This is a modern-English version of The Devil's Dictionary, originally written by Bierce, Ambrose. It has been thoroughly updated, including changes to sentence structure, words, spelling, and grammar—to ensure clarity for contemporary readers, while preserving the original spirit and nuance. If you click on a paragraph, you will see the original text that we modified, and you can toggle between the two versions.

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THE DEVIL’S DICTIONARY

by Ambrose Bierce


CONTENTS

AUTHOR'S PREFACE
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

AUTHOR'S PREFACE

The Devil's Dictionary was begun in a weekly paper in 1881, and was continued in a desultory way at long intervals until 1906. In that year a large part of it was published in covers with the title The Cynic's Word Book, a name which the author had not the power to reject or happiness to approve. To quote the publishers of the present work:

The Devil's Dictionary started in a weekly newspaper in 1881 and continued sporadically at long intervals until 1906. That year, a significant portion of it was released in book form under the title The Cynic's Word Book, a name the author couldn't refuse or be happy about. To quote the publishers of the current edition:

"This more reverent title had previously been forced upon him by the religious scruples of the last newspaper in which a part of the work had appeared, with the natural consequence that when it came out in covers the country already had been flooded by its imitators with a score of 'cynic' books—The Cynic's This, The Cynic's That, and The Cynic's t'Other. Most of these books were merely stupid, though some of them added the distinction of silliness. Among them, they brought the word 'cynic' into disfavor so deep that any book bearing it was discredited in advance of publication."

"This more respectful title had previously been imposed on him by the religious concerns of the last newspaper in which part of the work had appeared. As a result, by the time it was published in book form, the market was already flooded with imitators producing a bunch of 'cynic' books—The Cynic's This, The Cynic's That, and The Cynic's t'Other. Most of these books were simply bad, although some added the element of ridiculousness. Together, they tarnished the word 'cynic' so badly that any book with it in the title was discredited before it was even published."

Meantime, too, some of the enterprising humorists of the country had helped themselves to such parts of the work as served their needs, and many of its definitions, anecdotes, phrases and so forth, had become more or less current in popular speech. This explanation is made, not with any pride of priority in trifles, but in simple denial of possible charges of plagiarism, which is no trifle. In merely resuming his own the author hopes to be held guiltless by those to whom the work is addressed—enlightened souls who prefer dry wines to sweet, sense to sentiment, wit to humor and clean English to slang.

Meanwhile, some of the clever humorists in the country had taken parts of the work that fit their needs, and many of its definitions, anecdotes, phrases, and so on had become more or less part of everyday speech. This explanation is given not with any sense of pride over minor details, but simply to deny any potential accusations of plagiarism, which is a serious issue. By just returning to his own work, the author hopes to be seen as blameless by those to whom the work is intended—knowledgeable readers who prefer dry wines to sweet, logic to sentiment, wit to humor, and proper English to slang.

A conspicuous, and it is hoped not unpleasant, feature of the book is its abundant illustrative quotations from eminent poets, chief of whom is that learned and ingenious cleric, Father Gassalasca Jape, S.J., whose lines bear his initials. To Father Jape's kindly encouragement and assistance the author of the prose text is greatly indebted.

A noticeable, and hopefully not off-putting, aspect of the book is its numerous illustrative quotes from famous poets, most notably the knowledgeable and clever cleric, Father Gassalasca Jape, S.J., whose verses carry his initials. The author of the prose text is very grateful for Father Jape's generous support and guidance.

A.B.

A.B.

A

ABASEMENT, n. A decent and customary mental attitude in the presence of wealth or power. Peculiarly appropriate in an employee when addressing an employer.

ABASEMENT, n. A respectful and expected mental attitude when faced with wealth or authority. Particularly fitting for an employee when speaking to an employer.

ABATIS, n. Rubbish in front of a fort, to prevent the rubbish outside from molesting the rubbish inside.

ABATIS, n. Debris in front of a fort, meant to stop the outside debris from bothering the inside debris.

ABDICATION, n. An act whereby a sovereign attests his sense of the high temperature of the throne.

ABDICATION, n. An act in which a ruler acknowledges the intense pressure of being in power.

  Poor Isabella's dead, whose abdication
  Set all tongues wagging in the Spanish nation.
  For that performance 'twere unfair to scold her:
  She wisely left a throne too hot to hold her.
  To History she'll be no royal riddle—
  Merely a plain parched pea that jumped the griddle.
  Poor Isabella's dead, and her stepping down  
  Made everyone in Spain start talking all around.  
  It wouldn't be fair to criticize her for that show:  
  She smartly left a throne that was way too hot to handle.  
  To History, she won’t be some royal mystery—  
  Just a plain dried pea that hopped off the pan.

G.J.

G.J.

ABDOMEN, n. The temple of the god Stomach, in whose worship, with sacrificial rights, all true men engage. From women this ancient faith commands but a stammering assent. They sometimes minister at the altar in a half-hearted and ineffective way, but true reverence for the one deity that men really adore they know not. If woman had a free hand in the world's marketing the race would become graminivorous.

ABDOMEN, n. The shrine of the god Stomach, which all real men honor through ritual practices. This age-old belief only earns a hesitant agreement from women. They may occasionally assist at the altar in a lackluster and ineffective manner, but they do not genuinely understand the deep respect for the one god that men truly worship. If women had full control over global commerce, humanity would become herbivorous.

ABILITY, n. The natural equipment to accomplish some small part of the meaner ambitions distinguishing able men from dead ones. In the last analysis ability is commonly found to consist mainly in a high degree of solemnity. Perhaps, however, this impressive quality is rightly appraised; it is no easy task to be solemn.

ABILITY, n. The natural skill to achieve a small part of the lesser ambitions that set capable people apart from those who have passed away. Ultimately, ability often turns out to be primarily about having a serious demeanor. However, maybe this serious trait is rightly valued; it’s not an easy job to be serious.

ABNORMAL, adj. Not conforming to standard. In matters of thought and conduct, to be independent is to be abnormal, to be abnormal is to be detested. Wherefore the lexicographer adviseth a striving toward the straiter resemblance of the Average Man than he hath to himself. Whoso attaineth thereto shall have peace, the prospect of death and the hope of Hell.

ABNORMAL, adj. Not fitting in with the norm. In terms of thinking and behavior, being independent means being abnormal, and being abnormal is looked down upon. Therefore, the dictionary writer suggests that one should work hard to resemble the Average Person more than they resemble themselves. Whoever achieves this will have peace, the anticipation of death, and the hope of Hell.

ABORIGINIES, n. Persons of little worth found cumbering the soil of a newly discovered country. They soon cease to cumber; they fertilize.

ABORIGINES, n. People of little value who are seen as a burden in a newly discovered land. They quickly stop being a burden; they enrich the land.

ABRACADABRA.

ABRACADABRA.

  By Abracadabra we signify
      An infinite number of things.
  'Tis the answer to What? and How? and Why?
  And Whence? and Whither?—a word whereby
      The Truth (with the comfort it brings)
  Is open to all who grope in night,
  Crying for Wisdom's holy light.

  Whether the word is a verb or a noun
      Is knowledge beyond my reach.
  I only know that 'tis handed down.
          From sage to sage,
          From age to age—
      An immortal part of speech!

  Of an ancient man the tale is told
  That he lived to be ten centuries old,
      In a cave on a mountain side.
      (True, he finally died.)
  The fame of his wisdom filled the land,
  For his head was bald, and you'll understand
      His beard was long and white
      And his eyes uncommonly bright.

  Philosophers gathered from far and near
  To sit at his feet and hear and hear,
          Though he never was heard
          To utter a word
      But "Abracadabra, abracadab,
          Abracada, abracad,
      Abraca, abrac, abra, ab!"
          'Twas all he had,
  'Twas all they wanted to hear, and each
  Made copious notes of the mystical speech,
          Which they published next—
          A trickle of text
  In a meadow of commentary.
      Mighty big books were these,
      In number, as leaves of trees;
  In learning, remarkable—very!

          He's dead,
          As I said,
  And the books of the sages have perished,
  But his wisdom is sacredly cherished.
  In Abracadabra it solemnly rings,
  Like an ancient bell that forever swings.
          O, I love to hear
          That word make clear
  Humanity's General Sense of Things.
  By Abracadabra, we mean  
      An endless variety of things.  
  It’s the answer to What? and How? and Why?  
  And Where? and To Where?—a word through which  
      The Truth (and the comfort it brings)  
  Is available to all who wander in darkness,  
  Calling for Wisdom's sacred light.  
  
  Whether the word is a verb or a noun  
      Is knowledge beyond my grasp.  
  I just know that it’s passed down.  
          From sage to sage,  
          From age to age—  
      An everlasting part of speech!  
  
  There's a story of an ancient man  
  Who lived to be ten centuries old,  
      In a cave on a mountainside.  
      (True, he eventually died.)  
  His wisdom’s fame filled the land,  
  For his head was bald, and you’ll get it  
      His beard was long and white  
      And his eyes unusually bright.  
  
  Philosophers traveled from far and wide  
  To sit at his feet and listen and listen,  
          Though he was never heard  
          To say a word  
      Except "Abracadabra, abracadab,  
          Abracada, abracad,  
      Abraca, abrac, abra, ab!"  
          That was all he had,  
  That’s all they wanted to hear, and each  
  Took detailed notes of the mystical speech,  
          Which they published next—  
          A stream of text  
  In a field of commentary.  
      These were mighty big books,  
      In number, like leaves on trees;  
  In knowledge, impressive—very!  
  
          He’s dead,  
          As I said,  
  And the books of the sages have vanished,  
  But his wisdom is sacredly treasured.  
  In Abracadabra it resonates,  
  Like an ancient bell that forever swings.  
          Oh, I love to hear  
          That word clarify  
  Humanity's General Sense of Things.  

Jamrach Holobom

Jamrach Holobom

ABRIDGE, v.t. To shorten.

ABRIDGE, v.t. To cut down.

      When in the course of human events it becomes necessary for
  people to abridge their king, a decent respect for the opinions of
  mankind requires that they should declare the causes which impel
  them to the separation.
      When it becomes necessary for people to reduce the power of their king, a respectful consideration for the views of society requires that they explain the reasons that drive them to separate.

Oliver Cromwell

Oliver Cromwell

ABRUPT, adj. Sudden, without ceremony, like the arrival of a cannon- shot and the departure of the soldier whose interests are most affected by it. Dr. Samuel Johnson beautifully said of another author's ideas that they were "concatenated without abruption."

ABRUPT, adj. Sudden, without warning, like the bang of a cannon and the quick exit of the soldier most impacted by it. Dr. Samuel Johnson eloquently described another author's ideas as being "linked together without interruption."

ABSCOND, v.i. To "move in a mysterious way," commonly with the property of another.

ABSCOND, v.i. To "leave in a secretive manner," often taking someone else's belongings.

  Spring beckons!  All things to the call respond;
  The trees are leaving and cashiers abscond.
  Spring is here! Everything answers the call;  
  The trees are budding and cashiers are disappearing.  

Phela Orm

Phela Orm

ABSENT, adj. Peculiarly exposed to the tooth of detraction; vilifed; hopelessly in the wrong; superseded in the consideration and affection of another.

ABSENT, adj. Uniquely vulnerable to criticism; slandered; undeniably mistaken; replaced in someone else's thoughts and feelings.

  To men a man is but a mind.  Who cares
  What face he carries or what form he wears?
  But woman's body is the woman.  O,
  Stay thou, my sweetheart, and do never go,
  But heed the warning words the sage hath said:
  A woman absent is a woman dead.
  To men, a man is just a mind. Who cares  
  What face he shows or what shape he has?  
  But a woman's body is the essence of a woman. O,  
  Stay with me, my love, and never leave,  
  But listen to the wise words that have been spoken:  
  A woman who is absent is like a woman who is dead.

Jogo Tyree

Jogo Tyree

ABSENTEE, n. A person with an income who has had the forethought to remove himself from the sphere of exaction.

ABSENTEE, n. A person with an income who has had the smarts to distance themselves from the realm of exploitation.

ABSOLUTE, adj. Independent, irresponsible. An absolute monarchy is one in which the sovereign does as he pleases so long as he pleases the assassins. Not many absolute monarchies are left, most of them having been replaced by limited monarchies, where the sovereign's power for evil (and for good) is greatly curtailed, and by republics, which are governed by chance.

ABSOLUTE, adj. Independent, irresponsible. An absolute monarchy is one where the ruler does whatever they want, as long as it satisfies the assassins. There aren't many absolute monarchies left; most have been replaced by limited monarchies, where the ruler's ability to do harm (and to do good) is significantly restricted, and by republics, which are governed by chance.

ABSTAINER, n. A weak person who yields to the temptation of denying himself a pleasure. A total abstainer is one who abstains from everything but abstention, and especially from inactivity in the affairs of others.

ABSTAINER, n. A weak person who gives in to the temptation of denying themselves a pleasure. A total abstainer is someone who refrains from everything except for abstaining, particularly from being inactive in the lives of others.

  Said a man to a crapulent youth:  "I thought
      You a total abstainer, my son."
  "So I am, so I am," said the scapegrace caught—
      "But not, sir, a bigoted one."
  Said a man to a drunken young man:  "I thought  
      You were a total abstainer, my son."  
  "I am, I am," said the mischievous one caught—  
      "But not, sir, a narrow-minded one."

G.J.

G.J.

ABSURDITY, n. A statement or belief manifestly inconsistent with one's own opinion.

ABSURDITY, n. A statement or belief that clearly contradicts one’s own opinion.

ACADEME, n. An ancient school where morality and philosophy were taught.

ACADEME, n. A long-established institution where ethics and philosophy were taught.

ACADEMY, n. [from ACADEME] A modern school where football is taught.

ACADEMY, n. [from ACADEME] A contemporary institution where soccer is taught.

ACCIDENT, n. An inevitable occurrence due to the action of immutable natural laws.

ACCIDENT, n. An unavoidable event caused by unchanging natural laws.

ACCOMPLICE, n. One associated with another in a crime, having guilty knowledge and complicity, as an attorney who defends a criminal, knowing him guilty. This view of the attorney's position in the matter has not hitherto commanded the assent of attorneys, no one having offered them a fee for assenting.

ACCOMPLICE, n. Someone involved with another in a crime, knowing they are guilty and being complicit, like a lawyer defending a criminal while aware of their guilt. This perspective on the lawyer's role hasn’t been accepted by lawyers, as no one has offered them payment to agree with it.

ACCORD, n. Harmony.

AGREEMENT, n. Harmony.

ACCORDION, n. An instrument in harmony with the sentiments of an assassin.

ACCORDION, n. A musical instrument that resonates with the feelings of a killer.

ACCOUNTABILITY, n. The mother of caution.

ACCOUNTABILITY, n. The source of caution.

  "My accountability, bear in mind,"
      Said the Grand Vizier:  "Yes, yes,"
  Said the Shah:  "I do—'tis the only kind
      Of ability you possess."
"My accountability, remember,"  
    said the Grand Vizier. "Yes, yes,"  
    said the Shah. "I do—it's the only kind  
    of ability you have."

Joram Tate

Joram Tate

ACCUSE, v.t. To affirm another's guilt or unworth; most commonly as a justification of ourselves for having wronged him.

ACCUSE, v.t. To state that someone else is guilty or undeserving; usually as a way to justify our own wrongdoing towards them.

ACEPHALOUS, adj. In the surprising condition of the Crusader who absently pulled at his forelock some hours after a Saracen scimitar had, unconsciously to him, passed through his neck, as related by de Joinville.

ACEPHALOUS, adj. In the shocking state of the Crusader who absentmindedly tugged at his hair some hours after a Saracen scimitar had, without him realizing, gone through his neck, as told by de Joinville.

ACHIEVEMENT, n. The death of endeavor and the birth of disgust.

ACHIEVEMENT, n. The end of effort and the start of disappointment.

ACKNOWLEDGE, v.t. To confess. Acknowledgement of one another's faults is the highest duty imposed by our love of truth.

ACKNOWLEDGE, v.t. To admit. Acknowledging each other's mistakes is the greatest responsibility given to us by our love for truth.

ACQUAINTANCE, n. A person whom we know well enough to borrow from, but not well enough to lend to. A degree of friendship called slight when its object is poor or obscure, and intimate when he is rich or famous.

ACQUAINTANCE, n. A person we know well enough to borrow from, but not well enough to lend to. A type of friendship is considered slight when the person is poor or unknown, and intimate when they are wealthy or famous.

ACTUALLY, adv. Perhaps; possibly.

ACTUALLY, adv. Maybe; possibly.

ADAGE, n. Boned wisdom for weak teeth.

ADAGE, n. Hard-earned wisdom for those who struggle to chew.

ADAMANT, n. A mineral frequently found beneath a corset. Soluble in solicitate of gold.

ADAMANT, n. A mineral often found under a corset. Soluble in gold solution.

ADDER, n. A species of snake. So called from its habit of adding funeral outlays to the other expenses of living.

ADDER, n. A type of snake. It's named for its tendency to add funeral costs to the other expenses of life.

ADHERENT, n. A follower who has not yet obtained all that he expects to get.

ADHERENT, n. A follower who hasn't yet received everything they expect to gain.

ADMINISTRATION, n. An ingenious abstraction in politics, designed to receive the kicks and cuffs due to the premier or president. A man of straw, proof against bad-egging and dead-catting.

ADMINISTRATION, n. A clever concept in politics, created to absorb the criticism and backlash directed at the prime minister or president. A figure without substance, impervious to insults and attacks.

ADMIRAL, n. That part of a war-ship which does the talking while the figure-head does the thinking.

ADMIRAL, n. The part of a warship that does the talking while the figurehead does the thinking.

ADMIRATION, n. Our polite recognition of another's resemblance to ourselves.

ADMIRATION, n. Our courteous acknowledgment of how someone else is similar to us.

ADMONITION, n. Gentle reproof, as with a meat-axe. Friendly warning.

ADMONITION, n. A gentle criticism, like using a meat-axe. A friendly heads-up.

  Consigned by way of admonition,
  His soul forever to perdition.
  Delivered as a warning,  
  His soul doomed to eternal ruin.

Judibras

Judibras

ADORE, v.t. To venerate expectantly.

ADORE, v.t. To worship eagerly.

ADVICE, n. The smallest current coin.

ADVICE, n. The smallest current coin.

  "The man was in such deep distress,"
  Said Tom, "that I could do no less
  Than give him good advice."  Said Jim:
  "If less could have been done for him
  I know you well enough, my son,
  To know that's what you would have done."
  "The man was in such deep distress,"  
  said Tom, "that I couldn't do anything less  
  than give him good advice." said Jim:  
  "If there was anything less you could have done for him,  
  I know you well enough, my son,  
  to know that’s what you would have done."

Jebel Jocordy

Jebel Jocordy

AFFIANCED, pp. Fitted with an ankle-ring for the ball-and-chain.

AFFIANCED, pp. Equipped with an ankle bracelet for the ball-and-chain.

AFFLICTION, n. An acclimatizing process preparing the soul for another and bitter world.

AFFLICTION, n. A process of adjustment that gets the soul ready for another, harsher reality.

AFRICAN, n. A nigger that votes our way.

AFRICAN, n. A black person who votes in our favor.

AGE, n. That period of life in which we compound for the vices that we still cherish by reviling those that we have no longer the enterprise to commit.

AGE, n. That time in life when we make up for the faults we still hold onto by criticizing the ones we no longer have the energy to act on.

AGITATOR, n. A statesman who shakes the fruit trees of his neighbors —to dislodge the worms.

AGITATOR, n. A politician who stirs up trouble for his neighbors to get rid of the pests.

AIM, n.

AIM, noun.

     The task we set our wishes to.
  "Cheer up!  Have you no aim in life?"
      She tenderly inquired.
  "An aim?  Well, no, I haven't, wife;
      The fact is—I have fired."
     The task we set our wishes to.
  "Cheer up! Don’t you have any goals in life?"
      She asked gently.
  "A goal? Well, no, I don’t, dear;
      The truth is—I’ve given up."

G.J.

G.J.

AIR, n. A nutritious substance supplied by a bountiful Providence for the fattening of the poor.

AIR, n. A nourishing element provided by a generous nature for the feeding of the less fortunate.

ALDERMAN, n. An ingenious criminal who covers his secret thieving with a pretence of open marauding.

ALDERMAN, n. A crafty criminal who disguises their stealthy stealing with a show of bold raiding.

ALIEN, n. An American sovereign in his probationary state.

ALIEN, n. An American citizen in their trial period.

ALLAH, n. The Mahometan Supreme Being, as distinguished from the Christian, Jewish, and so forth.

ALLAH, n. The Islamic Supreme Being, as distinct from the Christian, Jewish, and others.

  Allah's good laws I faithfully have kept,
  And ever for the sins of man have wept;
      And sometimes kneeling in the temple I
  Have reverently crossed my hands and slept.
  I've faithfully kept Allah's good laws,  
  And I’ve wept for the sins of humanity;  
      Sometimes, while kneeling in the temple,  
  I've solemnly crossed my hands and slept.  

Junker Barlow

Junker Barlow

ALLEGIANCE, n.

LOYALTY, n.

  This thing Allegiance, as I suppose,
  Is a ring fitted in the subject's nose,
  Whereby that organ is kept rightly pointed
  To smell the sweetness of the Lord's anointed.
  This concept of Allegiance, as I see it,
  Is like a ring placed in a person's nose,
  Which keeps that organ properly directed
  To sense the sweetness of the Lord’s chosen one.

G.J.

G.J.

ALLIANCE, n. In international politics, the union of two thieves who have their hands so deeply inserted in each other's pockets that they cannot separately plunder a third.

ALLIANCE, n. In international politics, the partnership of two thieves who are so deeply entrenched in each other's pockets that they can't loot a third party on their own.

ALLIGATOR, n. The crocodile of America, superior in every detail to the crocodile of the effete monarchies of the Old World. Herodotus says the Indus is, with one exception, the only river that produces crocodiles, but they appear to have gone West and grown up with the other rivers. From the notches on his back the alligator is called a sawrian.

ALLIGATOR, n. The crocodile of America, better in every way than the crocodile of the outdated monarchies of the Old World. Herodotus claims the Indus is, with one exception, the only river that has crocodiles, but they seem to have moved west and adapted to the other rivers. Because of the notches on its back, the alligator is referred to as a sawrian.

ALONE, adj. In bad company.

ALONE, adj. In bad company.

  In contact, lo! the flint and steel,
  By spark and flame, the thought reveal
  That he the metal, she the stone,
  Had cherished secretly alone.
In contact, look! the flint and steel,  
By spark and flame, the thought reveals  
That he the metal, she the stone,  
Had cherished secretly alone.

Booley Fito

Booley Fito

ALTAR, n. The place whereupon the priest formerly raveled out the small intestine of the sacrificial victim for purposes of divination and cooked its flesh for the gods. The word is now seldom used, except with reference to the sacrifice of their liberty and peace by a male and a female tool.

ALTAR, n. The place where the priest used to examine the small intestine of the sacrificial animal for divination and cooked its flesh for the gods. The term is now rarely used, except in reference to the sacrifice of their freedom and peace by a male and a female tool.

  They stood before the altar and supplied
  The fire themselves in which their fat was fried.
  In vain the sacrifice!—no god will claim
  An offering burnt with an unholy flame.
They stood in front of the altar and provided the fire themselves where their fat was cooked. The sacrifice was pointless!—no god will accept an offering burned with an unholy flame.

M.P. Nopput

M.P. Nopput

AMBIDEXTROUS, adj. Able to pick with equal skill a right-hand pocket or a left.

AMBIDEXTROUS, adj. Able to equally skillfully use either the right-hand pocket or the left.

AMBITION, n. An overmastering desire to be vilified by enemies while living and made ridiculous by friends when dead.

AMBITION, n. A strong desire to be criticized by enemies while alive and made a joke by friends after death.

AMNESTY, n. The state's magnanimity to those offenders whom it would be too expensive to punish.

AMNESTY, n. The government's generosity towards those offenders it would be too costly to punish.

ANOINT, v.t. To grease a king or other great functionary already sufficiently slippery.

ANOINT, v.t. To grease a king or another important figure who is already quite slippery.

  As sovereigns are anointed by the priesthood,
  So pigs to lead the populace are greased good.
  Just as priests anoint their rulers,  
  Pigs are well-greased to lead the people.  

Judibras

Judibras

ANTIPATHY, n. The sentiment inspired by one's friend's friend.

ANTIPATHY, n. The feeling you get from your friend's friend.

APHORISM, n. Predigested wisdom.

Saying, n. Pre-packaged wisdom.

  The flabby wine-skin of his brain
  Yields to some pathologic strain,
  And voids from its unstored abysm
  The driblet of an aphorism.
  The soft, weak wine-skin of his brain  
  Gives in to some unhealthy pressure,  
  And releases from its empty depths  
  A drop of wisdom.  

"The Mad Philosopher," 1697

"The Mad Philosopher," 1697

APOLOGIZE, v.i. To lay the foundation for a future offence.

APOLOGIZE, v.i. To set the stage for a future wrongdoing.

APOSTATE, n. A leech who, having penetrated the shell of a turtle only to find that the creature has long been dead, deems it expedient to form a new attachment to a fresh turtle.

APOSTATE, n. A leech that, after getting inside a turtle's shell only to discover the turtle has been dead for a while, thinks it’s a good idea to attach itself to a new, live turtle.

APOTHECARY, n. The physician's accomplice, undertaker's benefactor and grave worm's provider.

APOTHECARY, n. The doctor's helper, the undertaker's supporter, and the provider for the grave worm.

  When Jove sent blessings to all men that are,
  And Mercury conveyed them in a jar,
  That friend of tricksters introduced by stealth
  Disease for the apothecary's health,
  Whose gratitude impelled him to proclaim:
  "My deadliest drug shall bear my patron's name!"
  When Jove sent blessings to everyone,
  And Mercury carried them in a jar,
  That crafty friend snuck in disease
  For the apothecary's well-being,
  Whose gratitude drove him to announce:
  "My deadliest drug will be named after my patron!"

G.J.

G.J.

APPEAL, v.t. In law, to put the dice into the box for another throw.

APPEAL, v.t. In law, to roll the dice again for another chance.

APPETITE, n. An instinct thoughtfully implanted by Providence as a solution to the labor question.

APPETITE, n. A natural instinct carefully placed by Providence as a way to address the work issue.

APPLAUSE, n. The echo of a platitude.

APPLAUSE, n. The echo of a cliché.

APRIL FOOL, n. The March fool with another month added to his folly.

APRIL FOOL, n. A March fool who has another month to be foolish.

ARCHBISHOP, n. An ecclesiastical dignitary one point holier than a bishop.

ARCHBISHOP, n. A church leader who is one rank higher than a bishop.

  If I were a jolly archbishop,
  On Fridays I'd eat all the fish up—
  Salmon and flounders and smelts;
  On other days everything else.
  If I were a cheerful archbishop,  
  On Fridays I'd eat all the fish—  
  Salmon and flounders and smelts;  
  On other days, everything else.

Jodo Rem

Jodo Rem

ARCHITECT, n. One who drafts a plan of your house, and plans a draft of your money.

ARCHITECT, n. Someone who designs the blueprint for your house and figures out how to spend your money.

ARDOR, n. The quality that distinguishes love without knowledge.

ARDOR, n. The characteristic that sets apart love that isn't based on knowledge.

ARENA, n. In politics, an imaginary rat-pit in which the statesman wrestles with his record.

ARENA, n. In politics, a pretend battleground where the politician struggles with their past.

ARISTOCRACY, n. Government by the best men. (In this sense the word is obsolete; so is that kind of government.) Fellows that wear downy hats and clean shirts—guilty of education and suspected of bank accounts.

ARISTOCRACY, n. Governance by the best individuals. (In this sense, the term is outdated; so is that type of government.) People who wear fancy hats and neat shirts—guilty of being educated and suspected of having bank accounts.

ARMOR, n. The kind of clothing worn by a man whose tailor is a blacksmith.

ARMOR, n. The type of clothing worn by a man whose tailor is a blacksmith.

ARRAYED, pp. Drawn up and given an orderly disposition, as a rioter hanged to a lamppost.

ARRAYED, pp. Set up and arranged in an orderly way, like a rioter hanging from a lamppost.

ARREST, v.t. Formally to detain one accused of unusualness.

ARREST, v.t. To formally detain someone who is accused of being unusual.

  God made the world in six days and was arrested on the seventh.
  God created the world in six days and took a break on the seventh.

The Unauthorized Version

The Unofficial Edition

ARSENIC, n. A kind of cosmetic greatly affected by the ladies, whom it greatly affects in turn.

ARSENIC, n. A type of makeup that women are very fond of, which in turn has a significant impact on them.

  "Eat arsenic?  Yes, all you get,"
      Consenting, he did speak up;
  "'Tis better you should eat it, pet,
      Than put it in my teacup."
  "Eat arsenic?  Yeah, that’s all you get,"
      Agreeing, he spoke up;
  "'s better you should eat it, sweetheart,
      Than put it in my teacup."

Joel Huck

Joel Huck

ART, n. This word has no definition. Its origin is related as follows by the ingenious Father Gassalasca Jape, S.J.

ART, n. This word has no definition. Its origin is explained as follows by the clever Father Gassalasca Jape, S.J.

  One day a wag—what would the wretch be at?—
  Shifted a letter of the cipher RAT,
  And said it was a god's name!  Straight arose
  Fantastic priests and postulants (with shows,
  And mysteries, and mummeries, and hymns,
  And disputations dire that lamed their limbs)
  To serve his temple and maintain the fires,
  Expound the law, manipulate the wires.
  Amazed, the populace that rites attend,
  Believe whate'er they cannot comprehend,
  And, inly edified to learn that two
  Half-hairs joined so and so (as Art can do)
  Have sweeter values and a grace more fit
  Than Nature's hairs that never have been split,
  Bring cates and wines for sacrificial feasts,
  And sell their garments to support the priests.
One day, a joker—what could he be thinking?—   
Changed a letter in the code RAT,    
And claimed it was a god's name! Immediately,    
Strange priests and followers popped up (with shows,    
And rituals, and performances, and songs,    
And intense debates that left them limping)    
To run his temple and keep the flames burning,    
Explain the rules, mess with the setup.    
Astonished, the crowd that witnessed the ceremonies,    
Believed anything they couldn't understand,    
And, feeling enlightened to discover that two    
Half-hairs combined in such a way (as Art can do)    
Have better qualities and a grace that’s more appropriate    
Than Nature’s hairs that have never been split,    
Brought food and wine for sacrificial meals,    
And sold their clothes to fund the priests.

ARTLESSNESS, n. A certain engaging quality to which women attain by long study and severe practice upon the admiring male, who is pleased to fancy it resembles the candid simplicity of his young.

ARTLESSNESS, n. A charming quality that women develop through extensive study and rigorous practice on the admiring man, who likes to imagine it reflects the genuine simplicity of his youth.

ASPERSE, v.t. Maliciously to ascribe to another vicious actions which one has not had the temptation and opportunity to commit.

ASPERSE, v.t. To meanly accuse someone of wrongdoing that they haven't had the chance or temptation to do.

ASS, n. A public singer with a good voice but no ear. In Virginia City, Nevada, he is called the Washoe Canary, in Dakota, the Senator, and everywhere the Donkey. The animal is widely and variously celebrated in the literature, art and religion of every age and country; no other so engages and fires the human imagination as this noble vertebrate. Indeed, it is doubted by some (Ramasilus, lib. II., De Clem., and C. Stantatus, De Temperamente) if it is not a god; and as such we know it was worshiped by the Etruscans, and, if we may believe Macrobious, by the Cupasians also. Of the only two animals admitted into the Mahometan Paradise along with the souls of men, the ass that carried Balaam is one, the dog of the Seven Sleepers the other. This is no small distinction. From what has been written about this beast might be compiled a library of great splendor and magnitude, rivalling that of the Shakespearean cult, and that which clusters about the Bible. It may be said, generally, that all literature is more or less Asinine.

ASS, n. A public singer with a good voice but no sense of rhythm. In Virginia City, Nevada, they call him the Washoe Canary; in Dakota, he’s known as the Senator; and everywhere else, he’s the Donkey. This animal is widely celebrated across the literature, art, and religions of every age and place; no other creature captivates and inspires the human imagination quite like this noble vertebrate. In fact, some (like Ramasilus, lib. II., De Clem., and C. Stantatus, De Temperamente) even question whether it’s not a god; and we know it was worshiped by the Etruscans, and, if we can believe Macrobius, by the Cupasians too. Of the only two animals allowed into the Mahometan Paradise along with the souls of men, one is the donkey that carried Balaam, and the other is the dog of the Seven Sleepers. That’s no small honor. From everything written about this creature, you could compile a library of great size and grandeur that rivals the works surrounding Shakespeare and those concerning the Bible. It could be said, in general, that all literature is somewhat Asinine.

  "Hail, holy Ass!" the quiring angels sing;
  "Priest of Unreason, and of Discords King!"
  Great co-Creator, let Thy glory shine:
  God made all else, the Mule, the Mule is thine!"
  "Hail, holy Ass!" the singing angels declare;  
  "Priest of Unreason, and King of Discord!"  
  Great co-Creator, let Your glory shine:  
  God made everything else, the Mule is Yours!"  

G.J.

G.J.

AUCTIONEER, n. The man who proclaims with a hammer that he has picked a pocket with his tongue.

AUCTIONEER, n. The person who announces with a gavel that they have taken advantage of someone with their words.

AUSTRALIA, n. A country lying in the South Sea, whose industrial and commercial development has been unspeakably retarded by an unfortunate dispute among geographers as to whether it is a continent or an island.

AUSTRALIA, n. A country located in the South Sea, whose industrial and commercial growth has been severely hindered by an unfortunate disagreement among geographers about whether it is a continent or an island.

AVERNUS, n. The lake by which the ancients entered the infernal regions. The fact that access to the infernal regions was obtained by a lake is believed by the learned Marcus Ansello Scrutator to have suggested the Christian rite of baptism by immersion. This, however, has been shown by Lactantius to be an error.

AVERNUS, n. The lake through which the ancients entered the underworld. The learned Marcus Ansello Scrutator believes that the idea of accessing the underworld through a lake inspired the Christian practice of baptism by immersion. However, Lactantius has demonstrated that this is a mistake.

  Facilis descensus Averni,
      The poet remarks; and the sense
  Of it is that when down-hill I turn I
      Will get more of punches than pence.
 The path to hell is easy,
      the poet says; and the meaning
  is that when I go downhill, I
      will end up with more hits than money.

Jehal Dai Lupe

Jehal Dai Lupe

B

BAAL, n. An old deity formerly much worshiped under various names. As Baal he was popular with the Phoenicians; as Belus or Bel he had the honor to be served by the priest Berosus, who wrote the famous account of the Deluge; as Babel he had a tower partly erected to his glory on the Plain of Shinar. From Babel comes our English word "babble." Under whatever name worshiped, Baal is the Sun-god. As Beelzebub he is the god of flies, which are begotten of the sun's rays on the stagnant water. In Physicia Baal is still worshiped as Bolus, and as Belly he is adored and served with abundant sacrifice by the priests of Guttledom.

BAAL, n. An ancient god who was worshiped under various names. As Baal, he was favored by the Phoenicians; as Belus or Bel, he was served by the priest Berosus, who wrote the famous story of the Flood; and as Babel, a tower was partially built in his honor on the Plain of Shinar. From Babel, we get the English word "babble." Regardless of the name used, Baal is the Sun-god. As Beelzebub, he is associated with flies, which are born from the sun's rays on stagnant water. In Physicia, Baal is still worshiped as Bolus, and as Belly, he is venerated and served with plenty of sacrifices by the priests of Guttledom.

BABE or BABY, n. A misshapen creature of no particular age, sex, or condition, chiefly remarkable for the violence of the sympathies and antipathies it excites in others, itself without sentiment or emotion. There have been famous babes; for example, little Moses, from whose adventure in the bulrushes the Egyptian hierophants of seven centuries before doubtless derived their idle tale of the child Osiris being preserved on a floating lotus leaf.

BABE or BABY, n. A deformed being with no specific age, gender, or condition, mainly notable for the strong feelings of attraction and repulsion it triggers in others, while being devoid of any emotions or sentiments itself. There have been well-known babies; for instance, little Moses, from whose story in the reeds the Egyptian priests of seven centuries earlier surely got their fanciful tale about the child Osiris being saved on a floating lotus leaf.

          Ere babes were invented
          The girls were contented.
          Now man is tormented
  Until to buy babes he has squandered
  His money.  And so I have pondered
          This thing, and thought may be
          'T were better that Baby
  The First had been eagled or condored.
          Before babies were invented
          The girls were happy.
          Now men are troubled
  Until they spend their money on babies.
  And so I've thought
          About this, and it seems to me
          It would have been better if Baby
  The First had been taken away by an eagle or a condor.

Ro Amil

Ro Amil

BACCHUS, n. A convenient deity invented by the ancients as an excuse for getting drunk.

BACCHUS, n. A convenient god created by the ancients as an excuse for getting drunk.

  Is public worship, then, a sin,
      That for devotions paid to Bacchus
  The lictors dare to run us in,
      And resolutely thump and whack us?
  Is public worship, then, a sin,  
      That for devotions paid to Bacchus  
  The lictors dare to take us in,  
      And resolutely beat us up?  

Jorace

Jorace

BACK, n. That part of your friend which it is your privilege to contemplate in your adversity.

BACK, n. The part of your friend that you get to look at during tough times.

BACKBITE, v.t. To speak of a man as you find him when he can't find you.

BACKBITE, v.t. To talk about someone behind their back when they can't see or hear you.

BAIT, n. A preparation that renders the hook more palatable. The best kind is beauty.

BAIT, n. Something that makes the hook more appealing. The best kind is beauty.

BAPTISM, n. A sacred rite of such efficacy that he who finds himself in heaven without having undergone it will be unhappy forever. It is performed with water in two ways—by immersion, or plunging, and by aspersion, or sprinkling.

BAPTISM, n. A sacred ritual of such importance that anyone who reaches heaven without having experienced it will be unhappy for all eternity. It is performed with water in two ways—by immersion, or plunging, and by aspersion, or sprinkling.

  But whether the plan of immersion
  Is better than simple aspersion
      Let those immersed
      And those aspersed
  Decide by the Authorized Version,
  And by matching their agues tertian.
  But whether the plan of immersion  
  Is better than simple sprinkling  
      Let those immersed  
      And those sprinkled  
  Decide by the Authorized Version,  
  And by comparing their recurring fevers.  

G.J.

G.J.

BAROMETER, n. An ingenious instrument which indicates what kind of weather we are having.

BAROMETER, n. A clever device that shows what kind of weather we're experiencing.

BARRACK, n. A house in which soldiers enjoy a portion of that of which it is their business to deprive others.

BARRACK, n. A building where soldiers have some of what they are supposed to deny others.

BASILISK, n. The cockatrice. A sort of serpent hatched from the egg of a cock. The basilisk had a bad eye, and its glance was fatal. Many infidels deny this creature's existence, but Semprello Aurator saw and handled one that had been blinded by lightning as a punishment for having fatally gazed on a lady of rank whom Jupiter loved. Juno afterward restored the reptile's sight and hid it in a cave. Nothing is so well attested by the ancients as the existence of the basilisk, but the cocks have stopped laying.

BASILISK, n. The cockatrice. A type of serpent born from a cock's egg. The basilisk had a deadly stare, and its glance could kill. Many skeptics deny that this creature exists, but Semprello Aurator claimed to have seen and held one that was struck blind by lightning as punishment for fatally looking at a noblewoman whom Jupiter loved. Juno later restored the reptile's sight and hid it in a cave. Nothing is as well-documented by ancient sources as the existence of the basilisk, but roosters have stopped laying eggs.

BASTINADO, n. The act of walking on wood without exertion.

BASTINADO, n. The act of walking on wood with no effort.

BATH, n. A kind of mystic ceremony substituted for religious worship, with what spiritual efficacy has not been determined.

BATH, n. A sort of spiritual ritual that replaces traditional religious worship, the effectiveness of which is still unclear.

  The man who taketh a steam bath
  He loseth all the skin he hath,
  And, for he's boiled a brilliant red,
  Thinketh to cleanliness he's wed,
  Forgetting that his lungs he's soiling
  With dirty vapors of the boiling.
  The man who takes a steam bath  
  Loses all the skin he has,  
  And, since he's boiled a bright red,  
  Thinks he's committed to being clean,  
  Forgetting that he's ruining his lungs  
  With the dirty vapors from the boiling.  

Richard Gwow

Richard Gwow

BATTLE, n. A method of untying with the teeth of a political knot that would not yield to the tongue.

BATTLE, n. A way of using your teeth to untie a political knot that wouldn’t budge with words.

BEARD, n. The hair that is commonly cut off by those who justly execrate the absurd Chinese custom of shaving the head.

BEARD, n. The hair that people usually remove because they rightly despise the ridiculous Chinese practice of shaving the head.

BEAUTY, n. The power by which a woman charms a lover and terrifies a husband.

BEAUTY, n. The ability a woman has to captivate a lover and intimidate a husband.

BEFRIEND, v.t. To make an ingrate.

BEFRIEND, v.t. To make someone ungrateful.

BEG, v. To ask for something with an earnestness proportioned to the belief that it will not be given.

BEG, v. To ask for something with a sincerity that matches the belief that it won't be given.

  Who is that, father?
                        A mendicant, child,
  Haggard, morose, and unaffable—wild!
  See how he glares through the bars of his cell!
  With Citizen Mendicant all is not well.

  Why did they put him there, father?

                                       Because
  Obeying his belly he struck at the laws.

  His belly?

              Oh, well, he was starving, my boy—
  A state in which, doubtless, there's little of joy.
  No bite had he eaten for days, and his cry
  Was "Bread!" ever "Bread!"

                              What's the matter with pie?

  With little to wear, he had nothing to sell;
  To beg was unlawful—improper as well.

  Why didn't he work?

                       He would even have done that,
  But men said:  "Get out!" and the State remarked:  "Scat!"
  I mention these incidents merely to show
  That the vengeance he took was uncommonly low.
  Revenge, at the best, is the act of a Siou,
  But for trifles—

                      Pray what did bad Mendicant do?

  Stole two loaves of bread to replenish his lack
  And tuck out the belly that clung to his back.

  Is that all father dear?

                              There's little to tell:
  They sent him to jail, and they'll send him to—well,
  The company's better than here we can boast,
  And there's—

                  Bread for the needy, dear father?

                                                     Um—toast.
  Who is that, Dad?  
                        A beggar, kid,  
  Tired, grumpy, and unfriendly—wild!  
  Look how he glares through the bars of his cell!  
  Things aren’t going well for Citizen Mendicant.  

  Why did they put him there, Dad?  

                                       Because  
  Following his hunger, he went against the laws.  

  His hunger?  

              Well, he was starving, my boy—  
  A situation that surely brings little joy.  
  He hadn’t eaten for days, and his cry  
  Was “Bread!” always “Bread!”  

                              What’s wrong with pie?  

  With hardly any clothes, he had nothing to sell;  
  To beg was illegal—improper as well.  

  Why didn’t he work?  

                       He would have done that,  
  But people said: “Get out!” and the State said: “Beat it!”  
  I mention these things just to show  
  That the revenge he took was pretty low.  
  Revenge, at best, is an act of a fool,  
  But for small things—  

                      So what did that poor beggar do?  

  He stole two loaves of bread to satisfy his need  
  And fill up the belly that clung to his back.  

  Is that all, dear Dad?  

                              There’s not much to say:  
  They sent him to jail, and they’ll send him to—well,  
  The company there is better than here,  
  And there’s—  

                  Bread for the needy, dear Dad?  

                                                     Um—toast.

Atka Mip

Atka Mip

BEGGAR, n. One who has relied on the assistance of his friends.

BEGGAR, n. Someone who has depended on the help of their friends.

BEHAVIOR, n. Conduct, as determined, not by principle, but by breeding. The word seems to be somewhat loosely used in Dr. Jamrach Holobom's translation of the following lines from the Dies Irae:

BEHAVIOR, n. Actions, determined not by principles, but by upbringing. The term appears to be used somewhat loosely in Dr. Jamrach Holobom's translation of the following lines from the Dies Irae:

      Recordare, Jesu pie,
      Quod sum causa tuae viae.
      Ne me perdas illa die.

  Pray remember, sacred Savior,
  Whose the thoughtless hand that gave your
  Death-blow.  Pardon such behavior.
      Recordare, Jesu pie,  
      Quod sum causa tuae viae.  
      Ne me perdas illa die.  
  
  Pray remember, dear Savior,  
  Who thoughtlessly delivered your  
  Death-blow. Please forgive this action.  

BELLADONNA, n. In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues.

BELLADONNA, n. In Italian, it means a beautiful lady; in English, it means a deadly poison. A striking example of the fundamental similarities between the two languages.

BENEDICTINES, n. An order of monks otherwise known as black friars.

BENEDICTINES, n. A group of monks also known as black friars.

  She thought it a crow, but it turn out to be
      A monk of St. Benedict croaking a text.
  "Here's one of an order of cooks," said she—
      "Black friars in this world, fried black in the next."
She thought it was a crow, but it turned out to be  
      A monk of St. Benedict reciting a text.  
  "Here's one from a group of cooks," she said—  
      "Black friars in this life, fried black in the next."

"The Devil on Earth" (London, 1712)

"The Devil on Earth" (London, 1712)

BENEFACTOR, n. One who makes heavy purchases of ingratitude, without, however, materially affecting the price, which is still within the means of all.

BENEFACTOR, n. Someone who makes significant investments in ingratitude, without really impacting the cost, which remains affordable for everyone.

BERENICE'S HAIR, n. A constellation (Coma Berenices) named in honor of one who sacrificed her hair to save her husband.

BERENICE'S HAIR, n. A constellation (Coma Berenices) named after a woman who cut off her hair to save her husband.

  Her locks an ancient lady gave
  Her loving husband's life to save;
  And men—they honored so the dame—
  Upon some stars bestowed her name.

  But to our modern married fair,
  Who'd give their lords to save their hair,
  No stellar recognition's given.
  There are not stars enough in heaven.
  An old woman gave her hair  
  To save her loving husband's life;  
  And men—so they honored her—  
  Named some stars after this wife.  
  
  But to our modern married women,  
  Who wouldn't sacrifice their locks for their men,  
  No recognition in the stars is found.  
  There aren't enough stars in the sky around.  

G.J.

G.J.

BIGAMY, n. A mistake in taste for which the wisdom of the future will adjudge a punishment called trigamy.

BIGAMY, n. A poor choice in relationships for which future generations will deem a punishment called trigamy.

BIGOT, n. One who is obstinately and zealously attached to an opinion that you do not entertain.

BIGOT, n. Someone who is stubbornly and passionately devoted to a belief that you don't share.

BILLINGSGATE, n. The invective of an opponent.

BILLINGSGATE, n. The insults thrown by an opponent.

BIRTH, n. The first and direst of all disasters. As to the nature of it there appears to be no uniformity. Castor and Pollux were born from the egg. Pallas came out of a skull. Galatea was once a block of stone. Peresilis, who wrote in the tenth century, avers that he grew up out of the ground where a priest had spilled holy water. It is known that Arimaxus was derived from a hole in the earth, made by a stroke of lightning. Leucomedon was the son of a cavern in Mount Aetna, and I have myself seen a man come out of a wine cellar.

BIRTH, n. The first and worst of all disasters. When it comes to its nature, there seems to be no consistency. Castor and Pollux were born from an egg. Pallas emerged from a skull. Galatea was once a block of stone. Peresilis, who wrote in the tenth century, claimed he grew up from the ground where a priest had spilled holy water. It's known that Arimaxus came from a hole in the earth created by a lightning strike. Leucomedon was the son of a cave in Mount Aetna, and I have personally seen a man come out of a wine cellar.

BLACKGUARD, n. A man whose qualities, prepared for display like a box of berries in a market—the fine ones on top—have been opened on the wrong side. An inverted gentleman.

BLACKGUARD, n. A man whose traits, laid out for show like a box of berries at a market—with the best ones on top—have been revealed from the wrong side. An upside-down gentleman.

BLANK-VERSE, n. Unrhymed iambic pentameters—the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind.

BLANK-VERSE, n. Unrhymed iambic pentameters—the hardest type of English verse to write well; a style often favored by those who struggle to write any verse effectively.

BODY-SNATCHER, n. A robber of grave-worms. One who supplies the young physicians with that with which the old physicians have supplied the undertaker. The hyena.

BODY-SNATCHER, n. A grave robber. Someone who provides young doctors with what older doctors gave to the funeral director. The hyena.

  "One night," a doctor said, "last fall,
  I and my comrades, four in all,
      When visiting a graveyard stood
  Within the shadow of a wall.

  "While waiting for the moon to sink
  We saw a wild hyena slink
      About a new-made grave, and then
  Begin to excavate its brink!

  "Shocked by the horrid act, we made
  A sally from our ambuscade,
      And, falling on the unholy beast,
  Dispatched him with a pick and spade."
  "One night," a doctor said, "last fall,  
  My friends and I, four in total,  
      While visiting a graveyard stood  
  In the shadow of a wall.  
  
  "As we waited for the moon to sink,  
  We saw a wild hyena sneak  
      Around a fresh grave, and then  
  Start to dig at its edge!  
  
  "Shocked by the gruesome act, we charged  
  From our hiding spot,  
      And, attacking the wicked beast,  
  Took it down with a pick and shovel."

Bettel K. Jhones

Bettel K. Jhones

BONDSMAN, n. A fool who, having property of his own, undertakes to become responsible for that entrusted to another to a third.

BONDSMAN, n. A fool who, having his own assets, agrees to take responsibility for what someone else has given to a third party.

Philippe of Orleans wishing to appoint one of his favorites, a dissolute nobleman, to a high office, asked him what security he would be able to give. "I need no bondsmen," he replied, "for I can give you my word of honor." "And pray what may be the value of that?" inquired the amused Regent. "Monsieur, it is worth its weight in gold."

Philippe of Orleans wanted to appoint one of his favorites, a reckless nobleman, to a high office, so he asked him what kind of guarantee he could provide. "I don't need any sureties," he replied, "because I can give you my word of honor." "And what exactly is that worth?" asked the amused Regent. "Sir, it's worth its weight in gold."

BORE, n. A person who talks when you wish him to listen.

BORE, n. Someone who talks when you want them to listen.

BOTANY, n. The science of vegetables—those that are not good to eat, as well as those that are. It deals largely with their flowers, which are commonly badly designed, inartistic in color, and ill-smelling.

BOTANY, n. The study of plants—both those that are edible and those that aren’t. It focuses a lot on their flowers, which are often poorly shaped, unattractive in color, and unpleasant in smell.

BOTTLE-NOSED, adj. Having a nose created in the image of its maker.

BOTTLE-NOSED, adj. Having a nose shaped like that of its creator.

BOUNDARY, n. In political geography, an imaginary line between two nations, separating the imaginary rights of one from the imaginary rights of the other.

BOUNDARY, n. In political geography, an invisible line between two nations, separating the perceived rights of one from the perceived rights of the other.

BOUNTY, n. The liberality of one who has much, in permitting one who has nothing to get all that he can.

BOUNTY, n. The generosity of someone who has a lot, allowing someone who has nothing to take as much as they can.

      A single swallow, it is said, devours ten millions of insects
  every year.  The supplying of these insects I take to be a signal
  instance of the Creator's bounty in providing for the lives of His
  creatures.
      A single swallow is said to eat ten million insects every year. I believe that the abundance of these insects is a clear example of the Creator's generosity in taking care of His creatures.

Henry Ward Beecher

Henry Ward Beecher

BRAHMA, n. He who created the Hindoos, who are preserved by Vishnu and destroyed by Siva—a rather neater division of labor than is found among the deities of some other nations. The Abracadabranese, for example, are created by Sin, maintained by Theft and destroyed by Folly. The priests of Brahma, like those of Abracadabranese, are holy and learned men who are never naughty.

BRAHMA, n. The one who created the Hindus, who are kept safe by Vishnu and destroyed by Siva—a much clearer division of labor than what you see among the gods of some other cultures. For instance, the Abracadabranese are created by Sin, supported by Theft, and destroyed by Folly. The priests of Brahma, just like those of the Abracadabranese, are holy and wise men who are never bad.

  O Brahma, thou rare old Divinity,
  First Person of the Hindoo Trinity,
  You sit there so calm and securely,
  With feet folded up so demurely—
  You're the First Person Singular, surely.
  O Brahma, you rare old Deity,  
  First Person of the Hindu Trinity,  
  You sit there so calm and securely,  
  With your feet folded up so modestly—  
  You're definitely the First Person Singular.  

Polydore Smith

Polydore Smith

BRAIN, n. An apparatus with which we think what we think. That which distinguishes the man who is content to be something from the man who wishes to do something. A man of great wealth, or one who has been pitchforked into high station, has commonly such a headful of brain that his neighbors cannot keep their hats on. In our civilization, and under our republican form of government, brain is so highly honored that it is rewarded by exemption from the cares of office.

BRAIN, n. A device that lets us think what we think. It separates the person who is happy to be something from the person who wants to do something. A wealthy person, or someone who suddenly rises to a high position, often has so much brainpower that those around him can’t keep their hats on. In our society, and under our democratic form of government, brainpower is so respected that it is rewarded with freedom from the responsibilities of office.

BRANDY, n. A cordial composed of one part thunder-and-lightning, one part remorse, two parts bloody murder, one part death-hell-and-the grave and four parts clarified Satan. Dose, a headful all the time. Brandy is said by Dr. Johnson to be the drink of heroes. Only a hero will venture to drink it.

BRANDY, n. A drink made of one part chaos, one part guilt, two parts violence, one part the darker side of life, and four parts devilish spirits. Recommended serving: a glass full at all times. Dr. Johnson claims that brandy is the drink of heroes. Only a true hero dares to drink it.

BRIDE, n. A woman with a fine prospect of happiness behind her.

BRIDE, n. A woman who has a great chance of happiness in her past.

BRUTE, n. See HUSBAND.

BRUTE, n. See SPOUSE.

C

CAABA, n. A large stone presented by the archangel Gabriel to the patriarch Abraham, and preserved at Mecca. The patriarch had perhaps asked the archangel for bread.

CAABA, n. A large stone given to the patriarch Abraham by the archangel Gabriel, and kept at Mecca. Abraham may have asked the archangel for bread.

CABBAGE, n. A familiar kitchen-garden vegetable about as large and wise as a man's head.

CABBAGE, n. A common vegetable found in kitchen gardens, roughly the size and intelligence of a man's head.

The cabbage is so called from Cabagius, a prince who on ascending the throne issued a decree appointing a High Council of Empire consisting of the members of his predecessor's Ministry and the cabbages in the royal garden. When any of his Majesty's measures of state policy miscarried conspicuously it was gravely announced that several members of the High Council had been beheaded, and his murmuring subjects were appeased.

The cabbage gets its name from Cabagius, a prince who, upon becoming king, issued a decree to set up a High Council of Empire made up of his predecessor's ministers and the cabbages in the royal garden. Whenever one of the king's political decisions failed noticeably, it was formally announced that several members of the High Council had been beheaded, which calmed his complaining subjects.

CALAMITY, n. A more than commonly plain and unmistakable reminder that the affairs of this life are not of our own ordering. Calamities are of two kinds: misfortune to ourselves, and good fortune to others.

CALAMITY, n. A straightforward and clear reminder that we don’t control the events of this life. Calamities come in two forms: bad luck for us, and good luck for others.

CALLOUS, adj. Gifted with great fortitude to bear the evils afflicting another.

CALLOUS, adj. Having the strength to endure the hardships that someone else is facing.

When Zeno was told that one of his enemies was no more he was observed to be deeply moved. "What!" said one of his disciples, "you weep at the death of an enemy?" "Ah, 'tis true," replied the great Stoic; "but you should see me smile at the death of a friend."

When Zeno heard that one of his enemies had died, he appeared to be very affected. "What!" said one of his students, "are you crying over the death of an enemy?" "It's true," replied the great Stoic; "but you should see me smile at the death of a friend."

CALUMNUS, n. A graduate of the School for Scandal.

CALUMNUS, n. A graduate of the School for Scandal.

CAMEL, n. A quadruped (the Splaypes humpidorsus) of great value to the show business. There are two kinds of camels—the camel proper and the camel improper. It is the latter that is always exhibited.

CAMEL, n. A four-legged animal (the Splaypes humpidorsus) that is highly valuable in the entertainment industry. There are two types of camels—the regular camel and the unusual camel. It is the latter that is always showcased.

CANNIBAL, n. A gastronome of the old school who preserves the simple tastes and adheres to the natural diet of the pre-pork period.

CANNIBAL, n. A foodie from the old days who sticks to basic flavors and follows the natural diet from before pork was common.

CANNON, n. An instrument employed in the rectification of national boundaries.

CANNON, n. A tool used to define national borders.

CANONICALS, n. The motley worn by Jesters of the Court of Heaven.

CANONICALS, n. The colorful outfit worn by Jesters of the Court of Heaven.

CAPITAL, n. The seat of misgovernment. That which provides the fire, the pot, the dinner, the table and the knife and fork for the anarchist; the part of the repast that himself supplies is the disgrace before meat. Capital Punishment, a penalty regarding the justice and expediency of which many worthy persons—including all the assassins—entertain grave misgivings.

CAPITAL, n. The center of poor governance. It’s what gives the fire, the pot, the meal, the table, and the knife and fork for the anarchist; the part of the feast that they provide is the shame before the meal. Capital Punishment, a punishment about which many respectable people—including all the killers—have serious doubts.

CARMELITE, n. A mendicant friar of the order of Mount Carmel.

CARMELITE, n. A begging monk from the Order of Mount Carmel.

  As Death was a-riding out one day,
  Across Mount Carmel he took his way,
      Where he met a mendicant monk,
      Some three or four quarters drunk,
  With a holy leer and a pious grin,
  Ragged and fat and as saucy as sin,
      Who held out his hands and cried:
  "Give, give in Charity's name, I pray.
  Give in the name of the Church.  O give,
  Give that her holy sons may live!"
      And Death replied,
      Smiling long and wide:
      "I'll give, holy father, I'll give thee—a ride."

      With a rattle and bang
      Of his bones, he sprang
  From his famous Pale Horse, with his spear;
      By the neck and the foot
      Seized the fellow, and put
  Him astride with his face to the rear.

  The Monarch laughed loud with a sound that fell
  Like clods on the coffin's sounding shell:
  "Ho, ho!  A beggar on horseback, they say,
      Will ride to the devil!"—and thump
      Fell the flat of his dart on the rump
  Of the charger, which galloped away.

  Faster and faster and faster it flew,
  Till the rocks and the flocks and the trees that grew
  By the road were dim and blended and blue
      To the wild, wild eyes
      Of the rider—in size
      Resembling a couple of blackberry pies.
  Death laughed again, as a tomb might laugh
      At a burial service spoiled,
      And the mourners' intentions foiled
      By the body erecting
      Its head and objecting
  To further proceedings in its behalf.

  Many a year and many a day
  Have passed since these events away.
  The monk has long been a dusty corse,
  And Death has never recovered his horse.
      For the friar got hold of its tail,
      And steered it within the pale
  Of the monastery gray,
  Where the beast was stabled and fed
  With barley and oil and bread
  Till fatter it grew than the fattest friar,
  And so in due course was appointed Prior.
As Death was riding out one day,  
Across Mount Carmel he made his way,  
      Where he met a begging monk,  
      Some three or four drinks in,  
  With a holy look and a pious grin,  
  Ragged and plump and as cheeky as can be,  
      Who stretched out his hands and shouted:  
  "Give, give in Charity's name, I ask.  
  Give in the name of the Church. Oh please,  
  Give so her holy sons can live!"  
      And Death replied,  
      Smiling wide:  
      "I'll give, holy father, I'll give you— a ride."  

      With a clatter and crash  
      Of his bones, he jumped  
  From his famous Pale Horse, with his spear;  
      By the neck and the leg  
      He grabbed the guy and put  
  Him on the horse, facing backward.  

  The Monarch laughed loudly with a sound that dropped  
  Like dirt on a coffin's echoing top:  
  "Ho, ho! A beggar on horseback, they say,  
      Will ride to the devil!"—and thump  
  Went the flat of his dart on the horse's rear,  
  Which galloped away.  

  Faster and faster and faster it flew,  
  Till the rocks and the sheep and the trees that grew  
  By the road became blurred and blue  
      To the wild, wild eyes  
      Of the rider— in size  
      Like a couple of blackberry pies.  
  Death laughed again, as a tomb might laugh  
      At a funeral service disrupted,  
      And the mourners' intentions thwarted  
      By the body sitting up,  
      Objecting to  
  Further proceedings on its behalf.  

  Many years and many days  
  Have passed since these events took place.  
  The monk has long been a dusty corpse,  
  And Death has never gotten back his horse.  
      For the friar grabbed onto its tail,  
      And steered it within the pale  
  Of the gray monastery,  
  Where the beast was stabled and fed  
  With barley and oil and bread  
  Till it grew fatter than the fattest friar,  
  And so in due time was made Prior.  

G.J.

G.J.

CARNIVOROUS, adj. Addicted to the cruelty of devouring the timorous vegetarian, his heirs and assigns.

CARNIVOROUS, adj. Obsessed with the cruelty of eating the fearful vegetarian, his heirs and assigns.

CARTESIAN, adj. Relating to Descartes, a famous philosopher, author of the celebrated dictum, Cogito ergo sum—whereby he was pleased to suppose he demonstrated the reality of human existence. The dictum might be improved, however, thus: Cogito cogito ergo cogito sum— "I think that I think, therefore I think that I am;" as close an approach to certainty as any philosopher has yet made.

CARTESIAN, adj. Relating to Descartes, a well-known philosopher, author of the famous saying, Cogito ergo sum—where he believed he proved the existence of human life. The statement could be updated like this: Cogito cogito ergo cogito sum— "I think that I think, therefore I think that I am;" as close to certainty as any philosopher has come so far.

CAT, n. A soft, indestructible automaton provided by nature to be kicked when things go wrong in the domestic circle.

CAT, n. A soft, indestructible creature created by nature to be kicked when things go wrong at home.

  This is a dog,
      This is a cat.
  This is a frog,
      This is a rat.
  Run, dog, mew, cat.
  Jump, frog, gnaw, rat.
  This is a dog,
      This is a cat.
  This is a frog,
      This is a rat.
  Run, dog, meow, cat.
  Jump, frog, gnaw, rat.

Elevenson

Elevenson

CAVILER, n. A critic of our own work.

CAVILER, n. A critic of our own work.

CEMETERY, n. An isolated suburban spot where mourners match lies, poets write at a target and stone-cutters spell for a wager. The inscriptions following will serve to illustrate the success attained in these Olympian games:

CEMETERY, n. A quiet, out-of-the-way area in the suburbs where mourners place lies, poets aim for a target, and stone-cutters compete for bets. The inscriptions that follow will show the achievements reached in these grand contests:

      His virtues were so conspicuous that his enemies, unable to
      overlook them, denied them, and his friends, to whose loose lives
      they were a rebuke, represented them as vices.  They are here
      commemorated by his family, who shared them.

          In the earth we here prepare a
          Place to lay our little Clara.
      His strengths were so obvious that his enemies, unable to ignore them, denied their existence, while his friends, whose carefree lives were a contrast, depicted them as flaws. They are honored here by his family, who shared in them.

          In the ground, we prepare a
          Place to lay our little Clara.

Thomas M. and Mary Frazer

Thomas M. and Mary Frazer

            P.S.—Gabriel will raise her.
P.S.—Gabriel will take care of her.

CENTAUR, n. One of a race of persons who lived before the division of labor had been carried to such a pitch of differentiation, and who followed the primitive economic maxim, "Every man his own horse." The best of the lot was Chiron, who to the wisdom and virtues of the horse added the fleetness of man. The scripture story of the head of John the Baptist on a charger shows that pagan myths have somewhat sophisticated sacred history.

CENTAUR, n. A member of a group of beings that existed before the division of labor became highly specialized, who lived by the basic economic principle, "Everyone should be able to do everything for themselves." The most notable among them was Chiron, who combined the wisdom and qualities of a horse with the speed of a human. The biblical tale of John the Baptist’s head on a platter indicates that ancient myths have added a layer of complexity to sacred history.

CERBERUS, n. The watch-dog of Hades, whose duty it was to guard the entrance—against whom or what does not clearly appear; everybody, sooner or later, had to go there, and nobody wanted to carry off the entrance. Cerberus is known to have had three heads, and some of the poets have credited him with as many as a hundred. Professor Graybill, whose clerky erudition and profound knowledge of Greek give his opinion great weight, has averaged all the estimates, and makes the number twenty-seven—a judgment that would be entirely conclusive if Professor Graybill had known (a) something about dogs, and (b) something about arithmetic.

CERBERUS, n. The guard dog of Hades, whose job was to protect the entrance—against who or what isn't clear; everyone, eventually, had to go there, and no one wanted to steal the entrance. Cerberus is said to have had three heads, though some poets have claimed he had as many as a hundred. Professor Graybill, whose scholarly knowledge and deep understanding of Greek lend significant weight to his views, has averaged all the estimates and concludes the number is twenty-seven—a judgement that would be completely convincing if Professor Graybill knew (a) something about dogs and (b) something about math.

CHILDHOOD, n. The period of human life intermediate between the idiocy of infancy and the folly of youth—two removes from the sin of manhood and three from the remorse of age.

CHILDHOOD, n. The stage of human life between the cluelessness of infancy and the silliness of youth—two steps away from the sins of adulthood and three steps away from the regrets of old age.

CHRISTIAN, n. One who believes that the New Testament is a divinely inspired book admirably suited to the spiritual needs of his neighbor. One who follows the teachings of Christ in so far as they are not inconsistent with a life of sin.

CHRISTIAN, n. A person who believes that the New Testament is a divinely inspired book that perfectly meets the spiritual needs of others. A person who follows the teachings of Christ as long as they don’t conflict with a life of sin.

  I dreamed I stood upon a hill, and, lo!
  The godly multitudes walked to and fro
  Beneath, in Sabbath garments fitly clad,
  With pious mien, appropriately sad,
  While all the church bells made a solemn din—
  A fire-alarm to those who lived in sin.
  Then saw I gazing thoughtfully below,
  With tranquil face, upon that holy show
  A tall, spare figure in a robe of white,
  Whose eyes diffused a melancholy light.
  "God keep you, stranger," I exclaimed.  "You are
  No doubt (your habit shows it) from afar;
  And yet I entertain the hope that you,
  Like these good people, are a Christian too."
  He raised his eyes and with a look so stern
  It made me with a thousand blushes burn
  Replied—his manner with disdain was spiced:
  "What!  I a Christian?  No, indeed!  I'm Christ."
  I dreamed I was standing on a hill, and, suddenly!  
  The holy crowds walked back and forth  
  Below, dressed in Sabbath clothes, exactly right,  
  With a devout look, appropriately somber,  
  While all the church bells rang out a serious sound—  
  A wake-up call to those living in sin.  
  Then I saw, thoughtfully gazing below,  
  With a calm expression, at that sacred scene  
  A tall, thin figure in a white robe,  
  Whose eyes shone with a sad light.  
  "God bless you, stranger," I said. "You must be  
  Surely (your clothing shows it) from far away;  
  And yet I hope that you,  
  Like these good people, are a Christian too."  
  He lifted his eyes and with a look so stern  
  It made me blush a thousand times,  
  He replied—his tone laced with disdain:  
  "What!  Me a Christian?  No way!  I'm Christ."

G.J.

G.J.

CIRCUS, n. A place where horses, ponies and elephants are permitted to see men, women and children acting the fool.

CIRCUS, n. A place where horses, ponies, and elephants can watch men, women, and children being silly.

CLAIRVOYANT, n. A person, commonly a woman, who has the power of seeing that which is invisible to her patron, namely, that he is a blockhead.

CLAIRVOYANT, n. A person, usually a woman, who has the ability to see what is invisible to her client, specifically that he is foolish.

CLARIONET, n. An instrument of torture operated by a person with cotton in his ears. There are two instruments that are worse than a clarionet—two clarionets.

CLARIONET, n. A torture device played by someone with cotton in their ears. There are two things worse than a clarionet—two clarionets.

CLERGYMAN, n. A man who undertakes the management of our spiritual affairs as a method of bettering his temporal ones.

CLERGYMAN, n. A man who manages our spiritual matters to improve his own everyday life.

CLIO, n. One of the nine Muses. Clio's function was to preside over history—which she did with great dignity, many of the prominent citizens of Athens occupying seats on the platform, the meetings being addressed by Messrs. Xenophon, Herodotus and other popular speakers.

CLIO, n. One of the nine Muses. Clio's role was to oversee history—which she did with great dignity, many of the influential citizens of Athens taking seats on the platform, the gatherings being addressed by Mr. Xenophon, Mr. Herodotus, and other well-known speakers.

CLOCK, n. A machine of great moral value to man, allaying his concern for the future by reminding him what a lot of time remains to him.

CLOCK, n. A device that's really important for people, easing their worries about the future by showing them how much time they have left.

  A busy man complained one day:
  "I get no time!"  "What's that you say?"
  Cried out his friend, a lazy quiz;
  "You have, sir, all the time there is.
  There's plenty, too, and don't you doubt it—
  We're never for an hour without it."
A busy guy complained one day:  
"I have no time!" "What did you say?"  
shouted his friend, a laid-back guy;  
"You have, man, all the time there is.  
There's plenty, too, so don't you doubt it—  
We're never without it for even an hour."

Purzil Crofe

Purzil Crofe

CLOSE-FISTED, adj. Unduly desirous of keeping that which many meritorious persons wish to obtain.

CLOSE-FISTED, adj. Excessively eager to hold onto things that many deserving people want to have.

  "Close-fisted Scotchman!" Johnson cried
      To thrifty J. Macpherson;
  "See me—I'm ready to divide
      With any worthy person."
  Sad Jamie:  "That is very true—
      The boast requires no backing;
  And all are worthy, sir, to you,
      Who have what you are lacking."
  "Stingy Scotsman!" Johnson shouted  
      To frugal J. Macpherson;  
  "Look at me—I’m ready to share  
      With anyone deserving."  
  Poor Jamie: "That’s absolutely right—  
      Your claim needs no proof;  
  And everyone is deserving, sir, to you,  
      Who has what you’re missing."

Anita M. Bobe

Anita M. Bobe

COENOBITE, n. A man who piously shuts himself up to meditate upon the sin of wickedness; and to keep it fresh in his mind joins a brotherhood of awful examples.

COENOBITE, n. A person who devoutly isolates themselves to reflect on the nature of evil; to keep this mindset alive, they join a community of grim role models.

  O Coenobite, O coenobite,
      Monastical gregarian,
  You differ from the anchorite,
      That solitudinarian:
  With vollied prayers you wound Old Nick;
  With dropping shots he makes him sick.
  O Coenobite, O coenobite,  
      Monastic gregarian,  
  You're different from the hermit,  
      That solitary dweller:  
  With your constant prayers you strike Old Nick;  
  With his scattered shots, he makes him sick.  

Quincy Giles

Quincy Giles

COMFORT, n. A state of mind produced by contemplation of a neighbor's uneasiness.

COMFORT, n. A state of mind created by thinking about a neighbor's discomfort.

COMMENDATION, n. The tribute that we pay to achievements that resembles, but do not equal, our own.

COMMENDATION, n. The praise we give to accomplishments that are similar to, but not quite the same as, our own.

COMMERCE, n. A kind of transaction in which A plunders from B the goods of C, and for compensation B picks the pocket of D of money belonging to E.

COMMERCE, n. A type of transaction where A takes goods from B that belong to C, and in exchange, B steals money from D that belongs to E.

COMMONWEALTH, n. An administrative entity operated by an incalculable multitude of political parasites, logically active but fortuitously efficient.

COMMONWEALTH, n. An administrative body run by an unimaginable number of political leeches, reasonably proactive but surprisingly effective.

  This commonwealth's capitol's corridors view,
  So thronged with a hungry and indolent crew
  Of clerks, pages, porters and all attaches
  Whom rascals appoint and the populace pays
  That a cat cannot slip through the thicket of shins
  Nor hear its own shriek for the noise of their chins.
  On clerks and on pages, and porters, and all,
  Misfortune attend and disaster befall!
  May life be to them a succession of hurts;
  May fleas by the bushel inhabit their shirts;
  May aches and diseases encamp in their bones,
  Their lungs full of tubercles, bladders of stones;
  May microbes, bacilli, their tissues infest,
  And tapeworms securely their bowels digest;
  May corn-cobs be snared without hope in their hair,
  And frequent impalement their pleasure impair.
  Disturbed be their dreams by the awful discourse
  Of audible sofas sepulchrally hoarse,
  By chairs acrobatic and wavering floors—
  The mattress that kicks and the pillow that snores!
  Sons of cupidity, cradled in sin!
  Your criminal ranks may the death angel thin,
  Avenging the friend whom I couldn't work in.
  This commonwealth's capitol's halls are filled,  
  So crowded with a lazy, needy crowd  
  Of clerks, pages, porters, and all other staff  
  Appointed by schemers, paid for by the masses.  
  A cat couldn't slip through this mass of legs  
  Nor hear its own cry over the chatter that begs.  
  On clerks and pages, and porters, and all,  
  May misfortune strike and disaster befall!  
  May life bring them nothing but pain;  
  May their shirts be infested with fleas by the grain;  
  May aches and diseases settle in their bones,  
  With their lungs filled with tubercles and bladders full of stones;  
  May microbes and bacilli invade their flesh,  
  And tapeworms comfortably digest what’s fresh;  
  May corn-cobs get stuck hopelessly in their hair,  
  And constant impalement ruin their flair.  
  May their dreams be disturbed by the ghastly sounds  
  Of eerie sofas that groan all around,  
  By acrobatic chairs and unstable floors—  
  The bed that kicks and the pillow that snores!  
  Sons of greed, wrapped in sin!  
  May the angel of death thin your criminal kin,  
  Avenging the friend I couldn’t bring in.

K.Q.

K.Q.

COMPROMISE, n. Such an adjustment of conflicting interests as gives each adversary the satisfaction of thinking he has got what he ought not to have, and is deprived of nothing except what was justly his due.

COMPROMISE, n. A way of settling conflicting interests so that each opponent feels they’ve gained something they shouldn’t have, while losing nothing except what they rightfully should.

COMPULSION, n. The eloquence of power.

COMPULSION, n. The persuasive force of authority.

CONDOLE, v.i. To show that bereavement is a smaller evil than sympathy.

CONDOLE, v.i. To demonstrate that loss is a lesser burden than expressing sympathy.

CONFIDANT, CONFIDANTE, n. One entrusted by A with the secrets of B, confided by him to C.

CONFIDANT, CONFIDANTE, n. A person trusted by A with B's secrets, shared by him with C.

CONGRATULATION, n. The civility of envy.

CONGRATULATIONS, n. The politeness of jealousy.

CONGRESS, n. A body of men who meet to repeal laws.

CONGRESS, n. A group of people who come together to change or remove laws.

CONNOISSEUR, n. A specialist who knows everything about something and nothing about anything else.

CONNOISSEUR, n. A specialist who knows everything about one specific thing and nothing about anything else.

An old wine-bibber having been smashed in a railway collision, some wine was poured on his lips to revive him. "Pauillac, 1873," he murmured and died.

An old drunk was killed in a train crash, and some wine was poured on his lips to try to bring him back. "Pauillac, 1873," he whispered before he died.

CONSERVATIVE, n. A statesman who is enamored of existing evils, as distinguished from the Liberal, who wishes to replace them with others.

CONSERVATIVE, n. A politician who is fond of the current problems, unlike the Liberal, who wants to swap them out for different ones.

CONSOLATION, n. The knowledge that a better man is more unfortunate than yourself.

CONSOLATION, n. The understanding that someone better off than you is having a harder time.

CONSUL, n. In American politics, a person who having failed to secure an office from the people is given one by the Administration on condition that he leave the country.

CONSUL, n. In American politics, a person who, after not getting elected to an office by the public, is offered one by the Administration with the stipulation that they leave the country.

CONSULT, v.i. To seek another's disapproval of a course already decided on.

CONSULT, v.i. To seek someone else's disagreement with a choice that has already been made.

CONTEMPT, n. The feeling of a prudent man for an enemy who is too formidable safely to be opposed.

CONTEMPT, n. The feeling a sensible person has for an enemy who is too powerful to be challenged safely.

CONTROVERSY, n. A battle in which spittle or ink replaces the injurious cannon-ball and the inconsiderate bayonet.

CONTROVERSY, n. A fight where spit or ink takes the place of harmful cannonballs and reckless bayonets.

  In controversy with the facile tongue—
  That bloodless warfare of the old and young—
  So seek your adversary to engage
  That on himself he shall exhaust his rage,
  And, like a snake that's fastened to the ground,
  With his own fangs inflict the fatal wound.
  You ask me how this miracle is done?
  Adopt his own opinions, one by one,
  And taunt him to refute them; in his wrath
  He'll sweep them pitilessly from his path.
  Advance then gently all you wish to prove,
  Each proposition prefaced with, "As you've
  So well remarked," or, "As you wisely say,
  And I cannot dispute," or, "By the way,
  This view of it which, better far expressed,
  Runs through your argument."  Then leave the rest
  To him, secure that he'll perform his trust
  And prove your views intelligent and just.
In a debate with a smooth talker—  
That bloodless battle between the old and young—  
You should get your opponent to engage  
So that he exhausts his own anger,  
And like a snake pinned to the ground,  
He will use his own fangs to deliver the fatal blow.  
You ask me how this trick works?  
Just adopt his opinions, one by one,  
And challenge him to refute them; in his fury  
He'll ruthlessly brush them aside.  
Then carefully present everything you want to prove,  
Starting each statement with, "As you've  
Insightfully pointed out," or, "As you wisely say,  
And I can’t argue with that," or, "By the way,  
This perspective, which is much better stated,  
Runs through your argument." Then leave the rest  
To him, confident that he will do your work  
And show your views to be smart and fair.

Conmore Apel Brune

Conmore Apple Brown

CONVENT, n. A place of retirement for woman who wish for leisure to meditate upon the vice of idleness.

CONVENT, n. A place where women go to find peace and have time to think about the drawbacks of being idle.

CONVERSATION, n. A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.

CONVERSATION, n. A marketplace for showcasing minor intellectual goods, with each participant too focused on arranging their own offerings to notice those of others.

CORONATION, n. The ceremony of investing a sovereign with the outward and visible signs of his divine right to be blown skyhigh with a dynamite bomb.

CORONATION, n. The ceremony of officially giving a ruler the outward and visible signs of their divine right to be blown up with a dynamite bomb.

CORPORAL, n. A man who occupies the lowest rung of the military ladder.

CORPORAL, n. A man who holds the lowest position in the military hierarchy.

  Fiercely the battle raged and, sad to tell,
  Our corporal heroically fell!
  Fame from her height looked down upon the brawl
  And said:  "He hadn't very far to fall."
  The battle raged fiercely and, sadly,
  Our corporal heroically fell!
  Fame looked down from her height at the fight
  And said: "He didn't have far to fall."

Giacomo Smith

Giacomo Smith

CORPORATION, n. An ingenious device for obtaining individual profit without individual responsibility.

CORPORATION, n. A clever way to make money for yourself while avoiding personal responsibility.

CORSAIR, n. A politician of the seas.

CORSAIR, n. A politician of the sea.

COURT FOOL, n. The plaintiff.

COURT JESTER, n. The plaintiff.

COWARD, n. One who in a perilous emergency thinks with his legs.

COWARD, n. Someone who, when faced with a dangerous situation, runs away.

CRAYFISH, n. A small crustacean very much resembling the lobster, but less indigestible.

CRAYFISH, n. A small crustacean that looks a lot like a lobster, but is easier to digest.

      In this small fish I take it that human wisdom is admirably
  figured and symbolized; for whereas the crayfish doth move only
  backward, and can have only retrospection, seeing naught but the
  perils already passed, so the wisdom of man doth not enable him to
  avoid the follies that beset his course, but only to apprehend
  their nature afterward.
      In this small fish, I see that human wisdom is perfectly represented; because while the crayfish only moves backward and can only reflect on the past, witnessing only the dangers it has already faced, human wisdom doesn't help us avoid the mistakes we encounter but only allows us to understand their nature afterward.

Sir James Merivale

Sir James Merivale

CREDITOR, n. One of a tribe of savages dwelling beyond the Financial Straits and dreaded for their desolating incursions.

CREDITOR, n. A member of a group of people living beyond the Financial Straits, feared for their damaging invasions.

CREMONA, n. A high-priced violin made in Connecticut.

CREMONA, n. An expensive violin made in Connecticut.

CRITIC, n. A person who boasts himself hard to please because nobody tries to please him.

CRITIC, n. A person who claims to be hard to please because no one makes an effort to satisfy him.

  There is a land of pure delight,
      Beyond the Jordan's flood,
  Where saints, apparelled all in white,
      Fling back the critic's mud.

  And as he legs it through the skies,
      His pelt a sable hue,
  He sorrows sore to recognize
      The missiles that he threw.
  There's a place of pure joy,  
      Beyond the Jordan's flow,  
  Where saints, dressed all in white,  
      Throw back the critic's insults.  

  And as he races through the skies,  
      His fur a dark shade,  
  He feels deep regret to see  
      The darts he once launched.

Orrin Goof

Orrin Goof

CROSS, n. An ancient religious symbol erroneously supposed to owe its significance to the most solemn event in the history of Christianity, but really antedating it by thousands of years. By many it has been believed to be identical with the crux ansata of the ancient phallic worship, but it has been traced even beyond all that we know of that, to the rites of primitive peoples. We have to-day the White Cross as a symbol of chastity, and the Red Cross as a badge of benevolent neutrality in war. Having in mind the former, the reverend Father Gassalasca Jape smites the lyre to the effect following:

CROSS, n. An ancient religious symbol mistakenly thought to be tied to the most important event in Christian history, but actually predating it by thousands of years. Many believe it is the same as the crux ansata from ancient phallic worship, but it can be traced back even further to the rituals of primitive societies. Today, we recognize the White Cross as a symbol of purity, and the Red Cross as a mark of neutral humanitarian aid during war. With this in mind, the Reverend Father Gassalasca Jape plays the lyre to produce the following effect:

  "Be good, be good!" the sisterhood
      Cry out in holy chorus,
  And, to dissuade from sin, parade
      Their various charms before us.

  But why, O why, has ne'er an eye
      Seen her of winsome manner
  And youthful grace and pretty face
      Flaunting the White Cross banner?

  Now where's the need of speech and screed
      To better our behaving?
  A simpler plan for saving man
      (But, first, is he worth saving?)

  Is, dears, when he declines to flee
      From bad thoughts that beset him,
  Ignores the Law as 't were a straw,
      And wants to sin—don't let him.
  "Be good, be good!" the sisterhood  
      Shout in a holy chorus,  
  And, to steer us away from sin,  
      Show off their various charms.  

  But why, oh why, has no one ever  
      Noticed her captivating manner  
  And youthful grace and pretty face  
      Displaying the White Cross banner?  

  Now what's the point of speeches and lectures  
      To improve our behavior?  
  A simpler way to save a person  
      (But, first, is he worth saving?)  

  Is, dear ones, when he decides not to run  
      From the bad thoughts that trouble him,  
  Ignores the Law as if it were nothing,  
      And wants to sin—don’t let him.

CUI BONO? [Latin] What good would that do me?

CUI BONO? [Latin] What good would that do me?

CUNNING, n. The faculty that distinguishes a weak animal or person from a strong one. It brings its possessor much mental satisfaction and great material adversity. An Italian proverb says: "The furrier gets the skins of more foxes than asses."

CUNNING, n. The ability that sets apart a weak person or animal from a strong one. It provides its owner with a lot of mental satisfaction but often leads to considerable material hardship. An Italian proverb says: "The furrier gets the skins of more foxes than donkeys."

CUPID, n. The so-called god of love. This bastard creation of a barbarous fancy was no doubt inflicted upon mythology for the sins of its deities. Of all unbeautiful and inappropriate conceptions this is the most reasonless and offensive. The notion of symbolizing sexual love by a semisexless babe, and comparing the pains of passion to the wounds of an arrow—of introducing this pudgy homunculus into art grossly to materialize the subtle spirit and suggestion of the work— this is eminently worthy of the age that, giving it birth, laid it on the doorstep of prosperity.

CUPID, n. The so-called god of love. This ridiculous creation of a crude imagination was definitely imposed on mythology due to the faults of its gods. Of all the ugly and inappropriate ideas, this is the most senseless and offensive. The idea of representing sexual love with a half-naked baby and comparing the pains of passion to arrow wounds—bringing this chubby little figure into art to crudely represent the delicate spirit and suggestion of the work—this is truly deserving of the era that created it and left it at the door of prosperity.

CURIOSITY, n. An objectionable quality of the female mind. The desire to know whether or not a woman is cursed with curiosity is one of the most active and insatiable passions of the masculine soul.

CURIOSITY, n. An undesirable trait of a woman's mind. The urge to find out whether a woman is burdened with curiosity is one of the most intense and unquenchable passions of the male spirit.

CURSE, v.t. Energetically to belabor with a verbal slap-stick. This is an operation which in literature, particularly in the drama, is commonly fatal to the victim. Nevertheless, the liability to a cursing is a risk that cuts but a small figure in fixing the rates of life insurance.

CURSE, v.t. To energetically hit someone with harsh words. This action, especially in literature and drama, often has serious consequences for the target. However, the possibility of being cursed is a minor factor in determining life insurance rates.

CYNIC, n. A blackguard whose faulty vision sees things as they are, not as they ought to be. Hence the custom among the Scythians of plucking out a cynic's eyes to improve his vision.

CYNIC, n. A scoundrel whose flawed perception sees things as they actually are, not as they should be. Thus, the practice among the Scythians of removing a cynic's eyes to enhance his vision.

D

DAMN, v. A word formerly much used by the Paphlagonians, the meaning of which is lost. By the learned Dr. Dolabelly Gak it is believed to have been a term of satisfaction, implying the highest possible degree of mental tranquillity. Professor Groke, on the contrary, thinks it expressed an emotion of tumultuous delight, because it so frequently occurs in combination with the word jod or god, meaning "joy." It would be with great diffidence that I should advance an opinion conflicting with that of either of these formidable authorities.

DAMN, v. A word that was commonly used by the Paphlagonians, but its meaning is now lost. Dr. Dolabelly Gak believes it used to signify a sense of satisfaction, indicating a high level of mental peace. On the other hand, Professor Groke argues that it conveyed a feeling of overwhelming delight, as it often appeared alongside the word jod or god, meaning "joy." I would be quite hesitant to present a view that contradicts either of these authoritative figures.

DANCE, v.i. To leap about to the sound of tittering music, preferably with arms about your neighbor's wife or daughter. There are many kinds of dances, but all those requiring the participation of the two sexes have two characteristics in common: they are conspicuously innocent, and warmly loved by the vicious.

DANCE, v.i. To jump around to the sound of cheerful music, ideally with your arms around your neighbor's wife or daughter. There are many types of dances, but all those involving both genders share two common traits: they are clearly innocent and are fondly liked by the immoral.

DANGER, n.

DANGER, n.

  A savage beast which, when it sleeps,
      Man girds at and despises,
  But takes himself away by leaps
      And bounds when it arises.
  A wild animal that, when it sleeps,
      People attack and look down on,
  But quickly takes off in jumps
      And bounds when it wakes up.

Ambat Delaso

Ambat Delaso

DARING, n. One of the most conspicuous qualities of a man in security.

DARING, n. One of the most noticeable traits of a man who feels secure.

DATARY, n. A high ecclesiastic official of the Roman Catholic Church, whose important function is to brand the Pope's bulls with the words Datum Romae. He enjoys a princely revenue and the friendship of God.

DATARY, n. A high-ranking official in the Roman Catholic Church, whose main job is to mark the Pope's bulls with the words Datum Romae. They receive a generous income and have a close relationship with God.

DAWN, n. The time when men of reason go to bed. Certain old men prefer to rise at about that time, taking a cold bath and a long walk with an empty stomach, and otherwise mortifying the flesh. They then point with pride to these practices as the cause of their sturdy health and ripe years; the truth being that they are hearty and old, not because of their habits, but in spite of them. The reason we find only robust persons doing this thing is that it has killed all the others who have tried it.

DAWN, n. The time when sensible people go to bed. Some older men like to get up around then, take a cold shower, and go for a long walk on an empty stomach, all while putting themselves through some tough routines. They proudly claim that these behaviors are the secret to their good health and longevity; the reality is that they’re alive and well not because of their habits, but despite them. The reason we only see strong people doing this is that it has taken the lives of everyone else who tried it.

DAY, n. A period of twenty-four hours, mostly misspent. This period is divided into two parts, the day proper and the night, or day improper—the former devoted to sins of business, the latter consecrated to the other sort. These two kinds of social activity overlap.

DAY, n. A stretch of twenty-four hours, mostly wasted. This time is split into two parts: the proper day and night, or the improper day—the first dedicated to work-related sins, the second reserved for different kinds. These two types of social activities often overlap.

DEAD, adj.

DEAD, adj.

  Done with the work of breathing; done
  With all the world; the mad race run
  Through to the end; the golden goal
  Attained and found to be a hole!
  Finished with the act of breathing; done  
  With everything; the crazy race completed  
  Right to the finish; the shining prize  
  Reached and discovered to be empty!  

Squatol Johnes

Squatol Johnes

DEBAUCHEE, n. One who has so earnestly pursued pleasure that he has had the misfortune to overtake it.

DEBAUCHEE, n. Someone who has chased pleasure so intensely that they've unfortunately caught up with it.

DEBT, n. An ingenious substitute for the chain and whip of the slave-driver.

DEBT, n. A clever replacement for the chains and whip of the slave-driver.

  As, pent in an aquarium, the troutlet
  Swims round and round his tank to find an outlet,
  Pressing his nose against the glass that holds him,
  Nor ever sees the prison that enfolds him;
  So the poor debtor, seeing naught around him,
  Yet feels the narrow limits that impound him,
  Grieves at his debt and studies to evade it,
  And finds at last he might as well have paid it.
  Like a small trout stuck in an aquarium,  
  Swimming in circles to find a way out,  
  Pressing its nose against the glass that confines it,  
  Not realizing the prison that surrounds it;  
  Similarly, the poor debtor, seeing nothing around,  
  Still feels the tight boundaries that trap him,  
  Worries about his debt and tries to escape it,  
  Only to find he might as well have just paid it.

Barlow S. Vode

Barlow S. Vode

DECALOGUE, n. A series of commandments, ten in number—just enough to permit an intelligent selection for observance, but not enough to embarrass the choice. Following is the revised edition of the Decalogue, calculated for this meridian.

DECALOGUE, n. A set of ten commandments—enough to allow for thoughtful choices in what to follow, but not so many that it becomes overwhelming. Below is the updated version of the Decalogue, tailored for today’s context.

  Thou shalt no God but me adore:
  'Twere too expensive to have more.

  No images nor idols make
  For Robert Ingersoll to break.

  Take not God's name in vain; select
  A time when it will have effect.

  Work not on Sabbath days at all,
  But go to see the teams play ball.

  Honor thy parents.  That creates
  For life insurance lower rates.

  Kill not, abet not those who kill;
  Thou shalt not pay thy butcher's bill.

  Kiss not thy neighbor's wife, unless
  Thine own thy neighbor doth caress

  Don't steal; thou'lt never thus compete
  Successfully in business.  Cheat.

  Bear not false witness—that is low—
  But "hear 'tis rumored so and so."

  Covet thou naught that thou hast not
  By hook or crook, or somehow, got.
You shall have no other gods but me:  
It would be too costly to have more.  

Don't make any images or idols  
For Robert Ingersoll to break.  

Don't take God's name in vain; choose  
A time when it will matter.  

Don't work on Sundays at all,  
But go to see the teams play ball.  

Honor your parents. That creates  
Lower rates for life insurance.  

Do not kill, nor support those who do;  
You shall not pay your butcher's bill.  

Don’t kiss your neighbor’s wife unless  
Your own is kissing your neighbor, too.  

Don’t steal; you won’t compete  
Successfully in business. Cheat.  

Don’t bear false witness—that's low—  
But “I heard it’s rumored so and so.”  

Don’t covet what you don't have;  
By hook or by crook, or somehow, get it.  

G.J.

G.J.

DECIDE, v.i. To succumb to the preponderance of one set of influences over another set.

DECIDE, v.i. To give in to the stronger influence of one option over another.

  A leaf was riven from a tree,
  "I mean to fall to earth," said he.

  The west wind, rising, made him veer.
  "Eastward," said he, "I now shall steer."

  The east wind rose with greater force.
  Said he:  "'Twere wise to change my course."

  With equal power they contend.
  He said:  "My judgment I suspend."

  Down died the winds; the leaf, elate,
  Cried:  "I've decided to fall straight."

  "First thoughts are best?"  That's not the moral;
  Just choose your own and we'll not quarrel.

  Howe'er your choice may chance to fall,
  You'll have no hand in it at all.
  A leaf was torn from a tree,  
  "I plan to fall to the ground," it said.  

  The west wind picked up and made it change direction.  
  "Eastward," it said, "I'll go that way now."  

  The east wind blew even stronger.  
  It said: "It would be smart to change my direction."  

  They fought with equal force.  
  It said: "I’ll hold off on making a decision."  

  The winds stopped, and the leaf, feeling joyful,  
  Shouted: "I've decided to drop straight down."  

  "First thoughts are the best?" That's not the lesson;  
  Just pick your own, and we won't argue.  

  However your choice turns out,  
  You won't have any control over it.  

G.J.

G.J.

DEFAME, v.t. To lie about another. To tell the truth about another.

DEFAME, v.t. To lie about someone. To tell the truth about someone.

DEFENCELESS, adj. Unable to attack.

DEFENSELESS, adj. Unable to attack.

DEGENERATE, adj. Less conspicuously admirable than one's ancestors. The contemporaries of Homer were striking examples of degeneracy; it required ten of them to raise a rock or a riot that one of the heroes of the Trojan war could have raised with ease. Homer never tires of sneering at "men who live in these degenerate days," which is perhaps why they suffered him to beg his bread—a marked instance of returning good for evil, by the way, for if they had forbidden him he would certainly have starved.

DEGENERATE, adj. Less obviously impressive than one's ancestors. The people living during Homer's time were prime examples of decline; it took ten of them to lift a rock or stir up a commotion that one of the heroes from the Trojan War could have done effortlessly. Homer constantly mocks "men who live in these degenerate times," which is probably why they allowed him to beg for food—a notable example of giving back good for bad, because if they had stopped him, he would definitely have starved.

DEGRADATION, n. One of the stages of moral and social progress from private station to political preferment.

DEGRADATION, n. One of the stages in moral and social progress from a private position to a political role.

DEINOTHERIUM, n. An extinct pachyderm that flourished when the Pterodactyl was in fashion. The latter was a native of Ireland, its name being pronounced Terry Dactyl or Peter O'Dactyl, as the man pronouncing it may chance to have heard it spoken or seen it printed.

DEINOTHERIUM, n. An extinct large mammal that thrived when the Pterodactyl was popular. The latter was originally from Ireland, and its name can be pronounced as Terry Dactyl or Peter O'Dactyl, depending on how the speaker has heard it said or seen it written.

DEJEUNER, n. The breakfast of an American who has been in Paris. Variously pronounced.

DEJEUNER, n. The breakfast of an American who has been in Paris. Pronounced in different ways.

DELEGATION, n. In American politics, an article of merchandise that comes in sets.

DELEGATION, n. In American politics, a product that comes in groups.

DELIBERATION, n. The act of examining one's bread to determine which side it is buttered on.

DELIBERATION, n. The act of checking which side of your bread has butter on it.

DELUGE, n. A notable first experiment in baptism which washed away the sins (and sinners) of the world.

DELUGE, n. A significant initial trial in baptism that cleansed the sins (and sinners) of the world.

DELUSION, n. The father of a most respectable family, comprising Enthusiasm, Affection, Self-denial, Faith, Hope, Charity and many other goodly sons and daughters.

DELUSION, n. The head of a very respectable family, made up of Enthusiasm, Affection, Self-denial, Faith, Hope, Charity, and many other admirable sons and daughters.

  All hail, Delusion!  Were it not for thee
  The world turned topsy-turvy we should see;
  For Vice, respectable with cleanly fancies,
  Would fly abandoned Virtue's gross advances.
  All praise, Delusion! If it weren't for you  
  The world would be completely upside down;  
  Because Vice, looking good with polished ideas,  
  Would abandon the bold approaches of Virtue.  

Mumfrey Mappel

Mumfrey Mappel

DENTIST, n. A prestidigitator who, putting metal into your mouth, pulls coins out of your pocket.

DENTIST, n. A magician who, putting metal in your mouth, takes money out of your pocket.

DEPENDENT, adj. Reliant upon another's generosity for the support which you are not in a position to exact from his fears.

DEPENDENT, adj. Relying on someone else's kindness for support that you can't demand because of their apprehensions.

DEPUTY, n. A male relative of an office-holder, or of his bondsman. The deputy is commonly a beautiful young man, with a red necktie and an intricate system of cobwebs extending from his nose to his desk. When accidentally struck by the janitor's broom, he gives off a cloud of dust.

DEPUTY, n. A male relative of someone in office, or of their servant. The deputy is usually a handsome young man, sporting a red necktie and a complicated web of cobwebs stretching from his nose to his desk. When accidentally hit by the janitor's broom, he releases a cloud of dust.

  "Chief Deputy," the Master cried,
  "To-day the books are to be tried
  By experts and accountants who
  Have been commissioned to go through
  Our office here, to see if we
  Have stolen injudiciously.
  Please have the proper entries made,
  The proper balances displayed,
  Conforming to the whole amount
  Of cash on hand—which they will count.
  I've long admired your punctual way—
  Here at the break and close of day,
  Confronting in your chair the crowd
  Of business men, whose voices loud
  And gestures violent you quell
  By some mysterious, calm spell—
  Some magic lurking in your look
  That brings the noisiest to book
  And spreads a holy and profound
  Tranquillity o'er all around.
  So orderly all's done that they
  Who came to draw remain to pay.
  But now the time demands, at last,
  That you employ your genius vast
  In energies more active.  Rise
  And shake the lightnings from your eyes;
  Inspire your underlings, and fling
  Your spirit into everything!"
  The Master's hand here dealt a whack
  Upon the Deputy's bent back,
  When straightway to the floor there fell
  A shrunken globe, a rattling shell
  A blackened, withered, eyeless head!
  The man had been a twelvemonth dead.
  "Chief Deputy," the Master yelled,
  "Today the books are being reviewed
  By experts and accountants who
  Have been hired to go through
  Our office here, to check if we
  Have mishandled funds carelessly.
  Please make sure the proper entries are in,
  The right balances are clear,
  Matching the total amount
  Of cash on hand—which they will count.
  I've always admired your punctuality—
  Here at the start and end of day,
  Facing in your chair the crowd
  Of business people, whose loud voices
  And wild gestures you calm
  With some mysterious, soothing spell—
  Some magic in your gaze
  That brings even the loudest to heel
  And spreads a deep and holy
  Calm all around.
  Everything is done so orderly that those
  Who came to withdraw end up paying.
  But now the time has finally come
  For you to use your vast genius
  In more active ways. Rise
  And shake the lightning from your eyes;
  Motivate your team, and throw
  Your spirit into everything!"
  With that, the Master's hand gave a slap
  On the Deputy's hunched back,
  When suddenly to the floor fell
  A shrunken globe, a rattling shell
  A blackened, withered, eyeless head!
  The man had been dead for a whole year.

Jamrach Holobom

Jamrach Holobom

DESTINY, n. A tyrant's authority for crime and fool's excuse for failure.

DESTINY, n. A tyrant’s justification for wrongdoing and a fool’s reason for not succeeding.

DIAGNOSIS, n. A physician's forecast of the disease by the patient's pulse and purse.

DIAGNOSIS, n. A doctor's prediction of an illness based on the patient's pulse and wallet.

DIAPHRAGM, n. A muscular partition separating disorders of the chest from disorders of the bowels.

DIAPHRAGM, n. A muscular barrier that separates issues in the chest from issues in the intestines.

DIARY, n. A daily record of that part of one's life, which he can relate to himself without blushing.

DIARY, n. A daily record of parts of one's life that they can share with themselves without feeling embarrassed.

  Hearst kept a diary wherein were writ
  All that he had of wisdom and of wit.
  So the Recording Angel, when Hearst died,
  Erased all entries of his own and cried:
  "I'll judge you by your diary."  Said Hearst:
  "Thank you; 'twill show you I am Saint the First"—
  Straightway producing, jubilant and proud,
  That record from a pocket in his shroud.
  The Angel slowly turned the pages o'er,
  Each stupid line of which he knew before,
  Glooming and gleaming as by turns he hit
  On Shallow sentiment and stolen wit;
  Then gravely closed the book and gave it back.
  "My friend, you've wandered from your proper track:
  You'd never be content this side the tomb—
  For big ideas Heaven has little room,
  And Hell's no latitude for making mirth,"
  He said, and kicked the fellow back to earth.
  Hearst kept a diary where he wrote  
  Everything he thought was wise or clever.  
  So when Hearst died, the Recording Angel  
  Wiped out all his own notes and said:  
  "I'll judge you by your diary." Hearst replied:  
  "Thanks; it will prove I'm Saint the First"—  
  Immediately pulling out, happy and proud,  
  That record from a pocket in his shroud.  
  The Angel slowly flipped through the pages,  
  Each dumb line of which he already knew,  
  Frowning and smiling as he alternately found  
  Trite sentiment and borrowed lines;  
  Then he closed the book seriously and handed it back.  
  "My friend, you've strayed from your true path:  
  You'd never be satisfied on this side of the grave—  
  For big ideas have little space in Heaven,  
  And there's no room in Hell for laughter,"  
  He said, and sent the guy back to Earth.

"The Mad Philosopher"

"The Crazy Philosopher"

DICTATOR, n. The chief of a nation that prefers the pestilence of despotism to the plague of anarchy.

DICTATOR, n. The leader of a country that chooses the suffering of tyranny over the chaos of lawlessness.

DICTIONARY, n. A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.

DICTIONARY, n. A harmful tool that stifles the evolution of a language, making it rigid and unyielding. This dictionary, however, is actually very helpful.

DIE, n. The singular of "dice." We seldom hear the word, because there is a prohibitory proverb, "Never say die." At long intervals, however, some one says: "The die is cast," which is not true, for it is cut. The word is found in an immortal couplet by that eminent poet and domestic economist, Senator Depew:

DIE, n. The singular of "dice." We rarely hear the word because there's an adage that says, "Never say die." However, occasionally someone does say: "The die is cast," which isn’t accurate, as it is cut. The word appears in a timeless couplet by that notable poet and domestic economist, Senator Depew:

  A cube of cheese no larger than a die
  May bait the trap to catch a nibbling mie.
A cube of cheese no bigger than a die  
Can lure the trap to catch a nibbling mouse.

DIGESTION, n. The conversion of victuals into virtues. When the process is imperfect, vices are evolved instead—a circumstance from which that wicked writer, Dr. Jeremiah Blenn, infers that the ladies are the greater sufferers from dyspepsia.

DIGESTION, n. The process of turning food into nourishment. When this process doesn’t work properly, it leads to negative traits instead—a point that the notorious writer, Dr. Jeremiah Blenn, uses to suggest that women are more affected by indigestion.

DIPLOMACY, n. The patriotic art of lying for one's country.

DIPLOMACY, n. The patriotic skill of bending the truth for the benefit of one’s country.

DISABUSE, v.t. To present your neighbor with another and better error than the one which he has deemed it advantageous to embrace.

DISABUSE, v.t. To offer your neighbor a different and better mistake than the one they have found it beneficial to accept.

DISCRIMINATE, v.i. To note the particulars in which one person or thing is, if possible, more objectionable than another.

DISCRIMINATE, v.i. To recognize the specific details in which one person or thing is, if possible, more undesirable than another.

DISCUSSION, n. A method of confirming others in their errors.

DISCUSSION, n. A way of reinforcing others in their mistakes.

DISOBEDIENCE, n. The silver lining to the cloud of servitude.

DISOBEDIENCE, n. The silver lining to the burden of servitude.

DISOBEY, v.t. To celebrate with an appropriate ceremony the maturity of a command.

DISOBEY, v.t. To mark the coming of age of a command with a fitting ceremony.

  His right to govern me is clear as day,
  My duty manifest to disobey;
  And if that fit observance e'er I shut
  May I and duty be alike undone.
  His right to rule me is as clear as day,  
  My obligation obvious to ignore;  
  And if I ever close off that proper obedience  
  May both I and my duty be equally ruined.  

Israfel Brown

Israfel Brown

DISSEMBLE, v.i.  To put a clean shirt upon the character.
  Let us dissemble.
DISSEMBLE, v.i. To disguise one's true character.  
  Let us disguise ourselves.

Adam

Adam

DISTANCE, n. The only thing that the rich are willing for the poor to call theirs, and keep.

DISTANCE, n. The only thing that the rich are okay with the poor calling their own and keeping.

DISTRESS, n. A disease incurred by exposure to the prosperity of a friend.

DISTRESS, n. A condition caused by being faced with a friend's success.

DIVINATION, n. The art of nosing out the occult. Divination is of as many kinds as there are fruit-bearing varieties of the flowering dunce and the early fool.

DIVINATION, n. The skill of discovering the hidden. Divination comes in as many forms as there are types of fruit-producing plants and the naive fool.

DOG, n. A kind of additional or subsidiary Deity designed to catch the overflow and surplus of the world's worship. This Divine Being in some of his smaller and silkier incarnations takes, in the affection of Woman, the place to which there is no human male aspirant. The Dog is a survival—an anachronism. He toils not, neither does he spin, yet Solomon in all his glory never lay upon a door-mat all day long, sun-soaked and fly-fed and fat, while his master worked for the means wherewith to purchase the idle wag of the Solomonic tail, seasoned with a look of tolerant recognition.

DOG, n. A kind of extra or secondary deity meant to capture the overflow and excess of the world’s worship. This divine being, in some of his smaller and silkier forms, takes the place in a woman's affection that no human man can claim. The Dog is a relic—an anachronism. He doesn’t work or contribute, yet Solomon in all his glory never lounged on a doormat all day, basking in the sun and swatting flies, while his owner labored to earn the money needed to support the lazy wag of the Solomonic tail, which carried a look of patient acknowledgment.

DRAGOON, n. A soldier who combines dash and steadiness in so equal measure that he makes his advances on foot and his retreats on horseback.

DRAGOON, n. A soldier who blends boldness and composure so perfectly that he makes his attacks on foot and his withdrawals on horseback.

DRAMATIST, n. One who adapts plays from the French.

DRAMATIST, n. A person who adapts plays from French.

DRUIDS, n. Priests and ministers of an ancient Celtic religion which did not disdain to employ the humble allurement of human sacrifice. Very little is now known about the Druids and their faith. Pliny says their religion, originating in Britain, spread eastward as far as Persia. Caesar says those who desired to study its mysteries went to Britain. Caesar himself went to Britain, but does not appear to have obtained any high preferment in the Druidical Church, although his talent for human sacrifice was considerable.

DRUIDS, n. Priests and ministers of an ancient Celtic religion that didn’t shy away from using the stark appeal of human sacrifice. Very little is known today about the Druids and their beliefs. Pliny mentions that their religion started in Britain and spread east as far as Persia. Caesar notes that those who wanted to learn its mysteries traveled to Britain. Caesar himself went to Britain but doesn’t seem to have achieved any high position in the Druidic Church, even though he was quite skilled at human sacrifice.

Druids performed their religious rites in groves, and knew nothing of church mortgages and the season-ticket system of pew rents. They were, in short, heathens and—as they were once complacently catalogued by a distinguished prelate of the Church of England— Dissenters.

Druids held their religious ceremonies in groves and had no idea about church mortgages or the subscription system for pew rents. They were, in short, pagans and—as a prominent Church of England bishop once casually described them—Dissenters.

DUCK-BILL, n. Your account at your restaurant during the canvas-back season.

DUCK-BILL, n. Your tab at your restaurant during the canvas-back season.

DUEL, n. A formal ceremony preliminary to the reconciliation of two enemies. Great skill is necessary to its satisfactory observance; if awkwardly performed the most unexpected and deplorable consequences sometimes ensue. A long time ago a man lost his life in a duel.

DUEL, n. A formal event leading up to the making peace between two enemies. It takes great skill to carry it out properly; if handled poorly, the most surprising and tragic results can occur. A long time ago, a man lost his life in a duel.

  That dueling's a gentlemanly vice
      I hold; and wish that it had been my lot
      To live my life out in some favored spot—
  Some country where it is considered nice
  To split a rival like a fish, or slice
      A husband like a spud, or with a shot
      Bring down a debtor doubled in a knot
  And ready to be put upon the ice.
  Some miscreants there are, whom I do long
      To shoot, to stab, or some such way reclaim
  The scurvy rogues to better lives and manners,
  I seem to see them now—a mighty throng.
      It looks as if to challenge me they came,
  Jauntily marching with brass bands and banners!
  I believe that dueling is a noble vice,
      And I wish I could have lived in a place
      Where it’s considered acceptable—some space—
  Where taking out a rival is deemed nice,
  Like filleting a fish or chopping up a spouse,
      Or shooting a debtor tied up tight and ready
      To be taken care of cold and steady.
  There are some villains I really want to take down,
      To shoot or stab, or find some way to reform
  These miserable rogues to live with better decorum.
  I can picture them now—a huge crowd.
      It feels like they’ve come to challenge me,
  Marching confidently with brass bands and loud!

Xamba Q. Dar

Xamba Q. Dar

DULLARD, n. A member of the reigning dynasty in letters and life. The Dullards came in with Adam, and being both numerous and sturdy have overrun the habitable world. The secret of their power is their insensibility to blows; tickle them with a bludgeon and they laugh with a platitude. The Dullards came originally from Boeotia, whence they were driven by stress of starvation, their dullness having blighted the crops. For some centuries they infested Philistia, and many of them are called Philistines to this day. In the turbulent times of the Crusades they withdrew thence and gradually overspread all Europe, occupying most of the high places in politics, art, literature, science and theology. Since a detachment of Dullards came over with the Pilgrims in the Mayflower and made a favorable report of the country, their increase by birth, immigration, and conversion has been rapid and steady. According to the most trustworthy statistics the number of adult Dullards in the United States is but little short of thirty millions, including the statisticians. The intellectual centre of the race is somewhere about Peoria, Illinois, but the New England Dullard is the most shockingly moral.

DULLARD, n. A member of the current dominant group in writing and life. The Dullards appeared with Adam, and being both numerous and tough, they have spread across the livable world. The secret to their strength is their complete lack of sensitivity to impact; hit them with a club, and they respond with a cliché. The Dullards originally came from Boeotia, where they were forced to leave due to starvation, their dullness having ruined the crops. For several centuries, they inhabited Philistia, and many of them are still referred to as Philistines today. During the chaotic times of the Crusades, they departed from there and gradually spread throughout Europe, filling many of the prominent positions in politics, art, literature, science, and theology. Since a group of Dullards arrived with the Pilgrims on the Mayflower and reported positively about the country, their numbers have grown quickly and steadily through birth, immigration, and conversion. According to the most reliable statistics, the number of adult Dullards in the United States is just under thirty million, including the statisticians. The intellectual hub of the race is around Peoria, Illinois, but the New England Dullard is the most extremely moral.

DUTY, n. That which sternly impels us in the direction of profit, along the line of desire.

DUTY, n. That which strongly drives us toward profit, following our desires.

  Sir Lavender Portwine, in favor at court,
  Was wroth at his master, who'd kissed Lady Port.
  His anger provoked him to take the king's head,
  But duty prevailed, and he took the king's bread,
          Instead.
  Sir Lavender Portwine, favored at court,  
  Was angry with his master, who’d kissed Lady Port.  
  His rage pushed him to want to take the king's head,  
  But duty won out, and he settled for the king's bread,  
          Instead.

G.J.

G.J.

E

EAT, v.i. To perform successively (and successfully) the functions of mastication, humectation, and deglutition.

EAT, v.i. To successfully carry out the actions of chewing, moistening, and swallowing.

"I was in the drawing-room, enjoying my dinner," said Brillat-Savarin, beginning an anecdote. "What!" interrupted Rochebriant; "eating dinner in a drawing-room?" "I must beg you to observe, monsieur," explained the great gastronome, "that I did not say I was eating my dinner, but enjoying it. I had dined an hour before."

"I was in the living room, enjoying my dinner," said Brillat-Savarin, starting a story. "What!" interrupted Rochebriant; "having dinner in a living room?" "I need you to note, sir," the great foodie explained, "that I didn't say I was eating my dinner, but enjoying it. I had dined an hour earlier."

EAVESDROP, v.i. Secretly to overhear a catalogue of the crimes and vices of another or yourself.

EAVESDROP, v.i. To secretly listen in on a list of the crimes and vices of someone else or yourself.

  A lady with one of her ears applied
  To an open keyhole heard, inside,
  Two female gossips in converse free—
  The subject engaging them was she.
  "I think," said one, "and my husband thinks
  That she's a prying, inquisitive minx!"
  As soon as no more of it she could hear
  The lady, indignant, removed her ear.
  "I will not stay," she said, with a pout,
  "To hear my character lied about!"
  A lady with one of her ears pressed  
  To an open keyhole heard, inside,  
  Two women chatting freely—  
  The topic that had them talking was her.  
  "I think," said one, "and my husband thinks  
  That she's a nosy, meddling troublemaker!"  
  As soon as she could hear no more,  
  The lady, furious, pulled her ear away.  
  "I won't stick around," she said, sulking,  
  "To hear lies about my character!"  

Gopete Sherany

Gopete Sherany

ECCENTRICITY, n. A method of distinction so cheap that fools employ it to accentuate their incapacity.

ECCENTRICITY, n. A way to stand out that’s so easy that idiots use it to highlight their own incompetence.

ECONOMY, n. Purchasing the barrel of whiskey that you do not need for the price of the cow that you cannot afford.

ECONOMY, n. Buying a barrel of whiskey you don't need for the price of a cow you can't afford.

EDIBLE, adj. Good to eat, and wholesome to digest, as a worm to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.

EDIBLE, adj. Good to eat and easy to digest, like a worm to a toad, a toad to a snake, a snake to a pig, a pig to a man, and a man to a worm.

EDITOR, n. A person who combines the judicial functions of Minos, Rhadamanthus and Aeacus, but is placable with an obolus; a severely virtuous censor, but so charitable withal that he tolerates the virtues of others and the vices of himself; who flings about him the splintering lightning and sturdy thunders of admonition till he resembles a bunch of firecrackers petulantly uttering his mind at the tail of a dog; then straightway murmurs a mild, melodious lay, soft as the cooing of a donkey intoning its prayer to the evening star. Master of mysteries and lord of law, high-pinnacled upon the throne of thought, his face suffused with the dim splendors of the Transfiguration, his legs intertwisted and his tongue a-cheek, the editor spills his will along the paper and cuts it off in lengths to suit. And at intervals from behind the veil of the temple is heard the voice of the foreman demanding three inches of wit and six lines of religious meditation, or bidding him turn off the wisdom and whack up some pathos.

EDITOR, n. A person who combines the judgment functions of Minos, Rhadamanthus, and Aeacus, but can be won over with a small payment; a strict moral judge, yet so forgiving that he accepts the virtues of others and his own flaws; who throws around sharp criticism and powerful warnings until he sounds like a bunch of firecrackers angrily sharing his thoughts at a dog’s tail; then immediately switches to a soft, soothing tone, gentle as a donkey quietly praying to the evening star. Master of secrets and ruler of rules, high up on the throne of ideas, his face glowing with the faint light of transformation, his legs crossed and his tongue in cheek, the editor expresses his will on the page and cuts it to fit. And at intervals, from behind the curtain of the temple, the foreman’s voice can be heard demanding three inches of wit and six lines of spiritual reflection, or telling him to tone down the wisdom and add some emotion.

  O, the Lord of Law on the Throne of Thought,
      A gilded impostor is he.
  Of shreds and patches his robes are wrought,
              His crown is brass,
              Himself an ass,
      And his power is fiddle-dee-dee.
  Prankily, crankily prating of naught,
  Silly old quilly old Monarch of Thought.
      Public opinion's camp-follower he,
      Thundering, blundering, plundering free.
                  Affected,
                      Ungracious,
                  Suspected,
                      Mendacious,
  Respected contemporaree!
                                                    J.H. Bumbleshook
  O, the Lord of Law on the Throne of Thought,  
      He’s just a flashy fake.  
  His robes are made of scraps and rags,  
              His crown is cheap,  
              He’s a fool,  
      And his power is nonsense.  
  Foolishly rambling about nothing,  
  Silly old quack of Thought.  
      A follower of public opinion,  
      Loud, clumsy, stealing freely.  
                  Affected,  
                      Ungracious,  
                  Suspected,  
                      Lying,  
  Respected by his peers!  
                                                    J.H. Bumbleshook

EDUCATION, n. That which discloses to the wise and disguises from the foolish their lack of understanding.

EDUCATION, n. The thing that reveals the truth to the wise and hides it from the foolish, showing their lack of understanding.

EFFECT, n. The second of two phenomena which always occur together in the same order. The first, called a Cause, is said to generate the other—which is no more sensible than it would be for one who has never seen a dog except in the pursuit of a rabbit to declare the rabbit the cause of a dog.

EFFECT, n. The second of two events that always happen together in the same order. The first, known as a Cause, is said to produce the second—which makes just as much sense as someone who has only seen a dog while chasing a rabbit claiming that the rabbit caused the dog.

EGOTIST, n. A person of low taste, more interested in himself than in me.

EGOTIST, n. A person with poor taste, more focused on themselves than on others.

  Megaceph, chosen to serve the State
  In the halls of legislative debate,
  One day with all his credentials came
  To the capitol's door and announced his name.
  The doorkeeper looked, with a comical twist
  Of the face, at the eminent egotist,
  And said:  "Go away, for we settle here
  All manner of questions, knotty and queer,
  And we cannot have, when the speaker demands
  To be told how every member stands,
  A man who to all things under the sky
  Assents by eternally voting 'I'."
  Megaceph, chosen to serve the State  
  In the halls of political debate,  
  One day with all his credentials showed up  
  At the capitol's door and announced himself.  
  The doorkeeper looked, with a funny twist  
  Of his face, at the notable egotist,  
  And said: "Go away, because we figure out  
  All kinds of questions, tough and weird,  
  And we can't have, when the speaker asks  
  To know how every member feels,  
  A guy who agrees with everything under the sun  
  By always voting 'yes'."  

EJECTION, n. An approved remedy for the disease of garrulity. It is also much used in cases of extreme poverty.

EJECTION, n. A recognized solution for the condition of excessive talkativeness. It's also frequently used in situations of severe financial struggle.

ELECTOR, n. One who enjoys the sacred privilege of voting for the man of another man's choice.

ELECTOR, n. Someone who has the special right to vote for the person someone else prefers.

ELECTRICITY, n. The power that causes all natural phenomena not known to be caused by something else. It is the same thing as lightning, and its famous attempt to strike Dr. Franklin is one of the most picturesque incidents in that great and good man's career. The memory of Dr. Franklin is justly held in great reverence, particularly in France, where a waxen effigy of him was recently on exhibition, bearing the following touching account of his life and services to science:

ELECTRICITY, n. The force that creates all natural events that aren't attributed to something else. It's the same as lightning, and its well-known attempt to hit Dr. Franklin is one of the most striking moments in that great and good man's life. Dr. Franklin's memory is understandably held in high esteem, especially in France, where a wax figure of him was recently displayed, featuring this moving summary of his life and contributions to science:

      "Monsieur Franqulin, inventor of electricity.  This
  illustrious savant, after having made several voyages around the
  world, died on the Sandwich Islands and was devoured by savages,
  of whom not a single fragment was ever recovered."

  Electricity seems destined to play a most important part in the
arts and industries.  The question of its economical application to
some purposes is still unsettled, but experiment has already proved
that it will propel a street car better than a gas jet and give more
light than a horse.
      "Mr. Franqulin, inventor of electricity. This
  renowned scientist, after making several trips around the
  world, died in the Sandwich Islands and was eaten by natives,
  from whom not a single trace was ever found."

  Electricity seems destined to play a crucial role in the
arts and industries. The question of its cost-effective application to
various purposes is still unresolved, but experiments have already shown
that it can power a streetcar better than a gas light and provide more
illumination than a horse.

ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. The most famous English example begins somewhat like this:

ELEGY, n. A poem in which, without using any humor, the writer seeks to evoke the deepest kind of sadness in the reader. The most famous English example starts something like this:

  The cur foretells the knell of parting day;
      The loafing herd winds slowly o'er the lea;
  The wise man homeward plods; I only stay
      To fiddle-faddle in a minor key.
  The dog signals the end of the day;  
      The lazy cattle move slowly across the meadow;  
  The wise man heads home; I’m just here  
      To waste time playing a sad tune.

ELOQUENCE, n. The art of orally persuading fools that white is the color that it appears to be. It includes the gift of making any color appear white.

ELOQUENCE, n. The skill of verbally convincing people who don't understand that white is really white. It involves the talent of making any color seem white.

ELYSIUM, n. An imaginary delightful country which the ancients foolishly believed to be inhabited by the spirits of the good. This ridiculous and mischievous fable was swept off the face of the earth by the early Christians—may their souls be happy in Heaven!

ELYSIUM, n. A fictional paradise that ancient people naively thought was inhabited by the souls of the virtuous. This absurd and troublesome myth was eradicated by early Christians—may they find happiness in Heaven!

EMANCIPATION, n. A bondman's change from the tyranny of another to the despotism of himself.

EMANCIPATION, n. A slave's shift from the oppression of someone else to the control of his own self.

  He was a slave:  at word he went and came;
      His iron collar cut him to the bone.
  Then Liberty erased his owner's name,
      Tightened the rivets and inscribed his own.
  He was a slave: at a word, he went and came;  
      His iron collar cut into his skin.  
  Then Liberty erased his owner's name,  
      Tightened the rivets, and added his own.  

G.J.

G.J.

EMBALM, v.i. To cheat vegetation by locking up the gases upon which it feeds. By embalming their dead and thereby deranging the natural balance between animal and vegetable life, the Egyptians made their once fertile and populous country barren and incapable of supporting more than a meagre crew. The modern metallic burial casket is a step in the same direction, and many a dead man who ought now to be ornamenting his neighbor's lawn as a tree, or enriching his table as a bunch of radishes, is doomed to a long inutility. We shall get him after awhile if we are spared, but in the meantime the violet and rose are languishing for a nibble at his glutoeus maximus.

EMBALM, v.i. To prevent plants from growing by trapping the gases they need. By embalming their dead and upsetting the natural balance between animals and plants, the Egyptians turned their once fertile and thriving country into a barren land that could barely support a small population. The modern metal coffin is a similar concept, and many people who should now be beautifying their neighbor's yard as a tree, or enhancing dinner as a bunch of radishes, are instead stuck in a long state of uselessness. We'll get to them eventually if we're still around, but in the meantime, the violet and rose are yearning for a taste of their gluteus maximus.

EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.

EMOTION, n. A draining condition caused by the heart communicating with the head. It is often paired with a significant flow of salty liquid from the eyes.

ENCOMIAST, n. A special (but not particular) kind of liar.

ENCOMIAST, n. A unique (but not specific) type of liar.

END, n. The position farthest removed on either hand from the Interlocutor.

END, n. The spot that is farthest away on either side from the Speaker.

  The man was perishing apace
      Who played the tambourine;
  The seal of death was on his face—
      'Twas pallid, for 'twas clean.

  "This is the end," the sick man said
      In faint and failing tones.
  A moment later he was dead,
      And Tambourine was Bones.
  The man was dying quickly  
      Who played the tambourine;  
  The mark of death was on his face—  
      It was pale, for it was clean.  
  
  "This is the end," the sick man said  
      In weak and fading tones.  
  A moment later he was dead,  
      And Tambourine was Bones.

Tinley Roquot

Tinley Roquot

ENOUGH, pro. All there is in the world if you like it.

ENOUGH, pro. It's all there is in the world if you like it.

  Enough is as good as a feast—for that matter
  Enougher's as good as a feast for the platter.
  Enough is as good as a feast—for that matter  
  Having enough is as good as a feast for the platter.

Arbely C. Strunk

Arbely C. Strunk

ENTERTAINMENT, n. Any kind of amusement whose inroads stop short of death by injection.

ENTERTAINMENT, n. Any type of amusement that doesn’t lead to death by injection.

ENTHUSIASM, n. A distemper of youth, curable by small doses of repentance in connection with outward applications of experience. Byron, who recovered long enough to call it "entuzy-muzy," had a relapse, which carried him off—to Missolonghi.

ENTHUSIASM, n. A condition of youth that can be treated with small amounts of regret coupled with real-life experiences. Byron, who got better long enough to refer to it as "entuzy-muzy," had a relapse that eventually led to his demise in Missolonghi.

ENVELOPE, n. The coffin of a document; the scabbard of a bill; the husk of a remittance; the bed-gown of a love-letter.

ENVELOPE, n. The final resting place of a document; the case for a bill; the outer layer of a payment; the cover of a love letter.

ENVY, n. Emulation adapted to the meanest capacity.

ENVY, n. Imitation tailored for the lowest ability.

EPAULET, n. An ornamented badge, serving to distinguish a military officer from the enemy—that is to say, from the officer of lower rank to whom his death would give promotion.

EPAULET, n. A decorative badge worn to identify a military officer, distinguishing them from the enemy—that is, from the officer of lower rank whose death would lead to the officer's promotion.

EPICURE, n. An opponent of Epicurus, an abstemious philosopher who, holding that pleasure should be the chief aim of man, wasted no time in gratification from the senses.

EPICURE, n. Someone who disagrees with Epicurus, a disciplined philosopher who believed that pleasure should be the main goal of life, and wasted no time indulging in sensory pleasures.

EPIGRAM, n. A short, sharp saying in prose or verse, frequently characterized by acidity or acerbity and sometimes by wisdom. Following are some of the more notable epigrams of the learned and ingenious Dr. Jamrach Holobom:

EPIGRAM, n. A brief, clever saying in prose or verse, often marked by wit or sarcasm and sometimes by insight. Here are some of the more notable epigrams from the knowledgeable and creative Dr. Jamrach Holobom:

      We know better the needs of ourselves than of others.  To
  serve oneself is economy of administration.

      In each human heart are a tiger, a pig, an ass and a
  nightingale.  Diversity of character is due to their unequal
  activity.

      There are three sexes; males, females and girls.

      Beauty in women and distinction in men are alike in this:
  they seem to the unthinking a kind of credibility.
      Women in love are less ashamed than men.  They have less to be
  ashamed of.

      While your friend holds you affectionately by both your hands
  you are safe, for you can watch both his.
      We understand our own needs better than we understand those of others. Taking care of ourselves is a form of efficient management.

      Inside every human heart are a tiger, a pig, a donkey, and a nightingale. The different characteristics come from how much each is active.

      There are three genders: males, females, and girls.

      Beauty in women and distinction in men are similar in one way: to those who don’t think deeply, they seem to be a form of credibility. Women in love feel less embarrassed than men; they have less to be embarrassed about.

      When your friend holds both your hands affectionately, you’re safe because you can keep an eye on both of his.

EPITAPH, n. An inscription on a tomb, showing that virtues acquired by death have a retroactive effect. Following is a touching example:

EPITAPH, n. An inscription on a grave, indicating that the virtues gained in death have a backwards impact. Here’s a heartfelt example:

  Here lie the bones of Parson Platt,
  Wise, pious, humble and all that,
  Who showed us life as all should live it;
  Let that be said—and God forgive it!
  Here lie the bones of Parson Platt,  
  Wise, faithful, humble, and all that,  
  Who showed us life as it should be lived;  
  Let that be said—and God forgive it!  

ERUDITION, n. Dust shaken out of a book into an empty skull.

ERUDITION, n. Dust shaken out of a book into a vacant mind.

  So wide his erudition's mighty span,
  He knew Creation's origin and plan
  And only came by accident to grief—
  He thought, poor man, 'twas right to be a thief.
  So vast was his knowledge,
  He understood the creation's origin and purpose
  And only stumbled into trouble by chance—
  He mistakenly believed that being a thief was okay.

Romach Pute

Romach Pute

ESOTERIC, adj. Very particularly abstruse and consummately occult. The ancient philosophies were of two kinds,—exoteric, those that the philosophers themselves could partly understand, and esoteric, those that nobody could understand. It is the latter that have most profoundly affected modern thought and found greatest acceptance in our time.

ESOTERIC, adj. Extremely obscure and completely hidden. The ancient philosophies were of two types—exoteric, those that the philosophers themselves could partially grasp, and esoteric, those that no one could understand. It’s the latter that have had the most significant impact on modern thought and have gained the most acceptance in our time.

ETHNOLOGY, n. The science that treats of the various tribes of Man, as robbers, thieves, swindlers, dunces, lunatics, idiots and ethnologists.

ETHNOLOGY, n. The study of the different groups of people, including robbers, thieves, con artists, fools, madmen, idiots, and ethnologists.

EUCHARIST, n.  A sacred feast of the religious sect of Theophagi.
  A dispute once unhappily arose among the members of this sect as
to what it was that they ate.  In this controversy some five hundred
thousand have already been slain, and the question is still unsettled.
EUCHARIST, n. A holy meal celebrated by the religious group known as Theophagi.  
A disagreement once unfortunately broke out among the members of this group about what it was they actually consumed. In this conflict, about five hundred thousand people have already been killed, and the issue remains unresolved.

EULOGY, n. Praise of a person who has either the advantages of wealth and power, or the consideration to be dead.

EULOGY, n. Praise for someone who either has the benefits of wealth and power, or has the distinction of being dead.

EVANGELIST, n. A bearer of good tidings, particularly (in a religious sense) such as assure us of our own salvation and the damnation of our neighbors.

EVANGELIST, n. A messenger of good news, especially in a religious context, who assures us of our own salvation and the condemnation of others.

EVERLASTING, adj. Lasting forever. It is with no small diffidence that I venture to offer this brief and elementary definition, for I am not unaware of the existence of a bulky volume by a sometime Bishop of Worcester, entitled, A Partial Definition of the Word "Everlasting," as Used in the Authorized Version of the Holy Scriptures. His book was once esteemed of great authority in the Anglican Church, and is still, I understand, studied with pleasure to the mind and profit of the soul.

EVERLASTING, adj. Lasting forever. I'm a bit hesitant to provide this simple definition because I'm aware of a big book by a former Bishop of Worcester called, A Partial Definition of the Word "Everlasting," as Used in the Authorized Version of the Holy Scriptures. His book was once highly regarded in the Anglican Church and, as far as I know, is still enjoyed and beneficial for both the mind and soul.

EXCEPTION, n. A thing which takes the liberty to differ from other things of its class, as an honest man, a truthful woman, etc. "The exception proves the rule" is an expression constantly upon the lips of the ignorant, who parrot it from one another with never a thought of its absurdity. In the Latin, "Exceptio probat regulam" means that the exception tests the rule, puts it to the proof, not confirms it. The malefactor who drew the meaning from this excellent dictum and substituted a contrary one of his own exerted an evil power which appears to be immortal.

EXCEPTION, n. Something that dares to be different from others in its category, like an honest man or a truthful woman, etc. "The exception proves the rule" is a phrase often repeated by the ignorant, who simply echo it without recognizing its ridiculousness. In Latin, "Exceptio probat regulam" means that the exception tests the rule, putting it to the proof, not confirms it. The wrongdoer who twisted this wise saying and turned it into a contradictory meaning wielded a harmful influence that seems to be everlasting.

EXCESS, n. In morals, an indulgence that enforces by appropriate penalties the law of moderation.

EXCESS, n. In morals, an indulgence that is reinforced by suitable penalties to uphold the principle of moderation.

  Hail, high Excess—especially in wine,
      To thee in worship do I bend the knee
      Who preach abstemiousness unto me—
  My skull thy pulpit, as my paunch thy shrine.
  Precept on precept, aye, and line on line,
      Could ne'er persuade so sweetly to agree
      With reason as thy touch, exact and free,
  Upon my forehead and along my spine.
  At thy command eschewing pleasure's cup,
      With the hot grape I warm no more my wit;
      When on thy stool of penitence I sit
  I'm quite converted, for I can't get up.
  Ungrateful he who afterward would falter
  To make new sacrifices at thine altar!
Hail, high Excess—especially in wine,  
To you in worship I bend the knee  
You who preach moderation to me—  
My head your pulpit, as my belly your shrine.  
Rule upon rule, yeah, and line upon line,  
Could never convince me as sweetly to comply  
With reason as your touch, precise and free,  
Upon my forehead and along my spine.  
At your command avoiding pleasure's cup,  
With the hot grape I no longer stimulate my mind;  
When on your stool of penitence I sit  
I’m completely changed, because I can’t get up.  
Ungrateful is he who afterward would hesitate  
To make new sacrifices at your altar!

EXCOMMUNICATION, n.

EXCOMMUNICATION, n.

  This "excommunication" is a word
  In speech ecclesiastical oft heard,
  And means the damning, with bell, book and candle,
  Some sinner whose opinions are a scandal—
  A rite permitting Satan to enslave him
  Forever, and forbidding Christ to save him.
This "excommunication" is a term  
In church talk often heard,  
And means the condemning, with bell, book, and candle,  
Some sinner whose views are a scandal—  
A ritual allowing Satan to capture him  
Forever, and stopping Christ from saving him.  

Gat Huckle

Gat Huckle

EXECUTIVE, n. An officer of the Government, whose duty it is to enforce the wishes of the legislative power until such time as the judicial department shall be pleased to pronounce them invalid and of no effect. Following is an extract from an old book entitled, The Lunarian Astonished—Pfeiffer & Co., Boston, 1803:

EXECUTIVE, n. A government official responsible for implementing the decisions made by the legislative branch until the judicial branch decides to invalidate those decisions. Following is an extract from an old book entitled, The Lunarian Astonished—Pfeiffer & Co., Boston, 1803:

  LUNARIAN:  Then when your Congress has passed a law it goes
      directly to the Supreme Court in order that it may at once be
      known whether it is constitutional?
  TERRESTRIAN:  O no; it does not require the approval of the
      Supreme Court until having perhaps been enforced for many
      years somebody objects to its operation against himself—I
      mean his client.  The President, if he approves it, begins to
      execute it at once.
  LUNARIAN:  Ah, the executive power is a part of the legislative.
      Do your policemen also have to approve the local ordinances
      that they enforce?
  TERRESTRIAN:  Not yet—at least not in their character of
      constables.  Generally speaking, though, all laws require the
      approval of those whom they are intended to restrain.
  LUNARIAN:  I see.  The death warrant is not valid until signed by
      the murderer.
  TERRESTRIAN:  My friend, you put it too strongly; we are not so
      consistent.
  LUNARIAN:  But this system of maintaining an expensive judicial
      machinery to pass upon the validity of laws only after they
      have long been executed, and then only when brought before the
      court by some private person—does it not cause great
      confusion?
  TERRESTRIAN:  It does.
  LUNARIAN:  Why then should not your laws, previously to being
      executed, be validated, not by the signature of your
      President, but by that of the Chief Justice of the Supreme
      Court?
  TERRESTRIAN:  There is no precedent for any such course.
  LUNARIAN:  Precedent.  What is that?
  TERRESTRIAN:  It has been defined by five hundred lawyers in three
      volumes each.  So how can any one know?
  LUNARIAN:  So when your Congress passes a law, it goes directly to the Supreme Court to find out if it's constitutional right away?  
  TERRESTRIAN:  Oh no; it doesn't need the Supreme Court's approval until, after many years of being in effect, someone complains about how it impacts them—or rather, their client. If the President agrees with it, they start enforcing it immediately.  
  LUNARIAN:  Ah, so the executive power is part of the legislative branch. Do your police officers have to approve the local laws they enforce?  
  TERRESTRIAN:  Not yet—at least not in their role as constables. But generally, all laws need to be accepted by those they are meant to limit.  
  LUNARIAN:  I get it. A death warrant isn’t valid until the murderer signs it.  
  TERRESTRIAN:  My friend, that’s a bit too extreme; we’re not that consistent.  
  LUNARIAN:  But this system of having an expensive judicial process to determine the validity of laws only after they've been enforced for a long time, and only when a private individual brings it to court—doesn't that create a lot of confusion?  
  TERRESTRIAN:  It does.  
  LUNARIAN:  So why shouldn’t your laws be validated before they are enforced, not by your President's signature, but by the Chief Justice of the Supreme Court?  
  TERRESTRIAN:  There’s no precedent for that.  
  LUNARIAN:  Precedent. What does that mean?  
  TERRESTRIAN:  It's something that's been explained by five hundred lawyers in three volumes each. So how can anyone really know?

EXHORT, v.t. In religious affairs, to put the conscience of another upon the spit and roast it to a nut-brown discomfort.

EXHORT, v.t. In religious matters, to take someone else's conscience and subject it to intense pressure until it becomes uncomfortably distressed.

EXILE, n. One who serves his country by residing abroad, yet is not an ambassador.

EXILE, n. Someone who serves their country by living overseas, but is not an ambassador.

An English sea-captain being asked if he had read "The Exile of Erin," replied: "No, sir, but I should like to anchor on it." Years afterwards, when he had been hanged as a pirate after a career of unparalleled atrocities, the following memorandum was found in the ship's log that he had kept at the time of his reply:

An English sea captain was asked if he had read "The Exile of Erin," and he replied, "No, sir, but I’d like to check it out." Years later, after he had been hanged as a pirate following a career filled with extraordinary atrocities, the following note was found in the ship's log he had kept at the time of his response:

  Aug. 3d, 1842.  Made a joke on the ex-Isle of Erin.  Coldly
  received.  War with the whole world!
  Aug. 3, 1842. Made a joke about the former Isle of Erin. Coldly received. War with the entire world!

EXISTENCE, n.

EXISTENCE, n.

  A transient, horrible, fantastic dream,
  Wherein is nothing yet all things do seem:
  From which we're wakened by a friendly nudge
  Of our bedfellow Death, and cry:  "O fudge!"
  A fleeting, terrible, amazing dream,  
  Where nothing is real yet everything feels true:  
  From which we're jolted awake by a gentle nudge  
  From our buddy Death, and we exclaim: "Oh, come on!"

EXPERIENCE, n. The wisdom that enables us to recognize as an undesirable old acquaintance the folly that we have already embraced.

EXPERIENCE, n. The understanding that helps us see as an unwelcome old friend the foolishness we have previously accepted.

  To one who, journeying through night and fog,
  Is mired neck-deep in an unwholesome bog,
  Experience, like the rising of the dawn,
  Reveals the path that he should not have gone.
  To someone traveling through night and fog,  
  Stuck neck-deep in a nasty swamp,  
  Experience, like the dawn breaking,  
  Shows the way they shouldn’t have taken.

Joel Frad Bink

Joel Frad Bink

EXPOSTULATION, n. One of the many methods by which fools prefer to lose their friends.

EXPOSTULATION, n. One of the many ways that fools choose to drive away their friends.

EXTINCTION, n. The raw material out of which theology created the future state.

EXTINCTION, n. The basic idea from which theology shaped the concept of the afterlife.

F

FAIRY, n. A creature, variously fashioned and endowed, that formerly inhabited the meadows and forests. It was nocturnal in its habits, and somewhat addicted to dancing and the theft of children. The fairies are now believed by naturalists to be extinct, though a clergyman of the Church of England saw three near Colchester as lately as 1855, while passing through a park after dining with the lord of the manor. The sight greatly staggered him, and he was so affected that his account of it was incoherent. In the year 1807 a troop of fairies visited a wood near Aix and carried off the daughter of a peasant, who had been seen to enter it with a bundle of clothing. The son of a wealthy bourgeois disappeared about the same time, but afterward returned. He had seen the abduction and been in pursuit of the fairies. Justinian Gaux, a writer of the fourteenth century, avers that so great is the fairies' power of transformation that he saw one change itself into two opposing armies and fight a battle with great slaughter, and that the next day, after it had resumed its original shape and gone away, there were seven hundred bodies of the slain which the villagers had to bury. He does not say if any of the wounded recovered. In the time of Henry III, of England, a law was made which prescribed the death penalty for "Kyllynge, wowndynge, or mamynge" a fairy, and it was universally respected.

FAIRY, n. A being, varied in shape and abilities, that once lived in meadows and forests. It was mostly active at night and had a tendency to dance and kidnap children. Nowadays, naturalists believe that fairies are extinct, although a clergyman from the Church of England reported seeing three near Colchester as recently as 1855 while walking through a park after having dinner with the lord of the manor. The encounter left him quite shocked, and he was so overwhelmed that his story was hard to follow. In 1807, a group of fairies appeared in a forest near Aix and took the daughter of a peasant, who had been seen entering with a bundle of clothes. Around the same time, the son of a wealthy bourgeois went missing but later came back. He had witnessed the abduction and chased after the fairies. Justinian Gaux, a fourteenth-century writer, claims that fairies have such powerful transformation abilities that he saw one turn into two opposing armies and engage in a violent battle, resulting in heavy casualties. The next day, after the fairy returned to its original form and left, there were seven hundred bodies of the dead for the villagers to bury. He doesn’t mention if any of the wounded survived. During the reign of Henry III of England, a law was established that imposed the death penalty for "killing, wounding, or maiming" a fairy, and it was widely respected.

FAITH, n. Belief without evidence in what is told by one who speaks without knowledge, of things without parallel.

FAITH, n. Belief without proof in what someone says without understanding, about things that have no comparison.

FAMOUS, adj. Conspicuously miserable.

FAMOUS, adj. Clearly unhappy.

  Done to a turn on the iron, behold
      Him who to be famous aspired.
  Content?  Well, his grill has a plating of gold,
      And his twistings are greatly admired.
  Cooked perfectly on the grill, look
      At him who aimed to be famous.
  Happy? Well, his grill has a gold finish,
      And his twists are highly praised.

Hassan Brubuddy

Hassan Bro Buddy

FASHION, n. A despot whom the wise ridicule and obey.

FASHION, n. A ruler that the wise mock and follow.

  A king there was who lost an eye
      In some excess of passion;
  And straight his courtiers all did try
      To follow the new fashion.

  Each dropped one eyelid when before
      The throne he ventured, thinking
  'Twould please the king.  That monarch swore
      He'd slay them all for winking.

  What should they do?  They were not hot
      To hazard such disaster;
  They dared not close an eye—dared not
      See better than their master.

  Seeing them lacrymose and glum,
      A leech consoled the weepers:
  He spread small rags with liquid gum
      And covered half their peepers.

  The court all wore the stuff, the flame
      Of royal anger dying.
  That's how court-plaster got its name
      Unless I'm greatly lying.
A king once lost an eye  
      In a moment of intense emotion;  
  And right away, his courtiers all tried  
      To follow this new trend.  

  Each one dropped an eyelid when they approached  
      The throne, thinking it would please the king.  
  That monarch declared  
      He'd punish them all for winking.  

  What could they do? They weren’t eager  
      To risk such trouble;  
  They didn’t dare to close an eye—didn’t dare  
      To see better than their king.  

  Seeing them sad and downcast,  
      A doctor comforted the mourners:  
  He spread small pieces of cloth with sticky gum  
      And covered half their eyes.  

  The whole court wore this stuff, and the king’s  
      Angry outburst faded away.  
  That’s how court-plaster got its name,  
      Unless I’m totally mistaken.

Naramy Oof

Naramy Oof

FEAST, n. A festival. A religious celebration usually signalized by gluttony and drunkenness, frequently in honor of some holy person distinguished for abstemiousness. In the Roman Catholic Church feasts are "movable" and "immovable," but the celebrants are uniformly immovable until they are full. In their earliest development these entertainments took the form of feasts for the dead; such were held by the Greeks, under the name Nemeseia, by the Aztecs and Peruvians, as in modern times they are popular with the Chinese; though it is believed that the ancient dead, like the modern, were light eaters. Among the many feasts of the Romans was the Novemdiale, which was held, according to Livy, whenever stones fell from heaven.

FEAST, n. A celebration. A religious event usually marked by excess and partying, often in honor of some saint noted for self-discipline. In the Roman Catholic Church, feasts are categorized as "movable" or "immovable," but the participants are always stationary until they’re satisfied. In their early days, these events were mainly feasts for the dead; such gatherings were hosted by the Greeks, known as Nemeseia, by the Aztecs and Peruvians, and remain popular among the Chinese today; although it’s thought that ancient spirits, like modern ones, had modest appetites. Among the many feasts celebrated by the Romans was the Novemdiale, observed, according to Livy, whenever stones fell from the sky.

FELON, n. A person of greater enterprise than discretion, who in embracing an opportunity has formed an unfortunate attachment.

FELON, n. A person who is more adventurous than careful, who, in seizing an opportunity, has ended up forming an unfortunate bond.

FEMALE, n. One of the opposing, or unfair, sex.

FEMALE, n. One of the opposing, or unfair, genders.

  The Maker, at Creation's birth,
  With living things had stocked the earth.
  From elephants to bats and snails,
  They all were good, for all were males.
  But when the Devil came and saw
  He said:  "By Thine eternal law
  Of growth, maturity, decay,
  These all must quickly pass away
  And leave untenanted the earth
  Unless Thou dost establish birth"—
  Then tucked his head beneath his wing
  To laugh—he had no sleeve—the thing
  With deviltry did so accord,
  That he'd suggested to the Lord.
  The Master pondered this advice,
  Then shook and threw the fateful dice
  Wherewith all matters here below
  Are ordered, and observed the throw;
  Then bent His head in awful state,
  Confirming the decree of Fate.
  From every part of earth anew
  The conscious dust consenting flew,
  While rivers from their courses rolled
  To make it plastic for the mould.
  Enough collected (but no more,
  For niggard Nature hoards her store)
  He kneaded it to flexible clay,
  While Nick unseen threw some away.
  And then the various forms He cast,
  Gross organs first and finer last;
  No one at once evolved, but all
  By even touches grew and small
  Degrees advanced, till, shade by shade,
  To match all living things He'd made
  Females, complete in all their parts
  Except (His clay gave out) the hearts.
  "No matter," Satan cried; "with speed
  I'll fetch the very hearts they need"—
  So flew away and soon brought back
  The number needed, in a sack.
  That night earth rang with sounds of strife—
  Ten million males each had a wife;
  That night sweet Peace her pinions spread
  O'er Hell—ten million devils dead!
  The Creator, at the beginning of creation,  
  Filled the earth with living things.  
  From elephants to bats and snails,  
  They were all good, since they were all males.  
  But when the Devil came and saw,  
  He said: "According to Your eternal law  
  Of growth, maturity, and decay,  
  These all must quickly fade away  
  And leave the earth uninhabited  
  Unless You establish birth"—  
  Then tucked his head under his wing  
  To laugh—he had no sleeve—this thing  
  With wickedness did so align,  
  That he suggested it to the Divine.  
  The Master considered this advice,  
  Then shook and rolled the fateful dice  
  By which all matters below  
  Are ordered, and observed the throw;  
  Then bowed His head with gravity,  
  Confirming the decree of Fate.  
  From every part of earth anew  
  The conscious dust consented to pursue,  
  While rivers altered their courses  
  To make it moldable for the processes.  
  Enough was gathered (but no more,  
  For stingy Nature keeps her store)  
  He shaped it into flexible clay,  
  While Nick unseen tossed some away.  
  And then He cast various forms,  
  Coarse organs first and finer norms;  
  No one was made at once, but all  
  Progressed by gradual touches small  
  Until, shade by shade,  
  To match all living things He’d made  
  Females, complete in all their parts  
  Except (His clay ran out) the hearts.  
  "No problem," Satan exclaimed; "quickly  
  I'll bring back the very hearts they need"—  
  So he flew away and soon returned  
  With the needed number, in a sack.  
  That night the earth was filled with strife—  
  Ten million males each had a wife;  
  That night sweet Peace spread her wings  
  Over Hell—ten million devils fell!

G.J.

G.J.

FIB, n. A lie that has not cut its teeth. An habitual liar's nearest approach to truth: the perigee of his eccentric orbit.

FIB, n. A lie that hasn't fully formed. A habitual liar's closest encounter with the truth: the low point of their strange path.

  When David said:  "All men are liars," Dave,
      Himself a liar, fibbed like any thief.
      Perhaps he thought to weaken disbelief
  By proof that even himself was not a slave
  To Truth; though I suspect the aged knave
      Had been of all her servitors the chief
      Had he but known a fig's reluctant leaf
  Is more than e'er she wore on land or wave.
  No, David served not Naked Truth when he
      Struck that sledge-hammer blow at all his race;
          Nor did he hit the nail upon the head:
  For reason shows that it could never be,
      And the facts contradict him to his face.
          Men are not liars all, for some are dead.
When David said, "All men are liars," Dave,  
      who was a liar himself, lied like any thief.  
      Maybe he thought he could make disbelief weaker  
  by proving that even he wasn't a slave  
  to Truth; though I suspect the old trickster  
      had been one of her top followers if he’d known  
      that even a fig's hesitant leaf  
  is more than anything she ever wore on land or sea.  
  No, David wasn’t serving Naked Truth when he  
      struck that heavy blow at all his kind;  
          nor did he hit the nail on the head:  
  because reason shows that it could never be,  
      and the facts contradict him directly.  
          Not all men are liars, because some are dead.  

Bartle Quinker

Bartle Quinker

FICKLENESS, n. The iterated satiety of an enterprising affection.

FICKLENESS, n. The repeated satisfaction of a restless desire.

FIDDLE, n. An instrument to tickle human ears by friction of a horse's tail on the entrails of a cat.

FIDDLE, n. An instrument that creates sounds pleasing to human ears by rubbing a horse's tail against a cat's insides.

  To Rome said Nero:  "If to smoke you turn
  I shall not cease to fiddle while you burn."
  To Nero Rome replied:  "Pray do your worst,
  'Tis my excuse that you were fiddling first."
  To Rome, Nero said:  "If you’re going to smoke
  I won’t stop fiddling while you burn."
  To Nero, Rome replied:  "Go ahead and do your worst,
  My excuse is that you were fiddling first."

Orm Pludge

Orm Pludge

FIDELITY, n. A virtue peculiar to those who are about to be betrayed.

FIDELITY, n. A virtue unique to those who are about to be let down.

FINANCE, n. The art or science of managing revenues and resources for the best advantage of the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America's most precious discoveries and possessions.

FINANCE, n. The skill or discipline of handling income and resources for the best benefit of the manager. Pronouncing this word with a long "i" and emphasizing the first syllable is one of America's most valuable discoveries and assets.

FLAG, n. A colored rag borne above troops and hoisted on forts and ships. It appears to serve the same purpose as certain signs that one sees on vacant lots in London—"Rubbish may be shot here."

FLAG, n. A colorful piece of fabric carried by soldiers and raised on forts and ships. It seems to serve the same purpose as some signs found on empty lots in London—"Rubbish can be dumped here."

FLESH, n. The Second Person of the secular Trinity.

FLESH, n. The Second Person of the non-religious Trinity.

FLOP, v. Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised as a turn-coat by some of our partisan journals.

FLOP, v. To suddenly change one’s opinions and switch allegiance to another group. The most notable flop on record was Saul of Tarsus, who has faced harsh criticism as a traitor by some of our biased publications.

FLY-SPECK, n. The prototype of punctuation. It is observed by Garvinus that the systems of punctuation in use by the various literary nations depended originally upon the social habits and general diet of the flies infesting the several countries. These creatures, which have always been distinguished for a neighborly and companionable familiarity with authors, liberally or niggardly embellish the manuscripts in process of growth under the pen, according to their bodily habit, bringing out the sense of the work by a species of interpretation superior to, and independent of, the writer's powers. The "old masters" of literature—that is to say, the early writers whose work is so esteemed by later scribes and critics in the same language—never punctuated at all, but worked right along free-handed, without that abruption of the thought which comes from the use of points. (We observe the same thing in children to-day, whose usage in this particular is a striking and beautiful instance of the law that the infancy of individuals reproduces the methods and stages of development characterizing the infancy of races.) In the work of these primitive scribes all the punctuation is found, by the modern investigator with his optical instruments and chemical tests, to have been inserted by the writers' ingenious and serviceable collaborator, the common house-fly—Musca maledicta. In transcribing these ancient MSS, for the purpose of either making the work their own or preserving what they naturally regard as divine revelations, later writers reverently and accurately copy whatever marks they find upon the papyrus or parchment, to the unspeakable enhancement of the lucidity of the thought and value of the work. Writers contemporary with the copyists naturally avail themselves of the obvious advantages of these marks in their own work, and with such assistance as the flies of their own household may be willing to grant, frequently rival and sometimes surpass the older compositions, in respect at least of punctuation, which is no small glory. Fully to understand the important services that flies perform to literature it is only necessary to lay a page of some popular novelist alongside a saucer of cream-and-molasses in a sunny room and observe "how the wit brightens and the style refines" in accurate proportion to the duration of exposure.

FLY-SPECK, n. The original punctuation mark. Garvinus points out that the systems of punctuation used by different literary cultures initially depended on the social habits and general diet of the flies in those countries. These creatures, known for their friendly and sociable nature with authors, generously or greedily decorate the manuscripts being created, based on their physical habits, enhancing the meaning of the work through a form of interpretation that is superior to, and independent of, the writer's abilities. The "old masters" of literature — the early writers whose works are highly valued by later scholars and critics in the same language — never used punctuation at all, writing freely without the interruptions that come from using punctuation marks. (We see the same phenomenon in children today, whose behavior in this regard serves as a striking and beautiful example of the law that the early stages of individuals reflect the methods and developmental phases seen in the early stages of cultures.) In the work of these early scribes, modern researchers using optical instruments and chemical tests find that all the punctuation was added by their clever and helpful collaborator, the common house-fly—Musca maledicta. When later writers transcribe these ancient manuscripts, either to claim the work as their own or to preserve what they view as divine messages, they respectfully and accurately replicate any marks they see on the papyrus or parchment, greatly enhancing the clarity and value of the text. Contemporary writers naturally take full advantage of these marks in their own work, and with the help of the flies in their own homes, often rival and sometimes surpass the older pieces, at least in terms of punctuation, which is no small achievement. To truly appreciate the significant contributions that flies make to literature, one only needs to place a page from a popular novelist next to a saucer of cream-and-molasses in a sunny room and observe "how the wit brightens and the style refines" in direct relation to the time of exposure.

FOLLY, n. That "gift and faculty divine" whose creative and controlling energy inspires Man's mind, guides his actions and adorns his life.

FOLLY, n. That "gift and divine ability" whose creative and controlling energy inspires human thought, directs actions, and enhances life.

  Folly! although Erasmus praised thee once
      In a thick volume, and all authors known,
      If not thy glory yet thy power have shown,
  Deign to take homage from thy son who hunts
  Through all thy maze his brothers, fool and dunce,
      To mend their lives and to sustain his own,
      However feebly be his arrows thrown,

  Howe'er each hide the flying weapons blunts.
  All-Father Folly! be it mine to raise,
      With lusty lung, here on his western strand
      With all thine offspring thronged from every land,
  Thyself inspiring me, the song of praise.
  And if too weak, I'll hire, to help me bawl,
  Dick Watson Gilder, gravest of us all.
Folly! Even though Erasmus once praised you  
In a hefty book, and all the known authors,  
If not your glory, at least your power has been shown,  
Please accept homage from your son who searches  
Through all your maze for his brothers, the fool and the dunce,  
To improve their lives and sustain his own,  
No matter how weakly his arrows are aimed,  

No matter how each one dulls the flying weapons.  
All-Father Folly! let it be mine to raise,  
With a strong voice, here on this western shore  
With all your offspring gathered from every land,  
You inspiring me to sing your praises.  
And if I'm too weak, I'll hire, to help me shout,  
Dick Watson Gilder, the most serious of us all.

Aramis Loto Frope

Aramis Loto Frope

FOOL, n. A person who pervades the domain of intellectual speculation and diffuses himself through the channels of moral activity. He is omnific, omniform, omnipercipient, omniscient, omnipotent. He it was who invented letters, printing, the railroad, the steamboat, the telegraph, the platitude and the circle of the sciences. He created patriotism and taught the nations war—founded theology, philosophy, law, medicine and Chicago. He established monarchical and republican government. He is from everlasting to everlasting—such as creation's dawn beheld he fooleth now. In the morning of time he sang upon primitive hills, and in the noonday of existence headed the procession of being. His grandmotherly hand was warmly tucked-in the set sun of civilization, and in the twilight he prepares Man's evening meal of milk-and-morality and turns down the covers of the universal grave. And after the rest of us shall have retired for the night of eternal oblivion he will sit up to write a history of human civilization.

FOOL, n. A person who fills the realm of intellectual thought and spreads himself through the areas of moral action. He is all-powerful, all-shaping, all-seeing, all-knowing, and all-capable. He was the one who invented letters, printing, railroads, steamboats, telegraphs, clichés, and the entire spectrum of sciences. He created patriotism and taught nations how to go to war—established theology, philosophy, law, medicine, and Chicago. He set up both monarchies and republics. He exists from eternity to eternity—just as creation first saw him, he still fools around today. In the early days of time, he sang on primitive hills, and in the peak of existence, he led the march of being. His nurturing hand has been warmly involved in the fading light of civilization, and in the evening, he prepares humanity's dinner of ethics and morality while tucking in the covers of the universal grave. After all of us have gone into the night of eternal forgetfulness, he will stay awake to write a history of human civilization.

FORCE, n.

FORCE, n.

  "Force is but might," the teacher said—
      "That definition's just."
  The boy said naught but thought instead,
  Remembering his pounded head:
      "Force is not might but must!"
  "Force is just strength," the teacher said—  
      "That definition's correct."  
  The boy said nothing but thought instead,  
  Remembering his bruised head:  
      "Force isn't just strength but necessity!"

FOREFINGER, n. The finger commonly used in pointing out two malefactors.

FOREFINGER, n. The finger usually used to point out two wrongdoers.

FOREORDINATION, n. This looks like an easy word to define, but when I consider that pious and learned theologians have spent long lives in explaining it, and written libraries to explain their explanations; when I remember that nations have been divided and bloody battles caused by the difference between foreordination and predestination, and that millions of treasure have been expended in the effort to prove and disprove its compatibility with freedom of the will and the efficacy of prayer, praise, and a religious life,—recalling these awful facts in the history of the word, I stand appalled before the mighty problem of its signification, abase my spiritual eyes, fearing to contemplate its portentous magnitude, reverently uncover and humbly refer it to His Eminence Cardinal Gibbons and His Grace Bishop Potter.

FOREORDINATION, n. This seems like an easy word to define, but when I think about how dedicated and knowledgeable theologians have spent their entire lives explaining it, and how they’ve written volumes to elaborate on their explanations; when I remember how nations have split and bloody conflicts have arisen over the difference between foreordination and predestination, and that countless resources have been spent trying to prove or disprove its relationship with free will, the effectiveness of prayer, praise, and a religious life—considering these serious facts in the history of the term, I feel overwhelmed by the significant challenge of its meaning, lower my spiritual gaze, fearing to face its daunting scale, and respectfully defer it to His Eminence Cardinal Gibbons and His Grace Bishop Potter.

FORGETFULNESS, n. A gift of God bestowed upon doctors in compensation for their destitution of conscience.

FORGETFULNESS, n. A blessing from God given to doctors as compensation for their lack of conscience.

FORK, n. An instrument used chiefly for the purpose of putting dead animals into the mouth. Formerly the knife was employed for this purpose, and by many worthy persons is still thought to have many advantages over the other tool, which, however, they do not altogether reject, but use to assist in charging the knife. The immunity of these persons from swift and awful death is one of the most striking proofs of God's mercy to those that hate Him.

FORK, n. A tool mainly used for putting dead animals into the mouth. In the past, a knife was used for this purpose, and by many respectable people, it's still considered to have more benefits than the other tool, which they don’t completely dismiss but use to help with the knife. The fact that these people are not met with quick and terrible death is one of the most striking examples of God's mercy towards those who oppose Him.

FORMA PAUPERIS. [Latin] In the character of a poor person—a method by which a litigant without money for lawyers is considerately permitted to lose his case.

FORMA PAUPERIS. [Latin] As a poor person—a way for someone who can't afford a lawyer to be allowed to lose their case without financial burden.

  When Adam long ago in Cupid's awful court
      (For Cupid ruled ere Adam was invented)
  Sued for Eve's favor, says an ancient law report,
      He stood and pleaded unhabilimented.

  "You sue in forma pauperis, I see," Eve cried;
      "Actions can't here be that way prosecuted."
  So all poor Adam's motions coldly were denied:
      He went away—as he had come—nonsuited.
  When Adam, long ago in Cupid's scary court  
      (For Cupid ruled before Adam even existed)  
  Tried to win Eve's favor, says an old legal report,  
      He stood there pleading, completely exposed.  
  
  "I see you're suing in forma pauperis," Eve said;  
      "You can't prosecute actions like that here."  
  So all of Adam's attempts were coldly turned down:  
      He left, just like he came—unsuccessful.  

G.J.

G.J.

FRANKALMOIGNE, n. The tenure by which a religious corporation holds lands on condition of praying for the soul of the donor. In mediaeval times many of the wealthiest fraternities obtained their estates in this simple and cheap manner, and once when Henry VIII of England sent an officer to confiscate certain vast possessions which a fraternity of monks held by frankalmoigne, "What!" said the Prior, "would your master stay our benefactor's soul in Purgatory?" "Ay," said the officer, coldly, "an ye will not pray him thence for naught he must e'en roast." "But look you, my son," persisted the good man, "this act hath rank as robbery of God!" "Nay, nay, good father, my master the king doth but deliver Him from the manifold temptations of too great wealth."

FRANKALMOIGNE, n. The system by which a religious organization holds land on the condition that they pray for the soul of the donor. In medieval times, many of the richest groups acquired their estates in this straightforward and inexpensive way. Once, when Henry VIII of England sent an officer to seize certain vast properties that a group of monks held by frankalmoigne, the Prior exclaimed, "What! Would your master keep our benefactor's soul in Purgatory?" "Yes," replied the officer coldly, "if you won’t pray him out for nothing, he must suffer." "But listen, my son," the good man insisted, "this act is like robbing God!" "No, no, good father," the officer replied, "my master the king is only freeing Him from the numerous temptations of excessive wealth."

FREEBOOTER, n. A conqueror in a small way of business, whose annexations lack of the sanctifying merit of magnitude.

FREEBOOTER, n. A small-time conqueror whose takeovers don't have the honorable distinction of being significant.

FREEDOM, n. Exemption from the stress of authority in a beggarly half dozen of restraint's infinite multitude of methods. A political condition that every nation supposes itself to enjoy in virtual monopoly. Liberty. The distinction between freedom and liberty is not accurately known; naturalists have never been able to find a living specimen of either.

FREEDOM, n. The state of being free from the pressure of authority in a small fraction of the countless ways restraint can manifest. A political situation that every country believes it possesses in a unique way. Liberty. The difference between freedom and liberty isn't well understood; naturalists have never managed to discover a living example of either.

  Freedom, as every schoolboy knows,
      Once shrieked as Kosciusko fell;
  On every wind, indeed, that blows
          I hear her yell.

  She screams whenever monarchs meet,
      And parliaments as well,
  To bind the chains about her feet
          And toll her knell.

  And when the sovereign people cast
      The votes they cannot spell,
  Upon the pestilential blast
          Her clamors swell.

  For all to whom the power's given
      To sway or to compel,
  Among themselves apportion Heaven
          And give her Hell.
  Freedom, as every schoolboy knows,  
      Once cried out as Kosciusko fell;  
  On every wind, indeed, that blows  
          I hear her shout.  

  She screams whenever rulers meet,  
      And legislatures as well,  
  To wrap the chains around her feet  
          And sound her death knell.  

  And when the people cast  
      The votes they can't spell,  
  Amidst the toxic blast  
          Her cries grow louder.  

  For all who hold the power  
      To sway or to compel,  
  Among themselves divide Heaven  
          And send her to Hell.

Blary O'Gary

Blary O'Gary

FREEMASONS, n. An order with secret rites, grotesque ceremonies and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucious, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids—always by a Freemason.

FREEMASONS, n. An organization with secret rituals, bizarre ceremonies, and elaborate costumes, which began during the reign of Charles II among working class people in London. It has been continuously joined by the deceased from past centuries, now encompassing all generations of humanity since Adam, and is actively recruiting distinguished members from the primordial inhabitants of Chaos and the Formless Void. The order was established at various times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucius, Thothmes, and Buddha. Its emblems and symbols have been discovered in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Great Wall of China, among the temples of Karnak and Palmyra, and in the Egyptian Pyramids—always by a Freemason.

FRIENDLESS, adj. Having no favors to bestow. Destitute of fortune. Addicted to utterance of truth and common sense.

FRIENDLESS, adj. Lacking connections or support. Without wealth. Committed to speaking the truth and using common sense.

FRIENDSHIP, n. A ship big enough to carry two in fair weather, but only one in foul.

FRIENDSHIP, n. A ship large enough to hold two people in good times, but only one in bad times.

  The sea was calm and the sky was blue;
  Merrily, merrily sailed we two.
      (High barometer maketh glad.)
  On the tipsy ship, with a dreadful shout,
  The tempest descended and we fell out.
      (O the walking is nasty bad!)
  The sea was calm and the sky was blue;  
  Happily, we sailed just the two of us.  
      (A high barometer makes us happy.)  
  On the wobbly ship, with a terrible shout,  
  The storm hit, and we fell out.  
      (Oh, walking is really not good!)  

Armit Huff Bettle

Armit Huff Bettle

FROG, n. A reptile with edible legs. The first mention of frogs in profane literature is in Homer's narrative of the war between them and the mice. Skeptical persons have doubted Homer's authorship of the work, but the learned, ingenious and industrious Dr. Schliemann has set the question forever at rest by uncovering the bones of the slain frogs. One of the forms of moral suasion by which Pharaoh was besought to favor the Israelities was a plague of frogs, but Pharaoh, who liked them fricasees, remarked, with truly oriental stoicism, that he could stand it as long as the frogs and the Jews could; so the programme was changed. The frog is a diligent songster, having a good voice but no ear. The libretto of his favorite opera, as written by Aristophanes, is brief, simple and effective—"brekekex-koax"; the music is apparently by that eminent composer, Richard Wagner. Horses have a frog in each hoof—a thoughtful provision of nature, enabling them to shine in a hurdle race.

FROG, n. An amphibian with tasty legs. The first mention of frogs in non-religious literature is in Homer's tale of the battle between them and the mice. Some skeptics have questioned whether Homer actually wrote it, but the knowledgeable, clever, and hardworking Dr. Schliemann has put that debate to rest for good by finding the remains of the fallen frogs. One way Pharaoh was urged to support the Israelites was through a plague of frogs, but Pharaoh, who enjoyed them cooked, remarked, with typical eastern indifference, that he could handle it as long as the frogs and the Israelites could; so the plan was changed. The frog is a persistent singer, possessing a strong voice but lacking the ability to hear. The lyrics of his favorite opera, written by Aristophanes, are short, simple, and effective—"brekekex-koax"; the music is presumably composed by that famous musician, Richard Wagner. Horses have a frog in each hoof—a clever feature of nature, allowing them to excel in a hurdle race.

FRYING-PAN, n. One part of the penal apparatus employed in that punitive institution, a woman's kitchen. The frying-pan was invented by Calvin, and by him used in cooking span-long infants that had died without baptism; and observing one day the horrible torment of a tramp who had incautiously pulled a fried babe from the waste-dump and devoured it, it occurred to the great divine to rob death of its terrors by introducing the frying-pan into every household in Geneva. Thence it spread to all corners of the world, and has been of invaluable assistance in the propagation of his sombre faith. The following lines (said to be from the pen of his Grace Bishop Potter) seem to imply that the usefulness of this utensil is not limited to this world; but as the consequences of its employment in this life reach over into the life to come, so also itself may be found on the other side, rewarding its devotees:

FRYING-PAN, n. A tool in the punishment system used in that institution, a woman’s kitchen. The frying-pan was invented by Calvin, who used it to cook infants that had died without baptism; and one day, noticing the awful suffering of a homeless person who had carelessly grabbed a fried baby from a garbage pile and ate it, the great theologian thought to eliminate death's fears by introducing the frying-pan into every household in Geneva. From there, it spread to all parts of the globe and has greatly aided in spreading his bleak doctrine. The following lines (reportedly from Bishop Potter) suggest that the usefulness of this tool isn’t limited to this life; as the effects of its use here carry over into the afterlife, it may also appear on the other side, rewarding those who use it:

  Old Nick was summoned to the skies.
      Said Peter:  "Your intentions
  Are good, but you lack enterprise
      Concerning new inventions.

  "Now, broiling is an ancient plan
      Of torment, but I hear it
  Reported that the frying-pan
      Sears best the wicked spirit.

  "Go get one—fill it up with fat—
      Fry sinners brown and good in't."
  "I know a trick worth two o' that,"
      Said Nick—"I'll cook their food in't."
  Old Nick was called to the sky.  
      Peter said:  "Your intentions  
  Are good, but you lack ambition  
      When it comes to new ideas.  

  "Now, boiling is an old method  
      Of punishment, but I’ve heard  
  It said that the frying pan  
      Burns the wicked spirit best.  

  "Go get one—fill it up with grease—  
      Fry sinners until they’re brown and crisp."  
  "I know a trick worth more than that,"  
      Said Nick—"I'll cook their food in it."

FUNERAL, n. A pageant whereby we attest our respect for the dead by enriching the undertaker, and strengthen our grief by an expenditure that deepens our groans and doubles our tears.

FUNERAL, n. A ceremony where we show our respect for the deceased by filling the pockets of the undertaker, and intensify our sadness through an expense that amplifies our mourning and multiplies our tears.

  The savage dies—they sacrifice a horse
  To bear to happy hunting-grounds the corse.
  Our friends expire—we make the money fly
  In hope their souls will chase it to the sky.
  The savage dies—they sacrifice a horse  
  To take the body to the happy hunting grounds.  
  Our friends die—we spend the money freely  
  In hopes their souls will chase it to the sky.  

Jex Wopley

Jex Wopley

FUTURE, n. That period of time in which our affairs prosper, our friends are true and our happiness is assured.

FUTURE, n. The time ahead when our endeavors thrive, our friends are loyal, and our happiness is guaranteed.

G

GALLOWS, n. A stage for the performance of miracle plays, in which the leading actor is translated to heaven. In this country the gallows is chiefly remarkable for the number of persons who escape it.

GALLOWS, n. A place for putting on miracle plays, where the main character is taken up to heaven. In this country, the gallows is mainly known for the many people who manage to avoid it.

  Whether on the gallows high
      Or where blood flows the reddest,
  The noblest place for man to die—
      Is where he died the deadest.
  Whether on the high gallows  
      Or where blood runs the reddest,  
  The greatest place for a man to die—  
      Is where he’s died the most completely.

(Old play)

(Old play)

GARGOYLE, n. A rain-spout projecting from the eaves of mediaeval buildings, commonly fashioned into a grotesque caricature of some personal enemy of the architect or owner of the building. This was especially the case in churches and ecclesiastical structures generally, in which the gargoyles presented a perfect rogues' gallery of local heretics and controversialists. Sometimes when a new dean and chapter were installed the old gargoyles were removed and others substituted having a closer relation to the private animosities of the new incumbents.

GARGOYLE, n. A rain-spout that extends from the eaves of medieval buildings, often created as a grotesque caricature of some personal foe of the architect or the building's owner. This was particularly true in churches and other religious structures, where the gargoyles served as a perfect showcase of local heretics and controversial figures. Occasionally, when a new dean and chapter were appointed, the old gargoyles would be taken down and replaced with others that better reflected the personal grudges of the new leaders.

GARTHER, n. An elastic band intended to keep a woman from coming out of her stockings and desolating the country.

GARTHER, n. An elastic band meant to keep a woman from slipping out of her stockings and causing chaos in the world.

GENEROUS, adj. Originally this word meant noble by birth and was rightly applied to a great multitude of persons. It now means noble by nature and is taking a bit of a rest.

GENEROUS, adj. Originally, this word meant noble by birth and was rightly applied to many people. It now means noble by nature and is taking a bit of a break.

GENEALOGY, n. An account of one's descent from an ancestor who did not particularly care to trace his own.

GENEALOGY, n. A record of your lineage from an ancestor who wasn't really interested in tracing their own roots.

GENTEEL, adj. Refined, after the fashion of a gent.

GENTEEL, adj. Polished, like a gentleman.

  Observe with care, my son, the distinction I reveal:
  A gentleman is gentle and a gent genteel.
  Heed not the definitions your "Unabridged" presents,
  For dictionary makers are generally gents.
Observe with care, my son, the distinction I reveal:  
A gentleman is kind and a gent is refined.  
Pay no attention to the definitions your "Unabridged" presents,  
For dictionary makers are usually gentlemen.

G.J.

G.J.

GEOGRAPHER, n. A chap who can tell you offhand the difference between the outside of the world and the inside.

GEOGRAPHER, n. A guy who can tell you right away the difference between the outside of the world and the inside.

  Habeam, geographer of wide reknown,
  Native of Abu-Keber's ancient town,
  In passing thence along the river Zam
  To the adjacent village of Xelam,
  Bewildered by the multitude of roads,
  Got lost, lived long on migratory toads,
  Then from exposure miserably died,
  And grateful travelers bewailed their guide.
  Habeam, a famous geographer,  
  Born in the old town of Abu-Keber,  
  While traveling along the Zam River  
  To the nearby village of Xelam,  
  Confused by the numerous paths,  
  Got lost and survived on migrating toads,  
  Then sadly died from exposure,  
  Leaving grateful travelers mourning their guide.

Henry Haukhorn

Henry Haukhorn

GEOLOGY, n. The science of the earth's crust—to which, doubtless, will be added that of its interior whenever a man shall come up garrulous out of a well. The geological formations of the globe already noted are catalogued thus: The Primary, or lower one, consists of rocks, bones or mired mules, gas-pipes, miners' tools, antique statues minus the nose, Spanish doubloons and ancestors. The Secondary is largely made up of red worms and moles. The Tertiary comprises railway tracks, patent pavements, grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated citizens, garbage, anarchists, snap-dogs and fools.

GEOLOGY, n. The study of the earth's crust, which will likely expand to include its interior whenever someone chatty manages to come up from a well. The geological formations of the planet that we've already noted are listed as follows: The Primary, or lower layer, consists of rocks, bones or muddy mules, gas pipes, miners' tools, old statues missing their noses, Spanish doubloons, and ancestors. The Secondary is mostly made up of red worms and moles. The Tertiary includes railway tracks, modern pavements, grass, snakes, moldy boots, beer bottles, tomato cans, drunk people, trash, anarchists, yappy dogs, and fools.

GHOST, n. The outward and visible sign of an inward fear.

GHOST, n. The external and obvious indication of an internal fear.

          He saw a ghost.
  It occupied—that dismal thing!—
  The path that he was following.
  Before he'd time to stop and fly,
  An earthquake trifled with the eye
          That saw a ghost.
  He fell as fall the early good;
  Unmoved that awful vision stood.
  The stars that danced before his ken
  He wildly brushed away, and then
          He saw a post.
          He saw a ghost.  
  That gloomy figure took up—  
  the path he was on.  
  Before he could stop and run,  
  an earthquake played tricks on his eye  
          that saw a ghost.  
  He fell like the early good;  
  that terrible vision remained still.  
  The stars that danced in his sight  
  he wildly swatted away, and then  
          he saw a post.  

Jared Macphester

Jared Macphester

Accounting for the uncommon behavior of ghosts, Heine mentions somebody's ingenious theory to the effect that they are as much afraid of us as we of them. Not quite, if I may judge from such tables of comparative speed as I am able to compile from memories of my own experience.

Taking into account the unusual behavior of ghosts, Heine talks about someone's clever theory suggesting that they are just as scared of us as we are of them. That's not entirely true, based on the comparison charts I can create from my own experiences.

There is one insuperable obstacle to a belief in ghosts. A ghost never comes naked: he appears either in a winding-sheet or "in his habit as he lived." To believe in him, then, is to believe that not only have the dead the power to make themselves visible after there is nothing left of them, but that the same power inheres in textile fabrics. Supposing the products of the loom to have this ability, what object would they have in exercising it? And why does not the apparition of a suit of clothes sometimes walk abroad without a ghost in it? These be riddles of significance. They reach away down and get a convulsive grip on the very tap-root of this flourishing faith.

There's one undeniable barrier to believing in ghosts. A ghost never shows up without clothing: it either appears in a shroud or "dressed as it was in life." So, to believe in ghosts is to accept that not only do the dead have the ability to become visible after their physical forms are gone, but also that this ability exists in fabrics. If woven materials had this power, what purpose would they have in using it? And why don't we ever see a suit of clothes just strolling around without a ghost inside it? These are puzzling questions. They dig deep and grab hold of the very root of this widespread belief.

GHOUL, n. A demon addicted to the reprehensible habit of devouring the dead. The existence of ghouls has been disputed by that class of controversialists who are more concerned to deprive the world of comforting beliefs than to give it anything good in their place. In 1640 Father Secchi saw one in a cemetery near Florence and frightened it away with the sign of the cross. He describes it as gifted with many heads and an uncommon allowance of limbs, and he saw it in more than one place at a time. The good man was coming away from dinner at the time and explains that if he had not been "heavy with eating" he would have seized the demon at all hazards. Atholston relates that a ghoul was caught by some sturdy peasants in a churchyard at Sudbury and ducked in a horsepond. (He appears to think that so distinguished a criminal should have been ducked in a tank of rosewater.) The water turned at once to blood "and so contynues unto ys daye." The pond has since been bled with a ditch. As late as the beginning of the fourteenth century a ghoul was cornered in the crypt of the cathedral at Amiens and the whole population surrounded the place. Twenty armed men with a priest at their head, bearing a crucifix, entered and captured the ghoul, which, thinking to escape by the stratagem, had transformed itself to the semblance of a well known citizen, but was nevertheless hanged, drawn and quartered in the midst of hideous popular orgies. The citizen whose shape the demon had assumed was so affected by the sinister occurrence that he never again showed himself in Amiens and his fate remains a mystery.

GHOUL, n. A demon obsessed with the disgusting habit of eating the dead. The existence of ghouls has been debated by some people who seem more interested in taking away comforting beliefs than in offering anything better in their place. In 1640, Father Secchi spotted one in a cemetery near Florence and scared it off with the sign of the cross. He described it as having multiple heads and an unusual number of limbs, and he saw it in more than one place at the same time. The good man had just finished dinner and explained that if he hadn't been "full from eating," he would have captured the demon at all costs. Atholston recounts that some tough peasants caught a ghoul in a churchyard in Sudbury and dunked it in a horse pond. (He seems to think such an eminent criminal should have been dunked in a tank of rosewater.) The water immediately turned to blood "and so continues to this day." The pond has since been drained with a ditch. As late as the early 14th century, a ghoul was trapped in the crypt of the cathedral at Amiens, and the entire population surrounded the area. Twenty armed men, led by a priest holding a crucifix, entered and captured the ghoul, which had tried to escape by transforming into the likeness of a well-known citizen. However, it was ultimately hanged, drawn, and quartered amidst horrific public celebrations. The citizen whose appearance the demon had taken was so disturbed by the grim event that he never returned to Amiens, and his fate remains unknown.

GLUTTON, n. A person who escapes the evils of moderation by committing dyspepsia.

GLUTTON, n. A person who avoids the pitfalls of moderation by indulging excessively.

GNOME, n. In North-European mythology, a dwarfish imp inhabiting the interior parts of the earth and having special custody of mineral treasures. Bjorsen, who died in 1765, says gnomes were common enough in the southern parts of Sweden in his boyhood, and he frequently saw them scampering on the hills in the evening twilight. Ludwig Binkerhoof saw three as recently as 1792, in the Black Forest, and Sneddeker avers that in 1803 they drove a party of miners out of a Silesian mine. Basing our computations upon data supplied by these statements, we find that the gnomes were probably extinct as early as 1764.

GNOME, n. In North European mythology, a small magical creature that lives in the earth and guards mineral treasures. Bjorsen, who passed away in 1765, claimed that gnomes were quite common in southern Sweden during his childhood, and he often spotted them running around the hills at dusk. Ludwig Binkerhoof reported seeing three in 1792, in the Black Forest, and Sneddeker asserts that in 1803, they chased a group of miners out of a mine in Silesia. Using the information from these accounts, we conclude that gnomes were likely extinct as early as 1764.

GNOSTICS, n. A sect of philosophers who tried to engineer a fusion between the early Christians and the Platonists. The former would not go into the caucus and the combination failed, greatly to the chagrin of the fusion managers.

GNOSTICS, n. A group of thinkers who attempted to merge early Christianity with Platonism. The Christians refused to join the effort, and the merging fell apart, much to the disappointment of those trying to make it happen.

GNU, n. An animal of South Africa, which in its domesticated state resembles a horse, a buffalo and a stag. In its wild condition it is something like a thunderbolt, an earthquake and a cyclone.

GNU, n. An animal from South Africa that, when domesticated, looks like a horse, a buffalo, and a stag. In the wild, it resembles a thunderbolt, an earthquake, and a cyclone.

  A hunter from Kew caught a distant view
      Of a peacefully meditative gnu,
  And he said:  "I'll pursue, and my hands imbrue
      In its blood at a closer interview."
  But that beast did ensue and the hunter it threw
      O'er the top of a palm that adjacent grew;
  And he said as he flew:  "It is well I withdrew
      Ere, losing my temper, I wickedly slew
      That really meritorious gnu."
A hunter from Kew spotted a distant view  
Of a peacefully meditative gnu,  
And he said, "I'll chase it, and my hands will get  
Stained with its blood during a closer encounter."  
But that beast chased back, and it threw the hunter  
Over the top of a nearby palm tree;  
And as he flew through the air, he said, "It's good I backed off  
Before I lost my temper and wickedly killed  
That truly deserving gnu."

Jarn Leffer

Jarn Leffer

GOOD, adj. Sensible, madam, to the worth of this present writer. Alive, sir, to the advantages of letting him alone.

GOOD, adj. Wise, ma'am, to recognize the value of this writer. Aware, sir, of the benefits of leaving him be.

GOOSE, n. A bird that supplies quills for writing. These, by some occult process of nature, are penetrated and suffused with various degrees of the bird's intellectual energies and emotional character, so that when inked and drawn mechanically across paper by a person called an "author," there results a very fair and accurate transcript of the fowl's thought and feeling. The difference in geese, as discovered by this ingenious method, is considerable: many are found to have only trivial and insignificant powers, but some are seen to be very great geese indeed.

GOOSE, n. A bird that provides quills for writing. These quills, through some mysterious process of nature, are infused with different levels of the bird's intelligence and emotions, so that when dipped in ink and moved across paper by someone called an "author," they produce a fairly accurate representation of the bird's thoughts and feelings. The variation among geese, as revealed by this clever method, is significant: many are found to have only minor and unimportant abilities, but some are recognized as truly exceptional geese.

GORGON, n.

GORGON, n.

  The Gorgon was a maiden bold
  Who turned to stone the Greeks of old
  That looked upon her awful brow.
  We dig them out of ruins now,
  And swear that workmanship so bad
  Proves all the ancient sculptors mad.
  The Gorgon was a courageous woman  
  Who turned the ancient Greeks to stone  
  When they looked at her terrifying face.  
  We find them now in ruins,  
  And we claim that such poor craftsmanship  
  Shows that all the old sculptors were crazy.  

GOUT, n. A physician's name for the rheumatism of a rich patient.

GOUT, n. A doctor's term for the arthritis of a wealthy patient.

GRACES, n. Three beautiful goddesses, Aglaia, Thalia and Euphrosyne, who attended upon Venus, serving without salary. They were at no expense for board and clothing, for they ate nothing to speak of and dressed according to the weather, wearing whatever breeze happened to be blowing.

GRACES, n. Three lovely goddesses, Aglaia, Thalia, and Euphrosyne, who served Venus without pay. They didn’t have any costs for food or clothing, as they hardly ate anything and dressed according to the weather, wearing whatever breeze was blowing.

GRAMMAR, n. A system of pitfalls thoughtfully prepared for the feet for the self-made man, along the path by which he advances to distinction.

GRAMMAR, n. A set of traps carefully laid out for the self-taught individual as they make their way toward recognition.

GRAPE, n.

GRAPE, noun.

  Hail noble fruit!—by Homer sung,
      Anacreon and Khayyam;
  Thy praise is ever on the tongue
      Of better men than I am.

  The lyre in my hand has never swept,
      The song I cannot offer:
  My humbler service pray accept—
      I'll help to kill the scoffer.
  The water-drinkers and the cranks
      Who load their skins with liquor—
  I'll gladly bear their belly-tanks
      And tap them with my sticker.

  Fill up, fill up, for wisdom cools
      When e'er we let the wine rest.
  Here's death to Prohibition's fools,
      And every kind of vine-pest!
  Hail, noble fruit!—sung by Homer,  
      Anacreon, and Khayyam;  
  Your praise is always on the lips  
      Of better people than I am.  
  
  The lyre in my hand has never played,  
      The song I can't provide:  
  My humble service, please accept—  
      I'll help to shut down the critic.  
  The water-drinkers and the whiners  
      Who fill their skins with booze—  
  I'll gladly carry their beer tanks  
      And tap them with my tool.  
  
  Fill up, fill up, because wisdom fades  
      Whenever we let the wine sit.  
  Here's to the downfall of Prohibition's fools,  
      And every kind of vine pest!

Jamrach Holobom

Jamrach Holobom

GRAPESHOT, n. An argument which the future is preparing in answer to the demands of American Socialism.

GRAPESHOT, n. An argument that the future is getting ready as a response to the demands of American Socialism.

GRAVE, n. A place in which the dead are laid to await the coming of the medical student.

GRAVE, n. A location where the deceased are placed to wait for the arrival of the medical student.

  Beside a lonely grave I stood—
      With brambles 'twas encumbered;
  The winds were moaning in the wood,
      Unheard by him who slumbered,

  A rustic standing near, I said:
      "He cannot hear it blowing!"
  "'Course not," said he:  "the feller's dead—
      He can't hear nowt that's going."

  "Too true," I said; "alas, too true—
      No sound his sense can quicken!"
  "Well, mister, wot is that to you?—
      The deadster ain't a-kickin'."

  I knelt and prayed:  "O Father, smile
      On him, and mercy show him!"
  That countryman looked on the while,
      And said:  "Ye didn't know him."
Beside a lonely grave I stood—  
      It was covered in brambles;  
  The winds were moaning in the woods,  
      Unheard by him who was sleeping,  

  A local standing nearby, I said:  
      "He can't hear it blowing!"  
  "Of course not," he replied: "the guy's dead—  
      He can't hear anything now."  

  "That's true," I said; "unfortunately, it's true—  
      No sound can awaken his senses!"  
  "Well, mister, what does that matter to you?—  
      The dead guy isn't kicking."  

  I knelt and prayed: "Oh Father, smile  
      On him, and show him mercy!"  
  That countryman watched the whole time,  
      And said: "You didn't know him."

Pobeter Dunko

Pobeter Dunko

GRAVITATION, n. The tendency of all bodies to approach one another with a strength proportioned to the quantity of matter they contain— the quantity of matter they contain being ascertained by the strength of their tendency to approach one another. This is a lovely and edifying illustration of how science, having made A the proof of B, makes B the proof of A.

GRAVITATION, n. The tendency of all objects to move towards each other with a strength that relates to the amount of matter they contain—the amount of matter they contain being determined by how strongly they pull towards each other. This is a beautiful and enlightening example of how science, after proving A with B, then uses B to prove A.

GREAT, adj.

GREAT, adj.

  "I'm great," the Lion said—"I reign
  The monarch of the wood and plain!"

  The Elephant replied:  "I'm great—
  No quadruped can match my weight!"

  "I'm great—no animal has half
  So long a neck!" said the Giraffe.

  "I'm great," the Kangaroo said—"see
  My femoral muscularity!"

  The 'Possum said:  "I'm great—behold,
  My tail is lithe and bald and cold!"

  An Oyster fried was understood
  To say:  "I'm great because I'm good!"

  Each reckons greatness to consist
  In that in which he heads the list,

  And Vierick thinks he tops his class
  Because he is the greatest ass.
"I'm amazing," the Lion said—"I rule  
The king of the forest and the fields!"  

The Elephant replied: "I'm amazing—  
No four-legged creature can match my weight!"  

"I'm amazing—no animal has half  
A neck as long as mine!" said the Giraffe.  

"I'm amazing," the Kangaroo said—"check  
Out my powerful legs!"  

The 'Possum said: "I'm amazing—look,  
My tail is flexible, bare, and cool!"  

A fried Oyster was heard to say: "I'm amazing because I'm really good!"  

Each one believes greatness is found  
In what they do best and where they excel,  

And Vierick thinks he tops everyone  
Because he’s the biggest fool.

Arion Spurl Doke

Arion Spurl Doke

GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with good reason.

GUILLOTINE, n. A device that causes a Frenchman to shrug his shoulders for a very good reason.

In his great work on Divergent Lines of Racial Evolution, the learned Professor Brayfugle argues from the prevalence of this gesture —the shrug—among Frenchmen, that they are descended from turtles and it is simply a survival of the habit of retracting the head inside the shell. It is with reluctance that I differ with so eminent an authority, but in my judgment (as more elaborately set forth and enforced in my work entitled Hereditary Emotions—lib. II, c. XI) the shrug is a poor foundation upon which to build so important a theory, for previously to the Revolution the gesture was unknown. I have not a doubt that it is directly referable to the terror inspired by the guillotine during the period of that instrument's activity.

In his major work on Divergent Lines of Racial Evolution, the knowledgeable Professor Brayfugle argues, based on the commonness of this gesture—the shrug—among French people, that they are descended from turtles and that it is merely a remnant of the habit of pulling the head back into the shell. I hesitate to disagree with such a prominent authority, but in my view (as I have elaborated and reinforced in my work titled Hereditary Emotions—lib. II, c. XI), the shrug is a weak basis on which to build such an important theory, because before the Revolution, the gesture was virtually unknown. I am convinced that it is directly related to the fear instilled by the guillotine during its active period.

GUNPOWDER, n. An agency employed by civilized nations for the settlement of disputes which might become troublesome if left unadjusted. By most writers the invention of gunpowder is ascribed to the Chinese, but not upon very convincing evidence. Milton says it was invented by the devil to dispel angels with, and this opinion seems to derive some support from the scarcity of angels. Moreover, it has the hearty concurrence of the Hon. James Wilson, Secretary of Agriculture.

GUNPOWDER, n. A tool used by civilized nations to resolve disputes that could become difficult if not addressed. Most writers attribute the invention of gunpowder to the Chinese, but the evidence isn't very convincing. Milton suggested it was invented by the devil to drive away angels, and this view seems backed by the rarity of angels. Additionally, it has the full support of Hon. James Wilson, Secretary of Agriculture.

Secretary Wilson became interested in gunpowder through an event that occurred on the Government experimental farm in the District of Columbia. One day, several years ago, a rogue imperfectly reverent of the Secretary's profound attainments and personal character presented him with a sack of gunpowder, representing it as the seed of the Flashawful flabbergastor, a Patagonian cereal of great commercial value, admirably adapted to this climate. The good Secretary was instructed to spill it along in a furrow and afterward inhume it with soil. This he at once proceeded to do, and had made a continuous line of it all the way across a ten-acre field, when he was made to look backward by a shout from the generous donor, who at once dropped a lighted match into the furrow at the starting-point. Contact with the earth had somewhat dampened the powder, but the startled functionary saw himself pursued by a tall moving pillar of fire and smoke in fierce evolution. He stood for a moment paralyzed and speechless, then he recollected an engagement and, dropping all, absented himself thence with such surprising celerity that to the eyes of spectators along the route selected he appeared like a long, dim streak prolonging itself with inconceivable rapidity through seven villages, and audibly refusing to be comforted. "Great Scott! what is that?" cried a surveyor's chainman, shading his eyes and gazing at the fading line of agriculturist which bisected his visible horizon. "That," said the surveyor, carelessly glancing at the phenomenon and again centering his attention upon his instrument, "is the Meridian of Washington."

Secretary Wilson got interested in gunpowder after an incident at the government experimental farm in Washington, D.C. A few years ago, someone who didn’t fully appreciate the Secretary's impressive skills and character gave him a sack of gunpowder, claiming it was the seed of the Flashawful flabbergastor, a valuable Patagonian grain well-suited for the climate. The Secretary was told to pour it into a furrow and then cover it with soil. He immediately started doing this, creating a continuous line all the way across a ten-acre field, when he heard a shout from his generous donor, who then dropped a lit match into the furrow at the beginning. The powder had been somewhat dampened by the soil, but the amazed Secretary saw himself chased by a tall moving column of fire and smoke. He stood frozen, speechless for a moment, then remembered a prior engagement and hurried away so quickly that to the onlookers along his escape route, he seemed like a long, faint streak moving astonishingly fast through seven villages, audibly in distress. "Great Scott! What is that?" yelled a surveyor's chainman, shielding his eyes and watching the disappearing figure of the farmer that divided his view. "That," the surveyor said, casually glancing at the spectacle before turning his focus back to his instrument, "is the Meridian of Washington."

H

HABEAS CORPUS. A writ by which a man may be taken out of jail when confined for the wrong crime.

HABEAS CORPUS. A legal order that allows a person to be released from jail if they are imprisoned for an incorrect crime.

HABIT, n. A shackle for the free.

HABIT, n. A chain for those who are free.

HADES, n. The lower world; the residence of departed spirits; the place where the dead live.

HADES, n. The underworld; the home of lost souls; the place where the dead exist.

Among the ancients the idea of Hades was not synonymous with our Hell, many of the most respectable men of antiquity residing there in a very comfortable kind of way. Indeed, the Elysian Fields themselves were a part of Hades, though they have since been removed to Paris. When the Jacobean version of the New Testament was in process of evolution the pious and learned men engaged in the work insisted by a majority vote on translating the Greek word "Aides" as "Hell"; but a conscientious minority member secretly possessed himself of the record and struck out the objectional word wherever he could find it. At the next meeting, the Bishop of Salisbury, looking over the work, suddenly sprang to his feet and said with considerable excitement: "Gentlemen, somebody has been razing 'Hell' here!" Years afterward the good prelate's death was made sweet by the reflection that he had been the means (under Providence) of making an important, serviceable and immortal addition to the phraseology of the English tongue.

Among the ancients, the concept of Hades wasn't the same as our Hell; many respected individuals from that time lived there quite comfortably. In fact, the Elysian Fields were part of Hades, although they've since been relocated to Paris. When the Jacobean version of the New Testament was being developed, the religious and scholarly men involved insisted, by majority vote, on translating the Greek word "Aides" as "Hell." However, a dedicated minority member quietly took the record and removed the objectionable word wherever he could find it. At the next meeting, the Bishop of Salisbury, reviewing the work, suddenly stood up and said with great excitement: "Gentlemen, someone has been removing 'Hell' here!" Years later, the good bishop found comfort in the thought that he had contributed (with God's guidance) to an important, useful, and timeless addition to the English language.

HAG, n. An elderly lady whom you do not happen to like; sometimes called, also, a hen, or cat. Old witches, sorceresses, etc., were called hags from the belief that their heads were surrounded by a kind of baleful lumination or nimbus—hag being the popular name of that peculiar electrical light sometimes observed in the hair. At one time hag was not a word of reproach: Drayton speaks of a "beautiful hag, all smiles," much as Shakespeare said, "sweet wench." It would not now be proper to call your sweetheart a hag—that compliment is reserved for the use of her grandchildren.

HAG, n. An older woman you don't particularly like; sometimes referred to as a hen or a cat. Old witches, sorceresses, etc., were called hags because people believed their heads were surrounded by a harmful glow or aura—hag being the common term for that strange electrical light sometimes seen in hair. There was a time when "hag" wasn't an insult: Drayton referred to a "beautiful hag, all smiles," similar to how Shakespeare called someone a "sweet wench." It wouldn’t be appropriate now to call your girlfriend a hag—that term is reserved for her grandchildren.

HALF, n. One of two equal parts into which a thing may be divided, or considered as divided. In the fourteenth century a heated discussion arose among theologists and philosophers as to whether Omniscience could part an object into three halves; and the pious Father Aldrovinus publicly prayed in the cathedral at Rouen that God would demonstrate the affirmative of the proposition in some signal and unmistakable way, and particularly (if it should please Him) upon the body of that hardy blasphemer, Manutius Procinus, who maintained the negative. Procinus, however, was spared to die of the bite of a viper.

HALF, n. One of two equal parts into which something can be divided or viewed as divided. In the 14th century, there was a heated debate among theologians and philosophers about whether Omniscience could divide an object into three halves. The devout Father Aldrovinus publicly prayed in the cathedral at Rouen, asking God to show clear evidence in support of this idea, particularly (if it pleased Him) on the body of that bold blasphemer, Manutius Procinus, who argued against it. However, Procinus was ultimately spared and died from a viper's bite.

HALO, n. Properly, a luminous ring encircling an astronomical body, but not infrequently confounded with "aureola," or "nimbus," a somewhat similar phenomenon worn as a head-dress by divinities and saints. The halo is a purely optical illusion, produced by moisture in the air, in the manner of a rainbow; but the aureola is conferred as a sign of superior sanctity, in the same way as a bishop's mitre, or the Pope's tiara. In the painting of the Nativity, by Szedgkin, a pious artist of Pesth, not only do the Virgin and the Child wear the nimbus, but an ass nibbling hay from the sacred manger is similarly decorated and, to his lasting honor be it said, appears to bear his unaccustomed dignity with a truly saintly grace.

HALO, n. Technically, a glowing ring that surrounds an astronomical body, but often confused with "aureola" or "nimbus," a similar phenomenon that divinities and saints wear as a headpiece. The halo is just an optical illusion created by moisture in the air, like a rainbow; however, the aureola is given as a sign of higher sanctity, similar to a bishop's mitre or the Pope's tiara. In the Nativity painting by Szedgkin, a devout artist from Pesth, not only do the Virgin and Child have the nimbus, but even a donkey munching on hay from the holy manger is adorned with one, and, to his lasting credit, he seems to carry his unexpected honor with genuine saintly grace.

HAND, n. A singular instrument worn at the end of the human arm and commonly thrust into somebody's pocket.

HAND, n. A unique body part located at the end of the human arm, often found reaching into someone's pocket.

HANDKERCHIEF, n. A small square of silk or linen, used in various ignoble offices about the face and especially serviceable at funerals to conceal the lack of tears. The handkerchief is of recent invention; our ancestors knew nothing of it and intrusted its duties to the sleeve. Shakespeare's introducing it into the play of "Othello" is an anachronism: Desdemona dried her nose with her skirt, as Dr. Mary Walker and other reformers have done with their coattails in our own day—an evidence that revolutions sometimes go backward.

HANDKERCHIEF, n. A small square piece of silk or linen, used for various unpleasant tasks related to the face and especially handy at funerals to hide the absence of tears. The handkerchief is a recent invention; our ancestors didn’t know about it and relied on their sleeves instead. Shakespeare’s mention of it in the play "Othello" is historically inaccurate: Desdemona wiped her nose on her skirt, just like Dr. Mary Walker and other reformers do with their coattails today—showing that sometimes revolutions move in reverse.

HANGMAN, n. An officer of the law charged with duties of the highest dignity and utmost gravity, and held in hereditary disesteem by a populace having a criminal ancestry. In some of the American States his functions are now performed by an electrician, as in New Jersey, where executions by electricity have recently been ordered—the first instance known to this lexicographer of anybody questioning the expediency of hanging Jerseymen.

HANGMAN, n. A law officer responsible for duties of great importance and seriousness, and historically looked down upon by a community with a background of crime. In some American states, this role is now taken on by an electrician, as in New Jersey, where executions by electricity have recently been mandated—marking the first known instance to this lexicographer of someone questioning the practicality of hanging people from New Jersey.

HAPPINESS, n. An agreeable sensation arising from contemplating the misery of another.

HAPPINESS, n. A pleasant feeling that comes from thinking about someone else's suffering.

HARANGUE, n. A speech by an opponent, who is known as an harangue-outang.

HARANGUE, n. A speech given by an opponent, who is referred to as a harangue-outang.

HARBOR, n. A place where ships taking shelter from storms are exposed to the fury of the customs.

HARBOR, n. A place where ships seeking safety from storms are subject to the demands of customs.

HARMONISTS, n. A sect of Protestants, now extinct, who came from Europe in the beginning of the last century and were distinguished for the bitterness of their internal controversies and dissensions.

HARMONISTS, n. A group of Protestants, now gone, who arrived from Europe in the early 1900s and were known for their intense internal conflicts and disagreements.

HASH, x. There is no definition for this word—nobody knows what hash is.

HASH, x. There’s no clear definition for this word—nobody really knows what hash is.

HATCHET, n. A young axe, known among Indians as a Thomashawk.

HATCHET, n. A small axe, referred to by Native Americans as a Thomashawk.

  "O bury the hatchet, irascible Red,
  For peace is a blessing," the White Man said.
      The Savage concurred, and that weapon interred,
  With imposing rites, in the White Man's head.
  "Oh, let’s bury the hatchet, hot-headed Red,  
  Because peace is a gift," the White Man said.  
      The Savage agreed, and that weapon was buried,  
  With grand ceremonies, in the White Man's mind.

John Lukkus

John Lukkus

HATRED, n. A sentiment appropriate to the occasion of another's superiority.

HATRED, n. A feeling that arises when someone else is better than you.

HEAD-MONEY, n. A capitation tax, or poll-tax.

HEAD-MONEY, n. A per-person tax, or poll tax.

  In ancient times there lived a king
  Whose tax-collectors could not wring
  From all his subjects gold enough
  To make the royal way less rough.
  For pleasure's highway, like the dames
  Whose premises adjoin it, claims
  Perpetual repairing.  So
  The tax-collectors in a row
  Appeared before the throne to pray
  Their master to devise some way
  To swell the revenue.  "So great,"
  Said they, "are the demands of state
  A tithe of all that we collect
  Will scarcely meet them.  Pray reflect:
  How, if one-tenth we must resign,
  Can we exist on t'other nine?"
  The monarch asked them in reply:
  "Has it occurred to you to try
  The advantage of economy?"
  "It has," the spokesman said:  "we sold
  All of our gay garrotes of gold;
  With plated-ware we now compress
  The necks of those whom we assess.
  Plain iron forceps we employ
  To mitigate the miser's joy
  Who hoards, with greed that never tires,
  That which your Majesty requires."
  Deep lines of thought were seen to plow
  Their way across the royal brow.
  "Your state is desperate, no question;
  Pray favor me with a suggestion."
  "O King of Men," the spokesman said,
  "If you'll impose upon each head
  A tax, the augmented revenue
  We'll cheerfully divide with you."
  As flashes of the sun illume
  The parted storm-cloud's sullen gloom,
  The king smiled grimly.  "I decree
  That it be so—and, not to be
  In generosity outdone,
  Declare you, each and every one,
  Exempted from the operation
  Of this new law of capitation.
  But lest the people censure me
  Because they're bound and you are free,
  'Twere well some clever scheme were laid
  By you this poll-tax to evade.
  I'll leave you now while you confer
  With my most trusted minister."
  The monarch from the throne-room walked
  And straightway in among them stalked
  A silent man, with brow concealed,
  Bare-armed—his gleaming axe revealed!
In ancient times, there was a king whose tax collectors couldn't gather enough gold from his subjects to make the royal roads less rough. Just like the ladies whose homes are nearby, the pleasure highway always needs repairs. So, the tax collectors lined up before the throne to ask their master for a way to increase the revenue. "The state's demands are so high," they said, "that a tenth of what we collect barely meets them. Please think about it: how can we survive on the nine-tenths left if we have to give up one-tenth?" The king replied, "Have you thought about trying to save some money?" "We have," said the spokesperson. "We sold all our fancy gold handcuffs; now we use plated tools to restrain those we assess. We use plain iron clamps to lessen the joy of the miser who hoards what your Majesty needs." Deep lines of thought crossed the king’s forehead. "Your situation is dire, that's clear; please give me a suggestion." "O King of Men," the spokesperson said, "if you tax everyone a head, we’ll gladly share the extra revenue with you." As sunlight breaks through the dark clouds, the king smiled grimly. "I declare it shall be so—and to be generous, I exempt all of you from this new head tax. But to avoid public backlash about the people being taxed while you remain free, it would be wise for you to come up with a clever plan to dodge this tax. I’ll leave you now to discuss this with my most trusted advisor." The king left the throne room, and a silent man immediately entered, his brow hidden, bare-armed—his gleaming axe revealed!

G.J.

G.J.

HEARSE, n. Death's baby-carriage.

HEARSE, n. Death's ride.

HEART, n. An automatic, muscular blood-pump. Figuratively, this useful organ is said to be the seat of emotions and sentiments—a very pretty fancy which, however, is nothing but a survival of a once universal belief. It is now known that the sentiments and emotions reside in the stomach, being evolved from food by chemical action of the gastric fluid. The exact process by which a beefsteak becomes a feeling—tender or not, according to the age of the animal from which it was cut; the successive stages of elaboration through which a caviar sandwich is transmuted to a quaint fancy and reappears as a pungent epigram; the marvelous functional methods of converting a hard-boiled egg into religious contrition, or a cream-puff into a sigh of sensibility—these things have been patiently ascertained by M. Pasteur, and by him expounded with convincing lucidity. (See, also, my monograph, The Essential Identity of the Spiritual Affections and Certain Intestinal Gases Freed in Digestion—4to, 687 pp.) In a scientific work entitled, I believe, Delectatio Demonorum (John Camden Hotton, London, 1873) this view of the sentiments receives a striking illustration; and for further light consult Professor Dam's famous treatise on Love as a Product of Alimentary Maceration.

HEART, n. An automatic, muscular blood-pump. Figuratively, this useful organ is said to be the center of emotions and feelings—a rather nice idea that is, however, just a leftover from a once widespread belief. We now know that feelings and emotions actually come from the stomach, developed from food through the chemical action of gastric juices. The exact way a steak turns into an emotion—whether tender or not, depending on the age of the animal it came from; the various stages that transform a caviar sandwich into a whimsical idea that comes out as a clever saying; the amazing ways to turn a hard-boiled egg into feelings of guilt, or a cream puff into a sigh of sensitivity—these processes have been thoroughly investigated by M. Pasteur, who has explained them with impressive clarity. (See, also, my monograph, The Essential Identity of the Spiritual Affections and Certain Intestinal Gases Freed in Digestion—4to, 687 pp.) In a scientific work titled, I believe, Delectatio Demonorum (John Camden Hotton, London, 1873) this perspective on emotions receives a vivid illustration; and for more insights, check out Professor Dam's famous study on Love as a Product of Alimentary Maceration.

HEAT, n.

HEAT, noun.

  Heat, says Professor Tyndall, is a mode
      Of motion, but I know now how he's proving
  His point; but this I know—hot words bestowed
      With skill will set the human fist a-moving,
  And where it stops the stars burn free and wild.
  Crede expertum—I have seen them, child.
  Heat, Professor Tyndall says, is a form
      Of motion, and I understand now how he's backing
  This up; but what I do know is—skillfully chosen
      Harsh words can make a fist start swinging,
  And wherever it lands, the stars blaze freely and fiercely.
  Believe me—I've seen them, kid.

Gorton Swope

Gorton Swope

HEATHEN, n. A benighted creature who has the folly to worship something that he can see and feel. According to Professor Howison, of the California State University, Hebrews are heathens.

HEATHEN, n. A misguided person who foolishly worships something they can see and touch. According to Professor Howison from California State University, Hebrews are considered heathens.

  "The Hebrews are heathens!" says Howison.  He's
      A Christian philosopher.  I'm
  A scurril agnostical chap, if you please,
      Addicted too much to the crime
      Of religious discussion in my rhyme.

  Though Hebrew and Howison cannot agree
      On a modus vivendi—not they!—
  Yet Heaven has had the designing of me,
      And I haven't been reared in a way
      To joy in the thick of the fray.

  For this of my creed is the soul and the gist,
      And the truth of it I aver:
  Who differs from me in his faith is an 'ist,
      And 'ite, an 'ie, or an 'er—
      And I'm down upon him or her!

  Let Howison urge with perfunctory chin
      Toleration—that's all very well,
  But a roast is "nuts" to his nostril thin,
      And he's running—I know by the smell—
      A secret and personal Hell!
"The Hebrews are heathens!" says Howison. He's a Christian philosopher. I'm a rather skeptical guy, if you don’t mind, too much into the sin of debating religion in my poetry.

Even though Hebrew and Howison can't find common ground—not at all!—Heaven has a plan for me, and I wasn't raised to enjoy the chaos of the conflict.

For this belief is the core and essence, and I stand by it: Anyone who disagrees with my faith is an 'ist, 'ite, 'ie, or 'er— and I'm against him or her!

Let Howison preach with a dutiful expression about tolerance—that’s nice and all, but a roast is irresistible to his thin nostrils, and I can tell by the scent that he’s dealing with a secret personal Hell!

Bissell Gip

Bissell Gyp

HEAVEN, n. A place where the wicked cease from troubling you with talk of their personal affairs, and the good listen with attention while you expound your own.

HEAVEN, n. A place where the wicked stop bothering you with their personal problems, and the good listen closely while you explain your own.

HEBREW, n. A male Jew, as distinguished from the Shebrew, an altogether superior creation.

HEBREW, n. A Jewish man, as opposed to the Shebrew, who is considered a much superior being.

HELPMATE, n. A wife, or bitter half.

HELPMATE, n. A wife or an unhappy partner.

  "Now, why is yer wife called a helpmate, Pat?"
      Says the priest.  "Since the time 'o yer wooin'
  She's niver assisted in what ye were at—
      For it's naught ye are ever doin'."

  "That's true of yer Riverence," Patrick replies,
      And no sign of contrition envinces;
  "But, bedad, it's a fact which the word implies,
      For she helps to mate the expinses!"
  "Now, why is your wife called a helpmate, Pat?"  
      asks the priest. "Since the time you got married,  
  she's never helped with anything you do—  
      Because you're not doing anything."  

  "That's true, Your Reverence," Patrick replies,  
      showing no signs of regret;  
  "But, by God, it’s a fact the word suggests,  
      because she helps to manage the expenses!"  

Marley Wottel

Marley Wottel

HEMP, n. A plant from whose fibrous bark is made an article of neckwear which is frequently put on after public speaking in the open air and prevents the wearer from taking cold.

HEMP, n. A plant whose fibrous bark is used to make a type of neckwear that is often worn after speaking in public outdoors and helps keep the wearer warm.

HERMIT, n. A person whose vices and follies are not sociable.

HERMIT, n. A person whose vices and mistakes are not social.

HERS, pron. His.

HERS, pron. His.

HIBERNATE, v.i. To pass the winter season in domestic seclusion. There have been many singular popular notions about the hibernation of various animals. Many believe that the bear hibernates during the whole winter and subsists by mechanically sucking its paws. It is admitted that it comes out of its retirement in the spring so lean that it had to try twice before it can cast a shadow. Three or four centuries ago, in England, no fact was better attested than that swallows passed the winter months in the mud at the bottom of their brooks, clinging together in globular masses. They have apparently been compelled to give up the custom on account of the foulness of the brooks. Sotus Ecobius discovered in Central Asia a whole nation of people who hibernate. By some investigators, the fasting of Lent is supposed to have been originally a modified form of hibernation, to which the Church gave a religious significance; but this view was strenuously opposed by that eminent authority, Bishop Kip, who did not wish any honors denied to the memory of the Founder of his family.

HIBERNATE, v.i. To spend the winter season in quiet seclusion. There have been many strange popular beliefs about the hibernation of various animals. Many think that bears hibernate all winter and survive by suckling their paws. It's acknowledged that they emerge from their slumber in the spring so thin that they have to try twice before they can cast a shadow. Three or four centuries ago, in England, nothing was more widely accepted than the idea that swallows spent the winter months submerged in the mud at the bottom of their streams, clinging together in globular masses. They apparently had to abandon this practice due to the pollution of the streams. Sotus Ecobius found a whole community of people in Central Asia who hibernate. Some researchers suggest that the fasting during Lent was originally a modified form of hibernation, which the Church later gave a religious significance to; however, this idea was strongly opposed by the notable authority, Bishop Kip, who did not want any recognition taken away from the legacy of the Founder of his family.

HIPPOGRIFF, n. An animal (now extinct) which was half horse and half griffin. The griffin was itself a compound creature, half lion and half eagle. The hippogriff was actually, therefore, a one-quarter eagle, which is two dollars and fifty cents in gold. The study of zoology is full of surprises.

HIPPOGRIFF, n. An animal (now extinct) that was part horse and part griffin. The griffin was also a mixed creature, half lion and half eagle. So, the hippogriff was actually one-quarter eagle, which is two dollars and fifty cents in gold. The study of zoology is full of surprises.

HISTORIAN, n. A broad-gauge gossip.

HISTORIAN, n. A wide-ranging gossip.

HISTORY, n. An account mostly false, of events mostly unimportant, which are brought about by rulers mostly knaves, and soldiers mostly fools.

HISTORY, n. A mostly false account of mostly unimportant events, created by rulers who are mostly dishonest and soldiers who are mostly foolish.

  Of Roman history, great Niebuhr's shown
  'Tis nine-tenths lying.  Faith, I wish 'twere known,
  Ere we accept great Niebuhr as a guide,
  Wherein he blundered and how much he lied.
  Of Roman history, great Niebuhr has shown  
  It's nine-tenths lies. Honestly, I wish it were known,  
  Before we take great Niebuhr as a guide,  
  Where he made mistakes and how much he lied.  

Salder Bupp

Salder Bupp

HOG, n. A bird remarkable for the catholicity of its appetite and serving to illustrate that of ours. Among the Mahometans and Jews, the hog is not in favor as an article of diet, but is respected for the delicacy and the melody of its voice. It is chiefly as a songster that the fowl is esteemed; the cage of him in full chorus has been known to draw tears from two persons at once. The scientific name of this dicky-bird is Porcus Rockefelleri. Mr. Rockefeller did not discover the hog, but it is considered his by right of resemblance.

HOG, n. A bird known for its diverse appetite, which serves as a reminder of our own. Among Muslims and Jews, the hog isn't favored as food, but it is appreciated for the beauty and melody of its voice. It's mainly valued as a singer; the sound of this bird in full song has been known to bring tears to the eyes of two people at once. The scientific name of this songbird is Porcus Rockefelleri. Mr. Rockefeller didn't discover the hog, but it is thought to be his by virtue of its resemblance.

HOMOEOPATHIST, n. The humorist of the medical profession.

HOMOEOPATHIST, n. The jokester of the medical field.

HOMOEOPATHY, n. A school of medicine midway between Allopathy and Christian Science. To the last both the others are distinctly inferior, for Christian Science will cure imaginary diseases, and they can not.

HOMOEOPATHY, n. A branch of medicine that sits between Allopathy and Christian Science. Both of the others are clearly seen as inferior by Christian Science, as it can heal imaginary illnesses, while they cannot.

HOMICIDE, n. The slaying of one human being by another. There are four kinds of homocide: felonious, excusable, justifiable, and praiseworthy, but it makes no great difference to the person slain whether he fell by one kind or another—the classification is for advantage of the lawyers.

HOMICIDE, n. The act of one person killing another. There are four types of homicide: felonious, excusable, justifiable, and praiseworthy, but it doesn't really matter to the person who has been killed which type it was—the classification is for the benefit of the lawyers.

HOMILETICS, n. The science of adapting sermons to the spiritual needs, capacities and conditions of the congregation.

HOMILETICS, n. The study of tailoring sermons to meet the spiritual needs, abilities, and situations of the congregation.

  So skilled the parson was in homiletics
  That all his normal purges and emetics
  To medicine the spirit were compounded
  With a most just discrimination founded
  Upon a rigorous examination
  Of tongue and pulse and heart and respiration.
  Then, having diagnosed each one's condition,
  His scriptural specifics this physician
  Administered—his pills so efficacious
  And pukes of disposition so vivacious
  That souls afflicted with ten kinds of Adam
  Were convalescent ere they knew they had 'em.
  But Slander's tongue—itself all coated—uttered
  Her bilious mind and scandalously muttered
  That in the case of patients having money
  The pills were sugar and the pukes were honey.
So skilled was the pastor in preaching  
That all his usual treatments and remedies  
For the spirit were crafted  
With careful judgment based on  
A thorough examination  
Of tongue, pulse, heart, and breathing.  
Once he figured out each person’s issue,  
He prescribed scripture as his treatment—  
His pills so effective  
And remedies for attitude so lively  
That souls troubled by all sorts of troubles  
Were recovering before they even realized it.  
But Slander's tongue—full of bitterness—spoke  
Her spiteful thoughts and scandalously whispered  
That for patients with money,  
The pills were just sugar and the remedies sweetened with honey.

Biography of Bishop Potter

Bishop Potter's Biography

HONORABLE, adj. Afflicted with an impediment in one's reach. In legislative bodies it is customary to mention all members as honorable; as, "the honorable gentleman is a scurvy cur."

HONORABLE, adj. Having a limitation in one's ability to achieve. In legislative bodies, it's common to refer to all members as honorable; as in, "the honorable gentleman is a despicable person."

HOPE, n. Desire and expectation rolled into one.

HOPE, n. A mix of desire and expectation.

  Delicious Hope! when naught to man is left—
  Of fortune destitute, of friends bereft;
  When even his dog deserts him, and his goat
  With tranquil disaffection chews his coat
  While yet it hangs upon his back; then thou,
  The star far-flaming on thine angel brow,
  Descendest, radiant, from the skies to hint
  The promise of a clerkship in the Mint.
  Delicious Hope! when there’s nothing left for man—  
  Stripped of fortune, without friends in hand;  
  When even his dog turns its back on him, and his goat  
  Calmly chews on his coat while it's still on his back; then you,  
  The bright star shining on your angelic forehead,  
  Come down, glowing, from the skies to suggest  
  The promise of a job at the Mint.

Fogarty Weffing

Fogarty Weffing

HOSPITALITY, n. The virtue which induces us to feed and lodge certain persons who are not in need of food and lodging.

HOSPITALITY, n. The quality that compels us to provide food and shelter to certain individuals who don’t actually require them.

HOSTILITY, n. A peculiarly sharp and specially applied sense of the earth's overpopulation. Hostility is classified as active and passive; as (respectively) the feeling of a woman for her female friends, and that which she entertains for all the rest of her sex.

HOSTILITY, n. A uniquely intense and specifically directed awareness of the planet's overpopulation. Hostility is categorized as active and passive; as (respectively) the feeling a woman has for her female friends, and the feelings she has for all the other women.

HOURI, n. A comely female inhabiting the Mohammedan Paradise to make things cheery for the good Mussulman, whose belief in her existence marks a noble discontent with his earthly spouse, whom he denies a soul. By that good lady the Houris are said to be held in deficient esteem.

HOURI, n. A beautiful woman living in the Islamic Paradise to bring happiness to the good Muslim, whose belief in her existence shows a certain dissatisfaction with his earthly wife, whom he claims doesn't have a soul. This good woman reportedly thinks of the Houris with little regard.

HOUSE, n. A hollow edifice erected for the habitation of man, rat, mouse, beetle, cockroach, fly, mosquito, flea, bacillus and microbe. House of Correction, a place of reward for political and personal service, and for the detention of offenders and appropriations. House of God, a building with a steeple and a mortgage on it. House-dog, a pestilent beast kept on domestic premises to insult persons passing by and appal the hardy visitor. House-maid, a youngerly person of the opposing sex employed to be variously disagreeable and ingeniously unclean in the station in which it has pleased God to place her.

HOUSE, n. A structure built for people, rats, mice, beetles, cockroaches, flies, mosquitoes, fleas, bacteria, and microbes. House of Correction, a place for honoring political and personal services, as well as for holding offenders and their belongings. House of God, a building with a steeple and a mortgage. House-dog, a troublesome animal kept at home to bark at passersby and scare off brave visitors. House-maid, a young person of the opposite sex employed to be variously unpleasant and cleverly messy in the role that it has pleased God to assign her.

HOUSELESS, adj. Having paid all taxes on household goods.

HOUSELESS, adj. Having settled all taxes on personal belongings.

HOVEL, n. The fruit of a flower called the Palace.

HOVEL, n. The fruit of a flower known as the Palace.

      Twaddle had a hovel,
          Twiddle had a palace;
      Twaddle said:  "I'll grovel
          Or he'll think I bear him malice"—
  A sentiment as novel
      As a castor on a chalice.

      Down upon the middle
          Of his legs fell Twaddle
      And astonished Mr. Twiddle,
          Who began to lift his noddle.
      Feed upon the fiddle-
          Faddle flummery, unswaddle
  A new-born self-sufficiency and think himself a [mockery.]
      Twaddle had a dump,
          Twiddle had a mansion;
      Twaddle said: "I'll crawl
          Or he’ll think I have resentment" — 
  A feeling as fresh
      As a beaver on a chalice.

      Down on the ground
          Of his legs fell Twaddle
      And shocked Mr. Twiddle,
          Who started to lift his head.
      Feed on the nonsense-
          Fiddly-diddly flattery, unwrap
  A new-found self-reliance and think himself a [mockery.]

G.J.

G.J.

HUMANITY, n. The human race, collectively, exclusive of the anthropoid poets.

HUMANITY, n. The human race as a whole, excluding the primate poets.

HUMORIST, n. A plague that would have softened down the hoar austerity of Pharaoh's heart and persuaded him to dismiss Israel with his best wishes, cat-quick.

HUMORIST, n. A force that could have melted the cold heart of Pharaoh and convinced him to let Israel go with his best wishes, in an instant.

  Lo! the poor humorist, whose tortured mind
  See jokes in crowds, though still to gloom inclined—
  Whose simple appetite, untaught to stray,
  His brains, renewed by night, consumes by day.
  He thinks, admitted to an equal sty,
  A graceful hog would bear his company.
  Look! the struggling comedian, whose troubled mind  
  Sees jokes everywhere, even in dark times—  
  Whose basic desires, not led astray,  
  Are fed by nighttime thoughts that fade by day.  
  He believes, in a shared pigpen,  
  A charming hog would be a fitting friend.

Alexander Poke

Alex Poke

HURRICANE, n. An atmospheric demonstration once very common but now generally abandoned for the tornado and cyclone. The hurricane is still in popular use in the West Indies and is preferred by certain old-fashioned sea-captains. It is also used in the construction of the upper decks of steamboats, but generally speaking, the hurricane's usefulness has outlasted it.

HURRICANE, n. A weather event that was once very common but is now mostly replaced by tornadoes and cyclones. Hurricanes are still widely referenced in the West Indies and are favored by some traditional sea captains. They are also used in building the upper decks of steamboats, but overall, the usefulness of hurricanes has lasted longer than their popularity.

HURRY, n. The dispatch of bunglers.

HURRY, n. The quick work of people who mess things up.

HUSBAND, n. One who, having dined, is charged with the care of the plate.

HUSBAND, n. A person who, after eating, is responsible for taking care of the dishes.

HYBRID, n. A pooled issue.

HYBRID, n. A combined issue.

HYDRA, n. A kind of animal that the ancients catalogued under many heads.

HYDRA, n. A type of creature that ancient people classified with multiple heads.

HYENA, n. A beast held in reverence by some oriental nations from its habit of frequenting at night the burial-places of the dead. But the medical student does that.

HYENA, n. An animal that some Eastern cultures respect for its tendency to visit burial sites at night. But so does the medical student.

HYPOCHONDRIASIS, n. Depression of one's own spirits.

HYPOCHONDRIASIS, n. A feeling of low spirits.

  Some heaps of trash upon a vacant lot
  Where long the village rubbish had been shot
  Displayed a sign among the stuff and stumps—
  "Hypochondriasis."  It meant The Dumps.
  Some piles of garbage on an empty lot  
  Where the village waste had been dumped for a while  
  Showed a sign among the debris and stumps—  
  "Hypochondriasis." It meant The Dumps.

Bogul S. Purvy

Bogul S. Purvy

HYPOCRITE, n. One who, professing virtues that he does not respect secures the advantage of seeming to be what he despises.

HYPOCRITE, n. Someone who claims to have values they don't actually honor in order to gain the benefit of appearing to be what they actually disdain.

I

I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection. In grammar it is a pronoun of the first person and singular number. Its plural is said to be We, but how there can be more than one myself is doubtless clearer to the grammarians than it is to the author of this incomparable dictionary. Conception of two myselfs is difficult, but fine. The frank yet graceful use of "I" distinguishes a good writer from a bad; the latter carries it with the manner of a thief trying to cloak his loot.

I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection. In grammar, it's a pronoun for the first person and singular form. Its plural is said to be We, but how there can be more than one "myself" is probably clearer to grammarians than it is to the author of this unique dictionary. The idea of having two "myselfs" is tricky, but interesting. The honest yet elegant use of "I" sets a good writer apart from a bad one; the latter grips it like a thief trying to hide their stolen goods.

ICHOR, n. A fluid that serves the gods and goddesses in place of blood.

ICHOR, n. A fluid that replaces blood for the gods and goddesses.

  Fair Venus, speared by Diomed,
  Restrained the raging chief and said:
  "Behold, rash mortal, whom you've bled—
  Your soul's stained white with ichorshed!"
  Fair Venus, struck by Diomed,  
  Held back the furious leader and said:  
  "Look, reckless human, whom you've hurt—  
  Your soul is stained white with spilled blood!"

Mary Doke

Mary Doke

ICONOCLAST, n. A breaker of idols, the worshipers whereof are imperfectly gratified by the performance, and most strenuously protest that he unbuildeth but doth not reedify, that he pulleth down but pileth not up. For the poor things would have other idols in place of those he thwacketh upon the mazzard and dispelleth. But the iconoclast saith: "Ye shall have none at all, for ye need them not; and if the rebuilder fooleth round hereabout, behold I will depress the head of him and sit thereon till he squawk it."

ICONOCLAST, n. Someone who breaks idols, which the followers are only partially satisfied with, and they insist that he tears down but doesn’t build back up, that he demolishes but doesn’t create anew. The unfortunate people want new idols to replace the ones he strikes down. But the iconoclast says: "You won’t have any at all, because you don’t need them; and if the restorer tries to mess around here, just watch, I will push him down and sit on him until he squawks."

IDIOT, n. A member of a large and powerful tribe whose influence in human affairs has always been dominant and controlling. The Idiot's activity is not confined to any special field of thought or action, but "pervades and regulates the whole." He has the last word in everything; his decision is unappealable. He sets the fashions and opinion of taste, dictates the limitations of speech and circumscribes conduct with a dead-line.

IDIOT, n. A member of a large and powerful group whose influence in human affairs has always been dominant and controlling. The Idiot's activity is not limited to any specific area of thought or action, but "pervades and regulates the whole." He has the final say in everything; his decision is final. He establishes trends and dictates standards of taste, controls the limits of speech, and restricts behavior with a hard boundary.

IDLENESS, n. A model farm where the devil experiments with seeds of new sins and promotes the growth of staple vices.

IDLENESS, n. A perfect farm where the devil tests out new sins and encourages the growth of common vices.

IGNORAMUS, n. A person unacquainted with certain kinds of knowledge familiar to yourself, and having certain other kinds that you know nothing about.

IGNORAMUS, n. A person who lacks knowledge in areas you're familiar with, but has expertise in areas that you don’t know anything about.

  Dumble was an ignoramus,
  Mumble was for learning famous.
  Mumble said one day to Dumble:
  "Ignorance should be more humble.
  Not a spark have you of knowledge
  That was got in any college."
  Dumble said to Mumble:  "Truly
  You're self-satisfied unduly.
  Of things in college I'm denied
  A knowledge—you of all beside."
  Dumble was clueless,  
  Mumble was known for being smart.  
  One day, Mumble said to Dumble:  
  "You should be more humble about your ignorance.  
  You don’t have a bit of knowledge  
  That came from any college."  
  Dumble replied to Mumble: "Honestly,  
  You’re way too full of yourself.  
  I may lack college knowledge,  
  But you’re no better than anyone else."  

Borelli

Borelli

ILLUMINATI, n. A sect of Spanish heretics of the latter part of the sixteenth century; so called because they were light weights— cunctationes illuminati.

ILLUMINATI, n. A group of Spanish heretics from the late sixteenth century; named because they were considered light weights— cunctationes illuminati.

ILLUSTRIOUS, adj. Suitably placed for the shafts of malice, envy and detraction.

ILLUSTRIOUS, adj. Well-positioned for the arrows of malice, envy, and criticism.

IMAGINATION, n. A warehouse of facts, with poet and liar in joint ownership.

IMAGINATION, n. A storage space for facts, co-owned by the poet and the liar.

IMBECILITY, n. A kind of divine inspiration, or sacred fire affecting censorious critics of this dictionary.

IMBECILITY, n. A type of divine inspiration or sacred passion that influences critical reviewers of this dictionary.

IMMIGRANT, n. An unenlightened person who thinks one country better than another.

IMMIGRANT, n. A misguided person who believes one country is better than another.

IMMODEST, adj. Having a strong sense of one's own merit, coupled with a feeble conception of worth in others.

IMMODEST, adj. Having a high opinion of one’s own value but a weak understanding of the value in others.

  There was once a man in Ispahan
      Ever and ever so long ago,
  And he had a head, the phrenologists said,
      That fitted him for a show.

  For his modesty's bump was so large a lump
      (Nature, they said, had taken a freak)
  That its summit stood far above the wood
      Of his hair, like a mountain peak.

  So modest a man in all Ispahan,
      Over and over again they swore—
  So humble and meek, you would vainly seek;
      None ever was found before.

  Meantime the hump of that awful bump
      Into the heavens contrived to get
  To so great a height that they called the wight
      The man with the minaret.

  There wasn't a man in all Ispahan
      Prouder, or louder in praise of his chump:
  With a tireless tongue and a brazen lung
      He bragged of that beautiful bump

  Till the Shah in a rage sent a trusty page
      Bearing a sack and a bow-string too,
  And that gentle child explained as he smiled:
      "A little present for you."

  The saddest man in all Ispahan,
      Sniffed at the gift, yet accepted the same.
  "If I'd lived," said he, "my humility
      Had given me deathless fame!"
There was once a man in Ispahan  
      A very long time ago,  
  And he had a head, the phrenologists said,  
      That made him perfect for a show.  
  
  For his humility bump was such a big lump  
      (Nature, they said, had played a trick)  
  That its peak stood high above the hair  
      Like a mountain peak.  
  
  So humble a man in all Ispahan,  
      Time and time again they declared—  
  So modest and meek, you would search in vain;  
      No one was ever found to compare.  
  
  Meanwhile, the bump of that huge lump  
      Reached up towards the sky,  
  To such a great height that they called the guy  
      The man with the minaret.  
  
  There wasn't a man in all Ispahan  
      Prouder, or louder in praise of his lump:  
  With a never-ending talk and a bold voice,  
      He bragged about that beautiful bump.  
  
  Until the Shah, in a rage, sent a loyal page  
      With a sack and a bowstring too,  
  And that kind child explained with a smile:  
      "A little gift for you."  
  
  The saddest man in all Ispahan,  
      Sniffed at the gift but accepted it.  
  "If I had lived," he said, "my humility  
      Would have given me lasting fame!"

Sukker Uffro

Sukker Uffro

IMMORAL, adj. Inexpedient. Whatever in the long run and with regard to the greater number of instances men find to be generally inexpedient comes to be considered wrong, wicked, immoral. If man's notions of right and wrong have any other basis than this of expediency; if they originated, or could have originated, in any other way; if actions have in themselves a moral character apart from, and nowise dependent on, their consequences—then all philosophy is a lie and reason a disorder of the mind.

IMMORAL, adj. Not beneficial. Whatever people ultimately find to be generally unhelpful tends to be labeled as wrong, wicked, or immoral. If our ideas of right and wrong come from anything other than what is practical; if they started, or could have started, in any other way; if actions possess a moral quality independent of their outcomes—then all philosophy is a deception and reason is just a confusion of the mind.

IMMORTALITY, n.

IMMORTALITY, n.

  A toy which people cry for,
  And on their knees apply for,
  Dispute, contend and lie for,
      And if allowed
      Would be right proud
  Eternally to die for.
  A toy that people beg for,  
  And on their knees ask for,  
  Argue, fight, and deceive for,  
      And if given the chance  
      Would be really proud  
  To die for it forever.  

G.J.

G.J.

IMPALE, v.t. In popular usage to pierce with any weapon which remains fixed in the wound. This, however, is inaccurate; to impale is, properly, to put to death by thrusting an upright sharp stake into the body, the victim being left in a sitting position. This was a common mode of punishment among many of the nations of antiquity, and is still in high favor in China and other parts of Asia. Down to the beginning of the fifteenth century it was widely employed in "churching" heretics and schismatics. Wolecraft calls it the "stoole of repentynge," and among the common people it was jocularly known as "riding the one legged horse." Ludwig Salzmann informs us that in Thibet impalement is considered the most appropriate punishment for crimes against religion; and although in China it is sometimes awarded for secular offences, it is most frequently adjudged in cases of sacrilege. To the person in actual experience of impalement it must be a matter of minor importance by what kind of civil or religious dissent he was made acquainted with its discomforts; but doubtless he would feel a certain satisfaction if able to contemplate himself in the character of a weather-cock on the spire of the True Church.

IMPALE, v.t. In everyday language, it means to stab with any weapon that stays in the wound. However, that's not quite right; to impale is specifically to kill by driving a sharp, upright stake into the body, while the victim is in a sitting position. This was a common method of punishment in many ancient cultures, and it’s still practiced in China and other parts of Asia. Up until the early fifteenth century, it was often used for "churching" heretics and schismatics. Wolecraft referred to it as the "stoole of repentynge," and among regular folks, it was humorously called "riding the one-legged horse." Ludwig Salzmann tells us that in Tibet, impalement is seen as the most suitable punishment for religious crimes; and while in China it can be given for civil offenses, it's most often used for sacrilege. For someone actually experiencing impalement, it probably doesn’t matter much whether their suffering is due to civil or religious disagreement; but surely, they might find a certain irony in thinking of themselves as a weathercock atop the spire of the True Church.

IMPARTIAL, adj. Unable to perceive any promise of personal advantage from espousing either side of a controversy or adopting either of two conflicting opinions.

IMPARTIAL, adj. Not able to see any chance of personal benefit from supporting either side of a dispute or adopting either of two opposing views.

IMPENITENCE, n. A state of mind intermediate in point of time between sin and punishment.

IMPENITENCE, n. A mindset that exists in the time between committing a sin and facing its consequences.

IMPIETY, n. Your irreverence toward my deity.

IMPIETY, n. Your disrespect for my God.

IMPOSITION, n. The act of blessing or consecrating by the laying on of hands—a ceremony common to many ecclesiastical systems, but performed with the frankest sincerity by the sect known as Thieves.

IMPOSITION, n. The act of blessing or consecrating by laying on of hands—a ceremony that’s common in many religious systems, but performed with the utmost sincerity by the group known as Thieves.

  "Lo! by the laying on of hands,"
      Say parson, priest and dervise,
  "We consecrate your cash and lands
      To ecclesiastical service.
  No doubt you'll swear till all is blue
  At such an imposition.  Do."
  "Look! By the laying on of hands,"  
      Say the pastor, priest, and dervish,  
  "We dedicate your money and property  
      To religious service.  
  No doubt you'll swear until you're furious  
  About such an imposition. Do."  

Pollo Doncas

Pollo Doncas

IMPOSTOR n. A rival aspirant to public honors.

IMPOSTOR n. A person pretending to be someone else in order to achieve public recognition.

IMPROBABILITY, n.

IMPROBABILITY, n.

  His tale he told with a solemn face
  And a tender, melancholy grace.
      Improbable 'twas, no doubt,
      When you came to think it out,
      But the fascinated crowd
      Their deep surprise avowed
  And all with a single voice averred
  'Twas the most amazing thing they'd heard—
  All save one who spake never a word,
      But sat as mum
      As if deaf and dumb,
  Serene, indifferent and unstirred.
      Then all the others turned to him
      And scrutinized him limb from limb—
      Scanned him alive;
      But he seemed to thrive
      And tranquiler grow each minute,
      As if there were nothing in it.
  "What! what!" cried one, "are you not amazed
  At what our friend has told?"  He raised
  Soberly then his eyes and gazed
      In a natural way
      And proceeded to say,
  As he crossed his feet on the mantel-shelf:
  "O no—not at all; I'm a liar myself."
  He told his story with a serious face  
  And a gentle, sad grace.  
      It was definitely hard to believe,  
      When you really thought about it,  
      But the captivated crowd  
      Admitted their deep surprise  
  And all in unison declared  
  It was the most incredible thing they’d ever heard—  
  All except one who didn’t say a word,  
      But sat there silent  
      As if deaf and mute,  
  Calm, indifferent, and unbothered.  
      Then everyone else turned to him  
      And examined him closely—  
      Studied him intensely;  
      But he seemed to thrive  
      And grow more composed each minute,  
      As if it didn’t bother him at all.  
  “What! What!” one cried, “Are you not amazed  
  By what our friend just shared?” He raised  
  His eyes soberly and looked around  
      In a natural way  
      And then replied,  
  As he crossed his feet on the mantel:  
  “Oh no—not at all; I’m a liar myself.”

IMPROVIDENCE, n. Provision for the needs of to-day from the revenues of to-morrow.

IMPROVIDENCE, n. Planning for today’s needs using tomorrow’s earnings.

IMPUNITY, n. Wealth.

IMPUNITY, n. Wealth.

INADMISSIBLE, adj. Not competent to be considered. Said of certain kinds of testimony which juries are supposed to be unfit to be entrusted with, and which judges, therefore, rule out, even of proceedings before themselves alone. Hearsay evidence is inadmissible because the person quoted was unsworn and is not before the court for examination; yet most momentous actions, military, political, commercial and of every other kind, are daily undertaken on hearsay evidence. There is no religion in the world that has any other basis than hearsay evidence. Revelation is hearsay evidence; that the Scriptures are the word of God we have only the testimony of men long dead whose identity is not clearly established and who are not known to have been sworn in any sense. Under the rules of evidence as they now exist in this country, no single assertion in the Bible has in its support any evidence admissible in a court of law. It cannot be proved that the battle of Blenheim ever was fought, that there was such as person as Julius Caesar, such an empire as Assyria.

INADMISSIBLE, adj. Not valid to be considered. This term refers to certain types of testimony that juries are believed to be unfit to deal with, which judges thus exclude, even in cases before themselves alone. Hearsay evidence is inadmissible because the person being quoted wasn’t sworn in and isn’t present in court for examination; yet daily, significant actions—military, political, commercial, and otherwise—are taken based on hearsay evidence. There is no religion in the world that doesn’t rest on hearsay evidence. Revelation is hearsay evidence; we rely on the claims that the Scriptures are the word of God based solely on testimony from long-dead individuals whose identities aren’t clearly established and who weren’t sworn in any formal way. According to the current rules of evidence in this country, no single claim in the Bible has any supporting evidence that would be admissible in a court of law. It cannot be proven that the battle of Blenheim ever occurred, that there was a person named Julius Caesar, or that an empire called Assyria ever existed.

But as records of courts of justice are admissible, it can easily be proved that powerful and malevolent magicians once existed and were a scourge to mankind. The evidence (including confession) upon which certain women were convicted of witchcraft and executed was without a flaw; it is still unimpeachable. The judges' decisions based on it were sound in logic and in law. Nothing in any existing court was ever more thoroughly proved than the charges of witchcraft and sorcery for which so many suffered death. If there were no witches, human testimony and human reason are alike destitute of value.

But since court records are valid, it's easy to prove that powerful and malicious magicians once existed and were a menace to humanity. The evidence (including confessions) that led to the conviction and execution of certain women for witchcraft was flawless; it remains indisputable. The judges' rulings based on this evidence were logical and legally sound. Nothing in any current court case has ever been more thoroughly proven than the accusations of witchcraft and sorcery for which so many people lost their lives. If witches didn’t exist, both human testimony and human reasoning would have no value.

INAUSPICIOUSLY, adv. In an unpromising manner, the auspices being unfavorable. Among the Romans it was customary before undertaking any important action or enterprise to obtain from the augurs, or state prophets, some hint of its probable outcome; and one of their favorite and most trustworthy modes of divination consisted in observing the flight of birds—the omens thence derived being called auspices. Newspaper reporters and certain miscreant lexicographers have decided that the word—always in the plural—shall mean "patronage" or "management"; as, "The festivities were under the auspices of the Ancient and Honorable Order of Body-Snatchers"; or, "The hilarities were auspicated by the Knights of Hunger."

INAUSPICIOUSLY, adv. In a way that doesn’t bode well, with the signs being unfavorable. In ancient Rome, it was common to check with the augurs, or state prophets, for some indication of how things might turn out before starting any major action or project; one of their preferred and most reliable ways of divination involved watching the flight of birds—the signs coming from this were called auspices. Newspaper writers and some questionable lexicographers have decided that the term—always in the plural—should mean "patronage" or "management"; for example, "The festivities were under the auspices of the Ancient and Honorable Order of Body-Snatchers"; or, "The hilarities were auspicated by the Knights of Hunger."

  A Roman slave appeared one day
  Before the Augur.  "Tell me, pray,
  If—" here the Augur, smiling, made
  A checking gesture and displayed
  His open palm, which plainly itched,
  For visibly its surface twitched.
  A denarius (the Latin nickel)
  Successfully allayed the tickle,
  And then the slave proceeded:  "Please
  Inform me whether Fate decrees
  Success or failure in what I
  To-night (if it be dark) shall try.
  Its nature?  Never mind—I think
  'Tis writ on this"—and with a wink
  Which darkened half the earth, he drew
  Another denarius to view,
  Its shining face attentive scanned,
  Then slipped it into the good man's hand,
  Who with great gravity said:  "Wait
  While I retire to question Fate."
  That holy person then withdrew
  His sacred clay and, passing through
  The temple's rearward gate, cried "Shoo!"
  Waving his robe of office.  Straight
  Each sacred peacock and its mate
  (Maintained for Juno's favor) fled
  With clamor from the trees o'erhead,
  Where they were perching for the night.
  The temple's roof received their flight,
  For thither they would always go,
  When danger threatened them below.
  Back to the slave the Augur went:
  "My son, forecasting the event
  By flight of birds, I must confess
  The auspices deny success."
  That slave retired, a sadder man,
  Abandoning his secret plan—
  Which was (as well the crafty seer
  Had from the first divined) to clear
  The wall and fraudulently seize
  On Juno's poultry in the trees.
A Roman slave showed up one day before the Augur. "Please tell me, if—" here the Augur, smiling, made a gesture to stop and showed his open palm, which clearly itched, as it visibly twitched. A denarius (the Latin nickel) quickly eased the itch, and then the slave continued: "Can you tell me whether Fate decides success or failure in what I’m going to try tonight (if it gets dark)? Its nature? Never mind—I think it’s written on this"—and with a wink that darkened half the earth, he pulled out another denarius to show, examining its gleaming face attentively before slipping it into the good man's hand, who said with great seriousness: "Wait while I go consult Fate." That holy person then took his sacred clay and, passing through the temple's back gate, shouted "Shoo!" while waving his robe of office. Immediately, every sacred peacock and its mate (kept for Juno's favor) flew away clamorously from the trees above, where they were perched for the night. The temple's roof caught their flight, as they would always head there when danger approached below. The Augur returned to the slave: "My son, after checking the event by the birds’ flight, I must admit the signs say there will be no success." The slave left, a sadder man, giving up his secret plan—which was, as the crafty seer had guessed from the start, to leap over the wall and deceitfully take Juno's birds from the trees.

G.J.

G.J.

INCOME, n. The natural and rational gauge and measure of respectability, the commonly accepted standards being artificial, arbitrary and fallacious; for, as "Sir Sycophas Chrysolater" in the play has justly remarked, "the true use and function of property (in whatsoever it consisteth—coins, or land, or houses, or merchant-stuff, or anything which may be named as holden of right to one's own subservience) as also of honors, titles, preferments and place, and all favor and acquaintance of persons of quality or ableness, are but to get money. Hence it followeth that all things are truly to be rated as of worth in measure of their serviceableness to that end; and their possessors should take rank in agreement thereto, neither the lord of an unproducing manor, howsoever broad and ancient, nor he who bears an unremunerate dignity, nor yet the pauper favorite of a king, being esteemed of level excellency with him whose riches are of daily accretion; and hardly should they whose wealth is barren claim and rightly take more honor than the poor and unworthy."

INCOME, n. The natural and rational measure of respectability, as the commonly accepted standards are artificial, arbitrary, and misleading; for, as "Sir Sycophas Chrysolater" in the play has rightly pointed out, "the true purpose of property (whether it’s coins, land, houses, goods, or anything else considered a right to one’s own benefit) as well as honors, titles, jobs, positions, and all favors and connections with capable or influential people, is simply to acquire money. Therefore, everything should be valued based on how useful it is for that purpose; and their owners should be ranked accordingly, neither should the lord of a non-productive estate, no matter how large and old, nor someone holding an unprofitable title, nor the favorite of a king with no means, be considered of the same value as someone whose wealth is continuously increasing; and it would be difficult for those whose wealth brings no benefit to claim or rightfully receive more honor than the poor and unworthy."

INCOMPATIBILITY, n. In matrimony a similarity of tastes, particularly the taste for domination. Incompatibility may, however, consist of a meek-eyed matron living just around the corner. It has even been known to wear a moustache.

INCOMPATIBILITY, n. In marriage, a similarity in tastes, especially the taste for control. However, incompatibility can also be found in a mild-mannered woman living nearby. It has even been known to come with a moustache.

INCOMPOSSIBLE, adj. Unable to exist if something else exists. Two things are incompossible when the world of being has scope enough for one of them, but not enough for both—as Walt Whitman's poetry and God's mercy to man. Incompossibility, it will be seen, is only incompatibility let loose. Instead of such low language as "Go heel yourself—I mean to kill you on sight," the words, "Sir, we are incompossible," would convey an equally significant intimation and in stately courtesy are altogether superior.

INCOMPOSSIBLE, adj. Unable to exist if something else exists. Two things are incompossible when there’s enough room in reality for one of them, but not for both—like Walt Whitman's poetry and God's mercy to humanity. Incompossibility, as you can see, is just incompatibility set free. Instead of using harsh words like "Go to hell—I plan to kill you on sight," the phrase "Sir, we are incompossible" would convey an equally meaningful message and is a far more polite way to express it.

INCUBUS, n. One of a race of highly improper demons who, though probably not wholly extinct, may be said to have seen their best nights. For a complete account of incubi and succubi, including incubae and succubae, see the Liber Demonorum of Protassus (Paris, 1328), which contains much curious information that would be out of place in a dictionary intended as a text-book for the public schools.

INCUBUS, n. A type of highly inappropriate demon who, while likely not completely gone, can be said to have had their heyday. For a full account of incubi and succubi, including incubae and succubae, check out the Liber Demonorum by Protassus (Paris, 1328), which holds a lot of interesting information that wouldn’t quite fit in a dictionary meant for public schools.

Victor Hugo relates that in the Channel Islands Satan himself— tempted more than elsewhere by the beauty of the women, doubtless— sometimes plays at incubus, greatly to the inconvenience and alarm of the good dames who wish to be loyal to their marriage vows, generally speaking. A certain lady applied to the parish priest to learn how they might, in the dark, distinguish the hardy intruder from their husbands. The holy man said they must feel his brow for horns; but Hugo is ungallant enough to hint a doubt of the efficacy of the test.

Victor Hugo tells us that in the Channel Islands, Satan himself—tempted more than ever by the beauty of the women, no doubt—sometimes pretends to be an incubus, causing significant inconvenience and alarm for the good ladies who want to stay true to their marriage vows, generally speaking. One lady asked the parish priest how they could tell the daring intruder from their husbands in the dark. The holy man said they should feel his forehead for horns; however, Hugo is unchivalrous enough to suggest that this method might not be very effective.

INCUMBENT, n. A person of the liveliest interest to the outcumbents.

INCUMBENT, n. A person of great interest to those who are not in their position.

INDECISION, n. The chief element of success; "for whereas," saith Sir Thomas Brewbold, "there is but one way to do nothing and divers way to do something, whereof, to a surety, only one is the right way, it followeth that he who from indecision standeth still hath not so many chances of going astray as he who pusheth forwards"—a most clear and satisfactory exposition of the matter.

INDECISION, n. The main ingredient of success; "because," says Sir Thomas Brewbold, "there's only one way to do nothing but many ways to do something, and of those, only one is the right way, it follows that someone who remains indecisive doesn't have as many chances to go wrong as someone who pushes ahead"—a very clear and satisfying explanation of the point.

"Your prompt decision to attack," said General Grant on a certain occasion to General Gordon Granger, "was admirable; you had but five minutes to make up your mind in."

"Your quick decision to attack," General Grant said on one occasion to General Gordon Granger, "was impressive; you only had five minutes to decide."

"Yes, sir," answered the victorious subordinate, "it is a great thing to know exactly what to do in an emergency. When in doubt whether to attack or retreat I never hesitate a moment—I toss up a copper."

"Yes, sir," said the victorious subordinate, "it's really important to know exactly what to do in an emergency. When I'm unsure whether to attack or retreat, I don't hesitate at all—I just flip a coin."

"Do you mean to say that's what you did this time?"

"Are you saying that's what you did this time?"

"Yes, General; but for Heaven's sake don't reprimand me: I disobeyed the coin."

"Yes, General; but for heaven's sake, please don't scold me: I went against the coin."

INDIFFERENT, adj. Imperfectly sensible to distinctions among things.

INDIFFERENT, adj. Not fully aware of the differences between things.

  "You tiresome man!" cried Indolentio's wife,
  "You've grown indifferent to all in life."
  "Indifferent?" he drawled with a slow smile;
  "I would be, dear, but it is not worth while."
  "You annoying man!" shouted Indolentio's wife,  
  "You've become apathetic to everything in life."  
  "Apathetic?" he replied with a lazy grin;  
  "I would be, darling, but it's just not worth it."  

Apuleius M. Gokul

Apuleius M. Gokul

INDIGESTION, n. A disease which the patient and his friends frequently mistake for deep religious conviction and concern for the salvation of mankind. As the simple Red Man of the western wild put it, with, it must be confessed, a certain force: "Plenty well, no pray; big bellyache, heap God."

INDIGESTION, n. A condition that the patient and their friends often confuse with strong religious belief and a deep concern for the salvation of humanity. As the straightforward Indigenous person of the western wilderness expressed it, with, it must be admitted, a certain impact: "Feeling fine, no praying; big stomachache, lots of God."

INDISCRETION, n. The guilt of woman.

INDISCRETION, n. The wrongdoing of a woman.

INEXPEDIENT, adj. Not calculated to advance one's interests.

INEXPEDIENT, adj. Not likely to benefit one's interests.

INFANCY, n. The period of our lives when, according to Wordsworth, "Heaven lies about us." The world begins lying about us pretty soon afterward.

INFANCY, n. The time in our lives when, as Wordsworth put it, "Heaven lies about us." The world starts to mislead us not long after that.

INFERIAE, n. [Latin] Among the Greeks and Romans, sacrifices for propitiation of the Dii Manes, or souls of the dead heroes; for the pious ancients could not invent enough gods to satisfy their spiritual needs, and had to have a number of makeshift deities, or, as a sailor might say, jury-gods, which they made out of the most unpromising materials. It was while sacrificing a bullock to the spirit of Agamemnon that Laiaides, a priest of Aulis, was favored with an audience of that illustrious warrior's shade, who prophetically recounted to him the birth of Christ and the triumph of Christianity, giving him also a rapid but tolerably complete review of events down to the reign of Saint Louis. The narrative ended abruptly at that point, owing to the inconsiderate crowing of a cock, which compelled the ghosted King of Men to scamper back to Hades. There is a fine mediaeval flavor to this story, and as it has not been traced back further than Pere Brateille, a pious but obscure writer at the court of Saint Louis, we shall probably not err on the side of presumption in considering it apocryphal, though Monsignor Capel's judgment of the matter might be different; and to that I bow—wow.

INFERIAE, n. [Latin] In ancient Greece and Rome, sacrifices made to appease the Dii Manes, or the souls of deceased heroes; the devoted ancients couldn't create enough gods to meet their spiritual needs, and so they ended up with some makeshift deities, or, as a sailor might put it, jury-gods, fashioned from the most unlikely materials. During a sacrifice of a bull to the spirit of Agamemnon, Laiaides, a priest of Aulis, was granted an audience with the shade of that legendary warrior. Agamemnon prophetically described the birth of Christ and the rise of Christianity, also giving a brief but fairly complete overview of events up to the era of Saint Louis. The story concluded abruptly at that moment due to an inconsiderate rooster's crow, which forced the ghostly King of Men to retreat to Hades. This tale has a rich medieval quality to it, and since it hasn't been traced back any further than Pere Brateille, a devout but lesser-known writer at the court of Saint Louis, we can probably safely assume it to be apocryphal, though Monsignor Capel might have a different opinion on the matter; to that, I concede—wow.

INFIDEL, n. In New York, one who does not believe in the Christian religion; in Constantinople, one who does. (See GIAOUR.) A kind of scoundrel imperfectly reverent of, and niggardly contributory to, divines, ecclesiastics, popes, parsons, canons, monks, mollahs, voodoos, presbyters, hierophants, prelates, obeah-men, abbes, nuns, missionaries, exhorters, deacons, friars, hadjis, high-priests, muezzins, brahmins, medicine-men, confessors, eminences, elders, primates, prebendaries, pilgrims, prophets, imaums, beneficiaries, clerks, vicars-choral, archbishops, bishops, abbots, priors, preachers, padres, abbotesses, caloyers, palmers, curates, patriarchs, bonezs, santons, beadsmen, canonesses, residentiaries, diocesans, deans, subdeans, rural deans, abdals, charm-sellers, archdeacons, hierarchs, class-leaders, incumbents, capitulars, sheiks, talapoins, postulants, scribes, gooroos, precentors, beadles, fakeers, sextons, reverences, revivalists, cenobites, perpetual curates, chaplains, mudjoes, readers, novices, vicars, pastors, rabbis, ulemas, lamas, sacristans, vergers, dervises, lectors, church wardens, cardinals, prioresses, suffragans, acolytes, rectors, cures, sophis, mutifs and pumpums.

INFIDEL, n. In New York, someone who doesn't believe in the Christian religion; in Constantinople, someone who does. (See GIAOUR.) A type of scoundrel who is only mildly respectful of and overly eager to support clergymen, religious leaders, popes, priests, canons, monks, clerics, voodoo practitioners, ministers, teachers, bishops, high priests, muezzins, bramins, healers, confessors, important figures, elders, leaders, representatives, pilgrims, prophets, imams, beneficiaries, clerks, choral vicars, archbishops, bishops, abbots, priors, preachers, padres, abbesses, monks, travelers, curates, patriarchs, shamans, holy men, benefactors, canonesses, community members, diocese leaders, deans, subdeans, rural deans, spiritual guides, charm sellers, archdeacons, religious leaders, class coordinators, holders of parishes, church officials, overseers, spiritual leaders, novices, deacons, pastors, Jewish rabbis, Islamic scholars, lamas, sacristans, vergers, dervishes, readers, church wardens, cardinals, abbesses, assistants, acolytes, rectors, ministers, sophists, and faith healers.

INFLUENCE, n. In politics, a visionary quo given in exchange for a substantial quid.

INFLUENCE, n. In politics, a visionary quo given in exchange for a substantial quid.

INFRALAPSARIAN, n. One who ventures to believe that Adam need not have sinned unless he had a mind to—in opposition to the Supralapsarians, who hold that that luckless person's fall was decreed from the beginning. Infralapsarians are sometimes called Sublapsarians without material effect upon the importance and lucidity of their views about Adam.

INFRALAPSARIAN, n. Someone who believes that Adam didn't have to sin unless he chose to—in contrast to the Supralapsarians, who believe that his fall was predetermined from the start. Infralapsarians are occasionally referred to as Sublapsarians, which doesn't significantly change how important or clear their beliefs about Adam are.

  Two theologues once, as they wended their way
  To chapel, engaged in colloquial fray—
  An earnest logomachy, bitter as gall,
  Concerning poor Adam and what made him fall.
  "'Twas Predestination," cried one—"for the Lord
  Decreed he should fall of his own accord."
  "Not so—'twas Free will," the other maintained,
  "Which led him to choose what the Lord had ordained."
  So fierce and so fiery grew the debate
  That nothing but bloodshed their dudgeon could sate;
  So off flew their cassocks and caps to the ground
  And, moved by the spirit, their hands went round.
  Ere either had proved his theology right
  By winning, or even beginning, the fight,
  A gray old professor of Latin came by,
  A staff in his hand and a scowl in his eye,
  And learning the cause of their quarrel (for still
  As they clumsily sparred they disputed with skill
  Of foreordinational freedom of will)
  Cried:  "Sirrahs! this reasonless warfare compose:
  Atwixt ye's no difference worthy of blows.
  The sects ye belong to—I'm ready to swear
  Ye wrongly interpret the names that they bear.
  You—Infralapsarian son of a clown!—
  Should only contend that Adam slipped down;
  While you—you Supralapsarian pup!—
  Should nothing aver but that Adam slipped up.
  It's all the same whether up or down
  You slip on a peel of banana brown.
  Even Adam analyzed not his blunder,
  But thought he had slipped on a peal of thunder!
Two theologians once, as they made their way to chapel, got into a heated argument—an intense debate, bitter as gall, discussing poor Adam and what caused his fall. "It was Predestination," one exclaimed, "because the Lord decreed he would fall on his own." "Not at all—it was Free Will," the other insisted, "that led him to choose what the Lord had planned." Their debate grew so fierce and fiery that nothing but violence could satisfy their anger; off flew their robes and caps, and, driven by passion, their fists started swinging. Before either could prove his point by winning, or even starting, the fight, an old gray professor of Latin passed by, staff in hand and a scowl on his face. Learning the reason for their quarrel (for even as they awkwardly fought, they argued skillfully about predetermined freedom of will), he shouted, "Hey! Stop this ridiculous battle! There’s no difference between you worth fighting over. The sects you belong to—I swear you're misinterpreting the names they carry. You—infralapsarian son of a fool!—should only argue that Adam messed up; while you—supralapsarian brat!—should only claim that Adam got it right. It’s all the same whether you slip up or down; you just slip on a brown banana peel. Even Adam didn’t analyze his mistake, but thought he had slipped on a bolt of lightning!

G.J.

G.J.

INGRATE, n. One who receives a benefit from another, or is otherwise an object of charity.

INGRATE, n. Someone who gets a benefit from another or is otherwise in need of help.

  "All men are ingrates," sneered the cynic.  "Nay,"
      The good philanthropist replied;
  "I did great service to a man one day
  Who never since has cursed me to repay,
              Nor vilified."

  "Ho!" cried the cynic, "lead me to him straight—
      With veneration I am overcome,
  And fain would have his blessing."  "Sad your fate—
  He cannot bless you, for I grieve to state
              This man is dumb."
  "All men are ungrateful," the cynic said with a sneer.  "No,"  
      the good philanthropist responded;  
  "I did a great service for a man one day  
  Who has never cursed me in return,  
              nor slandered me."  

  "Oh!" exclaimed the cynic, "take me to him right away—  
      I'm overwhelmed with respect,  
  And I would love to have his blessing."  "Sadly for you—  
  He can't bless you, because I'm sorry to say  
              This man is mute."  

Ariel Selp

Ariel Selp

INJURY, n. An offense next in degree of enormity to a slight.

INJURY, n. An offense that is just a step below a serious one.

INJUSTICE, n. A burden which of all those that we load upon others and carry ourselves is lightest in the hands and heaviest upon the back.

INJUSTICE, n. A burden that, of all the weights we impose on others and take on ourselves, feels the lightest in our hands but the heaviest on our backs.

INK, n. A villainous compound of tannogallate of iron, gum-arabic and water, chiefly used to facilitate the infection of idiocy and promote intellectual crime. The properties of ink are peculiar and contradictory: it may be used to make reputations and unmake them; to blacken them and to make them white; but it is most generally and acceptably employed as a mortar to bind together the stones of an edifice of fame, and as a whitewash to conceal afterward the rascal quality of the material. There are men called journalists who have established ink baths which some persons pay money to get into, others to get out of. Not infrequently it occurs that a person who has paid to get in pays twice as much to get out.

INK, n. A shady mixture of iron tannogallate, gum Arabic, and water, mainly used to spread stupidity and encourage intellectual wrongdoing. The characteristics of ink are strange and contradictory: it can create reputations and destroy them; it can tarnish them or clean them up; but most often it serves as the glue that holds together the stones of a fame structure and as a cover-up to hide the shady quality of the materials underneath. There are people known as journalists who have set up ink baths that some individuals pay to enter, while others pay to escape. It's not uncommon for someone who pays to get in to pay even more to get out.

INNATE, adj. Natural, inherent—as innate ideas, that is to say, ideas that we are born with, having had them previously imparted to us. The doctrine of innate ideas is one of the most admirable faiths of philosophy, being itself an innate idea and therefore inaccessible to disproof, though Locke foolishly supposed himself to have given it "a black eye." Among innate ideas may be mentioned the belief in one's ability to conduct a newspaper, in the greatness of one's country, in the superiority of one's civilization, in the importance of one's personal affairs and in the interesting nature of one's diseases.

INNATE, adj. Natural, inherent—as innate ideas, meaning ideas that we are born with, having been given to us beforehand. The belief in innate ideas is one of the most admirable tenets of philosophy, being itself an innate idea and therefore impossible to disprove, even though Locke mistakenly thought he had given it "a black eye." Among innate ideas are the belief in one’s ability to run a newspaper, in the greatness of one’s country, in the superiority of one’s civilization, in the significance of one’s personal matters, and in the intriguing nature of one’s illnesses.

IN'ARDS, n. The stomach, heart, soul and other bowels. Many eminent investigators do not class the soul as an in'ard, but that acute observer and renowned authority, Dr. Gunsaulus, is persuaded that the mysterious organ known as the spleen is nothing less than our immortal part. To the contrary, Professor Garrett P. Servis holds that man's soul is that prolongation of his spinal marrow which forms the pith of his no tail; and for demonstration of his faith points confidently to the fact that tailed animals have no souls. Concerning these two theories, it is best to suspend judgment by believing both.

IN'ARDS, n. The stomach, heart, soul, and other internal organs. Many notable researchers don't consider the soul to be an in'ard, but that keen observer and well-known expert, Dr. Gunsaulus, believes that the mysterious organ called the spleen is actually our immortal essence. On the other hand, Professor Garrett P. Servis argues that human souls are simply an extension of the spinal cord that creates the center of creatures without tails; he confidently cites the fact that animals with tails lack souls as proof of his belief. Regarding these two theories, it's best to hold off on making a decision by embracing both.

INSCRIPTION, n. Something written on another thing. Inscriptions are of many kinds, but mostly memorial, intended to commemorate the fame of some illustrious person and hand down to distant ages the record of his services and virtues. To this class of inscriptions belongs the name of John Smith, penciled on the Washington monument. Following are examples of memorial inscriptions on tombstones: (See EPITAPH.)

INSCRIPTION, n. Something written on another thing. Inscriptions come in many forms, but they are mostly memorial, meant to honor the legacy of some celebrated individual and preserve a record of their achievements and virtues for future generations. An example of this type of inscription is the name of John Smith, written on the Washington monument. Here are some examples of memorial inscriptions on tombstones: (See EPITAPH.)

  "In the sky my soul is found,
  And my body in the ground.
  By and by my body'll rise
  To my spirit in the skies,
  Soaring up to Heaven's gate.
          1878."

  "Sacred to the memory of Jeremiah Tree.  Cut down May 9th, 1862,
aged 27 yrs. 4 mos. and 12 ds.  Indigenous."

      "Affliction sore long time she boar,
          Phisicians was in vain,
      Till Deth released the dear deceased
          And left her a remain.
  Gone to join Ananias in the regions of bliss."

  "The clay that rests beneath this stone
  As Silas Wood was widely known.
  Now, lying here, I ask what good
  It was to let me be S. Wood.
  O Man, let not ambition trouble you,
  Is the advice of Silas W."

  "Richard Haymon, of Heaven.  Fell to Earth Jan. 20, 1807, and had
the dust brushed off him Oct. 3, 1874."
  "In the sky, my soul is found,  
  And my body’s in the ground.  
  Eventually, my body will rise  
  To join my spirit in the skies,  
  Soaring up to Heaven’s gate.  
          1878."   

  "In memory of Jeremiah Tree.  Cut down on May 9th, 1862,  
aged 27 years, 4 months, and 12 days.  Indigenous."   

      "She endured great suffering for a long time,  
          Physicians were of no help,  
      Until Death released the dear departed  
          And left her a remnant.  
  Gone to join Ananias in the land of bliss."   

  "The clay beneath this stone  
  Was widely known as Silas Wood.  
  Now, lying here, I wonder what good  
  It was to let me be S. Wood.  
  Oh man, don’t let ambition trouble you,  
  Is the advice of Silas W."   

  "Richard Haymon, from Heaven.  Fell to Earth on Jan. 20, 1807,  
and had the dust brushed off him on Oct. 3, 1874."

INSECTIVORA, n.

Insectivores, n.

  "See," cries the chorus of admiring preachers,
  "How Providence provides for all His creatures!"
  "His care," the gnat said, "even the insects follows:
  For us He has provided wrens and swallows."
  "Look," shout the group of impressed preachers,  
  "How Providence takes care of all His creations!"  
  "His concern," the gnat remarked, "even the insects experience:  
  For us, He has given wrens and swallows."

Sempen Railey

Sempen Railey

INSURANCE, n. An ingenious modern game of chance in which the player is permitted to enjoy the comfortable conviction that he is beating the man who keeps the table.

INSURANCE, n. A clever contemporary game of chance where the player is allowed to feel confidently that they're outsmarting the person running the game.

  INSURANCE AGENT:  My dear sir, that is a fine house—pray let me
      insure it.
  HOUSE OWNER:  With pleasure.  Please make the annual premium so
      low that by the time when, according to the tables of your
      actuary, it will probably be destroyed by fire I will have
      paid you considerably less than the face of the policy.
  INSURANCE AGENT:  O dear, no—we could not afford to do that.
      We must fix the premium so that you will have paid more.
  HOUSE OWNER:  How, then, can I afford that?
  INSURANCE AGENT:  Why, your house may burn down at any time.
      There was Smith's house, for example, which—
  HOUSE OWNER:  Spare me—there were Brown's house, on the
      contrary, and Jones's house, and Robinson's house, which—
  INSURANCE AGENT:  Spare me!
  HOUSE OWNER:  Let us understand each other.  You want me to pay
      you money on the supposition that something will occur
      previously to the time set by yourself for its occurrence.  In
      other words, you expect me to bet that my house will not last
      so long as you say that it will probably last.
  INSURANCE AGENT:  But if your house burns without insurance it
      will be a total loss.
  HOUSE OWNER:  Beg your pardon—by your own actuary's tables I
      shall probably have saved, when it burns, all the premiums I
      would otherwise have paid to you—amounting to more than the
      face of the policy they would have bought.  But suppose it to
      burn, uninsured, before the time upon which your figures are
      based.  If I could not afford that, how could you if it were
      insured?
  INSURANCE AGENT:  O, we should make ourselves whole from our
      luckier ventures with other clients.  Virtually, they pay your
      loss.
  HOUSE OWNER:  And virtually, then, don't I help to pay their
      losses?  Are not their houses as likely as mine to burn before
      they have paid you as much as you must pay them?  The case
      stands this way:  you expect to take more money from your
      clients than you pay to them, do you not?
  INSURANCE AGENT:  Certainly; if we did not—
  HOUSE OWNER:  I would not trust you with my money.  Very well
      then.  If it is certain, with reference to the whole body of
      your clients, that they lose money on you it is probable,
      with reference to any one of them, that he will.  It is
      these individual probabilities that make the aggregate
      certainty.
  INSURANCE AGENT:  I will not deny it—but look at the figures in
      this pamph—
  HOUSE OWNER:  Heaven forbid!
  INSURANCE AGENT:  You spoke of saving the premiums which you would
      otherwise pay to me.  Will you not be more likely to squander
      them?  We offer you an incentive to thrift.
  HOUSE OWNER:  The willingness of A to take care of B's money is
      not peculiar to insurance, but as a charitable institution you
      command esteem.  Deign to accept its expression from a
      Deserving Object.
  INSURANCE AGENT: My dear sir, that's a lovely house—let me insure it for you.
  HOUSE OWNER: Sure, but please set the annual premium so low that by the time your actuary thinks it might be destroyed by fire, I'll have paid you significantly less than the policy amount.
  INSURANCE AGENT: Oh no, we can’t do that. We have to set the premium so you end up paying more.
  HOUSE OWNER: How am I supposed to afford that?
  INSURANCE AGENT: Well, your house could catch fire at any moment. Take Smith's house, for example, which—
  HOUSE OWNER: Spare me—then there's Brown's house, and Jones's house, and Robinson's house, which—
  INSURANCE AGENT: Spare *me*!
  HOUSE OWNER: Let's clarify this. You want me to pay you money based on the assumption that something will happen before the time you specify. In other words, you expect me to bet that my house won't last as long as you claim it probably will.
  INSURANCE AGENT: But if your house burns down without insurance, you'll lose everything.
  HOUSE OWNER: Excuse me—according to your own actuary's tables, by the time it burns down, I'll probably have saved all the premiums I would have paid you, which is more than the policy amount it would have bought. But if it burns before the timeline you've set, if I can't afford that, how could you if it were insured?
  INSURANCE AGENT: Oh, we’d cover the loss through our other clients' premiums. Essentially, they cover your loss.
  HOUSE OWNER: And essentially, don't I help cover their losses too? Aren't their houses just as likely to burn down before they've paid you the amount you would pay them? The situation is this: you expect to collect more money from your clients than you pay out, don't you?
  INSURANCE AGENT: Certainly; if we didn't—
  HOUSE OWNER: I wouldn't trust you with my money. So, if it’s *certain* that the entire group of your clients loses money with you, it's *probable* that any individual client will. These individual probabilities create the overall certainty.
  INSURANCE AGENT: I won’t deny that—but look at the numbers in this pamphlet—
  HOUSE OWNER: Heaven forbid!
  INSURANCE AGENT: You mentioned saving the premiums you would otherwise pay me. Aren't you more likely to waste them? We provide an incentive for saving.
  HOUSE OWNER: The willingness of one person to manage another's money isn't unique to insurance. As a charitable organization, you earn respect. Allow me to express that from someone who deserves it.

INSURRECTION, n. An unsuccessful revolution. Disaffection's failure to substitute misrule for bad government.

INSURRECTION, n. A failed revolution. Discontent’s inability to replace poor leadership with worse governance.

INTENTION, n. The mind's sense of the prevalence of one set of influences over another set; an effect whose cause is the imminence, immediate or remote, of the performance of an involuntary act.

INTENTION, n. The mind's awareness of one group of influences being stronger than another; an effect caused by the closeness, whether immediate or distant, of carrying out an involuntary action.

INTERPRETER, n. One who enables two persons of different languages to understand each other by repeating to each what it would have been to the interpreter's advantage for the other to have said.

INTERPRETER, n. Someone who helps two people who speak different languages understand each other by saying what would have been beneficial for the other person to say.

INTERREGNUM, n. The period during which a monarchical country is governed by a warm spot on the cushion of the throne. The experiment of letting the spot grow cold has commonly been attended by most unhappy results from the zeal of many worthy persons to make it warm again.

INTERREGNUM, n. The time when a monarchy is run by a warm spot on the throne. Trying to let that spot cool off has usually led to pretty disappointing outcomes because so many well-meaning people rush in to try to heat it back up.

INTIMACY, n. A relation into which fools are providentially drawn for their mutual destruction.

INTIMACY, n. A relationship that fools are destined to enter into for their mutual downfall.

  Two Seidlitz powders, one in blue
  And one in white, together drew
  And having each a pleasant sense
  Of t'other powder's excellence,
  Forsook their jackets for the snug
  Enjoyment of a common mug.
  So close their intimacy grew
  One paper would have held the two.
  To confidences straight they fell,
  Less anxious each to hear than tell;
  Then each remorsefully confessed
  To all the virtues he possessed,
  Acknowledging he had them in
  So high degree it was a sin.
  The more they said, the more they felt
  Their spirits with emotion melt,
  Till tears of sentiment expressed
  Their feelings.  Then they effervesced!
  So Nature executes her feats
  Of wrath on friends and sympathetes
  The good old rule who won't apply,
  That you are you and I am I.
  Two Seidlitz powders, one blue  
  And one white, came together  
  And each had a nice sense  
  Of the other powder's greatness,  
  So they tossed their wrappers for the cozy  
  Enjoyment of a shared cup.  
  Their closeness grew so strong  
  One packet could have held them both.  
  They quickly fell into confidences,  
  Each more eager to share than to listen;  
  Then each awkwardly admitted  
  To all the good qualities he had,  
  Recognizing he had them in  
  Such abundance it was practically a sin.  
  The more they talked, the more they felt  
  Their spirits melt with emotion,  
  Until tears of sentiment showed  
  Their feelings. Then they fizzed!  
  So Nature performs her acts  
  Of fury on friends and comrades  
  The good old rule that won’t apply,  
  That you are you and I am I.

INTRODUCTION, n. A social ceremony invented by the devil for the gratification of his servants and the plaguing of his enemies. The introduction attains its most malevolent development in this country, being, indeed, closely related to our political system. Every American being the equal of every other American, it follows that everybody has the right to know everybody else, which implies the right to introduce without request or permission. The Declaration of Independence should have read thus:

INTRODUCTION, n. A social event created by the devil to entertain his followers and annoy his rivals. In this country, introductions reach their most negative form, closely tied to our political system. Since every American is equal to another, it follows that everyone has the right to know everyone else, which means the right to introduce without asking for permission. The Declaration of Independence should have read this way:

      "We hold these truths to be self-evident:  that all men are
  created equal; that they are endowed by their Creator with certain
  inalienable rights; that among these are life, and the right to
  make that of another miserable by thrusting upon him an
  incalculable quantity of acquaintances; liberty, particularly the
  liberty to introduce persons to one another without first
  ascertaining if they are not already acquainted as enemies; and
  the pursuit of another's happiness with a running pack of
  strangers."
      "We believe these truths are obvious: that everyone is created equal; that they are given certain rights by their Creator that can't be taken away; that among these are life, and the ability to make someone else's life difficult by overwhelming them with too many acquaintances; freedom, especially the freedom to introduce people to each other without checking if they already know each other as enemies; and the pursuit of someone else's happiness while being surrounded by a bunch of strangers."

INVENTOR, n. A person who makes an ingenious arrangement of wheels, levers and springs, and believes it civilization.

INVENTOR, n. A person who creates a clever setup of wheels, levers, and springs, and thinks that's civilization.

IRRELIGION, n. The principal one of the great faiths of the world.

IRRELIGION, n. The main one of the major faiths of the world.

ITCH, n. The patriotism of a Scotchman.

ITCH, n. The patriotism of a Scotsman.

J

J is a consonant in English, but some nations use it as a vowel— than which nothing could be more absurd. Its original form, which has been but slightly modified, was that of the tail of a subdued dog, and it was not a letter but a character, standing for a Latin verb, jacere, "to throw," because when a stone is thrown at a dog the dog's tail assumes that shape. This is the origin of the letter, as expounded by the renowned Dr. Jocolpus Bumer, of the University of Belgrade, who established his conclusions on the subject in a work of three quarto volumes and committed suicide on being reminded that the j in the Roman alphabet had originally no curl.

J is a consonant in English, but some countries use it as a vowel—which is pretty ridiculous. Its original form, which has changed very little, looked like the tail of a subdued dog, and it wasn’t a letter but a character representing a Latin verb, jacere, meaning "to throw," because when a stone is thrown at a dog, the dog's tail takes that shape. This is the origin of the letter, as explained by the famous Dr. Jocolpus Bumer from the University of Belgrade, who detailed his findings in a three-volume work and took his own life when reminded that the j in the Roman alphabet originally had no curl.

JEALOUS, adj. Unduly concerned about the preservation of that which can be lost only if not worth keeping.

JEALOUS, adj. Excessively worried about holding on to something that will only be lost if it isn’t valuable.

JESTER, n. An officer formerly attached to a king's household, whose business it was to amuse the court by ludicrous actions and utterances, the absurdity being attested by his motley costume. The king himself being attired with dignity, it took the world some centuries to discover that his own conduct and decrees were sufficiently ridiculous for the amusement not only of his court but of all mankind. The jester was commonly called a fool, but the poets and romancers have ever delighted to represent him as a singularly wise and witty person. In the circus of to-day the melancholy ghost of the court fool effects the dejection of humbler audiences with the same jests wherewith in life he gloomed the marble hall, panged the patrician sense of humor and tapped the tank of royal tears.

JESTER, n. An official who used to be part of a king's household, whose job was to entertain the court with funny actions and sayings, the silliness highlighted by his colorful outfit. While the king was dressed with dignity, it took the world centuries to realize that his own behavior and decisions were ridiculous enough to entertain not just his court but everyone. The jester was usually called a fool, but poets and storytellers have always enjoyed portraying him as a uniquely wise and clever character. In today’s circus, the sad spirit of the court fool brings down the mood of less privileged audiences with the same jokes that made the marble hall gloomy, troubled the elite's sense of humor, and drew out royal tears.

  The widow-queen of Portugal
      Had an audacious jester
  Who entered the confessional
      Disguised, and there confessed her.

  "Father," she said, "thine ear bend down—
      My sins are more than scarlet:
  I love my fool—blaspheming clown,
      And common, base-born varlet."

  "Daughter," the mimic priest replied,
      "That sin, indeed, is awful:
  The church's pardon is denied
      To love that is unlawful.
  "But since thy stubborn heart will be
      For him forever pleading,
  Thou'dst better make him, by decree,
      A man of birth and breeding."

  She made the fool a duke, in hope
      With Heaven's taboo to palter;
  Then told a priest, who told the Pope,
      Who damned her from the altar!
  The widow-queen of Portugal  
      Had a bold jester  
  Who went into the confessional  
      Disguised and confessed to her.  
  
  "Father," she said, "lean in—  
      My sins are worse than scarlet:  
  I love my fool—a blasphemous clown,  
      And a common, low-born servant."  
  
  "Daughter," the mock priest replied,  
      "That sin, indeed, is serious:  
  The church's forgiveness is denied  
      To love that is unlawful.  
  "But since your stubborn heart will be  
      Forever advocating for him,  
  You'd be better off making him, by decree,  
      A man of noble birth and status."  
  
  She made the fool a duke, hoping  
      To negotiate with Heaven's ban;  
  Then she told a priest, who told the Pope,  
      Who cursed her from the altar!

Barel Dort

Barel Dort

JEWS-HARP, n. An unmusical instrument, played by holding it fast with the teeth and trying to brush it away with the finger.

JEWS-HARP, n. A quirky instrument that you play by biting down on it and flicking it with your finger.

JOSS-STICKS, n. Small sticks burned by the Chinese in their pagan tomfoolery, in imitation of certain sacred rites of our holy religion.

JOSS-STICKS, n. Small sticks burned by the Chinese as part of their pagan practices, mimicking certain sacred rituals of our holy religion.

JUSTICE, n. A commodity which is a more or less adulterated condition the State sells to the citizen as a reward for his allegiance, taxes and personal service.

JUSTICE, n. A product that the State offers to the citizen as a reward for their loyalty, taxes, and personal service, albeit in a somewhat diluted form.

K

K is a consonant that we get from the Greeks, but it can be traced away back beyond them to the Cerathians, a small commercial nation inhabiting the peninsula of Smero. In their tongue it was called Klatch, which means "destroyed." The form of the letter was originally precisely that of our H, but the erudite Dr. Snedeker explains that it was altered to its present shape to commemorate the destruction of the great temple of Jarute by an earthquake, circa 730 B.C. This building was famous for the two lofty columns of its portico, one of which was broken in half by the catastrophe, the other remaining intact. As the earlier form of the letter is supposed to have been suggested by these pillars, so, it is thought by the great antiquary, its later was adopted as a simple and natural—not to say touching—means of keeping the calamity ever in the national memory. It is not known if the name of the letter was altered as an additional mnemonic, or if the name was always Klatch and the destruction one of nature's puns. As each theory seems probable enough, I see no objection to believing both—and Dr. Snedeker arrayed himself on that side of the question.

K is a consonant that we got from the Greeks, but it can be traced back even further to the Cerathians, a small trading nation living in the Smero peninsula. In their language, it was called Klatch, which means "destroyed." The letter's original form looked exactly like our H, but the learned Dr. Snedeker explains that it was changed to its current shape to remember the destruction of the great temple of Jarute by an earthquake around 730 B.C. This building was famous for its two tall columns at the entrance, one of which was shattered by the disaster, while the other stood unharmed. As the earlier shape of the letter is thought to have been inspired by these columns, it’s believed by the great antiquary that the later form was adopted as a simple and natural—not to mention touching—way to keep the tragedy alive in the national memory. It’s unclear if the letter's name was changed as an extra memory aid, or if it was always Klatch and the destruction was just one of nature's jokes. Since each theory seems plausible enough, I see no reason not to believe both—and Dr. Snedeker took that side of the argument.

KEEP, v.t.

KEEP, v.t.

  He willed away his whole estate,
      And then in death he fell asleep,
  Murmuring:  "Well, at any rate,
      My name unblemished I shall keep."
  But when upon the tomb 'twas wrought
  Whose was it?—for the dead keep naught.
He gave away his entire estate,  
And then in death, he fell asleep,  
Murmuring, "Well, at least,  
My name will remain untarnished."  
But when it was inscribed on the tomb,  
Whose was it?—for the dead take nothing with them.  

Durang Gophel Arn

Durang Gospel Arn

KILL, v.t. To create a vacancy without nominating a successor.

KILL, v.t. To create an opening without appointing a replacement.

KILT, n. A costume sometimes worn by Scotchmen in America and Americans in Scotland.

KILT, n. A outfit occasionally worn by Scots in America and Americans in Scotland.

KINDNESS, n. A brief preface to ten volumes of exaction.

KINDNESS, n. A short introduction to ten volumes of demands.

KING, n. A male person commonly known in America as a "crowned head," although he never wears a crown and has usually no head to speak of.

KING, n. A male person often referred to in America as a "crowned head," even though he never actually wears a crown and usually doesn't have a head to speak of.

  A king, in times long, long gone by,
      Said to his lazy jester:
  "If I were you and you were I
  My moments merrily would fly—
      Nor care nor grief to pester."

  "The reason, Sire, that you would thrive,"
      The fool said—"if you'll hear it—
  Is that of all the fools alive
  Who own you for their sovereign, I've
      The most forgiving spirit."
  A king, in a time long past,  
      Said to his lazy jester:  
  "If I were you and you were me  
  My days would pass joyfully—  
      No worries or sadness to bother."  

  "The reason, Your Majesty, that you'd be happy,"  
      The fool replied—"if you'd listen—  
  Is that among all the fools alive  
  Who claim you as their ruler, I  
      Have the most forgiving nature."  

Oogum Bem

Oogum Bem

KING'S EVIL, n. A malady that was formerly cured by the touch of the sovereign, but has now to be treated by the physicians. Thus "the most pious Edward" of England used to lay his royal hand upon the ailing subjects and make them whole—

KING'S EVIL, n. An illness that used to be healed by the touch of the king, but now needs to be treated by doctors. So "the most pious Edward" of England would lay his royal hand on the sick subjects and make them well—

                  a crowd of wretched souls
  That stay his cure:  their malady convinces
  The great essay of art; but at his touch,
  Such sanctity hath Heaven given his hand,
  They presently amend,
                  a crowd of miserable souls
  That hinder his healing: their sickness proves
  The great attempt of art; but with his touch,
  Such holiness has Heaven granted his hand,
  They quickly recover,

as the "Doctor" in Macbeth hath it. This useful property of the royal hand could, it appears, be transmitted along with other crown properties; for according to "Malcolm,"

as the "Doctor" in Macbeth says. This useful feature of the royal hand could, it seems, be passed down with other crown properties; because according to "Malcolm,"

                          'tis spoken
  To the succeeding royalty he leaves
  The healing benediction.
'it's said  
  To the next in line, he passes down  
  The healing blessing.

But the gift somewhere dropped out of the line of succession: the later sovereigns of England have not been tactual healers, and the disease once honored with the name "king's evil" now bears the humbler one of "scrofula," from scrofa, a sow. The date and author of the following epigram are known only to the author of this dictionary, but it is old enough to show that the jest about Scotland's national disorder is not a thing of yesterday.

But at some point, the gift fell out of the line of succession: later English monarchs haven’t had the ability to heal by touch, and the illness once known as "king's evil" is now more modestly referred to as "scrofula," derived from scrofa, meaning sow. The date and author of the following epigram are known only to the author of this dictionary, but it’s old enough to indicate that the joke about Scotland's national disorder isn't a recent development.

  Ye Kynge his evill in me laye,
  Wh. he of Scottlande charmed awaye.
  He layde his hand on mine and sayd:
  "Be gone!"  Ye ill no longer stayd.
  But O ye wofull plyght in wh.
  I'm now y-pight:  I have ye itche!
  The king's evil was within me,  
  Which he from Scotland magically took away.  
  He placed his hand on mine and said:  
  "Be gone!" The illness no longer stayed.  
  But oh, the miserable situation in which  
  I'm now caught: I have the itch!  

The superstition that maladies can be cured by royal taction is dead, but like many a departed conviction it has left a monument of custom to keep its memory green. The practice of forming a line and shaking the President's hand had no other origin, and when that great dignitary bestows his healing salutation on

The belief that illnesses can be cured by a royal touch is gone, but like many outdated beliefs, it has left behind customs to remember it by. The tradition of lining up to shake the President's hand started from this idea, and when that esteemed leader offers his healing greeting on

                      strangely visited people,
  All swoln and ulcerous, pitiful to the eye,
  The mere despair of surgery,
                      strangely visited people,
  All swollen and infected, pitiful to look at,
  The sheer hopelessness of surgery,

he and his patients are handing along an extinguished torch which once was kindled at the altar-fire of a faith long held by all classes of men. It is a beautiful and edifying "survival"—one which brings the sainted past close home in our "business and bosoms."

He and his patients are passing along a dim torch that was once lit at the altar of a faith that everyone used to share. It's a beautiful and inspiring "survival"—one that connects the cherished past to our everyday lives.

KISS, n. A word invented by the poets as a rhyme for "bliss." It is supposed to signify, in a general way, some kind of rite or ceremony appertaining to a good understanding; but the manner of its performance is unknown to this lexicographer.

KISS, n. A term created by poets to rhyme with "bliss." It's meant to represent, in a broad sense, some sort of ritual or practice related to a positive connection; however, how it's done remains unknown to this dictionary writer.

KLEPTOMANIAC, n. A rich thief.

KLEPTOMANIAC, n. A wealthy thief.

KNIGHT, n.

KNIGHT, n.

  Once a warrior gentle of birth,
  Then a person of civic worth,
  Now a fellow to move our mirth.
  Warrior, person, and fellow—no more:
  We must knight our dogs to get any lower.
  Brave Knights Kennelers then shall be,
  Noble Knights of the Golden Flea,
  Knights of the Order of St. Steboy,
  Knights of St. Gorge and Sir Knights Jawy.
  God speed the day when this knighting fad
  Shall go to the dogs and the dogs go mad.
  Once a warrior of gentle birth,  
  Then a person of civic worth,  
  Now a guy to spark our laughter.  
  Warrior, person, and guy—no more:  
  We have to knight our dogs to go any lower.  
  Brave Knights of the Kennel shall be,  
  Noble Knights of the Golden Flea,  
  Knights of the Order of St. Steboy,  
  Knights of St. Gorge and Sir Knights Jawy.  
  God speed the day when this knighting trend  
  Shall go to the dogs and the dogs go wild.

KORAN, n. A book which the Mohammedans foolishly believe to have been written by divine inspiration, but which Christians know to be a wicked imposture, contradictory to the Holy Scriptures.

KORAN, n. A book that Muslims mistakenly believe was written under divine inspiration, but which Christians understand to be a deceptive falsehood that contradicts the Holy Scriptures.

L

LABOR, n. One of the processes by which A acquires property for B.

LABOR, n. One of the ways that A gains property for B.

LAND, n. A part of the earth's surface, considered as property. The theory that land is property subject to private ownership and control is the foundation of modern society, and is eminently worthy of the superstructure. Carried to its logical conclusion, it means that some have the right to prevent others from living; for the right to own implies the right exclusively to occupy; and in fact laws of trespass are enacted wherever property in land is recognized. It follows that if the whole area of terra firma is owned by A, B and C, there will be no place for D, E, F and G to be born, or, born as trespassers, to exist.

LAND, n. A section of the earth's surface regarded as property. The idea that land is property that can be privately owned and controlled is the foundation of modern society and is definitely worth supporting. Taken to its logical extreme, this means that some people have the right to stop others from living; because the right to own means the right to occupy exclusively; and in fact, trespassing laws are created wherever land ownership is recognized. Therefore, if the entire area of terra firma is owned by A, B, and C, there will be no place for D, E, F, and G to be born, or, if they are born, to live as trespassers.

  A life on the ocean wave,
      A home on the rolling deep,
  For the spark that nature gave
      I have there the right to keep.

  They give me the cat-o'-nine
      Whenever I go ashore.
  Then ho! for the flashing brine—
      I'm a natural commodore!
  A life on the ocean wave,  
      A home on the rolling deep,  
  For the spark that nature gave  
      I have every right to keep.  

  They give me the cat-o'-nine  
      Whenever I go ashore.  
  Then ho! for the flashing brine—  
      I'm a natural commodore!  

Dodle

Doodle

LANGUAGE, n. The music with which we charm the serpents guarding another's treasure.

LANGUAGE, n. The melody we use to captivate the snakes protecting someone else's treasure.

LAOCOON, n. A famous piece of antique scripture representing a priest of that name and his two sons in the folds of two enormous serpents. The skill and diligence with which the old man and lads support the serpents and keep them up to their work have been justly regarded as one of the noblest artistic illustrations of the mastery of human intelligence over brute inertia.

LAOCOON, n. A well-known piece of ancient art depicting a priest named Laocoon and his two sons being attacked by two huge serpents. The skill and effort with which the man and his sons hold the serpents and keep fighting against them are widely seen as one of the greatest artistic examples of human intelligence overcoming raw physical force.

LAP, n. One of the most important organs of the female system—an admirable provision of nature for the repose of infancy, but chiefly useful in rural festivities to support plates of cold chicken and heads of adult males. The male of our species has a rudimentary lap, imperfectly developed and in no way contributing to the animal's substantial welfare.

LAP, n. One of the key parts of the female body—an amazing design of nature for the comfort of babies, but mainly useful at outdoor events to hold plates of cold chicken and the heads of grown men. The male of our species has a basic lap, poorly developed and not really helping with the animal's overall well-being.

LAST, n. A shoemaker's implement, named by a frowning Providence as opportunity to the maker of puns.

LAST, n. A shoemaker's tool, ironically called by a stern fate as a chance for the maker of puns.

  Ah, punster, would my lot were cast,
      Where the cobbler is unknown,
  So that I might forget his last
      And hear your own.
  Ah, jokester, I wish I were placed,
      Where the shoemaker is a stranger,
  So that I could forget his past
      And hear your own.

Gargo Repsky

Gargo Repsky

LAUGHTER, n. An interior convulsion, producing a distortion of the features and accompanied by inarticulate noises. It is infectious and, though intermittent, incurable. Liability to attacks of laughter is one of the characteristics distinguishing man from the animals— these being not only inaccessible to the provocation of his example, but impregnable to the microbes having original jurisdiction in bestowal of the disease. Whether laughter could be imparted to animals by inoculation from the human patient is a question that has not been answered by experimentation. Dr. Meir Witchell holds that the infectious character of laughter is due to the instantaneous fermentation of sputa diffused in a spray. From this peculiarity he names the disorder Convulsio spargens.

LAUGHTER, n. A sudden physical reaction that causes a change in facial expressions and comes with sounds that are hard to articulate. It spreads easily and, although it comes and goes, it can't be cured. The tendency to laugh is one of the traits that sets humans apart from animals—who are not only unresponsive to what causes laughter but also immune to the germs that supposedly trigger the condition. Whether laughter could be transferred to animals through deliberate infection from a human is a question that hasn't been explored through experiments. Dr. Meir Witchell believes that laughter’s contagious nature is because of the rapid spread of sputa in a mist. Based on this unique characteristic, he refers to the condition as Convulsio spargens.

LAUREATE, adj. Crowned with leaves of the laurel. In England the Poet Laureate is an officer of the sovereign's court, acting as dancing skeleton at every royal feast and singing-mute at every royal funeral. Of all incumbents of that high office, Robert Southey had the most notable knack at drugging the Samson of public joy and cutting his hair to the quick; and he had an artistic color-sense which enabled him so to blacken a public grief as to give it the aspect of a national crime.

LAUREATE, adj. Crowned with laurel leaves. In England, the Poet Laureate is an official at the royal court, serving as a lively performer at every royal celebration and a silent presence at every royal funeral. Of all those who have held this prestigious role, Robert Southey had a remarkable ability to dampen public happiness and undermine it completely; he also had an artistic sense of color that allowed him to darken public sorrow to the point of making it feel like a national tragedy.

LAUREL, n. The laurus, a vegetable dedicated to Apollo, and formerly defoliated to wreathe the brows of victors and such poets as had influence at court. (Vide supra.)

LAUREL, n. The laurus, a plant dedicated to Apollo, and once stripped of its leaves to create crowns for winners and poets who held sway at court. (Vide supra.)

LAW, n.

LAW, n.

  Once Law was sitting on the bench,
      And Mercy knelt a-weeping.
  "Clear out!" he cried, "disordered wench!
      Nor come before me creeping.
  Upon your knees if you appear,
  'Tis plain your have no standing here."

  Then Justice came.  His Honor cried:
      "Your status?—devil seize you!"
  "Amica curiae," she replied—
      "Friend of the court, so please you."
  "Begone!" he shouted—"there's the door—
  I never saw your face before!"
  Once Law was sitting on the bench,  
      And Mercy knelt in tears.  
  "Get out!" he shouted, "disordered woman!  
      Don't come crawling before me.  
  If you show up on your knees,  
  It's clear you have no place here."  

  Then Justice arrived. His Honor exclaimed:  
      "Your position?—the devil take you!"  
  "Amica curiae," she answered—  
      "Friend of the court, if it pleases you."  
  "Get lost!" he yelled—"there's the exit—  
  I've never seen your face before!"

G.J.

G.J.

LAWFUL, adj. Compatible with the will of a judge having jurisdiction.

LAWFUL, adj. In agreement with the decision of a judge who has authority.

LAWYER, n. One skilled in circumvention of the law.

LAWYER, n. Someone who is skilled at finding ways around the law.

LAZINESS, n. Unwarranted repose of manner in a person of low degree.

LAZINESS, n. Unjustified relaxation in someone of low status.

LEAD, n. A heavy blue-gray metal much used in giving stability to light lovers—particularly to those who love not wisely but other men's wives. Lead is also of great service as a counterpoise to an argument of such weight that it turns the scale of debate the wrong way. An interesting fact in the chemistry of international controversy is that at the point of contact of two patriotisms lead is precipitated in great quantities.

LEAD, n. A heavy blue-gray metal commonly used to give stability to light lovers—especially those who love unwisely but someone else's wife. Lead also serves as a counterweight to an argument that's so heavy it tips the scale of debate the wrong way. An interesting fact in the chemistry of international disputes is that when two patriotisms clash, lead is produced in large amounts.

  Hail, holy Lead!—of human feuds the great
      And universal arbiter; endowed
      With penetration to pierce any cloud
  Fogging the field of controversial hate,
  And with a swift, inevitable, straight,
      Searching precision find the unavowed
      But vital point.  Thy judgment, when allowed
  By the chirurgeon, settles the debate.
  O useful metal!—were it not for thee
      We'd grapple one another's ears alway:
  But when we hear thee buzzing like a bee
      We, like old Muhlenberg, "care not to stay."
  And when the quick have run away like pellets
  Jack Satan smelts the dead to make new bullets.
Hail, holy Lead! — the great
      And universal judge of human disputes; gifted
      With the ability to cut through any cloud
  Obscuring the battlefield of controversial hatred,
  And with a swift, certain, direct,
      Precise aim to discover the unspoken
      But crucial point. Your verdict, when permitted
  By the surgeon, resolves the argument.
  O useful metal! — without you
      We would always be grappling each other’s ears:
  But when we hear you buzzing like a bee
      We, like old Muhlenberg, "don’t want to stick around."
  And when the living have run away like pellets
  Jack Satan melts down the dead to make new bullets.

LEARNING, n. The kind of ignorance distinguishing the studious.

LEARNING, n. The type of ignorance that sets apart those who are dedicated to study.

LECTURER, n. One with his hand in your pocket, his tongue in your ear and his faith in your patience.

LECTURER, n. Someone who takes your money, talks your ear off, and believes in your ability to tolerate it.

LEGACY, n. A gift from one who is legging it out of this vale of tears.

LEGACY, n. A gift from someone who is leaving this world.

LEONINE, adj. Unlike a menagerie lion. Leonine verses are those in which a word in the middle of a line rhymes with a word at the end, as in this famous passage from Bella Peeler Silcox:

LEONINE, adj. Unlike a zoo lion. Leonine verses are those where a word in the middle of a line rhymes with a word at the end, like in this famous passage from Bella Peeler Silcox:

  The electric light invades the dunnest deep of Hades.
  Cries Pluto, 'twixt his snores:  "O tempora! O mores!"
  The electric light penetrates the darkest depths of Hades.  
  Pluto groans between his snores: "Oh, the times! Oh, the customs!"

It should be explained that Mrs. Silcox does not undertake to teach pronunciation of the Greek and Latin tongues. Leonine verses are so called in honor of a poet named Leo, whom prosodists appear to find a pleasure in believing to have been the first to discover that a rhyming couplet could be run into a single line.

It should be noted that Mrs. Silcox doesn't take on the task of teaching the pronunciation of Greek and Latin. Leonine verses are named after a poet called Leo, who prosodists seem to enjoy believing was the first to figure out that a rhyming couplet could be combined into a single line.

LETTUCE, n. An herb of the genus Lactuca, "Wherewith," says that pious gastronome, Hengist Pelly, "God has been pleased to reward the good and punish the wicked. For by his inner light the righteous man has discerned a manner of compounding for it a dressing to the appetency whereof a multitude of gustible condiments conspire, being reconciled and ameliorated with profusion of oil, the entire comestible making glad the heart of the godly and causing his face to shine. But the person of spiritual unworth is successfully tempted to the Adversary to eat of lettuce with destitution of oil, mustard, egg, salt and garlic, and with a rascal bath of vinegar polluted with sugar. Wherefore the person of spiritual unworth suffers an intestinal pang of strange complexity and raises the song."

LETTUCE, n. An herb from the genus Lactuca. "With this," says the devoted foodie Hengist Pelly, "God has chosen to reward the good and punish the wicked. For by his inner insight, the righteous person has figured out a way to create a dressing that combines a variety of flavorful ingredients, blended and enhanced with plenty of oil, making the whole dish bring joy to the hearts of the virtuous and brighten their faces. But the spiritually unworthy one is unfortunately tempted by the Devil to eat lettuce without oil, mustard, egg, salt, or garlic, and instead doused in a wretched bath of vinegar tainted with sugar. Because of this, the spiritually unworthy person suffers from a strange kind of stomach ache and breaks into song."

LEVIATHAN, n. An enormous aquatic animal mentioned by Job. Some suppose it to have been the whale, but that distinguished ichthyologer, Dr. Jordan, of Stanford University, maintains with considerable heat that it was a species of gigantic Tadpole (Thaddeus Polandensis) or Polliwig—Maria pseudo-hirsuta. For an exhaustive description and history of the Tadpole consult the famous monograph of Jane Potter, Thaddeus of Warsaw.

LEVIATHAN, n. A huge sea creature mentioned in Job. Some think it might have been a whale, but that well-known fish expert, Dr. Jordan from Stanford University, argues strongly that it was a type of giant tadpole (Thaddeus Polandensis) or polliwig—Maria pseudo-hirsuta. For a detailed description and history of the tadpole, refer to the renowned monograph by Jane Potter, Thaddeus of Warsaw.

LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods. For your lexicographer, having written his dictionary, comes to be considered "as one having authority," whereas his function is only to make a record, not to give a law. The natural servility of the human understanding having invested him with judicial power, surrenders its right of reason and submits itself to a chronicle as if it were a statute. Let the dictionary (for example) mark a good word as "obsolete" or "obsolescent" and few men thereafter venture to use it, whatever their need of it and however desirable its restoration to favor—whereby the process of impoverishment is accelerated and speech decays. On the contrary, the bold and discerning writer who, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense, has no following and is tartly reminded that "it isn't in the dictionary" —although down to the time of the first lexicographer (Heaven forgive him!) no author ever had used a word that was in the dictionary. In the golden prime and high noon of English speech; when from the lips of the great Elizabethans fell words that made their own meaning and carried it in their very sound; when a Shakespeare and a Bacon were possible, and the language now rapidly perishing at one end and slowly renewed at the other was in vigorous growth and hardy preservation—sweeter than honey and stronger than a lion—the lexicographer was a person unknown, the dictionary a creation which his Creator had not created him to create.

LEXICOGRAPHER, n. A bothersome person who, under the guise of documenting a specific stage in the development of a language, tries to hinder its growth, limit its flexibility, and standardize its methods. For your lexicographer, once they've written their dictionary, they begin to be seen as "an authority," even though their true role is just to record, not to legislate. The natural submissiveness of human understanding has given them this judicial power, surrendering its right to reason and submitting itself to a record as if it were law. Let the dictionary, for example, label a good word as "obsolete" or "obsolescent," and few people will dare to use it, regardless of their need for it and how much it's desired—leading to a quicker process of impoverishment and decay in language. Conversely, the daring and insightful writer who understands that language must grow through innovation, or else it won't grow at all, creates new words and uses old ones in new ways but has no support and is sharply reminded that "it isn't in the dictionary"—even though until the time of the first lexicographer (God help him!), no author had ever used a word that was in the dictionary. In the glorious prime and peak of English speech, when the great Elizabethans spoke words that held their own meaning and conveyed it in their very sound; when figures like Shakespeare and Bacon were possible, and the language—now rapidly fading at one end and slowly renewed at the other—was in vigorous growth and strong preservation—sweeter than honey and stronger than a lion—the lexicographer was an unknown figure, and the dictionary was a creation that its Creator had not intended for him to create.

  God said:  "Let Spirit perish into Form,"
  And lexicographers arose, a swarm!
  Thought fled and left her clothing, which they took,
  And catalogued each garment in a book.
  Now, from her leafy covert when she cries:
  "Give me my clothes and I'll return," they rise
  And scan the list, and say without compassion:
  "Excuse us—they are mostly out of fashion."
  God said:  "Let Spirit turn into Form,"  
  And a swarm of lexicographers emerged!  
  Thought left her clothes behind, which they grabbed,  
  And listed each piece in a book they nabbed.  
  Now, from her leafy hideout when she pleads:  
  "Give me my clothes and I'll come back," she needs,  
  They check the list and respond with no pity:  
  "Sorry—most of them are just not trendy."  

Sigismund Smith

Sigismund Smith

LIAR, n. A lawyer with a roving commission.

LIAR, n. A lawyer with a free pass.

LIBERTY, n. One of Imagination's most precious possessions.

LIBERTY, n. One of Imagination's most valuable treasures.

  The rising People, hot and out of breath,
  Roared around the palace:  "Liberty or death!"
  "If death will do," the King said, "let me reign;
  You'll have, I'm sure, no reason to complain."
  The crowd, excited and out of breath,  
  Shouted around the palace: "Freedom or death!"  
  "If death is what you want," the King said, "then let me rule;  
  I'm sure you won't have any complaints."  

Martha Braymance

Martha Braymance

LICKSPITTLE, n. A useful functionary, not infrequently found editing a newspaper. In his character of editor he is closely allied to the blackmailer by the tie of occasional identity; for in truth the lickspittle is only the blackmailer under another aspect, although the latter is frequently found as an independent species. Lickspittling is more detestable than blackmailing, precisely as the business of a confidence man is more detestable than that of a highway robber; and the parallel maintains itself throughout, for whereas few robbers will cheat, every sneak will plunder if he dare.

LICKSPITTLE, n. A useful person, often seen editing a newspaper. As an editor, they are closely related to blackmailers by the occasional overlap in role; after all, a lickspittle is just a blackmailer in a different form, even though blackmailers can often function independently. Lickspittling is worse than blackmailing, just like being a con artist is worse than being a highway robber; and the comparison holds true in general, because while few robbers will cheat, every sneak will steal if they get the chance.

LIFE, n. A spiritual pickle preserving the body from decay. We live in daily apprehension of its loss; yet when lost it is not missed. The question, "Is life worth living?" has been much discussed; particularly by those who think it is not, many of whom have written at great length in support of their view and by careful observance of the laws of health enjoyed for long terms of years the honors of successful controversy.

LIFE, n. A spiritual mix that keeps the body from falling apart. We go through life constantly worried about losing it; however, once it's gone, it's not really missed. The question, "Is life worth living?" has been debated a lot, especially by those who believe it isn't. Many of them have written extensively to back up their opinion and, by paying close attention to health, have enjoyed years of winning arguments.

  "Life's not worth living, and that's the truth,"
  Carelessly caroled the golden youth.
  In manhood still he maintained that view
  And held it more strongly the older he grew.
  When kicked by a jackass at eighty-three,
  "Go fetch me a surgeon at once!" cried he.
  "Life's not worth living, and that's the truth,"  
  Carelessly sang the wealthy young man.  
  As an adult, he still believed that idea  
  And felt it even more strongly as he aged.  
  When a donkey kicked him at eighty-three,  
  "Go get me a doctor right now!" he shouted.  

Han Soper

Han Soper

LIGHTHOUSE, n. A tall building on the seashore in which the government maintains a lamp and the friend of a politician.

LIGHTHOUSE, n. A tall structure by the sea where the government keeps a light and the buddy of a politician.

LIMB, n. The branch of a tree or the leg of an American woman.

LIMB, n. A branch of a tree or the leg of an American woman.

  'Twas a pair of boots that the lady bought,
      And the salesman laced them tight
      To a very remarkable height—
  Higher, indeed, than I think he ought—
      Higher than can be right.
  For the Bible declares—but never mind:
      It is hardly fit
  To censure freely and fault to find
  With others for sins that I'm not inclined
      Myself to commit.
  Each has his weakness, and though my own
      Is freedom from every sin,
      It still were unfair to pitch in,
  Discharging the first censorious stone.
  Besides, the truth compels me to say,
  The boots in question were made that way.
  As he drew the lace she made a grimace,
      And blushingly said to him:
  "This boot, I'm sure, is too high to endure,
  It hurts my—hurts my—limb."
  The salesman smiled in a manner mild,
  Like an artless, undesigning child;
  Then, checking himself, to his face he gave
  A look as sorrowful as the grave,
      Though he didn't care two figs
  For her pains and throes,
  As he stroked her toes,
  Remarking with speech and manner just
  Befitting his calling:  "Madam, I trust
      That it doesn't hurt your twigs."
'Twas a pair of boots that the lady bought,  
And the salesman laced them tight  
To a very remarkable height—  
Higher, indeed, than I think he ought—  
Higher than can be right.  
For the Bible declares—but never mind:  
It is hardly fit  
To censure freely and fault to find  
With others for sins that I'm not inclined  
Myself to commit.  
Each has his weakness, and though my own  
Is freedom from every sin,  
It still were unfair to pitch in,  
Discharging the first censorious stone.  
Besides, the truth compels me to say,  
The boots in question were made that way.  
As he drew the lace she made a grimace,  
And blushingly said to him:  
"This boot, I'm sure, is too high to endure,  
It hurts my—hurts my—limb."  
The salesman smiled in a manner mild,  
Like an artless, undesigning child;  
Then, checking himself, to his face he gave  
A look as sorrowful as the grave,  
Though he didn't care two figs  
For her pains and throes,  
As he stroked her toes,  
Remarking with speech and manner just  
Befitting his calling: "Madam, I trust  
That it doesn't hurt your twigs."  

B. Percival Dike

B. Percival Dike

LINEN, n. "A kind of cloth the making of which, when made of hemp, entails a great waste of hemp."—Calcraft the Hangman.

LINEN, n. "A type of fabric that, when made from hemp, involves a lot of wasted hemp."—Calcraft the Hangman.

LITIGANT, n. A person about to give up his skin for the hope of retaining his bones.

LITIGANT, n. A person ready to risk everything for the chance to keep what little they have left.

LITIGATION, n. A machine which you go into as a pig and come out of as a sausage.

LITIGATION, n. A process you enter as a pig and exit as a sausage.

LIVER, n. A large red organ thoughtfully provided by nature to be bilious with. The sentiments and emotions which every literary anatomist now knows to haunt the heart were anciently believed to infest the liver; and even Gascoygne, speaking of the emotional side of human nature, calls it "our hepaticall parte." It was at one time considered the seat of life; hence its name—liver, the thing we live with. The liver is heaven's best gift to the goose; without it that bird would be unable to supply us with the Strasbourg pate.

LIVER, n. A large red organ thoughtfully provided by nature for making us feel nauseous. The feelings and emotions that every modern writer knows to linger in the heart were once thought to infest the liver; even Gascoygne, discussing the emotional side of human nature, referred to it as "our hepaticall parte." At one time, it was believed to be the center of life; hence its name—liver, the thing we live with. The liver is heaven's greatest gift to the goose; without it, that bird wouldn’t be able to produce the Strasbourg pate.

LL.D. Letters indicating the degree Legumptionorum Doctor, one learned in laws, gifted with legal gumption. Some suspicion is cast upon this derivation by the fact that the title was formerly LL.d., and conferred only upon gentlemen distinguished for their wealth. At the date of this writing Columbia University is considering the expediency of making another degree for clergymen, in place of the old D.D.—Damnator Diaboli. The new honor will be known as Sanctorum Custus, and written $$c. The name of the Rev. John Satan has been suggested as a suitable recipient by a lover of consistency, who points out that Professor Harry Thurston Peck has long enjoyed the advantage of a degree.

LL.D. Letters that indicate the degree Legum Doctor, meaning someone who is knowledgeable in laws and has legal acumen. However, there's some doubt about this origin because the title used to be LL.d. and was only given to wealthy gentlemen. At the time of this writing, Columbia University is thinking about creating a new degree for clergymen to replace the old D.D.—Damnator Diaboli. The new honor will be called Sanctorum Custos, and represented as $$c. The name of Rev. John Satan has been proposed as a potential recipient by someone who values consistency, noting that Professor Harry Thurston Peck has long held a degree.

LOCK-AND-KEY, n. The distinguishing device of civilization and enlightenment.

LOCK-AND-KEY, n. The key feature of civilization and progress.

LODGER, n. A less popular name for the Second Person of that delectable newspaper Trinity, the Roomer, the Bedder, and the Mealer.

LODGER, n. A less common term for the Second Person of that enjoyable newspaper Trinity, the Roomer, the Bedder, and the Mealer.

LOGIC, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding. The basic of logic is the syllogism, consisting of a major and a minor premise and a conclusion—thus:

LOGIC, n. The skill of thinking and reasoning while keeping in mind the limitations and flaws of human understanding. The foundation of logic is the syllogism, which includes a major premise, a minor premise, and a conclusion—thus:

Major Premise: Sixty men can do a piece of work sixty times as quickly as one man.

Major Premise: Sixty people can complete a task sixty times faster than one person.

Minor Premise: One man can dig a posthole in sixty seconds; therefore—

Minor Premise: One guy can dig a posthole in sixty seconds; therefore—

Conclusion: Sixty men can dig a posthole in one second.

Conclusion: Sixty men can dig a post hole in one second.

This may be called the syllogism arithmetical, in which, by combining logic and mathematics, we obtain a double certainty and are twice blessed.

This can be called the arithmetic syllogism, where by mixing logic and math, we gain double certainty and are twice blessed.

LOGOMACHY, n. A war in which the weapons are words and the wounds punctures in the swim-bladder of self-esteem—a kind of contest in which, the vanquished being unconscious of defeat, the victor is denied the reward of success.

LOGOMACHY, n. A battle fought with words, leaving emotional scars instead of physical ones—a sort of competition where the loser doesn't realize they've lost, and the winner misses out on the satisfaction of victory.

  'Tis said by divers of the scholar-men
  That poor Salmasius died of Milton's pen.
  Alas! we cannot know if this is true,
  For reading Milton's wit we perish too.
'Tis said by various scholars  
That poor Salmasius died because of Milton's pen.  
Unfortunately, we can't know if this is true,  
For reading Milton's brilliance can be devastating too.

LONGANIMITY, n. The disposition to endure injury with meek forbearance while maturing a plan of revenge.

LONGANIMITY, n. The ability to endure harm with quiet patience while plotting a plan for revenge.

LONGEVITY, n. Uncommon extension of the fear of death.

LONGEVITY, n. An unusual prolongation of the fear of dying.

LOOKING-GLASS, n. A vitreous plane upon which to display a fleeting show for man's disillusion given.

LOOKING-GLASS, n. A glass surface that reflects a brief image meant to reveal human disillusionment.

The King of Manchuria had a magic looking-glass, whereon whoso looked saw, not his own image, but only that of the king. A certain courtier who had long enjoyed the king's favor and was thereby enriched beyond any other subject of the realm, said to the king: "Give me, I pray, thy wonderful mirror, so that when absent out of thine august presence I may yet do homage before thy visible shadow, prostrating myself night and morning in the glory of thy benign countenance, as which nothing has so divine splendor, O Noonday Sun of the Universe!"

The King of Manchuria had a magic mirror, where anyone who looked into it saw not their own reflection, but only that of the king. A certain courtier, who had long enjoyed the king's favor and was therefore wealthier than any other subject in the kingdom, said to the king: "Please give me your wonderful mirror, so that when I’m away from your presence, I can still pay homage to your visible image, bowing down night and morning in the glory of your kind face, which has a divine radiance, O Brightest Sun of the Universe!"

Please with the speech, the king commanded that the mirror be conveyed to the courtier's palace; but after, having gone thither without apprisal, he found it in an apartment where was naught but idle lumber. And the mirror was dimmed with dust and overlaced with cobwebs. This so angered him that he fisted it hard, shattering the glass, and was sorely hurt. Enraged all the more by this mischance, he commanded that the ungrateful courtier be thrown into prison, and that the glass be repaired and taken back to his own palace; and this was done. But when the king looked again on the mirror he saw not his image as before, but only the figure of a crowned ass, having a bloody bandage on one of its hinder hooves—as the artificers and all who had looked upon it had before discerned but feared to report. Taught wisdom and charity, the king restored his courtier to liberty, had the mirror set into the back of the throne and reigned many years with justice and humility; and one day when he fell asleep in death while on the throne, the whole court saw in the mirror the luminous figure of an angel, which remains to this day.

Please with the speech, the king ordered the mirror to be taken to the courtier's palace; but after he went there without notice, he found it in a room filled only with useless junk. The mirror was covered in dust and tangled in cobwebs. This angered him so much that he struck it hard, breaking the glass, and he was badly injured. Even more furious because of this accident, he ordered that the ungrateful courtier be thrown into prison, and that the glass be repaired and returned to his own palace; and this was done. But when the king looked at the mirror again, he didn’t see his reflection as before, but instead the image of a crowned donkey, with a bloody bandage on one of its back hooves—something the craftsmen and everyone who had seen it had noticed before but were afraid to mention. Gaining wisdom and showing mercy, the king set his courtier free, had the mirror installed at the back of the throne, and ruled for many years with justice and humility; and one day, when he died peacefully in his sleep on the throne, the entire court saw in the mirror the shining image of an angel, which remains to this day.

LOQUACITY, n. A disorder which renders the sufferer unable to curb his tongue when you wish to talk.

LOQUACITY, n. A condition that prevents the person from holding back their words when you want to speak.

LORD, n. In American society, an English tourist above the state of a costermonger, as, lord 'Aberdasher, Lord Hartisan and so forth. The traveling Briton of lesser degree is addressed as "Sir," as, Sir 'Arry Donkiboi, or 'Amstead 'Eath. The word "Lord" is sometimes used, also, as a title of the Supreme Being; but this is thought to be rather flattery than true reverence.

LORD, n. In American society, a British tourist of a higher status than a street vendor, such as Lord Aberdasher, Lord Hartisan, and so on. The traveling Englishman of lower rank is referred to as "Sir," like Sir Harry Donkiboi or Hampstead Heath. The term "Lord" is sometimes also used as a title for the Supreme Being; however, this is considered more flattery than genuine respect.

  Miss Sallie Ann Splurge, of her own accord,
  Wedded a wandering English lord—
  Wedded and took him to dwell with her "paw,"
  A parent who throve by the practice of Draw.
  Lord Cadde I don't hesitate to declare
  Unworthy the father-in-legal care
  Of that elderly sport, notwithstanding the truth
  That Cadde had renounced all the follies of youth;
  For, sad to relate, he'd arrived at the stage
  Of existence that's marked by the vices of age.
  Among them, cupidity caused him to urge
  Repeated demands on the pocket of Splurge,
  Till, wrecked in his fortune, that gentleman saw
  Inadequate aid in the practice of Draw,
  And took, as a means of augmenting his pelf,
  To the business of being a lord himself.
  His neat-fitting garments he wilfully shed
  And sacked himself strangely in checks instead;
  Denuded his chin, but retained at each ear
  A whisker that looked like a blasted career.
  He painted his neck an incarnadine hue
  Each morning and varnished it all that he knew.
  The moony monocular set in his eye
  Appeared to be scanning the Sweet Bye-and-Bye.
  His head was enroofed with a billycock hat,
  And his low-necked shoes were aduncous and flat.
  In speech he eschewed his American ways,
  Denying his nose to the use of his A's
  And dulling their edge till the delicate sense
  Of a babe at their temper could take no offence.
  His H's—'twas most inexpressibly sweet,
  The patter they made as they fell at his feet!
  Re-outfitted thus, Mr. Splurge without fear
  Began as Lord Splurge his recouping career.
  Alas, the Divinity shaping his end
  Entertained other views and decided to send
  His lordship in horror, despair and dismay
  From the land of the nobleman's natural prey.
  For, smit with his Old World ways, Lady Cadde
  Fell—suffering Caesar!—in love with her dad!
Miss Sallie Ann Splurge, by her own choice,  
Married a wandering English lord —  
Married him and brought him to live with her "dad,"  
A parent who thrived by playing Draw.  
I don't hesitate to say that Lord Cadde  
Was unworthy of the legal care of a father-in-law,  
Despite the fact that Cadde had given up the follies of youth;  
For, sadly, he had reached the stage  
Of life marked by the vices of age.  
Among them, greed made him constantly push  
For cash from Splurge, which led to his financial crash,  
Until, broke, that gentleman realized  
That the practice of Draw wasn’t enough to help,  
So he decided to increase his wealth  
By pretending to be a lord himself.  
He willingly shed his well-fitting clothes  
And dressed himself strangely in checks instead;  
He shaved his chin but kept on each ear  
A whisker that looked like a failed career.  
He painted his neck a bright red  
Every morning and polished it with all that he knew.  
The single, moonlit eye he had  
Seemed to be staring at the Sweet Bye-and-Bye.  
His head was topped with a bowler hat,  
And his low, low shoes were oddly flat.  
In speech, he avoided his American ways,  
Turning his nose away from his A's  
And dulling their sound until even a baby  
Would find no offense in how they were pronounced.  
His H's — it was incredibly sweet,  
The way they trickled down at his feet!  
Dressed like this, Mr. Splurge confidently  
Started his comeback as Lord Splurge.  
But alas, the Divine plan for his fate  
Had other ideas and decided to send  
His lordship into horror, despair, and dismay  
Far from the land of noblemen's prey.  
For, smitten by his Old World ways, Lady Cadde  
Fell—good heavens!—in love with her dad!

G.J.

G.J.

LORE, n. Learning—particularly that sort which is not derived from a regular course of instruction but comes of the reading of occult books, or by nature. This latter is commonly designated as folk-lore and embraces popularly myths and superstitions. In Baring-Gould's Curious Myths of the Middle Ages the reader will find many of these traced backward, through various peoples on converging lines, toward a common origin in remote antiquity. Among these are the fables of "Teddy the Giant Killer," "The Sleeping John Sharp Williams," "Little Red Riding Hood and the Sugar Trust," "Beauty and the Brisbane," "The Seven Aldermen of Ephesus," "Rip Van Fairbanks," and so forth. The fable which Goethe so affectingly relates under the title of "The Erl-King" was known two thousand years ago in Greece as "The Demos and the Infant Industry." One of the most general and ancient of these myths is that Arabian tale of "Ali Baba and the Forty Rockefellers."

LORE, n. Knowledge—especially that which isn’t learned through formal education but comes from reading obscure books or from experience. This is often called folk lore and includes popular myths and superstitions. In Baring-Gould's Curious Myths of the Middle Ages, readers can trace many of these stories back through different cultures, connecting them to a shared origin in ancient times. Among these are the tales of "Teddy the Giant Killer," "The Sleeping John Sharp Williams," "Little Red Riding Hood and the Sugar Trust," "Beauty and the Brisbane," "The Seven Aldermen of Ephesus," "Rip Van Fairbanks," and others. The story that Goethe movingly tells as "The Erl-King" was known in Greece two thousand years ago as "The Demos and the Infant Industry." One of the most widespread and oldest of these myths is the Arabian story of "Ali Baba and the Forty Rockefellers."

LOSS, n. Privation of that which we had, or had not. Thus, in the latter sense, it is said of a defeated candidate that he "lost his election"; and of that eminent man, the poet Gilder, that he has "lost his mind." It is in the former and more legitimate sense, that the word is used in the famous epitaph:

LOSS, n. The absence of something we either had or didn’t have. So, in the latter sense, it’s said of a defeated candidate that he "lost his election"; and of that notable person, the poet Gilder, that he has "lost his mind." It’s in the former and more accepted sense that the word is used in the well-known epitaph:

  Here Huntington's ashes long have lain
  Whose loss is our eternal gain,
  For while he exercised all his powers
  Whatever he gained, the loss was ours.
  Here Huntington's ashes have long rested  
  Whose loss is our forever gain,  
  For while he used all his abilities  
  Whatever he achieved, the loss was ours.

LOVE, n. A temporary insanity curable by marriage or by removal of the patient from the influences under which he incurred the disorder. This disease, like caries and many other ailments, is prevalent only among civilized races living under artificial conditions; barbarous nations breathing pure air and eating simple food enjoy immunity from its ravages. It is sometimes fatal, but more frequently to the physician than to the patient.

LOVE, n. A temporary madness that can be fixed by marriage or by getting the person away from the influences that caused the problem. This condition, like caries and many other issues, is common only among civilized societies living in artificial environments; uncivilized nations that breathe clean air and eat simple food are immune to its effects. It can sometimes be deadly, but more often it harms the doctor rather than the patient.

LOW-BRED, adj. "Raised" instead of brought up.

LOW-BRED, adj. "Raised" instead of brought up.

LUMINARY, n. One who throws light upon a subject; as an editor by not writing about it.

LUMINARY, n. Someone who sheds light on a topic; like an editor by not discussing it.

LUNARIAN, n. An inhabitant of the moon, as distinguished from Lunatic, one whom the moon inhabits. The Lunarians have been described by Lucian, Locke and other observers, but without much agreement. For example, Bragellos avers their anatomical identity with Man, but Professor Newcomb says they are more like the hill tribes of Vermont.

LUNARIAN, n. A resident of the moon, unlike Lunatic, which refers to someone affected by the moon. Lunarians have been described by Lucian, Locke, and other observers, but there isn't much consensus. For instance, Bragellos claims they are anatomically identical to humans, while Professor Newcomb argues they resemble the hill tribes of Vermont more.

LYRE, n. An ancient instrument of torture. The word is now used in a figurative sense to denote the poetic faculty, as in the following fiery lines of our great poet, Ella Wheeler Wilcox:

LYRE, n. An old instrument of torture. The word is now used in a figurative sense to refer to the poetic ability, as in the following fiery lines of our great poet, Ella Wheeler Wilcox:

  I sit astride Parnassus with my lyre,
  And pick with care the disobedient wire.
  That stupid shepherd lolling on his crook
  With deaf attention scarcely deigns to look.
  I bide my time, and it shall come at length,
  When, with a Titan's energy and strength,
  I'll grab a fistful of the strings, and O,
  The word shall suffer when I let them go!
  I sit on Parnassus with my lyre,  
  And carefully pluck the rebellious string.  
  That clueless shepherd lazily resting on his staff  
  Barely pays attention to me.  
  I’m waiting for my moment, and it will come eventually,  
  When, with a titan's power and might,  
  I’ll grab a handful of strings, and oh,  
  The words will be unleashed when I let them go!  

Farquharson Harris

Farquharson Harris

M

MACE, n. A staff of office signifying authority. Its form, that of a heavy club, indicates its original purpose and use in dissuading from dissent.

MACE, n. A staff used for office that represents authority. Its shape, like a heavy club, reflects its original purpose and function of discouraging opposition.

MACHINATION, n. The method employed by one's opponents in baffling one's open and honorable efforts to do the right thing.

MACHINATION, n. The strategy used by your rivals to undermine your genuine and honorable attempts to do what’s right.

  So plain the advantages of machination
  It constitutes a moral obligation,
  And honest wolves who think upon't with loathing
  Feel bound to don the sheep's deceptive clothing.
  So prospers still the diplomatic art,
  And Satan bows, with hand upon his heart.
So clear are the benefits of scheming  
It becomes a moral duty, it seems,  
And honest wolves who find it repulsive  
Feel they must wear the sheep's disguise, that's conclusive.  
So the art of diplomacy continues to thrive,  
And Satan bows, with his hand on his heart, so alive.

R.S.K.

R.S.K.

MACROBIAN, n. One forgotten of the gods and living to a great age. History is abundantly supplied with examples, from Methuselah to Old Parr, but some notable instances of longevity are less well known. A Calabrian peasant named Coloni, born in 1753, lived so long that he had what he considered a glimpse of the dawn of universal peace. Scanavius relates that he knew an archbishop who was so old that he could remember a time when he did not deserve hanging. In 1566 a linen draper of Bristol, England, declared that he had lived five hundred years, and that in all that time he had never told a lie. There are instances of longevity (macrobiosis) in our own country. Senator Chauncey Depew is old enough to know better. The editor of The American, a newspaper in New York City, has a memory that goes back to the time when he was a rascal, but not to the fact. The President of the United States was born so long ago that many of the friends of his youth have risen to high political and military preferment without the assistance of personal merit. The verses following were written by a macrobian:

MACROBIAN, n. Someone forgotten by the gods and living to an old age. History provides plenty of examples, from Methuselah to Old Parr, but some notable cases of longevity are less known. A Calabrian peasant named Coloni, born in 1753, lived so long that he claimed to have seen a glimpse of the dawn of universal peace. Scanavius mentions knowing an archbishop who was so old that he could remember a time when he didn’t deserve hanging. In 1566, a linen draper from Bristol, England, claimed he had lived for five hundred years and had never told a lie during that time. There are cases of longevity (macrobiosis) in our own country. Senator Chauncey Depew is old enough to know better. The editor of The American, a newspaper in New York City, has memories going back to when he was a troublemaker, but not to the fact. The President of the United States was born so long ago that many friends from his youth have achieved high political and military positions without personal merit. The following verses were written by a macrobian:

  When I was young the world was fair
      And amiable and sunny.
  A brightness was in all the air,
      In all the waters, honey.
      The jokes were fine and funny,
  The statesmen honest in their views,
      And in their lives, as well,
  And when you heard a bit of news
      'Twas true enough to tell.
  Men were not ranting, shouting, reeking,
  Nor women "generally speaking."

  The Summer then was long indeed:
      It lasted one whole season!
  The sparkling Winter gave no heed
      When ordered by Unreason
      To bring the early peas on.
  Now, where the dickens is the sense
      In calling that a year
  Which does no more than just commence
      Before the end is near?
  When I was young the year extended
  From month to month until it ended.
  I know not why the world has changed
      To something dark and dreary,
  And everything is now arranged
      To make a fellow weary.
      The Weather Man—I fear he
  Has much to do with it, for, sure,
      The air is not the same:
  It chokes you when it is impure,
      When pure it makes you lame.
  With windows closed you are asthmatic;
  Open, neuralgic or sciatic.

  Well, I suppose this new regime
      Of dun degeneration
  Seems eviler than it would seem
      To a better observation,
      And has for compensation
  Some blessings in a deep disguise
      Which mortal sight has failed
  To pierce, although to angels' eyes
      They're visible unveiled.
  If Age is such a boon, good land!
  He's costumed by a master hand!
When I was young, the world was fair  
      And friendly and bright.  
  There was a glow in the air,  
      In all the waters, sweet as honey.  
      The jokes were clever and funny,  
  The politicians honest in their beliefs,  
      And in their lives, too,  
  And when you heard some news,  
      It was true enough to share.  
  Men weren't ranting, shouting, or toxic,  
  Nor were women, for that matter.  

  Back then, summer lasted a long time:  
      A whole season, for sure!  
  Winter didn't mind at all  
      When told by irrationality  
  To bring the early peas.  
  Now, what’s the logic  
      In calling that a year  
  Which barely starts  
      Before it’s almost over?  
  When I was young, the year stretched  
  From month to month until it finished.  
  I don't understand why the world has changed  
      To something dark and gloomy,  
  And everything now seems set up  
      To make a person tired.  
      The Weather Guy—I’m afraid he  
  Has a big part in it because, honestly,  
      The air isn’t the same:  
  It suffocates you when it’s dirty,  
      When it’s clean, it makes you feel weak.  
  With windows closed, you feel asthmatic;  
  Open, you get neuralgia or sciatica.  

  Well, I guess this new order  
      Of dull decline  
  Seems worse than it really is  
      With a better perspective,  
  And it has hidden blessings  
  That we can’t see,  
      Though angels can see them clearly.  
  If aging is such a gift, good grief!  
  He’s dressed up by a master artist!

Venable Strigg

Venable Strigg

MAD, adj. Affected with a high degree of intellectual independence; not conforming to standards of thought, speech and action derived by the conformants from study of themselves; at odds with the majority; in short, unusual. It is noteworthy that persons are pronounced mad by officials destitute of evidence that themselves are sane. For illustration, this present (and illustrious) lexicographer is no firmer in the faith of his own sanity than is any inmate of any madhouse in the land; yet for aught he knows to the contrary, instead of the lofty occupation that seems to him to be engaging his powers he may really be beating his hands against the window bars of an asylum and declaring himself Noah Webster, to the innocent delight of many thoughtless spectators.

MAD, adj. Having a high level of intellectual independence; not following the standards of thought, speech, and actions that those who conform set for themselves; at odds with the majority; in short, unusual. It's interesting to note that people are labeled mad by officials who have no proof that they themselves are sane. For example, this current (and well-known) lexicographer is no more certain of his own sanity than any resident of a mental institution; yet for all he knows, instead of engaging in the noble work he thinks he is doing, he might actually be banging his hands against the window bars of an asylum and claiming to be Noah Webster, much to the innocent amusement of many careless onlookers.

MAGDALENE, n. An inhabitant of Magdala. Popularly, a woman found out. This definition of the word has the authority of ignorance, Mary of Magdala being another person than the penitent woman mentioned by St. Luke. It has also the official sanction of the governments of Great Britain and the United States. In England the word is pronounced Maudlin, whence maudlin, adjective, unpleasantly sentimental. With their Maudlin for Magdalene, and their Bedlam for Bethlehem, the English may justly boast themselves the greatest of revisers.

MAGDALENE, n. A resident of Magdala. Commonly, a woman who has been exposed. This definition arises from misunderstanding, as Mary of Magdala is a different person from the repentant woman mentioned by St. Luke. It is also officially recognized by the governments of Great Britain and the United States. In England, the word is pronounced Maudlin, which leads to the adjective maudlin, meaning excessively sentimental. With their Maudlin for Magdalene and their Bedlam for Bethlehem, the English can proudly claim to be the greatest of reinterpreters.

MAGIC, n. An art of converting superstition into coin. There are other arts serving the same high purpose, but the discreet lexicographer does not name them.

MAGIC, n. An art of turning superstition into money. There are other arts that achieve the same goal, but the careful dictionary writer does not mention them.

MAGNET, n. Something acted upon by magnetism.

MAGNET, n. Something that is influenced by magnetism.

MAGNETISM, n. Something acting upon a magnet.

MAGNETISM, n. Something that affects a magnet.

The two definitions immediately foregoing are condensed from the works of one thousand eminent scientists, who have illuminated the subject with a great white light, to the inexpressible advancement of human knowledge.

The two definitions right before this one are summarized from the works of one thousand prominent scientists, who have shed a brilliant light on the subject, greatly advancing human knowledge.

MAGNIFICENT, adj. Having a grandeur or splendor superior to that to which the spectator is accustomed, as the ears of an ass, to a rabbit, or the glory of a glowworm, to a maggot.

MAGNIFICENT, adj. Having a grandeur or splendor that exceeds what the viewer is used to, like the ears of a donkey compared to a rabbit, or the beauty of a glowworm compared to a maggot.

MAGNITUDE, n. Size. Magnitude being purely relative, nothing is large and nothing small. If everything in the universe were increased in bulk one thousand diameters nothing would be any larger than it was before, but if one thing remain unchanged all the others would be larger than they had been. To an understanding familiar with the relativity of magnitude and distance the spaces and masses of the astronomer would be no more impressive than those of the microscopist. For anything we know to the contrary, the visible universe may be a small part of an atom, with its component ions, floating in the life-fluid (luminiferous ether) of some animal. Possibly the wee creatures peopling the corpuscles of our own blood are overcome with the proper emotion when contemplating the unthinkable distance from one of these to another.

MAGNITUDE, n. Size. Since magnitude is purely relative, nothing is large and nothing is small. If everything in the universe were to increase in size by one thousand times, nothing would be any larger than it was before, but if one thing stayed the same, all the others would appear larger than they had been. To someone who understands the relativity of size and distance, the vast spaces and masses of astronomers wouldn't seem any more impressive than those of microscopists. For all we know, the visible universe could be just a tiny part of an atom, with its components floating in the life-fluid (luminiferous ether) of some creature. It's possible that the tiny beings living in the corpuscles of our own blood are filled with the same feelings when they think about the unimaginable distance from one to another.

MAGPIE, n. A bird whose thievish disposition suggested to someone that it might be taught to talk.

MAGPIE, n. A bird known for its sneaky behavior, which led someone to think that it could be taught to talk.

MAIDEN, n. A young person of the unfair sex addicted to clewless conduct and views that madden to crime. The genus has a wide geographical distribution, being found wherever sought and deplored wherever found. The maiden is not altogether unpleasing to the eye, nor (without her piano and her views) insupportable to the ear, though in respect to comeliness distinctly inferior to the rainbow, and, with regard to the part of her that is audible, bleaten out of the field by the canary—which, also, is more portable.

MAIDEN, n. A young person of the unfair sex prone to aimless behavior and ideas that drive one to crime. This group is widely distributed, being found wherever sought and lamented wherever encountered. The maiden isn't completely unappealing to look at, nor (without her piano and her opinions) unbearable to listen to, though in terms of beauty, she is clearly inferior to a rainbow, and, in terms of her audible qualities, easily overshadowed by a canary—which, by the way, is also more portable.

  A lovelorn maiden she sat and sang—
      This quaint, sweet song sang she;
  "It's O for a youth with a football bang
      And a muscle fair to see!
              The Captain he
              Of a team to be!
  On the gridiron he shall shine,
  A monarch by right divine,
      And never to roast on it—me!"
  A heartbroken girl sat and sang—  
      This charming, sweet song she sang;  
  "Oh, for a guy with a football slam  
      And a nice physique to show!  
              The Captain, he  
              Of a team to be!  
  On the field, he’ll stand out,  
  A king by his natural right,  
      And never to roast on it—me!"  

Opoline Jones

Opaline Jones

MAJESTY, n. The state and title of a king. Regarded with a just contempt by the Most Eminent Grand Masters, Grand Chancellors, Great Incohonees and Imperial Potentates of the ancient and honorable orders of republican America.

MAJESTY, n. The status and title of a king. Viewed with appropriate disdain by the Most Eminent Grand Masters, Grand Chancellors, Great Incohonees, and Imperial Potentates of the ancient and honorable orders of republican America.

MALE, n. A member of the unconsidered, or negligible sex. The male of the human race is commonly known (to the female) as Mere Man. The genus has two varieties: good providers and bad providers.

MALE, n. A member of the overlooked or insignificant sex. The male of the human race is often referred to (by the female) as Just a Man. This group has two types: good providers and bad providers.

MALEFACTOR, n. The chief factor in the progress of the human race.

MALEFACTOR, n. The main contributor to the advancement of humanity.

MALTHUSIAN, adj. Pertaining to Malthus and his doctrines. Malthus believed in artificially limiting population, but found that it could not be done by talking. One of the most practical exponents of the Malthusian idea was Herod of Judea, though all the famous soldiers have been of the same way of thinking.

MALTHUSIAN, adj. Relating to Malthus and his beliefs. Malthus believed in the need to control population growth but realized that it couldn’t be achieved just by discussing it. One of the most practical advocates of the Malthusian concept was Herod of Judea, although many famous military leaders have shared similar views.

MAMMALIA, n.pl. A family of vertebrate animals whose females in a state of nature suckle their young, but when civilized and enlightened put them out to nurse, or use the bottle.

MAMMALIA, n.pl. A group of vertebrate animals whose females naturally nurse their young, but when domesticated and educated, hire someone to nurse them or use formula.

MAMMON, n. The god of the world's leading religion. The chief temple is in the holy city of New York.

MAMMON, n. The god of the world's dominant religion. The main temple is in the holy city of New York.

  He swore that all other religions were gammon,
  And wore out his knees in the worship of Mammon.
He claimed that all other religions were a joke,  
And wore out his knees in the worship of money.

Jared Oopf

Jared Oopf

MAN, n. An animal so lost in rapturous contemplation of what he thinks he is as to overlook what he indubitably ought to be. His chief occupation is extermination of other animals and his own species, which, however, multiplies with such insistent rapidity as to infest the whole habitable earth and Canada.

MAN, n. A creature so caught up in daydreams of what he believes he is that he fails to see what he clearly should be. His main activity is wiping out other creatures and his own kind, which, nonetheless, reproduces with such relentless speed that it overruns the entire livable planet and Canada.

  When the world was young and Man was new,
      And everything was pleasant,
  Distinctions Nature never drew
      'Mongst kings and priest and peasant.
      We're not that way at present,
  Save here in this Republic, where
      We have that old regime,
  For all are kings, however bare
      Their backs, howe'er extreme
  Their hunger.  And, indeed, each has a voice
  To accept the tyrant of his party's choice.

  A citizen who would not vote,
      And, therefore, was detested,
  Was one day with a tarry coat
      (With feathers backed and breasted)
      By patriots invested.
  "It is your duty," cried the crowd,
      "Your ballot true to cast
  For the man o' your choice."  He humbly bowed,
      And explained his wicked past:
  "That's what I very gladly would have done,
  Dear patriots, but he has never run."
  When the world was young and humanity was new,  
      And everything was enjoyable,  
  Nature made no distinctions  
      Among kings, priests, and peasants.  
      We’re not like that anymore,  
  Except here in this Republic, where  
      We still have that old system,  
  Because everyone is a king, no matter how poor  
      Their clothes may be, or how severe  
  Their hunger. And, truthfully, everyone has a voice  
  To accept the tyrant chosen by their party.  
  
  A citizen who refused to vote,  
      And was therefore hated,  
  Was one day dressed in tar  
      (With feathers on his coat)  
      By patriots who took action.  
  “It’s your duty,” shouted the crowd,  
      “To cast your vote  
  For the man of your choice.” He humbly bowed,  
      And explained his troublesome history:  
  “That’s what I would have gladly done,  
  Dear patriots, but he has never run.”

Apperton Duke

Apperton Duke

MANES, n. The immortal parts of dead Greeks and Romans. They were in a state of dull discomfort until the bodies from which they had exhaled were buried and burned; and they seem not to have been particularly happy afterward.

MANES, n. The eternal spirits of deceased Greeks and Romans. They were in a state of dull discomfort until the bodies from which they had departed were buried and cremated; and they don't appear to have been particularly happy afterward.

MANICHEISM, n. The ancient Persian doctrine of an incessant warfare between Good and Evil. When Good gave up the fight the Persians joined the victorious Opposition.

MANICHEISM, n. The ancient Persian belief in a constant battle between Good and Evil. When Good stopped fighting, the Persians sided with the winning Opposition.

MANNA, n. A food miraculously given to the Israelites in the wilderness. When it was no longer supplied to them they settled down and tilled the soil, fertilizing it, as a rule, with the bodies of the original occupants.

MANNA, n. A food that was miraculously provided to the Israelites in the wilderness. When it was no longer given to them, they settled down and farmed the land, usually enriching it with the remains of the original inhabitants.

MARRIAGE, n. The state or condition of a community consisting of a master, a mistress and two slaves, making in all, two.

MARRIAGE, n. The state or condition of a community made up of one partner, another partner, and two dependents, totaling four individuals.

MARTYR, n. One who moves along the line of least reluctance to a desired death.

MARTYR, n. Someone who takes the easiest path toward a chosen death.

MATERIAL, adj. Having an actual existence, as distinguished from an imaginary one. Important.

MATERIAL, adj. Actually existing, as opposed to being imaginary. Significant.

  Material things I know, or feel, or see;
  All else is immaterial to me.
  I know, feel, or see material things;  
  Everything else doesn't matter to me.

Jamrach Holobom

Jamrach Holobom

MAUSOLEUM, n. The final and funniest folly of the rich.

MAUSOLEUM, n. The ultimate and most entertaining mistake of the wealthy.

MAYONNAISE, n. One of the sauces which serve the French in place of a state religion.

MAYONNAISE, n. One of the sauces that the French use instead of a state religion.

ME, pro. The objectionable case of I. The personal pronoun in English has three cases, the dominative, the objectionable and the oppressive. Each is all three.

ME, pro. The problematic case of I. The personal pronoun in English has three cases: the nominative, the accusative, and the genitive. Each one encompasses all three.

MEANDER, n. To proceed sinuously and aimlessly. The word is the ancient name of a river about one hundred and fifty miles south of Troy, which turned and twisted in the effort to get out of hearing when the Greeks and Trojans boasted of their prowess.

MEANDER, n. To move in a winding and aimless way. The term comes from the name of a river located about one hundred and fifty miles south of Troy, which curved and twisted in its attempt to escape the sound of the Greeks and Trojans bragging about their abilities.

MEDAL, n. A small metal disk given as a reward for virtues, attainments or services more or less authentic.

MEDAL, n. A small metal disc awarded as a reward for virtues, achievements, or services that are somewhat legitimate.

It is related of Bismark, who had been awarded a medal for gallantly rescuing a drowning person, that, being asked the meaning of the medal, he replied: "I save lives sometimes." And sometimes he didn't.

It’s said that Bismarck, who received a medal for bravely saving someone from drowning, was asked about the meaning of the medal. He responded, "I save lives sometimes." And sometimes he didn’t.

MEDICINE, n. A stone flung down the Bowery to kill a dog in Broadway.

MEDICINE, n. A rock thrown down the Bowery to hit a dog on Broadway.

MEEKNESS, n. Uncommon patience in planning a revenge that is worth while.

MEEKNESS, n. Rare patience in plotting revenge that is truly worthwhile.

  M is for Moses,
      Who slew the Egyptian.
  As sweet as a rose is
  The meekness of Moses.
  No monument shows his
      Post-mortem inscription,
  But M is for Moses
      Who slew the Egyptian.
  M is for Moses,  
      Who killed the Egyptian.  
  As sweet as a rose is  
  The gentleness of Moses.  
  No monument displays his  
      After-death inscription,  
  But M is for Moses  
      Who killed the Egyptian.  

The Biographical Alphabet

The Biographical Alphabet

MEERSCHAUM, n. (Literally, seafoam, and by many erroneously supposed to be made of it.) A fine white clay, which for convenience in coloring it brown is made into tobacco pipes and smoked by the workmen engaged in that industry. The purpose of coloring it has not been disclosed by the manufacturers.

MEERSCHAUM, n. (Literally, seafoam, and mistakenly believed by many to be made from it.) A fine white clay that is molded into tobacco pipes, which are then smoked by the workers in that trade for easier coloring. The reason for coloring it has not been revealed by the manufacturers.

  There was a youth (you've heard before,
      This woeful tale, may be),
  Who bought a meerschaum pipe and swore
      That color it would he!

  He shut himself from the world away,
      Nor any soul he saw.
  He smoked by night, he smoked by day,
      As hard as he could draw.

  His dog died moaning in the wrath
      Of winds that blew aloof;
  The weeds were in the gravel path,
      The owl was on the roof.

  "He's gone afar, he'll come no more,"
      The neighbors sadly say.
  And so they batter in the door
      To take his goods away.

  Dead, pipe in mouth, the youngster lay,
      Nut-brown in face and limb.
  "That pipe's a lovely white," they say,
      "But it has colored him!"

  The moral there's small need to sing—
      'Tis plain as day to you:
  Don't play your game on any thing
      That is a gamester too.
There was a young man (you’ve heard this sad story before),
    Who bought a meerschaum pipe and promised
    That it would change color for him!

He shut himself off from the world,
    And didn’t see anyone.
He smoked day and night,
    As hard as he could.

His dog died, howling in the fierce
    Winds that blew in from afar;
    Weeds grew in the gravel path,
    And an owl perched on the roof.

“He’s gone away, and won’t return,”
    The neighbors say sadly.
And so they break down the door
    To take his belongings.

Dead, pipe in his mouth, the young man lay,
    His skin brown from exposure.
“That pipe’s so beautifully white,” they say,
    “But it’s changed him!”

There’s really no need to sing a moral here—
    It’s clear as day to you:
Don’t gamble with things
    That are risky too.

Martin Bulstrode

Martin Bulstrode

MENDACIOUS, adj. Addicted to rhetoric.

MENDACIOUS, adj. Addicted to persuasion.

MERCHANT, n. One engaged in a commercial pursuit. A commercial pursuit is one in which the thing pursued is a dollar.

MERCHANT, n. A person involved in business. A business is where the goal is to make money.

MERCY, n. An attribute beloved of detected offenders.

MERCY, n. A quality favored by caught criminals.

MESMERISM, n. Hypnotism before it wore good clothes, kept a carriage and asked Incredulity to dinner.

MESMERISM, n. Hypnotism before it dressed up, had a fancy car, and invited Doubters over for dinner.

METROPOLIS, n. A stronghold of provincialism.

METROPOLIS, n. A hub of local attitudes.

MILLENNIUM, n. The period of a thousand years when the lid is to be screwed down, with all reformers on the under side.

MILLENNIUM, n. The time span of a thousand years when the lid is meant to be tightened, trapping all the reformers beneath it.

MIND, n. A mysterious form of matter secreted by the brain. Its chief activity consists in the endeavor to ascertain its own nature, the futility of the attempt being due to the fact that it has nothing but itself to know itself with. From the Latin mens, a fact unknown to that honest shoe-seller, who, observing that his learned competitor over the way had displayed the motto "Mens conscia recti," emblazoned his own front with the words "Men's, women's and children's conscia recti."

MIND, n. A mysterious type of matter produced by the brain. Its main job is to try to understand its own nature, which is pointless because it only has itself to understand itself. From the Latin mens, a fact that went over the head of that honest shoe seller who, noticing that his educated rival across the street displayed the motto "Mens conscia recti," decorated his own store with the words "Men's, women's and children's conscia recti."

MINE, adj. Belonging to me if I can hold or seize it.

MINE, adj. Belonging to me if I can grab it or take control of it.

MINISTER, n. An agent of a higher power with a lower responsibility. In diplomacy an officer sent into a foreign country as the visible embodiment of his sovereign's hostility. His principal qualification is a degree of plausible inveracity next below that of an ambassador.

MINISTER, n. An agent of a higher power with a lower responsibility. In diplomacy, an officer sent to a foreign country as the visible representation of his ruler's hostility. His main qualification is a level of believable dishonesty just below that of an ambassador.

MINOR, adj. Less objectionable.

MINOR, adj. Less problematic.

MINSTREL, adj. Formerly a poet, singer or musician; now a nigger with a color less than skin deep and a humor more than flesh and blood can bear.

MINSTREL, adj. Once referred to a poet, singer, or musician; now it's a term for a black person with a skin tone that goes deeper than just the surface and a sense of humor that exceeds what flesh and blood can handle.

MIRACLE, n. An act or event out of the order of nature and unaccountable, as beating a normal hand of four kings and an ace with four aces and a king.

MIRACLE, n. An act or event that defies the natural order and can't be explained, like beating a standard hand of four kings and an ace with four aces and a king.

MISCREANT, n. A person of the highest degree of unworth. Etymologically, the word means unbeliever, and its present signification may be regarded as theology's noblest contribution to the development of our language.

MISCREANT, n. A person of the greatest degree of unworthiness. Etymologically, the word means unbeliever, and its current meaning can be seen as theology's most significant contribution to the evolution of our language.

MISDEMEANOR, n. An infraction of the law having less dignity than a felony and constituting no claim to admittance into the best criminal society.

MISDEMEANOR, n. A violation of the law that is less serious than a felony and does not qualify for membership in the top-tier criminal circles.

  By misdemeanors he essays to climb
  Into the aristocracy of crime.
  O, woe was him!—with manner chill and grand
  "Captains of industry" refused his hand,
  "Kings of finance" denied him recognition
  And "railway magnates" jeered his low condition.
  He robbed a bank to make himself respected.
  They still rebuffed him, for he was detected.
  By committing small crimes, he tries to rise
  Into the upper class of criminality.
  Oh, how unfortunate he was!—with a cold and regal manner
  "Captains of industry" turned him away,
  "Kings of finance" ignored him,
  And "railway magnates" mocked his low status.
  He robbed a bank to earn some respect.
  They still rejected him, since he was caught.

S.V. Hanipur

S.V. Hanipur

MISERICORDE, n. A dagger which in mediaeval warfare was used by the foot soldier to remind an unhorsed knight that he was mortal.

MISERICORDE, n. A dagger that in medieval warfare was used by foot soldiers to remind an unhorsed knight that he was human.

MISFORTUNE, n. The kind of fortune that never misses.

MISFORTUNE, n. The type of fortune that always hits.

MISS, n. The title with which we brand unmarried women to indicate that they are in the market. Miss, Missis (Mrs.) and Mister (Mr.) are the three most distinctly disagreeable words in the language, in sound and sense. Two are corruptions of Mistress, the other of Master. In the general abolition of social titles in this our country they miraculously escaped to plague us. If we must have them let us be consistent and give one to the unmarried man. I venture to suggest Mush, abbreviated to Mh.

MISS, n. The title we use for unmarried women to show that they're available. Miss, Missis (Mrs.), and Mister (Mr.) are the three most unpleasant words in the language, both in sound and meaning. Two are variations of Mistress, and the other is a variation of Master. In the overall removal of social titles in our country, these somehow survived to bother us. If we're going to have them, let's be fair and give one to unmarried men. I propose Mush, shortened to Mh.

MOLECULE, n. The ultimate, indivisible unit of matter. It is distinguished from the corpuscle, also the ultimate, indivisible unit of matter, by a closer resemblance to the atom, also the ultimate, indivisible unit of matter. Three great scientific theories of the structure of the universe are the molecular, the corpuscular and the atomic. A fourth affirms, with Haeckel, the condensation of precipitation of matter from ether—whose existence is proved by the condensation of precipitation. The present trend of scientific thought is toward the theory of ions. The ion differs from the molecule, the corpuscle and the atom in that it is an ion. A fifth theory is held by idiots, but it is doubtful if they know any more about the matter than the others.

MOLECULE, n. The smallest, indivisible unit of matter. It’s set apart from the corpuscle, which is also the smallest, indivisible unit of matter, by being more similar to the atom, which is also the smallest, indivisible unit of matter. Three major scientific theories about the universe's structure are the molecular, the corpuscular, and the atomic. A fourth, supported by Haeckel, suggests that matter condenses from ether, whose existence is demonstrated by this condensation. Currently, scientific thinking is shifting towards the ion theory. The ion is different from the molecule, the corpuscle, and the atom in that it is an ion. A fifth theory is believed by fools, but it’s questionable whether they understand the topic any better than the others.

MONAD, n. The ultimate, indivisible unit of matter. (See Molecule.) According to Leibnitz, as nearly as he seems willing to be understood, the monad has body without bulk, and mind without manifestation—Leibnitz knows him by the innate power of considering. He has founded upon him a theory of the universe, which the creature bears without resentment, for the monad is a gentleman. Small as he is, the monad contains all the powers and possibilities needful to his evolution into a German philosopher of the first class —altogether a very capable little fellow. He is not to be confounded with the microbe, or bacillus; by its inability to discern him, a good microscope shows him to be of an entirely distinct species.

MONAD, n. The ultimate, indivisible unit of matter. (See Molecule.) According to Leibnitz, as much as he seems willing to be understood, the monad has body without bulk and mind without manifestation—Leibnitz recognizes it by the innate ability to contemplate. He has based a theory of the universe on it, which the creature accepts without complaint, for the monad is a gentleman. Small as it is, the monad holds all the powers and possibilities needed for it to evolve into a top-tier German philosopher—truly a very capable little being. It should not be confused with the microbe or bacillus; a good microscope, unable to detect it, shows that it belongs to a completely different category.

MONARCH, n. A person engaged in reigning. Formerly the monarch ruled, as the derivation of the word attests, and as many subjects have had occasion to learn. In Russia and the Orient the monarch has still a considerable influence in public affairs and in the disposition of the human head, but in western Europe political administration is mostly entrusted to his ministers, he being somewhat preoccupied with reflections relating to the status of his own head.

MONARCH, n. Someone who is in charge of ruling. In the past, the monarch had complete control, as the origin of the word suggests, and many subjects have experienced this firsthand. In Russia and the East, the monarch still holds significant influence over public matters and issues of life and death, but in Western Europe, political decisions are mostly left to their ministers, while the monarch is often preoccupied with thoughts about their own position.

MONARCHICAL GOVERNMENT, n. Government.

MONARCHICAL GOVERNMENT, n. Monarchy.

MONDAY, n. In Christian countries, the day after the baseball game.

MONDAY, n. In Christian countries, the day after the baseball game.

MONEY, n. A blessing that is of no advantage to us excepting when we part with it. An evidence of culture and a passport to polite society. Supportable property.

MONEY, n. A blessing that's only useful when we spend it. A sign of refinement and a ticket to civilized social circles. Something you can rely on.

MONKEY, n. An arboreal animal which makes itself at home in genealogical trees.

MONKEY, n. A tree-dwelling animal that settles comfortably in family trees.

MONOSYLLABIC, adj. Composed of words of one syllable, for literary babes who never tire of testifying their delight in the vapid compound by appropriate googoogling. The words are commonly Saxon—that is to say, words of a barbarous people destitute of ideas and incapable of any but the most elementary sentiments and emotions.

MONOSYLLABIC, adj. Made up of words that have just one syllable, for literary beginners who never get tired of expressing their joy in the bland mix by appropriate cooing. The words are usually Saxon—that is to say, words from a primitive people lacking in ideas and only able to convey the most basic feelings and emotions.

  The man who writes in Saxon
  Is the man to use an ax on
The guy who writes in Saxon  
Is the guy to use an ax on  

Judibras

Judibras

MONSIGNOR, n. A high ecclesiastical title, of which the Founder of our religion overlooked the advantages.

MONSIGNOR, n. A high church title that the Founder of our religion didn’t see the benefits of.

MONUMENT, n. A structure intended to commemorate something which either needs no commemoration or cannot be commemorated.

MONUMENT, n. A structure meant to honor something that either doesn't need honoring or can't be honored.

  The bones of Agammemnon are a show,
  And ruined is his royal monument,
The remains of Agamemnon are on display,  
And his royal monument is in ruins,

but Agammemnon's fame suffers no diminution in consequence. The monument custom has its reductiones ad absurdum in monuments "to the unknown dead"—that is to say, monuments to perpetuate the memory of those who have left no memory.

but Agamemnon's fame doesn't decrease because of this. The tradition has its reductiones ad absurdum in monuments "to the unknown dead"—in other words, monuments meant to keep alive the memory of those who are unremembered.

MORAL, adj.  Conforming to a local and mutable standard of right.
Having the quality of general expediency.

  It is sayd there be a raunge of mountaynes in the Easte, on
  one syde of the which certayn conducts are immorall, yet on the other
  syde they are holden in good esteeme; wherebye the mountayneer is much
  conveenyenced, for it is given to him to goe downe eyther way and act
  as it shall suite his moode, withouten offence.

  Gooke's Meditations
MORAL, adj.  In line with a local and changing standard of what’s right.  
Having the quality of general usefulness.

  It is said there is a range of mountains in the East, on one side of which certain actions are considered immoral, yet on the other side they are regarded positively; this gives the mountain dweller a lot of flexibility, as they can go down either way and act according to their mood without causing any offense.

  Gooke's Meditations

MORE, adj. The comparative degree of too much.

MORE, adj. The comparative form of too much.

MOUSE, n. An animal which strews its path with fainting women. As in Rome Christians were thrown to the lions, so centuries earlier in Otumwee, the most ancient and famous city of the world, female heretics were thrown to the mice. Jakak-Zotp, the historian, the only Otumwump whose writings have descended to us, says that these martyrs met their death with little dignity and much exertion. He even attempts to exculpate the mice (such is the malice of bigotry) by declaring that the unfortunate women perished, some from exhaustion, some of broken necks from falling over their own feet, and some from lack of restoratives. The mice, he avers, enjoyed the pleasures of the chase with composure. But if "Roman history is nine-tenths lying," we can hardly expect a smaller proportion of that rhetorical figure in the annals of a people capable of so incredible cruelty to lovely women; for a hard heart has a false tongue.

MOUSE, n. An animal that leaves a trail of fainting women in its wake. Just like in Rome where Christians were fed to the lions, centuries earlier in Otumwee, the oldest and most famous city in the world, female heretics were fed to the mice. Jakak-Zotp, the historian, the only Otumwump whose writings have survived, claims that these martyrs faced their deaths with little dignity and a lot of struggle. He even tries to defend the mice (such is the cruelty of prejudice) by stating that the unfortunate women died, some from exhaustion, some from broken necks after tripping over their own feet, and some from lack of medical help. The mice, he asserts, calmly enjoyed the thrill of the chase. But if "Roman history is nine-tenths lying," we can hardly expect a smaller percentage of that rhetorical trickery in the records of a people capable of such unbelievable cruelty to beautiful women; for a hard heart has a deceptive tongue.

MOUSQUETAIRE, n. A long glove covering a part of the arm. Worn in New Jersey. But "mousquetaire" is a mighty poor way to spell muskeeter.

MOUSQUETAIRE, n. A long glove that covers part of the arm. Worn in New Jersey. But "mousquetaire" is a really bad way to spell mosquito.

MOUTH, n. In man, the gateway to the soul; in woman, the outlet of the heart.

MOUTH, n. In a man, the entrance to the soul; in a woman, the expression of the heart.

MUGWUMP, n. In politics one afflicted with self-respect and addicted to the vice of independence. A term of contempt.

MUGWUMP, n. In politics, a person who has self-respect and is hooked on the habit of independence. A derogatory term.

MULATTO, n. A child of two races, ashamed of both.

MULATTO, n. A child of two races, feeling ashamed of both.

MULTITUDE, n. A crowd; the source of political wisdom and virtue. In a republic, the object of the statesman's adoration. "In a multitude of counsellors there is wisdom," saith the proverb. If many men of equal individual wisdom are wiser than any one of them, it must be that they acquire the excess of wisdom by the mere act of getting together. Whence comes it? Obviously from nowhere—as well say that a range of mountains is higher than the single mountains composing it. A multitude is as wise as its wisest member if it obey him; if not, it is no wiser than its most foolish.

MULTITUDE, n. A crowd; the source of political insight and virtue. In a republic, the focus of a statesman's admiration. "In a multitude of advisors there is wisdom," says the saying. If many individuals with equal wisdom are smarter than any one of them alone, it must be that they gain this extra wisdom simply by being together. Where does it come from? Clearly from nowhere—just as you wouldn't say a range of mountains is taller than the individual mountains that make it up. A multitude is as wise as its smartest member if they follow him; if not, it is no wiser than its most foolish member.

MUMMY, n. An ancient Egyptian, formerly in universal use among modern civilized nations as medicine, and now engaged in supplying art with an excellent pigment. He is handy, too, in museums in gratifying the vulgar curiosity that serves to distinguish man from the lower animals.

MUMMY, n. An ancient Egyptian, once widely used as medicine by modern civilized nations, and now providing art with a great pigment. He is also useful in museums, satisfying the common curiosity that sets humans apart from lower animals.

  By means of the Mummy, mankind, it is said,
  Attests to the gods its respect for the dead.
  We plunder his tomb, be he sinner or saint,
  Distil him for physic and grind him for paint,
  Exhibit for money his poor, shrunken frame,
  And with levity flock to the scene of the shame.
  O, tell me, ye gods, for the use of my rhyme:
  For respecting the dead what's the limit of time?
  Through the Mummy, humanity, it is said,  
  Shows the gods its respect for the dead.  
  We loot his tomb, whether he’s a sinner or saint,  
  Extract him for medicine and grind him for paint,  
  Display his poor, shrunken body for cash,  
  And casually gather at this shameful bash.  
  Oh, tell me, you gods, for the sake of my rhyme:  
  How long is it appropriate to respect the dead over time?  

Scopas Brune

Scopas Brune

MUSTANG, n. An indocile horse of the western plains. In English society, the American wife of an English nobleman.

MUSTANG, n. A wild horse from the western plains. In English society, the American wife of an English nobleman.

MYRMIDON, n. A follower of Achilles—particularly when he didn't lead.

MYRMIDON, n. A follower of Achilles—especially when he wasn't in charge.

MYTHOLOGY, n. The body of a primitive people's beliefs concerning its origin, early history, heroes, deities and so forth, as distinguished from the true accounts which it invents later.

MYTHOLOGY, n. The collection of a primitive people's beliefs about its origin, early history, heroes, gods, and so on, as opposed to the factual stories it creates later on.

N

NECTAR, n. A drink served at banquets of the Olympian deities. The secret of its preparation is lost, but the modern Kentuckians believe that they come pretty near to a knowledge of its chief ingredient.

NECTAR, n. A drink served at the feasts of the Olympian gods. The recipe for making it is lost, but modern Kentuckians believe they have a good idea of its main ingredient.

  Juno drank a cup of nectar,
  But the draught did not affect her.
  Juno drank a cup of rye—
  Then she bad herself good-bye.
  Juno sipped a cup of nectar,  
  But the drink didn't change her.  
  Juno had a shot of rye—  
  Then she told herself goodbye.  

J.G.

J.G.

NEGRO, n. The piece de resistance in the American political problem. Representing him by the letter n, the Republicans begin to build their equation thus: "Let n = the white man." This, however, appears to give an unsatisfactory solution.

NEGRO, n. The piece de resistance in the American political problem. Representing him by the letter n, the Republicans start to frame their equation like this: "Let n = the white man." This, however, seems to provide an unsatisfactory solution.

NEIGHBOR, n. One whom we are commanded to love as ourselves, and who does all he knows how to make us disobedient.

NEIGHBOR, n. Someone we’re told to love like ourselves, but who does everything they can to lead us astray.

NEPOTISM, n. Appointing your grandmother to office for the good of the party.

NEPOTISM, n. Giving your grandmother a job for the benefit of the party.

NEWTONIAN, adj. Pertaining to a philosophy of the universe invented by Newton, who discovered that an apple will fall to the ground, but was unable to say why. His successors and disciples have advanced so far as to be able to say when.

NEWTONIAN, adj. Related to a philosophy of the universe created by Newton, who found that an apple falls to the ground but couldn't explain why. His followers and students have progressed to the point where they can now say when.

NIHILIST, n. A Russian who denies the existence of anything but Tolstoi. The leader of the school is Tolstoi.

NIHILIST, n. A Russian who only acknowledges the existence of Tolstoy. The leader of the movement is Tolstoy.

NIRVANA, n. In the Buddhist religion, a state of pleasurable annihilation awarded to the wise, particularly to those wise enough to understand it.

NIRVANA, n. In Buddhism, a state of blissful release granted to the enlightened, especially to those who truly comprehend it.

NOBLEMAN, n. Nature's provision for wealthy American minds ambitious to incur social distinction and suffer high life.

NOBLEMAN, n. Nature's way of providing wealthy Americans with the desire for social status and the experience of an elite lifestyle.

NOISE, n. A stench in the ear. Undomesticated music. The chief product and authenticating sign of civilization.

NOISE, n. A headache for the ears. Unrefined music. The main result and true indicator of civilization.

NOMINATE, v. To designate for the heaviest political assessment. To put forward a suitable person to incur the mudgobbing and deadcatting of the opposition.

NOMINATE, v. To choose someone for intense political scrutiny. To recommend a qualified person to face the attacks and criticisms from the opposing side.

NOMINEE, n. A modest gentleman shrinking from the distinction of private life and diligently seeking the honorable obscurity of public office.

NOMINEE, n. A humble man who avoids the spotlight of private life and works hard to achieve the respectable anonymity of public office.

NON-COMBATANT, n. A dead Quaker.

NON-COMBATANT, n. A deceased Quaker.

NONSENSE, n. The objections that are urged against this excellent dictionary.

NONSENSE, n. The criticisms made against this great dictionary.

NOSE, n. The extreme outpost of the face. From the circumstance that great conquerors have great noses, Getius, whose writings antedate the age of humor, calls the nose the organ of quell. It has been observed that one's nose is never so happy as when thrust into the affairs of others, from which some physiologists have drawn the inference that the nose is devoid of the sense of smell.

NOSE, n. The farthest point of the face. Because many great conquerors have prominent noses, Getius, whose writings came before the era of humor, refers to the nose as the organ of control. It's been noted that a person's nose is never as happy as when it’s involved in other people's business, leading some physiologists to conclude that the nose lacks the sense of smell.

      There's a man with a Nose,
      And wherever he goes
  The people run from him and shout:
      "No cotton have we
      For our ears if so be
  He blow that interminous snout!"

      So the lawyers applied
      For injunction.  "Denied,"
  Said the Judge:  "the defendant prefixion,
      Whate'er it portend,
      Appears to transcend
  The bounds of this court's jurisdiction."
      There's a guy with a big nose,  
      And no matter where he goes  
  People run away from him and yell:  
      "We don't have any cotton  
      For our ears if he  
  Blows that endless honker!"  
  
      So the lawyers asked  
      For an injunction. "Denied,"  
  Said the Judge: "The defendant's nose,  
      Whatever it means,  
      Seems to go beyond  
  The limits of this court's authority."

Arpad Singiny

Arpad Singiny

NOTORIETY, n. The fame of one's competitor for public honors. The kind of renown most accessible and acceptable to mediocrity. A Jacob's-ladder leading to the vaudeville stage, with angels ascending and descending.

NOTORIETY, n. The fame of someone competing for public recognition. The type of fame that’s easiest and most acceptable for the average person. A Jacob's-ladder leading to the variety stage, with angels going up and down.

NOUMENON, n. That which exists, as distinguished from that which merely seems to exist, the latter being a phenomenon. The noumenon is a bit difficult to locate; it can be apprehended only be a process of reasoning—which is a phenomenon. Nevertheless, the discovery and exposition of noumena offer a rich field for what Lewes calls "the endless variety and excitement of philosophic thought." Hurrah (therefore) for the noumenon!

NOUMENON, n. That which truly exists, as opposed to that which simply appears to exist, the latter being a phenomenon. The noumenon is somewhat tricky to pin down; it can only be understood through reasoning—which is itself a phenomenon. Still, finding and explaining noumena provide a fascinating area for what Lewes refers to as "the endless variety and excitement of philosophical thought." Hurrah (therefore) for the noumenon!

NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes—some of which have a large sale.

NOVEL, n. A short story that's been stretched out. A type of writing that relates to literature in the same way that a panorama relates to art. Since it's too long to read in one go, the impressions from its various parts fade gradually, just like in a panorama. There's no unity or overall impact; besides the last few pages read, all that's remembered is just the basic plot of what came before. In comparison to romance novels, a novel is like photography to painting. Its main feature, probability, aligns with the literal reality of photographs and categorizes it clearly as reporting; meanwhile, the free imagination of a romance writer lets them soar to heights of creativity they can reach. The three essential components of literary art are imagination, imagination, and imagination. The art of writing novels, as it once was, is pretty much dead everywhere except in Russia, where it’s still fresh. Rest in peace to its remains—some of which still sell well.

NOVEMBER, n. The eleventh twelfth of a weariness.

NOVEMBER, n. The eleventh month of feeling exhausted.

O

OATH, n. In law, a solemn appeal to the Deity, made binding upon the conscience by a penalty for perjury.

OATH, n. In law, a serious appeal to God, made mandatory on the conscience by a punishment for lying under oath.

OBLIVION, n. The state or condition in which the wicked cease from struggling and the dreary are at rest. Fame's eternal dumping ground. Cold storage for high hopes. A place where ambitious authors meet their works without pride and their betters without envy. A dormitory without an alarm clock.

OBLIVION, n. The state or condition where the wicked stop struggling and the gloomy find peace. Fame's endless discard pile. A cold storage for lost hopes. A place where ambitious authors encounter their works without pride and their superiors without envy. A dormitory without an alarm clock.

OBSERVATORY, n. A place where astronomers conjecture away the guesses of their predecessors.

OBSERVATORY, n. A place where astronomers speculate and refine the ideas of those who came before them.

OBSESSED, p.p. Vexed by an evil spirit, like the Gadarene swine and other critics. Obsession was once more common than it is now. Arasthus tells of a peasant who was occupied by a different devil for every day in the week, and on Sundays by two. They were frequently seen, always walking in his shadow, when he had one, but were finally driven away by the village notary, a holy man; but they took the peasant with them, for he vanished utterly. A devil thrown out of a woman by the Archbishop of Rheims ran through the trees, pursued by a hundred persons, until the open country was reached, where by a leap higher than a church spire he escaped into a bird. A chaplain in Cromwell's army exorcised a soldier's obsessing devil by throwing the soldier into the water, when the devil came to the surface. The soldier, unfortunately, did not.

OBSESSED, p.p. Troubled by an evil spirit, like the Gadarene swine and other critics. Obsession used to be more common than it is today. Arasthus talks about a peasant who was tormented by a different devil every day of the week, and on Sundays by two. They were often seen, always lurking in his shadow, when he had one, but were eventually banished by the village notary, a holy man; however, they took the peasant with them, as he completely disappeared. A devil expelled from a woman by the Archbishop of Rheims ran through the trees, chased by a hundred people, until he reached the open countryside, where with a leap higher than a church spire, he transformed into a bird. A chaplain in Cromwell's army exorcised a soldier's tormenting devil by throwing the soldier into the water, and the devil surfaced. Unfortunately, the soldier did not.

OBSOLETE, adj. No longer used by the timid. Said chiefly of words. A word which some lexicographer has marked obsolete is ever thereafter an object of dread and loathing to the fool writer, but if it is a good word and has no exact modern equivalent equally good, it is good enough for the good writer. Indeed, a writer's attitude toward "obsolete" words is as true a measure of his literary ability as anything except the character of his work. A dictionary of obsolete and obsolescent words would not only be singularly rich in strong and sweet parts of speech; it would add large possessions to the vocabulary of every competent writer who might not happen to be a competent reader.

OBSOLETE, adj. No longer used by the timid. Usually refers to words. A word that a dictionary labels as obsolete becomes something to fear and dislike for the insecure writer, but if it's a valuable word and there isn't an equally good modern alternative, it’s good enough for the skilled writer. In fact, a writer's attitude towards "obsolete" words is a true reflection of their literary skill, aside from the quality of their work. A dictionary of obsolete and fading words would not only be incredibly rich in strong and beautiful parts of speech; it would also significantly enhance the vocabulary of any capable writer who might not be an avid reader.

OBSTINATE, adj. Inaccessible to the truth as it is manifest in the splendor and stress of our advocacy.

OBSTINATE, adj. Unwilling to accept the truth as it is evident in the glory and pressure of our arguments.

The popular type and exponent of obstinacy is the mule, a most intelligent animal.

The classic example of stubbornness is the mule, a very smart animal.

OCCASIONAL, adj. Afflicting us with greater or less frequency. That, however, is not the sense in which the word is used in the phrase "occasional verses," which are verses written for an "occasion," such as an anniversary, a celebration or other event. True, they afflict us a little worse than other sorts of verse, but their name has no reference to irregular recurrence.

OCCASIONAL, adj. Affecting us with varying frequency. However, that's not how the word is used in the term "occasional verses," which are poems written for a specific "occasion," like an anniversary, celebration, or other events. It's true that they can be a bit more bothersome than other types of poetry, but their name doesn’t imply any irregular pattern.

OCCIDENT, n. The part of the world lying west (or east) of the Orient. It is largely inhabited by Christians, a powerful subtribe of the Hypocrites, whose principal industries are murder and cheating, which they are pleased to call "war" and "commerce." These, also, are the principal industries of the Orient.

OCCIDENT, n. The part of the world located west (or east) of the Orient. It is mostly inhabited by Christians, a strong subgroup of the Hypocrites, whose main activities are killing and deception, which they prefer to refer to as "war" and "commerce." These are also the primary activities of the Orient.

OCEAN, n. A body of water occupying about two-thirds of a world made for man—who has no gills.

OCEAN, n. A large body of water that covers about two-thirds of a world designed for humans—who can't breathe underwater.

OFFENSIVE, adj. Generating disagreeable emotions or sensations, as the advance of an army against its enemy.

OFFENSIVE, adj. Causing unpleasant feelings or sensations, like the advance of an army toward its opponent.

"Were the enemy's tactics offensive?" the king asked. "I should say so!" replied the unsuccessful general. "The blackguard wouldn't come out of his works!"

"Were the enemy's tactics aggressive?" the king asked. "Absolutely!" replied the unsuccessful general. "The scoundrel refused to come out of his defenses!"

OLD, adj. In that stage of usefulness which is not inconsistent with general inefficiency, as an old man. Discredited by lapse of time and offensive to the popular taste, as an old book.

OLD, adj. In that stage of usefulness which is still compatible with general inefficiency, like an old man. Discredited by the passage of time and unappealing to popular preferences, like an old book.

  "Old books?  The devil take them!" Goby said.
  "Fresh every day must be my books and bread."
  Nature herself approves the Goby rule
  And gives us every moment a fresh fool.
  "Old books? To hell with them!" Goby said.  
  "I need my books and bread to be fresh every day."  
  Nature herself supports the Goby rule  
  And gives us a new fool every moment.  

Harley Shum

Harley Shum

OLEAGINOUS, adj. Oily, smooth, sleek.

Oily, smooth, sleek.

Disraeli once described the manner of Bishop Wilberforce as "unctuous, oleaginous, saponaceous." And the good prelate was ever afterward known as Soapy Sam. For every man there is something in the vocabulary that would stick to him like a second skin. His enemies have only to find it.

Disraeli once described Bishop Wilberforce's style as "unctuous, oily, and soapy." From that point on, the good bishop was known as Soapy Sam. There's a word for every man that can cling to him like a second skin. His opponents just have to discover it.

OLYMPIAN, adj. Relating to a mountain in Thessaly, once inhabited by gods, now a repository of yellowing newspapers, beer bottles and mutilated sardine cans, attesting the presence of the tourist and his appetite.

OLYMPIAN, adj. Relating to a mountain in Thessaly, once home to gods, now a dump for old newspapers, beer bottles, and mangled sardine cans, showing the presence of tourists and their appetites.

  His name the smirking tourist scrawls
  Upon Minerva's temple walls,
  Where thundered once Olympian Zeus,
  And marks his appetite's abuse.
  The name of the grinning tourist is scribbled
  On the walls of Minerva's temple,
  Where Olympian Zeus once roared,
  And shows his indulgence's excess.

Averil Joop

Averil Joop

OMEN, n. A sign that something will happen if nothing happens.

OMEN, n. A sign that something will occur if nothing occurs.

ONCE, adv. Enough.

ONCE, adv. Sufficient.

OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes. All acting is simulation, and the word simulation is from simia, an ape; but in opera the actor takes for his model Simia audibilis (or Pithecanthropos stentor)—the ape that howls.

OPERA, n. A performance showing life in another world, where the characters communicate only through song, express themselves solely with gestures, and convey meaning only through attitudes. All acting is pretending, and the word pretending comes from simia, which means ape; but in opera, the performer models themselves after Simia audibilis (or Pithecanthropos stentor)—the howling ape.

  The actor apes a man—at least in shape;
  The opera performer apes an ape.
  The actor imitates a man—at least in form;  
  The opera performer imitates an ape.

OPIATE, n. An unlocked door in the prison of Identity. It leads into the jail yard.

OPIATE, n. An open door in the prison of Identity. It opens into the yard.

OPPORTUNITY, n. A favorable occasion for grasping a disappointment.

OPPORTUNITY, n. A good chance to seize a letdown.

OPPOSE, v. To assist with obstructions and objections.

OPPOSE, v. To help with barriers and challenges.

  How lonely he who thinks to vex
  With bandinage the Solemn Sex!
  Of levity, Mere Man, beware;
  None but the Grave deserve the Unfair.
  How lonely is the one who thinks he can annoy  
  With playful teasing the Serious Gender!  
  Be careful, Mere Man, with your lightheartedness;  
  Only the Serious deserve the Unfair.

Percy P. Orminder

Percy P. Orminder

OPPOSITION, n. In politics the party that prevents the Government from running amuck by hamstringing it.

OPPOSITION, n. In politics, the party that stops the Government from going off the rails by tying its hands.

The King of Ghargaroo, who had been abroad to study the science of government, appointed one hundred of his fattest subjects as members of a parliament to make laws for the collection of revenue. Forty of these he named the Party of Opposition and had his Prime Minister carefully instruct them in their duty of opposing every royal measure. Nevertheless, the first one that was submitted passed unanimously. Greatly displeased, the King vetoed it, informing the Opposition that if they did that again they would pay for their obstinacy with their heads. The entire forty promptly disemboweled themselves.

The King of Ghargaroo, who had traveled abroad to learn about government, appointed one hundred of his heaviest subjects as parliament members to create laws for collecting taxes. He designated forty of them as the Party of Opposition and had his Prime Minister carefully teach them their role of opposing every royal decision. However, the first measure put forward passed unanimously. Very unhappy, the King vetoed it, warning the Opposition that if they did that again, they would face severe consequences. The entire forty immediately committed suicide.

"What shall we do now?" the King asked. "Liberal institutions cannot be maintained without a party of Opposition."

"What should we do now?" the King asked. "You can't keep liberal institutions going without an Opposition party."

"Splendor of the universe," replied the Prime Minister, "it is true these dogs of darkness have no longer their credentials, but all is not lost. Leave the matter to this worm of the dust."

"Glory of the universe," replied the Prime Minister, "it's true these dogs of darkness no longer have their credentials, but all is not lost. Leave the matter to this worm of the dust."

So the Minister had the bodies of his Majesty's Opposition embalmed and stuffed with straw, put back into the seats of power and nailed there. Forty votes were recorded against every bill and the nation prospered. But one day a bill imposing a tax on warts was defeated—the members of the Government party had not been nailed to their seats! This so enraged the King that the Prime Minister was put to death, the parliament was dissolved with a battery of artillery, and government of the people, by the people, for the people perished from Ghargaroo.

So the Minister had the bodies of the Opposition embalmed and stuffed with straw, put back into their seats of power, and nailed there. Forty votes were counted against every bill, and the nation thrived. But one day, a bill imposing a tax on warts was defeated—the members of the Government party hadn’t been nailed to their seats! This so enraged the King that the Prime Minister was executed, the parliament was dissolved with a barrage of artillery, and government of the people, by the people, for the people was lost from Ghargaroo.

OPTIMISM, n. The doctrine, or belief, that everything is beautiful, including what is ugly, everything good, especially the bad, and everything right that is wrong. It is held with greatest tenacity by those most accustomed to the mischance of falling into adversity, and is most acceptably expounded with the grin that apes a smile. Being a blind faith, it is inaccessible to the light of disproof—an intellectual disorder, yielding to no treatment but death. It is hereditary, but fortunately not contagious.

OPTIMISM, n. The belief that everything is beautiful, even what’s ugly, everything is good, especially the bad, and everything that’s right is wrong. It’s most strongly held by those who are used to falling into tough times and is often expressed with a grin that pretends to be a smile. Being a blind faith, it cannot be challenged with proof—it’s an intellectual disorder that can only be cured by death. It runs in families, but fortunately, it’s not contagious.

OPTIMIST, n. A proponent of the doctrine that black is white.

OPTIMIST, n. Someone who believes that black is white.

A pessimist applied to God for relief.

A pessimist asked God for help.

"Ah, you wish me to restore your hope and cheerfulness," said God.

"Ah, you want me to bring back your hope and happiness," said God.

"No," replied the petitioner, "I wish you to create something that would justify them."

"No," the petitioner replied, "I want you to create something that would justify them."

"The world is all created," said God, "but you have overlooked something—the mortality of the optimist."

"The world is all created," said God, "but you've missed something—the mortality of the optimist."

ORATORY, n. A conspiracy between speech and action to cheat the understanding. A tyranny tempered by stenography.

ORATORY, n. A collaboration between speech and action to mislead understanding. A control softened by shorthand.

ORPHAN, n. A living person whom death has deprived of the power of filial ingratitude—a privation appealing with a particular eloquence to all that is sympathetic in human nature. When young the orphan is commonly sent to an asylum, where by careful cultivation of its rudimentary sense of locality it is taught to know its place. It is then instructed in the arts of dependence and servitude and eventually turned loose to prey upon the world as a bootblack or scullery maid.

ORPHAN, n. A living person who has lost the ability to show ungratefulness to their parents due to death—a loss that deeply resonates with our human compassion. When young, orphans are typically taken to a care facility, where they are trained to understand their position in society. They learn to rely on others and serve, eventually being released to fend for themselves in roles like a shoe shiner or kitchen helper.

ORTHODOX, n. An ox wearing the popular religious yoke.

ORTHODOX, n. An ox wearing the common religious yoke.

ORTHOGRAPHY, n. The science of spelling by the eye instead of the ear. Advocated with more heat than light by the outmates of every asylum for the insane. They have had to concede a few things since the time of Chaucer, but are none the less hot in defence of those to be conceded hereafter.

ORTHOGRAPHY, n. The study of spelling based on what you see rather than what you hear. Defended passionately by the residents of every mental health facility. They have had to give up some ideas since Chaucer's time, but they remain just as fervent in defending those that will need to be given up in the future.

  A spelling reformer indicted
  For fudge was before the court cicted.
      The judge said:  "Enough—
      His candle we'll snough,
  And his sepulchre shall not be whicted."
  A spelling reformer was accused  
  For fudge was before the court indicted.  
      The judge said: "That's enough—  
      We'll put out his light,  
  And his grave won't be accepted."

OSTRICH, n. A large bird to which (for its sins, doubtless) nature has denied that hinder toe in which so many pious naturalists have seen a conspicuous evidence of design. The absence of a good working pair of wings is no defect, for, as has been ingeniously pointed out, the ostrich does not fly.

OSTRICH, n. A large bird that nature has denied the hind toe, likely due to its sins, which many devoted naturalists view as clear proof of design. The lack of a strong pair of wings isn't a flaw, because, as has been cleverly noted, the ostrich doesn’t fly.

OTHERWISE, adv. No better.

OTHERWISE, adv. Not any better.

OUTCOME, n. A particular type of disappointment. By the kind of intelligence that sees in an exception a proof of the rule the wisdom of an act is judged by the outcome, the result. This is immortal nonsense; the wisdom of an act is to be judged by the light that the doer had when he performed it.

OUTCOME, n. A specific kind of disappointment. The kind of intelligence that views an exception as proof of the rule judges the wisdom of an action by the outcome, the result. This is timeless nonsense; the wisdom of an action should be judged by the understanding that the doer had when they performed it.

OUTDO, v.t. To make an enemy.

OUTDO, v.t. To create an enemy.

OUT-OF-DOORS, n. That part of one's environment upon which no government has been able to collect taxes. Chiefly useful to inspire poets.

OUT-OF-DOORS, n. The part of the world that no government has managed to tax. Mostly useful for inspiring poets.

  I climbed to the top of a mountain one day
      To see the sun setting in glory,
  And I thought, as I looked at his vanishing ray,
      Of a perfectly splendid story.

  'Twas about an old man and the ass he bestrode
      Till the strength of the beast was o'ertested;
  Then the man would carry him miles on the road
      Till Neddy was pretty well rested.

  The moon rising solemnly over the crest
      Of the hills to the east of my station
  Displayed her broad disk to the darkening west
      Like a visible new creation.

  And I thought of a joke (and I laughed till I cried)
      Of an idle young woman who tarried
  About a church-door for a look at the bride,
      Although 'twas herself that was married.

  To poets all Nature is pregnant with grand
      Ideas—with thought and emotion.
  I pity the dunces who don't understand
      The speech of earth, heaven and ocean.
I climbed to the top of a mountain one day  
    To watch the sun set in all its glory,  
And I thought, as I saw its fading light,  
    About a truly amazing story.  

It was about an old man and the donkey he rode  
    Until the poor beast was worn out;  
Then the man would carry him miles on the road  
    Until Neddy was well-rested, no doubt.  

The moon rose solemnly over the crest  
    Of the hills to the east of where I was,  
Showing her wide disk to the darkening west  
    Like a visible new creation because.  

And I thought of a joke (and I laughed until I cried)  
    About a bored young woman who lingered  
Around a church door just to see the bride,  
    Even though it was herself who was hitched, I wondered.  

To poets, all of Nature is filled with grand  
    Ideas—with thoughts and emotions.  
I feel sorry for the clueless who can’t understand  
    The language of earth, heaven, and ocean.

Stromboli Smith

Stromboli Smith

OVATION, n. In ancient Rome, a definite, formal pageant in honor of one who had been disserviceable to the enemies of the nation. A lesser "triumph." In modern English the word is improperly used to signify any loose and spontaneous expression of popular homage to the hero of the hour and place.

OVATION, n. In ancient Rome, a specific, formal celebration honoring someone who had been a hindrance to the nation's enemies. A lesser "triumph." In modern English, the word is incorrectly used to mean any casual and spontaneous expression of public admiration for the current hero.

  "I had an ovation!" the actor man said,
      But I thought it uncommonly queer,
  That people and critics by him had been led
          By the ear.

  The Latin lexicon makes his absurd
      Assertion as plain as a peg;
  In "ovum" we find the true root of the word.
          It means egg.
  "I got a standing ovation!" the actor said,  
      But I found it pretty strange,  
  That people and critics were so easily swayed  
          By him.  

  The Latin dictionary makes his ridiculous  
      Claim clear as day;  
  In "ovum," we find the true root of the word.  
          It means egg.

Dudley Spink

Dudley Spink

OVEREAT, v. To dine.

OVEREAT, v. To eat too much.

  Hail, Gastronome, Apostle of Excess,
  Well skilled to overeat without distress!
  Thy great invention, the unfatal feast,
  Shows Man's superiority to Beast.
  Hello, Foodie, Champion of Excess,
  Expert at indulging without distress!
  Your amazing creation, the guilt-free feast,
  Proves humanity's edge over animals at least.

John Boop

John Boop

OVERWORK, n. A dangerous disorder affecting high public functionaries who want to go fishing.

OVERWORK, n. A serious issue affecting top officials who just want to go fishing.

OWE, v. To have (and to hold) a debt. The word formerly signified not indebtedness, but possession; it meant "own," and in the minds of debtors there is still a good deal of confusion between assets and liabilities.

OWE, v. To have (and to hold) a debt. The word used to mean not indebtedness, but possession; it meant "own," and there is still a lot of confusion among debtors between assets and liabilities.

OYSTER, n. A slimy, gobby shellfish which civilization gives men the hardihood to eat without removing its entrails! The shells are sometimes given to the poor.

OYSTER, n. A slimy, messy shellfish that society encourages people to eat without taking out its insides! The shells are sometimes donated to the less fortunate.

P

PAIN, n. An uncomfortable frame of mind that may have a physical basis in something that is being done to the body, or may be purely mental, caused by the good fortune of another.

PAIN, n. An uncomfortable state of mind that may have a physical cause related to something affecting the body, or it might be purely psychological, triggered by someone else's good luck.

PAINTING, n. The art of protecting flat surfaces from the weather and exposing them to the critic.

PAINTING, n. The skill of shielding flat surfaces from the elements while also inviting criticism.

Formerly, painting and sculpture were combined in the same work: the ancients painted their statues. The only present alliance between the two arts is that the modern painter chisels his patrons.

In the past, painting and sculpture were merged in the same piece: the ancients painted their statues. The only connection between the two arts today is that modern painters manipulate their patrons.

PALACE, n. A fine and costly residence, particularly that of a great official. The residence of a high dignitary of the Christian Church is called a palace; that of the Founder of his religion was known as a field, or wayside. There is progress.

PALACE, n. A luxurious and expensive home, especially that of a high-ranking official. The home of a senior member of the Christian Church is referred to as a palace; however, the home of the Founder of his religion was called a field or wayside. There is progress.

PALM, n. A species of tree having several varieties, of which the familiar "itching palm" (Palma hominis) is most widely distributed and sedulously cultivated. This noble vegetable exudes a kind of invisible gum, which may be detected by applying to the bark a piece of gold or silver. The metal will adhere with remarkable tenacity. The fruit of the itching palm is so bitter and unsatisfying that a considerable percentage of it is sometimes given away in what are known as "benefactions."

PALM, n. A type of tree that has several varieties, with the well-known "itching palm" (Palma hominis) being the most common and actively cultivated. This impressive plant releases a sort of invisible gum, which can be noticed by pressing a piece of gold or silver against the bark. The metal will stick quite firmly. The fruit of the itching palm is so bitter and unappealing that a significant amount is often given away in what's called "benefactions."

PALMISTRY, n. The 947th method (according to Mimbleshaw's classification) of obtaining money by false pretences. It consists in "reading character" in the wrinkles made by closing the hand. The pretence is not altogether false; character can really be read very accurately in this way, for the wrinkles in every hand submitted plainly spell the word "dupe." The imposture consists in not reading it aloud.

PALMISTRY, n. The 947th method (according to Mimbleshaw's classification) of making money through deception. It involves "reading character" from the lines created by closing the hand. The claim isn't entirely false; character can indeed be interpreted quite accurately this way, as the lines on every hand clearly reveal the word "dupe." The trick lies in not saying it out loud.

PANDEMONIUM, n. Literally, the Place of All the Demons. Most of them have escaped into politics and finance, and the place is now used as a lecture hall by the Audible Reformer. When disturbed by his voice the ancient echoes clamor appropriate responses most gratifying to his pride of distinction.

PANDEMONIUM, n. Literally, the Place of All the Demons. Most of them have escaped into politics and finance, and now the place is used as a lecture hall by the Audible Reformer. When his voice disturbs the air, the ancient echoes loudly respond in ways that greatly satisfy his sense of superiority.

PANTALOONS, n. A nether habiliment of the adult civilized male. The garment is tubular and unprovided with hinges at the points of flexion. Supposed to have been invented by a humorist. Called "trousers" by the enlightened and "pants" by the unworthy.

PANTALOONS, n. A type of clothing for adult men. The garment is tube-shaped and doesn't have any joints where it bends. It's thought to have been created by a comedian. Known as "trousers" by those who are educated and "pants" by those deemed less worthy.

PANTHEISM, n. The doctrine that everything is God, in contradistinction to the doctrine that God is everything.

PANTHEISM, n. The belief that everything is God, as opposed to the belief that God is everything.

PANTOMIME, n. A play in which the story is told without violence to the language. The least disagreeable form of dramatic action.

PANTOMIME, n. A play that tells the story without resorting to harsh language. The least unpleasant form of dramatic action.

PARDON, v. To remit a penalty and restore to the life of crime. To add to the lure of crime the temptation of ingratitude.

PARDON, v. To cancel a penalty and allow a return to a life of crime. To amplify the allure of crime with the temptation of ingratitude.

PASSPORT, n. A document treacherously inflicted upon a citizen going abroad, exposing him as an alien and pointing him out for special reprobation and outrage.

PASSPORT, n. A document deceitfully given to a citizen traveling abroad, marking them as a foreigner and subjecting them to special scorn and mistreatment.

PAST, n. That part of Eternity with some small fraction of which we have a slight and regrettable acquaintance. A moving line called the Present parts it from an imaginary period known as the Future. These two grand divisions of Eternity, of which the one is continually effacing the other, are entirely unlike. The one is dark with sorrow and disappointment, the other bright with prosperity and joy. The Past is the region of sobs, the Future is the realm of song. In the one crouches Memory, clad in sackcloth and ashes, mumbling penitential prayer; in the sunshine of the other Hope flies with a free wing, beckoning to temples of success and bowers of ease. Yet the Past is the Future of yesterday, the Future is the Past of to-morrow. They are one—the knowledge and the dream.

PAST, n. That part of Eternity with which we have a slight and regrettable acquaintance. A moving line called the Present separates it from a fictional time known as the Future. These two major divisions of Eternity, where one constantly erases the other, are totally different. One is filled with sorrow and disappointment, while the other is bright with prosperity and joy. The Past is the place of tears, and the Future is the realm of celebration. In the Past, Memory sits in mourning, dressed in sackcloth and ashes, muttering remorseful prayers; in the bright light of the Future, Hope soars freely, guiding us toward success and comfort. Yet the Past is the Future of yesterday, and the Future is the Past of tomorrow. They are one—the knowledge and the dream.

PASTIME, n. A device for promoting dejection. Gentle exercise for intellectual debility.

PASTIME, n. A way to encourage sadness. Light activity for mental weakness.

PATIENCE, n. A minor form of despair, disguised as a virtue.

PATIENCE, n. A small kind of despair, pretending to be a virtue.

PATRIOT, n. One to whom the interests of a part seem superior to those of the whole. The dupe of statesmen and the tool of conquerors.

PATRIOT, n. Someone who believes that the interests of a specific group are more important than those of everyone together. A pawn of politicians and a tool of conquerors.

PATRIOTISM, n. Combustible rubbish ready to the torch of any one ambitious to illuminate his name.

PATRIOTISM, n. Flammable trash that anyone looking to boost their reputation can easily set on fire.

In Dr. Johnson's famous dictionary patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but inferior lexicographer I beg to submit that it is the first.

In Dr. Johnson's famous dictionary, patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but lesser lexicographer, I would argue that it is the first.

PEACE, n. In international affairs, a period of cheating between two periods of fighting.

PEACE, n. In international relations, a time of deception between two times of conflict.

  O, what's the loud uproar assailing
      Mine ears without cease?
  'Tis the voice of the hopeful, all-hailing
      The horrors of peace.

  Ah, Peace Universal; they woo it—
      Would marry it, too.
  If only they knew how to do it
      'Twere easy to do.

  They're working by night and by day
      On their problem, like moles.
  Have mercy, O Heaven, I pray,
      On their meddlesome souls!
  Oh, what's that loud noise constantly 
      Hitting my ears? 
  It's the voices of the hopeful, all praising 
      The nightmares of peace. 

  Ah, Universal Peace; they pursue it— 
      Would marry it, too. 
  If only they knew how to achieve it 
      It would be easy to do. 

  They're working day and night 
      On their problem, like moles. 
  Have mercy, oh Heaven, I pray, 
      On their meddlesome souls!

Ro Amil

Ro Amil

PEDESTRIAN, n. The variable (an audible) part of the roadway for an automobile.

PEDESTRIAN, n. The changing (audible) section of the road meant for cars.

PEDIGREE, n. The known part of the route from an arboreal ancestor with a swim bladder to an urban descendant with a cigarette.

PEDIGREE, n. The recognized path from a tree-dwelling ancestor with a swim bladder to a city-dwelling descendant with a cigarette.

PENITENT, adj. Undergoing or awaiting punishment.

PENITENT, adj. Going through or waiting for punishment.

PERFECTION, n. An imaginary state of quality distinguished from the actual by an element known as excellence; an attribute of the critic.

PERFECTION, n. A fictional level of quality that differs from reality by a factor called excellence; a trait of the critic.

The editor of an English magazine having received a letter pointing out the erroneous nature of his views and style, and signed "Perfection," promptly wrote at the foot of the letter: "I don't agree with you," and mailed it to Matthew Arnold.

The editor of an English magazine received a letter highlighting the mistakes in his views and style, signed "Perfection." He quickly wrote at the bottom of the letter, "I don't agree with you," and sent it to Matthew Arnold.

PERIPATETIC, adj. Walking about. Relating to the philosophy of Aristotle, who, while expounding it, moved from place to place in order to avoid his pupil's objections. A needless precaution—they knew no more of the matter than he.

PERIPATETIC, adj. Walking around. Related to Aristotle's philosophy, who, while explaining it, moved from place to place to dodge his students' objections. A pointless precaution—they understood no more about it than he did.

PERORATION, n. The explosion of an oratorical rocket. It dazzles, but to an observer having the wrong kind of nose its most conspicuous peculiarity is the smell of the several kinds of powder used in preparing it.

PERORATION, n. The blast of a speech. It shines brightly, but to someone with the wrong kind of perspective, its most noticeable feature is the scent of the different kinds of powder used in making it.

PERSEVERANCE, n. A lowly virtue whereby mediocrity achieves an inglorious success.

PERSEVERANCE, n. A humble quality that allows average efforts to attain a modest success.

  "Persevere, persevere!" cry the homilists all,
  Themselves, day and night, persevering to bawl.
  "Remember the fable of tortoise and hare—
  The one at the goal while the other is—where?"
  Why, back there in Dreamland, renewing his lease
  Of life, all his muscles preserving the peace,
  The goal and the rival forgotten alike,
  And the long fatigue of the needless hike.
  His spirit a-squat in the grass and the dew
  Of the dogless Land beyond the Stew,
  He sleeps, like a saint in a holy place,
  A winner of all that is good in a race.
  "Keep going, keep going!" shout the preachers all,  
  While they, day and night, keep shouting their call.  
  "Remember the story of the tortoise and the hare—  
  One's at the finish while the other is—where?"  
  Well, back in Dreamland, renewing his lease  
  On life, all his muscles enjoying the peace,  
  The finish line and the rival both forgotten,  
  And the long struggle of the pointless trot.  
  His spirit is resting in the grass and the dew  
  Of the dogless Land beyond the Stew,  
  He sleeps like a saint in a sacred place,  
  A winner of everything good in a race.

Sukker Uffro

Sukker Uffro

PESSIMISM, n. A philosophy forced upon the convictions of the observer by the disheartening prevalence of the optimist with his scarecrow hope and his unsightly smile.

PESSIMISM, n. A belief imposed on the views of the observer by the discouraging dominance of the optimist with his unrealistic hope and his unattractive smile.

PHILANTHROPIST, n. A rich (and usually bald) old gentleman who has trained himself to grin while his conscience is picking his pocket.

PHILANTHROPIST, n. A wealthy (and often bald) older man who has learned to smile while his conscience is taking advantage of him.

PHILISTINE, n. One whose mind is the creature of its environment, following the fashion in thought, feeling and sentiment. He is sometimes learned, frequently prosperous, commonly clean and always solemn.

PHILISTINE, n. Someone whose thinking is shaped by their surroundings, following popular trends in thoughts, feelings, and emotions. They can be well-educated, often successful, usually neat, and always serious.

PHILOSOPHY, n. A route of many roads leading from nowhere to nothing.

PHILOSOPHY, n. A path of many avenues that lead from nowhere to nothing.

PHOENIX, n. The classical prototype of the modern "small hot bird."

PHOENIX, n. The classic example of the modern "small hot bird."

PHONOGRAPH, n. An irritating toy that restores life to dead noises.

PHONOGRAPH, n. An annoying gadget that brings dead sounds back to life.

PHOTOGRAPH, n. A picture painted by the sun without instruction in art. It is a little better than the work of an Apache, but not quite so good as that of a Cheyenne.

PHOTOGRAPH, n. A picture created by the sun without any artistic guidance. It's slightly better than what an Apache would produce, but not quite as good as what a Cheyenne would create.

PHRENOLOGY, n. The science of picking the pocket through the scalp. It consists in locating and exploiting the organ that one is a dupe with.

PHRENOLOGY, n. The science of conning someone by reading their scalp. It involves identifying and taking advantage of the part of the brain that makes someone an easy target.

PHYSICIAN, n. One upon whom we set our hopes when ill and our dogs when well.

PHYSICIAN, n. Someone we rely on when we're sick and our pets when they're healthy.

PHYSIOGNOMY, n. The art of determining the character of another by the resemblances and differences between his face and our own, which is the standard of excellence.

PHYSIOGNOMY, n. The skill of judging someone's character based on the similarities and differences between their face and our own, which serves as the benchmark for quality.

  "There is no art," says Shakespeare, foolish man,
      "To read the mind's construction in the face."
  The physiognomists his portrait scan,
      And say:  "How little wisdom here we trace!
  He knew his face disclosed his mind and heart,
  So, in his own defence, denied our art."
"There is no art," says Shakespeare, foolish man,  
      "To read what's going on in someone's mind just by looking at their face."  
  The face readers examine his portrait,  
      And say: "How little wisdom we see here!  
  He knew his face revealed his thoughts and feelings,  
  So, in his own defense, rejected our art."

Lavatar Shunk

Lavatar Shunk

PIANO, n. A parlor utensil for subduing the impenitent visitor. It is operated by depressing the keys of the machine and the spirits of the audience.

PIANO, n. A living room tool for charming the stubborn guest. It works by pressing the keys of the instrument and the emotions of the audience.

PICKANINNY, n. The young of the Procyanthropos, or Americanus dominans. It is small, black and charged with political fatalities.

PICKANINNY, n. The young of the Procyanthropos, or Americanus dominans. It is small, black, and associated with political consequences.

PICTURE, n. A representation in two dimensions of something wearisome in three.

PICTURE, n. A 2D depiction of something exhausting in 3D.

  "Behold great Daubert's picture here on view—
  Taken from Life."  If that description's true,
  Grant, heavenly Powers, that I be taken, too.
  "Check out great Daubert's portrait showcased here—  
  Captured from real life." If that description's accurate,  
  I hope, heavenly Powers, that I get captured, too.

Jali Hane

Jali Hane

PIE, n. An advance agent of the reaper whose name is Indigestion.

PIE, n. A precursor to the reaper known as Indigestion.

  Cold pie was highly esteemed by the remains.
Cold pie was highly valued by those leftover.

Rev. Dr. Mucker

Rev. Dr. Mucker

(in a funeral sermon over a British nobleman)

(in a funeral sermon over a British nobleman)

  Cold pie is a detestable
  American comestible.
  That's why I'm done—or undone—
  So far from that dear London.
  Cold pie is a disgusting
  American food item.
  That's why I'm finished—or broken—
  So far from that beloved London.

(from the headstone of a British nobleman in Kalamazoo)

(from the headstone of a British nobleman in Kalamazoo)

PIETY, n. Reverence for the Supreme Being, based upon His supposed resemblance to man.

PIETY, n. Respect for a higher power, based on the belief that it resembles humanity.

  The pig is taught by sermons and epistles
  To think the God of Swine has snout and bristles.
The pig learns through speeches and letters  
To believe the God of Swine has a snout and bristles.

Judibras

Judibras

PIG, n. An animal (Porcus omnivorus) closely allied to the human race by the splendor and vivacity of its appetite, which, however, is inferior in scope, for it sticks at pig.

PIG, n. An animal (Porcus omnivorus) that is closely related to humans because of the richness and liveliness of its appetite, though its range is limited, as it only goes for pig.

PIGMY, n. One of a tribe of very small men found by ancient travelers in many parts of the world, but by modern in Central Africa only. The Pigmies are so called to distinguish them from the bulkier Caucasians —who are Hogmies.

PIGMY, n. A member of a tribe of very small people discovered by ancient travelers in various parts of the world, but now primarily in Central Africa. The Pigmies are named to differentiate them from the larger Caucasians — who are Hogmies.

PILGRIM, n. A traveler that is taken seriously. A Pilgrim Father was one who, leaving Europe in 1620 because not permitted to sing psalms through his nose, followed it to Massachusetts, where he could personate God according to the dictates of his conscience.

PILGRIM, n. A traveler that is taken seriously. A Pilgrim Father was someone who, leaving Europe in 1620 because they were not allowed to sing psalms their own way, went to Massachusetts, where they could worship God based on their own beliefs.

PILLORY, n. A mechanical device for inflicting personal distinction —prototype of the modern newspaper conducted by persons of austere virtues and blameless lives.

PILLORY, n. A device used to publicly shame individuals —the forerunner of the modern newspaper run by people of strict morals and unimpeachable character.

PIRACY, n. Commerce without its folly-swaddles, just as God made it.

PIRACY, n. Business without any of its silly restrictions, just the way God intended.

PITIFUL, adj. The state of an enemy or opponent after an imaginary encounter with oneself.

PITIFUL, adj. The condition of an enemy or rival after a fictional encounter with oneself.

PITY, n. A failing sense of exemption, inspired by contrast.

PITY, n. A diminished awareness of being free from suffering, triggered by comparison.

PLAGIARISM, n. A literary coincidence compounded of a discreditable priority and an honorable subsequence.

PLAGIARISM, n. A situation where someone claims credit for another person's work, combining an untrustworthy first use and a respectable follow-up.

PLAGIARIZE, v. To take the thought or style of another writer whom one has never, never read.

PLAGIARIZE, v. To take the ideas or style of another writer whom you have never, ever read.

PLAGUE, n. In ancient times a general punishment of the innocent for admonition of their ruler, as in the familiar instance of Pharaoh the Immune. The plague as we of to-day have the happiness to know it is merely Nature's fortuitous manifestation of her purposeless objectionableness.

PLAGUE, n. In ancient times, it was a collective punishment of the innocent to send a message to their ruler, like the well-known case of Pharaoh the Immune. The plague, as we understand it today, is just Nature's random display of her pointless unpleasantness.

PLAN, v.t. To bother about the best method of accomplishing an accidental result.

PLAN, v.t. To think about the best way to achieve a random outcome.

PLATITUDE, n. The fundamental element and special glory of popular literature. A thought that snores in words that smoke. The wisdom of a million fools in the diction of a dullard. A fossil sentiment in artificial rock. A moral without the fable. All that is mortal of a departed truth. A demi-tasse of milk-and-mortality. The Pope's-nose of a featherless peacock. A jelly-fish withering on the shore of the sea of thought. The cackle surviving the egg. A desiccated epigram.

PLATITUDE, n. The basic element and unique charm of popular literature. A thought that snoozes in words that are bland. The wisdom of countless fools expressed in the language of a dullard. An outdated sentiment in fake stone. A lesson without the story. Everything that's left of a lost truth. A small cup of mediocrity. The least impressive part of a featherless peacock. A jellyfish drying up on the beach of ideas. The noise left over after the egg has hatched. A dried-up saying.

PLATONIC, adj. Pertaining to the philosophy of Socrates. Platonic Love is a fool's name for the affection between a disability and a frost.

PLATONIC, adj. Relating to the philosophy of Socrates. Platonic Love is a silly term for the bond between a disability and a frost.

PLAUDITS, n. Coins with which the populace pays those who tickle and devour it.

PLAUDITS, n. Coins that people use to reward those who entertain and consume them.

PLEASE, v. To lay the foundation for a superstructure of imposition.

PLEASE, v. To set the stage for a framework of requests.

PLEASURE, n. The least hateful form of dejection.

PLEASURE, n. The least unpleasant kind of sadness.

PLEBEIAN, n. An ancient Roman who in the blood of his country stained nothing but his hands. Distinguished from the Patrician, who was a saturated solution.

PLEBEIAN, n. An ancient Roman who stained nothing but his hands with the blood of his country. Different from the Patrician, who was completely immersed in it.

PLEBISCITE, n. A popular vote to ascertain the will of the sovereign.

PLEBISCITE, n. A public vote to determine the wishes of the people.

PLENIPOTENTIARY, adj. Having full power. A Minister Plenipotentiary is a diplomatist possessing absolute authority on condition that he never exert it.

PLENIPOTENTIARY, adj. Having full power. A Minister Plenipotentiary is a diplomat who has complete authority as long as he never uses it.

PLEONASM, n. An army of words escorting a corporal of thought.

PLEONASM, n. A bunch of unnecessary words backing up a single idea.

PLOW, n. An implement that cries aloud for hands accustomed to the pen.

PLOW, n. A tool that desperately needs hands used to writing.

PLUNDER, v. To take the property of another without observing the decent and customary reticences of theft. To effect a change of ownership with the candid concomitance of a brass band. To wrest the wealth of A from B and leave C lamenting a vanished opportunity.

PLUNDER, v. To take someone else's property without the usual polite boundaries of theft. To change ownership with the loud announcement of a brass band. To snatch the riches of A from B and leave C regretting a missed chance.

POCKET, n. The cradle of motive and the grave of conscience. In woman this organ is lacking; so she acts without motive, and her conscience, denied burial, remains ever alive, confessing the sins of others.

POCKET, n. The source of intention and the burial ground of morality. Women don’t have this feature, so they act without intention, and their conscience, which is never allowed to rest, is always alive, pointing out the faults of others.

POETRY, n. A form of expression peculiar to the Land beyond the Magazines.

POETRY, n. A way of expressing oneself unique to the world beyond the magazines.

POKER, n. A game said to be played with cards for some purpose to this lexicographer unknown.

POKER, n. A game that is said to be played with cards for a purpose that this lexicographer doesn't know.

POLICE, n. An armed force for protection and participation.

POLICE, n. An armed group for protection and involvement.

POLITENESS, n. The most acceptable hypocrisy.

POLITENESS, n. The most socially accepted form of deception.

POLITICS, n. A strife of interests masquerading as a contest of principles. The conduct of public affairs for private advantage.

POLITICS, n. A clash of interests pretending to be a battle of values. The management of public matters for personal gain.

POLITICIAN, n. An eel in the fundamental mud upon which the superstructure of organized society is reared. When he wriggles he mistakes the agitation of his tail for the trembling of the edifice. As compared with the statesman, he suffers the disadvantage of being alive.

POLITICIAN, n. A slippery figure within the basic dirt that supports the structure of organized society. When he moves, he confuses the stir of his tail for the shaking of the whole system. Compared to the statesman, he has the drawback of being alive.

POLYGAMY, n. A house of atonement, or expiatory chapel, fitted with several stools of repentance, as distinguished from monogamy, which has but one.

POLYGAMY, n. A place for making amends, or a chapel for atonement, equipped with multiple stools for repentance, unlike monogamy, which has just one.

POPULIST, n. A fossil patriot of the early agricultural period, found in the old red soapstone underlying Kansas; characterized by an uncommon spread of ear, which some naturalists contend gave him the power of flight, though Professors Morse and Whitney, pursuing independent lines of thought, have ingeniously pointed out that had he possessed it he would have gone elsewhere. In the picturesque speech of his period, some fragments of which have come down to us, he was known as "The Matter with Kansas."

POPULIST, n. A relic from the early agricultural era, discovered in the old red soapstone beneath Kansas; noted for an unusually wide ear, which some scientists argue granted him the ability to fly, although Professors Morse and Whitney, following their own reasoning, cleverly suggested that if he had truly possessed it, he would have left. In the colorful language of his time, some bits of which still exist, he was referred to as "The Matter with Kansas."

PORTABLE, adj. Exposed to a mutable ownership through vicissitudes of possession.

PORTABLE, adj. Able to be owned by different people due to changes in possession.

  His light estate, if neither he did make it
  Nor yet its former guardian forsake it,
  Is portable improperty, I take it.
His modest belongings, if he didn't create them  
And the previous caretaker hasn't abandoned them,  
Are just useless things, I think.

Worgum Slupsky

Worgum Slupsky

PORTUGUESE, n.pl. A species of geese indigenous to Portugal. They are mostly without feathers and imperfectly edible, even when stuffed with garlic.

PORTUGUESE, n.pl. A type of goose native to Portugal. They are mostly featherless and not very tasty, even when filled with garlic.

POSITIVE, adj. Mistaken at the top of one's voice.

POSITIVE, adj. Wrong at the top of one's lungs.

POSITIVISM, n. A philosophy that denies our knowledge of the Real and affirms our ignorance of the Apparent. Its longest exponent is Comte, its broadest Mill and its thickest Spencer.

POSITIVISM, n. A philosophy that rejects our understanding of the Real and confirms our lack of knowledge about the Apparent. Its most prominent advocate is Comte, its most comprehensive is Mill, and its most extensive is Spencer.

POSTERITY, n. An appellate court which reverses the judgment of a popular author's contemporaries, the appellant being his obscure competitor.

POSTERITY, n. A higher court that overturns the opinions of a well-known author’s peers, with the one appealing being his lesser-known rival.

POTABLE, n. Suitable for drinking. Water is said to be potable; indeed, some declare it our natural beverage, although even they find it palatable only when suffering from the recurrent disorder known as thirst, for which it is a medicine. Upon nothing has so great and diligent ingenuity been brought to bear in all ages and in all countries, except the most uncivilized, as upon the invention of substitutes for water. To hold that this general aversion to that liquid has no basis in the preservative instinct of the race is to be unscientific—and without science we are as the snakes and toads.

POTABLE, n. Fit for drinking. Water is considered potable; in fact, some claim it’s our natural drink, though even they only find it enjoyable when they're dealing with the constant problem known as thirst, for which it serves as a cure. Nothing has received as much careful thought and effort throughout history and across nations, except for the most primitive ones, as the creation of alternatives to water. To believe that this widespread dislike for that liquid has no connection to the survival instincts of humanity is unscientific—and without science, we are like snakes and toads.

POVERTY, n. A file provided for the teeth of the rats of reform. The number of plans for its abolition equals that of the reformers who suffer from it, plus that of the philosophers who know nothing about it. Its victims are distinguished by possession of all the virtues and by their faith in leaders seeking to conduct them into a prosperity where they believe these to be unknown.

POVERTY, n. A tool used by reformers to file down their frustrations. The number of strategies to eliminate it is equal to the number of reformers experiencing it, plus the number of philosophers who don't understand it at all. Its victims are known for having all the virtues and for their trust in leaders who claim to guide them into a prosperity they believe doesn’t exist.

PRAY, v. To ask that the laws of the universe be annulled in behalf of a single petitioner confessedly unworthy.

PRAY, v. To ask for the universe's rules to be ignored for one individual who openly admits they don't deserve it.

PRE-ADAMITE, n. One of an experimental and apparently unsatisfactory race of antedated Creation and lived under conditions not easily conceived. Melsius believed them to have inhabited "the Void" and to have been something intermediate between fishes and birds. Little is known of them beyond the fact that they supplied Cain with a wife and theologians with a controversy.

PRE-ADAMITE, n. A member of an experimental and seemingly unsatisfactory race that existed before Creation and lived in conditions that are hard to imagine. Melsius thought they lived in "the Void" and were a mix between fish and birds. Not much is known about them, except that they provided Cain with a wife and created a debate for theologians.

PRECEDENT, n. In Law, a previous decision, rule or practice which, in the absence of a definite statute, has whatever force and authority a Judge may choose to give it, thereby greatly simplifying his task of doing as he pleases. As there are precedents for everything, he has only to ignore those that make against his interest and accentuate those in the line of his desire. Invention of the precedent elevates the trial-at-law from the low estate of a fortuitous ordeal to the noble attitude of a dirigible arbitrament.

PRECEDENT, n. In law, a previous decision, rule, or practice that, in the absence of a specific statute, holds whatever power and authority a judge decides to assign to it, making his job of doing what he wants much easier. Since there are precedents for everything, he just has to disregard the ones that go against his interests and highlight those that align with his desires. The creation of precedent raises the trial at law from the random chance of a trial by ordeal to the respected position of a guided decision-making process.

PRECIPITATE, adj. Anteprandial.

PRECIPE, adj. Before meal.

  Precipitate in all, this sinner
  Took action first, and then his dinner.
  In all, this sinner
  Acted first, and then had his dinner.

Judibras

Judibras

PREDESTINATION, n. The doctrine that all things occur according to programme. This doctrine should not be confused with that of foreordination, which means that all things are programmed, but does not affirm their occurrence, that being only an implication from other doctrines by which this is entailed. The difference is great enough to have deluged Christendom with ink, to say nothing of the gore. With the distinction of the two doctrines kept well in mind, and a reverent belief in both, one may hope to escape perdition if spared.

PREDESTINATION, n. The belief that everything happens according to a plan. This belief shouldn’t be mixed up with foreordination, which means that everything is planned out, but doesn’t guarantee that it will happen; that’s only suggested by other beliefs that imply it. The difference is significant enough to have flooded Christendom with writings, not to mention the controversy. Keeping the distinction between the two beliefs clear and holding a respectful belief in both, one might hope to avoid damnation if they are fortunate.

PREDICAMENT, n. The wage of consistency.

PREDICAMENT, n. The cost of staying consistent.

PREDILECTION, n. The preparatory stage of disillusion.

PREDILECTION, n. The initial phase of realizing the truth.

PRE-EXISTENCE, n. An unnoted factor in creation.

PRE-EXISTENCE, n. An overlooked aspect of creation.

PREFERENCE, n. A sentiment, or frame of mind, induced by the erroneous belief that one thing is better than another.

PREFERENCE, n. A feeling or mindset caused by the mistaken belief that one thing is superior to another.

An ancient philosopher, expounding his conviction that life is no better than death, was asked by a disciple why, then, he did not die. "Because," he replied, "death is no better than life."

An ancient philosopher, sharing his belief that life is no better than death, was asked by a student why he didn't just end his life. "Because," he answered, "death is no better than life."

It is longer.

It's longer.

PREHISTORIC, adj. Belonging to an early period and a museum. Antedating the art and practice of perpetuating falsehood.

PREHISTORIC, adj. Relating to an early period and a museum. Existing before the creation of art and the practice of spreading untruths.

  He lived in a period prehistoric,
  When all was absurd and phantasmagoric.
  Born later, when Clio, celestial recorder,
  Set down great events in succession and order,
  He surely had seen nothing droll or fortuitous
  In anything here but the lies that she threw at us.
  He lived in a prehistoric time,  
  When everything was bizarre and dreamlike.  
  Born later, when Clio, the heavenly historian,  
  Recorded major events in a sequence and structure,  
  He definitely would have found nothing funny or random  
  In anything here except the lies that she fed us.

Orpheus Bowen

Orpheus Bowen

PREJUDICE, n. A vagrant opinion without visible means of support.

PREJUDICE, n. An opinion that wanders aimlessly without any real basis.

PRELATE, n. A church officer having a superior degree of holiness and a fat preferment. One of Heaven's aristocracy. A gentleman of God.

PRELATE, n. A church official with a higher level of holiness and a well-paying position. One of Heaven's elite. A man of God.

PREROGATIVE, n. A sovereign's right to do wrong.

PREROGATIVE, n. A ruler's right to act unjustly.

PRESBYTERIAN, n. One who holds the conviction that the government authorities of the Church should be called presbyters.

PRESBYTERIAN, n. A person who believes that the governing leaders of the Church should be referred to as presbyters.

PRESCRIPTION, n. A physician's guess at what will best prolong the situation with least harm to the patient.

PRESCRIPTION, n. A doctor's estimate of what will best extend the situation while causing the least harm to the patient.

PRESENT, n. That part of eternity dividing the domain of disappointment from the realm of hope.

PRESENT, n. That moment in time separating the area of disappointment from the world of hope.

PRESENTABLE, adj. Hideously appareled after the manner of the time and place.

PRESENTABLE, adj. Dressed in a way that's unappealing based on the current trends and location.

In Boorioboola-Gha a man is presentable on occasions of ceremony if he have his abdomen painted a bright blue and wear a cow's tail; in New York he may, if it please him, omit the paint, but after sunset he must wear two tails made of the wool of a sheep and dyed black.

In Boorioboola-Gha, a man looks presentable at ceremonies if he has his stomach painted bright blue and wears a cow's tail; in New York, he can skip the paint if he wants, but after sunset, he must wear two tails made of black-dyed sheep wool.

PRESIDE, v. To guide the action of a deliberative body to a desirable result. In Journalese, to perform upon a musical instrument; as, "He presided at the piccolo."

PRESIDE, v. To lead the actions of a decision-making group toward a positive outcome. In journalism, to play a musical instrument; as in, "He presided at the piccolo."

  The Headliner, holding the copy in hand,
      Read with a solemn face:
  "The music was very uncommonly grand—
          The best that was every provided,
          For our townsman Brown presided
      At the organ with skill and grace."
  The Headliner discontinued to read,
      And, spread the paper down
  On the desk, he dashed in at the top of the screed:
      "Great playing by President Brown."
  The Headliner, holding the paper in hand,  
      Read with a serious expression:  
  "The music was incredibly grand—  
          The best that was ever provided,  
          For our local guy Brown led  
      At the organ with skill and style."  
  The Headliner stopped reading,  
      And, laid the paper down  
  On the desk, he quickly wrote at the top of the page:  
      "Amazing performance by President Brown."

Orpheus Bowen

Orpheus Bowen

PRESIDENCY, n. The greased pig in the field game of American politics.

PRESIDENCY, n. The slippery challenge in the arena of American politics.

PRESIDENT, n. The leading figure in a small group of men of whom— and of whom only—it is positively known that immense numbers of their countrymen did not want any of them for President.

PRESIDENT, n. The top person in a small group of men who— and only these men—are definitely known to have been unwanted as President by a vast number of their fellow citizens.

  If that's an honor surely 'tis a greater
  To have been a simple and undamned spectator.
  Behold in me a man of mark and note
  Whom no elector e'er denied a vote!—
  An undiscredited, unhooted gent
  Who might, for all we know, be President
  By acclamation.  Cheer, ye varlets, cheer—
  I'm passing with a wide and open ear!
If that’s an honor, then it’s even greater to have been just a plain, unblemished onlooker. Look at me, a man of significance and reputation whom no one ever refused a vote!— An undiscredited, unmocked guy who could very well be President by popular vote. Cheer, you rascals, cheer— I'm moving on with an open mind!

Jonathan Fomry

Jonathan Fomry

PREVARICATOR, n. A liar in the caterpillar state.

PREVARICATOR, n. A liar just starting out.

PRICE, n. Value, plus a reasonable sum for the wear and tear of conscience in demanding it.

PRICE, n. The worth of something, plus a fair amount to account for the feelings of guilt involved in asking for it.

PRIMATE, n. The head of a church, especially a State church supported by involuntary contributions. The Primate of England is the Archbishop of Canterbury, an amiable old gentleman, who occupies Lambeth Palace when living and Westminster Abbey when dead. He is commonly dead.

PRIMATE, n. The leader of a church, particularly a state church funded by compulsory donations. The Primate of England is the Archbishop of Canterbury, a friendly old man who resides in Lambeth Palace when alive and Westminster Abbey when deceased. He is usually deceased.

PRISON, n. A place of punishments and rewards. The poet assures us that—

PRISON, n. A place of punishment and reward. The poet assures us that—

  "Stone walls do not a prison make,"
"Stone walls don't make a prison,"

but a combination of the stone wall, the political parasite and the moral instructor is no garden of sweets.

but a mix of the stone wall, the political parasite, and the moral instructor is definitely not a sweet deal.

PRIVATE, n. A military gentleman with a field-marshal's baton in his knapsack and an impediment in his hope.

PRIVATE, n. A soldier carrying a field marshal's baton in his backpack and facing a barrier to his aspirations.

PROBOSCIS, n. The rudimentary organ of an elephant which serves him in place of the knife-and-fork that Evolution has as yet denied him. For purposes of humor it is popularly called a trunk.

PROBOSCIS, n. The basic organ of an elephant that acts as a substitute for the knife and fork that Evolution has not provided him with yet. For comedic effect, it is commonly referred to as a trunk.

Asked how he knew that an elephant was going on a journey, the illustrious Jo. Miller cast a reproachful look upon his tormentor, and answered, absently: "When it is ajar," and threw himself from a high promontory into the sea. Thus perished in his pride the most famous humorist of antiquity, leaving to mankind a heritage of woe! No successor worthy of the title has appeared, though Mr. Edward Bok, of The Ladies' Home Journal, is much respected for the purity and sweetness of his personal character.

Asked how he knew an elephant was going on a journey, the famous Jo. Miller shot a reproachful look at his tormentor and replied absentmindedly, "When it is ajar," then threw himself off a high cliff into the sea. Thus, the most famous humorist of antiquity met his end in pride, leaving humanity with a legacy of sorrow! No successor worthy of the title has emerged, although Mr. Edward Bok, of The Ladies' Home Journal, is highly regarded for the purity and sweetness of his personal character.

PROJECTILE, n. The final arbiter in international disputes. Formerly these disputes were settled by physical contact of the disputants, with such simple arguments as the rudimentary logic of the times could supply—the sword, the spear, and so forth. With the growth of prudence in military affairs the projectile came more and more into favor, and is now held in high esteem by the most courageous. Its capital defect is that it requires personal attendance at the point of propulsion.

PROJECTILE, n. The ultimate judge in international conflicts. In the past, these conflicts were resolved through direct confrontations between the parties involved, using the basic tools of the era—swords, spears, and so on. As military strategies evolved, the projectile became increasingly popular, and it's now greatly respected by the bravest among us. However, its main drawback is that it necessitates being physically present at the launch point.

PROOF, n. Evidence having a shade more of plausibility than of unlikelihood. The testimony of two credible witnesses as opposed to that of only one.

PROOF, n. Evidence that seems a bit more believable than unlikely. The statements of two reliable witnesses compared to just one.

PROOF-READER, n. A malefactor who atones for making your writing nonsense by permitting the compositor to make it unintelligible.

PROOFREADER, n. A wrongdoer who makes up for creating nonsense in your writing by allowing the typesetter to turn it into gibberish.

PROPERTY, n. Any material thing, having no particular value, that may be held by A against the cupidity of B. Whatever gratifies the passion for possession in one and disappoints it in all others. The object of man's brief rapacity and long indifference.

PROPERTY, n. Any physical thing that doesn’t have specific value, which can be held by A against the greed of B. Anything that satisfies one person's desire to own while disappointing everyone else. The target of man's short-lived greed and long-lasting indifference.

PROPHECY, n. The art and practice of selling one's credibility for future delivery.

PROPHECY, n. The skill and practice of trading your trustworthiness for future promises.

PROSPECT, n. An outlook, usually forbidding. An expectation, usually forbidden.

PROSPECT, n. A view, often unwelcoming. An anticipation, often not allowed.

  Blow, blow, ye spicy breezes—
      O'er Ceylon blow your breath,
  Where every prospect pleases,
      Save only that of death.
Blow, blow, you fragrant breezes—  
      Over Ceylon, let your breath flow,  
  Where every view delights,  
      Except for the sight of death.

Bishop Sheber

Bishop Sheber

PROVIDENTIAL, adj. Unexpectedly and conspicuously beneficial to the person so describing it.

PROVIDENTIAL, adj. Unexpectedly and obviously good for the person describing it.

PRUDE, n. A bawd hiding behind the back of her demeanor.

PRUDE, n. A promiscuous person pretending to be virtuous.

PUBLISH, n. In literary affairs, to become the fundamental element in a cone of critics.

PUBLISH, n. In literary matters, to become the essential part of a group of critics.

PUSH, n. One of the two things mainly conducive to success, especially in politics. The other is Pull.

PUSH, n. One of the two main things that help achieve success, especially in politics. The other is Pull.

PYRRHONISM, n. An ancient philosophy, named for its inventor. It consisted of an absolute disbelief in everything but Pyrrhonism. Its modern professors have added that.

PYRRHONISM, n. An ancient philosophy named after its founder. It involved complete skepticism about everything except Pyrrhonism itself. Its modern followers have expanded on that.

Q

QUEEN, n. A woman by whom the realm is ruled when there is a king, and through whom it is ruled when there is not.

QUEEN, n. A woman who rules the kingdom when there is a king, and through whom it is ruled when there isn't.

QUILL, n. An implement of torture yielded by a goose and commonly wielded by an ass. This use of the quill is now obsolete, but its modern equivalent, the steel pen, is wielded by the same everlasting Presence.

QUILL, n. A tool for writing made from a goose feather and often used by a fool. This use of the quill is now outdated, but its modern counterpart, the steel pen, is still used by the same eternal force.

QUIVER, n. A portable sheath in which the ancient statesman and the aboriginal lawyer carried their lighter arguments.

QUIVER, n. A portable case where the ancient politician and the early lawyer stored their lighter arguments.

  He extracted from his quiver,
      Did the controversial Roman,
  An argument well fitted
  To the question as submitted,
  Then addressed it to the liver,
      Of the unpersuaded foeman.
  He took from his quiver,
      Did the controversial Roman,
  An argument well suited
  To the question posed,
  Then directed it to the liver,
      Of the unconvinced opponent.

Oglum P. Boomp

Oglum P. Boomp

QUIXOTIC, adj. Absurdly chivalric, like Don Quixote. An insight into the beauty and excellence of this incomparable adjective is unhappily denied to him who has the misfortune to know that the gentleman's name is pronounced Ke-ho-tay.

QUIXOTIC, adj. Ridiculously chivalrous, like Don Quixote. Unfortunately, those who know that the gentleman's name is pronounced Ke-ho-tay are denied an appreciation for the beauty and excellence of this unique adjective.

  When ignorance from out of our lives can banish
  Philology, 'tis folly to know Spanish.
When we can eliminate ignorance from our lives, learning Spanish is pointless.

Juan Smith

Juan Smith

QUORUM, n. A sufficient number of members of a deliberative body to have their own way and their own way of having it. In the United States Senate a quorum consists of the chairman of the Committee on Finance and a messenger from the White House; in the House of Representatives, of the Speaker and the devil.

QUORUM, n. A sufficient number of members of a decision-making group to get their way and do it how they want. In the United States Senate, a quorum is made up of the chairman of the Committee on Finance and a messenger from the White House; in the House of Representatives, it consists of the Speaker and the devil.

QUOTATION, n. The act of repeating erroneously the words of another. The words erroneously repeated.

QUOTATION, n. The act of incorrectly repeating someone else's words. The words that were incorrectly repeated.

  Intent on making his quotation truer,
  He sought the page infallible of Brewer,
  Then made a solemn vow that he would be
  Condemned eternally.  Ah, me, ah, me!
  Determined to make his quote more accurate,  
  He searched the reliable pages of Brewer,  
  Then made a serious promise that he would be  
  Condemned forever. Ah, me, ah, me!  

Stumpo Gaker

Stumpo Gaker

QUOTIENT, n. A number showing how many times a sum of money belonging to one person is contained in the pocket of another—usually about as many times as it can be got there.

QUOTIENT, n. A number that indicates how many times a sum of money that one person has is found in another person's pocket—usually about as many times as it can fit there.

R

RABBLE, n. In a republic, those who exercise a supreme authority tempered by fraudulent elections. The rabble is like the sacred Simurgh, of Arabian fable—omnipotent on condition that it do nothing. (The word is Aristocratese, and has no exact equivalent in our tongue, but means, as nearly as may be, "soaring swine.")

RABBLE, n. In a republic, those who hold supreme authority hampered by dishonest elections. The rabble is like the sacred Simurgh from Arabian legend—powerful as long as it stays inactive. (The word is Aristocratese and doesn't have an exact match in our language, but it roughly means "soaring swine.")

RACK, n. An argumentative implement formerly much used in persuading devotees of a false faith to embrace the living truth. As a call to the unconverted the rack never had any particular efficacy, and is now held in light popular esteem.

RACK, n. An argumentative tool once commonly used to convince followers of a false faith to accept the living truth. As a way to reach those who are unconverted, the rack was never particularly effective, and is now viewed with little regard by the general public.

RANK, n. Relative elevation in the scale of human worth.

RANK, n. The level of value or importance in terms of human worth.

  He held at court a rank so high
  That other noblemen asked why.
  "Because," 'twas answered, "others lack
  His skill to scratch the royal back."
  He held a rank at court so high  
  That other noblemen wondered why.  
  "Because," it was answered, "others don't  
  Have the knack to scratch the royal back."  

Aramis Jukes

Aramis Jukes

RANSOM, n. The purchase of that which neither belongs to the seller, nor can belong to the buyer. The most unprofitable of investments.

RANSOM, n. The buying of something that doesn’t belong to the seller and can’t actually belong to the buyer. It’s the least profitable type of investment.

RAPACITY, n. Providence without industry. The thrift of power.

RAPACITY, n. Luck without effort. The selfishness of authority.

RAREBIT, n. A Welsh rabbit, in the speech of the humorless, who point out that it is not a rabbit. To whom it may be solemnly explained that the comestible known as toad-in-a-hole is really not a toad, and that riz-de-veau a la financiere is not the smile of a calf prepared after the recipe of a she banker.

RAREBIT, n. A Welsh rabbit, according to those who lack a sense of humor and insist that it’s not actually a rabbit. To them, it can be seriously explained that the dish known as toad-in-a-hole is actually not made of toads, and that riz-de-veau a la financiere is not the grin of a calf made following a recipe from a female banker.

RASCAL, n. A fool considered under another aspect.

RASCAL, n. A fool seen from a different perspective.

RASCALITY, n. Stupidity militant. The activity of a clouded intellect.

RASCALITY, n. Bold ignorance. The behavior of a confused mind.

RASH, adj. Insensible to the value of our advice.

RASH, adj. Unaware of the importance of our advice.

  "Now lay your bet with mine, nor let
      These gamblers take your cash."
  "Nay, this child makes no bet."  "Great snakes!
      How can you be so rash?"
  "Now place your bet alongside mine, and don't let these gamblers take your money."
  "No, this kid isn't betting."  "Wow! How can you be so reckless?"

Bootle P. Gish

Bootle P. Gish

RATIONAL, adj. Devoid of all delusions save those of observation, experience and reflection.

RATIONAL, adj. Free from all illusions except those formed by observation, experience, and thinking.

RATTLESNAKE, n. Our prostrate brother, Homo ventrambulans.

RATTLESNAKE, n. Our fallen brother, Homo ventrambulans.

RAZOR, n. An instrument used by the Caucasian to enhance his beauty, by the Mongolian to make a guy of himself, and by the Afro-American to affirm his worth.

RAZOR, n. A tool used by Caucasians to enhance their appearance, by Mongolians to make a fool of themselves, and by African Americans to assert their value.

REACH, n. The radius of action of the human hand. The area within which it is possible (and customary) to gratify directly the propensity to provide.

REACH, n. The range of action of the human hand. The space where it is possible (and usual) to directly satisfy the urge to give.

  This is a truth, as old as the hills,
      That life and experience teach:
  The poor man suffers that keenest of ills,
      An impediment in his reach.
  This is a truth as old as time,
      That life and experience show:
  The poor man endures the deepest pain,
      An obstacle in his path.

G.J.

G.J.

READING, n. The general body of what one reads. In our country it consists, as a rule, of Indiana novels, short stories in "dialect" and humor in slang.

READING, n. The overall collection of what someone reads. In our country, it usually consists of Indiana novels, short stories in "dialect," and humor in slang.

  We know by one's reading
  His learning and breeding;
  By what draws his laughter
  We know his Hereafter.
  Read nothing, laugh never—
  The Sphinx was less clever!
  We can tell a lot from someone's reading  
  About their education and background;  
  By what makes them laugh  
  We understand their future.  
  Read nothing, laugh at nothing—  
  The Sphinx was less smart!  

Jupiter Muke

Jupiter Muke

RADICALISM, n. The conservatism of to-morrow injected into the affairs of to-day.

RADICALISM, n. The conservatism of tomorrow injected into the affairs of today.

RADIUM, n. A mineral that gives off heat and stimulates the organ that a scientist is a fool with.

RADIUM, n. A mineral that generates heat and activates the organ that a scientist is foolish with.

RAILROAD, n. The chief of many mechanical devices enabling us to get away from where we are to where we are no better off. For this purpose the railroad is held in highest favor by the optimist, for it permits him to make the transit with great expedition.

RAILROAD, n. The main type of mechanical system that allows us to travel from where we are to where we are no better off. For this purpose, the railroad is favored by the optimist, as it enables him to make the journey quickly.

RAMSHACKLE, adj. Pertaining to a certain order of architecture, otherwise known as the Normal American. Most of the public buildings of the United States are of the Ramshackle order, though some of our earlier architects preferred the Ironic. Recent additions to the White House in Washington are Theo-Doric, the ecclesiastic order of the Dorians. They are exceedingly fine and cost one hundred dollars a brick.

RAMSHACKLE, adj. Related to a specific style of architecture, also known as the Normal American. Most public buildings in the United States fall into the Ramshackle category, although some of our earlier architects favored the Ironic style. Recent renovations to the White House in Washington are Theo-Doric, the religious style of the Dorians. They are exceptionally well-made and cost one hundred dollars per brick.

REALISM, n. The art of depicting nature as it is seen by toads. The charm suffusing a landscape painted by a mole, or a story written by a measuring-worm.

REALISM, n. The art of portraying nature as it appears to toads. The allure that fills a landscape painted by a mole, or a story created by a measuring-worm.

REALITY, n. The dream of a mad philosopher. That which would remain in the cupel if one should assay a phantom. The nucleus of a vacuum.

REALITY, n. The fantasy of a crazy philosopher. What would be left in the crucible if you tried to test an illusion. The core of emptiness.

REALLY, adv. Apparently.

REALLY, adv. Seriously.

REAR, n. In American military matters, that exposed part of the army that is nearest to Congress.

REAR, n. In American military terms, that vulnerable part of the army that is closest to Congress.

REASON, v.i. To weigh probabilities in the scales of desire.

REASON, v.i. To consider possibilities based on what you want.

REASON, n. Propensitate of prejudice.

REASON, n. Bias-driven inclination.

REASONABLE, adj. Accessible to the infection of our own opinions. Hospitable to persuasion, dissuasion and evasion.

REASONABLE, adj. Open to being influenced by our own beliefs. Welcoming to persuasion, dissuasion, and avoidance.

REBEL, n. A proponent of a new misrule who has failed to establish it.

REBEL, n. Someone who supports a new disorder but hasn't managed to put it into place.

RECOLLECT, v. To recall with additions something not previously known.

RECOLLECT, v. To remember something with new details that weren't known before.

RECONCILIATION, n. A suspension of hostilities. An armed truce for the purpose of digging up the dead.

RECONCILIATION, n. A pause in fighting. A ceasefire aimed at addressing past conflicts.

RECONSIDER, v. To seek a justification for a decision already made.

RECONSIDER, v. To look for a reason to support a decision that has already been made.

RECOUNT, n. In American politics, another throw of the dice, accorded to the player against whom they are loaded.

RECOUNT, n. In American politics, another roll of the dice, given to the player who is at a disadvantage.

RECREATION, n. A particular kind of dejection to relieve a general fatigue.

RECREATION, n. A specific type of upset that helps to ease overall tiredness.

RECRUIT, n. A person distinguishable from a civilian by his uniform and from a soldier by his gait.

RECRUIT, n. A person who can be identified as different from a civilian by their uniform and from a soldier by the way they walk.

  Fresh from the farm or factory or street,
  His marching, in pursuit or in retreat,
      Were an impressive martial spectacle
  Except for two impediments—his feet.
  Fresh from the farm or factory or street,  
  His marching, whether advancing or falling back,  
      Was an impressive military display  
  Except for two problems—his feet.  

Thompson Johnson

Thompson Johnson

RECTOR, n. In the Church of England, the Third Person of the parochial Trinity, the Curate and the Vicar being the other two.

RECTOR, n. In the Church of England, the third person of the local parish leadership, with the Curate and the Vicar being the other two.

REDEMPTION, n. Deliverance of sinners from the penalty of their sin, through their murder of the deity against whom they sinned. The doctrine of Redemption is the fundamental mystery of our holy religion, and whoso believeth in it shall not perish, but have everlasting life in which to try to understand it.

REDEMPTION, n. The rescue of sinners from the consequences of their sins, through the death of the deity they wronged. The concept of Redemption is the core mystery of our faith, and whoever believes in it will not die but will have eternal life to attempt to grasp it.

  We must awake Man's spirit from his sin,
      And take some special measure for redeeming it;
  Though hard indeed the task to get it in
      Among the angels any way but teaming it,
      Or purify it otherwise than steaming it.
  I'm awkward at Redemption—a beginner:
  My method is to crucify the sinner.
  We need to wake up humanity's spirit from its sin,  
      And take some specific steps to redeem it;  
  Though it’s a tough job to get it to  
      The angels in any way other than forcing it,  
      Or to clean it up in any way besides boiling it.  
  I'm clumsy at Redemption—a novice:  
  My approach is to crucify the sinner.  

Golgo Brone

Golgo Brone

REDRESS, n. Reparation without satisfaction.

REDRESS, n. Compensation without satisfaction.

Among the Anglo-Saxon a subject conceiving himself wronged by the king was permitted, on proving his injury, to beat a brazen image of the royal offender with a switch that was afterward applied to his own naked back. The latter rite was performed by the public hangman, and it assured moderation in the plaintiff's choice of a switch.

Among the Anglo-Saxons, if someone felt wronged by the king, they were allowed to prove their injury by striking a bronze statue of the king with a switch, which was then used to hit their own bare back. This act was carried out by the public executioner, ensuring that the person chose a switch that wasn't overly harsh.

RED-SKIN, n. A North American Indian, whose skin is not red—at least not on the outside.

RED-SKIN, n. A North American Indian, whose skin isn't red—at least not on the surface.

REDUNDANT, adj. Superfluous; needless; de trop.

REDUNDANT, adj. Unnecessary; nonessential; de trop.

  The Sultan said:  "There's evidence abundant
  To prove this unbelieving dog redundant."
  To whom the Grand Vizier, with mien impressive,
  Replied:  "His head, at least, appears excessive."
  The Sultan said:  "There's plenty of evidence  
  To show that this unbelieving fool is unnecessary."  
  To which the Grand Vizier, with an impressive demeanor,  
  replied:  "At least his head looks too big."  

Habeeb Suleiman

Habeeb Suleiman

  Mr. Debs is a redundant citizen.
Mr. Debs is an unnecessary citizen.

Theodore Roosevelt

Teddy Roosevelt

REFERENDUM, n. A law for submission of proposed legislation to a popular vote to learn the nonsensus of public opinion.

REFERENDUM, n. A law that requires proposed legislation to be put to a popular vote to gauge public opinion.

REFLECTION, n. An action of the mind whereby we obtain a clearer view of our relation to the things of yesterday and are able to avoid the perils that we shall not again encounter.

REFLECTION, n. A mental process through which we gain a better understanding of our connection to past events and are able to steer clear of the dangers we won’t face again.

REFORM, v. A thing that mostly satisfies reformers opposed to reformation.

REFORM, v. Something that generally pleases reformers who are against real change.

REFUGE, n. Anything assuring protection to one in peril. Moses and Joshua provided six cities of refuge—Bezer, Golan, Ramoth, Kadesh, Schekem and Hebron—to which one who had taken life inadvertently could flee when hunted by relatives of the deceased. This admirable expedient supplied him with wholesome exercise and enabled them to enjoy the pleasures of the chase; whereby the soul of the dead man was appropriately honored by observances akin to the funeral games of early Greece.

REFUGE, n. Anything that provides safety to someone in danger. Moses and Joshua created six cities of refuge—Bezer, Golan, Ramoth, Kadesh, Schekem, and Hebron—where someone who unintentionally killed another person could escape when pursued by the deceased's relatives. This clever solution offered him a chance for physical activity and allowed them to experience the excitement of the hunt; thus, the spirit of the deceased was suitably honored with rituals similar to the funeral games of ancient Greece.

REFUSAL, n. Denial of something desired; as an elderly maiden's hand in marriage, to a rich and handsome suitor; a valuable franchise to a rich corporation, by an alderman; absolution to an impenitent king, by a priest, and so forth. Refusals are graded in a descending scale of finality thus: the refusal absolute, the refusal conditional, the refusal tentative and the refusal feminine. The last is called by some casuists the refusal assentive.

REFUSAL, n. Denial of something wanted; like an elderly woman's hand in marriage to a wealthy and attractive suitor; a valuable franchise to a rich corporation, by a city council member; absolution to an unrepentant king, by a priest, and so on. Refusals are ranked in a descending scale of finality as follows: the absolute refusal, the conditional refusal, the tentative refusal, and the feminine refusal. The last is referred to by some scholars as the assentive refusal.

REGALIA, n. Distinguishing insignia, jewels and costume of such ancient and honorable orders as Knights of Adam; Visionaries of Detectable Bosh; the Ancient Order of Modern Troglodytes; the League of Holy Humbug; the Golden Phalanx of Phalangers; the Genteel Society of Expurgated Hoodlums; the Mystic Alliances of Gorgeous Regalians; Knights and Ladies of the Yellow Dog; the Oriental Order of Sons of the West; the Blatherhood of Insufferable Stuff; Warriors of the Long Bow; Guardians of the Great Horn Spoon; the Band of Brutes; the Impenitent Order of Wife-Beaters; the Sublime Legion of Flamboyant Conspicuants; Worshipers at the Electroplated Shrine; Shining Inaccessibles; Fee-Faw-Fummers of the Inimitable Grip; Jannissaries of the Broad-Blown Peacock; Plumed Increscencies of the Magic Temple; the Grand Cabal of Able-Bodied Sedentarians; Associated Deities of the Butter Trade; the Garden of Galoots; the Affectionate Fraternity of Men Similarly Warted; the Flashing Astonishers; Ladies of Horror; Cooperative Association for Breaking into the Spotlight; Dukes of Eden; Disciples Militant of the Hidden Faith; Knights-Champions of the Domestic Dog; the Holy Gregarians; the Resolute Optimists; the Ancient Sodality of Inhospitable Hogs; Associated Sovereigns of Mendacity; Dukes-Guardian of the Mystic Cess-Pool; the Society for Prevention of Prevalence; Kings of Drink; Polite Federation of Gents-Consequential; the Mysterious Order of the Undecipherable Scroll; Uniformed Rank of Lousy Cats; Monarchs of Worth and Hunger; Sons of the South Star; Prelates of the Tub-and-Sword.

REGALIA, n. The distinctive insignia, jewels, and costumes of various ancient and prestigious groups like the Knights of Adam; Visionaries of Detectable Bosh; the Ancient Order of Modern Troglodytes; the League of Holy Humbug; the Golden Phalanx of Phalangers; the Genteel Society of Expurgated Hoodlums; the Mystic Alliances of Gorgeous Regalians; Knights and Ladies of the Yellow Dog; the Oriental Order of Sons of the West; the Blatherhood of Insufferable Stuff; Warriors of the Long Bow; Guardians of the Great Horn Spoon; the Band of Brutes; the Impenitent Order of Wife-Beaters; the Sublime Legion of Flamboyant Conspicuants; Worshipers at the Electroplated Shrine; Shining Inaccessibles; Fee-Faw-Fummers of the Inimitable Grip; Jannissaries of the Broad-Blown Peacock; Plumed Increscencies of the Magic Temple; the Grand Cabal of Able-Bodied Sedentarians; Associated Deities of the Butter Trade; the Garden of Galoots; the Affectionate Fraternity of Men Similarly Warted; the Flashing Astonishers; Ladies of Horror; Cooperative Association for Breaking into the Spotlight; Dukes of Eden; Disciples Militant of the Hidden Faith; Knights-Champions of the Domestic Dog; the Holy Gregarians; the Resolute Optimists; the Ancient Sodality of Inhospitable Hogs; Associated Sovereigns of Mendacity; Dukes-Guardian of the Mystic Cess-Pool; the Society for Prevention of Prevalence; Kings of Drink; Polite Federation of Gents-Consequential; the Mysterious Order of the Undecipherable Scroll; Uniformed Rank of Lousy Cats; Monarchs of Worth and Hunger; Sons of the South Star; Prelates of the Tub-and-Sword.

RELIGION, n. A daughter of Hope and Fear, explaining to Ignorance the nature of the Unknowable.

RELIGION, n. A child of Hope and Fear, explaining to Ignorance the nature of the Unknowable.

  "What is your religion my son?" inquired the Archbishop of Rheims.
  "Pardon, monseigneur," replied Rochebriant; "I am ashamed of it."
  "Then why do you not become an atheist?"
  "Impossible!  I should be ashamed of atheism."
  "In that case, monsieur, you should join the Protestants."
  "What is your religion, my son?" asked the Archbishop of Rheims.  
  "I'm sorry, Your Excellency," Rochebriant replied; "I'm embarrassed by it."  
  "Then why don't you just become an atheist?"  
  "No way! I'd be ashamed of being an atheist."  
  "In that case, sir, you should join the Protestants."

RELIQUARY, n. A receptacle for such sacred objects as pieces of the true cross, short-ribs of the saints, the ears of Balaam's ass, the lung of the cock that called Peter to repentance and so forth. Reliquaries are commonly of metal, and provided with a lock to prevent the contents from coming out and performing miracles at unseasonable times. A feather from the wing of the Angel of the Annunciation once escaped during a sermon in Saint Peter's and so tickled the noses of the congregation that they woke and sneezed with great vehemence three times each. It is related in the "Gesta Sanctorum" that a sacristan in the Canterbury cathedral surprised the head of Saint Dennis in the library. Reprimanded by its stern custodian, it explained that it was seeking a body of doctrine. This unseemly levity so raged the diocesan that the offender was publicly anathematized, thrown into the Stour and replaced by another head of Saint Dennis, brought from Rome.

RELIQUARY, n. A container for sacred objects like pieces of the true cross, saintly rib bones, the ears of Balaam's donkey, the lung of the rooster that called Peter to repentance, and so on. Reliquaries are usually made of metal and have locks to keep the contents from coming out and performing miracles at inconvenient times. A feather from the Angel of the Annunciation's wing once got loose during a sermon in Saint Peter's and tickled the noses of the congregation, causing them to wake up and sneeze vigorously three times each. According to the "Gesta Sanctorum," a sacristan in Canterbury Cathedral was surprised to find the head of Saint Dennis in the library. When reprimanded by its strict keeper, it said it was looking for a body of doctrine. This inappropriate lightheartedness angered the diocesan so much that the offender was publicly cursed, thrown into the Stour, and replaced by another head of Saint Dennis that had been brought from Rome.

RENOWN, n. A degree of distinction between notoriety and fame—a little more supportable than the one and a little more intolerable than the other. Sometimes it is conferred by an unfriendly and inconsiderate hand.

RENOWN, n. A level of distinction that falls between notoriety and fame—slightly more bearable than one and a bit more unbearable than the other. At times, it is given by an unfriendly and thoughtless hand.

  I touched the harp in every key,
      But found no heeding ear;
  And then Ithuriel touched me
      With a revealing spear.

  Not all my genius, great as 'tis,
      Could urge me out of night.
  I felt the faint appulse of his,
      And leapt into the light!
  I played the harp in every key,  
      But no one seemed to listen;  
  Then Ithuriel touched me  
      With a revealing spear.  
  
  Not even all my talent, no matter how great,  
      Could pull me out of darkness.  
  I felt the light brush of his,  
      And jumped into the light!  

W.J. Candleton

W.J. Candleton

REPARATION, n. Satisfaction that is made for a wrong and deducted from the satisfaction felt in committing it.

REPARATION, n. Compensation given for a wrong, which lessens the pleasure derived from committing it.

REPARTEE, n. Prudent insult in retort. Practiced by gentlemen with a constitutional aversion to violence, but a strong disposition to offend. In a war of words, the tactics of the North American Indian.

REPARTEE, n. Witty insults in response. Used by gentlemen who have a natural dislike for violence but a strong tendency to provoke. In a verbal battle, it's the strategy of the North American Indian.

REPENTANCE, n. The faithful attendant and follower of Punishment. It is usually manifest in a degree of reformation that is not inconsistent with continuity of sin.

REPENTANCE, n. The loyal companion and follower of Punishment. It usually shows up as a change in behavior that doesn't quite break the cycle of sin.

  Desirous to avoid the pains of Hell,
  You will repent and join the Church, Parnell?
  How needless!—Nick will keep you off the coals
  And add you to the woes of other souls.
  Wanting to escape the torments of Hell,  
  Are you going to regret it and join the Church, Parnell?  
  How unnecessary!—Nick will keep you away from the flames  
  And add you to the troubles of other souls.

Jomater Abemy

Jomater Abemy

REPLICA, n. A reproduction of a work of art, by the artist that made the original. It is so called to distinguish it from a "copy," which is made by another artist. When the two are made with equal skill the replica is the more valuable, for it is supposed to be more beautiful than it looks.

REPLICA, n. A reproduction of a work of art created by the original artist. This term is used to differentiate it from a "copy," which is made by a different artist. When both are created with the same level of skill, the replica is considered more valuable, as it is believed to be more beautiful than it appears.

REPORTER, n. A writer who guesses his way to the truth and dispels it with a tempest of words.

REPORTER, n. A writer who finds their way to the truth through guesswork and obscures it with a flurry of words.

  "More dear than all my bosom knows, O thou
  Whose 'lips are sealed' and will not disavow!"
  So sang the blithe reporter-man as grew
  Beneath his hand the leg-long "interview."
  "More precious than anything I hold dear, O you  
  Whose 'lips are sealed' and won’t deny!"  
  So sang the cheerful reporter as the leg-long  
  "interview" unfolded under his hand.  

Barson Maith

Barson Maith

REPOSE, v.i. To cease from troubling.

REPOSE, v.i. To stop causing problems.

REPRESENTATIVE, n. In national politics, a member of the Lower House in this world, and without discernible hope of promotion in the next.

REPRESENTATIVE, n. In national politics, a member of the Lower House in this world, with no apparent chance of advancement in the next.

REPROBATION, n. In theology, the state of a luckless mortal prenatally damned. The doctrine of reprobation was taught by Calvin, whose joy in it was somewhat marred by the sad sincerity of his conviction that although some are foredoomed to perdition, others are predestined to salvation.

REPROBATION, n. In theology, the condition of an unfortunate person who is damned before birth. The doctrine of reprobation was promoted by Calvin, whose happiness in it was somewhat overshadowed by the somber truth of his belief that while some are destined for destruction, others are chosen for salvation.

REPUBLIC, n. A nation in which, the thing governing and the thing governed being the same, there is only a permitted authority to enforce an optional obedience. In a republic, the foundation of public order is the ever lessening habit of submission inherited from ancestors who, being truly governed, submitted because they had to. There are as many kinds of republics as there are graduations between the despotism whence they came and the anarchy whither they lead.

REPUBLIC, n. A nation where the governing body and the citizens are one and the same, existing only to establish an authority that enforces voluntary compliance. In a republic, the basis of public order relies on the diminishing tradition of submission passed down from ancestors who, under true governance, submitted out of necessity. There are as many types of republics as there are variations between the despotism from which they emerged and the anarchy to which they may descend.

REQUIEM, n. A mass for the dead which the minor poets assure us the winds sing o'er the graves of their favorites. Sometimes, by way of providing a varied entertainment, they sing a dirge.

REQUIEM, n. A mass for the dead that the lesser poets tell us the winds sing over the graves of their favorites. Occasionally, to mix things up, they also sing a dirge.

RESIDENT, adj. Unable to leave.

RESIDENT, adj. Stuck in one place.

RESIGN, v.t. To renounce an honor for an advantage. To renounce an advantage for a greater advantage.

RESIGN, v.t. To give up an honor for a benefit. To give up a benefit for a greater benefit.

  'Twas rumored Leonard Wood had signed
      A true renunciation
  Of title, rank and every kind
      Of military station—
      Each honorable station.

  By his example fired—inclined
      To noble emulation,
  The country humbly was resigned
      To Leonard's resignation—
      His Christian resignation.
  It was rumored that Leonard Wood had signed  
      A true renunciation  
  Of title, rank, and every kind  
      Of military position—  
      Each honorable position.  
  
  Inspired by his example—inclined  
      To noble emulation,  
  The country humbly accepted  
      Leonard's resignation—  
      His Christian resignation.

Politian Greame

Politician Greame

RESOLUTE, adj. Obstinate in a course that we approve.

RESOLUTE, adj. Stubbornly following a path that we agree with.

RESPECTABILITY, n. The offspring of a liaison between a bald head and a bank account.

RESPECTABILITY, n. The result of a connection between a bald head and a bank account.

RESPIRATOR, n. An apparatus fitted over the nose and mouth of an inhabitant of London, whereby to filter the visible universe in its passage to the lungs.

RESPIRATOR, n. A device placed over the nose and mouth of a Londoner, designed to filter the visible world before it enters the lungs.

RESPITE, n. A suspension of hostilities against a sentenced assassin, to enable the Executive to determine whether the murder may not have been done by the prosecuting attorney. Any break in the continuity of a disagreeable expectation.

RESPITE, n. A pause in hostilities against a convicted assassin, allowing the Executive to figure out if the murder might not have been committed by the prosecuting attorney. Any interruption in the ongoing anticipation of something unpleasant.

  Altgeld upon his incandescent bed
  Lay, an attendant demon at his head.

  "O cruel cook, pray grant me some relief—
  Some respite from the roast, however brief."

  "Remember how on earth I pardoned all
  Your friends in Illinois when held in thrall."

  "Unhappy soul! for that alone you squirm
  O'er fire unquenched, a never-dying worm.

  "Yet, for I pity your uneasy state,
  Your doom I'll mollify and pains abate.

  "Naught, for a season, shall your comfort mar,
  Not even the memory of who you are."

  Throughout eternal space dread silence fell;
  Heaven trembled as Compassion entered Hell.

  "As long, sweet demon, let my respite be
  As, governing down here, I'd respite thee."

  "As long, poor soul, as any of the pack
  You thrust from jail consumed in getting back."

  A genial chill affected Altgeld's hide
  While they were turning him on t'other side.
  Altgeld lay on his glowing bed  
  With a demon attendant at his head.  
  
  "Oh cruel cook, please give me some relief—  
  Some break from the roast, even if it's brief."  
  
  "Remember how on earth I pardoned all  
  Your friends in Illinois when they were in thrall."  
  
  "Unfortunate soul! For that alone you squirm  
  Over unquenchable fire, a never-dying worm.  
  
  "Yet, because I feel for your uneasy state,  
  I’ll soften your fate and ease your pain.  
  
  "Nothing, for a time, shall disturb your peace,  
  Not even the memory of who you are."  
  
  Throughout the endless space, a dreadful silence fell;  
  Heaven shook as Compassion entered Hell.  
  
  "As long, sweet demon, let my break be  
  As, ruling down here, I’d break for thee."  
  
  "As long, poor soul, as any of the bunch  
  You pushed from jail consumed in getting back."  
  
  A pleasant chill affected Altgeld's skin  
  While they were turning him to the other side.  

Joel Spate Woop

Joel Spate Woop

RESPLENDENT, adj. Like a simple American citizen beduking himself in his lodge, or affirming his consequence in the Scheme of Things as an elemental unit of a parade.

RESPLENDENT, adj. Like a regular American citizen enjoying himself in his lodge, or asserting his importance in the grand scheme of things as a basic part of a parade.

      The Knights of Dominion were so resplendent in their velvet-
  and-gold that their masters would hardly have known them.
      The Knights of Dominion were so shining in their velvet and gold that their superiors would barely have recognized them.

"Chronicles of the Classes"

"Chronicles of the Classes"

RESPOND, v.i. To make answer, or disclose otherwise a consciousness of having inspired an interest in what Herbert Spencer calls "external coexistences," as Satan "squat like a toad" at the ear of Eve, responded to the touch of the angel's spear. To respond in damages is to contribute to the maintenance of the plaintiff's attorney and, incidentally, to the gratification of the plaintiff.

RESPOND, v.i. To reply or show awareness of having sparked an interest in what Herbert Spencer refers to as "external coexistences," like Satan "squat like a toad" at the ear of Eve, responded to the angel's spear's touch. To respond in damages means to help pay for the plaintiff's attorney and, indirectly, to satisfy the plaintiff.

RESPONSIBILITY, n. A detachable burden easily shifted to the shoulders of God, Fate, Fortune, Luck or one's neighbor. In the days of astrology it was customary to unload it upon a star.

RESPONSIBILITY, n. A removable weight that can easily be passed off onto God, Fate, Fortune, Luck, or a neighbor. Back in the days of astrology, people used to transfer it to a star.

  Alas, things ain't what we should see
  If Eve had let that apple be;
  And many a feller which had ought
  To set with monarchses of thought,
  Or play some rosy little game
  With battle-chaps on fields of fame,
  Is downed by his unlucky star
  And hollers:  "Peanuts!—here you are!"
  Sadly, things aren't what they should be  
  If Eve had just left that apple alone;  
  And many a guy who should be  
  Sitting with the great thinkers,  
  Or playing some fun little game  
  With warriors on famous battlefields,  
  Is brought down by his bad luck  
  And shouts: "Peanuts!—here you are!"  

"The Sturdy Beggar"

"The Resilient Beggar"

RESTITUTION, n. The founding or endowing of universities and public libraries by gift or bequest.

RESTITUTION, n. The establishment or funding of universities and public libraries through donations or wills.

RESTITUTOR, n. Benefactor; philanthropist.

RESTITUTOR, n. Sponsor; supporter.

RETALIATION, n. The natural rock upon which is reared the Temple of Law.

RETALIATION, n. The solid foundation upon which the Temple of Law stands.

RETRIBUTION, n. A rain of fire-and-brimstone that falls alike upon the just and such of the unjust as have not procured shelter by evicting them.

RETRIBUTION, n. A rain of fire and brimstone that falls on both the righteous and those unjust individuals who haven't found protection by pushing them out.

In the lines following, addressed to an Emperor in exile by Father Gassalasca Jape, the reverend poet appears to hint his sense of the imprudence of turning about to face Retribution when it is taking exercise:

In the lines that follow, directed to an exiled Emperor by Father Gassalasca Jape, the esteemed poet seems to suggest his awareness of the foolishness of turning to confront Retribution while it is active:

  What, what! Dom Pedro, you desire to go
      Back to Brazil to end your days in quiet?
  Why, what assurance have you 'twould be so?
      'Tis not so long since you were in a riot,
      And your dear subjects showed a will to fly at
  Your throat and shake you like a rat.  You know
  That empires are ungrateful; are you certain
  Republics are less handy to get hurt in?
What’s this! Dom Pedro, you want to go back to Brazil to spend your days in peace? What makes you think that would actually happen? It wasn't that long ago that there was chaos, and your loyal subjects were ready to attack you. You know how ungrateful empires can be; are you really sure that republics are any safer?

REVEILLE, n. A signal to sleeping soldiers to dream of battlefields no more, but get up and have their blue noses counted. In the American army it is ingeniously called "rev-e-lee," and to that pronunciation our countrymen have pledged their lives, their misfortunes and their sacred dishonor.

REVEILLE, n. A signal for sleeping soldiers to stop dreaming about battlefields and get up for roll call. In the American army, it’s cleverly pronounced "rev-e-lee," and our countrymen have committed their lives, their hardships, and their sacred dishonor to that pronunciation.

REVELATION, n. A famous book in which St. John the Divine concealed all that he knew. The revealing is done by the commentators, who know nothing.

REVELATION, n. A well-known book where St. John the Divine hid everything he knew. The explanations come from the commentators, who don’t really know anything.

REVERENCE, n. The spiritual attitude of a man to a god and a dog to a man.

REVERENCE, n. The spiritual attitude of a person towards a god and a dog towards a person.

REVIEW, v.t.

REVIEW, v.

  To set your wisdom (holding not a doubt of it,
      Although in truth there's neither bone nor skin to it)
  At work upon a book, and so read out of it
      The qualities that you have first read into it.
  To put your wisdom (without a doubt)
      To work on a book, and then read from it
      The qualities you initially put into it.

REVOLUTION, n. In politics, an abrupt change in the form of misgovernment. Specifically, in American history, the substitution of the rule of an Administration for that of a Ministry, whereby the welfare and happiness of the people were advanced a full half-inch. Revolutions are usually accompanied by a considerable effusion of blood, but are accounted worth it—this appraisement being made by beneficiaries whose blood had not the mischance to be shed. The French revolution is of incalculable value to the Socialist of to-day; when he pulls the string actuating its bones its gestures are inexpressibly terrifying to gory tyrants suspected of fomenting law and order.

REVOLUTION, n. In politics, a sudden change in the way things are mismanaged. Specifically, in American history, it's when the power of an Administration replaces that of a Ministry, leading to a slight improvement in the welfare and happiness of the people. Revolutions usually involve a lot of bloodshed, but they're considered worthwhile—based on the opinions of those who benefit and whose blood happened not to be spilled. The French revolution is immensely valuable to today’s Socialists; when they pull the strings controlling its actions, its movements are incredibly terrifying to brutal tyrants suspected of promoting law and order.

RHADOMANCER, n. One who uses a divining-rod in prospecting for precious metals in the pocket of a fool.

RHADOMANCER, n. Someone who uses a divining rod to search for valuable metals in the mind of a fool.

RIBALDRY, n. Censorious language by another concerning oneself.

RIBALDRY, n. Critical language from someone else about you.

RIBROASTER, n. Censorious language by oneself concerning another. The word is of classical refinement, and is even said to have been used in a fable by Georgius Coadjutor, one of the most fastidious writers of the fifteenth century—commonly, indeed, regarded as the founder of the Fastidiotic School.

RIBROASTER, n. Critical comments made by someone about another person. This term comes from classical literature and is said to have appeared in a fable by Georgius Coadjutor, one of the most particular writers of the fifteenth century—often considered the founder of the Fastidiotic School.

RICE-WATER, n. A mystic beverage secretly used by our most popular novelists and poets to regulate the imagination and narcotize the conscience. It is said to be rich in both obtundite and lethargine, and is brewed in a midnight fog by a fat witch of the Dismal Swamp.

RICE-WATER, n. A mysterious drink secretly used by our most famous novelists and poets to control creativity and dull the conscience. It's said to be high in both obtundite and lethargine, brewed in a midnight mist by a plump witch from the Dismal Swamp.

RICH, adj. Holding in trust and subject to an accounting the property of the indolent, the incompetent, the unthrifty, the envious and the luckless. That is the view that prevails in the underworld, where the Brotherhood of Man finds its most logical development and candid advocacy. To denizens of the midworld the word means good and wise.

RICH, adj. Managing and responsible for the property of the lazy, the incompetent, the wasteful, the jealous, and the unfortunate. That's how it's seen in the underworld, where the idea of Brotherhood of Man is most logically developed and openly supported. For those in the middle world, the word implies being good and wise.

RICHES, n.

WEALTH, n.

      A gift from Heaven signifying, "This is my beloved son, in
  whom I am well pleased."
      A gift from Heaven that says, "This is my beloved son, in whom I am very pleased."

John D. Rockefeller

John D. Rockefeller

      The reward of toil and virtue.
      The reward of hard work and good character.

J.P. Morgan

J.P. Morgan

      The savings of many in the hands of one.
      The savings of many in the hands of one.

Eugene Debs

Eugene V. Debs

To these excellent definitions the inspired lexicographer feels that he can add nothing of value.

To these great definitions, the inspired lexicographer feels he can't add anything valuable.

RIDICULE, n. Words designed to show that the person of whom they are uttered is devoid of the dignity of character distinguishing him who utters them. It may be graphic, mimetic or merely rident. Shaftesbury is quoted as having pronounced it the test of truth—a ridiculous assertion, for many a solemn fallacy has undergone centuries of ridicule with no abatement of its popular acceptance. What, for example, has been more valorously derided than the doctrine of Infant Respectability?

RIDICULE, n. Words meant to show that the person being talked about lacks the dignity of character that distinguishes the speaker. It can be expressive, imitative, or simply mocking. Shaftesbury is quoted as saying it’s the test of truth—a ridiculous claim, because many serious fallacies have been ridiculed for centuries without losing their popularity. For instance, what has been more boldly mocked than the idea of Infant Respectability?

RIGHT, n. Legitimate authority to be, to do or to have; as the right to be a king, the right to do one's neighbor, the right to have measles, and the like. The first of these rights was once universally believed to be derived directly from the will of God; and this is still sometimes affirmed in partibus infidelium outside the enlightened realms of Democracy; as the well known lines of Sir Abednego Bink, following:

RIGHT, n. Legitimate authority to exist, to act, or to possess; like the right to be a king, the right to treat your neighbor, the right to have measles, and so on. The first of these rights was once widely thought to come directly from God's will; and this is still sometimes claimed in partibus infidelium outside the enlightened areas of Democracy; as the famous lines of Sir Abednego Bink say:

      By what right, then, do royal rulers rule?
          Whose is the sanction of their state and pow'r?
      He surely were as stubborn as a mule
          Who, God unwilling, could maintain an hour
  His uninvited session on the throne, or air
  His pride securely in the Presidential chair.

      Whatever is is so by Right Divine;
          Whate'er occurs, God wills it so.  Good land!
      It were a wondrous thing if His design
          A fool could baffle or a rogue withstand!
  If so, then God, I say (intending no offence)
  Is guilty of contributory negligence.
      By what authority do kings and queens rule?
          Who gives them the power to govern and have authority?
      Anyone who could sit on the throne uninvited, 
          or confidently sit in the Presidential chair, would have to be as stubborn as a mule, 
  especially if it were against God’s will.

      Everything that is, exists through Divine Right;
          Whatever happens is willed by God. Goodness!
      It would be astonishing if someone could disrupt
          or outsmart His plan!
  If that’s the case, then God, with no intention to offend,
  is guilty of contributing to the problem.

RIGHTEOUSNESS, n. A sturdy virtue that was once found among the Pantidoodles inhabiting the lower part of the peninsula of Oque. Some feeble attempts were made by returned missionaries to introduce it into several European countries, but it appears to have been imperfectly expounded. An example of this faulty exposition is found in the only extant sermon of the pious Bishop Rowley, a characteristic passage from which is here given:

RIGHTEOUSNESS, n. A strong virtue that used to exist among the Pantidoodles living in the southern part of the peninsula of Oque. Some weak attempts were made by returning missionaries to bring it to several European countries, but it seems to have been poorly explained. An example of this flawed explanation is found in the only remaining sermon of the devout Bishop Rowley, a notable excerpt from which is provided here:

      "Now righteousness consisteth not merely in a holy state of
  mind, nor yet in performance of religious rites and obedience to
  the letter of the law.  It is not enough that one be pious and
  just:  one must see to it that others also are in the same state;
  and to this end compulsion is a proper means.  Forasmuch as my
  injustice may work ill to another, so by his injustice may evil be
  wrought upon still another, the which it is as manifestly my duty
  to estop as to forestall mine own tort.  Wherefore if I would be
  righteous I am bound to restrain my neighbor, by force if needful,
  in all those injurious enterprises from which, through a better
  disposition and by the help of Heaven, I do myself refrain."
      "Now, righteousness isn't just about having a holy mindset or following religious rituals and obeying the law. It's not enough to be pious and fair; one must also ensure that others are in the same position. To achieve this, force can be a necessary tool. Just as my unfair actions can harm someone else, their unfairness can also hurt others, which it is clearly my responsibility to prevent, just as I would want to avoid causing harm to myself. Therefore, if I want to be righteous, I must be willing to restrain my neighbor, even by force if necessary, from any harmful actions that I am able to avoid through better behavior and with the help of Heaven."

RIME, n. Agreeing sounds in the terminals of verse, mostly bad. The verses themselves, as distinguished from prose, mostly dull. Usually (and wickedly) spelled "rhyme."

RIME, n. Matching sounds at the end of lines in poetry, often poor. The poems themselves, in contrast to prose, are usually boring. Commonly (and mischievously) spelled "rhyme."

RIMER, n. A poet regarded with indifference or disesteem.

RIMER, n. A poet who is seen with indifference or disrespect.

  The rimer quenches his unheeded fires,
  The sound surceases and the sense expires.
  Then the domestic dog, to east and west,
  Expounds the passions burning in his breast.
  The rising moon o'er that enchanted land
  Pauses to hear and yearns to understand.
  The poet cools his overlooked desires,  
  The noise stops and the meaning fades away.  
  Then the house dog, to the east and west,  
  Shares the feelings that are burning inside him.  
  The rising moon over that magical land  
  Stops to listen and longs to comprehend.  

Mowbray Myles

Mowbray Myles

RIOT, n. A popular entertainment given to the military by innocent bystanders.

RIOT, n. A form of entertainment for the military provided by unsuspecting onlookers.

R.I.P. A careless abbreviation of requiescat in pace, attesting an indolent goodwill to the dead. According to the learned Dr. Drigge, however, the letters originally meant nothing more than reductus in pulvis.

R.I.P. A thoughtless shortcut for requiescat in pace, showing a lazy kind of goodwill toward the deceased. But according to the knowledgeable Dr. Drigge, the letters actually stood for nothing more than reductus in pulvis.

RITE, n. A religious or semi-religious ceremony fixed by law, precept or custom, with the essential oil of sincerity carefully squeezed out of it.

RITE, n. A religious or semi-religious ceremony established by law, rule, or tradition, with the genuine essence of sincerity carefully extracted from it.

RITUALISM, n. A Dutch Garden of God where He may walk in rectilinear freedom, keeping off the grass.

RITUALISM, n. A Dutch Garden of God where He can stroll in straight lines, without stepping on the grass.

ROAD, n. A strip of land along which one may pass from where it is too tiresome to be to where it is futile to go.

ROAD, n. A stretch of land where you can travel from a place that's too boring to be to a place that's pointless to reach.

  All roads, howsoe'er they diverge, lead to Rome,
  Whence, thank the good Lord, at least one leads back home.
  All roads, no matter how they split, lead to Rome,  
  From which, thank goodness, at least one goes back home.

Borey the Bald

Baldy Borey

ROBBER, n.  A candid man of affairs.
  It is related of Voltaire that one night he and some traveling
companion lodged at a wayside inn.  The surroundings were suggestive,
and after supper they agreed to tell robber stories in turn.  "Once
there was a Farmer-General of the Revenues."  Saying nothing more, he
was encouraged to continue.  "That," he said, "is the story."
ROBBER, n. A straightforward business person.  
It’s said that one night Voltaire and a traveling companion stayed at a roadside inn. The atmosphere was fitting, and after dinner, they decided to share robber stories one by one. “Once there was a Farmer-General of the Revenues.” Saying nothing more, he was urged to keep going. “That,” he said, “is the story.”

ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, as a domestic horse to the hitching-post, but in romance it ranges at will over the entire region of the imagination—free, lawless, immune to bit and rein. Your novelist is a poor creature, as Carlyle might say—a mere reporter. He may invent his characters and plot, but he must not imagine anything taking place that might not occur, albeit his entire narrative is candidly a lie. Why he imposes this hard condition on himself, and "drags at each remove a lengthening chain" of his own forging he can explain in ten thick volumes without illuminating by so much as a candle's ray the black profound of his own ignorance of the matter. There are great novels, for great writers have "laid waste their powers" to write them, but it remains true that far and away the most fascinating fiction that we have is "The Thousand and One Nights."

ROMANCE, n. A type of fiction that doesn’t have to stick to the way things actually are. In novels, a writer's ideas are limited by what’s likely, like a horse tied to a post, but in romance, they can explore the whole landscape of the imagination—free, wild, and unrestrained. A novelist is, as Carlyle might put it, a pretty basic entertainer—a simple reporter. They can create their characters and storylines, but they can't imagine events that couldn’t possibly happen, even though their entire story is openly a fabrication. The reasons they impose this strict rule on themselves, and “drag at each remove a lengthening chain” of their own making, could fill ten heavy books without shedding any light on their own confusion about it. There are amazing novels, as great writers have "laid waste their powers" to create them, but it’s still true that the most captivating stories we have are "The Thousand and One Nights."

ROPE, n. An obsolescent appliance for reminding assassins that they too are mortal. It is put about the neck and remains in place one's whole life long. It has been largely superseded by a more complex electrical device worn upon another part of the person; and this is rapidly giving place to an apparatus known as the preachment.

ROPE, n. An outdated tool that serves to remind assassins that they are also human. It wraps around the neck and stays in place throughout one’s life. It has mostly been replaced by a more advanced electrical device worn on a different part of the body; and this is quickly being succeeded by a device known as the preachment.

ROSTRUM, n. In Latin, the beak of a bird or the prow of a ship. In America, a place from which a candidate for office energetically expounds the wisdom, virtue and power of the rabble.

ROSTRUM, n. In Latin, the beak of a bird or the front part of a ship. In America, a location where a political candidate passionately shares the wisdom, goodness, and strength of the common people.

ROUNDHEAD, n. A member of the Parliamentarian party in the English civil war—so called from his habit of wearing his hair short, whereas his enemy, the Cavalier, wore his long. There were other points of difference between them, but the fashion in hair was the fundamental cause of quarrel. The Cavaliers were royalists because the king, an indolent fellow, found it more convenient to let his hair grow than to wash his neck. This the Roundheads, who were mostly barbers and soap-boilers, deemed an injury to trade, and the royal neck was therefore the object of their particular indignation. Descendants of the belligerents now wear their hair all alike, but the fires of animosity enkindled in that ancient strife smoulder to this day beneath the snows of British civility.

ROUNDHEAD, n. A member of the Parliamentarian party during the English Civil War—named for his habit of keeping his hair short, while his enemy, the Cavalier, wore his long. There were other differences between them, but the hairstyle was the main reason for the conflict. The Cavaliers were royalists because the king, a lazy guy, found it easier to let his hair grow than to wash his neck. The Roundheads, who were mostly barbers and soap makers, viewed this as harmful to their business, and thus the king’s neck became a focal point of their anger. Descendants of those fighters now wear their hair similarly, but the resentment sparked by that old conflict still simmers beneath the surface of British civility today.

RUBBISH, n. Worthless matter, such as the religions, philosophies, literatures, arts and sciences of the tribes infesting the regions lying due south from Boreaplas.

RUBBISH, n. Useless stuff, like the religions, philosophies, literatures, arts, and sciences of the groups living to the south of Boreaplas.

RUIN, v. To destroy. Specifically, to destroy a maid's belief in the virtue of maids.

RUIN, v. To destroy. Specifically, to undermine a girl's belief in the virtue of girls.

RUM, n. Generically, fiery liquors that produce madness in total abstainers.

RUM, n. Generally, strong alcoholic drinks that can drive completely sober people crazy.

RUMOR, n. A favorite weapon of the assassins of character.

RUMOR, n. A go-to tool for those who seek to damage someone's reputation.

  Sharp, irresistible by mail or shield,
      By guard unparried as by flight unstayed,
  O serviceable Rumor, let me wield
      Against my enemy no other blade.
  His be the terror of a foe unseen,
      His the inutile hand upon the hilt,
  And mine the deadly tongue, long, slender, keen,
      Hinting a rumor of some ancient guilt.
  So shall I slay the wretch without a blow,
  Spare me to celebrate his overthrow,
  And nurse my valor for another foe.
  Sharp, irresistible by mail or shield,  
      By guard unblocked as by flight unhalted,  
  O useful Rumor, let me use  
      Against my enemy no other weapon.  
  Let him be the fear of an unseen foe,  
      Let him grip the useless hand upon the hilt,  
  And let mine be the deadly tongue, long, slender, and sharp,  
      Hinting at a rumor of some old guilt.  
  This way, I’ll take him down without a blow,  
  Allow me to celebrate his defeat,  
  And save my courage for another opponent.  

Joel Buxter

Joel Buxter

RUSSIAN, n. A person with a Caucasian body and a Mongolian soul. A Tartar Emetic.

RUSSIAN, n. A person with a Caucasian appearance and a Mongolian spirit. A Tartar Emetic.

S

SABBATH, n. A weekly festival having its origin in the fact that God made the world in six days and was arrested on the seventh. Among the Jews observance of the day was enforced by a Commandment of which this is the Christian version: "Remember the seventh day to make thy neighbor keep it wholly." To the Creator it seemed fit and expedient that the Sabbath should be the last day of the week, but the Early Fathers of the Church held other views. So great is the sanctity of the day that even where the Lord holds a doubtful and precarious jurisdiction over those who go down to (and down into) the sea it is reverently recognized, as is manifest in the following deep-water version of the Fourth Commandment:

SABBATH, n. A weekly celebration that comes from the belief that God created the world in six days and took a break on the seventh. Among the Jewish people, observing this day was required by a Commandment, which is adapted in Christianity as: "Remember the seventh day to make sure your neighbor keeps it entirely free." The Creator decided it would be best for the Sabbath to be the last day of the week, but the Early Church Fathers had different opinions. The day is so sacred that even when the Lord has uncertain and limited control over those who venture into (and beneath) the sea, His authority is still respected, as shown in the following maritime interpretation of the Fourth Commandment:

  Six days shalt thou labor and do all thou art able,
  And on the seventh holystone the deck and scrape the cable.
Six days you should work and do all that you can,  
And on the seventh, clean the deck and scrape the cable.

Decks are no longer holystoned, but the cable still supplies the captain with opportunity to attest a pious respect for the divine ordinance.

Decks aren't scrubbed with holystones anymore, but the cable still gives the captain a chance to show his religious respect for the divine order.

SACERDOTALIST, n. One who holds the belief that a clergyman is a priest. Denial of this momentous doctrine is the hardest challenge that is now flung into the teeth of the Episcopalian church by the Neo-Dictionarians.

SACERDOTALIST, n. A person who believes that a clergyman is a priest. Denying this significant doctrine is the toughest challenge currently faced by the Episcopalian church from the Neo-Dictionarians.

SACRAMENT, n. A solemn religious ceremony to which several degrees of authority and significance are attached. Rome has seven sacraments, but the Protestant churches, being less prosperous, feel that they can afford only two, and these of inferior sanctity. Some of the smaller sects have no sacraments at all—for which mean economy they will indubitable be damned.

SACRAMENT, n. A serious religious ceremony that carries various levels of authority and meaning. The Catholic Church recognizes seven sacraments, while Protestant churches, having fewer resources, believe they can only uphold two, and these are considered to have lesser significance. Some smaller denominations have no sacraments at all—this frugal approach will surely lead to their condemnation.

SACRED, adj. Dedicated to some religious purpose; having a divine character; inspiring solemn thoughts or emotions; as, the Dalai Lama of Thibet; the Moogum of M'bwango; the temple of Apes in Ceylon; the Cow in India; the Crocodile, the Cat and the Onion of ancient Egypt; the Mufti of Moosh; the hair of the dog that bit Noah, etc.

SACRED, adj. Dedicated to a religious purpose; having a divine quality; provoking serious thoughts or feelings; like the Dalai Lama of Tibet; the Moogum of M'bwango; the temple of Apes in Sri Lanka; the Cow in India; the Crocodile, the Cat, and the Onion of ancient Egypt; the Mufti of Moosh; the hair of the dog that bit Noah, etc.

  All things are either sacred or profane.
  The former to ecclesiasts bring gain;
  The latter to the devil appertain.
All things are either sacred or ordinary.  
The former benefit the clergy;  
The latter belong to the devil.

Dumbo Omohundro

Dumbo Omohundro

SANDLOTTER, n. A vertebrate mammal holding the political views of Denis Kearney, a notorious demagogue of San Francisco, whose audiences gathered in the open spaces (sandlots) of the town. True to the traditions of his species, this leader of the proletariat was finally bought off by his law-and-order enemies, living prosperously silent and dying impenitently rich. But before his treason he imposed upon California a constitution that was a confection of sin in a diction of solecisms. The similarity between the words "sandlotter" and "sansculotte" is problematically significant, but indubitably suggestive.

SANDLOTTER, n. A vertebrate mammal who shares the political views of Denis Kearney, a well-known demagogue from San Francisco, whose followers gathered in the open areas (sandlots) of the city. True to the traditions of his kind, this leader of the working class was eventually bribed by his law-and-order opponents, living a prosperous, silent life and dying unapologetically wealthy. But before his betrayal, he imposed on California a constitution that was a mix of wrongdoing expressed in poor language. The similarity between the words "sandlotter" and "sansculotte" is problematically significant, but undeniably suggestive.

SAFETY-CLUTCH, n. A mechanical device acting automatically to prevent the fall of an elevator, or cage, in case of an accident to the hoisting apparatus.

SAFETY-CLUTCH, n. A mechanical device that automatically prevents the fall of an elevator or cage in the event of an accident with the hoisting system.

  Once I seen a human ruin
      In an elevator-well,
  And his members was bestrewin'
      All the place where he had fell.

  And I says, apostrophisin'
      That uncommon woful wreck:
  "Your position's so surprisin'
      That I tremble for your neck!"

  Then that ruin, smilin' sadly
      And impressive, up and spoke:
  "Well, I wouldn't tremble badly,
      For it's been a fortnight broke."

  Then, for further comprehension
      Of his attitude, he begs
  I will focus my attention
      On his various arms and legs—

  How they all are contumacious;
      Where they each, respective, lie;
  How one trotter proves ungracious,
      T'other one an alibi.

  These particulars is mentioned
      For to show his dismal state,
  Which I wasn't first intentioned
      To specifical relate.

  None is worser to be dreaded
      That I ever have heard tell
  Than the gent's who there was spreaded
      In that elevator-well.

  Now this tale is allegoric—
      It is figurative all,
  For the well is metaphoric
      And the feller didn't fall.

  I opine it isn't moral
      For a writer-man to cheat,
  And despise to wear a laurel
      As was gotten by deceit.

  For 'tis Politics intended
      By the elevator, mind,
  It will boost a person splendid
      If his talent is the kind.

  Col. Bryan had the talent
      (For the busted man is him)
  And it shot him up right gallant
      Till his head begun to swim.

  Then the rope it broke above him
      And he painful come to earth
  Where there's nobody to love him
      For his detrimented worth.

  Though he's livin' none would know him,
      Or at leastwise not as such.
  Moral of this woful poem:
      Frequent oil your safety-clutch.
  Once I saw a human wreck
      In an elevator shaft,
  And his body was scattered
      All over where he had fallen.

  And I said, speaking to
      That terribly sad sight:
  "Your situation's so surprising
      That I'm worried for your neck!"

  Then that wreck, smiling sadly
      And impressively, spoke up:
  "Well, I wouldn't worry too much,
      It's been a fortnight since I broke."

  Then, to clarify his condition,
      He asks me to look
  At his various arms and legs—

  How they're all in disarray;
      Where each one lies;
  How one leg is quite obstinate,
      The other acts like an alibi.

  These details are mentioned
      To show his grim state,
  Which I hadn't intended
      To specifically relate.

  Nothing is worse to dread
      That I’ve ever heard of
  Than the guy who was spread
      In that elevator shaft.

  Now this story is metaphorical—
      It's all figurative,
  For the shaft is a metaphor
      And the guy didn’t actually fall.

  I think it’s not right
      For a writer to deceive,
  And I have no desire to wear a laurel
      Earned through dishonesty.

  For it's Politics intended
      By the elevator, you see,
  It can lift a person high
      If their talent is the right kind.

  Col. Bryan had the talent
      (For the broken man is him)
  And it shot him up gallantly
      Until his head started to spin.

  Then the rope broke above him
      And he painfully came down
  Where there's no one to love him
      For his diminished worth.

  Though he’s alive, no one would know him,
      Or at least not recognize him.
  Moral of this sad poem:
      Always keep your safety device well-oiled.

Porfer Poog

Porfer Poog

SAINT, n. A dead sinner revised and edited.

SAINT, n. A deceased sinner who has been revised and edited.

The Duchess of Orleans relates that the irreverent old calumniator, Marshal Villeroi, who in his youth had known St. Francis de Sales, said, on hearing him called saint: "I am delighted to hear that Monsieur de Sales is a saint. He was fond of saying indelicate things, and used to cheat at cards. In other respects he was a perfect gentleman, though a fool."

The Duchess of Orleans shares that the disrespectful old gossip, Marshal Villeroi, who had known St. Francis de Sales in his youth, remarked upon hearing him called a saint: "I’m glad to hear that Monsieur de Sales is a saint. He enjoyed saying inappropriate things and used to cheat at cards. Aside from that, he was a perfect gentleman, though a bit of a fool."

SALACITY, n. A certain literary quality frequently observed in popular novels, especially in those written by women and young girls, who give it another name and think that in introducing it they are occupying a neglected field of letters and reaping an overlooked harvest. If they have the misfortune to live long enough they are tormented with a desire to burn their sheaves.

SALACITY, n. A particular quality often found in popular novels, especially those written by women and young girls, who refer to it by a different name and believe that by including it, they are exploring an overlooked area of literature and harvesting something that has been ignored. If they end up living long enough, they become troubled by the urge to get rid of their work.

SALAMANDER, n. Originally a reptile inhabiting fire; later, an anthropomorphous immortal, but still a pyrophile. Salamanders are now believed to be extinct, the last one of which we have an account having been seen in Carcassonne by the Abbe Belloc, who exorcised it with a bucket of holy water.

SALAMANDER, n. Once a reptile that lived in fire; later, an immortal being that resembles a human but still loves fire. Salamanders are now thought to be extinct, with the last recorded sighting having been in Carcassonne by Abbe Belloc, who drove it away with a bucket of holy water.

SARCOPHAGUS, n. Among the Greeks a coffin which being made of a certain kind of carnivorous stone, had the peculiar property of devouring the body placed in it. The sarcophagus known to modern obsequiographers is commonly a product of the carpenter's art.

SARCOPHAGUS, n. In ancient Greece, a coffin made from a specific type of flesh-eating stone that had the unique ability to consume the body inside it. The sarcophagus recognized by today's funeral directors is typically crafted by carpenters.

SATAN, n. One of the Creator's lamentable mistakes, repented in sashcloth and axes. Being instated as an archangel, Satan made himself multifariously objectionable and was finally expelled from Heaven. Halfway in his descent he paused, bent his head in thought a moment and at last went back. "There is one favor that I should like to ask," said he.

SATAN, n. One of the Creator's unfortunate misjudgments, regretted in sackcloth and axes. Initially appointed as an archangel, Satan became variously objectionable and was ultimately kicked out of Heaven. Halfway down, he halted, bowed his head in contemplation for a moment, and finally turned back. "There's one favor I'd like to request," he said.

"Name it."

"Name it."

"Man, I understand, is about to be created. He will need laws."

"Man, I get it, is about to be created. He will need rules."

"What, wretch! you his appointed adversary, charged from the dawn of eternity with hatred of his soul—you ask for the right to make his laws?"

"What, miserable person! you, his chosen enemy, destined from the very beginning of time to hate his soul—you ask for the right to create his laws?"

"Pardon; what I have to ask is that he be permitted to make them himself."

"Excuse me; what I'm asking is that he be allowed to do it himself."

It was so ordered.

It was ordered.

SATIETY, n. The feeling that one has for the plate after he has eaten its contents, madam.

SATIETY, n. The feeling you have after finishing the food on your plate, ma'am.

SATIRE, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are "endowed by their Creator" with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a sour-spirited knave, and his ever victim's outcry for codefendants evokes a national assent.

SATIRE, n. An outdated form of writing where the author pointed out the flaws and foolishness of their opponents with only a bit of kindness. In this country, satire has struggled to truly thrive because its essence is wit, which we sadly lack; the humor we often confuse for it is, like all humor, understanding and forgiving. Additionally, even though Americans are "endowed by their Creator" with plenty of flaws and foolishness, it’s not widely recognized that these are negative traits. As a result, satirists are often seen as bitter tricksters, and when their victims call for others to join in their defense, it usually gets a nod of agreement from the public.

  Hail Satire! be thy praises ever sung
  In the dead language of a mummy's tongue,
  For thou thyself art dead, and damned as well—
  Thy spirit (usefully employed) in Hell.
  Had it been such as consecrates the Bible
  Thou hadst not perished by the law of libel.
  Hail Satire! May your praises always be sung  
  In the ancient language of a mummy's tongue,  
  For you yourself are dead, and cursed as well—  
  Your spirit (productively occupied) in Hell.  
  If you had been like what sanctifies the Bible,  
  You wouldn't have been doomed by the law of libel.  

Barney Stims

Barney Stims

SATYR, n. One of the few characters of the Grecian mythology accorded recognition in the Hebrew. (Leviticus, xvii, 7.) The satyr was at first a member of the dissolute community acknowledging a loose allegiance with Dionysius, but underwent many transformations and improvements. Not infrequently he is confounded with the faun, a later and decenter creation of the Romans, who was less like a man and more like a goat.

SATYR, n. One of the few characters from Greco-Roman mythology known in Hebrew texts. (Leviticus, xvii, 7.) The satyr originally belonged to a wild group that had a casual association with Dionysius, but went through many changes and improvements. Often, he is confused with the faun, a later and more refined creation by the Romans, who resembled a goat more than a man.

SAUCE, n. The one infallible sign of civilization and enlightenment. A people with no sauces has one thousand vices; a people with one sauce has only nine hundred and ninety-nine. For every sauce invented and accepted a vice is renounced and forgiven.

SAUCE, n. The sure sign of civilization and enlightenment. A people without sauces have a thousand vices; a people with one sauce have only nine hundred ninety-nine. For every sauce that’s invented and accepted, a vice is renounced and forgiven.

SAW, n. A trite popular saying, or proverb. (Figurative and colloquial.) So called because it makes its way into a wooden head. Following are examples of old saws fitted with new teeth.

SAW, n. A cliché or common saying, or proverb. (Figurative and casual.) It's named that because it gets stuck in a wooden head. Here are examples of old sayings with a modern twist.

      A penny saved is a penny to squander.

      A man is known by the company that he organizes.

      A bad workman quarrels with the man who calls him that.

      A bird in the hand is worth what it will bring.

      Better late than before anybody has invited you.

      Example is better than following it.

      Half a loaf is better than a whole one if there is much else.

      Think twice before you speak to a friend in need.

      What is worth doing is worth the trouble of asking somebody to do it.

      Least said is soonest disavowed.

      He laughs best who laughs least.

      Speak of the Devil and he will hear about it.

      Of two evils choose to be the least.

      Strike while your employer has a big contract.

      Where there's a will there's a won't.
      A penny saved is a penny to spend.

      A person is judged by the company they keep.

      A poor worker blames the person who criticizes them.

      A bird in the hand is worth what it can provide.

      Better late than showing up uninvited.

      Actions speak louder than simply following advice.

      Half a loaf is better than a whole one if there are plenty of other options.

      Think twice before speaking to a friend who needs support.

      If something is worth doing, it's worth asking someone for help.

      The less said, the less likely to be denied later.

      The best laughter comes from those who laugh the least.

      Talk about someone and they'll hear about it.

      Among two bad choices, pick the lesser evil.

      Take action while your boss has a big contract.

      Where there's a will, there's often resistance.

SCARABAEUS, n. The sacred beetle of the ancient Egyptians, allied to our familiar "tumble-bug." It was supposed to symbolize immortality, the fact that God knew why giving it its peculiar sanctity. Its habit of incubating its eggs in a ball of ordure may also have commended it to the favor of the priesthood, and may some day assure it an equal reverence among ourselves. True, the American beetle is an inferior beetle, but the American priest is an inferior priest.

SCARABAEUS, n. The sacred beetle of ancient Egyptians, similar to our common "tumblebug." It was believed to symbolize immortality, with its unique sanctity understood by God. Its behavior of laying its eggs in a dung ball may have also made it favorable to the priesthood, and it might one day earn similar respect from us. Admittedly, the American beetle is a lesser beetle, but the American priest is a lesser priest.

SCARABEE, n. The same as scarabaeus.

SCARABEE, n. The same as scarabaeus.

              He fell by his own hand
                  Beneath the great oak tree.
              He'd traveled in a foreign land.
              He tried to make her understand
              The dance that's called the Saraband,
                  But he called it Scarabee.
  He had called it so through an afternoon,
      And she, the light of his harem if so might be,
      Had smiled and said naught.  O the body was fair to see,
  All frosted there in the shine o' the moon—
                      Dead for a Scarabee
  And a recollection that came too late.
                          O Fate!
                  They buried him where he lay,
                  He sleeps awaiting the Day,
                          In state,
  And two Possible Puns, moon-eyed and wan,
  Gloom over the grave and then move on.
                      Dead for a Scarabee!
                                                     Fernando Tapple
              He fell by his own hand
                  Beneath the large oak tree.
              He'd traveled in a foreign land.
              He tried to make her understand
              The dance called the Saraband,
                  But he called it Scarabee.
  He had called it so throughout an afternoon,
      And she, the light of his harem if that was the case,
      Had smiled and said nothing. O, the body was beautiful to see,
  All illuminated by the moonlight—
                      Dead for a Scarabee
  And a memory that surfaced too late.
                          O Fate!
                  They buried him where he lay,
                  He sleeps awaiting the Day,
                          In state,
  And two Possible Puns, moon-eyed and pale,
  Loom over the grave and then move on.
                      Dead for a Scarabee!
                                                     Fernando Tapple

SCARIFICATION, n. A form of penance practised by the mediaeval pious. The rite was performed, sometimes with a knife, sometimes with a hot iron, but always, says Arsenius Asceticus, acceptably if the penitent spared himself no pain nor harmless disfigurement. Scarification, with other crude penances, has now been superseded by benefaction. The founding of a library or endowment of a university is said to yield to the penitent a sharper and more lasting pain than is conferred by the knife or iron, and is therefore a surer means of grace. There are, however, two grave objections to it as a penitential method: the good that it does and the taint of justice.

SCARIFICATION, n. A form of penance practiced by devout people in the Middle Ages. The rite was carried out, sometimes with a knife, sometimes with a hot iron, but always, according to Arsenius Asceticus, effectively if the penitent endured significant pain or harmless scarring. Scarification, along with other harsh penances, has now been replaced by acts of charity. Establishing a library or funding a university is said to bring the penitent a sharper and more lasting pain than what a knife or iron provides, making it a more reliable way to seek grace. However, there are two serious criticisms of this approach to penance: the good it accomplishes and the sense of justice associated with it.

SCEPTER, n. A king's staff of office, the sign and symbol of his authority. It was originally a mace with which the sovereign admonished his jester and vetoed ministerial measures by breaking the bones of their proponents.

SCEPTER, n. A king's staff of authority, the sign and symbol of his power. It was originally a mace that the sovereign used to reprimand his jester and reject ministerial actions by breaking the bones of those who supported them.

SCIMITAR, n. A curved sword of exceeding keenness, in the conduct of which certain Orientals attain a surprising proficiency, as the incident here related will serve to show. The account is translated from the Japanese of Shusi Itama, a famous writer of the thirteenth century.

SCIMITAR, n. A curved sword that is extremely sharp, in which certain people from the East demonstrate impressive skill, as the story here illustrates. This account is translated from the Japanese of Shusi Itama, a well-known writer from the thirteenth century.

      When the great Gichi-Kuktai was Mikado he condemned to
  decapitation Jijiji Ri, a high officer of the Court.  Soon after
  the hour appointed for performance of the rite what was his
  Majesty's surprise to see calmly approaching the throne the man
  who should have been at that time ten minutes dead!
      "Seventeen hundred impossible dragons!" shouted the enraged
  monarch.  "Did I not sentence you to stand in the market-place and
  have your head struck off by the public executioner at three
  o'clock?  And is it not now 3:10?"
      "Son of a thousand illustrious deities," answered the
  condemned minister, "all that you say is so true that the truth is
  a lie in comparison.  But your heavenly Majesty's sunny and
  vitalizing wishes have been pestilently disregarded.  With joy I
  ran and placed my unworthy body in the market-place.  The
  executioner appeared with his bare scimitar, ostentatiously
  whirled it in air, and then, tapping me lightly upon the neck,
  strode away, pelted by the populace, with whom I was ever a
  favorite.  I am come to pray for justice upon his own dishonorable
  and treasonous head."
      "To what regiment of executioners does the black-boweled
  caitiff belong?" asked the Mikado.
      "To the gallant Ninety-eight Hundred and Thirty-seventh—I
  know the man.  His name is Sakko-Samshi."
      "Let him be brought before me," said the Mikado to an
  attendant, and a half-hour later the culprit stood in the
  Presence.
      "Thou bastard son of a three-legged hunchback without thumbs!"
  roared the sovereign—"why didst thou but lightly tap the neck
  that it should have been thy pleasure to sever?"
      "Lord of Cranes and Cherry Blooms," replied the executioner,
  unmoved, "command him to blow his nose with his fingers."
      Being commanded, Jijiji Ri laid hold of his nose and trumpeted
  like an elephant, all expecting to see the severed head flung
  violently from him.  Nothing occurred:  the performance prospered
  peacefully to the close, without incident.
      All eyes were now turned on the executioner, who had grown as
  white as the snows on the summit of Fujiama.  His legs trembled
  and his breath came in gasps of terror.
      "Several kinds of spike-tailed brass lions!" he cried; "I am a
  ruined and disgraced swordsman!  I struck the villain feebly
  because in flourishing the scimitar I had accidentally passed it
  through my own neck!  Father of the Moon, I resign my office."
      So saying, he gasped his top-knot, lifted off his head, and
  advancing to the throne laid it humbly at the Mikado's feet.
      When the great Gichi-Kuktai was emperor, he sentenced Jijiji Ri, a high-ranking court officer, to decapitation. Soon after the appointed time for the execution, the emperor was shocked to see the man who should have been dead ten minutes calmly approaching the throne!  
      "Seventeen hundred impossible dragons!" shouted the furious emperor. "Did I not sentence you to stand in the market-place and have your head chopped off by the public executioner at three o'clock? And is it not now 3:10?"  
      "Son of a thousand illustrious deities," replied the condemned minister, "everything you say is so true that the truth itself seems like a lie in comparison. However, your heavenly Majesty's bright and vital wishes have been spitefully ignored. Joyfully, I rushed to place my unworthy body in the market-place. The executioner arrived with his bare sword, swung it around dramatically, and then, just tapping my neck lightly, walked away, chased by the crowd, with whom I have always been popular. I have come to ask for justice against his own dishonorable and treasonous head."  
      "To which regiment of executioners does that black-hearted scoundrel belong?" asked the emperor.  
      "To the brave Ninety-eight Hundred and Thirty-seventh—I know the man. His name is Sakko-Samshi."  
      "Bring him before me," said the emperor to an attendant, and half an hour later the culprit stood in the emperor's presence.  
      "You bastard son of a three-legged hunchback without thumbs!" roared the emperor—"why did you only lightly tap the neck that it should have pleased you to sever?"  
      "Lord of Cranes and Cherry Blossoms," replied the executioner, unshaken, "command him to blow his nose with his fingers."  
      When commanded, Jijiji Ri grabbed his nose and trumpeted like an elephant, everyone expecting to see his severed head thrown violently away. Nothing happened; the execution went smoothly to the end, without incident.  
      All eyes were now on the executioner, who had turned as pale as the snow on Mount Fuji. His legs shook and he gasped in terror.  
      "Several kinds of spike-tailed brass lions!" he cried; "I am a ruined and disgraced swordsman! I struck the man weakly because while swinging the sword I accidentally passed it through my own neck! Father of the Moon, I resign my position."  
      Saying this, he gasped his top-knot, lifted off his head, and advancing to the throne, laid it humbly at the emperor's feet.

SCRAP-BOOK, n. A book that is commonly edited by a fool. Many persons of some small distinction compile scrap-books containing whatever they happen to read about themselves or employ others to collect. One of these egotists was addressed in the lines following, by Agamemnon Melancthon Peters:

SCRAP-BOOK, n. A book usually put together by someone foolish. Many people of little significance create scrap-books featuring whatever they come across about themselves or have others gather for them. One of these self-absorbed individuals was addressed in the following lines by Agamemnon Melancthon Peters:

  Dear Frank, that scrap-book where you boast
      You keep a record true
  Of every kind of peppered roast
          That's made of you;

  Wherein you paste the printed gibes
      That revel round your name,
  Thinking the laughter of the scribes
          Attests your fame;

  Where all the pictures you arrange
      That comic pencils trace—
  Your funny figure and your strange
          Semitic face—

  Pray lend it me.  Wit I have not,
      Nor art, but there I'll list
  The daily drubbings you'd have got
          Had God a fist.
  Dear Frank, that scrapbook where you brag  
      You keep an accurate record  
  Of every kind of roast that’s made of you;  
  
  Where you stick the printed jabs  
      That circle your name,  
  Thinking the laughter of the writers  
          Proves your fame;  
  
  Where all the pictures you arrange  
      That funny artists draw—  
  Your goofy figure and your unique  
          Semitic face—  
  
  Please lend it to me. I have no wit,  
      Nor skill, but there I’ll note  
  The daily beatdowns you’d have received  
          If God had a fist.

SCRIBBLER, n. A professional writer whose views are antagonistic to one's own.

SCRIBBLER, n. A professional writer whose opinions clash with your own.

SCRIPTURES, n. The sacred books of our holy religion, as distinguished from the false and profane writings on which all other faiths are based.

SCRIPTURES, n. The sacred texts of our holy religion, set apart from the false and unholy writings that other faiths rely on.

SEAL, n. A mark impressed upon certain kinds of documents to attest their authenticity and authority. Sometimes it is stamped upon wax, and attached to the paper, sometimes into the paper itself. Sealing, in this sense, is a survival of an ancient custom of inscribing important papers with cabalistic words or signs to give them a magical efficacy independent of the authority that they represent. In the British museum are preserved many ancient papers, mostly of a sacerdotal character, validated by necromantic pentagrams and other devices, frequently initial letters of words to conjure with; and in many instances these are attached in the same way that seals are appended now. As nearly every reasonless and apparently meaningless custom, rite or observance of modern times had origin in some remote utility, it is pleasing to note an example of ancient nonsense evolving in the process of ages into something really useful. Our word "sincere" is derived from sine cero, without wax, but the learned are not in agreement as to whether this refers to the absence of the cabalistic signs, or to that of the wax with which letters were formerly closed from public scrutiny. Either view of the matter will serve one in immediate need of an hypothesis. The initials L.S., commonly appended to signatures of legal documents, mean locum sigillis, the place of the seal, although the seal is no longer used —an admirable example of conservatism distinguishing Man from the beasts that perish. The words locum sigillis are humbly suggested as a suitable motto for the Pribyloff Islands whenever they shall take their place as a sovereign State of the American Union.

SEAL, n. A mark stamped on certain types of documents to confirm their authenticity and authority. Sometimes it's impressed on wax and attached to the paper, and other times it's stamped directly into the paper. Sealing, in this context, is a remnant of an ancient practice of marking important papers with mystical words or signs to give them magical power beyond the authority they represent. The British Museum holds many ancient documents, mostly related to religious practices, validated by magical symbols and other designs, often using initial letters of words for conjuring; and in many cases, these are affixed similarly to how seals are attached today. Almost every irrational and seemingly meaningless custom, ritual, or practice of modern times has its roots in some past utility, and it's interesting to see an example of ancient nonsense transforming over centuries into something genuinely useful. Our word "sincere" comes from sine cero, meaning without wax, but experts don't agree on whether this refers to the lack of magical signs or to the absence of wax used to seal letters from public view. Either interpretation could work for someone seeking a quick explanation. The initials L.S., commonly placed after signatures on legal documents, stand for locum sigillis, meaning the place of the seal, even though the seal is no longer used—an excellent example of conservatism that sets humans apart from animals that perish. The words locum sigillis are humbly proposed as a fitting motto for the Pribyloff Islands whenever they become a sovereign state in the American Union.

SEINE, n. A kind of net for effecting an involuntary change of environment. For fish it is made strong and coarse, but women are more easily taken with a singularly delicate fabric weighted with small, cut stones.

SEINE, n. A type of net used to cause an unintentional change of surroundings. For fish, it's made strong and rough, but women are more easily caught with a uniquely delicate fabric that’s weighted with small, cut stones.

  The devil casting a seine of lace,
      (With precious stones 'twas weighted)
  Drew it into the landing place
      And its contents calculated.

  All souls of women were in that sack—
      A draft miraculous, precious!
  But ere he could throw it across his back
      They'd all escaped through the meshes.
  The devil casting a lace net,  
      (Weighted down with precious stones)  
  Pulled it to the shore  
      And counted what it held.  

  All the souls of women were in that sack—  
      A miraculous, precious catch!  
  But before he could throw it over his shoulder,  
      They all slipped through the holes.  

Baruch de Loppis

Baruch de Loppis

SELF-ESTEEM, n. An erroneous appraisement.

SELF-ESTEEM, n. A mistaken assessment.

SELF-EVIDENT, adj. Evident to one's self and to nobody else.

SELF-EVIDENT, adj. Obvious to oneself but not to anyone else.

SELFISH, adj. Devoid of consideration for the selfishness of others.

SELFISH, adj. Lacking concern for the self-interest of others.

SENATE, n. A body of elderly gentlemen charged with high duties and misdemeanors.

SENATE, n. A group of older men responsible for important responsibilities and mistakes.

SERIAL, n. A literary work, usually a story that is not true, creeping through several issues of a newspaper or magazine. Frequently appended to each installment is a "synposis of preceding chapters" for those who have not read them, but a direr need is a synposis of succeeding chapters for those who do not intend to read them. A synposis of the entire work would be still better.

SERIAL, n. A piece of writing, usually a fictional story, published over several issues of a newspaper or magazine. Often included with each part is a "summary of previous chapters" for those who haven't read them, but a greater need is a summary of upcoming chapters for those who don’t plan to read them. A summary of the whole work would be even better.

The late James F. Bowman was writing a serial tale for a weekly paper in collaboration with a genius whose name has not come down to us. They wrote, not jointly but alternately, Bowman supplying the installment for one week, his friend for the next, and so on, world without end, they hoped. Unfortunately they quarreled, and one Monday morning when Bowman read the paper to prepare himself for his task, he found his work cut out for him in a way to surprise and pain him. His collaborator had embarked every character of the narrative on a ship and sunk them all in the deepest part of the Atlantic.

The late James F. Bowman was writing a serial story for a weekly paper in partnership with a brilliant but unnamed genius. They took turns writing, with Bowman contributing one week and his friend the next, hoping to continue this way indefinitely. Unfortunately, they had a falling out, and one Monday morning, when Bowman read the paper to get ready for his task, he was surprised and upset to find that his collaborator had sent every character in the story on a ship and sunk them all in the depths of the Atlantic.

SEVERALTY, n. Separateness, as, lands in severalty, i.e., lands held individually, not in joint ownership. Certain tribes of Indians are believed now to be sufficiently civilized to have in severalty the lands that they have hitherto held as tribal organizations, and could not sell to the Whites for waxen beads and potato whiskey.

SEVERALTY, n. Separateness, as in lands in severalty, meaning lands held individually, not in joint ownership. Certain tribes of Indians are thought to be civilized enough now to hold their lands individually, which they previously held as tribal organizations, and could not sell to the Whites for fake beads and cheap alcohol.

  Lo! the poor Indian whose unsuited mind
  Saw death before, hell and the grave behind;
  Whom thrifty settler ne'er besought to stay—
  His small belongings their appointed prey;
  Whom Dispossession, with alluring wile,
  Persuaded elsewhere every little while!
  His fire unquenched and his undying worm
  By "land in severalty" (charming term!)
  Are cooled and killed, respectively, at last,
  And he to his new holding anchored fast!
Lo! the poor Indian whose mismatched thoughts  
Saw death ahead, hell and the grave behind;  
Whom the frugal settler never asked to stay—  
His few belongings their destined target;  
Whom Dispossession, with tempting trick,  
Lured away now and then!  
His fire unextinguished and his enduring pain  
By "land in severalty" (catchy phrase!)  
Are finally cooled and extinguished,  
And he is firmly anchored to his new land!  

SHERIFF, n. In America the chief executive officer of a county, whose most characteristic duties, in some of the Western and Southern States, are the catching and hanging of rogues.

SHERIFF, n. In America, the top official of a county, whose main responsibilities, particularly in some Western and Southern States, include capturing and executing criminals.

  John Elmer Pettibone Cajee
  (I write of him with little glee)
  Was just as bad as he could be.

  'Twas frequently remarked:  "I swon!
  The sun has never looked upon
  So bad a man as Neighbor John."

  A sinner through and through, he had
  This added fault:  it made him mad
  To know another man was bad.

  In such a case he thought it right
  To rise at any hour of night
  And quench that wicked person's light.

  Despite the town's entreaties, he
  Would hale him to the nearest tree
  And leave him swinging wide and free.

  Or sometimes, if the humor came,
  A luckless wight's reluctant frame
  Was given to the cheerful flame.

  While it was turning nice and brown,
  All unconcerned John met the frown
  Of that austere and righteous town.

  "How sad," his neighbors said, "that he
  So scornful of the law should be—
  An anar c, h, i, s, t."

  (That is the way that they preferred
  To utter the abhorrent word,
  So strong the aversion that it stirred.)

  "Resolved," they said, continuing,
  "That Badman John must cease this thing
  Of having his unlawful fling.

  "Now, by these sacred relics"—here
  Each man had out a souvenir
  Got at a lynching yesteryear—

  "By these we swear he shall forsake
  His ways, nor cause our hearts to ache
  By sins of rope and torch and stake.

  "We'll tie his red right hand until
  He'll have small freedom to fulfil
  The mandates of his lawless will."

  So, in convention then and there,
  They named him Sheriff.  The affair
  Was opened, it is said, with prayer.
  John Elmer Pettibone Cajee  
  (I write about him with little joy)  
  Was just as bad as he could be.  

  It was often said: "I swear!  
  The sun has never shone on  
  A worse man than Neighbor John."  

  A sinner through and through, he had  
  This extra flaw: it made him mad  
  To know another man was bad.  

  In such a case, he thought it right  
  To rise at any hour of the night  
  And snuff that wicked person's light.  

  Despite the town's pleas, he  
  Would drag him to the nearest tree  
  And leave him hanging wide and free.  

  Or sometimes, if the mood struck,  
  A hapless soul's reluctant frame  
  Was tossed into the cheerful flame.  

  While it was turning nice and brown,  
  Completely indifferent, John met the frown  
  Of that serious and righteous town.  

  "How sad," his neighbors said, "that he  
  So scornful of the law should be—  
  An anar c, h, i, s, t."  

  (That’s how they preferred  
  To say the awful word,  
  Their aversion so strong that it stirred.)  

  "Determined," they said, continuing,  
  "That Badman John must stop this thing  
  Of having his unlawful fling.  

  "Now, by these sacred relics"—here  
  Each man took out a souvenir  
  From a lynching the previous year—  

  "By these we swear he shall forsake  
  His ways, nor cause our hearts to ache  
  With sins of rope and torch and stake.  

  "We'll tie his red right hand until  
  He'll have little freedom to fulfill  
  The demands of his lawless will."  

  So, in a meeting right then and there,  
  They named him Sheriff. The affair  
  Was opened, it is said, with prayer.  

J. Milton Sloluck

J. Milton Sloluck

SIREN, n. One of several musical prodigies famous for a vain attempt to dissuade Odysseus from a life on the ocean wave. Figuratively, any lady of splendid promise, dissembled purpose and disappointing performance.

SIREN, n. One of several musical prodigies known for a pointless attempt to convince Odysseus to give up life at sea. Figuratively, it refers to any woman with great potential, hidden intentions, and underwhelming results.

SLANG, n. The grunt of the human hog (Pignoramus intolerabilis) with an audible memory. The speech of one who utters with his tongue what he thinks with his ear, and feels the pride of a creator in accomplishing the feat of a parrot. A means (under Providence) of setting up as a wit without a capital of sense.

SLANG, n. The sound of a human hog (Pignoramus intolerabilis) with a recognizable memory. The speech of someone who says with their mouth what they hear with their ears, and takes pride in achieving the skill of a parrot. A way (thanks to fate) of pretending to be clever without having any real sense.

SMITHAREEN, n. A fragment, a decomponent part, a remain. The word is used variously, but in the following verse on a noted female reformer who opposed bicycle-riding by women because it "led them to the devil" it is seen at its best:

SMITHAREEN, n. A fragment, a separate part, a remnant. The word is used in different ways, but in the following verse about a well-known female reformer who opposed women riding bicycles because it "led them to the devil," it is shown at its best:

  The wheels go round without a sound—
      The maidens hold high revel;
  In sinful mood, insanely gay,
  True spinsters spin adown the way
      From duty to the devil!
  They laugh, they sing, and—ting-a-ling!
      Their bells go all the morning;
  Their lanterns bright bestar the night
      Pedestrians a-warning.
  With lifted hands Miss Charlotte stands,
      Good-Lording and O-mying,
  Her rheumatism forgotten quite,
      Her fat with anger frying.
  She blocks the path that leads to wrath,
      Jack Satan's power defying.
  The wheels go round without a sound
      The lights burn red and blue and green.
  What's this that's found upon the ground?
      Poor Charlotte Smith's a smithareen!
The wheels spin silently—  
      The maidens celebrate;  
  In a reckless mood, carefree and wild,  
  True spinsters stroll down the path  
      From duty to temptation!  
  They laugh, they sing, and—ding-a-ling!  
      Their bells ring all morning;  
  Their bright lanterns light up the night,  
      Warning passersby.  
  With arms raised, Miss Charlotte stands,  
      Exclaiming good mornings and oh my,  
  Completely forgetting her rheumatism,  
      Her anger boiling away.  
  She blocks the path that leads to trouble,  
      Defying Jack Satan's power.  
  The wheels spin silently,  
      The lights shine red, blue, and green.  
  What’s this found on the ground?  
      Poor Charlotte Smith’s a mess!  

John William Yope

John Yope

SOPHISTRY, n. The controversial method of an opponent, distinguished from one's own by superior insincerity and fooling. This method is that of the later Sophists, a Grecian sect of philosophers who began by teaching wisdom, prudence, science, art and, in brief, whatever men ought to know, but lost themselves in a maze of quibbles and a fog of words.

SOPHISTRY, n. A controversial tactic used by an opponent, marked by greater insincerity and deception than one’s own. This tactic comes from the later Sophists, a group of Greek philosophers who originally taught wisdom, prudence, science, art, and essentially everything people should know, but ultimately got lost in a tangle of arguments and confusing language.

  His bad opponent's "facts" he sweeps away,
  And drags his sophistry to light of day;
  Then swears they're pushed to madness who resort
  To falsehood of so desperate a sort.
  Not so; like sods upon a dead man's breast,
  He lies most lightly who the least is pressed.
  He dismisses his opponent's "facts" easily,  
  And exposes their twisted reasoning for all to see;  
  Then claims it's madness to turn to such blatant lies.  
  But that's not true; like grass on a grave,  
  The one who lies the least is often the most relaxed.  

Polydore Smith

Polydore Smith

SORCERY, n. The ancient prototype and forerunner of political influence. It was, however, deemed less respectable and sometimes was punished by torture and death. Augustine Nicholas relates that a poor peasant who had been accused of sorcery was put to the torture to compel a confession. After enduring a few gentle agonies the suffering simpleton admitted his guilt, but naively asked his tormentors if it were not possible to be a sorcerer without knowing it.

SORCERY, n. The old model and predecessor of political influence. It was, however, considered less respectable and sometimes punished with torture and death. Augustine Nicholas tells the story of a poor peasant who was accused of sorcery and tortured to force a confession. After experiencing a few mild agonies, the suffering simpleton admitted his guilt but innocently asked his tormentors if it was possible to be a sorcerer without realizing it.

SOUL, n. A spiritual entity concerning which there hath been brave disputation. Plato held that those souls which in a previous state of existence (antedating Athens) had obtained the clearest glimpses of eternal truth entered into the bodies of persons who became philosophers. Plato himself was a philosopher. The souls that had least contemplated divine truth animated the bodies of usurpers and despots. Dionysius I, who had threatened to decapitate the broad-browed philosopher, was a usurper and a despot. Plato, doubtless, was not the first to construct a system of philosophy that could be quoted against his enemies; certainly he was not the last.

SOUL, n. A spiritual being that has sparked a lot of debate. Plato believed that souls which had gained the clearest insights into eternal truth in a previous existence (before Athens) entered the bodies of those who became philosophers. Plato himself was a philosopher. The souls that had the least understanding of divine truth inhabited the bodies of usurpers and tyrants. Dionysius I, who threatened to behead the broad-browed philosopher, was a usurper and a tyrant. Plato was certainly not the first to create a philosophical system that could be used against his opponents; he was certainly not the last.

"Concerning the nature of the soul," saith the renowned author of Diversiones Sanctorum, "there hath been hardly more argument than that of its place in the body. Mine own belief is that the soul hath her seat in the abdomen—in which faith we may discern and interpret a truth hitherto unintelligible, namely that the glutton is of all men most devout. He is said in the Scripture to 'make a god of his belly' —why, then, should he not be pious, having ever his Deity with him to freshen his faith? Who so well as he can know the might and majesty that he shrines? Truly and soberly, the soul and the stomach are one Divine Entity; and such was the belief of Promasius, who nevertheless erred in denying it immortality. He had observed that its visible and material substance failed and decayed with the rest of the body after death, but of its immaterial essence he knew nothing. This is what we call the Appetite, and it survives the wreck and reek of mortality, to be rewarded or punished in another world, according to what it hath demanded in the flesh. The Appetite whose coarse clamoring was for the unwholesome viands of the general market and the public refectory shall be cast into eternal famine, whilst that which firmly though civilly insisted on ortolans, caviare, terrapin, anchovies, pates de foie gras and all such Christian comestibles shall flesh its spiritual tooth in the souls of them forever and ever, and wreak its divine thirst upon the immortal parts of the rarest and richest wines ever quaffed here below. Such is my religious faith, though I grieve to confess that neither His Holiness the Pope nor His Grace the Archbishop of Canterbury (whom I equally and profoundly revere) will assent to its dissemination."

"Regarding the nature of the soul," says the well-known author of Diversiones Sanctorum, "there's been hardly more debate than about its location in the body. I believe that the soul resides in the abdomen—in which belief we can see and understand a truth that has been difficult to grasp, namely that the glutton is the most devout of all people. The Scripture says he 'makes a god of his belly'—so why shouldn't he be pious, having his Deity with him to strengthen his faith? Who better than he can understand the power and majesty that he holds? Truly and soberly, the soul and the stomach are one Divine Entity; and this was the belief of Promasius, who erred in denying its immortality. He noticed that its visible and material form deteriorated along with the body after death, but he knew nothing of its immaterial essence. This is what we call the Appetite, which survives the destruction and decay of mortality, to be rewarded or punished in another world based on what it craved in the flesh. The Appetite that clamored for the unhealthy foods of the general market and the public dining hall will face eternal hunger, while that which firmly but politely demanded ortolans, caviar, terrapin, anchovies, pates de foie gras and all such delightful foods will satisfy its spiritual hunger in the souls of the great forever, and quench its divine thirst with the finest and richest wines ever enjoyed here on earth. Such is my belief, though I regret to admit that neither His Holiness the Pope nor His Grace the Archbishop of Canterbury (whom I equally and deeply respect) will agree to share it."

SPOOKER, n. A writer whose imagination concerns itself with supernatural phenomena, especially in the doings of spooks. One of the most illustrious spookers of our time is Mr. William D. Howells, who introduces a well-credentialed reader to as respectable and mannerly a company of spooks as one could wish to meet. To the terror that invests the chairman of a district school board, the Howells ghost adds something of the mystery enveloping a farmer from another township.

SPOOKER, n. A writer whose imagination focuses on supernatural phenomena, particularly involving ghosts. One of the most notable ghost writers of our time is Mr. William D. Howells, who presents a well-qualified reader with a respectable and well-mannered group of ghosts you could hope to encounter. Alongside the fear experienced by the chairman of a local school board, the Howells ghost introduces an air of mystery surrounding a farmer from a different township.

STORY, n. A narrative, commonly untrue. The truth of the stories here following has, however, not been successfully impeached.

STORY, n. A narrative, often fictional. However, the truth of the stories that follow has not been effectively challenged.

One evening Mr. Rudolph Block, of New York, found himself seated at dinner alongside Mr. Percival Pollard, the distinguished critic.

One evening, Mr. Rudolph Block from New York was having dinner next to Mr. Percival Pollard, the well-known critic.

"Mr. Pollard," said he, "my book, The Biography of a Dead Cow, is published anonymously, but you can hardly be ignorant of its authorship. Yet in reviewing it you speak of it as the work of the Idiot of the Century. Do you think that fair criticism?"

"Mr. Pollard," he said, "my book, The Biography of a Dead Cow, is published anonymously, but you can hardly be unaware of who wrote it. Yet in your review, you refer to it as the work of the Idiot of the Century. Do you think that's fair criticism?"

"I am very sorry, sir," replied the critic, amiably, "but it did not occur to me that you really might not wish the public to know who wrote it."

"I’m really sorry, sir," the critic responded kindly, "but I didn’t think you actually wouldn’t want the public to know who wrote it."

Mr. W.C. Morrow, who used to live in San Jose, California, was addicted to writing ghost stories which made the reader feel as if a stream of lizards, fresh from the ice, were streaking it up his back and hiding in his hair. San Jose was at that time believed to be haunted by the visible spirit of a noted bandit named Vasquez, who had been hanged there. The town was not very well lighted, and it is putting it mildly to say that San Jose was reluctant to be out o' nights. One particularly dark night two gentlemen were abroad in the loneliest spot within the city limits, talking loudly to keep up their courage, when they came upon Mr. J.J. Owen, a well-known journalist.

Mr. W.C. Morrow, who used to live in San Jose, California, was hooked on writing ghost stories that made readers feel like a swarm of lizards, fresh from the ice, was racing up their backs and hiding in their hair. At that time, San Jose was thought to be haunted by the ghost of a famous bandit named Vasquez, who had been hanged there. The town wasn’t very well lit, and it’s an understatement to say that San Jose wasn’t keen on being out at night. One particularly dark night, two gentlemen were wandering around in the most isolated part of the city, talking loudly to keep their spirits up, when they ran into Mr. J.J. Owen, a well-known journalist.

"Why, Owen," said one, "what brings you here on such a night as this? You told me that this is one of Vasquez' favorite haunts! And you are a believer. Aren't you afraid to be out?"

"Why, Owen," said one, "what are you doing here on a night like this? You told me this is one of Vasquez's favorite places! And you believe in all of that. Aren't you scared to be out?"

"My dear fellow," the journalist replied with a drear autumnal cadence in his speech, like the moan of a leaf-laden wind, "I am afraid to be in. I have one of Will Morrow's stories in my pocket and I don't dare to go where there is light enough to read it."

"My dear friend," the journalist said with a gloomy, autumnal tone in his voice, like the sound of a wind carrying fallen leaves, "I'm afraid to stay. I have one of Will Morrow's stories in my pocket, and I don't dare go where there's enough light to read it."

Rear-Admiral Schley and Representative Charles F. Joy were standing near the Peace Monument, in Washington, discussing the question, Is success a failure? Mr. Joy suddenly broke off in the middle of an eloquent sentence, exclaiming: "Hello! I've heard that band before. Santlemann's, I think."

Rear-Admiral Schley and Representative Charles F. Joy were standing near the Peace Monument in Washington, talking about whether success is actually a failure. Mr. Joy suddenly paused in the middle of a passionate sentence, exclaiming, "Hey! I recognize that band. I think it’s Santlemann’s."

"I don't hear any band," said Schley.

"I don't hear any band," Schley said.

"Come to think, I don't either," said Joy; "but I see General Miles coming down the avenue, and that pageant always affects me in the same way as a brass band. One has to scrutinize one's impressions pretty closely, or one will mistake their origin."

"Now that I think about it, I don't either," said Joy; "but I see General Miles coming down the street, and that parade always impacts me just like a brass band. You really have to examine your feelings carefully, or you'll confuse where they come from."

While the Admiral was digesting this hasty meal of philosophy General Miles passed in review, a spectacle of impressive dignity. When the tail of the seeming procession had passed and the two observers had recovered from the transient blindness caused by its effulgence—

While the Admiral was taking in this quick meal of ideas, General Miles marched by, a sight of striking dignity. When the end of the apparent procession had gone by and the two onlookers had regained their sight from the bright display—

"He seems to be enjoying himself," said the Admiral.

"He looks like he's having a great time," said the Admiral.

"There is nothing," assented Joy, thoughtfully, "that he enjoys one-half so well."

"There’s nothing," Joy agreed, thoughtfully, "that he enjoys half as much."

The illustrious statesman, Champ Clark, once lived about a mile from the village of Jebigue, in Missouri. One day he rode into town on a favorite mule, and, hitching the beast on the sunny side of a street, in front of a saloon, he went inside in his character of teetotaler, to apprise the barkeeper that wine is a mocker. It was a dreadfully hot day. Pretty soon a neighbor came in and seeing Clark, said:

The famous politician, Champ Clark, once lived about a mile from the village of Jebigue in Missouri. One day, he rode into town on his favorite mule and tied it up in the sun on the street in front of a bar. He went inside as a teetotaler to tell the bartender that wine is deceptive. It was an extremely hot day. Shortly after, a neighbor came in and saw Clark, saying:

"Champ, it is not right to leave that mule out there in the sun. He'll roast, sure!—he was smoking as I passed him."

"Champ, it's not cool to leave that mule out there in the sun. He'll fry, for sure!—he was steaming when I walked past him."

"O, he's all right," said Clark, lightly; "he's an inveterate smoker."

"Oh, he's fine," Clark said casually; "he's a heavy smoker."

The neighbor took a lemonade, but shook his head and repeated that it was not right.

The neighbor took a lemonade, but shook his head and said again that it wasn't right.

He was a conspirator. There had been a fire the night before: a stable just around the corner had burned and a number of horses had put on their immortality, among them a young colt, which was roasted to a rich nut-brown. Some of the boys had turned Mr. Clark's mule loose and substituted the mortal part of the colt. Presently another man entered the saloon.

He was part of a plot. There had been a fire the night before: a stable nearby had burned down, and several horses had met their end, including a young colt, which was charred to a deep nut-brown. Some of the boys had let Mr. Clark's mule loose and replaced it with the remains of the colt. Soon after, another man walked into the bar.

"For mercy's sake!" he said, taking it with sugar, "do remove that mule, barkeeper: it smells."

"For heaven's sake!" he said, taking it with sugar, "please get rid of that mule, bartender: it stinks."

"Yes," interposed Clark, "that animal has the best nose in Missouri. But if he doesn't mind, you shouldn't."

"Yes," Clark said, "that dog has the best nose in Missouri. But if he doesn't care, you shouldn't either."

In the course of human events Mr. Clark went out, and there, apparently, lay the incinerated and shrunken remains of his charger. The boys did not have any fun out of Mr. Clarke, who looked at the body and, with the non-committal expression to which he owes so much of his political preferment, went away. But walking home late that night he saw his mule standing silent and solemn by the wayside in the misty moonlight. Mentioning the name of Helen Blazes with uncommon emphasis, Mr. Clark took the back track as hard as ever he could hook it, and passed the night in town.

In the course of events, Mr. Clark went out, and there, apparently, lay the burned and shriveled remains of his horse. The boys didn’t have any fun with Mr. Clarke, who looked at the body and, with the neutral expression that has helped him so much in his political career, walked away. But on his way home late that night, he saw his mule standing quietly and seriously by the roadside in the misty moonlight. Mentioning the name of Helen Blazes with unusual emphasis, Mr. Clark turned around as quickly as he could and spent the night in town.

General H.H. Wotherspoon, president of the Army War College, has a pet rib-nosed baboon, an animal of uncommon intelligence but imperfectly beautiful. Returning to his apartment one evening, the General was surprised and pained to find Adam (for so the creature is named, the general being a Darwinian) sitting up for him and wearing his master's best uniform coat, epaulettes and all.

General H.H. Wotherspoon, president of the Army War College, has a pet rib-nosed baboon, an animal of unusual intelligence but not quite conventionally beautiful. One evening, as the General returned to his apartment, he was shocked and upset to find Adam (the name of the creature, inspired by the General's Darwinian beliefs) sitting up for him and wearing his master's finest uniform coat, complete with epaulettes.

"You confounded remote ancestor!" thundered the great strategist, "what do you mean by being out of bed after naps?—and with my coat on!"

"You confused ancestor!" yelled the great strategist, "what are you doing up after your naps?—and wearing my coat!"

Adam rose and with a reproachful look got down on all fours in the manner of his kind and, scuffling across the room to a table, returned with a visiting-card: General Barry had called and, judging by an empty champagne bottle and several cigar-stumps, had been hospitably entertained while waiting. The general apologized to his faithful progenitor and retired. The next day he met General Barry, who said:

Adam got up and, giving a disapproving look, got down on all fours like his kind do. He crawled across the room to a table and came back with a visiting card: General Barry had stopped by and, judging by an empty champagne bottle and a few cigar butts, had been warmly welcomed while he waited. The general apologized to his loyal ancestor and left. The next day, he ran into General Barry, who said:

"Spoon, old man, when leaving you last evening I forgot to ask you about those excellent cigars. Where did you get them?"

"Spoon, my friend, when I left you last night, I forgot to ask you about those amazing cigars. Where did you get them?"

General Wotherspoon did not deign to reply, but walked away.

General Wotherspoon didn't bother to respond and just walked away.

"Pardon me, please," said Barry, moving after him; "I was joking of course. Why, I knew it was not you before I had been in the room fifteen minutes."

"Excuse me," said Barry, following him. "I was just kidding, of course. I realized it wasn't you within the first fifteen minutes of being in the room."

SUCCESS, n. The one unpardonable sin against one's fellows. In literature, and particularly in poetry, the elements of success are exceedingly simple, and are admirably set forth in the following lines by the reverend Father Gassalasca Jape, entitled, for some mysterious reason, "John A. Joyce."

SUCCESS, n. The one unforgivable sin against others. In literature, especially poetry, the factors of success are quite straightforward, and are beautifully expressed in the following lines by the Reverend Father Gassalasca Jape, mysteriously titled "John A. Joyce."

  The bard who would prosper must carry a book,
      Do his thinking in prose and wear
  A crimson cravat, a far-away look
      And a head of hexameter hair.
  Be thin in your thought and your body'll be fat;
  If you wear your hair long you needn't your hat.
  The poet who wants to succeed must have a book,
      Think in prose and dress with flair,
  A red scarf, a distant gaze,
      And a head full of flowing verse-like hair.
  Keep your ideas light, and your body will be plump;
  If you let your hair grow long, a hat's not necessary to bump.

SUFFRAGE, n. Expression of opinion by means of a ballot. The right of suffrage (which is held to be both a privilege and a duty) means, as commonly interpreted, the right to vote for the man of another man's choice, and is highly prized. Refusal to do so has the bad name of "incivism." The incivilian, however, cannot be properly arraigned for his crime, for there is no legitimate accuser. If the accuser is himself guilty he has no standing in the court of opinion; if not, he profits by the crime, for A's abstention from voting gives greater weight to the vote of B. By female suffrage is meant the right of a woman to vote as some man tells her to. It is based on female responsibility, which is somewhat limited. The woman most eager to jump out of her petticoat to assert her rights is first to jump back into it when threatened with a switching for misusing them.

SUFFRAGE, n. The expression of opinion through a ballot. The right to vote (considered both a privilege and a responsibility) typically means the ability to vote for someone chosen by another person, and it's highly valued. Refusing to vote is often seen as "incivism." However, the person accused of this behavior cannot be rightly held accountable, as there’s no valid accuser. If the accuser is guilty themselves, they have no credibility in public opinion; if not, they benefit from the situation since A's choice not to vote makes B's vote more influential. Female suffrage refers to a woman’s right to vote as directed by a man. This is based on a limited sense of female responsibility. The woman who is most eager to throw off her constraints to claim her rights is often the first to retreat back into them when faced with punishment for misusing those rights.

SYCOPHANT, n. One who approaches Greatness on his belly so that he may not be commanded to turn and be kicked. He is sometimes an editor.

SYCOPHANT, n. Someone who flatters the powerful to avoid being mistreated. Sometimes, this person is an editor.

  As the lean leech, its victim found, is pleased
  To fix itself upon a part diseased
  Till, its black hide distended with bad blood,
  It drops to die of surfeit in the mud,
  So the base sycophant with joy descries
  His neighbor's weak spot and his mouth applies,
  Gorges and prospers like the leech, although,
  Unlike that reptile, he will not let go.
  Gelasma, if it paid you to devote
  Your talent to the service of a goat,
  Showing by forceful logic that its beard
  Is more than Aaron's fit to be revered;
  If to the task of honoring its smell
  Profit had prompted you, and love as well,
  The world would benefit at last by you
  And wealthy malefactors weep anew—
  Your favor for a moment's space denied
  And to the nobler object turned aside.
  Is't not enough that thrifty millionaires
  Who loot in freight and spoliate in fares,
  Or, cursed with consciences that bid them fly
  To safer villainies of darker dye,
  Forswearing robbery and fain, instead,
  To steal (they call it "cornering") our bread
  May see you groveling their boots to lick
  And begging for the favor of a kick?
  Still must you follow to the bitter end
  Your sycophantic disposition's trend,
  And in your eagerness to please the rich
  Hunt hungry sinners to their final ditch?
  In Morgan's praise you smite the sounding wire,
  And sing hosannas to great Havemeyer!
  What's Satan done that him you should eschew?
  He too is reeking rich—deducting you.
As the skinny leech, its victim realizes, is happy  
To latch onto a sick spot  
Until its black skin is swollen with bad blood,  
It falls to die from excess in the mud,  
So the lowly sycophant happily spots  
His neighbor's weakness and applies his mouth,  
Gorges himself and thrives like the leech, although,  
Unlike that creature, he won't let go.  
Gelasma, if it were worth your time to dedicate  
Your talent to the service of a goat,  
Arguing with strong logic that its beard  
Is more deserving of reverence than Aaron's;  
If loving its scent  
And profit had motivated you,  
The world would finally benefit from you  
And rich wrongdoers would weep again—  
Your favor denied for just a moment  
And directed towards a nobler cause.  
Is it not enough that stingy millionaires  
Who plunder freight and take unfair fares,  
Or, burdened by consciences that urge them to flee  
To safer crimes of darker shades,  
Swearing off robbery, and instead,  
Opt to steal (they call it "cornering") our bread  
Can see you groveling to lick their boots  
And begging for a kick?  
Still, must you follow to the bitter end  
Your sycophantic nature's trend,  
And in your eagerness to please the wealthy  
Hunt down desperate sinners to their final doom?  
In praise of Morgan, you hit the wire,  
And sing hallelujahs to great Havemeyer!  
What has Satan done that you should avoid him?  
He’s also filthy rich—taking you into account.

SYLLOGISM, n. A logical formula consisting of a major and a minor assumption and an inconsequent. (See LOGIC.)

SYLLOGISM, n. A logical structure made up of a major premise, a minor premise, and a conclusion. (See LOGIC.)

SYLPH, n. An immaterial but visible being that inhabited the air when the air was an element and before it was fatally polluted with factory smoke, sewer gas and similar products of civilization. Sylphs were allied to gnomes, nymphs and salamanders, which dwelt, respectively, in earth, water and fire, all now insalubrious. Sylphs, like fowls of the air, were male and female, to no purpose, apparently, for if they had progeny they must have nested in inaccessible places, none of the chicks having ever been seen.

SYLPH, n. A visible but non-physical being that lived in the air when it was a pure element, long before it became contaminated by factory smoke, sewer gas, and other byproducts of civilization. Sylphs were associated with gnomes, nymphs, and salamanders, which resided in earth, water, and fire, respectively, all of which are now unhealthy. Sylphs, like birds in the sky, had males and females, seemingly without reason, because if they had offspring, they must have nested in unreachable locations, as no chicks have ever been seen.

SYMBOL, n. Something that is supposed to typify or stand for something else. Many symbols are mere "survivals"—things which having no longer any utility continue to exist because we have inherited the tendency to make them; as funereal urns carved on memorial monuments. They were once real urns holding the ashes of the dead. We cannot stop making them, but we can give them a name that conceals our helplessness.

SYMBOL, n. Something that is meant to represent or stand for something else. Many symbols are just "survivals"—things that no longer serve a purpose but still exist because we inherited the habit of making them; like funeral urns carved on memorial monuments. They used to be real urns holding the ashes of the deceased. We can't stop making them, but we can label them in a way that hides our inability to let go.

SYMBOLIC, adj. Pertaining to symbols and the use and interpretation of symbols.

SYMBOLIC, adj. Relating to symbols and how they're used and understood.

  They say 'tis conscience feels compunction;
  I hold that that's the stomach's function,
  For of the sinner I have noted
  That when he's sinned he's somewhat bloated,
  Or ill some other ghastly fashion
  Within that bowel of compassion.
  True, I believe the only sinner
  Is he that eats a shabby dinner.
  You know how Adam with good reason,
  For eating apples out of season,
  Was "cursed."  But that is all symbolic:
  The truth is, Adam had the colic.
  They say it's conscience that feels guilt;  
  I think that's just the stomach's role,  
  Because I've noticed about a sinner  
  That when he's done wrong, he feels kind of bloated,  
  Or in some other awful way  
  In that gut of compassion.  
  True, I believe the only real sinner  
  Is the one who eats a bad meal.  
  You know how Adam, for good reason,  
  Was "cursed" for eating apples out of season,  
  But that’s all just symbolic:  
  The truth is, Adam had stomach pains.  

G.J.

G.J.

T

T, the twentieth letter of the English alphabet, was by the Greeks absurdly called tau. In the alphabet whence ours comes it had the form of the rude corkscrew of the period, and when it stood alone (which was more than the Phoenicians could always do) signified Tallegal, translated by the learned Dr. Brownrigg, "tanglefoot."

T, the twentieth letter of the English alphabet, was oddly called tau by the Greeks. In the alphabet that ours is derived from, it looked like a crude corkscrew from that time, and when it appeared alone (which the Phoenicians didn’t always manage), it represented Tallegal, translated by the knowledgeable Dr. Brownrigg as "tanglefoot."

TABLE D'HOTE, n. A caterer's thrifty concession to the universal passion for irresponsibility.

TABLE D'HOTE, n. A caterer's budget-friendly option catering to the common desire for a carefree experience.

  Old Paunchinello, freshly wed,
      Took Madam P. to table,
  And there deliriously fed
      As fast as he was able.

  "I dote upon good grub," he cried,
      Intent upon its throatage.
  "Ah, yes," said the neglected bride,
      "You're in your table d'hotage."
  Old Paunchinello, recently married,  
      Took Madam P. to the table,  
  And there excitedly fed her  
      As quickly as he was able.  
  
  "I love good food," he exclaimed,  
      Focused on its consumption.  
  "Oh, for sure," said the overlooked bride,  
      "You're really into your table d'hotage."

Associated Poets

Featured Poets

TAIL, n. The part of an animal's spine that has transcended its natural limitations to set up an independent existence in a world of its own. Excepting in its foetal state, Man is without a tail, a privation of which he attests an hereditary and uneasy consciousness by the coat-skirt of the male and the train of the female, and by a marked tendency to ornament that part of his attire where the tail should be, and indubitably once was. This tendency is most observable in the female of the species, in whom the ancestral sense is strong and persistent. The tailed men described by Lord Monboddo are now generally regarded as a product of an imagination unusually susceptible to influences generated in the golden age of our pithecan past.

TAIL, n. The part of an animal's spine that has evolved beyond its natural limits to create its own separate existence. Aside from in the womb, humans don’t have tails, a loss that is reflected in the cut of men's coats and the style of women's dresses, as well as a noticeable trend to decorate the area where the tail would be, which definitely once existed. This trend is especially pronounced in females, who feel this ancestral connection strongly. The so-called tailed men mentioned by Lord Monboddo are now mostly seen as the product of an imagination particularly influenced by ideas from our ancient primate history.

TAKE, v.t. To acquire, frequently by force but preferably by stealth.

TAKE, v.t. To get, often by force but usually through sneaky means.

TALK, v.t. To commit an indiscretion without temptation, from an impulse without purpose.

TALK, v.t. To make a mistake without being prompted, driven by a spur of the moment desire.

TARIFF, n. A scale of taxes on imports, designed to protect the domestic producer against the greed of his consumer.

TARIFF, n. A tax system on imports meant to shield local producers from the exploitation by their consumers.

  The Enemy of Human Souls
  Sat grieving at the cost of coals;
  For Hell had been annexed of late,
  And was a sovereign Southern State.

  "It were no more than right," said he,
  "That I should get my fuel free.
  The duty, neither just nor wise,
  Compels me to economize—
  Whereby my broilers, every one,
  Are execrably underdone.
  What would they have?—although I yearn
  To do them nicely to a turn,
  I can't afford an honest heat.
  This tariff makes even devils cheat!
  I'm ruined, and my humble trade
  All rascals may at will invade:
  Beneath my nose the public press
  Outdoes me in sulphureousness;
  The bar ingeniously applies
  To my undoing my own lies;
  My medicines the doctors use
  (Albeit vainly) to refuse
  To me my fair and rightful prey
  And keep their own in shape to pay;
  The preachers by example teach
  What, scorning to perform, I teach;
  And statesmen, aping me, all make
  More promises than they can break.
  Against such competition I
  Lift up a disregarded cry.
  Since all ignore my just complaint,
  By Hokey-Pokey!  I'll turn saint!"
  Now, the Republicans, who all
  Are saints, began at once to bawl
  Against his competition; so
  There was a devil of a go!
  They locked horns with him, tete-a-tete
  In acrimonious debate,
  Till Democrats, forlorn and lone,
  Had hopes of coming by their own.
  That evil to avert, in haste
  The two belligerents embraced;
  But since 'twere wicked to relax
  A tittle of the Sacred Tax,
  'Twas finally agreed to grant
  The bold Insurgent-protestant
  A bounty on each soul that fell
  Into his ineffectual Hell.
The Enemy of Human Souls  
Sat grieving over the price of coal;  
For Hell had recently become  
A solid Southern State.  

"It’s only fair," he said,  
"That I should get my fuel for free.  
The duty, neither fair nor smart,  
Forces me to save—  
Which leaves my broilers, every one,  
Completely undercooked.  
What do they want?—although I want  
To cook them perfectly,  
I can't afford a proper heat.  
This tax even makes devils cheat!  
I’m ruined, and my simple trade  
Is open to all the crooks:  
Right under my nose, the public press  
Outdoes me in sulfurousness;  
The bar cleverly uses  
My own lies against me;  
The doctors use my remedies  
(Though in vain) to deny me  
My fair and rightful prey  
And keep their own in shape to pay;  
The preachers by example show  
What I teach, while refusing to do;  
And statesmen, imitating me,  
Make more promises than they can keep.  
Against this competition, I  
Raise a cry that’s ignored.  
Since everyone dismisses my complaint,  
By Hokey-Pokey! I’ll become a saint!"  
Now, the Republicans, who all  
Are saints, started to shout  
Against his competition; so  
There was quite a ruckus!  
They went head-to-head  
In a heated debate,  
Until Democrats, lonely and sad,  
Hoped to find their own way.  
To avert that evil, in a rush  
The two combatants embraced;  
But since it would be wrong to ease  
A bit of the Sacred Tax,  
They finally agreed to grant  
The bold Insurgent-protestant  
A bounty on each soul that fell  
Into his ineffective Hell.

Edam Smith

Edam Smith

TECHNICALITY, n. In an English court a man named Home was tried for slander in having accused his neighbor of murder. His exact words were: "Sir Thomas Holt hath taken a cleaver and stricken his cook upon the head, so that one side of the head fell upon one shoulder and the other side upon the other shoulder." The defendant was acquitted by instruction of the court, the learned judges holding that the words did not charge murder, for they did not affirm the death of the cook, that being only an inference.

TECHNICALITY, n. In an English court, a man named Home was tried for slander after accusing his neighbor of murder. His exact words were: "Sir Thomas Holt took a cleaver and struck his cook on the head, causing one side of the head to fall onto one shoulder and the other side to fall onto the other shoulder." The defendant was acquitted by the court's direction, the knowledgeable judges determining that the words did not accuse murder since they did not confirm the cook's death; that was merely an inference.

TEDIUM, n. Ennui, the state or condition of one that is bored. Many fanciful derivations of the word have been affirmed, but so high an authority as Father Jape says that it comes from a very obvious source—the first words of the ancient Latin hymn Te Deum Laudamus. In this apparently natural derivation there is something that saddens.

TEDIUM, n. Boredom, the state or condition of feeling uninterested. Many imaginative origins of the word have been suggested, but a strong authority like Father Jape claims it comes from a very clear source—the opening words of the ancient Latin hymn Te Deum Laudamus. In this seemingly straightforward origin, there’s something that is disheartening.

TEETOTALER, n. One who abstains from strong drink, sometimes totally, sometimes tolerably totally.

TEETOTALER, n. Someone who refrains from consuming alcohol, sometimes completely, sometimes mostly.

TELEPHONE, n. An invention of the devil which abrogates some of the advantages of making a disagreeable person keep his distance.

TELEPHONE, n. A creation of the devil that eliminates some of the benefits of making an unpleasant person stay away.

TELESCOPE, n. A device having a relation to the eye similar to that of the telephone to the ear, enabling distant objects to plague us with a multitude of needless details. Luckily it is unprovided with a bell summoning us to the sacrifice.

TELESCOPE, n. A device that relates to the eye like the telephone relates to the ear, allowing us to see distant objects that bombard us with a bunch of unnecessary details. Fortunately, it doesn’t come with a bell calling us to make a sacrifice.

TENACITY, n. A certain quality of the human hand in its relation to the coin of the realm. It attains its highest development in the hand of authority and is considered a serviceable equipment for a career in politics. The following illustrative lines were written of a Californian gentleman in high political preferment, who has passed to his accounting:

TENACITY, n. A specific quality of the human hand in relation to the currency of the land. It reaches its peak in the hands of those in power and is seen as a valuable trait for a career in politics. The following lines serve as an example, written about a Californian gentleman in a prominent political position, who has moved on to his reckoning:

  Of such tenacity his grip
  That nothing from his hand can slip.
  Well-buttered eels you may o'erwhelm
  In tubs of liquid slippery-elm
  In vain—from his detaining pinch
  They cannot struggle half an inch!
  'Tis lucky that he so is planned
  That breath he draws not with his hand,
  For if he did, so great his greed
  He'd draw his last with eager speed.
  Nay, that were well, you say.  Not so
  He'd draw but never let it go!
  His grip is so strong  
  That nothing can escape his hand.  
  You might try to drown well-buttered eels  
  In tubs of slippery elm,  
  But it’s useless—from his grasp  
  They can’t wiggle even a little!  
  It’s a good thing he’s made the way he is  
  That he doesn’t breathe with his hand,  
  Because if he did, his greed is so great  
  He’d suck in his last breath with a rush.  
  No, that's not good, you say. Not really—  
  He’d pull it in but never let it go!  

THEOSOPHY, n. An ancient faith having all the certitude of religion and all the mystery of science. The modern Theosophist holds, with the Buddhists, that we live an incalculable number of times on this earth, in as many several bodies, because one life is not long enough for our complete spiritual development; that is, a single lifetime does not suffice for us to become as wise and good as we choose to wish to become. To be absolutely wise and good—that is perfection; and the Theosophist is so keen-sighted as to have observed that everything desirous of improvement eventually attains perfection. Less competent observers are disposed to except cats, which seem neither wiser nor better than they were last year. The greatest and fattest of recent Theosophists was the late Madame Blavatsky, who had no cat.

THEOSOPHY, n. An old belief that combines the certainty of religion with the mystery of science. The modern Theosophist believes, like Buddhists, that we live countless lives on this earth, in many different bodies, because one life isn't enough for our complete spiritual growth; in other words, a single lifetime doesn’t provide enough time for us to become as wise and good as we aspire to be. To be completely wise and good—that is perfection; and the Theosophist is perceptive enough to have noticed that everything wanting to improve eventually reaches perfection. Less observant people might make an exception for cats, which don’t seem to be any wiser or better than they were a year ago. The largest and most prominent recent Theosophist was the late Madame Blavatsky, who didn’t have a cat.

TIGHTS, n. An habiliment of the stage designed to reinforce the general acclamation of the press agent with a particular publicity. Public attention was once somewhat diverted from this garment to Miss Lillian Russell's refusal to wear it, and many were the conjectures as to her motive, the guess of Miss Pauline Hall showing a high order of ingenuity and sustained reflection. It was Miss Hall's belief that nature had not endowed Miss Russell with beautiful legs. This theory was impossible of acceptance by the male understanding, but the conception of a faulty female leg was of so prodigious originality as to rank among the most brilliant feats of philosophical speculation! It is strange that in all the controversy regarding Miss Russell's aversion to tights no one seems to have thought to ascribe it to what was known among the ancients as "modesty." The nature of that sentiment is now imperfectly understood, and possibly incapable of exposition with the vocabulary that remains to us. The study of lost arts has, however, been recently revived and some of the arts themselves recovered. This is an epoch of renaissances, and there is ground for hope that the primitive "blush" may be dragged from its hiding-place amongst the tombs of antiquity and hissed on to the stage.

TIGHTS, n. A costume piece for the stage intended to boost the general praise from the press with specific publicity. At one point, public attention shifted from this garment to Miss Lillian Russell's decision not to wear it, sparking many speculations about her reasons. Miss Pauline Hall's guess showcased remarkable creativity and deep thought. Miss Hall believed that nature hadn’t blessed Miss Russell with attractive legs. This theory was hard for men to accept, but the idea of flawed female legs was so extraordinarily original that it stood out as one of the most impressive philosophical ideas! It’s odd that amid all the debates about Miss Russell's dislike of tights, nobody seemed to consider attributing it to what the ancients called "modesty." The true nature of that feeling is now not well understood, and it may be beyond our current vocabulary to explain it. Nonetheless, interest in lost arts has recently been rekindled and some of those arts have been recovered. We’re in an era of renaissances, and there is hope that the original "blush" might be revived from its hiding place in the tombs of history and showcased on stage.

TOMB, n. The House of Indifference. Tombs are now by common consent invested with a certain sanctity, but when they have been long tenanted it is considered no sin to break them open and rifle them, the famous Egyptologist, Dr. Huggyns, explaining that a tomb may be innocently "glened" as soon as its occupant is done "smellynge," the soul being then all exhaled. This reasonable view is now generally accepted by archaeologists, whereby the noble science of Curiosity has been greatly dignified.

TOMB, n. The House of Indifference. Tombs are now generally regarded as having a certain sacredness, but once they've been occupied for a long time, it's considered acceptable to break them open and loot them. The famous Egyptologist, Dr. Huggyns, explained that a tomb can be safely "glened" as soon as its occupant is finished "smellynge," with the soul completely released. This sensible perspective is now widely accepted by archaeologists, significantly enhancing the esteemed field of Curiosity.

TOPE, v. To tipple, booze, swill, soak, guzzle, lush, bib, or swig. In the individual, toping is regarded with disesteem, but toping nations are in the forefront of civilization and power. When pitted against the hard-drinking Christians the abstemious Mahometans go down like grass before the scythe. In India one hundred thousand beef-eating and brandy-and-soda guzzling Britons hold in subjection two hundred and fifty million vegetarian abstainers of the same Aryan race. With what an easy grace the whisky-loving American pushed the temperate Spaniard out of his possessions! From the time when the Berserkers ravaged all the coasts of western Europe and lay drunk in every conquered port it has been the same way: everywhere the nations that drink too much are observed to fight rather well and not too righteously. Wherefore the estimable old ladies who abolished the canteen from the American army may justly boast of having materially augmented the nation's military power.

TOPE, v. To drink, booze, swig, gulp, or chug. For individuals, drinking is often looked down upon, but nations that drink are at the forefront of civilization and power. When compared to hard-drinking Christians, the sober Muslims fall like grass before the scythe. In India, one hundred thousand beef-eating Brits who love brandy and soda control two hundred and fifty million vegetarian abstainers of the same Aryan race. How easily the whisky-loving American pushed the moderate Spaniard out of his land! Since the Berserkers ravaged the coasts of western Europe and got drunk in every conquered port, it's been the same: nations that drink heavily tend to fight well, though not always justly. Thus, the commendable ladies who removed the canteen from the American army can proudly say they significantly increased the nation's military power.

TORTOISE, n. A creature thoughtfully created to supply occasion for the following lines by the illustrious Ambat Delaso:

TORTOISE, n. A creature purposely designed to give rise to the following lines by the renowned Ambat Delaso:

TO MY PET TORTOISE

TO MY PET TORTOISE

  My friend, you are not graceful—not at all;
  Your gait's between a stagger and a sprawl.

  Nor are you beautiful:  your head's a snake's
  To look at, and I do not doubt it aches.

  As to your feet, they'd make an angel weep.
  'Tis true you take them in whene'er you sleep.

  No, you're not pretty, but you have, I own,
  A certain firmness—mostly you're backbone.

  Firmness and strength (you have a giant's thews)
  Are virtues that the great know how to use—

  I wish that they did not; yet, on the whole,
  You lack—excuse my mentioning it—Soul.

  So, to be candid, unreserved and true,
  I'd rather you were I than I were you.

  Perhaps, however, in a time to be,
  When Man's extinct, a better world may see

  Your progeny in power and control,
  Due to the genesis and growth of Soul.

  So I salute you as a reptile grand
  Predestined to regenerate the land.

  Father of Possibilities, O deign
  To accept the homage of a dying reign!

  In the far region of the unforeknown
  I dream a tortoise upon every throne.

  I see an Emperor his head withdraw
  Into his carapace for fear of Law;

  A King who carries something else than fat,
  Howe'er acceptably he carries that;

  A President not strenuously bent
  On punishment of audible dissent—

  Who never shot (it were a vain attack)
  An armed or unarmed tortoise in the back;

  Subject and citizens that feel no need
  To make the March of Mind a wild stampede;

  All progress slow, contemplative, sedate,
  And "Take your time" the word, in Church and State.

  O Tortoise, 'tis a happy, happy dream,
  My glorious testudinous regime!

  I wish in Eden you'd brought this about
  By slouching in and chasing Adam out.
  My friend, you aren’t graceful—not at all;  
  Your walk is somewhere between a stumble and a fall.  

  And you're not beautiful: your head looks like a snake's  
  Just to look at, and I bet it hurts and aches.  

  As for your feet, they'd make an angel cry.  
  It’s true you tuck them in whenever you lie.  

  No, you’re not pretty, but I'll admit,  
  You have a certain strength—mostly your grit.  

  Strength and power (you have muscles like a giant)  
  Are qualities that the great know how to flaunt—  

  I wish they didn’t; yet, overall,  
  You lack—sorry to say it—Soul at all.  

  So, to be honest, straightforward, and true,  
  I'd rather be me than to be you.  

  But maybe someday, in a time to come,  
  When humanity's gone, a better world may hum  

  With your offspring in charge and in control,  
  Thanks to the birth and rise of Soul.  

  So I salute you as a grand reptile  
  Meant to bring life back to the land with style.  

  Father of Possibilities, I humbly ask  
  To accept the tribute from a fading past!  

  In the distant realm of the unknown,  
  I dream of a tortoise sitting on every throne.  

  I see an Emperor pulling his head away  
  Into his shell, too scared to face the day;  

  A King who's carrying more than just weight,  
  Though however much he carries, it’s not too great;  

  A President not hell-bent  
  On punishing voices that don't represent—  

  Who’d never shoot (it would be pointless, too)  
  An armed or unarmed tortoise right in view;  

  Subjects and citizens who don't need  
  To turn the March of Mind into a frenzied stampede;  

  All progress slow, thoughtful, and calm,  
  And "Take your time" the motto, serene and warm.  

  O Tortoise, it’s a wonderful, wonderful dream,  
  My glorious tortoise regime!  

  I wish in Eden you’d managed this feat  
  By lounging in and sending Adam to his seat.  

TREE, n. A tall vegetable intended by nature to serve as a penal apparatus, though through a miscarriage of justice most trees bear only a negligible fruit, or none at all. When naturally fruited, the tree is a beneficient agency of civilization and an important factor in public morals. In the stern West and the sensitive South its fruit (white and black respectively) though not eaten, is agreeable to the public taste and, though not exported, profitable to the general welfare. That the legitimate relation of the tree to justice was no discovery of Judge Lynch (who, indeed, conceded it no primacy over the lamp-post and the bridge-girder) is made plain by the following passage from Morryster, who antedated him by two centuries:

TREE, n. A tall plant intended by nature to serve as a punishment tool, though due to a failure of justice, most trees produce little to no fruit. When they do bear fruit, trees act as a beneficial force in society and play an important role in public morals. In the strict West and the sensitive South, the fruit (white and black respectively) may not be consumed, but it's pleasing to the public taste and, while not exported, contributes to the overall good. The rightful connection between the tree and justice wasn't a discovery of Judge Lynch (who, in fact, believed it had no superiority over the lamp-post and the bridge-girder), as shown by the following excerpt from Morryster, who predated him by two centuries:

      While in yt londe I was carried to see ye Ghogo tree, whereof
  I had hearde moch talk; but sayynge yt I saw naught remarkabyll in
  it, ye hed manne of ye villayge where it grewe made answer as
  followeth:
      "Ye tree is not nowe in fruite, but in his seasonne you shall
  see dependynge fr. his braunches all soch as have affroynted ye
  King his Majesty."
      And I was furder tolde yt ye worde "Ghogo" sygnifyeth in yr
  tong ye same as "rapscal" in our owne.
      While in that land, I was taken to see the Ghogo tree, which I had heard a lot about; but when I said I didn’t see anything remarkable about it, the head man of the village where it grew replied as follows:  
      "The tree is not bearing fruit right now, but in its season you will see hanging from its branches all those who have offended His Majesty the King."  
      I was also told that the word "Ghogo" means the same thing in your language as "rascal" does in ours.

Trauvells in ye Easte

Travels in the East

TRIAL, n. A formal inquiry designed to prove and put upon record the blameless characters of judges, advocates and jurors. In order to effect this purpose it is necessary to supply a contrast in the person of one who is called the defendant, the prisoner, or the accused. If the contrast is made sufficiently clear this person is made to undergo such an affliction as will give the virtuous gentlemen a comfortable sense of their immunity, added to that of their worth. In our day the accused is usually a human being, or a socialist, but in mediaeval times, animals, fishes, reptiles and insects were brought to trial. A beast that had taken human life, or practiced sorcery, was duly arrested, tried and, if condemned, put to death by the public executioner. Insects ravaging grain fields, orchards or vineyards were cited to appeal by counsel before a civil tribunal, and after testimony, argument and condemnation, if they continued in contumaciam the matter was taken to a high ecclesiastical court, where they were solemnly excommunicated and anathematized. In a street of Toledo, some pigs that had wickedly run between the viceroy's legs, upsetting him, were arrested on a warrant, tried and punished. In Naples an ass was condemned to be burned at the stake, but the sentence appears not to have been executed. D'Addosio relates from the court records many trials of pigs, bulls, horses, cocks, dogs, goats, etc., greatly, it is believed, to the betterment of their conduct and morals. In 1451 a suit was brought against the leeches infesting some ponds about Berne, and the Bishop of Lausanne, instructed by the faculty of Heidelberg University, directed that some of "the aquatic worms" be brought before the local magistracy. This was done and the leeches, both present and absent, were ordered to leave the places that they had infested within three days on pain of incurring "the malediction of God." In the voluminous records of this cause celebre nothing is found to show whether the offenders braved the punishment, or departed forthwith out of that inhospitable jurisdiction.

TRIAL, n. A formal investigation intended to validate and officially record the unblemished reputations of judges, lawyers, and jurors. To achieve this goal, a contrast is needed in the form of someone called the defendant, the prisoner, or the accused. If this contrast is made clear enough, this person is subjected to a hardship that provides the honorable individuals with a comforting sense of their safety, in addition to their virtue. Nowadays, the accused is typically a person or a socialist, but in medieval times, animals, fish, reptiles, and insects were put on trial. A beast that had taken a human life or practiced witchcraft was formally arrested, tried, and, if found guilty, executed by the public executioner. Insects damaging crops, orchards, or vineyards were summoned to appear in court represented by an attorney, and after testimony, arguments, and condemnation, if they continued to defy the court, the case was escalated to a high religious court, where they were officially excommunicated and cursed. In a street in Toledo, some pigs that had maliciously run between the viceroy's legs, causing him to fall, were arrested under a warrant, tried, and punished. In Naples, a donkey was sentenced to be burned at the stake, though it seems the sentence was not carried out. D'Addosio recounts from court records many trials of pigs, bulls, horses, roosters, dogs, goats, etc., widely believed to have improved their behavior and morality. In 1451, a case was filed against the leeches in some ponds near Berne, and the Bishop of Lausanne, guided by the faculty of Heidelberg University, ordered that some "aquatic worms" be brought before the local court. This was done, and the leeches, both present and absent, were directed to leave the areas they had infested within three days or face "the curse of God." In the extensive records of this notable case, there is no indication of whether the offenders ignored the punishment or left immediately from that unwelcoming jurisdiction.

TRICHINOSIS, n. The pig's reply to proponents of porcophagy.

TRICHINOSIS, n. The pig's response to those who advocate eating pork.

Moses Mendlessohn having fallen ill sent for a Christian physician, who at once diagnosed the philosopher's disorder as trichinosis, but tactfully gave it another name. "You need an immediate change of diet," he said; "you must eat six ounces of pork every other day."

Moses Mendelssohn, feeling unwell, called for a Christian doctor who quickly identified the philosopher's condition as trichinosis but cleverly referred to it by a different name. "You need to change your diet right away," he said, "you should eat six ounces of pork every other day."

"Pork?" shrieked the patient—"pork? Nothing shall induce me to touch it!"

"Pork?" the patient yelled. "Pork? There's no way I'm touching that!"

"Do you mean that?" the doctor gravely asked.

"Do you mean that?" the doctor asked seriously.

"I swear it!"

"I promise!"

"Good!—then I will undertake to cure you."

"Great! Then I'm going to take on the task of helping you get better."

TRINITY, n. In the multiplex theism of certain Christian churches, three entirely distinct deities consistent with only one. Subordinate deities of the polytheistic faith, such as devils and angels, are not dowered with the power of combination, and must urge individually their claims to adoration and propitiation. The Trinity is one of the most sublime mysteries of our holy religion. In rejecting it because it is incomprehensible, Unitarians betray their inadequate sense of theological fundamentals. In religion we believe only what we do not understand, except in the instance of an intelligible doctrine that contradicts an incomprehensible one. In that case we believe the former as a part of the latter.

TRINITY, n. In the complex belief system of some Christian churches, three completely separate deities that exist as one. Unlike subordinate beings in polytheistic faiths, such as devils and angels, who cannot unify their powers and must individually seek worship and offerings, the Trinity stands as one of the most profound mysteries of our sacred faith. By rejecting it because it's incomprehensible, Unitarians show a lack of understanding of core theological principles. In religion, we tend to believe only what we don't fully grasp, except when there's a clear doctrine that contradicts an unclear one. In that situation, we accept the clearer as part of the broader mystery.

TROGLODYTE, n. Specifically, a cave-dweller of the paleolithic period, after the Tree and before the Flat. A famous community of troglodytes dwelt with David in the Cave of Adullam. The colony consisted of "every one that was in distress, and every one that was in debt, and every one that was discontented"—in brief, all the Socialists of Judah.

TROGLODYTE, n. Specifically, a cave-dweller from the Paleolithic era, after the Tree and before the Flat. A notable group of troglodytes lived with David in the Cave of Adullam. The community included "everyone who was in distress, everyone who was in debt, and everyone who was discontented"—essentially, all the Socialists of Judah.

TRUCE, n. Friendship.

TRUCE, n. Amity.

TRUTH, n. An ingenious compound of desirability and appearance. Discovery of truth is the sole purpose of philosophy, which is the most ancient occupation of the human mind and has a fair prospect of existing with increasing activity to the end of time.

TRUTH, n. A clever mix of what we want and how things seem. Finding the truth is the main goal of philosophy, which is the oldest pursuit of the human mind and is likely to continue growing in importance for all time.

TRUTHFUL, adj. Dumb and illiterate.

TRUTHFUL, adj. Uninformed and ignorant.

TRUST, n. In American politics, a large corporation composed in greater part of thrifty working men, widows of small means, orphans in the care of guardians and the courts, with many similar malefactors and public enemies.

TRUST, n. In American politics, a big company mostly made up of hardworking people, low-income widows, orphans under guardianship and the legal system, along with many other wrongdoers and public adversaries.

TURKEY, n. A large bird whose flesh when eaten on certain religious anniversaries has the peculiar property of attesting piety and gratitude. Incidentally, it is pretty good eating.

TURKEY, n. A large bird whose meat, when consumed on specific religious holidays, has the unique quality of demonstrating piety and gratitude. By the way, it’s also pretty tasty.

TWICE, adv. Once too often.

TWICE, adv. One time too many.

TYPE, n. Pestilent bits of metal suspected of destroying civilization and enlightenment, despite their obvious agency in this incomparable dictionary.

TYPE, n. Annoying pieces of metal thought to ruin civilization and knowledge, even though they clearly play a crucial role in this amazing dictionary.

TZETZE (or TSETSE) FLY, n. An African insect (Glossina morsitans) whose bite is commonly regarded as nature's most efficacious remedy for insomnia, though some patients prefer that of the American novelist (Mendax interminabilis).

TZETZE (or TSETSE) FLY, n. An African insect (Glossina morsitans) whose bite is often considered nature's most effective cure for insomnia, although some people prefer the works of the American novelist (Mendax interminabilis).

U

UBIQUITY, n. The gift or power of being in all places at one time, but not in all places at all times, which is omnipresence, an attribute of God and the luminiferous ether only. This important distinction between ubiquity and omnipresence was not clear to the mediaeval Church and there was much bloodshed about it. Certain Lutherans, who affirmed the presence everywhere of Christ's body were known as Ubiquitarians. For this error they were doubtless damned, for Christ's body is present only in the eucharist, though that sacrament may be performed in more than one place simultaneously. In recent times ubiquity has not always been understood—not even by Sir Boyle Roche, for example, who held that a man cannot be in two places at once unless he is a bird.

UBIQUITY, n. The ability or power to be in multiple places at the same time, but not in every place all the time, which is omnipresence, an attribute of God and the luminiferous ether only. This crucial difference between ubiquity and omnipresence wasn't clear to the medieval Church, leading to a lot of conflict. Certain Lutherans, who believed Christ's body was present everywhere, were referred to as Ubiquitarians. For this mistake, they were surely condemned, as Christ's body is only present in the Eucharist, even if that sacrament can be performed in multiple locations at the same time. In recent times, ubiquity hasn't always been understood—like Sir Boyle Roche, for instance, who thought a man can't be in two places at once unless he’s a bird.

UGLINESS, n. A gift of the gods to certain women, entailing virtue without humility.

UGLINESS, n. A gift from the gods to some women, bringing virtue without the need for humility.

ULTIMATUM, n. In diplomacy, a last demand before resorting to concessions.

ULTIMATUM, n. In diplomacy, a final demand before making any concessions.

Having received an ultimatum from Austria, the Turkish Ministry met to consider it.

Having received an ultimatum from Austria, the Turkish Ministry met to discuss it.

"O servant of the Prophet," said the Sheik of the Imperial Chibouk to the Mamoosh of the Invincible Army, "how many unconquerable soldiers have we in arms?"

"O servant of the Prophet," said the Sheik of the Imperial Chibouk to the Mamoosh of the Invincible Army, "how many unbeatable soldiers do we have ready for battle?"

"Upholder of the Faith," that dignitary replied after examining his memoranda, "they are in numbers as the leaves of the forest!"

"Upholder of the Faith," that official responded after looking over his notes, "they are as numerous as the leaves in the forest!"

"And how many impenetrable battleships strike terror to the hearts of all Christian swine?" he asked the Imaum of the Ever Victorious Navy.

"And how many unstoppable battleships terrify all the Christian pigs?" he asked the Imam of the Ever Victorious Navy.

"Uncle of the Full Moon," was the reply, "deign to know that they are as the waves of the ocean, the sands of the desert and the stars of Heaven!"

"Uncle of the Full Moon," was the reply, "please understand that they are like the waves of the ocean, the sands of the desert, and the stars in the sky!"

For eight hours the broad brow of the Sheik of the Imperial Chibouk was corrugated with evidences of deep thought: he was calculating the chances of war. Then, "Sons of angels," he said, "the die is cast! I shall suggest to the Ulema of the Imperial Ear that he advise inaction. In the name of Allah, the council is adjourned."

For eight hours, the Sheik of the Imperial Chibouk furrowed his brow in deep thought, weighing the chances of war. Then he said, "Sons of angels, the die is cast! I will suggest to the Ulema of the Imperial Ear that they recommend staying out of this. In the name of Allah, the council is adjourned."

UN-AMERICAN, adj. Wicked, intolerable, heathenish.

UN-AMERICAN, adj. Evil, unacceptable, unholy.

UNCTION, n. An oiling, or greasing. The rite of extreme unction consists in touching with oil consecrated by a bishop several parts of the body of one engaged in dying. Marbury relates that after the rite had been administered to a certain wicked English nobleman it was discovered that the oil had not been properly consecrated and no other could be obtained. When informed of this the sick man said in anger: "Then I'll be damned if I die!"

UNCTION, n. An oiling or greasing. The ritual of extreme unction involves applying oil consecrated by a bishop to several parts of the body of someone who is dying. Marbury recounts that after this ritual was performed on a certain wicked English nobleman, it was found that the oil had not been properly consecrated and no other could be sourced. When the sick man was informed of this, he replied in anger: "Then I'll be damned if I die!"

"My son," said the priest, "this is what we fear."

"My son," said the priest, "this is what we’re afraid of."

UNDERSTANDING, n. A cerebral secretion that enables one having it to know a house from a horse by the roof on the house. Its nature and laws have been exhaustively expounded by Locke, who rode a house, and Kant, who lived in a horse.

UNDERSTANDING, n. A mental ability that allows someone to distinguish a house from a horse by the roof of the house. Its characteristics and rules have been thoroughly explained by Locke, who experienced life in a house, and Kant, who found himself in a horse.

  His understanding was so keen
  That all things which he'd felt, heard, seen,
  He could interpret without fail
  If he was in or out of jail.
  He wrote at Inspiration's call
  Deep disquisitions on them all,
  Then, pent at last in an asylum,
  Performed the service to compile 'em.
  So great a writer, all men swore,
  They never had not read before.
His understanding was so sharp  
That everything he'd felt, heard, and seen,  
He could make sense of without fail  
Whether he was in jail or not.  
He wrote when Inspiration struck,  
Profound essays on all of them,  
Then, finally confined in a mental health facility,  
He did the job of putting them together.  
Such a great writer, everyone agreed,  
They had never read anything like it before.

Jorrock Wormley

Jorrock Wormley

UNITARIAN, n. One who denies the divinity of a Trinitarian.

UNITARIAN, n. A person who rejects the belief in the Trinity.

UNIVERSALIST, n. One who forgoes the advantage of a Hell for persons of another faith.

UNIVERSALIST, n. Someone who gives up the benefit of Hell for people who believe differently.

URBANITY, n. The kind of civility that urban observers ascribe to dwellers in all cities but New York. Its commonest expression is heard in the words, "I beg your pardon," and it is not inconsistent with disregard of the rights of others.

URBANITY, n. The type of civility that city dwellers are thought to have, except for those in New York. It’s often expressed with the phrase, "I beg your pardon," and doesn’t always align with respect for others' rights.

  The owner of a powder mill
  Was musing on a distant hill—
      Something his mind foreboded—
  When from the cloudless sky there fell
  A deviled human kidney!  Well,
      The man's mill had exploded.
  His hat he lifted from his head;
  "I beg your pardon, sir," he said;
      "I didn't know 'twas loaded."
  The owner of a powder mill  
  Was thinking on a distant hill—  
      Something his mind warned him of—  
  When from the clear sky there fell  
  A fried human kidney! Well,  
      The man’s mill had exploded.  
  He lifted his hat from his head;  
  "I’m sorry, sir," he said;  
      "I didn't know it was loaded."

Swatkin

Swatkin

USAGE, n. The First Person of the literary Trinity, the Second and Third being Custom and Conventionality. Imbued with a decent reverence for this Holy Triad an industrious writer may hope to produce books that will live as long as the fashion.

USAGE, n. The First Person of the literary Trinity, the Second and Third being Custom and Conventionality. With a decent respect for this Holy Triad, a hardworking writer can hope to create books that will endure as long as current trends.

UXORIOUSNESS, n. A perverted affection that has strayed to one's own wife.

UXORIOUSNESS, n. An excessive fondness for one's own wife.

V

VALOR, n. A soldierly compound of vanity, duty and the gambler's hope.

VALOR, n. A mix of pride, responsibility, and a gambler's optimism.

"Why have you halted?" roared the commander of a division and Chickamauga, who had ordered a charge; "move forward, sir, at once."

"Why have you stopped?" shouted the division commander of Chickamauga, who had given the order to charge; "move forward, now!"

"General," said the commander of the delinquent brigade, "I am persuaded that any further display of valor by my troops will bring them into collision with the enemy."

"General," said the leader of the rogue brigade, "I believe that any more acts of bravery from my troops will put them in conflict with the enemy."

VANITY, n. The tribute of a fool to the worth of the nearest ass.

VANITY, n. A foolish person's way of acknowledging the value of the closest idiot.

  They say that hens do cackle loudest when
      There's nothing vital in the eggs they've laid;
      And there are hens, professing to have made
  A study of mankind, who say that men
  Whose business 'tis to drive the tongue or pen
      Make the most clamorous fanfaronade
      O'er their most worthless work; and I'm afraid
  They're not entirely different from the hen.
  Lo! the drum-major in his coat of gold,
      His blazing breeches and high-towering cap—
  Imperiously pompous, grandly bold,
      Grim, resolute, an awe-inspiring chap!
  Who'd think this gorgeous creature's only virtue
  Is that in battle he will never hurt you?
They say that hens make the loudest noise when  
There's nothing important in the eggs they've laid;  
And there are hens, claiming to have studied  
Human nature, who say that men  
Whose job it is to speak or write  
Make the biggest fuss  
Over their most useless work; and I'm afraid  
They're not so different from the hen.  
Look! The drum major in his gold coat,  
His flashy pants and towering hat—  
So impressively pompous, boldly grand,  
Serious, determined, an awe-inspiring guy!  
Who would think this flashy figure's only virtue  
Is that in battle, he won’t actually hurt you?  

Hannibal Hunsiker

Hannibal Hunsiker

VIRTUES, n.pl. Certain abstentions.

VIRTUES, n.pl. Specific refrains.

VITUPERATION, n. Satire, as understood by dunces and all such as suffer from an impediment in their wit.

VITUPERATION, n. Satire as seen by those who are clueless and anyone who struggles with their intelligence.

VOTE, n. The instrument and symbol of a freeman's power to make a fool of himself and a wreck of his country.

VOTE, n. The tool and symbol of a free person's ability to make a fool of themselves and ruin their country.

W

W (double U) has, of all the letters in our alphabet, the only cumbrous name, the names of the others being monosyllabic. This advantage of the Roman alphabet over the Grecian is the more valued after audibly spelling out some simple Greek word, like epixoriambikos. Still, it is now thought by the learned that other agencies than the difference of the two alphabets may have been concerned in the decline of "the glory that was Greece" and the rise of "the grandeur that was Rome." There can be no doubt, however, that by simplifying the name of W (calling it "wow," for example) our civilization could be, if not promoted, at least better endured.

W has, of all the letters in our alphabet, the only complicated name, while the others have simple one-syllable names. This advantage of the Roman alphabet over the Greek one is appreciated even more after trying to spell out a basic Greek word, like epixoriambikos, out loud. Still, many scholars believe that other factors beyond just the difference in the two alphabets may have played a role in the decline of "the glory that was Greece" and the rise of "the greatness that was Rome." However, there’s no doubt that by simplifying the name of W (like calling it "wow," for example), our society could be, if not improved, at least more bearable.

WALL STREET, n. A symbol of sin for every devil to rebuke. That Wall Street is a den of thieves is a belief that serves every unsuccessful thief in place of a hope in Heaven. Even the great and good Andrew Carnegie has made his profession of faith in the matter.

WALL STREET, n. A symbol of wrongdoing that every villain criticizes. The idea that Wall Street is a den of thieves gives every unsuccessful criminal something to cling to instead of faith in a higher power. Even the great and noble Andrew Carnegie has expressed his belief on this issue.

  Carnegie the dauntless has uttered his call
  To battle:  "The brokers are parasites all!"
  Carnegie, Carnegie, you'll never prevail;
  Keep the wind of your slogan to belly your sail,
  Go back to your isle of perpetual brume,
  Silence your pibroch, doff tartan and plume:
  Ben Lomond is calling his son from the fray—
  Fly, fly from the region of Wall Street away!
  While still you're possessed of a single baubee
  (I wish it were pledged to endowment of me)
  'Twere wise to retreat from the wars of finance
  Lest its value decline ere your credit advance.
  For a man 'twixt a king of finance and the sea,
  Carnegie, Carnegie, your tongue is too free!
Carnegie the fearless has called us to fight: "All brokers are parasites!" Carnegie, Carnegie, you won’t win; Keep the wind of your slogan to fill your sail. Go back to your island of constant mist, Silence your bagpipes, take off your tartan and feather: Ben Lomond is calling you away from the battle— Fly, fly from Wall Street's territory! While you still have even one penny (I wish it were dedicated to supporting me), It would be smart to step back from the financial wars Before its value drops before your credit grows. For a man caught between a financial king and the sea, Carnegie, Carnegie, you talk too much!

Anonymus Bink

Anonymous Bink

WAR, n. A by-product of the arts of peace. The most menacing political condition is a period of international amity. The student of history who has not been taught to expect the unexpected may justly boast himself inaccessible to the light. "In time of peace prepare for war" has a deeper meaning than is commonly discerned; it means, not merely that all things earthly have an end—that change is the one immutable and eternal law—but that the soil of peace is thickly sown with the seeds of war and singularly suited to their germination and growth. It was when Kubla Khan had decreed his "stately pleasure dome"—when, that is to say, there were peace and fat feasting in Xanadu—that he

WAR, n. A by-product of peaceful pursuits. The most dangerous political situation is a time of international friendship. A history student who hasn't learned to expect the unexpected can rightfully consider themselves closed off from the truth. "In times of peace, prepare for war" carries a deeper meaning than most people realize; it suggests not only that all earthly things eventually come to an end—that change is the one unchanging and everlasting law—but also that the environment of peace is heavily populated with the seeds of war, which are particularly favorable to their development and expansion. It was when Kubla Khan had ordered his "stately pleasure dome"—in other words, when there was peace and indulgent feasting in Xanadu—that he

                      heard from afar
  Ancestral voices prophesying war.
                      heard from afar
  Ancestral voices predicting war.

One of the greatest of poets, Coleridge was one of the wisest of men, and it was not for nothing that he read us this parable. Let us have a little less of "hands across the sea," and a little more of that elemental distrust that is the security of nations. War loves to come like a thief in the night; professions of eternal amity provide the night.

One of the greatest poets, Coleridge was also one of the wisest people, and it wasn’t by chance that he shared this parable with us. Let’s have a little less of "hands across the sea," and a little more of that fundamental distrust that keeps nations safe. War often sneaks in like a thief in the night; claims of lasting friendship create the darkness.

WASHINGTONIAN, n. A Potomac tribesman who exchanged the privilege of governing himself for the advantage of good government. In justice to him it should be said that he did not want to.

WASHINGTONIAN, n. A person from the Potomac area who traded their right to self-govern for the benefit of good governance. To be fair, it's worth noting that this was not a choice they wanted to make.

  They took away his vote and gave instead
  The right, when he had earned, to eat his bread.
  In vain—he clamors for his "boss," pour soul,
  To come again and part him from his roll.
  They took away his vote and instead gave him  
  The right, when he had earned it, to eat his bread.  
  In vain—he cries out for his "boss," poor soul,  
  To come back and take him away from his role.

Offenbach Stutz

Offenbach Stutz

WEAKNESSES, n.pl. Certain primal powers of Tyrant Woman wherewith she holds dominion over the male of her species, binding him to the service of her will and paralyzing his rebellious energies.

WEAKNESSES, n.pl. Certain fundamental powers of Tyrant Woman that allow her to control the male of her species, compelling him to serve her desires and stifling his rebellious instincts.

WEATHER, n. The climate of the hour. A permanent topic of conversation among persons whom it does not interest, but who have inherited the tendency to chatter about it from naked arboreal ancestors whom it keenly concerned. The setting up official weather bureaus and their maintenance in mendacity prove that even governments are accessible to suasion by the rude forefathers of the jungle.

WEATHER, n. The current climate. A constant topic of discussion among people who aren't really interested but who have inherited the habit of talking about it from our tree-dwelling ancestors who were very concerned about it. The establishment of official weather bureaus and their ongoing deception show that even governments can be influenced by the primal instincts of our primitive ancestors.

  Once I dipt into the future far as human eye could see,
  And I saw the Chief Forecaster, dead as any one can be—
  Dead and damned and shut in Hades as a liar from his birth,
  With a record of unreason seldom paralleled on earth.
  While I looked he reared him solemnly, that incandescent youth,
  From the coals that he'd preferred to the advantages of truth.
  He cast his eyes about him and above him; then he wrote
  On a slab of thin asbestos what I venture here to quote—
  For I read it in the rose-light of the everlasting glow:
  "Cloudy; variable winds, with local showers; cooler; snow."
  Once I dipped into the future as far as the human eye could see,  
  And I saw the Chief Forecaster, as dead as anyone can be—  
  Dead and damned and trapped in Hades as a liar from birth,  
  With a record of nonsense rarely matched on earth.  
  While I watched, he rose solemnly, that bright young man,  
  From the embers he chose over the benefits of truth.  
  He looked around him and above him; then he wrote  
  On a slab of thin asbestos what I dare to quote—  
  For I read it in the rose-light of the everlasting glow:  
  "Cloudy; variable winds, with local showers; cooler; snow."

Halcyon Jones

Halcyon Jones

WEDDING, n. A ceremony at which two persons undertake to become one, one undertakes to become nothing, and nothing undertakes to become supportable.

WEDDING, n. A ceremony where two people commit to becoming one, one person agrees to become nothing, and nothing agrees to become manageable.

WEREWOLF, n. A wolf that was once, or is sometimes, a man. All werewolves are of evil disposition, having assumed a bestial form to gratify a beastial appetite, but some, transformed by sorcery, are as humane as is consistent with an acquired taste for human flesh.

WEREWOLF, n. A wolf that was once, or sometimes is, a man. All werewolves have an evil nature, having taken on a savage form to satisfy a savage craving, but some, changed by magic, can be as human as possible given their developed taste for human flesh.

Some Bavarian peasants having caught a wolf one evening, tied it to a post by the tail and went to bed. The next morning nothing was there! Greatly perplexed, they consulted the local priest, who told them that their captive was undoubtedly a werewolf and had resumed its human form during the night. "The next time that you take a wolf," the good man said, "see that you chain it by the leg, and in the morning you will find a Lutheran."

Some Bavarian farmers caught a wolf one evening, tied it by the tail to a post, and went to sleep. The next morning, it was gone! Confused, they asked the local priest for advice, who told them their captive was definitely a werewolf that had turned back into a human overnight. "Next time you catch a wolf," the priest said, "make sure to chain it by the leg, and in the morning, you’ll find a Lutheran."

WHANGDEPOOTENAWAH, n. In the Ojibwa tongue, disaster; an unexpected affliction that strikes hard.

WHANGDEPOOTENAWAH, n. In the Ojibwa language, disaster; an unforeseen hardship that hits hard.

  Should you ask me whence this laughter,
  Whence this audible big-smiling,
  With its labial extension,
  With its maxillar distortion
  And its diaphragmic rhythmus
  Like the billowing of an ocean,
  Like the shaking of a carpet,
  I should answer, I should tell you:
  From the great deeps of the spirit,
  From the unplummeted abysmus
  Of the soul this laughter welleth
  As the fountain, the gug-guggle,
  Like the river from the canon,
  To entoken and give warning
  That my present mood is sunny.
  Should you ask me further question—
  Why the great deeps of the spirit,
  Why the unplummeted abysmus
  Of the soule extrudes this laughter,
  This all audible big-smiling,
  I should answer, I should tell you
  With a white heart, tumpitumpy,
  With a true tongue, honest Injun:
  William Bryan, he has Caught It,
  Caught the Whangdepootenawah!

  Is't the sandhill crane, the shankank,
  Standing in the marsh, the kneedeep,
  Standing silent in the kneedeep
  With his wing-tips crossed behind him
  And his neck close-reefed before him,
  With his bill, his william, buried
  In the down upon his bosom,
  With his head retracted inly,
  While his shoulders overlook it?
  Does the sandhill crane, the shankank,
  Shiver grayly in the north wind,
  Wishing he had died when little,
  As the sparrow, the chipchip, does?
  No 'tis not the Shankank standing,
  Standing in the gray and dismal
  Marsh, the gray and dismal kneedeep.
  No, 'tis peerless William Bryan
  Realizing that he's Caught It,
  Caught the Whangdepootenawah!
Should you ask me where this laughter comes from,  
Where this big smile you can hear,  
With its lip extension,  
With its jaw distortion  
And its rhythmic breathing  
Like the waves of the ocean,  
Like the shaking of a rug,  
I would respond, I would tell you:  
From the deep places of the spirit,  
From the unexplored depths  
Of the soul, this laughter flows  
Like a fountain, like a bubbling spring,  
Like a river from its source,  
To signify and give a heads-up  
That my current mood is sunny.  
Should you ask me another question—  
Why the deep places of the spirit,  
Why the unexplored depths  
Of the soul produce this laughter,  
This loud, big smile,  
I would answer, I would share  
With an open heart, wholeheartedly,  
With an honest tongue:  
William Bryan has caught it,  
Caught the Whangdepootenawah!  

Is it the sandhill crane, the shankank,  
Standing in the marsh, knee-deep,  
Standing silently in the knee-deep  
With its wings crossed behind it  
And its neck curled in front,  
With its bill, its head, tucked  
In the down on its chest,  
With its head pulled back,  
While its shoulders peer over?  
Does the sandhill crane, the shankank,  
Shiver in the north wind,  
Wishing it had died young,  
Like the sparrow, the chipchip, does?  
No, it’s not the shankank standing,  
Standing in the gray and gloomy  
Marsh, the gray and gloomy knee-deep.  
No, it’s the incomparable William Bryan  
Realizing that he’s caught it,  
Caught the Whangdepootenawah!

WHEAT, n. A cereal from which a tolerably good whisky can with some difficulty be made, and which is used also for bread. The French are said to eat more bread per capita of population than any other people, which is natural, for only they know how to make the stuff palatable.

WHEAT, n. A grain that can be used to make a decent whisky with some effort, and it's also used for bread. It's said that the French consume more bread per capita than any other nation, which makes sense since they're the only ones who know how to make it tasty.

WHITE, adj. and n. Black.

WHITE, adj. and n. Black.

WIDOW, n. A pathetic figure that the Christian world has agreed to take humorously, although Christ's tenderness towards widows was one of the most marked features of his character.

WIDOW, n. A sad figure that the Christian world has decided to treat humorously, even though Christ's compassion toward widows was one of the most notable aspects of his character.

WINE, n. Fermented grape-juice known to the Women's Christian Union as "liquor," sometimes as "rum." Wine, madam, is God's next best gift to man.

WINE, n. Fermented grape juice known to the Women's Christian Union as "liquor," sometimes as "rum." Wine, madam, is God's second-best gift to humanity.

WIT, n. The salt with which the American humorist spoils his intellectual cookery by leaving it out.

WIT, n. The seasoning that the American humorist ruins his intellectual cooking by forgetting to add.

WITCH, n. (1) Any ugly and repulsive old woman, in a wicked league with the devil. (2) A beautiful and attractive young woman, in wickedness a league beyond the devil.

WITCH, n. (1) Any unattractive and disgusting old woman, evil and in cahoots with the devil. (2) A gorgeous and charming young woman, in wickedness a step beyond the devil.

WITTICISM, n. A sharp and clever remark, usually quoted, and seldom noted; what the Philistine is pleased to call a "joke."

WITTICISM, n. A quick and clever comment, often referenced, but rarely acknowledged; what the average person likes to refer to as a "joke."

WOMAN, n.

WOMAN, n.

      An animal usually living in the vicinity of Man, and having a
  rudimentary susceptibility to domestication.  It is credited by
  many of the elder zoologists with a certain vestigial docility
  acquired in a former state of seclusion, but naturalists of the
  postsusananthony period, having no knowledge of the seclusion,
  deny the virtue and declare that such as creation's dawn beheld,
  it roareth now.  The species is the most widely distributed of all
  beasts of prey, infesting all habitable parts of the globe, from
  Greenland's spicy mountains to India's moral strand.  The popular
  name (wolfman) is incorrect, for the creature is of the cat kind.
  The woman is lithe and graceful in its movement, especially the
  American variety (felis pugnans), is omnivorous and can be
  taught not to talk.
      An animal commonly found near humans, with a basic ability to be domesticated. Many older zoologists attribute to it a slight tameness developed during a time of isolation, but naturalists from the postsusananthony era, lacking knowledge of that isolation, reject this idea and claim that it behaves as it always has. This species is the most widely spread of all predators, inhabiting every livable part of the planet, from Greenland's mountains to India's shores. The common name (wolfman) is a misnomer, as this creature belongs to the cat family. The female is agile and graceful in her movements, especially the American variety (felis pugnans), is omnivorous, and can be trained not to talk.

Balthasar Pober

Balthasar Pober

WORMS'-MEAT, n. The finished product of which we are the raw material. The contents of the Taj Mahal, the Tombeau Napoleon and the Grantarium. Worms'-meat is usually outlasted by the structure that houses it, but "this too must pass away." Probably the silliest work in which a human being can engage is construction of a tomb for himself. The solemn purpose cannot dignify, but only accentuates by contrast the foreknown futility.

WORMS'-MEAT, n. The end product made from us as raw material. The contents of the Taj Mahal, the Tomb of Napoleon, and the Grantarium. Worms'-meat usually outlives the structure that contains it, but "this too must pass away." Probably the most foolish thing a person can do is build a tomb for themselves. The serious purpose doesn't add dignity; it only highlights the inevitable futility by contrast.

  Ambitious fool! so mad to be a show!
  How profitless the labor you bestow
      Upon a dwelling whose magnificence
  The tenant neither can admire nor know.

  Build deep, build high, build massive as you can,
  The wanton grass-roots will defeat the plan
      By shouldering asunder all the stones
  In what to you would be a moment's span.

  Time to the dead so all unreckoned flies
  That when your marble is all dust, arise,
      If wakened, stretch your limbs and yawn—
  You'll think you scarcely can have closed your eyes.

  What though of all man's works your tomb alone
  Should stand till Time himself be overthrown?
      Would it advantage you to dwell therein
  Forever as a stain upon a stone?
  Ambitious fool! So crazy to be a spectacle!  
  How pointless the effort you put in  
      To create a place whose grandeur  
  The resident cannot appreciate or even recognize.  

  Build deep, build high, build as solid as you can,  
  The wild roots of grass will ruin your plans  
      By breaking apart all the stones  
  In what would seem like mere moments to you.  

  Time flies by for the dead without a care,  
  So when your marble is just dust, if you awaken,  
      Stretching your limbs and yawning—  
  You’ll feel like you hardly closed your eyes at all.  

  Even if your tomb alone survived all of mankind's works  
  Until Time itself is defeated?  
      Would it benefit you to remain there  
  Forever as a mark on a stone?  

Joel Huck

Joel Huck

WORSHIP, n. Homo Creator's testimony to the sound construction and fine finish of Deus Creatus. A popular form of abjection, having an element of pride.

WORSHIP, n. A human being’s acknowledgment of the skillful design and quality of the created world. A common way to show humility, mixed with a sense of pride.

WRATH, n. Anger of a superior quality and degree, appropriate to exalted characters and momentous occasions; as, "the wrath of God," "the day of wrath," etc. Amongst the ancients the wrath of kings was deemed sacred, for it could usually command the agency of some god for its fit manifestation, as could also that of a priest. The Greeks before Troy were so harried by Apollo that they jumped out of the frying-pan of the wrath of Chryses into the fire of the wrath of Achilles, though Agamemnon, the sole offender, was neither fried nor roasted. A similar noted immunity was that of David when he incurred the wrath of Yahveh by numbering his people, seventy thousand of whom paid the penalty with their lives. God is now Love, and a director of the census performs his work without apprehension of disaster.

WRATH, n. Anger of a higher quality and intensity, fitting for noble characters and significant events; for example, "the wrath of God," "the day of wrath," etc. In ancient times, the anger of kings was considered sacred, as it often called upon the power of a god for proper expression, much like that of a priest. The Greeks before Troy were so tormented by Apollo that they leaped from the frying pan of Chryses’ anger into the fire of Achilles’ wrath, despite Agamemnon, the actual wrongdoer, facing no real consequences. A similar notable escape was that of David when he fell out of favor with Yahweh for counting his troops, resulting in the deaths of seventy thousand of his people. God is now Love, and a census taker can do his job without fear of disaster.

X

X in our alphabet being a needless letter has an added invincibility to the attacks of the spelling reformers, and like them, will doubtless last as long as the language. X is the sacred symbol of ten dollars, and in such words as Xmas, Xn, etc., stands for Christ, not, as is popular supposed, because it represents a cross, but because the corresponding letter in the Greek alphabet is the initial of his name —Xristos. If it represented a cross it would stand for St. Andrew, who "testified" upon one of that shape. In the algebra of psychology x stands for Woman's mind. Words beginning with X are Grecian and will not be defined in this standard English dictionary.

X in our alphabet is a pointless letter that has an added resilience against the challenges posed by spelling reformers, and like them, will likely remain in use as long as the language does. X is the sacred symbol for ten dollars, and in words like Xmas, Xn, etc., it represents Christ, not, as is commonly believed, because it symbolizes a cross, but because the corresponding letter in the Greek alphabet is the initial of his name —Xristos. If it symbolized a cross, it would refer to St. Andrew, who "testified" on one of that shape. In the psychology of algebra, x stands for Woman's mind. Words that start with X are Greek and will not be defined in this standard English dictionary.

Y

YANKEE, n. In Europe, an American. In the Northern States of our Union, a New Englander. In the Southern States the word is unknown. (See DAMNYANK.)

YANKEE, n. In Europe, an American. In the Northern States of our Union, a New Englander. In the Southern States, the term is unfamiliar. (See DAMNYANK.)

YEAR, n. A period of three hundred and sixty-five disappointments.

YEAR, n. A stretch of three hundred and sixty-five letdowns.

YESTERDAY, n. The infancy of youth, the youth of manhood, the entire past of age.

YESTERDAY, n. The early days of youth, the time of young adulthood, the whole history of old age.

  But yesterday I should have thought me blest
      To stand high-pinnacled upon the peak
      Of middle life and look adown the bleak
  And unfamiliar foreslope to the West,
  Where solemn shadows all the land invest
      And stilly voices, half-remembered, speak
      Unfinished prophecy, and witch-fires freak
  The haunted twilight of the Dark of Rest.
  Yea, yesterday my soul was all aflame
      To stay the shadow on the dial's face
  At manhood's noonmark!  Now, in God His name
      I chide aloud the little interspace
  Disparting me from Certitude, and fain
  Would know the dream and vision ne'er again.
But yesterday I thought I was blessed  
      To stand high up on the peak  
      Of middle life and look down the stark  
  And unfamiliar slope to the West,  
  Where serious shadows cover the land  
      And quiet voices, half-remembered, speak  
      Unfinished prophecies, and strange lights dance  
  The haunted twilight of the Dark of Rest.  
  Yes, yesterday my soul was burning  
      To pause the shadow on the sundial's face  
  At noon of manhood! Now, in God's name  
      I loudly scold the little gap  
  Separating me from Certainty, and I long  
  To know the dream and vision never again.

Baruch Arnegriff

Baruch Arnegriff

It is said that in his last illness the poet Arnegriff was attended at different times by seven doctors.

It is said that during his final illness, the poet Arnegriff was seen by seven different doctors at various times.

YOKE, n. An implement, madam, to whose Latin name, jugum, we owe one of the most illuminating words in our language—a word that defines the matrimonial situation with precision, point and poignancy. A thousand apologies for withholding it.

YOKE, n. A tool, ma’am, whose Latin name, jugum, gives us one of the most insightful words in our language—a word that accurately and sharply describes the married situation. I sincerely apologize for not sharing it.

YOUTH, n. The Period of Possibility, when Archimedes finds a fulcrum, Cassandra has a following and seven cities compete for the honor of endowing a living Homer.

YOUTH, n. The Time of Potential, when Archimedes discovers a lever, Cassandra has supporters and seven cities vie for the privilege of supporting a living Homer.

      Youth is the true Saturnian Reign, the Golden Age on earth
  again, when figs are grown on thistles, and pigs betailed with
  whistles and, wearing silken bristles, live ever in clover, and
  cows fly over, delivering milk at every door, and Justice never
  is heard to snore, and every assassin is made a ghost and,
  howling, is cast into Baltimost!
      Youth is the true time of plenty, the Golden Age on earth again, when figs grow on thistles, and pigs with tails that whistle, sporting silky fur, live happily, and cows fly around, delivering milk at every door, and Justice is always alert, and every assassin becomes a ghost and, howling, is sent away!

Polydore Smith

Polydore Smith

Z

ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the buffone, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.

ZANY, n. A popular character in old Italian plays who stupidly mimicked the buffone, or clown, making him the monkey of a monkey; since the clown himself imitated the serious characters of the play. The zany was the ancestor of today’s humor specialist, as we unfortunately know him. In the zany, we see an example of creation; in the humorist, of transmission. Another good example of the modern zany is the curate, who mimics the rector, who mimics the bishop, who mimics the archbishop, who mimics the devil.

ZANZIBARI, n. An inhabitant of the Sultanate of Zanzibar, off the eastern coast of Africa. The Zanzibaris, a warlike people, are best known in this country through a threatening diplomatic incident that occurred a few years ago. The American consul at the capital occupied a dwelling that faced the sea, with a sandy beach between. Greatly to the scandal of this official's family, and against repeated remonstrances of the official himself, the people of the city persisted in using the beach for bathing. One day a woman came down to the edge of the water and was stooping to remove her attire (a pair of sandals) when the consul, incensed beyond restraint, fired a charge of bird-shot into the most conspicuous part of her person. Unfortunately for the existing entente cordiale between two great nations, she was the Sultana.

ZANZIBARI, n. A person from the Sultanate of Zanzibar, located off the eastern coast of Africa. The Zanzibaris, known for their warrior spirit, became widely recognized in this country following a controversial diplomatic incident that took place a few years ago. The American consul in the capital lived in a house that overlooked the sea, with a sandy beach in between. Much to the embarrassment of this official's family, and despite the consul's repeated complaints, the locals continued to use the beach for swimming. One day, a woman went down to the water's edge and was about to take off her sandals when the consul, losing his temper, shot a round of birdshot at the most visible part of her body. Unfortunately for the fragile entente cordiale between two great nations, she was the Sultana.

ZEAL, n. A certain nervous disorder afflicting the young and inexperienced. A passion that goeth before a sprawl.

ZEAL, n. A kind of nervous excitement affecting the young and inexperienced. A passion that often leads to a downfall.

  When Zeal sought Gratitude for his reward
  He went away exclaiming:  "O my Lord!"
  "What do you want?" the Lord asked, bending down.
  "An ointment for my cracked and bleeding crown."
  When Zeal asked Gratitude for his reward  
  He walked away shouting: "Oh my Lord!"  
  "What do you want?" the Lord replied, leaning down.  
  "A balm for my broken and bleeding head."  

Jum Coople

Jum Coople

ZENITH, n. The point in the heavens directly overhead to a man standing or a growing cabbage. A man in bed or a cabbage in the pot is not considered as having a zenith, though from this view of the matter there was once a considerably dissent among the learned, some holding that the posture of the body was immaterial. These were called Horizontalists, their opponents, Verticalists. The Horizontalist heresy was finally extinguished by Xanobus, the philosopher-king of Abara, a zealous Verticalist. Entering an assembly of philosophers who were debating the matter, he cast a severed human head at the feet of his opponents and asked them to determine its zenith, explaining that its body was hanging by the heels outside. Observing that it was the head of their leader, the Horizontalists hastened to profess themselves converted to whatever opinion the Crown might be pleased to hold, and Horizontalism took its place among fides defuncti.

ZENITH, n. The point in the sky directly above someone standing or a growing cabbage. A person in bed or a cabbage in a pot isn't considered to have a zenith, although there was once considerable disagreement among scholars about this, with some believing that body position didn’t matter. These were known as Horizontalists, while their opponents were called Verticalists. The Horizontalist belief was ultimately defeated by Xanobus, the philosopher-king of Abara, who was a devoted Verticalist. When he entered a gathering of philosophers debating the issue, he threw a severed human head at the feet of his opponents and asked them to identify its zenith, explaining that its body was hanging by the heels outside. Upon realizing it was the head of their leader, the Horizontalists quickly claimed to be converted to whatever view the Crown supported, and Horizontalism became part of fides defuncti.

ZEUS, n. The chief of Grecian gods, adored by the Romans as Jupiter and by the modern Americans as God, Gold, Mob and Dog. Some explorers who have touched upon the shores of America, and one who professes to have penetrated a considerable distance to the interior, have thought that these four names stand for as many distinct deities, but in his monumental work on Surviving Faiths, Frumpp insists that the natives are monotheists, each having no other god than himself, whom he worships under many sacred names.

ZEUS, n. The head of the Greek gods, worshiped by the Romans as Jupiter and by modern Americans as God, Gold, Mob, and Dog. Some explorers who have landed on the shores of America, including one who claims to have traveled deep into the continent, believe that these four names refer to four different deities. However, in his important work on Surviving Faiths, Frumpp argues that the natives are monotheists, each one having no god but himself, whom he worships under many sacred names.

ZIGZAG, v.t. To move forward uncertainly, from side to side, as one carrying the white man's burden. (From zed, z, and jag, an Icelandic word of unknown meaning.)

ZIGZAG, v.t. To move forward in an uncertain manner, swaying from side to side, like someone shouldering the weight of responsibility. (From zed, z, and jag, an Icelandic word of unknown meaning.)

  He zedjagged so uncomen wyde
  Thet non coude pas on eyder syde;
  So, to com saufly thruh, I been
  Constreynet for to doodge betwene.
He zigzagged so unusually wide  
That no one could pass on either side;  
So, to get through safely, I’ve been  
Forced to dodge in between.

Munwele

Munwele

ZOOLOGY, n. The science and history of the animal kingdom, including its king, the House Fly (Musca maledicta). The father of Zoology was Aristotle, as is universally conceded, but the name of its mother has not come down to us. Two of the science's most illustrious expounders were Buffon and Oliver Goldsmith, from both of whom we learn (L'Histoire generale des animaux and A History of Animated Nature) that the domestic cow sheds its horns every two years.

ZOOLOGY, n. The study and history of the animal kingdom, including its ruler, the House Fly (Musca maledicta). Aristotle is widely recognized as the father of Zoology, but the name of its mother has been lost to history. Two of the field's most notable figures were Buffon and Oliver Goldsmith, from whom we learn (L'Histoire generale des animaux and A History of Animated Nature) that the domestic cow sheds its horns every two years.


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