiously happy when he heard her voice singing about the house; as for Henry and Francis, it was heaven for them just to walk by her side down the garden alleys.

In any case, Silvia Doria entered the lonely place like Spring, like the sunlight. Even the old Lord felt strangely happy when he heard her voice singing around the house; as for Henry and Francis, it was pure bliss for them just to walk beside her down the garden paths.

And Silvia Doria, though hitherto she had been but cold toward the London gallants who had courted her, found, little by little, that her heart was not untouched.

And Silvia Doria, although she had previously been indifferent to the London suitors who had pursued her, gradually realized that her heart was not unaffected.

But, in spite of her father, and her own girlish love of gold and rank, it was not for Henry that she cared, not for the old Lord, but for Francis, the younger son. Did Francis know of this? They were secretly lovers, the old scandal reported; and the scandal, it may be, had reached her father's ears.

But despite her father and her own youthful attraction to wealth and status, it wasn't Henry that she was interested in, not the older Lord, but Francis, the younger son. Did Francis know about this? They were rumored to be secret lovers, according to old gossip; and perhaps that gossip had reached her father's ears.

For one day a coach with foaming horses, and the wicked face of an old man at its window, galloped up the avenue; and soon afterwards, when the coach drove away, Silvia Doria was sitting by the old man's side, sobbing bitterly.

For one day, a coach pulled by frothing horses and the sinister face of an old man at its window raced up the avenue; soon after, when the coach drove away, Silvia Doria was sitting beside the old man, crying hard.

And after she had gone, a long time, many of the old, last-century years, went by without any change. And then Henry, the eldest son, was killed in hunting; and the old Lord dying a few years later, the titles and the great house and all the land and gold came to Francis, the younger son. But after his father's death he was but seldom there; having, as it seemed, no love for the place, and living for the most part abroad and alone, for he never married.

And after she left, a long time passed, many years from the last century, without any change. Then Henry, the oldest son, was killed while hunting; and a few years later, when the old Lord died, the titles, the big house, all the land, and the wealth went to Francis, the younger son. But after their father's death, he rarely visited; it seemed he had no fondness for the place and mostly lived abroad and alone, since he never got married.

And again, many years went by. The trees grew taller and darker about the house; the yew hedges unclipt now, hung their branches over the moss-grown paths; ivy almost smothered the statues; and the plaster fell away in great patches from the discoloured garden temples.

And once again, many years passed. The trees around the house grew taller and denser; the untrimmed yew hedges drooped their branches over the moss-covered paths; ivy nearly suffocated the statues; and big chunks of plaster peeled off the faded garden temples.

But at last one day a chariot drove up to the gates; a footman pulled at the crazy bell, telling the gate-keeper that his mistress wished to visit the Park. So the gates creaked open, the chariot glittered up the avenue to the deserted place; and a lady stepped out, went into the garden, and walked among its moss-grown paths and statues. As the chariot drove out again, "Tell your Lord," the lady said, smiling, to the lodge-keeper, "that Silvia Doria came back."

But finally, one day a carriage pulled up to the gates; a footman rang the loud bell, letting the gatekeeper know that his mistress wanted to visit the Park. The gates creaked open, and the carriage sparkled as it made its way up the empty avenue. A lady stepped out, entered the garden, and wandered along its moss-covered paths and statues. As the carriage left, the lady smiled at the lodgekeeper and said, "Please tell your Lord that Silvia Doria has returned."










Bligh House

To the West, in riding past the walls of Bligh, I remembered an incident in the well-known siege of that house, during the Civil Wars: How, among Waller's invading Roundhead troops, there happened to be a young scholar, a poet and lover of the Muses, fighting for the cause, as he thought, of ancient Freedom, who, one day, when the siege was being more hotly urged, pressing forward and climbing a wall, suddenly found himself in a quiet old garden by the house. And here, for a time forgetting, as it would seem, the battle, and heedless of the bullets that now and then flew past him like peevish wasps, the young Officer stayed, gathering roses—old-fashioned damask roses, streaked with red and white—which, for the sake of a Court Beauty, there besieged with her father, he carried to the house; falling, however, struck by a chance bullet, or shot perhaps by one of his own party. A few of the young Officer's verses, written in the stilted fashion of the time, and almost unreadable now, have been preserved. The lady's portrait hangs in the white drawing room at Bligh; a simpering, faded figure, with ringlets and drop-pearls, and a dress of amber-coloured silk.

To the West, as I rode past the walls of Bligh, I remembered an incident from the well-known siege of that house during the Civil Wars: How, among Waller's invading Roundhead troops, there was a young scholar, a poet and lover of the Muses, fighting for what he believed was the cause of ancient Freedom. One day, as the siege intensified, he pressed forward and climbed a wall, only to find himself in a quiet old garden by the house. For a while, seemingly forgetting the battle and ignoring the bullets that occasionally whizzed past him like bothersome wasps, the young officer lingered, picking roses—old-fashioned damask roses, streaked with red and white—which he intended to take to the house for a Court Beauty besieged there with her father. However, he was struck down, either by a stray bullet or perhaps shot by someone on his own side. A few of the young officer's poems, written in the overly formal style of the time and now almost unreadable, have been preserved. The lady's portrait hangs in the white drawing room at Bligh; a smiling, faded figure, with ringlets and drop pearls, wearing a dress of amber silk.










In Church

"For the Pen," said the Vicar; and in the sententious pause that followed, I felt that I would offer any gifts of gold to avert or postpone the solemn, inevitable, hackneyed, and yet, as it seemed to me, perfectly appalling statement that "the Pen is mightier than the Sword."

"For the Pen," said the Vicar; and in the meaningful silence that followed, I felt that I would give any amount of gold to avoid or delay the serious, unavoidable, clichéd, and yet, as it seemed to me, completely horrifying statement that "the Pen is mightier than the Sword."










Parsons

All the same I like Parsons; they think nobly of the Universe, and believe in Souls and Eternal Happiness. And some of them, I am told, believe in Angels—that there are Angels who guide our footsteps, and flit to and fro unseen on errands in the air about us.

All the same, I like Parsons; they have a grand view of the Universe and believe in Souls and Eternal Happiness. Some of them, I've heard, even believe in Angels—that there are Angels who guide our steps and move around us unseen, carrying out tasks in the air.










The Sound of a Voice

As the thoughtful Baronet talked, as his voice went on sounding in my ears, all the light of desire, and of the sun, faded from the Earth; I saw the vast landscape of the world dim, as in an eclipse; its populations eating their bread with tears, its rich men sitting listless in their palaces, and aged Kings crying "Vanity, Vanity, all is Vanity!" lugubriously from their thrones.

As the reflective Baronet spoke, as his voice continued to echo in my ears, all the brightness of desire, and of the sun, disappeared from the Earth; I witnessed the wide landscape of the world grow dim, like during an eclipse; its people eating their bread with tears, its wealthy men sitting passively in their palaces, and old Kings lamenting "Vanity, Vanity, all is Vanity!" mournfully from their thrones.










What Happens

"Yes," said Sir Thomas, speaking of a modern novel, "it certainly does seem strange; but the novelist was right. Such things do happen."

"Yes," said Sir Thomas, talking about a modern novel, "it definitely seems odd; but the author was spot on. These things do happen."

"But my dear Sir," I burst out, in the rudest manner, "think what life is—just think what really happens! Why people suddenly swell up and turn dark purple; they hang themselves on meat-hooks; they are drowned in horse-ponds, are run over by butchers' carts, and are burnt alive and cooked like mutton chops!"

"But my dear Sir," I exclaimed, rather rudely, "just think about life—really think about what happens! People suddenly balloon up and turn dark purple; they hang themselves on meat hooks; they drown in horse troughs, get run over by butcher carts, and are burned alive and cooked like mutton chops!"










A Precaution

The folio gave at length philosophic consolations for all the ills and misfortunes said by the author to be inseparable from human existence—Poverty, Shipwreck, Plague, Love-Deceptions, and Inundations. Against these antique Disasters I armed my soul; and I thought it as well to prepare myself against another inevitable ancient calamity called "Cornutation," or by other less learned names. How Philosophy taught that after all it was but a pain founded on conceit, a blow that hurt not; the reply of the Cynic philosopher to one who reproached him, "Is it my fault or hers?"; how Nevisanus advises the sufferer to ask himself if he have not offended; Jerome declares it impossible to prevent; how few or none are safe, and the inhabitants of some countries, especially parts of Africa, consider it the usual and natural thing; How Caesar, Pompey, Augustus, Agamemnon, Menelaus, Marcus Aurelius, and many other great Kings and Princes had all worn Actaeon's badge; and how Philip turned it to a jest, Pertinax the Emperor made no reckoning of it; Erasmus declared it was best winked at, there being no remedy but patience, Dies dolorem minuit; Time, Age must mend it; and how according to the best authorities, bars, bolts, oaken doors, and towers of brass, are all in vain. "She is a woman," as the old Pedant wrote to a fellow Philosopher....

The book offered thoughtful insights on all the hardships and misfortunes that the author claimed are an unavoidable part of human life—Poverty, Shipwreck, Plague, Love Deceptions, and Floods. To defend myself against these age-old disasters, I prepared my mind; and I figured it was also wise to prepare for another inevitable ancient affliction known as "Cornutation," or by other less formal names. Philosophy showed that, ultimately, it was just a pain rooted in pride, a hurt that really didn’t sting; the Cynic philosopher's response to someone who criticized him, "Is it my fault or hers?"; how Nevisanus advised the sufferer to reflect on whether they might have done something wrong; Jerome stated that it’s impossible to avoid; how few or none are truly safe, and people in some regions, especially parts of Africa, view it as a normal part of life; how Caesar, Pompey, Augustus, Agamemnon, Menelaus, Marcus Aurelius, and many other great kings and leaders all bore Actaeon's mark; and how Philip turned it into a joke, Pertinax the Emperor dismissed it; Erasmus suggested it was best to overlook it, since the only remedy is patience, Dies dolorem minuit; Time and Age will fix it; and how according to the best sources, bars, bolts, solid doors, and towers of brass are all useless. "She is a woman," as the old teacher wrote to a fellow philosopher....










The Great Work

Sitting, pen in hand, alone in the stillness of the library, with flies droning behind the sunny blinds, I considered in my thoughts what should be the subject of my great Work. Should I complain against the mutability of Fortune, and impugn Fate and the Constellations; or should I reprehend the never-satisfied heart of querulous Man, drawing elegant contrasts between the unsullied snow of mountains, the serene shining of stars, and our hot, feverish lives and foolish repinings? Or should I confine myself to denouncing contemporary Vices, crying "Fie!" on the Age with Hamlet, sternly unmasking its hypocrisies, and riddling through and through its comfortable Optimisms?

Sitting alone in the quiet of the library, pen in hand, with flies buzzing behind the sunny blinds, I thought about what the subject of my great work should be. Should I complain about the unpredictability of Fortune and question Fate and the stars? Or should I critique the never-satisfied nature of man, drawing elegant contrasts between the pure snow of mountains, the calm shine of stars, and our heated, frantic lives and foolish grievances? Or should I focus on condemning the vices of my time, calling out the era like Hamlet, sternly revealing its hypocrisies and tearing apart its comfortable optimism?

Or with Job, should I question the Universe, and puzzle my sad brains about Life—the meaning of Life on this apple-shaped Planet?

Or like Job, should I question the Universe and trouble my troubled mind about Life—the meaning of Life on this apple-shaped planet?










My Mission

But when in modern books, reviews, and thoughtful magazines I read about the Needs of the Age, its Complex Questions, its Dismays, Doubts, and Spiritual Agonies, I feel an impulse to go out and comfort it, to still its cries, and speak earnest words of Consolation to it.

But when I read in contemporary books, reviews, and thoughtful magazines about the needs of our time, its complex issues, its worries, doubts, and spiritual struggles, I feel an urge to go out and comfort it, to quiet its cries, and offer sincere words of consolation.










The Birds

But how can one toil at the great task with this hurry and tumult of birds just outside the open window? I hear the Thrush, and the Blackbird, that romantic liar; then the delicate cadence, the wiry descending scale of the Willow-wren, or the Blackcap's stave of mellow music. All these are familiar—but what is that unknown voice, that thrilling note? I hurry out; the voice flees and I follow; and when I return and sit down again to my task, the Yellowhammer trills his sleepy song in the noonday heat; the drone of the Greenfinch lulls me into dreamy meditations. Then suddenly from his tree-trunks and forest recesses comes the Green Woodpecker, and mocks at me an impudent voice full of liberty and laughter.

But how can you focus on this important task with all the hustle and bustle of birds right outside the open window? I hear the Thrush and the Blackbird, that romantic trickster; then the gentle melody, the quick falling notes of the Willow-wren, or the Blackcap's smooth tune. All these sounds are familiar—but what’s that unfamiliar voice, that exciting note? I rush outside; the voice disappears and I chase after it; and when I come back and sit down again to my work, the Yellowhammer sings his lazy song in the midday heat; the hum of the Greenfinch lulls me into daydreams. Then suddenly from his tree trunks and hidden spots in the forest comes the Green Woodpecker, teasing me with a cheeky voice full of freedom and laughter.

Why should all the birds of the air conspire against me? My concern is with the sad Human Species, with lapsed and erroneous Humanity, not with that inconsiderate, wandering, feather-headed race.

Why should all the birds in the sky team up against me? I'm focused on the unfortunate Human Species, on fallen and misguided Humanity, not on that careless, wandering, feather-brained group.










High Life

Although that immense Country House was empty and for sale, and I had got an order to view it, I needed all my courage to walk through the lordly gates, and up the avenue, and then to ring the door-bell. And when I was ushered in, and the shutters were removed to let the daylight into those vast apartments, I sneaked through them, cursing the dishonest curiosity which had brought me into a place where I had no business. But I was treated with such deference, and so plainly regarded as a possible purchaser, that I soon began to believe in the opulence imputed to me. From all the novels describing the mysterious and glittering life of the Great which I had read (and I had read many), there came to me the enchanting vision of my own existence in this Palace. I filled the vast spaces with the shine of jewels and stir of voices; I saw a vision of ladies sweeping in their tiaras down the splendid stairs.

Even though that huge country house was empty and up for sale, and I had an appointment to see it, I had to muster all my courage to walk through the grand gates, up the driveway, and then ring the doorbell. When I was let in and the shutters were opened to let in daylight, I snuck around those enormous rooms, cursing the sneaky curiosity that had brought me to a place I didn’t belong. But I was treated with such respect and clearly seen as a potential buyer that I quickly started to believe in the wealth people thought I had. From all the novels I had read about the mysterious and glamorous lives of the wealthy (and I had read quite a few), I got an enchanting vision of my own life in this palace. I filled the vast spaces with the sparkle of jewels and buzz of voices; I imagined ladies gliding down the grand staircase in their tiaras.

But my Soul, in her swell of pride, soon outgrew these paltry limits, O no! Never could I box up and house and localize under that lowly roof the Magnificence and Ostentation of which I was capable.

But my soul, in its burst of pride, quickly outgrew these small limits, oh no! I could never confine and settle down under that humble roof the greatness and extravagance I was capable of.

Then for one thing there was stabling for only forty horses; and of course, as I told them, this would never do.

Then, for one thing, there was space for only forty horses, and of course, as I told them, this would never work.










Empty Shells

They lie like empty seashells on the shores of Time, the old worlds which the spirit of man once built for his habitation, and then abandoned. Those little earth-centred, heaven-encrusted universes of the Greeks and Hebrews seem quaint enough to us, who have formed, thought by thought from within, the immense modern Cosmos in which we live—the great Creation of granite, planned in such immeasurable proportions, and moved by so pitiless a mechanism, that it sometimes appals even its own creators. The rush of the great rotating Sun daunts us; to think to the distance of the fixed stars cracks our brain.

They lie like empty seashells on the shores of Time, the old worlds that the spirit of man once built for living in, and then left behind. Those little earth-centered, heaven-adorned universes of the Greeks and Hebrews feel quaint to us, who have formed, thought by thought from within, the vast modern Cosmos we inhabit—the great Creation of granite, designed in such unimaginable proportions, and driven by such ruthless mechanisms, that it sometimes frightens even its own creators. The rush of the great rotating Sun overwhelms us; to think about the distance of the fixed stars strains our minds.

But if the ephemeral Being who has imagined these eternal spheres and spaces, must dwell almost as an alien in their icy vastness, yet what a splendour lights up for him and dazzles in those great halls! Anything less limitless would be now a prison; and he even dares to think beyond their boundaries, to surmise that he may one day outgrow this vast Mausoleum, and cast from him the material Creation as an integument too narrow for his insolent Mind.

But if this temporary Being who has envisioned these eternal realms and spaces must feel almost like a stranger in their cold expanse, what a brilliance shines for him and dazzles in those grand halls! Anything less boundless would feel like a prison now; and he even dares to imagine going beyond their limits, to speculate that one day he might outgrow this immense Mausoleum and shed material Creation like a shell that's too tight for his bold Mind.










Dissatisfaction

For one thing I hate Spiders—I dislike all kinds of Insects. Their cold intelligence, their empty, stereotyped, unremitted industry repel me. And I am not altogether happy about the future of the Human Race; when I think of the slow refrigeration of the Earth, the Sun's waning, and the ultimate, inevitable collapse of the Solar System, I have grave misgivings. And all the books I have read and forgotten-the thought that my mind is really nothing but a sieve—this, too, at times disheartens me.

For one thing, I really hate spiders—I can't stand any kind of insects. Their cold intelligence and relentless, mindless work just turn me off. And I'm not too optimistic about the future of humanity; when I consider the slow cooling of the Earth, the fading Sun, and the eventual, unavoidable breakdown of the Solar System, I feel pretty worried. Plus, all those books I've read and then forgotten—the realization that my mind is basically just a sieve—this also gets me down sometimes.










A Fancy

More than once, though, I have pleased myself with the notion that somewhere there is good Company which will like this little Book—these Thoughts (if I may call them so) dipped up from that phantasmagoria or phosphorescence which, by some unexplained process of combustion, flickers over the large lump of soft gray matter in the bowl of my skull.

More than once, I've found comfort in the idea that somewhere out there, there's a good audience that will appreciate this little book—these thoughts (if I can call them that) drawn from that vivid mix of imagination or glow that, through some mysterious process, flickers over the big chunk of soft gray matter in my brain.










They

Their taste is exquisite; They live in Georgian houses, in a world of ivory and precious china, of old brickwork and stone pilasters. In white drawing rooms I see Them, or on blue, bird-haunted lawns. They talk pleasantly of me, and their eyes watch me. From the diminished, ridiculous picture of myself which the glass of the world gives me, I turn for comfort, for happiness, to my image in the kindly mirror of those eyes.

Their taste is exquisite; they live in Georgian homes, surrounded by ivory and fine china, old brickwork, and stone columns. In white drawing rooms, I see them, or on blue lawns filled with birds. They speak kindly about me, and their eyes observe me. From the diminished, ridiculous reflection of myself that the world shows me, I turn for comfort and happiness to my image in the warm mirror of those eyes.

Who are They? Where, in what paradise or palace, shall I ever find Them? I may walk all the streets, ring all the door-bells of the World, but I shall never find them. Yet nothing has value for me save In the crown of Their approval; for Their coming—which will never be—I build and plant, and for Them alone I secretly write this little Book, which They will never read.

Who are they? Where, in what paradise or palace, will I ever find them? I could walk every street, ring every doorbell in the world, but I will never find them. Yet nothing matters to me except for the crown of their approval; for their arrival—which will never happen—I build and plant, and for them alone I quietly write this little book, which they will never read.










In the Pulpit

The Vicar had certain literary tastes; in his youth he had written an Ode to the Moon; and he would speak of the difficulty he found in composing his sermons, week after week.

The Vicar had specific literary preferences; in his younger days, he had written an Ode to the Moon; and he often mentioned how challenging it was for him to write his sermons every week.

Now I felt that if I composed and preached sermons, I should by no means confine myself to the Vicar's threadbare subjects—should preach the Wrath of God, and sound the Last Trump in the ears of my Hell-doomed congregation, cracking the heavens and dissolving the earth with the eclipses and thunders and earthquakes of the Day of Judgment. Then I might refresh them with high and incomprehensible Doctrines, beyond the reach of Reason—Predestination, Election, the Co-existences and Co-eternities of the incomprehensible Triad. And with what a holy vehemence would I exclaim and cry out against all forms of doctrinal Error—all the execrable hypotheses of the great Heresiarchs! Then there would be many ancient and learned and out-of-the-way Iniquities to denounce, and splendid, neglected Virtues to inculcate—Apostolic Poverty, and Virginity, that precious jewel, that fair garland, so prized in Heaven, but so rare on earth.

Now I felt that if I wrote and delivered sermons, I shouldn't limit myself to the Vicar's worn-out topics—I should preach about the Wrath of God and sound the Last Trump in the ears of my Hell-doomed congregation, tearing the heavens apart and shaking the earth with the eclipses, thunders, and earthquakes of the Day of Judgment. Then I could inspire them with lofty and incomprehensible Doctrines, beyond the grasp of Reason—Predestination, Election, the Co-existences and Co-eternities of the incomprehensible Triad. And with what holy fervor would I exclaim and denounce all forms of doctrinal Error—all the disgusting ideas of the great Heresiarchs! There would be so many ancient and learned and obscure Iniquities to criticize, and beautiful, overlooked Virtues to promote—Apostolic Poverty and Virginity, that precious jewel, that lovely garland, so valued in Heaven, but so rare on earth.

For in the range of creeds and morals it is the highest peaks that shine for me with a certain splendour: it is toward those radiant Alps that, if I were a Clergyman, I would lead my flock to pasture.

For me, the most impressive beliefs and values are like the highest peaks that shine with a unique brilliance: it is towards those glowing mountains that I would guide my community for nourishment, if I were a Pastor.










Human Ends

I really was impressed, as we paced up and down the avenue, by the Vicar's words and weighty, weighed advice. He spoke of the various professions; mentioned contemporaries of his own who had achieved success: how one had a Seat in Parliament, would be given a Seat in the Cabinet when his party next came in; another was a Bishop with a Seat in the House of Lords; a third was a Barrister who was soon, it was said, to be raised to the Bench.

I was really impressed, as we walked back and forth on the avenue, by the Vicar's words and thoughtful advice. He talked about different careers; mentioned his peers who had found success: one had a seat in Parliament and would get a spot in the Cabinet when his party came back to power; another was a Bishop with a seat in the House of Lords; a third was a lawyer who, it was said, would soon be promoted to the Bench.

But in spite of my good intentions, my real wish to find, before it is too late, some career or other for myself (and the question is getting serious), I am far too much at the mercy of ludicrous images. Front Seats, Episcopal, Judicial, Parliamentary Benches—were all the ends then, I asked my self, of serious, middle-aged ambition only things to sit on?

But despite my good intentions and genuine desire to find a career for myself before it’s too late (and time is running out), I find myself too easily distracted by ridiculous thoughts. Front row seats, church roles, judicial positions, parliamentary benches—are these really the ultimate goals of serious, middle-aged ambition, just furniture to sit on?










Lord Arden

"If I were Lord Arden," said the Vicar, "I should shut up that great House; it's too big—what can a young unmarried man...?"

"If I were Lord Arden," said the Vicar, "I would close up that big House; it's too large—what can a young unmarried man...?"

"If I were Lord Arden," said the Vicar's wife (and Mrs. La Mountain's tone showed how much she disapproved of that young Nobleman), "if I were Lord Arden, I should live there, and do my duty to my tenants and neighbours."

"If I were Lord Arden," said the Vicar's wife (and Mrs. La Mountain's tone clearly expressed her disapproval of that young nobleman), "if I were Lord Arden, I would live there and fulfill my responsibilities to my tenants and neighbors."

"If I were Lord Arden," I said; but then it flashed vividly into my mind, suppose I really were this opulent young Lord? I quite forgot to whom I was talking; my memory was occupied with the names of people who had been famous for their enormous pleasures; who had filled their Palaces with guilty revels, and built Pyramids, Obelisks, and half-acre Tombs, to soothe their Pride. My mind kindled at the thought of these Audacities. "If I were Lord Arden!" I cried....

"If I were Lord Arden," I said; but then it suddenly hit me, what if I really were this wealthy young lord? I completely lost track of who I was talking to; my mind was consumed with the names of people known for their extravagant pleasures; who had filled their palaces with wild parties, and built pyramids, obelisks, and massive tombs to satisfy their pride. My mind ignited at the thought of these bold actions. "If I were Lord Arden!" I exclaimed....










The Starry Heaven

"But what are they really? What do they say they are?" the small young lady asked me. We were looking up at the Stars, which were quivering that night in splendid hosts above the lawns and trees.

"But what are they really? What do they say they are?" the petite young lady asked me. We were gazing up at the stars, which were shimmering that night in glorious clusters above the lawns and trees.

So I tried to explain some of the views that have been held about them. How people first of all had thought them mere candles set in the sky, to guide their own footsteps when the Sun was gone; till wise men, sitting on the Chaldean plains, and watching them with aged eyes, became impressed with the solemn view that those still and shining lights were the executioners of God's decrees, and irresistible instruments of His Wrath; and that they moved fatally among their celestial Houses to ordain and set out the fortunes and misfortunes of each race of newborn mortals. And so it was believed that every man or woman had, from the cradle, fighting for or against him or her, some great Star, Formalhaut, perhaps, Aldebaran, Altaïr: while great Heroes and Princes were more splendidly attended, and marched out to their forgotten battles with troops and armies of heavenly Constellations.

So I tried to explain some of the views that have been held about them. People initially thought they were just candles in the sky to light the way when the Sun disappeared; until wise men, sitting on the Chaldean plains and observing them with aged eyes, became convinced that these still and shining lights were the enforcers of God's will and powerful instruments of His wrath; and that they moved inevitably among their celestial realms to determine the destinies and misfortunes of every newborn mortal. It was believed that every man or woman had, from birth, either a great Star like Formalhaut, Aldebaran, or Altaïr fighting for or against them; while great Heroes and Princes had even more splendid companions, marching into their forgotten battles with legions of heavenly Constellations.

But this noble old view was not believed in now; the Stars were no longer regarded as malignant or beneficent Powers; and I explained how most serious people thought that somewhere—though just where they did not know—above the vault of Sky, was to be found the final home of earnest men and women; where, as a reward for their right views and conduct, they were to rejoice forever, wearing those diamonds of the starry night arranged in glorious crowns. This notion, however, had been disputed by Poets and Lovers: it was Love, according to these young astronomers, that moved the Sun and other Stars; the Constellations being heavenly palaces, where people who had adored each other were to meet and live always together after Death.

But this noble old belief wasn't taken seriously anymore; the Stars were no longer seen as harmful or helpful forces. I explained how most serious people thought that somewhere—though they didn't quite know where—above the sky was the final home for earnest men and women; a place where, as a reward for their good values and actions, they would rejoice forever, adorned with the diamonds of the starry night arranged in beautiful crowns. This idea, however, had been challenged by Poets and Lovers: they believed it was Love, according to these young astronomers, that moved the Sun and other Stars; the Constellations being heavenly palaces where people who had loved each other would meet and live together forever after Death.

Then I spoke of the modern and real immensity of the unfathomed Skies. But suddenly the vast meaning of my words rushed into my mind; I felt myself dwindling, falling through the blue. And yet, in these silent seconds, there thrilled through me in the cool sweet air and night no chill of death or nothingness; but the taste and joy of this Earth, this orchard-plot of earth, floating unknown, far away in unfathomed space, with its Moon and meadows.

Then I talked about the immense and mysterious expanse of the endless skies. But suddenly, the vast meaning of my words hit me; I felt myself shrinking, falling through the blue. Yet, in those quiet moments, I felt no chill of death or emptiness in the cool, sweet air of the night; instead, I experienced the taste and joy of this Earth, this patch of land, floating unknown and distant in the depths of space, along with its Moon and meadows.










My Map

The "Known World" I called the map which I amused myself making for the children's schoolroom. It included France, England, Italy, Greece, and all the old shores of the Mediterranean; but the rest I marked "Unknown"; sketching into the East the doubtful realms of Ninus and Semiramis; changing back Germany into the Hyrcanian Forest; and drawing pictures of the supposed inhabitants of these unexplored regions, Dog-Apes, Satyrs, Cannibals, and Misanthropes, Cimmerians involved in darkness, Amazons, and Headless Men. And all around the Map I coiled the coils, and curled the curling waves of the great Sea Oceanum, with the bursting cheeks of the four Winds, blowing from the four imagined hinges of the Universe.

The "Known World" is what I called the map I enjoyed making for the kids' classroom. It included France, England, Italy, Greece, and all the ancient shores of the Mediterranean; but the rest I labeled "Unknown," sketching out the uncertain territories of Ninus and Semiramis to the East; turning Germany back into the Hyrcanian Forest; and drawing illustrations of the supposed inhabitants of these uncharted areas, like Dog-Apes, Satyrs, Cannibals, and Misanthropes, Cimmerians lost in darkness, Amazons, and Headless Men. And all around the map, I coiled the waves and curled the swells of the great Sea Oceanum, with the puffed cheeks of the four Winds, blowing from the four imagined corners of the Universe.










The Snob

As I paced in fine company on that Terrace, I felt chosen, exempt, and curiously happy. There was a glamour in the air, a something in the special flavour of that moment that was like the consciousness of Salvation, or the smell of ripe peaches on a sunny wall.

As I walked with great company on that terrace, I felt special, unique, and oddly happy. There was a magic in the air, a certain quality to that moment that reminded me of the feeling of salvation, or the scent of ripe peaches on a warm wall.

I know what you're going to call me, Reader. But I am not to be bullied and abashed by words. And after all, why not let oneself be dazzled and enchanted? Are not Illusions pleasant, and is this a world in which Romance hangs on every tree?

I know what you're going to call me, Reader. But I'm not going to let words intimidate or embarrass me. And really, why not allow ourselves to be amazed and captivated? Aren't illusions enjoyable, and isn’t this a world where romance is everywhere?

And how about your own life? Is that, then, so full of golden visions?

And what about your own life? Is it really that full of bright dreams?










Companions

Dearest, prettiest, and sweetest of my retinue, who gather with delicate industry bits of silk and down from the bleak world to make the soft nest of my fatuous repose; who ever whisper honied words in my ear, or trip before me holding up deceiving mirrors—is it Hope, or is it not rather Vanity, that I love the best?

Dearest, most beautiful, and sweetest of my companions, who come together with careful effort to collect bits of silk and fluff from the harsh world to create the cozy nest of my foolish comfort; who always whisper sweet words in my ear, or dance before me holding up flattering mirrors—is it Hope, or is it actually Vanity, that I love the most?










Edification

"I must really improve my Mind," I tell myself, and once more begin to patch and repair that crazy structure. So I toil and toil on at the vain task of edification, though the wind tears off the tiles, the floors give way, the ceilings fall, strange birds build untidy nests in the rafters, and owls hoot and laugh in the tumbling chimneys.

"I really need to work on my mind," I tell myself, and once again start trying to fix that chaotic structure. So I keep working tirelessly at the pointless task of self-improvement, even though the wind blows off the roof tiles, the floors collapse, the ceilings come down, strange birds make messy nests in the rafters, and owls hoot and mock me in the crumbling chimneys.










The Rose

The old lady had always been proud of the great rose-tree in her garden, and was fond of telling how it had grown from a cutting she had brought years before from Italy, when she was first married. She and her husband had been travelling back in their carriage from Rome (it was before the time of railways), and on a bad piece of road south of Siena they had broken down, and had been forced to pass the night in a little house by the roadside. The accommodation was wretched of course; she had spent a sleepless night, and rising early had stood, wrapped up, at her window, with the cool air blowing on her face, to watch the dawn. She could still, after all these years, remember the blue mountains with the bright moon above them, and how a far-off town on one of the peaks had gradually grown whiter and whiter, till the moon faded, the mountains were touched with the pink of the rising sun, and suddenly the town was lit as by an illumination, one window after another catching and reflecting the sun's beams, till at last the whole little city twinkled and sparkled up in the sky like a nest of stars.

The old lady had always been proud of the beautiful rose tree in her garden and loved to tell how it grew from a cutting she had brought years ago from Italy when she first got married. She and her husband had been traveling back in their carriage from Rome (this was before trains existed), and while on a rough stretch of road south of Siena, they broke down and had to spend the night in a small house by the roadside. The place was obviously terrible; she had a sleepless night and woke up early, bundled up at her window, feeling the cool air on her face as she watched the dawn. Even after all these years, she could still remember the blue mountains with the bright moon above them and how a distant town on one of the peaks gradually grew whiter and whiter until the moon disappeared, the mountains were touched with the pink of the rising sun, and suddenly the town was lit up like it was having a celebration, with one window after another catching and reflecting the sun's rays, until the whole little city sparkled in the sky like a nest of stars.

That morning, finding they would have to wait while their carriage was being repaired, they had driven in a local conveyance up to the city on the mountain, where they had been told they would find better quarters; and there they had stayed two or three days. It was one of the miniature Italian cities with a high church, a pretentious piazza, a few narrow streets and little palaces, perched all compact and complete, on the top of a mountain, within an enclosure of walls hardly larger than an English kitchen garden. But it was full of life and noise, echoing all day and all night with the sounds of feet and voices.

That morning, since they had to wait for their carriage to be repaired, they took a local ride up to the city on the mountain, where they were told they would find better accommodations; and they ended up staying there for two or three days. It was one of those small Italian cities with a tall church, an impressive piazza, a few narrow streets, and small palaces, all neatly arranged on top of a mountain, surrounded by walls that were hardly bigger than an English kitchen garden. But it was lively and noisy, echoing all day and all night with the sounds of footsteps and voices.

The Café of the simple inn where they stayed was the meeting-place of the notabilities of the little city; the Sindaco, the avvocato, the doctor, and a few others; and among them they noticed a beautiful, slim, talkative old man, with bright black eyes and snow-white hair—tail and straight and still with the figure of a youth, although the waiter told them with pride that the Conte was molto vecchio—would in fact be eighty in the following year. He was the last of his family, the waiter added—they had once been great and rich people—but he had no descendants; in fact the waiter mentioned with complacency, as if it were a story on which the locality prided itself, that the Conte had been unfortunate in love, and had never married.

The café of the simple inn where they stayed was the gathering spot for the local notables; the mayor, the lawyer, the doctor, and a few others. Among them was a charming, slender, and talkative old man with bright black eyes and snow-white hair—still long and straight, maintaining the figure of a young man, even though the waiter proudly told them that the count was quite old—would actually turn eighty the following year. He was the last of his family, the waiter added—they had once been prominent and wealthy—but he had no heirs. In fact, the waiter mentioned with satisfaction, as if it were a point of local pride, that the count had been unlucky in love and had never married.

The old gentleman, however, seemed cheerful enough; and it was plain that he took an interest in the strangers, and wished to make their acquaintance. This was soon effected by the friendly waiter; and after a little talk the old man invited them to visit his villa and garden which were just outside the walls of the town. So the next afternoon, when the sun began to descend, and they saw in glimpses through doorways and windows blue shadows beginning to spread over the brown mountains, they went to pay their visit. It was not much of a place, a small, modernized stucco villa, with a hot pebbly garden, and in it a stone basin with torpid gold fish, and a statue of Diana and her hounds against the wall. But what gave a glory to it was a gigantic rose-tree which clambered over the house, almost smothering the windows, and filling the air with the perfume of its sweetness. Yes, it was a fine rose, the Conte said proudly when they praised it, and he would tell the Signora about it. And as they sat there, drinking the wine he offered them, he alluded with the cheerful indifference of old age to his love-affair, as though he took for granted that they had heard of it already.

The old gentleman, however, seemed pretty cheerful; and it was clear that he was interested in the newcomers and wanted to get to know them. This happened quickly thanks to the friendly waiter, and after some chatting, the old man invited them to visit his villa and garden, which were just outside the town walls. So, the next afternoon, when the sun began to set and they caught glimpses through doors and windows of blue shadows spreading across the brown mountains, they decided to pay their visit. It wasn't much of a place, a small, modern stucco villa, with a hot, rocky garden, featuring a stone basin with lazy goldfish and a statue of Diana with her hounds against the wall. But what really made it special was a gigantic rose bush that climbed over the house, nearly blocking the windows, and filling the air with its sweet fragrance. Yes, it was a beautiful rose, the Count said proudly when they complimented it, and he would tell the Signora about it. While they sat there, enjoying the wine he offered them, he casually mentioned his love affair with the cheerful indifference that comes with old age, as if he assumed they had already heard about it.

"The lady lived across the valley there beyond that hill. I was a young man then, for it was many years ago. I used to ride over to see her; it was a long way, but I rode fast, for young men, as no doubt the Signora knows, are impatient. But the lady was not kind, she would keep me waiting, oh, for hours; and one day when I had waited very long I grew very angry, and as I walked up and down in the garden where she had told me she would see me, I broke one of her roses, broke a branch from it; and when I saw what I had done, I hid it inside my coat—so—and when I came home I planted it, and the Signora sees how it has grown. If the Signora admires it, I must give her a cutting to plant also in her garden; I am told the English have beautiful gardens that are green, and not burnt with the sun like ours."

"The woman lived across the valley, beyond that hill. I was a young man back then, many years ago. I used to ride over to see her; it was a long distance, but I rode fast because young men, as I'm sure you know, are impatient. But the woman wasn't kind; she would keep me waiting for hours. One day, after waiting way too long, I got really angry, and while pacing in the garden where she told me she’d meet me, I broke one of her roses—tore off a branch. When I realized what I had done, I hid it inside my coat like this, and when I got home, I planted it. You can see how it has grown. If you like it, I should give you a cutting to plant in your garden too; I’ve heard that the English have beautiful gardens that are lush and not scorched by the sun like ours."

The next day, when their mended carriage had come up to fetch them, and they were just starting to drive away from the inn, the Conte's old servant appeared with the rose-cutting neatly wrapped up, and the compliments and wishes for a buon viaggio from her master. The town collected to see them depart, and the children ran after their carriage through the gate of the little city. They heard a rush of feet behind them for a few moments, but soon they were far down toward the valley; the little town with all its noise and life was high above them on its mountain peak.

The next day, when their repaired carriage arrived to pick them up and they were just about to leave the inn, the count's old servant showed up with the rose cutting nicely wrapped, along with compliments and well wishes for a good trip from her master. The townspeople gathered to see them off, and the children ran after their carriage through the city gate. They could hear the sound of footsteps behind them for a little while, but soon they were far down toward the valley; the lively little town was left high above them on its mountain peak.

She had planted the rose at home, where it had grown and flourished in a wonderful manner, and every June the great mass of leaves and shoots still broke out into a passionate splendour of scent and scarlet colour, as if in its root and fibres there still burnt the anger and thwarted desire of that Italian lover. Of course the old Conte must have died many years ago; she had forgotten his name, and had even forgotten the name of the mountain city that she had stayed in, after first seeing it twinkling at dawn in the sky, like a nest of stars.

She had planted the rose at home, where it had grown and thrived beautifully, and every June the big mass of leaves and shoots erupted into a vibrant display of scent and bright red color, as if the anger and unfulfilled longing of that Italian lover still burned in its roots and fibers. Of course, the old Conte must have passed away many years ago; she had forgotten his name and had even forgotten the name of the mountain city she had visited, after first seeing it sparkling at dawn in the sky, like a nest of stars.










The Vicar of Lynch

When I heard through country gossip of the strange happening at Lynch which had caused so great a scandal, and led to the disappearance of the deaf old Vicar of that remote village, I collected all the reports I could about it, for I felt that at the centre of this uncomprehending talk and wild anecdote there was something with more meaning than a mere sudden outbreak of blasphemy and madness.

When I heard through local gossip about the strange event at Lynch that stirred up so much scandal and resulted in the disappearance of the deaf old Vicar from that remote village, I gathered all the reports I could find about it. I sensed that at the heart of this confusing talk and wild stories, there was something more significant than just a sudden display of blasphemy and madness.

It appeared that the old Vicar, after some years spent in the quiet discharge of his parochial duties, had been noticed to become more and more odd in his appearance and behaviour; and it was also said that he had gradually introduced certain alterations into the Church services. These had been vaguely supposed at the time to be of a High Church character, but afterwards they were put down to a growing mental derangement, which had finally culminated at that notorious Harvest Festival, when his career as a clergyman of the Church of England had ended. On this painful occasion the old man had come into church outlandishly dressed, and had gone through a service with chanted gibberish and unaccustomed gestures, and prayers which were unfamiliar to his congregation. There was also talk of a woman's figure on the altar, which the Vicar had unveiled at a solemn moment in this performance; and I also heard echo of other gossip—gossip that was, however, authoritatively contradicted and suppressed as much as possible—about the use of certain other symbols of a most unsuitable kind. Then a few days after the old man had disappeared—some of the neighbours believed that he was dead; some, that he was now shut up in an asylum for the insane.

It seemed that the old Vicar, after spending several years quietly handling his parish duties, had started to become increasingly peculiar in both his appearance and behavior. It was also said that he had gradually made some changes to the Church services. At the time, these changes were vaguely thought to suggest a High Church inclination, but later they were attributed to a developing mental disorder, which reached a peak at that infamous Harvest Festival, marking the end of his career as a clergyman in the Church of England. During this distressing event, the old man entered the church dressed ridiculously and conducted a service filled with chanted nonsense and unusual gestures, along with prayers that were unfamiliar to his congregation. There was also talk of a woman's figure on the altar, which the Vicar had revealed during a solemn moment of this performance; and I heard whispers of other rumors—rumors that were, however, officially denied and suppressed as much as possible—regarding the use of other highly inappropriate symbols. Then, just a few days later, the old man vanished—some of the neighbors thought he was dead; others believed he was now confined in a mental institution.

Such was the fantastic and almost incredible talk I listened to, but in which, as I say, I found much more meaning than my neighbours. For one thing, although they knew that the Vicar had come from Oxford to this remote College living, they knew nothing of his work and scholarly reputation in that University, and none of them had probably ever heard of—much less read—an important book which he had written, and which was the standard work on his special subject. To them he was simply a deaf, eccentric, and solitary clergyman; and I think I was the only person in the neighbourhood who had conversed with him on the subject concerning which he was the greatest living authority in England.

I listened to such an amazing and almost unbelievable conversation, but as I mentioned, I found a lot more meaning in it than my neighbors did. For one thing, even though they knew the Vicar had come from Oxford to this remote college, they didn't know anything about his work and academic reputation at the university. None of them had probably even heard of—let alone read—a significant book he had written, which is the standard reference for his specialized field. To them, he was just a deaf, quirky, and reclusive clergyman; I think I was the only person in the area who had talked to him about the subject in which he was the foremost authority in England.

For I had seen the old man once—curiously enough at the time of a Harvest Festival, though it was some years before the one which had led to his disappearance. Bicycling one day over the hills, I had ridden down into a valley of cornfields, and then, passing along an unfenced road that ran across a wide expanse of stubble, I came, after getting off to open three or four gates, upon a group of thatched cottages, with a little, unrestored Norman church standing among great elms, I left my bicycle and walked through the churchyard, and as I went into the church, through its deeply-recessed Norman doorway, a surprisingly pretty sight met my eyes. The dim, cool, little interior was set out and richly adorned with an abundance of fruit and vegetables, yellow gourds, apples and plums and golden wheat sheaves, great loaves of bread, and garlands of September flowers. A shabby-looking old clergyman was standing on the top of a step-ladder, finishing the decorations, when I entered. As soon as he saw me he came down, and I spoke to him, praising the decorations, and raising my voice a little, for I noticed that he was somewhat deaf. We talked of the Harvest Festival, and as I soon perceived that I was talking with a man of books and University education, I ventured to hint at what had vividly impressed me in that old, gaudily-decorated church—its pagan character, as if it were a rude archaic temple in some corner of the antique world, which had been adorned, two thousand years ago, by pious country folk for some local festival. The old clergyman was not in the least shocked by my remark; it seemed indeed rather to please him; there was, he agreed, something of a pagan character in the modern Harvest Festival—it was no doubt a bit of the old primitive Vegetation Ritual, the old Religion of the soil; a Festival, which, like so many others, had not been destroyed by Christianity, but absorbed into it, and given a new meaning. "Indeed," he added, talking on as if the subject interested him, and expressing himself with a certain donnish carefulness of speech that I found pleasant to listen to, "the Harvest Festival is undoubtedly a survival of the prehistoric worship of that Corn Goddess who, in classical times, was called Demeter and Ioulo and Ceres, but whose cult as an Earth-Mother and Corn-Spirit is of much greater antiquity. For there is no doubt that this Vegetation Spirit has been worshipped from the earliest times by agricultural peoples; the wheat fields and ripe harvests being naturally suggestive of the presence amid the corn of a kindly Being, who, in return for due rites and offerings, will vouchsafe nourishing rains and golden harvests." He mentioned the references in Virgil, and the description in Theocritus of a Sicilian Harvest Festival—these were no doubt familiar to me; but if I was interested in the subject, I should find, he said, much more information collected in a book which he had written, but of which I had probably never heard, about the Vegetation Deities in Greek Religion. As it happened I knew the book, and felt now much interested in my chance meeting with the distinguished author; and after expressing this as best I could, I rode off, promising to visit him again. This promise I was never able to fulfil; but when afterwards, on my return to the neighbourhood, I heard of that unhappy scandal, my memory of this meeting and our talk enabled me to form a theory as to what had really happened.

For I had seen the old man once—interestingly enough at the time of a Harvest Festival, though it was years before the one that led to his disappearance. One day, while biking over the hills, I rode down into a valley of cornfields. Then, after passing along an unfenced road across a wide stretch of stubble and getting off to open three or four gates, I came upon a group of thatched cottages, with a little, unrenovated Norman church nestled among big elms. I left my bicycle and walked through the churchyard, and as I entered the church through its deep-set Norman doorway, a surprisingly lovely sight greeted me. The dim, cool interior was decorated with plenty of fruit and vegetables—yellow gourds, apples, plums, golden wheat sheaves, big loaves of bread, and garlands of September flowers. A shabby-looking old clergyman was standing on the top of a step-ladder, finishing the decorations when I entered. As soon as he saw me, he came down, and I spoke to him, complimenting the decorations and raising my voice a bit, as I noticed he was somewhat hard of hearing. We talked about the Harvest Festival, and seeing that I was conversing with a well-read man with a University background, I brought up what had strongly struck me about that old, brightly-decorated church—its pagan vibe, as if it were a crude ancient temple in some corner of the antique world, adorned two thousand years ago by devout locals for a local festival. The old clergyman wasn’t the least bit shocked by my comment; in fact, it seemed to please him. He agreed that there was indeed a pagan aspect to the modern Harvest Festival—it was undoubtedly a remnant of the old primitive Vegetation Ritual, the ancient Religion of the land; a Festival that, like many others, hadn't been wiped out by Christianity but rather absorbed into it and given a new significance. "Indeed," he added, continuing as if the topic intrigued him, and expressing himself with a certain scholarly precision that I found enjoyable to listen to, "the Harvest Festival is definitely a survival of the prehistoric worship of that Corn Goddess who, in classical times, was known as Demeter and Ioulo and Ceres, but whose worship as an Earth-Mother and Corn-Spirit is far older. There’s no doubt that this Vegetation Spirit has been honored since ancient times by farming communities; the wheat fields and ripe harvests naturally suggest the presence of a benevolent Being who, in exchange for proper rites and offerings, will provide nourishing rains and fruitful harvests." He mentioned references in Virgil and the description in Theocritus of a Sicilian Harvest Festival—these were likely familiar to me; but if I was interested in the topic, he said I would find much more information in a book he had written, which I probably hadn’t heard of, about the Vegetation Deities in Greek Religion. As it happened, I knew the book, and I became quite interested in my chance encounter with the esteemed author; and after expressing this as best I could, I rode off, promising to visit him again. I was never able to keep that promise; but later, upon returning to the area and hearing about that unfortunate scandal, my memory of this meeting and our conversation allowed me to form a theory about what had really happened.

It seemed plain to me that the change had been too violent for this elderly scholar, taken from his books and college rooms and set down in the solitude of this remote valley, amid the richness and living sap of Nature. The gay spectacle, right under his old eyes, of growing shoots and budding foliage, of blossoming and flowering, and the ripening of fruits and crops, had little by little (such was my theory) unhinged his brains. More and more his thoughts had come to dwell, not on the doctrines of the Church in which he had long ago taken orders, but on the pagan rites which had formed his life-long study, and which had been the expression of a life not unlike the agricultural life amid which he now found himself living. So as his derangement grew upon him in his solitude, he had gradually transformed, with a maniac's cunning, the Christian services, and led his little congregation, all unknown to themselves, back toward their ancestral worship of the Corn-Goddess. At last he had thrown away all disguise, and had appeared as a hierophant of Demeter, dressed in a fawn skin, with a crown of poplar leaves, and pedantically carrying the mystic basket and the winnowing fan appropriate to these mysteries. The wheaten posset he offered the shocked communicants belonged to these also, and the figure of a woman on the altar was of course the holy Wheatsheaf, whose unveiling was the culminating point in that famous ritual.

It was clear to me that the change had been too jarring for this elderly scholar, who had been pulled from his books and university setting and placed in the isolation of this remote valley, surrounded by the vibrancy and life of Nature. The lively scene right before his old eyes—new shoots, budding leaves, blooming flowers, and ripening fruits—had gradually, as I theorized, unsettled his mind. Increasingly, his thoughts shifted away from the teachings of the Church where he had taken orders long ago, and instead focused on the pagan rituals that had been his lifelong study, reflecting a lifestyle not unlike the agricultural life he now found himself in. As his madness intensified in his solitude, he cleverly twisted Christian services and led his small congregation, unaware, back to their ancestral worship of the Corn-Goddess. Eventually, he discarded all pretense and appeared as a priest of Demeter, wearing a fawn skin and a crown of poplar leaves, pedantically carrying the mystical basket and the winnowing fan suited for these mysteries. The wheat-based drink he offered the shocked congregation was part of this as well, and the figure of a woman on the altar was, of course, the holy Wheatsheaf, whose unveiling marked the climax of that famous ritual.

It is much to be regretted that I could not recover full and more exact details of that celebration in which this great scholar had probably embodied his mature knowledge concerning a subject which has puzzled generations of students. But what powers of careful observation could one expect from a group of labourers and small farmers? Some of the things that reached my ears I refused to believe—the mention of pig's blood for instance, and especially the talk of certain grosser symbols, which the choir boys, it was whispered, had carried about the church in ceremonious procession. Village people have strange imaginations; and to this event, growing more and more monstrous as they talked it over, they must themselves have added this grotesque detail. However, I have written to consult an Oxford authority on this interesting point, and he has been kind enough to explain at length that although at the Haloa, or winter festival of the Corn-Goddess, and also at the Chloeia, or festival in early spring, some symbolization of the reproductive powers of Nature would be proper and appropriate, it would have been quite out of place at the Thalysia, or autumn festival of thanksgiving. I feel certain that a solecism of this nature—the introduction into a particular rite of features not sanctioned by the texts—would have seemed a shocking thing, even to the unhinged mind of one who had always been so careful a scholar.

I really regret that I couldn't get more complete and accurate details about that celebration where this great scholar likely showcased his extensive knowledge on a topic that has confused generations of students. But what kind of careful observation could you expect from a bunch of laborers and small farmers? Some of the things I heard were hard to believe—like the mention of pig's blood, and especially the rumors about certain cruder symbols that the choir boys supposedly paraded around the church in a ceremonial procession. Village folks have wild imaginations; they must have added those bizarre details as they talked it over. However, I've reached out to an expert at Oxford about this interesting point, and he was kind enough to explain in detail that while some representation of Nature's reproductive powers would be fitting at the Haloa or winter festival of the Corn-Goddess, and at the Chloeia or spring festival, it would have been completely inappropriate for the Thalysia, the autumn festival of thanksgiving. I'm confident that a mistake like this—adding elements not supported by the texts into a specific rite—would have seemed shocking even to someone as meticulous as this scholar.










Tu Quoque Fontium

Just to sit in the Sun, to bask like an animal in its heat—this is one of my country recreations. And often I reflect what a thing after all it is still to be alive and sitting here, above all the buried people of the world, in the kind and famous Sunshine.

Just sitting in the sun, soaking up its warmth like an animal—this is one of my favorite pastimes. And I often think about what a privilege it is to be alive and sitting here, above all the people who have come before me, enjoying the beautiful and well-known sunshine.

Beyond the orchard there is a place where the stream, hurrying out from under a bridge, makes for itself a quiet pool. A beech-tree upholds its green light over the blue water; and there, when I have grown weary of the sun, the great glaring indiscriminating Sun, I can shade myself and read my book. And listening to this water's pretty voices I invent for it exquisite epithets, calling it silver-clean or moss-margined or nymph-frequented, and idly promise to place it among the learned fountains and pools of the world, making of it a cool green thought for English exiles in the dust and glare of Eastern deserts.

Beyond the orchard, there’s a spot where the stream rushes out from under a bridge and forms a calm pool. A beech tree casts its green light over the blue water, and when I get tired of the bright, relentless sun, I can find shade there and read my book. As I listen to the gentle sounds of the water, I come up with beautiful names for it, calling it silver-clean or moss-margined or nymph-frequented, and I idly promise to include it among the famous springs and pools of the world, turning it into a refreshing green thought for English exiles in the dust and brightness of Eastern deserts.










The Spider

What shall I compare it to, this fantastic thing I call my Mind? To a waste-paper basket, to a sieve choked with sediment, or to a barrel full of floating froth and refuse?

What should I compare this amazing thing I call my Mind to? A trash can, a sieve clogged with debris, or a barrel overflowing with foam and waste?

No, what it is really most like is a spider's web, insecurely hung on leaves and twigs, quivering in every wind, and sprinkled with dewdrops and dead flies. And at its centre, pondering forever the Problem of Existence, sits motionless the spider-like and uncanny Soul.

No, what it really resembles most is a spider's web, loosely attached to leaves and twigs, trembling in every breeze, and dotted with dewdrops and dead flies. And at its center, endlessly contemplating the Problem of Existence, sits the eerie and motionless soul, like a spider.










BOOK II

"Thou, Trivia, goddess, aid my song: Through spacious streets conduct thy bard along."

"You, Trivia, goddess, help my song: Lead your bard through the wide streets."

Gay's Trivia, or New Art of Walking Streets of London.

Gay's Trivia, or New Art of Walking the Streets of London.










L'oiseau Bleu

What is it, I have more than once asked myself, what is it that I am looking for in my walks about London? Sometimes it seems to me as if I were following a Bird, a bright Bird that sings sweetly as it floats about from one place to another.

What is it, I have asked myself more than once, what am I looking for during my walks around London? Sometimes it feels like I’m chasing a Bird, a vibrant Bird that sings beautifully as it flits from one spot to another.

When I find myself however among persons of middle age and settled principles, see them moving regularly to their offices—what keeps them going? I ask myself. And I feel ashamed of myself and my Bird.

When I find myself among middle-aged people with stable beliefs, watching them head off to their jobs every day—I can’t help but wonder, what motivates them? I ask myself. And I feel embarrassed for myself and my Bird.

There is though a Philosophic Doctrine—I studied it at College, and I know that many serious people believe it—which maintains that all men, in spite of appearances and pretensions, all live alike for Pleasure. This theory certainly brings portly, respected persons very near to me. Indeed with a sense of low complicity I have sometimes followed and watched a Bishop. Was he too on the hunt for Pleasure, solemnly pursuing his Bird?

There is, however, a philosophical idea—I studied it in college, and I know many thoughtful people believe it—that suggests all men, despite how they seem or act, ultimately live for pleasure. This theory certainly brings hefty, respected individuals closer to my perspective. In fact, with a sense of secret connection, I have at times followed and observed a bishop. Was he also on a quest for pleasure, solemnly chasing after his own joy?










At The Bank

Entering the Bank in a composed manner, I drew a cheque and handed it to the cashier through the grating. Then I eyed him narrowly. Would not that astute official see that I was only posing as a Real Person? No; he calmly opened a little drawer, took out some real sovereigns, counted them carefully, and handed them to me in a brass-tipped shovel. I went away feeling I had perpetrated a delightful fraud. I had got some of the gold of the actual world!

Entering the bank calmly, I wrote a check and handed it to the cashier through the window. Then I watched him closely. Wouldn’t that sharp official realize I was just pretending to be a real person? No; he calmly opened a small drawer, took out some actual coins, counted them carefully, and handed them to me in a brass-tipped scoop. I left feeling like I had pulled off a clever trick. I had gotten some real gold from the actual world!

Yet now and then, at the sight of my name on a visiting card, or of my face photographed in a group among other faces, or when I see a letter addressed in my hand, or catch the sound of my own voice, I grow shy in the presence of a mysterious Person who is myself, is known by my name, and who apparently does exist. Can it be possible that I am as real as any one else, and that all of us—the cashier and banker at the Bank, the King on his throne—all feel ourselves like ghosts and goblins in this authentic world?

Yet every now and then, when I see my name on a business card, or my face in a group photo, or when I read a letter I've written, or hear my own voice, I feel shy around this mysterious Person who is me, who goes by my name, and who clearly does exist. Is it really possible that I am as real as anyone else, and that all of us—the cashier and banker at the bank, the King on his throne—feel like ghosts and goblins in this real world?










Mammon

Moralists and Church Fathers have named it the root of all Evil, the begetter of hate and bloodshed, the sure cause of the soul's damnation. It has been called "trash," "muck," "dunghill excrement," by grave authors. The love of it is denounced in all Sacred Writings; we find it reprehended on Chaldean bricks, and in the earliest papyri. Buddha, Confucius, Christ, set their faces against it; and they have been followed in more modern times by beneficed Clergymen, Sunday School Teachers, and the leaders of the Higher Thought. But have the condemnations of all the ages done anything to tarnish that bright lustre? Men dig for it ever deeper into the earth's intestines, travel in search of it farther and farther to arctic and unpleasant regions.

Moralists and Church Fathers have labeled it the root of all evil, the source of hate and violence, the guaranteed cause of the soul's damnation. Serious authors have referred to it as "trash," "muck," and "dunghill excrement." The love for it is condemned in all Sacred Writings; we find it criticized on Chaldean bricks and in the earliest papyri. Buddha, Confucius, and Christ all opposed it, and in more modern times, they've been joined by well-paid clergymen, Sunday School teachers, and leaders of the Higher Thought movement. But have centuries of condemnation done anything to diminish that dazzling allure? People dig ever deeper into the earth to find it, traveling farther and farther to icy and unpleasant places in search of it.

In spite of all my moral reading, I must confess that I like to have some of this gaudy substance in my pocket. Its presence cheers and comforts me, diffuses a genial warmth through my body. My eyes rejoice in the shine of it; its clinquant sound is music in my ears. Since I then am in his paid service, and reject none of the doles of his bounty, I too dwell in the House of Mammon. I bow before the Idol, and taste the unhallowed ecstasy.

Despite all my moral reading, I have to admit that I enjoy having some of this flashy stuff in my pocket. Its presence lifts my spirits and comforts me, spreading a warm feeling throughout my body. My eyes delight in its shine; its metallic clinking is music to my ears. Since I am in his service and don't turn down any of his gifts, I also reside in the House of Mammon. I bow before the Idol and indulge in the forbidden thrill.

How many Altars have been overthrown, and how many Theologies and heavenly Dreams have had their bottoms knocked out of them, while He has sat there, a great God, golden and adorned, and secure on His unmoved throne?

How many altars have been destroyed, and how many beliefs and heavenly dreams have been shattered, while He has sat there, a great God, golden and adorned, and secure on His unshakeable throne?










I See the World

"But you go nowhere, see nothing of the world," my cousins said. Now though I do go sometimes to the parties to which I am now and then invited, I find, as a matter of fact, that I get really much more pleasure by looking in at windows, and have a way of my own of seeing the World. And of summer evenings, when motors hurry through the late twilight, and the great houses take on airs of inscrutable expectation, I go owling out through the dusk; and wandering toward the West, lose my way in unknown streets—an unknown City of revels. And when a door opens and a bediamonded Lady moves to her motor over carpets unrolled by powdered footmen, I can easily think her some great Courtezan, or some half-believed Duchess, hurrying to card-tables and lit candles and strange scenes of joy. I like to see that there are still splendid people on this flat earth; and at dances, standing in the street with the crowd, and stirred by the music, the lights, the rushing sound of voices, I think the Ladies as beautiful as Stars who move up those lanes of light past our rows of vagabond faces; the young men look like Lords in novels; and if (it has once or twice happened) people I know go by me, they strike me as changed and rapt beyond my sphere. And when on hot nights windows are left open, and I can look in at Dinner Parties, as I peer through lace curtains and window-flowers at the silver, the women's shoulders, the shimmer of their jewels, and the divine attitudes of their heads as they lean and listen, I imagine extraordinary intrigues and unheard of wines and passions.

"But you don't go anywhere, you don't see anything of the world," my cousins said. Now, although I do attend some parties I'm occasionally invited to, I actually find that I get much more enjoyment by peeking into windows, and I have my own way of experiencing the world. On summer evenings, when cars rush through the twilight, and the big houses seem to be filled with mysterious anticipation, I go out wandering through the dusk; drifting toward the West, I lose myself in unfamiliar streets—an unknown city of revels. When a door opens and a diamond-studded lady walks to her car over carpets rolled out by powdered footmen, I can easily imagine her as some great courtesan or a somewhat mythical duchess, hurrying off to card tables, lit candles, and bizarre scenes of joy. I like seeing that there are still remarkable people on this flat earth; and at dances, standing in the street with the crowd, stirred by the music, the lights, and the rushing sounds of voices, I think the ladies are as beautiful as stars moving up those lanes of light past our rows of wandering faces; the young men look like lords from novels; and if (it’s happened once or twice) people I know walk by, they seem different and elevated, far beyond my reach. On hot nights when windows are left open, I can peek into dinner parties, as I look through lace curtains and window flowers at the silverware, the women’s shoulders, the sparkle of their jewels, and the elegant positions of their heads as they lean in and listen; I let my imagination run wild, thinking of extraordinary intrigues, unheard-of wines, and deep passions.










Social Success

The servant gave me my coat and hat, and in a glow of self-satisfaction I walked out into the night. "A delightful evening," I reflected, "the nicest kind of people. What I said about finance and French philosophy impressed them; and how they laughed when I imitated a pig squealing."

The servant handed me my coat and hat, and feeling really pleased with myself, I stepped out into the night. "It was a lovely evening," I thought, "with the nicest people. They were impressed by what I said about finance and French philosophy; and they laughed so much when I pretended to be a pig squealing."

But soon after, "God, it's awful," I muttered, "I wish I were dead."

But soon after, "God, this is terrible," I muttered, "I wish I were dead."










Apotheosis

But Oh, those heavenly moments when I feel this trivial universe too small to contain my Attributes; when a sense of the divine Ipseity invades me; when I know that my voice is the voice of Truth, and my umbrella God's umbrella!

But oh, those incredible moments when I feel this small universe just can't contain who I am; when a sense of the divine self floods me; when I know my voice is the voice of Truth, and my umbrella is God's umbrella!










The Spring in London

London seemed last winter like an underground city; as if its low sky were the roof of a cave, and its murky day a light such as one reads of in countries beneath the earth.

London felt last winter like an underground city; as if its low sky were the roof of a cave, and its gloomy days a light like what you read about in places below the earth.

And yet the natural sunlight sometimes shone there; white clouds voyaged in the blue sky; the interminable multitudes of roofs were washed with silver by the Moon, or cloaked with a mantle of new-fallen snow. And the coming of Spring to London was to me not unlike the descent of the maiden-goddess into Death's Kingdoms, when pink almond blossoms blew about her in the gloom, and those shadowy people were stirred with faint longings for meadows and the shepherd's life. Nor was there anything more virginal and fresh in wood or orchard than the shimmer of young foliage, which, in May, dimmed with delicate green all the smoke-blackened London trees.

And yet natural sunlight sometimes shone there; white clouds drifted in the blue sky; the endless rooftops glimmered with silver under the Moon or were covered with a blanket of freshly fallen snow. To me, the arrival of Spring in London felt a lot like the maiden-goddess descending into the realms of Death, with pink almond blossoms swirling around her in the darkness, and those shadowy figures stirred with a faint yearning for meadows and a shepherd's life. There was nothing more pure and fresh in the woods or orchards than the glow of young leaves, which, in May, softened the smoke-stained London trees with delicate green.










Fashion Plates

I like loitering at the bookstalls, looking in at the windows of printshops, and romancing over the pictures I see of shepherdesses and old-fashioned Beauties. Tall and slim and crowned with plumes in one period, in another these Ladies become as wide-winged as butterflies, or float, large, balloon-like visions, down summer streets. And yet in all shapes they have always (I tell myself) created thrilling effects of beauty, and waked in the breasts of modish young men ever the same charming Emotion.

I enjoy hanging around at the book stalls, checking out the displays in print shops, and daydreaming about the images I see of shepherdesses and classic beauties. In one style, these ladies are tall and slim with feathered hats, while in another, they become as wide-winged as butterflies or float through summer streets like large, balloon-like figures. Yet, in every form, they have consistently created stunning beauty and evoked the same delightful feelings in fashionable young men.

But then I have questioned this. Is the emotion always precisely the same? Is it true to say that the human heart remains quite unchanged beneath all the changing fashions of frills and ruffles? In this elegant and cruel Sentiment, I rather fancy that colour and shape do make a difference. I have a notion that about 1840 was the Zenith, the Meridian Hour, the Golden Age of the Passion. Those tight-waisted, whiskered Beaux, those crinolined Beauties, adored one another, I believe, with a leisure, a refinement, and dismay not quite attainable at other dates.

But then I've questioned this. Is the emotion always exactly the same? Is it accurate to say that the human heart stays completely unchanged despite all the shifting trends of styles and fashions? In this elegant yet harsh sentiment, I tend to think that color and form do make a difference. I have a feeling that around 1840 was the peak, the prime time, the golden age of passion. Those stylish, bearded gentlemen and those crinolined ladies adored each other, I believe, with a level of leisure, refinement, and intensity that’s hard to match at other times.










Mental Vice

There are certain hackneyed Thoughts that will force them-selves on me; I find my mind, especially in hot weather, infested and buzzed about by moral Platitudes. "That shows—" I say to myself, or, "How true it is—" or, "I really ought to have known!" The sight of a large clock sets me off into musings on the flight of Time; a steamer on the Thames or lines of telegraph inevitably suggest the benefits of Civilization, man's triumph over Nature, the heroism of Inventors, the courage, amid ridicule and poverty, of Stephenson and Watt. Like faint, rather unpleasant smells, these thoughts lurk about railway stations. I can hardly post a letter without marvelling at the excellence and accuracy of the Postal System.

There are certain overused thoughts that keep popping into my head; I find my mind, especially in hot weather, swarming with moral clichés. "That shows—" I tell myself, or "How true that is—" or "I really should have known better!" The sight of a big clock sends me into reflections on the passage of time; a steamer on the Thames or lines of telegraph inevitably make me think about the benefits of civilization, humanity's victory over nature, the bravery of inventors, and the courage, in the face of ridicule and poverty, of Stephenson and Watt. Like faint, slightly unpleasant smells, these thoughts linger around train stations. I can hardly mail a letter without being amazed by the efficiency and precision of the postal system.

Then the pride in the British Constitution and British Freedom, which comes over me when I see, even in the distance, the Towers of Westminster Palace—that Mother of Parliaments—it is not much comfort that this should be chastened, as I walk down the Embankment, by the sight of Cleopatra's Needle, and the Thought that it will no doubt witness the Fall of the British, as it has that of other Empires, remaining to point its Moral, as old as Egypt, to Antipodeans musing on the dilapidated bridges.

Then the pride I feel in the British Constitution and British freedom washes over me when I see, even from afar, the Towers of Westminster Palace—that Mother of Parliaments. However, it's not much comfort that this feeling is tempered, as I walk along the Embankment, by the sight of Cleopatra's Needle and the thought that it will likely bear witness to the fall of the British, just as it has seen the collapse of other empires, standing there to offer its age-old lesson to Antipodeans pondering the crumbling bridges.

I am sometimes afraid of finding that there is a moral for everything; that the whole great frame of the Universe has a key, like a box; has been contrived and set going by a well-meaning but humdrum Eighteenth-century Creator. It would be a kind of Hell, surely, a world in which everything could be at once explained, shown to be obvious and useful. I am sated with Lesson and Allegory, weary of monitory ants, industrious bees, and preaching animals. The benefits of Civilization cloy me. I have seen enough shining of the didactic Sun.

I sometimes worry about discovering that there's a lesson for everything; that the entire Universe works like a box with a key, designed and set in motion by a well-meaning but ordinary Creator from the Eighteenth century. It would definitely feel like a kind of Hell, a world where everything could be easily explained, made obvious, and deemed useful. I'm tired of lessons and morals, exhausted by warning ants, hardworking bees, and sermonizing animals. The perks of Civilization are wearing me out. I've had enough of the glaring light of the lesson-giving Sun.

So gazing up on hot summer nights at the London stars, I cool my thoughts with a vision of the giddy, infinite, meaningless waste of Creation, the blazing Suns, the Planets and frozen Moons, all crashing blindly forever across the void of space.

So looking up at the hot summer nights in London, I calm my mind with an image of the dizzying, endless, pointless expanse of Creation—the blazing suns, the planets, and the frozen moons—all colliding aimlessly forever in the emptiness of space.










The Organ of Life

Almost always In London—in the congregated uproar of streets, or in the noise that drifts through wails and windows—you can hear the hackneyed melancholy of street music; a music which sounds like the actual voice of the human Heart, singing the lost joys, the regrets, the loveless lives of the people who blacken the pavements, or jolt along on the busses.

Almost always in London—in the crowded chaos of the streets, or in the noise that drifts through cries and windows—you can hear the familiar sadness of street music; music that feels like the true voice of the human heart, singing about lost joys, regrets, and the loveless lives of the people who crowd the sidewalks or bounce along on the buses.

"Speak to me kindly," the hand-organ implores; "I'm all alone!" it screams amid the throng; "thy Vows are all broken," it laments in dingy courtyards, "And light is thy Fame." And of hot summer afternoons, the Cry for Courage to Remember, or Calmness to Forget, floats in with the smell of paint and asphalt—faint and sad—through open office windows.

"Talk to me nicely," the hand-organ pleads; "I'm all by myself!" it shouts in the crowd; "Your promises are all shattered," it mourns in grimy courtyards, "And your fame is fleeting." And on hot summer afternoons, the call for the courage to remember, or the calmness to forget, drifts in with the smell of paint and asphalt—faint and sad—through open office windows.










Humiliation

"My own view is," I began, but no one listened. At the next pause, "I always say," I remarked, but again the loud talk went on. Someone told a story. When the laughter had ended, "I often think—"; but looking round the table I could catch no friendly or attentive eye. It was humiliating, but more humiliating the thought that Sophocles and Goethe would have always commanded attention, while the lack of it would not have troubled Spinoza or Abraham Lincoln.

"My own view is," I started, but no one paid attention. At the next break, "I always say," I commented, but the loud conversation continued. Someone shared a story. Once the laughter died down, "I often think—"; but looking around the table, I couldn't find a single friendly or attentive face. It was embarrassing, but even more humbling was the thought that Sophocles and Goethe would have always drawn attention, while the lack of it wouldn't have bothered Spinoza or Abraham Lincoln.










Green Ivory

What a bore it is, waking up in the morning always the same person. I wish I were unflinching and emphatic, and had big, bushy eyebrows and a Message for the Age. I wish I were a deep Thinker, or a great Ventriloquist.

What a drag it is, waking up in the morning and always being the same person. I wish I were fearless and passionate, had thick, bushy eyebrows, and a important Message for the World. I wish I were a profound Thinker, or a talented Ventriloquist.

I should like to be refined and melancholy, the victim of a hopeless passion; to love in the old, stilted way, with impossible Adoration and Despair under the pale-faced Moon.

I want to be sophisticated and a bit sad, the victim of a hopeless crush; to love in that old-fashioned, dramatic way, with impossible devotion and despair under the pale moonlight.

I wish I could get up; I wish I were the world's greatest Violinist. I wish I had lots of silver, and first Editions, and green ivory.

I wish I could get up; I wish I were the world's greatest violinist. I wish I had tons of silver, first editions, and green ivory.










In The Park

"Yes," I said one afternoon in the Park, as I looked rather contemptuously at the people of Fashion, moving slow and well-dressed in the sunshine, "but how about the others, the Courtiers and Beauties and Dandies of the past? They wore fine costumes, and glittered for their hour in the summer air. What has become of them?" I somewhat rhetorically asked. They were all dead now. Their day was over. They were cold in their graves.

"Yeah," I said one afternoon in the park, glancing a bit scornfully at the fashionable people strolling slowly and dressed to the nines in the sunshine, "but what about the others—the courtiers, beauties, and dandies of the past? They wore fancy outfits and shined for their moment in the summer air. What happened to them?" I asked somewhat rhetorically. They were all gone now. Their time had passed. They were cold in their graves.

And I thought of those severe spirits who, in garrets far from the Park and Fashion, had scorned the fumes and tinsel of the noisy World.

And I thought of those intense souls who, in attics far from the Park and the fashion scene, had looked down on the smoke and glitter of the noisy world.

But, good Heavens! these severe spirits were, it occurred to me, all, as a matter of fact, quite as dead as the others.

But, good heavens! It occurred to me that these serious individuals were just as dead as the others.










The Correct

I am sometimes visited by a suspicion that everything isn't quite all right with the Righteous; that the Moral Law speaks in muffled and dubious tones to those who listen most scrupulously for its dictates. I feel sure I have detected a look of doubt and misgiving in the eyes of its earnest upholders.

I sometimes get the feeling that something isn’t quite right with the Righteous; that the Moral Law speaks in unclear and uncertain ways to those who pay the closest attention to its commands. I’m pretty sure I’ve seen a look of doubt and concern in the eyes of its devoted supporters.

But there is no such shadow or cloud on the faces in Club windows, or in the eyes of drivers of four-in-hands, or of fashionable young men walking down Piccadilly. For these live by a Rule which has not been drawn down from far-off and questionable skies, and needs no sanction; what they do is Correct, and that is all. Correctly dressed from head to foot, they pass, with correct speech and thoughts and gestures, correctly across the roundness of the Earth.

But there’s no hint of sadness or gloom on the faces in the club windows, or in the eyes of the horse-drawn carriage drivers, or of the stylish young men strolling down Piccadilly. These people follow a standard that isn’t pulled from distant and questionable sources, and doesn’t require approval; what they do is right, and that’s all that matters. Dressed impeccably from head to toe, they pass by with the right words, thoughts, and gestures, moving perfectly across the surface of the Earth.










"Where Do I Come In?"

When I read in the Times about India and all its problems and populations; when I look at the letters in large type of important personages, and find myself face to face with the Questions, Movements, and great Activities of the Age, "Where do I come in?" I ask myself uneasily.

When I read in the Times about India and all its issues and its people; when I look at the letters in big font from important figures and find myself confronted with the questions, movements, and major activities of our time, I ask myself uneasily, "Where do I fit in?"

Then in the great Times-reflected world I find the corner where I play my humble but necessary part. For I am one of the unpraised, unrewarded millions without whom Statistics would be a bankrupt science. It is we who are born, who marry, who die, in constant ratios; who regularly lose so many umbrellas, post just so many unaddressed letters every year. And there are enthusiasts among us who, without the least thought of their own convenience, allow omnibuses to run over them; or throw themselves month by month, in fixed numbers, from the London bridges.

Then in the vast world reflected by the Times, I find my corner where I play my small but important role. I am one of the unrecognized, unrewarded millions without whom Statistics would be a failing science. It's us who are born, who marry, who die, in steady proportions; who consistently lose a certain number of umbrellas, and send just so many unaddressed letters each year. And there are those among us who, without a second thought for their own safety, let buses run over them; or throw themselves, month after month, in fixed numbers, from the London bridges.










Microbes

But how Is one to keep free from those mental microbes that worm-eat people's brains—those Theories and Diets and Enthusiasms and infectious Doctrines that we are always liable to catch from what seem the most innocuous contacts? People go about laden with germs; they breathe creeds and convictions on you whenever they open their mouths. Books and newspapers are simply creeping with them—the monthly Reviews seem to have room for nothing else. Wherewithal then shall a young man cleanse his way; and how shall he keep his mind immune to Theosophical speculations, and novel schemes of Salvation?

But how is someone supposed to stay free from those mental germs that eat away at people's minds—those theories, diets, enthusiasms, and contagious beliefs that we can catch from what seem like the most harmless interactions? People walk around loaded with germs; they breathe out their beliefs and opinions the moment they speak. Books and newspapers are just crawling with them—the monthly reviews seem to focus on nothing else. So how can a young person clear their mind, and how can they shield themselves from Theosophical thoughts and new ideas of salvation?

Can he ever be sure that he won't be suddenly struck down by the fever of Funeral, or of Spelling Reform, or take to his bed with a new Sex Theory?

Can he ever be sure that he won’t suddenly be hit by the fever of Funeral, or Spelling Reform, or end up in bed with a new Sex Theory?

But is this struggle for a healthy mind in a maggoty universe really after all worth it? Are there not soporific dreams and sweet deliriums more soothing than Reason? If Transmigration can make clear the dark Problem of Evil; if Mrs. Mary Baker Eddy can free us from the dominion of Death; if the belief that Bacon wrote Shakespeare gives a peace that the world cannot give, why pedantically reject such kindly solace? Why not be led with the others by still waters, and be made to lie down in green pastures?

But is this fight for a healthy mind in a rotten universe really worth it after all? Are there not dreamy comforts and sweet delusions that are more soothing than logic? If reincarnation can illuminate the dark Problem of Evil; if Mrs. Mary Baker Eddy can liberate us from the grip of Death; if believing that Bacon wrote Shakespeare brings a peace that the world can’t offer, why stubbornly dismiss such comforting ideas? Why not follow others to calm waters and rest in green pastures?










The Quest

"We walk alone in the world," the Moralist, at the end of his essay on Ideal Friendship, writes somewhat sadly, "Friends such as we desire are dreams and fables," Yet we never quite give up the hope of finding them. But what awful things happen to us? what snubs, what set-downs we experience, what shames and disillusions. We can never really tell what these new unknown persons may do to us. Sometimes they seem nice, and then begin to talk like gramophones. Sometimes they grab at us with moist hands, or breathe hotly on our necks, or make awful confidences, or drench us from sentimental slop-pails. And too often, among the thoughts in the loveliest heads, we come on nests of woolly caterpillars.

"We walk alone in the world," the Moralist writes sadly at the end of his essay on Ideal Friendship, "Friends like the ones we wish for are just dreams and fables." Yet, we never fully give up the hope of finding them. But what terrible things happen to us? The snubs, the dismissals we face, the shames and disillusionments. We can never really know what these new unknown people might do to us. Sometimes they seem nice, and then they start talking like broken records. Sometimes they grab us with clammy hands, or breathe heavily on our necks, or share cringe-worthy secrets, or drench us with their sentimental nonsense. And all too often, hidden among the thoughts in the smartest minds, we discover nests of fuzzy caterpillars.

And yet we brush our hats, pull on our gloves, and go out and ring door-bells.

And yet we straighten our hats, put on our gloves, and go out and ring doorbells.










The Kaleidoscope

I find in my mind, in its miscellany of ideas and musings, a curious collection of little landscapes and pictures, shining and fading for no reason. Sometimes they are views in no way remarkable-the corner of a road, a heap of stones, an old gate. But there are many charming pictures, too: as I read, between my eyes and book, the Moon sheds down on harvest fields her chill of silver; I see autumnal avenues, with the leaves falling, or swept in heaps; and storms blow among my thoughts, with the rain beating forever on the fields. Then Winter's upward glare of snow appears; or the pink and delicate green of Spring in the windy sunshine; or cornfields and green waters, and youths bathing in Summer's golden heats.

I find in my mind, with its mix of ideas and thoughts, a strange collection of little landscapes and images that shine and fade for no reason. Sometimes they’re nothing special—a corner of a road, a pile of stones, an old gate. But there are also many beautiful images: as I read, with the book between my eyes, the Moon casts her chill silver glow over the harvest fields; I see autumn streets, with leaves falling or gathered in piles; and storms swirl through my thoughts, with rain constantly pouring on the fields. Then Winter’s bright glare of snow appears; or the soft pink and green of Spring under the windy sunshine; or cornfields and green waters, with young people swimming in Summer's warm rays.

And as I walk about, certain places haunt me: a cathedral rises above a dark blue foreign town, the colour of ivory in the sunset light; now I find myself in a French garden full of lilacs and bees, and shut-in sunshine, with the Mediterranean lounging and washing outside its walls; now in a little college library, with busts, and the green reflected light of Oxford lawns—and again I hear the bells, reminding me of the familiar Oxford hours.

And as I walk around, certain places stick with me: a cathedral towers over a dark blue foreign town, the color of ivory in the sunset light; now I find myself in a French garden filled with lilacs and bees, with sunlight streaming in, while the Mediterranean lounges and washes just outside its walls; now I'm in a small college library, surrounded by busts and the green reflected light of Oxford lawns—and again I hear the bells, reminding me of the familiar hours at Oxford.










Oxford Street

One late winter afternoon in Oxford Street, amid the noise of vehicles and voices that filled that dusky thoroughfare, as I was borne onward with the crowd past the great electric-lighted shops, a holy Indifference filled my thoughts. Illusion had faded from me; I was not touched by any desire for the goods displayed in those golden windows, nor had I the smallest share in the appetites and fears of all those moving and anxious faces. And as I listened with Asiatic detachment to the London traffic, its sound changed into something ancient and dissonant and sad—into the turbid flow of that stream of Craving which sweeps men onward through the meaningless cycles of Existence, blind and enslaved forever. But I had reached the farther shore, the Harbour of Deliverance, the Holy City; the Great Peace beyond all this turmoil and fret compassed me around. Om Mani padme hum—I murmured the sacred syllables, smiling with the pitying smile of the Enlightened One on his heavenly lotus.

One late winter afternoon on Oxford Street, surrounded by the sounds of cars and voices filling that dimly lit street, I was swept along with the crowd past the brightly lit shops. A sense of calmness filled my mind. Illusion had faded away; I wasn’t interested in the stuff displayed in those shimmering windows, nor did I share in the worries and desires of all those anxious faces around me. As I listened with a distant detachment to the London traffic, its noise transformed into something ancient, dissonant, and sad—like the turbulent flow of that stream of Desire that drives people onward through the pointless cycles of life, blind and trapped forever. But I had reached the other side, the Harbor of Freedom, the Holy City; the Great Peace beyond all this chaos surrounded me. Om Mani padme hum—I softly recited the sacred words, smiling with the compassionate smile of the Enlightened One on his heavenly lotus.

Then, in a shop-window, I saw a neatly fitted suit-case. I liked that suit-case; I desired to possess it. Immediately I was enveloped by the mists of Illusion, chained once more to the Wheel of Existence, whirled onward along Oxford Street in that turbid stream of wrong-belief, and lust, and sorrow, and anger.

Then, in a store window, I saw a well-made suitcase. I liked that suitcase; I wanted to have it. Instantly, I was surrounded by the haze of Illusion, once again tied to the Wheel of Existence, swept along Oxford Street in that murky flow of misguided beliefs, desires, sadness, and anger.










Beauty

Among all the ugly mugs of the world we see now and then a face made after the divine pattern. Then, a wonderful thing happens to us; the Blue Bird sings, the golden Splendour shines, and for a queer moment everything seems meaningless save our impulse to follow those fair forms, to follow them to the clear Paradises they promise.

Among all the unattractive faces in the world, we occasionally come across one that seems crafted in a divine way. At that moment, something amazing happens to us; the Blue Bird sings, the golden beauty shines, and for a strange moment, everything feels pointless except for our desire to chase those beautiful figures, to follow them to the clear paradises they promise.

Plato assures us that these moments are not (as we are apt to think them) mere blurs and delusions of the senses, but divine revelations; that in a lovely face we see imaged, as in a mirror, the Absolute Beauty—; it is Reality, flashing on us in the cave where we dwell amid shadows and darkness. Therefore we should follow these fair forms, and their shining footsteps will lead us upward to the highest heaven of Wisdom. The Poets, too, keep chanting this great doctrine of Beauty in grave notes to their golden strings. Its music floats up through the skies so sweet, so strange, that the very Angels seem to lean from their stars to listen.

Plato tells us that these moments are not just blurry illusions created by our senses, but divine revelations. In a beautiful face, we reflect, like in a mirror, the Absolute Beauty—it is Reality shining on us in the cave where we live among shadows and darkness. So, we should pursue these beautiful forms, and their bright paths will guide us up to the highest realm of Wisdom. The Poets, too, continue to sing this important truth about Beauty in serious tones with their golden strings. Its music rises through the skies, so sweet and so unusual, that even the Angels seem to lean from their stars to listen.

But, O Plato, O Shelley, O Angels of Heaven, what scrapes you do get us into!

But, oh Plato, oh Shelley, oh Angels of Heaven, what trouble you get us into!










The Power of Words

I thanked the club porter who helped me into my coat, and stepped out lightly into the vastness and freshness of the Night. And as I walked along my eyes were dazzling with the glare I had left; I still seemed to hear the sound of my speech, and the applause and laughter.

I thanked the club porter who helped me into my coat and stepped out lightly into the vastness and freshness of the Night. As I walked, my eyes were dazzled by the glare I had left behind; I could still hear the sound of my voice and the applause and laughter.

And when I looked up at the Stars, the great Stars that bore me company, streaming over the dark houses as I moved, I felt that I was the Lord of Life; the mystery and disquieting meaninglessness of existence—the existence of other people, and of my own, were solved for me now. As for the Earth, hurrying beneath my feet, how bright was its journey; how shining the goal toward which it went swinging—you might really say leaping—through the sky.

And when I looked up at the stars, the bright stars that kept me company, streaming over the dark houses as I walked, I felt like I was the master of life; the mystery and unsettling meaninglessness of existence—the existence of other people and my own—had been figured out for me. As for the Earth, rushing beneath my feet, how bright its journey was; how shining the destination toward which it was moving—you could really say leaping—through the sky.

"I must tell the Human Race of this!" I heard my voice; saw my prophetic gestures, as I expounded the ultimate meaning of existence to the white, rapt faces of Humanity. Only to find the words—that troubled me; were there then no words to describe this Vision—divine—intoxicating?

"I have to share this with humanity!" I heard my voice and saw my dramatic gestures as I explained the ultimate meaning of existence to the eager, awestruck faces of people. But then I realized—I was struggling to find the right words to express this Vision—divine—breathtaking?

And then the Word struck me; the Word people would use. I stopped in the street; my Soul was silenced like a bell that snarls at a jarring touch. I stood there awhile and meditated on language, its perfidious meanness, the inadequacy, the ignominy of our vocabulary, and how Moralists have spoiled our words by distilling into them, as into little vials of poison, all their hatred of human joy. Away with that police-force of brutal words which bursts in on our best moments and arrests our finest feelings! This music within me, large, like the song of the stars—like a Glory of Angels singing—"No one has any right to say I am drunk!" I shouted.

And then the word hit me; the word that people would use. I stopped in the street; my soul was silenced like a bell that reacts harshly to a jarring touch. I stood there for a while and thought about language, its insidious cruelty, the inadequacy, the shame of our vocabulary, and how moralists have tainted our words, like putting poison into little vials, filled with all their disdain for human joy. Enough of that oppressive force of harsh words that crashes into our best moments and stifles our deepest feelings! This music inside me, vast, like the song of the stars—like a chorus of angels singing—"No one has any right to say I am drunk!" I shouted.










Self-Analysis

"Yes, aren't they odd, the thoughts that float through one's mind for no reason? But why not be frank—I suppose the best of us are shocked at times by the things we find ourselves thinking. Don't you agree," I went on, not noticing (until it was too late) that all other conversation had ceased, and the whole dinner-party was listening, "don't you agree that the oddest of all are the improper thoughts that come into one's head—the unspeakable words I mean, and Obscenities?" When I remember that remark, I hasten to enlarge my mind with ampler considerations. I think of Space, and the unimportance in its unmeasured vastness, of our toy solar system; I lose myself in speculations on the lapse of Time, reflecting how at the best our human life on this minute and perishing planet is as brief as a dream.

"Isn't it strange, the thoughts that randomly pop into our heads? But let's be honest—I think even the best of us are surprised by the things we find ourselves thinking sometimes. Don't you agree," I continued, not realizing (until it was too late) that all other conversation had stopped, and the entire dinner party was listening, "don't you agree that the strangest of all are the inappropriate thoughts that come to mind—the unspeakable words, and obscenities?" When I think back on that comment, I quickly try to broaden my perspective with bigger ideas. I think about Space, and how small our little solar system is in its immeasurable vastness; I get lost in thoughts about the passage of Time, considering how, at best, our human life on this tiny and fleeting planet is as short as a dream.










The Voice of the World

"And what are you doing now?" The question of these school contemporaries of mine, and their greeting the other day in Piccadilly (I remember how shabby I felt as I stood talking to them)—for a day or two that question haunted me. And behind their well-bred voices I seemed to hear the voice of Schoolmasters and Tutors, of the Professional Classes, and indeed of all the world. What, as a plain matter of fact, was I doing, how did I spend my days? The life-days which I knew were numbered, and which were described in sermons and on tombstones as so irrevocable, so melancholy-brief.

"And what are you up to now?" That was the question from my schoolmates when we bumped into each other the other day in Piccadilly (I remember feeling so shabby as I talked to them)—for a day or two, that question lingered in my mind. And behind their polite tones, I could almost hear the voices of Teachers and Tutors, of the Professional Classes, and really of everyone around me. What was I actually doing, how was I spending my days? The days of my life, which I knew were limited, and which were described in sermons and on gravestones as so final, so heartbreakingly short.

I decided to change my life. I too would be somebody in my time and age; my contemporaries should treat me as an important person. I began thinking of my endeavours, my studies by the midnight lamp, my risings at dawn for stolen hours of self-improvement.

I decided to change my life. I would also be someone in my time; my peers should see me as an important person. I started reflecting on my efforts, my late-night studying, my early mornings dedicated to self-improvement.

But alas, the day, the little day, was enough just then. It somehow seemed enough, just to be alive in the Spring, with the young green of the trees, the smell of smoke in the sunshine; I loved the old shops and books, the uproar darkening and brightening in the shabby daylight. Just a run of good-looking faces—and I was always looking for faces—would keep me amused. And London was but a dim-lit stage on which I could play in fancy any part I liked. I woke up in the morning like Byron to find myself famous; I was drawn like Chatham to St. Paul's, amid the cheers of the Nation, and sternly exclaimed with Cromwell, "Take away that bauble," as I sauntered past the Houses of Parliament.

But sadly, that day, that short day, was enough at that moment. It felt like enough just to be alive in the Spring, with the fresh green of the trees, the scent of smoke in the sunlight; I loved the old shops and books, the noise shifting in and out of the shabby daylight. Just a stream of good-looking faces—and I was always on the lookout for faces—would keep me entertained. And London was just a dimly lit stage where I could play any role I wanted in my imagination. I woke up in the morning like Byron to find myself famous; I was drawn like Chatham to St. Paul's, amidst the cheers of the Nation, and firmly declared with Cromwell, "Take away that bauble," as I strolled past the Houses of Parliament.










And Anyhow

And anyhow, soon, so soon (in only seven million years or thereabouts the Encyclopaedia said) this Earth would grow cold, all human activities end, and the last wretched mortals freeze to death in the dim rays of the dying Sun.

And anyway, soon, really soon (in about seven million years, according to the Encyclopedia), this Earth will cool down, all human activities will stop, and the last miserable people will freeze to death in the faint light of the dying Sun.










Drawbacks

I should be all right.... If it weren't for these sudden visitations of Happiness, these downpourings of Heaven's blue, little invasions of Paradise, or waftings to the Happy Islands, or whatever you may call these disconcerting Moments, I should be like everybody else, and as blameless a rate-payer as any in our Row.

I should be fine.... If it weren't for these sudden bursts of Happiness, these showers of Heaven's blue, little sneak peeks of Paradise, or trips to the Happy Islands, or whatever you want to call these awkward Moments, I would be just like everyone else, and as responsible a tax payer as anyone in our neighborhood.










Talk

Once in a while, when doors are closed and curtains drawn on a group of free spirits, the miracle happens, and Good Talk begins. 'Tis a sudden illumination—the glow, it may be of sanctified candles, or, more likely, the blaze around a cauldron of gossip.

Once in a while, when doors are shut and curtains drawn on a group of free spirits, something amazing happens, and Good Talk starts. It's a sudden enlightenment—the light, perhaps from sacred candles, or more likely, the fire around a pot of gossip.

Is there an ecstasy or any intoxication like it? Oh? to talk, to talk people into monsters, to talk one's self out of one's clothes, to talk God from His heaven, and turn everything in the world into a bright tissue of phrases!

Is there any joy or high like this? Oh, to talk, to talk people into monsters, to talk yourself out of your clothes, to talk God down from His heaven, and turn everything in the world into a vibrant web of words!

These Pentecosts and outpourings of the spirit can only occur very rarely, or the Universe itself would be soon talked out of existence.

These Pentecosts and outpourings of the spirit can only happen very rarely, or the Universe itself would soon be talked out of existence.










The Church of England

I have my Anglican moments; and as I sat there that Sunday afternoon, in the Palladian interior of the London Church, and listened to the unexpressive voices chanting the correct service, I felt a comfortable assurance that we were in no danger of being betrayed into any unseemly manifestations of religious fervour. We had not gathered together at that performance to abase ourselves with furious hosannas before any dark Creator of an untamed Universe, no Deity of freaks and miracles and sinister hocus-pocus; but to pay our duty to a highly respected Anglican First Cause—undemonstrative, gentlemanly and conscientious—whom, without loss of self-respect, we could sincerely and decorously praise.

I have my Anglican moments; and as I sat there that Sunday afternoon, in the stylish interior of the London Church, and listened to the dull voices chanting the proper service, I felt a comforting sense that we were in no danger of being led into any embarrassing displays of religious enthusiasm. We hadn’t come together for that event to humble ourselves with wild praises before some dark Creator of an unruly Universe, no Deity of oddities and miracles and eerie magic; but to fulfill our duty to a well-respected Anglican First Cause—unassuming, gentlemanly, and responsible—whom, without losing our self-respect, we could genuinely and appropriately praise.










Misgiving

We were talking of people, and a name familiar to us all was mentioned. We paused and looked at each other; then soon, by means of anecdotes and clever touches, that personality was reconstructed, and seemed to appear before us, large, pink, and life-like, and gave a comic sketch of itself with appropriate poses.

We were talking about people, and a name we all knew came up. We stopped and glanced at each other; then, with some stories and witty comments, we brought that person to life again, and it felt like they were right there with us, big, vibrant, and realistic, giving a funny depiction of themselves with fitting poses.

"Of course," I said to myself, "this sort of thing never happens to me." For the notion was quite unthinkable, the notion I mean of my own dear image, called up like this without my knowledge, to turn my discreet way of life into a cake-walk.

"Of course," I told myself, "this kind of thing never happens to me." Because the idea was totally unbelievable—the idea that my own dear image could be conjured up like this without my knowledge, turning my quiet life into a carefree stroll.










Sanctuaries

She said, "How small the world is after all!"

She said, "Isn't the world so small after all!"

I thought of China, of a holy mountain in the West of China, full of legends and sacred trees and demon-haunted caves. It is always enveloped in mountain mists; and in that white thick air I heard the faint sound of bells, and the muffled footsteps of innumerable pilgrims, and the reiterated mantra, Nam-Mo, O-mi-to-Fo, which they murmur as they climb its slopes. High up among its temples and monasteries marched processions of monks, with intoned services, and many prostrations, and lighted candles that glimmer through the fog. There in their solemn shrines stood the statues of the Arahats, and there, seated on his white elephant, loomed immense and dim, the image of Amitabha, the Lord of the Western Heavens.

I thought about China, about a sacred mountain in the West of China, filled with legends, holy trees, and caves haunted by demons. It's always surrounded by mountain mist; and in that thick white air, I heard the faint sound of bells, the muted footsteps of countless pilgrims, and the repeated mantra, Nam-Mo, O-mi-to-Fo, that they whisper as they ascend its slopes. High among its temples and monasteries, groups of monks moved in procession, chanting services, bowing deeply, and lighting candles that shimmer through the fog. There in their solemn shrines stood the statues of the Arahats, and there, seated on his white elephant, the image of Amitabha, the Lord of the Western Heavens, loomed large and shadowy.

She said "Life is so complicated!" Climbing inaccessible cliffs of rock and ice, I shut myself within a Tibetan monastery beyond the Himalayan ramparts. I join with choirs of monks, intoning their deep sonorous dirges and unintelligible prayers; I beat drums, I clash cymbals, and blow at dawn from the Lamasery roofs conches, and loud discordant trumpets. And wandering through those vast and shadowy halls, as I tend the butter-lamps of the golden Buddhas, and watch the storms that blow across the barren mountains, I taste an imaginary bliss, and then pass on to other scenes and incarnations along the endless road that leads me to Nirvana.

She said, "Life is so complicated!" Climbing steep cliffs of rock and ice, I isolated myself in a Tibetan monastery beyond the Himalayan borders. I join in with choirs of monks, singing their deep, haunting dirges and incomprehensible prayers; I beat drums, clash cymbals, and blow conch shells and loud, jarring trumpets from the rooftops of the Lamasery at dawn. As I wander through those vast and dimly lit halls, tending the butter-lamps of the golden Buddhas and watching the storms sweep across the barren mountains, I experience a fleeting sense of bliss, and then move on to other scenes and lives along the endless path that takes me to Nirvana.

"But I do wish you would tell me what you really think?"

"But I really wish you'd tell me what you actually think?"

I fled to Africa, into the depths of the dark Ashanti forest. There, in its gloomiest recesses, where the soil is stained with the blood of the negroes He has eaten, dwells that monstrous Deity of human shape and red colour, the great Fetish God, Sasabonsum. I like Sasabonsum: other Gods are sometimes moved to pity and forgiveness, but to Him such weakness is unknown. He is utterly and absolutely implacable; no gifts or prayers, no holocausts of human victims can appease, or ever, for one moment, propitiate Him.

I ran away to Africa, deep into the dark Ashanti forest. There, in its most shadowy corners, where the ground is stained with the blood of those he has consumed, lives that monstrous deity in human form and red color, the great Fetish God, Sasabonsum. I have a certain admiration for Sasabonsum: other gods can sometimes feel pity and offer forgiveness, but such weakness is completely foreign to him. He is utterly and absolutely unyielding; no gifts or prayers, no sacrifices of human victims can soothe him or, even for a moment, win his favor.










Symptoms

"But there are certain people I simply cannot stand. A dreariness and sense of death come over me when I meet them—I really find it difficult to breathe when they are in the room, as if they had pumped all the air out of it. Wouldn't it be dreadful to produce that effect on people! But they never seem to be aware of it. I remember once meeting a famous Bore; I really must tell you about it, it shows the unbelievable obtuseness of such people."

"But there are certain people I just can’t stand. A heaviness and sense of gloom wash over me when I’m around them—I seriously find it hard to breathe when they’re in the room, as if they’ve sucked all the air out of it. Wouldn’t it be awful to have that effect on people! Yet they never seem to notice. I remember once meeting a famous bore; I really have to share this, it highlights the unbelievable cluelessness of these kinds of people."

I told this and another story or two with great gusto, and talked on of my experiences and sensations, till suddenly I noticed, in the appearance of my charming neighbour, something—a slightly glazed look in her eyes, a just perceptible irregularity in her breathing—which turned that occasion for me into a kind of Nightmare.

I shared this and a couple of other stories with enthusiasm, talking about my experiences and feelings, until I suddenly noticed something in the look of my lovely neighbor—her eyes had a slight glaze, and there was a barely noticeable irregularity in her breathing—which turned that moment into a sort of Nightmare for me.










Shadowed

I sometimes feel a little uneasy about that imagined self of mine—the Me of my daydreams—who leads a melodramatic life of his own, quite unrelated to my real existence. So one day I shadowed him down the street. He loitered along for a while, and then stood at a shop-window and dressed himself out in a gaudy tie and yellow waistcoat. Then he bought a great sponge and two stuffed birds and took them to lodgings, where he led for a while a shady existence. Next he moved to a big house in Mayfair, and gave grand dinner-parties, with splendid service and costly wines. His amorous adventures in this region I pass over. He soon sold his house and horses, gave up his motors, dismissed his retinue of servants, and went—saving two young ladies from being run over on the way—to live a life of heroic self-sacrifice among the poor.

Sometimes I feel a bit uneasy about that imagined version of myself—the Me from my daydreams—who lives a dramatic life entirely different from my actual existence. So one day, I followed him down the street. He hung around for a bit, then stopped at a shop window and decked himself out in a flashy tie and yellow waistcoat. After that, he bought a big sponge and two stuffed birds and took them to a place to stay, where he led a somewhat shady life for a while. Next, he moved to a grand house in Mayfair and hosted lavish dinner parties with excellent service and expensive wines. I’ll skip over his romantic escapades in that area. He soon sold his house and horses, got rid of his cars, fired his staff, and went—while saving two young ladies from getting hit by a car on the way—to live a life of heroic self-sacrifice among the less fortunate.

I was beginning to feel encouraged about him, when in passing a fishmonger's, he pointed at a great salmon and said, "I caught that fish."

I was starting to feel optimistic about him when, as we walked by a fish market, he pointed at a huge salmon and said, "I caught that fish."










The Incredible

"Yes, but they were rather afraid of you."

"Yeah, but they were pretty scared of you."

"Afraid of me?"

"Scared of me?"

"Yes, so one of them told me afterwards."

"Yeah, one of them told me later."

I was fairly jiggered. If my personality can inspire fear or respect the world must be a simpler place than I had thought it. Afraid of a shadow, a poor make-believe like me? Are children more absurdly terrified by a candle in a hollow turnip? Was Bedlam at full moon ever scared by anything half so silly?

I was pretty shaken up. If my personality can make people feel fear or respect, then the world must be a simpler place than I thought. Scared of a shadow, a made-up version of myself? Are kids really more ridiculously scared of a candle in a hollowed-out turnip? Was Bedlam ever frightened by anything as silly as this?










Terror

A pause suddenly fell on our conversation—one of those uncomfortable lapses when we sit with fixed smiles, searching our minds for some remark with which to fill up the unseasonable silence. It was only a moment—"But suppose," I said to myself with horrible curiosity, "suppose none of us had found a word to say, and we had gone on sitting in silence?"

A sudden silence took over our conversation—one of those awkward pauses where we sit with forced smiles, trying to think of something to say to break the uncomfortable stillness. It was just a moment—"But what if," I thought to myself with unsettling curiosity, "what if none of us found a word to say, and we just kept sitting in silence?"

It is the dread of Something happening, Something unknown and awful, that makes us do anything to keep the flicker of talk from dying out. So travellers at night in an unknown forest keep their fires ablaze, in fear of Wild Beasts lurking ready in the darkness to leap upon them.

It’s the fear of something happening, something unknown and terrible, that drives us to do whatever it takes to keep the conversation going. Just like travelers at night in an unfamiliar forest keep their fires burning, afraid of wild animals hiding in the darkness waiting to pounce on them.










Pathos

When winter twilight falls on my street with the rain, a sense of the horrible sadness of life descends upon me. I think of drunken old women who drown themselves because nobody loves them; I think of Napoleon at St. Helena, and of Byron growing morose and fat in the enervating climate of Italy.

When winter twilight hits my street with the rain, a feeling of deep sadness about life washes over me. I think of elderly drunk women who drown their sorrows because no one cares for them; I think of Napoleon on St. Helena, and of Byron becoming gloomy and overweight in the draining climate of Italy.










Inconstancy

The rose that one wears and throws away, the friend one forgets, the music that passes—out of the well-known transitoriness of mortal things I have made myself a maxim or precept to the effect that it is foolish to look for one face, or to listen long for one voice, in a world that is after all, as I know, full of enchanting voices.

The rose you wear and then toss aside, the friend you forget, the music that fades—out of the familiar transience of life, I've decided it's pointless to search for just one face or to listen for one voice in a world that's, as I know, filled with captivating sounds.

But all the same, I can never quite forget the enthusiasm with which, as a boy, I read the praises of Constancy and True Love, and the unchanged Northern Star.

But still, I can never quite forget the excitement with which, as a kid, I read the praises of Constancy and True Love, and the unchanging Northern Star.










The Poplar

There is a great tree in Sussex, whose cloud of thin foliage floats high in the summer air. The thrush sings in it, and blackbirds, who fill the late, decorative sunshine with a shimmer of golden sound. There the nightingale finds her green cloister; and on those branches sometimes, like a great fruit, hangs the lemon-coloured Moon. In the glare of August, when all the world is faint with heat, there is always a breeze in those cool recesses, always a noise, like the noise of water, among its lightly hung leaves.

There’s a huge tree in Sussex, with a light canopy that floats high in the summer air. The thrush sings in it, and blackbirds fill the late, golden sunshine with their shimmering sounds. That’s where the nightingale finds her green sanctuary; and sometimes, a lemon-colored moon hangs on its branches like a big fruit. In the heat of August, when the whole world feels exhausted from the heat, there’s always a breeze in those cool spots, always a sound, like flowing water, among the gently swaying leaves.

But the owner of this Tree lives in London, reading books.

But the owner of this Tree lives in London, reading books.










On the Doorstep

I rang the bell as of old; as of old I gazed at the great shining Door and waited. But, alas! that flutter and beat of the wild heart, that delicious doorstep Terror—it was gone; and with it dear, fantastic, panic-stricken Youth had rung the bell, flitted round the corner and vanished for ever.

I rang the bell like before; like before, I looked at the big shining Door and waited. But, sadly! that fluttering and beating of the wild heart, that thrilling fear on the doorstep—it was gone; and with it, dear, imaginative, anxious Youth had rung the bell, dashed around the corner, and disappeared forever.










Old Clothes

Shabby old waistcoat, what made the heart beat that you used to cover? Funny-shaped hat, where are the thoughts that once nested beneath you? Old shoes, hurrying along what dim paths of the Past did I wear out your sole-leather?

Shabby old waistcoat, what heart did you once cover? Oddly shaped hat, where are the thoughts that used to rest beneath you? Old shoes, on what faded paths of the past did I wear out your soles?










Youth

Oh dear, this living and eating and growing old; these doubts and aches in the back, and want of interest in the Moon and Roses...

Oh dear, this living, eating, and getting old; these doubts and aches in my back, and lack of interest in the Moon and Roses...

Am I the person who used to wake in the middle of the night and laugh with the joy of living? Who worried about the existence of God, and danced with young ladies till long after daybreak? Who sang "Auld Lang Syne" and howled with sentiment, and more than once gazed at the summer stars through a blur of great, romantic tears?

Am I still the person who used to wake up in the middle of the night and laugh with the joy of living? Who worried about whether God exists and danced with young women until well after sunrise? Who sang "Auld Lang Syne" and got emotional, and more than once looked at the summer stars through a blur of big, romantic tears?










Consolation

The other day, depressed on the Underground, I tried to cheer myself by thinking over the joys of our human lot. But there wasn't one of them for which I seemed to care a hang—not Wine, nor Friendship, nor Eating, nor Making Love, nor the Consciousness of Virtue. Was it worth while then going up in a lift into a world that had nothing less trite to offer?

The other day, feeling down on the Underground, I tried to lift my spirits by thinking about the joys of being human. But I couldn’t find one that seemed important to me— not wine, nor friendship, nor eating, nor making love, nor the feeling of being virtuous. Was it even worth it to go up in a lift to a world that offered nothing less cliché?

Then I thought of reading—the nice and subtle happiness of reading. This was enough, this joy not dulled by Age, this polite and unpunished vice, this selfish, serene, life-long intoxication.

Then I thought about reading—the simple and subtle joy of reading. This was enough, this happiness untouched by age, this refined and consequence-free indulgence, this selfish, peaceful, lifelong escape.










Sir Eustace Carr

When I read the news about Sir Eustace Carr in the morning paper, I was startled, like everyone else who knew, if only by name this young man, whose wealth and good looks, whose adventurous travels and whose brilliant and happy marriage, had made of him an almost romantic figure.

When I read the news about Sir Eustace Carr in the morning paper, I was shocked, like everyone else who knew, even if only by name, this young man whose wealth and good looks, adventurous travels, and brilliant, happy marriage had turned him into an almost romantic figure.

Every now and then one hears of some strange happening of this kind. But they are acts so anomalous, in such startling contradiction to all our usual ways and accepted notions of life and its value, that most of us are willing enough to accept the familiar explanation of insanity, or any other commonplace cause which may be alleged—financial trouble, or some passionate entanglement, and the fear of scandal and exposure. And then the Suicide is forgotten as soon as possible, and his memory shuffled out of the way as something unpleasant to think of. But with a curiosity that is perhaps a little morbid, I sometimes let my thoughts dwell on these cases, wondering whether the dead man may not have carried to the grave with him the secret of some strange perplexity, some passion or craving or irresistible impulse, of which perhaps his intimates, and certainly the coroner's jury, can have had no inkling.

Every now and then, you hear about some strange event like this. But they are actions so unusual, in such shocking contrast to our normal understanding of life and its worth, that most of us are quick to accept the usual explanation of insanity or any other common reason that might be suggested—financial problems, or some romantic involvement, along with the fear of scandal and shame. Then, the suicide is forgotten as quickly as possible, and their memory is pushed aside as something uncomfortable to think about. However, with a curiosity that’s possibly a bit morbid, I sometimes find myself thinking about these cases, wondering if the deceased carried to the grave some secret perplexity, some desire or urge or uncontrollable impulse that maybe their close friends, and definitely the coroner's jury, knew nothing about.

I had never met or spoken to Sir Eustace Carr—the worlds we lived in were very different—but I had read of his explorations in the East, and of the curious tombs he had discovered—somewhere, was it not?—in the Nile Valley. Then too it happened (and this was the main cause of my interest) that at one time I had seen him more than once, under circumstances that were rather unusual. And now I began to think of this incident. In away it was nothing, and yet the impression haunted me that it was somehow connected with this final act, for which no explanation, beyond that of sudden mental derangement, had been offered. This explanation did not seem to me wholly adequate, although it had been accepted, I believe, both by his friends and the general public—and with the more apparent reason on account of a strain of eccentricity, amounting in some cases almost to insanity, which could be traced, it was said, in his mother's family.

I had never met or talked to Sir Eustace Carr—the worlds we inhabited were very different—but I had read about his explorations in the East and the fascinating tombs he discovered somewhere, wasn’t it?—in the Nile Valley. Additionally, the main reason I was interested was that I had seen him multiple times in rather unusual circumstances. Now, I started to reflect on that incident. In a way, it was nothing special, yet I couldn't shake the feeling that it was somehow tied to this final act, which had no explanation other than sudden mental breakdown. This explanation didn’t seem fully sufficient to me, even though it was accepted, I believe, by both his friends and the general public—more understandably so because of a streak of eccentricity, bordering on insanity, that was said to run in his mother's family.

I found it not difficult to revive with a certain vividness the memory of those cold and rainy November weeks that I had happened to spend alone, some years ago, in Venice, and of the churches which I had so frequently haunted. Especially I remembered the great dreary church in the piazza near my lodgings, into which I would often go on my way to my rooms in the twilight. It was the season when all the Venice churches are draped in black, and services for the dead are held in them at dawn and twilight; and when I entered this Baroque interior, with its twisted columns and volutes and high-piled, hideous tombs, adorned with skeletons and allegorical figures and angels blowing trumpets—all so agitated, and yet all so dead and empty and frigid—I would find the fantastic darkness filled with glimmering candles, and kneeling figures, and the discordant noise of chanting. There I would sit, while outside night fell with the rain on Venice; the palaces and green canals faded into darkness, and the great bells, swinging against the low sky, sent the melancholy sound of their voices far over the lagoons.

I found it easy to vividly recall the cold and rainy November weeks I spent alone a few years ago in Venice, especially the churches I often visited. I particularly remembered the large, gloomy church in the piazza near my place, which I would often enter on my way to my room in the twilight. It was the time when all the churches in Venice are draped in black, holding services for the dead at dawn and dusk. When I walked into this Baroque space, with its twisted columns, scrolls, and towering, grotesque tombs decorated with skeletons, allegorical figures, and angels blowing trumpets—all so frantic, yet so lifeless and empty and cold—I would find the eerie darkness lit by flickering candles, kneeling figures, and the jarring sound of chanting. There I would sit while outside the night fell with rain on Venice; the palaces and green canals disappeared into darkness, and the great bells, swinging against the low sky, sent their sad voices echoing over the lagoons.

It was here, in this church, that I used to see Sir Eustace Carr; would generally find him in the same corner when I entered, and would sometimes watch his face, until the ceremonious extinguishing of the candles, one by one, left us in shadowy night. It was a handsome and thoughtful face, and I remember more than once wondering what had brought him to Venice in that unseasonable month, and why he came so regularly to this monotonous service. It was as if some spell had drawn him; and now, with my curiosity newly wakened, I asked myself what had been that spell? I also must have been affected by it, for I had been there also in his uncommunicating company. Here, I felt, was perhaps the answer to my question, the secret of the enigma that puzzled me; and as I went over my memories of that time, and revived its sombre and almost sinister fascination, I seemed to see an answer looming before my imagination. But it was an answer, an hypothesis or supposition, so fantastic, that my common sense could hardly accept it.

It was here, in this church, that I used to see Sir Eustace Carr; I would usually find him in the same corner when I walked in, and sometimes I’d watch his face until the ceremonial extinguishing of the candles, one by one, left us in shadowy darkness. It was a handsome and thoughtful face, and I remember wondering more than once what had brought him to Venice during that unusual month, and why he attended this monotonous service so regularly. It felt like some kind of spell had drawn him there; and now, with my curiosity stirred, I asked myself what that spell could have been? I must have been affected by it too, since I had been there in his silent company as well. Here, I felt, was maybe the answer to my question, the secret to the mystery that puzzled me; and as I recalled my memories from that time and brought back its somber and almost sinister allure, I seemed to see an answer taking shape in my imagination. But it was an answer, a hypothesis or supposition, so far-fetched that my common sense could barely accept it.

For I now saw that the spell which had been on us both at that time in Venice had been nothing but the spell and tremendous incantation of the Thought of Death. The dreary city with its decaying palaces and great tomb-encumbered churches had really seemed, in those dark and desolate weeks, to be the home and metropolis of the great King of Terrors; and the services at dawn and twilight, with their prayers for the Dead, and funereal candles, had been the chanted ritual of his worship. Now suppose (such was the notion that held my imagination) suppose this spell, which I had felt but for a time and dimly, should become to someone a real obsession, casting its shadow more and more completely over a life otherwise prosperous and happy, might not this be the clue to a history like that of Sir Eustace Carr's—not only his interest in the buried East, his presence at that time in Venice, but also his unexplained and mysterious end?

For I now realized that the spell that had been over both of us back then in Venice was nothing but the powerful enchantment of the Thought of Death. The gloomy city with its crumbling palaces and grand, tomb-filled churches had really felt, during those dark and desolate weeks, like the home and capital of the great King of Terrors; and the services at dawn and twilight, with their prayers for the Dead and funeral candles, had been the ritual of his worship. Now imagine (this was the idea that captured my imagination) if this spell, which I had experienced only briefly and faintly, became a true obsession for someone, casting its shadow more and more completely over a life that was otherwise successful and happy. Could this not be the key to a story like that of Sir Eustace Carr’s—not only his interest in the buried East, his presence in Venice at that time, but also his unexplained and mysterious end?

Musing on this half-believed notion, I thought of the great personages and great nations we read of in ancient history, who have seemed to live with a kind of morbid pleasure in the shadow of this great Thought; who have surrounded themselves with mementoes of Death, and hideous symbols of its power, and who, like the Egyptians, have found their main interest, not in the present, but in imaginary explorations of the unknown future; not on the sunlit surface of this earth, but in the vaults and dwelling-places of the Dead beneath it.

Thinking about this half-accepted idea, I considered the prominent figures and powerful nations we read about in ancient history, who seemed to take a twisted delight in the presence of this big Thought; who collected reminders of Death and disturbing symbols of its power, and who, like the Egyptians, focused their main interest not on the present, but on imagined journeys into the unknown future; not on the bright surface of this earth, but in the tombs and homes of the Dead beneath it.

Since this preoccupation, this curiosity, this nostalgia, has exercised so enormous a fascination in the past, I found it not impossible to imagine some modern favourite of fortune falling a victim to this malady of the soul; until at last, growing weary of other satisfactions, he might be drawn to open for himself the dark portal and join the inhabitants of that dim region, "Kings and Counsellors of the earth, Princes that had gold, who filled their houses with silver." This, as I say, was the notion that haunted me, the link my imagination forged between Sir Eustace Carr's presence in that dark Venetian church, and his self-caused death some years later. But whether it is really a clue to that unexplained mystery, or whether it is nothing more than a somewhat sinister fancy, of course, I cannot say.

Since this obsession, this curiosity, this nostalgia, has had such a powerful allure in the past, I found it easy to picture some modern favorite of luck becoming a victim of this soul sickness; until finally, tired of other pleasures, he might feel compelled to open the dark door for himself and join the souls in that shadowy place, "Kings and Counsellors of the earth, Princes that had gold, who filled their houses with silver." This, as I mentioned, was the idea that kept coming to mind, the connection my imagination made between Sir Eustace Carr's presence in that dark Venetian church and his self-inflicted death a few years later. But whether this is truly a clue to that unexplained mystery, or just a somewhat eerie fancy, I can’t say.










The Lord Mayor

An arctic wind was blowing; it cut through me as I stood there. The boot-black was finishing his work and complaints.

An arctic wind was blowing; it sliced through me as I stood there. The shoe shiner was wrapping up his work and grumbling.

"But I should be 'appy, sir, if only I could make four bob a day," he said.

"But I’d be happy, sir, if only I could make four bucks a day," he said.

I looked down at him; it seemed absurd, the belief of this crippled, half-frozen creature, that four-shillings would make him happy. Happiness! the fabled treasure of some far-away heaven I thought it that afternoon; not to be bought with gold, not of this earth!

I looked down at him; it seemed ridiculous that this crippled, half-frozen person believed that four shillings would make him happy. Happiness! The mythical treasure from some distant paradise, I thought that afternoon; it couldn’t be bought with money, not in this world!

I said something to this effect. But four shillings a day was enough for the boot-black.

I said something like that. But four shillings a day was plenty for the shoe shiner.

"Why," he said, "I should be as 'appy as the Lord Mayor!"

"Why," he said, "I should be as happy as the Mayor!"










The Burden

I know too much; I have stuffed too many of the facts of History and Science into my intellectuals. My eyes have grown dim over books; believing in geological periods, cave-dwellers, Chinese Dynasties, and the fixed stars has prematurely aged me.

I know too much; I’ve crammed too many facts about history and science into my brain. My eyes have dimmed from reading so much; believing in geological eras, cave dwellers, Chinese dynasties, and the fixed stars has aged me before my time.

Why am I to blame for all that is wrong in the world? I didn't invent Sin and Hate and Slaughter. Who made it my duty anyhow to administer the Universe, and keep the planets to their Copernican courses? My shoulders are bent beneath the weight of the firmament; I grow weary of propping up, like Atlas, this vast and erroneous Cosmos.

Why am I responsible for everything that’s wrong in the world? I didn’t create Sin, Hate, or Violence. Who decided it was my job to manage the Universe and keep the planets on their Copernican paths? I feel overwhelmed by the weight of the sky; I’m tired of holding up, like Atlas, this huge and flawed Cosmos.










Under An Umbrella

From under the roof of my umbrella I saw the washed pavement lapsing beneath my feet, the news-posters lying smeared with dirt at the crossings, the tracks of the busses in the liquid mud. On I went through this dreary world of wetness. And through how many rains and years shall I still hurry down wet streets—middle-aged, and then, perhaps, very old? And on what errands?

From under my umbrella, I watched the wet pavement spread out beneath my feet, the news posters covered in grime at the intersections, and the bus tracks sinking into the muddy water. I continued through this gloomy, damp world. How many more rains and years will I rush down these soaked streets—middle-aged, and then maybe, quite old? And what will I be rushing for?

Asking myself this cheerless question I fade from your vision, Reader, into the distance, sloping my umbrella against the wind.

As I ask myself this gloomy question, I disappear from your sight, Reader, into the distance, tilting my umbrella against the wind.

THE END








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