This is a modern-English version of Woman in the Nineteenth Century: and Kindred Papers Relating to the Sphere, Condition and Duties, of Woman., originally written by Fuller, Margaret. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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Margaret Fuller

 

 

 

 

 

 

Woman in the Nineteenth Century,

and
Kindred Papers Relating to the Sphere, Condition and Duties, of Woman.
  by Margaret Fuller Ossoli.

  Edited by her brother, Arthur B. Fuller.

  With an introduction by Horace Greeley.

 

 

 

 

 

 

PREFACE.


It has been thought desirable that such papers of Margaret Fuller Ossoli as pertained to the condition, sphere and duties of Woman, should be collected and published together. The present volume contains, not only her "Woman in the Nineteenth Century,"—which has been before published, but for some years out of print, and inaccessible to readers who have sought it,—but also several other papers, which have appeared at various times in the Tribune and elsewhere, and yet more which have never till now been published.

It has been considered important to gather and publish the writings of Margaret Fuller Ossoli that relate to the status, role, and responsibilities of women. This volume includes not only her "Woman in the Nineteenth Century," which was previously published but has been out of print for several years, making it difficult for interested readers to find, but also several other pieces that have appeared at different times in the Tribune and other publications, along with many that have never been published until now.

My free access to her private manuscripts has given to me many papers, relating to Woman, never intended for publication, which yet seem needful to this volume, in order to present a complete and harmonious view of her thoughts on this important theme. I have preferred to publish them without alteration, as most just to her views and to the reader; though, doubtless, she would have varied their expression and form before giving them to the press.

My unrestricted access to her private writings has provided me with many documents about women that were never meant for publication but are essential for this volume to give a complete and coherent view of her thoughts on this important topic. I chose to publish them as they are, to be most fair to her views and the reader; although, it’s likely she would have changed their wording and style before they were published.

It seems right here to remark, In order to avoid any misapprehension, that Margaret Ossoli's thoughts wore not directed so exclusively to the subject of the present volume as have been the minds of some others. As to the movement for the emancipation of Woman from the unjust burdens and disabilities to which she has been subject oven in our own land, my sister could neither remain indifferent nor silent; yet she preferred, as in respect to every other reform, to act independently and to speak independently from her own stand-point, and never to merge her individuality in any existing organization. This she did, not as condemning such organizations, nor yet as judging them wholly unwise or uncalled for, but because she believed she could herself accomplish more for their true and high objects, unfettered by such organizations, than if a member of them. The opinions avowed throughout this volume, and wherever expressed, will, then, be found, whether consonant with the reader's or no, in all cases honestly and heartily her own,—the result of her own thought and faith. She never speaks, never did speak, for any clique or sect, but as her individual judgment, her reason and conscience, her observation and experience, taught her to speak.

It’s important to clarify that Margaret Ossoli’s thoughts were not solely focused on the topic of this book as some others have been. When it comes to the movement for the emancipation of women from the unfair burdens and limitations they face even in our own country, my sister couldn't stay indifferent or silent; however, she preferred to act and speak independently from her own perspective, rather than losing her individuality by joining any existing organization. She didn’t do this to criticize such organizations or to say they were entirely foolish or unnecessary, but because she believed she could achieve more for their important goals on her own than if she were a part of them. The opinions expressed throughout this book, and whenever she voiced them, will always be found—regardless of whether they align with the reader’s views—to be genuinely and passionately her own, stemming from her own thoughts and beliefs. She never spoke, nor did she ever intend to speak, for any group or faction, but rather based on what her individual judgment, reason, conscience, observation, and experiences led her to say.

I could have wished that some one other than a brother should have spoken a few fitting words of Margaret Fuller, as a woman, to form a brief but proper accompaniment to this volume, which may reach some who have never read her "Memoirs," recently published, or have never known her in personal life. This seemed the more desirable, because the strictest verity in speaking of her must seem, to such as knew her not, to be eulogy. But, after several disappointments as to the editorship of the volume, the duty, at last, has seemed to devolve upon me; and I have no reason to shrink from it but a sense of inadequacy.

I wish someone other than a brother could have shared some fitting words about Margaret Fuller as a woman to create a brief but appropriate introduction to this volume, which might reach readers who have never looked at her recently published "Memoirs" or known her personally. This seemed even more important because speaking truthfully about her might come across as flattery to those who didn't know her. However, after several setbacks regarding who would edit the volume, it has finally fallen to me, and the only reason I hesitate is because I feel inadequate.

It is often supposed that literary women, and those who are active and earnest in promoting great intellectual, philanthropic, or religious movements, must of necessity neglect the domestic concerns of life. It may be that this is sometimes so, nor can such neglect be too severely reprehended; yet this is by no means a necessary result. Some of the most devoted mothers the world has ever known, and whose homes were the abode of every domestic virtue, themselves the embodiment of all these, have been women whose minds were highly cultured, who loved and devoted both thought and time to literature, and were active in philanthropic and diffusive efforts for the welfare of the race.

It’s often thought that women in literature, and those who are dedicated to advancing significant intellectual, charitable, or religious causes, must inevitably overlook the everyday responsibilities of home life. While this may sometimes be true, it’s not always the case, and such neglect shouldn’t be overly condemned. In fact, some of the most dedicated mothers in history, who created homes filled with every domestic virtue and exemplified those ideals, were women with highly cultivated minds. They cherished and dedicated both their thoughts and time to literature, while also being actively engaged in charitable efforts for the betterment of society.

The letter to M., which is published on page 345, is inserted chiefly as showing the integrity and wisdom with which Margaret advised her friends; the frankness with which she pointed out to every young woman who asked counsel any deficiencies of character, and the duties of life; and that among these latter she gave due place to the humblest which serve to make home attractive and happy. It is but simple justice for me to bear, in conjunction with many others, my tribute to her domestic virtues and fidelity to all home duties. That her mind found chief delight in the lowest forms of these duties may not be true, and it would be sad if it were; but it is strictly true that none, however humble, were either slighted or shunned.

The letter to M., which you can find on page 345, is included mainly to highlight the integrity and wisdom with which Margaret advised her friends. She was open in pointing out any character flaws to every young woman who sought her advice, as well as the responsibilities of life. Among these responsibilities, she recognized the importance of even the simplest tasks that make a home inviting and joyful. It's only fair for me, along with many others, to acknowledge her dedication to her domestic responsibilities and commitment to all home duties. It may not be accurate to say that her greatest joy came from the most basic forms of these duties, and it would be disappointing if that were the case; however, it is definitely true that none, no matter how modest, were ever overlooked or avoided.

In common with a younger sister and brother, I shared her care in my early instruction, and found over one of the truest counsellors in a sister who scorned not the youngest mind nor the simplest intellectual wants in her love for communion, through converse or the silent page, with the minds of the greatest and most gifted.

Along with my younger sister and brother, I was part of her upbringing in my early education and discovered one of my most genuine advisors in a sister who didn’t overlook the youngest intellect or the most basic learning needs. She loved connecting, whether through conversation or the written word, with the thoughts of the greatest and most talented minds.

During a lingering illness, in childhood, well do I remember her as the angel of the sick-chamber, reading much to me from books useful and appropriate, and telling many a narrative not only fitted to wile away the pain of disease and the weariness of long confinement, but to elevate the mind and heart, and to direct them to all things noble and holy; over ready to watch while I slept, and to perform every gentle and kindly office. But her care of the sick—that she did not neglect, but was eminent in that sphere of womanly duty, even when no tie of kindred claimed this of her, Mr. Cass's letter abundantly shows; and also that this gentleness was united to a heroism which most call manly, but which, I believe, may as justly be called truly womanly. Mr. Cass's letter is inserted because it arrived too late to find a place in her "Memoirs," and yet more because it bears much on Margaret Ossoli's characteristics as a woman.

During a long illness in my childhood, I clearly remember her as the angel in the sick room, reading to me from books that were both helpful and suitable, and sharing many stories that not only distracted me from the pain of being sick and the boredom of being confined for so long but also uplifted my mind and heart, guiding them toward everything noble and holy. She was always ready to watch over me while I slept and to do every gentle and caring task. Her attention to the sick—she didn’t neglect it and excelled in that aspect of women’s duty, even when there was no family connection to compel her, as Mr. Cass's letter clearly shows; and that this gentleness was paired with a kind of heroism that many would label as manly, but which I believe can equally be called truly womanly. Mr. Cass's letter is included here because it arrived too late to be part of her "Memoirs," and even more so because it highlights much about Margaret Ossoli's traits as a woman.

A few also of her private letters and papers, not bearing, save, indirectly, on the subject of this volume, are yet inserted in it, as further illustrative of her thought, feeling and action, in life's various relations. It is believed that nothing which exhibits a true woman, especially in her relations to others as friend, sister, daughter, wife, or mother, can fail to interest and be of value to her sex, indeed to all who are interested in human welfare and advancement, since these latter so much depend on the fidelity of Woman. Nor will anything pertaining to the education and care of children be deemed irrelevant, especially by mothers, upon whom these duties must always largely devolve.

A few of her private letters and documents, which don't directly relate to the topic of this book, are included here to further illustrate her thoughts, feelings, and actions in different aspects of life. It’s believed that anything that showcases a genuine woman, particularly in her roles as a friend, sister, daughter, wife, or mother, will be interesting and valuable to women, and indeed to everyone concerned with human welfare and progress, as these depend significantly on the commitment of women. Additionally, anything related to the education and care of children won't be seen as irrelevant, especially by mothers, who largely bear these responsibilities.

Of the intellectual gifts and wide culture of Margaret Fuller there is no need that I should speak, nor is it wise that one standing in my relation to her should. Those who knew her personally feel that no words ever flowed from her pen equalling the eloquent utterances of her lips; yet her works, though not always a clear oppression of her thoughts, are the evidences to which the world will look as proof of her mental greatness.

I don't need to talk about the intellectual talent and broad knowledge of Margaret Fuller, and it’s probably not wise for me, given my connection to her. Those who knew her personally believe that no written words can match the powerful expressions she shared verbally; however, her writings, even if they don't always clearly reflect her thoughts, will serve as proof of her intellectual greatness for the world to see.

On one point, however, I do wish to bear testimony—not needed with those who knew her well, but interesting, perhaps, to some readers into whose bands this volume may fall. It is on a subject which one who knew her from his childhood up—at home, where best the heart and soul can be known,—in the unrestrained hours of domestic life,—in various scenes, and not for a few days, nor under any peculiar circumstances—can speak with confidence, because he speaks what he "doth know, and testifieth what he hath seen." It relates to her Christian faith and hope. "With all her intellectual gifts, with all her high, moral, and noble characteristics," there are some who will ask, "was her intellectual power sanctified by Christian faith as its basis? Were her moral qualities, her beneficent life, the results of a renewed heart?" I feel no hesitation here, nor would think it worth while to answer such questions at all, were her life to be read and known by all who read this volume, and were I not influenced also, in some degree, by the tone which has characterized a few sectarian reviews of her works, chiefly in foreign periodicals. Surely, if the Saviour's test, "By their fruits ye shall know them," be the true one, Margaret Ossoli was preeminently a Christian. If a life of constant self-sacrifice,—if devotion to the welfare of kindred and the race,—if conformity to what she believed God's law, so that her life seemed ever the truest form of prayer, active obedience to the Deity,—in fine, if carrying Christianity into all the departments of action, so far as human infirmity allows,—if these be the proofs of a Christian, then whoever has read her "Memoirs" thoughtfully, and without sectarian prejudice or the use of sectarian standards of judgment, must feel her to have been a Christian. But not alone in outward life, in mind and heart, too, was she a Christian. The being brought into frequent and intimate contact with religious persons has been one of the chief privileges of my vocation, but never yet have I met with any person whose reverence for holy things was deeper than hers. Abhorring, as all honest minds must, every species of cant, she respected true religious thought and feeling, by whomsoever cherished. God seemed nearer to her than to any person I have over known. In the influences of His Holy Spirit upon the heart she fully believed, and in experience realized them. Jesus, the friend of man, can never have been more truly loved and honored than she loved and honored him. I am aware that this is strong language, but strength of language cannot equal the strength of my conviction on a point where I have had the best opportunities of judgment. Rich as is the religion of Jesus in its list of holy confessors, yet it can spare and would exclude none who in heart, mind and life, confessed and reverenced him as did she. Among my earliest recollections, is her devoting much time to a thorough examination of the evidences of Christianity, and ultimately declaring that to her, better than all arguments or usual processes of proof, was the soul's want of a divine religion, and the voice within that soul which declared the teachings of Christ to be true and from God; and one of my most cherished possessions is that Bible which she so diligently and thoughtfully read, and which bears, in her own handwriting, so many proofs of discriminating and prayerful perusal. As in regard to reformatory movements so here, she joined no organized body of believers, sympathizing with all of them whose views were noble and Christian; deploring and bearing faithful testimony against anything she deemed narrowness or perversion in theology or life.

On one thing, though, I want to share my thoughts—not that it's necessary for those who knew her well, but maybe interesting for some readers who pick up this book. It’s about a subject that someone who has known her since childhood—at home, where the heart and soul are best understood—in the relaxed moments of daily life—in many situations, not just for a few days or in any special context—can discuss confidently because he speaks from personal experience. It's about her Christian faith and hope. “With all her intelligence and all her great moral qualities,” some might ask, “was her intellectual strength rooted in Christian faith? Were her moral attributes and her generous life the result of a transformed heart?” I have no doubt here, nor would I even find it necessary to address such questions if her life were well-known to everyone reading this book, and if I weren't somewhat influenced by the perspective evident in some critical reviews of her works, especially in foreign publications. Surely, if the Savior’s measure, “By their fruits ye shall know them,” holds true, then Margaret Ossoli was unquestionably a Christian. If a life devoted to selflessness—if a commitment to the well-being of family and humanity—if aligning her life with what she considered God's law, making her existence like a constant prayer, an active obedience to the Divine—if bringing Christianity into every aspect of her actions, as much as human limitations allow—if these are signs of a Christian, then anyone who has read her "Memoirs" thoughtfully and without narrow biases must recognize her as one. But she wasn’t just a Christian in her actions; she was one in her mind and heart as well. Being surrounded by religious individuals has been a great privilege in my work, yet I've never met anyone whose respect for holy matters was deeper than hers. Disliking, as all sincere minds should, any form of insincerity, she valued genuine religious thought and feeling, regardless of who held them. God seemed closer to her than to anyone I’ve ever known. She fully believed in the influences of His Holy Spirit on the heart and experienced them. Jesus, the friend of humanity, could hardly have been loved and honored more than she loved and honored him. I know this is a strong statement, but the strength of my words doesn’t compare to my strong conviction on a matter where I have had the best opportunities to judge. Rich as Christianity is with its many holy confessors, it would exclude no one who in heart, mind, and life revered and acknowledged Him as she did. One of my earliest memories is her spending a lot of time thoroughly examining the proofs of Christianity, ultimately concluding that, more than any usual arguments, what mattered was the soul’s need for a divine religion and the inner voice that confirmed the teachings of Christ as true and from God; and one of my most treasured possessions is the Bible she read so diligently and thoughtfully, which bears numerous signs of her careful and prayerful reading in her own handwriting. Like her approach to reformatory movements, she didn’t belong to any organized group of believers, but she connected with all those whose beliefs were noble and Christian; she lamented and faithfully testified against anything she saw as narrow or distorted in theology or practice.

This volume from her hand is now before the reader. The fact that a large share of it was never written or revised by its authoress for publication will be kept in view, as explaining any inaccuracy of expression or repetition of thought, should such occur in its pages. Nor will it be deemed surprising, if, in papers written by so progressive a person, at so various periods of life, and under widely-varied circumstances, there should not always be found perfect union as to every expressed opinion.

This book from her is now in the reader's hands. It's important to remember that a significant portion of it was never actually written or revised by the author for publication, which may explain any inaccuracies in expression or repetition of ideas that may appear in its pages. It shouldn't be surprising if, in writings from such an evolved individual, created at different times in her life and under varied circumstances, there isn't always complete agreement on every expressed opinion.

It is probable that this will soon be followed by another volume, containing a republication of "Summer on the Lakes," and also the "Letters from Europe," by the same hand.

It's likely that this will soon be followed by another volume, containing a reprint of "Summer on the Lakes," and also the "Letters from Europe," by the same author.

In the preparation of this volume much valuable assistance has been afforded by Mr. Greeley, of the New York Tribune, who has been earnest in his desire and efforts for the diffusion of what Margaret has written.

In putting this volume together, Mr. Greeley from the New York Tribune has provided a lot of valuable help. He has been passionate about spreading the work that Margaret has written.

A. B. F.

A. B. F.

BOSTON, May 10th, 1855.

BOSTON, May 10, 1855.

 

 

 

 

 

 

INTRODUCTION.


The problem of Woman's position, or "sphere,"—of her duties, responsibilities, rights and immunities as Woman,—fitly attracts a large and still-increasing measure of attention from the thinkers and agitators of our time, The legislators, so called,—those who ultimately enact into statutes what the really governing class (to wit, the thinkers) have originated, matured and gradually commended to the popular comprehension and acceptance,—are not as yet much occupied with this problem, only fitfully worried and more or less consciously puzzled by it. More commonly they merely echo the mob's shallow retort to the petition of any strong-minded daughter or sister, who demands that she be allowed a voice in disposing of the money wrenched from her hard earnings by inexorable taxation, or in shaping the laws by which she is ruled, judged, and is liable to be sentenced to prison or to death, "It is a woman's business to obey her husband, keep his home tidy, and nourish and train his children." But when she rejoins to this, "Very true; but suppose I choose not to have a husband, or am not chosen for a wife—what then? I am still subject to your laws. Why am I not entitled, as a rational human being, to a voice in shaping them? I have physical needs, and must somehow earn a living. Why should I not be at liberty to earn it in any honest and useful calling?"—the mob's flout is hushed, and the legislator Is struck dumb also. They were already at the end of their scanty resources of logic, and it would be cruel for woman to ask further: "Suppose me a wife, and my husband a drunken prodigal—what am I to do then? May I not earn food for my babes without being exposed to have it snatched from their mouths to replenish the rumseller's till, and aggravate my husband's madness? If some sympathizing relative sees fit to leave me a bequest wherewith to keep my little ones together, why may I not be legally enabled to secure this to their use and benefit? In short, why am I not regarded by the law as a soul, responsible for my acts to God and humanity, and not as a mere body, devoted to the unreasoning service of my husband?" The state gives no answer, and the champions of her policy evince wisdom in imitating her silence.

The issue of a woman's role, or "sphere,"—her duties, responsibilities, rights, and freedoms as a woman—clearly draws a growing amount of attention from today's thinkers and activists. The lawmakers, as they’re called—those who turn into laws what the true governing class (the thinkers) have developed and gradually made acceptable to the public—aren't really focused on this issue yet; they’re only occasionally worried and somewhat confused by it. More often, they just repeat the crowd's shallow response to any strong-minded daughter or sister who asks to have a say in how her hard-earned money, taken by relentless taxes, is spent or in shaping the laws that govern her life and could lead to her imprisonment or death: "A woman’s job is to obey her husband, keep his home neat, and raise and educate his children." But when she counters with, "That’s true; but what if I choose not to have a husband or am not chosen to be a wife—what then? I am still subject to your laws. Why shouldn't I, as a rational human being, have a say in shaping them? I have needs and have to earn a living. Why can't I be free to earn it in any honest and useful job?"—the crowd is silenced, and the legislator has no response either. They have already exhausted their limited logic, and it would be unfair for a woman to press further: "If I am a wife and my husband is a drunkard—what should I do? Can I not earn food for my children without it being taken away to fill the rum dealer's pockets and worsen my husband’s addiction? If a caring relative leaves me money to support my little ones, why can’t I legally secure that for their use? In short, why doesn’t the law see me as a person, responsible for my actions to God and society, and not just as a body, devoted to the unquestioning service of my husband?" The state has no answer, and those advocating for its policies wisely choose to mirror its silence.

The writer of the following pages was one of the earliest as well as ablest among American women, to demand for her sex equality before the law with her titular lord and master, Her writings on this subject have the force which springs from the ripening of profound reflection into assured conviction. She wrote as one who had observed, and who deeply felt what she deliberately uttered. Others have since spoken more fluently, more variously, with a greater affluence of illustration; but none, it is believed, more earnestly or more forcibly. It is due to her memory, as well as to the great and living cause of which she was so eminent and so fearless an advocate, that what she thought and said with regard to the position of her sex and its limitations, should be fully and fairly placed before the public. For several years past her principal essay on "Woman," here given, has not been purchasable at any price, and has only with great difficulty been accessible to the general reader. To place it within the reach of those who need and require it, is the main impulse to the publication of this volume; but the accompanying essays and papers will be found equally worthy of thoughtful consideration.

The writer of the following pages was one of the earliest and most capable American women to demand equality before the law for her gender alongside her husband. Her writings on this subject carry the weight that comes from deep reflection turning into strong conviction. She wrote as someone who had observed and genuinely felt what she expressed. Others have spoken more fluidly, more diversely, and with more examples, but it is believed that none have done so with more passion or impact. It is important to honor her memory, as well as the significant and ongoing cause she so boldly championed, by presenting her thoughts and statements about the position of women and its constraints to the public in a complete and fair manner. For several years, her main essay on "Woman," which is included here, has not been available for purchase at any price and has only been accessible to the general reader with great difficulty. Making it available to those who need it is the primary motivation for publishing this volume; however, the additional essays and papers are also worth thoughtful consideration.

H. GREELEY.

H. Greeley.

 

 

 

 

 

 

CONTENTS.


PART I.


PART II


PART III.


APPENDIX

 

 

 

 

 

 

PREFACE TO WOMAN IN THE NINETEENTH CENTURY.


The following essay is a reproduction, modified and expanded, of an article published in "The Dial, Boston, July, 1843," under the title of "The Great Lawsuit.—Man versus Men; Woman versus Women."

The following essay is a revised and expanded version of an article published in "The Dial, Boston, July, 1843," titled "The Great Lawsuit.—Man vs. Men; Woman vs. Women."

This article excited a good deal of sympathy, add still more interest. It is in compliance with wishes expressed from many quarters that it is prepared for publication in its present form.

This article generated a lot of sympathy and added even more interest. It's in line with requests from various sources that it's published in its current format.

Objections having been made to the former title, as not sufficiently easy to be understood, the present has been substituted as expressive of the main purpose of the essay; though, by myself, the other is preferred, partly for the reason others do not like it,—that is, that it requires some thought to see what it means, and might thus prepare the reader to meet me on my own ground. Besides, it offers a larger scope, and is, in that way, more just to my desire. I meant by that title to intimate the fact that, while it is the destiny of Man, in the course of the ages, to ascertain and fulfil the law of his being, so that his life shall be seen, as a whole, to be that of an angel or messenger, the action of prejudices and passions which attend, in the day, the growth of the individual, is continually obstructing the holy work that is to make the earth a part of heaven. By Man I mean both man and woman; these are the two halves of one thought. I lay no especial stress on the welfare of either. I believe that the development of the one cannot be effected without that of the other. My highest wish is that this truth should be distinctly and rationally apprehended, and the conditions of life and freedom recognized as the same for the daughters and the sons of time; twin exponents of a divine thought.

Objections were raised about the previous title, saying it wasn't easy to understand, so this one has been chosen to better reflect the main purpose of the essay. However, I personally prefer the original title, partly because others don’t like it — it requires some thought to grasp its meaning and might thus encourage the reader to engage with my ideas. Additionally, it allows for a broader interpretation and aligns more with my intentions. I intended the original title to suggest that, while it is humanity’s destiny over time to discover and fulfill the law of our existence so that our lives can be seen, as a whole, as that of angels or messengers, the influence of biases and emotions that accompany personal growth often interferes with the noble work of making the earth a reflection of heaven. When I say "humanity," I’m referring to both men and women; these are two halves of a single concept. I don’t emphasize the importance of one over the other. I believe that progress for one cannot truly happen without the other. My greatest hope is for this truth to be clearly and rationally understood, and for the conditions for life and freedom to be acknowledged as the same for both daughters and sons of time; twin manifestations of a divine thought.

I solicit a sincere and patient attention from those who open the following pages at all. I solicit of women that they will lay it to heart to ascertain what is for them the liberty of law. It is for this, and not for any, the largest, extension of partial privileges that I seek. I ask them, if interested by these suggestions, to search their own experience and intuitions for better, and fill up with fit materials the trenches that hedge them in. From men I ask a noble and earnest attention to anything that can be offered on this great and still obscure subject, such as I have met from many with whom I stand in private relations.

I ask for sincere and patient attention from anyone who reads the following pages. I urge women to reflect on what the freedom of the law means for them. My goal is not to expand limited privileges but to seek true liberty. If these ideas resonate with them, I encourage them to explore their own experiences and insights to find better ways to fill the gaps that confine them. From men, I request thoughtful and earnest consideration of anything that can be said about this important and still unclear topic, similar to the openness I've encountered from many in my personal relationships.

And may truth, unpolluted by prejudice, vanity or selfishness, be granted daily more and more as the due of inheritance, and only valuable conquest for us all!

And may truth, free from bias, pride, or self-interest, be granted to us more and more each day as our rightful inheritance and the only truly valuable achievement for all!

November, 1844.

November 1844.

 

 

 

 

 

 

WOMAN IN THE NINETEENTH CENTURY.


  "Frailty, thy name is WOMAN."
  "The Earth waits for her Queen."
"Fragility, your name is WOMAN."  
"The Earth is waiting for her Queen."

The connection between these quotations may not be obvious, but it is strict. Yet would any contradict us, if we made them applicable to the other side, and began also,

The connection between these quotes may not be obvious, but it is clear. But would anyone argue with us if we applied them to the other side and started as well,

  Frailty, thy name is MAN.
  The Earth waits for its King?
  Weakness, your name is MAN.  
  Does the Earth wait for its King?

Yet Man, if not yet fully installed in his powers, has given much earnest of his claims. Frail he is indeed,—how frail! how impure! Yet often has the vein of gold displayed itself amid the baser ores, and Man has appeared before us in princely promise worthy of his future.

Yet humanity, even if not fully in control of its abilities, has shown a strong commitment to its potential. We are indeed fragile—how fragile! How imperfect! Yet, time and again, the glimmer of greatness has emerged amid the lesser qualities, and humanity has presented itself with a noble promise, deserving of what lies ahead.

If, oftentimes, we see the prodigal son feeding on the husks in the fair field no more his own, anon we raise the eyelids, heavy from bitter tears, to behold in him the radiant apparition of genius and love, demanding not less than the all of goodness, power and beauty. We see that in him the largest claim finds a due foundation. That claim is for no partial sway, no exclusive possession. He cannot be satisfied with any one gift of life, any one department of knowledge or telescopic peep at the heavens. He feels himself called to understand and aid Nature, that she may, through his intelligence, be raised and interpreted; to be a student of, and servant to, the universe-spirit; and king of his planet, that, as an angelic minister he may bring it into conscious harmony with the law of that spirit.

If we often see the prodigal son eating scraps in a once-familiar field, we soon lift our tear-heavy eyes to see in him the shining embodiment of talent and love, demanding nothing less than the entirety of goodness, power, and beauty. We recognize that in him, the greatest claim finds a solid basis. That claim isn't for partial influence or exclusive ownership. He can't be satisfied with just one gift of life, one area of knowledge, or a brief glimpse into the cosmos. He feels a call to understand and support Nature so that through his insights, she can be elevated and interpreted; to study and serve the spirit of the universe; and to be the leader of his planet, so that as an angelic servant, he can bring it into conscious alignment with the laws of that spirit.

In clear, triumphant moments, many times, has rung through the spheres the prophecy of his jubilee; and those moments, though past in time, have been translated into eternity by thought; the bright signs they left hang in the heavens, as single stars or constellations, and, already, a thickly sown radiance consoles the wanderer in the darkest night. Other heroes since Hercules have fulfilled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur; while no God dared deny that they should have their reward,

In clear, triumphant moments, the prophecy of his jubilee has often echoed throughout the spheres; those moments, although they have passed in time, have been immortalized by thought. The bright signs they left now hang in the heavens, like individual stars or constellations, and already, a dense glow comforts the wanderer in the darkest night. Other heroes since Hercules have completed their noble tasks and then willingly surrendered their mortal selves to the fire; and no God has dared to deny them their reward,

      Siquis tamen, Hercule, siquis
  Forte Deo doliturus erit, daia praemia nollet,
  Sed meruise dari sciet, invitus que probabit,
      Assensere Dei
      Siquis tamen, Hercule, siquis
  Forte Deo doliturus erit, daia praemia nollet,
  Sed meruise dari sciet, invitus que probabit,
      Assensere Dei

Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with the heart-strings, poured out their best blood upon the altar, which, reared anew from age to age, shall at last sustain the flame pure enough to rise to highest heaven. Shall we not name with as deep a benediction those who, if not so immediately, or so consciously, in connection with the eternal truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, energy creating for the purpose of happiness; the artist whose hand, drawn by a preexistent harmony to a certain medium, moulds it to forms of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet wise enough to divine it; the philosopher who listens steadily for laws and causes, and from those obvious infers those yet unknown; the historian who, in faith that all events must have their reason and their aim, records them, and thus fills archives from which the youth of prophets may be fed; the man of science dissecting the statements, testing the facts and demonstrating order, even where he cannot its purpose?

Sages and lawmakers have dedicated their entire being to the search for truth and believed they were fortunate if they could trade all worldly comfort and pleasure for just one seed for the future paradise. Poets and priests have poured their hearts into their art, giving their very essence to the altar, which, rebuilt again and again through the ages, will ultimately sustain a flame pure enough to rise to the highest heavens. Should we not also honor deeply those who, though perhaps not as directly or consciously tied to eternal truth, are nonetheless guided by a divine instinct to help develop and express the open secret of love manifested in life, energy channeling towards happiness? The artist, whose hand is drawn by a pre-existing harmony to a certain medium, crafts it into forms of life that are more refined and complete than anything else seen, revealing nature's intention to those who have yet to grasp it; the philosopher who patiently seeks out laws and causes, drawing conclusions about the unknown from what is evident; the historian who, with the belief that all events have their reason and purpose, documents them, thereby creating records that will nourish the youth of future visionaries; the scientist who analyzes statements, tests facts, and demonstrates order, even if he can’t discern its purpose?

Lives, too, which bear none of these names, have yielded tones of no less significance. The candlestick set in a low place has given light as faithfully, where it was needed, as that upon the hill, In close alleys, in dismal nooks, the Word has been read as distinctly, as when shown by angels to holy men in the dark prison. Those who till a spot of earth scarcely larger than is wanted for a grave, have deserved that the sun should shine upon its sod till violets answer.

Lives that don’t have any of these names have produced sounds that are just as meaningful. The candlestick placed in a low spot has provided light just as reliably, where it was needed, as the one on the hill. In narrow alleys and gloomy corners, the Word has been read as clearly as when angels revealed it to holy men in the dark prison. Those who work a piece of land barely larger than what's needed for a grave deserve for the sun to shine on its soil until violets bloom.

So great has been, from time to time, the promise, that, in all ages, men have said the gods themselves came down to dwell with them; that the All-Creating wandered on the earth to taste, in a limited nature, the sweetness of virtue; that the All-Sustaining incarnated himself to guard, in space and time, the destinies of this world; that heavenly genius dwelt among the shepherds, to sing to them and teach them how to sing. Indeed,

So huge has been the promise at times that, throughout history, people have believed the gods themselves came down to live among them; that the All-Creating walked the earth to experience, in a limited way, the joy of virtue; that the All-Sustaining took on a human form to protect the destinies of this world across space and time; that divine inspiration lived among the shepherds, to sing to them and teach them how to sing. Indeed,

  "Der stets den Hirten gnadig sich bewies."
"Who always showed kindness to the shepherd."

"He has constantly shown himself favorable to shepherds."

"He has always shown himself to be supportive of shepherds."

And the dwellers in green pastures and natural students of the stars were selected to hail, first among men, the holy child, whose life and death were to present the type of excellence, which has sustained the heart of so large a portion of mankind in these later generations.

And the people living in lush meadows and natural stargazers were chosen to be the first among humanity to welcome the holy child, whose life and death would embody the standard of excellence that has inspired so many people in recent generations.

Such marks have been made by the footsteps of man (still, alas! to be spoken of as the ideal man), wherever he has passed through the wilderness of men, and whenever the pigmies stepped in one of those, they felt dilate within the breast somewhat that promised nobler stature and purer blood. They were impelled to forsake their evil ways of decrepit scepticism and covetousness of corruptible possessions. Convictions flowed in upon them. They, too, raised the cry: God is living, now, to-day; and all beings are brothers, for they are his children. Simple words enough, yet which only angelic natures can use or hear in their full, free sense.

Such marks have been left by the footsteps of man (still, unfortunately! to be referred to as the ideal man), wherever he has traveled through the wilderness of men, and whenever the smaller beings stepped into one of those, they felt something within them expand, promising a nobler stature and purer blood. They were driven to abandon their destructive habits of old skepticism and the greed for temporary possessions. New beliefs washed over them. They also joined in the cry: God is alive, right now, today; and all beings are brothers, for they are his children. Simple words, yet only angelic beings can truly use or understand them in their full, free meaning.

These were the triumphant moments; but soon the lower nature took its turn, and the era of a truly human life was postponed.

These were the victorious moments; but soon the darker side came into play, and the age of a genuinely human life was delayed.

Thus is man still a stranger to his inheritance, still a pleader, still a pilgrim. Yet his happiness is secure in the end. And now, no more a glimmering consciousness, but assurance begins to be felt and spoken, that the highest ideal Man can form of his own powers is that which he is destined to attain. Whatever the soul knows how to seek, it cannot fail to obtain. This is the Law and the Prophets. Knock and it shall be opened; seek and ye shall find. It is demonstrated; it is a maxim. Man no longer paints his proper nature in some form, and says, "Prometheus had it; it is God-like;" but "Man must have it; it is human." However disputed by many, however ignorantly used, or falsified by those who do receive it, the fact of an universal, unceasing revelation has been too clearly stated in words to be lost sight of in thought; and sermons preached from the text, "Be ye perfect," are the only sermons of a pervasive and deep-searching influence.

So, man is still getting to know his inheritance, still making his case, still on a journey. Yet, his happiness is ultimately assured. And now, instead of just a dim awareness, there's a real sense of certainty emerging, that the highest ideal one can imagine of their own abilities is exactly what they're meant to achieve. Whatever the soul knows how to seek, it will definitely find. This is the Law and the Prophets. Knock, and it will be opened; seek, and you will find. It’s proven; it’s a principle. Man no longer imagines his true nature in some way and claims, "Prometheus had it; it’s god-like;" instead, he asserts, "Man must have it; it’s human." No matter how much it’s debated, misunderstood, or misrepresented by those who do accept it, the reality of an ongoing, universal revelation has been expressed clearly enough that it can't be ignored in thought; and sermons based on the message, "Be ye perfect," remain the only sermons with a broad and profound influence.

But, among those who meditate upon this text, there is a great difference of view as to the way in which perfection shall be sought.

But among those who reflect on this text, there is a significant difference in opinion about how perfection should be pursued.

"Through the intellect," say some. "Gather from every growth of life its seed of thought; look behind every symbol for its law; if thou canst see clearly, the rest will follow."

"Through the mind," some say. "Collect the ideas from every form of life; search behind every symbol for its meaning; if you can see clearly, everything else will come together."

"Through the life," say others. "Do the best thou knowest today. Shrink not from frequent error in this gradual, fragmentary state. Follow thy light for as much as it will show thee; be faithful as far as thou canst, in hope that faith presently will lead to sight. Help others, without blaming their need of thy help. Love much, and be forgiven."

"Throughout life," say others. "Do the best you can today. Don't shy away from making mistakes in this gradual, fragmented process. Follow your instincts as far as they guide you; be as faithful as you can, hoping that your faith will eventually bring clarity. Help others without judging them for needing your help. Love deeply, and be forgiving."

"It needs not intellect, needs not experience," says a third. "If you took the true way, your destiny would be accomplished, in a purer and more natural order. You would not learn through facts of thought or action, but express through them the certainties of wisdom. In quietness yield thy soul to the causal soul. Do not disturb thy apprenticeship by premature effort; neither check the tide of instruction by methods of thy own. Be still; seek not, but wait in obedience. Thy commission will be given."

"It doesn't require intelligence or experience," says another. "If you followed the true path, your destiny would unfold in a purer and more natural way. You wouldn't learn from facts of thought or action, but rather express the certainties of wisdom through them. In stillness, allow your soul to connect with the causal soul. Don't disrupt your learning process with hasty efforts; don't interfere with the flow of guidance through your own methods. Be patient; don’t seek, but wait in obedience. Your mission will be revealed."

Could we indeed say what we want, could we give a description of the child that is lost, he would be found. As soon as the soul can affirm clearly that a certain demonstration is wanted, it is at hand. When the Jewish prophet described the Lamb, as the expression of what was required by the coming era, the time drew nigh. But we say not, see not as yet, clearly, what we would. Those who call for a more triumphant expression of love, a love that cannot be crucified, show not a perfect sense of what has already been given. Love has already been expressed, that made all things new, that gave the worm its place and ministry as well as the eagle; a love to which it was alike to descend into the depths of hell, or to sit at the right hand of the Father.

Could we really say what we want, could we describe the lost child, he would be found. As soon as the soul can clearly affirm that a specific demonstration is needed, it is there. When the Jewish prophet described the Lamb as representing what was required for the coming era, the time was near. But we do not yet see or clearly articulate what we want. Those who call for a more triumphant expression of love, a love that cannot be crucified, do not fully understand what has already been given. Love has already been expressed, transforming everything anew, granting the worm its place and purpose just as it does the eagle; a love that is equally willing to descend into the depths of hell or to sit at the right hand of the Father.

Yet, no doubt, a new manifestation is at hand, a new hour in the day of Man. We cannot expect to see any one sample of completed being, when the mass of men still lie engaged in the sod, or use the freedom of their limbs only with wolfish energy. The tree cannot come to flower till its root be free from the cankering worm, and its whole growth open to air and light. While any one is base, none can be entirely free and noble. Yet something new shall presently be shown of the life of man, for hearts crave, if minds do not know how to ask it.

Yet, there’s no doubt that a new change is coming, a new moment in the history of humanity. We can’t expect to see anyone fully developed when so many people are still caught up in the dirt, or only use their strength in a brutal way. A tree can’t blossom until its roots are free from the damaging worm, and its entire structure is exposed to air and light. As long as anyone is lowly, no one can be completely free and noble. But soon, something new will be revealed about human life, because hearts long for it, even if minds don’t know how to express that desire.

Among the strains of prophecy, the following, by an earnest mind of a foreign land, written some thirty years ago, is not yet outgrown; and it has the merit of being a positive appeal from the heart, instead of a critical declaration what Man should not do.

Among the types of prophecy, the following, from a sincere individual from another country, written about thirty years ago, is still relevant; and it has the quality of being a heartfelt appeal, rather than a judgment on what people should not do.

"The ministry of Man implies that he must be filled from the divine fountains which are being engendered through all eternity, so that, at the mere name of his master, he may be able to cast all his enemies into the abyss; that he may deliver all parts of nature from the barriers that imprison them; that he may purge the terrestrial atmosphere from the poisons that infect it; that he may preserve the bodies of men from the corrupt influences that surround, and the maladies that afflict them; still more, that he may keep their souls pure from the malignant insinuations which pollute, and the gloomy images that obscure them; that he may restore its serenity to the Word, which false words of men fill with mourning and sadness; that he may satisfy the desires of the angels, who await from him the development of the marvels of nature; that, in fine, his world may be filled with God, as eternity is." [Footnote: St. Martin]

"The role of humanity means that we must be nourished by the divine sources that are created throughout all time, so that, at the simple mention of our master’s name, we can cast all our enemies into the void; that we can free all aspects of nature from the constraints that hold them captive; that we can cleanse the earthly atmosphere of the toxins that taint it; that we can protect people's bodies from the corrupting influences around them and the diseases that afflict them; moreover, that we can keep their souls pure from the harmful suggestions that defile them and the dark thoughts that cloud them; that we can restore peace to the Word, which the false statements of mankind fill with grief and sorrow; that we can fulfill the longings of the angels, who await the unfolding of nature's wonders from us; that, ultimately, our world may be filled with God, just as eternity is." [Footnote: St. Martin]

Another attempt we will give, by an obscure observer of our own day and country, to draw some lines of the desired image. It was suggested by seeing the design of Crawford's Orpheus, and connecting with the circumstance of the American, in his garret at Rome, making choice of this subject, that of Americans here at home showing such ambition to represent the character, by calling their prose and verse "Orphic sayings"—"Orphics." We wish we could add that they have shown that musical apprehension of the progress of Nature through her ascending gradations which entitled them so to do, but their attempts are frigid, though sometimes grand; in their strain we are not warmed by the fire which fertilized the soil of Greece.

Another attempt we’ll make, by an unknown observer of our own time and place, to outline the desired image. It was inspired by seeing Crawford's design for Orpheus and connecting it to an American in his attic in Rome choosing this subject, while Americans here at home show such ambition to represent the character by calling their prose and poetry "Orphic sayings"—"Orphics." We wish we could say they have displayed that musical understanding of nature's progression through its rising levels that qualifies them to do this, but their efforts are cold, even if sometimes impressive; in their work, we don’t feel the warmth of the inspiration that once nurtured the land of Greece.

Orpheus was a lawgiver by theocratic commission. He understood nature, and made her forms move to his music. He told her secrets in the form of hymns, Nature as seen in the mind of God. His soul went forth toward all beings, yet could remain sternly faithful to a chosen type of excellence. Seeking what he loved, he feared not death nor hell; neither could any shape of dread daunt his faith in the power of the celestial harmony that filled his soul.

Orpheus was a lawmaker chosen by divine appointment. He understood nature and made its forms dance to his music. He revealed her secrets through hymns, depicting nature as seen through the mind of God. His spirit reached out to all beings, yet he remained steadfastly committed to a chosen ideal of excellence. In pursuit of what he loved, he feared neither death nor hell; no form of fear could shake his faith in the celestial harmony that filled his soul.

It seemed significant of the state of things in this country, that the sculptor should have represented the seer at the moment when he was obliged with his hand to shade his eyes.

It seemed indicative of the state of affairs in this country that the sculptor portrayed the seer at the moment when he had to use his hand to shield his eyes.

  Each Orpheus must to the depths descend;
    For only thus the Poet can be wise;
  Must make the sad Persephone his friend,
    And buried love to second life arise;
  Again his love must lose through too much love,
    Must lose his life by living life too true,
  For what he sought below is passed above,
    Already done is all that he would do
  Must tune all being with his single lyre,
    Must melt all rooks free from their primal pain,
  Must search all nature with his one soul's fire,
    Must bind anew all forms in heavenly chain.
  If he already sees what he must do,
    Well may he shade his eyes from the far-shining view.
  Each Orpheus has to descend to the depths;  
    Only then can the Poet gain true wisdom;  
  He must make sad Persephone his ally,  
    And buried love must come back to life;  
  Again, his love must fade from loving too much,  
    He must lose his life by living too honestly,  
  For what he looked for below is now above,  
    Everything he aimed to do is already done.  
  He must harmonize all existence with his single lyre,  
    Must free all souls from their original pain,  
  Must explore all nature with the fire of his soul,  
    Must rebind all forms in a heavenly chain.  
  If he already knows what he needs to do,  
    He may well shield his eyes from the bright view.

A better comment could not be made on what is required to perfect Man, and place him in that superior position for which he was designed, than by the interpretation of Bacon upon the legends of the Syren coast "When the wise Ulysses passed," says he, "he caused his mariners to stop their ears, with wax, knowing there was in them no power to resist the lure of that voluptuous song. But he, the much experienced man, who wished to be experienced in all, and use all to the service of wisdom, desired to hear the song that he might understand its meaning. Yet, distrusting his own power to be firm in his better purpose, he caused himself to be bound to the mast, that he might be kept secure against his own weakness. But Orpheus passed unfettered, so absorbed in singing hymns to the gods that he could not even hear those sounds of degrading enchantment."

A better comment couldn't be made on what is needed to perfect humanity and put us in the superior position we were designed for than by Bacon's interpretation of the legends from the Syren coast. "When the wise Ulysses passed," he says, "he had his sailors stop their ears with wax, knowing they couldn't resist the pull of that seductive song. But he, the seasoned man who wanted to experience everything and use it for the sake of wisdom, wanted to hear the song to understand its meaning. Yet, doubting his ability to stay strong in his better purpose, he had himself tied to the mast to keep himself safe from his own weakness. But Orpheus passed freely, so absorbed in singing hymns to the gods that he couldn't even hear those degrading enchantments."

Meanwhile, not a few believe, and men themselves have expressed the opinion, that the time is come when Eurydice is to call for an Orpheus, rather than Orpheus for Eurydice; that the idea of Man, however imperfectly brought out, has been far more so than that of Woman; that she, the other half of the same thought, the other chamber of the heart of life, needs now take her turn in the full pulsation, and that improvement in the daughters will best aid in the reformation of the sons of this age.

Meanwhile, many believe, and people have voiced the opinion, that the time has come for Eurydice to call for Orpheus instead of Orpheus calling for Eurydice; that the concept of Man, no matter how imperfectly expressed, has been much more prevalent than that of Woman; that she, the other half of the same idea, the other part of the heart of life, now needs to take her turn in the full rhythm, and that progress among the daughters will best support the betterment of the sons of this time.

It should be remarked that, as the principle of liberty is better understood, and more nobly interpreted, a broader protest is made in behalf of Woman. As men become aware that few men have had a fair chance, they are inclined to say that no women have had a fair chance. The French Revolution, that strangely disguised angel, bore witness in favor of Woman, but interpreted her claims no less ignorantly than those of Man. Its idea of happiness did not rise beyond outward enjoyment, unobstructed by the tyranny of others. The title it gave was "citoyen," "citoyenne;" and it is not unimportant to Woman that even this species of equality was awarded her. Before, she could be condemned to perish on the scaffold for treason, not as a citizen, but as a subject. The right with which this title then invested a human being was that of bloodshed and license. The Goddess of Liberty was impure. As we read the poem addressed to her, not long since, by Beranger, we can scarcely refrain from tears as painful as the tears of blood that flowed when "such crimes were committed in her name." Yes! Man, born to purify and animate the unintelligent and the cold, can, in his madness, degrade and pollute no less the fair and the chaste. Yet truth was prophesied in the ravings of that hideous fever, caused by long ignorance and abuse. Europe is conning a valued lesson from the blood-stained page. The same tendencies, further unfolded, will bear good fruit in this country.

It should be noted that as the concept of liberty becomes better understood and more nobly interpreted, there’s a growing call for women’s rights. As men realize that few have had a fair shot in life, they tend to acknowledge that no women have had a fair chance either. The French Revolution, that oddly disguised angel, bore witness to women’s rights but understood their claims just as poorly as those of men. Its idea of happiness didn’t go beyond outward enjoyment, free from the oppression of others. It granted the titles "citoyen" and "citoyenne," and it’s significant for women that even this form of equality was conferred upon them. Previously, women could be executed for treason, not as citizens, but merely as subjects. The right associated with these titles was one of violence and excess. The Goddess of Liberty was flawed. When we read the poem addressed to her not long ago by Beranger, it’s hard to hold back tears as painful as the bloodshed that occurred in her name. Yes! Man, meant to uplift and inspire the ignorant and the cold, can, in his madness, also degrade and tarnish the pure and virtuous. Yet truth was foretold in the chaotic outburst caused by long-standing ignorance and oppression. Europe is learning an important lesson from this blood-soaked history. The same trends, further developed, will bear good results in this country.

Yet, by men in this country, as by the Jews, when Moses was leading them to the promised land, everything has been done that inherited depravity could do, to hinder the promise of Heaven from its fulfilment. The cross, here as elsewhere, has been planted only to be blasphemed by cruelty and fraud. The name of the Prince of Peace has been profaned by all kinds of injustice toward the Gentile whom he said he came to save. But I need not speak of what has been done towards the Red Man, the Black Man. Those deeds are the scoff of the world; and they have been accompanied by such pious words that the gentlest would not dare to intercede with "Father, forgive them, for they know not what they do."

Yet, by the people in this country, just like the Jews when Moses was leading them to the promised land, everything that inherited depravity could do has been done to block the promise of Heaven from being fulfilled. The cross, here as elsewhere, has been planted only to be dishonored by cruelty and deceit. The name of the Prince of Peace has been tainted by all kinds of injustice toward the Gentile whom he said he came to save. But I don’t need to mention what has been done to the Red Man, the Black Man. Those acts are the scorn of the world; and they have been accompanied by such pious words that even the gentlest would hesitate to intercede with "Father, forgive them, for they know not what they do."

Here, as elsewhere, the gain of creation consists always in the growth of individual minds, which live and aspire, as flowers bloom and birds sing, in the midst of morasses; and in the continual development of that thought, the thought of human destiny, which is given to eternity adequately to express, and which ages of failure only seemingly impede. Only seemingly; and whatever seems to the contrary, this country is as surely destined to elucidate a great moral law, as Europe was to promote the mental culture of Man.

Here, just like everywhere else, the benefit of creation is always in the growth of individual minds, which live and aspire, like flowers blooming and birds singing, even in challenging times; and in the ongoing development of that idea, the idea of human destiny, which is meant to be expressed eternally, and which ages of failure only seem to hinder. Only seem to hinder; and no matter what seems to suggest otherwise, this country is just as surely destined to clarify a great moral law, just as Europe was to advance the intellectual culture of humanity.

Though the national independence be blurred by the servility of individuals; though freedom and equality have been proclaimed only to leave room for a monstrous display of slave-dealing and slave-keeping; though the free American so often feels himself free, like the Roman, only to pamper his appetites end his indolence through the misery of his fellow-beings; still it is not in vain that the verbal statement has been made, "All men are born free and equal." There it stands, a golden certainty wherewith to encourage the good, to shame the bad. The New World may be called clearly to perceive that it incurs the utmost penalty if it reject or oppress the sorrowful brother. And, if men are deaf, the angels hear. But men cannot be deaf. It is inevitable that an external freedom, an independence of the encroachments of other men, such as has been achieved for the nation, should be so also for every member of it. That which has once been clearly conceived in the intelligence cannot fail, sooner or later, to be acted out. It has become a law as irrevocable as that of the Medes in their ancient dominion; men will privately sin against it, but the law, as expressed by a leading mind of the age,

Though national independence might be overshadowed by individuals' servitude; though freedom and equality have been proclaimed only to allow a shocking display of slave trading and slave owning; though the free American often feels free, like the Roman, only to indulge his desires and laziness at the expense of his fellow humans; still, it is not in vain that it has been said, "All men are born free and equal." That statement stands as a golden truth to encourage the good and shame the bad. The New World must clearly understand that it faces severe consequences if it rejects or oppresses its sorrowful brothers. And if men are deaf, the angels will hear. But men cannot be deaf. It is inevitable that an external freedom, an independence from the intrusions of others, like the one achieved for the nation, should also be granted to every member of it. What has once been clearly understood in the mind cannot fail to be acted upon, sooner or later. It has become a law as unchangeable as that of the Medes in their ancient reign; individuals may privately go against it, but the law, as expressed by a prominent thinker of the time,

  "Tutti fatti a semblanza d'un Solo,
  Figli tutti d'un solo riscatto,
  In qual'ora, in qual parte del suolo
  Trascorriamo quest' aura vital,
  Siam fratelli, siam stretti ad un patto:
  Maladetto colui che lo infrange,
  Che s'innalza sul finoco che piange
  Che contrista uno spirto immortal." [Footnote: Manzoni]

  "All made in the likeness of the One.
    All children of one ransom,
  In whatever hour, in whatever part of the soil,
    We draw this vital air,
  We are brothers; we must be bound by one compact;
    Accursed he who infringes it,
  Who raises himself upon the weak who weep,
    Who saddens an immortal spirit."
"Tutti fatti a somiglianza di un Solo,  
Figli tutti di un solo riscatto,  
In qualsiasi momento, in qualsiasi parte del suolo  
Trascorriamo quest'aria vitale,  
Siamo fratelli, dobbiamo essere legati da un unico patto;  
Maladetto colui che lo infrange,  
Che si innalza su chi è debole e piange,  
Che rattrista uno spirito immortale." [Footnote: Manzoni]  

"All made in the likeness of the One.  
All children of one ransom,  
In whatever hour, in whatever part of the soil,  
We draw this vital air,  
We are brothers; we must be bound by one compact;  
Accursed he who infringes it,  
Who raises himself upon the weak who weep,  
Who saddens an immortal spirit."

This law cannot fail of universal recognition. Accursed be he who willingly saddens an immortal spirit—doomed to infamy in later, wiser ages, doomed in future stages of his own being to deadly penance, only short of death. Accursed be he who sins in ignorance, if that ignorance be caused by sloth.

This law will surely be recognized by everyone. Cursed be the one who deliberately brings sorrow to an eternal soul—condemned to disgrace in future, more enlightened times, destined in later phases of their existence to suffer painfully, just shy of death. Cursed be the one who sins out of ignorance, especially if that ignorance is a result of laziness.

We sicken no less at the pomp than the strife of words. We feel that never were lungs so puffed with the wind of declamation, on moral and religious subjects, as now. We are tempted to implore these "word-heroes," these word-Catos, word-Christs, to beware of cant [Footnote: Dr. Johnson's one piece of advice should be written on every door: "Clear your mind of cant." But Byron, to whom it was so acceptable, in clearing away the noxious vine, shook down the building. Sterling's emendation is worthy of honor:

We’re just as disgusted by the showiness as we are by the arguments. We believe that never before have people been so full of hot air when it comes to moral and religious discussions as they are now. We’re tempted to beg these "word-warriors," these moralizers, to watch out for insincerity. [Footnote: Dr. Johnson’s advice should be posted on every door: “Clear your mind of insincerity.” But Byron, who found it so appealing, ended up toppling the structure while clearing away the harmful stuff. Sterling’s revision deserves respect:

  "Realize your cant, not cast it off."]
"Understand your limitations, don’t ignore them."


above all things; to remember that hypocrisy is the most hopeless as well as the meanest of crimes, and that those must surely be polluted by it, who do not reserve a part of their morality and religion for private use. Landor says that he cannot have a great deal of mind who cannot afford to let the larger part of it lie fallow; and what is true of genius is not less so of virtue. The tongue is a valuable member, but should appropriate but a small part of the vital juices that are needful all over the body. We feel that the mind may "grow black and rancid in the smoke" even "of altars." We start up from the harangue to go into our closet and shut the door. There inquires the spirit, "Is this rhetoric the bloom of healthy blood, or a false pigment artfully laid on?" And yet again we know where is so much smoke, must be some fire; with so much talk about virtue and freedom, must be mingled some desire for them; that it cannot be in vain that such have become the common topics of conversation among men, rather than schemes for tyranny and plunder, that the very newspapers see it best to proclaim themselves "Pilgrims," "Puritans," "Heralds of Holiness." The king that maintains so costly a retinue cannot be a mere boast, or Carabbas fiction. We have waited here long in the dust; we are tired and hungry; but the triumphal procession must appear at last.


above all things; to remember that hypocrisy is the most hopeless and the lowest of crimes, and that those who don’t keep a part of their morality and faith for private use must be tainted by it. Landor says that a person can't be very intelligent if they can't let the larger part of their mind lay unused; and what is true of genius is equally true of virtue. The tongue is a valuable organ, but should only use a small portion of the vital energy that is needed throughout the body. We feel that the mind can "grow black and rancid in the smoke" even "of altars." We jump up from the speech to go into our room and shut the door. There, the spirit asks, "Is this rhetoric the result of healthy blood, or a false color skillfully applied?" Yet again, we know that where there is so much smoke, there must be some fire; with so much talk about virtue and freedom, there must be some desire for them; it can’t be in vain that these have become the common topics of conversation among people, rather than plots for tyranny and plunder, that the very newspapers find it best to call themselves "Pilgrims," "Puritans," "Heralds of Holiness." The king who has such an expensive entourage cannot be just a boast or a fictional tale. We have waited here long in the dust; we are tired and hungry; but the triumphal procession must finally appear.

Of all its banners, none has been more steadily upheld, and under none have more valor and willingness for real sacrifices been shown, than that of the champions of the enslaved African. And this band it is, which, partly from a natural following out of principles, partly because many women have been prominent in that cause, makes, just now, the warmest appeal in behalf of Woman.

Of all its banners, none has been consistently upheld more than that of the champions for enslaved Africans, and none has shown more bravery and willingness for real sacrifices. This group, partly due to a natural progression of principles and partly because many women have played a significant role in the cause, is currently making the strongest appeal for women.

Though there has been a growing liberality on this subject, yet society at large is not so prepared for the demands of this party, but that its members are, and will be for some time, coldly regarded as the Jacobins of their day.

Though there has been increasing openness on this subject, society as a whole is still not ready for the demands of this group, so its members will continue to be viewed coldly, like the Jacobins of their time.

"Is it not enough," cries the irritated trader, "that you have done all you could to break up the national union, and thus destroy the prosperity of our country, but now you must be trying to break up family union, to take my wife away from the cradle and the kitchen-hearth to vote at polls, and preach from a pulpit? Of course, if she does such things, she cannot attend to those of her own sphere. She is happy enough as she is. She has more leisure than I have,—every means of improvement, every indulgence."

"Isn't it enough," shouts the frustrated trader, "that you've done everything you could to tear apart our national unity, ruining our country's prosperity? Now you want to break up family bonds, pulling my wife away from raising our kids and managing the home to vote at polls and preach from a pulpit? Of course, if she does those things, she won't be able to focus on what she should. She's perfectly happy as she is. She has more free time than I do—every opportunity for personal growth, every comfort."

"Have you asked her whether she was satisfied with these indulgences?"

"Have you asked her if she was happy with these indulgences?"

"No, but I know she is. She is too amiable to desire what would make me unhappy, and too judicious to wish to step beyond the sphere of her sex. I will never consent to have our peace disturbed by any such discussions."

"No, but I know she is. She's too kind to want something that would make me unhappy, and too wise to wish to go beyond the boundaries of her role. I will never agree to let our peace be disrupted by any such discussions."

"'Consent—you?' it is not consent from you that is in question—it is assent from your wife."

"'Consent—you?' it's not your consent that's in question—it's your wife's agreement."

"Am not I the head of my house?"

"Am I not the head of my house?"

"You are not the head of your wife. God has given her a mind of her own.

"You are not the boss of your wife. God has given her her own mind."

"I am the head, and she the heart."

"I’m the head, and she’s the heart."

"God grant you play true to one another, then! I suppose I am to be grateful that you did not say she was only the hand. If the head represses no natural pulse of the heart, there can be no question as to your giving your consent. Both will be of one accord, and there needs but to present any question to get a full and true answer. There is no need of precaution, of indulgence, nor consent. But our doubt is whether the heart does consent with the head, or only obeys its decrees with a passiveness that precludes the exercise of its natural powers, or a repugnance that turns sweet qualities to bitter, or a doubt that lays waste the fair occasions of life. It is to ascertain the truth that we propose some liberating measures."

"God help you be honest with each other, then! I guess I should be thankful you didn’t say she was just a tool. If the mind doesn’t hold back any natural feelings of the heart, there’s no doubt you’ll agree. You’ll be in sync, and all it takes is asking the right question to get a complete and honest answer. There’s no need for caution, leniency, or permission. But we wonder whether the heart truly agrees with the mind, or just follows its orders in a way that stifles its natural abilities, or if it resents that turns good traits into bad, or if uncertainty wastes the beautiful opportunities in life. It’s to find out the truth that we’re suggesting some freeing actions."

Thus vaguely are these questions proposed and discussed at present. But their being proposed at all implies much thought, and suggests more. Many women are considering within themselves what they need that they have not, and what they can have if they find they need it. Many men are considering whether women are capable of being and having more than they are and have, and whether, if so, it will be best to consent to improvement in their condition.

Thus vaguely are these questions raised and talked about today. But the fact that they are even being raised shows a lot of thought and hints at even more. Many women are reflecting on what they need that they don’t have, and what they could gain if they discover that they need it. Many men are thinking about whether women are capable of being and having more than they currently are and have, and whether, if that’s the case, it would be best to agree to improvements in their situation.

This morning, I open the Boston "Daily Mail," and find in its "poet's corner" a translation of Schiller's "Dignity of Woman." In the advertisement of a book on America, I see in the table of contents this sequence, "Republican Institutions. American Slavery. American Ladies."

This morning, I opened the Boston "Daily Mail" and found in its "poet's corner" a translation of Schiller's "Dignity of Woman." In the advertisement for a book about America, I noticed this sequence in the table of contents: "Republican Institutions. American Slavery. American Ladies."

I open the "Deutsche Schnellpost" published in New York, and find at the head of a column, Juden und Frauenemancipation in Ungarn—"Emancipation of Jews and Women in Hungary."

I open the "Deutsche Schnellpost" published in New York and find at the top of a column, Juden und Frauenemancipation in Ungarn—"Emancipation of Jews and Women in Hungary."

The past year has seen action in the Rhode Island legislature, to secure married women rights over their own property, where men showed that a very little examination of the subject could teach them much; an article in the Democratic Review on the same subject more largely considered, written by a woman, impelled, it is said, by glaring wrong to a distinguished friend, having shown the defects in the existing laws, and the state of opinion from which they spring; and on answer from the revered old man, J. Q. Adams, in some respects the Phocion of his time, to an address made him by some ladies. To this last I shall again advert in another place.

The past year has seen progress in the Rhode Island legislature to secure married women’s rights over their own property, where men showed that a little investigation into the topic could teach them a lot. An article in the Democratic Review on the same subject, written by a woman motivated by a clear injustice done to a distinguished friend, highlighted the flaws in the current laws and the prevailing attitudes that shaped them. This was in response to a respected elder, J. Q. Adams, who in some ways was the Phocion of his time, in response to an address from some ladies. I will refer to this last point again later.

These symptoms of the times have come under my view quite accidentally: one who seeks, may, each month or week, collect more.

These signs of the times caught my attention quite by chance: anyone who looks for them can gather more each month or week.

The numerous party, whose opinions are already labeled and adjusted too much to their mind to admit of any new light, strive, by lectures on some model-woman of bride-like beauty and gentleness, by writing and lending little treatises, intended to mark out with precision the limits of Woman's sphere, and Woman's mission, to prevent other than the rightful shepherd from climbing the wall, or the flock from using any chance to go astray.

The many people involved, whose views are already set and too ingrained to accept any new ideas, try to maintain control by giving lectures about an ideal woman who embodies beauty and kindness. They write and share small pamphlets aimed at clearly defining Woman's role and purpose, in order to stop anyone other than the rightful leader from crossing boundaries, or the group from seizing any opportunity to stray off course.

Without enrolling ourselves at once on either side, let us look upon the subject from the best point of view which to-day offers; no better, it is to be feared, than a high house-top. A high hill-top, or at least a cathedral-spire, would be desirable.

Without committing to either side right away, let's examine the topic from the best perspective available today; regrettably, that's likely no better than from the top of a tall building. A high hill or at least a cathedral spire would be preferable.

It may well be an Anti-Slavery party that pleads for Woman, if we consider merely that she does not hold property on equal terms with men; so that, if a husband dies without making a will, the wife, instead of taking at once his place as head of the family, inherits only a part of his fortune, often brought him by herself, as if she were a child, or ward only, not an equal partner.

It might actually be an Anti-Slavery party that advocates for women, especially when we see that they don’t have property rights equal to men. If a husband passes away without leaving a will, the wife doesn’t automatically take over as head of the family; she only inherits a portion of his wealth, which she often contributed to herself, as if she were a child or a dependent, rather than an equal partner.

We will not speak of the innumerable instances in which profligate and idle men live upon the earnings of industrious wives; or if the wives leave them, and take with them the children, to perform the double duty of mother and father, follow from place to place, and threaten to rob them of the children, if deprived of the rights of a husband, as they call them, planting themselves in their poor lodgings, frightening them into paying tribute by taking from them the children, running into debt at the expense of these otherwise so overtasked helots. Such instances count up by scores within my own memory. I have seen the husband who had stained himself by a long course of low vice, till his wife was wearied from her heroic forgiveness, by finding that his treachery made it useless, and that if she would provide bread for herself and her children, she must be separate from his ill fame—I have known this man come to install himself in the chamber of a woman who loathed him, and say she should never take food without his company. I have known these men steal their children, whom they knew they had no means to maintain, take them into dissolute company, expose them to bodily danger, to frighten the poor woman, to whom, it seems, the fact that she alone had borne the pangs of their birth, and nourished their infancy, does not give an equal right to them. I do believe that this mode of kidnapping—and it is frequent enough in all classes of society—will be by the next age viewed as it is by Heaven now, and that the man who avails himself of the shelter of men's laws to steal from a mother her own children, or arrogate any superior right in them, save that of superior virtue, will bear the stigma he deserves, in common with him who steals grown men from their mother-land, their hopes, and their homes.

We won't discuss the countless times lazy and irresponsible men live off the hard work of their diligent wives; or if the wives leave them and take the children, taking on the dual role of both mother and father, moving from place to place and threatening to take the children away if they lose their so-called “husband rights,” setting up in their meager homes, pressuring them into paying up by threatening to take the kids, running up debts that burden these already overworked individuals. I've seen many such cases firsthand. I’ve witnessed a husband who had ruined himself through a long history of wrongdoing, until his wife, exhausted from her brave attempts to forgive him, realized that his betrayal made it pointless, and that in order to provide for herself and her children, she had to distance herself from his disgrace. I’ve known this man to invade the space of a woman who despised him, claiming she would never eat without him there. I’ve seen these men take their children, fully aware they couldn’t care for them, drag them into a corrupt lifestyle, expose them to danger, all to terrify the unfortunate woman who, it seems, is denied equal claim to them despite being the one who endured their birth pains and supported them through infancy. I truly believe that this kind of kidnapping—common across all social classes—will be viewed differently in the future, much like how it is seen by Heaven now, and that men who exploit legal protections to rob a mother of her own children, or claim any right over them besides that of being a better person, will earn the stigma they deserve, just like those who steal grown men from their homeland, their dreams, and their families.

I said, we will not speak of this now; yet I have spoken, for the subject makes me feel too much. I could give instances that would startle the most vulgar and callous; but I will not, for the public opinion of their own sex is already against such men, and where cases of extreme tyranny are made known, there is private action in the wife's favor. But she ought not to need this, nor, I think, can she long. Men must soon see that as, on their own ground, Woman is the weaker party, she ought to have legal protection, which would make such oppression impossible. But I would not deal with "atrocious instances," except in the way of illustration, neither demand from men a partial redress in some one matter, but go to the root of the whole. If principles could be established, particulars would adjust themselves aright. Ascertain the true destiny of Woman; give her legitimate hopes, and a standard within herself; marriage and all other relations would by degrees be harmonized with these.

I said we wouldn't talk about this now; still, I have talked, because the topic affects me too deeply. I could share examples that would shock even the most indifferent and insensitive people, but I won't. Public opinion is already against such men, and when extreme cases of abuse come to light, there’s private support for the wife. But she shouldn’t have to rely on that, nor do I believe she will for long. Men will soon realize that since women are the weaker side in their domain, they deserve legal protection to prevent such mistreatment. However, I don’t want to focus on "horrible examples," nor do I ask men for a limited fix in one area; I want to address the core issue. If we can establish principles, the details will fall into place. Recognize the true purpose of women; provide them with valid aspirations and an internal standard, and gradually, marriage and all other relationships will align with this.

But to return to the historical progress of this matter. Knowing that there exists in the minds of men a tone of feeling toward women as toward slaves, such as is expressed in the common phrase, "Tell that to women and children;" that the infinite soul can only work through them in already ascertained limits; that the gift of reason, Man's highest prerogative, is allotted to them in much lower degree; that they must be kept from mischief and melancholy by being constantly engaged in active labor, which is to be furnished and directed by those better able to think, &c., &c.,—we need not multiply instances, for who can review the experience of last week without recalling words which imply, whether in jest or earnest, these views, or views like these,—knowing this, can we wonder that many reformers think that measures are not likely to be taken in behalf of women, unless their wishes could be publicly represented by women?

But to return to the historical progress of this issue. Recognizing that many people see women similarly to how they view slaves, as shown in the common saying, "Tell that to women and children;" that the limitless soul can only express itself through them within pre-established boundaries; that the gift of reason, Man's greatest advantage, is given to them in a much lesser degree; that they must be kept from trouble and sadness by being constantly engaged in work, which should be provided and directed by those more capable of thinking, etc., etc.—we don’t need to provide more examples. Who can reflect on last week’s experiences without remembering comments that imply, whether jokingly or seriously, these sentiments, or similar ones? Knowing this, can we be surprised that many reformers believe that action won’t be taken for women unless their desires can be publicly expressed by women themselves?

"That can never be necessary," cry the other side. "All men are privately influenced by women; each has his wife, sister, or female friends, and is too much biased by these relations to fail of representing their interests; and, if this is not enough, let them propose and enforce their wishes with the pen. The beauty of home would be destroyed, the delicacy of the sex be violated, the dignity of halls of legislation degraded, by an attempt to introduce them there. Such duties are inconsistent with those of a mother;" and then we have ludicrous pictures of ladies in hysterics at the polls, and senate-chambers filled with cradles.

"That's completely unnecessary," say the opposing side. "All men are influenced by women in their lives; each one has a wife, sister, or female friends, and they’re too affected by these relationships to not represent their interests. If that’s not enough, let them express their wishes in writing. The charm of home would be lost, the purity of women would be compromised, and the respect for legislative halls would decline if we tried to bring them in. Those responsibilities don’t align with being a mother;" and then we have ridiculous images of women in tears at the polls and Senate chambers filled with baby cribs.

But if, in reply, we admit as truth that Woman seems destined by nature rather for the inner circle, we must add that the arrangements of civilized life have not been, as yet, such as to secure it to her. Her circle, if the duller, is not the quieter. If kept from "excitement," she is not from drudgery. Not only the Indian squaw carries the burdens of the camp, but the favorites of Louis XIV. accompany him in his journeys, and the washerwoman stands at her tub, and carries home her work at all seasons, and in all states of health. Those who think the physical circumstances of Woman would make a part in the affairs of national government unsuitable, are by no means those who think it impossible for negresses to endure field-work, even during pregnancy, or for sempstresses to go through their killing labors.

But if we acknowledge that women seem naturally meant for the inner circle, we must also point out that the structures of civilized life haven't yet secured that for her. Although her circle may be less stimulating, it is certainly not any quieter. While she may be kept from "excitement," she is not free from hard work. It's not just the Native American woman who carries the burdens of her community; even the favorites of Louis XIV traveled with him on his journeys, and the washerwoman is at her tub, carrying her work home in every season and in all kinds of health. Those who believe that women's physical circumstances make it inappropriate for them to participate in national government are not the same people who think it's impossible for Black women to endure fieldwork, even while pregnant, or for seamstresses to handle their grueling tasks.

As to the use of the pen, there was quite as much opposition to Woman's possessing herself of that help to free agency as there is now to her seizing on the rostrum or the desk; and she is likely to draw, from a permission to plead her cause that way, opposite inferences to what might be wished by those who now grant it.

When it comes to using a pen, there was just as much resistance to women having that tool for independence as there is today to them taking the stage or a desk; and they are likely to draw conclusions from being allowed to present their case in that way that are the opposite of what those who grant that permission might want.

As to the possibility of her filling with grace and dignity any such position, we should think those who had seen the great actresses, and heard the Quaker preachers of modern times, would not doubt that Woman can express publicly the fulness of thought and creation, without losing any of the peculiar beauty of her sex. What can pollute and tarnish is to act thus from any motive except that something needs to be said or done. Woman could take part in the processions, the songs, the dances of old religion; no one fancied her delicacy was impaired by appearing in public for such a cause.

Regarding her ability to fill any such role with grace and dignity, we believe that those who have witnessed great actresses and heard modern Quaker preachers would not doubt that women can publicly express a full range of thoughts and creativity without sacrificing the unique beauty of their gender. What can corrupt and tarnish is acting from any motive other than the genuine need to say or do something. Women could participate in the processions, songs, and dances of ancient religions; no one thought their delicacy was compromised by appearing in public for such causes.

As to her home, she is not likely to leave it more than she now does for balls, theatres, meetings for promoting missions, revival meetings, and others to which she flies, in hope of an animation for her existence commensurate with what she sees enjoyed by men. Governors of ladies'-fairs are no less engrossed by such a charge, than the governor of a state by his; presidents of Washingtonian societies no less away from home than presidents of conventions. If men look straitly to it, they will find that, unless their lives are domestic, those of the women will not be. A house is no home unless it contain food and fire for the mind as well as for the body. The female Greek, of our day, is as much in the street as the male to cry, "What news?" We doubt not it was the same in Athens of old. The women, shut out from the market-place, made up for it at the religious festivals. For human beings are not so constituted that they can live without expansion. If they do not get it in one way, they must in another, or perish.

As for her home, she’s not likely to spend more time there than she does now, going to parties, theaters, meetings to promote missions, revival meetings, and others that she attends in hopes of finding the excitement she sees men experiencing. Organizers of ladies' fairs are just as absorbed by their responsibilities as a state governor is by his; presidents of Washingtonian societies are away from home just as much as convention presidents. If men take a close look, they’ll realize that unless their lives are focused on home, the lives of women won’t be either. A house isn’t a home unless it provides nourishment and warmth for the mind as well as for the body. The modern female equivalent of the Greek is just as much out in the streets as the male, shouting, "What’s the news?" We have no doubt it was the same in ancient Athens. Women, excluded from the marketplace, found their way to express themselves at religious festivals. Human beings aren’t built to live without the need for growth. If they can’t find it in one way, they’ll seek it in another, or they’ll wither away.

As to men's representing women fairly at present, while we hear from men who owe to their wives not only all that is comfortable or graceful, but all that is wise, in the arrangement of their lives, the frequent remark, "You cannot reason with a woman,"—when from those of delicacy, nobleness, and poetic culture, falls the contemptuous phrase "women and children," and that in no light sally of the hour, but in works intended to give a permanent statement of the best experiences,—when not one man, in the million, shall I say? no, not in the hundred million, can rise above the belief that Woman was made for Man,—when such traits as these are daily forced upon the attention, can we feel that Man will always do justice to the interests of Woman? Can we think that he takes a sufficiently discerning and religious view of her office and destiny ever to do her justice, except when prompted by sentiment,—accidentally or transiently, that is, for the sentiment will vary according to the relations in which he is placed? The lover, the poet, the artist, are likely to view her nobly. The father and the philosopher have some chance of liberality; the man of the world, the legislator for expediency, none.

As for how men currently represent women fairly, we often hear men say, "You can't reason with a woman," despite the fact that many owe their comfort, grace, and even wisdom in life to their wives. When phrases like "women and children" are used dismissively, not just in casual conversation but in serious works meant to reflect valuable experiences, we have to question whether any man—out of millions—can truly believe that women were created for men. Given that such ideas are regularly thrust into our awareness, can we really expect men to consistently advocate for women's interests? Can we believe they have a deep and respectful understanding of women's roles and destinies ever that would lead them to do justice, except when influenced by emotion—spur-of-the-moment feelings that fluctuate based on the circumstances? The lover, the poet, and the artist tend to see women in a noble light. The father and philosopher may occasionally be open-minded; however, the worldly man and the pragmatic legislator usually aren't.

Under these circumstances, without attaching importance, in themselves, to the changes demanded by the champions of Woman, we hail them as signs of the times. We would have every arbitrary barrier thrown down. We would have every path laid open to Woman as freely as to Man. Were this done, and a slight temporary fermentation allowed to subside, we should see crystallizations more pure and of more various beauty. We believe the divine energy would pervade nature to a degree unknown in the history of former ages, and that no discordant collision, but a ravishing harmony of the spheres, would ensue.

Given these circumstances, without placing importance on the changes pushed for by advocates for women, we recognize them as signs of the times. We want every arbitrary barrier removed. We want every path open to women just as freely as it is for men. If this happens, and a brief period of adjustment is allowed to settle, we would see formations that are purer and more diverse in beauty. We believe that a divine energy would flow through nature to an extent never seen in previous ages, resulting not in discord but in a stunning harmony of the spheres.

Yet, then and only then will mankind be ripe for this, when inward and outward freedom for Woman as much as for Man shall be acknowledged as a right, not yielded as a concession. As the friend of the negro assumes that one man cannot by right hold another in bondage, so should the friend of Woman assume that Man cannot by right lay even well-meant restrictions on Woman. If the negro be a soul, if the woman be a soul, apparelled in flesh, to one Master only are they accountable. There is but one law for souls, and, if there is to be an interpreter of it, he must come not as man, or son of man, but as son of God.

Yet, only then will humanity be ready for this, when both inner and outer freedom for women as much as for men is acknowledged as a right, not just given as a concession. Just as the friend of Black individuals believes that no one has the right to enslave another, so should the friend of women believe that men cannot legitimately impose even well-meaning limitations on women. If a Black person has a soul, and if a woman has a soul, dressed in flesh, they are accountable to only one Master. There is only one law for souls, and if someone is to interpret it, they must come not as a man or a human being but as a child of God.

Were thought and feeling once so far elevated that Man should esteem himself the brother and friend, but nowise the lord and tutor, of Woman,—were he really bound with her in equal worship,—arrangements as to function and employment would be of no consequence. What Woman needs is not as a woman to act or rule, but as a nature to grow, as an intellect to discern, as a soul to live freely and unimpeded, to unfold such powers as were given her when we left our common home. If fewer talents were given her, yet if allowed the free and full employment of these, so that she may render back to the giver his own with usury, she will not complain; nay, I dare to say she will bless and rejoice in her earthly birth-place, her earthly lot. Let us consider what obstructions impede this good era, and what signs give reason to hope that it draws near.

If thought and feeling were once so elevated that man viewed himself as a brother and friend to woman, rather than as her master or teacher—if he truly honored her as an equal—then how we divide tasks and roles wouldn’t matter. What woman needs isn’t to act or lead simply because she’s a woman, but to grow as a person, to think critically, and to live freely, able to develop the abilities that were given to her when we left our shared beginnings. Even if she has fewer talents, if she’s allowed to use them fully and freely, she’ll give back to the giver what she’s received, and she won’t complain; in fact, I’m confident she will celebrate and appreciate her life and her circumstances. Let’s look at what barriers stand in the way of this positive time, and what signs suggest it’s on the horizon.

I was talking on this subject with Miranda, a woman, who, if any in the world could, might speak without heat and bitterness of the position of her sex. Her father was a man who cherished no sentimental reverence for Woman, but a firm belief in the equality of the sexes. She was his eldest child, and came to him at an age when he needed a companion. From the time she could speak and go alone, he addressed her not as a plaything, but as a living mind. Among the few verses he ever wrote was a copy addressed to this child, when the first locks were cut from her head; and the reverence expressed on this occasion for that cherished head, he never belied. It was to him the temple of immortal intellect. He respected his child, however, too much to be an indulgent parent. He called on her for clear judgment, for courage, for honor and fidelity; in short, for such virtues as he knew. In so far as he possessed the keys to the wonders of this universe, he allowed free use of them to her, and, by the incentive of a high expectation, he forbade, so far as possible, that she should let the privilege lie idle.

I was discussing this topic with Miranda, a woman who, if anyone could, could speak about her gender's situation without anger or bitterness. Her father was a man who held no sentimental awe for women, but firmly believed in equality between the sexes. She was his eldest child and came to him at a time when he needed a companion. From the moment she could talk and walk on her own, he treated her not as a toy, but as a thinking individual. Among the few poems he ever wrote was one dedicated to her when her first locks were cut; the respect he showed on that occasion for that beloved head was something he never contradicted. He viewed it as the temple of enduring intellect. However, he respected his child too much to be a lenient parent. He expected clear judgment, courage, honor, and loyalty from her—basically, the virtues he valued. To the extent that he held the keys to understanding the wonders of the universe, he allowed her to use them freely and, with the encouragement of high expectations, he made sure that she didn’t waste that privilege.

Thus this child was early led to feel herself a child of the spirit. She took her place easily, not only in the world of organized being, but in the world of mind. A dignified sense of self-dependence was given as all her portion, and she found it a sure anchor. Herself securely anchored, her relations with others were established with equal security. She was fortunate in a total absence of those charms which might have drawn to her bewildering flatteries, and in a strong electric nature, which repelled those who did not belong to her, and attracted those who did. With men and women her relations were noble,—affectionate without passion, intellectual without coldness. The world was free to her, and she lived freely in it. Outward adversity came, and inward conflict; but that faith and self-respect had early been awakened which must always lead, at last, to an outward serenity and an inward peace.

Thus this child was early led to feel she was a child of the spirit. She easily found her place, not only in the world of organized existence but also in the world of ideas. A dignified sense of independence was all she needed, and she found it to be a strong anchor. With herself securely anchored, her relationships with others were established with equal strength. She was fortunate not to have those charms that might have attracted confusing flattery and possessed a strong, electric nature that repelled those who didn’t belong to her while attracting those who did. Her relationships with both men and women were noble—affectionate without being passionate, intellectual without being cold. The world was open to her, and she lived freely within it. Outward challenges came, as did inner struggles; however, the faith and self-respect that had been awakened in her early on would ultimately lead to outer calm and inner peace.

Of Miranda I had always thought as an example, that the restraints upon the sex were insuperable only to those who think them so, or who noisily strive to break them. She had taken a course of her own, and no man stood in her way. Many of her acts had been unusual, but excited no uproar. Few helped, but none checked her; and the many men who knew her mind and her life, showed to her confidence as to a brother, gentleness as to a sister. And not only refined, but very coarse men approved and aided one in whom they saw resolution and clearness of design. Her mind was often the leading one, always effective.

I had always seen Miranda as an example of how the limitations placed on women are only insurmountable for those who believe they are or who loudly try to defy them. She carved her own path, and no man hindered her. Many of her actions were unconventional, but they didn't cause a fuss. Few supported her, but no one stopped her; the many men who understood her thoughts and her life treated her with the trust of a brother and the kindness of a sister. Both refined and very rough men respected and supported someone they recognized as determined and clear in her intentions. Her mind was often the leading one and always effective.

When I talked with her upon these matters, and had said very much what I have written, she smilingly replied; "And yet we must admit that I have been fortunate, and this should not be. My good father's early trust gave the first bias, and the rest followed, of course. It is true that I have had less outward aid, in after years, than most women; but that is of little consequence. Religion was early awakened in my soul,—a sense that what the soul is capable to ask it must attain, and that, though I might be aided and instructed by others, I must depend on myself as the only constant friend. This self-dependence, which was honored in me, is deprecated as a fault in most women. They are taught to learn their rule from without, not to unfold it from within.

When I spoke with her about these things and shared much of what I've written, she smiled and replied, "And yet we have to acknowledge that I’ve been lucky, and that shouldn't be the case. My father’s early trust set the first direction, and everything else followed naturally. It’s true that I haven't had as much external support in later years as many women do; but that doesn’t really matter. My faith was sparked early in my spirit—a belief that whatever my soul seeks, it must achieve, and that, even though others might help and guide me, I have to rely on myself as my only steady ally. This self-reliance, which was respected in me, is often seen as a flaw in most women. They’re taught to learn their guidance from outside sources, rather than discovering it from within."

"This is the fault of Man, who is still vain, and wishes to be more important to Woman than, by right, he should be."

"This is the fault of man, who is still vain and wants to be more important to woman than he rightfully should be."

"Men have not shown this disposition toward you," I said.

"Guys haven't shown this attitude toward you," I said.

"No; because the position I early was enabled to take was one of self-reliance. And were all women as sure of their wants as I was, the result would be the same. But they are so overloaded with precepts by guardians, who think that nothing is so much to be dreaded for a woman as originality of thought or character, that their minds are impeded by doubts till they lose their chance of fair, free proportions. The difficulty is to got them to the point from which they shall naturally develop self-respect, and learn self-help.

"No; because the position I was able to take early on was one of self-reliance. And if all women were as clear about their needs as I was, the outcome would be the same. But they are so weighed down by advice from guardians, who believe that nothing is more dangerous for a woman than original thought or character, that their minds are filled with doubts until they miss their chance for healthy, independent growth. The challenge is to get them to the point where they can naturally develop self-respect and learn to help themselves."

"Once I thought that men would help to forward this state of things more than I do now. I saw so many of them wretched in the connections they had formed in weakness and vanity. They seemed so glad to esteem women whenever they could.

"Once I believed that guys would contribute to improving this situation more than I do now. I saw so many of them unhappy in the relationships they had formed out of weakness and vanity. They seemed so eager to value women whenever they could."

"'The soft arms of affection,' said one of the most discerning spirits, 'will not suffice for me, unless on them I see the steel bracelets of strength.'

"'The gentle embrace of love,' said one of the most insightful souls, 'won't be enough for me unless I see the sturdy bracelets of strength on them.'"

"But early I perceived that men never, in any extreme of despair, wished to be women. On the contrary, they were ever ready to taunt one another, at any sign of weakness, with,

"But early on, I noticed that men never, in any extreme moment of despair, wished to be women. Instead, they were always quick to mock each other at the slightest sign of weakness, with,"

  "'Art thou not like the women, who,'—
"'Aren't you like the women, who,'—

The passage ends various ways, according to the occasion and rhetoric of the speaker. When they admired any woman, they were inclined to speak of her as 'above her sex.' Silently I observed this, and feared it argued a rooted scepticism, which for ages had been fastening on the heart, and which only an age of miracles could eradicate. Ever I have been treated with great sincerity; and I look upon it as a signal instance of this, that an intimate friend of the other sex said, in a fervent moment, that I 'deserved in some star to be a man.' He was much surprised when I disclosed my view of my position and hopes, when I declared my faith that the feminine side, the side of love, of beauty, of holiness, was now to have its full chance, and that, if either were better, it was better now to be a woman; for even the slightest achievement of good was furthering an especial work of our time. He smiled incredulously. 'She makes the best she can of it,' thought he. 'Let Jews believe the pride of Jewry, but I am of the better sort, and know better.'

The passage concludes in different ways, depending on the context and the speaker's style. When they admired any woman, they tended to say she was 'above her sex.' I silently noticed this and worried it showed a deep-rooted skepticism that had been taking hold of the heart for ages, one that only an age of miracles could change. I've always been treated with great sincerity, and I see it as a clear example of this that a close friend of the opposite sex once said, in an emotional moment, that I 'deserved to be a man in some star.' He was quite surprised when I shared my perspective on my position and aspirations, when I expressed my belief that the feminine side—the side of love, beauty, and holiness—was finally going to have its fair chance, and that if anything, it was better to be a woman now; because even the smallest act of goodness was contributing to a special purpose of our time. He smiled skeptically. 'She makes the best of it,' he thought. 'Let Jews feel the pride of Jewry, but I am of a better sort and know better.'

"Another used as highest praise, in speaking of a character in literature, the words 'a manly woman.'

"Another term used as the highest praise when talking about a character in literature is the phrase 'a strong woman.'"

"So in the noble passage of Ben Jonson:

"So in the noble passage of Ben Jonson:"

  'I meant the day-star should not brighter ride,
    Nor shed like influence, from its lucent seat;
  I meant she should be courteous, facile, sweet,
    Free from that solemn vice of greatness, pride;
  I meant each softest virtue there should meet,
    Fit in that softer bosom to abide,
  Only a learned and a manly soul
    I purposed her, that should with even powers
  The rock, the spindle, and the shears control
    Of destiny, and spin her own free hours.'"
'I intended for the morning star to not shine any brighter,  
    Nor cast its light from its bright position;  
  I wanted her to be polite, easy-going, and sweet,  
    Free from that serious flaw of greatness, pride;  
  I envisioned each gentle virtue finding a home there,  
    Suitable to reside in that softer heart,  
  Only a wise and a manly soul  
    I planned for her, one who could skillfully manage  
  The rock, the spindle, and the shears of fate  
    And create her own free moments.'

"Me thinks," said I, "you are too fastidious in objecting to this. Jonson, in using the word 'manly,' only meant to heighten the picture of this, the true, the intelligent fate, with one of the deeper colors."

"I think," I said, "you're being too picky about this. Jonson, by using the word 'manly,' just wanted to enhance the image of this, the true, the intelligent fate, with a richer tone."

"And yet," said she, "so invariable is the use of this word where a heroic quality is to be described, and I feel so sure that persistence and courage are the most womanly no less than the most manly qualities, that I would exchange these words for others of a larger sense, at the risk of marring the fine tissue of the verse. Read, 'A heavenward and instructed soul,' and I should be satisfied. Let it not be said, wherever there is energy or creative genius, 'She has a masculine mind.'"

"And yet," she said, "the way this word is used to describe something heroic is so consistent, and I believe that persistence and courage are just as much womanly qualities as they are manly ones, that I would trade these words for ones with broader meanings, even if it might ruin the beauty of the verse. Read it as 'A heavenward and enlightened soul,' and I would be happy. Let's not say, wherever there is energy or creative genius, 'She has a masculine mind.'"


This by no means argues a willing want of generosity toward Woman. Man is as generous towards her as he knows how to be.

This doesn’t mean that there’s a lack of generosity towards women. Men are as generous to them as they know how to be.

Wherever she has herself arisen in national or private history, and nobly shone forth in any form of excellence, men have received her, not only willingly, but with triumph. Their encomiums, indeed, are always, in some sense, mortifying; they show too much surprise. "Can this be you?" he cries to the transfigured Cinderella; "well, I should never have thought it, but I am very glad. We will tell every one that you have 'surpassed your sex.'"

Wherever she has made her mark in public or personal history, and proudly stood out in any form of excellence, men have welcomed her not just gladly but with celebration. Their praises, however, can sometimes feel a bit embarrassing; they express too much astonishment. "Is this really you?" he exclaims to the transformed Cinderella; "I never would have guessed it, but I'm so happy. We'll let everyone know that you have 'outshone your gender'."

In every-day life, the feelings of the many are stained with vanity. Each wishes to be lord in a little world, to be superior at least over one; and he does not feel strong enough to retain a life-long ascendency over a strong nature. Only a Theseus could conquer before he wed the Amazonian queen. Hercules wished rather to rest with Dejanira, and received the poisoned robe as a fit guerdon. The tale should be interpreted to all those who seek repose with the weak.

In everyday life, many people’s feelings are tainted by vanity. Each person wants to be the ruler of their own little world, to feel superior at least to one other person; and they don’t feel capable of maintaining a lifelong dominance over someone strong. Only a Theseus could triumph before marrying the Amazon queen. Hercules preferred to relax with Dejanira and ended up receiving the poisoned robe as a fitting reward. This story should be understood by all those who seek comfort with the weak.

But not only is Man vain and fond of power, but the same want of development, which thus affects him morally, prevents his intellectually discerning the destiny of Woman: The boy wants no woman, but only a girl to play ball with him, and mark his pocket handkerchief.

But not only is man vain and eager for power, but the same lack of growth that affects him morally also stops him from intellectually understanding the fate of women: The boy doesn’t want a woman; he just wants a girl to play ball with him and to mark his pocket handkerchief.

Thus, in Schiller's Dignity of Woman, beautiful as the poem is, there is no "grave and perfect man," but only a great boy to be softened and restrained by the influence of girls. Poets—the elder brothers of their race—have usually seen further; but what can you expect of every-day men, if Schiller was not more prophetic as to what women must be? Even with Richter, one foremost thought about a wife was that she would "cook him something good." But as this is a delicate subject, and we are in constant danger of being accused of slighting what are called "the functions," let me say, in behalf of Miranda and myself, that we have high respect for those who "cook something good," who create and preserve fair order in houses, and prepare therein the shining raiment for worthy inmates, worthy guests. Only these "functions" must not be a drudgery, or enforced necessity, but a part of life. Let Ulysses drive the beeves home, while Penelope there piles up the fragrant loaves; they are both well employed if these be done in thought and love, willingly. But Penelope is no more meant for a baker or weaver solely, than Ulysses for a cattle-herd.

In Schiller's Dignity of Woman, as beautiful as the poem is, there isn't a "serious and perfect man," just a great boy who needs to be softened and guided by the influence of girls. Poets—the older brothers of humanity—usually have a broader perspective; but what can we expect from everyday men if Schiller didn't foresee what women must become? Even with Richter, one main idea about a wife was that she would "make him something good to eat." But since this is a sensitive topic, and we risk being accused of undermining what are called "the functions," let me clarify, on behalf of Miranda and myself, that we deeply respect those who "make something good," who establish and maintain order in homes, and prepare beautiful things for deserving residents and guests. However, these "functions" shouldn't be a burden or an obligation, but a natural part of life. Let Ulysses bring the cattle home while Penelope bakes the delicious loaves; they are both well engaged if these tasks are done with thought and love, willingly. But Penelope is not meant to be only a baker or a weaver, just as Ulysses is not meant solely to be a cattle herder.

The sexes should not only correspond to and appreciate, but prophesy to one another. In individual instances this happens. Two persons love in one another the future good which they aid one another to unfold. This is imperfectly or rarely done in the general life. Man has gone but little way; now he is waiting to see whether Woman can keep step with him; but, instead of calling but, like a good brother, "You can do it, if you only think so," or impersonally, "Any one can do what he tries to do;" he often discourages with school-boy brag: "Girls can't do that; girls can't play ball." But let any one defy their taunts, break through and be brave and secure, they rend the air with shouts.

The sexes should not only communicate and appreciate each other but also inspire each other. In some cases, this happens. Two people love the potential good in one another that they help each other realize. This is rarely done in everyday life. Men haven’t come very far; now they’re waiting to see if women can keep up with them. Instead of encouraging them and saying, "You can do it if you believe in yourself," or in a general way, "Anyone can succeed if they try," they often discourage with childish boasts: "Girls can't do that; girls can't play sports." But if someone challenges those remarks, breaks through, and is brave and confident, they cheer loudly.

This fluctuation was obvious in a narrative I have lately seen, the story of the life of Countess Emily Plater, the heroine of the last revolution in Poland. The dignity, the purity, the concentrated resolve, the calm, deep enthusiasm, which yet could, when occasion called, sparkle up a holy, an indignant fire, make of this young maiden the figure I want for my frontispiece. Her portrait is to be seen in the book, a gentle shadow of her soul. Short was the career. Like the Maid of Orleans, she only did enough to verify her credentials, and then passed from a scene on which she was, probably, a premature apparition.

This fluctuation was clear in a story I recently came across, the life of Countess Emily Plater, the heroine of the last revolution in Poland. The dignity, purity, focused determination, and calm, deep enthusiasm she displayed could, when the moment called for it, ignite a fierce, righteous fire, making this young woman the image I want for my frontispiece. Her portrait can be found in the book, a gentle reflection of her spirit. Her journey was brief. Like Joan of Arc, she did just enough to prove her worth, and then she vanished from a stage where she was probably a bit ahead of her time.

When the young girl joined the army, where the report of her exploits had preceded her, she was received in a manner that marks the usual state of feeling. Some of the officers were disappointed at her quiet manners; that she had not the air and tone of a stage-heroine. They thought she could not have acted heroically unless in buskins; had no idea that such deeds only showed the habit of her mind. Others talked of the delicacy of her sex, advised her to withdraw from perils and dangers, and had no comprehension of the feelings within her breast that made this impossible. The gentle irony of her reply to these self-constituted tutors (not one of whom showed himself her equal in conduct or reason), is as good as her indignant reproof at a later period to the general, whose perfidy ruined all.

When the young girl joined the army, where news of her achievements had already spread, she was welcomed in a way that reflected the typical attitude. Some of the officers were let down by her calm demeanor; she didn’t have the presence or tone of a dramatic heroine. They thought she couldn’t act heroically unless she was dressed in a particular style, completely unaware that her actions were a reflection of her mindset. Others commented on the delicacy of her gender, urged her to avoid risks and dangers, and didn’t understand the emotions inside her that made that impossible. The subtle irony in her responses to these self-appointed mentors (none of whom matched her in conduct or reasoning) is just as sharp as her later angry rebuke to the general, whose betrayal ruined everything.

But though, to the mass of these men, she was an embarrassment and a puzzle, the nobler sort viewed her with a tender enthusiasm worthy of her. "Her name," said her biographer, "is known throughout Europe. I paint her character that she may be as widely loved."

But for most of these men, she was a source of embarrassment and confusion; the better ones regarded her with a kind of gentle enthusiasm that she truly deserved. "Her name," her biographer said, "is recognized all over Europe. I’m portraying her character so that she can be loved by many."

With pride, he shows her freedom from all personal affections; that, though tender and gentle in an uncommon degree, there was no room for a private love in her consecrated life. She inspired those who knew her with a simple energy of feeling like her own. "We have seen," they felt, "a woman worthy the name, capable of all sweet affections, capable of stern virtue."

With pride, he demonstrates her freedom from all personal attachments; that, although she was unusually tender and gentle, there was no space for private love in her dedicated life. She inspired those who knew her with a pure energy of feeling similar to her own. "We have witnessed," they felt, "a woman deserving of the name, capable of all kind affections and strong virtue."

It is a fact worthy of remark, that all these revolutions in favor of liberty have produced female champions that share the same traits, but Emily alone has found a biographer. Only a near friend could have performed for her this task, for the flower was reared in feminine seclusion, and the few and simple traits of her history before her appearance in the field could only have been known to the domestic circle. Her biographer has gathered them up with a brotherly devotion.

It's worth noting that all these revolutions for freedom have inspired female champions who share similar qualities, but only Emily has gotten a biographer. Only a close friend could have taken on this task for her because she grew up in a very private and feminine environment, and the few basic details of her life before she stepped into the spotlight could only have been known within her family. Her biographer has collected these details with a brotherly devotion.

No! Man is not willingly ungenerous. He wants faith and love, because he is not yet himself an elevated being. He cries, with sneering scepticism, "Give us a sign." But if the sign appears, his eyes glisten, and he offers not merely approval, but homage.

No! People aren't intentionally selfish. They seek faith and love because they haven't yet become their best selves. They shout, with mocking doubt, "Show us a sign." But when the sign appears, their eyes light up, and they offer not just approval, but respect.

The severe nation which taught that the happiness of the race was forfeited through the fault of a Woman, and showed its thought of what sort of regard Man owed her, by making him accuse her on the first question to his God,—who gave her to the patriarch as a handmaid, and, by the Mosaical law, bound her to allegiance like a serf,—even they greeted, with solemn rapture, all great and holy women as heroines, prophetesses, judges in Israel; and, if they made Eve listen to the serpent, gave Mary as a bride to the Holy Spirit. In other nations it has been the same down to our day. To the Woman who could conquer a triumph was awarded. And not only those whose strength was recommended to the heart by association with goodness and beauty, but those who were bad, if they were steadfast and strong, had their claims allowed. In any age a Semiramis, an Elizabeth of England, a Catharine of Russia, makes her place good, whether in a large or small circle. How has a little wit, a little genius, been celebrated in a Woman! What an intellectual triumph was that of the lonely Aspasia, and how heartily acknowledged! She, indeed, met a Pericles. But what annalist, the rudest of men, the most plebeian of husbands, will spare from his page one of the few anecdotes of Roman women—Sappho! Eloisa! The names are of threadbare celebrity. Indeed, they were not more suitably met in their own time than the Countess Colonel Plater on her first joining the army. They had much to mourn, and their great impulses did not find due scope. But with time enough, space enough, their kindred appear on the scene. Across the ages, forms lean, trying to touch the hem of their retreating robes. The youth here by my side cannot be weary of the fragments from the life of Sappho. He will not believe they are not addressed to himself, or that he to whom they were addressed could be ungrateful. A recluse of high powers devotes himself to understand and explain the thought of Eloisa; he asserts her vast superiority in soul and genius to her master; he curses the fate that casts his lot in another age than hers. He could have understood her; he would have been to her a friend, such as Abelard never could. And this one Woman he could have loved and reverenced, and she, alas! lay cold in her grave hundreds of years ago. His sorrow is truly pathetic. These responses, that come too late to give joy, are as tragic as anything we know, and yet the tears of later ages glitter as they fall on Tasso's prison bars. And we know how elevating to the captive is the security that somewhere an intelligence must answer to his.

The harsh nation that taught that the happiness of humanity was lost because of a Woman, and demonstrated its view of what kind of respect a Man owed her by making him accuse her in the first question to his God—who gave her to the patriarch as a servant, and, according to the Mosaic law, bound her in loyalty like a serf—still welcomed all great and holy women as heroines, prophetesses, and judges in Israel with solemn admiration. If they made Eve listen to the serpent, they still offered Mary as a bride to the Holy Spirit. Other nations have been the same even to this day. A Woman who could achieve a triumph was celebrated. Not only those whose strength was praised due to their goodness and beauty, but even those who were bad, if they were determined and strong, had their achievements recognized. Throughout any time, a Semiramis, an Elizabeth of England, or a Catherine of Russia establishes her significance, whether in a large or small sphere. How little wit and a touch of genius have been honored in a Woman! What an intellectual victory was Aspasia’s, and how widely acknowledged! She certainly interacted with a Pericles. But what chronicler, even the most crude man or the most ordinary husband, would omit from his records one of the few stories of Roman women—Sappho! Eloisa! Their names are familiar to everyone. In their own time, they were not better received than the Countess Colonel Plater upon her first arrival in the army. They had much to lament, and their grand aspirations often lacked the proper outlets. However, given enough time and space, their descendants eventually appear. Across the ages, spirits reach out, trying to grasp the hem of their fading garments. The young person beside me cannot tire of the fragments from Sappho’s life. He cannot believe they are not directed at him, or that the person they were meant for could be ungrateful. A reclusive genius dedicates himself to understanding and interpreting Eloisa’s thoughts; he asserts her vast superiority in soul and talent over her master; he curses the fate that places him in a different era than hers. He could have understood her; he would have been a friend to her, unlike Abelard ever could. And this one Woman he could have loved and respected, and she, sadly, had been cold in her grave for centuries. His grief is genuinely touching. These responses come too late to bring joy and are as tragic as anything we know, yet the tears of later ages shine as they fall on Tasso's prison bars. And we understand how uplifting it is for the captive to know that there is some intelligence out there that will resonate with his own.

The Man habitually most narrow towards Woman will be flushed, as by the worst assault on Christianity, if you say it has made no improvement in her condition. Indeed, those most opposed to new acts in her favor, are jealous of the reputation of those which have been done.

The man who is usually the most critical of women will be outraged, as if it were the worst attack on Christianity, if you say that there has been no improvement in her situation. In fact, those who are most resistant to new efforts on her behalf are envious of the praise given to the changes that have already been made.

We will not speak of the enthusiasm excited by actresses, improvisatrici, female singers,—for here mingles the charm of beauty and grace,—but female authors, even learned women, if not insufferably ugly and slovenly, from the Italian professor's daughter who taught behind the curtain, down to Mrs. Carter and Madame Dacier, are sure of an admiring audience, and, what is far better, chance to use what they have learned, and to learn more, if they can once get a platform on which to stand.

We won’t talk about the excitement generated by actresses, improvisers, or female singers—since there's a mix of beauty and grace involved—but female authors, even educated women, as long as they're not unbearably unattractive and messy, from the Italian professor's daughter who taught behind the scenes to Mrs. Carter and Madame Dacier, are sure to find an appreciative audience. Even better, they get the chance to apply what they’ve learned and continue learning, if they can just find a platform to stand on.

But how to get this platform, or how to make it of reasonably easy access, is the difficulty. Plants of great vigor will almost always struggle into blossom, despite impediments. But there should be encouragement, and a free genial atmosphere for those of move timid sort, fair play for each in its own kind. Some are like the little, delicate flowers which love to hide in the dripping mosses, by the sides of mountain torrents, or in the shade of tall trees. But others require an open field, a rich and loosened soil, or they never show their proper hues.

But figuring out how to make this platform accessible is the challenge. Strong plants will usually push through and bloom, even when faced with obstacles. However, there should be support and a welcoming environment for those who are more fragile, ensuring fairness for everyone in their own unique way. Some are like delicate flowers that thrive in the damp moss by rushing mountain streams or in the shade of tall trees. Others need an open field and rich, loose soil to display their true colors.

It may be said that Man does not have his fair play either; his energies are repressed and distorted by the interposition of artificial obstacles. Ay, but he himself has put them there; they have grown out of his own imperfections. If there is a misfortune in Woman's lot, it is in obstacles being interposed by men, which do not mark her state; and, if they express her past ignorance, do not her present needs. As every Man is of Woman born, she has slow but sure means of redress; yet the sooner a general justness of thought makes smooth the path, the better.

It can be said that men also don’t get a fair chance; their energies are held back and twisted by the presence of artificial barriers. Yes, but he created those barriers himself; they stem from his own flaws. If there is a misfortune in a woman’s life, it comes from the obstacles placed there by men, which do not define her situation; and while they may show her past ignorance, they don’t address her current needs. Since every man is born of a woman, she has slow but certain ways to seek justice; however, the sooner a general sense of fairness clears the way, the better.

Man is of Woman born, and her face bends over him in infancy with an expression he can never quite forget. Eminent men have delighted to pay tribute to this image, and it is an hackneyed observation, that most men of genius boast some remarkable development in the mother. The rudest tar brushes off a tear with his coat-sleeve at the hallowed name. The other day, I met a decrepit old man of seventy, on a journey, who challenged the stage company to guess where he was going. They guessed aright, "To see your mother." "Yes," said he, "she is ninety-two, but has good eyesight still, they say. I have not seen her these forty years, and I thought I could not die in peace without." I should have liked his picture painted as a companion-piece to that of a boisterous little boy, whom I saw attempt to declaim at a school exhibition—

Man is born of Woman, and her face hovers over him in infancy with an expression he can never quite forget. Notable men have happily paid tribute to this image, and it’s a well-worn observation that most men of genius have some notable quality developed in their mothers. Even the roughest sailor wipes away a tear with his coat sleeve at the revered name. Just the other day, I met a frail old man of seventy while traveling, who challenged the stage company to guess where he was headed. They guessed correctly, “To see your mother.” “Yes,” he replied, “she is ninety-two, but they say she still has good eyesight. I haven’t seen her in forty years, and I thought I couldn’t die in peace without seeing her again.” I would have liked to get his portrait painted as a companion piece to that of a lively little boy I saw attempting to perform at a school exhibition—

  "O that those lips had language! Life has passed
  With me but roughly since I heard thee last."
"O that those lips could speak! Life has been pretty tough for me since I last heard you."

He got but very little way before sudden tears shamed him from the stage.

He barely made it a few steps before sudden tears embarrassed him off the stage.

Some gleams of the same expression which shone down upon his infancy, angelically pure and benign, visit Man again with hopes of pure love, of a holy marriage. Or, if not before, in the eyes of the mother of his child they again are seen, and dim fancies pass before his mind, that Woman may not have been born for him alone, but have come from heaven, a commissioned soul, a messenger of truth and love; that she can only make for him a home in which he may lawfully repose, in so far as she is

Some glimpses of the same expression that shined down on his childhood, angelically pure and kind, visit Man again with hopes of genuine love and a sacred marriage. Or, if not earlier, in the eyes of the mother of his child, they appear again, and vague thoughts move through his mind, that Woman may not have been meant for him alone, but has come from heaven, a destined soul, a messenger of truth and love; that she can only create for him a home where he can peacefully rest, as much as she is

  "True to the kindred points of Heaven and home."
"True to the shared connections of Heaven and home."

In gleams, in dim fancies, this thought visits the mind of common men. It is soon obscured by the mists of sensuality, the dust of routine, and he thinks it was only some meteor or ignis fatuus that shone. But, as a Rosicrucian lamp, it burns unwearied, though condemned to the solitude of tombs; and to its permanent life, as to every truth, each age has in some form borne witness. For the truths, which visit the minds of careless men only in fitful gleams, shine with radiant clearness into those of the poet, the priest, and the artist.

In flashes and fleeting thoughts, this idea comes to the minds of ordinary people. It quickly gets lost in the haze of pleasure, the routine of daily life, and they dismiss it as just a brief spark or a will-o'-the-wisp. But like a Rosicrucian lamp, it burns steadily, even though it’s trapped in the solitude of graves; and throughout history, every truth has found some form of acknowledgment. The truths that only appear to indifferent people in sporadic flashes shine brightly for the poet, the priest, and the artist.

Whatever may have been the domestic manners of the ancients, the idea of Woman was nobly manifested in their mythologies and poems, whore she appears as Site in the Ramayana, a form of tender purity; as the Egyptian Isis, [Footnote: For an adequate description of the Isis, see Appendix A.] of divine wisdom never yet surpassed. In Egypt, too, the Sphynx, walking the earth with lion tread, looked out upon its marvels in the calm, inscrutable beauty of a virgin's face, and the Greek could only add wings to the great emblem. In Greece, Ceres and Proserpine, significantly termed "the great goddesses," were seen seated side by side. They needed not to rise for any worshipper or any change; they were prepared for all things, as those initiated to their mysteries knew. More obvious is the meaning of these three forms, the Diana, Minerva, and Vesta. Unlike in the expression of their beauty, but alike in this,—that each was self-sufficing. Other forms were only accessories and illustrations, none the complement to one like these. Another might, indeed, be the companion, and the Apollo and Diana set off one another's beauty. Of the Vesta, it is to be observed, that not only deep-eyed, deep-discerning Greece, but ruder Rome, who represents the only form of good man (the always busy warrior) that could be indifferent to Woman, confided the permanence of its glory to a tutelary goddess, and her wisest legislator spoke of meditation as a nymph.

Whatever the domestic customs of ancient times, the concept of Woman was beautifully expressed in their myths and poetry. She appears as Sita in the Ramayana, embodying tender purity; as the Egyptian Isis, who represents divine wisdom that has never been surpassed. In Egypt, the Sphinx, striding across the land with the grace of a lion, gazed upon its wonders with the calm, mysterious beauty of a virgin's face, and the Greeks simply added wings to this powerful symbol. In Greece, Ceres and Proserpine, aptly named "the great goddesses," were depicted sitting together. They didn't need to stand up for any worshipper or change; they were ready for everything, as those initiated into their mysteries understood. The significance of these three figures—Diana, Minerva, and Vesta—is more straightforward. While their beauty is expressed differently, they share this in common: each was self-sufficient. Other figures were merely accessories or illustrations, but none complemented one like these. Another might indeed be a companion; Apollo and Diana enhanced each other's beauty. Notably, when it comes to Vesta, both the insightful Greeks and the more rugged Romans—who portrayed the only type of good man (the always busy warrior) as indifferent to Woman—entrusted the lasting nature of their glory to a protective goddess. Her most astute legislator even referred to meditation as a nymph.

Perhaps in Rome the neglect of Woman was a reaction on the manners of Etruria, where the priestess Queen, warrior Queen, would seem to have been so usual a character.

Maybe in Rome, the disregard for women was a response to the customs of Etruria, where the priestess-queen and warrior-queen seemed to be common figures.

An instance of the noble Roman marriage, where the stern and calm nobleness of the nation was common to both, we see in the historic page through the little that is told us of Brutus and Portia. Shakspeare has seized on the relation in its native lineaments, harmonizing the particular with the universal; and, while it is conjugal love, and no other, making it unlike the same relation as seen in Cymbeline, or Othello, even as one star differeth from another in glory.

An example of the noble Roman marriage, where the stern and steady dignity of the nation was shared by both partners, is seen in history through the brief details we have about Brutus and Portia. Shakespeare captured their relationship in its true form, blending the specific with the universal. While it is a story of marital love, unlike any other, it stands apart from similar relationships depicted in Cymbeline or Othello, just as one star differs from another in brightness.

      "By that great vow
  Which did incorporate and make us one,
  Unfold to me, yourself, your other half,
  Why you are heavy. ...
      Dwell I but in the suburbs
  Of your good pleasure? If it be no more,
  Portia is Brutus' harlot, not his wife."
      "By that great vow  
  Which brought us together and made us one,  
  Reveal to me, yourself, your other half,  
  Why are you so troubled? ...  
      Am I just lingering in the outskirts  
  Of your goodwill? If that's all there is,  
  Portia is just Brutus' mistress, not his wife."

Mark the sad majesty of his tone in answer. Who would not have lent a life-long credence to that voice of honor?

Mark the sad majesty of his tone in response. Who wouldn't have believed in that voice of honor for a lifetime?

  "You are my true and honorable wife;
   As dear to me as are the ruddy drops
   That visit this sad heart."
"You are my true and honorable wife;  
As dear to me as the warm drops  
That fill this sad heart."

It is the same voice that tells the moral of his life in the last words—

It’s the same voice that shares the lesson of his life in the final words—

        "Countrymen,
  My heart doth joy, that, yet in all my life,
  I found no man but he was true to me."
        "Fellow countrymen,  
  My heart is happy that, in all my life,  
  I have found no one who wasn't loyal to me."

It was not wonderful that it should be so.

It wasn't surprising that it was like that.

Shakspeare, however, was not content to let Portia rest her plea for confidence on the essential nature of the marriage bond:

Shakespeare, however, wasn’t satisfied to let Portia base her appeal for trust solely on the fundamental nature of marriage:

  "I grant I am a woman; but withal,
   A woman that lord Brutus took to wife.
   I grant I am a woman; but withal,
    A woman well reputed—Cato's daughter.
   Think you I am no stronger than my sex,
   Being so fathered and so husbanded?"
  "I admit that I am a woman; but still,  
   A woman that Lord Brutus married.  
   I admit that I am a woman; but still,  
   A woman with a good reputation—Cato's daughter.  
   Do you think I am not stronger than my gender,  
   Considering my father and husband?"

And afterward in the very scene where Brutus is suffering under that "insupportable and touching loss," the death of his wife, Cassius pleads—

And later, in the same moment where Brutus is dealing with that "unbearable and heartbreaking loss," the death of his wife, Cassius argues—

    "Have you not love enough to bear with me,
    When that rash humor which my mother gave me
    Makes me forgetful?

Brutus.—Yes, Cassius, and henceforth,
    When you are over-earnest with your Brutus,
    He'll think your mother chides, and leaves you so."
"Don't you have enough love to be patient with me when that reckless temperament my mother gave me makes me forgetful? 

Brutus.—Yes, Cassius, and from now on, when you're too serious with me, I'll think your mother is criticizing you and that's why you act this way."

As indeed it was a frequent belief among the ancients, as with our Indians, that the body was inherited from the mother, the soul from the father. As in that noble passage of Ovid, already quoted, where Jupiter, as his divine synod are looking down on the funeral pyre of Hercules, thus triumphs—

As it was commonly believed among ancient people, just like with our Indigenous tribes, that the body comes from the mother, while the soul comes from the father. Like in that beautiful passage from Ovid, already mentioned, where Jupiter, as his divine council looks down on the funeral pyre of Hercules, proclaims triumphantly—

  "Neo nisi materna Vulcanum parte potentem,
  Sentiet. Aeternum est, à me quod traxit, et expers
  Atque immune neois, nullaque domabile flamma
  Idque ego defunctum terrà coelestibus oris
  Accipiam, cunctisque meum laetabile factum
  Dis fore confido.

  "The part alone of gross maternal flame
  Fire shall devour; while that from me he drew
  Shall live immortal and its force renew;
  That, when he's dead, I'll raise to realms above;
  Let all the powers the righteous act approve."
  "Only the material motherly flame will be devoured;
  The part he took from me will live forever,
  And its strength will be renewed;
  When he's gone, I'll elevate it to higher realms;
  I trust all the forces will approve of this righteous act."

It is indeed a god speaking of his union with an earthly Woman, but it expresses the common Roman thought as to marriage,—the same which permitted a man to lend his wife to a friend, as if she were a chattel

It is indeed a god talking about his relationship with an earthly woman, but it reflects the common Roman view on marriage—the same one that allowed a man to lend his wife to a friend, as if she were property.

  "She dwelt but in the suburbs of his good pleasure."
"She lived only on the outskirts of his approval."

Yet the same city, as I have said, leaned on the worship of Vesta, the Preserver, and in later times was devoted to that of Isis. In Sparta, thought, in this respect as in all others, was expressed in the characters of real life, and the women of Sparta were as much Spartans as the men. The "citoyen, citoyenne" of France was here actualized. Was not the calm equality they enjoyed as honorable as the devotion of chivalry? They intelligently shared the ideal life of their nation.

Yet the same city, as I mentioned, relied on the worship of Vesta, the Preserver, and later became devoted to Isis. In Sparta, thought was reflected in real-life actions, and Spartan women were just as much Spartans as the men. The concept of "citoyen, citoyenne" from France was made real here. Wasn't the calm equality they experienced just as respectable as the devotion found in chivalry? They thoughtfully embraced the ideal life of their nation.

Like the men they felt:

Like the guys they felt:

    "Honor gone, all's gone:
  Better never have been born."
"Without honor, nothing is left:  
It's better not to have been born at all."

They were the true friends of men. The Spartan, surely, would not think that he received only his body from his mother. The sage, had he lived in that community, could not have thought the souls of "vain and foppish men will be degraded after death to the forms of women; and, if they do not then make great efforts to retrieve themselves, will become birds."

They were the genuine friends of humanity. The Spartan, of course, wouldn't believe that he only got his physical body from his mother. The wise person, if living in that society, couldn't have thought that the souls of "superficial and vain men will be lowered to the forms of women after death; and if they don’t make significant efforts to better themselves, they will turn into birds."

(By the way, it is very expressive of the hard intellectuality of the merely mannish mind, to speak thus of birds, chosen always by the feminine poet as the symbols of his fairest thoughts.)

(By the way, it really shows the intense intellectual nature of the purely masculine mind to talk like this about birds, which are always chosen by the feminine poet as symbols of their most beautiful thoughts.)

We are told of the Greek nations in general, that Woman occupied there an infinitely lower place than Man. It is difficult to believe this, when we see such range and dignity of thought on the subject in the mythologies, and find the poets producing such ideals as Cassandra, Iphigenia, Antigone, Macaria; where Sibylline priestesses told the oracle of the highest god, and he could not be content to reign with a, court of fewer than nine muses. Even Victory wore a female form.

We hear that in general, Greek society viewed women as being far below men. It’s hard to accept this when we see the depth and respect given to the subject in their mythologies and when poets create remarkable characters like Cassandra, Iphigenia, Antigone, and Macaria. The Sibylline priestesses delivered messages from the highest god, and he was never satisfied with a court of fewer than nine muses. Even Victory was depicted as a woman.

But, whatever were the facts of daily life, I cannot complain of the age and nation which represents its thought by such a symbol as I see before me at this moment. It is a zodiac of the busts of gods and goddesses, arranged in pairs. The circle breathes the music of a heavenly order. Male and female heads are distinct in expression, but equal in beauty, strength and calmness. Each male head is that of a brother and a king,—each female of a sister and a queen. Could the thought thus expressed be lived out, there would be nothing more to be desired. There would be unison in variety, congeniality in difference.

But, no matter what the realities of daily life are, I can't complain about the age and nation that expresses its ideas through such a symbol as the one I see in front of me right now. It’s a circle of busts of gods and goddesses, arranged in pairs. The circle resonates with the music of a heavenly order. The male and female heads are distinct in expression, but equal in beauty, strength, and tranquility. Each male head represents a brother and a king, while each female head represents a sister and a queen. If the thoughts conveyed in this way could be realized, there would be nothing more to desire. There would be harmony in diversity and compatibility in differences.

Coming nearer our own time, we find religion and poetry no less true in their revelations. The rude man, just disengaged from the sod, the Adam, accuses Woman to his God, and records her disgrace to their posterity. He is not ashamed to write that he could be drawn from heaven by one beneath him,—one made, he says, from but a small part of himself. But in the same nation, educated by time, instructed by a succession of prophets, we find Woman in as high a position as she has ever occupied, No figure that has ever arisen to greet our eyes has been received with more fervent reverence than that of the Madonna. Heine calls her the Dame du Comptoir of the Catholic church, and this jeer well expresses a serious truth.

As we get closer to modern times, we see that religion and poetry continue to reveal deep truths. The primitive man, just emerging from the earth, blames Woman in front of his God and records her disgrace for future generations. He isn’t ashamed to write that he could be tempted away from heaven by someone beneath him—someone made, he claims, from just a small piece of himself. Yet, in the same society, educated over time and guided by a series of prophets, we find Woman in as high a position as she has ever held. No figure that has ever appeared before us has been met with more intense reverence than the Madonna. Heine refers to her as the Dame du Comptoir of the Catholic Church, and this sarcastic remark reflects a deeper truth.

And not only this holy and significant image was worshipped by the pilgrim, and the favorite subject of the artist, but it exercised an immediate influence on the destiny of the sex. The empresses who embraced the cross converted sons and husbands. Whole calendars of female saints, heroic dames of chivalry, binding the emblem of faith on the heart of the best-beloved, and wasting the bloom of youth in separation and loneliness, for the sake of duties they thought it religion to assume, with innumerable forms of poesy, trace their lineage to this one. Nor, however imperfect may be the action, in our day, of the faith thus expressed, and though we can scarcely think it nearer this ideal than that of India or Greece was near their ideal, is it in vain that the truth has been recognized, that Woman is not only a part of Man, bone of his bone, and flesh of his flesh, born that men might not be lonely—but that women are in themselves possessors of and possessed by immortal souls. This truth undoubtedly received a greater outward stability from the belief of the church that the earthly parent of the Saviour of souls was a woman.

And not only was this holy and significant image worshipped by the pilgrim and celebrated by artists, but it also had an immediate impact on the fate of women. The empresses who adopted the cross converted their sons and husbands. Entire calendars are filled with female saints and heroic women of chivalry, who wore the symbol of faith close to their hearts and spent their youth in separation and loneliness for duties they believed were religious obligations, and countless forms of poetry trace their lineage to this one. While the expression of faith may seem imperfect in our time, and although we can hardly say it gets any closer to its ideal than the ideals of India or Greece, it is not in vain that we recognize the truth that Woman is not just a part of Man, bone of his bone and flesh of his flesh, created so that men wouldn't be alone—but that women have their own immortal souls. This truth undoubtedly gained more outward recognition with the church's belief that the earthly parent of the Savior of souls was a woman.

The Assumption of the Virgin, as painted by sublime artists, as also Petrarch's Hymn to the Madonna, [Footnote: Appendix B.] cannot have spoken to the world wholly without result, yet oftentimes those who had ears heard not.

The Assumption of the Virgin, painted by amazing artists, along with Petrarch's Hymn to the Madonna, [Footnote: Appendix B.] must have had some impact on the world, but often those who could listen did not.

See upon the nations the influence of this powerful example. In Spain look only at the ballads. Woman in these is "very Woman;" she is the betrothed, the bride, the spouse of Man; there is on her no hue of the philosopher, the heroine, the savante, but she looks great and noble. Why? Because she is also, through her deep devotion, the betrothed of Heaven. Her upturned eyes have drawn down the light that casts a radiance round her. See only such a ballad as that of "Lady Teresa's Bridal," where the Infanta, given to the Moorish bridegroom, calls down the vengeance of Heaven on his unhallowed passion, and thinks it not too much to expiate by a life in the cloister the involuntary stain upon her princely youth. [Footnote: Appendix C.] It was this constant sense of claims above those of earthly love or happiness that made the Spanish lady who shared this spirit a guerdon to be won by toils and blood and constant purity, rather than a chattel to be bought for pleasure and service.

Look at how this powerful example influences nations. In Spain, just look at the ballads. Women here are "very Woman;" they are the fiancées, the brides, the wives of Men; there’s no trace of the philosopher, the heroine, or the intellectual in them, but they appear great and noble. Why? Because through their deep devotion, they are also betrothed to Heaven. Their upturned eyes have drawn down the light that surrounds them with radiance. Just consider a ballad like "Lady Teresa's Bridal," where the Infanta, promised to the Moorish bridegroom, calls down Heaven's vengeance on his unholy desire and believes it’s not too much to atone for the involuntary blemish on her noble youth by spending her life in a convent. [Footnote: Appendix C.] It was this constant awareness of higher claims than those of earthly love or happiness that made the Spanish lady who embraced this spirit a prize to be earned through effort, sacrifice, and unwavering purity, rather than just an object to be bought for pleasure and service.

Germany did hot need to learn a high view of Woman; it was inborn in that race. Woman was to the Teuton warrior his priestess, his friend, his sister,—in truth, a wife. And the Christian statues of noble pairs, as they lie above their graves in stone, expressing the meaning of all the by-gone pilgrimage by hands folded in mutual prayer, yield not a nobler sense of the place and powers of Woman than belonged to the altvater day. The holy love of Christ which summoned them, also, to choose "the better part—that which could not be taken from them," refined and hallowed in this nation a native faith; thus showing that it was not the warlike spirit alone that left the Latins so barbarous in this respect.

Germany didn't need to learn to have a high regard for women; it was inherent in that culture. To the Teuton warrior, a woman was his priestess, his friend, his sister—truly, his wife. The Christian statues of noble couples, which rest above their graves in stone, capturing the significance of their past journeys with hands folded in mutual prayer, do not convey a greater appreciation for women than what existed in the altvater days. The holy love of Christ, which also called them to choose "the better part—that which could not be taken from them," refined and sanctified a native faith in this nation; thus demonstrating that it wasn’t just the warlike spirit that left the Latins so savage in this regard.

But the Germans, taking so kindly to this thought, did it the more justice. The idea of Woman in their literature is expressed both to a greater height and depth than elsewhere.

But the Germans, embracing this idea so warmly, did it even more justice. The concept of Woman in their literature is portrayed with greater intensity and nuance than in other places.

I will give as instances the themes of three ballads:

I will provide examples of the themes from three ballads:

One is upon a knight who had always the name of the Virgin on his lips. This protected him all his life through, in various and beautiful modes, both from sin and other dangers; and, when he died, a plant sprang from his grave, which so gently whispered the Ave Maria that none could pass it by with an unpurified heart.

Once there was a knight who always had the name of the Virgin on his lips. This kept him safe throughout his life, in many wonderful ways, from sin and other dangers; and when he died, a plant grew from his grave, which softly whispered the Ave Maria so that no one could walk by it with an impure heart.

Another is one of the legends of the famous Drachenfels. A maiden, one of the earliest converts to Christianity, was carried by the enraged populace to this dread haunt of "the dragon's fabled brood," to be their prey. She was left alone, but undismayed, for she knew in whom she trusted. So, when the dragons came rushing towards her, she showed them a crucifix and they crouched reverently at her feet. Next day the people came, and, seeing these wonders, were all turned to the faith which exalts the lowly.

Another is one of the legends of the famous Drachenfels. A young woman, one of the earliest converts to Christianity, was taken by an angry crowd to this terrifying place of "the dragon's fabled brood," to be their victim. She was left alone but unafraid, for she knew whom she trusted. So, when the dragons came rushing toward her, she showed them a crucifix, and they crouched respectfully at her feet. The next day, people came and, seeing these wonders, all turned to the faith that uplifts the humble.

The third I have in mind is another of the Rhine legends. A youth is sitting with the maid he loves on the shore of an isle, her fairy kingdom, then perfumed by the blossoming grape-vines which draped its bowers. They are happy; all blossoms with them, and life promises its richest vine. A boat approaches on the tide; it pauses at their foot. It brings, perhaps, some joyous message, fresh dew for their flowers, fresh light on the wave. No! it is the usual check on such great happiness. The father of the count departs for the crusade; will his son join him, or remain to rule their domain, and wed her he loves? Neither of the affianced pair hesitates a moment. "I must go with my father,"—"Thou must go with thy father." It was one thought, one word. "I will be here again," he said, "when these blossoms have turned to purple grapes." "I hope so," she sighed, while the prophetic sense said "no."

The third story I have in mind is another one from the Rhine legends. A young man sits with the woman he loves on the shore of an island, her fairy kingdom, which is then fragrant with blooming grapevines that hang over their arbors. They are happy; everything around them is blossoming, and life promises its richest rewards. A boat comes drifting on the tide; it stops at their feet. It might bring some joyful news, fresh dew for their flowers, fresh light on the water. No! It’s just the usual interruption of such great happiness. The count’s father is heading off to the crusade; will his son join him, or stay to rule their land and marry the woman he loves? Neither of the engaged couple hesitates for a second. "I must go with my father,"—"You must go with your father." It was one thought, one response. "I will be back," he said, "when these blossoms have turned into purple grapes." "I hope so," she sighed, though there was a sense of foreboding that said "no."

And there she waited, and the grapes ripened, and were gathered into the vintage, and he came not. Year after year passed thus, and no tidings; yet still she waited.

And there she waited, and the grapes ripened, and were gathered into the harvest, and he didn’t come. Year after year went by like this, and there were no news; yet still she waited.

He, meanwhile, was in a Moslem prison. Long he languished there without hope, till, at last, his patron saint appeared in vision and announced his release, but only on condition of his joining the monastic order for the service of the saint.

He was in a Muslim prison during that time. He suffered there for a long time without hope until, finally, his patron saint appeared to him in a vision and announced his release, but only if he agreed to join the monastic order to serve the saint.

And so his release was effected, and a safe voyage home given. And once more he sets sail upon the Rhine. The maiden, still watching beneath the vines, sees at last the object of all this patient love approach—approach, but not to touch the strand to which she, with outstretched arms, has rushed. He dares not trust himself to land, but in low, heart-broken tones, tells her of Heaven's will; and that he, in obedience to his vow, is now on his way to a convent on the river-bank, there to pass the rest of his earthly life in the service of the shrine. And then he turns his boat, and floats away from her and hope of any happiness in this world, but urged, as he believes, by the breath of Heaven.

And so he was released, and given a safe journey home. Once again, he sets sail on the Rhine. The young woman, still watching beneath the vines, finally sees the focus of all her patient love approaching—coming close, but not actually reaching the shore to which she, with outstretched arms, has rushed. He can't bring himself to land, but in quiet, heartbroken tones, he tells her about Heaven's will; that he, following his vow, is on his way to a convent on the riverbank, where he'll spend the rest of his life in service to the shrine. Then he turns his boat around and drifts away from her and any hope of happiness in this world, believing he is being guided by the breath of Heaven.

The maiden stands appalled, but she dares not murmur, and cannot hesitate long. She also bids them prepare her boat. She follows her lost love to the convent gate, requests an interview with the abbot, and devotes her Elysian isle, where vines had ripened their ruby fruit in vain for her, to the service of the monastery where her love was to serve. Then, passing over to the nunnery opposite, she takes the veil, and meets her betrothed at the altar; and for a life-long union, if not the one they had hoped in earlier years.

The young woman stands in shock, but she doesn't dare speak up and can’t hesitate for long. She also asks them to get her boat ready. She follows her lost love to the convent gate, requests a meeting with the abbot, and dedicates her beautiful island, where the vines had produced their ruby fruit in vain for her, to the service of the monastery where her love was meant to serve. Then, crossing over to the nunnery across the way, she takes her vows and meets her fiancé at the altar; it's a lifelong commitment, even if it's not the one they had once dreamed of in their younger years.

Is not this sorrowful story of a lofty beauty? Does it not show a sufficiently high view of Woman, of Marriage? This is commonly the chivalric, still more the German view.

Isn't this a sad story about a great beauty? Doesn't it present a high regard for women and marriage? This is typically the chivalric view, and even more so the German perspective.

Yet, wherever there was a balance in the mind of Man, of sentiment with intellect, such a result was sure. The Greek Xenophon has not only painted us a sweet picture of the domestic Woman, in his Economics, but in the Cyropedia has given, in the picture of Panthea, a view of Woman which no German picture can surpass, whether lonely and quiet with veiled lids, the temple of a vestal loveliness, or with eyes flashing, and hair flowing to the free wind, cheering on the hero to fight for his God, his country, or whatever name his duty might bear at the time. This picture I shall copy by and by. Yet Xenophon grew up in the same age with him who makes Iphigenia say to Achilles,

Yet, wherever there was a balance in the mind of Man, mixing feelings with intellect, such a result was guaranteed. The Greek Xenophon not only painted a lovely picture of the domestic Woman in his Economics, but he also, in the Cyropedia, presented a view of Woman through the character of Panthea that no German portrayal can surpass—whether she's solitary and serene with closed eyes, embodying the beauty of a vestal, or with sparkling eyes and flowing hair in the wind, encouraging the hero to fight for his God, his country, or whatever name his duty happens to take at the moment. I will reproduce this image later. Yet, Xenophon grew up in the same era as the one who makes Iphigenia say to Achilles,

  "Better a thousand women should perish than one man cease to see
   the light."
"Better a thousand women die than one man stop seeing the light."

This was the vulgar Greek sentiment. Xenophon, aiming at the ideal Man, caught glimpses of the ideal Woman also. From the figure of a Cyrus the Pantheas stand not afar. They do not in thought; they would not in life.

This was the common Greek feeling. Xenophon, striving for the ideal Man, also caught glimpses of the ideal Woman. From the character of a Cyrus, the Pantheas stands not far away. They do not in thought; they would not in life.

I could swell the catalogue of instances far beyond the reader's patience. But enough have been brought forward to show that, though there has been great disparity betwixt the nations as between individuals in their culture on this point, yet the idea of Woman has always cast some rays and often been forcibly represented.

I could list many more examples beyond what the reader can tolerate. However, I've provided enough to demonstrate that, while there’s been significant variation between nations and individuals in their cultural views on this matter, the concept of Woman has always been portrayed in some light and often emphatically represented.

Far less has Woman to complain that she has not had her share of power. This, in all ranks of society, except the lowest, has been hers to the extent that vanity would crave, far beyond what wisdom would accept. In the very lowest, where Man, pressed by poverty, sees in Woman only the partner of toils and cares, and cannot hope, scarcely has an idea of, a comfortable home, he often maltreats her, and is less influenced by her. In all ranks, those who are gentle and uncomplaining, too candid to intrigue, too delicate to encroach, suffer much. They suffer long, and are kind; verily, they have their reward. But wherever Man is sufficiently raised above extreme poverty, or brutal stupidity, to care for the comforts of the fireside, or the bloom and ornament of life, Woman has always power enough, if she choose to exert it, and is usually disposed to do so, in proportion to her ignorance and childish vanity. Unacquainted with the importance of life and its purposes, trained to a selfish coquetry and love of petty power, she does not look beyond the pleasure of making herself felt at the moment, and governments are shaken and commerce broken up to gratify the pique of a female favorite. The English shopkeeper's wife does not vote, but it is for her interest that the politician canvasses by the coarsest flattery. France suffers no woman on her throne, but her proud nobles kiss the dust at the feet of Pompadour and Dubarry; for such flare in the lighted foreground where a Roland would modestly aid in the closet. Spain (that same Spain which sang of Ximena and the Lady Teresa) shuts up her women in the care of duennas, and allows them no book but the breviary; but the ruin follows only the more surely from the worthless favorite of a worthless queen. Relying on mean precautions, men indeed cry peace, peace, where there is no peace.

Women have less to complain about regarding their share of power. In almost all classes of society, except the very lowest, they have had as much power as their vanity desires, far more than what wisdom would accept. In the lowest class, where men, burdened by poverty, see women only as partners in labor and hardship and cannot hope for, or even imagine, a comfortable home, they often mistreat them and are less influenced by them. In all classes, those who are gentle and patient, too honest to scheme, and too refined to intrude, suffer a lot. They endure for a long time but remain kind; indeed, they are rewarded for it. However, whenever men rise above extreme poverty or brutal ignorance and care about the comforts of home or the beauty and enjoyment of life, women always have enough power, if they choose to use it, and they often do so, especially when driven by ignorance and childish vanity. Lacking an understanding of the importance of life and its goals and being trained in selfish flirtation and a desire for minor influence, they focus only on the immediate pleasure of making their presence known, and governments can be upended and trade disrupted to indulge a woman's whim. The wife of an English shopkeeper may not vote, but politicians flatter her shamelessly for her benefit. France has no woman on its throne, but her proud nobles kneel at the feet of Pompadour and Dubarry, who shine brightly in the spotlight while a Roland would modestly assist behind the scenes. Spain, that same Spain that celebrated Ximena and Lady Teresa, confines its women under the watch of guardians and only allows them to read the breviary; however, ruin follows just the same from the worthless favorites of a worthless queen. Relying on petty precautions, men indeed call for peace where there is none.

It is not the transient breath of poetic incense that women want; each can receive that from a lover. It is not life-long sway; it needs but to become a coquette, a shrew, or a good cook, to be sure of that. It is not money, nor notoriety, nor the badges of authority which men have appropriated to themselves. If demands, made in their behalf, lay stress on any of these particulars, those who make them have not searched deeply into the need. The want is for that which at once includes these and precludes them; which would not be forbidden power, lest there be temptation to steal and misuse it; which would not have the mind perverted by flattery from a worthiness of esteem; it is for that which is the birthright of every being capable of receiving it,—the freedom, the religious, the intelligent freedom of the universe to use its means, to learn its secret, as far as Nature has enabled them, with God alone for their guide and their judge.

Women don’t just want the fleeting charm of romantic attention; they can get that from any lover. They don’t seek a lifetime of control either; all it takes is to be a flirt, a nag, or a great cook to secure that. They aren’t after money, fame, or the symbols of power that men have claimed for themselves. If the demands made in their name focus on any of these points, those making them haven’t truly understood the deeper need. What they want is something that encompasses these things while also excluding them; it should not be power that's forbidden so there’s no temptation to misuse it; it shouldn't twist their minds with flattery away from their true worth. They want what is inherently theirs—the freedom, the spiritual, the intellectual freedom of the universe to use its resources, to uncover its mysteries, guided solely by God as their mentor and judge.

Ye cannot believe it, men; but the only reason why women over assume what is more appropriate to you, is because you prevent them from finding out what is fit for themselves. Were they free, were they wise fully to develop the strength and beauty of Woman; they would never wish to be men, or man-like. The well-instructed moon flies not from her orbit to seize on the glories of her partner. No; for she knows that one law rules, one heaven contains, one universe replies to them alike. It is with women as with the slave:

You might not believe it, guys, but the only reason women take on qualities that are more suited to you is that you stop them from discovering what works for them. If they were free and able to fully embrace the strength and beauty of being a woman, they would never want to be men or act like them. Just like the moon doesn't leave its orbit to chase the glory of the sun, women understand that one law governs them, one sky holds them, and one universe responds to them both. It’s similar for women as it is for slaves:

  "Vor dem Sklaven, wenn er die Kette bricht,
   Vor dem frelen Menschen erzittert nicht."
"Before the slave, when he breaks the chain,  
Before the free man, do not tremble."

Tremble not before the free man, but before the slave who has chains to break.

Tremble not before the free person, but before the slave who has chains to break.

In slavery, acknowledged slavery, women are on a par with men. Each is a work-tool, an article of property, no more! In perfect freedom, such as is painted in Olympus, in Swedenborg's angelic state, in the heaven where there is no marrying nor giving in marriage, each is a purified intelligence, an enfranchised soul,—no less.

In slavery, recognized slavery, women are equal to men. Both are work tools, pieces of property, nothing more! In true freedom, like what’s described in Olympus, in Swedenborg's angelic realm, in the heaven where there’s no marriage or giving in marriage, each is a refined mind, a liberated soul—no less.

    "Jene himmlische Gestalten
  Sie fragen nicht nach Mann und Welb,
    Und keine kielder, keine Falten
  Umgeben den verklarten Leib."
"These heavenly beings  
They don’t ask about man and woman,  
And no wrinkles, no creases  
Surround the transformed body."

The child who song this was a prophetic form, expressive of the longing for a state of perfect freedom, pure love. She could not remain here, but was translated to another air. And it may be that the air of this earth will never be so tempered that such can bear it long. But, while they stay, they must bear testimony to the truth they are constituted to demand.

The child who sang this was a prophetic figure, expressing the desire for a state of perfect freedom and pure love. She couldn't stay here but was taken to another realm. And it might be that the atmosphere of this earth will never be so balanced that such beings can endure it for long. But, while they are here, they must testify to the truth that they are meant to seek.

That an era approaches which shall approximate nearer to such a temper than any has yet done, there are many tokens; indeed, so many that only a few of the most prominent can here be enumerated.

That an era is coming that will be closer to this mindset than any before it, there are many signs; in fact, there are so many that only a few of the most notable can be mentioned here.

The reigns of Elizabeth of England and Isabella of Castile foreboded this era. They expressed the beginning of the new state; while they forwarded its progress. These were strong characters, and in harmony with the wants of their time. One showed that this strength did not unfit a woman for the duties of a wife and a mother; the other, that it could enable her to live and die alone, a wide energetic life, a courageous death. Elizabeth is certainly no pleasing example. In rising above the weakness, she did not lay aside the foibles ascribed to her sex; but her strength must be respected now, as it was in her own time.

The reigns of Elizabeth of England and Isabella of Castile marked the start of this era. They represented the emergence of a new state and helped advance its development. Both were strong figures who aligned with the needs of their time. One demonstrated that being strong didn’t prevent a woman from fulfilling her roles as a wife and mother, while the other showed that it could allow her to live a full, active life and face death bravely. Elizabeth is definitely not the most admirable example. Although she overcame many weaknesses, she didn’t completely shed the quirks associated with her gender; however, her strength deserves respect now, just as it did during her lifetime.

Mary Stuart and Elizabeth seem types, moulded by the spirit of the time, and placed upon an elevated platform, to show to the coming ages Woman such as the conduct and wishes of Man in general is likely to make her. The first shows Woman lovely even to allurement; quick in apprehension and weak in judgment; with grace and dignity of sentiment, but no principle; credulous and indiscreet, yet artful; capable of sudden greatness or of crime, but not of a steadfast wisdom, nor self-restraining virtue. The second reveals Woman half-emancipated and jealous of her freedom, such as she has figured before or since in many a combative attitude, mannish, not equally manly; strong and prudent more than great or wise; able to control vanity, and the wish to rule through coquetry and passion, but not to resign these dear deceits from the very foundation, as unworthy a being capable of truth and nobleness. Elizabeth, taught by adversity, put on her virtues as armor, more than produced them in a natural order from her soul. The time and her position called on her to act the wise sovereign, and she was proud that she could do so, but her tastes and inclinations would have led her to act the weak woman. She was without magnanimity of any kind.

Mary Stuart and Elizabeth seem like examples shaped by the spirit of their time, placed on a pedestal to show future generations what women can become based on the behavior and desires of men in general. Mary represents a woman who is captivating, quick to understand but lacking in judgment; she has grace and dignity in her feelings but no strong principles; she is gullible and indiscreet, yet crafty; capable of sudden greatness or wrongdoing, but lacking steadfast wisdom and self-control. Elizabeth, on the other hand, portrays a woman who is partially liberated and protective of her freedom, similar to many combative figures both before and after her—masculine, but not fully manly; more strong and sensible than truly great or wise; able to manage vanity and the desire to dominate through flirtation and desire, but unwilling to give up these cherished deceptions at their core, seeing them as unworthy of someone capable of truth and nobility. Elizabeth, shaped by hardship, donned her virtues like armor rather than developing them naturally from within. The demands of her time and position required her to act as a wise ruler, and she took pride in doing so, although her personal tastes and inclinations might have led her to behave like a fragile woman. She lacked any form of nobility.

We may accept as an omen for ourselves that it was Isabella who furnished Columbus with the means of coming hither. This land must pay back its debt to Woman, without whose aid it would not have been brought into alliance with the civilized world.

We can take as a sign for ourselves that it was Isabella who provided Columbus with the resources to come here. This land must repay its debt to women, without whose help it would not have been connected to the civilized world.

A graceful and meaning figure is that introduced to us by Mr. Prescott, in the Conquest of Mexico, in the Indian girl Marina, who accompanied Cortez, and was his interpreter in all the various difficulties of his career. She stood at his side, on the walls of the besieged palace, to plead with her enraged countrymen. By her name he was known in New Spain, and, after the conquest, her gentle intercession was often of avail to the conquered. The poem of the Future may be read in some features of the story of "Malinche."

A graceful and meaningful figure is the Indian girl Marina, introduced to us by Mr. Prescott in the Conquest of Mexico. She accompanied Cortez and served as his interpreter throughout the many challenges of his journey. She stood by his side on the walls of the besieged palace, pleading with her furious countrymen. By her name, he was known in New Spain, and after the conquest, her gentle intercession often helped the conquered. The story of "Malinche" contains elements that can be seen as a poem of the Future.

The influence of Elizabeth on literature was real, though, by sympathy with its finer productions, she was no more entitled to give name to an era than Queen Anne. It was simply that the fact of having a female sovereign on the throne affected the course of a writer's thoughts. In this sense, the presence of a woman on the throne always makes its mark. Life is lived before the eyes of men, by which their imaginations are stimulated as to the possibilities of Woman. "We will die for our king, Maria, Theresa," cry the wild warriors, clashing their swords; and the sounds vibrate through the poems of that generation. The range of female character in Spenser alone might content us for one period. Britomart and Belphoebe have as much room on the canvas as Florimel; and, where this is the case, the haughtiest Amazon will not murmur that Una should be felt to be the fairest type.

The impact of Elizabeth on literature was significant, but just like Queen Anne, she wasn’t really entitled to name an era simply by her association with its best works. The truth is, having a female monarch on the throne influenced how writers thought. In this way, having a woman ruling always leaves a mark. Life unfolds in front of men, which sparks their imaginations about what women can achieve. "We will die for our king, Maria, Theresa," shout the passionate warriors, clashing their swords, and this spirit echoes in the poetry of that time. The range of female characters in Spenser's work alone could satisfy us for one period. Britomart and Belphoebe have as much space on the canvas as Florimel; and when that happens, even the proudest Amazon won’t complain if Una is seen as the fairest representation.

Unlike as was the English queen to a fairy queen, we may yet conceive that it was the image of a queen before the poet's mind that called up this splendid court of women. Shakspeare's range is also great; but he has left out the heroic characters, such as the Macaria of Greece, the Britomart of Spenser. Ford and Massinger have, in this respect, soared to a higher flight of feeling than he. It was the holy and heroic Woman they most loved, and if they could not paint an Imogen, a Desdemona, a Rosalind, yet, in those of a stronger mould, they showed a higher ideal, though with so much less poetic power to embody it, than we see in Portia or Isabella, the simple truth of Cordelia, indeed, is of this sort. The beauty of Cordelia is neither male nor female; it is the beauty of virtue.

Unlike the English queen who resembled a fairy queen, we can imagine that it was the image of a queen in the poet's mind that inspired this impressive court of women. Shakespeare’s range is vast, but he didn’t include the heroic characters, like Macaria from Greece or Britomart from Spenser. Ford and Massinger, in this regard, reached a higher emotional depth than he did. They adored the holy and heroic woman, and although they couldn’t create characters like Imogen, Desdemona, or Rosalind, they presented a stronger ideal in their characters, even if they had less poetic talent to express it, compared to Portia or Isabella. The pure truth of Cordelia embodies this notion. The beauty of Cordelia is neither male nor female; it represents the beauty of virtue.

The ideal of love and marriage rose high in the mind of all the Christian nations who were capable of grave and deep feeling. We may take as examples of its English aspect the lines,

The idea of love and marriage became very important to all the Christian nations that could feel deeply and seriously. We can look at examples of its English expression in the lines,

  "I could not love thee, dear, so much,
     Loved I not honor more."
"I couldn't love you, dear, as much,  
     If I didn't value honor more."

Or the address of the Commonwealth's man to his wife, as she looked out from the Tower window to see him, for the last time, on his way to the scaffold. He stood up in the cart, waved his hat, and cried, "To Heaven, my love, to Heaven, and leave you in the storm!"

Or the Commonwealth man's farewell to his wife as she looked out from the Tower window to see him for the last time on his way to the scaffold. He stood in the cart, waved his hat, and shouted, "To Heaven, my love, to Heaven, and I'll leave you in the storm!"

Such was the love of faith and honor,—a love which stopped, like Colonel Hutchinson's, "on this side idolatry," because it was religious. The meeting of two such souls Donne describes as giving birth to an "abler soul."

Such was the love of faith and honor—a love that halted, like Colonel Hutchinson's, "on this side of idolatry," because it was religious. The meeting of two such souls, Donne describes, gives birth to an "abler soul."

Lord Herbert wrote to his love,

Lord Herbert wrote to his love,

  "Were not our souls immortal made,
   Our equal loves can make them such."
"Wouldn't our souls be made immortal,  
Our mutual love can make them so."

In the "Broken Heart," of Ford, Penthea, a character which engages my admiration even more deeply than the famous one of Calanthe, is made to present to the mind the most beautiful picture of what these relations should be in their purity. Her life cannot sustain the violation of what she so clearly feels.

In "Broken Heart" by Ford, Penthea, a character I admire even more than the renowned Calanthe, embodies the ideal of how these relationships should be in their true form. Her life cannot endure the betrayal of what she clearly understands.

Shakspeare, too, saw that, in true love, as in fire, the utmost ardor is coincident with the utmost purity. It is a true lover that exclaims in the agony of Othello,

Shakespeare also recognized that, in genuine love, much like in fire, the greatest passion coincides with the highest purity. It is a true lover who exclaims in the agony of Othello,

  "If thou art false, O then Heaven mocks Itself!"
"If you are untrue, then Heaven is just fooling itself!"

The son, framed, like Hamlet, to appreciate truth in all the beauty of relations, sinks into deep melancholy when he finds his natural expectations disappointed. He has no other. She to whom he gave the name, disgraces from his heart's shrine all the sex.

The son, shaped, like Hamlet, to value truth in all its relational beauty, falls into deep sadness when his natural hopes are shattered. He has no others. The one he named makes him reject all women from his heart's sanctuary.

  "Frailty, thy name is Woman."
"Fragility, your name is Woman."

It is because a Hamlet could find cause to say so, that I have put the line, whose stigma has never been removed, at the head of my work. But, as a lover, surely Hamlet would not have so far mistaken, as to have finished with such a conviction. He would have felt the faith of Othello, and that faith could not, in his more dispassionate mind, have been disturbed by calumny.

It’s because a Hamlet could find reason to say this that I’ve placed the line, whose stigma has never been erased, at the beginning of my work. However, as a lover, Hamlet surely wouldn’t have made the mistake of concluding with such a belief. He would have understood Othello’s faith, and that faith couldn’t, in his more level-headed mind, have been shaken by slander.

In Spain, this thought is arrayed in a sublimity which belongs to the sombre and passionate genius of the nation. Calderon's Justina resists all the temptation of the Demon, and raises her lover, with her, above the sweet lures of mere temporal happiness. Their marriage is vowed at the stake; their goals are liberated together by the martyr flame into "a purer state of sensation and existence."

In Spain, this idea is expressed in a greatness that reflects the dark and passionate spirit of the nation. Calderon's Justina resists all the temptations of the Demon and elevates her lover, alongside her, above the enticing comforts of temporary happiness. Their marriage is promised at the stake; their souls are freed together by the martyr's flame into "a purer state of feeling and existence."

In Italy, the great poets wove into their lives an ideal love which answered to the highest wants. It included those of the intellect and the affections, for it was a love of spirit for spirit. It was not ascetic, or superhuman, but, interpreting all things, gave their proper beauty to details of the common life, the common day. The poet spoke of his love, not as a flower to place in his bosom, or hold carelessly in his hand, but as a light toward which he must find wings to fly, or "a stair to heaven." He delighted to speak of her, not only as the bride of his heart, but the mother of his soul; for he saw that, in cases where the right direction had been taken, the greater delicacy of her frame and stillness of her life left her more open than is Man to spiritual influx. So he did not look upon her as betwixt him and earth, to serve his temporal needs, but, rather, betwixt him and heaven, to purify his affections and lead him to wisdom through love. He sought, in her, not so much the Eve as the Madonna.

In Italy, the great poets incorporated an ideal love into their lives that fulfilled their deepest needs. It encompassed both the mind and emotions, representing a love of spirit connecting with spirit. It wasn't about denial or superhuman feats; instead, it interpreted everything, giving true beauty to the details of everyday life. The poet described his love, not as a flower to tuck away in his clothing or hold loosely in his hand, but as a light he must take flight toward, or "a stairway to heaven." He loved to talk about her not only as the bride of his heart but as the mother of his soul; he recognized that, when following the right path, her greater sensitivity and calmness made her more receptive than man to spiritual inspiration. So he saw her not as someone to meet his earthly needs, but as a bridge to the divine, to refine his feelings and guide him to wisdom through love. He sought in her not just an Eve, but a Madonna.

In these minds the thought, which gleams through all the legends of chivalry, shines in broad intellectual effulgence, not to be misinterpreted; and their thought is reverenced by the world, though it lies far from the practice of the world as yet,—so far that it seems as though a gulf of death yawned between.

In these minds, the idea that shines through all the tales of chivalry glows with clear intellectual brilliance, unmistakably understood; and their ideas are respected by the world, even though they are still far from actual practices in the world—so far that it feels like a chasm of death separates them.

Even with such men the practice was, often, widely different from the mental faith. I say mental; for if the heart were thoroughly alive with it, the practice could not be dissonant. Lord Herbert's was a marriage of convention, made for him at fifteen; he was not discontented with it, but looked only to the advantages it brought of perpetuating his family on the basis of a great fortune. He paid, in act, what he considered a dutiful attention to the bond; his thoughts travelled elsewhere; and while forming a high ideal of the companionship of minds in marriage, he seems never to have doubted that its realization must be postponed to some other state of being. Dante, almost immediately after the death of Beatrice, married a lady chosen for him by his friends, and Boccaccio, in describing the miseries that attended, in this case,

Even with such men, practice often differed significantly from their true beliefs. I say "true" because if their hearts were genuinely inspired, their actions wouldn't clash. Lord Herbert had a marriage of convenience arranged for him when he was fifteen; he wasn't unhappy with it but focused solely on the benefits it offered in terms of maintaining his family's wealth. He acted with what he believed was proper regard for the marriage bond; his mind, however, wandered elsewhere. While he envisioned a lofty ideal for a partnership of minds in marriage, he seemed to think that achieving that ideal would have to wait until some other existence. Dante, shortly after Beatrice's death, married a woman chosen for him by his friends, and Boccaccio, in recounting the hardships that followed in this situation,

  "The form of an union where union is none,"
"The type of union where there is actually no union,"


speaks as if these were inevitable to the connection, and as if the scholar and poet, especially, could expect nothing but misery and obstruction in a domestic partnership with Woman.


speaks as if these were unavoidable in the relationship, and as if the scholar and poet, in particular, could only expect misery and obstacles in a domestic partnership with Woman.

Centuries have passed since, but civilized Europe is still in a transition state about marriage; not only in practice but in thought. It is idle to speak with contempt of the nations where polygamy is an institution, or seraglios a custom, while practices far more debasing haunt, well-nigh fill, every city and every town, and so far as union of one with one is believed to be the only pure form of marriage, a great majority of societies and individuals are still doubtful whether the earthly bond must be a meeting of souls, or only supposes a contract of convenience and utility. Were Woman established in the rights of an immortal being, this could not be. She would not, in some countries, be given away by her father, with scarcely more respect for her feelings than is shown by the Indian chief, who sells his daughter for a horse, and beats her if she runs away from her new home. Nor, in societies where her choice is left free, would she be perverted, by the current of opinion that seizes her, into the belief that she must marry, if it be only to find a protector, and a home of her own. Neither would Man, if he thought the connection of permanent importance, form it so lightly. He would not deem it a trifle, that he was to enter into the closest relations with another soul, which, if not eternal in themselves, must eternally affect his growth. Neither, did he believe Woman capable of friendship, [Footnote: See Appendix D, Spinoza's view] would he, by rash haste, lose the chance of finding a friend in the person who might, probably, live half a century by his side. Did love, to his mind, stretch forth into infinity, he would not miss his chance of its revelations, that he might the sooner rest from his weariness by a bright fireside, and secure a sweet and graceful attendant "devoted to him alone." Were he a step higher, he would not carelessly enter into a relation where he might not be able to do the duty of a friend, as well as a protector from external ill, to the other party, and have a being in his power pining for sympathy, intelligence and aid, that he could not give.

Centuries have passed, but civilized Europe is still going through a transition regarding marriage, both in practice and in thought. It's pointless to look down on nations where polygamy is common or where seraglios are customary, when practices that are far more degrading are nearly everywhere in every city and town. Although many believe that the union of one person with another is the only true form of marriage, a large number of societies and individuals still question whether this bond on earth should be a meeting of souls or merely a convenient contract. If women were recognized as having the rights of immortal beings, this wouldn’t be the case. In some countries, women wouldn’t be given away by their fathers with hardly more regard for their feelings than an Indian chief shows when he sells his daughter for a horse and punishes her for trying to escape from her new home. Similarly, in societies where women have the freedom to choose, they wouldn’t be swayed by public opinion into believing they must marry just to find a protector and a place to live. Similarly, if men considered the connection of lasting importance, they wouldn’t enter it so carelessly. They wouldn’t treat it lightly that they would be forming the closest relations with another soul, which, if not eternal in themselves, would have a lasting impact on their personal growth. Also, if men believed that women were capable of friendship, they wouldn’t rush into marriage and miss the opportunity to find a friend in the person who might live by their side for half a century. If love, in their view, extended into infinity, they wouldn’t rush into marriage just to rest quicker by a warm fire, securing a sweet and graceful companion "devoted to him alone." If men were more evolved, they wouldn’t carelessly enter a relationship where they might not be able to fulfill the role of a friend as well as a protector, leaving someone dependent on them for sympathy, understanding, and help that they couldn’t provide.

What deep communion, what real intercourse is implied in sharing the joys and cares of parentage, when any degree of equality is admitted between the parties! It is true that, in a majority of instances, the man looks upon his wife as an adopted child, and places her to the other children in the relation of nurse or governess, rather than that of parent. Her influence with them is sure; but she misses the education which should enlighten that influence, by being thus treated. It is the order of nature that children should complete the education, moral and mental, of parents, by making them think what is needed for the best culture of human beings, and conquer all faults and impulses that interfere with their giving this to these dear objects, who represent the world to them. Father and mother should assist one another to learn what is required for this sublime priesthood of Nature. But, for this, a religious recognition of equality is required.

What deep connection and genuine interaction come from sharing the joys and challenges of parenthood when there's some level of equality between the partners! It’s true that, in many cases, the man sees his wife as a child he’s adopted, placing her in a role similar to that of a nurse or governess, rather than as a co-parent. She certainly has influence with the kids, but she lacks the education that would enhance that influence by being treated this way. It’s natural for children to help educate their parents, encouraging them to think about what’s needed for the best development of human beings, and to overcome any flaws or impulses that get in the way of providing what’s best for these loved ones, who represent the world to them. Mothers and fathers should support each other in learning what’s needed for this noble role in Nature. However, this requires a mutual recognition of equality.

Where this thought of equality begins to diffuse itself, it is shown in four ways.

Where this idea of equality starts to spread, it is expressed in four ways.

First;—The household partnership. In our country, the woman looks for a "smart but kind" husband; the man for a "capable, sweet-tempered" wife. The man furnishes the house; the woman regulates it. Their relation is one of mutual esteem, mutual dependence. Their talk is of business; their affection shows itself by practical kindness. They know that life goes more smoothly and cheerfully to each for the other's aid; they are grateful and content. The wife praises her husband as a "good provider;" the husband, in return, compliments her as a "capital housekeeper." This relation is good so far as it goes.

First;—The household partnership. In our country, women look for a "smart but kind" husband, while men seek a "capable, sweet-tempered" wife. The man provides for the home; the woman manages it. Their relationship is based on mutual respect and dependence. Their conversations revolve around practical matters, and their affection is expressed through thoughtful actions. They understand that life runs more smoothly and happily with each other's support; they are grateful and satisfied. The wife calls her husband a "good provider," and the husband, in turn, praises her as a "great housekeeper." This relationship is positive to a certain extent.

Next comes a closer tie, which takes the form either of mutual idolatry or of intellectual companionship. The first, we suppose, is to no one a pleasing subject of contemplation. The parties weaken and narrow one another; they lock the gate against all the glories of the universe, that they may live in a cell together. To themselves they seem the only wise; to all others, steeped in infatuation; the gods smile as they look forward to the crisis of cure; to men, the woman seems an unlovely syren; to women, the man an effeminate boy.

Next comes a closer bond, which takes the form of either mutual adoration or intellectual companionship. The first, we assume, is not a pleasant topic for anyone to think about. The individuals weaken and limit each other; they shut out all the wonders of the universe to live in a small world together. They believe themselves to be the only wise ones; to everyone else, they appear to be deeply infatuated; the gods look on with anticipation for their eventual recovery; to men, the woman seems an unattractive siren; to women, the man seems like a soft boy.

The other form, of intellectual companionship, has become more and more frequent. Men engaged in public life, literary men, and artists, have often found in their wives companions and confidants in thought no less than in feeling. And, as the intellectual development of Woman has spread wider and risen higher, they have, not unfrequently, shared the same employment; as in the case of Roland and his wife, who were friends in the household and in the nation's councils, read, regulated home affairs, or prepared public documents together, indifferently. It is very pleasant, in letters begun by Roland and finished by his wife, to see the harmony of mind, and the difference of nature; one thought, but various ways of treating it.

The other kind, intellectual companionship, has become increasingly common. Public figures, writers, and artists often find in their wives not just emotional support but also thoughtful partners. As women's intellectual growth has expanded and advanced, they have frequently worked together on the same tasks; for example, with Roland and his wife, who were not only allies at home but also in national matters, handling household affairs and drafting public documents side by side. It's delightful to read letters that start with Roland's words and are completed by his wife, showcasing their mental connection and differences in perspective; one idea expressed in various ways.

This is one of the best instances of a marriage of friendship. It was only friendship, whose basis was esteem; probably neither party knew love, except by name. Roland was a good man, worthy to esteem, and be esteemed; his wife as deserving of admiration as able to do without it.

This is one of the best examples of a marriage based on friendship. It was purely friendship, built on respect; likely neither person understood love, except by name. Roland was a good man, worthy of respect and admiration; his wife was just as deserving of admiration but capable of being independent of it.

Madame Roland is the fairest specimen we yet have of her class; as clear to discern her aim, as valiant to pursue it, as Spenser's Britomart; austerely set apart from all that did not belong to her, whether as Woman or as mind. She is an antetype of a class to which the coming time will afford a field—the Spartan matron, brought by the culture of the age of books to intellectual consciousness and expansion. Self-sufficingness, strength, and clearsightedness were, in her, combined with a power of deep and calm affection. She, too, would have given a son or husband the device for his shield, "Return with it or upon it;" and this, not because she loved little, but much. The page of her life is one of unsullied dignity. Her appeal to posterity is one against the injustice of those who committed such crimes in the name of Liberty. She makes it in behalf of herself and her husband. I would put beside it, on the shelf, a little volume, containing a similar appeal from the verdict of contemporaries to that of mankind, made by Godwin in behalf of his wife, the celebrated, the by most men detested, Mary Wolstonecraft. In his view, it was an appeal from the injustice of those who did such wrong in the name of virtue. Were this little book interesting for no other cause, it would be so for the generous affection evinced under the peculiar circumstances. This man had courage to love and honor this woman in the face of the world's sentence, and of all that was repulsive in her own past history. He believed he saw of what soul she was, and that the impulses she had struggled to act out were noble, though the opinions to which they had led might not be thoroughly weighed. He loved her, and he defended her for the meaning and tendency of her inner life. It was a good fact.

Madame Roland is the best example we have of her kind; just as clear in her goals and as brave in pursuing them as Spenser's Britomart. She was strictly separated from everything that didn't belong to her, both as a Woman and as a thinker. She represents a type that the future will recognize—the Spartan matron, enlightened by the age of literature to intellectual awareness and growth. In her, self-sufficiency, strength, and clear vision were combined with a capacity for deep and calm love. She, too, would have given a son or husband the motto for his shield, "Return with it or on it;" and this was not because she loved little, but much. The story of her life is one of unblemished dignity. Her plea to future generations is against the injustice of those who committed great wrongs in the name of Liberty. She makes it on behalf of herself and her husband. I would place beside it, on the shelf, a small book containing a similar plea made by Godwin on behalf of his wife, the famous and often hated Mary Wollstonecraft. In his eyes, it was a cry against the injustice of those who did wrong in the name of virtue. Even if this little book were interesting for no other reason, it would be for the generous love shown in such unique circumstances. This man had the courage to love and honor this woman despite the world's judgment and all the unpleasantness of her past. He believed he could see the true essence of her soul and recognized that the impulses she had tried to express were noble, even if the resulting opinions weren't fully considered. He loved her and defended her for the significance and direction of her inner life. That was something good.

Mary Wolstonecraft, like Madame Dudevant (commonly known as George Sand) in our day, was a woman whose existence better proved the need of some new interpretation of Woman's Rights than anything she wrote. Such beings as these, rich in genius, of most tender sympathies, capable of high virtue and a chastened harmony, ought not to find themselves, by birth, in a place so narrow, that, in breaking bonds, they become outlaws. Were there as much room in the world for such, as in Spenser's poem for Britomart, they would not run their heads so wildly against the walls, but prize their shelter rather. They find their way, at last, to light and air, but the world will not take off the brand it has set upon them. The champion of the Rights of Woman found, in Godwin, one who would plead that cause like a brother. He who delineated with such purity of traits the form of Woman in the Marguerite, of whom the weak St. Leon could never learn to be worthy,—a pearl indeed whose price was above rubies,—was not false in life to the faith by which he had hallowed his romance. He acted, as he wrote, like a brother. This form of appeal rarely fails to touch the basest man:—"Are you acting toward other women in the way you would have men act towards your sister?" George Sand smokes, wears male attire, wishes to be addressed as "Mon frère;"—perhaps, if she found those who were as brothers indeed, she would not care whether she were brother or sister. [Footnote: A note appended by my sister in this place, in the first edition, is here omitted, because it is incorporated in another article in this volume, treating of George Sand more at length.—[ED.]] We rejoice to see that she, who expresses such a painful contempt for men in most of her works, as shows she must have known great wrong from them, depicts, in "La Roche Mauprat," a man raised by the workings of love from the depths of savage sensualism to a moral and intellectual life. It was love for a pure object, for a steadfast woman, one of those who, the Italian said, could make the "stair to heaven."

Mary Wollstonecraft, like George Sand in our time, was a woman whose life illustrated the need for a new understanding of women's rights more than anything she wrote. Women like her, filled with talent and deep empathy, capable of great virtue and a balanced sense of harmony, shouldn’t have to find themselves confined by circumstances that force them to rebel and become outcasts. If there were as much space in the world for them as there was for Britomart in Spenser's poem, they wouldn’t feel so desperate that they bang their heads against the walls; instead, they would appreciate their safe havens. In the end, they do find their way to freedom, but the world won’t remove the stigma it has placed upon them. The advocate for women’s rights found in Godwin someone who would support that cause like a brother. He who carefully portrayed the essence of Woman in Marguerite, someone the weak St. Leon could never appreciate—a true gem whose value surpasses all—was not untrue in life to the beliefs that adorned his romance. He acted, as he wrote, like a brother. This kind of appeal often resonates, even with the basest man: “Are you treating other women the way you’d want men to treat your sister?” George Sand smokes, dresses in men’s clothing, and wants to be called "Mon frère"; perhaps if she found true brothers, she wouldn’t mind being called either brother or sister. [Footnote: A note added by my sister in this place, in the first edition, is here omitted because it is incorporated in another article in this volume that discusses George Sand in more detail.—[ED.]] We are glad to see that she, who expresses such painful disdain for men in much of her work, indicating she must have experienced significant wrongs from them, portrays in "La Roche Mauprat" a man transformed by love from the depths of base sensuality to a moral and intellectual life. It was love for a pure ideal, for a steadfast woman, one of those capable, as the Italians said, of making the "stair to heaven."

This author, beginning like the many in assault upon bad institutions, and external ills, yet deepening the experience through comparative freedom, sees at last that the only efficient remedy must come from individual character. These bad institutions, indeed, it may always be replied, prevent individuals from forming good character, therefore we must remove them. Agreed; yet keep steadily the higher aim in view. Could you clear away all the bad forms of society, it is vain, unless the individual begin to be ready for better. There must be a parallel movement in these two branches of life. And all the rules left by Moses availed less to further the best life than the living example of one Messiah.

This author starts like many others who criticize flawed institutions and external problems, but through broader freedom, they come to realize that the only real solution has to come from individual character. Sure, these flawed institutions often prevent people from developing good character, so we need to get rid of them. That's true; but always keep the bigger goal in mind. Even if you could eliminate all the negative aspects of society, it's pointless unless individuals are also prepared to strive for better. There has to be a simultaneous movement in both areas of life. In fact, the rules left by Moses did less to promote the best way of living than the real example set by one Messiah.

Still the mind of the age struggles confusedly with these problems, better discerning as yet the ill it can no longer bear, than the good by which it may supersede it. But women like Sand will speak now and cannot be silenced; their characters and their eloquence alike foretell an era when such as they shall easier learn to lead true lives. But though such forebode, not such shall be parents of it. [Footnote: Appendix E.] Those who would reform the world must show that they do not speak in the heat of wild impulse; their lives must be unstained by passionate error; they must be severe lawgivers to themselves. They must be religious students of the divine purpose with regard to man, if they would not confound the fancies of a day with the requisitions of eternal good. Their liberty must be the liberty of law and knowledge. But as to the transgressions against custom which have caused such outcry against those of noble intention, it may be observed that the resolve of Eloisa to be only the mistress of Abelard, was that of one who saw in practice around her the contract of marriage made the seal of degradation. Shelley feared not to be fettered, unless so to be was to be false. Wherever abuses are seen, the timid will suffer; the bold will protest. But society has a right to outlaw them till she has revised her law; and this she must be taught to do, by one who speaks with authority, not in anger or haste.

Still, the mindset of the time is grappling with these issues in a confused way, better recognizing the pain it can no longer tolerate than the good that could replace it. But women like Sand will speak up now and won’t be silenced; their characters and their eloquence predict a time when people like them will learn to live true lives more easily. However, even though this predicts change, those who bring about this change may not be the ones who parent it. [Footnote: Appendix E.] Those wanting to reform the world must prove that they’re not speaking out of wild impulse; their lives must be free from passionate mistakes; they need to be strict lawgivers to themselves. They must be dedicated students of the divine purpose concerning humanity if they don't want to confuse the whims of the moment with the requirements of eternal good. Their freedom must be rooted in law and knowledge. Regarding the violations of custom that have sparked such outcry against those with noble intentions, it’s worth noting that Eloisa’s decision to be only Abelard's mistress was that of someone who witnessed around her how the institution of marriage often carried a mark of degradation. Shelley wasn’t afraid to feel restricted unless that restriction meant being untrue. Wherever abuses are visible, the timid will suffer; the bold will speak out. But society has the right to reject them until it has revisited its laws; and this must be taught by someone who speaks with authority, not out of anger or urgency.

If Godwin's choice of the calumniated authoress of the "Rights of Woman," for his honored wife, be a sign of a new era, no less so is an article to which I have alluded some pages back, published five or six years ago in one of the English Reviews, where the writer, in doing fall justice to Eloisa, shows his bitter regret that she lives not now to love him, who might have known bettor how to prize her love than did the egotistical Abelard.

If Godwin's choice of the criticized author of the "Rights of Woman" as his esteemed wife is a sign of a new era, then so is an article I mentioned a few pages ago, published five or six years back in one of the English Reviews, where the writer, in giving proper credit to Eloisa, expresses his deep regret that she isn't around now to love him, who might have appreciated her love better than the self-centered Abelard did.

These marriages, these characters, with all their imperfections, express an onward tendency. They speak of aspiration of soul, of energy of mind, seeking clearness and freedom. Of a like promise are the tracts lately published by Goodwyn Barmby (the European Pariah, as he calls himself) and his wife Catharine. Whatever we may think of their measures, we see in them wedlock; the two minds are wed by the only contract that can permanently avail, that of a common faith and a common purpose.

These marriages, these people, with all their flaws, represent a drive for progress. They reflect a yearning of the spirit, a mental energy seeking clarity and freedom. A similar promise is found in the recent works by Goodwyn Barmby (the European Pariah, as he refers to himself) and his wife Catharine. Regardless of our opinions on their actions, we recognize in them a union; their two minds are united by the only bond that can last, which is a shared belief and a common goal.

We might mention instances, nearer home, of minds, partners in work and in life, sharing together, on equal terms, public and private interests, and which wear not, on any side, the aspect of offence shown by those last-named: persons who steer straight onward, yet, in our comparatively free life, have not been obliged to run their heads against any wall. But the principles which guide them might, under petrified and oppressive institutions, have made them warlike, paradoxical, and, in some sense, Pariahs. The phenomena are different, the law is the same, in all these cases. Men and women have been obliged to build up their house anew from the very foundation. If they found stone ready in the quarry, they took it peaceably; otherwise they alarmed the country by pulling down old towers to get materials.

We can point out examples closer to home of people, partners in work and in life, who collaborate openly on equal grounds, sharing both public and private interests, and who don't exhibit the same offense seen in those we mentioned earlier. These individuals move forward confidently, yet, in our relatively free society, haven’t had to bash their heads against any barriers. However, the principles that guide them could, under strict and oppressive systems, have turned them into fighters, paradoxical figures, and, in some ways, outcasts. The situations are different, but the underlying truth is the same in all cases. Men and women have had to reconstruct their homes from the ground up. If they found usable stone nearby, they took it without conflict; if not, they caused unrest by tearing down old towers just to gather materials.

These are all instances of marriage as intellectual companionship. The parties meet mind to mind, and a mutual trust is produced, which can buckler them against a million. They work together for a common, purpose, and, in all these instances, with the same implement,—the pen. The pen and the writing-desk furnish forth as naturally the retirement of Woman as of Man.

These are all examples of marriage as a partnership of the mind. The individuals connect on an intellectual level, creating a mutual trust that can protect them against anything. They collaborate toward a shared goal, and in all these cases, they use the same tool—the pen. The pen and the writing desk provide a natural space for both men and women to work in privacy.

A pleasing expression, in this kind, is afforded by the union in the names of the Howitts. William and Mary Howitt we heard named together for years, supposing them to be brother and sister; the equality of labors and reputation, even so, was auspicious; more so, now we find them man and wife. In his late work on Germany, Howitt mentions his wife, with pride, as one among the constellation of distinguished English-women, and in a graceful, simple manner. And still we contemplate with pleasure the partnership in literature and affection between the Howitts,—the congenial pursuits and productions—the pedestrian tours wherein the married pair showed that marriage, on a wide enough basis, does not destroy the "inexhaustible" entertainment which lovers find in one another's company.

A pleasing expression, in this context, comes from the connection in the names of the Howitts. For years, we heard William and Mary Howitt mentioned together, thinking they were siblings; their equal contributions and reputations were promising, especially now that we find out they are husband and wife. In his recent work on Germany, Howitt proudly mentions his wife as one of the distinguished English women, and he does so in a graceful, straightforward way. We still take pleasure in the literary and affectionate partnership between the Howitts—their shared interests and works—their walking trips that demonstrate that a strong marriage doesn’t take away the "inexhaustible" joy lovers find in each other’s company.

In naming these instances, I do not mean to imply that community of employment is essential to the union of husband and wife, more than to the union of friends. Harmony exists in difference, no less than in likeness, if only the same key-note govern both parts. Woman the poem, Man the poet! Woman the heart, Man the head! Such divisions are only important when they are never to be transcended. If nature is never bound down, nor the voice of inspiration stifled, that is enough. We are pleased that women should write and speak, if they feel need of it, from having something to tell; but silence for ages would be no misfortune, if that silence be from divine command, and not from Man's tradition.

When I mention these examples, I don't mean to suggest that working together is crucial for the bond between a husband and wife, just as it isn’t for the bond between friends. Harmony can exist in differences just as much as in similarities, as long as both parts are guided by the same melody. Woman is the poem, and Man is the poet! Woman is the heart, and Man is the head! These distinctions only matter if they are never meant to be overcome. If nature isn’t confined and the voice of creativity isn’t silenced, that is enough. We appreciate that women want to write and speak when they feel the need to share something; however, a long period of silence wouldn’t be a tragedy if it comes from a divine directive, rather than from Man's traditions.

While Goetz Von Berlichingen rides to battle, his wife is busy in the kitchen; but difference of occupation does not prevent that community of inward life, that perfect esteem, with which he says,

While Goetz Von Berlichingen rides into battle, his wife is hard at work in the kitchen; however, their different activities don’t stop the deep connection they share, the mutual respect, that he expresses by saying,

  "Whom God loves, to him gives he such a wife."
"Whom God loves, He gives such a wife."

Manzoni thus dedicates his "Adelchi."

Manzoni dedicates his "Adelchi."

"To his beloved and venerated wife, Enrichetta Luigia Blondel, who, with conjugal affection and maternal wisdom, has preserved a virgin mind, the author dedicates this 'Adelchi,' grieving that he could not, by a more splendid and more durable monument, honor the dear name, and the memory of so many virtues."

"To his beloved and respected wife, Enrichetta Luigia Blondel, who, with her loving support and wise guidance, has maintained a pure heart, the author dedicates this 'Adelchi,' feeling sorrow that he could not, with a more impressive and lasting tribute, honor her cherished name and the memory of her many virtues."

The relation could not be fairer, nor more equal, if she, too, had written poems. Yet the position of the parties might have been the reverse as well; the Woman might have sung the deeds, given voice to the life of the Man, and beauty would have been the result; as we see, in pictures of Arcadia, the nymph singing to the shepherds, or the shepherd, with his pipe, alluring the nymphs; either makes a good picture. The sounding lyre requires not muscular strength, but energy of soul to animate the hand which would control it. Nature seems to delight in varying the arrangements, as if to show that she will be fettered by no rule; and we must admit the same varieties that she admits.

The relationship couldn’t be fairer or more equal, even if she had written poems too. The roles could have easily been swapped; the woman could have sung about the man’s accomplishments, giving voice to his life, and beauty would have emerged from that, just like we see in images of Arcadia, with a nymph singing to shepherds or a shepherd playing his pipe to charm the nymphs; either scenario creates a lovely picture. A lyre doesn’t need physical strength; it requires a soulful energy to bring it to life. Nature seems to enjoy mixing things up, as if to show that she won’t be bound by any rules; and we have to accept the same variety that she does.

The fourth and highest grade of marriage union is the religious, which may be expressed as pilgrimage toward a common shrine. This includes the others: home sympathies and household wisdom, for these pilgrims must know how to assist each other along the dusty way; intellectual communion, for how sad it would be on such a journey to have a companion to whom you could not communicate your thoughts and aspirations as they sprang to life; who would have no feeling for the prospects that open, more and more glorious as we advance; who would never see the flowers that may be gathered by the most industrious traveller! It must include all these.

The fourth and highest level of marriage is the religious one, which can be seen as a journey toward a shared goal. This level encompasses the others: emotional support and shared wisdom at home, because these partners need to help each other along the difficult path; intellectual connection, because how lonely it would be on such a journey to have a partner with whom you couldn't share your thoughts and dreams as they come to mind; who wouldn't appreciate the exciting possibilities that become more wonderful as we move forward; who wouldn't notice the beautiful experiences that can be gathered by the most dedicated traveler! It must include all of this.

Such a fellow-pilgrim Count Zinzendorf seems to have found in his countess, of whom he thus writes:

Such a fellow traveler Count Zinzendorf seems to have found in his countess, of whom he writes:

"Twenty-five years' experience has shown me that just the help-meet whom I have is the only one that could suit my vocation. Who else could have so carried through my family affairs? Who lived so spotlessly before the world? Who so wisely aided me in my rejection of a dry morality? Who so clearly set aside the Pharisaism which, as years passed, threatened to creep in among us? Who so deeply discerned as to the spirits of delusion which sought to bewilder us? Who would have governed my whole economy so wisely, richly and hospitably, when circumstances commanded? Who have taken indifferently the part of servant or mistress, without, on the one side, affecting an especial spirituality; on the other, being sullied by any worldly pride? Who, in a community where all ranks are eager to be on a level, would, from wise and real causes, have known how to maintain inward and outward distinctions? Who, without a murmur, have seen her husband encounter such dangers by land and sea? Who undertaken with him, and sustained, such astonishing pilgrimages? Who, amid such difficulties, would have always held up her head and supported me? Who found such vast sums of money, and acquitted them on her own credit? And, finally, who, of all human beings, could so well understand and interpret to others my inner and outer being as this one, of such nobleness in her way of thinking, such great intellectual capacity, and so free from the theological perplexities that enveloped me!"

"Twenty-five years of experience have shown me that the partner I have is the only one who could fit my role. Who else could manage my family affairs so effectively? Who lived so impeccably in the eyes of the world? Who wisely helped me move away from a strict morality? Who so clearly pushed aside the hypocrisy that, over the years, threatened to creep in among us? Who could so deeply understand the deceptive spirits that sought to confuse us? Who would have managed my entire household so wisely, generously, and hospitably when necessary? Who would have taken on the roles of both servant and mistress with neither an inflated sense of spirituality nor any worldly pride? In a community where everyone wants equality, who, for wise and genuine reasons, could maintain both internal and external distinctions? Who, without complaint, has watched her husband face such dangers both on land and at sea? Who has shared and supported him through such amazing journeys? Who, in the face of difficulties, would always keep her head held high and support me? Who could secure such large sums of money and take responsibility for them on her own? And finally, who among all people could so thoroughly understand and explain my inner and outer self as she does, with such nobility in her thinking, great intelligence, and freedom from the theological confusions that have enveloped me?"

Let any one peruse, with all intentness, the lineaments of this portrait, and see if the husband had not reason, with this air of solemn rapture and conviction, to challenge comparison? We are reminded of the majestic cadence of the line whose feet stop in the just proportion of Humanity,

Let anyone examine closely the features of this portrait and see if the husband didn't have a reason, with this look of serious awe and certainty, to invite comparison? We're reminded of the powerful rhythm of the line whose feet rest in the perfect balance of Humanity,

  "Daughter of God and Mati, accomplished Eve!"
"Daughter of God and Earth, accomplished Eve!"

An observer [Footnote: Spangenberg] adds this testimony:

An observer [Footnote: Spangenberg] shares this account:

"We may, in many marriages, regard it as the best arrangement, if the man has so much advantage over his wife, that she can, without much thought of her own, be led and directed by him as by a father. But it was not so with the count and his consort. She was not made to be a copy; she was an original; and, while she loved and honored him, she thought for herself, on all subjects, with so much intelligence, that he could and did look on her as a sister and friend also."

"In many marriages, it can seem ideal if the man has enough of an advantage over his wife that she can be easily guided by him, almost like a father. But that wasn't the case with the count and his wife. She wasn't meant to be a replica; she was one-of-a-kind. While she loved and respected him, she also thought independently on all matters, with such intelligence that he viewed her as both a sister and a friend."

Compare with this refined specimen of a religiously civilized life the following imperfect sketch of a North American Indian, and we shall see that the same causes will always produce the same results, The Flying Pigeon (Ratchewaine) was the wife of a barbarous chief, who had six others; but she was his only true wife, because the only one of a strong and pure character, and, having this, inspired a veneration, as like as the mind of the man permitted to that inspired by the Countess Zinzendorf. She died when her son was only four years old, yet left on his mind a feeling of reverent love worthy the thought of Christian chivalry. Grown to manhood, he shed tears on seeing her portrait.

Compare this refined example of a religiously civilized life to the following imperfect portrayal of a North American Indian, and we will see that the same causes always produce the same results. The Flying Pigeon (Ratchewaine) was the wife of a brutal chief, who had six other wives; but she was his only true wife because she had a strong and pure character, which inspired a respect similar to that felt by the man towards the Countess Zinzendorf. She died when her son was only four years old, yet left him with a sense of reverent love worthy of a noble Christian. Upon becoming an adult, he shed tears upon seeing her portrait.

 

THE FLYING PIGEON.

"Ratchewaine was chaste, mild, gentle in her disposition, kind, generous, and devoted to her husband. A harsh word was never known to proceed from her mouth; nor was she ever known to be in a passion. Mabaskah used to say of her, after her death, that her hand was shut when those who did not want came into her presence; but when the really poor came in, it was like a strainer full of holes, letting all she held in it pass through. In the exercise of generous feeling she was uniform, It was not indebted for its exercise to whim, nor caprice, nor partiality. No matter of what nation the applicant for her bounty was, or whether at war or peace with her nation; if he were hungry, she fed him; if naked, she clothed him; and, if houseless, she gave him shelter. The continued exercise of this generous feeling kept her poor. And she has been known to give away her last blanket—all the honey that was in the lodge, the last bladder of bear's oil, and the last piece of dried meat.

Ratchewaine was pure, gentle, and kind-hearted, always devoted to her husband. She never spoke a harsh word and was never seen angry. After her death, Mabaskah would say that her hand was closed to those she didn't want around her, but when the truly needy came, it was like a sieve, letting everything she had slip through. Her generosity was consistent; it wasn't driven by whims, fancies, or favoritism. No matter who came to her for help or whether they were from an enemy or friendly nation, if they were hungry, she fed them; if they were naked, she clothed them; and if they had no home, she provided shelter. Her constant generosity eventually left her poor. She was known to give away her last blanket, all the honey in her lodge, the last bit of bear's oil, and the final piece of dried meat.

"She was scrupulously exact in the observance of all the religious rites which her faith imposed upon her. Her conscience is represented to have been extremely tender. She often feared that her acts were displeasing to the Great Spirit, when she would blacken her face, and retire to some lone place, and fast and pray."

"She was very careful to follow all the religious rituals that her faith required of her. Her conscience was portrayed as very sensitive. She often worried that her actions might upset the Great Spirit, so she would cover her face in black, go to a quiet spot, and fast and pray."

To these traits should be added, but for want of room, anecdotes which show the quick decision and vivacity of her mind. Her face was in harmony with this combination. Her brow is as ideal and the eyes and lids as devout and modest as the Italian picture of the Madonna, while the lower part of the face has the simplicity and childish strength of the Indian race. Her picture presents the finest specimen of Indian beauty we have ever seen. Such a Woman is the sister and friend of all beings, as the worthy Man is their brother and helper.

To these traits, we should also add some stories that illustrate her quick thinking and lively spirit, but space doesn't allow for that. Her face matched this combination perfectly. Her forehead is ideal, and her eyes and eyelids are as devout and modest as an Italian painting of the Madonna, while the lower part of her face displays the simplicity and childlike strength of the Indian race. Her image is the best example of Indian beauty we've ever seen. Such a woman is the sister and friend to everyone, just as a good man is their brother and supporter.

With like pleasure we survey the pairs wedded on the eve of missionary effort They, indeed, are fellow-pilgrims on the well-made road, and whether or no they accomplish all they hope for the sad Hindoo, or the nearer savage, we feel that in the burning waste their love is like to be a healing dew, in the forlorn jungle a tent of solace to one another. They meet, as children of one Father, to read together one book of instruction.

With the same joy, we look at the couples getting married just before starting their mission. They are, in fact, fellow travelers on a properly paved path, and whether or not they achieve everything they dream of for the suffering Hindu or the more primitive savage, we believe that in the desolate wasteland, their love will be like a refreshing dew, and in the lonely jungle, a source of comfort for each other. They come together, as children of one Father, to read from the same guide.

We must insert in this connection the most beautiful picture presented by ancient literature of wedded love under this noble form.

We should include here the most beautiful portrayal of married love found in ancient literature in this noble form.

It is from the romance in which Xenophon, the chivalrous Greek, presents his ideal of what human nature should be.

It comes from the story where Xenophon, the noble Greek, shows his vision of what human nature ought to be.

The generals of Cyrus had taken captive a princess, a woman of unequalled beauty, and hastened to present her to the prince as that part of the spoil he would think most worthy of his acceptance. Cyrus visits the lady, and is filled with immediate admiration by the modesty and majesty with which she receives him. He finds her name is Panthea, and that she is the wife of Abradatus, a young king whom she entirely loves. He protects her as a sister, in his camp, till he can restore her to her husband.

The generals of Cyrus had captured a princess, a woman of unmatched beauty, and rushed to present her to the prince as a spoils of war they thought he would appreciate most. Cyrus visits the lady and is instantly struck by the grace and dignity with which she greets him. He learns her name is Panthea and that she is the wife of Abradatus, a young king whom she loves completely. He treats her like a sister in his camp until he can return her to her husband.

After the first transports of joy at this reunion, the heart of Panthea is bent on showing her love and gratitude to her magnanimous and delicate protector. And as she has nothing so precious to give as the aid of Abradatus, that is what she most wishes to offer. Her husband is of one soul with her in this, as in all things.

After the initial excitement of this reunion, Panthea's heart is set on showing her love and gratitude to her generous and gentle protector. Since she has nothing more valuable to give than the help of Abradatus, that's what she most wants to offer. Her husband feels the same way as she does about this, just like in everything else.

The description of her grief and self-destruction, after the death which ensued upon this devotion, I have seen quoted, but never that of their parting when she sends him forth to battle. I shall copy both. If they have been read by any of my readers, they may be so again with profit in this connection, for never were the heroism of a true Woman, and the purity of love in a true marriage, painted in colors more delicate and more lively.

The way she experiences grief and self-destruction after the death that follows her devotion has been quoted often, but I've never seen the part where she sends him off to battle. I’ll include both passages. If any of my readers have come across them before, they'll still find value in reading them again because the heroism of a true woman and the purity of love in a genuine marriage have never been depicted in more sensitive and vibrant tones.

"The chariot of Abradatus, that had four perches and eight horses, was completely adorned for him; and when he was going to put on his linen corslet, which was a sort of armor used by those of his country, Panthea brought him a golden helmet, and arm-pieces, broad bracelets for his wrists, a purple habit that reached down to his feet, and hung in folds at the bottom, and a crest dyed of a violet color. These things she had made, unknown to her husband, and by taking the measure of his armor. He wondered when he saw them, and inquired thus of Panthea: 'And have you made me these arms, woman, by destroying your own ornaments?' 'No, by Jove!' said Panthea, 'not what is the most valuable of them; for it is you, if you appear to others to be what I think you, that will be my greatest ornament.' And, saying that, she put on him the armor, and, though she endeavored to conceal it, the tears poured down her checks. When Abradatus, who was before a man of fine appearance, was set out in those arms, he appeared the most beautiful and noble of all, especially being likewise so by nature. Then, taking the reins from the driver, he was just preparing to mount the chariot, when Panthea, after she had desired all that were there to retire, thus said:

"The chariot of Abradatus, which had four perches and eight horses, was fully decorated for him. As he was about to put on his linen corslet, a type of armor from his homeland, Panthea arrived with a golden helmet, arm pieces, wide bracelets for his wrists, a purple robe that reached down to his feet and draped in folds at the bottom, and a crest dyed violet. She had crafted these things without her husband's knowledge, using the measurements of his armor. He was surprised when he saw them and asked Panthea, 'Did you make me these arms, woman, by sacrificing your own jewelry?' 'No, by Jove!' Panthea replied, 'not the most valuable of them; because if you seem to others as I believe you are, that will be my greatest adornment.' Saying this, she dressed him in the armor, and even though she tried to hide it, tears streamed down her cheeks. When Abradatus, already a handsome man, donned the armor, he looked the most beautiful and noble of all, especially since he was also naturally so. Then, taking the reins from the driver, he was just about to mount the chariot when Panthea, after asking everyone present to step back, spoke up:"

"'O Abradatus! if ever there was a woman who had a greater regard to her husband than to her own soul, I believe you know that I am such an one; what need I therefore speak of things in particular? for I reckon that my actions have convinced you more than any words I can now use. And yet, though I stand thus affected toward you, as you know I do, I swear, by this friendship of mine and yours, that I certainly would rather choose to be put under ground jointly with you, approving yourself a brave man, than to live with you in disgrace and shame; so much do I think you and myself worthy of the noblest things. Then I think that we both lie under great obligations to Cyrus, that, when I was a captive, and chosen out for himself, he thought fit to treat me neither as a slave, nor, indeed, as a woman of mean account, but he took and kept me for you, as if I were his brother's wife. Besides, when Araspes, who was my guard, went away from him, I promised him, that, if he would allow me to send for you, you would come to him, and approve yourself a much better and move faithful friend than Araspes.'

"O Abradatus! if there was ever a woman who cared more for her husband than for herself, I believe you know that I am that woman; so why should I go into details? I think my actions have already shown you what words could never express. And yet, even with this deep affection I have for you, which you know well, I swear by our friendship that I would rather be buried alongside you, proving yourself a brave man, than live with you in disgrace and shame; I hold both you and myself in high regard. I believe we owe a lot to Cyrus, who, when I was a captive and chosen for himself, decided not to treat me as a slave, nor as a woman of little worth, but took and kept me for you, as if I were his brother's wife. Furthermore, when Araspes, my guard, left him, I promised that if he let me call for you, you would come to him and show yourself to be a much better and more loyal friend than Araspes."

"Thus she spoke; and Abradatus, being struck with admiration at her discourse, laying, his hand gently on her head, and lifting up his eyes to heaven, made this prayer: 'Do thou, O greatest Jove! I grant me to appear a husband worthy of Panthea, and a friend worthy of Cyrus, who has done us so much honor!'

"She spoke like that; and Abradatus, amazed by her words, placed his hand gently on her head, looked up to the sky, and prayed: 'O mighty Jove! Please let me be a husband deserving of Panthea and a friend worthy of Cyrus, who has honored us so greatly!'"

"Having said this, he mounted the chariot by the door of the driver's seat; and, after he had got up, when the driver shut the door, Panthea, who had now no other way to salute him, kissed the seat of the chariot. The chariot then moved, and she, unknown to him, followed, till Abradatus turning about, and seeing her, said: 'Take courage, Panthea! Fare you happily and well, and now go your ways.' On this her women and servants carried her to her conveyance, and, laying her down, concealed her by throwing the covering of a tent over her. The people, though Abradatus and his chariot made a noble spectacle, were not able to look at him till Panthea was gone."

After saying this, he got into the chariot at the driver's door; once he was inside and the driver closed the door, Panthea, having no other way to greet him, kissed the seat of the chariot. The chariot then began to move, and she, unknown to him, followed until Abradatus turned around and saw her, saying: "Take heart, Panthea! I wish you happiness and well-being; now go on your way." With that, her women and servants helped her to her carriage, and after laying her down, they covered her with a tent cloth. Although Abradatus and his chariot presented a grand sight, the crowd couldn't look at him until Panthea had left.

After the battle—

After the fight—

"Cyrus calling to some of his servants, 'Tell me, said he, 'has any one seen Abradatus? for I admire that he now does not appear.' One replied, 'My sovereign, it is because he is not living, but died in the battle as he broke in with his chariot on the Egyptians. All the rest, except his particular companions, they say, turned off when they saw the Egyptians' compact body. His wife is now said to have taken up his dead body, to have placed it in the carriage that she herself was conveyed in, and to have brought it hither to some place on the river Pactolus, and her servants are digging a grave on a certain elevation. They say that his wife, after setting him out with all the ornaments she has, is sitting on the ground with his head on her knees.' Cyrus, hearing this, gave himself a blow on the thigh, mounted his horse at a leap, and, taking with him a thousand horse, rode away to this scene of affliction; but gave orders to Gadatas and Gobryas to take with them all the rich ornaments proper for a friend and an excellent man deceased, and to follow after him; and whoever had herds of cattle with him, he ordered them to take both oxen, and horses, and sheep in good number, and to bring them away to the place where, by inquiry, they should find him to be, that he might sacrifice these to Abradatus.

Cyrus called to some of his servants, "Tell me," he said, "has anyone seen Abradatus? I find it strange that he isn't here." One replied, "My lord, it’s because he’s not alive; he died in battle when he charged the Egyptians with his chariot. The others, except for his close companions, turned away when they saw the Egyptians' strong formation. It’s said that his wife took his lifeless body and placed it in the carriage she was using, bringing it here to a spot by the River Pactolus, and her servants are digging a grave on a nearby hill. They say she has arranged him with all her ornaments and is sitting on the ground with his head on her lap." Hearing this, Cyrus struck his thigh, jumped on his horse, and took a thousand mounted men with him to this place of mourning. He ordered Gadatas and Gobryas to bring all the fine items suitable for a friend and distinguished man who has passed, and to follow him. He also instructed anyone with livestock to bring a good number of oxen, horses, and sheep to the location where they would find him, so he could sacrifice these to Abradatus.

"As soon as he saw the woman sitting on the ground, and the dead body there lying, he shed tears at the afflicting sight, and said: 'Alas! thou brave and faithful soul, hast thou left us, and art thou gone?' At the same time he took him by the right hand, and the hand of the deceased came away, for it had been cut off with a sword by the Egyptians. He, at the sight of this, became yet much more concerned than before. The woman shrieked out in a lamentable manner, and, taking the hand from Cyrus, kissed it, fitted it to its proper place again, as well as she could, and said: 'The rest, Cyrus, is in the same condition, but what need you see it? And I know that I was not one of the least concerned in these his sufferings, and, perhaps, you were not less so; for I, fool that I was! frequently exhorted him to behave in such a manner as to appear a friend to you, worthy of notice; and I know he never thought of what he himself should suffer, but of what he should do to please you. He is dead, therefore,' said she, 'without reproach, and I, who urged him on, sit here alive.' Cyrus, shedding tears for some time in silence, then spoke:—'He has died, woman, the noblest death; for he has died victorious! Do you adorn him with these things that I furnish you with.' (Gobryas and Gadatas were then come up, and had brought rich ornaments in great abundance with them.) 'Then,' said he, 'be assured that he shall not want respect and honor in all other things; but, over and above, multitudes shall concur in raising him a monument that shall be worthy of us, and all the sacrifices shall be made him that are proper to be made in honor of a brave man. You shall not be left destitute, but, for the sake of your modesty and every other virtue, I will pay you all other honors, as well as place those about you who will conduct you wherever you please. Do you but make it known to me where it is that you desire to be conveyed to.' And Panthea replied: 'Be confident, Cyrus, I will not conceal from you to whom it is that I desire to go.'

As soon as he saw the woman sitting on the ground next to the dead body, he broke down in tears at the heartbreaking sight and said, "Oh no! Brave and loyal soul, have you really left us?" Simultaneously, he took the deceased’s right hand, which came off because it had been severed by a sword wielded by the Egyptians. Upon seeing this, he became even more distressed. The woman let out a mournful scream, took the hand from Cyrus, kissed it, and tried to attach it back as best as she could. "The rest, Cyrus, is in the same state, but why do you need to see it? I know I was deeply affected by his suffering, and maybe you were too; because I, foolishly, often urged him to act in a way that made him seem like a friend to you, someone worth noticing. He never thought about his own suffering, only about what he could do to please you. He has died, therefore," she said, "without any shame, while I, who pushed him on, sit here alive." After a while of silent tears, Cyrus finally spoke: "He has died, woman, the noblest death—he died victorious! You should decorate him with the items I provide." (Gobryas and Gadatas had then arrived, bringing a wealth of beautiful decorations.) "So," he continued, "rest assured that he will be honored and respected in every way; plus, many will come together to build a monument worthy of us, and all the sacrifices suitable for a brave man will be made in his honor. You will not be left alone; for your dignity and all your other virtues, I will honor you and arrange for those who will take you wherever you wish to go. Just let me know where you want to be taken." And Panthea replied, "Trust me, Cyrus, I won't hide from you where I want to go."

"He, having said this, went away with great pity for her that she should have lost such a husband, and for the man that he should have left such a wife behind him, never to see her more. Panthea then gave orders for her servants to retire, 'till such time,' said she, 'as I shall have lamented my husband as I please.' Her nurse she bid to stay, and gave orders that, when she was dead, she would wrap her and her husband up in one mantle together. The nurse, after having repeatedly begged her not to do this, and meeting with no success, but observing her to grow angry, sat herself down, breaking out into tears. She, being beforehand provided with a sword, killed herself, and, laying her head down on her husband's breast, she died. The nurse set up a lamentable cry, and covered them both, as Panthea had directed.

He said this and left with deep sadness for her, having lost such a husband, and for the man who had left behind such a wife, never to see her again. Panthea then told her servants to leave, saying, "until I have mourned my husband as I wish." She instructed her nurse to stay and declared that, when she died, she wanted to be wrapped with her husband in one shroud. The nurse pleaded with her not to do this, but when she found no success and saw Panthea getting angry, she sat down and began to cry. Panthea, having already prepared a sword, took her own life, resting her head on her husband's chest as she died. The nurse let out a mournful cry and covered them both, just as Panthea had instructed.

"Cyrus, as soon as he was informed of what the woman had done, being struck with it, went to help her if he could. The servants, three in number, seeing what had been done, drew their swords and killed themselves, as they stood at the place where she bad ordered them. And the monument is now said to have been raised by continuing the mound on to the servants; and on a pillar above, they say, the names of the man and woman were written in Syriac letters.

"Cyrus, after hearing what the woman had done, was so moved that he went to see if he could help her. The three servants, seeing what had happened, drew their swords and took their own lives right where she had ordered them. They say that the monument was built by adding to the mound that covered the servants, and on a pillar above, it is said that the names of the man and woman were inscribed in Syriac letters."

"Below were three pillars, and they were inscribed thus, 'Of the servants.' Cyrus, when he came to this melancholy scene, was struck with admiration of the woman, and, having lamented over her, went away. He took care, as was proper, that all the funeral rites should be paid them in the noblest manner, and the monument, they say, was raised up to a very great size."

"Below were three pillars, and they were inscribed, 'Of the servants.' When Cyrus arrived at this sad scene, he was deeply impressed by the woman and, after expressing his sorrow for her, he left. He made sure, as was fitting, that all the funeral rites were conducted in the most honorable way, and it is said that a monument was erected that was extremely large."


These be the ancients, who, so many assert, had no idea of the dignity of Woman, or of marriage. Such love Xenophon could paint as subsisting between those who after death "would see one another never more." Thousands of years have passed since, and with the reception of the Cross, the nations assume the belief that those who part thus may meet again and forever, if spiritually fitted to one another, as Abradatus and Panthea were, and yet do we see such marriages among them? If at all, how often?

These are the ancients, who many say had no understanding of the dignity of women or of marriage. Such love is what Xenophon depicted as existing between those who, after death, "would never see each other again." Thousands of years have passed since then, and with the acceptance of the Cross, nations have adopted the belief that those who part in this way may meet again and forever, if they are spiritually suited to one another, like Abradatus and Panthea were. And yet, do we see such marriages among them? If at all, how often?

I must quote two more short passages from Xenophon, for he is a writer who pleases me well.

I need to quote two more brief passages from Xenophon because he is a writer that I really enjoy.

Cyrus, receiving the Armenians whom he had conquered—

Cyrus, welcoming the Armenians he had defeated—

"'Tigranes,' said he, 'at what rate would you purchase the regaining of your wife?' Now Tigranes happened to be but lately married, and had a very great love for his wife." (That clause perhaps sounds modern.)

"'Tigranes,' he said, 'how much would you pay to get your wife back?' Now, Tigranes had just gotten married and was very much in love with his wife."

"'Cyrus,' said he, 'I would ransom her at the expense of my life.'

"'Cyrus,' he said, 'I'd give my life to save her.'"

"'Take then your own to yourself,' said he. ...

"'Take then your own to yourself,' he said. ...

"When they came home, one talked of Cyrus' wisdom, another of his patience and resolution, another of his mildness. One spoke of his beauty and smallness of his person, and, on that, Tigranes asked his wife, 'And do you, Armenian dame, think Cyrus handsome?' 'Truly,' said she, 'I did not look at him.' 'At whom, then, did you look?' said Tigranes. 'At him who said that, to save me from servitude, he would ransom me at the expense of his own life.'"

"When they got home, one person talked about Cyrus' wisdom, another about his patience and determination, another about his gentleness. One mentioned his looks and his small stature, and on that, Tigranes asked his wife, 'So, do you, Armenian lady, think Cyrus is handsome?' 'Honestly,' she replied, 'I didn’t really pay attention to him.' 'Then who did you look at?' asked Tigranes. 'At the one who said he would risk his life to free me from servitude.'"

From the Banquet.—

From the Dinner Party.—

"Socrates, who observed her with pleasure, said, 'This young girl has confirmed me in the opinion I have had, for a long time, that the female sex are nothing inferior to ours, excepting only in strength of body, or, perhaps, his steadiness of judgment.'"

"Socrates, watching her with interest, said, 'This young woman has reinforced my long-held belief that women are not inferior to men in any way, except maybe in physical strength, or perhaps in their steadiness of judgment.'"


In the Economics, the manner in which the husband gives counsel to his young wife presents the model of politeness and refinement. Xenophon is thoroughly the gentleman; gentle in breeding and in soul. All the men he describes are so, while the shades of manner are distinctly marked. There is the serene dignity of Socrates, with gleams of playfulness thrown across its cool, religious shades, the princely mildness of Cyrus, and the more domestic elegance of the husband in the Economics.

In the Economics, the way the husband advises his young wife serves as a perfect example of politeness and sophistication. Xenophon embodies the ideal gentleman; he is gentle in both upbringing and nature. All the men he portrays share this quality, while their different manners are clearly defined. There’s the calm dignity of Socrates, with hints of playfulness peeking through his composed, serious demeanor, the noble gentleness of Cyrus, and the more homely grace of the husband in the Economics.

There is no way that men sin more against refinement, as well as discretion, than in their conduct toward their wives. Let them look at the men of Xenophon. Such would know how to give counsel, for they would know how to receive it. They would feel that the most intimate relations claimed most, not least, of refined courtesy. They would not suppose that confidence justified carelessness, nor the reality of affection want of delicacy in the expression of it.

Men can't sin more against refinement and discretion than they do in how they treat their wives. They should consider the men of Xenophon. Those men understood how to give advice because they knew how to accept it. They realized that the closest relationships demand the most, not the least, in terms of refined courtesy. They wouldn’t think that trust justified being careless, nor would they believe that true affection meant being coarse in expressing it.

Such men would be too wise to hide their affairs from the wife, and then expect her to act as if she knew them. They would know that, if she is expected to face calamity with courage, she must be instructed and trusted in prosperity, or, if they had failed in wise confidence, such as the husband shows in the Economics, they would be ashamed of anger or querulous surprise at the results that naturally follow.

Such men would be too smart to keep their affairs hidden from their wives and then expect them to act like they knew about them. They would understand that if she is expected to face tough times with bravery, she needs to be informed and trusted during good times. If they had failed in the wise confidence that a husband shows in the Economics, they would feel embarrassed about being angry or surprised by the natural outcomes that follow.

Such men would not be exposed to the bad influence of bad wives; for all wives, bad or good, loved or unloved, inevitably influence their husbands, from the power their position not merely gives, but necessitates, of coloring evidence and infusing feelings in hours when the—patient, shall I call him?—is off his guard. Those who understand the wife's mind, and think it worth while to respect her springs of action, know bettor where they are. But to the bad or thoughtless man, who lives carelessly and irreverently so near another mind, the wrong he does daily back upon himself recoils. A Cyrus, an Abradatus, knows where he stands.

Such men wouldn't be influenced by bad wives because, whether good or bad, loved or unloved, all wives inevitably affect their husbands. This happens due to the power their role not only provides but also requires, changing perspectives and creating feelings when the—patient, shall I say?—is unguarded. Those who understand their wife's mindset and value her motivations know better where they stand. However, for the careless or thoughtless man, who lives so close to another mind without respect, the harm he does ultimately reflects back on him. A Cyrus or Abradatus knows where he stands.


But to return to the thread of my subject.

But let's get back to the main point.

Another sign of the times is furnished by the triumphs of Female Authorship. These have been great, and are constantly increasing. Women have taken possession of so many provinces for which men had pronounced them unfit, that, though these still declare there are some inaccessible to them, it is difficult to say just where they must stop.

Another sign of the times is the success of female authorship. These achievements have been significant and are always growing. Women have claimed so many fields that men used to say they were unfit for, that even though some still insist there are areas they can't reach, it’s hard to pinpoint exactly where they should draw the line.

The shining names of famous women have cast light upon the path of the sex, and many obstructions have been removed. When a Montague could learn better than her brother, and use her lore afterwards to such purpose as an observer, it seemed amiss to hinder women from preparing themselves to see, or from seeing all they could, when prepared. Since Somerville has achieved so much, will any young girl be prevented from seeking a knowledge of the physical sciences, if she wishes it? De Stael's name was not so clear of offence; she could not forget the Woman in the thought; while she was instructing you as a mind, she wished to be admired as a Woman; sentimental tears often dimmed the eagle glance. Her intellect, too, with all its splendor, trained in a drawing-room, fed on flattery, was tainted and flawed; yet its beams make the obscurest school-house in New England warmer and lighter to the little rugged girls who are gathered together on its wooden bench. They may never through life hear her name, but she is not the less their benefactress.

The impressive names of famous women have illuminated the way for their gender, and many barriers have been broken down. When a Montague could learn more than her brother and use that knowledge to observe the world, it seemed wrong to stop women from getting ready to see or from seeing everything they could when they were ready. Since Somerville has accomplished so much, will any young girl be held back from pursuing knowledge in the physical sciences if she wants to? De Stael's reputation wasn’t entirely without issues; she couldn't forget about being a woman while she was teaching you as a thinker; she wanted to be admired as a woman while often letting sentimental tears cloud her sharp gaze. Her intellect, although brilliant, shaped in a drawing room and fed with flattery, was stained and imperfect; yet its light makes even the darkest schoolhouse in New England warmer and brighter for the little tough girls sitting together on its wooden bench. They might never hear her name in their lives, but she is still their benefactor.

The influence has been such, that the aim certainly is, now, in arranging school instruction for girls, to give them as fair a field as boys. As yet, indeed, these arrangements are made with little judgment or reflection; just as the tutors of Lady Jane Grey, and other distinguished women of her time, taught them Latin and Greek, because they knew nothing else themselves, so now the improvement in the education of girls is to be made by giving them young men as teachers, who only teach what has been taught themselves at college, while methods and topics need revision for these new subjects, which could better be made by those who had experienced the same wants. Women are, often, at the head of these institutions; but they have, as yet, seldom been thinking women, capable of organizing a new whole for the wants of the time, and choosing persons to officiate in the departments. And when some portion of instruction of a good sort is got from the school, the far greater proportion which is infused from the general atmosphere of society contradicts its purport. Yet books and a little elementary instruction are not furnished in vain. Women are better aware how great and rich the universe is, not so easily blinded by narrowness or partial views of a home circle. "Her mother did so before her" is no longer a sufficient excuse. Indeed, it was never received as an excuse to mitigate the severity of censure, but was adduced as a reason, rather, why there should be no effort made for reformation.

The influence has been so strong that the goal now, in organizing education for girls, is to provide them with as equal an opportunity as boys. However, these plans are still being made with little thought or careful consideration; just like the tutors of Lady Jane Grey and other notable women of her time taught them Latin and Greek simply because that was all they knew, today's improvements in girls' education come from young men who teach only what they were taught in college. Meanwhile, the methods and subjects need to be updated by those who understand the actual needs of these new topics. Women often lead these educational institutions, but they have rarely been forward-thinking individuals able to create a comprehensive framework that addresses current needs and select the right people for various roles. Moreover, while some quality instruction comes from schools, the overwhelming influence of societal attitudes often contradicts the education provided. Still, books and a bit of basic education aren't offered in vain. Women are becoming more aware of the vastness and richness of the world, no longer easily misled by limited or biased views centered around home life. "Her mother did so before her" is no longer a valid excuse. In fact, it was never taken as a justification to lessen criticism; instead, it was often cited as a reason not to strive for change.

Whether much or little has been done, or will be done,—whether women will add to the talent of narration the power of systematizing,—whether they will carve marble, as well as draw and paint,—is not important. But that it should be acknowledged that they have intellect which needs developing—that they should not be considered complete, if beings of affection and habit alone—is important.

Whether a lot or a little has been done, or will be done—whether women will add the ability to organize to their storytelling talent—whether they will sculpt marble as well as draw and paint—doesn't really matter. What’s important is that it's recognized that they have intelligence that needs to be nurtured—that they shouldn't be seen as fully formed if they only embody emotions and routines.

Yet even this acknowledgment, rather conquered by Woman than proffered by Man, has been sullied by the usual selfishness. Too much is said of women being better educated, that they may become better companions and mothers for men. They should be fit for such companionship, and we have mentioned, with satisfaction, instances where it has been established. Earth knows no fairer, holier relation than that of a mother. It is one which, rightly understood, must both promote and require the highest attainments. But a being of infinite scope must not be treated with an exclusive view to any one relation. Give the soul free course, let the organization, both of body and mind, be freely developed, and the being will be fit for any and every relation to which it may be called. The intellect, no more than the sense of hearing, is to be cultivated merely that Woman may be a more valuable companion to Man, but because the Power who gave a power, by its mere existence signifies that it must be brought out toward perfection.

Yet even this acknowledgment, more offered by women than given by men, has been tainted by the usual selfishness. There's a lot of talk about women being better educated so they can be better companions and mothers for men. They should certainly be prepared for such companionship, and we've noted, with satisfaction, examples where this has been achieved. The world has no relationship more beautiful or sacred than that of a mother. It is one that, when truly understood, must both encourage and demand the highest aspirations. However, a being of infinite potential shouldn't be viewed solely in light of one relationship. Let the soul be free to grow; allow both the body and mind to develop freely, and that being will be prepared for any and all relationships they may encounter. The intellect, like the sense of hearing, should not be nurtured only so that women can be better companions to men, but because the power given by the universe, by its very existence, indicates that it must be cultivated toward perfection.

In this regard of self-dependence, and a greater simplicity and fulness of being, we must hail as a preliminary the increase of the class contemptuously designated as "old maids."

In terms of self-reliance, and a more straightforward and fulfilling existence, we should recognize as a first step the rise of the group dismissively called "old maids."

We cannot wonder at the aversion with which old bachelors and old maids have been regarded. Marriage is the natural means of forming a sphere, of taking root in the earth; it requires more strength to do this without such an opening; very many have failed, and their imperfections have been in every one's way. They have been more partial, more harsh, more officious and impertinent, than those compelled by severer friction to render themselves endurable. Those who have a more full experience of the instincts have a distrust as to whether the unmarried can be thoroughly human and humane, such as is hinted in the saying, "Old-maids' and bachelors' children are well cared for," which derides at once their ignorance and their presumption.

We can't be surprised by the way society views old bachelors and old maids. Marriage is the natural way to create a community and establish roots; it takes more strength to do this without that opportunity. Many have failed, and their shortcomings get in everyone's way. They tend to be more biased, more harsh, more meddlesome, and more annoying than those who have had to deal with tougher challenges to learn how to get along with others. People with richer life experiences tend to question whether the unmarried can truly be fully human and compassionate, which is echoed in the saying, "Children of old maids and bachelors are well taken care of," mocking both their naivety and their arrogance.

Yet the business of society has become so complex, that it could now scarcely be carried on without the presence of these despised auxiliaries; and detachments from the army of aunts and uncles are wanted to stop gaps in every hedge. They rove about, mental and moral Ishmaelites, pitching their tents amid the fixed and ornamented homes of men.

Yet society has become so complex that it can hardly function without these overlooked helpers; we now need contributions from aunts and uncles to fill in the gaps everywhere. They wander around, like mental and moral outcasts, setting up their temporary shelters among the established and decorated homes of others.

In a striking variety of forms, genius of late, both at home and abroad, has paid its tribute to the character of the Aunt and the Uncle, recognizing in these personages the spiritual parents, who have supplied defects in the treatment of the busy or careless actual parents.

In a remarkable range of ways, the genius of recent times, both at home and abroad, has acknowledged the characters of the Aunt and the Uncle, recognizing them as the spiritual guardians who have filled the gaps left by busy or neglectful actual parents.

They also gain a wider, if not so deep experience. Those who are not intimately and permanently linked with others, are thrown upon themselves; and, if they do not there find peace and incessant life, there is none to flatter them that they are not very poor, and very mean.

They also gain a broader, though not as intense, experience. Those who aren't closely and permanently connected with others are left to rely on themselves; and if they don't find peace and a fulfilling life within, there's no one to reassure them that they aren't very lonely and unremarkable.

A position which so constantly admonishes, may be of inestimable benefit. The person may gain, undistracted by other relationships, a closer communion with the one. Such a use is made of it by saints and sibyls. Or she may be one of the lay sisters of charity, a canoness, bound by an inward vow,—or the useful drudge of all men, the Martha, much sought, little prized,—or the intellectual interpreter of the varied life she sees; the Urania of a half-formed world's twilight.

A position that constantly gives guidance can be incredibly beneficial. The person might develop a deeper connection with one individual, without distractions from other relationships. Saints and prophets have utilized this approach. Alternatively, she could be among the lay sisters of charity, a canoness, committed by an inner vow—or the hardworking helper for everyone, the Martha, often in demand but not fully appreciated—or the thoughtful interpreter of the diverse life she observes; the Urania in the dim light of a partially formed world.

Or she may combine all these. Not needing to care that she may please a husband, a frail and limited being, her thoughts may turn to the centre, and she may, by steadfast contemplation entering into the secret of truth and love, use it for the good of all men, instead of a chosen few, and interpret through it all the forms of life. It is possible, perhaps, to be at once a priestly servant and a loving muse.

Or she might mix all of these. Not having to worry about pleasing a husband, a fragile and limited person, her thoughts could focus on the center, and through dedicated contemplation, she may discover the essence of truth and love, using it for the benefit of everyone instead of just a select few, and interpret all aspects of life through it. It’s possible, maybe, to be both a devoted servant and an inspiring muse at the same time.

Saints and geniuses have often chosen a lonely position, in the faith that if, undisturbed by the pressure of near ties, they would give themselves up to the inspiring spirit, it would enable them to understand and reproduce life better than actual experience could.

Saints and geniuses have often opted for a solitary role, believing that if they were free from the influence of close relationships, they could fully embrace the inspiring spirit, allowing them to comprehend and express life in a way that surpasses what direct experience could offer.

How many "old maids" take this high stand we cannot say: it is an unhappy fact that too many who have come before the eye are gossips rather, and not always good-natured gossips. But if these abuse, and none make the best of their vocation, yet it has not failed to produce some good results. It has been seen by others, if not by themselves, that beings, likely to be left alone, need to be fortified and furnished within themselves; and education and thought have tended more and more to regard these beings as related to absolute Being, as well as to others. It has been seen that, as the breaking of no bond ought to destroy a man, so ought the missing of none to hinder him from growing. And thus a circumstance of the time, which springs rather from its luxury than its purity, has helped to place women on the true platform.

How many "old maids" take this high stand, we can't say: it's an unfortunate truth that too many we've seen are gossips, and not always kind ones. But while they may gossip and none truly embrace their role, it has still led to some positive outcomes. Others, if not themselves, have recognized that those likely to be left alone need to be strengthened and supported from within; education and reflection have increasingly viewed these individuals as connected to a higher power as well as to each other. It's been acknowledged that just as breaking one bond shouldn't ruin a person's life, lacking any shouldn't stop them from growing. Thus, a situation of the times, stemming more from excess than from virtue, has helped elevate women to the right level.

Perhaps the next generation, looking deeper into this matter, will find that contempt is put upon old maids, or old women, at all, merely because they do not use the elixir which would keep them always young. Under its influence, a gem brightens yearly which is only seen to more advantage through the fissures Time makes in the casket. [Footnote: Appendix F.] No one thinks of Michael Angelo's Persican Sibyl, or St. Theresa, or Tasso's Leonora, or the Greek Electra, as an old maid, more than of Michael Angelo or Canova as old bachelors, though all had reached the period in life's course appointed to take that degree.

Perhaps the next generation, looking deeper into this issue, will realize that society looks down on old maids or older women simply because they don’t use the potion that keeps them feeling young. Under its influence, a gem shines brighter each year, only truly appreciated through the cracks that Time creates in its setting. [Footnote: Appendix F.] No one views Michelangelo's Persian Sibyl, or St. Teresa, or Tasso's Leonora, or the Greek Electra as an old maid, any more than Michelangelo or Canova are seen as old bachelors, even though they all have reached the stage in life that earns that label.

See a common woman at forty; scarcely has she the remains of beauty, of any soft poetic grace which gave her attraction as Woman, which kindled the hearts of those who looked on her to sparkling thoughts, or diffused round her a roseate air of gentle love. See her, who was, indeed, a lovely girl, in the coarse, full-blown dahlia flower of what is commonly matron-beauty, "fat, fair, and forty," showily dressed, and with manners as broad and full as her frill or satin cloak. People observe, "How well she is preserved!" "She is a fine woman still," they say. This woman, whether as a duchess in diamonds, or one of our city dames in mosaics, charms the poet's heart no more, and would look much out of place kneeling before the Madonna. She "does well the honors of her house,"—"leads society,"—is, in short, always spoken and thought of upholstery-wise.

Look at an average woman at forty; she barely has any traces of beauty left, or any soft, poetic grace that once attracted people and sparked their imaginations, or spread around her a warm, loving vibe. See her, who truly was a lovely girl, in the bold, over-the-top bloom of what is usually considered matronly beauty—“fat, fair, and forty,” dressed flamboyantly, with a personality as loud and full as her frilly or satin outfit. People say, “She looks well for her age!” “She’s still a fine woman,” they comment. This woman, whether she’s a duchess in diamonds or one of our city ladies dressed in mosaics, no longer captivates the poet’s heart and would seem quite out of place kneeling before the Madonna. She “does the honors of her house well,” “leads the social scene,” and is, in short, always viewed in terms of her appearance and style.

Or see that care-worn face, from which every soft line is blotted,—those faded eyes, from which lonely tears have driven the flashes of fancy, the mild white beam of a tender enthusiasm. This woman is not so ornamental to a tea-party; yet she would please better, in picture. Yet surely she, no more than the other, looks as a human being should at the end of forty years. Forty years! have they bound those brows with no garland? shed in the lamp no drop of ambrosial oil?

Or look at that tired face, where every soft line is gone, those faded eyes that have lost their spark from lonely tears that have wiped away dreams and gentle enthusiasm. This woman might not fit in at a tea party, but she would make a better impression in a painting. Still, she, like anyone else, doesn’t seem to embody what a human should look like after forty years. Forty years! Have they left those brows without a crown? Has no drop of heavenly oil been shed in the light?

Not so looked the Iphigenia in Aulis. Her forty years had seen her in anguish, in sacrifice, in utter loneliness. But those pains were borne for her father and her country; the sacrifice she had made pure for herself and those around her. Wandering alone at night in the vestal solitude of her imprisoning grove, she has looked up through its "living summits" to the stars, which shed down into her aspect their own lofty melody. At forty she would not misbecome the marble.

Not at all like that was Iphigenia in Aulis. Her forty years had been filled with distress, sacrifice, and complete solitude. But she endured those struggles for her father and her country; the sacrifice she made was purely for herself and those close to her. Walking alone at night in the sacred quiet of her secluded grove, she looked up through its "living summits" to the stars, which poured their own elevated beauty into her gaze. At forty, she would still be a fitting figure in marble.

Not so looks the Persica. She is withered; she is faded; the drapery that enfolds her has in its dignity an angularity, too, that tells of age, of sorrow, of a stern resignation to the must. But her eye, that torch of the soul, is untamed, and, in the intensity of her reading, we see a soul invincibly young in faith and hope. Her age is her charm, for it is the night of the past that gives this beacon-fire leave to shine. Wither more and more, black Chrysalid! thou dost but give the winged beauty time to mature its splendors!

Not so does the Persica appear. She is withered; she is faded; the fabric that wraps her carries an angular dignity that speaks of age, sorrow, and a tough acceptance of what must be. Yet her eye, that flame of the soul, is wild, and in her focused reading, we see a soul that remains eternally young in faith and hope. Her age is her charm, for it is the darkness of the past that allows this guiding light to shine. Wither more and more, black Chrysalid! you only give the winged beauty time to develop its brilliance!

Not so looked Victoria Colonna, after her life of a great hope, and of true conjugal fidelity. She had been, not merely a bride, but a wife, and each hour had helped to plume the noble bird. A coronet of pearls will not shame her brow; it is white and ample, a worthy altar for love and thought.

Not so did Victoria Colonna appear after a life full of great hope and true marital loyalty. She had been not just a bride, but a wife, and every hour had helped to elevate her spirit. A crown of pearls won’t diminish her dignity; her brow is fair and broad, a fitting place for love and reflection.

Even among the North American Indians, a race of men as completely engaged in mere instinctive life as almost any in the world, and where each chief, keeping many wives as useful servants, of course looks with no kind eye on celibacy in Woman, it was excused in the following instance mentioned by Mrs. Jameson. A woman dreamt in youth that she was betrothed to the Sun. She built her a wigwam apart, filled it with emblems of her alliance, and means of on independent life. There she passed her days, sustained by her own exertions, and true to her supposed engagement.

Even among North American Indians, a group of people living largely instinctively like many others around the world, where each chief often has several wives who serve them, celibacy in women was viewed with little favor. However, there was an exception noted by Mrs. Jameson. A woman dreamed in her youth that she was destined to marry the Sun. She built a separate wigwam, filled it with symbols of her engagement and the means for her independent life. There, she spent her days, supported by her own efforts, and remained faithful to her imagined commitment.

In any tribe, we believe, a woman, who lived as if she was betrothed to the Sun, would be tolerated, and the rays which made her youth blossom sweetly, would crown her with a halo in age.

In any tribe, we believe, a woman who lived as if she was engaged to the Sun would be accepted, and the rays that made her youth flourish beautifully would surround her with a glow in her later years.

There is, on this subject, a nobler view than heretofore, if not the noblest, and improvement here must coincide with that in the view taken of marriage. "We must have units before we can have union," says one of the ripe thinkers of the times.

There is a more noble perspective on this subject now than before, if not the most noble, and progress here has to align with how we view marriage. "We need individuals before we can have unity," says one of today’s mature thinkers.

If larger intellectual resources begin to be deemed needful to Woman, still more is a spiritual dignity in her, or even the mere assumption of it, looked upon with respect. Joanna Southcote and Mother Anne Lee are sure of a band of disciples; Ecstatica, Dolorosa, of enraptured believers who will visit them in their lowly huts, and wait for days to revere them in their trances. The foreign noble traverses land and sea to hear a few words from the lips of the lowly peasant girl, whom he believes especially visited by the Most High. Very beautiful, in this way, was the influence of the invalid of St. Petersburg, as described by De Maistre.

If greater intellectual resources start to be considered necessary for women, even more so is a spiritual dignity in them, or even just the appearance of it, regarded with admiration. Joanna Southcote and Mother Anne Lee have a loyal group of followers; Ecstatica and Dolorosa attract devoted believers who will travel to their modest homes and wait for days to honor them during their trances. A foreign noble crosses land and sea just to hear a few words from the lips of the humble peasant girl, whom he believes is especially favored by the Most High. The influence of the invalid from St. Petersburg, as described by De Maistre, was quite remarkable in this regard.

Mysticism, which may be defined as the brooding soul of the world, cannot fail of its oracular promise as to Woman. "The mothers," "The mother of all things," are expressions of thought which lead the mind towards this side of universal growth. Whenever a mystical whisper was heard, from Behmen down to St. Simon, sprang up the thought, that, if it be true, as the legend says, that Humanity withers through a fault committed by and a curse laid upon Woman, through her pure child, or influence, shall the new Adam, the redemption, arise. Innocence is to be replaced by virtue, dependence by a willing submission, in the heart of the Virgin-Mother of the new race.

Mysticism, which can be seen as the deep essence of the world, cannot fail to deliver on its promise about Woman. The terms "the mothers" and "the mother of all things" are concepts that direct our thoughts toward this aspect of universal development. Whenever a mystical insight was shared, from Behmen to St. Simon, the idea emerged that, if the legend holds true and Humanity suffers because of a fault committed by Woman and a curse placed upon her, then through her pure child or influence, a new Adam, the redemption, will arise. Innocence will give way to virtue, and dependence will transform into willing submission in the heart of the Virgin-Mother of the new race.

The spiritual tendency is toward the elevation of Woman, but the intellectual by itself is not so. Plato sometimes seems penetrated by that high idea of love, which considers Man and Woman as the two-fold expression of one thought. This the angel of Swedenborg, the angel of the coming age, cannot surpass, but only explain more fully. But then again Plato, the man of intellect, treats Woman in the Republic as property, and, in the Timæus, says that Man, if he misuse the privileges of one life, shall be degraded into the form of Woman; and then, if ho do not redeem himself, into that of a bird. This, as I said above, expresses most happily how antipoetical is this state of mind. For the poet, contemplating the world of things, selects various birds as the symbols of his most gracious and ethereal thoughts, just as he calls upon his genius as muse rather than as God. But the intellect, cold, is ever more masculine than feminine; warmed by emotion, it rushes toward mother-earth, and puts on the forms of beauty.

The spiritual mindset is about uplifting women, but the intellectual side isn’t necessarily the same. Plato occasionally demonstrates a profound idea of love that views men and women as two expressions of a single thought. This concept, which the angel of Swedenborg, the angel of the future, can’t surpass but can only explain more thoroughly. Yet, on the flip side, Plato, the logical thinker, refers to women as property in the Republic and states in the Timæus that if a man misuses the advantages of one life, he will be downgraded to the form of a woman, and if he doesn’t redeem himself, to that of a bird. This illustrates perfectly how unpoetic this mindset is. The poet, gazing at the world, chooses various birds as symbols for his most beautiful and airy ideas, just as he invokes his genius as his muse instead of a god. But intellect, when detached, is always more masculine than feminine; when fueled by emotion, it connects to mother earth and embodies beauty.

The electrical, the magnetic element in Woman has not been fairly brought out at any period. Everything might be expected from it; she has far more of it than Man. This is commonly expressed by saying that her intuitions are more rapid and more correct. You will often see men of high intellect absolutely stupid in regard to the atmospheric changes, the fine invisible links which connect the forms of life around them, while common women, if pure and modest, so that a vulgar self do not overshadow the mental eye, will seize and delineate these with unerring discrimination.

The electrical and magnetic qualities in women haven’t been accurately highlighted at any point in history. A lot can be expected from them; they possess far more of these traits than men do. This is often summed up by saying that their intuitions are faster and more accurate. You'll frequently notice highly intelligent men completely missing the mark when it comes to atmospheric changes and the subtle, invisible connections that link the life forms around them. In contrast, ordinary women, if they are pure and modest—without a crass persona overshadowing their mental clarity—will perceive and describe these nuances with remarkable precision.

Women who combine this organization with creative genius are very commonly unhappy at present. They see too much to act in conformity with those around them, and their quick impulses seem folly to those who do not discern the motives. This is an usual effect of the apparition of genius, whether in Man or Woman, but is more frequent with regard to the latter, because a harmony, an obvious order and self-restraining decorum, is most expected from her.

Women who mix this organization with creativity are often quite unhappy today. They notice too much to just go along with those around them, and their swift impulses seem like nonsense to people who don't understand their motives. This is a common effect of genius appearing, whether in a man or a woman, but it happens more often with women because people expect them to show harmony, clear order, and self-restraint.

Then women of genius, even more than men, are likely to be enslaved by an impassioned sensibility. The world repels them more rudely, and they are of weaker bodily frame.

Then women of genius, even more than men, are likely to be trapped by intense emotions. The world pushes them away more harshly, and they have a physically weaker constitution.

Those who seem overladen with electricity frighten those around them. "When she merely enters the room, I am what the French call herissé," said a man of petty feelings and worldly character of such a woman, whose depth of eye and powerful motion announced the conductor of the mysterious fluid.

Those who seem charged with energy scare those around them. "When she just walks into the room, I feel what the French call herissé," said a man of shallow feelings and worldly character about a woman whose deep gaze and strong presence signaled her connection to something mysterious.

Woe to such a woman who finds herself linked to such a man in bonds too close! It is the crudest of errors. He will detest her with all the bitterness of wounded self-love. He will take the whole prejudice of manhood upon himself, and, to the utmost of his power, imprison and torture her by its imperious rigors.

Woe to the woman who gets tied to such a man in bonds too close! It's the worst mistake. He will resent her with all the bitterness of hurt pride. He will take on all the biases of masculinity and, as much as he can, imprison and torture her with its harsh demands.

Yet, allow room enough, and the electric fluid will be found to invigorate and embellish, not destroy life. Such women are the great actresses, the songsters. Such traits we read in a late searching, though too French, analysis of the character of Mademoiselle Rachel, by a modern, La Rochefeucault. The Greeks thus represent the muses; they have not the golden serenity of Apollo; they are overflowed with thought; there is something tragic in their air. Such are the Sibyls of Gueroino; the eye is overfull of expression, dilated and lustrous; it seems to have drawn the whole being into it.

Yet, give it enough space, and the electric energy will be found to energize and enhance, not extinguish life. These women are the great performers, the singers. We see such qualities in a recent deep, albeit overly French, analysis of the character of Mademoiselle Rachel by a modern writer, La Rochefoucauld. The Greeks portray the muses this way; they lack the golden calm of Apollo; they are overwhelmed with thought; there’s something tragic in their demeanor. These resemble the Sibyls of Guerino; the eye is overflowing with expression, widened and brilliant; it seems to have absorbed the entire essence into it.

Sickness is the frequent result of this overcharged existence. To this region, however misunderstood, or interpreted with presumptuous carelessness, belong the phenomena of magnetism, or mesmerism, as it is now often called, where the trance of the Ecstatica purports to be produced by the agency of one human being on another, instead of, as in her case, direct from the spirit.

Sickness is often a common outcome of this overwhelming life. To this area, however misunderstood or interpreted with careless assumptions, belong the phenomena of magnetism, or mesmerism, as it is frequently referred to now. Here, the trance of the Ecstatica is said to be created by one person influencing another, rather than, as in her case, coming directly from the spirit.

The worldling has his sneer at this as at the services of religion. "The churches can always be filled with women"—"Show me a man in one of your magnetic states, and I will believe."

The worldly person mocks this just like they do the rituals of religion. "The churches are always packed with women"—"Show me a man in one of your magnetic states, and I'll believe."

Women are, indeed, the easy victims both of priestcraft and self-delusion; but this would not be, if the intellect was developed in proportion to the other powers. They would then have a regulator, and be more in equipoise, yet must retain the same nervous susceptibility while their physical structure is such as it is.

Women are, in fact, often easy targets for manipulation by religious leaders and their own misconceptions; however, this wouldn't be the case if their intellect were developed alongside their other abilities. With a balanced intellect, they would have better self-regulation and be more stable, though they would still maintain the same nervous sensitivity due to their physical makeup.

It is with just that hope that we welcome everything that tends to strengthen the fibre and develop the nature on more sides. When the intellect and affections are in harmony; when intellectual consciousness is calm and deep; inspiration will not be confounded with fancy.

It is with that hope that we embrace everything that strengthens our character and develops our nature in multiple ways. When our intellect and emotions are aligned; when our understanding is calm and profound; inspiration will not be mistaken for mere imagination.

  Then, "she who advances
    With rapturous, lyrical glances,
  Singing the song of the earth, singing
    Its hymn to the Gods,"
  Then, "she who moves forward  
    With joyful, poetic looks,  
  Singing the song of the earth, singing  
    Its tribute to the Gods,"

will not be pitied as a mad-woman, nor shrunk from as unnatural.

will not be pitied as a crazy woman, nor avoided as unnatural.

The Greeks, who saw everything in forms, which we are trying to ascertain as law, and classify as cause, embodied all this in the form of Cassandra. Cassandra was only unfortunate in receiving her gift too soon. The remarks, however, that the world still makes in such cases, are well expressed by the Greek dramatist.

The Greeks, who viewed everything in terms of shapes that we are now trying to define as laws and categorize as causes, represented all of this in the character of Cassandra. Cassandra was just unlucky for getting her gift too early. The observations that the world continues to make in such situations are well captured by the Greek playwright.

In the Trojan dames there are fine touches of nature with regard to Cassandra. Hecuba shows that mixture of shame and reverence that prosaic kindred always do toward the inspired child, the poet, the elected sufferer for the race.

In the Trojan Women, there are great depictions of nature concerning Cassandra. Hecuba displays that blend of shame and respect that ordinary family members often feel toward the gifted child, the poet, the chosen one who suffers for everyone.

When the herald announces that Cassandra is chosen to be the mistress of Agamemnon, Hecuba answers, with indignation, betraying the pride and faith she involuntarily felt in this daughter.

When the herald announces that Cassandra has been chosen to be Agamemnon's mistress, Hecuba responds with anger, revealing the pride and faith she instinctively has in her daughter.

  "Hec. The maiden of Phoebus, to whom the golden-haired
        Gave as a privilege a virgin life!

Tal. Love of the inspired maiden hath pierced him.

Hec. Then cast away, my child, the sacred keys, and from thy person
        The consecrated garlands which thou wearest."
  "Hec. The maiden of Phoebus, to whom the golden-haired
        granted a virgin life as a privilege!

Tal. The love for the inspired maiden has struck him deeply.

Hec. Then throw away, my child, the sacred keys, and remove
        the consecrated garlands from your person."

Yet, when, a moment after, Cassandra appears, singing, wildly, her inspired song, Hecuba calls her, "My frantic child."

Yet, when Cassandra appears a moment later, singing wildly her inspired song, Hecuba calls her, "My frantic child."

Yet how graceful she is in her tragic raptus, the chorus shows.

Yet how graceful she is in her tragic raptus, the chorus shows.

  "Chorus. How sweetly at thy house's ills thou smil'st,
          Chanting what, haply, thou wilt not show true."
Chorus. How sweetly you smile at the troubles in your home,  
          Singing what you probably won't reveal.

If Hecuba dares not trust her highest instinct about her daughter, still less can the vulgar mind of the herald Talthybius, a man not without feeling, but with no princely, no poetic blood, abide the wild, prophetic mood which insults all his prejudices.

If Hecuba can't trust her deepest instincts about her daughter, then even less can the ordinary mindset of the herald Talthybius, a man who has some feelings but lacks noble or poetic blood, handle the wild, prophetic state that challenges all his biases.

  "Tal. The venerable, and that accounted wise,
       Is nothing better than that of no repute;
       For the greatest king of all the Greeks,
       The dear son of Atreus, a possessed with the love
       Of this mad-Woman. I, indeed, am poor;
       Yet I would not receive her to my bed."
"Tal. The esteemed, often considered wise,  
       Is no better than someone of no significance;  
       For the greatest king of all the Greeks,  
       The beloved son of Atreus, is consumed by his love  
       For this crazy woman. I may be poor,  
       But I wouldn’t take her to my bed."

The royal Agamemnon could see the beauty of Cassandra; he was not afraid of her prophetic gifts.

The royal Agamemnon could see the beauty of Cassandra; he was not afraid of her prophetic abilities.

The best topic for a chapter on this subject, in the present day, would be the history of the Seeress of Prevorst, the best observed subject of magnetism in our present times, and who, like her ancestresses of Delphos, was roused to ecstasy or phrensy by the touch of the laurel.

The best topic for a chapter on this subject today would be the history of the Seeress of Prevorst, the most well-documented example of magnetism in our times, who, like her ancestors from Delphi, was driven to ecstasy or frenzy by the touch of the laurel.

I observe in her case, and in one known to me here, that what might have been a gradual and gentle disclosure of remarkable powers was broken and jarred into disease by an unsuitable marriage. Both these persons were unfortunate in not understanding what was involved in this relation, but acted ignorantly, as their friends desired. They thought that this was the inevitable destiny of Woman. But when engaged in the false position, it was impossible for them to endure its dissonances, as those of less delicate perceptions can; and the fine flow of life was checked and sullied. They grew sick; but, even so, learned and disclosed more than those in health are wont to do.

I've noticed in her situation, and in one I'm familiar with here, that what could have been a gradual and gentle reveal of extraordinary abilities was disrupted and damaged by an unsuitable marriage. Both of these individuals were unfortunate not to understand what this relationship entailed and acted unknowingly, as their friends encouraged them. They believed it was the inevitable fate of women. However, when caught in this false reality, they couldn't tolerate its discord as those with less sensitivity can; and the natural flow of life was interrupted and tainted. They became unwell; yet, even so, they learned and revealed more than those in good health typically do.

In such cases, worldlings sneer; but reverent men learn wondrous news, either from the person observed, or by thoughts caused in themselves by the observation. Fenelon learns from Guyon, Kerner from his Seeress, what we fain would know. But to appreciate such disclosures one must be a child; and here the phrase, "women and children," may, perhaps, be interpreted aright, that only little children shall enter into the kingdom of heaven.

In these situations, ordinary people scoff; but respectful individuals discover amazing insights, either from the person they're observing or from thoughts sparked within them by the observation. Fenelon learns from Guyon, Kerner from his Seeress, what we long to know. However, to truly appreciate such revelations, one must be childlike; and here the phrase "women and children" might be understood correctly, implying that only young children can enter the kingdom of heaven.

All these motions of the time, tides that betoken a waxing moon, overflow upon our land. The world at large is readier to let Woman learn and manifest the capacities of her nature than it ever was before, and here is a less encumbered field and freer air than anywhere else. And it ought to be so; we ought to pay for Isabella's jewels.

All these movements of the times, tides that signal a growing moon, overflow onto our land. The world is more open than ever for women to learn and demonstrate their abilities, and here is a less restricted space and freer environment than anywhere else. It should be this way; we should be willing to pay for Isabella's jewels.

The names of nations are feminine—Religion, Virtue and Victory are feminine. To those who have a superstition, as to outward reigns, it is not without significance that the name of the queen of our motherland should at this crisis be Victoria,—Victoria the First. Perhaps to us it may be given to disclose the era thus outwardly presaged.

The names of countries are feminine—Religion, Virtue, and Victory are all feminine. For those who have a belief in superstitions related to external signs, it holds meaning that the name of our nation's queen at this critical time is Victoria—Victoria the First. Maybe it's our role to reveal the period that is hinted at outwardly like this.

Another Isabella too at this time ascends the throne. Might she open a new world to her sex! But, probably, these poor little women are, least of any, educated to serve as examples or inspirers for the rest. The Spanish queen is younger; we know of her that she sprained her foot the other day, dancing in her private apartments; of Victoria, that she reads aloud, in a distinct voice and agreeable manner, her addresses to Parliament on certain solemn days, and, yearly, that she presents to the nation some new prop of royalty. These ladies have, very likely, been trained more completely to the puppet life than any other. The queens, who have been queens indeed, were trained by adverse circumstances to know the world around them and their own powers.

Another Isabella also takes the throne at this time. Will she create a new path for women? But, sadly, these poor women are probably the least prepared to serve as role models or inspirations for others. The Spanish queen is younger; we know she recently sprained her foot while dancing in her private rooms. As for Victoria, she reads her addresses to Parliament aloud, clearly and pleasantly, on certain important days, and every year, she introduces the nation to some new aspect of royalty. These women have likely been trained more thoroughly for their scripted roles than anyone else. The queens who truly understood their power were shaped by challenging circumstances that made them aware of the world around them.

It is moving, while amusing, to read of the Scottish peasant measuring the print left by the queen's foot as she walks, and priding himself on its beauty. It is so natural to wish to find what is fair and precious in high places,—so astonishing to find the Bourbon a glutton, or the Guelph a dullard or gossip.

It's both touching and funny to read about the Scottish peasant measuring the footprint left by the queen as she walks and taking pride in its beauty. It's completely human to want to discover something beautiful and valuable in high places—yet it's shocking to see the Bourbons as gluttons or the Guelphs as dullards or gossips.

In our own country, women are, in many respects, better situated than men. Good books are allowed, with more time to read them. They are not so early forced into the bustle of life, nor so weighed down by demands for outward success. The perpetual changes, incident to our society, make the blood circulate freely through the body politic, and, if not favorable at present to the grace and bloom of life, they are so to activity, resource, and would be to reflection, but for a low materialist tendency, from which the women are generally exempt in themselves, though its existence, among the men, has a tendency to repress their impulses and make them doubt their instincts, thus often paralyzing their action during the best years.

In our country, women are, in many ways, better off than men. They have access to good books and more time to read them. They aren't pushed into the hustle and bustle of life as early, nor are they burdened by the pressure for outward success. The constant changes in our society keep things dynamic, and while they may not be ideal for the beauty and grace of life right now, they do promote activity and resourcefulness. Women generally avoid the materialistic mindset that tends to hold men back, which often makes men doubt their instincts and suppress their impulses, leading to inaction during their prime years.

But they have time to think, and no traditions chain them, and few conventionalities, compared with what must be met in other nations. There is no reason why they should not discover that the secrets of nature are open, the revelations of the spirit waiting, for whoever will seek them. When the mind is once awakened to this consciousness, it will not be restrained by the habits of the past, but fly to seek the seeds of a heavenly future.

But they have time to think, and no traditions hold them back, and there are few norms compared to what people face in other countries. There’s no reason they shouldn’t realize that the secrets of nature are accessible, and the insights of the spirit are waiting for anyone willing to seek them. Once the mind is awakened to this awareness, it won’t be limited by past habits but will soar to find the seeds of a brighter future.

Their employments are more favorable to meditation than those of men.

Their jobs are better suited for meditation than those of men.

Woman is not addressed religiously here more than elsewhere. She is told that she should be worthy to be the mother of a Washington, or the companion of some good man.' But in many, many instances, she has already learned that all bribes have the same flaw; that truth and good are to be sought solely for their own sakes. And, already, an ideal sweetness floats over many forms, shines in many eyes.

Woman isn't spoken to in a religious way here any more than anywhere else. She's told that she should be deserving of being the mother of a Washington or the partner of some good man. But in many instances, she has already realized that all incentives have the same flaw; that truth and goodness should be pursued for their own sake. And already, an ideal sweetness is evident in many forms and shines in many eyes.

Already deep questions are put by young girls on the great theme: What shall I do to enter upon the eternal life?

Already, young girls are asking profound questions about the big theme: What should I do to achieve eternal life?

Men are very courteous to them. They praise them often, check them seldom. There is chivalry in the feeling toward "the ladies," which gives them the best seats in the stage-coach, frequent admission, not only to lectures of all sorts, but to courts of justice, halls of legislature, reform conventions. The newspaper editor "would be better pleased that the Lady's Book should be filled up exclusively by ladies. It would then, indeed, be a true gem, worthy, to be presented by young men to the, mistress of their affections." Can gallantry go further?

Men are very courteous to them. They often praise them and seldom question them. There's a sense of chivalry toward "the ladies," which gives them the best seats in the stagecoach and regular access not just to all kinds of lectures, but also to courts of law, legislative halls, and reform conventions. The newspaper editor "would be happier if the Lady's Book were filled entirely by women. It would then truly be a gem, fitting to be presented by young men to the women they admire." Can gallantry go any further?

In this country is venerated, wherever seen, the character which Goethe spoke of as an Ideal, which he saw actualized in his friend and patroness, the Grand Duchess Amelia: "The excellent woman is she, who, if the husband dies, can be a father to the children." And this, if read aright, tells a great deal.

In this country, the character that Goethe referred to as an Ideal is respected wherever it appears. He saw this ideal realized in his friend and supporter, Grand Duchess Amelia: "The excellent woman is one who, if her husband dies, can be a father to the children." And this, when understood correctly, reveals a lot.

Women who speak in public, if they have a moral power, such as has been felt from Angelina Grimke and Abby Kelly,—that is, if they speak for conscience' sake, to serve a cause which they hold sacred,—invariably subdue the prejudices of their hearers, and excite an interest proportionate to the aversion with which it had been the purpose to regard them.

Women who speak in public, if they have a moral authority like Angelina Grimke and Abby Kelly did—that is, if they speak out of a sense of duty to a cause they believe in—always manage to overcome the biases of their audience and create an interest that matches the initial resistance toward them.

A passage in a private letter so happily illustrates this, that it must be inserted here.

A section from a private letter perfectly captures this, so it should be included here.

Abby Kelly in the Town-House of ——.

Abby Kelly in the Townhouse of ——.

"The scene was not unheroic—to see that woman, true to humanity and her own nature, a centre of rude eyes and tongues, even gentlemen feeling licensed to make part of a species of mob around a female out of her sphere. As she took her seat in the desk amid the great noise, and in the throng, full, like a wave, of something to ensue, I saw her humanity in a gentleness and unpretension, tenderly open to the sphere around her, and, had she not been supported by the power of the will of genuineness and principle, she would have failed. It led her to prayer, which, in Woman especially, is childlike; sensibility and will going to the side of God and looking up to him; and humanity was poured out in aspiration.

The scene was undeniably heroic—seeing that woman, true to her humanity and nature, at the center of rude stares and comments, even gentlemen feeling free to join a sort of mob around a woman out of her element. As she took her seat at the desk amid the loud noise and the crowd, full of anticipation for what was to come, I saw her humanity in her gentleness and humility, warmly open to her surroundings. Had she not been bolstered by the strength of her genuine will and principles, she would have faltered. This led her to prayer, which, especially for women, is childlike; her sensitivity and will reaching out to God and looking up to Him, with humanity pouring out in aspiration.

"She acted like a gentle hero, with her mild decision and womanly calmness. All heroism is mild, and quiet, and gentle, for it is life and possession; and combativeness and firmness show a want of actualness. She is as earnest, fresh and simple, as when she first entered the crusade. I think she did much good, more than the men in her place could do, for Woman feels more as being and reproducing—this brings the subject more into home relations. Men speak through, and mostly from intellect, and this addresses itself to that in others which is combative."

"She acted like a gentle hero, with her calm decisions and composed demeanor. All true heroism is gentle, quiet, and steady, as it is rooted in life and presence; being combative and forceful shows a lack of authenticity. She is as sincere, fresh, and straightforward as when she first joined the cause. I believe she did a lot of good, more than the men in her position could, because women connect more with the essence of being and nurturing—this brings the topic closer to home. Men often communicate through logic and primarily from their intellect, which tends to appeal to the competitive side in others."

Not easily shall we find elsewhere, or before this time, any written observations on the same subject, so delicate and profound.

We won't easily find anywhere else, or from before this time, any written observations on the same subject that are so delicate and meaningful.

The late Dr. Channing, whose enlarged and tender and religious nature shared every onward impulse of his tune, though his thoughts followed his wishes with a deliberative caution which belonged to his habits and temperament, was greatly interested in these expectations for women. His own treatment of them was absolutely and thoroughly religious. He regarded them as souls, each of which had a destiny of its own, incalculable to other minds, and whose leading it must follow, guided by the light of a private conscience. He had sentiment, delicacy, kindness, taste; but they were all pervaded and ruled by this one thought, that all beings had souls, and must vindicate their own inheritance. Thus all beings were treated by him with an equal, and sweet, though solemn, courtesy. The young and unknown, the woman and the child, all felt themselves regarded with an infinite expectation, from which there was no reaction to vulgar prejudice. He demanded of all he met, to use his favorite phrase, "great truths."

The late Dr. Channing, whose expansive, caring, and spiritual nature embraced every positive drive of his being, even though his thoughts proceeded with a thoughtful caution rooted in his habits and temperament, was deeply interested in the aspirations for women. His treatment of them was genuinely and completely spiritual. He saw them as individuals, each with their own unique fate, unimaginable to others, and whose paths they needed to follow, guided by their own conscience. He possessed sentiment, sensitivity, kindness, and discernment; yet all of these were influenced and governed by the core belief that every person had a soul and needed to affirm their own rights. Therefore, he treated everyone with equal, gentle, yet serious respect. The young and unknown, women and children, all sensed that he had an endless expectation for them, untainted by common prejudices. He insisted that everyone he encountered, to use his favorite phrase, embrace "great truths."

His memory, every way dear and reverend, is, by many, especially cherished for this intercourse of unbroken respect.

His memory, precious and respected in every way, is especially treasured by many for this ongoing relationship of unwavering respect.

At one time, when the progress of Harriet Martineau through this country, Angelina Grimke's appearance in public, and the visit of Mrs. Jameson, had turned his thoughts to this subject, he expressed high hopes as to what the coming era would bring to Woman. He had been much pleased with the dignified courage of Mrs. Jameson in taking up the defence of her sex in from which women usually shrink, because, if they express themselves on such subjects with sufficient force and clearness to do any good, they are exposed to assaults whose vulgarity makes them painful. In intercourse with such a woman, he had shared her indignation at the base injustice, in many respects, and in many regions, done to the sex; and been led to think of it far more than ever before. He seemed to think that he might some time write upon the subject. That his aid is withdrawn from the cause is a subject of great regret; for, on this question as on others, he would have known how to sum up the evidence, and take, in the noblest spirit, middle ground. He always furnished a platform on which opposing parties could stand and look at one another under the influence of his mildness and enlightened candor.

At one point, when Harriet Martineau was traveling through this country, Angelina Grimke made her public debut, and Mrs. Jameson paid a visit, he started thinking deeply about this issue. He felt optimistic about what the future might hold for women. He was genuinely impressed by Mrs. Jameson's dignified bravery in defending her gender in matters that many women usually avoid because if they speak out with enough strength and clarity to make an impact, they become targets of criticism that's often vulgar and hurtful. In his conversations with her, he shared her outrage over the unfair treatment that women faced in many aspects and areas, and it prompted him to reflect on it more than ever before. He seemed to consider that he might someday write about the topic. It’s a significant disappointment that he has stepped back from this cause; on this issue, as with others, he would have known how to summarize the evidence and take a balanced approach with great integrity. He always provided a space where opposing sides could come together and understand each other, thanks to his gentle demeanor and thoughtful openness.

Two younger thinkers, men both, have uttered noble prophecies, auspicious for Woman. Kinmont, all whose thoughts tended towards the establishment of the reign of love and peace, thought that the inevitable means of this would be an increased predominance given to the idea of Woman. Had he lived longer, to see the growth of the Peace Party, the reforms in life and medical practice which seek to substitute water for wine and drugs, pulse for animal food, he would have been confirmed in his view of the way in which the desired changes are to be effected.

Two younger thinkers, both men, have made inspiring predictions about the future for women. Kinmont, whose ideas focused on creating a world of love and peace, believed that this could be achieved by elevating the role of women. If he had lived longer to witness the rise of the Peace Party and the reforms in lifestyle and medicine aimed at replacing alcohol and drugs with water and plant-based foods, as well as animal products with pulses, he would have been assured that these changes were the way to achieve the progress he envisioned.

In this connection I must mention Shelley, who, like all men of genius, shared the feminine development, and, unlike many, knew it. His life was one of the first pulse-beats in the present reform-growth. He, too, abhorred blood and heat, and, by his system and his song, tended to reinstate a plant-like gentleness in the development of energy. In harmony with this, his ideas of marriage were lofty, and, of course, no less so of Woman, her nature, and destiny.

In this regard, I need to mention Shelley, who, like all talented individuals, experienced a unique kind of growth and, unlike many, was aware of it. His life marked one of the initial stirrings in the current movement for change. He also despised violence and chaos, and through his theories and his poetry, aimed to restore a gentle, nurturing aspect to the expression of energy. Aligned with this, his views on marriage were idealistic, and naturally, he held similarly elevated thoughts about women, their nature, and their purpose.

For Woman, if, by a sympathy as to outward condition, she is led to aid the enfranchisement of the slave, must be no less so, by inward tendency, to favor measures which promise to bring the world more thoroughly and deeply into harmony with her nature. When the lamb takes place of the lion as the emblem of nations, both women and men will be as children of one spirit, perpetual learners of the word and doers thereof, not hearers only.

For women, if they feel a connection to the plight of the oppressed and are motivated to help free the enslaved, they should equally support efforts that promise to align the world more closely with their true nature. When compassion replaces aggression as the symbol of nations, both women and men will become like children of a unified spirit, constantly learning the lesson and actively practicing it, not just listening.

A writer in the New York Pathfinder, in two articles headed "Femality," has uttered a still more pregnant word than any we have named. He views Woman truly from the soul, and not from society, and the depth and leading of his thoughts are proportionably remarkable. He views the feminine nature as a harmonizer of the vehement elements, and this has often been hinted elsewhere; but what he expresses most forcibly is the lyrical, the inspiring and inspired apprehensiveness of her being.

A writer for the New York Pathfinder, in two articles titled "Femality," has shared an even more impactful perspective than any we've discussed. He sees Woman authentically from the soul, rather than through the lens of society, and the depth and insight of his thoughts are notably impressive. He perceives the feminine nature as a unifier of intense elements, which has been alluded to before; but what he emphasizes most strongly is the lyrical, uplifting, and inspired sensitivity of her essence.

This view being identical with what I have before attempted to indicate, as to her superior susceptibility to magnetic or electric influence, I will now try to express myself more fully.

This view is the same as what I've tried to explain before about her greater sensitivity to magnetic or electric influence, so I'll now try to express myself more clearly.

There are two aspects of Woman's nature, represented by the ancients as Muse and Minerva. It is the former to which the writer in the Pathfinder looks. It is the latter which Wordsworth has in mind, when he says,

There are two aspects of a woman's nature, represented by the ancients as Muse and Minerva. It is the former that the writer in the Pathfinder refers to. It is the latter that Wordsworth has in mind when he says,

                      "With a placid brow,
  Which woman ne'er should forfeit, keep thy vow."
                      "With a calm expression,  
  Which a woman should never lose, stay true to your promise."

The especial genius of Woman I believe to be electrical in movement, intuitive in function, spiritual in tendency. She excels not so easily in classification, or recreation, as in an instinctive seizure of causes, and a simple breathing out of what she receives, that has the singleness of life, rather than the selecting and energizing of art.

I believe that the unique brilliance of women is energetic in their actions, intuitive in their functions, and spiritually inclined. They thrive not as easily in categorizing or entertaining as in instinctively grasping the reasons behind things and effortlessly expressing what they receive, embodying the essence of life rather than the careful selection and enhancement of art.

More native is it to her to be the living model of the artist than to set apart from herself any one form in objective reality; more native to inspire and receive the poem, than to create it. In so far as soul is in her completely developed, all soul is the same, but in so far as it is modified in her as Woman, it flows, it breathes, it sings, rather than deposits soil, or finishes work; and that which is especially feminine flushes, in blossom, the face of earth, and pervades, like air and water, all this seeming solid globe, daily renewing and purifying its life. Such may be the especially feminine element spoken of as Femality. But it is no more the order of nature that it should be incarnated pure in any form, than that the masculine energy should exist unmingled with it in any form.

It's more natural for her to be the living model of the artist than to separate any one form in objective reality from herself; it's more instinctive for her to inspire and receive the poem than to create it. As far as her soul is fully developed, all souls are the same, but as it is shaped in her as a Woman, it flows, breathes, and sings, rather than just laying down soil or completing a task; and the specifically feminine essence brings life to the earth, spreading like air and water across this seemingly solid globe, constantly renewing and purifying its vitality. This is what we might call the specifically feminine element, or Femality. However, it's not natural for it to be purely embodied in any one form, just as it's not natural for masculine energy to exist without blending with it in any form.

Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.

Male and female represent the two sides of the significant radical duality. However, in reality, they are constantly transforming into one another. Liquid turns into solid, and solid becomes liquid. There is no completely masculine man, nor is there a purely feminine woman.

History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother. Of late she plays still gayer pranks. Not only she deprives organizations, but organs, of a necessary end. She enables people to read with the top of the head, and see with the pit of the stomach. Presently she will make a female Newton, and a male Syren.

History mocks the efforts of scientists to restrict major natural laws with the patterns that arise from them. They create rules and state, based on observations, what is possible and what isn’t. But it’s pointless! Nature always provides exceptions to every rule. She sends women into battle and makes Hercules spin; she allows women to carry heavy loads through cold and frost; she lets men with maternal instincts nurture their infants just like a mother would. Recently, she's been getting even more unpredictable. Not only does she take away purposes from bodies and organs, but she also allows people to read with their heads and see with their stomachs. Soon, she might create a female Newton and a male Siren.

Man partakes of the feminine in the Apollo, Woman of the masculine as Minerva.

Man embodies the feminine in Apollo, while Woman embodies the masculine in Minerva.

What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. It enabled Cassandra to foresee the results of actions passing round her; the Seeress to behold the true character of the person through the mask of his customary life. (Sometimes she saw a feminine form behind the man, sometimes the reverse.) It enabled the daughter of Linnæus to see the soul of the flower exhaling from the flower. [Footnote: The daughter of Linnaeus states, that, while looking steadfastly at the red lily, she saw its spirit hovering above it, as a red flame. It is true, this, like many fair spirit-stories, may be explained away as an optical illusion, but its poetic beauty and meaning would, even then, make it valuable, as an illustration of the spiritual fact.] It gave a man, but a poet-man, the power of which he thus speaks: "Often in my contemplation of nature, radiant intimations, and as it were sheaves of light, appear before me as to the facts of cosmogony, in which my mind has, perhaps, taken especial part." He wisely adds, "but it is necessary with earnestness to verify the knowledge we gain by these flashes of light." And none should forget this. Sight must be verified by light before it can deserve the honors of piety and genius. Yet sight comes first, and of this sight of the world of causes, this approximation to the region of primitive motions, women I hold to be especially capable. Even without equal freedom with the other sex, they have already shown themselves so; and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.

What I mean by the Muse is that clear sense of intuition that a truly honest commitment to every call of our higher instincts would bring to a well-organized person. It might come across as prophecy or poetry. It allowed Cassandra to foresee the outcomes of events happening around her and the Seeress to see the true nature of a person behind the facade of their everyday life. (Sometimes she perceived a feminine presence behind the man, and sometimes it was the other way around.) It enabled Linnaeus's daughter to see the soul of the flower emanating from it. [Footnote: Linnaeus's daughter claims that while she was gazing intently at the red lily, she saw its spirit hovering above it like a red flame. True, this, like many beautiful spirit-stories, can be interpreted as an optical illusion, but its poetic beauty and significance would still make it valuable as an illustration of a spiritual truth.] It granted a man, specifically a poetic man, the ability to express it like this: "Often in my contemplation of nature, radiant insights, like sheaves of light, appear to me regarding the facts of cosmogony, in which my mind has perhaps taken a special interest." He wisely adds, "but it's crucial to earnestly verify the knowledge we gain from these flashes of light." And no one should forget this. Vision must be confirmed by light before it can earn the respect of piety and genius. Yet sight comes first, and I believe that women are particularly capable of this vision into the world of causes, this approach to the realm of original motions. Even without the same freedoms as men, they have already demonstrated this ability; and if these faculties were given free rein, I believe they would reveal new, deeper, and purer sources of joyful inspiration than have yet graced the earth.

Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white. Jove sprang from Rhea, Pallas from Jove. So let it be.

Let's be wise and not hold back the soul. Let her operate as she chooses. Let’s have one creative energy, one continuous revelation. Let it take whatever form it wants, and let’s not restrict it by the past to any man or woman, black or white. Jove came from Rhea, Pallas from Jove. So be it.

If it has been the tendency of these remarks to call Woman rather to the Minerva side,—if I, unlike the more generous writer, have spoken from society no less than the soul,—let it be pardoned! It is love that has caused this,—love for many incarcerated souls, that might be freed, could the idea of religious self-dependence be established in them, could the weakening habit of dependence on others be broken up.

If these comments tend to lean toward viewing Woman more as a Minerva figure—if I, unlike the more generous writer, have spoken from society as well as from the soul—please forgive me! It’s love that drives this—love for many trapped souls that could be liberated if the idea of religious self-reliance could take hold in them and if the harmful habit of depending on others could be shattered.

Proclus teaches that every life has, in its sphere, a totality or wholeness of the animating powers of the other spheres; having only, as its own characteristic, a predominance of some one power. Thus Jupiter comprises, within himself, the other twelve powers, which stand thus: The first triad is demiurgic or fabricative, that is, Jupiter, Neptune, Vulcan; the second, defensive, Vesta, Minerva, Mars; the third, vivific, Ceres, Juno, Diana; and the fourth, Mercury, Venus, Apollo, elevating and harmonic. In the sphere of Jupiter, energy is predominant—with Venus, beauty; but each comprehends and apprehends all the others.

Proclus teaches that every life has a completeness or wholeness of the animating powers from other spheres, while also having a unique predominance of one particular power. For instance, Jupiter contains within himself the other twelve powers, which are categorized as follows: The first triad is demiurgic or creative, consisting of Jupiter, Neptune, and Vulcan; the second is defensive, made up of Vesta, Minerva, and Mars; the third is life-giving, including Ceres, Juno, and Diana; and the fourth is Mercury, Venus, and Apollo, known for their elevating and harmonic qualities. In the sphere of Jupiter, energy is dominant, accompanied by beauty from Venus; however, each power includes and understands all the others.

When the same community of life and consciousness of mind begin among men, humanity will have, positively and finally, subjugated its brute elements and Titanic childhood; criticism will have perished; arbitrary limits and ignorant censure be impossible; all will have entered upon the liberty of law, and the harmony of common growth.

When the same sense of community and awareness starts to develop among people, humanity will have successfully and permanently overcome its base instincts and immature phase; criticism will no longer exist; arbitrary boundaries and ignorant judgments will be impossible; everyone will have embraced the freedom of law and the harmony of shared progress.

Then Apollo will sing to his lyre what Vulcan forges on the anvil, and the Muse weave anew the tapestries of Minerva.

Then Apollo will sing to his lyre what Vulcan creates on the anvil, and the Muse will weave new tapestries for Minerva.

It is, therefore, only in the present crisis that the preference is given to Minerva. The power of continence must establish the legitimacy of freedom, the power of self-poise the perfection of motion.

It is, therefore, only in the current crisis that the preference is given to Minerva. The ability to exercise self-control must establish the legitimacy of freedom, and the power of balance must perfect movement.

Every relation, every gradation of nature is incalculably precious, but only to the soul which is poised upon itself, and to whom no loss, no change, can bring dull discord, for it is in harmony with the central soul.

Every relationship, every nuance of nature is incredibly valuable, but only to the soul that is balanced and centered, to whom no loss or change can cause disharmony, because it is in sync with the core essence.

If any individual live too much in relations, so that he becomes a stranger to the resources of his own nature, he falls, after a while, into a distraction, or imbecility, from which he can only be cured by a time of isolation, which gives the renovating fountains time to rise up. With a society it is the same. Many minds, deprived of the traditionary or instinctive means of passing a cheerful existence, must find help in self-impulse, or perish. It is therefore that, while any elevation, in the view of union, is to be hailed with joy, we shall not decline celibacy as the great fact of the time. It is one from which no vow, no arrangement, can at present save a thinking mind. For now the rowers are pausing on their oars; they wait a change before they can pull together. All tends to illustrate the thought of a wise cotemporary. Union is only possible to those who are units. To be fit for relations in time, souls, whether of Man or Woman, must be able to do without them in the spirit.

If someone relies too much on relationships, losing touch with their own inner resources, they eventually become distracted or mentally off-balance, and the only cure is a period of solitude that allows their inner strength to resurface. The same applies to society. Many people, lacking the traditional or natural ways to lead a joyful life, must rely on their own drive to survive. Therefore, while any progress toward connection should be celebrated, we cannot overlook the significance of being single in today's world. Right now, no promise or arrangement can truly save a reflective mind. At this moment, the rowers are resting on their oars, waiting for a shift before they can work in unison. Everything points to the insight of a wise contemporary: union is only possible for those who are whole. To be ready for relationships in time, individuals, whether male or female, must be able to exist independently in spirit.

It is therefore that I would have Woman lay aside all thought, such as she habitually cherishes, of being taught and led by men. I would have her, like the Indian girl, dedicate herself to the Sun, the Sun of Truth, and go nowhere if his beams did not make clear the path. I would have her free from compromise, from complaisance, from helplessness, because I would have her good enough and strong enough to love one and all beings, from the fulness, not the poverty of being.

Therefore, I want women to set aside all the thoughts, like those they usually hold, about being taught and guided by men. I want them, like the Indian girl, to dedicate themselves to the Sun, the Sun of Truth, and to go nowhere unless its light clearly shows the way. I want them to be free from compromise, from trying to please others, and from helplessness, because I want them to be good enough and strong enough to love all beings, from a place of abundance, not scarcity.

Men, as at present instructed, will not help this work, because they also are under the slavery of habit. I have seen with delight their poetic impulses. A sister is the fairest ideal, and how nobly Wordsworth, and even Byron, have written of a sister!

Men, as they are currently taught, won’t support this work because they are also trapped by their habits. I've been thrilled by their poetic inspirations. A sister is the most beautiful ideal, and how beautifully Wordsworth and even Byron have written about a sister!

There is no sweeter sight than to see a father with his little daughter. Very vulgar men become refined to the eye when leading a little girl by the hand. At that moment, the right relation between the sexes seems established, and you feel as if the man would aid in the noblest purpose, if you ask him in behalf of his little daughter. Once, two fine figures stood before me, thus. The father of very intellectual aspect, his falcon eye softened by affection as he looked down on his fair child; she the image of himself, only more graceful and brilliant in expression. I was reminded of Southey's Kehama; when, lo, the dream was rudely broken! They were talking of education, and he said,

There’s nothing sweeter than seeing a dad with his little daughter. Even the most rough-around-the-edges guys seem refined when they’re holding a little girl’s hand. In that moment, it feels like the right balance between men and women is restored, and you get the sense that the man would support the noblest cause if it’s for his daughter. Once, I witnessed two striking figures like this. The dad had a very intellectual look, his hawk-like gaze softened with love as he looked down at his beautiful child; she was a reflection of him but even more graceful and expressive. I was reminded of Southey's Kehama; when suddenly, the moment was interrupted! They were discussing education, and he said,

"I shall not have Maria brought too forward. If she knows too much, she will never find a husband; superior women hardly ever can."

"I won’t let Maria become too noticeable. If she knows too much, she’ll never find a husband; women who are more accomplished rarely do."

"Surely," said his wife, with a blush, "you wish Maria to be as good and wise as she can, whether it will help her to marriage or not."

"Of course," his wife said, blushing, "you want Maria to be as good and smart as she can be, whether it helps her with marriage or not."

"No," he persisted, "I want her to have a sphere and a home, and some one to protect her when I am gone."

"No," he insisted, "I want her to have a space and a home, and someone to look after her when I'm not around."

It was a trifling incident, but made a deep impression. I felt that the holiest relations fail to instruct the unprepared and perverted mind. If this man, indeed, could have looked at it on the other side, he was the last that would have been willing to have been taken himself for the home and protection he could give, but would have been much more likely to repeat the tale of Alcibiades with his phials.

It was a minor incident, but it left a lasting impression. I realized that even the most sacred relationships can’t reach those who are unready and twisted in their thinking. If this man could truly see it from a different perspective, he would have been the last person to see himself as the shelter and safety he could provide; instead, he would have been far more likely to tell a story like Alcibiades with his jars.

But men do not look at both sides, and women must leave off asking them and being influenced by them, but retire within themselves, and explore the ground-work of life till they find their peculiar secret. Then, when they come forth again, renovated and baptized, they will know how to turn all dross to gold, and will be rich and free though they live in a hut, tranquil if in a crowd. Then their sweet singing shall not be from passionate impulse, but the lyrical overflow of a divine rapture, and a new music shall be evolved from this many-chorded world.

But men do not consider both sides, so women need to stop asking them for opinions and being swayed by them. Instead, they should look inward and explore the foundation of life until they discover their unique truth. When they emerge again, refreshed and renewed, they will know how to turn everything worthless into something valuable, and they will feel rich and free even if they live in a small place, calm even in a crowd. Their beautiful singing will come not from mere passion but from a deep, divine joy, creating a new kind of music from this complex world.

Grant her, then, for a while, the armor and the javelin. Let her put from her the press of other minds, and meditate in virgin loneliness. The same idea shall reappear in due time as Muse, or Ceres, the all-kindly, patient Earth-Spirit.

Give her, then, for a while, the armor and the javelin. Let her step away from the pressure of other people's thoughts, and reflect in pure solitude. The same idea will come back in due time as Muse, or Ceres, the ever-kind, patient Earth-Spirit.

Among the throng of symptoms which denote the present tendency to a crisis in the life of Woman,—which resembles the change from girlhood, with its beautiful instincts, but unharmonized thoughts, its blind pupilage and restless seeking, to self-possessed, wise and graceful womanhood,—I have attempted to select a few.

Among the many symptoms that indicate the current shift toward a crisis in women's lives—which mirrors the transition from girlhood, with its lovely instincts but disordered thoughts, its unseeing learning, and its constant searching, to composed, wise, and graceful womanhood—I have tried to highlight a few.

One of prominent interest is the unison upon the subject of three male minds, which, for width of culture, power of self-concentration and dignity of aim, take rank as the prophets of the coming age, while their histories and labors are rooted in the past.

One of the main interests is the agreement on the topic of three male thinkers, who, due to their broad education, ability to focus, and noble intentions, are seen as the prophets of the future, even though their histories and efforts are based in the past.

Swedenborg came, he tells us, to interpret the past revelation and unfold a new. He announces the New Church that is to prepare the way for the New Jerusalem, a city built of precious stones, hardened and purified by secret processes in the veins of earth through the ages.

Swedenborg says he came to interpret the past revelations and reveal something new. He proclaims the New Church, which is meant to pave the way for the New Jerusalem, a city made of precious stones, strengthened and purified by hidden processes deep within the earth over the ages.

Swedenborg approximated to that harmony between the scientific and poetic lives of mind, which we hope from the perfected man. The links that bind together the realms of nature, the mysteries that accompany her births and growths, were unusually plain to him. He seems a man to whom insight was given at a period when the mental frame was sufficiently matured to retain and express its gifts.

Swedenborg came close to achieving that balance between the scientific and poetic aspects of thought that we aspire to in an ideal person. The connections that tie together the different aspects of nature, along with the mysteries surrounding her births and growth, were remarkably clear to him. He appears to be someone who gained profound insight at a time when his mind was developed enough to understand and articulate these gifts.

His views of Woman are, in the main, satisfactory. In some details we my object to them, as, in all his system, there are still remains of what is arbitrary and seemingly groundless—fancies that show the marks of old habits, and a nature as yet not thoroughly leavened with the spiritual leaven. At least, so it seems to me now. I speak reverently, for I find such reason to venerate Swedenborg, from an imperfect knowledge of his mind, that I feel one more perfect might explain to me much that does not now secure my sympathy.

His views on women are mostly acceptable. However, there are some details we might disagree with, as parts of his system still have elements that seem arbitrary and unfounded—ideas that reflect old habits and a nature that isn't fully infused with spiritual understanding. That's how it appears to me now. I speak with respect because I have enough reason to admire Swedenborg, despite my limited understanding of his thoughts, and I believe someone who understands him better could clarify much that currently doesn't resonate with me.

His idea of Woman is sufficiently large and noble to interpose no obstacle to her progress. His idea of marriage is consequently sufficient. Man and Woman share an angelic ministry; the union is of one with one, permanent and pure.

His view of Woman is broad and dignified enough to not hinder her progress. His perspective on marriage is therefore adequate. Man and Woman participate in a divine partnership; their union is a genuine, lasting, and pure connection.

As the New Church extends its ranks, the needs of Woman must be more considered.

As the New Church grows, the needs of women must be taken into account more seriously.

Quakerism also establishes Woman on a sufficient equality with Man. But, though the original thought of Quakerism is pure, its scope is too narrow, and its influence, having established a certain amount of good and made clear some truth, must, by degrees, be merged in one of wider range. [Footnote: In worship at stated periods, in daily expression, whether by word or deed, the Quakers have placed Woman on the same platform with Man. Can any one assert that they have reason to repent this?] The mind of Swedenborg appeals to the various nature of Man, and allows room for aesthetic culture and the free expression of energy.

Quakerism also places women on an equal footing with men. However, while the original idea of Quakerism is pure, its scope is too limited, and its influence, having created some positive change and clarified some truths, needs to gradually expand into something broader. [Footnote: In worship at set times and in everyday actions, whether through words or deeds, the Quakers have positioned women alongside men. Can anyone say they regret this?] Swedenborg’s thinking resonates with the diverse aspects of humanity and provides space for artistic development and the free expression of energy.

As apostle of the new order, of the social fabric that is to rise from love, and supersede the old that was based on strife, Charles Fourier comes next, expressing, in an outward order, many facts of which Swedenborg saw the secret springs. The mind of Fourier, though grand and clear, was, in some respects, superficial. He was a stranger to the highest experiences. His eye was fixed on the outward more than the inward needs of Man. Yet he, too, was a seer of the divine order, in its musical expression, if not in its poetic soul. He has filled one department of instruction for the new era, and the harmony in action, and freedom for individual growth, he hopes, shall exist; and, if the methods he proposes should not prove the true ones, yet his fair propositions shall give many hints, and make room for the inspiration needed for such.

As an advocate for the new order, a society built on love that will replace the old one founded on conflict, Charles Fourier comes next, presenting, in an external structure, many realities that Swedenborg understood at a deeper level. Fourier's mind, while impressive and clear, was somewhat superficial in certain ways. He lacked familiarity with the highest experiences. His focus was more on the external rather than the internal needs of humanity. Still, he was a visionary of the divine order, particularly in its harmonious expression, if not in its poetic essence. He has contributed to education in the new era, hoping that harmony in action and freedom for personal development will thrive; and even if the methods he suggests are not the right ones, his admirable ideas will provide many insights and create space for the necessary inspiration.

He, too, places Woman on an entire equality with Man, and wishes to give to one as to the other that independence which must result from intellectual and practical development.

He also sees women as completely equal to men and wants to grant both the independence that comes from intellectual and practical growth.

Those who will consult him for no other reason, might do so to see how the energies of Woman may be made available in the pecuniary way. The object of Fourier was to give her the needed means of self-help, that she might dignify and unfold her life for her own happiness, and that of society. The many, now, who see their daughters liable to destitution, or vice to escape from it, may be interested to examine the means, if they have not yet soul enough to appreciate the ends he proposes.

Those who consult him for any reason might be curious about how women's energies can be harnessed for financial gain. Fourier aimed to provide women with the resources they need for self-sufficiency, allowing them to enhance and develop their lives for their own happiness and the betterment of society. Many people today, concerned that their daughters might face poverty or seek to avoid it, may want to explore these solutions, even if they haven't yet grasped the ultimate goals he advocates.

On the opposite side of the advancing army leads the great apostle of individual culture, Goethe. Swedenborg makes organization and union the necessary results of solitary thought. Fourier, whose nature was, above all, constructive, looked to them too exclusively. Better institutions, he thought, will make better men. Goethe expressed, in every way, the other side. If one man could present better forms, the rest could not use them till ripe for them.

On the other side of the advancing army is the great advocate of individual culture, Goethe. Swedenborg believes that organization and unity are essential outcomes of solitary thought. Fourier, whose nature was mainly constructive, focused on these too much. He thought that better institutions would lead to better people. Goethe expressed the opposite view. He argued that if one person could create better forms, others wouldn't be able to use them until they were ready for them.

Fourier says, As the institutions, so the men! All follies are excusable and natural under bad institutions.

Fourier says, "As the institutions are, so are the people! All foolishness is understandable and natural under bad institutions."

Goethe thinks, As the man, so the institutions! There is no excuse for ignorance and folly. A man can grow in any place, if he will.

Goethe believes, As the person is, so are the institutions! There's no reason for ignorance and foolishness. A person can thrive anywhere, if they choose to.

Ay! but, Goethe, bad institutions are prison-walls and impure air, that make him stupid, so that he does not will.

Ay! but, Goethe, bad institutions are like prison walls and polluted air, that dull his mind, so he lacks the will to act.

And thou, Fourier, do not expect to change mankind at once, or even "in three generations," by arrangement of groups and series, or flourish of trumpets for attractive industry. If these attempts are made by unready men, they will fail.

And you, Fourier, shouldn't expect to change humanity all at once, or even "in three generations," just by organizing groups and series, or with a showy display to promote appealing industry. If these efforts are carried out by unprepared people, they will fail.

Yet we prize the theory of Fourier no less than the profound suggestion of Goethe. Both are educating the age to a clearer consciousness of what Man needs, what Man can be; and better life must ensue.

Yet we value the theory of Fourier just as much as the deep insight of Goethe. Both are helping to educate our time about what humanity needs and what we can become; and a better life will follow.

Goethe, proceeding on his own track, elevating the human being, in the most imperfect states of society, by continual efforts at self-culture, takes as good care of women as of men. His mother, the bold, gay Frau Aja, with such playful freedom of nature; the wise and gentle maiden, known in his youth, over whose sickly solitude "the Holy Ghost brooded as a dove;" his sister, the intellectual woman par excellence; the Duchess Amelia; Lili, who combined the character of the woman of the world with the lyrical sweetness of the shepherdess, on whose chaste and noble breast flowers and gems were equally at home; all these had supplied abundant suggestions to his mind, as to the wants and the possible excellences of Woman. And from his poetic soul grew up forms new and more admirable than life has yet produced, for whom his clear eye marked out paths in the future.

Goethe, following his own path, uplifted humanity, even in the most imperfect societies, through constant self-improvement, caring for women just as much as men. His mother, the bold and lively Frau Aja, with her playful spirit; the wise and gentle woman he knew in his youth, over whose frail solitude "the Holy Ghost brooded as a dove"; his sister, the quintessential intellectual woman; Duchess Amelia; and Lili, who blended the traits of a socialite with the lyrical charm of a shepherdess, where flowers and gems could equally thrive on her pure and noble heart—all of these provided him with rich ideas about the needs and potential greatness of women. From his poetic soul emerged forms that were newer and more admirable than anything life had yet created, for whom his keen vision paved the way forward.

In Faust Margaret represents the redeeming power, which, at present, upholds Woman, while waiting for a better day. The lovely little girl, pure in instinct, ignorant in mind, is misled and profaned by man abusing her confidence.[Footnote: As Faust says, her only fault was a "kindly delusion,"—"ein guter wahn."] To the Mater Dolorosa she appeals for aid. It is given to the soul, if not against outward sorrow; and the maiden, enlightened by her sufferings, refusing to receive temporal salvation by the aid of an evil power, obtains the eternal in its stead.

In Faust, Margaret symbolizes the redeeming power that currently supports women while waiting for a brighter future. The beautiful young girl, pure in her instincts and oblivious in her mind, is misled and tainted by a man who takes advantage of her trust. [Footnote: As Faust says, her only fault was a "kindly delusion,"—"ein guter wahn."] She turns to the Mater Dolorosa for help. This aid is granted to her soul, even if not against the pain she faces; and through her suffering, the young woman gains enlightenment. She chooses not to accept temporary salvation through evil means, instead attaining eternal salvation in its place.

In the second part, the intellectual man, after all his manifold strivings, owes to the interposition of her whom he had betrayed his salvation. She intercedes, this time, herself a glorified spirit, with the Mater Gloriosa.

In the second part, the thoughtful man, after all his various efforts, owes his salvation to the intervention of the one he had betrayed. This time, she intercedes as a glorified spirit, with the Mater Gloriosa.

Leonora, too, is Woman, as we see her now, pure, thoughtful, refined by much acquaintance with grief.

Leonora is also a woman, as we see her now—genuine, reflective, and shaped by her experiences with sorrow.

Iphigenia he speaks of in his journals as his "daughter," and she is the daughter [Footnote: Goethe was as false to his ideas, in practice, as Lord Herbert. And his punishment was the just and usual one of connections formed beneath the standard of right, from the impulses of the baser self. Iphigenia was the worthy daughter of his mind; but the son, child of his degrading connection in actual life, corresponded with that connection. This son, on whom Goethe vainly lavished so much thought and care, was like his mother, and like Goethe's attachment for his mother. "This young man," says a late well-informed writer (M. Henri Blaze), "Wieland, with good reason, called the son of the servant, der Sohn der Magd. He inherited from his father only his name and his physique."] whom a man will wish, even if he has chosen his wife from very mean motives. She is the virgin, steadfast, soul, to whom falsehood is more dreadful than any other death.

Iphigenia is referred to in his journals as his "daughter," and she represents the daughter [Footnote: Goethe was just as inconsistent with his ideas in practice as Lord Herbert. His punishment was the typical consequence of forming connections that go against what is right, arising from more selfish desires. Iphigenia was the true daughter of his intellect; however, his son, born from his degrading relationship in real life, reflected that connection. This son, to whom Goethe foolishly dedicated so much thought and care, resembled his mother and embodied Goethe's attachment to her. "This young man," notes a recent knowledgeable writer (M. Henri Blaze), "Wieland rightly called the son of the servant, der Sohn der Magd. He inherited from his father only his name and his physique."] whom a man desires, even if he chose his wife for very unworthy reasons. She is the pure, steadfast soul for whom dishonesty is more terrifying than any other death.

But it is to Wilhelm Meister's Apprenticeship and Wandering Years that I would especially refer, as these volumes contain the sum of the Sage's observations during a long life, as to what Man should do, under present circumstances, to obtain mastery over outward, through an initiation into inward life, and severe discipline of faculty.

But I would particularly point to Wilhelm Meister's Apprenticeship and Wandering Years, as these volumes capture the essence of the Sage's insights over a long life regarding what a person should do, in today’s world, to gain control over the external through an understanding of the internal life and rigorous discipline of abilities.

As Wilhelm advances into the upward path, he becomes acquainted with better forms of Woman, by knowing how to seek, and how to prize them when found. For the weak and immature man will, often, admire a superior woman, but he will not be able to abide by a feeling which is too severe a tax on his habitual existence. But, with Wilhelm, the gradation is natural, and expresses ascent in the scale of being. At first, he finds charm in Mariana and Philina, very common forms of feminine character, not without redeeming traits, no less than charms, but without wisdom or purity. Soon he is attended by Mignon, the finest expression ever yet given to what I have called the lyrical element in Woman. She is a child, but too full-grown for this man; he loves, but cannot follow her; yet is the association not without an enduring influence. Poesy has been domesticated in his life; and, though he strives to bind down her heavenward impulse, as art or apothegm, these are only the tents, beneath which he may sojourn for a while, but which may be easily struck, and carried on limitless wanderings.

As Wilhelm moves forward on his journey, he becomes familiar with better types of women by learning how to seek them out and appreciate them when he does. The weak and immature man may admire a superior woman, but he often can't handle a feeling that challenges his usual way of life. However, for Wilhelm, the progression is natural and signifies growth. Initially, he finds attraction in Mariana and Philina, who represent very ordinary feminine qualities, possessing redeeming traits and charms, but lacking in wisdom and purity. Soon, he is joined by Mignon, the finest representation of what I call the lyrical aspect of womanhood. She is a child, yet too advanced for him; he loves her but cannot reach her. Nevertheless, this connection has a lasting impact on him. Poetry has become a part of his life, and even though he tries to contain her soaring spirit through art or wise sayings, these are just temporary shelters where he can stay for a while, easily dismantled, allowing for endless journeys ahead.

Advancing into the region of thought, he encounters a wise philanthropy in Natalia (instructed, let us observe, by an uncle); practical judgment and the outward economy of life in Theresa; pure devotion in the Fair Saint.

Moving into the realm of ideas, he meets a wise charity in Natalia (who, we should note, was guided by an uncle); practical wisdom and the management of daily life in Theresa; and pure devotion in the Fair Saint.

Further, and last, he comes to the house of Macaria, the soul of a star; that is, a pure and perfected intelligence embodied in feminine form, and the centre of a world whose members revolve harmoniously around her. She instructs him in the archives of a rich human history, and introduces him to the contemplation of the heavens.

Further, and lastly, he arrives at Macaria's house, the essence of a star; meaning, a pure and perfect intelligence embodied in a female form, and the center of a world where all its members revolve harmoniously around her. She teaches him about a rich human history and introduces him to the contemplation of the heavens.

From the hours passed by the side of Mariana to these with Macaria, is a wide distance for human feet to traverse. Nor has Wilhelm travelled so far, seen and suffered so much, in vain, He now begins to study how he may aid the next generation; he sees objects in harmonious arrangement, and from his observations deduces precepts by which to guide his course as a teacher and a master, "help-full, comfort-full."

From the time spent with Mariana to these moments with Macaria, there's a long way for anyone to walk. Wilhelm hasn’t gone through all this, experienced so much, just for nothing. He’s starting to think about how he can support the next generation; he notices everything fitting together nicely and from what he sees, he figures out rules to help guide him as a teacher and a leader, "helpful, comforting."

In all these expressions of Woman, the aim of Goethe is satisfactory to me. He aims at a pure self-subsistence, and a free development of any powers with which they may be gifted by nature as much for them as for men. They are units, addressed as souls. Accordingly, the meeting between Man and Woman, as represented by him, is equal and noble; and, if he does not depict marriage, he makes it possible.

In all these expressions of Woman, Goethe’s aim is clear to me. He seeks a pure self-reliance and encourages the free development of any talents they may have naturally, both for themselves and for men. They are individuals, seen as souls. Thus, the interaction between Man and Woman, as portrayed by him, is equal and dignified; and even though he doesn’t illustrate marriage, he makes it a possibility.

In the Macaria, bound with the heavenly bodies in fixed revolutions, the centre of all relations, herself unrelated, he expresses the Minerva side of feminine nature. It was not by chance that Goethe gave her this name. Macaria, the daughter of Hercules, who offered herself as a victim for the good of her country, was canonized by the Greeks, and worshipped as the Goddess of true Felicity. Goethe has embodied this Felicity as the Serenity that arises from Wisdom, a Wisdom such as the Jewish wise man venerated, alike instructed in the designs of heaven, and the methods necessary to carry them into effect upon earth.

In the Macaria, connected with the celestial bodies in constant motion, the core of all relationships, yet herself without connections, he portrays the Minerva aspect of femininity. It wasn't a coincidence that Goethe chose this name. Macaria, the daughter of Hercules, who sacrificed herself for the good of her nation, was honored by the Greeks and revered as the Goddess of true Happiness. Goethe has captured this Happiness as the Peace that comes from Wisdom, a Wisdom that the Jewish sage respected, equally knowledgeable in the plans of heaven and the ways to implement them on earth.

Mignon is the electrical, inspired, lyrical nature. And wherever it appears we echo in our aspirations that of the child,

Mignon represents the energetic, inspired, and poetic essence. And wherever she appears, we resonate in our hopes with that of the child,

  "So let me seem until I be:—
   Take not the white robe away."
   *       *       *       *       *
  "Though I lived without care and toil,
   Yet felt I sharp pain enough to
   Make me again forever young."
"So let me appear until I become:—  
Take not the white robe away."  
*       *       *       *       *  
"Even though I lived without worry or hard work,  
I still felt enough sharp pain to  
Make me young again forever."

All these women, though we see them in relations, we can think of as unrelated. They all are very individual, yet seem nowhere restrained. They satisfy for the present, yet arouse an infinite expectation.

All these women, even though we see them in relationships, we can think of as unrelated. They are all very unique, yet appear completely unrestrained. They fulfill the moment, yet spark endless anticipation.

The economist Theresa, the benevolent Natalia, the fair Saint, have chosen a path, but their thoughts are not narrowed to it. The functions of life to them are not ends, but suggestions.

The economist Theresa, the generous Natalia, the just Saint, have chosen a path, but their thoughts aren’t limited to it. For them, the purposes of life aren’t final goals, but rather ideas to consider.

Thus, to them, all things are important, because none is necessary. Their different characters have fair play, and each is beautiful in its minute indications, for nothing is enforced or conventional; but everything, however slight, grows from the essential life of the being.

So, for them, everything matters because nothing is essential. Their unique personalities are given space to shine, and each is lovely in its small details, as nothing is forced or standard; instead, everything, no matter how minor, emerges from the core essence of existence.

Mignon and Theresa wear male attire when they like, and it is graceful for them to do so, while Macaria is confined to her arm-chair behind the green curtain, and the Fair Saint could not bear a speck of dust on her robe.

Mignon and Theresa wear men's clothing whenever they want, and it suits them beautifully, while Macaria is stuck in her armchair behind the green curtain, and the Fair Saint couldn’t stand even a tiny bit of dust on her dress.

All things are in their places in this little world, because all is natural and free, just as "there is room for everything out of doors." Yet all is rounded in by natural harmony, which will always arise where Truth and Love are sought in the light of Freedom.

Everything has its place in this small world because everything is natural and free, just like "there is room for everything outdoors." Yet everything is enclosed by natural harmony, which will always emerge where Truth and Love are pursued in the light of Freedom.

Goethe's book bodes an era of freedom like its own of "extraordinary, generous seeking," and new revelations. New individualities shall be developed in the actual world, which shall advance upon it as gently as the figures come out upon his canvas.

Goethe's book signifies a time of freedom, just like its own era of "extraordinary, generous exploration," and new insights. New individualities will emerge in the real world, developing as smoothly as the figures appear on his canvas.

I have indicated on this point the coincidence between his hopes and those of Fourier, though his are directed by an infinitely higher and deeper knowledge of human nature. But, for our present purpose, it is sufficient to show how surely these different paths have conducted to the same end two earnest thinkers. In some other place I wish to point out similar coincidences between Goethe's model school and the plans of Fourier, which may cast light upon the page of prophecy.

I have pointed out how his hopes align with those of Fourier, although his are guided by a much greater and deeper understanding of human nature. However, for our current discussion, it’s enough to demonstrate how these different paths have led two dedicated thinkers to the same conclusion. In another section, I want to highlight similar parallels between Goethe's ideal school and Fourier's plans, which could shed light on the prophetic vision.


Many women have observed that the time drew nigh for a better care of the sex, and have thrown out hints that may be useful. Among these may be mentioned—

Many women have noticed that it’s time for improved care for their gender and have offered suggestions that could be helpful. Among these are—

Miss Edgeworth, who, although restrained by the habits of her age and country, and belonging more to the eighteenth than the nineteenth century, has done excellently as far as she goes. She had a horror of sentimentalism, and of the love of notoriety, and saw how likely women, in the early stages of culture, were to aim at these. Therefore she bent her efforts to recommending domestic life. But the methods she recommends are such as will fit a character for any position to which it may be called. She taught a contempt of falsehood, no less in its most graceful, than in its meanest apparitions; the cultivation of a clear, independent judgment, and adherence to its dictates; habits of various and liberal study and employment, and a capacity for friendship. Her standard of character is the same for both sexes,—Truth, honor, enlightened benevolence, and aspiration after knowledge. Of poetry, she knows nothing, and her religion consists in honor and loyalty to obligations once assumed—in short, in "the great idea of duty which holds us upright." Her whole tendency is practical.

Miss Edgeworth, who, although shaped by the customs of her time and country, and leaning more towards the eighteenth than the nineteenth century, has done remarkably well within her limits. She had a strong dislike for sentimentalism and the desire for fame, and recognized how prone women, in the early stages of cultural development, were to pursue these. Therefore, she focused on promoting domestic life. However, the methods she advocates are suitable for anyone in any role they might take on. She instilled a disdain for falsehood, whether it appears glamorous or in its basest forms; she emphasized the importance of clear, independent judgment and sticking to its principles; encouraged diverse and broad learning and activities, and fostered the ability to form friendships. Her standard for character is the same for both men and women—truth, honor, enlightened kindness, and a thirst for knowledge. She has little knowledge of poetry, and her beliefs are rooted in honor and loyalty to commitments once made—in short, in "the great idea of duty that keeps us standing tall." Her overall approach is very practical.

Mrs. Jameson is a sentimentalist, and, therefore, suits us ill in some respects, but she is full of talent, has a just and refined perception of the beautiful, and a genuine courage when she finds it necessary. She does not appear to have thought out, thoroughly, the subject on which we are engaged, and her opinions, expressed as opinions, are sometimes inconsistent with one another. But from the refined perception of character, admirable suggestions are given in her "Women of Shakspeare," and "Loves of the Poets."

Mrs. Jameson is quite sentimental, which makes her a poor fit for us in some ways, but she is very talented, has a keen and refined sense of beauty, and shows real courage when needed. She doesn’t seem to have fully considered the topic we’re discussing, and her opinions, when she shares them, can sometimes contradict each other. However, her refined understanding of character offers some excellent insights in her works "Women of Shakespeare" and "Loves of the Poets."

But that for which I most respect her is the decision with which she speaks on a subject which refined women are usually afraid to approach, for fear of the insult and scurrile jest they may encounter; but on which she neither can nor will restrain the indignation of a full heart. I refer to the degradation of a large portion of women into the sold and polluted slaves of men, and the daring with which the legislator and man of the world lifts his head beneath the heavens, and says, "This must be; it cannot be helped; it is a necessary accompaniment of civilization."

But what I respect her for the most is the confidence with which she discusses a topic that many refined women are usually hesitant to tackle, out of fear of the insults and crude jokes they might face; yet she cannot and will not hold back the outrage of her full heart. I’m talking about the degradation of a significant number of women into the sold and corrupted slaves of men, and the audacity with which the legislator and the worldly man raises his head to the skies and declares, “This is how it must be; there’s no way around it; it’s a necessary part of civilization.”

So speaks the citizen. Man born of Woman, the father of daughters, declares that he will and must buy the comforts and commercial advantages of his London, Vienna, Paris, New York, by conniving at the moral death, the damnation, so far as the action of society can insure it, of thousands of women for each splendid metropolis.

So says the citizen. A man born of a woman, the father of daughters, states that he will and must purchase the comforts and commercial benefits of his London, Vienna, Paris, New York, by turning a blind eye to the moral destruction, the damnation, as much as society’s actions can guarantee it, of thousands of women for every great city.

O men! I speak not to you. It is true that your wickedness (for you must not deny that at least nine thousand out of the ten fall through the vanity you have systematically flattered, or the promises you have treacherously broken); yes, it is true that your wickedness is its own punishment. Your forms degraded and your eyes clouded by secret sin; natural harmony broken and fineness of perception destroyed in your mental and bodily organization; God and love shut out from your hearts by the foul visitants you have permitted there; incapable of pure marriage; incapable of pure parentage; incapable of worship; O wretched men, your sin is its own punishment! You have lost the world in losing yourselves. Who ruins another has admitted the worm to the root of his own tree, and the fuller ye fill the cup of evil, the deeper must be your own bitter draught. But I speak not to you—you need to teach and warn one another. And more than one voice rises in earnestness. And all that women say to the heart that has once chosen the evil path is considered prudery, or ignorance, or perhaps a feebleness of nature which exempts from similar temptations.

O men! I'm not talking to you. It's true that your wickedness (because you can’t deny that at least nine thousand out of ten fall because of the vanity you've consistently flattered or the promises you've deceitfully broken); yes, it's true that your wickedness is its own punishment. Your forms are degraded and your eyes are clouded by secret sin; natural harmony is broken and your ability to perceive finely is destroyed in your mind and body; God and love are shut out from your hearts by the filthy visitors you've allowed inside; incapable of pure marriage; incapable of pure parenthood; incapable of worship; O miserable men, your sin is its own punishment! You've lost the world by losing yourselves. Whoever ruins another has invited the worm to the root of their own tree, and the more you fill the cup of evil, the deeper your own bitter drink will be. But I'm not talking to you—you need to teach and warn one another. And more than one voice rises earnestly. Everything that women say to a heart that has once chosen the wrong path is seen as prudery, or ignorance, or perhaps a weakness that excuses them from similar temptations.

But to you, women, American women, a few words may not be addressed in vain. One here and there may listen.

But to you, women, American women, a few words might not fall on deaf ears. One or two of you might actually listen.

You know how it was in the Oriental clime, One man, if wealth permitted, had several wives and many handmaidens. The chastity and equality of genuine marriage, with "the thousand decencies that flow" from its communion, the precious virtues that gradually may be matured within its enclosure, were unknown.

You know how it was in the East, where one man, if he had the money, could have several wives and many servants. The purity and equality of true marriage, with all the "thousand decencies that flow" from being together, and the valuable virtues that can develop within that bond, were completely unknown.

But this man did not wrong according to his light. What he did, he might publish to God and Man; it was not a wicked secret that hid in vile lurking-places and dens, like the banquets of beasts of prey. Those women were not lost, not polluted in their own eyes, nor those of others. If they were not in a state of knowledge and virtue, they were at least in one of comparative innocence.

But this man didn't do wrong based on what he understood. What he did, he could share with God and everyone; it wasn't a shameful secret hidden away in disgusting places like the feasts of predators. Those women were not ruined, not corrupted in their own eyes or anyone else's. Even if they weren't fully knowledgeable or virtuous, they were at least relatively innocent.

You know how it was with the natives of this continent. A chief had many wives, whom he maintained and who did his household work; those women were but servants, still they enjoyed the respect of others and their own. They lived together, in peace. They knew that a sin against what was in their nation esteemed virtue, would be as strictly punished in Man as in Woman.

You know how it was with the native people of this continent. A chief had many wives, who he supported and who did his household chores; those women were essentially servants, yet they earned the respect of others as well as their own. They lived together peacefully. They understood that a wrongdoing against what their society valued as virtue would be punished just as strictly for men as it would be for women.

Now pass to the countries where marriage is between one and one. I will not speak of the Pagan nations, but come to those which own the Christian rule. We all know what that enjoins; there is a standard to appeal to.

Now let’s talk about the countries where marriage is between one person and one person. I won’t mention the Pagan nations, but instead focus on those that follow Christian teachings. We all know what those teachings require; there is a standard to refer to.

See, now, not the mass of the people, for we all know that it is a proverb and a bitter jest to speak of the "down-trodden million." We know that, down to our own time, a principle never had so fair a chance to pervade the mass of the people, but that we must solicit its illustration from select examples.

See, now, not the crowd of people, because we all know it’s a saying and a harsh joke to talk about the "oppressed millions." We understand that, up to our own time, a principle has never had such a good opportunity to spread among the masses, but we have to look for its examples in select individuals.

Take the Paladin, take the Poet. Did they believe purity more impossible to Man than to Woman? Did they wish Woman to believe that Man was less amenable to higher motives,—that pure aspirations would not guard him against bad passions,—that honorable employments and temperate habits would not keep him free from slavery to the body? O no! Love was to them a part of heaven, and they could not even wish to receive its happiness, unless assured of being worthy of it. Its highest happiness to them was that it made them wish to be worthy. They courted probation. They wished not the title of knight till the banner had been upheld in the heats of battle, amid the rout of cowards.

Take the Paladin, take the Poet. Did they think purity was more impossible for Man than for Woman? Did they want Woman to believe that Man was less influenced by higher ideals—that pure aspirations wouldn't protect him from negative passions—that honorable work and healthy habits wouldn't free him from the chains of the body? Oh no! Love was a part of heaven for them, and they couldn’t even want to experience its joy unless they felt worthy of it. To them, its greatest joy was that it inspired them to strive for worthiness. They embraced challenges. They didn't want the title of knight until the banner had been raised in the heat of battle, amidst the chaos of cowards.

I ask of you, young girls—I do not mean you whose heart is that of an old coxcomb, though your looks have not yet lost their sunny tinge. Not of you whose whole character is tainted with vanity, inherited or taught, who have early learned the love of coquettish excitement, and whose eyes rove restlessly in search of a "conquest" or a "beau;" you who are ashamed not to be seen by others the mark of the most contemptuous flattery or injurious desire. To such I do not speak. But to thee, maiden, who, if not so fair, art yet of that unpolluted nature which Milton saw when he dreamed of Comus and the Paradise. Thou, child of an unprofaned wedlock, brought up amid the teachings of the woods and fields, kept fancy-free by useful employment and a free flight into the heaven of thought, loving to please only those whom thou wouldst not be ashamed to love; I ask of thee, whose cheek has not forgotten its blush nor thy heart its lark-like hopes, if he whom thou mayest hope the Father will send thee, as the companion of life's toils and joys, is not to thy thought pure? Is not manliness to thy thought purity, not lawlessness? Can his lips speak falsely? Can he do, in secret, what he could not avow to the mother that bore him? O say, dost thou not look for a heart free, open as thine own, all whose thoughts may be avowed, incapable of wronging the innocent, or still further degrading the fallen—a man, in short, in whom brute nature is entirely subject to the impulses of his better self?

I’m asking you, young girls—I’m not talking about you who have the attitude of an old fool, even if your looks haven’t lost their brightness yet. I’m not referring to you whose entire character is stained with vanity, whether it’s something you inherited or something you learned, and who have quickly come to crave the thrill of flirting, always on the lookout for a "conquest" or a "boyfriend;" you who aren’t ashamed not to be the center of the most contemptuous flattery or harmful desire. I’m not talking to you. But to you, maiden, who, even if you’re not the fairest, possess that pure nature which Milton envisioned when he imagined Comus and Paradise. You, child of an untainted marriage, raised among the lessons of the woods and fields, kept free in your imagination by meaningful work and a limitless sky of thought, who loves to please only those you wouldn’t be embarrassed to love; I’m asking you, whose cheek still remembers its blush and whose heart still holds its joyful hopes, if the one you might hope the Father will send you as a partner in life’s struggles and joys, isn’t pure in your eyes? Isn’t manliness, in your view, the same as purity, not lawlessness? Can his lips tell lies? Can he do things in secret that he couldn’t admit to the mother who raised him? Oh, tell me, don’t you want a heart that’s free, open like your own, with thoughts that can be shared, unable to harm the innocent, or further degrade the fallen—a man, in short, who has completely mastered his baser instincts in favor of his better self?

Yes! it was thus that thou didst hope; for I have many, many times seen the image of a future life, of a destined spouse, painted on the tablets of a virgin heart.

Yes! That's how you hoped; I've seen the image of a future life, of a destined partner, many, many times painted on the tablets of a pure heart.

It might be that she was not true to these hopes. She was taken into what is called "the world," froth and scum as it mostly is on the social caldron. There, she saw fair Woman carried in the waltz close to the heart of a being who appeared to her a Satyr. Being warned by a male friend that he was in fact of that class, and not fit for such familiar nearness to a chaste being, the advised replied that "women should know nothing about such things." She saw one fairer given in wedlock to a man of the same class. "Papa and mamma said that 'all men were faulty at some time in their lives; they had a great many temptations.' Frederick would be so happy at home; he would not want to do wrong." She turned to the married women; they, O tenfold horror! laughed at her supposing "men were like women." Sometimes, I say, she was not true, and either sadly accommodated herself to "Woman's lot," or acquired a taste for satyr-society, like some of the Nymphs, and all the Bacchanals of old. But to those who could not and would not accept a mess of pottage, or a Circe cup, in lieu of their birthright, and to these others who have yet their choice to make, I say, Courage! I have some words of cheer for you. A man, himself of unbroken purity, reported to me the words of a foreign artist, that "the world would never be better till men subjected themselves to the same laws they had imposed on women;" that artist, he added, was true to the thought. The same was true of Canova, the same of Beethoven. "Like each other demi-god, they kept themselves free from stain;" and Michael Angelo, looking over here from the loneliness of his century, might meet some eyes that need not shun his glance.

She may not have been faithful to those hopes. She got pulled into what’s known as “the world,” mostly just the superficial aspects of society. There, she saw a beautiful woman dancing closely with someone who seemed like a Satyr to her. When a male friend warned her that he belonged to that kind of crowd and wasn’t suitable for such close contact with a virtuous person, she replied that “women shouldn’t worry about such things.” She observed another beautiful woman marrying a man from the same background. “Mom and Dad said that 'all men make mistakes at some point in their lives; they face a lot of temptations.' Frederick would be so happy at home; he wouldn’t want to do anything wrong.” She turned to the married women; they, oh, what a horror! laughed at her belief that “men were like women.” Sometimes, I say, she wasn’t true, and either sadly accepted “Woman’s lot” or grew fond of the company of Satyrs, like some of the Nymphs and all the Bacchanals of old. But to those who couldn’t and wouldn’t settle for a mess of lentils or a Circe cup instead of their birthright, and for those who still have choices to make, I say, Be brave! I have some uplifting words for you. A man, himself pure and unblemished, shared with me the words of a foreign artist, that “the world won’t get better until men follow the same rules they’ve set for women;” that artist, he added, truly believed that. The same was true of Canova and Beethoven. “Like each other demigod, they kept themselves free from taint;” and Michelangelo, looking over from the solitude of his era, might find some eyes that wouldn’t shy away from his gaze.

In private life, I am assured by men who are not so sustained and occupied by the worship of pure beauty, that a similar consecration is possible, is practised; that many men feel that no temptation can be too strong for the will of man, if he invokes the aid of the Spirit instead of seeking extenuation from the brute alliances of his nature. In short, what the child fancies is really true, though almost the whole world declares it a lie. Man is a child of God; and if he seeks His guidance to keep the heart with diligence, it will be so given that all the issues of life may be pure. Life will then be a temple.

In everyday life, I’ve heard from men who aren’t as consumed by the pursuit of pure beauty that a similar dedication is possible and practiced; that many men believe that no temptation can overpower a person's will if they call on the Spirit for help instead of just relying on their base instincts. In other words, what a child imagines is actually true, even though nearly everyone else insists it’s false. Human beings are children of God, and if they seek His guidance to care for their hearts diligently, it will be granted so that all aspects of life can be pure. Life will then become a temple.

        The temple round
  Spread green the pleasant ground;
        The fair colonnade
  Be of pure marble pillars made;
  Strong to sustain the roof,
        Time and tempest proof;
  Yet, amidst which, the lightest breeze
        Can play as it please;
        The audience hall
        Be free to all
        Who revere
  The power worshipped here,
        Sole guide of youth,
        Unswerving Truth.
        In the inmost shrine
        Stands the image divine,
            Only seen
  By those whose deeds have worthy been—
        Priestlike clean.
  Those, who initiated are,
        Declare,
        As the hours
  Usher in varying hopes and powers;
        It changes its face,
          It changes its age,
        Now a young, beaming grace,
          Now Nestorian sage;
        But, to the pure in heart,
        This shape of primal art
          In age is fair,
            In youth seems wise,
          Beyond compare,
          Above surprise;
        What it teaches native seems,
          Its new lore our ancient dreams;
        Incense rises from the ground;
          Music flows around;
      Firm rest the feet below, clear gaze the eyes above,
  When Truth, to point the way through life, assumes the wand of Love;
      But, if she cast aside the robe of green,
        Winter's silver sheen,
        White, pure as light,
  Makes gentle shroud as worthy weed as bridal robe had been.
        The temple rounds
  Spread green across the pleasant ground;
        The beautiful colonnade
  Is made of pure marble pillars;
  Strong enough to hold the roof,
        Resistant to time and storms;
  Yet, even among them, the lightest breeze
        Can play as it wishes;
        The audience hall
        Is open to all
        Who respect
  The power worshipped here,
        The sole guide of youth,
        Unchanging Truth.
        In the innermost shrine
        Stands the divine image,
            Only seen
  By those whose actions have been worthy—
        Pure as a priest.
  Those who are initiated
        Declare,
        As the hours
  Bring in changing hopes and powers;
        It alters its face,
          It changes its age,
        Now youthful and radiant,
          Now wise like a sage;
        But, to the pure in heart,
        This shape of original art
          In age is beautiful,
            In youth seems wise,
          Impossible to compare,
          Full of surprise;
        What it teaches feels innate,
          Its new lessons our ancient dreams;
        Incense rises from the ground;
          Music flows around;
      Firm rest the feet below, clear gaze the eyes above,
  When Truth, to guide the way through life, takes the wand of Love;
      But, if she casts aside the green robe,
        Winter's silver sheen,
        White, pure as light,
  Creates a gentle shroud as worthy as a bridal robe had been.

[Footnote: As described by the historians:—

[Footnote: As described by the historians:—

  "The temple of Juno is like what the character of Woman should be.
   Columns! graceful decorums, attractive yet sheltering.
   Porch! noble, inviting aspect of the life.
   Kaos! receives the worshippers. See here the statue of the Divinity.
   Ophistodpmos! Sanctuary where the most precious possessions were kept
   safe from the hand of the spoiler and the eye of the world."]
"The temple of Juno represents what the essence of Woman should be.  
Columns! elegant decor, appealing yet protective.  
Porch! a grand, welcoming presence of life.  
Kaos! welcomes the worshippers. Look at the statue of the Divinity.  
Ophistodpmos! Sanctuary where the most treasured belongings were kept safe from those who would take them and from the prying eyes of the world."

We are now in a transition state, and but few steps have yet been taken. From polygamy, Europe passed to the marriage de convenance. This was scarcely an improvement An attempt was then made to substitute genuine marriage (the mutual choice of souls inducing a permanent union), as yet baffled on every side by the haste, the ignorance, or the impurity of Man.

We are currently in a transition phase, and only a few steps have been taken. Europe moved from polygamy to marriage for convenience. This was hardly an improvement. An effort was then made to replace it with true marriage (a mutual choice of souls leading to a lasting union), but this has been thwarted at every turn by the haste, ignorance, or uncleanliness of humanity.

Where Man assumes a high principle to which he is not yet ripened, it will happen, for a long time, that the few will be nobler than before; the many, worse. Thus now. In the country of Sidney and Milton, the metropolis is a den of wickedness, and a sty of sensuality; in the country of Lady Russell, the custom of English peeresses, of selling their daughters to the highest bidder, is made the theme and jest of fashionable novels by unthinking children who would stare at the idea of sending them to a Turkish slave-dealer, though the circumstances of the bargain are there less degrading, as the will and thoughts of the person sold are not so degraded by it, and it is not done in defiance of an acknowledged law of right in the land and the age.

Where people adopt high ideals that they haven’t fully embraced yet, it tends to happen that, for a long time, a few will be more noble than before, while the majority will become worse. This is the situation now. In the land of Sidney and Milton, the capital city is a place of wickedness and indulgence; in the land of Lady Russell, the practice among English noblewomen of auctioning off their daughters to the highest bidder is turned into the subject of fashionable novels by naïve young people who would be shocked by the thought of sending them to a Turkish slave trader, even though the terms of that transaction are less degrading, as the will and thoughts of the person sold are not so demeaned by it, and it doesn’t openly violate a recognized code of morality in the society and era.

I must here add that I do not believe there ever was put upon record more depravation of Man, and more despicable frivolity of thought and aim in Woman; than in the novels which purport to give the picture of English fashionable life, which are read with such favor in our drawing-rooms, and give the tone to the manners of some circles. Compared with the cold, hard-hearted folly there described, crime is hopeful; for it, at least, shows some power remaining in the mental constitution.

I have to say that I don’t think there’s ever been a better record of the corruption of humanity and the shallow, silly thinking and ambitions of women than in the novels that claim to portray English high society. These books are popular in our living rooms and set the tone for the behavior in some social circles. Compared to the cold, heartless foolishness depicted in those novels, crime seems more promising because it at least shows that there’s still some capability left in the human mind.

To return:—Attention has been awakened among men to the stains of celibacy, and the profanations of marriage. They begin to write about it and lecture about it. It is the tendency now to endeavor to help the erring by showing them the physical law. This is wise and excellent; but forget not the better half. Cold bathing and exercise will not suffice to keep a life pure, without an inward baptism, and noble, exhilarating employment for the thoughts and the passions. Early marriages are desirable, but if (and the world is now so out of joint that there are a hundred thousand chances to one against it) a man does not early, or at all, find the person to whom he can be united in the marriage of souls, will you give him in the marriage de convenance? or, if not married, can you find no way for him to lead a virtuous and happy life? Think of it well, ye who think yourselves better than pagans, for many of them knew this sure way. [Footnote: The Persian sacred books, the Desatir, describe the great and holy prince Ky Khosrou, as being "an angel, and the son of an angel," one to whom the Supreme says, "Thou art not absent from before me for one twinkling of an eye. I am never out of thy heart. And I am contained in nothing but in thy heart, and in a heart like thy heart. And I am nearer unto thee than thou art to thyself." This prince had in his Golden Seraglio three ladies of surpassing beauty, and all four, in this royal monastery, passed their lives, and left the world as virgins.

To get back to the point: awareness has been raised among people about the issues of celibacy and the failures of marriage. They are starting to write and give talks on the subject. The current trend is to try to help those who struggle by pointing out the physical laws. This is wise and commendable; however, don’t forget the more important aspect. Cold showers and exercise alone won’t keep a life pure without an inner renewal and meaningful, uplifting activities for the mind and heart. Early marriages are desirable, but if (and the world is currently so unbalanced that the odds are heavily against it) a man doesn’t find someone he can connect with on a soulful level, should he enter into a marriage of convenience? Or, if he remains unmarried, is there no way for him to lead a virtuous and fulfilling life? Reflect on this carefully, you who consider yourselves better than the pagans, for many of them understood this sure path. [Footnote: The Persian sacred texts, the Desatir, describe the great and holy prince Ky Khosrou, as being "an angel, and the son of an angel," one to whom the Supreme says, "You are never absent from me for even a moment. I am always in your heart. And I exist only in your heart, and in hearts like yours. I am closer to you than you are to yourself." This prince had three exceptionally beautiful ladies in his Golden Seraglio, and all four of them lived together in this royal retreat, and left the world as virgins.]

The Persian people had no scepticism when the history of such a mind was narrated.]

The Persian people didn’t doubt when they heard the story of such a mind.

To you, women of America, it is more especially my business to address myself on this subject, and my advice may be classed under three heads:

To you, women of America, I specifically want to talk to you about this topic, and my advice can be grouped into three main points:

Clear your souls from the taint of vanity.

Clear your souls of the stain of vanity.

Do not rejoice in conquests, either that your power to allure may be seen by other women, or for the pleasure of rousing passionate feelings that gratify your love of excitement.

Do not take pride in your victories, whether to show off your charm to other women or for the thrill of igniting passionate emotions that satisfy your craving for excitement.

It must happen, no doubt, that frank and generous women will excite love they do not reciprocate, but, in nine cases out of ten, the woman has, half consciously, done much to excite. In this case, she shall not be held guiltless, either as to the unhappiness or injury of the lover. Pure love, inspired by a worthy object, must ennoble and bless, whether mutual or not; but that which is excited by coquettish attraction of any grade of refinement, must cause bitterness and doubt, as to the reality of human goodness, so soon as the flush of passion is over. And, that you may avoid all taste for these false pleasures,

It’s true that open and generous women can stir feelings of love that they don’t feel in return, but in most cases, the woman has, at least somewhat consciously, contributed to creating that desire. In this situation, she shouldn't be considered innocent when it comes to the sadness or harm caused to the admirer. True love, inspired by a genuine connection, should uplift and bring joy, whether it’s mutual or not; but love that’s sparked by playful allure, no matter how sophisticated, will lead to bitterness and uncertainty about the reality of human kindness once the excitement fades. And, to help you steer clear of these false pleasures,

                         "Steep the soul
  In one pure love, and it will lost thee long."
                         "Immerse your soul  
  In one true love, and it will guide you far."

The love of truth, the love of excellence, whether you clothe them in the person of a special object or not, will have power to save you from following Duessa, and lead you in the green glades where Una's feet have trod.

The love of truth and the love of excellence, whether you embody them in a specific person or not, will have the strength to keep you from following Duessa and guide you into the green fields where Una has walked.

It was on this one subject that a venerable champion of good, the last representative of the spirit which sanctified the Revolution, and gave our country such a sunlight of hope in the eyes of the nations, the same who lately, in Boston, offered anew to the young men the pledge taken by the young men of his day, offered, also, his counsel, on being addressed by the principal of a girl's school, thus:—

It was on this one topic that a respected advocate for goodness, the last figure embodying the spirit that honored the Revolution and filled our country with hope in the eyes of the world, the same person who recently, in Boston, offered once again to the young men the promise made by the young men of his time, also offered his advice when approached by the principal of a girls' school, saying:—

 

REPLY OF MR. ADAMS.

Mr. Adams was so deeply affected by the address of Miss Foster, as to be for some time inaudible. When heard, he spoke as follows:

Mr. Adams was so moved by Miss Foster's speech that he was silent for a while. When he finally spoke, he said:

"This is the first instance in which a lady has thus addressed me personally; and I trust that all the ladies present will be able sufficiently to enter into my feelings to know that I am more affected by this honor than by any other I could hare received,

"This is the first time a woman has addressed me like this personally, and I hope all the women here can understand how much this honor means to me, more than any other recognition I could have received,"

"You have been pleased, madam, to allude to the character of my father, and the history of my family, and their services to the country. It is indeed true that, from the existence of the republic as an independent nation, my father and myself have been in the public service of the country, almost without interruption. I came into the world, as a person having personal responsibilities, with the Declaration of Independence, which constituted us a nation. I was a child at that time, and had then perhaps the greatest of blessings that can be bestowed on man—a mother who was anxious and capable to form her children to be what they ought to be. From that mother I derived whatever instruction—religious especially and moral—has pervaded a long life; I will not say perfectly, and as it ought to be; but I will say, because it is justice only to the memory of her whom I revere, that if, in the course of my life, there has been any imperfection, or deviation from what she taught me, the fault is mine, and not hers.

"You've kindly mentioned my father's character, my family's history, and their contributions to the country. It's true that since the republic became an independent nation, my father and I have served the public almost continuously. I entered the world as a responsible individual right around the time of the Declaration of Independence, which established us as a nation. I was just a child then, blessed with the greatest gift a person can have—a mother who was eager and capable of raising her children to be who they should be. From her, I gained the religious and moral teachings that have shaped my long life; I won’t claim it was done perfectly or as it should have been, but I must acknowledge, out of respect for her memory, that if there have been any imperfections or deviations in my life from what she taught me, the responsibility lies with me, not her."

"With such a mother, and such other relations with the sex, of sister, wife, and daughter, it has been the perpetual instruction of my life to love and revere the female sex. And in order to carry that sentiment of love and reverence to its highest degree of perfection, I know of nothing that exists in human society better adapted to produce that result, than institutions of the character that I have now the honor to address.

"With a mother like that, and my relationships with women—sister, wife, and daughter—I've been taught throughout my life to love and respect the female gender. To elevate that feeling of love and respect to its highest form, I can't think of anything in human society better suited to achieve that than the institutions I'm honored to speak about now."

"I have been taught, as I have said, through the course of my life, to love and to revere the female sex; but I have been taught, also—and that lesson has perhaps impressed itself on my mind even more strongly, it may be, than the other—I have been taught not to flatter them. It is not unusual, in the intercourse of Man with the other sex—and especially for young men—to think that the way to win the hearts of ladies is by flattery. To love and to revere the sex, is what I think the duty of Man; but not to flatter them; and this I would say to the young ladies here—and if they, and others present, will allow me, with all the authority which nearly four score years may have with those who have not yet attained one score—I would say to them what I have no doubt they say to themselves, and are taught here, not to take the flattery of men as proof of perfection.

"I’ve been taught, as I mentioned before, throughout my life to love and respect women; but I’ve also learned—this lesson may have stuck with me even more than the first—that I shouldn’t flatter them. It’s common, especially for young men, to believe that flattering women is the way to win their hearts. I think it’s a man’s duty to love and respect women, but not to flatter them; and this is something I would like to tell the young ladies here—and if they and everyone else present will permit me, with the authority that comes from nearly eighty years of life, I want to remind them what I’m sure they already say to themselves and are taught here: don’t take men’s flattery as a sign of your worth."

"I am now, however, I fear, assuming too much of a character that does not exactly belong to me. I therefore conclude, by assuring you, madam, that your reception of me has affected me, as you perceive, more than I can express in words; and that I shall offer my best prayers, till my latest hour, to the Creator of us all, that this institution especially, and all others of a similar kind, designed to form the female mind to wisdom and virtue, may prosper to the end of time."

"I’m afraid I’m taking on a role that doesn’t quite fit me. So, I want to assure you, ma’am, that how you've welcomed me has impacted me more than I can put into words; and I will offer my heartfelt prayers, until my last moment, to the Creator of us all, that this institution in particular, and all others like it that aim to nurture women's minds toward wisdom and virtue, may thrive forever."

It will be interesting to add here the character of Mr. Adams' mother, as drawn by her husband, the first John Adams, in a family letter [Footnote: Journal and Correspondence of Miss Adams, vol. i., p. 246.] written just before his death.

It’s worth noting the character of Mr. Adams' mother as described by her husband, the first John Adams, in a family letter [Footnote: Journal and Correspondence of Miss Adams, vol. i., p. 246.] written shortly before his death.

"I have reserved for the last the life of Lady Russell. This I have not yet read, because I read it more than forty years ago. On this hangs a tale which you ought to know and communicate it to your children. I bought the Life and Letters of Lady Russell in the year 1775, and sent it to your grandmother, with an express intent and desire that she should consider it a mirror in which to contemplate herself; for, at that time, I thought it extremely probable, from the daring and dangerous career I was determined to run, that she would one day find herself in the situation of Lady Russell, her husband without a head. This lady was more beautiful than Lady Russell, had a brighter genius, more information, a more refined taste, and, at least, her equal in the virtues of the heart; equal fortitude and firmness of character, equal resignation to the will of Heaven, equal in all the virtues and graces of the Christian life. Like Lady Russell, she never, by word or look, discouraged me from running all hazards for the salvation of my country's liberties; she was willing to share with me, and that her children should share with us both, in all the dangerous consequences we had to hazard."

"I have saved the life of Lady Russell for last. I haven’t read it yet because I last read it over forty years ago. There’s a story connected to this that you should know and share with your children. I bought the Life and Letters of Lady Russell in 1775 and sent it to your grandmother, hoping she would see it as a reflection of herself; at that time, I thought it was very likely that, given the bold and risky path I was set on, she would someday find herself in the same position as Lady Russell, with her husband beheaded. This woman was more beautiful than Lady Russell, had a sharper mind, more knowledge, a more refined taste, and was at least her equal in all virtues of the heart; they were equal in bravery and strength of character, equal in acceptance of God's will, and equal in all the virtues and graces of a Christian life. Like Lady Russell, she never, with word or glance, discouraged me from risking everything for the freedom of my country; she was ready to share with me and for our children to share in all the dangerous consequences we faced."

Will a woman who loves flattery or an aimless excitement, who wastes the flower of her mind on transitory sentiments, ever be loved with a love like that, when fifty years' trial have entitled to the privileges of "the golden marriage?"

Will a woman who enjoys flattery or meaningless thrills, who squanders her mental energy on fleeting feelings, ever be loved in a way that truly matches that experience, after fifty years of marriage that grants the status of "the golden anniversary?"

Such was the love of the iron-handed warrior for her, not his hand-maid, but his help-meet:

Such was the love of the strong warrior for her, not his servant, but his partner:

"Whom God loves, to him gives he such a wife."

"Whom God loves, to him gives He such a wife."

I find the whole of what I want in this relation, in the two epithets by which Milton makes Adam address his wife.

I find everything I need in this relationship in the two titles that Milton uses for Adam when he speaks to his wife.

In the intercourse of every day he begins:

In daily conversations, he begins:

  "Daughter of God and man, accomplished Eve."
  [Footnote: See Appendix H.]
"Daughter of God and man, accomplished Eve."  
[Footnote: See Appendix H.]

In a moment of stronger feeling,

In a moment of intense emotion,

  "Daughter of God and man, IMMORTAL Eve."
"Daughter of God and humanity, IMMORTAL Eve."

What majesty in the cadence of the line; what dignity, what reverence in the attitude both of giver and receiver!

What grandeur in the rhythm of the line; what dignity, what respect in the posture of both the giver and the receiver!

The woman who permits, in her life, the alloy of vanity; the woman who lives upon flattery, coarse or fine, shall never be thus addressed, She is not immortal so far as her will is concerned, and every woman who does so creates miasma, whose spread is indefinite. The hand which casts into the waters of life a stone of offence knows not how far the circles thus caused may spread their agitations.

The woman who allows vanity into her life, the one who thrives on flattery, whether it's crude or elegant, will never be treated this way. She is not immortal when it comes to her will, and every woman who acts this way creates a toxic atmosphere, the reach of which is limitless. The hand that throws a stone of offense into the waters of life doesn’t know how far the ripples of that action may reach.

A little while since I was at one of the most fashionable places of public resort. I saw there many women, dressed without regard to the season or the demands of the place, in apery, or, as it looked, in mockery, of European fashions. I saw their eyes restlessly courting attention. I saw the way in which it was paid; the style of devotion, almost an open sneer, which it pleased those ladies to receive from men whose expression marked their own low position in the moral and intellectual world. Those women went to their pillows with their heads full of folly, their hearts of jealousy, or gratified vanity; those men, with the low opinion they already entertained of Woman confirmed. These were American ladies; that is, they were of that class who have wealth and leisure to make full use of the day, and confer benefits on others. They were of that class whom the possession of external advantages makes of pernicious example to many, if these advantages be misused.

A little while ago, I was at one of the trendiest spots for socializing. I saw many women there, dressed without considering the season or the appropriateness of the place, imitating, or so it seemed, European styles. I noticed their eyes desperately seeking attention. I observed how it was given; the kind of admiration, almost a blatant sneer, that these women seemed to enjoy from men whose expressions clearly indicated their lower status in the moral and intellectual hierarchy. Those women went to bed with their minds filled with nonsense, their hearts full of jealousy, or satisfied vanity; those men, with their negative views of women reinforced. These were American ladies; that is, they belonged to a class with the wealth and free time to take full advantage of the day and to do good for others. They were part of a group whose external advantages can lead to a bad example for many if these advantages are misused.

Soon after, I met a circle of women, stamped by society as among the most degraded of their sex. "How," it was asked of them, "did you come here?" for by the society that I saw in the former place they were shut up in a prison. The causes were not difficult to trace: love of dress, love of flattery, love of excitement. They had not dresses like the other ladies, so they stole them; they could not pay for flattery by distinctions, and the dower of a worldly marriage, so they paid by the profanation of their persons. In excitement, more and more madly sought from day to day, they drowned the voice of conscience.

Shortly after, I encountered a group of women labeled by society as some of the most degraded of their kind. "How did you end up here?" was asked of them, since they were confined in a prison, unlike the society I saw before. The reasons were easy to identify: a love for fashion, a craving for flattery, and a thirst for excitement. Lacking the dresses that other women wore, they resorted to stealing them; unable to earn flattery through social status or the benefits of a traditional marriage, they paid for it by sacrificing their dignity. In their relentless pursuit of excitement, they drowned out the voice of their conscience more and more each day.

Now I ask you, my sisters, if the women at the fashionable house be not answerable for those women being in the prison?

Now I ask you, my sisters, are the women at the stylish house not responsible for those women being in prison?

As to position in the world of souls, we may suppose the women of the prison stood fairest, both because they had misused less light, and because loneliness and sorrow had brought some of them to feel the need of better life, nearer truth and good. This was no merit in them, being an effect of circumstance, but it was hopeful. But you, my friends (and some of you I have already met), consecrate yourselves without waiting for reproof, in free love and unbroken energy, to win and to diffuse a better life. Offer beauty, talents, riches, on the altar; thus shall you keep spotless your own hearts, and be visibly or invisibly the angels to others.

As for their place in the world of souls, we can assume that the women in the prison were at a greater advantage, both because they had wasted less light and because loneliness and sorrow had led some of them to crave a better life, closer to truth and goodness. This wasn't a virtue on their part, as it was simply a result of their circumstances, but it was a sign of hope. But you, my friends (and some of you I’ve already met), dedicate yourselves without waiting for criticism, with genuine love and unwavering energy, to create and spread a better life. Offer your beauty, talents, and wealth as a sacrifice; in doing so, you will keep your own hearts pure and either visibly or invisibly become angels to others.

I would urge upon those women who have not yet considered this subject, to do so. Do not forget the unfortunates who dare not cross your guarded way. If it do not suit you to act with those who have organized measures of reform, then hold not yourself excused from acting in private. Seek out these degraded women, give them tender sympathy, counsel, employment. Take the place of mothers, such as might have saved them originally.

I urge women who haven't thought about this subject to start doing so. Don't forget the unfortunate ones who are too scared to approach you. If you don’t want to join those who are actively working for reform, that doesn’t mean you shouldn’t help in your own way. Look for these struggling women, offer them compassion, advice, and job opportunities. Be a mother figure to them, just like someone could have done for them in the beginning.

If you can do little for those already under the ban of the world,—and the best-considered efforts have often failed, from a want of strength in those unhappy ones to bear up against the sting of shame and the prejudices of the world, which makes them seek oblivion again in their old excitements,—you will at least leave a sense of love and justice in their hearts, that will prevent their becoming utterly embittered and corrupt. And you may learn the means of prevention for those yet uninjured. These will be found in a diffusion of mental culture, simple tastes, best taught by your example, a genuine self-respect, and, above all, what the influence of Man tends to hide from Woman, the love and fear of a divine, in preference to a human tribunal.

If you can do little for those already outcast by society—and well-meaning efforts often fail because these unfortunate people struggle to cope with the shame and biases of the world, which drives them back to their old vices—you will at least leave behind feelings of love and justice in their hearts, preventing them from becoming completely bitter and corrupt. And you might discover ways to help prevent this for those who haven't yet been hurt. These methods will come from spreading mental awareness, appreciating simple pleasures, best demonstrated through your own example, fostering true self-respect, and, most importantly, what the influence of men often hides from women: the love and reverence for a higher power rather than just human judgment.

But suppose you save many who would have lost their bodily innocence (for as to mental, the loss of that is incalculably more general), through mere vanity and folly; there still remain many, the prey and spoil of the brute passions of Man; for the stories frequent in our newspapers outshame antiquity, and vie with the horrors of war.

But let's say you save many who would have lost their physical innocence (as for mental innocence, that's lost far more often); there are still many who fall victim to humanity's base desires. The stories that fill our newspapers are more shameful than anything from the past, rivaling the atrocities of war.

As to this, it must be considered that, as the vanity and proneness to seduction of the imprisoned women represented a general degradation in their sex; so do these acts a still more general and worse in the male. Where so many are weak, it is natural there should be many lost; where legislators admit that ten thousand prostitutes are a fair proportion to one city, and husbands tell their wives that it is folly to expect chastity from men, it is inevitable that there should be many monsters of vice.

Regarding this, it should be noted that the vanity and susceptibility to seduction of imprisoned women reflect a broader decline in their gender; similarly, these actions indicate an even greater and worse decline in men. When so many are weak, it’s expected that many will be lost; when lawmakers accept that ten thousand prostitutes are a reasonable number for one city, and husbands tell their wives it's unrealistic to expect fidelity from men, it's unavoidable that there will be numerous examples of wickedness.

I must in this place mention, with respect and gratitude, the conduct of Mrs. Child in the case of Amelia Norman. The action and speech of this lady was of straightforward nobleness, undeterred by custom or cavil from duty toward an injured sister. She showed the case and the arguments the counsel against the prisoner had the assurance to use in their true light to the public. She put the case on the only ground of religion and equity. She was successful in arresting the attention of many who had before shrugged their shoulders, and let sin pass as necessarily a part of the company of men. They begin to ask whether virtue is not possible, perhaps necessary, to Man as well as to Woman. They begin to fear that the perdition of a woman must involve that of a man. This is a crisis. The results of this case will be important.

I must mention here, with respect and gratitude, the actions of Mrs. Child regarding Amelia Norman. This woman's actions and words were genuinely noble, undeterred by tradition or criticism in her duty toward a wronged sister. She presented the case and the arguments that the prosecution used against the accused in an honest light to the public. She approached the case solely from the perspective of morality and fairness. She successfully captured the attention of many who had previously just shrugged off wrongdoing as an inevitable part of human nature. They began to question whether virtue is necessary for both men and women. They started to realize that the downfall of a woman could also mean the downfall of a man. This is a pivotal moment. The outcome of this case will be significant.

In this connection I must mention Eugene Sue, the French novelist, several of whose works have been lately translated among us, as having the true spirit of reform as to women. Like every other French writer, he is still tainted with the transmissions of the old regime. Still, falsehood may be permitted for the sake of advancing truth, evil as the way to good. Even George Sand, who would trample on every graceful decorum, and every human law, for the sake of a sincere life, does not see that she violates it by making her heroines able to tell falsehoods in a good cause. These French writers need ever to be confronted by the clear perception of the English and German mind, that the only good man, consequently the only good reformer, is he

In this regard, I must mention Eugene Sue, the French novelist, whose works have recently been translated for us, as he embodies the true spirit of reform regarding women. Like every other French writer, he still carries some of the baggage from the old regime. However, sometimes falsehood can be justified if it promotes the truth, even if it's a questionable path to goodness. Even George Sand, who would disregard every social norm and human law for the sake of an honest life, doesn't realize that she undermines her own principles by making her heroines capable of lying for a good reason. These French writers always need to be challenged by the clear perspective of the English and German intellect, which asserts that the only truly good person, and thus the only real reformer, is he

  "Who bases good on good alone, and owes
   To virtue every triumph that he knows."
"Who defines good by good alone, and credits virtue for every success he experiences."

Still, Sue has the heart of a reformer, and especially towards women; he sees what they need, and what causes are injuring them. From the histories of Fleur de Marie and La Louve, from the lovely and independent character of Rigolette, from the distortion given to Matilda's mind, by the present views of marriage, and from the truly noble and immortal character of the "hump-backed Sempstress" in the "Wandering Jew," may be gathered much that shall elucidate doubt and direct inquiry on this subject. In reform, as in philosophy, the French are the interpreters to the civilized world. Their own attainments are not great, but they make clear the post, and break down barriers to the future.

Still, Sue has the heart of a reformer, especially when it comes to women; he understands what they need and what issues are harming them. From the stories of Fleur de Marie and La Louve, from the charming and independent character of Rigolette, from the misconceptions affecting Matilda's perspective on marriage, and from the truly noble and timeless character of the "hump-backed Seamstress" in the "Wandering Jew," we can gather a lot that will clarify doubts and guide inquiries on this topic. In reform, just like in philosophy, the French serve as interpreters for the civilized world. Their own achievements may not be impressive, but they clarify the present and dismantle obstacles for the future.

Observe that the good man of Sue is as pure as Sir Charles Grandison.

Notice that Sue's good man is as virtuous as Sir Charles Grandison.

Apropos to Sir Charles. Women are accustomed to be told by men that the reform is to come from them. "You," say the men, "must frown upon vice; you must decline the attentions of the corrupt; you must not submit to the will of your husband when it seems to you unworthy, but give the laws in marriage, and redeem it from its present sensual and mental pollutions."

Apropos to Sir Charles. Women are often told by men that the change is supposed to come from them. "You," the men say, "need to reject vice; you should turn down the advances of the corrupt; you shouldn’t bow to your husband’s wishes when they seem unworthy, but instead, take charge in marriage and cleanse it from its current moral and mental decay."

This seems to us hard. Men have, indeed, been, for more than a hundred years, rating women for countenancing vice. But, at the same time, they have carefully hid from them its nature, so that the preference often shown by women for bad men arises rather from a confused idea that they are bold and adventurous, acquainted with regions which women are forbidden to explore, and the curiosity that ensues, than a corrupt heart in the woman. As to marriage, it has been inculcated on women, for centuries, that men have not only stronger passions than they, but of a sort that it would be shameful for them to share or even understand; that, therefore, they must "confide in their husbands," that is, submit implicitly to their will; that the least appearance of coldness or withdrawal, from whatever cause, in the wife is wicked, because liable to turn her husband's thoughts to illicit indulgence; for a man is so constituted that he must indulge his passions or die!

This seems really tough. Men have, for over a hundred years, been criticizing women for supporting bad behavior. But at the same time, they've kept the true nature of that behavior hidden from them, so the preference many women show for bad guys often comes from a misunderstanding that these men are bold and adventurous, exploring worlds that women aren’t allowed to enter, rather than from a corrupt heart. Regarding marriage, women have been taught for centuries that men have stronger passions than they do, and that it's shameful for them to share in or even understand these passions. Therefore, they must "trust their husbands," which means submitting completely to their will. Any hint of coldness or withdrawal from the wife, for any reason, is seen as wrong because it might lead her husband to seek satisfaction elsewhere; after all, a man is made in such a way that he must indulge his passions or risk feeling like he’ll die!

Accordingly, a great part of women look upon men as a kind of wild beasts, but "suppose they are all alike;" the unmarried are assured by the married that, "if they knew men as they do," that is, by being married to them, "they would not expect continence or self-government from them."

Accordingly, many women view men as sort of wild animals, but "let’s say they’re all the same;" the unmarried are told by the married that, "if they understood men like we do," meaning by being married to them, "they wouldn't expect them to be faithful or in control of themselves."

I might accumulate illustrations on this theme, drawn from acquaintance with the histories of women, which would startle and grieve all thinking men, but I forbear. Let Sir Charles Grandison preach to his own sex; or if none there be who feels himself able to speak with authority from a life unspotted in will or deed, let those who are convinced of the practicability and need of a pure life, as the foreign artist was, advise the others, and warn them by their own example, if need be.

I could gather examples on this topic, based on what I've learned from women's histories, that would shock and sadden any thoughtful man, but I won’t. Let Sir Charles Grandison address his own gender; or if there's no one who feels qualified to speak with authority from a life without faults in thought or action, then let those who believe in the possibility and necessity of living a pure life, like the foreign artist, guide others and, if necessary, warn them through their own example.

The following passage, from a female writer, on female affairs, expresses a prevalent way of thinking on this subject:

The following passage, from a female writer, about women’s issues, expresses a common perspective on this topic:

"It may be that a young woman, exempt from all motives of vanity, determines to take for a husband a man who does not inspire her with a very decided inclination. Imperious circumstances, the evident interest of her family, or the danger of suffering celibacy, may explain such a resolution. If, however, she were to endeavor to surmount a personal repugnance, we should look upon this as injudicious. Such a rebellion of nature marks the limit that the influence of parents, or the self-sacrifice of the young girl, should never pass. We shall be told that this repugnance is an affair of the imagination. It may be so; but imagination is a power which it is temerity to brave; and its antipathy is more difficult to conquer than its preference." [Footnote: Madame Necker de Saussure.]

"It could be that a young woman, free from any vain motivations, decides to marry a man she doesn’t feel very strongly about. Pressing circumstances, her family’s clear interests, or the fear of remaining single might justify such a choice. However, if she tries to overcome a personal dislike, we would see this as unwise. Such a conflict with her feelings shows the boundary that parental influence or the selflessness of the young woman should never cross. We might be told that this aversion is just a matter of the imagination. That could be true, but imagination is a force that is reckless to challenge, and its dislike is harder to overcome than its attraction." [Footnote: Madame Necker de Saussure.]

Among ourselves, the exhibition of such a repugnance from a woman who had been given in marriage "by advice of friends," was treated by an eminent physician as sufficient proof of insanity. If he had said sufficient cause for it, he would have been nearer right.

Among us, the display of such disgust from a woman who had been married "on the advice of friends" was considered by a well-known doctor to be enough evidence of insanity. If he had referred to it as enough reason for it, he would have been more accurate.

It has been suggested by men who were pained by seeing bad men admitted, freely, to the society of modest women,—thereby encouraged to vice by impunity, and corrupting the atmosphere of homes,—that there should be a senate of the matrons in each city and town, who should decide what candidates were fit for admission to their houses and the society of their daughters. [Footnote: See Goethe's Tasso. "A synod of good women should decide,"—if the golden age is to be restored.]

It has been proposed by men who were troubled by witnessing dishonest men freely accepted into the company of respectable women—thereby encouraging their wrongdoing without consequence and polluting the environment of homes—that each city and town should have a council of women who would determine which candidates are suitable for entering their homes and associating with their daughters. [Footnote: See Goethe's Tasso. "A council of good women should decide,"—if the golden age is to be restored.]

Such a plan might have excellent results; but it argues a moral dignity and decision which does not yet exist, and needs to be induced by knowledge and reflection. It has been the tone to keep women ignorant on these subjects, or, when they were not, to command that they should seem so. "It is indelicate," says the father or husband, "to inquire into the private character of such an one. It is sufficient that I do not think him unfit to visit you." And so, this man, who would not tolerate these pages in his house, "unfit for family reading," because they speak plainly, introduces there a man whose shame is written on his brow, as well as the open secret of the whole town, and, presently, if respectable still, and rich enough, gives him his daughter to wife. The mother affects ignorance, "supposing he is no worse than most men." The daughter is ignorant; something in the mind of the new spouse seems strange to her, but she supposes it is "woman's lot" not to be perfectly happy in her affections; she has always heard, "men could not understand women," so she weeps alone, or takes to dress and the duties of the house. The husband, of course, makes no avowal, and dreams of no redemption.

Such a plan could yield great results, but it assumes a moral dignity and resolve that don’t yet exist and must be cultivated through understanding and thought. The prevailing attitude has been to keep women uninformed about these issues, or when they aren’t, to insist that they appear to be. "It's inappropriate," says the father or husband, "to question the private character of someone like that. It’s enough that I don’t think he’s unfit to visit you." And so, this man, who wouldn’t allow these pages in his home, deeming them "unsuitable for family reading" because they speak frankly, brings in a man whose disgrace is obvious to everyone, as well as the town’s open secret, and eventually, if he’s still deemed "respectable" and wealthy enough, gives him his daughter in marriage. The mother pretends to be uninformed, "assuming he’s no worse than most men." The daughter is indeed ignorant; something about her new husband seems odd to her, but she thinks it’s "a woman’s fate" not to be completely happy in love. She has always heard that "men can’t understand women," so she weeps in solitude or turns to fashion and household duties. The husband, of course, makes no acknowledgment and has no thoughts of redemption.

"In the heart of every young woman," says the female writer above quoted, addressing herself to the husband, "depend upon it, there is a fund of exalted ideas; she conceals, represses, without succeeding in smothering them. So long as these ideas in your wife are directed to YOU, they are, no doubt, innocent, but take care that they be not accompanied with too much pain. In other respects, also, spare her delicacy. Let all the antecedent parts of your life, if there are such, which would give her pain, be concealed from her; her happiness and her respect for you would suffer from this misplaced confidence. Allow her to retain that flower of purity, which should distinguish her, in your eyes, from every other woman." We should think so, truly, under this canon. Such a man must esteem purity an exotic that could only be preserved by the greatest care. Of the degree of mental intimacy possible, in such a marriage, let every one judge for himself!

"In the heart of every young woman," says the female writer quoted above, speaking to the husband, "you can be sure there’s a wealth of high ideals; she hides and suppresses them, but she can't completely bury them. As long as these ideals in your wife are focused on YOU, they are undoubtedly innocent, but be careful that they aren’t mixed with too much pain. In other ways, also, be gentle with her feelings. Keep any past aspects of your life that might hurt her hidden; her happiness and her respect for you would suffer from this misplaced honesty. Let her keep that purity, which should set her apart in your eyes from every other woman." We should truly think so under this principle. Such a man must view purity as something rare that can only be maintained with the utmost care. As for the level of mental closeness possible in such a marriage, let everyone judge for themselves!

On this subject, let every woman, who has once begun to think, examine herself; see whether she does not suppose virtue possible and necessary to Man, and whether she would not desire for her son a virtue which aimed at a fitness for a divine life, and involved, if not asceticism, that degree of power over the lower self, which shall "not exterminate the passions, but keep them chained at the feet of reason." The passions, like fire, are a bad muster; but confine them to the hearth and the altar, and they give life to the social economy, and make each sacrifice meet for heaven.

On this topic, let every woman who has started to think, reflect on herself; consider whether she believes that virtue is possible and necessary for man, and whether she would hope for her son to possess a virtue that aims for a divine life. This might involve, if not complete self-denial, a certain control over the lower nature that means "not to eliminate the passions, but to keep them under the authority of reason." The passions, like fire, can be a dangerous force; but when contained to the hearth and altar, they enhance social life and make each sacrifice worthy of heaven.

When many women have thought upon this subject, some will be fit for the senate, and one such senate in operation would affect the morals of the civilized world.

When many women have considered this topic, some will be suited for the senate, and having even one such senate in action would impact the morals of the civilized world.

At present I look to the young. As preparatory to the senate, I should like to see a society of novices, such as the world has never yet seen, bound by no oath, wearing no badge, In place of an oath, they should have a religious faith in the capacity of Man for virtue; instead of a badge, should wear in the heart a firm resolve not to stop short of the destiny promised him as a son of God. Their service should be action and conservatism, not of old habits, but of a better nature, enlightened by hopes that daily grow brighter.

Right now, I turn my attention to the younger generation. Before stepping into the senate, I would love to see a group of beginners, unlike anything the world has seen before, bound by no oath and wearing no insignia. Instead of an oath, they should have a deep belief in humanity's ability to be virtuous; rather than a badge, they should carry in their hearts a strong commitment to pursue the destiny that is promised to them as children of God. Their contribution should be one of action and conservatism—not based on old ways but rooted in a better nature, inspired by ever-growing hopes.

If sin was to remain in the world, it should not be by their connivance at its stay, or one moment's concession to its claims.

If sin is to exist in the world, it shouldn't be because they allow it to stay or give in to its demands for even a moment.

They should succor the oppressed, and pay to the upright the reverence due in hero-worship by seeking to emulate them. They would not denounce the willingly bad, but they could not be with them, for the two classes could not breathe the same atmosphere.

They should help those who are oppressed and show the respect that comes with hero-worship to those who deserve it by trying to be like them. They wouldn't condemn those who choose to do wrong, but they couldn't associate with them, as the two groups couldn't coexist in the same environment.

They would heed no detention from the time-serving, the worldly and the timid.

They wouldn't pay any attention to the self-serving, the materialistic, and the fearful.

They could love no pleasures that were not innocent and capable of good fruit,

They could only enjoy pleasures that were innocent and could lead to positive outcomes,

I saw, in a foreign paper, the title now given to a party abroad, "Los Exaltados." Such would be the title now given these children by the world: Los Exaltados, Las Exaltadas; but the world would not sneer always, for from them would issue a virtue by which it would, at last, be exalted too.

I saw, in a foreign newspaper, the title now given to a group overseas, "Los Exaltados." That would be the name given to these children by the world: Los Exaltados, Las Exaltadas; but the world wouldn't always mock them, because from them would come a virtue that would, in the end, uplift the world as well.

I have in my eye a youth and a maiden whom I look to as the nucleus of such a class. They are both in early youth; both as yet uncontaminated; both aspiring, without rashness; both thoughtful; both capable of deep affection; both of strong nature and sweet feelings; both capable of large mental development. They reside in different regions of earth, but their place in the soul is the same. To them I look, as, perhaps, the harbingers and leaders of a new era, for never yet have I known minds so truly virgin, without narrowness or ignorance.

I have my eye on a young man and a young woman who I see as the center of such a group. They are both very young; neither is tainted by the world; both are ambitious without being reckless; both are reflective; both are capable of deep love; both have strong personalities and kind hearts; both have great potential for mental growth. They live in different parts of the world, but their place in the soul is the same. I look to them as perhaps the forerunners and leaders of a new era, for I have never known minds that are so genuinely pure, free from narrow-mindedness or ignorance.

When men call upon women to redeem them, they mean such maidens. But such are not easily formed under the present influences of society. As there are more such young men to help give a different tone, there will be more such maidens.

When men ask women to save them, they mean those kinds of young women. But it's not easy to find them in today’s society. As there are more young men who can help change the vibe, there will be more young women like that.

The English, novelist, D'Israeli, has, in his novel of "The Young Duke," made a man of the most depraved stock be redeemed by a woman who despises him when he has only the brilliant mask of fortune and beauty to cover the poverty of his heart and brain, but knows how to encourage him when he enters on a better course. But this woman was educated by a father who valued character in women.

The English novelist D'Israeli, in his book "The Young Duke," portrays a man from a deeply troubled background who is redeemed by a woman who looks down on him when all he has is the appealing façade of wealth and good looks to hide the emptiness of his heart and mind. However, she knows how to uplift him as he embarks on a better path. This woman was raised by a father who appreciated character in women.

Still, there will come now and then one who will, as I hope of my young Exaltada, be example and instruction for the rest. It was not the opinion of Woman current among Jewish men that formed the character of the mother of Jesus.

Still, every now and then, someone will emerge who, as I hope will be the case with my young Exaltada, serves as an example and guide for others. It wasn't the prevailing view of women among Jewish men that shaped the character of the mother of Jesus.

Since the sliding and backsliding men of the world, no less than the mystics, declare that, as through Woman Man was lost, so through Woman must Man be redeemed, the time must be at hand. When she knows herself indeed as "accomplished," still more as "immortal Eve," this may be.

Since the indecisive and unreliable people of the world, just like the mystics, say that as Man was lost through Woman, so Man must be redeemed through Woman, the time must be near. When she truly recognizes herself as "accomplished," even more as "immortal Eve," this may happen.

As an immortal, she may also know and inspire immortal love, a happiness not to be dreamed of under the circumstances advised in the last quotation. Where love is based on concealment, it must, of course, disappear when the soul enters the scene of clear vision!

As an immortal, she might also understand and evoke eternal love, a joy that seems unimaginable given the situation mentioned in the previous quote. When love relies on secrecy, it naturally fades away once the soul steps into the light of understanding!

And, without this hope, how worthless every plan, every bond, every power!

And without this hope, how pointless every plan, every connection, every power!

"The giants," said the Scandinavian Saga, "had induced Loke (the spirit that hovers between good and ill) to steal for them Iduna (Goddess of Immortality) and her apples of pure gold. He lured her out, by promising to show, on a marvellous tree he had discovered, apples beautiful as her own, if she would only take them with her for a comparison. Thus having lured her beyond the heavenly domain, she was seized and carried away captive by the powers of misrule.

"The giants," said the Scandinavian Saga, "had convinced Loke (the spirit who exists between good and evil) to steal Iduna (the Goddess of Immortality) and her golden apples for them. He tricked her into coming out by promising to show her a marvelous tree he had found, with apples just as beautiful as her own, if she would only bring them along for comparison. Once he had lured her outside the heavenly realm, she was captured and taken away by the forces of chaos."

"As now the gods could not find their friend Iduna, they were confused with grief; indeed, they began visibly to grow old and gray. Discords arose, and love grew cold. Indeed, Odur, spouse of the goddess of love and beauty, wandered away, and returned no more. At last, however, the gods, discovering the treachery of Loke, obliged him to win back Iduna from the prison in which she sat mourning. He changed himself into a falcon, and brought her back as a swallow, fiercely pursued by the Giant King, in the form of an eagle. So she strives to return among us, light and small as a swallow. We must welcome her form as the speck on the sky that assures the glad blue of Summer. Yet one swallow does not make a summer. Let us solicit them in flights and flocks!"

"As the gods realized they couldn't find their friend Iduna, they were overwhelmed with sadness; in fact, they started to visibly age and go gray. Conflicts arose, and love turned cold. Odur, the husband of the goddess of love and beauty, wandered off and never came back. Finally, the gods discovered Loke's betrayal and forced him to rescue Iduna from the prison where she was mourning. He transformed into a falcon and brought her back as a swallow, being chased by the Giant King in the shape of an eagle. So she struggles to return to us, light and small like a swallow. We need to welcome her as the dot in the sky that promises the joyful blue of summer. But one swallow doesn’t mean it's summer yet. Let’s seek them out in flocks!"


Returning from the future to the present, let us see what forms Iduna takes, as she moves along the declivity of centuries to the valley where the lily flower may concentrate all its fragrance.

Returning from the future to the present, let’s see what shapes Iduna takes as she travels down through the centuries to the valley where the lily flower can hold all its fragrance.

It would seem as if this time were not very near to one fresh from books, such as I have of late been—no: not reading, but sighing over. A crowd of books having been sent me since my friends knew me to be engaged in this way, on Woman's "Sphere,", Woman's "Mission," and Woman's "Destiny," I believe that almost all that is extant of formal precept has come under my eye. Among these I read with refreshment a little one called "The Whole Duty of Woman," "indited by a noble lady at the request of a noble lord," and which has this much of nobleness, that the view it takes is a religious one. It aims to fit Woman for heaven; the main bent of most of the others is to fit her to please, or, at least, not to disturb, a husband.

It seems like this time isn't very close for someone fresh out of books, like I have been lately—not reading, but sighing over. Since my friends found out I'm involved in this topic, I've received a bunch of books on Woman's "Sphere," Woman's "Mission," and Woman's "Destiny." I believe I've seen almost all the formal teachings on the subject. Among these, I found a refreshing little book called "The Whole Duty of Woman," written by a noble lady at the request of a noble lord, which has this much nobility: it takes a religious perspective. Its goal is to prepare women for heaven; the main focus of most other books is to prepare women to please or, at the very least, not to upset a husband.

Among these I select, as a favorable specimen, the book I have already quoted, "The Study [Footnote: This title seems to be incorrectly translated from the French. I have not seen the original] of the Life of Woman, by Madame Necker de Saussure, of Geneva, translated from the French." This book was published at Philadelphia, and has been read with much favor here. Madame Necker is the cousin of Madame de Stael, and has taken from her works the motto prefixed to this.

Among these, I choose as a good example the book I've already mentioned, "The Study [Footnote: This title seems to be incorrectly translated from the French. I have not seen the original] of the Life of Woman, by Madame Necker de Saussure from Geneva, translated from the French." This book was published in Philadelphia and has been well received here. Madame Necker is the cousin of Madame de Stael and has borrowed the motto at the beginning from her works.

"Cette vie n'a quelque prix que si elle sert a' l'education morale do notre coeur."

"This life only has value if it contributes to the moral education of our hearts."

Mde. Necker is, by nature, capable of entire consistency in the application of this motto, and, therefore, the qualifications she makes, in the instructions given to her own sex, show forcibly the weight which still paralyzes and distorts the energies of that sex.

Mde. Necker is naturally able to fully embrace this motto, and the qualifications she includes in the guidance she provides to her own gender clearly highlight the ongoing pressure that still hampers and distorts the capabilities of women.

The book is rich in passages marked by feeling and good suggestions; but, taken in the whole, the impression it leaves is this:

The book is full of passages filled with emotion and solid advice; but, overall, the impression it gives is this:

Woman is, and shall remain, inferior to Man and subject to his will, and, in endeavoring to aid her, we must anxiously avoid anything that can be misconstrued into expression of the contrary opinion, else the men will be alarmed, and combine to defeat our efforts.

Woman is, and will continue to be, inferior to Man and subject to his will. In trying to help her, we must carefully steer clear of anything that could be misinterpreted as suggesting otherwise; otherwise, the men will feel threatened and come together to undermine our efforts.

The present is a good time for these efforts, for men are less occupied about women than formerly. Let us, then, seize upon the occasion, and do what we can to make our lot tolerable. But we must sedulously avoid encroaching on the territory of Man. If we study natural history, our observations may be made useful, by some male naturalist; if we draw well, we may make our services acceptable to the artists. But our names must not be known; and, to bring these labors to any result, we must take some man for our head, and be his hands.

This is a good time for these efforts because men are less focused on women than they used to be. So let’s take advantage of this moment and do what we can to improve our situation. However, we need to be careful not to step into areas reserved for men. If we study natural history, our findings could be useful to a male naturalist; if we are good at drawing, our skills might be appreciated by the artists. But we shouldn't seek recognition; to make any progress, we need to have a man as our leader and be his support.

The lot of Woman is sad. She is constituted to expect and need a happiness that cannot exist on earth. She must stifle such aspirations within her secret heart, and fit herself, as well as she can, for a life of resignations and consolations.

The condition of women is unfortunate. They are made to long for a happiness that cannot be found on this earth. They have to suppress those desires in their hearts and prepare themselves, as best they can, for a life of accepting what is and seeking comfort.

She will be very lonely while living with her husband. She must not expect to open her heart to him fully, or that, after marriage, he will be capable of the refined service of love. The man is not born for the woman, only the woman for the man. "Men cannot understand the hearts of women." The life of Woman must be outwardly a well-intentioned, cheerful dissimulation of her real life.

She will feel very lonely living with her husband. She shouldn't expect to fully open her heart to him or believe that, after marriage, he will be capable of genuinely loving her. Men aren't made for women; instead, women are made for men. "Men can't understand how women feel." A woman's life must outwardly appear as a cheerful act, hiding her true feelings.

Naturally, the feelings of the mother, at the birth of a female child, resemble those of the Paraguay woman, described by Southey as lamenting in such heart-breaking tones that her mother did not kill her the hour she was born,—"her mother, who knew what this life of a woman must be;"—or of those women seen at the north by Sir A. Mackenzie, who performed this pious duty towards female infants whenever they had an opportunity.

Naturally, a mother’s feelings at the birth of a daughter are similar to those of the Paraguayan woman described by Southey, who mourned in heartbreaking tones that her mother didn’t kill her the moment she was born—“her mother, who knew what this life for a woman must be”—or to those women seen in the North by Sir A. Mackenzie, who carried out this solemn duty toward female infants whenever they had the chance.

"After the first delight, the young mother experiences feelings a little different, according as the birth of a son or a daughter has been announced.

"After the initial joy, the young mother feels emotions that are slightly different depending on whether she has been told she gave birth to a son or a daughter."

"Is it a son? A sort of glory swells at this thought the heart of the mother; she seems to feel that she is entitled to gratitude. She has given a citizen, a defender, to her country; to her husband an heir of his name; to herself a protector. And yet the contrast of all these fine titles with this being, so humble, soon strikes her. At the aspect of this frail treasure, opposite feelings agitate her heart; she seems to recognise in him a nature superior to her own, but subjected to a low condition, and she honors a future greatness in the object of extreme compassion. Somewhat of that respect and adoration for a feeble child, of which some fine pictures offer the expression in the features of the happy Mary, seem reproduced with the young mother who has given birth to a son.

"Is it a son? A kind of glory fills the mother's heart at this thought; she feels she deserves gratitude. She has brought a citizen, a defender, into her country; to her husband, an heir to his name; and to herself, a protector. Yet, the contrast of all these grand titles with this fragile being soon hits her. At the sight of this delicate treasure, mixed emotions stir in her heart; she seems to recognize in him a nature superior to her own, but trapped in a lowly state, and she reveres a future greatness in this object of deep compassion. Some of that respect and adoration for a weak child, which can be seen in the expressions of many beautiful paintings of the joyful Mary, seems to be reflected in the young mother who has just given birth to a son."

"Is it a daughter? There is usually a slight degree of regret; so deeply rooted is the idea of the superiority of Man in happiness and dignity; and yet, as she looks upon this child, she is more and more softened towards it. A deep sympathy—a sentiment of identity with this delicate being—takes possession of her; an extreme pity for so much weakness, a more pressing need of prayer, stirs her heart. Whatever sorrows she may have felt, she dreads for her daughter; but she will guide her to become much wiser, much better than herself. And then the gayety, the frivolity of the young woman have their turn. This little creature is a flower to cultivate, a doll to decorate."

"Is it a daughter? There’s usually a hint of regret; the idea that men are superior in happiness and worth runs deep. Yet, as she looks at this child, she feels herself becoming more and more softened towards her. A profound sympathy—a feeling of connection with this fragile being—overwhelms her; an intense pity for such weakness, a stronger urge to pray, stirs her heart. Whatever sorrows she may have experienced, she fears for her daughter; but she will guide her to be much wiser and better than she is. Then the joy and playfulness of the young woman come into play. This little one is a flower to nurture, a doll to dress up."

Similar sadness at the birth of a daughter I have heard mothers express not unfrequently.

I've often heard mothers express a similar sadness at the birth of a daughter.

As to this living so entirely for men, I should think when it was proposed to women they would feel, at least, some spark of the old spirit of races allied to our own. "If he is to be my bridegroom and lord" cries Brunhilda, [Footnote: See the Nibelungen Lays.] "he must first be able to pass through fire and water." "I will serve at the banquet," says the Walkyrie, "but only him who, in the trial of deadly combat, has shown himself a hero."

As for living entirely for men, I think that when it was suggested to women, they would at least feel a hint of the old spirit shared by our kind. "If he's going to be my groom and master," Brunhilda exclaims, [Footnote: See the Nibelungen Lays.] "he must first be able to endure fire and water." "I will serve at the feast," says the Valkyrie, "but only to the one who has proven himself a hero in the battle for his life."

If women are to be bond-maids, let it be to men superior to women in fortitude, in aspiration, in moral power, in refined sense of beauty. You who give yourselves "to be supported," or because "one must love something," are they who make the lot of the sex such that mothers are sad when daughters are born.

If women are to be servants, let it be to men who are stronger, more ambitious, morally superior, and have a refined sense of beauty. Those of you who choose to be "taken care of," or say "everyone needs to love something," are the ones who make life for women so difficult that mothers feel sad when they have daughters.

It marks the state of feeling on this subject that it was mentioned, as a bitter censure on a woman who had influence over those younger than herself,—"She makes those girls want to see heroes?"

It shows how people feel about this topic when it was brought up as a harsh criticism of a woman who had power over those younger than her—“She makes those girls want to see heroes?”

"And will that hurt them?"

"Will that hurt them?"

"Certainly; how can you ask? They will find none, and so they will never be married."

"Sure, how can you even ask? They won't find anyone, so they'll never get married."

"Get married" is the usual phrase, and the one that correctly indicates the thought; but the speakers, on this occasion, were persons too outwardly refined to use it. They were ashamed of the word, but not of the thing. Madame Necker, however, sees good possible in celibacy.

"Get married" is the common phrase that accurately conveys the idea; however, the speakers in this instance were too outwardly refined to use it. They felt embarrassed by the term, but not by the act itself. Madame Necker, on the other hand, believes there can be advantages to being single.

Indeed, I know not how the subject could be better illustrated, than by separating the wheat from the chaff in Madame Necker's book; place them in two heaps, and then summon the reader to choose; giving him first a near-sighted glass to examine the two;—it might be a Christian, an astronomical, or an artistic glass,—any kind of good glass to obviate acquired defects in the eye. I would lay any wager on the result.

Honestly, I can't think of a better way to explain this than by separating the good parts from the bad in Madame Necker's book; putting them into two piles and then asking the reader to choose; providing them with a magnifying glass to take a closer look at both—whether it’s a Christian, astronomical, or artistic lens—any quality glass to fix any flaws in their vision. I’d bet money on the outcome.

But time permits not here a prolonged analysis. I have given the clues for fault-finding.

But time doesn't allow for a detailed analysis here. I've provided the hints for criticism.

As a specimen of the good take the following passage, on the phenomena of what I have spoken of, as the lyrical or electric element in Woman.

As a good example, consider the following passage about the phenomena I mentioned earlier, concerning the lyrical or electric aspect of Woman.

"Women have been seen to show themselves poets in the most pathetic pantomimic scenes, where all the passions were depicted full of beauty; and these poets used a language unknown to themselves, and, the performance once over, their inspiration was a forgotten dream. Without doubt there is an interior development to beings so gifted; but their sole mode of communication with us is their talent. They are, ill all besides, the inhabitants of another planet."

"Women have been seen to express themselves as poets in the most moving performances, where all their emotions were portrayed beautifully; and these poets used a language they didn’t fully understand, and once the performance was over, their inspiration faded like a forgotten dream. There's definitely some inner growth in these gifted individuals; however, their only way of connecting with us is through their talent. In every other aspect, they seem to come from another world."

Similar observations have been made by those who have seen the women at Irish wakes, or the funeral ceremonies of modern Greece or Brittany, at times when excitement gave the impulse to genius; but, apparently, without a thought that these rare powers belonged to no other planet, but were a high development of the growth of this, and might, by wise and reverent treatment, be made to inform and embellish the scenes of every day. But, when Woman has her fair chance, she will do so, and the poem of the hour will vie with that of the ages.

Similar observations have been made by those who have witnessed the women at Irish wakes, or the funeral ceremonies in modern Greece or Brittany, especially when emotions sparked creativity; however, it seems that there was no awareness that these exceptional talents were not from another world, but rather a significant evolution of our own, and that, with thoughtful and respectful handling, they could enrich and enhance everyday life. But when women are given a fair opportunity, they will do just that, and the poetry of the moment will compete with that of all time.

I come now with satisfaction to my own country, and to a writer, a female writer, whom I have selected as the clearest, wisest, and kindliest, who has, as yet, used pen here on these subjects. This is Miss Sedgwick.

I now return to my own country with pleasure, and to a writer, a female writer, whom I have chosen as the most clear, insightful, and kindest who has written about these topics here so far. This is Miss Sedgwick.

Miss Sedgwick, though she inclines to the private path, and wishes that, by the cultivation of character, might should vindicate right, sets limits nowhere, and her objects and inducements are pure. They are the free and careful cultivation of the powers that have been given, with an aim at moral and intellectual perfection. Her speech is moderate and sane, but never palsied by fear or sceptical caution.

Miss Sedgwick, while she prefers a more private approach and hopes that through building character, strength can prove what is right, doesn't set any boundaries, and her intentions are sincere. She focuses on the free and thoughtful development of the abilities that have been granted, aiming for moral and intellectual excellence. Her speech is measured and rational, but it’s never stifled by fear or doubt.

Herself a fine example of the independent and beneficent existence that intellect and character can give to Woman, no less than Man, if she know how to seek and prize it,—also, that the intellect need not absorb or weaken, but rather will refine and invigorate, the affections,—the teachings of her practical good sense come with great force, and cannot fail to avail much. Every way her writings please me both as to the means and the ends. I am pleased at the stress she lays on observance of the physical laws, because the true reason is given. Only in a strong and clean body can the soul do its message fitly.

She is a great example of the independent and generous life that intellect and character can offer to both women and men, as long as they know how to pursue and value it. Additionally, intellect doesn't have to diminish or weaken our emotions; instead, it can enhance and energize them. Her practical wisdom is powerful and undoubtedly makes an impact. I appreciate her writings for both their methods and their purposes. I'm particularly impressed by the emphasis she places on following physical laws because she provides solid reasoning. Only in a strong and healthy body can the soul effectively fulfill its purpose.

She shows the meaning of the respect paid to personal neatness, both in the indispensable form of cleanliness, and of that love of order and arrangement, that must issue from a true harmony of feeling.

She demonstrates the importance of respecting personal cleanliness, not only through basic hygiene but also through a genuine appreciation for order and organization, which should come from a true sense of inner harmony.

The praises of cold water seem to me an excellent sign in the age. They denote a tendency to the true life. We are now to have, as a remedy for ills, not orvietan, or opium, or any quack medicine, but plenty of air and water, with due attention to warmth and freedom in dress, and simplicity of diet.

The appreciation for cold water feels like a great sign of our times. It shows a shift toward a more genuine way of living. Instead of relying on things like orvietan, opium, or any other fake cures, we're embracing fresh air and water, while also focusing on staying warm and comfortable in our clothing and keeping our diets simple.

Every day we observe signs that the natural feelings on these subjects are about to be reïnstated, and the body to claim care as the abode and organ of the soul; not as the tool of servile labor, or the object of voluptuous indulgence.

Every day we see signs that natural feelings about these subjects are about to be restored, and the body is set to reclaim its role as the home and vessel of the soul; not just as a tool for forced labor or the object of excessive pleasure.

A poor woman, who had passed through the lowest grades of ignominy, seemed to think she had never been wholly lost, "for," said she, "I would always have good under-clothes;" and, indeed, who could doubt that this denoted the remains of private self-respect in the mind?

A poor woman, who had experienced deep humiliation, believed she had never completely lost herself, "because," she said, "I always kept good underwear;" and, indeed, who could argue that this showed a trace of personal dignity in her mind?

A woman of excellent sense said, "It might seem childish, but to her one of the most favorable signs of the times was that the ladies had been persuaded to give up corsets."

A sensible woman said, "It might seem silly, but to her one of the best signs of the times was that women had been convinced to stop wearing corsets."

Yes! let us give up all artificial means of distortion. Let life be healthy, pure, all of a piece. Miss Sedgwick, in teaching that domestics must have the means of bathing us much as their mistresses, and time, too, to bathe, has symbolized one of the most important of human rights.

Yes! Let's abandon all artificial ways of distortion. Let life be healthy, pure, and consistent. Miss Sedgwick, by teaching that domestic workers should have the same access to bathing as their employers, and the time to do so, has highlighted one of the most important human rights.

Another interesting sign of the time is the influence exercised by two women, Miss Martineau and Miss Barrett, from their sick-rooms. The lamp of life which, if it had been fed only by the affections, depended on precarious human relations, would scarce have been able to maintain a feeble glare in the lonely prison, now shines far and wide over the nations, cheering fellow-sufferers and hallowing the joy of the healthful.

Another interesting sign of the times is the impact of two women, Miss Martineau and Miss Barrett, from their sickrooms. The lamp of life, which, if fueled solely by emotions and reliant on uncertain human connections, would barely be able to keep a weak light shining in solitude, now shines brightly across nations, uplifting fellow sufferers and celebrating the joy of the healthy.

These persons need not health or youth, or the charms of personal presence, to make their thoughts available. A few more such, and "old woman" [Footnote: An apposite passage is quoted in Appendix F.] shall not be the synonyme for imbecility, nor "old maid" a term of contempt, nor Woman be spoken of as a reed shaken by the wind.

These individuals don't need to be healthy, young, or physically attractive for their ideas to matter. A few more like them, and "old woman" [Footnote: An apposite passage is quoted in Appendix F.] won't be synonymous with incompetence, "old maid" won't be a term of disrespect, and women won't be referred to as a reed swaying in the wind.

It is time, indeed, that men and women both should cease to grow old in any other way than as the tree does, full of grace and honor. The hair of the artist turns white, but his eye shines clearer than ever, and we feel that age brings him maturity, not decay. So would it be with all, were the springs of immortal refreshment but unsealed within the soul; then, like these women, they would see, from the lonely chamber window, the glories of the universe; or, shut in darkness, be visited by angels.

It's really time for both men and women to stop aging in any way other than like a tree—full of grace and dignity. The artist’s hair may turn white, but his eyes shine brighter than ever, showing us that age brings him wisdom, not decline. This could be true for everyone if the sources of everlasting renewal were just unlocked within the soul; then, like these women, they would look out from their lonely windows and witness the wonders of the universe or, even in darkness, be visited by angels.

I now touch on my own place and day, and, as I write, events are occurring that threaten the fair fabric approached by so long an avenue. Week before last, the Gentile was requested to aid the Jew to return to Palestine; for the Millennium, the reign of the Son of Mary was near. Just now, at high and solemn mass, thanks were returned to the Virgin for having delivered O'Connell from unjust imprisonment, in requital of his having consecrated to her the league formed in behalf of Liberty on Tara's Hill. But last week brought news which threatens that a cause identical with the enfranchisement of Jews, Irish, women, ay, and of Americans in general, too, is in danger, for the choice of the people threatens to rivet the chains of slavery and the leprosy of sin permanently on this nation, through the Annexation of Texas!

I'm now focusing on my time and place, and as I write, events are happening that threaten the delicate progress we've made over so long. A week ago, the Gentiles were asked to help the Jews return to Palestine because the Millennium, the reign of the Son of Mary, is approaching. Just now, during high mass, we gave thanks to the Virgin for freeing O'Connell from unjust imprisonment, in gratitude for his dedicating the league formed for Liberty on Tara's Hill to her. However, last week brought news that puts the cause of freedom for Jews, Irish, women, and, indeed, all Americans at risk. The people's choice could bind this nation forever to the chains of slavery and the sickness of sin through the Annexation of Texas!

Ah! if this should take place, who will dare again to feel the throb of heavenly hope, as to the destiny of this country? The noble thought that gave unity to all our knowledge, harmony to all our designs,—the thought that the progress of history had brought on the era, the tissue of prophecies pointed out the spot, where humanity was, at last, to have a fair chance to know itself, and all men be born free and equal for the eagle's flight,—flutters as if about to leave the breast, which, deprived of it, will have no more a nation, no more a home on earth.

Ah! If that were to happen, who would dare to feel the pulse of hope for the future of this country again? The noble idea that brought unity to all our knowledge and harmony to all our plans—the idea that history's progress had ushered in an era, that the fabric of prophecies pointed to the place where humanity could finally have a real chance to understand itself, and where all people would be born free and equal for the eagle's flight—flutters as if it's about to leave the heart, which, without it, will no longer have a nation, no longer have a home on earth.

Women of my country!—Exaltadas! if such there be,—women of English, old English nobleness, who understand the courage of Boadicea, the sacrifice of Godiva, the power of Queen Emma to tread the red-hot iron unharmed,—women who share the nature of Mrs. Hutchinson, Lady Russell, and the mothers of our own revolution,—have you nothing to do with this? You see the men, how they are willing to sell shamelessly the happiness of countless generations of fellow-creatures, the honor of their country, and their immortal souls, for a money market and political power. Do you not feel within you that which can reprove them, which can check, which can convince them? You would not speak in vain; whether each in her own home, or banded in unison.

Women of my country!—Excited ones! if any exist,—women of English, old English nobility, who understand the bravery of Boadicea, the sacrifice of Godiva, the strength of Queen Emma to walk over hot iron unharmed,—women who share the spirit of Mrs. Hutchinson, Lady Russell, and the mothers of our own revolution,—do you have nothing to say about this? Look at the men, willing to sell the happiness of countless generations, the honor of their country, and their immortal souls for money and political power. Don't you feel something inside you that can challenge them, that can stop them, that can convince them? You wouldn't be speaking in vain; whether each in her own home or united together.

Tell these men that you will not accept the glittering baubles, spacious dwellings, and plentiful service, they mean to offer you through those means. Tell them that the heart of Woman demands nobleness and honor in Man, and that, if they have not purity, have not mercy, they are no longer fathers, lovers, husbands, sons of yours.

Tell these guys that you won’t accept the flashy gifts, big houses, and endless services they plan to offer you. Let them know that a Woman's heart requires nobility and honor in a Man, and that if they lack purity and mercy, they are no longer fathers, lovers, husbands, or sons to you.

This cause is your own, for, as I have before said, there is a reason why the foes of African Slavery seek more freedom for women; but put it not upon that ground, but on the ground of right.

This cause is yours, because, as I've said before, there's a reason the opponents of African slavery want more freedom for women; but don't frame it like that, instead frame it on the basis of rights.

If you have a power, it is a moral power. The films of interest are not so close around you as around the men. If you will but think, you cannot fail to wish to save the country from this disgrace. Let not slip the occasion, but do something to lift off the curse incurred by Eve.

If you have a power, it's a moral one. The films that matter aren’t as focused on you as they are on others. If you really think about it, you’ll want to help save the country from this shame. Don’t let this opportunity pass you by; do something to remove the burden placed upon us by Eve.

You have heard the women engaged in the Abolition movement accused of boldness, because they lifted the voice in public, and lifted the latch of the stranger. But were these acts, whether performed judiciously or no, so bold as to dare before God and Man to partake the fruits of such offence as this?

You’ve heard women in the Abolition movement criticized for being bold because they spoke out in public and welcomed strangers. But were these actions, whether done wisely or not, really that bold compared to daring to enjoy the consequences of such an offense as this?

You hear much of the modesty of your sex. Preserve it by filling the mind with noble desires that shall ward off the corruptions of vanity and idleness. A profligate woman, who left her accustomed haunts and took service in a New York boarding-house, said "she had never heard talk so vile at the Five Points, as from the ladies at the boarding-house." And why? Because they were idle; because, having nothing worthy to engage them, they dwelt, with unnatural curiosity, on the ill they dared not go to see.

You often hear about the modesty of your gender. Keep it by filling your mind with noble desires that will protect you from the corruptions of vanity and idleness. A reckless woman who left her usual places and started working in a New York boarding house said "she had never heard such vile talk at the Five Points, as from the ladies at the boarding house." And why is that? Because they were idle; because, having nothing meaningful to engage them, they fixated, with unnatural curiosity, on the wrongs they dared not go to see.

It will not so much injure your modesty to have your name, by the unthinking, coupled with idle blame, as to have upon your soul the weight of not trying to save a whole race of women from the scorn that is put upon their modesty.

It won't damage your pride as much to have your name mistakenly tied to some thoughtless blame, as it will to carry the burden of not doing anything to help save an entire group of women from the disrespect aimed at their dignity.

Think of this well! I entreat, I conjure you, before it is too late. It is my belief that something effectual might be done by women, if they would only consider the subject, and enter upon it in the true spirit,—a spirit gentle, but firm, and which feared the offence of none, save One who is of purer eyes than to behold iniquity.

Think about this carefully! I urge you, I beg you, before it's too late. I believe that women could make a real difference if they would only think about the issue and approach it with the right attitude—a spirit that is gentle but strong, and that fears offending no one except for the One who is too pure to look upon wrongdoing.

And now I have designated in outline, if not in fulness, the stream which is ever flowing from the heights of my thought.

And now I've roughly outlined, if not completely detailed, the flow of ideas that constantly comes from my thoughts.

In the earlier tract I was told I did not make my meaning sufficiently clear. In this I have consequently tried to illustrate it in various ways, and may have been guilty of much repetition. Yet, as I am anxious to leave no room for doubt, I shall venture to retrace, once more, the scope of my design in points, as wad done in old-fashioned sermons.

In the previous document, I was informed that my points weren't clear enough. So, in this one, I've tried to explain my ideas in different ways and might have repeated myself a bit. However, since I want to avoid any confusion, I'll take the chance to outline my main ideas once again, similar to how it was done in traditional sermons.

Man is a being of two-fold relations, to nature beneath, and intelligences above him. The earth is his school, if not his birth-place; God his object; life and thought his means of interpreting nature, and aspiring to God.

Man exists in two types of relationships: one with the natural world around him and another with higher intelligences above him. The earth serves as his school, if not his birthplace; God is his ultimate goal; and life and thought are his tools for understanding nature and reaching for God.

Only a fraction of this purpose is accomplished in the life of any one man. Its entire accomplishment is to be hoped only from the sum of the lives of men, or Man considered as a whole.

Only a small part of this purpose is achieved in the life of any one person. Its full achievement can only be hoped for from the total lives of people, or humanity as a whole.

As this whole has one soul and one body, any injury or obstruction to a part, or to the meanest member, affects the whole. Man can never be perfectly happy or virtuous, till all men are so.

As this whole has one soul and one body, any injury or obstruction to a part, or to the smallest member, impacts the entire thing. A person can never be truly happy or virtuous until everyone else is as well.

To address Man wisely, you must not forget that his life is partly animal, subject to the same laws with Nature.

To approach man wisely, you should remember that his life is partly animal, governed by the same laws as Nature.

But you cannot address him wisely unless you consider him still more as soul, and appreciate the conditions and destiny of soul.

But you can't engage with him wisely unless you see him as more than just a person, and understand the nature and fate of the soul.

The growth of Man is two-fold, masculine and feminine.

The growth of a person is two-fold, masculine and feminine.

So far as these two methods can be distinguished, they are so as

So far as these two methods can be distinguished, they are so as

Energy and Harmony;

Energy and Balance;

Power and Beauty;

Power and Beauty

Intellect and Love;

Brain and Love;


or by some such rude classification; for we have not language primitive and pure enough to express such ideas with precision.


or by some rough classification; because we don't have a language primitive and pure enough to convey such ideas accurately.

These two sides are supposed to be expressed in Man and Woman, that is, as the more and the less, for the faculties have not been given pure to either, but only in preponderance. There are also exceptions in great number, such as men of far more beauty than power, and the reverse. But, as a general rule, it seems to have been the intention to give a preponderance on the one side, that is called masculine, and on the other, one that is called feminine.

These two aspects are meant to be represented in Man and Woman, that is, as the stronger and the weaker, because the traits haven't been given purely to either, but only in greater amounts. There are many exceptions, like men who are much more beautiful than powerful, and the other way around. However, as a general rule, it seems to have been the intent to give a majority on one side, which is called masculine, and on the other, which is called feminine.

There cannot be a doubt that, if these two developments were in perfect harmony, they would correspond to and fulfil one another, like hemispheres, or the tenor and bass in music.

There’s no doubt that if these two developments were perfectly aligned, they would complement and complete each other, like the two halves of a sphere or the tenor and bass in music.

But there is no perfect harmony in human nature; and the two parts answer one another only now and then; or, if there be a persistent consonance, it can only be traced at long intervals, instead of discoursing an obvious melody.

But there’s no perfect harmony in human nature; the two parts only respond to each other every now and then. Even if there is a lasting connection, it can only be seen at long intervals, rather than forming a clear, obvious melody.

What is the cause of this?

What’s the cause of this?

Man, in the order of time, was developed first; as energy comes before harmony; power before beauty.

Man, in the timeline of existence, was created first; just as energy comes before harmony; power comes before beauty.

Woman was therefore under his care as an elder. He might have been her guardian and teacher.

Woman was therefore under his protection as a mentor. He could have been her guardian and instructor.

But, as human nature goes not straight forward, but by excessive action and then reaction in an undulated course, he misunderstood and abused his advantages, and became her temporal master instead of her spiritual sire.

But, as human nature doesn't move in a straight line, but rather through excessive action followed by reaction in a fluctuating manner, he misinterpreted and misused his advantages, becoming her temporal master instead of her spiritual guide.

On himself came the punishment. He educated Woman more as a servant than a daughter, and found himself a king without a queen.

On himself came the punishment. He raised Woman more like a servant than a daughter, and found himself a king without a queen.

The children of this unequal union showed unequal natures, and, more and more, men seemed sons of the handmaid, rather than princess.

The kids from this unbalanced union displayed different personalities, and increasingly, it seemed like the men were more like the sons of the servant than the princess.

At last, there were so many Ishmaelites that the rest grew frightened and indignant. They laid the blame on Hagar, and drove her forth into the wilderness.

At last, there were so many Ishmaelites that the others became scared and angry. They blamed Hagar and forced her out into the wilderness.

But there were none the fewer Ishmaelites for that.

But that didn't change the fact that there were still Ishmaelites.

At last men became a little wiser, and saw that the infant Moses was, in every case, saved by the pure instincts of Woman's breast. For, as too much adversity is better for the moral nature than too much prosperity, Woman, in this respect, dwindled less than Man, though in other respects still a child in leading-strings.

At last, people became a bit wiser and realized that the infant Moses was, in every instance, saved by the natural instincts of a woman's nurturing. For, just as too much hardship is better for moral character than too much good fortune, women, in this regard, suffered less than men, even though in other ways they were still dependent like children.

So Man did her more and more justice, and grew more and more kind.

So Man treated her more fairly and became increasingly kind.

But yet—his habits and his will corrupted by the past—he did not clearly see that Woman was half himself; that her interests were identical with his; and that, by the law of their common being, he could never reach his true proportions while she remained in any wise shorn of hers.

But still—his habits and will tainted by the past—he didn't clearly realize that Woman was half of him; that her interests were just like his; and that, by the nature of their shared existence, he could never find his true self while she was in any way diminished.

And so it has gone on to our day; both ideas developing, but more slowly than they would under a clearer recognition of truth and justice, which would have permitted the sexes their due influence on one another, and mutual improvement from more dignified relations.

And so it has continued to this day; both ideas evolving, but more slowly than they would if there were a clearer understanding of truth and justice, which would have allowed the sexes to influence each other appropriately and benefit from more respectful relationships.

Wherever there was pure love, the natural influences were, for the time, restored.

Wherever there was genuine love, the natural influences were, for the moment, renewed.

Wherever the poet or artist gave free course to his genius, he saw the truth, and expressed it in worthy forms, for these men especially share and need the feminine principle. The divine birds need to be brooded into life and song by mothers.

Wherever the poet or artist let their creativity flow, they saw the truth and expressed it in meaningful ways, because these individuals particularly embody and require the feminine principle. The divine birds need to be nurtured into life and song by mothers.

Wherever religion (I mean the thirst for truth and good, not the love of sect and dogma) had its course, the original design was apprehended in its simplicity, and the dove presaged sweetly from Dodona's oak.

Wherever religion (I mean the desire for truth and goodness, not the attachment to beliefs and dogma) took its path, the original intention was understood in its simplicity, and the dove symbolically foretold good things from Dodona's oak.

I have aimed to show that no age was left entirely without a witness of the equality of the sexes in function, duty and hope.

I have tried to demonstrate that no time period was completely without someone acknowledging the equality of the sexes in roles, responsibilities, and aspirations.

Also that, when there was unwillingness or ignorance, which prevented this being acted upon, women had not the less power for their want of light and noble freedom. But it was power which hurt alike them and those against whom they made use of the arms of the servile,—cunning, blandishment, and unreasonable emotion.

Also, when there was reluctance or a lack of understanding that stopped this from being put into action, women still held power despite their absence of enlightenment and true freedom. However, it was a power that harmed both them and those who faced the weapons of the oppressed—manipulation, flattery, and unreasonable emotions.

That now the time has come when a clearer vision and better action are possible—when Man and Woman may regard one another, as brother and sister, the pillars of one porch, the priests of one worship.

That the time has now come when a clearer understanding and better actions are possible—when men and women can see each other as brother and sister, the pillars of one porch, the priests of one worship.

I have believed and intimated that this hope would receive an ampler fruition, than ever before, in our own land.

I have believed and hinted that this hope would be realized more fully than ever before in our own country.

And it will do so if this land carry out the principles from which sprang our national life.

And it will happen if this country follows the principles that gave rise to our national identity.

I believe that, at present, women are the best helpers of one another.

I think that right now, women are the best support for each other.

Let them think; let them act; till they know what they need.

Let them think; let them act; until they figure out what they need.

We only ask of men to remove arbitrary barriers. Some would like to do more. But I believe it needs that Woman show herself in her native dignity, to teach them how to aid her; their minds are so encumbered by tradition.

We only ask men to take down unnecessary barriers. Some want to do more. But I believe it’s important for women to show their true worth to teach men how to support them; their thinking is so weighed down by tradition.

When Lord Edward Fitzgerald travelled with the Indians, his manly heart obliged him at once to take the packs from the squaws and carry them. But we do not read that the red men followed his example, though they are ready enough to carry the pack of the white woman, because she seems to them a superior being.

When Lord Edward Fitzgerald traveled with the Native Americans, his strong sense of honor immediately compelled him to take the packs from the women and carry them. However, we don’t see the Native men following his lead, even though they are more than willing to carry the pack of a white woman, as they view her as a superior being.

Let Woman appear in the mild majesty of Ceres, and rudest churls will be willing to learn from her.

Let Woman show up in the gentle power of Ceres, and even the toughest people will be eager to learn from her.

You ask, what use will she make of liberty, when she has so long been sustained and restrained?

You ask, what will she do with her freedom, after being supported and held back for so long?

I answer; in the first place, this will not be suddenly given. I read yesterday a debate of this year on the subject of enlarging women's rights over property. It was a leaf from the class-book that is preparing for the needed instruction. The men learned visibly as they spoke. The champions of Woman saw the fallacy of arguments on the opposite side, and were startled by their own convictions. With their wives at home, and the readers of the paper, it was the same. And so the stream flows on; thought urging action, and action leading to the evolution of still better thought.

I respond: first of all, this won’t happen overnight. I read a debate from this year about expanding women's rights over property yesterday. It was a glimpse into the educational materials being developed for much-needed instruction. The men visibly learned as they spoke. The supporters of women's rights recognized the flaws in the opposing arguments and were taken aback by their own beliefs. At home with their wives and among the newspaper readers, it was the same. And so the momentum continues; ideas pushing for action, and action leading to even more progressive ideas.

But, were this freedom to come suddenly, I have no fear of the consequences. Individuals might commit excesses, but there is not only in the sex a reverence for decorums and limits inherited and enhanced from generation to generation, which many years of other life could not efface, but a native love, in Woman as Woman, of proportion, of "the simple art of not too much,"—a Greek moderation, which would create immediately a restraining party, the natural legislators and instructors of the rest, and would gradually establish such rules as are needed to guard, without impeding, life.

But if this freedom were to come all of a sudden, I’m not worried about the consequences. People might go overboard, but there’s not just a respect for decency and boundaries passed down and refined through generations that many years of other experiences couldn’t erase; there's also an inherent love in women for balance, for "the simple art of not too much,"—a Greek moderation that would swiftly form a moderating group, the natural leaders and guides for everyone else, and would gradually set up the necessary rules to protect life without hindering it.

The Graces would lead the choral dance, and teach the rest to regulate their steps to the measure of beauty.

The Graces would lead the dance, showing everyone else how to move in harmony with beauty.

But if you ask me what offices they may fill, I reply—any. I do not care what case you put; let them be sea-captains, if you will. I do not doubt there are women well fitted for such an office, and, if so, I should be as glad to see them in it, as to welcome the maid of Saragossa, or the maid of Missolonghi, or the Suliote heroine, or Emily Plater.

But if you ask me what roles they can take on, I’ll say—any. I don’t mind what you choose; let them be sea captains, if that’s what you want. I have no doubt there are women perfectly suited for that role, and if that’s the case, I would be just as happy to see them in it as I would to welcome the maid of Saragossa, the maid of Missolonghi, the Suliote heroine, or Emily Plater.

I think women need, especially at this juncture, a much greater range of occupation than they have, to rouse their latent powers. A party of travellers lately visited a lonely hut on a mountain. There they found an old woman, who told them she and her husband had lived there forty years. "Why," they said, "did you choose so barren a spot?" She "did not know; it was the man's notion."

I think women need, especially at this point, a much wider variety of opportunities than they currently have to awaken their hidden potential. A group of travelers recently came across a remote hut on a mountain. There, they met an old woman who shared that she and her husband had lived there for forty years. "Why," they asked, "did you pick such a barren place?" She replied, "I don't know; it was the man's idea."

And, during forty years, she had been content to act, without knowing why, upon "the man's notion." I would not have it so.

And for forty years, she had been fine with going along with "the man's idea," not really understanding why. I didn’t want that to be the case.

In families that I know, some little girls like to saw wood, others to use carpenters' tools. Where these tastes are indulged, cheerfulness and good-humor are promoted. Where they are forbidden, because "such things are not proper for girls," they grow sullen and mischievous.

In families I'm familiar with, some little girls enjoy sawing wood, while others like using carpentry tools. When these activities are encouraged, it fosters cheerfulness and good humor. However, when they're restricted because "those things aren't suitable for girls," they become sullen and mischievous.

Fourier had observed these wants of women, as no one can fail to do who watches the desires of little girls, or knows the ennui that haunts grown women, except where they make to themselves a serene little world by art of some kind. He, therefore, in proposing a great variety of employments, in manufactures or the care of plants and animals, allows for one third of women as likely to have a taste for masculine pursuits, one third of men for feminine.

Fourier noticed the needs of women, as anyone would who pays attention to what little girls want or understands the boredom that many adult women experience, unless they create a peaceful little world for themselves through some form of art. So, when he suggested a wide range of jobs in manufacturing or in caring for plants and animals, he assumed that one third of women might be interested in traditionally male activities, and one third of men in traditionally female ones.

Who does not observe the immediate glow and serenity that is diffused over the life of women, before restless or fretful, by engaging in gardening, building, or the lowest department of art? Here is something that is not routine, something that draws forth life towards the infinite.

Who doesn't notice the immediate warmth and calm that surrounds women, who were once restless or anxious, when they get into gardening, crafting, or even the simplest forms of art? This is something that isn’t ordinary, something that brings life closer to the infinite.

I have no doubt, however, that a large proportion of women would give themselves to the same employments as now, because there are circumstances that must lead them. Mothers will delight to make the nest soft and warm. Nature would take care of that; no need to clip the wings of any bird that wants to soar and sing, or finds in itself the strength of pinion for a migratory flight unusual to its kind. The difference would be that all need not be constrained to employments for which some are unfit.

I have no doubt, however, that a lot of women would still choose the same jobs as they do now because certain circumstances will guide them. Mothers will love to make the home cozy and inviting. Nature would handle that; there's no need to hold back any bird that wants to fly and sing, or who discovers the strength to take an unusual journey. The difference would be that everyone doesn't have to be limited to jobs that some are not suited for.

I have urged upon the sex self-subsistence in its two forms of self-reliance and self-impulse, because I believe them to be the needed means of the present juncture.

I have emphasized the importance of sexual self-sufficiency in its two forms, self-reliance and self-initiative, because I believe they are the necessary tools for our current situation.

I have urged on Woman independence of Man, not that I do not think the sexes mutually needed by one another, but because in Woman this fact has led to an excessive devotion, which has cooled love, degraded marriage, and prevented either sex from being what it should be to itself or the other.

I have encouraged women's independence from men, not because I believe the sexes don't need each other, but because this idea has caused women to become overly devoted, which has diminished love, degraded marriage, and stopped both sexes from being what they should be for themselves and for each other.

I wish Woman to live, first for God's sake. Then she will not make an imperfect man her god, and thus sink to idolatry. Then she will not take what is not fit for her from a sense of weakness and poverty. Then, if she finds what she needs in Man embodied, she will know how to love, and be worthy of being loved.

I want women to live, first for the sake of God. That way, they won't make an imperfect man their god and fall into idolatry. They won't settle for what isn't right for them out of a sense of weakness and need. If they find what they need embodied in a man, they'll know how to love and be deserving of love in return.

By being more a soul, she will not be less Woman, for nature is perfected through spirit.

By being more of a soul, she won't be any less of a woman, because nature is enhanced through spirit.

Now there is no woman, only an overgrown child.

Now there is no woman, only a grown-up child.

That her hand may be given with dignity, she must be able to stand alone. I wish to see men and women capable of such relations as are depicted by Landor in his Pericles and Aspasia, where grace is the natural garb of strength, and the affections are calm, because deep. The softness is that of a firm tissue, as when

That her hand can be given with dignity, she must be able to stand on her own. I want to see men and women capable of the kinds of relationships described by Landor in his Pericles and Aspasia, where grace is the natural clothing of strength, and feelings are steady because they run deep. The softness is like a strong fabric, just as when

      "The gods approve
  The depth, but not the tumult of the soul,
  A fervent, not ungovernable love."
      "The gods appreciate
  the depth of feelings, but not the chaos of the soul,
  a passionate, yet not unmanageable love."

A profound thinker has said, "No married woman can represent the female world, for she belongs to her husband. The idea of Woman must be represented by a virgin."

A deep thinker once said, "No married woman can represent the female experience, as she belongs to her husband. The concept of Woman must be represented by a virgin."

But that is the very fault of marriage, and of the present relation between the sexes, that the woman does belong to the man, instead of forming a whole with him. Were it otherwise, there would be no such limitation to the thought.

But that’s the main issue with marriage and the current relationship between men and women: the woman is seen as belonging to the man, rather than being his equal partner. If that weren't the case, there wouldn't be such limitations on thought.

Woman, self-centred, would never be absorbed by any relation; it would be only an experience to her as to man. It is a vulgar error that love, a love, to Woman is her whole existence; she also is born for Truth and Love in their universal energy. Would she but assume her inheritance, Mary would not be the only virgin mother. Not Manzoni alone would celebrate in his wife the virgin mind with the maternal wisdom and conjugal affections. The soul is ever young, ever virgin.

A woman, self-focused, would never fully engage in any relationship; it would just be another experience for her, like it is for a man. It's a common misconception that love, a love, is everything for a woman; she too is meant for Truth and Love in their universal forms. If she would only embrace her potential, Mary wouldn’t be seen as the sole virgin mother. It’s not just Manzoni who would honor in his wife the combination of a pure mind with maternal wisdom and loving relationships. The soul is always youthful, always pure.

And will not she soon appear?—the woman who shall vindicate their birthright for all women; who shall teach them what to claim, and how to use what they obtain? Shall not her name be for her era Victoria, for her country and life Virginia? Yet predictions are rash; she herself must teach us to give her the fitting name.

And won't she show up soon?—the woman who will fight for everyone's rights; who will show them what to demand, and how to make the most of what they get? Shouldn't her name be Victoria for her time, and Virginia for her country and life? But making predictions is risky; she herself will have to teach us how to name her properly.

An idea not unknown to ancient times has of late been revived, that, in the metamorphoses of life, the soul assumes the form, first of Man, then of Woman, and takes the chances, and reaps the benefits of either lot. Why then, say some, lay such emphasis on the rights or needs of Woman? What she wins not as Woman will come to her as Man.

An idea that's not new has recently come back into discussion: that, throughout the changes in life, the soul takes on the form of a Man first, then a Woman, and experiences the opportunities and benefits of both. So, some ask, why focus so much on the rights or needs of Women? What she gains as a Woman will also come to her as a Man.

That makes no difference. It is not Woman, but the law of right, the law of growth, that speaks in us, and demands the perfection of each being in its kind—apple as apple, Woman as Woman. Without adopting your theory, I know that I, a daughter, live through the life of Man; but what concerns me now is, that my life be a beautiful, powerful, in a word, a complete life in its kind. Had I but one more moment to live I must wish the same.

That doesn't matter. It's not about Woman, but the law of what’s right, the law of growth, that speaks through us and insists on the perfection of each being in its own way—apple as apple, Woman as Woman. Without agreeing with your theory, I understand that I, as a daughter, experience life through Man; but what matters to me now is that my life be beautiful, powerful, and, in short, a complete life in its own right. If I only had one more moment to live, I would wish for the same.

Suppose, at the end of your cycle, your great world-year, all will be completed, whether I exert myself or not (and the supposition is false,—but suppose it true), am I to be indifferent about it? Not so! I must beat my own pulse true in the heart of the world; for that is virtue, excellence, health.

Suppose that at the end of your life cycle, your great world-year, everything will be finished, whether I try hard or not (and this assumption is false,—but let's pretend it's true), should I just not care about it? Absolutely not! I need to stay true to myself in the core of the world; because that is what virtue, excellence, and health are all about.

Thou, Lord of Day! didst leave us to-night so calmly glorious, not dismayed that cold winter is coming, not postponing thy beneficence to the fruitful summer! Thou didst smile on thy day's work when it was done, and adorn thy down-going as thy up-rising, for thou art loyal, and it is thy nature to give life, if thou canst, and shine at all events!

You, Lord of Day! left us tonight so calmly glorious, not worried that cold winter is coming, not delaying your kindness to the fruitful summer! You smiled at your day's work when it was done, and decorated your setting as beautifully as your rising, for you are faithful, and it is in your nature to give life whenever you can, and shine no matter what!

I stand in the sunny noon of life. Objects no longer glitter in the dews of morning, neither are yet softened by the shadows of evening. Every spot is seen, every chasm revealed. Climbing the dusty hill, some fair effigies that once stood for symbols of human destiny have been broken; those I still have with me show defects in this broad light. Yet enough is left, even by experience, to point distinctly to the glories of that destiny; faint, but not to be mistaken streaks of the future day. I can say with the bard,

I stand in the bright noon of life. Things no longer shine with the morning dew, nor are they softened by the evening shadows. Every detail is clear, every gap exposed. As I climb the dusty hill, some beautiful representations that once symbolized human fate have been shattered; those I still hold onto show flaws in this bright light. Yet, there’s enough left, even from experience, to clearly indicate the glories of that fate; faint, but unmistakable signs of the future. I can say with the poet,

  "Though many have suffered shipwreck, still beat noble hearts."
"Even though many have faced shipwrecks, noble hearts still endure."

Always the soul says to us all, Cherish your best hopes as a faith, and abide by them in action. Such shall be the effectual fervent means to their fulfilment;

Always the soul tells us all, Value your best hopes as a belief, and follow through with them in action. That's how you'll effectively make them come true;

    For the Power to whom we bow
    Has given its pledge that, if not now,
    They of pure and steadfast mind,
    By faith exalted, truth refined,
Shall hear all music loud and clear,
    Whose first notes they ventured here.
    Then fear not thou to wind the horn,
    Though elf and gnome thy courage scorn;
    Ask for the castle's King and Queen;
    Though rabble rout may rush between,
    Beat thee senseless to the ground,
    In the dark beset thee round;
    Persist to ask, and it will come;
    Seek not for rest in humbler home;
    So shalt thou see, what few have seen,
    The palace home of King and Queen.

  15th November, 1844.
    For the Power we honor  
    Has promised that, if not now,  
    Those with pure and steadfast minds,  
    Whose faith is strong and truth refined,  
Will hear all music loud and clear,  
    Which first notes they dared to hear.  
    So don’t be afraid to blow the horn,  
    Even if elf and gnome mock your courage;  
    Ask for the castle's King and Queen;  
    Even if the unruly crowd rushes between,  
    Knocking you down to the ground,  
    Surrounding you in the dark;  
    Keep asking, and it will come;  
    Don’t seek rest in a simpler home;  
    This way, you’ll see what few have seen,  
    The royal home of the King and Queen.

  15th November, 1844.

 

 

 

 

 

 

PART II.


 

 

 

 

AGLAURON AND LAURIE.

A DRIVE THROUGH THE COUNTRY NEAR BOSTON.

Aglauron and Laurie are two of the pleasantest men I know. Laurie combines, with the external advantages of a beautiful person and easy address, all the charm which quick perceptions and intelligent sympathy give to the intercourse of daily life. He has an extensive, though not a deep, knowledge of men and books,—his naturally fine taste has been more refined by observation, both at home and abroad, than is usual in this busy country; and, though not himself a thinker, he follows with care and delight the flights of a rapid and inventive mind. He is one of those rare persons who, without being servile or vacillating, present on no side any barrier to the free action of another mind. Yes, he is really an agreeable companion. I do not remember ever to have been wearied or chilled in his company.

Aglauron and Laurie are two of the nicest guys I know. Laurie has the added benefits of being really good-looking and easy to talk to, along with the charm that comes from having quick insights and genuine empathy in everyday interactions. He has a broad—though not overly deep—understanding of people and books; his naturally good taste has been polished through experiences at home and abroad, more so than is typical in this fast-paced country. Even though he isn't a deep thinker himself, he attentively and joyfully follows the ideas of creative and quick-minded individuals. He’s one of those rare people who, without being submissive or wishy-washy, doesn’t create any obstacles to the free thinking of others. Yes, he truly is a pleasant companion. I can’t recall ever feeling bored or uncomfortable in his presence.

Aglauron is a person of far greater depth and force than his friend and cousin, but by no means as agreeable. His mind is ardent and powerful, rather than brilliant and ready,—neither does he with ease adapt himself to the course of another. But, when he is once kindled, the blaze of light casts every object on which it falls into a bold relief, and gives every scene a lustre unknown before. He is not, perhaps, strictly original in his thoughts; but the severe truth of his character, and the searching force of his attention, give the charm of originality to what he says. Accordingly, another cannot, by repetition, do it justice. I have never any doubt when I write down or tell what Laurie says, but Aglauron must write for himself.

Aglauron is a person with much more depth and intensity than his friend and cousin, but he's not nearly as pleasant. His mind is passionate and strong, rather than brilliant and quick; he also doesn’t easily adjust to others' directions. Yet, once he’s ignited, the radiance of his thoughts highlights everything they touch, adding an unprecedented glow to every scene. He might not be completely original in his ideas, but the harsh truth of his character and the penetrating force of his focus give the impression of originality to his words. As a result, no one else can truly capture the essence of what he expresses through repetition. I never have any doubt when I write down or recount what Laurie says, but Aglauron has to convey his thoughts in his own way.

Yet I almost always take notes of what has passed, for the amusement of a distant friend, who is learning, amidst the western prairies, patience, and an appreciation of the poor benefits of our imperfectly civilized state. And those I took this day, seemed not unworthy of a more general circulation. The sparkle of talk, the free breeze that swelled its current, are always fled when you write it down; but there is a gentle flow, and truth to the moment, rarely attained in more elaborate compositions.

Yet I almost always jot down what has happened, for the entertainment of a faraway friend who is learning, among the western plains, patience and an appreciation for the limited benefits of our imperfectly civilized state. The notes I took today seemed worthy of sharing more widely. The excitement of conversation and the free spirit that fueled it are always lost when you write it down; however, there is a gentle flow and a truth to the moment that is rarely found in more elaborate pieces.

My two friends called to ask if I would drive with them into the country, and I gladly consented. It was a beautiful afternoon of the last week in May. Nature seemed most desirous to make up for the time she had lost, in an uncommonly cold and wet spring. The leaves were bursting from their sheaths with such rapidity that the trees seemed actually to greet you as you passed along. The vestal choirs of snow-drops and violets were chanting their gentle hopes from every bank, the orchards were white with blossoms, and the birds singing in almost tumultuous glee.

My two friends called to see if I would drive with them into the country, and I happily agreed. It was a beautiful afternoon during the last week of May. Nature seemed eager to make up for the time she had lost during an unusually cold and wet spring. The leaves were bursting from their buds so quickly that the trees seemed to greet you as you passed by. The delicate choirs of snowdrops and violets were expressing their gentle hopes from every bank, the orchards were blooming with white flowers, and the birds were singing with almost frantic joy.

We drove for some time in silence, perhaps fearful to disturb the universal song by less melodious accents, when Aglauron said:

We drove for a while in silence, maybe afraid to interrupt the universal song with our less harmonious voices, when Aglauron said:

"How entirely are we new-born today! How are all the post cold skies and hostile breezes vanished before this single breath of sweetness! How consoling is the truth thus indicated!"

"How completely are we reborn today! How have all the chilly skies and harsh winds disappeared with this one breath of sweetness! How comforting is the truth that's shown here!"

Laurie. It is indeed the dearest fact of our consciousness, that, in every moment of joy, pain is annihilated. There is no past, and the future is only the sunlight streaming into the far valley.

Laurie. It’s truly the most precious truth of our awareness that, in every moment of happiness, pain disappears. There’s no past, and the future is just the sunlight shining into the distant valley.

Aglauron. Yet it was the night that taught us to prize the day.

Aglauron. But it was the night that showed us to value the day.

Laurie. Even so. And I, you know, object to none of the "dark masters."

Laurie. Even so. And I, you know, don't have any problem with the "dark masters."

Aglauron. Nor I,—because I am sure that whatever is, is good; and to find out the why is all our employment here. But one feels so at home in such a day as this!

Aglauron. Neither do I,—because I believe that whatever exists is good; and figuring out the why is our main job here. But it just feels so comfortable on a day like this!

Laurie. As this, indeed! I never heard so many birds, nor saw so many flowers. Do you not like these yellow flowers?

Laurie. Is this really happening? I’ve never heard so many birds or seen so many flowers. Don’t you like these yellow flowers?

Aglauron. They gleam upon the fields as if to express the bridal kiss of the sun. He seems most happy, if not most wealthy, when first he is wed to the earth.

Aglauron. They shine in the fields as if to show the sun's wedding kiss. He appears happiest, if not the wealthiest, when he first marries the earth.

Laurie. I believe I have some such feeling about these golden flowers. When I did not know what was the Asphodel, so celebrated by the poets, I thought it was a golden flower; yet this yellow is so ridiculed as vulgar.

Laurie. I think I feel something similar about these golden flowers. When I didn't know what Asphodel, the flower praised by poets, was, I imagined it was a golden flower; yet this yellow is so often mocked as common.

Aglauron. It is because our vulgar luxury depreciates objects not fitted to adorn our dwellings. These yellow flowers will not bear being token out of their places and brought home to the centre-table. But, when enamelling the ground, the cowslip, the king-cup,—nay, the marigold and dandelion even,—are resplendently beautiful.

Aglauron. It's because our everyday luxury lowers the value of things that aren’t meant to beautify our homes. These yellow flowers can’t stand being uprooted and brought to the coffee table. But when they are part of the landscape, the cowslip, the king-cup—indeed, even the marigold and dandelion—become incredibly beautiful.

Laurie. They are the poor man's gold. See that dark, unpointed house, with its lilac shrubbery. As it stands, undivided from the road to which the green bank slopes down from the door, is not the effect of that enamel of gold dandelions beautiful?

Laurie. They are the gold for those who are less fortunate. Look at that dark, unadorned house with its lilac bushes. The way it sits, uninterrupted from the road that slopes down to the door, doesn’t that shiny display of golden dandelions look stunning?

Aglauron. It seems as if a stream of peace had flowed from the door-step down to the very dust, in waves of light, to greet the passer-by. That is, indeed, a quiet house. It looks as if somebody's grandfather lived there still.

Aglauron. It feels like a wave of tranquility has spread from the front step down to the ground, in flows of light, to welcome anyone walking by. It really is a peaceful house. It gives off the impression that someone's grandfather might still live there.

Laurie. It is most refreshing to see the dark boards amid those houses of staring white. Strange that, in the extreme heat of summer, aching eyes don't teach the people better.

Laurie. It's so refreshing to see the dark boards among those glaring white houses. It's odd that, in the sweltering heat of summer, sore eyes don’t seem to teach people any better.

Aglauron. We are still, in fact, uncivilized, for all our knowledge of what is done "in foreign parts" cannot make us otherwise. Civilization must be homogeneous,—must be a natural growth. This glistening white paint was long preferred because the most expensive; just as in the West, I understand, they paint houses red to make them resemble the hideous red brick. And the eye, thus spoiled by excitement, prefers red or white to the stone-color, or the browns, which would harmonize with other hues.

Aglauron. We are still, in fact, uncivilized; all our knowledge of what happens "in other places" doesn't change that. Civilization has to be consistent—it has to grow naturally. This shiny white paint was long favored because it was the most expensive; just like in the West, I hear, they paint houses red to mimic that ugly red brick. And with our eyes so accustomed to excitement, we now prefer red or white over stone colors or browns, which would actually blend with other colors.

Laurie. I should think the eye could never be spoiled so far as to like these white palings. These bars of glare amid the foliage are unbearable.

Laurie. I can't imagine how anyone could get used to these white fences. These bright bars in the trees are impossible to handle.

Myself. What color should they be?

Myself. What color should they be?

Laurie. An invisible green, as in all civilized parts of the globe. Then your eye would rest on the shrubbery undisturbed.

Laurie. A hidden shade of green, just like in all the developed areas of the world. Then your gaze would settle on the untouched plants.

Myself. Your vaunted Italy has its palaces of white stucco and buildings of brick.

Me. Your celebrated Italy has its white stucco palaces and brick buildings.

Laurie. Ay,—but the stucco is by the atmosphere soon mellowed into cream-color, the brick into rich brown.

Laurie. Yeah, but the stucco quickly softens into a cream color thanks to the atmosphere, and the brick turns into a deep brown.

Myself. I have heard a connoisseur admire our own red brick in the afternoon sun, above all other colors.

Myself. I've heard a connoisseur praise our red brick in the afternoon sun, above all other colors.

Laurie. There are some who delight too much in the stimulus of color to be judges of harmony of coloring. It is so, often, with the Italians. No color is too keen for the eye of the Neapolitan. He thinks, with little Riding-hood, there is no color like red. I have seen one of the most beautiful new palaces paved with tiles of a brilliant red. But this, too, is barbarism.

Laurie. Some people get so caught up in vibrant colors that they have no sense of color harmony. This is often true for Italians. For a Neapolitan, no color is too bright. They believe, like Little Red Riding Hood, that red is the best color. I've seen one of the most stunning new buildings with floors made of bright red tiles. But even that is a form of barbarism.

Myself. You are pleased to call it so, because you make the English your arbiters in point of taste; but I do not think they, on your own principle, are our proper models. With their ever-weeping skies, and seven-piled velvet of verdure, they are no rule for us, whose eyes are accustomed to the keen blue and brilliant clouds of our own realm, and who see the earth wholly green scarce two months in the year. No white is more glistening than our January snows; no house here hurts my eye more than the fields of white-weed will, a fortnight hence.

Me. You like to call it that because you rely on the English to set the standard for taste; but I don’t think they, based on your own argument, are the best examples for us. With their constantly gray skies and lush greenery, they aren’t a good reference for us, whose eyes are used to the bright blue and stunning clouds of our area, and who see the land completely green for hardly two months out of the year. No white shines brighter than our January snows; no house here bothers my eyes more than the fields of white-weed will in two weeks.

Laurie. True refinement of taste would bid the eye seek repose the more. But, even admitting what you say, there is no harmony. The architecture is borrowed from England; why not the rest?

Laurie. True refinement of taste would encourage the eye to find more rest. But even accepting your point, there’s no harmony. The architecture is taken from England; why not everything else?

Aglauron. But, my friend, surely these piazzas and pipe-stem pillars are all American.

Aglauron. But, my friend, these plazas and thin pillars are definitely American.

Laurie. But the cottage to which they belong is English. The inhabitants, suffocating in small rooms, and beneath sloping roofs, because the house is too low to admit any circulation of air, are in need, we must admit, of the piazza, for elsewhere they must suffer all the torments of Mons. Chaubert in his first experience of the oven. But I do not assail the piazzas, at any rate; they are most desirable, in these hot summers of ours, were they but in proportion with the house, and their pillars with one another. But I do object to houses which are desirable neither as summer nor winter residences here. The shingle palaces, celebrated by Irving's wit, were far more appropriate, for they, at least, gave free course to the winds of heaven, when the thermometer stood at ninety-five degrees in the shade.

Laurie. But the cottage they live in is definitely English. The people inside are struggling in small rooms with slanted ceilings, since the house is too low to let in any fresh air. They really need the porch, otherwise they have to endure the same discomfort as Mons. Chaubert during his first experience with the oven. However, I’m not against porches; they’re very much needed during our hot summers, if only they were proportionate to the house and their columns matched each other. What I do object to are houses that aren’t appealing for either summer or winter living. The shingle houses that Irving humorously wrote about were much more suitable because they at least allowed the breezes to flow when the temperature reached ninety-five degrees in the shade.

Aglauron. Pity that American wit nipped in the bud those early attempts at an American architecture. Here in the East, alas! the case is become hopeless. But in the West the log-cabin still promises a proper basis.

Aglauron. It’s a shame that American humor cut short those early efforts at creating an American architecture. Here in the East, sadly, it seems hopeless. But in the West, the log cabin still holds promise as a solid foundation.

Laurie. You laugh at me. But so it is. I am not so silly as to insist upon American architecture, American art, in the 4th of July style, merely for the gratification of national vanity. But a building, to be beautiful, should harmonize exactly with the uses to which it is to be put, and be an index to the climate and habits of the people. There is no objection to borrowing good thoughts from other nations, if we adopt the new style because we find it will serve our convenience, and not merely because it looks pretty outside.

Laurie. You laugh at me. But that's how it is. I'm not so foolish as to demand American architecture or American art in a 4th of July style just to boost national pride. However, a building should be beautiful by fitting perfectly with its intended use and reflecting the climate and lifestyle of the people. There's nothing wrong with taking good ideas from other countries, as long as we choose a new style because it meets our needs, not just because it looks nice on the outside.

Aglauron. I agree with you that here, as well as in manners and in literature, there is too ready access to the old stock, and, though I said it in jest, my hope is, in truth, the log-cabin. This the settler will enlarge, as his riches and his family increase; he will beautify as his character refines, and as his eye becomes accustomed to observe objects around him for their loveliness as well as for their utility. He will borrow from Nature the forms and coloring most in harmony with the scene in which his dwelling is placed. Might growth here be but slow enough! Might not a greediness for gain and show cheat men of all the real advantages of their experience!

Aglauron. I agree with you that both in manners and in literature, there’s too easy access to the old ways, and even though I jokingly mentioned it, I genuinely wish for the log cabin. The settler will expand it as his wealth and family grow; he will enhance it as his character improves and as he learns to appreciate the beauty around him, not just its practicality. He will take inspiration from Nature for the shapes and colors that fit best with the place where he lives. I hope the growth here is gradual! I hope that a desire for wealth and status doesn’t blind people to all the real benefits of their experiences!

(Here a carriage passed.)

(A carriage drove by.)

Laurie. Who is that beautiful lady to whom you bowed?

Laurie. Who is that gorgeous woman you just greeted?

Aglauron. Beautiful do you think her? At this distance, and with the freshness which the open air gives to her complexion, she certainly does look so, and was so still, five years ago, when I knew her abroad. It is Mrs. V——.

Aglauron. Do you think she's beautiful? From this distance, and with the glow that fresh air brings to her skin, she really does look beautiful, just like she did five years ago when I first met her abroad. It's Mrs. V——.

Laurie. I remember with what interest you mentioned her in your letters. And you promised to tell me her true story.

Laurie. I remember how interested you were when you talked about her in your letters. And you promised to share her real story with me.

Aglauron. I was much interested, then, both in her and her story, But, last winter, when I met her at the South, she had altered, and seemed so much less attractive than before, that the bright colors of the picture are well-nigh effaced.

Aglauron. I was really interested in her and her story at the time. However, when I saw her at the South last winter, she had changed and seemed so much less appealing than before that the vibrant colors of the picture had almost faded away.

Laurie. The pleasure of telling the story will revive them again. Let us fasten our horses and go into this little wood. There is a seat near the lake which is pretty enough to tell a story upon.

Laurie. Telling the story will bring them back to life again. Let’s tie up our horses and head into this little woods. There’s a nice spot by the lake that’s perfect for storytelling.

Aglauron. In all the idyls I ever read, they were told in caves, or beside a trickling fountain.

Aglauron. In all the stories I’ve ever read, they took place in caves or by a flowing fountain.

Laurie. That was in the last century. We will innovate. Let us begin that American originality we were talking about, and make the bank of a lake answer our purpose.

Laurie. That was last century. We will innovate. Let's kick off that American originality we discussed and make the bank of a lake serve our needs.


We dismounted accordingly, but, on reaching the spot, Aglauron at first insisted on lying on the grass, and gazing up at the clouds in a most uncitizen-like fashion, and it was some time before we could get the promised story. At last,—

We got off our horses as planned, but when we arrived at the spot, Aglauron initially insisted on lying on the grass and staring up at the clouds in a rather unrefined way. It took a while before we could finally get him to share the promised story. Eventually,—


I first saw Mrs. V—— at the opera in Vienna. Abroad, I scarcely cared for anything in comparison with music. In many respects the Old World disappointed my hopes; Society was, in essentials, no better, nor worse, than at home, and I too easily saw through the varnish of conventional refinement. Lions, seen near, were scarcely more interesting than tamer cattle, and much more annoying in their gambols and caprices. Parks and ornamental grounds pleased me less than the native forests and wide-rolling rivers of my own land. But in the Arts, and most of all in Music, I found all my wishes more than realized. I found the soul of man uttering itself with the swiftness, the freedom and the beauty, for which I had always pined. I easily conceived how foreigners, once acquainted with this diverse language, pass their lives without a wish for pleasure or employment beyond hearing the great works of the masters. It seemed to me that here was wealth to feed the thoughts for ages. This lady fixed my attention by the rapturous devotion with which she listened. I saw that she too had here found her proper home. Every shade of thought and feeling expressed in the music was mirrored in her beautiful countenance. Her rapture of attention, during some passages, was enough of itself to make you hold your breath; and a sudden stroke of genius lit her face into a very heaven with its lightning. It seemed to me that in her I should find one who would truly sympathize with me, one who looked on the art not as a connoisseur, but a votary.

I first saw Mrs. V—— at the opera in Vienna. While I was abroad, nothing mattered to me as much as music. In many ways, the Old World let me down; society was really no better or worse than at home, and I could easily see through the facade of polite decorum. The big cats, when seen up close, were hardly more interesting than domesticated animals and much more bothersome with their antics. Parks and landscaped gardens impressed me less than the natural forests and wide, flowing rivers of my own country. However, in the arts, especially music, I found all my hopes exceeded. I discovered the human soul expressing itself with the speed, freedom, and beauty I had always longed for. I could easily understand how people from other countries, once they were familiar with this rich language, could spend their lives without a desire for anything beyond enjoying the masterpieces of great composers. It seemed to me that here was a treasure that could nourish thoughts for a lifetime. This lady captured my attention with the rapturous way she listened. I could see that she too had found her true home here. Every nuance of thought and feeling conveyed in the music was reflected in her beautiful face. Her intense focus during certain passages was enough to make you hold your breath; and a sudden burst of genius would light up her face like a flash of lightning. I felt that with her, I would find someone who truly understood me, someone who appreciated the art not as a critic, but as a devoted admirer.

I took the speediest opportunity of being introduced to her at her own house by a common friend.

I quickly got the chance to be introduced to her at her house by a mutual friend.

But what a difference! At home I scarcely knew her. Still she was beautiful; but the sweetness, the elevated expression, which the satisfaction of an hour had given her, were entirely fled. Her eye was restless, her cheek pale and thin, her whole expression perturbed and sorrowful. Every gesture spoke the sickliness of a spirit long an outcast from its natural home, bereft of happiness, and hopeless of good.

But what a difference! At home, I barely recognized her. She was still beautiful; however, the sweetness and the uplifting expression that an hour of happiness had given her were completely gone. Her eyes were restless, her cheeks pale and thin, and her whole expression was troubled and sorrowful. Every gesture reflected the sickness of a spirit that had long been an outcast from its natural home, stripped of happiness, and without hope for anything good.

I perceived, at first sight of her every-day face, that it was not unknown to me. Three or four years earlier, staying in the country-house of one of her friends, I had seen her picture. The house was very dull,—as dull as placid content with the mere material enjoyments of life, and an inert gentleness of nature, could make its inhabitants. They were people to be loved, but loved without a thought. Their wings had never grown, nor their eyes coveted a wider prospect than could be seen from the parent nest. The friendly visitant could not discompose them by a remark indicating any expansion of mind or life. Much as I enjoyed the beauty of the country around, when out in the free air, my hours within the house would have been dull enough but for the contemplation of this picture. While the round of common-place songs was going on, and the whist-players were at their work, I used to sit and wonder how this being, so sovereign in the fire of her nature, so proud in her untamed loveliness, could ever have come of their blood. Her eye, from the canvas, even, seemed to annihilate all things low or little, and able to command all creation in search of the object of its desires. She had not found it, though; I felt this on seeing her now. She, the queenly woman, the Boadicea of a forlorn hope, as she seemed born to be, the only woman whose face, to my eye, had ever given promise of a prodigality of nature sufficient for the entertainment of a poet's soul, was—I saw it at a glance—a captive in her life, and a beggar in her affections.

I realized, at first sight of her everyday face, that I recognized it. Three or four years earlier, while staying at the country house of one of her friends, I had seen her picture. The house was very dull—just as dull as people who are content with simple material pleasures and have a gentle, passive nature. They were people you could love, but love without thinking deeply about it. They had never spread their wings, nor did they long for a broader perspective than what they could see from their parent's nest. A visitor couldn't shake them up with a comment suggesting any kind of growth in mind or life. Even though I enjoyed the beauty of the countryside when I was outside, my time inside the house would have been boring if it weren't for contemplating this picture. While everyone was busy singing their usual songs and playing cards, I would sit and wonder how this person, so powerful in her fiery spirit, so proud in her wild beauty, could possibly come from their lineage. Even from the canvas, her gaze seemed to obliterate everything small or trivial, able to command everything in search of what it desired. Yet, she hadn’t found it; I sensed this when I saw her now. She, the regal woman, the Boudica of a lost cause as she seemed destined to be, the only woman whose face had ever promised enough natural beauty to inspire a poet's soul, was—I could see it instantly—a prisoner in her life and a beggar in her feelings.

Laurie. A dangerous object to the traveller's eye, methinks!

Laurie. Seems like a risky sight for a traveler!

Aglauron. Not to mine! The picture had been so; but, seeing her now, I felt that the glorious promise of her youthful prime had failed. She had missed her course; and the beauty, whose charm to the imagination had been that it seemed invincible, was now subdued and mixed with earth.

Aglauron. Not for me! The image had been that way; but now that I see her, I realize that the stunning promise of her youth has faded. She has lost her way, and the beauty that once captivated my imagination now feels worn and rooted in reality.

Laurie. I can never comprehend the cruelty in your way of viewing human beings, Aglauron. To err, to suffer, is their lot; all who have feeling and energy of character must share it; and I could not endure a woman who at six-and-twenty bore no trace of the past.

Laurie. I can never understand the harshness in how you see people, Aglauron. Making mistakes and going through pain is just part of being human; everyone who has feelings and a strong character has to experience it. I couldn't stand being with a woman who, at twenty-six, showed no evidence of her past.

Aglauron. Such women and such men are the companions of everyday life. But the angels of our thoughts are those moulds of pure beauty which must break with a fall. The common air must not touch them, for they make their own atmosphere. I admit that such are not for the tenderness of daily life; their influence must be high, distant, starlike, to be pure.

Aglauron. Those women and men are the people we see in everyday life. But the true angels of our thoughts are those examples of pure beauty, which must shatter upon impact. The ordinary air shouldn't touch them, because they create their own atmosphere. I acknowledge that these figures aren't meant for the softness of daily life; their influence needs to be elevated, distant, and star-like to remain pure.

Such was this woman to me before I knew her; one whose splendid beauty drew on my thoughts to their future home. In knowing her, I lost the happiness I had enjoyed in knowing what she should have been. At first the disappointment was severe, but I have learnt to pardon her, as others who get mutilated or worn in life, and show the royal impress only in their virgin courage. But this subject would detain me too long. Let me rather tell you of Mrs. V——'s sad history.

This is how I saw her before I got to know her; a woman whose amazing beauty made me imagine our future together. Getting to know her took away the happiness I had in imagining who she could have been. At first, I was really disappointed, but I’ve learned to forgive her, like others who have been hurt or changed by life, still showing their nobility through their pure bravery. But discussing this would take too long. Let me instead share Mrs. V——'s tragic story.

A friend of mine has said that beautiful persons seem rarely born to their proper family, but amidst persons so rough and uncongenial that their presence commands like that of a reproving angel, or pains like that of some poor prince changed at nurse, and bound for life to the society of churls.

A friend of mine has said that beautiful people rarely seem to be born into their right family, but instead among people so rough and unfriendly that their presence feels like that of a scolding angel, or hurts like some poor prince raised by the wrong caretakers, stuck for life with a group of rude folks.

So it was with Emily. Her father was sordid, her mother weak; persons of great wealth and greater selfishness. She was the youngest by many years, and left alone in her father's house. Notwithstanding the want of intelligent sympathy while she was growing up, and the want of all intelligent culture, she was not an unhappy child. The unbounded and foolish indulgence with which she was treated did not have an obviously bad effect upon her then; it did not make her selfish, sensual, or vain. Her character was too powerful to dwell upon such boons as those nearest her could bestow. She negligently received them all as her due. It was later that the pernicious effects of the absence of all discipline showed themselves; but in early years she was happy in her lavish feelings, and in beautiful nature, on which she could pour them, and in her own pursuits. Music was her passion; in it she found food, and an answer for feelings destined to become so fatal to her peace, but which then glowed so sweetly in her youthful form as to enchant the most ordinary observer.

So it was with Emily. Her father was unpleasant, her mother weak; both were very wealthy and incredibly selfish. She was the youngest by many years and left alone in her father's house. Despite the lack of understanding and supportive guidance while she was growing up, and the absence of any real education, she wasn't an unhappy child. The excessive and foolish pampering she received didn't seem to negatively impact her at that time; it didn't make her selfish, indulgent, or vain. Her character was too strong to focus on the superficial advantages that those around her could provide. She accepted everything as if it were her right. It was later that the harmful effects of the total lack of discipline became apparent; but in her early years, she was happy in her overwhelming emotions, in the beautiful nature where she could invest them, and in her own interests. Music was her passion; in it she found nourishment and a way to express feelings that would eventually threaten her peace, but at that time, they glowed so sweetly in her youthful spirit that they captivated even the most ordinary observer.

When she was not more than fifteen, and expanding like a flower in each sunny day, it was her misfortune that her first husband saw and loved her. Emily, though pleased by his handsome person and gay manners, never bestowed a serious thought on him. If she had, it would have been the first ever disengaged from her life of pleasurable sensation. But when he did plead his cause with all the ardor of youth, and the flourishes which have been by usage set apart for such occasions, she listened with delight; for all his talk of boundless love, undying faith, etc., seemed her native tongue. It was like the most glowing sunset sky. It swelled upon the ear like music. It was the only way she ever wished to be addressed, and she now saw plainly why all talk of everyday people had fallen unheeded on her ear. She could have listened all day. But when, emboldened by the beaming eye and ready smile with which she heard, he pressed his suit more seriously, and talked of marriage, she drew back astonished. Marry yet?—impossible! She had never thought of it; and as she thought now of marriages, such as she had seen them, there was nothing in marriage to attract. But L—— was not so easily repelled; he made her every promise of pleasure, as one would to a child. He would take her away to journey through scenes more beautiful than she had ever dreamed of; he would take her to a city where, in the fairest home, she should hear the finest music, and he himself, in every scene, would be her devoted slave, too happy if for every now pleasure he received one of those smiles which had become his life.

When she was just fifteen, blossoming like a flower with each sunny day, it was unfortunate that her first husband saw her and fell in love. Emily, although charmed by his good looks and cheerful demeanor, never seriously considered him. If she had, it would have been the first time she stepped away from her life of enjoyment. But when he passionately declared his feelings, using all the dramatic gestures typical for such moments, she listened joyfully; his words of limitless love and everlasting faith felt like her own language. It was as beautiful as the most vibrant sunset. It resonated in her ears like music. It was how she always wanted to be addressed, and now she understood why conversations from ordinary people had gone unnoticed by her. She could have listened all day. But when he, encouraged by her bright gaze and warm smile, brought up the idea of marriage more seriously, she was taken aback. Marry?—impossible! She had never thought about it; and as she reflected on the marriages she saw, there was nothing appealing about them. But L—— was not easily discouraged; he promised her all kinds of joy, like one would to a child. He would take her away to explore places more beautiful than she ever imagined; he would bring her to a city where, in the loveliest home, she would hear the best music, and he himself would be her devoted servant in every scene, feeling lucky if, for every moment of happiness he received, he earned one of those smiles that had become his lifeline.

He saw her yielding, and hastened to secure her. Her father was delighted, as fathers are strangely wont to be, that he was likely to be deprived of his child, his pet, his pride. The mother was threefold delighted that she would have a daughter married so young,—at least three years younger than any of her elder sisters were married. Both lent their influence; and Emily, accustomed to rely on them against all peril, and annoyance, till she scarcely knew there was pain or evil in the world, gave her consent, as she would have given it to a pleasure-party for a day or a week.

He noticed that she was giving in, and quickly moved to claim her. Her father was thrilled, as fathers often are, that he was about to lose his child, his favorite, his pride. The mother was three times as happy that her daughter would be getting married so young—at least three years younger than any of her older sisters were when they got married. Both of them supported the idea, and Emily, who was used to relying on them to protect her from any danger or annoyance, hardly realizing there was pain or trouble in the world, agreed as easily as she would have for a fun outing for a day or a week.

The marriage was hurried on; L—— intent on gaining his object, as men of strong will and no sentiment are wont to be, the parents thinking of the éclat of the match. Emily was amused by the preparations for the festivity, and full of excitement about the new chapter which was to be opened in her life. Yet so little idea had she of the true business of life, and the importance of its ties, that perhaps there was no figure in the future that occupied her less than that of her bridegroom, a handsome man, with a sweet voice, her captive, her adorer. She neither thought nor saw further, lulled by the pictures of bliss and adventure which were floating before her fancy, the more enchanting because so vague.

The marriage was rushed; L—— focused on getting what he wanted, as strong-willed and unfeeling men often do, while the parents were excited about the prestige of the match. Emily was entertained by the preparations for the celebration and thrilled about the new phase of her life that was about to begin. Yet, she had very little understanding of the real challenges of life and the significance of its relationships, which meant that there was probably no figure in her future that she thought about less than her groom—a handsome man with a sweet voice, her captive, her admirer. She neither thought about nor noticed anything beyond that, lulled by the dreamy images of happiness and adventure that floated before her imagination, even more captivating because they were so vague.

It was at this time that the picture that so charmed me was taken. The exquisite rose had not yet opened its leaves so as to show its heart; but its fragrance and blushful pride were there in perfection.

It was during this time that the picture that captivated me was taken. The beautiful rose hadn’t fully opened its petals to reveal its heart yet, but its fragrance and vibrant color were absolutely perfect.

Poor Emily! She had the promised journeys, the splendid home. Amid the former her mind, opened by new scenes, already learned that something she seemed to possess was wanting in the too constant companion of her days. In the splendid home she received not only musicians, but other visitants, who taught her strange things.

Poor Emily! She had the adventures she was promised and a beautiful home. In those adventures, her mind, opened by new experiences, started to realize that something she thought she had was missing in the constant companion of her daily life. In her beautiful home, she welcomed not just musicians but also other visitors who taught her unusual things.

Four little months after her leaving home, her parents were astonished by receiving a letter in which she told them they had parted with her too soon; that she was not happy with Mr. L——, as he had promised she should be, and that she wished to have her marriage broken. She urged her father to make haste about it, as she had particular reasons for impatience. You may easily conceive of the astonishment of the good folks at home. Her mother wondered and cried. Her father immediately ordered his horses, and went to her.

Four short months after she left home, her parents were shocked to receive a letter in which she told them they had let her go too soon; that she wasn't happy with Mr. L——, as he had promised she would be, and that she wanted her marriage to be annulled. She urged her father to hurry, as she had specific reasons for her impatience. You can imagine how astonished her good folks at home were. Her mother wept in confusion. Her father quickly ordered his horses and went to her.

He was received with rapturous delight, and almost at the first moment thanked for his speedy compliance with her request. But when she found that he opposed her desire of having her marriage broken, and when she urged him with vehemence and those marks of caressing fondness she had been used to find all-powerful, and he told her at last it could not be done, she gave way to a paroxysm of passion; she declared that she could not and would not live with Mr. L——; that, so soon as she saw anything of the world, she saw many men that she infinitely preferred to him; and that, since her father and mother, instead of guarding her, so mere a child as she was, so entirely inexperienced, against a hasty choice, had persuaded and urged her to it, it was their duty to break the match when they found it did not make her happy.

He was welcomed with overwhelming joy, and almost immediately thanked for quickly agreeing to her request. But when she realized he was against her wish to have her marriage annulled, and she pleaded with him passionately, using all the affectionate gestures she thought would convince him, he finally told her it couldn’t be done. She erupted in a fit of anger; she declared that she could not and would not live with Mr. L——; that as soon as she experienced more of the world, she saw many men she much preferred over him; and that since her parents, instead of protecting her, such a young and inexperienced child, from making a rash choice, had encouraged and pushed her into it, it was their responsibility to end the marriage now that it didn’t make her happy.

"My child, you are entirely unreasonable."

"My child, you are being completely unreasonable."

"It is not a time to be patient; and I was too yielding before. I am not seventeen. Is the happiness of my whole life to be sacrificed?"

"It’s not a time to be patient, and I was too accommodating before. I’m not seventeen. Am I supposed to sacrifice the happiness of my entire life?"

"Emily, you terrify me! Do you love anybody else?"

"Emily, you scare me! Do you love anyone else?"

"Not yet; but I am sure shall find some one to love, now I know what it is. I have seen already many whom I prefer to Mr. L——."

"Not yet; but I'm sure I'll find someone to love now that I know what it is. I've already seen many who I prefer over Mr. L——."

"Is he not kind to you?"

"Isn't he nice to you?"

"Kind! yes; but he is perfectly uninteresting. I hate to be with him. I do not wish his kindness, nor to remain in his house."

"Kind? Yes, but he's really boring. I can't stand being around him. I don't want his kindness or to stay in his house."

In vain her father argued; she insisted that she could never be happy as she was; that it was impossible the law could be so cruel as to bind her to a vow she had taken when so mere a child; that she would go home with her father now, and they would see what could be done. She added that she had already told her husband her resolution.

In vain her father argued; she insisted that she could never be happy as she was; that it was impossible for the law to be so cruel as to force her to stick to a vow she made when she was just a child; that she would go home with her father now, and they would figure out what to do. She added that she had already informed her husband of her decision.

"And how did he bear it?"

"And how did he handle it?"

"He was very angry; but it is better for him to be angry once than unhappy always, as I should certainly make him did I remain here."

"He was really angry; but it's better for him to be angry once than to be unhappy all the time, which I would definitely cause if I stayed here."

After long and fruitless attempts to reason her into a different state of mind, the father went in search of the husband. He found him irritated and mortified. He loved his wife, in his way, for her personal beauty. He was very proud of her; he was piqued to the last degree by her frankness. He could not but acknowledge the truth of what she said, that she had been persuaded into the match when but a child; for she seemed a very infant now, in wilfulness and ignorance of the world. But I believe neither he nor her father had one compunctious misgiving as to their having profaned the holiness of marriage by such an union. Their minds had never been opened to the true meaning of life, and, though they thought themselves so much wiser, they were in truth much less so than the poor, passionate Emily,—for her heart, at least, spoke clearly, if her mind lay in darkness.

After long and unproductive attempts to change her mind, the father went to find the husband. He discovered him annoyed and embarrassed. He loved his wife, in his own way, for her beauty. He was very proud of her, but he was also deeply bothered by her honesty. He couldn’t deny what she said, that she had been convinced to marry when she was just a child; she seemed very much like a child now, in her stubbornness and lack of understanding of the world. But I doubt either he or her father felt any guilt about having tarnished the sanctity of marriage through their union. Their minds had never been opened to the true meaning of life, and even though they believed they were much wiser, they were actually much less so than the poor, passionate Emily—because at least her heart spoke clearly, even if her mind was in the dark.

They could do nothing with her, and her father was at length compelled to take her home, hoping that her mother might be able to induce her to see things in a different light. But father, mother, uncles, brothers, all reasoned with her in vain. Totally unused to disappointment, she could not for a long time believe that she was forever bound by a bond that sat uneasily on her untamed spirit. When at last convinced of the truth, her despair was terrible.

They couldn't do anything with her, and her father finally had to take her home, hoping that her mother might be able to help her see things differently. But father, mother, uncles, brothers, all tried to reason with her for nothing. Completely unaccustomed to disappointment, she struggled for a long time to accept that she was forever tied to a bond that felt uncomfortable for her free spirit. When she finally accepted the truth, her despair was overwhelming.

"Am I his? his forever? Must I never then love? Never marry one whom I could really love? Mother! it is too cruel. I cannot, will not believe it. You always wished me to belong to him. You do not now wish to aid me, or you are afraid! O, you would not be so, could you but know what I feel!"

"Am I his? His forever? Must I never love? Never marry someone I could actually love? Mom! It's too cruel. I can't, I won't believe it. You always wanted me to be with him. Now you don't want to help me, or you're scared! Oh, you wouldn't act like this if you only knew how I feel!"

At last convinced, she then declared that if she could not be legally separated from L——, but must consent to bear his name, and never give herself to another, she would at least live with him no more. She would not again leave her father's house. Here she was deaf to all argument, and only force could have driven her away. Her indifference to L—— had become hatred, in the course of these thoughts and conversations. She regarded herself as his victim, and him as her betrayer, since, she said, he was old enough to know the importance of the step to which he led her. Her mind, naturally noble, though now in this wild state, refused to admit his love as an excuse. "Had he loved me," she said, "he would have wished to teach me to love him, before securing me as his property. He is as selfish as he is dull and uninteresting. No! I will drag on my miserable years here alone, but I will not pretend to love him nor gratify him by the sight of his slave!"

Finally convinced, she declared that if she couldn’t legally separate from L—— and had to keep his name, never giving herself to anyone else, she at least wouldn’t live with him anymore. She wouldn’t leave her father’s house again. Here, she ignored all arguments, and only force could have driven her away. Her indifference toward L—— had turned into hatred during these thoughts and conversations. She saw herself as his victim and him as her betrayer, since, as she said, he was old enough to understand the significance of the step he was leading her into. Her mind, naturally noble, even in this chaotic state, refused to accept his love as an excuse. “If he really loved me,” she said, “he would have wanted to teach me to love him before making me his property. He is just as selfish as he is dull and uninteresting. No! I will drag on my miserable years here alone, but I won’t pretend to love him or satisfy him by being his slave!”

A year and more passed, and found the unhappy Emily inflexible. Her husband at last sought employment abroad, to hide his mortification.

A year and more went by, and the unhappy Emily remained unyielding. Her husband eventually looked for work overseas to escape his embarrassment.

After his departure, Emily relaxed once from the severe coldness she had shown since her return home. She had passed her time there with her music, in reading poetry, in solitary walks. But as the person who had been, however unintentionally, the means of making her so miserable, was further removed from her, she showed willingness to mingle again with the family, and see one or two young friends.

After he left, Emily finally softened a bit from the coldness she had shown since coming home. She had spent her time there playing music, reading poetry, and going on solitary walks. But as the person who had, even if unintentionally, caused her so much misery was now further away, she became more open to socializing with her family and reconnecting with a couple of young friends.

One of these, Almeria, effected what all the armament of praying and threatening friends had been unable to do. She devoted herself to Emily. She shared her employments and her walks; she sympathized with all her feelings, even the morbid ones which she saw to be sincerity, tenderness and delicacy gone astray,—perverted and soured by the foolish indulgence of her education, and the severity of her destiny made known suddenly to a mind quite unprepared. At last, having won the confidence and esteem of Emily, by the wise and gentle cheek her justice and clear perceptions gave to all extravagance, Almeria ventured on representing to Emily her conduct as the world saw it.

One of these, Almeria, achieved what all the prayers and threats from friends couldn't. She dedicated herself to Emily. She joined her in her activities and walks; she connected with all her feelings, even the darker ones that she recognized as sincerity, tenderness, and delicacy gone wrong—twisted and tainted by the foolish indulgence of her upbringing, and the harsh reality of her fate revealed suddenly to a mind that was completely unprepared. Eventually, after earning Emily's trust and respect through her wise and gentle way of addressing all excess with fairness and clarity, Almeria took the risk of pointing out to Emily how her behavior was perceived by the world.

To this she found her quite insensible. "What is the world to me?" she said. "I am forbidden to seek there all it can offer of value to Woman—sympathy and a home."

To this, she found herself completely unresponsive. "What does the world mean to me?" she said. "I'm not allowed to seek out everything it can offer a woman—understanding and a home."

"It is full of beauty still," said Almeria, looking out into the golden and perfumed glories of a June day.

"It’s still full of beauty," said Almeria, gazing out at the golden and fragrant wonders of a June day.

"Not to the prisoner and the slave," said Emily.

"Not to the prisoner and the slave," Emily said.

"All are such, whom God hath not made free;" and Almeria gently ventured to explain the hopes of larger span which enable the soul that can soar upon their wings to disregard the limitations of seventy years.

"All are such, whom God has not made free;" and Almeria gently tried to explain the hopes of a broader perspective that allow the soul, capable of soaring on those wings, to overlook the limits of seventy years.

Emily listened with profound attention. The words were familiar to her, but the tone was not; it was that which rises from the depths of a purified spirit,—purified by pain, softened into peace.

Emily listened intently. The words were familiar to her, but the tone was different; it had a quality that came from a cleansed soul,—cleansed by suffering, softened into calm.

"Have you made any use of these thoughts in your life, Almeria?"

"Have you used any of these ideas in your life, Almeria?"

The lovely preacher hesitated not to reveal a tale before unknown except to her own heart, of woe, renunciation, and repeated blows from a hostile fate.

The beautiful preacher didn’t hesitate to share a story that was previously unknown except to her own heart, about sorrow, sacrifice, and relentless hardships from an unkind fate.

Emily heard it in silence, but she understood. The great illusions of youth vanished. She did not suffer alone; her lot was not peculiar. Another, perhaps many, were forbidden the bliss of sympathy and a congenial environment. And what had Almeria done? Revenged herself? Tormented all around her? Clung with wild passion to a selfish resolve? Not at all. She had made the best of a wreck of life, and deserved a blessing on a new voyage. She had sought consolation in disinterested tenderness for her fellow-sufferers, and she deserved to cease to suffer.

Emily listened in silence, but she got it. The big dreams of youth faded away. She wasn’t alone in her pain; her situation wasn’t unique. Others, maybe many, were also denied the joy of understanding and a supportive environment. And what had Almeria done? Gotten revenge? Tormented everyone around her? Held on desperately to a selfish decision? Not at all. She had made the most of a broken life and deserved a chance at a new beginning. She had looked for comfort in selfless kindness towards others who were struggling, and she deserved to stop suffering.

The lesson was taken home, and gradually leavened the whole being of this spoiled but naturally noble child.

The lesson was internalized and slowly transformed the entire character of this spoiled but inherently noble child.

A few weeks afterwards, she asked her father when Mr. L—— was expected to return.

A few weeks later, she asked her dad when Mr. L—— was expected to come back.

"In about three months," he replied, much surprised.

"In about three months," he said, quite surprised.

"I should like to have you write to him for me."

"I would like you to write to him for me."

"What now absurdity?" said the father, who, long mortified and harassed, had ceased to be a fond father to his once adored Emily.

"What kind of nonsense is this?" said the father, who, after being ashamed and troubled for so long, had stopped being the loving dad he once was to his beloved Emily.

"Say that my views are unchanged as to his soliciting a marriage with me when too childish to know my own mind on that or any other subject; but I have now seen enough of the world to know that he meant no ill, if no good, and was no more heedless in this great matter than many others are. He is not born to know what one constituted like me must feel, in a home where I found no rest for my heart. I have now read, seen and thought, what has made me a woman. I can be what you call reasonable, though not perhaps in your way. I see that my misfortune is irreparable. I heed not the world's opinion, and would, for myself, rather remain here, and keep up no semblance of a connection which my matured mind disclaims. But that scandalizes you and my mother, and makes your house a scene of pain and mortification in your old age. I know you, too, did not neglect the charge of me, in your own eyes. I owe you gratitude for your affectionate intentions at least.

"I want to say that my feelings haven't changed about his asking me to marry him when I was too young to understand my own thoughts on that or anything else. But now I've experienced enough of the world to realize that he didn't mean any harm, if not much good, and was no more thoughtless in this serious matter than many others can be. He doesn't understand what someone like me feels in a home where I can't find peace for my heart. I've read, seen, and thought enough to truly become a woman. I can be what you call reasonable, just maybe not in the way you expect. I understand that my situation is hopeless. I don't care about what the world thinks, and honestly, I'd rather stay here and not pretend there's a connection that my more mature mind rejects. But that upsets you and my mom and turns your home into a place of pain and embarrassment as you grow older. I know you also did your best to care for me in your own eyes. I appreciate you for your kind intentions at the very least."

"L—— too is as miserable as mortification can make one like him. Write, and ask him if he wishes my presence in his house on my own terms. He must not expect from me the affection, or marks of affection, of a wife. I should never have been his wife had I waited till I understood life or myself. But I will be his attentive and friendly companion, the mistress of his house, if he pleases. To the world it will seem enough,—he will be more comfortable there,—and what he wished of me was, in a great measure, to show me to the world. I saw that, as soon as we were in it, I could not give him happiness if I would, for we have not a thought nor employment in common. But if we can agree on the way, we may live together without any one being very miserable except myself, and I have made up my mind."

"L—— is just as miserable as anyone can be. Write to him and ask if he wants me to come to his house on my own terms. He shouldn’t expect any affection from me, or any signs of affection like a wife would show. I would never have agreed to be his wife if I had waited until I truly understood life or myself. But I can be his attentive and friendly companion, the lady of his house, if that’s what he prefers. To the world, that should be enough—it’ll make him more comfortable—and what he wanted from me was mostly to present me to society. I realized that as soon as we were in it, I couldn’t bring him happiness even if I tried because we don’t share any thoughts or activities. But if we can come to an agreement, we can live together without making anyone very unhappy except me, and I’ve come to terms with that."

The astonishment of the father may be conceived, and his cavils; L——'s also.

The father's shock can be imagined, along with his complaints; L——'s as well.

To cut the story short, it was settled in Emily's way, for she was one of the sultana kind, dread and dangerous. L—— hardly wished her to love him now, for he half hated her for all she had done; yet he was glad to have her back, as she had judged, for the sake of appearances. All was smoothed over by a plausible story. People, indeed, knew the truth as to the fair one's outrageous conduct perfectly, but Mr. L—— was rich, his wife beautiful, and gave good parties; so society, as such, bowed and smiled, while individuals scandalized the pair.

To make a long story short, it ended up going Emily's way, as she was one of those captivating but perilous types. L—— didn't really want her to love him anymore, since he half-despised her for everything she had done; yet he was relieved to have her back, as she had anticipated, for the sake of appearances. Everything was smoothed over with a believable story. People certainly knew the truth about the woman's outrageous behavior, but Mr. L—— was wealthy, his wife was beautiful, and they hosted great parties; so society, in general, played along, smiling and nodding, while individuals gossiped about the couple.

They had been living on this footing for several years, when I saw Emily at the opera. She was a much altered being. Debarred of happiness in her affections, she had turned for solace to the intellectual life, and her naturally powerful and brilliant mind had matured into a splendor which had never been dreamed of by those who had seen her amid the freaks end day-dreams of her early youth.

They had been living this way for several years when I saw Emily at the opera. She had changed a lot. Denied happiness in her relationships, she had sought comfort in intellectual pursuits, and her naturally strong and brilliant mind had developed into a magnificence that no one who had known her in the whimsical fantasies of her youth could have imagined.

Yet, as I said before, she was not captivating to me, as her picture had been. She was, in a different way, as beautiful in feature and coloring as in her spring-time. Her beauty, all moulded and mellowed by feeling, was far more eloquent; but it had none of the virgin magnificence, the untouched tropical luxuriance, which had fired my fancy. The false position in which she lived had shaded her expression with a painful restlessness; and her eye proclaimed that the conflicts of her mind had strengthened, had deepened, but had not yet hallowed, her character.

Yet, as I mentioned earlier, she didn’t draw me in like her picture had. In a different way, she was just as beautiful in her features and coloring as she had been in her youth. Her beauty, shaped and softened by her emotions, was much more expressive; however, it lacked the pure grandeur and untouched tropical richness that had captured my imagination. The difficult situation she was in had cast a painful restlessness over her expression; her eyes revealed that the struggles in her mind had intensified and deepened her character, but hadn’t yet refined it.

She was, however, interesting, deeply so; one of those rare beings who fill your eye in every mood. Her passion for music, and the great excellence she had attained as a performer, drew us together. I was her daily visitor; but, if my admiration ever softened into tenderness, it was the tenderness of pity for her unsatisfied heart, and cold, false life.

She was, however, fascinating, really fascinating; one of those rare people who catch your attention in any mood. Her passion for music and the incredible skill she had developed as a performer brought us together. I visited her every day; but if my admiration ever turned into affection, it was more a feeling of pity for her unfulfilled heart and her cold, fake life.

But there was one who saw with very different eyes. V—— had been intimate with Emily some time before my arrival, and every day saw him more deeply enamored.

But there was one person who saw things very differently. V—— had been close to Emily for a while before I got there, and every day, he found himself more and more in love with her.

Laurie. And pray where was the husband all this time?

Laurie. And where was the husband all this time?

Aglauron. L—— had sought consolation in ambition. He was a man of much practical dexterity, but of little thought, and less heart. He had at first been jealous of Emily for his honor's sake,—not for any reality,—for she treated him with great attention as to the comforts of daily life; but otherwise, with polite, steady coldness. Finding that she received the court, which many were disposed to pay her, with grace and affability, but at heart with imperial indifference, he ceased to disturb himself; for, as she rightly thought, he was incapable of understanding her. A coquette he could have interpreted; but a romantic character like hers, born for a grand passion, or no love at all, he could not. Nor did he see that V—— was likely to be more to her than any of her admirers.

Aglauron. L—— had turned to ambition for comfort. He was skilled in practical matters but lacked depth and emotion. Initially, he felt jealous of Emily for the sake of his ego—not because of any real connection—since she treated him well regarding daily comforts, but otherwise maintained a polite, distant demeanor. When he noticed that she accepted the attention of various admirers with charm and friendliness, yet remained emotionally disconnected, he stopped worrying; after all, she rightly believed he couldn't grasp her true nature. He could have understood a flirtatious person, but a romantic like her, destined for either a deep passion or complete indifference, was beyond him. He also failed to recognize that V—— might mean more to her than any of her other suitors.

Laurie. I am afraid I should have shamed his obtuseness. V—— has nothing to recommend him that I know of, except his beauty, and that is the beauty of a petit-maitre—effeminate, without character, and very unlikely, I should judge, to attract such a woman as you give me the idea of.

Laurie. I'm afraid I should have called him out on his dullness. V—— doesn’t have anything going for him that I can see, except his looks, which are the kind of beauty you’d expect from a petit-maitre—soft, lacking substance, and I would guess, very unlikely to attract a woman like the one you imply.

Aglauron. You speak like a man, Laurie; but have you never heard tales of youthful minstrels and pages being preferred by princesses, in the land of chivalry, to stalwart knights, who were riding all over the land, doing their devoirs maugre scars and starvation? And why? One want of a woman's heart is to admire and be protected; but another is to be understood in all her delicate feelings, and have an object who shall know how to receive all the marks of her inventive and bounteous affection. V—— is such an one; a being of infinite grace and tenderness, and an equal capacity for prizing the same in another.

Aglauron. You talk like an adult, Laurie; but have you never heard stories about young minstrels and pages being favored by princesses, in the age of chivalry, over strong knights who rode throughout the land, fulfilling their duties despite injuries and hunger? And why is that? One aspect of a woman's heart is to be admired and protected; but another is to be understood in all her delicate feelings, and to have someone who knows how to appreciate all the expressions of her creative and generous love. V—— is such a person; a being of endless grace and kindness, and with an equal ability to value the same in someone else.

Effeminate, say you? Lovely, rather, and lovable. He was not, indeed, made to grow old; but I never saw a fairer spring-time than shone in his eye when life, and thought, and love, opened on him all together.

Effeminate, you say? More like lovely and lovable. He wasn't meant to grow old; but I never saw a brighter springtime than what sparkled in his eye when life, thought, and love all blossomed at once.

He was to Emily like the soft breathing of a flute in some solitary valley; indeed, the delicacy of his nature made a solitude around him in the world. So delicate was he, and Emily for a long time so unconscious, that nobody except myself divined how strong was the attraction which, as it drew them nearer together, invested both with a lustre and a sweetness which charmed all around them.

He was to Emily like the gentle sound of a flute in a quiet valley; in fact, his delicate nature created a sense of solitude around him in the world. He was so fragile, and Emily for a long time so unaware, that no one except me realized how powerful the attraction was that pulled them closer together, gifting them both with a glow and a sweetness that captivated everyone around them.

But I see the sun is declining, and warns me to cut short a tale which would keep us here till dawn if I were to detail it as I should like to do in my own memories. The progress of this affair interested me deeply; for, like all persons whose perceptions are more lively than their hopes, I delight to live from day to day in the more ardent experiments of others. I looked on with curiosity, with sympathy, with fear. How could it end? What would become of them, unhappy lovers? One too noble, the other too delicate, ever to find happiness in an unsanctioned tie.

But I can see the sun is setting, reminding me to wrap up a story that would keep us here until dawn if I shared all the details like I wish I could from my own memories. The events of this situation fascinated me deeply; for, like everyone whose perceptions are more vivid than their hopes, I love to experience the more passionate trials of others day by day. I watched with curiosity, sympathy, and fear. How would it end? What would happen to them, the unfortunate lovers? One too noble, the other too sensitive, never able to find happiness in a forbidden relationship.

I had, however, no right to interfere, and did not, even by a look, until one evening, when the occasion was forced upon me.

I had no right to interfere, and I didn't, not even with a glance, until one evening when I was put in a position where I had to.

There was a summer fête given at L——'s. I had mingled for a while with the guests in the brilliant apartments; but the heat oppressed, the conversation failed to interest me. An open window tempted me to the garden, whose flowers and tufted lawns lay bathed in moonlight. I went out alone; but the music of a superb band followed my steps, and gave impulse to my thoughts. A dreaming state, pensive though not absolutely sorrowful, came upon me,—one of those gentle moods when thoughts flow through the mind amber-clear and soft, noiseless, because unimpeded. I sat down in an arbor to enjoy it, and probably stayed much longer than I could have imagined; for when I reëntered the large saloon it was deserted. The lights, however, were not extinguished, and, hearing voices in the inner room, I supposed some guests still remained; and, as I had not spoken with Emily that evening, I ventured in to bid her good-night. I started, repentant, on finding her alone with V——, and in a situation that announced their feelings to be no longer concealed from each other. She, leaning back on the sofa, was weeping bitterly, while V——, seated at her feet, holding her hands within his own, was pouring forth his passionate words with a fervency which prevented him from perceiving my entrance. But Emily perceived me at once, and starting up, motioned me not to go, as I had intended. I obeyed, and sat down. A pause ensued, awkward for me and for V——, who sat with his eyes cast down and blushing like a young girl detected in a burst of feeling long kept secret. Emily sat buried in thought, the tears yet undried upon her cheeks. She was pale, but nobly beautiful, as I had never yet seen her.

There was a summer party at L——'s. I had mingled with the guests in the beautifully decorated rooms for a while, but the heat was stifling, and the conversation didn’t hold my interest. An open window invited me to the garden, where the flowers and lush lawns were bathed in moonlight. I stepped outside alone, but the music from a fantastic band followed me and inspired my thoughts. I entered a dreamy state, thoughtful yet not completely sad—one of those gentle times when ideas flow through your mind clearly and softly, without interruption. I sat in a gazebo to savor the moment, and I likely stayed much longer than I realized; when I returned to the main hall, it was empty. The lights were still on, and hearing voices in the inner room, I assumed some guests were still there. Since I hadn't spoken to Emily that evening, I decided to go in to say goodnight. I was caught off guard and felt guilty when I found her alone with V——, in a situation that showed their feelings were no longer hidden from each other. She was leaning back on the sofa, crying hard, while V—— sat at her feet, holding her hands and passionately expressing his feelings, completely unaware of my presence. But Emily noticed me right away, jumped up, and signaled for me not to leave, as I had planned. I obeyed and took a seat. An awkward silence followed, uncomfortable for both me and V——, who looked down and blushed like a young girl caught in a moment of hidden emotion. Emily appeared lost in thought, her tears still fresh on her cheeks. She was pale but beautifully majestic in a way I had never seen before.

After a few moments I broke the silence, and attempted to tell why I had returned so late. She interrupted me: "No matter, Aglauron, how it happened; whatever the chance, it promises to give both V—— and myself, what we greatly need, a calm friend and adviser. You are the only person among these crowds of men whom I could consult; for I have read friendship in your eye, and I know you have truth and honor. V—— thinks of you as I do, and he too is, or should be, glad to have some counsellor beside his own wishes."

After a few moments of silence, I tried to explain why I had come back so late. She interrupted me: "It doesn't matter, Aglauron, how it happened; whatever the situation, it gives both V—— and me what we really need: a calm friend and adviser. You're the only person among all these guys that I could talk to; I've seen true friendship in your eyes, and I know you have integrity and honor. V—— thinks of you the same way I do, and he too is, or should be, happy to have someone to counsel him besides just his own desires."

V—— did not raise his eyes; neither did he contradict her. After a moment he said, "I believe Aglauron to be as free from prejudice as any man, and most true and honorable; yet who can judge in this matter but ourselves?"

V—— didn't look up; he also didn't argue with her. After a moment, he said, "I think Aglauron is as unbiased as any man, and very honest and honorable; yet who else can judge this situation but us?"

"No one shall judge," said Emily; "but I want counsel. God help me! I feel there is a right and wrong; but how can my mind, which has never been trained to discern between them, be confident of its power at this important moment? Aglauron, what remains to me of happiness,—if anything do remain; perhaps the hope of heaven, if, indeed, there be a heaven,—is at stake! Father and brother have failed their trust. I have no friend able to understand, wise enough to counsel me. The only one whose words ever came true to my thoughts, and of whom you have often reminded me, is distant. Will you, this hour, take her place?"

"No one should judge," said Emily; "but I need advice. God help me! I feel like there's a right and wrong; but how can my mind, which has never learned to tell the difference, be sure of its judgment at such an important moment? Aglauron, what happiness do I have left—if there's any left at all? Maybe just the hope of heaven, if there is one. It’s all on the line! My father and brother have let me down. I don’t have any friends who can understand me or are wise enough to guide me. The only person whose words have ever aligned with my thoughts, and whose name you’ve often brought up, is far away. Will you, at this moment, step into her role?"

"To the best of my ability," I replied without hesitation, struck by the dignity of her manner.

"To the best of my ability," I replied without hesitation, impressed by the dignity of her manner.

"You know," she said, "all my past history; all do so here, though they do not talk loudly of it. You and all others have probably blamed me. You know not, you cannot guess, the anguish, the struggles of my childish mind when it first opened to the meaning of those words, Love, Marriage, Life. When I was bound to Mr. L——, by a vow which from my heedless lips was mockery of all thought, all holiness, I had never known a duty, I had never felt the pressure of a tie. Life had been, so far, a sweet, voluptuous dream, and I thought of this seemingly so kind and amiable person as a new and devoted ministrant to me of its pleasures. But I was scarcely in his power when I awoke. I perceived the unfitness of the tie; its closeness revolted me.

"You know," she said, "everyone here is aware of my past; they just don’t speak about it openly. You and probably everyone else have blamed me. You have no idea, you can't even imagine, the pain and struggles of my young mind when it first grasped the meaning of those words: Love, Marriage, Life. When I was tied to Mr. L—— by a promise I made without understanding its seriousness, I had no concept of duty, and I had never felt the weight of a commitment. Life had, until then, been a sweet, indulgent dream, and I saw this seemingly kind and pleasant person as someone who would bring me more joy. But it wasn't long before I realized the reality of my situation. I recognized how unsuitable the connection was; its closeness sickened me."

"I had no timidity; I had always been accustomed to indulge my feelings, and I displayed them now. L——, irritated, averted his mastery; this drove me wild; I soon hated him, and despised too his insensibility to all which I thought most beautiful. From all his faults, and the imperfection of our relation, grew up in my mind the knowledge of what the true might be to me. It is astonishing how the thought grow upon me day by day. I had not been married more than three months before I knew what it would be to love, and I longed to be free to do so. I had never known what it was to be resisted, and the thought never came to me that I could now, and for all my life, be bound by so early a mistake. I thought only of expressing my resolve to be free.

I had no shyness; I was always used to expressing my feelings, and I showed them now. L——, annoyed, turned away his leadership; this drove me crazy; I quickly grew to hate him and looked down on his inability to appreciate what I found most beautiful. From all his flaws, and the problems in our relationship, I began to realize what true love could mean for me. It’s amazing how that thought grew stronger every day. I had only been married for three months before I understood what it would feel like to truly love, and I longed to be free to experience it. I had never faced resistance before, and it never occurred to me that I could be trapped for the rest of my life by such an early mistake. I only thought about expressing my desire to be free.

"How I was repulsed, how disappointed, you know, or could divine if you did not know; for all but me have been trained to bear the burden from their youth up, and accustomed to have the individual will fettered for the advantage of society. For the same reason, you cannot guess the silent fury that filled my mind when I at last found that I had struggled in vain, and that I must remain in the bondage that I had ignorantly put on.

"How disgusted I was, how let down, you know, or could probably figure out if you didn't already know; because everyone but me has learned to carry the weight of this from a young age, and they’ve gotten used to having their personal freedom restricted for the benefit of society. For the same reason, you can't comprehend the quiet rage that took over my mind when I finally realized that I had fought for nothing, and that I would have to stay in the chains that I had unknowingly placed upon myself."

"My affections were totally alienated from my family, for I felt they had known what I had not, and had neither put me on my guard, nor warned me against precipitation whose consequences must be fatal. I saw, indeed, that they did not look on life as I did, and could be content without being happy; but this observation was far from making me love them more. I felt alone, bitterly, contemptuously alone. I hated men who had made the laws that bound me. I did not believe in God; for why had He permitted the dart to enter so unprepared a breast? I determined never to submit, though I disdained to struggle, since struggle was in vain. In passive, lonely wretchedness I would pass my days. I would not feign what I did not feel, nor take the hand which had poisoned for me the cup of life before I had sipped the first drops.

My feelings were completely cut off from my family because I believed they knew something I didn’t, and they hadn’t warned me to be careful or to avoid rushing into decisions that could lead to disaster. I realized they didn’t view life the same way I did and could find contentment without true happiness; but this realization didn’t make me love them any more. I felt alone, bitterly and contemptuously alone. I hated the men who created the laws that restricted me. I didn’t believe in God because why would He allow such a painful blow to hit someone so unprepared? I decided I would never submit, though I didn’t see the point in fighting since that would be useless. I would spend my days in passive, lonely misery. I wouldn’t pretend to feel something I didn’t, nor would I accept the hand that had poisoned my life before I even had a chance to enjoy it.

"A friend—the only one I have ever known—taught me other thoughts. She taught me that others, perhaps all others, were victims, as much as myself. She taught me that if all the wrecked submitted to be drowned, the world would be a desert. She taught me to pity others, even those I myself was paining; for she showed me that they had sinned in ignorance, and that I had no right to make them suffer so long as I myself did, merely because they were the authors of my suffering.

"A friend—the only one I've ever known—introduced me to new ideas. She taught me that others, maybe everyone, were victims just like me. She made me realize that if all the broken people just gave up, the world would be empty. She taught me to feel compassion for others, even those I was hurting; she showed me that they sinned out of ignorance, and that I had no right to make them suffer just because they were the cause of my pain."

"She showed me, by her own pure example, what were Duty and Benevolence and Employment to the soul, even when baffled and sickened in its dearest wishes. That example was not wholly lost: I freed my parents, at least, from their pain, and, without falsehood, became less cruel and more calm.

"She showed me, through her own pure example, what Duty, Benevolence, and Purpose mean to the soul, even when it's frustrated and overwhelmed by its deepest desires. That example wasn’t entirely lost on me: I relieved my parents of their suffering, and, honestly, became less harsh and more at peace."

"Yet the kindness, the calmness, have never gone deep. I have been forced to live out of myself; and life, busy or idle, is still most bitter to the homeless heart. I cannot be like Almeria; I am more ardent; and, Aglauron, you see now I might be happy,"

"Yet the kindness and calmness have never really reached me. I've had to live detached from myself; and whether life is hectic or slow, it’s still really painful for someone without a place to belong. I can't be like Almeria; I’m more passionate; and, Aglauron, you can see now that I could be happy,"

She looked towards V——. I followed her eye, and was well-nigh melted too by the beauty of his gaze.

She looked at V——. I followed her gaze and was almost melted too by the beauty of his look.

"The question in my mind is," she resumed, "have I not a right to fly? To leave this vacant life, and a tie which, but for worldly circumstances, presses as heavily on L—— as on myself. I shall mortify him; but that is a trifle compared with actual misery. I shall grieve my parents; but, were they truly such, would they not grieve still more that I must reject the life of mutual love? I have already sacrificed enough; shall I sacrifice the happiness of one I could really bless for those who do not know one native heart-beat of my life?"

"The question I keep asking myself is," she continued, "do I not have the right to fly? To escape this empty life and a bond that, if not for worldly circumstances, weighs just as heavily on L—— as it does on me. I know I’ll hurt him; but that’s nothing compared to real misery. I will upset my parents; but if they truly cared, wouldn’t they be even more upset that I have to turn away from a life filled with mutual love? I've already given up enough; am I supposed to sacrifice the happiness of someone I genuinely care for, for those who don’t know a single heartbeat of my life?"

V—— kissed her hand.

V—— kissed her hand.

"And yet," said she, sighing, "it does not always look so. We must, in that case, leave the world; it will not tolerate us. Can I make V—— happy in solitude? And what would Almeria think? Often it seems that she would feel that now I do love, and could make a green spot in the desert of life over which she mourned, she would rejoice to have me do so. Then, again, something whispers she might have objections to make; and I wish—O, I long to know them! For I feel that this is the great crisis of my life, and that if I do not act wisely, now that I have thought and felt, it will be unpardonable. In my first error I was ignorant what I wished, but now I know, and ought not to be weak or deluded."

"And yet," she said with a sigh, "it doesn't always seem that way. In that case, we would have to leave the world; it won’t accept us. Can I make V—— happy in solitude? And what would Almeria think? Sometimes it feels like she would be glad to see me love and create a haven in the desert of life where she grieves. But then, something tells me she might have objections, and I wish—oh, how I wish to know what they are! Because I feel this is the turning point of my life, and if I don't make the right choice now that I've thought and felt so deeply, it would be unforgivable. At first, I didn’t know what I wanted, but now I do, and I shouldn’t be weak or tricked."

I said, "Have you no religious scruples? Do you never think of your vow as sacred?"

I said, "Don't you have any religious principles? Do you never consider your vow to be sacred?"

"Never!" she replied, with flashing eyes. "Shall the woman be bound by the folly of the child? No!—have never once considered myself as L——'s wife. If I have lived in his house, it was to make the best of what was left, as Almeria advised. But what I feel he knows perfectly. I have never deceived him. But O! I hazard all! all! and should I be again ignorant, again deceived"——

"Never!" she replied, her eyes flashing. "Will a woman be held back by a child's foolishness? No! I have never once thought of myself as L——'s wife. If I have lived in his house, it was to make the best of what was left, as Almeria advised. But he knows exactly how I feel. I have never lied to him. But oh! I risk everything! Everything! And if I should be ignorant once more, if I should be deceived again..."

V—— here poured forth all that can be imagined.

V—— here poured out everything one could imagine.

I rose: "Emily, this case seems to me so extraordinary that I must have time to think. You shall hear from me. I shall certainly give you my best advice, and I trust you will not over-value it."

I stood up: "Emily, this situation feels so unusual to me that I need time to think. You'll hear from me. I'll definitely give you my best advice, and I hope you won't think too highly of it."

"I am sure," she said, "it will be of use to me, and will enable me to decide what I shall do. V——, now go away with Aglauron; it is too late for you to stay here."

"I’m sure," she said, "it will be helpful for me and will help me decide what I want to do. V——, now go away with Aglauron; it’s too late for you to be here."

I do not know if I have made obvious, in this account, what struck me most in the interview,—a certain savage force in the character of this beautiful woman, quite independent of the reasoning power. I saw that, as she could give no account of the past, except that she saw it was fit, or saw it was not, so she must be dealt with now by a strong instalment made by another from his own point of view, which she would accept or not, as suited her.

I’m not sure if I’ve clearly communicated what stood out to me most in the interview—a kind of primal strength in this beautiful woman's character that had nothing to do with her reasoning abilities. I realized that, since she couldn't explain the past except to say whether she thought it was good or bad, she needed to be handled in the present based on a firm approach from someone else's perspective, which she would accept or reject based on what suited her.

There are some such characters, which, like plants, stretch upwards to the light; they accept what nourishes, they reject what injures them. They die if wounded,—blossom if fortunate; but never learn to analyze all this, or find its reasons; but, if they tell their story, it is in Emily's way;—"it was so;" "I found it so."

There are some characters who, like plants, reach for the light; they embrace what nurtures them and turn away from what harms them. They perish if hurt—bloom if they’re lucky; but they never figure out how to analyze it all or understand the reasons behind it. Yet, when they share their experiences, it's in Emily's style—"it was like that;" "that's how I found it."

I talked with V——, and found him, as I expected, not the peer of her he loved, except in love. His passion was at its height. Better acquainted with the world than Emily,—not because he had seen it more, but because he had the elements of the citizen in him,—he had been at first equally emboldened and surprised by the ease with which he won her to listen to his suit. But he was soon still more surprised to find that she would only listen. She had no regard for her position in society as a married woman,—none for her vow. She frankly confessed her love, so far as it went, but doubted as to whether it was her whole love, and doubted still more her right to leave L——, since she had returned to him, and could not break the bond so entirely as to give them firm foot-hold in the world.

I talked with V——, and as I expected, he was not her equal in any way except for love. His passion was intense. He knew the world better than Emily—not because he had experienced it more, but because he had the qualities of a good citizen. At first, he was both encouraged and amazed by how easily she listened to his advances. But he was soon even more surprised to realize that she would only listen. She didn’t care about her status as a married woman—she didn’t feel bound by her vows. She openly admitted her love, at least to some extent, but she questioned whether it was her whole love, and even more so her right to leave L—— since she had returned to him, and couldn’t completely sever the bond to give them a solid footing in the world.

"I may make you unhappy," she said, "and then be unhappy myself; these laws, this society, are so strange, I can make nothing of them. In music I am at home. Why is not all life music? We instantly know when we are going wrong there. Convince me it is for the best, and I will go with you at once. But now it seems wrong, unwise, scarcely better than to stay as we are. We must go secretly, must live obscurely in a corner. That I cannot bear,—all is wrong yet. Why am I not at liberty to declare unblushingly to all men that I will leave the man whom I do not love, and go with him I do love? That is the only way that would suit me,—I cannot see clearly to take any other course."

"I might make you unhappy," she said, "and then be unhappy myself; these rules, this society, are so confusing, I can’t make sense of them. In music, I feel at home. Why isn't life all about music? We can immediately tell when we're going off track there. Convince me it’s for the best, and I’ll go with you right away. But right now, it feels wrong, unwise, hardly any better than staying as we are. We have to go in secret, live quietly in a corner. I can’t stand that—all is still wrong. Why can’t I freely tell everyone that I will leave the man I don’t love and be with the one I do love? That’s the only path that works for me—I can't see clearly to choose any other way."

I found V—— had no scruples of conscience, any more than herself. He was wholly absorbed in his passion, and his only wish was to persuade her to elope, that a divorce might follow, and she be all his own.

I found that V—— had no moral qualms, just like her. He was completely consumed by his desire, and his only goal was to convince her to run away so that a divorce could happen, and she would be entirely his.

I took my part. I wrote next day to Emily. I told her that my view must differ from hers in this: that I had, from early impressions, a feeling of the sanctity of the marriage vow. It was not to me a measure intended merely to insure the happiness of two individuals, but a solemn obligation, which, whether it led to happiness or not, was a means of bringing home to the mind the great idea of Duty, the understanding of which, and not happiness, seemed to be the end of life. Life looked not clear to me otherwise. I entreated her to separate herself from V—— for a year, before doing anything decisive; she could then look at the subject from other points of view, and see the bearing on mankind as well as on herself alone. If she still found that happiness and V—— were her chief objects, she might be more sure of herself after such a trial. I was careful not to add one word of persuasion or exhortation, except that I recommended her to the enlightening love of the Father of our spirits.

I did my part. The next day, I wrote to Emily. I told her that my perspective must differ from hers in this way: I have always felt, based on my early experiences, that the marriage vow is sacred. To me, it wasn't just a promise to ensure the happiness of two people, but a serious commitment that, whether it led to happiness or not, served to remind us of the important concept of Duty, which, rather than happiness, seemed to be the true goal of life. Life didn’t make sense to me any other way. I urged her to take a year apart from V—— before making any major decisions; this would allow her to consider the situation from different angles and understand its impact on both society and herself. If, after that time, she still found that happiness and V—— were her main priorities, she would feel more confident in her decision after such an experience. I made sure not to include any persuasive words or pressure, except to suggest she seek the enlightening love of the Father of our spirits.

Laurie. With or without persuasion, your advice had small chance, I fear, of being followed.

Laurie. Whether you persuade me or not, I’m afraid there’s little chance I’ll take your advice.

Aglauron. You err. Next day V—— departed. Emily, with a calm brow and earnest eyes, devoted herself to thought, and such reading as I suggested.

Aglauron. You are mistaken. The next day, V—— left. Emily, with a serene expression and focused eyes, engaged in deep thought and the reading I recommended.

Laurie. And the result?

Laurie. So, what's the outcome?

Aglauron. I grieve not to be able to point my tale with the expected moral, though perhaps the true denouement may lead to one as valuable. L—— died within the year, and she married V——.

Aglauron. I regret that I can't end my story with the expected lesson, though maybe the real conclusion will lead to one that's just as meaningful. L—— died within the year, and she married V——.

Laurie. And the result?

Laurie. What's the outcome?

Aglauron. Is for the present utter disappointment in him. She was infinitely blest, for a time, in his devotion, but presently her strong nature found him too much hers, and too little his own. He satisfied her as little as L—— had done, though always lovely and dear. She saw with keen anguish, though this time without bitterness, that we are never wise enough to be sure any measure will fulfil our expectations.

Aglauron. She is currently feeling completely let down by him. For a while, she felt incredibly lucky to have his devotion, but eventually, her strong personality realized he was too much a part of her life and not enough his own person. He satisfied her as little as L—— had, even though he was always charming and beloved. She recognized with deep pain, though this time without any bitterness, that we are never wise enough to be certain that any expectation will truly be met.

But—I know not how it is—Emily does not yet command the changes of destiny which she feels so keenly and faces so boldly. Born to be happy only in the clear light of religious thought, she still seeks happiness elsewhere. She is now a mother, and all other thoughts are merged in that. But she will not long be permitted to abide there. One more pang, and I look to see her find her central point, from which all the paths she has taken lead. She loves truth so ardently, though as yet only in detail, that she will yet know truth as a whole. She will see that she does not live for Emily, or for V——, or for her child, but as one link in a divine purpose. Her large nature must at last serve knowingly.

But—I don't really understand why—Emily still doesn't have control over the changes in her life that she feels so strongly and handles so bravely. Born to find happiness only in the clear light of faith, she still looks for happiness in other places. Now that she's a mother, all her other thoughts have blended into that. But she won't be able to stay there for long. After one more painful experience, I expect she'll discover her central focus, from which all the paths she has chosen connect. She loves the truth so intensely, though only in parts for now, that she will eventually come to know the truth as a whole. She will realize that she doesn't live for Emily, or for V——, or for her child, but as a crucial part of a divine plan. Her expansive nature will finally have a purposeful direction.

Myself. I cannot understand you, Aglauron; I do not guess the scope of your story, nor sympathize with your feeling about this lady. She is a strange, and, I think, very unattractive person. I think her beauty must have fascinated you. Her character seems very inconsistent.

Myself. I don't understand you, Aglauron; I can't figure out the point of your story, nor do I relate to your feelings about this lady. She seems strange and, to be honest, quite unattractive. I believe her beauty must have captivated you. Her character appears very inconsistent.

Aglauron. Because I have drawn from life.

Aglauron. Because I have drawn from life.

Myself. But, surely, there should be a harmony somewhere.

Myself. But there has to be some kind of balance out there.

Aglauron. Could we but get the right point of view.

Aglauron. If only we could see things from the right perspective.

Laurie. And where is that?

Laurie. Where's that?

He pointed to the sun, just sinking behind the pine grove. We mounted and rode home without a word more. But I do not understand Aglauron yet, nor what he expects from this Emily. Yet her character, though almost featureless at first, gains distinctness as I think of it more. Perhaps in this life I shall find its key.

He pointed to the sun, just setting behind the pine trees. We got on our horses and rode home without saying another word. But I still don’t understand Aglauron or what he wants from Emily. However, her character, though pretty vague at first, becomes clearer the more I think about it. Maybe in this life I’ll find the key to it.

 

 

 

 

THE WRONGS OF AMERICAN WOMEN. THE DUTY OF AMERICAN WOMEN.

The same day brought us a copy of Mr. Burdett's little book,—in which the sufferings and difficulties that beset the large class of women who must earn their subsistence in a city like New York, are delineated with so much simplicity, feeling, and exact adherence to the facts,—and a printed circular, containing proposals for immediate practical adoption of the plan wore fully described in a book published some weeks since, under the title, "The Duty of American Women to their Country," which was ascribed alternately to Mrs. Stowe and Miss Catharine Beecher. The two matters seemed linked to one another by natural parity. Full acquaintance with the wrong must call forth all manner of inventions for its redress.

The same day, we received a copy of Mr. Burdett's small book, which clearly describes the struggles and challenges faced by the large group of women who have to make a living in a city like New York, with so much simplicity, emotion, and accurate attention to the facts. Along with it came a printed circular outlining proposals for immediately putting into practice the plan fully detailed in a book published a few weeks ago titled "The Duty of American Women to their Country," which was attributed alternately to Mrs. Stowe and Miss Catharine Beecher. The two topics seemed naturally connected. Knowing the extent of the problem must lead to all sorts of solutions for fixing it.

The circular, in showing the vast want that already exists of good means for instructing the children of this nation, especially in the West, states also the belief that among women, as being less immersed in other cares and toils, from the preparation it gives for their task as mothers, and from the necessity in which a great proportion stand of earning a subsistence somehow, at least during the years which precede marriage, if they do marry, must the number of teachers wanted be found, which is estimated already at sixty thousand.

The circular highlights the significant lack of effective ways to educate the children of this nation, especially in the West. It also expresses the belief that women, being less burdened by other responsibilities and equipped by their preparation for motherhood, along with many needing to earn a living before marriage (if they choose to marry), will provide the necessary number of teachers, which is currently estimated at sixty thousand.

We cordially sympathize with these views.

We sincerely agree with these views.

Much has been written about woman's keeping within her sphere, which is defined as the domestic sphere. As a little girl she is to learn the lighter family duties, while she acquires that limited acquaintance with the realm of literature and science that will enable her to superintend the instruction of children in their earliest years. It is not generally proposed that she should be sufficiently instructed and developed to understand the pursuits or aims of her future husband; she is not to be a help-meet to him in the way of companionship and counsel, except in the care of his house and children. Her youth is to be passed partly in learning to keep house and the use of the needle, partly in the social circle, where her manners may be formed, ornamental accomplishments perfected and displayed, and the husband found who shall give her the domestic sphere for which she is exclusively to be prepared.

A lot has been said about a woman's role being confined to the home. As a young girl, she's expected to learn basic household tasks while also gaining a slight understanding of literature and science so she can teach her children in their early years. It's typically not expected that she'll be educated enough to grasp her future husband’s career or goals; her role isn’t to be a true partner in companionship and advice, but rather to manage the household and care for the children. Her youth should be spent learning homemaking skills and sewing, as well as socializing, where she can develop good manners and showcase her skills, all while searching for a husband who will provide her with the domestic life she’s being trained for.

Were the destiny of Woman thus exactly marked out; did she invariably retain the shelter of a parent's or guardian's roof till she married; did marriage give her a sure home and protector; were she never liable to remain a widow, or, if so, sure of finding immediate protection from a brother or new husband, so that she might never be forced to stand alone one moment; and were her mind given for this world only, with no faculties capable of eternal growth and infinite improvement; we would still demand for her a for wider and more generous culture, than is proposed by those who so anxiously define her sphere. We would demand it that she might not ignorantly or frivolously thwart the designs of her husband; that she might be the respected friend of her sons, not less than of her daughters; that she might give more refinement, elevation and attraction, to the society which is needed to give the characters of men polish and plasticity,—no less so than to save them from vicious and sensual habits. But the most fastidious critic on the departure of Woman from her sphere can scarcely fail to see, at present, that a vast proportion of the sex, if not the better half, do not, cannot have this domestic sphere. Thousands and scores of thousands in this country, no less than in Europe, are obliged to maintain themselves alone. Far greater numbers divide with their husbands the care of earning a support for the family. In England, now, the progress of society has reached so admirable a pitch, that the position of the sexes is frequently reversed, and the husband is obliged to stay at home and "mind the house and bairns," while the wife goes forth to the employment she alone can secure.

If a woman’s destiny were clearly mapped out; if she always stayed under the care of a parent or guardian until she got married; if marriage guaranteed her a stable home and a protector; if she were never at risk of becoming a widow, or if she were, she could quickly find support from a brother or a new husband, ensuring she would never have to face life alone; and if her mind was focused only on this world, without any capacity for lifelong growth and infinite improvement; we would still argue that she deserves a much broader and more enriching education than what those who rigidly define her role suggest. We would argue this so that she wouldn’t ignorantly or thoughtlessly undermine her husband’s goals; so she could be a respected friend to her sons as well as her daughters; and so she could bring more sophistication, elevation, and appeal to the social environment that is necessary for shaping men’s characters, while also helping to shield them from harmful and immoral behaviors. Yet, even the most particular critic of women stepping outside their prescribed roles can hardly ignore that a large number of women, possibly the better half, do not, and cannot, have this domestic life. Thousands of women in this country, just as in Europe, are forced to support themselves independently. A far greater number share the responsibility of earning a living with their husbands. In England, society has progressed to such an impressive degree that the roles of men and women are frequently reversed, with husbands often required to stay home and take care of the house and children while their wives go out to the jobs they can secure.

We readily admit that the picture of this is most painful;—that Nature made an entirely opposite distribution of functions between the sexes. We believe the natural order to be the best, and that, if it could be followed in an enlightened spirit, it would bring to Woman all she wants, no less for her immortal than her mortal destiny. We are not surprised that men who do not look deeply and carefully at causes and tendencies, should be led, by disgust at the hardened, hackneyed characters which the present state of things too often produces in women, to such conclusions as they are. We, no more than they, delight in the picture of the poor woman digging in the mines in her husband's clothes. We, no more than they, delight to hear their voices shrilly raised in the market-place, whether of apples, or of celebrity. But we see that at present they must do as they do for bread. Hundreds and thousands must step out of that hallowed domestic sphere, with no choice but to work or steal, or belong to men, not as wives, but as the wretched slaves of sensuality.

We admit that this situation is very painful; Nature has assigned completely different roles to men and women. We believe the natural order is the best, and that if it were followed with understanding, it would give women everything they need, both for their spiritual and earthly lives. We're not surprised that men who don’t look closely at the underlying causes and trends might feel disgusted by the stale, worn-out roles women often take on in today's society. Like them, we don’t take pleasure in the image of a poor woman working in the mines dressed in her husband's clothes. We also don’t enjoy hearing their voices raised loudly in the marketplace, whether selling apples or seeking fame. But we recognize that right now, they have to do what they do to survive. Hundreds and thousands are forced to leave the safe space of home, with no choice but to work or steal, or to be with men not as wives, but as miserable slaves to lust.

And this transition state, with all its revolting features, indicates, we do believe, an approach of a nobler era than the world has yet known. We trust that by the stress and emergencies of the present and coming time the minds of women will be formed to more reflection and higher purposes than heretofore; their latent powers developed, their characters strengthened and eventually beautified and harmonized. Should the state of society then be such that each may remain, as Nature seems to have intended, Woman the tutelary genius of home, while Man manages the outdoor business of life, both may be done with a wisdom, a mutual understanding and respect, unknown at present. Men will be no less gainers by this than women, finding in pure and more religious marriages the joys of friendship and love combined,—in their mothers and daughters better instruction, sweeter and nobler companionship, and in society at large, an excitement to their finer powers and feelings unknown at present, except in the region of the fine arts.

And this transition state, with all its troubling aspects, suggests that we are approaching a better era than the world has ever seen. We believe that the challenges of today and the future will inspire women to think more deeply and aim for higher goals than before; their hidden strengths will be revealed, their characters will grow stronger and ultimately more beautiful and balanced. If society can evolve to allow women to fulfill their natural role as the guiding spirit of the home while men handle the external affairs of life, both can achieve this with a level of wisdom, understanding, and respect that we currently lack. Men will benefit just as much as women, discovering in pure and more meaningful marriages the joys of friendship and love combined—finding better guidance from their mothers and daughters, more enriching companionship, and in wider society, a challenge to their finer qualities and feelings that we rarely see today, except in the realm of the fine arts.

Blest be the generous, the wise, who seek to forward hopes like these, instead of struggling, against the fiat of Providence and the march of Fate, to bind down rushing life to the standard of the past! Such efforts are vain, but those who make them are unhappy and unwise.

Blessed are the generous and wise, who try to advance hopes like these, instead of fighting against the will of Providence and the course of Fate to hold back the flow of life to the standards of the past! Such efforts are pointless, but those who pursue them are unhappy and unwise.

It is not, however, to such that we address ourselves, but to those who seek to make the best of things as they are, while they also strive to make them better. Such persons will have seen enough of the state of things in London, Paris, New York, and manufacturing regions everywhere, to feel that there is an imperative necessity for opening more avenues of employment to women, and fitting them better to enter them, rather than keeping them back.

It is not, however, to those we are speaking, but to those who aim to make the best of things as they are while also working to improve them. These individuals will have witnessed enough of the situation in London, Paris, New York, and industrial areas everywhere to realize that there is a crucial need to create more job opportunities for women and better prepare them to take advantage of these opportunities, rather than holding them back.

Women have invaded many of the trades and some of the professions. Sewing, to the present killing extent, they cannot long bear. Factories seem likely to afford them permanent employment. In the culture of fruit, flowers, and vegetables, even in the sale of them, we rejoice to see them engaged. In domestic service they will be aided, but can never be supplanted, by machinery. As much room as there is here for Woman's mind and Woman's labor, will always be filled. A few have usurped the martial province, but these must always be few; the nature of Woman is opposed to war. It is natural enough to see "female physicians," and we believe that the lace cap and work-bag are as much at home here as the wig and gold-headed cane. In the priesthood, they have, from all time, shared more or less—in many eras more than at the present. We believe there has been no female lawyer, and probably will be none. The pen, many of the fine arts, they have made their own; and in the more refined countries of the world, as writers, as musicians, as painters, as actors, women occupy as advantageous ground as men. Writing and music may be esteemed professions for them more than any other.

Women have entered many trades and some professions. Sewing, to the point of exhaustion, is something they can’t endure for long. Factories seem likely to provide them with permanent jobs. We’re happy to see them involved in growing and selling fruit, flowers, and vegetables. They will get help in domestic work but can never be replaced by machines. There will always be room for women’s minds and labor in these areas. A few have taken on military roles, but those will always be few since war is against the nature of women. It’s quite normal to see "female doctors," and we believe that the lace cap and sewing kit are just as fitting here as the wig and gold-headed cane. In the clergy, they have long been involved, often more than they are now. We believe there has never been a female lawyer, and likely, there won’t be one. Women have claimed the pen and many fine arts as their own; in the more cultured parts of the world, women hold positions in writing, music, painting, and acting that are as strong as those of men. Writing and music might be considered the most suitable professions for them.

But there are two others—where the demand must invariably be immense, and for which they are naturally better fitted than men—for which we should like to see them better prepared and better rewarded than they are. These are the professions of nurse to the sick, and of the teacher. The first of these professions we have warmly desired to see dignified. It is a noble one, now most unjustly regarded in the light of menial service. It is one which no menial, no servile nature can fitly occupy. We were rejoiced when an intelligent lady of Massachusetts made the refined heroine of a little romance select this calling. This lady (Mrs. George Lee) has looked on society with unusual largeness of spirit and healthiness of temper. She is well acquainted with the world of conventions, but sees beneath it the world of nature. She is a generous writer, and unpretending as the generous are wont to be. We do not recall the name of the tale, but the circumstance above mentioned marks its temper. We hope to see the time when the refined and cultivated will choose this profession, and learn it, not only through experience and under the direction of the doctor, but by acquainting themselves with the laws of matter and of mind, so that all they do shall be intelligently done, and afford them the means of developing intelligence, as well as the nobler, tenderer feelings of humanity; for even this last part of the benefit they cannot receive if their work be done in a selfish or mercenary spirit.

But there are two other fields where the demand is always going to be huge, and where women are naturally better suited than men. We’d like to see them better prepared and rewarded in these areas. These professions are nursing the sick and teaching. We have strongly advocated for nursing to be seen as a respectable profession. It’s a noble calling that’s unjustly viewed as a menial job. It's not a role suitable for anyone with a servile disposition. We were thrilled when an insightful woman from Massachusetts had the refined heroine of her little story choose this profession. This woman, Mrs. George Lee, has a broad perspective and a healthy outlook on society. She understands the conventions of the world but recognizes the deeper truths of nature. She is a generous writer, modest like true generosity often is. We can’t recall the title of the tale, but the point we mentioned reflects its essence. We hope for the day when refined and educated people will choose this profession and learn it, not just through experience or guidance from doctors, but by understanding the principles of both the physical and mental realms. This way, everything they do will be done with intelligence and will help them develop both their understanding and the kinder, more compassionate aspects of humanity. They can’t truly experience this last benefit if their work is motivated by selfish or monetary reasons.

The other profession is that of teacher, for which women are peculiarly adapted by their nature, superiority in tact, quickness of sympathy, gentleness, patience, and a clear and animated manner in narration or description. To form a good teacher, should be added to this, sincere modesty combined with firmness, liberal views, with a power and will to liberalize them still further, a good method, and habits of exact and thorough investigation. In the two last requisites women are generally deficient, but there are now many shining examples to prove that if they are immethodical and superficial as teachers, it is because it is the custom so to teach them, and that when aware of these faults, they can and will correct them.

The other profession is teaching, which women are naturally suited for due to their unique strengths, such as empathy, quick understanding, kindness, patience, and an engaging style in storytelling or explaining. To be a good teacher, one should also have genuine modesty paired with assertiveness, open-mindedness combined with the desire to broaden their perspectives, effective teaching methods, and a commitment to thorough and meticulous research. Women often lack in these last two areas, but there are now many remarkable examples showing that if they sometimes come across as disorganized or superficial in their teaching, it's largely due to traditional teaching methods imposed on them. Once they recognize these shortcomings, they can and will improve.

The profession is of itself an excellent one for the improvement of the teacher during that interim between youth and maturity when the mind needs testing, tempering, and to review and rearrange the knowledge it has acquired. The natural method of doing this for one's self, is to attempt teaching others; those years also are the best of the practical teacher. The teacher should be near the pupil, both in years and feelings; no oracle, but the eldest brother or sister of the pupil. More experience and years form the lecturer and director of studies, but injure the powers as to familiar teaching.

Teaching is a great profession for helping teachers grow during that period between youth and adulthood when the mind needs to be tested, shaped, and reevaluated. An effective way to do this for oneself is to try teaching others; those years are also the most beneficial for a practical teacher. A teacher should be close to the student, both in age and feelings; they shouldn't be an untouchable figure but rather like an older sibling. While more experience and age can enhance the lecturer's role and guidance in studies, they can also hinder the ability to teach in a relatable way.

These are just the years of leisure in the lives even of those women who are to enter the domestic sphere, and this calling most of all compatible with a constant progress as to qualifications for that.

These are simply the carefree years in the lives of those women who are about to step into the domestic world, a role that is most aligned with ongoing growth in their skills for that purpose.

Viewing the matter thus, it may well be seen that we should hail with joy the assurance that sixty thousand female teachers are wanted, and more likely to be, and that a plan is projected which looks wise, liberal and generous, to afford the means, to those whose hearts answer to this high calling, of obeying their dictates.

Looking at it this way, we should definitely celebrate the fact that there are sixty thousand female teachers needed, and likely even more in the future, along with a plan being proposed that seems smart, inclusive, and generous to provide the support for those who feel called to this important work to follow their passion.

The plan is to have Cincinnati as a central point, where teachers shall be for a short time received, examined, and prepared for their duties. By mutual agreement and cooperation of the various sects, funds are to be raised, and teachers provided, according to the wants and tendencies of the various locations now destitute. What is to be done for them centrally, is for suitable persons to examine into the various kinds of fitness, communicate some general views whose value has been tested, and counsel adapted to the difficulties and advantages of their new positions. The central committee are to have the charge of raising funds, and finding teachers, and places where teachers are wanted.

The plan is to use Cincinnati as a central hub where teachers will be temporarily received, assessed, and trained for their roles. Through mutual agreement and collaboration among different groups, funds will be raised, and teachers will be provided based on the needs and trends of the various areas currently lacking support. The goal is for qualified individuals to evaluate different types of qualifications, share some proven general insights, and offer advice tailored to the challenges and opportunities of their new situations. The central committee will be responsible for raising funds, finding teachers, and identifying locations where teachers are needed.

The passage of thoughts, teachers and funds, will be from East to West—the course of sunlight upon this earth.

The flow of ideas, educators, and resources will move from East to West—just like the path of sunlight across the earth.

The plan is offered as the most extensive and pliant means of doing a good and preventing ill to this nation, by means of a national education; whose normal school shall have an invariable object in the search after truth, and the diffusion of the means of knowledge, while its form shall be plastic according to the wants of the time. This normal school promises to have good effects, for it proposes worthy aims through simple means, and the motive for its formation and support seems to be disinterested philanthropy.

The plan is presented as the most comprehensive and adaptable way to do good and prevent harm to this nation through national education; its main purpose is to seek truth and spread knowledge, while its structure will change based on current needs. This school is expected to have positive outcomes because it aims for noble goals through straightforward methods, and its reason for being created and supported appears to be selfless goodwill.

It promises to eschew the bitter spirit of sectarianism and proselytism, else we, for one party, could have nothing to do with it. Men, no doubt, have oftentimes been kept from absolute famine by the wheat with which such tares are mingled; but we believe the time is come when a purer and more generous food is to be offered to the people at large. We believe the aim of all education to be to rouse the mind to action, show it the means of discipline and of information; then leave it free, with God, Conscience, and the love of Truth, for its guardians and teachers. Woe be to those who sacrifice these aims of universal and eternal value to the propagation of a set of opinions! We can accept such doctrine as is offered by Rev. Colvin E. Stowe, one of the committee, in the following passage:

It promises to avoid the harsh attitudes of sectarianism and trying to convert others, because if it didn't, we, for one group, wouldn’t want anything to do with it. No doubt, people have often been kept from starving by the wheat mixed in with those weeds; but we believe the time has come when a more pure and generous food should be offered to the general public. We believe the purpose of all education is to inspire the mind to take action, to show it ways to develop and gain knowledge; then let it be free, with God, conscience, and the love of truth as its protectors and guides. Woe to those who trade these universal and eternal values for spreading a specific set of beliefs! We can accept the teachings presented by Rev. Colvin E. Stowe, one of the committee members, in the following passage:

"In judicious practice, I am persuaded there will seldom be any very great difficulty, especially if there be excited in the community anything like a whole-hearted and enlightened sincerity in the cause of public instruction.

"In careful practice, I believe there will rarely be any significant difficulty, especially if the community shows a genuine and informed commitment to the cause of public education."

"It is all right for people to suit their own taste and convictions in respect to sect; and by fair means, and at proper times, to teach their children and those under their influence to prefer the denominations which they prefer; but further than this no one has any right to go. It is all wrong to hazard the well-being of the soul, to jeopardize great public interests for the sake of advancing the interests of a sect. People must learn to practise some self-denial, on Christian principles, in respect to their denominational prejudices as well as in respect to other things, before pure religion can ever gain a complete victory over every form of human selfishness."

"It's perfectly fine for people to embrace their own tastes and beliefs regarding religion, and to fairly teach their children and those they influence to favor the denominations they prefer, but no one should go beyond that. It’s wrong to risk the well-being of the soul or to put important public interests at risk just to promote the interests of a particular sect. People need to practice some self-denial, based on Christian principles, regarding their religious biases as well as in other areas, before true religion can fully triumph over all forms of human selfishness."

The persons who propose themselves to the examination and instruction of the teachers at Cincinnati, till the plan shall be sufficiently under way to provide regularly for the office, are Mrs. Stowe and Miss Catharine Beecher, ladies well known to fame, as possessing unusual qualifications for the task.

The people who put themselves forward for the evaluation and training of the teachers in Cincinnati, until the plan is fully implemented to regularly staff the position, are Mrs. Stowe and Miss Catharine Beecher, well-known women recognized for their exceptional qualifications for the job.

As to finding abundance of teachers, who that reads this little book of Mr. Burdett's, or the account of the compensation of female labor in New York, and the hopeless, comfortless, useless, pernicious lives of those who have even the advantage of getting work must lead, with the sufferings and almost inevitable degradation to which those who cannot are exposed, but must long to snatch such as are capable of this better profession (and among the multitude there must be many who are or could be made so) from their present toils, and make them free, and the means of freedom and growth in others?

When it comes to finding plenty of teachers, who reads this little book by Mr. Burdett or the report about the pay for female workers in New York, and doesn’t see the bleak, joyless, pointless, and harmful lives that even those who manage to get jobs have to endure? And consider the suffering and almost certain decline faced by those who can’t find work—don’t you want to rescue those capable of pursuing a better profession (and among the many, there must be quite a few who either are or could become so) from their current struggles and help them gain freedom, along with the tools for growth for others?

To many books on such subjects—among others to "Woman in the Nineteenth Century"—the objection has been made, that they exhibit ills without specifying any practical means for their remedy. The writer of the last-named essay does indeed think that it contains one great rule which, if laid to heart, would prove a practical remedy for many ills, and of such daily and hourly efficacy in the conduct of life, that any extensive observance of it for a single year would perceptibly raise the tone of thought, feeling and conduct, throughout the civilized world. But to those who ask not only such a principle, but an external method for immediate use, we say that here is one proposed which looks noble and promising; the proposers offer themselves to the work with heart and hand, with time and purse. Go ye and do likewise.

Many books on these topics—like "Woman in the Nineteenth Century"—have been criticized for pointing out problems without offering practical solutions. The author of the latter essay believes that it includes one key principle that, if genuinely embraced, could serve as a practical remedy for many issues and significantly improve daily life. Following this principle for just one year could noticeably elevate the quality of thought, feeling, and behavior across the civilized world. However, for those who seek not only a principle but also a concrete method for immediate action, we present a noble and promising option. The proponents are committed to the cause with their time and resources. So, go and do the same.

 

 

 

 

GEORGE SAND.

When I first knew George Sand, I thought to have found tried the experiment I wanted. I did not value Bettine so much. She had not pride enough for me. Only now, when I am sure of myself, can I pour out my soul at the feet of another. In the assured soul it is kingly prodigality; in one which cannot forbear it is mere babyhood. I love "abandon" only when natures are capable of the extreme reverse. I know Bettine would end in nothing; when I read her book I knew she could not outlive her love.

When I first met George Sand, I thought I had finally found what I was looking for. I didn't think much of Bettine; she lacked the pride I desired. Only now, when I'm confident in myself, can I truly express my feelings to someone else. For a secure person, emotional openness is generous; for someone unsure, it's just childishness. I appreciate "abandon" only when it comes from those who can also show restraint. I recognize that Bettine would lead to nothing; after reading her book, I realized she wouldn't be able to sustain her love.

But in "Les Sept Cordes de la Lyre," which I read first, I saw the knowledge of the passions and of social institutions, with the celestial choice which rose above them. I loved Helène, who could hear so well the terrene voices, yet keep her eye fixed on the stars. That would be my wish also,—to know all, and then choose. I even revered her, for I was not sure that I could have resisted the call of the now; could have left the spirit and gone to God; and at a more ambitious age I could not have refused the philosopher. But I hoped much from her steadfastness, and I thought I heard the last tones of a purified life. Gretchen, in the golden cloud, is raised above all past delusions, worthy to redeem and upbear the wise man who stumbled into the pit of error while searching for truth.

But in "Les Sept Cordes de la Lyre," which I read first, I saw a deep understanding of emotions and social structures, along with a higher ideal that transcends them. I admired Helène, who could listen to the earthly voices while keeping her gaze on the stars. That was my wish too—to know everything and then make a choice. I even looked up to her, because I wasn't sure I could have resisted the lure of the now; whether I could have turned away from the spirit and gone to God; and at a more ambitious age, I wouldn't have been able to ignore the philosopher. But I had high hopes for her unwavering nature, and I thought I could hear the last echoes of a purified life. Gretchen, in the golden light, rises above all past illusions, worthy to uplift and support the wise man who fell into the trap of error while seeking the truth.

Still, in "André" and "Jacques," I trace the same high morality of one who had tried the liberty of circumstance only to learn to appreciate the liberty of law;—to know that license is the foe of freedom; and, though the sophistry of Passion in these books disgusted me, flowers of purest hue seemed to grow upon the dark and dirty ground. I thought she had cast aside the slough of her past life, and begun a new existence beneath the sun of a new ideal.

Still, in "André" and "Jacques," I see the same strong morals of someone who tried the freedom of circumstances only to learn to value the freedom that comes from law; to understand that license is the enemy of freedom; and, even though the arguments from Passion in these books irritated me, pure flowers seemed to bloom from the dark and filthy ground. I thought she had left behind the mess of her past life and started a new life under the light of a new ideal.

But here, in the "Lettres d'un Voyageur," what do I see? An unfortunate, wailing her loneliness, wailing her mistakes, writing for money! She has genius, and a manly grasp of mind, but not a manly heart. Will there never be a being to combine a man's mind and a woman's heart, and who yet finds life too rich to weep over? Never?

But here, in the "Letters of a Traveler," what do I see? An unfortunate woman, lamenting her loneliness, mourning her mistakes, writing for money! She has talent and a strong intellect, but lacks a strong heart. Will there ever be someone who combines a man’s intellect with a woman’s heart, and who still finds life too valuable to cry over? Never?

When I read in "Leon Leoni" the account of the jeweller's daughter's life with her mother, passed in dressing, and learning to be looked at when dressed, "avec un front impassible," it reminded me of —— and her mother. What a heroine she would be for Sand! She has the same fearless softness with Juliet, and a sportive naïveté a mixture of bird and kitten, unknown to the dupe of Leoni.

When I read in "Leon Leoni" about the jeweler's daughter's life with her mother, spending time getting dressed and learning how to be admired when all dressed up, "with an impassive look," it reminded me of —— and her mom. What a heroine she would be for Sand! She has the same fearless gentleness as Juliet, and a playful naïveté that’s a mix of a bird and a kitten, something the dupe of Leoni doesn't have.

If I were a man, and wished a wife, as many do, merely as an ornament, a silken toy, I would take —— as soon as any I know. Her fantastic, impassioned and mutable nature would yield an inexhaustible amusement. She is capable of the most romantic actions,—wild as the falcon, voluptuous as the tuberose; yet she has not in her the elements of romance, like a deeper or less susceptible nature. My cold and reasoning ——, with her one love lying, perhaps never to be unfolded, beneath such sheaths of pride and reserve, would make a far better heroine.

If I were a man and wanted a wife, like many do, just as an accessory, a fancy decoration, I would choose —— over anyone I know. Her wild, passionate, and ever-changing nature would provide endless entertainment. She’s capable of the most romantic gestures—fierce like a falcon, sensual like a tuberose; yet she lacks the core of romance, unlike a deeper or less easily affected person. My cold and rational ——, with her single hidden love, which may never be revealed, behind all that pride and reserve, would make a much better heroine.

—— and her mother differ from Juliet and her mother by the impulse a single strong character gave them. Even at this distance of time there is a light but perceptible taste of iron in the water.

—— and her mother differ from Juliet and her mother by the influence of a single strong character. Even after all this time, there's a faint but noticeable hint of iron in the water.

George Sand disappoints me, as almost all beings do, especially since I have been brought close to her person by the "Lettres d'un Voyageur." Her remarks on Lavater seem really shallow, à la mode du genre feminin. No self-ruling Aspasia she, but a frail woman, mourning over her lot. Any peculiarity in her destiny seems accidental; she is forced to this and to that to earn her bread, forsooth!

George Sand disappoints me, as almost everyone does, especially since I’ve gotten closer to her through the "Letters of a Traveler." Her comments on Lavater seem quite shallow, in the style of her gender. She’s not a self-sufficient Aspasia, but a delicate woman, lamenting her situation. Any uniqueness in her fate seems random; she’s pushed this way and that just to make a living, for sure!

Yet her style—with what a deeply smouldering fire it burns! Not vehement, but intense, like Jean Jacques.

Yet her style—what a deeply smoldering fire it burns! Not forceful, but intense, like Jean Jacques.

 

 

 

 

FROM A NOTICE OF GEORGE SAND.


It is probably known to a great proportion of readers that this writer is a woman, who writes under the name, and frequently assumes the dress and manners, of a man. It is also known that she has not only broken the marriage-bond, and, since that, formed other connections, independent of the civil and ecclesiastical sanction, but that she first rose into notice through works which systematically assailed the present institution of marriage, and the social bonds which are connected with it.

Most readers probably know that this writer is a woman who writes under a male name and often adopts male clothing and behavior. It's also known that she has not only ended her marriage but has since formed other relationships without the approval of civil or church authorities. She originally gained attention through works that openly criticized the current institution of marriage and the social ties associated with it.

No facts are more adapted to startle every feeling of our community; but, since the works of Sand are read here, notwithstanding, and cannot fail to be so while they exert so important an influence abroad, it would be well they should be read intelligently, as to the circumstances of their birth and their tendency.

No facts are more likely to shock everyone in our community; however, since Sand’s works are read here regardless, and will continue to be as they have such a significant influence elsewhere, it would be beneficial for them to be read with understanding, considering the circumstances of their creation and their impact.

George Sand we esteem to be a person of strong passions, but of original nobleness and a love of right sufficient to guide them all to the service of worthy aims. But she fell upon evil times. She was given in marriage, according to the fashion of the old régime; she was taken from a convent, where she had heard a great deal about the law of God and the example of Jesus, into a society where no vice was proscribed, if it would only wear the cloak of hypocrisy. She found herself impatient of deception, and loudly appealed to by passion; she yielded, but she could not do so, as others did, sinning against what she owned to be the rule of right and the will of Heaven. She protested, she examined, she "hacked into the roots of things," and the bold sound of her axe called around her every foe that finds a home amid the growths of civilization. Still she persisted. "If it be real," thought she, "it cannot be destroyed; as to what is false, the sooner it goes the better; and I, for one, would rather perish by its fall, than wither in its shade."

George Sand is regarded as a person with strong passions, but also with genuine nobility and a sense of justice that could guide those passions toward meaningful goals. However, she lived in difficult times. She was married off, as was customary in the old regime; she was taken from a convent, where she had learned a great deal about God's law and Jesus's example, into a society where no vice was condemned as long as it was hidden behind a facade of hypocrisy. She found herself intolerant of deception, and driven by passion; she gave in, but she couldn’t do so like others did, betraying what she knew to be the truth and the will of Heaven. She protested, she questioned, she “cut to the heart of things,” and the strong sound of her axe attracted every opponent who finds refuge in the weeds of civilization. Still, she pressed on. “If it’s real,” she thought, “it can’t be destroyed; and as for what’s false, the sooner it’s gone, the better; and I, for one, would rather perish from its collapse than fade away in its shadow.”

Schiller puts into the mouth of Mary Stuart these words, as her only plea: "The world knows the worst of me, and I may boast that, though I have erred, I am better than my reputation." Sand may say the same. All is open, noble; the free descriptions, the sophistry of passion, are, at least, redeemed by a desire for truth as strong as ever beat in any heart. To the weak or unthinking, the reading of such books may not be desirable, for only those who take exercise as men can digest strong meat. But to any one able to understand the position and circumstances, we believe this reading cannot fail of bringing good impulses, valuable suggestions; and it is quite free from that subtle miasma which taints so large a portion of French literature, not less since the Revolution than before. This we say to the foreign reader. To her own country, Sand is a boon precious and prized, both as a warning and a leader, for which none there can be ungrateful. She has dared to probe its festering wounds; and if they be not past all surgery, she is one who, most of any, helps towards a cure.

Schiller has Mary Stuart say this as her only plea: "The world knows the worst about me, and I can proudly say that, even though I have made mistakes, I am better than my reputation." Sand could make the same claim. Everything is open and noble; the free expressions and the persuasive passion are, at least, redeemed by a desire for truth as strong as ever existed in any heart. For the weak or unthinking, reading such books might not be beneficial, because only those who are prepared can handle tough content. But for anyone who can grasp the situation and circumstances, we believe this reading will inevitably bring good inspirations and valuable insights; it is also completely free from the subtle poison that taints much of French literature, both after the Revolution and before it. This is what we say to the foreign reader. In her own country, Sand is a precious and valued asset, both as a warning and a guide, for which no one there can be ungrateful. She has dared to explore its festering wounds; and if they are not beyond healing, she is one of the few who truly helps towards a cure.

Would, indeed, the surgeon had come with quite clean hands! A woman of Sand's genius—as free, as bold, and pure from even the suspicion of error—might have filled an apostolic station among her people with what force had come her cry, "If it be false, give it up; but if it be true, keep to it,— one or the other!"

Wouldn't it have been great if the surgeon had come with clean hands! A woman of Sand's talent—so free, so bold, and completely free from even the hint of a mistake—could have taken on a leading role among her people with her powerful shout, "If it's false, let it go; but if it's true, stick with it—one or the other!"

But we have read all we wish to say upon this subject lately uttered just from the quarter we could wish. It is such a woman, so unblemished in character, so high in aim, so pure in soul, that should address this other, as noble in nature, but clouded by error, and struggling with circumstances. It is such women that will do such others justice. They are not afraid to look for virtue, and reply to aspiration, among those who have not dwelt "in decencies forever." It is a source of pride and happiness to read this address from the heart of Elizabeth Barrett:—

But we've read everything we want to say on this subject recently expressed from the place we could hope for. It is a woman like this, so perfect in character, so high in her ambitions, so pure in spirit, who should speak to another, equally noble in nature but troubled by mistakes and fighting against circumstances. These are the kind of women who will do others justice. They aren’t afraid to seek out virtue and respond to aspirations among those who have not lived "in decencies forever." It fills us with pride and joy to read this heartfelt address from Elizabeth Barrett:—

TO GEORGE SAND.

A DESIRE.
  Thou large-brained woman and large-hearted man,
    Self-called George Sand! whose soul amid the lions
    Of thy tumultuous senses moans defiance,
  And answers roar for roar, as spirits can,—
  I would some wild, miraculous thunder ran
    Above the applauding circus, in appliance
    Of thine own nobler nature's strength and science,
  Drawing two pinions, white as wings of swan,
  From the strong shoulders, to amaze the place
    With holier light! That thou, to woman's claim,
  And man's, might join, beside, the angel's grace
    Of a pure genius, sanctified from blame,
  Till child and maiden pressed to thine embrace,
    To kiss upon thy lips a stainless fame!
You, a brilliant woman and a kind man,  
Self-styled George Sand! whose spirit, amidst the chaos  
Of your intense feelings, boldly challenges,  
And responds with equal force, as only spirits can—  
I wish a wild, miraculous thunder echoed  
Above the cheering crowd, showcasing  
The power and wisdom of your nobler nature,  
Unfolding two wings, as white as a swan’s,  
To light up the place with something divine! So that you could unite both women’s and men’s claims,  
Alongside the angelic grace  
Of pure genius, free from blame,  
Until child and maiden rushed to your embrace,  
To kiss on your lips a spotless reputation!

TO THE SAME.

A RECOGNITION.
  True genius, but true woman! dost deny
    Thy woman's nature with a manly scorn,
    And break away the gauds and armlets worn
  By weaker woman in captivity?
  Ah, vain denial! that revolted cry
  Is sobbed in by a woman's voice forlorn:—
  Thy woman's hair, my sister! all unshorn,
    Floats back dishevelled strength in agony,
  Disproving thy man's name; and while before
    The world thou burnest in a poet-fire,
  We see thy woman-heart beat evermore
    Through the large flame. Beat purer, heart! and higher,
  Till God unsex thee on the spirit-shore,
    To which, alone unsexing, purely aspire!
True genius, but true woman! Do you deny  
Your feminine nature with a manly scorn,  
And break away from the adornments and chains  
Worn by weaker women in captivity?  
Ah, pointless denial! That rebellious cry  
Is echoed in a woman's forlorn voice:  
Your woman's hair, my sister! all uncut,  
Floats back, tangled strength in agony,  
Disproving your man's identity; and while  
You burn in a poet's fire before the world,  
We see your woman-heart beat endlessly  
Through the large flame. Beat purer, heart! And higher,  
Until God frees you from gender on the spirit-shore,  
To which, alone freed from gender, purely aspire!  

This last sonnet seems to have been written after seeing the picture of Sand, which represents her in a man's dress, but with long, loose hair, and an eye whose mournful fire is impressive, even in the caricatures.

This final sonnet appears to have been written after viewing the painting of Sand, which depicts her in men's clothing, but with long, flowing hair, and an eye whose sad intensity is striking, even in the caricatures.

For some years Sand has quitted her post of assailant. She has seen that it is better to seek some form of life worthy to supersede the old, than rudely to destroy it, heedless of the future. Her force is bending towards philanthropic measures. She does not appear to possess much of the constructive faculty; and, though her writings command a great pecuniary compensation, and have a wide sway, it is rather for their tendency than for their thought. She has reached no commanding point of view from which she may give orders to the advanced corps. She is still at work with others in the breach, though she works with more force than almost any.

For some years now, Sand has stepped back from being an attacker. She realizes it's better to find a new way of life worth replacing the old one than to destroy it carelessly without considering the future. Her focus is shifting toward humanitarian efforts. She doesn't seem to have much of a talent for building things; even though her writings earn her a lot of money and have a significant impact, it's more because of their direction than their depth of thought. She hasn't reached a position where she can lead others effectively. She's still collaborating with others in the trenches, but she puts in more effort than nearly anyone else.

In power, indeed, Sand bears the palm above all other French novelists. She is vigorous in conception, often great in the apprehension and the contrast of characters. She knows passion, as has been hinted, at a white heat, when all the lower particles are remoulded by its power. Her descriptive talent is very great, and her poetic feeling exquisite. She wants but little of being a poet, but that little is indispensable. Yet she keeps us always hovering on the borders of enchanted fields. She has, to a signal degree, that power of exact transcript from her own mind, in which almost all writers fail. There is no veil, no half-plastic integument between us and the thought; we vibrate perfectly with it.

In terms of power, Sand stands out above all other French novelists. She has a strong vision and often excels in capturing the nuances and contrasts of her characters. She understands passion deeply, reaching an intense level where all the underlying emotions are reshaped by its force. Her talent for description is impressive, and her poetic sensibility is remarkable. She’s very close to being a poet, but that small missing piece is essential. Yet, she always keeps us on the edge of magical realms. She possesses an exceptional ability to convey her thoughts directly from her mind, a skill that many writers struggle with. There’s no barrier, no superficial layer between us and her ideas; we resonate perfectly with them.

This is her chief charm, and next to it is one in which we know no French writer that resembles her, except Rousseau, though he, indeed, is vastly her superior in it; that is, of concentrated glow. Her nature glows beneath the words, like fire beneath ashes,—deep, deep!

This is her main appeal, and alongside it is something we don't see in any other French writer except Rousseau, though he’s definitely much better at it; that is, an intense radiance. Her essence shines through her words, like fire hidden under ashes—deep, deep!

Her best works are unequal; in many parts written hastily, or carelessly, or with flagging spirits. They all promise far more than they can perform; the work is not done masterly; she has not reached that point where a writer sits at the helm of his own genius.

Her best works are inconsistent; in many sections, they're written quickly, or sloppily, or without much enthusiasm. They all suggest much more than they can deliver; the execution isn’t top-notch; she hasn't gotten to the point where a writer is in complete control of their own talent.

Sometimes she plies the oar,—sometimes she drifts. But what greatness she has is genuine; there is no tinsel of any kind, no drapery carefully adjusted, no chosen gesture about her. May Heaven lead her, at last, to the full possession of her best self, in harmony with the higher laws of life!

Sometimes she rows the boat, sometimes she just floats. But the greatness she has is real; there’s no fake embellishments, no carefully arranged display, no chosen gestures about her. May Heaven guide her to truly embrace her best self, in tune with the higher laws of life!

We are not acquainted with all her works, but among those we know, mention "La Roche Maupart," "André," "Jacques," "Les Sept Cordes de la Lyre," and "Les Maitres Mosaistes," as representing her higher inspirations, her sincerity in expression, and her dramatic powers. They are full of faults; still they show her scope and aim with some fairness, which such of her readers as chance first on such of her books as "Leone Leoni" may fail to find; or even such as "Simon," and "Spiridion," though into the imperfect web of these are woven threads of pure gold. Such is the first impression made by the girl Fiamma, so noble, as she appears before us with the words "E l'onore;" such the thought in Spiridion of making the apparition the reward of virtue.

We aren't familiar with all her works, but among those we do know, we can mention "La Roche Maupart," "André," "Jacques," "Les Sept Cordes de la Lyre," and "Les Maitres Mosaistes," which represent her deeper inspirations, genuine expression, and dramatic skills. They have plenty of flaws, yet they fairly display her range and objectives, which some readers who first come across books like "Leone Leoni" might not find; or even those like "Simon," and "Spiridion," although there are threads of pure gold woven into the flawed tapestry of these. Such is the initial impression created by the noble Fiamma as she stands before us with the words "E l'onore;" and such is the idea in Spiridion of making the apparition the reward of virtue.

The work she is now publishing, "Consuelo" with its sequel, "Baroness de Rudolstadt," exhibits her genius poised on a firmer pedestal, breathing a serener air. Still it is faulty in conduct, and shows some obliquity of vision. She has not reached the Interpreter's house yet. But when she does, she will have clues to guide many a pilgrim, whom one less tried, less tempted than herself could not help on the way.

The work she is now releasing, "Consuelo" along with its sequel, "Baroness de Rudolstadt," showcases her talent on a more solid foundation, emanating a calmer vibe. However, it still has some flaws in its structure and reveals a bit of misguided perspective. She hasn't reached the Interpreter's house yet. But once she does, she'll have insights to help many travelers whom someone less tested and less tempted than herself couldn't assist on their journey.

 

 

 

 

FROM A CRITICISM ON "CONSUELO."

* * * * *. The work itself cannot fail of innumerable readers, and a great influence, for it counts many of the most significant pulse-beats of the tune. Apart from its range of character and fine descriptions, it records some of the mystical apparitions, and attempts to solve some of the problems of the time. How to combine the benefits of the religious life with those of the artist-life in an existence more simple, more full, more human in short, than either of the two hitherto known by these names has been,—this problem is but poorly solved in the "Countess of Rudolstadt," the sequel to Consuelo. It is true, as the English reviewer says, that George Sand is a far better poet than philosopher, and that the chief use she can be of in these matters is, by her great range of observation and fine intuitions, to help to develop the thoughts of the time a little way further. But the sincerity, the reality of all he can obtain from this writer will be highly valued by the earnest man.

* * * * *. The work itself is sure to attract countless readers and have a significant impact, as it captures many of the most important elements of the story. Besides its diverse characters and vivid descriptions, it highlights some mystical experiences and tries to tackle some of the era's challenges. The question of how to merge the advantages of a religious life with those of an artistic life into a simpler, richer, and more fulfilling existence than either has previously offered is inadequately addressed in the "Countess of Rudolstadt," the sequel to Consuelo. It’s true, as the English reviewer points out, that George Sand is more of a poet than a philosopher, and her primary contribution in these discussions lies in her broad observations and insightful intuition, which help push forward the ideas of her time. However, the sincerity and authenticity she brings will be greatly appreciated by those who are genuinely earnest.

In one respect the book is entirely successful—in showing how inward purity and honor may preserve a woman from bewilderment and danger, and secure her a genuine independence. Whoever aims at this is still considered, by unthinking or prejudiced minds, as wishing to despoil the female character of its natural and peculiar loveliness. It is supposed that delicacy must imply weakness, and that only an Amazon can stand upright, and have sufficient command of her faculties to confront the shock of adversity, or resist the allurements of tenderness. Miss Bremer, Dumas, and the northern novelist, Andersen, make women who have a tendency to the intellectual life of an artist fail, and suffer the penalties of arrogant presumption, in the very first steps of a career to which an inward vocation called them in preference to the usual home duties. Yet nothing is more obvious than that the circumstances of the time do, more and more frequently, call women to such lives, and that, if guardianship is absolutely necessary to women, many must perish for want of it. There is, then, reason to hope that God may be a sufficient guardian to those who dare rely on him; and if the heroines of the novelists we have named ended as they did, it was for the want of the purity of ambition and simplicity of character which do not permit such as Consuelo to be either unseated and depraved, or unresisting victims and breaking reeds, if left alone in the storm and crowd of life. To many women this picture will prove a true Consuelo (consolation), and we think even very prejudiced men will not read it without being charmed with the expansion, sweetness and genuine force, of a female character, such as they have not met, but must, when painted, recognize as possible, and may be led to review their opinions, and perhaps to elevate and enlarge their hopes, as to "Woman's sphere" and "Woman's mission." If such insist on what they have heard of the private life of this writer, and refuse to believe that any good thing can come out of Nazareth, we reply that we do not know the true facts as to the history of George Sand. There has been no memoir or notice of her published on which any one can rely, and we have seen too much of life to accept the monsters of gossip in reference to any one. But we know, through her works, that, whatever the stains on her life and reputation may have been, there is in her a soul so capable of goodness and honor as to depict them most successfully in her ideal forms. It is her works, and not her private life, that we are considering. Of her works we have means of judging; of herself, not. But among those who have passed unblamed through the walks of life, we have not often found a nobleness of purpose and feeling, a sincere religious hope, to be compared with the spirit that breathes through the pages of Consuelo.

In one way, the book is completely successful—in demonstrating how inner purity and honor can protect a woman from confusion and danger, allowing her to achieve true independence. Anyone who strives for this is often viewed, by thoughtless or biased individuals, as wanting to strip the female character of its natural and unique beauty. It's believed that delicacy must mean weakness, and that only a strong woman can stand tall and have enough control over her faculties to face adversity or resist the temptations of love. Authors like Miss Bremer, Dumas, and the northern novelist Andersen portray women with artistic aspirations as failing and suffering the consequences of their presumptions in the early stages of a calling that inwardly beckoned them instead of typical domestic responsibilities. However, it’s becoming increasingly clear that the times often demand women to pursue such lives, and if women need guardianship, many will struggle without it. Therefore, there is hope that God can be a sufficient guardian for those who dare to rely on Him; and if the heroines in the novels we've mentioned end as they do, it’s due to a lack of pure ambition and simple character that prevents someone like Consuelo from becoming either disgraced or an easily broken victim when left alone in the chaos of life. For many women, this image will provide a true Consolation, and we believe even the most biased men will read it and be captivated by the growth, kindness, and genuine strength of a female character they may not have encountered before, yet must recognize as possible when depicted, and be encouraged to reconsider their views and perhaps elevate their expectations regarding "Woman's sphere" and "Woman's mission." If some persist in believing negative things about the private life of this writer and refuse to accept that anything good can come from Nazareth, we simply respond that we are unaware of the true details concerning George Sand's history. No credible memoir or review of her has been published that anyone can trust, and we’ve witnessed too much in life to believe the dreadful gossip about anyone. Yet, through her works, we know that despite any blemishes on her life and reputation, she possesses a soul capable of goodness and honor, which she successfully conveys in her ideal forms. It is her works, and not her private life, that we are examining. We have grounds to judge her works; regarding her personally, we do not. However, among those who have lived without reproach, we rarely find a nobility of purpose and feeling, a genuine religious hope, that compares to the spirit found in the pages of Consuelo.

The experiences of the artist-life, the grand and penetrating remarks upon music, make the book a precious acquisition to all whose hearts are fashioned to understand such things.

The artist's experiences and profound insights about music make this book a valuable treasure for anyone whose heart is open to understanding them.

We suppose that we receive here not only the mind of the writer, but of Liszt, with whom she has publicly corresponded in the "Lettres d'un Voyageur." None could more avail us, for "in him also is a spark of the divine fire," as Beethoven said of Ichubert. We may thus consider that we have in this book the benefit of the most electric nature, the finest sensibility, and the boldest spirit of investigation combined, expressing themselves in a little world of beautiful or picturesque forms.

We believe that here we receive not just the thoughts of the writer, but also those of Liszt, with whom she has shared a public correspondence in the "Lettres d'un Voyageur." No one could be more helpful to us, for "in him, too, is a spark of the divine fire," as Beethoven said about Schubert. Therefore, we can see that this book offers us the benefit of the most dynamic qualities, the greatest sensitivity, and the most daring spirit of exploration, all combined and expressed in a small world of beautiful and striking forms.

Although there are grave problems discussed, and sad and searching experiences described in this work, yet its spirit is, in the main, hopeful, serene, almost glad. It is the spirit inspired from a near acquaintance with the higher life of art. Seeing there something really achieved and completed, corresponding with the soul's desires, faith is enlivened as to the eventual fulfilment of those desires, and we feel a certainty that the existence which looks at present so marred and fragmentary shall yet end in harmony. The shuttle is at work, and the threads are gradually added that shall bring out the pattern, and prove that what seems at present confusion is really the way and means to order and beauty.

Although this work discusses serious problems and describes sad and introspective experiences, its overall tone is hopeful, calm, and almost joyful. This positivity comes from a close connection with the higher realm of art. Witnessing something truly accomplished and complete, which aligns with the soul's desires, invigorates our faith in the eventual realization of those desires. We feel certain that the existence that currently appears so damaged and fragmented will ultimately lead to harmony. The shuttle is in motion, and the threads are being gradually woven together to reveal the pattern, proving that what seems like chaos now is actually the path to order and beauty.

 

 

 

 

JENNY LIND,

THE "CONSUELO" OF GEORGE SAND.

Jenny Lind, the prima donna of Stockholm, is among the most distinguished of those geniuses who have been invited to welcome the queen to Germany. Her name has been unknown among us, as she is still young, and has not wandered much from the scene of her first triumphs; but many may have seen, last winter, in the foreign papers, an account of her entrance into Stockholm after an absence of some length. The people received her with loud cries of homage, took the horses from her carriage and drew her home; a tribute of respect often paid to conquerors and statesmen, but seldom, or, as far as we know, never to the priesthood of the muses, who have conferred the higher benefit of raising, refining and exhilarating, the popular mind.

Jenny Lind, the top singer from Stockholm, is one of the most celebrated talents invited to welcome the queen to Germany. Her name might not be familiar to many here as she is still young and hasn’t traveled far from where she first rose to fame. However, last winter, some might have seen in the foreign news an account of her return to Stockholm after being away for a while. The crowd greeted her with loud cheers, pulled the horses from her carriage, and carried her home—a sign of respect usually reserved for conquerors and politicians, but rarely, if ever, shown to the artists who have done the vital work of uplifting, refining, and inspiring the public mind.

An accomplished Swede, now in this country, communicated to a friend particulars of Jenny Lind's career, which suggested the thought that she might have given the hint for the principal figure in Sand's late famous novel, "Consuelo."

An accomplished Swede, now in this country, told a friend about Jenny Lind's career, which made them think she might have inspired the main character in Sand's recent famous novel, "Consuelo."

This work is at present in process of translation in "The Harbinger," a periodical published at Brook Farm, Mass.; but, as this translation has proceeded but a little way, and the book in its native tongue is not generally, though it has been extensively, circulated here, we will give a slight sketch of its plan.

This work is currently being translated in "The Harbinger," a magazine published at Brook Farm, Mass.; however, since the translation is only partially completed and the book in its original language isn't widely available here, although it has been circulated a lot, we'll provide a brief overview of its plan.

It has been a work of deepest interest to those who have looked upon Sand for some years back, as one of the best exponents of the difficulties, the errors, the aspirations, the weaknesses, and the regenerative powers of the present epoch. The struggle in her mind and the experiments of her life have been laid bare to the eyes of her fellow-creatures with fearless openness—fearless, not shameless. Let no man confound the bold unreserve of Sand with that of those who have lost the feeling of beauty and the love of good. With a bleeding heart and bewildered feet she sought the truth, and if she lost the way, returned as soon as convinced she had done so; but she would never hide the fact that she had lost it. "What God knows, I dare avow to man," seems to be her motto. It is impossible not to see in her, not only the distress and doubts of the intellect, but the temptations of a sensual nature; but we see too the courage of a hero and a deep capacity for religion. This mixed nature, too, fits her peculiarly to speak to men so diseased as men are at present. They feel she knows their ailment, and if she find a cure, it will really be by a specific remedy.

It has been a deeply fascinating journey for those who have observed Sand for some years now, as one of the best representatives of the challenges, mistakes, hopes, weaknesses, and transformative abilities of our time. The struggles in her mind and the trials of her life have been shared with her fellow beings with fearless honesty—fearless, not shameless. Let no one confuse Sand’s bold openness with that of those who have lost their sense of beauty and love for what is good. With a wounded heart and uncertain steps, she sought the truth, and if she strayed from the path, she returned as soon as she realized it; but she would never conceal the fact that she had gone astray. "What God knows, I dare avow to man," seems to be her motto. It’s impossible not to see in her not only the distress and doubts of the intellect but also the temptations of a sensual nature; yet we also see the courage of a hero and a profound capacity for faith. This mixed nature uniquely enables her to speak to a society that is struggling as people are today. They feel she understands their suffering, and if she discovers a solution, it will truly be through a specific remedy.

An upward tendency and growing light are observable in all her works for several years past, till now, in the present, she has expressed such conclusions as forty years of the most varied experience have brought to one who had shrunk from no kind of discipline, yet still cried to God amid it all; one who, whatever you may say against her, you must feel has never accepted a word for a thing, or worn one moment the veil of hypocrisy; and this person one of the most powerful nature, both as to passion and action, and of an ardent, glowing genius. These conclusions are sadly incomplete. There is an amazing alloy in the last product of her crucible, but there is also so much of pure gold that the book is truly a cordial, as its name of Consuelo (consolation) promises.

A noticeable upward trend and increasing brightness can be seen in all her works over the past several years. Now, in the present, she has expressed the insights that forty years of diverse experiences have brought to someone who didn’t shy away from any kind of discipline but still cried out to God through it all; someone who, no matter what you might say about her, you have to acknowledge has never accepted a word for granted or worn a mask of hypocrisy, and this person possesses a powerful nature, both in passion and action, along with an intense, vibrant genius. These insights are sadly incomplete. There’s a remarkable mix in the final product of her crucible, but there is also a lot of pure gold, making the book truly a source of comfort, as its name Consuelo (consolation) suggests.

The young Consuelo lives as a child the life of a beggar. Her youth is passed in the lowest circumstances of the streets of Venice. She brings the more pertinacious fire of Spanish blood to be fostered by the cheerful airs of Italy. A vague sense of the benefits to be derived, from such mingling of various influences, in the formation of a character, is to be discerned in several works of art now, when men are really wishing to become citizens of the world, though old habits still interfere on every side with so noble a development.

The young Consuelo lives as a child in the life of a beggar. Her youth is spent in the harshest conditions of the streets of Venice. She carries the passionate spirit of Spanish blood, nurtured by the lively atmosphere of Italy. You can sense the potential benefits of this blend of influences in shaping a character, reflected in several works of art today, as people genuinely strive to be global citizens, even though old habits still hinder such a noble growth on all sides.

Nothing can be more charming than the first volume, which describes the young girl amid the common life of Venice. It is sunny, open, and romantic as the place. The beauty of her voice, when a little singing-girl in the streets, arrested the attention of a really great and severe master, Porpora, who educated her to music. In this she finds the vent and the echo for her higher self. Her affections are fixed on a young companion, an unworthy object, but she does not know him to be so. She judges from her own candid soul, that all must be good, and derives from the tie, for a while, the fostering influences which love alone has for genius. Clear perception follows quickly upon her first triumphs in art. They have given her a rival, and a mean rival, in her betrothed, whose talent, though great, is of an inferior grade to hers; who is vain, every way impure. Her master, Porpora, tries to avail himself of this disappointment to convince her that the artist ought to devote himself to art alone; that private ties must interfere with his perfection and his glory. But the nature of Consuelo revolts against this doctrine, as it would against the seclusion of a convent. She feels that genius requires manifold experience for its development, and that the mind, concentrated on a single object, is likely to pay by a loss of vital energy for the economy of thoughts and time.

Nothing is more charming than the first volume, which describes the young girl amidst the everyday life of Venice. It’s bright, open, and romantic, just like the city itself. The beauty of her voice, when she was a little street singer, caught the attention of a truly great and stern master, Porpora, who taught her music. Through this, she discovers an outlet and a reflection of her deeper self. Her affections are focused on a young companion, who is not worthy of her, but she doesn’t realize that. She believes, from her pure heart, that everyone must be good, and for a time, she gains the nurturing influences that only love can provide for genius. Clear understanding swiftly follows her early successes in art. They introduce a rival into her life, a minor rival in her fiancé, whose talent, although significant, is lesser than hers; he is vain and morally compromised. Her master, Porpora, attempts to use this disappointment to persuade her that an artist should dedicate themselves solely to their craft; that personal connections interfere with their perfection and acclaim. But Consuelo’s nature rebels against this idea, just as it would against the isolation of a convent. She knows that genius requires diverse experiences to grow and that focusing solely on one thing can lead to a loss of vital energy in exchange for saving thoughts and time.

Driven by these circumstances into Germany, she is brought into contact with the old noblesse, a very different, but far less charming, atmosphere than that of the gondoliers of Venice. But here, too, the strong, simple character of our Consuelo is unconstrained, if not at home, and when her heart swells and needs expansion, she can sing.

Driven by these circumstances to Germany, she encounters the old nobility, a very different but much less appealing atmosphere than that of the gondoliers in Venice. Yet here too, the strong, straightforward nature of our Consuelo remains free, if not quite at home, and when her heart swells and longs for expression, she can sing.

Here the Count de Rudolstadt, Albert, loves Consuelo, which seems, in the conduct of the relation, a type of a religious democracy in love with the spirit of art. We do not mean that any such cold abstraction is consciously intended, but all that is said means this. It shadows forth one of the greatest desires which convulse our age.

Here, Count de Rudolstadt, Albert, loves Consuelo, which seems to represent a form of a spiritual democracy in love with the essence of art. We don't mean to suggest that any such detached concept is intentionally intended, but everything conveyed hints at this. It reflects one of the greatest yearnings that stir our time.

A most noble meaning is couched in the history of Albert, and though the writer breaks down under such great attempts, and the religion and philosophy of the book are clumsily embodied compared with its poesy and rhetoric, yet great and still growing thoughts are expressed with sufficient force to make the book a companion of rare value to one in the same phase of mind.

A very noble message is found in the story of Albert, and even though the writer struggles with such ambitious efforts, and the book's religion and philosophy are awkwardly presented compared to its poetry and rhetoric, powerful and expanding ideas are expressed clearly enough to make the book a valuable companion for someone in a similar state of mind.

Albert is the aristocratic democrat, such as Alfieri was; one who, in his keen perception of beauty, shares the good of that culture which ages have bestowed on the more fortunate classes, but in his large heart loves and longs for the good of all men, as if he had himself suffered in the lowest pits of human misery. He is all this and more in his transmigration, real or fancied, of soul, through many forms of heroic effort and bloody error; in his incompetency to act at the present time, his need of long silences, of the company of the dead and of fools, and eventually of a separation from all habitual ties, is expressed a great idea, which is still only in the throes of birth, yet the nature of whose life we begin to prognosticate with some clearness.

Albert is the aristocratic democrat, like Alfieri; someone who, with his sharp sense of beauty, enjoys the benefits of culture that ages have given to the more privileged classes. However, in his generous heart, he loves and yearns for the well-being of all people, as if he has personally experienced the deepest depths of human suffering. He embodies all this and more in his journey, whether real or imagined, through various forms of heroic struggle and tragic mistakes. His inability to act in the present, his need for long moments of silence, and his desire for the company of the dead and the foolish, along with a longing to break away from all familiar connections, express a significant idea that is still in the early stages of development, yet we begin to foresee the nature of its existence with some clarity.

Consuelo's escape from the castle, and even from Albert, her admiration of him, and her incapacity to love him till her own character be more advanced, are told with great naturalness. Her travels with Joseph Haydn, are again as charmingly told as the Venetian life. Here the author speaks from her habitual existence, and far more masterly than of those deep places of thought where she is less at home. She has lived much, discerned much, felt great need of great thoughts, but not been able to think a great way for herself. She fearlessly accompanies the spirit of the age, but she never surpasses it; that is the office of the great thinker.

Consuelo's escape from the castle, and even from Albert, her admiration for him, and her inability to love him until she becomes a better version of herself, are described with great authenticity. Her travels with Joseph Haydn are as wonderfully depicted as the life in Venice. Here, the author writes from her own experiences, showing much more skill than in the deeper, more abstract thoughts where she feels less comfortable. She has lived a lot, observed a lot, and felt a strong need for profound ideas, but hasn’t been able to generate them for herself. She boldly aligns with the spirit of her time, but she never exceeds it; that is the role of the great thinker.

At Vienna Consuelo is brought fully into connection with the great world as an artist. She finds that its realities, so far from being less, are even more harsh and sordid for the artist than for any other; and that with avarice, envy and falsehood, she must prepare for the fearful combat which awaits noble souls in any kind of arena, with the pain of disgust when they cannot raise themselves to patience—with the almost equal pain, when they can, of pity for those who know not what they do.

In Vienna, Consuelo becomes fully connected with the wider world as an artist. She realizes that its realities are, if anything, even harsher and more sordid for artists than for anyone else. With greed, jealousy, and deceit surrounding her, she has to brace herself for the tough battles that await noble souls in any field. There's the painful disappointment when they can't summon the patience, and an almost equal pain when they can, feeling pity for those who are unaware of the consequences of their actions.

Albert is on the verge of the grave; and Consuelo, who, not being able to feel for him sufficient love to find in it compensation for the loss of that artist-life to which she feels Nature has destined her, had hitherto resisted the entreaties of his aged father, and the pleadings of her own reverential and tender sympathy with the wants of his soul, becomes his wife just before he dies.

Albert is close to death, and Consuelo, who can't feel enough love for him to find comfort in losing the artist's life that she believes Nature has chosen for her, had previously resisted the pleas of his elderly father and her own deep, caring sympathy for his needs. She becomes his wife just before he passes away.

The sequel, therefore, of this history is given under the title of Countess of Rudolstadt. Consuelo is still on the stage; she is at the Prussian court. The well-known features of this society, as given in the memoirs of the time, are put together with much grace and wit. The sketch of Frederic is excellent.

The sequel to this story is titled Countess of Rudolstadt. Consuelo is still performing; she is at the Prussian court. The familiar aspects of this society, as described in the memoirs of the time, are presented with a lot of style and humor. The portrayal of Frederic is outstanding.

The rest of the book is devoted to expression of the author's ideas on the subject of reform, and especially of association as a means thereto. As her thoughts are yet in a very crude state, the execution of this part is equally bungling and clumsy. Worse: she falsifies the characters of both Consuelo and Albert,—who is revived again by subterfuge of trance,—and stains her best arrangements by the mixture of falsehood and intrigue.

The rest of the book is focused on the author's thoughts about reform, particularly using association as a way to achieve it. Since her ideas are still quite undeveloped, this section comes off as awkward and lacking finesse. Even worse, she misrepresents the characters of both Consuelo and Albert—who comes back through a trick of a trance—and she ruins her best efforts with a mix of lies and intrigue.

Yet she proceeds towards, if she walks not by, the light of a great idea; and sincere democracy, universal religion, scatter from afar many seeds upon the page for a future time. The book should be, and will be, universally read. Those especially who have witnessed all Sand's doubts and sorrows on the subject of marriage, will rejoice in the clearer, purer ray which dawns upon her now. The most natural and deep part of the book, though not her main object, is what relates to the struggle between the claims of art and life, as to whether it be better for the world and one's self to develop to perfection a talent which Heaven seemed to have assigned as a special gift and vocation, or sacrifice it whenever the character seems to require this for its general development. The character of Consuelo is, throughout the first part, strong, delicate, simple, bold, and pure. The fair lines of this picture are a good deal broken in the second part; but we must remain true to the impression originally made upon us by this charming and noble creation of the soul of Sand.

Yet she moves toward, if not beside, the light of a great idea; and genuine democracy, universal religion, scatter many seeds from afar on the page for the future. The book should be, and will be, read by everyone. Those who have seen all of Sand's doubts and struggles about marriage will celebrate the clearer, purer light that shines upon her now. The most natural and profound part of the book, though not her main focus, concerns the conflict between the demands of art and life—whether it's better for the world and oneself to fully develop a talent that seems like a special gift from Heaven or to set it aside whenever personal character requires this for overall growth. Throughout the first part, Consuelo’s character is strong, delicate, simple, bold, and pure. The beautiful outlines of this portrayal are somewhat broken in the second part, but we must stay true to the impression initially left on us by this charming and noble creation from Sand’s soul.

It is in reference to our Consuelo that a correspondent [Footnote: We do not know how accurate is this correspondent's statement of facts. The narrative is certainly interesting.—Ed.] writes, as to Jenny Lind; and we are rejoiced to find that so many hints were, or might have been, furnished for the picture from real life. If Jenny Lind did not suggest it, yet she must also be, in her own sphere, a Consuelo.

It refers to our Consuelo that a correspondent [Footnote: We don't know how accurate this correspondent's statement of facts is. The narrative is definitely interesting.—Ed.] writes about Jenny Lind; and we're glad to see that so many hints were, or could have been, provided for the picture from real life. If Jenny Lind didn't inspire it, she must also be, in her own way, a Consuelo.

"Jenny Lind must have been born about 1822 or 1828. When a young child, she was observed, playing about and singing in the streets of Stockholm, by Mr. Berg, master of singing for the royal opera. Pleased and astonished at the purity and suavity of her voice, he inquired instantly for her family, and found her father, a poor innkeeper, willing and glad to give up his daughter to his care, on the promise to protect her and give her an excellent musical education. He was always very careful of her, never permitting her to sing except in his presence, and never letting her appear on the stage, unless as a mute figure in some ballet, such, for instance, as Cupid and the Graces, till she was sixteen, when she at once executed her part in 'Der Freyschutz,' to the full satisfaction and surprise of the public of Stockholm. From that time she gradually became the favorite of every one. Without beauty, she seems, from her innocent and gracious manners, beautiful on the stage and charming in society. She is one of the few actresses whom no evil tongue can ever injure, and is respected and welcomed in any and all societies.

Jenny Lind was probably born around 1822 or 1828. As a young child, she was seen playing and singing in the streets of Stockholm by Mr. Berg, the singing master for the royal opera. Impressed by the clarity and sweetness of her voice, he quickly asked about her family and discovered that her father, a poor innkeeper, was willing and happy to let him take care of her, on the condition that he would protect her and provide her with a top-notch music education. He was always very careful with her, never allowing her to sing without him present, and never letting her perform on stage, except as a silent figure in ballets, like Cupid and the Graces, until she turned sixteen. At that point, she confidently performed her role in 'Der Freyschutz,' leaving the public of Stockholm both satisfied and surprised. From that moment on, she gradually became a favorite among everyone. While not conventionally beautiful, her innocent and graceful demeanor made her seem beautiful on stage and captivating in social settings. She is one of the few actresses whom no malicious gossip can harm, and she is respected and welcomed in any environment.

"The circumstances that reminded me of Consuelo were these: that she was a poor child, taken up by this singing-master, and educated thoroughly and severely by him; that she loved his son, who was a good-for-nothing fellow, like Anzoleto, and at last discarded him; that she refused the son of an English earl, and, when he fell sick, his father condescended to entreat for him, just as the Count of Rudolstadt did for his son; that, though plain and low in stature, when singing her best parts she appears beautiful, and awakens enthusiastic admiration; that she is rigidly correct in her demeanor towards her numerous admirers, having even returned a present sent her by the crown-prince, Oscar, in a manner that she deemed equivocal. This last circumstance being noised abroad, the next time she appeared on the stage she was greeted with more enthusiastic plaudits than ever, and thicker showers of flowers fell upon her from the hands of her true friends, the public. She was more fortunate than Consuelo in not being compelled to sing to a public of Prussian corporals."

"The things that reminded me of Consuelo were these: she was a poor girl taken in by this singing teacher who educated her thoroughly and harshly; she fell in love with his son, who was a lazy loser, similar to Anzoleto, and eventually let him go; she rejected the son of an English earl, and when he got sick, his father even begged for him, just like the Count of Rudolstadt did for his son; that, despite being plain and short, when she sings her best parts, she looks beautiful and inspires passionate admiration; that she is strictly proper in her behavior towards her many admirers, even returning a gift sent to her by the crown prince, Oscar, in a way she thought was ambiguous. Once word of this last incident got out, the next time she was on stage, she received even more enthusiastic applause than before, and more flowers were thrown at her by her loyal fans, the public. She was luckier than Consuelo in that she didn’t have to perform for an audience of Prussian soldiers."

Indeed, the picture of Frederic's opera-audience, with the pit full of his tall grenadiers with their wives on their shoulders, never daring to applaud except when he gave the order, as if by tap of drum, opposed to the tender and expansive nature of the artist, is one of the best tragicomedies extant. In Russia, too, all is military; as soon as a new musician arrives, he is invested with a rank in the army. Even in the church Nicholas has lately done the same. It seems as if he could not believe a man to be alive, except in the army; could not believe the human heart could beat, except by beat of drum. But we believe in Russia there is at least a mask of gayety thrown over the chilling truth. The great Frederic wished no disguise; everywhere he was chief corporal, and trampled with his everlasting boots the fair flowers of poesy into the dust.

The image of Frederic's opera audience, with the pit filled with his tall grenadiers carrying their wives on their shoulders, only daring to applaud when he gave the signal, as if by the beat of a drum, contrasts sharply with the tender, expansive nature of the artist. It’s one of the best tragicomedies still around. In Russia, everything is military; whenever a new musician arrives, he automatically gets a rank in the army. Even in the church, Nicholas has recently done the same. It seems like he can’t believe someone is alive unless they’re in the army; he can’t fathom that the human heart can beat without the rhythm of a drum. But we believe that in Russia, there’s at least a façade of joy hiding the chilling truth. The great Frederic wanted no disguise; everywhere, he was a chief corporal, and his never-ending boots crushed the beautiful flowers of poetry into the dust.

The North has been generous to us of late; she has sent us Ole Bull. She is about to send Frederika Bremer. May she add JENNY LIND!

The North has been generous to us lately; she has sent us Ole Bull. She is about to send Frederika Bremer. May she add JENNY LIND!

 

 

 

 

CAROLINE.

The other evening I heard a gentle voice reading aloud the story of Maurice, a boy who, deprived of the use of his limbs by paralysis, was sustained in comfort, and almost in cheerfulness, by the exertions of his twin sister. Left with him in orphanage, her affections were centred upon him, and, amid the difficulties his misfortunes brought upon them, grew to a fire intense and pure enough to animate her with angelic impulses and powers. As he could not move about, she drew him everywhere in a little cart; and when at last they heard that sea-bathing might accomplish his cure, conveyed him, in this way, hundreds of miles to the sea-shore. Her pious devotion and faith were rewarded by his cure, and (a French story would be entirely incomplete otherwise) with money, plaudits and garlands, from the by-standers.

The other evening, I heard a gentle voice reading aloud the story of Maurice, a boy who, unable to use his limbs because of paralysis, found comfort and almost cheerfulness through the efforts of his twin sister. Left together in an orphanage, she devoted all her affection to him, and despite the challenges his condition brought them, her love grew into something intense and pure, inspiring her with angelic drive and strength. Since he couldn’t move around, she would pull him everywhere in a little cart; when they eventually heard that swimming in the sea might help him recover, she transported him in this way hundreds of miles to the beach. Her devoted faith and care were rewarded with his recovery, and (a French story wouldn’t be complete otherwise) with money, praises, and flowers from the onlookers.

Though the story ends in this vulgar manner, it is, in its conduct, extremely sweet and touching, not only as to the beautiful qualities developed by these trials in the brother and sister, but in the purifying and softening influence exerted, by the sight of his helplessness and her goodness, on all around them.

Although the story concludes in a crude way, it is, in its execution, very sweet and moving, not just because of the wonderful qualities that emerge in the brother and sister through these challenges, but also due to the uplifting and calming effect of witnessing his vulnerability and her kindness on everyone around them.

Those who are the victims of some natural blight often fulfil this important office, and bless those within their sphere more, by awakening feelings of holy tenderness and compassion, than a man healthy and strong can do by the utmost exertion of his good-will and energies. Thus, in the East, men hold sacred those in whom they find a distortion or alienation of mind which makes them unable to provide for themselves. The well and sane feel themselves the ministers of Providence to carry out a mysterious purpose, while taking care of those who are thus left incapable of taking care of themselves; and, while fulfilling this ministry, find themselves refined and made better.

Those who suffer from some natural hardship often play this important role and bless those around them more by stirring feelings of deep tenderness and compassion than a healthy, strong person can achieve through sheer will and effort. In the East, people venerate those who show signs of mental distortion or disconnection that prevents them from caring for themselves. The healthy and sane see themselves as instruments of a higher purpose, tending to those who can’t look after themselves; in doing so, they find themselves transformed and improved.

The Swiss have similar feelings as to those of their families whom cretinism has reduced to idiocy. They are attended to, fed, dressed clean, and provided with a pleasant place for the day, before doing anything else, even by very busy and poor people.

The Swiss have feelings similar to those of their families who have been affected by cretinism and reduced to a state of idiocy. They are taken care of, given food, dressed neatly, and provided with a nice place to spend the day, even by people who are very busy and poor.

We have seen a similar instance, in this country, of voluntary care of an idiot, and the mental benefits that ensued. This idiot, like most that are called so, was not without a glimmer of mind.

We have seen a similar case in this country of voluntary care for someone with cognitive challenges, and the mental benefits that followed. This person, like most who are labeled as such, had some insight.

His teacher was able to give him some notions, both of spiritual and mental facts; at least she thought she had given him the idea of God, and though it appeared by his gestures that to him the moon was the representative of that idea, yet he certainly did conceive of something above him, and which inspired him with reverence and delight. He knew the names of two or three persons who had done him kindness, and when they were mentioned, would point upward, as he did to the moon, showing himself susceptible, in his degree, of Mr. Carlyle's grand method of education, hero-worship. She had awakened in him a love of music, so that he could be soothed in his most violent moods by her gentle singing. It was a most touching sight to see him sitting opposite to her at such tunes, his wondering and lack-lustre eyes filled with childish pleasure, while in hers gleamed the same pure joy that we may suppose to animate the looks of an angel appointed by Heaven to restore a ruined world.

His teacher was able to give him some ideas about spiritual and mental concepts; at least she thought she had introduced him to the idea of God. Although his gestures suggested that the moon represented that idea for him, he definitely felt a presence above him that filled him with reverence and joy. He knew the names of a few people who had been kind to him, and when they were mentioned, he would point upward, just like he did with the moon, showing that he was influenced, in his own way, by Mr. Carlyle's great method of education: hero-worship. She had ignited a love of music in him, so that her gentle singing could calm him even in his most intense moods. It was a truly moving sight to see him sitting across from her during those moments, his eyes wide and dull filled with childlike pleasure, while in her eyes shone the same pure joy that we might imagine radiates from an angel sent by Heaven to heal a broken world.

We know another instance, in which a young girl became to her village a far more valuable influence than any patron saint who looks down from his stone niche, while his votaries recall the legend of his goodness in days long past.

We know of another example where a young girl became a much more valuable influence in her village than any patron saint who looks down from his stone niche, while his followers remember the legend of his goodness from long ago.

Caroline lived in a little, quiet country village—quiet as no village can now remain, since the railroad strikes its spear through the peace of country life. She lived alone with a widowed mother, for whom, as well as for herself, her needle won bread, while the mother's strength, and skill sufficed to the simple duties of their household. They lived content and hopeful, till, whether from sitting still too much, or some other cause, Caroline became ill, and soon the physician pronounced her spine to be affected, and to such a degree that she was incurable.

Caroline lived in a small, quiet country village—quiet in a way that no village can remain now that the railroad has cut through the tranquility of rural life. She lived alone with her widowed mother, and both of them relied on Caroline’s sewing to make a living, while her mother’s strength and skills were enough for the simple tasks around the house. They were content and hopeful until Caroline started to feel unwell—whether from sitting too much or some other reason. Soon, the doctor said her spine was damaged, and it was at a point that it was beyond help.

This news was a thunder-bolt to the poor little cottage. The mother, who had lost her elasticity of mind, wept in despair; but the young girl, who found so early all the hopes and joys of life taken from her, and that she was seemingly left without any shelter from the storm, had even at first the faith and strength to bow her head in gentleness, and say, "God will provide." She sustained and cheered her mother.

This news hit the little cottage like a bolt of lightning. The mother, who had lost her mental resilience, cried in despair; but the young girl, who had so early seen all her hopes and joys taken away and felt utterly exposed to the storm, still had the faith and strength to bow her head gently and say, "God will provide." She supported and uplifted her mother.

And God did provide. With simultaneous vibration the hearts of all their circle acknowledged the divine obligation of love and mutual aid between human beings. Food, clothing, medicine, service, were all offered freely to the widow and her daughter.

And God provided. At the same time, everyone in their circle recognized the divine duty of love and support between people. Food, clothing, medicine, and help were all given freely to the widow and her daughter.

Caroline grew worse, and was at last in such a state that she could only be moved upon a sheet, and by the aid of two persons. In this toilsome service, and every other that she required for years, her mother never needed to ask assistance. The neighbors took turns in doing all that was required, and the young girls, as they were growing up, counted it among their regular employments to work for or read to Caroline.

Caroline's condition deteriorated, and eventually, she could only be moved on a sheet with the help of two people. Throughout this difficult process and every other need she had for years, her mother never once needed to ask for help. The neighbors took turns doing everything that was necessary, and the young girls, as they grew up, considered it a regular part of their duties to either work for or read to Caroline.

Not without immediate reward was their service of love. The mind of the girl, originally bright and pure, was quickened and wrought up to the finest susceptibility by the nervous exaltation that often ensues upon affection of the spine. The soul, which had taken an upward impulse from its first act of resignation, grew daily more and more into communion with the higher regions of life, permanent and pure. Perhaps she was instructed by spirits which, having passed through a similar trial of pain and loneliness, had risen to see the reason why. However that may be, she grew in nobleness of view and purity of sentiment, and, as she received more instruction from books also than any other person in her circle, had from many visitors abundant information as to the events which were passing around her, and leisure to reflect on them with a disinterested desire for truth, she became so much wiser than her companions as to be at last their preceptress and best friend, and her brief, gentle comments and counsels were listened to as oracles from one enfranchised from the films which selfishness and passion cast over the eyes of the multitude.

Their service of love didn't go unrewarded. The girl's mind, once bright and pure, became highly sensitive and heightened due to the nervous excitement often caused by emotional experiences. Her soul, which had begun to rise after her first act of letting go, grew daily in connection with the higher aspects of life that are lasting and pure. Maybe she was guided by spirits who, having gone through similar pain and loneliness, had risen to understand the reasons behind it all. Whatever the case, she grew in nobility of thought and purity of feeling, and since she also had more education from books than anyone else in her circle, she received plenty of information from various visitors about the events happening around her. With the time to reflect on them with an honest desire for truth, she became much wiser than her peers, ultimately becoming their mentor and closest friend. Her brief, gentle remarks and advice were treated like wise words from someone liberated from the illusions that selfishness and passion create in most people's minds.

The twofold blessing conferred by her presence, both in awakening none but good feelings in the hearts of others, and in the instruction she became able to confer, was such, that, at the end of five years, no member of that society would have been so generally lamented as Caroline, had Death called her away.

The dual blessing of her presence, which inspired only positive feelings in others and the knowledge she was able to share, was such that, after five years, no one in that community would have been more deeply missed than Caroline if Death had taken her.

But the messenger, who so often seems capricious in his summons, took first the aged mother, and the poor girl found that life had yet the power to bring her grief, unexpected and severe.

But the messenger, who often seems unpredictable in his calls, first took the elderly mother, and the poor girl discovered that life still had the ability to bring her unexpected and deep sorrow.

And now the neighbors met in council. Caroline could not be left quite alone in the house. Should they take turns, and stay with her by night as well as by day?

And now the neighbors gathered together to discuss things. Caroline couldn't be left completely alone in the house. Should they take turns staying with her both at night and during the day?

"Not so," said the blacksmith's wife; "the house will never seem like home to her now, poor thing! and 't would be kind of dreary for her to change about her nusses so. I'll tell you what; all my children but one are married and gone off; we have property enough; I will have a good room fixed for her, and she shall live with us. My husband wants her to, as much as me."

"Not at all," said the blacksmith's wife; "the house will never feel like home to her now, poor thing! It would be pretty sad for her to keep switching her nurses like that. Here’s the deal: all my kids except one are married and moved out; we have enough space; I will set up a nice room for her, and she can live with us. My husband wants her to, just as much as I do."

The council acquiesced in this truly humane arrangement, and Caroline lives there still; and we are assured that none of her friends dread her departure so much as the blacksmith's wife.

The council agreed to this truly kind arrangement, and Caroline still lives there; and we are told that none of her friends fear her leaving as much as the blacksmith's wife does.

"'Ta'n't no trouble at all to have her," she says, "and if it was, I shouldn't care; she is so good and still, and talks so pretty! It's as good bein' with her as goin' to meetin'!"

"'It's no trouble at all to have her,' she says, 'and even if it was, I wouldn't mind; she is so good and calm, and talks so nicely! Being with her is just as good as going to church!'"

De Maistre relates some similar passages as to a sick girl in St. Petersburgh, though his mind dwelt more on the spiritual beauty evinced in her remarks, than on the good she had done to those around her. Indeed, none bless more than those who "only stand and wait." Even if their passivity be enforced by fate, it will become a spiritual activity, if accepted in a faith higher above fate than the Greek gods were supposed to sit enthroned above misfortune.

De Maistre shares similar stories about a sick girl in St. Petersburg, but he focuses more on the spiritual beauty shown in her words than on the good she did for those around her. In fact, none are more blessed than those who "just stand and wait." Even if their inaction is forced by fate, it can turn into a spiritual activity if accepted with a faith that rises above fate, much like how the Greek gods were thought to be above misfortune.

 

 

 

 

EVER-GROWING LIVES.

  "Age could not wither her, nor custom stale
     Her infinite variety."
"Age couldn't diminish her, nor could habit make her less interesting with her endless variety."

So was one person described by the pen which has made a clearer mark than any other on the history of Man. But is it not surprising that such a description should apply to so few?

So was one person described by the pen that has left a clearer impression than any other on the history of humanity. But isn’t it surprising that such a description fits so few?

Of two or three women we read histories that correspond with the hint given in these lines. They were women in whom there was intellect enough to temper and enrich, heart enough to soften and enliven the entire being. There was soul enough to keep the body beautiful through the term of earthly existence; for while the roundness, the pure, delicate lineaments, the flowery bloom of youth were passing, the marks left in the course of those years were not merely of time and care, but also of exquisite emotions and noble thoughts. With such chisels Time works upon his statues, tracery and fretwork, well worth the loss of the first virgin beauty of the alabaster; while the fire within, growing constantly brighter and brighter, shows all these changes in the material, as rich and varied ornaments. The vase, at last, becomes a lamp of beauty, fit to animate the councils of the great, or the solitude of the altar.

Of two or three women, we read stories that align with the suggestion in these lines. They were women with enough intellect to enhance and enrich, enough heart to soften and bring life to their entire being. They had enough soul to keep their bodies beautiful throughout their time on Earth; for while the fullness, the pure, delicate features, and the vibrant bloom of youth faded, the marks left over the years were not just signs of aging and care, but also reflections of intense emotions and noble thoughts. Time carves these qualities into its figures, creating patterns and details that make the loss of that initial, untouched beauty of the alabaster worthwhile; while the inner fire, growing brighter and brighter, reveals all these changes in the material, like rich and varied decorations. In the end, the vase transforms into a lamp of beauty, ready to illuminate the discussions of the great or the solitude of the altar.

Two or three women there have been, who have thus grown even more beautiful with age. We know of many more men of whom this is true. These have been heroes, or still more frequently poets and artists; with whom the habitual life tended to expand the soul, deepen and vary the experience, refine the perceptions, and immortalize the hopes and dreams of youth.

Two or three women have ended up even more beautiful with age. We know many more men for whom this holds true. These have been heroes, or more often poets and artists; their everyday lives have helped expand their souls, deepen and diversify their experiences, refine their perceptions, and immortalize the hopes and dreams of their youth.

They were persons who never lost their originality of character, nor spontaneity of action. Their impulses proceeded from a fulness and certainty of character, that made it impossible they should doubt or repent, whatever the results of their actions might be.

They were people who never lost their unique personalities or natural way of acting. Their drives came from a fullness and certainty of character that made it impossible for them to doubt or regret, no matter what the outcomes of their actions were.

They could not repent, in matters little or great, because they felt that their notions were a sincere exposition of the wants of their souls. Their impulsiveness was not the restless fever of one who must change his place somehow or some-whither, but the waves of a tide, which might be swelled to vehemence by the action of the winds or the influence of an attractive orb, but was none the less subject to fixed laws.

They couldn't feel remorse, whether for small things or big ones, because they believed their ideas genuinely reflected their inner needs. Their impulsiveness wasn't the anxious urge of someone who feels the need to move or escape, but rather the powerful waves of a tide, which could be intensified by the winds or the pull of a nearby celestial body, yet remained governed by unchanging rules.

A character which does not lose its freedom of motion and impulse by contact with the world, grows with its years more richly creative, more freshly individual. It is a character governed by a principle of its own, and not by rules taken from other men's experience; and therefore it is that

A character that doesn't lose its freedom of movement and drive through interaction with the world becomes more creatively enriched and uniquely individual as it ages. It's a character guided by its own principles, not by rules derived from other people's experiences; and that's why it is that

  "Age cannot wither them, nor custom stale
     Their infinite variety."
"Age can't diminish them, nor can routine make their endless variety boring."

Like violins, they gain by age, and the spirit of him who discourseth through them most excellent music,

Like violins, they improve with age, and the spirit of the person who plays them creates the most beautiful music,

  "Like wine well kept and long,
   Heady, nor harsh, nor strong,
   With each succeeding year is quaffed
   A richer, purer, mellower draught."
"Like well-aged wine,  
Smooth, not bitter or overpowering,  
Each year, it's savored  
As a richer, purer, smoother drink."

Our French neighbors have been the object of humorous satire for their new coinage of terms to describe the heroes of their modern romance. A hero is no hero unless he has "ravaged brows," is "blasé" or "brisé" or "fatigué." His eyes must be languid, and his cheeks hollow. Youth, health and strength, charm no more; only the tree broken by the gust of passion is beautiful, only the lamp that has burnt out the better part of its oil precious, in their eyes. This, with them, assumes the air of caricature and grimace, yet it indicates a real want of this time—a feeling that the human being ought to grow more rather than less attractive with the passage of time, and that the decrease in physical charms would, in a fair and full life, be more than compensated by an increase of those which appeal to the imagination and higher feelings.

Our French neighbors have become the target of playful jokes for their new way of creating terms to describe the heroes of their modern romance. A hero isn’t really a hero unless he has "ravaged brows," is "blasé," "brisé," or "fatigué." His eyes must be dreamy, and his cheeks sunken. Youth, health, and strength no longer matter; only the tree broken by a gust of passion is beautiful, and only the lamp that has burned through most of its oil is valued in their eyes. This may seem like exaggeration and theatrics to them, but it reflects a genuine longing of this time—a belief that a person should become more appealing as time goes on, and that the loss of physical beauty would, in a fulfilling life, be more than made up for by a growth in qualities that resonate with imagination and deeper emotions.

A friend complains that, while most men are like music-boxes, which you can wind up to play their set of tunes, and then they stop, in our society the set consists of only two or three tunes at most That is because no new melodies are added after five-and-twenty at farthest. It is the topic of jest and amazement with foreigners that what is called society is 'given up so much into the hands of boys and girls. Accordingly it wants spirit, variety and depth of tone, and we find there no historical presences, none of the charms, infinite in variety, of Cleopatra, no heads of Julius Cæsar, overflowing with meanings, as the sun with light.

A friend complains that, while most men are like music boxes that you can wind up to play their limited tunes and then they stop, in our society, the playlist consists of only two or three songs at most. This is because no new melodies are introduced after the age of twenty-five at the very latest. It's a source of amusement and surprise to foreigners that what we call society is so much controlled by young people. As a result, it lacks spirit, variety, and depth, and we find no historical figures, none of the endlessly varied charms of Cleopatra, and none of the profound meanings represented by figures like Julius Caesar, overflowing with significance just as the sun is with light.

Sometimes we hear an educated voice that shows us how these things might be altered. It has lost the fresh tone of youth, but it has gained unspeakably in depth, brilliancy, and power of expression. How exquisite its modulations, so finely shaded, showing that all the intervals are filled up with little keys of fairy delicacy and in perfect tune!

Sometimes we hear a knowledgeable voice that shows us how these things might be changed. It has lost the youthful freshness, but it has gained immensely in depth, brilliance, and expressive power. How exquisite its variations, so finely nuanced, demonstrating that all the gaps are filled with tiny keys of delicate beauty and in perfect harmony!

Its deeper tones sound the depth of the past; its more thrilling notes express an awakening to the infinite, and ask a thousand questions of the spirits that are to unfold our destinies, too far-reaching to be clothed in words. Who does not feel the sway of such a voice? It makes the whole range of our capacities resound and tremble, and, when there is positiveness enough to give an answer, calls forth most melodious echoes.

Its deeper tones resonate with the weight of the past; its more exciting notes express a sense of awakening to the infinite and pose countless questions to the spirits that will shape our destinies—far too complex to be captured in words. Who doesn’t feel the impact of such a voice? It makes every part of us vibrate and tremble, and when we’re certain enough to respond, it evokes the most beautiful echoes.

The human eye gains, in like manner, by tune and experience. Its substance fades, but it is only the more filled with an ethereal lustre which penetrates the gazer till he feels as if

The human eye, similarly, improves with time and experience. Its material may fade, but it becomes even more infused with a heavenly shine that reaches deep into the observer, making them feel as if

  "That eye were in itself a soul,"
"That eye was a soul in itself,"


and realizes the range of its power


and recognizes the extent of its power

  "To rouse, to win, to fascinate, to melt,
   And by its spell of undefined control
   Magnetic draw the secrets of the soul."
"To awaken, to capture, to captivate, to soften,  
And by its charm of unknown power  
Magnetically draw out the secrets of the soul."

The eye that shone beneath the white locks of Thorwaldsen was such an one,—the eye of immortal youth, the indicator of the man's whole aspect in a future sphere. We have scanned such eyes closely; when near, we saw that the lids were red, the corners defaced with ominous marks, the orb looked faded and tear-stained; but when we retreated far enough for its ray to reach us, it seemed far younger than the clear and limpid gaze of infancy, more radiant than the sweetest beam in that of early youth. The Future and the Past met in that glance,

The eye that glimmered beneath Thorwaldsen's white hair was just like that—an eye of eternal youth, reflecting the man's entire demeanor in a future world. We've looked closely at such eyes; up close, we noticed the lids were red, the corners marred with troubling signs, and the orb appeared faded and tear-streaked. But when we stepped back far enough for its light to reach us, it looked much younger than the clear and bright gaze of a baby, more radiant than the sweetest light of early youth. In that gaze, the Future and the Past came together.

O for more such eyes! The vouchers of free, of full and ever-growing lives!

O for more eyes like these! The gateways to lives that are free, full, and always expanding!

 

 

 

 

HOUSEHOLD NOBLENESS.

  "Mistress of herself, though China fell."
"Mistress of herself, even though China fell."

Women, in general, are indignant that the satirist should have made this the climax to his praise of a woman. And yet, we fear, he saw only too truly. What unexpected failures have we seen, literally, in this respect! How often did the Martha blur the Mary out of the face of a lovely woman at the sound of a crash amid glass and porcelain! What sad littleness in all the department thus represented! Obtrusion of the mop and duster on the tranquil meditation of a husband and brother. Impatience if the carpet be defaced by the feet even of cherished friends.

Women, in general, are outraged that the satirist made this the peak of his praise for a woman. And yet, we fear he saw the truth all too clearly. What unexpected failures have we witnessed, literally, in this regard! How often has the Martha overshadowed the Mary of a beautiful woman's face at the sound of shattering glass and porcelain! What sad pettiness in all the roles being represented! The interruption of the mop and duster during the peaceful reflection of a husband and brother. Frustration if the carpet gets stained by the feet of even beloved friends.

There is a beautiful side, and a good reason here; but why must the beauty degenerate, and give place to meanness?

There is a beautiful side and a good reason for it, but why does beauty have to decline and be replaced by something petty?

To Woman the care of home is confided. It is the sanctuary, of which she should be the guardian angel. To all elements that are introduced there she should be the "ordering mind." She represents the spirit of beauty, and her influence should be spring-like, clothing all objects within her sphere with lively, fresh and tender hues.

To women, the responsibility of managing the home is entrusted. It is the sanctuary that she should watch over like a guardian angel. She should be the "organizing mind" for everything that comes into that space. She embodies the spirit of beauty, and her presence should be refreshing, filling everything around her with vibrant, fresh, and gentle colors.

She represents purity, and all that appertains to her should be kept delicately pure. She is modesty, and draperies should soften all rude lineaments, and exclude glare and dust. She is harmony, and all objects should be in their places ready for, and matched to, their uses.

She symbolizes purity, and everything related to her should be kept delicately pure. She embodies modesty, and coverings should soften any harsh lines, eliminating glare and dust. She represents harmony, and all objects should be in their proper places, prepared for and suited to their functions.

We all know that there is substantial reason for the offence we feel at defect in any of these ways. A woman who wants purity, modesty and harmony, in her dress and manners, is insufferable; one who wants them in the arrangements of her house, disagreeable to everybody. She neglects the most obvious ways of expressing what we desire to see in her, and the inference is ready, that the inward sense is wanting.

We all understand why we feel strongly offended by any flaws in these areas. A woman who demands purity, modesty, and harmony in her clothing and behavior can be unbearable; one who insists on these qualities in her home can be annoying to everyone. She overlooks the simplest ways to show what we want to see in her, leading to the conclusion that there's something lacking inside her.

It is with no merely gross and selfish feeling that all men commend the good housekeeper, the good nurse. Neither is it slight praise to say of a woman that she does well the honors of her house in the way of hospitality. The wisdom that can maintain serenity, cheerfulness and order, in a little world of ten or twelve persons, and keep ready the resources that are needed for their sustenance and recovery in sickness and sorrow, is the same that holds the stars in their places, and patiently prepares the precious metals in the most secret chambers of the earth. The art of exercising a refined hospitality is a fine art, and the music thus produced only differs from that of the orchestra in this, that in the former case the overture or sonata cannot be played twice in the same manner. It requires that the hostess shall combine true self-respect and repose,

It’s not just a selfish instinct that makes everyone appreciate a great housekeeper and a caring nurse. It’s not a small compliment to say a woman excels in hosting and making her home welcoming. The ability to maintain calm, positivity, and organization in a small group of ten or twelve people, while always having the resources on hand to care for them in times of need or sickness, is the same wisdom that arranges the stars in the sky and patiently brings forth precious metals from the depths of the earth. Mastering the art of refined hospitality is a true skill, and the harmony created is different from that of an orchestra in that each gathering can never be replicated in exactly the same way. It requires the hostess to combine genuine self-respect and tranquility,

  "The simple art of not too much,"
"The straightforward skill of not overdoing it,"


with refined perception of individual traits and moods in character, with variety and vivacity, an ease, grace and gentleness, that diffuse their sweetness insensibly through every nook of an assembly, and call out reciprocal sweetness wherever there is any to be found.


with a keen understanding of individual traits and moods in character, with variety and liveliness, an ease, grace, and gentleness that subtly spreads their sweetness through every corner of a gathering, and evoke mutual sweetness wherever it exists.

The only danger in all this is the same that besets us in every walk of life; to wit, that of preferring the outward sign to the inward spirit whenever there is cause to hesitate between the two.

The only danger in all this is the same that we face in every area of life: that we might favor the external appearance over the inner essence whenever we have to choose between the two.

"I admire," says Goethe, "the Chinese novels; they express so happily ease, peace and a finish unknown to other nations in the interior arrangements of their homes.

"I admire," says Goethe, "the Chinese novels; they express a sense of ease, peace, and a level of refinement in their home arrangements that is unmatched by other nations.

"In one of them I came upon the line, 'I heard the lovely maidens laughing, and found my way to the garden, where they were seated in their light cane-chairs,' To me this brings an immediate animation, by the images it suggests of lightness, brightness and elegance."

"In one of them I came across the line, 'I heard the beautiful young women laughing, and made my way to the garden, where they were sitting in their light cane chairs.' For me, this instantly evokes a sense of liveliness through the images it conjures of lightness, brightness, and elegance."

This is most true, but it is also most true that the garden-house would not seem thus charming unless its light cane-chairs had lovely, laughing maidens seated in them. And the lady who values her porcelain, that most exquisite product of the peace and thorough-breeding of China, so highly, should take the hint, and remember that unless the fragrant herb of wit, sweetened by kindness, and softened by the cream of affability, also crown her board, the prettiest tea-cups in the world might as well lie in fragments in the gutter, as adorn her social show. The show loses its beauty when it ceases to represent a substance.

This is definitely true, but it’s also true that the garden-house wouldn’t seem so charming without its light cane chairs occupied by lovely, cheerful women. And the lady who values her porcelain, the most exquisite product of China’s peace and refinement, should take the hint and remember that unless the fragrant herb of wit, sweetened by kindness and softened by the cream of friendliness, also graces her table, the prettiest tea cups in the world might as well be shattered in the gutter instead of enhancing her social gathering. The gathering loses its appeal when it stops representing real substance.

Here, as elsewhere, it is only vanity, narrowness and self-seeking, that spoil a good thing. Women would never be too good housekeepers for their own peace and that of others, if they considered housekeeping only as a means to an end. If their object were really the peace and joy of all concerned, they could bear to have their cups and saucers broken more easily than their tempers, and to have curtains and carpets soiled, rather than their hearts by mean and small feelings. But they are brought up to think it is a disgrace to be a bad housekeeper, not because they must, by such a defect, be a cause of suffering and loss of time to all within their sphere, but because all other women will laugh at them if they are so. Here is the vice,—for want of a high motive there can be no truly good action.

Here, like everywhere else, it’s just vanity, narrow-mindedness, and selfishness that ruin a good thing. Women would never stress over being good housekeepers for their own sake or for others' if they viewed housekeeping simply as a means to an end. If their goal were truly the peace and happiness of everyone involved, they could handle having their cups and saucers broken more easily than losing their tempers, and having curtains and carpets stained rather than letting their hearts be tainted by petty feelings. However, they are raised to believe it’s shameful to be a bad housekeeper, not because such a flaw causes suffering and wasted time for everyone around them, but because other women will mock them for it. This is the problem—without a higher purpose, there can be no genuinely good action.

We have seen a woman, otherwise noble and magnanimous in a high degree, so insane on this point as to weep bitterly because she found a little dust on her picture-frames, and torment her guests all dinner-time with excuses for the way in which the dinner was cooked.

We have seen a woman, otherwise noble and generous in many ways, so obsessed with this issue that she would cry hard over finding a bit of dust on her picture frames and bother her guests the entire dinner with excuses about how the meal was prepared.

We have known others to join with their servants to backbite the best and noblest friends for trifling derelictions against the accustomed order of the house. The broom swept out the memory of much sweet counsel and loving-kindness, and spots on the table-cloth were more regarded than those they made on their own loyalty and honor in the most intimate relations.

We've seen people team up with their servants to gossip about their best and dearest friends over minor mistakes against the usual order of things. The past kindness and good advice were forgotten, and they cared more about stains on the tablecloth than the damage they did to their own loyalty and honor in their closest relationships.

"The worst of furies is a woman scorned," and the sex, so lively, mobile, impassioned, when passion is aroused at all, are in danger of frightful error, under great temptation. The angel can give place to a more subtle and treacherous demon, though one, generally, of less tantalizing influence, than in the breast of man. In great crises, Woman needs the highest reason to restrain her; but her besetting sin is that of littleness. Just because nature and society unite to call on her for such fineness and finish, she can be so petty, so fretful, so vain, envious and base! O, women, see your danger! See how much you need a great object in all your little actions. You cannot be fair, nor can your homes be fair, unless you are holy and noble. Will you sweep and garnish the house, only that it may be ready for a legion of evil spirits to enter in—for imps and demons of gossip, frivolity, detraction, and a restless fever about small ills? What is the house for, if good spirits cannot peacefully abide there? Lo! they are asking for the bill in more than one well-garnished mansion. They sought a home and found a work-house. Martha! it was thy fault!

"The worst fury is a woman scorned," and women, being so lively, adaptable, and passionate, are at risk of making terrible mistakes when their emotions are stirred. The angel can easily give way to a more cunning and deceptive demon, although generally, this demon doesn’t have as alluring an influence as that in men. In tough situations, women need a strong sense of reason to hold them back; yet, their recurring flaw is their tendency towards pettiness. Because nature and society expect them to embody such delicacy and sophistication, they can become so small-minded, anxious, vain, jealous, and petty! Oh, women, recognize your peril! Understand how vital it is for you to have a significant purpose in all your minor actions. You cannot be truly beautiful, nor can your homes be truly beautiful, unless you are pure and noble. Will you clean and decorate your house just to prepare it for a swarm of evil spirits—like gossip, triviality, slander, and an endless anxiety over minor grievances? What is the point of the house if good spirits cannot peacefully dwell there? Look! They are demanding the bill in more than one well-decorated mansion. They came looking for a home and found a workhouse. Martha! It was your fault!

 

 

 

 

"GLUMDALCLITCHES."

This title was wittily given by an editor of this city to the ideal woman demanded in "Woman in the Nineteenth Century." We do not object to it, thinking it is really desirable that women should grow beyond the average size which has been prescribed for them. We find in the last news from Paris these anecdotes of two who "tower" an inch or more "above their sex," if not yet of Glumdalclitch stature.

This title was cleverly given by an editor in this city to the ideal woman discussed in "Woman in the Nineteenth Century." We don't mind it, believing it's actually a good thing for women to surpass the average size that's been set for them. We see in the latest news from Paris these stories of two women who "tower" an inch or more "above their sex," even if they aren't quite at Glumdalclitch height.

"Bravissima!—The 7th of May, at Paris, a young girl, who was washing linen, fell into the Canal St. Martin. Those around called out for help, but none ventured to give it. Just then a young lady elegantly dressed came up and saw the case; in the twinkling of an eye she threw off her hat and shawl, threw herself in, and succeeded in dragging the young girl to the brink, after having sought for her in vain several times under the water. This lady was Mlle. Adèle Chevalier, an actress. She was carried, with the girl she had saved, into a neighboring house, which she left, after having received the necessary cares, in a fiacre, and amid the plaudits of the crowd."

"Bravissima!—On May 7th in Paris, a young girl who was doing laundry fell into the Canal St. Martin. People nearby shouted for help, but no one dared to jump in. Just then, a stylishly dressed young woman arrived and saw what was happening; in an instant, she took off her hat and shawl, jumped in, and managed to pull the young girl to safety after searching for her several times underwater in vain. This woman was Mlle. Adèle Chevalier, an actress. After she and the girl she saved were taken to a nearby house, she left in a cab after receiving the necessary care, amid cheers from the crowd."

The second anecdote is of a different kind, but displays a kind of magnanimity still more unusual in this poor servile world:

The second story is a different type, but shows a kind of generosity that's even rarer in this struggling, submissive world:

"One of our (French) most distinguished painters of sea-subjects, Gudin, has married a rich young English lady, belonging to a family of high rank, and related to the Duke of Wellington. M. Gudin was lately at Berlin at the same time with K——, inspector of pictures to the King of Holland. The King of Prussia desired that both artists should be presented to him, and received Gudin in a very flattering manner; his genius being his only letter of recommendation.

"One of our (French) most celebrated painters of marine scenes, Gudin, has married a wealthy young English woman from a prominent family related to the Duke of Wellington. Recently, M. Gudin was in Berlin at the same time as K——, the inspector of paintings for the King of Holland. The King of Prussia wanted both artists to be introduced to him, and he welcomed Gudin in a very flattering way; his talent being his only form of recommendation."

"Monsieur K—— has not the same advantage; but, to make up for it, he has a wife who enjoys in Holland a great reputation for her beauty. The King of Prussia is a cavalier, who cares more for pretty ladies than for genius. So Monsieur and Madame K—— were invited to the royal table—an honor which was not accorded to Monsieur and Madame Gudin.

"Monsieur K—— doesn't have the same advantages, but to compensate, he has a wife who is highly regarded for her beauty in Holland. The King of Prussia is a gentleman who values attractive women more than talent. So Monsieur and Madame K—— were invited to the royal table—an honor that was not given to Monsieur and Madame Gudin."

"Humble representations were made to the monarch, advising him not to make such a marked distinction between the French artist and the Dutch amateur. These failing, the wise counsellors went to Madame Gudin, and, intimating that they did so with the good-will of the king, said that she might be received as cousin to the Duke of Wellington, as daughter of an English general, and of a family which dates back to the thirteenth century. She could, if she wished, avail herself of her rights of birth to obtain the same honors with Madame K——. To sit at the table of the king, she need only cease for a moment to be Madame Gudin, and become once more Lady L——."

Modest requests were made to the king, advising him not to draw such a clear line between the French artist and the Dutch amateur. When these efforts failed, the wise advisors approached Madame Gudin, suggesting that they did so with the king's goodwill. They said she could be accepted as a cousin of the Duke of Wellington, as the daughter of an English general and from a family that goes back to the thirteenth century. She could, if she wanted, use her birthright to receive the same honors as Madame K——. To sit at the king's table, she just needed to temporarily stop being Madame Gudin and reclaim her identity as Lady L——.

Does not all this sound like a history of the seventeenth century? Surely etiquette was never maintained in a more arrogant manner at the court of Louis XIV.

Doesn’t all this sound like a story from the seventeenth century? Surely, etiquette was never upheld in a more arrogant way than at the court of Louis XIV.

But Madame Gudin replied that her highest pride lay in the celebrated name which she bears at present; that she did not wish to rely on any other to obtain so futile a distinction, and that, in her eyes, the most noble escutcheon was the palette of her husband.

But Madame Gudin replied that her greatest pride was in the famous name she currently holds; that she didn't want to depend on any other to gain such a trivial distinction, and that, in her view, the most honorable emblem was her husband's palette.

I need not say that this dignified feeling was not comprehended. Madame Gudin was not received at the table, but she had shown the nobleness of her character. For the rest, Madame K——, on arriving at Paris, had the bad taste to boast of having been distinguished above Madame Gudin, and the story reaching the Tuileries, where Monsieur and Madame Gudin are highly favored, excited no little mirth in the circle there.

I don’t need to mention that this dignified feeling wasn’t understood. Madame Gudin wasn’t invited to the table, but she showed the nobility of her character. As for Madame K——, when she arrived in Paris, she had the poor taste to brag about being more distinguished than Madame Gudin, and when the story reached the Tuileries, where Monsieur and Madame Gudin are quite liked, it caused quite a bit of laughter among the crowd there.

 

 

 

 

"ELLEN: OR, FORGIVE AND FORGET."

We notice this coarsely-written little fiction because it is one of a class which we see growing with pleasure. We see it with pleasure, because, in its way, it is genuine. It is a transcript of the crimes, calumnies, excitements, half-blind love of right, and honest indignation at the sort of wrong which it can discern, to be found in the class from which it emanates.

We pay attention to this roughly written little story because it belongs to a genre that we enjoy seeing grow. We appreciate it because, in its own way, it feels real. It's a reflection of the crimes, slanders, passions, misguided sense of justice, and sincere anger at the kinds of wrongs it can identify, coming from the class that produced it.

That class is a large one in our country villages, and these books reflect its thoughts and manners as half-penny ballads do the life of the streets of London. The ballads are not more true to the facts; but they give us, in a coarser form, far more of the spirit than we get from the same facts reflected in the intellect of a Dickens, for instance, or of any writer far enough above the scene to be properly its artist.

That class is a big one in our country villages, and these books show its thoughts and behaviors just like cheap ballads capture the life of the streets of London. The ballads aren't necessarily more accurate to the facts, but they convey, in a rougher way, a lot more of the spirit than we get from the same facts seen through the lens of a writer like Dickens, for example, or any author who is distanced enough from the scene to be considered its true artist.

So, in this book, we find what Cooper, Miss Sedgwick and Mrs. Kirkland, might see, as the writer did, but could hardly believe in enough to speak of it with such fidelity.

So, in this book, we discover what Cooper, Miss Sedgwick, and Mrs. Kirkland might observe, as the writer did, but could hardly believe enough to discuss it with such accuracy.

It is a current superstition that country people are more pure and healthy in mind and body than those who live in cities. It may be so in countries of old-established habits, where a genuine peasantry have inherited some of the practical wisdom and loyalty of the past, with most of its errors. We have our doubts, though, from the stamp upon literature, always the nearest evidence of truth we can get, whether, even there, the difference between town and country life is as much in favor of the latter as is generally supposed. But in our land, where the country is at present filled with a mixed population, who come seeking to be purified by a better life and culture from all the ills and diseases of the worst forms of civilization, things often look worse than in the city; perhaps because men have more time and room to let their faults grow and offend the light of day.

It’s a common belief that people in the countryside are more pure and healthy in mind and body than those who live in cities. This might be true in areas with long-established traditions, where a genuine peasantry has inherited some of the practical wisdom and loyalty of the past, along with most of its mistakes. However, we have our doubts based on the literature, which is often the closest evidence of truth we can find, about whether the differences between city and country life are as favorable for the countryside as people usually think. In our country, where rural areas are currently filled with a diverse population seeking to be cleansed by a better lifestyle and culture from the many problems of harsh urban life, things often look worse than in the city; perhaps because people have more time and space to let their flaws fester and come to light.

There are exceptions, and not a few; but, in a very great proportion of country villages, the habits of the people, as to food, air, and even exercise, are ignorant and unhealthy to the last degree. Their want of all pure faith, and appetite for coarse excitement, is shown by continued intrigues, calumnies, and crimes.

There are exceptions, and there are many; but in a large number of rural villages, the people's habits regarding food, air, and even exercise are extremely ignorant and unhealthy. Their lack of genuine faith and craving for cheap thrills is evident in their ongoing schemes, slanders, and criminal behavior.

We have lived in a beautiful village, where, more favorably placed than any other person in it, both as to withdrawal from bad associations and nearness to good, we heard inevitably, from domestics, work-people, and school-children, more ill of human nature than we could possibly sift were we to elect such a task from all the newspapers of this city, in the same space of time.

We have lived in a beautiful village, where, better situated than anyone else there, both in terms of staying away from bad influences and being close to good ones, we inevitably heard from workers, staff, and school kids more negative things about human nature than we could possibly sift through if we chose to spend that time reading all the newspapers in this city.

We believe the amount of ill circulated by means of anonymous letters, as described in this book, to be as great as can be imported in all the French novels (and that is a bold word). We know ourselves of two or three cases of morbid wickedness, displayed by means of anonymous letters, that may vie with what puzzled the best wits of France in a famous law-suit not long since. It is true, there is, to balance all this, a healthy rebound,—a surprise and a shame; and there are heartily good people, such as are described in this book, who, having taken a direction upward, keep it, and cannot be bent downward nor aside. But, then, the reverse of the picture is of a blackness that would appall one who came to it with any idyllic ideas of the purity and peaceful loveliness of agricultural life.

We believe the amount of harm caused by anonymous letters, as described in this book, is as significant as anything found in all the French novels (and that’s a bold statement). We are aware of a few cases of twisted malice, exhibited through anonymous letters, that can compete with what baffled the smartest minds of France in a well-known lawsuit not too long ago. It’s true that there is a healthy counterbalance—a surprise and a shame—and there are genuinely good people, like those described in this book, who have taken an upward path, maintain it, and cannot be swayed downward or to the side. However, the opposite side of the picture is so dark that it would terrify anyone who approached it with any idealistic notions of the purity and peaceful beauty of rural life.

But what does this prove? Only the need of a dissemination of all that is best, intellectually and morally, through the whole people. Our groves and fields have no good fairies or genii who teach, by legend or gentle apparition, the truths, the principles, that can alone preserve the village, as the city, from the possession of the fiend. Their place must be taken by the school-master, and he must be one who knows not only "readin', writin', and 'rithmetic," but the service of God and the destiny of man. Our people require a thoroughly-diffused intellectual life, a religious aim, such as no people at large ever possessed before; else they must sink till they become dregs, rather than rise to become the cream of creation, which they are too apt to flatter themselves with the fancy of being already.

But what does this prove? Only the need to spread all that's best, both intellectually and morally, throughout the entire population. Our woods and fields have no good fairies or spirits who teach, through stories or gentle appearances, the truths and principles that can keep both the village and the city safe from evil. This role must be filled by the schoolteacher, and he must be someone who knows not just reading, writing, and arithmetic, but also the service of God and the purpose of humanity. Our people need a well-rounded intellectual culture and a spiritual goal, unlike anything the general population has had before; otherwise, they will decline until they become the dregs, instead of rising to be the best of creation, which they are often too likely to deceive themselves into thinking they already are.

The most interesting fiction we have ever read in this coarse, homely, but genuine class, is one called "Metallek." It may be in circulation in this city; but we bought it in a country nook, and from a pedlar; and it seemed to belong to the country. Had we met with it in any other way, it would probably have been to throw it aside again directly, for the author does not know how to write English, and the first chapters give no idea of his power of apprehending the poetry of life. But happening to read on, we became fixed and charmed, and have retained from its perusal the sweetest picture of life lived in this land, ever afforded us, out of the pale of personal observation. That such things are, private observation has made us sure; but the writers of books rarely seem to have seen them; rarely to have walked alone in an untrodden path long enough to hold commune with the spirit of the scene.

The most fascinating fiction we've ever read in this rough, down-to-earth, but authentic genre is called "Metallek." It might be available in this city, but we found it in a rural spot from a traveling vendor, and it felt like it belonged to the countryside. If we had come across it in any other way, we probably would have tossed it aside immediately, because the author doesn't know how to write proper English, and the early chapters don't give any indication of his ability to capture the beauty of life. But when we continued reading, we became captivated and have kept the most beautiful depiction of life in this region from its pages, surpassing what we've seen firsthand. While we know for certain that such things exist through our personal experiences, it seems that most authors haven't encountered them; they rarely venture down an uncharted path long enough to connect with the essence of the place.

In this book you find the very life; the most vulgar prose, and the most exquisite poetry. You follow the hunter in his path, walking through the noblest and fairest scenes only to shoot the poor animals that were happy there, winning from the pure atmosphere little benefit except to good appetite, sleeping at night in the dirty hovels, with people who burrow in them to lead a life but little above that of the squirrels end foxes. There is throughout that air of room enough, and free if low forms of human nature, which, at such times, makes bearable all that would otherwise be so repulsive.

In this book, you’ll find real life; the most basic language and the most beautiful poetry. You follow the hunter as he moves through the most noble and stunning landscapes, only to shoot the innocent animals that were thriving there, gaining little from the clean air except for a good appetite, and spending nights in shabby huts with people who dwell in them, living lives barely above those of squirrels and foxes. Throughout, there’s an atmosphere of space and the raw, uncomplicated sides of human nature that, at those moments, makes tolerable everything that would otherwise be utterly disgusting.

But when we come to the girl who is the presiding deity, or rather the tutelary angel of the scene, how are all discords harmonized; how all its latent music poured forth! It is a portrait from the life—it has the mystic charm of fulfilled reality, how far beyond the fairest ideals ever born of thought! Pure, and brilliantly blooming as the flower of the wilderness, she, in like manner, shares while she sublimes its nature. She plays round the most vulgar and rude beings, gentle and caressing, yet unsullied; in her wildness there is nothing cold or savage; her elevation is soft and warm. Never have we seen natural religion more beautifully expressed; never so well discerned the influence of the natural nun, who needs no veil or cloister to guard from profanation the beauty she has dedicated to God, and which only attracts human love to hallow it into the divine.

But when we talk about the girl who is the central figure, or rather the guiding angel of the scene, everything comes together; all its hidden beauty comes to light! It's a lifelike portrait—it carries the mysterious allure of true reality, far beyond the most beautiful ideals created by thought! Pure and brilliantly blooming like a wildflower, she embodies and elevates the nature around her. She interacts with the most ordinary and rough individuals, gentle and affectionate, yet untouched; in her wildness, there's nothing cold or cruel; her grace is soft and warm. We've never seen natural faith expressed so beautifully; we've never recognized so clearly the influence of the natural maiden, who needs no veil or convent to protect the beauty she offers to God, which only draws human love to transform it into the divine.

The lonely life of the girl after the death of her parents,—her fearlessness, her gay and sweet enjoyment of nature, her intercourse with the old people of the neighborhood, her sisterly conduct towards her "suitors,"—all seem painted from the life; but the death-bed scene seems borrowed from some sermon, and is not in harmony with the rest.

The girl's lonely life after her parents passed away—her fearlessness, her joyful and sweet appreciation of nature, her interactions with the elderly people in the neighborhood, her caring attitude towards her "suitors"—all feel very real; however, the deathbed scene seems taken from a sermon and doesn't match the rest.

In this connection we must try to make amends for the stupidity of an earlier notice of the novel, called "Margaret, or the Real and Ideal," &c. At the time of that notice we had only looked into it here and there, and did no justice to a work full of genius, profound in its meaning, and of admirable fidelity to nature in its details. Since then we have really read it, and appreciated the sight and representation of soul-realities; and we have lamented the long delay of so true a pleasure.

In this regard, we need to make up for the ignorance of an earlier review of the novel titled "Margaret, or the Real and Ideal," etc. At the time of that review, we had only skimmed through it here and there, and we did not do justice to a work that is full of genius, rich in meaning, and faithfully captures nature in its details. Since then, we have actually read it and appreciated the depiction of genuine emotions; we regret the long wait for such a true delight.

A fine critic said, "This is a Yankee novel; or rather let it be called the Yankee novel, as nowhere else are the thought and dialect of our villages really represented." Another discovered that it must have been written in Maine, by the perfection with which peculiar features of scenery there are described.

A sharp critic noted, "This is a Yankee novel; or rather, let’s call it the Yankee novel, since nowhere else are the ideas and dialect of our towns so accurately portrayed." Another found that it had to have been written in Maine, given how perfectly the unique details of the landscape are described.

A young girl could not sufficiently express her delight at the simple nature with which scenes of childhood are given, and especially at Margaret's first going to meeting. She had never elsewhere found written down what she had felt.

A young girl couldn't fully express her joy at how simply childhood experiences are portrayed, especially at Margaret's first time going to a meeting. She had never encountered a description of what she had felt anywhere else.

A mature reader, one of the most spiritualized and harmonious minds we have ever met, admires the depth and fulness in which the workings of the spirit through the maiden's life are seen by the author, and shown to us; but laments the great apparatus with which the consummation of the whole is brought about, and the formation of a new church and state, before the time is yet ripe, under the banner of Mons. Christi.

A seasoned reader, one of the most enlightened and balanced thinkers we've ever encountered, appreciates the depth and richness with which the author showcases the workings of the spirit in the maiden's life. However, they express disappointment about the elaborate machinery used to bring everything together, including the creation of a new church and state, before the moment is truly right, all under the banner of Mons. Christi.

But all these voices, among those most worthy to be heard, find in the book a real presence, and draw from it auspicious omens that an American literature is possible even in our day, because there are already in the mind here existent developments worthy to see the light, gold-fishes amid the moss in the still waters.

But all these voices, especially those most deserving of attention, find in the book a real presence and draw from it promising signs that American literature is still possible today, because there are already ideas here that deserve to be brought to light, like goldfish swimming among the moss in still waters.

For ourselves, we have been most charmed with the way the Real and Ideal are made to weave and shoot rays through one another, in which Margaret bestows on external nature what she receives through books, and wins back like gifts in turn, till the pond and the mythology are alternate sections of the same chapter. We delight in the teachings she receives through Chilion and his violin, till on the grave of "one who tried to love his fellow-men" grows up the full white rose-flower of her life. The ease with which she assimilates the city life when in it, making it a part of her imaginative tapestry, is a sign of the power to which she has grown.

We have been really impressed with how the Real and Ideal come together, allowing Margaret to give to nature what she learns from books and, in return, receive similar gifts, turning the pond and the mythology into different sections of the same story. We love how she learns from Chilion and his violin, until the full white rose of her life blooms on the grave of "someone who tried to love his fellow men." The way she easily blends in with city life, making it part of her imaginative fabric, shows how much she has grown in her abilities.

We have much more to think and to say of the book, as a whole, and in parts; and should the mood and summer leisure ever permit a familiar and intimate acquaintance with it, we trust they will be both thought and said. For the present, we will only add that it exhibits the same state of things, and strives to point out such remedies as we have hinted at in speaking of the little book which heads this notice; itself a rude charcoal sketch, but if read as hieroglyphics are, pointing to important meanings and results.

We have plenty more to think and discuss about the book, both as a whole and in its parts. If the mood and summer leisure allow for a closer look at it, we hope that thoughts and insights will come forth. For now, we'll just add that it shows the same issues and aims to highlight solutions we've suggested when talking about the small book mentioned at the beginning of this notice; it's like a rough charcoal sketch, but if understood like hieroglyphics, it points to significant meanings and outcomes.

 

 

 

 

"COURRIER DES ETATS UNIS."

No other nation can hope to vie with the French in the talent of communicating information with ease, vivacity and consciousness. They must always be the best narrators and the best interpreters, so far as presenting a clear statement of outlines goes. Thus they are excellent in conversation, lectures, and journalizing.

No other country can compete with the French when it comes to communicating information effortlessly, vividly, and deliberately. They will always be the best storytellers and interpreters, especially in providing a clear overview. As a result, they excel in conversations, lectures, and writing.

After we know all the news of the day, it is still pleasant to read the bulletin of the "Courrier des Etats Unis." We rarely agree with the view taken; but as a summary it is so excellently well done, every topic put in its best place, with such a light and vigorous hand, that we have the same pleasure we have felt in fairy tales, when some person under trial is helped by a kind fairy to sort the silks and feathers to their different places, till the glittering confusion assumes the order,—of a kaleidoscope.

After we catch up on all the day's news, it's still nice to read the bulletin from the "Courrier des Etats Unis." We rarely agree with its perspective, but the summary is crafted so well, with each topic perfectly arranged and a lively touch, that we experience a similar joy to when a character in a fairy tale is assisted by a kind fairy in sorting silks and feathers into their proper places, transforming a sparkling mess into order—like a kaleidoscope.

Then, what excellent correspondents they have in Paris! What a humorous and yet clear account we have before us, now, of the Thiers game! We have traced Guizot through every day with the utmost distinctness, and see him perfectly in the sick-room. Now, here is Thiers, playing with his chess-men, Jesuits, &c. A hundred clumsy English or American papers could not make the present crisis in Paris so clear as we see it in the glass of these nimble Frenchmen.

Then, what great correspondents they have in Paris! What a witty yet clear account we have now of the Thiers game! We've followed Guizot day by day with perfect clarity and see him clearly in the sick room. Now, here’s Thiers, playing with his chess pieces, Jesuits, etc. A hundred awkward English or American papers couldn’t capture the current crisis in Paris as clearly as we see it through the lens of these quick-witted Frenchmen.

Certainly it is with newspaper-writing as with food; the English and Americans have as good appetites, but do not, and never will, know so well how to cook as the French. The Parisian correspondent of the "Schnellpost" also makes himself merry with the play of M. Thiers. Both speak with some feeling of the impressive utterance of Lamartine in the late debates. The Jesuits stand their ground, but there is a wave advancing which will not fail to wash away what ought to go,—nor are its roarings, however much in advance of the wave itself, to be misinterpreted by intelligent ears. The world is raising its sleepy lids, and soon no organization can exist which from its very nature interferes in any way with the good of the whole.

Sure, newspaper writing is like food; the English and Americans have good appetites, but they don’t, and likely never will, know how to cook as well as the French. The Paris correspondent for the "Schnellpost" also finds humor in M. Thiers' play. Both express some sentiment about Lamartine's powerful words in the recent debates. The Jesuits hold their position, but a movement is coming that will inevitably wash away what needs to go— and its sounds, no matter how much ahead of the wave they are, won’t be misunderstood by perceptive minds. The world is starting to wake up, and soon, no organization will be able to survive if it interferes with the overall good.

In Germany the terrors of the authorities are more and more directed against the communists. They are very anxious to know what communism really is, or means. They have almost forgotten, says the correspondent, the repression of the Jews, and like objects, in this new terror. Meanwhile, the Russian Emperor has issued an edict, commanding the Polish Jews, both men and women, to lay aside their national garb. He hopes thus to mingle them with the rest of the mass he moves. It will be seen whether such work can be done by beginning upon the outward man.

In Germany, the authorities are increasingly targeting communists. They are very eager to understand what communism truly is or what it means. According to the correspondent, they have nearly forgotten the repression of the Jews and similar groups in this new wave of terror. Meanwhile, the Russian Emperor has issued a decree requiring Polish Jews, both men and women, to abandon their traditional clothing. He hopes this will help blend them in with the rest of the population he controls. It remains to be seen whether such changes can be achieved by starting with appearances.

The Paris correspondent of the "Courrier," who gives an account of amusements, has always many sprightly passages illustrative of the temper of the times. Horse-races are now the fashion, in which he rejoices, as being likely to give to France good horses of her own. A famous lottery is on the point of coming off,—to give an organ to the Church of St. Eustache,—on which it does not require a very high tone of morals to be severe. A public exhibition has been made of the splendid array of prizes, including every article of luxury, from jewels and cashmere shawls down to artificial flowers.

The Paris correspondent of the "Courrier," who reports on entertainment, often shares lively snippets that reflect the mood of the times. Horse racing is currently in vogue, and he celebrates this trend as it promises to provide France with quality horses. A famous lottery is about to take place—to fund an organ for the Church of St. Eustache—about which it doesn't take much moral high ground to be critical. A public display has showcased the impressive collection of prizes, featuring everything from jewelry and cashmere shawls to fake flowers.

A nobleman, president of the Horticultural Society, had given an entertainment, in which the part of the different flowers was acted by beautiful women, that of fruit and vegetables by distinguished men. Such an amusement would admit of much light grace and wit, which may still be found in France, if anywhere in the world.

A nobleman, president of the Horticultural Society, hosted an event where beautiful women represented different flowers, while distinguished men portrayed fruits and vegetables. This type of entertainment allowed for a lot of lighthearted charm and cleverness, which can still be found in France, if anywhere in the world.

There is also an amusing story of the stir caused among the French political leaders by the visit of a nobleman of one of the great English families, to Paris. "He had had several audiences, previous to his departure from London, of Queen Victoria; he received a despatch daily from the English court. But in reply to all overtures made to induce him to open his mission, he preserved a gloomy silence. All attentions, all signs of willing confidence, are lavished on him in vain. France is troubled. 'Has England,' thought she, 'a secret from us, while we have none from her?' She was on the point of inventing one, when, lo! the secret mission turns out to be the preparation of a ball-dress, with whose elegance, fresh from Parisian genius, her Britannic majesty wished to dazzle and surprise her native realm."

There’s also a funny story about the commotion caused among the French political leaders by the visit of a nobleman from one of the major English families to Paris. "He had several meetings with Queen Victoria before leaving London, and he received a dispatch daily from the English court. But despite all the attempts to get him to start his mission, he stayed completely silent. All the attention and friendly gestures were wasted on him. France felt uneasy. ‘Does England have a secret from us that we don’t know about?’ it wondered. Just as they were about to make up a secret, it turned out that the secret mission was just about preparing a ball gown, with which her Britannic majesty wanted to dazzle and surprise her home country, fresh from Parisian creativity."

'T is a pity Americans cannot learn the grace which decks these trifling jests with so much prettiness. Till we can import something of that, we have no right to rejoice in French fashions and French wines. Such a nervous, driving nation as we are, ought to learn to fly along gracefully, on the light, fantastic toe. Can we not learn something of the English beside the knife and fork conventionalities which, with them, express a certain solidity of fortune and resolve? Can we not get from the French something beside their worst novels?

It's a shame Americans can't learn the elegance that makes these little jokes so charming. Until we can embrace that, we don't have the right to celebrate French fashion and wines. As a high-energy, ambitious nation, we should learn how to move gracefully and lightly. Can't we take a cue from the English beyond just the basic manners of using a knife and fork, which represent their stability and determination? Can't we get something from the French other than their worst novels?

 

 

 

 

"COURRIER DES ETATS UNIS."

OUR PROTÉGÉE, QUEEN VICTORIA.

The Courrier laughs, though with features somewhat too disturbed for a graceful laugh, at a notice, published a few days since in the Tribune, of one of its jests which scandalized the American editor. It does not content itself with a slight notice, but puts forth a manifesto, in formidably large type, in reply.

The Courrier laughs, although its features are a bit too troubled for a smooth laugh, at a notice published a few days ago in the Tribune about one of its jokes that shocked the American editor. It doesn’t settle for a brief notice but issues a manifesto in impressively large type in response.

With regard to the jest itself, we must remark that Mr. Greeley saw this only in a translation, where it had lost whatever of light and graceful in its manner excused a piece of raillery very coarse in its substance. We will admit that, had he seen it as it originally stood, connected with other items in the playful chronicle of Pierre Durand, it would have impressed him differently.

Regarding the joke itself, we should point out that Mr. Greeley only saw it in translation, where it had lost any lightness and grace that might have made its crude nature more acceptable. We’ll agree that, had he seen it in its original form, along with other entries in Pierre Durand's playful chronicle, he would have been affected differently.

But the cause of irritation in the Courrier, and of the sharp repartees of its manifesto, is, probably, what was said of the influence among us of "French literature and French morals," to which the "organ of the French-American population" felt called on to make a spirited reply, and has done so with less of wit and courtesy than could have been expected from the organ of a people who, whatever may be their faults, are at least acknowledged in wit and courtesy preëminent. We hope that the French who come to us will not become, in these respects, Americanized, and substitute the easy sneer, and use of such terms as "ridiculous," "virtuous misanthropy," &c., for the graceful and poignant raillery of their native land, which tickles even where it wounds.

But the source of irritation in the Courrier, and the sharp responses in its manifesto, likely stems from what was said about the impact of "French literature and French morals" on us. The "voice of the French-American community" felt compelled to respond with vigor, but it did so with less wit and courtesy than one might expect from a group that, despite its flaws, is at least recognized for its wit and politeness. We hope that the French who come to us won't lose these qualities and instead adopt the casual sarcasm and phrases like "ridiculous" and "virtuous misanthropy" in place of the elegant and cutting humor of their homeland, which entertains even while it hurts.

We may say, in reply to the Courrier, that if Fourierism "recoils towards a state of nature," it arises largely from the fact that its author lived in a country where the natural relations are, if not more cruelly, at least more lightly violated, than in any other of the civilized world. The marriage of convention has done its natural office in sapping the morals of France, till breach of the marriage vow has become one of the chief topics of its daily wit, one of the acknowledged traits of its manners, and a favorite—in these modern times we might say the favorite—subject of its works of fiction. From the time of Molière, himself an agonized sufferer behind his comic mask from the infidelities of a wife he was not able to cease to love, through memoirs, novels, dramas, and the volleyed squibs of the press, one fact stares us in the face as one of so common occurrence, that men, if they have not ceased to suffer in heart and morals from its poisonous action, have yet learned to bear with a shrug and a careless laugh that marks its frequency. Understand, we do not say that the French are the most deeply stained with vice of all nations. We do not think them so. There are others where there is as much, but there is none where it is so openly acknowledged in literature, and therefore there is none whose literature alone is so likely to deprave inexperienced minds, by familiarizing them with wickedness before they have known the lure and the shock of passion. And we believe that this is the very worst way for youth to be misled, since the miasma thus pervades the whole man, and he is corrupted in head and heart at once, without one strengthening effort at resistance.

We can respond to the Courrier by saying that if Fourierism "falls back towards a primal state," it’s mainly because its creator lived in a place where natural relationships are, if not more cruelly, at least more casually disregarded than in any other civilized country. The institution of marriage has done its part in undermining the morals of France, to the point where breaking the marriage vow has become a major topic of its daily humor, a well-recognized feature of its social behavior, and a beloved—in modern times, we might say the beloved—theme in its fiction. Since Molière, who himself suffered behind his comedic facade from the unfaithfulness of a wife he couldn't stop loving, through memoirs, novels, plays, and the biting commentary of the press, one undeniable fact confronts us: men have not stopped suffering in heart and morals from its toxic influence, yet they have learned to shrug it off with a careless laugh that marks how common it is. Let’s be clear, we’re not claiming that the French are the most morally corrupt of all nations. We don't believe that. Other nations have similar issues, but none openly acknowledge it in literature to the same extent, which makes their literature particularly likely to corrupt inexperienced minds, by introducing them to wickedness before they’ve experienced the allure and shock of passion. We believe this is the worst way for youth to be led astray, as this toxic influence infiltrates the entire person, corrupting both mind and heart at once, without any strong effort to resist.

Were it necessary, we might substantiate what we say by quoting from the Courrier within the last fortnight, jokes and stories such as are not to be found so frequently in the prints of any other nation. There is the story of the girl Adelaide, which, at another time, we mean to quote, for its terrible pathos. There is a man on trial for the murder of his wife, of whom the witnesses say, "he was so fond of her you would never have known she was his wife!" Here is one, only yesterday, where a man kills a woman to whom he was married by his relatives at eighteen, she being much older, and disagreeable to him, but their properties matching. After twelve years' marriage, he can no longer support the yoke, and kills both her and her father, and "his only regret is that he cannot kill all who had anything to do with the match."

If needed, we could back up our claims by citing the Courrier from the past two weeks, featuring jokes and stories that you rarely find in other countries' publications. There's the story of the girl Adelaide, which we plan to quote later for its heart-wrenching sadness. There's a man on trial for murdering his wife, and the witnesses say, "He was so fond of her you would never have guessed she was his wife!" Then there's one from just yesterday, where a man kills a woman whom his family arranged for him to marry when he was eighteen; she was much older and unpleasant to him, but their properties matched. After twelve years of marriage, he can no longer bear the burden and ends up killing both her and her father, saying "his only regret is that he can't kill everyone involved in the marriage."

Either infidelity or such crimes are the natural result of marriages made as they are in France, by agreement between the friends, without choice of the parties. It is this horrible system, and not a native incapacity for pure and permanent relations, that leads to such results.

Either infidelity or similar offenses are the natural outcome of marriages in France, which are arranged by mutual agreement among the families rather than by the choice of the individuals involved. It is this terrible system, rather than an inherent inability to form pure and lasting relationships, that leads to these outcomes.

We must observe, en passant, that this man was the father of five children by this hated woman—a wickedness not peculiar to France or any nation, and which cannot foil to do its work of filling the world with sickly, weak, or depraved beings, who have reason to curse their brutal father that he does not murder them as well as their wretched mother,—who, more unhappy than the victim of seduction, is made the slave of sense in the name of religion and law.

We should note, en passant, that this man was the father of five children with this despised woman—a wrongdoing not unique to France or any other nation, and which consistently leads to the emergence of sickly, weak, or corrupt individuals, who have every reason to resent their cruel father for not ending their lives, just like their miserable mother—who, more unfortunate than the victim of seduction, becomes a slave to desire under the guise of religion and law.

The last steamer brings us news of the disgrace of Victor Hugo, one of the most celebrated of the literary men of France, and but lately created one of her peers. The affair, however, is to be publicly "hushed up."

The last steamer brings us news of the disgrace of Victor Hugo, one of the most celebrated literary figures in France, who was recently made one of her peers. The situation, however, is to be publicly "hushed up."

But we need not cite many instances to prove, what is known to the whole world, that these wrongs are, if not more frequent, at least more lightly treated by the French, in literature and discourse, than by any nation of Europe. This being the case, can an American, anxious that his country should receive, as her only safeguard from endless temptations, good moral instruction and mental food, be otherwise than grieved at the promiscuous introduction among us of their writings?

But we don’t need to give many examples to show what everyone already knows: that these wrongs are, if not more common, at least taken less seriously by the French, in literature and conversation, than by any other country in Europe. Given this, can an American, who wishes for his country to have good moral guidance and intellectual nourishment as its only protection against endless temptations, feel anything but troubled by the widespread introduction of their writings among us?

We know that there are in France good men, pure books, true wit. But there is an immensity that is bad, and more hurtful to our farmers, clerks and country milliners, than to those to whose tastes it was originally addressed,—as the small-pox is most fatal among the wild men of the woods,—and this, from the unprincipled cupidity of publishers, is broad-cast recklessly over all the land we had hoped would become a healthy asylum for those before crippled and tainted by hereditary abuses. This cannot be prevented; we can only make head against it, and show that there is really another way of thinking and living,—ay, and another voice for it in the world. We are naturally on the alert, and if we sometimes start too quickly, that is better than to play "Le noir Faineant"—(The Black Sluggard).

We know that there are good people in France, respectable books, and genuine humor. However, there is a vast amount of harmful stuff that is more damaging to our farmers, clerks, and small-town shopkeepers than to the audience it was originally meant for—just like smallpox is most deadly among the untamed people in the woods. This is spread recklessly across the land we had hoped would become a safe haven for those who were previously weakened and affected by inherited issues. We can't stop this; we can only push back against it and demonstrate that there is indeed a different way to think and live—and that this perspective has a voice in the world. We are naturally vigilant, and if we sometimes react a bit too quickly, that's better than being lazy like "Le noir Faineant" (The Black Sluggard).

We are displeased at the unfeeling manner in which the Courrier speaks of those whom he calls our models. He did not misunderstand us, and some things he says on this subject deserve and suggest a retort that would be bitter. But we forbear, because it would injure the innocent with the guilty. The Courrier ranks the editor of the Tribune among "the men who have undertaken an ineffectual struggle against the perversities of this lower world." By ineffectual we presume he means that it has never succeeded in exiling evil from this lower world. We are proud to be ranked among the band of those who at least, in the ever-memorable words of Scripture, have "done what they could" for this purpose. To this band belong all good men of all countries, and France has contributed no small contingent of those whose purpose was noble, whose lives were healthy, and whose minds, even in their lightest moods, pure. We are better pleased to act as sutler or pursuivant of this band, whose strife the Courrier thinks so impuissante, than to reap the rewards of efficiency on the other side. There is not too much of this salt, in proportion to the whole mass that needs to be salted, nor are "occasional accesses of virtuous misanthropy" the worst of maladies in a world that affords such abundant occasion for it.

We're disappointed by the cold way the Courrier talks about those he calls our models. He didn’t get us wrong, and some of his comments deserve a sharp response that would be harsh. But we hold back because it would harm the innocent along with the guilty. The Courrier includes the editor of the Tribune among "the men who have taken on a pointless fight against the wrongs of this world." By pointless, we assume he means it hasn’t succeeded in banishing evil from this world. We take pride in being part of those who, at the very least, in the unforgettable words of Scripture, have "done what they could" for this cause. This group includes all good people from every country, and France has made a significant contribution of those whose intentions were noble, whose lives were healthy, and whose thoughts, even in their lightest moments, were pure. We’re more satisfied to serve as a supplier or supporter of this group, which the Courrier considers so impuissante, than to enjoy the benefits of success on the other side. There isn't enough of this salt compared to the whole mass that needs to be seasoned, nor are "occasional bursts of virtuous misanthropy" the worst afflictions in a world that offers so many reasons for it.

In fine, we disclaim all prejudice against the French nation. We feel assured that all, or almost all, impartial minds will acquiese in what we say as to the tone of lax morality, in reference to marriage, so common in their literature. We do not like it, in joke or in earnest; neither are we of those to whom vice "loses most of its deformity by losing all its grossness." If there be a deep and ulcerated wound, we think the more "the richly-embroidered veil" is torn away the better. Such a deep social wound exists in France; we wish its cure, as we wish the health of all nations and of all men; so far indeed would we "recoil towards a state of nature." We believe that nature wills marriage and parentage to be kept sacred. The fact of their not being so is to us not a pleasant subject of jest; and we should really pity the first lady of England for injury here, though she be a queen; while the ladies of the French court, or of Parisian society, if they willingly lend themselves to be the subject of this style of jest, or find it agreeable when made, must be to us the cause both of pity, and disgust. We are not unaware of the great and beautiful qualities native to the French—of their chivalry, their sweetness of temper, their rapid, brilliant and abundant genius. We would wish to see these qualities restored to their native lustre, and not receive the base alloy which has long stained the virginity of the gold.

In short, we reject any bias against the French nation. We are confident that most fair-minded people will agree with our observations about the loose morality regarding marriage that's often found in their literature. We dislike it, whether in jest or seriously; we don't believe that vice "loses much of its ugliness by losing its crudeness." If there is a deep and festering wound, we think the more "the richly-embroidered veil" is removed, the better. Such a serious social issue exists in France; we wish for its healing, just as we wish for the well-being of all nations and all people; in fact, we would "recoil towards a state of nature." We believe that nature intends for marriage and parenting to be respected. The fact that they are not is not a lighthearted topic for us; we would genuinely feel sorry for the first lady of England if she were harmed in this regard, even though she is a queen; while the ladies of the French court or Parisian society, if they willingly allow themselves to be the subject of this kind of humor or find it enjoyable, evoke both pity and disgust from us. We are not blind to the great and beautiful qualities inherent in the French—their chivalry, their kindness, their quick, brilliant, and abundant genius. We would like to see these qualities shine again and not be tarnished by the base elements that have long dulled the purity of the gold.

 

 

 

 

ON BOOKS OF TRAVEL.

[Footnote: It need not be said, probably, that Margaret Fuller did not think the fact that books of travel by women have generally been piquant and lively rather than discriminating and instructive, a result of their nature, and therefore unavoidable; on the contrary, she regarded woman as naturally more penetrating than man, and the fact that in journeying she would see more of home-life than he, would give her a great advantage,—but she did believe woman needed a wider culture, and then she would not fail to excel in writing books of travels. The merits now in such works she considered striking and due to woman's natural quickness and availing herself of all her facilities, and any deficiencies simply proved the need of a broader education.—[EDIT.]]

[Footnote: It probably goes without saying that Margaret Fuller did not believe the fact that travel books by women are usually more entertaining and lively rather than thoughtful and informative is a result of their nature and therefore unavoidable; on the contrary, she saw women as naturally more insightful than men, and the fact that they would observe more of home life during their travels would give them a significant advantage—but she did think women needed a broader education, and then they would excel in writing travel books. She considered the strengths of such works to be notable and attributed them to women's natural quickness and their ability to use all their resources, while any shortcomings simply highlighted the need for a more comprehensive education.—[EDIT.]]

Among those we have, the best, as to observation of particulars and lively expression, are by women. They are generally ill prepared as regards previous culture, and their scope is necessarily narrower than that of men, but their tact and quickness help them a great deal. You can see their minds grow by what they feed on, when they travel. There are many books of travel, by women, that are, at least, entertaining, and contain some penetrating and just observations. There has, however, been none since Lady Mary Wortley Montague, with as much talent, liveliness, and preparation to observe in various ways, as she had.

Among those we have, the best in terms of attention to detail and vibrant expression are by women. They typically lack the same level of prior education and their range is often narrower than that of men, but their instinct and sharpness really assist them. You can see how their minds expand based on what they experience while traveling. There are many travel books written by women that are at least entertaining and offer some insightful and accurate observations. However, there hasn't been anyone since Lady Mary Wortley Montague with as much talent, energy, and readiness to observe in different ways as she had.

A good article appeared lately in one of the English periodicals, headed by a long list of travels by women. It was easy to observe that the personality of the writer was the most obvious thing in each and all of these books, and that, even in the best of them, you travelled with the writer as a charming or amusing companion, rather than as an accomplished or instructed guide.

A good article recently showed up in one of the English magazines, featuring a lengthy list of travels by women. It was clear that the writer's personality stood out in all of these books, and even in the best ones, you traveled alongside the writer as a delightful or entertaining companion, rather than as an expert or knowledgeable guide.

 

 

 

 

REVIEW OF "MEMOIRS AND ESSAYS, BY MRS. JAMESON."

Mrs. Jameson appears to be growing more and more desperately modest, if we may judge from the motto:

Mrs. Jameson seems to be becoming increasingly modest, if we can judge by the motto:

  "What if the little rain should say,
     'So small a drop as I
   Can ne'er refresh the thirsty plain,—
     I'll tarry in the sky'"
"What if the little rain said,  
     'I'm just a tiny drop  
   and can never refresh the thirsty ground,—  
     I'll stay up in the sky'"


and other superstitious doubts and disclaimers proffered in the course of the volume. We thought the time had gone by when it was necessary to plead "request of friends" for printing, and that it was understood now-a-days that, from the facility of getting thoughts into print, literature has become not merely an archive for the preservation of great thoughts, but a means of general communication between all classes of minds, and all grades of culture.


and other superstitious doubts and disclaimers presented throughout the book. We believed the time had passed when it was necessary to ask for a "request of friends" to publish, and that it's widely understood now that, with the ease of getting ideas into print, literature isn't just a record for preserving great thoughts, but a way for people from all backgrounds and levels of education to communicate with each other.

If writers write much that is good, and write it well, they are read much and long; if the reverse, people simply pass them by, and go in search of what is more interesting. There needs be no great fuss about publishing or not publishing. Those who forbear may rather be considered the vain ones, who wish to be distinguished among the crowd. Especially this extreme modesty looks superfluous in a person who knows her thoughts have been received with interest for ten or twelve years back. We do not like this from Mrs. Jameson, because we think she would be amazed if others spoke of her as this little humble flower, doubtful whether it ought to raise its head to the light. She should leave such affectations to her aunts; they were the fashion in their day.

If writers produce a lot of good content and do it well, they get read a lot and for a long time; if not, people just overlook them and look for something more interesting. There doesn’t need to be a big deal about whether to publish or not. Those who hold back might actually be the vain ones, wanting to stand out from the crowd. This kind of extreme modesty seems unnecessary for someone who knows her ideas have been appreciated for the past ten or twelve years. We don’t like this from Mrs. Jameson because we think she would be surprised if others described her as this little humble flower, unsure if it should even show itself to the sunlight. She should leave such pretenses to her aunts; they were in style during their time.

It is very true, however, that she should not have published the very first paragraph in her book, which presents an inaccuracy and shallowness of thought quite amazing in a person of her fine perceptions, talent and culture. We allude to the contrast she attempts to establish between Raphael and Titian, in placing mind in contradistinction to beauty, as if beauty were merely physical. Of course she means no such thing; but the passage means this or nothing, and, as an opening to a paper on art, is indeed reprehensible and fallacious.

It’s very true, though, that she shouldn’t have published the very first paragraph of her book, which shows an incredible inaccuracy and shallowness of thought coming from someone with her fine perceptions, talent, and culture. We’re referring to the contrast she tries to make between Raphael and Titian by putting intellect against beauty, as if beauty were just physical. Of course, she doesn’t mean that; but the passage suggests this or nothing at all, and as an introduction to a paper on art, it’s indeed misguided and misleading.

The rest of this paper, called the House of Titian, is full of pleasant chat, though some of the judgments—that passed on Canaletti's pictures, for instance—are opposed to those of persons of the purest taste; and in other respects, such as in speaking of the railroad to Venice, Mrs. Jameson is much less wise than those over whom she assumes superiority. The railroad will destroy Venice; the two things cannot coëxist; and those who do not look upon that wondrous dream in this age, will, probably, find only vestiges of its existence.

The rest of this paper, titled the House of Titian, is full of enjoyable conversation, though some of the opinions—like those on Canaletti's paintings, for example—contradict what others with refined taste think. Additionally, when it comes to discussing the railroad to Venice, Mrs. Jameson is not nearly as insightful as those she considers inferior. The railroad will ruin Venice; the two simply can't exist together. Those who don't appreciate that incredible place in this era will likely only come across remnants of its existence.

The picture of Adelaide Kemble is very pretty, though there is an attempt of a sort too common with Mrs. Jameson to make more of the subject than it deserves. Adelaide Kemble was not the true artist, or she could not so soon or so lightly have stept into another sphere. It is enough to paint her as a lovely woman, and a woman-genius. The true artist cannot forswear his vocation; Heaven does not permit it; the attempt makes him too unhappy, nor will he form ties with those who can consent to such sacrilege. Adelaide Kemble loved art, but was not truly an artist.

The painting of Adelaide Kemble is very beautiful, but Mrs. Jameson tries a bit too hard to elevate the subject beyond what it is. Adelaide Kemble wasn’t a true artist, or she wouldn’t have easily moved on to another role so quickly. It’s enough to depict her as a beautiful woman and a woman of talent. A true artist can’t abandon their calling; it’s not something that’s allowed; trying to do so only brings them misery, and they won’t form connections with those who can accept such betrayal. Adelaide Kemble loved art but wasn’t truly an artist.

The "Xanthian Marbles," and "Washington Allston," are very pleasing papers. The most interesting part, however, are the sentences copied from Mr. Allston. These have his chaste, superior tone. We copy some of them.

The "Xanthian Marbles" and "Washington Allston" are really interesting papers. The most captivating part, though, is the sentences taken from Mr. Allston. They have his refined, elevated style. Here are a few of them.

"What light is in the natural world, such is fame in the intellectual,—both requiring an atmosphere in order to become perceptible. Hence the fame of Michel Angelo is to some minds a nonentity; even as the Sun itself would be invisible in vacuo"

"What light is in the natural world, fame is in the intellectual world—both need an atmosphere to be noticed. Therefore, for some people, Michel Angelo's fame doesn't exist; just like the Sun would be invisible in vacuo."

(A very pregnant statement, containing the true reason why "no man is a hero to his valet de chambre.")

(A very pregnant statement, containing the true reason why "no man is a hero to his personal servant.")

"Fame does not depend on the will of any man; but reputation may be given and taken away; for fame is the sympathy of kindred intellects, and sympathy is not a subject of willing; while reputation, having its source in the popular voice, is a sentence which may be altered or suppressed at pleasure. Reputation, being essentially contemporaneous, is always at the mercy of the envious and ignorant. But Fame, whose very birth is posthumous, and which is only known to exist by the echoes of its footsteps through congenial minds, can neither be increased nor diminished by any degree of wilfulness."

"Fame doesn’t depend on anyone’s will; however, reputation can be given or taken away because fame comes from the connection of like-minded individuals, and that connection isn't something you can force; on the other hand, reputation, which originates from public opinion, is a verdict that can be changed or hidden at will. Reputation is inherently temporary and is always vulnerable to envy and ignorance. But Fame, which is often recognized only after death, exists through the impact it leaves on sympathetic minds and cannot be increased or decreased by anyone's intentions."

"An original mind is rarely understood until it has been reflected from some half-dozen congenial with it; so averse are men to admitting the true in an unusual form; while any novelty, however fantastic, however false, is greedily swallowed. Nor is this to be wondered at, for all truth demands a response, and few people care to think, yet they must have something to supply the place of thought. Every mind would appear original if every man had the power of projecting his own into the minds of others."

"An original mind is rarely recognized until it has been reflected by a few like-minded people; people are so reluctant to accept the truth in an unusual form that they eagerly embrace any novelty, no matter how bizarre or false. This isn't surprising, as all truth requires a reaction, and few people actually want to think; they still need something to take the place of thought. Every mind would seem original if everyone had the ability to project their thoughts into others' minds."

"All effort at originality must end either in the quaint or monstrous; for no man knows himself as on original; he can only believe it on the report of others to whom he is made known, as he is by the projecting power before spoken of."

"Any attempt at being original will either result in something strange or bizarre; no one really knows themselves as an original; they can only believe it based on what others say about them, as they are defined by the influencing power mentioned earlier."

"There is an essential meanness in wishing to get the better of any one. The only competition worthy of a wise man is with himself."

"There’s a fundamental cruelty in wanting to outdo someone else. The only competition worth a wise person’s time is the one they have with themselves."

"Reverence is an ennobling sentiment; it is felt to be degrading only by the vulgar mind, which would escape the sense of its own littleness by elevating itself into the antagonist of what is above it."

"Respect is an uplifting emotion; only the petty-minded see it as degrading, trying to avoid their own smallness by putting themselves up against what is greater than them."

"He that has no pleasure in looking up is not fit to look down; of such minds are the mannerists in art, and in the world—the tyrants of all sorts."

"Anyone who finds no joy in looking up isn't worthy of looking down; that's what the artists and the tyrants of all kinds are like."

"Make no man your idol; for the best man must have faults, and his faults will naturally become yours, in addition to your own. This is as true in art as in morals."

"Don’t make anyone your idol; even the best people have flaws, and those flaws will inevitably become yours, along with your own. This is just as true in art as it is in ethics."

"The Devil's heartiest laugh is at a detracting witticism. Hence the phrase 'devilish good' has sometimes a literal meaning."

"The Devil laughs the hardest at a clever insult. That's why the phrase 'devilish good' can sometimes be taken literally."

"Woman's Mission and Woman's Position" is an excellent paper, in which plain truths ere spoken with an honorable straight-forwardness, and a great deal of good feeling. We despise the woman who, knowing such facts, is afraid to speak of them; yet we honor one, too, who does the plain right thing, for she exposes herself to the assaults of vulgarity, in a way painful to a person who has not strength to find shelter and repose in her motives. We recommend this paper to the consideration of all those, the unthinking, wilfully unseeing million, who are in the habit of talking of "Woman's sphere," as if it really were, at present, for the majority, one of protection, and the gentle offices of home. The rhetorical gentlemen and silken dames, who, quite forgetting their washerwomen, their seamstresses, and the poor hirelings for the sensual pleasures of Man, that jostle them daily in the streets, talk as if women need be fitted for no other chance than that of growing like cherished flowers in the garden of domestic love, are requested to look at this paper, in which the state of women, both in the manufacturing and agricultural districts of England, is exposed with eloquence, and just inferences drawn.

"Woman's Mission and Woman's Position" is a great paper that speaks plain truths with honorable straightforwardness and a lot of genuine feeling. We look down on the woman who, knowing these facts, is afraid to address them; yet we respect someone who does the right thing because she puts herself at risk of being attacked by vulgarity, which is painful for anyone lacking the strength to find comfort and peace in her motives. We recommend this paper to everyone, especially the unthinking, willfully blind masses, who often talk about "Woman's sphere," as if it were, for most, simply a matter of protection and the gentle duties of home. The rhetorical men and refined women who, completely ignoring their washerwomen, seamstresses, and the struggling workers who crowd the streets they walk in, speak as if women should only aspire to grow like cherished flowers in the garden of domestic love, are urged to read this paper, which eloquently exposes the condition of women in both the manufacturing and agricultural sectors of England and draws appropriate conclusions.

"This, then, is what I mean when I speak of the anomalous condition of women in these days. I would point out, as a primary source of incalculable mischief, the contradiction between her assumed and her real position; between what is called her proper sphere by the laws of God and Nature, and what has become her real sphere by the laws of necessity, and through the complex relations of artificial existence. In the strong language of Carlyle, I would say that 'Here is a lie standing up in the midst of society.' I would say 'Down with it, even to the ground;' for while this perplexing and barbarous anomaly exists, fretting like an ulcer at the very heart of society, all new specifics and palliatives are in vain. The question must be settled one way or another; either let the man in all the relations of life be held the natural guardian of the woman, constrained to fulfil that trust, responsible in society for her well-being and her maintenance; or, if she be liable to be thrust from the sanctuary of home, to provide for herself through the exercise of such faculties as God has given her, let her at least have fair play; let it not be avowed, in the same breath that protection is necessary to her, and that it is refused her; and while we send her forth into the desert, and bind the burthen on her back, and put the staff in her hand, let not her steps be beset, her limbs fettered, and her eyes blindfolded." Amen.

"This is what I mean when I talk about the strange situation of women today. I want to highlight, as a major source of endless trouble, the conflict between her expected role and her actual place; between what is considered her true sphere by the laws of God and nature, and what has become her real sphere due to the requirements of modern life and the complex relationships of artificial existence. In the strong words of Carlyle, I would say that 'Here is a lie standing up in the middle of society.' I would shout 'Tear it down, all the way to the ground;' because as long as this confusing and cruel anomaly exists, festering like a sore at the core of society, all new solutions and remedies are pointless. The question has to be settled one way or another; either let men in all aspects of life be seen as the natural protectors of women, obliged to fulfill that role and held responsible in society for her well-being and support; or, if women are pushed out of the safety of home to fend for themselves using the skills that God has given them, at least let them have a fair chance; it should not be said in the same breath that she needs protection and that it is denied to her; and while we send her out into the wilderness, and load her down with burdens, and give her a staff to hold, let’s not make her path difficult, bind her limbs, or blindfold her eyes." Amen.

The sixth and last of these papers, on the relative social position of "mothers and governesses," exhibits in true and full colors a state of things in England, beside which the custom in some parts of China of drowning female infants looks mild, generous, and refined;—an accursed state of things, beneath whose influence nothing can, and nothing ought to thrive. Though this paper, of which we have not patience to speak further at this moment, is valuable from putting the facts into due relief, it is very inferior to the other, and shows the want of thoroughness and depth in Mrs. Jameson's intellect. She has taste, feeling and knowledge, but she cannot think out a subject thoroughly, and is unconsciously tainted and hampered by conventionalities. Her advice to the governesses reads like a piece of irony, but we believe it was not meant as such. Advise them to be burnt at the stake at once, rather than submit to this slow process of petrifaction. She is as bad as the Reports of the "Society for the relief of distressed and dilapidated Governesses." We have no more patience. We must go to England ourselves, and see these victims under the water torture. Till then, à Dieu!

The sixth and final paper, discussing the social status of "mothers and governesses," vividly illustrates a situation in England that makes the practice in some parts of China of drowning female infants seem mild, generous, and refined. It’s a cursed situation where nothing can flourish, and nothing should. While this paper, which we don’t have the patience to discuss further right now, is valuable for highlighting the facts, it falls significantly short compared to the others and shows a lack of depth in Mrs. Jameson's thinking. She has taste, feeling, and knowledge, but she struggles to fully explore a topic and is unconsciously restricted by social conventions. Her advice to governesses comes off as ironic, though we believe it wasn’t intended that way. It would be better for them to be burned at the stake than to endure this slow process of stagnation. Her perspective is just as misguided as the Reports from the "Society for the relief of distressed and dilapidated Governesses." We’ve run out of patience. We need to go to England ourselves and see these victims in their suffering. Until then, farewell!

 

 

 

 

WOMAN'S INFLUENCE OVER THE INSANE.

In reference to what is said of entrusting an infant to the insane, we must relate a little tale which touched the heart in childhood from the eloquent lips of the mother.

In relation to what is mentioned about trusting a baby to the crazy, we must share a little story that touched the heart in childhood from the expressive words of the mother.

The minister of the village had a son of such uncommon powers that the slender means on which the large family lived were strained to the utmost to send him to college. The boy prized the means of study as only those under such circumstances know how to prize them; indeed, far beyond their real worth; since, by excessive study, prolonged often at the expense of sleep, he made himself insane.

The village minister had a son with such extraordinary abilities that the family's limited resources were pushed to the limit to send him to college. The boy valued the opportunities for learning like only someone in his situation could; in fact, he valued them far more than they were actually worth. Through intense studying, often sacrificing sleep, he drove himself to madness.

All may conceive the feelings of the family when their star returned to them again, shorn of its beams; their pride, their hard-earned hope, sunk to a thing so hopeless, so helpless, that there could be none so poor to do him reverence. But they loved him, and did what the ignorance of the time permitted. There was little provision then for the treatment of such cases, and what there was was of a kind that they shrunk from resorting to, if it could be avoided. They kept him at home, giving him, during the first months, the freedom of the house; but on his making an attempt to kill his father, and confessing afterwards that his old veneration had, as is so often the case in these affections, reacted morbidly to its opposite, so that he never saw a once-loved parent turn his back without thinking how he could rush upon him and do him an injury, they felt obliged to use harsher measures, and chained him to a post in one room of the house.

Everyone can imagine how the family felt when their star returned to them, stripped of its brilliance; their pride and hard-earned hopes faded into something so despairing and helpless that no one poorer could show him respect. But they loved him and did what the understanding of that time allowed. There were few options available for treating such cases, and the ones that existed were ones they avoided if possible. They kept him at home, giving him freedom around the house in the first few months. But after he tried to kill his father and later confessed that his former respect had, as is often the case with such feelings, twisted into something harmful, so that he couldn’t see a once-beloved parent turn away without thinking about how to attack him, they felt they had to take stricter measures and chained him to a post in one room of the house.

There, so restrained, without exercise or proper medicine, the fever of insanity came upon him in its wildest form. He raved, shrieked, struck about him, and tore off all the raiment that was put upon him.

There, so confined, without any exercise or proper medication, the fever of madness hit him at its most intense level. He screamed, shouted, lashed out, and ripped off all the clothes that were put on him.

One of his sisters, named Lucy, whom he had most loved when well, had now power to soothe him. He would listen to her voice, and give way to a milder mood when she talked or sang. But this favorite sister married, went to her new home, and the maniac became wilder, more violent than ever.

One of his sisters, Lucy, whom he had loved the most when he was well, could no longer calm him. He would listen to her voice and start to feel a bit better when she talked or sang. But then this beloved sister got married and moved to her new home, and the man became even more wild and violent than before.

After two or three years, she returned, bringing with her on infant. She went into the room where the naked, blaspheming, raging object was confined. He knew her instantly, and felt joy at seeing her.

After two or three years, she came back, bringing an infant with her. She entered the room where the exposed, cursing, furious being was locked up. He recognized her immediately and felt happiness at her presence.

"But, Lucy," said he, suddenly, "is that your baby you have in your arms? Give it to me, I want to hold it!"

"But, Lucy," he said suddenly, "is that your baby in your arms? Hand it over, I want to hold it!"

A pang of dread and suspicion shot through the young mother's heart,—she turned pale and faint. Her brother was not at that moment so mad that he could not understand her fears.

A wave of dread and suspicion surged through the young mother's heart—she turned pale and weak. Her brother wasn't so out of his mind at that moment that he couldn't recognize her fears.

"Lucy," said he, "do you suppose I would hurt your child?"

"Lucy," he said, "do you really think I would hurt your child?"

His sister had strength of mind and of heart; she could not resist the appeal, and hastily placed the child in his arms. Poor fellow! he held it awhile, stroked its little face, and melted into tears, the first he had shed since his insanity.

His sister was strong-willed and compassionate; she couldn't ignore the plea, so she quickly handed the child to him. Poor guy! He held it for a moment, stroked its tiny face, and broke down in tears, the first he had cried since his breakdown.

For some time after that he was better, and probably, had he been under such intelligent care as may be had at present, the crisis might have been followed up, and a favorable direction given to his disease. But the subject was not understood then, and, having once fallen mad, he was doomed to live and die a madman.

For a while after that, he improved, and probably, if he had received the kind of knowledgeable care available today, the crisis could have been managed, and his condition might have taken a positive turn. But the topic wasn’t understood back then, and once he went mad, he was destined to live and die as a madman.

 

 

 

 

FROM A CRITICISM ON BROWNING'S POEMS.

* * * * "The return of the Druses," a "Blot in the 'Scutcheon, and "Colombo's Birthday," all have the same originality of conception, delicate penetration into the mysteries of human feeling, atmospheric individuality, and skill in picturesque detail. All three exhibit very high and pure ideas of Woman, and a knowledge, very rare in man, of the ways in which what is peculiar in her office and nature works. Her loftiest elevation does not, in his eyes, lift her out of nature. She becomes, not a mere saint, but the goddess-queen of nature. Her purity is not cold, like marble, but the healthy, gentle energy of the flower, instinctively rejecting what is not fit for it, with no need of disdain to dig a gulf between it and the lower forms of creation. Her office to man is that of the muse, inspiring him to all good thoughts and deeds. The passions that sometimes agitate these maidens of his verso are the surprises of noble hearts unprepared for evil; and even their mistakes cannot cost bitter tears to their attendant angels.

* * * * "The return of the Druses," "Blot in the 'Scutcheon," and "Colombo's Birthday" all share a unique originality, deep insight into the complexities of human emotion, distinctive atmosphere, and skillful details. Each of these works presents high and idealistic views of women, along with a rare understanding of the unique aspects of her role and nature. In his eyes, her highest achievements don't remove her from the essence of life. She becomes not just a saint, but the goddess-queen of nature. Her purity isn't cold like marble; it’s the vibrant, nurturing energy of a flower, instinctively rejecting what doesn't suit it, without needing disdain to separate herself from lower forms of existence. Her role for man is that of a muse, inspiring him toward good thoughts and actions. The emotions that sometimes stir these maidens in his verses are the surprises of noble hearts caught off guard by evil; and even their errors don't bring bitter tears to their guardian angels.

The girl in the "Return of the Druses" is the sort of nature Byron tried to paint in Myrrha. But Byron could only paint women as they were to him. Browning can show what they are in themselves. In "A Blot in the 'Scutcheon," we see a lily, storm-struck, half-broken, but still a lily. In "Colombe's Birthday," a queenly rose-bud, which expands into the full-glowing rose before our eyes. It is marvellous in this drama how the characters are unfolded to us by the crisis, which not only exhibits, but calls to life, the higher passions and the thoughts which were latent within them.

The girl in "Return of the Druses" represents the kind of nature that Byron tried to capture in Myrrha. However, Byron could only portray women as he perceived them. Browning, on the other hand, reveals what they truly are in their essence. In "A Blot in the 'Scutcheon," we see a lily that’s battered by a storm, half-broken but still a lily. In "Colombe's Birthday," there's a royal rosebud that blooms into a fully radiant rose before our eyes. It’s incredible how this drama unfolds the characters through the crisis, which not only showcases but also brings to life the deeper passions and thoughts that were hidden within them.

We bless the poet for these pictures of women, which, however the common tone of society, by the grossness and levity of the remarks bandied from tongue to tongue, would seem to say to the contrary, declare there is still in the breasts of men a capacity for pure and exalting passion,—for immortal tenderness.

We thank the poet for these portrayals of women, which, despite the typical attitudes of society, with its crude and careless comments exchanged from person to person, suggest otherwise, proving that there is still in the hearts of men the ability for pure and uplifting passion— for everlasting tenderness.

Of Browning's delicate sheaths of meaning within meaning, which must be opened slowly, petal by petal, as we seek the heart of a flower, and the spirit-like, distant breathings of his lute, familiar with the secrets of shores distant and enchanted, a sense can only be gained by reading him a great deal; and we wish "Bells and Pomegranates" might be brought within the reach of all who have time and soul to wait and listen for such!

Of Browning's intricate layers of meaning that need to be revealed slowly, petal by petal, like exploring the heart of a flower, and the almost ethereal, distant sounds of his lute, which knows the secrets of far-off and magical shores, you can only understand them by reading his work extensively; and we hope "Bells and Pomegranates" can be made available to everyone who has the time and willingness to wait and listen for such things!

 

 

 

 

CHRISTMAS.

Our festivals come rather too near together, since we have so few of them;—Thanksgiving, Christmas-day, New-Years'-day, and then none again till July. We know not but these four, with the addition of a "day set apart for fasting and prayer," might answer the purposes of rest and edification as well as a calendar full of saints' days, if they were observed in a better spirit. But, Thanksgiving is devoted to good dinners; Christmas and New-Years' days to making presents and compliments; Fast-day to playing at cricket and other games, and the Fourth of July to boasting of the past, rather than to plans how to deserve its benefits and secure its fruits.

Our holidays are spaced too closely together since we have so few—Thanksgiving, Christmas Day, New Year's Day, and then nothing until July. We don't know if these four, along with a "day set aside for fasting and prayer," could serve the purposes of rest and personal growth just as well as a calendar packed with saints' days, if they were celebrated in a more meaningful way. But Thanksgiving is all about big dinners; Christmas and New Year's are about giving gifts and making polite exchanges; Fast Day is spent playing cricket and other games, and the Fourth of July is more about bragging about the past than making plans to earn its benefits and preserve its rewards.

We value means of marking time by appointed days, because man, on one side of his nature so ardent and aspiring, is on the other so indolent and slippery a being, that he needs incessant admonitions to redeem the time. Time flows on steadily, whether he regards it or not; yet, unless he keep time, there is no music in that flow. The sands drop with inevitable speed; yet each waits long enough to receive, if it be ready, the intellectual touch that should turn it to a sand of gold.

We appreciate ways to mark time with special days because, while people can be so eager and ambitious, they can also be lazy and easily distracted. They constantly need reminders to make the most of their time. Time keeps moving forward, whether they pay attention to it or not; however, if they don’t stay in tune with it, that passage of time has no rhythm. The sands fall quickly, yet each grain lingers just long enough to be transformed into something valuable if one is prepared for it.

Time, says the Grecian fable, is the parent of Power, Power is the father of Genius and Wisdom. Time, then, is grandfather of the noblest of the human family; and we must respect the aged sire whom we see on the frontispiece of the almanacs, and believe his scythe was meant to mow down harvests ripened for an immortal use.

Time, according to a Greek fable, is the source of Power, and Power is the creator of Genius and Wisdom. Therefore, Time is the grandfather of the most esteemed members of humanity; we should honor the elderly figure we see on the cover of the calendars and believe that his scythe was intended to harvest the ripened crops meant for everlasting purposes.

Yet the best provision made by the mind of society at large for these admonitions soon loses its efficacy, and requires that individual earnestness, individual piety, should continually reinforce the most beautiful form. The world has never seen arrangements which might more naturally offer good suggestions than those of the Church of Rome. The founders of that church stood very near a history radiant at every page with divine light. All their rites and ceremonial days illustrate facts of an universal interest. But the life with which piety first, and afterwards the genius of great artists, invested these symbols, waned at last, except to a thoughtful few. Reverence was forgotten in the multitude of genuflexions; the rosary became a string of beads rather than a series of religious meditations; and the "glorious company of saints and martyrs" were not regarded so much as the teachers of heavenly truth, as intercessors to obtain for their votaries the temporal gifts they craved.

Yet the best efforts made by society for these reminders soon lose their impact and require individual dedication and personal faith to continually enrich their most beautiful forms. The world has never witnessed arrangements that could offer better guidance than those of the Roman Catholic Church. The founders of that church were closely connected to a history illuminated on every page by divine light. All their rituals and holy days demonstrate universally significant facts. However, the life that piety, and later the creativity of great artists, infused into these symbols eventually faded, except for a few thoughtful individuals. Respect was lost among the crowd of kneelings; the rosary turned into just a string of beads instead of a series of spiritual reflections; and the "glorious company of saints and martyrs" were seen less as guides to heavenly truth and more as intercessors to grant their followers the earthly gifts they desired.

Yet we regret that some of those symbols had not been more reverenced by Protestants, as the possible occasion of good thoughts, and, among others, we regret that the day set apart to commemorate the birth of Jesus should have been stript, even by those who observe it, of many impressive and touching accessories.

Yet we regret that some of those symbols weren't more respected by Protestants, as they could inspire good thoughts. We also lament that the day designated to celebrate the birth of Jesus has been stripped, even by those who observe it, of many meaningful and touching elements.

If ever there was an occasion on which the arts could become all but omnipotent in the service of a holy thought, it is this of the birth of the child Jesus. In the palmy days of the Catholic religion they may be said to have wrought miracles in its behalf; and in our colder time, when we rather reflect that light from a different point of view than transport ourselves into it, who, that has an eye and ear faithful to the soul, is not conscious of inexhaustible benefits from some of the works by which sublime geniuses have expressed their ideas?—in the adorations of the Magi and the Shepherds, in the Virgin with the infant Jesus, or that work which expresses what Christendom at large has not begun to realize,—that work which makes us conscious, as we listen, why the soul of man was thought worthy and able to upbear a cross of such dreadful weight,—the Messiah of Handel.

If there was ever a time when the arts could become almost all-powerful in the service of a sacred idea, it’s the birth of the child Jesus. Back in the flourishing days of Catholicism, the arts were said to have performed miracles for it. And in our more reserved era, when we tend to view things from a different perspective rather than immerse ourselves in them, who, with a keen eye and ear tuned to the soul, isn’t aware of the endless gifts from some of the masterpieces created by brilliant minds?—in the adoration of the Magi and the Shepherds, in the Virgin with the infant Jesus, or that piece which represents what Christians collectively have yet to grasp— the work that makes us realize, as we listen, why humanity was seen as worthy and capable of bearing such a heavy cross—the Messiah by Handel.

Christmas would seem to be the day peculiarly sacred to children; and something of this feeling is beginning to show itself among us, though rather from German influence than of native growth. The ever-green tree is often reared for the children on Christmas evening, and its branches cluster with little tokens that may, at least, give them a sense that the world is rich, and that there are some in it who care to bless them. It is a charming sight to see their glistening eyes, and well worth much trouble in preparing the Christmas-tree.

Christmas seems to be a day that's especially special for children, and we're starting to feel that, though it's more influenced by German traditions than something we've created ourselves. The evergreen tree is often set up for the kids on Christmas Eve, its branches filled with little gifts that at least help them feel that the world is abundant and that there are people who want to make them happy. It's a delightful sight to see their shining eyes, and it's definitely worth the effort to prepare the Christmas tree.

Yet, on this occasion, as on all others, we should like to see pleasure offered to them in a form less selfish than it is. When shall we read of banquets prepared for the halt, the lame, and the blind, on the day that is said to have brought their friend into the world? When will children be taught to ask all the cold and ragged little ones whom they have seen during the day wistfully gazing at the shop-windows, to share the joys of Christmas-eve?

Yet, on this occasion, just like all the others, we would like to see pleasure offered to them in a less selfish way. When will we read about banquets prepared for the disabled, the limping, and the blind on the day that's said to have brought their friend into the world? When will kids be taught to invite all the cold and ragged little ones they've seen looking longingly at the shop windows to share in the joys of Christmas Eve?

We borrow the Christmas-tree from Germany; might we but borrow with it that feeling which pervades all their stories, about the influence of the Christ-child, and has, I doubt not (for the spirit of literature is always, though refined, the essence of popular life), pervaded the conduct of children there.

We got the Christmas tree from Germany; if only we could also take on that feeling that runs through all their stories about the impact of the Christ-child, which I’m sure (since the essence of literature is always a refined version of everyday life) has influenced the behavior of children there.

We will mention two of these as happily expressive of different sides of the desirable character. One is a legend of the saint Hermann Joseph. The legend runs that this saint, when a little boy, passed daily by a niche where was an image of the Virgin and Child, and delighted there to pay his devotions. His heart was so drawn towards the holy child that one day, having received what seemed to him a gift truly precious, a beautiful red and yellow apple, he ventured to offer it, with his prayer. To his unspeakable delight the child put forth his hand and took the apple. After that day, never was a gift bestowed upon the little Hermann, that was not carried to the same place. He needed nothing for himself, but dedicated all his childish goods to the altar.

We’ll highlight two of these as joyful representations of different aspects of the ideal character. One is the story of Saint Hermann Joseph. The story goes that when he was a little boy, he passed by a niche every day where there was a statue of the Virgin and Child, and he loved to stop and pray there. His heart was so drawn to the holy child that one day, after receiving what he thought was a truly precious gift—a beautiful red and yellow apple—he decided to offer it along with his prayer. To his incredible delight, the child reached out and took the apple. From that day on, every gift he received was taken to the same place. He wanted nothing for himself, but dedicated all his childhood treasures to the altar.

After a while he was in trouble. His father, who was a poor man, found it necessary to take him from school, and bind him to a trade. He communicated his woes to his friends of the niche, and the Virgin comforted him like a mother, and bestowed on him money, by means of which he rose to be a learned and tender Shepherd of men.

After some time, he got into trouble. His father, who struggled financially, decided to take him out of school and apprentice him to a trade. He shared his troubles with his friends, and the Virgin comforted him like a mother, providing him with money, which allowed him to become a wise and caring Shepherd of people.

Another still more touching story is that of the holy Rupert. Rupert was the only child of a princely house, and had something to give besides apples. But his generosity and human love were such that, as a child, he could never see poor children suffering without despoiling himself of all he had with him in their behalf. His mother was, at first, displeased with this; but when he replied, "They are thy children too," her reproofs yielded to tears.

Another even more moving story is about the holy Rupert. Rupert was the only child of a noble family and had more to offer than just apples. However, his generosity and compassion were so great that, as a child, he could never stand to see poor children in pain without giving away everything he had for their sake. At first, his mother was upset with this, but when he responded, "They are your children too," her reprimands gave way to tears.

One time, when he had given away his coat to a poor child, he got wearied and belated on his homeward way. He lay down a while and fell asleep. Then he dreamed that he was on a river-shore, and saw a mild and noble old man bathing many children. After he had plunged them into the water, he would place them on a beautiful island, where they looked white and glorious as little angels. Rupert was seized with a strong desire to join them, and begged the old man to bathe him also in the stream. But he was answered, "It is not yet time." Just then a rainbow spanned the island, and in its arch was enthroned the child Jesus, dressed in a coat that Rupert knew to be his own. And the child said to the others, "See this coat; it is one which my brother Rupert has just sent to me. He has given us many gifts from his love; shall we not ask him to join us here?" And they shouted a musical "Yes!" and Rupert started out of his dream. But he had lain too long on the damp bank of the river without his coat, and cold and fever soon sent him to join the band of his brothers in their home.

One time, after he had given his coat to a poor child, he got tired and was delayed on his way home. He lay down for a bit and fell asleep. Then he dreamed he was on the shore of a river and saw a gentle and wise old man bathing many children. After he immersed them in the water, he would place them on a beautiful island, where they looked pure and radiant like little angels. Rupert felt a strong urge to join them and begged the old man to let him bathe in the stream too. But the old man replied, "It's not your time yet." Just then, a rainbow arched over the island, and in its span was the child Jesus, wearing a coat that Rupert recognized as his own. The child said to the others, "Look at this coat; it's one my brother Rupert has just sent to me. He has given us many gifts out of love; shall we ask him to join us here?" They all joyfully shouted "Yes!" and Rupert woke up from his dream. But he had been lying too long on the damp riverbank without his coat, and soon the cold and fever overtook him, leading him to join his brothers in their home.

These are legends, superstitious, you will say. But, in casting aside the shell, have we retained the kernel? The image of the child Jesus is not seen in the open street. Does his heart find other means to express itself there? Protestantism does not mean, we suppose, to deaden the spirit in excluding the form.

These are just legends and superstitions, you might say. But in getting rid of the outer layer, have we kept the essence? The image of the child Jesus isn’t visible in the streets anymore. Does his heart find other ways to express itself there? We suppose that Protestantism doesn’t aim to stifle the spirit by removing the form.

The thought of Jesus, as a child, has great weight with children who have learned to think of him at all. In thinking of him they form an image of all that the morning of a pure and fervent life should be and bring.

The idea of Jesus as a child is very meaningful to kids who have learned to think about him at all. When they think of him, they create an image of everything that the beginning of a pure and passionate life should be and offer.

In former days I knew a boy-artist whose genius, at that time, showed high promise. He was not more than fourteen years old—a pale, slight boy, with a beaming eye. The hopes and sympathy of friends, gained by his talent, had furnished him with a studio and orders for some pictures. He had picked up from the streets a boy, still younger and poorer than himself, to take care of the room and prepare his colors, and the two boys were as content in their relation as Michael Angelo with his Urbino. If you went there, you found exposed to view many pretty pictures—"A Girl with a Dove," "The Guitar-player," and such subjects as are commonly supposed to interest at his age. But, hid in a corner, and never shown, unless to the beggar-page or some most confidential friend, was the real object of his love and pride, the slowly-growing work of secret hours. The subject of this picture was Christ teaching the Doctors. And in those doctors he had expressed all he had already observed of the pedantry and shallow conceit of those in whom mature years have not unfolded the soul: and in the child, all he felt that early youth should be and seek, though, alas! his own feet failed him on the difficult road. This one record of the youth of Jesus, had, at least, been much to his mind.

In the past, I knew a young artist whose talent was showing great promise. He was no older than fourteen—a pale, slender boy with bright eyes. The hopes and support of friends, earned through his talent, had provided him with a studio and commissions for some paintings. He had taken in a younger, poorer boy from the streets to help manage the studio and prepare his paints, and the two boys were as happy together as Michelangelo with his Urbino. If you visited, you would find many attractive paintings on display—“A Girl with a Dove,” “The Guitar Player,” and other subjects typically of interest for someone his age. But tucked away in a corner, never shown except to a beggar boy or a close friend, was the true object of his affection and pride—the slowly developing work of hidden hours. The subject of this painting was Christ teaching the Doctors. In those doctors, he captured everything he had observed about the arrogance and shallow pride of those who, despite their age, had not matured in spirit; and in the child, he expressed what he believed early youth should be and strive for, even though, sadly, he felt lost on that challenging path. This one portrayal of the youth of Jesus had, at least, meant a lot to him.

In earlier days the little saints thought they best imitated the Emanuel by giving apples and cents; but we know not why, in our age, that esteems itself so much enlightened, they should not become also the givers of spiritual gifts. We see in them, continually, impulses that only require a good direction to effect infinite good. See the little girls at work for foreign missions; that is not useless; they devote the time to a purpose that is not selfish; the horizon of their thoughts is extended. But they are perfectly capable of becoming home-missionaries as well. The principle of stewardship would make them so.

In the past, the little saints believed they were best following Emanuel by giving apples and coins; yet we can't understand why, in this age that considers itself so enlightened, they aren't also giving spiritual gifts. We see in them, all the time, motivations that just need the right guidance to create endless good. Look at the little girls working for foreign missions; that effort is not in vain; they are using their time for a purpose that is not selfish; their thinking is broadened. But they could definitely also become home missionaries. The principle of stewardship would encourage that.

I have seen a little girl of thirteen, who had much service, too, to do for a hard-working mother, in the midst of a circle of poor children whom she gathered daily to a morning school. She took them from the door-steps and the gutters; she washed their faces and hands; she taught them to read and sew, and told them stories that had delighted her own infancy. In her face, though in feature and complexion plain, was something already of a Madonna sweetness, and it had no way eclipsed the gayety of childhood.

I’ve seen a thirteen-year-old girl who had a lot of responsibilities to help her hardworking mom, surrounded by a group of poor kids she brought together for a morning school. She gathered them from doorsteps and the streets; she washed their faces and hands; she taught them to read and sew, and shared stories that had once delighted her as a child. In her face, though plain in feature and complexion, there was already a hint of Madonna-like sweetness, and it didn’t take away from the joy of childhood.

I have seen a boy, scarce older, brought up for some time with the sons of laborers, who, so soon as he found himself possessed of superior advantages, thought not of surpassing others, but of excelling that he might be able to impart; and he was able to do it. If the other boys had less leisure, and could pay for less instruction, they did not suffer by it. He could not be happy unless they also could enjoy Milton, and pass from nature to natural philosophy. He performed, though in a childish way, and in no Grecian garb, the part of Apollo amidst the herdsmen of Admetus.

I saw a boy, not much older, who was raised for a while with the sons of workers. As soon as he realized he had better opportunities, he didn’t think about just being better than others; he wanted to excel so he could share his knowledge. And he did. Even though the other boys had less free time and could afford less education, they didn’t miss out. He couldn’t be happy unless they could enjoy Milton and learn about natural philosophy. He acted, though in a childish way and without the classic Greek style, like Apollo among Admetus’s shepherds.

The cause of education would be indefinitely furthered if, in addition to formal means, there were but this principle awakened in the hearts of the young, that what they have they must bestow. All are not natural instructors, but a large proportion are; and those who do possess such a talent are the best possible teachers to those a little younger than themselves. Many have more patience with the difficulties they have lately left behind, and enjoy their power of assisting more than those further removed in age and knowledge do.

The purpose of education would be greatly advanced if, along with formal methods, we could instill in young people the principle that they should share what they have. Not everyone is a natural teacher, but a good number are; and those who have this ability are the best teachers for those who are just a bit younger. Many of them have more patience with the challenges they’ve recently overcome and find more satisfaction in helping than those who are older and more knowledgeable.

Then the intercourse may be far more congenial and profitable than where the teacher receives for hire all sorts of pupils as they are sent him by their guardians. Here be need only choose those who have a predisposition for what he is best able to teach; and, as I would have the so-called higher instruction as much diffused in this way as the lower, there would be a chance of awakening all the power that now lies latent.

Then the interaction can be much more pleasant and beneficial compared to when a teacher takes on all kinds of students sent to them by their guardians for a fee. In this case, the teacher only needs to select those who have an inclination toward what they are best equipped to teach; and, since I want to see the so-called higher education spread just as widely as the lower, there would be an opportunity to unleash all the potential that is currently dormant.

If a girl, for instance, who has only a passable talent for music, but who, from the advantage of social position, has been able to gain thorough instruction, felt it her duty to teach whomsoever she know that had a talent without money to cultivate it, the good is obvious.

If a girl, for example, who has just an average talent for music, but who, thanks to her social standing, has managed to get extensive training, thought it was her responsibility to teach anyone she knew who had talent but lacked the funds to develop it, the benefit is clear.

Those who are learning, receive an immediate benefit by the effort to rearrange and interpret what they learn; so the use of this justice would be two-fold.

Those who are learning gain an immediate advantage from the effort to reorganize and understand what they learn; therefore, applying this justice serves two purposes.

Some efforts are made here and there; nay, sometimes there are those who can say they have returned usury for every gift of fate; and would others make the same experiments, they might find Utopia not so far off as the children of this world, wise in securing their own selfish ease, would persuade us it must always be.

Some attempts are made now and then; in fact, there are even those who claim they've paid back every favor they've received. If others tried the same things, they might discover that Utopia isn't as far away as the cynical people of this world, focused on their own comfort, would have us believe it is.

We have hinted what sort of Christmas-box we would wish for the children; it must be one as full, as that of the Christ-child must be, of the pieces of silver that were lost and are found. But Christmas with its peculiar associations has deep interest for men and women no less. At that time thus celebrated, a pure woman saw in her child what the Son of man should be as a child of God. She anticipated fur him a life of glory to God, peace and good-will towards men. In any young mother's heart, who has any purity of heart, the same feelings arise. But most of these mothers carelessly let them go without obeying their instructions. If they did not, we should see other children, other men than now throng our streets. The boy could not invariably disappoint the mother, the man the wife, who steadily demanded of him such a career.

We've suggested what kind of Christmas gift we would like for the children; it should be as full as that of the Christ child, filled with the silver pieces that were lost and then found. But Christmas, with its unique associations, is also deeply meaningful for men and women. During this celebrated time, a pure woman saw in her child what the Son of Man should be as a child of God. She envisioned for him a life that brought glory to God and promoted peace and goodwill towards others. Any young mother with a pure heart feels the same way. However, most of these mothers let those feelings fade away without acting on them. If they didn't, we would see different children, different men than those who now fill our streets. The boy could not consistently disappoint the mother, nor could the man let down the wife who confidently expected him to follow such a path.

And Man looks upon Woman, in this relation, always as he should. Does he see in her a holy mother, worthy to guard the infancy of an immortal soul? Then she assumes in his eyes those traits which the Romish church loved to revere in Mary. Frivolity, base appetite, contempt, are exorcised, and Man and Woman appear again, in unprofaned connection, as brother and sister, children and servants of one Divine Love, and pilgrims to a common aim.

And man sees woman, in this relationship, exactly as he should. If he views her as a sacred mother, deserving of protecting the early life of an immortal soul, then she takes on the qualities that the Catholic Church cherished in Mary. Insignificance, selfish desires, and disdain are banished, and man and woman once again appear, in a pure connection, as siblings, children, and servants of a single Divine Love, all journeying toward a shared purpose.

Were all this right in the private sphere, the public would soon right itself also, and the nations of Christendom might join in a celebration such as "Kings and Prophets waited for," and so many martyrs died to achieve, of Christ-mass.

If everything were right in the private sphere, the public would soon correct itself as well, and the nations of Christendom could come together to celebrate something that "Kings and Prophets waited for," and that so many martyrs died to attain, which is Christmas.

 

 

 

 

CHILDREN'S BOOKS.

There is no branch of literature that better deserves cultivation, and none that so little obtains it from worthy hands, as this of Children's Books. It requires a peculiar development of the genius and sympathies, rare among men of factitious life, who are not men enough to revive with force and beauty the thoughts and scenes of childhood.

There’s no area of literature that deserves more attention, and none that receives so little from capable people, than Children’s Books. It needs a special kind of creativity and empathy, which is rare among those who lead artificial lives and lack the ability to bring the thoughts and experiences of childhood to life with strength and beauty.

It is all idle to talk baby-talk, and give shallow accounts of deep things, thinking thereby to interest the child. He does not like to be too much puzzled; but it is simplicity be wants, not silliness. We fancy their angels, who are always waiting in the courts of our Father, smile somewhat sadly on the ignorance of those who would feed them on milk and water too long, and think it would be quite as well to give them a stone.

It’s pointless to speak in baby-talk and offer superficial explanations of complex topics, thinking this will engage the child. They don’t enjoy being too confused; instead, they seek simplicity, not foolishness. We imagine the angels, always present in the presence of our Father, look on with some sadness at the ignorance of those who would keep them on a diet of milk and water for too long and believe that giving them a stone is just as good.

There is too much amongst us of the French way of palming off false accounts of things on children, "to do them good," and showing nature to them in a magic lantern "purified for the use of childhood," and telling stories of sweet little girls and brave little boys,—O, all so good, or so bad! and above all, so little, and everything about them so little! Children accustomed to move in full-sized apartments, and converse with full-grown men and women, do not need so much of this baby-house style in their literature. They like, or would like if they could get them, better things much more. They like the Arabian Nights, and Pilgrim's Progress, and Bunyan's Emblems, and Shakspeare, and the Iliad and Odyssey,—at least, they used to like them; and if they do not now, it is because their taste has been injured by so many sugar-plums. The books that were written in the childhood of nations suit an uncorrupted childhood now. They are simple, picturesque, robust. Their moral is not forced, nor is the truth veiled with a well-meant but sure-to-fail hypocrisy. Sometimes they are not moral at all,—only free plays of the fancy and intellect. These, also, the child needs, just as the infant needs to stretch its limbs, and grasp at objects it cannot hold. We have become so fond of the moral, that we forget the nature in which it must find its root; so fond of instruction, that we forget development.

There’s too much of the French approach among us, tricking kids with false stories "for their benefit," and showing them nature through a "child-friendly" magic lantern, while telling tales of sweet little girls and brave little boys—oh, all so good, or so bad! And above all, so small, and everything about them so small! Kids who are used to moving in full-sized rooms and talking with adults don’t need this childish style in their reading. They enjoy, or would enjoy if they could find them, much better things. They like the Arabian Nights, Pilgrim's Progress, Bunyan's Emblems, Shakespeare, and the Iliad and Odyssey—at least, they used to like them; and if they don’t anymore, it’s because their taste has been dulled by so many sweet treats. The books that were written during society's childhood still resonate with a pure childhood today. They are simple, vivid, and strong. Their morals aren’t forced, nor is the truth hidden beneath a well-meaning but doomed hypocrisy. Sometimes they aren’t moral at all—just free expressions of imagination and intellect. Kids need these too, just as infants need to stretch their limbs and reach for things they can't grasp. We’ve become so attached to morals that we forget the nature it should be rooted in; so focused on teaching that we forget about growth.

Where ballads, legends, fairy-tales, are moral, the morality is heart-felt; if instructive, it is from the healthy common sense of mankind, and not for the convenience of nursery rule, nor the "peace of schools and families."

Where ballads, legends, and fairy tales are moral, the morality is genuine; if they’re instructive, it comes from the natural common sense of people, not for the sake of nursery rules or the "peace of schools and families."

O, that winter, freezing, snow-laden winter, which ushered in our eighth birthday! There, in the lonely farm-house, the day's work done, and the bright woodfire all in a glow, we were permitted to slide back the panel of the cupboard in the wall,—most fascinating object still in our eyes, with which no stateliest alcoved library can vie,—and there saw, neatly ranged on its two shelves, not—praised be our natal star!—Peter Parley, nor a History of the Good Little Boy who never took anything that did not belong to him; but the Spectator, Telemachus, Goldsmith's Animated Nature, and the Iliad.

Oh, that winter, freezing, snow-covered winter, which brought in our eighth birthday! There, in the lonely farmhouse, with the day's work done and the bright wood fire glowing, we were allowed to slide back the panel of the cupboard in the wall—the most fascinating object in our eyes, one that no fancy library could compare to—and there we saw, neatly arranged on its two shelves, not—thank our lucky stars!—Peter Parley, or a story about the Good Little Boy who never took anything that wasn’t his; but the Spectator, Telemachus, Goldsmith's Animated Nature, and the Iliad.

Forms of gods and heroes more distinctly seen, and with eyes of nearer love then than now!—our true uncle, Sir Roger de Coverley, and ye, fair realms of Nature's history, whose pictures we tormented all grown persons to illustrate with more knowledge, still more,—how we bless the chance that gave to us your great realities, which life has daily helped us, helps us still, to interpret, instead of thin and baseless fictions that would all this time have hampered us, though with only cobwebs!

Forms of gods and heroes seen more clearly, and with closer affection back then!—our true uncle, Sir Roger de Coverley, and you, beautiful realms of Nature's history, whose images we insisted all grown-ups illustrate with deeper knowledge, even more—how we appreciate the luck that brought us your great truths, which life has continually helped us, and still helps us, to understand, instead of the flimsy and empty fictions that would have held us back all this time, even if only with cobwebs!

Children need some childish talk, some childish play, some childish books. But they also need, and need more, difficulties to overcome, and a sense of the vast mysteries which the progress of their intelligence shall aid them to unravel. This sense is naturally their delight, as it is their religion, and it must not be dulled by premature explanations or subterfuges of any kind. There has been too much of this lately.

Children need some playful conversations, some fun games, and some age-appropriate books. But they also need, even more, challenges to face, and a sense of the vast mysteries that their growing intelligence will help them uncover. This sense brings them joy, as it is like their belief system, and it shouldn’t be diminished by early explanations or any kind of tricks. There has been too much of this lately.

Miss Edgeworth is an excellent writer for children. She is a child herself, as she writes, nursed anew by her own genius. It is not by imitating, but by reproducing childhood, that the writer becomes its companion. Then, indeed, we have something especially good, for,

Miss Edgeworth is a fantastic writer for children. She is like a child herself, fueled by her own creativity as she writes. It's not about copying childhood; it's about capturing its essence that allows the writer to connect with it. That’s when we truly get something remarkable, because,

  "Like wine, well-kept and long,
     Heady, nor harsh, nor strong,
   With each succeeding year is quaffed,
     A richer, purer, mellower draught."
"Like wine, well-preserved and aged,  
     Intoxicating, neither harsh nor strong,  
   With each passing year, it's enjoyed,  
     A richer, purer, smoother drink."

Miss Edgeworth's grown people live naturally with the children; they do not talk to them continually about angels or flowers, but about the things that interest themselves. They do not force them forward, nor keep them back. The relations are simple and honorable; all ages in the family seem at home under one roof and sheltered by one care.

Miss Edgeworth's adults interact naturally with the children; they don’t constantly talk to them about angels or flowers, but about things that genuinely interest them. They neither push them forward nor hold them back. The relationships are straightforward and respectful; all ages in the family feel comfortable under one roof and supported by shared care.

The Juvenile Miscellany, formerly published by Mrs. Child, was much and deservedly esteemed by children. It was a healthy, cheerful, natural and entertaining companion to them.

The Juvenile Miscellany, previously published by Mrs. Child, was highly regarded and rightfully so by kids. It was a wholesome, uplifting, authentic, and entertaining companion for them.

We should censure too monotonously tender a manner in what is written for children, and too constant an attention to moral influence. We should prefer a larger proportion of the facts of natural or human history, and that they should speak for themselves.

We should criticize an overly gentle tone in children's writing and an excessive focus on moral lessons. We should favor a greater amount of natural or human history facts, letting them speak for themselves.

 

 

 

 

WOMAN IN POVERTY.

Woman, even less than Man, is what she should be as a whole. She is not that self-centred being, full of profound intuitions, angelic love, and flowing poesy, that she should be. Yet there are circumstances in which the native force and purity of her being teach her how to conquer where the restless impatience of Man brings defeat, and leaves him crushed and bleeding on the field.

Woman, even less than Man, is not fully who she should be. She isn't that self-centered individual, brimming with deep insights, pure love, and beautiful poetry, that she ought to be. However, there are situations where the natural strength and purity of her essence show her how to succeed where the restless impatience of Man leads to failure, leaving him defeated and bleeding on the battlefield.

Images rise to mind of calm strength, of gentle wisdom learning from every turn of adverse fate,—of youthful tenderness and faith undimmed to the close of life, which redeem humanity and make the heart glow with fresh courage as we write. They are mostly from obscure corners and very private walks. There was nothing shining, nothing of an obvious and sounding heroism to make their conduct doubtful, by tainting their motives with vanity. Unknown they lived, untrumpeted they died. Many hearts were warmed and fed by them, but perhaps no mind but our own ever consciously took account of their virtues.

Images come to mind of calm strength, gentle wisdom learning from every twist of fate, youthful tenderness, and unwavering faith to the end of life, which redeem humanity and fill the heart with fresh courage as we write. They usually come from obscure places and very private paths. There was nothing flashy, nothing of obvious and loud heroism to cloud their actions with vanity. They lived unknown and died unheralded. Many hearts were warmed and nurtured by them, but perhaps no one but us ever truly recognized their virtues.

Had Art but the power adequately to tell their simple virtues, and to cast upon them the light which, shining through those marked and faded faces, foretold the glories of a second spring! The tears of holy emotion which fell from those eyes have seemed to us pearls beyond all price; or rather, whose price will be paid only when, beyond the grave, they enter those better spheres in whose faith they felt and acted here.

Had Art but the power to really express their simple virtues, and to shine a light on them that revealed the glories of a second spring through those marked and faded faces! The tears of deep emotion that fell from those eyes seemed to us priceless pearls; or rather, their value will only be realized when, beyond the grave, they reach those better realms in which they believed and acted here.

From this private gallery we will, for the present, bring forth but one picture. That of a Black Nun was wont to fetter the eyes of visitors in the royal galleries of France, and my Sister of Mercy, too, is of that complexion. The old woman was recommended as a laundress by my friend, who had long prized her. I was immediately struck with the dignity and propriety of her manner. In the depth of winter she brought herself the heavy baskets through the slippery streets; and, when I asked her why she did not employ some younger person to do what was so entirely disproportioned to her strength, simply said, "she lived alone, and could not afford to hire an errand-boy." "It was hard for her?" "No, she was fortunate in being able to get work at her age, when others could do it better. Her friends were very good to procure it for her." "Had she a comfortable home?" "Tolerably so,—she should not need one long." "Was that a thought of joy to her?" "Yes, for she hoped to see again the husband and children from whom she had long been separated."

From this private gallery, we'll only bring out one picture for now. The Black Nun used to captivate visitors in the royal galleries of France, and my Sister of Mercy is also of that background. The old woman was recommended as a laundress by my friend, who had valued her for a long time. I was immediately impressed by her dignity and proper demeanor. In the depths of winter, she carried heavy baskets through the icy streets herself; when I asked her why she didn't hire some younger person to do such a task that was obviously beyond her strength, she simply said, "I live alone, and I can't afford to hire a messenger." "Was it hard for her?" "No, she felt lucky to be able to find work at her age when others could do it better. Her friends were really great in helping her get it." "Did she have a comfortable home?" "Fairly so—but she wouldn't need one for long." "Was that something joyful for her?" "Yes, because she hoped to see again the husband and children she had long been parted from."

Thus much in answer to the questions, but at other times the little she said was on general topics. It was not from her that I learnt how the great idea of Duty had held her upright through a life of incessant toil, sorrow, bereavement; and that not only she had remained upright, but that her character had been constantly progressive. Her latest act had been to take home a poor sick girl who had no home of her own, and could not bear the idea of dying in a hospital, and maintain and nurse her through the last weeks of her life. "Her eye-sight was failing, and she should not be able to work much longer,—but, then, God would provide. Somebody ought to see to the poor, motherless girl."

So that's a lot of what I answered to the questions, but at other times, the little she said was about general topics. I didn't learn from her how the big idea of Duty kept her strong through a life filled with constant hard work, sadness, and loss; not only did she stay strong, but her character kept growing. Recently, she brought home a sick young girl who didn't have a place to go and couldn’t stand the thought of dying in a hospital, and she cared for her during the last weeks of her life. "Her eyesight was getting worse, and she wouldn't be able to work much longer—but, then, God would take care of it. Somebody should help the poor, motherless girl."

It was not merely the greatness of the act, for one in such circumstances, but the quiet matter-of-course way in which it was done, that showed the habitual tone of the mind, and made us feel that life could hardly do more for a human being than to make him or her the somebody that is daily so deeply needed, to represent the right, to do the plain right thing.

It wasn't just the significance of the act, given the circumstances, but the calm, straightforward way it was carried out that revealed the usual mindset. It made us realize that life could hardly offer more to a person than to help them become the somebody that is so urgently needed every day, to stand up for what’s right and to do the simple, right thing.

"God will provide." Yes, it is the poor who feel themselves near to the God of love. Though he slay them, still do they trust him.

"God will provide." Yes, it’s the poor who feel close to the God of love. Even if he kills them, they still trust him.

"I hope," said I to a poor apple-woman, who had been drawn on to disclose a tale of distress that, almost in the mere hearing, made me weary of life, "I hope I may yet see you in a happier condition." "With God's help," she replied, with a smile that Raphael would have delighted to transfer to his canvas; a Mozart, to strains of angelic sweetness. All her life she had seemed an outcast child; still she leaned upon a Father's love.

"I hope," I said to a poor apple vendor, who had begun to share a story of hardship that, just by listening, made me tired of life, "I hope I can still see you in a better situation." "With God's help," she replied, with a smile that Raphael would have loved to paint; a Mozart, to notes of heavenly sweetness. All her life, she had seemed like an outcast child; still, she relied on a Father's love.

The dignity of a state like this may vary its form in, more or less richness and beauty of detail, but here is the focus of what makes life valuable. It is this spirit which makes poverty the best servant to the ideal of human nature. I am content with this type, and will only quote, in addition, a ballad I found in a foreign periodical, translated from Chamisso, and which forcibly recalled my own laundress as an equally admirable sample of the same class, the Ideal Poor, which we need for our consolation, so long as there must be real poverty.

The dignity of a state like this can take different forms, with varying levels of richness and beauty in detail, but it’s the essence of what gives life its value. It’s this spirit that makes poverty a fitting servant to the ideal of human nature. I’m satisfied with this perspective and will also share a ballad I found in a foreign magazine, translated from Chamisso, which strongly reminded me of my own laundress as an equally admirable example of the Ideal Poor, a figure we need for our comfort as long as real poverty exists.

"THE OLD WASHERWOMAN.
  "Among yon lines her hands have laden,
    A laundress with white hair appears,
  Alert as many a youthful maiden,
    Spite of her five-and-seventy years;
  Bravely she won those white hairs, still
    Eating the bread hard toll obtained her,
  And laboring truly to fulfil
    The duties to which God ordained her.

  "Once she was young and full of gladness,
    She loved and hoped,—was wooed and won;
  Then came the matron's cares,—the sadness
    No loving heart on earth may shun.
  Three babes she bore her mate; she prayed
    Beside his sick-bed,—he was taken;
  She saw him in the church-yard laid,
    Yet kept her faith and hope unshaken.

  "The task her little ones of feeding
    She met unfaltering from that hour;
  She taught them thrift and honest breeding,
    Her virtues were their worldly dower.
  To seek employment, one by one,
    Forth with her blessing they departed,
  And she was in the world alone—
    Alone and old, but still high-hearted.

  "With frugal forethought; self-denying,
    She gathered coin, and flax she bought,
  And many a night her spindle plying,
    Good store of fine-spun thread she wrought.
  The thread was fashioned in the loom;
    She brought it home, and calmly seated
  To work, with not a thought of gloom,
    Her decent grave-clothes she completed.

  "She looks on them with fond elation;
    They are her wealth, her treasure rare,
  Her age's pride and consolation,
    Hoarded with all a miser's care.
  She dons the sark each Sabbath day,
    To hear the Word that falleth never!
  Well-pleased she lays it then away
    Till she shall sleep in it forever!

  "Would that my spirit witness bore me.
    That, like this woman, I had done
  The work my Master put before me
    Duly from morn till set of sun!
  Would that life's cup had been by me
    Quaffed in such wise and happy measure,
  And that I too might finally
    Look on my shroud with such meek pleasure!"
  "Among the lines she has hung out,  
    A laundress with white hair stands,  
  As alert as any young woman,  
    Despite her seventy-five years;  
  She earned those white hairs with strength,  
    Working hard for her daily bread,  
  And truly laboring to fulfill  
    The duties God assigned to her.  

  "Once she was young and filled with joy,  
    She loved and hoped—was courted and won;  
  Then came the worries of motherhood—  
    The sadness no loving heart can escape.  
  She bore three children for her partner;  
    She prayed beside his sickbed—he was lost;  
  She watched him laid to rest in the graveyard,  
    Yet kept her faith and hope steadfast.  

  "She faced the task of feeding her little ones  
    Steadfastly from that moment on;  
  She taught them to save and behave,  
    Her values were their inheritance.  
  To seek work, one by one,  
    They left with her blessing,  
  And she was alone in the world—  
    Alone and old, but still full of courage.  

  "With careful planning and selflessness,  
    She saved money, and bought flax,  
  And many nights, working at her spindle,  
    She spun a good amount of fine thread.  
  The thread was woven on the loom;  
    She brought it home, and sat down  
  To work, with not a hint of sadness,  
    Finishing her proper burial clothes.  

  "She looks at them with loving pride;  
    They are her wealth, her rare treasure,  
  Her old age's pride and comfort,  
    Cherished with all the care of a miser.  
  She wears the garment every Sunday  
    To hear the Word that never fails!  
  Satisfied, she puts it away again  
    Until she sleeps in it forever!  

  "I wish my spirit could testify for me  
    That, like this woman, I had completed  
  The work my Master set before me  
    Steadily from dawn till dusk!  
  I wish I could have enjoyed life’s drink  
    In such a wise and joyful way,  
  And that I too might finally  
    Look at my shroud with such humble joy!"

Such are the noble of the earth. They do not repine, they do not chafe, even in the inmost heart. They feel that, whatever else may be denied or withdrawn, there remains the better part, which cannot be taken from them. This line exactly expresses the woman I knew:—

Such are the good people of the world. They don’t complain, they don’t get angry, even deep down in their hearts. They understand that, no matter what else is taken away or denied to them, there’s still something more valuable that can’t be taken from them. This line perfectly describes the woman I knew:—

  "Alone and old, but still high-hearted."
"Alone and aging, but still full of spirit."

Will any, poor or rich, fail to feel that the children of such a parent were rich when

Will anyone, whether poor or rich, fail to feel that the children of such a parent were wealthy when

  "Her virtues were their worldly dower"?
"Her qualities were their worldly fortune."

Will any fail to bow the heart in assent to the aspiration,

Will anyone fail to agree with the hope,

  "Would that my spirit witness bore me
    That, like this woman, I had done
  The work my Maker put before me
    Duly from morn till set of sun"?
"How I wish my spirit could testify that, like this woman, I had completed the work my Creator gave me, faithfully from morning until sunset."

May not that suffice to any man's ambition?

May that not be enough for any man's ambition?

 

 

 

 

 

 

[Perhaps one of the most perplexing problems which beset Woman in her domestic sphere relates to the proper care and influence which she should exert over the domestic aids she employs. As these are, and long must be, taken chiefly from one nation, the following pages treating of the Irish Character, and the true relation between Employer and Employed, can hardly fail to be of interest. They contain, too, some considerations which Woman as well as Man is too much in danger of overlooking, and which seem, even more than when first urged, to be timely in this reactionary to-day.—ED.]

[One of the most confusing issues that women face in their home life is how to properly care for and influence the domestic help they hire. Since this help primarily comes from one nation, the following pages discussing the Irish Character and the true relationship between Employer and Employee will undoubtedly be of interest. They also include some thoughts that both women and men often overlook and which seem, now more than ever, to be relevant in today's reactionary climate.—ED.]

THE IRISH CHARACTER.

In one of the eloquent passages quoted in the "Tribune" of Wednesday, under the head, "Spirit of the Irish Press," we find these words:

In one of the powerful sections quoted in the "Tribune" on Wednesday, under the heading "Spirit of the Irish Press," we find these words:

"Domestic love, almost morbid from external suffering, prevents him (the Irishman) from becoming a fanatic and a misanthrope, and reconciles him to life."

"Domestic love, nearly pathological from outside pain, stops him (the Irishman) from becoming a fanatic and a misanthrope, and helps him come to terms with life."

This recalled to our mind the many touching instances known to us of such traits among the Irish we have seen here. We have known instances of morbidness like this. A girl sent "home," after she was well established herself, for a young brother, of whom she was particularly fond. He came, and shortly after died. She was so overcome by his loss that she took poison. The great poet of serious England says, and we believe it to be his serious thought though laughingly said, "Men have died, and worms have eaten them, but not for love." Whether or not death may follow from the loss of a lover or child, we believe that among no people but the Irish would it be upon the loss of a young brother.

This reminded us of the many moving stories we've heard about such traits among the Irish we've seen here. We've known cases of sadness like this. A girl who had settled well sent for a young brother she was particularly close to. He arrived, and shortly after, he died. She was so devastated by his loss that she took poison. The great poet of serious England says, and we believe he truly meant it even though he said it humorously, "Men have died, and worms have eaten them, but not for love." Whether or not death can follow the loss of a lover or child, we believe that only among the Irish would it happen due to the loss of a young brother.

Another poor young woman, in the flower of her youth, denied herself, not only every pleasure, but almost the necessaries of life to save the sum she thought ought to be hers before sending to Ireland for a widowed mother. Just as she was on the point of doing so she heard that her mother had died fifteen months before. The keenness and persistence of her grief defy description. With a delicacy of feeling which showed the native poetry of the Irish mind, she dwelt, most of all, upon the thought that while she was working, and pinching, and dreaming of happiness with her mother, it was indeed but a dream, and that cherished parent lay still and cold beneath the ground. She felt fully the cruel cheat of Fate. "Och! and she was dead all those times I was thinking of her!" was the deepest note of her lament.

Another poor young woman, in the prime of her life, deprived herself not only of every pleasure but almost of the necessities of life to save the money she thought was rightfully hers before sending for her widowed mother in Ireland. Just when she was about to do so, she found out that her mother had died fifteen months earlier. The intensity and persistence of her grief were beyond description. With a sensitivity that revealed the inherent poetry of the Irish spirit, she focused, above all, on the thought that while she was working, struggling, and dreaming of happiness with her mother, it had all been just a dream, and that beloved parent lay still and cold beneath the ground. She fully felt the harsh trick of Fate. "Oh! She was dead all those times I was thinking of her!" was the deepest note of her lament.

They are able, however, to make the sacrifice of even these intense family affections in a worthy cause. We knew a woman who postponed sending for her only child, whom she had left in Ireland, for years, while she maintained a sick friend who had no one else to help her.

They are willing to sacrifice even their deep family bonds for a good cause. We knew a woman who waited years to bring her only child, whom she had left in Ireland, while she cared for a sick friend with no one else to support her.

The poetry of which I have spoken shows itself even here, where they are separated from old romantic associations, and begin the new life in the New World by doing all its drudgery. We know flights of poetry repeated to us by those present at their wakes,—passages of natural eloquence, from the lamentations for the dead, more beautiful than those recorded in the annals of Brittany or Roumelia.

The poetry I mentioned is evident even here, where they are distanced from old romantic ties and start a new life in the New World by taking on all its hard work. We've heard beautiful poetic expressions recited by those at their wakes—moments of genuine eloquence from the mourning for the dead, more stunning than those recorded in the histories of Brittany or Roumelia.

It is the same genius, so exquisitely mournful, tender, and glowing, too, with the finest enthusiasm, that makes their national music, in these respects, the finest in the world. It is the music of the harp; its tones are deep and thrilling. It is the harp so beautifully described in "The Harp of Tara's Halls," a song whose simple pathos is unsurpassed. A feeling was never more adequately embodied.

It’s the same brilliant, haunting, tender, and passionate genius that makes their national music the best in the world. It’s the music of the harp; its sounds are deep and powerful. It’s the harp beautifully portrayed in "The Harp of Tara's Halls," a song whose simple emotional depth is unmatched. No feeling has ever been captured so perfectly.

It is the genius which will enable Emmet's appeal to draw tears from the remotest generations, however much they may be strangers to the circumstances which called it forth, It is the genius which beamed in chivalrous loveliness through each act of Lord Edward Fitzgerald,—the genius which, ripened by English culture, favored by suitable occasions, has shed such glory on the land which has done all it could to quench it on the parent hearth.

It’s the brilliance that will make Emmet's plea move people from distant generations, no matter how disconnected they might be from the events that inspired it. It’s the brilliance that shone with noble beauty in every action of Lord Edward Fitzgerald—the brilliance that, nurtured by English culture and shaped by the right moments, has brought such honor to the land that has tried its best to suppress it at home.

When we consider all the fire which glows so untamably in Irish veins, the character of her people, considering the circumstances, almost miraculous in its goodness, we cannot forbear, notwithstanding all the temporary ills they aid in here, to give them a welcome to our shores. Those ills we need not enumerate; they are known to all, and we rank among them, what others would not, that by their ready service to do all the hard work, they make it easier for the rest of the population to grow effeminate, and help the country to grow too fast. But that is her destiny, to grow too fast: there is no use talking against it. Their extreme ignorance, their blind devotion to their priesthood, their pliancy in the hands of demagogues, threaten continuance of these ills; yet, on the other hand, we must regard them as most valuable elements in the new race. They are looked upon with contempt for their wont of aptitude in learning new things; their ready and ingenious lying; their eye-service. These are the faults of an oppressed race, which must require the aid of better circumstances through two or three generations to eradicate. Their virtues are their own; they are many, genuine, and deeply-rooted. Can an impartial observer fail to admire their truth to domestic ties, their power of generous bounty, and more generous gratitude, their indefatigable good-humor (for ages of wrong which have driven them to so many acts of desperation, could never sour their blood at its source), their ready wit, their elasticity of nature? They are fundamentally one of the best nations of the world. Would they were welcomed here, not to work merely, but to intelligent sympathy, and efforts, both patient and ardent, for the education of their children! No sympathy could be better deserved, no efforts wiselier timed. Future Burkes and Currans would know how to give thanks for them, and Fitzgeralds rise upon the soil—which boasts the magnolia with its kingly stature and majestical white blossoms,—to the same lofty and pure beauty. Will you not believe it, merely because that bog-bred youth you placed in the mud-hole tells you lies, and drinks to cheer himself in those endless diggings? You are short-sighted, my friend; you do not look to the future; you will not turn your head to see what may have been the influences of the past. You have not examined your own breast to see whether the monitor there has not commanded you to do your part to counteract these influences; and yet the Irishman appeals to you, eye to eye. He is very personal himself,—he expects a personal interest from you. Nothing has been able to destroy this hope, which was the fruit of his nature. We were much touched by O'Connell's direct appeal to the queen, as "Lady!" But she did not listen,—and we fear few ladies and gentlemen will till the progress of Destiny compels them.

When we think about all the fiery spirit running through Irish blood, it’s almost miraculous how good their character is, especially in light of their circumstances. Despite the temporary issues they bring here, we can’t help but welcome them to our shores. We don’t need to list those issues; everyone knows what they are. Among them, we acknowledge that their willingness to do hard work makes it easier for others to become complacent and helps the country advance too quickly. But that’s just their fate—to grow too fast. There’s no point in arguing against it. Their extreme ignorance, blind loyalty to their priests, and susceptibility to demagogues might prolong these problems; however, we must also see them as valuable components of the new society. They’re often looked down upon for their struggles with learning new things, their knack for clever deceit, and their showy behavior. These faults belong to an oppressed people who will need two or three generations of better circumstances to overcome them. Their virtues, on the other hand, are genuine, numerous, and deeply embedded. Can an unbiased observer not admire their loyalty to family, their capacity for generosity, and their even greater capacity for gratitude? Their unyielding good humor, despite ages of hardship that have pushed them to desperate actions, their quick wit, and their resilience? Fundamentally, they are one of the best nations in the world. I wish they were welcomed here not just to work but to receive intelligent compassion and committed, enthusiastic efforts toward the education of their children! No sympathy could be better deserved, and no efforts more timely. Future Burkes and Currans would surely express their gratitude, just as Fitzgeralds might rise from a land that boasts the majestic magnolia with its grand stature and beautiful white blossoms. Will you dismiss this simply because that youth from the bog, who you’ve placed in a difficult situation, lies to you and drinks to lift his spirits in those endless struggles? You’re short-sighted, my friend; you’re not looking toward the future. You won’t turn to see what past influences may have shaped this situation. You haven’t examined your own conscience to see if it hasn’t urged you to play your part in counteracting these influences; yet the Irishman looks at you, directly. He’s very personal—he expects personal interest from you. Nothing has been able to extinguish this hope that is inherent in his nature. We were deeply moved by O'Connell’s direct appeal to the queen, calling her "Lady!" But she didn’t listen—and we fear that few others will either until Destiny’s progress forces their hand.

 

 

 

 

THE IRISH CHARACTER.

Since the publication of a short notice under this head in the "Tribune," several persons have expressed to us that their feelings were awakened on the subject, especially as to their intercourse with the lower Irish. Most persons have an opportunity of becoming acquainted, if they will, with the lower classes of Irish, as they are so much employed among us in domestic service, and other kinds of labor.

Since the publication of a brief notice on this topic in the "Tribune," several people have shared with us that their feelings about it have been stirred, particularly regarding their interactions with the lower Irish. Many people have the chance to get to know the lower classes of Irish, as they are widely employed here in domestic services and various types of labor.

We feel, say these persons, the justice of what has been said as to the duty and importance of improving these people. We have sometimes tried; but the want of real gratitude which, in them, is associated with such warm and wordy expressions of regard, with their incorrigible habits of falsehood and evasion, have baffled and discouraged us. You say their children ought to be educated; but how can this be effected when the all but omnipotent sway of the Catholic religion and the example of parents are both opposed to the formation of such views and habits as we think desirable to the citizen of the New World?

"We believe, as these people do, in the justice of what has been said about the duty and importance of improving their lives. We've tried at times, but the lack of genuine gratitude they show, despite their warm and flowery expressions of affection, combined with their persistent habits of lying and avoiding the truth, have left us feeling frustrated and disheartened. You say their children should be educated, but how can that happen when the nearly all-powerful influence of the Catholic religion and the behavior of the parents both stand in the way of developing the values and habits we consider essential for a citizen in the New World?"

We answer first with regard to those who have grown up in another land, and who, soon after arriving here, are engaged in our service.

We begin by addressing those who have grown up in another country and who, shortly after arriving here, are working for us.

First, as to ingratitude. We cannot but sadly smile on the remarks we hear so often on this subject.

First, regarding ingratitude. We can't help but sadly smile at the comments we often hear about this topic.

Just Heaven!—and to us how liberal! which has given those who speak thus an unfettered existence, free from religious or political oppression; which has given them the education of intellectual and refined intercourse with men to develop those talents which make them rich in thoughts and enjoyment, perhaps in money, too, certainly rich in comparison with the poor immigrants they employ,—what is thought in thy clear light of those who expect in exchange for a few shillings spent in presents or medicines, a few kind words, a little casual thought or care, such a mighty payment of gratitude? Gratitude! Under the weight of old feudalism their minds were padlocked by habit against the light; they might be grateful then, for they thought their lords were as gods, of another frame and spirit than theirs, and that they had no right to have the same hopes and wants, scarcely to suffer from the same maladies, with those creatures of silk, and velvet, and cloth of gold. Then, the crumbs which fell from the rich man's table might be received with gratitude, and, if any but the dogs came to tend the beggar's sores, such might be received as angels. But the institutions which sustained such ideas have fallen to pieces. It is understood, even In Europe, that

Just Heaven!—and to us how generous! It has granted those who speak this way a life free from religious or political oppression; it has provided them with education through intellectual and refined interactions with others to develop their talents, making them rich in thoughts and enjoyment, and maybe in money too, definitely richer compared to the poor immigrants they employ. What do you think, in your clear light, about those who expect, in return for a few shillings spent on gifts or medicine, a few kind words, a little casual thought or care, such a huge payment of gratitude? Gratitude! Under the heavy weight of old feudalism, their minds were locked by habit against the light; they might have been grateful then, because they believed their lords were like gods, different in nature and spirit from themselves, and that they had no right to have the same hopes and needs, hardly to suffer from the same ailments, as those creatures dressed in silk, velvet, and cloth of gold. Back then, the crumbs that fell from the rich man's table could be accepted with gratitude, and if anyone but the dogs came to tend the beggar's sores, they might be regarded as angels. But the institutions that upheld such ideas have crumbled. It is understood, even in Europe, that

  "The rank is but the guinea's stamp,
   The man's the gowd for a' that,
     A man's a man for a' that."
  "The rank is just the guinea's stamp,  
   The person is the gold for all that,  
     A man is a man for all that."  

And being such, has a claim on this earth for something better than the nettles of which the French peasantry made their soup, and with which the persecuted Irish, "under hiding," turned to green the lips white before with famine.

And because of that, they deserve something better on this earth than the stinging nettles that the French peasants used for their soup, and which the oppressed Irish, "in hiding," used to turn their famine-white lips green.

And if this begins to be understood in Europe, can you suppose it is not by those who, hearing that America opens a mother's arms with the cry, "All men are born free and equal," rush to her bosom to be consoled for centuries of woe, for their ignorance, their hereditary degradation, their long memories of black bread and stripes? However little else they may understand, believe they understand well this much. Such inequalities of privilege, among men all born of one blood, should not exist. They darkly feel that those to whom much has been given owe to the Master an account of stewardship. They know now that your gift is but a small portion of their right.

And if this starts to be understood in Europe, can you really think it’s not by those who, hearing that America opens its arms with the shout, "All men are born free and equal," rush to her embrace to find comfort from centuries of suffering, their ignorance, their inherited oppression, their long memories of hard times? No matter how little else they might grasp, they definitely understand this much. Such inequalities among people all from the same background shouldn't exist. They have a strong sense that those who have been given so much owe their provider an account of how they manage it. They now realize that your gift is only a small part of what is rightfully theirs.

And you, O giver! how did you give? With religious joy, as one who knows that he who loves God cannot fail to love his neighbor as himself? with joy and freedom, as one who feels that it is the highest happiness of gift to us that we have something to give again? Didst thou put thyself into the position of the poor man, and do for him what thou wouldst have had one who was able to do for thee? Or, with affability and condescending sweetness, made easy by internal delight at thine own wondrous virtue, didst thou give five dollars to balance five hundred spent on thyself? Did you say, "James, I shall expect you to do right in everything, and to attend to my concerns as I should myself; and, at the end of the quarter, I will give you my old clothes and a new pocket-handkerchief, besides seeing that your mother is provided with fuel against Christmas?"

And you, oh giver! how did you give? With genuine joy, like someone who knows that anyone who loves God can’t help but love their neighbor as themselves? With happiness and freedom, like someone who feels that the greatest joy of giving is that we have something to give again? Did you put yourself in the shoes of the poor man and do for him what you would have wanted someone capable to do for you? Or, with kindness and a generous spirit, made easy by the joy in your own incredible goodness, did you give five dollars to balance out the five hundred you spent on yourself? Did you say, "James, I expect you to do what’s right in everything and to handle my affairs as I would myself; and at the end of the quarter, I’ll give you my old clothes and a new handkerchief, plus make sure your mother gets fuel for Christmas?"

Line upon line, and precept upon precept, the tender parent expects from the teacher to whom he confides his child; vigilance unwearied, day and night, through long years. But he expects the raw Irish girl or boy to correct, at a single exhortation, the habit of deceiving those above them, which the expectation of being tyrannized over has rooted in their race for ages. If we look fairly into the history of their people, and the circumstances under which their own youth was trained, we cannot expect that anything short of the most steadfast patience and love can enlighten them as to the beauty and value of implicit truth, and, having done so, fortify and refine them in the practice of it.

Line by line, and lesson by lesson, the caring parent expects from the teacher to whom they trust their child; tireless attention, day and night, for many years. But they expect the young Irish girl or boy to just change their habit of deceiving those in authority with just one reminder, a habit that has been ingrained in them for generations due to the expectation of being mistreated. If we take an honest look at the history of their people and the conditions in which their own childhood was shaped, we can't expect anything less than the utmost patience and kindness to help them understand the beauty and importance of complete honesty, and once they understand, to support and nurture them in practicing it.

This we admit at the outset: First, You must be prepared for a religious and patient treatment of these people, not merely uneducated, but ill-educated; a treatment far more religious and patient than is demanded by your own children, if they were born and bred under circumstances at all favorable.

This we acknowledge from the start: First, you need to be ready for a caring and patient approach with these individuals, who are not just uneducated, but ill-educated; an approach that requires much more compassion and patience than what you would expect from your own children, if they had been raised in even slightly favorable conditions.

Second, Dismiss from your minds all thought of gratitude. Do what you do for them for God's sake, and as a debt to humanity—interest to the common creditor upon principal left in your care. Then insensibility, forgetfulness, or relapse, will not discourage you, and you will welcome proofs of genuine attachment to yourself chiefly as tokens that your charge has risen into a higher state of thought and feeling, so as to be enabled to value the benefits conferred through you. Could we begin so, there would be hope of our really becoming the instructors and guardians of this swarm of souls which come from their regions of torment to us, hoping, at least, the benefits of purgatory.

Second, forget any thoughts of gratitude. Do what you do for them out of love for God and as a duty to humanity—like paying interest on a loan you've been given. This way, if you face indifference, forgetfulness, or setbacks, it won’t discourage you, and you’ll see signs of real affection toward you mainly as evidence that those you're helping have grown in their thoughts and feelings, allowing them to appreciate the support you've provided. If we could start this way, there would be hope that we could truly become teachers and protectors of these many souls who come from their places of suffering to us, hoping, at the very least, for the benefits of purgatory.

The influence of the Catholic priesthood must continue very great till there is a complete transfusion of character in the minds of their charge. But as the Irishman, or any other foreigner, becomes Americanized, he will demand a new form of religion to suit his new wants. The priest, too, will have to learn the duties of an American citizen; he will live less and less for the church, and more for the people, till at last, if there be Catholicism still, it will be under Protestant influences, as begins to be the case in Germany. It will be, not Roman, but American Catholicism; a form of worship which relies much, perhaps, on external means and the authority of the clergy,—for such will always be the case with religion while there are crowds of men still living an external life, and who have not learned to make full use of their own faculties,—but where a belief in the benefits of confession and the power of the church, as church, to bind and loose, atone for or decide upon sin, with similar corruptions, must vanish in the free and searching air of a new era.

The influence of the Catholic priesthood will remain significant until there's a complete change in the mindset of their followers. However, as the Irishman—or any other foreigner—becomes more American, he will seek a new form of religion that fits his new needs. The priest will also need to learn the responsibilities of being an American citizen; he will focus less on the church and more on the people. Eventually, if Catholicism still exists, it will be shaped by Protestant influences, similar to what is happening in Germany. It will be not Roman, but American Catholicism; a style of worship that often relies on external practices and the authority of the clergy—because religion tends to do so as long as there are many people living externally and not fully using their own abilities. However, belief in the efficacy of confession and the church's power to bind and loosen, to atone for or judge sin, along with similar corruptions, will fade away in the open and critical atmosphere of a new era.


Between employer and employed there is not sufficient pains taken on the part of the former to establish a mutual understanding. People meet, in the relations of master and servant, who have lived in two different worlds. In this respect we are much worse situated than the same parties have been in Europe. There is less previous acquaintance between the upper and lower classes. (We must, though unwillingly, use these terms to designate the state of things as at present existing.) Meals are taken separately; work is seldom shared; there is very little to bring the parties together, except sometimes the farmer works with his hired Irish laborer in the fields, or the mother keeps the nurse-maid of her baby in the room with her.

Between employers and employees, not enough effort is made by the former to establish a mutual understanding. People in the roles of boss and worker often come from completely different backgrounds. In this regard, we are in a much worse situation than similar relationships in Europe. There's less familiarity between the upper and lower classes. (Though it's not ideal, we must use these terms to describe the current situation.) Meals are eaten separately; work is rarely shared; there’s very little to bring these groups together, except sometimes when the farmer works alongside his hired Irish laborer in the fields, or when a mother keeps her baby’s nursemaid in the room with her.

In this state of things the chances for instruction, which come every day of themselves where parties share a common life instead of its results merely, do not occur. Neither is there opportunity to administer instruction in the best manner, nor to understand when and where it is needed.

In this situation, the daily opportunities for teaching that naturally arise when people share a common life instead of just its outcomes, don't happen. There’s also no chance to provide instruction effectively, nor to know when and where it’s needed.

The farmer who works with his men in the field, the farmer's wife who attends with her women to the churn and the oven, may, with ease, be true father and mother to all who are in their employ, and enjoy health of conscience in the relation, secure that, if they find cause for blame, it is not from faults induced by their own negligence. The merchant who is from home all day, the lady receiving visitors or working slippers in her nicely-furnished parlor, cannot be quite so sure that their demands, or the duties involved in them, are clearly understood, nor estimate the temptations to prevarication.

The farmer who works alongside his crew in the field, and the farmer's wife who tends to the churn and the oven with her women, can easily fulfill the roles of true parents to everyone they employ, enjoying a clear conscience in their relationships, knowing that if there are reasons for blame, it doesn’t stem from their own carelessness. The merchant who is away all day, and the lady receiving guests or making slippers in her beautifully decorated living room, can't be as sure that their expectations or the responsibilities involved are fully understood, nor can they gauge the temptations to be dishonest.

It is shocking to think to what falsehoods human beings like ourselves will resort, to excuse a love of amusement, to hide ill-health, while they see us indulging freely in the one, yielding lightly to the other; and yet we have, or ought to have, far more resources in either temptation than they. For us it is hard to resist, to give up going to the places where we should meet our most interesting companions, or do our work with an aching brow. But we have not people over us whose careless, hasty anger drives us to seek excuses for our failures; if so, perhaps,—perhaps; who knows?—we, the better-educated, rigidly, immaculately true as we are at present, might tell falsehoods. Perhaps we might, if things were given us to do which we had never seen done, if we were surrounded by new arrangements in the nature of which no one instructed us. All this we must think of before we can be of much use.

It’s shocking to think about the lies people like us will tell to justify our love for fun or to mask our poor health while we see others freely enjoying themselves, easily giving in to their weaknesses. Yet, we have, or should have, many more resources when it comes to these temptations than they do. For us, it’s difficult to resist, to skip going to places where we could meet our most interesting friends or do our work despite feeling stressed. But we don’t have people above us whose careless anger makes us scramble for excuses when we fail; if we did, maybe—who knows?—we, who are more educated and supposedly honest now, might tell lies. Perhaps we would, if we were asked to do things we’ve never seen done before or if we were surrounded by new situations that no one prepared us for. We need to think about all this before we can truly be of any help.

We have spoken of the nursery-maid as the hired domestic with whom her mistress, or even the master, is likely to become acquainted. But, only a day or two since, we saw, what we see so often, a nursery-maid with the family to which she belonged, in a public conveyance. They were having a pleasant time; but in it she had no part, except to hold a hot, heavy baby, and receive frequent admonitions to keep it comfortable. No inquiry was made as to her comfort; no entertaining remark, no information of interest as to the places we passed, was addressed to her. Had she been in that way with that family ten years she might have known them well enough, for their characters lay only too bare to a careless scrutiny; but her joys, her sorrows, her few thoughts, her almost buried capacities, would have been as unknown to them, and they as little likely to benefit her, as the Emperor of China.

We've talked about the nursery maid as the hired help that her employer, or even the man of the house, is likely to get to know. But just a day or two ago, we noticed, as we often do, a nursery maid with the family she worked for on a public transport. They were enjoying themselves, but she had no involvement in it apart from holding a hot, heavy baby and receiving constant reminders to keep it comfortable. No one checked on her comfort; there were no amusing comments or interesting facts about the places we passed directed at her. Even if she had been working with that family for ten years, she might have known them well enough since their personalities were clearly visible to a casual observer. However, her joys, her sorrows, her few thoughts, and her almost forgotten talents would have been just as unknown to them, and they would have been as unlikely to help her as the Emperor of China.

Let the employer place the employed first in good physical circumstances, so as to promote the formation of different habits from those of the Irish hovel, or illicit still-house. Having thus induced feelings of self-respect, he has opened the door for a new set of notions. Then let him become acquainted with the family circumstances and history of his new pupil. He has now got some ground on which to stand for intercourse. Let instruction follow for the mind, not merely by having the youngest daughter set, now and then, copies in the writing-book, or by hearing read aloud a few verses in the Bible, but by putting good books in their way, if able to read, and by intelligent conversation when there is a chance,—the master with the man who is driving him, the lady with the woman who is making her bed. Explain to them the relations of objects around them; teach them to compare the old with the new life. If you show a better way than theirs of doing work, teach them, too, why it is better. Thus will the mind be prepared by development for a moral reformation; there will be some soil fitted to receive the seed.

Let the employer first create a good environment for the employees to encourage them to develop different habits than those from the Irish hovel or illegal distillery. By fostering a sense of self-respect, he opens the door to new ideas. Next, he should get to know the family background and history of his new pupil. Now he has a basis for interaction. Instruction should not just come from having the youngest daughter occasionally copying in the writing book or reading a few Bible verses aloud but by providing good books if they're able to read, and by having meaningful conversations when possible—the master with the person driving him, the lady with the woman making her bed. Explain to them the relationships between the objects around them; teach them to compare their old life with the new one. If you show them a better way to do a task, explain why it is better, too. In this way, the mind will be prepared for moral improvement, and there will be some readiness to accept new ideas.

When the time is come,—and will you think a poor, uneducated person, in whose mind the sense of right and wrong is confused, the sense of honor blunted, easier of access than one refined and thoughtful? Surely you will not, if you yourself are refined and thoughtful, but rather that the case requires far more care in the choice of a favorable opportunity,—when, then, the good time is come, perhaps it will be best to do what you do in a way that will make a permanent impression. Show the Irishman that a vice not indigenous to his nation—for the rich and noble who are not so tempted are chivalrous to an uncommon degree in their openness, bold sincerity, and adherence to their word—has crept over and become deeply rooted in the poorer people from the long oppressions they have undergone. Show them what efforts and care will be needed to wash out the taint. Offer your aid, as a faithful friend, to watch their lapses, and refine their sense of truth. You will not speak in vain. If they never mend, if habit is too powerful, still, their nobler nature will not have been addressed in vain. They will not forget the counsels they have not strength to follow, and the benefits will be seen in their children or children's children.

When the time comes—and can you really believe that a poor, uneducated person, whose sense of right and wrong is confused and whose sense of honor is dulled, is easier to reach than someone refined and thoughtful? Surely you wouldn’t think so if you yourself are refined and thoughtful. In fact, the situation calls for much more care in choosing the right moment. When the right time does arrive, it might be best to act in a way that leaves a lasting impression. Show the Irishman that a vice not inherent to his culture—because the wealthy and noble, who are not as tempted, are remarkably chivalrous in their openness, bold sincerity, and commitment to their word—has subtly taken root among the poorer folks due to the long oppression they have faced. Illustrate the effort and care needed to cleanse this taint. Offer your help, as a loyal friend, to monitor their lapses and refine their sense of truth. You won’t be speaking in vain. Even if they never improve, even if their habits are too strong, still, their nobler nature will have been acknowledged. They won’t forget the advice they lack the strength to follow, and the benefits will emerge in their children or grandchildren.

Many say, "Well, suppose we do all this; what then? They are so fond of change, they will leave us." What then? Why, let them go and carry the good seed elsewhere. Will you be as selfish and short-sighted as those who never plant trees to shade a hired house, lest some one else should be blest by their shade?

Many people say, "Okay, suppose we do all this; what happens next? They love change so much, they'll just leave us." What happens next? Let them go and take the good ideas somewhere else. Are you really going to be as selfish and narrow-minded as those who never plant trees to provide shade for a rented place, just so someone else can’t benefit from that shade?

It is a simple duty we ask you to engage in; it is, also, a great patriotic work. You are asked to engage in the great work of mutual education, which must be for this country the system of mutual insurance.

It's a straightforward task we ask you to take part in; it's also a significant act of patriotism. You are invited to participate in the important work of mutual education, which should serve as a system of mutual support for this country.

We have some hints upon this subject, drawn from the experience of the wise and good, some encouragement to offer from that experience, that the fruits of a wise planting sometimes ripen sooner than we could dare to expect. But this must be for another day.

We have some insights on this topic, taken from the experiences of the wise and good, and some encouragement to share from that experience, that the results of smart planning can sometimes come to fruition faster than we might expect. But that will have to wait for another day.

One word as to this love of change. We hear people blaming it in their servants, who can and do go to Niagara, to the South, to the Springs, to Europe, to the seaside; in short, who are always on the move whenever they feel the need of variety to reänimate mind, health, or spirits. Change of place, as to family employment, is the only way domestics have of "seeing life"—the only way immigrants have of getting thoroughly acquainted with the new society into which they have entered. How natural that they should incline to it! Once more; put yourself in their places, and then judge them gently from your own, if you would be just to them, if you would be of any use.

One quick note about this love of change. We hear people blaming it on their servants, who can and do travel to Niagara, to the South, to the Springs, to Europe, to the beach; in short, they’re always on the go whenever they feel the need for some variety to refresh their minds, health, or spirits. Changing places, in terms of family work, is the only way domestic workers get to "see life"—the only way immigrants can really get to know the new society they’ve entered. It’s completely natural for them to feel this way! Once again, try to put yourself in their shoes, and then judge them kindly from your own perspective if you want to be fair to them and be of any help.

 

 

 

 

EDUCATE MEN AND WOMEN AS SOULS.

Had Christendom but been true to its standard, while accommodating its modes of operation to the calls of successive times, Woman would now have not only equal power with Man,—for of that omnipotent nature will never suffer her to be defrauded,—but a chartered power, too fully recognized to be abused. Indeed, all that is wanting is, that Man should prove his own freedom by making her free. Let him abandon conventional restriction, as a vestige of that Oriental barbarity which confined Woman to a seraglio. Let him trust her entirely, and give her every privilege already acquired for himself,—elective franchise, tenure of property, liberty to speak in public assemblies, &c.

If Christendom had truly lived up to its ideals, adapting its practices to the needs of changing times, women today would have not only equal power with men—because that inherent nature will never allow her to be cheated out of it—but also a chartered power that is fully recognized and not subject to abuse. What’s needed is for men to prove their own freedom by granting freedom to women. They should let go of outdated restrictions, remnants of an Eastern barbarism that kept women confined. Men should trust women completely and grant them all the rights they already have for themselves—like the right to vote, ownership of property, and the freedom to speak in public gatherings, etc.

Nature has pointed out her ordinary sphere by the circumstances of her physical existence. She cannot wander far. If here and there the gods send their missives through women as through men, let them speak without remonstrance. In no age have men been able wholly to hinder them. A Deborah must always be a spiritual mother in Israel. A Corinna may be excluded from the Olympic games, yet all men will hear her song, and a Pindar sit at her feet. It is Man's fault that there ever were Aspasias and Ninons. These exquisite forms were intended for the shrines of virtue.

Nature has defined her usual space by the conditions of her physical existence. She can't stray too far. If occasionally the gods deliver their messages through women as they do through men, let them speak freely. In any era, men have never completely prevented this. A Deborah will always be a spiritual mother in Israel. A Corinna might be kept out of the Olympic games, yet all men will still hear her song, and a Pindar will sit at her feet. It's men's fault that there have ever been Aspasias and Ninons. These beautiful figures were meant for places of virtue.

Neither need men fear to lose their domestic deities. Woman is born for love, and it is impossible to turn her from seeking it. Men should deserve her love as an inheritance, rather than seize and guard it like a prey. Were they noble, they would strive rather not to be loved too much, and to turn her from idolatry to the true, the only Love. Then, children of one Father, they could not err nor misconceive one another.

Neither should men be afraid of losing their domestic goddesses. Women are made for love, and it’s impossible to stop them from seeking it. Men should earn her love as an inheritance, rather than taking it and hoarding it like a trophy. If they were noble, they would aim not to be loved too much and to guide her away from idolization to the true, the only Love. Then, children of one Father, they wouldn’t err or misunderstand each other.

Society is now so complex, that it is no longer possible to educate Woman merely as Woman; the tasks which come to her hand are so various, and so large a proportion of women are thrown entirely upon their own resources. I admit that this is not their state of perfect development; but it seems as if Heaven, having so long issued its edict in poetry and religion without securing intelligent obedience, now commanded the world in prose to take a high and rational view. The lesson reads to me thus:—

Society is now so complex that it’s no longer possible to educate women just as women; the tasks they face are so varied, and a significant number of women are completely reliant on their own resources. I acknowledge that this isn't their ideal state of development, but it seems that Heaven, having long communicated its message through poetry and religion without achieving thoughtful compliance, is now directing the world in straightforward language to adopt a higher and more rational perspective. To me, the lesson reads as follows:—

Sex, like rank, wealth, beauty, or talent, is but an accident of birth. As you would not educate a soul to be an aristocrat, so do not to be a woman. A general regard to her usual sphere is dictated in the economy of nature. You need never enforce these provisions rigorously. Achilles had long plied the distaff as a princess; yet, at first sight of a sword, he seized it. So with Woman; one hour of love would teach her more of her proper relations than all your formulas and conventions. Express your views, men, of what you seek in women; thus best do you give them laws. Learn, women, what you should demand of men; thus only can they become themselves. Turn both from the contemplation of what is merely phenomenal in your existence, to your permanent life as souls. Man, do not prescribe how the Divine shall display itself in Woman. Woman, do not expect to see all of God in Man. Fellow-pilgrims and helpmeets are ye, Apollo and Diana, twins of one heavenly birth, both beneficent, and both armed. Man, fear not to yield to Woman's hand both the quiver and the lyre; for if her urn be filled with light, she will use both to the glory of God. There is but one doctrine for ye both, and that is the doctrine of the SOUL.

Sex, like social class, wealth, looks, or abilities, is just a matter of birth. Just as you wouldn’t raise someone to be an aristocrat, don’t raise them to be a woman either. A general respect for her typical role is part of nature's plan. You don’t need to enforce these ideas strictly. Achilles once took on women’s roles; yet, at the first sight of a sword, he grabbed it. The same goes for women; just one hour of love can teach them more about their true roles than all your rules and norms. Men, express what you want in women; that’s how you can give them guidance. Women, understand what you should ask for from men; that’s the only way they can find themselves. Focus on your true life as souls rather than just what’s obvious in your existence. Man, don’t dictate how the Divine should show up in Woman. Woman, don’t expect to see all of God in Man. You are fellow travelers and companions, Apollo and Diana, twins of one divine origin, both nurturing and both strong. Man, don’t hesitate to let Woman hold both the quiver and the lyre; if her vessel is filled with light, she will use both for the glory of God. There's only one principle for you both, and that is the principle of the SOUL.

 

 

 

 

 

 

PART III.


EXTRACTS FROM JOURNALS AND LETTERS.

 

 

 

 

 

 

[The following extract from Margaret's Journal will be read with a degree of melancholy interest when connected with the eventful end of her eventful life. It was written many years before her journey to Europe, and rings in our ears now almost with the tones of prophecy.—Ed.]

[The following extract from Margaret's Journal will be read with a sense of bittersweet interest when linked to the significant ending of her remarkable life. It was written many years before her trip to Europe and now sounds almost prophetic in our ears.—Ed.]

 

I like to listen to the soliloquies of a bright child. In this microcosm the philosophical observer may trace the natural progression of the mind of mankind. I often silently observe L—-, with this view. He is generally imitative and dramatic; the day-school, the singing-school or the evening party, are acted out with admirable variety in the humors of the scene, end great discrimination of character in its broader features. What is chiefly remarkable is his unconsciousness of his mental processes, and how thoughts it would be impossible for him to recall spring up in his mind like flowers and weeds in the soil. But to-night he was truly in a state of lyrical inspiration, his eyes flashing, his face glowing, and his whole composition chanted out in an almost metrical form. He began by mourning the death of a certain Harriet whom he had let go to foreign parts, and who had died at sea. He described her as having "blue, sparkling eyes, and a sweet smile," and lamented that he could never kiss her cold lips again. This part, which he continued for some time, was in prolonged cadences, and a low, mournful tone, with a frequently recurring burden of "O, my Harriet, shall I never see thee more!"

I enjoy listening to the soliloquies of a bright child. In this small world, a thoughtful observer can see how the human mind develops. I often watch L—- quietly, with this idea in mind. He is usually imitative and dramatic; the day school, the singing school, or the evening party are all played out with impressive variety in the moods of the scene and great attention to character in its broader aspects. What stands out the most is his unawareness of his own mental processes, and how thoughts that he couldn't possibly remember bubble up in his mind like flowers and weeds in the ground. But tonight, he was genuinely inspired, his eyes shining, his face radiant, and everything about him seemed to express itself in almost poetic form. He began by mourning the loss of a certain Harriet, who had gone away and died at sea. He described her as having "blue, sparkling eyes, and a sweet smile," and he lamented that he could never kiss her cold lips again. This part, which he continued for quite a while, had a prolonged rhythm and a low, sorrowful tone, often repeating the line, "O, my Harriet, shall I never see thee more!"


EXTRACT FROM JOURNAL.


It is so true that a woman may be in love with a woman, and a man with a man. It is pleasant to be sure of it, because it is undoubtedly the same love that we shall feel when we are angels, when we ascend to the only fit place for the Mignons, where

It is absolutely true that a woman can love a woman, and a man can love a man. It’s comforting to know this, because it’s certainly the same love we will experience when we become angels, when we rise to the only suitable place for the Mignons, where

  "Sie fragen nicht nach Mann und Welb."
"You're not asking about man and wife."

It is regulated by the same law as that of love between persons of different sexes, only it is purely intellectual and spiritual, unprefaced by any mixture of lower instincts, undisturbed by any need of consulting temporal interests; its law is the desire of the spirit to realize a whole, which makes it seek in another being that which it finds not in itself.

It is governed by the same principles as love between people of different genders, but it is entirely intellectual and spiritual, free from any interference of base instincts, and unaffected by the need to consider worldly interests; its principle is the spirit's desire to achieve wholeness, which drives it to seek in another person what it cannot find within itself.

Thus the beautiful seek the strong; the mute seek the eloquent; the butterfly settles on the dark flower. Why did Socrates so love Alcibiades? Why did Körner so love Schneider? How natural is the love of Wallenstein for Max, that of Madame de Stael for de Recamier, mine for ——-! I loved —— for a time with as much passion as I was then strong enough to feel. Her face was always gleaming before me; her voice was echoing in my ear; all poetic thoughts clustered round the dear image. This love was for me a key which unlocked many a treasure which I still possess; it was the carbuncle (emblematic gem!) which cast light into many of the darkest corners of human nature. She loved me, too, though not so much, because her nature was "less high, less grave, less large, less deep;" but she loved more tenderly, less passionately. She loved me, for I well remember her suffering when she first could feel my faults, and knew one part of the exquisite veil rent away—how she wished to stay apart and weep the whole day.

So, the beautiful are drawn to the strong; the quiet seek the articulate; the butterfly lands on the dark flower. Why did Socrates love Alcibiades so much? Why did Körner have such affection for Schneider? How natural is Wallenstein's love for Max, or Madame de Stael's for de Recamier, and mine for ——-! I loved —— for a time with as much passion as I was capable of feeling. Her face always shone in my mind; her voice echoed in my ears; all poetic thoughts gathered around that dear image. This love was a key that unlocked many treasures I still hold; it was the carbuncle (an emblematic gem!) that illuminated many of the darkest corners of human nature. She loved me too, although not as deeply, because her nature was "less lofty, less serious, less expansive, less profound;" but she loved more gently, less intensely. She loved me, for I remember how she suffered when she first noticed my flaws and realized that one part of the beautiful veil had been torn away—how she wished to retreat and cry all day.

These thoughts were suggested by a large engraving representing Madame Recamier in her boudoir. I have so often thought over the intimacy between her and Madame de Stael.

These thoughts were prompted by a large engraving of Madame Recamier in her boudoir. I've often reflected on the closeness between her and Madame de Stael.

Madame Recamier is half-reclining on a sofa; she is clad in white drapery, which clings very gracefully to her round, but elegantly-slender form; her beautiful neck and arms are bare; her hair knotted up so as to show the contour of her truly-feminine head to great advantage. A book lies carelessly on her lap; one hand yet holds it at the place where she left off reading; her lovely face is turned towards us; she appears to muse on what she has been reading. When we see a woman in a picture with a book, she seems to be doing precisely that for which she was born; the book gives such an expression of purity to the female figure. A large window, partially veiled by a white curtain, gives a view of a city at some little distance. On one side stand the harp and piano; there are just books enough for a lady's boudoir. There is no picture, except one of De Recamier herself, as Corinne. This is absurd; but the absurdity is interesting, as recalling the connection. You imagine her to have been reading one of De Stael's books, and to be now pondering what those brilliant words of her gifted friend can mean.

Madame Recamier is half-reclining on a sofa, dressed in white drapery that gracefully hugs her round yet elegantly slender figure. Her beautiful neck and arms are bare, and her hair is styled up to showcase the shape of her truly feminine head. A book is casually resting on her lap, one hand still holding it at the spot where she paused reading. Her lovely face is turned toward us, as if she's reflecting on what she's just read. When we see a woman in a picture with a book, it feels like she's doing exactly what she was meant to do; the book adds a sense of purity to her figure. A large window, partly covered by a white curtain, reveals a view of a city in the distance. On one side are a harp and a piano, along with just enough books for a lady's boudoir. The only picture is one of De Recamier herself as Corinne. This is a bit odd, but it’s interesting because of the connection it evokes. You can imagine her having read one of De Stael’s books and now contemplating the meaning of her talented friend's brilliant words.

Everything in the room is in keeping. Nothing appears to have been put there because other people have it; but there is nothing which shows a taste more noble and refined than you would expect from the fair Frenchwoman. All is elegant, modern, in harmony with the delicate habits and superficial culture which you would look for in its occupant.

Everything in the room matches perfectly. Nothing seems to be there just because others own it; yet nothing demonstrates a taste more noble and refined than you would expect from a lovely Frenchwoman. Everything is elegant, modern, and in tune with the delicate habits and superficial culture you would anticipate from its occupant.


TO HER MOTHER.

Sept. 5, 1837.

Sep 5, 1837.

* * * * If I stay in Providence, and more money is wanting than can otherwise be furnished, I will take a private class, which is ready for me, and by which, even if I reduced my terms to suit the place, I can earn the four hundred dollars that —— will need. If I do not stay, I will let her have my portion of our income, with her own, or even capital which I have a right to take up, and come into this or some other economical place, and live at the cheapest rate. It will not be even a sacrifice to me to do so, for I am weary of society, and long for the opportunity for solitary concentration of thought. I know what I say; if I live, you may rely upon me.

* * * * If I stay in Providence and need more money than I can get otherwise, I’ll take a private class that’s ready for me, and even if I lower my rates to fit the area, I can earn the four hundred dollars that —— will need. If I decide not to stay, I’ll let her have my share of our income, along with her own, or even some capital that I can access, and move to this or some other affordable place to live as cheaply as possible. It won’t even be a sacrifice for me because I’m tired of society and crave the chance to focus on my thoughts alone. I know what I’m saying; if I live, you can count on me.

God be with you, my dear mother! I am sure he will prosper the doings of so excellent a woman if you will only keep your mind calm and be firm. Trust your daughter too. I feel increasing trust in mine own good mind. We will take good care of the children and of one another. Never fear to trouble me with your perplexities. I can never be so situated that I do not earnestly wish to know them. Besides, things do not trouble me as they did, for I feel within myself the power to aid, to serve.

God be with you, my dear mother! I'm sure He will bless the actions of such an amazing woman if you just keep your mind calm and stay strong. Trust your daughter as well. I'm growing more confident in my own good judgment. We'll take good care of the kids and each other. Don't hesitate to share your worries with me. There's never a time when I don't genuinely want to know what's on your mind. Besides, things don’t bother me as much as they used to, because I feel the strength within me to help and support.

Most affectionately,

Most lovingly,

Your daughter, M.

Your daughter, M.


PART OF LETTER TO M.

Providence, Oct. 7, 1838.

Providence, Oct. 7, 1838.

* * * For yourself, dear ——, you have attained an important age. No plan is desirable for you which is to be pursued with precision. The world, the events of every day, which no one can predict, are to be your teachers, and you must, in some degree, give yourself up, and submit to be led captive, if you would learn from them. Principle must be at the helm, but thought must shift its direction with the winds and waves.

* * * For you, dear ——, you’ve reached a significant age. No plan is ideal for you that needs to be followed exactly. The world, with its unpredictable daily events, will be your teachers, and you must, to some extent, give yourself over and allow yourself to be guided if you want to learn from them. Principles should be your guide, but your thoughts must adjust according to the changing circumstances.

Happy as you are thus far in worthy friends, you are not in much danger of rash intimacies or great errors. I think, upon the whole, quite highly of your judgment about people and conduct; for, though your first feelings are often extravagant, they are soon balanced.

As happy as you are with your good friends, you're not at much risk of making hasty connections or serious mistakes. Overall, I have a high opinion of your judgment regarding people and behavior; even though your initial feelings can be intense, they quickly even out.

I do not know other faults in you beside that want of retirement of mind which I have before spoken of. If M——— and A——— want too much seclusion, and are too severe in their views of life and man, I think you are too little so. There is nothing so fatal to the finer faculties as too ready or too extended a publicity. There is some danger lest there be no real religion in the heart which craves too much of daily sympathy. Through your mind the stream of life has coursed with such rapidity that it has often swept away the seed or loosened the roots of the young plants before they had ripened any fruit.

I don’t see any other faults in you besides the lack of mental solitude I’ve mentioned before. While M——— and A——— may seek too much seclusion and have a very harsh view of life and people, I think you’re on the opposite end. There’s nothing more damaging to our finer qualities than being too exposed or having too much public attention. There’s a risk that if someone craves too much daily support, they may not have real faith in their heart. Your mind has been flowing with life so quickly that it has often swept away the seeds or disturbed the roots of young plants before they had a chance to bear any fruit.

I should think writing would be very good for you. A journal of your life, and analyses of your thoughts, would teach you how to generalize, and give firmness to your conclusions. Do not write down merely that things are beautiful, or the reverse; but what they are, and why they are beautiful or otherwise; and show these papers, at least at present, to nobody. Be your own judge and your own helper. Do not go too soon to any one with your difficulties, but try to clear them up for yourself.

I think writing would be really beneficial for you. Keeping a journal about your life and analyzing your thoughts would help you learn to generalize and strengthen your conclusions. Don't just write that things are beautiful or not; instead, describe what they are and why they're beautiful or not, and for now, keep these writings to yourself. Be your own judge and your own support. Don’t rush to share your struggles with anyone; instead, try to work through them on your own.

I think the course of reading you have fallen upon, of late, will be better for you than such books as you formerly read, addressed rather to the taste and imagination than the judgment. The love of beauty has rather an undue development in your mind. See now what it is, and what it has been. Leave for a time the Ideal, and return to the Real.

I believe the reading material you've been choosing lately will be more beneficial for you than the books you used to read, which focused more on taste and imagination than on judgment. Your appreciation for beauty has become somewhat excessive. Take a moment to reflect on what it is and what it has been. Set aside the ideal for a while and come back to reality.

I should think two or three hours a day would be quite enough, at present, for you to give to books. Now learn buying and selling, keeping the house, directing the servants; all that will bring you worlds of wisdom if you keep it subordinate to the one grand aim of perfecting the whole being. And let your self-respect forbid you to do imperfectly anything that you do at all.

I think spending two or three hours a day on books should be plenty for you right now. Focus on learning about buying and selling, managing the household, and supervising the staff; all of this will give you a lot of valuable knowledge if you keep it focused on the ultimate goal of improving yourself completely. And let your self-respect prevent you from doing anything you take on in a half-hearted way.

I always feel ashamed when I write with this air of wisdom; but you will see, by my hints, what I mean. Your mind wants depth and precision; your character condensation. Keep your high aim steadily in view; life will open the path to reach it. I think ——, even if she be in excess, is an excellent friend for you; her character seems to have what yours wants, whether she has or has not found the right way.

I always feel a bit embarrassed when I write with this sense of wisdom; but you will understand, from my hints, what I mean. Your mind needs depth and clarity; your character needs refinement. Keep your high goals clearly in sight; life will show you the way to achieve them. I believe ——, even if she can be a bit much, is a great friend for you; her character appears to have what yours lacks, whether she has found the right path or not.


TO HER BROTHER, A. B. F.

Providence, Feb. 19, 1838

Providence, Feb. 19, 1838

MY DEAR A.:

Dear A.:


I wish you could see the journals of two dear little girls, eleven years old, in my school. They love one another like Bessie Bell and Mary Gray in the ballad. They are just of a size, both lively as birds, affectionate, gentle, ambitious in good works and knowledge. They encourage one another constantly to do right; they are rivals, but never jealous of one another. One has the quicker intellect, the other is the prettier. I have never had occasion to find fault with either, and the forwardness of their minds has induced me to take both into my reading-class, where they are associated with girls many years their elders. Particular pains do they take with their journals. These are written daily, in a beautiful, fair, round hand, well-composed, showing attention, and memory well-trained, with many pleasing sallies of playfulness, and some very interesting thoughts.

I wish you could see the journals of two sweet little girls, eleven years old, in my school. They love each other like Bessie Bell and Mary Gray in the ballad. They’re about the same size, both lively as birds, affectionate, gentle, and eager to do good and learn. They constantly encourage each other to do the right thing; they are rivals, but never jealous of one another. One has a sharper intellect, while the other is the prettier one. I’ve never had to find fault with either of them, and their eagerness to learn has led me to include both in my reading class, where they are with girls many years older than them. They take great care with their journals. These are written daily in a beautiful, neat, round hand, well-composed, showing focus and strong memory, with lots of playful remarks and some very interesting thoughts.


TO THE SAME.

Jamaica Plain, Dec. 20, 1840.

Jamaica Plain, Dec. 20, 1840.

* * * * About your school I do not think I could give you much advice which would be of value, unless I could know your position more in detail. The most important rule is, in all relations with our fellow-creatures, never forget that, if they are imperfect persons, they are immortal souls, and treat them as you would wish to be treated by the light of that thought.

* * * * About your school, I don't think I can offer you much useful advice unless I understand your situation in more detail. The most important rule is, in all interactions with others, always remember that even if they are flawed individuals, they are still immortal souls, and treat them as you would want to be treated, keeping that in mind.

As to the application of means, abstain from punishment as much as possible, and use encouragement as far as you can without flattery. But be even more careful as to strict truth in this regard, towards children, than to persons of your own age; for, to the child, the parent or teacher is the representative of justice; and as that of life is severe, an education which, in any degree, excites vanity, is the very worst preparation for that general and crowded school.

When it comes to how you handle things, avoid punishment as much as possible and use encouragement as much as you can without pretending. But be even more cautious about being completely honest in this regard with children than with people your own age; because, to a child, a parent or teacher represents justice; and since life can be tough, any form of education that feeds into vanity is the worst preparation for the broader, challenging world.

I doubt not you will teach grammar well, as I saw you aimed at principles in your practice.

I have no doubt you will teach grammar effectively since I noticed you were focused on the principles in your practice.

In geography, try to make pictures of the scenes, that they may be present to their imaginations, and the nobler faculties be brought into action, as well as memory.

In geography, try to create images of the scenes so they can be vivid in their minds, activating not just their memory but also their higher thinking skills.

In history, try to study and paint the characters of great men; they best interpret the leadings of events amid the nations.

In history, try to study and depict the characters of great men; they best explain the direction of events among the nations.

I am pleased with your way of speaking of both people and pupils; your view seems from the right point. Yet beware of over great pleasure in being popular, or even beloved. As far as an amiable disposition and powers of entertainment make you so, it is a happiness; but if there is one grain of plausibility, it is poison.

I appreciate your way of talking about both people and students; your perspective seems spot on. However, be cautious about becoming too focused on being popular or even well-liked. As long as your friendly nature and ability to entertain make you liked, that's great; but if there's even a hint of insincerity, it can be damaging.

But I will not play Mentor too much, lest I make you averse to write to your very affectionate sister,

But I won’t act like a mentor too much, or else I might make you reluctant to write to your very loving sister,

M.

M.


TO HER BROTHER, R.

I entirely agree in what you say of tuition and intuition; the two must act and react upon one another, to make a man, to form a mind. Drudgery is as necessary, to call out the treasures of the mind, as harrowing and planting those of the earth. And besides, the growths of literature and art are as much nature as the trees in Concord woods; but nature idealized and perfected.

I completely agree with what you say about tuition and intuition; the two need to work together to create a person and shape a mind. Hard work is just as vital for unlocking the treasures of the mind as it is for tilling and planting the earth. Plus, the developments in literature and art are just as much a part of nature as the trees in Concord woods; they are simply nature that has been idealized and perfected.


TO THE SAME.

1841.

1841.

I take great pleasure in that feeling of the living presence of beauty in nature which your letters show. But you, who have now lived long enough to see some of my prophecies fulfilled, will not deny, though you may not yet believe the truth of my words when I say you go to an extreme in your denunciations of cities and the social institutions. These are a growth also, and, as well as the diseases which come upon them, under the control of the one spirit as much as the great tree on which the insects prey, and in whose bark the busy bird has made many a wound.

I really appreciate that feeling of the living presence of beauty in nature that your letters convey. But you, who have now lived long enough to see some of my predictions come true, can't deny, even if you don’t fully accept my words just yet, that you go too far in your criticisms of cities and social institutions. These are also a part of growth, and just like the problems that arise from them, they are under the influence of the same spirit as that great tree which the insects feed on, and in whose bark the busy bird has made countless wounds.

When we get the proper perspective of these things we shall find man, however artificial, still a part of nature. Meanwhile, let us trust; and while it is the soul's duty ever to bear witness to the best it knows, let us not be hasty to conclude that in what suits us not there can be no good. Let us be sure there must be eventual good, could we but see far enough to discern it. In maintaining perfect truth to ourselves and choosing that mode of being which suits us, we had best leave others alone as much as may be. You prefer the country, and I doubt not it is on the whole a better condition of life to live there; but at the country party you have mentioned you saw that no circumstances will keep people from being frivolous. One may be gossipping, and vulgar, and idle in the country,—earnest, noble and wise, in the city. Nature cannot be kept from us while there is a sky above, with so much as one star to remind us of prayer in the silent night.

When we gain the right perspective on these things, we'll see that humans, no matter how artificial, are still part of nature. In the meantime, let's have faith; while it's the soul's duty to always acknowledge the best it knows, let's not rush to assume that what's not suitable for us has no value. We should be confident there *must* be a greater good if we could just see far enough to recognize it. By staying true to ourselves and choosing the way of life that suits us, it's best to let others be as much as possible. You prefer the countryside, and I don't doubt it's generally a better way to live; however, at the country gathering you mentioned, you observed that no situation will keep people from being shallow. One can be gossiping, crude, and lazy in the countryside—while being earnest, noble, and wise in the city. Nature can't be taken away from us as long as there's a sky above, with even a single star to remind us to pray in the quiet of the night.

As I walked home this evening at sunset, over the Mill-Dam, towards the city, I saw very distinctly that the city also is a bed in God's garden. More of this some other time.

As I walked home this evening at sunset, over the Mill-Dam, towards the city, I clearly saw that the city is also a part of God's garden. More on this another time.


TO A YOUNG FRIEND.

Concord, May 2, 1837.

Concord, May 2, 1837.

MY DEAR: I am passing happy here, except that I am not well,—so unwell that I fear I must go home and ask my good mother to let me rest and vegetate beneath her sunny kindness for a while. The excitement of conversation prevents my sleeping. The drive here with Mr. E——— was delightful. Dear Nature and Time, so often calumniated, will take excellent care of us if we will let them. The wisdom lies in schooling the heart not to expect too much. I did that good thing when I came here, and I am rich. On Sunday I drove to Watertown with the author of "Nature." The trees were still bare, but the little birds care not for that; they revel, and carol, and wildly tell their hopes, while the gentle, "voluble" south wind plays with the dry leaves, and the pine-trees sigh with their soul-like sounds for June. It was beauteous; and care and routine fled away, and I was as if they had never been, except that I vaguely whispered to myself that all had been well with me.

MY DEAR: I'm quite happy here, except that I'm not feeling well—so unwell that I think I need to go home and ask my good mother if I can rest and recharge under her warm kindness for a bit. The excitement of conversation keeps me from sleeping. The drive here with Mr. E——— was lovely. Dear Nature and Time, often misunderstood, will take great care of us if we let them. The key is to train the heart not to expect too much. I did that good thing when I came here, and now I feel rich. On Sunday, I drove to Watertown with the author of "Nature." The trees were still bare, but the little birds couldn’t care less; they sang, celebrated, and poured out their hopes, while the gentle, "talkative" south wind played with the dry leaves, and the pine trees sighed with sounds that seemed to yearn for June. It was beautiful; all my worries and routines disappeared, and it was as if they had never existed, except that I quietly reminded myself that everything had been well with me.


The baby here is beautiful. He looks like his father, and smiles so sweetly on all hearty, good people. I play with him a good deal, and he comes so natural, after Dante and other poets.

The baby here is beautiful. He looks just like his father and smiles so sweetly at all kind, good people. I play with him a lot, and he feels so natural, after Dante and other poets.

Ever faithfully your friend.

Always your faithful friend.


TO THE SAME.

1837.

1837.

MY BELOVED CHILD: I was very glad to get your note. Do not think you must only write to your friends when you can tell them you are happy; they will not misunderstand you in the dark hour, nor think you forsaken, if cast down. Though your letter of Wednesday was very sweet to me, yet I knew it could not last as it was then. These hours of heavenly, heroic strength leave us, but they come again: their memory is with us amid after-trials, and gives us a foretaste of that era when the steadfast soul shall be the only reality.

MY BELOVED CHILD: I was so happy to receive your note. Don’t feel like you can only write to your friends when you’re feeling happy; they won’t misunderstand you during tough times, nor will they think you’re abandoned if you feel down. While your letter from Wednesday was really sweet to me, I knew it couldn’t stay that way forever. These moments of incredible strength leave us, but they do return: their memory stays with us during later challenges and gives us a glimpse of that time when the strong soul will be the only truth.

My dearest, you must suffer, but you will always be growing stronger, and with every trial nobly met, you will feel a growing assurance that nobleness is not a mere sentiment with you. I sympathize deeply in your anxiety about your mother; yet I cannot but remember the bootless fear and agitation about my mother, and how strangely our destinies were guided. Take refuge in prayer when you are most troubled; the door of the sanctuary will never be shut against you. I send you a paper which is very sacred to me. Bless Heaven that your heart is awakened to sacred duties before any kind of gentle ministering has become impossible, before any relation has been broken. [Footnote: It has always been my desire to find appropriate time and place to correct an erroneous impression which has gained currency in regard to my father, and which does injustice to his memory. That impression is that he was exceedingly stern and exacting in the parental relation, and especially in regard to my sister; that he forbid or frowned upon her sports;—excluded her from intercourse with other children when she, a child, needed such companionship, and required her to bend almost unceasingly over her books. This impression has, certainly in part, arisen from an autobiographical sketch, never written for publication nor intended for a literal or complete statement of her father's educational method, or the relation which existed between them, which was most loving and true on both sides. While the narrative is true, it is not the all she would have said, and, therefore, taken alone, conveys an impression which misleads those who did not know our father well. Perhaps no better opportunity or place than this may ever arise to correct this impression so for us it is wrong. It is true that my father had a very high standard of scholarship, and did expect conformity to it in his children. He was not stern toward them.

My dearest, you will have to endure hardships, but you will always be growing stronger. With every challenge you face bravely, you'll gain more confidence that being noble is not just a passing feeling for you. I truly understand your worry about your mother; however, I can’t help but remember the pointless fear and distress I felt about my own mother, and how strangely our paths were shaped. Turn to prayer when you're most troubled; the door to the sanctuary will always be open to you. I'm sending you something that holds great significance for me. Thank Heaven that your heart is open to meaningful responsibilities before any kind of gentle support becomes impossible, before any relationship has been damaged. [Footnote: I have always wanted to find the right time and place to correct a misunderstanding that has circulated about my father, which does him an injustice. People think he was very strict and demanding as a parent, especially concerning my sister; that he forbade or disapproved of her playing, kept her away from other children when she, as a child, needed that kind of companionship, and required her to focus almost entirely on her studies. This view has partly come from an autobiographical sketch that was never meant for publication or as a full representation of her father's teaching style or their loving relationship. While the story is true, it's not everything she would have expressed, and thus it can mislead those who didn't know our father well. This may be our only chance to set the record straight, as it's incorrect. It’s true that my father had very high academic standards and expected his children to meet them, but he was not harsh with them.

It is doubtless true, also, that he did not perfectly comprehend the rare mind of his daughter, or see for some years that she required no stimulating to intellectual effort, as do most children, but rather the reverse. But how many fathers are there who would have understood at once such a child as Margaret Fuller was, or would have done even as wisely as he? And how long is it since a wiser era has dawned upon the world (its light not yet fully welcomed), in which attention first to physical development to the exclusion of the mental, is an axiom in education! Was it so deemed forty years ago? Nor has it been considered that so gifted a child would naturally, as she did, seek the companionship of those older than herself, and not of children who had little in unison with her. She needed, doubtless, to be urged into the usual sports of children, and the company of those of her own age; if not urged to enter these she was never excluded from either. She needed to be kept from books for a period, or to be led to those of a lighter cost than such as she read, and which usually task the thoughts of mature men. This simply was not done, and the error arose from no lack of tenderness, or consideration, from no lack of the wisdom of those times, but from the simple fact that the laws of physiology as connected with those of mind were not understood then as now, nor was attention so much directed to physical culture as of the primary importance it is now regarded. Our father was indeed exact and strict with himself and others; but none has ever been more devoted to his children than he, or more painstaking with their education, nor more fondly loved them; and in later life they have ever been more and more impressed with the conviction of his fidelity and wisdom. That Margaret venerated her father, and that his love was returned, is abundantly evidenced in her poem which accompanies this letter. This, too, was not written for the public eye, but it is too noble a tribute, too honorable both to father and daughter, to be suppressed. I trust that none, passing from one extreme to the other, will infer from the natural self-reproach and upbraiding because of short-comings, felt by every true mind when an honored and loved parent departs, that she lacked fidelity in the relation of daughter. She agreed not always with his views and methods, but this diversity of mind never affected their mutual respect and love.—[Ed.]]

It's definitely true that he didn't fully understand his daughter's unique mind or realize for years that she didn't need encouragement for intellectual pursuits like most kids do; in fact, it was the opposite. But how many fathers would have instantly grasped a child like Margaret Fuller, or acted as wisely as he did? And how long has it been since a more enlightened era began in our world (though its light isn’t fully embraced yet), where prioritizing physical development over mental growth is considered a basic principle in education? Was that the belief forty years ago? It wasn’t acknowledged that such a gifted child would naturally seek the company of older people, rather than children who shared little in common with her. She certainly needed to be encouraged to engage in typical children's games and socialize with kids her own age; without that encouragement, she was never excluded from either activity. She needed to take a break from books occasionally or be guided towards lighter reading material than what she usually tackled, which often challenged the minds of adults. This simply didn’t happen, and the oversight stemmed not from a lack of love or care, nor from unwise parenting of the time, but from the fact that the connections between physiology and psychology weren't understood back then as they are now, nor was physical development considered as crucial as it is today. Our father was indeed precise and strict with himself and others; yet no one has ever been more dedicated to his children or more diligent in their education, or loved them more. As they got older, they increasingly recognized his commitment and wisdom. Margaret deeply respected her father, and it's clear that his love was mutual, as shown in her poem that accompanies this letter. This poem wasn't meant for public reading, but it's such a noble tribute, so honorable to both father and daughter, that it shouldn't be hidden away. I hope that no one, swinging from one extreme to another, will interpret the natural self-blame and criticism that come from the shortcomings felt by any sincere person when a beloved parent passes away, as a sign that she lacked loyalty in her role as a daughter. While she didn’t always agree with his opinions and methods, their differing perspectives never diminished their mutual respect and love. —[Ed.]


LINES WRITTEN IN MARCH, 1836.

  "I will not leave you comfortless."
"I won't leave you hanging."
  O, Friend divine! this promise dear
  Falls sweetly on the weary ear!
  Often, in hours of sickening pain,
  It soothes me to thy rest again.

  Might I a true disciple be,
  Following thy footsteps faithfully,
  Then should I still the succor prove
  Of him who gave his life for love.

  When this fond heart would vainly beat
  For bliss that ne'er on earth we meet,
  For perfect sympathy of soul,
  From those such heavy laws control;

  When, roused from passion's ecstasy,
  I see the dreams that filled it fly,
  Amid my bitter tears and sighs
  Those gentle words before me rise.

  With aching brows and feverish brain
  The founts of intellect I drain,
  And con with over-anxious thought
  What poets sung and heroes wrought.

  Enchanted with their deeds and lays,
  I with like gems would deck my days;
  No fires creative in me burn,
  And, humbled, I to Thee return;

  When blackest clouds around me rolled
  Of scepticism drear and cold,
  When love, and hope, and joy and pride,
  Forsook a spirit deeply tried;

  My reason wavered in that hour,
  Prayer, too impatient, lost its power;
  From thy benignity a ray,
  I caught, and found the perfect day.

  A head revered in dust was laid;
  For the first time I watched my dead;
  The widow's sobs were checked in vain,
  And childhood's tears poured down like rain.

  In awe I gaze on that dear face,
  In sorrow, years gone by retrace,
  When, nearest duties most forgot,
  I might have blessed, and did it not!

  Ignorant, his wisdom I reproved,
  Heedless, passed by what most he loved,
  Knew not a life like his to prize,
  Of ceaseless toil and sacrifice.

  No tears can now that hushed heart move,
  No cares display a daughter's love,
  The fair occasion lost, no more
  Can thoughts more just to thee restore.

  What can I do? And how atone
  For all I've done, and left undone?
  Tearful I search the parting words
  Which the beloved John records.

  "Not comfortless!" I dry my eyes,
  My duties clear before me rise,—
  Before thou think'st of taste or pride,
  See home-affections satisfied!

  Be not with generous thoughts content,
  But on well-doing constant bent;
  When self seems dear, self-seeking fair;
  Remember this sad hour in prayer!

  Though all thou wishest fly thy touch,
  Much can one do who loveth much.
  More of thy spirit, Jesus give,
  Not comfortless, though sad, to live.

  And yet not sad, if I can know
  To copy Him who here below
  Sought but to do his Father's will,
  Though from such sweet composure still

  My heart be far. Wilt thou not aid
  One whose best hopes on thee are stayed?
  Breathe into me thy perfect love,
  And guide me to thy rest above!
O, divine Friend! This beloved promise  
Falls sweetly on my tired ears!  
Often, in moments of overwhelming pain,  
It comforts me to rest in you again.  

If I could truly be a follower,  
Walking in your footsteps faithfully,  
Then I would still find the support  
Of Him who gave His life for love.  

When this yearning heart beats in vain  
For happiness we never find on earth,  
For perfect understanding of the soul,  
Controlled by such heavy burdens;  

When, pulled from the ecstasy of passion,  
I see the dreams that filled my mind disappear,  
Amid my bitter tears and sighs,  
Those gentle words come back to me.  

With aching head and racing thoughts,  
I drain the well of intellect,  
And overly anxious, I ponder  
What poets sang and heroes achieved.  

Enchanted by their deeds and songs,  
I want to decorate my days with similar gems;  
No creative fire burns within me,  
And, humbled, I return to You;  

When the darkest clouds surrounded me  
With dreary, cold skepticism,  
When love, hope, joy, and pride  
Deserted a spirit deeply tested;  

My mind wavered in that moment,  
My impatient prayers lost their strength;  
From your kindness, I caught a glimpse,  
And found the perfect day.  

A revered head lay in the dust;  
For the first time, I observed my dead;  
The widow's sobs were futile,  
And childhood's tears fell like rain.  

In awe, I gaze at that dear face,  
In sorrow, I retrace the years gone by,  
When I forgot the nearest duties  
That I could have blessed, but did not!  

Ignorant, I questioned his wisdom,  
Carelessly passing by what he loved most,  
Not knowing to value a life like his,  
A life of ceaseless toil and sacrifice.  

No tears can now stir that quiet heart,  
No worries show a daughter’s love,  
The precious opportunity lost, no longer  
Can thoughts more just restore to you.  

What can I do? And how can I make amends  
For all I’ve done and left undone?  
Tearfully, I search the parting words  
That the beloved John recorded.  

"Not comfortless!" I dry my eyes,  
My responsibilities clearly arise—  
Before you consider taste or pride,  
See home affections fulfilled!  

Don’t just be satisfied with generous thoughts,  
But stay committed to doing good;  
When self seems dear and self-seeking feels fair;  
Remember this sad hour in prayer!  

Though everything you desire slips away,  
Much can be achieved by one who loves deeply.  
Give me more of your spirit, Jesus,  
Not comfortless, though sad, to live.  

And yet not sad, if I can know  
To imitate Him who, here on earth,  
Sought only to do His Father’s will,  
Though my heart be far from such sweet peace.  

Will you not help  
One whose hopes rest entirely on you?  
Breathe into me your perfect love,  
And lead me to your rest above!  

TO HER BROTHER, R——.

* * * Mr. Keats, Emma's father, is dead. To me this brings unusual sorrow, though I have never yet seen him; but I thought of him as one of the very few persons known to me by reputation, whose acquaintance might enrich me. His character was a sufficient answer to the doubt, whether a merchant can be a man of honor. He was, like your father, a man all whose virtues had stood the test. He was no word-hero.

* * * Mr. Keats, Emma's father, has passed away. This brings me unexpected sadness, even though I never met him; I regarded him as one of the few people I knew by reputation whose presence could have brought me value. His character was enough to resolve the question of whether a merchant can be honorable. Like your father, he was a man whose virtues had proven themselves over time. He wasn't a man who just talked a good game.


TO A YOUNG FRIEND.

Providence, June 16,1837.

Providence, June 16, 1837.

MY DEAR ———: I pray you, amid all your duties, to keep some hours to yourself. Do not let my example lead you into excessive exertions. I pay dear for extravagance of this sort; five years ago I had no idea of the languor and want of animal spirits which torment me now. Animal spirits are not to be despised. An earnest mind and seeking heart will not often be troubled by despondency; but unless the blood can dance at proper times, the lighter passages of life lose all their refreshment and suggestion.

MY DEAR ———: I urge you, with all your responsibilities, to set aside some time for yourself. Don't let my example push you into overworking yourself. I pay a heavy price for this kind of excess; five years ago, I had no idea of the fatigue and lack of energy that haunt me now. Energy is important. A focused mind and a searching heart won't often be weighed down by despair; but if you can't enjoy life at the right moments, the lighter parts of life lose their joy and inspiration.

I wish you and ———- had been here last Saturday. Our school-house was dedicated, and Mr. Emerson made the address; it was a noble appeal in behalf of the best interests of culture, and seemingly here was fit occasion. The building was beautiful, and furnished with an even elegant propriety.

I wish you and ———- had been here last Saturday. Our school was dedicated, and Mr. Emerson gave the speech; it was a powerful appeal for the importance of education, and it felt like the perfect moment. The building was beautiful and decorated with a sense of elegant style.

I am at perfect liberty to do what I please, and there are apparently the best dispositions, if not the best preparation, on the part of the hundred and fifty young minds with whom I am to be brought in contact.

I have complete freedom to do what I want, and it seems there are the best attitudes, if not the best preparation, from the hundred and fifty young people I'll be interacting with.

I sigh for the country; trees, birds and flowers, assure me that June is here, but I must walk through streets many and long, to get sight of any expanse of green. I had no fine weather while at home, though the quiet and rest were delightful to me; the sun did not shine once really warmly, nor did the apple-trees put on their blossoms until the very day I came away.

I long for the countryside; trees, birds, and flowers remind me that June has arrived, but I have to walk through many long streets to see any stretch of green. I didn't have good weather while I was home, even though the peace and relaxation were wonderful; the sun never truly shone warmly, and the apple trees didn't bloom until the very day I left.


SONNET.

TO THE SAME.
  Although the sweet, still watches of the night
  Find me all lonely now, yet the delight
  Hath not quite gone, which from thy presence flows.
  The love, the joy that in thy bosom glows,
  Lingers to cheer thy friend. From thy fresh dawn
  Some golden exhalations have I drawn
  To make less dim my dusty noon. Thy tones
  Are with me still; some plaintive as the moans
  Of Dryads, when their native groves must fall,
  Some wildly wailing, like the clarion-call
  On battle-field, strewn with the noble dead.
  Some in soft romance, like the echoes bred
  In the most secret groves of Arcady;
  Yet all, wild, sad, or soft, how steeped in poesy!

Providence, April, 1838.
Although the sweet, quiet watches of the night find me all alone now, the joy that comes from your presence hasn’t completely faded. The love and happiness that shine in your heart linger on to bring comfort to your friend. From your fresh dawn, I’ve drawn some golden moments to make my dull afternoon a bit brighter. Your voice is still with me; some sounds are as mournful as the cries of forest spirits when their homes are taken, some are wildly howling, like a battle cry on a field strewn with the fallen. Some are wrapped in soft romance, like the echoes found in the most hidden groves of Arcady; yet all, wild, sad, or soft, are so full of poetry!

Providence, April, 1838.

TO THE SAME.

Providence, Oct. 21, 1838.

Providence, Oct 21, 1838.

* * * * I am reminded by what you say, of an era in my own existence, it is seven years bygone. For bitter months a heavy weight had been pressing on me,—the weight of deceived friendship. I could not be much alone,—a great burden of family cares pressed upon me; I was in the midst of society, and obliged to act my part there as well as I could. At that time I took up the study of German, and my progress was like the rebound of a string pressed almost to bursting. My mind being then in the highest state of action, heightened, by intellectual appreciation, every pang; and imagination, by prophetic power, gave to the painful present all the weight of as painful a future.

* * * * What you say reminds me of a time in my life, seven years ago. For many painful months, I felt the burden of a betrayed friendship weighing heavily on me. I couldn’t be alone much—I had a lot of family responsibilities to deal with; I was surrounded by people and had to play my part as best as I could. During that time, I started learning German, and my progress felt like a string being pulled to its limit. My mind was extremely active, and every emotional pain was intensified by my intellectual awareness, while my imagination, with its foresight, turned the difficult present into an equally difficult future.

At this time I never had any consolation, except in long solitary walks, and my meditations then were so far aloof from common life, that on my return my fall was like that of the eagle, which the sportsman's hand calls bleeding from his lofty flight, to stain the earth with his blood.

At this time, I found no comfort except in long, solitary walks. My thoughts were so distant from everyday life that when I returned, my descent felt like that of an eagle, wounded by a hunter, falling from its high flight to bleed onto the ground.

In such hours we feel so noble, so full of love and bounty, that we cannot conceive how any pain should have been needed to teach us. It then seems we are so born for good, that such means of leading us to it were wholly unnecessary. But I have lived to know that the secret of all things is pain, and that nature travaileth most painfully with her noblest product. I was not without hours of deep spiritual insight, and consciousness of the inheritance of vast powers. I touched the secret of the universe, and by that touch was invested with talismanic power which has never left me, though it sometimes lies dormant for a long time.

In moments like these, we feel so noble, so filled with love and generosity, that we can't imagine why any pain would have been necessary to teach us. It seems that we are inherently good, and such methods to guide us toward it were completely unnecessary. But I've come to understand that the essence of everything is pain, and that nature often struggles painfully to create its greatest achievements. I've experienced deep spiritual insights and a strong awareness of the incredible powers I possess. I’ve touched the secret of the universe, and that connection has given me a special power that has never fully left me, even though it sometimes remains dormant for a long time.

One day lives always in my memory; one chastest, heavenliest day of communion with the soul of things. It was Thanksgiving-day. I was free to be alone; in the meditative woods, by the choked-up fountain, I passed its hours, each of which contained ages of thought and emotion. I saw, then, how idle were my griefs; that I had acquired the thought of each object which had been taken from me; that more extended personal relations would only have given me pleasures which then seemed not worth my care, and which would surely have dimmed my sense of the spiritual meaning of all which had passed. I felt how true it was that nothing in any being which was fit for me, could long be kept from me; and that, if separation could be, real intimacy had never been. All the films seemed to drop from my existence, and I was sure that I should never starve in this desert world, but that manna would drop from Heaven, if I would but rise with every rising sun to gather it.

One day always sticks in my memory; one pure, heavenly day spent connecting with the essence of everything. It was Thanksgiving Day. I was free to be alone; in the peaceful woods, by the overgrown fountain, I spent hours that felt like lifetimes of thought and emotion. I realized how trivial my sorrows were; that I had held onto the idea of each thing that had been taken from me; that having broader personal connections would only have given me pleasures that didn’t seem worth my attention at the time, and would surely have diminished my understanding of the deeper meaning of everything I had experienced. I truly felt that nothing that was meant for me could be kept away for long; and that even if there was separation, real closeness had never really existed. All the illusions seemed to fall away from my life, and I was certain I would never go hungry in this barren world, but that blessings would come from above, as long as I was willing to rise with each new day to receive them.

In the evening I went to the church-yard; the moon sailed above the rosy clouds,—the crescent moon rose above the heavenward-pointing spire. At that hour a vision came upon my soul, whose final scene last month interpreted. The rosy clouds of illusion are all vanished; the moon has waxed to full. May my life be a church, full of devout thoughts end solemn music. I pray thus, my dearest child! "Our Father! let not the heaviest shower be spared; let not the gardener forbear his knife till the fair, hopeful tree of existence be brought to its fullest blossom and fruit!"

In the evening, I went to the churchyard; the moon floated above the pink clouds—the crescent moon rose above the spire pointing towards the heavens. At that moment, a vision filled my soul, which I understood last month. The pink clouds of illusion have all disappeared; the moon has grown full. May my life be a church, full of heartfelt thoughts and solemn music. I pray this, my dearest child! "Our Father! Don’t hold back the heaviest rain; let the gardener not hesitate with his knife until the beautiful, hopeful tree of existence blooms and bears fruit at its fullest!"


TO THE SAME.

Jamaica Plain, June, 1839.

Jamaica Plain, June 1839.

* * * I have had a pleasant visit at Naliant, but was no sooner there than the air braced me so violently as to drive all the blood to my head. I had headache two of the three days we were there, and yet I enjoyed my stay very much. We had the rocks and piazzas to ourselves, and were on sufficiently good terms not to destroy, if we could not enhance, one another's pleasure.

* * * I had a great visit at Naliant, but as soon as I arrived, the air hit me so hard that it rushed all the blood to my head. I had a headache for two of the three days we were there, but I still really enjoyed my time. We had the rocks and patios to ourselves, and we were on good enough terms not to ruin, even if we couldn't improve, each other's enjoyment.

The first night we had a storm, and the wind roared and wailed round the house that Ossianic poetry of which you hear so many strains. Next day was clear and brilliant, with a high north-west wind. I went out about six o'clock, and had a two hours' scramble before breakfast. I do not like to sit still in this air, which exasperates all my nervous feelings; but when I can exhaust myself in climbing, I feel delightfully,—the eye is so sharpened, and the mind so full of thought. The outlines of all objects, the rocks, the distant sails, even the rippling of the ocean, were so sharp that they seemed to press themselves into the brain. When I see a natural scene by such a light it stays in my memory always as a picture; on milder days it influences me more in the way of reverie. After breakfast, we walked on the beaches. It was quite low tide, no waves, and the fine sand eddying wildly about. I came home with that frenzied headache which you are so unlucky as to know, covered my head with wet towels, and went to bed. After dinner I was better, and we went to the Spouting-horn. C—— was perched close to the fissure, far above me, and, in a pale green dress, she looked like the nymph of the place. I lay down on a rock, low in the water, where I could hear the twin harmonies of the sucking of the water into the spout, and the washing of the surge on the foot of the rock. I never passed a more delightful afternoon. Clouds of pearl and amber were slowly drifting across the sky, or resting a while to dream, like me, near the water. Opposite me, at considerable distance, was a line of rock, along which the billows of the advancing tide chased one another, and leaped up exultingly as they were about to break. That night we had a sunset of the gorgeous, autumnal kind, and in the evening very brilliant moonlight; but the air was so cold I could enjoy it but a few minutes. Next day, which was warm and soft, I was out on the rocks all day. In the afternoon I was out alone, and had an admirable place, a cleft between two vast towers of rock with turret-shaped tops. I got on a ledge of rock at their foot, where I could lie and let the waves wash up around me, and look up at the proud turrets rising into the prismatic light. This evening was very fine; all the sky covered with crowding clouds, profound, but not sullen of mood, the moon wading, the stars peeping, the wind sighing very softly. We lay on the high rocks and listened to the plashing of the waves. The next day was good, but the keen light was too much for my eyes and brain; and, though I am glad to have been there, I am as glad to get back to our garlanded rocks, and richly-green fields and groves. I wish you could come to me now; we have such wealth of roses.

The first night we had a storm, and the wind howled and wailed around the house like that Ossianic poetry you hear so often. The next day was clear and bright, with a strong north-west wind. I went out around six o'clock and had a two-hour scramble before breakfast. I really can’t sit still in this air; it drives me crazy. But when I can tire myself out from climbing, I feel amazing—the scenery sharpens my vision, and my mind is filled with thoughts. The outlines of everything—the rocks, the distant sails, even the rippling ocean—were so distinct that they felt like they were pressing into my brain. When I see a natural scene like that, it stays in my memory like a picture; on gentler days, it influences me to daydream more. After breakfast, we walked on the beaches. It was low tide, no waves, and the fine sand was swirling all around. I returned home with that intense headache you unfortunately know about, covered my head with wet towels, and went to bed. After dinner, I felt better, and we went to the Spouting Horn. C— was perched near the fissure far above me, and in a pale green dress, she looked like the nymph of the place. I lay down on a rock low in the water where I could hear the dual sounds of the water being sucked into the spout and the waves washing against the base of the rock. I had never spent a more delightful afternoon. Clouds of pearl and amber were slowly drifting across the sky or resting for a moment to dream, just like me, near the water. Across from me, at a good distance, was a line of rock, where the waves of the rising tide chased each other and jumped up joyfully just before crashing. That night we enjoyed a stunning autumn sunset, and the evening brought brilliant moonlight; but it was so cold that I could only appreciate it for a few minutes. The next day was warm and pleasant, and I was out on the rocks all day. In the afternoon, I was out alone and found a fantastic spot between two massive towers of rock with turret-shaped tops. I climbed onto a ledge at their base, where I could lie back and let the waves wash around me while I looked up at the proud towers glowing in the light. That evening was beautiful; the sky was filled with layers of clouds—deep but not gloomy—the moon wading through, the stars peeking out, and the wind softly sighing. We lay on the high rocks and listened to the sound of the waves. The next day was good, but the bright light was too much for my eyes and head; though I’m glad to have been there, I’m just as glad to return to our flower-filled rocks and lush green fields and groves. I wish you could come to me now; we have an abundance of roses.


TO THE SAME.

Jamaica Plain, Aug., 1839.

Jamaica Plain, Aug 1839.

* * * * I returned home well, full of earnestness; yet, I know not why, with the sullen, boding sky came a mood of sadness, nay, of gloom, black as Hades, which I have vainly striven to fend off by work, by exercise, by high memories. Very glad was I of a painful piece of intelligence, which came the same day with your letter, to bring me on excuse for tears. That was a black Friday, both above and within. What demon resists our good angel, and seems at such times to have the mastery? Only seems, I say to myself; it is but the sickness of the immortal soul, and shall by-and-by be cast aside like a film. I think this is the great step of our life,—to change the nature of our self-reliance. We find that the will cannot conquer circumstances, and that our temporal nature must vary its hue here with the food that is given it. Only out of mulberry leaves will the silk-worm spin its thread fine and durable. The mode of our existence is not in our own power; but behind it is the immutable essence that cannot be tarnished; and to hold fast to this conviction, to live as far as possible by its light, cannot be denied us if we elect this kind of self-trust. Yet is sickness wearisome; and I rejoice to say that my demon seems to have been frightened away by this day's sun. But, conscious of these diseases of the mind, believe that I can sympathize with a friend when subject to the same. Do not fail to go and stay with ———; few live so penetrating and yet so kind, so true, so kind, so true, so sensitive. She is the spirit of love as well as of intellect. * * * *

* * * * I got home fine, full of determination; yet, for some reason, the dark, threatening sky brought on a mood of sadness, even gloom, as deep as the underworld, which I've tried in vain to shake off through work, exercise, and good memories. I was quite glad for a painful piece of news that came on the same day as your letter, giving me an excuse to cry. It was a gloomy Friday, both outside and within. What demon fights against our better nature, seeming at those moments to have the upper hand? Only seems, I tell myself; it’s just the ailment of the soul, and it will eventually be discarded like an old film. I believe this is the significant step of our lives—to change the nature of our self-reliance. We realize that willpower cannot overcome circumstances, and that our temporary nature must adjust according to what is given to it. Only from mulberry leaves will the silk-worm spin its fine and durable thread. Our way of living isn't entirely up to us; however, behind it is the unchangeable essence that can't be tarnished; and holding tightly to this belief, trying to live as much as possible by its light, is within our choice if we choose this kind of self-trust. Yet, sickness is tiring; and I’m happy to say that my gloom seems to have been scared away by today’s sun. But, being aware of these mental struggles, I believe I can empathize with a friend dealing with the same. Don’t forget to go and visit ———; few people are as insightful yet as kind, as true, and as sensitive. She embodies both love and intellect. * * * *


TO THE SAME.

MY BELOVED CHILD: I confess I was much disappointed when I first received your letter this evening. I have been quite ill for two or three days, and looked forward to your presence as a restorative. But think not I would have had you act differently; far better is it for me to have my child faithful to duty than even to have her with me. Such was the lesson I taught her in a better hour. I am abashed to think how often lately I have found excuses for indolence in the weakness of my body; while now, after solitary communion with my better nature, I feel it was weakness of mind, weak fear of depression and conflict. But the Father of our spirits will not long permit a heart fit for worship

MY BELOVED CHILD: I have to admit I was really disappointed when I first got your letter this evening. I've been pretty sick for the past two or three days, and I was looking forward to seeing you as a way to feel better. But don’t think for a moment that I wanted you to do anything different; it’s much better for me to have my child committed to her duties than to have her by my side. That’s the lesson I taught her in a better time. I feel embarrassed thinking about how often I've made excuses for being lazy because of my physical weakness lately; now, after spending time alone with my deeper self, I realize it was weak-mindedness, a timid fear of feeling down and facing challenges. But the Father of our spirits will not allow a heart ready for worship to languish for long.

                "———— to seek
  From weak recoils, exemptions weak,
  After false gods to go astray,
  Deck altars vile with garlands gay," etc.
"———— to seek  
  From weak resistances, weak exemptions,  
  After false idols to go off course,  
  Adorn filthy altars with colorful garlands," etc.

His voice has reached me; and I trust the postponement of your visit will give me space to nerve myself to what strength I should, so that, when we do meet, I shall rejoice that you did not come to help or soothe me; for I shall have helped and soothed myself. Indeed, I would not so willingly that you should see my short-comings as know that they exist. Pray that I may never lose sight of my vocation; that I may not make ill-health a plea for sloth and cowardice; pray that, whenever I do, I may be punished more swiftly than this time, by a sadness as deep as now.

I've heard your voice, and I hope the delay in your visit will give me enough time to gather my strength so that when we finally meet, I can be glad you didn’t come to help or comfort me; I will have managed that myself. In fact, I’d rather you not see my flaws than know that they’re there. Please pray that I never forget my calling; that I don’t use poor health as an excuse for laziness and fear; pray that if I ever do, I face a swifter punishment than I have this time, with a sadness as profound as what I feel now.


TO HER BROTHER, R.

Cambridge, August 6, 1842.

Cambridge, August 6, 1842.

My dear R.: I want to hear how you enjoyed your journey, and what you think of the world as surveyed from mountain-tops. I enjoy exceedingly staying among the mountains. I am satisfied with reading these bolder lines in the manuscript of Nature. Merely gentle and winning scenes are not enough for me. I wish my lot had been cast amid the sources of the streams, where the voice of the hidden torrent is heard by night, where the eagle soars, and the thunder resounds in long peals from side to side; where the grasp of a more powerful emotion has rent asunder the rocks, and the long purple shadows fall like a broad wing upon the valley. All places, like all persons, I know, have beauty; but only in some scenes, and with some people, can I expand and feel myself at home. I feel all this the more for having passed my earlier life in such a place as Cambridgeport. There I had nothing except the little flower-garden behind the house, and the elms before the door. I used to long and sigh for beautiful places such as I read of. There was not one walk for me, except over the bridge. I liked that very much,—the river, and the city glittering in sunset, and the lively undulating line all round, and the light smokes, seen in some weather.

My dear R.: I want to hear how you enjoyed your trip and what you think of the world from the mountain tops. I really love spending time in the mountains. I find satisfaction in reading the bold lines in Nature's manuscript. Just gentle and pretty scenes aren’t enough for me. I wish I could have spent my life near the sources of the streams, where you can hear the hidden waterfall at night, where the eagle flies, and the thunder rolls in long echoes from side to side; where a stronger emotion has split the rocks apart, and the long purple shadows fall over the valley like a wide wing. I know all places, like all people, have their beauty; but I can only truly feel at home and expand in certain scenes and with certain people. I feel this even more because I spent my early life in a place like Cambridgeport. There, I had nothing except the little flower garden behind the house and the elms in front of the door. I often longed and sighed for beautiful places like those I read about. There wasn’t a single walk for me except over the bridge. I really liked that— the river, the city shining at sunset, the lively, undulating line all around, and the wisps of smoke that you could see in certain weather.


LETTER TO THE SAME.

Milwaukie, July 29, 1848.

Milwaukie, July 29, 1848.

DEAR R.: * * * Daily I thought of you during my visit to the Rock-river territory. It is only five years since the poor Indians have been dispossessed of this region of sumptuous loveliness, such as can hardly be paralleled in the world. No wonder they poured out their blood freely before they would go. On one island, belonging to a Mr. H., with whom we stayed, are still to be found their "caches" for secreting provisions,—the wooden troughs in which they pounded their corn, the marks of their tomahawks upon felled trees. When he first came, he found the body of an Indian woman, in a canoe, elevated on high poles, with all her ornaments on. This island is a spot, where Nature seems to have exhausted her invention in crowding it with all kinds of growths, from the richest trees down to the most delicate plants. It divides the river which there sweeps along in clear and glittering current, between noble parks, richest green lawns, pictured rocks crowned with old hemlocks, or smooth bluffs, three hundred feet high, the most beautiful of all. Two of these,—the Eagle's Nest, and the Deer's Walk, still the resort of the grand and beautiful creature from which they are named,—were the scene of some of the happiest hours of my life. I had no idea, from verbal description, of the beauty of these bluffs, nor can I hope to give any to others. They lie so magnificently bathed in sunlight, they touch the heavens with so sharp and fair a line. This is one of the finest parts of the river; but it seems beautiful enough to fill any heart and eye all along its course, nowhere broken or injured by the hand of man. And there, I thought, if we two could live, and you could have a farm which would not cost a twentieth part the labor of a New England farm, and would pay twenty times as much for the labor, and have our books and, our pens and a little boat on the river, how happy we might be for four or five years,—at least, as happy as Fate permits mortals to be. For we, I think, are congenial, and if I could hope permanent peace on the earth, I might hope it with you.

DEAR R.: * * * Every day I thought of you during my visit to the Rock River area. It's only been five years since the poor Native Americans were forced out of this incredibly beautiful land, which is hard to find anywhere else in the world. It's no surprise they fought fiercely to keep it. On one island owned by a Mr. H., where we stayed, you can still see their "caches" for hiding food—the wooden troughs they used to pound their corn and the marks from their tomahawks on the cut trees. When he first arrived, he discovered the body of an Indian woman in a canoe, raised high on poles, adorned with all her jewelry. This island is a place where nature seems to have put everything it could think of, from the tallest trees to the most delicate plants. It separates the river, which flows clearly and sparkles between beautiful parks, lush green lawns, stunning cliffs topped with old hemlocks, or smooth bluffs that rise three hundred feet high—truly the most beautiful of all. Two of these spots, Eagle's Nest and Deer's Walk, continue to attract the majestic creatures they’re named after and were the setting for some of the happiest moments of my life. I had no idea, from descriptions alone, just how beautiful these bluffs are, nor can I hope to convey it to anyone else. They are magnificently bathed in sunlight and touch the sky with a fine and beautiful line. This area is one of the finest parts of the river; it’s beautiful enough to captivate anyone’s heart and eyes along its entire course, untouched by human hands. And there, I thought, if we could both live there, with you having a farm that would require only a fraction of the effort of a New England farm yet yield twenty times the profit, along with our books, our pens, and a little boat on the river, how happy we could be for four or five years—at least, as happy as Fate allows mortals to be. Because I believe we are compatible, and if I could ever hope for lasting peace on earth, I could hope for it with you.

You will be glad to hear that I feel overpaid for coming here. Much is my life enriched by the images of the great Niagara, of the vast lakes, of the heavenly sweetness of the prairie scenes, and, above all, by the heavenly region where I would so gladly have lived. My health, too, is materially benefited. I hope to come back better fitted for toil and care, as well as with beauteous memories to sustain me in them.

You’ll be happy to know that I feel like I'm getting paid too much for being here. My life is so much richer because of the stunning views of Niagara Falls, the huge lakes, the beautiful prairie landscapes, and especially the amazing area where I would have loved to live. My health has also improved a lot. I hope to return better prepared for work and responsibilities, along with beautiful memories to keep me motivated.

Affectionately always, &c.

Always affectionately, &c.


TO MISS R.

Chicago, August 4, 1848.

Chicago, August 4, 1848.

I HAVE hoped from time to time, dear ——, that I should receive a few lines from you, apprizing me how you are this summer, but a letter from Mrs. F—— lately comes to tell me that you are not better, but, at least when at Saratoga, worse.

I’ve hoped from time to time, dear ——, that I would receive a few lines from you, letting me know how you’re doing this summer, but a letter from Mrs. F—— recently told me that you’re not better, and at least when you were in Saratoga, you were worse.

So writing is of course fatiguing, and I must not expect letters any more. To that I could make up my mind if I could hear that you were well again. I fear, if your malady disturbs you as much as it did, it must wear on your strength very much, and it seems in itself dangerous. However, it is good to think that your composure is such that disease can only do its legitimate work, and not undermine two ways,—the body with its pains, and the body through the mind with thoughts and fears of pains.

Writing is definitely tiring, and I can’t expect letters anymore. I could come to terms with that if I knew you were feeling better. I’m worried that if your illness is affecting you as much as it did, it must really take a toll on your strength, and it seems quite dangerous. However, it’s comforting to think that you’re composed enough that the disease can only do what it’s supposed to do, and not undermine you in two ways—physically with its pain, and mentally with thoughts and fears about the pain.

I should have written to you long ago except that I find little to communicate this summer, and little inclination to communicate that little; so what letters I have sent, have been chiefly to beg some from my friends. I have had home-sickness sometimes here, as do children for the home where they are even little indulged, in the boarding-school where they are only tolerated. This has been in the town, where I have felt the want of companionship, because the dissipation of fatigue, or expecting soon to move again, has prevented my employing myself for myself; and yet there was nothing well worth looking at without. When in the country I have enjoyed myself highly, and my health has improved day by day. The characters of persons are brought out by the little wants and adventures of country life as you see it in this region; so that each one awakens a healthy interest; and the same persons who, if I saw them at these hotels, would not have a word to say that could fix the attention, become most pleasing companions; their topics are before them, and they take the hint. You feel so grateful, too, for the hospitality of the log-cabin; such gratitude as the hospitality of the rich, however generous, cannot inspire; for these wait on you with their domestics and money, and give of their superfluity only; but here the Master gives you his bed, his horse, his lamp, his grain from the field, his all, in short; and you see that he enjoys doing so thoroughly, and takes no thought for the morrow; so that you seem in fields full of lilies perfumed with pure kindness; and feel, verily, that Solomon in all his glory could not have entertained you so much to the purpose. Travelling, too, through the wide green woods and prairies, gives a feeling both of luxury and repose that the sight of highly-cultivated country never can. There seems to be room enough for labor to pause and man to fold his arms and gaze, forgetting poverty, and care, and the thousand walls and fences that in the cultivated region must be built and daily repaired both for mind and body. Nature seems to have poured forth her riches so without calculation, merely to mark the fulness of her joy; to swell in larger strains the hymn, "the one Spirit doeth all things veil, for its life is love."

I should have written to you a long time ago, but I've found there's not much to say this summer, and I haven't felt motivated to say even that; so most of the letters I've sent were mainly to ask for replies from my friends. Sometimes I've felt homesick here, like kids miss the home where they're indulged, as opposed to the boarding school where they're just tolerated. This feeling has been stronger in town, where I've missed companionship, since the fatigue of constant moving has kept me from focusing on myself; and honestly, there's not much worth looking at outside. When I've been in the country, I've really enjoyed myself, and my health has improved every day. The personalities of people really come to life through the small needs and experiences of country living as you see it around here; each person sparks a genuine interest. Those same people, who wouldn’t have much to say if I met them in hotels, become really enjoyable company. Their topics are right in front of them, and they take the cue. You also feel so grateful for the hospitality of the log cabin; this kind of gratitude is something that the generosity of the wealthy, no matter how kind, can't match. The rich entertain you with their staff and money, only sharing their excess; but here, the host offers you his bed, his horse, his lamp, his grain from the field—everything, really—and you can see he genuinely enjoys doing it without worrying about tomorrow. It's as if you're in fields full of lilies, surrounded by pure kindness, and you truly feel that Solomon in all his glory couldn't have hosted you in such a meaningful way. Traveling through the vast green woods and prairies gives you a feeling of luxury and relaxation that you can’t get from seeing well-off farmland. There's enough space for labor to rest, allowing a man to fold his arms and look around, forgetting his poverty and worries, and the countless walls and fences that need to be built and maintained daily in developed areas. It seems like nature has shared her riches so freely, just to showcase the fullness of her joy, to enrich the hymn, "the one Spirit does all things well, for its life is love."

I will not ask you to write to me now, as I shall so soon be at home. Probably, too, I shall reserve a visit to B—— for another summer; I have been so much a rover that when once on the road I shall wish to hasten home.

I won't ask you to write to me right now, since I'll be home really soon. I might also save a trip to B—— for another summer; I've been traveling so much that once I'm on the road, I'll want to rush back home.

Ever yours, M.

Yours truly, M.


TO THE SAME.

Cambridge, January 21, 1644.

Cambridge, January 21, 1644.

MY DEAR ———: I am anxious to get a letter, telling me how you fare this winter in the cottage. Your neighbors who come this way do not give very favorable accounts of your looks; and, if you are well enough, I should like to see a few of those firm, well-shaped characters from your own hand. Is there no chance of your coming to Boston all this winter? I had hoped to see you for a few hours at least.

MY DEAR ———: I’m eager to receive a letter from you, updating me on how you’re doing this winter in the cottage. Your neighbors who pass this way don’t have very positive things to say about how you look; and if you’re well enough, I’d love to see some of those strong, well-formed letters from you. Is there no chance you’ll come to Boston at all this winter? I was hoping to see you for at least a few hours.

I wrote you one letter while at the West; I know not if it was ever received; it was sent by a private opportunity, one of those "traps to catch the unwary," as they have been called. It was no great loss, if lost. I did not feel like writing letters while travelling. It took all my strength of mind to keep moving and to receive so many new impressions. Surely I never had so clear an idea before of the capacity to bless, of mere Earth, when fresh from the original breath of the creative spirit. To have this impression, one must see large tracts of wild country, where the traces of man's inventions are too few and slight to break the harmony of the first design. It will not be so, long, even where I have been now; in three or four years those vast flowery plains will be broken up for tillage,—those shapely groves converted into logs and boards. I wished I could have kept on now, for two or three years, while yet the first spell rested on the scene. I feel much refreshed, even by this brief intimacy with Nature in an aspect of large and unbroken lineaments.

I wrote you a letter while I was in the West; I’m not sure if it ever reached you. It was sent through a private means, one of those “traps to catch the unwary,” as they say. If it got lost, it’s not a big deal. I just wasn’t in the mood to write letters while traveling. It took all my mental energy to keep moving and take in so many new experiences. I never fully understood before how much the Earth can bless us, especially when it’s fresh from the creative spirit's breath. To feel this way, you need to see large areas of wild land where the signs of human activity are too few and minor to disturb the original beauty. This won’t last long, even in the places I visited; in three or four years, those vast, flowery plains will be turned into farmland, and those lovely groves will be chopped down for logs and boards. I wish I could have stayed longer, for two or three more years, while the scene was still untouched. I feel really rejuvenated just by this short connection with Nature in its grand and unspoiled form.

I came home with a treasure of bright pictures and suggestions, and seemingly well. But my strength, which had been sustained by a free, careless life in the open air, has yielded to the chills of winter, and a very little work, with an ease that is not encouraging. However, I have had the influenza, and that has been about as bad as fever to everybody. Now I am pretty well, but much writing does not agree with me.

I came home with a bunch of vibrant pictures and ideas, feeling pretty good. But my energy, which thrived in the carefree, fresh air, has given in to the winter chill, and even a small amount of work feels too easy, which isn’t uplifting. I did have the flu, and that’s been just as rough as a fever for everyone. Now I’m feeling much better, but writing too much doesn’t really suit me.

* * * I wish you were near enough for me to go in and see you now and then. I know that, sick or well, you are always serene, and sufficient to yourself; but now you are so much shut up, it might animate existence agreeably to hear some things I might have to tell. * * *

* * * I wish you were close enough for me to come by and see you every once in a while. I know that, whether you're sick or healthy, you're always calm and content with yourself; but since you're so isolated right now, it would be nice to hear some of the things I have to share. * * *


TO THE SAME.

       *       *       *       *       *
Understood! Please provide the text you'd like to modernize.

Just as I was beginning to visit the institutions here, of a remedial and benevolent kind, I was stopped by influenza. So soon as I am quite well I shall resume the survey. I do not expect to do much, practically, for the suffering, but having such an organ of expression as the Tribune, any suggestions that are well grounded may be of use. I have always felt great interest for those women who are trampled in the mud to gratify the brute appetites of men, and I wished I might be brought, naturally, into contact with them. Now I am so, and I think I shall have much that is interesting to tell you when we meet.

Just as I was starting to visit the local charitable and support organizations, I got hit with the flu. As soon as I'm fully recovered, I will continue my visits. I don’t expect to make a huge difference for those in need, but with a platform like the Tribune, any well-founded suggestions could be helpful. I've always been very interested in the women who are treated poorly to satisfy men's primal urges, and I hoped to naturally connect with them. Now that I am, I think I will have a lot of interesting things to share when we meet.

I go on very moderately, for my strength is not great; but I am now connected with a person who is anxious I should not overtask it. I hope to do more for the paper by-and-by. At present, besides the time I spend in looking round and examining my new field, I am publishing a volume, of which you will receive a copy, called "Woman in the Nineteenth Century." A part of my available time is spent in attending to it as it goes through the press; for, really, the work seems but half done when your book is written. I like being here; the streams of life flow free, and I learn much. I feel so far satisfied as to have laid my plans to stay a year and a half, if not longer, and to have told Mr. G—— that I probably shall do so. That is long enough for a mortal to look forward, and not too long, as I must look forward in order to get what I want from Europe.

I’m taking things slowly since my energy isn’t great, but I’m now working with someone who wants to make sure I don’t overdo it. I hope to contribute more to the paper later on. Right now, aside from the time I spend exploring my new surroundings, I’m publishing a book titled "Woman in the Nineteenth Century," and you’ll get a copy. I dedicate some of my available time to overseeing it as it goes through the printing process because, honestly, it feels like the work is only half finished once your book is written. I enjoy being here; life feels vibrant, and I’m learning a lot. I'm satisfied enough to plan on staying for a year and a half, if not longer, and I’ve let Mr. G—— know that I probably will. That’s a reasonable amount of time to anticipate without being excessive, especially since I need to look ahead to get what I want out of Europe.

Mr. Greeley is a man of genuine excellence, honorable, benevolent, of an uncorrupted disposition, and of great, abilities. In modes of life and manners he is the man of the people, and of the American people. * * *

Mr. Greeley is a truly admirable person, honorable, kind-hearted, with a pure character and strong abilities. In his way of living and behavior, he embodies the spirit of the people, particularly the American people. * * *

I rejoice to hear that your situation is improved. I hope to pass a day or two with you next summer, if you can receive me when I can come. I want to hear from you now and then, if it be only a line to let me know the state of your health. Love to Miss G——, and tell her I have the cologne-bottle on my mantle-piece now. I sent home for all the little gifts I had from friends, that my room might look more homelike. My window commands a most beautiful view, for we are quite out of the town, in a lovely place on the East River. I like this, as I can be in town when I will, and here have much retirement. You were right in supposing my signature is the star.

I'm glad to hear that things are getting better for you. I hope to spend a day or two with you next summer, if you can have me when I'm able to come. I'd like to hear from you now and then, even if it's just a quick note to let me know how your health is. Please send my love to Miss G—— and let her know that I have the cologne bottle on my mantle now. I had everything I got from friends sent home so my room would feel more like home. My window has a stunning view since we're out of town, in a beautiful spot on the East River. I really appreciate this because I can go into town whenever I want and enjoy a lot of privacy here. You were right to think that my signature is the star.

Ever affectionately yours.

Always yours.


TO HER BROTHER, R.

Fishkill-Landing, Nov 28, 1844.

Fishkill Landing, Nov 28, 1844.

DEAR R.:

Dear R.:

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The seven weeks of proposed abode here draw to a close, and have brought what is rarest,—fruition, of the sort proposed from them. I have been here all the time, except that three weeks since I went down to New York, and with —— visited the prison at Sing-Sing. On Saturday we went up to Sing-Sing in a little way-boat, thus seeing that side of the river to much greater advantage than we can in the mammoth boats. We arrived in resplendent moonlight, by which we might have supposed the prisons palaces, if we had not known too well what was within.

The seven weeks I planned to stay here are coming to an end, and they've resulted in something rare—accomplishment, just as I hoped. I've been here the whole time, except for a trip to New York three weeks ago, where I visited the prison at Sing-Sing with ----. On Saturday, we took a small boat to Sing-Sing, allowing us to see that side of the river much better than we could from the big boats. We arrived under a bright moonlight that made the prisons look almost like palaces, if we didn't know the harsh reality inside.

On Sunday —— addressed the male convicts in a strain of most noble and pathetic eloquence. They listened with earnest attention; many were moved to tears,—some, I doubt not, to a better life. I never felt such sympathy with an audience;—as I looked over that sea of faces marked with the traces of every ill, I felt that at least heavenly truth would not be kept out by self-complacency and a dependence on good appearances.

On Sunday, —— spoke to the male convicts with a powerful and heartfelt eloquence. They listened intently; many were brought to tears—some, I believe, were inspired to change for the better. I had never felt such a connection with an audience; as I looked over that sea of faces scarred by every hardship, I realized that at least the truth would not be blocked by arrogance or a reliance on appearances.

I talked with a circle of women, and they showed the natural aptitude of the sex for refinement. These women—some black, and all from the lowest haunts of vice—showed a sensibility and a sense of propriety which would not have disgraced any place.

I spoke with a group of women, and they demonstrated the natural ability of their gender for refinement. These women—some Black, and all from the roughest areas of vice—showed a sensitivity and a sense of decency that would have been respectable anywhere.

Returning, we had a fine storm on the river, clearing up with strong winds.

Returning, we encountered a strong storm on the river, which cleared up with powerful winds.


TO HER BROTHER, A. B. F.

Rome, Jan. 20, 1849.

Rome, Jan. 20, 1849.

My Dear A.: Your letter and mother's gave me the first account of your illness. Some letters were lost during the summer, I do not know how. It did seem very hard upon you to have that illness just after your settlement; but it is to be hoped we shall some time know a good reason for all that seems so strange. I trust you are now becoming fortified in your health, and if this could only be, feel as if things would go well with you in this difficult world. I trust you are on the threshold of an honorable and sometimes happy career. From many pains, many dark hours, let none of the progeny of Eve hope to escape! * * * *

My Dear A.: Your letter and Mom's were the first I've heard about your illness. Some letters got lost over the summer, and I'm not sure how that happened. It really seemed unfair for you to get sick right after you settled in; but hopefully, we'll eventually understand the reason behind all the strange happenings. I hope you’re starting to recover your health, and if only this could be the case, I believe good things will come your way in this challenging world. I have faith that you’re on the brink of a respectable and sometimes joyful career. No one from Eve’s line can expect to escape many pains and dark hours! * * * *

Meantime, I hope to find you in your home, and make you a good visit there. Your invitation is sweet in its tone, and rouses a vision of summer woods and New England Sunday-morning bells.

In the meantime, I hope to see you at home and have a nice visit there. Your invitation is warm and brings to mind images of summer forests and Sunday morning bells in New England.

It seems to me that mother is at last truly in her sphere, living with one of her children. Watch over her carefully, and don't let her do too much. Her spirit is only all too willing,—but the flesh is weak, and her life so precious to us all! * * * *

It seems to me that Mom is finally in her element, living with one of her kids. Take good care of her, and don’t let her overdo it. Her spirit is eager, but her body is weak, and her life is so precious to all of us! * * * *


TO MAZZINI.

"Al Cittadino Reppresentante del Popolo Romano."

"To the Citizen Representative of the Roman People."

Rome, March 8, 1849.

Rome, March 8, 1849.

Dear Mazzini: Though knowing you occupied by the most important affairs, I again feel impelled to write a few lines. What emboldens me is the persuasion that the best friends, in point of sympathy and intelligence,—the only friends of a man of ideas and of marked character,—must be women. You have your mother; no doubt you have others, perhaps many. Of that I know nothing; only I like to offer also my tribute of affection.

Dear Mazzini: Even though I know you’re busy with important matters, I feel compelled to write a few lines again. What encourages me is the belief that the best friends—those who truly understand and connect with a man of ideas and strong character—must be women. You have your mother; I’m sure you have others, maybe even many. I don’t know about that; I just want to express my affection as well.

When I think that only two years ago you thought of coming into Italy with us in disguise, it seems very glorious that you are about to enter republican Rome as a Roman citizen. It seems almost the most sublime and poetical fact of history. Yet, even in the first thrill of joy, I felt "he will think his work but beginning, now."

When I think that just two years ago you were considering sneaking into Italy with us, it feels remarkable that you're about to enter republican Rome as a Roman citizen. It almost feels like the greatest and most poetic fact of history. Yet, even in that initial rush of joy, I thought, "he will feel like his work is just beginning now."

When I read from your hand these words, "II lungo esilio testè ricominciato, la vita non confortata, fuorchè d'affetti lontani e contesi, e la speranza lungamente protrata, e il desiderio che comincia a farmi si supremo, di dormire finalmente in pace, da chè non ho potuto, vivere in terra mia,"—when I read these words they made me weep bitterly, and I thought of them always with a great pang at the heart. But it is not so, dear Mazzini,—you do not return to sleep under the sod of Italy, but to see your thought springing up all over the soil. The gardeners seem to me, in point of instinctive wisdom or deep thought, mostly incompetent to the care of the garden; but on idea like this will be able to make use of any implements. The necessity, it is to be hoped, will educate the men, by making them work. It is not this, I believe, which still keeps your heart so melancholy; for I seem to read the same melancholy in your answer to the Roman assembly, You speak of "few and late years," but some full ones still remain. A century is not needed, nor should the same man, in the same form of thought, work too long on an age. He would mould and bind it too much to himself. Better for him to die and return incarnated to give the same truth on yet another side. Jesus of Nazareth died young; but had he not spoken and acted as much truth as the world could bear in his time? A frailty, a perpetual short-coming, motion in a curve-line, seems the destiny of this earth.

When I read your words, "The long exile has just begun again, life is not comforting, except for distant and contested affections, and the hope that has been delayed for so long, and the desire that is becoming overwhelming for me, to finally sleep in peace, since I couldn't live in my own land,"—these words made me weep bitterly, and I always thought of them with a heavy heart. But it’s not true, dear Mazzini—you won't return to rest under the soil of Italy, but to see your ideas flourishing everywhere. The caretakers of this garden seem mostly unqualified in their instinctive wisdom or deep thought, but they will be able to use any tools for such an idea. Hopefully, necessity will teach the men through their labor. I don’t think that's what keeps your heart so heavy; I can see the same sadness in your response to the Roman assembly. You mention "few and late years," but there are still some full ones left. A century isn't needed, nor should the same person, with the same way of thinking, work too long in one era. They would shape and tie it too closely to themselves. It’s better for them to die and come back in a new form to express the same truth from another angle. Jesus of Nazareth died young, but hadn’t he already spoken and acted on as much truth as the world could handle in his time? A fragility, a constant feeling of inadequacy, movement in a curved line, seems to be the destiny of this earth.

The excuse awaits us elsewhere; there must be one,—for it is true, as said Goethe, "care is taken that the tree grow not up into the heavens." Men like you, appointed ministers, must not be less earnest in their work; yet to the greatest, the day, the moment is all their kingdom, God takes care of the increase.

The excuse is out there somewhere; there has to be one—because it’s true, as Goethe said, “care is taken that the tree doesn’t grow up into the heavens.” Men like you, chosen ministers, shouldn’t be any less serious about their work; yet for the greatest, the day, the moment is their entire kingdom, and God takes care of the growth.

Farewell! For your sake I could wish at this moment to be an Italian and a man of action; but though I am an American, I am not even a woman of action; so the best I can do is to pray with the whole heart, "Heaven bless dear Mazzini!—cheer his heart, and give him worthy helpers to carry out his holy purposes."

Farewell! For your sake, I wish I could be Italian and a person of action right now; but even though I’m an American, I’m not even a woman of action; so all I can do is pray with all my heart, "Heaven bless dear Mazzini!—cheer him up, and give him worthy helpers to achieve his noble goals."


TO MR. AND MRS. SPRING.

Florence, Dec. 12, 1840.

Florence, Dec. 12, 1840.

DEAR M. AND R.: * * * Your letter, dear R, was written in your noblest and most womanly spirit. I thank you warmly for your sympathy about my little boy. What he is to me, even you can hardly dream; you that have three, in whom the natural thirst of the heart was earlier satisfied, can scarcely know what my one ewe-lamb is to me. That he may live, that I may find bread for him, that I may not spoil him by overweening love, that I may grow daily better for his sake, are the ever-recurring thoughts,—say prayers,—that give their hue to all the current of my life.

DEAR M. AND R.: * * * Your letter, dear R, was written in the kindest and most feminine spirit. I truly appreciate your sympathy regarding my little boy. You can hardly imagine what he means to me; you who have three children, whose natural longing for connection was satisfied earlier, can scarcely understand the depth of my love for my one precious child. My constant thoughts—and what I consider prayers—are that he may live, that I can provide for him, that I won't spoil him with too much love, and that I will continually improve myself for his sake. These thoughts shape the entire flow of my life.

But, in answer to what you say, that it is still better to give the world a living soul than a portion of my life in a printed book, it is true; and yet, of my book I could know whether it would be of some worth or not; of my child, I must wait to see what his worth will be. I play with him, my ever-growing mystery! but from the solemnity of the thoughts he brings is refuge only in God. Was I worthy to be parent of a soul, with its eternal, immense capacity for weal and woe? "God be merciful to me a sinner!" comes so naturally to a mother's heart!

But in response to what you said about it being better to give the world a living soul than to spend part of my life writing a book, that’s true. Still, with my book, I would know if it has any value; with my child, I have to wait and see what his value will be. I play with him, my ever-growing mystery! But the seriousness of the thoughts he brings can only find refuge in God. Am I truly worthy to be the parent of a soul, with its endless, immense capacity for both joy and suffering? "God be merciful to me, a sinner!" comes so naturally to a mother's heart!

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What you say about the Peace way is deeply true; if any one see clearly how to work in that way, let him, in God's name! Only, if he abstain from fighting against giant wrongs, let him be sure he is really and ardently at work undermining them, or, better still, sustaining the rights that are to supplant them. Meanwhile, I am not sure that I can keep my hands free from blood. Cobden is good; but if he had stood in Kossuth's place, would he not have drawn his sword against the Austrian? You, could you let a Croat insult your wife, carry off your son to be an Austrian serf, and leave your daughter bleeding in the dust? Yet it is true that while Moses slew the Egyptian, Christ stood still to be spit upon; and it is true that death to man could do him no harm. You have the truth, you have the right, but could you act up to it in all circumstances? Stifled under the Roman priesthood, would you not have thrown it off with all your force? Would you have waited unknown centuries, hoping for the moment when you could see another method?

What you say about the path of Peace is completely true; if anyone clearly sees how to work that way, they should, in God's name! But if they refrain from fighting against great injustices, they need to make sure they are truly and passionately working to undermine them, or, even better, supporting the rights that will replace them. In the meantime, I'm not sure I can keep my hands clean. Cobden is admirable; but if he had been in Kossuth's position, wouldn't he have drawn his sword against the Austrians? As for you, could you let a Croat insult your wife, take your son to become an Austrian serf, and leave your daughter bleeding in the dirt? Yet it's true that while Moses killed the Egyptian, Christ stood still to be spat upon; and it's true that death cannot harm a man. You have the truth, you have the right, but could you live up to it in every situation? Stifled under the Roman priesthood, wouldn't you have fought back with all your strength? Would you have waited for unknown centuries, hoping for the moment when you could find another way?

Yet the agonies of that baptism of blood I feel, O how deeply! in the golden June days of Rome. Consistent no way, I felt I should have shrunk back,—I could not have had it shed. Christ did not have to see his dear ones pass the dark river; he could go alone, however, in prophetic spirit. No doubt he foresaw the crusades.

Yet the pain of that bloody baptism still hits me, oh how deeply! in the sunny June days of Rome. It’s inconsistent, but I felt I should have recoiled—I couldn’t have let that happen. Christ didn’t have to watch his loved ones cross the dark river; he could do it alone, though, in a prophetic sense. No doubt he predicted the crusades.

In answer to what you say of ——, I wish the little effort I made for him had been wiselier applied. Yet these are not the things one regrets. It does not do to calculate too closely with the affectionate human impulse. We must be content to make many mistakes, or we should move too slowly to help our brothers much.

In response to what you said about ——, I wish the little effort I made for him had been better used. But these aren't the things we regret. It's not good to analyze too closely the kind, human impulse. We have to be okay with making many mistakes, or else we'd move too slowly to help our fellow humans much.


TO HER BROTHER, R.

Florence, Jan. 8, 1850.

Florence, Jan. 8, 1850.

My Dear R.: * * * * The way in which you speak of my marriage is such as I expected from you. Now that we have once exchanged words on these important changes in our lives, it matters little to write letters, so much has happened, and the changes are too great to be made clear in writing. It would not be worth while to keep the family thinking of me. I cannot fix precisely the period of my return, though at present it seems to me probable we may make the voyage in May or June. At first we should wish to go and make a little visit to mother. I should take counsel with various friends before fixing myself in any place; see what openings there are for me, &c. I cannot judge at all before I am personally in the United States, and wish to engage myself no way. Should I finally decide on the neighborhood of New York, I should see you all, often. I wish, however, to live with mother, if possible. We will discuss it on all sides when I come. Climate is one thing I must think of. The change from the Roman winter to that of New England might be very trying for Ossoli. In New York he would see Italians often, hear his native tongue, and feel less exiled. If we had our affairs in New York and lived in the neighboring country, we could find places as quiet as C———, more beautiful, and from which access to a city would be as easy by means of steam.

My Dear R.: * * * * The way you talk about my marriage is just what I expected from you. Now that we've discussed the big changes in our lives, it doesn’t really matter much to write letters; so much has happened and the changes are too significant to explain in writing. It wouldn’t be worth it to keep the family thinking about me. I can’t pin down my return exactly, but right now it seems likely we might travel in May or June. Initially, we would like to visit my mother. I want to talk to various friends before settling in anywhere; I need to see what opportunities are available for me, etc. I can’t make any judgments until I’m physically back in the United States, and I don’t want to commit to anything just yet. If I do land near New York, I would see all of you often. However, I would prefer to live with my mother, if possible. We can discuss everything in detail when I arrive. I need to consider the climate as well. The shift from the Roman winter to that of New England might be quite tough for Ossoli. In New York, he would encounter Italians frequently, hear his native language, and feel less isolated. If we have our business set up in New York and live in the nearby countryside, we could find places as quiet as C———, more beautiful, and just as easy to access the city by train.

On the other hand, my family and most cherished friends are in New England. I shall weigh all advantages at the time, and choose as may then seem best.

On the other hand

I feel also the great responsibility about a child, and the mixture of solemn feeling with the joy its sweet ways and caresses give; yet this is only different in degree, not in kind, from what we should feel in other relations. We may more or less impede or brighten the destiny of all with whom we come in contact. Much as the child lies in our power, still God and Nature are there, furnishing a thousand masters to correct our erroneous, and fill up our imperfect, teachings. I feel impelled to try for good, for the sake of my child, most powerfully; but if I fail, I trust help will be tendered to him from some other quarter. I do not wish to trouble myself more than is inevitable, or lose the simple, innocent pleasure of watching his growth from day to day, by thinking of his future. At present my care of him is to keep him pure, in body and mind, to give for body and mind simple nutriment when he requires it, and to play with him. Now he learns, playing, as we all shall when we enter a higher existence. With him my intercourse thus far has been precious, and if I do not well for him, he at least has taught me a great deal.

I also feel a heavy responsibility for a child, caught between the serious feelings and the joy that comes from their sweet ways and affection; yet this is only a difference in degree, not in kind, from what we experience in other relationships. We can either hinder or enhance the fate of everyone we interact with. Even though we have significant influence over the child, God and Nature are still present, providing countless guides to correct our mistakes and enrich our incomplete teachings. I feel a powerful urge to strive for good for my child's sake, but if I fall short, I trust that help will come to him from elsewhere. I don’t want to worry more than necessary or lose the simple, innocent joy of watching him grow day by day by obsessing over his future. Right now, my focus is on keeping him pure, both in body and mind, to provide him with simple nourishment when he needs it, and to play with him. He learns while playing, just as we all will when we move on to a higher existence. My time spent with him has been precious, and even if I don't do well for him, he has certainly taught me a great deal.

I may say of Ossoli, it would be difficult to help liking him, so sweet is his disposition, so disinterested without effort, so simply wise his daily conduct, so harmonious his whole nature. And he is a perfectly unconscious character, and never dreams that he does well. He is studying English, but makes little progress. For a good while you may not be able to talk freely with him, but you will like showing him your favorite haunts,—he is so happy in nature, so sweet in tranquil places.

I can say that Ossoli is someone you'd find hard not to like; his kindness is genuine, he’s selfless without trying, his daily actions are straightforwardly wise, and his entire nature is so balanced. He’s completely unaware of how well he comes across and has no idea he’s impressive. He’s learning English but isn’t making much progress. For a while, you might not be able to chat with him easily, but you’ll enjoy taking him to your favorite spots—he’s so joyful in nature and so pleasant in peaceful places.


TO ———.

What a difference it makes to come home to a child! How it fills up all the gaps of life just in the way that is most consoling, most refreshing! Formerly I used to feel sad at that hour; the day had not been nobly spent,—I had not done my duty to myself or others, and I felt so lonely! Now I never feel lonely; for, even if my little boy dies, our souls will remain eternally united. And I feel infinite hope for him,—hope that he will serve God and man more loyally than I have done; and seeing how full he is of life, how much he can afford to throw away, I feel the inexhaustibleness of nature, and console myself for my own incapacities.

What a difference it makes to come home to a child! It fills all the gaps in life in the most comforting and refreshing way! Before, I used to feel sad at this hour; the day hadn’t been well spent—I hadn’t done my duty to myself or others, and I felt so alone! Now I never feel alone; even if my little boy were to die, our souls will be forever connected. And I feel infinite hope for him—hope that he will serve God and others more faithfully than I have. Seeing how full of life he is and how much he can afford to lose, I feel the endlessness of nature and find comfort for my own shortcomings.

Madame Arconati is near me. We have had some hours of great content together, but in the last weeks her only child has been dangerously ill. I have no other acquaintance except in the American circle, and should not care to make any unless singularly desirable; for I want all my time for the care of my child, for my walks, and visits to objects of art, in which again I can find pleasure, end in the evening for study and writing. Ossoli is forming some taste for books; he is also studying English; he learns of Horace Sumner, to whom he teaches Italian in turn.

Madame Arconati is close by. We’ve had some wonderful moments together, but lately, her only child has been seriously ill. I don’t have any other friends except in the American circle, and I wouldn’t want to make any unless they were particularly special; I want to dedicate all my time to caring for my child, enjoying my walks, and visiting art exhibits, which bring me joy, and in the evenings, I focus on studying and writing. Ossoli is developing a taste for books; he’s also learning English; he studies with Horace Sumner, who he teaches Italian in return.


TO MR. AND MRS. S.

Florence, Feb. 6, 1850.

Florence, Feb. 6, 1850.

My Dear M. and R.: You have no doubt ere this received a letter written, I think, in December, but I must suddenly write again to thank you for the New Year's letter. It was a sweet impulse that led you all to write together, and had its full reward in the pleasure you gave! I have said as little as possible about Ossoli and our relation, wishing my old friends to form their own impressions naturally, when they see us together. I have faith that all who ever knew me will feel that I have become somewhat milder, kinder, and more worthy to serve all who need, for my new relations. I have expected that those who have cared for me chiefly for my activity of intellect, would not care for him; but that those in whom the moral nature predominates would gradually learn to love and admire him, and see what a treasure his affection must be to me. But even that would be only gradually; for it is by acts, not by words, that one so simple, true, delicate and retiring, can be known. For me, while some of my friends have thought me exacting, I may say Ossoli has always outgone my expectations in the disinterestedness, the uncompromising bounty, of his every act.

My Dear M. and R.: You’ve probably already received a letter I wrote back in December, but I need to quickly write again to thank you for the New Year's letter. It was such a kind gesture for you all to write together, and it was truly rewarding because of the joy it brought me! I've tried to say as little as possible about Ossoli and our relationship, hoping my old friends would naturally form their own impressions when they see us together. I believe that everyone who has known me will feel I’ve become a bit milder, kinder, and more deserving of serving those in need because of my new relationships. I expected that those who cared for me mainly because of my intellectual pursuits might not be as interested in him; however, I thought that those with a strong moral sense would gradually come to love and appreciate him and see how precious his affection is to me. But even that would take time; it’s through actions, not just words, that someone so simple, genuine, gentle, and reserved can truly be understood. As for me, while some of my friends have found me demanding, I can say that Ossoli has always exceeded my expectations with the selflessness and generosity of every act he’s done.

He was the same to his father as to me. His affections are few, but profound, and thoroughly acted out. His permanent affections are few, but his heart is always open to the humble, suffering, heavy-laden. His mind has little habitual action, except in a simple, natural poetry, that one not very intimate with him would never know anything about. But once opened to a great impulse, as it was to the hope of freeing his country, it rises to the height of the occasion, and stays there. His enthusiasm is quiet, but unsleeping. He is very unlike most Italians, but very unlike most Americans, too. I do not expect all who cared for me to care for him, nor is it of importance to him that they should. He is wholly without vanity. He is too truly the gentleman not to be respected by all persons of refinement. For the rest, if my life is free, and not too much troubled, if he can enjoy his domestic affections, and fulfil his duties in his own way, he will be content. Can we find this much for ourselves in bustling America the next three or four years? I know not, but think we shall come and try. I wish much to see you all, and exchange the kiss of peace. There will, I trust, be peace within, if not without. I thank you most warmly for your gift. Be assured it will turn to great profit. I have learned to be a great adept in economy, by looking at my little boy. I cannot bear to spend a cent for fear he may come to want. I understand now how the family-men get so mean, and shall have to begin soon to pray against that danger. My little Nino, as we call him for house and pet name, is in perfect health. I wash, and dress, and sew for him; and think I see a great deal of promise in his little ways, and shall know him better for doing all for him, though it is fatiguing and inconvenient at times. He is very gay and laughing, sometimes violent,—for he is come to the age when he wants everything in his own hands,—but, on the whole, sweet as yet, and very fond of me. He often calls me to kiss him. He says, "kiss," in preference to the Italian word bàcio. I do not cherish sanguine visions about him, but try to do my best by him, and enjoy the present moment.

He is just as he is with his father as he is with me. His affections are few, but deep and completely expressed. He may not have many lasting attachments, but his heart is always open to those who are humble, suffering, and burdened. His mind doesn't engage often, except in a simple, natural poetry that someone not very close to him would never fully appreciate. However, when he is inspired by a noble cause, like the hope of freeing his country, he rises to the occasion and remains there. His enthusiasm is quiet but constantly present. He is very different from most Italians and also quite distinct from most Americans. I don't expect everyone who cared for me to care for him, nor does it matter to him if they do. He is completely without vanity. He is truly a gentleman who commands respect from all refined individuals. As for the rest, if my life is free and not too troubled, and if he can enjoy his family life and fulfill his responsibilities in his own way, he will be content. Can we find this much for ourselves in busy America over the next three or four years? I don't know, but I think we will come and give it a try. I really want to see all of you and share a peaceful kiss. I hope there will be peace within, even if there's not peace outside. Thank you so much for your gift. I assure you it will be very helpful. I've learned to be quite good at saving money by watching my little boy. I can't stand to spend even a penny for fear he might need it later. I now understand how family men can become so stingy, and I’ll have to start praying against that tendency soon. My little Nino, as we call him at home, is in perfect health. I wash, dress, and sew for him; and I believe I see a lot of promise in his little behaviors, and I’ll understand him better by caring for him, even though it can be tiring and inconvenient at times. He is very cheerful and playful, sometimes a bit demanding—he's at the age where he wants everything to be in his control—but overall, he’s still very sweet and fond of me. He often calls me to kiss him. He says "kiss" rather than the Italian word bàcio. I don’t hold overly optimistic visions for him, but I do my best by him and appreciate the present moment.

It was a nice account you gave of Miss Bremer. She found some "neighbors" as good as her own. You say she was much pleased by ——; could she know her, she might enrich the world with a portrait as full of little delicate traits as any in her gallery, and of a higher class than any in which she has been successful. I would give much that a competent person should paint ——. It is a shame she should die and leave the world no copy.

It was a nice description you gave of Miss Bremer. She found some "neighbors" just as good as her own. You mentioned she was really pleased by ——; if she could meet her, she might create a portrait filled with all the subtle details that are as good as any in her collection, and of a higher caliber than any of her past successes. I would love for a skilled artist to paint ——. It’s a pity she should pass away without leaving the world a copy.


TO MR. CASS, CHARGE D'AFFAIRES DES ETATS UNIS D'AMERIQUE.

Florence, May 2, 1850.

Florence, May 2, 1850.

Dear Mr. Cass: I shall most probably leave Florence and Italy the 8th or 10th of this month, and am not willing to depart without saying adieu to yourself. I wanted to write the 30th of April, but a succession of petty interruptions prevented. That was the day I saw you first, and the day the French first assailed Rome. What a crowded day that was! I had been to visit Ossoli in the morning, in the garden of the Vatican. Just after my return you entered. I then went to the hospital, and there passed the eight amid the groans of many suffering and some dying men. What a strange first of May it was, as I walked the streets of Rome by the early sunlight of the nest day! Those were to me grand and impassioned hours. Deep sorrow followed,—many embarrassments, many pains! Let me once more, at parting, thank you for the sympathy you showed me amid many of these. A thousand years might pass, and you would find it unforgotten by me.

Dear Mr. Cass: I will probably leave Florence and Italy on the 8th or 10th of this month, and I don’t want to leave without saying goodbye to you. I meant to write on April 30th, but I kept getting interrupted. That was the day I first saw you, and the day the French first attacked Rome. What a busy day that was! I had visited Ossoli in the morning in the Vatican garden. Just after I got back, you came in. I then went to the hospital, where I spent the evening among the groans of many suffering and some dying men. What a strange May 1st it was as I walked the streets of Rome in the early light of the next day! Those were truly powerful moments for me. Deep sorrow followed—many complications, many pains! Let me once again, as we part, thank you for the support you showed me through many of these. A thousand years might go by, and I would still remember it.

I leave Italy with profound regret, and with only a vague hope of returning. I could have lived here always, full of bright visions, and expanding in my faculties, had destiny permitted. May you be happy who remain here! It would be well worth while to be happy in Italy!

I leave Italy with deep sadness and just a faint hope of coming back. I could have lived here forever, filled with bright dreams and growing in my abilities, if fate had allowed it. I hope you find happiness if you stay here! It would truly be wonderful to be happy in Italy!

I had hoped to enjoy some of the last days, but the weather has been steadily bad since you left Florence. Since the 4th of April we have not had a fine day, and all our little plans for visits to favorite spots and beautiful objects, from which we have long been separated, have been marred!

I had hoped to enjoy some of the last days, but the weather has been steadily bad since you left Florence. Since April 4th, we haven’t had a nice day, and all our little plans to visit favorite places and beautiful things that we have long been away from have been ruined!

I sail in the barque Elizabeth for New York. She is laden with marble and rags—a very appropriate companionship for wares of Italy! She carries Powers' statue of Calhoun. Adieu! Remember that we look to you to keep up the dignity of our country. Many important occasions are now likely to offer for the American (I wish I could write the Columbian) man to advocate,—more, to represent the cause of Truth and Freedom in the face of their foes. Remember me as their lover, and your friend, M. O.

I'm sailing on the barque Elizabeth to New York. She's loaded with marble and rags—a fitting combo for goods from Italy! She's carrying Powers' statue of Calhoun. Goodbye! Remember, we’re counting on you to uphold the dignity of our country. Many important opportunities are coming up for the American (I wish I could call him the Columbian) man to advocate for—and more importantly, to represent—the cause of Truth and Freedom against their enemies. Keep me in your thoughts as their supporter and your friend, M. O.


To ———.

Florence, April 16, 1860.

Florence, April 16, 1860.

* * * There is a bark at Leghorn, highly spoken of, which sails at the end of this month, and we shall very likely take that. I find it imperatively necessary to go to the United States to make arrangements that may free me from care. Shall I be more fortunate if I go in person? I do not know. I am ill adapted to push my claims and pretensions; but, at least, it will not be such slow work as passing from disappointment to disappointment here, where I wait upon the post-office, and must wait two or three months, to know the fate of any proposition.

* * * There's a ship at Leghorn that comes highly recommended, which will be leaving at the end of this month, and we’re probably going to take it. I feel it's absolutely necessary to go to the United States to make plans that could relieve me from stress. Will I be more successful if I go myself? I'm not sure. I'm not really good at pushing my claims and demands; however, it definitely won't be as frustrating as sitting here, moving from disappointment to disappointment, waiting at the post office for two or three months just to find out the outcome of any proposal.

I go home prepared to expect all that is painful and difficult. It will be a consolation to see my dear mother; and my dear brother E., whom I have not seen for ten years, is coming to New England this summer. On that account I wish to go this year.

I go home ready to face all the pain and challenges ahead. It will be comforting to see my dear mother, and my beloved brother E., whom I haven't seen in ten years, is coming to New England this summer. For that reason, I want to go this year.

       *       *       *       *       *
Please provide the text you would like me to modernize.

May 10.—My head is full of boxes, bundles, phials of medicine, and pots of jelly. I never thought much about a journey for myself, except to try and return all the things, books especially, which I had been borrowing; but about my child I feel anxious lest I should not take what is necessary for his health and comfort on so long a voyage, where omissions are irreparable. The unpropitious, rainy weather delays us now from day to day, as our ship; the Elizabeth,—(look out for news of shipwreck!) cannot finish taking in her cargo till come one or two good days.

May 10.—My mind is filled with boxes, bundles, medicine bottles, and jars of jelly. I never thought much about planning a trip for myself, other than trying to return all the things I've borrowed, especially books. But for my child, I worry that I won’t pack everything necessary for his health and comfort on such a long journey, where forgetting something could be disastrous. The bad, rainy weather is causing delays day by day, as our ship, the Elizabeth—(watch out for news of a shipwreck!)—cannot finish loading its cargo until we have one or two good days.

I leave Italy with most sad and unsatisfied heart,—hoping, indeed, to return, but fearing that may not be permitted in my "cross-biased" life, till strength of feeling and keenness of perception be less than during these bygone rich, if troubled, years!

I leave Italy with a heavy and unhappy heart—hoping to return, but fearing that I might not be allowed to in my complicated life, until my emotions and sharpness of perception are less intense than they have been in these past rich, though troubled, years!

I can say least to those whom I prize most. I am so sad and weary, leaving Italy, that I seem paralyzed.

I find it hardest to express myself to the people I value the most. I'm so sad and exhausted about leaving Italy that I feel completely frozen.


TO THE SAME.

Ship Elizabeth, off Gibraltar, June 8, 1850.

Ship Elizabeth, near Gibraltar, June 8, 1850.

My Dear M——: You will, I trust, long ere receiving this, have read my letter from Florence, enclosing one to my mother, informing her under what circumstances I had drawn on you through ——, and mentioning how I wished the bill to be met in case of any accident to me on my homeward course. That course, as respects weather, has been thus far not unpleasant; but the disaster that has befallen us is such as I never dreamed of. I had taken passage with Captain Hasty—one who seemed to me one of the best and most high-minded of our American men. He showed the kindest interest in us. His wife, an excellent woman, was with him. I thought, during the voyage, if safe and my child well, to have as much respite from care and pain as sea-sickness would permit. But scarcely was that enemy in some measure quelled, when the captain fell sick. At first his disease presented the appearance of nervous fever. I was with him a great deal; indeed, whenever I could relieve his wife from a ministry softened by great love and the courage of womanly heroism: The last days were truly terrible with disgusts and fatigues; for he died, we suppose,—no physician has been allowed to come on board to see the body,—of confluent small-pox. I have seen, since we parted, great suffering, but nothing physical to be compared to this, where the once fair and expressive mould of man is thus lost in corruption before life has fled. He died yesterday morning, and was buried in deep water, the American Consul's barge towing out one from this ship which bore the body, about six o'clock. It was Sunday. A divinely calm, glowing afternoon had succeeded a morning of bleak, cold wind. You cannot think how beautiful the whole thing was:—the decent array and sad reverence of the sailors; the many ships with their banners flying; the stern pillar of Hercules all bathed in roseate vapor; the little white sails diving into the blue depths with that solemn spoil of the good man, so still, when he had been so agonized and gasping as the last sun stooped. Yes, it was beautiful; but how dear a price we pay for the poems of this world! We shall now be in quarantine a week; no person permitted to come on board until it be seen whether disease break out in other cases. I have no good reason to think it will not; yet I do not feel afraid. Ossoli has had it; so he is safe. The baby is, of course, subject to injury. In the earlier days, before I suspected small-pox, I carried him twice into the sick-room, at the request of the captain, who was becoming fond of him. He laughed and pointed; he did not discern danger, but only thought it odd to see the old friend there in bed. It is vain by prudence to seek to evade the stern assaults of destiny. I submit. Should all end well, we shall be in New York later than I expected; but keep a look-out. Should we arrive safely, I should like to see a friendly face. Commend me to my dear friends; and, with most affectionate wishes that joy and peace may continue to dwell in your house, adieu, and love as you can,

My Dear M——: By the time you receive this, I hope you’ve already read my letter from Florence, which included a note to my mother explaining the circumstances under which I wrote to you through ——, and how I wanted the bill to be handled in case anything happened to me on my way home. So far, the weather on my journey hasn’t been too bad; however, the unfortunate event we faced was something I never expected. I had booked passage with Captain Hasty—who struck me as one of the best and most honorable men among us Americans. He took a genuine interest in us, and his wife, a wonderful woman, was with him. During the voyage, I thought if I could just stay safe and keep my child well, I’d find as much relief from worry and discomfort as sea sickness would allow. But just as I managed to get a grip on that enemy, the captain fell ill. Initially, his condition seemed like nervous fever. I spent a lot of time with him; in fact, I was with him whenever I could give his wife a break from taking care of him with great love and the bravery that only a woman can show. His last days were truly awful, filled with nausea and exhaustion; he died, we believe—since no doctor was permitted onboard to examine the body—of confluent smallpox. I have witnessed much suffering since we parted, but nothing physical compares to this, where the once fine and expressive figure of a man deteriorates into corruption before life has even left. He died yesterday morning and was buried in deep water, with the American Consul's boat towing one from this ship carrying the body around six o'clock. It was Sunday. A divinely calm and warm afternoon followed a morning of harsh, cold winds. You wouldn’t believe how beautiful it all was: the solemnly proper appearance and somber respect of the sailors; the various ships with their flags waving; the strong pillar of Hercules enveloped in a rosy mist; the small white sails sinking into the blue depths with the solemn remains of the good man, so still after having suffered so much as the last sun began to set. Yes, it was beautiful; but what a heavy price we pay for the poetry of this world! We’ll now be in quarantine for a week; no one is allowed to come on board until we find out if the illness spreads to others. I can’t honestly say I’m sure it won’t not; yet I don’t feel afraid. Ossoli has had it, so he’s safe. The baby is, of course, at risk. In the earlier days, before I suspected smallpox, I took him into the sick-room twice, at the captain’s request, who was starting to take a liking to him. He laughed and pointed; he didn’t see the danger; he just thought it was strange to see his old friend in bed. It’s pointless to think we can avoid the harsh blows of fate through caution. I accept it. If all goes well, we’ll arrive in New York later than I expected; but stay alert. If we arrive safely, I’d love to see a friendly face. Please give my regards to my dear friends; and with the warmest wishes that joy and peace continue to fill your home, goodbye, and love as best as you can.

Your friend, MARGARET.

Your friend, Margaret.


LETTER FROM HON. LEWIS CASS, JR., UNITED STATES CHARGE D'AFFAIRES AT ROME, TO MRS. E. K. CHANNING.

Legation des Etats Unis d'Amerique, Rome, May 10, 1851.

Embassy of the United States of America, Rome, May 10, 1851.

Madame: I beg leave to acknowledge the receipt of your letter of the —— ult., and to express my regret that the weak state of my eyesight has prevented me from giving it an earlier reply.

Madame: I want to acknowledge that I received your letter dated the —— ult., and I apologize for not responding sooner due to the poor condition of my eyesight.

In compliance with your request, I have the honor to state, succinctly, the circumstances connected with my acquaintance with the late Madame Ossoli, your deceased sister, during her residence in Rome.

In response to your request, I’m honored to briefly outline my connection with the late Madame Ossoli, your late sister, while she was living in Rome.

In the month of April, 1849, Rome, as you are no doubt aware, was placed in a state of siege by the approach of the French army. It was filled at that time with exiles and fugitives who had been contending for years, from Milan in the north to Palermo in the south, for the republican cause; and when the gates were closed, it was computed that there were, of Italians alone, thirteen thousand refugees within the walls of the city, all of whom had been expelled from adjacent states, till Rome became their last rallying-point, and, to many, their final resting-place. Among these was to be seen every variety of age, sentiment, and condition,—striplings and blanched heads; wild, visionary enthusiasts; grave, heroic men, who, in the struggle for freedom, had ventured all, and lost all; nobles and beggars; bandits, felons and brigands. Great excitement naturally existed; and, in the general apprehension which pervaded all classes, that acts of personal violence and outrage would soon be committed, the foreign residents, especially, found themselves placed in an alarming situation.

In April 1849, Rome, as you likely know, was put under siege by the advancing French army. At that time, it was packed with exiles and fugitives who had been fighting for the republican cause for years, from Milan in the north to Palermo in the south. When the gates were shut, it was estimated that there were about thirteen thousand Italian refugees inside the city walls, all expelled from nearby states, making Rome their final refuge, and for many, their last resting place. Among these people were individuals of all ages and backgrounds—youngsters and the elderly; passionate dreamers; serious, brave men who had risked everything for freedom and lost it all; nobles and the homeless; outlaws, criminals, and bandits. There was significant tension, and amidst the widespread fear across all classes that acts of violence and chaos were imminent, foreign residents particularly found themselves in a precarious situation.

On the 30th of April the first engagement took place between the French and Roman troops, and in a few days subsequently I visited several of my countrymen, at their request, to concert measures for their safety. Hearing, on that occasion, and for the first time, of Miss Fuller's presence in Rome, and of her solitary mode of life, I ventured to call upon her, and offer my services in any manner that might conduce to her comfort and security. She received me with much kindness, and thus an acquaintance commenced. Her residence on the Piazzi Barberini being considered an insecure abode, she removed to the Casa Dies, which was occupied by several American families.

On April 30th, the first clash happened between the French and Roman troops, and a few days later, I met with several of my fellow countrymen at their request to discuss safety measures. It was during this meeting that I first heard about Miss Fuller being in Rome and her solitary lifestyle. I decided to visit her and offer my help in any way that could make her more comfortable and safe. She welcomed me warmly, and that’s how our acquaintance began. Since her home on Piazzi Barberini was considered unsafe, she moved to Casa Dies, where several American families were staying.

In the engagements which succeeded between the Roman and French troops, the wounded of the former were brought into the city, and disposed throughout the different hospitals, which were under the superintendence of several ladies of high rank, who had formed themselves into associations, the better to ensure care and attention to those unfortunate men. Miss Fuller took an active part in this noble work; and the greater portion of her time, during the entire siege, was passed in the hospital of the Trinity of the Pilgrims, which was placed under her direction, in attendance upon its inmates.

In the battles that followed between the Roman and French troops, the wounded from the former were brought into the city and placed in various hospitals, managed by several high-ranking ladies who had formed groups to provide better care and attention to those unfortunate men. Miss Fuller was actively involved in this noble effort, and she spent most of her time during the entire siege at the Trinity of the Pilgrims hospital, which was under her supervision, caring for its patients.

The weather was intensely hot; her health was feeble and delicate; the dead and dying were around her in every stage of pain and horror; but she never shrank from the duty she had assumed. Her heart and soul were in the cause for which those men had fought, and all was done that Woman could do to comfort them in their sufferings. I have seen the eyes of the dying, as she moved among them, extended on opposite beds, meet in commendation of her universal kindness; and the friends of those who then passed away may derive consolation from the assurance that nothing of tenderness and attention was wanting to soothe their last moments. And I have heard many of those who recovered speak with all the passionate fervor of the Italian nature, of her whose sympathy and compassion, throughout their long illness, fulfilled all the offices of love and affection. Mazzini, the chief of the Triumvirate, who, better than any man in Rome, knew her worth, often expressed to me his admiration of her high character; and the Princess Belgiojoso. to whom was assigned the charge of the Papal Palace, on the Quirinal, which was converted on this occasion into a hospital, was enthusiastic in her praise. And in a letter which I received not long since from this lady, who was gaining the bread of an exile by teaching languages in Constantinople, she alludes with much feeling to the support afforded by Miss Fuller to the republican party in Italy. Here, in Rome, she is still spoken of in terms of regard and endearment, and the announcement of her death was received with a degree of sorrow not often bestowed upon a foreigner, especially one of a different faith.

The weather was extremely hot; her health was weak and fragile; the dead and dying were around her in every stage of pain and horror; yet she never backed away from the duty she had taken on. Her heart and soul were dedicated to the cause for which those men had fought, and she did everything a woman could do to comfort them in their suffering. I've seen the eyes of the dying, as she moved among them on opposite beds, meet in gratitude for her universal kindness; and the friends of those who passed away at that time can find comfort in knowing that nothing was lacking in tenderness and care to ease their final moments. I've heard many of those who recovered speak with the passionate fervor of their Italian nature, about her sympathy and compassion, which fulfilled all the roles of love and affection throughout their long illness. Mazzini, the leader of the Triumvirate, who knew her worth better than anyone in Rome, often expressed his admiration for her character; and the Princess Belgiojoso, who was responsible for the Papal Palace on the Quirinal that was converted into a hospital at that time, praised her enthusiastically. In a letter I received not long ago from this lady, who was supporting herself as an exile by teaching languages in Constantinople, she emotionally referenced the support Miss Fuller provided to the republican party in Italy. Here in Rome, she is still spoken of with affection and respect, and the news of her death was met with a level of sorrow rarely shown to a foreigner, especially one of a different faith.

On the 29th of June, the bombardment from the French camp was very heavy, shells and grenades falling in every part of the city. In the afternoon of the 30th, I received a brief note from Miss Fuller, requesting me to call at her residence. I did so without delay, and found her lying on a sofa, pale and trembling, evidently much exhausted. She informed me that she had sent for me to place in my hand a packet of important papers, which she wished me to keep for the present, and, in the event of her death, to transmit it to her friends in the United States. She then stated that she was married to Marquis Ossoli, who was in command of a battery on the Pincian Hill,—that being the highest and most exposed position in Rome, and directly in the line of bombs from the French camp. It was not to be expected, she said, that he could escape the dangers of another night, such as the last; and therefore it was her intention to remain with him, and share his fate. At the Ave Maria, she added, he would come for her, and they would proceed together to his post. The packet which she placed in my possession, contained, she said, the certificates of her marriage, and of the birth and baptism of her child. After a few words more, I took my departure, the hour she named having nearly arrived. At the porter's lodge I met the Marquis Ossoli, and a few moments afterward I saw them walking toward the Pincian Hill.

On June 29th, the bombardment from the French camp was quite severe, with shells and grenades landing all over the city. In the afternoon of the 30th, I received a short note from Miss Fuller, asking me to come to her house. I went right away and found her lying on a sofa, pale and shaking, clearly very worn out. She told me she had sent for me to give me a package of important papers that she wanted me to keep for now and, if she passed away, to send to her friends in the United States. She then mentioned that she was married to Marquis Ossoli, who was in charge of a battery on Pincian Hill—that being the highest and most exposed spot in Rome, directly in the path of the bombs from the French camp. She stated that it was unrealistic to think he could survive another night like the last; therefore, she planned to stay with him and share his fate. At the Ave Maria, she said he would come for her, and they would go together to his post. The packet she gave me contained her marriage certificate and the birth and baptism records of her child. After a few more words, I left, as the time she mentioned was nearly upon us. At the porter's lodge, I ran into Marquis Ossoli, and a few moments later, I saw them walking toward Pincian Hill.

Happily, the cannonading was not renewed that night, and at dawn of day she returned to her apartments, with her husband by her side. On that day the French army entered Rome, and, the gates being opened, Madame Ossoli, accompanied by the Marquis, immediately proceeded to Rieti, where she had left her child in the charge of a confidential nurse, formerly in the service of the Ossoli family.

Fortunately, the cannon fire didn’t start up again that night, and at dawn, she returned to her rooms with her husband beside her. That day, the French army entered Rome, and with the gates opened, Madame Ossoli, along with the Marquis, headed straight to Rieti, where she had left her child in the care of a trusted nurse who had previously worked for the Ossoli family.

She remained, as you are no doubt aware, some months at Rieti, whence she removed to Florence, where she resided until her ill-fated departure for the United States. During this period I received several letters from her, all of which, though reluctant to part with them, I enclose to your address in compliance with your request.

She stayed, as you probably know, for several months in Rieti, then moved to Florence, where she lived until her unfortunate departure for the United States. During this time, I received several letters from her, all of which, although I was hesitant to part with them, I’m sending to you as you requested.

I am, Madame, very respectfully,

Sincerely, Madame,

Your obedient servant,

Your loyal servant,

LEWIS CASS, JR.

LEWIS CASS, JR.

 

 

 

 

 

 

APPENDIX.

 

 

 

 

 

 

A.

Apparition of the goddess Isis to her votary, from Apulelus.

Apparition of the goddess Isis to her devotee, from Apuleius.

"Scarcely had I closed my eyes, when, behold (I saw in a dream), a divine form emerging from the middle of the sea, and raising a countenance venerable even to the gods themselves. Afterward, the whole of the most splendid image seemed to stand before me, having gradually shaken off the sea. I will endeavor to explain to you its admirable form, if the poverty of human language will but afford me the power of an appropriate narration; or if the divinity itself, of the most luminous form, will supply me with a liberal abundance of fluent diction. In the first place, then, her most copious and long hairs, being gradually intorted, and promiscuously scattered on her divine neck, were softly defluous. A multiform crown, consisting of various flowers, bound the sublime summit of her head. And in the middle of the crown, just on her forehead, there was a smooth orb, resembling a mirror, or rather a white refulgent light, which indicated that she was the moon. Vipers, rising up after the manner of furrows, environed the crown on the right hand and on the left, and Cerealian ears of corn were also extended from above. Her garment was of many colors, and woven from the finest flax, and was at one time lucid with a white splendor, at another yellow, from the flower of crocus, and at another flaming with a rosy redness. But that which most excessively dazzled my sight, was a very black robe, fulgid with a dark splendor, and which, spreading round and passing under her right side, and ascending to her left shoulder, there rose protuberant, like the centre of a shield, the dependent part of her robe falling in many folds, and having small knots of fringe, gracefully flowing in its extremities. Glittering stars were dispersed through the embroidered border of the robe, and through the whole of its surface, and the full moon, shining in the middle of the stars, breathed forth flaming fires. A crown, wholly consisting of flowers and fruits of every kind, adhered with indivisible connection to the border of conspicuous robe, in all its undulating motions.

"Hardly had I closed my eyes when, suddenly (I saw in a dream), a divine figure emerged from the middle of the sea, revealing a face that even the gods would admire. Soon, the entire stunning image appeared before me, having gradually shaken off the water. I will try to describe her amazing form, if only human language can provide me with the right words; or if the divine being, with her brilliant form, can offer me plenty of fluid expression. First, her long, flowing hair fell in gentle waves around her divine neck. A beautiful crown made of various flowers adorned her majestic head. At the center of the crown, right on her forehead, was a smooth orb, resembling a mirror or, rather, a bright white light, indicating that she was the moon. Snakes, rising like waves, surrounded the crown on both sides, and ripe ears of corn extended from above. Her garment was colorful, woven from the finest flax, shimmering in white at times, yellow from the crocus flower at others, and glowing with rosy hues. But what really caught my eye was a very dark robe, glowing with its unique brilliance, draping around her right side and rising to her left shoulder, protruding like the center of a shield, while the flowing part of her robe cascaded in many folds and had delicate knots of fringe gracefully at the ends. Sparkling stars were scattered across the embroidered trim of the robe, covering its entire surface, and the full moon, shining among the stars, exuded fiery brilliance. A crown made entirely of flowers and fruits of all kinds was seamlessly attached to the edge of her striking robe, moving elegantly with her every motion."

"What she carried in her hands also consisted of things of a very different nature. Her right hand bore a brazen rattle, through the narrow lamina of which, bent like a belt, certain rods passing, produced a sharp triple sound through the vibrating motion of her arm. An oblong vessel, in the shape of a boat, depended from her left hand, on the handle of which, in that part which was conspicuous, an asp raised its erect head and largely swelling neck. And shoes, woven from the leaves of the victorious palm-tree, covered her immortal feet. Such, and so great a goddess, breathing the fragrant odor of the shores of Arabia the happy, deigned thus to address me."

"What she held in her hands included things of a very different kind. In her right hand, she had a loud rattle, and through the narrow layer of it, bent like a belt, certain rods passed, creating a sharp triple sound with the motion of her arm. An oblong vessel, shaped like a boat, hung from her left hand, with an asp raising its head and thick neck prominently displayed on the handle. And shoes woven from the leaves of the victorious palm tree adorned her immortal feet. Such was the great goddess, emanating the sweet scent of the shores of happy Arabia, who chose to address me."

The foreign English of the translator, Thomas Taylor, gives this description the air of being itself a part of the mysteries. But its majestic beauty requires no formal initiation to be enjoyed.

The translator, Thomas Taylor, uses a foreign style of English that makes this description feel like it's part of the mysteries. However, its majestic beauty can be appreciated without any formal introduction.


B.

I give this in the original, as it does not bear translation. Those who read Italian will judge whether it is not a perfect description of a perfect woman.

I present this in its original form, as it cannot be translated. Those who read Italian will decide if it isn’t a flawless depiction of an ideal woman.

LODI E PREGHIERE A MARIA.

  Vergine bella che di sol vestita,
Coronata di stelle, al sommo Sole
  Piacesti si, che'n te sua luce ascose;
Amor mi spinge a dir di te parole;
  Ma non so 'ncominciar senza tu' alta,
E di Coiul che amando in te si pose.

  Invoco lei che ben sempre rispose,
Chi la chiamò con fede.
  Vergine, s'a mercede
Miseria extrema dell' smane cose
  Giammal tivoise, al mio prego t'inohina;
Soccorri alla mia guerra;
  Bench' l' sia terra, e tu del oiel Regina.

  Vergine saggia, e del bel numero una
Delle beata vergini prudenti;
  Anzi la prima, e con più chiara lampa;
O saldo scudo dell' afflitte gente
  Contra colpi di Morte e di Fortuna,
Sotto' l' quai si trionfu, non pur scampa:
  O refrigerio alcieco ardor ch' avvampa
Qui fra mortali schiocchi,
  Vergine, que' begli occhi
Che vider tristi la spietata stampa
  Ne' dolci membri del tuo caro figlio,
Volgi ai mio dubbio stato;
  Che sconsigliato a te vien per consiglio.

  Vergine pura, d'ognti parte intera,
Del tuo parto gentil figlluola e madre;
  Che allumi questa vita, e t'altra adorni;
Per te il tuo Figlio e quel del sommo Padre,
  O finestra del ciel lucente altera,
Venne a salvarne in su gli estremi giorni,
  E fra tutt' i terreni altri soggiorni
Sola tu fusti eletta,
  Vergine benedetta;
Che 'l pianto d' Eva in allegrezza torni';
  Fammi; che puoi; della sua grazia degno,
Senza fine o beata,
 Glà coronata nel superno regno.

  Vergine santa d'ogni grazia piena;
Che per vera e altissima umiltate.
  Salisti al ciel, onde miel preghi ascolti;
Tu partoristi il fonte di pietate,
  E di giustizia il Sol, che rasserena
Il secol pien d'errori oscuri et tolti;
  Tre dolci et cari nomi ha' in te raccolti,
Madre, Figliuola e Sposa:
  Vergine gloriosa,
Donna del Re che nostri lacci à sciolti
  E fatto 'l mondo libero et felice,
Nelle cui sante piaghe
  Prego ch'appaghe il cor, vera beatrice.

  Vergine sola al mondo senza exempio
Che 'l ciel di tue bellezze innamorasti,
  Cui né prima fu simil né seconda,
Santi penseri, atti pietosi et casti
  Al vero Dio sacrato et vivo tempio
Fecero in tua verginità feconda.
  Per te pò la mia vita esser ioconda,
Sa' tuoi preghi, o Maria,
  Vergine dolce et pia,
Ove 'l fallo abondò, la gratia abonda.
  Con le ginocchia de la mente inchine,
Prego che sia mia scorta,
  E la mia torta via drizzi a buon fine.

  Vergine chiara et stabile in eterno,
Di questo tempestoso mare stella,
  D'ogni fedel nocchier fidata guida,
Pon' mente in che terribile procella
  I' mi ritrovo sol, senza governo,
Et ò già da vicin l'ultime strida.
  Ma pur in te l'anima mia si fida,
Peccatrice, i' nol nego,
  Vergine; ma ti prego
Che 'l tuo nemico del mio mal non rida:
  Ricorditi che fece il peccar nostro
Prender Dio, per scamparne,
  Umana carne al tuo virginal chiostro.

  Vergine, quante lagrime hò già sparte,
Quante lusinghe et quanti preghi indarno,
  Pur per mia pena et per mio grave danno!
Da poi ch'i nacqui in su la riva d'Arno;
  Cercando or questa ed or quell altra parte,
Non è stata mia vita altro ch'affanno.
  Mortal bellezza, atti, o parole m' hanno
Tutta ingombrata l'alma,
  Vergine sacra, ed alma,
Non tardar; ch' i' non forse all' ultim 'ann,
  I di miel piu correnti che saetta,
Fra mierie e peccati
  Sonsen andati, e sol Morte n'aspetta.

  Vergine, tale è terra, e posto ha in doglia
Lo mio cor; che vivendo in pianto il tenne;
  E di mille miel mali un non sapea;
E per saperlo, pur quel che n'avvenne,
  Fora avvento: ch' ogni altra sua voglia
Era a me morte, ed a lei fama rea
  Or tu, donna del ciel, tu nostra Dea,
Se dir lice, e convicusi;
  Vergine d'alti sensi,
Tu vedi il tutto; e quel che non potea
  Far oltri, è nulla a e la tua gran virtute;
Pon fine al mio dolore;
  Ch'a te onore ed a mo fia salute.

  Vergine, in cui ho tutta mia speranza
Che possi e vogli al gran bisogno altarme;
  Non mi lasciare in su l'estremo passo;
Non guardar me, ma chi degnò crearme;
  No'l mio valor, ma l'alta sua sembianza;
Che in me ti mova a curar d'uorm si basso.
  Medusa, e l'error mio lo han fatto un sasso
D'umor vano stillante;
  Vergine, tu di sante
Lagrime, e pie adempi 'l mio cor lasso;
  Ch' almen l'ultlmo pianto sia divoto,
    Senza terrestro limo;
  Come fu'l primo non d'insania voto.

  Vergine umana, e nemica d'orgoglio,
Del comune principio amor t'induca;
  Miserere d'un cor contrito umile;
Che se poca mortal terra caduca
  Amar con si mirabil fede soglio;
Che devro far di te cosa gentile?
  Se dal mio stato assai misero, e vile
Per le tue man resurgo,
  Vergine; è sacro, e purgo
Al tuo nome e pensieri e'ngegno, o stile;
  La lingua, o'l cor, le lagrime, e i sospiri,
Scorgimi al migilor guado;
  E prendi in grado i cangiati desiri.

  Il di s'appressa, e non pote esser lunge;
Si corre il tempo, e vola,
  Vergine unica, e sola;
E'l cor' or conscienza, or morte punge.
Raccommandami al tuo Figiluol, verace
  Uomo, e veraco Dio;
Ch'accolga i mio spirto ultimo in pace.
  Beautiful Virgin, clothed in sunlight,  
Crowned with stars, you pleased the Highest Sun so much  
That it hid its light in you;  
Love drives me to speak words about you;  
But I don't know how to start without your greatness,  
And of him who, loving you, positioned himself in you.  

  I call upon her who always answers well,  
Whomever called her with faith.  
Virgin, if, in mercy,  
You look upon the extreme misery of wretched things,  
I humbly bow to your request;  
Help me in my battle;  
Even though it is earth, and you are the Queen of Heaven.  

  Wise Virgin, and one of the blessed prudent virgins,  
Indeed the first, and with the brightest light;  
O strong shield of afflicted people  
Against the blows of Death and Fortune,  
Under which the triumph, not merely escapes:  
O relief for the burning rage  
Here among mortal fools,  
Virgin, those beautiful eyes  
That sorrowfully saw the cruel mark  
On the sweet limbs of your dear son,  
Turn toward my doubtful state;  
For advisedly, I come to you for counsel.  

  Pure Virgin, wholly intact,  
Mother and daughter of your noble childbirth;  
Who illuminates this life and adorns the next;  
Through you, your Son and the Son of the Almighty Father,  
O shining window of Heaven,  
Came to save us in the final days,  
And among all earthly places,  
You alone were chosen,  
Blessed Virgin;  
May the tears of Eve return into joy;  
Make me worthy of her grace,  
Endlessly blessed,  
Crowned in the supreme kingdom.  

  Holy Virgin, full of every grace;  
Who, through true and highest humility,  
Ascended to heaven, where you listen to sweet prayers;  
You gave birth to the source of compassion,  
And the Sun of justice, who brings serenity  
To a world full of dark errors and wrongs;  
You hold three sweet and dear names,  
Mother, Daughter, and Spouse:  
Glorious Virgin,  
Lady of the King who has loosed our chains  
And made the world free and happy,  
In whose holy wounds  
I pray that my heart finds fulfillment, true Beatrice.  

  Virgin, alone in the world without example  
Who captured heaven with your beauty,  
To whom neither first nor second was similar,  
Holy thoughts, merciful and chaste deeds  
Made a living temple for the true God  
In your fruitful virginity.  
For you, my life can be joyful,  
Through your prayers, O Mary,  
Sweet and devoted Virgin,  
Where sin abounded, grace abounds.  
With the knees of my mind bowed,  
I pray that you be my guide,  
And that my twisted path leads to a good end.  

  Clear Virgin, eternal and steadfast,  
Star of this stormy sea,  
Trusted guide for every faithful sailor,  
Pay attention to how I find myself in this terrible storm,  
Alone, without guidance,  
And already close to the final cries.  
Yet my soul puts its trust in you,  
Sinner, I do not deny it,  
Virgin; but I pray  
That your enemy laughs not at my misfortune:  
Remember that our wrongdoing  
Took God to escape,  
In human flesh to your virginal sanctuary.  

  Virgin, how many tears I have already shed,  
How many illusions and how many prayers in vain,  
Only for my suffering and my grave harm!  
Since I was born on the banks of the Arno;  
Searching this way and that,  
My life has been nothing but anguish.  
Mortal beauty, acts, or words have  
Completely burdened my soul,  
Sacred Virgin, and soul,  
Do not delay; for I may not 
Reach the ultimate year,  
The sweetest days that fly like an arrow,  
Among miseries and sins  
Have already gone, and only Death awaits.  

  Virgin, such is the earth, and it has placed in sorrow  
My heart; that living in tears it held;  
And of a thousand sweet evils, it knew no one;  
And for knowing it, whatever happened,  
Would be my fate: for every other desire  
Was death to me, and to her, a evil reputation.  
Now you, Lady of Heaven, you our Goddess,  
If it can be said, and it should be;  
Virgin of high senses,  
You see all; and whatever could not  
Be done by others,  
Is nothing compared to your great virtue;  
Bring an end to my pain;  
For you, honor, and for me, healing.  

  Virgin, in whom I place all my hope  
That you can and wish to lift me in my great need;  
Do not leave me at the last step;  
Do not look at me, but at He who deemed to create me;  
Not my worth, but His lofty appearance;  
That moves you to care for such lowly being.  
Medusa, and my error have turned me to stone  
From vain dripping moisture;  
Virgin, you of holy  
Tears, fulfill my weary heart;  
That at least the last tear be devout,  
Without earthly mud;  
As the first was not from mad desire.  

  Human Virgin, and enemy of pride,  
By the common origin, love leads you;  
Have mercy on a humble contrite heart;  
For if little mortal dust may  
Love with such wondrous faith;  
What must I do to treat you kindly?  
If from my very miserable, vile state  
Through your hands I rise,  
Virgin; it is sacred and pure  
To your name and thoughts, and spirit, O style;  
The tongue, or the heart, the tears, and the sighs,  
Guide me to the best crossing;  
And take my changing desires into consideration.  

  The day approaches, and cannot be far off;  
Time races and flies,  
Unique, sole Virgin;  
And the heart now stings with conscience or death.  
Commend me to your Son, true  
Man and true God;  
That He may receive my last spirit in peace.

As the Scandinavian represented Frigga the Earth, or World-mother, knowing all things, yet never herself revealing them, though ready to be called to counsel by the gods, it represents her in action, decked with jewels and gorgeously attended. But, says the Mythes, when she ascended the throne of Odin, her consort (Heaven), she left with mortals her friend, the Goddess of Sympathy, to protect them in her absence.

As the Scandinavian depicted Frigga as the Earth, or World-mother, knowing everything but never revealing it herself, even though she was always ready to advise the gods, it shows her in action, adorned with jewels and surrounded by grandeur. However, the myths state that when she took her place on the throne of Odin, her partner (Heaven), she left behind her friend, the Goddess of Sympathy, to look after mortals while she was away.

Since, Sympathy goes about to do good. Especially she devotes herself to the most valiant and the most oppressed. She consoles the gods in some degree even for the death of their darling Baldur. Among the heavenly powers she has no consort.

Since Sympathy seeks to do good. She especially dedicates herself to the bravest and the most oppressed. She even comforts the gods somewhat for the death of their beloved Baldur. Among the divine beings, she has no partner.


C.

THE WEDDING OF THE LADY THERESA.
From Lockhart's Spanish ballads.
  'Twas when the fifth Alphonso in Leon held his sway,
    King Abdulla of Toledo an embassy did send;
  He asked his sister for a wife, and in an evil day
    Alphonso sent her, for he feared Abdalla to offend;
  He feared to move his anger, for many times before
  He had received in danger much succor from the Moor.

  Sad heart had fair Theresa, when she their paction knew;
    With streaming tears she heard them tell she 'mong the Moors must go;
  That she, a Christian damsel, a Christian firm and true,
    Must wed a Moorish husband, it well might cause her woe;
  But all her tears and all her prayers they are of small avail;
    At length she for her fate prepares, a victim sad and pale.

  The king hath sent his sister to fair Toledo town,
    Where then the Moor Abdalla his royal state did keep;
  When she drew near, the Moslem from his golden throne came down,
    And courteously received her, and bade her cease to weep;
  With loving words he pressed her to come his bower within;
  With kisses he caressed her, but still she feared the sin.

  "Sir King, Sir King, I pray thee,"—'twas thus Theresa spake,—
    "I pray thee, have compassion, and do to me no wrong;
  For sleep with thee I may not, unless the vows I break,
    Whereby I to the holy church of Christ my lord belong;
  For thou hast sworn to serve Mahoun, and if this thing should be,
  The curse of God it must bring down upon thy realm and thee.

  "The angel of Christ Jesu, to whom my heavenly Lord
    Hath given my soul in keeping, is ever by my side;
  If thou dost me dishonor, he will unsheathe his sword,
    And smite thy body fiercely, at the crying of thy bride;
  Invisible he standeth; his sword like fiery flame
  Will penetrate thy bosom the hour that sees my shame."

  The Moslem heard her with a smile; the earnest words she said
    He took for bashful maiden's wile, and drew her to his bower:
  In vain Theresa prayed and strove,—she pressed Abdalla's bed,
    Perforce received his kiss of love, and lost her maiden flower.
  A woeful woman there she lay, a loving lord beside,
  And earnestly to God did pray her succor to provide.

  The angel of Christ Jesu her sore complaint did hear,
    And plucked his heavenly weapon from out his sheath unseen:
  He waved the brand in his right hand, and to the King came near,
    And drew the point o'er limb and joint, beside the weeping Queen:
  A mortal weakness from the stroke upon the King did fall;
  He could not stand when daylight broke, but on his knees must crawl.

  Abdalla shuddered inly, when he this sickness felt,
    And called upon his barons, his pillow to come nigh;
  "Rise up," he said, "my liegemen," as round his bed they knelt,
    "And take this Christian lady, else certainly I die;
  Let gold be in your girdles, and precious stones beside,
  And swiftly ride to Leon, and render up my bride."

  When they were come to Leon Theresa would not go
    Into her brother's dwelling, where her maiden years were spent;
  But o'er her downcast visage a white veil she did throw,
    And to the ancient nunnery of Las Huelgas went.
  There, long, from worldly eyes retired, a holy life she led;
  There she, an agéd saint, expired; there sleeps she with the dead.
'Twas when the fifth Alphonso ruled in Leon,  
King Abdulla of Toledo sent an embassy;  
He asked for his sister as a bride, and on a fateful day  
Alphonso sent her, fearing to offend Abdalla's majesty;  
He feared to provoke his anger, for many times before  
He had found himself in danger, receiving help from the Moor.  

Sad was fair Theresa when she learned of their pact;  
With flowing tears, she heard she must go among the Moors;  
That she, a Christian lady, firm and true in act,  
Must marry a Moorish husband, which could only bring her woes;  
But all her tears and prayers were of little use;  
At last, she prepared for her fate, a victim, sad and profuse.  

The king had sent his sister to fair Toledo town,  
Where the Moor Abdalla kept his royal state;  
When she approached, the Muslim came down from his golden throne,  
And graciously welcomed her, urging her to alleviate her fate;  
With loving words, he invited her into his chamber within;  
With kisses, he embraced her, but still, she feared the sin.  

"Sir King, Sir King, I beg you,"—this is how Theresa spoke—  
"I ask for your compassion, please do me no wrong;  
For I cannot sleep with you without breaking my vow,  
Whereby I belong to the holy church of Christ my Lord;  
For you have sworn to serve Mahoun, and if this happens,  
The curse of God will certainly fall upon you and your realm.  

"The angel of Christ Jesus, to whom my heavenly Lord  
Has entrusted my soul, is always by my side;  
If you dishonor me, he will draw his sword,  
And strike you fiercely at the cry of your bride;  
He stands invisible; his sword like fiery flame  
Will pierce your heart the moment I am shamed."  

The Muslim heard her with a smile; he took her serious words  
As a coy maiden's ploy and led her to his chamber;  
In vain, Theresa prayed and struggled,—she pressed Abdalla's bed,  
Was forced to accept his kiss of love and lost her maiden honor.  
A sorrowful woman there she lay, a loving lord beside,  
And earnestly to God she prayed for help to provide.  

The angel of Christ Jesus heard her bitter complaint,  
And drew his heavenly weapon from its unseen sheath:  
He waved his sword in his right hand and approached the King,  
And brushed the point over limb and joint, beside the weeping Queen:  
A mortal weakness struck the King with that stroke;  
He could not stand when daylight broke but crawled upon his knees.  

Abdalla trembled inwardly when he felt this sickness rise,  
And called upon his barons to bring his pillow near;  
"Rise up," he said, "my followers," as they knelt around his bed,  
"And take this Christian lady, or I will surely die;  
Bring gold in your belts and precious stones as well,  
And ride swiftly to Leon to return my bride."  

When they reached Leon, Theresa refused to go  
Into her brother's home, where her childhood years had been spent;  
But over her downcast face, she draped a white veil,  
And went to the ancient convent of Las Huelgas to repent.  
There, long from worldly eyes, she led a holy life;  
There, as an aged saint, she passed away; there she sleeps with the dead.

D.

The following extract from Spinoza is worthy of attention, as expressing the view which a man of the largest intellectual scope may take of Woman, if that part of his life to which her influence appeals has been left unawakened. He was a man of the largest intellect, of unsurpassed reasoning powers; yet he makes a statement false to history, for we well know how often men and women have ruled together without difficulty, and one in which very few men even at the present day—I mean men who are thinkers, like him—would acquiesce.

The following extract from Spinoza is worth noting because it reflects the perspective a highly intellectual man might have on women, especially if he hasn't fully engaged with the influence they can have on his life. He was incredibly intelligent and had exceptional reasoning abilities; however, he made a historically inaccurate statement. We know well how often men and women have ruled together seamlessly, and very few men today—particularly those who are thinkers like him—would agree with that view.

I have put in contrast with it three expressions of the latest literature.

I have compared it with three expressions from the latest literature.

First, from the poems of W. E. Channing, a poem called "Reverence," equally remarkable for the deep wisdom of its thought and the beauty of its utterance, and containing as fine a description of one class of women as exists in literature.

First, from the poems of W. E. Channing, there's a poem called "Reverence," which is notable for both its profound wisdom and the beauty of its expression, and it offers one of the best descriptions of a certain group of women found in literature.

In contrast with this picture of Woman, the happy Goddess of Beauty, the wife, the friend, "the summer queen," I add one by the author of "Festus," of a woman of the muse, the sybil kind, which seems painted from living experience.

In contrast to this image of Woman, the joyful Goddess of Beauty, the wife, the friend, "the summer queen," I present one by the author of "Festus," of a woman of the muse, the oracle type, which seems to be drawn from real-life experience.

And, thirdly, I subjoin Eugene Sue's description of a wicked but able woman of the practical sort, and appeal to all readers whether a species that admits of three such varieties is so easily to be classed away, or kept within prescribed limits, as Spinoza, and those who think like him, believe.

And, thirdly, I include Eugene Sue's portrayal of a clever yet immoral woman who is practical, and I invite all readers to consider whether a type that allows for three such variations can truly be easily categorized or confined within set boundaries, as Spinoza and his followers think.

SPINOZA. TRACTATUS POLITICI DE DEMOCRATIA.
CAPUT XI.

Perhaps some one will here ask, whether the supremacy of Man over Woman is attributable to nature or custom? Since, if It be human institutions alone to which this fact is owing, there is no reason why we should exclude women from a share in government. Experience most plainly teaches that it is Woman's weakness which places her under the authority of Man. It has nowhere happened that men and women ruled together; but wherever men and women are found, the world over, there we see the men ruling and the women ruled, and in this order of things men and women live together in peace and harmony. The Amazons, it is true, are reputed formerly to have held the reins of government, but they drove men from their dominions; the male of their offspring they invariably destroyed, permitting their daughters alone to live. Now, if women were by nature upon an equality with men, if they equalled men in fortitude, in genius (qualities which give to men might, and consequently right), it surely would be the case, that, among the numerous and diverse nations of the earth, some would be found where both sexes ruled conjointly, and others where the men were ruled by the women, and so educated as to be mentally inferior; and since this state of things nowhere exists, it is perfectly fair to infer that the rights of women are not equal to those of men; but that women must be subordinate, and therefore cannot have an equal, far less a superior place in the government. If, too, we consider the passions of men—how the love men feel towards women is seldom anything but lust and impulse, and much less a reverence for qualities of soul than an admiration of physical beauty; observing, too, the jealousy of lovers, and other things of the same character—we shall see at a glance that it would be, in the highest degree, detrimental to peace and harmony, for men and women to possess on equal share in government.

Maybe someone will ask whether men's dominance over women comes from nature or from societal norms. If it's just human-made systems causing this, then there's no reason to keep women from participating in government. Experience clearly shows that women's perceived weakness puts them under men's authority. Men and women have never ruled together; wherever they are found, men are in charge and women are governed. In this system, men and women coexist peacefully. It's true that the Amazons are said to have once governed, but they expelled men from their territory and consistently killed their male offspring, allowing only their daughters to survive. If women were truly equal to men by nature, sharing their strength and intelligence (qualities that provide power and thus authority), there would surely be some societies where both genders ruled together, or others where women ruled over men, who would have been educated to be mentally inferior. Since this situation doesn't exist anywhere, we can reasonably conclude that women's rights are not equal to men's; they must be subordinate, and therefore cannot hold an equal or superior role in government. Additionally, if we consider men's feelings—how their love for women often revolves around lust and impulse rather than respect for their character, alongside the jealousy often seen in romantic relationships—we can easily see that it would be extremely harmful to peace and harmony for men and women to share power equally in government.

REVERENCE.

                 As an ancestral heritage revere
  All learning, and all thought. The painter's fame
  Is thine, whate'er thy lot, who honorest grace.
  And need enough in this low time, when they,
  Who seek to captivate the fleeting notes
  Of heaven's sweet beauty, must despair almost,
  So heavy and obdurate show the hearts
  Of their companions. Honor kindly then
  Those who bear up in their so generous arms
  The beautiful ideas of matchless forms;
  For were these not portrayed, our human fate,—
  Which is to be all high, majestical,
  To grow to goodness with each coming age,
  Till virtue leap and sing for joy to see
  So noble, virtuous men,—would brief decay;
  And the green, festering slime, oblivious, haunt
  About our common fate. O, honor them!

  But what to all true eyes has chiefest charm,
  And what to every breast where beats a heart
  Framed to one beautiful emotion,—to
  One sweet and natural feeling, lends a grace
  To all the tedious walks of common life,
  This is fair Woman,—Woman, whose applause
  Each poet sings,—Woman the beautiful.
  Not that her fairest brow, or gentlest form,
  Charm us to tears; not that the smoothest cheek,
  Wherever rosy tints have made their home,
  So rivet us on her; but that she is
  The subtle, delicate grace,—the inward grace,
  For words too excellent; the noble, true,
  The majesty of earth; the summer queen;
  In whose conceptions nothing but what's great
  Has any right. And, O! her love for him,
  Who does but his small part in honoring her;
  Discharging a sweet office, sweeter none,
  Mother and child, friend, counsel and repose;
  Naught matches with her, naught has leave with her
  To highest human praise. Farewell to him
  Who reverences not with an excess
  Of faith the beauteous sex; all barren he
  Shall live a living death of mockery.
  Ah! had but words the power, what could we say
  Of Woman! We, rude men of violent phrase,
  Harsh action, even in repose inwardly harsh;
  Whose lives walk blustering on high stilts, removed
  From all the purely gracious influence
  Of mother earth. To single from the host
  Of angel forms one only, and to her
  Devote our deepest heart and deepest mind,
  Seems almost contradiction. Unto her
  We owe our greatest blessings, hours of cheer,
  Gay smiles, and sudden tears, and more than these
  A sure perpetual love. Regard her as
  She walks along the vast still earth; and see!
  Before her flies a laughing troop of joys,
  And by her side treads old experience,
  With never-failing voice admonitory;
  The gentle, though infallible, kind advice,
  The watchful care, the fine regardfulness,
  Whatever mates with what we hope to find,
  All consummate in her—the summer queen.

  To call past ages better than what now
  Man is enacting on life's crowded stage,
  Cannot improve our worth; and for the world
  Blue is the sky as ever, and the stars
  Kindle their crystal flames at soft fallen eve
  With the same purest lustre that the east
  Worshipped. The river gently flows through fields
  Where the broad-leaved corn spreads out, and loads
  Its ear as when the Indian tilled the soil.
  The dark green pine,—green in the winter's cold,—
  Still whispers meaning emblems, as of old;
  The cricket chirps, and the sweet eager birds
  In the sad woods crowd their thick melodies;
  But yet, to common eyes, life's poetry
  Something has faded, and the cause of this
  May be that Man, no longer at the shrine
  Of Woman, kneeling with true reverence,
  In spite of field, wood, river, stars and sea,
  Goes most disconsolate. A babble now,
  A huge and wind-swelled babble, fills the place
  Of that great adoration which of old
  Man had for Woman. In these days no more
  Is love the pith and marrow of Man's fate.
  Thou who in early years feelest awake
  To finest impulses from nature's breath,
  And in thy walk hearest such sounds of truth
  As on the common ear strike without heed,
  Beware of men around thee! Men are foul
  With avarice, ambition and deceit;
  The worst of all, ambition. This is life,
  Spent in a feverish chase for selfish ends,
  Which has no virtue to redeem its toil,
  But one long, stagnant hope to raise the self.
  The miser's life to this seems sweet and fair;
  Better to pile the glittering coin, than seek
  To overtop our brothers and our loves.
  Merit in this?  Where lies it, though thy name
  Ring over distant lands, meeting the wind
  Even on the extremest verge of the wide world?
  Merit in this? Better be hurled abroad
  On the vast whirling tide, than, in thyself
  Concentred, feed upon thy own applause.
  Thee shall the good man yield no reverence;
  But, while the Idle, dissolute crowd are loud
  In voice to send thee flattery, shall rejoice
  That he has 'scaped thy fatal doom, and known
  How humble faith in the good soul of things
  Provides amplest enjoyment. O, my brother
  If the Past's counsel any honor claim
  From thee, go read the history of those
  Who a like path have trod, and see a fate
  Wretched with fears, changing like leaves at noon,
  When the new wind sings in the white birch wood.
  Learn from the simple child the rule of life,
  And from the movements of the unconscious tribes
  Of animal nature, those that bend the wing
  Or cleave the azure tide, content to be,
  What the great frame provides,—freedom and grace.
  Thee, simple child, do the swift winds obey,
  And the white waterfalls with their bold leaps
  Follow thy movements. Tenderly the light
  Thee watches, girding with a zone of radiance,
  And all the swinging herbs love thy soft steps.
As an ancestral heritage, honor all learning and thought. The painter's fame belongs to you, no matter your situation, if you appreciate beauty. And there’s enough need in these low times when those who try to capture the fleeting sounds of heaven's beauty often almost despair, as the hearts of those around them seem so heavy and resistant. So be kind to those who support in their generous arms the beautiful ideas of unmatched forms; for if these weren’t depicted, our human destiny—aiming to be high and majestic, to grow into goodness with each passing age—would decay quickly; and the green, rotting sludge would mindlessly surround our shared fate. Oh, honor them!

But what truly captivates all sincere eyes, and what gives charm to every heart that beats with a single beautiful emotion—one sweet and natural feeling—adds grace to all the mundane aspects of daily life. This is fair Woman—Woman, whom every poet praises—Woman, the beautiful. It’s not just her lovely brow or gentle form that moves us to tears; nor is it just her smooth cheek where rosy tones reside that captivates us, but it’s the subtle, delicate grace—the internal beauty, too excellent for words; the noble and true; the majesty of earth; the summer queen; in whose presence only what is great belongs. And oh! her love for the one who simply plays his small part in honoring her; fulfilling a sweet duty, sweeter than any other, mother and child, friend, counselor, and comfort; nothing compares to her, nothing earns the highest human praise alongside her. Farewell to anyone who doesn’t hold the beautiful sex in high regard; barren shall he live a mocking living death. Ah! if only words could capture what we feel about Woman! We, rough men with harsh words, aggressive actions, even in our calm moments are inwardly harsh; whose lives stride along on high stilts, far removed from the purely graceful influence of Mother Earth. To single out one from the many angelic forms, and devote our deepest heart and mind to her, seems almost contradictory. To her, we owe our greatest blessings—hours of joy, bright smiles, sudden tears, and more than these, a constant love. Watch her as she walks across the vast, quiet earth; and see! Before her flies a joyful crowd of delights, and beside her walks old experience, with an ever-reliable guiding voice; gentle yet infallible advice, watchful care, thoughtful consideration, everything that resonates with our hopes, all embodied in her—the summer queen.

To claim that past ages are better than what mankind is now doing on life's busy stage doesn't lift our worth; and for the world, the sky is just as blue as ever, and the stars ignite their crystal flames at twilight with the purest glow that the east once adored. The river continues to flow through fields where broad-leafed corn spreads out, just as it did when the Native American tended the land. The dark green pine—green even in winter’s chill—still whispers meaningful symbols, just like before; the cricket chirps, and the eager birds in the somber woods fill the air with their rich melodies; but still, to ordinary eyes, the poetry of life has faded, and the reason for this could be that Man, no longer kneeling in true reverence at the shrine of Woman, despite the field, woods, river, stars, and sea, walks around in great despair. Now it's just noise, a huge, swollen noise, replacing the great admiration that Man used to hold for Woman. Nowadays, love isn’t the essence of Man’s fate. You, who in your early years awaken to the finest impulses from nature's breath, and hear sounds of truth that strike the common ear unheeded, be careful of the men around you! Men are corrupt with greed, ambition, and deceit; the worst is ambition. This is life, spent in a frantic chase for selfish goals, without any virtue to redeem its struggles, just a stagnant hope to elevate oneself. To the miser, this life may seem sweet and appealing; it's better to stack up shiny coins than to try to outshine our brothers and loved ones. Where’s the merit in this? Where is it, even if your name echoes across distant lands, meeting the wind even at the world's farthest edges? Where’s the merit? Better to be tossed away on the vast swirling tide than to be centered in yourself, feeding on your own praises. A good person will not show you any respect; but while the idle, indulgent crowd loudly flatters you, he will rejoice that he has escaped your deadly fate and knows how humble faith in the goodness of things brings the greatest joy. Oh, my brother, if the teachings of the past claim any honor from you, go read the history of those who have walked a similar path and see a fate filled with fear, changing like leaves at noon, when the new wind sings in the white birch woods. Learn from the simple child the principles of life, and from the movements of unconscious animal tribes, those that spread their wings or glide through the blue waters, content to be what the great design allows—freedom and grace. You, simple child, are obeyed by the swift winds, and the white waterfalls with their bold leaps follow your movements. Tenderly, the light watches you, surrounding you with a glow of brilliance, and all the dancing plants appreciate your gentle steps.

DESCRIPTION OF ANGELA, FROM "FESTUS."

  I loved her for that she was beautiful,
  And that to me she seemed to be all nature
  And all varieties of things in one;
  Would set at night in clouds of tears, and rise
  All light and laughter in the morning; fear
  No petty customs nor appearances,
  But think what others only dreamed about;
  And say what others did but think; and do
  What others would but say; and glory in
  What others dared but do; it was these which won me;
  And that she never schooled within her breast
  One thought or feeling, but gave holiday
  To all; that she told me all her woes,
  And wrongs, and ills; and so she made them mine
  In the communion of love; and we
  Grew like each other, for we loved each other;
  She, mild and generous as the sun in spring; And
  I, like earth, all budding out with love.
  *       *       *       *       *       *
  The beautiful are never desolate;
  For some one alway loves them; God or man;
  If man abandons, God himself takes them;
  And thus it was. She whom I once loved died;
  The lightning loathes its cloud; the soul its clay.
  Can I forget the hand I took in mine,
  Pale as pale violets; that eye, where mind
  And matter met alike divine?—ah, no!
  May God that moment judge me when I do!
    O! she was fair; her nature once all spring
  And deadly beauty, like a maiden sword,
  Startlingly beautiful. I see her now!
  Wherever thou art thy soul is in my mind;
  Thy shadow hourly lengthens o'er my brain
  And peoples all its pictures with thyself;
  Gone, not forgotten; passed, not lost; thou wilt shine
  In heaven like a bright spot in the sun!
  She said she wished to die, and so she died,
  For, cloudlike, she poured out her love, which was
  Her life, to freshen this parched heart. It was thus;
  I said we were to part, but she said nothing;
  There was no discord; it was music ceased,
  Life's thrilling, bursting, bounding joy. She sate,
  Like a house-god, her hands fixed on her knee,
  And her dark hair lay loose and long behind her,
  Through which her wild bright eye flashed like a flint;
  She spake not, moved not, but she looked the more,
  As if her eye were action, speech, and feeling.
  I felt it all, and came and knelt beside her,
  The electric touch solved both our souls together;
  Then came the feeling which unmakes, undoes;
  Which tears the sea-like soul up by the roots,
  And lashes it in scorn against the skies.
  *       *       *       *       *       *
  It is the saddest and the sorest sight,
  One's own love weeping. But why call on God?
  But that the feeling of the boundless bounds
  All feeling; as the welkin does the world;
  It is this which ones us with the whole and God.
  Then first we wept; then closed and clung together;
  And my heart shook this building of my breast
  Like a live engine booming up and down;
  She fell upon me like a snow-wreath thawing.
  Never were bliss and beauty, love and woe,
  Ravelled and twined together into madness,
  As in that one wild hour to which all else
  The past is but a picture. That alone
  Is real, and forever there in front.
  *       *       *       *       *       *
  *       *       *   After than I left her,
  And only saw her once again alive.
I loved her because she was beautiful,  
And to me, she seemed to embody all of nature  
And all sorts of things in one;  
She would sit at night, surrounded by tears, and rise  
Full of light and laughter in the morning; she feared  
No trivial customs or appearances,  
But imagined what others only dreamed about;  
And said what others thought but didn’t say; and did  
What others would but only talked about; and reveled in  
What others dared to do; it was these that captivated me;  
And she never held back a single thought or feeling,  
But let them all flow free; she shared all her troubles,  
Her wrongs, and her pain; and in sharing, she made them mine  
In the bond of love; and we  
Came to resemble each other, because we loved each other;  
She, gentle and generous like the spring sun; And  
I, like the earth, bursting forth with love.  
*       *       *       *       *       *  
The beautiful are never alone;  
Because someone always loves them; God or man;  
If man doesn’t, God himself embraces them;  
And so it was. The one I once loved has passed away;  
The lightning shuns its cloud; the soul its body.  
Can I forget the hand I held,  
Pale as pale violets; that eye where mind  
And matter met in a way that was divine?—ah, no!  
May God judge me in that moment if I ever do!  
Oh! she was lovely; her nature once full of spring  
And deadly beauty, like a sharp sword,  
Startlingly beautiful. I see her now!  
Wherever you are, your soul is in my thoughts;  
Your shadow stretches further across my mind  
And fills all its images with you;  
Gone, but not forgotten; departed, but not lost; you will shine  
In heaven like a bright spot in the sun!  
She said she wanted to die, and so she did,  
For like a cloud, she poured out her love, which was  
Her life, to refresh this thirsty heart. It was like this;  
I said we had to part, but she said nothing;  
There was no argument; it was like music had stopped,  
Life's thrilling, bursting joy. She sat,  
Like a house-god, her hands resting on her knee,  
And her dark hair lay loose and long behind her,  
Through which her wild, bright eye flashed like a spark;  
She said nothing, moved not, but she looked more,  
As if her gaze were action, speech, and emotion.  
I felt it all, and came and knelt beside her,  
The electric touch connected our souls together;  
Then came the feeling that destroys, undoes;  
Which tears the ocean-like soul up by the roots,  
And lashes it in scorn against the skies.  
*       *       *       *       *       *  
It is the saddest and most painful sight,  
Seeing one’s own love weeping. But why call on God?  
Just that the feeling of the infinite encompasses  
All feeling; like the sky does the world;  
It is this that unites us with the whole and God.  
First we cried; then we closed in and held on tightly;  
And my heart shook this structure of my chest  
Like a live engine thundering up and down;  
She fell against me like a snow wreath melting.  
Never were happiness and beauty, love and sorrow,  
Intertwined into madness  
As in that one wild hour to which everything else  
The past is merely a picture. That alone  
Is real, and always there in front of me.  
*       *       *       *       *       *  
*       *       *   After that, I left her,  
And I only saw her once more while she was still alive.

"Mother Saint Perpetua, the superior of the convent, was a tall woman, of about forty years, dressed in dark gray serge, with a long rosary hanging at her girdle. A white mob-cap, with a long black veil, surrounded her thin, wan face with its narrow, hooded border. A great number of deep, transverse wrinkles ploughed her brow, which resembled yellowish ivory in color and substance. Her keen and prominent nose was curved like the hooked beak of a bird of prey; her black eye was piercing and sagacious; her face was at once intelligent, firm, and cold.

Mother Saint Perpetua, the head of the convent, was a tall woman, around forty years old, dressed in dark gray fabric, with a long rosary hanging from her belt. A white mob-cap with a long black veil framed her thin, pale face with its narrow, hooded edge. Numerous deep, horizontal wrinkles marked her forehead, which was the color and texture of yellowish ivory. Her sharp, prominent nose curved like the hooked beak of a bird of prey; her dark eyes were piercing and wise; her face was both intelligent and firm, yet cold.

"For comprehending and managing the material interests of the society, Mother Saint Perpetua could have vied with the shrewdest and most wily lawyer. When women are possessed of what is called business talent, and when they apply thereto the sharpness of perception, the indefatigable perseverance, the prudent dissimulation, and, above all, the correctness and rapidity of judgment at first sight, which are peculiar to them, they arrive at prodigious results.

"For understanding and handling the material interests of society, Mother Saint Perpetua could have competed with the smartest and most cunning lawyer. When women have what is known as business talent, and they apply their keen perception, tireless perseverance, careful concealing of intentions, and, most importantly, their quick and accurate judgment at first glance, which are unique to them, they achieve remarkable results."

"To Mother Saint Perpetua, a woman of a strong and solid head, the vast moneyed business of the society was but child's play. None better than she understood how to buy depreciated properties, to raise them to their original value, and sell them to advantage; the average purchase of rents, the fluctuations of exchange, and the current prices of shares in all the leading speculations, were perfectly familiar to her. Never had she directed her agents to make a single false speculation, when it had been the question how to invest funds, with which good souls were constantly endowing the society of Saint Mary. She had established in the house a degree of order, of discipline, and, above all, of economy, that were indeed remarkable; the constant aim of all her exertions being, not to enrich herself, but the community over which she presided; for the spirit of association, when it is directed to an object of collective selfishness, gives to corporations all the faults and vices of individuals."

"To Mother Saint Perpetua, a woman with a strong and steady mind, the vast financial operations of the society were just child's play. No one understood better than she how to purchase undervalued properties, improve them to their original worth, and sell them at a profit; the average rental purchases, currency fluctuations, and current prices of shares in all the major investments were all second nature to her. She never instructed her agents to make a single incorrect investment when it came to using the funds that generous souls were constantly donating to the society of Saint Mary. She had established a level of order, discipline, and, above all, economy in the house that was truly remarkable; the constant aim of all her efforts was not to enrich herself, but to benefit the community she led; because the spirit of cooperation, when aimed at a goal of collective selfishness, imparts all the flaws and vices of individuals to corporations."


E.

The following is an extract from a letter addressed to me by one of the monks of the nineteenth century. A part I have omitted, because it does not express my own view, unless with qualifications which I could not make, except by full discussion of the subject.

The following is an excerpt from a letter sent to me by one of the monks from the nineteenth century. I've left out part of it because it doesn't reflect my own perspective, unless I qualify it, which I can't do without thoroughly discussing the topic.

"Woman in the Nineteenth Century should be a pure, chaste, holy being.

"Woman in the Nineteenth Century should be a pure, chaste, holy being."

"This state of being in Woman is no more attained by the expansion of her intellectual capacity, than by the augmentation of her physical force.

"This state of being in Woman is achieved neither by increasing her intellectual ability nor by enhancing her physical strength."

"Neither is it attained by the increase or refinement of her love for Man, or for any object whatever, or for all objects collectively; but

"Neither is it achieved by boosting or improving her love for Man, or for any particular thing, or for all things together; but"

"This state of being is attained by the reference of all her powers and all her actions to the source of Universal Love, whose constant requisition is a pure, chaste and holy life.

"This state of being is achieved by directing all her abilities and actions towards the source of Universal Love, whose ongoing demand is for a pure, chaste, and holy life."

"So long as Woman looks to Man (or to society) for that which she needs, she will remain in an indigent state, for he himself is indigent of it, and as much needs it as she does.

"As long as a woman relies on a man (or society) for what she needs, she will stay in a needy position, because he himself is lacking in it and needs it just as much as she does."

"So long as this indigence continues, all unions or relations constructed between Man and Woman are constructed in indigence, and can produce only indigent results or unhappy consequences.

"As long as this poverty persists, all connections or relationships between Man and Woman are formed in poverty and can only lead to poor outcomes or unhappy consequences."

"The unions now constructing, as well as those in which the parties constructing them were generated, being based on self-delight, or lust, can lead to no more happiness in the twentieth than is found in the nineteenth century.

"The unions being formed now, as well as those from which the people involved came, are built on self-pleasure or desire, and they can’t bring any more happiness in the twentieth century than what was experienced in the nineteenth century."

"It is not amended institutions, it is not improved education, it is not another selection of individuals for union, that can meliorate the said result, but the basis of the union must be changed.

"It’s not about changing institutions, improving education, or selecting different individuals for the union that will improve the outcome, but the foundation of the union itself must be altered."

"If in the natural order Woman and Man would adhere strictly to physiological or natural laws, in physical chastity, a most beautiful amendment of the human race, and human condition, would in a few generations adorn the world.

"If men and women followed natural laws and practiced physical chastity, it would lead to a beautiful improvement in the human race and the human condition within a few generations."

"Still, it belongs to Woman in the spiritual order, to devote herself wholly to her eternal husband, and become the Free Bride of the One who alone can elevate her to her true position, and reconstruct her a pure, chaste, and holy being."

"Still, it’s the role of a woman in the spiritual realm to fully dedicate herself to her eternal partner and become the Free Bride of the One who alone can lift her to her true place and transform her into a pure, chaste, and holy being."


F.

I have mislaid an extract from "The Memoirs of an American Lady," which I wished to use on this subject, but its import is, briefly, this:

I’ve lost a passage from "The Memoirs of an American Lady" that I wanted to reference for this topic, but its meaning is, in short, this:

Observing of how little consequence the Indian women are in youth, and how much in age, because in that trying life, good counsel and sagacity are more prized than charms, Mrs. Grant expresses a wish that reformers would take a hint from observation of this circumstance.

Watching how little value Indian women have when they're young, and how much they hold when they’re older, because in that challenging life, wisdom and good advice are valued more than beauty, Mrs. Grant hopes that reformers would notice this and take it into account.

In another place she says: "The misfortune of our sex is, that young women are not regarded as the material from which old women must be made."

In another place she says: "The problem with our gender is that young women are not seen as the foundation for what old women will become."

I quote from memory, but believe the weight of the remark is retained.

I’m quoting from memory, but I think the essence of the comment is still there.


G.

EURIPIDES. SOPHOCLES.

As many allusions are made in the foregoing pages to characters of women drawn by the Greek dramatists, which may not be familiar to the majority of readers, I have borrowed from the papers of Miranda some notes upon them. I trust the girlish tone of apostrophising rapture may be excused. Miranda was very young at the time of writing, compared with her present mental age. Now, she would express the same feelings, but in a worthier garb—if she expressed them at all.

As many references in the previous pages are made to female characters created by Greek playwrights, which might not be known to most readers, I've taken some notes from Miranda’s writings about them. I hope the youthful enthusiasm in her expressions can be forgiven. Miranda was quite young when she wrote this, especially compared to her current level of understanding. Now, she would convey the same feelings but in a more mature way—if she expressed them at all.

Iphigenia! Antigone! you were worthy to live! We are fallen on evil times, my sisters; our feelings have been checked; our thoughts questioned; our forms dwarfed and defaced by a bad nurture. Yet hearts like yours are in our breasts, living, if unawakened; and our minds are capable of the same resolves. You we understand at once; those who stare upon us pertly in the street, we cannot—could never understand.

Iphigenia! Antigone! you deserve to live! We are in tough times, my sisters; our feelings have been stifled; our thoughts challenged; our bodies diminished and damaged by poor upbringing. Yet hearts like yours beat within us, alive, even if dormant; and our minds are just as capable of making the same decisions. We connect with you instantly; those who look down on us arrogantly in the street, we cannot—could never understand.

You knew heroes, maidens, and your fathers were kings of men. You believed in your country and the gods of your country. A great occasion was given to each, whereby to test her character.

You knew heroes, maidens, and your fathers were kings of men. You believed in your country and its gods. Each had a significant opportunity to prove their character.

You did not love on earth; for the poets wished to show us the force of Woman's nature, virgin and unbiased. You were women; not wives, or lovers, or mothers. Those are great names, but we are glad to see you in untouched flower.

You didn’t love on earth; because the poets wanted to show us the essence of a woman's nature, pure and unprejudiced. You were women; not wives, lovers, or mothers. Those are important roles, but we’re happy to see you in your unspoiled beauty.

Were brothers so dear, then, Antigone? We have no brothers. We see no men into whose lives we dare look steadfastly, or to whose destinies we look forward confidently. We care not for their urns; what inscription could we put upon them? They live for petty successes, or to win daily the bread of the day. No spark of kingly fire flashes from their eyes.

Were brothers really that precious, Antigone? We have no brothers. We see no men whose lives we can examine closely, or to whose futures we can look ahead with certainty. We don't care about their urns; what could we possibly inscribe on them? They live for trivial victories or just to earn their daily bread. There’s no hint of royal spirit in their eyes.

None! are there none?

None! are there none?

It is a base speech to say it. Yes! there are some such; we have sometimes caught their glances. But rarely have they been rocked in the same cradle as we, and they do not look upon us much; for the time is not yet come.

It’s a simple truth to say it. Yes! there are some like that; we’ve occasionally caught their looks. But they’ve rarely been raised in the same environment as us, and they don’t see us often; the time hasn’t come yet.

Thou art so grand and simple! we need not follow thee; thou dost not need our love.

You are so grand and simple! We don’t need to follow you; you don’t need our love.

But, sweetest Iphigenia! who knew thee, as to me thou art known? I was not born in vain, if only for the heavenly tears I have shed with thee. She will be grateful for them. I have understood her wholly, as a friend should; better than she understood herself.

But, sweetest Iphigenia! who really knew you, like I do? I wasn't born for nothing, if only for the wonderful tears I’ve shared with you. She will appreciate them. I've understood her completely, as a true friend should; even better than she understood herself.

With what artless art the narrative rises to the crisis! The conflicts in Agamemnon's mind, and the imputations of Menelaus, give us, at once, the full image of him, strong in will and pride, weak in virtue, weak in the noble powers of the mind that depend on imagination. He suffers, yet it requires the presence of his daughter to make him feel the full horror of what he is to do.

With what simple skill the story builds up to the turning point! The struggles in Agamemnon's mind, along with Menelaus's accusations, immediately give us a complete picture of him: strong in will and pride, but weak in virtue and the noble aspects of the mind that rely on imagination. He suffers, yet it takes the presence of his daughter for him to fully grasp the horror of what he is about to do.

  "Ah me! that breast, those cheeks, those golden tresses!"
"Ah me! that chest, those cheeks, those golden locks!"

It is her beauty, not her misery, that makes the pathos. This is noble. And then, too, the injustice of the gods, that she, this creature of unblemished loveliness, must perish for the sake of a worthless woman. Even Menelaus feels it the moment he recovers from his wrath.

It’s her beauty, not her suffering, that creates the sadness. That’s admirable. And then there’s the unfairness of the gods—this perfect being has to suffer for the sake of a worthless woman. Even Menelaus realizes this the moment he calms down from his anger.

                    "What hath she to do,
  The virgin daughter, with my Helena!
       *       *     Its former reasonings now
  My soul forgoes.    *        *       *       *
                     For it is not just
  That thou shouldst groan, while my affairs go pleasantly,
  That those of thy house should die, and mine see the light."
"What does she have to do,  
the virgin daughter, with my Helena!  
       *       *     Its former reasoning now  
  My soul gives up.    *        *       *       *  
                     For it's not fair  
  That you should suffer while my life is good,  
  That your family should fail, while mine thrives."

Indeed, the overwhelmed aspect of the king of men might well move him.

Indeed, the stressed side of the king of men might really affect him.

  "Men. Brother, give me to take thy right hand.

Aga. I give it, for the victory is thine, and I am wretched.
  I am, indeed, ashamed to drop the tear,
  And not to drop the tear I am ashamed."
"Men. Brother, let me take your right hand.

Aga. I offer it, because the victory is yours, and I am miserable.  
I am truly ashamed to cry,  
And just as ashamed not to cry."

How beautifully is Iphigenia introduced; beaming more and more softly on us with every touch of description! After Clytemnestra has given Orestes (then an infant) out of the chariot, she says:

How beautifully Iphigenia is introduced; shining more and more softly on us with every touch of description! After Clytemnestra has taken Orestes (who is just a baby) out of the chariot, she says:

              "Ye females, in your arms
  Receive her, for she is of tender age.
  Sit here by my feet, my child,
  By thy mother, Iphigenia, and show
  These strangers how I am blessed in thee,
  And here address thee to thy father.

Iphi. O, mother! should I run, wouldst thou be angry?
  And embrace my father heart to heart?"
              "You women, take her in your arms
  Because she is still very young.
  Sit here at my feet, my child,
  Next to your mother, Iphigenia, and show
  These strangers how lucky I am to have you,
  And now speak to your father.

Iphi. Oh, mother! If I run to him, would you be upset?
  And hug my father closely?"

With the same sweet, timid trust she prefers the request to himself, and, as he holds her in his arms, he seems as noble as Guido's Archangel; as if he never could sink below the trust of such a being!

With the same gentle, hesitant trust, she favors his request over any others, and as he holds her in his arms, he appears as noble as Guido's Archangel; it's as if he could never betray the trust of someone so pure!

The Achilles, in the first scene, is fine. A true Greek hero; not too good; all flushed with the pride of youth, but capable of godlike impulses. At first, he thinks only of his own wounded pride (when he finds Iphigenia has been decoyed to Aulis under the pretest of becoming his wife); but the grief of the queen soon makes him superior to his arrogant chafings. How well he says,

The Achilles, in the first scene, is great. A true Greek hero; not perfect; all caught up in the pride of youth, but capable of godlike actions. At first, he’s only thinking about his own wounded pride (when he discovers that Iphigenia has been tricked to Aulis under the pretense of marrying him); but the queen’s grief soon elevates him above his arrogant frustrations. How well he expresses,

  "Far as a young man may, I will repress
  So great a wrong!"
"As far as a young man can, I will hold back
So great a wrong!"

By seeing him here, we understand why he, not Hector, was the hero of the Iliad. The beautiful moral nature of Hector was early developed by close domestic ties, and the cause of his country. Except in a purer simplicity of speech and manner, he might be a modern and a Christian. But Achilles is cast in the largest and most vigorous mould of the earlier day. His nature is one of the richest capabilities, and therefore less quickly unfolds its meaning. The impression it makes at the early period is only of power and pride; running as fleetly with his armor on as with it off; but sparks of pure lustre are struck, at moments, from the mass of ore. Of this sort is his refusal to see the beautiful virgin he has promised to protect. None of the Grecians must have the right to doubt his motives, How wise and prudent, too, the advice he gives as to the queen's conduct! He will cot show himself unless needed. His pride is the farthest possible remote from vanity. His thoughts are as free as any in our own time.

By seeing him here, we understand why he, not Hector, was the hero of the Iliad. Hector’s admirable moral character was shaped early on by strong family ties and love for his country. Apart from a simpler way of speaking and acting, he could be seen as a modern-day Christian. But Achilles is created from the strongest and most forceful mold of his time. His nature holds tremendous potential, which takes time to truly reveal itself. Initially, he comes across primarily as powerful and proud; he can run just as fast in his armor as he can without it, but there are moments when pure brilliance shines through the raw strength. One such moment is his refusal to face the lovely maiden he swore to protect. None of the Greeks should ever doubt his intentions. How wise and careful is the advice he offers regarding the queen's behavior! He won’t reveal himself unless necessary. His pride is completely different from vanity. His thoughts are as unrestrained as those in our own era.

  "The prophet? what is he? a man
  Who speaks, 'mong many falsehoods, but few truths,
  Whene'er chance leads him to speak true; when false,
  The prophet is no more."
  "The prophet? What is he? A man  
  Who speaks, among many lies, but few truths,  
  Whenever he happens to speak the truth; when he lies,  
  The prophet is nothing more."  

Had Agamemnon possessed like clearness of sight, the virgin would not have perished, but Greece would have had no religion and no national existence.

If Agamemnon had had the same clarity of vision, the virgin wouldn't have died, but Greece would have lacked both religion and national identity.

When, in the interview with Agamemnon, the queen begins her speech, in the true matrimonial style, dignified though her gesture be, and true all she says, we feel that truth, thus sauced with taunts, will not touch his heart, nor turn him from his purpose. But when Iphigenia, begins her exquisite speech, as with the breathings of a lute,—

When the queen starts her speech in the interview with Agamemnon, her style is truly that of a wife; even though her gesture is dignified and everything she says is genuine, we realize that her truth, spiced with insults, won't reach his heart or change his mind. But when Iphigenia begins her beautiful speech, it’s like the gentle sounds of a lute—

  "Had I, my father, the persuasive voice
   Of Orpheus, &c.
                             Compel me not
   What is beneath to view. I was the first
   To call thee father; me thou first didst call
   Thy child. I was the first that on thy knees
   Fondly caressed thee, and from thee received
   The fond caress. This was thy speech to me:—
   'Shall I, my child, e'er see thee in some house
   Of splendor, happy in thy husband, live
   And flourish, as becomes my dignity?'
   My speech to thee was, leaning 'gainst thy cheek,
   (Which with my hand I now caress): 'And what
   Shall I then do for thee? Shall I receive
   My father when grown old, and in my house
   Cheer him with each fond office, to repay
   The careful nurture which he gave my youth?'
   These words are in my memory deep impressed;
   Thou hast forgot them, and will kill thy child."
  "If I had my father's persuasive voice like Orpheus's, don’t make me look at what’s below. I was the first to call you father; you were the first to call me your child. I was the first to sit on your knees, showering you with affection, and you returned the love. This is what you said to me: 'Will I ever see you in a grand house, happy with your husband, thriving as fits my dignity?' My reply to you, leaning against your cheek (which I now touch): 'What will I do for you? Will I welcome you when you’re old and brighten your days in my home, repaying the loving care you gave me in my youth?' These words are deeply etched in my memory; you’ve forgotten them, and you will harm your child."

Then she adjures him by all the sacred ties, and dwells pathetically on the circumstance which had struck even Menelaus.

Then she urges him with all the sacred bonds and emphasizes the situation that had even affected Menelaus.

  "If Paris be enamored of his bride,
   His Helen,—what concerns it me? and how
   Comes he to my destruction?
                           Look upon me;
   Give me a smile, give me a kiss, my father;
   That, if my words persuade thee not, in death
   I may have this memorial of thy love."
"If Paris loves his bride, his Helen—what does that matter to me? And how does that lead to my ruin? Look at me; give me a smile, give me a kiss, Dad; so that if my words don't convince you, in death I can have this as a reminder of your love."

Never have the names of father and daughter been uttered with a holier tenderness than by Euripides, as in this most lovely passage, or in the "Supplicants," after the voluntary death of Evadne. Iphis says:

Never have the names of father and daughter been spoken with such pure tenderness as by Euripides, as in this beautiful passage, or in the "Supplicants," after Evadne's voluntary death. Iphis says:

  "What shall this wretch now do?  Should I return
   To my own house?—sad desolation there
   I shall behold, to sink my soul with grief.
   Or go I to the house of Capaneus?
   That was delightful to me, when I found
   My daughter there; but she is there no more.
   Oft would she kiss my check, with fond caress
   Oft soothe me. To a father, waxing old,
   Nothing is dearer than a daughter! Sons
   Have spirits of higher pitch, but less inclined
   To sweet, endearing fondness. Lead me then,
   Instantly lead me to my house; consign
   My wretched age to darkness, there to pine
   And waste away.
                    Old age,
  Struggling with many griefs, O, how I hate thee!"
"What should this unfortunate person do now? Should I go back to my own house?—there I’ll find nothing but sadness to drown my soul in grief. Or should I head to Capaneus's house? I used to love being there when I found my daughter; but she’s not there anymore. She would often kiss my cheek with affection and comfort me. For an aging father, nothing is more precious than a daughter! Sons may have a more ambitious spirit, but they don’t show the same sweet, loving tenderness. So lead me then, take me right to my house; let my miserable old age sink into darkness there, to wither away. 
                    Old age, 
  dealing with so many sorrows, oh, how I despise you!"

But to return to Iphigenia,—how infinitely melting is her appeal to Orestes, whom she holds in her robe!

But back to Iphigenia—how incredibly touching is her plea to Orestes, whom she holds in her robe!

  "My brother, small assistance canst thou give
   Thy friends; yet for thy sister with thy tears
   Implore thy father that she may not die.
   Even infants have a sense of ills; and see,
   My father! silent though he be, he sues
   To thee. Be gentle to me; on my life
   Have pity. Thy two children by this beard
   Entreat thee, thy dear children; one is yet
   An infant, one to riper years arrived."
"My brother, you can give a little help to your friends; but for your sister, please plead with our father with your tears so she won’t die. Even babies can sense when things are wrong; and look, my father! Though he’s quiet, he’s begging you. Please be kind to me; have compassion for my life. Your two children—look at this beard—are asking you, your beloved children; one is still a baby, and the other has grown older."

The mention of Orestes, then an infant, though slight, is of a domestic charm that prepares the mind to feel the tragedy of his after lot. When the queen says,

The mention of Orestes, who was just a baby at the time, although brief, has a domestic charm that sets the stage for the tragedy he will later face. When the queen says,

                    "Dost thou sleep,
  My son? The rolling chariot hath subdued thee;
  Wake to thy sister's marriage happily."
                    "Are you asleep,  
  My son? The rolling chariot has conquered you;  
  Wake up to your sister's happy marriage."


we understand the horror of the doom which makes this cherished child a parricide. And so, when Iphigenia takes leave of him after her fate is by herself accepted,—


we comprehend the terror of the fate that turns this beloved child into a killer of their own parent. And so, when Iphigenia says goodbye to him after she has accepted her destiny,—

  "Iphi. To manhood train Orestes.
Cly.  Embrace him, for thou ne'er shalt see him more.
Iphi. (To Orestes.) Far as thou couldst, thou
    didst assist thy friends,"—
"Iphi. Help Orestes become a man.  
Cly. Give him a hug, because you'll never see him again.  
Iphi. (To Orestes.) You did your best to help your friends,"—


we know not how to blame the guilt of the maddened wife and mother. In her last meeting with Agamemnon, as in her previous expostulations and anguish, we see that a straw may turn the balance, and make her his deadliest foe. Just then, came the suit of Aegisthus,—then, when every feeling was uprooted or lacerated in her heart.


we don't know how to blame the guilt of the crazed wife and mother. In her last encounter with Agamemnon, as in her earlier protests and suffering, we see that a small thing can tip the scales and turn her into his fiercest enemy. At that moment, Aegisthus's advances came—just then, when every emotion was torn apart or shattered in her heart.

Iphigenia's moving address has no further effect than to make her father turn at bay and brave this terrible crisis. He goes out, firm in resolve; and she and her mother abandon themselves to a natural grief.

Iphigenia's emotional speech only causes her father to confront this terrible situation. He leaves, determined and resolute, while she and her mother give in to their deep sorrow.

Hitherto nothing has been seen in Iphigenia, except the young girl, weak, delicate, full of feeling, and beautiful as a sunbeam on the full, green tree. But, in the next scene, the first impulse of that passion which makes and unmakes us, though unconfessed even to herself, though hopeless and unreturned, raises her at once into the heroic woman, worthy of the goddess who demands her.

Until now, nothing has been seen in Iphigenia except for the young girl, fragile, sensitive, and as radiant as a beam of sunlight on a lush green tree. However, in the next scene, the first spark of that passion that shapes and shatters us, even if it's unacknowledged by her, even if it's hopeless and unreciprocated, elevates her instantly into a heroic woman, deserving of the goddess who requires her.

Achilles appears to defend her, whom all others clamorously seek to deliver to the murderous knife. She sees him, and, fired with thoughts unknown before, devotes herself at once for the country which has given birth to such a man.

Achilles shows up to protect her, while everyone else is loudly trying to hand her over to the killer. She sees him and, inspired by feelings she’s never had before, vows to dedicate herself to the country that produced such a man.

                 "To be too fond of life
  Becomes not me; nor for myself alone,
  But to all Greece, a blessing didst thou bear me.
  Shall thousands, when their country's injured, lift
  Their shields? shall thousands grasp the oar and dare,
  Advancing bravely 'gainst the foe, to die
  For Greece? And shall my life, my single life,
  Obstruct all this? Would this be just? What word
  Can we reply? Nay more, it is not right
  That he with all the Grecians should contest
  In fight, should die, and for a woman. No!
  More than a thousand women is one man
  Worthy to see the light of day.
  *     *     * for Greece I give my life.
  Slay me! demolish Troy! for these shall be
  Long time my monuments, my children these,
  My nuptials and my glory."
                 "Being too attached to life
  Doesn't suit me; not just for myself,
  But as a blessing to all of Greece, you brought me here.
  Will thousands, when their country is harmed, raise
  Their shields? Will thousands grab the oar and risk it all,
  Courageously facing the enemy, to die
  For Greece? And should my life, my one life,
  Stand in the way of all this? Would that be fair? What can
  We say in response? Moreover, it’s not right
  That he should fight alongside all the Greeks,
  Should die, and for a woman. No!
  One man is worth more than a thousand women
  When it comes to seeing the light of day.
  *     *     * for Greece, I give my life.
  Kill me! Destroy Troy! For these will be
  My lasting legacies, my offspring,
  My marriage and my glory."

This sentiment marks Woman, when she loves enough to feel what a creature of glory and beauty a true Man would be, as much in our own time as that of Euripides. Cooper makes the weak Hetty say to her beautiful sister:

This feeling defines a woman when she loves deeply enough to recognize how glorious and beautiful a true Man could be, just as much in our time as in Euripides' era. Cooper makes the fragile Hetty say to her stunning sister:

"Of course, I don't compare you with Harry. A handsome man is always far handsomer than any woman." True, it was the sentiment of the age, but it was the first time Iphigenia had felt it. In Agamemnon she saw her father; to him she could prefer her claim. In Achilles she saw a Man, the crown of creation, enough to fill the world with his presence, were all other beings blotted from its spaces. [Footnote: Men do not often reciprocate this pure love.

"Of course, I don't compare you to Harry. A handsome man is always way more attractive than any woman." It's true that was the belief of the time, but it was the first time Iphigenia had really felt it. In Agamemnon, she saw her father; she could put her claim before him. In Achilles, she saw a Man, the peak of creation, enough to fill the world with his presence even if all other beings disappeared. [Footnote: Men do not often reciprocate this pure love.

  "Her prentice han' she tried on man,
   And then she made the lasses o',"
"She tried her hand at attracting men,  
And then she went after the girls,"


is a fancy, not a feeling, in their more frequently passionate and strong than noble or tender natures.]


is a fancy, not a feeling, in their more frequently passionate and strong than noble or tender natures.]

The reply of Achilles is as noble. Here is his bride; he feels it now, and all his vain vaunting are hushed.

The response from Achilles is just as noble. Here stands his bride; he feels it now, and all his empty boasts have fallen silent.

  "Daughter of Agamemnon, highly blest
   Some god would make me, if I might attain
   Thy nuptials. Greece in thee I happy deem,
   And thee in Greece.     *     *
   *     *     *    in thy thought
   Revolve this well; death is a dreadful thing."
"Daughter of Agamemnon, truly blessed  
Some god would grant me happiness if I could reach  
Your marriage. I see Greece as fortunate in you,  
And you as fortunate in Greece.     *     *  
*     *     *    Consider this carefully; death is a terrible thing."

How sweet it her reply,—and then the tender modesty with which she addresses him here and elsewhere as "stranger"

How sweet her reply is—and then the gentle modesty with which she calls him here and elsewhere as "stranger"

      "Reflecting not on any, thus I speak:
       Enough of wars and slaughters from the charms
       Of Helen rise; but die not thou for me,
       O Stranger, nor distain thy sword with blood,
       But let me save my country if I may.
Achilles. O glorious spirit! naught have I 'gainst this
       To urge, since such thy will, for what thou sayst
       Is generous. Why should not the truth be spoken?"
      "Thinking about nothing in particular, I say this:  
       Let’s stop talking about wars and the bloodshed that come from Helen’s beauty;  
       but please don’t die for me, O Stranger, and don’t stain your sword with blood,  
       just let me save my country if I can.  
Achilles. O noble spirit! I have nothing to argue against this,  
       since that’s your wish, and what you say is noble.  
       Why shouldn’t we speak the truth?"

But feeling that human weakness may conquer yet, he goes to wait at the alter, resolved to keep his promise of protection thoroughly.

But realizing that human weakness might still win, he goes to wait at the altar, determined to fully keep his promise of protection.

In the next beautiful scene she shows that a few tears might overwhelm her in his absence. She raises her mother beyond weeping them, yet her soft purity she cannot impart.

In the next beautiful scene, she reveals that a few tears could easily overcome her in his absence. She elevates her mother beyond the act of crying, yet she can't share her own gentle purity.

  "Iphi. My father, and my husband do not hate;
Cly. For thy dear sake fierce contest must he bear.
Iphi. For Greece reluctant me to death he yields;
Cly. Basely, with guile unworthy Atreus' son."
"Iphi. My father and my husband don't hate each other;  
Cly. For your sake, he must endure a fierce struggle.  
Iphi. For Greece, he reluctantly concedes my death;  
Cly. Cowardly, with unworthy tricks, the son of Atreus."

This is truth incapable of an answer, and Iphigenia attempts none.

This is a truth that can't be answered, and Iphigenia does not try to.

She begins the hymn which is to sustain her:

She starts the song that will support her:

  "Lead me; mine the glorious fate,
   To o'erturn the Phrygian state."
"Guide me; fulfill my amazing destiny,  
To overthrow the Phrygian kingdom."

After the sublime flow of lyric heroism, she suddenly sinks back into the tenderer feeling of her dreadful fate.

After the beautiful surge of lyrical heroism, she suddenly falls back into the softer emotion of her terrible fate.

  "O my country, where these eyes
   Opened on Pelasgic skies!
   O ye virgins, once my pride,
   In Mycenæ who abide!

  CHORUS.

   Why of Perseus, name the town,
   Which Cyclopean ramparts crown?

  IPHIGENIA

   Me you reared a beam of light,
   Freely now I sink in night."
  "Oh my country, where these eyes
   First opened to the skies!
   Oh you maidens, once my pride,
   In Mycenae where you reside!

  CHORUS.

   Why do you mention Perseus, the town
   That’s crowned by Cyclopean walls?

  IPHIGENIA

   You raised me as a shining light,
   Now I freely sink into darkness."

Freely; as the messenger afterwards recounts it.

Freely; as the messenger later describes it.


  "Imperial Agamemnon, when he saw
   His daughter, as a victim to the grave,
   Advancing, groaned, and, bursting into tears,
   Turned from the sight his head, before his eyes,
   Holding his robe. The virgin near him stood,
   And thus addressed him: 'Father, I to thee
   Am present; for my country, and for all
   The land of Greece, I freely give myself
   A victim: to the altar let them lead me,
   Since such the oracle. If aught on me
   Depends, be happy, and obtain the prize
   Of glorious conquest, and revisit safe
   Your country. Of the Grecians, for this cause,
   Let no one touch me; with intrepid spirit
   Silent will I present my neck.' She spoke,
   And all that heard revered the noble soul
   And virtue of the virgin."
"Imperial Agamemnon, when he saw his daughter being led to her grave as a sacrifice, groaned and burst into tears, turning his head away from the sight, covering his face with his robe. The virgin stood beside him and said, 'Father, I am here for you; for my country and all of Greece, I willingly give myself as a sacrifice. Let them take me to the altar, as the oracle has decreed. If anything depends on me, be happy and achieve the glory of victory, and return safely to your homeland. For the sake of the Greeks, no one should harm me; with a brave spirit, I will present my neck in silence.' She spoke, and all who heard admired the noble spirit and virtue of the virgin."

How quickly had the fair bud bloomed up into its perfection! Had she lived a thousand years, she could not have surpassed this. Goethe's Iphigenia, the mature Woman, with its myriad delicate traits, never surpasses, scarcely equals, what we know of her in Euripides.

How quickly had the beautiful flower bloomed into its full potential! Even if she had lived for a thousand years, she couldn't have done better than this. Goethe's Iphigenia, the fully developed woman with its countless subtle details, never surpasses, barely matches, what we see in Euripides.

Can I appreciate this work in a translation? I think so, impossible as it may seem to one who can enjoy the thousand melodies, and words in exactly the right place, and cadence of the original. They say you can see the Apollo Belvidere in a plaster cast, and I cannot doubt it, so great the benefit conferred on my mind by a transcript thus imperfect. And so with these translations from the Greek. I can divine the original through this veil, as I can see the movements of a spirited horse by those of his coarse grasscloth muffler. Besides, every translator who feels his subject is inspired, and the divine Aura informs even his stammering lips.

Can I appreciate this work in translation? I believe so, no matter how impossible it may seem to someone who can enjoy the melodies and words in their perfect spots and rhythm of the original. They say you can appreciate the Apollo Belvedere in a plaster cast, and I have no doubt about it, given the great benefit that an imperfect version brings to my understanding. The same goes for these translations from Greek. I can sense the original through this barrier, just as I can observe the movements of a spirited horse through its rough cloth mask. Plus, every translator who truly connects with their subject is inspired, and that divine energy even touches their hesitant speech.

Iphigenia is more like one of the women Shakspeare loved than the others; she is a tender virgin, ennobled and strengthened by sentiment more than intellect; what they call a Woman par excellence.

Iphigenia is more like one of the women Shakespeare admired than the others; she is a gentle virgin, uplifted and empowered by feeling more than by intellect; what they call a Woman par excellence.

Macaria is more like one of Massinger's women. She advances boldly, though with the decorum of her sex and nation:

Macaria resembles one of Massinger's women. She moves confidently, yet with the grace expected of her gender and culture:

  "Macaria. Impute not boldness to me that I come
      Before you, strangers; this my first request
      I urge; for silence and a chaste reserve
      Is Woman's genuine praise, and to remain
      Quiet within the house. But I come forth,
      Hearing thy lamentations, Iolaus;
      Though charged with no commission, yet perhaps
      I may be useful."    *       *       *
Macaria. Don’t mistake my boldness for arrogance in coming before you, strangers; this is my first request. I stress it because silence and modesty are a woman’s true virtues, and it’s best to stay quiet at home. But I’ve come out after hearing your cries, Iolaus; even though I’m not on any mission, I might still be of help.

Her speech when she offers herself as the victim is reasonable, as one might speak to-day. She counts the cost all through. Iphigenia is too timid and delicate to dwell upon the loss of earthly bliss and the due experience of life, even as much as Jephtha'a daughter did; but Macaria is explicit, as well befits the daughter of Hercules.

Her speech when she volunteers as the victim is rational, similar to how one might speak today. She considers the consequences throughout. Iphigenia is too timid and sensitive to focus on the loss of earthly happiness and the normal experiences of life, even to the extent that Jephthah’s daughter did; but Macaria is clear and direct, which is fitting for the daughter of Hercules.

              "Should these die, myself
  Preserved, of prosperous future could I form
  One cheerful hope?
  A poor forsaken virgin who would deign
  To take in marriage? Who would wish for sons
  From one so wretched? Better then to die,
  Than bear such undeserved miseries;
  One less illustrious this might more beseem.
  *       *       *       *       *
  I have a soul that unreluctantly
  Presents itself, and I proclaim aloud
  That for my brothers and myself I die.
  I am not fond of life, but think I gain
  An honorable prize to die with glory."
              "If they die, I could create a bright future
  For myself, filled with one hopeful thought.
  A poor, lonely woman who would agree
  To marry? Who would want children
  From someone so unfortunate? It’s better to die
  Than to endure such undeserved suffering;
  It might suit someone less notable.
  *       *       *       *       *
  I have a spirit that willingly
  Steps forward, and I shout out
  That I die for my brothers and myself.
  I’m not attached to life, but I believe I win
  An honorable reward by dying with glory."

Still nobler when Iolaus proposes rather that she shall draw lots with her sisters.

Still nobler when Iolaus suggests that she should draw lots with her sisters.

  "By lot I will not die, for to such death
   No thanks are due, or glory—name it not.
   If you accept me, if my offered life
   Be grateful to you, willingly I give it
   For these; but by constraint I will not die."
"By fate, I won't die, because there's no gratitude or glory in that kind of death—don't even mention it. If you choose me, and if my offered life means something to you, I willingly give it for these; but I won’t die by force."

Very fine are her parting advice and injunctions to them all:

Her parting advice and instructions to them all are very wise:

  "Farewell! revered old man, farewell! and teach
   These youths in all things to be wise, like thee,
   Naught will avail them more."
"Goodbye! respected old man, goodbye! and teach  
These young people to be wise in all things, like you,  
Nothing will help them more."

Macaria has the clear Minerva eye; Antigone's is deeper and more capable of emotion, but calm; Iphigenia's glistening, gleaming with angel truth, or dewy as a hidden violet.

Macaria has the sharp gaze of Minerva; Antigone's is deeper and more expressive, yet serene; Iphigenia's sparkles, shining with angelic truth, or fresh like a concealed violet.

I am sorry that Tennyson, who spoke with such fitness of all the others in his "Dream of fair Women," has not of Iphigenia. Of her alone he has not made a fit picture, but only of the circumstances of the sacrifice. He can never have taken to heart this work of Euripides, yet he was so worthy to feel it. Of Jephtha's daughter he has spoken as he would of Iphigenia, both in her beautiful song, and when

I apologize that Tennyson, who captured everyone else so well in his "Dream of Fair Women," has not done the same for Iphigenia. He only created a fitting portrayal of the circumstances of the sacrifice, not of her. He must not have truly grasped Euripides' work, even though he was more than capable of appreciating it. He spoke of Jephtha's daughter as he might have about Iphigenia, both in her beautiful song, and when

  "I heard Him, for He spake, and grief became
     A solemn scorn of Ills.

   It comforts me in this one thought to dwell—
     That I subdued me to my father's will;
   Because the kiss he gave me, ere I fell,
     Sweetens the spirit still.

   Moreover it is written, that my race
     Hewed Ammon, hip and thigh, from Arroer
   Or Arnon unto Minneth.  Here her face
     Glowed as I looked on her.

   She looked her lips;  she left me where I stood;
     'Glory to God,' she sang, and past afar,
   Thridding the sombre boskage of the woods,
     Toward the morning-star."
"I heard Him because He spoke, and grief turned into a serious disdain for troubles.

It comforts me to focus on this one thought— that I submitted to my father's wishes; because the kiss he gave me before I fell still sweetens my spirit.

Additionally, it is written that my lineage defeated the Ammonites, from Arroer or Arnon to Minneth. Her face lit up as I looked at her.

She licked her lips; she left me standing there; 'Glory to God,' she sang, and moved away through the dark bushes of the woods, heading towards the morning star."

In the "Trojan dames" there are fine touches of nature with regard to Cassandra. Hecuba shows that mixture of shame and reverence that prose kindred always do, towards the inspired child, the poet, the elected sufferer for the race.

In the "Trojan Women," there are beautiful elements of nature concerning Cassandra. Hecuba reveals that blend of shame and respect that family members often have towards the gifted child, the poet, the chosen one who suffers for the sake of others.

When the herald announces that she is chosen to be the mistress of Agamemnon, Hecuba answers indignant, and betraying the involuntary pride and faith she felt in this daughter.

When the herald declares that she has been chosen to be Agamemnon's mistress, Hecuba responds with anger, revealing the unintentional pride and belief she held for her daughter.

      "The virgin of Apollo, whom the God,
       Radiant with golden looks, allowed to live.
       In her pure vow of maiden chastity?
Tal. With love the raptured virgin smote his heart.
Hec. Cast from thee, O my daughter, cast away
      Thy sacred wand; rend off the honored wreaths,
      The splendid ornaments that grace thy brows."
"The virgin of Apollo, whom the God,  
Radiant with golden looks, allowed to live.  
In her pure vow of maiden chastity?  
Tal. With love the raptured virgin struck his heart.  
Hec. Cast away from you, O my daughter, cast aside  
Your sacred wand; tear off the honored wreaths,  
The splendid ornaments that beautify your brow."

But the moment Cassandra appears, singing wildly her inspired song, Hecuba, calls her

But as soon as Cassandra shows up, singing her wild, inspired song, Hecuba calls out to her.

  "My frantic child."
"My anxious child."

Yet how graceful she is in her tragic phrenzy, the chorus shows—

Yet how graceful she is in her tragic frenzy, the chorus shows—

  "How sweetly at thy house's ills thou smilest,
   Chanting what haply thou wilt not show true!"
"How sweetly you smile at the troubles in your house,  
Singing what you probably won’t reveal!"

But if Hecuba dares not trust her highest instinct about her daughter, still less can the vulgar mind of the herald (a man not without tenderness of heart, but with no princely, no poetic blood) abide the wild, prophetic mood which insults his prejudices both as to country and decorums of the sex. Yet Agamemnon, though not a noble man, is of large mould, and could admire this strange beauty which excited distaste in common minds.

But if Hecuba can't trust her deepest instincts about her daughter, even less can the ordinary mindset of the herald (a man who isn't without a kind heart, but lacks any noble or poetic qualities) tolerate the wild, prophetic mood that challenges his biases regarding both nationality and the behavior expected of women. Still, Agamemnon, although not a noble man, is of a grand nature and can appreciate this peculiar beauty that unsettles ordinary minds.

  "Tal. What commands respect, and is held high
      As wise, is nothing better than the mean
      Of no repute; for this most potent king
      Of all the Grecians, the much-honored son
      Of Atreus, is enamored with his prize,
      This frantic raver. I am a poor man,
      Yet would I not receive her to my bed."
"Tal. What earns respect and is revered
      As wise is really no better than a nobody;
      For this powerful king of all the Greeks,
      The highly regarded son of Atreus, is infatuated
      With his prize, this crazy raver. I may be poor,
      But I wouldn’t take her to my bed."

Cassandra answers, with a careless disdain,

Cassandra replies with a casual disregard,

  "This is a busy slave."
"This is a busy worker."

With all the lofty decorum of manners among the ancients, how free was their intercourse, man to man, how full the mutual understanding between prince and "busy slave!" Not here in adversity only, but in the pomp of power it was so. Kings were approached with ceremonious obeisance, but not hedged round with etiquette; they could see and know their fellows.

With all the high standards of behavior among the ancients, their interactions were quite open, man to man, and there was a strong mutual understanding between princes and their "busy slaves!" This was true not just in tough times, but also in times of great power. Kings were met with formal respect, but they weren't surrounded by strict rules; they could see and connect with their peers.

The Andromache here is just as lovely as that of the Iliad.

The Andromache here is just as beautiful as in the Iliad.

To her child whom they are about to murder, the same that was frightened at the "glittering plume," she says,

To her child, whom they are about to kill, the same one who was scared of the "shiny feather," she says,

                     "Dost thou weep,
  My son? Hast thou a sense of thy ill fate?
  Why dost thou clasp me with thy hands, why hold
  My robes, and shelter thee beneath my wings,
  Like a young bird?  No more my Hector comes,
  Returning from the tomb; he grasps no more
  His glittering spear, bringing protection to thee."
  *       *       *       *       *
  *       *       *      "O, soft embrace,
  And to thy mother dear. O, fragrant breath!
  In vain I swathed thy infant limbs, in vain
  I gave thee nurture at this breast, and tolled,
  Wasted with care. If ever, now embrace,
  Now clasp thy mother; throw thine arms around
  My neck, and join thy cheek, thy lips to mine."
                     "Are you crying,  
  My son? Do you realize your bad luck?  
  Why are you holding onto me, why are you  
  Gripping my clothes and hiding under my wings,  
  Like a baby bird? No longer does my Hector come,  
  Returning from the grave; he no longer holds  
  His shining spear, bringing you safety."  
  *       *       *       *       *  
  *       *       *      "Oh, gentle embrace,  
  And to your dear mother. Oh, sweet breath!  
  I wasted my effort wrapping your little limbs, I wasted  
  My time nurturing you at this breast, and struggling,  
  Exhausted from worry. If ever, now hold me,  
  Now wrap your arms around  
  My neck, and press your cheek, your lips to mine."

As I look up, I meet the eyes of Beatrice Cenci, Beautiful one! these woes, even, were less than thine, yet thou seemest to understand them all. Thy clear, melancholy gaze says, they, at least, had known moments of bliss, and the tender relations of nature had not been broken and polluted from the very first. Yes! the gradations of woe are all but infinite: only good can be infinite.

As I look up, I meet the eyes of Beatrice Cenci, beautiful one! These sorrows, even, are less than yours, yet you seem to understand them all. Your clear, sad gaze says they at least had moments of happiness, and the gentle connections of nature hadn't been broken and spoiled from the very start. Yes! The levels of sorrow are almost endless: only goodness can be infinite.

Certainly the Greeks knew more of real home intercourse and more of Woman than the Americans. It is in vain to tell me of outward observances. The poets, the sculptors, always tell the truth. In proportion as a nation is refined, women must have an ascendency. It is the law of nature.

Certainly, the Greeks understood real social interactions and women better than the Americans do. It’s pointless to talk to me about superficial customs. The poets and sculptors always reveal the truth. As a nation becomes more refined, women must have a prominent role. It’s the law of nature.

Beatrice! thou wert not "fond of life," either, more than those princesses. Thou wert able to cut it down in the full flower of beauty, as an offering to the best known to thee. Thou wert not so happy as to die for thy country or thy brethren, but thou wert worthy of such an occasion.

Beatrice! You weren't "fond of life" any more than those princesses. You could take it away in the peak of beauty, as a gift to the best you knew. You weren't lucky enough to die for your country or your brothers, but you were deserving of such a moment.

In the days of chivalry, Woman was habitually viewed more as an ideal; but I do not know that she inspired a deeper and more home-felt reverence than Iphigenia in the breast of Achilles, or Macarla in that of her old guardian, Iolaus.

In the days of chivalry, women were often seen more as ideals; however, I’m not sure they inspired a deeper and more heartfelt respect than Iphigenia did in Achilles or Macarla did in her old protector, Iolaus.

We may, with satisfaction, add to these notes the words to which Haydn has adapted his magnificent music in "The Creation."

We can happily add to these notes the lyrics to which Haydn has adapted his amazing music in "The Creation."

"In native worth and honor clad, with beauty, courage, strength adorned, erect to heaven, and tall, he stands, a Man!—the lord and king of all! The large and arched front sublime of wisdom deep declares the seat, and in his eyes with brightness shines the soul, the breath and image of his God. With fondness leans upon his breast the partner for him formed,—a woman fair, and graceful spouse. Her softly smiling virgin looks, of flowery spring the mirror, bespeak him love, and joy and bliss."

"Clothed in true worth and honor, with beauty, courage, and strength, he stands tall and proud, reaching for the heavens—a man! The lord and king of all! His broad forehead reveals deep wisdom, and his bright eyes reflect his soul, the essence and image of God. Leaning affectionately against his chest is the partner created for him—a beautiful and graceful woman. Her gently smiling, youthful face, a reflection of blossoming spring, speaks of love, joy, and happiness."

Whoever has heard this music must have a mental standard as to what Man and Woman should be. Such was marriage in Eden when "erect to heaven he stood;" but since, like other institutions, this must be not only reformed, but revived, the following lines may be offered as a picture of something intermediate,—the seed of the future growth:—

Whoever has heard this music must have an idea of what a Man and Woman should be. That was marriage in Eden when "erect to heaven he stood;" but now, like other institutions, it needs not just reform but revival. The following lines may be presented as a glimpse of something in between—the seed of future development:—


H.

THE SACRED MARRIAGE.

  And has another's life as large a scope?
  It may give due fulfilment to thy hope,
  And every portal to the unknown may ope.

  If, near this other life, thy inmost feeling
  Trembles with fateful prescience of revealing
  The future Deity, time is still concealing;

  If thou feel thy whole force drawn more and more
  To launch that other bark on seas without a shore;
  And no still secret must be kept in store;

  If meannesses that dim each temporal deed,
  The dull decay that mars the fleshly weed,
  And flower of love that seems to fall and leave no seed—

  Hide never the full presence from thy sight
  Of mutual aims and tasks, ideals bright,
  Which feed their roots to-day on all this seeming blight.

  Twin stars that mutual circle in the heaven,
  Two parts for spiritual concord given,
  Twin Sabbaths that inlock the Sacred Seven;

  Still looking to the centre for the cause,
  Mutual light giving to draw out the powers,
  And learning all the other groups by cognizance of one another's laws.

  The parent love the wedded love includes;
  The one permits the two their mutual moods;
  The two each other know, 'mid myriad multitudes;

  With child-like intellect discerning love,
  And mutual action energising love,
  In myriad forms affiliating love.

  A world whose seasons bloom from pole to pole,
  A force which knows both starting-point and goal,
  A Home in Heaven,—the Union in the Soul.
And does another person's life have as much scope?  
It might fulfill your hope,  
And every unknown door might open.  

If, close to this other life, your deepest feelings  
Quiver with a fateful sense of revealing  
The future that time is still hiding;  

If you feel your entire being drawn more and more  
To set that other ship sailing on endless seas;  
And no hidden secrets should be kept in reserve;  

If the small things that tarnish every moment,  
The slow decline that damages the physical body,  
And the love that seems to fade away without leaving any trace—  

Never obscure the full presence from your view  
Of shared goals and tasks, shining ideals,  
Which draw their strength today from all this apparent decay.  

Twin stars that orbit together in the sky,  
Two parts for spiritual harmony provided,  
Two sacred days that lock in the holy seven;  

Still looking to the center for the source,  
Mutual light illuminating to draw out the powers,  
And understanding all the other groups by knowing each other's laws.  

The love of parents includes the love between partners;  
The one allows the two their shared moods;  
The two recognize each other among countless others;  

With a child-like mind acknowledging love,  
And shared actions energizing love,  
In countless forms connecting love.  

A world whose seasons flourish from one end to the other,  
A force that knows both where it starts and where it ends,  
A Home in Heaven—the Union in the Soul.  

 

 

 

 

 

 


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