This is a modern-English version of Life in the Iron-Mills; Or, The Korl Woman, originally written by Davis, Rebecca Harding. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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LIFE IN THE IRON-MILLS



by Rebecca Harding Davis










                     “Is this the end?
                     O Life, as futile, then, as frail!
                     What hope of answer or redress?”
       
                     “Is this the end?  
                     O Life, as pointless, then, as weak!  
                     What hope is there for an answer or remedy?”










A cloudy day: do you know what that is in a town of iron-works? The sky sank down before dawn, muddy, flat, immovable. The air is thick, clammy with the breath of crowded human beings. It stifles me. I open the window, and, looking out, can scarcely see through the rain the grocer's shop opposite, where a crowd of drunken Irishmen are puffing Lynchburg tobacco in their pipes. I can detect the scent through all the foul smells ranging loose in the air.

A cloudy day: do you know what that feels like in a town known for its ironworks? The sky hangs low before dawn, dull, flat, and unchanging. The air is heavy, damp with the presence of many people. It suffocates me. I open the window and, peering out, can hardly see through the rain the grocery store across the street, where a group of drunk Irishmen are smoking Lynchburg tobacco in their pipes. I can catch a whiff of it amid all the unpleasant odors swirling in the air.

The idiosyncrasy of this town is smoke. It rolls sullenly in slow folds from the great chimneys of the iron-foundries, and settles down in black, slimy pools on the muddy streets. Smoke on the wharves, smoke on the dingy boats, on the yellow river,—clinging in a coating of greasy soot to the house-front, the two faded poplars, the faces of the passers-by. The long train of mules, dragging masses of pig-iron through the narrow street, have a foul vapor hanging to their reeking sides. Here, inside, is a little broken figure of an angel pointing upward from the mantel-shelf; but even its wings are covered with smoke, clotted and black. Smoke everywhere! A dirty canary chirps desolately in a cage beside me. Its dream of green fields and sunshine is a very old dream,—almost worn out, I think.

The unique thing about this town is the smoke. It lazily rolls in thick waves from the tall chimneys of the iron foundries and collects in black, slimy puddles on the muddy streets. There's smoke at the wharves, smoke on the shabby boats, and smoke on the yellow river—coating the house fronts, the two faded poplar trees, and the faces of people passing by. The long line of mules, hauling heavy loads of pig iron down the narrow street, has a foul mist clinging to their stinking sides. Inside, there's a little broken figure of an angel pointing up from the mantel; even its wings are covered in smoke, caked and black. Smoke is everywhere! A dirty canary chirps sadly in a cage beside me. Its dream of green fields and sunshine is a very old dream—almost worn out, I think.

From the back-window I can see a narrow brick-yard sloping down to the river-side, strewed with rain-butts and tubs. The river, dull and tawny-colored, (la belle riviere!) drags itself sluggishly along, tired of the heavy weight of boats and coal-barges. What wonder? When I was a child, I used to fancy a look of weary, dumb appeal upon the face of the negro-like river slavishly bearing its burden day after day. Something of the same idle notion comes to me to-day, when from the street-window I look on the slow stream of human life creeping past, night and morning, to the great mills. Masses of men, with dull, besotted faces bent to the ground, sharpened here and there by pain or cunning; skin and muscle and flesh begrimed with smoke and ashes; stooping all night over boiling caldrons of metal, laired by day in dens of drunkenness and infamy; breathing from infancy to death an air saturated with fog and grease and soot, vileness for soul and body. What do you make of a case like that, amateur psychologist? You call it an altogether serious thing to be alive: to these men it is a drunken jest, a joke,—horrible to angels perhaps, to them commonplace enough. My fancy about the river was an idle one: it is no type of such a life. What if it be stagnant and slimy here? It knows that beyond there waits for it odorous sunlight, quaint old gardens, dusky with soft, green foliage of apple-trees, and flushing crimson with roses,—air, and fields, and mountains. The future of the Welsh puddler passing just now is not so pleasant. To be stowed away, after his grimy work is done, in a hole in the muddy graveyard, and after that, not air, nor green fields, nor curious roses.

From the back window, I can see a narrow brick yard sloping down to the riverside, cluttered with rain barrels and tubs. The river, dull and brown (the beautiful river!), drags itself along sluggishly, weighed down by the heavy load of boats and coal barges. No wonder! When I was a child, I used to imagine a look of tired, silent plea on the face of the dark river, worn out from carrying its burden day after day. I feel a similar idle thought today when I look through the street window at the slow stream of people trudging by, day and night, to the big mills. Crowds of men with dull, vacant faces turned towards the ground, occasionally sharpened by pain or cunning; their skin, muscles, and flesh covered in grime and ash; bending over boiling pots of metal all night, then spending their days in dens of drunkenness and disgrace; breathing air filled with fog, grease, and soot from the moment they're born until they die, a foul existence for both soul and body. What do you think of a situation like that, amateur psychologist? You may call it a serious thing to be alive, but for these men, it’s just a drunken joke, a bad one—perhaps horrific to angels, but ordinary enough for them. My childhood fancy about the river was a silly one; it doesn’t represent such a life. So what if it’s stagnant and muddy here? It knows that beyond it waits fragrant sunlight, charming old gardens, shaded by soft, green apple tree foliage, and bursting with crimson roses—fresh air, fields, and mountains. The future of the Welsh laborer passing by now isn’t so bright. He’ll be tucked away, after his dirty work is done, in a hole in the muddy graveyard, and after that, no air, no green fields, no beautiful roses.

Can you see how foggy the day is? As I stand here, idly tapping the windowpane, and looking out through the rain at the dirty back-yard and the coalboats below, fragments of an old story float up before me,—a story of this house into which I happened to come to-day. You may think it a tiresome story enough, as foggy as the day, sharpened by no sudden flashes of pain or pleasure.—I know: only the outline of a dull life, that long since, with thousands of dull lives like its own, was vainly lived and lost: thousands of them, massed, vile, slimy lives, like those of the torpid lizards in yonder stagnant water-butt.—Lost? There is a curious point for you to settle, my friend, who study psychology in a lazy, dilettante way. Stop a moment. I am going to be honest. This is what I want you to do. I want you to hide your disgust, take no heed to your clean clothes, and come right down with me,—here, into the thickest of the fog and mud and foul effluvia. I want you to hear this story. There is a secret down here, in this nightmare fog, that has lain dumb for centuries: I want to make it a real thing to you. You, Egoist, or Pantheist, or Arminian, busy in making straight paths for your feet on the hills, do not see it clearly,—this terrible question which men here have gone mad and died trying to answer. I dare not put this secret into words. I told you it was dumb. These men, going by with drunken faces and brains full of unawakened power, do not ask it of Society or of God. Their lives ask it; their deaths ask it. There is no reply. I will tell you plainly that I have a great hope; and I bring it to you to be tested. It is this: that this terrible dumb question is its own reply; that it is not the sentence of death we think it, but, from the very extremity of its darkness, the most solemn prophecy which the world has known of the Hope to come. I dare make my meaning no clearer, but will only tell my story. It will, perhaps, seem to you as foul and dark as this thick vapor about us, and as pregnant with death; but if your eyes are free as mine are to look deeper, no perfume-tinted dawn will be so fair with promise of the day that shall surely come.

Can you see how foggy it is today? As I stand here, absentmindedly tapping the window and looking through the rain at the messy backyard and the coalboats below, fragments of an old story come to mind—a story of this house that I happened to come to today. You might think it’s a pretty dull story, as gray as the day, lacking any sudden bursts of pain or pleasure. I get it: just a silhouette of a boring life that long ago, along with thousands of other boring lives like it, was uselessly lived and then forgotten: thousands of them, piled together, wretched, slimy lives, like those sluggish lizards in that stagnant water barrel over there. Forgotten? That's an interesting question for you to ponder, my friend, who casually studies psychology. Hold on for a moment. I’m going to be straight with you. Here’s what I want you to do. I want you to hide your disgust, forget about your clean clothes, and come down here with me—into the thickest fog, mud, and foul stench. I want you to hear this story. There’s a secret down here, in this nightmare fog, that has been silent for centuries: I want to make it real for you. You, who are busy making clear paths for yourself on the hills—whether you’re an Egoist, Pantheist, or Arminian—don’t see it clearly—this terrifying question that people here have gone mad trying to answer. I can’t put this secret into words. I told you it was silent. These men, staggering by with drunk faces and minds full of unrealized potential, don’t ask it of Society or God. Their lives demand it; their deaths demand it. There is no answer. I’ll be honest and tell you that I hold a great hope, and I bring it for you to test. It’s this: that this dreadful silent question is its own answer; that it isn’t the death sentence we think it is, but from the very depths of its darkness, it is the most serious prophecy the world has known of the Hope to come. I can’t express my meaning any clearer, but I will just tell my story. It may seem to you as filthy and dark as this thick fog surrounding us and as filled with death; but if your eyes are as free as mine to look deeper, no beautifully lit dawn will be as promising of the day that will surely come.

My story is very simple,—Only what I remember of the life of one of these men,—a furnace-tender in one of Kirby & John's rolling-mills,—Hugh Wolfe. You know the mills? They took the great order for the lower Virginia railroads there last winter; run usually with about a thousand men. I cannot tell why I choose the half-forgotten story of this Wolfe more than that of myriads of these furnace-hands. Perhaps because there is a secret, underlying sympathy between that story and this day with its impure fog and thwarted sunshine,—or perhaps simply for the reason that this house is the one where the Wolfes lived. There were the father and son,—both hands, as I said, in one of Kirby & John's mills for making railroad-iron,—and Deborah, their cousin, a picker in some of the cotton-mills. The house was rented then to half a dozen families. The Wolfes had two of the cellar-rooms. The old man, like many of the puddlers and feeders of the mills, was Welsh,—had spent half of his life in the Cornish tin-mines. You may pick the Welsh emigrants, Cornish miners, out of the throng passing the windows, any day. They are a trifle more filthy; their muscles are not so brawny; they stoop more. When they are drunk, they neither yell, nor shout, nor stagger, but skulk along like beaten hounds. A pure, unmixed blood, I fancy: shows itself in the slight angular bodies and sharply-cut facial lines. It is nearly thirty years since the Wolfes lived here. Their lives were like those of their class: incessant labor, sleeping in kennel-like rooms, eating rank pork and molasses, drinking—God and the distillers only know what; with an occasional night in jail, to atone for some drunken excess. Is that all of their lives?—of the portion given to them and these their duplicates swarming the streets to-day?—nothing beneath?—all? So many a political reformer will tell you,—and many a private reformer, too, who has gone among them with a heart tender with Christ's charity, and come out outraged, hardened.

My story is pretty straightforward—it’s just what I remember about the life of one of these men, a furnace worker at one of Kirby & John's rolling mills, named Hugh Wolfe. You know the mills? They got the big order for the lower Virginia railroads last winter; they usually operate with around a thousand workers. I can’t say why I picked the somewhat forgotten tale of this Wolfe over the countless other furnace workers. Maybe it's because there's a hidden sympathy between his story and today’s grim fog and blocked sunlight—or maybe just because this is the house where the Wolfes lived. There were the father and son—both workers, as I mentioned, in one of Kirby & John's steel mills—and their cousin, Deborah, who was a picker in some of the cotton mills. The house was rented out to about six families back then. The Wolfes occupied two of the cellar rooms. The old man, like many of the puddler and feeder workers at the mills, was Welsh—he had spent half his life in the Cornish tin mines. You can easily spot the Welsh emigrants and Cornish miners among the crowd passing by the windows any day. They tend to look a bit dirtier; their muscles aren’t as defined; they hunch over more. When they’re drunk, they don’t yell or shout or stumble around, but just sneak by like beaten dogs. They have a pretty pure bloodline, I guess: it’s visible in their slightly angular bodies and sharply defined facial features. It’s been nearly thirty years since the Wolfes lived here. Their lives were typical for their kind: endless work, sleeping in cramped, dirty rooms, eating greasy pork and molasses, drinking—only God and the distillers know what; occasionally spending a night in jail to make up for some drunken mistake. Is that all their lives were?—the bit they were given and those like them crowding the streets today?—nothing deeper?—everything? That’s what a lot of political reformers will tell you—and many private reformers too, who have gone among them with hearts full of Christ’s compassion, only to come out feeling outraged and hardened.

One rainy night, about eleven o'clock, a crowd of half-clothed women stopped outside of the cellar-door. They were going home from the cotton-mill.

One rainy night, around eleven o'clock, a group of half-dressed women paused outside the cellar door. They were coming home from the cotton mill.

“Good-night, Deb,” said one, a mulatto, steadying herself against the gas-post. She needed the post to steady her. So did more than one of them.

“Goodnight, Deb,” said one, a mixed-race woman, leaning against the gas lamp for support. She needed the lamp to keep herself steady. So did more than one of them.

“Dah's a ball to Miss Potts' to-night. Ye'd best come.”

“There's a party at Miss Potts' tonight. You should come.”

“Inteet, Deb, if hur'll come, hur'll hef fun,” said a shrill Welsh voice in the crowd.

“In fact, Deb, if she'll come, she'll have fun,” said a high-pitched Welsh voice in the crowd.

Two or three dirty hands were thrust out to catch the gown of the woman, who was groping for the latch of the door.

Two or three grimy hands reached out to grab the woman’s gown as she fumbled for the door latch.

“No.”

“Nope.”

“No? Where's Kit Small, then?”

“No? Where’s Kit Small?”

“Begorra! on the spools. Alleys behint, though we helped her, we dud. An wid ye! Let Deb alone! It's ondacent frettin' a quite body. Be the powers, an we'll have a night of it! there'll be lashin's o' drink,—the Vargent be blessed and praised for't!”

“Wow! on the spools. Alleys behind, even though we helped her, we did. And with you! Leave Deb alone! It’s not right to bother a quiet person. By the powers, we’re going to have a great night! There’ll be lots of drinks—thank goodness for that!”

They went on, the mulatto inclining for a moment to show fight, and drag the woman Wolfe off with them; but, being pacified, she staggered away.

They continued on, the mixed-race man briefly wanting to resist and pull the woman Wolfe away with them; but, calming down, she stumbled off.

Deborah groped her way into the cellar, and, after considerable stumbling, kindled a match, and lighted a tallow dip, that sent a yellow glimmer over the room. It was low, damp,—the earthen floor covered with a green, slimy moss,—a fetid air smothering the breath. Old Wolfe lay asleep on a heap of straw, wrapped in a torn horse-blanket. He was a pale, meek little man, with a white face and red rabbit-eyes. The woman Deborah was like him; only her face was even more ghastly, her lips bluer, her eyes more watery. She wore a faded cotton gown and a slouching bonnet. When she walked, one could see that she was deformed, almost a hunchback. She trod softly, so as not to waken him, and went through into the room beyond. There she found by the half-extinguished fire an iron saucepan filled with cold boiled potatoes, which she put upon a broken chair with a pint-cup of ale. Placing the old candlestick beside this dainty repast, she untied her bonnet, which hung limp and wet over her face, and prepared to eat her supper. It was the first food that had touched her lips since morning. There was enough of it, however: there is not always. She was hungry,—one could see that easily enough,—and not drunk, as most of her companions would have been found at this hour. She did not drink, this woman,—her face told that, too,—nothing stronger than ale. Perhaps the weak, flaccid wretch had some stimulant in her pale life to keep her up,—some love or hope, it might be, or urgent need. When that stimulant was gone, she would take to whiskey. Man cannot live by work alone. While she was skinning the potatoes, and munching them, a noise behind her made her stop.

Deborah carefully made her way into the cellar, and after stumbling around for a while, she struck a match and lit a tallow candle, casting a yellow glow throughout the room. It was low and damp, the earthen floor covered with green, slimy moss, and the air was thick and foul. Old Wolfe was asleep on a pile of straw, wrapped in a frayed horse blanket. He was a pale, mild little man with a white face and red, watery eyes. Deborah resembled him, but her face was even more ghostly, her lips bluer, and her eyes more watery. She wore a faded cotton dress and a droopy bonnet. When she walked, it was clear she was deformed, almost hunchbacked. She moved quietly to avoid waking him and went into the next room. There, by the half-extinguished fire, she found an iron saucepan full of cold boiled potatoes, which she placed on a broken chair along with a pint cup of ale. Setting the old candlestick next to this meager meal, she untied her wet, drooping bonnet from her face and got ready to eat her dinner. It was the first food to touch her lips since morning. Thankfully, there was enough for her this time; that wasn’t always the case. She was clearly hungry and not drunk, unlike most of the people she usually hung out with at this hour. This woman didn’t drink much—her face showed that—nothing stronger than ale. Maybe the weak, frail woman had something to keep her going—some love, or hope, or urgent need. When that something ran out, she would turn to whiskey. A person can't survive on work alone. While she was peeling the potatoes and chewing on them, a noise behind her made her stop.

“Janey!” she called, lifting the candle and peering into the darkness. “Janey, are you there?”

“Janey!” she called, holding up the candle and looking into the darkness. “Janey, are you there?”

A heap of ragged coats was heaved up, and the face of a young girl emerged, staring sleepily at the woman.

A pile of torn coats was pushed aside, and the face of a young girl showed up, looking drowsily at the woman.

“Deborah,” she said, at last, “I'm here the night.”

“Deborah,” she said finally, “I’m here for the night.”

“Yes, child. Hur's welcome,” she said, quietly eating on.

“Yes, child. Hur's welcome,” she said, continuing to eat quietly.

The girl's face was haggard and sickly; her eyes were heavy with sleep and hunger: real Milesian eyes they were, dark, delicate blue, glooming out from black shadows with a pitiful fright.

The girl's face looked worn and sickly; her eyes were heavy with sleep and hunger: they were truly Milesian eyes, dark, delicate blue, peering out from black shadows with a heart-rending fear.

“I was alone,” she said, timidly.

“I was alone,” she said, softly.

“Where's the father?” asked Deborah, holding out a potato, which the girl greedily seized.

“Where’s the dad?” asked Deborah, holding out a potato, which the girl eagerly grabbed.

“He's beyant,—wid Haley,—in the stone house.” (Did you ever hear the word tail from an Irish mouth?) “I came here. Hugh told me never to stay me-lone.”

“He's beyond,—with Haley,—in the stone house.” (Did you ever hear the word tail from an Irish mouth?) “I came here. Hugh told me never to be alone.”

“Hugh?”

“Hugh?”

“Yes.”

"Yep."

A vexed frown crossed her face. The girl saw it, and added quickly,—

A frustrated frown crossed her face. The girl noticed it and quickly added,—

“I have not seen Hugh the day, Deb. The old man says his watch lasts till the mornin'.”

“I haven't seen Hugh today, Deb. The old man says his watch lasts until morning.”

The woman sprang up, and hastily began to arrange some bread and flitch in a tin pail, and to pour her own measure of ale into a bottle. Tying on her bonnet, she blew out the candle.

The woman jumped up and quickly started to put some bread and bacon into a tin bucket and poured her own serving of ale into a bottle. After tying on her hat, she blew out the candle.

“Lay ye down, Janey dear,” she said, gently, covering her with the old rags. “Hur can eat the potatoes, if hur's hungry.

“Lie down, Janey dear,” she said softly, covering her with the old rags. “You can eat the potatoes if you're hungry.”

“Where are ye goin', Deb? The rain's sharp.”

“Where are you going, Deb? The rain is heavy.”

“To the mill, with Hugh's supper.”

“To the mill, with Hugh's dinner.”

“Let him bide till th' morn. Sit ye down.”

“Let him wait until morning. Sit down.”

“No, no,”—sharply pushing her off. “The boy'll starve.”

“No, no,”—sharply pushing her away. “The kid will starve.”

She hurried from the cellar, while the child wearily coiled herself up for sleep. The rain was falling heavily, as the woman, pail in hand, emerged from the mouth of the alley, and turned down the narrow street, that stretched out, long and black, miles before her. Here and there a flicker of gas lighted an uncertain space of muddy footwalk and gutter; the long rows of houses, except an occasional lager-bier shop, were closed; now and then she met a band of millhands skulking to or from their work.

She rushed out of the cellar while the child tiredly curled up to sleep. The rain was pouring down heavily as the woman, with a pail in hand, stepped out of the alley and turned onto the narrow street that stretched out long and dark for miles ahead of her. Here and there, a flicker of gas lit up a small patch of the muddy sidewalk and gutter; the long rows of houses were mostly closed, except for an occasional beer shop. Every now and then, she came across a group of factory workers quietly making their way to or from their jobs.

Not many even of the inhabitants of a manufacturing town know the vast machinery of system by which the bodies of workmen are governed, that goes on unceasingly from year to year. The hands of each mill are divided into watches that relieve each other as regularly as the sentinels of an army. By night and day the work goes on, the unsleeping engines groan and shriek, the fiery pools of metal boil and surge. Only for a day in the week, in half-courtesy to public censure, the fires are partially veiled; but as soon as the clock strikes midnight, the great furnaces break forth with renewed fury, the clamor begins with fresh, breathless vigor, the engines sob and shriek like “gods in pain.”

Not many people living in a manufacturing town understand the huge system that controls the lives of workers, working non-stop year after year. The workers in each mill are divided into shifts that take turns as regularly as soldiers on guard duty. Day and night, the work continues; the relentless machines groan and scream, and the molten metal boils and roils. Only for one day a week, out of a small acknowledgment to public criticism, the fires are somewhat dimmed; but as soon as the clock strikes midnight, the massive furnaces erupt with renewed intensity, the noise starts up again with fresh, breathless energy, and the machines moan and wail like "gods in pain."

As Deborah hurried down through the heavy rain, the noise of these thousand engines sounded through the sleep and shadow of the city like far-off thunder. The mill to which she was going lay on the river, a mile below the city-limits. It was far, and she was weak, aching from standing twelve hours at the spools. Yet it was her almost nightly walk to take this man his supper, though at every square she sat down to rest, and she knew she should receive small word of thanks.

As Deborah rushed through the pouring rain, the sound of a thousand engines echoed through the quiet and darkness of the city like distant thunder. The mill she was headed to was located on the river, about a mile outside the city limits. It was a long way, and she felt weak, sore from standing twelve hours at the spools. Still, it was almost a nightly routine for her to bring this man his dinner, even though she took a break to rest at every block, knowing she would get little more than a brief "thank you."

Perhaps, if she had possessed an artist's eye, the picturesque oddity of the scene might have made her step stagger less, and the path seem shorter; but to her the mills were only “summat deilish to look at by night.”

Maybe, if she had an artist's eye, the quirky beauty of the scene might have steadied her step and made the path feel shorter; but to her, the mills were just “something pretty to look at at night.”

The road leading to the mills had been quarried from the solid rock, which rose abrupt and bare on one side of the cinder-covered road, while the river, sluggish and black, crept past on the other. The mills for rolling iron are simply immense tent-like roofs, covering acres of ground, open on every side. Beneath these roofs Deborah looked in on a city of fires, that burned hot and fiercely in the night. Fire in every horrible form: pits of flame waving in the wind; liquid metal-flames writhing in tortuous streams through the sand; wide caldrons filled with boiling fire, over which bent ghastly wretches stirring the strange brewing; and through all, crowds of half-clad men, looking like revengeful ghosts in the red light, hurried, throwing masses of glittering fire. It was like a street in Hell. Even Deborah muttered, as she crept through, “looks like t' Devil's place!” It did,—in more ways than one.

The road to the mills was carved from solid rock, which rose steep and bare on one side of the cinder-covered road while the sluggish, dark river flowed by on the other. The mills for rolling iron were massive, tent-like structures covering acres of land, open on all sides. Under these roofs, Deborah peered into a fiery city that blazed intensely during the night. Flames took on every terrifying shape: pits of fire swaying in the wind, streams of molten metal twisting through the sand, large cauldrons filled with boiling flames, over which ghastly figures stirred the eerie concoctions, and through it all, crowds of half-dressed men, appearing like vengeful ghosts in the red light, hurried about, tossing glowing chunks of metal. It felt like a street in Hell. Even Deborah whispered as she crept through, "looks like the Devil's place!" It really did—in more ways than one.

She found the man she was looking for, at last, heaping coal on a furnace. He had not time to eat his supper; so she went behind the furnace, and waited. Only a few men were with him, and they noticed her only by a “Hyur comes t'hunchback, Wolfe.”

She finally found the man she was looking for, piling coal onto a furnace. He didn’t have time to eat his dinner, so she went behind the furnace and waited. There were only a few men with him, and they only acknowledged her with a “Here comes the hunchback, Wolfe.”

Deborah was stupid with sleep; her back pained her sharply; and her teeth chattered with cold, with the rain that soaked her clothes and dripped from her at every step. She stood, however, patiently holding the pail, and waiting.

Deborah was groggy from lack of sleep; her back hurt intensely; and her teeth chattered from the cold, with the rain soaking her clothes and dripping from her at every step. Still, she stood there, patiently holding the bucket and waiting.

“Hout, woman! ye look like a drowned cat. Come near to the fire,”—said one of the men, approaching to scrape away the ashes.

“Hey, lady! You look like a drowned cat. Come closer to the fire,” said one of the men, moving in to clear away the ashes.

She shook her head. Wolfe had forgotten her. He turned, hearing the man, and came closer.

She shook her head. Wolfe had forgotten her. He turned, hearing the guy, and came closer.

“I did no' think; gi' me my supper, woman.”

“I didn’t think; give me my dinner, woman.”

She watched him eat with a painful eagerness. With a woman's quick instinct, she saw that he was not hungry,—was eating to please her. Her pale, watery eyes began to gather a strange light.

She watched him eat with painful anticipation. With a woman’s keen instinct, she realized he wasn’t really hungry—he was eating to make her happy. Her pale, watery eyes started to shine with a strange light.

“Is't good, Hugh? T' ale was a bit sour, I feared.”

“Is it good, Hugh? The ale was a bit sour, I was worried.”

“No, good enough.” He hesitated a moment. “Ye're tired, poor lass! Bide here till I go. Lay down there on that heap of ash, and go to sleep.”

“No, that’s good enough.” He paused for a moment. “You’re tired, poor girl! Stay here until I leave. Lie down over there on that pile of ash and get some sleep.”

He threw her an old coat for a pillow, and turned to his work. The heap was the refuse of the burnt iron, and was not a hard bed; the half-smothered warmth, too, penetrated her limbs, dulling their pain and cold shiver.

He tossed her an old coat to use as a pillow and went back to his work. The pile was made up of the leftover burnt iron, and it wasn't a comfortable bed; the lingering warmth also seeped into her limbs, numbing their pain and cold shivers.

Miserable enough she looked, lying there on the ashes like a limp, dirty rag,—yet not an unfitting figure to crown the scene of hopeless discomfort and veiled crime: more fitting, if one looked deeper into the heart of things, at her thwarted woman's form, her colorless life, her waking stupor that smothered pain and hunger,—even more fit to be a type of her class. Deeper yet if one could look, was there nothing worth reading in this wet, faded thing, halfcovered with ashes? no story of a soul filled with groping passionate love, heroic unselfishness, fierce jealousy? of years of weary trying to please the one human being whom she loved, to gain one look of real heart-kindness from him? If anything like this were hidden beneath the pale, bleared eyes, and dull, washed-out-looking face, no one had ever taken the trouble to read its faint signs: not the half-clothed furnace-tender, Wolfe, certainly. Yet he was kind to her: it was his nature to be kind, even to the very rats that swarmed in the cellar: kind to her in just the same way. She knew that. And it might be that very knowledge had given to her face its apathy and vacancy more than her low, torpid life. One sees that dead, vacant look steal sometimes over the rarest, finest of women's faces,—in the very midst, it may be, of their warmest summer's day; and then one can guess at the secret of intolerable solitude that lies hid beneath the delicate laces and brilliant smile. There was no warmth, no brilliancy, no summer for this woman; so the stupor and vacancy had time to gnaw into her face perpetually. She was young, too, though no one guessed it; so the gnawing was the fiercer.

She looked pretty miserable, lying there on the ashes like a limp, dirty rag—yet she was an oddly fitting figure to top off the scene of hopeless discomfort and concealed wrongdoing. If you looked deeper into the essence of things, her thwarted femininity, her colorless life, and her waking stupor that stifled both pain and hunger made her even more representative of her class. Even further, if one could see, was there really nothing significant hidden in this wet, faded figure, half-covered with ashes? No story of a soul filled with groping, passionate love, heroic selflessness, or fierce jealousy? A tale of years spent trying to please the one person she loved, desperately seeking just one genuine look of kindness from him? If anything like that lay beneath her pale, bleary eyes and dull, washed-out face, no one seemed to care enough to notice its faint signs—not even Wolfe, the half-clothed furnace-tender. Yet he was kind to her; it was in his nature to be kind, even to the rats that infested the cellar. He treated her the same way. She understood that. And perhaps that understanding was what gave her face its apathy and emptiness, more than her low, sluggish existence. One can sometimes see that dead, vacant look creep over the faces of even the finest women—maybe right in the middle of their warmest summer days; then you can guess the unbearable loneliness hidden beneath the delicate lace and bright smiles. There was no warmth, no brightness, no summer for this woman, so the stupor and emptiness had chipped away at her face continuously. She was young too, though no one realized that; so the gnawing was even more intense.

She lay quiet in the dark corner, listening, through the monotonous din and uncertain glare of the works, to the dull plash of the rain in the far distance, shrinking back whenever the man Wolfe happened to look towards her. She knew, in spite of all his kindness, that there was that in her face and form which made him loathe the sight of her. She felt by instinct, although she could not comprehend it, the finer nature of the man, which made him among his fellow-workmen something unique, set apart. She knew, that, down under all the vileness and coarseness of his life, there was a groping passion for whatever was beautiful and pure, that his soul sickened with disgust at her deformity, even when his words were kindest. Through this dull consciousness, which never left her, came, like a sting, the recollection of the dark blue eyes and lithe figure of the little Irish girl she had left in the cellar. The recollection struck through even her stupid intellect with a vivid glow of beauty and of grace. Little Janey, timid, helpless, clinging to Hugh as her only friend: that was the sharp thought, the bitter thought, that drove into the glazed eyes a fierce light of pain. You laugh at it? Are pain and jealousy less savage realities down here in this place I am taking you to than in your own house or your own heart,—your heart, which they clutch at sometimes? The note is the same, I fancy, be the octave high or low.

She lay quietly in the dark corner, listening to the constant noise and uncertain flicker of the factory, to the dull sound of rain far away, pulling back whenever the man Wolfe glanced in her direction. She knew, despite all his kindness, that there was something in her appearance that made him hate the sight of her. She sensed, even if she couldn’t fully understand it, the deeper nature of the man, which made him stand out among his coworkers. Deep down, beneath all the ugliness and roughness of his life, there was a yearning for beauty and purity, and his soul recoiled in disgust at her deformity, even when he spoke kindly. Amid this dull awareness that she couldn’t shake off came the painful memory of the dark blue eyes and graceful figure of the little Irish girl she had left in the cellar. That memory pierced through her dull mind with a bright flash of beauty and grace. Little Janey, shy and helpless, clinging to Hugh as her only friend: that was the painful thought that created a fierce light of anguish in her glazed eyes. You think it’s funny? Are pain and jealousy any less brutal down here in the place I’m bringing you to than in your own home or your own heart—your heart, which they sometimes grip? The note is the same, I believe, whether the octave is high or low.

If you could go into this mill where Deborah lay, and drag out from the hearts of these men the terrible tragedy of their lives, taking it as a symptom of the disease of their class, no ghost Horror would terrify you more. A reality of soul-starvation, of living death, that meets you every day under the besotted faces on the street,—I can paint nothing of this, only give you the outside outlines of a night, a crisis in the life of one man: whatever muddy depth of soul-history lies beneath you can read according to the eyes God has given you.

If you could walk into this mill where Deborah was, and pull out from the hearts of these men the awful tragedy of their lives, seeing it as a sign of the problems within their class, no ghostly horror would scare you more. It’s a reality of soul-crushing despair, of living death, that you encounter every day behind the blurred faces on the street—I can’t describe any of this, I can only sketch the surface of one night, a pivotal moment in one man’s life: whatever dark layers of soul-history lie beneath, you can interpret based on the perspective you have been given.

Wolfe, while Deborah watched him as a spaniel its master, bent over the furnace with his iron pole, unconscious of her scrutiny, only stopping to receive orders. Physically, Nature had promised the man but little. He had already lost the strength and instinct vigor of a man, his muscles were thin, his nerves weak, his face ( a meek, woman's face) haggard, yellow with consumption. In the mill he was known as one of the girl-men: “Molly Wolfe” was his sobriquet. He was never seen in the cockpit, did not own a terrier, drank but seldom; when he did, desperately. He fought sometimes, but was always thrashed, pommelled to a jelly. The man was game enough, when his blood was up: but he was no favorite in the mill; he had the taint of school-learning on him,—not to a dangerous extent, only a quarter or so in the free-school in fact, but enough to ruin him as a good hand in a fight.

Wolfe, while Deborah watched him like a spaniel with its owner, leaned over the furnace with his iron pole, unaware of her gaze, only pausing to take orders. Physically, nature hadn't given him much to work with. He had already lost the strength and vigor of a man; his muscles were thin, his nerves weak, and his face (a gentle, feminine face) looked worn out, pale from illness. In the mill, he was known as one of the “girl-men”; "Molly Wolfe" was his nickname. He was never seen in the cockpit, didn’t have a terrier, and rarely drank; when he did, it was to excess. He would occasionally get into fights, but he was always beaten senseless. He had some spirit when pushed, but he wasn’t well-liked in the mill; he had the taint of education about him—not to a serious extent, just a few years in free school, really—but enough to undermine his reputation as a reliable fighter.

For other reasons, too, he was not popular. Not one of themselves, they felt that, though outwardly as filthy and ash-covered; silent, with foreign thoughts and longings breaking out through his quietness in innumerable curious ways: this one, for instance. In the neighboring furnace-buildings lay great heaps of the refuse from the ore after the pig-metal is run. Korl we call it here: a light, porous substance, of a delicate, waxen, flesh-colored tinge. Out of the blocks of this korl, Wolfe, in his off-hours from the furnace, had a habit of chipping and moulding figures,—hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion. The few hours for rest he spent hewing and hacking with his blunt knife, never speaking, until his watch came again,—working at one figure for months, and, when it was finished, breaking it to pieces perhaps, in a fit of disappointment. A morbid, gloomy man, untaught, unled, left to feed his soul in grossness and crime, and hard, grinding labor.

For other reasons too, he wasn't popular. Not one of them, they felt that way, even though outwardly he was just as filthy and covered in ash; quiet, with foreign thoughts and desires breaking through his silence in countless odd ways: like this one. In the nearby furnace buildings were large piles of the leftover stuff from the ore after the pig-metal is processed. We call it korl here: a light, porous material with a delicate, waxy, flesh-colored tint. When he had free time from the furnace, Wolfe had a habit of chiseling and shaping figures out of blocks of this korl—things that were ugly and strange, but sometimes oddly beautiful: even the mill workers noticed that, even as they mocked him. It was a strange obsession for him, almost a passion. The few hours he had to rest were spent chipping away with his dull knife, never speaking, until his shift came around again—working on one figure for months and, when it was done, maybe breaking it apart in a burst of frustration. A morbid, gloomy man, uneducated, left to indulge his soul in filth and crime and grueling labor.

I want you to come down and look at this Wolfe, standing there among the lowest of his kind, and see him just as he is, that you may judge him justly when you hear the story of this night. I want you to look back, as he does every day, at his birth in vice, his starved infancy; to remember the heavy years he has groped through as boy and man,—the slow, heavy years of constant, hot work. So long ago he began, that he thinks sometimes he has worked there for ages. There is no hope that it will ever end. Think that God put into this man's soul a fierce thirst for beauty,—to know it, to create it; to be—something, he knows not what,—other than he is. There are moments when a passing cloud, the sun glinting on the purple thistles, a kindly smile, a child's face, will rouse him to a passion of pain,—when his nature starts up with a mad cry of rage against God, man, whoever it is that has forced this vile, slimy life upon him. With all this groping, this mad desire, a great blind intellect stumbling through wrong, a loving poet's heart, the man was by habit only a coarse, vulgar laborer, familiar with sights and words you would blush to name. Be just: when I tell you about this night, see him as he is. Be just,—not like man's law, which seizes on one isolated fact, but like God's judging angel, whose clear, sad eye saw all the countless cankering days of this man's life, all the countless nights, when, sick with starving, his soul fainted in him, before it judged him for this night, the saddest of all.

I want you to come down and look at this Wolfe, standing there among the lowest of his kind, and see him just as he is, so that you can judge him fairly when you hear the story of this night. I want you to reflect, as he does every day, on his birth in hardship and his neglected childhood; to remember the long years he has stumbled through as both a boy and a man—the slow, grueling years of constant hard work. He began so long ago that sometimes he feels like he’s been working there forever. There’s no hope that it will ever end. Consider that God put a deep longing for beauty in this man's soul—to know it, to create it; to be—something, he doesn’t know what—other than he is. There are moments when a passing cloud, the sun shining on the purple thistles, a friendly smile, a child's face, will stir him to an overwhelming pain—when his true nature rises up with a furious cry of rage against God, man, or anyone who has forced this miserable, degrading life upon him. With all this struggling, this wild desire, a great blind mind fumbling through wrong, a loving poet's heart, the man was, by habit, just a rough, crude laborer, used to sights and words that would make you blush. Be fair: when I tell you about this night, see him as he is. Be fair—not like man's law, which seizes one isolated fact, but like God's judging angel, whose clear, sad gaze saw all the countless painful days of this man's life, all the countless nights when, sick from hunger, his soul fainted within him, before it judged him for this night, the saddest of all.

I called this night the crisis of his life. If it was, it stole on him unawares. These great turning-days of life cast no shadow before, slip by unconsciously. Only a trifle, a little turn of the rudder, and the ship goes to heaven or hell.

I described this night as the turning point of his life. If it was, it caught him off guard. These major life-changing moments don’t show any warning signs and pass by without us noticing. Just a small change, a slight adjustment of the steering, and the ship heads toward heaven or hell.

Wolfe, while Deborah watched him, dug into the furnace of melting iron with his pole, dully thinking only how many rails the lump would yield. It was late,—nearly Sunday morning; another hour, and the heavy work would be done, only the furnaces to replenish and cover for the next day. The workmen were growing more noisy, shouting, as they had to do, to be heard over the deep clamor of the mills. Suddenly they grew less boisterous,—at the far end, entirely silent. Something unusual had happened. After a moment, the silence came nearer; the men stopped their jeers and drunken choruses. Deborah, stupidly lifting up her head, saw the cause of the quiet. A group of five or six men were slowly approaching, stopping to examine each furnace as they came. Visitors often came to see the mills after night: except by growing less noisy, the men took no notice of them. The furnace where Wolfe worked was near the bounds of the works; they halted there hot and tired: a walk over one of these great foundries is no trifling task. The woman, drawing out of sight, turned over to sleep. Wolfe, seeing them stop, suddenly roused from his indifferent stupor, and watched them keenly. He knew some of them: the overseer, Clarke,—a son of Kirby, one of the mill-owners,—and a Doctor May, one of the town-physicians. The other two were strangers. Wolfe came closer. He seized eagerly every chance that brought him into contact with this mysterious class that shone down on him perpetually with the glamour of another order of being. What made the difference between them? That was the mystery of his life. He had a vague notion that perhaps to-night he could find it out. One of the strangers sat down on a pile of bricks, and beckoned young Kirby to his side.

Wolfe, while Deborah watched him, poked at the furnace of melting iron with his pole, dulling thinking only about how many rails the chunk would produce. It was late—almost Sunday morning; in another hour, the heavy work would be finished, just leaving the furnaces to refill and cover for the next day. The workers were getting louder, shouting to be heard over the loud noise of the mills. Suddenly, they grew quieter—at the far end, completely silent. Something unusual had happened. After a moment, the silence moved closer; the men stopped their teasing and drunken songs. Deborah, lifting her head in confusion, saw what was causing the quiet. A group of five or six men were slowly approaching, stopping to check each furnace as they passed. Visitors often came to see the mills at night: apart from becoming less noisy, the men paid no attention to them. The furnace where Wolfe worked was near the edge of the works; they paused there, hot and tired: walking across one of these large foundries is no small feat. The woman, stepping out of sight, turned over to sleep. Wolfe, noticing them stop, suddenly snapped out of his indifferent daze and watched them closely. He recognized some of them: the overseer, Clarke—a son of Kirby, one of the mill owners—and a Dr. May, one of the town's doctors. The other two were strangers. Wolfe moved closer. He eagerly seized every chance that brought him into contact with this mysterious class that continuously looked down on him with the allure of a different kind of existence. What set them apart? That was the mystery of his life. He had a vague feeling that maybe tonight he could figure it out. One of the strangers sat down on a pile of bricks and motioned for young Kirby to join him.

“This is hot, with a vengeance. A match, please?”—lighting his cigar. “But the walk is worth the trouble. If it were not that you must have heard it so often, Kirby, I would tell you that your works look like Dante's Inferno.”

“This is intense, for sure. Could you pass me a match?”—lighting his cigar. “But the walk is worth it. If you hadn’t heard it so many times, Kirby, I’d tell you that your works resemble Dante's Inferno.”

Kirby laughed.

Kirby chuckled.

“Yes. Yonder is Farinata himself in the burning tomb,”—pointing to some figure in the shimmering shadows.

“Yes. Over there is Farinata himself in the burning tomb,”—pointing to some figure in the shimmering shadows.

“Judging from some of the faces of your men,” said the other, “they bid fair to try the reality of Dante's vision, some day.”

“Looking at some of your men's faces,” said the other, “they seem likely to experience Dante's vision for real someday.”

Young Kirby looked curiously around, as if seeing the faces of his hands for the first time.

Young Kirby looked around with curiosity, as if he were seeing the faces of his hands for the first time.

“They're bad enough, that's true. A desperate set, I fancy. Eh, Clarke?”

“They're pretty rough, that's for sure. A desperate bunch, I think. Right, Clarke?”

The overseer did not hear him. He was talking of net profits just then,—giving, in fact, a schedule of the annual business of the firm to a sharp peering little Yankee, who jotted down notes on a paper laid on the crown of his hat: a reporter for one of the city-papers, getting up a series of reviews of the leading manufactories. The other gentlemen had accompanied them merely for amusement. They were silent until the notes were finished, drying their feet at the furnaces, and sheltering their faces from the intolerable heat. At last the overseer concluded with—

The overseer didn't hear him. He was talking about net profits at that moment—actually, he was reviewing the annual business of the firm to a sharp little Yankee, who was taking notes on a piece of paper resting on the top of his hat: a reporter for one of the city papers, putting together a series of reviews of the top manufacturers. The other men had just come along for entertainment. They stayed quiet until the notes were finished, drying their feet at the furnaces and shielding their faces from the unbearable heat. Finally, the overseer wrapped up with—

“I believe that is a pretty fair estimate, Captain.”

"I think that's a pretty fair estimate, Captain."

“Here, some of you men!” said Kirby, “bring up those boards. We may as well sit down, gentlemen, until the rain is over. It cannot last much longer at this rate.”

“Hey, some of you guys!” said Kirby, “bring up those boards. We might as well sit down, gentlemen, until the rain stops. It can't last much longer at this rate.”

“Pig-metal,”—mumbled the reporter,—“um! coal facilities,—um! hands employed, twelve hundred,—bitumen,—um!—all right, I believe, Mr. Clarke;—sinking-fund,—what did you say was your sinking-fund?”

“Pig-metal,” the reporter mumbled, “um! coal facilities, um! hands employed, twelve hundred, bitumen, um! all right, I believe you, Mr. Clarke; sinking fund, what did you say was your sinking fund?”

“Twelve hundred hands?” said the stranger, the young man who had first spoken. “Do you control their votes, Kirby?”

“Twelve hundred hands?” said the stranger, the young man who had first spoken. “Do you have control over their votes, Kirby?”

“Control? No.” The young man smiled complacently. “But my father brought seven hundred votes to the polls for his candidate last November. No force-work, you understand,—only a speech or two, a hint to form themselves into a society, and a bit of red and blue bunting to make them a flag. The Invincible Roughs,—I believe that is their name. I forget the motto: 'Our country's hope,' I think.”

“Control? No.” The young man smiled confidently. “But my father brought seven hundred votes to the polls for his candidate last November. No force, you see—just a speech or two, a suggestion to form a society, and a bit of red and blue bunting to make a flag. The Invincible Roughs—I believe that's their name. I forget the motto: 'Our country's hope,' I think.”

There was a laugh. The young man talking to Kirby sat with an amused light in his cool gray eye, surveying critically the half-clothed figures of the puddlers, and the slow swing of their brawny muscles. He was a stranger in the city,—spending a couple of months in the borders of a Slave State, to study the institutions of the South,—a brother-in-law of Kirby's,—Mitchell. He was an amateur gymnast,—hence his anatomical eye; a patron, in a blase' way, of the prize-ring; a man who sucked the essence out of a science or philosophy in an indifferent, gentlemanly way; who took Kant, Novalis, Humboldt, for what they were worth in his own scales; accepting all, despising nothing, in heaven, earth, or hell, but one-idead men; with a temper yielding and brilliant as summer water, until his Self was touched, when it was ice, though brilliant still. Such men are not rare in the States.

There was a laugh. The young man chatting with Kirby had a playful glint in his cool gray eyes as he critically observed the half-dressed figures of the workers and the slow movement of their muscular bodies. He was a stranger in the city—spending a couple of months on the edge of a Slave State to study the Southern way of life—Kirby's brother-in-law, Mitchell. He was an amateur gymnast, which explained his keen eye for anatomy; a somewhat jaded fan of the boxing scene; a guy who extracted the essence of any science or philosophy in a laid-back, gentlemanly manner; he assessed Kant, Novalis, and Humboldt based on his own standards, accepting everything and looking down on nothing in heaven, earth, or hell, except for narrow-minded individuals; with a temperament that was as yielding and bright as summer water until his personal beliefs were challenged, at which point he turned cold, though still brilliant. Such men aren't uncommon in the States.

As he knocked the ashes from his cigar, Wolfe caught with a quick pleasure the contour of the white hand, the blood-glow of a red ring he wore. His voice, too, and that of Kirby's, touched him like music,—low, even, with chording cadences. About this man Mitchell hung the impalpable atmosphere belonging to the thoroughbred gentleman, Wolfe, scraping away the ashes beside him, was conscious of it, did obeisance to it with his artist sense, unconscious that he did so.

As he tapped the ashes from his cigar, Wolfe felt a quick rush of pleasure at the sight of the white hand and the vibrant red ring he wore. His voice, along with Kirby's, resonated with him like music—soft and rhythmic, with harmonious tones. Around this man Mitchell lingered an intangible aura that belonged to a true gentleman. Wolfe, brushing away the ashes beside him, was aware of it and honored it with his artistic sensibility, though he didn’t realize he was doing so.

The rain did not cease. Clarke and the reporter left the mills; the others, comfortably seated near the furnace, lingered, smoking and talking in a desultory way. Greek would not have been more unintelligible to the furnace-tenders, whose presence they soon forgot entirely. Kirby drew out a newspaper from his pocket and read aloud some article, which they discussed eagerly. At every sentence, Wolfe listened more and more like a dumb, hopeless animal, with a duller, more stolid look creeping over his face, glancing now and then at Mitchell, marking acutely every smallest sign of refinement, then back to himself, seeing as in a mirror his filthy body, his more stained soul.

The rain kept pouring down. Clarke and the reporter left the mills; the others, comfortably settled near the furnace, hung around, smoking and chatting aimlessly. The furnace-tenders might as well have been speaking Greek, as the group soon completely forgot about them. Kirby pulled out a newspaper from his pocket and read aloud an article, which they engaged with eagerly. With each sentence, Wolfe listened more and more like a dumb, hopeless creature, a dull and vacant look spreading across his face, glancing occasionally at Mitchell, noting every little sign of polish, then back to himself, seeing in his mind a reflection of his filthy body and even more soiled soul.

Never! He had no words for such a thought, but he knew now, in all the sharpness of the bitter certainty, that between them there was a great gulf never to be passed. Never!

Never! He had no words for such a thought, but he knew now, in all the clarity of the bitter truth, that between them there was a huge divide that could never be crossed. Never!

The bell of the mills rang for midnight. Sunday morning had dawned. Whatever hidden message lay in the tolling bells floated past these men unknown. Yet it was there. Veiled in the solemn music ushering the risen Saviour was a key-note to solve the darkest secrets of a world gone wrong,—even this social riddle which the brain of the grimy puddler grappled with madly to-night.

The bell of the mills rang for midnight. Sunday morning had arrived. Whatever hidden message was in the tolling bells went unnoticed by these men. Yet it was present. Veiled in the solemn music announcing the risen Savior was a key note to unravel the darkest secrets of a world gone wrong—even this social puzzle that the weary puddler was struggling with madly tonight.

The men began to withdraw the metal from the caldrons. The mills were deserted on Sundays, except by the hands who fed the fires, and those who had no lodgings and slept usually on the ash-heaps. The three strangers sat still during the next hour, watching the men cover the furnaces, laughing now and then at some jest of Kirby's.

The guys started pulling the metal out of the cauldrons. The mills were empty on Sundays, except for the workers who tended the fires and those without homes who usually slept on the ash heaps. The three strangers stayed quiet for the next hour, observing the men cover the furnaces, occasionally laughing at one of Kirby's jokes.

“Do you know,” said Mitchell, “I like this view of the works better than when the glare was fiercest? These heavy shadows and the amphitheatre of smothered fires are ghostly, unreal. One could fancy these red smouldering lights to be the half-shut eyes of wild beasts, and the spectral figures their victims in the den.”

“Do you know,” said Mitchell, “I like this view of the works better than when the glare was the strongest? These deep shadows and the bowl of hidden fires feel ghostly and unreal. One could imagine these red smoldering lights to be the half-closed eyes of wild beasts, and the shadowy figures their victims in the den.”

Kirby laughed. “You are fanciful. Come, let us get out of the den. The spectral figures, as you call them, are a little too real for me to fancy a close proximity in the darkness,—unarmed, too.”

Kirby laughed. “You have quite an imagination. Come on, let’s get out of here. Those ghostly figures, as you call them, feel a bit too real for me to want to be so close to them in the dark—especially without any weapons.”

The others rose, buttoning their overcoats, and lighting cigars.

The others stood up, buttoning their coats, and lighting cigars.

“Raining, still,” said Doctor May, “and hard. Where did we leave the coach, Mitchell?”

“It's still raining,” said Doctor May, “and it's coming down hard. Where did we leave the coach, Mitchell?”

“At the other side of the works.—Kirby, what's that?”

“At the other side of the works.—Kirby, what’s that?”

Mitchell started back, half-frightened, as, suddenly turning a corner, the white figure of a woman faced him in the darkness,—a woman, white, of giant proportions, crouching on the ground, her arms flung out in some wild gesture of warning.

Mitchell stepped back, half-scared, as he suddenly turned a corner and saw the white figure of a woman facing him in the dark—a woman, pale and of huge size, crouching on the ground with her arms stretched out in some frantic gesture of warning.

“Stop! Make that fire burn there!” cried Kirby, stopping short.

“Stop! Keep that fire burning there!” shouted Kirby, coming to a sudden halt.

The flame burst out, flashing the gaunt figure into bold relief.

The flame erupted, highlighting the thin figure dramatically.

Mitchell drew a long breath.

Mitchell took a deep breath.

“I thought it was alive,” he said, going up curiously.

“I thought it was alive,” he said, walking up with curiosity.

The others followed.

The rest followed.

“Not marble, eh?” asked Kirby, touching it.

“Not marble, huh?” asked Kirby, touching it.

One of the lower overseers stopped.

One of the junior supervisors paused.

“Korl, Sir.”

"Korl, Sir."

“Who did it?”

"Who did this?"

“Can't say. Some of the hands; chipped it out in off-hours.”

“Can't say. Some of the crew; worked on it during their off hours.”

“Chipped to some purpose, I should say. What a flesh-tint the stuff has! Do you see, Mitchell?”

“Chipped for a reason, I’d say. Look at the skin tone of this material! Do you see it, Mitchell?”

“I see.”

"Got it."

He had stepped aside where the light fell boldest on the figure, looking at it in silence. There was not one line of beauty or grace in it: a nude woman's form, muscular, grown coarse with labor, the powerful limbs instinct with some one poignant longing. One idea: there it was in the tense, rigid muscles, the clutching hands, the wild, eager face, like that of a starving wolf's. Kirby and Doctor May walked around it, critical, curious. Mitchell stood aloof, silent. The figure touched him strangely.

He had stepped aside where the light shone brightest on the figure, watching it in silence. There wasn’t a single line of beauty or grace in it: a nude woman’s body, muscular and roughened by hard work, with powerful limbs filled with some deep longing. One idea: it was evident in the tense, rigid muscles, the clenching hands, the wild, eager face, resembling that of a starving wolf. Kirby and Doctor May walked around it, critical and curious. Mitchell stood apart, silent. The figure affected him in a surprising way.

“Not badly done,” said Doctor May, “Where did the fellow learn that sweep of the muscles in the arm and hand? Look at them! They are groping, do you see?—clutching: the peculiar action of a man dying of thirst.”

“Not bad at all,” said Doctor May, “Where did this guy learn that movement of the muscles in the arm and hand? Look at them! They’re reaching out, you see?—grasping: the unique action of a man dying of thirst.”

“They have ample facilities for studying anatomy,” sneered Kirby, glancing at the half-naked figures.

“They have plenty of resources for studying anatomy,” sneered Kirby, looking at the half-naked figures.

“Look,” continued the Doctor, “at this bony wrist, and the strained sinews of the instep! A working-woman,—the very type of her class.”

"Look," the Doctor continued, "at this bony wrist and the tense sinews of the instep! She's a working woman—the perfect example of her class."

“God forbid!” muttered Mitchell.

“God forbid!” Mitchell muttered.

“Why?” demanded May, “What does the fellow intend by the figure? I cannot catch the meaning.”

“Why?” asked May, “What does the guy mean by that figure? I can't understand the meaning.”

“Ask him,” said the other, dryly, “There he stands,”—pointing to Wolfe, who stood with a group of men, leaning on his ash-rake.

“Ask him,” said the other, dryly, “There he is,”—pointing to Wolfe, who stood with a group of men, resting on his ash rake.

The Doctor beckoned him with the affable smile which kind-hearted men put on, when talking to these people.

The Doctor waved him over with the friendly smile that kind-hearted people adopt when talking to those in need.

“Mr. Mitchell has picked you out as the man who did this,—I'm sure I don't know why. But what did you mean by it?”

“Mr. Mitchell has identified you as the person who did this—honestly, I have no idea why. But what did you mean by it?”

“She be hungry.”

"She's hungry."

Wolfe's eyes answered Mitchell, not the Doctor.

Wolfe's eyes responded to Mitchell, not the Doctor.

“Oh-h! But what a mistake you have made, my fine fellow! You have given no sign of starvation to the body. It is strong,—terribly strong. It has the mad, half-despairing gesture of drowning.”

“Oh-h! But what a mistake you’ve made, my good friend! You haven’t shown any signs of starvation in your body. It’s strong—really strong. It has that wild, desperate look of someone who’s drowning.”

Wolfe stammered, glanced appealingly at Mitchell, who saw the soul of the thing, he knew. But the cool, probing eyes were turned on himself now,—mocking, cruel, relentless.

Wolfe stammered and looked hopefully at Mitchell, who understood the situation deep down. But now, the calm, examining eyes were focused on him—mocking, cruel, and relentless.

“Not hungry for meat,” the furnace-tender said at last.

“Not hungry for meat,” the furnace-tender finally said.

“What then? Whiskey?” jeered Kirby, with a coarse laugh.

“What now? Whiskey?” mocked Kirby with a rough laugh.

Wolfe was silent a moment, thinking.

Wolfe was quiet for a moment, lost in thought.

“I dunno,” he said, with a bewildered look. “It mebbe. Summat to make her live, I think,—like you. Whiskey ull do it, in a way.”

"I don't know," he said, looking confused. "Maybe. Something to keep her alive, I think—like you. Whiskey will do that, in a way."

The young man laughed again. Mitchell flashed a look of disgust somewhere,—not at Wolfe.

The young man laughed again. Mitchell gave a look of disgust in some direction—not at Wolfe.

“May,” he broke out impatiently, “are you blind? Look at that woman's face! It asks questions of God, and says, 'I have a right to know,' Good God, how hungry it is!”

“May,” he exclaimed impatiently, “are you blind? Look at that woman's face! It demands answers from God, and it says, 'I have a right to know.' Good God, how desperate it is!”

They looked a moment; then May turned to the mill-owner:—

They glanced for a moment; then May turned to the mill owner:—

“Have you many such hands as this? What are you going to do with them? Keep them at puddling iron?”

“Do you have many hands like this? What do you plan to do with them? Keep them for puddling iron?”

Kirby shrugged his shoulders. Mitchell's look had irritated him.

Kirby shrugged. Mitchell's glare had annoyed him.

“Ce n'est pas mon affaire. I have no fancy for nursing infant geniuses. I suppose there are some stray gleams of mind and soul among these wretches. The Lord will take care of his own; or else they can work out their own salvation. I have heard you call our American system a ladder which any man can scale. Do you doubt it? Or perhaps you want to banish all social ladders, and put us all on a flat table-land,—eh, May?”

“It's not my problem. I'm not interested in nurturing budding geniuses. I guess there are some flashes of intelligence and spirit among these unfortunate ones. The Lord will take care of His own; or they can find their own way to salvation. I've heard you call our American system a ladder that anyone can climb. Do you really doubt that? Or maybe you want to get rid of all social ladders and put us all on a level playing field, right, May?”

The Doctor looked vexed, puzzled. Some terrible problem lay hid in this woman's face, and troubled these men. Kirby waited for an answer, and, receiving none, went on, warming with his subject.

The Doctor looked annoyed and confused. There was some terrible issue hidden in this woman's face that was bothering these men. Kirby waited for a response, and when he got none, he continued, getting more into his topic.

“I tell you, there's something wrong that no talk of 'Liberte' or 'Egalite' will do away. If I had the making of men, these men who do the lowest part of the world's work should be machines,—nothing more,—hands. It would be kindness. God help them! What are taste, reason, to creatures who must live such lives as that?” He pointed to Deborah, sleeping on the ash-heap. “So many nerves to sting them to pain. What if God had put your brain, with all its agony of touch, into your fingers, and bid you work and strike with that?”

“I tell you, there’s something wrong that no talk of ‘Liberty’ or ‘Equality’ can change. If I could create men, those who do the lowest jobs in the world would just be machines—nothing more—just hands. That would be mercy. God help them! What do taste and reason mean to beings who have to live lives like that?” He pointed to Deborah, sleeping on the ash-heap. “So many nerves to make them feel pain. What if God had placed your brain, with all its sensitive perceptions, in your fingers, and told you to work and hit with that?”

“You think you could govern the world better?” laughed the Doctor.

"You think you could run the world better?" the Doctor laughed.

“I do not think at all.”

"I don’t think at all."

“That is true philosophy. Drift with the stream, because you cannot dive deep enough to find bottom, eh?”

"That's real philosophy. Go with the flow, because you can't dive deep enough to find the bottom, right?"

“Exactly,” rejoined Kirby. “I do not think. I wash my hands of all social problems,—slavery, caste, white or black. My duty to my operatives has a narrow limit,—the pay-hour on Saturday night. Outside of that, if they cut korl, or cut each other's throats, (the more popular amusement of the two,) I am not responsible.”

“Exactly,” replied Kirby. “I don’t think. I wash my hands of all social issues—slavery, class, white or black. My responsibility to my workers is narrow—it’s just about paying them on Saturday night. Beyond that, if they deal with conflict or hurt each other (which seems to be the more popular option), it’s not my concern.”

The Doctor sighed,—a good honest sigh, from the depths of his stomach.

The Doctor sighed—a deep, genuine sigh from the pit of his stomach.

“God help us! Who is responsible?”

“God help us! Who is in charge?”

“Not I, I tell you,” said Kirby, testily. “What has the man who pays them money to do with their souls' concerns, more than the grocer or butcher who takes it?”

“Not me, I swear,” said Kirby, irritably. “What does the guy who pays them money have to do with their souls' issues, any more than the grocer or butcher who collects it?”

“And yet,” said Mitchell's cynical voice, “look at her! How hungry she is!”

“And yet,” said Mitchell's cynical voice, “look at her! She’s so hungry!”

Kirby tapped his boot with his cane. No one spoke. Only the dumb face of the rough image looking into their faces with the awful question, “What shall we do to be saved?” Only Wolfe's face, with its heavy weight of brain, its weak, uncertain mouth, its desperate eyes, out of which looked the soul of his class,—only Wolfe's face turned towards Kirby's. Mitchell laughed,—a cool, musical laugh.

Kirby tapped his boot with his cane. No one said a word. Only the blank expression of the rough figure staring at them with the terrible question, “What should we do to be saved?” Only Wolfe's face, burdened with thought, his weak, uncertain mouth, his desperate eyes, which reflected the essence of his class—only Wolfe's face turned towards Kirby's. Mitchell laughed—a smooth, musical laugh.

“Money has spoken!” he said, seating himself lightly on a stone with the air of an amused spectator at a play. “Are you answered?”—turning to Wolfe his clear, magnetic face.

“Money has spoken!” he said, sitting down easily on a stone like an amused spectator at a play. “Are you satisfied?”—turning to Wolfe with his bright, magnetic face.

Bright and deep and cold as Arctic air, the soul of the man lay tranquil beneath. He looked at the furnace-tender as he had looked at a rare mosaic in the morning; only the man was the more amusing study of the two.

Bright and deep and cold like Arctic air, the man's soul lay calm beneath. He looked at the furnace-tender as he had looked at a rare mosaic in the morning; only the man was the more entertaining study of the two.

“Are you answered? Why, May, look at him! 'De profundis clamavi.' Or, to quote in English, 'Hungry and thirsty, his soul faints in him.' And so Money sends back its answer into the depths through you, Kirby! Very clear the answer, too!—I think I remember reading the same words somewhere: washing your hands in Eau de Cologne, and saying, 'I am innocent of the blood of this man. See ye to it!'”

“Are you answered? Well, May, look at him! 'Out of the depths I cry.' Or, to put it in English, 'Hungry and thirsty, my soul faints within me.' And so Money sends back its answer through you, Kirby! The answer is very clear too!—I think I remember reading the same thing somewhere: washing your hands with perfume and saying, 'I am innocent of this man's blood. You handle it!'”

Kirby flushed angrily.

Kirby got really angry.

“You quote Scripture freely.”

"You freely quote Scripture."

“Do I not quote correctly? I think I remember another line, which may amend my meaning? 'Inasmuch as ye did it unto one of the least of these, ye did it unto me.' Deist? Bless you, man, I was raised on the milk of the Word. Now, Doctor, the pocket of the world having uttered its voice, what has the heart to say? You are a philanthropist, in a small Way,—n'est ce pas? Here, boy, this gentleman can show you how to cut korl better,—or your destiny. Go on, May!”

“Am I quoting incorrectly? I think I recall another line that might clarify my point: 'Whatever you did for the least of these, you did for me.' A deist? Come on, I was raised on the teachings of the Bible. Now, Doctor, with the world speaking up, what does the heart have to say? You're a philanthropist, in your own way, right? Here, kid, this gentleman can teach you how to cut korl better—or your fate. Go ahead, May!”

“I think a mocking devil possesses you to-night,” rejoined the Doctor, seriously.

“I think a mocking devil has taken over you tonight,” the Doctor replied, seriously.

He went to Wolfe and put his hand kindly on his arm. Something of a vague idea possessed the Doctor's brain that much good was to be done here by a friendly word or two: a latent genius to be warmed into life by a waited-for sunbeam. Here it was: he had brought it. So he went on complacently:

He went to Wolfe and gently placed his hand on his arm. The Doctor had a hazy thought that a kind word or two could do a lot of good here: a hidden talent waiting to be brought to life by a long-awaited ray of sunshine. Here it was: he had brought it. So he continued confidently:

“Do you know, boy, you have it in you to be a great sculptor, a great man? do you understand?” (talking down to the capacity of his hearer: it is a way people have with children, and men like Wolfe,)—“to live a better, stronger life than I, or Mr. Kirby here? A man may make himself anything he chooses. God has given you stronger powers than many men,—me, for instance.”

“Do you know, kid, you have what it takes to be a great sculptor, a great person? Do you get that?” (looking down on the intelligence of his listener: it’s a common way people talk to kids and guys like Wolfe.) “You can live a better, stronger life than I or Mr. Kirby here. A person can become anything they want. God has given you greater abilities than many men—like me, for example.”

May stopped, heated, glowing with his own magnanimity. And it was magnanimous. The puddler had drunk in every word, looking through the Doctor's flurry, and generous heat, and self-approval, into his will, with those slow, absorbing eyes of his.

May stopped, feeling warm and proud of his own generosity. And it was generous. The puddler had taken in every word, seeing past the Doctor's nervousness, warmth, and self-satisfaction, into his true purpose, with those slow, intense eyes of his.

“Make yourself what you will. It is your right.

“Create yourself as you choose. It's your right.”

“I know,” quietly. “Will you help me?”

“I know,” she said softly. “Will you help me?”

Mitchell laughed again. The Doctor turned now, in a passion,—

Mitchell laughed again. The Doctor turned now, in a passion,—

“You know, Mitchell, I have not the means. You know, if I had, it is in my heart to take this boy and educate him for”—

“You know, Mitchell, I don't have the resources. You know, if I did, I would love to take this boy and educate him for—”

“The glory of God, and the glory of John May.”

“The glory of God, and the glory of John May.”

May did not speak for a moment; then, controlled, he said,—

May didn’t say anything for a moment; then, keeping his composure, he said,—

“Why should one be raised, when myriads are left?—I have not the money, boy,” to Wolfe, shortly.

“Why should one person be saved when countless others are left behind?—I don’t have the money, kid,” said Wolfe abruptly.

“Money?” He said it over slowly, as one repeats the guessed answer to a riddle, doubtfully. “That is it? Money?”

“Money?” He said it slowly, like someone repeating the answer they think might be right to a riddle, unsure. “Is that it? Money?”

“Yes, money,—that is it,” said Mitchell, rising, and drawing his furred coat about him. “You've found the cure for all the world's diseases.—Come, May, find your good-humor, and come home. This damp wind chills my very bones. Come and preach your Saint-Simonian doctrines' to-morrow to Kirby's hands. Let them have a clear idea of the rights of the soul, and I'll venture next week they'll strike for higher wages. That will be the end of it.”

“Yeah, it’s all about money,” said Mitchell, standing up and wrapping his fur coat around himself. “You’ve discovered the solution to all the world’s problems. Come on, May, get your good spirits back and let’s head home. This damp wind is freezing me to the bone. Save your Saint-Simonian ideas for Kirby’s crew tomorrow. Let them understand the rights of the soul, and I bet next week they’ll demand higher wages. That’ll be the end of it.”

“Will you send the coach-driver to this side of the mills?” asked Kirby, turning to Wolfe.

“Can you send the driver over to this side of the mills?” Kirby asked, turning to Wolfe.

He spoke kindly: it was his habit to do so. Deborah, seeing the puddler go, crept after him. The three men waited outside. Doctor May walked up and down, chafed. Suddenly he stopped.

He spoke kindly; that was just how he was. Deborah, noticing the puddler leave, quietly followed him. The three men waited outside. Doctor May paced back and forth, feeling restless. Suddenly, he stopped.

“Go back, Mitchell! You say the pocket and the heart of the world speak without meaning to these people. What has its head to say? Taste, culture, refinement? Go!”

“Go back, Mitchell! You say the pocket and the heart of the world speak without meaning to these people. What does its head have to say? Taste, culture, refinement? Go!”

Mitchell was leaning against a brick wall. He turned his head indolently, and looked into the mills. There hung about the place a thick, unclean odor. The slightest motion of his hand marked that he perceived it, and his insufferable disgust. That was all. May said nothing, only quickened his angry tramp.

Mitchell was leaning against a brick wall. He turned his head lazily and looked into the mills. A thick, unpleasant smell hung in the air. Even the smallest movement of his hand showed that he noticed it, along with his extreme disgust. That was it. May said nothing, only sped up his furious pace.

“Besides,” added Mitchell, giving a corollary to his answer, “it would be of no use. I am not one of them.”

“Besides,” added Mitchell, giving a follow-up to his answer, “it wouldn’t help. I’m not one of them.”

“You do not mean”—said May, facing him.

“You don't mean”—said May, facing him.

“Yes, I mean just that. Reform is born of need, not pity. No vital movement of the people's has worked down, for good or evil; fermented, instead, carried up the heaving, cloggy mass. Think back through history, and you will know it. What will this lowest deep—thieves, Magdalens, negroes—do with the light filtered through ponderous Church creeds, Baconian theories, Goethe schemes? Some day, out of their bitter need will be thrown up their own light-bringer,—their Jean Paul, their Cromwell, their Messiah.”

“Yes, I mean exactly that. Reform comes from necessity, not sympathy. No significant movement of the people has ever emerged from above; instead, it has bubbled up from the heavy, struggling masses. Think back through history and you'll see what I mean. What will those at the very bottom—thieves, fallen women, the marginalized—do with the light that comes from heavy Church doctrines, Bacon's theories, or Goethe's ideas? One day, from their deep desperation, they will bring forth their own light-bringer—someone like Jean Paul, Cromwell, or their Messiah.”

“Bah!” was the Doctor's inward criticism. However, in practice, he adopted the theory; for, when, night and morning, afterwards, he prayed that power might be given these degraded souls to rise, he glowed at heart, recognizing an accomplished duty.

“Bah!” was the Doctor's inner criticism. However, in practice, he embraced the theory; for, when, day and night, afterwards, he prayed that strength might be given to these broken souls to rise, he felt a warm satisfaction inside, acknowledging a responsibility fulfilled.

Wolfe and the woman had stood in the shadow of the works as the coach drove off. The Doctor had held out his hand in a frank, generous way, telling him to “take care of himself, and to remember it was his right to rise.” Mitchell had simply touched his hat, as to an equal, with a quiet look of thorough recognition. Kirby had thrown Deborah some money, which she found, and clutched eagerly enough. They were gone now, all of them. The man sat down on the cinder-road, looking up into the murky sky.

Wolfe and the woman stood in the shadow of the factory as the coach drove away. The Doctor had extended his hand in an open, generous manner, telling him to “take care of himself and remember it was his right to move up.” Mitchell had just tipped his hat, acknowledging him as an equal, with a calm look of full recognition. Kirby had tossed some money to Deborah, which she found and grabbed eagerly. They were all gone now. The man sat down on the gravel road, looking up at the cloudy sky.

“'T be late, Hugh. Wunnot hur come?”

“Don’t be late, Hugh. Won’t she come?”

He shook his head doggedly, and the woman crouched out of his sight against the wall. Do you remember rare moments when a sudden light flashed over yourself, your world, God? when you stood on a mountain-peak, seeing your life as it might have been, as it is? one quick instant, when custom lost its force and every-day usage? when your friend, wife, brother, stood in a new light? your soul was bared, and the grave,—a foretaste of the nakedness of the Judgment-Day? So it came before him, his life, that night. The slow tides of pain he had borne gathered themselves up and surged against his soul. His squalid daily life, the brutal coarseness eating into his brain, as the ashes into his skin: before, these things had been a dull aching into his consciousness; to-night, they were reality. He griped the filthy red shirt that clung, stiff with soot, about him, and tore it savagely from his arm. The flesh beneath was muddy with grease and ashes,—and the heart beneath that! And the soul? God knows.

He shook his head stubbornly, and the woman crouched out of his sight against the wall. Do you remember those rare moments when a sudden light shone on yourself, your world, God? When you stood on a mountaintop, seeing your life as it might have been and as it is? That one quick instant when routine lost its hold and everyday habits faded away? When your friend, wife, brother, stood in a new light? Your soul was laid bare, and the grave felt like a glimpse of the nakedness of Judgment Day? That's how his life appeared to him that night. The slow waves of pain he had endured gathered together and surged against his soul. His miserable daily life, the harsh coarseness eating into his mind like ashes into his skin: before, these things had been a dull ache in his awareness; tonight, they were real. He gripped the filthy red shirt that clung to him, stiff with soot, and tore it off his arm with fury. The flesh beneath was grimy with grease and ashes—and the heart beneath that! And the soul? Only God knows.

Then flashed before his vivid poetic sense the man who had left him,—the pure face, the delicate, sinewy limbs, in harmony with all he knew of beauty or truth. In his cloudy fancy he had pictured a Something like this. He had found it in this Mitchell, even when he idly scoffed at his pain: a Man all-knowing, all-seeing, crowned by Nature, reigning,—the keen glance of his eye falling like a sceptre on other men. And yet his instinct taught him that he too—He! He looked at himself with sudden loathing, sick, wrung his hands With a cry, and then was silent. With all the phantoms of his heated, ignorant fancy, Wolfe had not been vague in his ambitions. They were practical, slowly built up before him out of his knowledge of what he could do. Through years he had day by day made this hope a real thing to himself,—a clear, projected figure of himself, as he might become.

Then the man who had left him flashed before his vivid poetic sense—the pure face, the lean, strong limbs, perfectly in tune with everything he understood about beauty and truth. In his cloudy imagination, he had envisioned something like this. He had found it in this Mitchell, even when he had carelessly mocked his pain: a man who knew everything, saw everything, crowned by Nature, ruling—the sharp gaze of his eyes falling like a scepter on others. And yet, his instincts told him that he too—He! He looked at himself with sudden disgust, feeling sick, wringing his hands with a cry, and then fell silent. With all the phantoms of his heated, ignorant imagination, Wolfe had been clear about his ambitions. They were practical, slowly taking shape before him based on what he knew he could achieve. Over the years, he had made this hope a reality for himself—a clear, imagined version of himself as he could become.

Able to speak, to know what was best, to raise these men and women working at his side up with him: sometimes he forgot this defined hope in the frantic anguish to escape, only to escape,—out of the wet, the pain, the ashes, somewhere, anywhere,—only for one moment of free air on a hill-side, to lie down and let his sick soul throb itself out in the sunshine. But to-night he panted for life. The savage strength of his nature was roused; his cry was fierce to God for justice.

Able to speak, to know what was right, to lift these men and women working alongside him up with him: sometimes he lost sight of this hopeful vision in the desperate struggle to flee, just to escape—from the damp, the hurt, the ruins, anywhere, everywhere—for just one moment of fresh air on a hillside, to lie down and let his weary soul unwind in the sunshine. But tonight he craved life. The raw power of his spirit was awakened; his cry to God for justice was fierce.

“Look at me!” he said to Deborah, with a low, bitter laugh, striking his puny chest savagely. “What am I worth, Deb? Is it my fault that I am no better? My fault? My fault?”

“Look at me!” he said to Deborah, with a low, bitter laugh, hitting his tiny chest fiercely. “What am I worth, Deb? Is it my fault that I’m not better? My fault? My fault?”

He stopped, stung with a sudden remorse, seeing her hunchback shape writhing with sobs. For Deborah was crying thankless tears, according to the fashion of women.

He stopped, hit with a wave of regret, watching her hunched figure convulsing with tears. Because Deborah was crying unappreciated tears, as women often do.

“God forgi' me, woman! Things go harder Wi' you nor me. It's a worse share.”

“God forgive me, woman! Things are tougher for you than for me. It's a worse deal.”

He got up and helped her to rise; and they went doggedly down the muddy street, side by side.

He got up and helped her stand; then they walked stubbornly down the muddy street, side by side.

“It's all wrong,” he muttered, slowly,—“all wrong! I dunnot understan'. But it'll end some day.”

“It's all wrong,” he muttered slowly, “all wrong! I don't understand. But it’ll end someday.”

“Come home, Hugh!” she said, coaxingly; for he had stopped, looking around bewildered.

“Come home, Hugh!” she said softly, as he had paused, glancing around in confusion.

“Home,—and back to the mill!” He went on saying this over to himself, as if he would mutter down every pain in this dull despair.

“Home—and back to the mill!” He kept repeating this to himself, almost as if he were trying to drown out every ache in this monotonous despair.

She followed him through the fog, her blue lips chattering with cold. They reached the cellar at last. Old Wolfe had been drinking since she went out, and had crept nearer the door. The girl Janey slept heavily in the corner. He went up to her, touching softly the worn white arm with his fingers. Some bitterer thought stung him, as he stood there. He wiped the drops from his forehead, and went into the room beyond, livid, trembling. A hope, trifling, perhaps, but very dear, had died just then out of the poor puddler's life, as he looked at the sleeping, innocent girl,—some plan for the future, in which she had borne a part. He gave it up that moment, then and forever. Only a trifle, perhaps, to us: his face grew a shade paler,—that was all. But, somehow, the man's soul, as God and the angels looked down on it, never was the same afterwards.

She followed him through the fog, her blue lips chattering from the cold. They finally reached the cellar. Old Wolfe had been drinking since she left and had moved closer to the door. The girl Janey was sleeping heavily in the corner. He walked up to her, gently touching her worn white arm with his fingers. A bitter thought struck him as he stood there. He wiped the sweat from his forehead and went into the room beyond, pale and trembling. A hope, slight maybe, but very precious, had just died in the poor puddler's life as he looked at the sleeping, innocent girl—some plan for the future that included her. He let that go in that moment, for good. It might seem like a small thing to us: his face became a shade paler—that was all. But somehow, the man's soul, as God and the angels looked down on it, was never the same afterward.

Deborah followed him into the inner room. She carried a candle, which she placed on the floor, closing the door after her. She had seen the look on his face, as he turned away: her own grew deadly. Yet, as she came up to him, her eyes glowed. He was seated on an old chest, quiet, holding his face in his hands.

Deborah stepped into the inner room after him. She held a candle, which she set down on the floor, then closed the door behind her. She had noticed the expression on his face as he turned away, and her own turned cold. However, as she approached him, her eyes sparkled with intensity. He was sitting on an old chest, silent, with his face buried in his hands.

“Hugh!” she said, softly.

“Hugh!” she said gently.

He did not speak.

He didn’t say anything.

“Hugh, did hur hear what the man said,—him with the clear voice? Did hur hear? Money, money,—that it wud do all?”

“Hugh, did you hear what the man said,—the one with the clear voice? Did you hear? Money, money,—that it would do everything?”

He pushed her away,—gently, but he was worn out; her rasping tone fretted him.

He pushed her away—gently, but he was exhausted; her harsh tone irritated him.

“Hugh!”

“Hugh!”

The candle flared a pale yellow light over the cobwebbed brick walls, and the woman standing there. He looked at her. She was young, in deadly earnest; her faded eyes, and wet, ragged figure caught from their frantic eagerness a power akin to beauty.

The candle cast a dim yellow light over the cobweb-covered brick walls and the woman standing there. He looked at her. She was young, intensely serious; her sunken eyes and damp, tattered appearance conveyed a strength that was almost beautiful.

“Hugh, it is true! Money ull do it! Oh, Hugh, boy, listen till me! He said it true! It is money!”

“Hugh, it’s true! Money will do it! Oh, Hugh, listen to me! He said it’s true! It’s money!”

“I know. Go back! I do not want you here.”

“I know. Go back! I don’t want you here.”

“Hugh, it is t' last time. I'll never worrit hur again.”

“Hugh, this is the last time. I’ll never bother her again.”

There were tears in her voice now, but she choked them back:

There were tears in her voice now, but she held them back:

“Hear till me only to-night! If one of t' witch people wud come, them we heard oft' home, and gif hur all hur wants, what then? Say, Hugh!”

“Hear me out just tonight! If one of those witches were to come, and we gave her everything she wanted, what then? Tell me, Hugh!”

“What do you mean?”

"What do you mean?"

“I mean money.”

"I mean cash."

Her whisper shrilled through his brain.

Her whisper pierced through his mind.

“If one oft' witch dwarfs wud come from t' lane moors to-night, and gif hur money, to go out,—OUT, I say,—out, lad, where t' sun shines, and t' heath grows, and t' ladies walk in silken gownds, and God stays all t' time,—where t'man lives that talked to us to-night, Hugh knows,—Hugh could walk there like a king!”

“If one of those witch dwarfs would come from the moors tonight and give her money to go out—OUT, I say—out, boy, where the sun shines, the heath grows, the ladies walk in silk gowns, and God is present all the time—where the man lives who spoke to us tonight, Hugh knows—Hugh could walk there like a king!”

He thought the woman mad, tried to check her, but she went on, fierce in her eager haste.

He thought the woman was crazy, tried to stop her, but she kept going, determined in her urgent rush.

“If I were t' witch dwarf, if I had t' money, wud hur thank me? Wud hur take me out o' this place wid hur and Janey? I wud not come into the gran' house hur wud build, to vex hur wid t' hunch,—only at night, when t' shadows were dark, stand far off to see hur.”

“If I were the witch dwarf, if I had the money, would she thank me? Would she take me away from this place with her and Janey? I wouldn’t come into the big house she would build to annoy her with my hunch—only at night, when the shadows were dark, I would stand far off to look at her.”

Mad? Yes! Are many of us mad in this way?

Mad? Yes! Are a lot of us crazy like this?

“Poor Deb! poor Deb!” he said, soothingly.

"Poor Deb! Poor Deb!" he said, gently.

“It is here,” she said, suddenly, jerking into his hand a small roll. “I took it! I did it! Me, me!—not hur! I shall be hanged, I shall be burnt in hell, if anybody knows I took it! Out of his pocket, as he leaned against t' bricks. Hur knows?”

“It’s here,” she said abruptly, shoving a small roll into his hand. “I took it! I did it! Me, me!—not her! I’ll be hanged, I’ll be burned in hell if anyone finds out I took it! I got it out of his pocket while he was leaning against the bricks. Does she know?”

She thrust it into his hand, and then, her errand done, began to gather chips together to make a fire, choking down hysteric sobs.

She shoved it into his hand, and then, her task completed, started to collect chips to make a fire, stifling her sobs.

“Has it come to this?”

“Is it really this bad?”

That was all he said. The Welsh Wolfe blood was honest. The roll was a small green pocket-book containing one or two gold pieces, and a check for an incredible amount, as it seemed to the poor puddler. He laid it down, hiding his face again in his hands.

That was all he said. The Welsh Wolfe blood was genuine. The roll was a small green wallet containing one or two gold coins, and a check for an astonishing amount, as it seemed to the poor puddler. He set it down, burying his face in his hands once more.

“Hugh, don't be angry wud me! It's only poor Deb,—hur knows?”

“Hugh, don’t be mad at me! It’s just poor Deb—who knows?”

He took the long skinny fingers kindly in his.

He gently took her long, slender fingers in his.

“Angry? God help me, no! Let me sleep. I am tired.”

“Angry? God help me, no! Just let me sleep. I’m tired.”

He threw himself heavily down on the wooden bench, stunned with pain and weariness. She brought some old rags to cover him.

He collapsed onto the wooden bench, overwhelmed with pain and exhaustion. She brought some old rags to cover him.

It was late on Sunday evening before he awoke. I tell God's truth, when I say he had then no thought of keeping this money. Deborah had hid it in his pocket. He found it there. She watched him eagerly, as he took it out.

It was late Sunday evening when he finally woke up. I swear to God, he had no intention of keeping that money. Deborah had hidden it in his pocket. He discovered it there. She watched him closely as he took it out.

“I must gif it to him,” he said, reading her face.

“I have to give it to him,” he said, reading her expression.

“Hur knows,” she said with a bitter sigh of disappointment. “But it is hur right to keep it.”

“Hur knows,” she said with a bitter sigh of disappointment. “But it is hur right to keep it.”

His right! The word struck him. Doctor May had used the same. He washed himself, and went out to find this man Mitchell. His right! Why did this chance word cling to him so obstinately? Do you hear the fierce devils whisper in his ear, as he went slowly down the darkening street?

His right! The word hit him hard. Doctor May had used the same term. He cleaned himself up and went out to look for this guy Mitchell. His right! Why did this random word stick to him so stubbornly? Do you hear the fierce voices whispering in his ear as he slowly walked down the darkening street?

The evening came on, slow and calm. He seated himself at the end of an alley leading into one of the larger streets. His brain was clear to-night, keen, intent, mastering. It would not start back, cowardly, from any hellish temptation, but meet it face to face. Therefore the great temptation of his life came to him veiled by no sophistry, but bold, defiant, owning its own vile name, trusting to one bold blow for victory.

The evening came on, slow and calm. He sat at the end of an alley leading into one of the larger streets. His mind was clear tonight, sharp, focused, and in control. It wouldn’t shrink away, cowardly, from any hellish temptation, but would confront it head-on. Thus, the greatest temptation of his life approached him unmasked by any trickery, but bold, defiant, acknowledging its own ugly name, relying on one decisive strike for victory.

He did not deceive himself. Theft! That was it. At first the word sickened him; then he grappled with it. Sitting there on a broken cart-wheel, the fading day, the noisy groups, the church-bells' tolling passed before him like a panorama, while the sharp struggle went on within. This money! He took it out, and looked at it. If he gave it back, what then? He was going to be cool about it.

He wasn’t fooling himself. Theft! That was it. At first, the word made him feel nauseous; then he wrestled with it. Sitting there on a broken cartwheel, with the day fading, the loud crowds, and the church bells ringing around him like a scene from a movie, he continued to fight with his inner turmoil. This money! He took it out and looked at it. If he gave it back, what would happen then? He was determined to stay calm about it.

People going by to church saw only a sickly mill-boy watching them quietly at the alley's mouth. They did not know that he was mad, or they would not have gone by so quietly: mad with hunger; stretching out his hands to the world, that had given so much to them, for leave to live the life God meant him to live. His soul within him was smothering to death; he wanted so much, thought so much, and knew—nothing. There was nothing of which he was certain, except the mill and things there. Of God and heaven he had heard so little, that they were to him what fairy-land is to a child: something real, but not here; very far off. His brain, greedy, dwarfed, full of thwarted energy and unused powers, questioned these men and women going by, coldly, bitterly, that night. Was it not his right to live as they,—a pure life, a good, true-hearted life, full of beauty and kind words? He only wanted to know how to use the strength within him. His heart warmed, as he thought of it. He suffered himself to think of it longer. If he took the money?

People passing by to church only noticed a sickly mill-boy quietly watching them at the alley's entrance. They didn’t realize he was mad, or they wouldn’t have walked by so calmly: mad with hunger; reaching out his hands to the world that had given so much to them, asking for the chance to live the life God intended for him. His soul was suffocating; he desired so much, thought so much, and knew—nothing. The only thing he was certain about was the mill and everything related to it. He had heard so little about God and heaven that they felt to him like fairy-tale land does to a child: something real, but not here; very far away. His mind, eager yet stunted, filled with frustrated energy and untapped potential, coldly and bitterly questioned the men and women passing by that night. Wasn’t it his right to live as they did—a pure life, a good, genuine life, full of beauty and kind words? All he wanted was to know how to harness the strength inside him. His heart warmed at the thought. He allowed himself to dwell on it longer. What if he took the money?

Then he saw himself as he might be, strong, helpful, kindly. The night crept on, as this one image slowly evolved itself from the crowd of other thoughts and stood triumphant. He looked at it. As he might be! What wonder, if it blinded him to delirium,—the madness that underlies all revolution, all progress, and all fall?

Then he saw himself as he could be, strong, helpful, kind. The night went on as this one image slowly emerged from the crowd of other thoughts and stood victorious. He looked at it. As he could be! What a wonder, if it blinded him to delirium—the madness that drives all revolution, all progress, and all decline?

You laugh at the shallow temptation? You see the error underlying its argument so clearly,—that to him a true life was one of full development rather than self-restraint? that he was deaf to the higher tone in a cry of voluntary suffering for truth's sake than in the fullest flow of spontaneous harmony? I do not plead his cause. I only want to show you the mote in my brother's eye: then you can see clearly to take it out.

You laugh at the superficial temptation? You see the flaw in its logic so clearly—that for him, a true life was about full development rather than self-restraint? That he couldn’t hear the higher meaning in a cry of voluntary suffering for the sake of truth compared to the fullest expression of spontaneous harmony? I'm not defending him. I just want to point out the speck in my brother's eye; then you can see clearly enough to remove it.

The money,—there it lay on his knee, a little blotted slip of paper, nothing in itself; used to raise him out of the pit, something straight from God's hand. A thief! Well, what was it to be a thief? He met the question at last, face to face, wiping the clammy drops of sweat from his forehead. God made this money—the fresh air, too—for his children's use. He never made the difference between poor and rich. The Something who looked down on him that moment through the cool gray sky had a kindly face, he knew,—loved his children alike. Oh, he knew that!

The money—there it was on his lap, a little stained piece of paper, nothing special by itself; it had the power to lift him out of the darkness, a gift straight from God's hand. A thief! So what does it mean to be a thief? He finally confronted that question, wiping the clammy sweat from his forehead. God created this money—the fresh air, too—for the benefit of his children. He never made a distinction between the poor and the rich. The Being who looked down on him at that moment through the cool gray sky had a kindly face, he realized—loved his children equally. Oh, he knew that!

There were times when the soft floods of color in the crimson and purple flames, or the clear depth of amber in the water below the bridge, had somehow given him a glimpse of another world than this,—of an infinite depth of beauty and of quiet somewhere,—somewhere, a depth of quiet and rest and love. Looking up now, it became strangely real. The sun had sunk quite below the hills, but his last rays struck upward, touching the zenith. The fog had risen, and the town and river were steeped in its thick, gray damp; but overhead, the sun-touched smoke-clouds opened like a cleft ocean,—shifting, rolling seas of crimson mist, waves of billowy silver veined with blood-scarlet, inner depths unfathomable of glancing light. Wolfe's artist-eye grew drunk with color. The gates of that other world! Fading, flashing before him now! What, in that world of Beauty, Content, and Right, were the petty laws, the mine and thine, of mill-owners and mill hands?

There were moments when the soft waves of color in the red and purple flames, or the clear amber glow of the water under the bridge, had somehow given him a glimpse of a different world—an endless depth of beauty and peace somewhere—somewhere, a place of calm, rest, and love. Looking up now, it felt strangely real. The sun had completely set behind the hills, but its last rays shot upward, touching the sky. The fog had rolled in, and the town and river were enveloped in thick, gray dampness; but overhead, the sunlit smoke clouds opened like a split ocean—shifting, rolling seas of crimson mist, waves of billowy silver streaked with blood-red, with unfathomable depths of sparkling light. Wolfe’s artist eye became intoxicated by color. The gates to that other world! Fading, flashing before him now! What, in that world of Beauty, Contentment, and Justice, were the trivial laws, the mine and yours, of factory owners and workers?

A consciousness of power stirred within him. He stood up. A man,—he thought, stretching out his hands,—free to work, to live, to love! Free! His right! He folded the scrap of paper in his hand. As his nervous fingers took it in, limp and blotted, so his soul took in the mean temptation, lapped it in fancied rights, in dreams of improved existences, drifting and endless as the cloud-seas of color. Clutching it, as if the tightness of his hold would strengthen his sense of possession, he went aimlessly down the street. It was his watch at the mill. He need not go, need never go again, thank God!—shaking off the thought with unspeakable loathing.

A sense of power stirred inside him. He stood up. A man, he thought, stretching out his hands—free to work, to live, to love! Free! It was his right! He folded the scrap of paper in his hand. As his anxious fingers gripped it, limp and smudged, his soul absorbed the petty temptation, wrapped it in imagined rights, in dreams of better lives, drifting and endless like seas of colorful clouds. Clutching it, as if the tightness of his grip would strengthen his sense of ownership, he wandered down the street without purpose. It was his shift at the mill. He didn’t have to go, never had to go again, thank God!—shaking off the thought with deep disgust.

Shall I go over the history of the hours of that night? how the man wandered from one to another of his old haunts, with a half-consciousness of bidding them farewell,—lanes and alleys and back-yards where the mill-hands lodged,—noting, with a new eagerness, the filth and drunkenness, the pig-pens, the ash-heaps covered with potato-skins, the bloated, pimpled women at the doors, with a new disgust, a new sense of sudden triumph, and, under all, a new, vague dread, unknown before, smothered down, kept under, but still there? It left him but once during the night, when, for the second time in his life, he entered a church. It was a sombre Gothic pile, where the stained light lost itself in far-retreating arches; built to meet the requirements and sympathies of a far other class than Wolfe's. Yet it touched, moved him uncontrollably. The distances, the shadows, the still, marble figures, the mass of silent kneeling worshippers, the mysterious music, thrilled, lifted his soul with a wonderful pain. Wolfe forgot himself, forgot the new life he was going to live, the mean terror gnawing underneath. The voice of the speaker strengthened the charm; it was clear, feeling, full, strong. An old man, who had lived much, suffered much; whose brain was keenly alive, dominant; whose heart was summer-warm with charity. He taught it to-night. He held up Humanity in its grand total; showed the great world-cancer to his people. Who could show it better? He was a Christian reformer; he had studied the age thoroughly; his outlook at man had been free, world-wide, over all time. His faith stood sublime upon the Rock of Ages; his fiery zeal guided vast schemes by which the Gospel was to be preached to all nations. How did he preach it to-night? In burning, light-laden words he painted Jesus, the incarnate Life, Love, the universal Man: words that became reality in the lives of these people,—that lived again in beautiful words and actions, trifling, but heroic. Sin, as he defined it, was a real foe to them; their trials, temptations, were his. His words passed far over the furnace-tender's grasp, toned to suit another class of culture; they sounded in his ears a very pleasant song in an unknown tongue. He meant to cure this world-cancer with a steady eye that had never glared with hunger, and a hand that neither poverty nor strychnine-whiskey had taught to shake. In this morbid, distorted heart of the Welsh puddler he had failed.

Should I go over the history of the hours of that night? How the man wandered from one familiar place to another, half-aware that he was saying goodbye—through the streets, alleys, and backyards where the factory workers lived—noticing, with a fresh eagerness, the dirt and drunkenness, the pig pens, the piles of ash covered with potato peels, the bloated, pimpled women standing at the door, feeling a new disgust, a sudden sense of triumph, and, deep down, an unfamiliar dread that had been buried but was still there? It only left him once during the night when, for the second time in his life, he entered a church. It was a dark Gothic building where the stained light disappeared into distant arches; built to serve a very different class than Wolfe’s. Yet it touched him, moved him deeply. The distances, the shadows, the still marble figures, the crowd of silent kneeling worshippers, the mysterious music inspired him, lifting his soul with a painful beauty. Wolfe lost track of himself, forgot the new life he was about to live, the gnawing anxiety beneath the surface. The speaker’s voice added to the enchantment; it was clear, heartfelt, full and strong. An old man who had lived and suffered a lot; whose mind was sharp and alive; whose heart was warm with charity. He taught that night. He held up Humanity in all its complexity, showing his people the great world affliction. Who could express it better? He was a Christian reformer who had thoroughly studied the times; his view of humanity was broad, global, and timeless. His faith stood strong on the foundation of the ages; his fiery passion drove ambitious plans to share the Gospel with all nations. How did he preach that night? In powerful, vivid words, he portrayed Jesus, the embodiment of Life and Love, the universal Man: words that became real in the lives of these people—coming alive again in beautiful words and actions, simple yet heroic. Sin, as he defined it, was a genuine enemy to them; their trials and temptations mirrored his own. His words reached far beyond the furnace worker's experiences, adjusted for another level of culture; they sounded to him like a lovely song in a foreign language. He aimed to heal this world affliction with a steady gaze that had never been fueled by hunger and a hand that neither poverty nor toxic alcohol had made tremble. In the weary, troubled heart of the Welsh puddler, he had failed.

Eighteen centuries ago, the Master of this man tried reform in the streets of a city as crowded and vile as this, and did not fail. His disciple, showing Him to-night to cultured hearers, showing the clearness of the God-power acting through Him, shrank back from one coarse fact; that in birth and habit the man Christ was thrown up from the lowest of the people: his flesh, their flesh; their blood, his blood; tempted like them, to brutalize day by day; to lie, to steal: the actual slime and want of their hourly life, and the wine-press he trod alone.

Eighteen centuries ago, the Master of this man sought to create change in the streets of a city as crowded and corrupt as this one, and he succeeded. His disciple, presenting Him tonight to an educated audience and demonstrating the clarity of the divine power working through Him, hesitated at one harsh truth: that in birth and upbringing, the man Christ emerged from the lowest of the people; his flesh was their flesh, their blood was his blood; he faced the same temptations as they did, to become brutalized day after day, to lie, to steal: the actual grime and struggles of their everyday lives, and the burden he bore alone.

Yet, is there no meaning in this perpetually covered truth? If the son of the carpenter had stood in the church that night, as he stood with the fishermen and harlots by the sea of Galilee, before His Father and their Father, despised and rejected of men, without a place to lay His head, wounded for their iniquities, bruised for their transgressions, would not that hungry mill-boy at least, in the back seat, have “known the man”? That Jesus did not stand there.

Yet, is there no meaning in this constantly hidden truth? If the son of the carpenter had been in the church that night, just like he was with the fishermen and outcasts by the Sea of Galilee, standing before His Father and their Father, looked down upon and rejected by people, without a place to rest His head, hurt for their wrongdoings, beaten for their sins, wouldn't that hungry mill boy in the back seat at least have “recognized the man”? That Jesus was not there.

Wolfe rose at last, and turned from the church down the street. He looked up; the night had come on foggy, damp; the golden mists had vanished, and the sky lay dull and ash-colored. He wandered again aimlessly down the street, idly wondering what had become of the cloud-sea of crimson and scarlet. The trial-day of this man's life was over, and he had lost the victory. What followed was mere drifting circumstance,—a quicker walking over the path,—that was all. Do you want to hear the end of it? You wish me to make a tragic story out of it? Why, in the police-reports of the morning paper you can find a dozen such tragedies: hints of shipwrecks unlike any that ever befell on the high seas; hints that here a power was lost to heaven,—that there a soul went down where no tide can ebb or flow. Commonplace enough the hints are,—jocose sometimes, done up in rhyme.

Wolfe finally got up and walked away from the church down the street. He looked up; the night had turned foggy and damp; the golden mist had disappeared, and the sky was dull and gray. He wandered aimlessly down the street, casually wondering what happened to the vibrant sea of crimson and scarlet. The decisive day of this man's life was over, and he had lost the battle. What came next was just aimless drifting—simply a faster walk along the path—that's all. Do you want to hear how it ends? Do you want me to turn it into a tragic story? Well, in the police reports of the morning paper, you can find a dozen stories like this: hints of shipwrecks unlike any that ever happened on the high seas; hints that here a force was lost to heaven—that there a soul was lost where no tide can ebb or flow. The hints are pretty routine—sometimes even humorous, presented in rhyme.

Doctor May a month after the night I have told you of, was reading to his wife at breakfast from this fourth column of the morning-paper: an unusual thing,—these police-reports not being, in general, choice reading for ladies; but it was only one item he read.

Doctor May, a month after the night I mentioned, was reading to his wife at breakfast from the fourth column of the morning paper: a rare thing, since police reports usually aren’t what women prefer to read; but he only read one item.

“Oh, my dear! You remember that man I told you of, that we saw at Kirby's mill?—that was arrested for robbing Mitchell? Here he is; just listen:—'Circuit Court. Judge Day. Hugh Wolfe, operative in Kirby & John's Loudon Mills. Charge, grand larceny. Sentence, nineteen years hard labor in penitentiary. Scoundrel! Serves him right! After all our kindness that night! Picking Mitchell's pocket at the very time!”

“Oh, my dear! Do you remember that guy I mentioned, the one we saw at Kirby's mill?—the one who got arrested for robbing Mitchell? Here he is; just listen:—'Circuit Court. Judge Day. Hugh Wolfe, worker at Kirby & John's Loudon Mills. Charge, grand larceny. Sentence, nineteen years of hard labor in prison. What a scoundrel! He deserves it! After all our kindness that night! Stealing from Mitchell right at that moment!”

His wife said something about the ingratitude of that kind of people, and then they began to talk of something else.

His wife mentioned something about how ungrateful those kinds of people are, and then they shifted the conversation to another topic.

Nineteen years! How easy that was to read! What a simple word for Judge Day to utter! Nineteen years! Half a lifetime!

Nineteen years! How easy that was to read! What a simple word for Judge Day to say! Nineteen years! Half a lifetime!

Hugh Wolfe sat on the window-ledge of his cell, looking out. His ankles Were ironed. Not usual in such cases; but he had made two desperate efforts to escape. “Well,” as Haley, the jailer, said, “small blame to him! Nineteen years' imprisonment was not a pleasant thing to look forward to.” Haley was very good-natured about it, though Wolfe had fought him savagely.

Hugh Wolfe sat on the windowsill of his cell, looking out. His ankles were chained. That wasn't typical in these situations, but he had made two desperate attempts to escape. “Well,” as Haley, the jailer, said, “you can't really blame him! Nineteen years in prison is not something anyone would want to face.” Haley was quite easygoing about it, even though Wolfe had fought him fiercely.

“When he was first caught,” the jailer said afterwards, in telling the story, “before the trial, the fellow was cut down at once,—laid there on that pallet like a dead man, with his hands over his eyes. Never saw a man so cut down in my life. Time of the trial, too, came the queerest dodge of any customer I ever had. Would choose no lawyer. Judge gave him one, of course. Gibson it Was. He tried to prove the fellow crazy; but it wouldn't go. Thing was plain as daylight: money found on him. 'T was a hard sentence,—all the law allows; but it was for 'xample's sake. These mill-hands are gettin' onbearable. When the sentence was read, he just looked up, and said the money was his by rights, and that all the world had gone wrong. That night, after the trial, a gentleman came to see him here, name of Mitchell,—him as he stole from. Talked to him for an hour. Thought he came for curiosity, like. After he was gone, thought Wolfe was remarkable quiet, and went into his cell. Found him very low; bed all bloody. Doctor said he had been bleeding at the lungs. He was as weak as a cat; yet if ye'll b'lieve me, he tried to get a-past me and get out. I just carried him like a baby, and threw him on the pallet. Three days after, he tried it again: that time reached the wall. Lord help you! he fought like a tiger,—giv' some terrible blows. Fightin' for life, you see; for he can't live long, shut up in the stone crib down yonder. Got a death-cough now. 'T took two of us to bring him down that day; so I just put the irons on his feet. There he sits, in there. Goin' to-morrow, with a batch more of 'em. That woman, hunchback, tried with him,—you remember?—she's only got three years. 'Complice. But she's a woman, you know. He's been quiet ever since I put on irons: giv' up, I suppose. Looks white, sick-lookin'. It acts different on 'em, bein' sentenced. Most of 'em gets reckless, devilish-like. Some prays awful, and sings them vile songs of the mills, all in a breath. That woman, now, she's desper't'. Been beggin' to see Hugh, as she calls him, for three days. I'm a-goin' to let her in. She don't go with him. Here she is in this next cell. I'm a-goin' now to let her in.”

“When he was first caught,” the jailer said later while telling the story, “before the trial, the guy was taken down right away,—laid there on that mattress like a dead man, with his hands over his eyes. Never saw a guy so messed up in my life. During the trial, he pulled the strangest stunt I’ve ever seen. He wouldn’t pick a lawyer. The judge assigned him one, of course. It was Gibson. He tried to argue that the guy was crazy; but that didn’t fly. The situation was clear as day: there was money found on him. It was a harsh sentence,—the maximum the law allows; but it was for ‘example’s sake.’ These mill workers are getting unbearable. When the sentence was read, he just looked up and said the money was rightfully his, and that the whole world had gone wrong. That night, after the trial, a gentleman came to see him here, named Mitchell,—the one he stole from. They talked for an hour. I thought he came out of curiosity. After he left, I noticed Wolfe was unusually quiet, so I went into his cell. Found him in a really bad state; the bed was all bloody. The doctor said he had been coughing up blood. He was as weak as a kitten; yet, believe it or not, he tried to push past me and escape. I just carried him like a baby and threw him back on the mattress. Three days later, he tried again: this time he made it to the wall. Good Lord! he fought like a tiger,—landed some nasty blows. He was fighting for his life, you see; he can’t survive long locked up in that stone box down there. He’s got a death cough now. It took two of us to bring him down that day; so I just put shackles on his feet. There he sits, in there. He’s going tomorrow, along with a group of others. That hunchback woman tried to get through with him,—you remember?—she only got three years. ‘Accomplice.’ But she’s a woman, you know. He’s been quiet since I shackled him: I guess he’s given up. Looks pale, sickly. The sentence has a different effect on them; most get reckless, acting like devils. Some pray like crazy, and sing those awful mill songs all in one breath. That woman, now, she’s desperate. She’s been begging to see Hugh, as she calls him, for three days. I’m going to let her in. She doesn’t stay with him. She’s in the next cell. I’m off to let her in now.”

He let her in. Wolfe did not see her. She crept into a corner of the cell, and stood watching him. He was scratching the iron bars of the window with a piece of tin which he had picked up, with an idle, uncertain, vacant stare, just as a child or idiot would do.

He let her in. Wolfe didn’t notice her. She quietly moved to a corner of the cell and stood watching him. He was scratching the iron bars of the window with a piece of tin he had found, looking at it with an aimless, blank stare, just like a child or someone with a mental disability might do.

“Tryin' to get out, old boy?” laughed Haley. “Them irons will need a crow-bar beside your tin, before you can open 'em.”

“Trying to get out, buddy?” laughed Haley. “You’ll need a crowbar along with your tools before you can open those up.”

Wolfe laughed, too, in a senseless way.

Wolfe laughed, too, but it was a meaningless laugh.

“I think I'll get out,” he said.

“I think I’ll leave,” he said.

“I believe his brain's touched,” said Haley, when he came out.

“I think he's lost it,” said Haley when he came out.

The puddler scraped away with the tin for half an hour. Still Deborah did not speak. At last she ventured nearer, and touched his arm.

The puddler scraped away with the tin for half an hour. Still, Deborah didn't say anything. Finally, she moved closer and touched his arm.

“Blood?” she said, looking at some spots on his coat with a shudder.

“Blood?” she said, shuddering as she looked at some spots on his coat.

He looked up at her, “Why, Deb!” he said, smiling,—such a bright, boyish smile, that it Went to poor Deborah's heart directly, and she sobbed and cried out loud.

He looked up at her, “Wow, Deb!” he said, smiling—a bright, boyish smile that went straight to poor Deborah's heart, and she sobbed and cried out loud.

“Oh, Hugh, lad! Hugh! dunnot look at me, when it wur my fault! To think I brought hur to it! And I loved hur so! Oh lad, I dud!”

“Oh, Hugh, buddy! Hugh! Don't look at me, when it was my fault! To think I brought her to this! And I loved her so much! Oh man, I really did!”

The confession, even In this wretch, came with the woman's blush through the sharp cry.

The confession, even in this miserable state, came with the woman's blush through the intense cry.

He did not seem to hear her,—scraping away diligently at the bars with the bit of tin.

He didn't seem to hear her—scraping away at the bars with a piece of tin.

Was he going mad? She peered closely into his face. Something she saw there made her draw suddenly back,—something which Haley had not seen, that lay beneath the pinched, vacant look it had caught since the trial, or the curious gray shadow that rested on it. That gray shadow,—yes, she knew what that meant. She had often seen it creeping over women's faces for months, who died at last of slow hunger or consumption. That meant death, distant, lingering: but this—Whatever it was the woman saw, or thought she saw, used as she was to crime and misery, seemed to make her sick with a new horror. Forgetting her fear of him, she caught his shoulders, and looked keenly, steadily, into his eyes.

Was he losing his mind? She leaned in closer to his face. Something she noticed there made her suddenly pull back—something Haley hadn’t seen, lying beneath the tight, vacant expression he had worn since the trial, or the strange gray shadow that rested on it. That gray shadow—yes, she recognized what that signified. She had often seen it creeping over women’s faces for months, who eventually died from slow starvation or tuberculosis. That meant death, a distant, lingering one: but this—Whatever it was the woman saw, or thought she saw, despite being used to crime and suffering, seemed to fill her with a new sense of horror. Forgetting her fear of him, she grabbed his shoulders and looked sharply, steadily, into his eyes.

“Hugh!” she cried, in a desperate whisper,—“oh, boy, not that! for God's sake, not that!”

“Hugh!” she exclaimed in a desperate whisper, “oh, boy, not that! For God's sake, not that!”

The vacant laugh went off his face, and he answered her in a muttered word or two that drove her away. Yet the words were kindly enough. Sitting there on his pallet, she cried silently a hopeless sort of tears, but did not speak again. The man looked up furtively at her now and then. Whatever his own trouble was, her distress vexed him with a momentary sting.

The blank smile vanished from his face, and he quietly muttered a word or two that sent her away. Still, the words were gentle enough. As she sat on his cot, she silently cried tears of hopelessness but didn’t say anything more. Occasionally, he glanced at her out of the corner of his eye. No matter what his own struggles were, her sadness bothered him with a brief pang.

It was market-day. The narrow window of the jail looked down directly on the carts and wagons drawn up in a long line, where they had unloaded. He could see, too, and hear distinctly the clink of money as it changed hands, the busy crowd of whites and blacks shoving, pushing one another, and the chaffering and swearing at the stalls. Somehow, the sound, more than anything else had done, wakened him up,—made the whole real to him. He was done with the world and the business of it. He let the tin fall, and looked out, pressing his face close to the rusty bars. How they crowded and pushed! And he,—he should never walk that pavement again! There came Neff Sanders, one of the feeders at the mill, with a basket on his arm. Sure enough, Nyeff was married the other week. He whistled, hoping he would look up; but he did not. He wondered if Neff remembered he was there,—if any of the boys thought of him up there, and thought that he never was to go down that old cinder-road again. Never again! He had not quite understood it before; but now he did. Not for days or years, but never!—that was it.

It was market day. The narrow jail window looked directly down at the carts and wagons lined up where they had unloaded. He could see and clearly hear the clink of money changing hands, the busy crowd of both white and Black people shoving and pushing each other, and the haggling and swearing at the stalls. Somehow, the sound, more than anything else, had woken him up—made everything feel real to him. He was done with the world and all its business. He let the tin fall and leaned close to the rusty bars. Look at them crowding and pushing! And him—he would never walk that pavement again! Here came Neff Sanders, one of the feeders at the mill, with a basket on his arm. Sure enough, Neff had gotten married the other week. He whistled, hoping Neff would look up; but he didn’t. He wondered if Neff remembered he was there—if any of the guys thought about him up there and realized he would never walk that old cinder road again. Never again! He hadn’t fully understood it before; but now he did. Not for days or years, but never!—that was it.

How clear the light fell on that stall in front of the market! and how like a picture it was, the dark-green heaps of corn, and the crimson beets, and golden melons! There was another with game: how the light flickered on that pheasant's breast, with the purplish blood dripping over the brown feathers! He could see the red shining of the drops, it was so near. In one minute he could be down there. It was just a step. So easy, as it seemed, so natural to go! Yet it could never be—not in all the thousands of years to come—that he should put his foot on that street again! He thought of himself with a sorrowful pity, as of some one else. There was a dog down in the market, walking after his master with such a stately, grave look!—only a dog, yet he could go backwards and forwards just as he pleased: he had good luck! Why, the very vilest cur, yelping there in the gutter, had not lived his life, had been free to act out whatever thought God had put into his brain; while he—No, he would not think of that! He tried to put the thought away, and to listen to a dispute between a countryman and a woman about some meat; but it would come back. He, what had he done to bear this?

How clearly the light fell on that stall in front of the market! And how much like a picture it was, with the dark-green mounds of corn, and the red beets, and golden melons! There was another stall with game: how the light flickered on that pheasant's breast, with the purplish blood dripping over the brown feathers! He could see the red gleam of the drops, it was so close. In a minute, he could be down there. It was just a step. So easy, it seemed, so natural to go! Yet it could never be—not in all the thousands of years to come—that he would set foot on that street again! He thought of himself with sorrowful pity, as if he were someone else. There was a dog down in the market, walking after his owner with such a dignified, serious look!—just a dog, yet he could go wherever he pleased: he had good fortune! Why, even the most miserable mutt, yelping in the gutter, hadn’t lived his life and had been free to act out whatever thought God had put into his head; while he—No, he wouldn’t think about that! He tried to push the thought away and listen to a dispute between a farmer and a woman over some meat; but it kept coming back. What had he done to deserve this?

Then came the sudden picture of what might have been, and now. He knew what it was to be in the penitentiary, how it went with men there. He knew how in these long years he should slowly die, but not until soul and body had become corrupt and rotten,—how, when he came out, if he lived to come, even the lowest of the mill-hands would jeer him,—how his hands would be weak, and his brain senseless and stupid. He believed he was almost that now. He put his hand to his head, with a puzzled, weary look. It ached, his head, with thinking. He tried to quiet himself. It was only right, perhaps; he had done wrong. But was there right or wrong for such as he? What was right? And who had ever taught him? He thrust the whole matter away. A dark, cold quiet crept through his brain. It was all wrong; but let it be! It was nothing to him more than the others. Let it be!

Then came the sudden image of what might have been, and what it is now. He understood what it was like to be in prison, how men lived there. He knew that during those long years he would slowly fade away, but not until his soul and body became corrupted and decayed—how, when he got out, if he lived to see that day, even the lowest factory workers would mock him—how his hands would be weak and his mind dull and sluggish. He felt like he was almost there now. He put his hand to his head, looking puzzled and exhausted. His head hurt from thinking. He tried to calm himself. It was probably deserved; he had made mistakes. But was there such a thing as right or wrong for someone like him? What was right? And who had ever taught him? He pushed the whole issue aside. A dark, cold stillness settled in his mind. It was all wrong; but let it be! It meant no more to him than it did to anyone else. Let it be!

The door grated, as Haley opened it.

The door creaked as Haley opened it.

“Come, my woman! Must lock up for t' night. Come, stir yerself!”

“Come on, my woman! We need to lock up for the night. Come on, get moving!”

She went up and took Hugh's hand.

She went over and took Hugh's hand.

“Good-night, Deb,” he said, carelessly.

“Goodnight, Deb,” he said, casually.

She had not hoped he would say more; but the tired pain on her mouth just then was bitterer than death. She took his passive hand and kissed it.

She didn’t expect him to say more, but the weariness and pain on her face felt more bitter than death. She took his limp hand and kissed it.

“Hur'll never see Deb again!” she ventured, her lips growing colder and more bloodless.

“Hur'll never see Deb again!” she said, her lips becoming colder and more pale.

What did she say that for? Did he not know it? Yet he would not be impatient with poor old Deb. She had trouble of her own, as well as he.

What did she say that for? Didn’t he already know it? Still, he wouldn’t get annoyed with poor old Deb. She had her own troubles, just like he did.

“No, never again,” he said, trying to be cheerful.

“No, never again,” he said, making an effort to sound upbeat.

She stood just a moment, looking at him. Do you laugh at her, standing there, with her hunchback, her rags, her bleared, withered face, and the great despised love tugging at her heart?

She paused for a moment, staring at him. Do you mock her, standing there with her hunchback, her tattered clothes, her faded, worn-out face, and the huge, rejected love pulling at her heart?

“Come, you!” called Haley, impatiently.

“Hey, you!” called Haley, impatiently.

She did not move.

She stayed still.

“Hugh!” she whispered.

“Hugh!” she said quietly.

It was to be her last word. What was it?

It was going to be her final word. What was it?

“Hugh, boy, not THAT!”

“Hugh, dude, not THAT!”

He did not answer. She wrung her hands, trying to be silent, looking in his face in an agony of entreaty. He smiled again, kindly.

He didn’t answer. She wrung her hands, trying to stay quiet, looking at his face with desperate pleading. He smiled again, kindly.

“It is best, Deb. I cannot bear to be hurted any more.

“It’s for the best, Deb. I can’t take being hurt anymore."

“Hur knows,” she said, humbly.

“Hur knows,” she said, modestly.

“Tell my father good-bye; and—and kiss little Janey.”

“Tell my dad goodbye; and—and kiss little Janey.”

She nodded, saying nothing, looked in his face again, and went out of the door. As she went, she staggered.

She nodded without saying anything, looked at his face again, and walked out the door. As she left, she stumbled.

“Drinkin' to-day?” broke out Haley, pushing her before him. “Where the Devil did you get it? Here, in with ye!” and he shoved her into her cell, next to Wolfe's, and shut the door.

“Drinking today?” Haley exclaimed, shoving her ahead of him. “Where the hell did you get it? Come on, in with you!” and he pushed her into her cell, next to Wolfe's, and slammed the door shut.

Along the wall of her cell there was a crack low down by the floor, through which she could see the light from Wolfe's. She had discovered it days before. She hurried in now, and, kneeling down by it, listened, hoping to hear some sound. Nothing but the rasping of the tin on the bars. He was at his old amusement again. Something in the noise jarred on her ear, for she shivered as she heard it. Hugh rasped away at the bars. A dull old bit of tin, not fit to cut korl with.

Along the wall of her cell, there was a crack low down by the floor, through which she could see the light from Wolfe's. She had discovered it days earlier. She rushed over, kneeling down by it, listening, hoping to hear something. All she could hear was the scraping of the tin on the bars. He was back to his old pastime again. Something about the noise was grating to her ears, making her shiver as she listened. Hugh scraped away at the bars. A dull piece of tin, not even sharp enough to cut korl with.

He looked out of the window again. People were leaving the market now. A tall mulatto girl, following her mistress, her basket on her head, crossed the street just below, and looked up. She was laughing; but, when she caught sight of the haggard face peering out through the bars, suddenly grew grave, and hurried by. A free, firm step, a clear-cut olive face, with a scarlet turban tied on one side, dark, shining eyes, and on the head the basket poised, filled with fruit and flowers, under which the scarlet turban and bright eyes looked out half-shadowed. The picture caught his eye. It was good to see a face like that. He would try to-morrow, and cut one like it. To-morrow! He threw down the tin, trembling, and covered his face with his hands. When he looked up again, the daylight was gone.

He looked out the window again. People were leaving the market now. A tall mixed-race girl, following her mistress with a basket on her head, crossed the street below and looked up. She was laughing, but when she saw the haggard face peering through the bars, she suddenly became serious and hurried past. She moved with a free, confident stride, her olive skin clear and bright, a red turban tied stylishly to one side, dark, shining eyes, and the basket balanced atop her head filled with fruit and flowers, partially shadowing her scarlet turban and bright eyes. The image caught his attention. It was refreshing to see a face like that. He would try to create one like it tomorrow. Tomorrow! He dropped the tin, shaking, and covered his face with his hands. When he looked up again, the daylight had disappeared.

Deborah, crouching near by on the other side of the wall, heard no noise. He sat on the side of the low pallet, thinking. Whatever was the mystery which the woman had seen on his face, it came out now slowly, in the dark there, and became fixed,—a something never seen on his face before. The evening was darkening fast. The market had been over for an hour; the rumbling of the carts over the pavement grew more infrequent: he listened to each, as it passed, because he thought it was to be for the last time. For the same reason, it was, I suppose, that he strained his eyes to catch a glimpse of each passer-by, wondering who they were, what kind of homes they were going to, if they had children,—listening eagerly to every chance word in the street, as if—(God be merciful to the man! what strange fancy was this?)—as if he never should hear human voices again.

Deborah, crouching nearby on the other side of the wall, heard no sound. He sat on the edge of the low pallet, deep in thought. Whatever mystery the woman had seen on his face became clear now, slowly revealing itself in the dark and settling in—something he had never shown before. The evening was quickly getting darker. The market had ended over an hour ago; the rumbling of carts over the pavement was becoming less frequent. He listened to each one as it passed, thinking it might be the last time he heard it. Perhaps that’s why he strained to catch a glimpse of each passerby, wondering who they were, what kind of homes they were heading to, if they had children—eager to catch every random word in the street, as if—(God help him! what a strange thought was this?)—as if he might never hear human voices again.

It was quite dark at last. The street was a lonely one. The last passenger, he thought, was gone. No,—there was a quick step: Joe Hill, lighting the lamps. Joe was a good old chap; never passed a fellow without some joke or other. He remembered once seeing the place where he lived with his wife. “Granny Hill” the boys called her. Bedridden she Was; but so kind as Joe was to her! kept the room so clean!—and the old woman, when he was there, was laughing at some of “t' lad's foolishness.” The step was far down the street; but he could see him place the ladder, run up, and light the gas. A longing seized him to be spoken to once more.

It was finally quite dark. The street felt empty. He thought the last passenger had left. No—there was a quick step: Joe Hill, lighting the lamps. Joe was a great guy; he always had a joke for everyone he met. He remembered seeing where he lived with his wife. The boys called her “Granny Hill.” She was bedridden, but Joe was so caring! He kept the room spotless! And the old woman would laugh at some of “the lad's foolishness” whenever he was there. The footsteps were further down the street, but he could see Joe setting up the ladder, climbing up, and lighting the gas. He suddenly felt a strong desire to be talked to just once more.

“Joe!” he called, out of the grating. “Good-bye, Joe!”

“Joe!” he yelled from the grate. “Goodbye, Joe!”

The old man stopped a moment, listening uncertainly; then hurried on. The prisoner thrust his hand out of the window, and called again, louder; but Joe was too far down the street. It was a little thing; but it hurt him,—this disappointment.

The old man paused for a moment, listening uncertainly; then hurried on. The prisoner reached his hand out of the window and called again, louder; but Joe was too far down the street. It was a small thing, but it stung him—this disappointment.

“Good-bye, Joe!” he called, sorrowfully enough.

"Goodbye, Joe!" he called, a bit sadly.

“Be quiet!” said one of the jailers, passing the door, striking on it with his club.

“Be quiet!” said one of the guards, walking by the door and hitting it with his club.

Oh, that was the last, was it?

Oh, was that the last one?

There was an inexpressible bitterness on his face, as he lay down on the bed, taking the bit of tin, which he had rasped to a tolerable degree of sharpness, in his hand,—to play with, it may be. He bared his arms, looking intently at their corded veins and sinews. Deborah, listening in the next cell, heard a slight clicking sound, often repeated. She shut her lips tightly, that she might not scream; the cold drops of sweat broke over her, in her dumb agony.

There was an indescribable bitterness on his face as he lay down on the bed, holding the piece of tin he had filed to a decent sharpness—maybe to play with. He rolled up his sleeves, staring closely at the cords and muscles in his arms. In the next cell, Deborah heard a faint clicking noise, repeating over and over. She pressed her lips together tightly to avoid screaming; cold sweat broke out on her as she endured her silent suffering.

“Hur knows best,” she muttered at last, fiercely clutching the boards where she lay.

“Hur knows best,” she muttered finally, gripping the boards tightly where she lay.

If she could have seen Wolfe, there was nothing about him to frighten her. He lay quite still, his arms outstretched, looking at the pearly stream of moonlight coming into the window. I think in that one hour that came then he lived back over all the years that had gone before. I think that all the low, vile life, all his wrongs, all his starved hopes, came then, and stung him with a farewell poison that made him sick unto death. He made neither moan nor cry, only turned his worn face now and then to the pure light, that seemed so far off, as one that said, “How long, O Lord? how long?”

If she could have seen Wolfe, there was nothing about him to scare her. He lay completely still, his arms stretched out, looking at the soft stream of moonlight pouring in through the window. I think in that one hour that followed, he relived all the years that had passed. I think all the dark, miserable life, all his wrongs, all his unfulfilled hopes, came rushing back and stabbed him with a farewell poison that made him feel sick to his core. He made no sound, no cry; he just turned his weathered face now and then toward the pure light, which seemed so distant, as if he were asking, “How long, O Lord? How long?”

The hour was over at last. The moon, passing over her nightly path, slowly came nearer, and threw the light across his bed on his feet. He watched it steadily, as it crept up, inch by inch, slowly. It seemed to him to carry with it a great silence. He had been so hot and tired there always in the mills! The years had been so fierce and cruel! There was coming now quiet and coolness and sleep. His tense limbs relaxed, and settled in a calm languor. The blood ran fainter and slow from his heart. He did not think now with a savage anger of what might be and was not; he was conscious only of deep stillness creeping over him. At first he saw a sea of faces: the mill-men,—women he had known, drunken and bloated,—Janey's timid and pitiful-poor old Debs: then they floated together like a mist, and faded away, leaving only the clear, pearly moonlight.

The hour was finally over. The moon, following its nightly course, slowly drew closer and cast light across his bed on his feet. He watched it intently as it crept up, inch by inch, at a leisurely pace. It seemed to bring with it a profound silence. He had always felt so hot and tired in the mills! The years had been so intense and harsh! Now, there was peace, coolness, and the promise of sleep. His tense limbs relaxed and settled into a gentle languor. The blood pulsed slower and fainter from his heart. He no longer thought with a fierce anger about what could have been but wasn't; he was only aware of a deep stillness washing over him. At first, he saw a sea of faces: the mill workers—women he had known, drunk and bloated—Janey's timid and pitiful old Debs: then they merged like a mist and faded away, leaving only the clear, pearly moonlight.

Whether, as the pure light crept up the stretched-out figure, it brought with It calm and peace, who shall say? His dumb soul was alone with God in judgment. A Voice may have spoken for it from far-off Calvary, “Father, forgive them, for they know not what they do!” Who dare say? Fainter and fainter the heart rose and fell, slower and slower the moon floated from behind a cloud, until, when at last its full tide of white splendor swept over the cell, it seemed to wrap and fold into a deeper stillness the dead figure that never should move again. Silence deeper than the Night! Nothing that moved, save the black, nauseous stream of blood dripping slowly from the pallet to the floor!

Whether the soft light creeping up the figure brought calm and peace, who can say? His silent soul was alone with God in judgment. A Voice may have called from far-off Calvary, “Father, forgive them, for they don’t know what they’re doing!” Who dares to say? The heartbeat grew fainter and fainter, slowing as the moon drifted away from behind a cloud, until at last, when its full tide of white splendor flooded the cell, it seemed to envelop the lifeless figure that would never move again in deeper stillness. Silence deeper than Night! Nothing stirred, except the thick, nauseating stream of blood dripping slowly from the pallet to the floor!

There was outcry and crowd enough in the cell the next day. The coroner and his jury, the local editors, Kirby himself, and boys with their hands thrust knowingly into their pockets and heads on one side, jammed into the corners. Coming and going all day. Only one woman. She came late, and outstayed them all. A Quaker, or Friend, as they call themselves. I think this woman Was known by that name in heaven. A homely body, coarsely dressed in gray and white. Deborah (for Haley had let her in) took notice of her. She watched them all—sitting on the end of the pallet, holding his head in her arms with the ferocity of a watch-dog, if any of them touched the body. There was no meekness, no sorrow, in her face; the stuff out of which murderers are made, instead. All the time Haley and the woman were laying straight the limbs and cleaning the cell, Deborah sat still, keenly watching the Quaker's face. Of all the crowd there that day, this woman alone had not spoken to her,—only once or twice had put some cordial to her lips. After they all were gone, the woman, in the same still, gentle way, brought a vase of wood-leaves and berries, and placed it by the pallet, then opened the narrow window. The fresh air blew in, and swept the woody fragrance over the dead face, Deborah looked up with a quick wonder.

There was a big commotion and a crowd gathered in the cell the next day. The coroner and his jury, the local editors, Kirby himself, and boys with their hands shoved knowingly into their pockets and heads tilted, crowded into the corners. They came and went all day. Only one woman was there. She arrived late and stayed longer than everyone else. A Quaker, or Friend, as they refer to themselves. I think this woman was known by that name in heaven. A plain woman, dressed simply in gray and white. Deborah (because Haley let her in) noticed her. She kept an eye on everyone—sitting on the edge of the pallet, cradling his head in her arms like a fierce watchdog, ready to protect the body from anyone who tried to touch it. There was no meekness, no sorrow on her face; instead, it held the kind of intensity found in murderers. While Haley and the woman were arranging the limbs and cleaning the cell, Deborah remained still, sharply observing the Quaker's face. Of all the people there that day, this woman alone hadn't spoken to her—only once or twice had she offered some cordial to her lips. After everyone left, the woman quietly brought a vase filled with leaves and berries and set it by the pallet, then opened the narrow window. The fresh air blew in, carrying the woody scent over the dead face, and Deborah looked up with a sudden sense of wonder.

“Did hur know my boy wud like it? Did hur know Hugh?”

“Did you know my boy would like it? Did you know Hugh?”

“I know Hugh now.”

“I know Hugh now.”

The white fingers passed in a slow, pitiful way over the dead, worn face. There was a heavy shadow in the quiet eyes.

The pale fingers slowly and sadly traced over the lifeless, weathered face. A deep sadness lingered in the still eyes.

“Did hur know where they'll bury Hugh?” said Deborah in a shrill tone, catching her arm.

“Do you know where they'll bury Hugh?” said Deborah in a sharp tone, grabbing her arm.

This had been the question hanging on her lips all day.

This had been the question on her mind all day.

“In t' town-yard? Under t' mud and ash? T' lad'll smother, woman! He wur born in t' lane moor, where t' air is frick and strong. Take hur out, for God's sake, take hur out where t' air blows!”

“In the town yard? Under the mud and ash? The boy will suffocate, woman! He was born in the open moor, where the air is fresh and strong. Get him out, for God's sake, get him out where the air flows!”

The Quaker hesitated, but only for a moment. She put her strong arm around Deborah and led her to the window.

The Quaker paused, but only for a moment. She wrapped her strong arm around Deborah and guided her to the window.

“Thee sees the hills, friend, over the river? Thee sees how the light lies warm there, and the winds of God blow all the day? I live there,—where the blue smoke is, by the trees. Look at me,” She turned Deborah's face to her own, clear and earnest, “Thee will believe me? I will take Hugh and bury him there to-morrow.”

“Do you see the hills, friend, over the river? Do you see how the light shines warm there, and how the winds of God blow all day? I live there—where the blue smoke is, by the trees. Look at me,” She turned Deborah's face to her own, clear and sincere, “You will believe me? I will take Hugh and bury him there tomorrow.”

Deborah did not doubt her. As the evening wore on, she leaned against the iron bars, looking at the hills that rose far off, through the thick sodden clouds, like a bright, unattainable calm. As she looked, a shadow of their solemn repose fell on her face; its fierce discontent faded into a pitiful, humble quiet. Slow, solemn tears gathered in her eyes: the poor weak eyes turned so hopelessly to the place where Hugh was to rest, the grave heights looking higher and brighter and more solemn than ever before. The Quaker watched her keenly. She came to her at last, and touched her arm.

Deborah believed in her completely. As the evening went on, she leaned against the iron bars, gazing at the distant hills that rose through the thick, heavy clouds, like a bright, unreachable peace. As she stared, the shadow of their serious stillness fell on her face; her intense frustration faded into a sad, humble calm. Slow, heavy tears filled her eyes: the poor, weak eyes turned helplessly toward the spot where Hugh was to rest, the lofty grave appearing higher, brighter, and more solemn than ever before. The Quaker observed her closely. She eventually approached her and touched her arm.

“When thee comes back,” she said, in a low, sorrowful tone, like one who speaks from a strong heart deeply moved with remorse or pity, “thee shall begin thy life again,—there on the hills. I came too late; but not for thee,—by God's help, it may be.”

“When you come back,” she said, in a low, sorrowful tone, like someone who speaks from a strong heart deeply moved with remorse or pity, “you will start your life again—there on the hills. I arrived too late; but not for you—by God's help, maybe.”

Not too late. Three years after, the Quaker began her work. I end my story here. At evening-time it was light. There is no need to tire you with the long years of sunshine, and fresh air, and slow, patient Christ-love, needed to make healthy and hopeful this impure body and soul. There is a homely pine house, on one of these hills, whose windows overlook broad, wooded slopes and clover-crimsoned meadows,—niched into the very place where the light is warmest, the air freest. It is the Friends' meeting-house. Once a week they sit there, in their grave, earnest way, waiting for the Spirit of Love to speak, opening their simple hearts to receive His words. There is a woman, old, deformed, who takes a humble place among them: waiting like them: in her gray dress, her worn face, pure and meek, turned now and then to the sky. A woman much loved by these silent, restful people; more silent than they, more humble, more loving. Waiting: with her eyes turned to hills higher and purer than these on which she lives, dim and far off now, but to be reached some day. There may be in her heart some latent hope to meet there the love denied her here,—that she shall find him whom she lost, and that then she will not be all-unworthy. Who blames her? Something is lost in the passage of every soul from one eternity to the other,—something pure and beautiful, which might have been and was not: a hope, a talent, a love, over which the soul mourns, like Esau deprived of his birthright. What blame to the meek Quaker, if she took her lost hope to make the hills of heaven more fair?

Not too late. Three years later, the Quaker began her work. I’ll end my story here. At evening, it was light. There’s no need to exhaust you with the long years of sunshine, fresh air, and slow, patient Christ-love that were needed to heal this impure body and soul. There’s a cozy pine house on one of these hills, with windows that look out over wide, wooded slopes and clover-filled meadows—perfectly situated where the light is warmest and the air is freshest. It’s the Friends’ meeting house. Once a week, they gather there, serious and earnest, waiting for the Spirit of Love to speak, opening their simple hearts to receive His messages. There’s an old, deformed woman who takes a humble place among them, waiting like they do: in her gray dress, her worn face, pure and meek, occasionally turning to the sky. She is much loved by these quiet, peaceful people; more silent than they, more humble, more loving. Waiting, with her eyes turned to hills that are higher and purer than the ones she lives on, dim and far away now, but to be reached someday. Perhaps she harbors some hidden hope in her heart to meet the love she was denied here—to find the one she lost, believing that then she won’t feel completely unworthy. Who can blame her? Something is lost in the journey of every soul from one eternity to the next—something pure and beautiful, that could have been but wasn’t: a hope, a talent, a love, over which the soul grieves, like Esau deprived of his birthright. What blame can be placed on the humble Quaker, if she drew on her lost hope to make the hills of heaven more beautiful?

Nothing remains to tell that the poor Welsh puddler once lived, but this figure of the mill-woman cut in korl. I have it here in a corner of my library. I keep it hid behind a curtain,—it is such a rough, ungainly thing. Yet there are about it touches, grand sweeps of outline, that show a master's hand. Sometimes,—to-night, for instance,—the curtain is accidentally drawn back, and I see a bare arm stretched out imploringly in the darkness, and an eager, wolfish face watching mine: a wan, woful face, through which the spirit of the dead korl-cutter looks out, with its thwarted life, its mighty hunger, its unfinished work. Its pale, vague lips seem to tremble with a terrible question. “Is this the End?” they say,—“nothing beyond? no more?” Why, you tell me you have seen that look in the eyes of dumb brutes,—horses dying under the lash. I know.

Nothing is left to show that the poor Welsh puddler ever lived, except this figure of the mill-woman carved in korl. I have it here in a corner of my library. I keep it hidden behind a curtain—it’s such a rough, clumsy thing. Yet there are certain touches, grand sweeps of outline, that reveal a master’s skill. Sometimes—like tonight—the curtain is accidentally pulled back, and I see a bare arm reaching out imploringly in the darkness, and a hungry, wolfish face watching me: a pale, sorrowful face, through which the spirit of the dead korl-cutter stares out, filled with its unfulfilled life, its deep longing, its unfinished work. Its pale, vague lips seem to quiver with a haunting question. “Is this the End?” they seem to ask—“nothing beyond? no more?” You tell me you’ve seen that look in the eyes of helpless animals—horses dying under the whip. I know.

The deep of the night is passing while I write. The gas-light wakens from the shadows here and there the objects which lie scattered through the room: only faintly, though; for they belong to the open sunlight. As I glance at them, they each recall some task or pleasure of the coming day. A half-moulded child's head; Aphrodite; a bough of forest-leaves; music; work; homely fragments, in which lie the secrets of all eternal truth and beauty. Prophetic all! Only this dumb, woful face seems to belong to and end with the night. I turn to look at it. Has the power of its desperate need commanded the darkness away? While the room is yet steeped in heavy shadow, a cool, gray light suddenly touches its head like a blessing hand, and its groping arm points through the broken cloud to the far East, where, in the flickering, nebulous crimson, God has set the promise of the Dawn.

The deep of the night is fading while I write. The gaslight stirs from the shadows, revealing the scattered objects in the room: only faintly, though, since they belong to the bright sunlight. As I glance at them, each one reminds me of a task or pleasure awaiting me in the morning. A half-formed child's head; Aphrodite; a branch of forest leaves; music; work; familiar fragments, holding the secrets of eternal truth and beauty. All of them are prophetic! Only this silent, sorrowful face seems tied to and defined by the night. I turn to look at it. Has its desperate need pushed away the darkness? While the room is still heavy with shadow, a cool, gray light suddenly touches its head like a blessing, and its reaching arm points through the broken cloud to the far East, where, in the flickering, hazy crimson, God has placed the promise of the Dawn.






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